HDTenEightyP/NetNews huggingface dataset:
From: zito@cpchq.cpc.gmeds.com (James L. Zito)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRDS: One of These Days - Neil Young
Date: 26 Jan 93 13:16:08 GMT
Reply-To: zito@cpchq.cpc.gmeds.com
Organization: North American Operations, G.M. Corp.

I took a stab at the chords for this song last night.  Can anyone improve?

J. Z.


                           One of These Days
                           By Neil Young

Intro: /A /F#m /D /D 
       /A /F#m /D /D

/A            /F#m              /D                  /D
One of these days I'm going to sit down and write a long letter
/A            /F#m              /D                  /D
to all the good friends I've known.
/A            /F#m   /D                  /D
And I'm goin' to try to thank them all for the good times together
/A        /F#m    /D                  /D
though so apart we've grown.

Chorus:
/A            /F#m        /Em                 /                
One of these days I'm going to sit down and write a long letter
/A           /F#m                /D     /
to all the good friends I've known.
/A           /F#m   /A           /F#m  /A           /F#m
One of these days, One of these days, One of these days
       /D               /E           
And it won't be long It won't be long.

/A /F#m /D /D 
/A /F#m /D /D

And I'm goin' to thank that old country fiddler
And all those ruff boys who play that rock and roll
I never tried to burn any bridges
Though I know I let some good things go.

repeat Chorus and Intro

From down in L. A., all the way to Nashville
New York City, to my Canadian prarie home.
My friends are scattered like leafs from an old maple
Some are weak some are strong.

repeat Chorus 

/A           /F#m   /A           /F#m  /A           /F#m
One of these days, One of these days, One of these days
       /D               /E           /A
And it won't be long It won't be long.
From: nanto@hplvec.LVLD.HP.COM (Patrick Nanto)
Date: Thu, 21 Jan 1993 21:07:46 GMT
Subject: REQ: Gettin' Better (Tesla)
Organization: Hewlett-Packard Co., Loveland, CO
Newsgroups: rec.music.makers.guitar.tablature

Does anyone have any TABs for "Gettin' Better" by Tesla?  If so, please 
post them.

Thanks in advance,
Pat
nanto@lvld.hp.com
Xref: sparky rec.music.makers.guitar.tablature:1360 alt.guitar.tab:5247
From: jmp@moscom.com (Joe Palumbos)
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: Re: A really nice chord
Date: 22 Jan 93 18:14:33 GMT
Organization: Moscom Corp., E. Rochester, NY
X-Newsreader: TIN [version 1.3 beta PL7]

Rod Dunne (rjdunne@maths.tcd.ie) wrote:
: heres a nice chord ..  not too mellow though
: its called E7 plus 9 dim7 blah blah ..( ie I dont know but it s similar to 
: E7 with d on the B string played
: 
: 		E  A  D  G  B  E      or   E  A  D  G  B  E
: 		0  7  6  7  8  0           0  7  6  7  0  7
: 
: its used at the start of 'this ain't no picnic ' by Minutemen
: make sure to let the open strings resonate 

The first chord is also used in 'Moondance'.  (I think - I don't have my
guitar with me...)

Repeat the following 2 chords:  Am7 & Gm7 to the beat of Moondance, then
when you need the funky chord-change which seems impossible to figure out,
use this chord.  I think it might be an E7+9 (E7, w a raised-9th).

  Am7:  Bm7:  E7+9:

E: 5     7     0
A: x     x     7
D: 5     7     6
G: 5     7     7
B: 5     7     8
E: 5     7     x

-- 
Joe Palumbos	jmp@moscom.com		{rit,tropix,ur-valhalla}!moscom!jmp
From: US30139@VM.CC.LATECH.EDU
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: Mary Had A Little Lamb
Date: Mon, 25 Jan 93 16:15:51 CST
Organization: Louisiana Tech University
NNTP-Posting-Host: vm.cc.latech.edu

In article <1993Jan25.184623.29282@cbfsb.cb.att.com>
mikeh@cbnewsg.cb.att.com (michael p.herlihy) writes:
 
>  BTW, is Buddy's version still available?
 
