HDTenEightyP/NetNews huggingface dataset:
From: edd586ysft@vx24.cc.monash.edu.au
Subject: that's not and ACID SPECIAL
Organization: Computer Centre, Monash University, Australia
Date: Sun, 11 Oct 1992 10:37:30 GMT


No... and acid special is not something that you take.
An acid special is something I'm gonna do on the radio to bend
your little minds.
Have you ever loved the sound of a 303 squelching its way through a
myriad of irreversibly bend notes, and a 808 pounding away in the 
background?
If you worship the very ground the greats from +8 (and PROBE), DJAX-UP-BEATS,
Planet Care Productions, See Saw Records etc etc.... listen in 12:00am,
first thing Wednesday Morning 96.5fm (Melbourne).

Well show you were the acid's been hiding for the past couple of years!

J.
From: cep@sage.cc.purdue.edu (CRAIG PFEIFER)
Newsgroups: alt.rave
Subject: Re: 808 State's new single
Keywords: 808 timebomb
Date: 11 Oct 92 19:37:12 GMT
Distribution: usa
Organization: Purdue University Computing Center

In article <1992Oct9.203619.25387@sbcs.sunysb.edu> rojohnso@libws1.ic.sunysb.edu () writes:
>..Also, has anyone heard 808 State's
>newest single?? Ive seen it in the store, but never heard it.


    I assume you mean the TimeBomb single (TBCD 540 , TimeBomb, Nimbus, Reaper
Repro). TimeBomb is really good. It's more danceable and harder than EX:EL, and
the other tracks are more ambient, with a beat, but still incredible.
   Patiently awaiting their next major release...

 
 
          
-- 
/-----------------------------------------------------------------------------\ |                             | "We are young despite the years,              |
|   cep@sage.cc.purdue.edu    |  We are concerned,                            |
|   Craig Pfeifer, Purdue U.  |  We are hope despite the times."  - R.E.M.    | \-----------------------------------------------------------------------------/ 
Newsgroups: alt.rave
From: laural@cbnewsl.cb.att.com (laura.l.la gassa)
Subject: Re: New York Raves/clubs requested
Organization: AT&T
Distribution: usa
Date: Wed, 7 Oct 1992 20:54:01 GMT

In article <Oct.7.10.54.23.1992.27386@pilot.njin.net> gajarsky@pilot.njin.net (Bob Gajarsky) writes:
>don't go to the limelight.  they still discriminate, from what i've heard.

By "discriminate," I think Bob means that they, being a typical New York Club,
only let in peole they deem "cool," and will lie or whatever to keep out
people they don't want.  That really sucks.  If you're willing to make the
trek out to Staten Island, I suggest you check out the Thunderground.  It's
a new club being opened by the same people who do the Storm Raves.  I was out
there last night, the space is AMAZING.  It's in an old brewery that was buit
in 1856.  The space extends from the brewing rooms back into brick underground
caverns where the beer used to be cold stored.

If you plan on going, I can give you some directions / whatever.  Drop me
a line.  This is a Saturday night thing only this week (will be Fridays
in the future).

>go to the mission on east 5th, near alphabet city (east side), for
> techno/industrial stuff.

I believe the Mission is on 5th between Avenues A and B.  I haven't been
there for a very very long time, but it used to be a fun place.

The place to go on Friday nights is the Shelter (Hudson St. 3 blocks below
Canal) to go to the N.A.S.A. party.  I know many people (including ravers)
who have gone and say it's good.  And they give out free water and snax
all night.

Laura
Xref: sparky alt.rave:3682 rec.music.misc:24768 rec.music.cd:6828
From: davisonj@en.ecn.purdue.edu (John M Davison)
Newsgroups: alt.rave,rec.music.misc,rec.music.cd
Subject: WANTED: info assoc. with "Poing" by Rotterdam Termination Source
Summary: recording label name and address, distributor name and address
Keywords: Poing Rotterdam Termination Source disch techno Holland Dutch
Date: 7 Oct 92 14:08:14 GMT
Followup-To: poster
Organization: Purdue University Engineering Computer Network


        If you, the reader, has a CD or a phonodisc (e.g. 12" single)
containing "Poing" by Rotterdam Termination Source, please do me (and,
consequently, the world) a really big favor and tell me what the record company
is, what the distribution company is, etc.  Addresses are also desired.  I'm
trying to get a hold of the CD single (which, from what I can gather, would
seem to exist), and any and all information regarding availability is
appreciated.

