HDTenEightyP/NetNews huggingface dataset:
From: jmf@endor.harvard.edu ( ghost )
Newsgroups: rec.music.folk
Subject: Re: Dick Gaughan
Date: 10 Nov 92 18:30:03 GMT
Article-I.D.: das.1992Nov10.183003.2674
Organization: DAS Purchasing, Harvard University

In article <417.3169.uupcb@synapse.org> phil.st..amour@synapse.org (Phil St. Amour)  writes:
>Dick Gaughan has been mentioned here a couple of times lately.  He's one 
>of my favourite singers.  I've only seen him perform live once a long time 
>ago with the Boys of the Lough (I think it was in 1975 or 1976).  I have 
>a few of his recordings but I don't know much about him.  Can anyone tell 
>me about him?  What is he doing musically these days?  Does he ever tour 
>in North America?

He did a great concert in the Old Cambridge Baptist Church,
Cambridge MA, USA in the mid 80s
(joint concert with someone equally memorable whose name I'm blocking on)
-the local DJs said he became very ill after that tour, couldn't sing at
all for a while; haven't seen him advertised in concert in New England
since then (doesn't mean I haven't missed him, though).
Newsgroups: rec.music.folk
From: mhessman@world.std.com (Mark D Hessman)
Subject: Re: Ultimate top 10 of folkalbums
Organization: The World Public Access UNIX, Brookline, MA
Date: Thu, 5 Nov 1992 23:32:02 GMT

Regarding the Fred Small and John Gorka albums in your top ten -- I have to
say that I definitely prefer "Heart of the Appaloosa" and "I Know"
respectively. "I Will Stand Fast" has good songs on it, to be sure, but
"Appaloosa" really seems to work best; Small is in perfect command of the
styles he uses, and the messages are subtle enough that they don't
overpower the songs themselves.

And Gorka's "Land of the Bottom Line" is good, but has very little diversity;
the songs are all midtempo and the instrumentiation is pretty straightforward.
"I Know", his first album, is a bit subtler and definitely more spontaneous.
It leans a little towards country, but that gives it an interesting flavor.

Other albums that might be good in the way of introduction to folk:
"How Did You Find Me Here," David Wilcox; "Standing Eight" or "Inside",
Bill Morrissey; "Dancing in the Dragon's Jaws", Bruce Cockburn; "Grace
in Gravity", the Story; and--if you don't mind twang--"John Prine" by
John Prine.

                                                                -- Mark
From: spinoza@next06wor.wam.umd.edu (Yon Bonnie Laird of Cairn Robbing)
Newsgroups: rec.music.folk
Subject: Internationale : Lyrics in English anyone ?
Date: 8 Nov 1992 09:13:29 GMT
Organization: University of Maryland College Park
Distribution: world
NNTP-Posting-Host: next02wor.wam.umd.edu



Howdy!

I've got the Billy Bragg version of the Internationale, but it seems to be  
missing something. Could some kind sould out there supply a copy of the  
original English lyrics?

Thanks.

jeff

for ~.sig. see plan.............
From: ken.boff@business.gatech.edu (Ken Boff)
Newsgroups: rec.music.folk
Subject: Pentangle Question
Date: 6 Nov 92 17:00:40 GMT
Organization: Georgia Institute of Technology

Does anyone know which Pentangle album contains the song
"When I was in my Prime"?  For some reason this is particularly
hard to locate.
From: colm@mathcs.emory.edu (Colm K. Mulcahy)
Newsgroups: rec.music.folk
Subject: Re: Richard Thompson What's he up to?
Date: 13 Nov 1992 15:13:48 -0500
Organization: sometimes, but never early in the morning
NNTP-Posting-Host: emory.mathcs.emory.edu

In article <28127@castle.ed.ac.uk> cir@festival.ed.ac.uk (C Revie) writes:
>As RT is now resident in California, anybody over there know what he's
>up to? Probably time for a new album in the new year, so is he
>recording?

