HDTenEightyP/NetNews huggingface dataset:
From: rspence@mpd.tandem.com (Russell Spence)
Newsgroups: rec.arts.movies
Subject: Re: naked ellen barkin (was Re: Eroticism without nudity)
Date: 13 Apr 92 21:49:22 GMT
Organization: Tandem Computers (MPD) Austin, TX

In article <1992Apr13.151324.1@mscf.med.upenn.edu> captiveall@mscf.med.upenn.edu (Mr. 14's Ubiquitous Drama) writes:
>which begs the obvious question, why would an actor/actress use a body
>double in one movie, yet be willing to "bare all" in another?  does it
>have to do with "degrees" of nudity? ("i'll do that, but i most
>definitely won't do *that*!).
>mr. 14


	It's not the actress who chooses to use a body double, it's the
	director.  A body double is used because the actress (or actor) does
	not look good enough or does not look right for the image the director
	is trying to create.  In Ellen Barkin's case, the difference is
	probably that the nude shots in Siesta are long shots, whereas in Sea
	of Love they are close ups.

-- 
------------------------------------------------------------------------------
Russell Spence							 Austin, Texas

What if we built this huge wooden badger?
Xref: sparky rec.arts.movies:13343 rec.music.misc:13781 rec.games.trivia:1772 alt.music.alternative:2909
From: synth@deepthought.unm.edu (Synth F. Oberheim)
Newsgroups: rec.arts.movies,rec.music.misc,rec.games.trivia,alt.music.alternative
Subject: Re: Secret Samples (Shriekback & Pop Will Eat Itself) - the answers!
Date: 8 Apr 92 16:25:33 GMT
Article-I.D.: lynx.d!rj!vg
Organization: SynthMuzik Productions Ltd.:  The Danes Call It Quality

cybe@leland.Stanford.EDU (Rajesh Krishnan) writes:

>I am told that the Shriekback quote from Nemesis (Arch-Deviant Mix):
>"...the pain of hell.  The burst from a lighted match increases a million
>times..." comes from the movie Christine by John Carpenter.
>
>The quote from X,Y, and Zee by PWEI:
>"Let me tell you a little something about love.  It has a voracious
>appetite.  It eats everything.... You feed it right and it can be 
>a beautiful thing and that's what we have...." I am told is from
>Mean Streets, the Martin Scorsese film.

Perhaps you have the two confused?  Because the second quote is *definitely*
from John Carpenter's CHRISTINE (as I already posted).


===============================================================================
    :: :: :: :: ::     Synth          synth@dreamtime.unm.edu  Ask Me About My
 :: :: :: :: :: :: ::  (F. Oberheim)  synth@yenta.alb.nm.us    Psychopathology
===============================================================================
Cowboy, the slow-thinking weapons expert, is ... DynaYellow!
From: eabu202@orion.oac.uci.edu (Virany Margaret Kreng)
Newsgroups: rec.arts.movies
Subject: Theme movies
Date: 7 Apr 92 23:08:50 GMT
Article-I.D.: noiro.29E22B82.27108
Organization: University of California, Irvine

Can somebody e-mail me or post some suggestions for movies that fit under 
either of these two themes?

1) psychiatrist/psychologist/doctor gets involved with patient and caught  
   up in a murder (a la FINAL ANALYSIS but better, hopefully)

2) amnesiac victim (NOT REGARDING HENRY!!) mixed with detective genre (a la
   SHATTERED)

Thanx!!

Virany kreng
eabu202@orion.oac.uci.edu

************************************************************
* "I don't want to sell anything, buy anything, or process *
* anything as a career.  I don't want to sell anything     *
* bought or processed; or buy anything sold or processed;  *
* or process anything sold, bought, or processed; or       *
* repair anything sold, bought, or processed.  My father's *
* in the army.  He wanted me to join, but I can't work for *
* that corporation.  So what I've been doing lately is     *
* kickboxing."       -- John Cusack, SAY ANYTHING          *
************************************************************
From: ddd@merlin.cvs.rochester.edu (Derryl D. DePriest)
Newsgroups: rec.arts.movies
Subject: Re: BRENDA STARR (was List of Comic Book Cinema)
Date: 17 Apr 92 20:51:47 GMT
Organization: University of Rochester, Rochester NY

pibeb@dcatla.uucp writes:
	>I understand BRENDA STARR will finally get a limited release
>in LA and then on to wider release if it fares well.  

