HDTenEightyP/NetNews huggingface dataset:
From: abw@natchez.bu.edu (Al Wesolowsky)
Newsgroups: rec.arts.movies
Subject: Re: The Long Goodbye - Elliot Gould as a gumshoe
Date: 9 Oct 92 19:58:08 GMT
Organization: Boston University

In article <BvL4D7.GM4@well.sf.ca.us> rchao@well.sf.ca.us (Robert Chao) writes:
>
>I just saw the rather strange Robert Altman film, The Long Goodbye. It was
                ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Redundancy alert!

>based on a Raymond Chandler novel and feature Elliot Gould. The thing

I saw it in its original release, ca. '75, but remember it pretty well. I
liked it a lot.

>What did you think of this film? It was like other Altman movies I've seen

I think it's one of the best things he's ever done, which shows what he
can do when he's given some kind of a plot, IMHO.  

But, (spoiler follows)


The ending, when Gould offs the baddie, goes against everything
Chandler ever wrote. Visceral, cathartic, possibly tacked on by the
studio brass, but just plain *wrong*.

And the line, "You killed my cat," was egregious.
 
-- 
Al B. Wesolowsky  abw@crsa.bu.edu - Horked compilers, faithless systems,
Boston University abw@acs.bu.edu       Red-eye whiskey for the pain.
From: bole@hmivax.humgen.upenn.edu (Greg Bole)
Newsgroups: rec.arts.movies
Subject: Re: "1492"
Date: 9 Oct 92 20:01:40 GMT
Organization: HHMI/Human Genetics, Univ of Pa.

In article <22808@galaxy.ucr.edu>, stranger@watserv.ucr.edu 
(Katherine T Lim) writes:
 
> "1492" comes out on Friday, Oct. 9.  I believe that
> it's bound to be good.  

I saw an advanced screening...and I think if you go in with that 
attitude (as I did) you are in store for a dissapointment (as I was).

It *is* a good film, but severly flawed in my mind...I posted a short review
earlier under the favorite directors thread.  Scott is one of mine...but 
this movie didn't measure up to his past ones (except maybe _Black Rain_
and _Legend_) in my mind.  

> BTW, are there any Gerard Depardieu fanatics out there besides me?  
> I'd like to meet you!

I've only seen him in this and _Cyrano De Bergerac_...and that is one of my 
favorite movies, and performances EVER!

Depardieu is good in _1492_, but I didn't care for the way the character was
written, and a French Colombus was a little distracting.  (And he was
occasionaly hard to understand)  But as a big fan, I think you will be happy
with his performance.

Greg Bole                                "What kind of mother would I be if I
bole@hmivax.humgen.upenn.edu              didn't give my girls tits...tips?"
                                             Dustin Hoffman in _Tootsie_
From: "eric walker" <eric.walker@channel1.com>
Newsgroups: rec.arts.movies
Subject: last of the mohicans-
Date: 10 Oct 92 14:09:41 EST
Reply-To: "eric walker" <eric.walker@channel1.com>
Distribution: rec
Organization: Channel 1 Communications

AH>A coup,e of recent films have been advertised as having been "Filmed in
AH>Panavision" and have in fact been standard 1.85:1 format films. Woody

     The credits to "Who Framed Roger Rabbit" say that it was filmed in
     Panavision, but even the CAV laserdisc of the movie doesn't show it in
     its correct aspect ratio.  The 'boxing on there is insignificant -
     similar to the letterboxing done with the disc of E.T.
---
  SLMR 2.1a  I am willing/I am ready/I believe. Lay your hands on me!
--
Channel 1 (R)   Cambridge, MA
From: Harv@cup.portal.com (Harv R Laser)
Newsgroups: rec.arts.movies
Subject: FTP site for r.a.m.r archives?
Date: Fri, 16 Oct 92 09:46:33 PDT
Organization: The Portal System (TM)

Is there an anonymous FTP site on which are stored the reviews
which have appeared in rec.arts.movies.reviews? 

Thanks
From: hamster@werple.apana.org.au (Anthony Horan)
Newsgroups: rec.arts.movies
Subject: Re: ALIEN 3 soundtrack
Date: 14 Oct 92 15:20:17 GMT
Organization: werple public-access UNIX, Melbourne
NNTP-Posting-Host: werple.apana.org.au

ss@wpi.WPI.EDU (Scott Streeter) writes:


>The CD is in Surround. I was considering buying it because of this.

