HDTenEightyP/NetNews huggingface dataset:
From: bst@wang.com (Bruce Tannenbaum)
Subject: Re: Do It Acappella
Organization: Wang Labs, Lowell MA, USA
Date: Mon, 06 Apr 92 12:50:37 GMT

ia1cs240@troi.cc.rochester.edu (Jessica Harris) writes:

>In <702335961@macbeth.cs.duke.edu> kirk@cs.duke.edu (Scooter Corleone) writes:

>>I caught SPIKE AND CO. DO IT ACAPPELLA on TV the other night, and it was
>>awesome! Is there a soundtrack to this show? Does anyone have any
>>information on the groups that appeared? That was some *sweet* singing!

I seem to remember that the Persuasions did some albums in the early to
mid 70s.  I know that somewhere in my pile of discs, I have a single or 
two by them.  Weren't they the ones who first recorded  "Thin Line Between
Love and Hate" (later covered by the Pretenders) or was that a group called
the Persuaders.  (After 40, stuff like this gets hazy.)

Bruce
-- 
Bruce S. Tannenbaum (RADAR) <bst@wang.com>
VoiceCom Systems Inc., San Francisco, CA and Tewksbury, MA.
"I have a cunning plan!"
Newsgroups: rec.music.misc
From: jester@crash.cts.com (Ken Bibb)
Subject: Re: David Lee Roth spanish albums
Organization: Crash TimeSharing, El Cajon, CA
Date: Tue, 14 Apr 1992 16:00:30 GMT

In <zippy.703195716@chaos.cs.brandeis.edu> zippy@chaos.cs.brandeis.edu (Patrick Tufts) writes:

>A friend of mine is looking for spanish versions of David Lee Roth
>songs (sung by Roth).  He knows these versions exist, but has been
>unable to track them down in the states.

>HMV and Tower both mumbled something about problems with US Customs
>and said they couldn't get them.

That's odd:  I bought my copy at Tower Records when "Eat 'Em and Smile"
came out.  I no longer have a copy of this, btw.

>If you know where these discs/tapes/albums can be found, or if you're
>willing to bootleg them (assuming they can't be had in the states by
>legal means), please send me email and I'll forward the info.

It was a domestic release, so the salesdrones that your friend talked
to are out of it.  It's probably out of print by now though (check the
Phonolog next to the sales counter at Tower to make sure).  If it *is*
out of print, try stores that specialize in out of print and import
records.

Newsgroups: rec.music.misc
From: lorne.murphy@rose.uucp (lorne murphy)
Subject: GENESIS COMMERCIALIZD
Organization: Rose Media Inc, Toronto, Ontario.
Date: Mon, 13 Apr 1992 15:27:18 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.2)


Date Entered: 04-13-92 00:22
I've noticed a lot of people saying Collins commercialized Genesis,
but I feel that if this is true (IF)... then it certainly didn't
begin to take place until around 1981. ABACAB, to me, is the first
visible sign of what we now know today as "Genesis". The first song
that sounds like "typical" Collins is "MAN ON THE CORNER". But certainly
A TRICK OF THE TAIL, WIND AND WUTHERING, SPOT THE PIGEON, ...AND THEN
THERE WERE THREE, and DUKE do not reflect this... although with DUKE,
Collins began to incorporate the drum machine into the music... this is
truly the ONLY thing I dislike about Collins. If it was on his solo
stuff... then fine. However in Genesis it simply doesn't work. On FADING
LIGHTS it barely works, however. He has said that he likes to write with
it.   OK, so write with it.... however is it necessary to play it on the
discs??? I think not.

DOWN WITH DRUM MACHINES.    LONG LIVE NURSERY CRYME.

I don't know what that means.....

LM
---
   RM 1.60: Usenet: Rose Media - Hamilton (416) 575-5363
Newsgroups: rec.music.misc
From: doom@leland.Stanford.EDU (Joseph Brenner)
Subject: Original Music by The Havering
Followup-To: chaney@leland.stanford.edu
Organization: DSG, Stanford University, CA 94305, USA
Date: Fri, 10 Apr 92 12:26:04 GMT

Some friends of mine in a group called "The Havering", have put
out a tape (produced over at CFY Record's The House of Faith,
if you're into these things).  I think it's worth checking out.

