HDTenEightyP/NetNews huggingface dataset:
From: dbw@svl.cdc.com (Dave Woerner)
Newsgroups: alt.guitar
Subject: Re: 12 string versus 6 string
Date: 18 Dec 92 18:28:20 GMT

jfinn@ll.mit.edu (Joe Finnivan) writes:


>I'm a newbie to guitar playing and I'm playing on a borrowed
>6 string acoustic.  I am looking to buy a guitar of my own and
>want to know what differences there are in playing a 12 string
>versus a 6 string.  I am learning fingerpicking style and using
>some books by Stefan Grossman.  Will fingerpicking on a 12 string
>be radically different?  Are the chord layouts the same?  Any other
>important differences?

The chords layouts are the same on a 12 string.  There is a
"companion" string for each of the normal 6 strings, placed close
enough that they can be fretted with one finger as though there
was only one string, yet far enough apart that they don't rattle
together.  The extra strings for the high E and B strings are tuned
to the same note as their "companions".  The extra lower strings
are tuned an octave higher than their "companions".

Needless to say, the sound is radically different due mostly to
the octave strings.  Twelve string guitars give a much fuller sound.
There is more string tension, so they're a bit harder to play.

You can fingerpick a twelve string - Leo Kottke has made a living
out of it for years, but not all traditional fingerpicking tunes
work well on a 12 string.  Each finger will be picking two strings
at once (unless you are incredibly accurate - I'm not sure if anyone
actually picks individual strings on a 12 string...)

It's really a difference in style.  You will have to decide for
yourself what you like and what you want to play.  I love 12 strings,
but I guess I love my 6 string more since I haven't switched yet...

Dave
From: bt979@cleveland.Freenet.Edu (Jeff Preston)
Newsgroups: alt.guitar
Subject: Re: Alternate tunings .... any ideas???
Date: 18 Dec 1992 17:35:33 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: bt979@cleveland.Freenet.Edu (Jeff Preston)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, littlefield@binah.cc.brandeis.edu () says:

>	hehehehe. That's true for most of the "alternative scene." These people
>who think that they're being creative and artsy are using that as a poor excuse
>for not learning how to play. (eg. Jane's Addiction and Pixies!! man... that's
>just noise).

  And what is your comment for technically complex music you don't like?
"Too intellectual"?

  Jeff

-- 
| Jeff Preston - owner and moderator of | "We don't  get  many requests |
| the  Allan Holdsworth discussion list |  for recent history."  -- Mr. |
| *** To subscribe, send e-mail to: *** |  Atoz, from the '69 Star Trek |
| <atavachron@morekypr.morehead-st.edu> |  episode _All Our Yesterdays_ |
Newsgroups: alt.guitar
From: hhuynh@silver.ucs.indiana.edu (Insignificant self-proclaimed gOd of my own existence...)
Subject: Please define fusion...
Organization: Indiana University
Date: Mon, 21 Dec 1992 06:23:45 GMT

	I've tried Al Di Meola's _Kiss My Axe_ and I can't stop
listening to it. But could someone formally define what fusion is? As
well as list some (if not all) fusion guitarists along with their
recommended works (or efforts, for the lack of a better word)?

	I've tried Pat Metheny's _Pat Metheny Group_??? and have taken an
interest to it. I've also tried John McLaughlin's _Devotion_ and
_Between Eternity and Nothingness_. Are these two guitarists also fusion
guitarists?

   						Replies will be appreciated,
							Hiep Huynh
From: rg@kunikpok.UUCP (R.G. Keen)
Newsgroups: alt.guitar
Subject: Re: Power Xformers
Date: Thu, 17 Dec 92 23:34:33 CST
Organization: Kunikpok Kennels and Komputers (Pet Project)

grigsby@dms.agames.com (John Grigsby) writes:

> It seems to me that if you smoke a transformer the core should still be
> intact, unless you've dropped it in a magma vent by mistake.  So, with
> the knowledge of how many turns of n gauge wire to use, one could
> strip and rewind, losing a pile of time instead of a pile of bucks.
> Correct?  Anyone tried this?
> 
> // g
>  

Yup. All you do is get the same size wire, insulating fish paper, high 
temp tape, and transformer varnish (!?), carefully count off how many 
turns of how many layers, and duplicate. I
have done this, as well as winding my own custom designs. Takes 
application, though. You don't want to wind up (did I say that?) with a 
safety hazard once you're through. This is a real problem. Don't try this 
unless you know how to NOT hurt yourself, and never sell or give this 
thing away.


