HDTenEightyP/NetNews huggingface dataset:
From: pmangiafico@guvax.acc.georgetown.edu
Newsgroups: alt.music.rush
Subject: Dream Theater show last night :-(
Date: 11 Dec 92 15:30:19 GMT
Organization: Georgetown University

Hey gang. Just some observations on the Dream Theater show at the 
Bayou in Washington, DC last night:

What were you guys thinking?! This band is nothing like Rush. After 
reading all these glorifying posts on Dream Theater here and in TNMS I 
figured they had to be good, and made my way through the rain to go 
see their show last night. I was more than a bit disappointed.

After waiting for what seemed like forever for them to come on, here 
come these long haired tight black jeans wearing fellas wading through 
the cheesy fog effects to play... THRASH METAL! Not that I don't like 
thrash, but from the description some people posted on here (and the 
name of the band) I was expecting something more like Marillion, and 
instead got a cross between Metallica and Def Leppard - too much 
chanting, no melodies. There was nothing imaginative about their 
music, except the drums. The drummer was great, and I can see why some 
compare him to Neil Peart.

In their defense, I must say that the mixing was really bad. All you 
could really hear well were the drums and the screeching guitar. The 
bass player was going wild but I couldn't hear anything he was 
playing. As for the lyrics, I can't really judge because I couldn't 
make any sense at all of the singer's screaming, except maybe for the 
chanted choruses. Rush never chants.

Anyway, that was my first impression, and maybe some of you Dream 
Theater fans may be able to convince me to give them another chance. 
But, really, it was pretty disappointing. The opening band (Cathedral) 
was better than they were - at least they put some thought and 
imagination into their songwriting.

Was anyone else at the Bayou last night, and am I totally off the 
mark? Comments welcome, flames not.

Cheers...
		Paul M.
		pmangiafico@guvax.georgetown.edu
Newsgroups: alt.music.rush
From: jdell@titan.ucc.umass.edu (Joe Dell)
Subject: Re: Favorite Alex solos (was Alex' guitar work on p/g)
Organization: /usr/users/user4/jdell/.organization
	<1992Dec18.234352.6979@hellgate.utah.edu>
	<1992Dec19.135912.2707@mixcom.com>
Distribution: usa
Date: Sat, 19 Dec 1992 19:22:07 GMT

The best solo is definitely that from La Villa.  The first solo kicks.
Nothing can beat it.  Close runners up are that from Ghost of a Chance, 
Red Barachetta, Freewill, and By-Tor and the Snowdog.
--
Joseph Dell     -- jdell@titan.ucc.umass.edu --

                ecky-ecky-ecky-pikang-zoo-foing                  
                                           
                                          ---The Knights of NEE
Newsgroups: alt.music.rush
From: cka52397@uxa.cso.uiuc.edu (Slartibartfast)
Subject: Re: Armagettel
Organization: University of Illinois at Urbana
Date: Tue, 15 Dec 1992 18:46:00 GMT

In article <1992Dec15.161111.10772@mnemosyne.cs.du.edu> kyoung@nyx.cs.du.edu (Kris Young) writes:
>Where in the world did you hear that crap?  I assume that you don't honestly
>believe that RUSH is satanic, do you?  I mean, try ftp'ing to the syrinx.umd.-
>edu site, and there's an article, written by Peart, defending his band against
>these shallow accusations.  I admit, they're anti-religious, but satanic?
>I really think that you had better be careful about who you believe.  Think
>about it.  You stated in your article about the evil 'Apollo- Bringer of 
>Wisdom'.  That song is no more evil than the pope himself.  I really didn't 
>that song was about religion, anyways.  I thought it was purely speaking of
>a philisophical battle between the heart and the mind, which has gone on 
>inside man since the beginning of time. To say that "Hemispheres" is satanic,
>seems to be admitting that you hav e never listened to the album or the song.
>And besides, don't you think that if they were really satanic, they would
>make songs about Human Sacrifices, drinking blood, and practicing witch-
>craft and the occult.  You're just becoming part of the modern-day witch hunt.
>
>

	I think it was a joke...  :-)

