HDTenEightyP/NetNews huggingface dataset:
From: breuker@cs.rulimburg.nl (Dennis Breuker)
Subject: REQ: Alannah Miles - Song instead of a kiss
Organization: University of Limburg, Maastricht
Date: Wed, 6 Jan 1993 14:47:04 GMT

Anyone?

Thanks in advance,
+---------------------------------------------------+-------------------------+
| Dennis Breuker                                    | breuker@cs.rulimburg.nl |
| Dept. of computer science, University of Limburg  | Voice: +31 43 883379    |
| P.O. Box 616, 6200 MD Maastricht, The Netherlands | Fax  : +31 43 252392    |
+---------------------------------------------------+-------------------------+
From: case@mcl.ucsb.edu (Lorax)
Newsgroups: alt.guitar.tab
Subject: Important message to KEN AHERN!!!!!!
Date: 6 Jan 93 20:31:28 GMT

Hey Ken,
Thanks for posting on Big Black. Unfortunately, I did not see the post
until after it expired. Could you please repeat your post?
I would kill small children to see it. Or mail it to:

case@mcl.ucsb.edu

Thanks,
   Lorax
   `ZZ

Newsgroups: alt.guitar.tab
From: h2xs@jupiter.sun.csd.unb.ca (LANE  G)
Subject: Metallica:  Justice for All...
Organization: University of New Brunswick
Distribution: alt.guitar.tab
Date: Fri, 8 Jan 1993 13:14:45 GMT

Back for more (trying to keep vintage Metallica alive)!  This time around, we'll learn the mellow intro to Justice for All.  Again, all notes have equal value (including the triplets, which are to be combined into one count or unit):


----------------------------------------------------------------------
----------------------------------------------------------------------
----------/-t-\-----------------------/-t-\-----------------------3---
6-7-9---7-6-7-6-4-5-5-4-7-4-2-3-5---3-2-3-2-0-2-2-0-2-0-0-2-2-0-2---2-
7-----7---------5-----5---5-3-----3---------2-----2---2-1-----1-----4-
0---------------------------------------------------------------------

On the more-than-one-string parts (like the first 0-7-6), don't stike them simutaneously, but glide across them, treating the initial 0-7 as sustained grace notes.  I know there's a term for this (gliss?), but I'm not sure what it is.  Anywayz, comments are appriciated.  

Keep on pick'n,

Glenn Lane: h2xs@csdnov3.unb.ca
From: barrett@dino.cs.utk.edu (Richard F Barrett)
Newsgroups: alt.guitar.tab
Subject: Freight Train
Date: 8 Jan 1993 19:29:55 GMT
Organization: University of Tennessee, Knoxville - Department of Computer Science
Distribution: world
Reply-To: barrett@dino.cs.utk.edu (Richard F Barrett)
NNTP-Posting-Host: dino.cs.utk.edu

To avoid a wasted effort:

If anyone is interested, I could post "Freight Train", a finger pickin song
by Elizabeth Cotton.

Richard
From: drkerns@sony7.sdrc.com (sean kerns)
Newsgroups: alt.guitar.tab
Subject: Re: Re: Argh! I can't do G chords!
Date: 8 Jan 93 18:42:24 GMT
Organization: SDRC

In article <1993Jan08.151901.16191@hplb.hpl.hp.com>, esh@hplb.hpl.hp.com (Sean Hayes) writes:
|> >  --000-    --00--
|> >  ||||||    ||||||
|> >  |2||||    |1||||
|> >  3||||4    2|||34
|> 
|>   (i)      (ii)
|> 
|> > The problem for beginners in (i) is the little finger I believe, because
|> > it is not straightened like the third one, and the gap between
|> > the third und fourth finger is quite wide.
|> 
|> When I started I was taught style (ii) however I remember it 
|> was a major revelation being taught (i) by this guy playing 
|> in a bar. I was able to use it almost straight away and the ease of
|> getting to C and G7 etc is great. I almost never use (ii) now.
|> Sean.
|>     | esh@hplb.hpl.hp.com 
 

The (ii) formulation of this chord is a really good power chord, especially
if you don't have too much jape on your sound, so you can hear the notes.
Sounds great on a 12-string.
BTW, you can cheat to play this chord (like I do) by getting the 3rd fret on
bith the G and B strings with your 4th finger, like so.

			| | | | | |
			| 1 | | | |
			2 | | | 4 4

This also leaves #3 free to do wierd sus4ths and so forth. You can cheat an
"A" chord in the same way for speed with open chords:

			| | | | | |
			| | 2 2 2 |

You just have to be careful about what strings you hit. Guys like Ritchie
Blackmore (and guys like me, who didn't tkae lessons) have been using 
this kind of impromptu chord for years.

