HDTenEightyP/NetNews huggingface dataset:
From: behm@ucsu.Colorado.EDU (BEHM CHRISTOPHER JOSEPH)
Subject: Re: a guitar, 3 chords, and a REQUEST
Organization: University of Colorado, Boulder
Date: Tue, 7 Apr 1992 21:45:56 GMT

In article <72922@netnews.upenn.edu> simmonsb@eniac.seas.upenn.edu (Dazed and Confused) writes:
>In article <1992Apr6.165424.21798@ucsu.Colorado.EDU> behm@ucsu.Colorado.EDU (BEHM CHRISTOPHER JOSEPH) writes:
>
>>	"Helpless" by Niel Young uses the same three chords
>>	and I don't think it ever changes. G D C. The order
>>	is left as an exercise to the reader <8^)
>
>BZZZZTTTTT!!!! Wrong.  "Helpless" goes D A G, the order is right and the rythmn
>is pretty freakin easy to figure out.
>
>
>
	Sorry for the mishap Dazed and Confused. I heard it
	on the radio, noticed it was three chords.  Got the
	progression right but the key wrong so shoot me.
	Oh and by the way ... go freak yourself <8^).

				John Mastrangelo
				ice@ntia.its.bldr.nist.gov
From: simmonsb@eniac.seas.upenn.edu (Dazed and Confused)
Newsgroups: alt.guitar
Subject: Re: a guitar, 3 chords, and a REQUEST
Date: 6 Apr 92 19:20:43 GMT
Organization: University of Pennsylvania

In article <1992Apr6.165424.21798@ucsu.Colorado.EDU> behm@ucsu.Colorado.EDU (BEHM CHRISTOPHER JOSEPH) writes:

>	"Helpless" by Niel Young uses the same three chords
>	and I don't think it ever changes. G D C. The order
>	is left as an exercise to the reader <8^)

BZZZZTTTTT!!!! Wrong.  "Helpless" goes D A G, the order is right and the rythmn
is pretty freakin easy to figure out.



--
-------------------------------------------------------------------------------
"Ah... 911, sorry wrong number, this is 912"      simmonsb@eniac.seas.upenn.edu
     -- Sgt. Wiggum on The Simpsons               University of Pennsylvania
-------------------------------------------------------------------------------
Newsgroups: alt.guitar
From: alib@IASTATE.EDU (Richard A Brown)
Subject: Re: REQUEST : SRV's rendition of "Third STone From the Sun" (EL MOcambo)
Keywords: tab
Reply-To: alib@IASTATE.EDU (Richard A Brown)
Organization: Iowa State University
Distribution: usa
Date: Thu, 16 Apr 1992 07:40:34 GMT

In article <18764@ravel.udel.edu>, abby@ravel.udel.edu (Louis Abbruzzesi)
writes:
> In article <1992Apr14.180941.3940@cbfsb.cb.att.com> kew@cbnewsg.cb.att.com
(steve.w.askew) writes:
> =>In article <14APR199211340594@rosie.uh.edu>, putz@studz.ndit.edu (Weasel,
Shlong) writes:
> =>> 
> =>> I was wondering if anybody has the TAB to SRV's rendition of HEndrix's 
> =>> "Third Stone from the Sun" as played on the _Live from El Mocambo_ video.
> =>
> =>	I would try to tab it, But I dont know how to tab out the part
> =>	were you stand on the body and pull on the neck 8^)
> 
> I think its notated "@#$^%^#%@%$!!##$%" in standard tablature.

Actually, a lot of the more detailed, well-done tab books out nowadays
give explicit verbal descriptions of such antics right there in the tab
at the appropriate place in the tune (e.g. "Pull B string over high E
string and off and around the neck", "Slide microphone stand up and
down strings", "Strum strings behing the nut", "Rapidly flick pickup
selector switch", etc, etc.).  

