HDTenEightyP/NetNews huggingface dataset:
From: rob@xyzoom.info.com (Rob Lingelbach)
Subject: Re: Pat in UK anyone?
Reply-To: rob@xyzoom.info.com (Rob Lingelbach)
Organization: Altruistic Intentions, Hollywood CA
Distribution: rec
Date: Fri, 16 Oct 1992 05:15:08 GMT

In article <19343@acorn.co.uk> mley@acorn.co.uk (Martin Ley) writes:
>Does ANYBODY know if Pat Metheny is coming to the UK?
>I'm pretty p****d off hearing all these rave reviews
>from US gigs trying to imagine what they're like.

>So, somebody please help me spend some money!! 

OK, here's how to spend some money: get on a plane, and come here to
see him!
Seriously, you could do it for under a thousand $, including
broker-purchased concert tickets up front.  And visit the rellies
stateside at the same time?

--Rob

-- 
Rob Lingelbach KB6CUN | 2660 Hollyridge Dr LA CA 90068 213 464 6266 (voice) 
rob@xyzoom.info.com   | "I care not much for a man's religion whose dog or 
robl@netcom.com       |  cat are not the better for it."  --Abraham Lincoln
Newsgroups: rec.music.bluenote
Subject: Re: JAZZ TROMBONE
From: hsu@walnut.sfsu.edu (William Hsu)
Date: 9 Oct 92 10:46:29 PDT
Reply-To: hsu@walnut.sfsu.edu
Distribution: world

In article <1992Oct9.165917.1341@news2.cis.umn.edu>  writes:
> Other Lewis recordings:
> Chicago Slow Dance			Vital 1101
> duets w/Douglas Ewart			Black Saint 26
> 
> I believe he has at least two more recordings as leader on Black Saint  
>(late  70's stuff)

I think one of the records Jamie is refering to is Hommage to Charles
Parker, which I was actually a bit disappointed in. 

But one of my favorite records is the James Newton/Anthony Davis
quartet with George Lewis, a late '70s date on India Navigation.
Unfortunately it's one of the old India Navigations that's a bit
harder to get.

Bill, who's getting very tired of the braindead pseud-emacs editor
on Newsgrazer
Newsgroups: rec.music.bluenote
From: ken_blackman@gateway.qm.apple.com (Ken Blackman)
Subject: Re: David Sancious
Date: Wed, 14 Oct 1992 00:32:06 GMT
Organization: Apple Computer, Inc

In article <14978@auspex-gw.auspex.com>, johnf@Auspex.COM (John Fereira) writes:
> 
> In article <Oct.8.22.30.39.1992.20742@andromeda.rutgers.edu> detrolio@andromeda.rutgers.edu (David De Trolio) writes:
> >As anyone seen any of his solo recordings, which are supposed to be
> >re-released, out in the stores yet?
>  
> >I am interested in the CD versions.  The only one I have, which is on
> >album, is "THE BRIDGE".
>  
> Haven't heard that one but I've got his first two releases:
> 
> Forest of Feelings              1975
> Transformation (The Speed of love 1976
> 
> Don't know if they ever made it onto CD.
> -- 
> +==========================================================================+
> | John Fereira        | Auspex Systems | "Ask me about my vow of silence." |
> | johnf@auspex.com    | Santa Clara CA |                                   |
> +==========================================================================+
> 


"fade a-way-hay...   fade a-way-hay..."

Great song.   On Transformation, is that right John?

--KB
From: davel@hpfcso.FC.HP.COM (Dave Lechtenberg)
Date: Mon, 12 Oct 1992 20:06:33 GMT
Subject: Re: FRED FRITH at the Knitting Factory
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.bluenote

Don't forget Skeleton Crew.  A great band with Fred Frith and Tom Cora.
Get "Learn to Talk", it's a blast.  The songs are composed, but the execution
is improvised.  Very frenetic and fun.

Both Skeleton Crew albums (Learn to Talk/Country of Blinds) are available
on one CD from RecRec.  The original LPs are on Rift.

In addition to Cadence, check out Wayside Music.  Wayside is probably a 
better source for Frith stuff.  Below is their address.

	Wayside Music
	P.O. Box 8427
	Silver Spring, MD 20907-8427
	Phone (301) 589-1803  

If you call, you'll get a recording of new releases, but you can leave a 
message at the end to request a catalog.