        I'll post a summary article if interest is expressed.

Thanks!


-- 
John Davison
davisonj@ecn.purdue.edu
From: vle@Bonnie.ICS.UCI.EDU ("Vincent Q. Le")
Subject: Techno Compilations.
Newsgroups: alt.rave
Date: 13 Oct 92 21:34:03 GMT

>   Does anyone know of several good techno compilation CD's? I checked out
>a few in a record store, but I only knew 3-4 of the artists, and I wasn't
>willing to sink $30 into a double CD that I might end up hating. I asked
>the sales clerk and he said 'techno is really unreliable. the bands end
>up changing their names so often you don't know who is who...'. I disagree
>there, but besides 'Rave 'til Dawn', 'Only for the Headstrong', and the
>'Kaos Theory' series, anyone have any suggestions?

	Check out the Techno Traxx Vol. I-V by ZYX records.
From: andym@dsbc.icl.co.uk (Andrew D Milligan)
Newsgroups: alt.rave
Subject: Re: SHAMEN
Keywords: Ebenezer Goode
Date: 14 Oct 92 11:52:45 GMT
Organization: ICL Bracknell, UK

In article <1992Oct13.124106.4406@cs.hw.ac.uk> censwm@cend3c7.caledonia.hw.ac.uk (Stuart W Munn) writes:
>The current UK No1 is Ebenezer Goode by the SHAMEN. It has the following line in it :
>
>	"Has anyone got any Vera's?"
>
>Obviously this is some sort of rhyming slang, but what? Vera Lynns? or Vera Duckworths or what? and what are they anyway?

Vera's = Vera Lynn's = Gins

Skins is a common misinterpretation but gins is the correct meaning.

Another common misinterpretation of the song comes from the chorus line

	"E's are good"

Really, this is supposed to be ironic.

Any more problems?

US Shamen fans check out their "Jesus Loves Amerika" track...

Phorward,

Andy D. M.
Newsgroups: alt.rave,rec.music.industrial,rec.music.synth,rec.music.compose
From: bassler@uxa.cso.uiuc.edu (bassler ryan p)
Subject: Re: TECHNO Samples...
Organization: University of Illinois at Urbana
Date: Wed, 7 Oct 1992 19:24:47 GMT

Ryan Bassler..bassler@uxa.cso.uiuc.edu writes:

I've found a great place to get odd vocal snippets, etc., is from 
AM radio.  You can get some great garbage from the news and talk radio.
One of my friends once got this great story about how a man grew three hearts
or something incredibly bizarre like that.  Usually that grittier and
more static, the better.
   Alsok I was mad to find out that someone is using the guitar lick
   from Rufus' "You Got the Look".  The only reason I own that CD was to
   sample that lick.  Ah, life goes on.
   .

Xref: sparky alt.rave:3799 rec.music.cd:6904 rec.music.misc:25061
From: Christopher.Carne@brunel.ac.uk (Christopher J Carne)
Newsgroups: alt.rave,rec.music.cd,rec.music.misc
Subject: Re: Has MC5 anything to do with The KLF?
Date: 9 Oct 92 10:34:59 GMT
Organization: Brunel University, West London, UK

In article <-94-TF=@engin.umich.edu> rcj@engin.umich.edu (R o d Johnson) writes:
>In article <alchemy.718398887@cs1.bradley.edu> alchemy@cs1.bradley.edu (Mike Swiston) writes:
>>In <9227801.21982@mulga.cs.mu.OZ.AU> moeller@mundil.cs.mu.OZ.AU (Mc Mars) writes:
>
>>% is? I'm looking at a catalogue listing of an MC5 album called "Kick out
>>% the Jams", now does this have anything remotely to do with The KLF, or
>>% does it sound remotely anything like KLF stuff?
>
>>The "connection" is a joke (?) from the Illuminati
>>trilogy by Robert Anton Wilson & Robert Shea.
>>Musically, there's no connection.
>
>Gih?  What "connection" between the MC5 and the JAMs/KLF is from the
>Illuminati trilogy (yes, I know what JAM stands for).
>
>
>  

I don't have the exact quotation to hand but somwhere one of the 
Dillingers (can't remember which) tells Joe Mallik that the Illuminati
got the MC5 to put out 'Kick Out the Jams', both as an exhortation and
as a way of recalling   the JAMS expulsion from Antlantis by Graud
and his cronies, still a sore subject with the worshippers of Mumu. Of
course the (false) Illuminati had their history all wrong, but then
so did the JAMS. IN any case the MC5 thang led Dillinger to set up
Laughing Jesus Buddha Phallus records to counter the insidious
Illuminati influence on the nations youth.