Is it? It doesn't say anything about that on the cover; there's a Dolby
Stereo logo there, but like the Panavision one next to it, I assume that
applies to the film itself...

-- 
(@)  (@)                            |    Anthony Horan
   UU                               | Melbourne Australia
////////                            | "Alas, poor kcirroY...
hamster@werple.apana.org.au         | I knew him backwards!"
Newsgroups: rec.arts.movies,alt.cult-movies
From: kimp@rs6414.ecs.rpi.edu (Phil Kim)
Subject: Fav films?
Reply-To: kimp@rpi.edu
Organization: Rensselaer Polytechnic Institute, Troy, NY.
Date: Thu, 15 Oct 1992 13:19:10 GMT

I need to expand my video library NOW.  So if you have a list of films (preferably 10 or less) that everyone MUST (or should) have, please list them here or send me an e-mail.
From: jmann@vineland.pubs.stratus.com (Jim Mann)
Newsgroups: rec.arts.movies
Subject: Re: Hero SUCKED
Date: 7 Oct 92 19:34:32 GMT
Reply-To: jmann@vineland.pubs.stratus.com

In article <BvrHGo.3vG@acsu.buffalo.edu> mec@acsu.buffalo.edu (Marie  
E. Copertino) writes:
> 
> 
> 		This was the worst movie I've seen in a lonnnnng time.
> I can't believe Dustin Hoffman, Geena Davis and Al Pacino had  
*anything*
> to do with this movie.
> 
> 		It hits you over the head with goody-goody themes, and 
> insults our intelligence by over-clarifying at the end.
> 

Which "goody-goody themes" are you refering to?

1. That appearences can be deceiving.
2. That the media has huge power in deciding who is a hero and
   and who isn't.
3. That what we mean by "hero" isn't really clear. (Who was the
   hero in Hero?  Hoffman?  Garcia?  Both?  Neither?)
4. That image can be more important (at least in some practical
   matters) than substance.  (That is, what mattered is that
   Garcia seemed to be the hero, and he used this image in
   positive ways. But it was just image.)

The closest thing I can see to a "goody-goody" theme is the
theme of one person making a difference.  But the fact that this
is being done by a character who is living a lie raises some
interesting points about this, and sheds some light on what is
important and what isn't in such a situation.

--
Jim Mann            
Stratus Computer   jmann@vineland.pubs.stratus.com
From: dunster@sdsu.edu (mark dunster)
Newsgroups: rec.arts.movies
Subject: Re: WORST SEQUEL????
Date: 16 Oct 92 01:31:52 GMT
Organization: sdsu

In article <1bj62iINN7n7@seven-up.East.Sun.COM>, joneil@heretix.East.Sun.COM (JJOOJJOOJJOOJJOOJJO) writes:
> 
> So which movies do you guys consider the WORST SEQUEL to a hit movie???
> 
> i think       --ROBOCOP really sucked rocks
>                  --ALIEN ^ 3 blew chunks
>                  --PREATOR 2 was a real disappointment
> 
> john


How about Exorcist 2 ?   Truly an abomination. (The original was
brilliant IMHO).


Mark.
From: grayt@Software.Mitel.COM (Tom Gray)
Newsgroups: rec.arts.movies
Subject: Re: Hero and Meet John Doe
Date: 8 Oct 92 12:32:08 GMT
Organization: Mitel. Kanata (Ontario). Canada.

In article <russur.718486310@convex.convex.com> russur@convex.com (Russ Urquhart) writes:
>You may want to refer to either this months of last months Vogue magazine
>where they have an interview with Frears. In the interview he states that Hero
>is inspired/homage to Capra and also to Meet John doe (I think). 
>
>"Meet John Doe" is one of my favorite movies, and the first movie where I fell
>in love with Barbara Stanwcky(sp?).
>
>It holds up very well, and I am making friend of mine watch it BEFORE we see
>Hero.

I hold the same opinion that you do about the quality of "Meet John Doe".
It is a movie that is going to be remembered. I hope that you are not
too disappointed about "Hero". "Hero" is not a further exploration of the
themes brought forth by Capra in MJD but is a shallow copy of the original. 

Capra showed cynicism being overcome by idealism. He showed greed and 
self-interest being overcome by altrusism. He shoed these in a credible way.
A way that could make one believe in the inherent virtue of his fellow
man.

