HDTenEightyP/NetNews huggingface dataset:
From: boyajian@ruby.enet.dec.com (The fox so cunning and free)
Newsgroups: rec.arts.movies
Subject: Re: New versions Aliens, The Abyss, Bladerunner ?
Date: 11 Apr 92 15:50:24 GMT
Organization: Digital Equipment Corporation

In article <dvlmal.702854615@zeus>, dvlmal@cs.umu.se (Mats Arvendal) writes...

} I've heard some roumors that new video-releases of Alien, The Abyss
} and Bladerunner coming out this spring. Anyone else heard something
} about this?

ALIEN:

A new laserdisc release of ALIEN is coming out Real Soon Now (I've heard
release dates of both April and May). It's a "companion" release to last
December's ALIENS release. Like the previous disc, it should be both
letterboxed and CAV, and undoubtedly supplements, but I've seen word on
whether it will actually have new footage added to the film as ALIENS
did.

THE ABYSS:

It was said back when THE ABYSS was first released on video that Cameron
was going to work on creating an extended version of THE ABYSS -- restoring
footage cut out prior to the film's theatrical release, including the
standing tidal wave sequence -- for release in the (then) near future.
I've heard no word about it since, though, and Cameron seems to be keeping
busy with other things. Flag this one with "don't hold your breath".

BLADE RUNNER:

There's a lot of conflicting word about this. A quasi-director's cut was
release to a couple of theaters in California last year as something of
a test release. Reaction was highly positive, so a regular release was
suddenly in the working stages. However, it's been said that Ridley Scott
wants to tinker with it some more before it gets released. On the other
hand, he's been shooting a new movie about Christopher Columbus, so I
assume that he'll get to tinkering with BLADE RUNNER after he's done with
that. At any rate, the plans are for a theatrical release of the Old &
Improved BLADE RUNNER, so the video will be a ways off.

(Before the test screenings in California showed such a widespread interest
in the film -- the rumors were that a "director's cut" was being prepared
for laserdisc for what was perceived to be a fairly small videophiles
market.)

-- 

	"Buster, this trip downriver has been truly special.
	 Downright Twainian in a Hitchcockian sort of way."


--- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA)

    boyajian@ruby.enet.dec.com
From: tmiller@prism.gatech.EDU (Thomas Miller)
Newsgroups: rec.arts.movies
Subject: Old horror movie: need title
Keywords: ...
Date: 13 Apr 92 20:58:08 GMT
Organization: Georgia Institute of Technology



  Hi there...I'm trying to find the name of an old movie that I 
remember seeing when I was 11 or so.  It involved some kind of
monster that resided within ocean water, and the protagonists
were trapped on an island I think.  The thing would contaminate
the water as I recall; it then burned people (like acid) who 
dipped or fell in it.  If it helps, at the end, the monster took
a more substantial form and engaged in physical combat (and lost).
  Thanks for any help...


-- 
Thomas Miller          GT EE '92          Atlanta Braves - '91 NL Champions 
Georgia Institute of Technology, Atlanta Georgia, 30332
uucp:	  ...!{decvax,hplabs,ncar,purdue,rutgers}!gatech!prism!tmiller
Internet: tmiller@prism.gatech.edu
From: elambert@qualcom.qualcomm.com (Eber Lambert)
Newsgroups: rec.arts.movies
Subject: Re: Streisand and (5 - (5 - n)) = n
Date: 6 Apr 92 19:27:47 GMT
Article-I.D.: qualcom.elambert.702588467
Distribution: na
Organization: Qualcomm, Inc., San Diego, CA


Didnt it all start (the anti Streisand conspiracy) when she stood up
the Carson show back in 75?

el
--
From: scavanag@neumann.une.oz.au (Steven Cavanagh)
Newsgroups: rec.arts.movies
Subject: Re: T2 is crap!
Date: 11 Apr 92 00:03:22 GMT
Reply-To: scavanag@neumann.une.oz.au
Originator: scavanag@neumann.une.oz.au

From article <madkiwi.702851806@camelot>, by madkiwi@camelot.bradley.edu (Michael Eade):
> 
> T-1000, once he has touched a person, can simulate that person and their voice.  Once he touched Sarah, he would've offed her.  
> 
> Much too civilized for a machine that hates humans, don't you think?


