HDTenEightyP/NetNews huggingface dataset:
From: schnitzi@cs.ucf.edu (Mark Schnitzius)
Subject: Re: For John Schnitzius
Organization: University of Central Florida
Date: Thu, 30 Jul 1992 21:47:56 GMT

>How about this:
>
>        When someone requests something I have, I'll post it.
>Until then, either make a request, post some tab yourself, do
>some other constructive thing, or keep your unneeded posts off
>of the net.  Please?

You're asking me to do something constructive?  I'm not the
one leeching off alt.guitar.tab without ever contributing.
Everyone has something they can contribute.

>        I would love to post things myself, but having played
>the guitar for only 3 years, my musical library is not all
>that large.

You must have learned something in three years of playing.
Hell, post some lyrics if that's all you can do.  It beats
the hell out of plaguing this froup with repeated requests.
It's not a question of ability, it's a question of laziness.

>I suppose I could pilfer the stuff out of GFTPM and other
>publications, but other people could do that just as well.

Here we see it.  It IS laziness.  Let the other guy type it
in.  Nice attitude, Shane.

>        Basically, I'm trying to use the alt.guitar.tab to
>make myself a bit of a better player.  I figure once I get
>an idea of how things work musically (I have little or no
>theory background and such), I'll be able to transcribe my
>own songs and post them.  At this point, I could post the
>Outfield's _Say It Isn't So_ and the Cult's _Wild Flower_,
>and probably be ridiculed for posting such elementary songs.

So POST THEM.  No one's going to ridicule you.  I wouldn't
mind knowing _Wild Flower_.

>        I'm working on becoming a virtuoso, but I'm not 
>there yet, I'm sorry.  I've spoken up and asked for something
>I need instead of sitting around quietly waiting for you
>guitar-wonder gods to deem it time to consider posting 
>something interesting.  I'll think twice next time before
>I do it.

"Guitar-wonder gods".  That's rich.  News for ya -- I suck 
too.  Just not in a leechlike way.

Mark
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: music :
Date: 24 Jul 92 14:55:58 GMT
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA

094

Title:				SUMMERTIME			(Gershwin)
		
		Em        Am7 Em       Am7       Em    Am7 Em
		Summertime,    and the livin' is easy
		         Am7                       B7  C7 B7
		Fish are jumpin' and the cotton is high
		             Em  Am7 Em       Am7          Em      Am7 Em
		Your daddy's rich,   and your momma's good lookin'
		G                   A7 B7        Em  Am7 Em
		So hush little baby,   don't you cry

		Em                   Am7 Em           Am7     Em      Am7 Em
		One of these mornings,   you're gonna rise up singing
		            Am7                                      B7  C7 B7
		Then you'll spread your wings and you'll take to the sky
		              Em     Am7 Em        Am7         Em       Am7 Em
		But till that morning,   there's a nothin' can harm you
		     G              A7 B7       Em  Am7 Em
		With daddy and mammy   standing by


\_  \_  \_  \_  \_  \_  \_  \_ 

    \_\_\_      \_      \_                  Glen Macon 
   \_            \_\_  \_\_     any-net: macon@cbmvax.commodore.com
   \_             \_ \_\_ \_            Standard disclaimer...    
    \_   \_\_\_    \_  \_  \_   Commodore doesn't endorse what I say, I do
     \_       \_    \_      \_           Who wants to know...
       \_     \_     \_      \_      
	 \_\_\_       \_      \_    
	                                                
 \_  \_  \_  \_  \_  \_  \_  \_  \_  \_

All those moments will be lost in time, like tears in the rain.
From: sekhar@geronimo.sps.mot.com (Sekhar Narayanaswami)
Newsgroups: alt.guitar.tab
Subject: Re: Stephen Stills - submitting lyrics
Date: 24 Jul 92 21:49:46 GMT
Reply-To: sekhar@geronimo.sps.mot.com
Organization: Motorola, Inc.

In article 7H0@news.cso.uiuc.edu, was28667@uxa.cso.uiuc.edu (palamino) writes:
>
>ALSO, is there any interest in posting either TAB for Crosby, Stills, or Nash?
>I've got TAB for most of their songs, but it would take forever to post them
>all (especially Crosby and Stills with their alternate tunings...)
>
>-palamino
>
>-- 
>
>					 my .sig is in the shop for repairs. 



If you get a chance, I would greatly appreciate it if you could post any
CSN tab you can (I'm sure many others would appreciate it as well)...

Thanks...

