HDTenEightyP/NetNews huggingface dataset:
From: booyacht@casbah.acns.nwu.edu (Ryan Lucas)
Subject: Re: Oingo Boingo
Keywords: musical style question
Organization: Northwestern University, Evanston, Illinois
Date: Wed, 15 Apr 1992 04:16:01 GMT

In article <333@mx1> clive@mcdd1.uucp (Clive Backham) writes:
>I seem to recall a posting some time back that mentioned the
>band Oingo Boingo in the same sentence as National Health.
>Assuming I didn't imagine this, I have a query.
>
>I've never heard anything by Oingo Boingo, but the Health are one
>of my favourite bands. So, is the musical style of Oingo Boingo
>similar? I did have a look at some O-B albums in a record shop,
>but the titles of the tracks seemed more like it might be dance
>or acid or house or techno or whatever it is they call it these days.
>
>- Clive    (mcdd1.uucp!clive@uknet.uucp)


No, Boingo is not dance, acid house, or techno.  They tend to be found under
the "alternative" bins in record stores, but I don't think that label fits
them at all (mainly because their playing isn't sloppy and they don't whine
nearly enough... OOPS, I'm sorry, did I say that?).  It's really tough to
describe their sound, but Danny Elfman (the film composer) is their lead
singer and songwriter.  So if you can imagine his movie music with a backbeat
and an electric guitar or two, that's what they sound like.

I've never heard National Health, so I can't really make a comparison there. 
Anyone?

Josh
jqp2001@andy.bgsu.edu (not who the header says)
From: sramirez@milos.intel.com (Steve Ramirez)
Newsgroups: rec.music.misc
Subject: Violent Femmes on 'Dennis Miller'
Date: 30 Mar 92 15:26:59 GMT
Distribution: usa
Organization: Intel Corp, Chandler, AZ

My TV guide here in the Phoenix area says that the 
Violent Femmes are scheduled to be the musical guests
on 'The Dennis Miller Show'.  

If you're interested, check your listings.


--
********** Steve Ramirez * sramirez@sedona.intel.com * 602-554-2405 ************
"If Ford is to Chevrolet what Dodge is to Chrysler,what Corn Flakes are to Post
Toasties, what the Clear Blue Sky is to the Deep Blue Sea, what Hank Williams
is to Neil Armstrong...can you doubt we were made for each other?" -Lyle Lovett
Xref: sparky rec.music.misc:13741 rec.arts.movies:13287
Newsgroups: rec.music.misc,rec.arts.movies
From: nestor@hub.toronto.edu (John Nestor)
Subject: Blade Runner/Kim Wilde question
Date: 8 Apr 92 04:11:14 GMT

There is a song called "Blade Runner" on the 1984 "Teases and Dares" 
album by British singer Kim Wilde.  The song features samples from the 
movie Blade Runner.  Does anyone know if the song was part of the original 
movie soundtrack, or had any "official" status with respect to the movie?
-- 
John P. Nestor  <nestor@hub.toronto.edu>  |  "Gotta take a chance,
Dept. of Electrical Engineering           |   Gotta make a move,
University of Toronto                     |   Got everything to gain
Toronto, Canada  M5S 1A4                  |   And nothing to lose." - Kylie
From: jwk3@po.CWRU.Edu (John W. Kale)
Newsgroups: rec.music.misc
Subject: Re: Police/Sting Ripoffs
Date: 14 Apr 92 00:06:31 GMT
Article-I.D.: usenet.1992Apr14.000631.26237
Reply-To: jwk3@po.CWRU.Edu (John W. Kale)
Organization: Case Western Reserve University, Cleveland, OH (USA)


In a previous article, thomasl@mtl.mit.edu (Thomas J Lohman) says:

>I do get perturbed at his lack of giving credit where credit
>is due.  An example would be "The Soul Cages" release which I happen to enjoy
>but I don't remember him saying where the title came from.  Now I'm
>pretty sure that he "stole" the concept of the song and the title from
>an Irish short story called "The Soul Cages"  written back in the late
>1700s I believe.  If this proves that he is well read then great, but I think 
>that he should at least credit the author with the idea for the song, and
>not give the impression that he thought up the title or it came to him
>in a dream...Can anyone verify that he indeed took the title and idea
>from the short story?
>
>
>--tom
>
>
	Gosh, I always felt that trying to figure out a refrence like
that was part of the fun. His album "Nothing Like The Sun" included
liner notes that let you know the title was taken from a sonnet by
Shakespeare. Now, I am no Shakespeare-fiend, but hey, even *I* got
that refrence right away. I felt that outright explaining it like that
was sort of silly. The "Soul Cages" reference you describe is news to
me, but I like it that way.
						-John
-- 
                What you screech is evidently less important
                          than how you screech it.
                                --Ron Givens
                       John Kale -- jwk3@po.CWRU.Edu
From: richard@harlqn.co.uk (Richard Brooksby)
Newsgroups: rec.music.misc
Subject: Re: PLEASE READ!!!
Date: 15 Apr 92 10:24:14 GMT
Organization: Harlequin Limited, Cambridge, England

jry@reef.cis.ufl.edu (John Young) wrote:

> Anyone who sent me e-mail regarding my RARE CDs FOR SALE please send
> your requests again if you haven't heard from me yet.  Some e-mail
> messages bounced!

Yes, it's really important that EVERYONE IN THE ENTIRE WORLD reads
this message, hence the subject line.
--
richard@harlqn.co.uk              (Internet)
RPTB1@UK.AC.CAMBRIDGE.PHOENIX     (JANET)
Articles composed without care for punctuation and layout will be ignored.
If you share this sentiment please copy these lines into your signature.
From: aa676@cleveland.Freenet.Edu (Chris Skaryd)
Newsgroups: rec.music.misc
Subject: Smells like Nirvana - New Weird Al Song
Date: 6 Apr 92 15:54:21 GMT
Article-I.D.: usenet.1992Apr6.155421.25717
Reply-To: aa676@cleveland.Freenet.Edu (Chris Skaryd)
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Organiztion: St. Ignatius High School, Cleveland, Ohio 44113


According to Moday's Life Section of the USA Today, one of the songs on
Weird Al Yankovics New album, is called Smells Like Nirvana.  This ought
to be great.

		Chris
-- 
Happiness is							aa676
just an illusion
filled with sadness 
and confusion.
Newsgroups: rec.music.misc
From: storeyr@venus.ycc.yale.edu
Subject: Re: Tony Levin, Bass & Stick Player
Organization: Yale Computer Center (YCC)
Date: 16 Apr 92 01:52:44 EDT

In article <1992Apr15.220224.18228@nevada.edu>, jamesb@nevada.edu (James Bender) writes:
> In article <1992Apr15.150638.4182@nic.unh.edu> tcw@kepler.unh.edu (Timothy C Webb) writes:
> 
>>
>>   You were, really? I think Tony's an incredible player myself, as he has a
>>tremendous amount of talent and ability, but personally, I'd much rather see
>>Squire in Yes. Don't get me wrong, Tony was great on the ABWH and Union albums,
>>but Squire is THE bassist for Yes. He's incredible. 
>>
> 	Even if Squire suck, which he doesn't he great, he is still THE
> bassist for Yes
> 
> 
> 
> 						James B
> 

What?  Let's try that again.  

Even if Squire did suck, which he doesn't, he would still be THE bassist for
Yes.  

There, much better.  But really, who cares which one is better when they both
play so well?

Ross Storey


>
From: dap@predator.vpharm.com (David A. Pearlman)
Newsgroups: rec.music.misc
Subject: Re: Yet another indie label about to bite the dust
Date: 8 Apr 92 18:13:54 GMT
Article-I.D.: predator.1992Apr8.181354.21624
Organization: Vertex Pharmaceuticals, Inc.

In article <1992Apr8.153900.22929@msuinfo.cl.msu.edu> krj@convex.cl.msu.edu (Ken Josenhans) writes:
>
>I hate to come across as xenophobic, but here goes another large chunk
>of American cultural heritage, sold off to a foreign conglomerate, following
>in the steps of Columbia, RCA and MCA.  Americans used to own four of the
>Big Six record firms, and we're now down to 1, Time-Warner.