NO NO NO!!!!!

You may be right/wrong, but this exact topic has JUST BEEN DISCUSSED IN
GREAT DETAIL.

Don't start it again!!


AAIIIIIEEEEE!!!


_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-
                                |
Steven Cavanagh                 |        So many women-
(Cav)                           |
                                |                      -So little charisma.
scavanag@neumann.une.oz.au      |
                                |
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-
From: lhb6v@faraday.clas.Virginia.EDU (Laura Hayes Burchard)
Newsgroups: rec.arts.movies
Subject: Re: Henry V
Date: 13 Apr 92 12:13:46 GMT
Organization: University of Virginia


In article <1992Apr7.195926.2179@athena.mit.edu> rmbandy@athena.mit.edu (Reba M Bandyopadhyay) writes:
>I am very interested in finding any articles, interviews, or essays
>about Kenneth Branagh's HENRY V.  Is there a net archive of the 
>discussion of this film?

Gee, another member of the saw it too late to join the net discussion 
club :)

I'm curious... would it be appropriate to post a bibliography here? I got
several requests after an earlier posting that cited a piece in Critical
Quarterly, so I was putting together a list of references for them on
Henry V and Branagh.

BTW, does anybody know what, if anything, Branagh is doing/planning on
stage or screen?

Laura


--

Address alias changed -- good addresses are now lhb4v@virginia.edu and
lhb6v@faraday.clas.virginia.edu
Organization: University of Maine System
Date: Friday, 10 Apr 1992 18:52:21 EDT
From: <IO20456@MAINE.MAINE.EDU>
Newsgroups: rec.arts.movies
Subject: Jacob's Ladder

Is there anyone out there who can tell me when Jacob's Ladder was released,
and during what season? E-mail the answer. Thanx.
From: farrell@ohstpy.mps.ohio-state.edu
Newsgroups: rec.arts.movies
Subject: Re: Censorship of nudity (was Re: Photo of minor)
Date: 7 Apr 92 20:55:38 GMT

In Message-ID: <winicur.702614718@beagle>,winicur@boulder.Colorado.EDU 
(Zev Winicur) listed:
>First of all, Charles Martin Smith does at least one full frontal nudity
>scene in "Never Cry Wolf."  You may remember him as the accountant in "The
>Untouchables" (with Kevin Costner).

>Second of all, "Doc Hollywood" has a full frontal nudity scene (albeit from a
>small distance) of his love interest.  Her name escapes me at the moment. 

>The movie "1984", which I do believe came out in '85, has a couple of full
>frontal shots of the main woman.

>Any more?
 
I thought this thread was originally about the claim that in movies there 
are many more frontal nudity scenes of females than of males? 
And not about making a list of every movie that contained a scene of Full-
Frontal Nudity (FFN).  That would be a very long list!  ;-)
--
Margie
From: v115p8d6@ubvmsb.cc.buffalo.edu (Quenby M Chunco)
Newsgroups: rec.arts.movies
Subject: Re: BASIC INSTINCT (Spoilers!) Who did who?
Date: 13 Apr 92 20:41:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

In article <1992Apr10.083101.10703@news.Hawaii.Edu>, careyk@uhunix.uhcc.Hawaii.Edu (Carey Kinoshita) writes...
>In article <1992Apr7.185639.26553@awdprime.austin.ibm.com> craigb@ot.austin.ibm.com writes:
>>Can anyone fill in the question marks in the following?
>>
>>Victim			Killer
>>------			------
>>Catherine's parent
>                        Answer is Catherine
>                         
>>Berkeley professor	
>                        Answer is Catherine
> 
>>Beth's husband
>                        Answer is Catherine
> 
>>The ex-rock star
>                        Answer is Catherine
> 
>                          
>>The IAD man
>                        Answer is Catherine
> 
>>Shooter's partner
>                        Answer is Catherine
> 
>The killer is Catherine and Elizabeth   Gardener is totally innocent.
                             ?????????



