HDTenEightyP/NetNews huggingface dataset:
From: knotts@hpl-opus.hpl.hp.com (Tom Knotts)
Newsgroups: rec.music.beatles
Subject: Re: Lennon and the radical left
Date: 16 Apr 92 18:53:02 GMT
Organization: HP Labs, High Speed Electronics Dept., Palo Alto, CA


>Why re-gurgitate the Lennon murder again, and again.  Is it all a sick
>side effect of the "JFK" conspiracy-hunters?  Or is it an attempt to
>martyr Lennon for the radical left, throwing more doubt at the unnamed
>"them", and strengthen their claims on John?   When asked, John's
>assasin vehemently denies any CIA coercion leading to the murder.  I
>say, unless some solid evidence comes forward to indicate "programming",
>let's leave it as is.


There is a guy here in the Bay area who has repeatedly called into the
talk show KGO claiming that Lennon's murder is a conspiracy involving
the author Stephen King. He kept calling and calling, until they would
no longer let him on the air. So then he would call and lie about what
he wanted to talk about. When they put him on the air, he would go into
his routine, and then be quickly cut off. Finally, KGO got a court order
to stop him from calling altogether.

I never learned the details of his theory, but it sounded pretty
strange. Does anyone else know? I am rather curious.

Tom
From: Steve.Varty@newcastle.ac.uk (Steve Varty)
Newsgroups: rec.music.beatles
Subject: Re: Derek and Clive, a.k.a....
Date: 7 Apr 92 08:47:33 GMT
Organization: University of Newcastle upon Tyne, UK, NE1 7RU

hs@cns.umist.ac.uk (Harold Somers) writes:

>Well I missed the beginning of this correspondence, but one OBVIOUS Beatles
>connection with Pete and Dud is that John appeared (as a non-speaking
>doorman) on one of their "Not Only ... But Also ..." TV shows. I remember it
>well....

And they read one of his poems.

Steve.


   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
   =   From:                                       |      The Alarm      =
   =   Steve Varty  (steve.varty@uk.ac.newcastle)  |  Unsafe  1981-1991  =
   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
From: mannonen@kontu.cc.utu.fi (MANNONEN)
Newsgroups: rec.music.beatles
Subject: Re: Moonlight sonata/Because
Date: 8 Apr 92 14:38:13 GMT
Organization: University of Turku, Finland

In article <61680030@hpl-opus.hpl.hp.com>, knotts@hpl-opus.hpl.hp.com (Tom Knotts) writes:
> 
>>	I wonder where Beethoven took it from....
> 
> From the depths of his great genius, I would imagine.
> 
> Tom
	Yes. Imagine...
From: dmaclaug@agsm.ucla.edu (saki)
Newsgroups: rec.music.beatles
Subject: Re: The genesis of "...Northern Song"
Summary: Myth vs. fact
Date: 10 Apr 92 18:49:56 GMT
Organization: UCLA, Anderson Graduate School Of Management

In article <1992Apr9.153851.4034@verifone.com> kent_f1@verifone.com writes:
>Speaking of songwriting pressure, that's where 'Only A Northern Song'
>came from.  They were one short and George wrote it just to fulfill 
>the contract... hence the title.  Not a great song, but still interesting
>and a good example of the very experimental stage they were into at the 
>time.

Not so. This myth (maybe we *do* need a list, after all! :-) may be
traceable to the producer of Yellow Submarine, who was quoted saying
he needed one more song for the film, so George came up with this
at 2 a.m., having kept an orchestra waiting, etc.... 

But EMI records indicate that "Not Known" (as it was called then) was
actually recorded on 13 February 1967, during the "Sgt. Pepper"
sessions; for whatever reason, it wasn't used on that album. During
November 1967, five months after "Sgt. Pepper" had been released,
EMI engineers Geoff Emerick and Richard Lush made mono tape copies
of "It's All Too Much", "All Together Now" and "It's Only A Northern
Song" for the producers of the film "Yellow Submarine". So at least
as early as late 1967 this song clearly existed in finished form. It
was really not written nor produced to fulfill a contract, neither
for "Sgt. Pepper" (1967) nor the soundtrack to "Yellow Submarine" (1969).

