HDTenEightyP/NetNews huggingface dataset:
From: rjwill6@PacBell.COM (Rod Williams)
Subject: Re: Tony Kushner's A BRIGHT ROOM CALLED DAY
Organization: Pacific * Bell, San Ramon, California
Date: Thu, 19 Nov 1992 17:52:23 GMT

> jholstei@scott.skidmore.edu (jeremy holstein) writes:
>> aku@leland.Stanford.EDU (Andrew Chia-Tso Ku) writes:

>> BTW, Kushner wrote BRIGHT ROOM as a formal experiment and as a
>> response to Brecht's FEAR AND MISERY IN THE THIRD REICH as well as to
>> Reagan's visit to Bitberg.

Before we leave Tony Kushner, let me urge one and all to
run-don't-walk to your nearest magazine emporium for the
November 23 issue of The New Yorker -- it has a wonderful
review of ANGELS IN AMERICA by John Lahr ("Prick Up Your
Ears").
-- 
-----------------------------------------------------------------------
rod williams -=- pacific bell -=- san ramon, ca -=- rjwill6@pacbell.com
-----------------------------------------------------------------------
Newsgroups: rec.arts.theatre
Subject: re: Music of ALW
From: kcbetts@ualr.edu
Date: 16 Nov 92 23:31:02 GMT
Organization: University of Arkansas at Little Rock

	I saw "The Music of ALW" in both Dallas and Little Rock, one with 
Michael Crawford, and both were fabulous.  It consists of a group of people
(4 women and 4 men) who sing the best songs from the musicals in front of
a complete orchestra. 
	The music is great and the staging is too.  The costs of the tickets
ranges from about $16-$35 depending on seating and the theatre.  It is well
worth the costs of the tickets.
Newsgroups: rec.arts.theatre,alt.stagecraft
From: dpm@rti.rti.org
Subject: Re: Source needed for dialect studies
Followup-To: rec.arts.theatre
Summary: British dialect tapes: David Stern and Jerry Blunt
Keywords: dialects, bibliography,
Organization: Research Triangle Institute, RTP, NC
Distribution: na
Date: Fri, 20 Nov 92 19:02:47 GMT

In article <1992Nov19.193057.16869@infonode.ingr.com>, hubbarde@infonode.ingr.com (Elaine Hubbard) writes:
> Help please.  I'm looking for resources (text or audio/video tapes)
> for dialect studies.  I'm refining a community theatre audition
> workshop and wish to include a bibliographical section on regional
> accents and dialects from around the world for use by actors.
> 
> Any ideas?  Thanks!  e-mail or post.
> 
> -- 
> Elaine L. Hubbard
> hubbarde@cis15.b3.ingr.com
> 
> "Life is a play with a badly written third act"

Hi,

I have used two British dialect tapes, one by David Stern and one by
Jerry Blunt.  David Stern's tape is more technical and I found it more
difficult to learn from.  Jerry Blunt's tape is more
exercise-oriented, includes example readings and covers both standard
and cockney dialects.  I've found it very helpful.
From: conrad@brahms.udel.edu (Jon Conrad)
Newsgroups: rec.arts.theatre
Subject: Re: Sondheim Celebration Recording
Date: 20 Nov 92 14:24:54 GMT
Organization: University of Delaware

In article <1992Nov20.134056.4850@magnus.acs.ohio-state.edu> lschmers@magnus.acs.ohio-state.edu (Lawrence S Schmersal) writes:

>I was wondering if anyone knew when that Sondheim tribute recorded a few months
>ago was going to be released on CD (_I_ heard a Christmas release date).  Also,
>any news for if/when PBS might carry the damn thing on TV--outside of Autralia,
>I mean.

March 1993 for both the CD release and the PBS showing.  This date has
been firm from the beginning.

Jon Alan Conrad
From: hale@hpfcso.FC.HP.COM (Bill Hale)
Date: Sat, 21 Nov 1992 01:33:03 GMT
Subject: Re: Showboat CD recording recommendation wanted
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.arts.theatre

Did anyone else see the special on PBS lasting an hour and covering
highlights of the McGlinn recording session?

I thought it was wonderful.  McGlinn was truly having fun, as were the
others--which sure shows on the recording.

