HDTenEightyP/NetNews huggingface dataset:
From: s892024@minyos.xx.rmit.oz.au (Richard A. Muirden [GA])
Newsgroups: rec.music.classical
Subject: Re: Encores? Unusual performance by the Melbourne Symphony Orche
Date: 3 Oct 92 07:16:10 GMT
Organization: RMIT Computer Centre
NNTP-Posting-Host: minyos.xx.rmit.oz.au

wikla@cs.Helsinki.FI (Arto Wikla) writes:

>Mike_Quigley writes:
>>> Richard A. Muirden writes:
>>>
>>> The pianist, an american japanese was wonderful, and he was so nice, when
>>> he finished he *hugged* the conductor...
>>>
>>> Jon Kimura Parker, piano.
>>>
>>What kind of program notes do you have? J.K. Parker is CANADIAN!! 

>I thought Canada was in America, but I must check my atlas!! :-)

Well That was an assumption of mine, which I regret... He appeared
to be American! I like canadians anyway! :)

he was great wherever he was from :)

-richard

ps: our maps our correct :)

>Arto Wikla Europe (Finland (Helsinki))

-- 
Richard Muirden, System Administator, RMIT.Aero. Engineering.. Office: 10.12.25
raeram@kittyhawk.aero.rmit.OZ.AU, s892024@minyos.xx.rmit.OZ.AU 'phone: 660-3142
ram@lionet.wesley.OZ.AU, ram@coombs.anu.edu.au - in case you don't like RMIT! :)
----------------- Fanatic of Shostakovich and "Star Trek" ---------------------
From: A8411DAG@vm.univie.ac.at (Werner Friedl)
Subject: Fax or phone number of Haverstick&Ballyk
Organization: University of Vienna
Date: Sat, 26 Sep 1992 10:29:28 GMT





test

Newsgroups: rec.music.classical
From: steve@fid.morgan.com (Steve Apter)
Subject: Re: Strauss reissues
Organization: Morgan Stanley & Co., New York, NY
Date: Wed, 30 Sep 1992 18:15:12 GMT


EMI has released a batch of Kempe's Strauss recordings.

Volume 1: CMS 7 64342 2

	disk 1:	Horn Concerto 1
		Horn Concerto 2
		Oboe Concerto
		Duett-Concertino
	disk 2: Burleske
		Parergon zur Sinfonia Domestica
		Panathenaenzug
	disk 3: Til Eulenspiegels lustige Streiche
		Don Juan
		Ein Heldenleben

Volume 2: CMS 7 64346 2

	disk 1: Violin Concerto
		Sinfonia Domestica
	disk 2:	Also Sprach Zarathustra
		Tod und Verklarung
		Waltzes from Der Rosenkavalier (arr. Kempe)
	disk 3: Dance of the Seven Veils from Salome 
		Le Bourgeois Gentilhomme Suite
		Schlagobers
		Josephslegende

Volume 3: CMS 7 64350 2

	disk 1: Metamorphosen
		Ein Alpensinfonie
	disk 2: Aus Italien
		Macbeth
	disk 3: Don Quixote
		Dance suite from pieces by Louis Couperin

A nice companion set to:

	Legendary Strauss Recordings
	RCA 09026 60929 2

	disk 1: Ein Heldenleben, Mengelberg/NYPO (1928)
		Also Sprach Zarathustra, Koussevitzky/BSO (1935)

	disk 2: Don Quixote, Beecham/NYPO (1932)
		Tod und Verklarung, Stokowski/Philadelphia (1934)
		Aus Italien, Stock/CSO (1941)

These are all medium-priced issues.  The RCA set is reviewed
in both this month's Gramophone and the latest Fanfare.

Oh we, the lucky few.
From: cb@tamarack13.timbuk (Chris Brewster)
Newsgroups: rec.music.classical
Subject: Re: Mahler 1
Date: 2 Oct 92 19:34:36 GMT
	<1992Oct2.022221.5496@cucs5.cs.cuhk.hk>
	<2OCT199209173769@portal.lasc.lockheed.com>
Organization: pubs
In-reply-to: le01167@portal.lasc.lockheed.com's message of Fri, 2 Oct 92 16:08:35 GMT

Ron Nadel writes:

   I'd give anything to recapture that Giulini performance that
   night in LA....

