HDTenEightyP/NetNews huggingface dataset:
From: tcnolan@unity.ncsu.edu (Troy Nolan)
Subject: Re: Other-than-Rush favorites
Organization: North Carolina State University Computing Center
Date: Wed, 29 Jul 1992 16:04:47 GMT

My next favorite bands after rush are:

Janes Addiction
Cure
U2

All are incredible live, are full of energy and talent, are excellently
produced, and are experimental in their music.

Rodney Boles
posting via friend's id
-- 

|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
-----------------------------------------------------------------------
|  Troy Nolan                     |  The very thing you take for      |
Newsgroups: alt.music.rush
From: wcsvic@alfred.carleton.ca (Victor Kamutzki)
Subject: Re: Other-than-Rush favorites
Organization: Carleton University
Date: Wed, 29 Jul 1992 18:49:55 GMT

tcnolan@unity.ncsu.edu (Troy Nolan) writes:

>Cure
>U2

>All are incredible live, are full of energy and talent, are excellently
>produced, and are experimental in their music.

Not to spark any wars here or anything, but might I ask you for your
definition of "experimental"?  I saw the Prayer Tour and the Joshua
Tree tour, and wasn't really blown away.  Oh, it was a fun time, but
after a while I found these bands to be, shall we say, "generic
alternateen".  Perhaps I'm jaded, but I want to know who else you'd
call talented and experimental.

__________________ThanksToModernChemistrySleepIsNowOptional_______________
| "[I wasn't expecting] a chain-smoking, | - - - Victor Kamutzki - - -   |
| coffee-swigging bearded red-head..."   |- - wcsvic@ccs.carleton.ca- -  |
|                       - Nikki Cattrell | DoD#303, and I'm not telling. |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Newsgroups: alt.music.rush
From: bigdave@texas.tdd.sj.nec.com (David Sweeney  x2987)
Subject: Re: Is this it?
Organization: NEC-AM TDD, San Jose, California
Date: Thu, 23 Jul 1992 20:32:48 GMT

kdlayon@mari.acc.stolaf.edu (Kristofer D Layon) writes:
>Hey!  I believe I am now typing message 2112!  What an honor!
>
>Not much else to say besides this: Rush is awesome.  This
>message is dedicated to you.
>

Hate to dissapoint, but...
 
--------------------
Article 2306 in alt.music.rush:
From: kdlayon@mari.acc.stolaf.edu (Kristofer D Layon)
Subject: Is this it?
Organization: St. Olaf College; Northfield, MN
Date: Thu, 23 Jul 1992 17:46:04 GMT

Hey!  I believe I am now typing message 2112!  What an honor!

----------------------

Article numbers vary by site.  But don't let that
ruin your fun...

-- 
Dave Sweeney   bigdave@tdd.sj.nec.com     
Xref: sparky alt.music.rush:2347 alt.rock-n-roll.metal.progressive:49
From: mmarx@Csli.Stanford.EDU (Matthew Marx)
Subject: Re: Next to Rush, favorite artist(s)
Keywords: Rush
Organization: Stanford University CSLI
Date: Wed, 29 Jul 1992 16:52:07 GMT

For me,

1. Rush
2. Mozart
3. U2
4. varies, usually R.E.M., Bach or die Aerzte (German rock band)
 
-- 
Matt Marx    mmarx@csli.stanford.edu    (415)725-1499
...not related to Karl, Groucho, Harpo, or Richard...

RushU2BachRushMozartVivaldiRushTalkingHeadsHandelRush
Newsgroups: alt.music.rush
From: PRAETHE@YaleVM.YCC.Yale.Edu (Ethan Evan Prater)
Subject: Re: Rush, favorite artist(s)
Organization: Yale University
Date: Wed, 29 Jul 92 13:04:33 EDT

Three favorite artists, after Rush?
 
1. Sting
2. The Police
3. Primus
 
I'm surprised there aren't more Sting fans, as lead singers/writers who are
also bassists are not that common.  I guess that's what ties my favorite rock
artists together.
 
