HDTenEightyP/NetNews huggingface dataset:
From: bt979@cleveland.Freenet.Edu (Jeff Preston)
Newsgroups: alt.guitar
Subject: Re: Ibenez Edge Trem System
Date: 11 Nov 1992 08:30:55 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: bt979@cleveland.Freenet.Edu (Jeff Preston)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, jgb@eng.auburn.edu (John G. Butterfield) says:

>Anybody having problems with loose bars?

>I've tightened it a million times and am feed up!  Any help would be appreciated...

  Mine is not adjustable; the bar's rotational tension on mine is 
determined by the condition of two tiny nylon/teflon washers. When
these wear out, the bar hangs limp at all times. It doesn't take long 
for them to wear out, either: about 3 months of moderate playing on
mine. After the first set wore out, I learned to live with it. I can't
remember how much the guy at the music store said these cost (my first
ones were replaced -- begrudgingly -- under warrantee), but they were
more than I wanted to pay for every 3-4 months. 

  Jeff
-- 
| Jeff Preston - owner and moderator of | "We don't  get  many requests |
| the  Allan Holdsworth discussion list |  for recent history."  -- Mr. |
| *** To subscribe, send e-mail to: *** |  Atoz, from the '69 Star Trek |
| <atavachron@morekypr.morehead-st.edu> |  episode _All Our Yesterdays_ |
From: neal@cmptrc.lonestar.org (Neal Howard)
Newsgroups: alt.guitar
Subject: Re: Low volume overdriven tubes???
Date: 6 Nov 92 02:40:15 GMT
Organization: CompuTrac Inc., Richardson TX

In article <f68q02zZ29NC01@JUTS.ccc.amdahl.com> drp40@cd.amdahl.com writes:
>In article <1992Nov2.184957.16773@sequent.com>, yuf@sequent.com (Kyle Grieser) writes:
>>Simply put, what's a really good way to do this?   Sure I can turn it
>>up to 10, but then I won't be living in my apartment for very long :-).
>>Also, usually where I play I can't get much louder than about 4 or 5, which
>>still isn't enough to get the tubes very crunchy...
>>
>>I've heard Tube Screamer, but I was wondering about what everyone thinks/knows
>>about such things....  do I want a basic gain pedal?  I know for sure that
>>I don't want a distortion pedal because I want the tubes to give me the
>>sound, not the box....
>
>You can get your power tube crunch (which is why it sounds better louder)
>by using a speaker load.  Marshall and Rocktron make them.  The idea is to
>turn your amp up loud, and then the speaker outputs go into a device that
>loads down with the simulated frequency response of a speaker cabinet.
>Then you have line level outs you can run into headphones or a solid state
>preamp or a mixing board.  (You can get CRUNCH with distortion and CLEAN
>clean sounds this way by avoiding the power tube amplification when you
>play clean).
>
>I have only heard of these devices, I haven't played with them to see how
>good they are.  Makes sense though.

The biggest drawback to these devices (commonly called "power soaks") is that
they are very hard on the transformers in your tube amp. Remember that if you
have one of these attached to drain off all the excess current from your 
speaker outputs, the amp itself still is at full (or very high volume) and
the currents running through the output transformer are very high. Consequently,
the power supply is having to feed a lot of current into the power amp
stage as well. I've had to replace several transformers in my Marshall
customers' amps who insist on using these devices.
Power soak abuse also wears out your tubes faster too.
They do get the killer sounds at low volume, I guess if you really want that
badly enough you'll spend the money though...........

-- 
=============================================================================
Neal Howard   '91 XLH-1200      DoD #686      CompuTrac, Inc (Richardson, TX)
=============================================================================
Newsgroups: alt.guitar
From: pkor@phoenix.oulu.fi (Pasi Korhonen)
Subject: Re: Tube Power Amp Recommendations?
Organization: Ripoff Industries
X-Newsreader: TIN [version 1.1 PL6]
Date: Tue, 10 Nov 1992 22:42:51 GMT

David Morning (dam@dcs.glasgow.ac.uk) wrote:
: pkor@phoenix.oulu.fi (Pasi Korhonen) writes:
: 
: >Mike Woo (mike@vm1.mcgill.ca) wrote:
: 
: >: about the Mesa-Boogie 50/50, 295 and 395.  I'd really appreciate any and
: 
: >	There was a new Mesa power amp mentioned in Guitar Players JMP-1 vs.
: >	Mesa TriAxis test. I heard that it's a two unit Simulclass power amp
: 
: The JMP-1 and Mesa TriAxis are both MIDI pre-amps, not power amps.
: 
: Dave
: -- 

	Dave, how could I say this, but I know that they're preamps.
	In Guitar Player these two were TESTED WITH MESA POWER AMP.
	That's what I'm talking about. A new Mesa power amp model.

