HDTenEightyP/NetNews huggingface dataset:
From: ladasky@netcom.com (John J. Ladasky II)
Subject: Re: Progressive Survey II
Organization: Netcom - Online Communication Services (408 241-9760 guest)
Date: Mon, 4 Jan 1993 18:20:08 GMT

In article <1993Jan4.151114.9863@cs.tulane.edu>,
 piscine@rs1.tcs.tulane.edu (Mike Taylor) writes:
>          /-=-=-=-=-=-=-=-=-=-=-=-=()=-=-=-=-=-=-=-=-=-=-=-=-\
>          |                                                  |
>          |            PROGRESSIVE ROCK SURVEY II            |
>          |                                                  |
>          \-=-=-=-=-=-=-=-=-=-=-=-=()=-=-=-=-=-=-=-=-=-=-=-=-/
>
[much of explanation deleted]
>If there is something not on the list that you feel is
>progressive, please write something and send it.  I'll post the name so that
>others will also have a chance to write about the band. However, don't bother
>writing about any of these bands:
>
>Genesis, Yes, ELP, King Crimson, Pink Floyd, Marillion, Asia, Moody Blues, and
>Jethro Tull, nor any of their better known members.  Also, do not write about
>anything commonly played on FM "classic rock" radio stations, such as Deep
>Purple, ELO, etc.  We're all TOO familiar with those bands.
[more of explanation and ALMOST exhaustive list deleted]

	O.K., so you list Dead Can Dance and Stomu Yamashta, but not
Vangelis?  There's a lot more to this guy than "Chariots of Fire," you
know.  Does someone out on the net already have something written about
Vangelis that they'd like to contribute to Mike Taylor's list?  If not,
I'll try to write something intelligent.

-- 
== John J. Ladasky II ("ii") ========================= ladasky@netcom.COM ==
"Great composers do not borrow -	     "Talking about music is like
 they steal."  - John Ladasky	      ~ -     dancing about architecture."
(quote stolen from Stravinsky, who    o o     - Elvis Costello?  Laurie
 stole it from a statement made by     >        Anderson?  Frank Zappa?
 Pablo Picasso about painting, who    \_/    -------------------------------
 stole it from...)			     "Property is theft." - Groucho
----------------------------------------------------------------------------
"A man w/o charity in his heart - what has he to do with music?" - Confucius
============================================================================
From: rdargahi@wilkins.bcm.tmc.edu (Ross Dargahi)
Newsgroups: rec.music.synth
Subject: FOR SALE: Ensoniq EPS16+ Turbo
Date: 11 Jan 1993 17:21:19 GMT
Organization: Baylor College of Medicine
Distribution: world
NNTP-Posting-Host: wilkins.iaims.bcm.tmc.edu
Originator: rdargahi@wilkins


Rarely used, and only at home - always kept covered from dust etc...

with 60+ sound disks & keyboard stand

$1800+ shipping & COD

E-mail or call

Ross Dargahi

(rdargahi@bcm.tmc.edu)
(713)285-5490
From: daveh@Auspex.COM (David Higgen)
Newsgroups: rec.music.synth
Subject: Re: Seeking Opinions on Miracle Piano Teacher System
Date: 6 Jan 93 06:16:18 GMT

In article <1id50cINNmn@west.West.Sun.COM>, flloyd@l1-a.West.Sun.COM (Fred Lloyd [Phoenix SE]) writes:
> 
> I've been a guitar player for over 20 years but do not read music
> very well...
>	..[interesting stuff omitted]... 
> I can read some of the sheet music but it's painfully slow, a note at
> a time with no connection to where they are on the keyboard.
> 
> When I told the salesman my predicament he replied "do you want to learn
> to read music or to play the piano?"  I was puzzled....  I still am....
> 
> I think I want to do both.  Are there many keyboardists who do not know
> how to read music?  What should I do?
> 
> -fred

Y'know, as someone in a very similar situation, I share Fred's puzzlement.
One or two other posts on this thread have made the same distinction,
without, to my mind, really explaining it. Not a flame: a serious request
for clarification!

Are people saying that there is no effective "transfer of training"?
(Ie if you succeed in training your fingers-on-a-keyboard to translate
dots into execution, that won't help with general reading/theory?)

How *do* good (musically proficient) readers operate: dots->fingers directly, 
or dots->some_internalised_musical_understanding->fingers?