Brenda Starr isn't a comic book, but a comic strip.  
I'll withold judgement, but the studio/distributor held
on to the film so long that I fear it's pretty bad.
 ___       
|\__\___               Derryl Dean DePriest     ddd@cvs.rochester.edu          
||  |\__\___     Neuroscience Graduate Program and Center for Visual Science  
|| D||  |\__\                      University of Rochester                     
\|__|| D||   \   
    \|__|| D |                     Evil long and perspire.
        \|__/  
Newsgroups: rec.arts.movies
From: CT.A81@forsythe.stanford.edu (lfribeiro)
Subject: fried green tomatoes video release?
Organization: Stanford University, California, USA
Date: Thu, 16 Apr 1992 21:36:28 GMT

does anyone know when universal will be releasing "fried green
tomatoes" on video?  most of winter's b.o. winners seem slated for
late may and early june releases- with a few exceptions like
disney's "beauty and the beast"...but there hasn't been mcuh word on
this sleeper. thanks.
Newsgroups: rec.arts.movies
From: sdt8s@poe.acc.Virginia.EDU (Stephen Daniel Tilson)
Subject: Re: Streisand and (5 - (5 - n)) = n
Organization: University of Virginia
Date: Sun, 5 Apr 1992 06:41:39 GMT

(Much talk about ratios of best directors to best pictures not
copied here.)

Gimme a break. Streisand did not get best director and POT did
not get best picture because neither deserved it.
--
_________________________________________________________________________

Is this a real .sig? Only my sysadmin knows for sure!
Steve Tilson   /                   sdt8s@virginia.edu
From: djones@megatest.UUCP (Dave Jones)
Newsgroups: rec.arts.movies
Subject: Re: Favourite Alltime Films
Date: 16 Apr 92 00:37:19 GMT
Organization: Megatest Corporation, San Jose, Ca


And my top ten favorite movies are (drum roll) brrrrrrrrrrrrrrrrrr......

1. Gone With The Wind
2. Dr. Zhivago
3. The Graduate
4. Blade Runner, the director's cut
5. 'Round Midnight
6. The Battle of Algiers
7. Amadeus
8. The Stunt Man
9. The Meaning of Life
10. Goodfellas

Honorable mention...

8 1/2
Annie Hall
Birds, The
Blow Up
Blue Velvet
Body Heat
Caddyshack
Chinatown
Clockwork Orange, A
Cocoanuts, The
Commitments, The
Deliverance
Dial M For Murder
Easy Rider
Full Metal Jacket
Homicide
Last Emperor, The
Little Big Man
Man Who Would Be King, The
Midnight Cowboy
One Flew Over The Cuckoo's Nest
Onion Field, The
Psycho
Raging Bull
Rear Window
Repo Man
Sand Pebbles, The
Sex, Lies, and Videotape
Taxi Driver
Thin Blue Line, The
Tootsie
Willie Wonka and the Chocolate Factory
Wizard of Oz, The
Year of Living Dangerously, The
Organization: University of Maine System
Date: Friday, 10 Apr 1992 18:42:13 EDT
From: <IO20456@MAINE.MAINE.EDU>
Newsgroups: rec.arts.movies
Subject: Stephen King

Stephen King not only had a cameo appearance in Pet Semetary as the priest
presiding over the little boy's funeral, but King also wrote the screenplay.
From: howard@hpopd.pwd.hp.com (Howard Price)
Date: Mon, 13 Apr 1992 15:37:59 GMT
Subject: Re: Blade Runner/Kim Wilde question
Organization: Hewlett-Packard NSG-PWD, UK.
Newsgroups: rec.arts.movies

TRIVIA WARNING!!!

Gary Numan did the same thing with a track called "Call out the dogs" from
his "Fury" album back in 89/90.  Damn good track it is too.

Howie


_____________________________________________________________________________

howard PRICE  (price_howard/hp1600_02@hpopd.pwd.hp.co.uk) B0 k+(++) cd s+ r-

Hewlett-Packard          TEL: UK+ (344) 773100           74 New Bright Street
Pinewood Info Sys Div    FAX: UK+ (344) 763676           Holy Brook
Nine Mile Ride           INT: 53636                      Reading
Wokingham               DESK: Howard PRICE/HP1600/02     Berkshire
Berkshire RG11 3LL      HOME: UK+ (734) 583349           RG1 6QQ
England                 VODA: (0831) 271224 (UK Only)    England      
                                                                      
All these opinions are mine and do not reflect those of my employers   
Newsgroups: rec.arts.movies
From: winicur@boulder.Colorado.EDU (Zev Winicur)
Subject: Re: darkman was great!!!
Organization: University of Colorado, Boulder
Date: 10 Apr 92 22:39:32 GMT

I agree.  I thought Darkman was great.  You just need to be in the right
sort of mood.  Besides, the hanging from the helicopter scene was one of the
greatest stunts I have ever seen.


