HDTenEightyP/NetNews huggingface dataset:
From: jpmakela@klaava.Helsinki.FI (J Pekka Makela)
Newsgroups: alt.guitar
Subject: Re: Gibson Explorer
Date: 8 Nov 92 23:18:35 GMT
Organization: University of Helsinki
X-Newsreader: TIN [version 1.1 PL6]

The Total Package (wangaj2@sage.cc.purdue.edu) wrote:
> Hi all, 
> 
> I'm getting that strange urge to get myself another guitar.  In fact,
> that urge is telling me, "get an explorer... get an explorer..."
> 
> The only problem is, I only know two things about the explorer.  James 
> Hetfield plays on one, and that it is a beautiful axe in an ugly type of
> way (hmm... did that make sence?)

	Hetfield plays in fact an ESP shaped like an Explorer. His has
	EMG pu's, so it sounds like a guitar with EMGs.

> 
> Anyway, I was hoping that some kind soul in net land could give me some info
> on the guitar.  Any info would be good.  Like, is it a good guitar,  how much 
> does it cost,  what type of tone does it have, what pick ups does it have
> etc...
	
	Gibson Explorer was originally one of the guitars Gibson
	released in late 50's to prove themselves modern (others
	were the Flying V and the Moderne). Originally, it had 
	a fishtail-like headstock (bit like some Robin guitars):
	the designer used to draw automobiles. It did not gain 
	much popularity, and very few were actually made. In 
	early sixties Gibson released a kind of toned-down version
	they named the Firebird. Then, somewhere during the seventies
	Explorer was reissued with the familiar hockey-stick-like
	headstock and had much more success.

	I havend actually played one amplified, but the ones I've
	seen have had quite wide and flat fingerboard. Basically,
	that would make it perfect for slide, but the headstock shape
	makes me very suspicious about putting in heavy strings: *I*
	would not bet for its structural stability.

	Originals were made of solid mahogany, both the body and the
	neck, but I've seen ones made of lighter coloured wood.

	As far as I know, it's pretty good a guitar. However, the 
	body shape associates itself into heavy metal, so other players
	seem to avoid these.

> 
> Also, can someone play all types of music on it, or is it pretty much a 
> metal abomination from hell type of guitar.

	While most of the people don't know it, the Edge used an
	Explorer though most of the early career of U2; he bought
	a Strat sometime between "War" and "The Unforgettable Fire".
	
> 
> Thanks for all your help.
> 
> Oh yeah, in case anyone is interested, I play all sorts of stuff.  From 
> shred metal all the way to classical, with a heavy emphasis on the blues.  SRV
> is GOD!!!!
> 
> Always play from the heart man.  
> 
> Peace,
> 
> --AW

						-jPM
From: DAHUGH@LIVERPOOL.AC.UK
Newsgroups: alt.guitar
Subject: patches required
Date: 9 Nov 92 15:54:09 GMT
Organization: University of Liverpool

Dear everybody.
Could anyone provide me with a sitar sounding patch for an
Alesis Quadraverb GT?Also something to simulate an acoustic gtr. would be
usefull.Any help would be extremely usefull 'cos I'm stuck.The guitar is
an Ibanez RG560 if that is any use.Thanks.
Dave.
Newsgroups: alt.guitar
From: eoates@us.oracle.com
Subject: DSP RP-1 inquiry
Organization: Oracle Corporation, USA
Date: Fri, 6 Nov 1992 17:23:03 GMT
X-Disclaimer: This message was written by an unauthenticated user
              at Oracle Corporation.  The opinions expressed are those
              of the user and not necessarily those of Oracle.

Has any out there in NetLand (tm) got a DSP RP-1 effects unit?  I'm considering
replacing my old Boss effects (digital delay, chorus, and Heavy Metal
Distortion Pedal) with something more integrated, and the RP-1 seems to fit the
bill.  I'm not particularly interested in a rack unit, but I could be
persuaded.  The RP-1 seems to have all of the required effects (various
distortions, reverb, digital delays, speaker simulations, chorus, flange,
phase, compressor,etc.) in a convenient and rugged floor unit (the stomp 
pedals and effects are integrated into a single unit).

