From: AR402004%BROWNVM.BITNET@VTVM1.CC.VT.EDU (Steven Feldman)
Newsgroups: rec.arts.anime
Subject: MIYAZAKI & TAKAHATA FILMOGRAPHIES
Date: 8 Nov 92 23:43:01 GMT
To: nausicaa%BROWNVM.BITNET@VTVM1.CC.VT.EDU, anime-l@VTVM1.CC.VT.EDU

Folks,
     It occurred to me that even though these filmographies are available
from the Miyazaki Fileserver, they haven't actually been *posted* for
awhile.  Here's the newest version, updated today:


                          -- Steven Feldman <ar402004@brownvm.brown.edu>
+          +          +          +          +          +          +

Subject:  1.) Hayao Miyazaki Filmography, Revision 7 (11/8/92)
          2.) Hayao Miyazaki Biography, Version 1 (12/4/91)
          3.) Isao Takahata Filmography, Revision 3.5 (11/20/91)

 ========================================================================
Subject:  1.) Hayao Miyazaki Filmography, Revision 7 (11/8/92)


                     SHORT MIYAZAKI FILMOGRAPHY

FUTURE BOY CONAN (series), [LUPIN III:] THE CASTLE OF CAGLIOSTRO,
NAUSICAA OF THE VALLEY OF THE WIND [US version: WARRIORS OF THE WIND],
FAMOUS DETECTIVE HOLMES [US version: SHERLOCK HOUND] (series), LAPUTA:
CASTLE IN THE SKY, MY NEIGHBOR TOTORO, KIKI'S DELIVERY SERVICE, and PORCO
ROSSO: THE RED PIG.


               LONG MIYAZAKI FILMOGRAPHY, Revision 7

KEY:  $ means commercially available in English in the USA.
      % means known to be commercially available on LD or VHS in Japan.
      * means commercially released at least once but not on LD nor VHS.
      + indicates an anime which was worked on in some capacity, but
          never (at least, not yet) completed and/or released.
      = indicates a non-anime project, i.e. manga, a documentary, etc.