Plus, I guess: what's your advice on how to leverage a good ear, 
ability on another chordal instrument & fair chord theory knowledge to make 
best progress in acquiring moderate keyboard skills, including reading?... 

(Forget all you thought you knew? Sigh, I *feared* that was going
to be the answer...)



				daveh
From: mdl@cs.duke.edu (Michael D. Landis)
Newsgroups: rec.music.synth
Subject: For Sale: Kawai K5 kbd
Date: 5 Jan 93 22:04:17 GMT
Distribution: rec
Organization: Duke University CS Dept., Durham, NC



For Sale:

Kawai K5 keyboard in good condition.
The package includes:
   -  3 sound cards
   -  manuals
   -  a book on how to program the keyboard
   -     (this is in addition to the std manuals)
   -  some diskettes containing lots of patches and a librarian
   -         for the IBM-PC (never tried -- they came with it)
   -         and the ATARI (I have tried this as well)
   -  a KAWAI foot pedal
   
I paid about $750 for all of this stuff over the course of the past
two years.

I'm asking $525, but I'll take higher offers!
I'll pay shipping, UPS COD anywhere in the continental US.

I'll even throw in the "vintage" ATARI 520ST, if you want it, provided that
you pay the shipping on it, again UPS COD.  This machine needs updating to be
usable for more than a librarian but we all know how great the ATARI does
MIDI.  I don't know much about it, and I have no other software for it, just
machine, monitor, and an external diskette drive, power supply, and MIDI
cables.  (It was given to me.)  The shipping on the ATARI I suspect will be
around $100?  I'll have to check.  It comes in several boxes.



--
Mike Landis,  Dept. of Computer Science,  Duke Univ.,  Durham, NC  27706
Internet: mdl@macbeth.cs.duke.edu   Phone: 919-660-6520  or 919-383-5607
Xref: sparky rec.music.synth:19738 rec.music.makers.synth:1015
From: rjt2@bnr.co.uk ()
Newsgroups: rec.music.synth,rec.music.makers.synth
Subject: Re: Another General Midi question
Date: 5 Jan 1993 10:36:10 GMT
Organization: BNR Europe Limited, London Road, Harlow, Essex, UK
Distribution: world
Reply-To: rjt2@bnr.co.uk ()
NNTP-Posting-Host: 47.3.128.59

> Can anyone who has access to a GM module tell me if the pitch produced for
> any given note number is the same for all programs, or are, for example, 
> all the bass programs transposed down an octave and all the flutes up an 
> octave, such as on my D110.

In my experience (2 GM units) the pitch IS the same for all programs. One of
the bass voices is termed "Bass & Lead", being useful as a general "synthy"
sound in its higher ranges, which would obviously have to be the same pitch as
other non-bass voices.

Cheerio,

Richard.
Newsgroups: rec.music.synth
From: malouin@engin.umich.edu (Curt Malouin)
Subject: Re: REQUEST Good sources of bulk cassettes
Date: Fri, 08 Jan 93 23:03:18 EST
Organization: University of Michigan Engineering, Ann Arbor
Distribution: na

In article <1ikm9bINNj9o@early-bird.think.com> Paco Ojeda <ffoogg@macmailgw.dfci.harvard.edu> writes:
>bulk cassettes. I'm interested in good quality chrome C10's and C20's for
>demo work. TDK now sells a "Master Series" cassette that I've had
>excellent results with. It comes in C10, 15, and 20 configurations. The
>
>So my request is:
>1. For a good priced source of brand-name cassettes (mail order?)
>2. For a good priced source of bulk cassettes.

Producers Tape Service, Troy, MI  800-969-6909

SM (Sound Master)-Type II-High Bias

		Split Carton	1-4 Carton	5+ Cartons
SM-10		1.15		1.09		1.03
SM-20		1.30		1.24		1.18
SM-30		1.47		1.40		1.34
SM-60		1.90		1.75		1.65

	10 per carton

Lots of other stuff available, too.

	-curt
--
Curt Malouin                                    CAEN User Services
malouin@engin.umich.edu                         University of Michigan
Newsgroups: rec.music.synth
From: rjfennem@undergrad.math.waterloo.edu (Ryan J. Fennema)
Subject: Rhodes Mark-I (MIDI?)
Organization: University of Waterloo
Date: Wed, 6 Jan 1993 19:26:04 GMT

Hello there ...

