HDTenEightyP/NetNews huggingface dataset:
From: JOHNSON@zeus.ahabs.wisc.edu (Scott C. Johnson)
Subject: Re: Artificial harmonics
Followup-To: alt.guitar
Organization: University of Wisconsin - Madison
Date: Sun, 24 Jan 93 21:16:45 GMT

In article <1993Jan23.232327.19103@cs.tulane.edu>, butterwo@cs.tulane.edu
(Blake Butterworth) wrote:
> 
> 
>     Speaking of harmonics, could some of the more experienced guitarists out
> there give me some pointers on techniques to sounding artificial harmonics?
> Do you use your index or middle finger or choke up on the pick?  Sounding the
> harmonics isn't difficult, its just playing them at fast speeds that is
> really difficult for me.  I've noticed alot of guitarists, especially in the
> hard rock/heavy metal genres, have mastered these techniques and use them in
> there music alot.  They blaze through a solo or even an up tempo riff, sound
> some harmonics and keep on going.  Can someone give me some insight?  Thanks.
> 
> Blake


Artifical harmonics are definately a good way to add the element of
surprise to your playing, and contribute greatly to many players style. 
They can be very difficult at first, but can easily become second nature. 
Personally, I find them easier to execute on downstrokes.  I naturally hold
the pick with very little showing to pluck the string with, and sometimes
this leads to unexpected artificial harmonics jumping out.  Anyway, the
easiest way to pull this off is to simultaneously pluck the string and
touch it very briefly with the fleshy outside edge of your thumb.  It just
takes a little practice.  You'll also notice that different pitches are
produced from the same fretted note depending on where the string is
plucked. Good luck.  --> Scott 


Scott C. Johnson
University of Wisconsin - Madison
JOHNSON@zeus.ahabs.wisc.edu
From: rblander@watdragon.uwaterloo.ca (Robyn Landers)
Newsgroups: alt.guitar
Subject: Re: Latest Triumph album/guitarist
Date: 25 Jan 93 18:57:36 GMT
Distribution: na
Organization: University of Waterloo

In article <1993Jan22.201754.12878@galileo.cc.rochester.edu> kevin@sherman.pas.rochester.edu (kevin mcfadden) writes:
>
>Well, supposedly Triumph has found a new guitarist and have released
>a new album.  
>  [...]
>Anyway, I don't think Triumph is ever going to attain any measure
>of respectability for two reasons:
>
>1) This new guitarist will never match up to Rik Emmett, and


	I wouldn't be so hasty to discredit Phil X, the new guitar player.
I've known of him for years now, from when he was a kid in local
metal bands here in Kitchener/Waterloo up through being invited to 
tour and record with Frozen Ghost, and various other freelance efforts.  
He is very hot.  I don't know if he has the classical and blues 
depth of Emmett, but as far as modern metal chops is concerned 
(which is all that matters for Triumph, really) Phil has got it together.   
Another concern of a band such as Triumph is, of course, image.  
Phil has it here too.  He has great stage presence.

	Rik comes across as a very down-to-earth nice guy (not that
I've ever met him).  It has been a few years since I last spoke 
with Phil X, so I don't know if his ego has exploded since then,
but at the time he seemed like a pretty nice guy.

	Oh, check out Phil's guitars.  They're made by Brad Freiheit,
a local guitar builder.  Nice work.  (Mine's waiting for a paint job :-)
Look for a feature story in _Canadian_Musician_ magazine's next issue.



-----
Robyn Landers
rblanders@math.uwaterloo.ca
	"I'm just doing my rock'n'roll duty." -- Dubois
Xref: sparky alt.guitar:11544 rec.music.makers.guitar:1502 rec.audio.pro:2815
From: yudof@eniac.seas.upenn.edu (Seth A Yudof)
Newsgroups: alt.guitar,rec.music.makers.guitar,rec.audio.pro
Subject: ART Multiverb for sale!
Date: 21 Jan 93 20:16:06 GMT
Followup-To: alt.guitar
Organization: University of Pennsylvania

I have an ART Multiverb for sale.  It has never given me a day's
trouble and it sounds great.  You can chain up to four effects at
once.  It has grerat reverbs and delays, a pitch transposer, an EQ, a
chorus, and one of the best flangers I've ever heard.  I have used it
not only in my guitar rig, but also on numerous occasions for vocals
and drums in the studio and live.  If you have any questions please
email me.