Hero (even excluding the embarrassing performance of Chevy Chase) trivialises
these important themes. It attempts to show the altruism that is at the heart
of every person but it does so in such a preposterous manner that the point is
lost. Compare the ending of MJD where Gary Cooper regains his faith by
seeing the effect he has had on his followers with the ridiculous ending
of "Hero" in which a baby conveniently falls into a lion cage for 
Dustin Hoffman to save.

Frear should have created his own movie rather than poorly copying a classic.


Another poster disagreed with me that Hero was a boring rip off.  I respect
his opinion but reassert mine. Hero is a bring rip off of a great movie.
Save the price of admission to "Hero". Rent "Meet John Doe". It is far
more entertaining and more deeply explores some truths about the human
exiatence which Hero trivialises.








-- 
i.sinature
Newsgroups: rec.arts.movies
From: wildman@athena.mit.edu (Timothy Worsley)
Subject: Re: Tabula Rasa
Reply-To: eprice@sybase.com
Organization: Massachusetts Institute of Technology
Date: Mon, 12 Oct 1992 18:32:09 GMT

In article <1992Oct12.133324.786@eng.cam.ac.uk>
sjm1@eng.cam.ac.uk (Stephen Mounsey) writes:

>Wonderful stuff. If you were taken by it then try the following 3 
>recordings (also on ECM):
>
>Arbos
>Passio
>Miserere

This is getting way off topic (and should probably move to
rec.music.classical or whatever it's called) but I just thought I'd
say that although I love "Tabula Rasa" I don't care for "Arbos" or
"Passio" quite as much.  But I do recommend another CD, BIS CD-434,
which has a cello concerto which is very cool, "Perpetuum Mobile"
which is greatl (reminiscent to me of Glenn Branca's symphonies for
some reason), and three of his symphonies (# 1, 2, and 3).  There's
also a relatively new recording by Christopher Bowers-Broadbent on
organ performing three pieces, one by Part, one by P.M.Davies and one
by Philip Glass.  I like the Glass piece a lot.  ECM 1431.  *And*
there is another version of "Fratres" on "Winter Was hard"--an album
by the Kronos Quartet, which also contains John Zorn's "Forbidden
Fruit" (from "Spillane", which anyone who likes film-noir should own)
and John Lurie's "Bella By Barlight" which is from the soundtrack of
STRANGER THAN PARADISE...

(Well, at least I managed to get some sort of film tie-in there...)

-Ed (not Tim), eprice@sybase.com (not wildman@...)
Newsgroups: rec.arts.movies
From: faa@athena.cs.wayne.edu (Felicitas A. Atabong)
Subject: A Room with a View for the second time.
Organization: Wayne State University, Detroit, MI
Distribution: usa
Date: Thu, 15 Oct 1992 12:55:54 GMT

Thanks to all those who asked me to see "A Room with a View" one more
time.  I saw this movie a few years back, and was quite amazed when I
read on the net that Cecil was played by Daniel Day Lewis.  Well, after
looking hard last night and listening carefully to the voice, I finally
convinced myself it was really him. What an incredible actor!
From: lew@cbnewsd.cb.att.com (lewis.h.mammel..jr)
Newsgroups: rec.arts.movies
Subject: Re: Rosencrantz and Guildenstern are Dead
Summary: reality, it blows the mind most bitterly
Date: 16 Oct 92 21:36:50 GMT
Organization: AT&T

In article <47232.2899213684@kiwi.gen.nz>, rabbi@kiwi.gen.nz (Rabbi Bajzheet) writes:
> 
> What was the coin flipping thing about? Was it just to demonstrate that they
> weren't really in the real world?

Well, it did do that, didn't it - but then we knew it already! More
to the point, it was a clue by which the characters came to suspect
that they themselves were not real. I thought it was quite clever.

> ........................  Why all the stuff aout Rosencrantz discovring
> basic physical laws all the time?