	Pasi

--
 p a s i   k o r h o n e n             p k o r @ p h o e n i x . o u l u . f i


 saaristonkatu 3 A 6      90100 oulu     finland,europe     tel:358-81-377 81
Newsgroups: alt.guitar
From: pedwards@Csli.Stanford.EDU (Paul N Edwards)
Subject: What does Mark Knopfler use?
Organization: Stanford University CSLI
Date: Mon, 9 Nov 1992 00:08:41 GMT


Does anyone know what kind of equipment Mark Knopfler uses now,
and/or what he used on the first Dire Straits album?

-- Paul Edwards
pedwards@euphrates.stanford.edu
From: 880518l@dragon.acadiau.ca (Nelson Langille)
Newsgroups: alt.guitar
Subject: Price of used boss effect (compressor)
Summary: What is a good price
Keywords: compressor, used, bass
Date: 10 Nov 92 01:14:53 GMT
Organization: Acadia University

What is a good price for a used boss compressor guitar effect?
Newsgroups: alt.guitar
From: kang@stolaf.edu (Joseph S Kang)
Subject: What's wrong....?
Organization: St. Olaf College, Northfield, MN
Distribution: na
Date: Wed, 4 Nov 1992 20:05:29 GMT

I have a Korean made Fender standard strat.  It has Grover tuners on it and
I use D'Addario XL's (.010).  The problem that I have is that when I tune my
guitar (specifically the g, b, and high e), I get "rice crispies" sounds, you
know:  snap, crackle, pop.  Does anyone out there knwo why this is doing this.
It gets to be really annoying at times.

-Joe

-- 
Joseph Kang      |  Disclaimer:  Whether you believe it or not, the views
kang@stolaf.edu  |               expressed in the above article are all mine.
                 |  		 Unless I've been brain-washed and don't know
St. Olaf College |    		 it or don't notice the difference. :-)
Newsgroups: alt.guitar
From: heiser@fretz.enet.dec.com (Michael A. Heiser)
Subject: Re: Joe Satriani in England
Keywords: Satch!
Reply-To: heiser@fretz.enet.dec.com (Michael A. Heiser)
Organization: Digital Equipment Corporation - Phoenix, AZ
Date: Mon, 9 Nov 1992 20:38:39 GMT


I'll tell you when he's coming to Oz, but you have ti kill Yngwie first ;-)
--

    Mike
    
    "in this day & age...music performed by humans...hum?!" 
       - wilde silas tomkyn
Newsgroups: alt.guitar
From: larryh@cabezon.uucp (Larry Huntley)
Subject: Re: fret positions (formula for)
Organization: Logic Modeling Inc of Beaverton Oregon
Date: Thu, 12 Nov 1992 19:34:07 GMT

>->>I know this was discussed before but could some kind soul please send me
>->>the formula for fret positions (I suppose it is some factor of length
>->>nut to bridge? Which, I presume, determines the scale length).
> 

/*  Frets.c - Fretboard layout calculator.  Utilizes the following relation:

    d = L - L/ 2**1/12

    where d is the distance between slots cut for two frets
            (or from the edge of the fingerboard to the slot for the first fret),
          L is the remaining scale length.  This starts out as the overall scale
            length (nut-to-bridge distance) and is decreased by the current fret
            distance each iteration,
          and "2**1/12" is the twelfth root of two, the frequency difference between
            two notes in the chromatic scale - a half-step.