Anybody have any personal favorite such descriptions?
--
Ali Brown
From: mcdonghj@unix2.tcd.ie (Nascent Virion.....)
Newsgroups: alt.guitar
Subject: WANTED : REM.. TAB.. Green.
Date: 14 Apr 92 11:56:22 GMT
Organization: Trinity College, Dublin

Before anyone starts quoting FTP adresses, 
I don't have FTP access.. 
Could someone please e-mail it if they have it.
Thanks in advance.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-John Mc Donagh.                   ~~                         {Nascent Virion}
mcdonghj@unix2.tcd.ie              ~~                        "In Fear of Fear"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Where's your morals?? Lost with your mind??
 Your head must be where the sun don't shine..." --Babes in Toyland
Newsgroups: alt.guitar
From: dana@next05wor.wam.umd.edu (Arturo A. Gigante)
Subject: More Brian Adams
Keywords: Tab
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Tue, 14 Apr 1992 03:49:48 GMT

Call me a sentimental but my girlfriend love the Brian Adams song from  
Robin Hood.  Yes, I want to sing it to her and yes I am too lazy to figure  
it out.  Does anyone know this song?
Newsgroups: alt.guitar
From: ebshen@athena.mit.edu (Eric B Shen)
Subject: Re: my dog has fleas (was TAB: "Gloria" (U2) intro
Organization: Massachusetts Institute of Technology
Date: Thu, 16 Apr 1992 17:00:47 GMT

In article <1992Apr16.123657.27460@descartes.waterloo.edu>, elee@descartes.waterloo.edu (Salty Freckles) writes:
|> In article <167CAEB11.MHIRS00@ricevm1.rice.edu> MHIRS00@ricevm1.rice.edu (Hirsh, Marc Bennett) writes:
|> >
|> >BTW, could someone explain this "My dog has fleas" business to me? I've never
|> >taken lessons, but I imagine it has something to do with tuning a guitar.
|> 
I sent a reply to the original author, but to summarize here:

"My dog has fleas" is used to tune such instruments as violins, violas, and
cellos.  They have four strings tuned perfect fifths apart.  For violin the
strings are from low to high: G D A E.  The melody would be sung "My(D) dog(G)
has(A) fleas(E)."  This is NOT a serious way of tuning the instrument, just a fun
way to goof off, really, because the melody is kind if whiney/sick sounding.

By the way, I guess you could change the melody to tune your guitar (to fourths).
 But I really don't think you'll want to tune this way...

Eric Shen
ebshen@athena.mit.edu
Newsgroups: alt.guitar
From: st1hz@rosie.uh.edu (Meyers, David C.)
Subject: One last Question about Chords, SCales, Modes, Inetervals,..
News-Software: VAX/VMS VNEWS 1.41    
Organization: University of Houston
Date: Tue, 7 Apr 1992 15:05:00 GMT

First Off, thanks to all who have sent me mail and posted responses about
chords, scales, etc... I'm starting to learn all about intervals, modes, etc.
 I have one more question regarding chords. I know what A/C# looks like and
I can figure out why it is called that, what I was wondering is how you
"say" that chord.
Thanks...  

----------------------------------------------------------------------
-  "for it is one thing to see the land of peace from a wooded       -
-      ridge...and another to tread the road that leads to it."      -
-         -st. augustine, confessions, VII, xxi                      -
----------------------------------------------------------------------
-         David ---->   st1hz@jane.uh.edu			     -
----------------------------------------------------------------------
		
Newsgroups: alt.guitar
From: cbray@isis.cs.du.edu (chris bray)
Subject: Chords wanted for TMBG
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Tue, 7 Apr 92 21:07:27 GMT

Hello there. I was wondering if anyone knew any chords to any
songs off of either "Lincoln" or "Apollo 18" by
They Might Be Giants

Thanks...
Chris Bray
csb1@engr.uark.edu

Newsgroups: alt.guitar
From: walker@eplrx7.es.duPont.com (Scott Walker)
Subject: She Talks To Angels (again)
Organization: DuPont Central Research & Development
Date: Tue, 14 Apr 1992 14:45:40 GMT

One more thing on this song, please.  Could someone please tab out the
little riff in the middle of this song before the last verse?  I can't
quite get it myself.  This is how I play the verse chords (which seems
to be different from everyone else:

  E           ?
 -0-         -0-
 -0-         -0-
 -1-         -2-
 -2-         -2-
 -2-         -0-
 -0-         -0-

Thanks!
  Scott

Newsgroups: alt.guitar
From: friedman@col.hp.com (John Friedman)
Subject: Re: 4-track question
Date: Wed, 8 Apr 1992 04:48:01 GMT
Organization: HP Colorado Springs Division

I looked at both.  I bought the Tascam.  dbx is VERY helpful.  So far, I've
been very pleased with the deck.

