HDTenEightyP/NetNews huggingface dataset:
From: craigr@stein.u.washington.edu (Craig Rosenberg)
Newsgroups: rec.music.makers.synth
Subject: FOR SALE:  ROLAND M-160 and EPS with Hard Drive
Date: 12 Jan 1993 09:08:02 GMT
Organization: University of Washington
NNTP-Posting-Host: stein.u.washington.edu


For Sale:


1 Roland M-160 16 channel rack mount line mixer    $500
1 EPS Sampler with 4X memory expander and SCSI port  $1000
1 PS Systems 44 MB removable hard drive unit with 44 MB of
  killer EPS sounds    $600

  2 Sure SM-58 microphones   $65 each


  All gear in brand new condition!

  contact craig at
  craigr@u.washington.edu


  oh yea  ... I have all the user manuels, cords, and a flight case
  for the EPS.
From: d2viktor@dtek.chalmers.se (Viktor Fougstedt)
Newsgroups: rec.music.makers.synth
Subject: Re: SR16 and MIDI
Date: 5 Jan 93 10:27:09 GMT
Organization: Chalmers University of Technology, Gothenburg Sweden
X-Newsreader: NN version 6.4.19

nunis@hpsgm2.sgp.hp.com (Simon NUNIS) writes:

>here are the connection stats:

>      roland u20    (out)------->(in) pc
>                    (in) <-------(out)

>                    (thru)------>(in) sr16  (thru)------->(in) midiverb3

>well, basically, i use the u20 to control the sr16...wanna be able to use
>the sr16 as a drum expander.  what happens is that for every 10 notes i
>send to the sr16, only 4 or 5 will sound correctly.  the others just 
>either remain quiet or sound the wrong note...any ideas?


Just a thought..

As far as I can tell from your connection diagram above, you use the PC as
a MIDI Thru link. That COULD be the problem. Try to connect the u20`s MIDI
Out directly to the SR-16`s MIDI In. If the SR16 then works perfect,the 
problem could be that the MIDI Data is corrupted inside your PC in some 
way. But thats just a thought.

Viktor


--
** d2viktor@dtek.chalmers.se ***********************************************
* They say that every minute a man gets run down on the streets of London. *
* Why doesn't he simply get the heck out of the way?                       *
****************************************************************************
Newsgroups: rec.music.makers.synth
From: chasalow@binah.cc.brandeis.edu
Subject: Re: Ensoniq SQ-1, SQ-2, KS-32
Reply-To: chasalow@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Sat, 9 Jan 1993 05:59:08 GMT

Steve, I have been using Ensoniq products since 1985 and can highly recommend
them.  We have both the ESQ-M and SQR (the rack modules of the keyboard synths
you are looking at) in the Brandeis Electro-Acoustic Music Studio (BEAMS).  The
SQR is a very clean sounding MIDI box and one can design very satisfying sounds
for it using any number of editors (Xor, Galaxy).  It is not an FM instrument
like the DX-7 and its decendants, but is basically a subtractive synthesis box. 
You choose wave forms to start with, then route various modulation sources and
shape the sound.  The on-board FX are also very usuable.  If I had to have only
one synth, I would give these machines serious consideration.  Good luck. Eric
Chasalow, Assistant Professor of Composition
Brandeis Electro-Acoustic Music Studio
Waltham, MA  02254-9110