-Dave
Newsgroups: rec.music.bluenote
From: rob@blacks.jpl.nasa.gov (Rob Fatland)
Subject: Re: recommendations: Brubeck
Organization: Image Analysis Systems Group, JPL
Date: Wed, 7 Oct 1992 17:01:25 GMT

In article <718355822.8174.0@romulus.mercury.andrew.cmu.edu> Ken Zuroski
<kz08+@andrew.cmu.edu> writes:

>1. I don't know much about jazz, but want to listen more.
>2. I have Brubeck's "Time Out," which I enjoy very much.

Ok; two additional:

Vince Guaraldi  Cast Your Fate to the Wind, Peanuts stuff
Mason Williams' Classical Gas

--

Gobern de shark!
From: aaronk@sequent.com (Aaron Kumove)
Newsgroups: rec.music.bluenote
Subject: Pat in Australia/New Zealand?
Date: 13 Oct 92 22:30:14 GMT
Article-I.D.: sequent.1992Oct13.223014.21600
Organization: Sequent Computer Systems, Inc.


The subject line says it all.  Anyone know if Pat has plans to visit
down under?
-- 
+----------------------------------------------------------------------------+
| Aaron Kumove, Systems Analyst, Sequent Computer Systems (N.Z.) Limited     |
| Email: aaronk@gateway.sequent.com       Fax: 64 4 385-6975                 |
+----------------------------------------------------------------------------+
From: pleeper@wtcp.DaytonOH.NCR.COM (Paulette Leeper)
Newsgroups: rec.music.bluenote
Subject: Re: What's happening in Boston next week (10/10-10/18)
Date: 9 Oct 92 19:24:58 GMT
Organization: IRP Corporate Data Planning - Dayton, OH

<1992Oct7.170338.5897@cbfsb.cb.att.com>
Reply-To: pleeper@wtcp.DaytonOH.NCR.COM (Paulette Leeper)
Followup-To: 
Distribution: usa
Organization: IRP Corporate Data Planning - Dayton, OH

>I'll be in the Boston Area next week.  Does anyone know what's happening.
>
>Thanks,
>Cathy A.
>

I don't know what's happening in Boston next week, but LAST week, I
saw Little Jimmy Scott and the Mark Whitfield Trio at the Reggatabar
in Harvard Square.....THE BEST!!!

-- 
Paulette Leeper                               paulette.leeper@daytonOH.NCR.COM
NCR Corporate Data Planning & Admin              ...!uunet!ncrcom!wtcp!pleeper
++++++++++++++++513-445-6289   VP 622-6289   FAX 513-445-2468+++++++++++++++++
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: nothing
Organization: AT&T
Distribution: usa
Date: Thu, 8 Oct 1992 00:50:38 GMT

>: Am I hallucinating, or are half the people who post to this group 
>: really named Jeff?
>
>Great.  Just after I get the folks on rec.sport.baseball to recognize the
>Importance Of Being "Dave", I have to change my .signature to add the middle-
>pseudonym "Jeff", just to keep up with the Joneses.
>
>Marc "Jeff" Sabatella

Times do change... a few years ago they were all named Mark(c). Just the
ones I met personally were mostly Mark(c): Mark Goldstein (formerly from
Xerox), Mark Detwiler (formerly from Belcore, now still an occasional
r.m.b lurker--Hi Mark), Marc Weiner (still on the net), and Marc "Jeff"
Sabatella (who I haven't actually met, but we've exchanged so much email
and I've seen a video of him playing that I feel like we're old friends).

Bill J (but NOT Jeff) Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: ken_blackman@gateway.qm.apple.com (Ken Blackman)
Subject: Re: Robben's New Album (was Re: Robben Ford fans)
Date: Wed, 7 Oct 1992 19:00:21 GMT
Distribution: usa
Organization: Apple Computer, Inc

In article <1992Oct7.163213.5713@morrow.stanford.edu>, HF.PEC@forsythe.stanford.edu (Doug Peckler) writes:
> 
> In article <1992Oct7.082318.20814@paramount.nikhefk.nikhef.nl>,
> templon@paramount.nikhefk.nikhef.nl (Jeffrey Templon) writes:
> >ochikubo@mamacass.etdesg.trw.com (Craig F. Ochikubo) writes:
> >
> >>>I forgot to mention that although Robben (and band member Roscoe
> >>>Beck) were the producers, Chick Corea was the "executive
> >>>producer".  So maybe this explains some of the fusion feel
> >>>that sort of wafts in and out of the disc.
> >>>
> >>is it on the label that Chick Corea was suppose to be starting?
> >
> >it was on something called "Stretch Records".  I don't know if
> >that is Chick's or not.
> >
> Yes, that's it.  Ford spoke of this at a guitar clinic a couple
> months back.
> 
> 

There's a short article about Stretch Records in this month's Down Beat,
which just arrived at my doorstep.   Interesting reading.   Chick says
he's not really sure where they're going to go with it -- sounds like
they just wanted to put together a label for good musicians.


