HDTenEightyP/NetNews huggingface dataset:
From: rstump@itchy.geog.albany.edu (Roger Stump)
Subject: Re: Miles with McLaughlin and Sharrock (Jack Johnson record)
Organization: Syracuse University
Date: Wed, 2 Sep 92 13:11:39 GMT

In article <37559@sdcc12.ucsd.edu> pvallado@sdcc13.ucsd.edu (Paolo Valladolid ) writes:
>>except that most of the time he is comping rather than soloing.  What
>>comping, though!  And his solo at the end of "Right Off" is wild.
>
>I'm sorry, but that wasn't McLaughlin soloing at the end. It was
>Sonny Sharrock. He just didn't get the credit for it.
>
I've also read that Sonny Sharrock appears, uncredited, on this album, but
I don't think that the solo at the end of "Right Off" is his.  It is wholly
in McLaughlin's style at the time -- it has his rhythmic style, fast crazy
runs and bent high notes.  Even the sound of the guitar seems very 
McLaughlinesque.  I'm not sure where Sharrock does appear on JACK JOHNSON.
The reference I've seen indicates that he appears as a *second* guitar,
I think somewhere in the second half of "Yesternow," but I've never been
able to identify exactly where -- unless he is behind those weird "stuttering"
sound effects towards the end of Yesternow.  If Paolo or anyone else can
provide more detailed information about Sharrock's role on this album I'd
be grateful.

>Cheers,
>Paolo


-- 
Roger W. Stump
University at Albany
rstump@itchy.geog.albany.edu
Newsgroups: rec.music.bluenote
From: HF.PEC@forsythe.stanford.edu (Doug Peckler)
Subject: Re: BLUES: Robbin Ford Power Trio recommendations?
Organization: Stanford University, California, USA
Distribution: usa
Date: Wed, 26 Aug 1992 22:04:30 GMT

In article <BtM03x.n2I@apollo.hp.com>,
deal_j@apollo.HP.COM (John Deal) writes:
>
>I saw from SunFest 91 on the old VH1 New Visions show the Robbin Ford Trio
>do a couple of real nice blues tunes (one was 'Help the Poor' but I forget
>the title of the second one).  Would anybody out there have any recommendations
>for Robbin Ford blues stuff?
>

I'm not sure if Inside Story is still available.  However Talk to
Your Daughter is readily available.  He mentioned last month at a
guitar clinic in Redwood City, Cal, that a new album will come out
sometime this September.  Should be great!
From: wang!ailanth!tallman@ulowell.ulowell.edu (temporary) (Robert Oliver)
Newsgroups: rec.music.bluenote
Subject: Re: BLUES: Robbin Ford Power Trio recommendations?
Date: Fri, 28 Aug 92 09:10:10 EST
Organization: Ailanthus Project

acosta@smaug.Eng.Sun.COM (Joe Acosta) writes:

> In article <1992Aug27.201929.11954@news.Hawaii.Edu> robin@uhunix.uhcc.Hawaii.
> >
> >"Talk to Your Daughter", which has 'Help the Poor', should be still on the
> >shelves.  
> >But, if you can get "Inside Story", in my opinion, that's the one
> >to get.  There's some killer blues on that album, I only wish that I can
> >find it on CD one day.
> 
> Yes this album is a must get featuring the yellow-jackets before the yellow j
> hit big time.  I used to have it on cassette tape but my car stero ate it ;-(
> 
> You can also check ealy Robben out on Joni Mitchell albums with the LA Expres
> also with the Tom Scott & the LA Express albums.
> 
> >
> >"Greg Mathieson Live at the Baked Potato"
> >
> I will look for this ! 
> >This album features Steve Lukather on guitar and is definitely hot!!
> >
> >rob
> >uhcc
> 			Joe Acosta
> -----------------------------------------------------------------------------
> "I'm different and and I don't care who knows it
>      Something about me
>          Is not the same
>             I am different and that's how it goes
> 	      Ain't gonna play no boss man's game"  -- Randy Newman
> -----------------------------------------------------------------------------

Robben Ford is releasing a new album which I think is coming out next 
month. It is on Stretch Records which is a "division" of GRP Records.

