HDTenEightyP/NetNews huggingface dataset:
From: roger@crux.Princeton.EDU (Roger Lustig)
Newsgroups: rec.music.classical
Subject: Re: liner notes
Date: 5 Jan 93 17:46:12 GMT
Reply-To: roger@astro.princeton.edu (Roger Lustig)
Distribution: rec
Organization: Princeton University
Originator: news@nimaster

In article <1993Jan2.015953.15469@cgh.cgh.com> paul@cgh.cgh.com (Paul Homchick) writes:
>The best liner notes I have seen were included in the Telefunken Das
>Alte Werk LP set of Bach's Cantatas.  My one volume of the collection
>(BWV 99, 100, 101 and 102) included a book with two essays:
>"Introduction" and "The significance of the Chorale Settings in the
>sacred vocal compositions of Bach" as well as the words to each of the
>Cantatas.  In additions, there was _another_ book containing the SCORE
>for the four cantatas.  Predictably, the CD issues of these recording
>do not include the same level of documentation.

Well, those recordings are legendary, not least for what came with.  
On the other hand, some of the performances are less definitive than 
one might be led to believe by the packaging...

>The worst liner notes I can remember came from a CD of the piano music
>of Scelsi:
>================================================================
[text -- and WHAT a text! -- deleted]
>================================================================

>This clap-trap is the kind of writing that gives intellectuals a bad
>reputation.  Besides which, some people (most?) might quibble with
>equating "the heyday of the international serial revolution in musical
>composition" with "the highpoint of western music."

Oh, c'mon, Paul.  Can't you recognize self-parody when you see it?  
Calling Total Serialism (which was on the skids in 1953-4 already)
the high point of Western music is something that can't possibly be 
taken seriously by anyone, and couldn't even have been taken 
seriously back then.  Now, given Scelsi's own rather strange history/
temporal development, the text, hilarious as it is, makes a certain
sense on some level.  On the other hand, it makes you wonder whether 
the writer likes the music...

Who wrote that?

Roger
Xref: sparky rec.music.classical:19907 rec.music.christian:9947
From: mgresham@dscatl.UUCP (Mark Gresham)
Newsgroups: rec.music.classical,rec.music.christian
Subject: Re: critical reviews of hymnals
Date: 8 Jan 93 05:53:09 GMT
Reply-To: mgresham@dscatl.UUCP (Mark Gresham)
Organization: Digital Systems Co,  Atlanta, Ga

In article <1993Jan4.083019.13374@bsu-ucs> 00hfstahlke@leo.bsuvc.bsu.edu writes:
[...opinions on hymnbooks and question about where one can find
serious discussions about hymnody...]

Anyone who has a serious interest in hymnody and the use of music
in liturgy should get on the mailing list of Alice Parker's
organization, "Melodious Accord."  (Alice, as many of you know, is
the "second name" on almost all of the Shaw/Parker arrangements
for the Robert Shaw Chorale during its RCA Red Seal days.)
The address follows:

Melodious Accord
801 West End Avenue
New York, NY 10025

...and by all means mention that I suggested you do so, and do say
that you heard about Melodious Accord on the Usenet.  You can get
on the mailing list by requesting it, but a donation to Melodious
Accord in any amount will be appreciated (it does cost something
to print and mail their newsletter).

Cheers,

--Mark Gresham
dscatl!mgresham@gatech.edu
=====
From: sklar@picasso.ocis.temple.edu (Dave Sklar)
Newsgroups: rec.music.classical
Subject: Re: Anyone heard of Huenter Kradaken?
Date: 6 Jan 93 03:14:08 GMT
Organization: Temple University
X-Newsreader: TIN [version 1.1 PL8]


	I think he's on a Trivial Pursuit card.  The question's about a
composer who later became a zoologist.  I won't get it wrong anymore!
Newsgroups: rec.music.classical
From: r4smith@student.business.uwo.ca (Richard Smith)
Subject: Composer's skulls
Organization: University of Western Ontario
Date: Mon, 11 Jan 1993 22:18:32 GMT

In "Perfect Pitch" by Nicholas Slonimsky, the author talks about his 
photograph of J.S. Bach's skull but doesn't say how he came by it. 
Anybody know?

