HDTenEightyP/NetNews huggingface dataset:
From: sallyn@pyrxbooter.eng.pyramid.com (Sally Norton)
Newsgroups: rec.arts.movies
Subject: David Threlfall (Patriot Games)
Date: 30 Jul 92 21:53:17 GMT
Distribution: na
Organization: Pyramid Technology


>      I was also surprised to see David Threlfall as Inspector Highland.
>I haven't seen him at all since he played Smike opposite Roger Rees in
>the Royal Shakespeare Company's production of Nicholas Nickleby.  He
>gave an excellent performance in that play, and I've always wondered what
>became of him...without the pale makeup, he bears an absolutely uncanny
>resemblance to Eric Idle.  Hopefully this part will earn him some more
>prominent roles.


       He has appeared in two dramas shown on Masterpiece Theatre.
   "Paradise Postponed" (based on the novel by John Mortimer) and
   the sequel "Titmus Regained".  He plays the same character, Titmus, in
   both. He is a supporting character in "Paradise" and the lead
   in "Titmus".



   Sally (sallyn@pyrxbooter.pyramid.com)


Newsgroups: rec.arts.movies
From: cash@convex.com (Peter Cash)
Subject: Re: REVIEW: HONEY, I BLEW UP THE KID
Keywords: author=Leeper
Organization: The Instrumentality
Date: Wed, 22 Jul 1992 20:26:24 GMT
X-Disclaimer: This message was written by a user at CONVEX Computer
              Corp. The opinions expressed are those of the user and
              not necessarily those of CONVEX.

In article <1992Jul22.134957.12182@cbnewsj.cb.att.com> leeper@mtgzy.att.com writes:
...
>     I noted with some disappointment that the credits of HONEY, I BLEW UP
>THE KID acknowledge similarities to the story "The Attack of the Giant Baby"
>by Kit Reed.  CINEFANTASTIQUE reports that after Reed saw a promo for the
>film she took the Disney organization to court over similarities to her
>story.  Actually the Reed story concentrates on the nastier aspects of
>babies and shows them magnified.  If, indeed, Reed thinks she invented and
>owns the idea of over-size babies getting loose and causing problems in her
>1981 story, I might suggest that she read (or re-read) the 1904 novel THE
>FOOD OF THE GODS by H. G. Wells.  The mechanism for creating the giant
>baby

Jessamyn West also wrote a novelette in the 50s or early 60s about kids all
over the world suddenly turning into giants--and turning the tables on the
adults. I found it in a collection of three or four novelettes...anybody
remember the title of the novelette, or the book? (Another novelette in the
book was "I am a Jealous People", where Jehovah abrogates the covenant with
Abraham, and makes a new one, giving the earth to aliens...). 


-- 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
             |      Die Welt ist alles, was Zerfall ist.     |
Peter Cash   |       (apologies to Ludwig Wittgenstein)      |cash@convex.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Newsgroups: rec.arts.movies,alt.cult-movies
From: KJOHNSSON@finabo.abo.fi (Kim-Erik Johnsson INF)
Subject: Re: Cronenberg's Crimes of the Future
Organization: Abo Akademi University, Finland
Date: Thu, 30 Jul 1992 18:09:24 GMT
X-News-Reader: VMS NEWS 1.20

The person who mailed me about letting him know about any interesting mails I
got about video-cover ftp-sites (was that Caspar somethingorother?), look here:

I deleted your mail by mistake, but I'll let you know...if you just mailme your
address once more...

...this editor *sucks*...


  nhn          Kim Johnsson, CS @ ]bo Akademi                 That
s(. .)s             Luostarinkatu 6 B 11                   thing down 
 K o J                  20700 Turku                       there is the
   O                      Finland                    movie quote of the day
"Shit... Fuck..."
       - Walker
From: oliver@athena.mit.edu (James D. Oliver III)
Newsgroups: rec.arts.movies
Subject: Re: Philly in the movies
Date: 30 Jul 92 23:17:42 GMT
	<1992Jul29.111918.1@hmivax.humgen.upenn.edu> <P2UHU5J@taronga.com>
Organization: Massachusetts Institute of Technology

In article <P2UHU5J@taronga.com> kiser@taronga.com (James H. Kiser) wrote:
> 	Second, it is: "All things considered, I'd rather be in Philadelphia."