_______     __   ,     _____/  *
      |       \       /  |     *  Zev Winicur
      |        \         |     *  winicur@beagle.colorado.edu
______|_    |   \        |     *
From: bill@dcs.warwick.ac.uk (Bill Ferreira)
Newsgroups: rec.arts.movies
Subject: Re: Help find some music in "The Omen"
Date: 15 Apr 92 09:46:22 GMT
Organization: Department of Computer Science, Warwick University, England

napalm@next07wor.wam.umd.edu (Warren L. Mohn) writes:

>In article <1992Apr14.122809.3032@dcs.warwick.ac.uk>  
>bill@dcs.warwick.ac.uk (Bill Ferreira) writes:
>> tjp@jyu.fi (Topi Paavola) writes:
>> 
>> >In the film "The Omen" there was a really good-sounding classical piece  
>for
>> >choir and orchestra, and I'd like to know its composer and name. 

>> The piece you are talking about is called "Carmina Burrana" and
>> is by the contemporary(?) composer Carl Orff.
>> -- 

>Contemporary? I always thought Carl Orff was late middle ages time span.   
>I know the manuscript that Carmina Burana is based on is supposedly middle  
>ages (no one has actually found it).  And the language used in the piece  
>is latin on the verge of becoming vernacular Italian.  Maybe some music  
>majors out there can join in the discussion.

That's why I wrote contemporary with a leading ?, because I didn't really know
for sure. Perhaps you should write "late middle ages time span" in the
same manner since you don't seemed to too convinced by your own knowledge either.
A trip to the library is in order perhaps?

-- 
Bill Ferreira (bill@uk.ac.warwick.dcs)
Dept. of Computer Science,
University of Warwick,
Coventry CV4 7AL, ENGLAND.
From: rlm7638@tamsun.tamu.edu (Jack McKinney)
Newsgroups: rec.arts.movies
Subject: Re: SEQUEL TO T2
Date: 6 Apr 92 15:28:01 GMT
Organization: Texas A&M University, College Station

jpm56290@uxa.cso.uiuc.edu (Duner) writes:
>
>   Arnold's arm that was ripped off was never distroyed?  Either the director
>   forgot about it, or maybe this will lead to another Terminator movie.
>   I hope not, 'cause it be hard to beat the two we have now.
>
>   Just wondering.

     I have heard that in the book, Sarah and John go back and clean up some,
throwing the leftover arm in, etc.
     As for T3, if they _can_ top the first 2, it would be worth it. They
don't need it for a third movie. There still exists a future where the war
_did_ happen, which is where Arnie, etc. come from. Sarah and John's time-
line no longer contains this future, but that future can still send people
back, or perhaps we could just see the war against the machines itself.

+---------------------------------------------------+------------------------+
| "Of course...we all create God in our own image"  | Jack McKinney          |
|             -Commander Decker, Star Trek:TMP      | rlm7638@tamsun.tamu.edu|
+---------------------------------------------------+------------------------+
From: gibson@crisium.geop.ubc.ca (Brad Gibson)
Subject: Re: Vanity in movies
Organization: Dept. of Astronomy / Univ. of British Columbia
Date: Wed, 15 Apr 92 19:12:37 GMT

In article <ddrumm.226r@amiganet.chi.il.us> ddrumm@amiganet.chi.il.us (Daniel Drumm) writes:
>Sandy Bodzkin:
> 
>Vanity appears in a film w. Roy Schieder called 52 Pickup. 
>She also starred alongside the Jim Brown of the 80s, Carl Weathers, in 
>ACTION JACKSON. Both were not major films...but they were in theaters. 
>Does that count, or are you looking for blockbusters?
>

From the ACTRESS LIST posted to r.a.m.

