HDTenEightyP/NetNews huggingface dataset:
From: sjs28257@uxa.cso.uiuc.edu (Steve Stelter)
Subject: Re: whatever-happened-to endings
Organization: University of Illinois at Urbana
Date: Sat, 12 Sep 1992 19:37:10 GMT

rchao@well.sf.ca.us (Robert Chao) writes:


>I am interested in what films end the way American Graffiti ended, that
>is, where they quickly mention whatever happened to each character. The
>other ones I can think of are The Commitments, and the French Connection.
>And Animal House.
>Which other films end this way?

"Raising Arizona" did.


                                   --Steve "I dunno--maybe it was Utah"
                                     Stelter

                                     sjs28257@uxa.cso.uiuc.edu
From: gharris@jade.tufts.edu (George W. Harris)
Newsgroups: rec.arts.movies
Subject: Re: Jog shuttle wars (was Re: Heres on for you Alien freaks !)
Date: 15 Sep 92 15:07:30 GMT
Organization: Tufts University - Medford, MA
Originator: gharris@jade.tufts.edu

In article <1945qoINNk0v@usenet.INS.CWRU.Edu> ar619@cleveland.Freenet.Edu (Jaime Villacorte) writes:
>
>	My favorite jog-shuttle discovery was stepping through the "Animato"
>end-sequence in Mike Jittlov's The Wizard of Speed and Time. Talk about
>subliminal messages! For a stretch of several seconds during the animation,
>there was literally a small, slightly concealed, hand written message in
>every frame. It helps to have a laserdisc copy of the movie (to get the
>detail) and a player with digital freeze frame (the disc was CLV not CAV).

	So, what, you're not going to leave us in suspense, are you?  What
did it say?

>					- jaime villacorte
>					  ar619@Cleveland.freenet.edu  or
>					  jaime@tcville.hac.com 
--
gharris@jade.tufts.edu          "She had ever chance for happiness, ever 
George W. Harris                chance in the world, and stomped ever one 
Dept. of Mathematics            of them chances down in the dirt like a 
Tufts University                bug."   _The Devil's Dream_
From: davem@uvmark.uucp (Dave Meeks)
Newsgroups: rec.arts.movies
Subject: Re: Name this movie...
Date: 11 Sep 92 16:50:04 GMT
Organization: Vmark Software, Inc.

In article <BuE107.AE6@mentor.cc.purdue.edu> gfritz@sage.cc.purdue.edu ("Happy Fun Ball") writes:
>Can anyone identify this movie:
>
>I think Ralph Machio (spelling? -- the Karate Kid guy) is in it.  What little
>of the plot I know... This guy is hiding from someone (maybe the law?).  He
>hides out at a high school, where he stays at night.  He befriends a janitor
>(who I think is a black musican -- maybe).  I seem to remember a scene of
>the guy rollerscating down the halls and tearing down posters of himself.
>
>I know it's very sketchy, but it was a long time ago, and I came in half-way
>through the movie and didn't watch a lot.  I do remember one thing very
>clearly, and that is the song "Crying" by Roy Orbison is played during the
>movie and I think even one of the characters whistles it.
>
>Anyway, if anyone can match the above mess with a movie, could you send me
>a title and a summary of the movie for me?  Thanks a bunch.
>
>Geoff
>--
> ==============================================================================
> || "Maybe its imaginary, I'd like to know. ||            sage.cc.purdue.edu ||
> ||  What's the world coming to, and where  || gfritz @--(       or          ||
> ||    will it go?" -- Kirsty MacColl       ||            mn.ecn.purdue.edu  ||
> ==============================================================================


I think this was "Crossroads"...
-- 
David T. Meeks                    ||" We are jigsaw pieces, aligned on the 
VMark Software, Inc.              ||  perimeter edge, 
uvmark!davem@merk.com             ||  interlocked through a missing piece"
davem%uvmark@merk.com             ||" ...This world is totally Fugazi"
From: klein-seth@yale.edu (Seth Klein)
Newsgroups: rec.arts.movies
Subject: Re: Sneakers--not a review (sort of)
Date: 10 Sep 92 01:37:40 GMT
Followup-To: rec.arts.movies
Organization: Yale Univ. & BBRN Radio (unlinked)

In article <18kd3tINNrg6@early-bird.think.com>, barmar@think.com (Barry
Margolin) wrote:
> 
> In article <tz4yan@rpi.edu> goldek@aix02.ecs.rpi.edu (Ken Goldenberg) writes:
> >(But where else will a mention of Gauss bring down the house?  :)
> 
> It happened at MIT, too.
> 
> I wonder if they intentionally previewed this movie at lots of engineering
> schools?  We do lots of sneak previews at MIT (we're showing the Woody
> Allen film next week), so it's difficult to know whether a movie was
> specifically targeted to our type of school.


