HDTenEightyP/NetNews huggingface dataset:
From: blosser_cy@lrc.edu
Newsgroups: rec.music.industrial
Subject: TO ZRUBEK@UCSU.COLORADO.EDU
Date: 26 Jul 92 20:47:23 EDT
Organization: Lenoir-Rhyne College, Hickory, NC

> Hmmmmmm...Welll horah for you and your opinions......Fans of tasteless,
> pointless, NOISE speak out.  Why don't you go and slam your body into
> a few of your friends, call it dancing, or MOSHING, and best of all
> leave industrial alone.
> 
> John,
> cairnsj@ucsu.colorado.edu

Hey, John. JOHN! Can you hear me? Turn off that damned industrial dance shit!!! 
I know you enjoy 'With Sympathy' but don't offend me with that nauseating sound
at least not when I'm talking to you!  Will you let me talk to you?  Only for a
minute or two, then you can go back to your--well, I don't know if you can call
that obscene gyrating 'dancing'....

[click]

There. That's better. 

Ok, now.

I thought we had gone over this before. Some of us like the new Ministry album,
some of us don't. To each his opinion. We read your reviews, in which you roast
Al's poor ass over the hot coals of criticism and you read ours. No need to get
ugly, here...

I like industrial. Skinny Puppy is good...I like 'em much better than Ministry.
I also like Front 242, Godflesh, Nine Inch Nails, et al....but I also happen to
like Ministry, especially their latest album.

I hope you aren't offended by this post. I also hope I can express my opinions,
and you express yours, in the future...without us flaming each other.

Ok, dude?

Ok, you can turn 'With Sympathy' back on, now--no, wait, let me back out of the
room first. Wait, please, AAAAARRRRRRRRRRRRRRRRGGGGGGGGGGHHHHHHHHHHHHHHHHHHH!!!

Peace,

Christopher Blosser

Newsgroups: rec.music.industrial
From: heinz@next10pg2.wam.umd.edu (William Frederick Heinz)
Subject: Re:Re: Police seek to Ban Ice-T Performing In New Zealand
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Wed, 22 Jul 1992 17:01:51 GMT

In article <1992Jul22.145428.26946@nrao.edu>  
lmiller@heineken.tuc.nrao.edu (Luther Miller) writes:
> >
> 
> The most amusing thing about the entire _Cop Killer_ media hype is  
that
> the song is from a Heavy Metal band, Cop Killer (lead by Ice-T)
> 
> /lex


hey lex

the name of the band is Body Count.

and the MOST amusing thing is that the album has been out since 
mid March and only resently has all this come about! 
also notice how the national collition of black police officer
HAS NOT condemned Ice-T or Body Count for the song Cop Killer
and is not participanting in the boycott of T.Warner.    
 