Newsgroups: rec.music.bluenote
From: reimer@fraser.sfu.ca (Kenneth Ryan Reimer)
Subject: Re: Tribal Tech
Organization: Simon Fraser University, Burnaby, B.C., Canada
Date: Wed, 14 Oct 1992 01:52:30 GMT

I'd humbly suggest the following...

 Dr. Hee (1987, Passport Jazz PJCD88030)
 Nomad (1990, Relativity 88561-1028-4)
 Tribal Tech (1991, Relativity 88561-1049-2)

Also, don't miss Scott Henderson on "Players" with T Lavitz, Jeff Berlin and
Steve Smith (1987, Passport Jazz PJCD 88014) - my personal favourite is a
blues piece called "The Creeping Terror".

Enjoy!
Newsgroups: rec.music.bluenote
From: shb@cbnewsl.cb.att.com (steven.h.bard)
Subject: Johnny Winter Discography
Organization: AT&T Bell Laboratories
Distribution: usa
Date: Tue, 13 Oct 1992 12:19:29 GMT


Hi,

I'm looking for a JOHNNY WINTER discography and would greatly
appreciate any help from you Johnny fans.  Also, any listings`
of any unauthorized live recoridngs would be valuable.

	Thanks,  
		Steve
		shb@cbnewsl.att.com  or
                cell2@whamr.att.com

To start the ball rolling, here's what I have:

Johnny Winter
Second Winter
Johnny Winter - And
Johnny Winter - And Live
Still Alive and Well
Sinners And Saints
Jonathan Dawson Winter III
Captured Live
Progressive Blues Experiment
  (Rereleased by UA as Austin, Texas)
Raisin' Cain
White, Hot, and Blue
Nothin' But The Blues
Guitar Slinger
Serious Buisness
Third Degree
Winter of '88
Let Me In

Compilation Discs:

Scorchin' Blues
Birds Don`t Row Boats
Blue Suede Shoes
A Lone Star Kind Of Day
Night Rider
The Winter Scene
Early Heat  (Same as Winter Scene minus few cuts)
Four After 5 A.M

Live Discs:
Live in Houston/Busted in Austin - '68
  (Also released as Walking Alone on Relic (or Relix??))
Still Blues After All These Years - Chicago
Whole Lotta Love - Boston
Texas Pop Festival - Dallas '69
Essen, Germany - '79
Mr. White Blues -- NY '71, Montreaux '84
Johnny Be Good -- (Flashback)
From: wildman@athena.mit.edu (Timothy Worsley)
Newsgroups: rec.music.bluenote
Subject: Re: Query: Ellington's "Solitude", lyrics
Date: 10 Oct 92 18:28:13 GMT
Reply-To: eprice@sybase.com
Organization: Massachusetts Institute of Technology

will@ogre.cica.indiana.edu (William Sadler) writes:

>Knowing lyrics may make some difference to certain players.  I think it
>was Lester Young who boasted that he knew the lyrics to every tune
>he ever played.  Or maybe that was Coleman Hawkins?

``To the recording session in January 1983, [Keith Jarrett] brought a
list of pieces and simply asked [Gary Peacock and Jack DeJohnette],
`Do you like this song?'  Every time the trio tried one, it was,
almost without, exception, a take.  Like Lester Young, Jarrett too
believed it was necessary to know the words of the songs he played,
and on this occasion the trio looked at the words of each piece before
they played it.''  [Carr, _Keith Jarrett_, p. 145]

The session is the one that produced "Standards Vol. 1" and "Standards
Vol. 2" as well as "Changes" (all on ECM).

-Ed (not Tim), eprice@sybase.com (not wildman...)
From: gel@sys.uea.ac.uk (Gareth Lee)
Newsgroups: rec.music.bluenote
Subject: Re: A Love Supreme Live?
Date: 12 Oct 92 16:45:50 GMT
Organization: UEA School of Information Systems, Norwich, UK.