-- 
 Chintan Amin  The University of Illinois, Urbana Champaign  c-amin1@uiuc.edu
  "Public speaking is very easy!" <-- Quayle 10/88  ;-)
  "Unfortunately, the people of Louisiana are not racists" <-- Quayle, 10/12/90
NeXTMail Accepted  Go Illini *Holiday Bowl* Go Capitals Go Tarheels Go Cowboys 
Newsgroups: alt.music.rush
From: hexonxon@lamar.ColoState.EDU (Mark Goldstein)
Subject: lyrics
Date: Sun, 13 Dec 1992 05:59:41 GMT
Organization: Colorado State University, Fort Collins, CO  80523

does anyone know all the lyrics to by-tor and the snow dog?
i can't figure out half the song! 
Newsgroups: alt.music.rush
From: cka52397@uxa.cso.uiuc.edu (Slartibartfast)
Subject: Re: Last go-round?
Organization: University of Illinois at Urbana
Date: Fri, 11 Dec 1992 23:46:05 GMT

In article <168B914404.PRAETHE@YaleVM.YCC.Yale.Edu> PRAETHE@YaleVM.YCC.Yale.Edu (Ethan Evan Prater) writes:

[Stuff about Geddy lowering the songs to his natural voice]

>What older songs has he changed, and what are the changes? I guess they cut
>the ungodly high part out of "Freewill" on the Presto tour as well as its
>nearly identical twin, the RtB tour, but I can't think of anything else.
> 
>I'm very interested in how they change the music live, especially since it's
>always so much like the album.
> 
>Ethan Evan Prater      |     "The sign of Eth is rising in the air..."

	I noticed that at the RTB concert that I was at Geddy's voice in 
"The Temples of Syrinx" sounded lower than the studio, and even lower than 
his voice in the p/g concert album.


-- 
 Chintan Amin  The University of Illinois, Urbana Champaign  c-amin1@uiuc.edu
  "Public speaking is very easy!" <-- Quayle 10/88  ;-)
  "Unfortunately, the people of Louisiana are not racists" <-- Quayle, 10/12/90
NeXTMail Accepted  Go Illini *Holiday Bowl* Go Capitals Go Tarheels Go Cowboys 
Newsgroups: alt.music.rush
From: bd6520@u.cc.utah.edu (BALACHANDRA DESHPANDE/MECHANICAL ENGINEERING)
Subject: RUSH....
Organization: University of Utah Computer Center Student Mail Machine
Distribution: alt.music.rush
Date: Thu, 17 Dec 92 20:09:35 GMT

Newsgroups: alt.music.rush
From: jpeg8496@uxa.cso.uiuc.edu (Jeffrey P. Elbel)
Subject: Re: SNL?
Organization: University of Illinois at Urbana
Date: Fri, 18 Dec 1992 09:36:40 GMT

When I guest host SNL, Rush will definitely be my first choice of
musical guest.  I'll ask them to play Middletown Dreams, too.

Jeff

Newsgroups: alt.music.rush
From: boarjas@elof.iit.edu (Jason Boardman)
Subject: **QUICK SINEAD SURVEY PLEASE ANSWER**
Organization: Illinois Institute of Technology, Chicago
Date: Fri, 11 Dec 92 17:10:46 GMT


*****  SIMPLE SURVEY -- PLEASE READ *****

I have seen much talk about Sinead on the net lately, 
and was wondering what the general opinion of Sinead
was.  Please take the 20 seconds it takes to reply to
this question and answer it.  (A simple Y or N will do).
Please use your newsreader's reply option or regular
email to submit votes -- do not post your answer.

Question:
Do you still support (or have a general good opinon of)
Sinead O'Connor?

If you wish to send detailed replies as to why or why not,
please do, but they are not required.  Thanks in advance!

Jason Boardman
boarjas@elof.iit.edu
From: saunders@luther.che.wisc.edu (Brian E. Saunders)
Subject: Re: **QUICK SINEAD SURVEY PLEASE ANSWER**
Organization: University of Wisconsin - Madison
Date: 14 Dec 92 13:47:25 CST

This thread has nothing to do with Rush.  Talk about it in a more
appropriate newsgroup (i.e. rec.music.misc), or discuss this via e-mail.
-- 

Brian E. Saunders			saunders@luther.che.wisc.edu
Newsgroups: alt.music.rush
From: mmaryo@udecc.engr.udayton.edu (Michael J Maryo (U))
Subject: Re: **QUICK SINEAD SURVEY PLEASE ANSWER**
Organization: Univ. of Dayton, School of Engineering
Date: Mon, 14 Dec 1992 20:01:37 GMT

I agree with previous posts.... get Shine-Head O'connor out of alt.rush....
PLEASE!  I usually don't even read these posts that don't even pertain to rush,
but it is getting a bit annoying to see more Sinead O'Connor posts than rush
posts.  Take it to a generic music group, please.

