HDTenEightyP/NetNews huggingface dataset:
Date: Sat, 3 Oct 1992 17:36:09 GMT
From: John Nagle <nagle@netcom.com>
Newsgroups: comp.society.privacy
Subject: Re: Blockbuster & video rental records
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
X-Submissions-To: comp-privacy@pica.army.mil
X-Administrivia-To: comp-privacy-request@pica.army.mil
X-Computer-Privacy-Digest: Volume 1, Issue 087, Message 10 of 11

shearson!jenny!mjohnsto@uunet.uu.net (Mike Johnston) writes:


>Recently my local corner video store shutdown and I was forced to find
>a membership elsewhere. Since the only other store of consequence in my
>town was Blockbuster Video, I decided to go there. The application 
>process was fairly quick and painless IE you show them ID and a valid
>credit card and you're a member in just a few minutes. After you join
>they give you a notepad sized piece of paper which explains the
>terms of the membership.

>I glanced at this note when I got home and was quite surprised. Imbedded
>with the standard legalese about being responsible for rented tapes and
>such is a clause that states, from memory:

>	Member grants Blockbuster Video the right to release all information
>	generated by or through the use of the membership card.

>In other words, they can give out my rental records to someone without
>permission. This is disturbing.


        The exact text, from "Membership Terms and Conditions" marked
"2/92" and "810151" reads, in paragraph 3:

       "Member authorizes BLOCKBUSTER Video to release information contained 
        in this Application or generated by or through the use of the 
        membership card."

Question for the lawyers out there: does this constitute a wavier of the
Video Rental Privacy Act?

I refused to "join" Blockbuster because of their overreaching terms.
Fortunately, we have many local video rental stores run by independents.

					John Nagle
Date: 1 Oct 1992 12:49:17 GMT
From: "Michael E. Adams" <madams@ecst.csuchico.edu>
Newsgroups: comp.society.privacy
Subject: Re: Privacy vs. Anonymity
Organization: California State University, Chico
X-Submissions-To: comp-privacy@pica.army.mil
X-Administrivia-To: comp-privacy-request@pica.army.mil
X-Computer-Privacy-Digest: Volume 1, Issue 087, Message 4 of 11

In article <comp-privacy1.86.7@pica.army.mil> nastar!phardie@emory.mathcs.emory.edu (Pete Hardie) writes:


>[...]
>Anonymity helps those who hold unpopular views/lifestyles/etc.
>[...]
>Basically, I hold to the idea that my actions are not to be recorded unless
>there is a demonstrated need, simply because if there is data on me, someone,
>somewhere, will find a way to abuse it, whether legally, economically, or
>otherwise.

Read it, Learn it, and Live it.  It's time to put limits on data collection.
-- 
Hi! I am a .signature virus. Copy me into your .signature to join in!
Date: Sun, 27 Sep 1992 05:19:42 GMT
From: Dave Grabowski <dcg5662@hertz.njit.edu>
Newsgroups: comp.society.privacy
Subject: Re: Citibank photo credit card
Organization: New Jersey Institute of Technology, Newark, N.J.
X-Submissions-To: comp-privacy@pica.army.mil
X-Administrivia-To: comp-privacy-request@pica.army.mil
X-Computer-Privacy-Digest: Volume 1, Issue 085, Message 6 of 10

In article <comp-privacy1.83.6@pica.army.mil> usenet_interface@almaden.ibm.com writes:
>
>
>I am a late comer to this group...so...
>
>Has there been a discussion about Citibank's commercial where they state
>that their CC's are the most secure?
>They completely ignore the fact that the thief need only put your CC
>number onto his CC with his photo...sounds like a sales gimmick to me.
>

  Actually, I doubt that thieves would actually take the time to put
your CC# on their card. There are LOTS of easier ways to make credit
card purchases (I know.). Citibank claims that their cards are more
"secure" for you, but in actuality, is seems to be a benefit for THEM.
If your card is stolen, you are responsible for, at the most, $50. Big
companies, like Citibank, probably wouldn't even make you pay that. So,
supposing your card was stolen, and someone used it, it wouldn't hurt
you ANYWAY. Citibank is actually protecting themselves, but is selling
it on the premise that it will protect YOU.

  On top of all that, I wouldn't want another ugly pic of myself like
the one on my driver's license, anyway!

