HDTenEightyP/NetNews huggingface dataset:
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: MUSIC: Carry on
Date: 30 Sep 92 17:35:09 GMT
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Distribution: world
Organization: COMMODORE West Cester PA
Keywords: (Stephen Stills)

Title			Carry on		(Stephen Stills)
						
	intro:
	||:  Dsus  D  Dsus  D  Dsus  D  Dsus  D  :||

	C	      G             F                    D
	One morning I woke up and I knew you were really gone.
	
	C	     G            F                   D
	A new day, a new way, and new eyes to see the dawn.

	Am      Em                          D
	Go your way, I'll go mine and carry on


	C	   G                F               D
	The sky is clearing and the night has cried enough.
	
	C	   G         F               D
	The sun he comes the world to soften up.

	Am       Em                                      D
	Rejoice, rejoice, we have no choice but to carry on.

	
	    C	        G          F               D
	The fortunes of fables are able to see the stars,

	    C	        G              F              D
	now witness the quickness with which we carry on

	   Am       Em                                            D
	to sing the blues, you've got to live the dues, and carry on.


	D  C  Am      C  G       Am   C  G            D	
	Carry on love is coming, love is coming to us all.


	D                   Am            C                 D
	Where are you going now my love?  Where will you be tomorrow?

	D                 Am          C                 D
	Will you bring me happiness?  Will you bring me sorrow?

	D                 C    Am       G      D        C      Am       G
	Are the questions of a thousand dreams what you do and what you see

	D      C       G       D
	lover, can you talk to me?

	
	D          Am              C           D
	Girl, when I was on my own chasing you down,

	D           Am            C                        D
	what was it made you run, tryin' your best just to get around.

	D             C    Am       G      D        C      Am       G
	The questions of a thousand dreams what you do and what you see

	D      C       G       D
	lover, can you talk to me?



\_  \_  \_  \_  \_  \_  \_  \_ 

    \_\_\_      \_      \_                  Glen Macon 
   \_            \_\_  \_\_     any-net: macon@cbmvax.commodore.com
   \_             \_ \_\_ \_            Standard disclaimer...    
    \_   \_\_\_    \_  \_  \_   Commodore doesn't endorse what I say, I do
     \_       \_    \_      \_           Who wants to know...
       \_     \_     \_      \_           Robot roll call...  
	 \_\_\_       \_      \_   Cambot!  Gypsy!  Tom Servo!  Croooooow!
	                                           (__)              
 \_  \_  \_  \_  \_  \_  \_  \_  \_  \_            (..)
					    /-------\/  moo
   All those moments will be lost in time, / |     ||
   like tears in the rain.		  *  ||----|| 
					     ^^    ^^
Newsgroups: alt.guitar.tab
From: petrop@vccsouth07.its.rpi.edu (Philip A. Petrocelli)
Subject: Re: Perfect pitch
Organization: Rensselaer Polytechnic Institute, Troy, NY
Date: Wed, 30 Sep 1992 18:51:37 GMT

In article <BvDoC9.AA@news.cso.uiuc.edu> tbmg9061@uxa.cso.uiuc.edu (Thomas B MacIukenas) writes:
>Francis.Gardner@comp.vuw.ac.nz (Francis Gardner) writes:
>
>>  implication appears to be false.  I beleive the same applies to sound
>>  (bit I could be wrong :-)         ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
>   ^^^^^^^^^^^^^^^^^^^^^^^^^
>This is the important point to remember.  Who ever said there was a strong
>correlation between our perceptions of pitch and color?  The advertisement
>has absolutely no basis for making the analogy.  For all we know, these two
>perceptions may very well be governed by two totally different mechanisms.