By the way "Perfect Pitch" is an absolute joy to read. As you all 
probably know from reading Baker's Dictionary, Slonimsky is one of the 
great living masters of English prose style. Kinda reminds me of Nabokov 
(another amazing English stylist who was a Russian expat. How do these 
guys do it?)

r4smith@student.business.uwo.ca (Richard Smith)
Western Business School  --  London, Ontario
Newsgroups: rec.music.classical
From: djg2@crux1.cit.cornell.edu (David J. Greenberger)
Subject: Re: Beautiful songs for piano solo !?
Organization: Cornell Information Technologies
Date:  8 Jan 93 00:13:36 GMT

Frank2.Simon@arbi.informatik.uni-oldenburg.de (Frank2 'Biber' Simon) writes:

>Mozard, Amadeus     | Rondo alla turca

Add all of Mozart's piano sonatas (I think there are eighteen).  (Yes, I mean
it.)  I particularly like K. 457, 310, 333, 331, 332, 475 (in no particular
order).

Enjoy, and good luck!
Newsgroups: rec.music.classical
From: atems@igor.physics.wayne.edu (Dale Atems)
Subject: Re: Bruckner (was: Re: Best finale)
Organization: Wayne State University, Detroit, MI
Date: Tue, 12 Jan 1993 05:40:02 GMT

In article <C0ppEI.94y@fc.hp.com> rodean@fc.hp.com (Bruce Rodean) writes:
>Steve Apter (apter@fid.morgan.com) wrote:
>> In article <1993Jan10.003911.25033@netcom.com> bryan@netcom.com (Bryan Higgins) writes:
>> >dbarker@spang.Camosun.BC.CA (Deryk Barker) writes:
>> >
>> >>cb@tamarack13.timbuk (Chris Brewster) writes:
>> >
>> >>> in addition to the traditional three, there are Berlioz, Bartok, Berg,
>> >>> Bruckner, and Boulez.
>> >
>> >>BTW you forgot Busoni....
>> >
>> >And Britten!
>> 
>> Brian
>
>And also Bantock, Barber, Bax, Bizet and Bliss...

How could you guys forget Bernstein?  :-)

------
Dale Atems
Wayne State University, Detroit, MI
Department of Physics and Astronomy
atems@igor.physics.wayne.edu
Newsgroups: rec.music.classical
From: epohl@hubcap.clemson.edu (A replicant)
Subject: Conductors, interpretations and fluffy nonsense 
Organization: Clemson University
Date: Sat, 9 Jan 1993 00:53:18 GMT

   A few questions:

   1)  What (and try to supply me with some objective ideas) 
       is the difference between a "bad" or a "weak" conductor
       and a "good" or a "strong" conductor?

   2)  Can a "good" conductor making a strong but unusual  
       interpretation of a work come out sounding worse
       than a "bad" conductor making a typical interpretation
       of the same piece?
  
   3)  Why do some recordings get thrown into the bargain bin
       at music stores for $3-$9 and others get placed in
       a real shelf and are appraised in the $10-$19 range?
      
   Fluffy nonsense:

   1)  Name the recording you think best exemplifies
       how an interpretation of a work can really make
       a good and noticeable difference.