Santa gave my friend a Rhodes Mark-I for christmas :)

Any and all information regarding this beast is appreciated,
especially anything about getting this thing MIDI-able.

Thanks in advance,
Ryan.
rjfennem@descartes.uwaterloo.ca
From: rjt2@bnr.co.uk ()
Newsgroups: rec.music.synth
Subject: Please post to rec.music.makers.synth
Followup-To: rec.music.synth
Date: 6 Jan 1993 13:34:51 GMT
Organization: BNR Europe Limited, London Road, Harlow, Essex, UK
Distribution: world
Reply-To: rjt2@bnr.co.uk ()
NNTP-Posting-Host: 47.3.128.59

I realise that there are a lot of heated feelings about the wisdom of the
group name change, but is it not more frustrating to have to read 2 groups
with many common cross-postings?

REQUEST 1: Unless there are a significant number of people who cannot access
rec.music.makers.synth for one reason or another, can I politely request that
people post to rec.music.makers.synth rather than rec.music.synth, or AT THE
LEAST that they should not post the same article to both.

REQUEST 2: Don't post any flames in response.. unless they are constructive.


Living in Hope,

Richard.
Newsgroups: rec.music.synth
From: cassiel@cassiel.demon.co.uk (Nick Rothwell)
X-Sender:  (Unverified)
Subject: Re: Upgrading Wavestation -> WS-EX troublesome?
Date: Tue, 5 Jan 1993 23:16:27 +0000

>Could someone who has experiences (both positive and negative)
>please enlight me on this? It would be greatly appreciated!

My Wavestation was taken to an EX, no problem. I had it done at a local
store; it required board-level soldering of the new sample ROM's.

                      Nick Rothwell  |  "Say, how many contemporary dancers
   CASSIEL Contemporary Music/Dance  |     are there in this bar?"
        cassiel@cassiel.demon.co.uk  |  "Dunno; count the Dr. Martens
        cassiel@cix.compulink.co.uk  |     and divide by two..."
From: grahame@skyfox
Newsgroups: rec.music.synth
Subject: RE: Opinion on Korg Poly 800, Roland Juno 60
Date: 8 JAN 93 17:01:30 GMT
Organization: University of Saskatchewan
NNTP-Posting-Host: sask.usask.ca

>Does anyone know something about the two following synths:

>   Korg Poly 800
>   Roland Juno 60

Both are analog synths from the mid-80's. The poly 800 was a no-frills
4-octave beastie. It doesn't uses a 'calculator' type editing system, rather
than more practical knobs. Its big problem is that it only has one filter
for all voices. The Juno-60 was an update of the arlier Juno 6, with
programmable memory. The Juno doesn't have MIDI, but does have a Roland
"DCB" interface. If I were looking for a synth in this range I'd go for
something like a Juno 106 (has MIDI), unless the Juno 60 was already
retrofitted.

JBG
From: hund@math.uni-muenster.de (Ulli Hund)
Newsgroups: rec.music.synth
Subject: Amplifieing a Rhodes Mark I
Date: 12 Jan 1993 11:09:13 GMT
Organization: Westf. Wilh.-Universitaet Muenster, Germany.
Distribution: world
Reply-To: hund@math.uni-muenster.de
NNTP-Posting-Host: von-neum.uni-muenster.de

Hi,

  can someone tell me his/her experiences with Rhodes E-Pianos?
I have one and I listen to it by plugging it into a microphon channel
of my mixer. I do not think that this is the recommmended method.
Anyone out there who knows how to do it best? 

Ulli
------------------------------- cut here -------------------------------------
hund@math.uni-muenster.de       Institut fuer Numerische Mathematik/Informatik
Tel.: (+49) 251 - 83 8441                    Westflische Wilhelms-Universitt
FAX.: (+49) 251 - 83 8350             Einsteinstr. 62, D-4400 Mnster, Germany
------------------------------------------------------------------------------
STOPPT Auslaenderfeindlichkeit JETZT!
------------------------------------------------------------------------------


Newsgroups: rec.music.synth
From: schippit@seviche.ycc.yale.edu (Mark G. Schippits)
Subject: DX7 and Rhodes Stage for Sale
Followup-To: rec.music.synth
Organization: Yale Medical Informatics
Date: Tue, 12 Jan 1993 18:35:07 GMT

Yammaha DX7 - the original classic and still standard
digital FM synthesis keyboard.  Wounderful for sounds which 
require full harmonics: chimes, vibe, sax etc.  Also has 
many classic synth & string sounds...