If anyone out there has one, or considered one and rejected the idea, I'd
appreciate your comments via email.  I'll post a synopsis of any and all
information I receive.
-- 
Ed Oates (my opinions, not Oracle's)
 
*** Holy ozone, Batman, what a sunburn! ***
From: ssivakum@ptdcs2.intel.com (Sam Sivakumar)
Newsgroups: alt.guitar
Subject: Re: van halen's variac
Date: 10 Nov 92 21:23:29 GMT
Organization: Intel Corporation -- Aloha, Oregon

In article <BxI0Dw.9w7@dcs.glasgow.ac.uk> dam@dcs.glasgow.ac.uk (David Morning) writes:
>drp40@cd.amdahl.com (Doug Puchalski) writes:
>
>>Excuse me, but a variac *decreases* input voltage, correct?  By decreasing
>>input voltage you lower the amplitude at which clipping and distortion occurs.
>
>Excuse me, but you don't know what your talking about.
>Variacs often range from 0% to 120% of the incoming line voltage, so yes you
>can decrease the voltage, but there is an option of increasing it by up to
>20%.
>
	The correct name for a "variac" is "autotransformer".  "Variac" is
just a trade name that has become synonymous with the device.  
	A normal transformer has a primary coil and a secondary coil wrapped
around a core.  A voltage can be applied to the primary and the voltage     
appearing at the secondary by magnetic induction is the primary voltage 
multiplied by the ratio of the secondary coil turns to the primary coil
turns.  The advantage of the normal transformer is electrical isolation of 
the secondary to the primary.  The disadvantage is that the output voltage
is not variable.  A certain measure of improvement can be achieved by providing
multiple taps on the secondary coil, but still only discrete steps of voltage
can be obtained.
	An autotransformer has only one coil and no core.  It looks somewhat
like this:
			\
			/
		--------\
	    primary	/ <------------
			\
			/      secondary
			\
		--------/---------------

	As you can see, the secondary tap is continuously variable and can
be set to any voltage from zero to whatever the heck you want.  Typically, 
the primary tap is about 3/4 of the way along the coil, so you can get up to
about 1.2 to 1.5 times the primary voltage on the secondary, although I have
seen autotransformers up to 2xprimary voltage.  The disadvantage is obviously
a lack of electrical isolation.
	All this can be found in a basic book on electricity or electrical 
machines.  
	Now, let us discuss how much louder an amp that goes up to 11 is
than one that only goes up to 10.
 
-- 
Sam Sivakumar		    |  Killer shrew, killer shrew,
ssivakum@ptdcs5.intel.com   |  K-I-L-L-ER Shrew !
From: jensen@neocad.com (Jeff Jensen)
Newsgroups: alt.guitar
Subject: Re: Tube Emulator
Date: 11 Nov 92 19:08:17 GMT
Organization: NeoCAD, Inc.

>   Yeah, but it's the same thing when you are talking about amplifying
>   	analog signals.
>      A tube amplifier must change its output voltage to match the input
>      changes. Since the changes are in cycles per second the faster the cycles--
>      (the higher the frequeny)--the greater the slew rate.


Not entirely true. It depends on signal magnitude AND frequency:

Ex.   v(t) = 100sin(2*pi*60*t)  (something like powerline AC)

      dv/dt = 2*pi*60*100cos(2*pi*60*t)

      dv/dt|max = 2*pi*60*100 = 37,700 v/s  cos(0)=1


      v(t) = .1sin(2*pi*60,000*t) (60Khz, .1 V)

      dv/dt = 2*pi*60,000*0.1cos(2*pi*60,000*t)

      dv/dt|max = 2*pi*60,000*0.1 = 37,700 v/s cos(0) = 1


      Two signals, one 60Hz, one 60Khz, same slew rate. The key factor
      is frequency X voltage swing, not either one individually.

      Jeff Jensen
-- 
  Jeff Jensen   Neocad Inc.   2585 Central Ave.   Boulder, CO 80301
  (303) 442-9121 X116  Internet: jensen@neocad.com  UUCP: neocad!jensen
----------------------------------------------------------------------
"... watch from high atop Tokyo Tower as the twisted world you created
Newsgroups: alt.guitar
From: mic@ut-emx.uucp (Mic Kaczmarczik)
Newsgroups: alt.guitar
Subject: Re: Bloomfield Recommendations?
Keywords: Bloomfield
Date: 6 Nov 92 00:07:25 GMT
Organization: UT Austin Computation Center, Unix Services

In article <1992Nov04.132921.1342@bmerh85.bnr.ca> mleipe@bnr.ca (Mike Leipe) writes:
>Time to buy a new guitar CD!
>
>Can anyone recommend something that has what they consider
>to be some "essential" Mike Bloomfield guitar work on it?
>I've only heard a bit of him and I like what I've heard.