-----===***>Mike Maryo

P.S. Just my opinion  8-)
From: jm012b@uhura.cc.rochester.edu (Jeffrey P. Moon)
Newsgroups: alt.music.rush
Subject: Happy Holidays!
Date: 18 Dec 92 20:58:10 GMT
Organization: University of Rochester - Rochester, New York

Hey, fellow Rushians:

	Well, my exams finally ended today, thank goodness! Now I'm ready to
go home and plop down in an easy chair for about a month before I have to
returnto school (and a new course workload - AUGH!). Anyhow, this is my last
post for the year of 1992, so I wish everyone Happy Holidays and a wonderful
New Year. I'll be back come the 18th of January, so I'm looking foward to
all the new discussions. Make 'em good, guys!

	Take care; don't drink and drive this holiday season. =)
-- 
Jeffrey Moon			* "And the trees are all keep equal,		
University of Rochester		*  By hatchet, ax, and saw..."
New York			*		- Rush, "The Trees" 
Newsgroups: alt.music.rush
From: jrl8@cunixa.cc.columbia.edu (James R Lendino)
Subject: Re: Armagettel
Reply-To: jrl8@cunixa.cc.columbia.edu (James R Lendino)
Organization: Columbia University
Date: Tue, 15 Dec 1992 14:13:07 GMT

In article <92350.043719MWEINTR@auvm.american.edu> MWEINTR@auvm.american.edu writes:
>In article <1992Dec14.173326.9388@iscsvax.uni.edu>, wipperma9340@iscsvax.uni.edu
>says:
>>
>>How about a discussion dealing with the Satanic aspects of Rush.  Come on now,
>>we all know that Rush is simply a cult dedicated to Lucifer.  Certainly, the
>>anti-God lyrics point us toward complete societal decay.  As a great pastor
>>from Michigan once said:
>>
>>"Rush is another group that uses the occultic symbol of the five-pointed star.
>>They use it on all of their albums.  One album features a nude man surrounded
>>by levitating brains.  Their songs include The Battle of the Heart and Mind,
>>Apollo Bringer of Wisdom, Armagettel . . . uh, Armageddon, and The Spirit of
>>the Radio.  I bet they know a lot about the spirits of the radio."
>
>Oh no, NOT AGAIN!!!!!!!
>
>
>>Now, how can you escape the truth?
>
>Give me a fuckin' break, take this to alt.christian or someother shit like
>that, WE DO NOT NEED TO HAVE THIS THREAD AGAIN!
>
>>
>>DPW (formerly the Analog Kid, until I reformed myself to the holy life)
>
>Atheistically yours,
>
>Mike

   Um, Mike, I think that DPW's post was a joke.  I mean, really,
read how he signed it.  Don't you remember him?

   Sheesh.

Happy Holidays,
-JRL

P.S.  DPW - *I* was laughing.  :-)
-------------------------------
James R. Lendino
jrl8@cunixa.cc.columbia.edu
-------------------------------
From: jaeger@buphy.bu.edu (Gregg Jaeger)
Newsgroups: alt.music.rush
Subject: Re: New thread(s)
Date: 17 Dec 92 15:14:05 GMT
Distribution: na
Organization: Boston University Physics Department

In article <92349.221644CJD105@psuvm.psu.edu> CJD105@psuvm.psu.edu writes:

>Also, another thing that he said which I liked was in a later
>newsletter.  When asked, "How do you feel about Ayn Rand and
>Objectivism?",  he replied, "Pretty good. How do YOU feel
>about them?"   Couldn't have answered that one much better!


He also said (in a Kerrang interview) : ``I'm not as much an Ayn
Rand fan as I'm made out to be.''

He also said (very recently, I forget exactly where): ``I'm a left-wing
libertarian.''


