HDTenEightyP/NetNews huggingface dataset:
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:You've Got a Friend (Author unknown)
Date: 12 Jan 93 23:36:33 GMT
Organization: Chevron






                  YOU'VE GOT A FRIEND




                     AM        E7              AM        E7       AM
	WHEN YOU'RE DOWN AND TROUBLED AND YOU NEED SOME LOVE AND CARE
             DM7      G7                C         C
	AND NOTHING, NOTHING IS GOING RIGHT.
         E7                                  AM     E7       AM
	CLOSE YOUR EYES AND THINK OF ME AND SOON I WILL BE THERE
             DM7    G9                 DM7     G7
	TO BRIGHTEN EVEN YOUR DARKEST NIGHT.


                 CMAJ7                    FMAJ7 
CHR.    YOU JUST CALL OUT MY NAME AND YOU KNOW WHEREVER I AM 
                   CMAJ7              G7SUS
	I'LL COME RUNNING TO SEE YOU AGAIN.
         CMAJ7                          FMAJ7      
NTER, SPRING, SUMMER OR FALL, ALL YOU HAVE TO DO IS CALL
                CMAJ7     G7                C  /  /  /  F  /  E7  /
	AND I'LL BE THERE.   YOU'VE GOT A FRIEND.


        AM           E7            AM     E7       AM
	IF THE SKY ABOVE YOU GROWS DARK AND FULL OF CLOUDS
                 DM7        G7              C
	AND THAT OLD NORTH WIND BEGINS TO BLOW
         E7                          AM      E7       AM
	KEEP YOUR HEAD TOGETHER AND CALL MY NAME OUT LOUD
         DM7                  G9              DM7      G7
	SOON YOU'LL HEAR ME KNOCKING AT YOUR DOOR.


	CHR.


             EB                          F
	NOW AIN'T IT GOOD TO KNOW THAT YOU'VE GOT A FRIEND
              C                               F             EB
	WHEN PEOPLE CAN BE SO COLD.  THEY'LL HURT YOU AND DET YOU 
             AM                    D7
	AND TAKE YOUR SOUL IF YOU LET THEM. 
                FMA              G7
	OH, BUT DON'T YOU LET THEM.


	CHR.
From: gt6779c@prism.gatech.EDU (CARR)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REM - Drive
Date: 6 Jan 93 05:53:15 GMT
Organization: Georgia Institute of Technology

Could/would anyone post tablature for 'Drive' 
by R.E.M.?   - if possible
    ( many thanks )

-- 
JOHNSON,MASON CARODINE JR
Georgia Institute of Technology, Atlanta Georgia, 30332
uucp:	  ...!{decvax,hplabs,ncar,purdue,rutgers}!gatech!prism!gt6779c
Internet: gt6779c@prism.gatech.edu
From: jkirby@ua.d.umn.edu (/kur'- bee/)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:  Don't Pass Me By (Beatles)
Date: 7 Jan 1993 14:09:24 -0600
Organization: University of Minnesota, Duluth
Distribution: world
NNTP-Posting-Host: ua.d.umn.edu

I've gotten so much from this group, It's time I gave something back.

Here's an easy tune that I don't recall ever seeing here.
There may be a few innaccuracies so I take full blame.  Just direct your
flames to /dev/null.  I'm sure to get it then.
| / | |~~\ |~~\ \ /     ______is_________________________jkirby@ub.d.umn.edu
|(  | |__/ |--<  |  	She's got a mortgage on my body
| \ | |  \ |__/  |      Got a lien on my soul.		-- Robert Johnson

			Don't Pass Me by
				as performed by the Beatles
  C
I listen for your footsteps comming up the drive.
  F
I listen for your footsteps but they don't arrive.
    G
I'm waiting for your knock dear, on my old front door
        F					   C
I don't hear it. Does it mean you don't love me anymore?

I hear the clock a-tickin' on the mantle shelf.
I see the hands a-movin' but I'm by self.
I wonder where you are tonight and why I'm by myself
I don't see you.  Does it mean you don't love me anymore?

CHORUS
	C
	Don't pass me by, don't make me cry, don't make me blue,
	C		F
	'Cause you know darlin' I love only you.
	F	     C
	You'll never know you hurt me so.
	C
	I'd hate to see you go.
	C	      G
	Don't pass me by.
	G	      F		C
	Don't make me cry.

