HDTenEightyP/NetNews huggingface dataset:
From: chris@Minsk.DoCS.UU.SE (Christian Bartholdsson)
Newsgroups: rec.music.industrial,alt.rave
Subject: Re: ORB/Blue Room "CD SET" plus other orb stuff
Date: 14 Aug 92 11:50:53 GMT
Organization: INRIA Sophia Antipolis, France

In article <1992Aug13.173959.17654@adp.uucp>, travisj@adp.uucp (Travis) writes:
> >the original 12" version is the best.  end of story.
> 
> Is this version avail. on CD, import or domestic???

It was released as a CD single in the UK on Wau!Mr.Modo Records.  
But the album version sounds almost the same.

- chris@kuling.docs.uu.se
-----------------------------------------------------------------------------
It was up in the mountains... we had this ceremony every year...
Newsgroups: rec.music.industrial
From: thoth@uiuc.edu (Ben Cox)
Subject: Re: RMI news?
Originator: btc30679@uxa.cso.uiuc.edu
Reply-To: thoth@uiuc.edu (Ben Cox)
Organization: University of Illinois at Urbana
Date: Fri, 14 Aug 1992 15:21:50 GMT

Brian May said:

> Perhaps Ben should state exactly how many more orders are required -
> as he needs the money before he can go press the CDs (Ben Cox - RMI CD
> co-ordinator)

I have about 330 orders.  Need 600 to break even, will try press when I
get about 475-500.  I anticipate another couple of weeks, IF people
keep ordering like they have been in the last 10 days or so.

> Anyone who's just thought "what a neat idea" should get of their arses
> & send in their measly $8 for 2 CDs + shipping.

Yup.

--
Ben Cox
thoth@uiuc.edu
Newsgroups: rec.music.industrial
From: os9ug@gkcl.ists.ca (OS-9 User Group)
Subject: Re: help with readnews
Followup-To: rec.nude 
Reply-To: sizone!justin@ee.ryerson.ca  (Justin Wells)
Organization: Industrial Semiotics Corp
Date: Fri, 21 Aug 92 18:45:05 GMT

In article <41999@skye.dcs.ed.ac.uk> awrc@dcs.ed.ac.uk (Al Crawford) writes:
>In article <1992Aug20.095250.14658@ists.ists.ca> sizone!justin@ee.ryerson.ca (Justin Wells) writes:
>>
>> I'm trying to figure out what the regular expression is that matches
>> idiots who think they know something about industrial music, even though
>> they just discovered it 2 years ago.
>
>until approximately the December of 1989 i.e. a mere two years and eight
>months ago, I guess I'd better refrain from posting any more lest I commit
>the sacrilege of posting without the official Justin @ Really Cliched "Oh
>what A K00l Cyberpunk D00D I Am" Organisation seal of approval. After all,

Oh post all you want.  Unless your life revolves around my kill file,
you have nothing to complain about.  I'm flattered that it matters so 
very much to you whether I read your post.  I just don't wanna read it if 
you're gonna tell me about all the great new bands you discovered at Lolla.

>accolade, the Booker Prize of rec.music.industrial, huh, huh? Do I get the
>official "I Know Something About Industrial Music" metal pin and magic
>decoder ring too?

Unfortunately we are currently out of stock of these items.  I know it was
promised in the brochure and all -- but I guess you'll just have to make do
with a warm feeling.

>Or maybe it's the case that, simply because I've not been
>listening to the music as long as he has, I may never aspire to the heights
>of Justin's industrial godliness, let alone his gargantuan intellect and
>rapier-like wit.

Perhaps this is true.

>So how do we define having listened to the music long enough to post with
>any authority?

Apparently it isn't quite so linear.  There appears to have been a distinct
change in the geo-musical power structures at an indeterminate point some
time during the past years.  It is believed that critical elements of the
industrial infrastructure were co-opted by certain large corporations.  It
also appears that the community has been infiltrated by agents from the
Front for Popular Music.  


Justin @ Industrial Semiotics
sizone!justin@ee.ryerson.ca (Justin Wells)
From: tceh000@convex1.tcs.tulane.edu (eugene hopstetter)
Newsgroups: rec.music.industrial
Subject: Re: Going to New Orleans, where should I go when I get there?
Date: 21 Aug 92 14:56:40 GMT
Organization: Tulane University, New Orleans, LA
Nntp-Posting-Host-[nntpd-10668]: convex1.tcs.tulane.edu

In article <1992Aug21.031013.27371@usenet.ins.cwru.edu> bp271@cleveland.Freenet.Edu (Matthew N. Sharp) writes:

>Defender of New Orleans, EUGENE Hopstetter (tceh000@convex1.tcs.tulane.edu)
			 ^^^^^^
I'm not defending it, I was just trying to clarify a few things. New Orleans
is not a hotbed of post-modern activity, so there's not much here to defend
in that respect. 

