HDTenEightyP/NetNews huggingface dataset:
From: lazarus@ug.cs.dal.ca (Chuck Turner)
Subject: Re: who is william s. burroughs
Organization: Math, Stats & CS, Dalhousie University, Halifax, NS, Canada
Date: Mon, 9 Nov 1992 20:54:17 GMT

In article <BxGo17.CFM@ux1.cso.uiuc.edu> kundert@ux1.cso.uiuc.edu (nobody ) writes:
>sorry for be so ignorant, but who is william s. burroughs?
>heard al deadicate just one fix to him at lollapalooza and
>just saw "special thanks to William S. Burroughs" at the 
>end of the director's cut blade runner.
>the name sounds familiar, but i can't place it.
>posting or mailing would be great.

He wrote 'The Naked Lunch'.  Go to your local video store and rent it...
its well worth it.

					- Chuck 
 _______________________________________ 
|                                       | '..err..of course I suck blood.' 
| "--whether you are quiet and ALIVE or | 'I don't believe you.' 
| quiet and DEAD makes no difference to | 'I've got a straw right here PAL! 
| Cerebus."                             |  You want a demonstration?!'
|       - Cerebus the Aardvark          |                   - The Tick 
|_______________________________________| Chuck Turner -> lazarus@ug.cs.dal.ca
From: howard@netcom.com (Howard Berkey)
Newsgroups: rec.music.industrial
Subject: Re: Open letter to Bill Clinton
Date: 6 Nov 92 18:46:57 GMT
Distribution: alt
Organization: Netcom - Online Communication Services  (408 241-9760 guest)

In article <1992Nov5.100026.17208@odin.diku.dk> ballerup@diku.dk (Per Goetterup) writes:
>Cannam@borodin.sc.ZIB-Berlin.de (Chris Cannam) writes:
>
>
>Objection!!! - Nitzer Ebb is not pop and very far from britpop! 

If you like them, who cares what someone else calls them?

>								 And their
>work with a sequencer has set new standards for sequencer programming. 

????????  Please explain or justify the above statement.

>									They
>definately read the entire manual again and again, and they show in all their
>work that they indeed understood it all, and they could now probably write an
>addition to all midi manuals about professional sequencer programming.
>

What's so innovative or special about NE's use of sequencers?
Quantizing to 1/8th notes has been around for a long time.

>Nobody, but nobody, has ever used a sequencer so professionally like they did.

Front 242
Meat Beat Manifesto
Ministry
Front Line Assembly
Any Lords of Acid splinter band
Aphex Twin
808 State 
Cabaret Voltaire
Negativland
Chick Corea

There.  There are 10 bands from several different kinds of music that
have used sequencers in a more complex and innovative fashion than NE.


>If NE are 'fruitcakes' then BS are MORONS.

no argument

>
>Butthole Surfers is the best thing that happened to their fans, and so is NE to
>their fans. Nobody with a big fancrowd can be all bad, and I'm sure the numbers
>are about the same for both bands. Accept it!


I hope you don't seriously consider the above argument valid.


>Okay, my candidates to the best song ever are:
>
>	Donna Summer / Giorgio Moroder - I Feel Love    [1978, soul/dancepop]
>	Skinny Puppy - Assimilate			[1988, industrial]
>
>- they're very far stylewise from each other, but they both feature heavy sequencer
>work that really show the true POWER of sequencing.


And both are better than NE.

(Don't get me wrong, though.  I like NE.)


-Howard


-- 
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Howard Berkey						howard@netcom.com
		         Its in my brain now
_________/\______/\_____/\___/\__/\_/\/\/\/\................................
Newsgroups: rec.music.industrial
From: thoth@uiuc.edu (Ben Cox)
Subject: Re: I should have looked harder(NIN's CD-5)
Originator: btc30679@uxa.cso.uiuc.edu
Reply-To: thoth@uiuc.edu (Ben Cox)
Organization: Ancient Illuminated Sears of Bavaria
Date: Mon, 9 Nov 1992 01:33:01 GMT

nc313060@wvnvms.wvnet.edu writes:

>Well, as I discovered when my puppy decided to chew on the digipack, there was

Well, you shouldn't let your Puppy chew on things; he might eat them,
and then he wouldn't be Skinny anymore.

