HDTenEightyP/NetNews huggingface dataset:
From: s0454850@let.rug.nl (J.P. Prenger)
Newsgroups: rec.music.cd
Subject: Re: Deliberate vinyl noise/crackles on CD - I HATE IT !
Date: 5 Nov 92 19:40:51 GMT
Organization: Faculteit der Letteren, Rijksuniversiteit Groningen, NL

In article <1992Nov3.153124.12763@sybus.com> card@sybus.com (James Card) writes:
>From: card@sybus.com (James Card)
>Subject: Re: Deliberate vinyl noise/crackles on CD - I HATE IT !
>Date: Tue, 3 Nov 1992 15:31:24 GMT
>In article <1992Nov03.021004.7233@sco.com> stewarte@sco.COM (just a guy made of dots and lines) writes:
>>
>
>>>I did buy a while back an album on CD that actually sounded like they
>>>held a microphone near a speaker playing an old 78rpm album!!  I took
>>>that one back.  I am not aware of anyone doing this anymore, but some
>>>of the albums at that time even mentioned that they were recorded
>>>from 78's.  ACK!
>>
>>
>>Given the choice between a CD mastered from 78s (which at least
>>generally means they used the cleanest copies available) and having
>>to dig up the often rare and extremely expensive original 78s,
>>and then find a turntable that runs at 78, I'll take the CD any day,
>>thank you very much.  Many reissue albums are still done this way,
>>including Rounder's fine Jimmie Rodgers collection and most of Yazoo's
>>vintage blues material.  Remember, there aren't any master tapes for
>>music of that vintage....
>
>Well, my (unstated) point was that I would like at least one of three
>things to be true when buying a CD from older music:
>
>1: That the CD recording not contain the needle hitting the record
>   and various other unnecessary pops.  Some of the older recordings
>   such as Robert Johnson's stuff I can live with.
Here you make a point: when listening to 'Love you live' by the Stones, or 
any old rock 'n' roll/blues/rhythm & blues, I don't need, sometimes don't 
even want to listen to a CD. 

Yes, that's correct, I still prefer the LP. Okay, cd's are easier in use, 
but where's the romance of buying a good old lp? Go home on your bike with 
your LP almost hitting the wheels, especially when there's a hell lot of 
wind.
And then, at home, listen to your new LP, read the cover, look at the 
pictures. And what's it now? Small, almost unreadable texts. 

Fuck off, CD! I want the good old LP back, okay??


Jan Peter Prenger           || 'Death by Nostalgia', FZ
University of Groningen     ||
The Netherlands             ||
E-mail: s0454850@let.rug.nl ||
Newsgroups: rec.music.cd
From: rojohnso@libws3.ic.sunysb.edu (Ronald Johnson)
Subject: Pet Shop Boys
Organization: State University of New York at Stony Brook
Date: Thu, 5 Nov 1992 19:13:49 GMT

To the person who asked...I think I heard somewhere that they were lovers
From: rodean@fc.hp.com (Bruce Rodean)
Newsgroups: rec.music.cd
Subject: Re: Extent of price changes at Noteworthy since 1990?
Date: 12 Nov 92 05:38:32 GMT
Article-I.D.: fc.BxL908.8ns
Distribution: usa
Organization: Hewlett-Packard Co., Fort Collins, CO
X-Newsreader: TIN [version 1.1.8 PL6]

Geoffrey J Dare (gdare@magnus.acs.ohio-state.edu) wrote:
> I have not ordered from Noteworthy since early 1990, and I was wondering
> how much their prices have changed since then, especially in light of the
> new push to 15.98 retail list and higher.
> Any estimates or the like would be appreciated.
> 
> In 1990 prices were:
> CBS bargain: 7.96
> CBS midline: 9.02
> CBS full price: 10.44

Taking Bob Dylan as an example for a CBS artist, there are four pricing
levels:

Highway 61 Revisited:  $8.03
Blood on the Tracks:  $9.10
Self Portrait:  $10.53
Dylan and the Dead:  $12.04

> Capitol bargain: 7.91
> Capitol midline: 9.11
> Capitol full: 10.60

And using Bob Seger as an example for Capitol:

Beautiful Loser: $7.98
Distance: $9.21
Against the Wind: $10.69
Fire Inside: $12.05

However there isn't much rhyme or reason why certain recordings are
placed in each price range, except that new ones will always be in the
top two price ranges.

