HDTenEightyP/NetNews huggingface dataset:
From: kew@cbnewsg.cb.att.com (steve.w.askew)
Newsgroups: rec.music.makers
Subject: Re: Speaker question
Summary: BASS!
Date: 6 Oct 92 14:49:09 GMT
Distribution: usa
Organization: AT&T

In article <1992Oct5.224240.26788@news.weeg.uiowa.edu>, smills@news.weeg.uiowa.edu (MuffinHead) writes:
> kimple@vax.muskingum.edu writes:
> 
> >I have a small 2-10 speaker cabinet that I'd like to use for my bass...
> >maybe even as it's primary speaker cabinet, because I want to get a small
> >but powerful package instead of this monster I've been lugging around.
> >Anyways, I was thinking of loading it with a pair of 10" "subwoofers," 
> >the same speakers that are being used in the car/truck speaker boxes
> >(y'know, the grey fuzzy ones?). they seem to push a good deal of sound
> >out in the car/truck, so I thought they might work well with my bass.
> 
>    Don't do it. Speakers made for music *playback* are quite different than
> the speakers made for music *production*. If you were to use speakers made
> for playback in a bass cabinet, you'd blow them apart and it would sound
> like crap. Only use speakers specifically designed for musical instruments.
>    Also, there is a VERY good chance that your 2-10" box is the wrong
> dimensions for audio speakers.

	I use to think this also "BUT!" I got a 17 year old boy who's
	into BASS! Not bass guitar, but the car/truck bass thAng! His
	favorite tape is a digital test tape that goes down to 1hz. I
	think he's searching for the resonet freq of my sphincter. Any
	way we talk about cabinet specs & driver specs. At first I told
	him I didnt think these drivers could take the transient attack.
	But these drivers are rated at 400 watts RMS FREE AIR! Some are 
	101db @1watt @ 1m. Thats a decent SPL. The point here is these
	car/truck speakers compare favorably with JBL/EV/Eminance/Gausse
	Bottom line is .If a dual 15 cabinet running 1000 watts rms in a 
	Chevy S10 can produce 120db at 32hz and can rattle the window in my 
	house from 150+ feet,,I think they will take a wimpy 150-300 watt bass 
	guitar that goes down to about 40hz.


	Steve
	Doin That Blues ThAng!
Newsgroups: rec.music.makers
From: balon@cup.hp.com (Tom Balon)
Subject: Fender Speaker For Sale
Date: Tue, 6 Oct 1992 22:56:19 GMT
Organization: Hewlett-Packard, Cupertino, CA


	Guitar Amp Speaker
	==================

	   1	10" 30 Watt "Blue Label" Fender speaker out of 1965
			 Fender Princeton $40.00 o.b.o.

	Exellent shape. 

	Tom (408) 243-7745
From: ireland@iccgcc.decnet.ab.com
Newsgroups: rec.music.makers
Subject: What is Musenet CD Status???
Date: 28 Sep 92 10:13:09 EST


You out there Craig? I just wanted to make sure you received my
submission for the Musenet compilation...

Newsgroups: rec.music.makers
From: rblander@watdragon.uwaterloo.ca (Robyn Landers)
Subject: Re: LYRICS: oye como va:HELP
Organization: University of Waterloo
Date: Fri, 25 Sep 1992 19:48:31 GMT

In article <1992Sep24.140810.14965@iplmail.orl.mmc.com> day@elmer.orl.mmc.com (Jim Day) writes:
>Oye Como Va ....
>
>Yeah, great song, we do this song (right after Black Magic Woman) in our band...
>Here are the words:
>
>Oye como va, Mi ritmo,
>Bueno pa' gozar, mulata
>
>FYI ---  the pa' is just short for para
>
>Translation (someone with a Spanish background should be able to give a better
>interpretation)..
>
>Listen how it goes, my rhythm
>Good to enjoy, tanned girl


	I hesitate to do this because of all the disagreement
last time this thread went around, but here's what I saved from
that discussion.  Remember, there was lots of disagreement.

