From: dooley@aurora.physics.utoronto.ca (Lois-Anna Dooley)
Subject: GL - Update (finally) for Monday
Organization: University of Toronto Physics/Astronomy/CITA
Date: Wed, 12 Aug 1992 23:21:47 GMT

I'm sorry everyone for the delay!  Our stupid phone lines were cut
TEN SECONDS before I was about to type in the update!  Now they're
fixed but I'm a little foggy on the details of Monday's show.  I'll
do my best.

Jenna has just been startled in the tub by Roger, dangling the key
to her hotel room.  He's been paying her bills and now he seems to
want some gratitude.  Jenna tries to get him to leave, until he
suggests that if he goes he takes his generosity with him.  Jenna
does an about-face and somewhat reluctantly invites Roger to join
her in the tub.  After several diaper commercials, they are still
in the tub and have finished the champagne.  They are necking and
flirting and Jenna seems to have enjoyed herself.  (She asks Roger
where he learned to hold his breath under water for so long!)

Nick is drinking heavily at Company, and Eve finds him there.
He's in a foul mood.  She offers to drive him home, but he blows
her off and walks home.  He sits outside and remembers dancing
with Mimbo on the rooftop.  Eve turns up again, wondering if Nick
is okay.  He asks her how is supposed to just forget Mimbo and
get on with his life, like everyone's telling him to do.  Eve
takes a breath and then launches into a pretty good "You wanna
know what I think?  Okay, I'll tell you what I think!" type speech.
She gets in a little jab about how it wasn't so hard for nick
to forget HER and get on with his life, but mostly talks about
how frankly Mimbo was a deceitful woman who didn't have faith
in their love and didn't think Nick was capable of forgiveness.
She suggests Nick is better off without Mimbo, and Nick is
furious.

Julie and Dylan are at Company after Frank's birthday party, and
Julie wants to go up to Dyl's room.  He stalls and gets them some
sodas, which she doesn't want.  He says he wants to take it slow,
so Julie pouts and wants to go home.  Dylan takes Julie home and
she drags him in to the apartment to "wait for her while she
checks for bad guys."  He offers to do it, but she wants to do it
herself.  Dylan gets himself a glass of water to "cool off" after
all of Julie's teasing, and then Julie comes back in a teeny little
shiny leaopard-print teddy with a sheer black thingy over her
shoulders.  "Kiss me," she demands.  He does, they go to the
couch, and she relieves him of his shirt.

Mallet and Harley are checking out of the Happy Homes, and
half-laughing about how each thought the other didn't want to
live together when, in fact, they both want to.  Mallet is
ready to apartment-hunt, but Harley thinks that since they
had so much trouble making things work over the last week
that they should take things slow after all.  They decide
not to rush into anything, and for tonight just go back to
Mallet's place. 

Which they do.  And, of course, they catch Julie and Dylan
"inflagrande delecto".  Yikes.  Julie has a fit and starts
yelling at Mallet and being defensive before Mallet even has
a chance to say anything.  Harley & Dylan go out on the porch.
Julie finishes her "I'm an adult now" speech and Mallet is
finally able to get a word in.  He says it's difficult for him
to let her grow up, but if she's truly ready, then he couldn't
think of a nicer guy than Dylan for her to be with.  She says
"really?" and is relieved.  Mallet goes out to have a word
with Dylan and basically says the same thing (although he does
let Dylan sweat a little first."  They all go back inside
and things are pretty hunky-dory.  Harley's ready to jump
into Mallet's bed but suddenly decides it might be more
prudent under the circumstances to just go home.  She asks
Dylan for a lift home and they go.

Now for the final scene - and it was pretty cool.  We hear the
Guiding Light theme "Hold on to Love" being sung as a duet by
(I'm guessing) Roberta Flack and an equally smooth male vocalist.
We see Roger & Jenna still making out in the bath.  We see Nick
brooding, and Eve watching him sadly from a distance.  We see
Harley phone Mallet from her bed and tell him how wonderful
he is.  We see Julie phone Dylan from her bed (they must have
two phone lines) and tell him how wonderful he is.  He promises
to call her first thing in the morning, and they say goodnight.


Lois-Anna


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