... and at Yale as well (just got back from the screening).

Anyway, a really good movie.  Not the kind of thing I would have been
inclined to pay $7.00 for based on the poster for the film, but now, having
seen it ... well, I liked it a lot.  Strongly recommended, and a lot of
fun.

And someone *finally* made good use of Dan Ackyroyd again (just leave him
in the supporting roles, don't let him anywhere near a lead, and he's fine,
IMHO).

--Seth
Newsgroups: rec.arts.movies,rec.arts.sf.movies
From: cooper@cos.com (Gary Cooper)
Subject: Re: Possible Foundation movie?
Organization: Corporation for Open Systems
Distribution: usa  
Date: Wed, 9 Sep 1992 02:02:13 GMT

>Yeah, but what the heck.  I'd nominate that masterpiece of hard science
>fiction, Mote in God's Eye.  Tho' it'd probably be butchered, very
>expensive, and have to be six hours long to do the book justice.

Agreed!  I just got around to this one - it's long been on my list.
How about Jeremy Brett (Sherlock Holmes - Grenada TV) as Dr. Horvath
but please, PLEASE no Wil Wheaton as one of the ensigns! :> 
-- 
gary cooper (not the dead one)     "Non Dignis Sum!" - Waynus and Gartus 
Newsgroups: rec.arts.movies,alt.cult-movies
From: chil@fraser.sfu.ca (Keith Lim)
Subject: Re: Most Embarassing Movie
Organization: Simon Fraser University, Burnaby, B.C., Canada
Date: Sat, 12 Sep 1992 07:10:59 GMT

bahn@main.mndly.umn.edu (Christopher Bahn) writes:
>In article <1992Aug31.215528.29891@awdprime.austin.ibm.com> mlh@eddy.austin.ibm.com (Mike Haskell) writes:

>> What is the most embarassing movie you have ever seen?

>This is easy, and I'm surprised nobody's mentioned it yet. "Twin Peaks: Fire 
>Walk With Me" is the worst film I have _ever_ seen, which is unfortunate 

No. No. No. Disagree. Disagree. Disagree. It was Twin Peaks as Twin Peaks
was meant to be. Remember, when it comes to cult movies, more common
standards of movie rating go out the window. Like Star Trek movies. 
They're not judged on whether they had good sfx, or direction, or
whatever. All it needs is an overall "feel" of whether its good Trek or
bad Trek. ST V:TFF was bad Trek. ST VI:TUC was good Trek. That's all
you need.

TP:FWWM was great Twin Peaks.

-- 
Keith_Lim@sfu.ca   Simon Fraser University, Burnaby B.C., V5A 1S6, Canada
Hon Cog Sci; Min Psyc; Forum; Senate; CDSU; ASC; FARSIDE; LEAD
...none of the above bodies, hold, or agree with the views stated above.

"Just because I don't care doesn't mean I don't understand."
                                           --Homer Simpson, "The Simpsons"
From: 2609cowend@vms.csd.mu.edu
Newsgroups: rec.arts.movies
Subject: Re: Most Embarassing Movie
Date: Sat, 12 Sep 1992 01:26:54 GMT
Organization: Marquette University - Computer Services
Reply-To: 2609cowend@vms.csd.mu.edu
NNTP-Posting-Host: vmsd.csd.mu.edu

I think the most embarrasing movie _I've_ ever been to see in the theatre
would have to be Drop Dead Fred.  I just CRINGED through the entire thing.
 
Now, as far as embarrassing movies I've LIKED, the award would have to go
to Cool World.  Even though the plot sucked, the animation was flat
and the acting was abysmal, I was still thoroughly entertained, and I
left the theatre feeling my moneys worth for watching bad actors
interact with bad animation.  I found it just plain fun.
 
