HDTenEightyP/NetNews huggingface dataset:
From: m4630@melsun0.mel.go.jp (Keiko Homma)
Newsgroups: fj.rec.music
Subject: Re: folklore
Date: 19 Nov 92 08:34:20 GMT
Reply-To: m4630@melsun0.mel.go.jp (Keiko Homma)
Distribution: fj
Organization: Mechanical Engineering Laboratory, AIST, MITI.

$B$[$s$^!w5!3#5;=Q8&5f=j$H?=$7$^$9!#(J
$B!t$7$P$i$/K;$7$/$F(Jfj.rec.music$B$rFI$a$J$$$G$$$?$i!"(J
$B$3$s$JOCBj$,$"$C$?$J$s$F!&!&!&(J
$B$*E9$NOCBj$OB>$NJ}$,$9$G$K=q$$$F$*$$$G$G$9$+$i!"(J

In article <3606@rdnew3.roland.co.jp> honda@roland.co.jp (Yukihiko Honda) writes:
>In article <Bxuy9I.D1L@sranhe.sra.co.jp> ikebe@sra.co.jp (Yuusaku Ikebe) writes:
>>  $B$3$l$C$F!"9-9p$K:\$C$F$?$N$O!"%P%C%/$,%"%k%^%8%m$N9C$G$G$-$?%d%D(J
>>$B$@$C$?$s$@$1$I(J ($B@h=5%$%7%P%7$K$$$C$?;~$K8+$?$N$O!"%"%k%^%8%m$8$c(J
>>$B$J$+$C$?$_$?$$$@$C$?(J) $B@N!"#T#V$N%K%e!<%9$@$+%I%-%e%a%s%?%j!<$@$+$G(J
>>$B8+$?!"%o%7%s%H%s>rLs$G$7$?$C$1!)(J $BF0?"J*J]8n$N>rLs$G!">]2g$H$+$Y$C9C(J
>>($B$O$^$@$@$C$?$C$1(J?) $B$H$+$N$h$&$K!"M"F~$G$-$J$$$_$?$$$JFbMF$N1GA|$G!"(J
>>$B@G4X$+2?$+$NDDNsC*$K$7$C$+$j%"%k%^%8%m!&%P%C%/$N$h$&$J893Z4o$,$"$C$?(J
>>$B$N$r21$($F$$$k$s$@$1$I!"Bg>fIW$@$C$?$s$G$9$+!)(J
>
>$B$=$&$$$($P!"$=$s$J%K%e!<%9$r$_$?$3$H$,$"$k$J$!!#(J
>$B$G$b9-9p$K$O!VK\J*$N%"%k%^%8%m$N9CMe$r;HMQ!*!W$C$F$J$C$F$k$s$@$1$I!"(J
>$B$I$&$J$s$G$7$g$&$+!)(J
>$BB>$K$b%.%?!<$d%&%/%l%l$N%\%G%#:`$K;H$o$l$k%O%o%$%"%s%3%"$O%O%o%$$+$iM"(J
>$B=P6X;_$K$J$C$F$$$^$9$,!"$9$G$KM"=P!J%"%a%j%+K\EZ$KBP$7$F$b4^$a$F!K$5$l(J
>$B$?J,$K4X$7$F$O<+M3$K<h0z$5$l$F$$$k$_$?$$$G$9$+$i!"%"%k%^%8%m$b$=$N8}$+(J
>$B$b$7$l$^$;$s!#(J

$B%"%k%^%8%m$N9CMe$r;H$C$?%A%c%i%s%4$O%o%7%s%H%s>rLs$K$R$C$+$+$k$H(J
$B;W$$$^$9!#$?$@!">\$7$$$3$H$O$h$/CN$i$J$$$N$G$9$,!"5v2D$,$"$l$P(J
$BM"F~$G$-$k$N$@$=$&$G$9!#(J
$B0JA0%Z%k!<$G%A%c%i%s%4$rGc$C$?$H$-$K$O>rLs$N$3$H$,5$$K$J$C$?$N$H(J
$B$b$H$+$i=C=-$$$N$,6l<j$@$C$?$N$GLZD&$j$N%A%c%i%s%4$K$7$^$7$?$,!"(J
$B:G6aCf9q$K9T$C$?CN9g$$$NJ}$K!"%K%7%-%X%S$NHi$,;H$o$l$F$$$k$3$H$r(J
$BCN$i$:$K8U5]$r$*$M$@$j$7$?$i!"$7$C$+$j@G4X$G$R$C$+$+$C$F$7$^$C$?(J
$B$H$N$3$H$G!":#<j85$K$O6;$ND%$jNv$1$F$7$^$C$?8U5]$,!&!&!&(J(;.;)

$B!t%j%^$N6u9A$G%Y%K%d$+%i%o%s$K%"%k%^%8%m$N9CMe$r$O$C$?%A%c%i%s%4$r(J
$B8+$^$7$?$,!"$"$s$J$N$K$5$l$?$i%"%k%^%8%m$bIb$+$P$l$J$$!&!&!&(J
-- 
$B$"$J$?$,!!:#F|$b!!L@F|$b!!$$$D$^$G$b(J
$B!!!!!!0&$KJq$^$l$F$$$k$h$&$K(J                Keiko "Neko" Homma
         from "Prayer"                      address:keiko@mel.go.jp
From: d00476@cfi.waseda.ac.jp (Bunji Yamamoto)
Subject: Re: Roadrunner
X-Nntp-Posting-Host: tukuba.cfi.waseda.ac.jp
Organization: School of Literature, Waseda University
	<SIBATA.92Nov18193539@atal.itakura.nuee.nagoya-u.ac.jp>
Distribution: fj
Date: Wed, 18 Nov 1992 17:31:47 GMT

