HDTenEightyP/NetNews huggingface dataset:
From: barrett@athena.cs.uga.edu (Richard Barrett)
Subject: CRD: Dead Flowers --- Rolling Stones
Organization: University of Georgia, Athens
Date: Thu, 7 Jan 1993 14:12:47 GMT

From RBARRETT@uga.cc.uga.edu Thu Jan  7 08:44:05 1993
To: barrett@athena.cs.uga.edu


Hello:

I was trying to learn (by ear) the Rolling Stones song 'Dead Flowers' off the
Sticky Fingers cd.  I am just learning or trying to learn songs by ear off the
record.

Anyway, I don't have the words but I think the chords go like this:


INTRO -- D    A    G    A
         //// //// //// ////

Verses - D    A    G    A
         //// //// //// ////

PreChorus? --  A                                 D
               Take me down little Suzie Take me down

               A                                             D
               I know you think you're the queen of the underground

Chorus  ---                G                          D
               And you can send me dead flowers every morning

               G                                D
               Send me dead flowers through the mail

               G                          D
               Send me dead flowers to my wedding

               G                         A             D
               And I won't forget to put roses on your grave.


Well, that is about all I have.  If anyone has any corrections..please contribu
te.  I would like to know.

Thanks,

Richard Barrett

Newsgroups: rec.music.makers.guitar.tablature
From: stud9j25@bcars243.UUCP (Steven Kostur)
Subject: REQ: The CULT : Wild Flower, Little Devil, Love Removal Machine
Reply-To: stud9j25@bcars243.UUCP (Steven Kostur)
Organization: Bell-Northern Research, Ottawa, Canada
Date: Fri, 8 Jan 1993 16:17:05 GMT
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: WRD:Goin' Nowhere (Author unknown)
Date: 12 Jan 93 23:43:41 GMT
Organization: Chevron








                            You Ain't Goin' Nowhere


		Clouds so swift and the rain fallin' in
		Gonna' see a movie called Gunga Din.
		Pack up your money, pull up your tent McGuinn
		You aib't goin' nowhere.

	Chr:    Oooo Eeee ride me high.
		Tomorrow's the day that my man's gonna' come.
		Oooo Eeee are we gonna' fly.
		Down in the easy chair.

		Break

		Ghenghis Kahn and his brotherw John
		Could not keep on keeping on.
		Who'll climb that bridge after it's gone.
		After we're way past it?

		Chorus

		Break

		Buy me some rings and a gun that sings,
		Flute that toots and a bee that stings,
		Sky that dries and a bird that flies,
		A fish that walks and a dog that talks.

		Chorus

		Break

		Chorus
Newsgroups: rec.music.makers.guitar.tablature
From: ameen@swi.psy.uva.nl (Ameen Abu-Hanna)
Subject: Re: Comes a Time (Neil Young)
Keywords: chords/words
Organization: Social Science Informatics, University of Amsterdam
Date: Thu, 7 Jan 1993 19:05:18 GMT

In article <1993Jan6.164126.24188@EE.Surrey.Ac.UK> s.lawson@mech.surrey.ac.uk (Shaun Lawson) writes:
>COMES A TIME by NEIL YOUNG from the album COMES A TIME
>-------------------------------------------------------

>Any corrections, more reqs for Neil Young etc ... ?
Hmmm.. A friend of mine here at the office says it should
be probably be as follows:

>Intro: G Bm G Em C G
should be G Bm D C (and the verses too).

>G             F           C        G
>Oh - this old world keeps spinning round
G       F        C           G
Oh - oh this old world keeps spinning round

>               Dm             C
>There comes a time - comes a time
               F/D           G
There comes a time - comes a time

F/D is as a D-formation chord at the 5th.
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: come all ye faithful
Date: 8 Jan 93 00:10:07 GMT
Organization: Chevron





                       O COME ALL YE FAITHFUL

                   G           D7       G D7  G   C  G  D7   
                O come all ye faithful joyful and triumphant
                 Em A7  D  A7  D G   D  G   D  A7 D  
                O come ye O come___ ye to Bethlehem
                 G    D7 G  D7  G    D    G   Em  Am  D7   
                Come and behold Him born the King of angels
         
                refrain
                G       D  G  D7 G     
                O come let us adore Him
                        D  G  C  G   D 
                O come let us adore Him
                G  C    G  D  A7 D  G   C
                O come let us adore Him__
                 G     D7      G
                Christ___ the Lord

