HDTenEightyP/NetNews huggingface dataset:
From: furufuru@ccsr.u-tokyo.ac.jp (Furue Ryo)
Subject: Re: There's nothing wrong with Bolero
Organization: Center for Climate System Research, Univ. Tokyo, Japan.
	<1993Jan11.230433.9296@fid.morgan.com>
Date: Tue, 12 Jan 1993 11:51:40 GMT

In article <1993Jan11.230433.9296@fid.morgan.com> apter@fid.morgan.com (Steve Apter) writes:

:
: (a lot deleted)
: 
: I remember reading that Victor de Sabata asked the members of his orchestra
: to shout in unison throug the final stretches of this work.  Apparently
: Ravel, who regarded de Sabata as the best interpreter of his music, approved.
: Although de Sabata's recording (with the NY Philharmonic, if memory serves) 
: is splendid in other respects, it does not contain this modification.

Claudio Abbado's recording with London Symphony Orchestra does contain 
shouting. (Sorry I don't know its recording date.)  It's exciting! I
would, however, like it much more if it was neater: the orchestra
sometimes becomes too messy.

Ryo FURUE
furufuru@ccsr.u-tokyo.ac.jp
Newsgroups: rec.music.classical
From: judd@wilkinson.cs.colorado.edu (Stephen Judd)
Subject: Do recordings of the following pieces exist?
Organization: University of Colorado, Boulder
Date: Fri, 8 Jan 1993 18:27:07 GMT

Are there some good recordings of the following:
	Scubert
		Arpeggione
		Fantasia CMaj (D.934) (asked earlier by someone else)

	Brahms (Did I see correctly that people seriously dismiss Brahms
		as a composer?  Wow.  And please don't post responding
		to this comment!  Send email!)
		
		Sonatas, Op. 78, Op. 100, Op. 108

And, do recordings of the following even exist:
	Scubert
		Duo AMaj Op. 162 (D.574)
	Mendelssohn
		Sonata FMaj (probably Menuhin if it exists)
	Dvorak
		Sonata, Op. 57

These are violin works of course, except for sometimes the Arpeggione.

I am curious how/if others play them.

BTW - They are all fantastic.

					-Steve
--
judd@colorado.edu
Newsgroups: rec.music.classical
From: eric <eschramm@magnus.acs.ohio-state.edu>
Subject: Columbia House Classical Club: thumbs up or down?
Organization: The Ohio State University
Date: Thu, 7 Jan 1993 00:00:23 GMT


Has anyone out there had any experiences with the Columbia House 
Classical Club? Their flyer offers 9 CDs for s&h charges and a 10th 
for $7; then you must buy 6 full-priced CDs over 3 years, with some 
bonus opportunities thereafter, as well as some "sales" sprinkled 
into the mix. What I really want to know is how good their selection
is, compared to IPS/BMG, especially in complete opera recordings 
(modern recordings only, or remastered ones as well?). Any info /
opinions would be appreciated.

Eric Schramm
Newsgroups: rec.music.classical
From: dbrooks@osf.org (David Brooks)
Subject: Re: Saint-Saens question
Organization: Open Software Foundation
Date: Fri, 8 Jan 1993 17:48:27 GMT

chaban@fortsc.enet.dec.com (Ed Chaban) writes:
| does anyone know why Saint-Saens forbid performance of "Carnival Of The
| Animals" until after his death?

Because he couldn't stand the Ogden Nash commentary, which lost bigtime
in the translation :-)
-- 
David Brooks					dbrooks@osf.org
Open Software Foundation			uunet!osf.org!dbrooks
Shine out, fair sun, with all your heat!  Black winter freezes to his seat...
The boneless fish close quaking lies...the stars in icicles arise!
Newsgroups: rec.music.classical
From: bryan@netcom.com (Bryan Higgins)
Subject: Re: Best CD of Mussorgsky "Pictures ..."
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Distribution: na
Date: Fri, 8 Jan 1993 03:34:44 GMT


For the piano version, I like Barry Douglas.
-- 
Bryan Higgins, Berkeley, California  (bryan@netcom.com)
Newsgroups: rec.music.classical,rec.music.early
From: prh2s@faraday.clas.Virginia.EDU (Patrick Ray Harrison)
Subject: English Concert in U.S.
Organization: University of Virginia
Distribution: usa
Date: Wed, 6 Jan 1993 19:54:02 GMT


