HDTenEightyP/NetNews huggingface dataset:
From: alan@sierra.unr.edu (Alan McKay)
Newsgroups: rec.music.bluenote
Subject: Re: JAZZ TROMBONE
Date: 13 Oct 92 21:58:22 GMT
Reply-To: alan@wrc.unr.edu (Alan McKay)
Organization: Desert Research Institute, University of Nevada

In article <BvtCrJ.E6E@fc.hp.com> marc@hpmonk.fc.hp.com writes:
>: >JAZZ TROMBONIST RECORDINGS THAT I MIGHT BE ABLE TO LISTEN TO
>: 
>: A range of people to look for include
>: 
>: 	Kid Orey -- an oldie
>: 	Kai Winding -- contemporary of JJ
>: 	Bill Watrous
>: 	Urbie Green -- has anyone ever seen him on record?
>: 	Ray Anderson
>: 	Roswell Rudd -- see recent posts
>: 	Glenn Ferris -- used to be with Don Ellis
>
>Add: Steve Turre (of Saturday Night Live / ponytail fame), who has recorded
>straightahead post bop with Woody Shaw, and his own brand of poor-man's "world
>music" on some of his own albums.  Also Robin Eubanks, who, with other members
>of the M-Base collective, is putting out a lot of interesting avant-funk-jazz
>music, in recordings under his own name and with Steve Coleman and others.
>And Curtis Fuller, another bopper.  And what's-his-name, the guy with the
>Kenton (?) band with the Italian-sounding name (yeah, I'm sure that helps...)

That would be Frank Rosalino, yeah?  Add, also:

Craig Harris: Contemporary, forty-something `bone player who's done lots of
	      stuff under his own name, as well as beautiful work with others,
	      including Dollar Brand.

Gary Valente: Wild man (literally, from what friends who know him tell me),
	      who is most well known for his work with Carla Bley.(and whose
	      playing was described by someone here on the net awhile back
	      as being able to "peel the paint off walls".)

Fred Wesley: Ex-JB horn man who, like his pal Maceo Parker, is making music
	     under his own name these days.
	     
Jimmy Knepper: I'm mainly familiar with Knepper from his stuff with Mingus.
	       I'm always noticing, in Cadence, an album he did with Bill
	       Evans entitled _Idol of the Flies_; anyone know anything about
	       this?

Delfayo Marsalis: The youngest of the clan, who took time off from doing
		  liner notes for his big brothers to record a pretty 
		  interesting _Pontious Pilot's Decision_.

Grachan Moncour III: Can't really comment; I recall a post-bop, semi-free
		     session he did under his own name on BlueNote in the
		     early 60's;

Oh yeah, some youngster, who I guess was in one of Blakey's last bands, who
is on the new Mario Pavone album,_Toulon Days_, who is terrific. Dig his
opening stuff on Mario's tribute to Dewey, "Old and New Dreams". Sorry, his
name escapes me right now.



....al
w.a. mckay
desert research institute
reno, nevada
Organization: Psychology, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.bluenote
Date: Thu,  8 Oct 1992 11:45:32 -0400 
From: Lisa Laverne Vaughan <lv0e+@andrew.cmu.edu>
Subject: AtTheGig:Top 10:Partial Results


Greetings!  A few days I posted a request for the top 10 to top 100 most
requested jazz tunes that we, the jazzers could expect to have called while
we're at the gig.  I offered to compile a list so that we could all be
prepared to at least have looked over the tunes & be ready when they were
called.  I've gotten several responses, but would like to see more.  So far,
these are the results.  It may skew the data by showing this list, but if
you'd like to contribute, then just pretend you didn't see this list, and send
me the top 5 or 10 or 20 tunes that you get requests for.  Send them to
LV0E@Andrew.CMU.EDU in the format of:

NumberDotSpaceTune: for example
1. All Blues
2. Autumn Leaves

===================
These got more than one mention
===================
Softly As In A Morning Sunrise		
All Blues			
On Green Dolphin St.				
A Night In Tunisia				
Autumn Leaves				
Here's that Rainy Day			

