HDTenEightyP/NetNews huggingface dataset:
From: lrm28@cas.org ()
Subject: Peavey's address
Organization: Chemical Abstracts Service, Columbus, Ohio
Date: Thu, 15 Oct 1992 14:16:28 GMT

For your information:

Peavey Service Center
PO BOX 2898
Meridian, MS  39301
(601)483-5365

Schematics for all Peavey equipment are available for $2.50 check or
money order.  The entire Peavey schematic line can be had for $50.00.
They can do major credit cards, and the big one can be done COD.

Why am I posting this?  I have a fellow player whose Bandit Solo Series
65 makes a horrible buzzing noise at all volumes.  We tried to fix it,
but Peavey's use of current limiting and quasi-complementary devices
is baffling at best.  Nothing looks blown, but all it does is buzz.
-- 
Luke Mayercin  lrm28@cas.org  "Why does ear wax taste like it does?"
Chemical Abstracts Service is not responsible for these comments.
From: latta@scam.berkeley.edu (Craig R. Latta)
Newsgroups: rec.music.makers
Subject: Re: MUSENET 92 - Craig are you out there??
Date: 16 Oct 92 16:22:02 GMT
Organization: Experimental Computing Facility (XCF)
NNTP-Posting-Host: xcf.berkeley.edu
In-reply-to: stefanb@delos.stgt.sub.org's message of Wed, 14 Oct 1992 14:24:45 GMT


	Stefan Bechtold <stefanb@delos.stgt.sub.org> writes:

> I've mailed Craig twice, but he didn't reply

	Your email never arrived. Just like I cannot be responsible
for the postal service, I cannot be responsible for the broken mailers
of everyone and her brother. UC Berkeley is one of the best-connected
sites (if not *the* best) on the Internet, so please do not assume a
problem on my end first.
	In answer to your specific question, the deadline was 1
October, so new submitters are no longer guaranteed aplace on the
project. However, the mastering is not finished, and there may be
space. You may submit if you like, at your own risk.

	Are you not getting the updates posted here fortnightly? If
not, please note the other ways of accessing them: 

	Via ftp as
anonymous@xcf.berkeley.edu:misc/netjam/doc/announcements/MUSENET/update,
and by emailing musenet-request@xcf.berkeley.edu with the subject
"request for info".

	Fokke de Boer <mtvfb@rivm.nl> writes:

> He Craig! Or anyone who can reach him! I have submitted a song too,
> and I would like to know whether it has arrived! PLEASE give the net
> info on who is on the compilation!

	I got behind in acknowledging people (since over 50% of the
submission arrived in the last week of the submission period or
after). As I said recently, I am too busy to compile a master list of
submitters (many people did not include means of contact, for one
reason). Please bear with me.

	In your specific case: yes, I have received your submission.


-C

--
-----------------------------------------------------------------------------
Craig R. Latta           Experimental Computing Facility                (XCF)
Composer, Software and   ParcPlace Systems, Inc.        (latta@parcplace.com)
    Recording Engineer   NetJam, Berkeley                (netjam-request@xcf)
latta@xcf.Berkeley.EDU   Smallmusic OO music project (smallmusic-request@xcf)
(standard  disclaimer)   proof NL parsing project         (proof-request@xcf)
-----------------------------------------------------------------------------
Xref: sparky rec.music.makers:10254 rec.music.folk:6970 alt.exotic-music:525
From: ward@vtserf.cc.vt.edu (Luke Ward)
Newsgroups: rec.music.makers,rec.music.folk,alt.exotic-music
Subject: List of European folk/ethnic/world beat festivals/clubs?
Date: 16 Oct 92 18:13:04 GMT
Followup-To: rec.music.makers
Organization: Virginia Tech, Blacksburg, VA

A friend of mine's band (The Freewill Savages) is interested in getting
European festival locations/dates/contacts for a possible tour.

They're basically taking off from Appalachian/Cajun/Other folk idoms and
heading in the direction of World Beat...  electric/acoustic, banjos &
accordian & fiddles & whatnot with "throbbing rhythm section" (Dave the
bass player's at my elbow).  What they're after is not just repackaging
old stuff but coming up with new hybrid dance music. They've all
variously done successful stuff in the past- Dave also plays bass with
Big Night Out, Al Tharp's also in Beausoliel, James Leva and Al were
both in Plank Road and did a number of European tours a few years back.