They've got a sound somewhere between the Housemartins and
Stiff Little Fingers, which around the San Francisco area gets
called "Modern Rock" by a lot of people.

There's always been some tension between their two main
singer/song-writers... Jeff Adams is a guy from Virginia who
plays an acoustic 12-string, and sings with a really gentle,
melodic voice.  He tends to focus more on songs about personal
relationships.  For example, "Dysphoria":

     You're just an umbrella that keeps out the sun,
     A mirror that reflects back the rain.
     And the ghost that you made from the time that you cried,
     You sleep with him now, and you'll die by his side.

On the other hand, Yusuf Jaffry is a guy from Glasgow, and he's
more into a classic punk sound, and also more likely to write
political songs. I think one of his best is "Todays Pig", based
on an Edward Albee novel and a Hunter S.  Thompson line:
	
     She looks across at Henry Lightcap
     His lights are on, but no one's home,
     He's got ten wives, but he's not a bad chap,
     He's working too hard and he'll die alone,
     Because --
         He didn't hear what Gonzo was saying: 
        "Today's pig is tomorrow's bacon."

In working it out between them, I think they've managed to
make some music that appeals to a pretty wide range of
people.  Their tape is well done enough that when I put it
on people frequently mistake it for the radio, but on the
other hand you don't get college radio art snobs (like me)
turning up their noses at them for being just another pop
band.

If you'd like to get a copy of their cassette (two sides, 17
songs, reasonable prices) send some email to
chaney@leland.stanford.edu.

One last quote, from "House of Mirrors":

     I'm trapped in this house of mirrors
     A thousand and one copies of myself
     I lost the door when it shut behind me
     Too nice, too nice, to see you again...
From: SEWALL@MAINE.MAINE.EDU
Newsgroups: rec.music.misc
Subject: LPS FOR SALE!
Date: 6 Apr 92 13:27:33 GMT
Article-I.D.: MAINE.92097.092733SEWALL
Organization: University of Maine System


        SEE LP'S FOR SALE IN ALT. ROCK-N-ROLL OR BIT.LISTSERV.ALLMUSIC.
           THANKS!
Newsgroups: rec.music.misc
From: bab@guardian (Brian Baker)
Subject: Re: Police/Sting Ripoffs
Organization: Worcester Polytechnic Institute
Date: Mon, 13 Apr 1992 20:48:21 GMT

In article <1992Apr13.150129.14197@athena.mit.edu> thomasl@mtl.mit.edu (Thomas J Lohman) writes:
>In article <32694@darkstar.ucsc.edu> cspot@cats.ucsc.edu (Chris.Hilker) writes:
>>
>
>>called "Every Breath I Take." I think comparisons are valid. The word
>>"ripoff" does spring to mind, especially since Sting claims that the song
>>appeared to him fully written one night.
>
>I like most of Sting's music, and think its unfair to criticize him 
>based on his borrowing of musical ideas and concepts which most artists
>do, but I do get perturbed at his lack of giving credit where credit
>is due.  An example would be "The Soul Cages" release which I happen to enjoy
>but I don't remember him saying where the title came from.  Now I'm
>pretty sure that he "stole" the concept of the song and the title from
>an Irish short story called "The Soul Cages"  written back in the late
>1700s I believe.  If this proves that he is well read then great, but I think 
>that he should at least credit the author with the idea for the song, and
>not give the impression that he thought up the title or it came to him
>in a dream...Can anyone verify that he indeed took the title and idea
>from the short story?
>
>
>--tom

The Title of this song comes from an old English folk tale, passed down
from generation to generation, author unknown.  Sting has talked about this
in almost every interview supporting the album.  Since he freely talks
about it in interviews and DOES NOT claim that this came from a dream,
I find no fault in using this story.

 bab
 ----------------------------------------------------------------------------
  "Laugh and the world laughs with you.  Shoot someone   |   Brian Baker
  and you really limit your appeal." - Joe Martin        |   bab@wpi.WPI.EDU
 ----------------------------------------------------------------------------



Newsgroups: rec.music.misc
From: fehr@ms.uky.edu (Jeff Davis)
Subject: Re: terry reid?
Date: Mon, 6 Apr 1992 14:18:48 GMT
Organization: Kolin Itelly's Brick Yard
X-Bytes: 