In article <1993Jan6.163004.15059@dale.ksc.nasa.gov>, sdavis@laforge.ksc.nasa.gov (Steve Davis) writes:
>
>  I'm in the market for a new synth, and have been looking at the SQ-1 and its  
>siblings.  I played with an SQ-2 for about an hour, and was pretty impressed  
>overall.  I was especially impressed with the quality of the piano sounds; this  
>is very important to me.
>
>  The problem is, the only Ensoniq dealer anywhere near me is a big discount  
>house, and I couldn't get any decent help while I was there; nobody there  
>seemed to know (or care) much about keyboards.  (It was nice to be left alone  
>while test-playing an instrument, though!)
>
>  Soooo, I now turn to this newsgroup for advice.  (The literature I requested  
>from Ensoniq hasn't come in yet.)  How do you program this beast?  Does it use  
>FM, like a DX-7?  Or is it basically a sample player that lets you manipulate  
>the ADSR and effects, like an M1?  How likely is the SQ-x family to become a  
>fairly widely-used board?
>
>  Also, how much are these boards selling for?  I like the 76-key keyboard of  
>the SQ-2, but I might even consider the KS-32 if the right deal came along.
>
>  Finally, I've heard several nasty whispers about Ensoniq products.  For  
>example, the Rogue Music price list has asterisks by all of its used Mirages,  
>ESQ-1s, etc., with the legend, "3-day warranty only.  Ensoniq gear-- you know  
>why."  No, I don't!  Has Ensoniq had a lower-than-average reputation for  
>reliability?  If so, have they improved things for their new products?
>
>  Any comments from owners of SQ-1, SQ-2, or KS-32 synths, as well as  
>suggestions for comparable units, would be greatly appreciated.
>
>Thanks in advance,
>
>Steve
>--
>+----------------------------------------------------------------+
>| Steve Davis                      | sdavis@laforge.ksc.nasa.gov |
>| NASA, DL-DSD-32                  |    (NeXT Mail OK)           |
>| Kennedy Space Center, FL  32899  | HSSC Mail:  RDAVIS          |
>| (407)867-7582  fax:(407)867-2173 | #include <disclaimer.h>     |
>+----------------------------------------------------------------+
Newsgroups: rec.music.makers.synth
From: bartjan@cs.kun.nl (Bart-Jan Bouwers)
Subject: Wavestation editors wanted
Organization: University of Nijmegen, The Netherlands
Date: Wed, 6 Jan 1993 16:35:14 GMT


Hello,

Who knows if a Wavestation (ordinary, EX, A/D, SR) editor is available
for the Atari ST computer? If so, what are the names of the packages?

Thanks in advance.

Bart-Jan Bouwers.
University of Nijmegen
The Netherlands.
Newsgroups: rec.music.makers.synth
From: davet@cbnewsj.cb.att.com (Dave Tutelman)
Subject: Re: For Sale: FZ-1
Organization: AT&T Bell Labs - Lincroft, NJ
Distribution: na
Date: Fri, 8 Jan 1993 11:56:00 GMT

In article <1993Jan7.174508.28971@spectrum.xerox.com> will.roch803@xerox.com writes:
>In article i0aZwB2w165w@cyberden.sf.ca.us, system@cyberden.sf.ca.us writes:
>>An FZ-1 for $1100? Hmmm... They've been averaging for around $300-$400
>>in the Recycler in LA and the Advertiser in SF - wow...

According to the latest posted used price list, the range of offered prices
for the FZ-1 is $650 - $1200.  $1100 is in that range (albeit toward the
high end); $300-$400 is not.  Are you sure you've got the right instrument?
If so, maybe you ought to buy it before they change their minds.  :-)

Dave
Newsgroups: rec.music.makers.synth
From: ggraham@utdallas.edu (GREGORY S GRAHAM)
Subject: Re: Ensoniq SQ-1, SQ-2, KS-32
Organization: Univ. of Texas at Dallas
Date: Thu, 7 Jan 1993 01:53:14 GMT

In article <1993Jan6.163004.15059@dale.ksc.nasa.gov> sdavis@laforge.ksc.nasa.gov (Steve Davis) writes:

>I'm in the market for a new synth, and have been looking at the SQ-1 and its  
>siblings.

[ stuff deleted...]

>How do you program this beast?  Does it use  
>FM, like a DX-7?  Or is it basically a sample player that lets you manipulate  
>the ADSR and effects, like an M1?  How likely is the SQ-x family to become a  
>fairly widely-used board?

The SQ-x fall into the latter category of a synthesizer based on samples.  I
think they are selling very well because they have a good sound for a low
price.  Also, the KS-32 is a great deal for a nice keyboard feel.

[ stuff deleted...]

>  Finally, I've heard several nasty whispers about Ensoniq products.  For  
>example, the Rogue Music price list has asterisks by all of its used Mirages,  
>ESQ-1s, etc., with the legend, "3-day warranty only.  Ensoniq gear-- you know  
>why."  No, I don't!  Has Ensoniq had a lower-than-average reputation for  
>reliability?  If so, have they improved things for their new products?

I have a friend who runs a keyboard department at a music store who told me
he used to hate to sell Ensoniq gear because they had reliability problems and
he had to service them.  He said that they are much better now.
-- 

Greg Graham                                ggraham@utdallas.edu
Newsgroups: rec.music.makers.synth
From: cassiel@cassiel.demon.co.uk (Nick Rothwell)
X-Sender:  (Unverified)
Subject: Re: Wavestation limitation
Date: Tue, 12 Jan 1993 18:28:50 +0000

>You do not have to store the effects in the 16 slots: when you send a
>program change via Basic Channel during MULTI operation, you can change the
>effects only.

