HDTenEightyP/NetNews huggingface dataset:
From: mk568652@longs.lance.colostate.edu (Mitchell Kotler)
Subject: What's The New Mary Jane?
Date: Tue, 17 Nov 1992 21:30:47 GMT
Organization: Colorado State University, Fort Collins, CO  80523

Is " What's The New Mary Jane?" some recently discovered
unreleased   Beatle tune that I am unaware of?  If so, where 
can I get it?  Has anybody heard it?  Is it worth buying?

Mitch  

mk568652@longs. lance.colostate.edu
Newsgroups: rec.music.beatles
From: Christer.Gullstrand@malmo.trab.se (Christer Gullstrand)
Subject: Re: Get Back / Supposed Beatle Songs
Organization: Telia Research, Malmo, Sweden
Date: Fri, 20 Nov 1992 13:02:31 GMT

In article <1eid30INN5p3@clover.csv.warwick.ac.uk> cstadbg@csv.warwick.ac.uk (Mr M J Brown) writes:
>* First ... has anybody seen the lyrics to the original "Get back", which were
>  along the lines of "Don't dig no pakistanis..." ... They are mentioned in
>  Lewisohn, but as far as I know never published. Have they turned up on a 
>  bootleg / outtakes album?

I don't think it was the "original" Get Back, rather one funny version.
I have "No Pakistanis" on an old (1975 maybe) boot, "Hasht az son",
which is a double album of Let it be rehearsals.

Christer


Newsgroups: rec.music.beatles
From: fgn@cbnewsb.cb.att.com (frank.g.neves)
Subject: Re: Backwards messages
Organization: AT&T
Distribution: usa
Date: Mon, 16 Nov 1992 12:16:41 GMT

Minor nitpick here; the "number 9...number 9..." run backwards is saying
"turn me on, dead man...turn me on, dead man...".  But again, you tend to
hear what you expect.

Frank
-- 
*************************************************************************
 Frank G. Neves, R.Hy.                   | "Immanetize the Eschaton..."
 Discl: No wife, no horse, no moustache  |    "Credo Quia Absurdum"
*************************************************************************
From: krovetz@canberra.cs.umass.edu (Bob Krovetz)
Newsgroups: rec.music.beatles
Subject: Re: Mia Farrow
Date: 21 Nov 92 21:54:25 GMT
Reply-To: krovetz@cs.umass.edu (Bob Krovetz)
Organization: University of Massachusetts, Amherst

Who was with the Beatles when they were studying with the Maharishi?
I know that Donovan was there, and Prudence Farrow.  Any others?

Bob

krovetz@cs.umass.edu

P.S. Was Donovan a friend of the Beatles?  How did he become part of
the group studying with the Marharishi?


Xref: sparky rec.music.beatles:5858 alt.rock-n-roll:18633 alt.rock-n-roll.classic:274 rec.music.marketplace:2382 rec.music.misc:28225
From: Lawrence.A.Kim@dartmouth.edu (Lawrence A. Kim)
Newsgroups: rec.music.beatles,alt.rock-n-roll,alt.rock-n-roll.classic,rec.music.marketplace,rec.music.misc
Subject: RARE BEATLES RECORDINGS FOR SALE!
Date: 24 Nov 92 04:22:48 GMT
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a5@newshost.dartmouth.edu

the following cds are for sale:

BEATLES ULTRA RARE TRAX VOL. 3
ob-la-di, ob-la-da (early take featuring acoustic guitars and bongos)
tomorrow never knows (basic track)
a day in the life (starts with john's count, different mix)
yes it is (rehearsal take)
i saw her standing there (take 10)
norwegian wood (take 1)
not guilty
across the universe (no orchestration or animal noises. harmony vocals,
backwards guitars)
while my guitar gently weeps (acoustic demo with just george, a guitar,
and light organ - MUST BE HEARD!)
ticket to ride (single-tracked vocal, no fade out)

BEATLES ULTRA RARE TRAX VOL. 5
christmas time is here again
because (acappella)
revolution (early rough mix)
i me mine (the george martin version, pre-phil spector)
strawberry fields forever (take 1 - enough said!)
hey jude (rehearsal take 9)
magical mystery tour (cheesy ringo monologue in middle)
what's the new mary jane?
lady madonna (without brass and backing vocals, mccartney laughs in
beginning)
one after 909 (1962)
ob-la-di, ob-la-da, christmas time is here again (reprise)

