HDTenEightyP/NetNews huggingface dataset:
From: glocke@morgan.ucs.mun.ca (Gordon Locke  )
Subject: Re: (no subject given!)
Organization: Memorial University of Newfoundland
Date: Tue, 13 Oct 1992 13:34:10 GMT

In article <1992Oct13.010420.8453@ultra.com> ultra!corin!keving@ames.arc.nasa.gov (Kevin W. Gurney) writes:
>That's a good explanation, but I think the line in question is:
>
>   "He'll never make the scene / Or be that movie queen."
>
>I assume "the scene" is both a scene in a movie and The Scene of being
>a big star.
>
>Could someone check the lyric server and enlighten us?
>
>-----
>
>Kevin Gurney
>(keving@ultra.com)

	I believe the lyrics which are printed on the inside of the
gatefold LP say "Sweeney."

	- Gord, a.k.a. glocke@morgan.ucs.mun.ca
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Mon, 12 Oct 1992 22:38:00 EDT
Date: Mon, 12 Oct 1992 22:37:27 -0400
From: news@cs.mu.OZ.AU
Errors-To: Love-Hounds-request@uunet.uu.net
Message-ID: <9210130237.20238@mulga.cs.mu.OZ.AU>
From: boek@mullian.ee.mu.OZ.AU (Christopher Boek)
Subject: Re: Toni Childs, Tori Amos, Sarah McLachlan, Sinead O'Connor, PG
Organization: Computer Science, University of Melbourne, Australia
Distribution: aus
Date: Tue, 13 Oct 1992 02:32:45 GMT

vickie@pilot.njin.net (Vickie Mapes) writes:

>>PETER GABRIEL  -- Us

>>Peter Gabriel's US starts off with 4 or 5 brilliant tracks in a row, but the
>>last couple of songs do not seem to grab my attention as much.

>I've come to love every single song. Even "Steam" though it's still my
>least favorite on the album.

I've come to love them all too (mind you it didn't take much *:) ), but
I heard 'Steam' first as 'Quiet Steam' the B-track off the 'Digging in 
the Dirt' single, and came to love that song then. I have to say that I
really like the album version, but that I prefer the quiet version.

I think that my favourite song off the album is 'Washing of the Water'.
So simple, yet so strong. It never fails to stir me.

my $0.02,

Chris.

--
|Christopher Boek                               boek@mullian.ee.mu.OZ.AU|
|  Dept ElecEng, University of Melbourne,  Parkville Vic 3052 Australia |
|_____"Anybody remotely interesting is mad in some way or another"______|
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Fri, 16 Oct 1992 14:32:12 EDT
Date: Fri, 16 Oct 1992 13:15:38 -0400
Via: uk.ac.edinburgh.cogsci; Fri, 16 Oct 1992 17:34:16 +0100
From: rjc@cogsci.edinburgh.ac.UK
Errors-To: Love-Hounds-request@uunet.uu.net
Message-ID: <11864.9210161627@daiches.cogsci.ed.ac.uk>
Subject: Us!
Newsgroups: rec.music.gaffa

In article , andrew david simchik (ads) writes:

ads> [Us] contains nothing as
ads> obnoxious as Big Time or Sledgehammer.  

Sledgehammer, obnoxious? Talk about a difference of opinion, I love
that song. PG doesn't do too many funny ones and SH is almost as good
as Games Without Frontiers, though admittedly lacking a little
something in the backing vocals :-).

--
rjc@cogsci.ed.ac.uk			_O_	
					 |<




x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Tue, 13 Oct 1992 03:47:12 EDT
Date: Tue, 13 Oct 1992 03:46:39 -0400
Subject: Ron Hill UPdate
From: rhill@netrun.cts.com (ronald hill)
Errors-To: Love-Hounds-request@uunet.uu.net
Comments: Cloudbuster
Message-ID: <3DoksB3w165w@netrun.cts.com>
Organization: The Big Sky BBS (+1 614 864 1198)
Content-Transfer-Encoding: 7BIT
Newsgroups: rec.music.gaffa

I would like to take a stab at an approximation of the phonetic
reversal of "We let the weirdness in."