In article <bmae3i.k1s@wang.com> bst@wang.com (Bruce Tannenbaum) writes:
>stuart@apollo.hp.com (Stuart Troutman) writes:

     [good discussion of Terry Reid deleted]
>
>Ouch! Another ancient on the net.  I remember Terry Reid very well, and I
>do have at least one of the aforementioned albums in my collection, plus
>a single of "Mayfly".  Never thought I hear him mentioned again.
>
Another county [ancient] heard from. A great fan of Terry Reid here. He
was one of the acts touring with the Stones in '69 (if my memory enhancing
drug is functioning.) I believe the rude/impatient Stones' fans 
booed him off the stage. Not pleasant. He had a great scratchy kind
of voice much like Rod Stewart. My only copy of his 2nd album ("Terry
Reid") has long since passed into post-bacon pops/pre-Frisbee status,
but I would buy a CD of his stuff in a second. It occupies a niche
in my brain like the 1st Moby Grape album and "Happy Trails."

-- 
Jeff Davis <davis@keats.ca.uky.edu> 
You may think you know what you're dealing with here,
but believe me you don't.
Newsgroups: rec.music.misc
From: buckmr@marcus.its.rpi.edu (Ron Buckmire)
Subject: Re: MADONNA: Where is she?
Date: Fri, 10 Apr 1992 16:55:12 GMT

mjung@tostada.ucdavis.edu (Matthew Jung) writes:

>>Does anyone know what is going on with Madonna right now?  I've heard that
>>she's done with her new album.  She's supposedly waiting to sign a big deal
>>with Time Warner before she can release it, is this true?

Yes, ROLLING STONE reported that she has signed a $60 million deal with Warner 
Brothers for tv,albums and movies. She gets $5 million for her next album .

> I heard that she is filming a movie right now and that she's in Oregon
> doing a scene.  That's all I know and there aren't many details since the
> press can't even get close to her from what I hear.  I don't have any info
> about the album, but I will probably buy it right away when it's released.

Yes, she's filming ``Body of Evidence'' with Willem Dafoe and Ron Silver.

-- 
RON BUCKMIRE, 11 Colvin Circle, Troy, NY 12180-3735.  "D.C. IN 93!"
uunet!rpi.edu!buckmr||buckmr@rpitsmts.bitnet||buckmr@rpi.edu||+1 518 276 8910
"You know, you should really change your position on abortion."
                                 --Katharine Hepburn to George Bush, Nov 1990
From: pml3@ns1.cc.lehigh.edu (Here we go now...)
Newsgroups: rec.music.misc
Subject: Re: need help with Dead Kennedys..
Date: 5 Apr 92 23:58:25 GMT
Organization: Lehigh University

>>   Hello I am looking for some info on the Dead Kennedys. I like Jello
>> Biafra's work like on LARD and Jello w/DOA. Is the Dead Kennedys stuff
>> like this? What are some opinions on their best album? and help
>> would be greatly appreciated.
>>
>> Eric Smith
>> Western Michigan University
>> 586smith@gw.wmich.edu
>
>
>Yhis is only my opinion, but I think that the best Dead Kennedy's album is
>probably  "Give me convenience, or give me death"

Being a long-time Biafra fan, I'll throw my .02 in...

His Dead Kennedys stuff is still his best stuff to date, IMO.  His Lard stuff
was very inconsistent, and I didn't think it was well written on either half:
Biafra's or Jourgenson/Barkers'.

Here's some ranking's of DKs albums on a scale of 1-10 (highest)

Fresh Fruit for Rotting Vegetables     9

     Raw at points, but great.  Some of their best and classic songs.

Plastic Surgery Disasters             10

     Probably the best written DKs album.  Diverse songs, interesting Biafra
     topics.  Great album, all the way through...

Frankenchrist                          7

     A little forced at points, not the best song-writing.  Gets repetitive.

Bedtime for Democracy                  4

     Without question the worst DKs album, IMO.  Boring, repetitive, only
     a few bright points.  This was done basically after they decided to
     break up, which makes me wonder if they were throwaway songs.

Give Me Convenience or Give Me Death  10

     Posthumous compilation by Biafra of singles, rarities and unpublished
     stuff.  Great from beginning to end.



