HDTenEightyP/NetNews huggingface dataset:
From: gt5806a@prism.gatech.EDU (Bill Blackwell)
Newsgroups: rec.music.makers
Subject: Digitech GSP5 Signal Processor FOR SALE
Date: 6 Oct 92 19:51:06 GMT
Organization: Georgia Institute of Technology

I don't need my GSP5 anymore so I am selling it.

Brief description of the GSP5:
   -Guitar processor AND preamp
   -99 programmable presets
   -effects include: digital tube distortion, chorus, delay, reverb, multi-tap,
                     flange, equalizer, and amp voicing selection 
   -Stereo outputs
   -MIDI capable
   -Three button footswitch included

It is about 1.5 years old and in excellent condition - manual never used,
original box and packing materials, etc. 
This is a great effects rack for the budget-minded musician.
$250, I'll ship.

If interested, email or call 404-676-1822.  Thanks.
Bill Blackwell     gt5806a@prism.gatech.edu
-- 
  Bill Blackwell                                                   
  Georgia Institute of Technology, Atlanta Georgia, 30332            
  uucp:  ...!{decvax,hplabs,ncar,purdue,rutgers}!gatech!prism!gt5806a 
  Internet: gt5806a@prism.gatech.edu                                   
Xref: sparky rec.music.makers:10061 alt.guitar:8635
From: mike@vm1.mcgill.ca (Mike Woo)
Newsgroups: rec.music.makers,alt.guitar
Subject: Re: SansAmp:  Opinions and comments
Date: 6 Oct 92 17:46:34 GMT
Distribution: na
Organization: Computing Centre, McGill University

In article <6732@blue.cis.pitt.edu.UUCP> jmgst26+@pitt.edu (Joseph M Goodwin) writes:
>I've read nothing but good things about the SansAmp, and I was wondering
>if anyone has anything to say about it?  I'm considering buying one, 
>and would like to hear how people like it.

>Mike

Hi Mike,
    I picked up a SansAmp so I could practise with headphones on 
and not drive my wife nuts.  To put it simply:  it sounds great!
It takes a little tweaking with all the dip switches and knobs it
provides, but you can eventually get a VERY close facsimile of various
tube amp sounds (eg. hi-gain Marshall, crunchy Fender, etc...).  Of course,
nothing sounds EXACTLY like a cranked up tube amp, but IMHO this thing is
definitely worth the money (I picked it up in Boston for about $200).
Can't wait to try it live!

Keep on Rockin,
Mike
Newsgroups: rec.music.makers
From: levin@lmoadm.enet.dec.com (Suegene Levin)
Subject: Re: Singing and playing simultaneously
Organization: Digital Equipment Corporation
Date: Wed, 30 Sep 1992 17:44:59 GMT


In article <2040@gvgspd.GVG.TEK.COM>, mrk@gvgspd.GVG.TEK.COM (Michael R. Kesti) writes...
>In article <5295@gold.gvg.tek.com>
>                        chrisc@gold.gvg.tek.com (Chris Christensen) writes:
> 
>Practice, practice, practice.
> 
>>I can sing, talk and play at the same time.  It's just like the
>>cordination required to get hands and feet to do different things.
> 
I *have* to jump in here...I'm not a musician, but I have a good friend who is.
He plays in a two-piece cover band. He plays guitar, sings, and plays bass using
Taurus bass pedals. They are a *very* good band, booked every weekend and do
excellent covers. It's always fun to watch people in the audience who realize
that not only is he singing and playing guitar, but he's also playing bass with
his feet. It's amazing to watch him play "Questions" or "Blood and Roses". I
guess some people are just really coordinated. *And* he has a really good
voice!

Suegene
From: tnguyen@hpcc01.corp.hp.com (Thinh Nguyen)
Date: Mon, 28 Sep 1992 17:49:43 GMT
Subject: Korg ZD3 Midi Guitar Pickup Wanted
Organization: the HP Corporate notes server
Newsgroups: rec.music.makers

    I looking for a used Korg ZD3 Midi guitar driver(pick-up) for my Z3 Korg
 Midi guitar module, or if you see it at any used music equiqment store,
 please let me know. Does anyone know ZD3 is compatible with Roland GK-1?
    Thanks,
From: martin@sun.com (Martin Leclerc SE Sun Montreal)
Newsgroups: rec.music.makers
Subject: Looking for publisher's address
Date: 30 Sep 92 15:21:37 GMT
Reply-To: martin@sun.com
Organization: Sun Microsystems du Canada

I am looking for the address/coordinates of two publishing companies:

QWEST records
Quincy Jones Productions

Anybody can help ?

