HDTenEightyP/NetNews huggingface dataset:
Newsgroups: alt.guitar.tab

From phil@hpmsfpb.sj.hp.com Tue Aug 18 08:53 PDT 1992

                             Long Ago And Far Away
				James Taylor

	      Dm                   G        C
	      Long ago a young man sits and plays his waiting game
                  Am                 Am7              Dm             G
	      But things are not the same it seems as in such tender dreams
              Dm                     G          C   Cm7    F
	      Slowly passing sailing ships and Sunday afternoon
              Am                 Am7            Dm                  G7
	      Like people on the moon I see are things not meant to be

	      CHORUS:     Cm7                   G
			  Where do those golden rainbows end
                          Cm7          G
			  Why is this song so sad
                          Cm7                      G
			  Dreaming the dreams I've dreamed my friend
                          Cm7        G
			  Loving the love I love to...

              Dm                    G          C          Cm7   F
              Love is just a word I heard when things are being said
              Am              Am7              Dm               G
	      Stories my poor head has told me cannot stand the cold
              Dm                             G        C        Cm7    F
	      And in between what might have been and what has come to pass
                Am                         Dm              G7
	      A misbegotten guess alas and bits of broken glass

	      CHORUS:   Cm7                  G
			Where do your golden rainbows end
                        Cm7                G
                        Why is this song I sing so sad
                        Cm7                   G
			Dreaming the dreams I dream my friend
                        Cm7        G              Cm7        G
	                Loving the love I love to love... to love..

________________________________________________________________
  ___              Phil Bearce at HP San Jose - Components
 (/__) /_   .  /)  internet: phil@hpmsfpb.sj.hp.com
 /    /  )_(__(_ -     "Look out for that root."  -James Taylor
________________________________________________________________
From: adam@micromuse.co.uk (Adam Kerrison)
Newsgroups: alt.guitar.tab
Subject: Re: REQUEST: Joe Satriani - Satch Boogie
Date: 18 Aug 92 08:07:26 GMT
Reply-To: adam@micromuse.co.uk
Organization: MicroMuse Ltd, London, UK

> I was disappointed not to see any replies on this one (maybe you all just
> mailed Theo instead? Nahh ;-) -- not even a single "Get back issue number N
> of magazine M" -- so I've decided to post what I have of Satch Boogie.

I know that snatch boogie was printed in a magazine a while back as I
remember looking at it and thinking "I can't do that". I can't remember the
issue but I think I have it somewhere.

I'll have a look at home and if I can find it I'll post it - OK]

Adam
---
==========================================================================
Adam Kerrison                  | Phone : +44 71 352 7774
Technical Support              | Fax   : +44 71 351 7834
MicroMuse Ltd                  | E-mail: adam@micromuse.co.uk
London                         | 
SW10 0RN                       | "All the worlds a stage ..."
==========================================================================
Newsgroups: alt.guitar.tab
From: kurt@bluemoon.rn.com (kurt schroeder)
Subject: Telsa's "What You Give"
Organization: Blue Moon BBS ((614) 868-998[024])
Date: Thu, 13 Aug 92 11:18:40 EDT

Does anyone have the tab to Tesla's  "What You Give" a ballad off
of their lastest album.  If so, could someone email it to me.
All responses greatly appreciated!!

 This is from
     kurt@bluemoon.rn.com
who doesn't have his (or her) own obnoxious signature yet
Newsgroups: alt.guitar.tab
From: jhammond@adobe.com
Subject: Re: wooden ships (repost)
Organization: Adobe Systems Incorporated
Date: Tue, 18 Aug 1992 21:39:23 GMT

