HDTenEightyP/NetNews huggingface dataset:
From: nelsonis@rintintin.Colorado.EDU (Ian S. Nelson)
Subject: Re: What makes a good guitarist?
Organization: University of Colorado, Boulder
Date: Wed, 11 Nov 1992 00:01:41 GMT

mbreen@sdacs.ucsd.edu (Michael Breen) writes:

>The problem with defining "good guitarist" is that it changes.  If I'm
>in a slick top 40 bar band and a trash-master comes along, s/he's not going
>to get past the first two bars of "Stand By Me" before it's obvious that
>s/he's not "good" for that situation.  And if the Edge-worshiping guitarist
>from my alternative band show up to audition for the local metal group
>(100s here in San Diego, ratio metal/non is about 10/1) s/he's not going to
>get far either.

I think that it depends on what you are rating.  On guitar playing ability,
which is how I personally rate "good" guitarists, it is simply a mix of 
expression and technical ability.  Then there is the "good" musician thing.
Thats a totally different subject all together.  The way I see it, David 
Gilmore is a great musician, but he's not terribly incredible on guitar,
but he definitely plays with some passion in his music.  Joe Satriani is a
great guitar player, he plays slow songs just right and he plays fast songs
faster then about everybody, but he can't write music.  I have only heard a
few songs by JS that have struck me as musical greatness (Always with you 
Always with me just sings...)  Same goes for Steve Vai, he can play his 
instrument well, but I don't really care for what he plays on it.
-- 
Ian S. Nelson			I speak for only my self, not my school.
Finger for a PGP public key.
Newsgroups: rec.music.makers.guitar
From: scott@bell.b17a.ingr.com (Scott Bell)
Subject: Re: Why Do These Redundant Groups Exist?
Organization: Intergraph
Distribution: na
Date: Wed, 11 Nov 1992 17:39:14 GMT

In article <1992Nov11.053914.15626@udel.edu>, mccoy@pecan.cns.udel.edu (Don McCoy) writes:
|> darsie@eecs.ucdavis.edu (Richard Darsie) writes:
|> >Subject says it. There's an alt.guitar and alt.guitar.tab. Why these?
|> >
|> >Richard
|> 
|> Time passes.  Things change.  Prolly the charter hasn't shown
|> up yet at your site.  Rest easy, it will.  All will become 
|> clear then.

     Like, that's deep, Don! :)  
     Sounds like some lines from PF's "The Wall" ! :)
|> 
|> ..don...                    __
|>                          ___\/___

  Shroomin',
  Scott
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
| Scott Bell                               | "I may be N by NW when the | 
| Intergraph Corp. - Mapping Sciences Div. | wind is Southerly - but I  |
| M/S IW17A2  Huntsville, AL  35894-0001   | know a hawk from a         | 
| scott@bell.b17a.ingr.com   (Internet)    | handsaw."                  | 
| 205-730-1776   #include <std_disclaim.h> |      W.S. , 'Hamlet'       | 
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
Newsgroups: rec.music.makers.guitar
From: eross@uwovax.uwo.ca
Subject: Request: Marc Cohn
Organization: University of Western Ont, London
Date: Wed, 11 Nov 1992 02:37:08 GMT

Well, I must say that this new newsgroup makes it easier to start reading!

I'm looking for music by Marc Cohn - preferably chords, but i'll take tab.

If anyone has anything transcribed, I'd be much appreciative.

Thanks.
-- 
Evan Ross
-------------------------------------------------------------------------------
Western Foot Patrol, University of Western Ontario, Lambton Hall,
1421 Western Rd., London, Ontario, N6G 4W4
(519) 661-3650	 Fax (519) 661-3687
Newsgroups: rec.music.makers.guitar
From: scott@bell.b17a.ingr.com (Scott Bell)
Subject: Re: First Post?
Organization: Intergraph
Date: Wed, 11 Nov 1992 14:10:04 GMT

In article <1992Nov9.204228.4724@erenj.com>, srfergu@rufus.erenj.com (Scott Ferguson) writes:
|> In article <1992Nov9.182001.2208@rhrk.uni-kl.de>, CRJ14530@acuvax.acu.edu (Judd Christopher R.) writes:
|> |> Is this group about people that are making guitars?  if so, I have some
|> |> questions and coments...   If not, then have a fun day!.
|> |> 
|> 
|> I'd think that it's about people who make music on guitars, but making
|> guitars is part of the process of making music with guitars, is it not?

