HDTenEightyP/NetNews huggingface dataset:
From: john.walter@bville.gts.org (John Walter) 
Newsgroups: rec.music.industrial
Subject: RE: R.M.I. ANGER!
Date: 26 Jul 92 13:34:00 GMT
Distribution: world
Organization: Baudeville BBS - Toronto, Canada 416-283-0114/6059* *v32bis/HST
Reply-To: john.walter@bville.gts.org (John Walter) 

-> >   Hi does anyone out there find it interesting as to how much
-> *FLAMING* >goes on in this message base considering the fine scope of
-> music we all >listen to??
->
-> no, it makes perfect sense considering the music, _I_ listen to (i
-> dont know about you, cuz i'll be damned if im ever
-> at your house listening to music)

I wouldn't worry about that *DANA*, I wouldn't invite you to my house to
listen to music.

-> > Like really!
->
-> like gag me with a spoon

Soup or Dessert spoon?

-> it would REALLY be nice if all the dumbshits who think that we should
-> all go out and hug each other would actually listen to the music that
-> they are playing, cuz they probably wouldnt be too happy
-> and they might go crazy or get depressed and actually face reality
-> maybe it would be nice if in real life people always were polite and
-> just stuck to constructive informative (ok and humourous) comments
-> BUT IT DOESNT HAPPEN THAT WAY,  look around you...

Sorry, I think I missed your backwards logic above...  I do listen to
the music.  I enjoy industrial music.  I am interested in hearing about
industrial music, that is why I am reading this message base.  I don't
read this message base to listen to *DUMBSHITS* insult each other!

-> >johnwalterproduct92
->
-> sure you dont want to copyright it to?

That should be "Are you sure you don't want to copyright it too?"
                                    ~                       ~~~
Maybe you should practice some grammar while calling other "DUMBSHITS"

"It's a sick world, I'm a happy guy."   John Walter
                                                                                       
Newsgroups: rec.music.industrial
From: noah@Cadence.COM (Noah Ruiz)
Subject: Re: HAH ha ha
Organization: Cadence Design Systems, Inc.
Distribution: na
Date: Thu, 30 Jul 1992 22:11:16 GMT

In article <1992Jul30.214611.5520@Cadence.COM> jyoung@Cadence.COM (John Young) writes:
>Newsgroups: rec.music.industrial
>Subject: Re: a bad (dumb) joke
>>moon!cyberden!flesh@well.sf.ca.us writes:
>>
>>>Q: What's the difference between a retired prostitute and a rave?
>>
>>>A: disco *still* sucks.
>>
>Hey I like this one,at least there is someone else out there that realize's that rave
>is just Bi sexual/gay disco music of the 90's!
>
>Soooo.....Eat that "X",go sterile,and get your free complimentary AIDS from drinking
>that passed around water!...       
>BUT a least it keeps the mutant's off the street's!
>		Flame away F@gs
>			THE POPE


No! No! No!  Don't anybody fall into John's trap! You see John is a
head strong kinda guy who only listens to meat-core,grind-core,thrash
metal,and he totally hates anything that isn't in that frame! You see
we had this argument last night in our studio about me raving and stuff
and he thinks that raves only attract the people who scare him the most.
Which is his homophobic(sp) self being against homosexuals! You see
he doesn't yet realize that being afraid is just showing that you just
might be attracted to the same sex!!! But anyway these raves attract
many different people and usually everybody is very friendly and the
music gives you the most energy that you can think of! Look we're
(that is john,scott,and me noah) are in MEATGRINDER we play meat-core
thrash,punk,metal shit that is pretty fast,and John has a hard time
seeing that there is other stuff than speed crap!!!!!!!!!!!!!!!!!!!!!
Yes, I play hard-core shit, and yes, I listen to acid jazz, techno,
house music all the time. I hardly never listen to any metal at home.
No need to I play it for a living!!! So please don't get offened
by old jonny boys post he's still stuck in that metal thang!!!!!!!!!

 _
HaoN

p.s. to the pope u-suk!!!!!!!


