HDTenEightyP/NetNews huggingface dataset:
From: jk87377@cc.tut.fi (Juhana Kouhia)
Subject: Re: Deckard might be a replicant. Time to die.
Organization: Tampere University of Technology
Date: Wed, 7 Oct 92 20:21:54 GMT


In article <1992Oct6.222410.10009@u.washington.edu>
redrum@carson.u.washington.edu (Joe Stremick) writes:
>
>	Jump ahead to the end: Deckard has gone back to his apartment
>to get Rachael.  On their way out, Rachael knocks over a tinfoil
>origami Unicorn, which Deckard picks up and seems to recognize the 
>meaning of.  We hear Gaff (voiceover): "It's too bad she won't live;
>but then again, who does?"  This voiceover links the origami Unicorn
>with _Rachael_, not Deckard

Also, the voiceover could mean by 'but then again, who does?'
that Deckard has termination day too (as replicants does).

Actually the voice is Deckard's voice, so maybe he mean himself
by asking '..again, who does?'
Deckard maybe realise that he is a replicant at the moment he founds
the unicorn; he realizes that Gaff know what he dreamed.

Juhana Kouhia
Newsgroups: rec.arts.movies
From: jdnicoll@watyew.uwaterloo.ca (James Davis Nicoll)
Subject: Re: 1492: A REVIEW
Organization: University of Waterloo
Date: Sun, 11 Oct 1992 04:43:21 GMT

	Accents again...

	Given that the language of Spain isn't really English with
a 'Spanish' accent, the lack of an 'authentic' accent for Weaver
and the  rest didn't bother me. I'm willing to pretend the accents
in the movie  were intended to be analogous to the accents in 
Spain at the time, but obviously not authentic.

	That would make Weaver's accent Castilian. Hmm. Is the
movie consistant in the accents assigned to people from  the 
same regions?

							James Nicoll
Xref: sparky rec.arts.movies:29655 rec.music.classical:13923
From: hager@cs.uwp.edu (Toad a la Mode)
Newsgroups: rec.arts.movies,rec.music.classical
Subject: Richard III
Date: 7 Oct 92 16:04:47 GMT
Article-I.D.: cs.1992Oct7.160447.18214
Organization: University of Wisconsin - Parkside

One brief question:

Who did the music in Olivier's film _Richard III_, and is it available?

Mucho Danke.


-- 
"Excuse me, there's some people coming, I'm going to have to fall off
the wall now."  "Blah blah blah" ...  (thump)

Matt Hager    hager@cs.uwp.edu
Newsgroups: rec.arts.movies
From: reiher@ficus.cs.ucla.edu (Peter Reiher)
Subject: Re: Shooting in circles (was: the absolute worst movie of all time, ...)
Organization: UCLA Computer Science Department
Date: Thu, 15 Oct 92 21:35:13 GMT

In article <1992Oct15.144841.9420@microsoft.com> frankm@microsoft.com (Frank R.A.J. Maloney) writes:
>This thread reminds of another trick with the roving camera, although I
>haven't a clue what the technical name might be.  In this technique,
>the camera is the character's eyes, we see what he (or she) sees
>without seeing the character per se.
>
>I know this has been done in other films from time to time, but I can't
>remember the titles just off the top of my head.

One of the Philip Marlowe films ("Murder, My Sweet", I believe, the one
with Dick Powell) was shot entirely from Marlowe's point of view.  He's
only seen in mirrors.  I remember it as more interesting than effective.

--
		Peter Reiher
		reiher@wells.cs.ucla.edu

Newsgroups: rec.arts.movies
From: ltw@titan.ucc.umass.edu (LEE T WARNER)
Subject: Re: DENHOLM ELLIOTT DEAD AT 70
Organization: University of Massachusetts, Amherst
Date: Fri, 9 Oct 1992 15:57:51 GMT

In article <12060068@hpmwtjm.sr.hp.com> jsabel@hpmwtd.sr.hp.com writes:
>Did he also play in a relatively recent film dealing with the true story
>behind "Alice In Wonderland"?  Can't remember the title of the film but I
>thought it was excellent.  I was thinking he played the role of Lewis 
>Carroll. 