   Not really - you don't have to know the guts of your axe to know how to play
   it, but I love constructing guitars as well as playing them. Besides, most
   people here don't have the clams to buy a new guitar when their old one blows
   a pickup or warps the neck( see ccocstt@prism.gatech.EDU (Dr.Love) article
   "Kramer Guitar Parts" ).
|> 
|> Here's a thread to start: What's your favorite single-coil pickup?
|> I've got a Jap Strat that's reall noisy. I've played the Strat Pluses that
|> have FenderLace Sensors, and they're much quieter. I put a FenderLace in
|> my Strat, but it's still pretty noisy. Anyone know how to quiet this 
|> baby?

     No, but I like Humbuckers better - I've never played on one that you're
    talking about. What's it sound like, as far as tone?

|> 
|> I heard a capacitor between the strings and the signal ground is a good
|> thing...true or false, anyone?

     I don't think you need to do this. Coils( or so I've heard - I'm not an
   E.E. ) act as resistors/transformers. Adding another coil might help,
   though. Any comments, anyone?

|> -- 

 Scott
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
| Scott Bell                               | "I may be N by NW when the | 
| Intergraph Corp. - Mapping Sciences Div. | wind is Southerly - but I  |
| M/S IW17A2  Huntsville, AL  35894-0001   | know a hawk from a         | 
| scott@bell.b17a.ingr.com   (Internet)    | handsaw."                  | 
| 205-730-1776   #include <std_disclaim.h> |      W.S. , 'Hamlet'       | 
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
Newsgroups: rec.music.makers.guitar
From: johnk@ulysses.atmos.colostate.edu (John Kleist)
Subject: Re: Problem with Charvel acoustic
Date: Fri, 13 Nov 1992 00:47:13 GMT
Reply-To: johnk@ulysses.Atmos.ColoState.edu
Organization: Dept of Atmos Sci, Colorado State Univ

Esa-Pekka P{lvim{ki writes:
|> 
|> But now I'm getting really pissed off at the whole thing: I took it back to
|> the store to get the saddle changed to a higher one (the strings were far
|> too low and made a hell of a noise), OK, that got better. But now it's 
|> harder than ever to tune, and the low E string is very sensitive to the
|> pressure you apply when taking e.g. G (3rd fret). I can change the pitch
|> almost to G# just by applying a bit more pressure with my finger. It's
|> very hard to tune - free E string might be tuned well, but when taking
|> G or A it's out. Other strings, especially B, are hard to tune as well.
|> I mean, I can get the pitch right, but the sound is unclean, not solid,
|> airy, but like the sound of a cheap Russian guitar.
|> 
|> Let's hear it - have I bought a piece of junk? Or am I just using too
|> thin strings? Or what? I'm sure there's plenty of experts on the net
|> and would be extremely grateful for any suggestions/comments. Please
|> feel free to email me. Thanks,

I'll take a stab at this.

Are you using lighter gauge strings than those that originally came on
the guitar?  If so it's not surprising that they "made a hell of a noise"
since neck no longer had sufficient string tension to keep it straight.
Rather than raising the bridge, the store should have adjusted the truss
rod to balance the lighter string tension.

I would try this:

Tune the guitar to pitch.  Use a straight edge to check the bow in the
neck.  The neck should be slightly concave.  If it's not, adjust the truss
rod (or have it done).  You may be able to put the old saddle on again.


-- 
John Kleist                                   johnk@ulysses.atmos.colostate.edu
Department of Atmospheric Science             (303) 491-8220
Colorado State University                     (303) 484-3754
Fort Collins CO 80523

     
Xref: sparky rec.music.makers.guitar:6 rec.music.makers.bass:7 rec.music.makers.guitar.tablature:3 rec.music.makers.percussion:5 rec.music.makers.synth:8 alt.guitar:9715 alt.guitar.bass:1875 alt.guitar.tab:3672 rec.music.synth:18146
From: rsk@gynko.circ.upenn.edu (Rich Kulawiec)
Newsgroups: rec.music.makers.guitar,rec.music.makers.bass,rec.music.makers.guitar.tablature,rec.music.makers.percussion,rec.music.makers.synth,alt.guitar,alt.guitar.bass,alt.guitar.tab,rec.music.synth
Subject: INTRODUCTION to new musician's newsgroups (includes charters)
Date: 10 Nov 92 01:46:05 GMT
Followup-To: poster
Organization: GSP Whitewater Slalom Racing Team