==================
These got one mention each
==================
Four					1
Night And Day				1
Straight No Chaser			1
Footprints				1
Oleo					1
Walkin'					1
So What					1
All the Things You Are			1
Round Midnight 				1
Take Five				1
Birdland				1
Giant Steps (I wish I could play this!)	1
Freedom Jazz Dance			1
girl from ipanema			1
blue bossa				1
wave					1
body and soul				1
just friends				1
satin doll				1
my romance				1
don't get around much anymore		1
a-train					1
there will never be another you		1
my one and only love			1
i love you				1
georgia					1
it could happen to you			1
my funny valentine			1
doxy					1

Newsgroups: rec.music.bluenote
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: Record Company Catalogs
Organization: Wind River Systems, Inc.
Date: Thu, 8 Oct 1992 00:07:15 GMT

walden@ready.eng.ready.com (Eugene Walden) writes:

>Upon calling Fantasy, I found that I could order directly through them. The
>LP prices were *reeeeel* cheap! They also sent me a more complete catalog of
>their stock. 

>So, I was wondering, aside from Fantasy, do any other record companies do 
>this? It's kinda nice to browse through a catalog rather than having to 
>sift through over-packed bins of records. 

Did Fantasy get bought or sold withing the last few moonths? I recall hearing
that they were bought or for sale... 

Anyway, I can think of a few labels that do direct mail, but most are only
partially into jazz or not at all:

ESD - East Side Digital
Rhino Records
Ralph/TEC Tones
Cuneiform/Wayside Music  
Musea (french progressive jazz/rock)
Voiceprint (UK/Canterbury prog stuff)
RRR (noise/industrial) 

 - Malcolm  

Newsgroups: rec.music.bluenote
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: Jamaaldeen Tacuma? (was JAZZ IS DYING)
Organization: Wind River Systems, Inc.
Date: Thu, 15 Oct 1992 15:48:52 GMT

mctkew@dct.ac.uk writes:

>I listen to... 
<lots of text deleted...>

>Jamaaladeen Tacuma (and anyone else from Prime Time)

I've always wanted to hear more of Tacuma's bass playing - I've heard such
wonderful things about him. But the only solo stuff or non-Prime Time 
work I've picked up was a 12" single or two of Cosmetic, some early 80's
things, and maybe another solo EP. I wasn't too impressed, it was more of
a pop thang than I was hoping for. 

Clue me in. Steer my ears to any recordings of Tacuma with or without
Prime Time that I should hear. The only Ornette recordings I have are 
before or after Jamaaldeen's tenure with Prime Time.  

 - malcolm@wrs.com 
Xref: sparky rec.music.bluenote:7748 rec.music.funky:1502 rec.music.misc:24873
From: gcf@spd.eee.strathclyde.ac.uk (graham Freeland )
Newsgroups: rec.music.bluenote,rec.music.funky,rec.music.misc
Subject: Bill,Bootsy and Buckethead
Date: 8 Oct 92 09:29:31 GMT
Organization: Signal Processing Division, University of Strathclyde. Glasgow
Originator: gcf@newton

A few weeks ago I posted a list of proposed released for 1992/1993 
on John Zorn's Avant label. This included:

* AVAN-7: BUCKETHEAD / -not fixed-

BUCKETHEAD is an enigma. Only 21 years old, and yet he is already 
one of the most talked about guitarist in the world. This, his FIRST
official record, is guided tour through the amusement park of 
BUCKETHEAD's very eclectic world, and features the funk bass genius
of BOOTSY COLLINS. There are millions of guitar players in the
world, but there is only one BUCKETHEAD.

Although this may be Buckethead's first official release, the
above pair are currently available, along with Bernie Worrell, Brain
and Af Next Man Flip (aka Afrika Baby Bam), courtesy of Bill
Laswell, on Axiom's PRAXIS - TRANSMUTATION (MUTATIS MUTANDIS).
Most musical style are covered, normally in conjunction with
a big guitar riff. Unfortunately "Buckethead's very eclectic world"
apparently includes high-pitched,clean sine-wave, guitar wanks
up and down the fretboard which at times extend beyond sample-like 
play off's with Worrell's "Vital Organ". One can only laugh so much!
Apart from that, I danced, dubbed, headbanged, scratched, slammdanced
and ambiented my bobby soxs off.