John Friedman
friedman@col.hp.com
From: zazula@bonehead.tucson.az.us (Ralph Zazula)
Newsgroups: alt.guitar
Subject: Bill Connors sheet music?
Date: 14 Apr 92 10:08:42 GMT
Distribution: world,local


Hi -

Is this a new group? Never saw it before in my browsings of the news...

Anyway, does anyone know where I might find transcriptions to any albums by  
Bill Connors?  Also, has anyone heard of any work that he's done lately?  We've  
had to special order his albums on CD and haven't heard of any new work from  
him.

Thanks!  
Ralph

--
 |------------------------------------------------------------------|
 | Ralph Zazula                           "Computer Addict!"        |
 | University of Arizona                                            |
 | zazula@bonehead.tucson.az.us           (NeXT Mail)               |
 |------------------------------------------------------------------|
From: avedian@eniac.seas.upenn.edu (Jonathan R Avedian)
Newsgroups: alt.guitar
Subject: Peavy Classic info wanted
Date: 16 Apr 92 18:58:44 GMT
Organization: University of Pennsylvania

I just bought a Peavy Classic VT tube amp with 2 12" speakers, reverb,
and phaser (really cool effect!) for $169.  I almost bought a new 
Fender Eighty-Five.  I'm gald I didn't.  The PV has awesome tone.  This
is my first amp and I don't think I will ever get a solid state amp.  
Tube distortion is so sweeeeeeet!

I was told it was 100 watts, but I am not sure, it only has two 6L6's.  
Anybody know anything else about this amp?

It has a jack for a footswitch, but there wasn't one with it.  It is an old
amp, the footswitch jack looks like an old DIN jack - five or six little
holes.  What does the footswitch control, and does anybody know where I can 
get one?  From a small schematic on the back, I think it switches gain
controls.  There are four inputs on the front: Bright, Normal 1 & 2, and
something to the effect of combined.  There are two gain knobs: bright and 
Normal, and a master.

Any help or info would be greatly appreciated.  
8+)

Jonathan Avedian
avedian@eniac.seas.upenn.edu
From: ksand@apple.com (Kent Sandvik)
Newsgroups: alt.guitar
Subject: Re: Just some things I wanted to get off my chest (All welcome!!)
Date: 11 Apr 92 18:12:26 GMT
Organization: MacDTS Mongols

In article <1992Apr2.180608.12199@acsu.buffalo.edu>,
v077kk6q@ubvmsb.cc.buffalo.edu (Steven F Candela) writes:
> Anyways, about three months, the fourth of this group got himself a guitar,
and
> he is probably going to drive me insane.  Let me say first off, not that this
> matters, I can thoroughly outplay him.  But, being a good guy, I taught him 
> some songs.  His whole life revolves around showing off his guitar "skills."
> No matter what song comes on the radio, he will inevitably tell any girls in
> the vicinity that he can play it, or a song by the same group, or a similar 
> song, or a song he heard on the same station four days ago.  And he will 
> invetiably bring his guitar with him to almost any place we go.  Then, when
> I don't play becauser i feel stupid "competing," he'll be all smug and tell
> people I shuck, which I do, but HEY, only I can say that!!!

That sounds silly, competing with music... I guess this is an issue that
always happens with young aspiring musicians. Unfortunately barely few
could outmatch Satriani, Vai and the rest. So why bother. Instead spend
more time refining your *personal* style so if someone listens to a song
on the radio they could immediately say that 'it is Foo Bar who plays
the solo!'.

Cheers,
Kent
Newsgroups: alt.guitar
From: ccb@axemax.zk3.dec.com (Senor Bennett)
Subject: Re: Dating Ricks?
Organization: Digital Equipment Corporation - Nashua, NH
Distribution: usa
Date: Mon, 6 Apr 1992 19:13:34 GMT


Rick dates:

	Serial number of a Rick bass that I had was MF 2443. The
instructions that I had for dating the bass were as follows:

	The two letters are the date code: the first letter represents
	the number of years since 1960, the second letter represents the
	month of the year. The bass with the serial number above is from
	June, 1973.