An approximate reversal of 'we' could sound like 'you'.
'let' versus 'tell'. 'the' versus 'oth', as in 'other'.
'weirdness' versus 'sendry-oo' or 'sundry-you'.
'in' versus 'ni', as in 'nick'.
Now, all backwards, it might sound like, 'niss-endriu-oth-tell-you'.
Of course, vocal inflections are important, too.

Oh well...

----
Mark Susskind 
susskind@bsbbs.columbus.oh.us 
{n8emr|nstar}!bluemoon!bsbbs!susskind
The Big Sky BBS (+1 614 864 1198)
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Tue, 13 Oct 1992 04:38:40 EDT
Date: Tue, 13 Oct 1992 04:38:13 -0400
From: emp1@crux1.cit.cornell.edu (Ernest M. Paik)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: Sexual pleasure? RUTH
Message-ID: <emp1.718965392@crux1.cit.cornell.edu>
Organization: Cornell Information Technologies
Apparently-To: rec-music-gaffa@uunet.uu.net
Newsgroups: rec.music.gaffa

72210.2035@CompuServe.COM (Mike Weaver) writes:

>       Excuse me Mr. Andrew D. Simchik but I am curious to know how on earth
>you have arrived at the conclusion that Kate's lyrics to RUTH is about her
>wanting her male companion to experience female sexual pleasure?  According
>to Kate it's about the whole ball of wax, the complicated roles each of us
>have in a relationship.  RUTH is least of all about sexual pleasure.  Think
>about it.
> 
>ANGEL

Just ask DR. RUTH...<yuk yuk yuk!>

(sorry...couldn't resist)
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Mon, 12 Oct 1992 16:46:42 EDT
Date: Mon, 12 Oct 1992 16:45:54 -0400
From: glocke@morgan.ucs.mun.ca (Gordon Locke)
Errors-To: Love-Hounds-request@uunet.uu.net
Message-ID: <9210122046.AA13214@morgan.ucs.mun.ca>
From: glocke@morgan.ucs.mun.ca (Gordon Locke  )
Subject: Re: Wow! vs. Kashka?
Organization: Memorial University of Newfoundland
Date: Mon, 12 Oct 1992 20:46:54 GMT

In article <1992Oct12.170829.3507@galileo.cc.rochester.edu> as010b@uhura.cc.rochester.edu (andrew david simchik) writes:
>	The lyrics to "Wow!" contain a line which *sounds* like: "He's too
>busy hitting the Vaseline".  If this is really how the lyrics go, am I
>mistaken in assuming that Kate is establishing the "He" as a--to be
>technical--homosexual?  If so, I wish she could have found a more appealing
>turn of phrase.  It borders on the offensive, were I the easily offended
>type.

	Yes, I understand the song to be referring to homosexuals, but
in a positive way.  Don't forget, the actor's "Vaseline-hitting" is why
 
"he'll never make the Sweeney (movie theatre?) / Or be that movie queen".  I've always taken this to refer to discSrimination in the acting business.
The song also sez: "We'd give you a part, my love, / But you'd have to
play the fool."  My guess is that this is the sort of implied
condescending attitude such an actor would get a lot of. 
 
>	However, another song on the album, "Kashka from Baghdad"--and here
>I'm sure I'll plunge myself into attacks of flaming from all sides--*seems*
>to imply a homosexual couple.  The line goes, if I hear it right, "Kashka
>from Baghdad lives in sin, they say, with another man but no one knows who." 
>I take this line to mean (since I don't know the gender of the name Kashka)
>that Kashka is also a man.  Now the song is very positive ("They know the
>way to be happy") and I wonder at Kate's inclusion of both lyrics on the
>same album.  Am I interpreting this the way most people do?  Is Kashka a
>woman, really?  What are the thoughts out there?  And what's Kate's opinion
>regarding sexual preference?

	Really fun song, eh?  Again, your interpretation is the one I've
assumed all along.  There was some discussion on r.m.gaffa a while back
on whether Kate is "queer positive" or not.  If her views on women''s
rights, animal testing, etc. are any indication, she's probably ... how
do you say ... open-minded towards the idea of homosexuality.  ie.,
she'd probably vote NO on this Oregon referenndum thing.
	Anyway, Kate could never hold an incorrect opinion, could she?
=^] =^] !!

