HDTenEightyP/NetNews huggingface dataset:
From: alh@einoed.in-berlin.de (Adrian Le Hanne)
Subject: Re: Severed Heads Lyrics
Organization: Einoed Unix & Netzwerke, Berlin (FRG)
Date: Fri, 31 Jul 1992 14:57:43 GMT

awrc@dcs.ed.ac.uk (Al Crawford) writes:

>And lo, alh@einoed.in-berlin.de (Adrian Le Hanne) spake unto the masses saying:
>>
>> The order of the tracks was taken from the european Nettwerk release of
>> "Rotund For Success", which does not include 'Eel's Blood' and 'Lovesick
>> Facist Meathead'. Thanks for the information, the errors are mine since
>> i refered to my european releases instead of the US version Yari has.

>Err, you sure Adrian?
not at all ;-)

>Severed Heads	Rotund For Success	Nettwerk Europe NET 014 CD
>11.	L.F.M.			<--- (L.F.M. = Lovesick Fascist Meathead)

>So while you're right in saying that "Eel's Blood" isn't on it, "Lovesick
>Fascist Meathead" most certainly *is* on the European release.

It is. I only looked for 'Lovesick...', not for L.F.M ;-) (blush)

So, where is Eel's Blood?

Adrian
-- 
Adrian S. Le Hanne        Einoed Unix & Netzwerke, Koepenicker Str.154, D-1000
alh@einoed.in-berlin.de   Berlin 36. Tel.: 030/611 31 26,  Fax.: 030/826 98 75
                                         "Christianity Is Stupid" -Negativland
Newsgroups: rec.music.industrial
From: douellet@beach.csulb.edu (Daniel Ouellette)
Subject: Re: BiGod 20   <----from HERX
Organization: Cal State Long Beach
Date: Mon, 27 Jul 1992 16:26:05 GMT

In article <2A7081C4.22260@ics.uci.edu> pcolline@ics.uci.edu (Phil Colline) writes:
>In article <m5hmw2q@lynx.unm.edu> lazlo@triton.unm.edu (Lazlo Nibble) writes:
>>mah@eng.ufl.edu (MICHAEL HEERKENS) writes:
>>> BiGod 20 only has 2 singles out,
>>In the US.  There are more in Europe.
>
>Well spill the beans....what are they???

	With as often as this question comes up, shouldn't this be added to the
FAQ file? It seems like this is brought up just about every 2 months or so.
The singels are:
	20		Acid to Body / Energize
	BiGod 20	Body to Body /		(I'm not sure about this one)
	BiGod 20	America / Photographic
	BiGod 20	The Bog / IQ
	BiGod 20 	Carpe Diem / The Bog
There are NO albums as of yet.

-Daniel
-- 
ASplitSecond*Bauhaus*Cure*DepecheMode*EinstuerzendeNeubauten*Front242*Gruesome-
*	Daniel Ouellette       | 	 "People need to be schocked"	      *
*   douellet@beach.csulb.edu   |		     -Me		      *
ognioBogniO*bbEreztiN*yrtsiniM*dicAfOsdroL*MDFMK*noisiviDyoJ*amarDnamuH*emosowT
Newsgroups: rec.music.industrial
From: locklin@henry.ece.cmu.edu (Scott Locklin)
Subject: Re: Samples, Semantics, Death of "Industrial" "Music"
Organization: Electrical and Computer Engineering, Carnegie Mellon
Date: Fri, 24 Jul 1992 20:11:54 GMT


Gee; someone is rreal pissed about something... What do you care if
someone calls it a sample or one of your useless terms that are meaningless 
shades on "sample"
If our improper terminoligy angers you so greatly, do yourself and the
world a favor and unsuscribe to rec.music.industrial.