BEATLES ULTRA RARE TRAX VOL. 6
come and get it (paul demo of #1 badfinger hit)
hold me tight
i'll be on my way
strawberry fields forever (take 7)
it's all too much (alternate version w/ extra verse)
12 bar original (recorded durin rubber soul sessions)
i hate to see
she's a woman (take 7 - fantastic mccartney vocal)
what's the new mary jane?
dig it (longest known version, clocking in at over 8 minutes!)

e-mail if interested to: Lawrence.A.Kim@Dartmouth.EDU
From: weiss@curtiss.seas.ucla.edu (Michael Weiss)
Newsgroups: rec.music.beatles
Subject: Re: Lennon leads
Date: 16 Nov 92 15:14:42 GMT
Organization: SEASnet, University of California, Los Angeles

In article <1992Nov12.175111.5566@desire.wright.edu> erobinette@desire.wright.edu writes:
>Here is a reasonably complete list of guitar parts not played by George. 
>Feel free to add any that might slip my mind.
>John:

Norwegian Wood is pretty clearly John's lead.
-- 
\ | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | /
-  Michael  weiss@seas.ucla.edu   |  School of Engineering & Applied Science  -
-   Weiss   izzydp5@oac.ucla.edu  |   University of California, Los Angeles   -
/ | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | \
From: marulanda@guvax.acc.georgetown.edu
Newsgroups: rec.music.beatles
Subject: Yellow Submarine LP
Date: 22 Nov 92 23:21:45 -0500
Distribution: world
Organization: Georgetown University

Why have most of the songs on Columbia's Yellow Submarine LP been 
thrown into oblivion?  They are seldom mentioned in this newsgroup or 
anywhere else, for that matter.  I suppose it's because Yellow Submarine
was always considered a putative album.  Does anyone care for them?  
Newsgroups: rec.music.beatles
From: trwagner@bronze.ucs.indiana.edu (Ted Wagner)
Subject: Re: Mia Farrow
Organization: Indiana University
Date: Mon, 23 Nov 1992 20:01:12 GMT

In article <168A8B1EA.US30139@VM.CC.LATECH.EDU> US30139@VM.CC.LATECH.EDU writes:
>In article <1992Nov23.082015.673@syma.sussex.ac.uk>
>stevedc@syma.sussex.ac.uk (Stephen Carter) writes:
> 
>>trwagner@bronze.ucs.indiana.edu (Ted Wagner) writes:
>>: In article <56543@dime.cs.umass.edu> krovetz@cs.umass.edu (Bob Krovetz) writes:
>>:       Mia Farrow, a couple of the Beach Boys, and Linda might have...
>>: not sure...and not sure about Yoko.  I kinda doubt it.  She's flacky
>>: enough.
>>
>>Sorry Ted.....  The Maharishi preceded Yoko and Linda.  Maybe you were
>>confusing them with Cyn and Jane.
> 


	Yep, you're right.  <egg splattered face>

-- 
         Swallowing your pride rarely leads to indigestion.
         A hard thing about business is minding your own!
-trwagner@bronze.ucs.indiana.edu   &    trwagner@kiwi.ucs.indiana.edu-
----------------------------------------------------------------------
From: bh@anarres.CS.Berkeley.EDU (Brian Harvey)
Newsgroups: rec.music.beatles
Subject: Re: rec.music.sixties
Date: 23 Nov 92 21:41:56 GMT
Organization: University of California, Berkeley
NNTP-Posting-Host: anarres.cs.berkeley.edu

prokopy@sage.cc.purdue.edu (dave) writes:
>so ... let's open the floor to suggestions.  what do we want this group
>to be about?  just sixties pop?  older?  fifties AND sixties?  folk
>rock?  "classic" rock (although they've just gotten their own group)?
>"blues" rock (i.e., stones and yardbirds, etc.)?  come on, people.
>throw in your $0.02! :)

That classic rock group has two problems:  (1) mostly all anyone posts
is "X is the greatest"; and (2) often X = Led Zeppelin.  Perhaps we could
try to avoid #1 by putting language in the charter saying that the purpose
of the group is to exchange information about the music rather than to
rank musicians.  I'm not sure quite what to do about #2 -- it probably
wouldn't fly to say "people who like Led Zeppelin not allowed"!