1963  %WAN WAN CHUSHINGURA (WATCHDOG BOW WOW).  Short, 21 min.
        In-betweener only.
      *OKAMI SHONEN KEN (WOLF BOY KEN).  TV series.
        In-betweener only.  [Isao Takahata directed 11 episodes.]
1964  %GARIBA NO UCHU RYOKO (GULLIVER'S SPACE TRAVELS).  Short, 20 min.
        In-betweener.
      *SHONEN NINJA KAZE NO FUJIMARU (BOY NINJA FUJIMARU THE WIND).
        In-betweening and key animation.
1965  *HASSURU PANCHI (HASSLE PUNCH).  TV series.
        Key animation.  [Isao Takahata directed the opening sequence]
1966  *REINBO SENTAI ROBIN (RAINBOW TROOPER ROBIN; RAINBOW WARRIOR ROBIN).
        TV series.  Key animation.
1968  %TAIYO NO OJI HORUS NO DAIBOKEN (PRINCE OF THE SUN; THE GREAT
        ADVENTURES OF HORUS).  Feature, 1 hr 22 min.
        Scene designer and key animation.  [Directed by Isao Takahata.]
      *MAHOTSUKAI SALLY (SALLY THE WITCH).  TV series.
        Key animation on episodes 77 & 80.
      %NAGAGUTSU WO HAITA NEKO (PUSS IN BOOTS).  Feature, 1 hr 20 min.
        Key animation.
1969  %SORATOBU YUREISEN (THE FLYING GHOST SHIP).  Feature, 1 hr.
        Key animation.
1969-1970  *HIMITSU NO AKKO-CHAN (SECRET LITTLE AKKO).  TV series.  Key
        animation on episodes 44 & 61.
9/69-3/70  ="Sabakuno Tami" ("People in the Desert"; "Desert Tribe").
        [See "Miyazaki Manga-ography" for specifics]
1971  %DOBUTSU TAKARAJIMA (ANIMAL TREASURE ISLAND).  Feature, 1 hr 18 min.
        Key animation.
      *ALI BABA TO 40 NO TOZOKO (ALI BABA AND THE 40 THIEVES).  Feature,
        55 min.
        Organizer and key animation.
1971  +NAGAKUTSUSHITANO PIPPI (PIPPI LONGSTOCKINGS).  [Got only to pre-
        production stage; Isao Takahata was also involved.]
10/71-3/72  %LUPIN III.  TV series, 23 episodes.
        Episodes 6-13 were at least partially directed by Miyazaki and/or
        Isao Takahata.  Episodes 14-23 were entirely directed by Miyazaki
        and/or Takahata.
1972  +YUKI'S SUN [never released]
      %PANDA KOPANDA (PANDA, PANDA CUB).  Short, 33 min.
        Concept, screenplay, set design, and key animation.  [Dir. Takahata]
      +DOKONJO GAERU. TV series.  [drawn continuity for 1st episode was
        rejected]
1972-1973  *AKADO SUZUNOSUKE.  TV series.
        Key animation.  Continuity on episodes 26 & 27.
1973  %PANDA KOPANDA AMEFURI SAKASU NO MAKI (PANDA, PANDA CUB: RAINY DAY
        CIRCUS).  Short, 38 min.
        Original idea, screenplay, art design, scene design, key animation.
        [Directed by Isao Takahata.]
      *KOUYA NO SHONEN ISAMU (WASTELAND BOY ISAMU).  TV series.
        Key animation of episode #15.  [Isao Takahata directed ep. #15.]
      *SAMURAI JYAIANTSU (SAMURAI GIANTS).  TV series.
        Key animation on episode #1.
1/74-12/74  %ALPS NO SHOJO HAIJI (HEIDI: GIRL OF THE ALPS).  TV series,
        52 episodes.
        Scene design and scene organization.  [Directed by Isao Takahata.]
1975  *FLANDERS NO INU (THE DOG OF FLANDERS).
        Aid in key animation.
1/76-12/76  *HAHA O TAZUNETE SANZEN-RI (3000 LEAGUES IN SEARCH OF MOTHER;
        3000 MILES IN SEARCH OF MOTHER).  TV series, 51 episodes.
        Scene design and scene organization.  [Directed by Isao Takahata.]
1977  *ARAIGUMA RASCAL (RASCAL THE RACCOON).
        Key animation.
4/78-10/78  %MIRAI SHONEN CONAN (FUTURE BOY CONAN).  TV series, 26 eps.
        Character design and direction.  [considered to be a Nausicaa
        prototype by some]  [Isao Takahata directed episode #9 & 10.]
1/79-12/79  %AKAGE NO AN (RED-HAIRED ANNE; ANNE OF GREEN GABLES).  TV
        series, 50 episodes.
        Layout, scene design, and scene organization of episodes 1-15.
        [Dir. by Takahata.]
5/79-12/79  %LUPIN III: CAGLIOSTRO NO SHIRO (CAGLIOSTRO'S CASTLE).
        Feature, 1 hr 40 min.
        Screenplay, continuity, and direction.