	- Gord, a.k.a. glocke@morgan.ucs.mun.ca

x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Thu, 15 Oct 1992 10:21:12 EDT
Date: Thu, 15 Oct 1992 10:17:55 -0400
From: v115p8d6@ubvmsb.cc.buffalo.edu (I have a cunning plan...)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: mailing list
Message-ID: <Bw5z2E.2HB@acsu.buffalo.edu>
News-Software: VAX/VMS VNEWS 1.41    
Keywords: Kate Bush
Organization: University at Buffalo
Apparently-To: rec-music-gaffa@cis.ohio-state.edu
Newsgroups: rec.music.gaffa

Hello,

I'll try this again....can anyone tell me how to subscribe to the Kate
Bush mailing list?   

x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Sat, 10 Oct 1992 19:28:54 EDT
Date: Sat, 10 Oct 1992 19:28:29 -0400
From: vickie@pilot.njin.net (Vickie Mapes)
Errors-To: Love-Hounds-request@uunet.uu.net
Message-ID: <9210102328.AA24494@pilot.njin.net>
Subject: Re: Toni Childs, Tori Amos, Sarah McLachlan, Sinead O'Connor, PG
Newsgroups: rec.music.gaffa

buckmr@rpi.edu (Ron Buckmire) writes:

>My local record store had a major CD sale and i recently purchased:

>TONI CHILDS  --  House Of Hope
>PETER GABRIEL  -- Us

>I was disappointed with TONI CHILDS' album; I have her debut album and like it
>a lot --- this one the songwriting is not nearly as strong. 

I feel the opposite I think there are some brilliant songs on the first
one, most notably "Zimbabwe" but I never can listen to it as a whole. HoH
only has one or two songs that I might skip over. This album is much
more emotionally intense, and yesterday I listened to it twice all the
way through, then 3 more times in random repeat. It certainly works
for me.

>Peter Gabriel's US starts off with 4 or 5 brilliant tracks in a row, but the
>last couple of songs do not seem to grab my attention as much.

I've come to love every single song. Even "Steam" though it's still my
least favorite on the album.

>Anyone know other artists that are similar to the ones I have mentioned, that
>I should check out?

Have you heard Happy Rhodes? :-)

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
Vickie                                   "My ears are lucky to hear
vickie@pilot.njin.net   or                  these glorious songs" HTR
katefans@chinet.chi.il.us     _________
                             |_  _ | _   The Happy Rhodes mailing list
"Imagination sets in, then   |__|_ ||_|  ecto-request@ns1.rutgers.edu
 all the voices begin" KB                Jessica Dembski-Ecto Goddess Lady
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Mon, 12 Oct 1992 16:46:52 EDT
Date: Mon, 12 Oct 1992 16:46:21 -0400
From: as010b@uhura.cc.rochester.edu (andrew david simchik)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: Wow! vs. Kashka?
Message-ID: <1992Oct12.204541.8291@galileo.cc.rochester.edu>
Organization: University of Rochester - Rochester, New York
Apparently-To: rec-music-gaffa@uunet.uu.net
Newsgroups: rec.music.gaffa

In <1992Oct12.154839.1@quaker.admin.upenn.edu> gerstel@quaker.admin.upenn.edu writes:


>(I'm making a stab in the dark with this - it's *very* colored by my own
>morality, so don't assume it's Kate Canon!)

>The actor mentioned in "Wow" is meant to be a negative model in a couple of
>ways - "you know it's no thrill/he just holds his breath", etc.  I'd say that
>the stanza ending in "He's too busy..." is saying that he's letting sexual
>pleasure get in the way of his career and his life.  The phrase Kate uses is
>crude because it fits what he's doing to himself.

>On the other hand, other than the first line, "Kashka from Baghdad" is all
>about enjoying life.  It's all about music and laughter and love, and it
>doesn't seem to matter whether it's a man and woman or two men or whatever.
>The fact that the actor and Kashka share a sexual preference means very little
>in comparison to their larger outlooks.

	Thanx...I like your view.  I'd still like to know about Kashka,
though, since I think his/her gender is important in the integrated
(artist/song) sense even if the theme is unchanged.  And I'd like to know if
others interpret it the same way.
	BTW, I think the "Wow!" line is "you know it's not for real/he just
holds his breath".  At least this is the way I hear it, and I think it makes
more sense.  Any opinions?  Why can't Kate just help us all out and publish
a complete lyric book?  Would that not be wondrous?