R.G.
Newsgroups: alt.guitar
From: rjschal@hubcap.clemson.edu (R J Schalkoff)
Subject: Re: More Sleep Walk
Organization: Clemson University
Date: Thu, 17 Dec 1992 00:19:44 GMT


The version of the Santo and Johnny 'Sleepwalk' which I
think is great is done by Larry Carlton (its an
instrumental). Its from one of his earlier albums I
can't remember which one). Check it out.

BTW, I'll never forget it since my guitar instructor
made me transcribe it. As I recall, it starts in C with
an easy-to transcribe part, and then modulates to Eb.

RJS
From: foc@ceti.csustan.edu (Francisco Orozco)
Newsgroups: alt.guitar
Subject: rec.music.makers.guitar
Date: 14 Dec 92 20:16:17 GMT
Organization: CSU Stanislaus


I was wondering if someone could let this new guitar enthusiast
what would be a good starter guitar at around  $300-$400. I was thinking
about a Carvin. I also want a guitar that has good hardware and that is
not so  newbie that I will out grow in 6months time 
or whenever I become proficient. Quality is also a factor.




thank you
Xref: sparky alt.guitar:10880 alt.guitar.tab:4544 rec.music.makers.guitar.tablature:645
From: v140pxgt@ubvmsb.cc.buffalo.edu (Daniel B Case)
Newsgroups: alt.guitar,alt.guitar.tab,rec.music.makers.guitar.tablature,rec.music.makers.gutiar,alt.newsgroups.name.too.long.go.on.on.and.on
Subject: Re: New at ftp.nevada.edu (131.216.1.11)
Date: 15 Dec 92 22:12:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41


James, does this mean I have to repost Small Blue Thing by Suzanne Vega? I 
posted it a while ago, about the same time as all those others, I put "TAB:"
at the beginning, but it's not on the list of new tab in Nevada.
Anyhow, be alert as I have plans-yes, all you people who sent me e-mail, I 
*will* do it eventually-to post a lot more Suzanne Vega tab.

						Dan Case
						V140PXGT@ubvms.cc.buffalo.edu

		"All roads lead to where you are"-U2
From: jfinn@ll.mit.edu (Joe Finnivan)
Newsgroups: alt.guitar
Subject: 12 string versus 6 string
Date: 17 Dec 92 13:37:44 GMT
Reply-To: jfinn@ll.mit.edu (Joe Finnivan)
Organization: MIT Lincoln Laboratory, Lexington MA
Originator: jfinn@ll.mit.edu (Joe Finnivan)


I'm a newbie to guitar playing and I'm playing on a borrowed
6 string acoustic.  I am looking to buy a guitar of my own and
want to know what differences there are in playing a 12 string
versus a 6 string.  I am learning fingerpicking style and using
some books by Stefan Grossman.  Will fingerpicking on a 12 string
be radically different?  Are the chord layouts the same?  Any other
important differences?

Thanks,

Joe

jfinn@ll.mit.edu
Organization: Stanford Linear Accelerator Center
Date: Monday, 14 Dec 1992 13:20:32 PST
From: <WAUGH@SLACVM.SLAC.STANFORD.EDU>
Newsgroups: alt.guitar
Subject: Re: Brian Setzers sound on Stray Cat Strut

In article <1992Dec14.181328.16136@cbfsb.cb.att.com>, bky@cbnewsf.cb.att.com
(william.a.stafford) says:
>
>   I have been trying to learn Stray Cat Strut and I have become extremely
>frustrated because no amount of tweaking will get my Strat to sound like
>whatever Brian Setzer is playing on Stray Cat Strut.
>   Does anyone know what he plays on this song?

A big, fat Gretsch Western Series electric archtop with a big "G" branded
into the top and cute western motifs scrimshawed into the large block
inlays.  It has a Bigsby vibrato.

>   Does he use any effects?

Don't think so.  Just the aforementioned Bigsby.

>   Is it possible to get a Strat to produce this 'Setzer' sound?