1980  %LUPIN III: episode #145 ("Albatross: Wings of Death") and #155
        ("Farewell, Lovely Lupin").  TV series.
        Screenplay and direction--under the name "Telecom."
1981  %LITTLE NEMO.  Feature.  [Released in 1991]
        Scene Designer.  Like Isao Takahata, quit in pre-production stage.
4/81-Summer/82  +SHERLOCK HOUND (later renamed GREAT DETECTIVE HOLMES).
        Co-produced with Italian TV.  [4 were completed (two of which were
        "The Little Client" and "The Blue Ruby.") and 2 were in mid-
        production until the project was halted . . . temporarily.]
2/82  ="Nausicaa of the Valley of the Wind."  Manga serialization begins.
        [See "Miyazaki Manga-ograpy" for specifics]
6/83  ="The Journey of Shuna."  Comic book done in watercolor.  [considered
        to be a Nausicaa prototype by some; see "Miyazaki Manga-ography."]
3/84  %KAZE NO TANI NO NAUSICAA (NAUSICAA OF THE VALLEY OF THE WIND).
        Feature, 1 hr 56 min.  [edited & called WARRIORS OF THE WIND in USA]
        Screenplay, continuity, and direction.
      *"The Little Client" & "The Blue Ruby" shown back-to-back as double-
        feature with NAUSICAA OF THE VALLEY OF THE WIND in Japanese movie
        theatres.  [Series title changes to GREAT DETECTIVE HOLMES.]
11/84-5/85  %MEITANTEI HOLMES (GREAT DETECTIVE HOLMES; FAMOUS DETECTIVE
        HOLMES).  TV series (and theatrical short), 26 episodes.
        Director for first six episodes: "The Little Client," "The Blue
        Ruby," "Treasure Under the Sea," "Where Did the Sovereigns Go?"
        "The Abduction of Mrs. Hudson," and "The White Cliffs of Dover."
        [All six of these are available in English as SHERLOCK HOUND.]
1986  $WARRIORS OF THE WIND.  Feature, 90 mins.  The heavily-edited American
        version of NAUSICAA OF THE VALLEY OF THE WIND.  New World Video.
8/86  %TENKU NO SHIRO LAPUTA (LAPUTA: CASTLE IN THE SKY).  Feature, 2 hr
        4 min.
        Screenplay, continuity, and direction.
4/87  %YANAKAWA HORIWARI MONOGATARI (THE STORY OF YANAKAWA CANAL).
        Documentary, 2 hr 45 min.
        Produced by Miyazaki and directed by Isao Takahata.  Almost all
        live-action except for a few minutes of animation describing how
        the canal works.  [Not available on videotape nor laserdisk.  This
        was shown on American TV, however (under a different name?)]
1988  $SHERLOCK HOUND.  Seven tapes of 2 episodes each, one of which is a
        two-parter named "Hound of the Baskervilles."  All are episodes of
        GREAT DETECTIVE HOLMES dubbed into English.  The "Image Gallery"
        segments, Japanese vocals on the theme song, and end/opening credits
        between episodes have all been removed.  Miyazaki served as director
        for only the first six episodes (the first three tapes).  Celebrity
        Home Entertainment ("Just-for-Kids" series).
4/88  %TONARI NO TOTORO (OUR NEIGHBOR TOTORO; MY NEIGHBOR TOTORO; TOTORO
        NEXT DOOR).  Feature, 1 hr 23 min.
        Screenplay, continuity, and direction.
3/89-5/89  ="Zassou Nooto, Hikoutei Jidai" ("Miscellaneous Memorandum---
        The Age of Floatplanes").  Comic book prototype for PORUKO ROSSO,
        KURENAI NO BUTA.  [See "Miyazaki Manga-ograpy" for specifics]
8/89  %MAJO NO TAKKYUBIN (EXPRESS DELIVERY WITCH; EXPRESS COURIER SERVICE
        OF A WITCH; KIKI'S DELIVERY SERVICE; WITCH'S EXPRESS).  Feature,
        1 hr 45 min.
        Screenplay, continuity, and direction.  [Music Director: Takahata.]
7/20/91  %OMOIDE POROPORO (REMEMBERING IN DROPS; ONLY YESTERDAY).  Feature.
        Producer only.  Direction is by Miyazaki's personal friend Isao
        (GRAVE OF THE FIREFLY) Takahata.  [See Takahata Filmography]
7/18/92  *PORUKO ROSSO, KURENAI NO BUTA (PORCO ROSSO, THE RED PIG).