----------
Seth Yudof
----------                   _   __
yudof@eniac.seas.upenn.edu  / `-' (      ,,, 
3939 Chesnut Street         | I I ||||||[:::]
Philadelphia, PA 19104      \_.-._(      '''
(215) 382-1487
From: cdpst@cislabs.pitt.edu (Christophe D Piccolo)
Newsgroups: alt.guitar
Subject: Re: Urban Legends
Date: 27 Jan 93 20:57:05 GMT
Organization: University of Pittsburgh

In article <16B63CDD1.EIVERSO@cms.cc.wayne.edu> EIVERSO@cms.cc.wayne.edu writes:
>jmstreck@carson.u.washington.edu (John Streck) writes:
> 
> 
>I seem to remember hearing about and seeing a film of Jimi on the
>Dick Cavette show when they asked him something like "OK, you're
>the best, but who is second best?" to which he answered something
>like "A young man from the Motor City named Ted Nugent".

I think I've seen this segment in some Hendrix Movie on A&E,
and he said he really likes a young man from texas named
Billy Gibbons.

The questions also was more along the lines of "Who do you like/who
impresses you..."

Not claiming this to be gospel, my memory can be just as bad
as anyone elses...
>Ted had a hit then with the Amboy Dukes called "Journey to the center of
>the mind" (sp?) and it was a pretty awsome tune--used feedback, nice
>riffs, etc....

Ya know, on "classic" MTV once (i wasnt really watching, the remote
accidentally broke and got stuck on channel 24, really..)
I saw a video for this, with his Tedness wailing, and beneath
the hair, you could see him furiously chewing the hell out
of this piece of gum.

Well, about an hour later, a Damn Yankees video is on, theres
Ted, wailing away, still chewing the hell out of a piece of
gum...

And it makes me wonder...is it the same one?

Peace
Chris
From: k-man@diego.llnl.gov (Kevin Anderson)
Newsgroups: alt.guitar
Subject: Mike Stern
Date: 26 Jan 93 21:26:47 GMT
Organization: APC


The other week I pinged the group about Mike Stern.
I discovered that he has (at least) 5 albums out.

One netter gave Stern high reccomendations.  So I
picked up his 1991 release, "Odds or Evens."  I went
with this one over his latest, "Standards," as I
figured "Standards" could just be a bunch of jazz covers
and the netter said that Stern's originals were great -
OoE would contain more originals.

It's an impressive album.  All instrumental, most songs
are 6 or 7 minutes in length, talented horns, light on
keyboards - really tasteful guitar.

Now I figure most of the Fusion stuff we get is a lot more
Rock than Jazz: Steve Morse, Jeff Beck, Gary Moore (Colosseum
II).  This Stern album is clearly more on the Jazz side of
Fusion; along with older Mahavishnu Orchestra and Al DiMeola.

<as an aside: I recently scoured used record shops for the
 early Mahavishnu Orchestra albums.  after hearing "Birds of
 Fire," it became clear to me where Beck ripped off most of
 his Fusion ideas.  I see that Beck has a new release - any
 one know what this Frankies House Soundtrack is?>

It's a little mellower than, say, Morse's latest, "Coast to
Coast," but it really shows off Stern's stuff.

I know that I will pick up on some of his other stuff.

K-Man
From: sjwyrick@csa3.lbl.gov (Steve Wyrick)
Newsgroups: alt.guitar
Subject: Fender Princeton Amp Prices?
Date: 25 Jan 93 19:12:49 GMT
Organization: Lawrence Berkeley Laboratory
NNTP-Posting-Host: 131.243.210.26
X-UserAgent: Nuntius v1.1.1d17
X-XXMessage-ID: <A7897C733501D21A@b75b-ehs9.lbl.gov>
X-XXDate: Mon, 25 Jan 93 11:16:03 GMT

Can anyone give me typical US prices on a Fender Princeton Reverb amp?  I
saw one in a San Francisco area store for $350; don't know year, it was a
silver face, from the condition I'd say made in 70's?  The guy also had a
black face Princeton (non reverb) for $300.  I think these are both
overpriced?
Newsgroups: alt.guitar
From: muller@world.std.com (James L Muller)
Subject: Re: Sound reinforcement
Organization: The World Public Access UNIX, Brookline, MA
Distribution: usa
Date: Sat, 23 Jan 1993 06:40:34 GMT

In <1993Jan22.175058.28739@ncsu.edu> npstewar@eos.ncsu.edu
   (NATHAN PHILLIP STEWART) writes:
>Sound Re-inforcement Handbook is written by Gary Davis & someone else
>(Jones I think.)