As to you friend in the "buisness"; Nobody cares.
I have a friend in the psychology "buisness" who thinks you are sexually
repressed, anal retentive, and an all around sanctimonious fool.
but;
nobody cares!
its not a significant fact!
mesons are made up of a quark and an anti quark (except the Muon which is
actually a lepton)
so what?
oh yeah,
*rasberry sound*

love,
Scott

"wipe thine ass with what is written, grin like a ninny at what is 
spoken"-Riders of the Purple Wage
From: dwatanab@mothra.nts.uci.edu (Dana Watanabe)
Subject: Re: Ministry _Psalm_69_ quick review
Newsgroups: rec.music.industrial
Organization: University of California, Irvine
Date: 23 Jul 92 18:06:07 GMT

In article <1992Jul21.154659.1257@skynet.uucp> ice@skynet.uucp (Ice) writes:
>I think you people are too selfish. All you ever care about is what YOU
>want to hear and what YOU like.
>
>Give a band a chance to explore other ways of doing things. There can only
>be improvement with change

god i love sarcasm
especially when its kinda hard to tell if they are serious or not
until you look at the address and see the .edu and realize that 
even though our education system is horrid, there really
cant be people who are that fucking dense into colleges

it IS a good reminder though, that there are people like this out there
so we should not be surprised when things like this are said
of course just remember that the best rememdy is ...

a boot to the head 


--
I am, therefore I rave.
 ,
dana watanabe 		email to: DWATANAB@UCI.EDU
Newsgroups: rec.music.industrial
From: vjohm@cirrus.com (Valerie J. Ohm)
Subject: Re: The real al jourgenson.
Organization: Cirrus Logic Inc.  Fremont, California
Date: Thu, 23 Jul 1992 16:43:43 GMT

In article <92204.101039U55870@uicvm.uic.edu> <U55870@uicvm.uic.edu> writes:
>  Okay, the title should have question marks after it.
>
>  There was a big article ( multiple page, with pix ) in the last sunday
>Chicago Tribune.  Al was trying to paint himself as sort of an ordinary-
>
>Interesting revelations:
>
>3) He's Kirk, Paul's Spock.

That's hardly new.  He made that comparison in a B-Side interview on the
last tour.  (Al's running around all the time shouting "Charge the
Klingons!" while Paul's the paranoid science officer worrying his life
away in front of the little green screen, as I recall).  He also likened
his wife to Barbara Stanwyck (sp?) and Martin Atkins to Bam-Bam.

Well, I thought it was funny...

>  There was more, but I don't have the article handy.  If there is a great
>call for it, and crisp green money is sent in my direction, I may post the
>article.

We could paint some pennies green and send them to you... trouble is
making them "crisp".  Any chemists out there?  :)

-valerie
-- 
***************************************************************************
* Valerie Ohm * vjohm@cirrus.com or   * "I see no end I know this because *
* valerie@athena.mit.edu * std dsclmr *   I see this again " - Caterwaul  *
***************************************************************************
Newsgroups: rec.music.industrial
From: Sid <mwilkenf@silver.ucs.indiana.edu>
Subject: Complete FLA tour dates
Organization: Indiana University
Date: Tue, 28 Jul 1992 03:24:54 GMT
X-Mailer: ELM [version 2.3 PL11]

I was going to type them in but I left them at home.  I will type
them in tomorrow.  I got them from Roadrunner when he called the 
station today, it is a fairly extensive tour though, so you should
all be able to see them...

I have to interview on the 11th (Chicago) so if you are going to be
there let me know, also if you have any good questions you need
answered let me know.  Thanks


-- 
+------------+---------------------------------------------------+
|    Sid     |           mwilkenf@silver.ucs.indiana.edu         |
+------------+---------------------------------------------------+
|   Mail your Demos to: WQAX /PO Box 2593 /Bloomington IN 47401  |
+---------------------- or for REAL fun -------------------------+
|    Mail this account with a subject of SELLLIST or BOOTLIST.   | 
+----------------------------------------------------------------+
Organization: University of Maryland at Baltimore
Date: Thursday, 30 Jul 1992 11:46:57 EST
From: Robert Haskins <RHASKINS@UMAB.BITNET>
Newsgroups: rec.music.industrial
Subject: Tribal Industrial

I'd appreciate receiving recommendations on good Industrial CDs which
are heavy on drums and light on vocals.  Rhythmic synths ok, danceable
tracks fine.  I don't need recs on ambient music or non-rhythmic machine/
metal noise, please.. E-mail or post here.  Thanks much.
Bob <RHASKINS@UMAB.BITNET>
-----------------------------------------------------------------
"The world is everything that is the case" -- Ludwig Wittgenstein
-----------------------------------------------------------------
Newsgroups: rec.music.industrial
From: davisonj@bnr.ca (John Davison)
Subject: Re: early MINISTRY
Organization: Bell-Northern Research, Richardson, Tx.
Date: Fri, 31 Jul 1992 05:17:13 GMT

In article <1992Jul23.233736.3488@octel.com> shaun@octel.com (Ralph Neutrino) writes:
>As far as my roots go, my great grandmother brought a satchel of Throbbing
>Gristle tapes with her, and a copy of the Nine Inch Nails bootleg CD when she
>emigrated from Germany in the 1800s.