more later

Hip


-- NewsGrazer, a NeXTstep(tm) news reader, posting --
M>UQR=&8P7&%N<VE[7&9O;G1T8FQ<9C!<9FUO9&5R;B!#;W5R:65R.WT*7&UA
M<F=L,3(P"EQM87)G<C$R,`I<<&%R9%QT>#DV,%QT>#$Y,C!<='@R.#@P7'1X
M,S@T,%QT>#0X,#!<='@U-S8P7'1X-C<R,%QT>#<V.#!<='@X-C0P7'1X.38P
M,%QF,%QB,%QI,%QU;#!<9G,R-"!);B!A<G1I8VQE(#PQ.3DR2G5L,C(N,30U
M-#(X+C(V.30V0&YR86\N961U/B!L;6EL;&5R0&AE:6YE:V5N+G1U8RYN<F%O
M+F5D=2`H3'5T:&5R($UI;&QE<BD@=W)I=&5S.EP*"CX@/EP*/B!<"CX@5&AE
M(&UO<W0@86UU<VEN9R!T:&EN9R!A8F]U="!T:&4@96YT:7)E(%]#;W`@2VEL
M;&5R7R!M961I82!H>7!E(&ES('1H871<"CX@=&AE('-O;F<@:7,@9G)O;2!A
M($AE879Y($UE=&%L(&)A;F0L($-O<"!+:6QL97(@*&QE860@8GD@26-E+50I
M7`H*/B!<"CX@+VQE>%P*7`I<"FAE>2!L97A<"EP*=&AE(&YA;64@;V8@=&AE
M(&)A;F0@:7,@0F]D>2!#;W5N="Y<"EP*86YD('1H92!-3U-4(&%M=7-I;F<@
M=&AI;F<@:7,@=&AA="!T:&4@86QB=6T@:&%S(&)E96X@;W5T('-I;F-E(%P*
M;6ED($UA<F-H(&%N9"!O;FQY(')E<V5N=&QY(&AA<R!A;&P@=&AI<R!C;VUE
M(&%B;W5T(2!<"F%L<V\@;F]T:6-E(&AO=R!T:&4@;F%T:6]N86P@8V]L;&ET
M:6]N(&]F(&)L86-K('!O;&EC92!O9F9I8V5R7`I(05,@3D]4(&-O;F1E;6YE
M9"!)8V4M5"!O<B!";V1Y($-O=6YT(&9O<B!T:&4@<V]N9R!#;W`@2VEL;&5R
M7`IA;F0@:7,@;F]T('!A<G1I8VEP86YT:6YG(&EN('1H92!B;WEC;W1T(&]F
K(%0N5V%R;F5R+B`@("!<"B!<"EP*;6]R92!L871E<EP*7`I(:7!<"@I]"F]F
`
Newsgroups: rec.music.industrial
From: noah@Cadence.COM (Noah Ruiz)
Subject: Re: Ministry cancels out of Lollapalooza
Organization: Cadence Design Systems, Inc.
Date: Mon, 20 Jul 1992 17:32:56 GMT

>this up) jerking off into a frezzer bag, and sending it to Howie Klien 
>with a note that read, "More to cum unless you give us back our tour 
>support" 
>
>They got it.
>
>
>__________________________________________________________________________
>   |       /         |\
>   | H E   \ Y B E R |/ E N       [ moon!cyberden!flesh@well.sf.ca.us ]

Believe it!!!! cuz they were great at LollaII, at the Mountain View
Amphitheater(Shoreline)!!!!!! Fucking great!!!!!!!!!!!!!!!!!!!!!!!!

Apache



\\\\\\\\\ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
 ***'`*** |                                                           |
 {O}<>{O} | There comes a time when one needs to state his own opinion|
 (  \/  ) | which has nothing to do with my employer!!                |
  \ `' /  |                                                           |
   \~~/   | EVERYBODYS FREE TO FEEL GOOD...Rozalla    noah@cadence.com| 
    \/    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@


Newsgroups: rec.music.industrial,alt.rave
From: bsanders@mrcnext.cso.uiuc.edu (Barry Sanders)
Subject: Re: Techno/Rave vs. Industrial
Organization: University of Illinois at Urbana
Date: Tue, 28 Jul 1992 20:05:13 GMT

jondr@sco.COM (Karen Silkwood's car) writes:


>>I could go on and on, but the point is that there's LOTS of "good Techno" out
>>there nowadays ...

>the new jazz/acid stuff is brilliant.  pretty soon those choir sample
>headbanging techno tracks are going to seem as dated as 1980's synth pop.

Hmm.  I often wonder what songs/bands from this current onslaught of new styles
(read: new samples) will be the K.C. & Sunshine Band or the New Order of the 
90's.  Anyone care to guess??