Ethan
PRAETHE@YaleVM
From: jaeger@buphy.bu.edu (Gregg Jaeger)
Newsgroups: alt.music.rush
Subject: Re: The professor's REAL name ???
Date: 31 Jul 92 15:48:28 GMT
Organization: Boston University Physics Department

In article <1992Jul31.140947.1583@IRO.UMontreal.CA> decostem@IRO.UMontreal.CA (MAD Marc MAD Andre MAD Decoste MAD) writes:

>... #1 was at the counter when they arrive and he made a bill for 
>A. Zivojinovic and G. Taylor. A little later that came back to buy something
>and since it was payed by Le Studio Morin Heights, they both signed Alex
>Lifeson and Neil Peart (and I have actually SEEN those bills !!!).

>     An other friend of mine (call him #2), work as a carpenter for 
>building new houses. Lately, he got a contract in the Laurentiens to build
>a house for G. Taylor, and his employer told him that this G. Taylor was 
>nobody else then the drummer of this Heavy Metal band called RUSH...

>I know them both... What I suspect is, If Neil Peart is his REAL name then 
>he's using G.Taylor to avoid beeing recognised ????


I think that's the right explanation, because I heard Neil say that
he _does_ use his real name (integrity, you know) Neil Peart on
his music. The name Taylor is so common that it's a safe pseudonym.
(Of course my mind is now programmed to check out _any_ G. Taylor 
I might come across :) )


Gregg



-- 
Gregg Jaeger    (jaeger@buphy.bu.edu)     | Tristero?   ______/|/|  Treestero?
Dept(s). of Physics (and Philosophy)      ------------    (_) \|\|  Trystero?
Boston University, 590 Commonwealth Ave.,Boston MA 02215 ---------------------
From: crywalt@vaxc.stevens-tech.edu (Christopher Rywalt, maladjusted cartoonist)
Newsgroups: alt.music.rush
Subject: Re: Time Signatures
Date: 28 Jul 92 14:56:10 GMT
Organization: Fairleigh Dickinson University

In article <Bs33zn.4w3@news.cso.uiuc.edu>, cs50665@uxa.cso.uiuc.edu (Enter Scogman) writes:
> In article <16831D889.PRAETHE@YaleVM.YCC.Yale.Edu> PRAETHE@YaleVM.YCC.Yale.Edu (Ethan Evan Prater) writes:
>>people like Stravinsky, Berg, Berlioz, etc. were never constrained by standard
>>time signatures--there's lot's of 11/4 in Rite of Spring, for example. It
> 
> I'm sorry for splitting hairs, especially on a net that is not devoted
> to classical music, but I'll do it anyway.  The people mentioned above
> were writing before the modern musical writing methods were developed
> (as for as time signatures, and measures, etc, etc)  And as far as etiquette
> was concerned, only groups of 3/4 and 4/4 wer used in Rites of Spring.
> But modern transcribers have no qualms about writing in 11/4 so the
> music is listed as such.....  Just a minor technicality
> 
> Chris
> -- 
>                    +  Quick to judge, quick to anger
>  cs50665.uxa.cso.  +  Slow to understand.
>     uiuc.edu       +  Ignorance and prejudice
> 		   +  And fear walk hand in hand.

	Whoa, whoa, waitaminnit.  None of the composers mentioned above
	were composing before "modern" musical conventions:  Berlioz was
	of the Romantic period, and composed in the mid-18OOs.  Berg wrote
	in the very early 2Oth century, and Stravinsky only died in 1971;
	I would guess he composed Rite of Spring using "modern" musical
	notation.  Granted that he may not have used 11/4, but I think the
	difference is minimal.  It's really just a question of readability.



-- Chris

%SYSTEM-F-ACCVIO, access violation, reason mask=00, virtual address=00000000, PC
=0000BFEF, PSL=03C00009
%TRACE-F-TRACEBACK, symbolic stack dump follows
module name     routine name                     line       rel PC    abs PC
                                                                                
SIGNATURE	main				 2226      00000107  0000BFEF
From: jaeger@buphy.bu.edu (Gregg Jaeger)
Newsgroups: alt.music.rush
Subject: Nostalgia(was Re: Queenryche and Rush (was Re: Proposal))
Date: 24 Jul 92 20:50:35 GMT
Organization: Boston University Physics Department

In article <lynx.0vtm@terapin.com> lynx@terapin.com (Debbie Caraway) writes:


>I hesitate to say anything 'cuz I know it will be misunderstood and yet I feel
>some consoling need be given here.  There was a time when Rush was a major
>inspiring force for many individuals.  Before the 3 minute air-play songs when
>people listened to appreciate and understand the music there was a kind of Rush
>fan bond. 