TIA !

---

Martin Leclerc			Martin.Leclerc@Canada.sun.com 
System Engineer			(514) 744-9240
Sun Microsystems Canada
From: haley@husc10.harvard.edu (Elizabeth Haley)
Newsgroups: rec.music.makers
Subject: Re: Singing and playing simultaneously
Date: 29 Sep 92 08:38:35 GMT
Article-I.D.: husc3.1992Sep29.043836.15931
Organization: Harvard University Science Center

In article <annius.717696387@freyr> annius@sif.research.ptt.nl (Annius Groenink) writes:
>sumrn@dssv01.crd.ge.com (Robert N. Sum) writes:
>
>>sure they're doing ok.  My experience is that my singing goes bye-bye when I
>>have to think too much about the instrument (guitar, flute) and vice versa.
>
>So you've actually tried to sing and play flute at the same time?
Ever Listen to Jethro Tull?
Check out some of the live stuff...
From: judson@watnxt2.ucr.edu (Michael Judson)
Newsgroups: rec.music.makers
Subject: U2 Tickets for sale
Date: 27 Sep 92 21:41:29 GMT

I have 4 U2 tickets for the October 30 concert at Dodger Stadium.  If anybody
is interested, please E-mail, as I don't regularly check this newsgroup.


--
"I drank what?" -- Socrates

judson@watserv.ucr.edu
From: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
Newsgroups: rec.music.makers
Subject: Re: Halloween Tunes
Date: 2 Oct 1992 23:12:05 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
NNTP-Posting-Host: hela.ins.cwru.edu



Of course, if you're feeling REAL ambitious, you could always do Elton John's
"Funeral for a Friend"...

A couple of other classical suggestions that couls be adapted:
The Erl-king
Hall of the Mountain King
Pavane for a Dead Infant
Symphonie Fantastique
Night On Bald Mountain
Hut Of Baba-yaga from Pictures at an Exhibition
Deis Irae (remember the chase through the apiary in "The Shining"?)

...that should be a set's worth... <<grin>>
-- 
 Joe Ellis  o/~ The Synthetic Filker o/~    |     TesserAct Studios
     Internet:   usr6184a@tso.uc.edu        |       P.O. Box 18577
        GEnie:   J.ELLIS22                  |     Fairfield, OH 45018
    All filked up and no place to sing!     |   New Dimensions In Filk!
Newsgroups: rec.music.makers
From: milo@cbnews.cb.att.com (guy.f.klose)
Subject: Re: Cassettes at half speed for transcription
Organization: AT&T
Date: Mon, 5 Oct 1992 17:37:37 GMT

In article <1992Oct3.134636.16679@sun1.ruf.uni-freiburg.de>, wyneken@sun1.ruf.uni-freiburg.de (Matthew Wyneken) writes:
> While paging through an old number of Guitar Player
> (Sept. 1990 to be precise) I ran across an ad for a
> "2-Speed Music Study Recorder" from Workshop Records
> in Austin, TX.
> 
> Does anybody out there have one? Does it do the trick?
> How much does it cost? Are there any other machines
> that play cassettes at half speed?

The unit coming from Workshop Records is actually a Marantz model.
Marantz has at least four of these models, and the cheapest runs about
US $229.  Workshop Records has a somewhat inflated price.  The same
tape decks from J&R Music World in New Yourk City run more than 10% less.

Note: the two lowest-priced Marantz decks are mono...they have at least
two models which are stereo, but those are not 2-speed decks.

There is also another tape player called "Guitar Ace" or "Rockman" or
something like that.  They also are 2-speed players, run under US $100 I
think, but they do not record tapes.

I like the idea that one other net.person had:  look for a used Nakamichi
tape deck, which might run a hair cheaper than the Marantz units.  If you
want portability, though, to record something on a gig, or something like
that, you may want to stick with the Marantz.

I'm sure of J&R's phone number, if you're looking for an actual price on
the Marantz units, but when I called them, I got their number from
directory assistance: 1-800-555-1212. 

