HDTenEightyP/NetNews huggingface dataset:
From: jhurley@husc3.harvard.edu
Newsgroups: rec.music.bluenote
Subject: 2c more re Diz CDs
Date: 8 Jan 93 20:49:10 GMT
Organization: Harvard University Science Center

I want to recommend another CD by Dizzy, a 1950 (?) session with
Parker now issued as "Bird and Diz." This is not as historically important as
the 1945 sessions on "Shaw 'Nuff," and it contains some disappointing
takes, but some of the numbers are among Diz and Parker's best work.
The session also featured interesting playing by Thelonious Monk, to make it a
real summit of bebop.
Also; one interesting point about the famous Massey Hall recording
is that, as a live recording, it contains much longer numbers than
the studio recordings that were intended for release on 78s; one
of the things that makes this material so good is that the 
length of the tunes allows a more full development of the ideas.
Newsgroups: rec.music.bluenote
From: jimh@pongo.West.Sun.COM (jim hori)
Newsgroups: rec.music.bluenote
Subject: Re: ALbert King Reccomendations
Date: 11 Jan 1993 19:27:49 GMT
Organization: Sun
Distribution: world, rec, usa
NNTP-Posting-Host: pongo71
Keywords: Albert King recommendations

In article <4501@unisql.UUCP> ray@unisql.UUCP (Ray Shea) writes:
>In article <1ik9e2INN89g@smaug.West.Sun.COM> jimh@pongo.Eng.Sun.COM (jim hori) writes:
>>If you can find it (I made this recommendation the first time
>>this discussion came up) perhaps the definitive showcase of
>>Albert's guitar soloing is the 5 minutes plus version of
>>"Cold Sweat", available on a Stax 7" single b-side: chorus
>>after chorus after chorus of string bending fury.
>Wouldn't that be on the Stax singles box set?  I was under the impression that
>the set was complete, including b-sides.

I wondered that myself, which is why I said "available on" rather
than "*only* available on". Anyone have that set who can enlighten
us?




....
jimh@west.sun.com
Newsgroups: rec.music.bluenote
From: pardue@iitmax.iit.edu (William J. Pardue)
Subject: Dizzy Gillespie Dead
Organization: Illinois Institute of Technology
Date: Wed, 6 Jan 93 22:03:31 GMT

NPR has just reported the death of Dizzy Gillespie.  A sad day.
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Newsgroups: rec.music.bluenote
Subject: Re: Harmolodics ???
Date: 8 Jan 1993 22:07:57 -0600
Organization: Educational Computing Network
NNTP-Posting-Host: uxa.ecn.bgu.edu


The harmolodic information on the Blood album was a "harmolodic" scale.
Based on the interval sequence of Minor Third/Whole Step.   

So you have a scale such as :
C Eb F Ab Bb Db Eb Gb Ab B C# E F# A B D E G A C

It is a pattern which has a constant circle of 4th modulation.

Jeff
From: zlsiimw@info.mcc.ac.uk (Mark Whidby)
Newsgroups: rec.music.bluenote
Subject: Re: Curlew, Dr.Nerve, Bird, Jarrett
Date: 12 Jan 93 15:38:11 GMT
Reply-To: M.Whidby@mcc.ac.uk
Organization: Manchester Computing Centre

In article <43334@sdcc12.ucsd.edu>, cs163wel@sdcc8.ucsd.edu (Paolo Valladolid)
writes:
|> Info requested on Curlew and Dr. Nerve.  Also, what recordings by
|> Charlie Parker and Keith Jarrett would be considered essential?

For Keith Jarrett I would suggest:

The Koln Concert
The Survivors' Suite
My Song
Still Live (or Tribute or any of the Standards recordings)

This is a minimal list and is based on a single selection of (i) solo
concerts (ii) the 'American' quartet (iii) the 'European' quartet
and (iv) the 'Standards' trio. It ignores his classical output. 
(I would predict that The Survivors' Suite will be the most contentious
but I think it's great)

-- 
_____________________________________________________________
Mark Whidby, Distributed Systems, Manchester Computing Centre
Newsgroups: rec.music.bluenote
From: mad@cs.wm.edu (Michael A. Dritschel)
Subject: orchestral cecil
Organization: College of William & Mary, founded 1693
Date: Tue, 5 Jan 1993 18:35:40 GMT