I don't know if LAPhil was broadcasting in those days, but an awful lot
of great concert material is actually _on_tape_ but inaccessible to the
public.  The performance you loved may well have been preserved.
Considering the fate of originals of various movies, I fear that most of
this will be lost in time, because there just aren't enough copies in
circulation.

Chris Brewster
cb@cray.com
From: tan@oliveb.ATC.Olivetti.Com (Andy Tan)
Newsgroups: rec.music.classical
Subject: Piano Recital - Palo Alto 10/10
Date: 5 Oct 92 21:42:18 GMT
Distribution: ba

Shu-Ching Lin, Piano
====================

Works by: J. S. Bach, Beethoven, Brahms, Chopin, and Debussy

Saturday, October 10, 1992 at 8:00 p.m.
Palo Alto Cultural Center
1313 Newell Road at Embarcadero
$7/$5 at the Door

Presented in Cooperation with
City of Palo Alto Arts and Culture Division

Andy Tan
Olivetti
Advanced Technology Center
20300 Stevens Creek Blvd.
From: splin@cauchy.usc.edu (Sen-Pin Lin)
Newsgroups: rec.music.classical
Subject: Which forza/carlos/ballo to buy?
Date: 28 Sep 1992 12:25:17 -0700
Organization: University of Southern California, Los Angeles, CA
Distribution: usa
NNTP-Posting-Host: cauchy.usc.edu


Hi,
	I am planning to purchase CDs for these three Verdi's operas. Can
anyone recommend a recording for each of them? I enjoyed L.Price's forza on
video tape from a Met performance. Is the RCA (or EMI? I am confused)
recording with her equally
good? I have heard the DG carlos with Domingo as the title role, and don't
like it very much. 
	Thanks in advance.

Ben
From: pajerek@telstar.kodak.com (Don Pajerek)
Newsgroups: rec.music.classical
Subject: Re: Mahler 1
Date: 2 Oct 92 19:24:37 GMT
Article-I.D.: kadsma.1992Oct2.192437.17989
Reply-To: pajerek@kadsma.kodak.com (Don Pajerek)
Distribution: usa
Organization: Digital Equipment Corp. - Telstar

In article <1992Oct2.022221.5496@cucs5.cs.cuhk.hk> bmtong@cucs11.cs.cuhk.hk (Tong Bo-Ming) writes:
>	I would also like to hear about all the favourite recordings of
>Mahler's 9th and Song of the Earth.  Any suggestions ?
>

No. 9: Karajan/Berlin (1986 recording)
       Giulini/Chicago

Das Lied: ?

I too would like some hints.


>                                | All that is created must die.      |
>Tong Bo-Ming                    | All that has died must rise again. |


Don Pajerek
From: sec@otter.hpl.hp.com (Simon Crouch)
Date: Fri, 25 Sep 1992 13:23:42 GMT
Subject: Re: Re: Jessye Norman (was five worst classical recordings)
Organization: Hewlett-Packard Laboratories, Bristol, UK.
Newsgroups: rec.music.classical


Well, this is cheating a bit, because it's fictional (I hope!)....

An episode of "Inspector Morse" featured an acid house version
of Allegri's Miserere.....

Morse was suitably dischuffed.
From: f1toyl@uta.fi (Topi Ylinen)
Newsgroups: rec.music.classical
Subject: Re: Why switch to CD?
Date: 6 Oct 92 07:05:55 GMT
Organization: University of Tampere, Finland

lumbia.edu>

In article <1992Oct5.140930.20020@news.columbia.edu>, gmw1@cunixa.cc.columbia.e
du (Gabe M Wiener) writes:
> In article <1992Oct5.084101.10082@bsu-ucs.uucp> 00hfstahlke@bsu-ucs.uucp writ
es:
> 
> >The question is, "What are the advantages of getting into the CD market?
> >
> >1.  CD sound quality is better than tape or LP.
> 
> Well, in a practical sense.  You can get damn good sound out of an LP, but
> it costs quite a bit more than most people would be willing to spend on a
> turntable.  For the most part, CD's sound subjectively better than the
> average LP system.
> 
But this is not simply an advantage. The sound on digital recordings is so
clear that it tends to underline mistakes of the players/singers or the 
frailty of an overall performance. Many mediocre or lousy recordings sound
worse on CD than on LP because the shortcomings are more clearly marked.

