HDTenEightyP/NetNews huggingface dataset:
From: dododge@wam.umd.edu (David O. Dodge)
Subject: Re: JODIE FOSTER NAKED
Organization: University of Maryland, College Park
Date: Thu, 20 Aug 1992 09:28:15 GMT

In article <UeYkm5G00VB805L0x_@andrew.cmu.edu> Thomas Omar Smith <ts2a+@andrew.cmu.edu> writes:
>Even if the scene was filmed in France, the child pornography laws would
>still apply for any American distribution.  It is per se illegal to show
>underage people naked in a theatrical release.  They can often get away
>with it with infants on the grounds that infants are not tittilating or
>somesuch.  But a teenager under 18 shown naked would almost certainly
>get the producers prosecuted under federal child pornography statues in
>America.

Although you'd be hard pressed to find any nude minors in an American
production (except infants e.g. "Superman"), foreign films released in
American theaters sometimes do have such scenes.

One example is "Pelle the Conqueror", which contains frontal nudity
involving a young boy. It's rated PG13.

"My Life as a Dog" has a scene or two where a young girl takes off her
shirt and talks about her developing breasts. I think there is a French bra
commercial in a recent commercial compilation film released in the US
that also has such a scene.

I've heard that the 6-hour version of "1900" (not the video release but
the theatrical release) may have a nude scene involving one or two minors
but I've never seen the film so I'm not sure.

This issue was also discussed last week in a few alt.sex groups, and a
paper about Child Pornography laws was recently posted there...

                                            -Dave Dodge/dododge@wam.umd.edu
From: EEC@PORTIA.UMDS.LON.AC.UK (Steve P eec@portia.umds.lon.ac.uk)
Newsgroups: alt.cult-movies
Subject: DEFINTION OF CULT MOVIES
Date: 14 Aug 1992 03:35:44 -0500
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

DEFINITION OF CULT MOVIES

Well, Alex Cox, on his BBC series "Moviedrome" gave something like this as
his defintion:

"A film with a dedicated following but that does not appeal to everybody.  Most
of them are "genre" films with a tendency to slosh over from one genre into
another, so a gangster film might become a musical or a western might become
a ghost story.  They're also generally cheaply made.  Being a cult movie
does not automatically guarantee quality.  Some are very good, others are
very bad.  Some make a lot of money at the box office.  Some make no money at
all."

I'll add to that by saying that a great deal of them seem to be in the Sci-Fi
and Horror brackets and a lot of films seem to become cults as a virtue of
the stars in them rather than the quality of the film itself.

 ----------------------------------- 
|  Steve P                    (..)  |
|  eec@portia.umds.lon.ac.uk   ()   |
 -----------------------------------
From: donnell@shark.micro.umn.edu (Your Heinous)
Newsgroups: alt.cult-movies
Subject: Re: Name that film
Date: 14 Aug 92 03:55:59 GMT
Article-I.D.: news2.1992Aug14.035559.369
Organization: none

Not sure what this is, but it is NOT Riot On Sunset Strip. <Which by the way is
from 1965 or so. Damn kids think the Chocolate Watchband backed up Chuck 
Berry or something. Just kidding>

				--Judex--
From: fnord@panix.com (Cliff Heller)
Newsgroups: alt.cult-movies
Subject: The Adjuster
Date: 20 Aug 92 16:17:13 GMT
Organization: Right Bleedin' Church of Libertine Obfuscatology

This film by Atom Egoyan is really really warped, and really really good.

Stylistically, it is most similar to films by David Lynch and to Barton
Fink.


Has anyone seen it?  I really enjoyed it.

-- 
    / \      Reverend fnord                 | "King Kong died for your sins!"
   /   \     fnord@panix.com                | 
  / <0> \                                   | "Don't just eat a hamburger, 
 /_______\   Church of Obfuscatology, Inc.  |  eat the HELL out of it!"
From: hist1261@waikato.ac.nz
Newsgroups: alt.cult-movies
Subject: Re: JODIE FOSTER NAKED
Date: 13 Aug 92 16:56:00 +1200
Organization: University of Waikato, Hamilton, New Zealand