                      MIYAZAKI MANGA-OGRAPHY

9/69-3/70: ="Sabakuno Tami" ("People in the Desert"; "Desert Tribe").
         Manga serialization in SHONEN SHOJO SHINBUN (BOYS AND GIRLS
         NEWSPAPER) under the pseudonym Akitsu Saburo.
1982: ="Nausicaa of the Valley of the Wind" in ANIMAGE: February-December.
1983: ="Nausicaa of the Valley of the Wind" in ANIMAGE: January-June.
      ="The Journey of Shuna" published by ANIMAGE's AM JUJU: June.  [an
         all-watercolor manga which looks more like a miniaturized roman
         album than a manga; considered to be a Nausicaa prototype by some]
1984: ="Nausicaa of the Valley of the Wind" in ANIMAGE: August-December.
1985: ="Nausicaa of the Valley of the Wind" in ANIMAGE: Jan, Feb, Apr, May.
1986: ="Nausicaa of the Valley of the Wind" in ANIMAGE: December.
1987: ="Nausicaa of the Valley of the Wind" in ANIMAGE: January.
11/22/88-5/23/89: $"Nausicaa of the Valley of the Wind, Part One."  English
         translation by Studio Proteus.  7 monthly issues.  Viz Comics.
3/89-5/89 ="Zassou Nooto, Hikoutei Jidai" ("Miscellaneous Memorandum---
         The Age of Floatplanes") in MODEL GRAPHIX.  Four or so full-color
         pages per issue, rougher in style than SHUNA'S JOURNEY.  Comic book
         prototype for PORUKO ROSSO, KURENAI NO BUTA.
9/26/89-11/26/89: $"Nausicaa of the Valley of the Wind, Part Two."  English
         translation by Studio Proteus.  4 monthly issues.  Viz Comics.
11/19/89-6/19/90: $"Nausicaa of the Valley of the Wind" graphic novelization
         of "Part One" and "Part Two."  4 bi-monthly volumes.  Viz Comics.
1990: ="Nausicaa of the Valley of the Wind" in ANIMAGE: April [4-page insert
         summarizes five missing chapters which will be revised & restored
         when entire series reaches book form (explains why Viz hasn't put
         out a "Part Three" of English translations!)] -December.
1991: ="Nausicaa of the Valley of the Wind" in ANIMAGE: January-May.
11/91: =the 3/89 introductory installment of "Zassou Nooto, Hikoutei Jidai"
         ("Miscellaneous Memorandum---The Age of Floatplanes") from MODEL
         GRAPHIX is reprinted in ANIMAGE.  (Five full-color pages.)
10/92-12/92: $"The Age of Hydroplanes" in MANGAZINE #17-19 (B&W translation of
         "Zassou Nooto, Hikoutei Jidai".  Antarctic Press.
?/92: $"Nausicaa of the Valley of the Wind, Part Three" begins.  English
         translation by Studio Proteus.  ? monthly issues.  Viz Comics.


