HDTenEightyP/NetNews huggingface dataset:
From: dvandom@magnus.acs.ohio-state.edu (Dave Van Domelen)
Subject: Re: Squadron Supreme
Organization: The Ohio State University
Distribution: usa
Date: Sun, 24 Jan 1993 04:07:33 GMT

In article <5pl32=d@rpi.edu> chinm@aix.rpi.edu (Mang S. Chin -- Kid Klaxon) wri
tes:
>This Quagmire can't be the same as the Squadron Earth's Quagmire.  I don't
>remember his first appearance in Quasar though (they could always
>make it fit in, I suppose).  At any rate, when Quagmire disappeared in
>his muck in the SS LS, he was STILL behavior modified which would have
>prevented him from beating people up all the time.

Yes, it's the same Quaggy.  Remember he suffered brain damage from the pacifier
chemicals?  Hm?  That undid the Bmodding, so he's back to his usual scuzzy 
self.  Of course, now that his stuff has been defined as Darkforce he's stuck 
in New Warriors for a few months....
     Dave Van Domelen, it gets explained in MCP I think....
Newsgroups: rec.arts.comics.misc
From: tpjg9663@uxa.cso.uiuc.edu (Tom Johnston)
Subject: Re: JLA #72 and a SERIOUS CASE OF DEJA VU!
Organization: University of Illinois at Urbana
Distribution: usa
Date: Fri, 22 Jan 1993 21:28:34 GMT

vanyel@camelot.bradley.edu (Alan Williams) writes:

>>It was a lame issue regardless.  I picked it up because I remember
>>the old JLofA and I liked the cover.

>Oh, yeah, this is lame.  Real lame.  Right.

Well
  A)  The gratuitous violence didn't add anything to it for me.  eg The
      mace (or morning star, whatever) to Sinestro's face
  B)  It's a dream, so everyone can act out of character!  Oh boy,
      what a great excuse for a writer incapable of writing anyone *in
      character*
  C)  No explanation is given for the events shown.  Were the events
      worthwhile/interesting enough to carry the book on their own and
      make up for the bad dialog?
      IMHO, no, they were not.

>The only thing lame around here are the constant complaints about lack of
>originality on the part of all companies.  You should all know by now that
>these plots have *all* been done before in some form or another.

Constant complaints about all companies?  Nope.  I don't hear constant
complaints about Valiant, about PAD's superhero work, or about any
INDY except for (you guessed it) iMAGE.  I haven't seen horribly
much complaining done here regarding (DC) The Demon, LEGION '93,
Sandman, or Hellblazer.

>This issue presented an interesting view of the JLofA that's as consistent
>as it's ever been WRT their appearances elsewhere.  The biggest problem
>team books have *always* faced is that any character who appears elsewhere
>runs the risk of being inconsistently portrayed in the team book.

As consistent as it's ever been?  Damning with feint praise, right?
It may have been an interesting view of the JLofA, but it didn't
quite cut it for me because of the characterization.  In fact,
I'd recommend the Steve Engelhart issues as proof that the JLofA
can be written with correct characterization by a writer of
sufficient talent.

Tom
From: shb0856@zeus.tamu.edu (BOSTON, SCOTT H)
Newsgroups: rec.arts.comics.misc
Subject: Re: Silver Surfer/Warlock:Resurection
Date: 27 Jan 1993 01:38 CST
Organization: Texas A&M University, Academic Computing Services
Distribution: world
NNTP-Posting-Host: zeus.tamu.edu
News-Software: VAX/VMS VNEWS 1.41    

In article <C1HJvG.Bzr@ns1.nodak.edu>, shjohnso@plains.NoDak.edu (Shawn Johnson) writes...
> 
>   I was just wondering what people thought of this. It was nice
>to see Starlins' artwork again.  I've always loved the way he
>drawn Warlocks face with the menacing grin.
> 
>-shawn
>-- 
>Shawn Johnson, Last of the Nexus 7     	      shjohnso@plains.nodak.edu
> 