This is something new to the A/D; the keyboard EX doesn't do it, which is a
severe hassle.

>Of course you have to disable the Multiset changing on MIDI-
>REMAP page in order to get this to work, but I've managed to live with a
>single multiset from the beginning of my coexistence with the WS A/D:

Yes, you have an A/D. I don't have any multiset options on the MIDI REMAP
page. If I did, I could get by with one multiset as well.

>If you have some reason why you have to change the actual multiset, I'd
>be pleased to know of it.

Crippled machine. :-(

> What I see as the main misfeature is the low amount of patch slots
>as compared to the amount of performance slots. 

Actually, I'm running out of wave sequence slots...

>At least my WS A/D does not hickup too badly if I send it a new effects
>program on the fly: I'd merely say that it does a pretty good job in melting
>the two effects settings during the transition period.

Again, something the keyboard can't do; even changing the effects
parameters kills all the voices.

Sounds like the EX is seriously compromised compared to the rackmount.

                      Nick Rothwell  |  "Say, how many contemporary dancers
   CASSIEL Contemporary Music/Dance  |     are there in this bar?"
        cassiel@cassiel.demon.co.uk  |  "Dunno; count the Dr. Martens
        cassiel@cix.compulink.co.uk  |     and divide by two..."

Newsgroups: rec.music.makers.synth
From: ysg1202@uxa.cso.uiuc.edu (Yaz Shehab )
Subject: For Sale - MIDI Equipment
Organization: University of Illinois at Urbana
Date: Sun, 10 Jan 1993 22:19:55 GMT


For Sale 


Kawai   K4r  Tone Module				$325.00
	Additive type Synthesis, 16  Bit PCM,
	9 Part Multi-timbral, Individual Outs

Yamaha  RX-5  Drum Machine 				$300.00
	100 Sounds, fully editable, 24 pads, Indiv. Outs, 
	1 Ram, 1 Rom Cartridges

Yamaha  QY-10  Portable Sequencer/ Tone Generator	$275.00
	8 Trk, 8 Part Tone Generator, 24 voice Polyphony
	Size of a VHS Tape

Voyetra V24-S  PC-MIDI Interface  			$150.00
	2 In, 4 Out/ Ports, SMPTE Read/ Write

TOA     KD-2  Keyboard Amplifier           		$300.00
	100 Watts, 15" Driver, 1 horn, 4 In, Eq and Reverb,
	XLR and Phantom power on Ch 1

Akai    AR-41  Stereo Receiver				$75.00
	45 watts/ channel


ALL EQUIPMENT IN EXCELLENT SHAPE, AND WITH MANUALS

CONTACT SHEHAB@CMP-RT.MUSIC.UIUC.EDU
Newsgroups: rec.music.makers.synth
From: mjkobb@media.mit.edu (Michael J Kobb)
Subject: Re: K2000 with WX-7
Organization: M.I.T. Media Laboratory
Distribution: rec
Date: Thu, 7 Jan 1993 14:07:16 GMT

Greetings!

  I just wanted to post a quick summary of the information I
received. I heard from several people (some of whom I was unable to
reply to by email for some reason).  One of these folks has used a
WX-11 with a K2000, and says it works very well, although you have
to be willing to do some major parameter adjustments on patches to
get them to do good wind controller stuff.  In general, though, the
K2000 is so flexible that it should be possible to do whatever you
want.  I'm going to put it on my "definitely purchase" list for '93.

Thanks,
--Mike
Newsgroups: rec.music.makers.synth
From: medwards@qualcom.qualcomm.com (Matt Edwards)
Subject: A few questions
Organization: Qualcomm, Inc., San Diego, CA
Date: Mon, 4 Jan 1993 23:24:11 GMT

Hello!  I have a few questions and welcome any opinions about
my gear.
 
1)  Currently, I have a Korg M-1 and a Roland S-50.  I'm running
an old IBM XT (will be replaced with a REAL computer next month) and
Cakewalk V 3.0 (Soon to be cakewalk pro for windows).  My question is
how do I hook up everything so I can run BOTH keyboards with the
sequencer?  Right now I can only get one keyboard to 'talk' to the IBM.
I'm using the simple midi card that came with cakewalk.  Do I need some
kind of midi-box?  Or merger?  Am I just doing the midi in-thru-out wrong??
help!!
 
