HDTenEightyP/NetNews huggingface dataset:
Organization: University of Illinois at Chicago
Date: Friday, 10 Apr 1992 14:24:15 CDT
From: <U14540@uicvm.uic.edu>
Newsgroups: rec.music.misc,alt.rock-n-roll
Subject: Re: THE TEN MOST OVERRATED ROCK BANDS EVER(GNR)
 <92100.224336U14540@uicvm.uic.edu> <1992Apr10.141554.5196@nic.unh.edu>


In article <1992Apr10.141554.5196@nic.unh.edu>, tcw@kepler.unh.edu (Timothy C
Webb) says:
>
>>of Mine was the worst song ever written. God and I really hate it when G and
>r
>>swear on their albums. It sends me running for my bible. Yeah, you're also
>
>  They're just swearing for the sake of swearing, not because it has any
>meaning to the music (whatever music there is, if any). They just like to be
>controversial.
>
 And you're just criticizing for the sake of criticizing. Besides why should
people listen to some geek who listens to Stryper.

>  I'm talking about listening to GOOD guitar players like Steve Howe, John
>McLaughlin, or Robert Fripp. Not hackers like Slash who don't even know which
>end of the instrument to blow into.

I know you know which end of a dick to blow into.
>
>>simulate the sound on a synthesizer. I also hate groups that write their own
>

>  That's funny, I like groups that write their own songs, just as long as they
>know what the hell they're doing.
>
Boy, you sure don't know sarcasm when you hear it. You're really a smart guy.

>>and off to the bathroom I go to wack off. You guys would make great music
>>critics if you had ears.
>
>  Thanks for the compliment.
>
>
  You'll take whatever you can get.

>
>--
>:::::::::::        ::::         ::::::
> <<<<<<<<<<<      >>>>   >>>   >>>>>>    Tim Webb   tcw@kepler.unh.edu
>     ????        ????  ?????  ?????    _________________________________
>      ((((      (((( ((((((( (((((
>       ####    ########  #######       "The challenge is to chase the sound
>        ||||  |||||||    ||||||      just to break away"   ---YES
>
From: swann@acsu.buffalo.edu (Stephen Swann)
Newsgroups: rec.music.misc
Subject: Re: Police Ripoff (was: THE TEN MOST OVERRATED...)
Date: 12 Apr 92 02:29:33 GMT
Organization: UB

In article <32694@darkstar.ucsc.edu> cspot@cats.ucsc.edu (Chris.Hilker) writes:
>
>Piece of advice: get yourself a copy of the Phil Spector box set, 'Wall of
>Sound,' (which you should get anyway), and listen to the song on disc 1
>called "Every Breath I Take." I think comparisons are valid. The word
>"ripoff" does spring to mind, especially since Sting claims that the song
>appeared to him fully written one night.       ^^^^^^^^^^^^^^^^^^^^^^^^^
 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Sounds like maybe he meant that literally!  ;-)

-- 
Steve Swann                 |    Speak to me in many voices; make
swann@acsu.buffalo.edu      |      them all sound like one...  -BOC
Xref: sparky rec.music.misc:14208 rec.music.folk:3229
From: lorne.murphy@rose.com (lorne murphy)
Newsgroups: rec.music.misc
Subject: Re: Genesis, Yes
Date: 15 Apr 92 16:55:05 GMT
Organization: Rose Media Inc, Toronto, Ontario.
X-Gated-By: Usenet <==> RoseMail Gateway (v1.2)


Date Entered: 04-14-92 06:42
TZ>    Genesis has definitely CHANGED (I won't say progressed, because that
TZ>implies going FORWARD) since Gabriel and Hackette left. I'm not saying they
TZ>should'a stayed the same, but goddamn, they've become so.... commercial... so
TZ>blatantly popsy-top-40-hit-radio-musicmakers... Sure, they're good compared t
TZ>other pop groups, but compared to their older self, they're so banal...

Of course they have changed... how can a band NOT after so many
years in the music industry? But to say that are going forward does
NOT imply that they are surpassing themselves musically with each
release... they, to me, are simply sustaining their solidity and
musical depth. I appreciate each album as it comes out.