I hope that makes things clear.


Hail Eris


CHR$
Xref: sparky alt.rave:3714 rec.music.misc:24845
From: davisonj@en.ecn.purdue.edu (John M Davison)
Newsgroups: alt.rave,rec.music.misc
Subject: ignore Lazlo Nibble's outbursts
Summary: he gets fussy sometimes, but he's generally a good guy
Keywords: Lazlo Nibble outburst knee-jerk
Date: 8 Oct 92 02:23:34 GMT
Followup-To: misc.test
Organization: Purdue University Engineering Computer Network


        A word to alt.rave and rec.music.misc newcomers: Lazlo Nibble is, quite
often, an incorrigible knee-jerk who looks for trouble where there isn't any
and criticizes people for no reason other than to stir up a fight.  For
example, he told me to "eat shit" after I had posted an article saying that
Freddie Mercury did deserve to die of AIDS if and only if he were aware that he
was contracting AIDS (e.g. by willfully exposing himself to someone who was a
known AIDS carrier).  My article, which was written with no particular morality
in mind except for the assertion that if a human being performs an action for
which a particular consequence is known to be likely, then that person can be
said to deserve that consequence, was hastily read and consequently
misinterpreted by Mr. Nibble as an attack on non-heterosexual practices --
hence his knee-jerk "eat shit" response.

        Now, a little while later, Lazlo is up to his inflammatory nonsense
again.  Having posted some helpful articles here and there, Mr. Nibble seems
now to have appointed himself policeman of alt.rave and rec.music.misc, giving
himself free to badger those who don't spend as much time scouring ftp sites as
he does.  In article <a4gpaaa@lynx.unm.edu> Lazlo Nibble writes:

>What do you want, a medal?

        An apology from Mr. Nibble would be more appropriate...but history has
shown that Mr. Nibble is too proud to respond to my electronic mail, much less
apologize to me.  The best one can hope for would be for Mr. Nibble to keep his
outbursts to himself in the future.  Even this is unlikely.

        Practically speaking, it's best to ignore Lazlo Nibble's outbursts,
something I will do from now on.

Lazlo also writes:
>The 808/Hassell info has been in the ZTT
>discography for as long as there've been remixes *listed* in the ZTT
>discography . . . which you'd know if you ever bothered to look at it.

        Lazlo Nibble clearly isn't interested in getting people to look at the
discography, of course...otherwise he would have posted instructions on how to
get access to the discography.  Nope, he was only shooting his mouth off,
trying to get people angry for no good reason.

        That's what KILL files are for, I guess.


-- 
John Davison
davisonj@ecn.purdue.edu
From: pa_ross@csd.uwe.ac.uk (Mr Rossy)
Newsgroups: alt.rave
Subject: Re: ACID SPECIAL
Date: 8 Oct 92 14:17:42 GMT
Organization: University of the West of England, Bristol

Why did the old ravers used to drop Acid at raves ???????????????

It is impossible to move your body coherently let alone do something hard like
dance! If you ask me the whole Acid craze was just media hype.


						 Fantas'E'
						=---------=
From: smv3@po.CWRU.Edu (Sean M. Vadas)
Newsgroups: alt.rave
Subject: speed metal question
Date: 12 Oct 92 19:10:57 GMT
Reply-To: smv3@po.CWRU.Edu (Sean M. Vadas)
Organization: Case Western Reserve University, Cleveland, OH (USA)
NNTP-Posting-Host: slc5.ins.cwru.edu



What is that techno song that starts out as speed metal 
and then says 'techno rock'  throughout the song?

thanks 
 
sean
Newsgroups: alt.rave
From: b102smi@utarlg.uta.edu (George M. Smiley)
Subject: Re: Song structure
News-Software: VAX/VMS VNEWS 1.41    
Organization: The University of Texas at Arlington
Date: Thu, 8 Oct 1992 00:36:00 GMT

heneganj@cs.aston.ac.uk writes...
> 
>Hello ravers,
> 
>Haven't you yet realised that rave music follows the same old four-beat
>structure with the same old instruments?
> 
>Sad.
>      
Yes, and loving every minute of it.
From: gajarsky@pilot.njin.net (Bob Gajarsky)
Newsgroups: alt.rave
Subject: Re: New York Raves/clubs requested
Date: 9 Oct 92 15:25:52 GMT
Distribution: usa
Organization: Somewhere in Hoboken

you forgot  baltimore, laura...