IO20816@MAINE.MAINE.EDU (Kevin Foss) writes:


>   I recently picked up an album on the Deja Vu label (based apparantly out
>of Austria) entitled the _The John Coltrane Collection_.  The recording is of a
>live performance of "A Love Supreme", ambigiously described as occuring in
> 'Europe 1965'.

[Deletion...]

> Anyways the whole package is one mysterious little album, and any
>clarification would be gratefully received.

I think I heard a live version of ALS some years ago, on a five CD boxed
compilation of live recordings.  Unfortunately, I have no info on the CDs
(they came from a record library).  There are quite a lot of (poorly
recorded) live Coltrane recordings available.  I suspect it is legitimate
but cannot shed more light on the recording location.  You could try the
discography published in the Coltrane Biography.

Gareth.
Newsgroups: rec.music.bluenote
From: sik@grosz.esd.sgi.com (Seth Katz)
Subject: Re: Jamaaldeen Tacuma? (was JAZZ IS DYING)
Reply-To: sik@grosz.esd.sgi.com (Seth Katz)
Organization: Silicon Graphics, Inc., Mountain View, CA, USA
Distribution: tub
Date: Fri, 16 Oct 1992 18:19:20 GMT

In article <andrew.719233597@marie>, Andrew Shields writes:
In <1992Oct15.211924.2007@odin.corp.sgi.com> sik@grosz.esd.sgi.com (Seth Katz) writes:
>Mostly, when I think of Tacuma, I think of him sweating out an 
>incredibly powerful set at Santa Cruz's Kuumbwa with James Blood Ulmer
>and Grant Calvin Weston.  

So that means Jamaladeen hunters should look for his contributions
to the "Revelation Music Ensemble" on Moers Music:  the first LP
=-=-=-=-

Actually, I find the R.M.E. album with Tacuma and Jackson
to be the weakest.  Fine playing, but the resultant music is
an unmemorable jam session, for the most part (I liked one tune...
Fire something...?).  As listenable music goes, I'd recommend other
R.M.E. albums (with Amin Ali on bass) or, in a somewhat similar
vein, Phalanx.

=-s

Newsgroups: rec.music.bluenote
From: chuck@spectrum.cs.unsw.oz.au (Mark Andrew Hawling)
Subject: Re: MILES DAVIS
Reply-To: chuck@spectrum.cs.unsw.oz.au (Mark Andrew Hawling)
Organization: none
Date: Fri, 16 Oct 1992 11:18:22 GMT

In article <92288.111447U37426@uicvm.uic.edu> <U37426@uicvm.uic.edu> writes:
>     Does anyone know if Columbia is going to release any of the out of print
>fusion albums from the 70's that Miles Davis cut on Cd???  I heard something
>from an album he made in 1974 and it was really incredible.  Now I want it but
>can not find it anywhere.  Advice?      thanks

All of Miles' 70's stuff has been released in Japan by Sony. If you
really want to pay big money you should be able to get them on import.
Here in Australia I have seen them all, but they are asking around $80
for these imports. Some of the 70's stuff has been released everywhere.
This includes Bitches Brew (well not really 70's, also horrible rematering
job on this), Circle in the Round, Arharta and Pangea. Not much hugh!

Mark
From: mark%atlantis@USC.EDU (Mark Goldstein)
Newsgroups: rec.music.bluenote
Subject: re: jazz books
Date: 14 Oct 92 04:44:57 GMT
Reply-To: mark%atlantis@usc.edu


Mike (and other jazz fans):

My favorite comprehensive jazz book is by Joachim E. Berendt and is
titled <The Jazz Book: From Ragtime to Fusion and Beyound>.  I noticed
it was updated and re-released last year.  It used to be published by
Lawrence Hill & Co.  I like the book because it has sections that
discuss jazz historicaly (ie, chpater on the 20s, 30s, 40s ...), by
instrument (ie, chapters on trumpeters, drummers, ...), by major
musicians, and by group, as well as a couple of others.  Each chapter
or section can be read independently of the others.  This is helpfull
particularly when you want to check up a particular musician, group,
instrument, style, etc.  