$@$d$^$b$H$V$s$8!w%^%s%\Bg3X$G$9!#(J

In article <SIBATA.92Nov18193539@atal.itakura.nuee.nagoya-u.ac.jp>,
     sibata@itakura.nuee.nagoya-u.ac.jp writes:

> $@%8%g%s%>!<%s$N#C#D$O!"#C#D20$N8=Be2;3Z$N%3!<%J!<$G$O$^$:8+$D(J
> $@$+$i$J$$$G$7$g$&!#(J

$@E9$K$h$C$F$O!"JQBV2;3Z$NC*$K$*$$$F$"$k$3$H$b!D!J$=$s$JC*$J$$$+!K!#(J

>  $@$=$l0JA0$NH`$O!"$"$^$jNI$/CN$j(J$@$^$;$s$,6/Nu$J%U%j!<%8%c%:$r$d(J
> $@$C$F$$$?$h$&$G!"$=$N$3$m$NO?2;$G$O%m!<%+%92?$H$+$H$$$&%W%m%8(J
> $@%'%/%H(J$@$N$b$N$,$"$j$^$9!#(J

$@$$$o$f$k%U%j!<%8%c%:$H$O>/$70c$&$h$&$J5$$b$7$^$9$,!D(J
$@!V%2!<%`M}O@!W$H$+!V%U%!%$%k(J$@%+!<%I!W$J$I$rMQ$$$F!H:n6J!I(J
$@$7$F$?$s$G$9$h$M!#(J
$@$=$N$3$m$N:nIJ$,(J "Cobra" $@$G$"$j(J "LOCUS SOLUS" $@$H$$$&$o(J$@$1$G$9!#(J

"LOCUS SOLUS" $@$O(J1983$@G/:"$N(J Arto Lindsay, Christian Marclay,
$@$"$k$$$O(J Ikue Mori, Wayne Horvitz $@$i$H$N%W%m%8%'%/%H$G!"(J
$@8=:_$O(J wave/eva $@%l!<%Y%k$+$i#C#D$,F~<j$G$-$^$9(J(wwcx 2035)$@!#(J

> 1.Pain Killer $@!V=h=w$N$O$i$o$?!W(J(Guts Of A Virgin)
> 2.Naked City $@!V9iLdE79q!W(J(Torture Garden)
> 3.John Zone $@!V%3(J$@%V%i!W!JFsKgAH!K(J

$@$&!<$s!"$3$NCf$G$O(J "Cobra" $@$7$+;}$C$F$J$$$J$"!#(J
$@$7$+$7!"$d$C$Q$j(J John Zorn $@$G$*%9%9(J$@%a$C$D$?$i!"(J

$@!&(JSPY VS SPY  - The Music of Ornette Coleman
$@!&(JNaked City $@!J(J1st$@$NJ}!K(J

$@$H$+$G$O$J$$$G$7(J$@$g$&$+!#$I$C$A$b$($i$$6/NO$G$9!#(J

> $@B>$K$b$$$m$$$m$J2;3Z$r$d$C$F$$$F!"O?2;$bB?$$$h$&$G$9!#(J

$@$\$/$b40A4(J$@$J%j%9%H$,M_$7$$$s$G$9$,!"FC$K(J'80$@G/BeA0H>$NO?2;$O(J
$@:FH/$b$5$l$J$$$^$^$G;D$C$F$$$k$h$&$G$9!#(J

> $@$H$K$+$/(J$@!"8=Be2;3Z$N%8%c%s%k$KF~$l$k$N$J$i!"%8%g%s%1!<%80J>e(J
> $@$K@Z$l$F$$$^$9!#(J

John Cage $@$HHf$Y$k$N$OFq$7$$(J$@$H;W$$$^$9$,(J
$@!J$=$&$$$&$3$H$O(Jfj.rec.music.classical$@$KG$$;$A$c$*$&(J;-$@!K(J
$@8=Be2;3Z$NB&$+$i8+$F$b=EMW$J:n6J(J$@2H$N0l?M$J$s$G$7$g$&$M!#(J
$@$G$b!"H`$O8=Be2;3Z$H$+F|K\$N2NMX6J$@$H$+!"%O!<%I%3%"$H$+(J
$@Cf@$2;3Z$@$H$+!"$=$&(J$@$$$C$?%8%c%s%kJ,$1$O$7$F$J$$$H;W$$$^$9!#(J(*)

# $@@Z$l$F$k$N$O4V0c$$$J$$$1$I!#(J;-p

(*)$@4,>e8x0l!V;&$7$N%V(J$@%k!<%9!W;2>H(J :)
   Pain Killer + $@3%Ln7IFs(J + $@4,>e$K$h$k!V%^%j%"%s%L!W$O@dIJ(J :-)

--
$@!U$"$J$?$OKM$N6;$N(J$@8]F0$rA}I}$9$k%"%s%W%j%U%!%$%d!<(J
$@!U$d$^$b$H$V$s$8(J  - Mambo Universitario -
From: okuno@cis.canon.co.jp (Okuno Yasuhiro)
Newsgroups: fj.rec.music
Subject: Re: folklore
Date: 20 Nov 92 01:06:55 GMT
	<2538@melsun0.mel.go.jp> <3607@rdnew3.roland.co.jp>
Distribution: fj
Organization: Canon Inc., Kawasaki, Japan
In-reply-to: honda@roland.co.jp's message of 19 Nov 92 11:18:25 GMT