Newsgroups: rec.music.classical
From: ridgway@athena.mit.edu (Lee Ridgway)
Subject: Re: Spanish organ music
Keywords: organ spanish
Organization: Massachusetts Institute of Technology
Date: Wed, 6 Jan 1993 21:09:03 GMT

In article <i3270.726335402@newsie>, i3270@zarina.dc.dk (Erik Kristiansen) writes:
|> Sometime ago someone asked about a recording with spanish organ
|> music.
|> Harmonia mundi france has reissued the one made by Francis Chatelet
|> some years ago. This was a boxed set with 5 lp's containing various
|> spanish baroque music (Cabezon, Elias, Casanovas, Araujo etc) recorded
|> on the old organs of Salamanca, Toledo, Trujillo, Covarubbias and
|> Palma de Mallorca. The collection can be recommended. It has been reissued
|> on 5 separate cd's. 

I have not cared for Chatelet's playing - a bit too dull for my taste. The Valois
label has issued ten recent recordings of Spanish organ music, in
celebration of Columbus's voyage in 1492. The name of the series is El Organo
Historico Espagnol. The recordings cover the usual Spanish composers,
played by a variety of excellent people (Montserrat Torrent, Odille Bailleux,
Kimberly Marshall, etc.), on excellently restored historic instruments.    
Newsgroups: rec.music.classical
From: ext@wam.umd.edu (Eugene Zhu Xia)
Subject: Re: Haydn's "Creation" - new recording on Telarc by Shaw
Organization: University of Maryland, College Park
Date: Wed, 6 Jan 1993 03:07:34 GMT

>From: rtut@troi.cc.rochester.edu (Raymond Tuttle)
>Subject: Haydn's "Creation" - new recording on Telarc by Shaw


How does that compare with Hogwood's English version (which I own)
on period instruments?

Eugene
From: mgresham@dscatl.UUCP (Mark Gresham)
Newsgroups: rec.music.classical
Subject: Re: Pittsburgh Symphony Wins New York Times Award
Date: 8 Jan 93 07:05:56 GMT
Reply-To: mgresham@dscatl.UUCP (Mark Gresham)
Organization: Digital Systems Co,  Atlanta, Ga

In article <C0H0ny.24B.1@cs.cmu.edu> acid+@cs.cmu.edu (Christopher Colby) writes:
>In article <C0Got4.HoF.1@cs.cmu.edu> hsmoliar+@cs.cmu.edu (Harold Smoliar) writes:
>>The New York Times thought that both of our Fall concerts in Carnegie Hall
>>were great--all of the NY papers loved us except for Long Island Newsday
>>and their pan was mostly of Maazel, not the orchestra.
>
>I stand corrected, then.  My apologies.  I was told by a friend who works
>for the Met that the Fidelio was strongly panned by the papers.  Apparently
>I was misinformed.

One could also easily understand how someone working at the Met
would be less than enchanted with the idea of an UNSTAGED Fidelio
performance getting nearly unanimously favorable reviews.
Territorial predispositions are everywhere. :-)

Cheers,

--Mark Gresham
dscatl!mgresham@gatech.edu
=====
From: Karen Ronan <ronan@mendel.berkeley.edu>
Newsgroups: rec.music.classical
Subject: Re: My Christmas CDs
Date: 6 Jan 1993 00:02:28 GMT
Organization: None
Distribution: world
NNTP-Posting-Host: kos2mac26.berkeley.edu
X-UserAgent: Nuntius v1.1.1d10
X-XXMessage-ID: <A76F5F8F5B018060@kos2mac26.berkeley.edu>
X-XXDate: Tue, 5 Jan 93 15:53:51 GMT

Three CDs bought at a post-Christmas sale:

"Christmas in Vienna"-Vienna Choir Boys.
Ethereal singing with that sugary-sweet, fairytale feeling.

"Elisabeth Schwarzkopf-The Christmas Album"
Recorded in 1957 with Ambrosian Singers and Philharmonia Orchestra.
Has a certain sublimity.  I like the arrangements, which sound rather
dated (a little bit corny) but that adds to the enchantment.

"Dark Eyes: Russian Folk Songs" - Dmitri Hvorotovsky.
My first introduction to him.  I'm in love!  Does anyone have his
Tchaikovsky & Verdi arias?  Are they great?

