HDTenEightyP/NetNews huggingface dataset:
From: stretch@next18pg2.wam.umd.edu (Erik Rowland Janus)
Newsgroups: alt.guitar.tab
Subject: Re: Baring my soul
Date: 17 Aug 92 20:48:09 GMT
Distribution: alt
Organization: Workstations at Maryland, University of Maryland, College Park

In article <schnitzi.714001487@eola.cs.ucf.edu> schnitzi@cs.ucf.edu (Mark  
Schnitzius) writes:
> Okay, here is a complete list of songbooks I own.  I am willing
> to post anything from any of there, in exchange for you posting
> something (anything!) to this group.
> 
> 
> Clash -- "Clash Anthology".  Various hits off all of their albums.
 
> Costello, Elvis. "A Singing Dictionary".  Chords to all songs on
> these albums: _My Aim is True_, _This Year's Model_, _Armed Forces_,
> _Get Happy_, _Taking Liberties_.
 
> Costello, Elvis. "Everyday I Write the Song (Grumbling Appendix to
> the Singing Dictionary)".  Chords to all songs on the albums _Trust_,
> _Imperial Bedroom_, and _Punch the Clock_.
 
> Police.  "Police Complete".  Chords to every Police song ever written.
ALRIGHT!!!!!!!!!!!!!
Well, here is what I would like:
       Secret Journey
       One World (not three)
       Demolition Man
       So Lonely       ...  by the Police

       Guns of Brixton
       Spanish Bombs
       Train in Vain/Revolution Rock (the one that gets the airplay,  
y'know the trendy one!  sorry, sue me; i really like the song)
       London Calling  ... by the Clash

       Alison
       Watching the Detectives
       ...Peace, love and understanding
       Beyond Belief
       Miracle Man
       Everyday I write..
       oh god, i cannot possibly think of all the ones i want right now
by Elvis Costello, but these will do.
Shall we work out some sort of trade on these?
What do you like?
I could give you -- Neil Young, Pink Floyd, Grateful Dead, Simon and  
Garfunkel, some Hendrix, Beatles you don't have perhaps, some Allmans
and other stuff that is not coming to mind right now.

Either post a followup to this or e-mail me at
Stretch@wam.umd.edu





Stretch
Newsgroups: alt.guitar.tab
From: whc2993@ritvax.isc.rit.edu
Subject: Wooly Bully
Reply-To: whc2993@ritvax.isc.rit.edu
Organization: Rochester Institute of Technology
Date: Wed, 12 Aug 1992 18:51:21 GMT



			Wooly Bully
			   By
		Sam The Sham And The Pharohs

intro:                            G7
Uno, dos, one, two, tres, quatro 

1st verse
G7
Matty told Hatty, about a thing she saw.  Had two big horns and a wooly 

             C7             G7           D7           C7           G7    D7
jaw.  Wooly bully,  wully bully.  wooly bully, wooly bully, wooly bully.

2nd verse
G7
Hatty told Matty "let's don't take no chance.  Lets not be L-seven, come 

                             C7           G7            D7
and learn to dance."  Wooly bully, wooly,bully,  wooly bully,  wooly

 C7             G7     D7 
bully,  wooly  bully.

3rd verse
G7
Matty told Hatty, "that's the thing to do.  Get you someone really to pull

                            C7           G7            D7           C7
the wool with you."  Wooly Bully, wooly bully, wooly bully, wooly, bully

       G7    D7
wooly bully.      

outro
G7

							B.C.


********************************************************************************
"The blues is a low down achein' chill"  Robert Johnson
********************************************************************************
From: justin@fennel.cc.uwa.oz.au
Newsgroups: alt.guitar.tab
Subject: Re: Hendrix the LEDGEND :(
Date: 19 Aug 92 14:07:27 GMT
Organization: University of Western Australia

In article <1992Aug18.163704.1048@ccu.umanitoba.ca>, youngs@ccu.umanitoba.ca (Scott D. Young) writes:
> 
> 
>>Hey any hedrix fans out there,,,help me i must know....
> 
>    I'll try to help you...
   
           ^^^^^^^^^^^^^^^^^^^
                  sound like you could use some help yourself!~!