$@1|Ln!w%-%d%N%s$G$9!#(J

$@:G=i$N<ALd$+(J$@$i$O!"$:$l$F9T$C$F$^$9$,(J:-)$@!"KM$N$H$3$m$K$O(J
$@Ce!9$H>pJs$,=8$^$C$F$$$^$9!#(J

$@%a%$%k!"$^$?$O%K%e!<%9$G$$$m(J$@$$$m65$($F2<$5$C$?J}!"K\Ev(J
$@$K$"$j$,$H$&$4$6$$$^$9!#$^$H$^$C$?$iJs9p$7$^$9$N$G!"$*(J
$@BT$A2<$5$$!#(J

$@$5$F!"(J$@OC$O$3$C$A$K$N$j$+$o$k$s$G$9$,!"(J

In article <3607@rdnew3.roland.co.jp> honda@roland.co.jp (Yukihiko Honda) writes:

honda> $@$G$b$J$!!"3Z4o$G;H$o$l$k%"%k%^%8%m$d%X%S!"B>$K$b:`LZ$N%O%+%i%s%@(J
honda> $@$NNL$C(J$@$F!"B>$NL\E*$G;H$o$l$kNL$H3S$Y$F>/$J$$$H;W$&$s$G$9$h!#(J

$@$(!<$C$H!"%O%+%i%s%@$C$F!"M"F~6X;_!J%"%k%^%8%m(J$@$HF1$80U(J
$@L#$G!K$J$s$G$9$+!)2?$+LdBj$K$J$C$F$k$s$G$9$+!)(J

$@:G6a!"%.%?!<$K$OA4A3>\$7$/$J$$$s$G$9$,!"%O%+(J$@%i%s%@$,M"(J
$@=P6X;_$K$J$C$?$N$O!V4]B@$N:`LZ$H$7$F!W$@$C$?$H;W$$$^$9!#(J
$@$?$@$7!"$=$l$O!"KM$,>.3X@8$+Cf3X@8(J$@$N:"$NCN<1$G$9$N$G!"(J
$@$"$F$K$J$i$J$$$1$I!#(J

$@$3$l$O!"C1$K!"%O%+%i%s%@$,<gMW$JM"=PIJL\$G$"$C$?86;:9q(J
$@$N!"(J$@!VCO85$KMx1W$r!W$H$$$&@/:v$+$i$-$?$b$N$G!J$3$NK!N'(J
$@$G9qFb$N@=:`=j$,$b$&$+$k$3$H$K$J$k!K!":`LZ$NJ]8n$J(J$@$s$+(J
$@$H$OL51o$N$h$&$J5$$,$7$F$$$?$s$G$9$,!":#$OJ]8n$5$l$F$$(J
$@$k$N$+$J!)(J

$@$G!"%.%?!<%a!<%+!<$N%^!<%A%s$O(J$@!":`LZ$GGc$C$F!"$8$C$/$j(J
$@!J#1#0G/C10L$N!K4%Ag!"4IM}$r9T$C$F!";O$a$F;H$&!"$H$$$&(J
$@9)Dx$r$H$C$F$$$k$?$a!"(J$@$J$/$J$/%O%+%i%s%@$r$"$-$i$a$?$s(J
$@$@$H;W$$$^$9!#@N$N%X%j%s%\!<%s$N#D!]#2#8!J;XHD$N%^!<%/(J
$@$,%@%$%d%b%s%I(J$@$C$]$$$d$D!K$O%O%+%i%s%@$G$9$,!"$=$N8e$N(J
$@!JI=HD$NOH$+$6$j$,%9%H%i%$%W$N%G%6%$%s$G;XHD$N%^!<%/$,(J
$@%I%C%H(J$@!K#D!]#2#8$O0c$C$?$O$:$G$9!J$=$N:"$O$3$l$,8=Lr>&(J
$@IJ!K!#$$$^$N%X%j%s%\!<%s$N#D!]#2#8!J$C$F$"$j$^$9$h$M(J$@!)!K(J
$@$O$I$&$J$s$@$m$&(J....$@!#(J

$@$=$N$3$m!"9q;:IJ$N9b5i$N$b$N$K$O%O%+%i%s%@$,;H$o$l$F$$(J
$@$?$1$I!"%^!<%A%s$N(J$@%]%j%7!<$+$i$7$F!"$^$?;H$&$h$&$K$J$C(J
$@$?$H$O;W$($J$$$G$9$M!#(J

honda> $@Au>~IJ$J$s$+$K$J$C$F!"$?$@C1$K>~$i(J$@$l$k$h$j$b!"3Z4o$H$7$FB?$/$N?M$K(J
honda> $@;H$o$l!"46F0$d3Z$7$_$rM?$($k$J$i5v$7$FM_$7$$$J$H9M$($k$N$O!"$?(J$@$s$K(J
honda> $@2;3Z!&3Z4o9%$-$J?M4V$N%(%4$J$N$G$7$g$&$+!#(J

$@$-$C$Q$j!"$=$&$G$7$g$&(J:-)$@!#(J

$@Au>~IJ$G3Z$7$_$r(J$@46$8!"46F0$9$k?M$@$C$F!"$b$A$m$s$$$^$9!#(J
$@$"$l$bJ82=$@$7!"2;3Z$bJ82=(J:-)$@!#(J