The name of the film was DremChild.
Newsgroups: rec.arts.movies
From: frankm@microsoft.com (Frank R.A.J. Maloney)
Subject: DENHOLM ELLIOTT DEAD AT 70
Date: 07 Oct 92 05:31:50 GMT
Organization: Microsoft Windows/DOS Users Ed Group

Denholm Elliott has died at age 70 of complications from AIDS. Elliott
was one of Britain's great character actors.  He was the old
philosopher, Mr. Emerson, in ROOM WITH A VIEW, amongst the many roles
he acted in a career that started in the late Forties in England. A
tiny sampling of his screen credits includes THE COURTSHIP OF DUDDY,
KRAVITZ, BLEAK HOUSE, DEFENSE OF THE REALM, INDIANA JONES AND THE LAST
CRUSADE, MAURICE, TRADING PLACES, and RAIDERS OF THE LOST ARK.

In later years, he was working constantly. When asked the reason, he
said after a certain age one becomes indispensable.

He is survived by his second wife, and two (I think) sons and a
daughter (I'm doing this from memory).

-- 
Frank Richard Aloysius Jude Maloney
	"Well, I'm a little muddled." -- Glinda
From: smmat@ukc.ac.uk (S.M.M.Al-Taher)
Newsgroups: rec.arts.movies
Subject: Re: Christina Applegate
Date: 7 Oct 92 15:22:44 GMT
Reply-To: smmat@ukc.ac.uk (S.M.M.Al-Taher)
Organization: Computing Lab, University of Kent at Canterbury, UK.

In article <howeg.718381291@p4.cs.man.ac.uk> howeg@p4.cs.man.ac.uk (Monty Mole) writes:
>Can anyone supply me of details of what films Christina Applegate has

From Actress List:

Beatlemania (1981)
Dance 'Til Dawn (1988) (TV)
Don't Tell Mom the Babysitter's Dead (1991)
Grace Kelly (1983) (TV)
Heart of the City (1986) (TV)
Jaws of Satan (????)
King Cobra (????)
Real World, The (????)
Streets (????)
"Heart of the City" (????)
"Married with Children" (????)

--
| Sami M AL-Taher                |                                 | 
| Electronic Engineering Labs.   |                                 |
| University of Kent,            | E-mail: smmat@ukc.ac.uk         |
| Canterbury, Kent, UK.          | Tel: + 44 227 769303            |
Xref: sparky rec.arts.movies:30040 alt.cult-movies:8986
From: Timothy.P.Stammers@dartmouth.edu (Timothy P. Stammers)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: HEADLESS EYES: Worst movie?
Date: 12 Oct 92 16:44:46 GMT
Article-I.D.: dartvax.1992Oct12.164446.23935
 <1992Oct9.165458.20714@ifi.unizh.ch> 
 <1687BF85F.PETERC@YaleVM.YCC.Yale.Edu>  
 <1992Oct10.152437.11086@news2.cis.umn.edu>
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a5@newshost.dartmouth.edu

Here is THE WORST:  THE ALIEN DEAD.  You have to see it to believe it!
From: goodridg@husc8.harvard.edu (Andrew Goodridge)
Newsgroups: rec.arts.movies
Subject: Speaking of 3-D Porno Films....
Date: 9 Oct 92 22:32:32 GMT
Article-I.D.: husc3.1992Oct9.183232.16210
Distribution: rec.arts.movies, alt.religion.kibology
Organization: Harvard University Science Center


Here in Boston, one of the local "art" theatres (The Coolidge Corner Theatre)
is showing a 3-D X-Rated (Ah, remember X Ratings?) Porno film entitled,
I believe, "M-3D". I DO know it stars John Holmes, and that it is playing
midnights Fridays and Saturdays here. I'm going tonight, and I'm sure you'll
ALL be holding your breath to hear what I have to say about it.

If any of you have seen it too, let me know. These things come rare, these
pearls of life.
 
 - Sketch
Newsgroups: rec.arts.movies
From: gibson@crisium.geop.ubc.ca (Brad Gibson)
Subject: Re: Wicked, Bad, Scary Movies. (Recommendations anyone?)
Organization: Dept. of Astronomy / Univ. of British Columbia
Date: Wed, 7 Oct 1992 22:54:54 GMT

------------------------------------------------------------------------------
--

"The Legend of Hell House"    {The two best haunted house films ever?}
"The Haunting"

-- 
------------------------------------------------------------------------------
  Brad K. Gibson                           INTERNET: gibson@geop.ubc.ca
  Dept. of Geophysics & Astronomy         
  #129-2219 Main Mall                      PHONE: (604)822-6722
  University of British Columbia           FAX:   (604)822-6047
  Vancouver, British Columbia, Canada
  V6T 1Z4
------------------------------------------------------------------------------
From: pete@minster.york.ac.uk
Newsgroups: rec.arts.movies
Subject: Re: best movie titles
Date: 14 Oct 92 18:55:52 GMT
Organization: Department of Computer Science, University of York, England

gj@sansome.UUCP (Gerry Johnson) writes:
: I want to know what people's favorite movie titles are. I mean those titles
: that are so good you want to see the movie without even knowing what it's
: about. Those titles that are like a line of poetry.