..........
Robert Oliver, wang!ailanth!tallman@ulowell.ulowell.edu
via Ailanthus Project +1 207-989-6562 - Brewer, Maine.
..........
From: blindsay@bmerh9f5.bnr.ca (Brian Lindsay)
Newsgroups: rec.music.bluenote
Subject: ex ECMers (Re: Gary Burton fans?)
Date: 31 Aug 92 17:01:10 GMT
Organization: Bell Northern Research, Ottawa, Canada

In article <1992Aug31.143105.16021@news.cs.brandeis.edu> rardin@binah.cc.brandeis.edu writes:
>In article <17t6udINN989@early-bird.think.com>, Paco Ojeda-Gonzalez <Paco_Ojeda_Gonzalez@macmailgw.dfci.harvard.edu> writes:
>>I have been listening to Gary Burton's latest three recordings, "Cool
>>Nights" (with Bob James) "Reunion" with Pat Metheny and "Benny Rides
>>Again" with Eddie Daniels, doing all Bennie Goodman tunes with a twist
>>and enjoy the albums a lot.
>>
>>Has anybody out there heard these? Any opinions?
>
>I've found Burton's recent recordings to be kind of lame.  His live shows are 
>still great, but I think he has taken on the "GRP sound" in his recorded work.
>

Would anyone care to comment on the 1980's exodus of a number of ECM
artists who left after a fruitful and prominent association with the label. I'm thinking
of Pat Metheny, Jack DeJohnette, Gary Burton, Bill Frisell, maybe 
Oregon, Lester Bowie, and Art Ensemble Of Chicago (What a lot of talent to lose)

Metheny is still hit-and-miss with me, and Frisell continues to impress, but
I think for the most part these artists have all suffered after
escaping Eicher. (Haven't heard any post-ECM AEOC though).
--
--------------------------------------------------------------
The opinions expressed above are solely those of Brian Lindsay
Newsgroups: rec.music.bluenote
From: rodin@vax.ftp.com  (Jon Rodin)
Subject: Elliott New is giving me the blues
Nntp-Software: PC/TCP NNTP
Reply-To: rodin@ftp.com
Organization: FTP Software, Inc., Wakefield, MA
Date: Wed, 26 Aug 1992 07:54:21

In article <1992Aug25.130024.15586@ncrcae.ColumbiaSC.NCR.COM> elliott@ncrcol.ColumbiaSC.NCR.COM (Elliott New) writes:
    You RACIST PUKE!  You look at Willie Horton and see a black guy... right?
    *YOU* are the one that is so caught up in skin color.  Willie Horton
    was a murderer.  You *should* be scared of murderers!  It doesn't matter if
    they are black, white, orange, purple... whatever!  Murderers are bad
    people.  Kinda simple.  

Did you know that Pat Buchanan wrote a position paper in the late 60's for
Nixon articulating a policy that the Republicans play upon racial tensions 
in this country to improve the white vote turnout?  The Republicans have been
doing this ever since.  The Willie Horton ad is just another example.  BTW,
it's not just blacks they do this with.  How's about Baker literally saying 
"fuck the Jews, they don't vote for us anyway."
    
    As for the "white middle class America" sh*t, I guess there weren't any
    blacks that voted for Bush.  WRONG.  

I certainly wouldn't say none, but if you look at the demographics of the
last presidential election, you will see that the overwhelming majority of
blacks in the U.S. did not vote for George Bush.
    
    Open your eyes and stop paying so much attention to skin color!

Before you start calling people ugly names, open your eyes and examine the
world around you.  You may notice, if you are able to rise above your knee
jerk reactionary head in the sand attitude, that there is great disparity 
among ethnic groups in this country.  And there are people who find it
expedient and/or useful to perpetuate this disparity and even to promote it.
    
Jon Rodin

Newsgroups: rec.music.bluenote
From: elliott@ncrcol.ColumbiaSC.NCR.COM (Elliott New)
Subject: Re: Jon Rodin is giving BB KING the blues  :-)
Organization: NCR E&M Columbia SC.
Date: Wed, 26 Aug 92 18:10:06 GMT

In article <920826075421@joker.ftp.com> rodin@ftp.com writes:
>    
>    Open your eyes and stop paying so much attention to skin color!
>
>Before you start calling people ugly names, open your eyes and examine the
>world around you.  You may notice, if you are able to rise above your knee
>jerk reactionary head in the sand attitude, that there is great disparity 
>among ethnic groups in this country.  And there are people who find it
>expedient and/or useful to perpetuate this disparity and even to promote it.

