HDTenEightyP/NetNews huggingface dataset:
From: csylvern@magnus.acs.ohio-state.edu (Craig S Sylvern)
Subject: Re: Gary Burton fans?
Organization: The Ohio State University
Date: Mon, 31 Aug 1992 16:23:47 GMT

I have the Reunion album and listen to it all the time.  Some great playing.

Craig
Newsgroups: rec.music.bluenote
From: jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas)
Subject: Re: VICTORIAVILLE '92 schedule
Organization: Bell-Northern Research, Richardson, Tx
Date: Fri, 28 Aug 1992 22:40:45 GMT

In article <1992Aug28.203202.25025@galois.mit.edu>, braden@kronecker.mit.edu (Tom Braden) writes:
|> In article <SMEHTA.92Aug27171138@kwela.nynexst.Com> smehta@nynexst.com writes:
|> >
|> >
|> >		      FESTIVAL MUSIQUE ACTUELLE
|> >			 VICTORIAVILLE 1992
|> 
|> ... I'm drooling.  Sadly, there's next to no chance I can make it.  
|> Does anyone know how much of the fallout from Victoriaville will be 
|> coming to the states?  Specifically, are the LJCO or Braxton
|> coming to Boston?  I'd even consider trekking to NYC.  In fact, I'd
|> sell some limbs to see the LJCO.  
|> 
|> -- Tom Braden
|> 
|> 
|> 

Tell me about it.  $#@%$&^^(*&)(!!! The Braxton concert would have
to be played on my wedding night!!!

Please, if someone knows if the Braxton Quartet will be playing in 
the states, please let us know...

John
Newsgroups: rec.music.bluenote
From: rshapiro@bbn.com (Richard Shapiro)
Newsgroups: rec.music.bluenote
Subject: Miles/McLaughlin (was: Elliott New blah blah blah)
Date: 26 Aug 92 23:03:00 GMT
	<920826075421@joker.ftp.com> <1992Aug26.155852.13842@wam.umd.edu>
Organization: BBN, Cambridge MA
NNTP-Posting-Host: kariba.bbn.com
In-reply-to: peugh@wam.umd.edu's message of 26 Aug 92 15:58:52 GMT

In article <1992Aug26.155852.13842@wam.umd.edu> peugh@wam.umd.edu (Arthur Dent) writes:

     Not to be a party pooper or anything, but isn't this newsgroup supposed to
   be about jazz/blues(blues/jazz? :) 

I thought so too. "Willie Horton" is no doubt a significant issue, but
this is just the wrong group for the discussion.


   Can anyone recommend a good Miles Davis album, with John Mcglauchlin(?) on
   guitar?

McLaughlin is on the best of Miles' early fusion-era recordings,
including IN A SILENT WAY, BITCHES BREW and LIVE/EVIL (among others).
The last certainly has some very tasty McLaughlin guitar. He's a bit
more restrained on the other two, though they're both outstanding
records.
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: New DIW releases -- impressions wanted
Organization: AT&T
Date: Thu, 3 Sep 1992 22:33:24 GMT

rstump@itchy.geog.albany.edu (Roger Stump) writes:
>...................................  Anyway, I saw a few new DIWs in the
>record store today, and wondered if anyone had recommendations.  They were:
>
>Art Ensemble of Soweto, AMERICA / SOUTH AFRICA

Not as good (to my ears) as the first AEC Soweto CD. There is a longish
piece with spoken word and music in which I don't find the music as interesting as other AEC works.

>Andrew Cyrille Quintet, I REMEMBER LOUIS

I just got this one yesterday and have only listened to half of the first cut,
but it sounds like a winner so far.

>David Murray Special Quartet, ???? (with Fred Hopkins, McCoy & Elvin; has
>   versions of Hope/Scope and In a Sentimental Mood)

This one is very good--probably the best quartet recording that Murray
has come out with for a while, although the 4 DIWs with Dave Burrell are
good also.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
From: maverick@fir.CS.Berkeley.EDU (Vance Maverick)
Newsgroups: rec.music.bluenote
Subject: Re: What is ``Modern Blues?''
Date: 25 Aug 1992 19:04:06 GMT
Organization: CS Division, UC Berkeley
NNTP-Posting-Host: fir.cs.berkeley.edu

In article <1992Aug25.175723.22824@bnr.ca> labiche@crchh561.BNR.CA (Maurice LaBiche) writes:
>The blues
>goes deeper than merely being a manifestation of 'sorrow' from a people
>who were forced into slavery, it is one feeling of living.  Everyone gets 
>the blues.  No one is immune. We all feel bad/depressed at some time.
>There is blues music for many moods, swing, jump, delta, chicago.....