Barry Sanders

Inventor of Actual Reality technology: a stimulating non-synthetic multi-
sensory environment.  It's completely portable (you actually wear it inside 
your skull), requires no batteries or external equipment, and produces sensory
experiences that are COMPLETELY CONVINCING and AUTHENTIC IN EVERY DETAIL.
Newsgroups: rec.music.industrial
From: djm@progress.COM (Dave McMahon)
Subject: Re: HAH ha ha
Organization: Progress Software Corp.
Distribution: na
Date: Fri, 31 Jul 1992 16:56:57 GMT


You know, It's really great to experience multiple cultures and to see how each
share elements from the other.  And it's wonderful to share all of this
with intelegent, eclectic people who have a true passion for music in all
its diversity.  Then, of course, there's...

jyoung@Cadence.COM (John Young) writes:
>Hey I like this one,at least there is someone else out there that realize's 
>that rave is just Bi sexual/gay disco music of the 90's!

I hope, for your sake, you're kidding.  If not, then you just made
yourself out to be a more of an idiot than Matt S....

>Soooo.....Eat that "X",go sterile,and get your free complimentary AIDS from 
>drinking that passed around water!...       

Ahh, the warm glow of Intolerance.


RAVE ON - RAVE HARD.
dave.
--
|~) | |  /   | |   -FOR FUHRER '92-    || "Most of my heroes don't appear on no
|/  | |  \/\ |_| Better Living through ||  stamp"  - Public Enemy
|\  | | \/\  | |     Sedation...       ||           Love ya.
|_) |_|   /  | | Vote Bush/Qualee '92  ||        djm@progress.com
Newsgroups: rec.music.industrial
From: bp271@cleveland.Freenet.Edu (Matthew N. Sharp)
Subject: Re: R.M.I. ANGER!
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Thu, 23 Jul 92 02:40:54 GMT



Yes, I'm still here.



John Walter (john.walter@bville.gts.org) whines;
>Greetings,
>
>   Hi does anyone out there find it interesting as to how much *FLAMING*
>goes on in this message base considering the fine scope of music we all
>listen to??

John, this is a horrible sentence.  However, I understood the bulk
of your inane message nonetheless.  In response, I must say
"No, I do not find the amount of flaming on rec.music.industrial
 in the least bit interesting, nor do i find it surprising, considering
 the low level of intelligence displayed by most fans of 'industrial'
 'music'."
Does this answer your question?
Good.


He continues;
> [blah blah blah]  If you want to flame someone, 
>please do the rest of us a favor and be a flamer in private (USE
>EMAIL)


You will find a more receptive audience for your advice among
those who care.

Please do ME a favor and give me your account.
Please do us ALL a favor and give me your account.



He goes on;
>johnwalterproduct92

Tears well up in my eyes.
This is the most pathetic display of a lack of pride
I have seen since I returned from my vacation.



Nothing, obviously, has changed here.
-Matthew
-- 
Matthew Neill Sharp
bp271@Cleveland.Freenet.Edu
From: zirk@celece.ucsd.edu (Karin Zirk)
Newsgroups: rec.music.industrial
Subject: Pogoing
Date: 23 Jul 92 22:45:30 GMT



Pogoing predates moshing for those of you
old enough to remember.  The late 70's
San Francisco scene was strickly pogo until
about 1979-80.  I have fond memories
of the pogo dance at some early Dead
Kennedy's shows.

Karin
From: andrew@zone4.ocunix.on.ca (Andrew Low)
Newsgroups: rec.music.industrial
Distribution: world
Subject: Re: Negativland Box (1-20?)
Organization: Zone4
Date: Tue, 21 Jul 92 12:00:07 GMT

In article <2A6AFE98.20489@ics.uci.edu> Brian K!z!K MacDonald writes:
>  Get it.  For SOME reason, people on this board don't like _Helter_Stupid_
>  very much although I like it quite a bit.

I was unclear in my original article.  I _do_ have Helter Stupid, in fact
its the only Negativland I've got.

>   _Helter_Stupid_ is essential for those who enjoy trashing the medium
>    of television.  It is also one of Negativland's best albums IMHO, though
>   MANY of you will disagree.

