HDTenEightyP/NetNews huggingface dataset:
From: mcsdc1gm@dct.ac.uk
Newsgroups: rec.music.industrial,alt.rock-n-roll.metal.heavy
Subject: Re: Ministry concert in Amsterdam
Date: 13 Nov 92 12:27:18 +0100
Reply-To: THE FLYING MANGOES IF YOU MUST
Keywords: GRIB AND SNARF
Distribution: world
Organization: Dundee Institute of Technology

In article <1992Nov8.215123.29378@fwi.uva.nl>, heederik@fwi.uva.nl (Robbert Heederik) writes:
> 
> 
> Hi,
> 
> Last friday, Ministry and Helmet played in the Paradiso in Amsterdam, The
> Netherlands. The place was totally sold out and people were offering 100
> guilders for the 20 guilder ticket. 
> I didn't like Helmet that much, but they were OK.
> Then Ministry showed up. The backside of the stage was coverered by three
> videoscreens on which videos were played and photos were displayed.
> Ministry was G.R.E.A.T.!  They played the following songs:
> 
> N.W.O.
> The Missing
> Deity
> Hero
> Psalm 69
> TV song		(Somebody from Revco did the vocals ??)
> Just One Fix
> So What
> Scarecrow
> Thieves 	(Al introduced this song with "This is a slow one....THIEVES!")
> Stigmata
> Burning Inside
> 
> Noticed that "Jesus built my hotrod" wasn't played?? Strange.
> 
> Robbert.

              JESUS BUILT MY HOTROD WASNT PLAYED COS GIBBY
              FROM THE BUTTHOLE SURFERS WASNT THERE TO DO THE VOCALS.


> 
> -- 
> //// So there was only one    // Robbert Heederik  // heederik@fwi.uva.nl     /
> /// thing that i could do    // Heiligeweg 26/28  // Faculty of Mathematics  //
> // was ding a ding dang     // 1012 XR Amsterdam // and Computer Science    ///
> / my dang a long ling long // The Netherlands   // University of Amsterdam ////
Organization: Sophomore, Civil Engineering, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.industrial
Date: Mon,  9 Nov 1992 15:16:16 -0500 
From: Jeffrey Roger Parenti <jp5d+@andrew.cmu.edu>
Subject: Re: NIN
	<BxBr14.BCE@acsu.buffalo.edu>

all-

> Oh, put a sock in it. Personally, I think the lyrics are irrelevant. I like 
> NIN because of the music. Same goes for Ministry.

i don't believe this. i've read skinny puppy lyrics, ministry, and just got
"godflesh"... seriously, what is so much better about these people's lyrics
than nine inch nails? (by the way, i do enjoy all the above bands.)
complete sentences in songs, for me, is an added bonus..

                    pern


Newsgroups: rec.music.industrial
From: jondr@sco.COM (Desi The Three-Armed Wonder Comic)
Subject: Re: Foetus and Ministry lyrics wanted !
Reply-To: jondr@sco.com
Organization: The Santa Cruz Operation, Inc.
Date: Tue, 10 Nov 1992 19:05:40 GMT


I am not mentor@opal.cs.tu-berlin.de (THE BRAIN BUSTER).  I didn't say:
>But some other questions:
>I have never heart of "Deaf" and "Ache". From which years are they?

deaf and ache are from 1980 and 1981, i think.  very early and primitive,
recorded on 8 track tape machines.  they both precede "hole".

>Can anybody complete the list so that I know what I don't have.
>I also know very little about Foetus. Who are they? Where do they
>come from?

foetus is one guy: jim thirlwell, also known as frank want, jim foetus,
clint ruin and probably one or two other names i forgot.  i think he's
originally from australia but he lives in brooklyn new york now.

check out his side projects - wiseblood (with roli mosimann), steroid
maximus (all instrumental), clint ruin and lydia lunch (lydia was his
girlfriend at one point)...

