HDTenEightyP/NetNews huggingface dataset:
From: tmcalice@perdido.webo.dg.com (Tim McAlice)
Subject: More Duke Robillard
Date: 10 Sep 92 09:28:45
Distribution: rec
Organization: NSDD, Data General Corp., Westboro, MA


After rummaging through the blues section of the Tower Records in
Boston, I found the following CDs featuring Duke Robillard on guitar
...

Johnny Adams, "Walking on a Tightrope - The Songs of Percy Mayfield" 
              (Rounder, 1989)

  Duke and Walter "Wolfman" Washington share the guitar credits on
  this disc - Duke is credited with the guitar solo on 4 of 10 tunes.
  Very bluesy - at times like Robert Cray, at other times more like
  Brook Benton.

Johnny Adams, "Johnny Adams Sings Doc Pomus: The Real Me"
              (Rounder, 1991)

  This disc also features Mac "Dr. John" Rebennack.

Al Copley and Hal Singer, "Royal Blue"
                          (Black Top, 1990)

  with special guests Snooks Eaglin and Duke Robillard.

  Al Copley is an alumnus of Roomful of Blues.  The music on this disc
  is jump blues similar to the Roomful sound.


Previously mentioned in an earlier post (not mine - sorry I can't give
proper credit, but the post has expired and I didn't save a copy) ...

ZuZu Bolin, "Texas Bluesman"
            (Antone's, 1991)

  Duke is credited as co-producer, and co-mixer on this disc, as well
  as being listed as one of several guitarists on this disc.

Greg Piccolo, "Heavy Juice"
              (Black Top, 1990)

  Featuring Duke Robillard, Preston Hubbard, Al Copley, John Rossi,
            and the Roomful of Blues Horns


And finally, there was one other disc at Tower, by Micky Honeycutt, a
female blues singer, which featured Duke on only one track.  I didn't
pick this one up, so I can't really comment on it.

If anyone else knows of any discs which feature the guitar stylings of
Duke Robillard, post the titles!
--
Tim McAlice                                   internet: tim_mcalice@dg.com
                                                   CEO: Tim McAlice:DGC
Newsgroups: rec.music.bluenote
From: hsu@sp1.csrd.uiuc.edu (William Tsun-Yuk Hsu)
Subject: Re: Hal Russell 1926-1992
Organization: UIUC Center for Supercomputing Research and Development
Date: Fri, 11 Sep 92 17:37:49 GMT

gary@gdfwc3 (Gary Bud Melton) writes:

> It concerns a review I read in WIRE of a Hal Russell
>cassette, HAL ON EARTH.  

Hal on Earth (didn't I review this months ago?) is great fun. However,
several of the tunes also appear on the ECM live CD. The two recordings
are similar in flavor, but the ECM disk (as expected) has better sound,
so that's the one I'd go with.

Bill
From: mcmahon@owlnet.rice.edu (Michael G. McMahon)
Newsgroups: rec.music.bluenote
Subject: Re: Songs about aging
Date: 16 Sep 92 02:06:38 GMT
Organization: Rice University

In article <1992Sep15.165046.2216@vixvax.mgi.com>
mcnamara@vixvax.mgi.com writes: 
>	I'm going to make a tape for a friend who is turning forty, and
>would like your suggestions.  

   Definately get "The Middle Aged Blues Boogie" by Saffire - The Uppity
Blues Women.  Off the self-titled CD issed in 1990 on Alligator.  I have
it on the (very good) Alligator Roecors 20th Anniversary Collection.  

   "Old women don't yell, and old women told tell, 
    and old women don't swell and she's grateful as hell!"

Peace.  -mike


-- 
There is a level of cowardice lower than that of the conformist:
  the fashionable non-conformist.   -ayn rand
Newsgroups: rec.music.bluenote
From: euaaen@eua.ericsson.se (Anders Engwall)
Subject: Thou Swell (was: Meet Betty Carter)
Organization: Ellemtel Telecom Systems Labs, Stockholm, Sweden
Date: Fri, 11 Sep 1992 12:05:29 GMT

gallo@almira.asel.udel.edu (Andy Gallo) writes:

>	I was driving home to Albany from Delaware a few weeks ago and
>caught a show on I think the Columbia University jazz station of
>"great women jazz singers", namely (forgive spelling) Sarah Vaughan,
>Ella Fitzgerald, Billie Holliday, and Betty Carter, who just blew me
>away.  The tunes they were playing were things like "Thou Swell" (I'm
>not sure that's the title)

To deviate somewhat from the subject of Betty Carter: yes, that's indeed
the title. It's an old Rodgers & Hart evergreen. Myself, I have it on an
old Supremes LP -- "The Supremes Sing Rodgers And Hart". (OK, you can stop
laughing now, there actually are some fairly snappy big band arrangements
on it. Honest.)