Am I the only one who feels the explanation of blues as sadness is bogus?
Two examples of the stupid version of this idea: recently I took a blues
and rock class; some of my friends asked me jokingly if I was learning
to suffer.  And a recent cartoon in the newspaper showed a concert au-
dience being told the King of the Blues would not appear due to an attack
of euphoria.  These are obviously trivial, but it sometimes seems nobody
has thought that the words of the blues are sad because of a *lyrical
convention*!  Are pop musicians more often in love than other mortals?

Now I admit I hear exceptions.  Skip James' late version of "Special Rider"
does sound sad to me.  But most of my favorite blues music doesn't.  Am
I sick?

	Vance
Newsgroups: rec.music.bluenote
From: preston@dawn.cs.rice.edu (Preston Briggs)
Subject: Re: Robert Johnson
Organization: Rice University, Houston
Date: Wed, 26 Aug 1992 02:24:24 GMT

kanpm@marsh.cs.curtin.edu.au (Philip Kan) writes:

>Is Willie Brown so "fabled"?   Do any of his recordings exist? 
>Did he record? What about other influences of RJ?
>Most impotantly - are these available ?!?

More than one Willie Brown existed, played Delta blues, and was
recorded.  However, there was one in particular who was a friend of
Son House and Charlie Patton.  I believe recordings of about 6 of his
songs exist, including M & O Blues and Future Blues.  Also recorded
many times accompaning Chatlie Patton.

There's a CD called "The Roots of RJ" (or thereabouts) by Yazoo that
includes all the guys above, plus other known influences. 

Preston Briggs
From: napier@cs.ucsd.edu (Jim Napier)
Newsgroups: rec.music.bluenote
Subject: Dregs Reunion Tour
Date: 2 Sep 92 18:54:40 GMT
Distribution: usa
Organization: AMES Dept., UC San Diego


I saw Steve Morse in San Diego on Monday night and he mentioned that the
Dregs would be getting together and touring this fall. No dates have been
set yet but he said they'd definitely be on the road by November. 

-- 
Jim Napier
Systems Administration
Applied Mechanics & Engineering Sciences Dept.
UC San Diego
(619)534-5414
jnapier@ucsd.edu
Jim Napier
Systems Administration
Applied Mechanics & Engineering Sciences Dept.
UC San Diego
Newsgroups: rec.music.bluenote
From: smehta@kwela.nynexst.Com (Sandeep Mehta)
Subject: Re: Coltrane question - Meditations, Interstellar Space
Reply-To: smehta@nynexst.com
Organization: Speech Technology, AI Lab, NYNEX S&T Inc, White Plains, NY
	<RSHAPIRO.92Aug25110426@kariba.bbn.com>
Date: 25 Aug 92 16:43:04


> rshapiro@bbn.com (Richard Shapiro) writes:

> Minor nit: Interstellar Space was a posthumous release. It first
> appeared ca 1972.

Actually, this brings up a question I wanted to ask. Does anyone have
a (reasonably) complete list of legit Coltrane posthumous releases? I
know some of the obvious ones and was wondering if the list was
long(er).

thx.

/sandeep
--
smehta@nynexst.com
--
"An artist is never ahead of his time but most people are far behind theirs."
	-- Edgard Varese
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Subject: Re: McLaughlin's broken hand and Florianapolis
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Mon, 31 Aug 1992 04:03:03 GMT

In article <anderson.715055557@phage.cshl.org>, anderson@phage.cshl.org (John Anderson) writes:
>1. A while back, someone posted (I think to r.m.b) that John McLaughlin
>broke his hand in 1990.  
>
>2. When I saw the JM Trio last May, he said in introducing
>'Florianapolis' something to the effect that Florianapolis, Brazil is
>a nice town but the jail is not so nice.
>
>I wonder, is there a connection between 1 and 2?