------------------------------------------------------------------------
David Eschatfish  2609COWEND@VMS.CSD.MU.EDU | "Take my advice, you might
--------------------------------------------|  agree...I'm afraid the
N   O    O   N   E    I   S    S   A   F   E|  future's gonna be...
 * "Angst.  It makes strange bedfellows." * |  maintenance free." - Devo
-------------------------------------------------------------------------
       "Opinions expressed are that of my symbiotic animal host."
From: wwr@calmasd.prime.com
Newsgroups: rec.arts.movies
Subject: Re: "Dead Again" question
Date: 4 Sep 92 21:25:21 GMT
Distribution: na
Organization: Computervision - A Division of Prime Computer

In article <1992Sep4.133314.309@devildog.att.com>, steveh@devildog.att.com (Steve Hendershott) writes:
> In the movie Dead Again did anyone get the impression that the two main 
> characters (Strauss and his wife) were re-incarnated in reversed sex roles?
> Did Strauss come back as the woman and his wife as Mike Church?

	YES, OF COURSE THEY CAME BACK THE OPPOSITE SEX!

> What leads me to believe this was when Mike Church was under hypnosis, he
> viewed himself in the bedroom mirror as a woman.

	This was the clincher, wasn't it.
> 
> I have talked to others who did not feel this is the case.

	What movie were they watching?  I can't believe that someone wouldn't
get that (shaking my head in wonderment), but *you* can hold up your head
proud, I don't know what block you live on, but you are the first on it to
"get" this.  Congrats!!

walter

p.s. uh, between you 'n i, i'd consider moving - that *can't* be a good
neighborhood ;)
From: bd@fluent@dartmouth.EDU (Brice Dowaliby)
Newsgroups: rec.arts.movies
Subject: Re: What are those Negroes doing with guns?
Date: 7 Sep 92 15:36:48 GMT
Reply-To: bd%fluent@dartmouth.EDU
Distribution: usa
Organization: Fluent Inc., Lebanon NH


mem@mv.mv.com (Mark E. Mallett) writes:

>In article <BD.92Sep6142331@fluent.UUCP> bd%fluent@dartmouth.EDU writes:
>>I disagree,  If poster has enough knowledge of a person to characterize
>>her as "so far to the left she can't even walk straight" I think he
>>should know how to spell her name.
>> ...
>>Sorry, Gilbert.  He hit a raw nerve.  It seem like McCarthyism (sp?)
>>is making a bit of a comeback, and it rankles.
>
>Pretty darned funny, if you ask me.
>
>If he had said "Opera (sp?)" then I guess it would have been OK.
>
>Time for the Select Committee on Unamerican Spelling.  :-)

Mark, you find humor in the strangest places...

I have no trouble spelling McCarthy's name, but I was unsure
about the "yism" at the end.


-- 
   Brice Dowaliby, Fluent Inc., 10 Cavendish Court, Lebanon, NH  03766
                         bd%fluent@dartmouth.edu        
             I don't speak for them, they don't speak for me
From: geoffb@coos.dartmouth.edu (Geoff Bronner)
Newsgroups: rec.arts.movies
Subject: Re: robocop
Date: 14 Sep 92 19:24:09 GMT
Reply-To: geoffb@Dartmouth.EDU
Distribution: rec
Organization: Amos Tuck School

In <JASON.92Sep14141629@ab20.larc.nasa.gov> jason@ab20.larc.nasa.gov (Jason Austin) writes:

>	I thought Robocop was just another version of the Hollywood
>cliche of US corporations.  It has no connection to reality and is
>getting pretty boring as movie after movie uses the same device.

Yes, but it gets more and more frightening as corporation after corporation
matches the cliche.

-Geoff
--
geoffb@Dartmouth.EDU - Computing Support Consultant, Tuck School of Business

          "Neither party is mine. Not the Jackass or the Elephant."
                                -Public Enemy
Newsgroups: rec.arts.movies
From: msb@sq.sq.com (Mark Brader)
Subject: Re: whatever-happened-to endings
Organization: SoftQuad Inc., Toronto, Canada
Date: Mon, 14 Sep 92 07:13:48 GMT

> I am interested in what films end the way American Graffiti ended, that
> is, where they quickly mention whatever happened to each character.