--
Anders Engwall				Email: Anders.Engwall@eua.ericsson.se
ELLEMTEL Utvecklings AB			Voice: +46 8 727 3893
"Alvsj"o, Sweden			Fax: +46 8 727 42 20
		"Bryna nuppa fj{ssa sp}nken" - Razor
Newsgroups: rec.music.bluenote,rec.music.misc
From: gcf@spd.eee.strathclyde.ac.uk (graham Freeland )
Subject: Re: Proposed Avant Releases (1992/1993)
Originator: gcf@newton
Organization: Signal Processing Division, University of Strathclyde. Glasgow
Date: Mon, 7 Sep 1992 09:28:15 GMT

In article <1992Sep6.172547.12546@Csli.Stanford.EDU> glad@Csli.Stanford.EDU (Clayton Glad) writes:
>gcf@spd.eee.strathclyde.ac.uk (Graham Freeland ) writes:
>
>>Below is the Avant label's proposed releases for 1992/1993.
>
>>* AVAN-6: DNA / -not fixed-
>
>>ARTO LINDSAY, TIM WRIGHT, IKUE MORI. The essential No-Wave band
>>many call the "ANTON WEBERN" of punk rock. Recorded live at CBCG
>>in 1982, these legendary tapes lay unmixed for 10 years. Features
>>their complete repertoire, 13 songs including their infamous encore:
>>a dynamic rendition of LED ZEPPELIN'S "WHOLE LOTTA LOVE".
>
>Heh.  Well, Greg Sandow compared them to Webern, it's true, but I've
>never heard anyone repeat that.  Is this from a press release?
>

As I had implied, yes; quote: "I cannot be held responsible for their
melodramatic turn of phrase"!

>I was at these "farewell" shows and they were not representative of
>DNA at the top of their form.  Still, I have to admit to looking
>forward to this.  And they did close with an, er, interpretation of
>"Whole Lotta Love" on each night.
>

Kip Hanrahan through American Clave was at one time to release,
what I think are, these same tapes (having already released "A
taste of").

>Re. Zorn's catalog, a record store-owner friend of mine showed me a
>fax he had received from Zorn.  Not only will all his subsequent output
>be available only through his own sub-DIW label, but he's taking all
>his *back* catalog and handing it to Japanese labels (four of them, if
>I remember correctly).  So not only will you be paying $20-30 for the
>new stuff, but if you're missing some of the Elektra/Nonesuch titles
>you might want to run down to your local retailer.
>
>-- Clay

Most of us dumb Europeans pay this ANYWAY (as you are no doubt aware).
Tower in Glasgow, although this may have been a pricing mistake/marketing 
exercise), are currently selling Avan-1 at a cheaper rate than their 
DIW's, in fact as `cheaply' as I would expect to find it by mail order.

Graham Freeland.
Newsgroups: rec.music.bluenote
From: gwl%wave3_1@CONCERT.NET (Glenn Lea)
Newsgroups: rec.music.bluenote
Subject: Cecil in Berlin
Date: 10 Sep 92 12:38:33 GMT
Reply-To: gwl%wave3_1@concert.net

John Thomas and Bill Hsu wrote:

John>Is there a 12-cd box set including all the cds that have
John>been released separately documenting Cecil's stay
John>in Berlin in '88?  On FMP, of course.  
Bill> Yup. The whole set was called Berlin 88, I think. If you got the whole
Bill> set initially, you get this (reportedly) nifty booklet with lots of
Bill> great photos and notes. Glenn Lea has a copy of this.

Nice to see my name in print :) Yeah, I grabbed this (from Cadence)
after a rave, no florid, review by Giddins in the Voice.  They only
released 1000 copies of the box (which in the jazz world is huge,
actually).  