--
Bruce Rodean                          Hewlett-Packard Company
rodean@fc.hp.com
Newsgroups: rec.music.cd
From: jjmckay@ux1.cso.uiuc.edu (Jim McKay)
Subject: Re: REM's _green_ CD (was Re: CDs are timebombs?)
Organization: University of Illinois at Urbana
Date: Fri, 6 Nov 1992 15:27:21 GMT

I'd mail the defective CD back to Warner for an exchange.  (assuming it
shouldn't go to BMG or CRC)  They're pretty good about this.  Just explain
the defect -- and not how it got that way -- and they'll take care of it.
The cost is a drop in the bucket and why should you be aggravated about
a sub-quality CD?  Agravation is Money. ;-)
From: doh@cis.ksu.edu (Kyung-Goo Doh)
Newsgroups: rec.music.cd
Subject: Re: Ambrosia
Keywords: First Record
Date: 13 Nov 92 15:41:13 GMT
Article-I.D.: depot.doh.721669353
Organization: Kansas State University, Dept. of Computing and Information Sciences
NNTP-Posting-Host: depot.cis.ksu.edu

In article <1992Nov12.153314.12341@anasaz> pacion@anasaz (Ray Pacion) writes:
>Does anyone know if the first, self titled Ambrosia album will ever
>be released on CD?  I've seen 'Life Beyond L.A.' and 'One Eighty' on CD
>as Japanese imports.  How do these 2 compare to 'Ambrosia'?  What are
>they up to these days?  I know that Joe Puerta is with 'Bruce Hornsby
>and the Range', but what about the others?
>

The first LP is the best. I have the LP, but there is no sign of releasing
it as a CD version. Look for a used copy at the record shop.

Kyung-Goo
Newsgroups: rec.music.cd
From: marcus@vestek.com (Mark Stephen)
Subject: What happened to BMG Phone #
Organization: Vestek Systems, San Francisco
Distribution: usa
Date: Thu, 5 Nov 92 17:01:40 GMT

     I had a problem with my order for the first time, I called the 
800 number, and it is no longer in service. Is there another number ?
I'd rather not deal with problems through the mail.

     Marcus
From: bobn@hawkwind.central.Sun.COM (Bob Netherton)
Newsgroups: rec.music.cd
Subject: Re: Pink Floyd Box Set
Date: 5 Nov 92 18:16:47 GMT
Reply-To: Bob.Netherton@dallas.Central.Sun.COM
Organization: Sun Microsystems

In article <Bx88pp.C7K@world.std.com>, fuzzbox@world.std.com (U.F.Orb) writes:
|> 
|> All that, and no new material????? I sure as hell won't buy it.
|> I wonder who will????

I certainly will.  I have never gotten around to getting the PF CD's
(OK, Dark Side was the third disk I bought many moons ago :-) and this
box set affords me the opportunity to get more music for less $$$
(Noteworthy pricing of course) - and supposed better sound quality at
that.

Would make one helluva Christmas present (would someone please forward
this to my wife :-).

Bob
-- 
Bob Netherton                        | You see the signs, they're always there
Sun Microsystems                     | But you know you never care
Dallas, Tx                           | You are always looking for another reason
bob.netherton@central.Sun.COM        | ==== Hawkwind, Paradox
Newsgroups: rec.music.cd
From: Thomas R. Blake <tblake@bingsuns.cc.binghamton.edu>
Subject: Re: Repairing scratched CDs?
X-Useragent: Nuntius v1.1.1d12
X-Xxmessage-Id: <A7206B2F170101DF@macii.cc.binghamton.edu>
Organization: Binghamton University
Date: Sat, 7 Nov 1992 01:28:48 GMT
X-Xxdate: Fri, 6 Nov 92 18:34:23 GMT
X-Posted-From: macii.cc.binghamton.edu
NNTP-Posting-Host: sol.ctr.columbia.edu

In article <1992Nov6.035426.11550@bsu-ucs> ,
00bwanderson@leo.bsuvc.bsu.edu writes:
>Here's one for the FAQ.  My copy of Watermark seems to have developed
rather a
>nasty scratch (one that ruins tracks 6&7 almost completely).  As one
might
>surmise, this is just the least bit annoying, considering "Orinoco Flow"
is one
>of my favourite songs.  Is there a RELIABLE way to cover the scratch? 
>Something cheap (hey, I'm a college student-I don't want to pay $20 to
fix a
>$14 CD...) and readily available would be preferred, but I will do what
I must
>to repair this disc...