The only bond there has ever been is the music, which is still there.

Which three-minute airplay songs are you talking about? The average
length of Rush songs is now about five minutes. Old albums also had
short songs. 


> As a result of changes in their style of music and the impatience of
>some of the new listeners there are the surface nouveauRush fans that just
>equate Rush with any other band ignorant and brash about anything special. 


There were also metalheads who did the same thing with 2112, etc...


>People also use to take time to listen.  I think it's obvious by many of the
>posts here that many people own Rush albums, but don't listen or haven't been
>shown how.  


Many never did -- not much has changed, really.


Gregg


-- 
Gregg Jaeger    (jaeger@buphy.bu.edu)     | Tristero?   ______/|/|  Treestero?
Dept(s). of Physics (and Philosophy)      ------------    (_) \|\|  Trystero?
Boston University, 590 Commonwealth Ave.,Boston MA 02215 --------------------- 
Newsgroups: alt.music.rush
From: geddy@leland.Stanford.EDU (Scott Schaefer)
Subject: Re: One Liners
Organization: DSG, Stanford University, CA 94305, USA
Date: Tue, 21 Jul 92 20:03:27 GMT



I cast three votes:

1) We will pay the price, but we will not count the cost.

(We economists dig stuff like this...)

2) I get home at five o'clock and take myself out an ice ( a nice???) cold
beer. 

(Two potential meanings.  It's deep, you see...)

3) Get a haircut, will ya?

sjs
From: jlbraddy@IASTATE.EDU (Jason Braddy)
Subject: Re: Next to Rush, favorite artist(s)
Keywords: Rush
Reply-To: jlbraddy@IASTATE.EDU (Jason Braddy)
Organization: Iowa State University
Date: Fri, 31 Jul 1992 16:52:33 GMT

In article <3mDqoB1w164w@eebbs.isis.org>, ericm@eebbs.isis.org (Eric Mathurin)
writes:
> > HOWEVER, what are your top 1-3 musical artists besides Rush?
> > Surely you must listen to other artists.
> 
> I see your point, but we come here to talk about Rush.  This is
> an innapropriate spot to pull out the artists that other's listen
> to.  I like all sorts of music, and listen to other artists.  
> However, when I come here, I plan to think nothing other than Rush.
> 
> Take care,
> Eric

I disagree...nothing exists in a vacuum (metaphorically speaking), music least
of all.  I find it interesting to see what other kinds of music Rush fans like.
Besides, if it really bothers you, they all have the same subject line...just
kill them.

Jason Braddy
Iowa State University

"Disclaimers are silly"
 -me
Newsgroups: alt.music.rush
From: smills@news.weeg.uiowa.edu (MuffinHead)
Subject: Re: intro
Organization: University of Iowa, Iowa City, IA, USA
Date: Tue, 28 Jul 1992 06:26:23 GMT

wraty@dvorak.amd.com (Bill Raty) writes:

>	Before I zoom, I read where someone got a postcard from Neil-
>how does one go about corresponding to these guys?

   That was me. I wrote to him c/o Modern Drummer magazine. I dunno if other
magazines like Bass World (?) have such "Ask a Pro" services.

-- 
_____________________________________________________________________________
$ smills@umaxc.weeg.uiowa.edu $ That's the way it crumbles... cookie-wise.  $
$ MuffinHed@aol.com           $          -Jack Lemmon, "The Apartment"      $
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
From: decostem@IRO.UMontreal.CA (MAD Marc MAD Andre MAD Decoste MAD)
Newsgroups: alt.music.rush
Subject: Re: One Liners
Date: 22 Jul 92 14:12:15 GMT
Reply-To: decostem@IRO.UMontreal.CA (MAD Marc MAD Andre MAD Decoste MAD)
Organization: Universite de Montreal

1) I was looking out the window.. I should have looked at your face instead.

(Do you think he's talking about giving to much of his time to the making
 Power Windows instead of taking care of his wife ???)

2) We're only immortal for a limited time.

3) It's cold comfort to the ones without it, to know how they struggle..
   how they suffered about it....


BYE
MAD

P.S.: Sorry for the spelling and/or mistakes but i'm at work and don't have
      my albums handy...