Snake
Newsgroups: alt.guitar.tab,rec.music.makers.guitar.tablature
From: eamon@netcom.com (Charles E Taggart)
Subject: REQ: If I Can't Change Your Mind (Sugar)
Keywords: sugar bob mould
Organization: Netcom - Online Communication Services (408 241-9760 guest)
Date: Tue, 5 Jan 1993 02:42:14 GMT

As usual, the subject says it all ... many thanks in advance.

Chuck


-- 
 C. E. Taggart / eamon@netcom.com / eamont@well.sf.ca.us / GEnie:  C.TAGGART
           "Whatever you is, BE that!" -- Clifton Chenier's barber
"A day without a strange look is a day wasted." - J. Gough, Heretic (Toasted)
               *** KCRW 89.9 FM, Santa Monica, California ***
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
From: mm@FileServ1.isc (Martin Malich)
Newsgroups: alt.guitar.tab
Subject: Romeo&Juliet / Dire Straits
Date: 12 Jan 1993 11:50:09 GMT
Organization: Sun Microsystems
Distribution: world
Reply-To: mm@FileServ1.isc
NNTP-Posting-Host: fileserv1.mi.uni-koeln.de



I saw many postings concerning the tabs of Romeo and Juliet from 
Dire Straits. But I think none of the previous posted versions
can mess with the orginal picking of Mark Knopfler.
Therefor i watched a live version of this song and came to the
following tabbing:


First you have to retune the strings:  D/G/D/G/H/D

Then use a capo in the 3rd fret.

Play it with a barree in the 5th fret on the higher 5 strings.
    
                             H                P P
   |7-----7-----5---3-----3----5--7-----7-----75---3-----3--5--5--------|
   |----6-----6--5------3--3-56-------6------6--65-----3----5--5--------|
   |--5-----------5---3-------------5-------5--------3------5--5--------|
   |---------------------------------------7----------------5--5--------|
   |--------5---5---3---------------------5--------3--------5--5--------|
   |3-----------------------------3-------------------------------------|

                                              P P
   |7-----7-----5---3-----3---7-5-7-----7-----75---3-----3--5--5--7-----|
   |----6-----6--5------3---3---------6------6--65-----3----5--5--6-----|
   |--5-----------5---3-------------5-------5--------3------5--5--5-----|
   |---------------------------------------7----------------5--5--7-----|
   |--------5---5---3-------------3-------5--------3--------5--5--5-----|
   |3-------------------------------------------------------------3-----|
							  

Have fun, while picking

Martin


*****************************************************************************
   Martin Malich                                Tel.: 	++49-221-470-2210  
   mm@risc3.mi.uni-koeln.de
   Mathematisches Institut   		        
   University of Cologne    			Fax.: 	++49-221-470-5160
   Weyertal 80           
   D-5000 Koeln 41          			priv:	++49-212-55439
   Germany                              
*****************************************************************************
From: marvil@lysator.liu.se (Martin Vilcans)
Newsgroups: alt.guitar.tab
Subject: Re: Argh! I can't do G chords!
Date: 11 Jan 93 12:42:31 GMT
Organization: Lysator ACC at Linkoping University

This article was probably generated by a buggy news reader.
From: exubrst@exu.ericsson.se (Brad Steele,xt-dkb,x1209)
Newsgroups: alt.guitar.tab
Subject: Re: Extreme Tab!! Help!!
Date: 4 Jan 93 15:59:40 GMT
Reply-To: exubrst@exu.ericsson.se
Organization: Ericsson Network Systems, Inc.
X-Disclaimer: This article was posted by a user at Ericsson.
              Any opinions expressed are strictly those of the
              user and not necessarily those of Ericsson.