Information for these lists was culled from ANIMAG #9 (pages 6-21), Atsushi
Fukumoto, Woodie Keenan, MAJO NO TAKKYUBIN GUIDEBOOK (translated by Atsushi
Fukumoto), Waichi Ogura, Anime Hasshin's THE ROSE Vol. 4, #21 (pages 8-11),
and Tetsu Tatsumi. . . . and edited by Steven Feldman.

Please feel free to point out inaccuracies and to post updates.  8-)


    This filmography courtesy of the Hayao Miyazaki Discussion Group
  <nausicaa@brownvm>.  To subscribe, send e-mail to <listserv@brownvm>
  and make the message read "subscribe nausicaa userid@node Real Name"

=========================================================================
Subject:  2.) Hayao Miyazaki Biography, Version 1 (12/4/91)


              HAYAO MIYAZAKI BIOGRAPHY, Version 1 (12/4/91)

     Hayao Miyazaki's father was born in 1915 (?) and is still alive (as
of 1989, at least), living in Tokyo.  During WWII, he was director of
Miyazaki Airplane, which was owned by his brother (Hayao's uncle).  This
company made the rudders for Zero fighter planes.  Hayao's mother was a
strict, intellectual woman.  Her youngest son, Shirou, once commented
that Dola in LAPUTA reminded him of her, not by her outlook, but by her
mentality.
     Arata Miyazaki (Hayao's only older brother) was born in July 1939.
     Hayao Miyazaki was born on January 5, 1941 in Akebono-cho (town),
Bunkyo-ku (district), Tokyo.
     Yutaka Miyazaki was born in January 1944.
     Hayao's third brother is Shirou (birthdate unknown).
     Between 1944 and 1946, the Miyazaki family evacuated to Utsunomiya
City and Kanuma City in Tochigi Prefecture.  The Miyazaki Airplanes
factory was in Kanuma City.
     From 1947 to 1952, the young Hayao went to three different grade
schools.  First, he attended first through third grades at a school in
Utsunomiya City.  Next, he spent the fourth grade at Omiya Elementary
School in Suginami-ku, Tokyo, when his family moved back to Suginami-ku.
Hayao switched to the brand-new Eifuku Elementary School, which was a new
branch of the Suginami-ku school, for the fifth grade.
     From 1947 to 1955, Hayao's mother was sick in bed with spinal
tuberculosis (a total of nine years!).  She spent the first few of these
years in the hospital.  MY NEIGHBOR TOTORO is, in many ways, an hommage
to this ordeal.  In fact, several critics regarded this anime highly as
an "I story" (autobiographical story).
     Between 1953 and 1955, Hayao graduated from Eifuku Elementary and
attended Omiya Junior High.
     Between 1956 and 1958, Hayao graduated from Omiya Junior High and
went on to Toyotama High, a public senior high school.  In his third
year, he sees the first-ever Japanese feature-length color anime, HAKUJA
DEN (Directed by Yabushita Taiji for Toei Douga in 1958), and becomes
interested in animation.  Hayao decides he wants to become a comic artist
but--having previously drawn only planes and battleships--finds he can't
draw people.
     From 1959 to 1962, Hayao graduated from Toyotama High and entered
Gakushuin University.  There, he majors in economics (with his final
thesis being on the theory of Japanese industry), and joins the school's
"children's literature research club," which was the closest thing to a
comics club in those days.
     In 1963, Hayao graduated from Gakushuin University, and got a job at
Toei Douga (Toei Animation) in April.  Once there, he is trained for
three months, and becomes an in-betweener.  His first assignment is the
feature, WATCHDOG BOW WOW, after which he is moved to Toei's first TV
series, WOLF BOY KEN.  Hayao lived in an apartment in nearby Nerima-ku
(in Tokyo) which cost 6,000 yen a month to rent (his monthly salary was
19,500 yen), and yet, soon after entering Toei Douga, there was a union
dispute, and Hayao led the demonstrating animators!
     In 1964, Hayao was the Chief Secretary of Toei Douga's labor union
(Isao Takahata was the Vice-Chairman), and began to date fellow animator
Akemi Ota.
     In the fall of 1965, Hayao began to volunteer help to Takahata once
Takahata joins the production team on PRINCE OF THE SUN.  Thinking that
this might be his last chance to work on a feature film before TV takes
over, Hayao makes a pact with Takahata (the film's director) and Yasuo
Otsuka (the film's animation director) to take as long as it takes to
finish PRINCE OF THE SUN together.  Hayao marries Akemi Ota (who worked
as a key animator on PRINCE OF THE SUN) in October.  The newlyweds move
to Higashi-Murayama City, in Tokyo.
     PRINCE OF THE SUN was finally released in 1968.  Also that year,
Akemi worked on PUSS IN BOOTS, a feature on which Hayao was a key
animator.
     Hayao and Akime Miyazaki's first son was born in January of 1967.
     In 1969, Akemi contributed to THE FLYING GHOST SHIP, another feature
for which Hayao was a key animator.
     Their second son was born in April of 1969, whereupon the Miyazakis
moved to Oizumi-Gekuen, Nerima-ku, Tokyo.  This second son eventually
went to Sinshu University to study forestry (or was it dendrology?).
     In 1970, the Miyazakis moved to Tokorozawa City, in Saitama
Prefecture.
     In 1971, Hayao left Toei Douga and joined Takahata and Yoichi Otabe
at A-Pro.  Hayao traveled to Sweden with Tokyo Movie president Yutaka
Fujioka in order to secure the rights to PIPPI LONGSTOCKINGS, but their
attempt failed.
     In June of 1973, the Miyazaki/Takahata/Otabe team quit A-Pro and
joined Zuiyo Pictures.  In July, Hayao went on location to Switzerland
for inspiration as scene designer and scene organizer on HEIDI: GIRL OF
THE ALPS.
     In 1975, Hayao again went on location--this time, to Italy and
Argentina--to prepare for THREE THOUSAND MILES IN SEARCH OF MOTHER.
     1980 saw Hayao as chief instructor for new animators at Telecom.  It
is here that he uses his company's name as a pseudonym while directing
episodes 145 & 155 of the then-current LUPIN III TV series.
     The NAUSICAA OF THE VALLEY OF THE WIND anime got under way in 1983.
In May, Takahata became the film's producer, and Topcraft was chosen as
the production studio.  Hayao's youngest brother Shirou worked at
Hakuhoudo (the second largest advertisement agency in Japan), so it is
perhaps not surprising that NAUSICAA was made as a joint venture between
Tokuma and Hakuhoudo.  In July, Hayao's mother died.  She was 71.  Hands-
on work on the NAUSICAA anime began the following month.
     In April of 1984, Miyazaki and Takahata's Nibariki (Two-Horse Power)
office was created in Suginami-ku, Tokyo.  Miyazaki is the senior
partner.
     In 1985, Studio Ghibli was founded in Kichijoji, in Musashino City
to produce LAPUTA: CASTLE IN THE SKY.  (Topcraft Studio's production
manager, Toru Hara, became the manager of Studio Ghibli.)  In May, Hayao
went on location to Wales to prepare for this new anime.

           [Thanks to ANIMAG #9 and Atsushi Fukumoto]

                           -- Steven Feldman <ar402004@brownvm.brown.edu>

     This biography courtesy of the Hayao Miyazaki Discussion Group
  <nausicaa@brownvm>.  To subscribe, send e-mail to <listserv@brownvm>
  and make the message read "subscribe nausicaa userid@node Real Name"

=========================================================================
Subject:  3.) Isao Takahata Filmography, Revision 3.5 (11/20/91)


                             INTRODUCTION

     Isao Takahata directed many of the early anime on which Hayao
Miyazaki worked in a lesser capacity.  Among them are WOLF BOY KEN,
PRINCE OF THE SUN, the LUPIN III 1971 TV series, both PANDA KOPANDA
shorts, HEIDI: GIRL OF THE ALPS, 3000 LEAGUES IN SEARCH OF MOTHER, and
ANNE OF GREEN GABLES.  Also, Takahata produced NAUSICAA and LAPUTA, and
was Music Director for KIKI'S DELIVERY SERVICE.  On the other side of the
coin, Miyazaki produced Takahata's THE STORY OF YANAKAWA CANAL and OMOIDE
POROPORO.

