HDTenEightyP/NetNews huggingface dataset:
From: gerry@keele.ac.uk (G.D.Pratt)
Newsgroups: rec.music.bluenote
Subject: Catfish Keith? - Who is he?
Date: 17 Nov 92 12:16:46 GMT
Organization: Keele University, England
X-Newsreader: TIN [version 1.1 PL6]

Anyone know anything about a Blues guitar player called Catfish Keith? I
got this cracking CD on the "Fish Tail" label yesterday which is pretty
good - extremely well recorded "Country Blues" style. He plays some
'20s and '30s steel guitars with resonators which have a sound which
really leaps right out of the hifi. Very very nice. Who is he?
--
gerry pratt  --  workstation support  --  university of keele
email:  gerry@seq1.keele.ac.uk   *   telephone :  0782 583072
"these opinions are mine, mine, Mine.....ALL MINE I TELL YOU!"
Newsgroups: rec.music.bluenote
From: mciver@kalkan.cs.colorado.edu (William McIver Jr.)
Subject: Re: New Release: Russell Malone (Guitar)
Keywords: guitar columbia milt hinton
Organization: Universtiy of Coloardo, Boulder
Date: Mon, 16 Nov 1992 14:42:57 GMT

In article <1992Nov14.010206.18793@ast.saic.com> sac@asdi.saic.com writes:
>In article <1992Nov13.074621.6860@colorado.edu>, mciver@alpo.cs.colorado.edu (William McIver Jr.) writes:
>|> 
>|> Has anyone checked out the new release by Russell Malone
>|> on Columbia?
>|> 
>|> What do you think?
>|> -------------------------------------------
>|> The CD is _Russell Malone_ (Columbia CK 52825)
>|> 
>|> This is a debut recording for Malone. It contains
>|> a wide range of material from tunes in the Wes
>|> vein, Gut Bucket Blues, and Classical Guitar (Flowers For Emmet Till).
 ..............
>
>I saw him warm up for Connick, Jr. here in San Diego earlier this year (as I
>remember it was Mother's Day, but that's beside the point).  He did a few duet
>pieces with the bass player from Connick's band (sorry, forgot his name right now).
>He's good.  Sometimes his playing reminded me of George Benson's earlier stuff
>where he used to go one some of those incredible runs with his guitar.  I thought
>he was much stronger on the blues/jazz oriented pieces than when he soloed, but
>maybe the influence of the bass playing along side swayed my judgement.
>
>I haven't heard the album, but Hurst is certainly one of the best (if not the best)
>of the young bass players out there, so there's probably a real strong rhythm
>base to those songs.
>
>How does the music sound?
>

I think he is strong in a variety of contexts including
solo or with minimal accompaniment.  
The pieces with acoustic guitar are especially nice in this
respect.

Young guitarists are usually expected to show that they can
deal with Wes and so there are a few tunes in that mold.
(The first tune is a smoker.)

However, IMHO, he clearly demonstrates that he can play
on his own terms through his own compositions and the
range of material that he covers.



WJM




-- 
------------------------------------------------------------------
William J. McIver, Jr.          mciver@cs.colorado.edu
Department of Computer Science, University of Colorado @ Boulder	
------------------------------------------------------------------
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.bluenote
Subject: Re: Sun Ra Evidence Reissues
Date: 20 Nov 92 16:17:42 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

R. Lynn Rardin rites:
>Something else I noticed while looking around was the newly reissued Ornette 
>Coleman live at Town Hall, 1962, recording on ESP.  That probably means there 
>are some other new ESP reissues lurking out there...

What form was this in?  I just got a CD with what I believe is the
Town Hall concert yet nowhere is it identified as an ESP reissue or
anything like that.  (I feel like I ought to write Ornette a check
given that he probably isn't getting any money for it, or for the
original for that matter.)  It's the Izenson-Moffett trio with the
string quartet, and the CD title is "Dedication to Poets and Writers."
Bergain price, too.

-Ben
Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: Jazz Flutists (was Re: Rampal ...)
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Date: Fri, 20 Nov 1992 18:32:47 GMT

Sue Raul (sue@seada.com) wrote:
: In article <Bxyz7E.F8B@rice.edu> mcmahon@owlnet.rice.edu (Michael G. McMahon) writes:
: >Don't forget Kent Jordan.  (Brother Marlon plays some trumpet ...)
: 
: So, where can you find him?  Recordings or live?  What's his style?