-Karen
Newsgroups: rec.music.classical
From: erwin@helsinki.ks.uiuc.edu (Edgar Erwin)
Subject: Re: Gorecki's 3rd Symphony
Organization: University of Illinois at Urbana
Date: Tue, 5 Jan 1993 17:44:54 GMT

Edgar Erwin writes
> 
> The first movement melody is in aeolian mode.  (Q: Does that count as  
> diatonic?)
> 

Before someone takes me to task, I'll answer my own question.  Of course  
aeolian mode is diatonic, as are all the modes.  The more common harmonic minor  
is not.  Oh the shame!  How could I bear to show my face here again?
Newsgroups: rec.music.classical
From: smitra@bronze.ucs.indiana.edu (Sami Mitra)
Subject: Re: Best CD of Mussorgsky "Pictures ..."
Organization: Indiana University
Distribution: na
Date: Wed, 6 Jan 1993 16:13:27 GMT

In article <C0EywF.Ft2@ecf.toronto.edu> torenvl@ecf.toronto.edu (TORENVLIET GERARD LAWRENS) writes:

>Quite frankly, I don't recommend the orchestration by Ravel

Why do you not recommend this orchestration? Of course, there have
been many versions, a fate that somehow has haunted Mussorgsky in many
of his works, but Ravel's version seems to be standing the test of time
pretty well.

I second Steve's recommendation of the recent Sinopoli, NYPO recording
of the work. It is fantastically well played and recorded, and you get
Night on the Bald Mountain as an extra. 

Maazel's recording of this orchestration is no slouch either.


Sami Mitra
Xref: sparky rec.music.classical:19807 ny.general:514
From: acid+@cs.cmu.edu (Christopher Colby)
Newsgroups: rec.music.classical,ny.general
Subject: Re: Pittsburgh Symphony Wins New York Times Award
Date: 6 Jan 93 23:45:10 GMT
Article-I.D.: cs.C0GHzF.Cos.1
Organization: School of Computer Science, Carnegie Mellon

In article <199301061755.AA10821@tuna.wang.com> IMAGING.CLUB@OFFICE.WANG.COM ("Imaging Club") writes:
>
>I noticed that the Pittsburgh Symphony just won the 1992 New York
>Times Award for "The Most Faithful Fidelio."
>
>"Lorin Maazel and the Pittsburgh Symphony made a virtue of
>unstaged concert opera with their presentation of Beethoven's
>'Fidelio' at Carnegie Hall; in their hands, an opera became a
>cantata."

I'm not sure exactly what all this means, but I heard this performance in
New York was, not surprisingly, absolutely panned.

Speaking of which, I don't know much about orchestras in other cities, but
after living in Pittsburgh for a few years now, I've come to realize that
this whole organization needs an enema, and I'm not just talking about
performance quality.  In the future, I'll be putting my money elsewhere.

To those of you in other cities:  As a whole (management, policy, etc.),
what orchestras do you like/dislike?

-chris
Newsgroups: rec.music.classical
From: pmcq@esse11.dei.unipd.it (Diego Liziero 340364/IL)
Subject: NEEDED info. Organ's studies
Organization: Universita' di Padova, Italia
Date: Mon, 11 Jan 1993 18:45:40 GMT



	Does someone know if there are recent studies 

	or degree thesis on organ's compositors (Bach, 

	Buxtehude, Franck, Widor, Vierne, Hindemith, 

	Liszt, Messiaen) ?