I'm ssorry that I doubted you, I was so unfair.
You were in a car crash and you lost your hair.
You said that you would be late, about an hour or two.
I said that's alright I'm waiting here just waiting to hear from you.

  CHORUS

{ Spoken } One, two, three, four, five, six, seven, eight.
{percussion}

Do the chorus one more time but add an extre measure (4 beats) betwen "..see
you go." and "Don't pass me by."

There's also a buncha really hip violin stuff but I can't transcribe that so
somebody else should (hint, hint).

Newsgroups: rec.music.makers.guitar.tablature
From: misha@abacus.uucp ( MISHA GLOUBERMAN )
Subject: Re: REQ: Cohen/Smiths/VU Chords
Organization: Cicma, Concordia University, Montreal, Quebec
Date: Sat, 9 Jan 1993 08:16:09 GMT

Cmaj7    Fmaj7
Here she comes
 
Cmaj7                   FMaj7
You'd better watch your step
 
Cmaj7          F                   Dm        G
She's going to break your heart in two, it's true
 
Cmaj 7              Fmaj7
It's not hard to realize
 
     Cmaj7                       Fmaj7
Just look into her false colored eyes
 
Cmaj7            F                  Dm          G
She'll build you up to just put you down what a clown
 
 
                C
Cause everybody knows           (She's a Femme Fatale)
 
F                      C 
The things she does to please     "         "    " 
 
F                   C    
She's just a little tease         "         "    "
 
F               Dm
See the way she walks
 
                 Bb
Hear the way she talks
 
 
 
G
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:The First Time (Author unknown)
Date: 12 Jan 93 23:30:38 GMT
Organization: Chevron


 





            THE FIRST TIME

         D         Em  A       D
	THE FIRST TIME EVER I SAW YOUR FACE
                      F#m               Em   A
	I THOUGHT THE SUN ROSE IN YOUR EYES
                 D         Em  A         D
	AND THE MOON AND STARS WERE THE GIFT YOU GAVE
                C                   D
	TO THE DARK AND THE EMPTY SKIES  MY LOVE
                C                   D
	TO THE DARK AND THE EMPTY SKIES

	THE FIRST TIME EVER I KISSED YOUR LIPS
	I FELT THE EARTH MOVE IN MY HAND
	LIKE THE TREMBLING HEART OF A CAPTIVE BIRD
	THAT WAS THERE AT MY COMMAND MY LOVE
	THAT WAS THERE AT MY COMMAND

	THE FIRST TIME EVER I HELD YOU NEAR
	AND FELT YOUR HEART BEAT CLOSE TO MINE
	I FELT A JOY TO FILL THE EARTH
	 LAST TILL THE END OF TIME MY LOVE
	AND LAST TILL THE END OF TIME.
Newsgroups: rec.music.makers.guitar.tablature
From: soh@gdstech.grumman.com (Scott O'Hare)
Subject: Re: CRD: Suffragette City
Keywords: Suffragette, Bowie
Reply-To: soh@gdstech.UUCP (Scott O'Hare)
Organization: Grumman Data Systems-Woodbury
Date: Fri, 8 Jan 1993 21:22:15 GMT

In article <1i7ceoINNr9l@network.ucsd.edu> mbreen@sdacs.ucsd.edu (Michael Breen) writes:
>In article <1JAN199314564399@scsuc.ctstateu.edu> brenckle@scsuc.ctstateu.edu (BRENCKLE,NICHOLAS) writes:
>>Hey Man, I gotta
>>Straighten my face This mellow thighed chick just put my
>[rest of Bowie's "Sufferagette City" deleted]
>
>This brings up an interesting discussion:
>
>My friends and I always argued that Bowie says "mellow black chick",
>but all printed version of lyrics refer to a more "PC" "mellow-thighed
>chick".
>
>Any opinions one way or the other?  If you've got good ears, give it
>a listen.  I think I've got good ears, and I hear "black".
>

I've always thought it was "malefact chick", and will be REAL disappointed 
if that turns out to be wrong... I'm not real impressed by Bowie, but I've 
always loved that line.

soh
-- 
---------------------------------------------------------------------
- Scott O'Hare (soh@gdstech.grumman.com)                            -
---------------------------------------------------------------------
From: darsie@eecs.ucdavis.edu (Richard Darsie)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: Aragon MilL
Date: 6 Jan 93 18:30:21 GMT
Organization: University of California, Davis

In article <1993Jan5.181313@grug06.nor.chevron.com>, oldp@grug06.nor.chevron.com (Lawrence Perry) writes:
> 
> 
> 
> 
> 
>                              ARAGON MILL
>                                         
        [lyrics/chords deleted]

You should probably have mentioned that the song was written by Si Kahn.