                Sing choirs of angels, sing in exaltation
                Sing all ye citizens of Heaven above
                Glory to God, In the highest glory
        
                refrain

                Yea, Lord, we greet Thee, born this happy morning
                Jesus to Thee be all glory given.
                Word of the Father now in flesh appearing
        
                refrain

        
Newsgroups: rec.music.makers.guitar.tablature
From: wegeng.henr801c@xerox.com (Don Wegeng)
Subject: Re: Son of a Son of a Sailor Lyrics (Jimmy B
Reply-To: wegeng@xerox.com
Organization: Xerox Corp., Henrietta, NY
Date: Thu, 7 Jan 1993 21:07:28 GMT

In article 1@us.oracle.com, share@us.oracle.com writes:
>In article <tomc.726324999@rlxdev>, tomc@modcomp.uucp (Tom Cianflone) writes:
>> Salt grey your meat and cinnimon sweet and the rum...
>> ^^^^^^^^^^^^^^^^^^^
>  Sultry and neat    (maybe?)

Try "Salt for your meat" (or at least that's what it sounds like to me, and it
does seem to fit with the rest of the line).

/Don
wegeng.henr801c@xerox.com

Newsgroups: rec.music.makers.guitar.tablature
From: mario@mitaine.Canada.Sun.Com (Mario Dorion - Sun Montreal SE)
Subject: Re: REQ: "Loosing my religion" by R.E.M.
Reply-To: mario@mitaine.Canada.Sun.Com
Organization: Sun Microsystems du Canada
Date: Mon, 11 Jan 1993 16:48:43 GMT

In article 2653@rwzl01.zld.rws.nl, hoffmann@rwzl01.zld.rws.nl (Rob Hoffmann) writes:
>Anyone?

Here's my version.

Mario Dorion - Sun Montreal


# Transcribed by Mario Dorion (Mario.Dorion@Canada.Sun.Com) #
# Format is for the "chord" (or "chopro") PostScript chord formatting utility.
# Chord V1.2 is a public domain utility developped by
#   Martin.Leclerc@Canada.Sun.Com and Mario.Dorion@Canada.Sun.Com
#

{title:Losing my Religion}
{subtitle:R.E.M.}
[Dm](intro) [Am]         [Dm]         [G]
[G]Oh, [Am]life it's bigger, [Em]it's bigger that you and you are [Am]not me 
The lengths that I will [Em]go to, the distance in your [Am]eyes
[Em]Oh no I've said too [Dm]much, I've said it [G]all

{start_of_chorus}
That's me in the [Am]corner, that's me in the [Em]spotlight, losing my [Am]religion
Trying to [Em]keep up with you and I [Am]don't know if I can do it [Em]
Oh no I've said too [Dm]much, I haven't said [G]enough
I thought that I heard you [F]laughing, I thought that I heard you [Am]sing
I [F]think I thought I [Dm]saw you [Am]try
{end_of_chorus}

Every whisper of every waking hour, I'm choosing my confessions
Trying to keep an eye on you like a hurt lost and blinded foal, oh
Oh no I've said too much, I said it all
Consider this, consider this, a hint of the century, 
Consider this, a slip that brought me to my knees, pale
What if all these fantasies come flailing around
Now I've said too much

I thought that I heard you [F]laughing, I thought that I heard you [Am]sing
I [F]think I thought I [Dm]saw you [Am]try
But [Am]That was just a dream, [C]That was just a [G]dream

{comment:chorus}
But That was just a dream, try, cry, fly, and try
That was just a dream, just a dream, just a dream, dream
From: barrett@athena.cs.uga.edu (Richard Barrett)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: I Love You Period -- Dan Baird
Date: 8 Jan 93 19:24:06 GMT
Organization: University of Georgia, Athens

From RBARRETT@uga.cc.uga.edu Fri Jan  8 13:58:32 1993
To: barrett@athena.cs.uga.edu

Hello Again:

Last night I was continuing my practise on learning off the record and I tried
to figure out the chords to a song off Dan Baird's new album.  By the way, I lo
ve the album.  It has some great blues/country-rock stuff on it.  Anyway I trie
d figuring out 'I Love You Period'.  This is what I came up with:


Intro:  D  D6 D  D6  A  A6 A  A6  E  E6 E  E6  A  A6 A  A6
        // // // //  // // // //  // // // //  // // // //

Verses go the same way as the intro.