From Entry #297 of LISTS.NAUSICAA (Re: Assorted things...) by Atsushi
Fukumoto (<fukumoto@aa.cs.keio.ac.jp>), September 6, 1991:

    Precisely speaking, Studio Ghibli is the production company of
Miyazaki's fims, and also GRAVE OF THE FIREFLY and OMOIDE-POROPORO.
It was originally founded for production of LAPUTA.  (NAUSICAA was
produced at Topcraft Studio.)
    Miyazaki himself is currently the leader of NIBARIKI (Two Horse
Powers), which is the office of Miyazaki and Takahata.  If you can
read kanji, you'll notice that all illustrations reprinted on
magazines from Miyazaki's recent works are copyrighted (C) NIBARIKI.


                ISAO TAKAHATA FILMOGRAPHY EXPLANATION:

ORIGINAL SOURCE OF INFORMATION: "EIGA WO TSUKURINAGARA KANGAETA KOTO"
  (What I Thought During Making Movies), written by Takatata Isao.
POSTED TO HAYAO MIYAZAKI DISCUSSION GROUP by Atsushi Fukumoto, 9/23/91.
EDITED AND RE-FORMATTED by Steven Feldman, September 27, 1991.

NOTE:  Those entries preceded by an asterisk ("*") indicate involvement
  with HAYAO MIYAZAKI on some level or other.
NOTE:  "Ekonte" is a mixture of storyboarding and continuity.  By
  contrast, the term for Scene Designer is "Bamen Sekkei".


                      TAKAHATA ISAO FILMOGRAPHY

1961   ANJU TO ZUSHIOUMARU
       Assistant director.

1962   TETSU MONOGATARI
       Production keeper and Assistant director.

1963   WANPAKU OUJI NO DAIJA TAIJI
       Assistant director.

1964   ANKOKUGAI SAIDAINO KETTOU
       Assistant director.

1964 * OKAMI SHONEN KEN (WOLF BOY KEN)
       Advisor.
       Director of C part of episode #6.
       Director of episodes #14, #19, #24, #32, #38, #45, #51, #58.
       In-betweener:  MIYAZAKI HAYAO, et al.
1965   Director of episodes #66, #72, #80.

1965 * HASSURU PANCHI (HASSLE PUNCH)
       Director of opening.
       Key Animation:  MIYAZAKI HAYAO.

1968 * TAIYO NO OUJI HORUSU NO DAIBOUKEN (PRINCE OF THE SUN: THE GREAT
       ADVENTURE OF HORUS)  (Feature.)
       Director.
       Script:  Fukazawa Kazuo
       Scene Design:  MIYAZAKI HAYAO
       Animation Director:  Ootsuka Yasuo
       Key Animation:  Mori Yasuji, Okuyama Reiko, Otabe Youichi,
                       MIYAZAKI HAYAO, Oota Akemi, Kikuchi Sadao,
                       Kita Masatake [?]

       Due to the large delay of the production of TAIYO NO OUJI HORUSU
       NO DAIBOUKEN, he was demoted to the assistant director of
       HIMITSU NO AKKOCHAN.

1969   GEGEGE NO KITAROU
       Director of episode #62

1969   MO-RETSU A-TAROU
       Director of episodes #10, #14, #36.
1970   Director of episodes #44, #51, #59, #71, #77, #90.

1971   GEGEGE NO KITAROU (NEW SERIES)
       Director of opening and ending.
       Director of episode #5

1971   APATCHI YAKYUUGUN (APACHE BASEBALL TEAM)
       Director of episodes #2, #12, #17.

1971 * Moved to "A Production" with MIYAZAKI HAYAO and Otabe Youichi,
       to produce NAGAKUTSUSHITANO PIPPI (PIPPI LONGSTOCKINGS).  Gave
       up in the pre-production stage because the original story
       writer did not agree to make it as anime.

1971 * LUPIN III
       Co-director, with MIYAZAKI HAYAO, of episodes #6 and after.
       (Episodes #6-13 at least partially directed by Takahata and/or
       Miyazaki.  Episodes #14-23 directed entirely by Takahata and/or
       Miyazaki.)
       (Credited as "A Pro. Directors Group.")
       Original Story:  Monkey Punch
       Animation Director:  Ootsuka Yasuo
       Key Animation:  Kawauchi Hideo, Kondo Yoshifumi, Aoki Yuzo,
                       Imazawa Tetsuo, Manabe Joji, et al.

