HDTenEightyP/NetNews huggingface dataset:
From: sybert@felix.filenet.com (David Mark Sybert)
Newsgroups: rec.music.synth
Subject: Master Tracks Pro 5
Date: 14 Oct 92 18:20:12 GMT
Reply-To: sybert@fritz.filenet.com (David Mark Sybert)
Distribution: usa
Organization: FileNet Corp., Costa Mesa, CA

I would like to sell my new, unregistered, Master Tracks Pro 5 for
$225 + shipping.  If interested, send mail to sybert@fritz.filenet.com.
Thanks.


Newsgroups: rec.music.synth
From: seanw@mks.com (Sean Wilson)
Subject: Re: If you had $1500 to spend
Organization: Mortice Kern Systems Inc., Waterloo, Ontario, CANADA
Date: Thu, 15 Oct 1992 16:35:30 GMT

In article <1992Oct13.045317.22276@ncsu.edu> doogie@garfield.catt.ncsu.edu (Jeff House) writes:
>
>	o 88 keys, preferably weighted  <-------------
>	o MIDI capabilities                          |
>	o Great PIANO sounds                         |
>	o Great backup STRING sounds                 |
>	o Ease in portability <----------------------|
>                                                    |
                                                     |

                                             Aren't these two requirements
                                             mutually exclusive??? :)


Sean Wilson      | "It was a small incident one night involving me and 150 
MKS Tech Support |  Mexican cops.  I asked to see some identification.  They
seanw@mks.com    |  said:  'Badges?!  We don't need no stinking badges!!'" 
                                                            - John Caravella
From: Randomizer@cup.portal.com (Aron Fingers Nelson)
Newsgroups: rec.music.synth
Subject: Oberheim dead again!
Date: Sat, 10 Oct 92 01:32:41 PDT
Organization: The Portal System (TM)
Distribution: world

It has happened again....

From PAN:

Gee bad news travels fast!
 
Yes it is true, Oberheim is gone again.
 
To quote raw fish, RFollowing a trend started long before New England Digital,
GMI (Gibson) has suspended all operations of Oberheim.S

This came from Richard Bugg who was designing the OB-MX.

What a loss...
Aron_Nelson@cup.portal.com
Newsgroups: rec.music.synth
From: David Cortright <davidc@engin.umich.edu>
Subject: Schools with Computer Music degree programs
Date: Wed, 14 Oct 92 01:54:33 EDT
Organization: University of Michigan
X-Useragent: Nuntius v1.1.1d9
X-Xxmessage-Id: <A70130F15B024093@toe.engin.umich.edu>
X-Xxdate: Wed, 14 Oct 92 07:05:37 GMT

I am a senior graduating this may in Engineering.  However, my real love
is anything and everything happening in the field of computer music and
music technology.  I know that a lot of schools, like Stanford, MIT,
Northwestern, and some of the UCal schools have departments in this
field, but does anyone know what schools actually offer a graduate degree
program?  I'm pretty sure that either Keyboard or Electronic Musician
printed an abrreviated list, but I can't remember when or where.  I would
appreciate any info. you might have, especially if you are currently in a
program somewhere.  Feel free to e-mail me (davidc@engin.umich.edu) if
you don't think it's worth posting.

Thanks in advance!
				-Dave Cortright
From: jamesmc@ut-emx.uucp (James McCartney)
Newsgroups: rec.music.synth
Subject: Re: PB100/MIDI works? SOS!!!!
Date: 7 Oct 92 19:33:21 GMT
Organization: The University of Texas at Austin; Austin, Texas

In article <murat-300992111123@192.100.87.66> murat@farallon.com (Murat N. Konar) writes:
>Here's a tip for all PowerBook users: as counter-intuitive as it may seem,
>it helps to have AppleTalk turned on.  This keeps the Power Manager from
>turning off the serial ports.  The switch for AppleTalk is in the Chooser.

     Well, I am constantly getting Appletalk turned on by itself and when
I try to run Vision or Max, OMS says 'printer port in use by another
application'. So, I have to go to the Chooser and turn it off. Is there
a way to prevent this from happening. I NEVER want Appletalk on. Can it be
disabled?