In article <eriwis.4@liblab.lib.usu.edu>, eriwis@liblab.lib.usu.edu (Erik Wissmar) writes:
>>during which all voyeurs should reflect on their own motivations, and the
>>strange little Dennis Hopper offering known in New Zealand as "Catchfire".
>>In the states Hopper's original cut has been released under a different 
>>name and apparently it is a much better film for it (the pseudonymous Alan
>>Smithee is credited with directing "Catchfire").  While Jodie is as good
>>as ever in the role you can't help wondering why the hell she took the 
>>art which is demeaning to say the least.
> 
> I just recently saw Backtrack (? I believe that was the name of the movie ?)
> 
>   **   small spoilers **
> 
>   This movie had a ton of big name actor's (Charile Sheen, Jodi Foster,
> Dennis Hopper, Joe Pesci, John Tituro(sp?) etc.)  Could have been a movie 
> channel productiontoo.  But any way, this was a pretty weird movie to 
> follow.  I had a hard time with t.  It was slow, and not very much dialogue 
> for a long time  through the movie.  For sure, Jodie Fostor was naked in this
> movie.  I was also wondoring if any one who had seen it noticed a character 
> in this movie, (the chain saw artist in Arizona,)  was that Bob Dylan?

Yep, I spotted Mr Dylan.  He might be popular music's answer to Jesus Christ
but his film career sure is eratic.  

How long is the American print of the film?  "Catchfire" was barely 90 minutes
long, and I thought all its strong moments were those that didn't feature all
that much dialogue.  The post coital scene with Foster & Hopper in bed seems to
stick in the mind.  It had an intriguing premise, but got lost somewhere along
the way.  After this and "Hot Spot" I can't help thinking Hopper is rather
limited as a director.


> And while I'm at it, I noticed that another movie was mentioned with Hopper 
> andFoster, is there any thing going there?
> any comments or other questions would be appreciated.
> 
> erikwissmar
> Utah State University
> 
> "..Hillary Clinton in an apron is like Dukakis in a tank. . "

I'd like to know of any future Hopper/Foster plans too.

Richard.

Newsgroups: alt.cult-movies
From: vonzelow@adobe.com (Jon von Zelowitz)
Subject: Barbara Steele
Organization: Adobe Systems Incorporated
Date: Sat, 22 Aug 1992 01:22:56 GMT


The Roxie Theatre (an eclectic repertory theatre in San Francisco) recently
had a Barbara Steele marathon. She appeared in person and took questions
from the audience for about a half hour.

This was apparently an unusual public appearance, and not part of a tour,
nor is it a regular thing for her to do.

The questions didn't bring out a lot of amazing news, but some were
interesting.

During her prime in the 60's, her shooting schedule was so hectic that she
was rarely still around when sound was re-dubbed. Therefore, in many of her
films, it's not her real voice.

She speaks several languages, and (for example) her Italian films were shot
with her speaking Italian.

She apparently does not regret her horror roles, but doesn't like to be
remembered solely for them.

There were some fanatical fans in the audience, and she received one
marriage proposal.

She was walking down the street in Hollywood one day when Jonathan Demme
screeched up in his car and said he'd been looking all over for her. He
wanted her to star in Chained Heat. She needed rent money, so she accepted.

She had a role in an Elvis movie once, but got in a fight with the director
because she put some dirt on her custom-made wardrobe to make it look more
realistic, and she quit. On the set, Elvis asked which was her good side
(and pointed out his own). He had "several girls with beehive hairdos" in
tow.

She seemed intelligent, polite, and modest. I presume she's in her 50's, and
she still has that unusual look of hers. She is still in the film business,
but has no current project.

The films shown were:
	Young Torless
	Fellini's 8-1/2
	The Horrible Dr. Hitchcock
	The Ghost
	an Alfred Hitchcock Presents episode
	Black Sunday
	Nightmare Castle

   Jon von Zelowitz   vonzelow@adobe.com   ...sun!adobe!vonzelow
Newsgroups: alt.cult-movies
From: mason@dante.uucp (Mason Jones)
Subject: Re: The Saragossa Manuscript
Date: Wed, 12 Aug 92 21:11:28 GMT
Organization: Charnel House Prod.

sr3j+@andrew.cmu.edu (Soren Renner) writes:
: Has anybody seen this, one of the best films of all time? It was made
: in Poland in the 60's in black and white. The screenplay was adapted from
: a memoir by "Count Jan Potocki". sr

I've read the book (available via Daedalus European Classics), but
I haven't been able to find anyplace to rent it.  Anyone know of
a place in the Bay Area that has it?


  VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
             Mason Jones           Charnel House Productions
             P.O. Box 170277, San Francisco 94117-0277 U.S.A.
   ...{uunet,sun}!hoptoad!dante!mason   or   dante!mason@hop.toad.com
  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Newsgroups: alt.cult-movies
From: PETERC@YaleVM.YCC.Yale.Edu (Peter Correnty)
Subject: Re: ion for A BETTER TOMORROW experts
Organization: Yale University
Date: Mon, 17 Aug 92 09:41:40 EDT

 
 
Thanks for the recommendations, Joe.  I have all of the titles you
mentioned in my collection.  I've only had the opportunity to see
A CHINESE GHOST STORY III, MR. VAMPIRE and MAGIC OF SPELL.  Actually,
I may have seen ROBOFORCE (I LOVE MARIA),too.  Is that the one with
the red-eyed robots?
 
Of those in my collection which I have actually watched, my favorites
are ...
 
ROBOTRIX    THE SEVENTH CURSE    BLACK MAGIC WITH BUDDHA
ANGER ... TERROR IN A WOMANS' PRISON    HARDBOILED
MY MASTER'S NECKLACE    CENTIPEDE HORROR   RIGHTING WRONGS
HEROS SHED NO TEARS    GHOSTLY VIXEN     NIGHT CALLER
CRAZY SAFARI    RED SPELLS RED    THE TRAIL    THE KILLER
CRAZY BLOOD    ANGEL    ACES GO PLACES    GHOSTS LOVE
MR. VAMPIRE III    MR. POSSESSED    DREAM LOVERS
SUPER NINJAS    DEVIL    POLICE FORCE    POLICE STORY
EROTIC GHOST STORY II    THE DEVIL'S VENDATA    GHOUL
OPERATION PINK SQUAD II    HAUNTED COP SHOP I and II
DOCTOR VAMPIRE    FATAL TERMINATION    FORBIDDEN ARSENAL
CITY ON FIRE     ZU WARRIORS OF MAGIC MT.    WARRIORS 3
BATTLE IN HELL    RETURN OF THE EVIL FOX
HOLY VIRGIN VERSUS THE EVIL DEAD ....
EVIL BLACK MAGIC    WITCHCRAFT VERSUS CURSE   MAGIC COP
STRANGE DEAD BODIES    BLOOD OF AN INDIAN FETISH CULT
TETSUO    WOMAN IN THE DUNES    ONIBABA
FRANKENSTEIN CONQUERS THE WORLD     CAGED BEAUTIES
STONE AGE WARRIORS    WOLF DEVIL WOMAN
GOLDEN QUEEN COMMANDOS     PHOENIX: WOLF NINJA
A BETTER TOMORROW I and II
THE SUPER NINJA     and     DEAD MAN'S CURSE
 
I'm sure there are many I've forgotten, but here are most of
my  favorites.  Have you seen any of these?
 
Pete.
Newsgroups: alt.cult-movies
From: DOBENSON@ua1vm.ua.edu (Joe Demon)
Subject: Ironman II
Organization: The University of Alabama, Tuscaloosa
Date: Wed, 19 Aug 1992 18:13:47 GMT

I checked with my distributor yesterday, and he said Ironman II has not
yet been released. It seems the director took it to Cannes, and it was
poorly received. He's planning to work on it some more before letting
it go.
  Good news, though. The director of Ironman (forgotten his name) has
released another film -> Haruko. I should be getting it in the mail in
the next few days.
  hi-ho
 
            ^ ^                JOE DEMON                 ^ ^
      ^ ^   |||                                          |||   ^ ^
^ ^   |||    |           a helluva wicked sort            |    |||   ^ ^
|||    |     |                                            |     |    |||
 |     |     |                                            |     |     |
 |     |     |                                            |     |     |
 | BITNET: DOBENSON@UA1VM             INTERNET: DOBENSON@UA1VM.UA.EDU |
From: garyb@lclark.edu (Gary Bliefernich)
Newsgroups: alt.cult-movies
Subject: Re: Big Screen Super-Heroes, What next, the Shadow?
Date: 21 Aug 92 23:20:49 GMT
Distribution: alt.cult-movies
Organization: Lewis & Clark College, Portland OR

Whwn it comes to comic book hero's that I would like to see come to 
life.  My all time fave' would have to be Marvel comic's 'DareDevil"
"The Man Without Fear".  

