HDTenEightyP/NetNews huggingface dataset:
From: jojw@uhura.cc.rochester.edu (John J. Wood)
Newsgroups: rec.music.phish
Subject: Re: Phish's E-Mail accounts
Date: 12 Jan 93 13:20:54 GMT
Organization: University of Rochester (Rochester, NY)

Howie T. asks...
>Could Shelly or anyone else who has the private E-mail addresses for each
>of the members of the band please re-post them or e-mail them to me.  
>Thanks in advance.

Here you are, Howie...

	trey.anastasio@fuggles.acc.virginia.edu
	page.mcconnell@fuggles.acc.virginia.edu
	mike.gordon@fuggles.acc.virginia.edu
	jon.fishman@fuggles.acc.virginia.edu

Your email will reach them, but don't expect a personal response.  If
there's anything I'm missing here, Shelly, could you please fill
in the blanks?:-} 

 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
 | John J. Wood                              jojw@uhura.cc.rochester.edu  |
 |			                     catphish@well.sf.ca.us       |
 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
 | "Call Mr. Plow, that's the name, the name again is Mr. Plow...";-)     |
 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
Newsgroups: rec.music.phish
From: Dan the Shoat <dbaggott@reed.edu>
Subject: 12/28 New Haven set list
Reply-To: dbaggott@reed.edu
Organization: The Internet
Date: Wed, 6 Jan 1993 01:47:55 GMT

I saw that the 29th show was posted but I haven't seen this one...

12/28/92 New Haven

Set I

Maze
Sparkle
Foam
Buried Alive (very short; w/ family intro) ->
Glide (dedicated to family, friends, fans) ->
Freeze -> Glide
It's Ice
Bouncin'
Rift
Golgi Apparatus
Sweet Adeline (no mics)
Run Like an Antelope

Set II

Poor Heart
Split Open & Melt
Reba
Sloth
You Enjoy Myself
Lizards
Hold your head intro ->
Bike! ->
Hold your head closing
Harry
Caverns

E:Memories (no mics)
  Fire

Note: The Buried Alive was very short and included an introduction of some
of Trey's relatives in the audience.  As Trey explained, he has massive
quantities of relatives living in New Haven (something like 100+ cousins).
They then did an incredibly touching Glide dedicated to family, friends
and fans.  At the end of Glide, right before singing the very last "glide"
they froze for thirty seconds or so.

Dan

Newsgroups: rec.music.phish
From: Henry Petras <petras@mejac.palo-alto.ca.us>
Subject: Re: Boston Globe NYE article
Reply-To: petras@mejac.palo-alto.ca.us
Organization: The Internet
Date: Wed, 6 Jan 1993 22:40:32 GMT


First of all, Happy New Year everyone. Secondly, it was nice to see
a positive article from the Boston Globe on the NYE show. 
I appreciated the fact that they made an attempt to discuss the show
from an aphishianado's perspective, rather than just a rock concert
attendees. That alone shows the respect the author has for the 
band in my eyes and the people who attend the performance as well.
Hope to see more articles like this in major papers and periodicals.

Cheers!

Henry
Newsgroups: rec.music.phish
From: jeg5s@uva.pcmail.Virginia.EDU
Subject: Storm Story
Reply-To: jeg5s@uva.pcmail.Virginia.EDU
Organization: The Internet
Date: Mon, 4 Jan 1993 07:39:57 GMT

Well.  I must be the only person here this week, sooo....

FLUFFYFLUFFYFLUFFYFLUFFYFLUFFYFLUFFYHEAD!