Point two: about durability. Yes, they are *supposedly* eternal. Some time
ago I asked about this one in many newsgroups and I think I must tell you 
what was the overall tendency in the replies I got:
	CD:s DO last very long, the highest quality CD:s DO last decades,
	maybe even a century or so, but because of the oxydation problem,
	which still DOES exist, _no_ CD is _eternal_! ("lifetime", quite
	probably, yes - though)
--
*****************************************************************************
TOPI YLINEN		f1toyl@kielo.uta.fi
=============================================================================
The brotherbeat to any bull-eyed bulbomasons with an applemeter of
blunderblood in his veins... the philo-oxidative paygreen pathofinder,
a terror firmly tiger-belted in a toad-twisting taxbus.
*****************************************************************************
From: tony@cns.nyu.edu (Tony Movshon)
Newsgroups: rec.music.classical
Subject: Re: Speaking of leitmotifs
Date: 27 Sep 92 18:20:06 GMT
Reply-To: tony@cns.nyu.edu
Organization: New York University

In article 320@mindlink.bc.ca, Mike_Quigley@mindlink.bc.ca (Mike Quigley) writes:
> There is a sweeping, dramatic theme, if not leitmotif in Die Walkure which
> reappears during Brunnhilde's Immolation aria that's always struck me for some
> reason. But I can't see what is the connection, if there is any. The Die
> Walkure one is heard just before Sieglinde takes off from Brunnhilde and the
> Valkyries, it's on CD #3 at 2:27 of track 10, while the Gotterdammerung one is
> on CD #4 at 2:36 of track 15. Does anyone have any idea if there's supposed to
> be some secret symbolic meaning to this? It doesn't seem like there is any in
> the text.

I think you are referring to the motive known as "Redemption through Love", which
is heard only in the Immolation Scene and at the earlier point you mention, where
Sieglinde sings "Rette mich, rette mein Kind" ("Save me, save my child!"), after
learning from Brunnhilde that she is carrying Siegmund's son. The link, of course,
is that the child is Siegfried, and the "Redemption through Love" theme refers to
Brunnhilde's love for Siegfried.

---
					Tony Movshon

Internet:  movshon@nyu.edu

US Mail:   Howard Hughes Medical Institute
	   Center for Neural Science
	   New York University
	   4 Washington Place, room 809
	   New York, NY 10003
From: alansp@hpcc01.corp.hp.com (Alan Spence)
Date: Mon, 5 Oct 1992 23:33:41 GMT
Subject: Re: BEST Mendelssohn flat E major Octet ?
Organization: the HP Corporate notes server
Newsgroups: rec.music.classical


I have the Tokyo/Cleveland quartets recording on an RCA lp and like it
very much, better than a live performance I heard by the ASMF octet.
I have yet to see it reissued on cd, though.

Alan Spence
Sunnyvale, California
Newsgroups: rec.music.classical
From: chem91@Elroy.UH.EDU ("Bill Harrison (713)-743-2789")
Subject: Re: Why switch to CD?
Reply-To: chem91@Elroy.UH.EDU
Organization: University of Houston
Date: Mon, 5 Oct 1992 14:39:01 GMT

[stuff deleted]
>The question is, "What are the advantages of getting into the CD market?
>
>As I see it, there are two advantages:
>
>1.  CD sound quality is better than tape or LP.
>
>2.  An increasing number of good recordings will be available only on CD.
> 
>#2 bothers me a bit, because I don't believe in piracy, and so I won't borrow 
>and copy CDs to tape on my son's system.  Also, once I've gotten past the
>initial costs, I then face the longterm cost of converting a large collection
                                                 ~~~~~~~~~~
>of records and tapes to CD, a significant investment I don't see the point
>of--and probably would not be compelled to make.
>          
>Herb Stahlke  
>Ball State University


Herb -- I think that point #2 will get truer and truer... I'd say that at least
75% of classical recordings are CD only... But why do you need to "convert" the
rest of your collection? Just buy a player (a cheap one is less that $100) and
start off with a few CDs of some new works. You'll soon be converted... :-)

Bill

+ ~~~~~~~~~~~~~~~~~~~~~~~~~\               /~~~~~~~~~~~~~~~~~~~~~~~~~~~+
| Bill Harrison,            \             /       "Be as radical as... |
| University of Houston, TX  >-----------<         reality itself"     |
| CHEM91@JETSON.BITNET      /             \                V. I. Lenin |
+ ~~~~~~~~~~~~~~~~~~~~~~~~~/               \~~~~~~~~~~~~~~~~~~~~~~~~~~~+
Newsgroups: rec.music.classical
From: steve@fid.morgan.com (Steve Apter)
Subject: Re: Mahler 1
Organization: Morgan Stanley & Co., New York, NY
Date: Thu, 1 Oct 1992 15:34:42 GMT