They are CERTAINLY NOT "blatantly" popsy... The band as a whole
features a very arty type individual (Banks).. a commercial sound
type individual (Collins) and a kind of "in-between" of sorts
(Rutherford). Put the three together and you get a solid band who
can sell albums (which some people think you absolutely CANNOT do or
you're labeled "COMMERCIAL") and remain very creative and artistic.

LM
---
   SLMR 2.1a   %On the silent wings of freedom...where I offer myself%
   RM 1.60: Usenet: Rose Media - Hamilton (416) 575-5363
Newsgroups: rec.music.misc
Subject: Re: Genesis, Yes Debates
From: TZELGOV@vm.bgu.ac.il
Date: Sat, 11 Apr 1992 00:14:10 GMT
Organization: Bgu University

>I hear remnants of mid-70's Genesis in songs like "FADING LIGHTS" and "LIVING
>FOREVER"... they have not gone downhill, they are NOT "limping along", and
>their quality and standards are just as high. It's just a DIFFERENT kind of
>music! Genesis and Yes are PROGRESSIVE bands, and that's what they do...
>progress. For God's sake, people, don't expect them to sound the SAME on
>every album! They have been cutting records since 1968! If you want
>a non-progressive band, listen to THE CULT or someone like that....

    Genesis has definitely CHANGED (I won't say progressed, because that
implies going FORWARD) since Gabriel and Hackette left. I'm not saying they
should'a stayed the same, but goddamn, they've become so.... commercial... so
blatantly popsy-top-40-hit-radio-musicmakers... Sure, they're good compared to
other pop groups, but compared to their older self, they're so banal...
Newsgroups: rec.music.misc
From: storeyr@venus.ycc.yale.edu
Subject: Re: YESYEARS Question
Organization: Yale Computer Center (YCC)
Date: 14 Apr 92 18:48:23 EDT

In article <1992Apr14.203120.19977@ncsu.edu>, jlwoodal@garcia.warfield.edu  writes:
>>I also prefer the ABWH album to Union -- it was more Yeslike than
>>anything put out by "Yes" recently.  Has anyone heard anything regarding
>>new music currently in the works by these people?  And will it be a
>>"Yes" album, ABWH, or some entirely new configuration?
> 
> 
> *ACH!*  Ok, lets get it straight.  The ABWH album was by a band named
> ABWH.  Union was by a band named Yes.  THEREFORE Union is more "Yes-like".
> I don't give a shit what Yes used to sound like, what matters is the
> sound they have NOW.  How would you like it if everyone excpected YOU
> to be like you were 20 years ago.  Life would suck, wouldn't it?
> What is "Yes"?  Well, for ME, if it says "Yes", its Yes.  People
> come and go, and the sound changes, but YES=YES.
> 
> 
> Jeff


A little bitter today, aren't we, Jeff?

Ross Storey
From: ajw@cbnews.cb.att.com (andrew.j.whitman)
Newsgroups: rec.music.misc
Subject: Re: Philip Glass
Date: 14 Apr 92 19:17:34 GMT
Organization: AT&T

In article <1992Apr14.113942.20497@cs.ruu.nl> clldomps@cs.ruu.nl (Louis van Dompselaar, commenting on a Philip Glass discography) writes:
 
>I'll extend the list a little:
>
>Music in 12 Parts

Has this actually been recorded?  Wow.  I was fortunate and/or
deranged enough to see Glass perform this in Columbus a few years ago -
something like five hours of what has to be minimalism at its
most minimal.  Hold that chord for twenty minutes, Phil!  Awright!
Compared to this stuff, "Koyanisqaatsi" sounds like a rave-up.

Actually, it was quite impressive in its own way, and revealed some
very nice, if not subtle, if not very occasional, changes in 
tone and timbre.  It would actually be quite palatable at about,
say, three parts at a time, and I wouldn't mind picking up a copy.
Anybody have any label information on this one?

>Louis van Dompselaar      |||||  Philip Glass, when asked on religion,
>clldomps@cs.ruu.nl         ||||  replied:
>R.v/d Hamkade 49-bis        |||  "...my music is so very odd already

Andy Whitman
AT&T Bell Laboratories, Columbus, Ohio
att!cblpo!ajw  or
ajw@cblpo.att.com
From: econec@vax.oxford.ac.uk
Newsgroups: rec.music.misc
Subject: Al Stewart On The Radio: HELP!
Date: 8 Apr 92 11:24:15 GMT
Organization: Oxford University VAXcluster

This is probably only relevant to UK people but did anyone out there get a
recording of the studio session that Al recorded on Radio 1 last week? (Around
1st April I suppose!) I'd really like a copy as the bunch of UK gigs he did on
this tour were fantastic. I've got quite a lot of Al stuff to trade and all
sorts of other music. Name your poison!