Anybody have a current list of European festivals and clubs that might
entertain this sort of thing?  (I checked rec.music.info to no avail.)
If you're interested in more info about the band or demo tapes or
whatever give Dave a call:

	Dave Grant
	Rt 1 Box 467A
	Barboursville, VA  USA  22923
	phone: 703-832-2409

Cheers-  Luke Ward
                          Luke.Ward@vtssi.vt.edu, lukew@vtvm1.cc.vt.edu,
Network Research and Planning                         lukew@vtvm1.bitnet
Virginia Polytechnic Institute and State University        (703)231-6026
Blacksburg, Virginia, USA  24061-0506

-- 
                           Luke.Ward@vtssi.vt.edu, lukew@vtvm1.cc.vt.edu,
Communications Resources                               lukew@vtvm1.bitnet
Virginia Polytechnic Institute and State University        (703)231-6026
Blacksburg, Virginia, USA  24061
Newsgroups: rec.music.makers,rec.music.industrial
From: dowd@wisper.com (Kevin Dowd)
Subject: What's a Hammond RT-3 Worth?
Organization: Wisper Technologies
Date: Sat, 10 Oct 1992 22:43:40 GMT

Some old folks in my neighborhood have an RT-3.  It's in nice shape,
has a Leslie, and it all works.  Does anybody know what it's 
worth?  Also, what's the going price for a B-3?  Thanks.

-Kevin
-- 
  \      //   //                       General Purpose Computer Wizards (sm)
   \    //   T E C H N O L O G I E S   Kevin Dowd, dowd@wisper.com    
    \  //\  // ` ((   // ) ((/  //''   Wethersfield, Connecticut
     \//  \// //  )) //    ((/ //      USA (203) 257-7670, 9600 8-N-1
From: scha@pollux.usc.edu (Seungho Cha)
Newsgroups: rec.music.makers
Subject: looking for a software for music composition
Date: 16 Oct 1992 13:26:15 -0700
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: pollux.usc.edu

My wife is looking for a software for music composition.
(I mean, playing keyboard ---> music score or vice versa)
I'll appreciate for any information.  Thank you.

- Seungho

-- 
 ___
' o/                                   |>
  |    .  o                            |
  >\.                                ( | )
Organization: Penn State University
Date: Thu, 8 Oct 1992 16:14:42 EDT
From: Linda Littleton <LRL@psuvm.psu.edu>
Newsgroups: rec.music.makers
Subject: Fees to manager

My band is considering having my husband become our manager, or
possibly just do certain tasks for us.  I'd like people's advice
on what is fair to pay him.  I don't want to take advantage of the
band, but I don't want to take advantage of my husband either, so
would like to come up with a price that is fair to all involved.

Some questions:

1. What is a fair price if he does the work of finding us jobs?
   I assume it should be a percentage of the jobs he finds us.

2. What if he does broader stuff, including things like advertising,
   sending mailings to our mailing list, maintaining the mailing
   list, designing the stuff we mail out, scheduling rehearsals,
   working out logistics for all jobs (including ones he didn't
   get us directly), keeping the books, taking care of any legal
   stuff (like copyrights), etc.  This is what you call a manager,
   right?

   If he does all this, seems to me he should get a percentage of
   everything we earn.  Is this typical or do people have other
   arrangements?  What percentage is fair?

3. We have one recording (a tape) and another (probably will be
   both CD and tape) on the way.  (We play folk & Renaissance
   music).  None of us in the band have wanted to do extensive
   work distributing.  If my husband picks up the job of distributing
   our recordings (which I think means getting "real" distributers
   and stores to carry them), should we pay a percentage of what
   he sells for us?  What percentage is typical?

   Somehow, it feels to me like a higher percentage is in order for the
   job of distributing recordings versus the other stuff, because
   distributing (hopefully) brings in money without the band having to
   do any additional work.  Does this make sense, or am I off base?

