HDTenEightyP/NetNews huggingface dataset:
From: tom@miki.pictel.com (Tom Morrison)
Subject: Wall of Sound Tape Tree
Cc: tom,IWS%ssmic@cdfq.ssd.ray.com
Organization: PictureTel Corporation
Date: Tue, 29 Dec 1992 13:59:14 GMT

Well folks, remember that thread awhile back about the Wall of
Sound, well lost in that thread was an offer by the honorable 
Ihor Slabicky to Seed an Audience Version of the 8/6/74 Roosevelt
Stadium (JC?,NJ) show.....

Well, I hadn't run a tree in over a year (all the damage
I caused....), so I offered to admin this tree....(YES 
STEVE, INSANITY DOES RUN RAPID IN ME SOMETIMES....:-0) 

I have just finished listening to it, and would like
to offer this as the Wall of Sound Tree:

Thus, here it is:

3x90 Tapes of which, my seed tapes are 1st Gen Audience 
with some mix of Soundboards from the same show.....

Here is How it goes:

NOTE: *=Soundbord version
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
Tape 1:
=======
Jack Straw*				
--
a) Jack Straw,Eyes of the World,Promised Land,Deal

b)  playing, scarlet begonias, playining 
----
fireworks

Tape 2:
=======
a) Phil & Ned-Seastones
-----
Uncle Johns Band,Black Peter,El Paso

b)  El Paso,Loose Lucy,Big River, Ship of Fools
    Me & My Uncle,Row Jimmy, Row, Sugar Mag, He's Gone (cut)

Tape 3:
=======
a) (cut)He's gone, Trucking, spanish Jam, The Other ONE, GDTRFB
b) (cut)GDTRFB,Sunshine Day Dream, e:US BLUES
from the Board: Bertha*, Mexicali*, Don't Ease Me IN*, BIODTL* (7 beats?)
 		Sugaree*, Jackstraw*

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

I want this to be VERY QUICK, so I will CLOSE the offer, January 7th, 
1993, I will post the results/contact the top branches VERY SOON 
after....I want this to move, and be a good tree!!!!

SO, if you would like to participate in this tree, cut below the 
following line & email to tom@pictel.com on or before January 7th...

OK, OK!

Cheers and Happy New Year to you all!

tom

----------------------------cut here---------------------------
Name:
Email:
Snail Mail:
Able to do Copies
Willing to do copies?:
How Many:
If you have a collection, How many Hours do you have:
What is your Taping configuration, be specific!:
Tape Preference:
Dolby Preference:
Any Other Info You'd like to send...
-------------------cut here, and send to tom@pictel.com------------
From: bs810@cleveland.Freenet.Edu (E. Nay)
Newsgroups: rec.music.gdead
Subject: The FAQ
Date: 28 Dec 92 04:42:47 GMT
Reply-To: bs810@cleveland.Freenet.Edu (E. Nay)
Organization: Case Western Reserve University, Cleveland, OH (USA)
NNTP-Posting-Host: hela.ins.cwru.edu


I updated the tape tree section a little bit, updated mail order info for
Spring Tur '93 and added Stak-O-Dead stuff, lemme know whatcha think or if 
ya find somethin' amiss, also negged the Porsche Guy and Neil subjects in the 
'flamewar' section as they're likely to generate "what's that" questions.  
Thinkin' of creatin' a deadnet.lore section there at the end, though it
could open up a whole new can 'o' worms, to include: 

     a ref. to the Porsche guy and pointer to his story, which is archived at 
     gdead. (w/ the obligatory mention of the *classic* deadhead goes to a 
     Convention story, anybody got that one saved somewhere? Those two tales 
     should be eternally attached...). 

     mention of Light Pole #7. This was edited out for brevity, but I thought
     it kinda had a nice touch, and sheds light on the fact that netheads do 
     occaisonally run into each other at shows..:)

     (possible inclusion: Neil D. story, and the day Jerry, Phil, God and
      Satan all posted to the net, the former serving to inform that it's
      already been done, so save yourself the trouble and dont do it.)

     pointer to *the* Franklin's Tower story.