Richard
Newsgroups: rec.music.makers.guitar.tablature
From: lsh1@cec2.wustl.edu (Lara S. Hughes)
Subject: Summer, Highland Falls - Billy Joel
Organization: Washington University, St. Louis MO
Date: Tue, 5 Jan 1993 23:22:43 GMT

                   SUMMER, HIGHLAND FALLS   (Billy Joel)

Intro:  F(no 3)  Fmaj7    Gm7    Bb+2
        Am7      C        Bb+2
              F                 Fmaj7
They say that these are not the best of times
    Gm7                Bb+2               F  Fmaj7  Gm7  Bb+2
But they're the only times I've ever known
        F                Fmaj7         Gm7
And I believe there is a time for meditation
     Bb+2               C  G C
In cathedrals of our own
A7       Dm               C            Bb+2        F
Now I've seen that sad surrender in my lover's eyes
    G7sus      G7              Csus      C
And I can only stand apart and sympathize
           Bb              F            Gm7
For we are always what our situations hand us
            C         Bb+2     Eb  Bb
It's either sadness or euphoria

So we'll argue and we'll compromise
And realize that nothing's ever changed
For all our mutual experience
Out separate conclusions are the same.
Now we are forced to recognize our inhumanity
Our reason coexists with our insanity
And though we choose between reality and madness
It's either sadness or euphoria

    Dm               C             Bb+2    F
How thoughtlessly we dissipate our energies
   G7sus            G7                Csus     C
Perhaps we don't fulfill each other's fantasies
          Bb             F             Gm7
And as we stand upon the ledges of our lives
           C            Bb+2    Eb  Bb
With our respective similarities
            C         F       
It's either sadness or euphoria.

  Chords: E A D G B e
A7        x 4 2 0 2 0
Am7       x 0 2 0 1 0
Bb        x x x 3 3 1
Bb(add 2) x 1 3 3 1 1
C         x 3 2 0 1 0
Csus      x 3 3 0 1 1
Dm        x x 0 2 3 1
Eb        x x 5 3 4 3
F         x x 3 2 1 1
F(no 3)   1 3 3 x 1 1
Fmaj7     x 0 3 2 1 0
G         3 2 0 0 0 3
G7        3 2 0 0 0 1
G7sus     x x 0 0 1 1
Gm7       x x 3 3 3 3
-- 
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~Lara Hughes  lsh1@cec2.wustl.edu ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
You mean... you'll put down your rock, and I'll | Someday we'll find it, the
put down my sword, and we'll try to kill each   | Rainbow Connection, the
other like civilized people? -The Princess Bride| lovers, the dreamers, and me.
From: gt6779c@prism.gatech.EDU (CARR)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Drive Lyrics
Date: 6 Jan 93 16:11:56 GMT
Organization: Georgia Institute of Technology

BTW, the lyrics to Drive by REM
are little bit wrong, her are the corrections

Tit tot tit tot...    --->   tick tock tick tock
  : in reference to the clock in the lyrics. 
   

Ali,Ali,Ali, ...      --->   Ollie, Ollie, ...
   : in reference to an early children's game of tag
        " Ollie,Ollie,Ollie,Oxen get off my father's apple tree"

 - just for anyone's information


-- 
JOHNSON,MASON CARODINE JR
Georgia Institute of Technology, Atlanta Georgia, 30332
uucp:	  ...!{decvax,hplabs,ncar,purdue,rutgers}!gatech!prism!gt6779c
Internet: gt6779c@prism.gatech.edu
From: hoffmann@rwzl01.zld.rws.nl (Rob Hoffmann)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ: "Loosing my religion" by R.E.M.
Keywords: lyrics
Date: 11 Jan 93 11:26:36 GMT
Organization: Dutch Min. of transport Zeeland, Middelburg

Anyone?
Newsgroups: rec.music.makers.guitar.tablature
From: doit@ihspb.ih.att.com (45261-Roeseler)
Subject: Re: REQ: Cohen/Golden Earring?
Reply-To: a.roeseler@att.com
Organization: AT&T Bell Laboratories
Date: Thu, 7 Jan 1993 22:47:50 GMT
Originator: doit@ihspb