A close approximation to this is the ending of the 1969 movie "Z".
(It would be a spoiler to explain *why* it's only a close approximation.)
Would it be the earliest example?
-- 
Mark Brader, SoftQuad Inc., Toronto, utzoo!sq!msb, msb@sq.com
	"Have you ever heard [my honesty] questioned?"
	"I never even heard it mentioned."	-- Every Day's a Holiday

This article is in the public domain.
Newsgroups: rec.arts.movies
From: dododge@wam.umd.edu (David O. Dodge)
Subject: Re: Pet Semetary 2
Organization: University of Maryland, College Park
Date: Wed, 9 Sep 1992 07:48:13 GMT

In article <1992Sep8.133608.12651@miavx1.acs.muohio.edu> bjbartlett@miavx1.acs.muohio.edu (The Bart-Man) writes:
>
>  Wasn't the bully that got killed by the motorcycle the same kid that played 
>Furlong's red-headed, long haired friend in the beginnig of T2?

Don't think so. The red-haired kid in T2 was Danny Cooksey (used to be
on "Diff'rent Strokes") but I didn't recognize the kid in "Pet Sematary II".

                                             -Dave Dodge/dododge@wam.umd.edu
From: kachun@astro.as.arizona.edu (Ka Chun Yu)
Newsgroups: rec.arts.movies
Subject: Re: Blade Runner Director's Cut (SPOILERS)
Date: 15 Sep 92 06:24:49 GMT
Organization: University of Arizona, Tucson, AZ

In article <YGHQB3PQ@cc.swarthmore.edu> hirai@cc.swarthmore.edu (Eiji Hirai) writes:
>kachun@astro.as.arizona.edu (Ka Chun Yu) writes:
>> _BR_ is full of these little errors.
>
>Some more errors, some of which may be deliberate.
>

[stuff deleted]
As long as we're on this...

>
>* The serial number that the old asian lady reads off the snake skin is not
>the same as the one on the screen.

Abdul ben Hassan's license number, XB711 (?) is visible but most of the
others, including the ones different from what she was reading aren't--
the first set of numbers are around the other side of that "thing" protru-
ding upwards in the scale.  And how did the Cambodian woman get a electron
microscope image so quickly?  Must be some amazing technological advance-
ments:  she placed the scale still in its plastic ziploc bag into a hidden
slot and seconds later, we have an image.

>
>* Some of the background voices during the chase scene between Deckard and
>Zhora are repeated a lot.  One is recognizable for me because it's some
>Japanese sippet like "nanka henna mono ga ..." which mean "hey, something
>strange is ..."  It gets repeated like four or five times, along with some
>other snippets.
>
>Obligatory BladeRunner quote:
>
>		"Commerce is our goal here at Tyrell.
>		'More human than human' is our motto."
>
>Mmm, cuts to the heart of the movie...
>
>--
>Eiji Hirai <hirai@cc.swarthmore.edu>    :     :    :   :  : :: ::: :::: :::::
>Unix Geek for Swarthmore College        :     :    :   :  : :: ::: :::: :::::
>Information Services, Swarthmore, PA, USA.      Copyright 1992 by Eiji Hirai.
>I don't speak for Swarthmore College.                    All Rights Reserved.


--
*Ka Chun Yu                 * "Deputy dog dog a ding dang depa depa deputy     *
*kachun@as.arizona.edu      *  dog dog a ding dang depa depa . . ."            *
*                           *                         --"Don't Let's Start"    *
Newsgroups: rec.arts.movies
From: msr@casbah.acns.nwu.edu (Michael Rosenberg)
Subject: Re: Film with the least actors
Organization: Northwestern University, Evanston Illinois.
Date: Mon, 14 Sep 1992 18:22:00 GMT

I don't know if anyone has mentioned this, but what about the movie with
Michael Caine and Laurence Olivier (the name is escaping me)  Not only were
they the only two people in the film, but they were both nominated for Best
Actor (I believe).  It was a fairly good, although very confusing film.