     maybe mention of some good threads, or subjects most of us enjoy, like:
        'member the sound of one-hand clapping.
        favourite show or first show.
        Dead dreams.
        The time i met (relevant luminary).
        The time i went to (relevant event).
        etc, all the really good ones i cant think of right now. :)

So anyway, if ya have any thoughts on any of this, lemme know, here or reply.

p.s. first night Rosemont's my B-day!! :) I'll save the grovelin' for another
msg...

p.p.s. Decided against doin' a BBS list in the FAQ, too much info among other 
questionable benefits...if any of you actually do have a list i may have some
additonal ones for ya, and *could* include a pointer to your list...
that's it, cya, good luck with m.o.  :-)
eric n.
-- 
It left a smoking crater of my mind I'd like to blown away
Newsgroups: rec.music.gdead
From: "Tony K. Wei" (FSAC-SID) <trwei@pica.army.mil>
Subject: Looking For Phish tapes
Reply-To: trwei@pica.army.mil
Organization: The Internet
Date: Tue, 22 Dec 1992 13:40:09 GMT


Hey folks,

I looking to start collecting Phish tapes.  Can anyone help me out.  I'll take
anything.  Thanx in advance :-)

Tony
Newsgroups: rec.music.gdead
From: blewis@helix.nih.gov (barbara lewis)
Subject: Dreadful Grapes ??
Organization: National Institutes of Health, Bethesda
Distribution: usa
Date: Mon, 4 Jan 1993 01:28:28 GMT

Through some insane conversation at 5 in the morning the other day, a
friend of mine was telling me of this bootleg he used to have with this
very strange segway in the middle of it.  He has no idea where this comes
from and I guess that's my question.  Some piece where Jerry and Bob are
talking and remembering back to the days when they played in a band
together, if memory served them right it was the Dreadful Grapes.  Then at
some point up in the sky they see Cocaine copters or some reference like
that.  Does anyone know what I'm even talking about here?  Sorry for the
lack of any real detail, the source was not able to remember any more of
this strange bit, he's not even sure now if he really heard it to begin
with.

I'd appreciate any info on this so we can both be comfortable with our
level of sanity.       :)

ppppps!
bzzz
Barb

From: Mike.Swartzbeck@p816.f70.n109.z1.fidonet.org (Mike Swartzbeck)
Sender: Uucp@blkcat.UUCP
Newsgroups: rec.music.gdead
Subject: Thursday Lunch!
Date: Thu, 24 Dec 1992 03:12:22 -0500

In a SubSpace transmission on stardate 12/24/92, GLADSTONE stated: 

  GE> Ya, I know it sux.  However, on the bright side, KPFK @ 90.7 will be
  GE> doing 4 hours of GD Christmas eve and a new years show for 4 hours on
  GE> New Tears eve.  Every Friday they have a show called 'Thursday Lunch'
  GE> @ 8:00 PM for 2 hours.  Since this is one of them commie Pacifica
  GE> stations ( sorry, I just had to say that, I've subscribed ) there will
  GE> be no commercials, and no begging for 'spare change at this time. With
  GE> all due respect to Mr. Gans, this 2 hour show with no commercials is
  GE> vastly better than a 1 hour disjointed commercial laden show. ( Sorry
  GE> Dave, I understand the limitations of the format you must work with )
  GE> Also, being a _live_ local show, you can call in and talk to guest
  GE> celibs like Jack Cassidy, one of the Doors,  ( Ray, I think )  etc.
  GE> The coverage is fron sunny Santa Barbara to somewhere in south Orange
  GE> county, sometimes beyond.  Since the Dead have seen fit to avoid this
  GE> area like the plague  ( and who can blame them ? ) this show is a
  GE> lifesaver.

While I was in California from 9/90 thru 12/90, staying at a friend's studio
near San Diego, having a great time and finding no work, I listened to "Thursday
Lunch" every week; in fact, I'm still bumming because I could only afford extra
blanks for two weeks while I was out there and so only have tape of _one_
episode of Thursday Lunch. It was only appropriate that the Dead program was
followed by "Hour 25", a sci-fi program. Came in super down in Del Mar.