        My great grandfather had the opportunity to go and see Chris Carter
do his sensationalized experimental Telharmonium pieces back in the lateu
1800s...but my great grandmother said that it was noise, and they ended up
staying home.  I don't think my great grandfather ever forgave her.
-- 
NOTE: The opinions and other information contained herein are not to be
      construed as representative of Northern Telecom or any of its
      subsidiaries.  Please direct personal correspondence to 
                   --> davisonj@ecn.purdue.edu. <--
From: c_s00765@stat.appstate.edu
Newsgroups: rec.music.industrial
Subject: Re: shamen entact(new vs. orig) OxRes
Date: 31 Jul 92 14:23:48 GMT
Organization: Appalachian State University

Yes the new version of Entact leaves much to be desired compared to
the original version (import).
	Oxygen Restriction happens to be one of my faves!!  I'd like
to know what you guys who think its bad would think after you heard it
live....I saw the shamen back in feb. at the masquerade in Atlanta....
what a killer tune and an equally great show.
	the new single LSI, on the other hand, is worthy of negative
criticism.....
		seb
From: h9s@vax5.cit.cornell.edu
Newsgroups: rec.music.industrial
Subject: Re: Samples, Semantics, Death of "Industrial" "Music"
Date: 26 Jul 92 13:20:21 EDT
Distribution: rec
Organization: Cornell University

In article <1992Jul24.042211.11791@usenet.ins.cwru.edu>,
bp271@cleveland.Freenet.Edu (Matthew N. Sharp) writes: 
> 	The word "sample" is overused and misinterpreted among
> 	the geeks that post to this group.  Samples are not
> 	restricted to the vocal clip soundbites which you seem
> 	to hold them as being synonymous with.  

Yes, you are right if you must be so insolently literal.  Words, like the minds
of most intelligent human beings, evolve.  The reason "sample" now refers to
spoken words is because that is the context in which it is most often used. 
When we do refer to samples of instruments, anyone with half a noggin would
refer to it as a "guitar sample", "drum sample", "crushed skull sample", etc.

> If you mean "snagged vocal clip'art'" say something other than
> "sample", as "sample" is too vague a term to define what you are
> babbling about.

Why is it that the rest of us don't have any problem with the word "sample"?
And maybe we should call the garbage collectors by their "rightful" titles of
"sanitation engineers".

> I have a friend in the business who holds this same view.

"The business"?  That's just a much too vague term for us stupid industrial
types to understand what you're talking about.  Do you mean "fast food
business", "insurance business"...............


	Jeff Ng. 
Newsgroups: rec.music.industrial
From: diane@mik.uky.edu (diane lynn benham)
Subject: Luc Van Acker
Organization: University Of Kentucky, Dept. of Math Sciences
Date: Mon, 27 Jul 1992 17:55:29 GMT

Can anybody tell me what group he was/is in other than RevCo?

-diane@mik.uky.edu
From: dmanning@cwis.unomaha.edu (David Manning)
Subject: Re: a bad (dumb) joke
Organization: University of Nebraska at Omaha
Date: Tue, 28 Jul 1992 23:27:07 GMT

pashdown@javelin.sim.es.com (Pete Ashdown) writes:

>Only if you're a closed minded weenie who throbs around in his black leather
>telling the world how much you hate it.  Yes, I can listen to everything
>between Swamp Terrorists and KC & The Sunshine Band and appreciate it or
>criticize it.

>The thing is, -I- used to be like you.  Once upon a time, I believed
>everything with a synthesizer was invalid and the only *real man* way to play
>music was with analog instruments.  Then I opened my eyes a little and
>listened to more.  When I started listening to dance industrial, I had a hard
>time with the disco diva stuff, writing it all off as garbage.  Then
>gradually, it started to seep its way into my collection along with a hell of
>a lot more house music.  I used to hate rap in the same way, but one day I
>found myself screaming my lungs out at a Public Enemy concert.