Actually, it's "On the whole, I'd rather be in Philadelphia."

A nit, but you started it.
--
____________________________
	Jim Oliver  
	oliver@athena.mit.edu /	joliver@hstbme.mit.edu
	oliver%mitwccf.BITNET@MITVMA.MIT.EDU
Newsgroups: rec.arts.movies
From: rlwilliams@gallua.gallaudet.edu
Subject: Re: Christopher Walken
Organization: Gallaudet University
Date: Wed, 22 Jul 1992 20:23:15 GMT

In article <1992Jul21.152615.20252@cbnewse.cb.att.com>, gmark@cbnewse.cb.att.com (gilbert.m.stewart) writes:
> In article <1992Jul20.145613.1@gallua.gallaudet.edu>, rlwilliams@gallua.gallaudet.edu writes:
> 
> [ discussion of Walken deleted ]
> 
>> > 	A not widely known short (hour long for HBO if I remember
>> > correctly) is "Who Am I Now?" with Walken and Susan Sarandon.  Quite good
> 
> [....]
> 
>> was called "who am I this time," but no matter. Since I don't get cable, and I
>> did see it, I think it was on PBS rather than HBO. anyway it's one of my
>> favorites.
> 
> So tell me.  What was it about?  Also, I don't remember what part
> Walken played in The Graduate.
> 
> GMS

-----------
I'm pretty sure Walken played... somebody's half crazed older brother.
Now I'm not sure if it was the graduate... Now I'm wondering if it was Love
Story...  
B. Who am I this time" is about a small town theater group who puts on a
different show every summer. Walken played a VERY shy man who was recruited to
play the lead in A Streetcar Named Desire. Once into the role he becomes
transformed into the part, almost becoming Brando. when he leaves the role he
reverts to his shy "clark kent" personna. There's also a sweet love story in
there...  Worth looking for.

rlwilliams
From: "eric walker" <eric.walker@channel1.com>
Newsgroups: rec.arts.movies
Subject: the big picture and t
Date: 21 Jul 92 01:57:32 EST
Reply-To: "eric walker" <eric.walker@channel1.com>
Distribution: rec
Organization: Channel 1 Communications

IV>I loved _The Big Picture_ too. Could somebody tell me Kevin Bacon's gilfriend
IV>name. I don't think I've seen her in any othen films.

     I believe her name is Emily Longstreth.  (No typo, that's how it's
     spelled.)  Jennifer Jason Leigh was also in "The Big Picture;" she
     played the sexpot.
---
  SLMR 2.1a  if ((tiny) and (toony)) then allalittle(looney);
--
Channel 1 (R)   Cambridge, MA

Newsgroups: rec.arts.movies
From: steven@syacus.acus.oz.au (Steven Malikoff)
Subject: Re: Favorite musicals
Organization: ACUS Australian Centre for Unisys Software, Sydney
Date: Thu, 23 Jul 1992 04:05:46 GMT

ed@wente.llnl.gov (Ed Suranyi) writes:
: There doesn't generally seem to be much discussion of musicals in this
: newsgroup.  Perhaps that's because there are so few made nowadays, aside
: from Disney animated features.  There was a short discussion around the
: time "Newsies" came out, but that movie bombed.
: 
: So I thought I'd come up with the list of my favorite movie musicals.

"Singin' In the Rain". Best darn musical you'll ever see. If you ever get
home from work with the feeling you could punch a hole through a brick wall
(or the guy that you couldn't overtake on the way home) then just put this
video on, and I guarantee you'll feel over the moon when it's finished. It
has to be the best 'feel good' movie musical of all time!

Steve Malikoff.
steven@syacus.acus.oz.au
From: sqwest.wimsey.bc.ca!marcy@overmind.mind.org
Newsgroups: rec.arts.movies
Subject: Re: Movie Musicals
Date: 23 Jul 92 04:48:00 GMT
Organization: SoftQuad Inc., Surrey, British Columbia, CANADA
X-mailer: Stadel 3.4a-227
X-Spam-content: irrelevant

In a recent rec.arts.movies article, wkm1@nestor.uucp (24102-messer) wrote:
>
>Other great movie musicals, IMHO:
>
>Seven Brides for Seven Brothers:  Songs you find yourself humming
>along with, and the scenery ain't bad, either..
>
*And* the dancing at the barn-raising scene is worth the price of
admission. Ooo-ah!