John>...there is an an extra cd that wasn't released individually.
Bill> I think the extra CD is the "student orchestra" CD, that's not supposed
Bill> to be that great.

Actually, the 11th-CD "Legba Crossing" _has_ been released
individually, just recently.  Bill is right, it's not great -- Cecil
"conducts" but doesn't play on it.  The book that came with the box
contains what I take to be a transcription of his instructions to each
musician as to what to play, plus many pages of musical notation and
extended impressions by one of the players.  So all together it's a rare
look into how CT composes/conducts a large ensemble.  But without the
book, it's not that great.

They really should consider selling the book separately -- they could
easily get $25-30 bucks for it :) It's on glossy stock, 12x12 inches,
200 pages, has tons of backstage photos, about 4 or 5 long articles,
one great one by Ezekiel Jost on everything CT has done since Jost's "Free Jazz"
book.  I even got Cecil to autograph my copy when he led a student
ensemble at New England Conservatory.  

In the set there was also a separate jewelbox-sized book containing a
discography of all the participants.

There are 11 CDs in the set:

   Erzulie Maketh Scent, (solo).
   Spots, Circles and Fantasy, With Bennink, H.
   Pleistozaen Mit Wasser, With Bailey, D.
   Remembrance, With Moholo, L.
   Riobec, With Sommer, G.
   Leaf Palm Hand, With Oxley, T.
   Regalia, With Lovens, P.
   The Hearth, With Honsinger, T; Parker, E.
   Legba Crossing, with student ensemble.
   Alms/Tiergarten (Spree), (2 CDs) With Bauer, H; Bennink, H; Brotzman, P; 
	Hampel, G; Honsinger, T; Koch, H; Kowald, P; Mayes, M; Parker, E;
        Parker, W; Radovan, L; Rava, E; Sclavis, L; Stanko, T; Van
        Bergen, P; Wierbos, W.


--------------------------------------------------
Glenn Lea - reply to gwl@wavetracer.com
Wavetracer, Inc.


Newsgroups: rec.music.bluenote
From: sue@seada.com (Sue Raul)
Subject: Re: Where is Jazz?
Organization: Software Enginerring and Design Associates
Date: Thu, 10 Sep 1992 04:28:13 GMT

In article <SMEHTA.92Sep9120223@kwela.nynexst.Com> smehta@nynexst.com writes:
>In terms of audience interest, I'd say San Francisco is far more
>"civilized" than NYC.

Wow! You sure surprised me!

Have you been to San Francisco lately?  On what do you base this statement?

*sorry to hear about the state of NYC jazz*

Sue
From: gwl%wave3_1@CONCERT.NET (Glenn Lea)
Newsgroups: rec.music.bluenote
Subject: Ibrahim
Date: 14 Sep 92 12:14:22 GMT
Reply-To: gwl%wave3_1@concert.net

>>>>> On Sat, 12 Sep 1992 18:46 EDT, _3!BINAH.CC.BRANDEIS.EDU!RARDIN said:

  > In rec.music.bluenote, milo@cbnews.cb.att.com (guy.f.klose) writes:

> I've been on an Abdullah Ibrahim kick lately

The Downbeat article mentions that enja is about to reissue "Water
From an Ancient Well", a superb mid-80s album on the defunct Blackhawk
label.  This is My Personal Favorite of all his albums (I have 18),
and contains the definitive version of "The Wedding" (with Carlos
Ward).  This is one of those albums that whenever I see it in a used
bin I hand it to whomever is nearby and tell them to buy it :)

--------------------------------------------------
Glenn Lea - reply to gwl@wavetracer.com
Wavetracer, Inc.
Newsgroups: rec.music.bluenote
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: Bobby McFerrin
Organization: Wind River Systems, Inc.
Date: Tue, 15 Sep 1992 15:42:20 GMT

Any opinions on the collaboration between McFerrin and Cellist Yo Yo Ma? I 
saw a brief tv segment of these guys together and it was very strange. I'm 
curious what the release is like.

