HDTenEightyP/NetNews huggingface dataset:
From: williams8572@iscsvax.uni.edu
Newsgroups: rec.music.industrial
Subject: Vocal styles of the grand Poopoochee lama
Date: 14 Apr 92 11:53:11 -0500
Organization: University of Northern Iowa

My fellow muscovites!
   This might be weak, but being currently neck deep in a musical project (see
sig) it is of interest to me.  Iwas wondering if anybody out there had any
specific vocal styles or distortions that they liked alot.  For example, I have
always kind of liked Ogre's on "Two Time Grime" off of "Rabies" because it
always reminds me of that arch-villan Swarm off of Spidey and his Pals or
whatever that old cartoon used to be called.  It just hits me right.  Of course
I like all the vocals off of "StreetCleaner" (regular AND bonus cd tracks) and
Albini's classic throat on "LDopa" on "Songs About Fucking".  I'm just kind of
curious.  I know that maybe sometimes they all sound the same, like the lead
singer is calling in on a bad c.b. or something, but vocals in industrial
are much more than just the words.  They are the gut level sounds of the words
that add to the song.  The words can be keen also, but that is a bonus. 
Goddbye and please, keep 'em up in the air.  I have a fragile skull.   
-- 

******lid11 - Black Industrial Diamonds demo.  Reply to me if interested.******
-------------------------------------------------------------------------------
                               from the desk of  
                        
        Robert A. Williams, social deviant, driller killer ripping holes
-------------------------------------------------------------------------------
From: dalek242@tz.wimsey.bc.ca (S. Fritter)
Newsgroups: rec.music.industrial
Subject: Re: Help needed
Date: Sat, 11 Apr 92 03:55:47 PDT
Organization: Somewhere in The Twilight Zone, Vancouver, B.C

dabowsky@uokmax.ecn.uoknor.edu (Kamron) writes:

> fish@jab.tucson.az.us (Fresh Fish) writes:
> 
> > If anyone could help, can some mail me the lyrics to "Assimilate" by 
> >sxkinny puppy?
> 
>    Gee.. if someone sends 'em to 'im, think you could slide a copy
>   my way? Thanx in advance and all that stuff..

ASSIMILATE
 
oil remove shred tear radiation vapour it's the fear so unclear
man in motion going nowhere in our homes stuck in the face spread
the word to the populace yellow journal yellow journal set the
pace feel the race manifestations of a sort so insidious off the
point simple solution never confusion sport a gun kill a cop
crazy world of weary thought so receive me had enough lock me
up lock me up rot and assimilate so hot to annihilate deviation
tonic mess prolonged existence innocence is he who speaks isn't
weak wheelchair virtue so to speak bubonic plague the truth
of aids immunity avoid decay in the trench of pestilence the bible
screams announce your faith mutterings of death do bring suffocate
a new born thing degradation of an age venereal sensation protect
design the moral plan inflatable as propoganda completely black
with no steps back hot to assimilate well rot or annihilate hot
to assimilate well rot or annihilate mutterings of death do
bring suffocate a new born thing degradation of an age venereal
sensation protect design the moral plan inflatable as propaganda
completely black with no steps back agony profusely stains the
inner thinking of the brain accusations clanking chains
experiments with the groans of pain all prefer no one blames
the terror in an animals scream in cages our future the answer's
insane
 
dalek242@tz.wimsey.bc.canada
From: dalek242@tz.wimsey.bc.ca (S. Fritter)
Newsgroups: rec.music.industrial
Subject: Re: SKINNY PUPPY's CD Mastering glitch is a TOTAL HOAX!!!!
Date: Thu, 09 Apr 92 01:56:39 PDT
Organization: Somewhere in The Twilight Zone, Vancouver, B.C

> bmacdona@bonnie.ics.uci.edu (Brian K!z!K MacDonald) writes:
> 
> >            A fellow DJ I know told me that this Skinny Puppy mastering
> >     problem with the CD releases is a complete JOKE!   Basically, the
> >     Puppy boys fucked it up on purpose to basically say "Get VINYL!".
>  
  no, i would rather think that this is due to the low budget
 of Nettwerk Productions, which has very often produced very similar
 errors, screw-ups, and weird-things..
 
  like for example, the live SP album "Ain't it dead yet" has TWO songs
 completely misnamed..  "God's Gift" which should be "One Time One Place"
 and "Brap" which should be "Draining Faces" (although "Brap" IS featured
 in pieces throughout the entire collection)
 
  as well as the fact that at least some of the AintItDeadYet CD's were
 released registering only ONE track..
 