And don't forget that Warner/Elektra/Atlantic is the company with the
least heritage of any of them. Sure, they cover the field starting with
R&B of the early '50's with Atlantic. But that's about it. With the
exception of Elektra's modest Nonesuch label, they have no classical
catalogue. And, with the primary exception of Atlantic's secondary jazz 
catalogue, they have few important jazz holdings. 

dap
-- 
===============================================================================
    David A. Pearlman

Vertex Pharmaceuticals Inc.                     email: dap@vpharm.com
From: msa7+@andrew.cmu.edu (Mark R. Sanders)
Newsgroups: rec.music.misc
Subject: Kenny G
Date: 7 Apr 92 03:56:26 GMT
Article-I.D.: andrew.8dsFpea00YVX08DYEa
Organization: Sophomore, Psychology, Carnegie Mellon, Pittsburgh, PA

Hi, 
    I noticed that Kenny G was supposed to release an album on March 24.
 I have found no other listing, and have not found it in any record
stores.
      Any news?
                Thanks, 
                   Mark


        
--------------------------------------------------------------
"Magic" Mark R. Sanders (msa7+ @andrew.cmu.edu)
"Good Night, Sweet Prince"- Hamlet
"Goddess of song, tell me the story of a hero" -The Odyssey
GO PENGUINS!  
Choose life, not abortion.  
---------------------------------------------------------------
Newsgroups: rec.music.misc
From: tcw@kepler.unh.edu (Timothy C Webb)
Subject: Re: Genesis more creative than Yes??!!!
Organization: University of New Hampshire  -  Durham, NH
Date: Wed, 8 Apr 1992 02:24:16 GMT

In article <1992Apr7.150533.1@venus.ycc.yale.edu> storeyr@venus.ycc.yale.edu writes:
>In article <1992Apr7.180752.16466@cs.unca.edu>, mcmahan@cs.unca.edu (Scott McMahan -- Genesis mailing list owner) writes:
>> 
>> Oh, you'd rather have Genesis limping along like Yes, with people
>> saying the best is behind them, and they should hang it up, instead
>> of growing and changing? Maybe some people actually would...
>
>Oh, no!  Please don't go around making comparisons between modern-day Genesis
>and Yes.  I assume you've heard such mixed fare as Big Generator, ABWH, and
>Union.  Listen to those and then listen to modern Genesis albums like Invis.
>Touch and We Can't Dance.  The Yes albums are more imaginative, more exciting,
>and infinitely less predictable than Genesis.  Genesis was always a Yes
>wanna-be even in the glory days of Lamb and Selling England.  To slag Yes in
>order to prove Genesis' "growth" and "contemporary spirit" is to believe the
>hype and ignore the sellout.
>
>A very bitter Ross Storey

  Yeah, Ross! I'm in total agreement with you. Genesis, not Yes, are the ones
"limping". In fact, they're headed straight for the hospital, and getting worse
all the time. Yes' current music is obviously not going to be just like what
they did 20 years ago, but it is clearly just as innovative as their music from
that time. It's just in a different context. While Yes still have the same 
innovation and drive, Genesis have fallen into the bottomless pit of horrible,
boring pop music. 
-- 
:::::::::::        ::::         ::::::   
 <<<<<<<<<<<      >>>>   >>>   >>>>>>    Tim Webb   tcw@kepler.unh.edu
     ????        ????  ?????  ?????    _________________________________
      ((((      (((( ((((((( (((((   
       ####    ########  #######       "The challenge is to chase the sound
        ||||  |||||||    ||||||      just to break away"   ---YES 

Newsgroups: rec.music.misc
From: wcsanil@superior.carleton.ca (Anil Prasad)
Subject: Re: What is CD CONNECTION?
Organization: Carleton University, Ottawa, Canada
Date: Thu, 9 Apr 1992 00:32:13 GMT

In article <1992Apr8.192850.1@kean.ucs.mun.ca> pnorman@kean.ucs.mun.ca writes:
>Could someone let me know just what CD Connection is?  (a bootleg
>joint or otherwise?)  I'd really appreciate any info you may have.
>
>Peter
>

CD Connection is a bootleg CD dealer in Germany. *DON'T* deal with
them unless you enjoy giving away money. I've many horror stories
about service from them, not to mention the fact that they ripped
me off for a large sum of money.