Agreed.  Jessse Jackson comes to mind....  :-O

Enough politics... back to the BLUES.

Elliott New


P.S. - I'll even admit my recation was knee-jerk (and maybe a bit harsh)... 
but I still feel the same way.  That's MHO.
Organization: University Libraries - E&S Library, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.bluenote
Date: Wed, 26 Aug 1992 09:09:37 -0400 
From: Robert Angelo Pleshar <rp16+@andrew.cmu.edu>
Subject: Re: bb king is giving me the blues
	<1992Aug25.202749.23585@ncrcae.ColumbiaSC.NCR.COM>

From Ernie Corley:
>Why did they "use" Willie Horton?  Gee, that question would best be answered
>by none other than Al Gore.  After all, he's the one who brought up Willie
>Horton against Gov. Dukakis in the '88 primaries.  Oh, no one would think that
>Mr. Gore had any racial intentions but of course Lee Atwarer did.

I believe that Mr. Gore referred only to the Massachusetts furlough
program in general in the 88 primaries and not any specific individuals.
Atwater "found" Willie Horton's case and had the ads made. 

Sorry to continue to clutter up r.m.bluenote with this junk. 

Ralph


Newsgroups: rec.music.bluenote
From: kougham@pell4l11.alleg.edu (Michael Koughhan)
Subject: John McLaughlin and Jimi Hendrix
Organization: Allegheny College
Date: Mon, 31 Aug 1992 23:56:27 GMT


  There once was a woman named Grapes
  Who had access to lots of great tapes.
  Unbeknownst to her, someone outside her cabin had a really, really,  
ungodly incredible tape.
  It was a bootleg of Jimi Hendrix and John McLaughlin jamming together.
  She never found out about it but I sure as hell did!
  If some kind soul has this or has access to this, I have tapes to trade 
  for thisjem.  I also have money.  I don't have alot of money.  But yes,
  I do have money.  Email is fine.  As a matter of FACT, email would even 
  be dandy.  Even peachy or nifty.  


         Address: kougham@alleg.edu

         Thank you and Boomshanka the whippit.
Newsgroups: rec.music.bluenote
From: mece1xg@Rosie.UH.EDU (purna)
Subject: Re: SRV Fan
Reply-To: mece1xg@Rosie.UH.EDU
Organization: University of Houston
Date: Wed, 26 Aug 1992 20:42:47 GMT

In article <1992Aug26.191814.133@news.duc.auburn.edu>, laurecr@eng.auburn.edu (Chase R. Laurendine) writes:

[...stuff deleted...]

>The 3 CD collection that I bought from him was the first of its kind he had run 
>across (apparently from a new label), he had ordered another copy that he expected
	^^^^^^^^^^^^^^^^^^^^^^^^^^^^
>to get in a few weeks.  From talking to him, it seemed as though he could get as
>many copies as he wanted.  Hey, maybe if enough of you order a copy of this from
>him, he may give a complimentary copy of one of the 2 CD SRV sets left in his
>display case, NOT!!:-)  
>
>WILDMAN STEVE'S Record & CD Exchange
>114 W. Magnolia Avenue
>Auburn, Al.  36830
>(205) 821-6622
>
>May the blues be with you.
>
>Chase Laurendine              "Be good and you will be lonesome.", Mark Twain
>Auburn University
>laurecr@eng.auburn.edu

hey chase!

could you perhaps let us know what this CD label is?  also, if there happens
to be an address of the company on your CD(s) as well?  please?? pretty
please??  pretty please with sugar on it???? :)

thanks for the info about Wildman Steve's!

peace,
-purna
From: acosta@smaug.Eng.Sun.COM (Joe Acosta)
Newsgroups: rec.music.bluenote
Subject: Re: BLUES: Robbin Ford Power Trio recommendations?
Date: 28 Aug 1992 00:07:00 GMT
Organization: Sun Microsystems, LA , Ca.
NNTP-Posting-Host: smaug

In article <1992Aug27.201929.11954@news.Hawaii.Edu> robin@uhunix.uhcc.Hawaii.Edu (Robin Amano) writes:
>
>"Talk to Your Daughter", which has 'Help the Poor', should be still on the
>shelves.  
>But, if you can get "Inside Story", in my opinion, that's the one
>to get.  There's some killer blues on that album, I only wish that I can
>find it on CD one day.