Something I wish Gans would do that Thursday Lunch does is to play entire sets
nonstop. Gans picks out great stuff, but sometimes I wish he wouldn't tease us
with bits and pieces of shows. He ought to try a few multi-part episodes once in
a while, where he could pick out an entire show and play it uncut, perhaps a
very fresh show, which would be a treat for the folks who couldn't make it. It'd
also be cool if Gans took more requests (does he already?). I'd love to be able
to post email asking for, say, a Merriweather '83 first set or something and
roll a Maxell and grab it off the air a few weeks later.

This could create a whole new groveling category here -- the Gans Grovel.

Speaking of which... do any of you in the L.A./North San Diego County area tape
Thursday Lunch regularly? I'd love to grab some of the shows done between Labor
Day and Christmas 1990. Got yer blanks. (%^>

If anyone can help out, drop me a line...

        mike.swartzbeck@p816.f70.n109.z1.fidonet.org






Newsgroups: rec.music.gdead
From: SCHUBERT%MIDD.BITNET@mitvma.mit.edu
Subject: Wind on the wire (NoGDC)
Reply-To: SCHUBERT%MIDD.BITNET@mitvma.mit.edu
Organization: The Internet
Date: Sun, 3 Jan 1993 16:45:21 GMT

Just need a moment to  Clear my head, Straighten my spine,
Allow my spirit to rise, One more time, singing. One more time, bringing
Everything to life, In my mind.
Just need a moment to clear my head, straighten my spine,
Allow my Spirit to Shine.  Telephone wire, swinging, trying to get higher
Thinking, but there are no words. Words, I'll have nothing to do with them
Words, Wont be the same when I get through with them.
Just need a moment to clear my head, straighten my spine,
Allow my spirit to rise. Birds on the wire, singing, I have no idea
What you're thinking, We'll get by, without words. I'll have nothing to do
With them Words. Wont be the same when I get through with them Words.
Just need a moment to clear my head, straighten my spine,
Allow my Spirit to Shine. Wind on the wire, swinging. I have no idea,
What was I thinking? Words. I'll have nothing to do with them Words.
Wont be the same when i get through with them, get through with them, Words.
Just need a moment to clear my head, straighten my spine,
Allow my spirits to rise, One more time, Singing. One more time, Bringing
Everything to Life, One last time, In my mind.
                                                Copr.1992_Obsidian Wind_
[may we all find the best of ourselves in this new time zone called 1993]
Newsgroups: rec.music.gdead
From: phz@cadence.com (Pete Zakel)
Subject: Re: Country Dead
Organization: Cadence Design Systems
Date: Tue, 22 Dec 1992 03:43:27 GMT

>>Johnny K. writes:
>>
>>>Has anyone ever heard of a country-western radio station play something
>>>off of Workingman's Dead? Of of any other albumm

Well, I've heard Cumberland Blues played by a different band (Seldom Scene,
maybe?) on a bluegrass show on KPFA (Berkeley).

And coming back home from Chico the Saturday after Turkey Day, a local station
playing a bluegrass program (some tasty bluegrass picks, too) played a cut off
the Jerry Acoustic Band album (or was it Almost Acoustic -- well, maybe they're
the same thing -- I haven't got all the new Jerry albums straight in my head
yet, even though they're in my collection at home...).

-Pete Zakel
 (phz@cadence.com or ..!uunet!cadence!phz)

Matter cannot be created or destroyed, nor can it be returned without a receipt.
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Fantasy Venue
Date: 23 Dec 92 11:24:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 