No connection.  From an August 1992 JazzTimes interview... "As he rips off a 
few stunning licks it's clear that he's fully recovered from the career-
threatening, freak household accident that occurred in 1990.  While watching 
TV at home in France, John got his lefthand forefinger caught in the track of a 
swiveling television set.  As he recalled at the time, 'It was so quick, so 
fast.  I heard it snap, I saw the end of my finger flopping around...it was 
just a nightmare.'  Six stitches and a splint put that finger right..."

-Lynn

< R. Lynn Rardin (rardin@auriga.rose.brandeis.edu)  >
< Rosenstiel Basic Medical Sciences Research Center >
< Brandeis University, Waltham, MA 02254-9110       >
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: Cherry/Blackwell (was Re: Old and New Dreams
Organization: Educational Computing Network
Distribution: na
Date: Fri, 4 Sep 1992 00:27:04 GMT

In article <1992Sep3.222757.12518@cbnewsl.cb.att.com> wjh@cbnewsl.cb.att.com (william.j.hery) writes:
>smehta@nynexst.com writes:
>An even better duet by these two masters (Cherry and Blackwell) is MU,
>recorded a few years earlier htan El Corazon. Originally a set of two
>albums, it has since been released on a single CD by Afffinity. A gem.

Yes, I have had the stuff on vinyl for some years, and it is solid.  The
first part is mostly blowing with Don on trumpet, but the second part
has tunes, and Don plays piano and flute as much (or more) than trumpet.
The piano tunes are very cool, and if you ever would want to stump
someone on a blindfold test on piano, this would be it.

Jeff
From: labiche@crchh561.BNR.CA (Maurice LaBiche)
Newsgroups: rec.music.bluenote
Subject: Re: Duke Robillard/Roomful of Blues
Date: 31 Aug 92 13:16:47 GMT
Reply-To: labiche@crchh561.BNR.CA (Maurice LaBiche)
Distribution: rec
Organization: Bell-Northern Research Ltd.

Another album Duke Robillard played on is 'Zuzu Bollin: Texas Bluesman'.
It's out on the Antone's label out of Austin,Texas.  Great Jump and 
Texas blues.  Lotsa horns but with that Texas sound.  Kinda like
T-Bone Walker.  Excellent recording as well.  Super Liner notes.
Buy this record.  Zuzu's voice is amazing.


------------------------------------------------------------------------
Maurice LaBiche (Mo.L.)         |   labiche@bnr.ca
Bell Northern Research          |   Part of Northern Telecom 
Richardson, Texas               |   i'm really in Texas
------------------------------------------------------------------------
No opinions herein expressed have anything to do with the opinions 
of Bell Northern Research or Northern Telecom or CIA or NSA ...
These statements are mine and mine alone, well i guess my wife 
agrees with some of them?
From: dnd@ee.man.ac.uk (Darryl Davis (RA))
Newsgroups: rec.music.bluenote
Subject: Re: bb king is giving me the blues
Summary: move it to rec.politics.assholes
Date: 26 Aug 92 17:54:20 GMT
Reply-To: dnd@spec0.ee.man.ac.uk (Darryl Davis (RA))
Distribution: world, rec, usa
Organization: Dept Electrical and Electronic Eng, Manchester University, UK

AS per summary....
Newsgroups: rec.music.bluenote
From: euaaen@eua.ericsson.se (Anders Engwall)
Subject: Re: Hugh Masekela (was Two of my current favourites
Organization: Ellemtel Telecom Systems Labs, Stockholm, Sweden
Date: Fri, 4 Sep 1992 12:40:26 GMT

ger@cv.ruu.nl (Ger Timmens) writes:

>He did also some albums with Herp Alpert;

Furthermore, he provided the trumpet on The Byrds' classic "So You Want
To Be A Rock'n'Roll Star?" -- probably the biggest hit he has ever had.