			~~~~~~	

	Please e-mail any answer to

		pmcq@sabrina.dei.unipd.it
	or
		pmcq@paola.dei.unipd.it

Thanks ! ! !				Diego.

Newsgroups: rec.music.classical
From: nsh3@cunixf.cc.columbia.edu (Nadine S Harris)
Subject: Re: Schubert recommendations
Reply-To: nsh3@cunixf.cc.columbia.edu (Nadine S Harris)
Organization: Columbia University
Date: Thu, 7 Jan 1993 16:13:20 GMT


In article <1992Dec31.180748.23874@jhunix.hcf.jhu.edu> velde2@jhunix.hcf.jhu.edu (Francois Velde) writes:
>In article <1992Dec28.215932.21604@news.acns.nwu.edu> ssc@nwu.edu (Steven Chung) writes:
>>
>>Any recommendations on recordings of Schubert's two piano trios and his
>>Fantasia D934?  I've only seen Kremer's recording of the Fantasia, and I'm
>>not particularly a fan of his.
>
>For the piano trio no. 1, Thibaut-Cortot-Casals is outstanding.
>For both, I rather like the Beaux-Arts Trio.

These are fine (most performances of these are) but Cohen's fiddle is
just not up to Greenhouse's and Pressler's excellence.  Heavy recommendation
for Stern-Rose-Istomin's classic job on Columbia (now Sony?) for
op. 100, which is one of the greatest works of Western music.
Just wanted to mention a performance it's pretty hard to leave off
for op. 99, the old RCA set with Heifetz and Rubenstein.  Both
musicians always get undervalued as chamber musicians, I think.

Nadine
From: bcc@tools8teradata.com (Brian Cantin)
Newsgroups: rec.music.classical
Subject: Re: Bruno Walter's Beethoven
Date: 6 Jan 93 17:34:14 GMT
Organization: NCR/Teradata Business Unit

The Walter Columbia Symphony performances were recorded about 1959 (give or take a year).

The sound of the 6 cd set is pretty good.  The sound is actually better than the Odyessy lp
set I purchased in the 70s.  However, I also have a separate lp issue of the 6th that has better
sound than the cd version.

The skill employed in remastering is often the main factor determining
the sound quality of a cd or lp.  For lps, the care taken in the pressing was often a big factor.
The other thing you have to consider that the master tapes will deteriorate over time.

The sound quality of the Walter reissues are of particular importance because the performances
are so fine.  The set contains my favorite 6th, 7th and 8th.  The rest are also very fine except
for the 9th.  The 9th was recorded in New York with a different orchestra.  Both in terms of the
performance and the sound, the 9th is not as successful as the rest of the set.
-- 
Brian Cantin
Newsgroups: rec.music.classical
From: dagbrown@undergrad.math.waterloo.edu (Dave Brown)
Subject: Re: Anyone heard of Huenter Kradaken?
Organization: University of Waterloo
Date: Sun, 10 Jan 1993 01:40:31 GMT

In article <runehh.122.726347973@dhhalden.no> runehh@dhhalden.no (RUNE HALFDAN HOLST HUSEBY) writes:
>In article <1993Jan5.234013.12482@cheshire.oxy.edu> dementia@cheshire.oxy.edu (Daniel Steven Reinker) writes:
>>From: dementia@cheshire.oxy.edu (Daniel Steven Reinker)
>>Subject: Re: Anyone heard of Huenter Kradaken?
>>Date: Tue, 5 Jan 1993 23:40:13 GMT
>>In article <C0E8pu.Mx@usenet.ucs.indiana.edu> cstringe@silver.ucs.indiana.edu (Chuck Stringer) writes:
>>>mjenkins@alfred.carleton.ca (Michael Jenkinson) writes:
>>>|
>>>| Oh, indeed his second was superior to the third, but the third
>>>| symphony had that *je ne se quoi* about that always stirs my heart.
>>>| 
>>>| I really don't know why Kradaken never really broke more to the
>>>| "mainstream". It's unfortunate.
>>>| 
>>
>>I'm amazed to hear the date Kradaken was born....listening to his third
>>symphony, I thought he was more modern. He certainly shows an amazing
>>acquantince with atonality for his time. (Either that or he has 
>>absolutely no understanding of standard chord structure.)
>>
>>I think my favorite movement of "St. Peter and the Four Dragons"
>>is the second movement, called the "Allegro Dragon." The end cadence,
>>which actually leads to an augmented seventh as the final chord, is
>>utter genius. That movement is definitely superior to the "Lentemente
>>Dragon"...the wailing french horn solo grates on me after awhile.

Oh, come on!  Wailing?  But then again, I'm prejudiced toward the French horn.
>>
>Well, those stories about Kradaken is definetly not the same as the one I've
>heard. Rumours says that, as you know he suffered from depression, his older
>sister wrote the third symphony when he was at a hospital. That is said to 