 - Malcolm

Newsgroups: rec.music.bluenote
From: fdm@WLV.IIPO.GTEGSC.COM (Frank D. Malczewski)
Subject: Re: Cecil on FMP (for James Barnett)
Organization: GTE Government Systems
Date: Sat, 12 Sep 92 01:24:45 GMT


The Wire (issue 100) mentioned one of the FMP releases (I think it was with
Derek Bailey) as being among the 100 best ever whatever it is they were
besting (I can't seem to figure out which pile that issue is currently
sitting in).  Were one to pick a best Cecil on FMP CD, would this one be it?
If so, just which one is it (catalog # -- The Wire didn't mention it)? If
not, what would it be?

Thanks.
-- 

Frank Malczewski		(fdm@wlv.iipo.gtegsc.com)
Newsgroups: rec.music.bluenote
From: s310@brems.ii.uib.no (Chris Tveit)
Subject: Buddy Rich
Keywords: Hard swinging BigBand jazz
Organization: University of Bergen, Norway
Date: Fri, 11 Sep 92 15:16:40 GMT

I have recently found out what a great drummer Buddy Rich was, and
what great bands he put together.
I now need some recomandations on his albums.

What are the best albums availeble from Buddy.

I do like his older stuff, the hard-swinging/hard-driving BigBand-jazz, better
than the later funky (too much guitar-sound) jazz.

So give me your favorite list.


Thanks
Chris the bazzman.

Newsgroups: rec.music.bluenote
From: elliott@ncrcol.ColumbiaSC.NCR.COM (Elliott New)
Subject: Re: That Stevie Ray boot
Organization: NCR E&M Columbia SC.
Date: Tue, 08 Sep 92 20:21:07 GMT

In article <1992Sep08.115034.21019@brtph560.bnr.ca> n5ppm264 (Charlie Board) writes:
>A week or two back someone posted a rave review of a 3-CD SRV boot here
>and there were a number of people asking how to get it. I looked through

Could someone post the original review of the boot?  I seem to have 
lost the original post.

Thanks,
Elliott New
Newsgroups: rec.music.bluenote
From: austin@decisv.ucs.dec.com (Cathy Austin)
Subject: Re: Upcoming in San Francisco Bay Area
Reply-To: austin@decisv.ucs.dec.com (Cathy Austin)
Organization: Digital Equipment Corporation
Date: Thu, 10 Sep 92 19:57:03 GMT

Geri Allen will be at Kuumbwa Jazz Center in Santa Cruz on October 5.  
-Cat
Newsgroups: rec.music.bluenote
From: whc2993@ritvax.isc.rit.edu
Subject: BLUES HARMONICA
Reply-To: whc2993@ritvax.isc.rit.edu
Organization: Rochester Institute of Technology
Date: Tue, 8 Sep 1992 16:23:54 GMT

	I'm sure you would get enough harp playing on 'Harp Attack' on
Alligator Records.  Can't remember right now who plays on it but it's like 3 or
4 big time blues harp players.  
BTW  I'm in the process of learning to play blues harp right now does any one
have any suggestions on books.  I'm playing a Hohner Marine Band right now but
it doesn't sound as 'Bluesy' as most recorded music sounds.  The local music
store has several harmonicas but you can't play them (health reasons) without
buying them.  Hohner makes a blues harp for about $17.00 and I've seen Lee
Oskar harps.  Hohner also makes "Cross Harps" which are about $40.  I wonder
why it is so much more money?  Does anyone know anything about any of these?  I
 play cross harp not really straight harp if you know what that means.
	                                  		B.C.


********************************************************************************
"The blues is a low down achein' chill"  Robert Johnson
********************************************************************************
From: ngse18@castle.ed.ac.uk (J R Evans)
Newsgroups: rec.music.bluenote
Subject: Re: Hugh Masekela (was Two of my current favourites
Date: 5 Sep 92 19:32:21 GMT
Organization: Edinburgh University


>loon@underdog.ee.wits.ac.za (LOON M J) writes:
>>I was wondering if any of you have heard of Hugh Masakela, a born and bred 
>>South African jazz trumpeter - excellent - supposedly pretty famous 
>>internationally. I think he's played at the Blue Note in New York. 

wjh@cbnewsl.cb.att.com (william.j.hery) responds:

>[I believe its spelled MasEkela]

... and offers some useful and (as far as I can tell) accurate comments.

Masekela was an important figure here in the UK during the '70s; his name
is strongly linked in my own mind with that of Dudu Pukwana, another
South African.  Ian Carr et al.'s 'Jazz - the essential companion' has
quite lengthy entries on both of them.  Let me summarize that on Masekela ...