As for the range of music, I think the original idea of "sixties" is the
best.  Any narrowing is probably a bit futile because of all the crossing
of genres -- are we allowed to talk about Eric Clapton playing in the
Yardbirds but not Eric Clapton playing on the white album?  On the other
hand I think that "fifties and sixties" is too broad, although this is
just my personal bias.  For example I don't want to read a lot about Elvis.
(Of course my argument above can be used against me here: Do we want to
rule out talking about how Buddy Holly influenced the Beatles?)

I guess it just boils down to taste.  I love the sixties!
From: brett.pasternack@hal9000.UUCP (Brett Pasternack)
Newsgroups: rec.music.beatles
Subject: ARRIVE W/O TRAVELING LP
Date: 15 Nov 92 20:34:00 GMT
Reply-To: brett.pasternack@hal9000.UUCP (Brett Pasternack)
Organization: HAL 9000 BBS, (313)663-4173, Ann Arbor, MI, USA

-> BTW, the unedited, 8 minutes-plus version of "It's All Too Much" has
-> been mad available on a new and very enjoyable vinyl boot called
-> "Arrive Without Traveling".
->
-> What else is on that?
Among the highlights: a version of "That Means a Lot" done at a faster
tempo to the earlier boot version; John's demo for "I'm In Love", given
to the Fourmost; two full takes of the unreleased instrumental "12-Bar
Original"; a brass overdub session for "Penny Lane", and an early mix of
"I'm So Tired" with different vocals. It also has some material from the
"Making of Sgt. Pepper" special.
Very much worthwhile.
---
 . QNet3. . [WNet] Zooman's Zoo BBS - (908) 382-0326 - HST - 2 Nodes
                                                                                 
Newsgroups: rec.music.beatles
From: srm1@cbnewsm.cb.att.com (steven.r.marcovici)
Subject: "Ruby Trax" LP (was Re: Get Back)
Organization: AT&T
Date: Wed, 18 Nov 1992 17:26:35 GMT

In article <1992Nov18.105829.1478@dct.ac.uk> mcsdc1al@dct.ac.uk writes:
>   
>PS.  Has anyone else heard the cover versions of Beatle related tracks on the
>NME's "Ruby Trax" LP?  I think World Party's "World Without Love" is brilliant.
>
>Lucas.

Can anyone provide more info re. this "LP"? I am a World Party fan (and
enjoy their cover of "Happiness is a Warm Gun"), and would love to hear
their "World Without Love". What else is on this record, and most
importantly, what is its availability in the USA?

ADthanksVANCE.
-Steve   srm@garage.att.com
From: daugherb@b8.b8.ingr.com (Bruce Daugherty)
Subject: Beatles only please
Organization: Intergraph
Date: Tue, 17 Nov 1992 21:59:31 GMT

    To whomever posted the article on the new Monkeys CD,

        Please post future info to;

          rec.music?monkeys.WHO CARES!
From: randall@informix.com (Randall Rhea)
Newsgroups: rec.music.beatles
Subject: Re: The Rutles (was Re: Various questions...)
Date: 21 Nov 92 03:13:27 GMT
Organization: Informix Software, Inc.

prokopy@en.ecn.purdue.edu (dave) writes:

>>So where do songs like Goose Step Mama, Baby Let Me Be, Blue Suede Schubert,
>>Between Us, It's Looking Good, and Get Up and Go come from?  Are these
>>songs from the film only and not on the soundtrack?
>they were in the movie, and released as bonus tracks on the rhino cd
>(two years ago?).

I don't believe they were in the film.  They were not on the 1978 LP.
They were issued on the Rhino CD only.


-- 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Randall Rhea                                        Informix Software, Inc. 
Project Manager, MIS Sales/Marketing Systems    uunet!pyramid!infmx!randall
From: djjames@cup.portal.com (Daniel J James)
Newsgroups: rec.music.beatles
Subject: Re: Lennon leads
Date: Thu, 19 Nov 92 16:49:30 PST
Organization: The Portal System (TM)
  <1992Nov14.101633.8592@microsoft.com>
  <1992Nov17.215031.23291@eng.ufl.edu> <8565.3698@stratus.SWDC.Stratus.COM>

>In article <1992Nov17.215031.23291@eng.ufl.edu> greg@ise.ufl.edu (Greg O'Rear)
>writes:
>I get the opening sound of "I Feel Fine" by lightly fretting the A string
>at the nut, then turning it up.
>
  I remember reading (probably in lewisohn) the the feedback was done by
having Paul pluck a note on his bass and then letting Johns guitar pick up
sympathetic vibrations.