  --- james mccartney


Newsgroups: rec.music.synth
From: mike@uhunix.uhcc.Hawaii.Edu (Mike W. Burger)
Subject: TG77 Stereo Separation
Organization: University of Hawaii at Manoa
Distribution: usa
Date: Mon, 12 Oct 1992 23:14:21 GMT



	In reference to my problem with the reverb effects on the
TG77 remixing my stereo channels and causing me to lose my separations:

	The answer is indeed at the top of page 100 in the manual.
	There are 40 reverb effects and the highest numbered six or
so are specifically identified as "individual" and do not cause the
remixing.
	Thanks to all who responded on this.  Over the weekend I got
my tapes made with reverb AND the desired stereo separation.

mike@uhunix.uhcc.hawaii.edu
From: jseboldt@pnet51.orb.mn.org (John Seboldt)
Newsgroups: rec.music.synth
Subject: Re: metlay/eirikur fooled by vfx-sd
Date: 11 Oct 92 22:25:04 GMT
Organization: People-Net [pnet51], Minneapolis, MN.

D_NIBBY@UNHH.UNH.EDU (Dana   Nibby) writes:
>synths w/fixed waveforms are pretty limited used by themselves. Hopefully
>I'm wrong. I really don't understand why synths being made today aren't
>equipped w/a slot for PCM cards so as to get new sounds. How far can you
>go with patches? Also, how many waveforms does the VFX-SD have?
>
The VFX-SD version 2 has 141 waveforms.  They are divided among natural 
instrument samples and various other waveforms.  Yes, I agree a slot for more
waveforms would be nice... folks complain about that a lot in the Ensoiq user
mag "Transoniq Hacker".  

You'd be surprised how useful they can be by themselves.  The VFX is no
slouch.  It also has its limits (especially the 21 voices!)  Unless it's a
supplementary instrument, I'd now get the newer SD-1, or an upgrade to 32
voice SD-1.

:                John Seboldt...Minneapolis, MN...                  :
:           As a ham, K0JD...as a human...well, you judge!          :
:UUCP:{crash, tcnet, petrus, quest}!orbit!pnet51!jseboldt __________:
:ARPA:crash!orbit!pnet51!jseboldt@nosc.mil | WINDOWS: a cute  -<:o) :
:INET:jseboldt@pnet51.orb.mn.org           | clown suit for DOS...  :
From: smithj@hpsad.sad.hp.com (Jim Smith)
Date: Sat, 10 Oct 1992 22:27:38 GMT
Subject: Re: Note Off Problems (was: Korg DS-8 multitimbral problems anyone?)
Organization: no risk to you!
Newsgroups: rec.music.synth

In rec.music.synth, soh@gdstech.grumman.com (Scott O'Hare) writes:

    In article <sgs.1sqs@terapin.com> sgs@terapin.com (Stan Sawyer) writes:

    >what this means is, the DS-8 *must* have a note off at the end
    >of each note in multi-timbral mode.  
    ...
    >Most sequencers allow you to turn off running status (i.e., turn on
    >note offs).

    The Ensoniq ESQ-1 has a sightly different problem with Note Off commands
    that this discussion reminded me of: namely, it sends "proper" Note Off
    commands (3-byte sequences beginning with hex 08), instead of the more
    usual practice, which is: sending a Note On command (3-byte sequences 
    beginning with hex 09) with Velocity (3rd byte) set to zero. Do all 
    Ensoniq keyboards do this? and is there some way of "fixing" it (without 
    buying a note mapper or equivalent piece of external hardware)?

I'm curious: Why is this a problem?  Bandwidth?  The ESQ1 sends release
velocity, so it is necessary to use the note-off sequence instead of
running status.  There is no way on the ESQ to bypass it that I know of.

                       Jim Smith  smithj@hpsad.sad.hp.com
                     Oh Hannu, this is most unbusinesslike.
From: pr-sign@my13.sm.luth.se
Newsgroups: rec.music.synth
Subject: TECHNO Robot voice for sale
Date: 7 Oct 92 12:31:50 GMT

Robot voice a la Krftwerk, complete Speak & Spell samples.

Extremly clean, raw and robotic.
Voices include 0-9, a-z hundreds of words (MACHINE and ELECTRIC included), 
hole sentances, bleeps and beeps, etc.

Available on EMAX II, FZ1, EPS, TX16W, X7000, S700, S330, DAT, HIFI VCR, and 
compact casette. 