In article <momotaro.714158725@cwis> momotaro@cwis.unomaha.edu (Bryan  
Stack) writes:
> rsk@aspen.circ.upenn.edu (Rich Kulawiec) writes:
> 
> >In article <momotaro.714144329@cwis> momotaro@cwis.unomaha.edu (Bryan  
Stack) writes:
> >>References notwithstanding -- the album credits on JA's Volunteers are
> >>to Crosby - Kantner - Stills but on CSN's first LP only to Crosby -  
Stills.
> >>Volunteers--the one with the peanut butter and jelly sanwich on the  
inside--
> >>also credits David Crosby with playing music and sailboat.
> 
> >The credits on "Volunteers" are consistent with the statment I made,  
and
> >with the cited references.  (I note in passing that the list of authors  
is
> >in alphabetical order.)  I have no idea why the first CSN LP does not  
list
> >Kantner, since he is clearly the principal author.
> 
> You don't suppose there could be an ego problem there?  
> Rock musicians?  Nah . . . But then, listen to A Song For All Seasons on
> Volunteers.   Maybe it has happened once or twice.  But otherwise, I'm  
sure
> they are all an exceptionally humble lot.
> 
> >>>====================>
>    Bryan Stack 
>    Omaha, Nebraska, USA
>    momotaro@cwis.unomaha.edu

the song was orginally written by Paul Kantner with some help by David  
Crosby and Steven Still helped out with the arrangement. Kantner was not  
given his dues on the original "Volunteers" album and raised a stink. I  
don't remember if any legal action insued but on following releases of the  
song he is given credit. You could also check the credits on Jefferson  
Starship's verson of the same song.

John Hammond
From: adheesh@ms.uky.edu (Adheesh Sathaye)
Newsgroups: alt.guitar.tab
Subject: Mudhoney, fIREHOSE,etc.
Date: 13 Aug 92 19:03:51 GMT
Organization: University Of Kentucky, Dept. of Math Sciences

Hello, 

I'm quite new to this newsgroup (in fact this would be post # 1) and I've
noticed that the majority of tabs here (and even on the ftp site) seem to
be 60's-70's rock songs. This is great--I like these songs as much as the
next guy, but I am also interested in tabbing these aforementioned bands.

I would like to know, however, if there is a serious interest in this
newsgroup for creating tabs for such bands as Husker, Dinosaur, Mudhoney,
and so forth..Because I don't really trust my tabbing abilities nor my 
'extraordinary' guitar mastery :) well enough to undertake such a project 
on my own...

So if anyone truly wants to do this, or even wants me to do this, please
get in touch...

Thanks,

Adheesh
adheesh@ms.uky.edu
Newsgroups: alt.guitar.tab
From: petek@vipunen.hut.fi (Petri 'Pete' Karha)
Subject: Re: Chord Request: "Crying", Roy Orbison
Organization: Helsinki University of Technology, Finland
Date: 20 Aug 92 08:30:05 GMT

In <1992Aug19.140131.19153@sni.ca> dave@silver.sni.ca (Dave Till) writes:
>(It might be a C augmented or something.)
Looks like C+ to me.
-- 
s32852b@puukko.hut.fi ! Petri 'Pete' Karha     !  Copyrights (C) by
petek@otax.tky.hut.fi ! Kirstinharju 11 L 198  !      Pete ltd
petek@vipunen.hut.fi  ! SF-02760 Espoo         !  Patents pending.
Tel: +358-0-8053655   ! FINLAND the FUNLAND    ! 
Newsgroups: alt.guitar.tab
From: beker@sci.kun.nl (B.P.T.M. Beker)
Subject: REQUEST: "Breaking The Girl" TAB
Organization: University of Nijmegen, The Netherlands
Date: Sat, 15 Aug 1992 13:56:26 GMT

Hi there,

some time ago someone posted a part of the 
tab of Breaking The Girl bij the Red Hot
Chili Peppers. This fine fellow promised to
post the tabs of the bridge and chorus, but
I'm still waiting.....

Please send it!

By the way, I'm also looking for Pixies tabs
and chords, especially from the CD 'Doolittle'.


What a great newsgroup this is!
A big THANK YOU to everyone contributing to
this group.