>So now I just can't find a genre to hate.  I really don't go for country much,
>but if you play some Chickasaw Mud Puppies I'm liable to start jumping.  I
>used to be bored by Opera and Ballet, but back then I was 13 and didn't
>understand a hell of a lot about passion.

Maybe it's just a natural progression or something. I couldn't stand rap or
most synth pop as a teen (oh so long ago) when heavy metal was the thing --
early '80s, stuff like Iron Maiden, Saxon. Then I kind of went into the  
'popular' phase, followed by rap, etc., etc. It seems that they more music
you like, the easier it is to like *different* kinds of music.

Maybe the key point is recognizing the *legitimacy* of music. Even if a
particular genre doesn't appeal to you doesn't mean it's crap. Not if you,
as the listener, can appreciate what went into it - like Pete says, the
passion. If it doesn't have that, well, maybe it does suck. :-)

Just because I like the Field Mice doesn't mean I can't like Godflesh,
or Lyle Lovett, or the Orb.

>Open your damn eyes.

I second that. There's good music everywhere, not just in r.m.i. :-)

>	   "What state is Salt Lake City in?" - Ticketmaster Agent

>DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
>Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown

Dave
--
 ___________________________________________________________________________
/ David  G.  Manning       \ Music, Macintosh,  /      Part-Time Instructor \
\ dmanning@odin.unomaha.edu \  and, er, some   /  dmanning@loria.omahug.org /
 ==============================other 'M' word===============================
Newsgroups: rec.music.industrial
From: zerobeat@intacc.uucp (Ferenc Szabo)
Subject: Re: Laibach
Date: Wed, 22 Jul 1992 20:18:33 GMT
Organization: Inter/Access' Matrix BBS

In article <91292@bu.edu> mwise@pub2.bu.edu (Matthew Wise) writes:
B
> There show in Toronto seemed to reference fascism and European nationalism
>of thee 30s and 40s in a very knowing way...lots of Leni Reifenstehl and
>Albert Speer film imagery...also some woodcuts that reminded me of Goya's
>series on war atrocities...the vocalist used alot of Hitler/Mussolini
>type gestures with his delivery and themes from middle European folk
>song seemed to pop up every now and then...
> The beat was fantastic...I tranced out for a moment or two during the first
>set...i seriously considered buying an official Laibach cup & saucer...

I saw the show at The Opera House here in Toronto also.  When you say
"the first set" do you mean the part before the encore?  As far as everybody
I know that saw the show goes.....there was only one very short set (including
encore).  I posted an article in this nwsgrp reviewing the show.

Did you also find it very unrehearsed?  ie.....the entire show was on tape
(EVEN THE VOCALS) and they kept missing their cues to 'sing' or 'play'.
I loved the music though and bought the CD as soon as it came out.
This is independant of any ideology they may or may not be endorsing.  THere
is not much singing on the album anyway and I read the cryptic liner notes
thinking "huh? still great MUSIC".

ferenc



Newsgroups: rec.music.industrial
From: vinlai@cbnewsb.cb.att.com (vincent.lai)
Subject: D_MS_O (was Re: Front 242 "DSMO" meaning?)
Organization: AT&T
Date: Thu, 23 Jul 1992 13:44:02 GMT

From article <BrtCBo.K3u@news.cso.uiuc.edu>, by thoth@uiuc.edu (Ben Cox):
> shaun@octel.com (Ralph Neutrino) writes:
> 
>>I'm pretty sure that DSMO is an.. organic solvent?  (I never made it into 
>>organic chemistry, someone help me out.)  It is readily absorbed through the
>>skin, carrying along whatever is disolved in it.  The typical story that is
>>told about it is that you get a dish of it, put in a couple of drops of lemon
>>(or lemon flavoring,) and put your fingertips in it.  A few minutes later,
>>you can taste the lemon.  You can also put other substances in it, like LSD,
>>and then wipe it on doorknobs for the unsuspecting.  
> 
> That's DMSO.
> 
> --
> Ben Cox
> thoth@uiuc.edu

I believe it stands for di-methyl-sulf-oxide.  I think it's used as a
catalyst for organic reactions.