All the best,

Edmund Chattoe

PS I've got an Al discography online if anyone wants a copy of that!

SNAIL: Mr E Chattoe
       Lady Margaret Hall
       Oxford
       OXON
       OX2 6QA
       UK

EMAIL: econec@vax.oxford.ac.uk
From: owen@ducvax.auburn.edu
Newsgroups: rec.music.misc
Subject: Re: Tony Child - Heaven's Gate
Date: 17 Apr 92 18:29:20 GMT

In article <1384@hydra.bucknell.edu>, norbeck@mira.bucknell.edu (nancy norbeck `93) writes:
> 
> Yup.  She has 2 albums that I know of, the aforementioned, and
> _Union_, her first.  Both are very good.  Heaven's Gate is typical of
> her slower music, she does some slower stuff and some faster, more
> energetic things (some of each on each album).
> 
The first time I ever heard of Toni Childs, she was one of the backup
singers on one of the Letterman anniversary specials a few years ago.
Some time later, I was driving through Atlanta and listening to Georgia
State's campus station, and they played a cover by her of Jimmy Cliff's
"Many Rivers To Cross".  I believe it was off a soundtrack album, but
I don't know the name of the movie (not really sure it was a soundtrack,
either; that's just some vague recollection).  Does anyone know what
album this cut is on?

Larry Owen

p.s. - Based on that one hearing of "Many Rivers To Cross", I went to the
  nearest record store and bought Union.
From: grs01132@stat.appstate.edu (Shannon R. Adams)
Newsgroups: rec.music.misc
Subject: Freddie Mercury Tribute
Date: 12 Apr 92 03:04:29 GMT
Organization: Appalachian State University

-- 
I heard last month that there was or is going to be a TV show tribute 
dedicated to Freddie Mercury of Queen.  Does anybody know when this is 
supposed to air and on what network?  Thanks in advance.  Please E-mail
me because I don't read this group often.
-- 
Shannon R. Adams			The only things certain in life are	
<GRS01132@stat.appstat.edu>             death, taxes, and the Duke Blue
<GRS01132@appstat.bitnet>               Devils in March.
Appalachian State University            Sweet Repeat in '92
Academic Computing                      Threepeat in '93
Xref: sparky rec.music.misc:14223 alt.music.alternative:3252
From: walters@agar.metaphor.com (Tim Walters)
Newsgroups: rec.music.misc,alt.music.alternative
Subject: Re: Who does grunge version of old tune "In the Pines?"
Date: 13 Apr 92 23:01:35 GMT
Followup-To: rec.music.misc
Organization: Metaphor Computer Systems, Mountain View, CA

In article <1992Apr1.181358.21893@hubcap.clemson.edu> trev@hubcap.clemson.edu (Trevor Bauknight) writes:
>I heard a great version of the old folk song "In the Pines" the other
>day on WUSC, 90.5 FM, Columbia, SC.  It was sort of grungy, like
>maybe it was some Seattle band.  If anybody knows who this might
>be, let me know.  The lyrics go something like:
>
>   True love, true love don't lie to me
>   Tell me where did you sleep last night?
>   In the pines, in the pines, where the sun never shines
>   And you shiver the whole night through.
>

I don't know who does this, but if you like that kind of thing you
should check out Cordelia's Dad, who specialize in the "Husker Du
plays your folk favorites" sound.
-- 
Tim:  walters@mills.edu
-----------------------
"For the dutiful gathered round the deathbed, death-rattles are
so wearisome they fall asleep.  Their snoring sounds similar and
so it is difficult to ascertain who is actually dying.  That is
the relation between bourgeois society and modern music."
                              -- Hanns Eisler, 1928
Newsgroups: rec.music.misc
Subject: Brand X (was Re: he can't dance/he can't sing)
From: doug@doug.ksc.nasa.gov (doug hammond)
Date: 10 Apr 92 11:52:17 EST
 <1992Apr07.211913.5480@crash.cts.com> <12370@auspex-gw.auspex.com>
Organization: NASA - Kennedy Space Center