RT is resident half of the time in the UK, the other half im CA, as as been
th ecase for 7 or 8 years now

he just returned to the US to start work on the next album, due out by 
summer

Rykodisc will have a 3 CD box set out by May(?) also, with some previously
unreleased live recordings plus LP stuff spaning his 25 year career

no outtakes alas, RT refused point blank


-- 
--------------------------------------------------------------------------------
In a world of mega-stores, mega-stars, mega-sales and mega-hype, there is little
room left for the individual with a magaphone.  Everything is being brought in
line with everything else.   ERIC GOULDEN, 1990
From: pavlovic@ehsc.orst.edu (James Pavlovich)
Newsgroups: rec.music.folk
Subject: Re: Folk CDs in North America
Date: 11 Nov 92 18:13:29 GMT
Article-I.D.: ehsc.pavlovic.10
Organization: Environmental Health Sciences Center, Oregon State University

In article <1992Nov11.103632.18924@aisb.ed.ac.uk> eddie@cstr.ed.ac.uk (Eddie Rooney) writes:

>What sort of price do people pay for folk CDs (e.g. Runrig, Tannahill Weavers,
>Sileas etc.) in North America?  Are there any reasonably cheap sources of
>supply, or are they sold at the equivalent of the British price (L12.00 plus)?

U.S. releases are all about US$16.00.  That includes such labels as Green 
Linnet and Shanachie which have an extensive catalog of Celtic and English 
folk.  For those releases only available as imports (and there are many 
that aren't even available that way) I've paid US$20. or 22.  I don't 
know about the UK but my other European friends always take a lot of CD's 
back with them since they are definitely cheaper here.

JGP
(pavlovij@ucs.orst.edu)
Newsgroups: rec.music.folk
From: cimo@cs.montana.edu (Bob Cimikowski)
Subject: Nic Jones CDs
Organization: CS
Date: Fri, 13 Nov 1992 22:19:34 GMT


It appears that few, if any, of Nic Jones' recordings are available on
CD.  At least that's what my catalogues tell me -- Andy's Front Hall,
Roundup Records, Elderly, etc.  The same goes for Dick Gaughan, although,
thank Zeus, "Handful of Earth" is.  Has anyone found a CD source for
these.  I would be surprised if Noteworthy had them, although I haven't
checked.  I sent an e-mail inquiry to CD Connection but they never
responded.  Hmm, I guess I'm doomed to the miserable cassettes.
Xref: sparky rec.music.folk:7477 soc.culture.celtic:7202
From: cockburn@edieng.enet.dec.com (Craig Cockburn)
Newsgroups: rec.music.folk,soc.culture.celtic
Subject: Re: Capercaillie
Date: 6 Nov 92 07:24:06 GMT
Article-I.D.: rdg.1992Nov6.083146.10902
Organization: Digital Equipment Co. Ltd., Reading, England


In article <MARTIN.92Nov5105212@lyra.cis.umassd.edu>, martin@lyra.cis.umassd.edu (Gary Martin) writes...
>In article <1992Nov5.111827.21708@crc.ac.uk> mstenhou@crc.ac.uk (Mike Stenhouse x3293) writes:
>   In article <1992Nov4.212843.25452@rdg.dec.com>, cockburn@edieng.enet.dec.com (Craig Cockburn) writes:
>   > 
>   > In article <1d9akbINNr4v@agate.berkeley.edu>, spp@zabriskie.berkeley.edu (Steve Pope) writes...
>   > > 
>   > >Is a Capercaillie a *mythical* Scottish bird?  Or do
>   > >these things exist in actuality?
>   > > 
>   > It's a real bird, but an endangered species.
>   > It's the largest of the grouse family I think
>   > 
> 
>   Yup, they look kind of like a turkey without the fleshy thing dripping 
>   from above the beak.  I think they are black.
> 
>I recall seeing a large flock of them on the PBS Nature series "Realms
>of the Russian Bear" a few weeks ago.  Perhaps it was in the segment
>about the region around the Caspian Sea.
> 
There's a picture of a Capercaillie on my lyrics sheet for the Capercaillie
album "Sidewaulk"

The Concise Scots Dictionary gives the meaning as "the wood grouse",
From the Gaelic: "capull coille", however my Gaelic dictionary spells 
this as "capal-coille" (=the great cock of the wood). The spelling in
Scots is "capercailzie"