He plays on a couple of Kevin Eubanks' albums I believe, including maybe the
ones discussed here recently - "Opening Night" and "Turning Point".  He is
somewhat non-descript*, IMHO, and is part of the reason the latter album
disappoints me - I was hoping for something more like Dave Holland's
"Extensions" (I *still* say there was a typo in the Down Beat poll results);
Kent Jordan for Steve Coleman is a rather lame trade, I think.

*Then again, many flute players sound non-descript to me, with the exception of
 your Dolphy's, your Kirk's, and maybe a few others.  I know this revelation
 probably lowers your opinion of me about 15 points... so while I'm at it,
 a friend of mine once said about jazz flute playing - particularly doubling:

"There are only three ways the flute should be played - exclusively, not at
 all, and Eric Dolphy"

 I've probably told you that one before, come to think of it.

--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
Amendment 2 Is Legalized Discrimination - Shame On You, Colorado
--
"Neither the State of Colorado ... nor any of its municipalities ... shall ...
 enforce any ... ordinance ... whereby homosexual, lesbian, or bisexual
 orientation ... shall ... be the basis of ... any ... claim of discrimination"
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
From: mark@bilpin.co.uk (Mark Allerton)
Newsgroups: rec.music.bluenote
Subject: Re: Greg Osby info Wanted
Date: 23 Nov 92 13:37:18 GMT
Reply-To: mark@bilpin.co.uk (Mark Allerton)
Organization: UK Mac DTS/SRL Data

Greg Osby...

Osby is one of the group of musicians collectively known as M-BASE, 
which also includes Steve Coleman (pretty much the founder of the
group), Graham Haynes (trumpeter, son of Roy), Cassandra Wilson and
Robin Eubanks (brother of Kevin.)

Some other recordings...

Greg Osby - Mind Games (JMT)
          - Season of Renewal (JMT) (*wicked* album...)
		  - Man-Talk for Moderns - volume X (Blue Note)

Strata Institute - (I can't remember the name of this
                    but it's on JMT)

M-Base Collective - Anatomy of a Groove (DIW)

Some other stuff I *think* he's on.. (check first...)

Steve Coleman - On The Edge Of Tomorrow (JMT)
Steve Coleman - Sine Die (Pangea)
Steve Coleman - Rythym People (Novus) (all 3 are *serious*...)
Cassandra Wilson - Jump World (JMT) (I'm going to run out of 
                                     superlatives here, I can
                                     tell...)
Strata Institute - Transmigration (DIW)
 

Mark Allerton - mark@bilpin.co.uk
UK Mac DTS, but I speak for myself.
Newsgroups: rec.music.bluenote
From: tygar+@cs.cmu.edu (Doug Tygar)
Subject: Re: Miles Complete Live in Stockholm
Organization: School of Computer Science, Carnegie Mellon
Date: Sat, 21 Nov 1992 03:57:24 GMT

In article <1992Nov20.181103.22683@sarah.albany.edu> rstump@itchy.geog.albany.edu (Roger Stump) writes:
>I recently ordered through the local record store a copy of Miles'
>COMPLETE LIVE AT THE PLUGGED NICKEL.  Instead the distributor sent a
>4 CD set called COMPLETE LIVE IN STOCKHOLM (or something like that).  It
>apparently has concerts that Miles did in Stockholm with Coltrane and with
>Sonny Stitt.  It's put out by Dragon Records, and each disk has an hour or
>more of music.
>
>My question:  I have seen the Miles & Coltrane concert on a 2-disk set, and
>also the Miles & Sonny Stitt concert on a 2-disk set (both put out by the
>same company, but I don't remember which one).  Is this Dragon 4 cd set the
>same as those other 2 2-CD sets?  More comprehensive?  Better or worse sound?
>Better or worse quality disks?  It seems like the 2-CD set with Coltrane has
>an interview with him; that's not included on the 4 CD Dragon set.

The 4CD set is a superset of the two 2-CD sets, with 8 (out of 23) added
tracks.  (267 minutes total.)  The Coltrane interview is on the 4th track of
the first CD.  The liner notes are much better than the Miles/Stitt set
(I haven't seen the notes for the Miles/Coltrane set).  Compared with the
Miles/Stitt set, the sound is much better.  The track ordering is much more
logical (I think it is in the order of the concert pieces, but I am not sure.)
I'd recommend this set.