But my vcr was asleep.  I've seen other specials like this as
video promos.  Does anyone know if such a thing exists for this
Showboat?

+Regards, Bill Hale;  hale@hpfclm.FC.HP.COM   [hplabs|hpfcla]!hpfclm!hale
+Thru ether-K0QA; In ether-BE33 N33HP CFIAIME A&P; Twisted pair 1-303-229-3037
+Snail: c/o HP UTD MS73 3404 E Harmony, Ft Collins, CO 80525 Incoming:40 44.2N
+105 33.1W; Pictures 303-229-6858
Newsgroups: rec.arts.theatre
From: davidf@HQ.Ileaf.COM (David Fristrom)
Subject: Re: more about ASSASSINS
Reply-To: davidf@HQ.Ileaf.COM (David Fristrom)
Organization: Interleaf, Inc.
Date: Tue, 17 Nov 92 14:43:53 GMT

The London ASSASSINS was reviewed by Patrick O'Connor in the latest
TLS.  He praised several of the performances, but doesn't like the
musical ("it is hard to accept the piece on any other level than that
of sophmore bad taste").  Of most interest to Sondheim fans, though,
is the following passage from the review:

	For this London production, Sondheim has added a new ending.
	On the CD of the 1991 New York staging, the action ends with
	Lee Harvey Oswald's bullet.  Now, a quartet, who have
	represented the bystanders throughout, sing a lament,
	"Something  just broke", which makes a gesture towards
	compassion. 

So, has anyone heard anything about a recording of the London
production?

David Fristrom		|	"In the U.S.A
Interleaf, Inc.		|	 you can work your way
davidf@ileaf.com	|	 to the head of the line"
From: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Newsgroups: rec.arts.theatre
Subject: Re: _West Side Story_ lyrics-- how many versions?
Date: 20 Nov 92 21:31:41 GMT
Reply-To: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Organization: NCR E&M CLEMSON Liberty, SC

In article <1992Nov18.031332.5204@udel.edu> lim@pecan.cns.udel.edu (Julie Lim) writes:
>
>	I'm listening to my _WSS_ cast album again, and have finally managed
>to remember to post about this: I know that in the movie, the line "Dear Officer
>Krupke, what are we to do?/ Gee, Officer Krupke, Krup you!" was changed to "...
>think/... you stink!" but what other lines were changed to protect the tender
>sensibilities of movie audiences? 

I think you must have seen a cut that was edited for *commercial*
TV -- my copy, recorded from HBO or Cinemax, has "krup you".
.
.
.
.
.
.
.
.
.

Newsgroups: rec.arts.theatre
From: kaminl@rpi.edu (Matt Garretson)
Subject: Re: JELLY'S LAST JAM
Organization: Rensselaer Polytechnic Institute, Troy, NY
Date: Tue, 17 Nov 1992 02:56:00 GMT

In article <1992Nov16.125117.27043@leland.Stanford.EDU> aku@leland.Stanford.EDU (Andrew Chia-Tso Ku) writes:
>I certainly don't recall any silences that weren't
>germane to the drama taking place on stage.

I pretty much agree with your assessment, but I still felt that there was a bit
too much self-indulgence reflected in the "dramatic pauses" I mentioned. Mind
you, I'm not belittling the significance or impact of the drama.

>Seeing the Great Performances documentary/advertisment of JLJ has
>really rekindled my enthusiasm for the show.  

I can't wait till my local PBS airs this program!

I waited outside the stage door to see Gregory Hines after the show, and
was surprised to find myself alone in this endeavor. After most other
shows I've seen, the stage door has been swamped.
From: kfrank@eniac.seas.upenn.edu (~~~KYM~~~)
Newsgroups: rec.arts.theatre
Subject: IMPROV COMEDY
Date: 24 Nov 92 01:52:54 GMT
Distribution: usa
Organization: University of Pennsylvania

Newsgroups: alt.rec.theatre
Subject: IMPROV COMEDY
Followup-To: 
Distribution: usa
Organization: University of Pennsylvania