Others have noted the association within SA with Dollar Brand and the
Jazz Epistles ... John Dankworth and Harry Belafonte procured a passport
out for him; he spent a few months at the Guildhall [School of Music],
then moved to Manhattan and California.  He felt some loss of identity
playing American jazz, so returned to London to work with Pukwana, 
Makhaya Ntshoko, Larry Willis and Eddie Gomez (1972).  Toured Africa
with Hedzoleh Soundz and led them to California (six albums).  "Again
the US episode was not a success".  In 1980 he returned to Africa, first
Zimbabwe, then Botswana.  In 1985/6 he was playing concerts and recording
in London.

Carr (quite probably with Masekela's input) suggests the following albums
as the best of his work:

    Trumpet African - Hugh Masekela Quartet (1962) Mercury
    The Americanisation of Ooga Booga - ?same? (1965) MGM
    Home is where the music is - Hugh Masekela Quintet (1972) Chisa
    I am not afraid - Hedzoleh Soundz (1974) Chisa
    Technobush - The Kalahari Band (1984) Jive Afrika

On the general subject of South African musicians, Bheki Mseleku (piano)
has played in Edinburgh recently, and offered some very impressive sets.
Catch him if you get the chance!

Russ
Newsgroups: rec.music.bluenote
From: acp@owlnet.rice.edu (Adrian C Penisson)
Subject: Charles Mingus 
Organization: Rice University
Distribution: usa
Date: Thu, 10 Sep 1992 15:05:45 GMT

I would appreciate some information on the recently re-released Charles Mingus
"Let My Children Hear Music."  Is it a large or small ensemble recording?  Who
appears?

Thanks in advance, 
Adrian C. Penisson
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.bluenote
Subject: Re: Sun Ra
Date: 14 Sep 92 20:38:24 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

There is a chant song, "Outer Spaceways Incorporated" (I think)
on Sun Ra's _The Solar Myth Approach vol. 2_.  This was an LP on
Affinity and I believe it has been reissued on CD.
From: mjs@hpfcso.FC.HP.COM (Marc Sabatella)
Date: Mon, 14 Sep 1992 20:22:52 GMT
Subject: Re: Bobby McFerrin
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.bluenote

In rec.music.bluenote, lorenzo@spot.Colorado.EDU (Eric J. Lorenzo) writes:

> Since I bought 'Play' by Bobby McFerrin and Chick Corea, I haven't stopped 
> listening to it.  I am mainly ipressed by Bobby McFerrin since my only image 
> of him up until now was his annoying(IMHO) 'Don't Worry, Be Happy.' song.  I'm 
> wondering if his other albums are just as impressive?

His second and third albums - "The Voice" and "Spontaneous Inventions" - are
most similar to "Play" - although "The Voice" is totally a capella (& live).
His first, "Bobby McFerrin", is nice in its own way - a little more of the
traditional singer-with-a-band thing, though.  "Simple Pleasures" is probably
the album to avoid if you didn't like "Don't Worry Be Happy".  Seems to me
there is also an album "Medicine Man", but I could have been dreaming.

-------------------------------------------------------------------------------
Marc Sabatella           Winner, 1992 First Annual Bill Evans Lookalike Contest
marc@hpmonk.fc.hp.com
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: Chicago Jazz Festival
Organization: Educational Computing Network
Date: Fri, 11 Sep 1992 16:09:38 GMT

In article <1992Sep11.155611.23673@sei.cmu.edu> rpuranik@sei.cmu.edu (Rajesh Puranik) writes:
>As my family was eating dinner last Sunday, I heard a broadcast of the Chicago
>Jazz Festival on the radio.  The impressive opening set featured a woman
>singer who also might have been the pianist.  Since my young nephew and niece
>were being unusually boisterous, I missed the name (something like Patricia?).

Patricia Barber.  I think she has a record out on the Antilles label.
But she plays a few nights a week at the Gold Star in Chicago.