-------------------------------------------------------------------------------
Sekhar Narayanaswami		"The waiting is the hardest part
sekhar@ssdt-tempe.sps.mot.com	 Everyday you get one more yard
				 You take it on faith, you take it to the heart
				 The waiting is the hardest part"
-------------------------------------------------------------------------------
From: S_ASWILLUS@iravcl.ira.uka.de (|S| Andreas Swillus)
Newsgroups: alt.guitar.tab
Subject: Searching TAB Bon Jovi, Scorpions, Van Halen, Europe
Date: 22 Jul 1992 13:15:53 GMT
Organization: University of Karlsruhe (FRG) - Informatik Rechnerabt.
Distribution: world
NNTP-Posting-Host: irav22.ira.uka.de
X-News-Reader: VMS NEWS 1.23

Hello, I got some troubles with songs I want to play.
Maybe somebody got TBA's for those:

Scorpions / Still loving you
I need only the lead Guitar parts between 1. and 2. verse,
the licks in the 3. verse and the solo at the end of the song.

Europe / Final countdown
I could use the Cords and Solo

the same with :

Van Halen / Jump

Bon Jovi / Runnaway    
Newsgroups: alt.guitar.tab,alt.guitar
From: gphelan@nyx.cs.du.edu (Greg Phelan)
Subject: TAB: Remedy (The Black Crowes)
Organization: Nyx, Public Access Unix @ U. of Denver Math/CS dept.
Date: Sun, 26 Jul 92 08:35:53 GMT


Someone asked for this Crowes song so here it is 

First tune your Guitar to open G (low to high D,G,D,G,B,D)

Main riff goes like this

---------------------------------------------------------------------------
-------------------------------5---5---------------------------------------
--10---9----5------5-----------7---5----5-------5---5---5--5----5---5---5--
--10--10----5------5---5---7-------5----7--5-7--5---5---5--5----5---5---5--
--10---9----5----------5----------------5--5-5--5-------7------------------
---------------------------------------------------------------------------

---------------------------------------------------------------------------
--------------------3-------6--6--6--6--6-----------3--3--3---------3------
--8----7----3-------3--5/7--7--7--7--7--7-5-3-------5--3--3---3-----3--3-3-
--8----8----3-------3---------------------5---5-3-3----3------3-3-3-3--3-3-
--8----7----3---------------------------------3-3-3-----------3-3-3----3-3-
---------------------------------------------------------------------------
-

verse riff goes like this

---------------------------------------------------------------------------
---3----3--------4-----3--4--4--3-3----4--3--3-----------------------------
---3----3--------3-----3--3--3--3-3----3--3--3-----------------------------
---3----3--------5-----3--5--5--3-3----5--3--3-----------------------------
---3----3--------3-----3--3--3--3-3----3--3--3-----------------------------
---------------------------------------------------------------------------
-
---------------------------------------------------------------------------
---5----5-------6-------5--6--6--5-5--6----5--5----------------------------
---5----5-------5-------5--5--5--5-5--5----5--5----------------------------
---5----5-------7-------5--7--7--5-5--7----5--5----------------------------
---5----5-------5-------5--5--5--5-5--5----5--5----------------------------
---------------------------------------------------------------------------
-

(cont)
chorus riff goes like this
-
--3---3--------------------------------------------------------------------
--3---3----------6---6--6--------------------------------------------------
--3---3----------6---6--6-----6-----------8--------------------------------
--3--------------6---6--6-----6---6---6---8--------------------------------
-----------------6------------6---8---8---8--------------------------------
----------------------------------6---6------------------------------------
-
Thats about it
 any questions problems comments feel free to e-mail me 

gphelan@nyx.cs.du.edu


Your pal 


Greg
$
Newsgroups: alt.guitar.tab
From: ericj@eskimo.celestial.com (Eric Jorgensen)
Subject: Re: Create alt.guitar.tab.d!!!!
Organization: -> ESKIMO NORTH (206) For-Ever <-
Date: Tue, 28 Jul 1992 21:07:56 GMT

johnson@pitt.edu writes:
> 
> Would anyone consider initiating an alt.guitar.tab.d discussion group?

Much of the discussion-messages you taled about are really messages that are
being cross-posted to/from alt.guitar.  I, myself, am getting a bit sick of
reading the same messages twice (since I read both groups)...but, then...that's
what 'K' is for, eh?  :)

> I'd like to hear some other suggestions or support for this idea.  
> Post them to alt.guitar.tab.  

