HDTenEightyP/NetNews huggingface dataset:
From: awrc@dcs.ed.ac.uk (Al Crawford)
Newsgroups: rec.music.industrial
Subject: Re: Severed Heads
Keywords: Severed Heads
Date: 7 Apr 92 10:10:30 GMT
Reply-To: awrc@dcs.ed.ac.uk (Al Crawford)
Organization: The University Of Edinburgh - Department Of Computer Science

And lo, kevinb@syma.sussex.ac.uk (Kevin Busby) spake unto the masses saying:
>
> Further to concern expressed recently in r.m.i. re the future of Severed
> Heads: I've just received an email reply from Tom Ellard in which he says he
> is not giving up the music business (if that's the right phrase for me to
> use), he just wants to try something different. (As he points out,
> Severed Heads has been going for 12 years now).

Yep, I got the same info here too, and from another source (seems Tom's
been showered with concerned e-mail :-)

The basics are...

Severed Heads as we know it now has ceased to exist. Stephen Jones has gone
off to work full time in TV, Paul Mac (who was on the verge of becoming a
full member)'s band The Lab have just got a deal, so he'll be working full
time on that. Tom's going to take a break to get some other personal things
sorted out and will then be getting some Coklacoma stuff up to demo level.

As for Severed Heads - expect "Twister" in the US soon. After that Nettwerk
want to have final say over the mix and production of any SH material.
Volition also want him to get stuck into some new material soon, as they've
become part of Sony Corp.

So...no more Severed Heads for a while but there *will* probably be more in
the future.

As for the people who suggested a write-in campaign to the labels - Tom
seems to have appreciated this but would prefer it if we left the labels to
him since letter writing would probably do his position more harm than
good. *SO DON'T WRITE TO THE RECORD COMPANIES*. The way he's being treated
at the moment is all down to the recession - the record companies are only
interested in stuff that sells. However Tom seems quite happy with the way
Nettwerk are treating him (letting them use another producer seems a fair
compromise for keeping him on the label).

Which, the demise of SH safely averted, leads us with an interesting
question. Just who will be doing the production of the future SH material?
A bit back my money would have been on it being "Rave" due to Tom's links
with the Puppies, but with SP flying the Nettwerk coop, I guess it'll be
someone else. Valcic? Reely?

--
		      Al Crawford - awrc@dcs.ed.ac.uk
       "Breakdown. Splinter. A thousand fragments disperse and die."
Newsgroups: rec.music.industrial
From: nivekogr@athena.mit.edu (Christopher M Teixeira)
Subject: Re: Spanish Industrial bands-YES!YES!
Summary: Rave to the maximum - no static
Organization: Massachusetts Institute of Technology
Date: Fri, 17 Apr 1992 17:21:04 GMT

In article <1992Apr16.215932.13538@crash.cts.com> jester@crash.cts.com (Ken Bibb) writes:
>
>Does anyone know of any Spanish language industrial bands?
>

   YES!YES!YES!YES!YES!    HOLY SHIT, YES!!!!!

 For pounding, repetitive, sometimes harsh, sometimes near-dancey, EXCELLENT
 industrial music Spain's

                  ------------------------
                  | ESPLENDOR GEOMETRICO |
                  ------------------------

 is absolutely fantastic!!  They have a number of albums out, their stuff
 from before 1985 commands kollector scum prices but their two post '86
 albums (Kosmos and Turbo-machinery) plus a live album may be had from
 noise speciality stores (i.e. RRR).   Dirk Ivens (ex-Klinik) is supposed
 to be releasing a collection of their material on his Body Records label
 --- this should certainly be on your list of 'MUST-BUYS'.  BTW, most of 
 their songs are instrumental but they do 'sing/shout' in Spanish on
 a couple of tracks notably 'Adelante' from Kosmos.

   I have a compilation album at home of Spanish 'Industrial' bands called
 'conspircion' or something...I'll collect the names and post them later.
 The only other band that sticks in my mind is 'Uvegraf' who have a track
 with samples from astronauts on the ill-fated space-shuttle Challenger
 mission.  