1972 * AKADO SUZUNOSUKE
       Temporarily acted as Chief Director.
       Continuity (Ekonte):  MIYAZAKI HAYAO
       Key Animation:  MIYAZAKI HAYAO.

1972 * PANDAKOPANDA (PANDA, PANDA CUB). (Short movie)
       Director.
       Original Idea, Script, Screen Design:  MIYAZAKI HAYAO
       Animation Directors:  Ootsuka Yasuo, Otabe Youichi
       Key Animation:  Kawauchi Hideo, Kondo Yoshifumi, Aoki Yuzo,
                       MIYAZAKI HAYAO, Saida Toshitsugu, et al.

1973 * PANDAKOPANDA AMEFURI SAAKASU NO MAKI (PANDA, PANDA CUB: RAINY DAY
       CIRCUS).  (Short movie)
       Director.
       Original Idea, Script, Art Design, Screen Design:  MIYAZAKI HAYAO
       Animation Directors:  Ootsuka Yasuo, Otabe Youichi
       Key Animation:  Kawauchi Hideo, Kondo Yoshifumi, Aoki Yuzo, Saida
                       Toshitsugu, Tanahashi Kazutoku, MIYAZAKI HAYAO.

1973 * KOUYA NO SHONEN ISAMU (WASTELAND BOY ISAMU)
       Ekonte and Director of episode #15.
       Ekonte of episode #18.
       Key Animation:  MIYAZAKI HAYAO (episode #15 only)

1974 * ARUPUSU NO SHOUJO HAIJI  (Heidi: Girl of the Alps)
       Director.
       Original Story:  Johanna Spyrri [sp?]
       Scripts:  Yoshida Yoshiaki, Ookawa Hisao, Sasaki Mamoru
       Scene Design, Screen Layout:  MIYAZAKI HAYAO
       Character Design, Animation Director:  Otabe Youichi
       Key Animation:  Hane Shouetsu, Murata Koichi,
                       Saida Toshitsugu, Manabe Jouji, et al.

1975 * FURANDAASU NO INU  (The Dog of Flanders)
       Ekonte of episode #15
       Aid in Key Animation:  MIYAZAKI HAYAO

1976 * HAHA WO TAZUNETE SANZEN-RI (3000 LEAGUES IN SEARCH OF MOTHER)
       Director, and Lyric of ending.
       Original Story:  De Amicis
       Script:  Fukazawa Kazuo
       Scene Design, Layout:  MIYAZAKI HAYAO
       Character Design, Animation Director:  Otabe Youichi
       Key Animation:  Saida Toshitsugu, Hane Shouetsu, Kawauchi Hideo,
                       Murata Kouichi, Tannai Tsukasa, Manabe Jouji,
                       et al.
       Color Design:  Yasuda Michiyo

1977   ARUPUSU NO ONGAKU SHOUJO NETTI NO FUSHIGI NA MONOGATARI
       Ekonte and Director of animation part.

1977   SHIITON DOUBUTSUKI, KUMANOKO JAKKII
       Ekonte of episodes #5, #18.

1978   PERIINU MONOGATARI
       Ekonte of episodes #3, #6.

1978 * MIRAI SHONEN KONAN (FUTURE BOY CONAN)
       Ekonte of episodes #7, #13, #20.
       Ekonte and Director of episodes #9, #10.
       Director:  MIYAZAKI HAYAO
       Character Design:  MIYAZAKI HAYAO

1979 * AKAGE NO AN (RED-HAIRED ANNE; ANNE OF GREEN GABLES)
       Director.
       Original Story:  Lucy Maude Montgomery
       Scripts:  Chiba Shigeki, Takahata Isao, Kamiyama Seijiro, et al.
       Scene Design, Screen Layout, Scene Organization:  MIYAZAKI HAYAO
                                                         up to ep. #15
       Screen Layout:  Sakurai Michiyo
       Animation Director, Character Design:  Kondo Yoshifumi
       Key Animation:  Sakurai Michiyo, Murata Kouichi, Saida Toshitsugu,
                       Tomonaga Kazuhide, et al.
       Color Designation:  Yasuda Michiyo

1981   JARINKO CHIE  (Feature.)
       Director.
       Original Story:  Haruki Etsumi
       Scripts:  Shiroyama Noboru, Takahata Isao
       Animation Directors:  Otabe Youichi, Ootsuka Yasuo
       Key Animation:  Tomonaga Kazuhide, Tanaka Atsuko, Goto Noriko,
                       Okuyama Reiko, Saida Toshitsugu, Tannai Tsukasa,
                       et al.
       Art Director:  Yamamoto Nizou
       Music:  Hoshi Masaru