$@!t(J $@%^!<%A%s$N%.%?!<$O!"$5$o(J$@$C$?$3$H$b!"CF$$$?$3$H$b$J$$!#(J

 $@1|LnBY90(J  $@%-%d%N%s3t<02q<R(J
  okuno@cis.canon.co.jp
Xref: sparky fj.rec.music:4484 fj.rec.music.classical:1084
From: satton@huie.hokudai.ac.jp (Satoshi Yoshizawa)
Newsgroups: fj.rec.music,fj.rec.music.classical
Subject: Re: Roadrunner
Date: 18 Nov 92 10:25:00 GMT
Followup-To: fj.rec.music
Distribution: fj
Organization: Div. of Inf. Eng., Hokkaido Univ., Sapporo, Japan.
In-reply-to: satton@huie.hokudai.ac.jp's message of 16 Nov 92 17:48:30 GMT

$@$5$C$H$s!wKLBg(J $@$G$9!#$$$d!"$*CQ$:$+$7$$!D(J

In article <SATTON.92Nov17024830@ips6.huie.hokudai.ac.jp> satton@huie.hokudai.ac.jp (Satoshi Yoshizawa) writes:

 >$@F|MKAaD+$NHVAH!VBjL>$N$J$$2;3Z2q!W$J$s$G$9$,!"%"%3!<%G%#(J
 >$@%*%s$NM-L>$i$7$$AU<T$,!"$=$N$R$H$N$?$a$K:n6J$5$l$?6J$r(J
 >$@1iAU$7$?$s$G$9$1$I!"$=$N6JL>$H$$$&$N$,!V%m!<%I%i%s%J!<!W(J
 >$@$H$$$C$F%"%a%j%+$N8=Be2;3Z2H!"%8%g%s!&%>!<%s$N:nIJ$@$H(J
 >$@$$$&$3$H$G$7$?!#(J

$@$3$N6J$K$D$$$F(J $@Cf86!w(JNTT$@%G!<%?DL?.$5$s$H(J $@1sF#!wIY;N%<%m%C%/%9(J
$@$5$s$+$i%j%W%i%$!&%a%$%k$r$$$?$@$-$^$7$?!#(J

$@$=$l$K$h$j$^$9$H!"$3$N!X%m!<%I%i%s%J!<!Y$H$$$&6J$O%t%#%G%*(J
$@%2!<%`$rBj:`$K$7$?$b$N$G$O$J$/!"!V$_$_!W$H$+$$$C$F%.%e!<%s$H(J
$@$@$A$g$&$_$?$$$JJQ$JD;$+Av$C$F$$$/%"%K%a$N!X%m!<%I%i%s%J!<!Y(J
$@$r$b$H$K$7$?$b$N$@!"$H$$$&$3$H$G$7$?!#(J

$@!t%t%#%G%*!&%2!<%`$,Bj:`$@$HL55!<AE*$G$5$i$K$h$+$C$?$H;W$&(J
$@!t$N$@$,$J$!(J (-_-;;

$@2;8;$O$3$l$+$i5$D9$KC5$7$F$_$h$&$+$H;W$$$^$9!#$I$&$b$"$j$,(J
$@$H$&$4$6$$$^$7$?!#(J


$@K'Bt(J  $@Ao!wKLBg(J.$@9)(J.$@>pJs(J.$@#D#2(J
From: sato@e.dendai.ac.jp (Takehide SATO)
Newsgroups: fj.rec.music
Subject: Re: DAWN AT 6 [Re: Y.T Live Repo. (10/3)]
Date: 18 Nov 92 13:11:19 GMT
	<BxwLpv.DHs@ulis.ac.jp>
Distribution: fj
Organization: Tokyo Denki University, Kanda, Tokyo, 101 Japan
In-reply-to: a113@ulis.ac.jp's message of 18 Nov 92 17:46:43 JST


	$BEEBg!":4F#$G$9!#(B
In article <BxwLpv.DHs@ulis.ac.jp> a113@ulis.ac.jp (Ikeda Yasushi) writes:


>> >$BCF$1$k%J%$%H$G$7$?$C$1(B$B!#$?$7$+?9@nH~Jf$H$d$C$F$$$?!&!&!&(B
>> 
>> $B!!$b$C$H0c$&HVAH$@$C$?$H;W$$(B$B$^$9!#(B
>> $B$O$8$1$k%J%$%H$O%I!<%J%D#6$HF1$8$3$m$G=*$o$C$?HVAH$N$O$:$G$9(B$B!#(B

	$B$M$=$S$l%J%$%H(B $B%-%c%A%_!<(B $B$G$7$?$C$1!)(B

 # $BA0$K$b$3$N<j$NOC$7=P$^$7(B$B$?$M!#(B
--
					$B!y(B ------------------------------ $B!y(B
					  $BEl5~EE5!Bg3XBg3X1!(B $B#M#1(B $B:4(B$BF#Ip=((B   
						  $B#E")(B sato@e.dendai.ac.jp   
					$B!y(B ------------------------------ $B!y(B
Newsgroups: fj.rec.music
From: sasaki@pms.titech.ac.jp (Takeshi Sasaki)
Subject: Re: DAWN AT 6 [Re: Y.T Live Repo. (10/3)]
Organization: Tokyo Intitute of Technolog, Yokohama, Japan.
	<728@adacgw.adac.co.jp> <BxwLpv.DHs@ulis.ac.jp>
Distribution: fj
Date: Thu, 19 Nov 1992 04:36:54 GMT

$@;O$a$F$NEj9F$G!"%U%)%m!<$7$^$9!#:4(J$@!9LZ!wEl9)Bg$G$9!#(J

In article <BxwLpv.DHs@ulis.ac.jp> a113@ulis.ac.jp (Ikeda Yasushi) writes:
   In article <728@adacgw.adac.co.jp> suzuki@adac.co.jp (SUZUKI Hiderou) writes:
   >$@NkLZ!w#A#D#a#C$G$9!#(J