Graham

"Hey, Buckethead! What's in the bucket man?"
Newsgroups: rec.music.bluenote
From: wratchle@unity.ncsu.edu (William R. Atchley)
Subject: Re: Art Pepper collection
Organization: North Carolina State University Computing Center
Date: Tue, 13 Oct 1992 13:23:37 GMT

In article <1992Oct11.211213.28912@networx.com> mikel@networx.com (Mike Lempriere) writes:
>Some months back, at a local CD store, I noticed an Art Pepper boxed
>set.  At $245, there was no chance I'd be walking out of there with it.
>I already had "Modern Art", and "The Art of Pepper", and I really, really,
>love them.

>My question is, does anyone know the box set I'm talking about?  (I'll
>
The collection you are referring to are his Galaxy recordings which are
the ones he did later and he shows more Coltrane influence.  They are 
different from the earlier 1950    recordings in that regard.  Still a
wonderful player.  Incidentally, you can get the set from Jamey
Abersold's record distributing company for significantly few bucks.
>
>
>
>
>
>


-- 
William R. Atchley					919-515-7088
Department of Genetics					atchley@ncsu.edu
North Carolina State University				natch@ncsumvs.bitnet
Raleigh, NC  27695-7614					919-515-3355 (FAX)
Newsgroups: rec.music.bluenote
From: anton@HQ.Ileaf.COM (steve norton)
Subject: Lacy on Emanem (was Re: JAZZ TROMBONE)
Reply-To: anton@HQ.Ileaf.COM (steve norton)
Organization: Interleaf, Inc.
Date: Tue, 13 Oct 92 18:54:11 GMT

In some article, bweiner@ruhets.rutgers.edu (Benjamin Weiner) writes:
> Jeff Beer writes:
> >[Roswell Rudd]
> >You will never find it, but he did make a killer record with Steve Lacy
> >called School Days, in which they play all Monk tunes with Henry Grimes
> >and Dennis Charles.
> 
> This was on Emanem (pronounced M & M ?) records, I would kill for this
> record, but I only know of it through the Emanem catalog inside my
> friend's Bobby Bradford Quartet record ("Love's Dream"), also on
> Emanem, also killer, also totally unfindable.  I wish someone would
> get hold of their catalog - there was some wild stuff in it.

this is a really great record, very loose and fun.  i taped it off a
friend several years ago.  i've never seen it in a store.  there's
another lacy rara avis on emanem called Saxophone Special: it's a
saxophone quartet, and i know (or at least i think i know!) that it
includes evan parker, but i can't remember who else plays on it.
(anyone?)  maybe trevor watts?  i saw it in a used record shop once
and i had no money on me (an incredibly stupid move on my part, of
course).  by the time i got back there a couple of days later, it was
gone.

who do we petition to re-release Emanems?
-- 

/steve
From: v999rvdf@ubvmsb.cc.buffalo.edu (CHIEN-MING KUO)
Newsgroups: rec.music.bluenote
Subject: quest jazz pubs in NYC
Date: 10 Oct 92 05:25:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

with good music and low-key atmosphere? I paid a visit to J's two weeks
ago, everything there was so perfect even though less known musicians'
playing there. Music was good except for it's being too upbeat! And the
charge on the bill a little bit bourgoisee?

    I would like to go to some places where musicians strive for their
meals and creative power, and see the true greatness of jazz spirits.
If you know any places like this, please let me know. Thank you!

Chien-Ming Kuo
From: sik@grosz.esd.sgi.com (Seth Katz)
Newsgroups: rec.music.bluenote
Subject: Re: Tacuma/Blood Ulmer
Date: 16 Oct 92 18:40:02 GMT
Reply-To: sik@grosz.esd.sgi.com (Seth Katz)
Organization: Silicon Graphics, Inc., Mountain View, CA, USA

In article <malcolm.719254166@wrs.com>, Malcolm Humes writes:
sik@grosz.esd.sgi.com (Seth Katz) writes:

>I still listen to Tacuma's "Renaissance Man".  Malcolm, you might be
>amused to hear Bruford on one cut. 

	Sure - I'd be amused to hear more about this release? Is it closer to the
	Ornette roots or to the slicker pop-funk stuff? 

I'll have you over for a listen next month.  It's a bit of both.

