HDTenEightyP/NetNews huggingface dataset:
From: jbone@splat.dell.com (Jeff Bone)
Newsgroups: rec.music.synth
Subject: 4 SALE:  Roland D-5, Alesis MMT8, misc acc.
Keywords: Roland D-5 synth, Alesis MMT8 8 track seq
Date: 15 Sep 92 14:43:13 GMT
Organization: Dell Computer Co


I have for sale an ALMOST COMPLETELY UNUSED keyboard, multitrack
MIDI sequencer/recorder, and assorted necessary goodies, all in
original boxes -w- manuals.  SP:

	1  Roland D-5 LA Synthesis Multitimbral Keyboard
	1  Alesis MMT-8 sequencer/recorder/weird beast
	3? gold-plated MIDI patchcords
	2  heavy-duty RCA<->stereo jack cables (LONG)

It all works and, again, has been barely used.  I never have time to
futz -w- it.  Original price on the whole schuh-bang was ~ $1250, I'll
entertain the first offer this week that doesn't make me laugh.  This
is a GREAT setup for MIDI beginners or people looking for a second deck;
the LA sounds in the Roland are fat and cool, great for goth/new agey/
soundtracky type stuff, plus the UI is way easy.  The MMT-8 is great
for holding onto hooks and stuff, though you're going to want a more
serious sequencer to do that epic rock opera. ;)

     GOING FAST!  FIRST SERIOUS OFFER TAKES IT!
       (who pays shipping?  Let's make a deal...)

             jb


--
-- Jeff Bone ------------------------------------------------------------
      "Imagination is more important than knowledge."  - A. Einstein
------------------------------------------------------- jbone@dell.com --
                                                                       --

--
-- Jeff Bone ------------------------------------------------------------
        NT...  Just say N0T.   Skate UN*X!   Standard disclaimer. 
------------------------------------------------------- jbone@dell.com --
                                                                       --
From: matomira@disuns2.epfl.ch (Fernando Mato Mira)
Newsgroups: rec.music.synth
Subject: MOTU Midi Mixer 7s + OMS + MIDI Manager
Date: 9 Sep 92 13:25:46 GMT
Reply-To: matomira@disuns2.epfl.ch (Fernando Mato Mira)
Organization: Ecole Polytechnique Federale de Lausanne

Has anybody managed to make 7s console work with the OMS midi manager driver?
I would like to have my Opcode programs to work "behind the back" of
MIDI Manager,
but the only way I can make 7s console work is on its own, or using the
Apple
MIDI driver, which obliges me to throw away the OMS Standard Interface
Driver.

On another side, as I saw that the MTP is supported by Opcode as well as Dr. T,
I thought I could move from a Studio 3 to an MTP II, but for what people have 
been writing here it doesn't seem such a good idea. Nick : what is this
"continual grief" with the MTP?

-- 
Fernando D. Mato Mira
Computer Graphics Lab
Swiss Federal Institute of Technology
matomira@di.epfl.ch

NeXTMail : matomira@lignext.epfl.ch
FAX 	 : +41 (21) 693 - 5328
Newsgroups: rec.music.synth
From: cc@cowan.fishkill.ibm.com (Chris Cowan)
Subject: Re: Help with SY99
Date: Wed, 09 Sep 92 21:42:30 GMT
Reply-To: cc@vnet.ibm.com
Organization: Pough, NY


In article <1992Sep3.163829.6707@hpcvusn.cv.hp.com>,
bw@hpcvxgmr.cv.hp.com (Bill Wilhelmi) writes:
|> I am posting this for a friend who has an SY99.  This is a snippet of a 
|> message he sent me.  Any clues would be appreciated.  Thanks!
|> 
|>   Also, if you ever come across synthesizer files on the Yamaha
SY-99, I'd be
|>   interested in knowing if anyone else has had some baffling problems
I've had
|>   with mine that Yamaha, at least on the phone, says they know
nothing about.
|>   
|>   Like, every once in a while when I power it up, it sounds like an
out-of-tune
|>   electric piano on EVERY voice.  I have to power it up and down
several times
|>   to get it to be normal.  Or, sometimes in edit mode, it will all of
a sudden
|>   exhort a terrible "farting" sound at ear-splitting levels.  This is
my second
|>   SY-99 and they both have done it, so I know it's not just "my unit."  I've
|>   been wondering if anyone has come up with a "fix" for some of the
annomalies?
|> 
|> -- 
|>  Bill Wilhelmi    
|>  Hewlett-Packard - User-interface Technology Division CV
|>  1000 NE Circle Blvd.  Corvallis, OR 97330
|>  bw@hpcvlx.cv.hp.com