Avoid them at all costs.
Organization: University of Illinois at Chicago
Date: Wednesday, 8 Apr 1992 11:58:59 CDT
From: Scott Graves <U26703@uicvm.uic.edu>
Newsgroups: rec.music.misc
Subject: Re: he can't dance/he can't sing
 <1992Apr5.184918.3418@cs.unca.edu> <1992Apr07.211913.5480@crash.cts.com>
 <+82t4xp@rpi.edu> <1992Apr8.104015.2490@titan.ksc.nasa.gov>

In article <1992Apr8.104015.2490@titan.ksc.nasa.gov>, doug@doug.ksc.nasa.gov
(doug hammond) says:
>
>In article <+82t4xp@rpi.edu> toshj@rpi.edu writes:
>>       Yeah, 50 people really makes you a majority. Ever think that maybe
>because you don't like Phil Collins, that all your friends would more or less
>share your musical tastes? Oh, and for "Fame and Fortune," Phil raised
>millions of dollars for the homeless,
>
>Yeah, and he also called the cops and got a bunch of 'em arrested for
>"loitering" outside his property after he released his gratuitous "homeless"
>song a few years ago.  So what?

Let's also not forget that no matter how much money Phil Collins donated to
homeless causes, or how much he's helped to raise for groups like USA for
Africa, he's not going to miss it.  Also, I hardly think that publicly
performing to crowds of millions, garnering great exposure and endless
kudos for his selfless committment to worthy causes, can be considered
sacrificing anything for anybody.  People should remember that every time
a rock star appears at a benefit or gets on the news for donating proceeds
to some advocacy group, they are getting good pr.  Not that these things
aren't laudible actions, but why congratulate someone for doing something
they should be doing anyway that's well within their means?

>Doug

** Know about the Pliny the Elder Cabal?  Ask anyone for information.  **
* Scott Graves         |  "Death is a hoax; Reincarnation is God's      *
* U26703@uicvm.uic.edu |    Witness Relocation Program" - Hasad Fahd    *
* "I speak for a body  |     Dodd Salaad, _Popular Metaphysics_         *
*    of followers      |      "Escapetology", 23:17                     *
*  including, but not limited to, you."                                 *
* * * * * * * * *        "In Vino Veritas" -PtE         * * * * * * * * *
Newsgroups: rec.music.misc
From: mepstein@csws15.ic.sunysb.edu (Not On Our Customer File)
Subject: Re: Kronto Review: fIREHOUSE - "Flying The Flannel"
Organization: State University of New York at Stony Brook
Date: Tue, 7 Apr 1992 21:46:03 GMT

I think you mean fIREHOSE
                      _
not fIREHOUSE
Xref: sparky rec.music.misc:14210 alt.music.alternative:3228 alt.rock-n-roll:9756
From: mthorn@madvax.uop.edu (Charlie's enormous mouth)
Newsgroups: rec.music.misc,alt.music.alternative,alt.rock-n-roll
Subject: Attention Nirvana fans (and non-fans too!)
Date: 13 Apr 92 23:31:30 GMT
Article-I.D.: uop.llvVKpR
Reply-To: mthorn@madvax.uop.edu
Followup-To: rec.music.misc
Organization: University of the Pacific, Stockton, CA

Hey there.  I just couldn't pass this chance up.

This is dedicated to all the bejillions of people who posted (and, probably,
are STILL posting, even though they are available in the lyrics site at
cs.uwp.edu) asking for the Nirvana _Smells Like..._ lyrics.

These here are the lyrics to the latest Weird Al parody.  I think they say it
all.  Enjoy!

SMELLS LIKE NIRVANA
by "Weird Al" Yankovic

What is this song all about?
Can't figure any lyrics out
How do the words to it go?
I wish you'd tell me, I don't know
Don't know, don't know, don't know, oh no
Don't know, don't know, don't know...

Now I'm mumblin', and I'm screamin',
And I don't know what I'm singing'
Crank the volume, ears are bleedin'
I still don't know what I'm singin'
We're so loud and incoherent
Boy this outta bug yer parents
Yeah

It's unintel-ligible
I just can't get it through my skull
It's hard to bargle nawdle zouss
With all these marbles in my mouth
don't know, don't know, don't know, oh no
don't know, don't know, don't know...

Well we don't sound like Madonna
Here we are now we're Nirvana
Sing distinctly? We don't wanna
Buy our album, we're Nirvana
A garage band from Seattle
Well it sure beats raising cattle
Yeah

Well I forgot the next verse
Oh well, I guess it pays to rehearse
The lyric sheet's so hard to find
What are the words? Oh, nevermind
don't know, don't know, don't know, oh no
don't know, don't know, don't know...