Can't you see the lights, can't you hear the crowd!!!
./gb
Newsgroups: alt.cult-movies
From: kh@sei.cmu.edu (Kurt Haverstock)
Subject: Re: The Wall
Organization: Software Engineering Institute
Date: Tue, 18 Aug 1992 19:12:53 GMT

In article The Wall of Tue, 18 Aug 1992 14:26:33 GMT schweitz@fwi.uva.nl (Mischa Schweitzer (W86)) writes:

>Can anyone explain the ending of the movie "The Wall" (Bob Geldof) to me?
>As far as I understood it, Bob is trying to break through the wall that is
>surrounding him. At the end of the trial, the judge orders to 'tear down the
>wall'. Does this mean Bob's objective is archieved? I hardly think so, 
>"The Wall" isn't a movie to have a happy ending...
>
>Who does understand this movie?
>
>Mischa Schweitzer (schweitz@fwi.uva.nl)
>University of Amsterdam, Holland

Yow...I haven't sat and speculated on the album or movie in ages, and
hardly *ever* was it without influence frome some substance.

Lessee...Geldof builds this "wall" around himself using the available
"bricks" of rejection, isolation, persecution and all of the nasties
visited upon him throughout his post-war-England childhood and later.
The "wall" was distance between Geldof and the painful reality and 
feminine dominance/rejection that he sought to escape.
You can go one step further and speculate that the life of excess
(sex, drugs, cars, posessions) was an attempt to fill the void 
 created by the construction of the "wall", but only served
to further distance him...recall the animated sequence in the movie;
"What shall we do to fill the empty spaces..." where cars and stereos
all stack to become bricks in the ever growing wall.

The final scene is the tearing down of the wall...not something
Geldof is too keen on since it exposes him to the reality and pain
he sought to escape and reveals him to the outside world.
It would seem that he was trying to escape the confines of the wall 
in that one scene where he clings to the crevaces of a real wall, but
by then, it's far too late...he want's out but realizes that he's
too far gone.

"Since, my friend, you have revealed your deepest fear...I sentence
you to be exposed before your peers. Tear down the wall!"

There's also a tremendous fear of being dominated/engulfed by women...
strange animation to boot.


That's the way we used to see it, albeit through bleary eyes.
This, of course is a major oversimplification as we used to read things
into just about everything including the lyric discrepancies between the
liner sheet and the songs. We didn't have much else to do besides
throw frisbee...oh, yeah...and school:-)


Kurt









Newsgroups: alt.cult-movies
From: cosulliv@fraser.sfu.ca (Christina Marie O'Sullivan)
Subject: Big Screen Super-Heroes, What next, the Shadow?
Organization: Simon Fraser University, Burnaby, B.C., Canada
Distribution: alt.cult-movies
Date: Thu, 20 Aug 1992 23:06:40 GMT

Superman, Batman, Dick Tracy, Teenage Mutant Ninja Turtles...first they
were comic strips or comic books, then serialized for the matinee
crowd (except TMNT), and super-hyped with mega-production, f/x, salaries, etc.
What I wanna know is this:
	What about _The Shadow_?

	As films nowadays are bleak and depressing overall, maybe it's time
the Shadow should emerge onto the big screen? There've been serialized 
matinee formats of the Shadow, radio shows, novels, comic books, I'd like
to see the Master Stalker of the Night in a Tim Burton vehicle.  Has
someone else in Hollywood cradled this idea? Does anyone want to get
involved in fantasy casting?

Who knows what evil lurks in the hearts of studio execs?