For fantasy location too see the dead, I'd pick the old Academy of Music in
New York. I saw them there in March of 1972. It had the best sound
acoustics of any place I've ever seen the dead. My 2nd choice is
Carnegie Hall. In SF, the Fillmore Auditorium on Geory would also be
great. Oh well, looks like I have to settle for the Oakland Coliseum.
---
 . KingQWK 1.05 # 38 . Who you are and what you do don't make no difference to me.
From: rangok@wpi.WPI.EDU (Rangaswamy Keshavan)
Newsgroups: rec.music.gdead
Subject: Virgin Beauty
Date: 27 Dec 1992 14:32:50 GMT
Organization: Worcester Polytechnic Institute
NNTP-Posting-Host: wpi.wpi.edu
Newsgroups: rec.music.gdead
Subject: THURSDAY LUNCH- NYE
From: james.ko@pcb.batpad.lgb.ca.us (James Ko) 
Date: 28 Dec 92 20:37:00 GMT
Reply-To: james.ko@pcb.batpad.lgb.ca.us (James Ko) 
Distribution: world
Organization: The Batchelor Pad PCBoard ~ Long Beach, CA ~ +1 310 494 8084


Hey now,

On New Years Eve, for all those living in Southern California,
Radio Station KPFK 90.7 FM will be broadcasting some classic tapes
for our enjoyment.  Does anyone know what time the broadcast begins?

OR even better, does anyone know what tapes will be played?

- Kimo
                                                                                                         
Newsgroups: rec.music.gdead
From: jeff@max.physics.sunysb.edu (Jeff Althoff)
Subject: Re: "you never listen to my advice - READ THIS FOLKS"
Organization: Institute for the Theoretical Physics
Date: Mon, 21 Dec 1992 21:50:51 GMT

Ofer said:
>After telling Steve I'd like to run analog tree off his 12.12 and 12.13
>seed if he supplies me with the 4 analog tapes (and I never once, even remotely
>"told" him what to do), 

I don't understand. Why can't you set up a DAT and analog tree? Steve 
could have sent a DAT seed to one person who could seed that DAT portion
and then you just need some folks to do DAT-> analog and you have
a nice tree. Saves some gens too because all the dat branches have analogs
downstream, so people getting analogs don't have as many analog
gens. With a pure analog tree, there's only one analog that came 
straight from dat, namely yours, with a tree that has DAT branches,
many folks get analogs straight from dat. Better for everyone. I ran a
tree for 9/10/91 this way, and I can tell you, nobody complains
whan you put yourself right below the DAT-trunk of the tree (basically 
because of the work involved).  A number of people get analogs straight
from DAT and the overall quality of the tapes sent down the tree improves.

DAT-trunk trees are the way to go! And Steve, I'm not suggesting you do 
anything here, I'm just speaking in hypotheticals and might have beens..

Jeff 
>
-- 
--------------------------------------------
Jeff Althoff    jeff@max.physics.sunysb.edu
From: jangus@skyld.tele.com (Jeffrey D. Angus)
Newsgroups: rec.music.gdead
Subject: Thanks for the FAQ list
Distribution: world
Date: Wed, 30 Dec 92 05:36:17 GMT
Organization: Grendel's Lair

And a tip-o-the hat to Todd Brown, brown@sunspot.sunspot.noao.edu
for sending me the Dead FAQs.

netcom!bongo!jangus@skyld.tele.com < the winter solstice is here >
Newsgroups: rec.music.gdead
From: lorange@spot.Colorado.EDU (Hans L'Orange)
Subject: Re: Has Jerry quit smoking onstage??
Organization: University of Colorado, Boulder
Date: Mon, 21 Dec 1992 23:50:02 GMT


>In article <1992Dec19.180805.6949@uvaarpa.Virginia.EDU> randys@sun1.wwb.noaa.gov writes:
>>during the shows. Did anyone out there have a clear view of the stage??
>>Did anyone see him light up at all?? What about in Tempe and Oakland??

I was directly behind the stage 12-2.  The only thing that came close was a 
total black-out sometime early in the first set.  When the lights came back 
after 5-7 seconds, Jerry was by his stand and it looked like old times with him
reaching up on top and setting something down but there did not appear to be any
smokes on the rack.  So...who knows.  It didn't really look like it to me;
more power to him, it's not an easy thing to quit.