In article <875.3625.uupcb@synapse.org>, frank.palcat@synapse.org (Frank Palcat) writes:
|> To: rec.music.makers.guitar.tablature
|> From: frank.palcat@synapse.org
|> 
|> Hello,
|> 
|> Would anybody be willing to post or e-mail me the tab/chords to:
|> 
|> First We Take Manhattan (by Leonard Cohen)
|> Twilight Zone (by Golden Earring, I think)?
|> 
|> Thanks.
|> 
|> Regards,
|> Frank
|> e-mail: frank.palcat@synapse.org
|> 
|> 
|> ---
|>  . WinQwk 2.0b#0 . Unregistered Evaluation Copy
|>      

Twilight Zone:
Verse: Bm Em F#  (all power chords)
Chorus: Bm A G F# (again, all power chords) last time: G Em

The lead is in Bm; I figured it out, but never transcribed it.
Not too hard. I like to throw in a #4 (E#) for a more `bluesy' sound.

Enjoy,

Armin
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:Fire and Rain (Author unknown)
Date: 12 Jan 93 23:29:24 GMT
Organization: Chevron






	                          FIRE AND RAIN


	         D              Am7                  G            D
		JUST YESTERDAY MORNING THEY LET ME KNOW YOU WERE GONE
	        D            A                  Cmaj7
		SUSAN THE PLANS THEY MADE PUT AN END TO YOU
	        D                  Am7            G                D
		I WALKED OUT THIS MORNING AND I WROTE DOWN THIS SONG
	        D             A               Cmaj7
		I JUST CAN'T REMEMBER WHO TO SEND IT TO


        	 G         Em7      A7        D
	CHR:    I'VE SEEN FIRE AND I'VE SEEN RAIN
                       G    G/F#              Em7          A7    D
		I'VE SEEN SUNNY DAYS THAT I THOUGHT WOULD NEVER END
	                   G      G/F#         Em7       A7       D
		I'VE SEEN LONELY TIMES WHEN I COULD NOT FIND A FRIEND
	               C       G/B             Am7       D9
		BUT I ALWAYS THOUGHT THAT I'D FIND YOU AGAIN.

	         D                     Am7
		WON'T YOU LOOK DOWN UPON ME JESUS YOU'VE 
	                 G              D
		GOT TO HELP ME MAKE A STAND
	         D                  A                Cmaj7
		YOU'VE JUST GOT TO SEE ME THROUGH ANOTHER DAY
	         D            Am7        G          D
		MY BODY'S ACHING AND MY TIME IS AT HAND
	         D           A            Cmaj7
		AND I WON'T MAKE IT ANY OTHER WAY


		CHORUS

	                D                     Am7
		NOW I'M WALKING MY MIND TO AN EASY TIME
	              G                       D
		MY BACK TURNED TOWARDS THE SUN
	         D                  A/D                    C
		LORD KNOWS WHEN THE COLD WIND BLOWS IT'LL TURN YOUR HEAD AROUND
	           D                               Am7
		WELL THERE'S HOURS OF TIME ON THE TELEPHONE LINE TO 
	         G/D                  D
		TALK ABOUT THINGS TO COME
	          D               A/D                C/D
		SWEET DREAMS AND FLYING MACHINES IN PIECES ON THE GROUND


		CHORUS
Newsgroups: rec.music.makers.guitar.tablature
From: etlcrcy@bugs.ericsson.se (Chris Cleverly)
Subject: Re: REM - Drive
Organization: Ericsson Cellular Division
Date: Wed, 6 Jan 1993 09:28:13 GMT



 In request for 'Drive' by REM, I was going to tab it out last night but just quite never got around to it.  But here is a rough version from a very fuzzy memory...


Riff:

e ------1------1--------
B --------3------3------
G -----------------2----   Or something very close to that
D ----0------0----------    ie a picked out Dm chord.
A ----------------------
E ----------------------


Verse:

  Chords are;  Dm Dm  G  G  Dm Dm  G  G

Chorus:

  Chords are;  Fm Em  G  G  Em Em  G  G


 Well that should give you a rough idea to enable you to play the song.  All chords are simply played in the lower fret positions.  Hope this helps.