   Anyhow, I usually don't like to rave (well, actually -- TWWWWEEEEETTTTT!!!
 throw your hands up! -- maybe once a week) but EG are definitely one of my 
 favourite bands and perhaps a precursor to much of the 'harder' techno that
 is so popular now.


 -Chris Teixeira

Newsgroups: rec.music.industrial
From: aankrom@isis.cs.du.edu (Anthony Ankrom)
Subject: Mark Pauline & SRL
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Sat, 11 Apr 92 06:29:52 GMT


 I heard from a friend of mine that SRL had recently disbanded. Something
about the other members not getting along with Mark. The story sounds
odd... Anybody know anything about this?
 Also I wonder if old (and new) videos are available for the SRL shows.
 
 My father works in a machine shop. He and I are working on a precision
mecahincal arm. (Inspired oddly enough, by the SRL arm...) SRL concoctions
are far bettre than the Anarchist's Cookbook any day!

St. Anthony

Newsgroups: rec.music.industrial
From: ramasubr@ecn.purdue.edu (SUBU Ramasubramanian)
Subject: Indian classical music concert at Purdue
Reply-To: ramasubr@ecn.purdue.edu
Organization: Purdue University Engineering Computer Network
Distribution: usa
Date: Tue, 7 Apr 1992 08:52:16 GMT

========================================================================
<         INDIAN CLASSICAL MUSIC ASSOCIATION OF PURDUE
<         --------------------------------------------
<                    PRESENTS A FLUTE RECITAL
<                            BY
<                      DR. N. RAMANI
<
<A.KANYAKUMARI (VIOLIN)              GURUVAYUR DORAI (MRIDANGAM)
<-----------------------------------------------------------------

			FLUTE: An indian wind instrument
			MRIDANGAM: An indian percussion instrument
==================================================================

<DATE: TUESDAY, APRIL 14, 1992         TIME: 7.30 PM
<VENUE: NORTH BALLROOM, PURDUE MEMORIAL UNION
<       WEST LAFAYETTE, IN 47907
<
<TICKETS: $7 (STUDENTS), $10 (OTHERS)
<         AVAILABLE AT
<         LOEB AND HALL OF MUSIC OFFICES
<FOR TICKET INFO CALL (317) 494 3933

 NOTE FOR FOLKS COMING FROM OUTSIDE OF LAFAYETTE:
 1.Overnight accomodation can be arranged for a max. of 10 persons; let
 us know in advance (email to ramakril@vm.cc.purdue.edu)
 2. Preferably reserve your tickets in advance
 3. Children below 10 will not be permitted
 4. Directions -

Take I65 (South /North) and exit at State Road 25
After the ramp take a left onto 25 South towards
Lafayette.
At the first Trafic Lights (TL) take a right onto
US 52 West
Keep going on US 52 W, pass two TL
On the third TL take a left onto Yeager Rd.
(At this light you should see a Amoco gas station
just ahead of you and ACE Hard Ware Store on your right)
Take a left onto North Western on the next TL
Keep going on North Western. You should see Smittys on
your left after passing the first TL. After this TL
pass one more TL. On the third TL, you should see a McD
on your left and University Buildings on your right.
You are now on the intersection of North Western and
Stadium.

Pass the next TL and take a right onto State St on the
second TL.
Take a right onto Grant St. on the next TL and park in the
garage on your right, which is right after you make the
turn.
North Ball room is in the Purdue Memorial Union
which is opposite to the garage.
From: carruthers@brandonu.ca
Newsgroups: rec.music.industrial
Subject: Re: I want to make Music(But need help!)
Date: 13 Apr 92 17:05:07 GMT
Organization: Brandon University, Brandon, Manitoba, Canada

Pardon me for flaming, but:

In article <6i84iB1w164w@tz.wimsey.bc.ca>, dippybir@tz.wimsey.bc.ca (Jeremy Tolsma) writes:
> kmfdm@csd4.csd.uwm.edu (Michael Alan Johnston) writes:
>> 
>> I owm an IBM computer and just purchased a SOund BLASTER pro.
>> And now I want to make"industrial" music with my computer.
>> is this possible?
>> I don't own a keyboard or sampler or drum machine or anything like that
>> of music from it?  What is needed to start out Can someone help me out
>> Thanks
>> 
>  
> SURE of course its possible, but y fiddle around anyways?  I suggest u sell 
> your computer & your SBpro, & buy a few hours at a local recording studio 
[...babbling that looks like it was written by a 3 year old girl deleted...]
> Find more money somewhere & cut your own CDS, try 2 sell them at your gigs.