--
Anders Engwall				Email: Anders.Engwall@eua.ericsson.se
ELLEMTEL Utvecklings AB			Voice: +46 8 727 3893
"Alvsj"o, Sweden			Fax: +46 8 727 42 20
		"Bryna nuppa fj{ssa sp}nken" - Razor
From: ewing@npg-sd.SanDiegoCA.NCR.COM (David Ewing)
Newsgroups: rec.music.bluenote
Subject: Best of Elmore James / Live Muddy Waters CDs sought
Date: 2 Sep 92 00:02:50 GMT
Distribution: usa
Organization: NCR Corp., Network Products - San Diego

Can anyone please recommend a "best of" CD of Elmore James?
Noteworthy appears to offer two: "Dust My Broom" on Rhino and
"Let's Cut It" on Virgin.  Does anyone out there have a preference
between these two?  Are there any others that are superior?

Also, I am looking for a live Muddy Waters CD.  How are "At Newport"
and "Mississippi Waters"?  Any others that are essential?

E-mail or post.  Thanks.


-- 
*************************************************************************
David A. Ewing                             David.Ewing@SanDiegoCA.NCR.COM
From: ghh@clarity.Princeton.EDU (Gilbert Harman)
Newsgroups: rec.music.bluenote
Subject: Jazz on (Cable) TV
Date: 28 Aug 92 21:01:11 GMT
Distribution: usa
Organization: Princeton University Cognitive Science Lab
Originator: news@nimaster

Speaking of The Tonight Show and Night Music, there's a
reliable half hour of jazz (and commercials) every week on
BET, in this area (New Jersey) on Fridays at 11 a.m.,
repeated Sunday mornings (in reruns over the summer).

--

	Gilbert Harman, Princeton University Cognitive Science Lab
	221 Nassau Street, Princeton, NJ 08542
	ghh@clarity.princeton.edu
From: vek@spacsun.rice.edu (Vincent E. Kargatis)
Newsgroups: rec.music.bluenote
Subject: Re: Butch Morris
Date: 4 Sep 1992 17:45:45 GMT
Organization: Rice University

Has anybody heard the Morris/Horvitz/William Parker trio album on BS/SN? I
saw it in the catalog (LP only at the moment) and had never heard nor heard
of it before.
-- 
| Vincent Kargatis                      |  "It was jump or die."              |
| Dept. of Space Physics and Astronomy  |                                     |
| Rice University, Houston, TX          |      Marilyn Crispell to Anthony    |
| [vek@spacsun.rice.edu]                |        Braxton on his Comp. 69C     |
From: hellers@wisc.edu (Joseph Hellerstein)
Newsgroups: rec.music.bluenote
Subject: looking for new releases (Redman, Felten)
Date: 27 Aug 92 16:33:18 GMT
Organization: UW-Madison

I'm looking for rumored releases from some old friends that I played
with at Harvard.  Tenor sax player Joshua Redman (Shedroff) is
supposed to release an album on Columbia, and trombonist Eric Felten (sp?)
is supposed to be coming up with an album on Soul Note.  Any
leads?

Joe Hellerstein
Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Re: possible Miles Davis tribute
Organization: Brotherhood Of Breath
Date: Tue, 25 Aug 1992 17:09:31 GMT

ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>Why Roney, it was the others who played with Miles, not Roney

Actually, Wallace Roney *did* work with Miles, in the recent Montreux
concert of Gil Evans arrangements.

>They did So What first, and there was some nice blowing.  

Extremely short, wouldn't you say?  Made me wish again for that
classic 30 minutes show (on CBS, I think) from around 1960 with the
Miles quintet and Gil Evans where they also did So What and the whole
thing was so much more relaxed.

Truth is, the status of jazz as a popular art form has been on the
decline from the fifties on.  Teenage mutant muzak has become so much
more powerful, no room was left for jazz.  I am happy that Leno and
Branford are working slowly to put jazz back in its place -- but I
would hope that at some point the networks will have enough guts to
play an hour's worth of jazz in late prime time, just like they do
with country, rap, and anything else.

Off the box, back to work.