>be the reason to why the third is so different from the rest.

Really?  I thought it was _because_ he was ill that the third symphony was
so minimalist-sounding.  The man was about fifty years before his time with
that one...although I like his earlier works better--"A Dark Blizzard," which
he wrote when he was only a teenager, has always been one of my favorites.  It's
a shame that I've only been able to find his works in a store in Vancouver that
sells pre-recorded reel-to-reel tapes--it'd be nice to get some of his works on CD.


-- 
Dave Brown
dagbrown@undergrad.math.uwaterloo.ca
Phone: (519) 747-5413
Newsgroups: rec.music.classical
From: nsh3@cunixf.cc.columbia.edu (Nadine S Harris)
Subject: Re: French Baroque Chamber Music
Reply-To: nsh3@cunixf.cc.columbia.edu (Nadine S Harris)
Organization: Columbia University
Date: Wed, 6 Jan 1993 16:11:59 GMT


In article <1993Jan4.175700.6742@midway.uchicago.edu> pkbockus@gsbphd.uchicago.edu (Keith Bockus) writes:

>Since Tower Records storewide sale, is just a week or so
>away, it's time to make up my shopping list and I'd like
>to solicit your help.  I'm looking to expand my collection
>of French (and perhaps Italian) baroque chamber music.
>I've got some Rameau, Marais, Forqueray, and Leclair.
>For the Italians, I only have the standard Corelli.
>Who should I be seeking out?

I just started buying in that area and there is a good bargain in the
French baroque instrumental chamber music Vox Box.  It is 3 CDs and I
got it at HMV for about $15.  It contains Marais' "La Gamme" (which
you may have) but also some Saint-Colombe, several Boismortier,
a Rameau, a good deal more Marais, and several contributions from
various Couperins.  Most of it is gamba music, but there are several
orchestral numbers and several Italianate sonatas.  I enjoy the
performances (on original string instruments, a particularly
gorgeous 1790 transverse flute, and reconstructed winds) very much.

The music from "Tous les Matins du Monde" has been given to
everyone for Christmas, folks tell me, and in France, particularly,
this disk is inspiring renewed interest in their Baroque.

Nadine
From: sroka@evax.gdc.com
Newsgroups: rec.music.classical
Subject: Tanglewood schedule wanted
Date: 6 Jan 93 17:55:24 GMT
Organization: General DataComm, Middlebury CT

Hi there. I was wonderig if anyone out there would have the schedule for
Tanglewood for '93 or would know where I could get a copy?

Please E-MAIL me directly sine I don't alway have a change to check this group.

Thanks

Stan
Organization: University of Maryland at Baltimore
Date: Monday, 4 Jan 1993 11:59:23 EST
From: Robert Haskins <RHASKINS@UMAB.BITNET>
Newsgroups: rec.music.classical
Subject: Re: Help: name this piece

The IBM commercial music is by the Penguin Cafe Orchestra.  The tune,
apparently, is called "Letters from Home," and it's on an album that
starts with an "A."  Sorry the info got more vague as it goes along,
but I know the artists for sure.

Hope this gets you started.


Bob
From: tomm@hpindda.cup.hp.com (Tom McNeal)
Date: Tue, 12 Jan 1993 00:29:35 GMT
Subject: Define "Well Tempered"
Organization: HP Information Networks, Cupertino, CA
Newsgroups: rec.music.classical

Does anyone know the difference between 'well-tempered' and 'equal-tempered'
tuning on a piano?  All I know is that 'equal-tempered' is the current 
tuning style, and has been for some time, and that Bach used 'well-tempered'
tuning (Oho, you say, THATS what "Well-tempered Clavier" meant.)


-------------------------------------------------------------------
tomm@hpindada.cup.hp.com
Tom McNeal at Hewlett-Packard's Information Networks Division 
19410 Homestead Rd., M.S. 43LN, Cupertino, CA  95014  (408)447-2300
-------------------------------------------------------------------
Newsgroups: rec.music.classical
From: clavazzi@nyx.cs.du.edu (The_Doge)
Subject: Re: Best CD of Mussorgsky "Pictures ..."
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Distribution: na
Date: Wed, 6 Jan 93 16:31:58 GMT

In article <C0EywF.Ft2@ecf.toronto.edu> torenvl@ecf.toronto.edu (TORENVLIET GERARD LAWRENS) writes:
>In article <1993Jan5.215131.2986@bme.ri.ccf.org> christoj@bme.ri.ccf.org (Judy Christopher) writes:
>>Please help - I need to get for my husband the absolute best CD of
>>Pictures at an Exhibition (Ravel).  What do you recommend?
>>