Hope that Helps
ccb  

-- 

The opinions expressed are those of the author and do not represent the
opinion of DEC's UNIX Engineering Group or Digital Equipment Corp.
-------------------------------------------------------------------------------
Charlie Bennett, UNIX Engineering	| "What the hail is that thing?"
Digital Equipment Corporation		|		- Steve Martin
110 Spitbrook Road, ZKO3-3/X18		| "Everybody needs somebody sometime"
Nashua, NH 03062	603.881.0360	|		- Dean Martin
-------------------------------------------------------------------------------
From: jgray@laguna.eng.uci.edu (Jeff Gray)
Subject: Great Kat / Alice Cooper's "Be (Feed?) My Frankenstein"
Newsgroups: alt.guitar
Organization: University of California, Irvine
Date: 14 Apr 92 00:18:51 GMT
Distribution: na

It's kinda funny, every time I hear The Great Kat's name mentioned it's 
usually followed by some comment like (YUCK!).  What's the deal, why
is she (she's a she, right) so horrible?  I haven't heard her stuff
which is why I'm asking.

Also, on Alice Cooper's song "Be (or is it Feed?) My Frankenstein"
the guitar solo has 3 distinct sections.  The middle section is
obviously Steve Vai, and the last one is Satriani, but who plays
that first section?
--
Jeff Gray
Dept of ECE, University of California, Irvine
jgray@balboa.eng.uci.edu
Newsgroups: alt.guitar
From: hamlet@cheshire.oxy.edu (David Dominic Papandrew)
Subject: Theory
Followup-To: Theory?...
Summary: Theory
Keywords: theory misunderstood
Organization: Occidental College, Los Angeles, CA  90041
Distribution: usa
Date: Tue, 14 Apr 1992 06:52:09 GMT

> All great music comes from the soul...
> Not from Theory books!

Really guys, this is just the kind of comment that is so revealing of basic
misconceptions about music theory.  Music theory is merely a tool.  It is a 
means through which one can achieve a greater understandin of the basic inner
workings of music.  Theory didn't beget music - music necessitated a need for a
comprehensive set of rules and axioms by which the composer/performer could
better understand his/her medium.

Comments like those made above reveal a certain deal of ignorance...it implies
that music theory detracts from real inner "music" of the soul somehow...
How can this be?
Theory can only add to one's understanding...it's but another perspective on
a very broad idea we call music.
At the same time music theory is extremely valid...for while i agree with the
above mentioned comment that "all great music comes from the soul..." - I also
acknowledge...(and hope there are others that do the same) that great music
came from individuals that have had a complete grasp of the idiom in which
they were working...Brahms, Beethoven, Bach...all so different, and yet all 
understood the music of their contemporaries and predecessors because they
understood the language of music - in part through the help of music theory...
so while i wholeheartedly agree that music may not come "theory books" i am not
able to discount the usefullness of theory altogether...
Theory is a tool - don't be afraid of it...use it...it's meant to be used

Dave - (hamlet@cheshire.oxy.edu)

	First of all be a good craftsman...this cannot prevent you
	from becoming a genius  
			- Rodin
		(if only more people would follow this man's advice...)
Newsgroups: alt.guitar
From: behm@ucsu.Colorado.EDU (BEHM CHRISTOPHER JOSEPH)
Subject: Re: a guitar, 3 chords, and a REQUEST
Organization: University of Colorado, Boulder
Date: Mon, 6 Apr 1992 16:54:24 GMT


	"Helpless" by Niel Young uses the same three chords
	and I don't think it ever changes. G D C. The order
	is left as an exercise to the reader <8^)

				John Mastrangelo
				ice@ntia.its.bldr.nist.gov


Newsgroups: alt.guitar
From: sergeb@within.ugcs.caltech.edu (Serge Belongie)
Subject: Need help with Pinball Wizard
Organization: California Institute of Technology, Pasadena
Date: Thu, 16 Apr 1992 16:43:34 GMT

I once learned but have since forgotten the series of chords at the
beginning of "Pinball Wizard."  I think the main part is just B and
Bsus4, but those chords at the beginning I think were somewhat non-
standard.