Vanity:
	52 Pick-Up
	Action Jackson
	Deadly Illusion
	Last Dragon, The
	Memories of Murder (TV)
	Never Too Young to Die
	Tanya's Island
	Terror Train

Brad

-- 
------------------------------------------------------------------------------
  Brad K. Gibson                           INTERNET: gibson@geop.ubc.ca
  Dept. of Geophysics & Astronomy         
  #129-2219 Main Mall                      PHONE: (604)822-6722
  University of British Columbia           FAX:   (604)822-6047
  Vancouver, British Columbia, Canada
  V6T 1Z4
------------------------------------------------------------------------------
From: jordan@cs.tulane.edu (Misti Jordan)
Newsgroups: rec.arts.movies
Subject: Re: Will the Real Alan Hale stand up (was: The Sea Hawk questions)
Date: 8 Apr 92 06:38:32 GMT
Organization: Computer Science Dept., Tulane Univ., New Orleans, LA
Nntp-Posting-Host-[nntpd-24184]: sinbad


In article <1992Apr6.192427.938@tc.fluke.COM>, moriarty@tc.fluke.COM (Jeff Meyer) writes:
>
> BTW, your guide is pretty incomplete.  Alan Hale appeared in a host of
> movies, though he is best remembered for being Errol Flynn's sidekick in
> almost every one of his adventure films.  Besides THE ADVENTURES OF ROBIN
> HOOD and those you list, I remember him in THE ADVENTURES OF DON JUAN (also
> with Flynn) and a very small part in IT HAPPENED ONE NIGHT with Clark Gable
> and Claudette Colbert.
>
> A really enjoyable character actor -- he played well against Flynn.
>
Isn't Alan Hale the skipper from Gilligan's Island?
Newsgroups: rec.arts.movies
From: v115p8d6@ubvmsb.cc.buffalo.edu (Quenby M Chunco)
Newsgroups: rec.arts.movies
Subject: Re: A small problem with Silence of the Lambs
Date: 6 Apr 92 18:43:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

In article <ddrumm.21rl@amiganet.chi.il.us>, ddrumm@amiganet.chi.il.us (Daniel Drumm) writes...
>Michael Kaufman:
> 
>Good point about shaving Lecter. Maybe they shot him with a tranquilizer. Or
>maybe they gave him a straight razor to shave himself and then made him give
>it back. It's not like he's going to say "No, you can't have it." And it's not
>like he's going to be able to take a straight razor apart, either. There's
>only two parts to it, a handle and a blade. What about the tape recorder? Why
>would he need to swallow a pen clip when he had a tape recorder, chock full of
>pins and springs and all kinds of goodies?

He probably did not use the tape recorder because it would be rather obvious
if he tried to take it apart with the guards right there. In that cell it
appeared that he was within their view all the time except when he was using
the toilet. Carrying the tape recorder into the toilet could be construed
as somewhat suspicious. And besides...how did he know he was going to have
access to the tape recorder? 

just an opinion.
Newsgroups: rec.arts.movies
From: ricko@ee.uts.edu.au (Rick Jelliffe)
Subject: Re: Undubbed version of Mad Max
Organization: University of Technology, Sydney, Australia
Date: Thu, 16 Apr 1992 03:23:50 GMT

dollens@equinox.unr.edu (C Blake Dollens) writes:

>In article <1992Apr14.044201.2650@ucc.su.OZ.AU> smcneil@metro (Shannon McNeil) writes:
>>I believe there is a compatability problem between USA/Aus -- the picture
>>comes out ok but the sound stuffs up.  The same goes for USA/UK -- You
>>Americans should think about changing your system!!!

>So true.  If memory serves, Arthur C. Clarke dubbed NTSC "Never The Same
>Color twice".  PAL has a slightly higher resolution anyway, so I don't
>see why we're still using NTSC other than the obvious reason that it
>would be difficult to switch all the machines already out there.
>Hopefully, HDTV will completely replace BOTH of them, and we won't have
>to worry about it.  :-)

Japan uses NTSC, and it has much better picture quality than PAL-D in Australia.
I heard an explaination that the Japanese TV stations spend an awful lot of 
money on high tech. signal enhancers, while US stations often don't have
the market share to afford these.

-ricko
From: bole@hmivax.humgen.upenn.edu (Greg Bole)
Newsgroups: rec.arts.movies
Subject: Re: WHITE MEN CAN'T JUMP
Date: 16 Apr 92 15:06:30 GMT
Organization: HHMI/Human Genetics, Univ of Pa.