--Gidi



From: mjs@hpfcso.FC.HP.COM (Marc Sabatella)
Date: Tue, 1 Sep 1992 17:08:24 GMT
Subject: Re: What is Hard Bop?
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.bluenote

In rec.music.bluenote, will@ogre.cica.indiana.edu (William Sadler) writes:

> In <1992Aug26.180648.1261@guvax.georgetown.edu> mchenry@guvax.georgetown.edu writes:
> 
> > But around 1953-54, 
> >when Miles was coming out of his heroin addiction, he started to expand the 
> >vocabulary of be-bop by using a broader base of song styles and by playing 
> >faster, "harder" runs. So "hard" was the East Coast continuation/extension 
> >of be-bop, whereas "cool" continued in the West Coast with (mainly) white 
> >players. Hard bop was the dominant style of jazz in the later 1950s and 
> 
> Is there a specific album you have in mind here?  It was always my
> understanding that hard-bop was the style used by Mingus, Art Blakey,
> Cannonball Adderley etc. that was more "funk" oriented than cool
> jazz.

Miles did indeed play in this style during that period.  Think of his original
recordings of "Walkin" or "Blue'n'Boogie" that Miles speaks so highly of in his
autobiography.

> Of course, "funk" then meant something different than funk
> does now.  Basically a return to blues oriented, hard swinging,
> aka Horace Silver type tunes.  Like "better git it in your soul"
> and "mercy, mercy, mercy"

And in general, the integration of gospel/church music.

-------------------------------------------------------------------------------
Marc Sabatella           Winner, 1992 First Annual Bill Evans Lookalike Contest
marc@hpmonk.fc.hp.com
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Haden's trombonist (was Re: Night Music remembered
Organization: AT&T
Distribution: usa
Date: Thu, 3 Sep 1992 22:43:34 GMT

bulm2533@hgc.edu (steven bulmer) writes:
>Well I fondly remember Night Music...............Charlie Haden
>and the New Liberation Orchestra; man the show went out with "Spiritual"
         ^^^^^^^^^^^^^^^^^^^^^^^^
         Liberation Music Orchestra


>and whoever was playing bone at the time was one of the baddest mo-fo's,
>I've ever heard...he greased up a 5 minute gospel solo that grew so
>big so slow that I was overwhelmed!

That was Ray Anderson on 'bone. You can catch a bit of it on Haden's
DREAMKEEPERS album (Blue Note), but it doens't compare to the solos I
have heard Anderson do on live gigs with the band. Catch them if you get a
chance.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
From: labiche@crchh561.BNR.CA (Maurice LaBiche)
Newsgroups: rec.music.bluenote
Subject: Re: bb king is giving me the blues
Date: 26 Aug 92 18:10:10 GMT
Reply-To: labiche@crchh561.BNR.CA (Maurice LaBiche)
Distribution: world, rec, usa
Organization: Bell-Northern Research Ltd.

Could you guys move this thread over to alt.politics.'whatever'.  Let's talk
about music here and leave the rhetoric to the bullshit mongers in the
Republican and Democratic parties.  

Since I can't resist: Whatever Lee Atwater intended via the Willie Horton
ads it seems pretty clear that the republicans are unashamedly bringing
racial differences and lifestyle choices out into the campaign.  These are
not tactics to get votes from educated/caring people but from people who
are fearful of anyone who is different than themselves.  This exploitation
is clearly evident from the Republican Party Platform and the speeches made
by several speakers at their convention.  I don't think the Democrats have 
all the answers but at least they are proposing some and pointing fingers
solely at George Bush.

------------------------------------------------------------------------
Maurice LaBiche (Mo.L.)         |   labiche@bnr.ca
Bell Northern Research          |   Part of Northern Telecom 
Richardson, Texas               |   i'm really in Texas
------------------------------------------------------------------------
No opinions herein expressed have anything to do with the opinions 
of Bell Northern Research or Northern Telecom or CIA or NSA ...
These statements are mine and mine alone, well i guess my wife 
agrees with some of them?
Newsgroups: rec.music.bluenote
From: schabert@spieden.Stanford.EDU (Vernon Schabert)
Subject: Re: sax mouthpieces (long)
Keywords: saxophones, mouthpieces, long article
Organization: DSO, Stanford University
Date: Wed, 2 Sep 92 18:13:45 GMT

I would also recommend Berg Larsen mouthpieces, which come both in hard
rubber and in metal versions.  These mouthpieces seem to have much more
variation from sample to sample in terms of the timbre they produce (at
least with the hard rubber versions), but in general the metal gives a
beefy tone with slightly less edge than a Dukoff and the hard rubber
gives a romantic, warm tone with a crisp attack.

