HDTenEightyP/NetNews huggingface dataset:
From: steiny@steiny.com (Don Steiny)
Newsgroups: rec.music.bluenote
Subject: Re: Ellington suggestions
Date: 29 Dec 92 18:50:31 GMT
Organization: Don Steiny Software

simpson@cactus.org (Randall L. Simpson) writes:

>I agree wholeheartedly.  I had no idea Duke could play so much piano.
>My impetus to purchase the album was hearing Mingus and Roach in a trio.
>Ellington's piano blew me away.  All three play their asses off.

	There is an album of John Coletrane and Ellington.   Called
Coletrane and Ellington.    The piano sounds like Monk.   I know a 
person that has been a professional jazz and big-band musician for about
45 years and he said that Monk was just derivitive of Ellington.   That is
a bit strong, IMHO, but you can sure hear what he is saying on this album.

	The version of "In a Sentimental Mood" on this album (IMHO) is one
of the most beautiful pieces of music ever recorded.   Before I heard it
I always found Coletrane too strong.

-don
-- 
Don Steiny
Don Steiny Software
Santa Cruz, CA 95060
(408) 425-0382
Organization: University of Illinois at Chicago
Date: Saturday, 26 Dec 1992 15:42:43 CST
From: <U37426@uicvm.uic.edu>
Newsgroups: rec.music.bluenote
Subject: Japanese Miles Davis

    Well i finally broke down and started buying the japanese imports of out
of print Miles Davis cd's.  It seems that the album Dark Magnus and Live at
the Philharmonic have less sound quality than the regular Columbia releases.
Does anyone else out there agree with me?  Are there any albums that have
extremly poor sound quality and should be avoided?  Miles is my favorite
musician and have most of the regular releases.  Also his 70's work is some of
 my favorite.  I would hate to buy these imports at 40 bucks a crack and then
later see them released here in the states in a remastered form.




So what do other netters think?

                               tom
From: doh@cis.ksu.edu (Kyung-Goo Doh)
Newsgroups: rec.music.bluenote
Subject: Re: Japanese Miles Davis
Date: 28 Dec 1992 21:00:13 GMT
Organization: Kansas State University, Dept. of Computing and Information Sciences
NNTP-Posting-Host: depot.cis.ksu.edu

In article <Dec28.042938.15545@yuma.ACNS.ColoState.EDU> millerje@CS.ColoState.EDU (Jeff Miller) writes:
>While we're on the subject, how is the complete 1960 Miles Concert with
>Sonny Stitt and John Coltrane.  I saw a store with it (it's 4 discs) for
>$40.00.  Is this is really good concert?  Thanks...
>

Absolutely. I bought it from Cadence and paid $48 though.
Music in the set is absolutely great. 
So don't pass it by!

Kyung-Goo Doh
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Newsgroups: rec.music.bluenote
Subject: Re: Ellington suggestions
Keywords: Ellington
Date: 23 Dec 92 21:39:41 GMT
Organization: Educational Computing Network

In article <1992Dec23.185305.10944@athena.mit.edu> sbyrd@athena.mit.edu (Samuel D Byrd) writes:
>Then move on solidly into the 30s with:
>
>Reminiscing in Tempo  --Columbia (includes the 1932 masterpiece
>"Reminiscing in Tempo")

Reminiscing... also has my favorite version of East St. Louis Toodle-OO.
That was a staple for Ellington in the 30s, and this version is a very
dark funeral groove .  Another one of those pattented Ellington
slow-motion pockets.

Jeff
From: degraw@lclark.edu (David Degraw)
Newsgroups: rec.music.bluenote
Subject: Re: On liner notes
Date: 4 Jan 93 00:19:43 GMT
Article-I.D.: lclark.1993Jan4.001943.17598
Organization: Lewis & Clark College, Portland OR

Newsgroups: rec.music.bluenote
Subject: Re: On liner notes
Summary: 
Expires: 
Followup-To: 
Distribution: 
Organization: Lewis & Clark College, Portland OR
Keywords: 

On "Tommorrow is the Question" by Ornette Coleman, Don Cherry is quoted:

	(Don metrnette at a music store in Watts)
	"He was trying a 4.5 reed.  He had long hair and a beard;
	 it was about 90 degrees and he had on an overcoat.
	 I was scared of him."