--
Ben Cox; killfile me now
thoth@uiuc.edu
Newsgroups: rec.music.industrial
From: pashdown@javelin.sim.es.com (Pete Ashdown)
Subject: Re: doubting thomas + FTP stuff
Organization: Evans & Sutherland Computer Corp.
Date: Wed, 11 Nov 1992 18:09:43 GMT

u6066061@ucsvc.ucs.unimelb.edu.au writes:

>What does the name "Doubting Thomas" mean?  it has a familiar ring to it...

Thomas doubted that the resurrected Jesus Christ was really Jesus Christ until
he felt the nail holes in his hands/wrists.

The term "Doubting Thomas" is generally used to describe a constant skeptic.
Artistic representations of Thomas will sometimes have him holding a t-square.
"I don't believe it is square until I verify it."

The term "Skinny Puppy" is generally used to describe an undernourished
canine.

Music & Theology for today.
-- 
		       "I'm Slash man, Slash!" - Slash

DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown
Newsgroups: rec.music.industrial
From: asdbw@acad2.alaska.edu
Subject: More Thrill Kill Kult shtuff...
Organization: University of Alaska
Date: Tue, 10 Nov 1992 17:34:34 GMT

Regarding the recent Thrill Kill Kult discussion:
Here's some data which, hopefully, will draw some analysis...
A few months ago, my roommate recorded an episode of this christian radio
talk show.  I can't remember the name of the show at the moment, but it's
pretty well-known (notorious) because the host deals a lot with Satanism
in a very sensationalistic manner.  Anyway, the guest on this particular
episode was a "former" member of My Life With the Thrill Kill Kult.  Among
the snotty (and hilarious) exchanges between this guy and the show's host,
it was mentioned that this former MLWTTKK member has a new band, The Electric
Hellfire Club.
Has anyone heard of this band and whether or not they have anything out?
(I haven't been able to find anything.)  Also, this former TKK member stated
that he's an avowed Satanist (although not in the popular sense of the term),
and I'm just wondering if he was the drive behind the Kult's "darker" lyrics
and if his departure had anything to do with the band's latest direction
(Sexplosion)?
I really like TKK a lot (new AND old), and would like to know more about all of
this...
Organization: University of Maryland at Baltimore
Date: Tuesday, 10 Nov 1992 09:37:31 EST
From: Robert Haskins <RHASKINS@UMAB.BITNET>
Newsgroups: rec.music.industrial
Subject: Re: Theory about rec.mus.ind

Mystery Man (writing through the address of
jaa@po.CWRU.Edu (Joseph A. Ambrose) writes:

> i'll keep this short.(maybe not that short)
> After reading responses to such posts as "letter to Bill Clinton", "NIN"
> and other similiar ones I have come to a conclusion.  You may already know
> this, but I am gonna say this anyway.
>
>         There are a few  kinds of people on his board. The Knowing, the think
they
> know, and the totally clueless.
> There are people on this board who say (maybe not a direct  quote) "Nitzer
> Ebb is  brilliant. they are minimalist"....."Trent Reznors lyrics are
> brilliant".... (i'm not attacking anyone personally here, these are just
> examples of things people have said)  I'd put these type of people into the

I don't think I ever said Nitzer Ebb was brilliant.  Did you post this
before you read my argument that they _were_ minimalist?  (And yes, I
know this isn't directed at me, but the lumping together of the
Nitzer Ebb is minimalist thread with the Trent Reznor is a brilliant
lyricist thread is incongruous to me and couldn't go unchallenged.)

Is it _so_ difficult for you to move on to the next post if it's
saying something that isn't in the "Those Who Know" category?
And can't people like NIN _and_ Throbbing Gristle?  Jesus, this
shitty elitist posturing got rid of all the ravers; can't we have
a rec.music.industrial with a little catholicity of outlook?

Comment on my post about Reich/Glass as an analogue to Nitzer Ebb
or other bands.  Or start a thread of your own, maybe.  I'll try
to keep up with you.  But don't insult people who may not want to
have exactly the same experience of this music that you have had.

Bob
From: cluster@fs1.mcc.ac.uk (General Access)
Newsgroups: rec.music.industrial
Subject: BIG BLACK RETURNETH!!
Date: 11 Nov 92 13:32:21 GMT
Organization: Manchester Computing Centre


With a ltd ed box set >`Pigpile`. Contains live lp,video,t-shirt + poster.