--Andrew D. Simchik, who will henceforth sign as Kashka just for the hell
of it.

Disclaimer: I post my own opinions and no one else's.
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Mon, 12 Oct 1992 16:44:06 EDT
Date: Mon, 12 Oct 1992 16:43:04 -0400
From: ledgerj@ajpo.sei.cmu.edu (Jim Ledger)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: Wow! vs. Kashka?
Message-ID: <1992Oct12.204155.1631@sei.cmu.edu>
Organization: Ada Joint Program Office
Apparently-To: rec-music-gaffa@cheops.cis.ohio-state.edu
Newsgroups: rec.music.gaffa

In article <1992Oct12.154839.1@quaker.admin.upenn.edu> gerstel@quaker.admin.upenn.edu writes:
>
>The actor mentioned in "Wow" is meant to be a negative model in a couple of
>ways - "you know it's no thrill/he just holds his breath", etc.  I'd say that
                       ^^^^^^^^^

Since it may be germane to your interpretation, this line should read:
"you know it's not for real."

Jim
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Thu, 15 Oct 1992 12:19:22 EDT
Date: Thu, 15 Oct 1992 12:12:22 -0400
From: 72210.2035@CompuServe.COM (Mike Weaver)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: 1st Bulgares
Message-ID: <921015155859_72210.2035_CHF61-3@CompuServe.COM>
Newsgroups: rec.music.gaffa

 
(Ronald Hill wrote:)
->       Regarding the description of the Trio that someone (no name
that I could find), firstly you state that Kate was not the first
"popular" musician to notice them.  Kate first "noticed" them back
around 1985 and went to work with them before they became "big", though
the album came out after.  Were there other "popular" artists that
worked with them before they were popular in the west?
 
David Sylvian used a couple of songs on a Japan-only video release in 1985
("Preparations for a Journey") as soundtrack music for his polaroid
collages.  Seems to me that this was available *before* the UK release (1st
release in an English-language country) of 'Les Mystere...' on 4AD. And, if
I'm recalling it all correctly, the liner notes of the 4AD album had IVO of
4AD noting that the group was brought to his attention by Peter Murphy, who,
interestingly enough, was working with Mick Karn around that time on the
Dalis Car project.
 
As far as others working with any of the Bulgarian choir (past or present
members - the trio quit to become the Trio, at least they weren't with the
last tour of the full choir), I don't know of any.
 
Everything seems to point to a tape of a French release making the rounds of
the hip English pop crowd in '85, so Kate could well have heard them then.
Different story is likely on the 'working with' front as '85 was the year of
Hounds of Love, and Kate was promoting it well into '86.


x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Fri, 16 Oct 1992 20:00:12 EDT
Date: Fri, 16 Oct 1992 19:57:07 -0400
Message-ID: <00416.2802096456.22944@instance.com>
Organization: Digitalk Professional Services, Portland, Oregon
X-Charset: MACINTOSH
From: toc@digitalk.com (Tim O'Connor)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: not Lindsay Kemp
Newsgroups: rec.music.gaffa

REGARDING                not Lindsay Kemp
people:

Well, thanks to Ron's latest interview I now realize that Lindsey Kemp was
my third guess, Kate's dance instructor (and probably the subject of Moving
which has been suggested to be another song about a gay man a few months
back). Sorry about the mis-leading there. But who was that actor? At least
one other Love-Hounder remembers the article I was talking about. Anyone got
a better brain out there?

To echo a recent sentiment from Jon Drukman (or was it woj): I used to know
this stuff, honest. It's so hard to hold on when the last album is so old...

dazed and confused,
to'c

--
"A typical long haired half mad computer programmer on a typical computer
keyboard with odd toys scattered liberally about."



x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Tue, 13 Oct 1992 13:14:19 EDT
Date: Tue, 13 Oct 1992 13:12:35 -0400
From: glocke@morgan.ucs.mun.ca (Gordon Locke)
Errors-To: Love-Hounds-request@uunet.uu.net
Message-ID: <9210131713.AA16031@morgan.ucs.mun.ca>
From: glocke@morgan.ucs.mun.ca (Gordon Locke  )
Subject: Re: (no subject given!)
Organization: Memorial University of Newfoundland
Date: Tue, 13 Oct 1992 17:13:47 GMT