George said in his boook "I Me Mine" that it was a double-edged
joke: a song "relating to Liverpool, the Holy City in the North
of England." George also said it was a sly dig at the company
(Northern Songs) which Dick James, Lennon and McCartney controlled
but in which George held no financial interest at all.
--
"Listen to this! I'm going to give it expression as well."
-------------------------------------------------------------
saki (dmaclaug@agsm.ucla.edu)
Newsgroups: rec.music.beatles
From: richh@tigger.jvnc.net (RICHH)
Subject: Re: FAME School and the Beatles
Originator: richh@tigger.jvnc.net
Organization: JvNCnet
Date: Sun, 12 Apr 1992 23:25:07 GMT

kent_f1@verifone.com writes:

>I agree.  I think it very well have killed the whole thing.  Keep in 
>mind where the pre-Brian Teddy leather-clad Beatles were coming from.   
>Having to mold their talents into a school's format would have destroyed
>the rebel-ness that the Fabs had and represented.  I think that a
>Fame school of 1950's workingclass Liverpool would have been a
>far cry from the 1980's television show set in New York City.

Also, keep in mind that the only person who has graduated from the FAME 
school who has achieved any sort of notoriety is, I believe, Melissa
Manchester.

RICHH
From: hymowitz@SERVER.CS.JHU.EDU
Newsgroups: rec.music.beatles
Subject: Re: followups
Date: 16 Apr 92 22:31:57 GMT
Organization: The Incredibly Huge Corporation

bh@anarres.CS.Berkeley.EDU (Brian Harvey) writes:
>P.S.  How come everybody else's Pnews lets them post followups with a
>zillion lines of quotation and three lines of new stuff, and mine doesn't?

if everyone else's worked like yours, the world would be a better place.

--hymie
hymowitz@cs.jhu.edu                                         hymie@jhuvms.bitnet
-------------------------------------------------------------------------------
From: afcanav@lims02.lerc.nasa.gov (VIC CANACCI)
Newsgroups: rec.music.beatles
Subject: Re: Review: George at the Albert Hall
Date: 8 Apr 92 17:03:00 GMT
Article-I.D.: lims02.8APR199212032305
Organization: NASA Lewis Research Center
News-Software: VAX/VMS VNEWS 1.41

In article <1992Apr8.102521.10839@husc3.harvard.edu>, fenick1@husc8.harvard.edu (Sharon Fenick) writes...
>In article <1992Apr7.181538.7063@gdr.bath.ac.uk> maptjg@gdr.bath.ac.uk (T J Garratt) writes:
>>
>>Well, I was lucky enough to be there last night when George
>>played his first concert (i.e. a full set of songs) in the UK
>>since 1965! It was an incredible evening by all accounts....
>>
>permission to be more jealous than i've ever been in my life?
> 
>sharon

Granted, and shared!!

Vic Canacci, Sverdrup Tech., NASA Lewis Cleveland
Newsgroups: rec.music.beatles
From: MHIRS00@ricevm1.rice.edu (Hirsh, Marc Bennett)
Subject: Re: Two small questions...
Organization: Rice University, Houston, TX
Date: Sat, 11 Apr 1992 18:45:46 GMT

In article <1992Apr10.234357.16849@pellns.alleg.edu>
mccombj@reis9.alleg.edu (Joseph McCombs) writes:

>
>Hi again!
>Thanks for all the responses to what I've posted recently! :-)
>
>I was wondering two more things, both of them trivial:
>
>1) Does anyone out there know the U.S. release dates of the Beatles'
>albums?  I know the year of release for most of them, but I'd like
>to know a little more accurately.
>
>2) Is there an ftp site or any other source to find out the highest
>Billboard chart positions of the Beatles' singles?  I've long been
>a big fan of the Top 40, and have a strange affinity for statistics.
>(My punishment for being a math major here at Allegheny?)
>
Both questions are easily answered in "The Beatles Forever" by Nicholas
Schaffner. If you want, I can post them sometime. In fact, I'll bring the book
with me tomorrow and if nobody has responded by then, I'll post them. If
someone has, well, then, I'm left carrying a bulky book with me for a good
portion of the day.