------------------------------------------------------------------------------
  Craig Cockburn, Digital Equipment Co. Ltd, Reading, England.     Suas
  Internet: cockburn@edieng.enet.dec.com                           leis
  UUCP:..!decwrl!edieng.enet.dec.com!cockburn                      a'
                                                                   Gha\idhlig!
  Views here are my own, and are not necessarily those of Digital
From: organic@mgr.hjf.org (Miriam Organic)
Newsgroups: rec.music.folk
Subject: Re: Nanci Griffith (was: Iris Dement (sp?) recordings?)
Date: 10 Nov 92 13:46:19 GMT
Organization: HJF AIDS Research Project, Washington DC

One person I know will be on the new album is Pete KennedY
Newsgroups: rec.music.folk
From: jmalcolm@sura.net (Joseph Malcolm)
Subject: Re: Pentangle Question
Organization: SURAnet, College Park, MD, USA, NA, Earth, Milky Way
Date: Fri, 6 Nov 1992 21:23:12 GMT

In article <73902@hydra.gatech.EDU> ken.boff@business.gatech.edu (Ken Boff) writes:
>Does anyone know which Pentangle album contains the song
>"When I was in my Prime"?  For some reason this is particularly
>hard to locate.

I believe that it's on _Cruel Sister_ (is that the title?),
which also contains a bunch of other cool stuff.


-- 
Joseph Malcolm				jmalcolm@sura.net		
SURAnet Operations			+1 301 982 4600
Newsgroups: rec.music.folk
From: wmc@photon.com (Bill Cornette)
Subject: Re: Ultimate top 10 of folkalbums
Organization: Photon Research Associates, Inc.
X-Newsreader: TIN [version 1.1 PL6]
Distribution: world, rec, usa
Date: Tue, 10 Nov 1992 19:09:09 GMT

jim hori (jimh@pongo.Eng.Sun.COM) wrote:
: Seems like everyone is listing contemporary stuff. Here are
: some artists you might consider from the past:
: 
: Leadbelly

[stuff deleted]

Thanks for somebody remembering the old stuff.  I find it incredible
that people would forget the classics, such as

Joan Baez (Satisfied Mind is a nice collection)
The Weavers (Pete Seeger at least was mentioned, but this group was
	largely responsible for starting the folk movement of the late
	50's and early 60's)

Also, if you can find any of the real early Woody Guthrie.

And you might want to investigate some of the groups of the 50-60's
period, such as Peter, Paul, and Mary (a later album was mentioned,
but look at the early stuff); Simon and Garfunkel (most of their early
stuff is still available -- try Sound of Silence); Chad Mitchell Trio
(probably very hard to find); The Limelighters (they had a reunion
a few years ago); The Kingston Trio (ditto); ...
Xref: sparky rec.music.folk:7439 soc.culture.celtic:7194
From: dmr@andromeda.rutgers.edu (Daniel Rosenblum)
Newsgroups: rec.music.folk,soc.culture.celtic
Subject: Re: REQ: 'Flower of Scotland'/'Scotland the Brave'/'Hamish Henderson'
Date: 5 Nov 92 18:41:17 GMT
Followup-To: rec.music.folk
Organization: Rutgers University, Graduate School of Management, Newark, N.J.

In <1992Nov2.134223.19070@gssec.bt.co.uk> cwilson@gssec.bt.co.uk
(Colin Wilson) laments the use of apostrophes in Craig Cockburn's
posting of the words to "Freedom Come All Ye".  I'm entirely
sympathetic to Mr. Wilson's point.  (As someone who has a passing
acquaintance with another language the legitimacy of which is
sometimes questioned, namely Yiddish, I know what it's like to
see people render Yiddish as if it were distorted German.)  But,
if Hamish Henderson wrote it with the apostrophes (and I don't
know if he did or didn't), then it's entirely reasonable to quote
him the way he wrote them.  How many people would change the
spelling of Robert Burns's poetry to conform to an admittedly
better spelling system?  For that matter, even Hugh MacDiarmid
used the apostrophes and was ambivalent about changing them to
the better spelling, at least if the author of the preface to
some of his collected poems is to be believed, only authorizing
the modernization of the spelling near the end of his life.
So anyway, does anyone know how Henderson wrote the words?
-- 
Daniel M. Rosenblum, Assistant Professor, Quantitative Studies Area,
   Graduate School of Management, Rutgers University (Newark Campus)
ROSENBLUM@DRACO.RUTGERS.EDU                      ROSENBLUM@ZODIAC.BITnet
dmr@andromeda.rutgers.edu          ...!rutgers!andromeda.rutgers.edu!dmr
Newsgroups: rec.music.folk
From: mwright@nyx.cs.du.edu (Matthew Wright)
Subject: Re: Arthur McBride
Organization: University of Denver, Dept. of Math & Comp. Sci.
Date: Thu, 12 Nov 92 19:03:07 GMT

ugo@eng.umd.edu (Ugo Piomelli) writes:


>In article <wsq4TB4w165w@brewich.hou.tx.us>, donal@brewich.hou.tx.us (Donal) writes:
>>
>>Here are the words and chords as written in "Folksongs & Ballads Popular in 
>>Ireland, Volume 3" published by Ossian Publications. It is written in F, 

>>"This 18/19th cent. song was collected by Patrick Joyce in Limerick in the 
>>1840's. Also in Donegal by Petrie, while several versions are found in 
>>Scotland, Suffolk, and Devon. The tunes in most cases differ slightly."

>This seems to settle the question about the origins of this song.  

With respect, and not wishing to make a mountain out of a molehill
I don't see that it does.  We have evidence that it sound favour and 
flourished throughout the isles like many other songs, that doesn't make
it `Traditional Irish'. I don't think it matters greatly per se,
I'm just wary of this kind of confusion because I've been harangued so
often in the past by people telling me that there are no goo English
songs after they've `claimed' all the good ones as Irish or Scottish or
whatever. A dangerous circular argument (not that I'm suggesting that anyone
here has fallen for it).  I know that when I sing Arthur McBride (I actually
have two versions, one more or less like Redd Sullivan's and the other in
the mould of A L Lloyd) I'm singing an English song, and Brady & Irvine 
certainly sing an Irish song.

Incidentally, trivia fans, the song `Martinmas Tide' on that same
Brady/Irvine album: Anne Briggs once told me that she taught it to
Andy Irvine, and that she in turn learnt it from Bert Lloyd who
selected the verses in his version from the much longer one in Ord's
`Bothy Songs and Ballads'. Looks like Englnad, Ireland and Scotland all had a 
hand in that one!

Regards,
Matthew Wright
From: benwood@carson.u.washington.edu (Ben Henwood)
Newsgroups: rec.music.folk
Subject: Re: Kate and Anna McGarrigle
Keywords: Kate Anna McGarrigle
Date: 9 Nov 92 22:11:26 GMT
Article-I.D.: u.1992Nov9.221126.12348
Organization: University of Washington

thurlow@convex.com (Robert Thurlow) writes:


>>Love Over and Over is out on CD.  Supposedly, the French Album is also
>>coming out on CD but I haven't seen it yet.

>It's in the newest Noteworthy Music catalog.  It's on Ryko, and was
>released on Nov. 3rd.

>Rob T

I found this yesterday and think it's a wonderful recording.  It sounds
much more like their live shows than Hearbeats Accelerating, which I loved
anyway.  Even though it's in French, its fun and lively and I love it!

Ben Henwood

Applied Physics Lab/UW
Seattle, Washington
benwood@u.washington.edu
Newsgroups: rec.music.folk
From: macgill@phoenix.Princeton.EDU (Alexander Darroch Macgillivray)
Subject: Mary Chapin Carpenter
Originator: news@nimaster
Organization: Princeton University
Date: Wed, 11 Nov 1992 02:18:22 GMT


hey all,
i'm new too rec.folk but i was wondering if anyone knew where MCC was
touring at the moment. Also does anyone know if she allows bootlegging
and, if so does anyone have any bootlegs of memorable shows. I'm fairly
new to her (my girlfriend just introduced me) but would like  to know
more and hear her in concert.

please e-mail me with any and all info.
thanks in advance,

alex.
"Even a blind man knows when the sun is shining"

macgill@phoenix.princeton.edu   or   macgill@pucc

Xref: sparky rec.music.folk:7598 rec.music.early:1503
From: ntaib@silver.ucs.indiana.edu (Iskandar Taib)
Newsgroups: rec.music.folk,rec.music.early
Subject: Re: Woodwind hole placement
Date: 9 Nov 92 19:25:04 GMT
Article-I.D.: usenet.BxGr9s.3xB
Organization: Indiana University