Jeff
From: mark@bilpin.co.uk (Mark Allerton)
Newsgroups: rec.music.bluenote
Subject: Re: WANTED:  ROY AYERS STUFF
Date: 10 Sep 92 13:04:02 GMT
Organization: UK Mac DTS/SRL Data
X-Useragent: Nuntius v1.1

In article <1992Sep9.151117.24273@news.ysu.edu> Robin L. Gibson,
af185@yfn.ysu.edu writes:
>I am VERY interested in copping some of Roy Ayers' earlier stuff,
particularly 
>when Ubiquity was still with him.  I have checked the wrecka stows and
none of 
>this material is in print.  Anyone have any information for me?  Advance
thanks!

If you mean albums like "Vibrations" and "Everybody Loves The Sunshine",
a lot of
them were re-issued (on Vinyl only, I think) in the UK on Polydor's
"Urban" offshoot, 
over the last few years.

Also, there are two *excellent* CD compilations of early Roy Ayers stuff,
called
"Rare" Volumes 1 & 2 - which contain a lot of material that seems to be
virtually 
impossible to find anywhere else, like "2000 Black". The CDs are on a UK
label 
called "Castle Communications".

Hope this helps you find the stuff.

Mark Allerton
mark@bilpin.co.uk
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Newsgroups: rec.music.bluenote
Subject: Re: Ornette Coleman
Date: 11 Sep 92 22:28:18 GMT
Organization: Educational Computing Network

In article <1992Sep11.174227.24216@csrd.uiuc.edu> hsu@sp1.csrd.uiuc.edu (William Tsun-Yuk Hsu) writes:
>goldrick@ug.cs.dal.ca (Majeed  Goldrick) writes:
>>out and bought the album he did a few years ago with Pat Metheney
>>"Song X" - a lot of people told me that this is a great album, but
>>I just can't get into most of it.  Just the other day I tried listening
>
>Song X is not a typical Ornette date. It's closer to '60s energy music
>than any of his records that I've heard. It's not a typical Pat Metheny
>date either :-)
>
>I don't remember other Ornette records that are like Song X, except maybe
>the denser parts of Science Fiction (which I love, of course). But for

Yes, the Columbia sessions, Science Fiction and Broken Shadows, they
have a lot of multiple horns & multiple rhythm sections, and density.  I
think it is very well played, and I could seen Ornette perhaps wanting
to go the guitar way because I don't know how he could have developed it
further.  

I like Song X.  I think Metheny plays very good on it, and the interplay
between Ornette and Pat is dynamic.  Perhaps when listening to it, don't
focus too much on one person, let the gestures fall where they fall, and
don't worry about the dissonance.  The ear can hear that.

As for the Prime Time or Song X style, if Body Meta ever comes available
again, that is one to get.  Everyone plays good on that, especially
drummer Shannon Jackson, getting into the phrasing of Ornette, while
bassist Jamaaladeen roams free.
There is stuff on all his Prime Time records worth listening to, and
often when I go back to hear them again, I discover new stuff.

If you can find IN ALL LANGUAGES, get that.  That is the "album of the
decade" for many critics.  It is a double record ( 1 CD ) set with the
50s band of Cherry, Haden, and Higgins, and then Prime Time.  They
each have about 1/2 of the set, and do many of the same tunes.  So you
can see how he approaches the same material with different bands.

If Ornette On Tenor or Ornette comes out (Atlantic) those are both very
strong records, without Haden.  They either have Scott La Faro or Jimmy
Garrison.  I think at this point Ornette is deeper into his music.
They aren't like Song X, but they are very strong and fluid efforts, and
have more of an edge than the earlier Atlantics.

Jeff
From: Nation@mindlink.bc.ca (Brian Nation)
Newsgroups: rec.music.bluenote
Subject: Re: Where is Jazz?
Date: 13 Sep 92 05:54:28 GMT
Organization: MIND LINK! - British Columbia, Canada
Distribution: world

> Gidi Avrahami writes:
> 
> Msg-ID: <1992Sep8.231816.11945@CSD-NewsHost.Stanford.EDU>
> Posted: Tue, 8 Sep 1992 23:18:16
> 
> Org.  : Brotherhood Of Breath
> 
> sue@snafu.seada.com (Sue Raul) writes:
> >I want to hear live music from people like [...]
> >Where should I be living?
> 
> According to recent postings on this newsgroup, you can live anywhere
> and just watch the Tonight Show.  The readership of RMB seems
> unanimous in their orgasmic reaction to Branford's guests and their
> three minute spots.
> 
> 
> --Gidi
> 
> 

This is the most depressing message I've ever read.