Gregg




-- 
Gregg Jaeger (jaeger@buphy)  Dept. of Physics (and Philosophy), Boston Univ.
"You see, the quantum mechanical description is in terms of knowledge" -Peierls
"One can _not_ put the psi-function... in place of the... thing" -Schroedinger
                   _De gustibus non disputandum_, NOT!
Newsgroups: alt.music.rush
From: cka52397@uxa.cso.uiuc.edu (Slartibartfast)
Subject: Re: The AntiRUSH
Organization: University of Illinois at Urbana
Date: Wed, 16 Dec 1992 22:28:59 GMT

In article <85438@ut-emx.uucp> elthiol@metonymy.ots.utexas.edu (Ted Ollier) writes:
>Ladles and Gentlemints--
>
>	The inclusion of a Les Claypool quote in someone's .sig file made  
>me think, "Hmmmm, I wonder what other Rush fans think of the  
>Skeeter-band." So--to start this thing off right, I pose the question: is  
>Primus really the AntiRUSH? Or is it only a parallel Rush caught in a  
>space-time warp that brings it into our universe? This enquiring mind  
>wishes to know.
>--
>			Ted Ollier

	Some love them, some hate them, as you will probably know soon enough.
They are certainly not anti-Rush enough to have Rush not let Primus open for 
them, and If you can understand that sentance, you probably deal with the 
government a lot.


-- 
 Chintan Amin  The University of Illinois, Urbana Champaign  c-amin1@uiuc.edu
  "Public speaking is very easy!" <-- Quayle 10/88  ;-)
  "Unfortunately, the people of Louisiana are not racists" <-- Quayle, 10/12/90
NeXTMail Accepted  Go Illini *Holiday Bowl* Go Capitals Go Tarheels Go Cowboys
From: elthiol@metonymy.ots.utexas.edu (Ted Ollier)
Newsgroups: alt.music.rush
Subject: The AntiRUSH
Date: 16 Dec 92 16:06:44 GMT

Ladles and Gentlemints--

	The inclusion of a Les Claypool quote in someone's .sig file made  
me think, "Hmmmm, I wonder what other Rush fans think of the  
Skeeter-band." So--to start this thing off right, I pose the question: is  
Primus really the AntiRUSH? Or is it only a parallel Rush caught in a  
space-time warp that brings it into our universe? This enquiring mind  
wishes to know.
--
			Ted Ollier
			elthiol@metonymy.ots.utexas.edu

		"Everybody need reverse polarity."

Newsgroups: alt.music.rush
From: fes9s@faraday.clas.Virginia.EDU (Frank Erick Sellin)
Subject: Re: Alex' guitar work on p/g
Organization: University of Virginia
Date: Wed, 16 Dec 1992 18:13:41 GMT

In article <1992Dec14.180829.6940@ultb.isc.rit.edu> pga0625@ritvax.isc.rit.edu writes:
>In article <1992Dec14.154822.15763@eng.umd.edu>, 
>    cmermag@eng.umd.edu (Christopher Mermagen) writes:
>>
>>Just wondering how people felt about the guitar work on this album..
>>I was just listening to it last night while studying for a final,
>>and I realized how I really enjoy some of his (I guess the word
>>is) arpeggiated work on the guitar - not the power chords, but 
>>the flowing notes, like on DEW, The Enemy Within (TEW).
>>Don't get me wrong, I love the power chords, I just wasn't
>>talking about them.
>>
>>Also, the solos of Between the Wheels, Kid Gloves, and my personal
>>favorite Afterimage to me are awesome...
>
>         I agree.  I believe p/g is where Alex started using arpeggios and
>    suspended chords heavily.  His work on the album shows a lot of
>    passion and anger, just the right blend for that album.  His solo on
>    Kid Gloves is his best to date, IMHO.

Huh? Alex has been arpeggiating and suspending things since album #1.
But if ymean "heavily," (i.e., discounting tunes like Here Again,
Fly Byight, and By-Tor), take another good listen to everything
starting with CoS.  CoS, 2112, AFTK, Hemispheres:  all the epic
albums practically require the textural variations afforded by
these techniques to help keep things extremely interesting. 
AFter all I remember an interview with Alex where he said something
to the effect that arpeggiation and suspended chords "have been my
little trick for many, many years."

>
>                                                           - Paul
>--
>  Paul G. Ackerman III    |   Internet addresses:    |"You're only young
>  Rochester Institute of  |pga0625@ritvax.isc.rit.edu| once, but you can be
>     Technology           |          -or-            | immature the rest of
>  Rochester, New York, USA|pga0625@ultb.isc.rit.edu  | your life."