Upon my first few serious listens to the album, I found it VERY disturbing.
There is something about the manner in which they have mixed the TV clips,
which we've all been desensitized to, into something remarkable.

I'm on the lookout for 'Escape From Noise' but am open to any other 
suggestions for a good NL album to sink my teeth into..
+/+\+/+\+/+chew carefully/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+\+/+
Roo [andrew@zone4.ocunix.on.ca] m a c h i n e l o v e h a t e f e a r v o i d .
               "dreams are all that separate us from the machines"
From: mallan@wiz.outb.wimsey.bc.ca (Matthew Allan)
Newsgroups: rec.music.industrial
Subject: Lollapalooza in Vancouver
Date: 23 Jul 92 11:46:35 PDT
Organization: Wizard Online

Rain. Not a good thing to have for a 9 hour outdoor consert, but oh well.

Well, the tour came to Vancouver, BC, two days ago, and I thought I'd wake up and compare what I experienced to the other locations the tour played at.

Lush - Ho hum. Good on tape, yet nothing great in concert. They played ok, but the drums were turned up too much and the lyrics were pretty drowned out.

Pearl Jam - Played very well, and got the crowd in a decent frenzy like they always seem to do. The occasional band member leaping into the crowd helped too. The songs were well performed and very well presented.

Jesus and Mary Chain - Fucking intense. By the time they were done, 4 security guards were hospitalized, and the pit was getting excited. The guards tried to close off the pit, and began fencing it off, and some people really wanted in, so we rushed the fences, bent 3 fences over, and squished 4 guards. The band played as good as always, and did a nice job working the crowd.

Soundgarden - Too loud Seattle sound. They tried to go as loud as usual, but couldn't do anything but get all the sound distorted, but they still managed to get the crowd moving with a few stage dives and surfing.

Ice Cube - Bleah. People don't go to a Lollapalooza to see rap. Everyone was yelling `Get the fuck off the stage!', and he took it the wrong way `You wanna hear another one? Ok!' <groan>. He was on for about and hour and a half, and took away time from...

Ministry - Intense. They didn't have much time, and they per4med every song non-stop, and stuck them all together. The pit was great, and seemed to be there just for Ministry. They did a lot of old stuff, but didn't perform much off their new album (only `Just one Fix' and `NWO').

Red Hot Chilli Peppers - Yawn. Alternative/Commercial music presented as a mainline act to all the top 40-teenage girl-give us Brian Adams-types. Their show was <as usual> a crowd pleaser, with tons of lights, hair flinging, and pelvis thrusting, but lacked the `hardness' of any other bands playing. They were good, but not nearly as good as Ministry, or JAMC.


The Pit - was great.  Bodies flying all over. People bleeding and leaving on stretchers. The steam produced (from the rain and heat) was so thick, you could only see the acts about 50% of the time, and the other 50%, you had to get really close to make them out through the vapor. I lost a shoe, got a broken toe, bruised ear, and a lumpy head, but it was great.

--- Via UCI v1.02 (C-Net Amiga)

                                                        -=[M.Allan]=-
-=[Matthew Allan]=-        
mallan@wiz.outb.wimsey.bc.ca
                             The Psychadelic <yber<hrist
From: moon!cyberden!flesh@well.sf.ca.us
Newsgroups: rec.music.industrial
Subject: a bad joke
Date: Fri, 24 Jul 92 15:37:59 PDT
Organization: Indescribable Creations

Q: What's the difference between a retired prostitute and a rave?

A: disco *still* sucks.


__________________________________________________________________________
   |       /         |\
   | H E   \ Y B E R |/ E N       [ moon!cyberden!flesh@well.sf.ca.us ]
From: lf01+@andrew.cmu.edu (Liz Fox)
Newsgroups: rec.music.industrial
Subject: Noise Fest '92 in Pittsburgh
Date: 22 Jul 92 13:24:35 GMT
Organization: Office of the Dean - CFA, Carnegie Mellon, Pittsburgh, PA



                    BORED OF THE ORDINARY?


