HDTenEightyP/NetNews huggingface dataset:
Organization: Netcom - Online Communication Services  (408 241-9760 guest)
Apparently-To: rec-music-gaffa@ames.arc.nasa.gov
Newsgroups: rec.music.gaffa

The October 2,1992 Bay Area Music Mag (BAM) Has Tori on the cover and an
article inside 'Little Earthquakes and Continuing Tremors - Tori Amos'
by Jonathan Mudd.  It has one photo in the article.  The mention of Kate 
follows.

"[There are big production numbers that] bring to mind the sophisticated pop 
of Kate Bush, except that Amos's use of Eastern harmony and trick rhythms is 
not so self-conscious, and her voice not so tiresomely operatic."

I'm not on the Tori list but I imagine someone there will see this.
I was in Tower the other day and someone was asking the clerk when Tori's
next single CD would be out.  Does anyone know about this?

thanks
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Tue, 29 Sep 1992 08:53:05 EDT
Date: Tue, 29 Sep 1992 08:52:28 -0400
From: wilt@fizban.solace.hsh.se (Gustav Holmberg)
Errors-To: Love-Hounds-request@uunet.uu.net
Message-ID: <199209291251.AA06351@fizban.solace.hsh.se>
Subject: Explanation
X-Charset: ASCII
X-Char-Esc: 29
Newsgroups: rec.music.gaffa

Hello!

Recently, some idiot (to say the least) somehow broke into my account on the
system I'm using. Apparently he sent some very insulting message to your
Kate Bush-newsgroup. I want to make the following clear:

  * I didn't post that message.

  * I don't know who did, or how he or she managed to get into the system 
    (that is being investigated).

  * I don't want my name to be connected with this kind of stupidity.

  * Please spread the word.

By the way, I have no particular opinion about Kate Bush. I like the
Cloudbusting video, though.

With kind regards,

Gustav Holmberg
From: jondr@sco.COM (Karen Silkwood's car)
Newsgroups: rec.music.gaffa
Subject: Re: San Diego Street Scene 1992 - Digeridoos, "Geena", and me.
Date: 23 Sep 92 19:57:13 GMT
Organization: The Santa Cruz Operation, Inc.
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Wed, 23 Sep 1992 16:12:31 EDT
Errors-To: Love-Hounds-request@uunet.uu.net
X-Mailer: SCO System V Mail (version 3.2)

rhill@netrun.cts.com (ronald hill) writes:
>at one point I felt these 
>hands rubbing my shoulders, and then going down my back.  I was 
>thinking something like, "Hm, I didn't know these things happened at 
>concerts.  :-)

You should go to a rave. It is quite common for a total stranger to come up
to you and ask, "would you give me a hug?"

-- 
Jon Drukman (God's personal DJ)                 uunet!sco!jondr   jondr@sco.com
-------------------------------------------------------------------------------
Always note the sequencer - this will never let us down.
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Sun, 4 Oct 1992 16:05:24 EDT
Date: Sun, 4 Oct 1992 15:50:23 -0400
From: MTARR@EAGLE.WESLEYAN.EDU
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Tori at Toad's
Message-ID: <01GPK187NMAC8Y5TIJ@EAGLE.WESLEYAN.EDU>
Newsgroups: rec.music.gaffa

Hi!

Tori Amos will be playing at Toad's Place in New Haven, CT on Monday, November
9.  I'm not sure when tickets go on sale (I'm sure it will be fairly soon)
or how much they'll be, but I'm definitely going to be there.  If anyone
else wants to go too and would like me to pick some tickets up for them,
please e-mail me at m.tarr1@genie.geis.com and let me know.

I'm also willing to provide directions to the club if anyone needs them.
If there's a big enough group of us, we may want to meet beforehand or something-
that can be arranged as the date approaches, but I thought I'd throw the
suggestion out now.