The live lp is from the last uk show in Hammersmith 1987.

The Video is excellent..Watch Albini bleed!!
Organization: University of Maryland at Baltimore
Date: Tuesday, 10 Nov 1992 10:30:13 EST
From: Robert Haskins <RHASKINS@UMAB.BITNET>
Newsgroups: rec.music.industrial
Subject: Re: Front242 vs. Yellow

I heard Yello (note sp)'s "Domingo," too.  Now that you mention
it, it _does_ remind me a lot of Front 242.  Wonder what Yello's
doing now?

B.
From: gmb0029@Msu.oscs.montana.edu
Newsgroups: rec.music.industrial
Subject: RUSSIAN INDUSTRIAL BANDS
Date: 5 Nov 92 00:55:33 GMT
Article-I.D.: Msu.009631F2.C989DB20
Reply-To: gmb0029@Msu.oscs.montana.edu
Organization: Montana State University


	I'm interested in finding out if anybody knows how to get a hold of any
Russian Industrial music.  I have heard there are a few bands out there but I
haven't run across any.  If you know where I can get a hold of these please
E-Mail me or post it to the net.  I would greatly appriciate it.

M.D.B.
D.J. SIR KITT
"What good fourtune for those in power that people do not think"
	Aldolf Hitler
 
Newsgroups: rec.music.industrial
From: pashdown@javelin.sim.es.com (Pete Ashdown)
Subject: Re: Meat Beat in concert
Organization: Evans & Sutherland Computer Corp.
Distribution: world,local
Date: Fri, 13 Nov 1992 15:46:42 GMT

flynn@ucsu.Colorado.EDU (FLYNN  JEFFREY THOMAS) writes:

>...by the way, has Orbital put out anything since the lime-green album
>with Belfast, Satan, etc.?


Orbital: Radiccio
Internal: LIECD1 869869.2
1   5   11:10 Halcyon
2   5   06:25 The Naked and The Dead
3   4   07:13 Sunday
-- 
		       "I'm Slash man, Slash!" - Slash

DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown
Newsgroups: rec.music.industrial
From: lemay@netcom.com (Laura Lemay)
Subject: Re: who is william s. burroughs
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Date: Tue, 10 Nov 1992 23:40:44 GMT

In article <BxIIFJ.sw@cs.dal.ca> lazarus@ug.cs.dal.ca (Chuck Turner) writes:
[RE: naked lunch]
> Well, seeing as how the book is no longer in print, and is not available in
> either the city public library nor the university library, I - for one - 
> would have a damn hard time finding a copy of it.  I thought that the release
> of the movie adaptation would prompt a reissue, but all the book stores in the
> city assured me that it was otherwise.  

Your bookstores are lying.  A new version was released in conjunction
with the movie.  Its bright yellow with big black graphic letters, and
retails for some insane price like $13.95.  There are few bookstores
I've seen around here that *don't* have it (and few hip young poseurs
who won't pay out the 14bucks for it, it would seem).

Me, I got mine before it was a cultural phenomenon, before it was a movie
and before it cost so damn much to own.






-- 
*********************************************************
Laura Lemay                              lemay@netcom.com
still bitchy
*********************************************************
I have more than enough email "friends."  I am busy for
dinner.  I won't talk dirty to you.  Please do not
send me email on any of these topics.
From: xorcist@cyberden.uucp
Newsgroups: rec.music.industrial
Subject: Re: Big space on NIN Tape Single
Date: Fri, 06 Nov 92 18:23:25 PST
Organization: Indescribable Creations

rxy5310@hertz.njit.edu (rolan yang ee stnt) writes:

> Can anyone explain the 20 minute space on the back side of the
> new NIN tape (broken)? Is there some point to it or is it some
> preservation of continuity thing?

What was it on tapes that it says...

"Blank space on end of side two is necessary to replicate the original works"

or something like that...