> 
>>my ambision as a Guitarist is to play the way/what Jimi does.
>                                                          ^^^^

>   Hmmm...
>      Besides pointing out that Mr. Hendrix is no longer playing on this plane
>      of existence, I would like to offer a suggestion to the many cloners out
>      there.  It's fine to be influenced, inspired, and even cop a lick or two
>      here and there, but to try and rip off somebody else's style should be a
>      capital offence.  Music in this decade needs new things to inspire people

Who the f***K are you to make such suggestion on what i should be doing?
Don`t tell me what to do Noddy!

>      and get them out of this rap-dance-techno-pop-hair-gel phase.  Just playing
>      along with old records may be fun, but it certainly doesn't do anything
>      new for anyone else.  
^^^^^^^^^^^^^^^^^^^
      
       wans`t tring to do anything for anyone else *:!


> 	I obviously can't speak for anyone else, but *I* play music to express
                                                      ^^^^^^^
                                              Modest aren`t you?.
                              
>      myself to others, and to try to inspire them and get them into the music.
>      That just doesn't happen when they're hearing the same old (albeit great)
>      thing.  Do your own things, make your own music, that's my suggestion.
>      (Not like you asked for it, but, hey, that's the marvel of the net.)
> 
>      Scott Young



Couldn`t really be bothered doing this but I just though it looked
to me like you were looking for a fight!

JUSTIN...
Newsgroups: alt.guitar.tab
From: pwilson@watserv1.uwaterloo.ca (Pete Wilson)
Subject: Re: Hendrix the LEDGEND ;)
Organization: University of Waterloo
Date: Fri, 21 Aug 1992 16:25:19 GMT

>In article <1992Aug18.163704.1048@ccu.umanitoba.ca>, youngs@ccu.umanitoba.ca (Scott D. Young) writes:
>> In <1992Aug18.034323.1@fennel.cc.uwa.oz.au> justin@fennel.cc.uwa.oz.au writes:
>> 
>> 
>> >Hey any hedrix fans out there,,,help me i must know....
>> 
>>    I'll try to help you...
>> 
>> >my ambision as a Guitarist is to play the way/what Jimi does.
>>                                                          ^^^^
>>  Hmmm...
>>     Besides pointing out that Mr. Hendrix is no longer playing on this plane
>>     of existence, I would like to offer a suggestion to the many cloners out
>>     there.  It's fine to be influenced, inspired, and even cop a lick or two
>>     here and there, but to try and rip off somebody else's style should be a
>>     capital offence.  Music in this decade needs new things to inspire people
>>     and get them out of this rap-dance-techno-pop-hair-gel phase.  Just playing
>>     along with old records may be fun, but it certainly doesn't do anything
>>     new for anyone else.  
>>	I obviously can't speak for anyone else, but *I* play music to express
>>     myself to others, and to try to inspire them and get them into the music.
>>     That just doesn't happen when they're hearing the same old (albeit great)
>>     thing.  Do your own things, make your own music, that's my suggestion.
>>     (Not like you asked for it, but, hey, that's the marvel of the net.)
>>
>      Scott Young
>      youngs@ccu.umanitoba.ca
>> 
>

Emulating the playing of players you admire is one of the best ways to
develop technical competence, and without technical competence all of
the musical creativity in the world will do you no good.  
   Well that's not true.  The performing world is full of singer-
songwriters who are lacking in competence on the guitar.  Good guitar 
players are a dime a dozen, but a good singer-songwriter can make a band.  
    Still this newsgroup is about guitar playing, 

.pw
From: mark@vedge.UUCP (Mark Paterson)
Newsgroups: alt.guitar.tab
Subject: CRD: Tequila Sunrise
Date: 12 Aug 92 19:44:02 GMT
Organization: Visual Edge Software, St. Laurent, Quebec

{title:Tequila Sunrise}
{subtitle:By The Eagles}
#
# Converted to chord format by Mark Paterson.
# Orignally posted to alt.guitar.tab by
# Mike Mongeau.
#
[G]It's another tequila sunrise
[D]Starin' slowly 'cross the [Am]sky[D7],  said good[G]bye
[G]He was just a hired hand
[D]Workin on the dreams he planned to [Am]try[D7],  the days go [G]by