You mentioned that the drummer for Extreme plays the same
rhythm on two of their singles.  Have you heard the albums?
I've been quite impressed with his talent as well as the other
members of the band (of course, Nuno!)

---
Brad

Internet: exubrst@exu.ericsson.se
-----------------------------------------------|
|  "Gentlemen!  You can't fight in here.  This |
|   is the War Room!"                          |
-----------------------------------------------|
Newsgroups: alt.guitar.tab
From: mwarren@ho03.eng.ua.edu (Michael S. Warren)
Subject: drum tracks
Organization: The University of Alabama, Tuscaloosa
Date: Sat, 09 Jan 1993 12:10:04 GMT


Does anyone know of any program out there (shareware if possible)
that would allow me to create my own drum tracks..
I have a soundblaster, and have played some .mod files, and they
seem to have some pretty good drum beats.

I was wanting to create my own tracks, and play along to help
get the beat down, plus it'd sound pretty cool I think :)

Any help is appreciated

mwarren@ho03.eng.ua.edu

Newsgroups: alt.guitar.tab
From: mperron@abacus.bates.edu (Michael Perron)
Subject: REQ: STYX The Grand Illusion Album or Crystal Ball 
Organization: Bates College, Lewiston, Maine
Date: Thu, 7 Jan 1993 18:59:06 GMT

	I haven't found Styx at nevada.edu anyone know any Styx?


&-------------------------------------------------
"Your Fooling Yourself and You don't beleive it?"
&_________________________________________________


Mike Perron
mperron@abacus.bates.edu
Newsgroups: alt.guitar.tab
From: guy@harlqn.co.uk (Guy Snape)
Subject: Re: letter from the UK
Organization: Harlequin Limited, Cambridge, England
Date: Mon, 11 Jan 1993 13:48:31 GMT

Glen Macon writes:

> well, i drink bourbon, rarely get out to bars, and 
> don't have a company car.  by the way, for all you
> central.sussex.ac.uk!mmuw2-ers, west chester pa is
> north of the mason-dixon line, and i'm considered a
> yankee.  i thought all americans were considered
> yankees...

I think the problem here is that the people who wrote the original
letter, apart from collectively having the manners of a particularly
impolite pig, didn't bother to read (or were too ignorant to
understand) Glen's email address which indicates very clearly to
anyone with sufficient nouse that he lives in the USA.  The
characteristics they "insulted" him with were attributes of the
southern *English* person sterotype, and nothing to do with Yankees or
whatever.  I seem to recall (deleted original post) that they referred
to him as a "Southern puff" who drinks in wine-bars and drives a Ford
Sierra.  The irony is that the message originated from Sussex
University which is on the *south* coast of England.

If the originators of this message (mmuw2-ers) would care to mail me,
I'd be glad to flame them with considerably less restraint.
BTW I'm a northerner myself, so don't start...

(Or did I miss some of that famous English irony myself??)

End of thread?

Guy


-------------------------	            Guy Snape
-------------------------       
------------------0------              guy@harlequin.co.uk
-----------0-2-------2-0- 
-----0-h-2---------------       #|My opinions, Not my employer's|#
--3----------------------
Organization: Central Michigan University
Date: Saturday, 9 Jan 1993 16:42:24 EST
From: <34ALJYP@CMUVM.CSV.CMICH.EDU>
Newsgroups: alt.guitar.tab
Subject: Night Ranger Tabs

I was wondering if anyone out there had Tabs for some Songs by Night
Ranger.  Not any one in particular, any will due.  Although I would
preferr ones from Seven Wishes or Midight Madness...

Thanks In Advance
From: rthomas@terapin.com (Richard Thomas)
Newsgroups: alt.guitar.tab
Subject: Primus...
Date: 9 Jan 93 13:03:07 PST
Organization: BBS

I don't seriously expect to get a response for this, but can someone give me
the Bassline for "Jerry was a Racecar Driver?" Or can someone tell me where I
can find it?
From: dam@dcs.glasgow.ac.uk (David Morning)
Newsgroups: alt.guitar.tab
Subject: Re: letter from the UK
Keywords: nice.... real nice.
Date: 8 Jan 93 16:35:03 GMT
Organization: Glasgow University Computing Science Dept.

macon@cbmvax.commodore.com (Glen Macon) writes:


>gee i received a nice letter from someone who really liked
>all the music that we have posted (about 180 songs).
>i'd like to post that lovely letter.