-Dave
-- 
 -----------------------------------------------------------------------------
Kappa Xi Kappa - Over & Above!                         dcg5662@hertz.njit.edu
9 Sussex Ave., Newark, NJ (car theft capital USA)   70721.2222@compuserve.com

Newsgroups: comp.society.cu-digest
From: TK0JUT2%NIU.bitnet@UICVM.UIC.EDU
Subject: Cu Digest, #4.47
Reply-To: tk0jut2@mvs.cso.niu.edu
Organization: the Computer Underground Digest gateway
Date: Thu, 1 Oct 1992 03:44:00 GMT


Newsgroups: comp.society.cu-digest
From: bulm2533@hgc.edu (steven bulmer)
Subject: Re: Notation Software with Inkjet Printers
Organization: The Hartford Graduate Center
Date: Tue, 29 Sep 1992 18:21:27 GMT

Was going to send this personally but downs@nevada.edu returned
"user UnKnown" on my system:

Hi,
   Thanks for the posting on Finale and the Canon BJ330. I am
looking for a printer now to go with Finale.  Would you recommend
the BJ 330 over say standard laser/postscript printers? I like
the idea of being able to print on larger than 8.5x11 paper.
Is your BJ 330 Postscript compatible? Do you also use Adobe Type
manager?  Thanks for addressing any/all of these questions!

Steve Bulmer
bulm2533@hgc.edu'


Newsgroups: comp.music
From: patte@cmn13.Stanford.EDU (Patte Wood)
Subject: Digital Music Under the Stars - October 12, 1992 - Frost Amphitheater
Reply-To: patte@ccrma.stanford.edu
Organization: DSO, Stanford University
Date: Mon, 5 Oct 92 18:34:33 GMT

Digital Music Under the Stars.  On October 12, 1992, at 7:30pm, the Center for  
Computer Research in Music and Acoustics (CCRMA), in conjunction with the 1992  
International Computer Music Conference, will present an outdoor concert of  
digital music at Frost Amphitheater that will include MIDI controllers  
(Thunder, Lightening, and Celletto), improvisation, quadraphonic sound, and  
BioMuse, a performance system developed at Stanford that uses signals from the  
body to generate music. 

Works include "Cuitlatecoytl: Dance of Pennance from the opera Popol Vuh" for  
computer-driven instruments by Allen Strange, "Turenas" for quadraphonic tape  
by John chowning, "Kagami" for BioMuse performer and MIDI instruments by Atau  
Tanaka and performed by Galen Brandt, "Daily Life Among the Phyrigians" and  
"I'm Late" by William Schottstaedt, "Torso" by David Soley, and "Finding Buried  
Signals" an improvisation for Thunder, Lightening, and Celletto by Chris Chafe  
and David Wessel.  

Tickets are $7 general admission, $4 students, and are available at the gate.   
Frost Amphiteater (on the Stanford University campus) will open at 6:30 p.m.  
for those who wish to picnic prior to the concert.  Concertgoers are encouraged  
to dress warmly and to bring a blanket to sit on.  For more information call  
the Music Department Office, (415) 723-3811.
From: gridlock@cats.ucsc.edu (Will Gridweed)
Newsgroups: comp.music
Subject: Re: Trakblaster (comes w/ audio spectrum 16)
Date: 29 Sep 1992 22:46:46 GMT
Organization: University of California, Santa Cruz
Distribution: inet
NNTP-Posting-Host: am.ucsc.edu


shawni@tis.llnl.gov (Shawn Instenes) writes:

>Trakblaster Pro does not work with anything other than a PAS 16.  And
>then it won't work if you set the DMA channel to anything other than 1 or 3.

	Trackblaster Pro's output is at 44khz 8-bit stereo, which allows
it to function on all three of the pas cards.