__________________________________________________________________________
   |       /         |\
   | H E   \ Y B E R |/ E N            [ xorcist@cyberden.uucp ]
Xref: sparky rec.music.industrial:13349 rec.music.misc:27464 alt.music.alternative:15405
From: 2767hoffmanj@vms.csd.mu.edu
Newsgroups: rec.music.industrial,rec.music.misc,alt.music.alternative
Subject: Re: TACK>>HEAD (was Re: REVIEW: Keith LeBlanc: Time Traveller)
Date: 13 Nov 1992 21:24:56 GMT
Organization: Marquette University - Computer Services
Reply-To: 2767hoffmanj@vms.csd.mu.edu
NNTP-Posting-Host: vmsa.csd.mu.edu

In article <1992Nov13.092508.27256@news.uit.no>, vidarh@stud.cs.uit.no (Vidar Hanssen) writes:
>|>     Speaking of Tackhead, could someone post the complete (or E-mail) list of
>|> their work. Have heard a few songs, but couldn't even name an album right now.
>|> Thanks!
>
>Here's what I have:
>
>Whats My Mission Now? / Now What (12" 87)
>Mind At The End Of The Tether / Is There A Way Out (12" 87)
>The Game (fearuring Ronnie And Maggie) / (instrumental chants) (7" 87)
>The Game (featuring Brian Moore) / (instrumental chants) / (full time 
>	instrumental) (12" 87)
>(featuring Gary Clail) Reality/Life & Dreams (12" 88)
>Ticking Time Bomb / (dub) / Body To Burn (12" 89)
>Friendly As A Handgrenade (CD 89)
>	Ska Trek / Tell me The Hurt / Mind And Movement / Stealing / Airborn 
>	Ranger / Body To Burn / Demolition House / Free South Africa / Ticking 
>	Time Bomb / Ska Trek	
>Demolition House (remix) / Ticking Time Bomb / (dub) (12" 90)
>Dangerous Sex (extension mix) / (sex remix) / Repetition (dub) (CDS 90)
>Dangerous Sex / Repetition (7" 90)
>Class Rock (7" mix) / (no class mix) / (er rock mix) / Positive Suggestion
>	(12" mix) (CDS 90)
>Strange Things (CD 90)
>	Nobody To Somebody / Wolf In Sheeps Clothing / Class Rock / Dangerous 
>	Sex / Strange Things / Take A Stroll / Hyper Space / Super Stupid / See 
>	The Fire Burning / Re-Entry / For This I Sing / Change / Steaming / 
>	Positive Suggestion / Fix The Machine 
>
>Videohead (12" mix) / (7" mix) / (dubhead) / Overload (CDS 91)
>
>
>The early singles can also be found in mutated form on Gary Clail/Tackhead
>Sound System's Tackhead Tape Time. Also, a track calles Free South Africa is
>featured on the b-side of Stetsasonic's A.F.R.I.C.A. 12", and King Of The Beat
>is featured on the first Funky Alternatives compilation.
>
>Bye,
>Vidar
>


Well 
That is a great collection of TackHead stuff...damn.


There is one other disc I can think of off the top of my head...

It is called "En Concert"...it is a post-Gary Clail live album..it is a French
import....Mostly instrumental...great stuff...


Later.
-justin


Newsgroups: rec.music.industrial
From: ogre@uxa.cso.uiuc.edu (Lestat)
Subject: Re: new Coil CD
Organization: University of Illinois at Urbana
Date: Fri, 13 Nov 1992 18:27:33 GMT

rip@ocf.berkeley.edu (Rajat K. Paharia) writes:

>I got my copy of Stolen and Contaminated songs a week or two also. It's
>really good in my opinion. The reworkings of stuff off of LSD weren't that
>exciting, but then I'd already heard two or three reworkings of the songs
>included here (LSD and Chaostrophy). The rest of the disc is just really
>spacey, trippy music that is brilliant. I have number 254. It's about an
>hour long. Available only through mail order. It costs a lot to get money
>converted into pounds.

>I just got the How to Destroy Angels remix disc yesterday. I haven't heard
>it all yet, but it has that growling, grumbling, ambient sound to it. You
>should be able to find this one in stores. I did. No comment as of yet.

How does Coil's older material compare to their newer stuff? I've heard
some of the stuff off of LSD like once or twice, but didn't find it too
interesting...