In article <1adqmuINN1n4@uniwa.uwa.edu.au> diarmuid@uniwa.uwa.edu.au (Diarmuid Pigott) writes:
>My favourite (the spirit of Mahler forgive me) is a wierd version on
>Supraphon - and old (celebration of prague - 400 years or some such). I
>can't remember the details. But the music played is pure Klezmer. (da da
>da DA DA... ) 
>
>Other than that - I like a recent version by the Ljubliana
>Orchestra. It's a filler to the 2nd on a double CD , but it's really 
>beautiful. (I think it's Classsica edition and it's a cheapie).

Horenstein's first was a constant companion for years, but Tennstedt's
recent live version has banished it to the back shelves. 

For a strange and wonderful reading, check out Igor Markevitch in a live
performance on Disques Montaigne.  Shouldn't be anybody's only recording,
but no one interested in the conductor or the work should fail to hear it. 

There is a wild and wooly first by Scherchen on an MCA double-decker.
This is coupled with an uneven but interesting "Resurrection", and the
pair of disks goes for less than ten dollars.
From: wilcox@vax.oxford.ac.uk
Newsgroups: rec.music.classical
Subject: Re: modern liturgical music
Date: 28 Sep 92 11:38:33 GMT
Organization: Oxford University VAX 6620

In article <47080@dscatl.UUCP>, mgresham@dscatl.UUCP (Mark Gresham) writes:
> In article <17598.9209210906@thor.cf.ac.uk> spxsjm@thor.cf.ac.uk (Mr S J Morris 92) writes:
>>Try John Rutter - I'm not sure if he's British or American but he's
>>written a fair bit of 'Anglican' style church music - both hymn tunes
>>and more substantial choral pieces - which are really rather good.
>>
> Steve, I can assure you he is not one of ours.  But then, your
> being in Wales, he's not one of yours either. :-)
> 
> (And I'd bet you a pint of the best that any random
> collection of Welshmen singing Cwm Rhondda could blow Cambridge
> Singers off the musical map any day of the week.  ;-))
> 
Mark, that's below the belt when I'm on holiday and we're talking about
composers of church music. Admittedly I'd rather hear Cwm Rhondda than any of
John Rutter's "compositions" (they're all the same piece really), but I'd much
rather have the clarity and accuracy---and the women (if you'll pardon the
expression)---of the Cambridge Singers than the Sturm und Drang of the Cymru
Male Voice Choir. Of course, if John Rutter had formed the Oxford Singers, they
would have been even better, but that's another thread.
-- 

Stephen Wilcox             |   Remember what happened to the dinosaurs!
wilcox@maths.oxford.ac.uk  |    I did---and look what happened to me.
Newsgroups: rec.music.classical
From: bob@bob.b30.ingr.com (Bob Baccus)
Subject: Looking for old instrument
Keywords: Old Brass Instruments
Reply-To: bob@bob.b30.ingr.com
Organization: Intergraph Corporation, Huntsville, AL
Date: Mon, 28 Sep 1992 14:31:15 GMT

I am looking for an old Bb Tenor Horn. Our Brass Quintet has the 
opportunity to play for some historical events (early 1800's) in our 
community and we are trying to appear as historical correct as 
possible. We have an Eb Alto Horn, Tuba, and cornets for the parts,
but we are in need of the Bb Tenor to complete our ensemble.   

We have access to a very fine instrument repair facility so we could
"fix up" or repair a horn if necessary.

Thanks,

Bob Baccus

-- 
  * ***** You Are A Redneck if ****** *   Bob Baccus   (205) 730-3672       *
  * Your mother genuinely admires...  *    b30!bob!bob     or               *
  *     Your girlfriend's tattoos.    *     bob@bob.b30.ingr.com            *
Newsgroups: rec.music.classical
From: steve@fid.morgan.com (Steve Apter)
Subject: Re: Gordon Jacob (was Tokyo Kosei Wind Sym.)
Organization: Morgan Stanley & Co., New York, NY
Date: Mon, 28 Sep 1992 16:25:28 GMT

Chandos 6573 -- "Fanfare, British Music for Symphonic Brass Ensemble" --
contains Jacob's _Interludes for Trumpets and Trombones_.