   >$@$=$l$G;W$$=P$7$^$7$?!">>2,D>Li$H650i%F%l%S$G$d$C$F$?$N!"2?$G$7$?$C(J
   >$@$1!#(J

   $@!!!V%Y%9%H%5%&%s%I(J$@!J#2$@$C$?$+$b!#$h$/3P$($F$$$J$$!#!K!W$G$7$g$&!#(J

$@!V%Y%9%H%5%&%s%I#4!W$@$C$?$H;W$$$^$9!#HVAH$NESCf$+$i(J$@C+B<$5$s$OEP>l$7$F(J
$@$$$^$7$?!#(J

$@$A$g$C$H85%M%?$H$O4X78$J$$OC$7$K$J$j$^$9$,!#(J

$@$3$NEv;~$N>>2,D>Li%0%k!<(J$@%W$K$O!"!V%*%k%1%9%?!&%G!&%i!&%k%9!W$N%+%k%m%9(J
$@?{Ln$5$s$d!"!V%W%j%:%`!W!JC+B<$5$s$N%"%k%P%`L>$G$O$"$j(J$@$^$;$s!#%P%s%I$N(J
$@L>A0$G$9!#!K$NOBED%"%-%i!"LZB<K|:n$NN>;a$,$$$F!"HVAH$NCf$G$b1iAU$7$F$$(J
$@$^$7$?!#(J

$@!t$J(J$@$s$+!"%4%_%U%)%m!<$K$J$C$F$7$^$$$^$7$?!#(J(^_^;)

$@2;3Z$O9%$-$J$N$G!"$3$l$+$i$b;~!9$G$F$3$h$&$H;W$C$F$$$^(J$@$9!#$I$&$>$h$m$7(J
$@$/$*4j$$$7$^$9!#(J
--
----------$@El5~9)6HBg3X(J $@>pJs9)3X2J(J $@#4G/(J $@:4F#!&>.?y8&(J--------
----------        $@:4!9LZ(J  $@7r(J  SASAKI Takeshi       --------
----------     E-mail: sasaki@pms.titech.ac.jp     --------
From: ken@psrc.isac.co.jp (Ikuko "KEN" Yamamoto)
Newsgroups: fj.rec.music
Subject: Ticket INFO '92.11.18
Keywords: METALLICA,WILDSIDE
Date: 18 Nov 92 03:06:25 GMT
Distribution: fj
Organization: ISAC,Inc. (International Sekisui AI Corporation) JAPAN


$B!!$3$s$K$A$O!#0<$5$s!s;3K\!w%"%$%6%C%/$G$9!#(B
$B(B  $B:#F|$O=BC+8x2qF2$G(B DREAM THEATER $B$G$9!#(B:)

  METALLICA $B$H(B WILDSIDE $B$NMhF|8x1i$NF|Dx$,!":#F|$ND+4)$KH/I=$5$l$^$7$?!#(B
$B(B
$B(B $B!{(B METALLICA

  $B#37n#1#6F|(B($B2P(B)  $B#6!'#3#0#p#m!!El5~!'Be!9LZ%*%j%s%T%C%/%W!<%k(B
$B(B  $B!!!!#1#7F|(B($B?e(B)  $B!!!!!7!!!!!!!!!!!!!!!!!!!!!!!7(B
$B(B  $B!!!!#1#8F|(B($BLZ(B)  $B#7!'#0#0#p#m!!?@F`@n!'2#IM%"%j!<%J(B
$B(B
$B(B  $B>7f[85!'%&%I!<2;3Z;vL3=j(B
$B(B  $B<g:E!!!'#T#B#S(B
$B(B  $B8e1g!!!'#b#a#y#f#m!V%Q%o!<!&%m%C%/!&%H%%%G%$!W(B
$B(B
$B(B  $B#S!'#6#5#0#01_!"#A!'#5#5#0#01_(B
$B(B
$B(B  $BA0Gd$j!"EEOCM=Ls!!#1#17n#2#1F|(B($BEZ!K$h$j!#(B
$B(B  $B$T$"!"4]0f%A%1%C%H$T$"!"%A%1%C%H%;%>%s(B($B2#IM%"%j!<%J$N$_(B)$B6&$KFCEE$G$9!#(B
$B(B
$B(B $B!{(B WILDSIDE

  $B#27n!!#4F|(B($BLZ(B)  $B#7!'#0#0#p#m!!?@F`@n!'%/%i%V%A%C%?@n:j(B
$B(B  $B!!!!!!#5F|(B($B6b(B)  $B!!!!!7!!!!!!!!!!!!!!!!!!!7(B
$B(B
$B(B  $BLd$$9g$o$;!'%[%C%H%9%?%C%U(B 03-5839-9999

  $B#5#5#0#01_(B
$B(B
$B(B  $BA0Gd$j!"EEOCM=Ls!!#1#17n#2#0F|(B($B6b!K$h$j!#(B
$B(B  $BLd$$9g$o$;@h$G$NEEOCM=Ls$O#1#17n#1#9F|(B($BLZ(B)$B#1#8;~$h$j!#(B
$B(B
$B(B  Special Guest $B$G!"#4F|$O(B ex-ANTHEM $B$N?9@n(B $BG7M:$N(B New Project HOLLYWOOD$B!"(B
$B#5F|$O(B RABBIT$B!?(BDED CHAPLIN $B$,=P1i$9$k$h$&$G$9!#(B
$B(B ------------------------------------------------------------------
                                      Pull Me Under / DREAM THEATER :BGM
                                                ken@psrc.isac.co.jp :E-mail
                                                          ISAC,Inc. :Co.
From: a113@ulis.ac.jp (Ikeda Yasushi)
Newsgroups: fj.rec.music
Subject: Re: DAWN AT 6 [Re: Y.T Live Repo. (10/3)]
Date: 18 Nov 92 08:21:20 GMT
Distribution: fj
Organization: Univ. of Lib. & Info. Sci., Tsukuba, Japan