Following a discussion held in Aug/Sep, and a vote held in Sep/Oct,
the groups listed below (along with their charters) have been created:

rec.music.makers.guitar.
Charter: "Electric and acoustic guitar techniques and equipment"

rec.music.makers.bass.
Charter: "Upright bass and bass guitar techniques and equipment"

rec.music.makers.guitar.tablature.
Charter: "Guitar tablature/chords, associated discussion and requests".

It's intended that the three groups above replace their equivalents
in the "alt" hierarchy: alt.guitar, alt.guitar.bass, and alt.guitar.tab.
There are several reasons for making these groups part of the main
Usenet hierarchy, but I'll just mention two: increased propagation
(while lots of people get alt.*, not everyone does), and organization
(the idea is to bring all the musicians' newsgroups together).
I'd like to request that folks consider posting to these new groups,
in order to help shift traffic to them and phase out the old groups.
 
rec.music.makers.percussion.
Charter: "Percussion (including drums) techniques and equipment"

This newsgroup does not have an equivalent in the "alt" hierarchy;
there is an existing analogous mailing list, however.  (I don't know
if the mailing list will continue, or be bidirectionally gatewayed
with it, or what, yet.)

rec.music.makers.synth (was rec.music.synth)
Charter: "Synthesizers and computer music"  [UNCHANGED FROM CURRENT]

This is simply a renaming of an existing group, in order to bring
it together with the other musicians' groups.

Musician's traffic that doesn't fit into any of the groups above
probably belongs in rec.music.makers.

---Rsk
Newsgroups: rec.music.makers.guitar
From: g_house@goes11.enet.dec.com (Greg House)
Subject: Re: String Problem
Keywords: guitar,strings
Reply-To: g_house@goes11.enet.dec.com (Greg House)
Organization: Digital Equipment Corporation, Colorado Springs CO
Date: Sat, 14 Nov 1992 00:35:00 GMT


How can that be?  It doesn't make logical or mechanical sense.  All the 
tremelo is is a hunk of metal that's balanced on two knife-edge pivot
points between string tension and the tension of the springs in the 
back.  

All the block of wood or whatever that you stick under the bridge tail 
when you change strings does it make it take less time to get the string
tuning correct after you've changed the strings.

The same brand and gauge of strings will produce the same tension on that
side of the balance, and unless you move the adjusting screws in the 
spring cavity (or remove or add a spring), the spring tension isn't going
to change.  What is there to get "out of adjustment"?

Like I said in a previous posting, I've used guitars with Floyd Roses on 
'em for about 5 years now and almost always change all the strings at once 
and I've *never* had to readjust the tremelo afterward.  And yes, I know
how the tremelo is supposed to be adjusted.  I've been complemented many
times on the quality setup work I do.

Greg
From: nasiatka@anhep3.anl.gov
Newsgroups: rec.music.makers.guitar
Subject: re: buzzing noises
Date: 12 Nov 92 16:11:13 GMT
Article-I.D.: mcs.1992Nov12.161113.13521
Organization: Argonne National Laboratory, Argonne, Illinois

Hey Blake!

It definately soundz like a grounding problem.  I had the same prob at my
parents house a number of years back.  Bad grounding to earth on the 
electric wiring in the house.

I'd A) make sure your not using a 3 - 2 prong adaptor to go from the amp to
the outlet, B) make sure that the outlet is 3 prong and grounded properly
C) make sure your pickups are grounded properly.

Hope this helps.

Jim Wylde
From: osa@wilbur.unh.edu (Bart Simps.. er.. Oktay Ahiska)
Newsgroups: rec.music.makers.guitar
Subject: Re: Post #1. . .Hurray!!
Date: 9 Nov 92 21:28:56
Organization: Springfield Elementary School
NNTP-Posting-Host: wilbur.unh.edu
In-reply-to: juggle@athena.mit.edu's message of Mon, 9 Nov 1992 23:53:34 GMT
X-Advertisement: Use Emacs
Comments: George Orwell was an optimist


<juggle@athena.mit.edu> writes:

=> So what's this newsgroup about?

