HDTenEightyP/NetNews huggingface dataset:
From: stuart@nynnexst.com (Rory Stuart)
Subject: Re: Jazz Education
Originator: stuart@eclipse
Reply-To: march@nynexst.com
Organization: NYNEX Science and Technology Center
Date: Tue, 29 Sep 92 18:49:12 GMT


In article <3201@tansei1.tansei.cc.u-tokyo.ac.jp>, hatori@tansei.cc.u-tokyo.ac.jp (Shisei FUJIWARA) writes:
|> 
|>      I'ld like to follow up on the recent discussion of "Where's the Jazz"
|> and ask the question "Where is the Jazz Educuation?"  In other words, is
|> Berklee still the place to go to learn how to play?  How about schools in
|> the NYC area such as: the New School, Manhatten School of Music, or
|> Long Island University at Brooklyn? (just heard about LIU recently).  I
|> haven't heard much about North Texas State lately, is its jazz program
|> going strong?  Are there any "jazz schools" in the bay area?
|>      Any comments, recommendations, or horror stories about these or other
|> university jazz programs would be appreciated.  Thank you.
|> 
|> Tom Landman
|> tom@hatori.t.u-tokyo.ac.jp
|>       

     From the perspective of a working jazz musician who didn't go through
any of these programs (but teaches in one of them:)

I am on the faculty of the jazz department at the New School, and my impression
of the program is very positive.  The faculty includes folks like Billy
Harper, Dave Liebman, Reggie Workman,  Joe Lovano, Jim Hall, Charli Persip,
and a whole lot of other excellent musicians.  At least as important,
there is a strikingly high level of musicianship and seriousness of purpose
in many of the students, who come from around the world, and I think the
experience of rehearsing and playing together in ensembles with the
other students is quite valuable.

This is my first year on the faculty (I am a jazz guitarist and composer,
and am teaching the core rhythmic analysis/advanced rhythmic analysis
classes), but I've taught there quite a bit for the last few years,
subbing for the drummer in my quartet, Keith Copeland.  As tough a thing
as the music business is in terms of jazz, I think there are some students
going through the program who are going to make it to a level where people
in this newsgroup will be aware of them.

Although I've taught a clinic at Berklee, and have friends involved in
the other programs you mentioned, I'll limit my comments to the New
School, with which I have more first-hand experience.  But I will point
out that there are other programs around that you didn't mention, such
as New England Conservatory, Bennington College, etc... In fact, there
are some lesser known programs that are turning out very strong musicians --
a week ago, I played some gigs around Richmond/Charlottesville Virginia,
and one of the musicians I played with was a very happening acoustic
bassist who is a student at Virginia Commonwealth University.

But if you are looking for a high level of fellow student and excellent
jazz musicians on the faculty, the New School program is definitely
worth considering.

Rory Stuart
From: zorro@picasso.ocis.temple.edu (John Grabowski)
Newsgroups: rec.music.bluenote
Subject: Re: Who does Sing, Sing Sing with Gene Krupa?
Date: 28 Sep 92 01:45:11 GMT
Organization: Temple University
X-Newsreader: Tin 1.1 PL5

dtg@wvnvms.wvnet.edu wrote:
: Could someone email me the name of the band Gene Krupa was the drummer for?  It
: was around the 30's - 40's.  The band was one of the most popular bands of that
: time.  One of their hits was called "Sing, Sing, Sing."
: 
: It's been bugging me all day. someone asked about it and I haven't been able to
: remember the damn name.
: 
: Thanks.
: Dave


It was Benny Goodman's band, and the recording was made in the studio in 1937.
A far better performance, however, was recorded at Carnegie Hall the following
year, and if you're going to check the tune out, that's the one to get.