Oye como va, Mi ritmo	[How do you like my rhythm]
Vamos a bailar, mulatto	[Let's go dancing, "tanned girl" (or whatever)]

Oye como va, que lindo	[hear how she comes, how beautiful (it is)]
Bueno pa' gozar, milagro [good to enjoy (like "yeah, cool"), it's a miracle]

	I wonder if "oye como va" is a really general expression, like
"check it out", that is not best translated literally.
I wonder if I should just shut up because I don't know any Spanish.
That would probably be a good idea, huh.



-----
Robyn
rblanders@math.uwaterloo.ca
	"I'm just doing my rock'n'roll duty." -- Dubois

Xref: sparky rec.music.makers:9888 ne.general:2722
From: IMAGING.CLUB@OFFICE.WANG.COM ("Imaging Club")
Newsgroups: rec.music.makers,ne.general
Subject: Audience Thrilled by French Baroque Evening at Longy School of Music
Date: 28 Sep 92 23:06:30 GMT
Organization: Mail to News Gateway at Wang Labs

CAMBRIDGE, MA--September 27, 1992--The Longy School of Music in Cambridge
offered a wonderful evening of French Baroque music Friday in their
concert hall.  The faculty concert featured works by Elisabeth-Claude
Jacquet de la Guerre, Telemann, Marin Marais, Anne Danican-Philidor,
and Teobaldi Gatti.

The audience was enthralled by the performances given by Carol Epple,
traverso, Frances Conover Fitch, harpsichord, Douglas Freundlich,
theorbo, Jane Hershey, viola de Gamba, Sonya Lindblad, recorder,
Dana Maiben, violin, Peter Sykes, harpsichord, and Margaret Daniels
Girard, the masked baroque dancer.  Mr Sykes is also chairman of the
Early Music Department at the Longy School of Music.

The performance was part of the very successful SeptemberFest 1992 series
at Longy. The School is located next to Harvard University Law School
at Harvard Square, making it readily accessible for upcoming Longy
concerts.

by Michael.Willett@OFFICE.Wang.com
Xref: sparky rec.music.makers:9883 alt.guitar.bass:1458
From: plate@cdsmn.mn.org (Doug Plate)
Newsgroups: rec.music.makers,alt.guitar.bass
Subject: Re: Singing and playing simultaneously
Date: 27 Sep 92 21:34:47 GMT
Organization: Dicomed, Inc.

In article <1992Sep24.183444.12311@reed.edu> mojo@reed.edu (-><-) writes:
>
>I think the ability to play a bass line while singing a completely independent
>vocal line is pretty impressive.  I can only do it if one of the lines is
>really simplistic (fortunately, I have about the same vocal range as Lou Reed,
>so this usually isn't a problem :-).
>
>	NT
>-- 
>"My wife is in Hell, where       @  Nathan Tenny           @  I barely even
>I sent her.  She made good       @   mojo@reed.edu         @  _have_ an
>biscuits, but her behavior       @ tenny@euclid.uoregon.edu@  employer.  Can I
>was terrible."  -_Lonesome Dove_ @                         @  use yours?

PRACTICE.  Even Geddy Lee, when asked how he did it, said "Sit at home and
practice".  It's like a guitarist/keyboardist developing hand and finger
independance, or a drummer being able to move their limbs at different
rythms.  

Regards,
Doug Plate
From: joncon@hpcc01.corp.hp.com (Jon Connolly)
Date: Tue, 29 Sep 1992 22:53:43 GMT
Subject: EMs Compressor???
Organization: the HP Corporate notes server
Newsgroups: rec.music.makers

I noticed in the most recent issue of Electronic Musician that they have the 
plans for a simple Compressor.  They claim it's "studio quality" what ever 
that means in this case.  

I wondered if anybody had tried it yet or something similar?  I'd be inter-
ested to know.

Thanks,

Jon

Newsgroups: rec.music.makers,rec.music.newage,rec.music.synth,rec.music.misc
From: mxahmad@pbhyg.PacBell.COM (Mehdi Ahmadi)
Subject: How is Tangerene Dream's concert?
Organization: Pacific * Bell
Date: Mon, 5 Oct 1992 16:42:43 GMT
Followup-To: poster



	I like to get the openion of those who have seen TD in concert
	elsewhere. I am a big fan of the old TD. I hate their latest stuff
	I did not even buy their latest album. It is so empty. TD with
	only Froze and his son does not excite me. 