Frank Sellin, fes9s@virginia.edu
Newsgroups: alt.music.rush
From: irsman@iastate.edu (Ian Schmidt)
Subject: Re: RUSH?
Organization: Iowa State University, Ames, IA
Date: Thu, 17 Dec 1992 00:30:15 GMT

This is flame/warlord bait.  Dont reply if you value your life :)

Ian, who reads alt.fan.warlord and knows all about Matt Welch :)




-- 
        Ian Schmidt: irsman@iastate.edu or aol.com, BITNET: twbv4@isuvax       
  "I will choose a path that's clear: I will choose free will." - Neil Peart
"..there is another large cross section of users that think the Apple front
office is infested with morons and dimwits" - Ernie Moore, Project Apple Storm
Newsgroups: alt.music.rush
From: jason@jarthur.claremont.edu (Jason Merrill)
Subject: Re: New thread(s)
Organization: Minimal
Distribution: na
Date: 14 Dec 92 15:10:47

>>>>> ott@eniac.seas.upenn.edu (THE JESTER) writes:

> 	Firstly, what is High Water about?  It seems to allude to evolution,
> going home, and a few other things that I can't remember right now.

I always thought High Water was about the concept of racial memory:

	"When the waters rose in the darkness 
	 In the wake of the endless flood
	 It flowed into our memory
	 It flowed into our blood"

The phrase "the water takes you home" refers to a sort of feeling of deja
vu inspired by the ancient memory of the water.

> 	Secondly, what about Prime Mover?  Maybe I'm sick, but I find all
> kinds of sexual connotations in it.

Part of Prime Mover is another expression of Neil's existentialist values,
particularly the phrase "The point of departure is not to return".  That's
not all there is to the song, but I'm not a lit major. . . :) I personally
don't think there's any sexual imagery intended, though I can see where you
would get it from.

--
Jason Merrill					jason@jarthur.claremont.edu
From: jsbh+@andrew.cmu.edu (John Michael Santore)
Newsgroups: alt.music.rush
Subject: Re: **QUICK SINEAD SURVEY PLEASE ANSWER**
Date: 14 Dec 92 20:49:07 GMT
	<101918@netnews.upenn.edu>
Organization: Sophomore, Math/Computer Science, Carnegie Mellon, Pittsburgh, PA

> 
>>She sucks and is very Anti-American.  I am from New Jersey and have seem many
>>shows at the "Garden State Arts Center (GSAC).  They ALWAYS start off a show 
>>by
>>playing the National Anthem.  She REFSUED to go on stage if they did
this.  It
>>was the first time EVER in the 25+ years of the GSAC that they did not play
>>it.  Needless to say she will NEVER play there again.
> 
>Mmmmm. There is nothing that pisses off righteous god-fearing New 
>Jersians more than standing on your principles. I mean, really, refusing
>to perform because of the national anthem of the United States of Amerika is
>played before your show. 
 
 I think the point is that the GSAC *ALWAYS* plays the anthem, and if
she wanted to play there, she could abide by their rules, OR AT LEAST
work out differences ahead of time in the contract stage of things,
rather than, when the arena was filled with people, to have a hissy fit
and refuse to play.  It's really tough to make any sort of compromise
and work anything out when you've got a mob of screaming fans there. 
All I've got to say, is I PERSONALLY would have cancelled the show,
kicked everyone out, and said screw you to Skinhead O'Connor.  Five
minutes before stage time is NOT the appropriate time to make demands,
and I wouldn't have acceded to them.  She was very unprofessional about
how she handled the situation.  It really has nothing to do with the
fact that it was the anthem that made her look bad.

Flames or comments are welcome, just keep em to email.

                            -John Santore


===============================================================
 ____________________                                
/                    \      "We break the surface tension 
\_________     ____   \      with our wild kinetic dreams"
/             /    \   \               -Rush, Grand Designs
\_______     /  (*) )   )
/           / /\___/   /    Go Philadelphia Flyers!
\_____     / /        /
/         /  \_______/      John Santore (jsbh@andrew.cmu.edu)
\________/   
          
  Rush--Yes--King Crimson--Emerson, Lake and Palmer--Marillion
===============================================================
From: lobaugh@a.chem.upenn.edu (John Lobaugh)
Newsgroups: alt.music.rush
Subject: Re: Caress of Steel
Date: 11 Dec 92 18:00:47 GMT
Organization: University of Pennsylvania

In article <1992Dec11.160319.25482@galileo.cc.rochester.edu> jm012b@uhura.cc.rochester.edu (Jeffrey P. Moon) writes:
>In <1992Dec11.121322.29482@syma.sussex.ac.uk> jasonr@syma.sussex.ac.uk (Jason F Ralph) writes:
>
>>Jeffrey P. Moon (jm012b@uhura.cc.rochester.edu) wrote:
>>: I believe that IMHO means "in my honest opinion" - or am I missing it?
>
>>I thought that it was 'In My Humble Opinion'? It was when I wrote it
>>anyway! 
>
>>Splottie-kins (the EVER so humble).
>
>Yeah, that sounds much better than what I thought it was... but is there a
>specific translation of this acronymn (boy, you can't get much farther away
>from the Rush discussion, can you?) :)

Beleive or not this is in the FAQ! So I guess I'm entitled to say
(in a low authoritative voice) "Check the FAQ"

From the FAQ:

I've been seeing <acronym> used in the Digest.  What does it mean?