                      Come and Experience


                        NOISE FEST '92


            celebrate Pittsburgh's experimental music scene
        with performances by 8 groups in 2 rooms for 4 hours

industrial noise!                            power electronics!

improvised squonk!                            ambient drones!


        MACRONYMPHA

            BLEMISH            FILET OF FEEDBACK

                TELECORPS        GRAE*COM

                    MINOZIN-V        MAX FIELD
                                        
                                        POWDER FRENCH


                   FRIDAY, JULY 24 at the Oakland Beehive 

                    10 p.m. - 2 a.m.        $5 all ages
Newsgroups: rec.music.industrial
From: lazlo@triton.unm.edu (Lazlo Nibble)
Subject: Re: Hallucination Generation
Date: Tue, 28 Jul 92 07:04:37 GMT
Organization: Sporadic and incomplete

pichocki@nbrwh34.bnr.ca (Stephen Pichocki) writes:

> Given the prompt response to my "Hello Teenage America" quote request
> (Thanks everybody), I've been wondering for some time now about the
> source for both Meat Beat Manifesto's and Gruesome Twosome's
> "Hallucination Generation" songs. 

I've always assumed that these samples came from the movie of the same name,
though I've never seen it.  (It's a mid-sixties drugsploitation flick.)

--
Lazlo (lazlo@triton.unm.edu)
From: awrc@dcs.ed.ac.uk (Al Crawford)
Newsgroups: rec.music.industrial
Subject: Re: Severed Heads Lyrics
Date: 30 Jul 92 11:06:02 GMT
Reply-To: awrc@dcs.ed.ac.uk (Al Crawford)
Organization: The University Of Edinburgh - Department Of Computer Science

And lo, alh@einoed.in-berlin.de (Adrian Le Hanne) spake unto the masses saying:
>
> The order of the tracks was taken from the european Nettwerk release of
> "Rotund For Success", which does not include 'Eel's Blood' and 'Lovesick
> Facist Meathead'. Thanks for the information, the errors are mine since
> i refered to my european releases instead of the US version Yari has.

Err, you sure Adrian?

Severed Heads	Rotund For Success	Nettwerk Europe NET 014 CD

1.	All Saint's Day
2.	Triangle Tangle Tango
3.	Bad Times Too
4.	Midget Sings
5.	7 Miles
6.	Greater Reward
7.	Big Car Intro
8.	Big Car
9.	First Steps
10.	Rotund For Success
11.	L.F.M.			<--- (L.F.M. = Lovesick Fascist Meathead)
12.	Chasing Skirt
13.	All Saint's Day Original
14.	Bad Times Three

So while you're right in saying that "Eel's Blood" isn't on it, "Lovesick
Fascist Meathead" most certainly *is* on the European release.

--
		      Al Crawford - awrc@dcs.ed.ac.uk
			   "Click click drone."
From: mikey@ece.arizona.edu (Michael Gribbons)
Newsgroups: rec.music.industrial
Subject: lollapalooza 2
Date: 27 Jul 92 19:52:36 GMT
Reply-To: mikey@ece.arizona.edu (Michael Gribbons)
Distribution: world,local
Organization: University of Arizona Dept. of Electrical and Computer Engineering

a little information please

at the lollapalooza 2 is there a big carnival set up?
you know shops and such, with interesting merchandise and information.
is this outside the show or in the show requiring a ticket for this
attraction as well? 
and is it worth seeing this stuff and not seeing the show?

why? because i don't plan sitting in the blazing sun of arizona for 12
hours straight and especially not dancing around. besides Crash Worship
is playing tucson on august 8.

thanks for the help.
Newsgroups: rec.music.industrial
From: jed@matilda.vut.edu.au (Jed Bowtell)
Subject: Re: Superconductor quenches
Reply-To: jed@matilda.vut.edu.au (Jed Bowtell)
Organization: Victoria University of Technology, Melb, Australia
Date: Wed, 22 Jul 1992 13:17:07 GMT