Chorus:            D     D6
        I love you period

        D    D6   D    D6      A     A6
        Do you love me question mark

         A     A6     A     A6     E    E6
        Please, Please exclamation point

         E      E6     E    E6    A      A6  etc.
        I want to hold you in parenthesis


I think it goes something like that.  Correct me if I'm wrong.
Also, thanks for the help on Dead Flowers.


Richard T. Barrett
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: The Bold Fisherman
Date: 6 Jan 93 23:57:43 GMT
Organization: Chevron




        A CAPPELLA




         		THE BOLD FISHERMAN


	THERE WAS A BOLD FISHERMAN AND HE SAILED OUT FROM PIMLICO
	HE SLEW THE WILD CODFISH AND THE BOLD MACKERAL
	WHEN HE GOT TO PIMLICO
	THE STORMY WINDS BEGIN TO BLOW
	HIS LITTLE SHIP WENT WIBBLE-WOBBLE
	AND OVERBOARD WENT HE

   CHR: SINGIN' TWINKA DOODLE DUM, TWINKA DOODLE DUM
	TWAS A HIGHLY INTERESTING SONG HE SUNG
	TWINKA DOODLE DUM, TWINKA DOODLE DUM 
	SANG THE BOLD FISHERMAN

	HE WRIGGLED AND HE SQUIGGLED IN THE WATER SO BRINEY-O
	HE YELLOWED AND HE BELLOWED FOR HELP BUT IN VAIN
	DOWNWARD HE DID GENTLY GLIDE
	TO THE BOTTOM OF THE SILVERY TIDE
	AND PREVIOUSLY TO THIS HE CRIED
	FARE THEE WELL MARY JANE


	CHORUS


	HIS GHOST WALKED AT MIDNIGHT BY THE BEDSIDE OF HIS MARY JANE
	AND WHEN HE TOLD HER HOW DEAD HE WAS SAID SHE "I'LL GO MAD"
	"IF MY LOVEY IS SO DEAD" SAID SHE "NO JOY ON EARTH SHALL EVER BE"
	"I NEVER MORE WILL HAPPY BE"
	AND SHE WENT RAVING MAD


	CHORUS
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:Don't Do Me Any Favors Anymore (Author unknown)
Date: 12 Jan 93 23:24:36 GMT
Organization: Chevron


 
 
 
 
 
 
 
 
                    DON'T DO ME ANY FAVORS ANYMORE

                  G                G7             C                   
        1.  IF I THOUGHT JUST ONE MOMENT I COULD TAKE YOU AT YOUR WORD
                        G             D          G  
            I'D LET YOU IN ON ALMOST ANYTHING I SEE
                                        G7               C          
            BUT YOU BEEN CAUGHT IN THE ACT OF SPREDDING SECRETS THAT
            YOU HEARD
                      A7                          D7
            AND THEY GOT A WAY OF GETTING BACK TO ME

 
 
            CHR.
 
                     C                                G    
            TOTAL STRANGERS COME AND TELL ME MY LIFE STORY
                    C                              
            TELLING ME WHERE I WENT WRONG ON THINGS
               G            D  
            I NEVER DONE BEFORE
                         G        G7            C        
            AND THERE'S ONE KIND FAVOR I'LL BE ASKING YOU
                  G         D          G
            DON'T DO ME ANY FAVORS ANYMORE

        2.  I'VE BEEN ACCUSED OF BEING RAGGED AND UNRULY
            I GUESS I'VE BEEN CALLED MOST EVERY NAME 'CEPT DEAD
            BUT IT'D TAKE TEN STRONG MEN 100 YEARS OF RUNNING
            LOOSE AND WILD
            TO LIVE UP TO ALL THE STORIES THAT YOU SPRED
 
 
            CHR.
 
 
            INSTRUMENTAL
 
 
            CHR.
Newsgroups: rec.music.makers.guitar.tablature
From: rp@dcs.ed.ac.uk (Roger Peden)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ: 'Remedy' - Black Crowes
Date: 5 Jan 93 11:54:58 GMT
Organization: Department of Computer Science, University of Edinburgh

Any offers?