We DO know that both percepetions indeed ARE governed by two totally different
mechanisms.  I know we are not all physicists, but for those of us who know 
a little, have we forgotten that color is an ELECTROMAGNETIC WAVE, and it's 
perception is a result of a chemical reaction that occurs in the rods and cones
in our retinas????  And, that sound is a MECHANICAL WAVE that occurs as
compressions and rarefactions of air molecules - and it is that transfer of 
vibratory motion (thru our ear drums and the bones in our ear) that gets 
translated into a form that our brain can process???
The same mathematical methods that we apply to sound waves (ie overtones, etc)
simply CANNOT be applied to electromacnetic waves.  Their properties are just
apples and oranges.  Mechanical waves manifest themselves as vibrating
molecules, whereas electromagnetic waves need no medium because they are a
result of varying magnetic and electric fields.  True, the sines and cosines 
are the same, but varying fields and vibrating molecules are two totally
differnent animals.  That's what I never understood about David's ads...

MORE INPUT???

Phil
petrop@rpi.edu
Organization: Ryerson Polytechnical Institute
Distribution: na
Date: Wednesday, 30 Sep 1992 14:14:06 EST
From: <AERE6969@RyeVm.Ryerson.Ca>
Newsgroups: alt.guitar.tab
Subject: tab : AC/DC Hwy to Hell



E------------------------------------------------|-------|-------|-------------
C---2-2-2-----3--3--3-----3-3-3---3-3-3---3-2-2--|-------|-------|-------------
G---2-2-2-----2--2--0-----2-2-0---2-2-0---2-2-2--|-------|-------|-------------
D---2-2-2-----0--0--0-----0-0-0---0-0-0---0-2-2--|---%---|---%---|---etc.------
A---0-0-0-----x--x--x-----x-x-x---x-x-x---x-0-0--|-------|-------|-------------
E-------------2--2--3-----2-2-3---2-2-3---2------|-------|-------|-------------


chorus :

E---------------------------------2-------3--2---|-------|---------------------
C-----------2--------2------------3-------3--3---|-------|---------------------
G-----------2--------2------------2-------0--2---|-------|---------------------
D-----------2--------2------------0-------0--0---|---%---|---etc.--------------
A-----------0--------0--------------------x------|-------|---------------------
E-----------------------------------------3------|-------|---------------------
...on the  High   -  way    to   hell......etc.


Notes :   x  means muted string
          %  means repeat previous bar
also : There's no way to provide a sense of timing over a computer screen,
       so you have to just listen to the song and play accordingly. Distortion
       is a must, and keep the 'scratching' low; i.e. the sound should be
       kind of muffled, not tinny and ringing on.

enjoy!!!!   RODENT.......@.........RYE
From: 9116974@ul.ie
Newsgroups: alt.guitar.tab
Subject: Perfect Pitch & Re:Star spangled Banner
Date: 29 Sep 92 12:12:55 GMT
Organization: University of Limerick, Ireland


	I just saw the tab for Star Spangled Banner here yesterday and it is now
gone before I could print it. If anyone out there still has it could you repost
it here.
Also I recently saw an advert in Guitar World for Perfect Pitch. Has anyone ever
tried this chorse and if so is it as good as the advert would have you believe.
From: ras@athena.mit.edu (Richard A Shandross)
Subject: Re: REQ: Norman Blake songs
Organization: Massachusetts Institute of Technology
Date: Mon, 28 Sep 1992 03:14:39 GMT

Could you post the tab for Last Train and Ginseng Sullivan (last first, I love
the song!)?  Thanks,  Rich
Newsgroups: alt.guitar.tab
From: jdalin@devildog.att.com (Jimmy Dalin)
Subject: Re: Joe Hill
Organization: AT&T IMS - Piscataway, NJ (USA)
Distribution: na
Date: Mon, 28 Sep 1992 13:05:46 GMT

In article <17509@ucdavis.ucdavis.edu> darsie@eecs.ucdavis.edu (Richard Darsie) writes:
>In article <2AC1685F.12284@ics.uci.edu>, schmidt@liege.ics.uci.edu (Douglas C. Schmidt) writes:
>> 
>> Hi,
>> 
>> 	I wonder if anyone has the words and music to the song
>> "Joe Hill" performed by Joan Baez at Woodstock?!
>
>JOE HILL
>by Alfred Hayes & Earl Robinson
>
>
>    C
>I dreamed I saw Joe Hill last night
>  F              C
>Alive as you or me.
      Am                  G   F     C  
 Says I, "But Joe, you're ten years dead."