-- 
Guy Klose
milo@mvuxi.att.com
Newsgroups: rec.music.makers
From: skipa@milton.u.washington.edu (Skip Albertson)
Subject: HELP! Studio Set-up Advice!
Summary: HELP! Studio Set-up Advice!
Keywords: HELP, Studio Set-up Advice!
Organization: University of Washington
Date: Tue, 29 Sep 1992 07:28:15 GMT

I just bought components for my new studio and am looking
for advice on the best way to hook it all up.


What I have:

Various synth mods & an Alesis D4 drum mod
a mike
a 4-track
a Quadraverb
a 3630 Compressor
a computer-based sequencer & Voyetra interface with SMPTE
a Mackie 1202 mixer

My main questions concern how to process vocals!  Should I
run the 1/4" plug through the pre-amp in the 4-track & then
to one side of the compressor, then to the Quadraverb (now it's
a stereo signal) and back to tracks 2 & 3 on the 4-track
(assuming I have SMPTE on track 4)?  What should I do with
the other unbused channel on the compressor?  What settings
would you recommend for male vocals?

Thanks in advance for your advice,

alberts@apl-em.apl.washington.edu
Newsgroups: rec.music.makers
From: lombardo@cwis.unomaha.edu (Marc Lombardo)
Subject: Publishing Music
Organization: University of Nebraska at Omaha
Date: Sat, 26 Sep 1992 19:23:00 GMT

Althought I haven't been into making music for very long, I would like some
info on how hard (or easy) it is to get music published.  I am currently
making techorave/industrial type music (Front 242 and FLA are my models/idols)

Now, here is how I would like it:  I get 3 or 4 good songs (mixes) made using
my drum machine and sampler (and possibly a keyboard) all sequenced so that
I can hit start on the drum machine and the entire mix will be played (the
instruments are hooked together via midi).  Now, I head on down to the
nearby recording studio, hook my computer and drum machine up, play the
mixes onto DAT and send it off to Wax Trax! Records (or Third Mind Records).

I believe Wax Trax! is a good label for new industrial groups to start with,
is that true?  Is it as simple as sending WaxTrax a DAT and them sending you
a letter saying 'Your sweet, we want your music', you sign a contract and
make some decent money?

BTW, how much does ave maria and new york style make for a 
single mix on one of those technorave cds? (No Sex Until Marriage, Shut 
Up).  Do they get anything?  

Please give me any info that you may have.  Thanks ...
From: wac@cci632.cci.com (William Christiano)
Newsgroups: rec.music.makers
Subject: Re: Singing and playing simultaneously
Date: 29 Sep 92 16:06:01 GMT
Organization: [Computer Consoles, Inc., Rochester, NY

The most important key in playing and singing simultaneously is PRACTICE,
PRACTICE, PRACTICE, PRACTICE, PRACTICE, and more PRACTICE.  I don't
believe there is any other way to look at it.  It is a matter of
coordination.  It takes some people longer to catch on than others, and 
some may never be able to do it well.  I have a hard enough time singing
back-ups and playing the bass at the same time.  I marvel at Lead Singer/
Bass Players like Geddy Lee or the guy from Level 42.  I can barely play
their parts without singing!  I guess part of it is natural ability too.
Xref: sparky rec.music.makers:9996 rec.music.misc:24474
From: mrk@gvgspd.GVG.TEK.COM (Michael R. Kesti)
Newsgroups: rec.music.makers,rec.music.misc
Subject: Re: REQ: Halloween tunes
Date: 2 Oct 92 16:34:23 GMT
Article-I.D.: gvgspd.2050
Followup-To: rec.music.makers
Organization: Grass Valley Group, Grass Valley  CA

In article <lcgsqaINNrst@exodus.Eng.Sun.COM>
                    milliken@scofield.Corp.Sun.COM (Gary Milliken) writes:

>Watch out:  if your crowd notices you doing explicitly Halloween-related
>tunes, you *will* get asked to do "Monster Mash", so brush up your Boris
>Karloff impressions...

And you might consider singing it this way:

SYSTEM CRASH (to the tune of "The Monster Mash")                
------------   

I was working in the lab, late one night 
When my eyes beheld an eerie sight,
Some smoke from our VAX began to rise 
And suddenly, to my surprise...   