Price $50US + disc or tape cost + shipping.

Contact: Per Lindgren (pelly@mother.ludd.luth.se)
  
 
Newsgroups: rec.music.synth
From: bmaraldo@watserv1.uwaterloo.ca (Commander Brett Maraldo)
Subject: Re: Tangerine Nightmare: Old-time idealists read at own peril.
Organization: Unit 36 Research
Date: Fri, 9 Oct 1992 21:58:25 GMT

In article <1992Oct9.154507.20501@nntpd.lkg.dec.com> eirikur@ranger.enet.dec.com (Eirikur Hallgrimsson) writes:
>Micro-review of Boston Tangerine Dream concert:  I'm depressed.

	I read your review of the TD show in Boston with great interest.  I,
purposely, let the Toronto date of that same tour go by.  This was my rationale:
Rockoon is an ok release, its not old TD for sure but it is one of the better
ones of their newer stuff.  But it is heavily sequenced and just couldn't see
how they were going to pull off a live show - just Jerome and dad.  I speculated
that they there would be hired musicians to fill in the performance gaps.  Then
I saw a poster for the show; a friend of mine, who doesn't know TD's material,
gave an objective appraisal, 'Looks like a Country and Western band'.  Shocking!
And there was Froese right in the middle of this 'country and western band'!
	The concert passed.  I read your reveiw.  My friends went to see Kiss
instead.  I saved $30 and I am glad.


Brett Maraldo



-- 
               --------     Unit 36 Research     ---------
	                "Alien Technology Today"
  	 	      bmaraldo@watserv1.UWaterloo.ca
  	           {uunet!clyde!utai}!watserv1!bmaraldo
From: will.ROCH803@XEROX.COM
Newsgroups: rec.music.synth
Subject: Korg Polysix MIDI retrofit
Date: 13 Oct 92 18:30:13 GMT
Reply-To: will.ROCH803@xerox.com

Does anyone have any info on the Miditec Polysix MIDI retrofit, or any other
MIDI retrofits for the Polysix?

Thanks,

Will Weidman
will.roch803@xerox.com
Newsgroups: rec.music.synth
From: shiv@bnr.ca (Shiv Naimpally)
Subject: SOB 2000(was Re: Wendy Carlos, where are you???)
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Date: Thu, 15 Oct 92 19:38:34 GMT

I heard SOB2000 and it she seems to have gone too far, too painstaking -
it sounds like the real thing ! I prefer the original and the
Switched on Brandenburgs because of those nice analog voices she used.
Newsgroups: rec.music.synth
From: carli@ufrcs1.enet.dec.com (Bernhard Carli)
Subject: Attention DSS-1 owners: Exchanging disks via email...
Reply-To: bernhard@decum.enet.dec.com
Organization: Digital Equipment Corporation, Munich FRG
Date: Wed, 14 Oct 1992 09:28:06 GMT



Unfortunately the Korg DSS-1 writes his Disks not in MS-DOS Format like 
many other Samplers and Synths. But there is a way to read this floppies 
on a PC: Use teledisk. This shareware reads in DSS-1 Disks and can also
compress them. The average size of a DSS-1 disk is about 600K compressed.
Of course teledisk also writes back the Images to a floppy in DSS-1
format. AH! So you got the idea? Yeah - spreading your favourite Sounds
is no longer a problem. If there's enough interest we should setup a mailing
list for DSS-1 to swap sounds AND information. 

Bernhard
----------------------------------------------------------------------------
######     ####    Internet: bernhard@decum.enet.dec.com
##   ##   ##       Phone   : 49-89-9591-1760
##   ##  ##        DTN     : 7865-1760
## ###   ##     
##   ##  ##        "All we have seen is just a dream within a dream...."
##   ##   ##     
######     ####    Working for, but not representing Digital Equipment Corp.
----------------------------------------------------------------------------
From: david@roth-music.com (David A. Roth)
Newsgroups: rec.music.synth
Subject: Re: Midi song - "Borderline - Madonna"
Date: Sun, 11 Oct 92 12:39:57 EST
Organization: DAVID A. ROTH MUSIC
Reply-To: david@roth-music.com (David A. Roth)
X-Mailer: uAccess - Macintosh Release: 1.5v4


In article <D88-JWA.92Oct10110956@byse.nada.kth.se> (rec.music.synth), d88-jwa@byse.nada.kth.se (Jon Wtte) writes:
> > scott@bbx.basis.com (Scott Amspoker) writes:
> 
>    >Please define how close "coincidence" is. And how to measure it.
> 
>    That's ultimately for a jury to decide.
> 
> Isn't a prime concept in any judical system that you should
> have the possibility of being aware that you're comitting a
> crime when you do it? I.e. no retroactive laws. 