Would be my choice for the above line.  Each to her/his own.  And a D7
instead of a D on the next line, to emphasize the transition to the G.
-- 
Jim Dalin            "No Salga Afuera"  
AT&T                    N.Y.C.T.A.
ATTMail id: !jdalin            
Compuserve: 72260,1573 
Newsgroups: alt.guitar.tab
From: alee@nyx.cs.du.edu (alex lee)
Subject: Rush Basslines (again)
Organization: University of Denver, Dept. of Math & Comp. Sci.
Distribution: usa
Date: Sat, 26 Sep 92 17:17:01 GMT


Some people were kind enough to help me locate a source for tabbed
basslines of Rush songs.  But, I'm fairly new to this type of system, and
I wasn't at all sure what you were talking about.  It took me forever to
find out how to reply to articles, and now that I can, the messages are
gone.
 
So, I live in Colorado.  How do I access the computer that has all the
Rush stuff on it?  Thanks alot!!!
From: exubrst@exu.ericsson.se (Brad Steele)
Newsgroups: alt.guitar.tab
Subject: Re: REQ: Halloween tunes
Date: 28 Sep 92 21:07:16 GMT
Reply-To: exubrst@exu.ericsson.se
Organization: Ericsson Network Systems, Inc.
X-Disclaimer: This article was posted by a user at Ericsson in North America.
              The opinions expressed are strictly those of the user and
              not necessarily those of Ericsson.

Of course there's "The Monster Mash".  I don't have a clue how to play it, though.
---
Brad
Newsgroups: alt.guitar.tab
From: jkiparsk@reed.edu (Jonathan Kiparsky)
Subject: Re: TAB: Greatful Dead-Friend of the Devil
Organization: Reed College, Portland, Oregon
Date: Sat, 26 Sep 1992 07:39:31 GMT

In article <1992Sep26.073627.20657@reed.edu> jkiparsk@reed.edu (Jonathan Kiparsky) writes:
>  G               C           G
>  +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
>E---3---2---0--------------------
>B-------------3-----10--0--------
>G---------------------0---2-020--
>D-----0-------------------2------
>A---------2-------3--------------
>E-3-----------3------------------
                      ^ pulloff
I just remembered, I pull off from the higher c to the b after playing it.
Adds something that way...
-jon
Newsgroups: alt.guitar.tab
From: gish@NCoast.ORG (Tyson Chihaya)
Subject: Re: DYSLEXIC HEART... TAB or Lyrics anyone???????
Organization: North Coast Public Access *NIX, Cleveland, OH
Date: Sun, 27 Sep 1992 02:56:46 GMT

sbb1@Ra.MsState.Edu (Shay B. Berthelson) writes:
: 
: iDoes anyone know the words or the tab or chords to dyslexic heart
: by paul westerberg?????
: 
: 
: \thanks shay
: 
: 
I had this figured out at one point (I always figure songs out and then
forget them), but I think the 'na na na' part goes F C F C F C G. The
rest of the song is pretty straightforward as I remember.


-- 
Tyson Chihaya	|  capricorn sister taste of eucalyptus chartreuse regalia
gish@ncoast.org	|  purple pie petes dance electra burgundy baby blue eyed
                |  soul capricorn sister freddie mercury jezebel child
                |  motherlovebone breeds like rabbits gonna set you free
Newsgroups: alt.guitar.tab
From: halloran.4@nd.edu(Dove) (Humpty Dumpty)
Subject: Re: Neil Young please !
Followup-To: alt.guitar.tab
Organization: Notre Dame
Date: Mon, 5 Oct 1992 08:14:14 GMT

In article <1aoc1tINN188@sol.deakin.OZ.AU>, tnelson@cm.deakin.OZ.AU
(Anthony Nelson) wrote:
> 
> 
> 
>      Would anyone have chords or tab for Neil Young's
>      Hey Hey My My 
>      Powderfinger
> 
>      Much appreciated
>      Tony Nelson
POWDERFINGER  (From memory...excuse the errors)