In article <9210131450.AA26217@relay1.UU.NET> M.E.Fletcher@gdr.bath.ac.uk writes:
>I am totally stunned by the extreme misinterpretations of the
>song Wow that I have seen recently! Here is my alternative interpretation.
>
>Matt
>
>Theatre actors wear heavy make-up known as greasepaint. After the show it
>is removed by rubbing it off with vaseline. Hence "he's too busy hitting
>the  vaseline" means he is too busy back in the dressing room cleaning up
>to receive any applause/accolades etc. No dressing room with a star
>and make-up girls for him. There is no implied reference to homosexuality.
>
	What about the BBC banning or re-editing the video because she
pats her bum when saying that line.  She also does this on the "Live at
Hammersmith Odeon" concert video-tape.  I took this as a sort of
confirmation of my theory (which I think I originally read here on
gaffa).  The make-up removal interpretation was what I originally
thought the line to mean, since I used to be in drama group.

>glocke@morgan.ucs.mun.ca (Gordon Locke) [that's me!] writes:
>>	Yes, I understand the song to be referring to homosexuals, but
>>in a positive way.  Don't forget, the actor's "Vaseline-hitting" is why
>>"he'll never make the Sweeney (movie theatre?) / Or be that movie queen".  
>>I've always taken this to refer to discrimination in the acting business.
>>The song also sez: "We'd give you a part, my love, / But you'd have to
>>play the fool."  My guess is that this is the sort of implied
>>condescending attitude such an actor would get a lot of. 
>
>Once again, it's losers/failing to make it etc. not about homosexuality.
>The Sweeney was a very successful British TV cop show around the time
>the song was round. The song is about the miserable existence failed
>actors/actresses have, not realising their ambitions. They're never the
>stars, only the bit parts. The fool is a common Shakespearean role.
>
	Yeah, that interpretation _was_ a bit of a reach on my part!

	- Gord, a.k.a. glocke@morgan.ucs.mun.ca
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Mon, 12 Oct 1992 13:45:44 EDT
Date: Mon, 12 Oct 1992 13:01:42 -0400
From: as010b@uhura.cc.rochester.edu (andrew david simchik)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: Crucify query
Message-ID: <1992Oct12.170113.3316@galileo.cc.rochester.edu>
Organization: University of Rochester - Rochester, New York
Apparently-To: rec-music-gaffa@uunet.uu.net
Newsgroups: rec.music.gaffa

	I'm sure a lot of people will post a similar identification, but
here goes...
	Tori Amos sings "Crucify."  The song is from her album _Little
Earthquakes_, which is a masterpiece.  'Nuff said?

	--Andrew D. Simchik
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Thu, 15 Oct 1992 13:12:46 EDT
Date: Thu, 15 Oct 1992 13:09:28 -0400
From: vickie@pilot.njin.net (Vickie Mapes)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Re: Goodmorning
Message-ID: <Oct.15.00.34.39.1992.29631@pilot.njin.net>
Organization: Rutgers Univ., New Brunswick, N.J.
Newsgroups: rec.music.gaffa


72210.2035@CompuServe.COM (Mike Weaver) writes:

>"Uummmm-there's nothing like corriander chutney and naan first thing in the
>morning!"-ANGEL

I like cheese naan myself!

Vickie
 
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Sat, 10 Oct 1992 16:58:14 EDT
Date: Sat, 10 Oct 1992 16:52:54 -0400
From: buckmr@rpi.edu (Ron Buckmire)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Toni Childs, Tori Amos, Sarah McLachlan, Sinead O'Connor, PG
Message-ID: <gcxz8tm@rpi.edu>
Apparently-To: rec-music-gaffa@cis.ohio-state.edu
Newsgroups: rec.music.gaffa


My local record store had a major CD sale and i recently purchased:

TONI CHILDS  --  House Of Hope
TORI AMOS  --  <forget title>
SARAH MCLACHLAN  --  Touch
SINEAD O'CONNOR  -- Am I Not Your Girl?
PETER GABRIEL  -- Us

My favourite of these is probably Tori Amos. I had bought Sarah's SOLACE early
this year and I love that album [already overplayed it] so i was very pleased
to discover that TOUCH is almost as good [and actually maybe more consistent].