=> How is it different than alt.guitar?

For one thing, !@#*%$# $!@#$# @!!@!#@! #$@#$'ed sites that don't get
alt froups can get this one.



--
The opinions expressed above are my own, and not necessarily those of UNH.

			       HUG ME!
Newsgroups: rec.music.makers.guitar.tablature
From: williabv@cs.aston.ac.uk (Bryn Williams)
Subject: Suggestion - notation
Reply-To: williabv@cs.aston.ac.uk
Organization: Aston University (Comp Sci)
Date: Fri, 13 Nov 1992 12:56:27 GMT

As TAB doesn't contain any timing information, how about adopting a simple standard,
like marking each beat with a mark under the tab, i.e.:

e -----------------------------------------------------------------------------
B ----------------------6--6-----------------------------------------------------
G -------7--7--7--5--7--------7--5--5--3--0--------------------------------------
D -------5--5--5-----5-----5--5--5--5--3--0------------------------------------
A -----------------------------------------------------------------------------
E -----------------------------------------------------------------------------
         |  |  |     |     |  |     |     |

or whatever - at least that gives some indication as to the timing of the piece,
without making the notation unduly complicated.

Just a thought

Bryn
Xref: sparky rec.music.makers.guitar.tablature:46 alt.guitar.tab:3793
From: bill@mathnx.math.byu.edu (Bill Smith)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ: "Back in the fifties tonight"
Date: 11 Nov 1992 22:10:24 GMT
Organization: Brigham Young University
Distribution: world
NNTP-Posting-Host: mathnx.math.byu.edu

Who does the tune "Back in the fifties tonight" - ?
I'm not sure that's the correct title.  The singer
has a little CW style as I recall.  If you know
what I'm talking about, and you have chords and words,
please send 'em along would you?  Thanks.
-Bill

--
Professor William V. Smith
Phone: 1-801-378-2061 Fax: 1 801 378 2800
email: smithw@hamblin.math.byu.edu  or  uunet!hamblin.math.byu.edu!smithw
NeXTmail: bill@mathnx.math.byu.edu
SMail: Math Dept. -- 314 TMCB; BYU; Provo, UT 84602 (USA)
Newsgroups: rec.music.makers.guitar.tablature
Subject: LOLA
From: <RSNDLH@rohvm1.rohmhaas.com>
Date: Tue, 10 Nov 1992 14:27:30 EST
Organization: Rohm and Haas Company

LOLA

I meet here in a club down in north Soho
Where you drink champagne and it tastes just like Coca-Cola
C-O-L-A  Cola
She walked up to me and she asked me to dance
I asked her her name and in a dark round voice she said Lola
L-O-L-A, Lola, la la la Lola

We'll I'm not the the worlds most physical guy
But when she squeezed me tight she nearly broke my spine
Oh my Lola Lola
We'll I'm not dumb but I can't understand
Why she walked like a woman and talked like a man oh my
Oh my Lola la la la la Lola

Well we drank champagne an danced all night
and under electric candle light
she picked me up and sat me on her knee
she said little boy won't you come home to me

We'll I'm not the worlds most passionate guy
We'll I left home just a week before

And I'd never ever kissed a woman before
Put on a smile, took her by the hand
Said little woman gonna make you a man

We'll I'm not the worlds most passionate mand
But I know what I am and I'm glad I'm a man
And so is Lola,la la la la Lola
But when I looked in her eyes I almost fell for my Lola

I pushed her away, I walked to the door
I fell to the floor, I got down on my knees
I looked at her and she at me

We'll thats the way that I want it  be
And I always want it to be that way for my Lola
Girls will be boys and boys will be girls
Thats the next stop muddled in our shookup world
We'll I left home just a week before
And I'd never ever kissed a woman before
Put on a smile, took her by the hand
Said little woman gonna make you a man

We'll I'm not the worlds most passionate mand
But I know what I am and I'm glad I'm a man
And so is Lola,la la la la Lola
Newsgroups: rec.music.makers.guitar.tablature
From: 910431o@ace.acadiau.ca (NELSON JAMES O'DRISCOLL)
Subject: want TAB for surfing with the alien--satriani
Summary: request
Keywords: satriani
Organization: Acadia University
Distribution: all
Date: Sat, 14 Nov 1992 01:18:53 GMT