I felt it was his way of trying to assert his own reality. Each of
these efforts met with ridicule and humiliation, reflective of the
futility of his enterprise. ( Cf. Escher's "dragon biting its tail" )


Lew Mammel, Jr.
From: "eric walker" <eric.walker@channel1.com>
Newsgroups: rec.arts.movies
Subject: wicked, bad, scary mo
Date: 12 Oct 92 22:42:22 EST
Reply-To: "eric walker" <eric.walker@channel1.com>
Distribution: rec
Organization: Channel 1 Communications

BED>        I'm looking for some really frightening movies.  I don't want any of
BED>those sophomoric, gore movies that hollywood seems to think are scary, but t
BED>actually aren't.  I want some "I can't turn the light out until tomorrow
BED>morning because bad things might be coming for me" movies.  Email or Post,

     One of Robert Mitchum's most famous roles came in the classic 1955
     movie NIGHT OF THE HUNTER.  You can't do much better than that.

     And while we're at it, don't forget DIABOLIQUE.
---
  SLMR 2.1a  Don't blame me for gravity; I voted for Velcro.
--
Channel 1 (R)   Cambridge, MA
From: mem@mv.mv.com (Mark E. Mallett)
Newsgroups: rec.arts.movies
Subject: Re: SNEAKERS AND CHEVY CHASE?!?!?
Date: 16 Oct 92 21:51:12 GMT
Organization: MV Communications, Inc.

In article <fletch.719111972@camelot> fletch@camelot.bradley.edu (Alan Lurie) writes:
>	Okay.  I could have sworn I saw Chevy Chase listed in the paper as
>appearing in SNEAKERS.  However, when I went to see it, I didn't see so much
>as a cameo of him!  What gives???

Maybe he was invisible.

-mm-
-- 
Mark E. Mallett  MV Communications, Inc./ PO Box 4963/ Manchester NH/ 03108
Bus. Phone: 603 429 2223    Home: 603 424 8129     BIX: mmallett
Internet: mem@mv.MV.COM  ( uucp: ...{decvax|harvard}!mv!mem )
Looking for news and mail in southern NH / northern MA?  Try MV!
Newsgroups: rec.arts.movies
From: edw@boi.hp.com (Edward Walsh)
Subject: Re: Why Bladerunner ?
Date: Sat, 10 Oct 1992 01:05:46 GMT
Organization: Hewlett-Packard / Boise, Idaho
X-Newsreader: Tin 1.1 PL4

K.R.Catchpole3@lut.ac.uk writes:
: 
: 	Whith all this Bladerunner talk, I'd like to know where the name comes
: from. I see in the end credits it is attributed to William Burroughs,and I 
: confess to being a total Burroughs fan, but am intrigued as to why and in what
: cicumstances Burroughs came up with it.

He wrote a book called bladerunner. It is set in the future, and I believe
it involves organlegging....I believe there are some similarities to the
movie. I havn't read it yet, but I am next in line for the copy at my local
library.
------------------------------Edward Walsh----Hewlett-Packard Company-------
                              edw@boi.hp.com  Disk Memory Division, MS213
                              (208)323-2174   P.O. Box 39  Boise,Idaho 83707
                              FJ1200'89,XZ550RJ(Vision)'82,DoD#98
From: gorrindo@hpcc01.corp.hp.com (Sue Gorrindo)
Date: Tue, 13 Oct 1992 00:03:01 GMT
Subject: Re: Soundtrack for "Somewhere in Time"
Organization: the HP Corporate notes server
Newsgroups: rec.arts.movies

I bought the soundtrack for Somewhere in Time about two months ago.
In fact I got it out of a bargain bin.  (Maybe that is why you are
having trouble finding it).

I would think that any large music store would have it - yes, it is
beautiful.
Newsgroups: rec.arts.movies
From: frankm@microsoft.com (Frank R.A.J. Maloney)
Subject: Re: Shooting in circles (was: the absolute worst movie of all time, ...)
Date: 15 Oct 92 14:48:41 GMT
Organization: Microsoft Windows/DOS Users Ed Group

This thread reminds of another trick with the roving camera, although I
haven't a clue what the technical name might be.  In this technique,
the camera is the character's eyes, we see what he (or she) sees
without seeing the character per se.

I am reminded of this because I recently saw Delmer Daves's 1947 caper
film DARK PASSAGE, with Bogie, Bacall, Agnes Moorehead, and Bruce
Bennett, in which Bogie played an escaped convict who undergoes plastic
surgery. The movie is shot from his point of view until the bandages
come off. It's a lot of fun, even if completely misleading about the
wonders of plastic surgery. Really, the best thing about this film,
aside from the magic of Bogie and Bacall and the totally over-the-top
performance by Moorehead, is the ending which goes against all sorts of
conventions of the time.