John
Newsgroups: rec.music.bluenote
From: jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas)
Subject: Re: Nichols (was Re: Anderson, Dennerlein, Rudd)
Organization: Bell-Northern Research, Richardson, Tx
Distribution: na
Date: Tue, 06 Oct 1992 14:56:11 GMT

In article <SMEHTA.92Oct6101619@kwela.nynexst.com>, smehta@kwela.nynexst.com (Sandeep Mehta) writes:
|> 
|> In article <4585@equinox.unr.edu> alan@sierra.unr.edu (Alan McKay) writes:
|> 
|> > Rudd talks ~alot~ about the late Herbie Nichols, and the influence
|> > Herbie had on Rudd's music.
|> 
|> Roswell Rudd did a large part of the liner notes to the Complete
|> Herbie Nichols on Blue Note box -- which is essential listening --
|> put out by Mosaic.
|> 
|> In addition, Rudd has been on at least one Lacy+Euro-improv date
|> doing Nichols/Monk. Unfortunately, Rudd was not on the all-Nichols
|> date CHANGE OF SEASON (Soul Note); fortunately, George Lewis fitted
|> in very well. I think George Lewis is also on the recent DUTCH
|> MASTERS disc also on Soul Note with almost the same personnel (Lacy,
|> Lewis, Mengelberg, Bennink, maybe Gorter?) plus Ernst Reijseger on
|> cello.  Heard a couple of cuts on the radio a while back and it
|> sounds very good. It's really too bad that few American groups, Geri
|> Allen being one exception, focus on musical genius of Herbie Nichols.
|> 
|> /sandeep
|> --
|> smehta@nynexst.com
|> --
|>                "Why do you compose atonally? You've got talent!"
|>                  -- Strauss to Hindemith, Donaueschingen, 1921.

Don't the liner notes to CHANGE OF SEASON ponder on what Nichols'
music would sound like with a larger ensemble (orchestra)?  I love
CHANGE and have always wondered what the ICP's takes on Monk/Nichols 
are like.

Anybody got 'em?
From: cczanj@vax.nott.ac.uk (Andy Jack)
Newsgroups: rec.music.bluenote
Subject: Re: Joy Spring by Clifford Brown
Date: 6 Oct 92 12:45:01 GMT
Reply-To: cczanj@vax.nott.ac.uk (Andy Jack)
Organization: University of Nottingham, UK

In article <1992Oct5.152450.20368@PA.dec.com>, austin@decisv.ucs.dec.com (Cathy Austin) writes:
>I'm in the process of learning "Joy Spring" on the piano.  Does anyone know 
>any artists that have recorded this tune?  I know he did it with Max Roach
>but I can't seem to find it in the record or CD bins.

There's a version by a Gil Evans band on one of the Pacific Jazz albums -
"Old Wine, New Bottles" or "Great Jazz Standards", I forget which. The original
Roach/Brown quintet was on Mercury records here, and is hard to beat.

	Cheers,
	Andy
Newsgroups: rec.music.bluenote
Subject: Re: Magic Slim and the Teardrops - Info requested !
From: <MCD2@psuvm.psu.edu>
Date: Sun, 4 Oct 1992 19:41:27 EDT
Organization: Penn State University

here's the Magic Slim info you were looking for:

  Raw magic (Alligator ALCD 4728)


  --Mark Detweiler
Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: Joy Spring by Clifford Brown
Date: Tue, 6 Oct 1992 21:41:59 GMT
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Fort Collins Site
X-Newsreader: TIN [version 1.1.2 PL6]

: Brown/Roach      Clifford Brown & Max Roach        EmArcy         814 645-2
: Roach/Brown      Daahoud                           Mobile Fidel.  MFCD 826

I have a CD reissue of what I am pretty sure was an LP originally (as opposed
to a compilation) that has "Joy Spring".  The reissue is called, I am pretty
sure, "A Study In Brown".  I don't know if this is the same recording as either
of the above or not.  It has Harold Land on tenor, and they also do Sandu" and
"Cherokee".

There is also an interesting version of "Joy Spring" on an Oscar Peterson album
recorded live at Newport shortly after Brownie's death.  They do it as a very
slow swing, almost a ballad.  The first side of this album, with Ray Brown on
bass and Herb Ellis on guitar, is wonderful, I think.  "Joy Spring" is on this
side.  The second side is a generic Newport jam with Roy Eldridge, Sonny Stitt,
and Jo Jones added to group, and is almost completely forgettable, except for a
nice Bird-like "Autumn In New York" by Stitt on alto.  Bird had also just died,
I believe, when this was recorded - around '56 I guess.