Newsgroups: rec.music.makers.guitar.tablature
From: alberter@untadi.enet.dec.com (Ludwig Alberter)
Subject: CRD: Venus (Shocking Blue)
Reply-To: alberter@untadi.enet.dec.com (Ludwig Alberter)
Organization: Digital Equipment GmbH, Muenchen
Date: Thu, 12 Nov 1992 09:05:28 GMT


Someone requested it recently and somebody else posted an incomplete version.
Here's how I'm use to play it:

The intro is a fast rythmic tremolo on Bsus2. I use to play it
with bar on the seventh fret:  7979777  and afterwards slide the pointer
finger quickly on the E-string from 7 down to 0 to play the Em: 022000


Intro: Bsus2 

  Em           A        Em      A
A goddess on a mountain top
 Em            A        Em      A
burning like a silver flame,
  Em         A         Em    A
Summit of beauty and love,
   Em             A      Em
and Venus was her name.
      Am     D  Am       D         Em      A  Em  A
She's got it,     yeah baby, she's got it.
 C7             B#7              Em          A  Em  A
I'm your Venus, I'm your fire at your desire.


Her weapon's are her crystal eyes
making every man mad.
Black as the dark night she was,
got what no one else had.
She's got it, yeah baby, she's got it.
I'm your Venus, I'm your fire at your desire.
    C7              B#7              Em          A  Em  A
Well, I'm your Venus, I'm your fire at your desire.


(repeat intro)

(repeat verse 1)

Em             A          D           Am
Venus was her name - yeah baby, she's got it

(repeat and fade out)




--

regards,
Ludwig

		          ^  ^  ^ 
		 EXTRA   / \/ \/ \ NULLA
		BAVARIAM \ /\ /\ / VITA
		          v  v  v 
Newsgroups: rec.music.makers.guitar.tablature
From: US30139@VM.CC.LATECH.EDU
Subject: Re: REQ: "Back in the fifties tonight"
Organization: Louisiana Tech University
Date: Thu, 12 Nov 92 11:25:45 CST

In article <1ds0cgINNflu@hamblin.math.byu.edu>
bill@mathnx.math.byu.edu (Bill Smith) writes:
 
>Who does the tune "Back in the fifties tonight" - ?
>I'm not sure that's the correct title.  The singer
>has a little CW style as I recall.  If you know
>what I'm talking about, and you have chords and words,
>please send 'em along would you?  Thanks.
 
Lost in the Fifties
Ronnie Milsap
 
mikejames (US30139@VM.CC.LATECH.EDU)
Newsgroups: rec.music.makers.guitar.tablature
From: lsooi@ecs.comm.mot.com (lsooi)
Subject: Jazz Fusion
Organization: Motorola Penang
Date: Fri, 13 Nov 1992 06:14:45 GMT


Hi everyone,
Greetings from Penang, Malaysia!! Thanx for rec.music.makers.guitar 'coz I
was not in alt.guitar. Anyway, it's nice to be with people who understand 
the guitar language (I know it sounds ridiculous but they are many people
out there who thinks that a humbucker is some sort of rain deer that does
tunes (Rudolph?).) 

Does anyone out there has any hot licks or scales for Jazz Fusion? Being in
this part of the world it is rather difficult to get material on that subject.
Anything will help - tabs, fretboard patterns, or even contacts where good 
material can be obtained (by conventional post , of course).

Thanx in advance!
 
________________________________________________________________________
|L.S. OOI (TEST ENGINEER)           |    __    ____  GO! GO ! GO!      |  
|Motorola Penang, Malaysia.         |   /  `--'  .-'          ___      | 
|Fax  : 6-04-835127                 |   | H O O IIIIIIIIIIIII[___>     |
|Internet mail : lsooi@comm.mot.com |   \__.--.__\                     | 
|Mot X.400 acc : CLO002             |  Axemen...jammin' all the time!  |
|___________________________________|__________________________________|
From: schouten@crhc.uiuc.edu (Dale Schouten)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: CRD: Waiting (reprise) by George Michael
Date: 10 Nov 92 12:06:47
Organization: University of Illinois Center for Reliable & High Performance
	Computing
NNTP-Posting-Host: calcutta.crhc.uiuc.edu
In-reply-to: bts1@crux2.cit.cornell.edu's message of 10 Nov 92 09:11:45 GMT