Here's a few of my favourite titles:

Surf Nazis Must Die
Hell Comes To Frogtown
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-up Zombies
Rat Pfink a'Boo Boo
Eraserhead

pete
--
*Peter Fenelon -- Research Associate -- Software Safety Assessment Procedures*
Dept. of Computer Science, University of York, York, Y01 5DD (+44/0)904 433388
EMAIL: pete@minster.york.ac.uk `There's no room for enigmas in built up areas'
Newsgroups: rec.arts.movies
From: lazlo@triton.unm.edu (Lazlo Nibble)
Subject: Re: Under Siege
Date: Sat, 10 Oct 92 00:12:22 GMT
Organization: None for me, thanks . . . I'm driving.

luckey@rtfm.mlb.fl.us (Jon Luckey) writes:

> Could Steven actually be breaking new ground in this movie?  ;)

Hey, in a WILD, OFF-THE-WALL, CREATIVE LEAP they've decided to cut the
title down from three words to two this time out . . . what more could
you ask?

--
Lazlo (lazlo@triton.unm.edu)

Steven Segal is . . . ABOVE THE LAW!
Steven Segal is . . . OUT FOR JUSTICE!
Steven Segal is . . . MARKED FOR DEATH!
Steven Segal is . . . SPANKING THE MONKEY!
Newsgroups: rec.arts.movies
From: kmd@fico.uucp
Subject: Re: Hero and Meet John Doe
Reply-To: kmd@fico.UUCP (kathi dietrick)     
Organization: The Fair, Isaac Companies, San Rafael, California
Date: Sat, 10 Oct 92 07:13:29 GMT

In article <1992Oct7.224349.4977@sq.sq.com> msb@sq.sq.com (Mark Brader) writes:
>
>Following an analysis which is correctly headed by a spoiler warning,
>Peter Reiher (reiher@wells.cs.ucla.edu) concludes:
>
>> I won't argue that "Meet John Doe" isn't the better of the two films -
>> it is, but, then, it's better than around 99% of all films made in the
>> 30's, 40's, and 50's, so saying that "Hero" isn't quite up to its
>> standards is not much of a condemnation.  I think "Hero" is a solid
>> film with a strong script that is actually about something.  There are
>> flaws in the script, many more than in "Meet John Doe's" script.  Capra
>> was much better suited to direct "Meet John Doe" than Stephen Frears was
>> to direct "Hero".  Still, "Hero" is a worthy film, and I recommend it.
>
>I agree with these conclusions right down the line, and hence recommend
>the movie also.  I'd like to add one thing.  The advertising that I saw
>for this movie led me to expect a comedy, and this, it is not.  I was
>getting close to walking out when about 30 minutes had gone by with only
>the occasional laugh... but at this point it became clear that this was
>basically a serious movie, albeit one with comic relief from time to time.


This is a very "Capra-esque" way of approaching a topic. I would call this film
a humorous and sympathetic view of the human condition.:thanks to whatever
power(s) that are, for the understanding of the fickle nature of the human
spirit and their admitt6ing that they ciuld be wrong. As they say.......
to have what it takes you have to make mistakes, take a second look before you 
hit the brakes...............
>Shortly after seeing the movie, I saw Siskel and Ebert review it.  They
>both felt that it was seriously disappointing; they said its roots were
>in the screwball comedy genre and it failed to live up to that.  I think
>they went into it with the same expectation that I did, and made up their
>minds too early about what basis to use for the review.
>
>Frank Maloney, in his posted review, called it a "serious comedy", and
>this is closer to what I thought I saw.  I'd accept "comedy-drama" or
>"drama with comic relief", but at this point we're quibbling about defin-
>itions.  Anyway, see the movie, but don't expect to walk out laughing.
>-- 
>Mark Brader			"How can we believe that?"
>SoftQuad Inc., Toronto		"Because this time it's true!"
>utzoo!sq!msb, msb@sq.com		-- Lynn & Jay: YES, PRIME MINISTER
>
>This article is in the public domain.


