That's the substrate that we're exploiting today, whether it's the internet, genetic engineering, laser scanners, guided missiles, fiber optics, high-definition television, sensing, remote-sensing from space and the wonderful remote-sensing photos that we see in 3D weaving, TV programs like Tracker, and Enterprise, CD rewrite drives, flatscreen, Alvin Ailey's Suite Otis, or Sarah Jones' "Your Revolution Will Not Be Between These Thighs," which by the way was banned by the FCC, or ska, all of these things without question, almost without exception, are really based on ideas and abstract and creativity from years before, so we have to ask ourselves, what are we contributing to that legacy right now?
To je ono što mi koristimo danas, bilo da je to Internet, genetičko inženjerstvo, laser skeneri, rakete s navođenjem, optička vlakna, televizija visoke rezolucije, senzori, prikupljanje podataka iz svemira i divne fotografije koje gledamo u 3D prikazu, TV programima poput Trackera, i Enterprisea, CDi za "prženje", ravni ekrani, balet Suite Otis Alvin Ailey-a, ili pjesma Sarah Jones "Tvoja revolucija neće biti između ovih bedara", koja je, inače, zabranjena od strane FCC-a (Federalni odbor za komunikaciju), ili ska, sve te stvari, neupitno, gotovo bez iznimke, zapravo su osnovane na idejama apstrakciji i kreativnosti iz prijašnjih godina, tako da se moramo pitati, kako mi sada doprinosimo tom nasljeđu?