--Mike

Newsgroups: rec.arts.movies
From: fineberg@win31.nas.nasa.gov (Samuel A. Fineberg)
Subject: Re: Holden's Eyes (Blade Runner)
Organization: CSC, NASA Ames Research Center, NAS Division
Date: Mon, 14 Sep 92 23:52:07 GMT
Reply-To: fineberg@nas.nasa.gov

In article <1992Sep14.211132.13004@jade.tufts.edu>, gharris@jade.tufts.edu (George W. Harris) writes:
|> In article <1992Sep14.155443.1@hmivax.humgen.upenn.edu> bole@hmivax.humgen.upenn.edu (Greg Bole) writes:
|> >>Sender: bd@fluent@dartmouth.EDU (Brice Dowaliby)
|> >>In-Reply-To: dododge@wam.umd.edu's message of 13 Sep 92 07:59:45 GMT
|> >
|> >>Hate to spoil a thread here, but if replicant eyes glowed and
|> >>human eyes didn't, what do you need the Voight-Kampf test for?
|> >
|> >For that matter if they had pictures of all the replicants (Like Dekard
|> >was shown in the beginning) what use was the Voight-Kampf test??? 
|> 
|> 	One can assume that the Voight-Kampf test is the general test of 
|> humanity, and wasn't developed specifically to detect these 5 replicants.
|> You'll notice  that the only person it was used on was Rachel, who wasn't
|> among the 5 pictured.  Holden's applying it to Leon may have been before
|> all the information about the escaped replicants was available, or he may
|> just have gotten `lucky' in a separate investigation (I don't think it was
|> the latter).  Of course, it could just be that Ridley Scott isn't obsessive
|> about continuity.
|> 
|> >Greg Bole                                         "Well ya killed the hell 
|> >bole@hmivax.humgen.upenn.edu                       outa that fellow today."
|> --
|> gharris@jade.tufts.edu          "She had ever chance for happiness, ever 
|> George W. Harris                chance in the world, and stomped ever one 
|> Dept. of Mathematics            of them chances down in the dirt like a 
|> Tufts University                bug."   _The Devil's Dream_
Actually, the book makes out the V-K test to be something like a breathalizer.
When someone is suspected (i.e., due to a picture) to be a replicant, they can
request that a V-K test be performed as proof.  In the movie, the replicants
all flee or fight, so the test is not required.  The test can also be used
to find replicants whose pictures they don't have.

Sam
Newsgroups: rec.arts.movies
From: huston@access.digex.com (Herb Huston)
Subject: Re: What movies do to cities...
Organization: Express Access Online Communications, Greenbelt, MD USA
Date: Mon, 7 Sep 1992 19:22:57 GMT

In article <1992Sep7.103158.1@gallua.gallaudet.edu> rlwilliams@gallua.gallaudet.edu writes:
>Hi,
>	I just finished watching The Final Analysis with Richard Gere and 
>Kim Bassinger (don't ask).  Much of the action takes place in a light house 
>which appears to be at one end of the golden gate bridge. I've spent a lot 
>of time driving around the city, taking pictures and looking for views and 
>I don't remember any lighthouse that close to the bridge. In one scene they 
>come out to enjoy the view and have their backs turned to one of the 
>wonders of the world, the bridge. That makes me suspect that the director 
>just stuck it in for background decoration and that the lighthouse is 
>probably somewhere in Point Reyes... Right?

Dunno.  However, I saw _Vertigo_ for the first time in 1958, and beginning
in 1972 I've tried to visit various of the locations on trips to San 
Francisco and vicinity.  Can you imagine my disappointment when I got to
San Juan Bautista and discovered that the Mission has no belltower?

>	I've seen this happen before. There was a movie with Gene Hackman 
>which had him getting on the DC Subway and getting off in a station in 
>baltimore!  Are there others?

Wasn't that Kevin Costner in some inferior remake of _The Big Clock_?

Anyway, yes, filmmakers take lots of liberties with geography, much to
the dismay of eventual visitors and the amusement of natives.  One of
my favorites is in a title: _Krakatoa: East of Java_ (check an atlas).