NB:  Havergal Brian's 2 minute _Festival Fanfare_ is also on this disk.

(See how easy it is to work in a plug for one favorite composers?)

Newsgroups: rec.music.classical
From: cb@tamarack13.timbuk (Chris Brewster)
Subject: Re: modern liturgical music
In-reply-to: lms@TorreyPinesCA.ncr.com's message of Thu, 24 Sep 92 21:54:24 GMT
Organization: pubs
	<1992Sep24.215424.2069@TorreyPinesCA.ncr.com>
Date: 29 Sep 92 09:42:15 CDT

Max Stern writes:

   Are you interested only in *Christian* liturgical music?  If your
   interest encompasses Jewish music, I can turn you on to some wonderful
   stuff.  Begin with the "Sacred Service" of Bloch. ...

Milhaud, also Jewish, wrote a religious work with the same title (to the
best of my memory).  

Chris Brewster
cb@cray.com
From: cb@tamarack13.timbuk (Chris Brewster)
Newsgroups: rec.music.classical
Subject: Re: Mahler 9 (was Re:Mahler 1)
Date: 2 Oct 92 19:26:37 GMT
	<1992Oct2.022221.5496@cucs5.cs.cuhk.hk> <459QBRRW@cc.swarthmore.edu>
Organization: pubs
In-reply-to: rbrooks1@cc.swarthmore.edu's message of 2 Oct 92 15:49:59 GMT

Rob Brooks writes:

   > 	I would also like to hear about all the favourite recordings of
   > Mahler's 9th and Song of the Earth.  Any suggestions ?

   As far as "Das Lied" goes the performance on EMI with
   Klemperer/Ludwig/Wunderlich [is] awesome.

I can't resist expressing (for the tenth time) my devotion to this
recording.  We're not supposed to call recordings "definitive"; for me,
this reading is more like "archetypal": the perfect pair of singers for
the music, and both at their peak.  If you know Janet Baker's version of
Elgar's Sea Pictures, the Ludwig/Wunderlich Das Lied is in the same rare
category of perfect matches between singers and works.  To agree with
Rob, it's awesome.

Chris Brewster
cb@cray.com
From: mgresham@dscatl.UUCP (Mark Gresham)
Newsgroups: rec.music.classical
Subject: Re: Margaret Hillis to leave Chicago Symphony
Date: 30 Sep 92 19:44:53 GMT
Reply-To: mgresham@dscatl.UUCP (Mark Gresham)
Organization: Digital Systems Co,  Atlanta, Ga

In article <vp+pr-c.jfh@netcom.com> jfh@netcom.com (Jack Hamilton) writes:
>According to an article in yesterday's San Francisco Examiner, Margaret
>Hillis, the conductor of the Chicago Symphony Chorus, will be leaving at
>the end of this season.  She has been the conductor of the chorus since she
>started it in 1957. 
>
>The search committee for her replacement has narrowed the field to 3
>candidates:  Vance George, director of the San Francisco Symphony Chorus;
>Robert Porco, head of the choral department at Indiana University; and Amy
>Kaiser from New York.  

Well, hell, the cat's finally out of the bag.  The worl knew over
a year ago about Margaret's retirement, but I thought Vance's
candidacy for Chicago was still under raps and information not for
public consumption.  Apparantly that has changed in the last month
or so.  Or even the last week.

Vance is a fine conductor, and one who can conduct opera choruses
in a tight, unified ensemble that has declamatory power but without
"bloat" to the sound.  (Goodness! opera choruses with genuinly
in-tune sectional unisons! :-) )

I'll be interviewing Vance in December for an article to be
published early in 1993.

Cheers,

--Mark Gresham

dscatl!mgresham@gatech.edu

==========================
From: marcus@aero.org (Leo Marcus)
Newsgroups: rec.music.classical
Subject: Re: Beethoven's 32nd Sonata
Date: 5 Oct 1992 16:37:21 GMT
Organization: The Aerospace Corporation, El Segundo, CA
Distribution: world
NNTP-Posting-Host: armadillo.aero.org



To me, the difference between the "jazzy" section of Op. 111 and
"stride" or boogie-woogie is that the Beethoven should convey
frenzied, ecstatic, joy, not an easy-going, carefree, lilting feeling.

The Beethoven "jazzy" variation, at the climax of a gradual increase
in rhythmic complexity starting from an almost static theme and
progressing step-by-step adding on syncopations, finally breaks the
bounds of propriety and throws itself around orgiastically until it is
spent. The movement then settles down for some much needed rest before
moving on to a higher spiritual plane.