:)
-Dave
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: clarinetist Perry Robinson
Organization: AT&T
Date: Wed, 23 Dec 1992 02:56:22 GMT

cczanj@vax.nott.ac.uk (Andy Jack) writes:
>Am I right in thinking he was the clarinet player on the first Charlie Haden
>"Liberation Music Orchestra"? 

Same cat. He is also on one of my favorite Ray Anderson CDs, IT JUST SO HAPPENS
(with Stanton Davis, Bob Stewart, MArk Dresser, and Ronnie Burrage; 1987),
and on a sort of pre-Codona tri-continent "world music" album on IAI (Bley's
label) called KUNDALINI, with Robinson's clarinet, Nana Vasconcelos Latin
American and African percussion, and Badal Roy's tabla (1978).

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote,alt.config,misc.misc
From: stevea@zeus.bony.com (Steve Albin)
Subject: Re: CFD: Enough Interest Out There To Form a 1920's-30's Jazz/Dance/Big Band Newsgroup?
Organization: The Bank of New York
Date: Tue, 22 Dec 92 13:30:09 GMT

Steve Albin
stevea@zeus.bony.com
Newsgroups: rec.music.bluenote
From: oien@teledec6.NoSubdomain.NoDomain (Geir Oien-dr.ing student)
Subject:  Re:Albert King (RIP)
Organization: Norwegian Institute of Technology
Date: Wed, 23 Dec 92 09:49:27 GMT

Here is my personal list of essential Albert King recordings....

Studio recordings:

King of the blues guitar (Atlantic CD). The cream of his late 60s Stax sessions.

I'll play the blues for you -- The best of (Stax (UK) CD). Stax 1968-1975.

The lost session (Fantasy/Carrere/Stax LP (also CD?)). Jazzy 1971 session,
							produced by John Mayall.

Let's have a natural ball (Modern Blues Recordings CD). Great King/Bobbin sides
							from the late 50s. (Also
							mostly available on King
							CD "The Big Blues")

Live recordings:

Live wire/Blues power (Stax CD). 1969, Live at the Fillmore in San Francisco.

Blues at Sunrise - Live at Montreux (Stax CD). Extremely powerful 1973 recordings.


For anyone who don't know, Albert was one of the great masters,
innovators and trendsetters of postwar blues guitar. Blending pure downhome
electric blues with deep soul he created some of the most exciting and enduring
blues ever. Echoes of his playing (sometimes much more than echoes) can be heard 
in recordings by Stevie Ray Vaughan, Jimi Hendrix, Robert Cray, Anson Funderburgh,
Son Seals, Eric Clapton, and many many more. But no one will ever get quite that
whining, insistent, biting tone Albert squeezed out of his Flying V, "Lucy", 
nor will anyone play with such overwhelming power.

		Geir Egil "Blues Boy" Oien
		oien@tele.unit.no

		"'Cause I love her -- I love Lucy yes I do" (A. King)
Newsgroups: rec.music.bluenote
From: jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas)
Subject: Gunter Hampel on ESP
Reply-To: John Thomas <jgthomas@bnr.ca>              
Organization: Bell-Northern Research, Richardson, Tx
Date: Wed, 23 Dec 1992 00:49:44 GMT

Just picked up the ZYX reissue of his album originally on ESP
called MUSIC FROM EUROPE.

Very interesting stuff with a young Willem Breuker to boot.

Anybody know what Hampel is up to these days?  I know he released
albums for awhile on the Birth label but don't really know that
much else about him.
Newsgroups: rec.music.bluenote
From: mcgonig@eeserv.ee.umanitoba.ca (Gordon McGonigal)
Subject: Re: Classic pop and jazz, 2 -- and now Don Ellis
Organization: Dept. of Elect. & Comp. Engineering, U of Manitoba
Date: Fri, 1 Jan 1993 23:45:02 GMT

jerry@hnrc.tufts.edu (Jerry Dallal) writes:
>        ASV CD AJA 5096
>        "The Andrews Sisters"
>        The Andrews Sisters
>
>        Beat me daddy eight to the bar/The cock-eyed mayor of 
         ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Hey, silly me didn't know this before, but I guess this explains
where Don Ellis came up with the name for his composition  "Beat
Me Daddy, Seven to the Bar"!
--
                                   * * *
Gord McGonigal                                  mcgonig@eeserv.ee.UManitoba.ca
Dept. of Electrical & Computer Engineering
University of Manitoba, Winnipeg, CANADA (R3T 2N2)       phone: (204) 474-6295
Newsgroups: rec.music.bluenote
From: mingus@cbnewsl.cb.att.com (Damballah Wedo)
Subject: Re: hep cats and their music (was: On Drugs, Bebop and The Wire)
Organization: The Poto Mitan in the Houmfor
Distribution: na
Date: Mon, 4 Jan 1993 03:45:17 GMT