G																									C                        G
Look out Mama there's a white boat coming up the river
         C																																										G
With a big red beacon and a flag and a man on the rail
																	C                                                   
I think you'd better call John 'cause it don't look like their here to
    Bm         C
 deliver the mail
											Bm               C
And it's less than a mile away
    Bm                      C
I hope they didn't come to stay
            Bm                      C                        D
It's got numbers on the side and a gun and it's makin' big waves

(Tab for the solo takes more time than I've got...Chords are as follows)

D        C       G

Doddy's gone  My brother's out hunting in the mountains\
Big John's been drinkin' since the river took Emmy Lou
So the powers that be left me here to do the thinkin'
And I just turned twenty-two
I was wondering what to do 
The closer they got, the more those feelings grew

Daddy's rifle in my hand felt reassuring
He told me red means run son and numbers they add up to nothing 
But when the first shot hit the dock I saw it coming
Raised my rifle to my eye
Never stopped to wonder why
Then I saw black and my face splashed in the sky

Shelter me from the powder and the finger
Cover me with the thought that pulled the trigger
Just think of me as one you never figured
Would fade away so young
With so much left undone 
Remember me to my love I know I'll miss her.

There's great harmony in the last verse...if you sing it, don't sing it
alone.  It is just one of the most powerful songs I've run across.  I
haven't listened to it in about 9 months and haven't played it in even
longer, but it has just kinda stuck with me.  Neil does that.
Xref: sparky alt.guitar.tab:2591 rec.music.makers:9882
From: day@elmer.orl.mmc.com (Jim Day)
Newsgroups: alt.guitar.tab,rec.music.makers
Subject: REQ: Halloween tunes
Date: 28 Sep 92 17:50:14 GMT
Organization: Martin Marietta (Orlando, FL)

Our band here has a gig booked for Halloween and the bar is going to go all out
with advertisements, promos spots, etc.  We are really excited about playing for
the event (we have played there before but expect there will be many more people
this time around...contest, etc.).

So, I would like to know if anyone has any "Halloween music (chords, words, etc)
they would like to share with me.  I have alread put down "Werewolves of London"
on the list of possibles...you know stuff like that.  There was a tune I heard a
long time ago, I think it was "Haunted House" or something like that...

Any suggestions and songs would be appreciated.
-- 
+------------------------------+---------------------------------+	
| Jim Day                      | Office: 407/356-9603            |
| Martin Marietta,  MP1269     | FAX:    407/356-6808            |
| P.O. Box 628007              | Internet: day@elmer.orl.mmc.com |
| Orlando, FL  32862-8007      |                                 |
+------------------------------+---------------------------------+
Newsgroups: alt.guitar.tab
From: Matthew.Watson@comp.vuw.ac.nz (Matthew Watson)
Subject: TAB REQUEST...
Organization: Dept. of Comp. Sci., Victoria Uni. of Wellington, New Zealand.
Date: Sun, 4 Oct 1992 01:21:34 GMT



Can anyone out there provide me with any Tab by 'James'...

I'm especially after the intro to 'Live a Love of Life'...



Thanks in advance,
Matt.
From: halloran.4@nd.edu (Dove)
Newsgroups: alt.guitar.tab
Subject: REQ: American Pie
Date: 5 Oct 92 08:34:46 GMT
Followup-To: alt.guitar.tab
Organization: Notre Dame

I can play Don McLean's most (only) famous song, but I can never remember
all the words, least of all the meaning (symbolisms) behind them.  Any
takers for this daunting task?
Newsgroups: alt.guitar.tab
From: Mark Esswein <messwein@nimbus.worldbank.org>
Subject: REQ: Earl of Salisbury (John Renbourn/Pentangle)
X-Xxmessage-Id: <A6F1FFA308012652@markesswein-233469.worldbank.org>
X-Xxdate: Fri, 2 Oct 92 18:31:15 GMT
Organization: The World Bank
X-Useragent: Nuntius v1.1.1d11
Date: Fri, 2 Oct 1992 17:36:06 GMT

Can anyone out there provide Tab for John Renbourn's version of The Earl
of Salisbury?
I'd also be interested in tab for Seven Up which appears on Sir John Alot
of...

Thanks
Mark Esswein
Help. Please write some better documentation for me...