\\\\\\\\\ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
 ***'`*** |                                                           |
 {O}<>{O} | There comes a time when one needs to state his own opinion|
 (  \/  ) | which has nothing to do with my employer!!                |
  \ `' /  |                                                           |
   \~~/   | EVERYBODYS FREE TO FEEL GOOD...Rozalla    noah@cadence.com| 
    \/    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@


Newsgroups: rec.music.industrial
From: mason@dante.uucp (Mason Jones)
Subject: Re: Techno/Rave vs. Industrial
Date: Fri, 24 Jul 92 17:16:05 GMT
Organization: Charnel House Prod.

pashdown@javelin.sim.es.com (Pete Ashdown) writes:
: 
: >>I guess the reason I don't like most current 'techno' is because so much of
: >>it is one riff for sixteen minutes and no chord changes.  I don't mind the
: >>no-structure thing anymore, but unless it does something to set it apart
: >>from the crowd, it might as well be Front Line Assembly without the vocals
: >>and samples for three hours straight, because that's what if feels like
: >>when I go to a club.
: 
: However, the FLA jab is a bit rough.  IMHO, "Intermix" is one of the best
: techno/house albums to come out this year.  Try driving through the Nevada
: desert when you can see the glow of Las Vegas from 60 miles away, all while
: listening to Intermix.  It is almost a religious experience.

   That definitely falls into the category above that Dave mentioned.  I
had to review the Intermix album and found it to be amazingly devoid
of interest for me.  Of course that's because it basically was like FLA
without vocals, but even softer.  I've never liked FLA either so I suppose
it's no surprise that I didn't care for Intermix, but even looking at
it impartially I had to admit that it bored me to death.
   Just as Dave said, pretty much all the techno I've heard has been one
repetitious, boring idea repeated ad nauseum.  Naturally there's some
good techno out there, I just haven't encountered it.  The big raves here
certainly don't use it.  I imagine some of the smaller ones with more
adventurous DJs do.


  VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
             Mason Jones           Charnel House Productions
             P.O. Box 170277, San Francisco 94117-0277 U.S.A.
   ...{uunet,sun}!hoptoad!dante!mason   or   dante!mason@hop.toad.com
  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Newsgroups: rec.music.industrial
From: seeger@oceania.com (Seeger Fisher)
Subject: Re: D_MS_O (was Re: Front 242 "DSMO" meaning?)
Reply-To: seeger@oceania.com
Organization: Oceania Health Care Systems
Date: Thu, 23 Jul 1992 20:07:44 GMT

In article <1992Jul23.134402.3304@cbfsb.cb.att.com> vinlai@cbnewsb.cb.att.com  
(vincent.lai) writes:
> From article <BrtCBo.K3u@news.cso.uiuc.edu>, by thoth@uiuc.edu (Ben Cox):
>> shaun@octel.com (Ralph Neutrino) writes:
>> 
>>I'm pretty sure that DSMO is an.. organic solvent?  
yes!

>>(I never made it into 
>>organic chemistry, someone help me out.)  It is readily absorbed through the
>>skin, carrying along whatever is disolved in it.  The typical story that is
>>told about it is that you get a dish of it, put in a couple of drops of lemon
>>(or lemon flavoring,) and put your fingertips in it.  A few minutes later,
>>you can taste the lemon.  You can also put other substances in it, like LsD,
>>and then wipe it on doorknobs for the unsuspecting.  
>> 
More or less true. It'll dissolve many things, and won't react with most.  
However, if you leave it on a doorknob, it'll evaporate before anyone touches  
it. A squirtgun, on the other hand, proves quite effective!

> 
> I believe it stands for di-methyl-sulf-oxide.  
yup

>I think it's used as a
> catalyst for organic reactions.
> 
No, it's a solvent (used for dissolving other organics).

seeger
-- 
|     seeger@oceania.com     |
| NeXT-mail happily consumed |
Newsgroups: rec.music.industrial
Subject: Re: FLA tour dates!!!!!!!!!!
From: kupixel@oread.cc.ukans.edu
Date: 30 Jul 92 14:13:54 CDT
Organization: University of Kansas Academic Computing Serces