>I guess the real question is, for the best sound and most complete coverage
>of these concerts, is the Dragon 4 CD set the way to go?  The record store
>is holding it while I make up my mind about buying it, so I figured I would
>see if anybody out there could shed some light on the issue.  The price on
>the Dragon 4-CD set is pretty good, by the way:  $55.

In Pittsburgh, the Dragon set is $18 cheaper than the 2 double CD sets,
and it contains more music.

>Any advice would be much appreciated.  Thanks in advance.
>
>(None of this, of course, addresses the original problem -- what happened
>to COMPLETE LIVE AT THE PLUGGED NICKEL?  I'll have to keep working on that
>one.)

If anyone has clues on how to find the Live at the Plugged Nickel set,
I'd also be grateful for clues!

-- Doug
From: jhurley@husc3.harvard.edu
Newsgroups: rec.music.bluenote
Subject: Charles Brown collection
Date: 18 Nov 92 17:25:53 GMT
Article-I.D.: husc3.1992Nov18.122553.17569
Organization: Harvard University Science Center

Is anyone familiar with the compilation "Driftin' Blues: the Best of
Charles Brown" (roughly) or other collections of vintage Brown
material?
From: cdavey@cie.uoregon.edu (Colin Davey)
Subject: The Movie "New Orleans" (1947)
Keywords: Boogie Woogie, Billie Holiday, Louis Armstrong
Organization: University of Oregon Campus Information Exchange
Date: Fri, 20 Nov 92 22:57:31 GMT

Does anyone know about a Movie called "New Orleans"?  It came out in 1947 and
should be of interest to jazz fans.  The cast includes Billie Holiday, Louis 
Armstrong, and the Boogie Woogie great Meade Lux Lewis among others.  

This movie is not available on video, except perhaps through bootleg.  I am 
interested in viewing or obtaining a copy.  Can anyone help me?  

P. S.  Is there anyone out there with a strong interest in Boogie Woogie piano
a la Pete Johnson, Meade Lux Lewis and Albert Ammons?  I would be interested
in exchanging information, cassettes, etc.  

Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: music to Steve Lacy tunes?
Organization: Educational Computing Network
Date: Fri, 20 Nov 1992 22:53:23 GMT

In article <HELLERS.92Nov19160336@cleo.cs.wisc.edu> hellers@cs.wisc.edu (Joe Hellerstein) writes:
>A book of Lacy compositions came out a few years back.  This from the
>U. California library database:
>
>   1.    Call #:  M1366.L32 P7 1987  Music
>
>Publisher number:  MM82 Margin Music.
>
>          Author:  Lacy, Steve.
>
>   Uniform title:  Selections.
>
>           Title:  Prospectus / Steve Lacy.
>                   Newton Centre, Mass. : Margun Music, c1987.
>                   1 score (56 p.) ; 31 cm.

Wow, is this available anywhere?.

>the Miles/Coltrane version (off of WORKIN', I think), and Lacy is a
>Monk purist.  So after we played it (with the other players fumbling
>after me), Lacy gave us a little lecture about how we should play Monk
>exactly the way Monk wrote things.  I thought that was sort of

There are a lot of stories about Monk being the same way.  Someone wrote
a big band arrangement for Monk on Straight No Chaser, and it was in F.
Monk refused to play it, because he could only hear it in Bb.

>Lacy's music, I didn't think much of his master class.  He isn't the
>first musician I've had that experience with, though.

I know people in Paris always trying to get lessons from him, but he
doesn't like to teach.  He won't have to now that the MacArthurs have
made him wealthy.  Still, he always has been open to hanging out.
My friend took an arrangement of a Monk tune over and he offered
valuable suggestions.

Jeff


Newsgroups: rec.music.bluenote
From: tygar+@cs.cmu.edu (Doug Tygar)
Subject: Re: Miles Complete Live in Stockholm
Organization: School of Computer Science, Carnegie Mellon
Date: Sat, 21 Nov 1992 16:45:33 GMT

In article <doh.722358731@depot.cis.ksu.edu.cis.ksu.edu> doh@cis.ksu.edu (Kyung-Goo Doh) writes:
>Does anyone have any idea where to get COMPLETE LIVE IN STOCKHOLM?
>My recent copy of Cadence does not list the set.