Yes, it is Jones.

>SRH is IMO an excellent book. It covers the acoustic and electrical theory
>appliccable to Sound Reinforcement in a concise, clear way.

I would beg to differ on this.  SRH is an excellent description of some
of the technical stuff, like power levels, maximizing SNR (as you said), 
making proper connectins, and an overview of various sorts of equipment.
If you want a good description of the difference between dBm, dBu, dBv,
dBw, etc., then this book is great.

HOWEVER...  Its biggest strength is also its biggest weakness.  It spends
almost all its page space on equipment, not on either (a) how to use that
equipment properly (not to mention how to mix well, etc.), and (b) how
*sound* itself behaves.  These points, how sound behaves (or misbehaves!)
and how to use equipment to accomplish things desirable rather than un-
desirable, are the two biggest factors in doing sound reinforcement well
or poorly.  The pro sound company may benefit from this book but not the
novice, and the original question was for advice for the sound-reinforcement-
impaired (or idiot, or some other self-deprecating term).  How many bands
wire up their own mic cables?  You may to need to fix a broken one every
so often, but otherwise, hey, you goes to the store and you buys them for
maybe $7 apiece and then you plugs them in, that's all.  It's nice to know
that parametric EQ's and graphic EQ's and notch filters exist, but what do
you do with them?  This book offers not a clue, assuming, I guess, that it
must be obvious.  Well, it isn't always obvious, even to people who have
been in the business for a long time.  If you want to be an equpiment-freak,
then study SRH religiously, but if you want to make the band sound good,
learn some acoustics and wave-propagation theory, some feedback and
interference theory, how to listen, what can possibly go wrong (with the
sound, not the equipment), and a whole bunch of tricks that come with
'xperience.  IMHO, there is no good book for this, certainly not SRH.
-- 
Jim Muller  muller@world.std.com
From: Michael_LaBella@vos.stratus.com
Newsgroups: alt.guitar
Subject: acoustic guitar for sale
Date: 26 Jan 93 21:12:49 GMT
Organization: Stratus Computer, Software Engineering
NNTP-Posting-Host: m3-enet.eng.stratus.com



ACOUSTIC GUITAR FOR SALE: 

1991 Gibson J-30 dreadnaught, gloss ebony (black) w/white trim. 
Built in Gibsons Bozeman Montana (U.S.A.) factory.  
Great sound, nice action, (recently adjusted by MacDuffs of Shrewsbury) 
Custom fit hardshell Gibson case w/plush lining. free pick!!! (wow) 
list $1200, asking $650.00   
Newsgroups: alt.guitar
From: martinec@serss0 (Chris Martinez)
Subject: MIDI pick-up
Organization: Florida International University, Miami
Date: Wed, 27 Jan 1993 00:02:15 GMT


Xref: sparky alt.guitar:11691 rec.music.makers.guitar:1632
From: ttesta@kali.enet.dec.com (Tom Testagrossa)
Newsgroups: alt.guitar,rec.music.makers.guitar
Subject: WANTED: Red '50's (reissue) Stratocaster
Date: 26 Jan 93 21:46:52 GMT
Reply-To: ttesta@kali.enet.dec.com (Tom Testagrossa)
Organization: Digital Equipment Corporation, Maynard, Ma.



     Wanted: a 1950's reissue Fender Stratocaster in RED. American or Japanese
I don't really care (I just don't want to spend an arm and a leg...How would I ever play it?) 
	I've seen a zillion Black ones, and oodles of sunburst ones... but I want a RED one with a maple neck. It can Be Torino Red, Fiesta
     Red or any other shade of red offered by Fender...
 If you have one reasonably priced I'd like to hear from you...e-mail is best.
Thanks,
Tom T
Newsgroups: alt.guitar
From: jhalvers@plains (Jon Halverson)
Subject: Re: HELP:Twisting neck
Date: Fri, 22 Jan 1993 20:01:05 GMT
Organization: North Dakota Higher Education Computing Network
X-Newsreader: Tin 1.1 PL4