Well, once upon a time I read an article where some testers (Consumer
Reports?) had compared some CD Waxes to other products.  The
best/cheapest solution according to their test was Rally Car Wax. 
(Honest and for true.)

Now, I don't have any Rally Car Wax, so when someone returned one of my
CD's in (not the best) of conditions, I grabbed some trusty Turtle car
wax.  I took a smidgen on my finger tip, applied it to the scratched
surface, and buffed it with a paper towel, put it into my CD player, et
*voila*!

Tom Blake
Binghamton University

P.S.  I've never put a disclaimer on a post before, but looks like I
better on this one.  If your CD player doesn't like wax, if your CD melts
and dies, if anything bad happens, it's not my fault.  I am not a stereo
technician, nor do I pretend to be.  (I don't even play one on TV!) 
Please don't sue me or my employer, (who also takes no responsibility!) 
OK!?  Enough said!?
Newsgroups: rec.music.cd
From: syd@en.ecn.purdue.edu (Dennis P Hilgenberg)
Subject: Re: Pink Floyd (Mobile Fidelity)
Keywords: Pink Floyd, Led Zeppelin, Elton John, Steely Dan
Organization: Purdue University Engineering Computer Network
Distribution: na
Date: Mon, 9 Nov 92 01:09:07 GMT

I'd wait a bit before buying any Pink Floyd CD's, given the impending
release of a boxed set containing seven (or was it eight?) of the 
albums taken from better masters.  Presumably these will be released
individually after sales of the boxed set die off.  (This would probabl
be happening with Led Zeppelin as we speak, except it's doubtful that
all of the tracks from each album were remastered.  In the case of Pink
Floyd, the discs in the box are purported to be the complete albums.)

On a somewhat related note:

Is it unethical or perhaps illegal for Atlantic to print the 
"We used the best possible masters ..." paragraph on its Led Zeppelin
liner notes if it is aware that better masters exist?  Similarly,
can Mobile Fidelity legitimately claim its Elton John and Steely Dan
recordings are "from the original masters" now that Polydor and MCA,
respectively, have reissued the same discs from masters which surpass
those of Mobile Fidelity in quality (and hence MF's masters aren't
so "original" after all)?

-- 
Dennis Hilgenberg
syd@ecn.purdue.edu
LaRouche in '96
From: hjwulfso@unix.amherst.edu (Harris Wulfson)
Newsgroups: rec.music.cd
Subject: Re: Thick CD's?
Date: 11 Nov 92 17:30:29 GMT
Organization: Amherst College
X-Newsreader: TIN [version 1.1 PL6]

Shlomo (X42529@BARILVM.BITNET) wrote:
} In article <1992Nov3.190339.20432@mnemosyne.cs.du.edu>, dpaper@nyx.cs.du.edu
} (Cerberus) says:
} >I recently posted somethign about a sony CD player and the skipping problems
} >i've been having with it.
} >I too kit back to sony today
} >and was told by a technitian that the problem with the player is that it      t
} >doesn'
} >work very well with "thick" CD's.
} >Now, i always thought CD's were of one size, and thickness, apparently i
} >was wrong.
} >Has anyone else had any experience with their CD players
} >and THICK cd's nto playing well *or at all in my case*
} 
} My Technics portable (disc-man type) player has the same problem.  I HAVE
}  noticed that some cd's are A LOT thicker than others.
} some are also abnormally thin.
} 
} depends on who made it , I guess....


Maybe this refers to double-sided (back to back) CDs thatmust be flipped
over like an LP. Just a thought...


Harris
hjwulfson@amherst.edu
Newsgroups: rec.music.cd
From: beauvais@bbt.com (Dan Beauvais)
Subject: BMG non-800 phone number
Organization: BroadBand Technologies, Inc.,  Research Triangle Park, NC
Distribution: na
Date: Fri, 6 Nov 92 14:03:29 GMT


There is a toll phone number for BMG
	1-(317)-542-0414
It operates 8:30AM - 4:15PM EST, Monday thru Friday.  It connects directly
to BMG.