In article <727@adacgw.adac.co.jp> suzuki@adac.co.jp (SUZUKI Hiderou) writes:
>$BNkLZ!w#A#D#a#C$G$9!#$3$N%M%?!"$H$-$I$-:FH/$9$k$h$&$G$9$M!#(J

$B!!$=$&$J$s$G$9$+!*(J(^_^;


>From article <Bxuswp.6n6@ulis.ac.jp>
>	by a113@ulis.ac.jp (Ikeda Yasushi)
>> $B$^$@C+B<M-H~$,2N<j%G%S%e!<!J%G%S%e!<$H8@$o$J$$$N$O!"$b$&$3$NHVAH$G@$$K=P$F$$$?$+$i!K(J
>> $B$9$k$+$7$J$$$+$N:"$+$i!"#3#r#d%"%k%P%`!V#H#e#a#r!W$N=P$k>/$7A0$^$G#T#B#S$G(J
>> $BD+$N#6;~$+$i$d$C$F$$$?#3#0J,HVAH$G$9!#%M%C%H$7$F$$$?$+$O$o$+$j$^$;$s!#(J
>> $B!!$G!"=P1i<T$O$H$$$&$H!"C+B<M-H~$O$b$A$m$s!"#K#A#N$d@P9u8-!">>2<M3<y$J$I$G$7$?!#(J
>> $B$"$H$O!"6I%"%J$N2,ED$5$s$G$7$?!#(J
>
>$B$"$"$C!"CgB<CN2F$A$c$s$H%O%!!A%$EDCfN'$C$A$c$s$rK:$l$?$J$!$"!*$Y$D(J
>$B$K$$$$$s$G$9$1$I$M(J;-)

$B!!$Y$D$KK:$l$?$o$1$G$O$J$$$G$9!#=q$+$J$+$C$?$@$1!#(J(^_^;
# $BCgB<CN2F$bEDCfN';R$b7y$$$8$c$J$$$h!#N'$C$A$c$s$O9%$-$JJ}$@$C$?!#(J


>$B!t$G$b$5$9$,$KMKF|$^$G$O$*$\$($F$$$J$$$J!#7nCN2F!"2PM-H~!"?eN'!"6b(J
>$B!t2,(J&$BC+!"$/$i$$$O9g$C$F$k$+$7$i!)$[$+$O$b$&K:$l$?!#(J

$B!!7nMKF|$O@P9u8-$b=P$F$^$7$?!#$G!"=i$a$N:"$OC+B<M-H~$,$[$H$s$IKhF|=P$F$$$?(J
$B$h$&$K5-21$7$F$$$^$9!#(J


>$B$=$&$$$d!"CgB<CN2F$H$+>>2<M3<y$J$s$+:G6a$OL>A0$bJ9$+$J$$$J$"!#$I$&(J
>$B$7$A$c$C$?$s$G$7$g$&!#%9%o%s$NN^!J$=$&$$$($P$=$s$J$N$b$"$C$?!&!&!&(J

$B!!>>2<M3<y$O$?$^$K=P$F$-$^$9$,!"CgB<CN2F$O$I$&$7$?$s$G$7$g$&$M!#(J


----------------
$B!!!!Kb!w?^>pBg(J                           (E-Mail: a113@ulis.ac.jp)
  University of Library and Information Science, Tsukuba, Japan. 
$B!F2#IMBgMN%[%(!<%k%:$OITLG$G$9!G(J
$B!!!!#F#a#i#t#h2q0w#N#o!%(J027-12125,$B%=%i%_%_%/%i%V2q0w#N#o!%#4!)!)!)(J
From: hideo@tansei.cc.u-tokyo.ac.jp (KANNO Hideo)
Newsgroups: fj.rec.music
Subject: [Jazz-Fusion] Chick Corea "Three Quartets"
Keywords: Michael Brecker, Eddie Gomez, Steve Gadd, Steps Ahead
Date: 16 Nov 92 01:29:37 GMT
Distribution: fj
Organization: Computer Centre, University of Tokyo

"Chick Corea / Three Quartets"  (GRP/Stretch Records STD-1103)

$B$r(J11/15$B$KK\8|LZ(JHMV$B$GGc$$$^$7$?(J($B$J$<K\8|LZ$+$o$+$C$??M$O0N$$!*(J)$B!#(J
$B2?$r:#99$H;W$o$l$k$G$7$g$&$,!"(J1992$BG/(J8$B7n:FJT=8$N$b$N$G$9!#$R$g$C$H$7$?$i!"(J
$B$b$&OCBj$K$J$C$?(J($B$$$D=P$?$N$+$J(J)$B$N$+$b$7$l$^$;$s$,!"$3$N(JCD$B$NFCD'$O!"(J
$B%*%j%8%J%k$N%"%k%P%`$KL$H/I=6J$,(J4$B6JDI2C$5$l$F$$$k$3$H$G$9!#(J

Chick Corea(p), Michael Brecker(ts), 
Eddie Gomez(b), Steve Gadd(ds)
Recorded January and February, 1981