Thanx. 
-- 
-----------------------------------------------------------------------------
"It's still hard for me to have a clear mind thinking on it.
 But it's the truth even if it didn't happen."(One Flew Over the Cuckoo's Nest)
---Erik Pohl at epohl@hubcap.clemson.edu---------------------------------------
From: christen@astro.ocis.temple.edu (Carl Christensen)
Newsgroups: rec.music.classical
Subject: Re: Best CD of Mussorgsky "Pictures ..."
Date: 12 Jan 93 01:34:15 GMT
Distribution: na
Organization: Temple University
X-Newsreader: TIN [version 1.1 PL8]

: >apter@fid.morgan.com (Steve Apter) writes:
: >
: >[on Pictures From an Exhibition] 
: >>The absolute hands-down best piano version is Sviatoslav Richter's
: >>on Philips.
: >
Is this Philips 420 774-2, where he has some Liszt and Schubert as well?
Richter plays great of course, but the audience must have been a 
Tobacconists Convention!  There is so much coughing.  This CD actually
made it into the satirical rag 'SPY Magazing' for containing the most
number of coughs of any classical CD!

My favorite 'Pictures...' CD is Pierre-Yves Asselin's organ arrangement
(on the Cavaille-Coll organ), DENON 33CO-1028.  I think it might have
been a CD Import from Japan, though, and I don't know if it is 
readily available.  A really nice change if you want to try something
different for an over-recorded piece.  It also has Widor's famous
Toccata from Symphony #5 as an added 'bonus'.

--

Carl Christensen                      christen@astro.ocis.temple.edu
Department of Computer Science
Temple University
Philadelphia, PA  19122   USA         (215) 735-6787
Newsgroups: rec.music.classical
From: ALI00BAW@UNCCVM.UNCC.EDU
Subject: Re: Favourite Organ Work Survey
Organization: UNC Charlotte
Date: Mon, 4 Jan 1993 19:09:08 GMT

The Widor Toccata--the one often played on Easter Sunday. (IVth Organ
Symphony, I think)
In article <!3221lh@rpi.edu>
mccomt@aix.rpi.edu (Todd Michel McComb) writes:
 
>
>
>post-baroque: Charles Tournemire's Symphonie-Choral, op.69
>
>T. M. McComb
>
From: mls@panix.com (Michael Siemon)
Newsgroups: rec.music.classical
Subject: Re: So exactly what's wrong with Bolero, anyway?
Summary: yes, but ...
Date: 9 Jan 93 02:22:53 GMT
Organization: Panix Public Access Internet & Unix, NYC

In article <1993Jan8.195201.20074@Princeton.EDU> mikulska@astro.princeton.edu
(Margaret Mikulska) writes:

>of course "Bolero" is a piece with a very definite beginning and end.

But does it have a *middle*???? (note: I rather like Bolero)
-- 
Michael L. Siemon	"We honour founders of these starving cities
mls@panix.com		 Whose honour is the image of our sorrow ...
			 They built by rivers and at night the water
			 Running past the windows comforted their sorrow."
From: i3270@zarina.dc.dk (Erik Kristiansen)
Newsgroups: rec.music.classical
Subject: Spanish organ music
Summary: Record with spanish organ music recorded in spain
Keywords: organ spanish
Date: 6 Jan 93 15:50:02 GMT
Organization: Datacentralen A/S

Sometime ago someone asked about a recording with spanish organ
music.
Harmonia mundi france has reissued the one made by Francis Chatelet
some years ago. This was a boxed set with 5 lp's containing various
spanish baroque music (Cabezon, Elias, Casanovas, Araujo etc) recorded
on the old organs of Salamanca, Toledo, Trujillo, Covarubbias and
Palma de Mallorca. The collection can be recommended. It has been reissued
on 5 separate cd's. 

--

Erik Kristiansen

i3270@zarina.dc.dk (Denmark)
   
Newsgroups: rec.music.classical
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: Violin/Viola Duos
Organization: Morgan Stanley & Co., New York, NY
Date: Wed, 13 Jan 1993 01:05:55 GMT

In article <C0rLpK.A3J@comp.vuw.ac.nz> sowhat@gphs.vuw.ac.nz (Christian Zick) writes:
>In article <ll68ijINN5mm@exodus.Eng.Sun.COM>, jamesc@bassclar.Eng.Sun.COM (James Langdell) writes:
>> rainer@fml.tuwien.ac.at (Rainer Staringer) writes:
>> >My friend and I are looking for some interesting (but playable...)
>> >pieces for violin and viola. We already know - and love! - the two
>> >Mozart duos. Are there any other pieces which are equally beautiful
>> >and fun to play?
>> 
>> 
>Try Bartok's 44 Duos for 2 violins. Not being a violinist, but only a
>melomane, I think they should not be too difficult.