        The Phish Stories File hasn'
t gotten any new additions that I've seen in months, and this
past week sure brought up some doosie options.  How bout this:

        I left my parents home on the 27th at 9am for an 11am
flight from Atlanta to Charlotte, then on to Charlottesville.  I
got two delays in Atlanta, one for an hour on the plane.  I
Charlotte, I didnt miss the connection because it was already two
hours late.  Once on the second plane, we sat on the runway for
over two hours, getting de-iced twice and getting served a few
free drinks and unlimited bags of peanuts and pretzels.  (When
did they start serving pretzels on airplanes?  I mustve missed
that.)
        Finally in Charlottesville, I got to my car at 8pm.  I
had planned on getting to my house by 6, watering plants, feeding
our cat, repacking, and driving off to Phillie to get Kristen,
then off to new Haven Monday morning.  I didnt get the chance to
leave the house til 10, and by then it was icing.
        In four-wheel drive, going between 2 and 10 miles per
hour with the hazard lights on, I got from Charlottesville to
Baltimore (usually 2.5 hours) in 6 and a half hours, only to find
that 95 north was closed, all five lanes blocked by one poor soul
who had been waiting 4 hours for an ice truck.  I was glad to
stop, having already spun twice and getting very tired.  The only
phone was two miles off the highway, and then I realized that the
only hotel was three miles off the highway in the other
direction, so I didnt get to the hotel until an hour after I left
the highway (still going 4 mph in 4 wheel drive low).
        The hotel was nice enough to give me their seasonal
discount (half-priced rooms with a king sized bed) even though I
couldnt get anywhere and their rooms were filling quickly.  I got
to sleep by 4, and had an alarm and a wake-up call for 7:15.
With barely 3 hours of sleep, I set out for Phillidelphia, which
took 4 and a half hours instead of 2.  Then, Phillie to New Haven
took 6 hours instead of the 4 we expected.
        In total, it took me almost 36 hours of pretty constant
travel to get to that first show on the 28th, but the week of
madness made it all worth the while.  Thanks guys!  I'd do it
again!


ELLIS OF LEMURIA  email: jeg5s@uva.pcmail.virginia.edu
   snail mail: P.O. Box 3240, Charlottesville, VA 22903
     +++++++++++++++++++++++++++++++++++++++++++++++++
motto: keep smiling, gliding, and riding that train!!  :-)
From: Bill Logan <wwlogan@colby.edu>
Subject: (none)
Reply-To: wwlogan@colby.edu
Organization: The Internet
Date: Tue, 12 Jan 1993 22:49:15 GMT

Re: Rift
Ellis-  From what I've gathered, the "concept" in Rift is that the album
describes the contents of a single dream.  This man, (i think it's a man)
is someone either I forgot who it was or no one really knows.  Sorry, my
brain is failing.  Whatever, from the songs I know, it seems to be about
a guy having some inner battle with himself:

he'll "never get out of this maze" and his "double wants to pull (him) down"

it makes me think of the neurotic waitor of the Mango Song (Which they have
not been playing lately)  and how that song is a day in his life.
Another "thread" I've noticed is this guy losing/scraping his skin.
In Sparkle we hear : "The skin the drips down from the tree,
                      and peels back slowly from his knee,"
In It's Ice we hear "Slipping on the friction slide my skin peels to the bone
                     the flesh I leave behind is something that is not my own"
I'm not sure, but I'll repost the Rift projected songs, maybe someone
out there has some other ideas to connect these songs?

Side 1:                         Side 2:
=======                         =======
Rift                            My Friend, My Friend
Fast Enough for You             Weigh
Lengthwise                      All Things Reconsidered
Maze                            Mound
Sparkle                         It's Ice
Horn                            Silent in the Morning
The Wedge

--Bill
Newsgroups: rec.music.phish
From: Peter Krautscheid <Peter_Krautscheid@ccm.hf.intel.com>
Subject: An omen!
Reply-To: Peter_Krautscheid@ccm.hf.intel.com
Organization: The Internet
Date: Fri, 8 Jan 1993 16:34:03 GMT

An omen!  Evening last, we procured a much needed vacuum cleaner.  And
what should we find, but an Electrolux!  Sleek lines, gracefull form,
that grandest of vacuums.  And this did but speak of better things to
come.  Early this morning I successfully negotiated the treacherous
Ticket Bastard trail to find tickets for both Roseland performances.
After many long Phishless months, sigh.

