HDTenEightyP/NetNews huggingface dataset:
From: bkekesi@uceng.UC.EDU (Jealous Knight)
Newsgroups: rec.music.misc
Subject: Re: CONCERT DATES requested for Indiana
Summary: RUSH in Noblesville, IN
Date: 6 Apr 92 23:51:39 GMT
Article-I.D.: uceng.1992Apr6.235139.8677
Distribution: usa
Organization: College of Engineering, University of Cincinnati

00jcnovak@bsu-ucs.uucp requests:
>
>Does anyone know of any groups who are coming to Deer Creek Music Center in
>Noblesville (near Indianapolis) IN between April and September 1992? 
>
RUSH
June 24

I'm siqued!!!

-Alex

==============================================================================
   "The boy lies in the grass, unmoving |  "When I leave I don't know
    Staring at the sky                  |   What I'm hoping to find
    His mother starts to call him       |   When I leave I don't know
    As a hawk goes soaring by..."       |   What I'm leaving behind."
                       - signals        |      ~Now I know...
==============================================================================
From: johnf@Auspex.COM (John Fereira)
Newsgroups: rec.music.misc
Subject: Re: he can't dance/he can't sing
Date: 8 Apr 92 19:17:49 GMT
Organization: Auspex Systems, Inc.

In article <1992Apr07.211913.5480@crash.cts.com> jester@crash.cts.com (Ken Bibb) writes:
 
|I know somewhere around 50 people here in San Diego that are interested in
|music.  *NONE* of us think that Phil Collins is good.

Gee, this sounds a lot like the "all my buddies in the dorm like Rush so
they must be good" argument.

| He was once an OK drummer, but he now wants Fame and Fortune and to Hell
| with Quality.

An "OK" drummer?  Take a listen to his work on "The Cinema Show" from
_Selling England by the Pound_.  During the section in the middle there
is a keyboard solo.  The drum playing in this section is so tasty that
I find myself ignoring the keyboards and following Collins instead.  It is
by far the tastiest piece of drum work that I've heard.  Also take a listen
to most of _Lamb Lies Down on Broadway_.  Finally, listen to his work with
Brand X.  

-- 
+=============================================================================+
| John Fereira                Al Bundy for President          
| johnf@auspex.com         "He's as good as the next guy"                     |
+=============================================================================+
From: dap@predator.vpharm.com (David A. Pearlman)
Newsgroups: rec.music.misc
Subject: Re: Power Pop Recommendations (was Re: Kronto Singles Reviews Vol.2, #
Date: 11 Apr 92 03:27:55 GMT
Organization: Vertex Pharmaceuticals, Inc.

In article <1992Apr11.005517.16959@cbnewsj.cb.att.com> ralph@cbnewsj.cb.att.com (Ralph Brandi) writes:
>In article <1992Apr10.135640.15931@predator.vpharm.com> dap@predator.vpharm.com (David A. Pearlman) writes:
>
>>On a somewhat related note-Jane Scarpantoni being the link-I should have noted
>>that a group including Jane and James Mastro (of The Bongos) had a nice
>>song on Musician Magazine's first "Best of the Bubs" album. I don't know
>>if this was commercially released or not. It contained the winners of
>
>The band would have been called Strange Cave, if I recall correctly.
>When I saw them at a small club here on the Jersey Shore about three
>or four years ago, they had a demo tape that they were shopping
>around to labels (not available to fans, unfortunately; Mastro
>seemed pretty adamant about that when I asked him).  I think they
>dissolved without ever seeing anything released.  Pity, really; they
>were a pretty good example of the cello-mania trend that seemed to
>abound ca. 1988.  The band also included a violinist or two.

Correct! Ten points. Please continue!

Yeah, I'm home and can check the exact details. The song is "Love 
Sounds Like Rain" by Strange Cave. Personnel are/were:
   James Mastro: Lead Vocal/Guitar
   Laura Kennedy: Bass
   Eve Moon: Guitar/Vocals
   Gerri Sutwak: Cello
   Helen Hooke: Violin
   Frank Giannini: Drums

   Jane Scarpantoni, Rick Solberg, and Soozie Tyrell are listed as
      "additional players"

   A phone number is also listed to contact James Mastro (!)