Djj
Newsgroups: rec.music.dylan
From: roth@feline.cs.wisc.edu (Bill Roth)
Subject: Re: GAIBTY Lyrics
Keywords: lyrics
Organization: University of Wisconsin, Madison -- Computer Sciences Dept.
Date: Thu, 19 Nov 1992 15:47:16 GMT

In article <1992Nov18.221509.5895@riacs.edu> howells@pioneer.arc.nasa.gov (John Howells) writes:
>tad@cerc.wvu.wvnet.edu (Tad Alan Davis) writes:
>
>
>< 6. Little Maggie
>
>
><Well it's march me away to the station with my suitcase in my hand
><Yeah it's march me away to the station, I'm off to some far just land
>                                                         ^^^^^^^^ 
>							 foreign land (?)
><Sometimes I have a nickle and sometimes I have a dime
><Sometimes I have ten dollars just to pay little Maggie whose mine
>                                                 ^^^^^^^^^^^^^^^^^
>						 Maggie's fine (?)
>
>
These are the lines that were sung by the Kingston Trio when they did
the song, and I think theses are the words that Bob uses.
-- 

-------------------------------------------------------------------
Bill Roth, University of Wisconsin Computer Sciences Dept.
Internet: roth@cs.wisc.edu. BITNET: ROTH@WISCPSL. HEPNET: PSL::ROTH

Newsgroups: rec.music.dylan
From: brummer@dogwood.botany.uga.edu (Charlie Brummer)
Subject: GAIBTY and Bromberg sessions
Originator: brummer@dogwood
Organization: Botany Department - U of Georgia, Athens
Date: Sun, 22 Nov 1992 18:59:27 GMT

Well, I finally got GAIBTY and I must admit at first listen, I didn't think
much of it.  By the third time through, though, I had fallen in love with it.
This album is really incredible--Dylan blew me away yet again.  Anyone who
doesn't have it should rush right out and get it.

I was under the impression that the new Dylan album was going to be influenced
in some manner by David Bromberg.  Can anyone tell me what the relationship 
with Bromberg was.  I thought someone posted something to the effect that
they had cut an album together.  Is this to be the next Dylan album??

Charlie
From: rainbow@ubu.Eng.Sun.COM ()
Newsgroups: rec.music.dylan
Subject: Davey Moore
Date: 16 Nov 1992 20:37:08 GMT
Organization: Sun Microsystems, Inc.  Mt. View, Ca.
Distribution: world
Reply-To: rainbow@ubu.Eng.Sun.COM ()
NNTP-Posting-Host: ubu

	Who Killed Davey Moore?

WHO KILLED DAVEY MOORE,
WHY AN' WHAT'S THE REASON FOR?

"Not I," says the referee,
"Don't point your finger at me.
I could've stopped it in the eighth
An' maybe kept him from his fate,
But the crowd would've booed, I'm sure,
At not gettin' their money's worth.
It's too bad he had to go,
But there was a pressure on me too, you know.
It wasn't me that made him fall.
No, you can't blame me at all."

"Not us," says the angry crowd,
Whose screams filled the arena loud.
"It's too bad he died that night
But we just like to see a fight.
We didn't mean for him t' meet his death,
We just meant to see some sweat,
There ain't nothing wrong in that.
It wasn't us that made him fall.
No, you can't blame us at all."

"Not me," says his manager,
Puffing on a big cigar.
"It's hard to say, it's hard to tell,
I always thought that he was well.
It's too bad for his wife an' kids he's dead,
But if he was sick, he should've said.
It wasn't me that made him fall.
No, you can't blame me at all."

"Not me," says the gambling man,
With his ticket stub still in his hand.
"It wasn't me that knocked him down,
My hands never touched him none.
I didn't commit no ugly sin,
Anyway, I put money on him to win.
It wasn't me that made him fall.
No, you can't blame me at all."

"Not me," says the boxing writer,
Pounding print on his old typewriter,
Sayin', "Boxing ain't to blame,
There's just as much danger in a football game."
Sayin', "Fist fighting is here to stay,
it's just the old American way.
It wasn't me that made him fall.
No, you can't blame me at all."

"Not me," says the man whose fists
Laid him low in a cloud of mist,
Who came here from Cuba's door
Where boxing ain't allowed no more.
"I hit him, yes, it's true,
But that's what I am paid to do.
Don't say 'murder,' don't say 'kill.'
it was destiny, it was God's will."