 
 
I have a copy of him doing it live last year on Austin City Limits with
the organist and drummer of Double Trouble.  I would suppose his version
is still available.  Anyone know?
 
------------------------------------
mikejames (US30139@VM.CC.LATECH.EDU)
From: rogers@calamari.hi.com (Andrew Rogers)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: That damned chord again Re: A really nice chord
Date: 21 Jan 1993 10:35:00 -0000
Organization: Hitachi Computer Products, OSSD division
NNTP-Posting-Host: calamari.hi.com

In article <NICHAEL.93Jan21102327@kariba.bbn.com> ncramer@bbn.com writes:
>rlopez@loanstar.tamu.edu (Robert Lopez) writes:
>   obry@flash.bellcore.com (Pascal Obry) writes:
>   |> >		E  A  D  G  B  E
>   |> >		0  7  6  7  8  0
>
>   "The Jimi Hendrix chord."
>
>Well, I first learned it from from the sheet music for "Tax Man"

It probably dates back to the Big Band era (if not earlier), but the first
use in a rock context that I can find is the Remains' "Why Do I Cry", from
early 1965.  (I actually met Barry Tashian once, but didn't have the
nerve to ask where *he* had borrowed it...)

Ray Charles also used it as the final chord on his version of "Georgia On
My Mind."  But one of the *last* places you'd expect to hear such a dissonant
chord was the Casinos' lovely 50s-style ballad (actually from 1967), "Then
You Can Tell Me Goodbye":

	A            F#m           Bm7     E7b9     Bb7#9 Amaj7
	Kiss me each morning for a million years...

For decades I thought they were just extending the E7-9 to E13b9 there, but
I was listening to an oldies station through headphones at work one day and
heard that Bb7#9 chord plain as day...

AWR
old fart at play
Newsgroups: rec.music.makers.guitar.tablature
From: ajm@iconix.oz.au (Andrew Mack)
Subject: TAB: Roll Over Lay Down -- Status Quo
Organization: ICONIX Corporation World Headquarters
Date: Tue, 26 Jan 1993 09:26:06 GMT

They've copped their share of flak over the years, but they sure sound good.

Play this in good old Quo boogie rhythm. Do the D5-D6-D5 thing.


Little solo over intro:
(* marks the beat)

 *          *  *  *  *       *    *  *
----------|----------------|----13----   <-- bend the last 13 just a little bit
----13-15-|-15-15-15-15-15-|-15-------
-14-------|----------------|----------   <-- try sliding up to that first 14
----------|----------------|----------
----------|----------------|----------
----------|----------------|----------


 *          *  *  *  *          *  * *
----------|-------------------|-------
----13-15-|-15-15-15-15p13----|-------   (p = pulloff)
-14-------|----------------14-|-------
----------|-------------------|-15----
----------|-------------------|-------
----------|-------------------|-------

 *          *  *  *     *    *    *  *
----------|----------------|----13----
----13-15-|-15-15-15-15-15-|-15-------
-14-------|----------------|----------
----------|----------------|----------
----------|----------------|----------
----------|----------------|----------


 *          *  *  *  *          *  
----------|-------------------|----
----13-15-|-15-15-15-15p13----|----
-14-------|----------------14-|----
----------|-------------------|-15-
----------|-------------------|----
----------|-------------------|----


 *      *      *                 *  *  *  *       *
-------------------------------|----------------|--
-------------------------------|----------------|--
-12(14)-12(14)-12(14)p12p10----|-10-------------|--    Play this four times
----------------------------12-|----12-12-10-12-|--    (bend up to the notes
-------------------------------|----------------|--    in brackets)
-------------------------------|----------------|--


    *     *  *
--------------
--------------
--------------
-------10/12\-  ( / means slide up, \ slide down)
-10/12--------
--------------




           D                                  E
When I got home that night early one morning
F          D                                      E
Seeing the note written in ink pinned to the door
F          D                                    E
Taking the drink from the fridge from the table
F        D
Having a toast you were the most the night before

F                 D
Roll over lay down and let me in
F                D
Roll over it's a long way where I've been
F                 D
Roll over lay down and let me in
F                 D
Roll over lay down