I thought the Resurrection was a very good book.  The paper quality is the up-
most a plus for me.  Jim Starlin does a good job drawing the pictures and 
the story is pretty good so far.  Keep it up guys!  I wish every comic had the
same paper quality instead of the damn holo graphics shit that some books 
use as a cheap way to make money.  
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
|Scott H. Boston                                        Texas A&M University  |
 |"Scotty Master of Black Wizards"                     shb0856@zeus.tamu.edu |
  |telnet worf.tamu.edu 2000                          :) :-> :-) 8-) 8^) 8-}|
  -_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-
From: appel@soda.Berkeley.EDU (Shannon D. Appel)
Newsgroups: rec.arts.comics.misc
Subject: Re: Where'd ElfQuest go?
Date: 28 Jan 93 14:05:28
Organization: csua
NNTP-Posting-Host: soda.berkeley.edu
In-reply-to: SATELLITE@eldi.epfl.ch's message of 28 Jan 93 11:22:58 GMT

In article <5734@disuns2.epfl.ch> SATELLITE@eldi.epfl.ch (Uncle Alias) writes:
->   BTW, just received EQ:New Blood #3. Well, even the grassy slope in
->front of my house didn't like it...
->I guess I bought them out of habit...

Me too.  And the awful thing is that I haven't been able to bring
myself to read NB#3 yet.  It's just been kind of sitting on my desk
for a week.

Shannon
Newsgroups: rec.arts.comics.misc
From: blr3r@Virginia.EDU (Brian L. Rust)
Subject: Re: Hellblazer #63
Organization: University of Virginia
Date: Sat, 23 Jan 1993 02:11:50 GMT


	While I agree that Ennis is inserting his own political
views into the series, I took the Thatcher reference to be just a
nod to her "Demon Yuppie" supporters, from all the way back in
issue #4 (I think...it might have been 3 or 5).  That's where
"Hellblazer" began to have a distinct political slant, and I
dont think Ennis is doing much more than continuing the
tradition.


	Anyways, (minute spoiler)
















that one panel with     "Mr S. Thing
			 The Swamp"
made me laugh harder than I have in weeks...
Newsgroups: rec.arts.comics.misc
From: dani@netcom.com (Dani Zweig)
Subject: Sandman Art
Organization: Netcom Online Communications Services (408-241-9760 login: guest)
Date: Sat, 23 Jan 1993 07:01:00 GMT

It's not just the coloring.  Jill Thompson's art on this story has
been unattractive, uneven, and often sloppy.  The result is that we
can't really trust the artwork to convey subtleties.  For example,
when Kris lets his passengers off, is Delerium standing on the water
because Gaiman wanted her to, or because Thompson got sloppy?

This is particularly frustrating wrt page 14:  Every detail is important,
and I find it hard to trust that the artist got the details right.  Is 
there a reason Dream is naked under his tattered cloak?  Did Gaiman
ask that the peasant girl and the ox-driver be well-dressed, or are
their clothes just supposed to be vaguely Chinese?  

Most of the details in the last scene pretty much have to be significant,
but they do leave us guessing.  We don't know whether it is in the future -- 
suggesting that Dream will recreate the Corinthian after all -- or past -- 
suggesting that at one time in the eighteenth or nineteenth century Dream's 
throne was broken -- assuming that's his throne.  (Hmm, maybe that puddle
of blood is what Destiny was talking about when he said that neither
Dream nor his inamorata would find their next meeting satisfactory...)

-----
Dani Zweig
dani@netcom.com

   God helpe the man so wrapt in Errours endless traine  -- Edmund Spenser
From: mikecap@wpi.WPI.EDU (Michael Vince Caprio Jr)
Newsgroups: rec.arts.comics.misc
Subject: Re: Annotated Future Imperfect (Long)
Date: 23 Jan 1993 18:12:39 GMT
Organization: Worcester Polytechnic Institute
NNTP-Posting-Host: wpi.wpi.edu


Don't know if anybody mentioned it or not, but that's Deathlok's arm holding
Dr. Doom's mask, no?  And what about that green glowing cat thing on the bottom
of the second page?    Also, I'll ask again if anyone has the whole list to 
*please* e-mail it to me at  mikecap@wpi.wpi.edu  
E-mail responses concerning cat-thing please :)