--
---------------------------------------     \\\\
| Chris Cleverley,                    |      . .
| eltcrcy@deep-thought.ericsson.se    |       S
---------------------------------------       ~
Xref: sparky rec.music.makers.guitar.tablature:978 alt.guitar.tab:4913
From: dbw@svl.cdc.com (Dave Woerner)
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: Re: REQ: IF I LAUGH (Cat Stevens)
Date: 11 Jan 93 18:35:38 GMT
Followup-To: rec.music.makers.guitar.tablature

btiffany@pbs.org writes:

>Has anybody got the chords and tab for Cat Stevens' IF I LAUGH?  I know it's
>a dumb song, but ignoring the words it's got some nice guitar work which would
>make good practice material for me.

>-- Bruce Tiffany

Dumb song....nonsense!   It's a great song......

The song is played with a flatpick in open D tuning
(DADF#AD low to high).  The basic technique is to
pick the melody while strumming the chords.  If
you have trouble finding the chords in open D, let
me know and I'll try to find some more time for this.
It's such a great guitar tune I didn't want the
request to go unanswered.

Intro:

Where there is a full chord, you go into a strumming
pattern...you'll have to listen to the record if
you want to duplicate the Cat Stevens sound.

     h  s
D :4-5-|7-------|------54|575-----|--------|-
A :----|0-------|--------|555-----|--------|-
F#:----|0-------|--------|555-----|--------|-
D :----|0-------|--------|555-----|--------|-
A :----|0-------|--------|--------|--------|-
D :----|0-------|--------|--------|--------|-


D :7--97---|5--75---|--50--40|202-----|-
A :7---7---|5---5---|--5---0-|0-0-----|-
F#:7---7---|5---5---|-5---3--|1-1-----|-
D :7---7---|5---5---|5---4---|2-2-----|-
A :--------|--------|--------|--------|-
D :--------|--------|--------|----0---|-


The song:

The song starts out like the intro and stays in
a strumming pattern while picking out the melody
on the high strings.


Interlude:

This should be played with a flatpick, alternating
up and down strokes on each successive note even
though each note is on a different string.  This
is a *very* useful technique - and this is a nice
piece to practice it on.  So, for the first two
measures below, the first note of each "group" of
notes (the normal D string) is picked down, the
second note (the G string tuned down to F#) is
picked with an up stroke, and so on.  At the end,
you end up flowing into the strumming thing you
did at the end of the intro.

D :---0---0|---0---0|---0---0|--------|-
A :--2---2-|--4---4-|--2---0-|---0---0|-
F#:-1---1--|-3---3--|-1---0--|--0---0-|-
D :2---2---|4---4---|2---0---|-2---1--|-
A :--------|--------|--------|3---2---|-
D :--------|--------|--------|--------|-


D :---0---0|---0---0|---0---0|---0---0|-
A :--2---2-|--4---4-|--2---2-|--4---4-|-
F#:-1---1--|-3---3--|-1---1--|-3---3--|-
D :2---2---|4---4---|2---2---|4---4---|-
A :--------|--------|--------|--------|-
D :--------|--------|--------|--------|-


D :---0---0|---0---0|---0---0|---7---5|-
A :--2---2-|--4---4-|--2---0-|--7---5-|-
F#:-1---1--|-3---3--|-1---0--|-7---5--|-
D :2---2---|4---4---|2---0---|7---5---|-
A :--------|--------|--------|--------|-
D :--------|--------|--------|--------|-


D :--50--40|202-----|-
A :--5---0-|0-0-----|-
F#:-5---3--|1-1-----|-
D :5---4---|2-2-----|-
A :--------|--------|-
D :--------|----0---|-


Dave
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:Feelings (Author unknown)
Date: 12 Jan 93 23:26:05 GMT
Organization: Chevron











		               FEELINGS


		 Em
		FEELINGS   NOTHING MORE THAN FEELINGS
		             C     D7             G  B7
		TRYING TO FORGET MY FEELINGS OF LOVE
		Em
		TEARDROPS   ROLLING DOWN ON MY FACE
		           C      D7             G  B7
		TRYING TO FORGET MY FEELINGS OF LOVE



		 C      Am        D7             Bm7
		FEELINGS FOR ALL MY LIFE I'LL FEEL IT
		E7               Am          D7
		I WISH I'D NEVER MET YOU GIRL
		                   G7    B7
		YOU'LL NEVER COME AGAIN


		Em
		FEELINGS   FEELINGS LIKE I'VE NEVER LOST YOU
		                       C           D7            G  C  G  
		& FEELINGS LIKE I'LL NEVER HAVE YOU AGAIN IN MY HEART
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: chicken cordon blues
Date: 8 Jan 93 00:13:46 GMT
Organization: Chevron