Also, if you like Biafra and DKs, you MUST find _The Witch Trials_ which was
Biafra, East Bay Ray (of DKs) and a couple other guys.  Excellent
ambient/industrial/weird stuff...  try it out.  Bought it at a record show for
$4 and LOVED IT.

-- 

+-| Paul M. Lewis |---------------------------------------+-- Looking for: --+
|'Never could be any other way.'            -The Beatles  | 6 Secs in Dallas |
|'You should be with us, feeling like we do -Perry Farrell|   by J. Thompson |
| like you love to, but never will again.'                | Cover Up         |
|'You never had the answers!'               -Ministry     |   by Gary Shaw   |
|'You can't be what you were.'              -Fugazi       | Zapruder 16mm    |
Newsgroups: rec.music.misc,alt.rock-n-roll,alt.rock-n-roll,alt.rock-n-roll.metal,alt.rock-n-roll.metal.heavy,alt.music.alternative
From: tsdavies@rodan.syr.EDU (Real life?  Ha!)
Subject: Re: Rec.music.lyrics
Followup-To: rec.music.misc
In-reply-to: mepstein@csws15.ic.sunysb.edu's message of Thu, 2 Apr 1992 20:31:54 GMT
Organization: Sam Hill Cabal, DS
	<1992Apr2.203154.21783@sbcs.sunysb.edu>
Date: Wed, 8 Apr 92 03:06:18 EDT

[NOTE: Followups reset to rec.music.misc.]

In article <1992Apr2.203154.21783@sbcs.sunysb.edu> mepstein@csws15.ic.sunysb.edu (Not On Our Customer File) writes:

> I see so much of the music newsgroups being filled with lyrics
> what do you all think of Rec.music.lyrics
> just an idea

Seems like you could run into some major problems with copyrights
here.  Remember that everytime you see lyrics listed on an album
sleeve or in a CD booklet, somewhere in the fine print you'll notice a
line like: "Lyrics reproduced by permission of <some company>."

What's wrong with the FTP site?  (cs.uwp.edu (131.210.1.4))

--
	Sam Hill Cabal, DS		   tsdavies@mailbox.syr.edu
"It don't matter, Sail, ... Could be worse.  The fam'ly might be donatin' the
proceeds to the Cath'lic Church, or the Mormons or somethin'.  One cult's the
	same as another." -- Lula Pace Ripley, in "Consuelo's Kiss".
Newsgroups: rec.music.misc
From: aa561@cleveland.Freenet.Edu (Bob Nekic)
Subject: The Beloved
Reply-To: aa561@cleveland.Freenet.Edu (Bob Nekic)
Organization: Case Western Reserve University, Cleveland, OH (USA)
Date: Thu, 9 Apr 92 01:26:44 GMT



Whatever happened to The Beloved? 
Their 'Happiness' album is one of my favorites but I haven't seen hide
nor hair of them since!


-- 
     "Poison them, drown them, bash them on the head!"  -Cruella De Vil
                                                         101 Dalmations
                                       
                 [aa561@cleveland.freenet.edu]    Bob Nekic  aa561
From: johnf@Auspex.COM (John Fereira)
Newsgroups: rec.music.misc
Subject: Re: Collins > Gabriel? (Was Re: he can't dance/he can't sing)
Date: 10 Apr 92 18:17:55 GMT
Organization: Auspex Systems, Inc.

In article <1992Apr10.163747.11441@crash.cts.com> jester@crash.cts.com (Ken Bibb) writes:
|In <-84tn1b@rpi.edu> toshj@vccsouth20.its.rpi.edu (Joseph T. Tosh) writes:
|
|>>Most of the above people would, when Phil Collins farted, applaud and
|>>call it high "art".
|
|>Hey, let's have a little common decency on here. Now, regardless of your opinion, you can make your pint without getting disgusting. All you do when you make statements like that is make people think less of your opinion because you don't even have the ability to state it in a decent manner. 
|
|This from the "man" who can't figure out how to write posts
|with the line breaks set at < 80 chars.

So what does that have to do with his opinion?  You just supported what
he was trying to say by attacking the format of his posting rather than
what he was saying.