Don't be such a fucking dork.  It was a serious question which deserved a
tiny bit of thought rather than the garbage that actually appeared in this
post.  Or is it too much to expect serious answers to serious questions on
this group sometimes?  (Apologies to those who ARE helpful...)

Just a tiny bit annoyed,

Sean
carruthers@tkm.BrandonU.ca
From: jkn@ohm.york.ac.uk (John Nicoll)
Newsgroups: rec.music.industrial
Subject: Cab. Voltaire recommendations for beginner...
Date: 16 Apr 92 13:06:06 GMT
Organization: Electronics Department, University of York, UK

I'm interested in buying some Cabaret Voltaire records
but haven't heard much of their stuff & am looking for
recommendations (I can't afford to buy on spec. at the
moment). A while ago I heard a great track which I
was told was by CV but forgot to ask the title - 
lots of repetitive/wailing saxaphone-type noises. A friend
thinks this is around `Susperia' time. Confirmation/
refutation would be helpful.

please email any replies.
	thanks
		john nicoll


-- 
john nicoll (jkn@ohm.york.ac.uk)
Department of Electronics  University of York
Heslington   YORK YO1 5DD U.K
Tel +44 (904) 432381   Fax +44 (904) 432335
From: oconnenr@cnsvax.uwec.edu
Newsgroups: rec.music.industrial
Subject: (Clan of) Xymox
Date: 9 Apr 92 05:19:15 -0600
Organization: University of Wisconsin Eau Claire

	I was wondering where one can find a list of mailing lists for
  bands?   Specifically, I am looking to get on the mailing list for
  Xymox.  If, uh, anyone could help me out on this, that would be great!


  -Neal
Newsgroups: rec.music.industrial
From: lmn52210@uxa.cso.uiuc.edu (Ramona)
Subject: NAKED RAYGUN, If You Care...
Organization: University of Illinois at Urbana
Date: Fri, 17 Apr 1992 01:12:55 GMT

Who wants a show???  I DO, I DO!!!!!  Anyway, NAKED RAYGUN will be performing 
at the Riviera in Chicago the last Saturday in May (a week after Skinny
Puppy if you're keeping track).  The address is 4746 N. Racine at Lawrence
and Broadway.  Ticketmaster works, as well.  At present they are working on a 
new album slated for Sept.-Oct.-Nov. release (I really hope they don't pull
a Ministry on us, it's been about 2 years since the last one).  In reference 
to rumors concerning participation in Poppalapooza II, noone has approached
them concerning it.  Anything else?

				  
					   Ramona                                                                                                                                                                                                   "Isn't life a fuckin' ball?"
                                 --Wonder Beer


    "What I feel makes me alive 
     Goes beyond what they decide
     Can't fight what gives you life
     That's TREASON!!!!"
				     --Treason

D


										    "Revlin' in the madness you and I"

Newsgroups: rec.music.industrial
From: cgrazian@engws9.ic.sunysb.edu (GRAZIANO)
Subject: Re: Puppy Live album, one track
Originator: cgrazian@engws9.ic.sunysb.edu
Organization: State University of New York at Stony Brook
Date: Thu, 9 Apr 1992 18:10:25 GMT

>>  
>>   as well as the fact that at least some of the AintItDeadYet CD's were
>>  released registering only ONE track..
>>
>do you mean to say that some of them had MORE than one track?  as in
>each song actually being indexed?  mine only has one track and it bugs
>the piss out of me.  

It was my understanding that the live album was put into one track on purpose.
The idea is that you listen to the whole album at once, the same way you
listen to a whole concert at once.
-- 
Christopher Graziano, Stony Brook, NY           /-------\ <===+
cgrazian@ic.sunysb.edu (129.49.12.74)           | O   O |     |
Bitnet: CGRAZIAN@SBCCVM                         | \___/ |  The Elder
                                                \_______/    Sign
From: awrc@dcs.ed.ac.uk (Al Crawford)
Newsgroups: rec.music.industrial
Subject: Richard H Kirk
Date: 16 Apr 92 12:39:03 GMT
Reply-To: awrc@dcs.ed.ac.uk (Al Crawford)
Organization: The University Of Edinburgh - Department Of Computer Science

I notice that Richard H Kirk's album _Disposable Half Truths_ is now out on
CD. Judging by the 1978 copyright date I've got an idea what to expect but
can anyone provide a pocket review?