Well I'm yellin'
And we're playin'
But I don't know what I'm sayin'
What's the message I'm conveyin'
Can you tell me what I'm sayin'?
So have you got some idea?
Didn't think so - well, I'll see ya

Sayonara, sayonara
Ayonawa, odinawa
Odinaya, yodinaya
Yaddayadda, Yaahyaah,
Ayaaaaah!
-----------------------------------------------------------------------------
Michael Thorn / mthorn@madvax.uop.edu 
"Colonel Sanders wants to goose Granny's loose caboose
 He's gonna give her a boost with that Kentucky fried juice"
					--Mr. Bungle
Newsgroups: rec.music.misc
From: os9duane@gkcl.ists.ca (Duane DOUCET)
Subject: Re: SF Bay Area tour dates for Spinal Tap/GWAR/Weird Al
Reply-To: os9duane@gkcl.ists.ca (Duane Doucet)
Organization: y
Date: Tue, 14 Apr 92 12:34:30 GMT

In article <1992Apr13.165821.27648@vestek.com>, marcus@vestek.com (Mark 
Stephen) writes:
>In article <TALVOLA.92Apr9143508@qin.Berkeley.EDU>, talvola@qin.Berkeley.EDU 
>(Erik Talvola) writes:
>>Does anyone have any tour dates for any of these groups in the
>>SF bay area?  Please reply by e-mail or post with any information.
>>Thanks...
>>
>>--
>Spinal Tap will be at the Warfield on June 1st, tix are available at Bass Tickets.
>
>     Marcus


    Do you have any idea when Tap might be playing Toronto?
From: ramaley@Csli.Stanford.EDU (Alan Ramaley)
Newsgroups: rec.music.misc
Subject: Re: Who did "Why Can't You Be Like Endicott"?
Date: 17 Apr 92 20:26:43 GMT
Article-I.D.: Csli.1992Apr17.202643.24809
Organization: Stanford University CSLI

In <1992Apr17.161707.7448@relay.nswc.navy.mil> dcox@relay.nswc.navy.mil (David Cox) writes:

>Progressive Rock WHFS of Annapolis used to play this song.
>The singer would first parrot several "Endicott does this
>and that" lines that his old lady had directed at him, and then
>some other voice would come on and say "Whyyyyyy can't you
>be,  like Endicott" then the first singer comes back on and 
>says "Because I'm free." That's all I remember. Anyone know song,
>album, artist name? Thanks

Kid Creole and the Coconuts, 'Endicott', off of 'In Praise of Older
Women'.  I don't think it's on CD, though; most of Kid Creole isn`t.
You can also buy it on a dance 12 inch.

>David Cox
>dcox@relay.nswc.navy.mil
-- 
Alan Aitken Ramaley | P. O. Box 9217, Stanford, CA  94309 | (415) 497-6153
Otter Pop Familiar: Strawberry Short Kook | Listen to KZSU, 90.1, Bay Area
"She has an IQ of 1001, she has a jumpsuit on, and she's also a telephone"
							      --Jeff Lynne
Xref: sparky rec.music.misc:13555 alt.rock-n-roll:9192
From: TZELGOV@vm.bgu.ac.il
Newsgroups: rec.music.misc,alt.rock-n-roll
Subject: Re: THE TEN MOST OVERRATED ROCK BANDS EVER
Date: 5 Apr 92 23:45:57 GMT
Article-I.D.: vm.167C118D9.TZELGOV

>Jethro Tull - One decent album a long time ago.

     Oh, c'mon, cut the bullshit. Practically every Tull album in the Seventies
was a masterpiece, and they covered almost every musical style - Blues, Rock,
Classical, Folk, and... Tull. So just because you can't find a good melody
line to hum on the way to school, don't sum up Tull in the same pile of shit
with Mick Jaggers and such, or Rap for that matter...
From: bi011@cleveland.Freenet.Edu (Bill King)
Newsgroups: rec.music.misc
Subject: Karoke?
Date: 9 Apr 92 15:27:46 GMT
Article-I.D.: usenet.1992Apr9.152746.1329
Reply-To: bi011@cleveland.Freenet.Edu (Bill King)
Organization: Case Western Reserve University, Cleveland, OH (USA)


what exactly is this type of music? I know some people do it
at clubs around campus, but what is it? A form of a capella?
Bill
-- 
Where's my pardner? where's my pardner? THERE's my pardner! == Cactus Jack
Newsgroups: rec.music.misc,alt.rock-n-roll
From: glad@Csli.Stanford.EDU (Clayton Glad)
Subject: Re: THE TEN MOST OVERRATED ROCK BANDS EVER
Organization: Stanford University CSLI
Date: Wed, 15 Apr 1992 15:14:23 GMT

feygin@ux1.cso.uiuc.edu (Alexander Feygin) writes:

>The only problem with that statement, is that rap is not music.