Marc Hirsh

"I don't swear just for the hell of it. Language is a poor enough means
  of communication. I say we use all of the words we've got."
   ---snappy end-of-file sign-off quote from Inherit The Wind, which is a good
         example of "verisimilitude"

\ /
 ^  ---ugly red source of all evil and I cheered when they said it when I
 V       saw "Bill and Ted's Bogus Journey" last night

Say, have I told everybody that I saw U2 on Monday?
Newsgroups: rec.music.beatles
From: c9e-am@danube.Berkeley.EDU (William F. Tell)
Subject: Who Lyrics Request: Is there an Archive?
Organization: University of California, at Berkeley
Date: Fri, 17 Apr 1992 07:06:50 GMT

I am looking for lyrics to albums by the Who.  If they are archived
anywhere I would really like to know where.  Or if someone could email
any that they might have I would really appreciate.  Specifically
I am looking for lyrics to the album "Who's Next."

Please email me if you can help me on this.  

--William F. Tell
c9e-am@danube.berkeley.edu
From: jh62+@andrew.cmu.edu (Jason Andrew Herman)
Newsgroups: rec.music.beatles
Subject: Re: glitch in beatles cd
Date: 15 Apr 92 14:53:50 GMT
Distribution: world,local
Organization: Junior, Social & Decision Sciences, Carnegie Mellon, Pittsburgh, PA

Jane writes:

>If you have the CD version of Magical Mystery Tour, try this:
>Put on headphones and crank the volume; Fast forward to
>Strawberry Fields, about 2:06 into the song, in the left
>channel, listen closely.  
>Same thing with All You Need is Love, 24 sec. right channel.

>Or am I just hearing things?
 
I cranked up my headphones louder than I should have and I definately
heard something.

In Strawberry fields I hear a count like 'one..two..three..four'
On All you need is love I heard something but could not filter it out.

        Has anybody else heard this stuff.  Was this the original intent
of the 
beatles or did it just get sucked in by accident during the mixings.  
I looked but could not find this on take 1-7 or Remix 25 and 26.  Could it be
that this voice was from an earlier take and was drowned out by the
previous mixes and when some of the instruments were mixed down the
voice still stayed in there and nobody noticed it??


                Sounds like something out of Unsolved Mysteries,

                            Jason
From: Christer.Gullstrand@malmo.trab.se (Christer Gullstrand)
Newsgroups: rec.music.beatles
Subject: Re: Travelling Wilburys Vol IV??
Date: 15 Apr 92 07:03:07 GMT
Organization: Telia Research, Malmo, Sweden

In article <14APR199209075012@lims02.lerc.nasa.gov> afcanav@lims02.lerc.nasa.gov (VIC CANACCI) writes:
>Also, I have heard that there is a live Eric Clapton/George 2-CD going 
>around. If someone could post that, or post, I would also appreciate it.

Yes, excellent sound quality too.
MANY old Beatles songs (20 or so).
I think it included five or so Clapton songs.
The rest of it is George.

Christer
Newsgroups: rec.music.beatles
From: nelson@palmerc@abulafia.b21.ingr.com (Nelson Jordan)
Subject: Re: Two small questions...
Organization: Intergraph
Date: Tue, 14 Apr 1992 17:16:07 GMT

In article <1992Apr10.234357.16849@pellns.alleg.edu> mccombj@reis9.alleg.edu (Joseph McCombs) writes:
>Hi again!
>Thanks for all the responses to what I've posted recently! :-)
>
>I was wondering two more things, both of them trivial:
>
>1) Does anyone out there know the U.S. release dates of the Beatles'
>albums?  I know the year of release for most of them, but I'd like
>to know a little more accurately.
>
>2) Is there an ftp site or any other source to find out the highest
>Billboard chart positions of the Beatles' singles?  I've long been
>a big fan of the Top 40, and have a strange affinity for statistics.
>(My punishment for being a math major here at Allegheny?)
>
>Anyway, merci buckets in advance for any response.
>
>Yours truly,
>Joe McCombs	(mccombj@alleg.edu)

 I can give you #2 (from Billboard).