[Em]Every night when the [C]sun goes down
[Em]Just another [C]lonely boy in [Em]town
And [Am]she's out runnin' [D7]round

[G]She wasn't just another woman
[D]And I couldn't keep from comin' [Am]on[D7],  it's been so [G]long
[G]Oh and it's a hollow feelin'
[D]When it comes down to dealin' [Am]friends[D7],  it never [G]ends

[Am]Take another [D]shot of courage
[Bm]Wonder why the [E]right words never [Am]come[B],  you just get [Em7]numb [A]

[G]It's another tequila sunrise
[D]This old world still looks the [Am]same[D7],  another [G]frame

--------------------------------------------------------------
Marcus D. Paterson    |    "And everything was Aquamarine"
"The Unbeliever"      |                          
--------------------------------------------------------------
Visual Edge Software Ltd. -> 3870 Cote Vertu, St. Laurent,
   Quebec, Canada H4R 1V4 	Tel: (514)-332-6430
mark@vedge.com    or   mark%vedge.uucp@iros1.iro.umontreal.ca
--------------------------------------------------------------
From: rjg2@ukc.ac.uk (R.J.Gibson)
Newsgroups: alt.guitar.tab
Subject: Re: Request: House of the rising sun (?)
Date: 19 Aug 92 10:13:09 GMT
Reply-To: rjg2@ukc.ac.uk (R.J.Gibson)
Organization: Computing Lab, University of Kent at Canterbury, UK.


Also if you listen o one of the Dylan versions there are two more
verses than people have posted:

Am       C          D        F        Am        C     E
The only thing to a gamblin' man is a suit case and a trunk,
Am       C        D   F    Am      E       Am      Emaj7
the only time he's satified is when he's on a drunk.

Am       C         D      F  Am         C      D     E   
One foot is on the platform, the others on the train.
Am        C       D   F       Am      E         Am         Emaj7
I'm going back to New Orleans to wear that ball and chain


Ro.
.

DISCLAIMER:
***********
All comments, jokes, asides, rubbish, cabbages etc are of my own
making and in no way represent the policy of the University of Kent,
or any other member of the University, nor any cat, dog, goldfish,
insect, bacteria, mineral, etc, on campus.  All flames to rjg2@ukc.ac.uk.
Newsgroups: alt.guitar.tab
From: jriitala@polaris.utu.fi (Jari Riitala)
Subject: REQUEST: LA Connection lyrics (Rainbow)
Reply-To: jriitala@polaris.utu.fi
Organization: University of Turku
Date: Wed, 12 Aug 92 12:32:41 GMT

Hi!

Anybody ever found out what Mr. Dio sings on LA Connection by Rainbow
(on Long Live Rock'n'roll)? I used to believe I had pretty good ear for
a non-native tongue English speaker but this one has got me quite confused.
I got only semi-intelligible bits and pieces here and there.


-- 
------------------------------------------------------------------------------
!       Jari Riitala	    !  	  Kuusiharjunkatu 34        !                !
! 	    	 	    !	  SF-20660 LITTOINEN        !    100 100 1   !
!      jriitala@utu.fi      !	  FINLAND                   !                !
!   JRIITALA@KONTU.UTU.FI   !  	  home: +358 21 442 371     !  - Neil Peart  !
!     riitala@hcc.utu.fi    !     work: +358 21 633 8772    !                !
------------------------------------------------------------------------------
From: kenk@lookout.uswest.com (Ken Kaliszewski)
Newsgroups: alt.guitar.tab
Subject: Re: Wooly Bully
Date: 14 Aug 92 23:42:42 GMT
Organization: US WEST Communications

In article <BsznqH.7w@andy.bgsu.edu>, edwards@andy.bgsu.edu (Bruce Edwards) writes:
> 
> Well ... I gots ta ask ..... it's been bothering me for 20 years
> 
> G7
> Hatty told Matty "let's don't take no chance.  Lets not be L-seven
> 
> What the heck is it like to be L-seven???  Is that like L-six but
> with an attitude or what.
> 
> just curious
> 

L7, when written sometimes emulates a square... which in the 60's had particular meaning to being "uncool".  

What is L6? 