Benny


Newsgroups: alt.guitar.tab
From: stretch@next06pg2.wam.umd.edu (Erik Rowland Janus)
Subject: Re: Wooden Ships (repost)
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Fri, 14 Aug 1992 18:29:42 GMT

In article <1992Aug13.134803.10379@newstand.syr.edu> polar@top.cis.syr.edu  
(Polar Humenn) writes:
> A little while ago I posted something about "Wooden Ships".  Although
> appearing locally, I got no answers, or followups, so I am wondering
> if it got out there.  I think I have some problems with other groups
> also.  Anyway here it is again:
> 
> 
> On this newsgroup, it seems that the consensus is that "Wooden Ships"
> was written by Stills & Nash.  However, I seem to have this burning
> feeling (out of my past) that this song was written and performed by
> Joni Mitchell, as well as performed by Jefferson Airplane, and CSN&Y.
> I could be very well wrong.  Can anyone clear this up, for sure?
> 
I believe this is another song from the the forgotten songbanks of
DAVID CROSBY (kind of like 'Triad' -also covered by the Airplane).
I have my doubts about Joni Mitchell
Stretch

Newsgroups: alt.guitar.tab
From: schnitzi@cs.ucf.edu (Mark Schnitzius)
Subject: Re: REQUEST: "Breaking The Girl" TAB
Organization: University of Central Florida
Date: Sat, 15 Aug 1992 19:50:06 GMT

beker@sci.kun.nl (B.P.T.M. Beker) writes:

>some time ago someone posted a part of the 
>tab of Breaking The Girl bij the Red Hot
>Chili Peppers. This fine fellow promised to
>post the tabs of the bridge and chorus, but
>I'm still waiting.....

G            D         Em
  Feeling so good that day

G              D         C
  A feeling of love that day

Em           D/F#         G            Am
Twisting and turning your feelings are burning

       B            B/A   B/G   B/F#
You're breaking the girl

Em  D/F#  G   Am  C
She meant you no  harm

[Keep in mind this is all played with a capo on the fourth fret]

Mark Schnitzius
schnitzi@eola.cs.ucf.edu
Univ. of Central Florida
From: rsk@aspen.circ.upenn.edu (Rich Kulawiec)
Newsgroups: alt.guitar.tab
Subject: Re: wooden ships (repost)
Date: 18 Aug 92 16:00:06 GMT
Organization: Cardiothoracic Imaging Research Center

In article <momotaro.714144329@cwis> momotaro@cwis.unomaha.edu (Bryan Stack) writes:
>References notwithstanding -- the album credits on JA's Volunteers are
>to Crosby - Kantner - Stills but on CSN's first LP only to Crosby - Stills.
>Volunteers--the one with the peanut butter and jelly sanwich on the inside--
>also credits David Crosby with playing music and sailboat.

The credits on "Volunteers" are consistent with the statment I made, and
with the cited references.  (I note in passing that the list of authors is
in alphabetical order.)  I have no idea why the first CSN LP does not list
Kantner, since he is clearly the principal author.
Newsgroups: alt.guitar.tab
From: peugh@wam.umd.edu (Arthur Dent)
Subject: Re: Spinal Tape, Cure, Descendents Wants
Organization: University of Maryland, College Park
Date: Sat, 22 Aug 1992 15:57:40 GMT


  Well Here's the tab to Big Bottom(on guitar)






  :)

  Well, here's the words at least...

The bigger the cushin
the sweeter the pushin
That's what i said.

The looser the waistband 
the deeper the quick sand
or so i have read

My baby fits me like a flesh tuxedo
I like to sink her with my pink torpedo
Big bottom big bottom
Talk about buncakes my girl's got em
Big bottom drive me out of my mind
How could I leave this behind

Met her on Monday
was my lucky bunday
you know what i mean
lover her each weekday 
each velvety cheek day
You know what i mean

My love gun's loaded and she's in my sights
Big dame is waitin there inside her tights
Big bottom big bottom 
Talk about mudflaps my girl's got em
Big bottom drive me outa my mind
How could i leave this behind

My baby fits me like a flesh tuxedo
I like to sink her with my pink torpedo
Big bottom big bottom
Talk about buncakes my girl's got em
Big bottom drive me outa my mind 
How could i leave this behind

  
 

Newsgroups: alt.guitar.tab
From: gloverr@ucsu.Colorado.EDU (GLOVER RICHARD BRIAN)
Subject: Tab Request: Cathedral by Van Halen
Organization: University of Colorado, Boulder
Date: Tue, 18 Aug 1992 22:27:23 GMT

Hello, I was just wondering if anyone out there has the
tab to Cathedral, off from Diver Down.  I'd like to 
play that effect, but I can't get it right...any help
would be greatly appreciated...