A very nice song, and definitely an example of the "cello-mania" sound.
If the rest of their material was of comparable quality, it's hard to
imagine how they couldn't have interested SOMEONE...

(The songs on the CD were chosen in the 1988 Musician "Best Unsigned
Band Contest." The judges were Elvis Costello, Mitchell Froom, Mark
Knopfler and T Bone Burnett).

dap
-- 
===============================================================================
    David A. Pearlman

Vertex Pharmaceuticals Inc.                     email: dap@vpharm.com
From: sramirez@milos.intel.com (Steve Ramirez)
Newsgroups: rec.music.misc
Subject: Re: Violent Femmes
Date: 14 Apr 92 22:46:21 GMT
Distribution: usa
Organization: Intel Corp, Chandler, AZ

In article <1992Apr12.203624.20765@u.washington.edu> choda@hardy.u.washington.edu (Julie Palmatier) writes:
>I just went to see the Violent Femmes here in washington to a sold out crowd.
>I had front row center tickets and was shoved up to the front and then
>shoved up on stage by the 7,000 fans behind me... while I was being yanked
>off the stage by the guards the bass player (dave?) waltzed up to me
>and booted me in the stomach with his cowboy boots, HARD.
>
>I dont like them as much as I used too.

This is surprising to me, since by all accounts I've heard, this sort
of thing (stage-diving and such) happens at all of their concerts. When 
I saw them a couple weeks ago in Tempe, AZ, it was a similar situation,
only with less people, but it was still a crowded mess right up by the stage,
and several times,
the bass player, Brian Ritchie, told the audience to try to calm down
and not hurt each other, and they actually stopped playing until the
crowd settled down and moved back. If anything, Ritchie was the most
cognizant of potential danger to members of the audience, so that's why
it surprises me that he would actaully assuault someone, especially a
female (no flames, please). Although I really enjoy their music, I 
don't think this should be tolerated, and can only hope this was an
aberration and not a taste of things to come, although I'm sure it wouldn't
make you feel better no matter what it was.

--
Steve Ramirez * Intel Arizona * sramirez@sedona.intel.com * (602) 554-2405 
"I think, you know, there are a lot of people in country music who have 
 this kind of hair, uhh... a lot of 'em just wear hats..."  -- Lyle Lovett  
Newsgroups: rec.music.misc
From: a0s5102@titan.ucc.umass.edu (Mitchell R Dickerman)
Subject: Re: Tomorrow, Wendy ....
Keywords: Concrete Blonde Wendy Bloodletting
Organization: University of Massachusetts, Amherst
Distribution: usa
Date: Tue, 7 Apr 1992 17:13:50 GMT

>The last song on Concrete Blonde's _Bloodletting_ album is called
>"Tomorrow Wendy".  It's the one that goes "Tomorrow, Wendy's going to
>die."  Quite cheery.
>
>Anyway, I have heard someone else do this song, a version with both male
>and female vocals.  Can anyone tell me who sang that?  The song is written
>by Andy Prieboy, if that helps.

That's exactly right, Andy Prieboy did this on his fine _...Upon My Wicked Son_
solo album. It's an ok tune, I'd be curious to see how Concrete Blonde
handled it. Johnette Napolitano appears on his version, too.

Mitch



Newsgroups: rec.music.misc,rec.music.cd,rec.music.folk,alt.exotic-music
From: dap@predator.vpharm.com (David A. Pearlman)
Newsgroups: rec.music.misc
Subject: Re: Quadraphonic: Rare alternative versions of songs
Date: 9 Apr 92 13:57:27 GMT
Article-I.D.: predator.1992Apr9.135727.1142
Organization: Vertex Pharmaceuticals, Inc.

In article <1992Apr9.132426.6886@udel.edu> galuska@dewey.udel.edu (Scott Galuska) writes:
>In article <1992Apr8.215927.24174@predator.vpharm.com> dap@vpharm.com (David A. Pearlman) writes:
>>Anyone out there collect, or at least own, any quadraphonic albums.
>>Anyone but me, of course. But I have a little of everything... :-)
>
>Probably the best selling quad album of all-time is the Doors "THE BEST OF
>THE DOORS" (Elektra EQ5035) from 1973, which was released only in quad on
>vinyl.  I have never seen a stereo vinyl version of this one, although I
>believe that at least latter-day (read: 1980's) versions on cassette are in
>stereo.