I had a problem with the first SY-77, I purchased.   I ended up returning
it, but did find out from the saleman (actually a good friend), about an
undocumented test/diag procedure.   If I remember right (and probably don't), 
it was activated by pressing the <EDIT> <BANK D> and <Patch 8 or 16> buttons 
simultaneously.  

Anyway, I'll give this a shot when I go home, tonight.   I would expect the
99 to have a similar feature!  

Chris Cowan 

Newsgroups: rec.music.synth
From: beltran@ns.network.com (Tony R. Beltran)
Subject: Re: Cakewalk for Windows Question
Organization: Network Systems Corporation
Date: Thu, 10 Sep 92 14:24:15 GMT

In article <1992Sep9.160459.13316@col.hp.com> jjh@col.hp.com (Jeff Haeffele-x3570) writes:
>Is there a way to split a multi-part track into multiple individual
>tracks in Cakewalk for Windows?
>
>I usually work with multi-part harmony and have a friend that can record
>all the parts at once onto a track but then I need a way to split the
>parts into multiple tracks:  something like copying the top-most notes
>from the source track to a separate destination track.  Presumably I
>could do this four times and get the four part harmony onto four
>separate tracks.
>
>I played around with the Cakewalk demo but couldn't find a way to split
>tracks based on the highest or lowest note of a chord in the track.  If
>this can't be done in Cakewalk is there some other piece of software
>that can do this, like Master Trax or Finale?
>
>Thanks,
>
>Jeff Haeffele
>jjh@col.hp.com

This is the type of problem the CAL language was designed to solve.  If
you need some ideas, call Twelve Tone Systems and ask for the FREE CAL
disk of sample programs.  This is a compilation of 25 CAL programs that
were submitted during a CAL programming contest they had a year or two
ago.  These programs do lots of things, some of which may be close to
what you want to do.

Tony


Newsgroups: rec.music.synth
From: ecldco@ultb.isc.rit.edu (E.C. Loyd)
Subject: My Kawai Problems solved (?)
Originator: ecldco@ultb
Organization: Rochester Institute of Technology
Date: Fri, 4 Sep 1992 22:07:21 GMT

I think I've solved my Kawai K1-II problems.  For those that don't know
what I'm talking about, it would loose sound maps/patches after powering
down, and reset to some factory defaults.  I tracked it to a battery
that was not installed.  In other words, those of you who said "check
the battery, it may be dead," were only partially correct.  There is no
battery on the PCB, only the battery outline  saying, "Put the battery
here."

Since I bought it used, I'm waiting for the person I bought it from to
see if he can get it put in for me.  If not, I'll go to a Kawai dealer
or whatever and get it put in.  Thanks to all who responded.

-Eric

-- 
Eric C. Loyd                            ecldco@ritvax.isc.rit.edu
ISC/Data Center Operations              Phone: (716) 475-7320
Rochester Institute of Technology       FAX:   (716) 475-5306
Rochester, NY  14623  USA               All-In-One: LOYD EC (@a1.isc.rit.edu)
From: nsw@cbnewsm.cb.att.com (Neil Weinstock)
Newsgroups: rec.music.synth
Subject: rec.music.synth renaming discussion in news.groups
Date: 4 Sep 92 21:29:46 GMT
Organization: The Flying Squid Patrol

There is currently a discussion underway in news.groups to reorganize the
rec.music.makers hierarchy.  Among the newsgroups under discussion is
rec.music.synth.  The name "synth" is being questioned ("electronic" has
been suggested as an alternative), as is the possibility of splitting into
"synth" and "keyboard" groups (they seem to have been talked out of renaming
"synth" to "keyboard" for now.)

Anyway, I suggest that those who have an interest in this should go check
it out.