-- 
Jon Drukman (God's personal DJ)                 uunet!sco!jondr   jondr@sco.com
-------------------------------------------------------------------------------
You are pond scum with PhDs who murder bunnies and make them take the SATs!!
Newsgroups: rec.music.industrial,alt.industrial,alt.sex,alt.geek,alt.flame
From: ausdal@ece.scarolina.edu (Thi Van Ausdal)
Subject: Re: Who IS this fuck, Matthew Naill Shrap?
Organization: USC  Department of Computer Science
Date:  4 Nov 92 16:40:23 GMT

howard@netcom.com (Howard Berkey) writes:

>!finger mfoley@nyx.cs.du.edu                                         
>[nyx.cs.du.edu]                                                 
>Login name: mfoley                      In real life: Michelle Foley  
>Directory: /u/m/f/mfoley                Shell: /nyx/bin/menulogin
>Last login Sat Oct 31 16:22 on ttyq6 from JARTHUR.CLAREMON
>Mail last read Sat Oct 31 16:23:17 1992


>JARTHUR.CLAREMON.  Hmm.








>-- 
>::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>Howard Berkey						howard@netcom.com
>     [ ] <--Lick Here!  YOU could be one of the LUCKY 25%!!!!!!!!!!!!!

Aw, PTOOEY!  I should've dusted my monitor first.  I think I ate a dingleberry!
Ack.        Which lucky 25%?  The ones whose symptoms DON'T show?


T.

Newsgroups: rec.music.industrial
From: drsmith@nyx.cs.du.edu (Dave Smith)
Subject: sp mail reflector
Organization: Nyx, Public Access Unix (sponsored by U. of Denver Math/CS dept.)
Disclaimer1: Nyx is a public access Unix system run by the University of
Disclaimer2: Denver for the Denver community.  The University has neither
Disclaimer3: control over nor responsibility for the opinions of users.
Date: Sun, 8 Nov 92 23:23:13 GMT

does anyone know whats going on with the skinny puppy mailing list,
smothered-hope? i haven't gotten anything in quite a while.
thanks...
e268
From: bkeeley@sdcc3.ucsd.edu (Brian Keeley)
Newsgroups: rec.music.industrial
Subject: Coil catalogue conundrum
Keywords: Coil, Christopherson, Balance, loci
Date: 11 Nov 92 00:35:35 GMT

Perusing my CD collection last night....

LOCI 1 - _Gold is the Metal_
LOCI 2 - _Unnatural History_
LOCI 3 - ___________________
LOCI 4 - _Contaminated & Whatever_ (The new mail-order only thingie)

So, who can fill in the blank?  The only two Coil CDs I don't own
(as far as I know) is _LSD_ and the new _How To Destroy Angels_
reissue.  Is _HTDA_ LOCI 3??

Reality

---I figured that if we could post stupid questions about HALO 1 and
HALO-LESS, we could discuss anagrams of "COIL"!! :-)
From: twiggs_te@lrc.edu
Newsgroups: rec.music.industrial
Subject: Re: NIN
Date: 10 Nov 92 11:17:55 EST
Organization: Lenoir-Rhyne College, Hickory, NC

In article <1d7uh8INNhnn@usenet.INS.CWRU.Edu>, jaa@po.CWRU.Edu (Joseph A. Ambrose) writes:
> 
> 
> I'm just getting into "industiral" style music, and I think Trent's just
> about the coolest! I just got Broken. Does anyone out there have any of his
> other records? I just got Ministry's album, With Sympathy, and I really
> don't  see  what all the fuss is about. I just bought a  really great
> yamaha keyboard, and if anyone can tell me how to get in touch with WAX
> STACKS, I'd really like it, because I want to get signed. I'm going to call
> my band  "Factory Decoder X". Any input would be greaylt appreciated.
> 
> 				- tom "tommy hell" cooper	
> 				  parma hts. oh.
> -- 


	This is a joke, right?!?!?!?


						D.J. X

Newsgroups: rec.music.industrial
From: ohm@Siri.Unit.NO (Ole Hermann Melby)
Subject: Re: The election
Organization: Norwegian Institute of Technology
Date: Fri, 6 Nov 92 14:01:16 GMT