> rshapiro@bbn.com (Richard Shapiro):
> [ I (Marcel) wrote the indented text ]
> 
>    Check out the cover of THIS IS OUR MUSIC.
>    Ask yourself is that young man struggling to
>    keep his head upright is what you imagine a hep cat ought to look
>    like
> 
> Like I say, this photo looks quintessential jazz-hip to me. It never
> occured to me (consciously at least) that any of the four were at high
> at the time; but it doesn't change my opinion of the image. Whether
> Haden was "struggling to keep his head upright" or posed that way by a
> savvy Atlantic photographer, it's a great photo which perfectly
> captures the essence of early 60s cool.

You know, neither did I, until I read the interview with Haden (I do
have all this stuff buried somewhere, promise, though it might take
me a while to find it.) Says something about what was thought to be
cool back then, doesn't it? For another example, I've read interviews
with Art Pepper in which he says that he was in withdrawal agony for
the photo sessions to several of his late-50s albums; the funny thing
is that on the photos he looks like a serious, handsome young man,
deep into the music etc.
-- 
Marcel-Franck Simon             	mingus@usl.com, usl!mingus

	" Papa Loko, ou se' van, ou-a pouse'-n ale'
	  Nou se' papiyon, n'a pote' nouvel bay Agwe' "
Newsgroups: rec.music.bluenote
From: anton@HQ.Ileaf.COM (steve norton)
Subject: Re: Chick Corea -- Circling In
Reply-To: anton@HQ.Ileaf.COM (steve norton)
Organization: Interleaf, Inc.
Date: Tue, 22 Dec 92 20:15:29 GMT

Gidi Avrahami, with an amazing memory for detail, writes:

> "Circling In" was a double LP on Blue Note of outtakes from two or
> three Corea sessions in the late 60's or early 70's.  "Pannonica" is
> from the "Now He Sings, Now He Sobs" session, with Miroslav Vitous
> (bass) and Roy Haines (drums).  I would guess this LP is way way out
> of print by now.
> 
> However, I believe that the CD re-release of NHSNHS includes all the
> additional material from CI (some 30 minutes long), so you should look
> it up.

knowing that this thread has been leaving out a major portion of the
story of Circling In, i went home and got my copy last night.  sure
enough, everything stated by gidi above is spot on, right down to the
guess at the length of the additional material.

the remaining 2 and 1/2 sides of the 2 lps of Circling In is devoted
to 2 1970 sessions of the band Circle (whence the album's title):
Chick Corea, Anthony Braxton (winds), Dave Holland (bs) and Barry
Altschul (dr).  (Except for one lone cut, Blues Connotation, from an
april '70 trio session with Holland and Altshul.)

the album was released in 1975 as part of Bluenote's reissue twofer
series, and was produced for release by Michael "reissue" Cuscuna.
AND lengthy liners by Stanley Crouch.  there was another bluenote
reissue twofer of Circle-era Corea stuff called Circulus.  i have no
recollection whether it preceeded or succeeded this one.

anyhow, tunes:

May '68 w/ Vitous & Haynes:
 Bossa (Corea)
 Gemini My One and Only Love (Mellin/Wood)
 Fragments (Corea)
 Windows (Corea)
 Samba Yanta (Corea)
 I Don't Know (Corea)
 Pannonica (Monk)

April '70 w/ Holland & Altschul:
 Blues Connotation (Coleman)

October 13, '70 w/ Circle:
 Duet for Bass & Piano 1 & 2 (Corea/Holland)
 Danse for Clarinet & Piano 1 & 2 (Corea/Braxton)
 Chimes, pts 1 & 2 (Corea/Holland/Braxton)