>Furthermore, based solely on the above performance, I would consider
>"Enoch Light" a "noise band," EUGENE.
			      ^^^^^^
>And, by the way, naming the station after me, and allowing me
>to dictate programming on said station is a bad idea, EUGENE.

New Orleans and WTUL thank you for your gracious consideration.

Oh, and please stop making fun of my name. You're gonna hurt my feelings.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ gene hopstetter - tceh000@convex1.tcs.tulane.edu. I don't represent Tulane! +
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Newsgroups: rec.music.industrial
From: douellet@beach.csulb.edu (Daniel Ouellette)
Subject: Re: FLA/CONTAGIN/PUPPY (T-Shirt Prices)
Organization: Cal State Long Beach
Date: Thu, 20 Aug 1992 21:02:27 GMT

In article <4ZskPB3w165w@cyberden.uucp> xorcist@cyberden.uucp (Xorcist) writes:
>
>Contagin/Biohazard/<name of the week>'s prices are realistic, but
>until they get a real following, I think theirs are about $5 too high...
>Again, it's all a status symbol, "lookie what I got" game...
>

  I agree totally, but unfortunately it's not just the artist's fault. I was
talking to the guys in Contaigen after the show in LA and they were really 
upset at the price of their shirts. Jack was saying that the Palace got around
60% of the take, and the girl that worked the booth got another 16%. Goin from
that (and it doesn't sound too far fetched to me), that doesn't leave alot of
profit from an $18-$20 t-shirt, especially after overhead and the record 
company gets their cut. Just my $0.02 worth.
-Daniel
-- 
AlienSexFiend*Bauhaus*Curve*DepecheMode*Erasure*FrontLineAssembly*Gruesome- *
*	Daniel Ouellette       | 	 "People need to be schocked"	    *
*   douellet@beach.csulb.edu   |		     -Me	   	    *
Twosome*HumanDrama*JesusJones*KMFDM*LordsOfAcid*MLwtThrillKillKult*NitzerEbb*
From: emru@CAM.ORG (Emru Townsend)
Newsgroups: rec.music.industrial
Subject: Re: "Tragedy for You"'s 10th track
Date: 18 Aug 92 00:38:03 GMT
Organization: Communications Accessibles Montreal, Quebec Canada

In article <4753@blue.cis.pitt.edu.UUCP> front242+@pitt.edu (Brian R Iwaskewycz) writes:
>Am I the only one who has a "secret track" after the tenth on "Tragedy for 
>You?"  There is about two minutes of silence after the tenth track, and then
>here comes this super fast (about 260 bpm) slammin' techno tune, followed by
>a sort-of remix of one of the other songs on the disk.

Everyone's got one.  What I would like to know is the names of those tracks.

==========================================================================
Emru Townsend        Fido: 1:167/133        emru@cam.org        BIX:switch
Q:  Do you know what the death rate around here is?    A:  One per person.
From: front242+@pitt.edu (Brian R Iwaskewycz)
Newsgroups: rec.music.industrial
Subject: r.m.i rules and guidelines
Keywords: rules, flames, guidelines, assholes
Date: 18 Aug 92 15:07:42 GMT
Organization: University of Pittsburgh
Originator: front242@pmax1.cis.pitt.edu


                  THE OFFICIAL R.M.I RULES AND GUIDELINES
                      COMPILED BY Brian R. Iwaskewycz

     PLEASE SEND ALL RESPONCES, COMPLAINTS, ADDITIONS, AND CORRECTIONS TO:
                       front242+@unixd.cis.pitt.edu


1) Dumb posts.
	a) The decision of whether or not a post can be considered "dumb" is
	   made solely by anyone reading r.m.i.
	b) All dumb posts are legal flamable material.
	c) Examples of dumb posts:
		i) Reposts of old information
		ii) Requests for reposts of old information
		iii) Questions that have already been answered
		iv) Answers to questions that have already been answered
		v) How "Nitzer" is supposed to be pronounced
		vi) What "KMFDM" stands for
		vii) Anything Matthew Neill Sharp says

2) Flames.
	a) All dumb posts will be flamed by someone.  Guaranteed.
	b) Any post holds a chance of being flamed, since someone may find your
	   post dumb.
	c) All flames should be posted, not mailed, so that everyone on r.m.i
	   can see just how stupid the offender's post was.
	d) All flames will begin with, "In article ..., <place offender's name
	   here> (<place offender's Internet address here>) made an assinine
	   post by saying:".
	e) The flame should contain information of why exactly this post is
	   stupid.  The flaming person should then go on to describe what a
	   major asshole the offending person is.
	f) Sarcasm improves the body of a flame.

3) When a post should be made.
	a) A review of a new cd should be posted.
	b) A review of a concert should be posted.
	c) When you don't have anything intelligent to say, bitch about someone
	   else's opinions.
	d) When you don't have anyone's opinions to bitch about, dig up old
	   gripe.
	e) Posts should contain only factual material.  (See 4a, 4d, 4e, and
	   4f.)