In article <29ECAE62.4676@noiro.acs.uci.edu>, cotsonas@uci.edu (Bruce Cotsonas)
> Please ignore the recent flames about WHITE MEN CAN'T JUMP.   It is a 
> very, very funny movie.  The film is an outrageous, comic fantasy about 
> street-hustle basketball.  Harrelson, Snipes and Perez are great.  I saw 
> this with a racially-mixed audience and everyone was laughing and having a 
> great time.

When anybody tells you to *ignore* criticism of a movie, be very careful.

Obviously what Bruce means is that he didn't agree with what some others
thought of the movie.  This doesn't mean you should *ignore* them and only
pay attention to Bruce's GREAT opinion!

I'll sorta give you a middle-of-the-road opinion (I'll play Clinton).  This
movie had VERY funny parts, but suffered from a contrived and ridiculous plot.
For some people this sort of thing works, for others it's really a drag.

Also: in my humble opinion Rosie Perez is the most annoying woman I've ever 
seen on the silver screen!  (But boy, can those fellas play basket-ball!)

Greg Bole	                                   "Finger lickin' good!"
bole@hmivax.humgen.upenn.edu                      Bill Paxton in _Near Dark_
From: Corey_Lynn_Nelson@cup.portal.com
Newsgroups: rec.arts.movies
Subject: Re: New James Bond?
Date: Thu, 16 Apr 92 21:49:32 PDT
Organization: The Portal System (TM)

What I read was that Mel Gibson was signed for a James Bond film, but
he won't be Bond, himself. He will be playing a bad guy from waht
I understand.
 
   -=<< Corey, the Sysop >>=-
 
   corey_lynn_nelson@cup.portal.com
From: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Newsgroups: rec.arts.movies
Subject: Re: Oscar question/Best Picture
Keywords: Oscar Award, Best Picture
Date: 6 Apr 92 17:14:29 GMT
Reply-To: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Organization: NCR E&M CLEMSON Liberty, SC

In article <wood.702359681@kong> wood@kong.siemens.com (Jim Wood) writes:
>jxxl@taurus.cs.nps.navy.mil (John Locke) writes:
>>chim@ruhets.rutgers.edu (Leung Hok Chim) writes:
>>>I would like to know from the netters examples of previous Oscars where
>>>the competition for the Best Picture are particluarly strong.
>
>
>1939:	"Gone With the Wind" (winner)
>	"Mr. Smith Goes to Washington"
>	"Stagecoach"
>	"Wuthering Heights"

Also, if memory serves:
    The Wizard of Oz
    Dark Victory
.
.
.
.
.
.
.
.
.
.
.
.


Newsgroups: rec.arts.movies
From: sbb1@Ra.MsState.Edu (Shay B. Berthelson)
Subject: Re: SEQUEL TO T2
Organization: Mississippi State University
Date: Mon, 6 Apr 1992 14:52:03 GMT

jpm56290@uxa.cso.uiuc.edu (Duner) writes:


>   This is my first time reading and posting on this newsgroup, so I don't
>   know if this was already talked about.  Anyway, did anyone notice that
>   Arnold's arm that was ripped off was never distroyed?  Either the director
>   forgot about it, or maybe this will lead to another Terminator movie.
>   I hope not, 'cause it be hard to beat the two we have now.

>   Just wondering.

It does not matter that his hand or arm is still around, his internal cpu was
destroyed, and that is what was causing the troble from the first movie.  The
arm was just a mystery.  not enough to base a sequal on.    


Shay B.


Newsgroups: rec.arts.movies
From: martin@zen.maths.uts.edu.au (Martin Caden)
Subject: Re: Garbage chute blunder in Star Wars?
Organization: University of Technology, Sydney, Australia
Date: Tue, 7 Apr 1992 02:04:44 GMT

In article <74vtyg-@rpi.edu>, garrem@aix.rpi.edu (Matthew Olsen Garretson) writes:
> In Star Wars, when Luke, Leia, Han, & Chewbacca are exchanging fire w/troopers,
> Leia blasts a hole in the wall and yells "Into the garbage chute, flyboy!".
> The question here is, how does Leia happen to
> know there's a garbage chute right there?  Do you suppose Vader took her on a
> tour after he tortured her?