Tori's coming to my town!  Happy happy joy joy!  :>
=============================================================================
Meredith Tarr		                               m.tarr1@genie.geis.com
America can't survive another four years...  fight the idiocy on November 3rd
=============================================================================
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Sun, 4 Oct 1992 02:44:09 EDT
Date: Sun, 4 Oct 1992 02:42:10 -0400
From: TREADWAY@MPS.OHIO-STATE.EDU (JOEL TREADWAY)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Over the Rhine
Message-ID: <01GPJ9Q4VRUO8Y5185@MPS.OHIO-STATE.EDU>
From: treadway@ohstpy.mps.ohio-state.edu
Newsgroups: rec.music.gaffa
Subject: Over the Rhine
Date: 4 Oct 92 02:41:32 EDT
News-Moderator: Approval required for posting to rec.music.gaffa

Just a quick post test and a recommendation:

You may want to check out the Cincinnati band OVER THE RHINE - 
especially Innocence Mission fans.  I believe they have one minor
label release and a recent "major" label release.  

					Have fun, Joel
					treadway@mps.ohio-state.edu
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Mon, 28 Sep 1992 11:35:02 EDT
Date: Mon, 28 Sep 1992 11:34:13 -0400
From: TREADWAY@MPS.OHIO-STATE.EDU (JOEL TREADWAY)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Regional Music Promoters Project
Message-ID: <01GPBEJ9RGJK8Y4X8G@MPS.OHIO-STATE.EDU>
From: treadway@ohstpy.mps.ohio-state.edu
Newsgroups: rec.music.gaffa,rec.music.industrial,rec.music.makers
Subject: Regional Music Promoters Project
Date: 28 Sep 92 11:31:54 EDT
News-Moderator: Approval required for posting to rec.music.gaffa

			REGIONAL MUSIC PROMOTERS (9/28/92)

Hi, we are volunteers with the Ohio State University Student Events Committee,
the Wexner Center Student Association and a few other groups that organize 
musical events.  We are now expanding beyond our immediate region when 
promoting shows.  The electronic media based Alternative Media Alternative 
Music (AMAM) is the result of this expansion.  

AMAM is a volunteer based non-profit effort aimed at promoting both live and 
recorded music by local/independent bands on a larger regional level.  (Note: 
"local" and "independent" are used to stress that this is not aimed at major 
acts, but we wouldn't refuse any such inquiries either!)  Using newsgroups 
and e-mail to organize such a project seems like a novel and inexpensive, yet 
dependable and practical, method:  No enormous long distance phone bills, no 
endless games of "telephone-tag", and easily written, stored, printed and 
replicated documentation.

We have already compiled preliminary directories of representatives, DJ's and 
bands across North America.  We are now recruiting additional volunteers 
interested in finding out more about their regional music scene and this 
project.  If this sounds like you or someone you know, let us know. 

                                                        * ALTERNATIVE *
Have fun, Joel Treadway and Todd Sines                  M  /\   |\  /|M
Alternative Media Alternative Music                     U /__\  | \/ |E
treadway@ohstpy.mps.ohio-state.edu                      S/ /\ \ |\  /|D
tsines@magnus.acs.ohio-state.edu                        I /__\  | \/ |I
                                                        C/    \ |    |A
                                                        * ALTERNATIVE *

x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Tue, 6 Oct 1992 07:18:30 EDT
Date: Tue, 6 Oct 1992 07:12:07 -0400
From: sd@ira.uka.de (Sven Doerr)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: End of "Leave it Open" (was: "Sat in Your Lap")
Organization: University of Karlsruhe, FRG
Distribution: world
Message-ID: <1arodhINN3f9@iraul1.ira.uka.de>
Newsgroups: rec.music.gaffa

In article <9209291834.AA02114@relay1.UU.NET>, Deb Wentorf writes:
> A brief nit-picky note to Uli:
> 
> In a recent posting, you noted "We let the weirdness in" as being
> the last line in "Sat in Your Lap."  Actually, if my memory serves,
> these are in fact the last words spoken at the very end of "Leave
> It Open."  (...)
> 