RELEASE DATE  CHART PEAK  TITLE
------------  ----------  -----------------------------------------------------
  12-63           1       I Want To Hold Your Hand
   3-64           1       Can't Buy Me Love
   7-64           1       A Hard Day's Night
  11-64           1       I Feel Fine
   2-65           1       Eight Days A Week
   7-65           1       Help!
   9-65           1       Yesterday
  12-65           1       We Can Work It Out
   2-66           3       Nowhere Man
   5-66           1       Paperback Writer
   8-66           2       Yellow Submarine
   2-67           1       Penny Lane
   7-67           1       All You Need Is Love
  11-67           1       Hello Goodbye
   3-68           4       Lady Madonna
   8-68           1       Hey Jude
   5-69           1       Get Back
   6-69           8       The Ballad Of John And Yoko
  10-69           1       Something
   3-70           1       Let It Be

 There you go!
From: dmaclaug@agsm.ucla.edu (saki)
Newsgroups: rec.music.beatles
Subject: Re: linda's IQ 
Organization: UCLA, Anderson Graduate School Of Management
Date: 9 Apr 92 22:20:19 PDT

In article <1992Apr9.175003.20704@menudo.uh.edu> edc@evolution.bchs.uh.edu (edward s. chen) writes:
>
>*heavens*, not Linda bashing from our favorite local resident expert...

Who better to do the bashing, when it's really needed? :-) But I wasn't
bashing. I was merely expressing an opinion. I said her intellect didn't
strike *me* as admirable. She may secretly work out prime numbers during
her "off" hours, and if so my impression of her will change, once this
becomes general knowledge. But as things stand, she does not impress me
as one of life's great intellectuals. I hold with what you say: she's
a great homemaker and all and undoubtedly makes Paul happy (though
domestic burdens ought not be an obstruction to Great Thoughts; they
may slow us down a tad...but I digress). However that doesn't require my
appreciation of her intellect, such as it may be.

One may equally argue that Yoko's visual artistry does not strike one
as admirable; this is not bashing either---or is it? I'm a great fan
of Mr. Harrison, unequivocally so; but do I render a disservice to the
man if I admit I don't see *him* as a great thinker either? I like
his songs, his eyebrows, his love of gardening; I even admire his
propensity toward spirituality, even if I'm unable to work up any
enthusiasm for its precise expression. Is this an affront to our
George? I hope not. Opinion is all, as the Bard once said.

As for real bashing, I've run into partisans of Jane Asher, Paul's
ex-fiancee. You should see what *they* have to say on the matter. :-)
--
"Listen to this! I'm going to give it expression as well."
-------------------------------------------------------------
saki (dmaclaug@agsm.ucla.edu)
Newsgroups: rec.music.beatles
From: mcodogno@isis.cs.du.edu (Maurizio  Codogno)
Subject: Re: Hey Jude, the album
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Sun, 12 Apr 92 09:53:29 GMT


well, in Italy _Hey Jude_ (label APPLE 3c 062 04348) was released on March
2, 1970 - with a misprint on the label, _Peperback Writer_! ... so it
appeared 40 days before _Let It Be_.

ciao! .mau.
From: pml3@ns1.cc.lehigh.edu (Here we go now...)
Newsgroups: rec.music.beatles
Subject: Re: Beatles influence on REM?
Date: 8 Apr 92 05:38:57 GMT
Organization: Lehigh University

>on a nostalgia kick for the past few days, i've been listening
>fairly continuously to ``Rubber Soul.''  whatta great album!
>
>anyway, i was noticing that some of the guitar riffs --
>particularly on _If I Needed Someone_ -- sound particularly
>REM-ish.  'anyone know if the guitarist in REM has ever
>confessed to have come under the influence of the Beatles?
>
>and here i always thought of REM as being *totally* original... ;-)

I'm both a huge Beatles and old-REM fan, and I have never heard any member of
REM claim The Beatles as influences, which surprises me also.  I even remember
Stipe referring to the Beatles in not a very pleasant manner.

-- 

+-| Paul M. Lewis |---------------------------------------+-- Looking for: --+
|'Never could be any other way.'            -The Beatles  | 6 Secs in Dallas |
|'You should be with us, feeling like we do -Perry Farrell|   by J. Thompson |
| like you love to, but never will again.'                | Cover Up         |
|'You never had the answers!'               -Ministry     |   by Gary Shaw   |
|'You can't be what you were.'              -Fugazi       | Zapruder 16mm    |
From: hs@cns.umist.ac.uk (Harold Somers)
Newsgroups: rec.music.beatles
Subject: Re: More about George's Albert Hall concert
Date: 14 Apr 92 16:12:59 GMT
Organization: UMIST, Manchester, England.