	-gloverr@ucsu.colorado.edu
From: harper@godot.think.com (Jim Harper)
Newsgroups: alt.guitar.tab
Subject: Tooth and Nail Request (solo)
Date: 13 Aug 92 13:16:45
Organization: Thinking Machines Corporation, Cambridge MA, USA
Distribution: alt
NNTP-Posting-Host: godot.think.com

Can someone post the tab to the solo in Dokken's Tooth and
Nail,
Thanks !!!
From: umande91@ccu.umanitoba.ca (Benjamin Robert Anderson)
Newsgroups: alt.guitar.tab
Subject: REQUEST: Sisters by Steve Vai
Date: 12 Aug 92 15:42:14 GMT
Organization: University of Manitoba, Winnipeg, Manitoba, Canada


    Can someone send me the tab for Sisters by Steve Vai. It is the slow song
near the end of his Passsion and Warfare CD.

                                               Thanks.
Newsgroups: alt.guitar.tab
From: dave@silver.sni.ca (Dave Till)
Subject: Re: Chord Request:  "Crying", Roy Orbison
Organization: Siemens Nixdorf, Sietec Open Systems, Toronto, Canada
Date: Wed, 19 Aug 1992 14:01:31 GMT

In article <1992Aug13.163506.8455@cabezon.uucp> larryh@cabezon.uucp (Larry Huntley) writes:
>
>	Does anyone have the chords for "Crying" handy?
>

I know this one from memory, but I don't have my guitar with me at work,
so my memory may play tricks with me.

I don't remember the name of the chord listed as "*" below, but here's
the tab for it:

-E-----------------
-B----- 1 ---------
-G----- 1 ---------
-D----- 2 ---------
-A----- 3 ---------
-E-----------------

(It might be a C augmented or something.)

C
I was all right for a while, I could smile for a while

C                                      *
Then I saw you last night, you held my hand so tight

         F              Fm
When you stopped to say hello

       C                   G7
Oh you wished me well, you couldn't tell

              C      Em        C      Em
That I'd been crying over you, crying over you

     F           C             G7           C
When you said so long, left me standing all alone

C                 *       F       Fm
Alone and crying, crying, crying, crying

C                                G7                              C
It's hard to understand, but the touch of your hand can start me crying

C 
I thought that I was over you, but now it's true, so true

                            *               F            Fm
I love you even more than I did before, but darling what can I do?

C                               G7
For you don't love me, and I'll always be

C      Em        C      Em
Crying over you, crying over you

     F               C         G7      
Yes, now, now you're gone, and from this moment on

        C       *       F       Fm
I'll be crying, crying, crying, crying

      C       G7      C
Yeah, crying, crying, over you

Ending (big flourish!):  C   G7   C   F   C
-- 
--Dave Till, SNI, Sietec Open Systems Division (dave@snitor.uucp or "Hey, you")
"My Canada Includes The World Series" -- banner seen at SkyDome
Blue Jays all the way in '92!   (Allons-y Expos!)
Newsgroups: alt.guitar.tab
From: ryanp@lclark.edu (Ryan Powell)
Subject: REQ: Dylan (Maggie's Farm)
Organization: Lewis & Clark College, Portland OR
Date: Wed, 19 Aug 1992 01:25:37 GMT


Hello all out there in guitar-net world.  I think the subject says it all...
if anyone has a good Dylan book or knows the chords to Maggie's Farm, please
either post them or e-mail them to me.  Thanks in advance!

Ryan

Newsgroups: alt.guitar.tab
From: pottera@infonode.ingr.com (Andrew Potter)
Subject: Re: Wooly Bully
Organization: Intergraph Corporation, Huntsville, AL.
Date: Mon, 17 Aug 1992 18:06:30 GMT

pickle@ballade.cs.ucla.edu (Patrick Madden) writes:

>In article <BsznqH.7w@andy.bgsu.edu> edwards@andy.bgsu.edu (Bruce Edwards) writes:
>>
>>Well ... I gots ta ask ..... it's been bothering me for 20 years
>>
>>G7
>>Hatty told Matty "let's don't take no chance.  Lets not be L-seven
>>
>>What the heck is it like to be L-seven???  Is that like L-six but
>>with an attitude or what.