Yes this album is a must get featuring the yellow-jackets before the yellow jackets 
hit big time.  I used to have it on cassette tape but my car stero ate it ;-( !

You can also check ealy Robben out on Joni Mitchell albums with the LA Express and
also with the Tom Scott & the LA Express albums.

>
>"Greg Mathieson Live at the Baked Potato"
>
I will look for this ! 
>This album features Steve Lukather on guitar and is definitely hot!!
>
>rob
>uhcc
			Joe Acosta
----------------------------------------------------------------------------------------
"I'm different and and I don't care who knows it
     Something about me
         Is not the same
            I am different and that's how it goes
	      Ain't gonna play no boss man's game"  -- Randy Newman
---------------------------------------------------------------------------------------


Newsgroups: rec.music.bluenote
From: peugh@wam.umd.edu (Arthur Dent)
Subject: Re: Elliott New is giving me the blues
Organization: University of Maryland, College Park
Date: Wed, 26 Aug 1992 15:58:52 GMT



  Not to be a party pooper or anything, but isn't this newsgroup supposed to
be about jazz/blues(blues/jazz? :) ).  There's gotta be somewhere to discuss
politics.

  Now to get back on track.
  Can anyone recommend a good Miles Davis album, with John Mcglauchlin(?) on
guitar?  I've got a couple of John's albums, and i love 'em, and i would like
to get into Miles Davis' work.

Newsgroups: rec.music.bluenote
From: rpeck@pure.com (Ray Peck)
Subject: Unauthorized Live CDs (was Re: SRV Fan)
Organization: Pure Software, Los Altos, CA
Date: Fri, 28 Aug 1992 18:41:25 GMT

There are a number of places to get Unauthorized Live Recordings (aka
bootlegs) on CD, tape, lp, and video.  The best place to find out
about them is from Goldmine, a weekly newsprint magazine which carries
hundreds of ads from places that carry these items.  Mostly rock and
oldies, but occasional jazz and blues.  This is also a good source for
finding out-of-print stuff, and radio shows.  Beware: you can dump a
TON of money this way. . .

Double CDs are typically $45-50, singles are $18-25.


Pick up Goldmine at your friendly big bookstore (Tower Books carries
it), or fax 'em for a subscription at (201) 867 2916.

-- 
Ray Peck						rpeck@pure.com
Pure Software						415-903-5100
2111 Grant Road
Los Altos, CA, 94024
From: 21329KAD@MSU (Kim Dyer)
Newsgroups: rec.music.bluenote
Subject: WINDOWS
Date: 1 Sep 92 21:12:58 GMT
Organization: Michigan State University

Has anyone SEEN (with their own eyes) a copy of Windows latest release,
"From the Asylum"?  I've heard cuts on the local jazz station, and it's
quite good.  FINDING a copy appears to require hiring Indiana Jones.

Any clues on how I can acquire a copy?
Newsgroups: rec.music.bluenote
From: mece1xg@Rosie.UH.EDU (purna)
Subject: Re: BLUES:Albert King's style
Reply-To: mece1xg@Rosie.UH.EDU
Organization: University of Houston
Date: Wed, 26 Aug 1992 20:28:27 GMT

In article <loon.32@underdog.ee.wits.ac.za>, loon@underdog.ee.wits.ac.za (LOON M J) writes:
>In article <1992Aug22.204533.14821@menudo.uh.edu> mece1xg@Rosie.UH.EDU (purna) writes:

 [...stuff deleted...]

>>first, he plays a right-handed guitar with a left-handed technique
>>(and he doesn't restring 'em!).  secondly, he tunes the highest
>>two strings BOTH to E!!  i really find this bizarre, but there was
>>no explanation of it.

[...more of my stuff deleted....]