Organization: Freshman, Architecture, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.industrial
Date: Thu,  5 Nov 1992 17:22:24 -0500 
From: Edward Pak <ep2j+@andrew.cmu.edu>
Subject: SNOG

   Can someone tell me what the full length of the SNOG album is like? 
is it the ethereal type industrial with a lot of "organ" type of stuff?

I mean, CORPORATE SLAVE was pretty cool... but hows the album?

EDDIE
From: meachen@med.wcc.govt.nz
Newsgroups: rec.music.industrial
Subject: Re: SCARIEST song ever?
Date: 6 Nov 1992 00:08:29 GMT
Organization: Wellington City Council, Wgtn, NZ
Reply-To: meachen@med.wcc.govt.nz
NNTP-Posting-Host: blade.wcc.govt.nz


In article <83038@ut-emx.uucp>, alex@fiskville.mc.utexas.edu writes:
>One of my favorites is "Doctor John" by Chris & Cosey. Not terribly  
>frightening but very subtle and dark.
>

Off Profane 9 complilation - "Son of Sam" - God Save The King, scary.


 

Red
Xref: sparky rec.music.industrial:12946 rec.music.misc:26984
From: mwlucas@vela.acs.oakland.edu ( )
Newsgroups: rec.music.industrial,rec.music.misc
Subject: Re: SCARIEST song ever?
Date: 6 Nov 92 12:48:59 GMT
Organization: Oakland University, Rochester MI.



"Tainted Love" by Coil.

Take one pop classic, and give it a whole new meaning.  Absolutely amazingly
horrifying, virtual hell on disc.  Get it.


-- 
I don't know why everyone is upset with President Bush for breaking his word:
he promised "No newt axes," and I haven't seen one of the little buggers with
so much as a switchblade recently.   --  --  --  mwlucas@vela.acs.oakland.edu
From: mjcrouch@bsu-cs.bsu.edu (Matt J. Crouch)
Newsgroups: rec.music.industrial
Subject: Re: NIN
Date: 11 Nov 92 16:36:09 GMT
Organization: Dept. of CS Ball State University Muncie IN

A don't think it's a joke.  No one can fake being that stupid!  :^)
-matt


Newsgroups: rec.music.industrial
From: apace@mta.ca
Subject: Re: who is william s. burroughs
Reply-To: apace@mta.ca
Organization: Mount Allison U, Sackville, N.B. Canada 
Date: Fri, 13 Nov 1992 17:37:16 GMT

In article <BxIL9z.F3M@mentor.cc.purdue.edu>, matthew@symphony.cc.purdue.edu (Matthew Sharp) writes:
>Chuck Turner writes
>} Well, seeing as how the book is no longer in print, and is not available  
>in
>} either the city public library nor the university library, I - for one - 
>} would have a damn hard time finding a copy of it.  I thought that the  
>release
>} of the movie adaptation would prompt a reissue, but all the book stores  
>in the
>} city assured me that it was otherwise.  I imagine a bigger city would 
>} probably have a library that would have it, but not the case here.
>} 
>} The only reason I have a copy is 'cause I happened to see it in a used  
>book
>} store in Toronto.
>}
>
>The book was reissued, by another publishing company, in
>newer, "hipper" cover art.  And I can't remember the name
>of the damn company, or I would tell you.  I will by tonight,
>and I will probably have a mail order address, if you want
>it.  
>
>Your city's bookstores are LIARS.  Inform them of this.
>I'm sure they will find it amusing.
>
>But, then, you _do_ already have a copy, so what's the point
>of any of this?
>
	Well, if you don't already have _The Ticket That Exploded_, it 
might be worth picking up (or ordering). I belive it was re-released at
the same time as _Naked Lunch_ - at least it is in the same largish, glossy,
and expensive format.
	BTW, it _is_ available in Canada. Chuck, are you sure Entitlement
doesn't carry it?
	And it'd make a GREAT Christmas gift for family and friends...

>--
>                                        M a t t h e w  N.  S h a r p
>                                      matthew@symphony.cc.purdue.edu
					(will wonders never cease?)

					Tony Pace
					apace@mta.ca



Newsgroups: rec.music.industrial
From: lfiddick@nyx.cs.du.edu (larry fiddick)
Subject: Re: Theory about rec.mus.ind
Organization: University of Denver, Dept. of Math & Comp. Sci.
Date: Wed, 11 Nov 92 02:45:40 GMT

jaa@po.CWRU.Edu (Joseph A. Ambrose) writes:



>i'll keep this short.(maybe not that short)
>After reading responses to such posts as "letter to Bill Clinton", "NIN"
>and other similiar ones I have come to a conclusion.  You may already kn
w
>this, but I am gonna say this anyway.