There's been a lot of discussion of recordings of Cecil Taylor in
various venues, but one area that's it seems to me to have been
neglected are his large ensemble pieces, which I find to be some of
the finest music of this sort.  Unfortunately I am only aware of two
such recordings.  The first is a Gil Evans recording on Bluebird(?)
called _Into the Hot_ that is half Cecil Taylor compositions.  The
other is a Hat recording.  The title doesn't come to mind (my
recordings and terminal are unfortunately not near each other), but I
think there may be two, depending on which side you look at.
Something with "winged serpent" in it, I believe.  I imagine someone
with a better memory for or more convenient record collection can fill
in the details.  Anyone know of any other recordings of big band Cecil?
-- 
Michael A. Dritschel          mad@cs.wm.edu

Department of Mathematics
The College of William and Mary
Newsgroups: rec.music.bluenote
From: hampel@siemens.com. (Ken Hampel)
Subject: Re: The Tonight Show
Organization: Siemens Corporate Research, Inc., Princeton, NJ
Date: Mon, 11 Jan 1993 16:15:40 GMT

In article <1993Jan7.152334.27772@ee.gatech.edu> wung@eecom.gatech.edu writes:
>
>Don't know how many of you caught the Tonight Show last night.  Branford 
>and the band played some Dizzy tunes to mourn his death, and then they 
>had.... Kenny G come out and play his trash.  The incongruency of scene
>just bums me out.  A genius dies and they get Mr. Sominex to play.

However, didn't anyone notice Mike Stern? Anyone not familiar with Stern
should check out his new album, "Standards". Mike is an incredible guitar
player. On his latest album, he shows that he not only can write, but he
also has the ability to interpret and give originality to some great jazz
standards. His mastery of the guitar is something that needs to be heard
to be believed.
He played with Miles in the early '80's. He appeared on Miles Smiles and
did an incredible job on We Want Miles.
As a side note, he recently toured with the Brecker Brothers.

You know the band must've been laughing at G. And how 'bout G's bass player?
Unfortunately, G gets the last laugh 'cause he's probably sold more albums
than Diz, Bird, Trane, etc. all put together.

-Ken 
Newsgroups: rec.music.bluenote
From: j-germuska@nwu.edu (Joe Germuska)
Subject: Re: Emily Remler
Organization: Northwestern University, Evanston, Illinois, USA
Date: Sat, 9 Jan 1993 19:18:20 GMT

larry@st-andy.uucp (Larry Martell) writes:

>How did Emily Remler die? I thought she died of cancer, but someone told
>me she died of a heroin OD.

From the current _Musician_, in their bold listing of the 100 greatest 
guitarists ever:

EMILY REMLER:
"I may _look_ like a nice Jewish girl from New Jersey," Emily once told 
_People_, "but inside I'm a 50-year-old, heavyset black man with a big 
thumb, like Wes Montgomery."  Emily never made it to 50 -- she overdosed in 
Sydney two years ago, at 32 -- but was a beloved bebopper and composer who
left a string of fine recordings on Concord.


(Certainly, any listing of guitar greats must be taken with a grain of salt,
but the short blurbs did suggest many musicians of different genres that I'm
interested in hearing; there's also an interesting article about Ron Carter's
latest Blue Note release, _Ron Carter Meets Bach_)
--
--- joe germuska | j-germuska@nwu.edu | Network Response Center ---
--- ACNS-Distributed Systems Services, Northwestern University  ---
-- "I thought to myself what a lovely nib trout fishing in America 
would make with a stroke of cool green trees along the river's shore,
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Newsgroups: rec.music.bluenote
Subject: Re: Penguin Guide -- source
Date: 12 Jan 93 00:23:50 GMT
Reply-To: rardin@binah.cc.brandeis.edu
Distribution: na
Organization: Brandeis University

In article <1993Jan11.172856.18217@cbnewsk.cb.att.com>, marvo@cbnewsk.cb.att.com (ronald.f.roberts) writes:
>In article <1irskqINN3ld@specialist.genrad.com> gwl@specialist.genrad.com (Glenn W. Lea) writes:
>>
>>I found a source for the Penguin Guide -- 
>>
>>Music Book Store
>>(416) 588-9415
>>
>>$33.00 CAN total (includes S&H).
>
>Thanks for sharing the info Glenn 
>
>Since Bill Hery reported to rmb several weeks ago that he had seen this
>book in London, I was not able to even confirm its domestic existence according
>to Tower (Bway & 4th, NYC) and several other book stores.