In article <Bs4IAE.J5D@usenet.ucs.indiana.edu>, Sid <mwilkenf@silver.ucs.indiana.edu> writes:
> 
> Okay here are the complete FLA tour dates
> as told by Adam at Roadrunner on 7/27/92
> 
> August
> 
> 8  Seattle
> 9  Portland
> 11 San Franciso
> 12 Palo Alto (at the Edge)
> 13 L.A. (at the Palace)
> 15 San Deigo (Soma)
> 16 Pheonix 
> 17 Albaquekee (however the hell they spell it)

   that's Albuquerque, dammit!  geez, some peeple.

c.j.
KUpixel@oread.cc.ukans.edu

"Wir sind die Kuhe der Popmusik
 Die heiligen Kuhe der Popmusik."  D.A.F.
Newsgroups: rec.music.industrial
From: Sid <mwilkenf@silver.ucs.indiana.edu>
Subject: FLA tour dates!!!!!!!!!!
Organization: Indiana University
Date: Tue, 28 Jul 1992 23:51:44 GMT
X-Mailer: ELM [version 2.3 PL11]


Okay here are the complete FLA tour dates
as told by Adam at Roadrunner on 7/27/92

August

8  Seattle
9  Portland
11 San Franciso
12 Palo Alto (at the Edge)
13 L.A. (at the Palace)
15 San Deigo (Soma)
16 Pheonix 
17 Albaquekee (however the hell they spell it)
18 El Paso (101)
20 San Antonio
21 Dallas
22 Tulsa
23 Houston
25 Gainsville, FL
26 Orlando
27 Deer Field, FL
28 Tampa
29 Atlanta
30 Virginia Beach

September

1  New York
2  Washington DC
3  Balitimor
4  Phillidelphia
5  Boston
6  Montreal
7  Quebec
8  Toronto
9  Cleveland
10 Detroit
11 Chicago

tba

15 Devner
16 Salt Lake City
17 Van Couver 

tba 

that is all I have, i dont' know clubs for most of the date (and neither
do they for many of them.  the tba is To Be Announced.  Just some holes
they would like to have some shows in, but no area yet.  

Later all see you at the chicago show





-- 
+------------+---------------------------------------------------+
|    Sid     |           mwilkenf@silver.ucs.indiana.edu         |
+------------+---------------------------------------------------+
|   Mail your Demos to: WQAX /PO Box 2593 /Bloomington IN 47401  |
+---------------------- or for REAL fun -------------------------+
|    Mail this account with a subject of SELLLIST or BOOTLIST.   | 
+----------------------------------------------------------------+
Newsgroups: rec.music.industrial
From: mchen@groucho.cs.psu.edu (Michael Chen)
Subject: Re: F.L.A. TOURDATE PLEEEZ!
Organization: Penn State Computer Science
Date: Thu, 23 Jul 1992 09:24:49 GMT

In article <2623.928.uupcb@bville.gts.org> john.walter@bville.gts.org (John Walter)  writes:
>Greetings,
>
>*INFO REQUEST*
>
>I have seen some F.L.A. tour dates flying around out there, does anyone
>have a complete tour listing *OR* a TORONTO tour date *OR* know if they
>are coming to toronto?!
>
>thanks...   JesteR
>                                        

	If anyone actually has the dates for FLA's tour, please post them ALL
(so I can decide how many times to see them :-) )!

--- Michael Chen
From: westr@mace.cc.purdue.edu (Robert _FinnAgain_ West)
Newsgroups: rec.music.industrial
Subject: Re: question?
Date: 27 Jul 92 00:15:35 GMT
Organization: Purdue University

In article <J6S-BK_@engin.umich.edu> smbelcas@med.umich.edu (Sarah Marie Belcastro) writes:
>
>hello, sorry if this question is out of line (i only got net access recently)--
>
>i was at an industrial night at a local club and heard a skinny-pupppy-like
>song, so asked the dj who/what it was... he said it was called "strap me down"
>by a group called something like "leatherstrip"?  
>
>anyone heard of this, know what i'm talking about, can tell me who the group
>really is or _anything_?

The band _is_ called leaether strip (yes, I know, quite the
pretentious spelling of leather). It is on Zoth Ommog records (AKA New
Zone). If you are into 242 or FLA, get some of this stuff. It is
Aggrepo to the nth degree. Try the album called "The Pleasure of
Penetration" or "Science for the Satanic Citizen". (ZOTHCD1, ZOT13CD)
Claus Larsen is the mind behind the machines, and for more info:

"Send two IRC's to:
Muzic Research GMBH, c/o
Leather Strip, K.F. Promenade 89,
D-6380 Bad Homburg"

>
>					--sarah marie.