--
Marc Sabatella
marc@hpmonk.fc.hp.com
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: MINGUS favs.
Organization: Educational Computing Network
Date: Tue, 6 Oct 1992 22:58:54 GMT

I like Mingus Presents too.  That is probably my all time favorite.  It
has to go down in history as one of the legendary jazz performances.
I think Dolphy and Curson do very well on What Love on the Antibes
concerts.  

I also like the version of Fables on the Mingus In Europe recordings on
Enja.  Dolphy and Mingus play a duet that sounds like a conversation. 

I like Cumbia and Jazz Fusion.  For a while that was the last album that
Mingus played bass on, but I think that there has since been one
released from a later date.

Jeff
From: hsu@walnut.sfsu.edu (William Hsu)
Newsgroups: rec.music.bluenote
Subject: Re: Rova in Chicago
Date: 6 Oct 92 23:25:01 GMT
Reply-To: hsu@walnut.sfsu.edu

In article <BvpC99.2Dp@uxa.ecn.bgu.edu>  writes:
> Saw Rova last weekend in Chicago as part of the New Music festival.
> I already have two Rova albums, so I knew how good they are.

I saw ROVA, Fred Frith and Bob Ostertag at the Great American Music
Hall a couple weeks ago. ROVA started with a shorter piece with
their trademark skewed interlocking grooves which was a blast. The
second piece in the set was When THe Nation Was Sound, which Jeff
Beer also heard, and which I thought was one of Larry Ochs longer
and more meandering pieces.

Then Frith and Ostertag performed a short free improv set. Frith was
mainly in his guitars-on-the-table bag; good to see him return to this
after Naked City-ing. Ostertag is one of very few improvising keyboardists
(as in non-piano) whom I can stand, and did some wild tricks with his
sampler. He also played what various net people were calling a "Virtual
Theremin" or "Buchla lightning"; whatever it is, I want one.

Then various subgroupings of Frith, Ostertag and ROVA played short
improvisations, and all six assembled to close out the evening. Frith
was a riot near the end, parodying ROVA's handsignals.

Lots of netters in attendance: Malcolm Humes, Dan Plonsey, Seth Katz,
Niels Mayer...

Bill
Newsgroups: rec.music.bluenote
From: matti@bion.kth.se (Matti Rendahl)
Subject: Charlie Parker - looking for the DIAL material on CD
Organization: CVAP/NADA, Royal Institute of Technology, Stockholm, Sweden
Date: Sun, 4 Oct 1992 16:04:51 GMT


Anybody knows if this is available? Record company etc?

Matti

------------------------------------------------------------------------------
Matti Rendahl                   matti@bion.kth.se               +46 8 790 7224
            Computational Vision and Active Perception Laboratory
    CVAP/NADA, Royal Institute of Technology, S-100 44 Stockholm, SWEDEN
From: alan@sierra.unr.edu (Alan McKay)
Newsgroups: rec.music.bluenote
Subject: Roswell Rudd (was Re: Ray Anderson and Barbara Dennerlein)
Date: 5 Oct 92 21:46:45 GMT
Reply-To: alan@wrc.unr.edu (Alan McKay)
Distribution: na
Organization: Desert Research Institute, University of Nevada

In article <sjones.717439500@cunews> sjones@alfred.carleton.ca (Stan Jones) writes:
>I am with Bill Hery on the issue of Ray Anderson.  I tolerate
>Dennerlein's not really very interesting organ (personal taste IS difficult
>to account for) for Ray's trombone.  
>
>I did want to mention in this context that the September Atlantic has
>an article on Roswell Rudd, a tromboneist whose style is more similar
>to that which Anderson uses than to the J. J. Johnson style.  Rudd, it
>seems, is now playing in the Catskills in a house band at a resort.

Someone mentioned the Atlantic article a few weeks ago, and I picked up
a copy in the airport. For you Rudd fans (or for anyone wishing to know
more about what he's up to these days) the October issue of Cadence has
a very lengthy interview with Roswell, which will be continued in their
November issue. I finished the Atlantic article somewhat depressed, and
felling sorry for Rudd. However, the Cadence interview suggests that he
is pretty well-adjusted to his current status as a "Borscht-Belt 
Trombonist", and he doesn't seem to be spending alot of time feeling
sorry for himself. Another interesting aside to the Cadence interview is
that Rudd talks ~alot~ about the late Herbie Nichols, and the influence
Herbie had on Rudd's music.