In article <c0!vH92poa@atlantis.psu.edu>, lpm@fert2.fe.psu.edu (Lee Miller/8192;PennState-Fayette) writes:
 > In article <1992Nov5.063111.29353@adobe.com> dkletter@adobe.com (SUGAR in their vitamins?) writes:
 > >>""Tipper Gore is on her way to the Whitehouse""
 > >
 > >i've been thinking about this during the entire campaign, and it's
 > >especially been bothering me because neither the Bush folks nor
 > >the Perot folks even bothered to mention Tipper's involvement with the
 > >PMRC. in fact, i was really suprised when during the VP debates when
 > >Al Gore made a comment about Phyllis Schlafley being given free
 > >reign over the Republican platform and Dan Quayle completely missed
 > >an opportunity to strike back with a quip about how Phyllis has
 > >been funneling TONS of dollars and time into the PRMC. it would
 > >have really put the Democrats back a little if they could demonstrate
 > >that the entire two-party system is corrupt and everyone is in
 > >bed with the special interest groups.
 > 
 > The main reason the Republicans didn't bring up Tipper's involvement with
 > the PMRC is because the Bush/Quayle administration was worse than she ever
 > tried to be.  The Republican administration supported legislation
 > determining what can be sold to whom, Quayle and Bush both voiced opinions
 > on "Body Count" and "2pacalypse Now" indicated they felt it should be
 > banned.  Kepp this in mind Tpper Gore never got anything banned nor did she
 > attempt to.  The PMRC only tried to get the music industry to be semi self
 > regulating by labelling albums, they never moved for legislation as to
 > banning records and in fact, if she is to be believed, Tipper is very much
 > against such legislation which would limit the right of free speech.
 > 
 > 
 > 								    -Lee

But what if labels makes the record shops not to stock spesific
albums. Then the only way to get albums with labels will be in 
specialist shops, and only the people who have a special interest in
the music, and have heard the bands before will get it.
The bands will loose money (and this game is partly about money) 
and a new audience. If they dont sell they wont release albums,
and they wont tour if not enough people will come to the shows.
Sorry about my english, but I'm from Norway.
Perhapse I shouden't comment on this issue anyway, 
watching the debate from here?



                                                   -OHM
From: tamrar@nucleus.cuc.ab.ca (Tamra Ross)
Newsgroups: rec.music.industrial
Subject: Type Token Records.  Who are they?
Date: 5 Nov 92 18:41:14 MST
Organization: The Nucleus 16 Lines 403-531-9353 -CNet Amiga-

        I got an interesting piece of mail the other day from a company
called 'Type Token Records.'  They are a small, independent record label,
and have only three bands in their catalogue.  The two new discs sound
interesting, but I've never heard of either of the bands, nor the record
company itself.  I'm wondering if anyone knows anything about this.  

        This first disc they advertise is called 'House Of Garbar,' by 'Death
In Arcadia.'  They say 'House of Garbar is a remarkably fun record that both
redefines and parodies the grey area between cyber-punk and industrial music.
Death in Arcadia brings you a grunge-tinged blend of art rock, ambient
industrial, and techno pop, set to the danceable thud of an ultra heavy beat.
House Of Garbar is a cyber-delic mind-trip loaded with real-life voice
samples.  It's art disguised as pop.  It's Dada, only louder.'  They also say
that if you order the disc you will recieve a 'free selectoin of strange and
campy Garbar-esque toys, so that you can decorate your abode just like the
real House Of Garbar.'  

        The second disc is called 'Industrial Meditation,' by 'Stone Glass
Steel.'  About this they say 'Industrial Meditation features over 65 minutes
of mood altering, ambient industrial music.  It is a rhythmic and meditative
tapestry of industial sound -- a sound track for the high-tech, computerized
world in which we live.  Stone Glass Steel has created a pervasive and
intruding atmosphere that is dark, dense, disturbing, and yet, strangely
soothing.  Industrial Meditation slips into your system like a drug and lures
you into a walking techno trance.'  

        Their third band is Black Beach Moonrise, but the debut disc is now
sold out, and it says they are currently recording a new one.

        So, this all sounds very interesting, but who they heck are these
bands?  Or this company?  Anyone know?