University of Sussex is in Farnham nr. Brighton. It's in southern England
near Essex!! (In joke for UK people re Essex residents).
In short, people from that area are considered stuck-up tossers who drink in
poofy wine bars and drive company ca....hang on a minute! What was it they
said?.....
 
>> however you seem like a complete and utter stuck up tosser
>> i bet you drink in wine bars you southern poof
>> ha i spit on your ford sierra (company car)

Ahhh!..right and a Ford Sierra too?


>well, i drink bourbon, rarely get out to bars, and 
>don't have a company car.  by the way, for all you
>central.sussex.ac.uk!mmuw2-ers, west chester pa is
>north of the mason-dixon line, and i'm considered a
>yankee.  i thought all americans were considered
>yankees...

>i don't mind letters about spelling and chord changes.

I wouldn't worry about it. Looks like someone's left their terminal unattended
and a couple of typically infantile *English* southerners with an obsession
about masturbation and homosexuals thought they'd drop you a note.
They probably arrived at the University in a Ford Sierra themselves.

What's the saying you Merkins have about a life again? Seems quite appropriate
for these clowns.


Dave (*much* nearer the Shetlands than Sussex and drives a clapped out Astra)

--
From: GREENA@UK.AC.BHAM.IBM3090
Newsgroups: alt.guitar.tab
Subject: Request for "Goodbye to Love"/Carpenters solo.
Date: 08 Jan 93 14:18:36 GMT
Organization: The University of Birmingham, United Kingdom
NNTP-Posting-Host: ibm3090.bham.ac.uk

==============================================================================
Hi,


If anyone's done the work on the above (preferably the studio rather than
the not-quite-so-good live version), I'd buy you a beer.


Best wishes,


Allan.
From: rjb@csug.cs.reading.ac.uk (Ryszard Boryna)
Newsgroups: alt.guitar.tab
Subject: Re: Argh! I can't do G chords!
Date: 6 Jan 93 16:50:54 GMT
Reply-To: rjb@csug.cs.reading.ac.uk
Organization: Dept. of Comp. Sci., University of Reading

In article 93Jan6121108@rocannon.harlqn.co.uk, guy@harlqn.co.uk (Guy Snape) writes:
> String       Fret       Finger
> 
>   1 (top E)   3           little finger
>   2 B         -
>   3 G         -
>   4 D         -
>   5 A         2           first finger
>   6 (bott E)  3           second finger
> -~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~
> For what it's worth, I've always played the G on the first (i.e.
> thinnest string, nearest your toes) with the third (ring) finger
> rather than the little finger.

That's how I first learned to play it and I still find it easier.  However, depending
on what you're playing around it, it can be harder to change chords quickly and
cleanly - a good example is C->G or G->C.

Ryszard.
From: yanoff@csd4.csd.uwm.edu (Scott A. Yanoff)
Newsgroups: alt.guitar.tab
Subject: CRD: Sweetness Follows (REM)
Date: 4 Jan 1993 17:14:08 GMT
Organization: University of Wisconsin - Milwaukee, WI
Distribution: world
NNTP-Posting-Host: 129.89.7.4
Originator: yanoff@csd4.csd.uwm.edu

REM

SWEETNESS FOLLOWS (From the album "Automatic for the People")
-----------------
 
INTRO:  D

Readying to bury your father and your mother
D                            D2

What did you think when you lost another
D                           D2

I used to wonder why did you bother
D                    D2

Distance from one, one to the other
D                      D2
 
 (Rest of song continues the same way unless otherwise noted)

Listen here my sister and my brother
What would you care if you lost the other
I always wondered why did we bother
Distance from one, one to the other
Oh, oh, oh, oh sweetness follows
Bb  C   Bb  C               D     D
 
It's these little things, they can pull you under
Live your life filled with joy and wonder
I always knew this all together with thunder
It's lost to now or never lives
Oh, oh, oh, oh sweetness follows
Oh, oh, oh, oh sweetness follows
 
It's these little things, they can pull you under
Live your life filled with joy and thunder
Yea, yea we were all together
Lost to now or never lives
Oh, oh, oh, oh sweetness follows
Oh, oh, oh, oh sweetness follows