Ken
Newsgroups: alt.guitar.tab
From: hackes@uni-paderborn.de (Markus Brakweh)
Subject: CRD:For Baby-J.Denver
Organization: Uni Paderborn FB 17 Informatik GERMANY
X-Newsreader: Tin 1.1 PL4
Date: Mon, 17 Aug 1992 10:45:57 GMT

For Baby (For Bobby)			John Denver

     G           C	      G
I'll walk in the rain by your side,
     C            D7          G
I'll cling to the warmth your hand,
     C      D7               G     C
I'll do anything to help you understand 
  G		     D7      G
I love you more than anybody can.

        C         D7           G
And the wind will whisper your name to me
C                 D7            G
little birds will sing along in time,
C               D7        G        C
leaves will bow down when you walk by
    G       D7         G
and morning bells will chime

G                  C              G
I'll be there when you're feelin' down
     C            D7          G
to kiss away the tears if you cry,
     C          D7          G              C
I'll share with you all the happiness I've found
      G		    D7           G
a reflection of the love in your eyes.

        C         D7           G
And I'll sing you the songs of the rainbow,
        C         D7           G
the whisper of the joy that is mine
        C         D7           G
leaves will bow down when you by
    G       D7         G
and morning bells will chime


     G           C	      G
I'll walk in the rain by your side,
     C            D7          G
I'll cling to the warmth your tiny hand,
     C      D7               G     C
I'll do anything to help you satisfied
  G		     D7      G
I love you more than anybody can.

        C         D7           G
And the wind will whisper your name to me
C                 D7            G
little birds will sing along in time,
C               D7        G        C
leaves will bow down when you walk by
    G       D7         G
and morning bells will chime


Newsgroups: alt.guitar.tab
From: stretch@next06pg2.wam.umd.edu (Erik Rowland Janus)
Subject: Re: Ozzy Lyrics 
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Fri, 21 Aug 1992 17:03:41 GMT

In article <1992Aug20.011300.9252@dekalb.dc.peachnet.edu>  
will@dekalb.dc.peachnet.edu (Beldin Feldegast) writes:
> Does anyone have the lyrics to Diary of a Madman or 
> Blizzard of Oz?
> 
> tanks,
> 
> Bill
> -- 
> ------------------------------------------------------------------------
I have a book at home that has most of the songs on those two albums.

Whaddya want?
Post it here or e-mail me at:
           stretch@wam.umd.edu


Stretch
Newsgroups: alt.guitar.tab
From: jed@matilda.vut.edu.au (Jed Bowtell)
Subject: Re: Hendrix the Subgenius - Little Wing Revisited :)
Organization: Victoria University of Technology
Date: Tue, 18 Aug 1992 07:47:10 GMT

stretch@next18pg2.wam.umd.edu (Erik Rowland Janus) writes:

>As always, indeed!  He was the man, the myth and the LEGEND!
>Anyway, Justin, the song you are referring to is called "Little Wing" and
>comes from the Hendrix album   'AXIS:Bold as Love'
>You might have heard covers of this song by Clapton (a la Derek and the  
>Dominoes on the 'Layla' a;bum) and Stevie Ray Vaughn (from the posthumous  
>release 'The Sky is Crying').

Jimi's version was very good. Eric's was even better IMHO. I
haven't heard Stevie's version yet but he would do it justice
I'm sure. He definately did Voodoo Chile justice. Just a little
bit of talent in those three guitarists.

Jed
Newsgroups: alt.guitar.tab
From: d88-jli@nada.kth.se (Jouni Lindqvist)
Subject: Re: Tab:Dogs(intro).Tab
Keywords: The sinner confesses.
Organization: Royal Institute of Technology, Stockholm, Sweden
Date: Wed, 19 Aug 1992 22:48:34 GMT

Since I'm responsible of the tab blamage of Dogs.intro I just would like say
that Obry's suggestion is perfectly correct according to the original
transcriptions of Steve Tahrsis. The second suggestion may be grammaticly
correct but Orby's still sounds better. So, to end it up neatly I'll give
you a promise that all my tabs WILL be tripple checked before posted and I'll
also give you the list of David Gilmour tabs to come : 

 Animals               :       Dogs (solo1:double tracked solo)
 David Gilmour (78)    :       There's no way out of here

 About face            :       Murder
                               All lovers are deranged
                               You know I'm right
                               Let's get metaphysical