The explanation I heard when the song was popular is that an L7 is a
square,  the shape you (sort of) get when you shove an L and a 7
together.

-- 
--
Andrew Potter
Intergraph
pottera@infonode.ingr.com
Newsgroups: alt.guitar
From: serge@marvin.dgbt.doc.ca (Serge Ah Hee)
Subject: Why few people have Perfect Pitch
Organization: The Communications Research Centre, Ottawa, Canada
Date: Thu, 20 Aug 92 14:47:50 GMT


I was discussing this with a friend of mine. We were wondering why so few people
have perfect pitch. Can it be learned?

-- 
Serge Ah-Hee                  "Most troubles come from the fact that people 
serge@dgbt.doc.ca		take for granted of what they have, and 
				only care for what they want."
My opinions are mine only.
Newsgroups: alt.guitar
From: pturner@sedona.intel.Com (Pete Turner)
Subject: alt.guitar.bass --> did it die?
Originator: pturner@nevin
Organization: Intel Corporation, Santa Clara, CA USA
Date: Fri, 14 Aug 1992 16:40:33 GMT


Hello out there...

It could be just here (but I thought I'd check anyway), but is anyone out
there having difficulties with alt.guitar.bass ? I can't post to it, or
read it.

	Pete
-- 
-- 
 ______________________________________________________________________________

 Pete Turner              | "I'm not looking back -- but I want to look
 Intel Corporation        |  around me now"
 5000 W. Chandler Blvd.   |
 M/S CH3-36               |  -- Geddy Lee/Neil Peart
 Chandler, AZ 85226       | ---------------------------------------------------
 pturner@sedona.intel.com | "...yeah, I've been to Phoenix...they call that
 ATT: (602) 554-8906      |  place 'The Valley of the Sun'...they should call
 FAX: (602) 554-7281      |  it 'The Surface of the Sun'!..."
                          |
                          |  -- Some unknown late-night comic
 ______________________________________________________________________________
Newsgroups: alt.guitar
From: mvats@magnus.acs.ohio-state.edu (Mudit P Vats)
Subject: How much should I pay for a used Electric Guitar ?
Organization: The Ohio State University
Date: Wed, 12 Aug 1992 19:42:22 GMT

This may sound kind of vague, but here is my situation : I've been playing
acoustic for a while and I want to buy an electric guitar.  I really don't
know what to look for; ie. what features make one electric guitar better then
another electric guitar.

I recently saw a Gibson in a local music shop for $150... It looked good to 
me, but like I said I am clueless...

Also, I was contemplating buying one at SEARS with 2 pick-up a whammi bar and
3 controls....... <please, NO FLAMES !!>


So can someone help me figure out what to look for in an Electric Guitar and
how to get the most out of my money............ thanks !


-- 
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
 e-mail : mvats@magnus.acs.ohio-state.edu    Mudit P. Vats   CIS Eng  <OSU>
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Xref: sparky alt.guitar:7116 alt.rock-n-roll.hard:350 alt.rock-n-roll:14935 alt.rock-n-roll.metal:9353 alt.rock-n-roll.metal.heavy:2607
From: harper@godot.think.com (Jim Harper)
Newsgroups: alt.guitar,alt.rock-n-roll.hard,alt.rock-n-roll,alt.rock-n-roll.metal,alt.rock-n-roll.metal.heavy
Subject: New Band in Boston
Date: 13 Aug 92 15:13:36
Organization: Thinking Machines Corporation, Cambridge MA, USA
Distribution: alt
NNTP-Posting-Host: godot.think.com

Since I just learned how to post I thought I would take this opportunity
to tell everyone about my band Brand X. We are located in Boston and
play a mix of covers and originals in the vain of: Led Zepplin,Skid Row
Ozzy,Dokken,Old Kiss and Motley Crue,Queensryche,Rush ect...

Brand X has worked very hard to write material that is dynamic,original
and exciting and can be enjoyed by just about anyone(except my Grandmother)
We are currently getting airplay on local radio stations WAAF and WCGY
(If you live in Boston please call and request us !) Brand X will also be
featured in the Sept issue of the Source magazine.