1964/The Freewheelin' Bob Dylan

--
"Anyone who considers arithmatical methods of producing
random digits is, of course, in a state of sin"
			  -Norman
Newsgroups: rec.music.dylan
From: searls@griffin.uvm.edu (Paul M Searls)
Subject: RE: GAIBTY
Organization: University of Vermont, EMBA Computer Facility
Date: Fri, 20 Nov 1992 19:40:04 GMT

I don't know if its been noted on r.m.d that there is a great version of
"You're Gonna Quit Me, Baby" sung by Mance Lipscomb, a Texas blues songster
who was "rediscovered" and recorded in the 1960's. Its a great version and a
bit more like Bob's than that sung by Gary Davis.

It may be getting a bit tiresome, but I just can't relate how much I love
GAIBTY. It reinforces all of the good things that I wanted to believe about
Dylan--than he would develop and mature as an artist later in life, rather than
go on trying to be a rock-n-roll star. Its the perfect forum for his voice and
musical ability. Its really almost like rediscovering John Hurt or some other
such blues musician-people tend to forget what great blues "Pledging My Time" or
"Ballad of a Thin Man" were, for example. I've been listening to the record over
and over again since I got it and I appreciate the depth and emotion in the songs
more each time. 

Let's hope that Bob continues to find new forums for his talents such as this, rather
than trying to sell records--posterity will appreciate it, if the record-buying public
doesn't.

                                      VISCA EL BARCA

Paul Searls
searls@hal.uvm.edu
From: ccsdgdc@sunlab1.bath.ac.uk (Douglas Clark)
Newsgroups: rec.music.dylan
Subject: GAIBTY
Date: 17 Nov 92 15:19:54 GMT
Organization: Bath University Computing Services, UK


Just to say that I keep on playing this album again and again and again.
It really grows on you. The phrasing is so good.
I see it is No 19 in the UK charts this week.
No bad tracks like there were on Oh Mercy. A winner.
Newsgroups: rec.music.dylan
From: zureick@ucunix.san.uc.edu (John H. Zureick)
Subject: Re: The Walls of Red Wing
Organization: University of Cincinnati
Date: Thu, 19 Nov 1992 13:32:23 GMT

In article <1992Nov18.201628.3188@scott.skidmore.edu> datkatz@scott.skidmore.edu (david atkatz) writes:
>
>"Jonathan D. Lyness" <jl6e+@andrew.cmu.edu> writes:
>
>> 5. Is "Walls of Red Wing" based on some institution Dylan knew as a
>> child, or had some particular association with?
>
>	As far as I know there is a boys reform school in
>	Redwing, Minnesota.  Of course, Dylan was
>	never an inmate.

I seem to remember reading in 'Bob Dylan: The Man Behind the Shades' that
Dylan was sent to a military school in Pennsylvania when he was 17.
There was a very brief mention of this.  The author even explained that
he really did not have much information on this year besides the fact
that it did happen.  I have never heard or read about such a thing in
any other account of Dylan's youth but this book was very authoritive,
going so far as to clear up misaccounts of Dylan's early ramblings that
had appeared in Scaduto's and Shelton's earlier biographies.

Am I dreaming or did I read this?
-- 
John H. Zureick					zureick@ucunix.san.uc.edu
Newsgroups: rec.music.dylan
From: nates@ll.mit.edu ( Nate Smith)
Subject: Re: GAIBTY Lyrics
Organization: MIT Lincoln Laboratory
Date: Thu, 19 Nov 92 15:16:27 GMT

In article <BxyEr6.231@cs.vu.nl> robol@cs.vu.nl (Rob Laan) writes:
>found a surprising a variety of plant life around that bay. That is why
>the 'discoverer' (Cook?) called it Botany Bay.
>
>Rob Laan


step through this path: "Doctor Detroit II:  The WRATH of MOM!"