DSXMCHNA(G42)
dalek242@tz.wimsey.bc.ca
Newsgroups: rec.music.industrial
From: dave@bradley.bradley.edu (David Vessell)
Subject: Re: DEPECHE MODE MURDERS ROUTE 66
Organization: Bradley University
Date: Sun, 5 Apr 92 06:24:40 GMT

In <3039@cs.rit.edu> djs6015@cs.rit.edu (a whiner) writes:

>In <4APR199204250849@zeus.tamu.edu> pac9897@zeus.tamu.edu (another whiner) 
writes:
>>
>>Why did Depeche Mode ruin this perfectly good classic?
>>I mean, if they don't like guitars and Martin Gore wants to sing like
>>an android why doesn't he go and do it on some trite little ballad of
>>his own?
>>

Is this supposed to be news?  Or are you making this announcement so that
everyone knows just how kuul you are?  I'd really like to know the reason,
because I'm sure that that your comment was meant to be really relevant to
the state of industrial music, but we're all just too feeble to comprehend
it.

>Oh no! I don't want to now start a kill file for rec.music.industrial!!
>Please keep the Depeche Mode crap outta here! Put all Dm comments in
>rec.music.more.cash.mtv

Uh huh.  We all know that Depeche Mode doesn't give a damn about art.  They
just want to get paid.  God, you have such insight.  

You two are living examples of why lots of people don't read this group 
much anymore.  Why don't you folks stop posturing and start making relevant 
comments about music, eh?  
-- 
=========*davE*.....making the world safe for intelligent dance music.=========
        "Go on and pollute the land -- clean air will be sold in cans
  Did you hear the master plan? One nation under Disneyland!"-Peter Schilling
--(David Vessell)--(Bradley University Computing Services)-(dave@bradley.edu)--
Newsgroups: rec.music.industrial
From: atman@ecst.csuchico.edu (Thin Layer Of Pond Scum)
Subject: Where to gig in Chico (was Re: Are you from Philly or Washington DC?)
Originator: atman@cscihp.ecst.csuchico.edu
Supersedes: <1992Apr13.000553.8717@ecst.csuchico.edu>
Organization: California State University, Chico
Date: Mon, 13 Apr 1992 00:20:22 GMT

In article <1992Apr9.174840.5855@nmt.edu> dcuddihy@nmt.edu (David Cuddihy) writes:
>
>Us crazy wacky zany kids here at "God Says No!" Records are trying to
>zero in on the most rad dope hype fly places to play around the country.
>woods... AND IF YOU"RE FROM SOMPLACE ELSE: by all means, let us in on
>what's swell in YOUR part of the planet. We can always use some leads
>around the continent/planet...

If you or anyone else wants to play in Chico, California, about 4 hours
north of SF, 2 hours north of Sacramento, contact either

  Wall Street Center for The Arts
  330 Wall St. 
  Chico, CA 95926

  ph:  916 343 5210

(fIREHOSE played there, and the latest has been a coupla rave-type things.)

OR...

  California State University Chico
  I'm not sure which number to call, but here are three likely candidates:

  Public Events - Special - 916 898 5332
  Public Events - University - 916 898 5917

  If those don't work, try
  "For Numbers Not Listed Below, Call" - 916 898 6116

Radio stations to contact include:

  KZFR FM 90.1 Community Radio (my station)
  365 East 20th St
  Chico, CA 95928
  
  ph: 916 895 0706

  KCSC (student radio)
  Hmm, no listing.  Call 916 898 6116 and they should be able to point
  you in the right direction.
  