Again, a great big "I don't know."  Most probably you're not going to get
a solid body with single coils to sound anything like an electric archtop
with humbuckers.  That is unless you use a guitar synth and sample the arch-
tops tones.

Not much help I know.  But what the hey...

Brian
Newsgroups: alt.guitar
From: kew@cbnewsg.cb.att.com (steve.w.askew)
Subject: Re: Brian Setzers sound on Stray Cat Strut
Summary: Duane Eddy
Organization: AT&T
Distribution: usa
Date: Fri, 18 Dec 1992 13:59:47 GMT



	I think Duane played mostly a "Duane Eddy"  model Guild guitar



	Steve
	Doin That Blues ThAng!
Newsgroups: alt.guitar
From: csi059@cch.coventry.ac.uk (Sandman)
Subject: Kramer 610ST
Organization: Coventry University
Date: Mon, 14 Dec 1992 12:58:24 GMT

For sale, as new, interested? E-mail me.



-- 

      ()                                   
      /\                /                 
     /  )  __.   __  __/  ____  __.   __   
Newsgroups: alt.guitar
From: naish@gfx.engga.uwo.ca (Michael Naish)
Subject: CRD: And It Stoned Me - Van Morrison
Organization: University of Western Ontario, London
Date: Thu, 17 Dec 1992 03:38:32 GMT

      Here is how I render the Van Morrison classic And It Stoned Me.
Just a note, the last D chord in each verse, just before the chorus,
should not be strummed but rather the notes should be picked as
follows:

   e---------------------
   B------3---------3----
   G----2---2-----2---2--
   D--0---------0--------
   A---------------------
   E---------------------

      Enjoy.


		And It Stoned Me - Van Morrison

 G                     D		   C                 G
  Half a mile from the county fair and the rain came pourin' down
               D                     C                 G
  Me and Billy standin' there with a silver half a crown
                      D                   C                 G  
  Hands are full of a fishin' rod and the tackle on our backs
                      D                    C                 G
  We just stood there gettin' wet with our backs against the fence
  Am     D      Am     D      Am     D
  Oh the water, oh the water, oh the water
Em                       D
  Hope it don't rain all day

	       G         C     
 	And it stoned me to my soul 
      G                     D
	Stoned me just like jelly-roll
               C      G 
        And it stoned me
               G         C
	And it stoned me to my soul
      G                     D 
	Stoned me just like goin' home
               C      G 
	And it stoned me

  Then the rain let up and the sun came up and we were gettin' dry
  Almost glad a pick-up truck nearly passed us by
  So we jumped right in and the driver grinned and he dropped us up  
     the road
  We looked at the swim and we jumped right in not to mention fishin'
     poles
  Oh the water, oh the water, oh the water
  Let it run all over me

	Chorus

  On the way back home we sang a song but our throats were gettin' dry
  Then we saw the man from across the road with the sunshine in his eye
  Well he lived all alone in his own little home with a great big
     gallon jar
  There were bottle two, one for and you, and he said, "Hey! there you are!"
  Oh the water, oh the water, oh the water
  Get it myself from the mountain stream

	Chorus
-- 
---==----------------==----------------==----------------==----------------==---
        Michael Naish                     The University of Western Ontario
    naish@gfx.engga.uwo.ca              Department of Mechanical Engineering
---==----------------==----------------==----------------==----------------==---
From: whc2993@ritvax.isc.rit.edu
Newsgroups: alt.guitar
Subject: Re: Sleep Walk
Date: 14 Dec 92 17:41:59 GMT
Reply-To: whc2993@ritvax.isc.rit.edu
Organization: Rochester Institute of Technology

In article <Bz8Exx.n0K@acsu.buffalo.edu>, v201lrxa@ubvmsb.cc.buffalo.edu (NOWHERE MAN) writes:
>Does anyone have tab to that song? 
>
>mike
I have a cheap fake book version of this song. I did see it in a cool new TAB
book called Classic Rock Instrumentals.  I noticed the guitar was in open G
tuning.  I'm hoping to use the cheap version in standard tuning and transfer it
to Open G tuning someday.  Maybe I'll type it in, the cheap version.  Right now
I'm working on Granda Got Run Over By A Reindeer tht I promised. By the way,
still looking for

		BLUE CHRISTMAS.