           D                                       E
When I get home tomorrow night after this morning
F           D                                     E
Show me the key showed the note the night before
F      D                                   E
Baby I won't take a drink from your table
F      D
Reckon I'll lay me straight down on the floor
From: mtj@tron.gun.de (Marc Jackisch)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re:Some pretty licks.
Organization: TRON Public Mailbox, Neuss, Germany
Date: Fri, 22 Jan 1993 10:28:00 +0100

In article 6gtbJkz396@USENET, subject "Some pretty licks.", H2XS%JUPITER.SUN.CSD.UNB.CA@USENET.ZER writes:

> Next is the intro off Battery.  This was done on 4 classical guitars with
> nylon strings, but I've reduced it to two.  
> 
> (Let all notes sustain): Gtr1
>  1   2   3 4   1 2   3 4   1 2   3 4   1 2 3 4 
>  8 8 8 8 4 4   4 8 8 2     4 8 8 4 4   4 4 2  
> -------------+-----------+-----------+---------+
> -------------+-----------+-----------+---------+
> -------------+-----------+-----------+-0*------+ (repeat;  *play this 
> -3-2-------2-+(2)--------+-2-------0-+(0)------+  string every other  
> -2(2)------0-+(0)--------+-0-----0-5-+(5)------+  pass, starting with
> -0(0)------1-+(1)--------+-2-------3-+(3)------+  the second)
                                   ^
                          Try the low E string here

> Gtr2         +           +           +         + 
> -----3-5-1---+-3---5-1---+---3-5-1---+---5-3---+
> -----3-5-1---+-3---5-1---+---3-5-1-0-+---5-3---+
> -----4-5-2---+-4---5-2---+---4-5-2-0-+---5-4---+
> -------------+-----------+-----------+---------+
> -------------+-----------+-----------+---------+
> -------------+-----------+-----------+---------+

Sorry, but this sounds so far off the original, that I'd rater play only
one of the original guitar voices, here are the main two of them:

||---------------------------------|-------------------------------------|
||*------3--5---------3----5-------|----------3--5--------------5---3~~~~|
||-----#-4--5--5------4----5--5~~~~|~~(5)---#-4--5--5----4------5---4~~~~|
||---#-#-------7--------------7----|--(7)-#-#-------7----5---------------|
||*--#-----------------------------|------#------------------------------|
||---------------------------------|-------------------------------------|

|-------------------------------|---------------------------------------||
|-----3--5---------3-3h5p3------|----------3--5--------------5---3~~~~-*||
|---#-4--5--5------4-4h5p4-5~~~~|~~(5)---#-4--5--5----4------5---4~~~~--||
|-#-#-------7--------------7----|--(7)-#-#-------7----5-----------------||
|-#-----------------------------|------#-------------------------------*||
|-------------------------------|---------------------------------------||

(one guitar plays the upper note, one the lower; #-muted string)
And, if you just have 4 guitarists around, the fourth voice is the same
fingering as the upper note, bu one string higher (e & B).

Cheerio, Marc.

--
Marc Jackisch, Im Schaufsfeld 17, 4018 Langenfeld, West-Germany
mtj@tron.gun.de / mtj@tron.zer
-- THE ANSWER V2.03
From: hkelly@edsr.eds.com (Kelly Shuldberg)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: CHORDS: Dream a Little Dream
Date: 25 Jan 93 18:03:31 GMT
Organization: EDS Research


>>>Chord patterns
>>>
>>>G6
>>>EADGBe
>>>111111 <- 3rd fret; same pattern in 2nd fret = F#6, 1st fret = F6
>>>------
>>>|||2||
>>>------
>>>|33|||
>>>
>>    This is a G major chord.  It does not have the 6th degree of the G major
>>scale to make it a G6.  To add it, press with your pinky the B string on the
>>5th fret and mute the D string it was playing:
>>EADGBE
>>11x111 <- 3rd fret
>>|||2||
>>|3||4|

You're right, and I actually play the 6th chord the way you've indicated.
I just didn't pay close enough attention to what I was posting.

h. kelly shuldberg
hkelly@edsr.eds.com
Albuquerque, NM
From: jlhoo@cayley.uwaterloo.ca (Lost Johnny)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ: TAB - Domino - Kiss
Keywords: none
Date: 26 Jan 93 20:46:51 GMT
Organization: University of Waterloo

If anybody has the TAB for Domino by Kiss, could you please send it to me
via e-mail

Many thanks in advance.