These are indeed wonderful.  You might also investigate the Pettersson
violin dup.  Sample from the recording on Caprice to see if this dark, 
intensely bleak music is to your taste.

>N.B. I always enjoy listening to Mozart's played by G.Kremer/K.Kashkashian.
>Heartbreakingly joyful!
>
>Christian
>sowhat@gphs.vuw.ac.nz
From: mgresham@dscatl.UUCP (Mark Gresham)
Newsgroups: rec.music.classical
Subject: N. American Choral Concerts Jan. 15 - 31 (General)
Date: 9 Jan 93 20:41:21 GMT
Organization: Digital Systems Co., Atlanta GA

(Below is a smpling of some of what's happening:)

GENERAL CHORAL CONCERTS : Jan 15 - 31

January 15 : Chicago, Illinois
   William Ferris Chorale
   8:00pm, Chicago Cultural Center $50 (312) 527-9898
   70th Anniversary performance of Walton: Facade. Performed by Lady
   Susana Walton, widow of the composer, and John Shirley-Quirk and the
   Chicago Pro-Musica. William Ferris conducting.
   
January 17 : New York, New York
   Robert Shaw Festival Chorus and Singers
   3:00pm, Carnegie Hall
   $55, $38, $32, $26, $15
   Orchestra of St. Luke's. Berlioz: Requiem.
   
January 18 : Atlanta, Georgia
   Jessye Norman
   8:00pm, Symphony Hall
   (404) 892-2414
   With Morehouse Glee Club, Spelman College Glee Club.
   
January 22 : Boston, Massachusetts
   Cantata Singers & Ensemble
   8:00pm, New England Conservatory, Jordan Hall
   (617) 267-6502
   Haydn: Lord Nelson Mass, Boston premiere of Charles Fussell: Specimen
   Days, Beethoven: Elegiac Song. David Hoose, Music Director.
   
January 28, 29, 30 : Pittsburgh, Pennsylvania
   Mendelssohn Choir
   Heinz Hall
   (412) 561-3353
   Brahms: Alto Rhapsody, Schicksalslied. With the Pittsburgh Symphony
   Orchestra.
   
January 29, 30 : Morrow, Georgia
   Robert Shaw Festival Singers
   8:15pm, Spivey Hall, Clayton State College
   (404) 961-3683
   All-Brahms program. Robert Shaw conducting.
   
January 29 : Savannah, Georgia
   Gwinnett Festival Singers
   9:00pm, Independent Presbyterian Church
   GMEA Convention concert. William O. Baker conducting.
   
January 30 : New York, New York
   Gregg Smith Singers
   8:00pm, St. Peter's Church
   (212) 874-2990
   Americans in Paris - Parisians in America.
   Music of Carter, Thomson, Talma, and Jolas. Birthday celebration for
   Ned Rorem. Music of Loeffler, Milhaud, and Stravinsky.
   
January 30 : Savannah, Georgia
   Gwinnett Festival Singers
   5:30pm, Ascension Lutheran Church
   Concert tour. William O. Baker conducting.
   
January 31 : Statesboro, Georgia
   Gwinnett Festival Singers
   11:00am, First Methodist Church
   Concert tour.  William O. Baker conducting.
   