Special keys and other tips.


When choosing server:
	option key will avoid check of server (will not try to open connection)
	you can specify port number after the servername like in telnet
	

Copy text:
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	shift key: no attribution line (In article xxx, yyy wrote)

Update List Of All Groups:
	option key: will rebuild list and remove deleted groups

Extract binaries when viewing list of threads
	option key: will not extract the selected threads as one thread
	


New discussion, Follow-up and Reply-by mail
	Selected text will be placed in article/letter as quote
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Small left/right arrows in article window
	the arrow keys left and right...


magic key: space
	In group lists:
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	In list of threads:
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		else pages down is possible
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		else goes to next selected thread if any (same as arrow right)
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Open special:
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	is displayed in this list.

Several people can keep their own settings by making their own copy
of the "Nuntius personal files" folder and launching Nuntius by double-
clicking on the "Nuntius Preferences" document.

Same method if you want to use more than 1 server: Move the 
"Nuntius personal files" folder out of the preferences folder and launch
Nuntius by double clicking the Nuntius application. You will now have
another "Nuntius personal files" folder in the preferences folder.

If the "Nuntius personal files" folder in the Preferences folder is
replaced
by a document, Nuntius can only be used by double-clicking a Preferences
document.  (all just like Eudora).
Newsgroups: alt.guitar.tab
From: kwi@postman.hsn.no (KLAUS WILLIAM WIK)
Subject: Req.: ANYTHING U2
Organization: Nordland College
Date: Mon, 28 Sep 1992 12:26:04 GMT

	Anything by U2 wanted,absolutely anything.
Please post it here so I can save and print it without fooling around with 
the * mailsytem.

	K.Wik
From: xavier@jhunix.hcf.jhu.edu (Jason R Black)
Newsgroups: alt.guitar.tab
Subject: Re: Lithium
Date: 4 Oct 92 18:42:32 GMT
Organization: HAC - Johns Hopkins University, Baltimore

In article <Uen_E9S00YV9I4dI0c@andrew.cmu.edu> "Philip F. Gomez" <pg25+@andrew.cmu.edu> writes:
[stuff deleted]
>I like it, I'm not gonna cry
>I miss you, I'm not gonna cry
>I love you, I'm not gonna cry
>I killed you, I'm not gonna cry.
>
>(These lyrics come from inside the Lithium single.)

Not to be picky either, but I have the single, and the lyrics for Lithium
don't include the above part.  Personally, I think it sounds more like
crack than cry.

-- 
mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm
m Jason R. Black, XAVIER@JHUNIX.HCF.JHU.EDU, m
m THE JohnS Hopkins University               m
mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm
Newsgroups: alt.guitar.tab
Subject: re: re: Back in Black
From: Francis.Gardner@comp.vuw.ac.nz (Francis Gardner)
Date: Fri, 2 Oct 1992 04:48:43 GMT
Organization: Dept. of Comp. Sci., Victoria Uni. of Wellington, New Zealand.


> Correct me if I'm wrong, but I'm 99% sure that the B in B chords are E D A.
> Not E(m) G D.

  I agree, but also riff 3 is wrong....it should be something like



      ---------------------------
      ---------------------------
      ---------------------------
      --2-----2--0--2--1--2--2---
      -----4---------------------

  Francis.
-- 
fgardner@comp.vuw.ac.nz
Francis Gardner
MSc Student, Computer Science Department
Victoria University of Wellington
From: bergman@alanine.cs.unc.edu (Larry Bergman)
Newsgroups: alt.guitar.tab
Subject: Re: CRD: JOHN BARLEYCORN
Date: 6 Oct 92 20:55:41 GMT
Organization: The University of North Carolina at Chapel Hill

In article <71390001@hpspdla.spd.HP.COM> almanb@hpspdla.spd.HP.COM (Bob Alman) writes:
 >
 >                      John Barleycorn   (Traffic version)
 >
 
 >    They let him stand 'til mid service-day
				 ^^^^^^
				 summer's

 >    They've hired men with the cratchry sticks (I doubt it's cratchry)
				^^^^^^^^
				crabtree

 >    Proved the strongest at last
			  ^^
			  man at

-- 
Newsgroups: alt.guitar.tab
From: cimo@cs.montana.edu (Bob Cimikowski)
Subject: Nanci Griffith Tabs
Organization: CS
Date: Wed, 30 Sep 1992 18:53:20 GMT

                             Once In A Very Blue Moon

                                 (Pat Alger, 1982) 

(Based on the live recording by Nanci Griffith on the album
 "One Fair Summer Evening").