--
		      Al Crawford - awrc@dcs.ed.ac.uk
       "Breakdown. Splinter. A thousand fragments disperse and die."
Newsgroups: rec.music.industrial
From: lancer@lagrange.WPI.EDU (Stephen Lewis Foskett)
Subject: Re: Think Tree
Organization: Worcester Polytechnic Institute, Worcester, MA 01609-2280
	<LANCER.92Apr9094750@starbird.WPI.EDU>
	<1992Apr10.004323.26131@news.media.mit.edu>
Date: Tue, 14 Apr 1992 02:39:13 GMT

I went to see Think Tree last night at Pearl Street in Northampton, Mass.

They're definitely going in a more beat-oriented direction.  They were
great.  Played for 90 minutes and kicked ass.  They played many of the
songs from 813 and Like The Idea and three or four unreleased ones,
including a new one called (if I remember correctly) "Crown Machine" which
was about "the trials and tribulations of being elected president".  This
was definitely one of the better shows I've seen.

Bizarre thing: I believe that "The Living Room" from Like The Idea was
originally called "Ridiculous".  I think this because a) I've got a "live
rare recording" of them from '89 including that song and labeled from the
setlist.  The song was called "ridiculous" on the setlist. b) I am pretty
sure the sequencer displayed song titles on a little LED on the front, and
being near the stage, I glanced down at it and saw what looked like
"ridiculous" while they were playing "the Living Room".  So why would it be
called Ridiculous?  hmmmm....  That really has nothing to do with the
song...

But I digress.  Check out Think Tree.  Live is infinitely preferable,
though the releases (and live recordings) are great too.

.s.
--
- lancer@wpi.wpi.edu - modem (508)slob0pc - lancer@well.sf.ca.us -
-                  Here he comes - father's pride                -
-       With a head filled up with devil dogs and genocide       -
Newsgroups: rec.music.industrial
From: jreid@jarthur.claremont.edu (Jeffrey G Reid)
Subject: Whitehouse
Organization: Isomorphic Records
Date: Wed, 15 Apr 1992 23:48:49 GMT

  Does anyone out there know how much the original compies of the Whithouse
releases psychopathia sexualis, et al are worth? (you know, the ones with all
the same sleeve except for the little sticker that tells you what's on the
album and 'Come Transmissions' printed on the record)  I don't have any for
sale but I am interested in what they are worth.  Thanks in advance.

|+--------------------------------------------------------------------+|
| Jeff Reid  Internet: jreid@jarthur.claremont.edu | go!bang!boom!pow! |
|----------------------------------------------------------------------|
| "It is well known that bullets and other missiles fired at Superman  |
|  simply bounce off his chest as in Fig. 10-23."                      |
|            -- Fundamentals of Physics  2nd Ed. (Halliday & Resnick)  |
|+--------------------------------------------------------------------+|
From: malcolm@wrs.com (Malcolm Humes)
Newsgroups: rec.music.industrial
Subject: Re: SPK: eggs on a plate
Date: 16 Apr 92 19:03:06 GMT
Organization: Wind River Systems, Inc.

ebestrom@mac.cc.macalstr.edu writes:
> "Information Overload Unit" was an early album of shitty
>unmoving lo-fi noise I could have made myself over a weekend (not empowering
>but boring.) 

What I found most amusing about this 1st lp was the booklet that came with it 
that detailed subsonic and supersonic sound as weapons and had stuff that 
looked like reports from government tests on such. Stuff like sound being used
to kill, disorient, etc. Very interesting material, and it suggested that 
maybe there was a scientific foundation under some of what they were doing. 
It suggested that they might be dangerous. My copy was stolen years ago. 