This synth has seen little road use and its excellent
condition is a result of a careful owner.

Comes complete with the original DX7 Yammaha hard case
also in good shape.

2 128-sound Ram cartrages with over 200 sounds included

Original heavy duty and ultra high quality Yammaha volume
pedal included

Roland sustain pedal also included

100% working condition

Extra lithium battery supplied

Asking $590 plus shipping (COD preferred)



Rhodes stage Piano 76-key

Working well

Recently refurbished cabinetry/case (looks great!!)

Have original case, stand and sustain pedal

Asking $205 but preffer not to ship due to size
and low asking price.



mark_schippits@qm.ycc.yale.edu
schippit@seviche.ycc.yale.edu
Phone: (203) 785-7443
From: cwa@oasis.icl.co.uk (Chris Adams)
Newsgroups: rec.music.synth
Subject: Proteus 2 expandability
Date: 8 Jan 93 12:34:00 GMT
X-Newsreader: Tin 1.1 PL3

How can you get more sounds for the Proteus 2 module?

Do they come on disk, RAM card?

Thanks

     .-----------------------------.----------------------------------.
     |   .  .     ____    _   _    | WARNING: This Superman suit does |
     |  /| /| .-.    /   |_| |_>   | not enable the wearer to fly.    |
     | / |/ | |     /___ | | |     `----------------------------------|
     |      aka Chris Adams                cwa@oasis.icl.co.uk        |
     `----------------------------------------------------------------'
Xref: sparky rec.music.synth:19793 rec.music.makers.synth:1070 comp.music:5950
From: kropf@i80s19.ira.uka.de (ThomasKropf)
Newsgroups: rec.music.synth,rec.music.makers.synth,comp.music
Subject: REPOST: Ensoniq KS-32 (synth vs. dig.piano)
Date: 7 Jan 1993 12:05:17 GMT
Organization: University of Karlsruhe, FRG
Distribution: world
NNTP-Posting-Host: i80s19.ira.uka.de

A couple of weeks ago, I posted the following article. 
Unfortunately, I didn't see any answers in these newsgroups so I doubt, that
all articles have been properly forwarded to this site.
Hence if anyone has kept previous answers or can give my any advice,
please sent it to me per email.

Thanks
 Thomas
--------------------------------------------------------

Owning an ESQ1 synth, I'm currently looking for something "more piano-like"
(i.e. with good piano samples, at least 76-weighted-key keyboard etc.).

However, I would like to stay a bit on the synth/sampler side concerning
sounds and flexibility (e.g. usage as a master keyboard), hence a pure digital
piano like a Yamaha Clavinova seems not to be the right choice for me.

At the moment, my prime candidat is the Ensoniq KS-32. However, before I
seriously start thinking about buying one, I would like to get some comments
about comparable products from other companies, feedback from
KS-32 owners (positive and negative) or even general advice concerning
products in-between classical synths/samplers and digital pianos.

Thanks!

Thomas



-- 
Thomas Kropf, Institut fuer Rechnerentwurf und Fehlertoleranz,
Universitaet Karlsruhe, P.O. Box 6980, D-7500 Karlsruhe, Germany
email: kropf@ira.uka.de     Tel.: +49 721 608 4220    FAX: +49 721 370 455
Newsgroups: rec.music.synth
From: rdm@boi.hp.com ()
Subject: Re: Seeking Opinions on Miracle Piano Teacher System
Date: Wed, 6 Jan 1993 14:36:24 GMT
Organization: Hewlett-Packard / Boise, Idaho
X-Newsreader: TIN [version 1.1.4 PL6]

: > I've been a guitar player for over 20 years but do not read music
: > very well...
: >	..[interesting stuff omitted]... 
: > I can read some of the sheet music but it's painfully slow, a note at
: > a time with no connection to where they are on the keyboard.
: > 
: > When I told the salesman my predicament he replied "do you want to learn
: > to read music or to play the piano?"  I was puzzled....  I still am....
X-Newsreader: TIN [version 1.1.4 PL6]

As a long time (20year) non-proficient piano player (How can that be, 20 years
and still non-proficient... You know, I ask that question a lot myself!), I'll
admit this puzzles me too.  I think he distinguishes between those who play
piano by ear and those who can readily read music.