--Roger--
Newsgroups: rec.music.makers.guitar.tablature
From: schnitzi@cs.ucf.edu (Mark Schnitzius)
Subject: Re: CRD: Suffragette City
Keywords: Suffragette, Bowie
Organization: University of Central Florida
Date: Tue, 5 Jan 1993 23:09:46 GMT

healy@nosc.mil (Mike Healy) writes:

>In article <1iavptINN73j@tamsun.tamu.edu> e343gv@tamuts.tamu.edu (Gary Varner) writes:
>>mbreen@sdacs.ucsd.edu (Michael Breen) writes:
>>>>My friends and I always argued that Bowie says "mellow black chick",
>>>>but all printed version of lyrics refer to a more "PC" "mellow-thighed
>>>>chick".
>>Maybe I'm just not the sensitive new-age guy my friends think I am  :-,
>>(or maybe I missed an emoticon in the quoted posting), but could somebody
>>explain to me why "mellow thighed chick" is more PC than "mellow black
>>chick"?  (I too always thought it was the latter, BTW.)
>>
>>
>>
>And I always thought it was "the smell of that chick" - talk about
>Politically Incorrect :-) (hey, I didn't WRITE the song, Bowie did :-)

Even better -- I swear I always thought it was "the smell of fat chicks".

mark
From: billrich@caspian.ext.vt.edu (Bill Richardson)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Okie from Miskokie
Date: 6 Jan 93 22:47:09 GMT


Did the lyrics to this song ever get posted?  Its one I would to learn  
too, now that I am reminded of it.  Don't forget, this song was so  
outrageous at the time that it actually did cross over onto the rock and  
alternative stations.  Give some credit to Merle: its a good song.

Bill Rich

REDNECKS THE LAST FRONTIER
Xref: sparky rec.music.makers.guitar.tablature:905 alt.guitar.tab:4836
From: sennet@ocf.berkeley.edu (Sennet Williams)
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: Req/trade Do You Believe in Love?-Huey Lewis
Date: 7 Jan 1993 09:58:19 GMT
Organization: U.C. Berkeley Open Computing Facility
NNTP-Posting-Host: tornado.berkeley.edu
Keywords: crd SIMP req

Well, does anyone feel like providing this corny pop hit?
I really want it in crd format so I thought I'd check one last time to see if
anyone has it before I go buy the book  myself and enter it.
If you will Email or post it I'll likely be able to enter something 
YOU need from what books I already have.  
(I have a lot of misc. hits from late 70s - 80s,
also a lot of Cat Stevens and other 60s-70s superstars.
Send me a list of songs you want!
PS: I also really want other early Huey Lewis (Sports and earlier),
and crd for "Take the Money and Run"
and tab for "Wonderful Tonight" Solo.
_
George pardoned Weinberger, but who will pardon George?
Will he resign so President Quale (sp?) can do it?
_
"It's never too late to have a happy childhood" (Tom Robbins)
/8\)9&$%@/@*%!{\%$(#@      sennet@OCF.berkeley.edu    *(&#*@|&^?#$%"\&
From: am49+@andrew.cmu.edu (Aaron R. Miller)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: GUITARE ?
Date: 6 Jan 93 06:54:26 GMT
Article-I.D.: andrew.gfGkv2600Uh_Q2JFRF
	<OBRY.93Jan5161811@cycles.flash.bellcore.com>
Organization: Junior, Mechanical Engineering, Carnegie Mellon, Pittsburgh, PA

what is GUITARE? i've seen it on the nevada site but never knew what it was.

thanks 

aaron
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Angels We Have Heard On HigH
Date: 6 Jan 93 00:10:28 GMT
Organization: Chevron







                   ANGELS WE HAVE HEARD ON HIGH


                 G              D7       G  
                Angels we have heard on high
                     D7  G           D7   G     
                Sweetly singing o'er the plains
                                  D7   G  
                And the mountains in reply,
                   D7 G          D7    G
                Echoing their joyous strains
 
                refrain

                     E7  Am  D7   G  C  D7
                Glor______________________ri_ a
                G  D7 G  C  G  D7
                In excelsis de o
                    E7  Am  D7   G  C  D7
                Glor______________________ri_ a
                G  D7 G  C  G  D7 G
                In excelsis de ___o
        
                Shepherds, why this jubilee
                Why yours joyous strains prolong?
                What the gladsome tidings be
                Which inspire your heavenly song?
        
                refrain

                Come to Bethlehem and see
                Him whose birth the angels Sing
                Come, adore on bended knee
                Christ, the Lord, the newborn King
             
                refrain
Newsgroups: rec.music.makers.guitar.tablature
From: obry@flash.bellcore.com (Pascal Obry)
Subject: Re: GUITARE ?
Organization: /u/obry/.organization
	<OBRY.93Jan5161811@cycles.flash.bellcore.com>
	<gfGkv2600Uh_Q2JFRF@andrew.cmu.edu>
Date: 11 Jan 93 16:58:44


Hi,

GUITARE is a software that deal with Chord, Scale, transposition, fingerings,
and a lot of more things (check out the README file from nevada).