>Later records include the "Machine Age Voodoo" and
>"Fetish" singles of about 1983 which take the dance-poppy approach long before
>any of these modern whippersnappers, but SPK wasn't doing what they did  best.

There was a cassette only release on Fresh Sounds(?) from Lawrence Kansas
of an SPK live performance there around 1981-83 or so. I don't think this was
a boot. It was pretty much full of the dance beat kinda stuff. I have a copy 
gathering dust if some collector wants to offer me wads of cash for it. Same 
goes for the single mentioned below.  

>	By the way, I've heard of SPK as standing for "Systems Planning
>Korporation", "Socialistisches Patienten Klinik" and "Surgical Penis Klinik."
>Any other acronymic ideas out there?

I have an early single under the Surgical Penis Klinik name, I think from 
before their 2nd lp, maybe on industrial records? 

  - malcolm@wrs.com
From: dippybir@tz.wimsey.bc.ca (Jeremy Tolsma)
Newsgroups: rec.music.industrial
Subject: Re: I want to make Music(But need help!)
Date: Tue, 14 Apr 92 14:59:32 PDT
Organization: Somewhere in The Twilight Zone, Vancouver, B.C

carruthers@brandonu.ca writes:

> Pardon me for flaming, but:
> 
> In article <6i84iB1w164w@tz.wimsey.bc.ca>, dippybir@tz.wimsey.bc.ca (Jeremy T
> > kmfdm@csd4.csd.uwm.edu (Michael Alan Johnston) writes:
> >> 
> >> I owm an IBM computer and just purchased a SOund BLASTER pro.
> >> And now I want to make"industrial" music with my computer.
> >> is this possible?
> >> I don't own a keyboard or sampler or drum machine or anything like that
> >> of music from it?  What is needed to start out Can someone help me out
> >> Thanks
> >> 
> >  
> > SURE of course its possible, but y fiddle around anyways?  I suggest u sell
> > your computer & your SBpro, & buy a few hours at a local recording studio 
> [...babbling that looks like it was written by a 3 year old girl deleted...]
> > Find more money somewhere & cut your own CDS, try 2 sell them at your gigs.
> 
> Don't be such a fucking dork.  It was a serious question which deserved a
> tiny bit of thought rather than the garbage that actually appeared in this
> post.  Or is it too much to expect serious answers to serious questions on
> this group sometimes?  (Apologies to those who ARE helpful...)
> 
 
Thanx 4 helping out so much.
From: sboyle@maths.tcd.ie (Simon Boyle)
Newsgroups: rec.music.industrial
Subject: Re: Mark Pauline & SRL
Date: 13 Apr 92 15:04:11 GMT
Organization: Dept. of Maths, Trinity College, Dublin, Ireland.
Organisation: Trinity College Dublin, League for Programming Freedom, and Church of the SubGenius. Three for starters.

In <1992Apr12.191942.27283@adobe.com> dkletter@adobe.com (SUGAR in their vitamins?) writes:

>In article <1992Apr12.062730.5712@leland.Stanford.EDU> srfrrosa@leland.Stanford.EDU (Maiko Hara) writes:
>>SRL tours Europe, but a guy from SRL told us that it was the last show 
>>in the US until they return from Europe.

>yeah, that's true. aparantly, Mark is not able to do shows around these
>parts anymore because the city doesn't "approve" of all the fires and
>burnings and general chaos involved.

Can anyone tell me where they'll be performing, or where I can
get such information? I'd love to see 'em.

>hasta.

>-- 
>Yes.  Beautiful, wonderful nature.  Hear it sing to us: *snap*  Yes.  natURE.
--
    doctorgonzo <sboyle@maths.tcd.ie> -><- unemployed C/UNIX hacker and KSC

  Join the League for Programming Freedom and protect your freedom to program.
   "I find the Law of Fives to be more and more manifest the harder I look."
From: t89par@tdb.uu.se (Par Svensson)
Newsgroups: rec.music.industrial
Subject: Re: Who is this "Al" guy, anyway?
Date: 10 Apr 92 23:45:27 GMT
Organization: Dept. of Scientific Computing, Uppsala Univ.