Glenn probably should have mentioned explicitly that the Music Book Store is in 
Toronto [obviously the "$33.00 CAN" was a strong clue :) ].  So the Penguin 
Guide still hasn't shown up in the U.S. as far as I know.  I'll second Glenn's 
comments on the helpfulness of the people at MBS.  I, too, ordered a copy of 
the Penguin Guide from them last week.

-Lynn  (rardin@auriga.rose.brandeis.edu)
From: hsu@walnut.sfsu.edu (William Hsu)
Newsgroups: rec.music.bluenote
Subject: Re: Paul Bley (was: Sharp/Previte/Hofstra play the blues + other things)
Date: 5 Jan 93 00:52:39 GMT
Reply-To: hsu@walnut.sfsu.edu

Timothy Worsley:
>    * I finally found some Paul Bley I like.  This one with Ron McClure
>    and Altschul (I think?)...  Anyway, I also heard
>    "Japan Suite" with Gary Peacock and Altschul.  This is more "free",
> ie no tunes.  But it's good.  Peacock's playing is particularly nice on
>    this one I thought.  But I haven't even listened to the whole thing
>    yet.  Anyway, further recommendations or whatever are welcome.

Which are the Bley records that you didn't like? I've heard some
shockingly generic Bley bop sessions from the '80s.

I agree with Richard Shapiro's recommendations for the mid '60s
trios. Judging from what I know of your tastes, you might also like
Bley's 12(+6) in a row on Hat Art, with Franz Koglmann tpt and Hans
Koch bc. This has some of Bley's most aggressive playing in a long
time. In the solos, sometimes he's spinning two muscular, metrically 
independent lines simultaneously and working them into a monster
groove. Yow.

Bill
Newsgroups: rec.music.bluenote
From: rousseaf@nil.IRO.UMontreal.CA (Francois Rousseau)
Subject: Re: Last Johnny Winter album comments
Organization: Universite de Montreal -- Laboratoire Incognito
	<1993Jan4.154623.1565@seachg.uucp>
Date: Tue, 5 Jan 1993 15:36:15 GMT

n> Johhny Winter...
n> BTW, has anyone heard his new one, "Hey where's your brother" ? It has
n> Edgar on a few tracks. Also, I read somewhere that he is planning on doing
n> a new project with Rick Derringer. Anyone else hear this ?
n> -- 
n> Dave Bell

I heard it and I'm gonna buy it today. It's done with taste with more
good solos. Edgar sings (in duo) on the old James Brown song "Please
Come Home For Christmas". This last song have been recorded a long
time ago by the brothers on a "hard to find" album named First Winter
on Buddha Record (around 1966-67).


His new album sounds great. I like its new band, they give a warm feeling
to the entire album. 

BTW does someone know if Johnny is coming in Canada soon ?

Newsgroups: rec.music.bluenote
From: hampel@siemens.com. (Ken Hampel)
Subject: Re: The Tonight Show
Organization: Siemens Corporate Research, Inc., Princeton, NJ
Date: Mon, 11 Jan 1993 20:30:56 GMT

In article <1993Jan11.175446.20712@news.cs.brandeis.edu> rardin@binah.cc.brandeis.edu writes:
>In article <1993Jan11.161540.23148@siemens.com>, hampel@siemens.com. (Ken Hampel) writes:
>>
>>He played with Miles in the early '80's. He appeared on Miles Smiles and
>                                                         ^^^^^^^^^^^^
>Stern doesn't appear on this one.  MS features Miles' famous mid-60s quintet:  
>Shorter, Hancock, Carter and Williams.  Not to take anything away from Stern, 
>however--he's a great player.

Oops! Thanks for pointing that out. I don't know how I got Miles Smiles
confused with The Man with the Horn which is the one I meant.

-Ken
Organization: Penn State University
Date: Mon, 11 Jan 1993 10:13:16 EST
From: <KXN2@psuvm.psu.edu>
Newsgroups: rec.music.bluenote
Subject: Elvis, thief & racist

mciver@kibblesnbits.cs.colorado.edu (William McIver Jr.) says:
>
>As an artist Elvis was a thief.

I understand that Elvis copied R&B (black) musicians music and style, but what
did he steal?

>As an artist or a pop icon (take your pick) Elvis
>was a racist.  Blame the mainstream media for
>conveniently overlooking this last point.