In article <12370@auspex-gw.auspex.com> johnf@Auspex.COM (John Fereira) writes:
>In article <1992Apr07.211913.5480@crash.cts.com> jester@crash.cts.com (Ken Bibb) writes:
> 
>| He was once an OK drummer, but he now wants Fame and Fortune and to Hell
>| with Quality.
>
>An "OK" drummer?  Take a listen to his work on "The Cinema Show" from
>_Selling England by the Pound_.  During the section in the middle there
>is a keyboard solo.  The drum playing in this section is so tasty that
>I find myself ignoring the keyboards and following Collins instead.  It is
>by far the tastiest piece of drum work that I've heard.  Also take a listen
>to most of _Lamb Lies Down on Broadway_.  Finally, listen to his work with
>Brand X.  

I agree that Phil is a capable drummer.  I have to wonder about Brand X
though.  Admittedly, I only have one of their albums ("Morrocan Roll") but
these guys struck me as being kind of overrated.  Now that I've started a 
deluge of Percy what's his name is God hate-mail I'll offer, maybe this 
release was a low point in their career?

Any recommendations for the "good stuff"?

Doug

Organization: Sophomore, Electrical and Computer Engineering, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.misc
Date: Wed,  8 Apr 1992 02:59:47 -0400 
From: "John A. Fedak" <jf3c+@andrew.cmu.edu>
Subject: Re: Classic Queen
	<92098.165725JPE1@psuvm.psu.edu>

Yo,

>I agree about the "bonus" songs - for the most part they are rather things
>that I have to put up with in order to have Queen on CD.
>What are the "errors" that you're referring to?
>I guess I haven't read any of the lyrics - having already read them a hundred
>times on my old albums...

I'll field this one for you dan,

    The Hollywood CD's contain a number of inexcusable errors.  The two
most noticable are 1) the 1st 5 or so seconds are missing from 'It's
late' on News of the World. and 2) there is a line missing from one of
the chorus' on 'I want it all'.  The whole point of the remastering was
to get rid of crap like this. (EG the track stop error on 'Take my
breath away')
    Combine this with the list of minor but annoying things Hollywood
has done:  The idiotic Classic Queen release and it's track list.  The
'rap' remixes when there are a dozen B-sides out there not easily
available.  The lyric sheet screw ups.  The fact that the use fold out
sheets instead of booklets for some reason.  The lack of all the
promised 'new' artwork.  The fact that every one of their releases has
been a month late.  The fact that GHI is not available in the US at a
time is more popular that it's been in 10 years.  That Live killers
didn't contain a single bonus track.  The fact that A kind of Magic
contained LESS than the older release. I could go on, but you get the
point.

    If I were you, I'd wait for the EMI remasters due out early next
year.  Of the Hollywood's: Queen I&II are worth getting and maybe Day at
the Races.  


    -Feds


*****************************************************************************
*     John A. Fedak    *                                                    *
* jf3c@andrew.cmu.edu  *            Freddie Mercury   1946-1991             *
*                      *                                                    *
*****************************************************************************
Xref: sparky rec.music.misc:14420 alt.rock-n-roll:10106 alt.music.alternative:3422 soc.culture.japan:3527
From: kmagnacca@eagle.wesleyan.edu
Newsgroups: rec.music.misc
Subject: Re: New Floyd Album
Date: 16 Apr 92 17:20:29 GMT
Article-I.D.: eagle.1992Apr16.132029.1
Organization: Wesleyan University

In article <1992Apr15.155511.1972@rose.uucp>, lorne.murphy@rose.com (lorne murphy) writes:
> 
> Date Entered: 04-14-92 06:45
> Any idea on the tentative title for the new PINK FLOYD album???

   Supposedly it's called _Awake on the Verge of Insanity_, but that seems to
be all that's known about it.  Latest word is that it's not due out until
Spetember, but don't expect that to mean anything.
 
> Speaking of Floyd, they haven't been discussed lately.... maybe
> everybody can start arguing aimlessly about their works now! I like
> MEDDLE, ATOM HEART MOTHER, ANIMALS and UMMAGUMMA.

   Let's not.  There's already enough mindless discussion here and on
alt.rock-n-roll.