Xref: sparky rec.arts.movies:30317 rec.arts.books:18370
From: heidi@wales.net.com (Heidi Wolf)
Newsgroups: rec.arts.movies,rec.arts.books
Subject: Re: Grim Reaper Info Wanted
Date: 15 Oct 92 16:23:59 GMT
Organization: N.E.T., Redwood City, CA

In article <1992Oct14.235651.20795@hubcap.clemson.edu> chrisb@hubcap.clemson.edu (Chris Behrens) writes:
>I am trying to find as much history of the Grim Reaper as I can.
>I don't know "where" he/she/it originated, hence the post to both
>the books and movies group.  Can someone provide me with a source
>of information on the Reaper ?


The symbolism was prevalent during the Middle Ages, especially during times
of plague.  Try any good art or history book dealing with the period... 

-H. "timor mortis conturbat me" Wolf


P.S.  There's a McGee mystery, by MacDonald (sp?), entitled THE GREEN RIPPER,
      based on a character's mis-hearing of "the grim reaper" when a child.
      (Well, what's r.a.b. without a digression?)
Newsgroups: rec.arts.movies,alt.cult-movies
From: york@oakland-hills.lucid.com (Bill York)
Subject: Re: Shooting in circles (was: the absolute worst movie of all time, ...)
Reply-To: York@Lucid.COM
Organization: Lucid, Inc.
	<chil.718797449@sfu.ca> <1992Oct12.163553.11572@cs.ucla.edu>
	<seaverw.41.0@columbia.dsu.edu>
Date: 13 Oct 92 14:34:58

In article <seaverw.41.0@columbia.dsu.edu> seaverw@columbia.dsu.edu (W. A. Seaver) writes:


   In article <1992Oct12.163553.11572@cs.ucla.edu> reiher@ficus.cs.ucla.edu (Peter Reiher) writes:
   >In article <chil.718797449@sfu.ca> chil@fraser.sfu.ca (Keith Lim) writes:
   >>
   >>I remember a scene in "The Untouchables" where the four leads
   >>were sitting around a small table, and while they were talking, the camera
   >>went round and round and round and round the table. 

   >This is one of Brian DePalma's favorite camera tricks.  He also used it
   >in the recent "Raising Cain", and in "Body Double", and probably in some
   >others that I forget.  

   Also in "Husbands and Wives". And not just in circles, but all the hell 
   over the place! Only time I ever thought I was going to get motion-sick 
   while sitting still. My favorite use of the circle-shot was when Robin 
   Williams was teaching that kid to improvise a poem in "Dead Poets Society"

Other notable uses of this technique:

While Jimmy Stewart and Kim Novak (re-made in the image of Madeline)
kiss in "Vertigo" (watch the background!).

While Steve McQueen and Faye Dunaway kiss after the chess game in "The
Thomas Crown Affair".
Newsgroups: rec.arts.movies
From: dbrod@eng.clemson.edu (Douglas Brod)
Subject: Re: DIE HARD MUSIC QUESTION--PLEASE!!
Reply-To: dbrod@eng.clemson.edu
Organization: College of Engineering, Clemson Univ.
Date: Mon, 12 Oct 1992 19:34:00 GMT

In article 5083@constellation.ecn.uoknor.edu, gmcmanus@reepicheep.gcn.uoknor.edu (Gary McManus) writes:
>Can anybody tell me the name of the music at the end of DIE HARD (the 
>first one) which begins at the playing of the credits--not the Christmas
>music.  It sounds like the chorus from one of Beethoven's Symphonies (#9
>or #5 perhaps).  The origins of this music has been eluding me for
>awhile.  Thanks in advance.
>
>Gary McManus

I'm not sure or the answer to that one, but I was watching a rented copy of "Die Hard" this weekend and I noticed something interesting.  In the last scene, when McClain and his wife are standing outside of the building and the last terrorist pops up and Powell shoots him, the music that is being played is "Resolution and Hyperspace", the last track on the "Aliens" soundtrack by James Horner.  I first heard this two years ago when DH played on network TV and thought it was a possible editing maneuver on th



e part of the networks.  But this weekend my suspicions were confirmed.  So now I have this question:  does anyone know anything about this?  Did the studio put the track in, or did Michael Kamen decide to rip off somebody else?  Did they need music in a rush?  What's the story?