                                        Tamra
                                       

{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}
{}  Tamra Ross     <tamrar@nucleus.cuc.ab.ca>     Calgary, Alberta, Canada  {}
{}SoundgardenFaithNoMoreAliceInChainsSlayerMotherLoveBoneWhiteZombiePearlJam{}
{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}
From: nc313060@wvnvms.wvnet.edu
Newsgroups: rec.music.industrial
Subject: Re: george bush = nivek ogre?
Date: 5 Nov 92 21:50:37 GMT
Organization: West Virginia Network for Educational Telecomputing

In article <1992Oct28.000639.5883@ucsu.Colorado.EDU>, scupin@rintintin.Colorado.EDU (SCUPIN  JONATHAN RAYMOND) writes:
> v071r4mh@ubvmsb.cc.buffalo.edu (CHRISTOPHER D. KOZINA) writes:
> 
>>ever notice the speech patterns for both George Bush and Nivek Ogre?
> 
>>both speak in about the same length phases and both make about the same 
>>amount of sense, 
> 
>>at least nivek knows to include lyrics
> 
>>Claigeann Iona
> 
> Methinks you're gravely mistaken- While obviously Bush doesn't make much
> sense in any direction, babbling about everything and anything, Ogre makes
> plenty of sense through what he sings, but only to those who really choose
> to listen...
> coprophiliac
> scupin@rintintin.colorado.edu
> 

	I agree completely. Nivek Ogre ( and of course,cEVIN KEY) seem very
	intelligent, and their music makes perfect sense. Skinny Puppy is the 
	reason I started to listen to industrial music - because I felt they
	WERE saying something important, instead of the mindless music I was
	listening to. And the fact that he is so damn good-looking helps,too!
	At least Ogre will never be removed from the office he has made for
	himself - at least I hope not.

	Stephani Nichelle
	nc313060@wvnvms.wvnet.vms( I think - that name is too long to 
				   remember!)
Newsgroups: rec.music.industrial
From: vidarh@stud.cs.uit.no (Vidar Hanssen)
Subject: REWIEWS: Lassigue Bendthaus
Organization: University of Tromsoe, Norway
Date: Tue, 10 Nov 1992 09:14:46 GMT

LASSIGUE BENDTHAUS: 
	Cloned  CD (1992 Contempo CONTEDISC 207)
	Biohazard 12" (1992 Contempo  TEMPO 206)
	Biofeedback CD-single (1992 Contempo TEMPODISC 210)

Is it possible to make an album with nothing but different version of the same
track, and get away with it? Lassigue Bendthouse sure do, his album Cloned
contains 5 tracks called Cloned, and 5 tracks called Re-Cloned (separated with
some weird indexing). The Cloned tracks are Lassigue Bendthaus' own
improvisations, and three of the Re-Cloned are remixed by others, such as Pink
Elln and FM from Pankow. It's not quite correct to say they are all the same
track. They can roughly be divided in two or three themes and a few different
BPM's.  The music is very pure electronic and synthetic sounding, and very 
interesting and intense rhythms, with sparse vocals.

Two singles have been released from the album. The Biohazard 12" has the
non-album track Re-Kombination, which is a hard- hitting industrial psychotic
absolely must-have track! The Biofeedback-single has a Pink Elln mix pluss
Lassigue Bendthouse's own parts 1 - 5, split in two parts. Parts 1 & 2 has too
much heavy metal guitar-samples for my taste, but part 3 - 5 starts off with a
drum heavy groove (with the familiar sample-off-the-week Led Zeppelin rhythm)
wich develops into a psychotic stop-and-start groove that made me check my CD 
player...


-- 
     __  __
     \ \/ /          ///////////////////////////////////////////////////////
      \  /          // Vidar Hanssen  University Of Tromsoe, Norway ///////
       \/          // Email: vidarh@.cs.uit.no  Phone: +47 83 44032 //////
control, I'm here ///////////////////////////////////////////////////////
Newsgroups: rec.music.industrial
From: braca2@cspyr1.cs.adfa.oz.au (BRAY CHRISTOPHER)
Subject: Re: NIN
Organization: Australian Defence Force Academy, Canberra, Australia
Date: Tue, 10 Nov 1992 04:25:56 GMT

mcspinks@unix.amherst.edu (Snarfblat) writes:

>I'd just like to say that I am 13 and like most pop/top 40 but i think trent
>rezer is the coolest of all time because in the first song on broken he says
>fist fuck.

That must have been exciting

>"I tried...I gave up" is so stressful. trent has so much cool angst. He 
>reflects the troubles of young teenagers in this dark age. SOmetimes i drool
>and wet myself with glee because there is someone like Trent that i can 
>relate with. 