   ***********************************************************************
   * Originally Coded by: Larry J. Huntley (larryh@lmc.com)              *
   * Date: 12 November, 1992.                                            *
   * Released into the public domain for unlimited use and modification. *
   * Flames will be gleefully ignored; constructive criticism welcomed.  *
   * Modify it and make it useful.  When you do, send me a copy so I can *
   * enjoy it, too.                                                      *
   ***********************************************************************


   Customization: change the FRETS and SCALE definitions to serve your own purposes;
   Make these command-line arguments for true usefulness.  Use millimeters for
   somewhat better accuracy and ease of cutting.
*/

#include <stdio.h>
#include <math.h>

#define FRETS 24
#define SCALE 25.5  /*  Inches  */
#define TWELFTH_ROOT_OF_TWO 1.059463094

main()
{

    float   length = SCALE;
    float   distance_from_nut = 0;
    float   distance_from_prev_fret = 0;
    int     fret_no;

    length = SCALE;

    for (fret_no = 1; fret_no <= FRETS; fret_no++) 
    {
        distance_from_prev_fret = (length - (length / TWELFTH_ROOT_OF_TWO));
        printf ("Fret %2d: %5.3f inches from previous fret; ", fret_no, distance_from_prev_fret);
        distance_from_nut += distance_from_prev_fret;
        printf ("%5.3f inches from nut.\n", distance_from_nut);
        length = length - distance_from_prev_fret;
    }
}
        
/* ------------ Cut Here ------------ */

	- Larry Huntley
-- 
         (larryh@lmc.com)         |         --TALK.BIZARRE-- 
     Logic Modeling Corporation   |      The Suppurating Abcess
          Beaverton,  OR          | of the INTERNET - Dr. Donald Wildmon
From: kew@cbnewsg.cb.att.com (steve.w.askew)
Newsgroups: alt.guitar
Subject: Re: Name that tune...please.
Summary: my 335
Date: 5 Nov 92 21:58:54 GMT
Distribution: usa
Organization: AT&T


	Actually it was in Feb of this year. And every time I open the 
	case I, I, I, AH AH LOSE CONTROL!

	Hey, I can do a pretty good job on that song, maybe not note for
	note but close.


	Steve
	Doin That Blues ThAng!
Newsgroups: alt.guitar
From: gerald.b.ross@um.cc.umich.edu (Gerald Ross)
Subject: Heritage Guitar Head Stocks...Weird Looking?
News-Software: IBM OS/2 PM RN (NR/2) v0.14 by O. Vishnepolsky and R. Rogers
Reply-To: gerald.b.ross@um.cc.umich.edu (Gerald Ross)
Organization: University of Michigan Math Dept
Date: Wed, 11 Nov 1992 21:15:54 GMT



I'm considering purchasing a Heritage Johnny Smith Arch-Top
guitar (carved top, floating pickup, single cut-a-way, ebony
fingerboard, MOP & Abalone inlay, Finger Style tailpiece)

My question to the net.
        Does anyone else out there think Heritage Head Stocks
        are weird looking? They look too small to me or
        something... I can't put my finger on it.

        Also:
        How do those finger style tailpieces work?

Thanks

Gerald Ross

     ...It's 1992.  So where's my jetpack?
_______________________________________________________________
From: luke@cowan.edu.au (L.RAYNER)
Newsgroups: alt.guitar
Subject: Re: Edge is God...
Date: 11 Nov 92 06:07:49 GMT
Organization: The University of Western Australia
Distribution: world
NNTP-Posting-Host: scorpion.ac.cowan.edu.au

d1hej@dtek.chalmers.se (Henrik Jonsson) writes:

>caedmon@cats.ucsc.edu (Axeman) writes:
>>>>Oh please.  Hendirx and Page are two people whom I'm glad died.
>>>                         ^^^^
>>>Just a note: Jimmy Page is alive and well.

>>	oops!  Hehe.  I meant SRV.  Although I'm not exempting page from 
>>this catagory when he dies. :)

What sort of complete dweeb are you? The fact that Hendrix and SRV can play
guitar BETTER than you can has made you bitter and twisted.  Hendrix was a 
wonderful guitarist and a had great insight into what could be done in a shitty
little 4 track studio. (OK maybe it was an 8 track, but who cares?).  Even EC 
was amazed by what Jimi could do on a guitar.  It's a shame people with your
ideas are alive.  By being happy that great MUSICIANS are dead shows that you
really don't understand what effect they had on other people.

Steve Vai: "Hendrix was the catalyst  that made the guitar what it was today.  If he hadn't been around we would all probably be playing accoustic guitars or
something" (no offence to accoustic guitarists...)

Stick that up your date and wriggle.

Luke.