-pete
From: v055qqdr@ubvmsb.cc.buffalo.edu (TIM MCGRATH!)
Newsgroups: rec.music.phish
Subject: attention mike hamad !!!!
Date: 7 Jan 93 19:22:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

(sorry for the lack of Phish content!)

Attention Mike Hamad!!!!! you are my branch on the Phish 8/27/87 tree.
so far all my mail to you has bounced.  please email me at 
v055qqdr@ubvms.bitnet    thanks............tim mcgrath 
Newsgroups: rec.music.phish
From: jkrm_ss@uhura.cc.rochester.edu (Joe Karam)
Subject: Question about person at Springfield show
Organization: University of Rochester - Rochester, New York
Date: Wed, 13 Jan 93 02:02:51 GMT

Hi everyone, 
	I just got back to school and I just have to say I had a great time
at Springfield and NYE.  Both shows were killers.  I just have one question 
about someone I bumped into in Springfield. right at the beginning of the 
2nd set this guy tapped me on the shoulder to ask me if I was in his seat.  I 
turned around and the guy was dressed exactly like Paul Stanley of KISS when 
they used to wear all of the makeup and leather in the '70s.  He scared the 
living daylights out of me!!  His seat was down at the end of my row.  It was
quite strange seeing a dude dressed like the lead singer of KISS grooving to
Phish!! It was pretty funny. Just wondering if anyone else noticed him. It
wasn't too difficult to pick him out of the crowd!
	Anyways, glad to hear Phish is coming to rochester!  See ya all there!

Joe
-- 
Joe Karam		   Internet Address:  jkrm_ss@uhura.cc.rochester.edu
PO Box 274957
University of Rochester		
Rochester, NY 14627	     
Xref: sparky rec.music.phish:6524 rec.music.misc:30048
From: elessar@PHYSICS.UNC.EDU (Shawn Mehan)
Newsgroups: rec.music.phish,rec.music.misc
Subject: Re: Phish Tour Dates, February, 1993
Date: 7 Jan 93 02:56:52 GMT
Organization: Dept. of Physics and Astronomy, Univ. of North Carolina at Chapel Hill

Damn!! Phish is back towards Chapel Hill, what excitement, what thrilling
electricity!->....however....


15: UNC Memorial Hall, Chapel Hill, North Carolina
Cameron Avenue, UNC, Chapel Hill, North Carolina -- (919) 962-1449
(on sale 1/15 @ Carolina box office, Schoolkids Records, Poindexter Records
& The Record Exchange)

Memorial Hall is perhaps the worst musical hall ever. The building predates
human life on earth, thus the architects had anything but accoustical
engineering in mind when they built it. I mean this place
SUCKS. Seats everywhere, no (NO)!! place to spread (except in the
20x70 lobby in the front, with a wall between you and the venue.
Security is ver (nazi like) strict. bitch bitch moan moan.

Guys, for the love of god!! (Veiled pagan reference there !->)
Have these guys play the Cradle (a local music establishment
hosting lots of locals and big actsd too, just recently
Public Enemy, Soul Asylum, etc. all of whom go to the Cradle
to a) avoid Memorial Hall, b) enjoy it's ...unique atmosphere.

Drawbacks to the Cradle are it's small (500) capacity to the 1500-
2000 of Memorial Hall. But there will litlle boucing joy at Memorial Hall.
I saw the vilent Femmes play there about 4 years ago in a show
that should have had everyone running around leaping but instead we all wiggled
in our designated seats.

just my opinion and I assure you this is not the opinion of UNC-CHAPEL HILL
-srm
Newsgroups: rec.music.phish
From: DUNDASM@carleton.edu
Subject: Chalkdust??
Reply-To: DUNDASM@carleton.edu
Organization: The Internet
Date: Sun, 10 Jan 1993 21:59:07 GMT

netters-
Does anyone know why chalkdust was slowed down on Picture of Nectar?
It sounds like the pitch had been turned down after it had been recorded,
making it sound draggy and making trey's voive sound unnaturally
low.  If any of you have access to a tape recorder with pitch control,
I'd suggest you listen to it a little speeded up, its a lot better.
 