                                - Neil

--==--==--==--==--==--==--==--==--==--==--==--==--==--==--==--==--==--
Neil Weinstock @ AT&T Bell Labs         //     What was sliced bread
att!edsel!nsw or nsw@garage.att.com   \X/    the greatest thing since?
Newsgroups: rec.music.synth,rec.music.compose,comp.sys.mac.misc
From: jlc@atux01.att.com (Jim Collymore)
Subject: Need HELP/ADVICE on converting music to .ROL files
Followup-To: poster
Keywords: Musical compositins, Mac-to-PC platform, .ROL, MIDI, sound conversion
Organization: AT&T Corporate Education and Training
Date: Tue, 8 Sep 1992 14:05:45 GMT

I need some help (like, right away).

I recently submitted a tape of several of my musical compositions to someone
who needed theme and background music for his soon-to-be-released air combat
game program.  It is to run on the IBM-PC platform.  The good news is that he
liked my music and wants to use two of the works in the game.  The bad news is
that he needs to have the music placed in .ROL files so that they can be
put into the program.  THe .ROL file format, as far as he knows, is unique to
the IBM platform, and I work on a MAC.

Can any of you out there tell me how I can resolve this platform
incompatibility, or store my music in .ROL format from my Mac?  Or is there
some solution we haven't thought of?

If you have any suggestions, please send me e-mail ASAP.  I need to have this
resolved by September 18th at the latest.

Thanks for your help.

					Jim Collymore

p.s.  We can't do anything with MIDI files, because the music would still
have to be played back at his end with a MIDI setup using exactly the same
patches, synths and drum machines that I use to get the EXACT copy of the music.
Therefore, I don't think that any type of MIDI file conversion will work for
our needs in this situation.  However, please correct me if I'm wrong.
Newsgroups: rec.music.synth
From: qb7g6@fel.tno.nl (Maarten Landzaat)
Subject: Missing Cubase files: help!
Organization: TNO Physics and Electronics Laboratory
Date: Mon, 14 Sep 1992 14:08:32 GMT

Hi, recently I bought a second hand Cubase 2.0 for Atari, but it
seems that some example files and printer definitions are
missing. Is there a kind soul who will mail these files to me?

I'd really like to try the examples, especially the ones for
the IPS (Interactive Phrase Synthesizer).

Uuencoded/compressed/tarred/zooed/arced/zipped, everything is OK.

Thanks in advance!

Bye,
-- 
Maarten J. Landzaat (analyst/programmer, bass player, Atari/midi freak)
BSO/Aerospace & Systems			Mail: Spuistraat 97
Email: maarten.landzaat@fel.tno.nl	      1012 SV  Amsterdam
Phone: +31 20 6266098			      The Netherlands
Newsgroups: rec.music.synth
From: shiv@bnr.ca (Shiv Naimpally)
Subject: Re:      Time compression/expansion of samples
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Date: Fri, 11 Sep 92 18:11:56 GMT

In article <2741.9209111100@orsun.dcs.leeds.ac.uk>,         The Brown Bottle <ross-c@DCS.LEEDS.AC.UK> writes:
|> Hi.
|> 
|> Does anyone know of a good way of performing pitch-invariant time compression/
|> expansion of samples?
|> 
|> 
|> Does anyone have any suggestions?
|> 
|> Thanks in anticipation,
|> 
|> Ross-c


Buy a sample editor such as Steinberg's Avalon 2.0 that does pitch invariant
time compression/expansion of samples :-)
From: day@elmer.orl.mmc.com (Jim Day)
Newsgroups: rec.music.synth
Subject: Swapping M1 patches
Date: 14 Sep 92 14:09:20 GMT
Organization: Martin Marietta (Orlando, FL)

Sorry if this is a FAQ, but I am still new to this News Group, and fairly new to
the MIDI world.  I have a Korg M1, a Zenith AT (IBM compatible), a midi card, and
use Voyetra's Sequencer Gold Plus software.  I use SGP mostly for creating and
modifying my sequences but it also has a decent Librarian.  I can save my songs
in SGP format or one of the "standard" midi formats.  The M1 sounds I have are
stored in SPG format only (I believe).

Here is my question/problem.  I have a friend which also has an M1 and we want to
swap sound patches.  He lives far away, so we probably need to send the files via
floppy disks.  Is there a way that I can write my sound patches to floppy in some
"standard" format so he can use my patches? and vice versa...

I have read in this file that there are sites which have M1 patches stored for
people to FTP.  How are these files created so that anyone can download them to
their M1?  Am I missing something obvious to everyone else?