Newsgroups: alt.cult-movies
From: tmcfarla@fraser.sfu.ca (Tara McFarlane)
Subject: Re: Crispin Glover
Organization: Simon Fraser University, Burnaby, B.C., Canada
Date: Sat, 22 Aug 1992 06:39:10 GMT

crispin also had a fairly major role in the movie 'twister'.
From: vanover@bcsaic.boeing.com (Jann VanOver)
Newsgroups: alt.cult-movies
Subject: Re: The Wall
Date: 20 Aug 92 16:19:31 GMT
Organization: Boeing Computer Services AI Center, Seattle

In article <18AUG199222550745@apsicc.aps.edu> larson_s@apsicc.aps.edu (Shawn Larson) writes:
>>schweitz@fwi.uva.nl (Mischa Schweitzer (W86)) writes:
>> 
>>>Can anyone explain the ending of the movie "The Wall" (Bob Geldof) to me?
>>>As far as I understood it, Bob is trying to break through the wall that is
>>>surrounding him. At the end of the trial, the judge orders to 'tear down the
>>>wall'. Does this mean Bob's objective is archieved? I hardly think so, 
>>>"The Wall" isn't a movie to have a happy ending...
>
> I've personally figured out most of it, but the part that I have absolutely
>no idea about is the part where he becomes a fascist leader.  Anybody have
>a clue on that one?
>
I thought this was a statement of how fascists are made.  All the events
in Pink's life that created the "bricks" in the wall he's built around
himself have made him hateful, small minded, non-tolerant.  And, as a
rock star, he is in a power position in which he can abuse "the queens 
and the Coons and the Reds and the Jews"

As to the original question - I have no actual answer, but I take issue
with the statement that it is a "happy ending"  You don't see Pink
anywhere at the end.  He has disintegrated with his wall.  Is he trying
to achieve an objective?  I thought he was too confused to have
objectives.  He just wanted it all to end.  "Take off this uniform and
leave the show"

Even though I've never totally understood it - I've always loved the
symbolism - the worms "Good Morning Worm, your Honor", the hammers "Let 
me Hammer him, today!" and the way these symbols recur in images, in 
lyrics and in melody.

BTW - I'm one of those who was so enamored by the movie that I travelled
from Seattle, WA, USA to Berlin in 1990 JUST to see the concert.  It was
MORE than worth it!  (Even with Sinead forgetting her lyrics and Cyndi
Lauper singing "Mama do you think they'll try to break my balls")
-- 
---------------------------------------------------------------------
VanOver@atc.boeing.com
       "Why don't y'all go home?"     Bette Davis in The Little Foxes
---------------------------------------------------------------------
Newsgroups: alt.cult-movies
From: stigmata@athena.mit.edu (???)
Subject: Dr. Who
Organization: Massachusetts Institute of Technology
Distribution: usa
Date: Wed, 19 Aug 1992 21:28:25 GMT

does anybody out there have a collection of tapes of
Dr. Who from the past two doctors, or the last few
years, i'm not sure which.  if you could email me
that would be great.

andy

Newsgroups: alt.cult-movies
From: bm927@cleveland.Freenet.Edu (Dominic Macika)
Subject: Re: Cap America
Reply-To: bm927@cleveland.Freenet.Edu (Dominic Macika)
Organization: Case Western Reserve University, Cleveland, OH (USA)
Date: Thu, 13 Aug 92 17:01:48 GMT


In a previous article, ntraven@wuntvor.norman.ok.us (The Night Raven) says:

>     Apparently the movie was made a while back but was so wretched that it was
>never released, not even to home video.  (unlike The Punisher)

Actually, it was just released a few weeks ago on video.
-- 
"Dark Star" Dominic Macika 		internet:macika@emunix.emich.edu

"Standing on a hill in my mountains of dreams,
telling myself it's not as hard as it seems."
From: bchurch@oucsace.cs.ohiou.edu (Robert Church)
Newsgroups: alt.cult-movies
Subject: Re: Quote help
Date: 20 Aug 92 11:45:29 GMT
Organization: Ohio University School of Art. Athens

In article <1992Aug19.115628.16820@pbs.org> eyeater@pbs.org writes:
>
>     I hope the net can help me on this.  From whence comes the line,
>
>		"It is BALLOON!"  ?
>

In the 70s there was a cartoon version of 'Around the World in 80 Days'.
It's been awhile, but there was a recurrent line that was similar or
identical to this.


