From: Crawford_Kilian@mindlink.bc.ca (Crawford Kilian)
Subject: Fiction Advice 7: Synopsis
Organization: MIND LINK! - British Columbia, Canada
Date: Fri, 6 Nov 1992 04:22:12 GMT

THE STORY SYNOPSIS
The story synopsis or outline can take many forms; it has no rigid format.
But the synopsis, like the manuscript, should be double-spaced and highly
legible, with frequent paragraphing.

Some synopses cover the whole story, while others supplement a portion of
completed manuscript and presuppose the reader's familiarity with that
portion. If you have broken your novel into chapters, that's a useful way to
divide your synopsis also. You may find, however, that what you thought would
fit into one chapter will expand into two or three.

The major element of the synopsis, and sometimes the only element, is the
narrative.

Usually in present tense:

On a fine spring day in 1923, Lucy Williams applies for a job working for a
mysterious millionaire.
Names and describes major characters:

Lucy's new boss is Donald Matthews, a handsome young businessman scarcely
older than Lucy, but with an unsavory reputation as a rumored bootlegger.

Summarizes major events in the story:

Hurrying home through the storm, Lucy bumps into Kenneth Holwood, Donald's
former partner. Holwood seems deranged, and hints at some terrible secret in
Donald's past.
Indicates the story's point of view:

Lucy mails the package despite her qualms; she wonders what it might contain.
Meanwhile, in a shabby hotel room across town, Holwood meticulously plans the
death of Donald Matthews. (This shows us that the story's point of view is
third-person omniscient; we will skip from one viewpoint to another as events
require.)

Contains virtually no dialogue:

Donald invites Lucy to dinner at a notorious speakeasy, saying she'll enjoy
herself more than she thinks she will.
A list of major characters' names (with brief descriptions) can sometimes be
helpful in keeping the story straight; if used, such a list usually goes at
the beginning of the synopsis.
A background section sometimes precedes the synopsis itself, especially if
the story's context requires some explanation. (This seems especially true of
science fiction, fantasy, and historical novels, where the plot may hinge on
unfamiliar story elements.) Otherwise, such explanation simply crops up where
required in the synopsis.

How long should a synopsis be? I've sold some novels with just two or three
pages. Other writers may write forty or fifty pages of outline. If your
purpose is to interest an editor before the novel is completed, and you
expect the total ms. to run to 90,000 to 120,000 words, a synopsis of four to
ten doublespaced pages should be adequate. After all, you're trying to tempt
the editor by showing her a *brief* sample, giving her grounds for a decision
without a long investment in reading time.
Should you stick to your synopsis? Not necessarily. It's there to help you
and your editor, not to dictate the whole story. Like the itinerary of a
foreign tour, it should give you a sense of direction and purpose while
leaving you free to explore interesting byways; it should also give you a
quick return to the main road if the byway turns into a dead end.


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