Hello, I am representing Without A Net, University of Pennsylvania's 
improvisational comedy group.  If there are any members of an improv. comedy
group out there that are interested in talent exchange.  If you have any ideas
for games to share, I'd appreciate it if you would email me.  Or, if you would
like to set up some kind of exchange performance, where you perform with us
and we perform at your school.  

kfrank@eniac.seas.upenn.edu

Thanks in advance,
Kym Frank
 


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Newsgroups: rec.arts.theatre
Subject: Re: "Tell Me On A Sunday" soundtrack
From: bnelson@cayenne.gac.edu (Brent N Nelson)
Date: 23 Nov 92 21:39:09 -0600

In article <1epeccINNfpm@usenet.INS.CWRU.Edu>  writes:
> 
> >>>>I am desperatly trying to find a sound recording of Andrew 
> >>>>Lloyd Webers "Tell Me On A Sunday"  This show went up with "Song And 
> >>>>Dance" but I am unable to find a copy of it anywhere.
> >>>>					Laura
> >>>> 					finkelde@sonoma.edu
> >>>
> >>>I sorta have a copy.  It's not the original "Tell Me on a Sunday",  
but it
> >>>is the Songs part to Song & Dance.  Bernadette Peters sings the part  
of Emma.
> >>>Even if this isn't what you're looking for, I recommend listening to  
it.  
> >>>Bernadette Peters is pretty good, but the songs themselves stand out.
> >>>
> >>>Bosk--jab55062@uxa.cso.uiuc.edu
> >>>
> >> 
> >> I BEG TO DIFFER!!!  Bernadette Peters is FANTASTIC in SONG & DANCE!!   
The songs
> >> I consider quite weak...especially "Married Men" and "Tell Me On a  
Sunday".  
> >> Bernadette makes most of the songs for me.  You can always tell if a  
song is
> >> actually good on it's own, when no matter who sings it, you still  
enjoy something of it.  "Tell Me On A Sunday" is soooo boring, and  
long...unless BErnadette
> >> Peters sings it!  I would recommend the album for Ms. Peters and if  
you like
> >> ALWebber's music!
> >> 					-Stefan
> >> 
> >
> >And I too beg to differ!!! Tell Me On A Sunday is BORING?????!!!!! It  
is
> >generally reckoned to be one of Lloyd Webber's most memorable melodies!
> >
> >Andrew
> >
> I'd like to get in on this one.  Song and Dance contains some of my  
favorite 
> ALW music.  Though I haven't heard lots of versions of it, I have a  
feeling I 
> would like any decent performance of it.  If you want to talk about  
long, 
> boring ALW songs, let's talk PTO's "The Music of the Night"...
> -- 
> Lynne O'Connell (oconnell@bcvms.bc.edu)
> Department of Chemistry
> Boston College

Music of the night LONG and BORING.  WHAT HOLE DID YOU JUST CRAWL OUT OF.   
Song and Dance has some excellent music, but Phantom is much much better.   
If you want anything that's poor by ALW, you have to find a copy of  
"Jeeves" which was a total failure, and I have heard it and realize why.   
Another excellent show is Jospeh and the Amazing Technicolor Dreamcoat.  I  
just saw the show with Donny Osmond as Joseph and it is totally amazing.   
Over half my college floor has copies of the soundtrack, and you hear it  
almost all the time.
From: by080@cleveland.Freenet.Edu (Lynne A. Oconnell)
Newsgroups: rec.arts.theatre
Subject: Re: "Tell Me On A Sunday" soundtrack
Date: 23 Nov 1992 02:07:08 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: by080@cleveland.Freenet.Edu (Lynne A. Oconnell)
NNTP-Posting-Host: hela.ins.cwru.edu