Mike C.  (Zen)
-- 
"1. One Mind there is; but under it two principles contend.       
 2. The Mind lets in the light, then the dark, in interaction; so time is gen-
 erated.  At the end Mind awards victory to the light; time ceases and the Mind
 is complete."        - from _Tractates: Cryptica Scriptura_
From: jz1j+@andrew.cmu.edu (James D. Zelenka)
Newsgroups: rec.arts.comics.misc
Subject: Re: MISC: Missed Deadlines
Date: 26 Jan 93 18:49:48 GMT
Organization: Junior, Math/Computer Science, Carnegie Mellon, Pittsburgh, PA
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII

Excerpts from netnews.rec.arts.comics.misc: 25-Jan-93 Re: MISC: Missed
Deadlines Paul Michael Lewis@ns1.c (900)

> Well, Matt Wagner gets a second nomination for Batman vs. Grendel, which
> I saw an ashcan for at a New York convention about 2 years ago.  We've
> been promised this damn thing ever since.

That's not Wagner's fault, DC and Comico are fighting over copyrights,
etc. Latest word from DC is "Real Soon Now."

-jim
jz1j@andrew.cmu.edu
Newsgroups: rec.arts.comics.misc
From: jjfink@skcla.monsanto.com
Subject: Re: PAD books this week (Hulk, X-Factor)
Organization: Searle, Skokie, IL
Date: Fri, 22 Jan 1993 09:47:31 GMT

In article <1993Jan21.033334.21060@magnus.acs.ohio-state.edu>, dvandom@magnus.acs.ohio-state.edu (Dave Van Domelen) writes:
> Well, Doc Samson waters the plants in the Nega Band planters this ish.  PAD, 
> you _do_ know the originals were destroyed in (gag) Galactic Storm, right?

Didn't PAD describe these as 'props' in one of his responses on Future
Imperfect?

>      More development on the child abuse Bruce suffered, a good followup to 
> #377.  The art is also quite good...slow at the start, but by the end is as 
> cookin' as Keown's work (on the Hulk...it kicks his Pitt around the block).  
> Only complaint is that he can't do a good Red Skull.

I dunno, I liked his Red Skull.

>      In the second story with Quicksilver, a radarcop says after QS rushes by, 
> "That was either my imagination, or an equipment screw-up, or some collector 
> zipping around *still* trying to find one of those 'Death of Superman' comics."

The other "Death of Superman" joke was in Hulk.  It had to be.
Large clawed grey fist bursting out of a steel door with a "B-KRONK" or some
such sound effect... can you say Doomsday?  And Juggy puts him right back in
his place.  Perfect.

I have to say, I wasn't as pleased with Quesada this ish as last, it was very
crowded-looking.  Frank, on the other hand, did a wonderful job on his rookie
stint on Hulk.

Joel
-- 
jjfink@skcla.monsanto.com
------------------------------------------------------------------------------
"I want peace on earth, and goodwill towards man."
"We don't do that kind of thing, we're the United States Government!"
  -- from _Sneakers_
Newsgroups: rec.arts.comics.misc
From: mcollins@nyx.cs.du.edu (Killans - First And Last And Always)
Subject: Re: Hellblazer TPB
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Mon, 25 Jan 93 14:24:21 GMT

In article <1993Jan20.103048.10088@samba.oit.unc.edu> Andrew.Brooks@launchpad.unc.edu (Andrew Brooks) writes:
>
>Which issues of Hellblazer have been reprinted in a TPB?

The first 9 issues (I believe) were reprinted in the TPB 'Original Sins'.
Als issues 1-16 (I think) have been reprinted over 4 volumes in black/white
by Titan. I'm not sure how easy they are to get hold of in the US, and I'm
not even sure if they're still in print.

>And what issue is it up to now (i.e. what number will be the first
>issue under the Vertigo imprint)?  Thanks,
>
Issue 63.

Mike
Newsgroups: rec.arts.comics.misc
From: tyg@HQ.Ileaf.COM (Thomas Galloway)
Subject: Re: Sandman #47 (APA!  SPOILERS!)
Reply-To: tyg@HQ.Ileaf.COM (Thomas Galloway)
Organization: Interleaf, Inc.
Date: Fri, 22 Jan 1993 13:15:33 GMT

Side note: according to Neil on GEnie, both eyes were supposed to be blue.
No idea whether this is meant to be significant; it was in response to
someone's question that he mentioned it.