In article <1992Jul22.063841.16719@athena.mit.edu> nivekogr@athena.mit.edu (Christopher M Teixeira) writes:
>   I have to agree with you concerning Superconductor.  I picked up 'HEavy
> With Puppy' knowing only that they were a band with 7 guitars and thought
> maybe they would sound like big Black^2 with all that ammo but no luck...
>sounds like typical semi-grunge-meister-fodder for the college radio set
>to my ears.  How did they manage to sound so limp with seeevvveeenn guitars?

I haven't heard it. Seven guitars and they still dont sound good?
They must be really good musicians.

Jed
From: awrc@dcs.ed.ac.uk (Al Crawford)
Newsgroups: rec.music.industrial
Subject: Grey Area News...
Date: 21 Jul 92 07:49:42 GMT
Reply-To: awrc@dcs.ed.ac.uk (Al Crawford)
Organization: The University Of Edinburgh - Department Of Computer Science

Yay, I ain't been forgotten! Got home last night to find a) a gratis review
copy of _The Bridge_ (shame I've already reviewed it) and b) some newsy
bits courtesy of John McRobbie at The Grey Area...

Release dates... (all UK)

June 15 (yeah, I know it's passed)

Monte Cazazza		The Worst Of	(78 mins, BTW. Track listing later)
Leer/Rental		The Bridge

July 27

SPK			Information Overload Unit
SPK			Leichenschrei
SPK			Zamia Lehmanni

Just to piss everybody off, initially they're only going to be available
together as a 3 CD box set, catalogue number SPKBOX 1. They will come out
separately later though, along with a couple of other titles (yes, _Auto Da
Fe_ is amongst the later releases).

August 24

Dome			1 & 2
Dome			3 & 4
Duet Emmo		Or So It Seems

These three will be available separately, and also as a 3 CD box set,
catalogue number DOMEBOX 1.

Oh yeah, track listing for the Monte Cazazza disc...

Psychiatric Review, To Mom On Mother's Day, Candy Man, Rabid Rats
(Vietnam), Distress, Mary Bell, Kick That Habit Man, First/Last, Tiny
Tears, Stairway To Hell, Sex is no Emergency, A Snitch is a Snitch, Six
Eyes From Hell, Liars (Feed Those Christians To The Lions), A is for Atom,
If Thoughts Could Kill, Mark Of The Devil, Climax.

Nothing drastically exciting forthcoming...

Boys Next Door (embryonic Birthday Party), more SPK, more TG, more Can, The
Hafler Trio, Zoviet France, Laibach. Seems to be about it.

--
		      Al Crawford - awrc@dcs.ed.ac.uk
			   "Click click drone."
Newsgroups: rec.music.industrial
From: andre@rurutu.wri.com (Andre Kuzniarek)
Subject: Re: Godflesh and Picasso
Organization: Wolfram Research, Inc.
Date: Wed, 22 Jul 1992 23:56:14 GMT

In article <1992Jul18.184000.16491@news.acns.nwu.edu>  
trivedi@speedy.acns.nwu.edu (Kam Trivedi) writes:
> Godflesh played the Lounge Ax on Friday, July 17 with local bands  
Trenchmouth and Wreck.
> 
> All of the good stuff that has been mentioned on the net applies.
> GO SEE THEM; it's worth the money.
> 
> The bass stood out more than it does on the records.  A constant stream 
> of noise/sound envelopes you when they start playing.  Two guys and a 
> drum machine just pumping out some great sounds.
^^^^^^^^^^^^^^^^^

Actually, I looked closely at the mixer and they were playing to a DAT  
tape, as a lot of their sound comes from sampled and manipulated stuff  
other than drums. So really, all the sound guy had to do was balance five  
tracks: Voice, guitar, drums, and stereo DAT. The results were nice. The  
bass player must detune a hell of a lot to get that monsterous sound.