Doug Brod
dbrod@eng.clemson.edu
From: ahom@yingjow.tnds.bellcore.com (Allen Hom)
Newsgroups: rec.arts.movies
Subject: Re: Wicked, Bad, Scary Movies. (Recommendations anyone?)
Date: 7 Oct 92 12:16:34 GMT
Organization: Network Data Collection Presentation and Processing Development


In article <1992Oct6.155450.43633@kuhub.cc.ukans.edu>, brnt@kuhub.cc.ukans.edu (Brent E. Dyer) writes:
|> 	I'm looking for some really frightening movies.  I don't want any of
|> those sophomoric, gore movies that hollywood seems to think are scary, but they
|> actually aren't.  I want some "I can't turn the light out until tomorrow
|> morning because bad things might be coming for me" movies.  Email or Post,
|> s'all the same to me
I nominate _The_Omen_ with Gregory Peck and Lee Remick.  I read the book
and saw the movie, and both are equally frightening.  _The_Exorcist_ comes
in a very close second.
-- 
allen hom
Bellcore
ahom@tnds.bellcore.com
(908)699-5728
From: donnell@orca.micro.umn.edu (Your Heinous)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: HEADLESS EYES: Worst movie?
Date: 12 Oct 92 17:39:42 GMT
Organization: none

In article <1992Oct12.164446.23935@dartvax.dartmouth.edu> Timothy.P.Stammers@dartmouth.edu (Timothy P. Stammers) writes:
>Here is THE WORST:  THE ALIEN DEAD.  You have to see it to believe it!

But I like Fred Olen Ray's cinematic abortions. If Brinke Stevens is in it,
I have watched it...

					--Judex--
From: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Newsgroups: rec.arts.movies
Subject: Re: More answers to tough questions.....
Date: 9 Oct 92 16:51:37 GMT
Reply-To: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Organization: NCR E&M CLEMSON Liberty, SC

>14)  The movie version of the baseball musical Damn Yankees features
>     choreography by a Tony winner and a red-hot performance by his 
>     wife.  Name them.
>     ANSWER:  Bob Fosse .... but who is his wife?

Gwen Verdon
.
.
.
.
.

Xref: sparky rec.arts.movies:30416 alt.cult-movies:9139
From: kuchar@buast7.bu.edu (Tom Kuchar)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: the absolute worst movie of all time, so bad it's bad
Date: 16 Oct 92 13:40:21 GMT
Followup-To: rec.arts.movies
Organization: Astronomy Department, Boston University, Boston, MA, USA


>>The Sisterhood
>>Return of the Swamp Thing
>>Any Pee-Wee movie
>>The Sex O'Clock news
>>Casablanca (just kidding)
>>Rad
>>Cool as Ice
>
>The above would all win Oscars compared to "The Giant Claw". 


Ah yes, da Crawl.

-- 
Tom Kuchar			  
kuchar@buast7.bu.edu		  -or-                      kuchar@plh.af.mil
Department of Astronomy                              Phillips Laboratory/GPOB
Boston Univerity		                                  Hanscom AFB
Newsgroups: rec.arts.movies
From: mccreary@sword.eng.hou.compaq.com (Ed McCreary)
Subject: Re: Wicked, Bad, Scary Movies. (Recommendations anyone?)
Organization: Compaq Computer Corp.
Date: Mon, 12 Oct 1992 19:16:38 GMT

In article <70935@hydra.gatech.EDU> tmiller@prism.gatech.EDU (Thomas Miller) writes:
>
>
>
>  I'd say just about anything by John Carpenter...Halloween, maybe
>even Halloween II...The Fog (those zombies lurking in the mists
>scared me almost as much as Halloween I)...The Thing...Prince of
>Darkness.
>  Also Alien (the first one) was pretty spooky.  And, I've always
>thought that Friday the 13th (the FIRST one only !!!) was scary
>too, though it had more gore than most of the above...
>
>
Note that John Carpenter didn't directed _Halloween II_.  It was
however scripted by him and Debra Hill.


--
In the midst of the word he was trying to say,|McCreary@sword.eng.hou.compaq.com
     In the midst of his laughter and glee,   |Me, speak for Compaq?  
He had softly and suddenly vanished away---   |Yeah, right.
     For the Snark *was* a Boojum, you see.   |#include <stddisclaimer.h>
From: bole@hmivax.humgen.upenn.edu (Greg Bole)
Newsgroups: rec.arts.movies
Subject: Re: Bob Roberts
Date: 10 Oct 92 03:12:40 GMT
Organization: HHMI/Human Genetics, Univ of Pa.