 
 
 
 
 
 
 
 
            CHICKEN CORDON BLUES


            WHEN I FIRST MET YOU BABY
            YOU FED ME ON CHICKEN AND WINE
            IT WAS STEAK AND POTATOES AND LOBSTER
            AND BABE I SURE FELT FINE
            BUT NOW ALL YOU GIVE ME IS SEAWEED AND ALFALPHA SPROUTS
            SUNFLOWER SEEDS AND I GOT MY DOUBTS
            BABE YOU LEFT ME HERE WITH THE CHICKEN CORDON BLUES

            MY STOMACH IS SO EMPTY
            THAT ALL I GOT IS FOOD FOR THOUGHT
            AND I BEEN SITTING HERE THINKING
            ABOUT THE 20 POUNDS OF GROCERIES WE BOUGHT
            WE BOUGHT 10 POUNDS OF BROWN RICE AND 5 MORE OF BEANS
            FIVE POUNDS OF GRANOLA AND YOU KNOW WHAT THAT MEANS
            BABE YOU LEFT ME HERE WITH THE CHICKEN CORDON BLUES

            INSTRUMENTAL

            I'M STARVED FOR AFFECTION
            AND BABE I CAN'T TAKE NO MORE
            THIS STUFF IS SO WEIRD
            THAT THE COCKROACHES MOVED NEXT DOOR
            BABE CAN YOU SEE THAT OLD DOG OUT IN THE STREET?
            HE'S GO A SMILE ON HIS FACE CAUSE THEY LET HIM EAT MEAT
            BABE YOU LEFT ME HERE WITH THE CHICKEN CORDON BLUES
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Biscuits
Date: 6 Jan 93 23:51:45 GMT
Organization: Chevron


       
       
                           BISCUITS
       
       
                  C                Cdim       
        CHR.    DON'T PUT NO MORE BAKING POWDER
                C        A7
                IN YOUR BREAD YOU SEE
                 D7                         G             C
                YOU KNOW YOUR BISCUITS ARE TALL ENOUGH FOR ME.
                 C                 Cdim
                DON'T PUT NO MORE SUGAR MOMA
                 C                      A7
                IN YOUR JELLY ROLL YOU SEE
                   D7                   G               C
                YOU KNOW YOUR JELLY IS SWEET ENOUGH FOR ME
              
       
                 E                    E7       
                SOME FOLKS SAY YOU'RE UGLY
                  A7
                YOU KNOW THAT THAT IS TRUE
                   D7
                WELL THERE'S JUST ONE THING ABOUT YOU MOMA
                           G              G7
                MAKES ME LOVE YOU LIKE I DO.
       
        CHR.
       
                INSTRUMENTAL
              
        CHR.
       
                WELL THERE'S JUST ONE THING ABOUT YOU
                THAT'LL MAKE A MAN TAKE A FUSS
                WELL IT AIN'T THE WAY YOU COMB YOUR HAIR
                OR THE WAY THAT YOU STRUT YOUR STUFF.
              
        CHR.
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Bye Bye Blues
Date: 7 Jan 93 00:02:10 GMT
Organization: Chevron

















		        BYE BYE BLUES

		A        F7
		BYE BYE BLUES
		A       F#7
		BYE BYE BLUES
		B            E7
		BELLS RING, BIRDS SING
		A       Adim     E7       C+
		SUN IS SHINING.  NO MORE PINING
		A        F7
		JUST WE TWO
		A       F#7
		SMILING THRU
		B7           E7
		DON'T SIGH, DON'T CRY,
		A      F7       A
		BYE    BYE     BLUES
From: jepstein@titan.ucc.umass.edu (Captain Eclipse)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: REQ: Love Is Everywhere - Allman Bros.
Date: 6 Jan 1993 12:18:28 -0500
Organization: University of Massachusetts, Amherst
NNTP-Posting-Host: titan.ucc.umass.edu

In article <francisco.6.726333300@lan.ccit.arizona.edu> francisco@lan.ccit.arizona.edu (John Francisco) writes:
>Does anyone have the tab for Love Is Everywhere by the Allman Brothers?
>I looked under ftp.nevada.edu /pub/guitar/Allman_Bros and there was no
>listing for this song.

	The name of the song is actually "Revival", try looking for
	that title, and that may help. I'm sure if I ever so
	Revival there either, but give it a try.

Just a little bit of help I hope


- Jon

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