In article <1992Apr14.155932.3126@cns.umist.ac.uk> hs@cns.umist.ac.uk (Harold Somers) writes:
>
>Now, it could be "Ah Ah Mr Major" and (probably) "Ah ah Mr Brown" (though we
                                                            ^^^^^

Sorry - momentary lapse - that should of course say "Smith". (Obviously
thinking about the 60s and the immortal George Brown, now dead of course)
Newsgroups: rec.music.beatles
From: ehenry@hydra.unm.edu (Elizabeth Henry CIRT-IRC)
Subject: Re: Genesis doing Beatls?
Date: Sat, 11 Apr 92 03:20:07 GMT
Organization: University of New Mexico, Albuquerque

yes!

 
Newsgroups: rec.music.beatles
From: mblum@chaos.cs.brandeis.edu (Cerebus)
Subject: Re: Eight Arms to Hold You
Organization: Brandeis University
Date: Sat, 11 Apr 1992 04:49:26 GMT

ehenry@hydra.unm.edu (Elizabeth Henry CIRT-IRC) writes:

>I think I've finally figured out how to do this...my
>apologies for my previous false starts...

>I have a copy of an original "Ticket to Ride" 45 on
>the swirl Capital label.  Beneath the song title it states
>"From the Motion Picture 'Eight Arms to Hold You".  I read
>somewhere that this was the original title to "A Hard Days
>Night".  Is this 45 particularly rare or were many printed
>with the original film title?

"Eight Arms to Hold You" was the original title of "Help!"  "Help!" is
also, of course, the movie and album which "Ticket to Ride" is from.

-- Matt
Matt "Matt" Blum  		mblum@chaos.cs.brandeis.edu

The city, 1:00am. People in their rooms, asleep, lonely, depressed.
One of them gets the urge to pet a small, furry animal.  That's where
I come in.  My name's Friday.  I carry a badger.
From: prokopy@en.ecn.purdue.edu (Dave)
Newsgroups: rec.music.beatles
Subject: Re: Beatles influence on REM?
Date: 10 Apr 92 01:11:25 GMT
Organization: Everywhere

In article <1992Apr9.023838.22135@cc.uow.edu.au>, kp@cc.uow.edu.au (Karen Pepper) writes:
> prokopy@en.ecn.purdue.edu (Dave) writes:
> 
> >Uhh... actually I remember reading once that Pete Buck (guitarist for
> >R.E.M.) said that he HATED "Sgt. Pepper..."  I would say that both the
> >Beatles and R.E.M. were heavily influenced by the Byrds, however.
> >("If I Nedded Someone" aounds strickingly similar to the Byrds (earlier)
> >release "The Bells Of Rhymny".  I think George admits this, too.)
> 
> ...... and the Byrds have admitt their trademark jangly
> guitar sound was originally inspired by the jangly guitar bit at 
> the end of "A Hard Day's Night".

What goes around comes around! :-)
-- 
David Prokopy - prokopy@en.ecn.purdue.edu
"Now a life of leisure and a pirate's treasure don't make much for tragedy.
 But it's a sad man, my friend, who's livin' in his own skin and can't stand
   the company..."                -Bruce Springsteen, 1992
From: nahas1@husc8.harvard.edu (Stephanie Nahas)
Newsgroups: rec.music.beatles
Subject: Re: BeatleTrivia
Date: 9 Apr 92 02:11:16 GMT
Article-I.D.: husc3.1992Apr8.221118.10869
Organization: Harvard University Science Center

In article <1992Apr8.184759.27654@magnus.acs.ohio-state.edu> jruiz@magnus.acs.ohio-state.edu (Jose Ruiz) writes:
>
>     Another Trivia question for all you experts:
>
>     What color are the cellophane flowers that are "towering over your head"?

Um......blue and orange!!