-Will

-- 
gridlock@cats.ucsc.edu
"Evil Pays"
Newsgroups: comp.music
From: bohdan.kiszczuk@rose.com (bohdan kiszczuk)
Subject: Resetting Roland U-20
Organization: Rose Media Inc, Toronto, Ontario.
Date: Sat, 3 Oct 1992 00:51:05 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.70)


Date Entered: 10-02-92 19:45
E(> 
E(> In article 1608@outland.UUCP, richard@adpgate.UUCP ( ADP OPuS) writes:
E(> >Harry Jenkins (hjenkins@amsaa-seer.brl.mil) wrote:
E(> >: Hello All,
E(> >: 
E(> >: I have a U-20 that I loaned to a friend.  Upon receiving it, all the
E(> >: presets I had were changed.  I was wondering if there is a way to
E(> >: reset it back to the factory settings quickly?
E(> >: 
E(> >: 
E(> >: Harry Jenkins
E(> >: e-mail:hjenkins@BRL.Mil
E(> >
E(> >  Assuming you mean the timbres and sound patches I'm afraid the
E(> >  news may be bad!!  I bought a used U-20 several years back and
E(> >  a few of the timbres and sound patches had been changed. Once
E(> >  these have been saved from temporary to permanent status on the
E(> >  U-20, that's it!  
E(> 
E(> I own a U-20 and before I started do sysEx dumps to my Mac Performer
E(> sequencer I used to overwrite some factory patches (not owning a RAM card).
E(> 
E(> The good news are: all factory presets are in the manual! I know it`s hard work
E(> but it can be done. Conclusion: Save your settings together with your songs
E(> in your sequencer.
E(> 
E(> Sten

  Correction everyone.. 
      I used to have a U20 (now a U220). There IS a way to 
reinitialize a U20 to factory defaults, patches and all. Unfortunately 
I wrote the instructions in the U20 manual which I sold with the unit 
awhile back. The instructions are sort of hold the edit + cursor 
button together etc. etc. etc. Try calling Roland or a Roland dealer. 
Roland may not give you the instructions but you're dealer should know 
how to do it or at least get the information for you.
---
   RoseReader 1.70 R001028: ======== bohdan.kiszczuk@rose.com ===========
   RM 2.00 : RoseNet<=>Usenet Gateway : Rose Media 416-733-2285
From: bs@mdavcr.mda.ca (Bruce Sharpe)
Newsgroups: comp.music
Subject: Algorithms for music filters (reverb, chorus, ...)?
Keywords: digital sound algorithm
Date: 1 Oct 92 19:42:22 GMT
Organization: MacDonald Dettwiler, 13800 Commerce Parkway, Richmond, BC, Canada  V6V 2J3

I am interested in modifying some digitized music samples to add effects like
reverb, chorus and so on.  The algorithms to do this must be pretty well
known.  Can anyone point me to an information source for such things?  Thanks.


-- 
Bruce Sharpe                      Voice: (604) 278-3411
MacDonald Dettwiler               Fax:   (604) 278-2117
13800 Commerce Parkway
Richmond, BC, Canada  V6V 2J3     {bs@mda.ca | ..!uunet!van-bc!mdavcr!bs}
From: shiv@bnr.ca (Shiv Naimpally)
Newsgroups: comp.music
Subject: Re: PD MAC sequencer
Date: 28 Sep 92 15:41:14 GMT
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.

Don't know of any PD/shareware, but there are 'junior' versions of
almost all the major sequencers that very cheap, have most of the
features of the full-blown version etc.. Fox example. EZ Vision
is available for $100. Altech has a MIDI starter kit with a MIDI
interface for the Mac, cables, and a sequencer called mini-trax
for $60. Check with mail order places such as MacWarehouse ...
Try reading magazines like Macworld ...
Newsgroups: comp.music
From: penrose@silvertone.princeton.edu (Christopher T. Penrose)
Subject: Re: Pitch vs Frquency
Originator: news@nimaster
Keywords: Western bias, pitch perception
Organization: Princeton University
Date: Sun, 27 Sep 1992 04:56:50 GMT

In article <MeksCvy00Uh787g1Zs@andrew.cmu.edu> jk75+@andrew.cmu.edu (Jeffrey C  
Kunins) writes:

> Although in the "traditional" realm of music and non-synthetic sounds
> this is correct, it is not always the case.  For all instruments of
> common practice in Western music (and I would probably say ALL natural
> instruments, but I'm not positive of this), the fundamental frequencies
> combined with the harmonic overtone series unique to that instrument
> create what we perceive as pitch, and can be positively identified (i.e.
> "mapped" ala a previous post) by the human ear (specifically someone
> with perfect pitch) as an "A", for instance, at 440Hz.  