=====
The above is posted as a public informational service by
Yours Truly and "Chorus!"
=====
--Mark Gresham	dscatl!mgresham@gatech.edu
"Chorus!"	dscatl!chorus@gatech.edu
=====

Newsgroups: rec.music.classical
From: dbarker@spang.Camosun.BC.CA (Deryk Barker)
Subject: Re: Stockhold Philharmonic Orchestra
Organization: Camosun College, Victoria B.C, Canada
X-Newsreader: Tin 1.1 PL4
Date: Fri, 8 Jan 1993 01:19:34 GMT

apter@fid.morgan.com (Steve Apter) writes:
: The "Stockholm Philharmonic Orchestra" set on 8 CDs from BIS 
: (BIS CD 421/424) contains some real novelties.  Since only the
: least interesting items are listed on the box, here is a summary
: of the complete contents of the set.

: Mahler, Symphony 6			Horenstein <---- Deryck alert

Thankyou, thankyou, thankyou......

I knew there was a rehearsal tape in existence - the archivist of
Swedish Radio wrote and told me, but I was not aware that any of it
had been published.

What is the serial number of this disc Steve? You quote 421/424 above
- but that only covers 4 discs, not 8.

The Talich stuff sounds interesting too. BTW what language(s) do the
conductors use? I can't imagine most of them speaking Swedish.....

--
Real:  Deryk Barker, Computer Science Dept., Camosun College, Victoria B.C.
Email: (dbarker@spang.camosun.bc.ca)
Phone: +1 604 370 4452
From: rags@triples.math.mcgill.ca (Robert A. G. Seely)
Newsgroups: rec.music.classical
Subject: Re: Ravel
Date: 6 Jan 93 06:14:02 GMT
Distribution: na
Organization: /etc/organization

In article <C0Ez6I.GBM@ecf.toronto.edu> torenvl@ecf.toronto.edu (TORENVLIET GERARD LAWRENS) writes:
>
>[ ... ] So, if Ravel is played well, is it worth it?
>

I guess this is a matter of taste, but I'd say so.  (And this from one who
generally affects the opinion that music died around 1800 ... ;-} )
Over the years, as they have been released, we have picked up most of 
the OSM (Montreal Symphony Orchestra) recordings (under Dutoit) of
the orchestral pieces, and the Lortie series of the piano music (one of
Ashkanazy too), and I haven't found one recording without a good percentage
of rewarding material - not that I like it all mind, but just that the hit
rate is high.  (So what started as regional nationalism became an eye-opener
- or should that be an ear-opener...)

Of course, none of this equals a Josquin mass - but you cannot have
everything.  ;-}

-rags
Newsgroups: rec.music.classical
From: mr804321@cs.nthu.edu.tw (Huang U Wen)
Subject: Re: Looking for D. Oistrakh CDs
Organization: National Tsing Hua University (HsinChu)
Distribution: usa
Date: Sun, 10 Jan 1993 09:39:33 GMT

    
 I have a Beethoven violin concerto by David Oistrakh,the
conductor is Cluyten,it is high recommened. and I like this 
recording. (EMI CD)
                                        Huang U Wen
Newsgroups: rec.music.classical
From: roland@cs.monash.edu.au (Roland Yap)
Subject: Re: Notes of George Winston ???
Organization: Computer Science, Monash University, Australia
Date: Thu, 7 Jan 1993 02:06:34 GMT

michaet@hubcap.clemson.edu (michael dale townsend) writes:

>Frank2.Simon@arbi.informatik.uni-oldenburg.de (Frank2 'Biber' Simon) writes:

>>Hi,

>>I've just bought a CD of GEORGE WINSTON, the CD is called DECEMBER.
>>The whole CD is piano solo and it sounds wonderful for me.

>>I thank for any information about him...
>>Frank

>I like George Winston, too.  Usually his music gets pigeonholed in the
>"New Age" genre.  He used to be associated with Windham Hill records,
>but I don't believe he is anymore.  I do know that he is going to be in
>concert at my University on January 30 and I'll be there!  :-) :-)
>For more info, try rec.music.newage.