LJ - jlhoo@cayley.uwaterloo.ca
From: dam@dcs.glasgow.ac.uk (David Morning)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: REQ chord/tab Gimme all your lovin - ZZTOP
Date: 26 Jan 93 12:47:25 GMT
Organization: Glasgow University Computing Science Dept.

adrie@gouldnl.encore.nl (Adrie van Hoogstraten) writes:


>I am looking for the chords or tab (preferably chords) of:

>Gimme All Your Lovin'		- ZZ Top

The chords??? Your joking!!!

Dave

--
From: yanoff@csd4.csd.uwm.edu (Scott A. Yanoff)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Teen Angst (Cracker)
Date: 27 Jan 1993 23:58:17 GMT
Organization: University of Wisconsin - Milwaukee, WI
Distribution: world
NNTP-Posting-Host: 129.89.7.4
Originator: yanoff@csd4.csd.uwm.edu



Teen Angst - Cracker


The verse seems to alternate between the chords:
C  D


My guess for the chorus:

What the world needs now is another
D                    Dm      C

folk singer like I need a hole in my head
     G           C        G          Dm
-- 
 _/\ _ !\ _         @           Milwaukee, WI - A Great Place by a Great Lake
!  _! !! ! !_  ~~  @ ~  ~~         
! ! ! !! ! ! !~~__=||_~ ~~~ Computing Services Division - MAINFRAME CONSULTING
! ! ! _! ! ~~~ ~\____/  ~~~  yanoff@csd4.csd.uwm.edu
From: toddrope@cco.caltech.edu (Todd Loren Rope)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ: Spin Doctors (Little Miss)
Date: 21 Jan 1993 09:56:35 GMT
Organization: California Institute of Technology, Pasadena
NNTP-Posting-Host: punisher.caltech.edu

Does anyone know any of the tab for Little Miss Can't Be
Wrong, by the Spin Doctors...?
Thanks in advance
-T
(toddrope@cco.caltech.edu)
Newsgroups: rec.music.makers.guitar.tablature
From: camus@leland.Stanford.EDU (Theodore C. Quinn)
Subject: CHORDPRO 2.0 on Sun machines
Organization: DSG, Stanford University, CA 94305, USA
Date: Fri, 22 Jan 93 00:15:58 GMT

I've been having trouble with Chordpro2.0 and I thought I'd post in case
other people share my experiences. I've tried building it both on a Sun 4
and on a SparcStation and in both cases I get an executable that works
sometimes, but often gives a 'Segmentation fault' and dumps the core. Is
this a bug in 2.0? Should I try an earlier version?

				-Ted Quinn
				 quinn@relgyro.stanford.edu
(First post, ever. Please be gentle)
From: jkirby@ua.d.umn.edu (/kur'- bee/)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: That damned chord again Re: A really nice chord
Date: 21 Jan 1993 13:27:39 -0600
Organization: University of Minnesota, Duluth
NNTP-Posting-Host: ua.d.umn.edu

Previously rogers@calamari.hi.com (Andrew Rogers) wrote:
->In article <NICHAEL.93Jan21102327@kariba.bbn.com> ncramer@bbn.com writes:
->>rlopez@loanstar.tamu.edu (Robert Lopez) writes:
->>   obry@flash.bellcore.com (Pascal Obry) writes:
->>   |> >		E  A  D  G  B  E
->>   |> >		0  7  6  7  8  0
->>
->>   "The Jimi Hendrix chord."
->>
->>Well, I first learned it from from the sheet music for "Tax Man"
->
->It probably dates back to the Big Band era (if not earlier), [.......]
->
->AWR

And all this time I thought Stevie Ray Vaughn had invented it!   ;)