-- 
*********************************************
*    bob church                             *
*    bchurch@oucsace.cs.ohiou.edu           *
*    D-8195 NFS #27                         *
From: Nigel.Bamford@newcastle.ac.uk (Nigel.Bamford)
Newsgroups: alt.cult-movies
Subject: Amicus/Hammer movie lists required
Date: 5 Aug 92 15:48:03 GMT
Organization: University of Newcastle upon Tyne, UK NE1 7RU


Well, the subject line just about says it all, if anyone does have lists 
for either Hammer or Amicus, could you e-mail them to me ?

-Cheers

-NIGE.

Witty comments needed !

Nigel.Bamford@newcastle.ac.uk
Newsgroups: alt.cult-movies
From: 9999cs02@uhdvx3
Subject: Re: The Wall
News-Software: VAX/VMS VNEWS 1.41A   
Organization: University of Houston-Downtown
Date: Thu, 20 Aug 1992 00:30:00 GMT

In article <1992Aug18.142633.5488@fwi.uva.nl>, schweitz@fwi.uva.nl (Mischa Schweitzer (W86)) writes...
>Can anyone explain the ending of the movie "The Wall" (Bob Geldof) to me?
>As far as I understood it, Bob is trying to break through the wall that is
>surrounding him. At the end of the trial, the judge orders to 'tear down the
>wall'. Does this mean Bob's objective is archieved? I hardly think so, 
>"The Wall" isn't a movie to have a happy ending...
> 
>Who does understand this movie?
> 
>Mischa Schweitzer (schweitz@fwi.uva.nl)
>University of Amsterdam, Holland
I don't think that anyone actually _understands_ the movie as a whole...which 
I believe was part of the point....I've heard that it's an interesting movie
to watch while drunk/stoned...but I haven't tried....
Jason Ballew
stdjeb@freya.shsu.edu
jballew@nyx.cs.du.edu

Newsgroups: alt.cult-movies
From: ttak@ellis.uchicago.edu (toki  takeuchi)
Subject: Spielberg Gagas  etco
Reply-To: ttak@midway.uchicago.edu
Organization: University of Chicago Computing Organizations
Date: Sat, 22 Aug 1992 02:08:12 GMT

After being bombarded with Spielberg movies, I've begun to think
(finally?!?) that Spielberg movies are basically loud (flashy)
movies with a high budget, ambition, little content and a drop of
imagination.

Agree, disagree, care?

Kenji Takeuchi

Newsgroups: alt.cult-movies
From: dododge@wam.umd.edu (David O. Dodge)
Subject: Re: suspiria [was Re: Wim Wenders filmography request]
Organization: University of Maryland, College Park
Date: Fri, 21 Aug 1992 03:46:53 GMT

In article <BtBA71.FuE.1@cs.cmu.edu> spot@CS.CMU.EDU (Scott Draves) writes:
>
>i recently saw _suspiria_, so i thought i'd comment.
>
>i think it works just fine on a video screen.  i don't think it's a
>great film.  certainly on a higher plane than standard stupid horror,
>but not top-notch either.  with one exception: the sound track.  wow.
>is it available?  who did it?  have they done other music/movies?

As others have mentioned, the soundtrack is by Goblin. I saw a
Japanese CD of this only a few months ago in a local music store, so
yes, the soundtrack is available (as an import).

                                           -Dave Dodge/dododge@wam.umd.edu
Newsgroups: alt.cult-movies
From: cliff@demon.co.uk (Cliff Stanford)
Subject: Re: Diana Rigg (Emma Peel) Nude?
Organization: Demon Systems Ltd.
Date: Sun, 16 Aug 1992 18:03:01 GMT
X-Newsreader: Tin 1.1 PL4

boyajian@ruby.enet.dec.com (The Man from Another Place) writes:
: 
: } Does anyone know of any films in which Diana Rigg (Emma Peel of
: } the Avengers) appeared nude?  I thought I heard there was one...
: 
: No, there isn't. She *had* appeared nude on stage in a London production
: back about 20 years ago, but never in a film.

	It was a fake!  You saw her leave the stage naked but she
appeared again fully dressed on the other side of the stage seconds
later.  It raised quite a chuckle, as I remember it.
		Regards,
			Cliff.
--
Cliff Stanford				Demon Systems Limited
Demon Internet Services			42 Hendon Lane
***********************			London  N3 1TT  England
THE INTERNET FOR A TENNER-A-MONTH	081 349 0063