Newsgroups: alt.guitar,aus.music
From: ck@iconix.oz.au (Chris Karadaglis)
Subject: Re: Bass guitar and delay pedals etc
Organization: Iconix Pty Ltd (World Headquarters)
Date: Tue, 10 Nov 1992 00:13:09 GMT

In <1dl0s1INNk1c@ariel.ucs.unimelb.EDU.AU> cde@mulka (Colin Entwisle) writes:



>check out tomy emanual to hear what not to do with a delay! 

Bite your bloody tongue, boy! Ever heard "Initiation"?

Shit. 10 minutes into the day and I'm pissed off already.

Shckwish!
From: noahvawt@bigwpi.WPI.EDU (noahvawt)
Newsgroups: alt.guitar.bass
Subject: Re: Favorite bass Album
Date: 10 Nov 92 03:06:02 GMT
Organization: shifty death
NNTP-Posting-Host: bigwpi.wpi.edu
In-reply-to: noah@Cadence.COM's message of Mon, 9 Nov 1992 17:12:56 GMT

Hello...i just wanted to say that my name is ALSO noah, and 
that I love to play bass!  wow!
hmm...  I love Suck on This, too...but just to inject something
different,
I would like to add Wish, Disintegration, and Kiss Me etc all from the
Cure to our "dream list" of bass riffs.  I know I know you all say...
Cure bass is really easy to play, but i love the crazy modulations the
guy does...

say, is it all right to post bass tab music here?  I will gladly post
all the Cure riffs I know!

       o      
        o     There is no Earth!  Gravity sucks!
   ___ o                 
|\/  o\ o     Call your vision at noahvawt@wpi.wpi.edu                  
|/\___/       Headquarters of:  The Shifties
Newsgroups: alt.guitar.bass
From: styx@chaos.cs.brandeis.edu (Allan Hirt)
Subject: Re: Favorite bass Album
Organization: Brandeis University
Date: Tue, 10 Nov 1992 07:23:23 GMT

Rush's "Hold Your Fire" - Turn the Page --- 'nuff said


Allan

Newsgroups: alt.guitar.bass
From: whale@leland.Stanford.EDU (Stephen Schmidt)
Subject: Re: Wooden Frets?
Organization: DSG, Stanford University, CA 94305, USA
Date: Sat, 7 Nov 92 23:19:57 GMT

I'm skeptical of the claim to eliminate click AND increase fret life at the
same time. Clicking comes from the string making a sharp impact with the
fret. A wooden fret would, I'd think, reduce clicking by giving slightly when
hit by the string, but this would increase wear. If you used a really hard 
wood, then they might wear better, but only by not yielding to the impact of
the string which should produce the clicking all over again...
Now, skepticism does not equal denial, but I would want to hear some more
details before I'd really believe this.

-- 
Steve Schmidt			<><		   whale@leland.stanford.edu
I can no longer sit back and allow Communist infiltration, Communist
indoctrination, Communist subversion, and the international Communist
conspiracy to sap and impurify all of our precious bodily fluids!
Newsgroups: alt.guitar.bass
From: takamay@murr16.alleg.edu (Yui Takamatsu)
Subject: P-bass question
Organization: Allegheny College
Distribution: usa
Date: Tue, 10 Nov 1992 03:12:10 GMT

I own a Fender Squier Precision Bass, but I'm thinking of buying a new  
pickup.   What are some suggestions on which P-Bass replacement pickups to  
buy?   Any response is appreciated.  Thanks.



takamay@alleg.edu
Newsgroups: alt.guitar.bass
From: lewis@ils.nwu.edu (Sharon Lewis)
Subject: PEAVEY AMP WANTED
Organization: The Institute for the Learning Sciences
Date: Fri, 6 Nov 1992 18:46:12 GMT


This posting for a friend, but you can contact me @ (708) 491-9918 office
or (312) 262-8457.  Both numbers are in the Chicagoland area.