Oh yeah...I have a copy of this somewhere...I think that there are some
stereo versions of the album, issued in the late '70's. At least, I've
seen copies where the quad note had been clumsily covered over...I think
these may have come from the Columbia Record Club...

>
>The only "goodie" I have in my collection is a quad 8-Track of Paul McCartney
>& Wings' "Band On The Run".  According to the latest Beatles' price guide,
>there was no quad vinyl counterpart.  (I can check if there is a vinyl
>counterpart to Lennon's quad "Imagine" and e-mail you the details....)
>
>I haven't listened to the 8-Track yet- gotta track down a working player,
>first!

One of the big problems with quad, aside from the fact that there were four
incompatible systems being offered, was that the cartridges of the time
weren't really adequate to reproduce the quad information and/or the
3rd/4th channel information would quickly get destroyed after a few
plays. Or so I've read. I never owned a quad system myself...

But, of course, quad 8-Tracks (which unlike quad records are NOT stereo
compatible) wouldn't suffer from these problems. It would be interesting,
to me, to hear one of these someday. In addition to the quad "Imagine,"
I also have quad 8-tracks of of Carol King's "Tapestry," Sly & the Family
Stone's Greatest Hits, and (I think) some Santana album. I also had
a few CBS Masterworks Classical 8-tracks once upon a time...

I worry that if I ever DID find a quad 8-track to play them in, they'd
self destruct on first listening. Those splices on every 8-track aren't
forever, ya know...

I've read numerous places that Pink Floyd's "Wish You Were Here" was
actually recorded for quad. Anyone know of other albums that were
recorded for the medium (rather than just remixed a re-released in quad)?

8-tracks? quad? What's next? 4-tracks and hip pocket records? :-)


dap
Newsgroups: rec.music.misc,rec.music.gdead
From: barnes@galileo.ifa.hawaii.edu (Joshua Edward Barnes)
Subject: Re: Grateful Dead's "Infrared Roses"
Organization: Institute for Astronomy, Hawaii
Date: Tue, 7 Apr 1992 05:34:15 GMT

In article <1992Apr7.021039.10706@ucc.su.OZ.AU> pearson_r@maths.su.oz.au (Robert Pearson) writes:
>     Recently I came across a CD by the Grateful Dead entitled
>"Infrared Roses".....
>
>		[some stuff deleted]
>
>     Does the band do much of this sort of music in concert?
>Being a departure from their usual sound I wonder how well
>Deadheads take to it.

    Like ducks to water, I'd say!

    Actually, the band does a substantial amount of such jazz-like
stuff *every* concert.  Generally 'round 'bout the middle of the
second set.  It's listed as Drums/Space (or even D/S) on the set-
lists.  I suppose some folks are turned off by the formlessness,
but most everyone I know likes it.  A lot.

    A good tape will convey *some* idea of what Drums/Space is like,
but you'd need massive speakers to obtain the "acoustic full-body
massage" effect of a really primal Drums.

    Personally, I'd be happy if they occasionally devoted an entire
set to such exploration!  "Quest into the unknown..."

					Cheers,

						Josh Barnes

					barnes@zeno.ifa.hawaii.edu

PS: you clearly need to see/hear a live concert.  If the Dead ever
tour Oz, they'll no doubt stop off here, so we're hoping for the same
thing.
Xref: sparky rec.music.misc:13861 alt.rock-n-roll:9412 alt.rock-n-roll.metal.heavy:1075 alt.rock-n-roll.metal:6426 alt.music.alternative:2986
From: jarleb@athena.uio.no (Jarle Brinchmann)
Newsgroups: rec.music.misc,alt.rock-n-roll,alt.rock-n-roll.metal.heavy,alt.rock-n-roll.metal,alt.music.alternative,alt.music.industrial
Subject: Re: Rec.music.lyrics
Date: 9 Apr 92 08:06:23 GMT
Reply-To: jarleb@athena.uio.no (Jarle Brinchmann)
Organization: University of Oslo, Norway