[chorus] 

(There was a crash)   There was a system crash 
(A mighty crash)      I heard the disk heads smash 
(A system crash)      It came down in a flash 
(There was a crash)   A fatal system crash   

The lab manager then appeared from his room, 
Said: "I don't want to be a prophet of doom, 
But we had one like this just the other day 
Which blew up 4 megs and the SBA"   

[chorus]   

The system had just been booted, 
diagnostics had all run through, 
When a power fluck made it all run amuck, 
then SCOTTY and IRVING blew too   


So we'd lost all our VAXes in less than one night 
When a VP came in and said: "hey, that's all right, 
I'll loan you a Venus - here's what to do 
When you call up Support, tell them Gordon sent you...   

[chorus]   



-- 
============================================================================
Michael Kesti  Grass Valley Group, Inc. | "And like, one and one don't make
    mrk@gvgspd.GVG.TEK.COM              |  two, one and one make one."
    !tektronix!gvgpsa!gvgspd!mrk        |         - The Who, Bargain
Newsgroups: rec.music.makers
Subject: Re: Speaker question
From: smills@news.weeg.uiowa.edu (MuffinHead)
Date: Mon, 5 Oct 1992 22:42:40 GMT
Organization: University of Iowa, Iowa City, IA, USA

kimple@vax.muskingum.edu writes:

>I have a small 2-10 speaker cabinet that I'd like to use for my bass...
>maybe even as it's primary speaker cabinet, because I want to get a small
>but powerful package instead of this monster I've been lugging around.
>Anyways, I was thinking of loading it with a pair of 10" "subwoofers," 
>the same speakers that are being used in the car/truck speaker boxes
>(y'know, the grey fuzzy ones?). they seem to push a good deal of sound
>out in the car/truck, so I thought they might work well with my bass.

   Don't do it. Speakers made for music *playback* are quite different than
the speakers made for music *production*. If you were to use speakers made
for playback in a bass cabinet, you'd blow them apart and it would sound
like crap. Only use speakers specifically designed for musical instruments.
   Also, there is a VERY good chance that your 2-10" box is the wrong
dimensions for audio speakers.
Newsgroups: rec.music.makers
From: darrin@arrakis.engin.umich.edu (Darrin P Cardani)
Subject: Re: What is Musenet CD Status???
Date: Mon, 28 Sep 92 12:24:16 EDT
Organization: University of Michigan Engineering, Ann Arbor
Originator: darrin@arrakis.engin.umich.edu


In article <1992Sep28.101309.8953@iccgcc.decnet.ab.com>, ireland@iccgcc.decnet.ab.com writes:
> 
> You out there Craig? I just wanted to make sure you received my
> submission for the Musenet compilation...
> 

I've been having trouble reaching you, also. Not to been an annoyance, but I
just want to make sure that you know I have a submission. I'll be dropping
mine in the mail today.
							Darrin Cardani
darrin@engin.umich.edu
Newsgroups: rec.music.makers,rec.music.newage,rec.music.synth,rec.music.misc,rec.music.folk
From: mxahmad@pbhyg.PacBell.COM (Mehdi Ahmadi)
Subject: How Does a record gets nominated for Gramy's?
Organization: Pacific * Bell
Distribution: usa
Date: Mon, 5 Oct 1992 22:36:19 GMT
Followup-To: poster



	The question says it all. How does an album get nominated for 
	the Gramy's?

	Thanks in advance.



Newsgroups: rec.music.makers,ne.general
From: IMAGING.CLUB@OFFICE.WANG.COM ("Imaging Club")
Subject: Boston Academy of Music Holds Six Hour Rossini Festival
Organization: Mail to News Gateway at Wang Labs
Date: 28 Sep 92 18:56:37 EST

BOSTON, MA--September 27, 1992--The Boston Academy of Music held it six
hour Rossini festival Saturday afternoon, featuring 23 area opera
celebrities and hosted by WGBH's Ron Della Chiesa.  Particularly
impressive were soprano Ellen Chickering who runs the opera program
at the University of Maine, and her former students including soprano
Heather Connolly and the promising mezzo-soprano Sarah Sheperd.
Margaret O'Keefe was another audience favorite, as were many others.

These 23 singers were joined by the 15-member Chorus Pro Musica,
making an altogether enjoyable afternoon for Rossini fans.