1.Quartet No.1
2.Quartet No.3
  Quartet No.2
3.Part 1(Dedicated to Duke Ellington)
4.Part.2(Dedicated to John Coltrane)

(Previously Unreleased / Mixed August, 1992)
5.Folk Song
6.Hairy Canary
7.Slippery When Wet
8.Confirmation (C. Parker)

5.$B$O!"(JNHK-FM$B$G%U%i%s%9$N%8%c%:%U%'%9$r<h$j>e$2$?$H$-$K!"(J
$B!!(JJoe Henderson, Gary Peacock, Roy Haynes $B$G$d$C$F$^$7$?!#(J
6.-7.$B$O!"2{$+$7$$ED1`%3%m%7%"%`$G$N%i%$%V%"%s%@!<%6%9%+%$$G1iAU$5$l$F$$$^$9!#(J
7.$B$O!"(JTrio Improvisations (ECM-1232) $B$K$bF~$C$F$^$7$?$h$M!#(J
8.$B$O!"(JBrecker$B$H(JGadd$B$,%G%e%*$G!"9%$-$J$h$&$K$d$j$^$/$C$F$^$9(J^_^$B!#$=$&$$$($P!"(J
  "Bud Powell"$B$H(J8.$B$O$A$g$C$H;w$F$$$F!"(JBrecker$B$OF1$8$h$&$J%U%l!<%:;H$C$F$^$9!#(J

Corea$B$N%3%a%s%H$K$h$k$H!"O?2;$N$H$-!";~4V$,M>$C$?$N$G$d$C$F$_$?$b$N$@$=$&$G$9!#(J
$B$3$N%+%k%F%C%H$NA4JF%D%"!<$G$O!"(J6$B$O$7$P$i$/$d$C$?$1$I!"(J5,7$B$O0lEY$b$d$i$J$+$C(J
$B$?!#:G=i!"$3$N(J4$B6J$O!":FH/$K$"$?$C$F!"%"%k%P%`$N%`!<%I$r2u$79g$o$J$$$H9M$(!"F~(J
$B$l$J$$J}$,$h$$$H;W$C$?$,!"3Z$7$s$G$b$i$*$&$HF~$l$k$3$H$K$7$?!"$H$N$3$H$G$9!#(J

$B$3$&$$$&4k2h$O!"%j%9%J!<$H$7$F$b4r$7$$$7!"$"$C$A$b$b$&$+$k(J^_^$B!#$a$G$?$$!#(J
--
            _      .---  KANNO HIDEO     kanno@tansei.cc.u-tokyo.ac.jp 
  _________/ |__--'@/    Dept. of Biophysics & Biochemistry, Univ. of Tokyo
 (__PAN AM/__|__===-~    3-1, Hongo 7-chome, Bunkyo-ku, Tokyo 113, JAPAN 
                         JALNET: JAL13073, MIX: kanno_h, NIFTY-Serve: GFC00670
From: ikeda@nttmhs.ntt.jp (Akio *GARCONS* Ikeda)
Newsgroups: fj.rec.music
Subject: Re: DAWN AT 6 [Re: Y.T Live Repo. (10/3)]
Date: 20 Nov 92 03:55:53 GMT
Reply-To: ikeda@nttmhs.ntt.jp
Distribution: fj
Organization: NTT Telecommunication Networks Labs. YOKOSUKA, JAPAN

In "fj.rec.music", about "Re: DAWN AT 6 [Re: Y.T Live Repo. (10/3)]",
    (<732@adacgw.adac.co.jp>), suzuki@adac.co.jp (SUZUKI Hiderou) says:
> $@$3$l$_$?$$$J$"!#$;$a$F9f?t$@$1$G$b65$($FD:$1$J$$$G$7$g$&$+!#$=$l$,(J
> $@$o$+$l$P#M#o#m#o#c#oB7$($N3d$H$$$$K?8EK\20$KC5$7$K$$$1$^$9$+$i!&!&!&(J

$@=IBj$K$5$;$F$/$@$5$$!##M#o#m#o#c#o$O@N$+$i$"$k;(;o$J$N$G!"$=$NBgNL$J(J
$@%P%C%/%J%s%P!<$+$i3:Ev$9$k5-;v$rA\$7=P$9$N$O6lO+$J$N$G!#(J

$@A4It8+$D$1=P$9$N$OFq$7$$$N$G!"$H$j$"$($:$R$H$D$G$b8+$D$+$C$?;~E@$G(J
$@$=$l$r$*CN$i$;$7$^$9!#(J

$@!!#C#O#M#M#E!!#d#e#s!!#G#A#R#C#O#N#S(J
$@!!!!!!!!!!!!!!!!!!!!!!!!!!!!!-!!!!!!!!!!!!CSED!!>;IW!w#1#9:P%/%i%V!t#1(J
$@!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!(Jikeda@nttmhs.ntt.jp
From: sasai@vdrl.src.mei.co.jp (Akira Sasai)
Newsgroups: fj.rec.music
Subject: [Blues] Question
Date: 20 Nov 92 03:43:40 GMT
Reply-To: sasai@vdrl.src.mei.co.jp (Akira Sasai)
Distribution: fj
Organization: Matsushita Electric Industorial Co.,Ltd.  Osaka Japan
Originator: sasai@iona