This was developped in Ada. The sources, PC binary, Sparc and Dec binaries are
available from ftp.nevada.edu.

At first I made this to learn the guitar theory. And I find that it could be
interresting to share. The current version is 3.0 and soon the version 4.0 will
be out ...

IMHO, it's a great peace of software !!
Pascal.

--

-------------------------------------------------------------------------------
--  Pascal OBRY								     --
--  Room 2D-337				e_mail : obry@bellcore.com  	     --
--  Bellcore								     --
--  445 South Street			voice : 1 - 201 829 4039	     --
--  Post Office Box 1910		FAX   : 1 - 201 829 5981	     --
--  Morristown, New Jersey 07962-1910					     --
-------------------------------------------------------------------------------

  `` inheritance is surely a good answer, but who knows the question ? ''
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: All of ME
Date: 6 Jan 93 00:09:01 GMT
Organization: Chevron












		    ALL OF ME

		G
	 	ALL OF ME
		             B7
		WHY NOT TAKE ALL OF ME
		E7
		CAN'T YOU SEE
		                Am
		I'M NO GOOD WITHOUT YOU
		B7                      Em
		TAKE MY LIPS I WANT TO LOOSE THEM
		A7                       D7
		TAKE MY ARMS I'LL NEVER USE THEM


			G
	 	YOU'RE GOOD-BYE 
                              B7
		LEFT ME WITH EYES THAT CRY
                       E7                      Am
		AND I KNOW THAT I'M NO GOOD WITHOUT YOU
		              Cm        G           E7
		YOU TOOK THE PART THAT ONCE WAS MY HEART
		   Cm            D7     G     (Bm Am D G)
		SO WHY NOT TAKE ALL OF ME


		INSTRUMENTAL


		REPEAT. . .
From: dh0811@u.cc.utah.edu (Gus)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Fripp
Date: 4 Jan 93 20:26:36 GMT
Organization: University of Utah Computer Center Student Mail Machine



	After I posted "Lark's Tongue in Aspic  Part III" for all of the
Fripp followers, I found one called "I advance masked" which was with
Robert Fripp and Andy Summers in my portfolio.  --  anybody want it?
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Blue Eyes Crying in the Rain
Date: 6 Jan 93 23:53:10 GMT
Organization: Chevron












                 BLUE EYES CRYING IN THE RAIN


		D 
		IN THE TWILIGHT GLOW I SEE HER
		A                        D
		BLUE EYES CRYING IN THE RAIN
		D
		AS WE KISSED GOODBYE AND PARTED
		   A                           D
		I KNEW THAT WE'D NEVER MEET AGAIN

		  G
		LOVE IS LIKE A BURNING EMBER
		 D               A
		ONLY MEMORIES REMAIN
		  D
		THROUGH THE AGES I'LL REMEMBER
		  A                      D
		BLUE EYES CRYING IN THE RAIN



		INSTRUMENTAL   (AABA  AA)

      
                   G
		SOMEDAY WHEN WE MEET UP YONDER
                  D                         A
		WE'LL STROLL HAND IN HAND AGAIN
                D              
		IN THE LAND THAT KNOWS NO PARTING
                 A                       D
		BLUE EYES CRYING IN THE RAIN
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:The Fox (Author unknown)
Date: 12 Jan 93 23:33:16 GMT
Organization: Chevron






                           THE FOX

	     C                  C
	THE FOX WENT OUT ON A WINDY NIGHT
	 C                      G
	PRAYED FOR THE MOON TO GIVE HIM LIGHT
	          C             F 
	FOR HE'D MANY A MILE TO GO THAT NIGHT
	   C        F           C      G     C
	BEFORE HE REACHED THE TOWN-O TOWN-O TOWN-O
	      F             C
	HE'D MANY A MILE TO GO THAT NIGHT
	   G                    C 
	BEFORE HE REACHED THE TOWN-O

	WELL HE RAN 'TIL HE CAME TO A GREAT BIG PEN
	AND THE DUCKS AND THE GEESE WERE KEPT THEREIN
	SAID "A COUPLE OF YOU'S GONNA' GREASE MY CHIN
	BEFORE I LEAVE THIS TOWN-O TOWN-O TOWN-O"
	"A COUPLE OF YOU'S GONNA' GREASE MY CHIN
        BEFORE I LEAVE THIS TOWN-O"