In article <bts1.721386705@crux1.cit.cornell.edu> bts1@crux2.cit.cornell.edu (Brian T. Shelden) writes:
   I'm not sure what the real name of the chords are, but I'm sure I'll
   get flamed/corrected! ;)

   Chords used:
	  +---------+
   G      3 2 0 0 2 2
   Gsus4  0 3 2 0 2 2
   C      0 3 2 0 1 0
   D      x x 0 2 3 2
	  +---------+

I believe that should be
G	3 2 0 0 3 3
and the second one (which you call Gsus4) would probably be more
properly called C9, though I'm sure there's plenty of ambiguity there.
I believe Gsus4 is 3 2 0 0 1 3

Dale Schouten
schouten@uiuc.edu
Newsgroups: rec.music.makers.guitar.tablature
From: whale@leland.Stanford.EDU (Stephen Schmidt)
Subject: Re: LOLA
Organization: DSG, Stanford University, CA 94305, USA
Date: Tue, 10 Nov 92 22:29:29 GMT

In article <92315.142730RSNDLH@rohvm1.rohmhaas.com> <RSNDLH@rohvm1.rohmhaas.com> writes:
>LOLA
>
>I meet here in a club down in north Soho
>Where you drink champagne and it tastes just like Coca-Cola

1. You will find the word "guitar" in the name of this newsgroup. This
means music for guitar...
2. You will find the word "tabulature" in the name of this newsgroup. This
means tabulature. If you don't know what TAB is, grab a copy of any guitar
magazine and find out. I understand sometimes they make exceptions for
lyrics with guitar chords, but you didn't include the chords either.
3. If you're gonna post lyrics get the goddam things right, OK? There
were about 50 zillion errors in your version of Lola, including whole
verses out of order. At least the guy who posted Yoda got his two lines
correct.

sigh.
-- 
Steve Schmidt			<><		   whale@leland.stanford.edu
I can no longer sit back and allow Communist infiltration, Communist
indoctrination, Communist subversion, and the international Communist
conspiracy to sap and impurify all of our precious bodily fluids!
Newsgroups: rec.music.makers.guitar.tablature
From: marques@starlet.mcs.anl.gov (Merche Marques)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ: Chords for The Cure
Date: 12 Nov 92 17:52:07 GMT
Article-I.D.: mcs.1992Nov12.175207.27328
Reply-To: marques@starlet.mcs.anl.gov (Merche Marques)
Organization: Argonne National Laboratory, Chicago, Illinois

Does anyone have the chords for these The Cure songs 
or know where I can get them?

Three Imaginary Boys
Piggy In The Mirror
Hot Hot Hot !!!
Screw (Bass)
Never Enough
Open

THANKS! 


  -- merche
From: msr@kepler.unh.edu (Reno no BAKA)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: LOLA
Date: 11 Nov 1992 06:26:33 GMT
Organization: None what-so-ever
NNTP-Posting-Host: kepler.unh.edu

In article <92315.142730RSNDLH@rohvm1.rohmhaas.com> <RSNDLH@rohvm1.rohmhaas.com> writes:
>LOLA
>
>I meet here in a club down in north Soho
>Where you drink champagne and it tastes just like Coca-Cola
>C-O-L-A  Cola
[Lyrics to Lola deleted.... Why read on..]

What possessed you to post this in this group. I think most people can figure
out the lyrics to the song on their own. This group is supposed to be for the
discussion of tab and articles posted here should have something to do (if not
include) tab. Well, I'm sure there will be a lot of flames in the future for
people who post unrelated articles this news group. By the way, does anyone
have the tab for "Heart of the Sunrise" or "Awaken" by Yes. Theres a few parts
that I can't figure out. 

--Matt
-- 
NNNNNNAAAAAAAAAAAAAAAANNNNNNNNNNNNNNNNNNNNNNNNIIIIIIIIIIIIIIIIIIIIIIIIIII???????
And I thought I was going to graduate on time......
Matt Reno, a miserable excuse for a cs major!
msr@kepler.unh.edu
or the one I never use MSR_CS611@unhh.unh.edu
or the new one M_RENO@unhh.unh.edu