I know what you MEANT...but this seems contradictory to your complaint about
non-tabulature in this group.  :)

 - ericj@eskimo.celestial.com - "Hey! Gimme my two cents back!"
Newsgroups: alt.guitar.tab
Subject: Chords :Like A Hurricane by Neil Young
From: <SELD1020@HASARA11.BITNET>
Date: Tuesday, 21 Jul 1992 13:12:52 CET
Organization: SARA - Stichting Academisch Rekencentrum Amsterdam

Hi all,
 
here's Like a Hurricane,
enjoy
     Hans
 
==========================================================
 
             Like A Hurricane
             by Neil Young
 
 
     Am                              G
     Once I thought I saw you in a crowded, hazy bar,
     F                                     Em  G
     dancing on the light from star to star.
     Am                            G
     Far across the moon beams, I know that's who you are.
     F                                      Em  G
     I saw your brown eyes turning once to fire.
 
 
     G    F        G       C        G   F       G
     You are like a hurricane: there's calm in your eye.
     C    G   F            G
     And I'm getting blown away.
     F
     There's somewhere safer where the feelings stay.
                                                Am  G  F  Em  G
     I wanna love you but I'm getting blown away.
 
 
     Em                       G
     I am just a dreamer, but you are just a dream,
         F                               Em  G
     and you could have been anyone to me.
       Em
     Before that moment you touched my lips,
          G
     that perfect feeling when time just slips
      F                                 Em  G
     away between us and our foggy trips.
 
 
     C   G    F        G       C        G   F       G
     You are like a hurricane: there's calm in your eye.
     C    G   F            G
     And I'm getting blown away.
     F
     There's somewhere safer where the feelings stay.
                                                Am  G  F  Em  G
     I wanna love you but I'm getting blown away.
 
 
     Am                          C
     You are just a dreamer, and I am just a dream,
         F                               Em  G
     and you could have been anyone to me.
       Am
     Before that moment you touched my lips,
          G
     that perfect feeling when time just slips
      F                                 Em  G
     away between us and our foggy trips.
 
 
     C   G    F        G       C        G   F       G
     You are like a hurricane: there's calm in your eye.
          C    G   F            G
     And I'm getting blown away.
     F
     There's somewhere safer where the feelings stay.
                                                Am  G  F  Em  G  Am
     I wanna love you but I'm getting blown away.
From: teri@sdd.hp.com (Teri Tracey)
Newsgroups: alt.guitar.tab
Subject: Re: George Strait: Nobody in His Right Mind
Date: 21 Jul 1992 13:06:22 -0700
Organization: HP/San Diego Technical Graphics
NNTP-Posting-Host: hp-sdd.sdd.hp.com

>    Nobody In His Right Mind (Would Have Left Her)     - George Strait
>    ----------------------------------------------     - transcribed 3/7/90 tat

>    pick:  B - 3 2 4 1 3 2  
>    (There is a rest between B1 and 3, to make up 8 beats.)
>	    1    

This might be confusing.  Should be written:
 
            B - 3 2 4 1 3 2
            1
            ^the appropriate bass string and the first string, plucked together
            There is a rest between B1 and 3, to make up 8 beats.

Other picks I know:

B 3 2 1 2 3   (as for Greensleeves in Em "alas my love you do me wrong")

B 3 2 1      (simple, good for slow songs)

B 3 2 1 3 2 1 3  (rich 4/4)
1   4

B 3 2 3   (can use for above song, too--actually might be better)
    1

B 3 2 3 B 3 2  (variation)
    1       1

                             T   e   r   i
                            teri@sdd.hp.com 
       "There's a fine line between stupid and...clever"    - Spinal Tap
From: serge@dgbt.doc.ca (Serge Ah Hee)
Subject: Les Paul Custom 81
Organization: The Communications Research Centre
Date: Thu, 30 Jul 92 17:25:20 GMT

Can anybody tell me the current value of an 1981 Custom Les Paul? There is
one for sale. It has a Silverburst paint job and is in excellent condition.
Thanks 
Serge
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: music : dirty work
Keywords: steely dan
Date: 23 Jul 92 13:18:11 GMT
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA


                                                                       081

Title:				DIRTY WORK			(Steely Dan)

		G C Em F>G

		Em        Am7         D                 G
		Times are hard you're afraid to pay the fee
		       C                  F            G              D
		So you find  yourself somebody who can do the job for free
		         Em            Am7         D                  G  
		When you need a bit of lovin cause your man is out of town
		           C               F              G            Am
		That's the time you get me runnin and you know I'll be around

