HDTenEightyP/NetNews huggingface dataset:
From: galanter@nyu.edu (Philip Galanter)
Newsgroups: rec.music.synth
Subject: Re: Kurzweil 1000 PX - sounding thin over upper middle range.
Date: 10 Sep 92 17:35:22 GMT
Reply-To: galanter@nyu.edu (Philip Galanter)
Organization: New York University

In article <19@bbx.basis.com> scott@bbx.basis.com (Scott Amspoker) writes:
|In article <1992Sep9.233236.18146@funlwb.enet.dec.com>  
sullivan@nodename.dec.com (Greg Sullivan) writes:
|>[about the 1000PX...]
|>The problem is that over the upper middle, it sounds a bit thin - well,
|>sometimes *very* thin. amd mainly while playing softly. It is not what I  
would
|>expect over such an important range, at least from Kurzweil. I own an  
Roland
|>RD300S, and I tell you that I would prefer it's sound over that  
particular
|>range - and the RD300S sounds thin over the middle as well.
|

..

|For what it's worth, although the 1000PX piano has beautifully rich  
harmonics,
|I find it to be rather weak in a typical mix.   The Roland pianos  
(especially
|the MKS-20) hold up much better in a mix.

My standard advice for all Kurz 1000 owners is to spend another $250 or so  
to get an Aphex C rackmount to restore upper harmonics.  The 1000 series 
cuts off at 10K-12K or something like that...a little Aphex helps a lot.

Phil


=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Philip Galanter         New York University    phone:    212-998-3041
Research Associate      251 Mercer             fax:      212-995-4120
Academic Computing      New York, NY 10012     internet: galanter@nyu.edu
 
   O f f i c e   o f   A r t s   &   M e d i a   T e c h n o l o g i e s
Newsgroups: rec.music.synth
From: bohdan.kiszczuk@rose.com (bohdan kiszczuk)
Subject: Ed/Lib for Win3.1???
Organization: Rose Media Inc, Toronto, Ontario.
Date: Wed, 16 Sep 1992 02:59:39 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.70)


Date Entered: 09-15-92 21:53
F > From: foster@niblick.ecn.purdue.edu (Kirk Foster)
F > Newsgroups: rec.music.synth
F > Subject: Ed/Lib for Win3.1???

F > Does anybody know of an Ed/Lib that can be purchased right now
F > (not in "probably 3 to 4 weeks") for 486/windows3.1 platform.
F > I'm specifically looking for Wavestation A/D and TG55 but would
F > like multi-instrument support. Dr. T's X-or and MidiQuest don't
F > yet have 3.1 products available.
F > 
F > Any info would be appreciated.
F > 
F > Kirk Foster

   MidiQuest 3.0 has just been released. Along with a bunch of new 
enhancements/features it now supports Windows 3.1 MME.
---
   RoseReader 1.70 R001028: ======== bohdan.kiszczuk@rose.com ===========
   RM 2.00 : RoseNet<=>Usenet Gateway : Rose Media 416-733-2285
Newsgroups: rec.music.synth
From: dpelton@nyx.cs.du.edu (Dennis Pelton)
Subject: Re: Minor assistance deferentially requested
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Sat, 5 Sep 92 01:06:14 GMT

In article <1992Sep3.171710.20015@news2.cis.umn.edu> carlton@gopher.ccbr.umn.edu (Carlton Hogan) writes:

>Thank you oh omnipotent and gracious old-timers of the net for letting this 
>humble, despicable first time poster sully the pristine clarity of your
>crystalline and illuminated discourse...
>
>~rsignat
>
>Carlton Hogan (carlton@gopher.ccbr.umn.edu)

You're quite welcome.  And thank *you* for stating your 
oh-so-interesting questions in properly verbose prose with 
sufficient groveling and sinvelling to placate us old-timers
who allow such questions to be asked.

Let me also state that I have not answered these questions
simply because I don't feel like it and don't have the time
NOT because I don't know the answers.

Dennis Pelton
dpelton@nyx.cs.du.edu

:-)
From: arf@sys6626.bison.mb.ca (Five)
Newsgroups: rec.music.synth
Subject: Tapes
Date: 13 Sep 92 15:42:11 GMT
Organization: system 6626 BBS, Winnipeg MB

I don't know if Jim already mentioned it, but at least one person has 
received his tape.  Jim Smith.  3 weeks + after I mailed it.  ????  Thank 
Canada Post for THAT screwup.  (It should have been 9 days).
 