	Is the concert geared towards stuff they did lately or has 
	Froze come to his senses and changing his downward dircation
	at the time of his concert?

	Please respond. 







 
Newsgroups: rec.music.makers
From: pkor@phoenix (Pasi Korhonen)
Subject: Re: Multitrack DAT
Organization: Ripoff Industries
X-Newsreader: TIN [version 1.1 PL6]
Date: Mon, 5 Oct 1992 00:32:36 GMT

about the Alesis ADAT : 

From: aa330@cleveland.Freenet.Edu (Neil Gould)
Newsgroups: freenet.rec.arts.audio.general
Subject: ADAT gets rave review from Electronic Musician
Reply-To: aa330@cleveland.Freenet.Edu (Neil Gould)
Date: Thu Oct  1 11:16:30 1992



The current issue of Electronic Musician features an in-depth review of the
Alesis ADAT. The reviewers are from a semi-pro studio (Tascam 16-track), with
help and diagnostics from a professional lab. 

In summary, the ADAT performed exquisitely, with both machines tracking with
a flat frequency response of less than +/- .2db over the audio spectrum. The
dynamic range, and accuracy of the A to D converters were of particular note.

The reviewers had nothing but praise for the machine, which makes it all that
more attractive for the home recordist.

-- 
                neil gould  +  aa330@cleveland.freenet.edu
                SysOp: Video Arts Department; Co-SIGop - Audio Arts SIG
                Opinions available at discount rates!
-------------------------------


	Pasi


--
 p a s i   k o r h o n e n             p k o r @ p h o e n i x . o u l u . f i


 saaristonkatu 3 A 6      90100 oulu     finland,europe     tel:358-81-377 811

From: khe@hpfcso.FC.HP.COM (Keith Erskine)
Date: Wed, 30 Sep 1992 19:54:00 GMT
Subject: Guitar Amp Tube Recommendations Wanted
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.makers

Any recommendations for guitar amp tubes? I know Mesa Boogie makes 
tubes, but I'm wondering about other sources.  Are the Mesa Boogie
tubes really as good as the ads claim they are?  I need 6L6's for a 
vintage Fender Twin Reverb.  Someone said I shouldn't have to 
replace the 12AX7 tubes in the preamp stages, is this true?  
I haven't replaced the tubes in this amp 12 years!!!!

Keith Erskine
Newsgroups: rec.music.makers,alt.guitar
From: appleyar@brtph72.bnr.ca (Doug Appleyard P215)
Subject: Re: Halloween Tunes
Organization: Bell-Northern Research, RTP, NC
Date: Fri, 02 Oct 1992 13:31:29 GMT

Another great Halloween tune is "Werewolves of London" by Warren Zevon.
I think it's just V-IV-I over and over.  Would anyone mind posting the
lyrics/chords?  

It helps if you're in London on Halloween when you play it, like the 
Grateful Dead a couple of years ago.  Awooooooo!

Speaking of cool cover tunes, David Byrne closed out a show last week 
in Raleigh with a rendition of "Keep On Rockin' in the Free World" by 
Neil Young.  Anyone got lyrics/chords? 

-- 
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
-= Doug Appleyard  =-=-=-=-=-=-= voice: 919-991-7805  esn: 294-7805 -=
=- appleyar@bnr.ca -=-=-=-=-=-=- warning: not the views of bnr inc. =-
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Newsgroups: rec.music.makers
From: wb@tornado.kodak.com (wb@tornado.kodak.com)
Subject: FOR SALE A.R.T. Digitial/Analog Multi Effects Unit
Organization: Digital Equipment Corp. (Telstar), Rochester, N.Y. 14653
Date: Wed, 30 Sep 1992 15:34:04 GMT

F O R  S A L E:

A.R.T. DrX Digital/Analog Multi-Effects Device
----------------------------------------------
*) Upto 10 effects at once(a maximum of 4 digital
   --the usual assortment--  and 6 analog effects
   noise-gate/compressor/limiter/exciter/envelope generator).

*) Very quiet for recording purposes.

It has been used less than 100 hours in my home studio.
Want to sell it to upgrade to Lexicon equipment. It is
in mint condition. It has presets geared towards studio
activity, although any instrumentalist would be happy
with this unit. I have the manual and original packing
material.