: > 
: > I think I want to do both.  Are there many keyboardists who do not know
: > how to read music?  What should I do?

Maybe, but I find a lot of fun of playing a keyboard is in *reading* new music,
in the truest sense of the word, so I think you'll miss out a lot if you cannot
read easily.

: > 
: > -fred
: 
: Are people saying that there is no effective "transfer of training"?
: (Ie if you succeed in training your fingers-on-a-keyboard to translate
: dots into execution, that won't help with general reading/theory?)
: 
: How *do* good (musically proficient) readers operate: dots->fingers directly, 
: or dots->some_internalised_musical_understanding->fingers?
: 
As above, I will never claim to be proficient.  I'll try an answer anyway--
two things happen:  the first is that you don't look at "dots" (I assume you
mean printed notes, etc).  You get to a point where you see an entire half
measure or so as a unique pattern, and play it.  The second thing that happens
is sort of a FIFO (First In, First Out--or in my case, First In, Garbage Out:-)
you look ahead about a measure or so from what you are playing.

: Plus, I guess: what's your advice on how to leverage a good ear, 
: ability on another chordal instrument & fair chord theory knowledge to make 
: best progress in acquiring moderate keyboard skills, including reading?... 
: 
: (Forget all you thought you knew? Sigh, I *feared* that was going
: to be the answer...)
: 
Nah.  A good ear is essential (and is partly why I have trouble).  Your brain 
develops a Pavlovian resistance to playing something wrong (bad sounding).
Chord theory will help to understand and enjoy what the music is doing.  I
think, though, that these will not help master a keyboard.  That will come
from playing a keyboard and developing reading skills, which will be new to
you and will require a moderate amount of work.
: 
: 
: 				daveh

Bob Morrison, noisemaker at rdm@hpbs670.boi.hp.com
Newsgroups: rec.music.synth
From: kberry@sactoh0.sac.ca.us (Kim A. Berry)
Subject: Re: Please post to rec.music.makers.synth
Organization: Sacramento Public Access Unix, Sacramento, Ca.
Date: Thu, 7 Jan 93 14:09:34 GMT

In article <1ien5rINNpbr@bHARs12c.bnr.co.uk> rjt2@bnr.co.uk () writes:
>I realise that there are a lot of heated feelings about the wisdom of the
>group name change, but is it not more frustrating to have to read 2 groups
>with many common cross-postings?
>
>REQUEST 1: Unless there are a significant number of people who cannot access
>rec.music.makers.synth for one reason or another, can I politely request that
>people post to rec.music.makers.synth rather than rec.music.synth, or AT THE
>LEAST that they should not post the same article to both.
>
>REQUEST 2: Don't post any flames in response.. unless they are constructive.
This is not a flame, just a reality check. Our news feed is
limited to specific groups in a configuration file on the node that
feeds us. I have no control over this node, let alone the power to
control the other node. 

I hope that people will continue to cross-post so that readers in
my situation will be able to continue reading .synth. Further, it
makes no sense for me a post a question on r.m.m.s if I cannot read
the follow-ups.

What was gained by changing the name of the group?

-- 
---------------------------------------------------------------
     (Mr.) Kim Berry              kberry@sactoh0.SAC.CA.US
From: sclark@ocf.berkeley.edu (Steven Clark)
Newsgroups: rec.music.synth
Subject: Q. re: Direct-to-disk cards for Mac
Date: 9 Jan 1993 18:39:52 GMT
Organization: U. C. Berkeley Open Computing Facility
Distribution: usa
NNTP-Posting-Host: bigbang.berkeley.edu


Question: Are there currently any 8-track direct-to-disk
recording cards for the macintosh? How much do they go for? 

If not, would it be possible to use two 4-track cards (i.e. Audiomedia)
and link them to get the equivalent of 8 tracks?

Please e-mail replies to sclark@ocf.berkeley.edu

Steven

Newsgroups: rec.music.synth
From: ohumukin@spectra.com (Kawika Ohumukini)
Subject: MIDI Setup and effects FOR SALE
Organization: Spectragraphics Corporation
Date: Mon, 11 Jan 93 18:32:33 GMT


**ART SGE MACH II Effects Processor & ADA 10 button foot controller  --  $400
  Stereo In/Out
  200 patches
  70 effects
  12 simultaneously
  Full MIDI implementation
  ADA Foot controller with phantom power when used with ART unit only.
 