                     DAMN
From: npstewar@eos.ncsu.edu (NATHAN PHILLIP STEWART)
Newsgroups: alt.guitar
Subject: Re: slanted frets on fingerboard
Keywords: fingerboard, fretboard, frets
Date: 28 Jan 93 19:44:04 GMT
Reply-To: npstewar@eos.ncsu.edu (NATHAN PHILLIP STEWART)
Organization: North Carolina State University, Project Eos
Originator: npstewar@c00480-224wi.eos.ncsu.edu


It sounds like someone built a guitar with a graduated scale length. (It also
sounds like some luthier got really loaded :-) I can imagine the headache of
doing this, since the equation governing fret placement is an exponential one,
there couldn't be too many solutions to 6 different scale lengths where the fret
position on each string allows frets to be placed this way as opposed to 6 
fret-lets per half tone (giving 132 frets on a normal 22 fret length fingerboard
) I guess there'd be a bit more slop in intontation than we're accustomed to on
normal fingerboards.

I can see why they'd want to, maybe to give a tight bottom and a looser feel up
top without usuing unusual string guages. I think I remember seing this guitar
in guitar player a couple of years back. Anybody got that issue?

Nate
From: dam@dcs.glasgow.ac.uk (David Morning)
Newsgroups: alt.guitar
Subject: Re: GIFS IN THIS NEWSGROUP (please read)
Date: 21 Jan 93 10:42:36 GMT
Organization: Glasgow University Computing Science Dept.

901430w@dragon.acadiau.ca (Kevin Wayte) writes:

>Hello alt.guitar fans,

>Since I guess I was the first one to attempt to post pictures
>here, my initial thought was that it would be a great forum
>for me to release my guitar scans.  For some it was...
>Others not...

Put them in alt.binaries.pictures where they belong and post a short summary
here telling people what you've posted and where to get them.
That way, you won't annoy so many modem users.

Dave

--
Newsgroups: alt.guitar.bass
Subject: Re: Four-Tracks?
From: doug@merlin.telcom.arizona.edu (Doug Wellington USGS)
Date: 24 Jan 1993 10:46 MST  
Distribution: world,local
Organization: University of Arizona Telecommunications
News-Software: VAX/VMS VNEWS 1.41    

In article <QfMP3hG00iV243AVEV@andrew.cmu.edu>,
  Brian William Carroll <bc2u+@andrew.cmu.edu> writes...

>I am thinking about buying a four-track but I don't know what to get. 
>I've heard good things about Tascam and Yamaha and also Marantz, but I
>never heard of them(Marantz) before.  Anyway  some input on the pros and
>cons of different four-tracks would be nice. Also is there a news group
>that deals with recording/MIDI stuff?

Marantz is good.  They have been making pro-audio gear for a long time.
They currently make a CD RECORDER that I have been drooling over, but
at $7000, I don't think so!

As for choosing a four track, first decide how much money you have.  Then
decide what features you want to get.  Things like built-in mixers, noise
reduction (dbx or dolby) and the ability to record two or four tracks
simultaneously are some of the issues.  The best thing is to go around
to all of your local stores, play with them, read the liturature and get
pricing.  Look at Fostex as well as the Yamaha and Tascam.

And as for recording/midi groups, try REC.MUSIC.MAKERS and the related
groups.  And I hope you know that this group is about to be discontinued.
It has been superceded by REC.MUSIC.MAKERS.BASS.  See you there!

-Doug
Newsgroups: alt.guitar.bass
From: fredh@cv.hp.com (Fred Handloser)
Subject: Re: Amp Plans
Organization: Hewlett-Packard Company, Corvallis, Oregon USA
X-Newsreader: Tin 1.1.3 PL5
Date: Fri, 22 Jan 1993 21:10:05 GMT

francis deck (fdeck@bashful.helios.nd.edu) wrote:
: PARTS LIST

This parts list is very helpful for novice builders.  Would it be
possible for you to post a parts list like this for your other
80 W amp plans?  