 ------------------------------------------------
 \ FIVE-Aural \Their current stuff is too digi- \
 \ Research   \tized,quantized and just plain   \
 \ Foundation \sterile, compared to that analog \
 -------\ organicness from earlier albums - SHIV\
        -----------------------------------------

--- (Five) a user of sys6626, running waffle 1.64
E-mail: arf@sys6626.bison.mb.ca
system 6626: 63 point west drive, winnipeg manitoba canada R3T 5G8
From: mcarlsso@sdcc13.ucsd.edu (Mars)
Newsgroups: rec.music.synth
Subject: Re: Roland DJ70 sampler workstation
Date: 9 Sep 92 16:37:18 GMT
Organization: University of California, San Diego


Are any other companies, Akai for instance, planning on releasing a
box aimed at the DJ market similar to Rolands DJ70??

An MPC60 with more RAM and a little keyboard would be way cool...



-- 
_______________________________________________________________
 		
   mars@ucsd.edu
From: dan@cafws1.eng.uci.edu (Dan Harkless)
Subject: Re: OB-X and Juno-60
Newsgroups: rec.music.synth
Organization: University of California, Irvine
Date: 15 Sep 92 21:26:04 GMT

	Sorry for the near-duplicate post.  Been having trouble with my news
poster.

------------------------------------------------------------------------------
| Dan Harkless                | "The sore in my soul                         |
| dan@cafws1.eng.uci.edu      |  The mark in my heart  ->  Front 242,        |
| dharkles@bonnie.ics.uci.edu |  Her acid reign..."        Tragedy >For You< |
------------------------------------------------------------------------------
From: JROSSI@EAGLE.AAMRL.WPAFB.AF.MIL
Newsgroups: rec.music.synth
Subject: Re: EMG CONTROLLERS
Date: 12 Sep 92 16:37:00 GMT


I have never used EMG as a control source but in the lat 70s I designed an
EEG controller for voltage controlled synths [Mind-Meld (TM)].  Although the
actual signals are different, I would guess that what you do with them is
probably more important anyway.  So, send me direct e-mail comcerning your
specific application and I might be able to help you on the signal conditioning
end.

John
From: nick@dcs.ed.ac.uk (Nick Rothwell)
Newsgroups: rec.music.synth
Subject: Re: Why I like the Mac for Music
Date: 9 Sep 92 12:42:41 GMT
	<D88-JWA.92Sep7120625@dront.nada.kth.se>
Organization: Naff Green Shorts Dance Co.
In-reply-to: d88-jwa@dront.nada.kth.se's message of 7 Sep 92 11:06:25 GMT

In article <D88-JWA.92Sep7120625@dront.nada.kth.se> d88-jwa@dront.nada.kth.se (Jon W{tte) writes:

   I knew there was a catch. (Else, yes, it's reality !)

That's what I meant. I'm sure I could blow $100000 on a superb video
imaging and processing system and do what I want performance-wise. Short
of that, the technology doesn't interest me because it's of no use.

   And I'd be happy to receive any chocolate biros you have lying
   around. Swiss, preferrably.

One (1) presentation box of Lindt and Sprungli Dark Chocolate Ballpoints
on its way. Blue ink or black?

Nick.
--
  Nick Rothwell, LFCS, Edinburgh | "Say, how many contemporary dancers are
               nick@dcs.ed.ac.uk |     there in this bar?"
CASSIEL Contemporary Music/Dance | "Dunno; count the Dr. Martens and
     cassiel@cix.compulink.co.uk |     divide by two..."
From: dan@cafws1.eng.uci.edu (Dan Harkless)
Subject: Re: MIDI Equipment For Sale
Newsgroups: rec.music.synth
Organization: University of California, Irvine
Date: 16 Sep 92 01:25:18 GMT

In article <D88-JWA.92Sep12134147@cyklop.nada.kth.se> d88-jwa@cyklop.nada.kth.se (Jon W{tte) writes:
>> jjyyjj@mixcom.com (Thomas Mueller) writes:
>
>   E-Mu Emax II sampler            $1850
>   ("Turbo" model with 2 MB RAM, stereo sampling.)
>
>Don't you get a K2000, new, for that price?