Thanks for any help you can provide this newcomer to the MIDI world!

Jim
-- 
+------------------------------+---------------------------------+	
| Jim Day                      | Office: 407/356-9603            |
| Martin Marietta,  MP1269     | FAX:    407/356-6808            |
| P.O. Box 628007              | Internet: day@elmer.orl.mmc.com |
| Orlando, FL  32862-8007      |                                 |
+------------------------------+---------------------------------+
From: rdm@hpdmd48.boi.hp.com (Bob Morrison)
Date: Tue, 8 Sep 1992 13:48:45 GMT
Subject: Re: Help with SY99
Organization: Hewlett Packard - Boise, ID
Newsgroups: rec.music.synth

/ hpdmd48:rec.music.synth / ochikubo@.etdesg.trw.com (Craig F. Ochikubo) /  6:49 pm  Sep  3, 1992 /
In article <8@bbx.basis.com> scott@bbx.basis.com (Scott Amspoker) writes:
>In article <1992Sep3.163829.6707@hpcvusn.cv.hp.com> bw@hpcvlx.cv.hp.com writes:
>>I am posting this for a friend who has an SY99.  This is a snippet of a 
>>message he sent me.  Any clues would be appreciated.  Thanks!
>>
>>  Also, if you ever come across synthesizer files on the Yamaha SY-99, I'd be
>>  interested in knowing if anyone else has had some baffling problems I've had
>>  with mine that Yamaha, at least on the phone, says they know nothing about.
>>[problems deleted]
>

I *have* had this problem.  It is a firmware bug that has been fixed--Yamaha
immediately sent me a replacement which was DOA (at which point I gave up and
got my money back).  They were very nice about it, though, so I would expect
you to get it fixed quickly.  I was wearing headphones when it happened to
me--it was pretty shocking.  I probably should have sampled it and called it
the "brain-excision patch"...

  Bob Morrison, noisemaker at rdm@hpdmd48.hp.com
From: dce@smsc.sony.com (David Elliott)
Newsgroups: rec.music.synth
Subject: Re: Captain Waldorf is blowing his top. (Re: Why I like the Mac for Music)
Date: 14 Sep 92 17:58:27 GMT
Organization: Sony Microsystems, San Jose, CA


In article <1992Sep9.115849@twinpeaks.gsfc.nasa.gov>, xrjdm@twinpeaks.gsfc.nasa.gov (Joseph D. McMahon) writes:
|> > In article <mxmora-040992140638@css-mac1.sri.com> mxmora@unix.sri.com (Matthew Xavier Mora) writes:
|> >    This way you can
|> >    write midi music for your apps and know that the user will be able to hear
|> >    the sound even if they don't have a midi synth.
|> I only wish I could send a copy of the Chain of Whispers to everyone who 
|> claims this.

It depends on what they are claiming.

If someone claims that a Standard MIDI File can contain enough
information to accurately reproduce a piece on any given set of
equipment, they are at best misguided.

On the other hand, if someone claims that a Standard MIDI File created
using General MIDI compliant equipment, and conforming to the General
MIDI standard, can be reproduced using any other General MIDI compliant
equipment, they are probably right.  (This doesn't mean that General
MIDI is "good" for music, but it does seem to be a pretty accurate form
of music reproduction.)

I still don't think that Chain of Whispers, as interesting as it may
be, can be used to prove or disprove much of anything (other than
proving how much of a jerk I can be ;-).

--
...David Elliott
...dce@smsc.sony.com | ...!{uunet,mips}!sonyusa!dce
...(408)944-4073
..."I take my arms and I wrap them around my art." - F
From: nick@dcs.ed.ac.uk (Nick Rothwell)
Newsgroups: rec.music.synth
Subject: Re: MIDI/SE-30
Date: 8 Sep 92 13:47:42 GMT
Organization: Naff Green Shorts Dance Co.
In-reply-to: bbs.cement@tsoft.sf-bay.org's message of 8 Sep 92 00:19:33 GMT

In article <aRaRqB1w165w@tsoft.sf-bay.org> bbs.cement@tsoft.sf-bay.org (Christopher Clement) writes:

   I need some advice on Apple's Midi Manager and the Mac SE-30. My friend 
   is using MOTU Performer V3.1, but the click function doesn't work. Also 
   the Midi manager does not recognize his version of Performer. What gives?