Thanks in advance for your advice on this.
Newsgroups: rec.music.makers,git.ads,ga.forsale,misc.forsale,rec.music.marketplace
From: goldsman@cc.gatech.edu (Michael G. Goldsman)
Subject: Peavey Backstage-Plus Guitar Amp FOR SALE
Reply-To: goldsman@cc.gatech.edu (Michael G. Goldsman)
Organization: College of Computing, Georgia Institute of Technology
Date: Thu, 8 Oct 1992 14:45:06 GMT

Peavey Backstage Plus Amp
   - Solid State
   - 35 Watts
   - 1 10"  speaker
   - 3 Band Equalizer with "Pull thick" switch and "Pull Bright" switch
   - Built-in "Saturation" Distortion Dial.
   - Built-in reverb 
   - Footswitch Included - controls Reverb and Saturation (It cost me $25)
   - Headphone Output
   - pre-amp-out/power-in output/input
   - It's Excellent Condition

Price:   $95.00 or best offer

I will ship it, but would prefer a pick-up.
------------------------------------------------------------------------
Mike Goldsman              __o          o__      o__      o__      o__    
36004 Ga Tech Station    _ \<,_        _.>/ _   _.>/ _   _.>/ _   _.>/ _   
Atlanta, Georgia 30332  (_)/ (_)      (_) \(_) (_) \(_) (_) \(_) (_) \(_)
------------------------------------------------------------------------
PGP Key available upon request
Newsgroups: rec.music.makers
From: SCHAEFER@FZIVMS.FZI.DE (Edwin Schaefer)
Subject: Looking for music notes editor
Organization: FZI, FORSCHUNGSZENTRUM INFORMATIK, KARLSRUHE, GERMANY
Date: Thu, 15 Oct 1992 08:21:05 GMT
X-News-Reader: VMS NEWS 1.22

Hi,

i'm a big music fan und i play music by myself. Often i write music notes on
paper. 

In my company and at home i use a MAC to do difficult thinks. 

Is there a way to use a MAC to write music notes ?

Has somebody ever seen a music notes editor to write notes on the MAC. The MAC
makes a PS-File and prints at a Laserwiter.

I think PD-, SW-, or Software to pay.

Please post here or send me email!

Thanks all!

---
 Edwin Schaefer,                                     email  schaefer@fzi.de
 VAX/VMS Systems Programmer                          PSI%45721033422::SCHAEFER
 FZI Forschungszentrum Informatik                    phone  +49-0721-9654-953
 Haid-und-Neu-Str. 10-14, D-7500 Karlsruhe, Germany  fax    +49-0721-9654-959 


---
 Edwin Schaefer,                                     email  schaefer@fzi.de
 VAX/VMS Systems Programmer                          PSI%45721033422::SCHAEFER
 FZI Forschungszentrum Informatik                    phone  +49-0721-9654-953 
 Haid-und-Neu-Str. 10-14, D-7500 Karlsruhe, Germany  fax    +49-0721-9654-959
Newsgroups: rec.music.makers
From: lfiddick@nyx.cs.du.edu (larry fiddick)
Subject: Re: List of European folk/ethnic/world beat festivals/clubs?
Organization: University of Denver, Dept. of Math & Comp. Sci.
Date: Sat, 17 Oct 92 03:54:01 GMT


have you tried posting to rec.music.folk? someone there should know.
From: chang@ADELPHI-ASSB01.ARMY.MIL
Newsgroups: rec.music.makers
Subject: Re: Effects loop vs Straight In
Date: 8 Oct 92 17:30:14 GMT
Reply-To: chang@ADELPHI-ASSB01.ARMY.MIL

/>What's the difference between the following setups:
/>
/>Guitar -> effects -> amplifier
/>
/>Guitar -> amplifier
/>          |     |
/>          effects (in the effects loop)
/
/This configuration will sound better.  An effect loops allows placement of
/various effects between a combo amp's pre-amp and power-amp stages.  Placing
/effects before the pre-amp stage (ie. before the signal enters the amp's main
/input) will drastically increase the noise.


	This use of the effects loop becomes drastically apparent when one
uses any amplifier distortion.  If you use it the first way, you take 
an "effected" signal an then you apply the distortion to that.