"The technique he used was Power Wistfulness. Remember the old comic strip
Dondi, starring the little syndicated orphan boy who always looked
heartbreakingly sad and orphanous and never got adopted, possibly because he
had eye sockets the size of manhole covers? Well, my son looked like that."
  --Dave Barry
tyg   tyg@hq.ileaf.com
From: mre@kepler.unh.edu (Monty Python's Life of MikE)
Newsgroups: rec.arts.comics.misc
Subject: Re: solar reckoning in Sandman
Date: 26 Jan 93 14:35:52 GMT
Organization: University of New Hampshire  -  Durham, NH
NNTP-Posting-Host: kepler.unh.edu

In article <C1G9JG.35F@news.cso.uiuc.edu> tara@uxa.cso.uiuc.edu (Lady Johanna Constantine) writes:
>dhenry@plains.NoDak.edu (David R. Henry) writes:
>
>>>Maybe they're at different altitudes.  Besides, only at the equinoxes does
>>>the sun rise and set at opposite points on the horizon.  To judge by the
>>>flowers on Ms. Constantine's grave, it's well past the vernal equinox.
>>>And for all we know Orpheus has borrowed a cloaking device from Star Trek.
>
>>So Dream should be able to trace him through his engine emissions, right?
>
>I don't see why not.  Lucien can run a level three diognastic, and
>then test.......

The thing's got to have a tailpipe.

--MikE....Guess who's coming to dinner...

-- 
********************************************************************************
Mike Escutia       | PLIABLE LAD OF THE LNH  |    UNH's #1 Quantum Leap fan
mre@kepler.unh.edu =============================================================
MikE@unh.edu       | CS Majors Rule!	     |PAD, Valiant, & Tick fan unequaled
********************************************************************************
    Follow the adventures of the Net.Patrol over in alt.comics.lnh and enjoy!
********************************************************************************
From: bosman@vtx.ma.man.ac.uk (Steve Bosman)
Newsgroups: rec.arts.comics.misc
Subject: Re: Sandman -- Brief Lives 7
Date: 27 Jan 93 18:29:24 GMT
Organization: The Outlaws

In article <C1BzGA.BED@cmcl2.nyu.edu>, silbrmnd@acf3.nyu.edu (Darkmage) writes:
[Stuff cut]
|> >Another one for the annotations:  while Dream is having his father and
|> >son chat, Del sings this little song (Soldier, Sailor, Tinker, etc...)
|> >I'm pretty sure I've heard that song before, and not in the title of
|> >a John LeCarre novel.  :-)
|> 
|> It's one of those jump-rope songs.... "A tinker a tailor, a soldier a
|> sailor, a rich man a poor man, a beggar man a thief, a doctor a lawyer,
|> an Indian chief..."  The way we used to play it when I was a kid was
|> everyone formed a line, and when it was your turn you ran in and jumped
|> for two jumps/proffessions.  (tinker/tailor.....   soldier/sailor  etc)
|> The person who got "Indian chief" got to continue until she missed a
|> jump, and then whatever you got out on was your destiny....
|> 
|> 			-Darkmage
|> 
around here (ie the UK) its played much as Del plays it.
You take a handful of cherries (other stuff with seeds can also do)
and eat them. then once you've got all your seeds you cycle through the
rhyme - one 'job' for each seed - until you run out of seeds. Then the job
you end on is your destiny.

Of course if you don't like your destiny you cheat and have a few more :-) 

-- 
=== Steve Bosman === email: bosman@uk.ac.man.ma.vtx =========================
=== snail: Maths building, Manchester University, Oxford Road, Manchester ===
"What the hell is happening, I can't think of everything, I don't know what
 day it is, or who I'm talking to. But I know that I'm okay, 'cos you're here
 with me today, I haven't got a single problem, now that I'm with you"
Newsgroups: rec.arts.comics.misc
From: vanyel@camelot.bradley.edu (Alan Williams)
Subject: Re: JLA #72
Organization: Bradley University
Distribution: usa
Date: 27 Jan 93 21:57:31 GMT

geurink@ccwf.cc.utexas.edu (Josh Geurink) writes:
>khale@camilla.Eng.Sun.COM (Abhijit Khale) writes:
>>tpjg9663@uxa.cso.uiuc.edu (Tom Johnston) writes:
>>>lawrence@ctron.com (Gary S. St. Lawrence) writes:
>>>>I have to agree that the story is a dreamscape created by Dr. Destiny.
>But, even so, how did Destiny get ahold of pre-crisis characters (sort
>of) to dream about?