The pitch gestalt of harmonically distributed sounds is well documented,  
however, formants can also be perceived (at least by me) as having a pitch.   
Melodies can be constructed by stringing together filtered noise bursts -- if  
the bandwidth is not too great, the average frequency of a noise cluster is  
generally perceived as its "pitch".  Harmonically distributed sounds are a  
narrow class of sounds, though there are those so steeped in the Western  
tradition that they fail to see otherwise.  Too bad.

Back to moonlight sculpting.

Christopher Penrose
ivy tower composer
penrose@silvertone.princeton.edu

Newsgroups: comp.music
From: mar@physics.su.OZ.AU (David Mar)
Subject: Is there an Intro to MIDI FAQ?
Summary: I know computers and music, but not their intersection!
Organization: School of Physics, University of Sydney, Australia
Date: Fri, 2 Oct 1992 05:30:20 GMT

Sorry to sound like such a newcomer to the field of computer music, but I
am...

I have a Yamaha electric piano (I forget the model number) with a MIDI
plug on the back, and recently got myself a Macintosh PowerBook 140. I
figured there would be an FAQ here telling me what else I need to be
able to link the two and use the combination effectively. Not finding
one amongst the posts at my site, I thought I'd better plunge in with
a question.

Here goes:
I don't want a fancy, multi-thousand dollar set-up; just something
inexpensive which will let me:
a - compose and store music by entering notes on the computer, and be able
    to play the result through the internal speaker,
b - output the stuff (via MIDI, presumably) to my keyboard so I can hear
    it in better quality than the internal Mac speaker,
c - print out the resulting compositions.

If there is an FAQ, could someone please send me a copy? In any case,
I'd like to hear people's recommendations for hardware/software. Please
note, I know nothing at all about MIDI, but am willing to learn! In
particular, what sort of productivity do you get with communication
the other way (from keyboard to computer)?

Reply by e-mail, please. I will post a summary if anyone is interested.
Thanks!

David Mar.                              mar@physics.su.OZ.AU
Astrophysics Department, University of Sydney  NSW  2006, Australia.
From: mumc@uxa.ecn.bgu.edu (Michael A. Causa)
Newsgroups: comp.music
Subject: "Drum Machine" for IBM PC & Sound Blaster?
Keywords: drum, sound blaster, SB
Date: 6 Oct 92 21:47:47 GMT
Article-I.D.: uxa.Bvpz7o.Bxs
Distribution: usa
Organization: Educational Computing Network

Hi,  

	I was wondering if anyone knew of software for an IBM PC that would
simulate a drum machine and used the Sound Blaster card.  It doesn't have to
be very complex, just has to let you program simple beats.

							Thanks,
							Mike Causa
							mumc@uxa.ecn.bgu.edu
From: dce@smsc.sony.com (David Elliott)
Newsgroups: comp.music
Subject: ICMC phone number?
Date: 6 Oct 92 19:04:46 GMT
Article-I.D.: smsc.1992Oct6.190446.5854
Organization: Sony Microsystems Corp, San Jose, CA

Does anyone out there have the phone number for the ICMC
folks?  I sent in my application a couple of months ago,
and haven't received any information for the conference
next week.
Newsgroups: comp.music
From: Ramon Tate
Subject: Re: Chant fonts ???
Reply-To: tate@faxcsl.dcrt.nih.gov
Organization: Computer Systems Lab., NIH
Date: Wed, 30 Sep 1992 16:36:55 GMT

In article <1992Sep29.152830.1159@lugb.latrobe.edu.au>
musbep@luxor.latrobe.edu.au (PETHERICK Bruce) writes:
>In article <1a0besINNdf0@usenet.INS.CWRU.Edu> dxc4@po.CWRU.Edu (David Condon)
writes:
>>
>>Greetings,
>>
>>Has anybody ever come across a font for notating Gregorian chant --
>>"square" notation as used in Vatican editions of chant such as the
>>Liber Usualis? I am particularly interested in finding one for the Macintosh.
>
>This is not perhaps a font, but there is a programme called `Scribe' that is,
>at the moment, written for the IBM, specifically to notate 4 line chants.  The