Yes, we meant "Leave it Open", right.
Interesting: forwards it really sounds like "We let the weirdness in".
I didn't realize this since I was so certain it is backwards. And
I still believe it is ! Played backwards, Kates voice is _much_clearer_
as forwards. The "lyrics" go (bw.) something like:
    and / they / said / they / wont / really / hear
        /      / sent / them / on a / weary  / here
        /      / sat  /      / want / very   /
but I cannot get them exactly. Perhaps there are even two slightly
different versions. Or - theory? - while the music plays, it is
forwards, and at the very end it is backwards, this way conditioning
the listener for what he has to hear on the following backwards
lines (and in my case: vice versa).
Maybe someone else wants to try to turn his record-player backwards
by hand, or can fool his dual head (autoreverse) cassette-recorder
to play the other track, as I did, what gives a convincing result.


+------------++---------------+
| Sven Doerr || sd@ira.uka.de |
+------------++---------------+
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Wed, 30 Sep 1992 06:56:49 EDT
Date: Wed, 30 Sep 1992 06:55:06 -0400
Message-ID: <9209301054.AA27044@relay1.UU.NET>
From: DKASTENS@dosuni1.rz.Uni-Osnabrueck.DE (Dirk Kastens)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject:      Some Re:'s
Newsgroups: rec.music.gaffa

Hi,
to Ron Buckmire:
> WHAT new Kate Bush album?? Tell me! Tell Me! Tell me!

Nobody knows. But a note in the latest Q magazine says that KaTe's new
album is promised to be released in the first three months of the next
year. :)

to Vickie:
>Here are my impressions of the new songs played. Dirk, it seems our
>tastes are *very* similar. (My favorite older solo song is "San
>Jacinto" - what's yours?)

Nice to hear. :)
I like "San Jacinto", too. I don't know if I have a favorite PG song,
because I like most of his songs very much. Maybe "Mercy Street" or
"Of These, Hope" from Passion.

>>Has anybody heard the new Judie Tzuke album Wonderland? It's great! :)
>
>I saw it in a store, but it cost $24.00 :-( so it will have to wait.
>Any comparisons to her other albums?

I only know Turning Stones and Left Hand Talking. There's no great
difference to those albums but I think it's better than both.

to Jef:
>The whole poll, from my point of view, was what people thought about each song.
>That came out pretty well since all the songs were voted for over 60% of the
>time.

I agree.

>Using statistical method would have been better, but since I am a History
>major, I am not sure how to set this up.

I don't want to call your method wrong. I just wanted to say that different
methodes produce different resuslts.
I can't thank you enough for carrying out the poll and I was very pleased
with the result.

Dirk
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Thu, 1 Oct 1992 20:52:57 EDT
Date: Thu, 1 Oct 1992 20:52:02 -0400
From: news@sco.COM (Account for Usenet System)
Errors-To: Love-Hounds-request@uunet.uu.net
X-Mailer: SCO System V Mail (version 3.2)
Message-ID: <9210011720.aa06160@scolex.sco.COM>
From: jondr@sco.COM (Karen Silkwood's car)
Subject: Re: Collectibles and Talk
Organization: The Santa Cruz Operation, Inc.
Date: Fri, 02 Oct 1992 00:14:23 GMT


fmcquarr@sfu.ca writes:
>has the cover picture of Ms. Bush in jeans, plaid shirt, and woolly
>red socks, (I presume this is the "box" picture, but it has been cropped
>so that the box is not visible). This is also the picture that is used
>in the CD in the This Woman's Work box set.

Not my TWW box.  I've got the regular Kite pic.  This set is a UK edition
purchased in Canada.

>heard "The Dreaming". Has Ms. Bush ever said what the muttering at
>the very end of the track is or what it means? I assume it is some
>aboriginal language, or perhaps some backward masking?

Something about airplanes.  Geez, I used to know all this stuff, honest...
-- 
Jon Drukman (God's personal DJ)                 uunet!sco!jondr   jondr@sco.com
-------------------------------------------------------------------------------
Always note the sequencer - this will never let us down.

x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Sun, 27 Sep 1992 15:21:47 EDT
Date: Sun, 27 Sep 1992 15:18:17 -0400
Message-ID: <1992Sep27.700.46446@channel1>
From: eric.walker@channel1.com (Eric Walker)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: us!!!
Newsgroups: rec.music.gaffa


     Alright!  I did it!