I am partial to two of Nat Hentoff's books for getting a feel for what
jazz is all about; what motivates musicians; and what musicians' think
about their music.  One is called <Jazz Is> [published by Limelight]
and the other is called <The Jazz Life> [published by DaCapo].  Both
are recollections of jazz experiences had by Hentoff, stories of his
relationship with some of jazz's most respected players, and anecdotes
told by jazz musicians to Hentoff.  Again, good to get a feel for
what's behind the music.

Lastly, there is a series of books on DaCapo called <Jazz Masters of
the XXx> where XXx is 30s, 40s, 50s, ...  I recommend them for a more
in depth look at the musicians who were exponents of the styles of
jazz popular during those periods.

Good listening and reading!

/mark

Mark Goldstein <mark%atlantis@usc.edu>  213-388-0545
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Newsgroups: rec.music.bluenote
Subject: Re: A Love Supreme Live?
Date: 13 Oct 92 02:41:25 GMT
Article-I.D.: cbnewsl.1992Oct13.024125.8992
Organization: AT&T

<MCD2@psuvm.psu.edu> (Mark Detwiler) writes:
>There is a live Love Supreme album that was done in Antibes in 1965.
>The sound quality is pretty good, with Love Supreme (48 min) coupled
>with Impressions (22 min).  It's called:
>     John Coltrane--Love Supreme (FCD 106) issued by
>                    INA (Institut National De L'Audiovisuel), France.

>Maybe what you have is an exerpt from that session???....

Probably. The Antibes session (7/26/65) was apparantly bootlegged by a few
different sources. I also have the "dejavu" release cited in the original
posting, and I recently matched it up with a radio broadcast (WKCR-FM in NY)
that was announced as being the 7/26/65 date--and it matched, although I
can't verify the timings agreed, since the radio broadcast only played
about 20 minutes or so. I didn't note the label the release was that they
played, but it was not "dejavu."

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: mkj@sup.stollmann.de (Michael Joehnk)
Subject: Etienne Schwarz Info Wanted
Date: Wed, 14 Oct 92 16:30:44 GMT
Organization: Stollmann GmbH, D-2000 Hamburg 50, Germany



Hello everybody,
does anyone know Etienne Schwartz (or Schwarz?), can somebody give me
infos about CDs,etc. ?
Thanx a lot

Michael Joehnk

email: mj@stollmann.de
Newsgroups: rec.music.bluenote,rec.music.misc
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: RIP Gary Windo??
Organization: Educational Computing Network
Date: Thu, 8 Oct 1992 21:06:11 GMT

In article <1992Oct8.175418.21547@news.columbia.edu> jte@beefheart.cc.columbia.edu writes:
>
>The recent Hal Wilner tribute to Mingus is dedicated to "my dear friends  
>Doc Pomus, Beaver Harris, Harry Smith, and Gary Windo."  This sounds a  
>hell of a lot like "in memory of..."  
>
>Does anyone know if saxophonist Gary Windo (who has played with Carla Bley  
>and NRBQ amongst others) passed away?  Or is Wilner mixing the living with  
>the dead?  Doc Pomus is gone.  I think Beaver Harris is...don't know who  
>Harry Smith is.

BTW, has anyone bought that Mingus tribute yet.  I saw it, but was too
scared to buy it.

Jeff
Newsgroups: rec.music.bluenote
From: jb@buddha.ncc.umn.edu (James Barnett)
Subject: Re: JAZZ TROMBONE
Organization: Nutrition Coordinating Center, University of Minnesota
Date: Fri, 9 Oct 1992 16:59:17 GMT

Other recordings by Mr. Bowie:
Duet with Oliver Lake					Sackville 2010
Ethnic Heritage Ensemble	Hang Tuff		Open Minds 2405
Human Arts Ensemble		Streets of St. Louis	Moers 202
Luther Thomas			Funky Donky		Creative Consciousness 1001
Human Arts Ensemble		In Trio Performances	Circle 23578

-- The Luther Thomas recording is also with The Human Arts Ensemble.  Both the
Thomas and Streets of St. Louis have Lester Bowie playing as well.
>
>Craig Harris
>============
>Definitely one of strongest current generation 'bone players. Paid his
>dues in Sun Ra's Arkestra in the late 70's. Has been part of the NY
>scene since then.  Cold Sweat is a funk "party" band with a stellar
>line up. His leader dates are all good. A strong muscular style and
>like Anderson he too has sense of humor. In addition, he's a regular
>in David Murray's groups. He is also known for his very creative
>didgeridoo (Australian aborigine hunting horn I think??) playing.
>

I believe traditionally the didjiridoo is a bamboo tube that has been eaten
away hollow by termites (!??)