Marcy

-- 

Marcy Thompson  
  SoftQuad (West)   
    marcy@sq.com
Newsgroups: rec.arts.movies
From: dtschett@scott.skidmore.edu (donna tschetter)
Subject: Movie Posters..
Organization: Skidmore College, Saratoga Springs NY
Date: Thu, 30 Jul 1992 20:41:09 GMT


e-mail for information regarding:

The Babe
Prelude to a Kiss
Buffy the Vampire Slayer
A League of their own

and other new summer releases...!

Posters are original theater posters and still in their cardboard
rolls!!
From: jsd@daimi.aau.dk (Jacob Steen Due)
Newsgroups: rec.arts.movies
Subject: Re: Worst Movies (Hudson Hawk ?? I enjoyed it)
Keywords: Movies, Worst
Date: 28 Jul 92 10:30:46 GMT
Organization: DAIMI: Computer Science Department, Aarhus University, Denmark

malhotra@duke.cs.duke.edu (Manish Malhotra) writes:

>In article <1992Jul15.032131.1590@ccsd.uts.EDU.AU> swalker@uts.EDU.AU (S Walker) writes:
>>I thought that 
>>  Hudson Hawk
>>& BeetleJuice
>>should go down in the annals of worst movies ever made

>I am surprised about "Beetle Juice". I thought it was a well-made
>horror-comedy and Michael Keaton is really good in this.
>I found it to be very funny, but then I have found horror-comedies
>to be very amusing !
>I would really like to know how others feel about this film.

I think BeetleJuice is a nice movie, and Keaton plays very nice.

Although Hodson Hawk is not on my list of alltime greats, I thougt it
was quite funny, almost hysterically so at times. It does help to think
of Hudson Hawk as a RoadRunner/Coyote (sp) cartoon. But hey - I'm a big
fan of Ford Fairlane so mabye I'm just crazy.

/Jacob

*******************************************************************************
*   Jacob Steen Due                          email jsd@daimi.aau.dk           *
*									      *
*									      *
*   "What kind of a professional drives a motorcycle and weares a black       *
*    leather jacket" quote from "Little Shop Of Horror"                       *
*									      *
*******************************************************************************
From: sej5g@poe.acc.Virginia.EDU (Susan Elizabeth Juroff)
Newsgroups: rec.arts.movies
Subject: Re: The Hunger (semi-spoiler alert)
Date: 28 Jul 92 02:48:53 GMT
Organization: University of Virginia

The several times I've checked out The Hunger it has been at
Blockbuster Video.

After long lazy afternoons contemplating the ending (which, for
the record, is frustrating beyond belief!), I've come to the
conclusion that Sara is still alive because she killed herself
with Mirrim's ankh/knife instead of allowing herself to be
time-bombed by the latter's stronger strain of blood.

What kills *me* is that I want to know how Mirrim is still
around to be calling after Sara in the end.  I know that
breaking one's back is not a significant death for a vampire,
but...well...what *did* happen?!

...

--->sej5g
--
From: mst@vexpert.dbai.tuwien.ac.at (Markus Stumptner)
Newsgroups: rec.arts.movies
Subject: Re: TERMINATOR II
Date: 24 Jul 92 08:54:15 GMT
Organization: DB and ES Subdivision, TU Vienna

From article <1992Jul24.002152.14229@eecs.nwu.edu>, by kaufman@eecs.nwu.edu (Michael L. Kaufman):
> This is interesting, but not particularly illuminating. What elements of the 
> first film did you feel were missing from the second one? I can tell the
> difference between the New Kids and Slayer on my own, but I need you to tell 
> me what disapointed you.