The first two Paul Butterfield Blues Band albums are essential.  My
favorite of the cuts on those albums is ``Work Song''.  Also, his
eponymous solo album, _Michael Bloomfield_ (might be _Mike
Bloomfield_), has some good stuff.  I really think his solo on
``Sloppy Drunk'' is hilarious, because it *sounds* like a drunk.  Hard
to describe, but I like it.  :-)

-- 
      Mic Kaczmarczik          \
       Unix Services           \      Yeah, I partied with Segovia.
 UT Austin Computation Center  \                           -- Les Paul
remark@{ccwf,emx,bongo} 1-0251 \
Newsgroups: alt.guitar
From: gyenese@caen.engin.umich.edu
Subject: Re: Ibenez Edge Trem System
Date: Thu, 12 Nov 92 04:51:02 EST
Organization: Complete lack of organization
Distribution: usa

In article <1dqgbvINN9q1@usenet.INS.CWRU.Edu> bt979@cleveland.Freenet.Edu (Jeff
Preston) writes:
>
>In a previous article, jgb@eng.auburn.edu (John G. Butterfield) says:
>
>>Anybody having problems with loose bars?
>
>>I've tightened it a million times and am feed up!  Any help would be
appreciated...
>
>  Mine is not adjustable; the bar's rotational tension on mine is 
>determined by the condition of two tiny nylon/teflon washers. When
>these wear out, the bar hangs limp at all times. It doesn't take long 
>for them to wear out, either: about 3 months of moderate playing on
>mine. After the first set wore out, I learned to live with it. I can't
>remember how much the guy at the music store said these cost (my first
>ones were replaced -- begrudgingly -- under warrantee), but they were
>more than I wanted to pay for every 3-4 months. 
>

Consider yourself lucky!  Mine seems to loosen up and hang limp in about
two weeks.

--John

Newsgroups: alt.guitar
From: knapik@mdd.comm.mot.com (Jim Knapik)
Subject: Arch tops vs Flat tops Recap
Organization: Motorola, Mobile Data Division - Seattle, WA
Distribution: na
Date: Fri, 13 Nov 1992 20:28:35 GMT

Thanks for the responses, let me see if I can regurgitate the 
info correctly.

- sound volume is proportional to the cavity of the guitar(body), bigger-louder
- thickness and density have an effect on the sustain, thicker-less sustain.
- bracing either X or parallel or some combination also effect sustain - I think

Why not just make a flat top with a large body and thick top to achieve the same
effect as an arch top with a thick solid top ? Seems easier to make.
Do the f-holes contribute to the total sound some how, and if so, why couln't you 
just put f-holes in the fictional thick topped flat top ?

Perhaps a reference to a good text might be easier than explaining this...




-- 
Jim Knapik
Motorola - Mobile Data Division
knapik@mdd.comm.mot.com
Newsgroups: alt.guitar,misc.wanted
From: 6o25@sdf.lonestar.org (Stephen M. Jones)
Subject: wanted: Dan ARmstrong info
Organization: Super Dimension Fortress - Public Access Unix - Dallas, Tx.. 
Date: Mon, 9 Nov 1992 00:20:12 GMT

I am looking for the number of the guy who bought up the old DA parts..
(new york) pleaes emai lme.

-- 
Stephen M. Jones (214)436-4622 
SysAdmin <-> Super Dimension Fortress PAU 
6o25@sdf.lonestar.org - "Put in a quarter and play road rally." - Descendents
From: darryl@berlioz.nsc.com (Darryl Williams)
Newsgroups: alt.guitar
Subject: Music Theory Book Recommendations
Date: 11 Nov 92 01:45:59 GMT
Distribution: usa
Organization: National Semiconductor Corporation


I am looking for a couple of books relating to music theory. I would like some- thing that not only covers basic theory put gets into building chord progressionthat are used in jazz. From the book(s) I would really like to get a SOLID       foundation on basic AND advanced chord progressions. Anyone out there in   	Netland have any suggestions/recommendations? Thanks In advance.																						Darryl Williams
From: dpm@msc.edu (David P. Mottaz)
Newsgroups: alt.guitar
Subject: Re: Power Soaks and Low Volume Overdriven tubes????
Date: 5 Nov 92 22:53:46 GMT
Organization: Minnesota Supercomputer Center, Minneapolis, MN