2)  I spend a lot of time writing my own stuff, but I'm kinda limited
as to what I can do as the M1 is always running out of voices.
I'd like to invest in a rack mounted module of some sort to have more
that 16 notes at a time.  The stuff I write varies from classical
music to stuff similar to They Might Be Giants.  Any suggestions
as to what I should get?  I'm willing to spend <>500$ or so.
Also, if I did get a new sound module, would I need any additional
hardware to get it to talk to the sequencer?  (See #1 above)
 
3)  This isn't really a question:  I've got an old Korg Monoply
keyboard and think it's just about the coolest thing in the world.
Is there any way I could midi-ize it?  Or some way to save patches
short of sampling them?
 
 
Thanks!
 
Ribbit
From: plemmons@mth.msu.edu (Steve Plemmons)
Newsgroups: rec.music.makers.synth
Subject: Re: Thanks to all who responded!
Date: 8 Jan 93 14:48:43 GMT
Organization: Michigan State University, Dept. of Mathematics
NNTP-Posting-Host: plemmons.mth.msu.edu

Rent a piano dolly and buy pizza for a few of your biggest friends, but make sure
you are done by the time that the football/basketball/hockey games comes on.

See Ya,

Steve


-- 
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
@  Steve Plemmons                    As a former fetus, I oppose          @
@  plemmons@mth.msu.edu              abortion! - Living Epistles Shirt    @
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
From: ip@nessie.mcc.ac.uk (Ian Pallfreeman)
Newsgroups: rec.music.makers.synth
Subject: MPU-401 Technical Specification?
Summary: Anybody got one?
Keywords: mpu, mpu401
Date: 12 Jan 93 11:35:12 GMT
Organization: Manchester Computing Centre

I've changed from using a Music Quest single-port card to a CMS444C with 1
MPU port and 3 6850s. No problem with the 6850s, but there seem to be some
differences between the Music Quest and the CMS MPU emulations, and I'm
getting unexpected hangs and crashes trying to run the MPU in "smart"
mode. [I'm (re)writing my own software]

Does anyone have a online copy of the MPU-401 Technical Specification that
I can pick up, please? Or know where I can get one from?

Thanks in advance,

Ian.
-- 
  Network Unit, Computing Centre, University of Manchester, England, Europe?
  Mail: ip@mcc.ac.uk || ip@uk.ac.mcc || ...!uknet!cns!ip || X.400 Who-Knows?
   This all sounds complicated, but it mostly does exactly what you expect.
     It's just hard for us to explain what you expect... (The Camel Book)
Newsgroups: rec.music.makers.synth
From: rgeorge@staff.tc.umn.edu (Rogers George)
Subject: prophet 600 manual wanted
Keywords: analog synth prophet 
Organization: University of Minnesota
Distribution: world 
Date: Sat, 9 Jan 1993 02:08:14 GMT

Hi. I have a friend with an prophet 600 and no usenet access, and we're
looking for a matching manual, seeing as a rom upgrade and maybe a new
battery are in the thing's near future. Since ~$50 is a little steep from
the folks who're selling it now, I thought I'd ask..
 - anyone have a prophet 600 manual they'd be willing to sell me?
    (make an offer)
 - failing that, anyone have an ascii/postscript/rtf/whatever version 
    (if such things are legal?)

vielen dank,

rgeorge@epx.cis.umn.edu
rogers george

Newsgroups: rec.music.makers.synth
From: thomas@gmd.de (Tom Gordon, I3.KI 2665)
Subject: 19" Power Amplifiers, Recommendations?
Reply-To: thomas@gmd.de
Organization: GMD, Sankt Augustin, Germany.
Date: Mon, 4 Jan 1993 07:42:49 GMT

Can anyone recommend a 19" stereo power amplifier, to be
used primarily with a synth?   

I've seen and heard a Alesis model which was relatively inexpensive.
Is there anything better in this price class (around 600 DM, which I
guess is between $300-400.)  Perhaps something from Peavey?