^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v
:Robert West             :    away along the riverrun	: a schizophrenic out:
:English Department      :     past Eve and Adams       : for a walk is a    :
:Purdue University       :        or kill me!           :better model than a :
:westr@mace.cc.purdue.edu:------------------------------:     neurotic on an :
:AOL: FinnAgain          :~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~:    analyst's couch :
^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v^v
Newsgroups: rec.music.industrial
From: butler@quest.comm.mot.com (Jim Butler)
Subject: Laibach in Chicago: Anyone see them? 
Reply-To: butler@quest.comm.mot.com (Jim Butler)
Organization: Land Mobile Products Sector, Motorola, Inc.
Date: Tue, 21 Jul 1992 14:36:58 GMT



	I found out on Saturday morning (7/18) that Laibach was playing
that evening at Metro in Chicago.  Too late to go (for me), unfortunately.

	Did anyone make it?  I'm interested.

	Jim

butler@quest.comm.mot.com
Xref: sparky rec.music.industrial:8891 alt.rave:1934
From: pwh@bradley.bradley.edu (Pete Hartman)
Newsgroups: rec.music.industrial,alt.rave
Subject: Re: Techno/Rave vs. Industrial
Date: 28 Jul 92 21:17:15 GMT
Distribution: usa
Organization: Bradley University

In <1992Jul27.183932.19900@sco.COM> jondr@sco.COM (Karen Silkwood's car) writes:
>>I could go on and on, but the point is that there's LOTS of "good Techno" out
>>there nowadays ...
>the new jazz/acid stuff is brilliant.  pretty soon those choir sample
>headbanging techno tracks are going to seem as dated as 1980's synth pop.

EXAMPLES!  WE WANT EXAMPLES!

New jazz/acid indeed. :-)
-- 
Pete Hartman		       Bradley University	pwh@bradley.bradley.edu
                 Practical Ego Annihilation for the Zen Novice
        1) bang head against wall in a steady shuffle rhythm for 8 hours
Newsgroups: rec.music.industrial
From: noah@Cadence.COM (Noah Ruiz)
Subject: Re: Lolla II in Seattle: Review
Organization: Cadence Design Systems, Inc.
Date: Mon, 27 Jul 1992 17:30:49 GMT

In article <1992Jul23.164557.9856@cs.mcgill.ca> storm@cs.mcgill.ca (Horatio Gadsplatt III) writes:
>
>
>I don't really like the Red Hot Chili Peppers, but I at least expected  a
>pretty decent show from them.  In gereal, they were dull.
>
>Still, great day, great way to waste a full 8 hours work....
>
>Awesome.
>


Wow! thats really disappointing to hear cuz they really put on a 
great show at the ShoreLine Amphitheater(Mountain View)!!!!!!!!! 

HoaN
From: john.walter@bville.gts.org (John Walter) 
Newsgroups: rec.music.industrial
Subject: LYRIC REQUEST
Date: 26 Jul 92 13:48:00 GMT
Distribution: world
Organization: Baudeville BBS - Toronto, Canada 416-283-0114/6059* *v32bis/HST
Reply-To: john.walter@bville.gts.org (John Walter) 

-> I am genuinely curious -
-> Why do people ask for things like the lyrics to a song
-> or the "samples" used in a song?

I am genuinely curious -

Why do *YOU* constantly annoy everyone in thi conference  with your
pathetic messages??

-> Do you sing along with the recordings?
-> Perhaps you hum them geekily on your way
-> to your computer technology classes?
-> Do you attempt to reconstruct the songs by obtaining
-> your own copies of the "samples" used for purposes
-> of impressing your friends with your ample creativity?
-> really... I want to know...

Do you have nothing better to do?
Perhaps you hum geekily while writing E-MAIL between your haircutting
classes?
Do you hope to obtain reconstructive surgery on your face after you get
pummeled?
Do you hope to impress us with your *LACK* of creativity?
Really...  I want to know...

