HDTenEightyP/NetNews huggingface dataset:
From: woom@ludd.luth.se (johan.burman)
Newsgroups: rec.music.makers.synth
Subject: Roland JX8P makes noise?!
Summary: Help me
Keywords: JX8P
Date: 13 Dec 92 16:04:22 GMT
Organization: Lule} Tekniska H|gskolas Datorf|rening - Ludd

Hi all.

I just picked up a JX8P synth (used, but in exellent cond).
The problem is all the white noise that comes out of it.
If I turn down all the knobs on the PG800 (ie making a silent patch)
and then open up the filter and press a key, I get a great lot
of noise for a patch that's supposed to be quiet.
This is pretty annoying, since it causes some strange clicking
sounds when I do bass sounds with some filter Q in them...
Is this something very common on these machines, or is it just
mine? Can I fix it?
Newsgroups: rec.music.makers.synth
From: blave@netcom.com (David W. Blevins)
Subject: Re: Win 3.1 and DOS MIDI programs
Organization: Netcom - Online Communication Services (408 241-9760 guest)
Date: Sun, 13 Dec 1992 19:54:03 GMT

To have Windows MIDI programs and DOS MIDI programs co-exist at all, you
have to do the following:

1. run Windows in Standard Mode.
2. call up DOS MIDI apps as needed but you'll have to exit to use your
   Windows MIDI apps, since the DOS app "owns" the MIDI i/f while it's
   invoked.  Bummer, huh.

The above is what I've gleaned from the Cool Shoes Drummer 2.0 manual;
this is a DOS app with its own windowing system.  I have CakeWin but
I'm still using CakeDOS these days since Drummer is an integral part of
my sequencing process and I seem to be REALLY productive with the keyboard
interface that Cakewalk/DOS has, versus almost having to use a mouse
with CakeWin.  Plus I hate Windows standard mode - no DOS windows.

Blave.
From: papillo@hpfcso.FC.HP.COM (Bob Ellison)
Date: Wed, 16 Dec 1992 22:24:10 GMT
Subject: Info on MOTU UNISYN?
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.makers.synth

It looks like MOTU is trying to step on Opcode's toes in the
"generic librarian" category.  I just got Issue 7 of "reMarks",
the MOTU product newsletter, and it's pretty much dedicated to
"UNISYN", its generic editor/librarian designed to work with
Performer.

Has anyone seen this toy?  How does it compare to Opcode's
legendary editor/librarians?  Does it also have some ridiculous
copy protection?  (Anyone have a DX11 profile for it?)

I'm a confirmed Performer user, but have been disappointed in
Performer's (lack of) ability to share patch lists with librarians.
UNISYN might finally give me what the Opcode users have had for 
years...

Bob Ellison, HP Fort Collins
Newsgroups: rec.music.makers.synth
From: gibian@talent.ljo.dec.com (Marc S. Gibian)
Newsgroups: rec.music.makers.synth
Subject: Re: Does anyone have anything BAD to say about the K2000?
Date: 11 Dec 92 20:35:22 GMT
Reply-To: gibian@ljohub.enet.dec.com
Organization: Digital Equipment Corporation


I have had my K2000 for almost 4 months now and with only one
exception love it.  My keyboard had one key that did not detect
note on for a soft touch as cleanly as the rest of the keyboard.
I put it in for service about 1 month ago to beat the expiration
of the labor part of the warrenty.  It took almost a month to
get it back, and the problem was still there! Though not as bad.
The whole thing screwed up any giging opportunities for the
holidays as my only fallback is my classic 88-key Rhodes electric
piano, which is not a good practice instrument and doesn't even
fit into my keyboard "room" in my house (small house! ;-)

One question I have for other owners is:  Have you found a way to
initiate a note-on, or an alternative mechanism, from something
other than the keyboard, the song facility, or via MIDI?  I want
to use some of my synthesizer experience from the ancient ago of
monophonic, analog, discrete component, patch corded Moog-s.  One
of the most useful features was to take a signal, say an LFO on
the K2000, and use that to trigger the start of a new attack/decay
envolvope.  I can't find anything on the K2000 with which to do
this?
--
Marc S. Gibian			email: gibian@talent.ljo.dec.com
Principal Software Engineer	phone: (508) 486-6598
Digital Equipment Corporation	fax:   (508) 486-6648  or (508) 486-6100
From: gpr@midiline.la.ca.us (Gary Richardi)
Newsgroups: rec.music.makers.synth
Subject: Re: DIGITECH "Vocalist", need opinions...
Date: Fri, 11 Dec 92 16:41:13 PST
Organization: MIDILine BBS - Altadena, CA - (818) 797-3285

kpearce@kuhub.cc.ukans.edu writes:

> What's the word on the Digitech "Vocalist" voice processor?  I know it does
> pitch rounding and can add harmonies but will it make a bad singer (me)
> passable?  What's the going price at the mail order houses?
> 
> Thanks in advance,
> 
> kpearce@kuhub.cc.ukans.edu
> 

I saw a demo on this box that blew me away! I got to play with it a bit 
and was very impressed. A local store, GUITAR CENTER is advertising it 
for $600. I know it has a pitch correct mode, which can help if you sing 
off-key but I think its strength is in harmony generation. The voices 
really do sound natural. If it didn't cost so much, I'd have picked one 
up last year.   Oh, BTW, the demo I saw & heard was a guy sing "AMAZING 
GRACE" solo in 5-part harmony (interesting contradiction, isn't it?).
                                                      ---- Gary ----


-----
gpr@midiline.la.ca.us (Gary Richardi) 
MIDILine BBS (midiline.la.ca.us) - Altadena CA - (818)797-3285
Newsgroups: rec.music.makers.synth
From: tfullert@magnus.acs.ohio-state.edu (Timothy D Fullerton)
Subject: Re: tempo change with no pitch change?
Organization: The Ohio State University
Date: Sun, 20 Dec 1992 21:46:26 GMT

In article <1gu21dINNint@cat.cis.Brown.EDU> map@cs.brown.edu (Mike Perkowitz) writes:
>
>how difficult is it to take a piece of music (i mean like a commercially
>recorded CD or something) and change the tempo without changing the pitch?
>what would i need to do it and how much would it cost?
>




	I can think of two ways to do what you want, neither of which are
cheap.

	The first is to use a tape recorder and a harmonizer. You can get 
dual speed tape players from about $200 (don't quote me, this is a guess 
based on the last time I was looking for one many years ago). If you 
want this to sound any good at all, you will want a good quality 
harmonizer. For this, you are looking conceivably at thousands.

	Another option is to sample it with a UNIX machine, and perform a 
timestretch on the soundfile with the pvoc command (phase vocoder). 
Also, not cheap.

	I know these are pretty roundabout ways to go about this. I only 
threw these suggestions out because no one else replied publicly.

	I, myself, am content with half speed playback. If there is still 
something which eludes me, I sample it with a Macintosh and use 
Cut - n - paste to stretch the problem spot.

	Good Luck;

		Tim


Newsgroups: rec.music.makers.synth
From: tfullert@magnus.acs.ohio-state.edu (Timothy D Fullerton)
Subject: Re: Enhancing your creativity
Organization: The Ohio State University
Date: Sat, 19 Dec 1992 05:07:08 GMT


>|>> 
>|>> I found my creativity enhanced, or at least very inspired, by:
>|>> 
>|>> * my first drum machine (a Yamaha RX7)
>|>> * my first reverb/fx unit (an Alesis Midiverb III)
>|>> * the Digitech Vocalist VHM5
>


	Much has been deleted from many good postings, but I have not yet
heard a tool that has proved itself invaluable to my creativity:


	* my first Macintosh and the ear training, transcription, sequencer,
			and sampling applications that I run on it.
From: 2609cowend@vms.csd.mu.edu
Newsgroups: rec.music.makers.synth
Subject: Help: Ensoniq Mirage question
Date: 15 Dec 1992 00:20:07 GMT
Organization: Marquette University - Computer Services
Reply-To: 2609cowend@vms.csd.mu.edu
NNTP-Posting-Host: vmsa.csd.mu.edu

With an Ensoniq Mirage and the MASOS, how does one split the keyboard in order
to play 4 different samples?  It appears that this is possible, yet I cannot
find the documentation to pull it off...
 
Please respond via E-mail to 2609cowend@vms.csd.mu.edu.  Thanks!