I havn't heard this claim before.  What are the reasons?
From: mingus@cbnewsl.cb.att.com (Damballah Wedo)
Newsgroups: rec.music.bluenote
Subject: Re: Hello!,NEW TO News Group
Date: 11 Jan 93 18:15:00 GMT
Distribution: na
Organization: The Poto Mitan in the Houmfor

> lmcohen@terapin.com (Lee Cohen):
> [ talks about West Coast Jazz ad Art Pepper ]

Welcome to rec.music.bluenote. Given your particular expertise, what
can you tell us (well, me :-)) about Sonny Criss, Harold Land and
other so-called "black California" jazz musicians?

I know next to nothing about Criss except that he plays on an
anthology called BLACK CALIFORNIA that gary Giddins raved about 
once and which I've never seen in stores. I know Land from the
Clifford Brown-Max Roach  band and from one LP (THE FOX). I want
to know more. I also found a 50s album by Buddy Collette which
is good, and would like to know what else is out there.

Thanks in advance!
-- 
Marcel-Franck Simon             	mingus@usl.com, usl!mingus

	" Papa Loko, ou se' van, ou-a pouse'-n ale'
	  Nou se' papiyon, n'a pote' nouvel bay Agwe' "
Newsgroups: rec.music.bluenote
From: paula@koufax.cv.hp.com (Paul Andresen)
Subject: Re: YellowJackets former Sax player. Where is he now ?
Keywords: yellowjackets,sax,russo
Organization: Hewlett-Packard Company, Corvallis, Oregon USA
Date: Wed, 6 Jan 1993 20:01:38 GMT

In article <1993Jan6.153406.3040@nosc.mil>, atkins@nosc.mil (Hugh T. Atkins) writes:
|> Does anyone know what became of the YellowJackets former sax player?
|> His last name is Russo and I can never remember if his first name is
|> Mark or Paul. I have seen a CD by a Russo but it is not the one from
|> the YellowJackets.

Is this by any chance Mark Russo? I believe that he played with Tower of Power
in the late '80s...I think he was playing with the TOP horns when they were on
Tour with Huey Lewis. If this is the same Russo, I suspect that his TOP days
were pre-Yellowjackets
--------------------------------------------------------------------------------
              If you're really hip, the passing years will show.
                                           ......Tower Of Power

  paula@koufax.cv.hp.com   Paul Andresen  Hewlett-Packard  (503)-750-3511

    home: 3006 NW McKinley    Corvallis, OR 97330       (503)-752-8424
                            A SABR member since 1979
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Subject: Re: The Tonight Show
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Fri, 8 Jan 1993 02:06:51 GMT

In article <C0I7Bv.E4y@uxa.ecn.bgu.edu>, ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>What kills me is how they say, "ok Branford, play a 15 second tribute
>to Diz", which he did on Manteca, and then they cut him off so Leno can
>do the "Elvis Presley" / "Amish Presley" skit, which had to be the
>lamest skit that has ever gone on television...
>
>Jeff

My thoughts _exactly_, Jeff.  My wife and I sat there in amazement wondering 
why they cut off the Manteca tribute to Diz to do that lame skit.  Sad...


-Lynn  (rardin@auriga.rose.brandeis.edu)
From: lmcohen@terapin.com (Lee Cohen)
Newsgroups: rec.music.bluenote
Subject: Re: Art Pepper (was: Hello!,NEW TO News Group)
Date: 8 Jan 93 06:02:58 PST
Organization: BBS

I have a relatively complete discography of Pepper and show a couple of other
items on on Atlas.  "Jack Sheldon and his West Coast Friends" and "Pete Jolly
and His West Coast Friends, Strike Up The Band".  There's also "Shelly Manne
and his Hollywood All Stars" with, Jolly, Waltrous, Cooper, Budwig.  To my
knowledge only the Sonny Stitt selections made it to CD.  I confess to not
owning any vinyl at this time.  This comes from my experience at working at a
pressing plant when very young.  I learned to HATE viynl and cheered the
arrival of the CD.  I gave my last LP away last month; Irene Kral's "Kral
Space", which I hope someday will make it to CD, as it is, all I have now is a
the rapidly diminishing return of an audio cassette.
From: marvo@cbnewsk.cb.att.com (ronald.f.roberts)
Subject: Re: Dizzy Gillespie 
Organization: AT&T
Date: Thu, 7 Jan 1993 19:41:57 GMT

In article <1993Jan7.165955.17808@afit.af.mil> maysee@ss2.sews.wpafb.af.mil writes:
>Jazz listeners,
>
>I have no Dizzy Gillespie CD's.
>Can someone point me to a few essential CD's by Dizzy?