    - I've got the time if you've got the inclination-
                                Matt   (DUNDASM.carleton)

Newsgroups: rec.music.phish
From: phisher@aol.com
Subject: (none)
Reply-To: phisher@aol.com
Organization: The Internet
Date: Thu, 7 Jan 1993 05:39:49 GMT

From root Wed Jan  6 22:15:27 1993
From: phisher@aol.com
X-Mailer: America Online Mailer
To: phish@fuggles.acc.virginia.edu
Subject: Landmark?
Date: Wed, 06 Jan 93 22:15:27 EST

There is a rumor that Phish will be playing in Syracuse at the Landmark
Theatre.  Can anyone back this up?
I hope its true.  I need a show lots!

from 3/19/92-Hey Andrew, Hey Andrew, Hey Andrew...

-Zach
Newsgroups: rec.music.phish
From: "Douglas H. Errett" <errett@hydro.mps.ohio-state.edu>
Subject: digestified list
Reply-To: errett@hydro.mps.ohio-state.edu
Organization: The Internet
Date: Thu, 7 Jan 1993 16:15:15 GMT

Shelley
	Please re-sign me up to the digestified list...hope your holodays
and vacation were full of happiness!
				-- Doug
Newsgroups: rec.music.bluenote
From: marc@fc.hp.com (Marc_Sabatella)
Subject: Re: Ellington suggestions
Date: Tue, 5 Jan 1993 18:18:47 GMT
Organization: Hewlett-Packard Fort Collins Site
X-Newsreader: TIN [version 1.1.4 PL6]

Don Steiny (steiny@steiny.com) wrote:
: 
: 	There is an album of John Coletrane and Ellington.   Called
: Coletrane and Ellington.    The piano sounds like Monk.

Not as much so as on "Money Jungle", I don't think.  Note Monk had already made
a name for himself when "Money Jungle" was recorded; it is probably not fair to
use this record as proof that Monk was influenced by Duke, although doubtless
he was.  I think some of the "Monk-isms" we hear on "Money Jungle" may be
evidence of the reverse influence.  Duke sure didn't sound so Monk-ish on the
sessions with Jimmy Blanton, for instance.

: 	The version of "In a Sentimental Mood" on this album (IMHO) is one
: of the most beautiful pieces of music ever recorded.

I now find myself unable to play that tune without using Duke's background
figure.  I was first turned on to this when Cliff and Claire Huxtable danced to
it at the end of a Cosby Show episode.
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.bluenote
Subject: Re: Charlie Haden's promo shots
Date: 8 Jan 93 18:55:00 GMT
Distribution: na
Organization: Rutgers Univ., New Brunswick, N.J.

Joe Hellerstein writes:
>I think Charlie Haden just takes a lot of pictures with his head
>bowed, and often his hands clasped in front of him...  I seem to remember 
>his head being down on the "Ballad of the Fallen" CD, too.

Maybe he's got a crick in his neck from looking down while playing the
bass (it's a lot harder to look up while playing bass than, say, trumpet).
Or maybe he has weights in his chin.

- Ben
Newsgroups: rec.music.bluenote
From: vek@spacsun.rice.edu (Vincent E. Kargatis)
Subject: Re: Request for comments; selections from Cadence
Organization: Rice University
Date: Wed, 6 Jan 1993 21:46:17 GMT

Alan McKay writes:
> it's nice to hear about some of the Splasch stuff. I feel
> overwhelmed everytime I see their listing in Cadence....where do you start?
> (To their credit, Cadence will occasionally review ~several~ Splasch
> releases in one column). Anybody else have anything to add regarding this
> large "stable" of artists?

Well, a real gem is Roberto Ottaviano's Six Mobiles PORTRAIT IN SIX COLORS
- doing Mingus tunes. It's really cool - highly recommended. A wind sextet
- no bass or drums.