In article <JKA.92Apr4162814@blue-tongue.math.ufl.edu>, jka@math.ufl.edu
(Jon K. Akers) writes:
> In article <1992Apr2.221801.21683@midway.uchicago.edu>
h309@ellis.uchicago.edu (BennigansBluesBuster) writes:
> >   In article <1992Apr2.203154.21783@sbcs.sunysb.edu>
mepstein@csws15.ic.sunysb.edu (Not On Our Customer File) writes:
>    >>I see so much of the music newsgroups being filled with lyrics
>    >>what do you all think of Rec.music.lyrics
> 
>>      Well, how about Rec.music.lyrics.metal rather? We wouldn't want
to see
>>    any country lyrics in there! *grin*
>> 
>>   - BBB
> 
> Why don't we get the rec.music.lyrics group going first, then see
what
> kind of traffic is going on in there and figure out whether it is
> really necessary to have a rec.music.lyrics.metal as well? Seems to
me
> that it would be easier to sell the rest of the world on the first
one
> and then try to get the other one going.
> --

There is a little, i admit just the tiniest, but at least a minor
possibility that 
this was ment as a joke, but of course I am most likely wrong......


		Jarle.
From: peirick_j@wums.wustl.edu
Newsgroups: rec.music.misc
Subject: Re: My boy Lollipop (ta dee dee da)
Date: 5 Apr 92 19:59:09 -0600
Distribution: world
Organization: Washington University School of Medicine

Out of the blue, eijkhout@cs.utk.edu (Victor Eijkhout) writes:
> Wasn't that a song by little Eve?
Nope, by the immortal Millie.

> Can anyone tell me the next couple of lines?
You make my heart go giddy up
You are as sweet as candy
Your are my sugar dandy
(and so forth)

> Is this on a cd somewhere?
Yep. "The Island Story" catalog number 7 90684-2

> 
> Many thanks.
No charge.

 Jerome Peirick		| peirick_j@wums.wustl.edu |  Baseball has the great
 Dept. of Cardiology	|			   |  advantage over cricket
 Wash. U. Med School	|			   |  of being sooner ended.
 St. Louis, MO  63110	| Phone:  314-362-8112	   |	-George Bernard Shaw
From: godavari@bnr.ca
Newsgroups: rec.music.misc
Subject: Re: Crash Test Dummies
Date: 13 Apr 92 12:15:28 GMT
Organization: Bell Northern Research, Ottawa, Ontario Canada

Keywords: 


I don't remember who said  what about this band, but most of the info
on them is wrong.

They have added a drummer (just after they recorded the album, during
their tour with Sting) to their permanent line-up. Also, they have only
ONE album <The Ghosts That Haunt Me>, not several. I believe they have 
one or two singles out <Superman song> and something else I think.
They did a version of <The First Noel> for the album <A Lump of Coal>
which was a Christmas compilation.

As far as notes to ex-members of the CTD, the band used to play in
a cafe in Winnipeg, just for the hell of it, with various line-up
changes BEFORE they were signed to a label.
From: woj@romulus.rutgers.edu (voy toy)
Newsgroups: rec.music.misc
Subject: Re: Mary's Danish
Date: 14 Apr 92 03:09:15 GMT
Organization: the wonderful world of muzak

hudson@eggneb.astro.ucla.edu (David Hudson) writes:

>doom@elaine5.Stanford.EDU (Joseph Brenner) writes:
>>Can somone describe what they've done and maybe say
>>something about what they sound like?  

>	They are often described as similar to X with a funky bass.  
>They have two albums and one EP out (all are excellent).  The group is
>led by two female lead singers.  Mary's Danish mixes punk, funk and 
>country-folk together into a startling combination.  

mary's danish is like voice of the beehive with a lot more bite and 
punch. a *lot*.
-- 
woj - ich bin schwarz und weiss oder weiss und schwarz - with a kiss...
Organization: University of Illinois at Chicago
Date: Thursday, 9 Apr 1992 08:48:01 CDT
From: <U36300@uicvm.uic.edu>
Newsgroups: rec.music.misc
Subject: Tears in Heaven: Lyrics

A while ago, someone requested the lyrics to Eric Clapton's most beautiful bal-
lad, Tears in Heaven.  I don't remember who, and no one responded, and since i
have time to kill, well here it is:

Would you know my name
if i saw you in heaven?
Would you feel the same
if i saw you in heaven?
I must be strong and carry on
'cause i know i don't belong here in heaven...