- bob gaj
Xref: sparky alt.rave:3801 alt.is.too:238
From: fred_s@earwax.pei.com (Fred Scott)
Newsgroups: alt.rave,alt.is.too
Subject: Re: Song structure
Date: 9 Oct 92 19:25:22 GMT
Organization: Protocol Engines Incorporated

In article <1687BBB8F.EIVERSO@cms.cc.wayne.edu> EIVERSO@cms.cc.wayne.edu writes:
>In article <1992Oct8.205531.1808@pei.com>
>fred_s@earwax.pei.com (Fred Scott) writes:
> 
>>In article <16879141F4.EIVERSO@cms.cc.wayne.edu> EIVERSO@cms.cc.wayne.edu writes:
>>>In article <1992Oct7.151000.14945@aston.ac.uk>
>>>heneganj@cs.aston.ac.uk (Jason Henegan) writes:
>>>>
>>>>Haven't you yet realised that rave music follows the same old four-beat
>>>>structure with the same old instruments?
>>>No, it does not.
>>Does TOO!
> 
>Let's assume for the moment that it does, and that there might be something
>wrong with that...

Let's NOT!
Newsgroups: alt.rave
From: disc@quads.uchicago.edu (Little Fluffy Cloud)
Subject: Re: Chicago Rave Scene/Milw Rave
Reply-To: disc@midway.uchicago.edu
Organization: Something fatal.
Date: Sun, 11 Oct 1992 02:42:59 GMT

That was fresh.  I like that definition.  It pretty much echoes my feeling.

Looks like our boy from Wayne State might be a "guido" after all.  Take those
Cavaricci's off.

=Jerry Dischler=|Little Fluffy Cloud|=disc@quads.uchicago.edu=

Newsgroups: alt.rave
From: jna@silver.lcs.mit.edu (my finest hour)
Subject: Re: Song structure
Organization: We Take What We Want, Inc.
Date: Fri, 9 Oct 1992 16:52:52 GMT

In article <1992Oct7.151000.14945@aston.ac.uk> heneganj@cs.aston.ac.uk writes:
>Hello ravers,
>
>Haven't you yet realised that rave music follows the same old four-beat
>structure with the same old instruments?
>
>Sad.

>     //_///_/ /_/_	:Jason Henegan	
> /\ //\_/ \_//\___\	:heneganj@uk.ac.aston.cs

Four-beat ("four on the floor") is only the back beat to house/rave/techno
music. Most Techno integrates the four-on-the-floor structure with another,
2nd or even 3rd drum line. 

It's amazingly popular to drop a house breakbeat loop on top of the 4-beat
808/909 kickdrum mess... It's not sad at all. It's an amazingly creative 
workspace.. you can do anything with it. You're not bound by anything with
you work in 4/4 time.. everything just sort of clicks by quickly, and you've
got nothing in your way. What , do you want us to dance to 3/4 or 6/8? 
we're not waltzing here. We're jumping around like crazed idiots on drugs.
(some of us, are.) 
and of the the better parts of 4/4 time is that you can just sit back and
groove to it..

Newsgroups: alt.rave
From: dj U-neek
Subject: The name's U-neek (was Re: U-geek)
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Wed, 7 Oct 1992 15:12:47 GMT

In article <1992Oct6.222349.9091@Cadence.COM> bruceg@Cadence.COM (Bruce  
Gustifson) writes:
} >Never, I say!  NEVER!  (Those men breathing heavily kinda gets me right ...  
} >well, you know where ...)
} >
} >U-neek
}  
} 
} U-geek, what are using that vinyl for, anyway?

I wasn't going to say anything, but I think it's VERY disrespectful to dog my  
name like that ... Your last name sounds like a fucking gastro-intestinal  
problem, but you don't see me saying anything ...

Watch your step.
U-neek
Newsgroups: alt.rave
From: disc@quads.uchicago.edu (Little Fluffy Cloud)
Subject: Re: Chicago Rave Scene/Milw Rave
Reply-To: disc@midway.uchicago.edu
Organization: Something fatal.
Date: Thu, 8 Oct 1992 02:56:53 GMT

Word 'em up, Mike.  **THAT** was a constructive post.