Ottaviano's quartet album ABOVE US is very nice, with pianist Stefano
Battaglia. Fairly mainstream.

Battaglia/Tony Oxley's EXPLORE is great. Ask Seth Katz about it if you
don't mind wiping off the drool. :):)

Funny you should ask - I recently sent off a rather large Cadence order for
the station I work at (>$600) and I told Slim to fill in any out-of-stock
slots with any good Splasc(h) albums. :)
-- 
| Vincent Kargatis		     |	Dept. of Space Physics & Astronomy |
| vek@spacsun.rice.edu		     |	Rice University, Houston, TX       |
| "[Christ's] birthday mighta been the time to be on the beach at Galilee, |
|   watching him turn water into beer" - Brave Combo, "Christmas In July"  |
From: cbas26@vaxa.strath.ac.uk
Newsgroups: rec.music.bluenote
Subject: Gene Harris
Date: 12 Jan 93 11:12:35 GMT
Organization: Strathclyde University VAX Cluster


    Here I go with another request for information.This is actually
for a friend of mine who plays jazz piano.
    I gave him some information on Carol Sloane and he was delighted
to find that she had released even more albums than he had realised.
now he'll have to set about finding them so thanks for the info.

    He has asked me if i can tap the network's genius again and
see if I can come up with some info. on a jazz pianist called
GENE HARRIS.....a discography would be brill...
   This guy has backed me  and taught me so much in the last 
few months it would be great to help him out.
                  thank you
                    Pat
Newsgroups: rec.music.bluenote
From: s1mbm@isuvax.iastate.edu (michael bruce mcdonald)
Subject: Re: Don Cherry suggestions?
Reply-To: s1mbm@isuvax.iastate.edu
Organization: Iowa State University, Ames, Iowa
Date: Wed, 6 Jan 1993 08:08:16 GMT

In article <C0Dx2K.46B@uxa.ecn.bgu.edu>, ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>Where Is Brooklyn, Complete Communion, the Symphony Of The Improvisors,
>and some extra tracks are supposed to be comming out on a Mosaic Box.
>These are all good.
>
>There are some Montemarte boots on the Magnet label, while the sound is
>boot quality, the playing is very good.
>
>He has some recordings from the 70s and later the 80s on A&M.  When it
>is good, it is good, but some of the tunes strike me as more
>superficial.
>
>Don had serveral duets with Eddie Blackwell.  There is the MU, which was
>originally two records, but they have it out on one CD.   One section is
>mostly trumpet and drums, but the other has some short tunes with don on
>piano, flute, vocals, and probably little percussion.
>
>Their ECM record didn't have the right pace, it seemed to be too rushed,
>but Don has a wonderful solo on the last tune.
>
>Don has many good things on Ornette's records.  I think he is really
>happening on ORNETTE!  He has a kick-ass solo on Charlie Haden's THE
>GOLDEN NUMBER, as does Ornette Coleman on trumpet.
>
>If you can find the stuff he did on Watt with Carla Bley and Michael
>Mantler, there is some good playing.
>
>I know I am forgetting some killer stuff...
>
>
>Jeff


Excellent list.  I would add the wonderful Codona recordings with Colin
Walcott and Nana, and a recording made in the early sixties with Trane,
*The Avant-Garde*.

michael mcdonald
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Subject: Re: Yellowjackets - Like a river
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Sat, 9 Jan 1993 00:39:38 GMT

In article <nat92-23.726522169@math.chalmers.se>, nat92-23@math.chalmers.se (Jakob Schlyter) writes:
>
>    I bought Yellowjackets' latest album a couple of days ago, and I think
>it's a great one...
>----------------------------------------------------------------------
>Jakob Schlyter                  - We want Yellowjackets live in Sweden

This isn't available in the U.S. yet, is it?