This seems to be a FAQ on rec.music.newage and the answer appears to
be "NO". However Narada does publish some music books on some of
their artists. Some of it would not be too dissimilar to George Winston.
I have one of these and its quite playable.

Roland

----------------------------
Roland Yap                          Email: roland@bruce.cs.monash.edu.au
Department of Computer Science      Phone: +61 3 565 5186
Monash University                   Fax: +61 3 565 5146
Clayton
Vic 3168
Australia
From: mgresham@dscatl.UUCP (Mark Gresham)
Newsgroups: rec.music.classical
Subject: N. American Choral Concerts Jan. 15 - 31 (St. Olaf Choir)
Date: 9 Jan 93 20:42:08 GMT
Organization: Digital Systems Co., Atlanta GA

ST. OLAF CHOIR : 1993 tour concerts Jan. 15 - 31

(Telephone numbers for tickets and info were not provided.)

January 23 : Brainerd, Minnesota
	7:30pm, Trinity Lutheran Church

January 24 : Grand Rapids, Minnesota
	3:00pm, St. Andrew's Lutheran Church

January 29 : Rochester, Minnesota
	7:30pm, Zumbro Lutheran Church

January 30 : Janesville, Wisconsin
	7:30pm, St. John Lutheran Church

January 31 : Grand Rapids, Michigan
	8:00pm, Calvin College, Fine Arts Center

=====
The above is posted as a public informational service by
Yours Truly and "Chorus!"
=====
--Mark Gresham	dscatl!mgresham@gatech.edu
"Chorus!"	dscatl!chorus@gatech.edu
=====
From: sp_pm@space.alcbel.be (Paul Moore)
Newsgroups: rec.music.classical
Subject: J.P. Rameau keyboard music recorded by Sky
Date: 11 Jan 93 08:11:42 GMT
X-Received: by usenet.pa.dec.com; id AA11633; Mon, 11 Jan 93 01:12:59 -0800
X-Received: by inet-gw-2.pa.dec.com; id AA18864; Mon, 11 Jan 93 01:12:57 -0800
X-Received: from ub4b.buug.be by mcsun.EU.net with SMTP
	id AA16828 (5.65b/CWI-2.203); Mon, 11 Jan 1993 10:12:52 +0100
X-Received: from alcbel.UUCP by ub4b.buug.be (5.65c/ub4b_02)
	id AA10839; Mon, 11 Jan 1993 10:13:08 +0100
X-Received: from se.alcbel.be by alcbel.be (4.1/SMI-4.1)
	id AA03274; Mon, 11 Jan 93 09:09:50 +0100
X-Received: by se.alcbel.be (5.57/SE_04)
	id AA21812; Mon, 11 Jan 93 09:13:10 +0100
X-Received: from btmpjw.space by space.alcbel.be (4.1/SMI-4.0)
	id AA00834; Mon, 11 Jan 93 09:11:42 +0100
X-To: rec.music.classical.usenet

Hello,

I am interested in a piece of keyboard music written by J.P. Rameau, and recorded by Sky on their double album, Sky 2. There, it is referenced as "Gavotte and Variations", but no opus number is supplied.

Can anyone let me know the correct name and/or opus number? Also, can anyone recommend a "compilation" CD of his keyboard music?

Please reply by email, as I don't have read access to this newsgroup.

Thanks in advance,
Paul

----
email: sp_pm@space.alcbel.be
From: hellerS@moravian.edu (sjh)
Newsgroups: rec.music.classical
Subject: Ginastera Piano & Chamber Music
Keywords: Ginastera, Nissman
Date: 6 Jan 93 16:56:07 GMT

I was wondering if anyone has heard Barbara Nissman's 2 CD set of the
complete music for solo and chamber piano by Ginastera on Newport Classics.
It looks like a set worth getting. Ginastera is one of those composers who
really went through some major changes in style. This set would then cover
everything from the early Danzas argentinas, op.2, thru the etherial/demonic
serialism of works like the Quintet. 