AK
Newsgroups: rec.music.industrial
From: smbelcas@med.umich.edu (Sarah Marie Belcastro)
Subject: Skinny puppy frustration
Date: Wed, 29 Jul 92 19:25:51 EDT
Organization: University of Michigan, Mathematics Department, Ann Arbor
Originator: smbelcas@jameson.math.lsa.umich.edu


Argh!!  i finally got a sk p cd:  ain't it dead yet.... and it only has one
track.  but it has about 12 songs.   are the songs listed in the order that
they are on the cd?  anyone know the lengths of the songs so i can find them
on cd players which allow one to search by time?


					--sarah marie.
Xref: sparky rec.music.industrial:8628 alt.music.alternative:7853
From: bmacdona@bonnie.ics.uci.edu (Brian K!z!K MacDonald)
Subject: Re: Ministry and the Butthole Surfers
Newsgroups: rec.music.industrial,alt.music.alternative
Reply-To: bmacdona@ics.uci.edu (Brian K!z!K MacDonald)
Organization: Univ. of Calif., Irvine, Info. & Computer Sci. Dept.
Date: 21 Jul 92 22:56:22 GMT

In article <1ey0NB2w164w@cyberden.uucp> moon!cyberden!flesh@well.sf.ca.us writes:
>bmacdona@bonnie.ics.uci.edu (Brian K!z!K MacDonald) writes:
>
>> In article <7836@dirac.physics.purdue.edu> smithmc@maxwell.physics.purdue.edu
>> >
>> >	I have yet to figure out where the Hell he got the idea for
>> >"TV Song." Maybe he was sitting in his store bored one day and he looked
>> >out his window and saw the bum that hangs out in a nearby alley. That bum
>> >screams weird stuff too.
>>
>>     "TV Song" is an outright COPY of the Butthole Surfers' "The Shah Sleeps
>>    in Lee Harvey Oswald's Grave" (one of the Surfer's FIRST songs on
>>    Alternative Tentacles).
>>
>>                                                             K!z!K
>
>only in the sence that the two have very fast drums.

  ...and that both feature in between silly rantings and other wierdness
   in between enough to justify my point a bit more.

                                                            K!z!K

Newsgroups: rec.music.industrial
From: shaun@octel.com (Ralph Neutrino)
Subject: Re: TG's first album (Re: up 18)
Organization: Octel Communications Inc., Milpitas Ca.
Date: Thu, 23 Jul 1992 23:27:48 GMT

In article <1992Jul19.234318.7670@rz-berlin.mpg.de> kolasinski@rz-berlin.mpg.de (Rebell ohne Schlips) writes:
>> 
>> There is also a new CD out that is about called Very Friendly.  Which is 
>> claimed to be the lost/first TG album.  The truth to this, I'm not sure of.
>
>	If true, this would raise the question:  Suppose you formed your own 
>record label to produce your music.  How do you lose your first album?

That's easy--ship the master tape by US Mail.

-- 
shaun@octel.com  ||  G is for Jesus

"We will buy Iron Camels from GoMotion
   Unlimited in Santa Clara California."
Newsgroups: rec.music.industrial
From: andre@rurutu.wri.com (Andre Kuzniarek)
Subject: Godflesh: Pure vs. Live
Organization: Wolfram Research, Inc.
Date: Thu, 23 Jul 1992 00:07:44 GMT

I listened to Pure at my favorite music store and decided to pass on it as  
I thought it sounded thin and a little too dancey or something, unlike  
Godflesh's 2 previous releases, which I liked: dark, thick, deep. Then I  
caught them at the Lounge Ax in Chicago, and really liked the sound of the  
Pure cuts. What gives? I'd gladly buy a live version of Mothra, et al. Are  
my ears alone in finding too much of a discrepancy between Pure on CD vs.  
live?

AK
Newsgroups: rec.music.industrial