I'd really love to have some industrial/i-dance acts gig here; I think 
that the interest is here; CSUC is the cultural center for the local area;
Jello Biafra's speech sold out when he came, and there are a few local acts
that would be happy to open.

Greg, if you could pass this on to the Pups for their college tour, I'd be
mighty appreciative.

@Man

-- 
  atman@ecst.csuchico.edu  ||  What good is it if it doesn't distort?
 
  In _my_ universe, in short, classes are not unreal, but they're less
  real than their members.      -- John Barth
From: dippybir@tz.wimsey.bc.ca (Jeremy Tolsma)
Newsgroups: rec.music.industrial
Subject: Re: Arizona Industrial
Date: Mon, 13 Apr 92 14:58:33 PDT
Organization: Somewhere in The Twilight Zone, Vancouver, B.C

fish@jab.tucson.az.us (Fresh Fish) writes:

> > Additionally, i have on good authority that another Arizona band, the  
> > Users of the Wicked Gravity, will be opening for Controlled Bleeding on  
> > their US/Canada tour this summer.  Do *not* miss this show!
> > 
> > --Brett 
> 
>  
>  Oh god, I hope not (I'm from Tucson)... I will go out and say Users of the 
> Wicked Gravity is the biggest want-to-be band in... the world? A bunch of 
> kids with money thinking they are "industrial"... the only band that no-one 
> in tucson likes... and there are some really bad bands with fans here.... oh 
> well....
 
HEH.  I actually find the Users quite funny sounding & get a kick out of it. 
Men of the Cloth is particularily comical in the same vein as tex-style 
Ministry mutations.  I doubt these guys take themselves seriously but then 
how could ANYBODY in Tuscon Arizona take themselves seriously??
From: 00pjlynn@bsu-ucs.uucp
Newsgroups: rec.music.industrial
Subject: Re: new ministry songs...
Date: 7 Apr 92 00:16:51 GMT

In article <1992Apr6.164233.5710@bsu-ucs.uucp>, 00pjlynn@bsu-ucs.uucp writes:
> I was in sessions skate shop(chicago) and for some reason a guitar player
> from revco was there.  He had a tape from the studio. 
> I heard four songs 

I just remembered the names of the songs
they were
N.W.O  (new world order)
GET A FIX
SCARECROW
PSALM 69
________________________________________________________________________________
|Patrick Lynn:
|
|         vax: 00pjlynn@leo.bsuvc.bsu.edu       
|        uucp: 00pjlynn@bsu-ucs.uucp
|      ultrix: godzilla@bsu-cs.bsu.edu
|      bitnet: 00pjlynn@bsuvax1.bitnet                       
|      "you can't take the pressure as your brain begins to boil"
|    					--slayer (angel of death)--
--------------------------------------------------------------------------------
From: ugrimly@mcl.mcl.ucsb.edu (GrImlY FiENDisH)
Newsgroups: rec.music.industrial
Subject: Re: DEPECHE MODE MURDERS ROUTE 66
Date: 7 Apr 92 21:06:22 GMT

Yazoo was called Yaz, not Yazz, which is a different group, the monstrosity
mentioned beforehand.

--G
From: ebestrom@mac.cc.macalstr.edu
Newsgroups: rec.music.industrial
Subject: SPK: eggs on a plate
Date: 16 Apr 92 05:02:54 GMT
Article-I.D.: mac.1992Apr15.230255.2486
Organization: Macalester College

