Newsgroups: alt.guitar
Subject: TAB: George Thoroughgood
From: phys174@csc.canterbury.ac.nz
Date: 13 Apr 92 14:32:18 +1200
Organization: University of Canterbury, Christchurch, New Zealand

Here's Treat Her Right (the George Thoroughgood version)

Lead in bar           Backing for verses (G)          (G)
|-------------------||-------------------------|-----------------------|
|-------------------||-------------------------|-----------------------|
|-------------------||-------------------------|-----------------------|
|-------------------||-------------------------|-----------------------|
|-------------------||-------------------------|-----------------------|
|--0--0--1--1--2--2-||-3------3--3--1--1--2--3-|------3--3--1--1--2--3-|

          (G)                (G)                    (C)
|--------------------|----------------------|----------------------|
|--------------------|----------------------|----------------------|
|--------------------|----------------------|----------------------|
|--------------------|----------------------|----------------------|
|--------------------|--------------------3-|-----3--3--1--1--2--3-|
|---3--3--1--1--2--3-|-----3--3--1--1--2----|----------------------|

           (C)                 (G)                  (G)
|----------------------|--------------------|-----------------------|
|----------------------|--------------------|-----------------------|
|----------------------|--------------------|-----------------------|
|----------------------|--------------------|-----------------------|
|-----3--3--1--1--2----|--------------------|--------------------5--|
|--------------------3-|---3--3--1--1--2--3-|-----3--3--1--1--2-----|

         (D)                    (C)                 (G)
|----------------------|---------------------|--------------------|-------||
|----------------------|---------------------|--------------------|-------||
|----------------------|---------------------|--------------------|--rest-||
|----------------------|---------------------|--------------------|--bar--||
|-----5--5--3--3--4--3-|----3--3--1--1--2----|--------------------|-------||
|----------------------|-------------------3-|---3--3--1--1--2--3-|-------||

Use palm muting throughout this, and repeat as needed for the verses.

The chorus uses the same progression  | G G G G C C G G D C G (rest) |
use 3 for G  3  for C  and  5  for D, and the strumming pattern
    3        5              7          is obvious from the CD
    4        5              7
    5        5              7
    5        3              3
    3        3              3

When our band plays it, we ignore the sax solo, and play the guitar
solo after the second chorus. Here'tis:
   .       .     .     .     .     .     .     .      .     .     .     .
||-------------------------|------------------------|-3-----3-----------3---|
||-------------------------|----------------------3-|----3-----3-----3------|
||-5b7-5-3-5--3------------|-3-----3--5--3-5b7------|-----------------------|
||---------------5--3--5---|----5-------------------|-----------------------|
||-------------------------|------------------------|-----------------------|
||-------------------------|------------------------|-----------------------|

  .     .     .     .      .       .     .     .      .     .     .    .
|-3--------3-----3-------|--------------------------|-----------------------|
|-------------------6--3-|--------------------------|-----------------------| 
|------------------------|-5b7-5-3-5--3--------3----|-5--5-------------3--5-|
|------------------------|---------------5--------5-|-------5--5----5-------|
|------------------------|--------------------------|-----------------------|
|------------------------|--------------------------|-----------------------|

  .       .     .     .      .     .    .       .      .     .     .    .
|--------------------------|-------------------------|-----------------------|
|--------------------------|-------------------------|-------------------3---|
|-5b7-5-3-5--3--------3----|-5--5--3--5-b7--5-3-5--3-|-5--3--5--3--5-b7-----5|
|---------------5--------5-|-------------------------|-----------------------|
|--------------------------|-------------------------|-----------------------|
|--------------------------|-------------------------|-----------------------|

  .     .     .     .      .       .     .     .     .     .     .
|------------------------|--------------------------|----------------||
|----3--------3--------3-|--------------------------|----------------||
|b7-----5-b7-----5-b7----|-5b7-5-3-5--3-------------|----------------||
|------------------------|---------------5--3--5----|-5--3-----------||
|------------------------|--------------------------|-------5--3--5--||
|------------------------|--------------------------|----------------||

The dots indicate (approx.) where the beat lies. I just guessed at the
timing, and it seems to fit into 12 bars nicely (except as it written
it finishes a beat early)
Note: This solo is not a transcription - but I think a lot of it is
definitely what George is doing - in any case it plays over the
top of the CD quite nicely, and the rest of the band can recognise it!

- any criticism welcome. 

 - John Laban
   Dept. of Physics, University of Canterbury, New Zealand
   email : phys174@csc.canterbury.ac.nz
Newsgroups: alt.guitar