We would really like to hear from you and can send out tapes,band info
pictures and other cool stuff to anyone who wants them.

If you live in the New England area and want to see a rockin' live band
call or write us and we will put you on our mailing list.
Any and all support is greatly appreciated !!!

Here are some upcoming gigs:

Fri Aug 14th at the Rockpile in Saugus(next to the Officers Club)
18 and over $5 cover doors open at 8:00

Wed Aug 19th at Sir Morgans Cove in Worcester
18 and over **No Cover** We go on at 9:30

Brand X
c/o Jim Harper
11 Waverly Oaks RD Apt 104
Waltham,MA 02154
(617)893-3696

Thanks
Jim




Newsgroups: alt.guitar
From: EIVERSO@cms.cc.wayne.edu
Subject: Guitar players like techno too!
Organization: Wayne State University, C&IT
Date: Fri, 14 Aug 1992 20:36:35 GMT

At least I do. And there's plenty of guitar on Kraftwerk's _Autobahn_
and Cybotron's _Clear_, among others.
 
But that's not why I'm here.
I'm here to announce that discussion of an alt.music.techno newsgroup
has started in alt.config.
 
So, please follow up discussion to alt.config.
 
thanks!
--Eric
Xref: sparky alt.guitar:7209 rec.music.makers:9030
From: brogers@Auspex.COM (Bob Rogers)
Newsgroups: alt.guitar,rec.music.makers
Subject: Mesa/Boogie and GSP21 connectivity
Keywords: Mesa, GSP21
Date: 17 Aug 92 18:02:35 GMT
Followup-To: alt.guitar,rec.music.makers

I am interested in hearing from anyone who has hooked together
a Mesa/Boogie pre-amp and a GSP21. Of the many ways to hook them
together which worked the best? How did you keep the levels 
even as you switch from setting to setting?

Thanks

Bob Rogers
-- 
brogers@auspex.com (408) 492-0900
USPS: Bob Rogers/ Auspex Systems/ 2952 Bunker Hill Lane/ Santa Clara, CA 95054
Newsgroups: alt.guitar
From: brownfld@rcnext.cso.uiuc.edu (Kenneth R Brownfield)
Subject: Re: American/Mexican/Japanese Tele through Duncan 84/40. 
Organization: University of Illinois at Urbana
Date: Wed, 12 Aug 1992 20:24:37 GMT

dkmiller@unixg.ubc.ca (Derek K. Miller) writes:
>Secondarily, the owner of the amp is currently using the other guitarist's
>Squier Strat, which has two humbuckers mounted (one stock, and one made by
>Fury of Winnipeg, Manitoba - nice pickup, by the way). He would like to buy
>a Telecaster, and we've been wondering about the relative merits of
>American Standard, Japanese Standard, Japanese 50's Reissue, and Mexican
>Standard Telecasters. Are the Mexican Tele's okay? (They're considerably
>cheaper.) Comments about the other Tele varieties are also welcome.

     The Mexican Teles that I've seen have been _very_ nice.  There are
no more Standards made in Japan (right?) just the reissues.  The reissues
go for ~$440 in your typical guitar place.  The Mexican Standards go for
~$330, both Strat and Tele.  American Standards and Teles go for ~$500 if
they're not on sale.  There are Korean Strats at $200, but the quality is
pretty low.  Are there Korean Teles?
     The action and craftmanship on the Mexican Tele I played was very good,
and was really close to the American Tele.  I'd say that $330 for the Mexican
is a great deal considering how well they compare to the Americans.  Same
with the Strats.  The Mexican Strat was almost my choice for my first
guitar.
     As many people have suggested, play the Strat or Tele that you are
going to buy, and make sure is plays like you want.  Apparently the quality
is fairly uneven.
     I'm a beginner who went shopping last week, so file this under novice!

>May as well reply to the net; others may be interested.
>      :=:=> Derek K. Miller                 dkmiller@unixg.ubc.ca
>      Researcher, Alma Mater Society        thegrodd@tz.ucs.sfu.ca
>      University of British Columbia, Canada
--
                                                        Ken.
[Mail and Info:      brownfld@uiuc.edu]     brownfld@rcnext.cso.uiuc.edu
[finger brownfld\ return\ all@uiuc.edu]