>Purna
>
>That's fascinating! I would kind of understand it if they had been tuned to 
>B, as there wouldn't have such a large gap between strings 3 and 2. If you 
>discover the reason, pray tell!
>--
>Marc Loon <loon@underdog.ee.wits.ac.za>

ooops!

i realized that i made a mistake in my original comment.  i became
discombobulated (sp?) with all of the inverted, non-restrung, retuning
guitar stuff.  what i SHOULD have written was that the the *LOWEST* two
strings are tuned to E.  wait, here's the whole tuning as given in
Guitar Player (highest to lowest): C# G# E B E E

note: i will discuss the strings in terms of a standard guitar (i.e.
1st string is the highest, etc.)

i should also but in a disclaimer that the author of the article said
he was not 100% sure about the tuning of the 5th (E) string, but he
was fairly sure.  actually, if anything should be changed, it should be
that low E to something like a low A# (just a guess).  however,
king plays the roots of chords in fairly normal positions on this
string, thus the conclusion that it is tuned to an E.

anyone have any guesses?  i haven't heard too much albert king, so
i can't really make a good guess as to why he does this kind of tuning.
i would wager the sound is a little different when he plays chords (though,
ANY different tuning will give different sounds as well.  any big albert 
king fans out there to give us a detailed description of his sound?

peace,
-purna
Newsgroups: rec.music.bluenote
From: bval@ilws61 (Valentine Bob)
Subject: bb king is giving me willie horton
Date: Sun, 30 Aug 1992 10:00:45 GMT
Organization: Intel
X-Newsreader: Tin 1.1 PL4

in reply to...

"""""""""""""
But Atwater didn't say *anything* about his skin color.  YOU DID!  Atwater
didn't make a connection of blackness and criminality.... YOU DID!
"""""""""""""

this is incorrect. Atwater later "repented" and publically apologized before
he died.

To say that the add was not intended to appeal to racism is just silly, I
have no idea why you're so strident.

Bob
From: smehta@kwela.nynexst.Com (Sandeep Mehta)
Newsgroups: rec.music.bluenote
Subject: Re: Old and New Dreams
Date: 26 Aug 92 18:13:57 GMT
Reply-To: smehta@nynexst.com
Organization: Speech Technology, AI Lab, NYNEX S&T Inc, White Plains, NY


> vek@spacsun.rice.edu (Vincent E. Kargatis) writes:

> smehta@kwela.nynexst.Com (Sandeep Mehta) writes:
> > There are a lot of recording with one or more ex-members of Ornette's
> > group but I don't know of specific titles under the OaND name.
> 
> There's also A TRIBUTE TO BLACKWELL (120113) recorded in Atlanta, 1987, at
> the Ed Blackwell Tribute concert series, I think. Haven't heard it,
> though.

Oh, I thought that that was the only Black Saint OaND. My Sphere
catalog is @ home :-( I just got the LP thx to the Sphere sale :-)
and it is good. As you can see, it is largely a cover of OC comps done
very well.

Old And New Dreams                                     Black Saint 120 113 (LP)
Title: A Tribute To Blackwell                                                  
Recorded: 11/7/1987 at Ed Blackwell Festival, Atlanta, GA by WUFT-FM, U of
          Florida, Gainesville.                                              
Released: 1990
With: Don Cherry, trumpet                                                      
      Dewey Redman, tenor sax                                                  
      Charles Haden, bass                                                      
      Ed Blackwell, drums                                                      
Contents: 1) Happy House (OC)                                          ( 09:15)
          2) Law Years (OC)                                            ( 09:00)
          3) Togo (Blackwell)                                          ( 08:10)
          4) Dewey's Tune (Redman)                                     ( 11:25)
          5) Street Woman (OC)                                         ( 09:30)
          Total:                                                       ( 47:20)
Purchased: 1992
Comments: fest prod by Rob Gibson, record prod Kunle Mwanga.                   

/sandeep
--
smehta@nynexst.com
--
"An artist is never ahead of his time but most people are far behind theirs."
	-- Edgard Varese
From: gwl%wave3_1@CONCERT.NET (Glenn Lea)
Newsgroups: rec.music.bluenote
Subject: Old and new dreams
Date: 26 Aug 92 18:28:36 GMT
Reply-To: gwl%wave3_1@concert.net

>>>>> On Wed, 26 Aug 1992 08:49 EDT, wave3_3!BINAH.CC.BRANDEIS.EDU!RARDIN said:

  Sandeep> I haven't played the ECM's in a while but I recall both being good.
  Sandeep> The eponymous OaND album has one of my fave Haden comps - Song For
  Sandeep> The Whales which he's performed in a solo context as well.

It's on the new Allen/Haden/Motian "Live at the Vanguard" CD.