--------------------------------------------------------------------
David Eschatfische  2609COWEND@VMS.CSD.MU.EDU |"Where everything is
----------------------------------------------| bad, it must be good
D O N ' T  B E  F O O L E D.  NO ONE IS SAFE! | to know the worst."
* "Good luck, bad luck, waiting in a line." * |  - the Art Of Noise
--------------------------------------------------------------------
        "Opinions expressed are that of my oppressors."

Newsgroups: rec.music.makers.synth
From: sef@sef-pmax.slisp.cs.cmu.edu
Subject: Re: K2000R. You don't scare me. Nyah!
Organization: School of Computer Science, Carnegie Mellon
Date: Sun, 13 Dec 1992 01:37:21 GMT


    From: cassiel@cassiel.demon.co.uk (Nick Rothwell)
    OK, so it has all this power in the voice architecture. But is it *useful*
    power? Have any of you K2000 owners found your creativity enhanced and your
    music improved by having one?

Call for John Rossi... Oh yeah, he's still in exile.
    
I don't know about enhancing creativity -- often creativity can be enhanced
by working with very limited tools rather than with infinite power.  God
was complaining about that to me just the other day.  She's suffering a bad
case of Omnipotence Burnout...

But the K2000 sure is fun.  You can do all sorts of weird things by pumping
the samples through the hairy filter options, modulated by just about
anything.  I haven't found very many things that this machine can't do.

Then again, if you're stuck with paying 2x the U.S. price, it's possible
that you can assemble a comparable amount of power more cheaply by
combining other things.  With the Peavey and a Wavestation A/D, you're well
on the way.  But it's nice to have the sample playing, the synthesis, and
the filtering integrated into the same box so that they can interact more
easily.

-- Scott

===========================================================================
Scott E. Fahlman			Internet:  sef+@cs.cmu.edu
Senior Research Scientist		Phone:     412 268-2575
School of Computer Science              Fax:       412 681-5739
Carnegie Mellon University		Latitude:  40:26:33 N
5000 Forbes Avenue			Longitude: 79:56:48 W
Pittsburgh, PA 15213
===========================================================================
From: croehrig@cs.ubc.ca (Chris Roehrig)
Newsgroups: rec.music.makers.synth
Subject: Re: Help... Playback slowdown problem...
Date: 16 Dec 1992 08:24:45 -0800
Organization: Computer Science, University of B.C., Vancouver, B.C., Canada
NNTP-Posting-Host: carib.cs.ubc.ca

In article <STEVELA.92Dec16000017@beach.csulb.edu> stevela@csulb.edu (Steve La) writes:
>I've been using Cakewalk for Windows and Trax (Windows version) and everytime I
>moved my mouse during playback (a song), the timing was messed up (slow down).
>Is there anyway to prevent this problem?  I never have this problem with the
>Atari ST system!  Thanks for any advice...

I think this is a problem with Windows MCI Timer driver.  I had the same
problem with Cubase/Windows when I used the Timer driver, but when I
configured Cubase to use the timer hardware directly, the problem went
away (but I couldn't run some other applications at the same time).
I don't know if you can configure cakewalk to use the timer hardware
directly.  Getting a faster machine, running windows in standard mode,
and not running other applications should help.  Of course, you could
always just get Cubase. :-)

Chris Roehrig
University of British Columbia
Newsgroups: rec.music.makers.synth
From: miguelr@cbnewsj.cb.att.com (miguel.a.rivera)
Subject: Re: SY99 users
Organization: AT&T
Date: Mon, 14 Dec 1992 14:02:46 GMT
Summary: SY99 users group

In article <1414@chorus.chorus.fr>, mir@chorus.chorus.fr (Adam MIROWSKI) writes:
> rjp1@cbnewsc.cb.att.com (be here now) writes:
> : Is there a mailing list for SY99 owners?  I don't see
> : much in the way of discussion of this beast on this group.
> 
> There was quite a lot of dicussion a year ago,
> when the machine was introduced.
> 
> If there is none, I am ready to create one.
> Actually, since I own a SY-85, it would be
> rather an SY list. There are some interested
> SY-85 users. The name could be something
> like sy-list@chorus.fr.
> -- 
> Adam Mirowski,  mir@chorus.fr (FRANCE),  tel. +33 (1) 30-64-82-00 or 74
> Chorus systemes, 6, av.Gustave Eiffel, 78182 Saint-Quentin-en-Yvelines CEDEX