	Isn't the one on Artist's House "Tales of Captain Black" by James Blood? I
	have that and "Aren't you glad..." which came out on the then mostly punk
	label Rough Trade. I'll have to listen to these this weekend, I'm up for

Same album.  Rough Trade also released it,  I think they did the 
European release or something, with a different (landscape photo?) cover.

	a good Blood-Ulmer fest. BTW, you never really replied to me about that 
	show I heard - it sounded to me like Ulmer had gone pretty blues rock
	and I heard too much that sounded like Stevie Ray Vaughn, which really
	surprised me. Is that typical of his work these days? It sounded a far
	cry from "Tales.." and his other early lps.

Malcolm refers to a live tape that I  copied for him of a show in Oakland
last year.  I'm no blues rock/SRV fan, but I thought it an exciting show.
I think on first listen to this stuff, his vocals, etc. make it seem pretty simple.
Give it another listen.  If you want to hear some grimly blues rock Ulmer,
listen to the In/Out Ulmer release, "Blues All Night".  Nice recording quality,
boring music.  

Oh, and you're not alone.  Listen carefully to the tape.  At the end, his encore
is cut short by a jerk in the  front row who yells, "Play outside!".  Ulmer stops
the band and looks down at him (I'm glad I didn't have to weather that look!)
and says, "Outside where?".  It degenerates from there.  End of show.

I found it an exciting show.  I think Vince has a copy of this tape if he wants
to comment (if he's back from his conference).
=-s
From: doh@cis.ksu.edu (Kyung-Goo Doh)
Newsgroups: rec.music.bluenote
Subject: Re: Art Pepper collection
Date: 13 Oct 1992 16:34:45 GMT
Organization: Kansas State University, Dept. of Computing and Information Sciences
NNTP-Posting-Host: depot.cis.ksu.edu

In article <1992Oct13.132337.4984@ncsu.edu> wratchle@unity.ncsu.edu (William R. Atchley) writes:
>wonderful player.  Incidentally, you can get the set from Jamey
>Abersold's record distributing company for significantly few bucks.
>>

Where is this place? How much do they ask? I'd like to buy the Mingus Debut set
and Sonny Rollins set from OJC. 

Kyung-Goo Doh
Newsgroups: rec.music.bluenote
From: nvats@ac.dal.ca
Newsgroups: rec.music.bluenote
Subject: MINGUS favs.
Date: 12 Oct 92 03:48:18 -0300
Organization: Dalhousie University, Halifax, Nova Scotia, Canada

I don't know if these Mingus albums have been mentioned, and I don't even know 
if they're available on CD, but two of my favorites are:

1) Tijuana Moods
Amazing playing all over this one, sweet at times, frantic at others; this
is the album that got me into Mingus in the first place...

2)Black Saint and The Sinner Lady,
One of mingus' longer conceptual pieces - I've got this in a two album set
along with 'Mingus' - and I think one of his "more successful" concept
pieces.

Overall though, I've rarely found a Mingus Album I didn't get something
out of - check out his solo piano playing if you can find it...

Nipun Vats
Physics Department,
Dalhousie University
e-mail: nvats@ac.dal.ca

Newsgroups: rec.music.bluenote
From: braden@tarski.mit.edu (Tom Braden)
Subject: Re: Rova in Chicago
Organization: MIT Department of Mathematics, Cambridge, MA
Date: Thu, 15 Oct 92 15:58:51 GMT

In article <1992Oct14.001246.3023@odin.corp.sgi.com> sik@grosz.esd.sgi.com (Seth Katz) writes:

>WRT non-piano improvising keyboards, what about:  Wayne Horvitz,
>Joe Zawinul, Carla Bley, Sun Ra, Peter Schrier (the guy in Ambitious Lovers),
                                        ^^^^^^
>or local Chris Brown?  Hey, how about Miles Davis :-) ?

I'm pretty sure his name is spelled differently.  Scherer, maybe?  Anyway,
I haven't heard anything from him that sounded improvised.  Unless he's 
done some non-AL stuff I haven't heard.

Here's one you forgot - Alan Ravenstine from Pere Ubu.  Not all his stuff
was improvised, but I remember reading he recorded an entire David 
Thomas solo album in one go, improvising his usual burbles and blats.