Thanks
--
|Serge Belongie                 e-mail: sergeb@caltech.edu |
|"I saw a werewolf drinking a pina colada at Trader Vic's. |
|       His hair was PERFECT."                             |
|    				-Warren Zevon              |
From: sarisky@a.chem.upenn.edu (Mark J. Sarisky)
Newsgroups: alt.guitar
Subject: Re: Questions: Tubelike distortion, Wa Wa / Env. Filters, Compr/Limiters
Date: 8 Apr 92 16:45:23 GMT
Distribution: usa
Organization: University of Pennsylvania

In article <1992Apr8.162543.19341@news.media.mit.edu> ereidell@media.mit.edu (Evan A. Reidell) writes:
>
>P.S. Does anyone know what chain / combination of effects Prince uses to
>get his howling, screeching solos?  Anyone familiar with Prince guitar
>music and how he makes it sound that way using 6 strings, email me directly?

Prince uses Mesa/Boogie Collisium 300 Simul-class Amps.  These are 200W Boogies
designed for seriously loud playing.  The power amp uses 4 6L6's and 2 EL-34s
and can produce amazing amounts of sustain and feedback.  He also seems to use
some sort of compression, but I am not exactly sure how or what kind of unit.
Part of his sound also comes from the custom guitars he plays which are a bit
'undersized' compared to the standard.  And then, of course, there are his
fingers. . .

Mark
From: dbw@svl.cdc.com (Dave Woerner)
Newsgroups: alt.guitar
Subject: Re: TAB: "Gloria" (U2) intro
Date: 17 Apr 92 19:24:28 GMT
Article-I.D.: shamash.41265

ferg@brahms.udel.edu (Christopher Ferguson) writes:

>In article <1992Apr16.123657.27460@descartes.waterloo.edu> elee@descartes.waterloo.edu (Salty Freckles) writes:
>>In article <167CAEB11.MHIRS00@ricevm1.rice.edu> MHIRS00@ricevm1.rice.edu (Hirsh, Marc Bennett) writes:
>>>
>>>BTW, could someone explain this "My dog has fleas" business to me? I've never
>>>taken lessons, but I imagine it has something to do with tuning a guitar.
>>
>>I'm not sure, but I think it was originally meant to tune a banjo, or some
>>other 4-stringed instrument. Each word has a certain pitch it is sung in, which 

>I'm not sure about a banjo, but a Ukelele (I can't spell it) is tuned that way.
>Are a banjo and the instrument I just mentioned tuned the same way?

>ferg
The 5-string banjo is usually tuned G D G B D where the first D (the
"5th string" is G above the guitar's high E.  The rest are the same
as the high four strings of a guitar with the E tuned down to D.  The
"5th string" is re-tuned whenever the banjo player capos - it only
goes to about the 5th or 6th fret, so it isn't covered by the capo.

I think a 4 string is tuned the same, omitting the "5th string".  I
think the Uke is the source of the fleas.

Dave
From: colon@ucbeh.san.uc.edu
Newsgroups: alt.guitar
Subject: ex
Date: 15 Apr 92 05:57:21 GMT
Distribution: na,world
Organization: Univ. of Cincinnati

In article <1992Apr11.174835.11060@ux1.cts.eiu.edu>, cfrbj@ux1.cts.eiu.edu (Bob Jorstad) writes:
> 	I recently saw a used 12 string Ovation for sale ($250). Is this a
> good deal or a rip off?  The instrument was in decent but not cherry shape
> and seemed to play all right.  There is a case that goes with the guitar.
> There were 2 "wear marks" on the plastic back like  it had been rubbed by
> a belt bickle perhaps and the wood front was in desparet need of some
> polish.
> 	Any comments?  Thanks for the info.
> 		BOB
> 

- Just bought a used Ovation 12 myself, for about that price.  No wear marks,
though.  The nice thing, purportedly, about the ovations is that they are
virtual tanks, able to withstand punishment and standard E tuning without going
boom, the problem with most 12 strings.  I like the sound of mine, but note
that they are STILL very hard to tune - its still a 12 string. :)
Karl Colon
From: v122pewm@ubvmsb.cc.buffalo.edu (C.S. Flunky)
Newsgroups: alt.guitar
Subject: FTP sites?
Date: 8 Apr 92 21:21:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41


	Does anyone out there have a fairly comprehensive list of FTP sites 
with chords and tab?  If you do, could you please post them.  Anyone with 
single FTP site info could send it to me and I would put together a list to
post for all.  