-Lynn  (rardin@auriga.rose.brandeis.edu)
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: Dizzy's Passing
Organization: AT&T
Distribution: na
Date: Wed, 13 Jan 1993 01:31:54 GMT

ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>No doubt.  I understand Ornette knew Louis Armstrong and was at that
>famous birthday party.

I believe that's listed in the discography at the back of the Ornette bio,
with Ornette listed as singing Happy Birthday!

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: millerje@CS.ColoState.EDU (Jeff Miller)
Subject: Re: Dizzy's Passing
Date: Mon, 11 Jan 1993 21:57:13 GMT
Distribution: na
Organization: Colorado State University, Computer Science Department

>There's something to that. Like Armstrong, he seemed always to be smiling
>and laughing. And like Armstrong, the clowing and joking disappeared
>utterly when he put horn to lips. He was the best, and we are fortunate

According to Miles' bio, this was the exact thing that Miles hated about the
two of them.  He felt they were kissing up to the white press.
[Was someone calling ELVIS a racist?]


-- 
 _____________________________________________________________________________
|                                                                             |
| "Nuke the unborn gay whales!" |  millerje@cs.colostate.edu  |  Jeff Miller  |
|_____________________________________________________________________________|
Newsgroups: rec.music.bluenote
From: gwl@specialist.genrad.com (Glenn W. Lea)
Newsgroups: rec.music.bluenote
Subject: Penguin Guide -- source
Date: 11 Jan 1993 08:27:54 -0500
Organization: GenRad, Inc.
NNTP-Posting-Host: specialist.genrad.com


I found a source for the Penguin Guide -- 

Music Book Store
(416) 588-9415

$33.00 CAN total (includes S&H).

They're also sending a list of jazz books, which I'll "review" when I
get it.  The jazz guy was very helpful on the phone.

Watching the mailbox...

Glenn

Newsgroups: rec.music.bluenote
From: mingus@cbnewsl.cb.att.com (Damballah Wedo)
Subject: Re: Bluenote (was Re: on Hilton Ruiz)
Organization: The Poto Mitan in the Houmfor
Distribution: na
Date: Tue, 12 Jan 1993 18:40:04 GMT
Keywords: piano jazz, Birdland

> John Thomas <jgthomas@bnr.ca>              :
> |> front) and I was feeling all that music in my nerves.  70 bucks for 3
> |> people, cocktails, and a whole caboodle of finger food was certainly a
> |> bargain, compared to Blue Note's 40 bucks entrance fee per person, not
>                         ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
> |> includng drinks and food.  Check it out when you're in NY!!!
> 
> Are you serious?  How often do these guys charge this much? I realize the
> historical importance of the place but GEEZ! 

Boycott the Blue Note! The place's approach to packing the customers
in makes the average sardine can roomy and spacious by comparison.
Plus they bleed you to death with their cover charge, their drinks
are similarly expensive and watered down, the room has shitty acoustics
and lousy sight lines (it's large with a low ceiling and the stage is
on a long rather than short wall, and you always feel the performer
is very far away, weird in a nightclub...), the waiters make too damn
much fucking noise, the food sucks more than usual, and they treat you like
you should feel priviledged to set foot in such hallowed space. Fuck them,
I say.

Having said all that (all true, too), I must admit that they do singers
right. They bring the "big" jazz acts to town, and into a club too
(jazz in a club is axiomatically better than jazz in a concert hall.)
I have an enchanting memory of an evening with Sarah Vaughan when the
place was not too full and Sarah was in fine voice and playful mood.
Only gig of hers that cuts that 1981 Kool Jazz Avery Fisher concert
when she gave seven encores and had grown men crying in the aisles...
And their Dizzy programming of last January was inspired. I was not there,
but the recent TO BIRD WITH LOVE is superb!

So now that Diz and Sarah're gone and Carmen is (for now anyway) ailing,
the boycott is in full force!
-- 
Marcel-Franck Simon             	mingus@usl.com, usl!mingus

	" Papa Loko, ou se' van, ou-a pouse'-n ale'
	  Nou se' papiyon, n'a pote' nouvel bay Agwe' "