HDTenEightyP/NetNews huggingface dataset:
From: obryan@gumby.cc.wmich.edu (Mark O'Bryan)
Newsgroups: rec.music.synth
Subject: Re: Any expansions/modifications for Roland JP-8???
Summary: Yes
Keywords: expansions, modifications, Roland JP-8
Date: 9 Sep 92 00:27:56 GMT
Organization: Western Michigan University

In article <1992Sep6.173213.10262@hp4at.eunet.co.at> wang@hp4at.eunet.co.at (Wang) writes:
> 
> Are there any expansions/modifications availiable for this gear??
> Like newer software (e.g. for variable splitpoint), smart midi-interfaces
> providing sys-ex functionality or memory expansions etc.

Yes, there are at least 2 smart MIDI interfaces with sys-ex capability.
The newest and most extensive is the JP8MK from Encore Electronics.
It provides for 2 banks of 64 Patches, plus 8 Preset memories, dual
channel MIDI response.  They claim to work with all versions of the
Jupiter-8.  They advertise every month in Keyboard magazine.  List
price on the JP8MK is $275, and their phone is (510) 820-7551 in Dan-
ville, California.  They take VISA and MasterCard.

The other JP-8 interface is by Groove Electronics, which supports just
bulk dumps of 64 Patches (sys-ex wise).  I don't have any current info
handy on them, and this retrofit may be out of production.  It may still
be available on the used market, though.

Both units are supported by Omni-Banker, our universal MIDI librarian.

-- 
Mark T. O'Bryan                 Internet:  obryan@gumby.cc.wmich.edu
Western Michigan University
Kalamazoo, MI  49008
From: gillette@husc9.harvard.edu (Maris Gillette)
Newsgroups: rec.music.synth
Subject: D/A conversion on a SPARCstation 1?
Date: 13 Sep 92 14:43:08 GMT
Article-I.D.: husc3.1992Sep13.104309.15554
Distribution: na
Organization: Harvard University Science Center

I've been offered a Sun SPARCstation 1 for quite a low price,
and was wondering if it's feasable to use it for software synthesis
programs such as C-Mix.  Are there any inexpensive 16 bit D/A, A/D
converters on the market for these computers?

Thanks well in advance,

Maris
Newsgroups: rec.music.synth
From: doogie@garfield.catt.ncsu.edu (Jeff House)
Subject: Survey: Ideal MIDI System
Organization: Computer and Technologies Theme Program, NCSU, Raleigh
Date: Mon, 14 Sep 1992 20:19:37 GMT

There seems to be a number of questions regarding the best keyboard, or
the best MIDI interface, or the best sequencing software, etc... So I'm
going to attempt to compile it all in one nice file/message and upload
it to an FTP site for ftping.  The more that can assist in carrying this
out, the better... So, here are the questions:

(Remember, these regard your IDEAL components, within and not within
your price range)

Thanks in advance to all who help by responding to this message!

Doogie


======================================================================
ITEM			Ideal within my		Ideal (disregarding
			price range		monetary restrictions)
=====================	=======================	======================

Computer System

Storage

Printer

MIDI Interface

Sequencing Software

Scoring Software

Editor/Librarian Sftwre

MIDI Devices
	Keyboard/Synth

	Drum Pad

	Drum Machine

	Breath Cntrllr	

	Effects Units

	Lighting Units

	Other Devices...
	(add any I left
	 off)
____________________________________________________________________________
    Jeff House                     "I am nobody telling everybody about
 house@dg-rtp.dg.com                somebody that can save anybody."
 doogie@catt.ncsu.edu 			 wjhouse@eos.ncsu.edu
Newsgroups: rec.music.synth
From: dhenchoz@ulci20.unil.ch (Daniel HENCHOZ)
Subject: How to build a MIDI merge
Organization: University of Lausanne CH (Switzerland)
Date: Tue, 15 Sep 1992 13:02:28 GMT

Hello world !

Can someone tell me how to build a MIDI-merge box ?
Thanks in advance.