$300 (seller will handle shipping)

If you decide to respond to this post, please note that you must
"SEND" to wb@tornado.kodak.com rather than "REPLY" 'cause the "REPLY TO"
address is "nobody@kodak.com," irrepairably so...
-----------------------------------------------------------------------------
     ------->----->----->----->----->----->----->-----| -----|
                                                      | -----|
                                                      v      v

Wendell Bigelow:                              | PLEASE "SEND" rather than
Systems Integration & Software Development,   | "REPLY"!! The "REPLY" address
Printer Products Division                     | is "nobody@kodak.com"...
Eastman Kodak, Rochester, New York            | Internet:wb@tornado.kodak.com
-----------------------------------------------------------------------------



Newsgroups: rec.music.makers
From: smills@news.weeg.uiowa.edu (MuffinHead)
Subject: Re: Advice for Drummer
Organization: University of Iowa, Iowa City, IA, USA
Date: Mon, 5 Oct 1992 09:16:35 GMT

boarjas@elof.iit.edu (Jason Boardman) writes:

>In article <1992Sep24.055245.11040@news.weeg.uiowa.edu> smills@news.weeg.uiowa.edu (MuffinHead) writes:
>>-Join the drummers' mailing list at drum@elof.itt.edu. (I think that's right.)
>                                               ^^^
>Actually that's drum@elof.iit.edu.  If you want to subscribe to the
>drum/percussion mailing list, send mail saying so to:
>drum-request@elof.iit.edu
>(Thanks for the plug Muffinhead!)

   See what happens when I can't suspend my news reader? :D
Newsgroups: rec.music.makers,rec.music.industrial
From: scupin@rintintin.Colorado.EDU (SCUPIN  JONATHAN RAYMOND)
Subject: Re: Aint it dead yet vocals
Organization: University of Colorado, Boulder
Date: Mon, 5 Oct 1992 20:03:45 GMT

gingeric9178@iscsvax.uni.edu writes:

>Path: iscsvax.uni.edu!gingeric9178
>From: gingeric9178@iscsvax.uni.edu
>Newsgroups: rec.music.synth
>Subject: Aint it dead yet vocals.....
>Message-ID: <1992Oct2.112447.7279@iscsvax.uni.edu>
>Date: 2 Oct 92 11:24:47 -0500
>Organization: University of Northern Iowa
>Lines: 14

>HEllo,
>   Some one out there should know this.  Everyone else I have asked has said,
>"Oh yeah it is one of those, um, give me a second....".  What the hell is the
>vocal effects processor Ogre is using in Skinny Puppy's Aint it Dead yet?
>Video\CD?  Is it possible to get a hold of one or of something that does
>something similar.  I saw the Butthole Surfers awhile ago and the singer
>(Gibbyy) was using what acted like the same thing but I could not really make
>out any name or anything distinguishing.  This thing seems to grab the vocals
>virtually instantaneously and loop\echo them at speeds varying from regular
>echoing to lightining fast.  I know this is a pretty lame explanation, but I am
>doing this from work and have to hurry.  I guess my best bet for an answer
>while come from people that have seen the video...
>Thanx,
>Not GINGERIC9178 at all, but Rob Williams.
 

I met a guy this weekend who had some great shots of that tour and others, and
the effects processor looks just like a regular guitar effects processor. I 
know not what brand, though.  Go to a Pawn shop, and try some different ones
out, if you're interested...
      coprophiliac
From: jay@cmn19.Stanford.EDU (Jay Kadis)
Newsgroups: rec.music.makers
Subject: Tascam digital 8-track
Date: 29 Sep 92 17:57:47 GMT
Organization: DSO, Stanford University

Here's something interesting:  New products introductions at the upcoming  
AES meeting include the Tascam MDR-88 stationary head 8mm digital  
multitrack recorder.  This would seem to be more similar to the Yamaha  
DRU/DMR-8 than the Alesis ADAT.  That's interesting...

Jay
From: sbb1@Ra.MsState.Edu (Shay B. Berthelson)
Newsgroups: rec.music.makers
Subject: Les Paul - Standard - Wine Red - Great Con.
Date: 26 Sep 92 19:14:57 GMT
Organization: Mississippi State University



Whats It Worth???? 1977 - Not A Copy.