-> Amazed,
-> and famous,
-> Matthew.

AMAZINGLY ANNOYING! and famous for your IGNORANCE...

Enjoy a taste of your own medicine...   See Ya...       JW
                         
Newsgroups: rec.music.industrial
From: awrc@dcs.ed.ac.uk (Al Crawford)
Newsgroups: rec.music.industrial
Subject: Front Line Assembly/related release info needed
Date: 24 Jul 92 10:48:56 GMT
Reply-To: awrc=fla@dcs.ed.ac.uk (Al Crawford)
Organization: The University Of Edinburgh - Department Of Computer Science

I'm currently in the process of putting together a discography for Front
Line Assembly and related side-projects (Noise Unit, Cyberaktif, Delerium,
Intermix, Will). Although I've got the skeleton of the discography
together, there's an alarming number of gaps in it. So I'm looking for
*any* additional information anyone can give me, to get the discography
into a useful enough state that I can make it available via the discography
archive at cs.uwp.edu

So far the discography includes full details of the following :-

----

FLA...

State Of Mind - Third Mind/Roadrunner CD [US]
The Initial Command - Third Mind/Roadrunner CD [US]
Convergence - Wax Trax CD [US]
Gashed Sense And Crossfire - Third Mind CD
No Limit Damaged Goods Remix - Wax Trax CDS [US]
Iceolate - Wax Trax CDS [US]
Caustic Grip - Third Mind CD [UK]
Virus - Third Mind CDS [UK]
Mindphaser - Third Mind CDS [UK]
Tactical Neural Implant - Third Mind CD [UK]

----

Noise Unit...

Response Frequency - Antler-Subway CD [Bel]

----

Cyberaktif...

Tenebrae Vision - Wax Trax Europe CD [Bel]

----

Delerium...

Faces, Forms, And Illusions - Dossier CD [Ger]
Syrophenikan - Dossier CD [Ger]
Stone Tower - Dossier CD [Ger]
Euphoric - Third Mind/Roadrunner CD [US]
Spiritual Archives - Dossier CD [Ger]

----

Intermix...

Intermix - Third Mind CD [UK]

----

I *know* I'm missing the following and would welcome details (typically I'm
looking for catalogue numbers, track listings, track times and composition,
production and mixing/engineering credits)...


Other formats (LP, cass, 12"), other countries (i.e. if I've got the
UK/European version I also want the catalogue number of the US version and
vice versa)

----

Release dates (year, ideally month too)

----

FLA...

Corrosion, Disorder, Provision single

----

Noise Unit...

Grinding Into Emptiness

----

Cyberaktif...

Both the singles

----

Delerium...

Morpheus

----

Intermix...

12" single (the title of which I can't even remember)

----

Will

A Pearl Of Great Price

----

I've also probably missed some stuff completely (compilation appearances,
singles) so any details of those would also be very welcome indeed.

Thanks in advance for any help.

FOLLOWUPS BY E-MAIL ONLY PLEASE!!!

--
		      Al Crawford - awrc@dcs.ed.ac.uk
			   "Click click drone."
Newsgroups: rec.music.industrial
From: pashdown@javelin.sim.es.com (Pete Ashdown)
Subject: Re: Stage Dive Score Chart (repost)
Organization: Evans & Sutherland Computer Corporation
Date: Wed, 22 Jul 1992 18:51:54 GMT

moon!cyberden!system@well.sf.ca.us writes:

>What about diving off the top of a M.B.? "Ministry Barrier".
>Those usually reach 20+ Feet AND are on fire.

Unless they've added a spectacular wall of fire for their Lollapaloozer
performances, I'd have to say this is a slight exageration.  The fence used
for the "Mind" tour was about 10 feet high, which upon a stage, would make it
about 15 feet off the ground.  As for the "fire" there were two fire pots on
the far side of the stage and they weren't burning very high.  I saw the Salt
Lake show, a picture of the Denver show, and the video tape, so I assume that
it was the same everywhere.