Maybe he didn't.  I was of the impression that this *was* the roster of the
post-Crisis JLofA, with maybe Carter Hall (the Golden Age Hawkman) instead of
the old Silver Age version.  (Considering how the supposedly-liberal Green
Arrow was supposed to be at odds with a supposedly-conservative Hawkman,
the original Hawkman might even be a better choice. . . .)

>>Exactly, which is why comments about characterization of
>>heroes depicted therein seems pointless, since its something either
>>distorted or created by Destiny's warped imagination. Incidentally, Destiny
>>doesnt need Morpheus's ruby to control dreams, he can do that himself with
>>his brain.
>Again, IF it is Destiny that's "Dreaming" this.  He's insane, sure, but
>why dream up a conglomeration of heros -- old design heros -- that's
>become worse than the criminals they're duty-bound to stop?

I think a clue rests in Commissioner Gordon's remark that it's been two
years (and, as Bats adds, two months) since he'd last spoken with Batman.
I got the impression that the heroes had started to develop their ruthless
tendencies a longer time ago than just those two years.  Am I reading too
much into this?

>This was a SLOW process, people.  It's not like the League was thrown
>into the situation and became evil and nasty overnight.

Yeah, that's what I thought, too.  Maybe he's dreamed up the old JLofA
because that's the heroes he fought most often.


--

 _______________ Alan Williams | vanyel@camelot.bradley.edu _________________
 \/"Have you ever run into anyone who was combobulated, sheveled,          \/
    gruntled, plussed, ruly, gainly, maculate, pecunious, or peccable?"
                                       -- Richard Lederer, _Crazy English_

Newsgroups: rec.arts.comics.misc
From: solovay@netcom.com (Andrew Solovay)
Subject: Re: Sandman Thoughts!!!
Organization: Castle Anthrax
Date: Thu, 21 Jan 1993 19:02:20 GMT

In article <1993Jan20.234458.1@fnalo.fnal.gov> morrow@fnalo.fnal.gov (Elmo the Stunt Elk) writes:
><U58505@uicvm.uic.edu> writes:
>> 1)  Were the Endless created by God directly or came into existence as a
>>     side effect of his creations?  I'm under the impression that the
>>     Endless weren't created directly but were a side effect of his
>>     works.  The first created beings (with sentience) were the angels.
>>     As soon as God created the first angel, the side effect of that one
>>     act was all the Endless coming into existence.
>
>	Thematically, Sandman breaks down to "All stories are true". 
>Therefore, what you just said is right.  Gaiman has suggested quite
>strongly that Death came into existence immediately after the first living
>being, and that the others (save the eldest, Destiny) came into being after
>that, as living beings began to be able to Dream, Destroy, etc.  (You might
>want to think about why Desire and Delirium are twins, for example.)

You mean, of course, that Desire and *Despair* are twins.
Delight/Delirium is the youngest of the Endless.

>>[...]
>> 2)  Lucifer telling Dream that he quits as the Ruler of Hell.
>>     I loved it when he thought he was defying God and then came to
>>     realize it was all part of the great plan.  That would mean that
>>     he's actually rebelling for the first time, I don't think God
>>     saw that one coming.
>
>	God's plan is ineffable.  Read _Good Omens_ :-)

An' look at the dolphins. They've got brains the size of... size of...
size of bloody great big brains.
-- 
Andrew Solovay    

"Wait a minute! You guys are NINJAS!"
                ---The Tick
From: intruder@cats.ucsc.edu (Isaac N. Truder)
Newsgroups: rec.arts.comics.misc
Subject: Re: DC: coloring
Date: 25 Jan 93 11:41:47 GMT
Organization: University of California; Santa Cruz
NNTP-Posting-Host: am.ucsc.edu


 > Recently in some Dc books they have been crediting the coloring to
 > "Digital Chameleon" and "Olyoptics".  The digital chameleon, I
 > know, is the coloring computer they use.  What is Olyoptics?  And
 > often, they don't even mention a person for coloring, ONLY
 > "Digital Chameleon" or whatnot.  So do they have some sort of AI
 > coloring software (yeah, right) or do they just give the job to
 > some coloring hack and don't credit them?