-- 
+=============================================================================+
| John Fereira                Al Bundy for President          
| johnf@auspex.com         "He's as good as the next guy"                     |
+=============================================================================+
From: robs@bcstec.boeing.com (Robert Sipe)
Newsgroups: rec.music.country.western
Subject: Aaron Tippon's latest and the greatest
Date: 9 Apr 92 22:08:15 GMT
Organization: Boeing

I just picked up Aaron Tippon's latest cd.  It is a great album.  I kinda
thought that if all the songs were like "Nothing Wrong With My Radio" I 
probably wouldn't care much for it.  But it was on sale and decided to give
him a try.  He co-wrote all the songs.  I would describe his style as
he is as unique to C+W as Dwight Yoakum.  Both are country, both are great,
but both have a different sound.  Awwww, it is a poor description but the
best I could come up with.   Many thanx to the person who recommended his
work.

I would like to find out what C+W usnet'ers think of Chris Leduex.  He 
has a lot of albums out, but I can't recall ever hearing a song of his.
If anyone has any comments let um rip.
-- 

Robert Sipe
robs@bcstec.boeing.com
robs@dsp35001.ca.boeing.com
Newsgroups: rec.music.country.western
From: shenkin@avogadro.barnard.columbia.edu (Peter S. Shenkin)
Subject: Re: Hackneyed/cliches
Organization: Dept. of Chem, Barnard College, Columbia U, New York
Date: Thu, 16 Apr 1992 20:03:39 GMT

In article <33088@darkstar.ucsc.edu> indigo@ucscb.UCSC.EDU 
(Adam Schneider) writes:

>it would also be nice if there was a little less sexism in country
>music.  ...

You mean you didn't like Tammy Wynnette singing, "Don't Liberate Me, Just
Love Me"?  Funny -- it was always one of my favorites.

	:-),
	-P.
-- 
************************f*u*cn*rd*ths*u*cn*gt*a*gd*jb*************************
Peter S. Shenkin, Department of Chemistry, Barnard College, New York, NY 10027
(212)854-1418    shenkin@avogadro.barnard.columbia.edu   shenkin@cunixf.BITNET
********** "I've got algorithm -- who could ask for anything more?" **********
From: bh419@cleveland.Freenet.Edu (Ted B Samsel)
Newsgroups: rec.music.country.western
Subject: Re: Musical Tastes
Date: 9 Apr 92 15:34:20 GMT
Article-I.D.: usenet.1992Apr9.153420.1646
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)


I detect more than one type of BAD. The BAD I meant was in the
sense that the original meaning of the song is "innocuous" like
overly cheerful, chirpy,  and/or saccharinly maudlin.
  Then there is the "achieved" bad song that intends to be
outside the cattle pen, as it were. The Lounge Lizards, Kinky
(Ride'EM Jewboy) Friedman, Roadhog Moran (the alter-ego of the
Statler Bros *AT Johnny Mack Brown High School*), etc....
  The achieved bad song is indeed more of a genre than the first
type, but with "proper handling" even a good song can become a
real stinker of the first sort of BAD.
  (And with heavy metal choreography and histrionics, mediocre
material done by a pretty "face" can make mucho dinero.)
-- 
Ted....
Newsgroups: rec.music.country.western
From: force.ssd.lmsc.lockheed.com!marshall (Bob Marshall)
Subject: Re: Brooks and BMG music clubs
Reply-To: marshall@force.ssd.lmsc.lockheed.com
Organization: LMSC, Sunnyvale, California
Date: Mon, 13 Apr 92 00:13:42 GMT

In article <1992Apr11.215401.886@drycas.club.cc.cmu.edu>, auvers@drycas.club.cc.cmu.edu (E.M. Auvers) writes:
>Does anybody know why Garth Brooks' albums are no longer listed in either of
>BMG's music clubs?
>
>I'm finally getting to have an appreciation for country music (hey - the nick
>says it all, right?), I decide to buy a couple of his albums, and poof! 
>They're gone!

Did you check the pop music section? :-)
=============================================================================
Bob Marshall                     \\     
Lockheed Missiles & Space Co.     \\       "In my occupation
Sunnyvale, CA                      \\       There ain't no vacation
marshall@force.ssd.lmsc.lockheed.com\\      I'm a professional fool"
"I tell the truth 'cept when I lie"  \\
=============================================================================
From: "steve waller" <steve.waller@canrem.com>
Newsgroups: rec.music.country.western
Subject: toronto top ten
Date: 10 Apr 92 23:50:40 EST
Reply-To: "steve waller" <steve.waller@canrem.com>
Distribution: rec
Organization: Canada Remote Systems

As per someone's request...here's the Top Ten from Country 59 (Toronto
area AM station), and the Toronto SUN for the chart week starting
Sunday April 5th, 1992  (sorry too lazy to type in entire Top 40).