I am also a SY85 user and I would like to be included on any discussion
or mailing list.i

Thanks,
Miguel A. Rivera
AT&T Bell Labs.
Naperville, IL 60563
miguelr@ihlpe.att.com
From: pete@plutonium.CChem.Berkeley.EDU (Pete Goodeve)
Newsgroups: rec.music.makers.synth
Subject: Re: Yamaha YPR-20
Date: 20 Dec 1992 08:20:30 GMT
Organization: University of California, Berkeley
Distribution: na
NNTP-Posting-Host: plutonium.cchem.berkeley.edu

In article <1992Dec19.061104.4679@u.washington.edu> aleran@byron.u.washington.edu (Steve Umbehocker) writes:
>I was going around pawn shops looking for a synth, and saw a Yamaha YPR-20
>for $150, is this a good deal? It seemed like a good deal for the price (it
>sounded nice), but I would like to know the retail/used value of it before
>I bought it...Thanks for any help.
>
>Steve

That sounds a pretty darn good price, unless it's come down a lot since
I bought mine a year and a half back.  I did a lot of sounding out of all
the dealers in the Bay Area before I forked out, and it seemed that the 
`list price' was $400.  [Despite the fact that our local dealer had it
at a "Sale" price of $430! (:-)]  I paid $300 -- could have done very
slightly better maybe if I'd driven 60 miles.

Funny that I haven't seen the YPR-20 discussed in this newsgroup [not
that I've been looking very hard...].  I like it a lot.  Suits my needs
-- for a basic piano to get back some of my childhood skills on, which
I can expand with MIDI attachments in time.

I just recently hacked myself a MIDI box for my Amiga, so I'm just on
 the threshold there, but everything seems to behave as vertised.

I'd say go for it...
					-- Pete --


Newsgroups: rec.music.makers.synth
From: billw@UTKUX1.UTK.EDU (William P. White)
Subject: Looking for Drum Machines
Organization: University of Tennessee Computing Center
Distribution: usa
Date: Fri, 11 Dec 1992 19:57:25 GMT

I am looking for a Roland R5 or Yamaha RX5 drum machine
used.  If you have one and want to sell it, please E-mail
immediately.  I need one ASAP.

Thanks for your time,

Bill White

Newsgroups: rec.music.makers.synth
From: beesley@parc.xerox.com (Ken Beesley)
Subject: Yamaha TG77 layering question
Keywords: TG77
Organization: Xerox PARC
Distribution: na
Date: Mon, 14 Dec 1992 01:43:47 GMT

On the TG77 is it possible to layer patches?

E.g. can you transmit MIDI to it on one channel,
say channel 1, and make it respond with 2 or more patches
to make really dense sounds?

After examining the manual for a couple of
hours I came to the conclusion that the TG77
is up to 16 ways multitimbral, but each
incoming channel can control only one patch.
To "layer" patches, one would have to take
the MIDI commands on one channel, say 1, and
duplicate them on another, say 2, to get
the layering effect.

Is this correct?

Ken
beesley.parc@xerox.com
Newsgroups: rec.music.makers.synth
From: chasalow@binah.cc.brandeis.edu
Subject: FOR SALE: voyetra 8 rev.4
Reply-To: chasalow@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Fri, 18 Dec 1992 22:42:27 GMT

Fully MIDI controlable analogue synth in rack mountable module.  If you want to add fat analogue sounds that are clean, this is about the best unit.  There is an easy to use editor that works on even the most basic IBM PC.  Asking $1500.
Eric Chasalow (617)739-2856. 
Newsgroups: rec.music.makers.synth
From: gvh@metrosoft.com (Gordon Van Huizen)
Subject: Re: Thanks... thanks alot.. now both these groups are F*CKED
Reply-To: gvh@metrosoft.com (Gordon Van Huizen)
Organization: Metrosoft
Date: Fri, 11 Dec 1992 17:34:35 GMT

In article <Bz0s23.348@unix.amherst.edu> ljnelson@unix.amherst.edu  
(LAiRD j. NeLSoN) writes:
> Nick Rothwell (cassiel@cassiel.demon.co.uk) wrote:
> > >Even if I hadn't have raised a stink, there would have still been
> > >problems with this name change. That's why I raised one.
> > 
> > The problem for me is that both groups live on, zombie-like.
> > Anyone got a
> > silver bullet for rec.music.synth?
> 
> Coming in January, or so I'd heard.
> 