He wants a 200+ amp.  Call if you have one reasonably for sale.  He plays
with a raggae band.
From: jpmakela@klaava.Helsinki.FI (J Pekka Makela)
Newsgroups: alt.guitar.bass
Subject: Re: Favorite bass Album
Date: 12 Nov 92 01:11:25 GMT
Organization: University of Helsinki
X-Newsreader: TIN [version 1.1 PL6]




	Ok, here's my list of the bass albums:


	BAND		ALBUM			BASSIST
	-----------------------------------------------------

	Japan		Oil on Canvas		Mick Karn
			Tin Drum		 --"--
	Tony Joe White	Closer to the Truth	David Hood
	Jah Wobble	Rising Above Bedlam	Jah Wobble
	Cream		Fresh Cream		Jack Bruce
	Peter Gabriel	So			Tony Levin
	Youssou N'Dour	Eyes Open		Habib Faye
	Liisa Akimof	Teen maailman		Eeva Koivusalo
	John Hiatt	Bring the Family	Nick Lowe
	Little Feat	Waiting for Columbus	Kenny Gradney
	Neville Bros.	Yellow Moon		Tony Hall
	------------------------------------------------------

	You may notice a certain tendency here: I prefer good
	innovative enseble players over flashy soloists. The
	Tony Joe White album entered the list just for the
	masterful economy of the bass lines: Hood doesn't play
	a single note that's not absolutely necessary for the
	groove.


						-jPM
Newsgroups: alt.guitar.bass
From: webb@chopin.udel.edu (W Webb Pickersgill)
Subject: Re: Stuart Hamm Music
Organization: University of Delaware
Date: Mon, 9 Nov 1992 19:31:39 GMT

In article <1992Nov9.190500.1184@dct.ac.uk> aesbl1ajm@dct.ac.uk writes:
>Does anyone know where I can get hold of Stuart Hamm music???

	Well there is a directory for his music in the kappa.rice.edu
ftp site under /pub/bass/tab/songs.  I have lots of his stuff written
out.  But I don't have the resources to enter the music to tab just yet.
If I see requests for it I will make a harder effort.
					Webb

+-------------------------------+---------------+-------------------------+
|   ___    ____                 | Factor Hartke | webb@chopin.udel.edu    | 
|  (   `--'  .-'         ___    |  Samson GHS   | Webb Pickersgill        | 
|  |8) O O  ||||||||||||||[_-~) | Ibanez A.R.T. | (302) 837-1861          | 
|  (__.--.__| Kubicki Factor    |   Digitech    | Bassist For:Seven Wishes|
+-------------------------------+---------------+-------------------------+
From: aesbl1ajm@dct.ac.uk
Newsgroups: alt.guitar.bass
Subject: Re: Strange silly question
Date: 9 Nov 92 19:10:55 GMT
Organization: Dundee Institute of Technology

To correct an "Up Bowed" neck:

Turn the truss rod clockwise.

To correct a neck with a "Bow":

Turn the truss rod counter-clockwise.

This method of adjustment works whichever end of the neck your truss rod is at.
From: aaron@minster.york.ac.uk
Newsgroups: alt.guitar.bass
Subject: Re: Fretless Strings Responses ...
Date: 10 Nov 92 10:26:00 GMT
Organization: Department of Computer Science, University of York, England

Michael J Kobb (mjkobb@media.mit.edu) wrote:
: In fact, I've seen a two-year-old Zon that had had *stainless-steel* 
: roundwounds on it the whole time.  No appreciable wear.

Obviously a better buy than my Tokai jazz fretless which only has a rosewood
fingerboard. I have been using steel round-wounds (Elite and Rotosound 
Swingbass) for a little over eighteen months and, not unsurprisingly,
there is considerable wear. 

I'm not sure what to do about it though. I could get the neck sanded slightly
(the wear isn't excessive and a gentle sand would give it an extra year)
or have the entire fingerboard replaced with an ebony one. I am a little
loath to do the latter as apart from the wear the neck is very nice and the
softness of the wood seems to lend the tone a certain warmth. 

Then again I never did much like the classic Fender colours (pale blue with
orange and black tortoiseshell scratch plate) but that is why I got it cheap-
shop soiled after someone brought it back after a week of being unable to 
live with it. Actually I sometimes wonder how old it is as inside all the
wires are fabric rather than plastic covered.