Leo 
Newsgroups: rec.music.phish
From: Jay King <silo386!jay@kira.emba.uvm.edu>
Subject: Digest # 517 Needed
Reply-To: silo386!jay@kira.emba.uvm.edu
Organization: The Internet
Date: Mon, 28 Sep 1992 13:46:11 GMT

Could someone please e-mail me Digest #517???????

Thanks in Advance.

Jay

p.s. rumour has it that Trey and Paige might have played at Goddard
this weekend with Jah Levi and The Higher Reasoning.  A friend was
able to go, but I haven't talked to him yet.........

Newsgroups: rec.music.phish
From: andrew vargha colasanti <ac009b@uhura.cc.rochester.edu>
Subject: November shows.
Reply-To: ac009b@uhura.cc.rochester.edu
Organization: The Internet
Date: Tue, 29 Sep 1992 20:09:53 GMT

Hi all Phish netters,
   I am just wondering if anybody out there knows what the shows for the end
of November are going to be.  I have read that they are playinf Ithica, then
I read that they were playing Rochester, then something about one of the
SUNY schools.  Well which one is it and when.  Also, does anybody know if
they are definitly playing Portchester after Thanksgiving?  If so when do
Tickets go on sale.  Thanks
				Andrew
Newsgroups: rec.music.phish
From: rstern@col.hp.com (Richard Stern)
Subject: Re: Soundboard taping
Date: Tue, 6 Oct 1992 21:47:48 GMT
Organization: HP Colorado Springs Division

Douglas Coe <EWKX@cornella.cit.cornell.edu> writes:
> 
> With the phall tour coming up, I was wondering if anyone could offer
> any advise for soundboard taping at Phish shows.  I've never done this
> before, so I have a couple of concerns:
> 
>      2)  What's the best way to go about getting a hookup  (do I have to
>          make arrangements with Paul prior to the night of the show)?
> 
>      4)  How kindly does Paul take to sbd. hookups (would hooking up
>          at 4-5 consecutive shows be too much)?

Paul will NOT allow you to patch! Period!  There are only a very select
few who are allowed to patch to the sbd.  Paul does NOT allow random
folks to patch.  Occasionally a tape tree is seeded from a sbd tape, but
those tapes come from the 'chosen few' who are authorized by the band.

Plan on bringing mics or getting a patch from someone else's mics.  With
good mics you can make very good audience tapes. 

Richard Stern
rstern@col.hp.com
From: ijoseph@casbah.acns.nwu.edu (Isaac Josephson)
Newsgroups: rec.music.phish
Subject: help! lost tour info
Date: 5 Oct 92 21:39:27 GMT
Distribution: usa
Organization: Northwestern University, Evanston Illinois.


	I've misplaced the fall tour info. Can anyone either mail the list to
me or give me dates and ticket sale dates on the following shows:

		     Madison
		     Chicago
	 	     Milwaukee
		     New Year's

...expanding exponentially through some recursive virus...
isaac
From: ST101137@brownvm.brown.edu (Lee Silverman)
Newsgroups: rec.music.phish
Subject: Tour info on archives
Date: 5 Oct 92 22:37:17 GMT
Reply-To: ST101137@brownvm.brown.edu
Organization: The Internet

The current fall tour info is available from Phish-Archives.
The file contains the dates of the tour and the venue info that Shelly posted.
You can get it via anonymous ftp to brownvm.brown.edu (cd ST101137.201,
get tour.phish) or by sending email to phish-archives@fuggles.acc.virginia.edu

Enjoy!


Set the Record Levels for the high gear of your soul!!
Pandion                                       Pandion@Brown.edu
(Lee Silverman)                               ST101137@BROWNVM
Newsgroups: rec.music.phish
From: GWAN@ruby.vcu.edu
Subject: Other boards
Reply-To: GWAN@ruby.vcu.edu
Organization: The Internet
Date: Mon, 5 Oct 1992 20:15:20 GMT

Hello Phish Pholks,
I was wondering if someone would be kind enough to email me the address to be 
hooked up to the Grateful Dead board. Thanks a lot!!!
...I would be psyched if Phish played a few fall tour dates in Virginia, but
you can't always get what you want!!
Cool runnings,
George J. Wan
internet address: net%"gwan@ruby.vcu.edu"
Newsgroups: rec.music.phish