...al
Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Re: Alabama
Organization: Brotherhood Of Breath
Date: Wed, 30 Sep 1992 16:44:07 GMT

gwl@wavetracer.com writes:
>I believe the first appearance was on "Live at Birdland" on Impulse,
>though it has shown up on subsequent live releases and various
>compilations.  

Yes, it's on BIRDLAND (which is only half-live, half-studio, by the
way) and also on the two-fer compilation THE GENTLE SIDE OF...  which
was re-released on CD (minus one track, I believe).

However; the BIRDLAND version is really spliced up from what sounds
like two distinct takes; a slow, meditative solo, followed by the
quartet in a faster tempo, followed by a reprise of the first part.
On THE GENTLE SIDE you get only the slow solo, once.

>An exquisitely beautiful tune.

Yes, yes, yes.


--Gidi
Organization: The American University - University Computing Center
Date: Mon, 5 Oct 1992 22:50:23 EDT
From: <MGREENE@auvm.american.edu>
Newsgroups: rec.music.bluenote
Subject: Re: Joy Spring by Clifford Brown
 <1992Oct5.232724.1805@morrow.stanford.edu>

original and best version reissued on Compact Jazz (CD) 842 933-2.
also recorded by Manhattan Transfer Atlantic (vinyl) 7 81266-1.
Newsgroups: rec.music.bluenote
From: templon@paramount.nikhefk.nikhef.nl (Jeffrey Templon)
Subject: NC: I agree (was: Re: A Suggestion for an Experiment ...)
Organization: NIKHEFK
Date: Tue, 6 Oct 1992 13:01:56 GMT

sue@seada.com (Sue Raul) writes:

>The only thing we need to do is remember to _use_ the Subject line
>conventions.  A periodic (monthly) post informs newcomers
>of the convention. (I suppose someone posts this monthly reminder and we'd
>need a volunteer.  I can't volunteer, sorry.)

I can't volunteer either, but I will agree to abide by the Bluenote
Convention on Subject Line as stated in the Sue Raul proposal.
A GREAT IDEA.  Best one I've heard yet.

					JT
Newsgroups: rec.music.bluenote
From: jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas)
Subject: Bley,Surman,Frisell,Motian
Organization: Bell-Northern Research, Richardson, Tx
Date: Wed, 30 Sep 1992 15:29:34 GMT

How are the quartet albums by these guys on ECM?

Songs covered include numbers by (I think) everyone in
the group.  One of them has "Closer" and "Seven" by 
Bley.
From: milliken@scofield.Corp.Sun.COM (Gary Milliken)
Newsgroups: rec.music.bluenote
Subject: Re: Akiko Yano and Pat Metheny Discography
Date: 29 Sep 92 17:45:16 GMT
Organization: Sun Microsystems, Mt. View, Ca.
NNTP-Posting-Host: scofield.corp.sun.com

In article <1992Sep29.153810.25852@xyzoom.info.com> rob@xyzoom.info.com (Rob Lingelbach) writes:
>In article <3144@tansei1.tansei.cc.u-tokyo.ac.jp> hideo@tansei.cc.u-tokyo.ac.jp (KANNO Hideo) writes:
>
>>    By the way,  I'm wondering whether Metheny's US tour in this autumn is
>>as "New Pat Metheny Group" or yet another Metheny's project than Metheny 
>>Group.  Since one of my friend is seriously afraid that Lyle Mays is not 
>>joining this tour.  If someone knows, please tell me which is right.
>
>Was there any response to this query?  I, too, would like to know who
>is accompanying PM on the current tour.  I have tickets to the show
>here in Hollywood October 15.  Pat played the keyboards on Secret
>Story; does this mean Lyle Mays isn't on the tour?
>