     WBCN in Boston is having an US giveaway this weekend "before everyone
     else!" can hear it.  Well, I managed to be the right caller, and I WON
     A COPY OF GABRIEL'S US!!!

     It just happened to air right after I uploaded my previous message
     to this list, too.  WBCN actually played a different one of Gabriel's
     past songs, "Biko."  Then they told us to be the fourth caller, and
     we'd have to name that song as well.  I called in - and it turned
     out that there were three other callers before me who couldn't
     answer the question.  "What was the question?"  "I don't know the
     song!"  So they asked me, and I said "Biko - from Peter Gabriel's
     third album!"  They said I'd won, and of course I flew into ecstasy.
     I babbled "He's my all-time favorite!" and they played it over the
     air and everything.  :)

     Don't mind me, people - I'm just in seventh heaven right now.
     And eighth and ninth heaven, too.  (Similar to Kate's Ninth Wave!)

     Hello Earth - Hello Earth - with just one hand held up high I can blot
     you out, out of sight...peek-a-boo Little Earth...

     I sure feel like that now!  :)
---
 ~ SLMR 2.1a ~ Kids seeing Batman Returns: "Mommy, what's a dominatrix?"
--
Channel 1 (R)   Cambridge, MA

x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Tue, 6 Oct 1992 10:20:25 EDT
Date: Tue, 6 Oct 1992 10:18:32 -0400
From: rmorrow@afit.af.MIL (Robert K Morrow)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: End of "Leave it Open" (was: "Sat in Your Lap")
Message-ID: <1992Oct6.124450.25532@afit.af.mil>
Organization: Air Force Institute of Technology
	<1arodhINN3f9@iraul1.ira.uka.de>
Apparently-To: gaffa-post@eddie.mit.edu
Newsgroups: rec.music.gaffa

In article <1arodhINN3f9@iraul1.ira.uka.de> sd@ira.uka.de (Sven Doerr) writes:
>In article <9209291834.AA02114@relay1.UU.NET>, Deb Wentorf writes:
>> A brief nit-picky note to Uli:
>> 
>> In a recent posting, you noted "We let the weirdness in" as being
>> the last line in "Sat in Your Lap."  Actually, if my memory serves,
>> these are in fact the last words spoken at the very end of "Leave
>> It Open."  (...)
>> 
>
>Yes, we meant "Leave it Open", right.
>Interesting: forwards it really sounds like "We let the weirdness in".
>I didn't realize this since I was so certain it is backwards. And
>I still believe it is ! Played backwards, Kates voice is _much_clearer_
>as forwards. The "lyrics" go (bw.) something like:
>    and / they / said / they / wont / really / hear
>        /      / sent / them / on a / weary  / here
>        /      / sat  /      / want / very   /
>but I cannot get them exactly. Perhaps there are even two slightly
>different versions. Or - theory? - while the music plays, it is
>forwards, and at the very end it is backwards, this way conditioning
>the listener for what he has to hear on the following backwards
>lines (and in my case: vice versa).
>Maybe someone else wants to try to turn his record-player backwards
>by hand, or can fool his dual head (autoreverse) cassette-recorder
I remember reading on (I think) this newsgroup back in 1986 or so
that Kate listened to a recorded track of "we let the weirdness in"
backwards, practiced saying it that way, recorded it, reversed it,
and thus created an amazing effect.

Bob Morrow

x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Mon, 28 Sep 1992 17:48:50 EDT
Date: Mon, 28 Sep 1992 17:46:50 -0400
From: buckmr@rpi.edu (Ron Buckmire)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: US+US+US+US+US
Message-ID: <9fjztqd@rpi.edu>
Apparently-To: rec-music-gaffa@cis.ohio-state.edu
Newsgroups: rec.music.gaffa

DKASTENS@dosuni1.rz.Uni-Osnabrueck.DE (Dirk KAstens) writes:

>(now waiting for the new Kate Bush and Happy Rhodes albums)
WHAT new Kate Bush album?? Tell me! Tell Me! Tell me!