Well, apparently it's a problem with the soundtrack :-) :-)
-- 
Markus Stumptner                                mst@vexpert.dbai.tuwien.ac.at
University of Technology Vienna                 vexpert!mst@relay.eu.net
Paniglg. 16, A-1040 Vienna, Austria             ...mcsun!vexpert!mst
Newsgroups: rec.arts.movies
From: stame@emunix.emich.edu (Stewart Tame)
Subject: Re: Really mega disappointment.
Organization: Eastern Michigan University
Date: Sun, 26 Jul 1992 16:00:08 GMT

In article <aFVeoB1w164w@amigans.gen.nz> batman@amigans.gen.nz (Kerry Emerson) writes:
>Hmmmmm... well, the word on the street is that Batman Returns is pretty (if 
>not bloody) good(ish).  But what I want to know is, "Is the soundtracker, by 
>Danny Elfman, EXACTLY THE SAME as the one for Batman I or what???
>
>  [stuff deleted]
>
>Whats the goss people, all you USAites that have seen it... I don't think 
>its very impressive to have the same soundtrack for BOTH movies.
>
>I have heard "Up The Cathedral" music, "Charge of Batmobile" and "Finale"
>so far... whats happening to movies these days??
>

Hmmmmmmmmmmm . . . interesting.  I don't know the original Batman
soundtrack very well so I didn't notice any similarities.  If anything,
the Batman Returns music reminded me most of the score to Edward
Scissorhands . . . 

****************************************************************************
"...I would sum up my fear about the future in one word: boring...the future
 is just going to be a vast, conforming suburb of the soul." -- J.G. Ballard
****************************************************************************
The opinions expressed above can be  *	Stewart Tame
yours for a very reasonable price!   *  311 Jarvis, Apt.106
Send inquiries to the address there>>*  Ypsilanti, MI    48197
****************************************************************************
		Email:  stame@emunix.emich.edu
From: assist@orion.oac.uci.edu (ASSIST Coordination Site)
Subject: UNLAWFUL ENTRY 
Summary: Is  it worth seeing?
Newsgroups: rec.arts.movies
Organization: University of California, Irvine
Date: 22 Jul 92 20:22:33 GMT




I was wondering if the new movie UNLAWFUL ENTRY is worth seeing.  Could
someone who has seen it please post a review (no spoilers please!) or
e-mail me at kris@fs2.assist.uci.edu.

Thanks! :-) ** Kris ** 


--
From: urbano@ll.mit.edu (John Urbano)
Newsgroups: rec.arts.movies
Subject: Re: Favorite musicals
Date: 23 Jul 92 21:10:39 GMT
Article-I.D.: ll.1992Jul23.211039.13162
Organization: MIT Lincoln Laboratory


 Two more musicals to add to my list:

 The Wizard of Oz

 The Sound of Music

 I've seen each of them at least 10 times over the years (probably 15
 for The Wiz) and I never get tired of them.
-- 
---------------------------------------------------------------
Who knows what evil lurks in the hearts of men?   The Shadow...
From: jon@lindy.Stanford.EDU (Jon Corelis)
Subject: Re: Old movies: In theaters? CASABLANCA
Keywords: Classics movies theaters Los Angeles
Organization: Stanford University, California, USA
Date: Wed, 29 Jul 1992 03:55:24 GMT

peterme@ocf.berkeley.edu (Peter D. Merholz) writes:


>Thankfully, the Bay Area has two excellent revival theaters (Castro and
>UC Theater), and bunches of others that show old and new (Red Vic, Roxie,
>Paramount, etc.)

   Mention should also be made of the Stanford Theatre in Palo Alto, a
restored 1920s movie palace which provides a remarkable showcase for
Hollywood's silver screen era films.  The Stanford Theater regularly
works with the UCLA film archive, the Library of Congress, and other
resources to provide screenings of excellent quality restored prints of
classic American films.  The theater often features famous guest stars
in connection with its programs:  in the past, Ruby Keeler, Patricia
Hitchcock, Eddie Bracken, and other great Hollywood names have appeared
in person there.

   As I write this the Stanford Theater is featuring a retrospective of
William Powell's films, and in August and September it will offer a Cary
Grant retrospective, as well as a series of Buster Keaton features with
live organ accompaniment.

   (I know the above sounds like a commercial, but in fact I have no
connection with this theater other than as a satisfied customer.) 
--


Jon Corelis               jon@lindy.stanford.edu
Stanford University       BITNET:  BR.JGC@RLG.STANFORD.EDU 
Newsgroups: rec.arts.movies
From: ecl@cbnewsj.cb.att.com (Evelyn C. Leeper)
Subject: Re: Prelude to a Kiss is the best! (NOT!)
Organization: AT&T
Distribution: usa
Date: Sat, 25 Jul 1992 02:06:33 GMT

In article <1992Jul24.212646.22060@csrd.uiuc.edu> ghosh@sp1.csrd.uiuc.edu (Sanjoy Ghosh) writes:
> I have a hypothesis about this movie.  I was wondering if people
> might help me prove or disprove it.  People who loved "Truly, Madly,
> Deeply" would love this movie.  People who didn't wouldn't like 
> this movie either.