-- Tom Braden
braden@math.mit.edu
From: sik@grosz.esd.sgi.com (Seth Katz)
Newsgroups: rec.music.bluenote
Subject: Re: Rova in Chicago
Date: 14 Oct 92 00:12:46 GMT
Reply-To: sik@grosz.esd.sgi.com (Seth Katz)
Organization: Silicon Graphics, Inc., Mountain View, CA, USA

In article <1992Oct6.162502.2818@nic.csu.net>, William Hsu writes:
In article <BvpC99.2Dp@uxa.ecn.bgu.edu>  writes:
> Saw Rova last weekend in Chicago as part of the New Music festival.
> I already have two Rova albums, so I knew how good they are.

	I saw ROVA, Fred Frith and Bob Ostertag at the Great American Music
	Hall a couple weeks ago. ROVA started with a shorter piece with
	their trademark skewed interlocking grooves which was a blast. The

The piece was called "Swang".

	second piece in the set was When THe Nation Was Sound, which Jeff
	Beer also heard, and which I thought was one of Larry Ochs longer
	and more meandering pieces.

I think it's a nice piece, but Rova was a little off.  I expected more
stunning solos and smooth work from Ochs and Raskin- that's often
what makes or breaks a Rova piece.  At least Adams seemed on that night.  

	Then Frith and Ostertag performed a short free improv set. Frith was
	mainly in his guitars-on-the-table bag; good to see him return to this
	after Naked City-ing. Ostertag is one of very few improvising keyboardists
	(as in non-piano) whom I can stand, and did some wild tricks with his

Ostertag did more or less what he always does.  This guy is in a rut.
You can expect:
1) he'll make a show of using his virtual theremin, but won't be quite as
interesting as a real theremin.
2) he'll use samples of a current movie or news event in one or two pieces.
3) he'll never do anything particularly taxing or unusual or memorable.

WRT non-piano improvising keyboards, what about:  Wayne Horvitz,
Joe Zawinul, Carla Bley, Sun Ra, Peter Schrier (the guy in Ambitious Lovers),
or local Chris Brown?  Hey, how about Miles Davis :-) ?

	Lots of netters in attendance: Malcolm Humes, Dan Plonsey, Seth Katz,
	Niels Mayer...

We oughta donate a table and chairs with our names on bronze plaques.
At the Splatter Trio release show (same place, next week) I saw Dan and
Clayton Glad and Rick Rees.   Bill was apparently posing as a legitimate 
member of society, and missed a great show.  Did anyone attend the Rova 
show on 10/10 where they played a Berne piece?  I was acting as minister 
at a wedding...
=-s
who wonders why he wasn't cajoled by Vince into posting sooner
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: Jamie Abersold's reocrd dist. company
Organization: Educational Computing Network
Distribution: usa
Date: Wed, 14 Oct 1992 13:09:32 GMT

A while back I ordered some music from them, and there were no problems.
I don't know if the record place is different, but when I get their
CD catalog, I throw it away without looking at it.  If I am going to
mail order stuff, I think I will go through Cadence.  I haven't gotten
music from them yet, but I did get a turntable from them.

Jeff

Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: JAZZ TROMBONE
Organization: Educational Computing Network
Date: Fri, 9 Oct 1992 13:00:46 GMT

Of course, no one should forget Tricky Sam Nanton.  He played in Duke's
early bands, and was the master at working the plunger.  A very blues
oriented player, never has a brass player sounded so much like the human
voice, in terms of style and expression.   

Duke has a very good trombone section down through the years, and wrote
great stuff for them.

Fletcher Henderson had a very fast trombone player too.  Can't recall
his name.


Jeff
Newsgroups: rec.music.bluenote
From: mikel@networx.com (Mike Lempriere)
Subject: Re: MINGUS favs.
Organization: NetWorx
X-Newsreader: TIN [version 1.1 PL6]
Date: Sun, 11 Oct 1992 20:41:41 GMT

Any oppinions on "Mingus Plays Piano"?
I saw it in the used CD section of a local store...
From: johnf@Auspex.COM (John Fereira)
Newsgroups: rec.music.bluenote
Subject: Re: Zappa Jazz?
Date: 7 Oct 92 19:07:55 GMT
Organization: Auspex Systems, Inc.
Originator: news@auspex-gw.Auspex.COM

In article <1992Sep23.204524.7030@kadsma.kodak.com> wb@tornado.kodak.com (wb@tornado.kodak.com) writes:
|I'm no maven, having only just recently gotten into jazz at all, but last night
|I listened to an old Frank Zappa LP (Waka-Jawaka/Hot Rats) that struck me as 
|pretty good jazz.

|Anybody with more jazz-attuned ears than mine have an opinion of this album
|and Zappa's music in general?