In article <1992Nov5.134719.4205@b15.ingr.com>, jay@b15.ingr.com (Jay Reeves) writes:
|> 
|> I've read a couple of articles and interviews with Eddie Van Halen where he
|> mentions using a variac to vary his line voltage to his amp so he can really
|> crank it for a good sound, but it's not terribly loud and there's not hardly
|> any risk of blowing the amp.  They also say "don't try this though, it can
|> be dangerous" as in, I guess, shocking the shit outta yourself.  Does anyone
|> know how he does this?  Can anyone tell me how to do it the way he does?
|> And no, I won't shock the shit outta myself, my profession is electronics,
|> but I'm not that bright to be SURE how to do it.

I own a variac.  It's an ugly 6" metal cube with a huge bakelite knob.  It
has two AC cords, male and female.  The knob is graduated 0-100% (outgoing
voltage from incoming voltage)  I used this with a Fender Bassman tube amp
for a while for live performances.  I had the variac set to 60% (about 66
volts AC going to the Bassman - also tested this voltage with a meter).

It pretty much worked.  I had the amp cranked, and it wasn't very loud.  It
was quite distorted.  The amps pilot light was pretty dim.  What I didn't
like is that the tone dimmed as well.  It lost a lot of sparkle and attack.
I stopped using it.


-David Mottaz
 dpm@msc.edu  (612)625-7589
 Minnesota Supercomputer Center Inc.
 Network and System Administration
 nsa@msc.edu
From: jamesp@eb5ts4.EBay.Sun.COM (James Pritchett)
Newsgroups: alt.guitar
Subject: *IBANEZ DESTROYER GUITAR FOR SALE**
Date: 10 Nov 92 21:38:47 GMT
Reply-To: jamesp@eb5ts4.EBay.Sun.COM (James Pritchett)
Distribution: ba
Organization: Sun Microsystems, Inc.  Mt. View, Ca.
NNTP-Posting-Host: eb5ts4.ebay.sun.com


    This guitar is the Ibanez version of Gibsons "Explorer"
    It is black with (3) humbuckers,includes large
    rectangular case. This guitar has a slimmer neck than
    the original "Explorer", no "buzzing" on any of the
    22 frets! They dont make them like this any more!
    1984 Def leapard model. * VERY HEAVY METAL *
             
                        $350.00---work (408)276-1627
                                  home (510)623-1431
                 
                                     James Pritchett
From: bk233@cleveland.Freenet.Edu (Jack W. Weinmann)
Newsgroups: alt.guitar
Subject: Re: van halen's variac
Date: 7 Nov 1992 14:31:55 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: bk233@cleveland.Freenet.Edu (Jack W. Weinmann)
NNTP-Posting-Host: slc10.ins.cwru.edu


In a previous article, dhi00@ccc.amdahl.com (mofo) says:

>i've read the same article regarding variac'ing an amp to a higher 
>line voltage.  it also said most if not all manufacturers frown on
>this.  it may not blow out the amp on the spot, but running it 
>higher than normal line voltage stresses the power supply by
>forcing higher heat dissipation.  this effectively reduces your
>mean time between failures meaning your amp will crash sooner
>than it should have.  
>
>but if youre van halen you just call marshall and tell them to
>ship another one.  i'm sure marshall is more than happy to
>oblige...
>
>d
>
As an electronic technician I must agree that this is NOT a good idea for
the average guitarist.
     First of all, when you overvoltage electronic equipment you take a 
chance on exceeding the ratings of the transformers, rectifiers, filter
capacitors, etc.....

     Second, many of the newer electronic devices have "safety related"
components which are rated for FIRE safety.  You may exceed the ratings on
these and burn out your amp.

     Third, van Halen has the kind of money to keep things like "spare
amps, etc...."  - DO YOU?

     Exceeding the ratings on any electric/electronic eqipment is
DANGEROUS!