Well, I thought TRULY, MADLY, DEEPLY was okay, but I didn't like it nearly as
much as I liked PRELUDE TO A KISS.  Where does that put me on your scale?

Evelyn C. Leeper  |  +1 908 957 2070  |  att!mtgzy!ecl or  ecl@mtgzy.att.com
--
The most exciting phrase to hear in science, the one that heralds new
discoveries, is not "Eureka!" (I found it!) but "That's funny ..."
					 -- Isaac Asimov (1920-1992)
Newsgroups: rec.arts.movies
From: wallis@ils.nwu.edu (Mindy Wallis)
Subject: Re: Favorite musicals
Organization: The Institute for the Learning Sciences
Date: Thu, 23 Jul 1992 14:08:47 GMT

In article <92204.114318JIW2@psuvm.psu.edu> <JIW2@psuvm.psu.edu> writes:
>
|> Why, you
|>ask, would Hollywood make a mediocre actor who can neither sing
|>nor dance the lead of a major musical?  Keep on asking -- maybe
|>someday an answer will appear.  I imagine the studio was counting
|>on Hunter's name (which was very hot in the late 50's) to draw
|>an audience.  I don't know if it worked, but it certainly doesn't
|>help the film at all. 

Equally pernicious in my mind is the recent tendency to put singers in musicals
and then not letting them sing.  For example, Jim Nabors in _Best Little
Whorehouse in Texas_ or Mandy Patinkin in _Yentl_.

-----
Mindy
wallis@aristotle.ils.nwu.edu


Newsgroups: rec.arts.movies
From: wildman@athena.mit.edu (Timothy Worsley)
Subject: Re: Audience Comments During Movies
Reply-To: eprice@sql.sybase.com
Organization: Massachusetts Institute of Technology
Date: Thu, 30 Jul 1992 00:07:13 GMT

In article <1992Jul29.112122.4996@avalon.nwc.navy.mil>
dejesus@archimedes.nwc.navy.mil (Francisco X DeJesus) writes:

>In "The Last Boy Scout", intro scene, right after the football player gets
>to the end zone and shoots himself, someone remarked: "So, does the touchdown
>count?"

Heh.  Maybe they'd call "inappropriate unsportsmanlike endzone
celebration" or whatever.  Clearly the player committed a Foul, the
question is How Many Yards on the Penalty?

-Ed (not Tim), eprice@sql.sybase.com (not wildman@athena.mit.edu)
From: hist1261@waikato.ac.nz
Newsgroups: rec.arts.movies
Subject: RE: Misha: A Faggot
Date: 27 Jul 92 09:35:08 +1200
Organization: University of Waikato, Hamilton, New Zealand

This posting has nothing directly to do with its title, because we in New
Zealand [or at least we at Waikato University] cannot access Misha: A Faggot
or anything else that is deemed "politically incorrect" or "pornographic"
by our self styled computer services censorship people.  It is both a 
declaration of outrage against this state of affairs [someone please phone
Amnesty International!] and an experiment into whether or not I will be able
to access my own message if I label it "incorrectly".  

If the "actual" "Misha: A Faggot" debate has any merit, or even if it doesn't,
could someone please e-mail it.  Freedom is a precious commodity...

Richard.


Newsgroups: rec.arts.movies
From: bart@casbah.acns.nwu.edu (Bart Gold)
Subject: Re: pornocchio (1992- A.K.A. Cool World)
Organization: Northwestern University, Evanston Illinois.
Distribution: rec
Date: Sat, 25 Jul 1992 14:53:38 GMT

     Pornocchio- the story of an animated character trying to become real
through sex.

     P.S.- it's not worth six bucks.