I was disappointed with TONI CHILDS' album; I have her debut album and like it
a lot --- this one the songwriting is not nearly as strong. Sinead's album is
fun [it's nice to hear her voice again] but the songs are so different from 
what I like to listen to this won't be an album i listen to very often.

Peter Gabriel's US starts off with 4 or 5 brilliant tracks in a row, but the
last couple of songs do not seem to grab my attention as much.

Anyone know other artists that are similar to the ones I have mentioned, that
I should check out?

-- 
uunet!rpi.edu!buckmr||buckmr@rpitsmts.bitnet||buckmr@rpi.edu||+1 518 276 8910
Barbara Bush: a chronologically gifted, differently interesting, domestic
incarceration surviving member of the mutant albino genetic-recessive global
minority.-- _QW_'s ``politically correct'' description of the First Lady.
x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Thu, 15 Oct 1992 10:11:18 EDT
Date: Thu, 15 Oct 1992 10:07:22 -0400
From: 72210.2035@CompuServe.COM (Mike Weaver)
Errors-To: Love-Hounds-request@uunet.uu.net
Subject: Automatic and More
Message-ID: <921014215122_72210.2035_CHF55-6@CompuServe.COM>
Newsgroups: rec.music.gaffa

Hello Christine-this is Angel again. It's hard to stop listening to it isn't
it?  I listened to Star Me Kitten on the headphones. Yep-he sure says f**k
me kitten.  By the way, it doesn't bother me at all about using those
special words our parents wouldn't let us say but they could.  I just put
*** in place of the letters because there's probably someone out there that
does get offended.  Plus I'm really tense because I'm new at this.  I will
probably get more relaxed the more I get to know everyone on the net.
 
Star Me Kitten is addictive isn't it?  Right now I'm also really into
Everybody Hurts which kind of fits my mood lately.
 
What other music do I like? Well I could take all day with that one so I'm
going to list a bunch of names not in any order of preference and you can
comment on anything, whether you know, don't know, like, don't like, or
whatever. I would love to do the same with a list from you!
 
Here goes:  Kate Bush, Peter Gabriel, David Sylvian, Tori Amos, Happy
Rhodes, Laurie Anderson, Tom Waits, Karin Krog, Zoviet*France, Ryuichi
Sakamoto, Eberhard Weber, Jan Gabarek, Mark Isham, Brian Eno, Nusrat Fateh
Ali Khan, Michael Brook, Meredith Monk, Toyah, Robert Fripp, Jane Siberry,
AM4, Aster Aweke, The Telling, Sinead O'Conner, Steve Jansen, Richard
Barbieri, Mick Karn, Japan, Dalis Car, Bauhaus, Steve Tibbets, Mark
Anderson, Clannad, Bothy Band, David Bowie, Lisa Dalbello, Bel Canto, John
Surman, Roxy Music, Dead Can Dance, Rickie Lee Jones, Nina Hagen, Miles
Davis, Jon Hassell, Kate and Anna McGarrigle, Stephan Micus, Yaz, Agnes Buen
Garnas, Single Gun Theory, Consolidated, Mr. Bungle, Public Enemy, Leonard
Cohen, Marta Sebestyen, Le Mystere des Voix Bulgares, Vox, Therese
Schroder-Sheker, Stephan Micus, Ruth Barrett and Cynthia Smith, Michelle
Shocked, Talking Heads, Sandy Denny, Sally Oldfield, Bill Nelson, Hugo
Largo, Dee-Lite, Arcadia, Enya, Duran, Loreena McKennit, Angelo Badalamenti,
Julee Cruise, Frank Zappa (Mothers-era), Captain Beefheart, Billie Holiday,
etc..


x-gateway: rodan.UU.NET from love-hounds to rec.music.gaffa; Wed, 7 Oct 1992 22:34:07 EDT
Date: Wed, 7 Oct 1992 22:33:42 -0400
From: news@mentor.cc.purdue.edu (USENET News)
Errors-To: Love-Hounds-request@uunet.uu.net
Message-ID: <9210080233.AA03107@mentor.cc.purdue.edu>