You dont sound thirteen, more like most of the postpubescents who read
this news board.  You should get on fine with most of them. :)

>"Gray would be the color if i had a heart"

>Snarf

|-|()()|<
Newsgroups: rec.music.industrial,alt.rock-n-roll.metal.heavy
From: rkimmel@stein.u.washington.edu (Denise Brown)
Subject: Re: Ministry concert in Amsterdam
Keywords: ministry
Organization: University of Washington, Seattle
Date: Mon, 9 Nov 1992 00:33:49 GMT

In article <1992Nov8.215907.29532@fwi.uva.nl> heederik@fwi.uva.nl (Robbert Heederik) writes:
>Forgot to mention thay Ministry also played Supernaut.
>Is that a Pailhead song?
>
>Bye,	Robbert
>-- 
>//// So there was only one    // Robbert Heederik  // heederik@fwi.uva.nl     /
>/// thing that i could do    // Heiligeweg 26/28  // Faculty of Mathematics  //
>// was ding a ding dang     // 1012 XR Amsterdam // and Computer Science    ///
>/ my dang a long ling long // The Netherlands   // University of Amsterdam ////

Supernaut is a Black Sabbath Song.  I'm not sure if Pailhead did a cover
of it.


Newsgroups: rec.music.industrial
From: michael@monitor.com (Michael Johnson)
Subject: Re: Secret info on Trent- READ THIS
Reply-To: michael@monitor.com (Michael Johnson)
Organization: Monitor Company / IE
Date: Fri, 13 Nov 1992 20:40:47 GMT

In article <BxMoMG.4My@unix.amherst.edu> mcspinks@unix.amherst.edu  
(Snarfblat) writes:
>   Well...  As far as Trent knows, there are now no surviving versions of
> the ORIGINAL demo; the one he was signed with.  BUT!  My friend had made
> a copy of it before giving it to Rich.   The tape still survives to this
> although it is partial taped over by accident...  This is something  
everyone
> should hear!

So get us a copy of the tape!  Then we can all hear how Trent is just the  
voicebox on P.H.M. and Adrian Sherwood & Keith Leblanc are responsible for  
every worthwhile sound on that album.
Newsgroups: rec.music.industrial
From: bmyers@well.sf.ca.us (Bryan L. Myers)
Subject: Einsturzende Neubauten Tour ?
Summary: Blixa Bargeld Tour ?
Organization: Whole Earth 'Lectronic Link
Date: Wed, 11 Nov 1992 10:44:22 GMT


The RUMOUR here in Detroit is that it is only Einsturzende Neubauten's
lead singer Blixa Bargeld that is stopping in Toronto and Chicago.
He was interviewed back stage at a Final Cut show and said that he was
touring North America and stoping in Toronto and Chicago; but, not
Detroit :(  If anyone hears more please post as EN my favorite old-time
true-blue purely Industrial unit !  Grindingly, TechnoThor (bmyers@well.
sf.ca.us) 11.11.92
Newsgroups: rec.music.industrial
From: scq6817@ritvax.isc.rit.edu (PROSTHESIS)
Subject: Re: Big Catholic Guilt & Old
Reply-To: scq6817@ritvax.isc.rit.edu
Organization: Rochester Institute of Technology
Distribution: usa
Date: Fri, 6 Nov 1992 01:17:04 GMT

hmm...where are from anyway....?
Big Catholic Guilt is from boston i think...not positive tho...
anyway they sure do kick ass lots but i was never
NEVER able to find any of their stuff....
even when they had a semi-hit "Tom"
"Tom" had a chorus that went something like this....
lemme think here...
"no ones gunna give a fuck when yer drownin'"
"no ones gunna give a fuck when ya die!"
"no one cares what yer friends all told you"
"well yer friends all told, well your friends all lied"
anyway its great stuff and if you DO happen to get any info lemme know eh?
From: RHASKINS@UMAB.BITNET (Robert Haskins)
Newsgroups: rec.music.industrial
Subject: Re: The election
Date: 6 Nov 92 15:39:23 GMT
Article-I.D.: UMAB.92311.103923RHASKINS
Organization: University of Maryland at Baltimore

lpm@fert2.fe.psu.edu (Lee Miller/8192;PennState-Fayette) Lee writes:

> The main reason the Republicans didn't bring up Tipper's involvement with
> the PMRC is because the Bush/Quayle administration was worse than she ever
> tried to be.  The Republican administration supported legislation
> determining what can be sold to whom, Quayle and Bush both voiced opinions
> on "Body Count" and "2pacalypse Now" indicated they felt it should be
> banned.  Kepp this in mind Tpper Gore never got anything banned nor did she
> attempt to.  The PMRC only tried to get the music industry to be semi self
> regulating by labelling albums, they never moved for legislation as to
> banning records and in fact, if she is to be believed, Tipper is very much
> against such legislation which would limit the right of free speech.
>
Thanks.  I was beginning to think I was the only one who had _any_ idea
what the PMRC is trying to do.  And NOW -- is it, in fact, the labels
and their reps who determine what albums get the labels?  Or an independent
body? Or?  I've been crying alone in the wilderness suggesting people
who have problems with the labelling to work to try to improve it
(for instance, to get a cross-section of people involved in the labelling
process) rather than whining about censorship and demanding its
immediate retraction.  Glad to see the debate has moved over here
where we'll get some intelligent discussion.  Hope it's reasoned
and measured, too, tho.

Bob
Newsgroups: rec.music.misc
From: jakubec@mprgate.mpr.ca (Trent J Jakubec)
Subject: MADONNA: Erotica Extra Track
Reply-To: jakubec@mprgate.mpr.ca (Trent J Jakubec)
Organization: MPR Teltech Ltd.
Date: Wed, 11 Nov 92 20:30:49 GMT

Greetings:

A recent trip to the local store here in Vancouver revealed an Import
version of Erotica, which contained an extra track.  It looked like a 
USA release, but I could not confirm that.  This would be rather strange
it is true.

If my memory recalls correctly, it was track 13.  Can anyone confirm 
where this is from, and possibly what the song is like?  Are there any
other variations that are out there?

The version released in Canada has the following track listing:

MADONNA    Erotica   70:29   Maverick/Sire  CDW 45154

1.  Erotica
2.  Fever
3.  Bye Bye Baby
4.  Deeper and Deeper
5.  Where Life Begins
6.  Bad Girl
7.  Waiting
8.  Thief of Hearts
9.  Words
10. Rain
11. Why's It So Hard
12. In This Life
13. Secret Garden

Thanks in advance

Trent

PS> I personally did not know what to think of it after the first couple
    of listens, but now enjoy the disk.  In fact I am possibly quiet pleased
    that it does not appeal globally since it will possibly not suffer from
    overplay.  

    I also think she is getting a tough ride since most reviews are pointing 
    to her voice being terrible.  My response to that is how many groups are 
    there where the vocalist cannot sing period.  Review the concepts and
    ideas and not the technical merit.  If this was opera, a capella or 
    classical then maybe that warrants a bad review.
-- 
============================================================================
 Trent J Jakubec  (jakubec@mprgate.mpr.ca / 134.87.131.13)
 MPR Teltech Ltd.
   Digital Networks Division - Special Service Networks Group
 8999 Nelson Way                              Office: Mail Station SSN
 Burnaby, British Columbia Canada                     (604) 293 - 5379
 V5A 4B5  (604) 294 - 1471                       Fax: (604) 293 - 6100
============================================================================

Newsgroups: rec.music.misc
From: jlbrand@pb2esac.uucp (Jack Brand)
Subject: Re: BEST VIDEO OF ALL TIME POLL
Organization: Pacific*Bell ESAC, Oakland, CA.
Date: Wed, 11 Nov 1992 07:47:57 GMT

Not the "best", but surely one of the most interesting, especially
considering its age: does anyone remember the clip to Mason Williams'
"Classical Gas" that aired on the Smos. Bros. in '68?

signed,
an olde farte
Newsgroups: rec.music.misc
From: pugh@pico.math.ucla.edu (David Pugh)
Subject: HELP WANTED !!
Organization: UCLA Mathematics Department
Date: Tue, 10 Nov 92 19:54:23 GMT

Can anyone tell me if the following songs are still available
and if so the name of the album they are on? I think they're
quite old songs (70s maybe?) (I heard them on KXEZ, Easy Oldies station
some time last year).

  Maria Moldaur (sp?)   -  Midnight
        Moldower

  The Looking Glass     -  Brandy

Mail to pugh@math.ucla.edu  please.

Thankyou in advance

David