But it occurs to me that this point-of-view shooting was more
irritating than anything else and really did not work; it certainly is
not convincing that we are seeing things through another's eyes, and
winds up just being self-conscious and artificial.

I know this has been done in other films from time to time, but I can't
remember the titles just off the top of my head.

-- 
Frank Richard Aloysius Jude Maloney
	"Well, I'm a little muddled." -- Glinda
Newsgroups: rec.arts.movies
From: mccreary@sword.eng.hou.compaq.com (Ed McCreary)
Subject: Re: Robocop 3 ?
Organization: Compaq Computer Corp.
Date: Tue, 13 Oct 1992 14:42:04 GMT

In article <Bw26sL.48u@gabriel.keele.ac.uk> u0f98@seq1.keele.ac.uk (DJ Robinson) writes:
>From article <1687F2C9D.MHART00@RICEVM1.RICE.EDU>, by mason:
>> I heard a rumor recently that Robocop 3 was finished and "in the
>> can."  True or false?  I've always enjoyed action movies with little
>> or no plot ...
>>  
>> "Life IS pain.  Anyone who tells you differently is selling something."
>> -- mason
>
>The word is the film is complete but since it is made by Orion who have
>now gone bust, there is no money to release and promote the film.
>The same company made Silence of the Lambs and while Anthony Hopkins,
>Jodie Foster and Jonathan Demme all want to make the sequel they have to
>wait until someone else buys the rights to make the film.
>	Dominator


If memory servers, DEG or whatever Dino's new company is, hold's the
right to the Hannibal Lector character.  Universal wants them, but
DEG is holding out for a better price.  As a result, Universal is holding
back the release of _Army of Darkness_ (really Evil Dead III).  As an
aside, all of the major player in SOL have said that they would like
to make another movie together, probably "The Good Doctor" when it
get's released.

--
In the midst of the word he was trying to say,|McCreary@sword.eng.hou.compaq.com
     In the midst of his laughter and glee,   |Me, speak for Compaq?  
He had softly and suddenly vanished away---   |Yeah, right.
     For the Snark *was* a Boojum, you see.   |#include <stddisclaimer.h>
From: Harv@cup.portal.com (Harv R Laser)
Newsgroups: rec.arts.movies
Subject: Re: What's the plot of the Manchurian candidate?
Date: Mon, 12 Oct 92 23:21:29 PDT
Organization: The Portal System (TM)

>There's a lot of talk about the Bush campaign comparing
>Bill Clinton to the "Manchurian Candidate." (by innuendo).
>
>Can somebody post the plot to this movie?
>
>--------------
>Colin
>cma@titan.ucc.umass.edu
>     

It was re-released a couple years ago after not having been seen
in public for a couple decades (Frank Sinatra was sitting on it,
believe it or not, but that's another story).

In a nutshell, an American officer during the Korean War is captured
and brainwashed by the Chinese.  He is "programmed" by his captors to
respond to one particular stimulus (which I won't explain here since
it would be a spoiler) at which time he is completely open to 
suggestion/command. He's sent back to America, unaware of his
programming, to perform a political assassination. 

It's a very well made and well acted film with the late Lawrence
Harvey as the lead character.  Since it was recently re-released
it should be easily gettable at your local video rental place.

Harv
From: jseaver@bigwpi.WPI.EDU (Jason John Seaver)
Newsgroups: rec.arts.movies
Subject: Re: Ken Branagh
Date: 15 Oct 1992 18:56:54 GMT
Organization: Worcester Polytechnic Institute
NNTP-Posting-Host: bigwpi.wpi.edu

In article <1992Oct15.152915.23069@cs.ucla.edu> reiher@ficus.cs.ucla.edu (Peter Reiher) writes:
>In article <Bw5K14.CFp@news.cso.uiuc.edu> tara@uxa.cso.uiuc.edu (Lady Johanna Constantine) writes:
>>Update:
>>
>>Incase no one knows, the next project for film will be "Much Ado About 
>>Nothing". You all get to guess who plays who.
>>
>>Ken is directing again.

	Cool.  I'd like to see someone do a of from "The Taming of the
Shrew", though.