   +-----+  Bart@Casbah.acns.nwu.edu |  Q: What do you get when you cross   
 B |   79|                           |   a deadhead with a skinhead?
   | Au  |  "What are the armaments  |  
   +-----+   on the lollipop?"       |  A: Dandruff.
Newsgroups: rec.arts.movies
From: lara@sgi.com (Lara J Allen)
Subject: Re: Worst Movies (Beetle-Juice ?? I enjoyed it)
Keywords: Movies, Worst
Organization: Silicon Graphics Computer Systems,  Mountain View CA.
Date: Thu, 30 Jul 1992 18:31:46 GMT

In article <25930@sophia.inria.fr> glaurent@wombat.inria.fr (Guillaume Laurent) writes:
>In article <1992Jul28.142707.7946@infonode.ingr.com>,
>> Hey, anyone notice that while MANY have jumped in to defend "Beetlejuice"
>> (and rightly so) NOBODY has defended Hudson Hawk. (and rightly so) :-)
>
>There you have it: I, and about a dozen people I know, liked both of these

I too enjoyed both films....laughed quite hysterically at
all the Catholic bashing in HH.

I also enjoyed Raising Arizona (and from talking with others,
you either loved it or you hated it)


can't please everyone :-)
lara
--
===============================================================================
In Space, No One Can Hear You Meow!                  
             /\_/\ 
            / o o \   Lara J. Allen      DoD# 0391   '86 454LTD
Newsgroups: rec.arts.movies,misc.test,talk.bizarre
From: wildman@athena.mit.edu (Timothy Worsley)
Subject: Re: Short Shameful Confession.
Followup-To: rec.arts.movies,misc.test,talk.bizarre,alt.fan.rpwhite
Summary: This is a test.
Reply-To: rpwhite@cs.nps.navy.mil
Organization: Massachusetts Institute of Technology
Date: Wed, 29 Jul 1992 23:54:07 GMT

rpwhite@cs.nps.navy.mil (rpwhite):
>>>rp -- Flame me now, avoid the rush.

Maybe I'll just killfile you instead.

-Ed (not Tim)
From: cleveland.Freenet.E!cb366@overmind.mind.org
Newsgroups: rec.arts.movies
Subject: Re: don't look now
Date: 23 Jul 92 00:49:00 GMT
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
X-mailer: Stadel 3.4a-227
X-Spam-content: irrelevant


Julie Irwin (irwin@horton.colorado.edu) writes:

>Had anyone seen "Don't look now" with Donald Sutherland
>and Julie Christie?? It's one of those movies that sticks with
>you-- I'm still trying to figure it out.  I liked it, but feel the
>need to talk about it in case I missed something.
                                       
>Any "Don't Look Now" experts out there?       

Having seen the film only one-and-a-half times, I would not even
begin to consider myself an "expert" on the film. But what the heck,
I'm posting anyway (ha ha!). Someone correct me if I'm wrong, but
it seems that I heard a discussion once about the director's use
of the color red (the girl's raincoat). Apparently, in every
frame of every scene of the film you can find that same red
color (something about the director trying to remind us
subconsciously of the girl's presence). Again, I may have the
whole thing backwards, but I'm sure somebody who reads these 
posts knows for sure.

Also, the love scene between Christie and Sutherland (in
uncensored version, of course) is one of the more famous sex 
scenes in cinematic history. When Steven Spielberg was once
asked why he hadn't really included a big love scene in one
of his movies, he basically said he didn't like sex scenes
in the movies, with the exception of _Don't Look Now_.


Mark B. Bendiksen
cb366@freenet.cwru.edu
-- 
"If we don't get some cool rules ourselves, pronto,
 We'll just be bogus, too."-- Dr. Jeff Spicolli
From: kirk@cs.duke.edu (Scooter Corleone)
Newsgroups: rec.arts.movies
Subject: Re: Dr. Strangelove - last line ???
Date: 21 Jul 92 13:03:29 GMT
Organization: The Zymurgy Institute

In article <1992Jul21.040144.55906@ns1.cc.lehigh.edu> dfk0@ns1.cc.lehigh.edu (David F. Keppel) writes:
>
> For the ending I got the dialog, but I cant figure out exactly what
> the Soviet Ambassador is operating when he goes off to the side. Is
> this some kind of transmitter or a detonator? Is he helping blow up the
> world right from the War-room?
>
He's using a secret mini micro-camera to snap candid photos of the War Room--even in the
midst of nukular combat toe-to-toe with the Rooskies, they're still spying!

No worries,

Scooter Corleone
Newsgroups: rec.arts.movies