		 ______________jkirby@ub.d.umn.edu_________________
| / | |~~\ |~~\ \ /    "It takes a big man to cry,
|(  | |__/ |--<  | 	But it takes a bigger man to laugh at that man."
| \ | |  \ |__/  |				--  Jack Handy
Newsgroups: rec.music.makers.guitar.tablature,rec.music.makers.guitar,alt.guitar,alt.guitar.tab
From: dd@clr48pl.clr48pl.edf.fr (Denis Descause)
Subject: Re: TABLATURE PROGRAM FORMAT (please read)
Organization: EDF Departement Etudes et Recherches, Clamart, France.
Date: Tue, 26 Jan 1993 13:28:33 GMT




	Hi Mike
First I'd like to thank you for the work you're doing for the guitar community.
Second, I have a suggestion for your programm. Indeed, I will really enjoy
reading formatted tablature, but as a classical guitar player I'm much more used 
to classical notation in G key. So if your programm can generate in option such 
an output it would be really great for me and for all guitarists who started with 
playing classical music.

					Denis.


			Denis Descause
			Electricite de France / Direction Etudes et Recherches
			1 av du General De Gaulle
			92141 Clamart Cedex
			Tel:(33 1) 47 65 30 85 , Fax: (33 1) 47 65 46 88
			Email: Denis.Descause@der.edf.fr

--

			Denis Descause
			Electricite de France / Direction Etudes et Recherches
			1 av du General De Gaulle
			92141 Clamart Cedex
			Tel:(33 1) 47 65 30 85 , Fax: (33 1) 47 65 46 88
			Email: Denis.Descause@der.edf.fr
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
From: caastanl@atlas.cs.upei.ca (Alan Stanley)
Subject: Re: Layla 
Organization: University of Prince Edward Island
Date: Sat, 23 Jan 1993 14:31:10 GMT

 To: nrp@csug.cs.reading.ac.uk
>
>While I'm on that subject, has anyone got chords (not tab) for Eric
>Clapton's unplugged "Layla"?  I've been trying to change the ordinary
>version but I can't remember how the unplugged goes, and someone stole my
>copy ...
>

I play a finger-picked version of Layla that's somewhere between the
original and the Unplugged version.  I play it on an acoustic guitar and use
a kind of modified Raegae (sp?) beat.  I play the opening riff from the
electric version starting on th open A string 
-----------------
-----------------
-----------------
-----o-h3-0---o--
-o-h3-------3----
-----------------

Then I modulate to the Bb (A position, barre 1), C (non-barred) and Dm.  You
can figure out how to put the appropriate connecting notes in to tie these
chords together.

The verse of the song is as follows
C#m                          G#7
What do you do when you get lonely
C#m         C        D      E  
With no one standing by your side
F#m         B7          E               A 
You've been running and hiding much too long,
F#m           B                E
You know its just your foolish pride

Use an A chord and a Dm to get you to the chorus which just
rolls around from a Bb to a C to a Dm.  I finish the chorus by coming down
from the f note using a harmony line about a third below - sounds real sexy.

This song is lot of fun to play around with.  One of these days I'll come up
with an interesting guitar rendition of the second half of the tune - the
part that Jim Gordon played on the piano.  Good luck.

Alan Stanley, no sig.

Newsgroups: alt.guitar.tablature,rec.music.makers.guitar.tablature
From: harjunen@plootu.Helsinki.FI (Timo Harjunen)
Subject: REQ: Lou Reed : Satellite of love
Organization: University of Helsinki
Date: Sat, 23 Jan 1993 14:32:37 GMT

   Anyone ????

*****************************************************************
* Timo Harjunen              * harjunen@cc.helsinki.fi          *
*****************************************************************


-- 
***********************************************************************
* Timo Harjunen                  *  harjunen@cc.helsinki.fi           *
***********************************************************************
From: zito@cpchq.cpc.gmeds.com (James L. Zito)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Crds: Tears in Heaven - Eric Clapton
Date: 26 Jan 93 13:17:57 GMT
Reply-To: zito@cpchq.cpc.gmeds.com
Organization: North American Operations, G.M. Corp.

I've added the rest of the words to Tears in Heaven that was posted earlier.