		G     Cmaj7           Em            F     F#  G	
	CHORUS:	I'm a fool to do your dirty work oh yeah
		G     Cmaj7           Em            F     F#  G	
		I don't wanta do your dirty work no more
		G     Cmaj7           Em            F     F#  G	 C
		I'm a fool to do your dirty work oh yeah    

		Em        Am7            D             G
		Light the candle put the lock upon the door
		         C                  F            G              D
		You have sent the maid home early like a thousand times before
		         Em            Am7         D        G
		Like the castle in its corner in a mid-evil game
		     C           F             G                  Am
		I forsee terible trouble and I stay here just the same

		Em G  Em  G  Em  F  G  Dm  

		LEAD

		CHORUS


\_  \_  \_  \_  \_  \_  \_  \_ 

    \_\_\_      \_      \_                  Glen Macon 
   \_            \_\_  \_\_     any-net: macon@cbmvax.commodore.com
   \_             \_ \_\_ \_            Standard disclaimer...    
    \_   \_\_\_    \_  \_  \_   Commodore doesn't endorse what I say, I do
     \_       \_    \_      \_           Who wants to know...
       \_     \_     \_      \_      
	 \_\_\_       \_      \_    
	                                                
 \_  \_  \_  \_  \_  \_  \_  \_  \_  \_

All those moments will be lost in time, like tears in the rain.
From: nates@ll.mit.edu ( Nate Smith)
Newsgroups: alt.guitar.tab
Subject: Re: music : natures way
Keywords: spirit
Date: 23 Jul 92 18:11:59 GMT
Organization: MIT Lincoln Laboratory

In article <33267@cbmvax.commodore.com> macon@cbmvax.commodore.com (Glen Macon) writes:
>080
>
>Title:				NATURE'S WAY 			(Spirit)
>
>
>		A(open B)                               G#(+C#) G#
>		Nature's way of telling you something's wrong

i'm dreadfully sorry, but ever since i heard this while dropping a load
of diarrhea, i have never been able to hear this straight.  i always
crack up (confuscious say).... sorry...   :-)

- nate, but a long time long ago
Newsgroups: alt.guitar.tab,alt.guitar,rec.music.makers
From: sens@quads.uchicago.edu (jeffrey david sensabaugh)
Subject: Re: ** new at ftp.nevada.edu(131.216.1.11) **
Reply-To: sens@midway.uchicago.edu
Organization: University of Chicago Computing Organizations
Date: Thu, 30 Jul 1992 22:56:45 GMT

In article <1992Jul30.193252.22906@socrates.umd.edu> jimbo@socrates.umd.edu (Jim Bogard) writes:
>>	Dan Crofts
>>		Tequilla
>>
>>	Slow day.  :)
>
>Hmmmmm?  I thought that was by _The Ventures_?  Or was that a remake?
>
 
Methinks the original version was by the Champs

						Jeff



Newsgroups: alt.guitar.tab,alt.guitar
From: dmm@aristotle.ils.nwu.edu (donald)
Subject: Re: POLK SALAD ANNIE riff wanted
Organization: The Institute for the Learning Sciences
X-Newsreader: Tin 1.1 PL4
Date: Wed, 22 Jul 1992 16:46:05 GMT

On the poke salad front, I grew up always par-boiling the young greens
because they also are mildly toxic (conventional wisdom from
grandmother born in the 1800's).  As another aside, you can use the
juice from mature poke berries for a wonderful purple ink or dye.

take it easy,
donald
Newsgroups: alt.guitar.tab
From: ajm@iconix.oz.au (Andrew Mack)
Subject: Ride Of The Valkyries
Organization: ICONIX Corporation World Headquarters
Date: Thu, 30 Jul 1992 03:29:51 GMT

"Ride of the Valkyries"

Here's the main riff from Rick Wagner's metal classic.
Play loud with plenty of chorus.

3/4 time, stars indicate the beat

------------------------------------------------------
--------------------7---7---7-10---------7------------
----------7---7---7---7---7--------7---7--------------
----9---9---9---9----------------7---7----------------
--9---9-----------------------------------------------
------------------------------------------------------
    *     * * *     * * *     *  * *     *  *

---------------------------------9---------6----------
----------7---7---7-10-7-10-7-10-----7---7------------
----7---7---7---7------------------6---6--------------
--7---7-----------------------------------------------
------------------------------------------------------
------------------------------------------------------
    *     * * *     *  * *       * * *     * *   ***