She shot out the panel before she said "into the garbage chute" so she could
have guessed what it was by its smell - remember that Chewie didn't want to go
into it because it stank.  If you really want to go down the dark side of
justification of every minor detail with increasing tortureous assumptions
then perhaps there may have been a small litter-chute opening nearby and Leia
blasted a "humanoid-being"-sized hole where she thought the chute might be :-)
  O
 /|\ Martin Caden
 /^\ martin@zen.maths.uts.edu.au
From: djones@megatest.UUCP (Dave Jones)
Newsgroups: rec.arts.movies
Subject: Re: Need 3rd Cannibal movie
Date: 9 Apr 92 02:34:03 GMT
Organization: Megatest Corporation, San Jose, Ca

From article <1992Mar31.225142.266@mala.bc.ca>, by epp@mala.bc.ca (Lorne Epp):

> Do you consider _Eating Raoul_ a good movie?


Yep. A really good movie. It is very interesting to compare it,
a black comedy, to _The Cook, The Thief, et al_, which is a - what? -
a black drama?

"Hollywood! where the distinction between food and sex has
 broken down intirely."
From: jsp@uts.amdahl.com (James Preston)
Newsgroups: rec.arts.movies
Subject: Re: Another Blooper
Date: 17 Apr 92 18:35:57 GMT
Reply-To: jsp@pls.amdahl.com
Organization: Amdahl Corporation, Sunnyvale CA

jsp@uts.amdahl.com (James Preston) writes:

}tmkk@uiuc.edu (K. Khan) writes:

}}In the James Bond movie "Diamonds Are Forever," there's a scene in which
}}Bond and Tiffiny are driving a red Mustang Mach I through a rather
}}narrow alley. The ever resourceful Bond tips the car up onto two wheels
}}to squeeze through the narrow part. The amazing thing is, the pair of
}}wheels he's driving on at the start of the narrow passage are not the
}}same pair he's driving on at the end of it. ;-)

}Watch that scene again closely.  I used to think it was a blooper, too,
}but right in the middle there is a through-the-windsheld shot in which
}the car clearly tips from one side to the other.  If I remember correctly,
}the shot that shows the alley before the car tips briefly shows the area
}where the switch-tip needed to happen.

I watched it again last night.  You can't see an open area down the alley,
but there is a definite shot, panning from Tiffany to Bond during which
the car tilts from its right side to its left.

The real blooper in that car chase scene comes before that.  As Bond is
leading the police cars through downtown Vegas, there are big crowds of
people lined up on the sidewalks watching the cars go by.  Even when he
goes around a corner, the crowds are already waiting and watching.  You
kind of get the feeling that they all know what's coming.

--James Preston

Newsgroups: rec.arts.movies,rec.music.misc,rec.games.trivia,alt.music.alternative
From: cybe@leland.Stanford.EDU (Rajesh Krishnan)
Subject: Re: Secret Samples (Shriekback & Pop Will Eat Itself) - the answers!
Organization: DSG, Stanford University, CA 94305, USA
Date: Thu, 9 Apr 92 04:01:37 GMT

In article <d!rj!vg@lynx.unm.edu> synth@deepthought.unm.edu (Synth F. Oberheim) writes:
>cybe@leland.Stanford.EDU (Rajesh Krishnan) writes:
>
>>I am told that the Shriekback quote from Nemesis (Arch-Deviant Mix):
>>"...the pain of hell.  The burst from a lighted match increases a million
>>times..." comes from the movie Christine by John Carpenter.
>>
>>The quote from X,Y, and Zee by PWEI:
>>"Let me tell you a little something about love.  It has a voracious
>>appetite.  It eats everything.... You feed it right and it can be 
>>a beautiful thing and that's what we have...." I am told is from
>>Mean Streets, the Martin Scorsese film.
>
>Perhaps you have the two confused?  Because the second quote is *definitely*
>from John Carpenter's CHRISTINE (as I already posted).
>
I think that's right.  Sorry everyone...
Newsgroups: rec.arts.movies
From: tmkk@uiuc.edu (K. Khan)
Subject: Re: Another Blooper
Organization: University of Illinois at Urbana
Date: Tue, 14 Apr 1992 20:02:14 GMT


In article <1992Apr14.091524.54452@cc.usu.edu> fajack@cc.usu.edu writes:
>
>  At the end of the James Bond movie "GoldFinger," where 007 was
>trying to diffused the time bomb that he was tied to.  When he successfully
>diffused the bomb, the time on the clock showed 7 seconds left, but
>he said something like "3 more seconds, we will be.......".

This one is excusable - OF COURSE the timer had to stop at "007" ;-)