-- 
RON BUCKMIRE, 11 Colvin Circle, Troy, NY 12180-3735. `D.C. in 93!''
vox:(518)-276-8910 fax:(518)-276-6920 buckmr@rpi.edu buckmr@rpitsmts.bitnet
According to the Village Voice, the Bush Family is immediately responsible for
losses to the U.S. taxpayer amounting to 2.2 BILLION DOLLARS.
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Wed, 30 Sep 1992 12:59:59 EDT
Date: Wed, 30 Sep 1992 12:58:14 -0400
Message-ID: <9209301657.AA29742@lns598.TN.CORNELL.EDU>
Subject: Re: Alternative digital
From: "Daniel S. Riley" <dsr@lns598.TN.CORNELL.EDU>
Errors-To: Love-Hounds-request@uunet.uu.net
X-Mts: smtp
Newsgroups: rec.music.gaffa

MTARR@EAGLE.WESLEYAN.EDU writes:
>Hi!

Hi Meredith!

>The winner of the 1992 Discover Award for Technological
>Innovation, Sound Division, is Katsuaki Tsuruchima of Sony for
>the recordable compact disc.  (Tod Machover of the MIT Media Lab
>got honorable mention for his work with "Hyperinstruments" such
>as the percussion systems tested by Peter Gabriel.) The discs
>(MDs) look like 3.5'' computer diskettes, except they're thicker.
>To make them recordable some output fidelity had to be
>sacrificed, but they say only someone with a *very* finicky ear
>could pick it up.

There are also CDR write-once systems which record onto compact discs
which are directly compatible with current CD players.  Since they use
the standard (uncompressed) CD format, there are no fidelity compromises
(and uncorrected error rates are reported to be lower than standard
CDs).  These systems are still fairly expensive (several $1Ks), but
should come down some.  These may never make it into the consumer price
range, but should be a treat for musicians making demos, and CDROM
developers.  There was a fairly lengthy article in a recent (last months
or this, I forget) Electronic Musician.

>They compressed the data stored on the disc by
>getting rid of all unnecessary sound components, i.e. when a tuba
>and a triangle play at the same time you can only hear the tuba,
>so they omit the triangle and you never miss it.

Which is ok for consumer gear, but makes them unacceptable for most pro
or semi-pro uses.  This is why I hate DCC--it reduces the pressure to
develop lower cost DAT drives, and DCC isn't good enough for the stuff
I want digital tape for.

Further discussion probably belongs somewhere else...

--
Dan Riley                          Internet:   dsr@lns598.tn.cornell.edu
Wilson Lab, Cornell University     HEPNET/SPAN: lns598::dsr (44630::dsr)
	 "Maybe, leastways is the best way of all" -Caterwaul
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Sat, 3 Oct 1992 08:12:27 EDT
Date: Sat, 3 Oct 1992 08:12:03 -0400
From: allan@bsbbs.columbus.oh.us (Allan Balliett)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Never for Ever ltd box
Message-ID: <ZBH3RB1w165w@bsbbs.columbus.oh.us>
Organization: The Big Sky BBS (+1 614 864 1198)
Content-Transfer-Encoding: 7BIT
Newsgroups: rec.music.gaffa

FROM: INTERGALACTIC GARAGE

The Never for Ever Box, titled >NEVER FOREVER< arrived
yesterday.

(All pre-orders will have been shipped by UPS pick-up today.
If you donUt receive your pre-ordered box in the next 7 days
- PLEASE contact me!)

 THE BOX

The box is a hinged approx 12x12 box with aBEAUTIFUL pic of
Kate on the front. This  set is assembled by UFO, the folks
who did >A Lioness at Heart< (still a very few copies  of
this gem available!!) and the wonderful Charlie Watts RFrom
One CharlieS box a year  back.