>>Ciao, Judy
>
>Quite frankly, I don't recommend the orchestration by Ravel; instead get the
>original piano piece by Mussorgsky.  If you can still get your hands on the
>one played by Mikhail Pletnev on the (now defunct) Virgin label, you do your-
>self and your husband well.
>
	Another suggestion: a few years ago, CBS issued a performance by
Vladimir Ashkenazy performing the original piano version *and* conducting his
own orchestral version on the same CD.  Makes for some fun comparisons,
especially if you have a fully-programmable player that allows you to
alternate piano and orchestrated sections.

The_Doge
From: freed@ccwf.cc.utexas.edu (G. Freed)
Newsgroups: rec.music.classical
Subject: Early Music Questions
Summary: reccomendations
Date: 9 Jan 93 11:19:37 GMT
Distribution: rec.music.classical
Organization: The University of Texas at Austin, Austin TX

Question #1:  I'm a marginal member of the Early Music Ensemble
here.  Last year we played some beautiful songs called the Cantigas
de Something [yes, I realize exactly how helpful that is] by Martin
Codax.  I found two recordings of a few of the songs one of which was
new-agey and weird and the other of which featured a female vocalist
who sounded like a male vocalist in considerable pain.  Can anyone name
any recordings so I might be able to find a better one?

#2: Any reccomendations/pans/comments of any sort on a Hyperion disk
called, I think, A Spanish Songbook w/ Rennaisance songs by, among others,
Encina?
   
thanks
Newsgroups: rec.music.classical
From: mvburke@silver.ucs.indiana.edu (mary virginia burke)
Subject: Re: French Baroque Chamber Music
Organization: Indiana University
Date: Thu, 7 Jan 1993 21:14:29 GMT

You might look for some of the Prelude Baroque compilation disks....there are
collections of Rameau, Monteverdi, Charpentier, Lully, Couperin, etc., and 
these include performances by powerhouse groups like Les Arts Florissants (who
are the most heavily represented); there are some complete pieces and some
excerpts, and it's certainly not all warhorse-oriented, "Lully's Greatest Hits"
stuff.  They're also not terribly expensive....

Some other recommendations:

--Music of Versailles.  Wieland the God Kuijken plays Marais (incl. the 
famous "Sonnerie") and Forqueray, brother Sigiswald and Robert Kohnen join him
for some solo licks.  

--Bach solo sonatas and partitas for violin.  Sigiswald Kuijken's recording on
Editio Classica, which I think is just a more affordable re-release of the
Reflexe recording....but I could be hallucinating.  [BTW, are there any other
Baroque violinists who have recorded/are recording these pieces?  Seems to be
quite a dearth of them....]

--Bach solo cello suites.  The Byslma recording is fantastic but VERY hard to 
come by (fear not, he's supposedly re-recording them soon); Pieter Wispelwey's
set is reputed to be very good indeed.

--Monteverdi: Selva Morale e Spirituale.  Les Arts Florissants does a bangup
job on a selection of secular and sacred music, incl. the awesome 6-part
setting of "Beatus vir."  

--Von Venedig nach Wien.  London Baroque plays chamber music of Castello, 
Frescobaldi, Salaverde et al.  I think this is also a Reflexe/Editio Classica
disc.

--Telemann:  Paris Quartets.  Good, interesting playing by American Baroque; 
they use triple harp for some of the continuo playing, which you don't hear
every day, and it makes for a fine texture.  There are 2 or 3 sets of these 
available at present.

That's all that occurs to me at present.  Cheers--MVB



Newsgroups: rec.music.classical
From: hsmoliar+@cs.cmu.edu (Harold Smoliar)
Newsgroups: rec.music.classical
Subject: Re: N. American Choral Concerts Jan. 15 - 31 (General)
Date: 9 Jan 93 23:52:13 GMT
Article-I.D.: cs.C0M2B6.9nJ.1
Organization: School of Computer Science, Carnegie Mellon

In article <1160@dscatl.UUCP> mgresham@dscatl.UUCP (Mark Gresham) writes:
>(Below is a smpling of some of what's happening:)
>
>GENERAL CHORAL CONCERTS : Jan 15 - 31
[much wonderful info deleted]

>   
>January 28, 29, 30 : Pittsburgh, Pennsylvania
>   Mendelssohn Choir
>   Heinz Hall
>   (412) 561-3353
>   Brahms: Alto Rhapsody, Schicksalslied. With the Pittsburgh Symphony
>   Orchestra.
Just to add:  Ewa Podles, mezzo-soprano
Jerzy Semkow, conductor


Harold Smoliar
English horn, Pittsburgh Symphony
Piano, Symphony Jazz Quartet
hsmoliar@db1.speech.cs.cmu.edu