By Michael.Willett@OFFICE.Wang.com
Xref: sparky rec.music.makers:9848 alt.guitar:8373 ba.music:1649
From: crisp@netcom.com (Richard Crisp)
Newsgroups: rec.music.makers,alt.guitar,ba.music,sun.music
Subject: Re: Nice guitars for sale (Gibson, Rickenbacker, Alembic, Yamaha)
Keywords: Gibson, Rickenbacker, Alembic, Yamaha
Date: 26 Sep 92 18:24:44 GMT
Organization: Netcom - Online Communication Services  (408 241-9760 guest)

In article <!29nysb.crisp@netcom.com> crisp@netcom.com (Richard Crisp) writes:
>
>
>I have several nice guitars I would like to sell.
>
>	Alembic Electrum (6 string guitar). three pickups
>	active tone electronics, gorgeous vermillion/mahogony/ebony/maple
> 	construction.
>			-$650
>


The Alembic is sold. Sorry!
>	Rickenbacker 481
>	twin humbuckers, phase splitter, blonde maple/white binding
>	bolt on neck. Rare angled frets model!
>	a collector's rarity!
>			-$500
>

Still available.

>	Gibson ES175D
>	Twin humbuckers, blonde maple/white binding. Beautiful
>	appearance and condition.
>			-$700
>

The Gibson is sold too! 

>	Yamaha 12 string
>	Early model (Nippon Gakki made).
>	Solid spruce top/veneer rosewood (book matched) sides and back.
>	Nice case, great sound
>			-$300
>

Still available

-- 
Richard Crisp       Cupertino, Ca.          crisp@netcom.com
(415) 903-3832 wk  "Get rid of the bums!"   (408) 253 4541 fax
Newsgroups: rec.music.makers
From: djohna@TorreyPinesCA.ncr.com (John Ackerman 3568)
Subject: Re: Wireless Vocal Mics
Organization: NCR (Torrey Pines Development Center)
 
  Damn it Jim! I'm a singer not a Rocket Scientist!
Disclaimer: This posting does not neccessarily reflect the opinions of NCR.
Distribution: usa
Date: Fri, 25 Sep 92 16:14:31 GMT

  Sorry for the MIS information. Probably on too many
  dates in TJ.

  I'll go quietly.

  --Johnny A.
Xref: sparky rec.music.makers:9947 alt.guitar:8498 ba.music:1676
From: crisp@netcom.com (Richard Crisp)
Newsgroups: rec.music.makers,alt.guitar,ba.music,sun.music
Subject: Re: I have one for sale Re: In search of the ultimate Chorus effect (for guitar)
Keywords: chorus effect guitar ultimate
Date: 30 Sep 92 16:40:29 GMT
Organization: Netcom - Online Communication Services  (408 241-9760 guest)

In article <l19n4!=.crisp@netcom.com> crisp@netcom.com (Richard Crisp) writes:
>In article <1992Sep23.191610.12762@cbnewsd.cb.att.com> a.roeseler@att.com writes:
>>
>>Just got a Roland Jazz Chorus 120. Now, THAT is a chorus sound I still have
>>to hear comming from a box. Roland claims the full sound comes from
>>two independent amps, that are slightly time delayed and each individually
>>feed a 12'' speaker. Well, whatever it is, I've given up searching for the
>>ultimate chorus sound, I've found it.
>>
>>Armin
>
>
>I have a nice Jazz Chorus 120 for sale. $400 including cover and footswitch.
>120 watts RMS too!
>
>-- 
>Richard Crisp       Cupertino, Ca.          crisp@netcom.com
>(415) 903-3832 wk  "Get rid of the bums!"   (408) 253 4541 fax

The amplifier has been sold. Thanks for the enquiries.

-- 
Richard Crisp       Cupertino, Ca.          crisp@netcom.com
(415) 903-3832 wk  "Get rid of the bums!"   (408) 253 4541 fax
Newsgroups: rec.music.makers
From: ljnelson@unix.amherst.edu (Laird Nelson)
Subject: For Sale: Korg M3R, DDD-5
Organization: Amherst College
X-Newsreader: TIN [version 1.1 PL6]
Date: Mon, 5 Oct 1992 20:40:30 GMT

[ Article crossposted from rec.music.synth ]
[ Author was ljnelson@unix.amherst.edu ]
[ Posted on Sun, 4 Oct 1992 23:57:27 GMT ]

Korg M3R Rack Synth: $500  

A while back, I bought a Korg M3R rackmount unit, thinking I'd be getting a 
mixer soon.  The cash for the mixer never made it; consequently the M3R has 
seen essentially no use since I bought it.  Purchased with light use (studio
only) for $600; I'd like $500 for it.  This is in the middle of the prices that
M3R's have gone for on the net so far, according to the often-posted used
price list.