 There is a T-shrit that has the >Never for Ever Kate Bush<
lettering on it from the front of the original lp. There is
a postcard (Kate in the daffodils in a red kimono), a
beautiful  cert. of authenticity which is numbered. (Ltd to
1500 worldwide - this isnUt many if you  are still
vascilating!)

 The UK NfE CD in jewel box (nothing new here!)

 The >Never Forever< photo book which is 48 pages. Chuck
full of pix from the photo  sessions for lp and singles of
the NfE period. Lots of kleig light and cleavage shots
(didnUt see the TbondageU shot!!), lots of dophin outtakes.
The photos are not nearly as  overwhelmingly clear and
beautiful and the Lioness pix, but these are wonderful as
they  show Kate cracking up or flubbing up before the
camera.  A MUST HAVE - and one that  appears to be truly
limited.

 INTERGALACTIC IS PLEDGED TO PROVIDE THE LOWEST PRICE ON
THIS  PIECE TO READERS OF THIS MSG. GET YOUR BEST PRICE AND
THEN CHECK  OURS. THE CONDITION IS THAT THE PRICE YOU HAVE
>MUST< BE FROM A  DEALER WHO CAN REASONABLY FILL THE ORDER
(As we found with  LIONESS that many could not! (RIGHT,
FOLKS!)) PRICE is $69.95 +$5 post. WILL  NOT BE IN PRINT FOR
LONG!!!

 Thanks and Take Care - Allan

Ooops! Forgot to mention that the set includes a medium sized
poster of the Kate w/ Sun Shield pic.

Please forgive my raging ascii...

----
Allan Balliett 
allan@bsbbs.columbus.oh.us 
{n8emr|nstar}!bluemoon!bsbbs!allan
The Big Sky BBS (+1 614 864 1198)
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Sat, 26 Sep 1992 21:54:21 EDT
Date: Sat, 26 Sep 1992 21:53:54 -0400
From: mortal@ucscb.UCSC.EDU (71079000)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: Deeper understanding
Organization: University of California; Santa Cruz
Message-ID: <1a345tINNql7@darkstar.UCSC.EDU>
Newsgroups: rec.music.gaffa


In article <01GP47K9VDTG90MYSJ@EAGLE.WESLEYAN.EDU> MTARR@EAGLE.WESLEYAN.EDU writes:
>Jessica brought up a wonderful point about computer interaction
>in the "Deeper Understanding" discussion.  Right now I am sitting
>physically alone in my room in an empty apartment.  Yet all I
>have to do is turn my computer on, dial a number, and I'm hanging
>out in a room with about 50 of my closest friends, reading mail
>and corresponding with people literally spanning the globe,
>getting to know them from the inside out, so when I do finally
>meet them in person it's just adding another dimension to our
>relationship.  That's about as far from "cold" and "impersonal"
>as you can get!

Allow me to play devil's advocate for a bit. I've been involved with
various aspects of the online scene for a few years now, and I can sayy
from personal experience that it's not all rosebuds and spam. Modeming
can be, to paraphrase "The Breakfast Club": "social. Demented and sad,
but social." Maybe my experiences are different from yours, but I've
found that even in the midst of fascinating information and discussion,
there is still a pale isolation to online communication.

I'm not badmouthing netters, mind you. I just feel that in "Deeper
Understanding," Kate Bush was on to something. I see it as a sort
of modern Pyramus and Thisbe: the thrill of companionship is offset
by the continuing isolation, and vice versa.

 

-- 
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
+ Lore Christian        + "I want to be a lawyer--            +
+    Fitzgerald Sj|berg +  I want to be scholar--             +
+ mortal@ucscb.ucsc.edu +  But I really can't be bothered..." +
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Thu, 1 Oct 1992 21:01:50 EDT
Date: Thu, 1 Oct 1992 21:01:17 -0400
From: finley@lambda.uleth.ca (Kent Finley)
Errors-To: Love-Hounds-request@uunet.uu.net
Message-ID: <9210012303.AA05960@lambda.uleth.ca>