>>>>I am desperatly trying to find a sound recording of Andrew 
>>>>Lloyd Webers "Tell Me On A Sunday"  This show went up with "Song And 
>>>>Dance" but I am unable to find a copy of it anywhere.
>>>>					Laura
>>>> 					finkelde@sonoma.edu
>>>
>>>I sorta have a copy.  It's not the original "Tell Me on a Sunday", but it
>>>is the Songs part to Song & Dance.  Bernadette Peters sings the part of Emma.
>>>Even if this isn't what you're looking for, I recommend listening to it.  
>>>Bernadette Peters is pretty good, but the songs themselves stand out.
>>>
>>>Bosk--jab55062@uxa.cso.uiuc.edu
>>>
>> 
>> I BEG TO DIFFER!!!  Bernadette Peters is FANTASTIC in SONG & DANCE!!  The songs
>> I consider quite weak...especially "Married Men" and "Tell Me On a Sunday".  
>> Bernadette makes most of the songs for me.  You can always tell if a song is
>> actually good on it's own, when no matter who sings it, you still enjoy something of it.  "Tell Me On A Sunday" is soooo boring, and long...unless BErnadette
>> Peters sings it!  I would recommend the album for Ms. Peters and if you like
>> ALWebber's music!
>> 					-Stefan
>> 
>
>And I too beg to differ!!! Tell Me On A Sunday is BORING?????!!!!! It is
>generally reckoned to be one of Lloyd Webber's most memorable melodies!
>
>Andrew
>
I'd like to get in on this one.  Song and Dance contains some of my favorite 
ALW music.  Though I haven't heard lots of versions of it, I have a feeling I 
would like any decent performance of it.  If you want to talk about long, 
boring ALW songs, let's talk PTO's "The Music of the Night"...
-- 
Lynne O'Connell (oconnell@bcvms.bc.edu)
Department of Chemistry
Boston College
Newsgroups: rec.arts.theatre
From: wkm1@nestor.cc.bellcore.com (messer,wendy k)
Subject: Re: monlogues wanted
Organization: Bellcore, Livingston, NJ
Date: Thu, 19 Nov 92 14:47:28 GMT
Summary: monologue



there's a play that consists of monologues, all done by women.

it's called "talking with", but for the life of me, i can't remember
who wrote it.

with luck, some other readers of this thread will recognize the play
and know the author...

wendy m.



Newsgroups: rec.arts.theatre
From: jab55062@uxa.cso.uiuc.edu (The World Reknown Jason Boskey)
Subject: Re: Music of ALW
Organization: University of Illinois at Urbana
Date: Mon, 23 Nov 1992 09:46:25 GMT

Ann.Feeney@launchpad.unc.edu (Ann Feeney) writes:

>>
>>	2. Why is it considered uncool among lots of "real" musicians (like
>>the ones in my department here at school) to admit that you like ALW?
>>
>>						Jess

>All the following strongly IMHO!

>I can enjoy ALW musicals, because they're superb stage peices, but find
>them (post Evita, halfway through Cats) to be just a bit too much
>manipulation and not enough "sincerity," though that's completely
>subjective.  

>The stories of Cats and PTO are basically your "underappreciated person's
>fantasies," of being noticed and rescued and called wonderful and
>beautiful and cuddled.  Very powerful pulls on emotions, but a bit too
>slick.  

>And I find the music, especially of PTO, to be watered down operatic
>music, impressive largely by orchestration.

>I can't put my finger on what happened between Evita, which I loved, and
>Cats, which had a fun concept and some genuinely creative music, and the later
>works, Aspects and Phantom, which are eminently forgettable, IMHO.

I have to disagree on Aspects of Love being forgettable.  I fell in love with
the songs from Aspects as soon as I heard them.  They are full of emotion, much
more so than Evita.  Ah well, this is just my humble opinion.

Bosk---Bosk@uiuc.edu

ps.  I know I've posted a lot lately.  If this is not the way a newcomer should
be, I'll slow down.
Newsgroups: rec.arts.theatre
Subject: "Tell Me On A Sunday" soundtrack
From: finkelde@vax.sonoma.edu
Date: 18 Nov 92 10:47:50 -0800
Organization: Sonoma State University

I am desperatly trying to find a sound recording of Andrew 
Lloyd Webers "Tell Me On A Sunday"  This show went up with "Song And 
Dance" but I am unable to find a copy of it anywhere.  I would 
prefer it on tape but anything would do now. If anyone knows were I 
can find a copy please let me know.   
					Laura
					finkelde@sonoma.edu
Newsgroups: rec.arts.theatre
From: geigel@seas.gwu.edu (Joseph Geigel)
Subject: Re: Tim Rice's Lesser Known Work
Organization: George Washington University
Date: Wed, 18 Nov 1992 17:49:02 GMT

In article <1992Nov17.234633.1@ualr.edu> kcbetts@ualr.edu writes:
>
>	I read somewhere in my hazy past about a musical that Tim Rice
>wrote called "Blondel" that was somewhat like JosephATATDC but instead
>of being based on the Bible, it was based on the legends of King Arthur
>or something to that effect.