>I presume you know about "Peter's Friends", which will be released by
>the Samuel Goldwyn Company some time in early 1993.  Branagh directed,
>and it stars Fry and Laurie (a British comedy team perhaps best known
>here in the U.S. for the Jeeves and Wooster series on "Masterpiece
>Theater"), Branagh, and, of course, Emma Thompson.  It's been described
>as a British "Big Chill".  Variety didn't especially like it, but that's
>just one reviewer.

	I'm more familiar with Fry and Laurie for their parts in "Black Adder"
and their series "A Bit of Fry and Laurie"; the prospect of them doing a movie
is great.

						-jay
From: ssc@nwu.edu (Steven Chung)
Newsgroups: rec.arts.movies
Subject: Re: Questions about movie theatures
Date: 14 Oct 92 21:22:20 GMT
Article-I.D.: news.1992Oct14.212220.2292
Organization: Northwestern University, Evanston Illinois.
Originator: schung@casbah.acns.nwu.edu

In article <1992Oct14.162110.24642@eecs.nwu.edu> kaufman@eecs.nwu.edu (Michael L. Kaufman) writes:
# 
# Could someone explain something to me? Why is the dollar/theature so much
# higher in Europe then it is here? I didn't include the rest of the two 
# articles, but the trend was the same. European theatures pull in three or
# four times more per theature then American ones. Are the theatures in Europe 
# larger? Do they charge more per ticket? Do they have more showings? Or is it
# something else I am not thinking of?

Like practically everything else, movies in Europe cost twice as much as
they do here.  They do, however, have bars (at least in London).
The reason--taxes, regulations, etc. would be my guess.
Newsgroups: rec.arts.movies
From: izeek@techunix.technion.ac.il (Ilan Aisic)
Subject: Harry Dean Stanton
Organization: Technion, Israel Inst. of Technology
Date: Fri, 9 Oct 1992 20:47:55 GMT


Xref: sparky rec.arts.movies:30444 alt.cult-movies:9152
From: donnell@orca.micro.umn.edu (Your Heinous)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: the absolute worst movie of all time, so bad it's bad
Date: 16 Oct 92 16:01:40 GMT
Organization: none

In article <1992Oct16.041032.8552@dartvax.dartmouth.edu> Joseph.J.Marcheso.Jr.@dartmouth.edu (Joseph J. Marcheso Jr.) writes:
>In article <1992Oct16.013132.22637@ccu.umanitoba.ca>
>vnelson@ccu.umanitoba.ca (Gerald Vernon Nelson) writes:
>
>> Actually, I kind of liked "Eve of Destruction"
>> 
>> If you want really bad......A
>> How about that 90 minute commercial "Mac n Me"?
>How could you like "Eve of Destruction?" Was it the non-existent plot
>line which appealed to you? Low production values? Was it the stellar
>acting i.e. Gregory Hines? The Dantesque apocalyptic symbolism? I
>suppose you also have a soft spot for "Yog, the Monster from Space"

It wasn't that bad, and featured some nice camera work.  And the production
values were more than it deserved. I thought it came off like a 
really well done TV movie. 
Somebody must have liked it, because ABC ripped it off and called
it "Man And Machine" or some shit. Think they just cancelled that one 
though.

					--Judex--
Newsgroups: rec.arts.movies,rec.games.trivia
From: a3@rivm.nl (Adri Verhoef)
Subject: Re: Insects on film
Organization: Rijksinstituut voor Volksgezondheid en Milieuhygiene,Bilthoven,NL
Date: Sat, 10 Oct 1992 12:16:31 GMT

Oh no, this is getting out of hand again.

Look, people, hamel@uakari.primate.wisc.edu (Ray Hamel) writes:

>>	Send your suggestions via e-mail to hamel@primate.wisc.edu.  I
>>will summarize and post in the near future.

I'll translate that for the deaf, dumb and blind people:

	Send your suggestions
				via e-mail
					     to hamel@primate.wisc.edu.

	I will summarize and post
				  in the near future.


What's the matter with these people who can't understand what Ray writes?
-- 
* Slade Mailing List:  slade-request@rivm.nl                |       ,==.
* European top 20               : a3@rivm.nl                |      /U  |
* Nederlandse songfragmentenquiz: a3@rivm.nl (Adri Verhoef) |     /_  <
* Dutch Artists Lyrics Quiz     : a3@rivm.nl                |    =" `g'
Xref: sparky rec.arts.movies:29872 rec.games.trivia:3292 bit.listserv.cinema-l:7440 rec.arts.tv:19668