	Don't think so, plus it wouldn't be with the sampling option, but you
_can_ get a new Emax II for $1700, same configuration as the above.  $1850 is
way too high.

------------------------------------------------------------------------------
| Dan Harkless                | "The sore in my soul                         |
| dan@cafws1.eng.uci.edu      |  The mark in my heart  ->  Front 242,        |
| dharkles@bonnie.ics.uci.edu |  Her acid reign..."        Tragedy >For You< |
------------------------------------------------------------------------------
From: vulcan@spartacus.Eng.Sun.COM (Jeff Whitman [SparcTech])
Newsgroups: rec.music.synth
Subject: For Sale
Date: 14 Sep 1992 20:11:18 GMT
Organization: Sun Microsystems Inc., Mountain View, CA
NNTP-Posting-Host: spartacus
Keywords: Sale, Synth

Silly me, in the previous for sale post I did not list a phone number. 
Sorry.

	Jeff Whitman

	(H) 408-377-5537 After 7:00 pm (West Coast)
	(W) 415-336-7148 Before 6:00 pm


Jeff
From: davei@comp.lancs.ac.uk (Mr D Ingles)
Newsgroups: rec.music.synth
Subject: Re: Cakewalk for Windows Question
Date: 9 Sep 92 20:38:52 GMT
Organization: Department of Computing at Lancaster University, UK.

In article <1992Sep9.160459.13316@col.hp.com> jjh@col.hp.com (Jeff Haeffele-x3570) writes:
>Is there a way to split a multi-part track into multiple individual
>tracks in Cakewalk for Windows?

Can anyone give me some UK prices for Cakewalk for Windows ? Also has it been
enhanced any from that of the version one demo disk ?

Anyone in the UK want to buy my copy of Cubase for Windows or exchange it for 
a copy of Cakewalk for Windows ?

Davei (davei@lancaster.ac.uk)
From: diarmuid@uniwa.uwa.edu.au (Diarmuid Pigott)
Newsgroups: rec.music.synth
Subject: Re: About CkWlk
Date: 13 Sep 1992 18:31:55 +0800
Organization: The University of Westrn Australia
NNTP-Posting-Host: uniwa.uwa.edu.au
X-Newsreader: Tin 1.1 PL5

They is a demo version available by ftp'ing ftp.cica.indiana.edu,  in
the /pub/pc/win3/demo directory. It has all the features of the real one
except the save command. If you like cakewalk you'll like this. 

(And that presents no real problem, because all you have
to is copy everything to the clipboard, save the clipboard using the
clipboard viewer, and then because WinCake copies to the clipboard as a
Midi file, just write a Q&D program to dig out the file. (hint: look for
"MThd" and copy the rest))

Newsgroups: rec.music.synth
From: peter@ruby.ora.com (Peter Mui)
Subject: FOR SALE: Yamaha DD-5 Drum Machine(s)
Followup-To: peter@ora.com
Organization: O'Reilly & Associates, Inc.
Distribution: usa
Date: Wed, 9 Sep 1992 22:41:40 GMT

Two Yamaha DD-5 Drum Machines/ Trigger Pads For Sale

I have two Yamaha DD-5 Drum Machines for sale for $45 each or both
for $80, UPS Ground Shipping included.  Both are in as-new condition
in the original packaging and with all instructions.

The Yahama DD-5 is a low-end drum machine with some simple patterns
and sounds built-in.  Where it's really useful is as a MIDI drum
trigger to another device.  Each DD-5 has four trigger pads and a
MIDI out.  You can set the MIDI note number for each of the pads.
The one down side of the DD-5 is that the MIDI note assignments have
to be reset each time you turn it on. 

If you're interested, send return e-mail. -peter

Peter Mui    (617) 354-5800    Fax: (617) 661-1116
O'Reilly & Associates, Inc.
90 Sherman Street, Cambridge, MA 02140
UUCP:	uunet!ora!peter      Internet:   peter@ora.com

Xref: sparky rec.music.synth:14653 comp.sys.mac.misc:16320
From: nick@dcs.ed.ac.uk (Nick Rothwell)
Newsgroups: rec.music.synth,comp.sys.mac.misc
Subject: PB100, MIDI: Well, *I'm* impressed...
Date: 10 Sep 92 10:51:15 GMT
Organization: Naff Green Shorts Dance Co.