---
--
Marc-Andre Decoste                 e-mail: decostem@IRO.umontreal.ca
D.I.R.O., Universite de Montreal        Tel: (514) 343-6111 ext 3513
C.P. 6128, Succ. "A", Montreal,                  FAX: (514) 343-5834
(Quebec), Canada, H3C 3J7,... He bedi, bede, bedoo, that's all folks
From: anonymous
Subject: Free Will (for Russ Soule)
Organization: Ericsson Network Systems, Richardson TX
Date: Wed, 22 Jul 1992 17:06:56 GMT


To: all
Subject: For Russ Soule
Cc: 


In article 27771@athena.cs.uga.edu, cadams@athena.cs.uga.edu (Clark Adams) writes:
>
>
>This message is for Russ Soule.
>
>
>Sorry to clog band width with this, but my previous attempts at
>e-mailing Russ Soule failed.
>
>Thank You.
>
>
>
>
>
>
>
>
>
>
>
>
>
>From cadams Sun Jul 19 21:01:21 1992
>Full-Name: Mail Delivery Subsystem
>Subject: Returned mail: Host unknown
>To: cadams
>
>   ----- Transcript of session follows -----
>421 Host sp1.ccd.harris.com not found for mailer tcp.
>550 ras@sp1.ccd.harris.com... Host unknown
>421 cbacc.cba.uga.edu: Host charon-mail.cba.uga.edu is down, will keep trying for 3 days
>
>   ----- Unsent message follows -----
>Received:  by athena.cs.uga.edu (4.1/25-eef)
>	id AA22916; Sun, 19 Jul 92 21:00:03 EDT
>From: Clark Adams <cadams>
>Full-Name: Clark Adams
>Message-Id: <9207200100.AA22916@athena.cs.uga.edu>
>Subject: Re: There is no hope!!! Hope? I'll tell ya about hope...
>To: ras@sp1.ccd.harris.com (Russell Soule)
>Date: Sun, 19 Jul 92 21:00:02 EDT
>Cc: 7778ada@cbacc.cba.uga.edu
>In-Reply-To: <9207161909.AA17334@sp1>; from "Russell Soule" at Jul 16, 92 3:09 pm
>X-Mailer: ELM [version 2.3 PL11]
>
>
>
>
>
>
>Russ,
>
>Here is a response to your message.  First of all, the reason I posted 
>what I did to alt.music.rush is because I think that religious debates
>are not in the least bit appropriate there.  A religious debate should
>be in talk.religion.misc or by private E-mail.  I do not think most 
>a.m.r readers like proselytizing in their newsgroup.  Many Rush
>fans are athieists/agnostics/etc. and there is good reason to 
>suspect that the members of the bands are as well.  I also do not 
>think that evangelism is successful in a newsgroup like a.m.r 
>and that it is in bad taste.  You see, 
>religious dialogue, by its very nature, is divisive. 
>
>First, disclaimer:  I do not want this to come to a flame-
>fest, so I (unlike the Psalmist) will not resort to name calling, or
>other forms of ad hominem arguments to support my case.
>
> 
>> Please take the time to read this response to your post in alt.music.rush.
>> None of what I say here is said in anger or hatred to you or in defense of 
>> myself regarding your response to my signature file. It is written out of 
>> concern for your spiritual well-being 
>
>Although concern is not necessary, the thought is appreciated.  I think that
>concern for tolerance and diversity is more appropriate, though.
>
	
	For all of the Russ Soules out there;	
                         ..."Free Will"...
	An open mind that is close to the heart is all that is required.

Newsgroups: alt.music.rush
From: smills@news.weeg.uiowa.edu (MuffinHead)
Subject: Re: Rush Firsts
Organization: University of Iowa, Iowa City, IA, USA
Date: Wed, 22 Jul 1992 23:53:59 GMT

iyengars@pub2.bu.edu (Sridhar Iyengar) writes:


>I was curious to know from those of you out in Rush-ville about your
>first introduction to Rush. How/when/why did you know that you just
>absolutely had to get more and more Rush ablums? For me it was
>"Xanadu" that did it; I was a drummer back in grade school and my 
>friend played "Xanadu" for me to hear, and I was so impressed with
>the percussion parts, that I was hooked to Rush, well, actually
>hooked to Neil to begin with, but then on to Rush.
>Just wondering how other Rush fans got interested in Rush...