The problem is that I really designed the post to reply to those who had al-
ready been to a Chicago rave party, not realizing that people outside this
sphere would be reading the post and drawing different conclusions.  I just 
really RESENT it when TOYS second-guess what I'm saying rather than asking 
me to clarify my thoughts for those not familiar first-hand with the scene.

=Jerry Dischler=|Little Fluffy Cloud|=disc@quads.uchicago.edu=
Xref: sparky alt.rave:3880 rec.music.funky:1547 alt.music.alternative:12800
From: ccx009@cch.coventry.ac.uk (Adam Bentley)
Newsgroups: alt.rave,rec.music.funky,alt.music.alternative
Subject: Re: Brothers in Rhythm
Date: 14 Oct 92 14:22:05 GMT
Organization: Coventry University

In article <1992Oct7.213329.22177@beaver.cs.washington.edu> karty@cs.washington.edu (Richard Karty) writes:
>Who are Brothers in Rhythm? What are their best records?
>
>I know them only from their remix of the Pet Shop Boys "how Can You
>Expect to be Taken Seriously" (called "perfect attitude mix") which I
>think is fantastic. Expecially the squeaky ping-y dripping noises
>going continuously in the background. And the minimalist piano.
>
>thanks much
>
>
>Richard

If I remember rightly, brothers in rhythm are Steve Anderson (a well known producer) and Dave Seaman
(a top UK DJ). They have done a number of tracks under their own name as well as numerous remixes for
other bands and the DMC (their most recent is a remix of Heaven 17's Temptation -excellent!).

Most of their stuff came out on 4th/Broadway over here, (a subsidary of Island Records). Some titles
that spring to mind are,

				Peace and Harmony, Raise your Hands, Such a Good Feeling.....etc.

I'm sure there are others but my mind is a blank at the moment.

Hope that helps.

				
-- 
						_
					       /-\dam

FLESH: Adam Bentley (Fraggle), Systems/Networking, Coventry University. UK
From: xjam@cork.CS.Berkeley.EDU (The Crossjammer)
Newsgroups: alt.rave
Subject: Re: someone please clarify this...
Date: 13 Oct 92 16:44:24
Organization: University of California, Berserkeley
	<1992Oct13.224612.6860@magnus.acs.ohio-state.edu>
NNTP-Posting-Host: cork.cs.berkeley.edu
In-reply-to: mjbrown@magnus.acs.ohio-state.edu's message of Tue, 13 Oct 1992 22:46:12 GMT

>>>>> On Tue, 13 Oct 1992 22:46:12 GMT, mjbrown@magnus.acs.ohio-state.edu (Mike J. Brown) said:

>  Plus, I'm also
>trying to define what's "Deep House."  From what I've been hearing for
>years, deep house is disco (more oriented toward Black/soul; nothing
>like the Saturday Night Fever).  Deep house artists include First Choice,
>Gil S. Heron, and Diana Ross.  But, I've read a posting from someone
>calling CeCe Peniston's "Finally" deep house.  I don't think so. Let me
>hear what others think.

  Mike> I'm the one who said that.  I'd like a good definition of "deep" house as
  Mike> well.  My conception of what it is has come basically from listening to
  Mike> so-called "deep house" remixes of other dance tracks.  That's how I first
  Mike> learned the differences between the genres years ago... kind of pathetic
  Mike> to find out about acid house from Shep Pettibone, but that's the breaks...
  Mike> That's also why in the ambient FAQ I asked for someone to define deep
  Mike> house for me.

  Mike> There was a big argument here a few weeks ago over what "garage" is, too.
  Mike> I'm still not sure what it is.

Well, the boundaries are so fluid that you really need context when talking
about a given track. When I think of deep house, I think back to early to
mid 80's Chicago House music. Typically 115-120 BPM's, lots of tom, kick,
snare, and piano (lots of piano). Also, fronted by a big voiced singer,
male or female. Deep house usually has a gospelly feel. Sterling Void's
"It's Alright" (yes Neil Tenant copped it from Sterling) is *my*
prototypical deep house track. Gil S. Heron and Diana Ross are *not* deep
house. Ce Ce Peniston would make it into my deep house book, and my pop
house book as well.

Garage is much the same musically, but the "feel" is much more mellow and
relaxed. A deep house track should make you feel joyous, blah, blah, blah
(cynicism check). A garage track has an after hours, less histrionic
flavor. Ceybil Jeffries "Love So Special" to me is a garage track with all
of the elements of a deep house track.  Adeva and Ultranate' are also good
examples of garage as well. The current preservers of the garage legacy are
Tony Humphries and The Basement Boys.