Would you hold my hand...if i saw you in heaven?
Would you help me stand...if i saw you in heaven?
I'll find my way through night and day
'cause i knoe i just can't stay here in heaven...

Time can bring you down, bring you what you need(?? not sure of this)
Time can break your heart, make you beg and plead...

Beyond the door there's peace i'm sure
and i know there'll be no more tears in heaven...

repeat 1st verse

Well that's at least a close approximation thereof. Hope it helps.
Besides, i love the song...

rr
From: ralph@cbnewsj.cb.att.com (Ralph Brandi)
Newsgroups: rec.music.misc
Subject: Re: Power Pop Recommendations (was Re: Kronto Singles Reviews Vol.2, #
Date: 10 Apr 92 13:36:48 GMT
Organization: Nancy Kerrigan Fan Club

In article <1992Apr10.020619.12576@predator.vpharm.com> dap@predator.vpharm.com (David A. Pearlman) writes:
>In article <92100.202522MURPH@MAINE.MAINE.EDU> M.A. Murphy <MURPH@MAINE.MAINE.EDU> writes:

>>*Tiny Lights (I love _Hazel's Wreath_ and have recently picked up the
>>             latest _Stop the Sun..._ which misses the texture provided
>>             by Jane Scarpantoni.  Otherwise the new album is solid as
>>             well.  Anyone have a discography for TL?  I know they
>>             have another album, though it may have been released
>>             by Rough Trade)

>There was a 1990 album on Absolute A Go-Go/Rough Trade Records:
>"Hot Chocolate Massage."

There was also an album on a small local independent label ca. 1986
called *Prayer for the Halcyon Fear*.  I think Gaia rereleased this
about a year ago.  They also put out a single in 1985, "Flowers In
The Air" backed with another song I can't recall.  And "Flowers"
appeared on a tape compilation put out by Jersey Beat fanzine in
1985.
-- 
Ralph Brandi     ralph@mtunp.att.com     att!mtunp!ralph

If we put our noses to the grindstone and our shoulders to the wheel,
we'll have our backs against the wall in no time.
From: The Chain
Newsgroups: rec.music.misc
Subject: Why do we like one group/artist better than others?
Date: 10 Apr 92 18:52:26 GMT
Organization: University of Tromsoe

Why do we have to have the word greatest or best in the subject?
Could we not write about something else for a change? I'm very
interestd in music but sometimes I get enough of it. I have
wrote with a lot of news-readers who has been tired of reading
this group and want to quit reading it...

So back to the main point of this article. Why do we like one
group or artist (or some groups or artists) better than other(s)?

Yngve
-- 
*** Yngve Hauge *******  And the summer became the fall ****** 
** University of Tromsoe **  I was not ready for the winter **
* yngveh@stud.cs.uit.no **  It make noe difference at all ****
***********************  'Cause I wear boots all summer long *
Organization: University of Illinois at Chicago
Date: Thursday, 9 Apr 1992 07:26:16 CDT
From: JOVENCIO JOE HILARIO <U51141@uicvm.uic.edu>
Newsgroups: rec.music.misc
Subject: wanted lyrics for u2-joshua tree

i'm looking for a copy of the lyru=ics to u2-the joshua tree
i unfortunately only have the cassette and words weren't provided
with this copy. if somebody could either post or e-mail them to me
i would appreciate it
much obliged.
u2 crazy
joe u51141@uicvm.uic.edu
'every woman needs a man like a fish needs a bicycle' u2 (tryin' to throw.....)

Organization: Sophomore, Architecture, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.misc
Date: Mon, 13 Apr 1992 21:05:24 -0400 
From: "Jason M. Roth" <jr4q+@andrew.cmu.edu>
Subject: Re: Rock is Dead!

I agree with almost everything that Dudley has to say -- but I still
don't like rap _that_ much. It's still a matter of taste, not just
image. So what if rock's no longer rebellious? All I resent is the
posing. Anyway....