						D.Henchoz
From: nick@dcs.ed.ac.uk (Nick Rothwell)
Newsgroups: rec.music.synth
Subject: Re: What is this microwave thing?
Date: 9 Sep 92 12:47:32 GMT
Organization: Naff Green Shorts Dance Co.
In-reply-to: KTHY@UNB.CA's message of 9 Sep 92 12:17:10 GMT

In article <09SEP92.08949147.0171@UNBVM1.CSD.UNB.CA> KTHY@UNB.CA (kathy edwards) writes:

      I was hoping someone could help me. My husband just picked up
   a new microwave which he said would make life much more pleasant.
   The strange thing is he has put it in his studio rather than in the
   kitchen.

Probably because your kitchen doesn't have any 19" racks for mounting
food processors and utensils of this sort. Most kitchens will have a
trendy WorkSurface or two, but nowhere to stack the other equipment.

   Also I looked at it and I can't figure out where you put the
   food in.

It will take liquid food and creams via the arrangement of slots in the
top panel.

   P.S. I thought Waldorf made hotels?!?

*I* thought they made salads.

Nick.
--
  Nick Rothwell, LFCS, Edinburgh | "Say, how many contemporary dancers are
               nick@dcs.ed.ac.uk |     there in this bar?"
CASSIEL Contemporary Music/Dance | "Dunno; count the Dr. Martens and
     cassiel@cix.compulink.co.uk |     divide by two..."
Newsgroups: rec.music.synth
From: apeltone@smtplink.oulu.fi (Antti Peltonen)
Subject: Sound Blaster 16 ?
Organization: ATK-keskus
Date: Wed, 9 Sep 1992 10:14:19 GMT

Hi there,

I have heard that Creative Labs has made a new PC Soundcard,
called Sound Balster 16 (16 bit digitized audio...).

Here in Finland some shops are selling it for about 30% higher
price thet SB Pro 2 -Actually they haven't got the thing yet but
they are selling it anyway, as usual.

I would like to get more details abou it:

- Does it have MIDI -interface included?
- What is a syntheziser chip (Yamaha OPL-3, Proteus, Roland?...)
- What is a street price and availability in Your country?
- FAX number for place to by vith VISA?

antti@phoenix.oulu.fi

P.S. Do they have also MIDI Blaster ?
From: cgreen@acsu.buffalo.edu (Charles W Green)
Newsgroups: rec.music.synth
Subject: ELP
Date: 6 Sep 92 02:03:27 GMT
Followup-To: cgreen@acus.buffalo.edu
Organization: UB

Thanks

Charlie
Newsgroups: rec.music.synth
From: metlay@netcom.com (metlay)
Subject: Re: Super Jupiter/JX10 etc.
Date: Tue, 15 Sep 92 14:50:30 GMT
Organization: Atomic City
Summary: Hard sync
Distribution: usa

In article <1992Sep14.185212.6622@morrow.stanford.edu> AS.TLK@forsythe.stanford.edu (Timmer) writes:
>metlay@netcom.com (metlay) writes:
>>
>>Any other questions?
>
>Now that you mention it.  I just picked up a used JX-8P.  Being one
>of those digital wanker types, I have to confess I don't know what
>hard-syncing one oscillator to the other does.  If I were to guess,
>the sound is something like ring mod, but what exactly is going on?

When two oscillators are hard-synched to one another, one is forced
to reset to the beginning of its waveform every time the other one 
does. If you then vary the pitch of the controlling waveform a little,
you introduce little "jags" into the waveform you perceive coming from
the other oscillator-- an extra hiccup at the beginning of a sawtooth
wave, for instance, or a triangle wave that doesn't go all the way down
before starting back up again. This is perceived by the ear as a dynamic
addition of high-frequency information-- extra harmonics. It's a very
powerful technique. For an example of how it can be overused to the point
of nausea, check out my first Xpander solo in "Netstrophonie," track 2
of Team Metlay's _Bandwidth_ CD. As you'll-- what? What do you MEAN,
"I haven't released it yet"?! Of all the--

Oh. I haven't, have I? Um. Erm. I'll go away now. Never mind. Sorry. |-P

-- 
metlay                    | I'm currently taking suggestions for the next
                          | utterly brilliant quote to be put here. Please
                          | feel free to nominate anyone you consider to be
metlay@netcom.netcom.com  | a worthwhile candidate (with attribution). Thanks.
Newsgroups: rec.music.synth
Subject: Re: Alesis D4: Possible to use Triggerinputs as MIDI-Triggers ?
From: Phil.O'Keefe@f170.n103.z1.fidonet.org (Phil O'Keefe)
Date: 1 Sep 92 04:56:07 GMT
Organization: FidoNet node 1:103/170 - Cole Place Music Bo, Buena Park CA

In a message dated 27 Aug 92  06:10:09, moon!cyberden!system@well.sf.ca.us 
wrote:

 > Phil.O'Keefe@f170.n103.z1.fidonet.org (Phil O'Keefe) writes:

>      Yes, yes, and yes! The D4 will let you use the trigger inputs and send
> MIDI signals from the triggers out over MIDI. These can be used to drive
> whatever you want: Sequencers, other drum sources (drum machines, samplers,
> etc.) even keyboards.