		Aaron Turner	aaron@minster.york.ac.uk
From: slj1k@cc.usu.edu
Newsgroups: alt.guitar.bass
Subject: Re: Favorite bass Album
Date: 11 Nov 92 12:23:29 MDT
Organization: Utah State University

In article <styx.721380203@chaos.cs.brandeis.edu>, styx@chaos.cs.brandeis.edu (Allan Hirt) writes:
> Rush's "Hold Your Fire" - Turn the Page --- 'nuff said
> 
> 
> Allan
> 

	an addendum:
	
	rush albums and amazing bass tunes to include to allan's list
		_fly by night_  by-tor and the snow-dog
		_caress of steel_  the necromancer
		_2112_  entire album
		_all the world's a stage_(live)  entire album
		_a farewell to kings_  entire album
		_hemispheres_  entire album
		_permanent waves_  spirit of radio, freewill, natural science
		_moving pictures_  entire album
		_exit...stage left_(live)  entire album
		_signals_  analog kid, the weapon, countdown
		_grace under pressure_  red sector a, distant early warning
		_power windows_  entire album
		_hold your fire_  the mission
		_a show of hands_(live)  entire album
		_presto_  the pass, superconductor, show don't tell
		_roll the bones_  entire album


	also (in no particular order):
		
		anything by chris squire (yes)
		anything by roger waters (pink floyd)
		anything by john patitucci (chick corea)
		red hot chili peppers _blood sugar sex majik_
		primus _sailing the seas of cheese_
		thomas dolby _the flat earth_
		queensryche _empire_
		rollins band _the end of silence_
		nomeansno _0+2=1_
                joe jackson _big world_
		


MARK L. REECE SLJ1K @USU.CC.EDU + ``...and the trees are all kept equal with
hatchet, axe and saw...'' - N. Peart




Newsgroups: alt.guitar.bass
From: deal_j@apollo.HP.COM (John Deal)
Subject: Need fast advise on Peavey Cab.
Date: Thu, 5 Nov 1992 16:01:10 GMT
Organization: Hewlett-Packard Company, Chelmsford, MA

Sorry for the interuption but I have a chance to get a Peavey 4 X 12" cab
loaded with 12" 4 ohm "guitar" black widow speakers at a very good price.  The
previous owner was using it as a bass cab but is purchasing a smaller system.
I plan on keeping this in the pratice room except for gigs my Peavey combo
can't handle.  Has anybody used anything like this?  I do not plan to drive
this cab hard but with the popularity of 4 X 10" with the cutoff low end I
wonder if this would work.

Thanks in advance for all opinions and flames.

			John

-- 
********
Opinions of John Deal at deal_j@apollo.hp.com
********
Newsgroups: alt.guitar.bass
From: snowdog@cs.mcgill.ca (Rodney CHANG)
Subject: Re: Favorite bass Album
Organization: SOCS - Mcgill University, Montreal, Canada
Date: Thu, 12 Nov 1992 18:53:11 GMT

In article <1992Nov11.122329.60694@cc.usu.edu> slj1k@cc.usu.edu writes:
>In article <styx.721380203@chaos.cs.brandeis.edu>, styx@chaos.cs.brandeis.edu (Allan Hirt) writes:
>> Rush's "Hold Your Fire" - Turn the Page --- 'nuff said
>> 
>> 
>> Allan
>> 
>
>	an addendum:
>	
>	rush albums and amazing bass tunes to include to allan's list
>		_fly by night_  by-tor and the snow-dog
>		_caress of steel_  the necromancer
>		_2112_  entire album
>		_all the world's a stage_(live)  entire album
>		_a farewell to kings_  entire album
>		_hemispheres_  entire album
>		_permanent waves_  spirit of radio, freewill, natural science
>		_moving pictures_  entire album
>		_exit...stage left_(live)  entire album
>		_signals_  analog kid, the weapon, countdown

What??? No Digital Man?  Put Digital Man in the list too.  Let see an
ordinary person sing that and play at the same time.

>		_grace under pressure_  red sector a, distant early warning
>		_power windows_  entire album
>		_hold your fire_  the mission

Also the third song from HYF.  Don't know the name but killer bass lines.

>		_a show of hands_(live)  entire album
>		_presto_  the pass, superconductor, show don't tell
>		_roll the bones_  entire album
>
>
>	also (in no particular order):
>		
>		anything by chris squire (yes)
>		anything by roger waters (pink floyd)
>		anything by john patitucci (chick corea)
>		red hot chili peppers _blood sugar sex majik_
>		primus _sailing the seas of cheese_
>		thomas dolby _the flat earth_
>		queensryche _empire_
>		rollins band _the end of silence_
>		nomeansno _0+2=1_
>                joe jackson _big world_
>		
>
>
>MARK L. REECE SLJ1K @USU.CC.EDU + ``...and the trees are all kept equal with
>hatchet, axe and saw...'' - N. Peart
>