Update Performer to around 3.5 or later. (Current version is 4.01 in the US,
3.64 outside the US (don't ask).) The click function has always been a little
funny, but MIDI Manager operation came along a while ago and works fine.

Nick.
--
  Nick Rothwell, LFCS, Edinburgh | "Say, how many contemporary dancers are
               nick@dcs.ed.ac.uk |     there in this bar?"
CASSIEL Contemporary Music/Dance | "Dunno; count the Dr. Martens and
     cassiel@cix.compulink.co.uk |     divide by two..."
From: kml21025@UXA.CSO.UIUC.EDU (""da Ken-ster"")
Newsgroups: rec.music.synth
Subject: U220 vs SC-55...Help me Quick!!!!
Date: 5 Sep 92 03:52:33 GMT


   I've been wanting to get a new tone module for some time, but haven't had
the cash...  Now that I have a little, I was wanting to get advice on two that
I've had suggested to me.    

   I was looking at the Roland SC-55 because it has so many sounds, good  
polyphony and multitimbrality.  

   However, I talked to a couple of people who said that the U220 would be 
better.  The only thing is that it doesn't have nearly the multitimbral       
capabilities that the sound canvas does, but it's expandable as far as sounds.
Does the 6 or 7 part multitimbrality of the U220 become limiting?  Should I just
save up a little more and get a sampler?  What I'm looking for is real, high
quality sampled sounds or synth'ed sounds that offer a high degree of realism to
the real ones.  (No offense to synth'ers, but I've already got a pretty good 
synth engine...D50...) Now, I really need good orchestral and pop. sounds in one
unit.  Again, the SC-55 seems to have what I would need, but would the U220 be
better?   Ah, that is the power shopper's question...

   I need recommendations on this very quickly as someone has one for $495, and
I'm very eager to buy it (if that's a good price, please let me know if it's not
very good dollars and sense).    

						Thanks,

						   Ken
                        
Newsgroups: rec.music.synth,comp.sys.ibm.pc.soundcard
From: oss@itnsg1.cineca.it (Stefano Oss)
Subject: Re: SysEx progs for the PC
Organization: Laboratorio di Fisica Computazionale, INFM. Trento Italia
Date: Tue, 15 Sep 1992 07:13:26 GMT

sant_m@cho006.cho.ge.com writes:

>In article <BuFGFu.ByA@news.udel.edu>, jon@chopin.udel.edu (Jon Deutsch) writes:
>> I acquired the programs getit.exe and midiex.exe from various ftp
>> sites.  Both of them work fine as long as I'm sending SysEx data
>> to my synth.  But, neither program is allowing me to send SysEx data
>> from my synth to my PC.
>> 
>> Any advice?  I would really like to be able to do this ASAP!
>> 


>The shareware windows sequencer winjam at ftp.cica.indiana.edu can do
>this.  It has a nice sysex section that allows you to load and store
>the dumps as files, plus you can enter and save the dump request messages
>for each of your synths.

>Martan

what about doing the same thing but with an Atari computer?

                                                     Thanks, Stefano. 


-- 
 -------------------------------------------------------------------------- 
|  Stefano Oss                       | Internet:  oss@itnsg1.cineca.it     |
|                                    |            oss@itnvax.cineca.it     |
|  phone (+39)-461-881633            |                                     |
Newsgroups: rec.music.synth
From: plyall@lookout.it.uswc.uswest.com (Pete Lyall)
Subject: Re: Kurzweil 1000 PX - sounding thin over upper middle range.
Organization: U S WEST Information Technologies
Date: Thu, 10 Sep 1992 15:31:51 GMT

Greg - 

I have a Kurz 1000PX with A/B blocks, and the same roms as you. They
ARE made by Kurzweil, and so are your setups.

The 1000PX cuts off at around 10Khz as a function of the polyphony and
the technology at the time (verified with Kurzweil), but this is
hardly midrange. I tend to use beefed up velocities (using my Digital
Music MX-8 midi patchbay) by 'compressing' the velocities upward
(expanding) to get a punchier, brighter sound. A number of folks who
really like the high end also use an Aphex Aural Exciter type C to
generate new high end harmonics. I've found this unneccessary using
higher velocities, but using controller 7 to cut the volume. Also,
some of the piano patches are better than others. Experiment with the
layers, EQ, keyboard tilt, and any of the other JILLIONS of parameters
available in te 1000PX.