--------------------------------------------------------------------
"Mom, we're hungry!" - Bud Bundy          "Why tell me?" - Peg Bundy

Vincent Lai
vlai@attmail.com
vinlai@cbnewsb.att.com
smst71!scrooge.vinlai@somerset.att.com
--------------------------------------------------------------------
Newsgroups: rec.music.industrial,alt.cyberpunk.movement
From: coan@newton.emba.uvm.edu.uvm.edu (Brian M Coan)
Subject: Kraftwerk .gif images
Organization: University of Vermont -- Division of EMBA Computer Facility
Distribution: net
Date: Wed, 29 Jul 1992 15:01:37 GMT

Kraftwerk .gifs!!!

Hey, if anyone out there has access to a cool terminal (Sun, Silicon
Graphics, etc), or whatever, and can view cool .gif images, do
an anyonymous ftp to nic.funet.fi and go to the directory

	/pub/pics/gif/pics/music/kraftwerk

There are three cool .gif images there of one of the coolest bands ever!

--
Brian M Coan
coan@emba.uvm.edu
--
From: pskibitz@sdcc13.ucsd.edu (Paul F A U S T !! )
Newsgroups: rec.music.industrial
Subject: Re: The Inflatable Swimsuit
Date: 31 Jul 92 02:58:15 GMT
Organization: University of California, San Diego

In article <4001@blue.cis.pitt.edu.UUCP> front242+@pitt.edu (Brian R Iwaskewycz) writes:
>  The commercial features a group of models dancing
>(in their blow-up bikinis, of course) to a chorus of "We must, we must, we must
>increase our bust!" which was done by the Lords of Acid from Belgium...
>
>Just something I thought I should post...

...gee, can't wait till that one gets over to the West Coast...

				:)

				Paul FAUST!!!

Newsgroups: rec.music.industrial
From: malcolm@wrs.com (Malcolm Humes)
Subject: RMI CD orders?
Organization: Wind River Systems, Inc.
Date: Thu, 30 Jul 1992 18:53:17 GMT

What's up with the RMI cd? Anyone got the order info handy? I lost it. 
I have an envelope addressed to Ben Cox for this but now I can't recall
how much it was - I think $8 plus $3 shipping? Anyone know fer sure? 

  - malcolm@wrs.com 
Newsgroups: rec.music.industrial
From: lazlo@triton.unm.edu (Lazlo Nibble)
Subject: Re: Samples, Semantics, Death of "Industrial" "Music"
Date: Sat, 25 Jul 92 07:29:39 GMT
Organization: Sporadic and incomplete

bp271@cleveland.Freenet.Edu (Matthew N. Sharp) writes:

> The word "sample" is overused and misinterpreted among the geeks that
> post to this group. I give "industrial" "music" two more years to die
> out completely. I have a friend in the business...

Whoop-tee-fuckin'-do.

--
Lazlo (lazlo@triton.unm.edu)
Newsgroups: rec.music.industrial
From: bp271@cleveland.Freenet.Edu (Matthew N. Sharp)
Subject: RE: R.M.I. ANGER!
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Fri, 31 Jul 92 03:55:21 GMT



John Walter, boy genius, writes;
> [...] I don't
>read this message base to listen to *DUMBSHITS* insult each other!


You don't have to.  I'm sure you have plenty of intellectual equals
willing to indulge in such exchanges with yourself.



Never ceasing to be amazed,
Matthew
-- 
Matthew Neill Sharp
bp271@Cleveland.Freenet.Edu
Xref: sparky rec.music.industrial:8625 alt.music.alternative:7851
From: bmacdona@bonnie.ics.uci.edu (Brian K!z!K MacDonald)
Newsgroups: rec.music.industrial,alt.music.alternative
Subject: Re: SST bites again (was Let's help out negitvland!)
Date: 21 Jul 92 22:35:23 GMT
Reply-To: bmacdona@ics.uci.edu (Brian K!z!K MacDonald)
Organization: Univ. of Calif., Irvine, Info. & Computer Sci. Dept.