Finally, there are no hard and fast rules. I barely even bother to classify
the stuff I buy any more. Techno, ambient, deep house, dub house, who
cares? I listen to a cut, decide if I like it and mix it as I see fit.


--
xjam@cork.Berkeley.EDU  	Fiiiive Thousand Boomin Watts...... -The JBeez

They can't come on and play me in prime time, 	    | Free Millipede coin op
Cause I know the time, cause I'm gettin' mine.	    | and House music at my
I get on the mix late in the night... -Public Enemy | place! Drop by sometime.
From: markr@csc.liv.ac.uk (Mark Rivers)
Newsgroups: alt.rave
Subject: Review: Kaos Theory 4
Keywords: review
Date: 8 Oct 92 09:29:42 GMT
Organization: C*mputer Science, Liverpool University


Kaos Theory 4
UK Telstar TCD 2605

1)   4:38  5  Messiah - I Feel Love
2)   4:19  3  The Dark Syndicate - Do It Jah
3)   3:38  4  Kicks Like a Mule - Number One (Rockers Mix)
4)   4:31  5  3 Sample - Streets of Rage
5)   4:49  5  DJ Nex - Respect is Due
6)   4:00  3  M R M - Walking in Memphis (Club Mix)
7)   5:10  3  Noise Overload - Toontown
8)   4:57  5  Cosmic Brian - Far From a River
9)   5:44  4  The Black Dog - Virtual (WDMA Moonbeat Mix)
10)  4:16  3  Well Hung Parliament - We Can Be
11)  4:24  4  Faith Department - Initiation (Full Circle Mix)
12)  3:51  5  Shifty Overload - Do It (Brain at Plus 12 Mix)
13)  4:32  4  Conscious - Searchin'
14)  4:56  4  Euphoria - Mercurial (Euphoric Original Mix)
15)  4:14  5  Havanna - Shift
16)  5:18  3  P.G. Tips - P.G. Tips

   73:19  ^- dance factor (1-5) a la XDZebra

If you were disappointed by KT3 don't let that put you off buying this one.
It's another change of direction in the Kaos Theory series, with some deeper,
housier tracks and less of the chipmunk.  When I picked it up in the shop I
saw Toontown and PG Tips(*) and guessed they were the token crap gimmicky
tracks (like Sesame's Treet on KT3) but they're not, and I really can't find
a track that I dislike enough to skip.  Messiah get the compilation off to a
totally wall-kicking start, and Havanna, Cosmic Brian and Shifty Overload buzz
with energy too.  Be warned: the bass on the 3-Sample track is pitched to
loosen yer bowels!  I suppose I'd better find some bad points, so:  I get
irritated by the soulish vocals in Memphis and Searchin'.  That's all!

Overall: 8.5 / 10   Back to the standard set by KT1.

(*) in case non-UK people don't know: P.G. Tips is a brand of tea advertised
on TV by a bunch of dressed-up chimps with dumb cockney voices dubbed over
their mouth movements:  "'ave a nice cuppa PG 'luv!"


    " we're gonna kick some ass tonight,
		    'til there just ain't no more ass to be kicked! "    - Messiah
Newsgroups: alt.rave
Subject: Twitch CDs
From: omf@tiamat.hacks.arizona.edu (Oscar Fowler)
Date: 7 OCT 92 00:46:44    
Reply-To: omf@tiamat.hacks.arizona.edu
Distribution: world,local
Organization: Sirius Cybernetics Corporation
News-Software: VAX/VMS VNEWS 1.4-a4  

I believe someone mentioned a while back that Twitch was on the net.
Does these mean there's a source for the CD's here?  I'd like to
get one or more of these!

#############################################################################

               "If you can't lick'em, put 'em on with a big piece of tape."

Oscar Fowler
omf@hacks.arizona.edu
Newsgroups: alt.rave
From: noah@Cadence.COM (Noah Ruiz)
Subject: Re: Brian Behlendorf
Organization: Cadence Design Systems, Inc.
Date: Wed, 7 Oct 1992 21:17:14 GMT

In article <19ofkeINNqqt@agate.berkeley.edu> bbehlen@soda.berkeley.edu (Vitamin B (Brian Behlendorf)) writes:
>who?
>
>

what?
Newsgroups: alt.rave