moon!cyberden!system@well.sf.ca.us writes:
: Never heard of him.
: <X>
: 
: __________________________________________________________________________
:    |       /         |\
:    | H E   \ Y B E R |/ E N       [ moon!cyberden!system@well.sf.ca.us ]


Weird Al Yancovic!
From: dalek242@tz.wimsey.bc.ca (S. Fritter)
Newsgroups: rec.music.industrial
Subject: Re: Bad Puppy, BAD!!
Date: Thu, 09 Apr 92 02:12:05 PDT
Organization: Somewhere in The Twilight Zone, Vancouver, B.C

dan@cafws1.eng.uci.edu (Dan Harkless) writes:

> In article <1992Mar30.171816.29169@javelin.sim.es.com> pashdown@javelin.sim.e
> >dan@cafws1.eng.uci.edu (Dan Harkless) writes:
> >
> >>>[...]  Could YOU afford to pay Giger to do a for-your-band-only cover??  I
> >>>not like these guys are rich or anything!  (Only cEVIN has a car - and it'
> >>>VW Bug, fer chrissakes ... )
> >
> >>	Why is this, Greg?  Did they get really screwed over by Nettwerk in
> >>their early, naive (music industry-wise) days?  With so much stuff out, you
> >>think they'd have more money than say, I do, a college student / research
> >>assistant, but from the sound of it, they don't.  (For the record, I make a
> >>$10,000 a year - do they make less???)
> >
> >How many paintings has Giger done for you?
> 
> 	Uh, I didn't mean why don't they have enough to pay off Herr Giger, I
> meant why don't they have enough to live in more expensive lodgings and all
> own nice autos. 
> 

  well, first, cevin's VW is a very nice VW..  very white..
 
  you have to realize that skinny puppy really are NOT all that
 popular, in fact, in their home-town here in vancouver, they have
 trouble selling 1000 tickets for their shows every two years..
 
  it's not like they have ever had a gold album or anything..
 you'd think they would have the way you hear about them, but then
 you realize that it's only a "small crowd" which is talking about
 them..   the rest of the world still doesn't know them from
 blackberry honey
 
 anyhow, it is late, good night
DSXMCHNA(G42)
dalek242@tz.wimsey.bc.ca
From: ringworm@sys6626.bison.mb.ca (Count Ringworm)
Newsgroups: rec.music.industrial
Subject: Re: Q: industrial definition?
Date: 8 Apr 92 07:55:59 GMT
Organization: system 6626 BBS, Winnipeg MB

roll@skybridge.SCL.CWRU.Edu (Kevin 'Rat' Roll) writes:

> In article <1992Apr03.024656.7984@skynet.uucp> ice@skynet.uucp (Ice) writes:
> 
> >Is there an ART to industrial music? It would seem that industrial is now
> >where rock was in the mid 60s; uncharted territory. Perhaps that's part
> >of the reason.
> 
> >Does anyone have any idea what industrial sounds evoke what moods in
> >people. Why a chain saw, rather than a buzz saw, or a shot gun over
> >an Uzi? Why sample a male voice rather than a female voice?
> 
> I don't know if this answers the question, but here goes:
> 
> To me, industrial music is about ENERGY, about calling up untapped power.
> When I listen to "Shoreline Poison" and sing along with Ogre (hey, 
> that could be a kid's record) I get goosebumps. When I listen to Ministry
> I want to run around and smash things. I don't know what it is in the
> sounds that evokes these feelings, but it's definitely there.
> 
> 	- Rat

 
So maybe, Industrial music takes aggression & energy, and forms it's art
from that?
 

;--- (Count Ringworm) a user of sys6626, running waffle 1.64
;E-mail: ringworm@sys6626.bison.mb.ca
;system 6626: 63 point west drive, winnipeg manitoba canada R3T 5G8
Newsgroups: rec.music.industrial
From: poep1399@miller.cs.uwm.edu (Poepping)
Subject: Re: moby compilation, etc.
Keywords: moby
Organization: University of Wisconsin - Milwaukee
Distribution: alt.rave
Date: Tue, 14 Apr 1992 05:58:37 GMT

just thought i would let you know that Moby and The Shamen
have worked together and released Make it Mine singles.

Also Richard M. Hall was involved with:
	VOO DOO CHILD (remixes)
	BRAINSTORM