**Digitech RDS1900 1.9 Second Delay w/modulation  --  $70

**KAWAI K1 Multi-timbral Synthesizer & Ultimate "Quick fold-up" stand  -- $450
  8 simultaneous voices (Great for guitarists to write backup music).
  64 single voices 
  32 multi voices
  Free public domain software with over 200 voices in an easy menu driven
    system to download to the keyboard.  IBM PC & MIDI Card required.
  MIDI IN/OUT/THRU
  Full Midi implementation
  2 midi cables

**Alesis HR16 Drum Machine  --  $300
  100 patterns up to 512 measures
  100 songs
  Full midi implementation
  Latest code and modifications


I will pay shipping on all items.

Kawika 
Newsgroups: rec.music.synth
From: martinm@peano.math.ethz.ch (Martin v. Mohrenschildt)
Subject: Programming the Roland JX-3P via MIDI
Keywords: MIDI, Roland JX-3P
Organization: Swiss Federal Institute of Technology (ETH), Zurich, CH
Date: Fri, 8 Jan 1993 12:37:31 GMT

Does anyone have an idear, if and how the Roland JX-3P can be programmed via
MIDI? I think, the JX-3P ("Programmable Preset Polyphonic Synth") was one of
the very first MIDI-capable synths, and I'm not sure, if it's programmable this way.

Please answer to schwaerzler@math.ethz.ch

Thanks in advance

Gerhard Schwaerzler
Federal Institute of Technology
Zuerich, Switzerland
From: andersm@edb.tih.no (Anders Myrvold,o92b)
Newsgroups: rec.music.synth
Subject: Roland JD800
Date: 5 Jan 93 14:14:49 GMT
Reply-To: andersm@edb.tih.no
Posting-Front-End: Winix Conference v 92.05.15  1.20 (running under MS-Windows)

Hello world!!
-------------

Where can I find patches for the Roland JD800 on the net???

E-mail:andersm@baron.edb.tih.no
From: cwa@oasis.icl.co.uk (Chris Adams)
Newsgroups: rec.music.synth
Subject: K4 and K5 compatability
Date: 8 Jan 93 09:23:59 GMT
X-Newsreader: Tin 1.1 PL3

What are the differences between the Kwai K4 and K5 synths?
The main thing is for the single patches to be compatable.

Thanks

     .-----------------------------.----------------------------------.
     |   .  .     ____    _   _    | WARNING: This Superman suit does |
     |  /| /| .-.    /   |_| |_>   | not enable the wearer to fly.    |
     | / |/ | |     /___ | | |     `----------------------------------|
     |      aka Chris Adams                cwa@oasis.icl.co.uk        |
     `----------------------------------------------------------------'
Newsgroups: rec.music.synth
From: jws7793@ritvax.isc.rit.edu
Subject: Amiga 2000 system - Trade?
Reply-To: jws7793@ritvax.isc.rit.edu
Organization: Rochester Institute of Technology
Date: Sat, 9 Jan 1993 20:36:29 GMT

I have an amiga 2000 computer that has:
3 megs of ram, 2 floppy disk drives, 
1080 RGB color monitor
mouse, keyboard, joystick

I'm looking to trade for a synth or synth module of equal value.
From: guellil@uni-duesseldorf.de (Tahar Guellil)
Newsgroups: rec.music.synth
Subject: ftp'able ENSONIQ SQ-1+ sounds ?
Date: 12 Jan 1993 20:20:11 GMT
Organization: Computerlinguistik, Heinrich-Heine-Universitaet
NNTP-Posting-Host: guellil.asw.uni-duesseldorf.de
Keywords: ENSONIQ SQ-1+,sounds,ftp

Hello folks !
I'm new to this list, so I hope I'm not asking a FAQ.
So, does anybody know of archives etc. holding SQ-1(+) sounds?
Any hint appreciated.
-- Markus Walther

Newsgroups: rec.music.synth
From: soltys@cs.unc.edu (Mitchel Soltys)
Subject: MPU-401 specs
Organization: UNC Office of Information Technology
Distribution: usa
Date: Wed, 6 Jan 1993 15:34:09 GMT

Does anyone know how I can get specifications on communicating between and
IBM-compat PC and an MPU-401? Thanks in advance for any info.

Mitchel Soltys
soltys@radonc.unc.edu