J. Z.

                             Tears In Heaven
                             by Eric Clapton

Verse:
| A       E/G#    |F#m  A| D   A      | E     |
Would you know my name   if I saw you in Heaven


| A       E/G#    |F#m  A| D   A      | E     |
Would it be the same     if I saw you in Heaven

| F#m      |  C#/E#   | Em      | F#   |
  I must be strong     and carry on

|       Bm          |E7sus E7      | A   E/G# |
Cause I know I don't belong here in heaven

         | F#m  A | D  E7sus E7|  A  |

Would you hold my hand, if I saw you in heaven
Would you help me stand, if I saw you in heaven
I'll find my way through night and day
`Cause I know I just can't stay here in heaven.


Bridge:
| C       G/B     | Am              D       |  G   D | Em   D G |
Time can bring you down   Time can bend your knees

| C       G/B     | Am              D     |  G       D   | E    |
Time can break your heart  Have you beggin  please beggin please

Instrumental of first two lines, then:

| F#m      |  C#/E#   | Em      | F#   |
Beyond the door, there's peace for sure 
|       Bm          |E7sus E7      | A   E/G# |
and I know there'll be no more tears in heaven.

         | F#m  A | D  E7sus E7|  A  |

repeat 1st verse

|       Bm          |E7sus E7      | A   E/G# |
Cause I know I don't belong here in heaven

         | F#m  A | D  E7sus E7|  A  |
Xref: sparky rec.music.makers.guitar.tablature:1423 alt.guitar.tab:5318
From: fredh@cv.hp.com (Fred Handloser)
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: Re: which header was that ? (was: Re: REQ: Cocaine by Cayle,Clapton)
Date: 25 Jan 93 21:10:40 GMT
Article-I.D.: hpcvusn.1993Jan25.211040.26451
Organization: Hewlett-Packard Company, Corvallis, Oregon USA
X-Newsreader: Tin 1.1.3 PL5

matthew green (phone@coombs.anu.edu.au) wrote:
: sheesh guys....
: 
: the Subject line says "Subject: Re: REQ: Cocaine by Cayle,Clapton"
: 
: But I see a post of `After Mightnight' ?  Can you please try to get
: headers right..
: 
Sorry about that.  One of the follow-ups said something like
"I would love to see any version of After Midnight"  so I
posted After Midnight as a follow-up as well.  Next time I
will post songs under their own headers.

  --------------------------------------------------------------------
  Fred Handloser
  Corvallis, Oregon
  fredh@cv.hp.com
Organization: Arizona State University
Date: Thursday, 21 Jan 1993 21:44:37 MST
From: <IFSXM@ASUACAD.BITNET>
Newsgroups: rec.music.makers.guitar.tablature
Subject:    REQ: Neil Young songs

Does anyone have either Pocahontus or Ride My Llama?  Both
songs are off of Rust Never Sleeps.  I've been working on them,
but I just can't quite get the chords down.  Any help would be
much appreciated.

Thanks in advance,
Paul Zimmerman
Newsgroups: rec.music.makers.guitar.tablature
From: cfthb@ux1.cts.eiu.edu (Howard Black)
Subject: Re: A really nice chord
Date: Fri, 22 Jan 1993 20:36:22 GMT
Organization: Eastern Illinois University

In article <4883@moscom.com> jmp@moscom.com (Joe Palumbos) writes:
>
>Repeat the following 2 chords:  Am7 & Gm7 to the beat of Moondance, then
>when you need the funky chord-change which seems impossible to figure out,
>use this chord.  I think it might be an E7+9 (E7, w a raised-9th).
>
>  Am7:  Bm7:  E7+9:
>
>E: 5     7     0
>A: x     x     7
>D: 5     7     6
>G: 5     7     7
>B: 5     7     8
>E: 5     7     x

    "E augmented ninth", or E#9, is the way I usually see it represented.
E7+9 isn't strictly wrong, but since it's a modified ninth chord, it's
assumed that there's a 7th already there.  (Of course, on a guitar, it gets
hard to make sure all chords are strictly accurate, i.e., does an 11th have
the 7th and 9th...)
-- 
   ******************************************************************
     Howard Black                             cfthb@ux1.cts.eiu.edu
     Department of Chemistry                  Eastern Illinois Univ.