I thougth that I'd add that Frank Zappa collaborated with Jean luc Ponty on
an album called "King Kong".  It's actually listed as a JLP albums.  There
was an initial release and it was also rereleased as a compilation along with
the "Experience" album as an album called "Cantaloupe Island".  I don't have
the track listings for "King Kong" with me (but I can get it) but here is
the rest of the information, as well as the info on "Cantaloupe Island".  The
latter might be a little easier to find.

-------------------------------------------------------------------------
King Kong *****               Pacific Jazz 20172                  1970

Personal Sides One/Two

Jean-Luc Ponty
George Duke           piano
Gene Estes            vibes and Percussion
Buel Neidlinger       bass
Arthur D. Tripp       drums
Ian Underwood         tenor sax
Wilton Felder         bass
Ernie Watts           alto and tenor sax
John Guerin           drums
Frank Zappa           guitar

Arranged and conducted by Frank Zappa
----------------------------------------------------------------------
----------------------------------------------------------------------
Canteloupe Island           Blue Note reissue BN-LA632-H2         1969

Personal Sides One/Two

Jean-Luc Ponty
George Duke           piano
Gene Estes            vibes and Percussion
Buel Neidlinger       bass
Arthur D. Tripp       drums
Ian Underwood         tenor sax
Wilton Felder         bass
Ernie Watts           alto and tenor sax
John Guerin           drums
Frank Zappa           guitar

Arranged and conducted by Frank Zappa

Personal Sides  Three/Four

Jean-Luc Ponty        electric violin
George Duke           electric piano
John Heard            electric bass
Dick Berk             drums
----------------------------------------------------------------------



-- 
+==========================================================================+
| John Fereira     | Auspex Systems | "Auspex does not share my opinions.  |
| johnf@auspex.com | Santa Clara CA |  So Why am I still working here?"    |
+==========================================================================+
Newsgroups: rec.music.bluenote
From: larry@st-andy.uucp (Larry Martell)
Subject: Re: Bill Evans' Demise
Reply-To: uunet!st-andy!larry (Larry Martell)
Organization: RMJ Securities Corp.
Distribution: rec.music.bluenote
Date: Fri, 16 Oct 1992 12:34:17 GMT

In article <KSEDGWIC.92Oct15171949@netcom.Netcom.COM> ksedgwic@netcom.Netcom.COM (Ken Sedgwick) writes:
>
>Does anyone know the cause of the pianist Bill Evans' untimely death
>at the age of 50 in 1980?

I believe the offical cause of death was listed as pneumonia, but in reality
it was a lifetime of heroin use taking its toll.
-- 
Larry Martell                  "Opinions are like assholes; everybody has one, 
212-668-9478		        but nobody wants to look at the other guys"
uunet!st-andy!larry
From: dnd@ee.man.ac.uk (Darryl Davis (RA))
Newsgroups: rec.music.bluenote
Subject: Re: MINGUS favs.
Date: 12 Oct 92 12:36:09 GMT
Reply-To: dnd@spec0.ee.man.ac.uk (Darryl Davis (RA))
Organization: Dept Electrical and Electronic Eng, Manchester University, UK

In article <1992Oct12.034818.8079@ac.dal.ca> nvats@ac.dal.ca writes:
>if they're available on CD, but two of my favorites are:
>1) Tijuana Moods
>2)Black Saint and The Sinner Lady,

I'ld go for that, tho the one that got me hooked on Mingus was Duke's Choice.
Black saint and Duke's are on CD, Tijuana i am not sure about..

dr doom the optimist

--
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
   Dr. Darryl Davis                	>
   Multi-Media Laboratory		>
   Department of Electrical Engineering >   E-mail    	: dnd@spec0.man.ac.uk
   The University of Manchester     	>             
   Brunswick St                      	>   Phone     	: (+44)-61-275-4561
   Manchester M13 9PL               	>   FAX 	: (+44)-61-275-4512
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>