CHORD FORMATIONS:
D   x 0 0 2 3 x
D2  x 0 0 0 3 2
Bb  x x 3 3 3 1
C   x 3 2 0 1 x
-- 
 _/\ _ !\ _         @           Milwaukee, WI - A Great Place by a Great Lake
!  _! !! ! !_  ~~  @ ~  ~~         
! ! ! !! ! ! !~~__=||_~ ~~~          *** Computing Services Division ***
! ! ! _! ! ~~~ ~\____/  ~~~ yanoff@csd4.csd.uwm.edu
From: GREENA@UK.AC.BHAM.IBM3090
Newsgroups: alt.guitar.tab
Subject: Re: Argh! I can't do G chords!
Date: 05 Jan 93 12:19:31 GMT
Organization: The University of Birmingham, United Kingdom
NNTP-Posting-Host: ibm3090.bham.ac.uk

>Subject line says it all, I am learning to play, and I find mostly all of the
>chords easy to fret EXCEPT for the G chord.  Can someone tell me the proper
>fingering of this?  Whenever I try to hit the third fret I end up dampening
>all of my open strings.  I need new fingers.
>
>Thanks much!
>------------------------------------------------------------------------------

==============================================================================
Right, brother... here goes... the standard open-string G is as follows:


String       Fret       Finger

  1 (top E)   3           little finger
  2 B         -
  3 G         -
  4 D         -
  5 A         2           first finger
  6 (bott E)  3           second finger


OK, it takes practice... but the further you get, you'll see chords that
make you wish you hadnt.  Or something.



Peace,


Allan  (greena @ bham.ac.uk)  "but this one goes up to eleven..."

Newsgroups: alt.guitar.tab
From: lnklam@napier.uwaterloo.ca ()
Subject: Re: Tab for Roch Voisine's Helene
Organization: University of Waterloo
Date: Mon, 4 Jan 1993 06:43:59 GMT

Many thanks to Pagel Vincent for his reply. Just want to share his work with
the rest of you. I haven't tried the tab yet, so I don't know if it is 
correct or not. Enjoy.

-Keith

---------------Beginning of original message------------------------
Date: Sat, 2 Jan 1993 07:57:06 -0500
From: Pagel Vincent <Vincent.Pagel@loria.fr>
Message-Id: <9301021257.AA01581@chardon.loria.fr>
To: lnklam@napier.uwaterloo.ca
Subject: Re: Tab for Helene by Roch Voisine seeked.

Hi, I'm gonna try to give you the correct chords sequence, but I've not
my guitar at hand in the university, so perhaps it's a bit inaccurate :

You must play all the chords in arpeggios it means that when i write Em you 
must play  E (6th), E(1st), B, G, E (1st).

	[ Em G C D ]  repeated many times

	the bridge: "everything you do,  makes me crazy about you...."

	=>  G C G C A D A F#m

That's all folks.

	Vincent PAGEL.

---------------End of original message-------------------------------

Newsgroups: alt.guitar.tab
From: n3884@cray.com (Pete Palmer)
Subject: Re: Romeo&Juliet / Dire Straits
Reply-To: n3884@cray.com
Organization: Cray Research, Inc.
Date: 12 Jan 93 12:47:33 CST


-In article 1iusa8INNjtd@basagran.crhc.uiuc.edu, tomm@crhc.uiuc.edu (Thomas B Maciukenas) writes:
>mm@FileServ1.isc (Martin Malich) writes:
>
>>First you have to retune the strings:  D/G/D/G/H/D
>
>"H"?  Which note is that?
>
>-- 
>_-Tom_Maciukenas_(tomm@crhc.uiuc.edu)_________________________


H is Bb for many Europeans.  Isn't this how Bach fugued his own name B-A-C-Bb(H)?


--


--------------------------------------------------
Pete Palmer (n3884@cray.com)
--------------------------------------------------

Anyone who has considerably meditated on man, by profession or vocation,
is led to feel nostalgia for the primates.  -Camus
From: jmstreck@carson.u.washington.edu (John Streck)
Newsgroups: alt.guitar.tab
Subject: Re: REQ: Life is a Highway
Date: 8 Jan 1993 09:04:06 GMT
Organization: University of Washington
NNTP-Posting-Host: carson.u.washington.edu

cbray@nyx.cs.du.edu (chris bray) writes:

>If anybody knows the chords/tab to "Life is a Highway" by Tom Cochrane,
>please post it or email it to me...