October 19, '70 w/ Circle:
 Starp (Holland)
 "73o-A./Kelvin" (Composition 6F) (Braxton)
 Ballad (Corea/Holland/Braxton/Altschul)


i've got Circulus as well, and can post similar info if there's
interest.  (wish i'd brought it in today... )

-- 

/steve
From: rshapiro@bbn.com (Richard Shapiro)
Newsgroups: rec.music.bluenote
Subject: Re: On Drugs, Bebop and The Wire
Date: 31 Dec 92 11:20:28
Organization: BBN, Cambridge MA
	<RSHAPIRO.92Dec29154328@kariba.bbn.com>
	<1992Dec29.211926.11248@pony.Ingres.COM>
	<SMEHTA.92Dec30115921@kwela.nynexst.com>
	<RSHAPIRO.92Dec30134941@kariba.bbn.com>
	<SMEHTA.92Dec30164254@kwela.nynexst.com>
NNTP-Posting-Host: kariba.bbn.com
In-reply-to: smehta@kwela.nynexst.com's message of 30 Dec 92 16:42:54

In article <SMEHTA.92Dec30164254@kwela.nynexst.com> smehta@kwela.nynexst.com (Sandeep Mehta) writes:

   It is imperative to separate the obvious (and well
   understood) biologically negative effects of certain drugs from vast
   and vague (in my opinion) implications of moral "evil".


Certainly it's crucial to distinguish biology from sociology. This is
exactly why an article on the sociology of, say, smoking can't be
regarded as irresponsible or dangerous just because it considers
social issues rather than the medical ones. In considering why group X
tends to smoke while group Y doesn't, it simply isn't relevant to
focus on lung cancer -- that's not a helpful explanation of the
behavior. Yet this is just the argument being made against the drug
articles in The Wire.

But also, it's not as easy as you imply to separate physical effects
from moral ones.  I chose smoking very deliberately, because it
doesn't have the same moral force as narcotics use although it's
unquestionably more dangerous in terms of its physical effects
(smoking is in the process of becoming a general moral issue but it
isn't there yet). Cigarette abuse is certainly more widespread than
drug abuse among jazz musicians and other artists; and it may well
have led to more deaths in those communities.  But we never hear about
the scourge of cigarettes in the jazz community. It's not the biology
after all -- "scourge" is a moral term, which is why it's applied only
to an issue regarded as a moral one.

If The Wire ran an article explaining why artists and musicians are
more likely than computer scientists to smoke, and if that article
didn't mention cancer, would people have been outraged in the same way
as they were by the drug articles? Somehow I don't think so...
From: mingus@cbnewsl.cb.att.com (Damballah Wedo)
Newsgroups: rec.music.bluenote
Subject: Re: On Drugs, Bebop and The Wire
Date: 31 Dec 92 07:10:15 GMT
Distribution: na
Organization: The Poto Mitan in the Houmfor

> smehta@nynexst.com (Sandep Mehta):
> In his new book on Ornette Coleman, John Litweiler describes how
> Ornette struggled with the drug problems with his "classic" quartet.
> Apparently, at one time one of the members was flying back to NYC,
> from an out of town engagement, *every* day to get the daily supply
> for everyone. When he confronted Blackwell (I think), Ornette was
> told that heroin help them "hear better" and weren't they playing
> well high? Being the believing kind, Ornette began to wonder if there
> was something to playing under the influence of heroin. So he tried
> it once and had such a bad trip that he never touched the stuff
> again. Often, Ornette would be forced to support his musician's
> habits financially because as much as he hated it and what it was
> doing to his musicians he liked all of them a lot.  Inevitably, the
> group disintegrated. Haden struggled on and off for many years trying
> to kick the habit and hadn't yet kicked it when he returned to play
> with Ornette. Don Cherry too took a long time before he kicked his
> habit.