>text is included, and it can be notated in square or round notation. For 
>more information, contact John Stinson at La Trobe University, Melbourne
>Australia on musjs@lure.latrobe.edu.au
>
>Regards,
>
>Bruce Petherick
>Music
>LaTrobe University, Melbourne, Australia
>musbep@luxor.latrobe.edu.au
>
Give Lime a try - I can't check it at the moment, but I seem to remember being
able to set all sorts of things about the notation, including the shape of the
note heads. The current version is 2.0a, which is available by anonymous ftp
from unicorn.cerl.uiuc.edu. You really need a Mac II-or- better class machine
to run it, though, and at least 4 megs of memory for songs of any length.
--------------------------------------------------------------------------
Ramon L. Tate
Computer Systems Laboratory, DCRT
National Institutes of Health
Bethesda, MD 20892                               tate@faxcsl.dcrt.nih.gov


Newsgroups: comp.music
From: "Christoph Luebbe" <UJ4J@DKAUNI2.BITNET>
Subject: Score User needs help
Organization: University of Karlsruhe, Germany
Date: Mon, 28 Sep 1992 20:02:19 GMT


Hi
..
I am a Score user (V3.08) and a am very shure to have the best
musical score layout programm on the market.
But now I have a little problem. I changed from MS-Dos 5 to
OS/2. This is really great because you can run SCORE,the PAGE
layout program, and a postscript emulator at the same time, but
there is a problem with my MUSIC QUEST PC Midi Card (it is
compatible to Roland MPU401). SCORE can send MIDI data but it is
not able to receive any MIDI data. I tried all possible interrupts
but i was not able to solve the problem. Remember all works fine
under DOS. Any ideas ?
..
please contact me. Christoph Luebbe uj4j@dkauni2.bitnet    or
                   uj4j@ibm3090.rz.uni-karlsruhe.dbp.de
Newsgroups: comp.music
From: yjossa@mathlab.sunysb.edu (yuri jossa)
Subject: SWAP ENCORE 2.51 r2 for MIDI QUEST univ. E/L for windows
Organization: SUNY at Stony Brook, Dept. of Math
Distribution: inet
Date: Sat, 3 Oct 1992 04:18:35 GMT
X-Posted-From: mathlab-gw.pi.sunysb.edu
NNTP-Posting-Host: sol.ctr.columbia.edu

I am interested in trading  copies + full docs of 

Encore 2.51 r2 (latest $595 list ) for MIDI Quest editor/

librarian for Windows (the latest one . 3.0 i think)

interested parties please reply to:

yjossa@mathlab.sunysb.edu
From: oriordains@ul.ie
Newsgroups: comp.music
Subject: HELP: 'pv' output to a lineprinter ??
Date: 29 Sep 92 17:59:18 GMT
Organization: University of Limerick, Ireland

Hi,
Has *anyone* out there printed the output of F.R.Moore's phasevocoder 'pv' to a 
line printer in a spectral format ?? What I would like coming out is frequency
represented across the page, time down the page, and amplitude by the intensity
of the dots representing each frequency component.
Anybody done this (on Unix platforms of course) that is willing to part with 
some code !!. I hate the idea of having to start getting into programming in 
graphics mode for line printers ;-).
Anybody ?? Reply via e-mail please. Thanks in advance.
Seo.
---------
Seosamh O Riordain.
CSIS Dept.,
University of Limerick,
Plassy Technological Park,
Limerick,
Ireland.
E-mail: ORIORDAINS@ul.ie        *** No NeXT mail yet ***
Newsgroups: comp.music
From: ramirez.Princeton.EDU!penrose (Christopher Penrose)
Subject: Re: Where can I find Mark Dolson sound manipulation utilities?
Originator: news@nimaster
Keywords: uh oh
Organization: Princeton University
Date: Tue, 6 Oct 1992 05:48:47 GMT

Charles Paul Menoche writes:
> Does anyone know where I can find the unix versions of the Mark Dolson
> sound utilities.

I do.

These programs are part of the CARL software distribution of the former Center  
for Music Experiment (CME) at UC San Diego.  The bureaucracy has been renamed  
to CRCA (Center for Research for Computers and the Arts).  Anyway, the CARL  
distribution is technically *free* software, by law, but they charge an  
astronomical distribution fee of $250 dollars.  They made me pay it too; even  
though I helped port many of these programs (specifically Dolson's) to a Sun  
music network at UCSD.  I was also willing to perform all "distribution" labor  
myself.  No student or individual discounts.  If you want to get these programs  
in a completely slow, expensive, and questionably intelligent fashion, you can  
pester F. Richard Moore or Susan Fischera:

frm@aura.ucsd.edu
sfl@wendy.ucsd.edu

Susan smiled at me the last time I saw her (June); this made me very happy.