Thanks,

  Fred Handloser
  Corvallis, Oregon
  fredh@cv.hp.com   
Organization: Freshman, Design, Carnegie Mellon, Pittsburgh, PA
From: stjunior@cwis.unomaha.edu (Donald R. Harrold)
Subject: need bass player for band
Organization: University of Nebraska at Omaha
Date: Fri, 22 Jan 1993 22:08:53 GMT




if you play bass and live in the omaha,ne area then call 393-0494
and leave a message for don.  right now we've got a singer,  drummer,  and i
play guitar.  we are all in our early twenties and have plenty of
equipment, stage experience and talent.  we play along the lines of
alice in chains/pantera/soungarden etc...you get the picture.  our goal is
to be ready to play and tour in the next six months.   we are 100% original
and have plenty of contacts with clubs in and out of state to get gigs etc...
if you are interested, then please call.  we are very serious.
From: vosshall@Apple.COM (Pete Vosshall)
Newsgroups: alt.guitar.bass
Subject: Carvin LB76?
Date: 22 Jan 93 18:59:00 GMT
Organization: Apple Computer Inc, Cupertino, CA

Hello fellow netters!

I'm seriously considering purchasing a Carvin six string bass (the LB76), and
would like to hear from those of you who own, have played, or have returned
(because of dissatisfaction) Carvin basses. Bass Player magazine had good
things to say about the LB76, and gave the four string Carvin model top marks
in the recent equipment guide. Let me know what you think of these basses!

    Pete
-- 
_______________________________________________________________________________
* Pete Vosshall         |INTERNET: vosshall@apple.com  | "So maybe I could be *
* Collaborative Systems |VOICE:    (408) 720-1664  home| a fly...and feed an  *
* Apple Computer, Inc.  |          (408) 862-5418  work| arachnid as I die"   *
From: JWH123@psuvm.psu.edu (John Hawkins)
Newsgroups: alt.guitar.bass
Subject: re: stu hamm
Date: 28 Jan 93 04:02:37 GMT
Organization: Penn State University

I know that he does have two albums, The second one is called The Urge, on
Relativity Records.  I think the first is titled Radio Free Albemuth, or
something like that.
Newsgroups: alt.guitar.bass
From: bigdave@joker.tdd.sj.nec.com (David Sweeney  x2987)
Subject: Re: Dream Theatre
Followup-To: alt.rock-n-roll.metal.progressive
Keywords: like fish in a barrel
Organization: NEC-AM TDD, San Jose, California
Date: Fri, 22 Jan 1993 21:25:16 GMT

Harry Powell Watson <hw26+@andrew.cmu.edu> regales us with his wit and wisdom:
>Mike Branciforte's post contains:
>"In article <EfKBMsu00iUxQ5IVYS@andrew.cmu.edu>, hw26+@andrew.cmu.edu 
>(Harry Powell Watson) writes:
>|> I had the pleasure of witnessing one of the greatest bands ever last
>|> night at the Metropol in Pittsburgh. This Dream Theatre is so tight, and
>|> [12 lines deleted]
>|> God, or sold his soul to the Devil!! It's just too much!! Later.
>|> -Lestat 
>| 
>|Harry, Harry, Harry ... give up the drugs, my man.  Tunes are just tunes.
> 
>   Mike, my friend, It is so unfortunate that you possess no intellect
>or sense of reasoning, or for that matter any tact. I suggest that you
>read the netnews.alt.rock-n-roll.metal.progressive b-board. You will
> [129 lines (!) deleted]


Harry, Harry... you _definitely_ want to lay off the drugs for a little while.  

-- 
Dave Sweeney, Hard Worker  [bigdave@tdd.sj.nec.com / bigdave@netcom.com]
         -- VIVID ANIMATED TONGUE WILL SHOCK YOU GREATLY! --
Organization: Carnegie Mellon, Pittsburgh, PA
Newsgroups: alt.guitar.bass
Date: Sat, 23 Jan 1993 14:35:06 -0500 
From: "Clay C. Thompson" <ct23+@andrew.cmu.edu>
Subject: EMG pickups

Currently, I have factory pickups on my Fender Jazz (four years old).
I'm wondering if it is worth it to put EMGs (or other high-level
pickups) on it. Also, I'm wondering what would be a good price for these
things in the Northeast. I've heard anywhere from $100-150 for the set.

Thanks
-ct

ct23@andrew.cmu.edu
Newsgroups: alt.guitar.bass
From: rcnelson@icaen.uiowa.edu (Ryan Christian Nelson)
Subject: Re: Dream Theater
Date: Mon, 25 Jan 1993 09:06:57 GMT
Organization: University of Iowa, Iowa City, IA, USA
X-Newsreader: NN version 6.4.19

I'm interested in these guys.... I honestly haven't heard much
of their stuff, (I've been nose-deep in finals and electronics)
but they are going to be in Cedar Rapids, IA, on the first of feburary, 
and as a promotional thing, they're going to be on the commmercial
radio station where I work.  