A few Gillespie titles that I have found enjoyable are:

	Dizzy On The French Riviera, Philips CD
	Jambo Caribe, Limelight LP
	Dizzy Gillespie on Verve, especially the tune "Con Alma" LP

-- 

Ron Roberts
AT&T Bell Laboratories, P.O. Box 900, Princeton, New Jersey 08542-0900
rfr@pruxp.att.com, phone: 609-639-2242, fax: 609-639-3121
From: ag800@yfn.ysu.edu (Ferdi C. Serim)
Newsgroups: rec.music.bluenote
Subject: Re: Another master is gone....
Date: 7 Jan 93 03:25:47 GMT
Organization: Youngstown State University/Youngstown Free-Net


Doug,
You can try Emile Charlap Music at 322 W. 48th St, NY NY 10036
(212 5863191) That's where Diz sent me to get copies of his Manteca
arrangement in 1984 (I got 2 and kept 1). See if they're still there

Ferdi Serim
wwp@tigger.jvnc.net
Newsgroups: rec.music.bluenote
From: will@ogre.cica.indiana.edu (William Sadler)
Subject: Re: Another master is gone....
Organization: Indiana University
Date: Thu, 7 Jan 1993 15:39:41 GMT

In <1ifmakINNoat@hpfcbig.sde.hp.com> mjs@fc.hp.com (Marc Sabatella) writes:

>Oh well, I expect to hear "A Night In Tunisia" more times in the next week than
>I have heard it in the last four years combined.  It seems to be the only one
>of his tunes that made it into "The Real Book" and is known by most musicians.
>I suppose it is as fitting a tribute to his personality as any other tune I can
>think of - as "Blue In Green" was for Miles.

Marc,  I think that Bill Evans actually composed _Blue in Green_ (at least
according to him he did).  Miles gave him 2 chord changes and said (gravelly
voice) "What can you do with this?"

Too bad about Dizzy.  I'm very glad that I got to meet him while he was
alive.

Will
--
***************************************************************************
*   _______________\|/_      Will Sadler     will@cica.indiana.edu        * 
*   Laser 44888    /|\                       sadler@iubacs.bitnet         *     
***************************************************************************
From: cook@bebop.esd.sgi.com (Doug Cook)
Newsgroups: rec.music.bluenote
Subject: Re: The Tonight Show
Date: 8 Jan 93 18:16:17 GMT
Organization: Silicon Graphics, Inc.  Mountain View, CA


In article <1993Jan8.174815.21429@CSD-NewsHost.Stanford.EDU>, gidi@Hilbert.Stanford.EDU writes:
> Might as well
> complain about Oprah not featuring enough discussions on Pre-Raphaelite
> painting.

Actually, I'm darned sick of all the discussions about Pre-Raphaelite
painting on Oprah. So lately I've been tuning in to Geraldo to 
follow his discussions about the role of Abstract Expressionism 
in post-WWII America.

	-Doug
Newsgroups: rec.music.bluenote
From: wildman@athena.mit.edu (Timothy Worsley)
Subject: Re: Sharp/Previte/Hofstra play the blues + other things
Reply-To: eprice@sybase.com
Organization: Massachusetts Institute of Technology
Date: Mon, 4 Jan 1993 08:21:11 GMT

I wrote:
>Enough for now, I'm outta here.  I'm going to check out "Rhythm
>Method" at Ryles tonight, here in Cambrdige, MA -- this band includes
>Billy Novick, best known perhaps for his work with swing/folk
>guitarist Guy Van Duser, but who happens to be a wonderful musician
>and human being with considerable skill in other areas as well (BTW,
>if any of you watch John Sayles' movie "Brother from another Planet"
>check out the tenor saxophone solo at the end during the credits --
>that's Bill!)  They're playing a few other times too, as well as at
>the Knitting Factory (on Wedenesday I believe).  Film at 11.