-- Herb Huston



Xref: sparky rec.arts.movies:27081 alt.tv.twin-peaks:2677
From: ace@eisley.wa.com (Ace of Death)
Newsgroups: rec.arts.movies,alt.tv.twin-peaks
Subject: Re: Twin Peaks: Fire Walk With Me (*MAJOR SPOILERS*)
Date: Tue, 08 Sep 92 01:49:16 PDT
Organization: Mos Eisley Spaceport BBS

lai@seas.gwu.edu (William Y. Lai) writes:

> In article <kgmLqB2w165w@eisley.wa.com> ace@eisley.wa.com (Ace of Death) writ
> >There are seperate listings in the credits for each angel and neither one 
> >is Laura. I believe that these are the angel that "left" Laura's picture 
> >earlier on.  Laura "got her angel back" at the end with the help of 
> >Cooper.  This includes the fore/back shadowing presence of Annie who 
> >tells Laura to wright in her Diary, which Cooper finds and helps her.
> >Yes I know it's confusing but that makes it great, IMHO.
> 
> Hmm, can you remind me how Cooper used the diary entry to help *her*, whoever
> *her* is?

the *her* is Laura Palmer.
I don't think that Copper used a specific entry in the diary.
What I mean is that writing something like that *in general* would give 
them something that might help figure things out and help her.
And the fact that part of her really wants to be helped.


Bye For Now...
           ___  ____  ____           ____   ____     ___  _____  _   _
  /\      /   |/  __||  __|         |  _ \ |  __|   /   ||_   _|| | | |
 /  \    / /| || |   | |__   __  __ | | \ || |__   / /| |  | |  | |_| |
(    )  / __  || |__ | |__  |  ||_  | |_/ || |__  / __  |  | |  |  _  |
 ~/\~  /_/  |_|\____||____| |__||   |____/ |____|/_/  |_|  |_|  |_| |_|
  ~~                ace@eisley.wa.com
Newsgroups: rec.arts.movies
From: mem@mv.mv.com (Mark E. Mallett)
Subject: Re: Of Mice and Men
Keywords: movies, steinbeck, censure
Organization: MV Communications, Inc.
Distribution: rec
Date: Tue, 15 Sep 1992 18:36:17 GMT

In article <6255@huxley.cs.nps.navy.mil> jxxl@cs.nps.navy.mil (John Locke) writes:
>mem@mv.mv.com (Mark E. Mallett) writes:
>> Somebody mentioned that in rec.arts.books the other day; I asked what was
>> the basis for objecting to this book, and nobody could (or would) say.  Do
>> you have any idea why somebody would boycott this book?
>
>Probably because it ends with a mercy killing.

So does Old Yeller. :-)

No, that's an amusing explanation, but it doesn't strike me as plausible.
Nobody seems to know the real answer.  Perhaps it is only a myth that this
book is being protested.

-mm-
-- 
Mark E. Mallett  MV Communications, Inc./ PO Box 4963/ Manchester NH/ 03108
Bus. Phone: 603 429 2223    Home: 603 424 8129     BIX: mmallett
Internet: mem@mv.MV.COM  ( uucp: ...{decvax|harvard}!mv!mem )
Looking for news and mail in southern NH / northern MA?  Try MV!
Newsgroups: rec.arts.movies
id <m0mUGd5-0000QUC@crash.cts.com>; Mon, 14 Sep 92 06: 38 PDT
	id <ie23272@pro-amber.cts.com>; Mon, 14 Sep 92 06: 27 PDT
From: rsopicki@pro-amber.cts.com (Randy Sopicki)
Subject: Re: REALLLLLLY bad embarassing movies
Organization: ProLine [pro-amber] -- Spring Valley, Ca
Date: Mon, 14 Sep 92 06:04:18 PDT

The absolute worst has got to be,

                        Revenge of the Zombie

The star is Fabian (he also gives the best performance) and the female lead
is Marilyn Burns of Texas Chainsaw fame.
From: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Newsgroups: rec.arts.movies
Subject: Re: great voices
Date: 10 Sep 92 16:45:21 GMT
Reply-To: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Organization: NCR E&M CLEMSON Liberty, SC

Sidney Poitier!
From: daq@hpfcso.FC.HP.COM (Doug Quarnstrom)
Date: Tue, 8 Sep 1992 21:20:30 GMT
Subject: Re: Most Embarassing Movie
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.arts.movies


People keep mentioning Star Trek 5.

I suggest that you all are leaving out a very important
meta character.

The answer is, of course:  Star Trek *. 


doug
From: cn@otter.hpl.hp.com (Colin Needham)
Date: Tue, 8 Sep 1992 06:34:04 GMT
Subject: Re: What movies do to cities...
Organization: Hewlett-Packard Laboratories, Bristol, UK.