Check out the cover of THIS IS OUR MUSIC. I remember reading an
interview with Haden some years ago in which he said he was so
fucked up during that photo session, it was all he could do to
keep from puking. Ask yourself is that young man struggling to
keep his head upright is what you imagine a hep cat ought to look
like, and what you would like to be.
-- 
Marcel-Franck Simon             	mingus@usl.com, usl!mingus

	" Papa Loko, ou se' van, ou-a pouse'-n ale'
	  Nou se' papiyon, n'a pote' nouvel bay Agwe' "
Newsgroups: rec.music.bluenote
From: boris@athena.eng.hou.compaq.com (Boris Litinsky)
Subject: Louis Armstrong Suggestions
Organization: Compaq Computer Corp.
Distribution: usa
Date: Wed, 23 Dec 1992 21:43:37 GMT

I am looking for recommendations for Louis Armstrong CDs. 
I would like something that has better sound quality then I have heard
although I realize it may be difficult to achieve.

Also, has anyone heard the relatively new CD by the Duke Ellington Orchestra,
entitled "Music is My Mistress"? Is is worth buying? How does it compare with
the previous Duke Ellington Orchestra album?




--
| Boris Litinsky	          "I came to the woods to live deliberately,  |
| ASIC Design Engineer 	          "so that when it came time to die, I did    |
| boris@athena.eng.hou.compaq.com "not learn that I have not lived." -Thoreau |
| "The views expressed here are my own, and not those of my employer."	      |
From: rshapiro@bbn.com (Richard Shapiro)
Newsgroups: rec.music.bluenote
Subject: Re: On Drugs, Bebop and The Wire
Date: 30 Dec 92 13:49:41
Organization: BBN, Cambridge MA
	<RSHAPIRO.92Dec29154328@kariba.bbn.com>
	<1992Dec29.211926.11248@pony.Ingres.COM>
	<SMEHTA.92Dec30115921@kwela.nynexst.com>
NNTP-Posting-Host: kariba.bbn.com
In-reply-to: smehta@kwela.nynexst.com's message of 30 Dec 92 11:59:21

In article <SMEHTA.92Dec30115921@kwela.nynexst.com> smehta@kwela.nynexst.com (Sandeep Mehta) writes:
   No matter how unrealistic and silly the pseudo-puritanical American
   attitude towards narcotics in the 80-90's may seem, I believe the
   myth that narcotics (not including marijuana etc.) helped cats "hear
   and think clearly" needs to be debunked!


Insofar as that myth still holds sway, I think it's not only possible,
but essential, to debunk it without falling into what you call "the
pseudo-puritanical American attitude". The series of articles in The
Wire made a good attempt at doing this. We need more rational thinking
about drugs and subcultures, not more reliance on cliches (of either
sort).


   It is entirely another propostion to
   propagate the myth that drugs made them hipper cats.

Some of the earlier responses to the articles in The Wire seem to be
premissed on the assumption that drug use is intrinsically "evil" (or
whatever -- any morally negative term will work as well). If you start
with that assumption, you already contribute to the propagation of
this second myth. Living outside the bounds of conventional morality
is a crucial part of what it means to be "hip".  This moralistic
association of drug use with social deviance, which has now become
very nearly the only acceptable discourse in the mainstream domestic
press, can't help but increase the appeal of drugs in communities
whose very identity is defined by their distance from the mainstream.
That's why any non-moralistic, non-judgemental article on drugs,
especially an article that appears in a jazz journal, is ok by me.
From: kamine@is.rice.edu (Jorge Hershel Kamine)
Newsgroups: rec.music.bluenote
Subject: Johnny Hodges
Date: 29 Dec 92 16:26:51 GMT
Organization: Rice University

I would like to study Johnny Hodges tone and stylistic approach
to ballads, but I do not know what CD reissues to look at.
Although I know his greatest work was with Duke Ellington, I
didn't expect that the brief length of big band solos would
provide me with enough opportunities to listen to his playing
style.  I know that some of the recordings of the group he led
after leaving Ellington are now available, but I don't know which
to choose.  I would sincerely appreciate any help, and if you
would email suggestions.  Thank you.
-- 
*******************************************************************************
*       Jorge Kamine Arreola      * "An eye for an eye leaves two men blind."  
*       email: kamine@is.rice.edu *  -Edward James Olmos   
*******************************************************************************
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: Request for comments; selections from Cadence
Organization: AT&T
Date: Wed, 23 Dec 1992 03:49:32 GMT

hellers@cs.wisc.edu (Joe Hellerstein) writes:
>Finished pass #3 through Cadence (this time with a pen.)  I'd
>appreciate comments/recommendations on the following.  
>Miles Davis & John Colrane live in NY w/Bill Evans c. '58&'59 Bandstand 1501  

Sounds like a boot; I've been burned by sound quality of boots from
that era (what kind of home recorders did people have to tape off the
air back then?). I'd pick up the existing CDs from CBS Sony for now
and wait for Cadence reviews. Of course, every time I wait, and a
good review shows up, Cadence is sold out :-(

>Cecil Taylor "Jumpin' Punkins" w/Rudd,Lacy,Shepp,etc. '61  Candid 9013

The MOSAIC Taylor/Candid box includes this and similar material. It
might be worth saving up for the MOSAIC box.