In article <1df2nvINN3de@news.aero.org| dgolber@aero.org (Dave Golber) writes:
|In article <BxBG8u.IJy@usenet.ucs.indiana.edu| ntaib@silver.ucs.indiana.edu (Iskandar Taib) writes:
|||||My advice would be (1) copy an existing instrument that you like and 
|||||then (2)
|||||make minor adjustments by trial and error.  One thing to notice on 
|||||flute-type
|||||instruments is that the head joint has to narrow somewhat with respect to
|||||the body if you want a good full tone.  Measure the bore of your prototype
|||||carefully!
||
||
||This should be childs' play with lexan or plexiglass/perspex tubing! The
||head can be two layers nested together and glued... the joint area is 
||simply a the inner tube extending beyond the outer tube.
||
|Uhhh.... this results in a _step_ in the bore at the point where the 
|two tubes meet.
|This is generally considered _baaaad_.
|
|Better than this would almost certainly be just plain straight tubing.
|
|Not quite the place to get into the whole thing of "how do wind instrument 
|makers
|actually make tubes with variations in the bore?"

Well, it wouldn't be all that difficult to chamfer the inner 
tubing so that you end up with a tapered end.. if one doesn't 
have a lathe a sharp knife would do as well, or a tapered stone
on a dremel. Then you'd sand it smooth and perhaps buff it so 
everything is nice and transparent...






-- 
-------------------------------------------------------------------------------
Iskandar Taib                          | The only thing worse than Peach ala
Internet: NTAIB@SILVER.UCS.INDIANA.EDU |    Frog is Frog ala Peach
Bitnet:   NTAIB@IUBACS                 !
Newsgroups: rec.music.folk,rec.music.misc
From: pgwfranc@atlas.cs.upei.ca (Wayne Francis)
Subject: Re: Any Info on Gordon Lightfoot 3-cd set from Canada???
Organization: University of Prince Edward Island
Date: Fri, 13 Nov 1992 18:12:09 GMT

In article <1992Nov13.165232.564@godzilla.quotron.com> jeff@godzilla.quotron.com (Jeff Marder) writes:
>Does anyone know if the set has been released yet.  According to the
>Nov. issue of ICE, this set consists of his five pre_Reprise lps
>(IMHO, his best stuff).  Any info on price in US dollars???
>
>-- 
>===========================================================
>jeff@godzilla.quotron.com
>Quotron Systems   310-302-4316
>

     I was in a local record store here(Canada) yesterday, and the owner
who knows I'm a Lightfoot fan, told me he'll have Lightfoot boxed set in
this coming week. He didn't have any details on the set, but the release
of the pre-Reprise albums makes sense. A few out-takes or non-album cuts
(eg Spin, Spin) would be a welcome addition. Anyway it appears it will
be out in Canada next week.

W.Francis
pgwfranc@atlas.cs.upei.ca

Xref: sparky rec.music.folk:7478 soc.culture.celtic:7203
From: cockburn@edieng.enet.dec.com (Craig Cockburn)
Newsgroups: rec.music.folk,soc.culture.celtic
Subject: Re: REQ: 'Flower of Scotland'/'Scotland the Brave'/'Hamish Henderson'
Date: 6 Nov 92 07:33:08 GMT
Article-I.D.: rdg.1992Nov6.084121.11388
Organization: Digital Equipment Co. Ltd., Reading, England


In article <Nov.5.13.41.16.1992.8788@andromeda.rutgers.edu>, dmr@andromeda.rutgers.edu (Daniel Rosenblum) writes...
>In <1992Nov2.134223.19070@gssec.bt.co.uk> cwilson@gssec.bt.co.uk
>(Colin Wilson) laments the use of apostrophes in Craig Cockburn's
>posting of the words to "Freedom Come All Ye".  I'm entirely
>sympathetic to Mr. Wilson's point.  (As someone who has a passing

I've checked my edition of "Lallans" (the magazine of the Scots language
society) and also the concise Scots dictionary (Aberdeen University Press),
and Colin's right in that the use of the apostrophe seems to have
dramatically reduced. I hadn't actually been aware that there had
been an attempt to change Scots in this way, and I thank Colin for 
pointing this out. I presume the Scots bible and thesaurus also use
the new convention.