Dear Don and other folks- I'm new to the usenet scene and I can't get the damn thing to work RE
 your message, so I'll just post this new one.  Yeah SPK is great! There is a
good book that has much to do with them: RE/Search published the INDUSTRIAL
CULTURE HANDBOOK sometime in the mid 8O's and its alot of fun.  It traces the
 Industrial folks from their  beginnings in the mid 7O's : Throbbing Gristle,
SPK, Cabaret Voltaire (if I remember right), and others.  Detailed interviews,
discographies, and pictures.  It costs about $1O but my school library was
goodthinkful enough to have it, so I read it for free. The collegiate radio
station here, WMCN 91.7 FM (St.Paul, MN) used to have some records but scummy
people stole them. "Information Overload Unit" was an early album of shitty
unmoving lo-fi noise I could have made myself over a weekend (not empowering
but boring.) "Leichenschrei" -("corpsescream" in english) is I think next in
the sequence and came out 1981.  It is a joy to own, with its cover artwork (a
painting of a mind-control machine "with metric tableaux" made by a patient in
a Swiss sanatorium circa 1918) and back cover photo of a scary performance in
masks in "an abandoned brick factory".  All the songs are great, ranging from
mellow and scary, to tribal and scary, to ultimate scary extruded noise. 
"Seite Lysso" or side one, ends with a crazy head-crushing rhythmic lock
groove.  This is a classic.  Later records include the "Machine Age Voodoo" and
"Fetish" singles of about 1983 which take the dance-poppy approach long before
any of these modern whippersnappers, but SPK wasn't doing what they did  best.
On "Zamia Laman: Dreams of Byzantine Flowers", they do all of these soft, dark,
vaguely classical songs.  Good stuff.  Then 1987's "Gold and Poison" was back
to the poppy thing but trying to be noisy at the same time.  It wasn't that
bad, but I would'nt buy it as a new album. After that, I dunnnnnno...
	By the way, I've heard of SPK as standing for "Systems Planning
Korporation", "Socialistisches Patienten Klinik" and "Surgical Penis Klinik."
Any other acronymic ideas out there?
	Well, I hope I've put some food on your plate, Don. I'm sure you'll get
a hefty response to fill in other holes in your SPK knowledge. Take care,
				Eric
From: moon!cyberden!system@well.sf.ca.us
Newsgroups: rec.music.industrial
Subject: Re: Strange things...
Date: Mon, 13 Apr 92 16:29:13 PDT
Organization: Indescribable Creations

mindpunk@qed.cts.com (Alex Dittemore) writes:

>
>         Seems Ogre and his heavy friends from skInNYpUppy have been hanging
> out at a club out hear in LA called DDT, so the word on the street says...
> Anybody know how much truth this has to it? And if so, would this mean that
> this club would be worth going to?
>
>
>                           /\
>                          /  \
>  Long Beach, California /    \ YeltsiN FacE ComputeR CORE
>                        / <  < \     Knowledge IS power.
>                       /________\
>
>         "We're making a meal out of stainless steel"

DDT is what Helter Skelter was... the latest, if not only fad right now
in LA of the Death/industrial/gloom/techno scene.

It's where Obituary once was... the full moon cafe is it? Check the LA
Weekly for more info.

__________________________________________________________________________
   |       /         |\
   | H E   \ Y B E R |/ E N       [ moon!cyberden!system@well.sf.ca.us ]
Newsgroups: rec.music.industrial
From: msgates@amherst.edu
Subject: Re: alt.gothic...?
Organization: Amherst College, Amherst, MA.
Date: Tue, 14 Apr 1992 03:29:48 GMT

Does this newsgroup still exist? Someone mentioned it in a post here a while
back...but we just acquired access to the alt.* groups & there's nothing
even resembling anything related to gothic subculture/music. Is it a 
myth & a hoax?
		--mags
Newsgroups: rec.music.industrial,alt.music.alternative,rec.music.phish,talk.bizarre
From: mason@dante.uucp (Mason Jones)
Subject: Re: Controled Breeding
Date: Tue, 7 Apr 92 16:06:05 GMT
Organization: Charnel House Prod.

bd_k100@kingston.ac.uk (Yertle of T.) writes:
: I bought Controled Bleedings 'Trudge' the other day. Fuckin' Crap it was.

Yep, you want to go with stuff like "Phlegm Bag Spattered," "Curd,"
"Core" and the like.  Avoid anything on Wax Trax, everyone should
have figured that out already.  C.B. have done some great stuff in
the past, and are working on more cool noise as well, but they've got
their dancey side too -- they've just finished recording a new CD
of similar stuff lately.  Not sure if it will be on Wax Trax or not.
They're also right now recording some new noise stuff for a Japanese
release on Alchemy Records this summer.  They're also behind the
massively cool Skin Chamber CD.

  VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
             Mason Jones           Charnel House Productions
             P.O. Box 170277, San Francisco 94117-0277 U.S.A.
   ...{uunet,sun}!hoptoad!dante!mason   or   dante!mason@hop.toad.com
  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Newsgroups: rec.music.industrial
From: cyberpun
Subject: skinny puppy..THE MUSIC
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Mon, 6 Apr 1992 19:11:12 GMT


Okay, so you may be arguing about the technical quality of the disk.
Personally I think they meant to do that to mess with our minds, but that
is  not the point.  
I was wondering if any of have noticed some wierd things about the music.
I forget the song names...not that familiar with the disk yet, plus the
screwy tracks don't help...but they seem to be using old samples.  I would
think that puppy would always try to keep their sounds fresh.  There are two
instances I can think of.  (correct me if I'm wrong)
There is one instance where they use this chorus sound from one of the last  
tracks on Rabies.  (It's the song (the one with the original sample on  
rabies) after the one with the samples from the vampire movie...)
and then there is this bass riff that I really can't recall where it's from.
Has anyone else noticed these?
Someone said that it wasn't produced on vinyl, but our radio station has a  
promo of Last Rights on vinyl...

--
cyberpun@wam.umd.edu
Newsgroups: rec.music.industrial,rec.music.misc,alt.music.alternative
From: iczer@sdf.lonestar.org (Ted Uhlemann)
Subject: FOR SALE: industrial and miscellaneous records/tapes
Organization: sdf Public Access UNIX, Dallas--unrestricted free shell access
Date: Wed, 8 Apr 1992 21:34:08 GMT

Die Warzau		Disco Rigido			cassette
Front Line Assembly	Gashed Senses & Crossfire	cassette
Front Line Assembly	Caustic Grip			cassette
Front Line Assembly	The Initial Command		cassette
The Neon Judgement	General Pain & Major Disease	cassette
Severed Heads		Dead Eyes Opened		cassette
Front 242		No Comment			cassette
The Young Gods		Play Kurt Weill			cassette
Pigface			Welcome to Mexico...Asshole	cassette
Skinny Puppy		viviSECTvi			cassette
Curve			Doppelganger			cassette
The Fall		The Frenz Expirement		cassette
The Residents		Cube-E				cassette
Soft Cell		The Art of Falling Apart	record
Revolting Cocks		Big Sexy Land			record
Yello			Stella				record
Oingo Boingo		Good for Your Soul		record
Talking Heads		Fear of Music			record
The Woodentops		Giant				record

$4 each or whatever I can get.
-- 
_ _ _  _ _ _______________________________________________________________
//_ /_/=/> Ted Uhlemann  ..!uunet!convex!egsner!sdf!iczer  +1 214 352 2259
Xref: sparky rec.music.industrial:5273 rec.music.misc:14169 alt.rave:653 alt.gothic:1171
From: pete@ohm.york.ac.uk (-Pete French.)
Newsgroups: rec.music.industrial,rec.music.misc,alt.rave,alt.gothic
Subject: Re: Good European Clubs (France, Belgium, Netherlands)
Date: 13 Apr 92 13:40:52 GMT
Organization: Electronics Department, University of York, UK


 constant@gn.ecn.purdue.edu (Tino) writes:
 
> I just got a job in Paris (Yaaaaayyyy!!!!) starting June 1st, and I plan on
> spending every second of free time traveling.
> 
> Anyone know of any REALLY good clubs (industrial, techno, goth) in
> Northern Europe? Towns, addresses, types,...

On a similar note - Rosetta Stone are playing La Locomotive in Paris at
the end of this month (sunday 26th april to be precise). Can anyone tell
me whereabouts in the city this is, what the address is, what likely kick
out time is etc....