>  --Sridhar

   In about 1976 I found an album in my big brothers collection with a big 
owl on the cover. I listened to it in passing for a few songs. Then I came to
By-Tor & the Snow Dog. Being an aspiring drummer at the time, it caught my
attention.
   Then I found a live album by this Rush band in a discount store. I bought
it, brought it home, and played it. Needless to say, the next few minutes after
Geddy said "Professor on the drum kit" changed the way I looked at music and
the way I played drums.
   That solo of Neil's is also what hooked a friend of mine who still plays
bass in our band.

-- 
_____________________________________________________________________________
$ smills@umaxc.weeg.uiowa.edu $   Fish must get awfully tired of sea food.  $
$ MuffinHed@aol.com           $               -Dudley Moore, "Arthur"       $
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Newsgroups: alt.music.rush
From: eam3@po.CWRU.Edu (Eric A. Meyer)
Subject: Re: Time Signatures
Reply-To: eam3@po.CWRU.Edu (Eric A. Meyer)
Organization: Case Western Reserve University, Cleveland, OH (USA)
Date: Mon, 27 Jul 92 15:52:52 GMT


In a previous article, decostem@IRO.UMontreal.CA (MAD Marc MAD Andre MAD Decoste MAD) says:

>Talking about time signature, I have a question for the musical hacker:
>
>   In a A/B signature, I know that the A is the number of beats in 
>   one bar, but I'm not really sure what the B means...
>
>   For examples: What's the difference between a 7/4 and a 7/8 ???

   B refers to the type of note which receives one whole beat.  4 is a
quarter note, 8 is an eighth note.  2 would be a half-note.
   7/4 means "7 beats to a measure, a quarter note recieves one beat."
   7/8 means "7 beats to a measure, an eighth note receives one beat."
   The difference is in the way you write out the music.  It's sometimes
easier to use one time signature rather than another, based on the style/
mood of the music being written. 


>Thank's in advance, and sorry to disturb the non-musicians, but you might
>learn something interesting if you are a real RUSH fan... The beat masters..

   That's "Thanks"...NO APOSTROPHE!!!  (Sorry, but I can't STAND apostrophe
abuse.)

		-EMeyer
-- 
"Unstable condition--a symptom of life       | Eric A. Meyer (eam3@po.CWRU.edu)
 In mental and environmental change          |  Alumnus,  Beta Nu of Theta Chi
 Atmospheric disturbance--the feverish flux  |---------------------------------
 Of human interface and interchange-"  -N.P. |    "What do you think, sirs?"
Organization: Arizona State University
Date: Saturday, 25 Jul 1992 01:04:11 MST
From: <AHACC@ASUACAD.BITNET>
Newsgroups: alt.music.rush
Subject: RTB Rush GIFs

     I recently did some scans from the current Roll the Bones
Tour program for a friend of mine.  There are something like
8, 300 to 600 DPI, xxx by 768 pixel, 256 color images.  If
anyone is interested, I'd be happy to put them someplace as GIFs.
Please e-mail me with suggestions for a site.  I'll post a
note when they have a home.

     Please don't ask me to e-mail them to you individually
since they aren't on my mainframe account (thus, I can't.)
---
                                  -Devlyn Syde
                                  <AHACC@ASUACAD>
                                  <AHACC@ASUVM.INRE.ASU.EDU>

                                  <ASACC@ASUACAD>
                                  <ASACC@ASUVM.INRE.ASU.EDU>
Newsgroups: alt.music.rush
From: heatherb@NREL.ColoState.EDU (Heather Bean)
Subject: Re: One Liners
Date: Tue, 21 Jul 1992 18:50:02 GMT
Organization: College of Natural Resources, Colo. State Univ.

In article <MeOtt9u00awAI4jXlF@andrew.cmu.edu> jsbh+@andrew.cmu.edu (John Michael Santore) writes:
>Hmmm...
>
>"The point of the journey is not to arrive" -HYF, Prime Mover
>
>"Live for yourself, there's no one else more worth living for"
>					   -FBN, Anthem
>
>"Science, like nature, must also be tamed, with a view towards its
>preservation"
>					-PeW, Nat'l Science
>
>and of course my .sig quote!
>
>===============================================================
>"We break the surface tension with our wild kinetic dreams" 
>			-Rush, Grand Designs
>
>Rush--Yes--Marillion--King Crimson--Emerson, Lake and Palmer
>John Santore (jsbh@andrew.cmu.edu)
>===============================================================

Well...I WAS going to post my favorite Rush lines, but John has already
done it so eloquently for me ;-)  So I second the above and and a couple
of my own...
 