>Mal Waldron/Steve Lacy "Snake Out & Herbe De..."  Hat Art  2015
>	Mmmmm... I have HOT HOUSE and like it a lot.
>Steve Lacy & Mal Waldron  "Herbe De L'Ouble"  8/81  HatMusics 3513
>	Half of the above??

Yes--they were originally 2 LPs, then repackaged as double LP set. I
haven't heard these particular ones (I'm holding out for a CD reissue),
but I've heard other duets by these two, and it should be great music.
Snake Out is one of Waldron's best compostions (I have at least 3 versions
of it).

>David Murray 4tet "Live at Ocean Club" Col.1&2 w/ L. Bowie (!!) India
>Navigation 1032

One of the best Murray albums. Originally 2 LPs from the same concert,
they edited one cut and put it all on a single CD. The Murra/Bowie
front line is great, and Murray's soprano sax (the only recorded track
I know of) on Bechet's Bounce is worth the price of the CD alone.

>Lester Bowie "No. 1 & 2" w/ Rosco M/Jarman/Favors 8/67.  Nessa 1

Essentiall the ARt Ensemble of Chicago before they added a drummer
(if Moye can be called by such a commonplace term!). I personally
prefer most of the later AEC material.

>Mal Waldron 5tet:  "Git Go"  live w/Woody Shaw/Rouse/Blackwell SoulNote 1118
>                   "Seagulls of Kristiansund" w/Shaw/Rouse  SN121148

Both from the same Village Vanguard gig; both great. If you want to get
only one, go for SEAGULLS since it is about 10 minutes longer and has
SNAKE OUT and the uncharacteristically moody (but wonderful) Waldron
title composition.

>George Adams/Don Pullen 4tet  "earth Beams"  Cameron B.  Timeless 147

One of the best of the Timeless Adams/Pullen quartet releases--it
includes the first recording they did of BIG ALICE and SATURDAY NIGHT
IN THE COSMOS. But the two Soul Note LIVE AT THE VILLAGE VANGUARD releases
should get priority over this one.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: levin@lmoadm.enet.dec.com (Suegene Levin)
Subject: Re: Jean Luc Ponty Experience with George Duke Trio
Organization: Digital Equipment Corporation
Date: Tue, 22 Dec 1992 18:22:04 GMT


In article <1992Dec17.211532.1640@ils.nwu.edu>, chung@ils.nwu.edu (Mark Chung) writes...
>Someone asked for information about this album recently, and I happened to
>see it at Jazz Record Mart here in Chicago. The label/no. is PAUSA 9001, it
>is a reissue licensed to Liberty Records. If I remember correctly it is a
>live LP, recorded at Thee Experience and has Cantaloupe Island on it.
> 
>Mark
I'm interested in this, but I would like to know if it's available on CD?
Anyone know?

Thanks,

Suegene
Newsgroups: rec.music.bluenote
From: cfthb@ux1.cts.eiu.edu (Howard Black)
Subject: Re: "Jazzy" blues followup
Date: Wed, 30 Dec 1992 16:44:21 GMT
Organization: Eastern Illinois University

In article <C02wy6.91o@hfglobe.intel.com> dcovell@hfglobe.intel.com (David Covell) writes:

    [in his search for jazzy blues]

>Any other recommendations?


    Larry Carlton plays with a very jazzy feel; his album "Last Night" is
live and contains several very good jazz/blues tunes imho.  These range
from a standard slow blues thing that speeds up in the middle and gets
quite jazzy to a version of "All Blues" that, I think, is great.


-- 
   ******************************************************************
     Howard Black                             cfthb@ux1.cts.eiu.edu
     Department of Chemistry                  Eastern Illinois Univ.