-- 
Dan Beauvais        beauvais@bbt.com    ...!mcnc!bbt!beauvais
BroadBand Technologies, Inc   phone: +1 919/544-6850 ext. 295 
PO Box 13737                  fax:   +1 919/544-5246
Research Triangle Park, NC  27709-3737 USA
From: loj@cae.wisc.edu (Lo Jeffrey)
Newsgroups: rec.music.cd
Subject: Re: Are CDs silent
Date: 7 Nov 92 00:08:28 GMT
Organization: U of Wisconsin-Madison College of Engineering

In article <4150@unisql.UUCP> ray@unisql.UUCP (Ray Shea) writes:
>
>The volume on my Sony Discman, when at MIN, is still very audible...in fact,
>sometimes it's still louder than I want it.  My ex-officemates Discman is
>the same way.
>

This is a function of your particular disc player.  It is because of a
cheaply made headphone amplifier.  My Sony Discman has the same problem.

Jeff Lo
From: jimbo@csusb
Newsgroups: rec.music.cd
Subject: Re:  Want Oponions on CD Cabinet
Date: 13 Nov 92 03:14:01 GMT
Organization: California State University, San Bernardino
Nntp-Posting-User: jimbo

I agree with Michael L. Hall's assessment of Sorice.  I
also bought the 300 disk cabinet and was impressed with
the quality.  So much that I ordered two more.  Definitly
more bang for your buck.

Tony Ardelean
Cal State University, San Bernardino

My opinions are my own and not to be confused with reality
From: josh2+@pitt.edu (Joseph H Alarcon)
Newsgroups: rec.music.cd
Subject: Ric Ocasek
Date: 9 Nov 92 23:01:46 GMT
Organization: University of Pittsburgh


	Does anyone know what ever happened with Ric Ocasek's Fireball
tour.  He was supposed to be on tour last october, but I never heard what

happened.  Also, is there any chance that he gets together with the memebers
of the Cars for a new album?
	Thanks for any response.
				Joe
Newsgroups: rec.music.cd
From: miles@ms.uky.edu (Stephen D. Grant)
Subject: Re: Pink Floyd (Mobile Fidelity)
    <1992Nov8.131018.1@venus.ycc.yale.edu>
Date: Mon, 9 Nov 1992 23:00:08 GMT
Organization: University of Kentucky, USA. -5 GMT

I own the original Harvest (black label) version of DSOTM as well as
the MFSL (gold) version. I have compared both to the "regular US version".
IMHO, the Harvest and MFSL are VERY close, and both MUCH better (clearer,
better stereo sepperation etc) than the Columbia (?) US version.
I also have the MFSL (gold) Wall set, and there IS a big difference!
Most noticeably the drums.
One last comparison is "Wish You Were Here". I have not only the regular US
issue (Clumbia?) but also the Harvest, Brittish import version. The Harvest
sounds better! You can hear David Gilmour move, snort and breathe for a LONG
time at the beginning of the song "Wish You Were Here". 
OK, I'll point out that I also have an original Harvest (black label) version
of Meddle too. :) But I haven't heard a "regular" copy to compare it to.
I've got 18 Pink Floyd CDs and I dont know what to do about this new
Box Set.


Newsgroups: rec.music.cd
From: lsloan@nova.gmi.edu (Alfred P. Sloan)
Subject: Re: CDs are timebombs? (FAQ?)
Organization: GMI Engineering&Management Institute, Flint, MI
Date: Thu, 5 Nov 1992 22:18:26 GMT

weitzman@chaos.cs.brandeis.edu (Adam J. Weitzman) writes:

>In article <1992Oct14.093749.13565@miavx1.acs.muohio.edu> bjbernstein@miavx1.acs.muohio.edu writes:
>>
>>  I recently heard that CDs have a life of about 18 years....

>I gotta say, I am *sick and tired* of this thread coming up month after
>month. It never ever dies.

Has anybody thought of putting this in the FAQ?  Does this group HAVE an
FAQ?
--
  Lance Sloan                                              lsloan@nova.gmi.edu
  UNIX System Administrator           GMI Engineering and Management Institute
  Assistant Programmer                                    Flint, Michigan, USA
From: dfong@waikato.ac.nz
Newsgroups: rec.music.cd
Subject: Re: New Zealand (ELO CDs)
Date: 10 Nov 92 19:13:10 +1300
Organization: University of Waikato, Hamilton, New Zealand

In article <1992Nov9.212346.521@newshub.sdsu.edu>, dlangs@sunstroke.sdsu.edu (Derek Langsford) writes:

> Can any New Zealander let me know if there is a New Zealand pressing of this
> CD or do you have to import it from the USA too?   