>Thanks...

>Chris Bray

Post it if you don't mind.

john streck
jmstreck@u.washington.edu
From: jkirby@ua.d.umn.edu (/kur'- bee/)
Newsgroups: alt.guitar.tab
Subject: Re: letter from the UK
Date: 7 Jan 1993 13:25:50 -0600
Organization: University of Minnesota, Duluth
NNTP-Posting-Host: ua.d.umn.edu

Previously btiffany@pbs.org wrote:
->Glen Macon writes:
->
->> well, i drink bourbon, rarely get out to bars, and 
->> don't have a company car.  by the way, for all you
->> central.sussex.ac.uk!mmuw2-ers, west chester pa is
->> north of the mason-dixon line, and i'm considered a
->> yankee.  i thought all americans were considered
->> yankees...
->
->I have no idea what that weird letter was about, but if you're from
->Pennsyltucky you ain't no Yankee.  True, Southerners may consider anyone or
->anything north of the Mason-Dixon Line a Yankee, but a true Yankee is a
->native of New England.  Not even New York State counts, N.Y. Yankees
->notwithstanding!
->
->-- Bruce Tiffany

Ya know, y'all, it always has been my impression that there is no "north" or
"south" of the Mason-Dixon line as it only has an east and west.
Maybe I'm just impressionable.
		 ______________jkirby@ub.d.umn.edu_________________
| / | |~~\ |~~\ \ / 40 million Americans have smoked marijuana, and the only   
|(  | |__/ |--<  |  three people who didn't enjoy it are Douglas Ginsburg, 
| \ | |  \ |__/  |  Clarence Thomas, and Bill Clinton  --  Jay Leno

Xref: sparky alt.guitar.tab:4803 rec.music.makers.guitar.tablature:833
From: rp@dcs.ed.ac.uk (Roger Peden)
Newsgroups: alt.guitar.tab,rec.music.makers.guitar.tablature
Subject: Re: REQ: If I Can't Change Your Mind (Sugar)
Keywords: sugar bob mould
Date: 5 Jan 93 11:08:28 GMT
Organization: Department of Computer Science, University of Edinburgh


Well, it's about time I started giving to this group instead
of just receiving (Xmas spirit and all that).

This is a brilliant song, dead easy to play too, but it's the
only one I can work out off the album. Any other tabs would be
greatly appreciated!

Anyway, this is played with capo on third fret,so the chords
mentioned refer to chord SHAPES rather than actual chords 
(ie D is really F, G is Bb etc)

IF I CAN'T CHANGE YOUR MIND - SUGAR
-----------------------------------

MAIN RIFF:

     D             G              D            A
E---2--2--0--2-|-3--3--2--0--|--2--2--0--2-|-------------
B---3--3--3--3-|-3--3--3--3--|--3--3--3--3-|--3--2--0--2-
G---2--2--2--2-|-0--0--0--0--|--2--2--2--2-|--2--2--2--2-
D--------------|-------------|-------------|--2--2--2--2-
A--------------|-------------|-------------|-------------    etc.
E--------------|-------------|-------------|-------------

play twice, then play under lyrics (off the top of my head):

D          G
Tears fill up my eyes

D                 A
And wash away the sorrow

D             G
And somewhere deep inside

D                 Bm  F#m
I know there's no tomorrow

G          A
I see your leaving still
  D            A        Bm   F#m
I guess you've had your fill

       G                   A                D
But if I can't change your mind then no-one will

(back to riff)

I can't make out all the words to the verses,
but the break is:

F#m            G
Even though my heart keeps breaking
Bm                  G
Don't you know that I'll be waiting
D
Here for you

F#m             G
When will you return?
Bm              G
When will you return?

Bm
I hope to see la la la la la  (can't hear this bit)
G
hum hum lonely I have waited
Em
If you come back then you will find
A                  G                   (not sure about these chords..)     
A different person if you change your mind

(guitar solo)

  This is all from memory, so don't take it as gospel!

  Have fun...

  ---Roger---
Newsgroups: alt.guitar.tab