I have a question here...who did Elizabeth kill?
From: hainer+@pitt.edu (Jon M Hainer)
Newsgroups: rec.arts.movies
Subject: Re: naked ellen barkin (was Re: Eroticism without nudity)
Date: 14 Apr 92 16:29:08 GMT
Organization: University of Pittsburgh

In article <1992Apr13.151324.1@mscf.med.upenn.edu> captiveall@mscf.med.upenn.edu (Mr. 14's Ubiquitous Drama) writes:
>In article <1992Apr9.173822.18985@iWarp.intel.com>, Randal L. Schwartz writes:
>
>> And, according to "The Bare Facts Guide", Ellen used a body double for
>> the scenes in "Sea of Love".  I don't remember what it said about "The
>> Big Easy".  She *did* appear naked in Siesta, if it really matters.
>
>which begs the obvious question, why would an actor/actress use a body
>double in one movie, yet be willing to "bare all" in another?  does it
>have to do with "degrees" of nudity? ("i'll do that, but i most
>definitely won't do *that*!).

The obvious answer is how badly does the actress need the job, and how
badly does the movie need the actress?

Siesta producer:  "Barkin?  Never heard of her.  Either she takes her
clothes off, or we get some other unknown."

Sea of Love producer:  "Miss Barkin, please sit down.  I loved 'The
Big Easy'.  You want a body double?  No problem.  You want a valet on
the set?  We'll work on it.  You want a ...?"

:-)

Jon Hainer
University of Pittsburgh
hainer@vms.cis.pitt.edu
From: tjp@jyu.fi (Topi Paavola)
Newsgroups: rec.arts.movies
Subject: Help find some music in "The Omen"
Date: 14 Apr 92 06:49:59 GMT
Organization: University of Jyvaskyla, Finland

In the film "The Omen" there was a really good-sounding classical piece for
choir and orchestra, and I'd like to know its composer and name.  If I
remember correctly (it's been quite a while since I watched the film) it played
at least in the scene where Damien knocks his mother down with the tricycle.
This may be a bit vague, but I hope some of you gurus know what I mean :)
Thanks in advance.

- Topi Paavola (tjp@jyu.fi)
From: melindac@thedarktower.Corp.Sun.COM (I Shop therefore I AM!!)
Newsgroups: rec.arts.movies
Subject: Re: BASIC INSTINCT (Spoilers!) Who did who?
Date: 13 Apr 92 17:02:40 GMT
Organization: Sun Microsystems, Mt. View, Ca.
NNTP-Posting-Host: thedarktower.corp.sun.com

Possible spoilers:

In article <1992Apr10.163738.28891@spool.cs.wisc.edu> michaili@blondie.cs.wisc.edu (Afroditi Michailidi) writes:
>Spoilers (if you call my speculations spoilers, that is :-)
>
>>Shooter's partner
>Catherine. I cannot believe the Beth would keep her hand in her pocket if she
>were the murderess. And there's Catherine's book and her assertion that there
>_must_ be a murder. A nice way to frame Beth too.
>
>                              Afroditi

Yes, that was a perfect way to frame Beth but if Shooter or the
other cops were smart, they should have figured out that Catherine's
book about Shooter *hadn't* been published yet. She was just printing
it out on her printer at her home when Shooter read the part about
a partner being killed in her book. There was no way that Beth could
have read it to commit the exact murder described in Catherine's book.

	Melinda
From: gfm@ccs.northeastern.edu (george f mcbay)
Newsgroups: rec.arts.movies
Subject: Re: Stephen King
Date: 12 Apr 92 20:14:35 GMT
Organization: Comp. Sci. @ NU

In article <92101.184213IO20456@MAINE.MAINE.EDU> IO20456@MAINE.MAINE.EDU writes:
>Stephen King not only had a cameo appearance in Pet Semetary as the priest
>presiding over the little boy's funeral, but King also wrote the screenplay.