The greatest part about playing Bergs, however, may be the worst part
about ordering them from South Africa.  They have two sizing
designations, and come in a much greater variety of sizes than do
Meyers, Selmers, Dukoffs, etc.

The first number in the mouthpiece size refers to the chamber size.  I
think that the numbers correspond to the diameter of the bore in mm
times ten.  The second number, I think, refers to the facing of the
mouthpiece; these numbers range from zero to three, with larger numbers
referring to steeper facings.  I bought a hard rubber Berg for my alto
about six or seven years ago, size 90 over 0, and I'm just now getting
to the point where I need a bigger chamber (I'm thinking of moving to a
120 over 1 or 2).  Very versatile mouthpieces, but unfortunately for
you, you'll probably need to experiment with different sizes and samples
to find the best for you.

Best of luck in your search!

Vernon Schabert
schabert@psych.stanford.edu
From: floyd@starsend.chbrk.pa.us (Floyd Miller)
Newsgroups: rec.music.bluenote
Subject: Re: Coltrane question - Meditations, Interstellar Space
Date: 23 Aug 92 21:42:12 GMT
Reply-To: floyd@starsend.chbrk.pa.us (Floyd Miller)
Organization: Woodward McCoach, Inc.

In article: <1992Aug22.214101.21705@udel.edu>
gallo@almira.asel.udel.edu (Andy Gallo) asks:

>>  There are two disks out there that essentially contain the
>>  'Trane composition "Meditations".
>> 
>> First Meditations - Love, Compassion, Joy, Consequences, Serenity, Joy
>>         (alternate version)
>> Meditations - The Father the Son and the Holy Ghost, Compassion, Love,
>>         Consequences, Serenity
>>  So what's the deal on these disks?  Are they separate
>> recordings or is one just a re-release release of the other?  Can you
>> recommend which one to buy for starters?

   "Meditations" was the original release.  I think the tracks on
   "First Meditations" were recorded before "Meditations".
   I'd recommend "First ..." for a Coltrane "starter".  But if you're
   not very familiar with Coltrane why not start off with "Live at
   Birdland" and "A Love Supreme".  If you already like "A Love Supreme"
   then maybe it's time you gave "Meditations" a listen.

>> Also, the back of the "Interstellar Space" disk says it
>> features John Coltrane on sax and bells, and Rashied Ali on bells.  Is
>> this all - just two musicians, ...

   Yep the entire album is a set of tenor sax and drum duets.
   And the entire album is mezzmerizzzzing.  It was one of the
   last albums Coltrane released before his death, and it's like
   all of noodling on My Fave Things and all the experimenting
   has come together.  This album and "Expression" are great.

****************************************       ****
 ** Floyd Miller ***************************     ***
  *** floyd@starsend.chbrk.pa.us **************    **
   *** floyd%starsend@cs.widener.edu *************  **
    **** starsend!floyd@cs.widener.edu *************  *
      ************************************************ *
From: rlwilliams@gallua.gallaudet.edu
Newsgroups: rec.music.bluenote
Subject: cephus and wiggins
Date: 4 Sep 92 21:47:17 GMT
Article-I.D.: gallua.1992Sep4.164717.1
Organization: Gallaudet University

Hi,
	I've seen the latest CD from Cephus and Wiggins but never a 
cassett. Is it just my store or is it not out on casett? sorry, I forget 
the name... something like "Flipping and flying.." 

skip
From: hellers@wisc.edu (Joe Hellerstein)
Newsgroups: rec.music.bluenote
Subject: Re: Info on Joe Lovano (sp ?)
Date: 31 Aug 92 23:53:21 GMT
	<1992Aug31.205846.25216@uxa.ecn.bgu.edu>
Organization: UW-Madison

In article <1992Aug31.205846.25216@uxa.ecn.bgu.edu> ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:

Also look for terrific playing by Lovano on Paul Motian's last few
albums (MONK IN MOTIAN is a current fave of mine), and on Scofield's
latest as well.  I saw the Scofield group in concert a few months
back, and they were all smoking with the exception of Scofield, who I
found pretty pedestrian.

Joe Hellerstein
Newsgroups: rec.music.bluenote