>	There are a few  kinds of people on his board. The Knowing, the think t
ey
>know, and the totally clueless.
>There are people on this board who say (maybe not a direct  quote) "Nitz
r
>Ebb is  brilliant. they are minimalist"....."Trent Reznors lyrics are
>brilliant".... (i'm not attacking anyone personally here, these are just
>examples of things people have said)  I'd put these type of people into 
he
>"Think they know" category.
>	There are people on this  board who ask questions like "what is the bes

>Nine inch nails album?" or "Are there any other bands like Front 242?" I
>put these people in the "Clueless" category. There is no reason though t
at
>these  people may not move  up in class  eventually. I dont mean any har

>by using the word clueless. (i'm just referring to their knowledge of
>"industrial" music)
>	Then there are people who post things about what Tibet 93 is going
>to do next week or if anyone has the first release from Throbbing Gristl

>for sale. They know things like.. the term industrial was originally mea
t
>for bands like Throbbing Gristle(scince they started  the "Industrial
>Records" record label), Current 93, Nocturnal Emissions and so forth.   
  
>These  people are  in the "Knowing" category.

>You see I started off in the totally clueless  category. I thought Depec
e
>Mode was cool.... Then i progressed (or digressed). I bought "Pretty hat

>Machine" and other "cool" ind. dance stuff. I saw  NIN 3 times, Nitzer E
b
>once, and many other  "industrial concerts".  Then i took the next step
>into the knowing.  I grabbed a throbbing Gristle record and my life was
>changed. I realized what wimps and pathetic  whiners people like Trent
>Reznor were. I saw the light.  I realized what I may have thought was
>minimalist was actually fake poppy youth angst bullshit. I mean anyone c
n
>change. You "industrial dance" fans may one day "see the light" and sit 
n
>your room for a couple hours blasting  "The best of NON" through your
>stereo, and think "wow" this is incredibly cooler than "waaahhh my
>girlfriend's a bitch.... you get what you deserve grrrrr".

>Anyway, any posts under this account on rec.mus.ind are not done by Joe
>Anbrose they are done by  people unknown to you... so dont flame Joe. Yo

>can send mail to his address though. 

>thanx for your time ya' bastards.

>Mystery Man


>-- 
ya, so what?
From: u6066061@ucsvc.ucs.unimelb.edu.au
Newsgroups: rec.music.industrial
Subject: doubting thomas + FTP stuff
Date: 11 Nov 92 13:43:52 +1100
Organization: The University of Melbourne

What does the name "Doubting Thomas" mean?  it has a familiar ring to it...

Are there any good anonymous FTP sites (apart from cs.uwp.edu) for industrial/
electronic music and onter related stuff?

hey, thanks in advance.

drew.
 
Newsgroups: rec.music.industrial
From: scupin@rintintin.Colorado.EDU (SCUPIN  JONATHAN RAYMOND)
Subject: Re: NIN
Organization: University of Colorado, Boulder
Date: Sun, 8 Nov 1992 10:25:47 GMT

lpm@fert2.fe.psu.edu (Lee Miller/8192;PennState-Fayette) writes:

>In article <1992Nov5.170701.8093@ucsu.Colorado.EDU> scupin@rintintin.Colorado.EDU (SCUPIN  JONATHAN RAYMOND) writes:
>>                  I'm glad there are people like us who are deep enough to
>>understand trent when he emotionally cries out "we pigs get what we deserve".

>Understand? you didn't even get the quote right it's "Pigs we get what pigs
>deserve"


>							-Lee
>--
>			       "I tried.....
>				...I gave up"
>
Oh, so he gave up?  my fading fucking reminder of a heroe....
				       -Trent Reznor (what a loser)

Me-is sorry for mis quoting trent, but I guess I need to listen to
that gorgeous album one more tim, huh? I haven't memorised trent
or his whinings, and I do not ever plan on it, he is pathetic.
coprophiliac
scupin@rintintin.colorado.edu