********************************************************************************
"The blues is a low down achein' chill"  Robert Johnson
 and so is my apartment right now. 
********************************************************************************
Newsgroups: alt.guitar
From: fullerto@tortoise.cis.ohio-state.edu (timothy dwight fullerton)
Subject: Re: Mesa/Boogie Amp Prices
Organization: The Ohio State University Dept. of Computer and Info. Science
Distribution: usa
Date: Fri, 11 Dec 1992 21:44:17 GMT

In article <1992Dec11.063814.13203@reed.edu> rseymour@reed.edu writes:
>In article <Bz1op5.KxI@news.cso.uiuc.edu> mayer@osiris.cso.uiuc.edu (James  
>Mayer) writes:

>> Darryl,  You have no price leverage.  Mese Boogie has firm agreements with
>> their retailers.  You'll pay the same price everywhere.
>
>	Not so, I've been looking at a Mark IV combo (80w, 1x12"), and one  
>store in town sells it for 1595, while another sells it for 1095. Either they  
>are breeching contract, or this is just formality.



	Whoever quoted you that somehow misrepresented the Mark IV. Dealer 
cost is almost $1200 ($1196.25, to be exact). It is possible that the 
unit is damaged or used, or that he was lieing to you as a bait and 
switch, but you will not find a new Mark IV for anything except $1595 
(or more).

	Since Boogie does not produce a lot of material, I would really
doubt the existance of any sort of volume discount. Most likely, the unit
is on consignment.

	Tim.
From: gebo@acsu.buffalo.edu (Tom Gebo)
Newsgroups: alt.guitar
Subject: Tube swapping/amp question
Date: 18 Dec 92 19:17:11 GMT
Organization: UB



	kew@cbnewsg.cb.att.com (steve.w.askew) suggested swapping the stock
tubes in an amp for certain different tube types.  My question is how do you 
determine which tubes are acceptable alternates for the stock tubes?  Could
using the incorrect tubes possibly fry some other components in the amp?  I
have a Carvin X100 that came with Groovetube EL84 and 12AX7's.  The amp is
a few years old and I have noticed more hiss coming from it.  Is this the
tubes?  Is there a way that I could test them to see if they are shot?  Besides
the stock tubes, what would be some replacement choices?  Finally, there is a
power selector switch on the back of the amp (25%, 50%, 100% of 100W), how does
this work?  Does it actually lower some voltages or something, or is the amp
running at full output all the time and it just "soaks up" the extra power 
somehow?  I know this is a lot of questions, but if someone has the time to
reply I would appreciate it.

Thanks,
		Tom

gebo@artemis.eng.buffalo.edu
From: David.R.Boschetto@dartmouth.edu (David R. Boschetto)
Newsgroups: alt.guitar
Subject: 4 Track for sale/trade
Date: 13 Dec 92 22:06:07 GMT
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a6@newshost.dartmouth.edu

Tascam Porta 05 4-track for sale or trade. Good condition.

E-mail if interested:

thanks,
Dave(David.Boschetto@dartmouth.edu)
Organization: Stanford Linear Accelerator Center
Date: Thursday, 17 Dec 1992 12:58:33 PST
From: <WAUGH@SLACVM.SLAC.STANFORD.EDU>
Newsgroups: alt.guitar
Subject: Re: Brian Setzers sound on Stray Cat Strut
 <1992Dec16.171444.4562@cabezon.uucp>

In article <1992Dec16.171444.4562@cabezon.uucp>, larryh@cabezon.uucp (Larry
Huntley) says:
>
>    Gretsch Country Gentleman (I think; someone will correct me if I'm way
>    off.  It's a white full-body Gretsch.)  Just like Duane Eddy and Chet
>    Atkins.

The Gretsch Country gentleman is a thinline guitar, much the same as the Gibson
ES-335.  It had the disctiction of having its f-holes painted on.  Duane Eddy
did play a Grtesch but a fat one (like Brian Setzer uses).  Chet Atkins played
a Chet Atkins model.  The only white Gretsch full bodied electric was the White
Falcon, played by almost no rockers 'cause it cost so much.

