The cowboy costume may have had a tongue-in-cheek aspect to it, or maybe not, but the image of a cowboy is still very much a symbol of America. They shot pictures of Maki as a cowboy, in central park with some horse carriages, and with corvettes, but the shots of him on the subway and on the train tracks created a more unified concept: the NYC skyline with the United Nations in the background, the cowboy, the subway covered in graffiti, and this immigrated singer laid out on the train tracks with a Jugoton contract under his belt. I suppose it is a success story. He came to America to escape oppression, maybe poverty, and now he is coming back home!
Ang cowboy costume ay maaaring nagkaroon ng isang dila-in-pisngi aspeto na ito, o marahil hindi, ngunit ang imahe ng isang cowboy pa rin ang napaka isang simbolo ng America. Sila pagbaril ng mga larawan ng Maki bilang cowboy, sa central park na may ilang mga karwahe kabayo, at may corvettes, ngunit ang mga pag-shot ng kanya sa subway at sa tren track na nilikha ng isang mas pinag-isa konsepto: ang NYC skyline sa mga Bansang Nagkakaisa sa background, ang cowboy, ang subway sakop sa graffiti, at ito immigrate aawit inilatag sa mga riles ng tren na may isang Jugoton kontrata sa ilalim ng kanyang sinturon.