--
******************************************************************************
** Shay B. Berthelson ******   Don't call me WHITE ***************************
** sbb1@Ra.MsState.EDU *****   I am Danish American **************************
******************************************************************************
Newsgroups: rec.music.makers
From: jay@cmn19.Stanford.EDU (Jay Kadis)
Subject: Re: Where to get 1/4" Phono Cables Cheaply?
Organization: DSO, Stanford University
Date: Fri, 2 Oct 92 17:12:27 GMT

In article <438@bit.UUCP> grego@bit.UUCP (Greg Sanguinetti) writes:
> In article <1992Oct1.202821.26566@col.hp.com> friedman@col.hp.com (John  
Friedman) writes:
> > <Re: Radio Shack gold 1/4" phone plugs>
> >I've had NUMEROUS of these puppies fail on me, as well as fail on  
friends
> >of mine.  I've pretty much switched over to Neutrik's 1/4" phone plugs
> >(~$2 and WELL WORTH IT!!!) for any cables that get plugged in and out  
often.
> >John Friedman
> 
> Thanks for the warning. Yes I have used the Neutrik phono plugs when
> I HAVE to connect stuff with only phono jacks (yuk). $2 is a good price
> for their 1/4" plugs. Who is your supplier?
> Inquiring minds want to know *^)
> -grego
> -- 


I strongly agree...Radio Shack connectors are definitely poor quality no  
matter what plating they might carry.  Use Switchcraft or Neutrik: your  
time is worth more than the small cost differential.

Jay
Newsgroups: rec.music.makers
From: jsturges@iastate.edu (Jason L Sturges)
Subject: About to join BMI
Summary: About to join BMI, any suggestions?
Keywords: BMI, join, thoughts/suggestions.
Organization: Iowa State University, Ames, IA
Date: Mon, 28 Sep 1992 16:46:36 GMT

 Hello.  I'd like to ask a couple people's opinions of BMI.   I'd like to have
a  music protection agency  behind me as I'm  trying to get my  music out into
the world.   I've choosen BMI because it sounds like the best place to be, and
many other composers  with similar style of music seem  to go to BMI.  I would
have joined  a long time ago,  except when I got the forms I became  instantly
paranoid when looking at the page after page of legal garbage in the contract.
I know it's necessary and for my good, but it still makes me nervous.  

 Is there anything  I should know, or pay  special attention to, or be careful
of in joining and in membership?  Those who  have done research or have joined
have any comments?
 
 I guess I'd feel better about joining if I had some  positive thoughts behind
me.  Thanx to all for listening and to those for their responses.

							-- Jason Sturges
From: joshs@tsdiag.ocpt.ccur.com (Josh Shar N2MQD)
Newsgroups: rec.music.makers
Subject: wanna jam?
Keywords: play,jam
Date: 1 Oct 92 16:58:59 GMT
Distribution: nj
Organization: Concurrent Computer, Oceanport NJ

Gutartist available for work or just jamming.
Local to central/south NJ (Monmouth/Ocean).

Thirty something musician would like to meet
other musicians with interests in Blues, Classic
Rock, R&B and/or Jazz. I own fairly good stuff
and have reliable transportation for geting around.
I do very little lead singing but can do backups.
I'd like to do originals (Jazz/new age) if possible. 
Ask for Josh or leave message at: 908-349-5951.
                                  ______
 /_=_\   | FAX: 908 - 870 - 5952 |      |
O @ @ O  | Ph#: 908 - 870 - 4200 |______|
|( u )|  | joshs@tsdiag.ccur.com      or
  {-}'   | rutgers!tsdiag.ccur.com!joshs
Newsgroups: rec.music.makers,alt.guitar,ba.music,sun.music
From: crisp@netcom.com (Richard Crisp)
Subject: Re: Nice guitars for sale (Gibson, Rickenbacker, Alembic, Yamaha)
Keywords: Gibson, Rickenbacker, Alembic, Yamaha
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Date: Wed, 30 Sep 1992 22:21:25 GMT