JMR
HSK

PS "Rock is dead, they say; LONG LIVE ROCK!!!"
From: et@ocf.berkeley.edu (Eric Thompson)
Newsgroups: rec.music.misc
Subject: Re: Lush, MBV, etc. bands
Date: 16 Apr 1992 06:29:01 GMT
Organization: U. C. Berkeley Open Computing Facility
NNTP-Posting-Host: lightning.berkeley.edu

In article <1992Apr15.201718.25207@ux1.cso.uiuc.edu> cap40944@uxa.cso.uiuc.edu (Christopher A Parrinello) writes:
>Is there a mailing list for bands like My Bloody Valentine, Lush, Ride, etc.
>I think the name that the media uses to lump these bands together is called
>"dream pop". 
>
>If there isn't a"dream pop" mailing list, is there anybody interested in
>starting one? 

These bands (and more) get discussed on the Manchester mailing list.
Subscribe to:

	manchester-request@irss.njit.edu

Eric
From: dit@frenzy.sybase.com (David Trumbull)
Newsgroups: rec.music.misc
Subject: Re: New DISPOSABLE HEROES of HIPHOPRISY album is a revelation.
Keywords: DHH
Date: 14 Apr 92 23:48:14 GMT
Distribution: usa
Organization: Knuckles Nuclear's Subterranean Disco PLANET!

In article <1992Mar20.215327.4094@cunixf.cc.columbia.edu> tl24@cunixa.cc.columbia.edu (Tami  Luhby) writes:
>
>K!z!K- you gotta realize that super political shit like that will NEVER sell outside of Frisco or any other ultra-liberal place.  Hip Hop is a great medium for change  but I know alot of hip-hop fans dont want to be bogged down with songs like "television
>"  They're a depressing group!
>-mike

WHAT? Are you crazy or just stupid? Have you been listening to hip hop at all
for the last 5 years? Correct me if I'm wrong, but a large percentage of 
hip hop  is 'super political'. X-clan is far more radical than DHOH. Damn,
Gil Scott Heron was selling a million in the seventies when people were 
supposedly into escapist no message music. What kind of hip-hop fans are
these that you are talking about? Computer science students at colombia?
Take a walk over to Brooklyn and you'll find out what hip-hop fans are
REALLY listening to.
jeez.
your mama your mama your mama your mama your mama your mama your mama your mama
  Superhigh            \ I saw your mama riding down East 14th on a Ninja
 dit@sybase.com        /        with a skillet on her head
100% dissin you       /		    bahahahahahahahaha
Organisation: European Space Operation Centre (E.S.O.C)
Date: Monday, 13 Apr 1992 09:45:38 CET
From: <BMINNING@ESOC.BITNET>
Newsgroups: rec.music.misc
Subject: The Sound

        Could anybody tell me what happened to The Sound.
        The Sound was a british band who started in the beginning
        of the eighties and broke up in the late eighties.

        If anybody knows anything about this group please let me
        know.


                                    Bernd
From: 891078p@ace.acadiau.ca (Trevor Perkins)
Newsgroups: rec.music.misc
Subject: Re: Bruce Springsteen
Date: 13 Apr 92 18:24:31 GMT
Organization: Acadia University

In article <1992Apr12.180137.21113@en.ecn.purdue.edu> kardaras@en.ecn.purdue.edu (George S Kardaras) writes:
>From: kardaras@en.ecn.purdue.edu (George S Kardaras)
>Subject: Bruce Springsteen
>Date: Sun, 12 Apr 92 18:01:37 GMT

>Hello,

>Has anyone bought the two new albums of Springsteen?
>If so, what's your opinion about them?

>George S. Kardaras
As a Springsteen fan,I was generally pleased with HUMAN TOUCH and LUCKY TOWN.
I like Sam Moore's backing vocals on HT,and Springsteen uses a number of 
different vocal styles.My favorite songs are "All or nothin' at all","Real 
Man",and "Lucky Town".The boss still has some fire.
  =======================================================================
  |   C. Trevor Perkins                       891078p@ace.acadiau.ca.   |
  |                                                                     |
  |    /|                                /~~\                           |
  |  /~~|cadia University                |      /| |\ |   /| |~\   /|   |
  |         Wolfville, Nova Scotia       \__/ /~~| | \| /~~| |_/ /~~|   |
  |---------------------------------------------------------------------|
  |          " That's just the way it is, baby ! "                      |
  |                                        - The Rembrandts             |
  =======================================================================