 > Careful... Although the D4 does all the above, it will NOT send on but
 > only
 > 1 measly, pittaful MIDI channel. So if you have more then 1 device you
 > want
 > to drive. (Like I did, is it obvious?), then you're SOL.

 > <X>orcist

     Very good point! however, there's a work around to that - get a mapper of 
some kind. Or if it's a sequencer you want to drive along with another sound 
source, re-channelize the output from the sequencer on it's way to the 2nd 
sound source.

                    Phil O'Keefe



 

--  
Internet: Phil.O'Keefe@f170.n103.z1.fidonet.org
Xref: sparky rec.music.synth:14712 comp.sys.mac.misc:16391
From: nick@dcs.ed.ac.uk (Nick Rothwell)
Newsgroups: rec.music.synth,comp.sys.mac.misc
Subject: Re: PB100, MIDI: Well, *I'm* impressed...
Date: 11 Sep 92 11:23:34 GMT
Followup-To: rec.music.synth,comp.sys.mac.misc
Organization: Naff Green Shorts Dance Co.
In-reply-to: brian_vickers@isd.jpl.nasa.gov's message of 10 Sep 92 18:00:03 GMT

In article <brian_vickers-100992110038@137.79.110.112> brian_vickers@isd.jpl.nasa.gov (Brian Vickers) writes:

   How is it that the PB100 is the only PB that can do MIDI?

It's quite a different machine compared with the 140/170. The '100 was built
by Sony and modelled closely on the original Laguna portables. The '140 and
'170 were designed and built by Apple, and the ROM's (specifically the
Power Management scheme) are very different.

Nick.
--
  Nick Rothwell, LFCS, Edinburgh | "Say, how many contemporary dancers are
               nick@dcs.ed.ac.uk |     there in this bar?"
CASSIEL Contemporary Music/Dance | "Dunno; count the Dr. Martens and
     cassiel@cix.compulink.co.uk |     divide by two..."
From: jdugger@gluttony.reed.edu (Jay Dugger)
Newsgroups: rec.music.synth
Subject: Naive Questions
Date: 13 Sep 92 21:18:29 GMT
Article-I.D.: reed.1992Sep13.211829.17563
Organization: Reed College, Portland, OR


Hi there!

	I've often seen the Synclavier music system listed as in instru-  
ment on various albums.  What exactly is this instrument?  I realize that  
it's some high-end syntheziser/sampler/sequencer. Would someone be kind  
enough to send me the manufacturer's address or tech specs?

Thanks.

Jay Dugger
jdugger@reed.edu
From: diarmuid@uniwa.uwa.edu.au (Diarmuid Pigott)
Newsgroups: rec.music.synth
Subject: Proteus 1/2/3
Date: 11 Sep 1992 19:04:38 +0800
Organization: The University of Westrn Australia
NNTP-Posting-Host: uniwa.uwa.edu.au
X-Newsreader: Tin 1.1 PL5

I have a Proteus/2, and I know some mention was recently made of an
upgrade to make some /2 features available for the /1 users. Is the
reverse option true? What about "3rd party" ROM upgrades?
Newsgroups: rec.music.synth
From: mlarsen@cisco.com (Michael Kelly Larsen)
Subject: Re: Info on Cubase for Windows
X-Disclaimer: The views expressed in this message are those of an
	      individual at SRI International, and do not necessarily
	      reflect those of the company.
Organization: cisco Systems, Incorporated
Date: Wed, 9 Sep 1992 16:42:47 GMT

In article <"1-Sep-92.17:03:10".*.William_T._Weidman.ROCH803@Xerox.com>  
William_T._Weidman.ROCH803@XEROX.COM writes:
>I spoke to someone at Steinberg Jones today, and she said that:
>	1) Cubase for Windows was released approximately 1 month ago.   
List
> US$299.
> 	2) There is no demo available.  There may be one in the future.
> 
> I called Leigh`s Computers who is currently sold out...but who  
supposedly will
> have copies in soon.  Price, US$219.
> 
> I am disappointed that there is no demo available, anyone taken the  
plunge and
> purchased it yet?  I am sure that many besides myself are wondering how  
it
> compares to Cakewalk for Windows.  Any info would be appreciated.