Digital Chameleon and Olyoptics are both third-party organizations which
specialize in computerized color separation for comics.  Colorist Steve
Oliff founded Olyoptics, I don't know who's responsible for Digital
Chameleon.  I think each has been contracted for certain Image books,
but more often Olyoptics.  I would imagine when just the company is
credited for coloring, then the coloring is just done by the Olyoptics
or Digital Chameleon staff -- it could be several people, so it's easier
just to credit the company who's doing the computerized separations
anyway.  

Digital Chameleon, BTW, has recently run an ad in the COMICS BUYER'S
GUIDE looking for experienced comics colorists to join their
apparently-expanding staff.  You need not have any computer experience,
but a solid understanding of color is important, and they want you to
send printed examples of your work.  For more info, consult CBG want
ads.
-- 
+------------------------------------------------------------------+
| Isaac Truder  <intruder@cats.ucsc.edu> | BLADDER CONTROL CENTRAL |
|      "The more you drive... the less intelligent you are."       |
+------------------------------------------------------------------+
From: mre@kepler.unh.edu (MikE '93)
Newsgroups: rec.arts.comics.misc
Subject: Re: McReviews: JLA #72
Date: 22 Jan 1993 03:33:29 GMT
Organization: University of New Hampshire  -  Durham, NH
NNTP-Posting-Host: kepler.unh.edu

In article <APPEL.93Jan21132701@soda.soda.Berkeley.EDU> appel@soda.Berkeley.EDU (Shannon D. Appel) writes:
>In article <1993Jan21.211724.23316@udel.edu> mickey@pecan.cns.udel.edu (Mickey) writes:
>>Hmm, strange things happening over in Justice League America #72.

Anybody remember New Warriors #11-13?  It involved the Sphynx and spotlighted
Nova as he tries to repair history.  Great stuff.  Great cover (Nova vs. Wolvie), too.

--MikE....and the Hulk crashlanded in Springdale to give the alternate-universe
Robbie Baldwin (Speedball) a cameo.


-- 
Can he bend? Listen bud                 |Mike Escutia	MikE@unh.edu
He's got radioactive blood...		|Pliable Lad of the LNH
To him, life is just one big Play-doh,	|Read Alt.Comics.LNH!
Whenever there's a parody,		|Follow the adventures of
You'll find Pliable Laaaaaaaaaaaaad.	|	The Net.Patrol!
	--Douglas P. Wojtowicz (fomerly Lost Cause Boy of the LNH)
Newsgroups: rec.arts.comics.misc
From: lis@chaos.cs.brandeis.edu (Elisabeth Riba)
Subject: MISC:  Missed Deadlines
Organization: Brandeis University
Date: Mon, 25 Jan 1993 00:49:06 GMT

Recently, people have been bitching about how late some titles are;
the Image books, Miracleman, On a Pale Horse...  

So, in your opinion, which title has the worst record, and why?

My own nomination goes to Colleen Doran's _A_Distant_Soil_ by Aria Press.
The first issue came out last October, the second in May, the third...
well, I'm still waiti.
Now, I know that Colleen is doing this all on her own, that she's been
sick, and that she has been doing other work during this time period,
but still!  The main story is just the cleaned up artwork from the
graphic novels.  This shouldn't take so long.

However, no matter how late the book is, I'm still going to read it.  

I'm still waiting for the resolution of the cliffhanger from the
ORIGINAL series...
-- 
--------------->Elisabeth Anne Riba * lis@chaos.cs.brandeis.edu<--------------
SOCKS--THINGS TO DO:  Line litter box with remaining copies of Millie's book;
Visit Lincoln Bedroom--leave hairball; Use everything as a scratching post;
Bring in crystal healer to cleanse the White House of Millie vibes; Take a nap