Karl Magnacca

 __________________________________________________________________
|  "Lastly, I come to China in the hope  |  "Jesus creeping shit!  |
|  of fulfilling a lifelong ambition -   |  We've walked into a    |
|  dropping acid on the Great Wall."     |  time capsule!"         |
 ------------------------------------------------------------------
Newsgroups: rec.music.misc
From: jlwoodal@garcia.warfield.edu 
Subject: Re: Police Ripoff (was: THE TEN MOST OVERRATED...)
Organization: Solar Federation
Date: Tue, 14 Apr 1992 20:03:13 GMT

Sting has also said that there is nothing original at all about
"Every Breath You Take".  He says it is a combination of every song
ever written.  Sting will take an idea, but he has never tried to
take credit where credit isn't due.
From: maes@prl.philips.nl (Maurice Maes)
Newsgroups: rec.music.misc
Subject: Re: Lou Reed boxed set
Date: 8 Apr 92 09:01:35 GMT
Organization: Philips Research Laboratories Eindhoven, the Netherlands

In article <1992Apr7.110059.1@kean.ucs.mun.ca> rpiercey@kean.ucs.mun.ca writes:
>Has anyone heard anything about the new Lou Reed boxed set, _Between
>Thought and Expression_? The last I heard was that it should be 
>released on April 14. What material will be included--will the set
>include VU stuff or just solo material?
>Thanks,
>Robert Piercey

Another rip-off boxed set about 45 songs, of which only a handful
previously unreleased. 90% of the songs is taken directly from other
albums. Nice booklet however, and for people who don't have most regular
albums and who don't want to buy them either, it is a good choice of songs.



Maurice Maes
Newsgroups: rec.music.misc
From: lorne.murphy@rose.uucp (lorne murphy)
Subject: Re: Brand X (was re:
Organization: Rose Media Inc, Toronto, Ontario.
Date: Mon, 13 Apr 1992 15:27:09 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.2)


Date Entered: 04-12-92 14:54
Yes, I agree that NUCLEAR BURN is a great track.

Although to the guy who doesn't like Morris Pert, May I ask why? He really
has written some fantastic tracks for BRAND X, as well as done some
outstanding playing on PETER GABRIEL IV (otherwise known as "SECURITY").

Definately an asset to both!

LM
---
   SLMR 2.1a   %Were we ever colder on that day...a million miles away%
   RM 1.60: Usenet: Rose Media - Hamilton (416) 575-5363
Newsgroups: rec.music.misc
From: lorne.murphy@rose.com (lorne murphy)
Subject: Fish/Marillion info.
Organization: Rose Media Inc, Toronto, Ontario.
Date: Thu, 16 Apr 1992 10:00:27 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.2)


Date Entered: 04-15-92 19:18
FO>First off, a piece of Marillion news. There will be a compilation album from
FO>Marillion later this year, entitled "Six of one and half a dozen of the other
FO>This will feature 6 tracks from Fish-Marillion and 8 from Hogarth-Marillion
FO>which just goes to prove that EMI can't count. Two of the Hogarth era tracks
FO>will be new, specially written for the album.

Wow! This will be a must-buy!!!

FO>A sign of some healing in the rift between them? Unfortunately not. While the
FO>record companies went for the idea, Mark Kelly, Steve Rothery and Ian Mosley
FO>refused, saying that they'll never play on the same stage as Fish for as long
FO>as they live! Pete Trewavas and Steve Hogarth abstained.

That's really too bad... it's unfortunate that bands can end up like
that. I still admire Fish and the old band. "Script for a Jester's
Tear" is an absolute classic... it's uncannily similar to Gabriel
genesis!!!

LM
---
   SLMR 2.1a   %We'll be waiting for the night we
   RM 1.60: Usenet: Rose Media - Hamilton (416) 575-5363
From: dcox@relay.nswc.navy.mil (David Cox)
Newsgroups: rec.music.misc
Subject: Who did "Why Can't You Be Like Endicott"?
Date: 17 Apr 92 16:17:07 GMT
Organization: NSWC

Progressive Rock WHFS of Annapolis used to play this song.
The singer would first parrot several "Endicott does this
and that" lines that his old lady had directed at him, and then
some other voice would come on and say "Whyyyyyy can't you
be,  like Endicott" then the first singer comes back on and 
says "Because I'm free." That's all I remember. Anyone know song,
album, artist name? Thanks

David Cox
dcox@relay.nswc.navy.mil
Newsgroups: rec.music.misc
From: cl231519@ulkyvx.louisville.edu
Subject: RE: # best albums consecutively
Organization: University of Louisville
Date: Tue, 14 Apr 1992 14:46:19 GMT

Here's my 2 cents on the 3 greatest consecutive albums.  Consider this an
adddition to the original poster's list.