New Zealand has no major pressing plant of any kind, i.e. no vinyl or CD.

(Vinyl closed down about 8 years ago. And we've never had a Cd plant).

Of course, there are a few small dingy amateur places around the place...but
I don't think they'd produce any band with such a status of E.L.O. ;-)

Releases by New Zealand artist(s) are normally done in Australia.
CDs are pressed by DISTRONICS.

It generally depends on the label if a CD is made in Australia.
Some artists are always imported in. (Can't thank of any at the moment though).

Anyway, I'll check in the local shop for the CD you mentioned...and any
others you wish to know about !

De Fish!


-----------------------------------------------------------------------

"seegnatoor ?  I don need no seegnatoor !!!

I spet on your seegnatoor !!!"
Newsgroups: rec.music.cd
From: chuck@cygnus.eid.anl.gov (Charles Cilek)
Subject: Re: CD's ARE TIMEBOMBS!!!
Reply-To: chuck@cygnus.eid.anl.gov
Organization: Argonne National Laboratory
Date: Wed, 11 Nov 1992 20:56:35 GMT

In article 1drq2dINNpav@news.aero.org, wae@aero.org (William A. Emanuelsen) writes:
> In article <1992Nov10.222034.3539@galileo.cc.rochester.edu> jwlr@okeeffe.cc.rochester.edu (James Willer) writes:
> >Yes!!!!
> >It's TRUE!!!!!
> >
> >CD's ARE TIMEBOMBS!!!
> >
> >I started to play Pink Floyd's _Dark Side of the Moon_, and suddenly
> >I heard some kind of ticking noise!!!
> >
> >I quickly ran out of the room, just as the disc EXPLODED (with an
> >earth-shattering Ka-Boom!!) !!!!
> >
> >I was lucky to have escaped with my life!!
> >
> >Beware you could be next!! 
> 
> Was that the Columbia version or the MFSL version? ;)
>
The problem is that you forgot to remove the u-236 Explosive Space Modulator (tm ACME)
From: dap@portal.vpharm.com (David A. Pearlman)
Newsgroups: rec.music.cd
Subject: Re: Record Club Of America
Date: 9 Nov 92 20:20:12 GMT
Followup-To: rec.music.misc
Organization: Vertex Pharmaceuticals, Inc.

In article <BxF04E.5w7@ux1.cso.uiuc.edu> jjmckay@ux1.cso.uiuc.edu (Jim McKay) writes:
>gst@chinet.chi.il.us (George S. Thurman) writes:
>
>>Does anyone remember the Record Club of America out of York, Pennsylvania?
>>They were around in the late 60's/early 70's.  What ever happened to them?


>Yes I rememberred them.  Belonmged in 1972-74.  They went out of business.
>I think there offer was 5 albums for $1.00 ( or mybe even free) + S & H
>with NOTHING  to BUY ever again.  Great selection - had everything.
>Even a catalog listing everything they had carried in the past 3 years.  
>I guess their deal drove them out of business.
>

Yeah, a great deal. Too great, in fact. Aside from giving you five
albums for postage and handling, with no commitments, they gave you
additional albums for signing friends up (the friends got their own
free albums, of course). It was a great scheme for creating a mailing
list, but not a good idea to generate revenue, apparently.

Some may also recall that Capitol used to run a record club. I believe
some of the Beatles' albums were once available through that club. They're
collectors' items now...


(Note that I've redirected followups to rec.music.misc, since this
doesn't seem to have much to do with cd's anymore...)

dap
-- 
=============================================================================
    David A. Pearlman

Vertex Pharmaceuticals Inc.                     email: dap@vpharm.com
Newsgroups: rec.music.cd
From: rojohnso@libws3.ic.sunysb.edu (Ronald Johnson)
Subject: Eurythmics
Organization: State University of New York at Stony Brook
Date: Fri, 13 Nov 1992 00:38:55 GMT

Nope its not "Sweet Dreams" Its "Here Comes The Rain Again" I tellya...