---
Thomas F. Gordon
GMD, FIT; Artificial Intelligence Research Division
5205 Sankt Augustin 1 / Germany
email: thomas.gordon@gmd.de;  phone: (+49 2241) 14-2665

Newsgroups: rec.music.makers.synth
From: shiv@bnr.ca (Shiv Naimpally)
Subject: Re: PRINCE
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Date: Mon, 11 Jan 93 16:23:03 GMT

In article <C0L6K0.nC@dcs.ed.ac.uk>, acj@dcs.ed.ac.uk (Andrew Jameson) writes:
|> Does anyone have any idea what synths/samplers/midi stuff PRINCE, and associated 
|> bands use?
|> 		Thanks

KEYBOARD mag did a cover story on Prince's keyboardists a few months back.
If you don't have access to Keyboard, email me and I'll try and dig
out the issue and see what keyboards they use.
From: christen@astro.ocis.temple.edu (Carl Christensen)
Newsgroups: rec.music.makers.synth
Subject: Re: WinCake Version
Date: 6 Jan 93 19:14:24 GMT
Organization: Temple University
X-Newsreader: TIN [version 1.1 PL8]

lawrence lougheed (lawrence.lougheed@rose.com) wrote:
: Is the latest version of Cakewalk for Windows, version 1.03?  Thanks.

--
I just bought it two weeks ago and it's 1.03, so I guess it still is.
----
Carl Christensen
Newsgroups: rec.music.makers.synth
From: tmm@world.std.com (Tom M Moravansky)
Subject: Dust Covers
Organization: The World Public Access UNIX, Brookline, MA
Date: Mon, 4 Jan 1993 13:27:14 GMT

We made our own out of heavy plastic.  Cost is about $5.00 for a roll
or two at your nearby hardware store.
From: rga@rti.rti.org
Newsgroups: rec.music.makers.synth
Subject: TG500 [Was Re: Alesis synth???]
Date: 11 Jan 93 02:24:46 GMT
Organization: Research Triangle Institute, RTP, NC

In article <cacclin.726639267@sfu.ca> cacclin@fraser.sfu.ca (Stephen Cacclin) writes:
>Has anyone heard any information about Alesis releasing a synth. I have
>only overheard whispers...something about 64 voice and analog-sounding.
>Sounds juicy!! 

Here Metlay's Law applies. For those less disposed to pine away for
Vaporware, I recommend taking a listen to the Yamaha TG500. It has 64
note polyphony and has great digital filters with resonance, and a
very analog character. As a sample based synth, it does nice imitations
of acoustic instruments as well. I believe it is essentially the same
as 1/2 the SY99, perhaps with slightly forshortened effects ;). By the
way, with AFM on the SY99, it can produce some frighteningly serious
BUZZY timbres, great for subsequent filtering. 

Can anyone comment on the differences in filtering between the
SY77/TG77 and the SY99/TG500 synths ? What about effects differences ?
I have been lusting for a TG500 or SY99, would I be satisfied with a
TG77 ? (Recently available on the net for $1000 !)

Randy
Xref: sparky rec.music.makers.synth:1048 rec.music.synth:19772
From: simmons@ittc.wec.com (Garry Simmons)
Newsgroups: rec.music.makers.synth,rec.music.synth
Subject: WinCake / MQX-32M prices, info wanted
Date: 6 Jan 93 13:31:08 GMT
Followup-To: rec.music.makers.synth
Distribution: usa
Organization: Westinghouse Electric Corp., ITTC, Pgh. PA.

Two questions:

Is $245 for Cakewalk Pro for Windows a good price? Thats what the local dealer 
is quoting me.

He is also quoting $200 for an MQX-32M (2in, 2out, SMPTE). Is this a reasonable
price? He said the Music Quest is coming out with some sort of upgraded 32M, but
he didn't have details. He thought it would support 2 in, 4 out and cost the
same as the old model. Anyone out there have more details than this?

Garry Simmons
simmons@ittc.pgh.wec.com
Newsgroups: rec.music.makers.synth
From: peterc@dub-tse.NoSubdomain.NoDomain (Peter Cassidy)
Subject: Re: DX27 / JUNO PATCH LIB ??
Organization: Motorola Land Mobile Products Sector
Date: Mon, 11 Jan 1993 10:25:19 GMT
Keywords: DX27 ROLAND

In article <1993Jan11.032735.14837@lmpsbbs.comm.mot.com>, peterc@comm.mot.com (Peter Cassidy) writes:
|> 
|> Hello,
|> 
|> 	Does anyone know where I could get a Yamaha DX27 of Roland Juno 106
|> Patch Librarian / editor ? I have looked everywhere, but no luck.
|> 
|> Regards,
|> Peter Cassidy
|> 


OOPPS !!! I meant to say I had a 386 PC Clone !!!!