	I could be wrong but I've heard that King's "thing" is to make 
Cameo apperances in any movie he wrote the screenplay for
(Though the only other movie I can think of right now is Maximum Overdrive)
From: csroc@dime.prime.com (Charles Sroczynski x4014 5-2)
Newsgroups: rec.arts.movies
Subject: Re: Eroticism without nudity
Date: 9 Apr 92 14:01:09 GMT
Reply-To: csroc@dime.UUCP (Charles Sroczynski x4014 5-2)
Organization: Prime Computervision, Bedford MA

In article <1992Apr8.181406.2711@ncar.ucar.edu> jsloan@ncar.ucar.edu (John Sloan) writes:
>
>Eroticism is probably _easier_ without nudity since, in a matter similar
...
>votes go to any scene with Simone Simon in the original CAT PEOPLE, or
>any scene with Greta Garbo in NINOTCHKA. Lordy lordy lordy, makes you
>_almost_ forget Kathleen Turner in BODY HEAT...


Those are all very good... but
my favorite is Lana Turners
performance in 
The Postman Always Knocks Twice.
From: bole@hmivax.humgen.upenn.edu (Greg Bole)
Newsgroups: rec.arts.movies
Subject: Richard the Lionheart (was Re: Alan Hale)
Date: 7 Apr 92 19:31:21 GMT
Organization: HHMI/Human Genetics, Univ of Pa.

>>Wallace Beery was the other well known character actor in this film, 
>>playing, of all parts, Richard the Lionheart.  He wasn't bad, actually.  
>>Who would have thought that there was a role suitable for both Sean Connery 
>>and Wallace Beery?
> 
> Not to mention Anothony Hopkins ("Lion in Winter".)

Might as well toss in Richard Harris (_Robin and Marian_)

Greg Bole	                    Maid Marian: "Why, you speak treason!"
bole@hmivax.humgen.upenn.edu         Robin Hood: "Fluently"
                                    From _The Adventures of Robin Hood_
From: jameskau@nunki.usc.edu (James Kaufman)
Newsgroups: rec.arts.movies
Subject: Re: Dean R. Koontz
Date: 10 Apr 1992 14:03:41 -0700
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: nunki.usc.edu

In article <92101.085505EWN1@psuvm.psu.edu> <EWN1@psuvm.psu.edu> writes:
>In article <hrsjw_-@lynx.unm.edu>, synth@deepthought.unm.edu (Synth F. Oberheim)
>says:
>>>
>>>"Whispers" was made into a film a year or two ago.
>>>
>>>There's another one that just came out on video, but I can't remember
>>>the title. It's about a little boy that a bunch of cultists believe is
>>>the Antichrist.
>>
>>That would be HOME ALONE, right?
>
>Is there supposed to be a smiley at the end of that last sentence?
>I hope so... :-).  Anyway, I believe the movie/book is called The
>Servants of Twilight.
>*************************************************************************
> Ellen Newman                     | You can name your own salary here --
> LCS - Library Computing Services | I call mine Fred.
> ewn1@psuvm.psu.edu               |       - taken from a Ziggy cartoon
> ************************************************************************
 
Also, there was a tv-movie starring Lee Horsley and Pam Dawber based on the
book THE FACE OF FEAR.  It was actually pretty good.  I heard they're making
a movie based on MIDNIGHT, but Koontz has little involvement.  There was also
a first WATCHERS, starring Corey Haim.  I loved the book, but couldn't get 
through the first fifteen minutes of the movie.  There were some books by
Koontz that supposedly will be made into movies, but I can't remember which
ones.  
Also, anyone know if there are (or will be) any movies based on the books of
Jonathon Kellerman?  I heard from someone that they filmed WHEN THE BOUGH
BREAKS, but I haven't seen it anywhere.  Post or e-mail, please.  Thanks!
James Kaufman
jameskau@aludra.usc.edu












Newsgroups: rec.arts.movies
From: napalm@next07wor.wam.umd.edu (Warren L. Mohn)
Subject: Re: Help find some music in "The Omen"
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Tue, 14 Apr 1992 23:03:32 GMT

In article <1992Apr14.122809.3032@dcs.warwick.ac.uk>  
bill@dcs.warwick.ac.uk (Bill Ferreira) writes:
> tjp@jyu.fi (Topi Paavola) writes:
> 
> >In the film "The Omen" there was a really good-sounding classical piece  
for
> >choir and orchestra, and I'd like to know its composer and name. 