Mark Dolson left CME around 1987.  Last I heard, he was working in the  
Linguistics department at UC San Diego.

Christopher Penrose
penrose@silvertone.princeton.edu
Xref: sparky comp.music:4689 rec.music.synth:16143
From: procopio@graphics.cis.upenn.edu (Joseph L. Procopio)
Newsgroups: comp.music,rec.music.synth
Subject: Re: Mac MIDI Manager
Date: 7 Oct 92 02:42:16 GMT
Followup-To: comp.music
Organization: UPENN Computer Graphics Research Laboratory
In-reply-to: darrin@arrakis.engin.umich.edu's message of 7 Oct 92 00:39:51 GMT


	
	I used to use both TRAX (alas not Master Tracks Pro...) 
and LIME (the notation software from Univ. Illinois - GRRRREAT!) under the
Mac Midi Manager.  I could sequence in TRAX and have it bounced over to lime
for notation... IT WORKED REALLY GREAT.

			HOWEVER - there's always a "however" or a "but"...

  Under the Mac SYSTEM 7.0.1, TRAX doesn't seem to work with MIDI Manager?!?!?

It works fine using the TRAX drivers, and LIME works fine with the MIDI Manager
but TRAX doesn't.


			ANYONE HAVE A CLUE FOR ME????????

							Joe

					procopio@graphics.cis.upenn.edu



PS.   I HAVE A REAL BIG PATCH PROBLEM WITH MY ENSONIQ VFX...  IF YOU HAVE A 
    VFX,VFX-SD, OR SD-1 PLEASE E-MAIL ME....     SEE ALSO MY POST REGARDING IT
From: kmorton@panix.com (Ken Morton)
Newsgroups: comp.music
Subject: Cubase Audio for the Mac For Sale...
Date: 6 Oct 92 02:34:07 GMT
Organization: PANIX Public Access Unix, NYC


	Brand new, perfect manual, etc.

	I'm selling it because -

		The current version doesn't work properly with large
or multiple monitors (I have both.. :).

		I'm in love ith Studio Vision, Galaxy, Max and OMS.

	MIDI input "burps" when recording if you are playing back two
tracks of audio (w/large monitors - ie over 640x480).


			$550

			Ken

-- 
Ken F Morton
kmorton@panix.com		"Good Tea, Nice house." -Worf
Xref: sparky comp.music:4555 rec.music.synth:15634 alt.emusic:300
Newsgroups: comp.music,rec.music.synth,alt.emusic
Subject: Sam Ash Email?
From: <MRLCC@CUNYVM.BITNET>
Date: Monday, 28 Sep 1992 13:54:38 EDT
Organization: City University of New York/ University Computer Center

 Is there any email address for Sam Ash Music in N.Y. or anywhere else?
Could you please mail me the number or post it. Thank you.
From: musbep@luxor.latrobe.edu.au (PETHERICK Bruce)
Newsgroups: comp.music
Subject: Re: Pitch vs Frquency
Date: 29 Sep 92 15:41:16 GMT
Organization: La Trobe University

In article <350@mindlink.bc.ca> John_Somerville@mindlink.bc.ca (John Somerville) writes:
>that more acceptable. But I know little of which I speak, and therefore ask:
>What property of say, a Stradivarius (S) is different than grandpa's fiddle
>(g). Would it be correct to say that note A(S) is the same pitch as note A(g).
>
 The perceived pitch, if the finger position, bow etc etc are all the same, 
would be the same.  One would perceive the pitch as a part of class `middle C'
or whatever.  The timbre, the `colour' of the note, would be different, as would the waveform of the note, if you viewed it on an oscilloscope.  Money doesn't
buy pitch classes, it buys timbre!

Regards,

Bruce Petherick
Music
LaTrobe University, Melbourne, Australia
musbep@luxor.latrobe.edu.au
From: mdf@hpuerca.atl.hp.com (Mike Fox)
Date: Sat, 26 Sep 1992 16:55:51 GMT
Subject: Re: Looking for Info/Catalog on Keyboards with MIDI interfaces
Organization: the HP Response Center, Atlanta