*psyche!*

-- 
:::::::::::::::::::::::::::::   ::::::::::::::::::::::::::::::::::::::
:: Stephanie Nahas         ::   :: She's a drag. A well known drag. ::   
:: nahas1@husc.harvard.edu ::   :: We turn the sound down on her    ::
:::::::::::::::::::::::::::::   :: and say rude things.             ::
Newsgroups: rec.music.beatles
From: dtschett@scott.skidmore.edu (donna tschetter)
Subject: McCartney Tour Dates ???
Organization: Skidmore College, Saratoga Springs NY
Distribution: usa
Date: Thu, 16 Apr 1992 15:05:20 GMT

Please post any McCartney Tour Dates as soon as info is available....
Thanks ! :>

or...reply e-mail to above...
From: cmgrawbu@eos.ncsu.edu (CHRISTOPHER M GRAWBURG)
Newsgroups: rec.music.beatles
Subject: Re: BeatleTrivia
Date: 8 Apr 92 19:08:54 GMT
Reply-To: cmgrawbu@eos.ncsu.edu (CHRISTOPHER M GRAWBURG)
Distribution: usa
Organization: Project EOS - North Carolina State University

4000


Chris
From: stevedc@syma.sussex.ac.uk (Stephen Carter)
Newsgroups: rec.music.beatles
Subject: Re: Review: George at the Albert Hall
Date: 13 Apr 92 07:19:25 GMT
Organization: University of Sussex

From article <1992Apr7.181538.7063@gdr.bath.ac.uk>, by maptjg@gdr.bath.ac.uk (T J Garratt):
> 
> Well, I was lucky enough to be there last night when George
> played his first concert (i.e. a full set of songs) in the UK
> since 1965! It was an incredible evening by all accounts....
> 
> After reading Steven Carter's article last Friday morning,
> I pounced and immediately rang the Albert Hall.... asked if
> George was indeed playing live next Monday..... and booked
> three tickets in a box, second level up. The event was in aid
> of the Natural Law party (funded by the Marishi Yogi); I must
> admit I was expecting an evening of propaganda, but was
> pleasantly surprised!

Well, I sure am pleased that I was able to help!!  Tell all your
friends this tale about the powser of the Net!

Of course I am now DOUBLY cross.  Initially I thought I would be
unable to go due to other obligations, they shifted a day, so I could
have, but did not try as I assumed that it would be
super-mega-over-the-top sold out....

Steve

Stephen Carter, Systems Manager, The Administration,
The University of Sussex, Falmer, Brighton BN1 9RH, UK
Tel: +44 273 678203  Fax: +44 273 678335     JANET: stevedc@uk.ac.sussex.syma
EARN/BITNET  : stevedc@syma.sussex.ac.uk      UUCP: stevedc@syma.uucp
ARPA/INTERNET: stevedc%syma.sussex.ac.uk@nsfnet-relay.ac.uk
From: mousktr@milton.u.washington.edu (Denise Lockner)
Newsgroups: rec.music.beatles
Subject: Re: even more triv
Date: 9 Apr 92 19:18:00 GMT
Article-I.D.: u.1992Apr9.191800.19604
Distribution: usa
Organization: University of Washington, Seattle

In article <44552@mentor.cc.purdue.edu> hartigse@fe607.cc.purdue.edu (Scott Hartig) writes:
>Getting tired of this yet?
>
>What term did the group use when they went to smoke marijuana?
>
>_______________________________________________________
>
>Scott E. Hartig
>Purdue University Schools of Engineering
>West Lafayette, IN
>
>
>I could be wrong, but I seem to remember that they'd call it
"having a laugh" or something like that because they'd get giggly...
>
-Denise                              
*******
"If you can't say something nice...don't say nothin' at all." -THUMPER
                 
>
>_____________________________________________________
Newsgroups: rec.music.beatles
From: cmgrawbu@eos.ncsu.edu (CHRISTOPHER M GRAWBURG)
Subject: Re: Another one of those damn polls
Reply-To: cmgrawbu@eos.ncsu.edu (CHRISTOPHER M GRAWBURG)
Organization: Project EOS - North Carolina State University
Date: Thu, 16 Apr 1992 17:01:42 GMT

To me the best Beatles lyric would be "Living is easy with eyes closed,
misunderstanding all you see" from Strawberry Fields Forever.  There is
something exciting about this lyric, it makes you think of so many things.

As for the best song, that is a very hard question.  I am going to have
to go with "Don't let Me Down", although "Strawberry Fields" is a damn
close second!


-BRIAN