If anyone has heard these performances please let me know.

Steve Heller
Newsgroups: rec.music.phish
From: Allan Keeton <akeeton@euclid.ucsd.edu>
Subject: Deconstructing a Mountain
Reply-To: akeeton@euclid.ucsd.edu
Organization: The Internet
Date: Fri, 8 Jan 1993 01:26:22 GMT

Hi y'all - Boy, do I love ya'.
	I'm interested in a lesson in music theory - I know nuthin'.
Take Tweezer for example. I really love the way they bulid & build,
climb & climb, build & climb, climb & build up the mountain (yes, my
dear beloved, the very SAME mountain that the good Col. climbed.) Then
when the get up (past) the top they  unwind & deconstruct  the other
side of said mountain while falling down it. 
	The forty million dollar question is: Is there a name for this
technique? I'm EXTREMELY interested in any other comments of a musical 
(or non-musical for that matter) nature regarding Phish songs.

					2^3
From: face@world.std.com (Scott Shurr)
Newsgroups: rec.music.phish
Subject: NYE tapes offer
Date: 4 Jan 93 12:56:04 GMT
Distribution: usa
Organization: The World Public Access UNIX, Brookline, MA

I got a real nice copy of the WBCN NYE broadcast on hi-fi VCR.
In the spirit of helping everybody get 1st gen copies, I will
make copies for the first 5 people I hear from willing to send
me 3 C-90's and return postage (I'm broke and can't afford to
trade right now).  Limitation:
MY MACHINES CANNOT USE METAL TAPE and CANNOT DO DOLBY C
So start sending the email, and I'll announce the winners as soon
as the 5 requests are in.
--Scott face@world.std.com
Is that a picture of Otis Redding?
Newsgroups: rec.music.phish
From: st910504@pip.cc.brandeis.edu (BUCA)
Subject: Phish's E-Mail accounts
Reply-To: st910504@pip.cc.brandeis.edu
Organization: Brandeis University
Date: Mon, 11 Jan 1993 22:23:16 GMT

Could Shelly or anyone else who has the private E-mail addresses for each
of the members of the band please re-post them or e-mail them to me.  
Thanks in advance.
					Howie T.
                              ST910504@pip.cc.brandeis.edu
Newsgroups: rec.music.phish
From: REIS T BARON <03064626S@servax.fiu.edu>
Subject: Have NYE Master FM's--Need New Haven 2nd Night!!
Reply-To: 03064626S@servax.fiu.edu
Organization: The Internet
Date: Mon, 11 Jan 1993 18:28:24 GMT

Howdy Everyone and HAPPY NEW YEAR (as if that's a novel expression)!

     After getting back safely from my vacation (as I hope everybody did),
I am ready to spread around my newfound tapes for anyone with good trades.
Picture the scene:
     I find myself on New Year's Day in a strange apartment lying next to a 
friend of a friend.  I look over my other shoulder and see two of the kindest
things I could want to see:  the clock that indicated it was 11:35 and a
beautiful Onkyo 3-head deck awaiting my usage.  I proceeded to tape the entire
show, wow, what a great way to wake up.
     Anyway, you can see the position that I am in.  As I am just getting 
back to school and I assume hundreds of people already have these tapes or
are at least preparing trees for that purpose, I would love to spread these 
to anyone in need.  First priority goes to anyone with tapes of 12-29-92 at
New Haven.  I was lucky enough to get a tic for that one and it was quite a\
Funky Bitch of a show!!  I also got to finally hear Curtain live, so I was 
quite orgasmic the entire evening, as were most of you, judging from the crowd
response in the section where I was sitting.
     So, the tapes are here...get in touch...and let's get together to stage
a runaway golf cart marathon together.  Email me at 03064626s@servax.fiu.edu

Please, we have no regrets!!
Newsgroups: rec.music.phish