I bought the disk at Record Rubble in Pittsburgh; they usually get their
stuff through North Country (which is Cadence).  So, I would suspect that
this will show up in the December Cadence.  (You could call them to find out.)
The number is DRAGON DRCD 228.

-- Doug
From: bloom@inland.com
Newsgroups: rec.music.bluenote
Subject: Re: Otis Rush
Date: 18 Nov 92 13:38:04 CST
Distribution: world
Organization: Inland Steel Company; East Chicago, IN

In article <1dcdpgINN7le@life.ai.mit.edu>, oded@fiber-bits.ai.mit.edu (Oded Maron) writes:
> I'm sitting here listening to his "Cold Day in Hell" again and thinking
> what an incredible musician he is.  Does anyone know if he's touring
> or is planning to tour in the near future?
> 
> Also, I have a number of his albums.  Does anyone have recommendations
> for more stuff?
> 
> This is what I got: Cold Day in Hell, Mourning in the Morning,  Lost
> in the Blues, and Door to Door with Albert King.


Otis Rush does not tour much at all these days.  He plays out about 
one or two weekends per month in the Chicago clubs.  If you want to 
see him live, you better come to Chicago.  Do it now, because when he 
passes on you'll have missed your chance.  The only down side to his 
live performances may be the quality of his bandmembers, who change on 
a pretty frequent basis.  I've been going to see him play since the 
sixties, and its rare that he gets top notch musicians to play with. 
I think his music career would have been much more of a success if he 
would have kept a good band together all these years.  His career is 
kind of similar to Chuck Berry's, it sometimes sounds like the band 
never played together before the gig.  Despite that, Rush is still the 
best of the electric blues guitarists, IMHO.  A total original & there 
probably will never be anyone similar.
Newsgroups: rec.music.bluenote
From: tmcalice@perdido.webo.dg.com (Tim McAlice)
Subject: Stan Kenton info request - need email address
Date: 19 Nov 92 17:32:47
Distribution: rec
Organization: NSDD, Data General Corp., Westboro, MA


Someone sent me email requesting further information regarding the
Mosiac Records box set "Stan Kenton: The Complete Capitol Recordings
of the Holman and Russo Charts".

I have compiled the information (titles, dates, band lineups, etc...),
but have lost your email address.

Anyone else who would like this information is also welcome to send me
their email address and I will send it to you as soon as I can.

--
Tim McAlice                                   internet: tim_mcalice@dg.com
                                                   CEO: Tim McAlice:DGC
Newsgroups: rec.music.bluenote
From: billc@Ingres.COM (Bill Coffin)
Subject: Re: James Brown and jazz standards.
Reply-To: billc@ingres.com
Organization: Ingres, An ASK Company, Alameda CA
Date: 19 Nov 92 00:35:26 GMT

In article <1992Nov18.162300.23618@daimi.aau.dk>, torsten@daimi.aau.dk (Torsten B. Hagemann) writes:
>I have heard rumors about a record with James Brown singing jazz standards, and
>would very much appriciate if anyone on the net could provide me with any info
>on this. 

I've never heard of this album, but I'd like to...
However, I do know that he sings a great version of 
"It's Just the Nearness of You" on, I believe, the 
"Raw Soul" album.

-- 
Bill Coffin, at Ingres, An ASK Company, Alameda CA 
billc@ingres.com	510.748.3387
<standard_disclaimer> <gratuitous_witticism> <obscure_quote> <annoying_graphic>
Newsgroups: rec.music.bluenote
From: hsu@walnut.sfsu.edu (William Hsu)
Newsgroups: rec.music.bluenote
Subject: Re: Whit Dickey | Ivo Perelman
Date: 17 Nov 92 21:05:54 GMT
Reply-To: hsu@walnut.sfsu.edu

In article <sfqv174@zuni.esd.sgi.com>  writes:
> -Eric
> (Who also saw Julius Hemphil/Abdul Wadud.  Abdul was playing his cello
> through an old Fender Twin Reverb, which made _no_ sense, until the
> third tune of the set, when he started bowing above the bridge, 
> generating all kinds of harmonics and multiphonics, sounding like 
> Sonic Youth covering Glenn Branca.  

ARGH. We got carried away shopping. The new Les Granules (from those
wacky  and adorable Montreal dudes Jean Derome and Rene Lussier) is
wonderful. Review soon.