I will be seeing the "group" in Northern California a week before you will.
The tickets just say "Pat Metheny" on them, which is probably the best choice
of wording, because the words "Pat Metheny Group" would directly imply to
long-time fans that Lyle Mays would be there.  He will not.  (And by the
way, as I recall, Pat only played keyboards himself on one or two tunes
from the new album.)  There will be a full-sized group with him, however,
including a keyboard player, another guitarist, and so on -- I don't
remember the names of those two players, because their names were not
familiar to me when I heard them earlier.  I'm pretty sure that Steve
Rodby and Paul Wertico will be along, as will Armando Marcal (spelling?).
Newsgroups: rec.music.bluenote
From: rayc@tara.SanDiego.NCR.COM (Ray Cole)
Subject: Re: New Steve Lacy
Reply-To: rayc@tara.SanDiego.NCR.COM (Ray Cole)
Organization: NCR Corporation, Rancho Bernardo
Date: Sat, 26 Sep 1992 01:59:28 GMT

In article <1992Sep23.221734.1012@CSD-NewsHost.Stanford.EDU> gidi@Hilbert.Stanford.EDU (Gidi Avrahami) writes:
>Paul.Heroy@bbs.oit.unc.edu (Paul Heroy) writes:
>>I noticed a couple of recent Steve Lacy recordings in the store recently,
>>one with Mal Waldron (don't remember the title) and The Steve Lacy Sextet
>>Live at Sweet Basil.
>
> [...]
>Having seen the Sextet on that tour (last summer) I'd recommend that
>album most urgently, as well as all the other sextet records -- The
>Gleam, Anthem, Momentum, The Door...
>
>
>--Gidi (the only person in the world other than Mr. Lacy who likes
         ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
>        Irene Aebi's voice)
         ^^^^^^^^^^^^^^^^^^

Not true!  I *love* Irene Aebi's voice!  Which is precisely why I was
disappointed with the Steve Lacy Sextet Live at Sweet Basil's recording:
Irene only sings on a couple (2? It's been a while since I listened to this
album) of the tracks.  For Lacy/Aebi fans, I highly recommend the Hat-Art
albums "Songs", "Futurities Part I" and "Futurities Part II", especially
"Futurities Part I".

				-Ray
				 Ray.Cole@SanDiego.NCR.COM

Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Subject: Re: Joy Spring by Clifford Brown
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Wed, 7 Oct 1992 02:27:33 GMT

In article <Bvpyy0.H81@fc.hp.com>, mjs@fc.hp.com (Marc Sabatella) writes:
>: Brown/Roach      Clifford Brown & Max Roach        EmArcy         814 645-2
>: Roach/Brown      Daahoud                           Mobile Fidel.  MFCD 826
>
>I have a CD reissue of what I am pretty sure was an LP originally (as opposed
>to a compilation) that has "Joy Spring".  The reissue is called, I am pretty
>sure, "A Study In Brown".  I don't know if this is the same recording as either
>of the above or not.  It has Harold Land on tenor, and they also do Sandu" and
>"Cherokee".
>--
>Marc Sabatella
>marc@hpmonk.fc.hp.com

This sounds like STUDY IN BROWN (EmArcy 814 646-2).  Although SIB has 
versions of "Cherokee" and "Sandu" on it (as well as "Jacqui", "Swingin'", 
"Lands End", "George's Dilemma", "Gerkin For Perkin", "If I Love Again" and 
"Take The A Train"), and features Harold Land (and George Morrow and Richie 
Powell), it doesn't have a version of "Joy Spring" on it, however.  Maybe 
EmArcy put out two CDs called STUDY IN BROWN?

-Lynn

< R. Lynn Rardin (rardin@auriga.rose.brandeis.edu)  >
< Rosenstiel Basic Medical Sciences Research Center >
< Brandeis University, Waltham, MA 02254-9110       >
Newsgroups: rec.music.bluenote,rec.music.misc
From: tesar@tigger.cs.Colorado.EDU (Bruce Tesar)
Subject: Re: Review: Pat Metheny "Secret Story" Tour in Denver
Organization: University of Colorado, Boulder
Date: Sun, 4 Oct 1992 21:53:16 GMT

In article <1992Oct2.005751.23101@mnemosyne.cs.du.edu> canderso@nyx.cs.du.edu (Chuck Anderson) writes:
>
> ... appropriately enthusiastic review deleted ...
>
>This made me miss the first song, so I don't 
>know how they reproduced the Cambodian Choir.  I guess they were digitized 
>and on somebody's sampler?
>
    Actually, they didn't reproduce the sound of the Cambodian Choir;
the vocalists in the group (Blamires and Ledford) did the vocals. They
did a great job of capturing the spirit and tone of the piece (I wonder
if they actually learned some cambodian to perform that).