Pete
Newsgroups: rec.music.makers.synth
From: ossiv@phoenix.oulu.fi (Ossi Vuohtoniemi)
Subject: Synths and Dire Straits
Organization: University of Oulu, Finland
X-Newsreader: TIN [version 1.1 PL6]
Date: Wed, 6 Jan 1993 22:39:35 GMT


After seeing the Dire Straits live concert I'm very interested
about the synths and sounds what Alan Clark and Guy Fletcher
use. I own a Korg O1/WFD and if you have any ideas how to build
sounds even close to the concert sounds so please tell me.

My E-mail address is:  ossiv@phoenix.oulu.fi
From: ptl@cs.tut.fi (Launiainen Petri)
Newsgroups: rec.music.makers.synth
Subject: Re: Wavestation limitation
Date: 10 Jan 93 10:29:08 GMT
Organization: Tampere University of Technology
NNTP-Posting-Host: naakka.cs.tut.fi

Nick Rothwell writes:
>The REAL hassle with the WS is that you can't
>reconfigure the effects while voices are sounding (even if they're using
>the other processor) and you have to store the effects in the 16 multimode
>slots. That's seriously naff.

You do not have to store the effects in the 16 slots: when you send a
program change via Basic Channel during MULTI operation, you can change the
effects only.  Of course you have to disable the Multiset changing on MIDI-
REMAP page in order to get this to work, but I've managed to live with a
single multiset from the beginning of my coexistence with the WS A/D:
everything you can set in the multiset (except the receiving channel) can be
reset via MIDI, so I can't see much use for multiple multisets in a normal
setup, where same channels are always assigned to same instruments.

If you have some reason why you have to change the actual multiset, I'd
be pleased to know of it.

This way you can have access to 128 different effects configurations, directly
via patch select command, or to much more, via bank select: should be plenty
enough.  What I see as the main misfeature is the low amount of patch slots
as compared to the amount of performance slots. I'd rather have more patches
than performances, or at least I've almost run out of the patch slots, although
I've only used two banks of performances (no, I've not programmed them
all myself :-)

At least my WS A/D does not hickup too badly if I send it a new effects
program on the fly: I'd merely say that it does a pretty good job in melting
the two effects settings during the transition period. There is a distant
scratch-like sound, which can be masked by a cymbal sound or other drum
sound during the transition (from some other module than the WS, of course...).

I use the performance effects slots only as scratch pads for new effects
configurations - when it's ready I'll save it to the next available
performance effects slot, and activate it via the Basic Channel in my sequence.

>
>                      Nick Rothwell  |  "Say, how many contemporary dancers

/petri
---
Petri Launiainen # "Everything takes more time than you can ever imagine"
Tampere          #                  - Murphy's second corollary
Finland          # ptl@cs.tut.fi
Newsgroups: rec.music.makers.synth
From: velhart@epas.utoronto.ca (Nicholas Velharticky)
Subject: For Sale: Roland D-20 and Peavey KB-300
Organization: University of Toronto - EPAS
Distribution: USA, Canada
Date: Thu, 7 Jan 1993 15:52:35 GMT


Roland D-20 synthesizer ------------------------------------------  ($800)

	32-voice, 12-bit digital PCM-playback/synth waveform, Linear
	Arithmetic Synthesizer, 5-octave, velocity sensitive, 128
	preset tones, 64 user-programmable tones, 9-track 16,000 note
	sequencer (8+1 drum track), built-in disk drive, 400+ EXTRA
	SOUNDS ON DISK, SOFT CASE INCLUDED.


Peavey KB-300 keyboard amplifier ----------------------------------  ($400)

	130-watt, 3-channel, 3-band EQ on each channel + reverb, 1
	effects send (channel 1), horn driver and 15" scorpion
	speaker, dust cover included.



All items are in excellent condition -- never used on the road,
well-cared for.

Prices are firm.  Shipping costs are not included in the prices.  If
interested, e-mail replies to velhart@epas.utoronto.ca.

--

Nick Velharticky
velhart@epas.utoronto.ca



Newsgroups: rec.music.makers.synth