From: jereese@silver.ucs.indiana.edu (jean reese)
Subject: SB: Wednesday (Dec. 30) update
Organization: Indiana University
Distribution: usa
Date: Thu, 31 Dec 1992 14:30:07 GMT

Hello everyone!
We'll start with the best part ...


Lilly and Gina are unwrapping presents, Gina suggests they try on
the dress one more time. They go upstairs with appropriate kooky
music and when they see what Sam and Channing have done, Gina
screams.  Gina thinks Gracie did it, but Lilly doesn't because she 
hardly knows Gracie. Then Lilly sees Sam with paint on her face,
and they know who did it now. 

More appropriate music as Gina chases Sam all over the house, and
Lilly chases Gina. Mason comes in and asks what's going on ... Gina
says she's going to kill Sam. "I've waited all my life to give my daughter
a wedding (which is really not true, because the original story was that
Gina thought her kid had died).  I want to know how you (Mason) are
going to make it right," said Gina.

Mason suggests that Sam bring in her present as a peace offering. Gina
agrees not to tear the kid's hair out, but when Lilly opens the box
and sees the unmailed invitations, Gina slumps and doesn't respond
to anyone any more.  Mason doesn't know what's wrong, and Lilly
says that Gina's planning has fallen apart before her eyes. Mason 
leaves, and Lilly tries to comfort Gina. She says "maybe it's a lost
cause, but it's the thought that counts.  You've tried to make up for
the past, and I hadn't known until now how much you really love me.
It's a feeling I've waited my whole life to know."

Lilly leaves to go upstairs and look sorrowfully at her dress.  Ted comes
home (we're getting a little out of sequence here -sorry) and finds Lilly
with the dress on and quite sad. "Everything's gone wrong," she says.
"We have no caterer, no band, no dress and no guests."  Ted wants to
concentrate on something more important, like them. He wants to make
love to her. She goes into the other room to change, and he takes off
his jacket, but when she gets back, he's asleep, so she pulls out a blanket
and lies down next to him. 


Ted, Mason and CC are at CC's office. They give Ted an envelope, which
contains 15% of Capwell Industry stock. "That's more than you gave me,"
says Mason. He also adds, "Now you are the obscenely rich person you
said you would never be."

CC said he thought about giving Ted the boot in order to motivate him
to find a career, but Ted beat him to the punch by going to China.  Ted
said he was floundering, trying to find meaning and never realized he
could find it "in my own back yard" (all he has to do is click his heels
three times). Mason leaves (to go check on Sam) and CC pulls out a
150 year old bottle of cognac. CC toasts to Ted and Lilly, and they go
up on the roof (where we get to see the "C" sign again!!!)  CC says he 
would get back together with Sophia if he could.  Looking at the city,
he tells Ted, "I've been waiting all my life to tell someone this, someday
this will be all yours!" They look at each other and break out laughing.
Lionel comes in at this time to tell them that Ted's needed back at the
house "something about a dress." Lionel's pretty plastered himself.
CC suggests that Lionel go with Ted because even with all the cognac
in the world he doesn't think he and Lionel could be together.  After
they leave, CC pulls out his wallet, looks at a picture of Angela and
leaves.


Warren and BJ are still having dinner (although the light is different
from yesterday - I watched them  back to  back and Tuesday's show
is lit differently than Wednesday's, to a remarkable degree).  BJ says
that Donna is an abuse victim, and wants to set up an 800 number 
for other abuse victims for after the show airs. "If one person calls, 
the pain of the story will be worth it," says BJ.

Warren says BJ makes a good case, but they can produce any kind of
movie and people will dial 800#s if it's good enough. BJ says she likes
Donna and says that Frank is still with her, this would be a way to put
the experience where it belongs. "I don't know if I can walk away from
that." Warren agrees, asks who she will hire for a writer, and she says,
"you."

Warren says he's not objective. BJ says he runs a newspaper so is 
objective. He says he'll do it. BJ goes to check on the roast, and Warren
pulls out a cigar and a typewriter and gets to work.  BJ comes back
and says the roast is toast, and she isn't a great cook.  Warren says this
is terrible because if he doesn't eat, it will ruin his film writing career.
She pulls out a mockup of a front page with the headline "Walker pic to
be inked by Lockridge." so that he can get sustenance from that.
 Warren says, "why isn't my name first?" and BJ hits him with it. 


Jodie answers a phone at Micah's. It's the first time she's been in the
bedroom and she looks around, and then in the mirror. Micah shows
up and asks what she sees. She talks about getting old, he says he
only sees wisdom, strength and warmth. They cuddle, but Jodie
breaks away saying "you're saying all the romantic things I would
want to hear, but that doesn't make them true. I'm not as young as
I used to be." He reassures her, and they kiss some more. They 
get on the bed, but Micah pulls away, saying it's not the right time.
He walks away, leaving her lying there.






-- 
	"It is my view that the  vegetarian manner  of living by its 
	purely physical effect on the  human temperament  would most 
	beneficially influence the lot of mankind." - Albert Einstein
	++++++++++++++++jereese@silver.ucs.indiana.edu+++++++++++++++
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