- nate "no corinthian leather here"
(sorry...this was stupid :-)
Newsgroups: rec.music.dylan
From: robol@cs.vu.nl (Rob Laan)
Subject: Re: GAIBTY Lyrics
Organization: Vrije Universiteit, Amsterdam
Date: Thu, 19 Nov 1992 08:11:29 GMT

In article <3766@babcock.cerc.wvu.wvnet.edu>, tad@cerc.wvu.wvnet.edu (Tad Alan Davis) writes:
> 
>  2. Jim Jones
> 
> Come and listen for a moment lads and hear me tell my tale
> How across the sea from England I was condemned to sail
> How the jury found me guilty, then says the judge says he
> "Oh for life Jim Jones I'm sending you across the stormy sea
> Oh take a trip before you ship to join the iron gang
> Don't get too gay in Bodney Bay or else you'll surely hang
                       ^^^^^^^^^^^

The place in New South Wales the British sent their convicts to was
(and maybe still is) called Botany Bay.
The first European ship to sail into that bay had a botanist on board. He 
found a surprising a variety of plant life around that bay. That is why
the 'discoverer' (Cook?) called it Botany Bay.

Rob Laan
Rob Laan
From: VETTERS@vax1.elon.edu (Steve Vetter  )
Newsgroups: rec.music.dylan
Subject: ??? LIVE ???
Date: 24 Nov 1992 02:22:38 GMT
Organization: Elon College
Distribution: world
NNTP-Posting-Host: vax1.elon.edu
X-News-Reader: VMS NEWS 1.22

I'm not a regular reader of this group so if you could please
email me a response on this, I'd appreciate it...

Are there any good Bob Dylan live albums out there.  I've listened
to "Live At Budokan (?)" and some other 2 CD live set.  I hated 
them both.  What I am looking for is the solo, acoustic-type stuff 
that he has on "Bob Dylan's Greatest Hits" and "Blood On The Tracks"
Any imput would be appreciated.

Steve

--------------------------------------+-----------------------------------------
Steve Vetter                          |   "When I get big, I'm gonna get
Elon College Computer Consultant      |   an electric guitar,              
The Metropolis of Elon College, NC    |   When I get real big..."              
vetters@vax1.elon.edu                 |        --Neil Young  (Live Rust)
                  ***Elon might be paying me to do this!***
--------------------------------------------------------------------------------
Newsgroups: rec.music.dylan
From: georger@utoday.com (George Rothe)
Subject: Re: Dylan/Bruce
Organization: UNIX Today!
Date: Thu, 19 Nov 92 14:01:50 GMT

>		i agree wholeheartedly!  his best work (and
>		i'll probably be flamed for this...) was 
>		nebraska when he perfected the bruce-style
>		ballad... alot of telling first-person laments
>		with nebraska & johnny 99 the best IMHO.
>peace to all,
>pjm.

no flames from here...if you compare 'nebraska' to the 'hammond demos'
(both of which were bruce 'acoustic' alone and naked) you can see the
tremendous growth in songwriting...and since this is a dylan network,
of course this growth was due to dylan's influence! :-)


Newsgroups: rec.music.dylan
From: ugo@eng.umd.edu (Ugo Piomelli)
Subject: Re: GAIBTY Lyrics
Date: Wed, 18 Nov 92 20:31:16 GMT
Organization: College of Engineering, University  of Maryland, College Park
Keywords: lyrics
Originator: ugo@maserati.eng.umd.edu



Corrections to "Arthur McBride"

And we have no desire to take your advance
All hazards and dangers we'd barter on chance
                        ^^^^^^^^^^^
For you would have no scruple for to send us to France
Where we would get shot without warning"


"Oh no," says the Sergeant, "I'll have no such chat
And neither will take it from spalpeen or brat
                              ^^^^^^^^
For if you insult me with one other word
I'll cut off your heads in the morning"

And we having no money, paid them off in cracks
And we paid no respect to their two bloody backs
And we lathered at them there like a pair of wet sacks
       ^^^^^^^^
And left them for dead in the morning

And so to conclude and to finish disputes
We obligingly asked if they wanted recruits
                   ^
For we were the lads who would give them our clouts
                                             ^^^^^^
And bid them look sharp in the morning




Thank you for the others.

Ugo

*************************************************************************
Prof. Ugo Piomelli                      "Teachers are my lessons done?
Dept. of Mechanical Engineering		I cannot do another one"
University of Maryland			They  laughed and laughed and said
College Park, MD 20742			"Are your lessons done?"
E-mail: ugo@eng.umd.edu				L. Cohen
*************************************************************************
From: patm@hpfcso.FC.HP.COM (Pat Murphy)
Date: Mon, 16 Nov 1992 23:53:57 GMT
Subject: Re: Dylan/Bruce
Organization: Hewlett-Packard, Fort Collins, CO, USA