Bruce
-- 
Bruce B. Tesar                    Internet:  tesar@cs.colorado.edu
Computer Science Department
University of Colorado at Boulder 
Boulder, CO  USA  80309-0430
Newsgroups: rec.music.bluenote
From: smehta@kwela.nynexst.com (Sandeep Mehta)
Subject: Re: Roswell Rudd (was Re: Ray Anderson and Barbara Dennerlein)
Reply-To: smehta@nynexst.com
Organization: Speech Technology, AI Lab, NYNEX S&T Inc, White Plains, NY
	<1992Sep25.024104.3084@cbnewsl.cb.att.com>
	<1992Sep25.134653.2585@ccu.umanitoba.ca> <sjones.717439500@cunews>
	<4585@equinox.unr.edu>
Distribution: na
Date: 6 Oct 92 10:16:19


In article <4585@equinox.unr.edu> alan@sierra.unr.edu (Alan McKay) writes:

> Rudd talks ~alot~ about the late Herbie Nichols, and the influence
> Herbie had on Rudd's music.

Roswell Rudd did a large part of the liner notes to the Complete
Herbie Nichols on Blue Note box -- which is essential listening --
put out by Mosaic.

In addition, Rudd has been on at least one Lacy+Euro-improv date
doing Nichols/Monk. Unfortunately, Rudd was not on the all-Nichols
date CHANGE OF SEASON (Soul Note); fortunately, George Lewis fitted
in very well. I think George Lewis is also on the recent DUTCH
MASTERS disc also on Soul Note with almost the same personnel (Lacy,
Lewis, Mengelberg, Bennink, maybe Gorter?) plus Ernst Reijseger on
cello.  Heard a couple of cuts on the radio a while back and it
sounds very good. It's really too bad that few American groups, Geri
Allen being one exception, focus on musical genius of Herbie Nichols.

/sandeep
--
smehta@nynexst.com
--
               "Why do you compose atonally? You've got talent!"
                 -- Strauss to Hindemith, Donaueschingen, 1921.
Newsgroups: rec.music.bluenote
From: tesar@tigger.cs.Colorado.EDU (Bruce Tesar)
Subject: Re: Akiko Yano and Pat Metheny Discography
Organization: University of Colorado, Boulder
Date: Wed, 30 Sep 1992 21:04:46 GMT

In article <1992Sep29.153810.25852@xyzoom.info.com> rob@xyzoom.info.com (Rob Lingelbach) writes:
>
...
>I, too, would like to know who
>is accompanying PM on the current tour.  I have tickets to the show
>here in Hollywood October 15.  Pat played the keyboards on Secret
>Story; does this mean Lyle Mays isn't on the tour?
>
>-- 
>Rob Lingelbach KB6CUN | 2660 Hollyridge Dr LA CA 90068 213 464 6266 (voice) 
>rob@xyzoom.info.com   | "I care not much for a man's religion whose dog or 
>robl@netcom.com       |  cat are not the better for it."  --Abraham Lincoln

    I saw Pat Metheny in Denver last night. Great Show!

    They performed mostly music from "Secret Story", with some older
PMG songs thrown in as well. As Pat himself explained, much of the music
was originally written for much larger ensembles, so he had to compile a
band of extremely versatile musicians to pull it off live. Well, he
succeeded.

Here is the lineup:

                Pat Metheny : Guitars
          Torsten de Winkel : Guitars
              Gil Goldstein : Keyboards
                  Jim Beard : Keyboards
                Steve Rodby : Bass
               Paul Wertico : Drums
             Armando Marcal : Percussion
             David Blamires : Vocals, percussion, horns, you-name-it
               Mark Ledford : Vocals, percussion, horns, you-name-it

    Blamires and Ledford were amazing, covering vocals, various percussion,
trumpet and trombone (even solos!), anything you can think of. And all very
well.

    Just to emphasize, Lyle Mays is not on this tour. But Goldstein and
Beard do a good job. See this group if you get the chance.

Bruce
-- 
Bruce B. Tesar                    Internet:  tesar@cs.colorado.edu
Computer Science Department
University of Colorado at Boulder 
Boulder, CO  USA  80309-0430