Hans

-- 
******************************************************************************
* "I have always imagined that Paradise  *       "Let there be songs,        *
*    will be a kind of library"          *         to fill the air"          * 
*        Jorge Luis Borges               *                Garcia - Hunter    *                
Newsgroups: rec.music.gdead
From: Steven_H._Waltman.Henr801C@xerox.com
Subject: Another M.O. Question
Reply-To: Waltman.HENR801c@xerox.com
Organization: The Internet
Date: Wed, 30 Dec 1992 14:14:38 GMT


I realized after I mailed off for Richfield tickets that I forgot to put what
dates and how many tickets I wanted on the outside of my envelope. I know
however that I had the money order, 3x5 card, and SASE inside correct.  Am I
S.O.L. anyway? Has anybody ever gotten rejected for this reason?

- Steve


Newsgroups: rec.music.gdead
From: mookie@admiral.uucp (Michael Wynne)
Subject: Re: Bloomin AWFUL!
Reply-To: mookie@admiral.uucp (Michael Wynne)
Organization: The Grid/Waffle BBS, 203-661-2873, -1279, -0450, -2967
Date: Tue, 22 Dec 1992 01:32:44 GMT

> 
> "Hey Garcia!!"
> "What?"
> "Why did the chicken cross the road?"
> 
> ---Anybody willing to provide the punchline (and speaker thereof)
>         and the obligatory date and venue?
> 
> All the best,
> Paul

 Well, you asked.. and the tape is right in front of me.. that would be

Fillmore East 5-15-70 Acoustic Set
With Pigpen replying with the scintillating 'To get away from you!'..
luckily the scene was resolved by Bobby's comedic interlude
-mook

--
mookie%admiral.uucp@yale.edu (Michael Wynne) <yale!admiral!mookie>
The Admiral's Public UNIX - Greenwich, CT - System Administrator: Doug Fields
(HST/V32) (203)661-2873 -- (PEP/V32) -1279 -- (V32) -0450 -- (V29/MNP6) -2967
>FREE!< Unix shell accounts, Usenet access, and Internet-style mail available
From: GLADSTONE@csmcmvax.bitnet
Subject: Tape stoopid questions
Reply-To: GLADSTONE@csmcmvax.bitnet
Organization: The Internet
Date: Tue, 22 Dec 1992 22:19:41 GMT

        I know electronics and other scientific stuff.   So, any answer
to my questions can be a bit technical.  What I don't know is all of the
vast body of knowledge you pro tapers have.  The cheep tape deck I bought
used 5 years ago for $40 finally bit the big one.  I want to go digital,
but a) can't afford it right now   b) waiting for the technology to mature
and the prices to fall.
        So, I buys meself a Sony dual deck, and after testing it on
by recording from a DDD type CD I am very pleased with the sound.
It has Dolby B,  Dolby C,  and Dolby HX-Pro or something.
I usta sorta understand how the old Dolby worked to fight hiss, but
how does B, C and HX-Pro work.  Again, technical answers please.
What is the best way to use this thing on a tree.  It's no Nak, so where
should I position myself in a tree to be fair to all involved.
---------------------------------
        On another topic, I posted the story of an acid loving deadhead
serial murderer.  I did not see this post on the digestified r.m.gd
from Virginia.  Did it get there ?  BTW, I am not saying LSD had anything
to do with his bad behaviour, but was trying to make the point that
LSD is not for everybody.  As responsible people, we need to be aware of
the possible dangers.  It is some pretty strong Karma to pass out sheets
to all comers.  I myself would worry about the unlikely but possible harm
to someome I will never know.  There is good karma too, with all of the
bliss and insight that will happen to most takers.  I believe that it
should be made available, that it has value, but that there are some dangers.
Better to sell LSD than alcohol or nicotine, from a statistical point
of view.  Dr. Tim recommended that only 7 or 11 % of the general
population was equipped to handle the experience.  These people, he says,
should be 'self selected' and confident enough to handle the experience.
That is why, for 20 years, I have _never_ recommended it to anyone.  I
merely discuss my vast personnal experiences and observations of others,
both good and bad.  The choice is theirs.  Something this powerful demands
the utmost judgement and responsibility.  Sorta like a car.  We will drive,
and many will die, but we have decided the risk is worth it.  Nevertheless,
we don't give the car keys to a 13 year old.
        I think the GD road show is _the_ major conduit for spreading
LSD across the USA.  The band comes once a year, and enough doses are
spread out to last another year.  This certainly beats 'syndicate' acid.
Forgive me for speaking this secret in public.  The heat is on, and
extreme care is needed.  I am reminded of that great ex-venue Ventura.
It seems the community was up in arms about all of their kids missing
school the following Monday.  The local peewees didn't see the show,
merely showed up to stock up.
        Any suggestions?
Joe Lone Wolf Gladstone>   <GLADSTONE@CSMCMVAX.BITNET>
Organization: Rohm and Haas Company
Date: Mon, 21 Dec 1992 11:16:25 EST
From: <MAH76X@rohvm1.rohmhaas.com>
Newsgroups: rec.music.gdead
Subject: Viola Lee @ Avalon '69