	It doesn't. Cakewalk is a toy compared to Cubase. I'm somewhat
	amazed by the price you mention. The Atari version lists for
	$599 I think. Prices over here (Europe, home of Steinberg...)
	are even worse...

	PS: what copy protection is on the Windows version?


I'll have to agree on this one. I just recently purchased Cubase for
Windows, and it is most cool.

BTW, for copy protection, they print the Disk LABEL in lower-case
letters, so the xcopy and disklabel commands won't work. I used Norton
Utilities and edited the label in lowercase letters and voila, two
happy machines.
From: dave@scrc.umanitoba.ca (Dave McCrea)
Newsgroups: rec.music.synth
Subject: Re:      Time compression/expansion of samples
Date: 13 Sep 92 16:50:29 GMT
Organization: Physiology Department, University of Manitoba

In article <2AB106D6.768@deneva.sdd.trw.com> ochikubo@mamacass.etdesg.trw.com (Craig F. Ochikubo) writes:

>In article <1992Sep11.181156.22759@bmerh85.bnr.ca> shiv@bnr.ca (Shiv Naimpally) writes:
>>In article <2741.9209111100@orsun.dcs.leeds.ac.uk>,         The Brown Bottle <ross-c@DCS.LEEDS.AC.UK> writes:
>>|> Hi.
>>|> 
>>|> Does anyone know of a good way of performing pitch-invariant time compression/
>>|> expansion of samples?
>>|> Ross-c
>>
>>Buy a sample editor such as Steinberg's Avalon 2.0 that does pitch invariant
>>time compression/expansion of samples :-)

>I am looking for something to do the same thing on the mac, that will edit
>the standard apple sound files.  The new macs have a built in microphone
>and I want to record snippits of solos, then slow them down (without the
>change in pitch) to figure out the fast sections.

Trash the Mac mic. You want better fidelity because things only get worse
when you alter the sampling. Try and connect your CD player directly
 to the digitizer.

This is an application where the Amiga excells. An 8 bit digitizer costs 
about $70 US. Couple that to Audiomaster IV software ($70) and you can
resample music to a slower rate without changing pitch. Quality is degraded
but very acceptable for figuring out music (e.g. solos). I couldn't live
without this capability since I've just begun my "try and figure out 
what the hell Jaco Pastorius is doing" phase.  
|  dave@scrc.umanitoba.ca         Dept. Physiology
|  Vox: 204-788-6770              University of Manitoba 
|  Fax:204-786-0932               Winnipeg, MB.  R3E 0W3, Canada
Newsgroups: rec.music.synth
From: jlc@atux01.att.com (Jim Collymore)
Subject: Re: Mail order MIDI (Mac) recommendation?
Organization: AT&T Corporate Education and Training
Date: Mon, 14 Sep 1992 22:35:12 GMT

In article <Anders.Holm-140992133633@mac3.elmat.lth.se>, Anders.Holm@elmat.lth.se (Anders Holm) writes:
> I know that this is probably one of the great FAQs but...
> 
> Anyone out there that can recommend a mail-order shop (US or Europe) that
> carries a GOOD selection of MIDI-interfaces and MIDI-paraphernalia. Replies
> through email might be more appropriate.
> I will follow this group for replies though.
> 
> Thanks in advance!


Try "Mac Beat" out in New Mexico (USA).  Their phone number is:  800-622-2328.

Good luck.

						Jim Collymore
From: scott@bbx.basis.com (Scott Amspoker)
Newsgroups: rec.music.synth
Subject: Re: Captain Waldorf is blowing his top. (Re: Why I like the Mac for Music)
Date: 14 Sep 92 22:57:13 GMT
Organization: BASIS International, Ltd., Albuquerque NM USA

In article <1992Sep14.175827.1833@smsc.sony.com> dce@smsc.sony.com (David Elliott) writes:
>On the other hand, if someone claims that a Standard MIDI File created
>using General MIDI compliant equipment, and conforming to the General
>MIDI standard, can be reproduced using any other General MIDI compliant
>equipment, they are probably right.