Feb 9, as I read it. According to the posting in
news.announce.newgroups: 

| The following USENET groups are being removed on the
| dates indicated. To help ease the transition, you might
| wish to mark them as "no local posting allowed" at your
| site, with the C News/INN flag "n". 
|
| GROUP                       DATE  SUPERSEDED BY
| rec.music.synth             0209  rec.music.makers.synth

Gordon

-- 
----------------------------------------------------------------
Gordon Van Huizen           vox: 619.488.9411  fax: 619.488.3045
Metrosoft                   gvh@metrosoft.com [NeXTmail welcome]
----------------------------------------------------------------
From: aleran@byron.u.washington.edu (Steve Umbehocker)
Newsgroups: rec.music.makers.synth
Subject: Yamaha YPR-20
Date: 19 Dec 92 06:11:04 GMT
Article-I.D.: u.1992Dec19.061104.4679
Organization: University of Washington, Seattle

I was going around pawn shops looking for a synth, and saw a Yamaha YPR-20
for $150, is this a good deal? It seemed like a good deal for the price (it
sounded nice), but I would like to know the retail/used value of it before
I bought it...Thanks for any help.

Steve
Newsgroups: rec.music.makers.synth
From: olson@anchor.esd.sgi.com (Dave Olson)
Subject: Re: test posting, please ignore
Keywords: test
Organization:  Silicon Graphics, Inc.  Mountain View, CA
Distribution: esd
Date: Mon, 14 Dec 92 21:37:18 GMT

In <tjm8jnk@zuni.esd.sgi.com> olson@anchor.esd.sgi.com (Dave Olson) writes:

| a test, of course.

Ignore this followup, from within nn
--
Let no one tell me that silence gives consent,  |   Dave Olson
because whoever is silent dissents.             |   Silicon Graphics, Inc.
    Maria Isabel Barreno                        |   olson@sgi.com
Newsgroups: rec.music.makers.synth
From: cassiel@cassiel.demon.co.uk (Nick Rothwell)
Subject: Re: Help... Playback slowdown problem...
Date: Fri, 18 Dec 1992 18:52:51 +0000

>Getting a faster machine, running windows in standard mode,
>and not running other applications should help.  Of course, you could
>always just get Cubase. :-)

Or use a Real Computer.

[FX: ducks.]

                      Nick Rothwell  |  "Say, how many contemporary dancers
   CASSIEL Contemporary Music/Dance  |     are there in this bar?"
        cassiel@cassiel.demon.co.uk  |  "Dunno; count the Dr. Martens
        cassiel@cix.compulink.co.uk  |     and divide by two..."
From: jesper@elixir.e.kth.se (Jesper Karlsson)
Newsgroups: rec.music.makers.synth
Subject: Need info about samplers
Date: 16 Dec 92 00:50:56 GMT
Distribution: rec
Organization: School of EE, Royal Institute of Technology, Sweden


As I'm thinking of buying a sampler in the lower price range and don't
really know anything about such, I would like to get some inputs from 
other users. The samplers that are within my price range are Ensoniq EPS,
Akai 900, Akai 950, Yamaha TX16W, Casio FZ1 and maybe others I don't know
anything about. Any specs about those or other experiences would be greatly 
appreciated.

I will summarize to the net if I get enough answers.

/Jesper

jesper@elixir.e.kth.se
Newsgroups: rec.music.makers.synth
From: cassiel@cassiel.demon.co.uk (Nick Rothwell)
Subject: Re: Problems with Mac Powerbooks?
Date: Thu, 17 Dec 1992 18:05:16 +0000

>        There will be an item for it in the NetJam Electronic and
>Computer Music FAQ, coming out later today.

Given all the misinformation being spread (by Apple amongst others), will
your entry be factual and accurate? Putting it another way: would you like
me to look over it?

Oh: Craig, did you get my international money order for the MUSEnet CD?