In article <!29nysb.crisp@netcom.com> crisp@netcom.com (Richard Crisp) writes:
>
>
>I have several nice guitars I would like to sell.
>
>	Alembic Electrum (6 string guitar). three pickups
>	active tone electronics, gorgeous vermillion/mahogony/ebony/maple
> 	construction.
>			-$650
>
>	Rickenbacker 481
>	twin humbuckers, phase splitter, blonde maple/white binding
>	bolt on neck. Rare angled frets model!
>	a collector's rarity!
>			-$500
>
>	Gibson ES175D
>	Twin humbuckers, blonde maple/white binding. Beautiful
>	appearance and condition.
>			-$700
>
>	Yamaha 12 string
>	Early model (Nippon Gakki made).
>	Solid spruce top/veneer rosewood (book matched) sides and back.
>	Nice case, great sound
>			-$300
>
>All include cases, all are in great shape.
>Cash only
>
>
>(415) 903-3832 wk  "Get rid of the bums!"   (408) 253 4541 fax

The Alembic, the Gibson and the Rickenbacker are all sold. The Yamaha is
still available and with a recuced price of $250. The Yamaha is really 
beautiful and with the solid spruce top, has wonderful sound. The 
body is a dreadnaught sized one.


-- 
Richard Crisp       Cupertino, Ca.          crisp@netcom.com
(415) 903-3832 wk  "Get rid of the bums!"   (408) 253 4541 fax
From: grego@bit.UUCP (Greg Sanguinetti)
Newsgroups: rec.music.makers
Subject: Re: Where to get 1/4" Phono Cables Cheaply?
Date: 2 Oct 92 14:53:39 GMT
Article-I.D.: bit.438
Reply-To: grego@bit.UUCP (Grego Sanguinetti)
Organization: BIT  Portland, OR

In article <1992Oct1.202821.26566@col.hp.com> friedman@col.hp.com (John Friedman) writes:
> <Re: Radio Shack gold 1/4" phone plugs>
>I've had NUMEROUS of these puppies fail on me, as well as fail on friends
>of mine.  I've pretty much switched over to Neutrik's 1/4" phone plugs
>(~$2 and WELL WORTH IT!!!) for any cables that get plugged in and out often.
>John Friedman

Thanks for the warning. Yes I have used the Neutrik phono plugs when
I HAVE to connect stuff with only phono jacks (yuk). $2 is a good price
for their 1/4" plugs. Who is your supplier?
Inquiring minds want to know *^)
-grego
-- 
---------------------------------------------------------------------------
Grego Sanguinetti, Bipolar Integrated Technology | Water, water everywhere,
grego@bit.uucp or grego%bit%ogi.cse.edu          | but I'd rather drink
or bit!grego@ogi.cse.edu or ...!ogicse!bit!grego | beer.
Newsgroups: rec.music.makers
From: annius@sif.research.ptt.nl (Annius Groenink)
Subject: Re: Singing and playing simultaneously
Organization: PTT Research
Date: Mon, 28 Sep 1992 16:06:27 GMT

sumrn@dssv01.crd.ge.com (Robert N. Sum) writes:

>sure they're doing ok.  My experience is that my singing goes bye-bye when I
>have to think too much about the instrument (guitar, flute) and vice versa.

So you've actually tried to sing and play flute at the same time?



-- 
Annius Victor Groenink      Universiteit Utrecht      PTT Research Leidschendam
Mathematics/Comp. Sc.        avgroeni@cs.ruu.nl       +31 70 3325445 (weekdays)
Atari ST/Music          A.V.Groenink@research.ptt.nl  +31 70 3464732 (evenings)
_____________My opinions are my opinions____________  +31 5700 29396 (weekends)
From: David.T.Greenfield@dartmouth.edu (David T. Greenfield)
Newsgroups: rec.music.makers
Subject: Re: Making your voice sounds like it really does
Date: 30 Sep 92 14:05:15 GMT
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a6@newshost.dartmouth.edu

In article <6279@m1.cs.man.ac.uk>
ross-c@scs.leeds.ac.uk (R Clement) writes:

> One trouble I've been having with learning to sing is that my voice does
> NOT sound to me as it does to others (followup reduction: because I hear a
> mix of internal and external vibrations blah blah blah). Hence it's important
> to often tape your own voice and .... blah blah blah blah.
> 
> I just spotted a good (?) method in a book about the voice in general.


Please, what is the name and the author of the book?

Thanks.

David
david.t.greenfield@dartmouth.edu
Newsgroups: rec.music.makers