> The piece you are talking about is called "Carmina Burrana" and
> is by the contemporary(?) composer Carl Orff.
> -- 

Contemporary? I always thought Carl Orff was late middle ages time span.   
I know the manuscript that Carmina Burana is based on is supposedly middle  
ages (no one has actually found it).  And the language used in the piece  
is latin on the verge of becoming vernacular Italian.  Maybe some music  
majors out there can join in the discussion.
Newsgroups: rec.arts.movies
From: citrin@boulder.Colorado.EDU (Wayne Citrin)
Subject: Re: Musicals (Re: NEWSIES)
Organization: University of Colorado, Boulder
Date: Tue, 14 Apr 1992 19:39:09 GMT

In article <2033@ra.nrl.navy.mil> ghost@ra.nrl.navy.mil (G. Host) writes:
>
>> Article <122475@lll-winken.LLNL.GOV> From: ed@wente.llnl.gov (Ed Suranyi)
>
>> I read in today's paper that this movie had a terrible opening weekend.
>> I had been hoping it would turn out to be both a critical and a
>> commericial success, because I too love musicals and wish they'd make
>> some good ones nowadays.
>
>
>Well they have an unused musical play which would make a great musical
>movie - Man of La Mancha.
>
>Anybody know if there has ever been a movie or televised tape (maybe PBS?)
>of the great musical?  To Dream the Impossible Dream.....
>
>The Best I have been able to find was a tape of a broadway play.

There was a film version of _Man of La Mancha_ about 15 years back, starring
Peter O'Toole as Cervantes/Quixote.  It was a critical and box office
disaster, although I liked it.  I have no idea if it's available on video.

Wayne

-----------
Wayne Citrin   citrin@soglio.colorado.edu   citrin@cs.colorado.edu
Newsgroups: rec.arts.movies
From: aku@leland.Stanford.EDU (Andrew Chia-Tso Ku)
Subject: Re: Foreign Film Oscar
Organization: DSG, Stanford University, CA 94305, USA
Date: Tue, 7 Apr 92 19:57:47 GMT

In article <1992Apr3.234107.6196@mahendo.jpl.nasa.gov> reiher@onyx.Jpl.Nasa.Gov (Peter Reiher) writes:
>In article <1992Apr3.211357.215@cco.caltech.edu> jmoon@cco.caltech.edu (Jong H. Moon) writes:
>>Anyone know which foreign movie won the Academy Award for that category, and
>>which other films were nominated?
>
>"Mediteranneo", an Italian film, won.  It is a comedy about Italian soldiers
>on a Greek island during WWII.  The Los Angeles Times gave it a mediocre
>review, but apparently it has gotten excellent to fair reviews from most
>critics.
>
>"Raise the Red Lantern", a Chinese film about the oppression of women in early 
>20th century China, was considered the favorite, going in to the awards.
>"Ju Dou", a film by the same director, was previously nominated , and also 
>didn't win.
>
>"The Ox" is a Swedish film, the first film directed by Sven Nykvist,
>perhaps the world's greatest living cameraman.  I believe it's a
>Scandanvian peasant film, set in the late 19th or early 20th century.
>
>An Icelandic film was nominated for the first time.  I believe it had
>some fantasy (not heroic fantasy) element to it.
>
>There was one other, called something like "The Elementary School".  I
>don't remember where it came from and I know nothing about it.
>
>			Peter Reiher
>			reiher@onyx.jpl.nasa.gov
>			. . . cit-vax!elroy!jato!jade!reiher

"The Elementary School" is a film from Czechoslovakia, directed by
Jan Sverak.  The director is the son of Zdenek Sverak, the film's 
scriptwriter and Jiri Menzel's longtime collaborator.  The SF
Film Fest Guide describes the movie as a "gentle comedy set just
after WWII" about a new teacher who transforms a class of "little
tyrants" into a group of "meek sheep, ready to defend their new
teacher at any time and any place".  Last week, a local movie critic
predicted that this movie had a good shot at winning the best
foreign language film award because it's quite sentimental.

Andrew
Newsgroups: rec.arts.movies
From: mkg0891@uxa.cso.uiuc.edu (Murali Krishnan)
Subject: Re: I've got JUNGLE FEVER...She's got JUNGLE FEVER...
Keywords: We're in love...
Reply-To: krishnan@ta1.cs.uiuc.edu
Organization: University of Illinois at Urbana
Date: Tue, 7 Apr 1992 22:51:13 GMT

nyberg@ms.uky.edu (Jack Nyberg) writes:
>... all his works are excellent ...
>   Why are they excellent?  Because they provoke thought and don't conclude
>with easy answers.  