------------------------------------------------------
------------------------------------------------------
----------4-----------4-----------5-------4-7---------
--4-5---5-----4-5---5-----4-5---5---4---4-------------
------7-----------7-----------7-------5---------------
------------------------------------------------------
    *     * *   *     * *   *     * * *     * *  ***

-------------------------------------------------------------
------------------------------------------4-7-------4-7------
----------4-----------4-----------6-----4---------4----------
--4-5---5-----4-5---5-----4-5---5---5-4---------4------------
------7-----------7-----------7------------------------------
-------------------------------------------------------------
    *     * *   *     * *   *     * * *     * * *     * *
Newsgroups: alt.guitar.tab
From: Ted.Bebenek@bbs.oit.unc.edu (Ted Bebenek)
Subject: Re: Nirvana
Organization: Extended Bulletin Board Service
Date: Wed, 22 Jul 1992 21:56:58 GMT


I've already noticed that I've made a few mistakes, so I'm correcting them
right away.

>Come As You Are
>===============                        This is a very simple song, and this   
>				       	should get you started.  I'm not sure
>-------------------------------	about the chords during the chorus, but
>-------------------------------	this riff is palyed during most of
>-------------------------------        the verses.
>-------------------------------
>---------0---0---------1-----1-
>-0-0-1-2---2---2-2-1-0---0-0---
>
>
>In Bloom					This is the main riff played
>========					throughout the intro.  The
>						chorus is a bit different, 
>----------------------------------------	but I think it uses the same
>----------------------------------------	chords.  There is no guitar
>----------------------------------------	during the verses, only bass.
>--55555-X-22222-X-7/8888-X-5555-3333----
>--33333-X-00000-X-5/6666-X-3333-1111----
>----------------------------------------
>

I just noticed that the nevada ftp site has a better tab of this song.


Something In They Way
=====================

I think the entire song is made up of these two chords:

------		This is a very good beginners song.  The strumming is
-7--3-		fairly easy to figure out if you have the CD/tape.
-6--2-
-4--0-
-4--0-
------
--
   The opinions expressed are not necessarily those of the University of
     North Carolina at Chapel Hill, the Campus Office for Information
        Technology, or the Experimental Bulletin Board Service.
           internet:  bbs.oit.unc.edu or 152.2.22.80
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: music : rikki don't loose that number
Keywords: s-dan
Date: 23 Jul 92 13:19:47 GMT
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA


                                                                       083

Title:			RIKKI DON'T LOSE THAT NUMBER		(Steely Dan)


	    E   D              A               E
		We hear you're leaving, that's OK.  
		D                    A                    E C# B D
		I thought our little wild time had just begun.
	                            A                    E
		I guess you kind of scared yourself, you turn and run.
	     F#m7                  A		    RUN - (B F# Ab A D Ab A) 
		But if you have a change of heart,


		E                                              G
	CHORUS: Rikki don't lose that number, you don't wanna call nobidy else.
	  |     A                  G             D
	  |	Send it off in a letter to your self.  
	  |     C                                     Em
	  |	Rikki don't lose that number it's the only one you own.  
	  |                C                 D  A  (tacet)                  E
	  |	You might use it if you feel better    when you get home. 


	        D        A                               E
		I have a friend in town, he's heard your name.  
		D             A                    E C# B D
		We can go out driving on slow hand row.
                                A                   E
		We could stay inside and play games I don't know.
	     F#m7                      A             RUN - (B F# Ab A D Ab A) 
		And you could have a change of heart,


		CHORUS


		LEAD  : D  A  E  D  A  G  F  G  F  E  D  A  E


	      Amaj7                     G#m7        
		You tell yourself you're not my kind, 
	      Amaj7               C#m7
		But you don't even know your mind.
	     F#m7                    A              RUN - (B F# Ab A D Ab A)
		And you could have a change of heart,


		CHORUS


		Rikki don't lose that number, Rikki don't lose that number ...


\_  \_  \_  \_  \_  \_  \_  \_ 

    \_\_\_      \_      \_                  Glen Macon 
   \_            \_\_  \_\_     any-net: macon@cbmvax.commodore.com
   \_             \_ \_\_ \_            Standard disclaimer...    
    \_   \_\_\_    \_  \_  \_   Commodore doesn't endorse what I say, I do
     \_       \_    \_      \_           Who wants to know...
       \_     \_     \_      \_      
	 \_\_\_       \_      \_    
	                                                
 \_  \_  \_  \_  \_  \_  \_  \_  \_  \_

All those moments will be lost in time, like tears in the rain.
Newsgroups: alt.guitar.tab