    Surprisingly enough, Tim Rice also wrote the lyrics for several
    (but not all) of the songs in the new Disney film, "Alladin".


-- 

                            -- jogle
                               geigel@seas.gwu.edu
From: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Newsgroups: rec.arts.theatre
Subject: Re: monlogues wanted
Date: 20 Nov 92 21:32:59 GMT
Reply-To: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Organization: NCR E&M CLEMSON Liberty, SC

In article <1992Nov18.210712.9075@scott.skidmore.edu> croth@scott.skidmore.edu (catherine roth) writes:
>well, it's november.  that time of year that every theatre major on
>every college campus worldwide dreads: time to find an audition piece
>for next semester.  that is where you, the avid readers of
>recarts.theatre, come in.  i am searching high and low for a monologue
>to audition with for next semester.  i'm looking for something
>contemporary and fun, something powerful yet not too flashy.
>something for a female, but not too frail and frilly (i hate playing
>frail and frilly).  any suggestions?  i need you!
>                                               cathy

How about Mme. de Merteuil's tirade about men from "Les Liaisons 
Dangereuses"?
.
.
.
.
.
.
.
.
.
.
.
.
.
.
From: pattisan@midiline.la.ca.us (Patti Hayes)
Newsgroups: rec.arts.theatre
Subject: Re: Native American Dance Theatre
Date: Thu, 19 Nov 92 01:21:19 PST
Organization: MIDILine BBS - Altadena, CA - (818) 797-3285

00blmccorkle@leo.bsuvc.bsu.edu writes:

> 
> Has anyone out there seen the Native American Dance Theatre Troupe that is
> touring right now?  If not, it is DEFINITELY a must!!  It was fabulous,
> very, very moving.  The ligting effects were wonderful and the costumes were
> EXTREMELY beautiful!!  They are all handmade, with quite a few a them being
> passed down from generation to generation.  It was wonderful!
> 
    Why not do even better and go see Native American's at a Pow Wow?
I can't make out where you are located but if you tell me the state and city
I have a list of Pow Wows and will be happy to tell you when there will be
one close to you. You can make it a real event in your family and meet them 
on their own ground , so to speak!  
    Do see the tour too....didn't mean to imply Not to. They need our support
everywhere and the food is great!!!!




Newsgroups: rec.arts.theatre
From: st923058@pip.cc.brandeis.edu (Jessica Raine)
Subject: G&S
Reply-To: st923058@pip.cc.brandeis.edu
Organization: Brandeis University
Date: Mon, 23 Nov 1992 18:51:33 GMT

	Anyone wanna start a Gilbert and Sullivan thread? I think they're
too wonderful to ignore, even in this heyday of musicals that could pass as
soap operas or rock concerts.
					Jess
"And the night has been long, ditto ditto my song,
And thank goodness they're both of them over.'
			--Iolanthe
From: ahsiung@bbn.com (Anita Hsiung)
Newsgroups: rec.arts.theatre
Subject: Re: Barbara Cook, and Other Info Needed!!!
Date: 20 Nov 92 22:47:01 GMT
Reply-To: ahsiung@labs-n.bbn.com (Anita Hsiung)
Distribution: usa
Organization: Bolt Beranek and Newman Inc., Cambridge MA
NNTP-Posting-Host: bbn.com

Daniel Kodmur writes:
>Barbara Cook, one of my all-time favorite performers, is doing her one-woman
>show in Los Angeles from now until the first week in December.
>
>I need to know if her concert/show is scheduled to make any other stops, like
>Northern California for example......:)
>
>I have not seen her in years and I am going through withdrawal.....

Sorry, don't have info for after LA, but for those who are curious,
here's the LA info:

	Westwood Playhouse
	10856 Le Conte Ave.
	(310) 208-5454 box office
	(800) 233-3123 TicketMaster

Barbara Cook will play 'till Dec. 6, W-F 8, Sat 5, 9, Sun 7.