This is a very narrow definition of "excellent" (unless you are saying that
it is also possible for films which don't provoke thought and conclude with
easy answers to be "excellent", CASABLANCA for example).

My main problem with Lee is that he uses the director's chair as a pulpit.
This seem especially noticible in JUNGLE FEVER, where he takes several
societal problems (interracial relationships, drug abuse, religious
fundamentalism) and neatly packages them into a movie script.

His movies are introspective, but he sometimes comes across as the 
Reverend Al Sharpton of Hollywood.



>Also Mr. Lee is excellent with the camera and knows his stuff.

No question here.



>... Mr. Lee may be the MOST TALENTED filmmaker of our time ...

He certainly is talented, but I wouldn't say the MOST TALENTED.  For example,
I would say that Martin Scorcese is a more complete filmmaker.



>   Whether you like Spike or not, his 'film sense' cannot be denied.  

No question here.



>Whether
>he is an Oscar winner or ever will be is inconsequential, time is the true
>test for any work whether it be art, novels, or films.  

No doubt.
-- 
  Murali Krishnan          |	University of Illinois at Urbana-Champaign
  krishnan@cs.uiuc.edu     |	"The most exciting place in Central Illinois"
Xref: sparky rec.arts.movies:14108 alt.cult-movies:4235
From: synth@deepthought.unm.edu (Synth F. Oberheim)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: Buckaroo Banzai (was Darkman - Crap)
Date: 17 Apr 92 16:50:35 GMT
Article-I.D.: lynx.901j5jm
Organization: SynthMuzik Productions Ltd.:  The Danes Call It Quality

orson@bluemoon.rn.com (Craig Smith) writes:

>If one sees the movie
>cold (i.e. w/o preview, book, comic, etc.) too much of the movie goes
>over your head!

Speak for yourself!  This movie won me over the very *first* time I saw it.

>When I saw this film (I only saw it once) I knew then
>that it would probably become a cult film because of the "inside" jokes.
>I was right.

Pweh.  That's like saying "I predict SILENCE OF THE LAMBS will win Best
Picture because everyone in the Academy loves Alex Trebek ... A-ha!  I was
right!"

>> Or maybe you just missed it! Every time I see it again I pick up on some new
>> references or connections in the story.
>
>That's exactly my point! The reference could only have been
>understood if viewed more than once! 

You and he are talking about different things within the movie.  If you only
saw it once, you definitely wouldn't pick up on the things he's referring
to.  But the "references" *you're* griping about are different jokes entirely:
the visual gags, the character interaction, the subtle non-sequiturs.  Now
*some* of these may "reference" things in context of the story or characters,
but you the viewer are *not* supposed to know about it beforehand -- the humor
comes from learning about those things at that moment.  It was all meant to
be heard and seen on your first viewing.

I'm truly sorry that the humor in BUCKAROO BANZAI was too hard for you
to follow -- it really was a brilliant little film.


===============================================================================
    :: :: :: :: ::     Synth           synth@dreamtime.unm.edu   All Bound For
 :: :: :: :: :: :: ::  (F. Oberheim)   synth@yenta.alb.nm.us      Mu-Mu Land!
===============================================================================
"Fries are up!"
Newsgroups: rec.arts.movies,rec.arts.sf.movies
From: enthrall@casbah.acns.nwu.edu (Andrew Wolf)
Subject: Re: Jennifer Connelly
Keywords: Jennifer Connelly, Walt Disney, warlord-able sigs
Organization: Northwestern University, Evanston, Illinois
Date: Tue, 7 Apr 1992 01:00:14 GMT


Has everyone forgotten the greatest movie she was in (I think the first)
by Jim Henson: _Labyrinth_ with David Bowie.

Great score, movie, puppetry, action, plot, and all!

-- 
"Music is love in search of a word."
	"Why do you wear a mask?  Were you burned by acid...?"
"We're doomed!"
	enthrall@casbah.acns.nwu.edu (Andrew Wolf)