Brian
From: dcd30@yellowjacketcd.amdahl.com (Dan C. Devou)
Newsgroups: alt.guitar
Subject: GIBSON ES125
Keywords: guitar
Date: 15 Dec 92 01:03:28 GMT
Distribution: ca
Organization: Amdahl Corporation, Sunnyvale CA

I have a GIBSON ES 125 serial number 2287_9.  It was used for me by my
father in 1959.  Any ideas on the date of manufacture?  By the way, I
recently had it 
totally restored by Kent Perkins and it is in Mint condition.  I
recommend Kent's work to anyone restoring a classic.	

Dan Devou
Newsgroups: alt.guitar,alt.guitar.tab,rec.music.makers.guitar.tablature,rec.music.makers.gutiar,alt.newsgroups.name.too.long.go.on.on.and.on
From: jamesb@nevada.edu (James Bender -Republican)
Subject: New at ftp.nevada.edu (131.216.1.11)
Originator: jamesb@redrock.nevada.edu
Organization: University of Nevada System Computing Services
Date: Mon, 14 Dec 1992 22:30:12 GMT


AC_DC:
total 6
-rw-------  1 jamesb       5451 Dec 14 14:06 BigBalls.tab

Bruce_Springsteen:
total 8
-rw-------  1 jamesb       4244 Dec 11 11:08 IncidentOn57thSt.crd
-rw-------  1 jamesb       2566 Dec 11 11:08 MyHomeTown.crd

Christmas_Music:
total 10
-rw-------  1 jamesb       3525 Dec 14 14:04 JingleBellRock.crd
-rw-------  1 jamesb       2513 Dec 14 14:13 OnceInRoyalDavidsCity.crd
-rw-------  1 jamesb       2519 Dec 14 14:05 RockingAroundTheChristmasTree.crd

Clash:
total 3
-rw-------  1 jamesb       2904 Dec 14 13:51 GatesOfTheWest.tab

Heart:
total 7
-rw-------  1 jamesb       7164 Dec 11 11:08 CrayzOnYou.tab

King_Crimson:
total 4
-rw-------  1 jamesb       3248 Dec 14 13:59 Epitaph.tab

Kiss:
total 6
-rw-------  1 jamesb       5948 Dec 14 13:56 Deuce.tab

Led_Zepplin:
total 4
-rw-------  1 jamesb       3870 Dec 14 13:58 RainSong.tab

Metallica:
total 35
-rw-------  1 jamesb       8464 Dec 14 13:52 CreepingDeath.tab
-rw-------  1 jamesb      26576 Dec 11 18:09 MasterOfPuppets.tab

Neil_Young:
total 1
-rw-------  1 jamesb        887 Dec 11 21:37 Thrasher.crd

Nirvana:
total 4
-rw-------  1 jamesb       3420 Dec 12 20:27 SmellsLikeTeenSpirit.tab

Percy_Sledge:
total 3
-rw-------  1 jamesb       2703 Dec 14 14:04 WhenAManLovesAWoman.crd

Police:
total 4
-rw-------  1 jamesb       3091 Dec 14 13:53 EveryBreathYouTake.tab

Smashing_Pumpkins:
total 3
-rw-------  1 jamesb       2918 Dec 14 13:57 Drown.tab

Smiths:
total 4
-rw-------  1 jamesb       3620 Dec 10 16:25 ThereIsALightThatNeverGoesOut.crd

Stanly_Myers:
total 17
-rw-------  1 jamesb      16960 Dec 14 13:52 Cavatina.tab

Stiff_Little_Fingers:
total 3
-rw-------  1 jamesb       2945 Dec 14 14:09 SuspectDevice.crd

Triumph:
total 3
-rw-------  1 jamesb       2515 Dec 14 14:01 MagicPower.tab

Van_Halen:
total 2
-rw-------  1 jamesb       1352 Dec 14 13:55 Unchained.tab

Waterboys:
total 3
-rw-------  1 jamesb       2264 Dec 14 14:12 ThisIsTheSea.tab

White_Lion:
total 3
-rw-------  1 jamesb       2505 Dec 14 13:56 FarewellToYou.crd



	When acessing the machine here, it is VERY important that you ONLY
ftp, and NEVER EVER use telnet. The reason being, when someone telnets to a 
machine here, a finger is sent back to your machine to make sure your who you
say you are. Some sites view this as a security breach. Also when you ftp,
it is very important that you give your FULL, and CORRECT e-mail address at
the password prompt. This is just for our FTP logs. Thanks in advance for your
cooperation.