Of course, it's
worst for someone if they were trying to steal work in question but
merely proof that you had access to it is enough.  This was the case
with George Harrison in My Sweet Lord that he had access to He's So
Fine because it was on the charts at the same time the Beatles were.


> How could you
> know what the jurys musical taste will dictate when you wrote
> a piece of music? Especially when you hadn't even HEARD the
> other song...

A jurys taste is music has nothing to do with it.  They will play
both works and they will decide if there is infringement.  You don't
need tp be an expert musician in order to be on the jury. 
> 
> To me, all Opera sounds alike :-) Maybe I should join a jury...

If you are registered to vote in the US you may very well find yourself on a
jury.
> 
> -- 
>  -- Jon W{tte, h+@nada.kth.se, Mac Hacker Suedoise (not french speaking) --
> 
>    What we need is a good GNU [...] licence manager implementation.
>                      -- Raphael Manfredi
David
From: cwilson@void.ncsa.uiuc.edu (Chris Wilson)
Newsgroups: rec.music.synth
Subject: Re: Note Off Problems (was: Korg DS-8 multitimbral problems anyone?)
Date: 13 Oct 92 17:59:10 GMT
Article-I.D.: news.Bw2nAn.49L
Organization: Nat'l Center for Supercomputing Applications

mrk@gvgspd.GVG.TEK.COM (Michael R. Kesti) writes:
>In article <sgs.1sqs@terapin.com> sgs@terapin.com (Stan Sawyer) writes:
>>One of the problems you may be running into is that the DS-8
>>does *not* recognize "running status" which is what most sequencers
>>incorporate by default.
>
>If this is true, then it means that the DS-8 does not conform to the MIDI
>standard, and is, by definition, buggy.

I do not believe this is true about the DS-8 not accepting Note Ons with
vel=0 as Note Offs.  I slaved my DS-8 with another keyboard which sent Note
0ns instead of Note Offs,  and it worked fine (shutting off notes).

However,  the MIDI implementation on the DS-8 _IS_ buggy.  It has problems
doing sysex uploads/downloads.  (Voyetra SpGold's librarian even mentions
in the online help that they had problems with it.)  For example,  when I
request sample dumps from my Akai S612,  the DS-8 responds and massively
confuses my computer.

-Chris Wilson
 cwilson@ncsa.uiuc.edu
From: aedwards@JUPITER.CSD.UNB.CA (Alan Edwards)
Newsgroups: rec.music.synth
Subject: Re: K2000 SCSI (Was: K2000 patches and samples ftp sites?)
Date: 15 Oct 92 12:28:50 GMT
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU

> >Both the drives and the Kurzweil are connected
> >on the same SCSI bus.
>
> This cannot be right...
>
I know that you can do this with the EPS. SCSI is the fastest way to
transfer samples between the EPS and a sample editor on the mac. There
was a very good article in Transoniq Hacker about the mysteries of SCSI
and how to get around some of the problems it can cause.

Alan

===========================================================================
  Alan Edwards
  UNB Physics                              internet:    aedwards@unb.ca
    Canada
---------------------------------------------------------------------------
 "General MIDI is to music what paint-by-numbers is to painting"  - Joe M.
===========================================================================
From: reedj@hplsla.hp.com (Reed Jacobsen)
Newsgroups: rec.music.synth
Subject: Dumb Beginner Question
Date: 9 Oct 92 17:38:35 GMT
Article-I.D.: hplsla.5470050
Organization: HP Lake Stevens, WA

I am a simple amateur musician.  I have a computer and a cheap Casio keyboard 
"with MIDI ports".  I want to get a MIDI board for my computer and some software
so I can improvise at the keyboard, look at what I played, fiddle with it, and
play it back (either to the keyboard or just to speakers).  Nothing fancy.  I
don't care about synthesizing sounds (yet), just composing.