------------------------------------------------------------------------------
  Craig Cockburn, Digital Equipment Co. Ltd, Reading, England.     Suas
  Internet: cockburn@edieng.enet.dec.com                           leis
  UUCP:..!decwrl!edieng.enet.dec.com!cockburn                      a'
                                                                   Gha\idhlig!
  Views here are my own, and are not necessarily those of Digital
Organization: Psychology, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.folk
Date: Wed, 11 Nov 1992 11:06:20 -0500 
From: "Mary A. Mark" <mmbt+@andrew.cmu.edu>
Subject: Re: The Old Blind Dogs

I was in Edinburgh this summer, and heard the Old Blind Dogs 
play while I was hanging out at the Edinburgh Folk Festival.
They were fairly good.  I picked up a cassette of theirs:

"Old Blind Dogs", copyright 1991, Made in Scotland (no label listed)

The liner gives the following information:
"Old Blind Dogs were formed out of informal acoustic sessions
in pubs and clubs around Aberdeen.  The band play traditional
Scots, Irish, and American songs and tunes mixed with their 
own original material.  In using two fiddles, the focus of 
the band is based on the traditions of the North East of Scotland."

Members include:
Ian F. Benzie     Guitar, vocals
Jonny Hardie      Fiddle, mandolin, vocals, guitar
Carmen Higgins    Fiddle
Buzzby McMillan   Banjo, bass, vocals

Agent:
John Sangster
East Cottage, Home Farm
Keithhall, INVERURIE
Tel: 0457 24734
From: tzf@csl.biosci.arizona.edu (Theron Friedman)
Newsgroups: rec.music.folk
Subject: Re: folk music & political movements
Date: 6 Nov 92 08:50:04 GMT
Reply-To: tzf@csl.biosci.arizona.edu
Organization: U of Arizona, CS Dept, Tucson

In article <1992Nov5.210215.17150@husc3.harvard.edu>, olson@husc9.Harvard.EDU (Charles Olson) writes:
 
|> Like the one I've heard of, the last bit of which is
|>  
|> "...if this land's your land
|> you'll never know it
|> Let's get together
|> And overthrow it!
|> This land was made for you and me..."
|> 
|> Anyone know if this was actually one of the original verses?

Don't think I've ever seen this one in Guthrie's verses. It was part of
a parody of the song in a satire collection called "The Bosses Songbook",
which had some good and some pretty nasty stuff. For no good reason I
still remember this particular one:

This land is their land, it is not our land
From their plush apartments to their cadillac car land
From their wall street office to their Hollywood star land
This land is not for you and me

As I was walking that endless breadline
My landlord gave me a one week deadline
And _Labor Action_ ran a better headline
"This land is not for you and me"

So take your slogan, and kindly stow it
If this was our land, you'd never know it
Let's get together and overthrow it
This land is not for you and me
From: crosen@andy.bgsu.edu (Marty Rosen)
Newsgroups: rec.music.folk
Subject: ann arbor
Date: 12 Nov 92 18:30:49 GMT
Organization: Bowling Green State University B.G., Oh.

Greetings,

Could someone supply me with information regarding this year's Ann Arbor
Folk Festival?  That is, dates, lineup, and information about acquiring
tickets.

Thanks,

Marty Rosen
From: mark@cobb.enet.dec.com (Mark Trumpler)
Newsgroups: rec.music.folk
Subject: Re: Tom Lehrer
Date: 6 Nov 92 19:39:07 GMT
Article-I.D.: nntpd.1992Nov6.193907.28445
Reply-To: mark@cobb.enet.dec.com (Mark Trumpler)
Distribution: na
Organization: Digital Equipment Corporation



In article <BxAqD3.oM@nocusuhs.nnmc.navy.mil>, organic@mgr.hjf.org (Miriam Organic) writes:
|>FYI.....At leat one of Tom Lehrer's albums is out on C.D. now..
|>"THAT WAS THE WEEK THAT WAS"

The following have been out for some time:

Reprise 9 26203-2 Tom Lehrer Revisited
Reprise 6179-2 That Was The Year That Was
Reprise 6199-2 An Evening Wasted With Tom Lehrer

I believe "Tom Lehrer Revisited" includes as bonus tracks recordings of
"Silent E" and "L-Y", both songs he wrote for _The Electric Company_.

He also wrote a song "I Got It From Agnes", whose music appears in
_Too Many Songs by Tom Lehrer..._  I think this may have been done for
the _Tomfoolery_ musical revue.

Mark