	WELL HE GRABBED THE GREY GOOSE BY THE NECK
	FLUNG A DUCK ACROSS HIS BACK
	HE DIDN'T MIND THE QUACK-QUACK-QUACK
	AND THE LEGS ALL A DANGLIN' DOWN-O DOWN-O DOWN-O
	HE DIDN'T MIND THE QUACK-QUACK-QUACK
	AND THE LEGS ALL A DANGLIN' DOWN-O

	WELL OL' GRANMA' JUMPED OUT OF HER BED
	OUT THE WINDOW SHE STUCK HER HEAD
	CRIED "JOHN, JOHN THE GREY GOOSE IS GONE
	AND THE FOX IS ON THE TWON-O TOWN-O TOWN-O"
	"JOHN, JOHN THE GREY GOOSE IS GONE
	AND THE FOX IS ON THE TOWN-O"

	JOHN HE RAN TO THE TOP OF THE HILL
	BLOWED HIS HORN BOTH LOUD AND SHRILL
	FOX HE SAID "I'D BETTER FLEE WITH MY KILL
	'CAUSE THEY'LL SOON BE ON MY TRAIL-O TRAIL-O TRAIL-O"
	FOX HE SAID "I'D BETTER FLEE WITH MY KILL
	'CAUSE THEY'LL SOON BE ON MY TRAIL-O"

	WELL HE RAN 'TILL HE CAME TO HIS COZY DEN
	THERE WERE THE LITTLE ONES - EIGHT, NINE, TEN
	THEY SAID "DADDY BETTER GO BACK AGAIN
	'CAUSE IT MUST BE A MIGHTY FINE TOWN-O TOWN-O TOWN-O"
	"DADDY, DADDY BETTER GO BACK AGAIN
	'CAUSE IT MUST BE A MIGHTY FINE TOWN-O" 

	THEN THE FOX AND HIS WIFE WITHOUT ANY STRIFE
	CUT UP THE GOOSE WITH A FORK AND KNIFE
	THEY NEVER HAD SUCH A SUPPER IN THEIR LIFE
	AND THE LITTLE ONES A CHEWIN' ON THE BONES-O BONES-O BONES-O
	THEY NEVER HAD SUCH A SUPPER IN THEIR LIFE
	AND THE LITTLE ONES A CHEWIN ON THE BONES-O
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
From: heimgre@mail.auburn.edu (Gregory A. Heim)
Subject: Any harp players?
Organization: Alabama Department of Tourism (NOT!)
Date: Sat, 9 Jan 1993 09:18:54 GMT


Any harp players out there?  I have just taken it up myself.  I couldn't
think of a better place to ask.  Any interest in starting an alt.harmonica
(or similar) group?  I wouldn't imagine there would be a whole lot of 
interest, but thought I would ask anyway.

Greg


                    /~~~~~~~~~~~~~~~~~~~~~~~~~~\                A/~~\A
                    |    WELCOME TO ALABAMA    |               ((o  o))___    
                    |  Set  your  watch  back  |                 \  /     ~~~
                    |  an hour . . . set your  |  #              (--)\    #  
Greg Heim    --x---x|  calendar back 30 years  |--#---x---x---x---x---x---#---
USENET Junkie       \--------------------------/  #                    \  i_
heimgre@mail.auburn.edu| |--#---x---x---x-| |--x--#---x---x---x---x---x---#---
Sig. Copyright(c) 1991 | | )#(//  \\)(/  \| |(// \#(//  \|/   \\)|(/   \|)#(/
Newsgroups: rec.music.makers.guitar.tablature
From: david-j.smith@analog.com (David Smith)
Subject: REQ: Old John Denver tunes
Originator: smith@orion
Bcc: smith
Organization: Analog Devices, Inc.
Date: Tue, 5 Jan 1993 19:32:13 GMT

I am hoping to acquire the chords/tab for following John Denver songs:

       Matthew
       Rocky Mountain Suite (Cold Nights in Canada)
       Sweet Surrender
       On The Road (written by Franzen, on "Back Home Again")
       Forest Lawn (appears on "An Evening with John Denver")

I'd appreciate it greatly if someone could post these, if they're 
available.

Thanks,
Dave

-- 
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   David Smith                           email: david-j.smith@analog.com
   Analog Devices, DSP Division          phone:           (617) 461-3404
   3 Technology Way, Norwood, MA 02062   FAX:             (617) 461-3010