Now, if I buy a SB Pro and something like Cakewalk, will I be able to do this?
Or am I missing something serious?

Sorry if this is the wrong place to ask.  Redirect me, please if so.  I am
very interested in getting into computer-aided-music, but I need to start with
a baby step.

Thanks for any help,
Reed
From: JROSSI@EAGLE.AAMRL.WPAFB.AF.MIL
Newsgroups: rec.music.synth
Subject: Re: Wendy Carlos, where are you???
Date: 14 Oct 92 03:27:00 GMT


Judging from the last Kwyboard story/interview, if Wendy Carlos is missing
it is probably because she is trying to get the penis she lost put back on.
Carlos remains an historc figure in the popularization of synth sounds. 
Unfortunately, she has decided to take herself much too seriously.  

John
Newsgroups: rec.music.synth
From: kalin@silver.lcs.mit.edu (Dan Kalin)
Subject: Re: K2000 SCSI 
Organization: MIT Laboratory for Computer Science
Date: Thu, 15 Oct 1992 06:54:44 GMT

In article <9210142154.aa17742@gate.demon.co.uk> cassiel@cassiel.demon.co.uk (Nick Rothwell) writes:
>>Both the drives and the Kurzweil are connected
>>on the same SCSI bus.
>
>This cannot be right...
>
No, it most definitely is correct.

>>There's only one restriction: never try to access the same disk at the
>>same time. It makes the Mac crash.
>
>Like I said, this cannot be right (especially since the MacOS might go for
>the hard disk at any time). How IS this supposed to be set up? 

There aren't many good reasons to try to access the same disk at the 
same time.  This is asking for trouble.  The Mac does sometimes try
to access everything on the SCSI bus, but it is generally robust enough
to know what is or is not something it cares about, such as a Mac format
hard disk drive.  Alot depends upon the Mac software and how it was written;
for example, does the software sit in and endless loop waiting for SCSI 
signal acknowledgements or is there an appropriate time-out to recover
from SCSI bus mishaps?  

A person who has a K2000 on their SCSI bus needs to make sure that
each device (for instance the Mac, its SCSI drive(s), the K2000, 
its SCSI drives) is assigned to a unique SCSI ID from 0-7.
Also, make sure there is proper termination of the SCSI bus at both
ends of the chain.  Only one SCSI master can control the bus at any
given time, for the duration of the particular SCSI command.

>I'd think
>having a Mac with local SCSI storage, and then the K2000 downstream, but
>the '2000 with its own local storage in its own format. But SCSI doesn't do
>that: it requires a single bus master. I can't think of a way of getting a
>computer-based K2000 rig working without SCSI switchers and stuff.
>

Okay, so because you can't think of a way to get this to work,
that means that it "cannot be right."  There can be more than
one SCSI master, they just can't take control simultaneously. 
And there is no such thing as "downstream" in SCSI.
Try running SCSIProbe (tm) with a K2000<-->Mac connection.  You
will see both the Mac and the K2000 listed as a CPU, and all of 
the connected drives listed as well.  Even better, try running 
Alchemy 2.6.

For many reasons, SCSI can be tricky to work with, but not if 
every machine on the bus behaves.  

-Dan Kalin


Newsgroups: rec.music.synth
From: jay@cmn19.Stanford.EDU (Jay Kadis)
Subject: Re: Schools with Computer Music degree programs
Organization: DSO, Stanford University
Date: Thu, 15 Oct 92 21:55:03 GMT

In article <1992Oct15.180511.9620@odin.corp.sgi.com>  
archer@elysium.esd.sgi.com (Archer Sully) writes:
> In <1992Oct15.164959.29478@leland.Stanford.EDU> jay@cmn19.Stanford.EDU  
(Jay Kadis) writes:
> * Compared with IRCAM, for  example, we're pretty small...
> *
> *Jay
> *
> 
> Maybe, but compared with every other program in the area you are
> immensely huge.  Quitcher bitchin'.
> 
> -- archer

As soon as we get some SGI machines, I will!!

Jay
Newsgroups: rec.music.synth
From: djk@world.std.com (Dan J Keldsen)
Subject: Re: Korg Polysix MIDI retrofit
Organization: The World @ Software Tool & Die
Date: Thu, 15 Oct 1992 18:43:18 GMT

will.ROCH803@XEROX.COM writes:

>Does anyone have any info on the Miditec Polysix MIDI retrofit, or any other
>MIDI retrofits for the Polysix?