	Many years ago I picked up a marshall lead 12 to have a small
little distortion amplifier with that marshall grunge.  Unfortunately,
this had no effects loop, so I couldn't add either reverb or delay to
that marshall distortion that I wanted so badly.  If you put a delay
signal into the amp, and then use the amp distortion on it, it sounds
like Mud.  Some people might like that sound, but I think it sucks.

	Fo



Newsgroups: rec.music.makers
From: ali@cns.nyu.edu (Alan Macaluso)
Subject: DRUMS WANTED 
Reply-To: ali@cns.nyu.edu
Organization: New York University
Date: Wed, 7 Oct 1992 22:20:39 GMT

i am posting this for someone with an e-mail address but no real network access:

	Looking for a 4-5 piece drum set (preferably wood; maple, birch, etc..)
	No snare is ok (has own snare); cymbals not important. 
	Looking to spend $450.00 (w/out cymbals), $900.00 (w/cymbals).

mail responses to: kirk@xp.psych.nyu.edu

DO NOT SEND RESPONSES TO SENDER OF MESSAGE....

Xref: sparky rec.music.makers:10098 alt.guitar:8693
From: faulkner@acsu.buffalo.edu (Shane P. Faulkner)
Newsgroups: rec.music.makers,alt.guitar
Subject: Re: Effects loop vs Straight In
Date: 7 Oct 92 22:41:07 GMT
Organization: UB

In article <1992Oct7.212127.5677@inmet.camb.inmet.com> wayne@inmet.camb.inmet.com (Wayne Wylupski) writes:
>I have a bunch of questions regarding the effects loops of some combo amps,
>because I've never used them and maybe I should.
>
>What's the difference between the following setups:
>
>Guitar -> effects -> amplifier
>
>Guitar -> amplifier
>	   |     |
>	   effects (in the effects loop)

This configuration will sound better.  An effect loops allows placement of 
various effects between a combo amp's pre-amp and power-amp stages.  Placing
effects before the pre-amp stage (ie. before the signal enters the amp's main
input) will drastically increase the noise.

>
>Where would one best put the following effects?
>-- distortion pedal
>-- wah-wah
>-- compressor
>-- delay effects (chorus, flange, reverb and digital delay)

All the above should go in the amp's effects loop EXCEPT the wah-wah, which
I would put before the main input.  Someone correct me if I'm wrong.  You
can try it both ways without damaging anything.

>
>If one was using the amp's distortion, would that change where one would put
>the previous mentioned effects?

No.  But if you are using a distortion pedal as well, I think it would sound
best as the first effect in your chain.

>
>Thank you!
>
>wayne
>-- 
>Wayne Wylupski    {...!}uunet!inmet!wayne    wayne@inmet.camb.inmet.com

//////////////////  Rush - Marillion - Kim Mitchell  ////////////////////
/ Shane P. Faulkner         |  Boys and Girls together                  /
/ University At Buffalo     |  Mistake conceit for pride                /
/ V127L2QZ@UBVMS.BITNET     |  Ambition for illusion                    /
/ faulkner@acsu.buffalo.edu |  Dreams for self-delusion   - Neil Peart  /
/////////////////////////////////////////////////////////////////////////
Newsgroups: rec.music.makers
From: dif@bhprtc.scpd.oz.au (David Faulkner)
Subject: Re: Cassettes at half speed for transcription
Organization: BHP Steel, Sheet & Coil, Research & Technology Centre
Date: Wed, 7 Oct 92 01:37:28 GMT

wyneken@sun1.ruf.uni-freiburg.de (Matthew Wyneken) writes:

>While paging through an old number of Guitar Player
>(Sept. 1990 to be precise) I ran across an ad for a
>"2-Speed Music Study Recorder" from Workshop Records
>in Austin, TX.
>
>Does anybody out there have one? Does it do the trick?
>How much does it cost? Are there any other machines
>that play cassettes at half speed?

Of course, anyone owning or having access to a four track recorder can
record the music on the four track (since it records at double speed),
and then play it back on your normal tape deck (or on the four track if
a normal tape speed option is available). This will now sound at half
speed. Maybe you could even just play it at normal speed on the four
track and slow it using the pitch control.
(By the way, make sure if you are going to playback on a normal deck you
only record on tracks 1 and 2 on the four track.)