   FBN           Fly By Night
   COS           Caress Of Steel
   ATWAS         All The World's A Stage
   AFTK          A Farewell To Kings
   PeW           Permanent Waves {PLEASE! NOT just PW!}
   MP            Moving Pictures
   ESL           Exit... Stage Left
   GUP           Grace Under Pressure
   p/g           Grace Under Pressure
   PoW           Power Windows {PLEASE! NOT just PW!}
   HYF           Hold Your Fire
   ASoH          A Show Of Hands
   TTCE          Through The Camera Eye {rare, but it shows up}
   RTB           Roll The Bones

   IMHO          In My Humble/Honest Opinion
   WRT           With Respect To
   ORQ           Obligatory Rush Quote

   AHO:    Anyone Heard Of...
   ALTP:   Avoid It Like The Plague
   BBB:    Blah, Blah, Blah
   BFD:    Big F*ckin Deal
   BMA:    Blew Me Away
   BTW:    By The Way
   CIU:    Crank It Up!
   DAU:    Donning Asbestos Underwear
   EMOMC:  Even More Obligatory Musical Content
   FIOTNC:  Frisbee It Off The Nearest Cliff
   GAALMAYS:  Go Away And Leave Me Alone You Slimeball
   GMAW:   Gave Me A Woody
   GSM:    Good Sex Music
   ICF:    I Can't Find...
   IGAGBAYCDTI:  It's Got A Good Beat And You Can Dance To It
   IHRI:   I Highly Recommend It
   IMHO:   In My Humble Opinion
   IMHTTO: In My Holier Than Thou Opinion
   IMO:    In My Opinion
   ISTBO:  It Sucked The Big One
   LTIS:   Listen To It Stoned
   MMG:    Makes Me Gag
   MMW:    Made Me Wet  (female version of GMAW)
   MOMC:   More Obligatory Musical Content
   NAFW:   Not Another Flame War!!
   NFP:    No Flames Please
   NIDPA:  No! I Don't Play Accordion
   NKOTB:  No Kissing Or Tongue Badminton
   OMC:    Obligatory Musical Content
   ONNATT: Oh, No! Not Another Top Ten
   PMO:    Piss Me Off
   POS:    Piece Of Sh*t
   RCS:    Real Cool Shit
   SJA:    woj  ;-)
   TAV:    Take A Valium
   TBE:    Their Best Ever
   TOS:    Totally Orgasmic Shit
   WOM:    Waste Of Money
   WFM:    Works For Me
-- 
John lobaugh@a.chem.upenn.edu


Newsgroups: alt.music.rush
From: cmermag@eng.umd.edu (Christopher Mermagen)
Subject: Alex' guitar work on p/g
Date: Mon, 14 Dec 92 15:48:22 GMT
Organization: Project GLUE, University of Maryland, College Park


Just wondering how people felt about the guitar work on this album..
I was just listening to it last night while studying for a final,
and I realized how I really enjoy some of his (I guess the word
is) arpeggiated work on the guitar - not the power chords, but 
the flowing notes, like on DEW, The Enemy Within (TEW).
Don't get me wrong, I love the power chords, I just wasn't
talking about them.

Also, the solos of Between the Wheels, Kid Gloves, and my personal
favorite Afterimage to me are awesome...

Take it easy-
Chris
Newsgroups: alt.music.rush
From: fineman@stein.u.washington.edu (Twixt your toes)
Subject: oopsy...   Whoever just posted in here
Summary: Whoops
Organization: University of Washington
Date: Mon, 14 Dec 1992 23:08:12 GMT

offering to share you collection of rush videos,


		CONTACT ME!

			I can't seem to get back to your article, and I 
			didn't save it.

Or if someone could forward that article to me, i'd appreciate it.



			Thanx,

				Dan