	-- Anita --

---------------------------------------------------------------------------
| Anita Hsiung       | "See how easy life can be?" -- Johnathan Raven     |
| ahsiung@bbn.com    |                                                    |
| BBN Canoga Park    | "Someday we'll look back on this moment...and      |
| California, USA    |  run smack into the car in front of us."  -- Ski   |
---------------------------------------------------------------------------
From: croth@scott.skidmore.edu (catherine roth)
Newsgroups: rec.arts.theatre
Subject: Re: blood
Date: 16 Nov 92 22:21:38 GMT
Article-I.D.: scott.1992Nov16.222138.10806
Organization: Skidmore College, Saratoga Springs NY

copley-devon@cs.yale.edu (Devon Copley) writes:
> I hope this is the right newsgroup for this post.  I'm doing Macbeth II,ii
> ("That which has made them drunk...") for a scene class next week and
> I NEED BLOOD!  Does anyone know a simple, easy to make, ideally water-
> soluble recipe for stage blood?  If so please EMAIL me, as I don't
> regularly post to this newsgroup.  Thanks.
> 
> Devon
> copley-devon@cs.yale.edu
> 
here's my personal favorite recipe for blood.  some people use corn
syrup and red food coloring, but i've found that it doesn't ooze well.
so, for future reference, try:
tomato puree
black cherry syrup
a few drops of food coloring
it smells horrible, tastes worse, but looks great onstage.
                                               cathy
ps:what do you make your bloodbags out of?
From: finkelde@vax.sonoma.edu
Newsgroups: rec.arts.theatre
Subject: Re:New Recording of "Jesus Christ"
Date: 18 Nov 92 18:34:22 GMT
Organization: Sonoma State University

There are two new CD's out.  One is a complete version of Jesus 
Christ including the song that Mary and Peter sing in the movie and 
also a highlights CD. I have seen both of them in the store.  The 
complete is a two disk set and the highlights is just one.  I haven't 
boughten it yet but I probably will soon.  I am interested to know if 
it is worth it so if anyone buys it, let me know how it is compared 
to the original.
Finkelde@sonoma.EDU
Newsgroups: rec.arts.theatre
From: golds_ss@jhunix.hcf.jhu.edu (Stuart S Goldstone)
Subject: Re: The Rink
Organization: HAC - Johns Hopkins University, Baltimore
Date: Thu, 19 Nov 1992 19:29:38 GMT

In article <1egc2kINNh7f@darkstar.UCSC.EDU> mac@cats.ucsc.edu (Michael C. Clark) writes:
>
>Recently ran across a CD for a musical called The Rink.  Can anyone give
>me any background/thoughts on it?  

	THE RINK is a musical by Kander and Ebb, the same team who wrote
CABARET.  It's a rather depressing show about a past that can never be
reclaimed.  On Broadway (1984) it starred Liza Minelli and Chita Rivera.  We
are trying to do it here at Hopkins as a studio; we'll find out Friday if our
show gets chosen.  (Last time we were beaten out by OUR TOWN-- yuck!)

>One of the things I am most curious about is that it is labeled as a 
>"limited edition" and is listed at $40, for a single CD (it's on TER).
>Why the exorbitant price?  What does "limited edition" mean on a CD
>release?  Etc.

	It means exactly what it sounds like-- it wasn't a very popular show
so only a limited number of CDs were made (unlike, say, LES MISERABLES,
where they are constantly churning out more).  This explains the high
price.  Only the London recording was a limited edition, only 2500 were made
(the Broadway recording was not a limited edition).  They are numbered-- I
have #723, for example.  The London recording has Diane Langton as Angel
(the Liza Minelli role) and JOSEPHINE BLAKE as Anna (Chita Rivera's role).
-- 
         Stuart S. Goldstone          |  "If it's true that one person always
Internet: golds_ss@jhunix.hcf.jhu.edu |    loves more than the other, why not
       BITNET: golds_ss@jhuvms        |     be the one who feels the most?"
         GEnie: S.GOLDSTONE1          |                -- TORCH SONG TRILOGY