KRNA (my station) has a in-house band that I play bass in part-time,
and we have a band-type eight track studio in the garage.  The band
has agreed to do a live, on the air set and interview.
I'm the station technician, and I've got to set up the whole tech end of the
deal.  We originally asked them to go unplugged (Tesla played in our on air
studio and sounded pretty good), but for reasons I now understand, they wanted
to plug in.

All this hubbub about this guy's bass playing has sort of got me excited.
What's he use?  Is the rest of the band going to be the next Van Halen,
or the next Wham!, or what?

Ryan Nelson
rcnelson@icaen.uiowa.edu
Iowa's Rock n Roll, 94.1 KRNA      <---- money, babes, CD's, concert tickets
Your Sound Alternative, 89.7 KRUI  <---- looks good on a T-shirt...

The opinions in this post have nothing to do with those of KRNA inc.
Fat, drunk, and stupid is no way to go through life.  Just Say Oh.

A
From: aesbl1ajm@dct.ac.uk
Newsgroups: alt.guitar.bass
Subject: Re: Stu Hamm Music
Date: 25 Jan 93 18:42:09 GMT
Organization: Dundee Institute of Technology

In article <AfLXOCu00iV04_Q3dq@andrew.cmu.edu>, hw26+@andrew.cmu.edu (Harry Powell Watson) writes:
> Berklee grad, and fellow classmate of Steve Vai, Stu Hamm currently has
> three solo recordings.  1988's Radio Free Albemuth, 1989's Kings of
> Sleep and 1991's The Urge. He played 3 years touring with Joe Satriani,
> and has played with Steve Vai. He is on Vai's recording of Passion and
> Warfare.

Not to mention his _munchkin_ vocals on the track Little Green Men, 
which can be found on Steve Vai's Flexable.



Adam McCormack
From: jah7931@tamsun.tamu.edu (someone important)
Newsgroups: alt.guitar.bass
Subject: Re: Four-Tracks?
Date: 24 Jan 1993 15:51:44 -0600
Organization: Texas A&M University, College Station, TX
Distribution: world,local
NNTP-Posting-Host: tamsun.tamu.edu
Keywords: alfred oouh


In article <QfMP3hG00iV243AVEV@andrew.cmu.edu>,
  Brian William Carroll <bc2u+@andrew.cmu.edu> writes...

>>I am thinking about buying a four-track but I don't know what to get. 
>>I've heard good things about Tascam and Yamaha and also Marantz, but I
>>never heard of them(Marantz) before.  Anyway  some input on the pros and
>>cons of different four-tracks would be nice. Also is there a news group
>>that deals with recording/MIDI stuff?


If you decide that you are definitely going to buy,
I suggest you wait a few weeks.  I believe that the
new "season" of audio equipment by the major brands
is sometime in February.  You should expect prices
to change then.  A friend of mine bought a Tascam
4-track this time last year, and two weeks later
the list price went down by about a hundred bucks.


--jim.
Organization: Freshman, MCS general, Carnegie Mellon, Pittsburgh, PA
Newsgroups: alt.guitar.bass
Date: Sat, 23 Jan 1993 15:56:13 -0500 
From: Brian William Carroll <bc2u+@andrew.cmu.edu>
Subject: Four-Tracks?



I am thinking about buying a four-track but I don't know what to get. 
I've heard good things about Tascam and Yamaha and also Marantz, but I
never heard of them(Marantz) before.  Anyway  some input on the pros and
cons of different four-tracks would be nice. Also is there a news group
that deals with recording/MIDI stuff?


Brian Carroll
Organization: Sophomore, Math/Computer Science, Carnegie Mellon, Pittsburgh, PA
Newsgroups: alt.guitar.bass
Date: Thu, 21 Jan 1993 19:22:33 -0500 
From: Andrew B Stellman <roo+@CMU.EDU>
Subject: Re: Stu Hamm Music

> Does anyone know if Stu Hamm has ever made a solo recording?

I know that Stu Hamm has at least two solo albums out. I don't know
their names or who publishes them.

Andy

Organization: Sophomore, Math/Computer Science, Carnegie Mellon, Pittsburgh, PA