Korg DDD-5 Drum Machine: $175

Your basic 12-bit sampled drum box, with all the usual editing tools, rudi-
mentary sequencer, etc.  Studio use only; very good to excellent condition.
Again, I'm asking for a price in the middle of the prices I've seen this unit
go for on the net.

Please reply by email only; don't abuse bandwidth.  :)

LAiRD

--
ljnelson@amh.amherst.edu     |
ljnelson@unix.amherst.edu    |           quintet-essential.
(413) 542-2932               |



--
ljnelson@unix.amherst.edu           |
ljnelson@amh.amherst.edu            |          The Quintet-essential.
(413) 542-2932                      |
Xref: sparky rec.music.makers:9969 rec.audio:13228 rec.audio.pro:1867 rec.audio.car:3953
From: day@elmer.orl.mmc.com (Jim Day)
Subject: Re: Where to get 1/4" Phono Cables Cheaply?
Organization: Martin Marietta (Orlando, FL)
Date: Wed, 30 Sep 1992 13:08:56 GMT

My advice:  buy Switchcraft plugs!

These are the best (IMHO)...and really are unually reasonably priced.  The local
music store I deal with sells them for $2.50 each, but I am sure you can buy them
in bulk through some distributor.

-- 
+------------------------------+---------------------------------+	
| Jim Day                      | Office: 407/356-9603            |
| Martin Marietta,  MP1269     | FAX:    407/356-6808            |
| P.O. Box 628007              | Internet: day@elmer.orl.mmc.com |
| Orlando, FL  32862-8007      |                                 |
+------------------------------+---------------------------------+
Xref: sparky rec.music.makers:9856 alt.guitar:8387
From: darkman@cats.ucsc.edu (Axeman)
Newsgroups: rec.music.makers,alt.guitar
Subject: Re: String damping device
Date: 27 Sep 92 07:09:47 GMT
Organization: University of California, Santa Cruz
NNTP-Posting-Host: am.ucsc.edu


tenny@euclid.uucp (Nathan Tenny) writes:


>... and costs slightly less than $50.

but I don't have to take out a >loan<!  What fun is THAT?!
Newsgroups: rec.music.makers
From: darrin@sunmaster.engin.umich.edu (Darrin P Cardani)
Subject: Re: MUSENET update
Date: Fri, 02 Oct 92 12:25:14 EDT
Organization: University of Michigan Engineering, Ann Arbor
Originator: darrin@sunmaster.engin.umich.edu


Craig,
	I'm posting since I've had trouble reaching you by mail. Would it be
possible to post the names of those you've received submissions from? I'd 
just like to make sure you got mine, and I bet others would, also.
							Darrin Cardani
darrin@engin.umich.edu
Newsgroups: rec.music.makers,alt.guitar.bass
From: zawischa@vxdesy.desy.de
Subject: Re: Singing and playing simultaneously
Organization: (DESY, Hamburg, Germany)
Date: Mon, 28 Sep 1992 23:19:17 GMT

In article <1992Sep24.175542.19094@pony.Ingres.COM>, jonb@Ingres.COM (Jon Berger) writes:
> In article <1992Sep24.170537.19557@cas.org>, lrm28@cas.org () writes:
[..]
> I'm always amazed at people who can do this.  I can't even play and talk
> at the same time; it was years before I could even so much as say "One
> more time" or something on that level while playing.  I can sing and play
> at the same time if I'm singing _exactly_ the same tune I'm playing,
> but I absolutely can't do different lines.  I know a lot of people
> who can, though.  
I don't know any explanation, but I too can't even talk while I'm playing.
With two exeptions. One is a song I have written myself. I used to play it
on a guitar first (wll, it's much easier to play a rythm guitar and sing) and
then with my band. On the bass I do very rythmic stuff that does not run
against the singing, I mean the stress is at the same places. The second song
is accompanied by single note quarts, so it is easy to sing.
But I could never shout "Now!" to our drummer or something like that. Would
immidiately kick me out of the line.
Also a DOS brain?
Henrik
*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
Henrik Zawischa				Here I am waiting
zawischa@desyvax.bitnet			Wasting all my time 
zawischa@vxdesy.desy.de			It starts to rain
					My coat gets wet
If you want to know more,		My shoes are soaked	
just ask.				In this dark town
==============================================================================