>   And Bill and Seth missed the poetry of alienation by arriving late,
>  and John Purcell/Milton Cardona(?) in a duet apparently void of
> interplay)

Actually we caught the first two tunes of Purcell/Cardona (my fault
for the early departure, I had a birthday party to attend). There
wasn't any interplay when we were there, glad to here there wasn't
any afterwards either.

Bill
Newsgroups: rec.music.bluenote
From: vek@spacsun.rice.edu (Vincent E. Kargatis)
Subject: Re: MUWORKS records and Robert Musso solo works
Organization: Rice University
Date: Wed, 18 Nov 1992 08:27:28 GMT

malcolm@wrs.com (Malcolm Humes) writes:
> I'm curious if anyone has any other releases on MUWORKS or more info about
> anything on it. Sure I could just write them... probably will. This stuff

Lessee, MU has 2 Machine Gun albums, Pheeroan AkLaff (good but short),
Thomas Chapin, Chapin/Borah Bergman duo (cool), Lunar Bear Ensemble, plus
the above. No address here with me.
-- 
| Vincent Kargatis		     |	Dept. of Space Physics & Astronomy |
| vek@spacsun.rice.edu		     |	Rice University, Houston, TX       |
| "It will have to be transmogrified many times before it can present its  |
|  credentials to the Valhalla of music."  -    _The Etude_ on jazz, 1924  |
Newsgroups: rec.music.bluenote
From: ericl@miles.esd.sgi.com (Eric Linstadt)
Subject: Whit Dickey | Ivo Perelman 
Reply-To: ericl@miles.esd.sgi.com (Eric Linstadt)
Organization: Silicon Graphics, Entry Systems Division
Date: Tue, 17 Nov 92 15:35:30 GMT

In article <1992Nov16.191345.7746@HQ.Ileaf.COM>, anton@HQ.Ileaf.COM
(steve norton) writes:
> .... 
> Mohawk is:
> 
> Chris Jonas: soprano sax
> Steve Swell: trombone  (of _Pace Yourself_ fame)
> Richard Thomson: guitar  (no, not *that* Richard Thompson.)
> Thomas Abbs: bass
> Whit Dickey: drums
> 
  I assume that this is the same Whit Dickey who's on the Matthew Ship Trio
"Circular Temple" disc.  With William Parker.  A very fine record.
===========================
  All of this talk about "Whatever happened to Gato Barbieri?" makes me want
to plug Ivo Perelman's "Children of Ibeji".  All star cast- Don Pullen,
Fred Hopkins, Andrew Cyrille, Guilherme Franco and Mor Thiam
(from Pullen's Afro-Brazilian connection/collaboration and the latest WSQ
thing, right?).  Includes a beautiful duet with Paul Bley.  Flora Purim's
vocalizations add to a few tracks. But it's Perelman's tone- a huge raspy
tenor, that reminds me of Gato.  And Albert Ayler.  Powerful stuff-
he overblows on everything, so it gets to be a little bit much after 50
minutes or so, but overall, quite entertaining.   

-Eric
(Who also saw Julius Hemphil/Abdul Wadud.  Abdul was playing his cello
through an old Fender Twin Reverb, which made _no_ sense, until the
third tune of the set, when he started bowing above the bridge, generating
all kinds of harmonics and multiphonics, sounding like Sonic Youth covering
Glenn Branca.  Then the Twin Reverb made perfect sense.
  And Bill and Seth missed the poetry of alienation by arriving late, and
John Purcell/Milton Cardona(?) in a duet apparently void of interplay)
Newsgroups: rec.music.bluenote
From: lenny@theory.TC.Cornell.EDU (Lenny Silver)
Subject: Re: Miles Davis Columbia Years
Organization: Cornell Theory Center
Date: Mon, 16 Nov 1992 20:03:14 GMT