"You can go out, you can take a ride, but when you get out on the road
 you get all smoothed out inside and it's good to be alone"
                                  -RtB, Face Up (I'm a cyclist, so shoot me!)
 
"You can twist perceptions, Reality won't budge"
                                   -Presto, Show Don't Tell
 
"Just one more who's searching for the world that ought to be"
                                    -Hemispheres, Circumstances

"Leave me alone, Let me Rock and Roll!"
                                   -FBN, Best I can
 
and, but of course, my own .sig quote :^)

-- 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~  | I'm not giving in to security under pressure    /      HEATHER BEAN        |  | I'm not missing out on the promise of adventure /                          |
| I'm not giving up on implausible dreams         /^^^^^^^^^^^^^^^^^^^^^^^^^^|  | Experience to extremes...        --RUSH         /   WHO IS JOHN GALT?      |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~  | heatherb@opuntia.CFNR.ColoState.edu / hb174818@longs.LANCE.ColoState.edu   |  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Newsgroups: alt.music.rush
From: stud5s32@bnr.ca (Paul Smelters)
Subject: Re: Favorite One Liner
Organization: Bell Northern Research
Date: Fri, 24 Jul 1992 12:52:26 GMT

In article <1992Jul24.042947.18467@murdoch.acc.Virginia.EDU> taw2b@kelvin.seas.Virginia.EDU (Todd Ashley Weaver) writes:
>     My favorite phrase would have to be:
>
>     "Time after time we lose sight of the way, Our causes can't see
>         their effects."
>                         -Natural Science
>
>     and my favorite verse (yes, its definitely not a one-liner) ,also
>     from Natural Science, is:
>     
>     "A simple kind of mirror
>      To reflect upon our own
>      All the busy little creatures
>      Living out their destinies
       ^^^^^^

I always thought that was 'chasing'.  Guess I'll have to check up on the
lyrics when I get home.

Natural Science is indeed a bitchin' song.  

My fav line (well, actually a verse) is 

What you own is your own kingdom.
What you do is your own glory.
What you love is your own power.
What you live is your own story.

Ash
Newsgroups: alt.music.rush
From: jlbraddy@IASTATE.EDU (Jason Braddy)
Subject: Re: A question I've always wondered....
Reply-To: jlbraddy@IASTATE.EDU (Jason Braddy)
Organization: Iowa State University
Date: Wed, 29 Jul 1992 16:11:59 GMT

In article <1992Jul29.075818.6604@usenet.ins.cwru.edu>, nam2@po.CWRU.Edu
(Nicholas A. Mascari) writes:
> 
> What the hell is the Motor Law???????????????????????????
>
Something that hasn't happened yet--Red Barchetta is set in the future when
motorcars are outlawed.  Thus the line "tires spitting rubble I commit my
weekly crime."

Jason Braddy
Iowa State University
Newsgroups: alt.music.rush
From: jburney@seamis1.gsfc.nasa.gov (Jeff Burney)
Subject: Re: Favorite One Liner
Organization: Goddard Space Flight Center
Date: Fri, 24 Jul 1992 13:28:05 GMT

mlevis@ringer.cs.utsa.edu (Mike Levis) writes:

>Here is a favorite quote (from Hemispheres):

>"We can walk our road together, if our goals are all the same.
> We can run alone and free, if we pursue a diff'rent aim.
> Let the truth of Love be lighted, let the love of Truth shine clear.
> Sensibility, armed with sense and liberty, with the Heart and Mind
>    united in a single perfect sphere."

Oh man, you beat me to it.  I was listening to this, this morning and
considered posting.  To me, it doesn't get any more beautiful than that.

I just had to chime in,
--
Jeff Burney                     | Icky, Icky, Icky, Icky, Ptang,
jburney@seamis1.gsfc.nasa.gov   | Loomfong, Zowzing.
SES, Inc.  301-439-6617         |		- Holy Grail
NASA/Goddard Space Flight Center| 
Newsgroups: alt.music.rush