 ... and finally, The Legendary Pink Notes of SOYCDiamond :

E||-------------------0-----------------          LET THEM RING!
H||-------6-----------------------------
G||-------------0-----------------------
D||--8----------------------------------
A||-------------------------------------
E||-------------------------------------


________________________________________________________________________________
                               ___ __
                              /  //  /\  
                             /  //  / /
                            /  //  / /       
                           /  //  / /
                          /  //  / /
                    _____/  //  /_/__
                   /       //       /\
                  /_______//_______/ /
                  \_______\\_______\/

     Jouni Lindqvist, Royal Institute of Technology, Stockholm, Sweden

________________________________________________________________________________

Newsgroups: alt.guitar.tab
From: tjehl@sedona.intel.Com (Timothy Jehl)
Subject: Re: TAB: Something
Originator: tjehl@mirage
Reply-To: tjehl@sedona.intel.com
Organization: Intel Corporation.
Date: Mon, 17 Aug 1992 19:53:38 GMT


In article <1992Aug17.165626.26504@ryn.mro4.dec.com>, hertzberg@elwood.enet.dec.com (Marc Hertzberg (History: Love It Or Leave It)) writes:
|> 
|> 	Something
|> 	(Harrison)
|> 
|> 
|> Verse:
|>    C                      Cmaj7
|> Something in the way she moves
|> C7                          F
|> Attracts me like no other lover
|>    D                      G
|> Something in the way she woos me

I hear a D7 here ----^ (i.e., D-D7-G instead of D-D-G)

|>    Am                     G#+
|> I don't want to leave her now
|>      C/G               D   F  Eb  G  C
|> You know I believe in how  (sig riff)
|>
From: pickle@ballade.cs.ucla.edu (Patrick Madden)
Newsgroups: alt.guitar.tab
Subject: Re: Wooly Bully
Date: 16 Aug 92 05:39:42 GMT
Organization: UCLA Computer Science Department

In article <BsznqH.7w@andy.bgsu.edu> edwards@andy.bgsu.edu (Bruce Edwards) writes:
>
>Well ... I gots ta ask ..... it's been bothering me for 20 years
>
>G7
>Hatty told Matty "let's don't take no chance.  Lets not be L-seven
>
>What the heck is it like to be L-seven???  Is that like L-six but
>with an attitude or what.
>
>just curious
>
>edwards@andy.bgsu.edu

  I am curious too.  On top of that, there's a band called L-7 getting
some airplay around here ("pretend that we're dead" or something).
Anyone know if their name is a reference to Wooly Bully?

Patrick
pickle@cs.ucla.edu
"Now I guess I'll have to tell 'em     That I've got no cerebellum
 Gonna get my PhD                      I'm a teenage lobotomy"
Newsgroups: alt.guitar.tab
From: pwilson@watserv1.uwaterloo.ca (Pete Wilson)
Subject: Request tab for Neil Young "Heart of Gold"
Organization: University of Waterloo
Distribution: alt
Date: Wed, 12 Aug 1992 18:41:03 GMT

Title pretty much says it.  I'd like a tab,  that is not 
particularly interested in just chords.

thanks in advance

.pw


From: bearce@hpcc01.corp.hp.com (Phil Bearce)
Date: Tue, 18 Aug 1992 17:55:10 GMT
Subject: CHORDS: American Tune - Paul Siimon
Organization: the HP Corporate notes server
From: jarmo@ae.tut.fi (Jarmo Sorvari)
Subject: Request: The Clap by Steve Howe
Organization: Tampere Univ. of Technology, Finland.
Distribution: alt
Date: 20 Aug 92 15:58:28


I, for one, would be made very happy, if provided with a tab to this
wonderful instrumental.  Does anyone have it?
--
-----------------------------------------------------------------------------
! Jarmo Sorvari                         Control Engineering Laboratory      !
! jarmo@ae.tut.fi                       Tampere University of Technology    !
--------------------------------------- BOX 527, 33101 Tampere, Finland -----
Newsgroups: alt.guitar.tab
Subject: REQ: Foriegner
From: psyced@otago.ac.nz
Date: 20 Aug 92 08:30:50 +1300
Organization: University of Otago, Dunedin, New Zealand


  I'm trying to get hold of the TAB to 

  "REACTION TO ACTION" by FORIEGNER.