1981   SEROHIKI NO GOOSHU (GOSHU THE CELLIST)  (Feature.)
       Director and Script.
       Original Story:  Miyazawa Kenji
       Character Design, Key Animation:  Saida Toshitsugu

1981   JARINKO CHIE  (TV Series.)
       Chief Director.  Ekonte and Director of episodes #2, #6, #11 under
       the name Takemoto Tetsu.  Original idea of opening music, too.
       Original Story:  Haruki Etsumi
       Scripts:  Shiroyama Noboru, Shinozaki Kou [?],
                 Miyamoto Masataka, Takayashiki Hideo et al.
       Directors:  Sasaki Masamitsu, Yokota Kazuyoshi,
                   Akiyama Katsuhito, Mizushi Kyosuke,
                   Mikemoto Yasumi, et al.
       Character Design:  Otabe Youichi
       Animation Directors:  Saida Toshitsugu, Utagawa Kazuhiko,
                             Otabe Youichi, Asakura Takashi, et al.
       Key Animation:  Goto Noriko, Ikeda Junko, Kousaka Kitarou,
                       Hoshikawa Nobuyoshi, Higuchi Yoshinori,
                       Shimazaki Etsumi, et al.

1983 * NIMO IN SLUMBERLAND (LITTLE NEMO)  (Feature.)
       Director of Japan-side production.  Quit in pre-production stage.
       Scene Design:  MIYAZAKI HAYAO.  Also quit in pre-production stage.

1984 * KAZE NO TANI NO NAUSHIKA (NAUSICAA OF THE VALLEY OF WIND) (Feature.)
       Executive Producer.
       Production Manager:  Hara Tooru (for Topcraft Studio)
       Director:  MIYAZAKI HAYAO
       Screenplay and Continuity:  MIYAZAKI HAYAO

1986 * TENKUU NO SHIRO RAPYUTA (LAPUTA: CASTLE IN THE SKY)  (Feature.)
       Executive Producer.
       Production Manager:  Hara Tooru (for Topcraft Studio and
                            Studio Ghibli)
       Director:  MIYAZAKI HAYAO
       Screenplay and Continuity:  MIYAZAKI HAYAO

1987 * YANAKAWA HORIWARI MONOGATARI (THE STORY OF CANALS IN YANAKAWA)
       (Documentary Film, with a few minutes of animation)
       Director, Script.
       Producer:  MIYAZAKI HAYAO
       Script Coordinator:  Hiromatsu Tsutae
       Key Animation:  Tanaka Atsuko, Futaki Makiko
       Art Director:  Yamamoto Nizou
       Color Design:  Yasuda Michiyo
       Theme Music:  Mamiya Yoshio

1988   HOTARU NO HAKA (GRAVE OF THE FIREFLIES)  (Feature.)
       Director, Script.
       Original Story:  Nosaka Akiyuki
       Animation Director:  Kondo Yoshifumi
       Layout, Assistant Animation Director:  Momose Yoshiyuki
       Key Animation:  Hane Shouetsu, Ishii Kuniyuki, Takano Noboru,
                       et al.
       Art Director:  Yamamoto Nizou
       Color Designation:  Yasuda Michiyo
       Music:  Mamiya Yoshio

1989 * MAJO NO TAKKYUUBIN (KIKI'S DELIVERY SERVICE)  (Feature.)
       Director of Music.
       Director:  MIYAZAKI HAYAO
       Screenplay and Continuity:  MIYAZAKI HAYAO
       Character Designer:  Kondo Katsuya
       Animation Directors:  Ootsuka Shinji, Kondo Katsuya, Kondo Yoshifumi

1991 * OMOHIDE POROPORO (Feature.)
       Director, Script, rough ekonte.
       Original Story:  Okamoto Hotaru, Tone Yuuko
       Character Design:  Kondo Yoshifumi
       Scene Design (detailed ekonte):  Momose Yoshiyuki
       Animation Directors:  Kondo Yoshifumi, Kondo Katsuya,
                             Sato Yoshiharu
       Key Animation:  Hane Shouetsu, Ishii Kuniyuki, Kagawa Ai,
                       Ootsuka Shinji, et al.
       Art Design and Director:  Oga Kazuo
       Color Designation:  Yasuda Michiyo
       Music:  Hoshi Masaru
       Executive Producer:  MIYAZAKI HAYAO

    This filmography courtesy of the Hayao Miyazaki Discussion Group
  <nausicaa@brownvm>.  To subscribe, send e-mail to <listserv@brownvm>
  and make the message read "subscribe nausicaa userid@node Real Name"