--------------------------------------------------
Glenn Lea - reply to gwl@wavetracer.com
Wavetracer, Inc.
Newsgroups: rec.music.bluenote
From: hsu@sp1.csrd.uiuc.edu (William Tsun-Yuk Hsu)
Subject: Re: Butch Morris
Organization: UIUC Center for Supercomputing Research and Development
Date: Wed, 2 Sep 92 21:47:22 GMT

Me:
>>I also like Morris' trio work with Bill Frisell and Wayne Horvitz,
>>Todos Santos.

md@sound.esm.rochester.edu (Mike DeMurga) writes:
>I belive you are thinking of the HMP Trio with Morris, Horvitz, and Bobby
>Previte, not Frisell 

You're right, I'm totally confused here, sorry. 

Bill, who should probably hold off posting until he recovers from moving
across the country and starting a new job with 2 week's notice, and his
records arrive from Illinois

(yes, it just looks like I'm in Illinois, but I'm actually in San Francisco
and will most probably be at the Heinz in Oakland this Friday to catch
the Splatter Trio/Siamese Twins, and ROVA and Frith/Ostertag later this
month)
From: doucet@ripolin.laas.fr (Jean-Etienne Doucet,149,6323)
Newsgroups: rec.music.bluenote
Subject: Re: McLaughlin's broken hand and Florianapolis
Date: 1 Sep 92 08:08:38 GMT
Reply-To: doucet@ripolin.laas.fr
Organization: LAAS-CNRS, Toulouse (France)

In article 11510@news.cs.brandeis.edu, rardin@binah.cc.brandeis.edu (R. Lynn Rardin) writes:
>No connection.  From an August 1992 JazzTimes interview... "As he rips off a 
>few stunning licks it's clear that he's fully recovered from the career-
>threatening, freak household accident that occurred in 1990.  While watching 
>TV at home in France, John got his lefthand forefinger caught in the track of a 
>swiveling television set.  

	I know French TV programs are terrible but however not to that point...
	
> As he recalled at the time, 'It was so quick, so 
>fast.  I heard it snap, I saw the end of my finger flopping around...it was 
>just a nightmare.'  Six stitches and a splint put that finger right..."
>
>-Lynn
>
>< R. Lynn Rardin (rardin@auriga.rose.brandeis.edu)  >
>< Rosenstiel Basic Medical Sciences Research Center >
>< Brandeis University, Waltham, MA 02254-9110       >

	;^)

	+-------------------------+-------------------------+
	|   Jean-Etienne DOUCET   |       LAAS - CNRS       |
	|   doucet@laas.laas.fr   |   Toulouse     FRANCE   |
	+-------------------------+-------------------------+
        |     excuse bad english: I'm still learning it     |
        |              (bad english, that is)               |
        +---------------------------------------------------+
From: bo304@cleveland.Freenet.Edu (Erik Jul)
Newsgroups: rec.music.bluenote
Subject: Re: ...that BlUEsy feel...(J.J.Cale)
Date: 3 Sep 1992 20:17:24 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: slc5.ins.cwru.edu


Yes, J.J. Cale should be in every blues lovers musical
vocabulary (I was pleased to see on music.info that he's got a
new release coming out!).

On Clapton and Cale: EC attributes his learning "restraint" from
J.J. Cale.  I think this is one quality that makes both musicians'
music so compelling: the subtle understatement of their
techniques.  To hear this quality in EC's music, get the newly
released "Unplugged" album.  Fine listening!

--Erik
From: beebe@cs.arizona.edu (Craig A. Beebe)
Newsgroups: rec.music.bluenote
Subject: Mendela Octet
Date: 3 Sep 92 19:32:32 GMT
Distribution: usa


   Has anybody heard of this group? I caught a couple of their songs 
*real* late at night on the local jazz station, and they are incredible!
Real dark stuff - kinda like Twin Peaks music, but more talent and
complexity. 

   Anyways, I'm having a hard time finding any of their CDs. Does 
anybody have album names, catalog numbers, record label, etc. so that
I can special order them? 

   Thanks in advance,

   Craig. 
--
-------- Craig Beebe, or, if you prefer, beebe@caslon.cs.arizona.edu ---------
^                                                                            ^
^    please type "finger beebe@caslon.cs.arizona.edu" for my cute little     ^
^   message that I just couldn't quite fit within the confines of 4 lines.   ^
Newsgroups: rec.music.bluenote