  Its for a friend...


E.S.Robinson
New Zealand

PSYCED@otago.ac.nz
From: rwanner@bcarh415.bnr.ca (Rick Wanner)
Newsgroups: alt.guitar.tab
Subject: REQUEST: Black Bear Road
Keywords: C.W. McCall
Date: 18 Aug 92 13:32:53 GMT
Organization: Bell-Northern Research, Ottawa, Canada

Any C.W. McCall fans out there?  I would really
like chord/tab for _Black Bear Road_.

Richard Wanner    rwanner@BNR.CA     
(613)763-4159     BNR is not responsible for any opinions I have.
   "To you I'm an atheist; to God, I'm the Loyal Opposition." - Woody Allen
From: M23231@mwvm.mitre.org
Newsgroups: alt.guitar.tab
Subject: Re: usic Notation Doc (long)
Date: 19 Aug 92 16:33:52 GMT
Organization: The MITRE Corporation, McLean VA 22102

I really don't know why anyone would spend the time to learn all that stuff
if he/she was too lazy to learn standard musical notation. In the first place
it's an incomplete representation anyway since note duration is not given. In
the second place, anyone who had anything worthwhile to put into such a format
wouldn't need the agony of hours at a computer terminal required to do it and
would probably prefer to play anyhow. It just seems like a bad idea.
From: bearce@hpcc01.corp.hp.com (Phil Bearce)
Newsgroups: alt.guitar.tab
Subject: Re: re wooden ships (repost)
Date: 15 Aug 92 23:04:11 GMT
Organization: the HP Corporate notes server

In one of the resonses to the original post (Wooden Ships), Stretch writes:

>I believe this is another song from the the forgotten songbanks of  
>DAVID CROSBY (kind of like 'Triad' -also covered by the Airplane).  
>I have my doubts about Joni Mitchell  
>Stretch

I think Stretch is right about David Crosby writing Wooden Ships, but I can't
prove it, it's just a feeling.  But on the Joni Mitchell issue, she wrote
Woodstock that was covered by CSN&Y because she was on the Dick Cavett show
and couldn't make it to the concert.
______________________|_______________________________________________________
   ___                | Phil Bearce at Hewlett Packard San Jose - Components
  (/__) /_   .  /)    | internet: phil@hpmsfpb.sj.hp.com
  /    /  )_(__(_ --  | "Behind our eyes, calendars of our lives, circled with 
                      |  compromise, sweet bird of time and change you must be
                      |  laughing..."  
______________________|_______________Joni Mitchell___________________________
From: shotokan@diku.dk (Kim H|glund)
Newsgroups: alt.guitar.tab
Subject: Re: REQUEST: BTO Mississippi Queen
Date: 13 Aug 92 08:24:56 GMT
Organization: Department of Computer Science, U of Copenhagen

ls3c+@andrew.cmu.edu (Laurence D. Silverman) writes:
>I think that's the name of the song.
>Anyone know what album I could find it on?

As several others have already pointed out you are probably thinking of
"Mississippi Queen" by a band called Mountain.  I glanced through me
record collection last night and found that it appeared on at least 3
albums with Mountain:

  "Flowers of Evil"  -- 1971, Island Records Ltd., ILPS 9179
  "The Best of Mountain" -- 1973, CBS, PC 32079
  "Twin Peaks" -- 1974, CBS, PG 32818

You should probably go for the "Best of Mountain" album -- it is the one
most likely to have been reprinted.

BTW one of the strong points of Mountain is the really beautiful tone of
the guitar.  If you find that you like it then you should check out the
solo albums by Leslie West (the guitarist from Mountain):

  "Leslie, Jack & Joe Theme" -- 1988, Passport Records, PB 6061
  "Alligator" -- 1989, I.R.S. Records Inc., LC 7283

The first one features Jack Bruce on bass while the second has guest
appearances by Johnette Napolitano (of Concrete Blonde fame) and Stanley
Clarke...

Enjoy,
  Kim

_____
Kim H|glund,  shotokan@diku.dk,    CS Dept. at U of Copenhagen,  Denmark
"I've got plenty of common sense. I just choose to ignore it." -- Calvin