I bought mine almost 4 years ago exclusively for the piano, and I'm
not sorry. The A/B blocks really made it a powerhouse though.

Pete Lyall

-- 
Pete Lyall [USWest]        Compuserve: 76703,4230           Internet: plyall@uswest.com
---------------------------------------------------------------------------------------
"... So I picked up my pride from beneath the pay phone, and combed his breath 
right outta my hair. And sometimes, it's not so easy ..." J. Hendrix/My Friend
From: rmartin@ccu.umanitoba.ca (Richard Martin)
Newsgroups: rec.music.synth
Subject: Re: Who put the bomp in the bomp-she-bomp, ramalama-ding dong
Date: 13 Sep 92 03:51:50 GMT
Organization: University of Manitoba, Winnipeg, Canada


hehehehehe:)

R. Martin
Noise
Newsgroups: rec.music.synth
From: rej@sal.wisc.edu (Randy Jones)
Subject: Who put the acid in acid house? was Re: cheap acid bass drum
Organization: Hanatarashi
Date: Fri, 11 Sep 1992 21:19:25 GMT

In article <18jo5hINNfk6@uniwa.uwa.edu.au> scott@psy.uwa.oz.au (Scott Fisher) writes:
>I was lead to beleive that the term "acid" in "acid-house" comes from
>a slang term for "sampling".  Comments?


bollocks

-- 
| Randy Jones           | \B/
| rej@bob.sal.wisc.edu  | RXE
| 608 259 0311          | /O\
Newsgroups: rec.music.synth
From: nsw@cbnewsm.cb.att.com (Neil Weinstock)
Subject: Re: Michael Boddicker/The Magic Egg
Organization: The Flying Squid Patrol
Distribution: usa
Date: Wed, 9 Sep 1992 05:47:04 GMT

In article <1992Sep3.013554.2231@netnews.whoi.edu> capnal@aqua.whoi.edu (Al Duester) writes:
>I'd suggest thinking twice about buying The Magic Egg cassette.
>There is less than 16 minutes of music on it. The stuff added
>is soundtracky stuff - the soundsheet in Keyboard had most of the
>good stuff. I felt ripped off when I got mine!

I disagree, but perhaps that is because my first exposure to the music was
when actually seeing the Magic Egg.  At the time, my primary thought was
"What cool music!".  I was thrilled when I could order the tape.  Yeah, a
lot of it is sound effects, but it is a soundtrack after all, and when I
listen to it I'm reminded of when I saw the film, so I enjoy it.  Your
mileage may vary.

I do agree, though, that $8 is steep for a 15 minute tape.

>If you're a Boddicker compleatist, then go ahead.
>
>I also had to write a letter, as I didn't get the tape for over
>a month when I ordered it.

I don't recall any problem getting mine...

 __ _ _ _ _ _,--------------------------------------------------. _ _ _ _ _ _ 
/, \ \ \ \ \ \  Neil Weinstock @ AT&T Bell Labs, Liberty Corner  \ \ \ \ \ \ \
 | | | | | | |     believer in the horrendous space kablooie     | | | | | |
 \_/_/_/_/_/_/        att!edsel!nsw or nsw@edsel.att.com         /_/_/_/_/_/
             `--------------------------------------------------'
Newsgroups: rec.music.synth
From: stewart@ez2get.enet.dec.com (John Stewart)
Subject: stuff for sale
Keywords: sale
Organization: Digital Equipment Corporation
Date: 13 SEP 92 21:26:28    


	Cakewalk Pro 4.0 (DOS version), with registration card	$150

	Copyist Pro DTP (full featured scoring program)		$225

	PC MIDI Card						$75

	MIDISOFT Studio (windows-based sequencer program)	$150

	Turtle Beach MultiSound card (16 bit hard disk recording
	as well as Emu Proteus sounds & MIDI interface) with
        Wave Lite sound editing software			$625

	Roland SCC-1 (sound canvas & MIDI interface on an ISA
	bus card)						$350

	Key Electronics Midiator (serial to MIDI interface)
	MS-101							$85

	C.O.D. shipping not included...

-------
Don't use reply!  Send explicitly to Stewart@Ez2Get.enet.dec.com
-------