I saw Mr. Harris solo in Mpls. about two years ago.  One piece he walked around
the room with the didjiridoo playing the entire time in corners, sitting in
the back row, playing in people's ears - quite meditative.
>
>George Lewis
>============
>Probably at the vanguard of the current avant trombonists, George
>Lewis is a phenomenal musician. The two NEWS FOR LULU live albums
>are wonderfully fresh interpretations of the bop period (Kenny Dorham,
>Sonny Clark, Hank Mobley, Freddie Redd). The second album MORE NEWS
>FOR LULU is highly recommended. Also plays with a lot of the European
>avant-garde. His recordings, as shown below, cover the spectrum.
>
Other Lewis recordings:
Chicago Slow Dance			Vital 1101
duets w/Douglas Ewart			Black Saint 26

I believe he has at least two more recordings as leader on Black Saint (late
70's stuff)

James Barnett
From: munnik7500@iscsvax.uni.edu
Newsgroups: rec.music.bluenote
Subject: How Deep Is The Ocean
Date: 14 Oct 92 17:21:48 -0500
Organization: University of Northern Iowa

I am desperately looking for a recording of a newly written big band tune
titled Oceanography by Bob Florence.   If you have heard of such a tune, and
could possibly hint on who recorded it, please reply to me.  Thanks.
Newsgroups: rec.music.bluenote
From: rdr@panix.com (Reuben Radding)
Subject: Re: KnitFac: Radical New Jewish Culture
Date: Thu, 8 Oct 1992 06:23:26 GMT
Organization: Doc Porter's Thrills Show

In <Bvps8D.C7y@rice.edu> vek@spacsun.rice.edu (Vincent E. Kargatis) writes:

>Hey, you New Yorkers - is anybody going to the Knitting Factory Radical New
>Jewish Culture series curated by John Zorn this weekend (Thu-Sun)? Go - I
>want some reviews! Some pretty cool people, and lots of them - Oren
>Bloedow, Elliot Sharp, Marty Ehrlich, Mark Dresser, Mark Feldman, Catherine
>Jauniaux, Tim Berne, Joey Baron, Gary Lucas, Spanish Fly, Marc Ribot,
>Richard Teitelbaum, Isabelle Ganz, Zorn, and more.

I'm gonna do my best to make it Friday and/or Saturday night. I'll let
you all know what happens.


-- 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Reuben Radding           "Eliminate the ninnies       |  
rdr@panix.com             and the twits."             |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: JAZZ IS DYING:HELP!!
Organization: Educational Computing Network
Date: Wed, 14 Oct 1992 22:31:51 GMT

In article <Bw4otw.2Cy@fc.hp.com> marc@hpmonk.fc.hp.com writes:
>Rory Stuart (stuart@nynnexst.com) wrote:
> 
>: are
>: readers of this group aware of musicians such as Dave Creamer, Bill Dixon,
>: Eric Gravatt, Bruce Johnson, Mel Ellison, Mike Vlatkovich, Aladar Pege,
>: George Braithe, Monty Waters, and Rael Wesley Grant?
>
>I can't speak for anyone else, but I'm not.  Perhaps you'd like to enlighten
>us?  I promise to buy one of your CD's in my next Cadence order (really, I
>swear :-)

Bill Dixon is a trumpet player and composer, on the Cecil Taylor records
Unit Structures and Conquistador.

Eric Gravatt, I think is a drummer, who once played with McCoy and maybe
Weather Report.   If not, he has such as similar name to someone who did
that.

Bruce Johnson is such a generic name, but I seem to recall the same name
from early Decoding Society records.  I know I have seen some of the
other names somewhere...

Jeff

Jeff
Newsgroups: rec.music.bluenote
From: ghosal@navier (Sarbajit Ghosal)
Subject: JULIAN PRIESTER AS LEADER?
Reply-To: ghosal@navier (Sarbajit Ghosal)
Organization: Stanford University
Date: Thu, 8 Oct 92 06:06:27 GMT

Is any netter aware of any recording by the trombonist Julian Priester
leading his own group? I am acquainted with his work only thru Sun Ra
and Dave Holland.
Thanks.
----------------
sarbajit ghosal
ghosal@navier.stanford.edu