[cruise control ON]

What's music?  Why doesn't rap qualify?

-- Clay
Newsgroups: rec.music.misc
From: cap40944@uxa.cso.uiuc.edu (Christopher A Parrinello)
Subject: Lush, MBV, etc. bands
Organization: University of Illinois at Urbana-Champaign
Date: Wed, 15 Apr 1992 20:17:18 GMT

Is there a mailing list for bands like My Bloody Valentine, Lush, Ride, etc.
I think the name that the media uses to lump these bands together is called
"dream pop". 

If there isn't a"dream pop" mailing list, is there anybody interested in
starting one? 


Chris Parrinello                    | One slip, and down the hole we fall
lcdata@uiuc.edu                     | It seems to take no time at all
cap40944@uxa.cso.uiuc.edu           | A momentary lapse of reason
                                    | That binds a life for life
------------------------------------| A small regret, you won't forget
"Awake on the Verge of Insanity"    | There'll be no sleep in here tonight
------------------------------------| "One Slip", _aMLoR_, Pink Floyd     
Newsgroups: rec.music.misc
From: mcmahan@cs.unca.edu (Scott McMahan -- Genesis mailing list owner)
Subject: Re: He can't dance/he CAN sing
Organization: University of North Carolina at Asheville
Date: Tue, 7 Apr 1992 18:07:52 GMT

tichbord@p4.cs.man.ac.uk (Damian Tichborne) writes:
: Funnily enough, I agree to an extent. Phil can sing, it's just that I don't
: particularly like what he does. He has wrecked Genesis....think yourself
: lucky, in the UK we've just been subjected to a new single 'Hold On My Heart'
: which is a load of garbage. 

Hah! It has some of Tony Banks' *amazing* synth on it -- Tony can do
more with 4 chords than most keyboard players can do in their entire
careers! Plus it's a very nice song, sort of a catharsis from the 
Please Don't Ask/ In Too Deep/ Throwing It All Away/ etc. sort of 
depressing songs. It's full of hope.

: However, being a Genesis fan, my loyalty forced

Wait -- you were forced to buy an album from a group you don't even 
like anymore? Not a great reason to buy an album....

: Doesn't excuse what he's done for Genesis as a whole though.

Oh, you'd rather have Genesis limping along like Yes, with people
saying the best is behind them, and they should hang it up, instead
of growing and changing? Maybe some people actually would...

Scott
Newsgroups: rec.music.misc
Subject: Re: THREE GREATEST CHORDS OF ALL TIME
From: sands@ccu1.aukuni.ac.nz (Greg Sands)
Date: Mon, 13 Apr 1992 04:50:14 GMT
 <1992Apr8.151820.3484@nic.unh.edu> <1992Apr9.025840.19953@nic.unh.edu> <1992Apr10.071536.9152@dcs.glasgow.ac.uk>
Organization: University of Auckland, New Zealand.

degnans@dcs.glasgow.ac.uk (The Imposter) writes:

>msr@kepler.unh.edu (Mathew S Reno) writes:
>>>>G
>>>>Eb
>>>>Cm
>>>>
>>>
>>>  That's more like it! Sounds like "Wurm" from Yes' "Starship Trooper". Though
>>>I don't actually remember the exact chord types, the root motion is the same. 

>>Actually, Webb, it goes G Eb C. Playing a Cm chord would have made the solo
>>easier!

>>---Reno


>FUCK OFF AND DIE PANANTIC BASTARD!
                  ^^^^^^^^

Shouldn't this be "pedantic" ?  :-)

G.
-- 

Greg Sands.
-----------
Department of Engineering Science
Xref: sparky rec.music.misc:14280 rec.music.newage:1942