					Thanx,
					   Brian
					"A wondering mistrel I"
From: kew@cbnewsg.cb.att.com (steve.w.askew)
Newsgroups: alt.guitar
Subject: Re: Les Paul
Summary: Les Paul Recording Pioneer
Date: 6 Apr 92 18:42:34 GMT
Distribution: usa
Organization: AT&T

In article <1992Apr5.201642.25928@galileo.cc.rochester.edu>, fkam_ltd@uhura.cc.rochester.edu (Kevin McFadden) writes:
> 
> 	By the subject title you might think that I am continuing the
> guitar thread, but I am not.  I am in fact wondering what Les Paul
> did for the production/recording industry.  It is supposedly pretty 
> revolutionary.
> 
> 
> Kevin

	How about multitrack recording .

	Steve 
	Doin That Blues ThAng!
	Come on down to the Sippen E-Z
Newsgroups: alt.guitar
From: djm@eng.umd.edu (David J. MacKenzie)
Subject: Re: Rockman problems; Zoom comparison? (was Re: distortion boxes?)
Date: Mon, 13 Apr 92 16:31:34 GMT
Organization: Project GLUE, University of Maryland
	<1992Apr10.212152@IASTATE.EDU>

> I will probably ditch my Rockman for a Zoom9002/0 eventually. Can any Zoom
> owners attest to the physical durability (or lack thereof) of their units?

I've had a 9002 for about a year and a half now, using it mostly for
home recording so it didn't suffer much abuse.  I haven't had any
reliability or breakdown problems.  It does seem rather noisy
electrically, but that might just be the wiring in my home -- my
Peavey Backstage amp hums pretty badly at home too, but not in other
places I've used it.

My main complaint with the 9002 is the battery life.  It has a builtin
rechargable battery that seems to have a life of about 20 minutes.
The manual recommends only leaving the AC adapter plugged in for 3
hours or less (if I remember right), but I sometimes ignore that --
the battery life is just too short, and I can't afford to have it
flake out on me at unpredictable times.

Also, forget about using the Zoom as a Rockman, i.e. just plugging in
a pair of headphones.  The builtin amplifier is way too weak to get a
decent level.  I plug it into my home stereo system's aux input and
run headphones from that to practice, or into my Tascam 488 to record.
It works fine in those contexts.

I really like the Zoom.  For the money, it's a great effects box.
--
David J. MacKenzie <djm@eng.umd.edu> <djm@ai.mit.edu>
From: glarson@polyp.micro.umn.edu (Greg Larson)
Newsgroups: alt.guitar
Subject: More Envelope Decay
Date: 8 Apr 92 07:04:17 GMT
Article-I.D.: news2.1992Apr8.070417.22263
Organization: University of Minnesota CIS

Sometimes I want distortion without the compression side-effect.  Just 
being able to follow the envelope of the original guitar signal would
be sufficient.  Does anyone sell an "envelope-follower" that will take
two inputs, and modulate the envelope of one signal with the other?
Even better, is there anything available that would allow you to make
adjustments to the decay rate, or perhaps have an "inverse compression"
effect?  What I want is a rhythm guitar with distortion and a choppy,
acoustic-guitar-like envelope.

Thanks, Greg.
Newsgroups: alt.guitar
From: larryh@cabezon.uucp (Larry Huntley)
Subject: Re: THEORY . .?
Organization: Logic Modeling Corporation / Beaverton OR & Milpitas CA
Date: Tue, 14 Apr 92 23:53:56 GMT

In article <1992Apr14.161344.4835@cas.org> lrm28@cas.org () writes:
>
>Whether you know it or not, you're using theory already.  What's the
>difference between a maj7 chord and a 7th chord?   See?
                                                    ^^^^
>-- 
>Luke Mayercin   lrm28@cas.org  "Why is there an ON/OFF switch on my U.P.S?"

	This was a great hook.  Well put, Luke.

-- 

    Larry Huntley / Logic Modeling Corporation / Beaverton  OR
    Fire and Chains and/Fire and Chains and/Fire and Chains and...
                      [Stop Continental Drift!]
Newsgroups: alt.guitar