I can't remeber the exact date off the top of my head, but this morning
I was listening to the 4/?/69 Avalon Ballroom show, and they were playing
Viola Lee.  Towards the end, it seemed like they lost power or something.
They finished the song with drums and vocals only.  Anybody know the story
behind it?  Did they pull the plugs on the guitars, but let the microphones
go?  Just curious.

Joe Doheny

Ps. Happy Holidays everyone, I'm gone til next year at the end of this day :-)
Newsgroups: rec.music.gdead
From: brown@sunspot.noao.edu (Todd Brown)
Subject: Re: Mickey & Hartbeats, Matrix 10/68
Organization: National Solar Observatory/SP, Sunspot NM, USA
Distribution: usa
Date: Wed, 30 Dec 92 18:54:30 GMT

In article <C026M8.n2v@world.std.com> pmc@world.std.com (Patrick M Chase) writes:
>
>This tape is like *reeeeeaaaaall* laid-back and the
>Paul Butterfield harp is prominent. Saturating this tape too.....damnit..
>
Yeah Paul Butterfield did have a saturating harp, but to my ears this
was never a problem, we lost a great one when he passed on, IMHO that
is:-)

>So does anyone out there have a similar bunch of Matrix tapes that they have
>confirmed labelling on? And what the hell is "Walkin' Cane Blues"?

Not sure but I seem to remember a song on the first Paul Butterfield
Blues Band album that had the phrase " Hand me my down my walkin'
cane", don't have the album handy. Ought to give it a listen though,
it's been awhile.

always loved the little note on the back of it that said, "Play as
loud as possible", neighbors be damned:-) Of course I don't have
any neighbors so power up:-) :-) :-)
<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<|>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> 
>TODD|-ODD-|:-)                   |         Nothing Left To Do But  <
>brown@sunspot.sunspot.noao.edu  /|\             :-) :-) :-)        <
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>/ | \<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<


Newsgroups: rec.music.gdead
From: schmid@ide.com (Stephen Schmid)
Subject: Re: People Hogging Seats at Shows 
Organization: Interactive Development Environments, SF
Date: Wed, 30 Dec 1992 02:58:37 GMT

In article <C01oxD.7Ix@askinc.ask.COM> robert@askinc.ask.COM (Robert McMullen) writes:
>Go to most any other concert,..., and get your ass kicked.  
>
>Maybe it's about time people started acting like they were at any other show, 


No, thank you!

(Sorry, I know that this is out of context, but I couldn't resist. :-)
Newsgroups: rec.music.gdead
From: petersen@casbah.acns.nwu.edu (Jim Petersen)
Subject: Re: Dead Playing Inauguration (Please Say it Ain't So...)
Followup-To: rec.music.gdead
Organization: Chicago IL
Date: Thu, 24 Dec 1992 08:45:18 GMT

In article <1992Dec19.173728.10869@CSD-NewsHost.Stanford.EDU>,
finn@Sunburn.Stanford.EDU (James Finn) wrote:

> Reality check. To my mind, "selling out" means doing work that
> you don't want to do and probably think shouldn't be done at all,
> but you do it for the money. In this category I put things such
> as selling shoes on television commericials. Now, if one or

How about selling jeans on television commercials? ;-)
__________________________________________________________________________
Jim Petersen         petersen@casbah.acns.nwu.edu          jp@darkstar.com

                If mercy's in business I wish it for you-        
             More than just ashes when your dreams come true.