In article <1992Jul21.064849.1964@NeoSoft.com> ben@NeoSoft.com (Ben Ettinger) writes:
>Since we're talking about Negativland... I recently went to Europe and saw two
>Negativland CD's (one of which I bought: a small paper box, self titled
>Negativland _Seeland 001_) the other was A Big 10-8 Place, which I'd heard of
>but never seen in the 'States. The thing that intrigued me about the package
>of a Big 10-8 Place was the fact that it had a big pack of Marijuana
  inside it.                                             (?)^^^^^^^^^(!)
>Is this the way Negativland packaged it and that's why I've never seen it here
>or did some schlep throw it in for no good reason..?
>

  Yow!  Now wouldn't THAT be a marketing strategy for our up and coming
  pro-hemp generation?

  Well, sorry, but it isn't marijuana.  It's either tree bark or grass
   depending which edition (Winter edition: bark; Summer edition: grass)
     was there.  Though I must assume the one you saw was the Summer edition.

  But the GOOD news is that all these were done by the band members and/or
   friends of the band themselves (at least I can guarantee the first album
   was done by the band.  _A_Big_10-8_Place, I figure, could have been done
   by those other than the band).

  No shleps handled these midway.   (Fortunately).            K!z!K
Newsgroups: rec.music.industrial
From: storm@cs.mcgill.ca (Marc WANDSCHNEIDER)
Subject: Re: Luc Van Acker
Organization: McGill University, Montreal, Canada
Date: Tue, 28 Jul 1992 16:34:57 GMT

In article <1992Jul28.094540.3114@news.uit.no> vidarh@stud.cs.uit.no (Vidar Hanssen) writes:
>diane lynn benham writes:
>|> Can anybody tell me what group he was/is in other than RevCo?
>
>He has released some solo albums, and an album/single (?) with Three Angry
>Poles and possibly more. 
>There is a brilliant compilation of most of his works on World Domination
>called Catalogue. A review is upcoming...


	I believe that he also had a hand in the band Mussolini Headkick.

	Marc 'em.

-- 
  storm@cs.mcgill.ca           McGill University         C program run.  Run  
  Marc Wandschneider           Montreal, CANADA          Program run! PLEASE!
      "When 900 years old you reach, look as good you will not." - Yoda
				"Ow!" -J.F.K.~
From: andrew@zone4.ocunix.on.ca (Andrew Low)
Newsgroups: rec.music.industrial
Distribution: world
Subject: Re: INDUSTRIAL ARTZ
Organization: Zone4
Date: Wed, 22 Jul 92 23:43:35 GMT

In article <2355.928.uupcb@bville.gts.org> John Walter  writes:
>    Well I would like to hear a review of Industrial Artz CD.  I have
>heard "MOVE TO THE GROOVE" and "POWER TRIP", but I would like to hear
>some more, or hear some good comparitive reviews before I rush out and
>buy the CD...

I've a friend who lent me the album, so I can post a semi-review for you.

Personally I like it overall.  The two tracks you've heard are probably
the ones which stand out most (I believe there are remixes of them both
at the end of the CD).  The other songs all feel about the same..  (ie:
nothing really remarkable, but nothing awful either)

For my taste its a little dancey, but if that's what you're into then
I'd say its a fairly safe purchase.

+/+\+/+\+/+chew carefully/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+
Roo [andrew@zone4.ocunix.on.ca] m a c h i n e l o v e h a t e f e a r v o i d .
               "dreams are all that separate us from the machines"
Newsgroups: rec.music.industrial
From: douellet@beach.csulb.edu (Daniel Ouellette)
Subject: Moshing
Organization: Cal State Long Beach
Date: Mon, 27 Jul 1992 16:42:36 GMT

  One thing I've noticed is that when people start moshing, by and large, they
all move in a counter-clockwise direction. What I was wondering, do people in
the Sounthern Hemisphere mosh in a clockwise direction? :-)
-Daniel
-- 
ASplitSecond*Bauhaus*Cure*DepecheMode*EinstuerzendeNeubauten*Front242*Gruesome-
*	Daniel Ouellette       | 	 "People need to be schocked"	      *
*   douellet@beach.csulb.edu   |		     -Me		      *
ognioBogniO*bbEreztiN*yrtsiniM*dicAfOsdroL*MDFMK*noisiviDyoJ*amarDnamuH*emosowT
Xref: sparky rec.music.industrial:8639 alt.thrash:1215