Guitar: standard tuning, capo III. 

Chords:

D: E A D G B E               A*:  
  =X=X=========                 =X===========   
  _|_|_|_|_|_|_                 _|_|_|_|_|_|_  
  _|_|_|_0_|_0_                 _|_|_0_0_|_|_ 
  _|_|_|_|_0_|_                 _|_|_|_|_|_|_
  _|_|_|_|_|_|_                 _|_|_|_|_|_|_  
  _|_|_|_|_|_|_                 _|_|_|_|_0_0_  
   | | | | | |                   | | | | | |  

Gsus:                        A:  
  =============                 =X===========    
  _|_|_|_|_|_|_                 _|_|_|_|_|_|_    
  _|_0_|_|_|_|_                 _|_|_0_0_0_|_  
  _0_|_|_|_0_0_                 _|_|_|_|_|_|_  
  _|_|_|_|_|_|_                 _|_|_|_|_|_|_  

Bm:                            F#7:  
  X============                 =============    
  _|_|_|_|_|_|_                 _|_|_|_|_|_|_    
  _|_========== (bar)           _0_|_|_|_0_|_  
  _|_|_|_|_0_|_                 _|_|_|_0_|_|_  
  _|_|_0_0_|_|_                 _|_0_0_|_|_|_  

Gmaj7:                         Em7:  
  =============                 =============    
  _|_|_|_|_|_|_                 _|_|_|_|_|_|_    
  _|_0_|_|_|_0_                 _|_0_0_|_|_|_ 
  _0_|_|_|_0_|_                 _|_|_|_|_0_|_  
  _|_|_|_|_|_|_                 _|_|_|_|_|_|_  


Words:

    D          A            Gsus
I found your letter in my mailbox today
    D          A          Gsus
You were just checking if I was okay
    D          A          Gsus
And do I still miss you, well you know what they say


Chorus:

    Gsus  A     D        Bm          G         A        D(addG) D
Just once in a very blue moon, just once in a very blue moon
      Gsus A   F#7   Bm 
Just once in a very blue moon
       G        A        Em7 A D
And I feel one coming on soon


No need to tell me you'd like to be friends
And help me get back on my feet again
'Cause if I still miss you, it's just now and then

(repeat chorus)

(Bridge:)

  Gmaj7             A  Bm
There's a blue moon shining
     G       A         G         A     D
When I am reminded of all we've been through
       Gmaj7  G   A  Bm
Such a blue moon shining
       G                 A
Does it ever shine down on you?


Cause you act like it never even hurt you at all
And I'm the only one who's getting up from a fall
Tell me don't you feel it, don't you recall?

(repeat Chorus)

(CODA:)

Just once in a very blue moon.

Newsgroups: alt.guitar.tab
From: tinag@kean.ucs.mun.ca
Subject: Re: ftp help, please!!!
Organization: Memorial University. St.John's Nfld, Canada
Date: Tue, 6 Oct 1992 22:02:14 GMT

In article <1992Oct3.091158.1@kean.ucs.mun.ca>, tinag@kean.ucs.mun.ca writes:
> Help!  I received lots of Indigo Girls info from my last post (thanks, 
> y'all), as well as suggestions to try ftp.nevada.  Well, I did.  I can 
> get in ok, but can't do anything after that--the error messages 
> include "no such file or directory", and "data connection refused" (or 
> something similar.  Anyone??  Please??
> 
Thanks to all who replied.  I switched to my UNIX account, used 
sendport, and got in just fine.

I noticed a distinct lack of Melissa Etheridge, Sinead O'Connor, 
Michelle Shocked, and 10,000 Maniacs.  Pity.


> tg

Newsgroups: alt.guitar.tab