YES: The Yes Album, Fragile, Close to the Edge
YES: Fragile, Close to the Edge, Tales from Topographic Oceans
YES: Close to the Edge, Tales from Topographic Oceans, Relayer
YES: Tales from Topographic Oceans, Relayer, Going for the One
(Please pardon my Yes bias)

Genesis: Foxtrot, Selling England by the Pound, The Lamb Lies Down on Broadway

Kansas: Masque, Leftoverture, Point of Know Return


Newsgroups: rec.music.misc,alt.rock-n-roll
From: klg40528@uxa.cso.uiuc.edu (Kevin L. Goodwin)
Subject: Re: A question about Queensryche
Organization: University of Illinois at Urbana
Date: Thu, 9 Apr 1992 17:28:33 GMT

 If you like "Anybody Listening", you'll probably like the whole Empire
 album.  It's mostly in the same vein as that song, some songs being a bit 
 heavier, while some being a bit lighter.  Their songs all contain intelligent
 lyrics.
 Their last album, Operation:Mindcrime is a bit heavier & darker, and is the
 best one if you ask me.  It's a very complex concept album.  I highly   
 recommend it.
 The album before that, Rage For Order, is more on the glam-metal side, but 
 still a good album.
 The first album, The Warning, you probably might not like.  It's not really
 similar to the new stuff at all.  It's pretty heavy, kinda like Iron Maiden.
 I really can't think what to compare it to.  Iron Maiden isn't really a good
 comparison.
 They've also got an EP, simply titled 'Queensryche' which is the heaviest
 of all of them.  It's a lot like the Warning.
 I hope this helped.  e-mail me if you have any specific questions, and I'll
 try to help out

		    Kevin Goodwin (klg40528@uxa.cso.uiuc.edu)
		
Newsgroups: rec.music.misc
From: aa561@cleveland.Freenet.Edu (Bob Nekic)
Subject: Jane Child & Taylor Dayne
Reply-To: aa561@cleveland.Freenet.Edu (Bob Nekic)
Organization: Case Western Reserve University, Cleveland, OH (USA)
Date: Thu, 9 Apr 92 01:29:13 GMT




Does anyone know when the new Jane Child and Taylor Dayne albums will be
out?  Both artists have had new songs on recent soundtracks.
Taylor on Fried Green Tomatoes and a fabulous Jane Child track on the
Freejack soundtrack.

any word on release dates and if those soundtrack songs will be on the
albums?


-- 
     "Poison them, drown them, bash them on the head!"  -Cruella De Vil
                                                         101 Dalmations
                                       
                 [aa561@cleveland.freenet.edu]    Bob Nekic  aa561
From: gajarsky@pilot.njin.net (Bob Gajarsky)
Newsgroups: rec.music.misc
Subject: Re: Tomorrow, Wendy ....
Keywords: Concrete Blonde Wendy Bloodletting
Date: 7 Apr 92 15:20:12 GMT
Distribution: usa
Organization: Somewhere in Hoboken

the original ver sion of "tomorrow wendy" is sung by andy
 prieboy with the lead singer of concret blonde, whose
 name escapes me but i believe it to be j. napolitano.

- bob gaj
Newsgroups: rec.music.misc
From: warrior@next03pg2.wam.umd.edu (Gary Carter Inc.)
Subject: WANTED!!!!!!
Reply-To: warrior@wam.umd.edu
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Fri, 17 Apr 1992 06:10:44 GMT

Has anyone seen a CD or cassingle for the new Black Crowes single  
"REMEDY"?  Any information would be greatfully appreciated.  Thanks....


--
WORLDS BEST ROCK & ROLL:Black Crowes, Pearl Jam, Rush, Yes, The WHO,  
Little Feat, Kensington Silver (hi Jesse!), RTZ/Boston.
******* You & me, we are destined, you'll agree,
   *    To spend the rest of our days together,
   *    The rest of our days forever,
******* Like two lovers,
   *    My Bijou..............
Newsgroups: rec.music.misc