>Thanks,

>Will Weidman
>will.roch803@xerox.com

Will,

I have a Korg Polysix with a Korg MIDI retrofit that I had installed 4 years ago. I'm actually wanting to sell the whole thing for around $350/bo.

It now has:
120 presets (expanded memory came with the retro)
midi in/out/thru
sysex receive of every function
sustain pedal addition
and that's pretty much the skinny on it.

I believe Korg stopped making the retro 3 years ago, since many people didn't want to drop the $ on an "obsolete" keyboard.

--
Dan Keldsen
djk@world.std.com
BERKLEE college o music - Boston, MA



Xref: sparky rec.music.synth:16262 comp.music:4706
From: ps1@cbnewsi.cb.att.com (peter.schwander)
Newsgroups: rec.music.synth,comp.music
Subject: Wanted: used Brother MDI-40
Keywords: used Brother MDI-40 MIDI SysEx sequenzer
Date: 9 Oct 92 01:58:10 GMT
Article-I.D.: cbnewsi.1992Oct9.015810.27465
Distribution: usa
Organization: AT&T

Hi there,

 I am currently looking for a used Brother MDI-40. They main
purpose is to upload/download SysEx data from another synth
to the floppy. I would not need the sequenzer but the Brother
MDI-40 is probably the cheapest unit around. Other suggestions?
-Peter

send e-mail to: ps1@spin.ho.att.com
From: bull@vaxc.cc.monash.edu.au
Newsgroups: rec.music.synth
Subject: Re: What is Ring Modulation?
Date: 7 Oct 92 17:14:08 +1000
Organization: Computer Centre, Monash University, Australia

In article <100760031@hpwin052.uksr.hp.com>, dan@hpwin052.uksr.hp.com (Dan Bennett) writes:
> Hi,
>
> w.r.t. ring modulation, if your two input signals are identical,
> there'll be no effect, I think. If your two input signals are, say
> a minor second apart, you'll get some wonderfully upsetting sounds
> at the output. Real 1950's Stockhausen stuff!

        No, Ring Modulation was Wagner's lesser known folloup to his
operatic triumph, The Ring Triology.



           Bull@vaxc.cc.monash.edu.au  OR  bull@monu1.cc.monash.oz
                    DOD# 251  '84 VF 750   Closet Ducatisto
             Disclaimer. If you love your llama, let it lambada.
Xref: sparky rec.music.synth:16197 rec.music.makers:10102
From: ee154fbk@sdcc15.ucsd.edu (Marcel Carlsson)
Newsgroups: rec.music.synth,rec.music.makers
Subject: Akai MPC60 and Akai MPC60 II ?!?!?!?
Date: 8 Oct 92 05:59:33 GMT
Followup-To: poster

Does anybody know the difference between the old and the new Akai
MPC60 drummachine????  I know the new version is 16-bit and I think
it also has a SCSI interface(correct me if I am wrong)...

I searched thru old Keyboard magz but only found the review for the
old version back in 88.

Maybe someone could explain all the differences to me?  Also what is
a good deal on a used MPC60(old vers), $1200?????

Thanks,

ee154fbk@sdcc15.ucsd.edu



Newsgroups: rec.music.synth
From: jpittas@cbnewsf.cb.att.com (john.pittas)
Subject: KS-32 Owners?
Organization: AT&T
Date: Fri, 16 Oct 1992 14:53:56 GMT


I would like to hear from owners of Ensoniq's new KS-32 keyboard.
I would like to replace my Yamaha KX76 with a board with more of
a piano-like feel, and there isn't much out there that fits the
bill without going to 88 keys.  So, I'm interested in opinions
on the following:

- keyboard feel
- master controller features
- roadworthyness
- quality and range of sounds
- what's a good price
- anything else you can think of (like the sequencer, I guess,
  although I probably won't use it much if at all)

I went to a few local stores to check the thing out and couldn't find
one, but most mail order place I called had 'em.  As far as sounds go,
I'm looking for opinions beyond "it's basically an SQ-2 with a weighted
keyboard," since I wasn't able to find an SQ-2 anywhere either.
Thanks in advance!
Newsgroups: rec.music.synth