There is enough difference between GM compliant equipment that Standard
MIDI File cannot be assumed to sound correct on any but the brand/model
it was designed for.

-- 
Scott Amspoker                       |    
Basis International, Albuquerque, NM |  Too bad ignorance isn't really
                                     |  bliss.  Then it could be outlawed.
scott@bbx.basis.com                  |
From: ISB202CLOW@redgum.qut.edu.au (The Bard)
Newsgroups: rec.music.synth
Subject: (none)
Date: 9 Sep 92 00:52:46 GMT
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

> nick@dcs.ed.ac.uk (Nick Rothwell) writes

> Well, like I said, I don't want just "a MIDI interface". What I want is the
> level of sophistication and integration that was promised by MIDI Manager
> years ago and which is almost, but not quite, delivered by OMS, MIDI Manager,
> Performer, Galaxy, two MTP's and a couple of PowerBooks. This is only this
> far |    | from being a superb environment, but it's let down by Apple (not
> continuing work on MIDI Manager), Apple (not fixing the PowerBooks) and
> Mark of the Unicorn (not adopting OMS and getting the MTP support software
> to work properly).

What is OMS?
What is Galaxy?
Why is this such an excellant environment?  (Well almost as Nick said.)

Brad.
isb202clow@qut.edu.au
n1042947@water.fit.qut.edu.au
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
From: plate@cdsmn.mn.org (Doug Plate)
Newsgroups: rec.music.synth
Subject: Re: Atari Falcons $799!!!!!
Date: 12 Sep 92 18:12:40 GMT
Organization: Dicomed, Inc.

In article <11342.2AA301F4@stjhmc.fidonet.org> Phil.O'Keefe@f170.n103.z1.fidonet.org (Phil O'Keefe) writes:
>In a message dated 27 Aug 92  06:13:28, Jeff Young wrote:
>
> JY> (Some people wondering about DSP and DSP port..Motorola 32 mhz
> JY> 56001 DSP. Magazine review said DSP port is DB26 connector and
> JY> with S/PDIF digital interface format (good?) and 1 megabytes/second
> JY> serial).
>
>     The S/PDIF port is the consumer standard Sony/Phillips digital audio 
>interface. Works okay, and gives a wide range of compatability to people with 
>"consumer" type DAT decks, CD players, etc. Still, I hope the AES/EBU 
>interface is made available as an option for more professional use.
>
> JY>  The "base" Falcon 030 will retail for $799 in the USA in a one-
> JY>  megabyte configuration.  The next option up the scale will be a four-
> JY>  megabyte RAM with 65 megabyte hard drive Falcon at $1,399.
>
>     Since I just got a Mega 4 STe, i mainly want the Falcon for it's DSP and 
>hard disk recording/editing capabilities. Since a 65 MB HD is WAY too small 
>for me to edit a CD release on, and a 1 meg machine is pretty much useless, I 
>am going to be stuck buying a 4 meg with a hard drive that I'll never use. Too 
>bad the memory upgrades for the 1 meg machine won't use SIMMS. I am sure the 
>RAM boards are going to be beacoup expensive!

I have heard from a person who works at an Atari dealership ( a music store)
that the memory upgrades will be the same price as SIMMs, plus about $30 (US).
That's $30 for the entire board, not per MEG.
Regards,
Doug Sr.

>
>                                   Phil O'Keefe
>
>
>
> 
>
>--  
>Internet: Phil.O'Keefe@f170.n103.z1.fidonet.org
Newsgroups: rec.music.synth
From: mirtich@roma.berkeley.edu (Brian Mirtich)
Subject: Roland Sound Canvas
Organization: U.C. Berkeley -- ERL
Date: Tue, 15 Sep 1992 19:28:31 GMT

Hi,

First let me compliment everyone on this great newsgroup; it's great to
find one which is interesting, informative, and almost flame free.

I have some questions about the Roland Sound Canvas.  I like everything
about it except the user interface.  I shudder at the thought of having to
set all the voice, level, pan, etc. controls for each different song,
especially when blending lots of different voices together for that perfect
sound.  To make matters worse, Roland couldn't even put a nice dial control
on there (at least for voice selection), just those annoying little push 
buttons.