In article <5gR6TB3w165w@bluemoon.use.com>, buzzsaw@bluemoon.use.com (Patrick Buzby) writes:
|> Eugene Kuo <ek1i+@andrew.cmu.edu> writes:
|> 
|> > Hello,
|> > 
|> > Could someone please tell me who plays on the live version of "Straight
|> > No Chaser" included in the box set Miles Davis: The Columbia Years
|> > 1955-1985?  Also, while I'm at it, where and when it was recorded? 
|> > Thanks!
|> > 
|> > eugene
|> 
|>    I know it was done in 1958 by Miles, John Coltrane, Cannonball Adderly, 
|> Bill Evans, Paul Chambers, and Jimmy Cobb.  If the booklet for this box 
|> says different, don't believe it- it's chock full of errors.  Sorry- don't 
|> remeber where it was recorded.
|> 
|>      Pat Buzby           "Fried ice cream is a reality!"-George Clinton
|>      Grove City, OH      "Music is the best."-Frank Zappa

Maybe it was recorded at Newport?
From: ylo@osiris.kbfi.ee (Ylo Mets)
Newsgroups: rec.music.bluenote
Subject: Marsalis & New Orleans style?
Date: 16 Nov 92 21:49:06 GMT
Organization: Institute of Chemical Physics and Biophysics, Estonia
NNTP-Posting-Host: osiris.kbfi.ee


Hi.

Can anybody tell, if Wynton has played New Orleans' style
with a small group on a record. I heared once on radio
and liked very much. I think they mentioned Wynton was
playing there too. 
Thanks.

Ylo Mets.

Tallinn,
Estonia
Newsgroups: rec.music.bluenote
From: The Internet Surfer <rs18@cornell.edu>
Subject: George Adams info???
X-Xxdate: Tue, 17 Nov 92 22: 17:03 GMT
Nntp-Posting-User: rs18@cornell.edu
Organization: Cornell University
X-Useragent: Nuntius v1.1.1d9
Date: Tue, 17 Nov 1992 22:08:13 GMT


In article <Nov.16.13.36.29.1992.18235@ruhets.rutgers.edu> Benjamin
Weiner, bweiner@ruhets.rutgers.edu writes:
>Sorry to be the bearer of bad news - I heard today that George
>Adams has just died.  He was 52.  No details.
>
>-Ben

Does anyone have any details on this??? :-(

###############################################################
The internet surfeR   L33@cornellc.bitnet      rs18@cornell.edu
###############################################################
                Yow!  It's the minivan of souls!
From: mha1@ns1.cc.lehigh.edu (MICHAEL H. ALAIMO)
Newsgroups: rec.music.bluenote
Subject: Metheny in New Brunswick (NJ)??
Date: 20 Nov 92 00:08:19 GMT
Organization: Lehigh University



Does anyone know if Pat Metheny will be in New Brunswick this tuesday (nov.
24)?  The date was listed in the Pat Metheny newsletter, yet I've called
several friends at Rutgers and there doesn't seem to be any mention of the
show on campus.







---
-- 

 .. .. .. .. .. .. ..
: MIKE ALAIMO        :
: Brain Surgeon      :    A couple SANGWICHES(tm)
: Rocket Scientist & :       shy of a picnic
: General Neophyte   :
 .. .. .. .. .. .. ..
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Subject: Re: Eva/Wave and Avant record labels?
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Thu, 19 Nov 1992 00:24:12 GMT

In article <1992Nov18.201504.9388@HQ.Ileaf.COM>, anton@HQ.Ileaf.COM (steve norton) writes:
>In some article, Lynn Rardin, aka rardin@binah.cc.brandeis.edu, writes:
>> 
>> I believe there's also a Zorn (and Naked City?) recording called LOCUS  
>> SOLUS from 1983 on Eva.
>
>no naked city on locus solus.  '83 was quite pre-NC, no?  (i'm sure ed
>will clear this up.)
>
>/steve

Oops! :)  You're absolutely right, Steve.  LOCUS isn't NC.  What was I 
thinking??  Guess I should've checked before posting...

The personnel on LOCUS are as follows (4 different groups, as Steve suggested):

Peter Blegvad (voc), Christian Marclay (phonograph and recycled records) and 
Zorn (as, ss, cl, game calls)

Arto Lindsay (guitar, voc), Anton Fier (dr), Zorn (as, ss, cl, game calls)

Wayne Horvitz (organ, electronics), Ikue Mori (dr), Zorn (as, ss, cl, game 
calls)

Whiz Kid (turntable), M.E. Miller (dr, voc, Linn drums, congas), Zorn (as, ss, 
cl, game calls, whistling)

-Lynn  (rardin@auriga.rose.brandeis.edu)
Newsgroups: rec.music.bluenote