-bat.
-- 
-Pete French. (the -bat. )     -+
Adaptive Systems Engineering    |
                                +-       memento mori, remember to die
From: pooh@gacvx1.gac.edu
Newsgroups: rec.music.industrial
Subject: -->FNL. NIN STATEMENT<--
Date: 15 Apr 92 22:02:23 GMT
Article-I.D.: gacvx1.1992Apr15.160223.1
Organization: Gustavus Adolphus College, St. Peter, Minnesota
Nntp-Posting-User: pooh

I recently (yesterday, to be exact), posted a reply to all of the statements
concerning NIN.  I posted this in the alt.music.alternative newsgroup.  I am
not very fluent with the system yet, and did not post it on rec.music.
industrial.  Later, I read the same articles in this newsgroup.  If any of
you wish, I invite you to read my reply.  It is under the title -->FNL. NIN 
STATEMENT <--.  I by no means mean to imply grand wisdom on my part, nor
do I claim that the article is awe-inspiring.  I would, however, be interested
in any replys that any of you would be willing to send -- either to me, or to 
be posted.  This aritcle is not meant as a bitch session.  It is all my own
opinion.  
If you have the time, please let me hear from you.  
Thanx for your time and patience!!!!

-Christopher.....
Newsgroups: rec.music.industrial
From: ericm@microunity.com (Eric Murray)
Subject: Re: SKINNY PUPPY STUDY RESULTS
Organization: MicroUnity Systems Engineering Inc.
Distribution: world,local
Date: Thu, 16 Apr 1992 03:37:13 GMT

In article <1992Apr14.150355.2921@arizona.edu> demsey@neural.tucson.az.us (herr loki) writes:
>In article <1992Apr14.180942.12183@usenet.ins.cwru.edu>  babbles:
>> 
>> ...

[artful satire deleted]

>  Do you mean to be such an offensive wanker, or is this an attempt at
>whatever the hell they call humor in Cleveland?

Looks like Matthew forgot a couple results:

PERCENTAGE OF SKINNY PUPPY FANS WITH NO SENSE OF HUMOR    :   90%


>loki

PERCENTAGE OF HUMORLESS SKINNY PUPPY FANS ON USENET WHO HAVE GIVEN
THEMSELVES INCREDIBLY PRETENTIOUS LOGIN NAMES    :     100%




--
eric murray    "If you love your fun, die for it!"         ericm@microunity.com
Newsgroups: rec.music.industrial
From: wwilliam@dvorak.amd.com (Wade Williams)
Subject: Re: Whitehouse
Organization: Advanced Micro Devices, Inc.; Austin, Texas
Date: Thu, 16 Apr 92 21:40:11 GMT

In article <1992Apr15.234849.12576@muddcs.claremont.edu> jreid@jarthur.claremont.edu (Jeffrey G Reid) writes:
>
>  Does anyone out there know how much the original compies of the Whithouse
>releases psychopathia sexualis, et al are worth? (you know, the ones with all
>the same sleeve except for the little sticker that tells you what's on the
>album and 'Come Transmissions' printed on the record)  I don't have any for
>sale but I am interested in what they are worth.  Thanks in advance.
>
>|+--------------------------------------------------------------------+|
>| Jeff Reid  Internet: jreid@jarthur.claremont.edu | go!bang!boom!pow! |
>|----------------------------------------------------------------------|
>| "It is well known that bullets and other missiles fired at Superman  |
>|  simply bounce off his chest as in Fig. 10-23."                      |
>|            -- Fundamentals of Physics  2nd Ed. (Halliday & Resnick)  |
>|+--------------------------------------------------------------------+|

 I have a friend who collects this stuff and it really depends on what
your market will bear.  Find someone who really wants it and they are
likely to fork over 75 to 100 bucks.  Is it worth it?  Do they listen
to it more than a couple times?  Irrelevant, the sport is in collecting
just like any other hobby.  Whithouse is a damn rare collectable worth 
a lot to anyone who views it as such.  If you want to find it through
industrial channels you will pay a lot, if you run across it in the
used bin at your local store you might get it for a couple bucks.  

Wade
Xref: sparky rec.music.industrial:5019 alt.rave:607