I have a sequencer program, and I'm wondering if all those settings can
be loaded into the Sound Canvas via MIDI (level, pan, keyboard shift, the 
works).  This would make all the difference in the world.  Also, if you
have any opinions on this unit or alternative units, I'd like to hear them.

I don't read news nearly as often as I'd like :(, please reply via email,
mirtich@robotics.berkeley.edu .

Thanks!
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Via: uk.ac.leeds.scs; Fri, 11 Sep 1992 12:02:55 +0100
Newsgroups: rec.music.synth
Date:         Fri, 11 Sep 1992 12:00:07 BST
From:         The Brown Bottle <ross-c@DCS.LEEDS.AC.UK>
Subject:      Time compression/expansion of samples
Comments: To: synth-l@auvm.american.edu

Hi.

Does anyone know of a good way of performing pitch-invariant time compression/
expansion of samples?

The way I thought of, and what I will attempt in the abscence of better
suggestions is to

(i) Perform time-invariant pitch-shift by taking the FFT of the sample, and
then the inverse FFT, with modification of omega (?) to give different pitch.

(ii) Perform a time-variant pitch-shift back to the original pitch, e.g. using
cubic splines or a high-order polynomial pitch-shift (this is NOT intended
to be in real time).

Does anyone have any suggestions?

Thanks in anticipation,

Ross-c
Newsgroups: rec.music.synth
From: ted@dgbt.doc.ca (Ted Grusec)
Subject: Re: Mark Fontana's survey (and the RESULTS thereof)
Organization: The Communications Research Centre
Date: Fri, 11 Sep 92 19:59:59 GMT

In article <9209111500.AA02700@ucbvax.Berkeley.EDU> JROSSI@EAGLE.AAMRL.WPAFB.AF.MIL writes:
>
>Before the weenies with limited scope start feeling good about trashing Mark
>Fontana's survey based on superior statistical knowledge, let me throw a
>little wrench into this argument.  First, to dismiss Fontana's survey as having
>no validity is the kind of reasoning you expect from assholes who know a
>little and become dangerous because of the knowledge.  For all intents and
>purposes, Fontana's results are valid in that they probably accurately
>reflect interface use in r.m.s.  Obviously, trying to generalize this survey
>toany other population would not be warranted, however in that r.m.s. readers
>are to al least some degree MIDI literate and computer literate, proforming
>a all-inclusive poll of what kind of interface they use is no different than
>polling every chemist who reads rec.chemistry.lab as to the brand of
>micropippetter they use.  The problem here is not with misapplication of
>statistical methods, but with misapplication of a little statistical knowledge 
>(very little, apparently).
>
I'm afraid it is you who is revealing the "little"ness of your
statistical knowledge.  The problem is not in the population from
which he is sampling, but in the METHOD of the sampling, namely,
self-disclosure by Volunteers. This is extremely well-known NOT to
give you valid inferential results.  If you treat it as "rumour",
there is nothing wrong with that and no one objects.  It's the actual
or potential misunderstanding about "validity" that is the objection.
You might be surprised to learn that some readers of this and other
groups are Ph.D. statisticians and not "weenies".
-- 
==========================================================================
Ted Grusec    Communications Research Centre    (Govt. of Canada, DOC)
 3701 Carling Ave., Ottawa, Ont.K2H 8S2, CANADA  Internet: ted@dgbt.doc.ca
  Compuserve: 73607,1576  (613) 998 2762   Fax (613) 993 8657
Xref: sparky rec.music.synth:14537 sdnet.forsale:390
From: rand@muttley.ucsd.edu (Rand Steiger)
Newsgroups: rec.music.synth,ucsd.buy+sell,sdnet.forsale
Subject: Samplers For Sale
Date: 7 Sep 92 19:16:32 GMT
Organization: Department of Music, UC San Diego
NNTP-Posting-Host: muttley.ucsd.edu

2 - Yamaha TX16W Sampler Modules

1 with standard memory (1.5mb)
1 with upgraded memory (4.5 mb)

also the complete Yamaha sample library (over 100 disks)

write or call if you are interested:

Rand Steiger
rand@ucsd.edu
619-943-0170
Newsgroups: rec.music.synth