  -dif-
-- 
Dave Faulkner, Research Engineer                    (dif@bhprtc.scpd.oz.au)
BHP Coated Products Division, Research and Technology Centre
Port Kembla, New South Wales, Australia.
Newsgroups: rec.music.makers
From: carty@ists.ists.ca (Ed Carty)
Subject: FOR SALE: BASS AMP
Organization: Institute for Space and Terrestrial Science
Distribution: ont
Date: Tue, 13 Oct 92 21:25:27 GMT


FOR SALE:
   a) Ampeg SVT bass guitar head........... $475
      400 watt tube amp.
   b) Kroth cabinet........................ $150
      with 15" Electro-Voice speaker
or c) The package deal.............both for $575

I guess this means my rock-n-roll days are over!

Ed Carty
internet: carty@ists.ists.ca
    bus.: (416) 736-5295
    res.: (416) 465-1173
------------------------------------------------
From: sfm1@ns1.cc.lehigh.edu (SCOTT F. MASTROIANNI)
Newsgroups: rec.music.makers
Subject: Eventide Dealers
Date: 13 Oct 92 14:02:46 GMT
Organization: Lehigh University

I am looking for some mail-order distributers who sell Eventide harmonizers.
Does anyone have such information or a phone number for Eventide so that I can
get distribution information from them?
                                                     f
                                            thanks  s m
--
From: plopper@husc8.harvard.edu (George Plopper)
Newsgroups: rec.music.makers
Subject: African drum patterns?
Keywords: african drums
Date: 10 Oct 92 22:29:54 GMT
Distribution: rec.music.makers alt.music.afro-latin
Organization: Harvard University Science Center



-- 
George Plopper 
Email: plopper@husc8.harvard.edu
"I wish somebody'd tell me what diddy-wah-diddy means."
From: shinh@nmr-z.mgh.harvard.edu (Shinjiro Hirose)
Newsgroups: rec.music.makers
Subject: sheet music for piano
Date: 10 Oct 92 02:42:57 GMT
Organization: Mass General Hospital

I'm looking for sheet music for keys by Winwood, Jackson,
or even Billy joel.  Any suggestions pf books, fake books, etc?
I'm a bass player, but my roomie is an aspiring keyboard player
and I'd like to help him out.  He's had some luck finding Billy joel sheet
music, but no luck at all finding Joe Jackson stuff.

Thanks,
-Shin
-- 
====================================================================

Shin Hirose
shinh@nmr-r.mgh.harvard.edu
From: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
Newsgroups: rec.music.makers
Subject: Re: 3rd CFV and VOTE ACK: rec.music.makers.* groups
Date: 13 Oct 1992 18:10:45 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, rsk@gynko.circ.upenn.edu (Rich Kulawiec) says:

>Introduction: There are several newsgroups in the alt.* hierarchy which
>are utilized for the discussion of various musical instruments.  The traffic
>in these groups and the degree of participation from posters to the
>rec.music.* groups indicate that it might be time to consider shifting
>these groups to rec.music.makers, creating another group, and renaming
>an existing group.  Extensive discussion on these topics has resulted
>in three draft proposals, of which this is the most recent.
>
>Proposal A: Create rec.music.makers.guitar.
>Charter: "Electric and acoustic guitar techniques and equipment"
>
>Proposal B: Create rec.music.makers.bass.
>Charter: "Upright bass and bass guitar techniques and equipment"
>
>Proposal C: Create rec.music.makers.guitar.tablature.
>Charter: "Guitar tablature/chords, associated discussion and requests".
> 
>Proposal D: Create rec.music.makers.percussion.
>Charter: "Percussion (including drums) techniques and equipment"
>
>Proposal E: Rename rec.music.synth to rec.music.makers.synth
>Charter: "Synthesizers and computer music"  [UNCHANGED FROM CURRENT]
>
>If proposal A passes, it is anticipated that alt.guitar will be removed.
>If proposal B passes, it is anticipated that alt.bass will be removed.
>If proposal C passes, it is anticipated that alt.guitar.tab will be removed.
>
>How to vote:
>
>1. Reply to this article, LEAVING THE SUBJECT LINE UNCHANGED.  (Don't
>worry about the "Re:" that gets prepended, it won't matter.)
>
>2. The "To:" address should automatically be set up to read
>"rsk@gynko.circ.upenn.edu" by your news-reading software.
>(If not, adjust the "To:" line.)
>
>3. Mark the following form with your vote, replacing the leading "-" with
>Y for yes, N for no, or A for abstain.  You may vote on any combination
>of proposals that you wish.
>
>Y	Proposal A: Create rec.music.makers.guitar.
>Y	Proposal B: Create rec.music.makers.bass.
>N	Proposal C: Create rec.music.makers.guitar.tablature.
>Y	Proposal D: Create rec.music.makers.percussion.
>N	Proposal E: Rename rec.music.synth to rec.music.makers.synth
>
>4. Send the message.  Please note that your vote will be processed by
>a program, so any extraneous text which you include will not be read
>by a human being, and may confuse the program.
>
>The voting period will commence Monday, September 28, 1992, and end
>Monday, October 26, 1992.  Please be careful to mail (not post) your votes.
-- 
 Joe Ellis  o/~ The Synthetic Filker o/~    |     TesserAct Studios
     Internet:   usr6184a@tso.uc.edu        |       P.O. Box 18577
        GEnie:   J.ELLIS22                  |     Fairfield, OH 45018
    All filked up and no place to sing!     |   New Dimensions In Filk!
Newsgroups: rec.music.makers
From: ken_blackman@gateway.qm.apple.com (Ken Blackman)
Subject: Re: Chapman Sticks for sale
Date: Fri, 16 Oct 1992 05:42:32 GMT
Organization: Apple Computer, Inc

In article <MGATES.92Oct13142852@entiat.boeing.com>, mgates@entiat.boeing.com (Michael Gates) writes:
> 
> 	I have two Chapman Sticks for sale. Both are Ironwood models with 
> some customization. One is fretless on the bass half.



Do it.   I know you're thinking about it.   Don't think, just do it.



> [description of Sticks-in-general deleted]
> 
> 	The first is #1593 with chrome tuners. The frets on the bass half have
> been removed and the gaps filled with holly strips. This gives a nice warm
> fretless tone, allows sliding around, and is a bit harder to play.  The inside
> ends of the remaining frets are smoothed nicely and the frets are rounded like
> the new fret rods (amazing improvement!).
> 
> 	The other is #1724 with black tuners. It has a custom made adjustable
> bridge. The frets on the bass half have been lowered (makes it easier to avoid
> damping the low C string when reaching across to fret the F# string), and all
> frets are also rounded. There is small flaw at the edge of one of the fret
> markers.
> 
> 	I have one copy of Emmet's instruction book "Free Hands", which I will
> give to the first buyer who wants it.
> 
> 	I am asking $575 for each.



Best $575 investment you'll ever make.   You'll thank me AND mgates for
talking you into it.

What's my interest?   Nothing more than that I play Stick myself.
Mr. Gates, tell us why you're selling your instruments... sounds
like you've had them for awhile, got to know them pretty well.
Am I right?



> Michael Gates
> Advanced Systems Lab
> Boeing Computer Services
>  
> mgates@boeing.com
>  
> MS 7L-48
> P.O. Box 3707
> Seattle, WA, 98124-2207
>  
> (206) 865-3416
> --
> et tu mgates?


--Ken "this code doesn't compile, but it is in iambic pentameter" Blackman

p.s. best of luck to mgates, and to YOU, you lucky future stick player, you!
From: jerrymo@ecs.comm.mot.com (Jerry Morrow)
Subject: Has anyone seen a General Music S2/S3?
Organization: secure_comm
Date: Wed, 14 Oct 1992 18:20:38 GMT
Followup-To: jerrymo@ecs.comm.mot.com
Summary: need specs for General Music's S2 keyboard
Keywords: General Music, sample players

After unsucessfully trying to sell me a used EMAXII,
my local music dealer started telling me about the
'General Music S2'.  Does anyone have some specs on
this universal (according to the salesman) sample 
player?  I'm most interested in what samplers 
it's compatible with.

Jerry Morrow
jerrymo@ecs.comm.mot.com







                    


Newsgroups: rec.music.makers