Actualy it is a *different* band of the same name playing at the KF...
Sorry about the error.  Anyway, I saw both sets at Ryles.
Straight-ahead jazz/fusion, not bad but nothing to get particularly
excited about (IMHO).  The bass player, Kevin Cobb, was impressive --
actually he's not their regular bass player, that was the first time
he'd played with them (aside from a rehearsal I guess).  He had some
highly smoking funk grooves, and some good solos.  4-string electric,
and he even used all four strings simultaneously at times.  Mostly
originals by the guitarist (John [something]), also "Killer Joe" but
with "Rhapsody in Blue" played over it for some reason at the
beginning and end.  A nice ballad written by Novick.  They closed with
a short version of "I Got Rhythm" done in a tight fusion style.

-Ed (not Tim), eprice@sybase.com (not wildman@...)
Newsgroups: rec.music.bluenote
From: leff@sco.COM (Bill Leff)
Subject: Re: ALbert King Reccomendations
Organization: The Santa Cruz Operation, Inc.
Date: Thu, 07 Jan 1993 22:14:53 GMT
Keywords: Albert King recommendations


I'd highly recommend the "King of the Blues Guitar" CD. It has most
of the "Born Under A Bad Sign" tracks (if memory serves) and
some other great stuff, including his ode to his Flying V,
"I Love Lucy."

Nobody can bend a note like Albert!

-leff


-- 
-------------------------
The number one reason why we're here (from David Letterman's Top 10):
"To polka, baby, polka"
Newsgroups: rec.music.bluenote
From: daugherb@b8.b8.ingr.com (Bruce Daugherty)
Subject: Re: Date of Johnny Winter "Live"?
Organization: Intergraph
Date: Tue, 5 Jan 1993 16:20:31 GMT

In article <1993Jan4.154623.1565@seachg.uucp>, db@seachg.uucp (David Bell) writes:
> In article <gX8mwB1w165w@wndrsvr.la.ca.us> raa@wndrsvr.la.ca.us (Ramon Lopez) writes:
> >jsulliva@amstel.prime.com (Jeff Sullivan) writes:
> >
> >> 
> >> Anyway, I could not find ANYWHERE on my copy of Johnny Winter's
> >> "Live" what year it was released in. This was the only one out of
> >> 150+ CDs that I could find NO copyright date.
> >> 
> >> 
> >> Thanks,
> >> -Jeff
> >> 
> >Well damn! I was all ready to tell you the date ... I ran to My room to get
> >My copy of it on Vinyl! But, to My surprise, the date isnt on THAT either!
> >I think I read somewhere it was 1973 ... But I dont know for sure ...
> >
> 
> I checked my vinyl copy, and sure enough, no date. I checked on the album
> that came after (Still Alive and Well), and that had a date of 1973, so I
> would guess that "AND Live" was probably released around '72 or so.
> 
> BTW, has anyone heard his new one, "Hey where's your brother" ? It has
> Edgar on a few tracks. Also, I read somewhere that he is planning on doing
> a new project with Rick Derringer. Anyone else hear this ?
> -- 
> Dave Bell
> 
> Sea Change Corporation        
> Mississauga, Ontario, Canada    
> ...!uunet!uunet.ca!seachg!db   



**     Guys..
**          Is the live album you're talking about here the Johnny Winter
**  And Live? If so I remember getting this record in high school no later
**  than '72. The recording has to be from '71-'72, I'll see if I can find
**  out for sure. 
**          There are two live albums from '76, Johnny's Captured Live,
**  and Johnny & Edgar "Together". Both albums were recorded from three
**  shows, Oakland-San Bernardino-San Diego, where both bands played seper-
**  sets then combined. I had the great pleasure of seeing two of these
**  shows. 
**          I just recently got a CD entitled "Busted in Austin", the 
**  credits state that this is a '69 recording live in Houston and lists
**  Edgar as playing horns and vocals. The music is great, a little bassy
**  but I really don't hear any playing or singing by Edgar at all. It 
**  does however have a second guitar player that is unmentioned. Anyone 
**  else heard this one?
**          The new CD "Hey Where"s You're Brother" is yet more fine music
**  from Johnny and features Edgar on 3-4 cuts. It is a definate must for
**  any fan, this guy gets better with age, and incorporates more fine 
**  blues.
**          I am going to see Johnny in Atlanta on 1-17-93, so keep your
**  ears open for dates in your area as this is always a great show to see.
**  Lets hear from more Winter fans out there!!!
**
**                               **Loose Bruce**