1. Reba - Is There Life Out There? (3)
2. Alabama - Born Country (2)
3. Wynonna Judd - She Is His Only Need (4)
4. Alan Jackson - Dallas (1)
5. Billy Dean - Only The Wind (6)
6. Dwight Yoakum - It Only Hurts When I Cry (8)
7. Lorrie Morgan - Except For Monday (7)
8. Suzy Bogguss - Outbound Plane (9)
9. Vince Gill - Take Your Memory With You (10)
10. John Anderson - Straight Tequila Night 5)

Pick Hit of the Week: Michelle Wright - Take It Like A Man

Of interest...all Top Ten records were also Top Ten (but different
order) the previous week.  Previous week shown in brackets after title.

Steve
---
  DeLuxe 1.1 #1665  If It Weren't For Country Music, I'd Go Crazy
--
Canada Remote Systems  - Toronto, Ontario/Detroit, MI
World's Largest PCBOARD System - 416-629-7000/629-7044
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
Newsgroups: rec.music.country.western
Subject: Re: Suzy Bogguss' "Aces"
Date: 11 Apr 92 05:34:41 GMT
Distribution: na



Well, I finally went out and bought _Aces_.  Suzy Bogguss does have a terrific
voice.  My only complaint would be that the album is a little ballad-heavy...
Needs more songs like "Outbound Plane" and "Yellow River Road."


Newsgroups: rec.music.country.western
From: bh419@cleveland.Freenet.Edu (Ted B Samsel)
Subject: Re: Musical Tastes
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Wed, 8 Apr 92 12:40:28 GMT


Here's a stinker:
  HELLO, I'M A TRUCK (and lest we forget)
  GIDDYUP GO, DADDY
 both by Red Sovine. These are much, much worse than SQUAWS ALONG
THE YUKON.
-- 
Ted....
From: thughes@lonestar.utsa.edu (Toby . Hughes)
Newsgroups: rec.music.country.western
Subject: Cliches/Hackneyed
Date: 16 Apr 92 20:34:53 GMT
Distribution: usa
Organization: University of Texas at San Antonio


Sexism in country music?  You mean like when the Forrester Sisters sing

"Men!
They buy you dinner and open your door,
Other than that what are they good for?"

T
From: templon@paramount.nikhefk.nikhef.nl (Jeffrey Templon)
Newsgroups: rec.music.country.western
Subject: Re: Lucinda Williams
Date: 5 Apr 92 10:54:06 GMT
Organization: NIKHEFK

GQ.JLS@forsythe.stanford.edu (Lynne Sinclair) writes:

>Can anyone offer opinions or descriptions of Lucinda Williams'
>music?  I heard her singing "Passionate Kisses" the other day on
>the radio and liked it a lot.  But I don't know anything about
>her.  How many albums has she made?  Opinions about the best album
>to get as an "introduction"?

>Thanks.

I can tell you a little.  She has an EP out called "Passionate
Kisses" which includes that song, plus about four others.
Three of these others are very much old folk-blues type songs,
accompanied only by acoustic guitar.  The other is a more
folksy, very nice song (again just Lucinda and guitars).
She has a great voice for all three kinds of music.
I know that there are some Lucinda Williams records on
Folkaways label from the late 70s, early 80s but it may
not be the same Lucinda Williams (although I expect so
since I think the folkaways stuff is Acoustic Blues.)

There was an Austin City Limits show awhile back that was
one-half Lucinda Williams, I was pretty impressed.

You can order her records (or almost any other records that
are any good to speak of) from Waterloo Records in Austin
Texas.  Ask to speak to Mona.  A very good place to get
obscure country, folk, and blues stuff, especially when
a Texas connection is involved.

					JT

ps - if anyone has tour dates OUTSIDE the US for cool artists,
please post them.  It is a little harder to get this info
now that I'm not living in reception distance of five
country radio stations any longer!
Newsgroups: rec.music.country.western