In article <1992Oct10.013807.24716@hobbes.kzoo.edu>, k084118@hobbes.kzoo.edu 
(Pamela S. Rivers) writes:
> I just saw Bob Roberts today, and I really, really liked this movie.  
> Has anyone seen this movie?

Sure did, I liked it alot as well...very timely!  A really funny movie.
I don't think Tim Robbins is the next Orson Welles...but he made a very
impressive movie.

All you Alan Rickman fans check this movie out!  Alan is great in a unusually
subdued role.

Plus this movie is worth seeing for it's music videos...what a scream!
I couldn't breath I was laughing so hard during "Wall Street Rap".

Robbins has forbidden a sound track release, this movie is a parody of far
right polotics, and he is scared some people would take the music the wrong 
way...but it is really funny.

Greg Bole                                "What kind of mother would I be if I
bole@hmivax.humgen.upenn.edu              didn't give my girls tits...tips?"
                                             Dustin Hoffman in _Tootsie_
Newsgroups: rec.arts.movies
From: kaufman@eecs.nwu.edu (Michael L. Kaufman)
Subject: Re: The Long Goodbye - Elliot Gould as a gumshoe
Organization: EECS Department, Northwestern University
Date: Sun, 11 Oct 1992 17:11:24 GMT

In article <98192@bu.edu> abw@natchez.bu.edu (Al Wesolowsky) writes:
>I think it's one of the best things he's ever done, which shows what he
>can do when he's given some kind of a plot, IMHO.  

I think it is one of the worst films I ever saw. It is the one I was going to
contribute to the "Worst movie", "most disapointing", and "so bad its bad"
threads.

And I don't know why you complement the plot. Altman completely changed the
thing.

I read a quote by Altman once where he said that he felt that people didn't 
like the film because it exposed their own hypocricy. That's right, forget 
about the muddled plot, bad acting, extremely hocky character, numerous scenes 
to stupid to be believed, it was my hypocricy that kept me from liking it.

You can't really understand how bad this film is without seeing it, but two
small examples:

There is one scene where the bad guy is questioning Marlow, and to make Marlow
feel more comfortable, he (and his cronies) all take their pants off. No real
reason, they just do it. Oh boy were my hypocicies on display here. Yea, right.

The second has to do with the ending.

>The ending, when Gould offs the baddie, goes against everything
>Chandler ever wrote. Visceral, cathartic, possibly tacked on by the
>studio brass, but just plain *wrong*.

Why do we blame the brass for this? It completely follows the tone of the rest
of the film. I do agree with you that it stunk. What a perfect ending to a 
perfectly lousy film.

Michael

-- 
Michael Kaufman | I've seen things you people wouldn't believe. Attack ships on
 kaufman        | fire off the shoulder of Orion. I watched C-beams glitter in
  @eecs.nwu.edu | the dark near the Tannhauser gate. All those moments will be
                | lost in time - like tears in rain. Time to die.     Roy Batty
From: gharris@jade.tufts.edu (George W. Harris)
Newsgroups: rec.arts.movies
Subject: Re: David Lynch movies
Keywords: peche kriek framboise
Date: 7 Oct 92 18:27:38 GMT
Article-I.D.: jade.1992Oct7.182738.24298
Organization: Tufts University - Medford, MA
Originator: gharris@jade.tufts.edu

In article <1050@cybaswan.UUCP> eeopensh@cybaswan.UUCP (j p openshaw) writes:
>In article <1992Oct1.210820.22678@persoft.com> gelly@persoft.com (Brewing Chemist Mitch) writes:
>>Aside from the obvious _Twin Peaks_ film, _Blue Velvet_ , _Eraserhead_, and
>>_Wild at Heart_, what other movies has David Lynch directed ??
>
>Well, for starters he's directed Dune, The Elephant Man, and  
>The Grandmother, a short student film about a seed that grows into a 
>little old woman. Hmmm, too much LDS in the sixties I think...

	I didn't know Lynch used to be a Mormon...

>John Openshaw: eeopensh@pyr.swan.ac.uk | Tall ship, and a star to sail her by?
--
gharris@jade.tufts.edu          "She had ever chance for happiness, ever 
George W. Harris                chance in the world, and stomped ever one 
Dept. of Mathematics            of them chances down in the dirt like a 
Tufts University                bug."   _The Devil's Dream_
Newsgroups: rec.arts.movies