                      Nick Rothwell  |  "Say, how many contemporary dancers
   CASSIEL Contemporary Music/Dance  |     are there in this bar?"
        cassiel@cassiel.demon.co.uk  |  "Dunno; count the Dr. Martens
        cassiel@cix.compulink.co.uk  |     and divide by two..."
From: borch@ugli.tsd.itg.ti.com (Mark Borcherding)
Newsgroups: rec.music.makers.synth
Subject: Re: Enhancing your creativity
Date: 18 Dec 1992 12:29:12 GMT
Organization: TI
Distribution: world
Reply-To: borcherding@tsd.itg.ti.com
NNTP-Posting-Host: ugli.tsd.itg.ti.com

ddIn article <LgNyVB6w165w@noncomf.tdkcs.waterloo.on.ca>,
markp@noncomf.tdkcs.waterloo.on.ca (Mark A. Pitcher) writes:
|>ereidell@media.mit.edu (Evan A. Reidell) writes:
|>
|>> > Well.... I'd argue that no instrument is going to "enhance" my
|>> > creativity.
|>> 
|>> I found my creativity enhanced, or at least very inspired, by:
|>> 
|>> * my first drum machine (a Yamaha RX7)
|>> * my first reverb/fx unit (an Alesis Midiverb III)
|>> * the Digitech Vocalist VHM5

I found the same when I got my Ensoniq DP/4 which allowed me to use
other things as sound
sources.


|>remembering them for other songs that may need use of them. The
|>above "quicky" song is popular among those we've auditioned it
|>to, but it means nothing to me. When I "think" of the song, I
|>see no meaning behind it. It is a grey and lifeless blur of a
|>song. 
|>	I think the point I'm making is that new equipment
|>can give inspiration for a song, but it should be strongly
|>controlled by your motives in songmaking. 


I disagree that your "quicky" song was lifeless. Just because you did
not have total
awareness of why/how you created the song does not mean there was not
artistic sub-thought
that went into it. Not everything should be a grind. And most agree that
their best stuff
is very spontaneous and comes to them from nowhere.

I do agree that throwing in a new sound just to put it in is a bad idea.
However, if it
fits and adds to the song why not? 

Music should be fun, creative, and maybe informative.
                                                    
Mark.
Newsgroups: rec.music.makers.synth
From: Robert.Walker@launchpad.unc.edu (robert holton walker)
Subject: FOR SALE: YAMAHA QY-10
Organization: University of North Carolina Extended Bulletin Board Service
Distribution: na
Date: Tue, 15 Dec 1992 07:32:04 GMT




For Sale: YAMAHA QY-10.  Mint condition.  $225.00.

robert.walker@lambada.oit.unc.edu

--
   The opinions expressed are not necessarily those of the University of
     North Carolina at Chapel Hill, the Campus Office for Information
        Technology, or the Experimental Bulletin Board Service.
           internet:  laUNChpad.unc.edu or 152.2.22.80
Newsgroups: rec.music.makers.synth
From: ljnelson@unix.amherst.edu (LAiRD j. NeLSoN)
Subject: Re: K2000R. You don't scare me. Nyah!
Organization: Amherst College
X-Newsreader: TIN [version 1.1 PL7]
Date: Wed, 16 Dec 1992 20:36:09 GMT

Scott Amspoker (scott@bbx.basis.com) wrote:
> Nick Rothwell writes:
> >But right now it's a
> >waste of money given the creative options I have available with the Peavey
> >and the Fostex MIDI mixers.
>          ^^^^^^^^^^^^^^^^^^
> Mini-review, please?  I've been seeing ads for these.  How quiet are they?

Consider this a second request.  I believe it was MOTU that made a MIDI mixer
modeled after the same idea--and it was noisier than hell.

Do these things even come close to touching something like a Mackie 1604?

LAiRD

--
ljnelson@unix.amherst.edu           |
ljnelson@amh.amherst.edu            |          The Quintet-essential.
(413) 542-2932                      |
Xref: sparky rec.music.makers.synth:737 rec.music.makers.guitar:928
From: sirius@corona.chel.su (Sirius Co.)
Newsgroups: rec.music.makers.synth,rec.music.makers.guitar
Subject: Hearty request from Russia.
Date: 12 Dec 92 05:05:59 GMT
Reply-To: sirius@corona.chel.su
Organization: Sirius Co.


  I have no way to get any good foreign publications about musical gears in my
country.
  Could you send to me any journals about synth and effects, gears,makers ideas,
sound engineering and etc, be so kind.
  I will be thankful very much.

        Russia                                          Thanks
 455026, Magnitogorsk
 Gagarina Street 17, 31                             Michael Nazarov
    Michael Nazarov