Jack Weinmann
Newsgroups: alt.guitar
From: pquince@blacks.jpl.nasa.gov (Peter Quince)
Subject: For Sale GM-70/GK-1 Guitar Synth
Organization: Image Analysis Systems Group, JPL
Date: Tue, 10 Nov 1992 16:56:48 GMT

For sale for a friend:  GM-70 Midi Converter +
GK-1 Synth Driver, includes pickup of course,
contact Scott at 714 802 1221.

pq
--


Newsgroups: alt.guitar
From: larryh@cabezon.uucp (Larry Huntley)
Subject: Re: Bloomfield Recommendations?
Keywords: Bloomfield
Organization: Logic Modeling Inc of Beaverton Oregon
Date: Thu, 5 Nov 1992 21:07:32 GMT

In article <1992Nov04.132921.1342@bmerh85.bnr.ca> mleipe@bnr.ca (Mike Leipe) writes:
>
>Can anyone recommend something that has what they consider
>to be some "essential" Mike Bloomfield guitar work on it?
>I've only heard a bit of him and I like what I've heard.
>Please post.

    For early stuff, get "The Paul Butterfield Blues Band", where Bloomfield
    played slide and lead as a guest artist while Elvin Bishop played rhythm.

    For stuff that is more rock-like, try the "Super Session" album; it's has
    Al Kooper and Bloomfield on one side; Kooper and Steve Stills on the other.
    I don't know if this is available on CD; it's doubtful.

    And then there is "The Electric Flag", a rock/soul/funk/blues mixture that
    Bloomfield helped found.  He has a very contemporary sound here.

    There were other recordings between these and his death.  Perhaps some-
    one else can point you to those.  I kind of lost track of him.

    Good luck.
>
>p.s. How do I get a %#@&!! .sig on these suckers?!?

    Create a file named ".signature" in your home directory that contains
    what you want to say.  Most mailers will include it automatically if it
    exists.  Try and limit it to 4 lines or the guys in alt.fan.warlord will
    be all over you like ugly on an ape...

    Good luck again,

    - Larry Huntley

-- 
         (larryh@lmc.com)         |         --TALK.BIZARRE-- 
     Logic Modeling Corporation   |      The Suppurating Abcess
          Beaverton,  OR          | of the INTERNET - Dr. Donald Wildmon
From: fennig@Software.Mitel.COM (Kurt Fennig)
Newsgroups: alt.guitar
Subject: Re: Kings X guitar sound..
Date: 5 Nov 92 17:28:05 GMT
Organization: Mitel. Kanata (Ontario). Canada.
X-Newsreader: TIN [version 1.1 PL6]

cczdvh@unicorn.nott.ac.uk wrote:
: 
: Just a quickie. Ive not seen this mentioned in this group yet so, how or
: what gear does Ty Tabor use to get that FABULOUS sound. I know they multi
: layer like mad in the studio but.... what a beautiful noise. Any info on
: this ( and Doug P's setup too if poss) much appreciated.
: 
: Dave Valentine-Hagart.    


I read in a guitar mag featuring King's X:
Ty Tabor did not want to reveal his set-up to the interviewer.  He said
it was his secret set-up.  Unless your a roadie or a relative, I don't 
think you'll find out.

________________________________________________________________________
Kurt Fennig                MY OPINIONS ARE NOT SHARED BY MY EMPLOYER
fennig@software.mitel.com
___          ___
 __\    /|  |__
    \  / |--|
     \/  |  |

"I can't feed on the powerless, when my cup's already overfilled"
     - Cornell
________________________________________________________________________
Newsgroups: alt.guitar
From: butterwo@cs.tulane.edu (Blake Butterworth)
Subject: buzzing noise
Nntp-Posting-Host-[nntpd-14098]: babylon
Organization: Computer Science Dept., Tulane Univ., New Orleans, LA
Distribution: usa
Date: Wed, 11 Nov 1992 03:38:32 GMT


    Recently I've noticed that when I plug my guitar into my amp I can hear a
faint buzzing noise in the background.  The noise only occurs when I am -not-
touching something metal on the guitar (i.e. strings, bridge, tuners, etc.).
Could someone tell me what my problem is and how I can fix it?  Thanks

Blake
From: ricker@garfield.catt.ncsu.edu (Patrick Lyerly)
Newsgroups: alt.guitar
Subject: To: Alan Starr!
Keywords: Guitar: Carvin DC200
Date: 5 Nov 92 04:43:23 GMT
Distribution: alt
Organization: North Carolina State University



FOR SALE
--------

Carvin DC200 Guitar - neck through body, red, Kahler tremolo system, EMG active
                      pickup, 24 frets, stereo outputs, nice versatile guitar. 
                      Includes hardshell case. (These guitars now sell new for 
                      over $800 w/case - look it up in the latest Carvin
                      catalog!) Asking $300/bo

Alan Starr
starr@dpe.enet.dec.com
Digital Equipment Corp.
Tewksbury, MA
508-858-2308 work
603-464-3878 home



Are you still selling the guitar?