                                                          RJ
Newsgroups: rec.music.cd
From: jagrant@emr1.emr.ca (John Grant)
Subject: box sets from Bob Marley, Les Paul, Phil Spector, Donovan
Organization: Geological Survey of Canada
Date: Thu, 12 Nov 1992 04:45:24 GMT

I have seen quite a few new box sets recently.  Has anyone got these and
what do you think:
	Bob Marley (4 cds)	(CDN$67 + 15% tax)
	Les Paul
	Phil Spector (Back to Mono)
	Donovan			(CDN$35 + 15% tax)
	Elvis			(CDN$80 + 15% tax)

In particular:
  1. is the spector stuff really that good, even though it is all mono?
     It seems to be mostly Ronettes (not surprising, I guess)

  2. I don't know much about Les Paul.  Perhaps some of you guitar players
     can elaborate on his importance and style.Is it enough that he is a
     legend? Are most of the tunes instrumental or vocal?   On the vocal tunes,
     is it mostly Les, or Mary Ford or both?
     Also, there is a single CD out with selections from the box set.  If I
     don't want the whole box set, is it a good representation of his work or
     amd I really missing a lot?
  
3. How much of the Marley stuff is early stuff? (I heard some really
     early stuff once, and it didn't excite me).

4. I have one of those double CD packs of 38 elvis top ten hits and I also
   have the Sun Sessions disc.  Does that pretty much cover what's in the
   Elvis box set, or is there a lot more?

Also, apparently there is a 3 CD Gordon Lightfoot box set out in a week
(here in Ottawa).  In case it is already out someplace else, what is it like?

Thanks in advance for opinions.

-- 
John A. Grant						jagrant@emr1.emr.ca
Airborne Geophysics
Geological Survey of Canada, Ottawa
Newsgroups: rec.music.cd
From: mpdixon@eos.ncsu.edu (MICHAEL P DIXON)
Subject: Re: Changing your BMG membership status
Originator: mpdixon@c00762-135wl.eos.ncsu.edu
Reply-To: mpdixon@eos.ncsu.edu (MICHAEL P DIXON)
Organization: North Carolina State University, Project Eos
Distribution: na
Date: Mon, 9 Nov 1992 19:58:51 GMT


I read the net today and here is what I did.  I called BMG at
1-(317)-542-0414 which operates8:30AM - 4:15PM EST, Monday thru Friday.

Then I told them that I wanted to change my membership status to the
positive option plan.  They told me that with the plan I must contact
them in some way every 3 months or so.  The operator said if you order
or write, or call them that your status would remain unchanged,
otherwise your membership would be canceled.  

She did not say I was enrolled in the plan until checking my membership number,
and I usually buy a few CD's every second or third mailing.  

On another note I have never had a problem with a BMG product, but I was
sent a double mailing of a shipment once.  A few days later a letter
came acknowledging the double mailing and telling me to keep the CD's.
I had already sent the CD's back, but it cost me nothing!

My two cents worth.  I hope this helps somebody!  
  
   Mike Dixon                           All things being constant, 
   mpdixon @eos.ncsu.edu                fat people use more soap.

THE OPINIONS EXPRESSED ABOVE ARE DEFINITELY NOT THE OPINIONS OF NORTH CAROLINA
STATE UNIVERSITY, THEY ARE PROBABLY THE RESULT OF A DIFFICULT CHILDHOOD
FOLLOWED BY ADULT DILUSIONS INTO SURREAL ENVIRONMENTS.
From: fuzzbox@world.std.com (U.F.Orb)
Newsgroups: rec.music.cd
Subject: Re: Vega - 99.9 F - Singles/Remixes?
Date: 12 Nov 92 04:22:47 GMT
Organization: The World Public Access UNIX, Brookline, MA

00mjstum@leo.bsuvc.bsu.edu (Matthew J. Stum) writes:

>Does anyone know of any singles (on CD, of course) from Suzanne Vega's latest
>album, 99.9 F?  I'm particularly interested in any extended versions of Blood
>Makes Noise, 99.9 F, Fat Man and Dancing Girl, etc... actually, all but a
>handful of the songs would make great bases for remixes.  (Does she even have
>any remixes on [gack!] cassette?)

Well, she just released a limited edition of the CD which includes an
extra song and a book, but that's all I know of...

-- 
Jason Bilsky   fuzzbox@world.std.com 
"Got enough guilt to start my own religion."