Finally got the PowerBook 100 up and running last night, after a few teething
troubles with AppleTalk. (Never install a System on a machine by copying all
the configuration files from another machine: strange things happen...)
Installed OMS, MAX, Performer and some other odds and ends. Ran some tests:
striped a videocassette with 30-frame SMPTE, fed it back through a MIDI
Time Piece to convert to MIDI Timecode, converted to MIDI Manager timebase
by the OMS drivers and MM bridge, fed this to Performer, had Performer put out
MIDI beat clock to the Wavestation, kicked the MTP into multi-cable mode
at 1MHz, ran a fairly complex sequence file from a recent live set.

The PB100 performed flawlessly. Performer stayed locked to SMPTE without
any problems. The PB100 wasn't at all sluggish in response to window drags
and menus; it didn't seem to be breaking into a sweat at all. No serial
port overruns reported from OMS at all, and note that I was doing MTC input
(which is quite dense SysEx) and multi-cable output with MIDI beats.

In addition, there are the tests I performed on other 100's, including Metlay's.
Editor/librarians perform flawlessly with OMS and/or MIDI Manager. With
Metlay's machine I sequenced eight tracks from a Mac IIfx to the PB100
via a two-MTP network, using MIDI beat clock for sync. I think the notes
came in around 2msec late (which makes sense: clock f/by cablising packet
f/by note event). No overruns or anything.

I can only conclude that a PowerBook 100 running MIDI Manager and OMS is
a superb MIDI engine. Non-MIDI Manager software is dodgy at best, and
should be fed to your dog.

If Apple had any sense, they'd be pushing (and maintaining) MIDI
Manager, as well as getting PB100's properly publicised as superb
little MIDI computers. For $600 these beasts are a steal. Of course,
Apple don't have any sense. That's why the PB100 (the only PowerBook
which can do MIDI) has been discontinued and they've let MIDI Manager
atrophy through neglect. Thank goodness for Opcode (whose OMS system
has saved the day) and UPS (so that I could ship a PowerBook 100 from
the US).

Nick.
--
  Nick Rothwell, LFCS, Edinburgh | "Say, how many contemporary dancers are
               nick@dcs.ed.ac.uk |     there in this bar?"
CASSIEL Contemporary Music/Dance | "Dunno; count the Dr. Martens and
     cassiel@cix.compulink.co.uk |     divide by two..."
Newsgroups: rec.music.synth
From: dpelton@nyx.cs.du.edu (Dennis Pelton)
Subject: Re: Comments on "Electronic Projects for Musicians?"
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Fri, 11 Sep 92 15:57:20 GMT

In article <ucosmo.716158447@mcl> ucosmo@mcl.ucsb.edu (Boris Burtin) writes:
>I have been considering buying a copy of this book.  I just wanted to see
>if anyone has had any luck building the projects that Anderton describes.
>Do they work?  Are they useable?  

I've built some, they work, they're useable, they're a little 
out-of-date (like 20 years, mostly) compared with state-of-the-art
but you'll learn some useful things and have some fun.  

>Can they be assembled by a computer-science
>major with limited electronics skills?

Depends on how "limited" we're talking here.  If you're likely
to burn yourself with a soldering iron, you should consider
sticking with a computer keyboard.  They're not difficult.

Dennis Pelton                "If you would just enjoy yourself
dpelton@nyx.cs.du.edu         I'd love you at any size
                              Come share some cake with me
                              You're still skinny in my eyes"
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Thu, 10 Sep 1992 10:21:25 PDT
Reply-To:     dunn@intellicorp.com
From:         Casey Dunn <DUNN@SAFFRON.BITNET>
Subject:      Re: powerbook 100 users?
Comments: To: SYNTH-L@AMERICAN.EDU

You said (Re: Re: powerbook 100 users?)