*******************************************************************************
* From: James B     * "THIS IS NOT A FALSE ALARM. THIS IS NOT A TEST."        *
* jamesb@nevada.edu *                                       -- N. Peart       *
*******************************************************************************
Newsgroups: alt.guitar
From: naish@gfx.engga.uwo.ca (Michael Naish)
Subject: Date this Gibson
Organization: University of Western Ontario, London
Date: Sat, 12 Dec 1992 21:14:11 GMT
Summary: ES330-TD, Serial Number 19921

	My father has a Gibson ES330-TD hollow body electric guitar
that he believes was manufactured in 1958.  Can anyone tell me for
sure?  Any other information that anyone might have would be greatly
appreciated.


-- 
---==----------------==----------------==----------------==----------------==---
        Michael Naish                     The University of Western Ontario
    naish@gfx.engga.uwo.ca              Department of Mechanical Engineering
---==----------------==----------------==----------------==----------------==---
From: v201lrxa@ubvmsb.cc.buffalo.edu (L'ANGELO MISTERIOSO)
Newsgroups: alt.guitar
Subject: More Sleep Walk
Date: 16 Dec 92 19:28:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41


	Just bought a 'Legends of Guitar' CD put out by Guitar Player.
The one I got is 'Rock: the 50s Volume Two', and has the song 'Sleep Walk'
on it. It was recorded by Santo and Johnny Farina, and hit the top of the
charts in 1959. Santo played it on a triple neck Fender, with one tuned to
C#m7, one tuned to A6, and another tuned to E7. He said he could play it 
in any of those three tunings, but recorded it on the C#m7 neck. His
brother Johnny played rhythm, so any of you who might be trying to
learn it should listen for the separate parts. I'm trying to figure it
out in standard tuning.

mike
Newsgroups: alt.guitar
From: gistim@uxa.ecn.bgu.edu (Tim Raebig)
Subject: Amp tech in Chicago
Organization: Educational Computing Network
Distribution: chi
Date: Fri, 18 Dec 1992 21:50:59 GMT

    Could someone recommend a reliable tube amp technician
in the south Chicago or south suburban area.  I will soon 
need to retube/rebias my amp.  I'd especially like to meet 
someone who has experience tweeking amps for a tighter metal
distortion sound.  Thanks,   Tim
From: anweingarten@vaxsar.vassar.edu
Newsgroups: alt.guitar
Subject: RE Santa....
Date: 16 Dec 92 16:07:01 +1000
Organization: Vassar College

So you wish Santa would bring you a guitar eh?
If you like strats, I got some surprising news for you!

Fender actually has a line of strats made in Japan under the name Squire.
I suppose you could call it an imitation, but it does have the name 
Fender written on the stock and on the tuning machines.
I have one and I've had it for years.
You might be wondering why im suggesting an imported fake as opposed to the
real one. Well, if you like a thin neck, the squire is fantastic.  I dont
mean width wise. I mean that its sort of thinner so that you can put more
of your hand around the neck.  Maybe im just used to it, but I find I
can slide up and down the neck twice as fast and can easily use the old
thumb if i have to. 

The sound is just as good as any strat I've heard with the condition that
you put some better pickups on it.  The guitar i bought (used)  had
factory pickups on it put i just put in three dimarzios last year and man
does it kick ass now.  

I also have a Fender made Whammy Bar(Locking) and although its not FloydRose
I find it stays in tune a lot better than those common place tremolos.

The best part about all of this is the price.  You can probably pick one up
for about $300 plus about $150 on pickups and you got yourself a awesome
axe that the whole family can enjoy.  (If your family is Page, Hammet, and
Hendrix!)

Good Luck!
From: msh7585@venus.tamu.edu (SCOTT)
Newsgroups: alt.guitar
Subject: FAQ
Date: 11 Dec 1992 14:09 CST
Organization: Texas A&M University, Academic Computing Services
Distribution: world
NNTP-Posting-Host: venus.tamu.edu
News-Software: VAX/VMS VNEWS 1.41    

Where can I get an archived copy of the FAQ?  I have access to FTP and would
greatly appreciate any addresses where the FAQ is archived.

THanks.