Nevertheless, I did see a spectacular back-flip from the top of the M.B.
-- 
	   "What state is Salt Lake City in?" - Ticketmaster Agent

DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown
From: larry@cs.com (Larry Spence)
Newsgroups: rec.music.industrial
Subject: Pitch Shifter CD mastering screwup?
Summary: 26 minutes of digital silence
Date: 26 Jul 92 09:07:11 GMT
Organization: Computer Support Corporation,  Dallas,Texas

Is anyone else's copy of Pitch Shifter _Submit_ indexed strangely?
It's priced like an EP, and there's only six tracks.  The first 
five tracks are around 4-5 minutes each, and the last is 35:36 long
for a total length of 57:03.  However, on my copy, track 6 has music 
for the first 3:40, then there's 0:20 of silence, followed by a few
seconds of music, another 0:40 of silence, and then 3:45 of more music.  
The last 26:06 is, as far as I can tell, silent, but is part of track 6.
Was a Green Guy present at the mastering session?

-- 
Larry Spence
larry@cs.com
uunet!csccat!larry or sun!texsun!csccat!larry
Newsgroups: rec.music.industrial
From: mason@dante.uucp (Mason Jones)
Subject: Re: Samples, Semantics, Death of "Industrial" "Music"
Date: Wed, 29 Jul 92 21:32:49 GMT
Organization: Charnel House Prod.

In article <1992Jul24.042211.11791@usenet.ins.cwru.edu>,
bp271@cleveland.Freenet.Edu (Matthew N. Sharp) says:
>
>        The word "sample" is overused and misinterpreted among
>        the geeks that post to this group.

No it's not.  It's simply used in a slightly different fashion than
the narrow little definition which you seem bound to.

>I give "industrial" "music" two more years to die out completely,
>only to be replaced by some other moronic genre of Angry Young Man
>music that white suburban/subhuman geeks will buy, desparately
>grasping for some form of "expression" to identify with, unable
>to understand anything outside the realm of popculture.

If you're going to try to get some sort of reaction out of the
above it behooves you to define your terms.  What I call industrial
music died out around 1984 at best.  What most call industrial
music now will probably die out shortly, yes.  The term will then
have changed so that it applies to something else.  So what?

>I have a friend in the business who holds this same view.

If your friend is in the music business and he's making moronic
predictions like the above, then he should find another business,
as he's obviously unsuited for this one.  Making predictions about
things like youth trends and musical movements is iffy at best,
and stupid at worst.  I'm in "the business" too (what a nasty term
that is), and you wouldn't catch me making a fool out of myself by
making bland little predictions.

>Be advised: if you wish to make money from the "industrial"
>"movement", do it now, or be forever banished to play what will
>be considered shortly, if it isn't now, passe.

If you wish to make money from the *current* industrial movement,
you're too late already, most likely.  The number of bland, talent-free
bands out there right now recording their repetitive little beat-box
rhythms and sampling their favorite horror movies already staggers
the mind.  What's your point?

>And isn't that what it all boils down to, anyway?

Are you sure you aren't in "the business"?  You certainly act like
you're on a major label, treating music like a commodity with no
reason to exist except to buy you another condo.  If you really
think that music=money (which I don't believe for a second that you
do), it's too late for you anyway.


  VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
             Mason Jones           Charnel House Productions
             P.O. Box 170277, San Francisco 94117-0277 U.S.A.
   ...{uunet,sun}!hoptoad!dante!mason   or   dante!mason@hop.toad.com
  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Newsgroups: rec.music.industrial
From: dennis@citr.uq.oz.au (Dennis Remmer)
Subject: Re: Yet More Grey Area Info...
Organization: Prentice Centre, University of Queensland
Date: Thu, 30 Jul 1992 01:16:02 GMT

awrc@dcs.ed.ac.uk (Al Crawford) writes:

>For the fashion conscious amongst us (i.e. just what shade of black should
>I wear today?) they're also now doing a range of merchandise, including
>Laibach t-shirts, Mute t-shirts, a Grey Area t-shirt and cap and
>(forthcoming) long sleeved TG and SPK t-shirts.

Is there a contact where these items can be obtained (Mail Order?)

many thanks
--
----------------------------------------------------------------------------
       Dennis Remmer - dennis@citr.uq.oz.au - DennisR@syacus.acus.oz
    Australian Centre for Unisys Software, Brisbane Queensland Australia