> Why does someone who is presumably paid to know what he's talking
> about actually not know?

lazy

             the two Apple guys whose letter is in the September
> KEYBOARD, and most of the rest of Apple.)

deliberate misinformation. remember the old IBM FUD factor?
        	(fear, uncertanty, doubt.)

it's now infected apple.

it's weird watchin them. they're closing their Fremont CA plant, the
one that was so heavily touted as "Macs manufacturing Macs"; assembly
automation for the future...

c a s e y
From: Larry_Kovnat.ROCH803@XEROX.COM
Newsgroups: rec.music.synth
Subject: KS-32, SY99, O1/W,... comparisons
Date: 15 Sep 92 18:02:25 GMT
Reply-To: Larry_Kovnat.ROCH803@xerox.com

I have been reading this newsgroup for about a month now.  I will soon be in
the market for a keyboard and am trying to narrow down the list.  A couple of
the requirements I have is for a larger keyboard (60 keys just seems too small)
and for a piano feel.  I currently have an acoustic piano and will probably
continue to use that as my main instrument and I want to keep that feel on the
keyboard.

So far I have demo`d the Ensoniq KS-32, Korg O1/W and Yamaha SY-99.

The KS-32 is currently at the top of my list.  76 weighted keys.  I liked the
action very much.  Beautiful piano and B3 samples.  Not too much space junk.
The House of Guitars is Rochester, NY is asking about $2K.  I don`t remember
the exact price they asked but I know they will deal.  This is a new machine so
the price may remain high for awhile.  The UI is small, seems like it may be
difficult to program.  I didn`t have a chance to try.

I liked the SY-99 too except for the synth action as opposed to the weighted
keyboard.  And it is about $500 more street price according to the price list
in this newsgroup.  Good UI.

The O1/W is a 60-key, synth action machine so for me that is probably going to
rule it out.

I would still like to try the Kurzweil K2000 and the Roland JV-80.

I`d like to hear any feedback on this list, especially on the KS-32 since I`m
strongly considering it.

- - - - - - - - - - -
Larry Kovnat
lk.roch803@xerox.com
Newsgroups: rec.music.synth
From: malouin@engin.umich.edu (Curt Malouin)
Subject: Re: FB01 vs. TX81Z
Date: Fri, 04 Sep 92 22:13:54 EDT
Organization: University of Michigan Engineering, Ann Arbor

In article <#vmnfal.ladasky@netcom.com> ladasky@netcom.com (John J. Ladasky II) writes:
>wrighttj@uhura.aston.ac.uk (Auntie Tim) writes:
>[delete a little]
>>operators. A few other things are different as well. The D/A
>>converters in the TX are better quality than the FB- I think 16bit
>>as opposed to 12 bit, but I could be wrong...
>[delete a lot]
>	If I remember correctly, the FB01 DAC (I think there's only one, 
>multiplexed to the two channels) is only 10 bits across.  The FB01 has a 
>pretty grainy sound. ...
 ^^^^^^^^^^^^^^^^^^^
That's what I like most about it.  Before picking one up (it was
thrown in w/ the K5m to complete a deal) I always heard about
how noisy it was.  The noise floor isn't bad (on mine, at least),
and I plan to record with it.  I have heard other FB-01's that
were *really* noisy (hi keyboard@engin :-), so maybe I just got
lucky.  The biggest complaints that I have with it are:

        - editting is only possible via MIDI.
        - rear panel power switch (pain in the #ss when it's racked).
        - poor quality of the front panel buttons

Wouldn't give it up, though--it's great for grainy digital
sounds that crumble in the low octaves (and hey, *everybody*
needs those, right? :-)

        -curt

--
Curt Malouin                                Computer Aided Engineering Network
malouin@engin.umich.edu                     The University of Michigan
Xref: sparky rec.music.synth:14543 comp.music:4351 misc.forsale:25583 sdnet.forsale:396 rec.music.marketplace:1349
From: mcarlsso@sdcc13.ucsd.edu (Mars)
Newsgroups: rec.music.synth,comp.music,misc.forsale,sdnet.forsale,ucsd.buy+sell,rec.music.marketplace
Subject: For sale:  Roland Juno 106 analog synthesizer (techno bass monster)
Date: 7 Sep 92 23:30:06 GMT
Followup-To: poster


Roland Juno 106 Analog synthesizer
Full size keyboard
MIDI

 
Used by all the techno gurus like Beltram, Derrick May(Rhytm is
Rhytm), Kevin Saunderson(Inner City), Prodigy etc etc.
This unit puts out serious bass and is very easy and fast to 
program with sliders and knobs for all parameters and waveforms. 
Another good thing is that this machine doesn't need a MIDI retrofit kit. 
The machine is in perfect condition and comes with the original manual 
and power cable. 
This is THE machine for serious musicians into bass heavy music like nosebleed
techno and dubby house. 