Please let me know.

Thanks,

RickeR

ricker@garfield.catt.ncsu.edu
Newsgroups: alt.guitar
From: bbs.cement@tsoft.sf-bay.org (Christopher Clement)
Subject: Re: GR700 MIDI query
Keywords: GR700, guitar, synthesizer
Organization: The TSoft BBS and Public Access Unix, +1 415 969 8238
Date: Sun, 8 Nov 1992 20:05:25 GMT

ingtest@monu6.cc.monash.edu.au (Mr M.A. Nolan) writes:

> I recently got hold of a third-hand Roland GR700/GR707 guitar synthesizer. 
> While I know this unit has several tracking problems, it's still pretty
> fun to use. I was a little dissapointed, however, that the MIDI support
> didn't include sending bender information to the remote synfs. It uses
> a stepped chromatic scale that sounds slightly daft and cuts out any 
> vibrato/intonation ...
> 
> Does anybody know of any upgrades to the GR700 that would improve allow
> bends to be sent out thru midi ? 
> 
> Thanks and warmness in advance..
> 
> Gerrard Hocks.
> 


Nope, can't be done. But you can get one of those Roland expression 
pedals, plug it in to the pitch jack on the back and do you pitch bending 
that way. This is supossed to take care of that anosteped bending over 
midi.

it's fun though, huh?

--
Christopher Clement (bbs.cement@tsoft.sf-bay.org)
Xref: sparky alt.guitar:9867 rec.music.makers.guitar:99
From: larryh@cabezon.uucp (Larry Huntley)
Newsgroups: alt.guitar,rec.music.makers.guitar
Subject: Thanks to Mike Bremford ("Sisters" TAB)
Date: 12 Nov 92 22:07:31 GMT
Article-I.D.: cabezon.1992Nov12.220731.25857
Organization: Logic Modeling Corporation of Beaverton Oregon


    Just wanted to thank Mike Bremford for his posting of Steve Vai's
    "Sisters" a while back.  I finally got around to trying it, and
    it's very good.  Quite accurate.  Not especially difficult to play,
    either; actually it's kind of fun.

    Anyway, thanks, Mike.

    - Larry Huntley
-- 
         (larryh@lmc.com)         |         --TALK.BIZARRE-- 
     Logic Modeling Corporation   |      The Suppurating Abcess
          Beaverton,  OR          | of the INTERNET - Dr. Donald Wildmon
Newsgroups: alt.guitar
Date: Sat, 7 Nov 92 02:36:48 EST
From: dbi@cs.columbia.edu (Dmitry Babayev)
Subject: Tremolo system -- HELP !!!


Hi, dudes!

Tonight I ran into trouble tuning my guitar. The problem is that I have
Floyd Rose tremolo mounted on the bridge and while I get two strings
tuned the rest goes out of tune. See, I used to tune my guitar without a
tuner - just using my own pitch. And since I don't have a perfect pitch
I did not seem to have any trouble tuning the guitar. But now, the tuner
I am using is much more precise than my ears and i see that the
strings aren't tuned properly, but I can't help that. The tremolo is 
"floating". So that when I tune say two or three strings, tremolo shifts
and other strings change their frequencies. I tried locking the tremolo -
using some tape and I was able to get perfect tune with locked tremolo.
But when I released the tremolo, the whole thing would get screwed up ! :(

Please, if anyone of you had had the same trouble or knows how to 
fix it , please post a followup or better E-mail me.

Any help would be greately appreciated.
Thanks a lot!!!

--MITCH--  dbi@shadow.cs.columbia.edu
From: blave@netcom.com (David W. Blevins)
Newsgroups: alt.guitar
Subject: Re: Price of used boss effect (compressor)
Keywords: compressor, used, bass
Date: 10 Nov 92 19:10:34 GMT
Organization: Netcom - Online Communication Services (408 241-9760 guest)

for a Boss pedal compressor, $30.00.

Blave.