$@$3$N#N#G$O=i$a$F$N:4!90f!w>>2<EE4o$G$9!#(J

$@$A$g$C$H$*?R$M$7$?$$$N$G$9$,!"(J
$@@hF|!"K?;a$+$i(J Elmore James $@$N(J "Sho Nuff I Do" $@$H$$$&6J$r(J
$@J9$-$?$$$H8@$o$l$?$N$G$9$,!";d$N%i%$%V%i%j$NCf$K$O$"$j$^$;$s$G$7$?!#(J

$@$=$3$G!"%l%3!<%IE9$a$0$j$r$7$F$$$k$N$G$9$,!"(JElmore James $@$N(J
$@%"%k%P%`$O85$h$j!"B>$N(J Blues $@$N%"%k%P%`$NCf$K$bA4$/8+Ev$?$j$^$;$s$G$7$?!#(J

$@$H$$$&$3$H$G!"$I$J$?$+<}O?$5$l$F$$$k%"%k%P%`Ey$N>pJs$r$4B8CN$NJ}$,(J
$@$$$i$C$7$c$$$^$7$?$i!"@'Hs$*65$(2<$5$$!#(J

$@$h$m$7$/$*4j$$$7$^$9!#(J
---
	$@:4!90f!w>>2<EE4o(J
		(sasai@vdrl.src.mei.co.jp)
From: yokoyama@da.mec.mei.co.jp (Toshiyuki Yokoyama)
Newsgroups: fj.rec.music
Subject: Re: P-model (In Japanese/Kanji)
Date: 17 Nov 92 00:15:20 GMT
	<1992Nov13.100712.21126@satsuki2.japan.Sun.COM>
Organization: Matsushita Eletronics Co., Ltd.  Japan

$@2#;3!w>>2<EE;R$G$9!#$*=i$G$9!#(J

>   $@EDCf!wF|(J$@K\%5%s$G$9!#(J
>   $@>pJs$O$J$$$1$I!"$3$NL>A0$,=P$FC/$bH?1~$7$J$$$N$O$5$_$7$$$N$G!"(J

$@K\Ev$K$M!#0U30$KH?1~(J$@$,$J$$$N$G$5$_$7$$8B$j$G$9!#(J

 >>$@!V(JP-MODEL$@!W!"!VJ?Bt(J $@?J!W$N%9%3%"$rC5$7$F$$$k$N$G$9$,!"(J
 >>$@$I$3$K$b8+(J$@Ev$?$j$^$;$s!#(J
 >> $@$3$l$i$N%9%3%"$OH/Gd$5$l$F$$$k$N$G$7$g$&$+!#(J

>  $@B?J,;THN$5$l$F$$$k$b$N$O$J$$$G$7$g(J$@$&$M!#(J

  $@@N$`$+$7!"!V%$%s(J $@%"(J $@%b%G%k%k!<%`!W$H!V%i%s%I%;%k!W$N%9%3%"$OGd$C$F$^$7$?!#(J
  $@$=$l0J9_$O!"=P(J$@$F$$$J$$$_$?$$$G$9!#(J





--
$@2#;3!w#D#A3+H/%;%s%?!<(J.$@>>2<EE;R9)6H!J3t!K(J
  EMAIL:yokoyama@da.mec.mei.co.jp
    TEL:(075)956-9512
PANAVAN:7-682-2613
    FAX:(075)951-0301
From: igeta@sophisma.ntt.JP (Kazuhiro IGETA)
Newsgroups: fj.rec.music
Subject: Re: Roadrunner
Date: 20 Nov 92 03:34:42 GMT
	<SIBATA.92Nov18193539@atal.itakura.nuee.nagoya-u.ac.jp>
Followup-To: fj.rec.music
Distribution: fj
Organization: Physical Science Lab., NTT Research Labs., Tokyo, Japan

In article <SIBATA.92Nov18193539@atal.itakura.nuee.nagoya-u.ac.jp> sibata@itakura.nuee.nagoya-u.ac.jp writes:

   $@%8%g%s%>!<%s$N#C#D$O!"#C#D20$N8=Be2;3Z$N%3!<%J!<(J$@$G$O$^$:8+$D(J
   $@$+$i$J$$$G$7$g$&!#$J$<$J$i%8%g%s%>!<%s$O%8%c%:$N%5%C%/%9%W%l(J
   $@%$%d!<$@$+$i$G$9!#$@$+(J$@$i!"8=Be2;3Z%3!<%J!<$N%8%g%s(J $@%1!<%8$N2#(J
   $@$K$"$k$N$G$O$J$/$F!"%8%c%:%3!<%J!<$N%8%g%s(J $@%3%k%H%l!<%s$N2#(J$@$K(J
   $@$"$k$G$7$g$&!#(J

---$@N,(J

   $@B>$K$b$$$m$$$m$J2;3Z$r$d$C$F$$$F!"O?2;$bB?$$$h$&$G$9!#(J

Brian Eno$@$J$I(J$@$H$b0l=o$K$d$C$F$$$k$h$&$G$9!#(J
--

Keep   $@0f7e(J $@OB9@(J       $@#N#T#T4pAC8&5f=j(J                -------------------
 in    IGETA,Kazuhiro  NTT Basic Research Laboratories  La mia musica,    ,
Touch! PHONE: 0422-59-4526, +81-422-59-4526(oversea)     le mie perplessita
~~~~~  Address:3-9-11 midori-cho Musashino-shi,Tokyo 180 ===================
From: t10281@mech.t.u-tokyo.AC.JP (Iwasaki Takeshi)
Newsgroups: fj.rec.music
Subject: Re: Yano Akiko
Date: 19 Nov 92 03:19:02 GMT
Distribution: fj
Organization: dept. of mech. eng., fac. of eng., univ. of Tokyo, Japan

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