Asking $325 or best offer.  Prefer to sell loclly(So. Cali.).

	mars@ucsd.edu


-- 
_______________________________________________________________
                   |   'What's up DOC?'
   mars@ucsd.edu   |  			Bugs Bunny
		   |
Newsgroups: rec.music.synth
From: nsw@cbnewsm.cb.att.com (Neil Weinstock)
Subject: Generalmusic S2/S3
Organization: The Flying Squid Patrol
Distribution: na
Date: Wed, 16 Sep 1992 04:11:04 GMT
Summary: Hey, maybe a quote for Metlay's sig

Remember when you started seeing those ads for the Generalmusic S2/S3
"music processors" a few months ago?  Well, I called them for more info, and
they finally just sent me a brochure.  Looks like a fairly interesting machine.
Basically it's a sample player-based workstation, but has some nice features
including a good-sized graphics LCD (including graphic envelope editing),
tons of buttons and eight sliders, multitasking operating system, 2 MB of
sample RAM, multimode resonant filters (digital, of course).  Looks like
there's also some kind of patch librarian in it (patches are given creation
time stamps; interesting).

But I digress.  The brochure, which seemed to be a translation, had rather
peculiar wording in it throughout.  I liked this one, which proves that
hyperbole is the universal language:

	The attention dedicated to natural sounds and the latest methods
	of electronic synthesis means that S2 and S3 can completely
	satisfy all the requirements of musicmakers both now and in the
	future, with a range of tone shadings that ranges from purely
	digital to the fattest analogical [sic] sounds ever heard.

Other times it seemed as if someone was trying to crank up the Fog index as
high as it could go.  This one's a classic:

	Right at the heart of S2 and S3 memory system there is a
	Motorola 68302 microprocessor, universally recognized for its
	exceptional elaboration velocity.

Anyway, I'm actually rather interested in test-driving one of these
babies; looks like fun.  You can never have too much elaboration velocity,
after all... ;-)

 __ _ _ _ _ _,--------------------------------------------------. _ _ _ _ _ _ 
/, \ \ \ \ \ \  Neil Weinstock @ AT&T Bell Labs, Liberty Corner  \ \ \ \ \ \ \
 | | | | | | |     believer in the horrendous space kablooie     | | | | | |
 \_/_/_/_/_/_/        att!edsel!nsw or nsw@edsel.att.com         /_/_/_/_/_/
             `--------------------------------------------------'
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Fri, 4 Sep 1992 23:58:55 CST
From:         Rod Lemcke <WEBERLOI@MAX.CC.UREGINA.CA>
Subject:      Re: * * * Roland Synthesizer for sale * * *
              4 Sep 1992 17:59:21 GMT from <schwartz@FLAMINGO.STANFORD.EDU>

I'm actually looking for MKS80's or MKS70's right now.  Would you be interested
 in swapping any gear for your MKS-70?   I have an Oberheim OB-Xa, a Chroma
Polaris, and a Sequential Circuits Six-Trak for sale.  I would be very interest
ed in swapping you with any of these three.  please e-mail me back with a reply
 or phone me at (306)-789-0961 * voice * to discuss this further.  Actually I
have swapped 3-4 times with people from the US before, no problems at all! I
will watch for your reply or phone call.    Thanks...
                                                      Rod L.
From: gscott@VNET.IBM.COM
Newsgroups: rec.music.synth
Subject: For Sale:  D-50, MT-32, MQ-16, Cakewalk
Date: 11 Sep 92 21:18:14 GMT

For sale:

*Roland D-50 w/>1000 patches on disk and two sound cards:  $900/obo.

*Roland MT-32 $250/obo
*Music Quest MQ-16 with developer's toolkit $100/obo
*Cakewalk 4.0 $50/obo
Take above three for $350

All equipment is in excellent condition and comes with original packaging and
documentation.

Buyer pays COD shipping charges.

Reply to gms2@po.cwru.edu


Newsgroups: rec.music.synth