4) When a post should not be made.
	a) Do not post your opinions.
	b) Do not make dumb posts.
	c) If you are in question as to whether or not a given post is dumb, do
	   not post it.
	d) Do not post your opinions.
	e) If you think about posting an opinion, do not.
	f) Opinons should not be posted.


I hope these rules and guidelines help everyone from the newest members of
r.m.i to the seasoned veterans of pissing people off.

p.s. If you would like to tell me whether or not you like this article, please
     e-mail it - responses of this nature can easily be considered opinions,
     and are, therefore, illegal on r.m.i.  This offense will certainly be
     brought to your attention by someone.

-- 
------------------------------------------------------------------------------
| Brian R. Iwaskewycz | "Imperfect plotting grows the seeds of time." - SP   |
| front242+@pitt.edu  | "Earth can be as giving as it can be irate." - SP    |
------------------------------------------------------------------------------
Newsgroups: rec.music.industrial
From: os9ug@gkcl.ists.ca (OS-9 User Group)
Subject: Re: help with readnews
Followup-To: soc.women 
Reply-To: sizone!justin@ee.ryerson.ca  (Justin Wells)
Organization: Industrial Semiotics Corp.
Date: Fri, 21 Aug 92 10:07:17 GMT

Nobody ever told Eric Murray not to throw water on a grease fire,
	 so he babbled like a pregnant schizophrenic::

>>I'm trying to figure out what the regular expression is that matches
>>idiots who think they know something about industrial music, even though
>>they just discovered it 2 years ago.
>>
>>I think it's: /lollapalooza/ but I'm not sure.  Any ideas?  I'm trying
>>to get my killfile into a good working order.
>
>I don't know the answer to your question, but I think I've discovered
>the KILLfile entry that matches idiots who think that only people who
>have been into industrial music as long as they have are qualified to
>talk about it.
>
>It's /justin/a:j

No, not quite.  That's the pattern that matches people who just aren't
looking forward to the K-Tel Quality Records industrial compilations
that people like you will be buying next year.

Surprisingly, it also matches people who can't seem to care what you
think if you first heard industrial music in a dance club.

>"Industrial Semiotics".  Can you say 'pretentious'?  I knew you could.

Do you purchase all your humour?  Someone at NBC probably owns the rights
to that you know.  IScorp can be a weird place sometimes, but pretentious?
Naw.  Too low key..


Justin Wells @ Industrial Semiotics (A division of CIIN)
sizone!justin@ee.ryerson.ca .
From: dan@cafws2.eng.uci.edu (Dan Harkless)
Subject: Re: MOSHING (have any other girls noticed this??)
Newsgroups: rec.music.industrial
Organization: University of California, Irvine
Date: 18 Aug 92 22:52:00 GMT

In article <1992Aug14.210609.1660@skynet.uucp> ice@skynet.uucp (Ice) writes:
>In article <1992Aug5.231411.29622@nic.umass.edu> S2762132@deimos.ucc.umass.edu (s2762132) writes:
>>something has to be done about this.
>
>Use some mace. Might even start a new variant on moshing.

	Heheheheheh...  The same thought came to me at FLA last Thursday, when
some Troglodyte schmucks starting ramming into me.  This would be great! 

<Walks away from the terminal cackling>

------------------------------------------------------------------------------
| Dan Harkless                | "The sore in my soul                         |
| dan@cafws1.eng.uci.edu      |  The mark in my heart  ->  Front 242,        |
| dharkles@bonnie.ics.uci.edu |  Her acid reign..."        Tragedy >For You< |
------------------------------------------------------------------------------
Newsgroups: rec.music.industrial
From: thoth@uiuc.edu (Ben Cox)
Subject: mail bounce apology
Originator: btc30679@uxa.cso.uiuc.edu
Reply-To: thoth@uiuc.edu (Ben Cox)
Organization: University of Illinois at Urbana
Date: Sun, 16 Aug 1992 03:06:46 GMT

Note to anyone who has tried to email me at
"ben@djehuti.champaign.il.us": sorry if the mail bounced.  The
Sun-4/110 that had been dragonfly.wri.com for 4 years of continuous
use finally went belly-up on Thursday: it was my MX forwarder.  There
are still some kinks in the SLC that replaced it; I hope to have mail
running again soon.

Please resend anything you have sent me since Thursday morning, using
the address "thoth@uiuc.edu".

Thanks, and sorry for the inconvenience.

--
Ben Cox
thoth@uiuc.edu
Newsgroups: rec.music.industrial
From: earle@poseur.JPL.NASA.GOV (Greg Earle - Sun JPL on-site Software Support)
Subject: Re: FLA in San Diego
Followup-To: rec.music.industrial
Keywords: FLA  money  $$$
Organization: Sun Microsystems - JPL on-site Software Support
Distribution: usa
Date: Fri, 14 Aug 1992 21:18:56 GMT

In article <2016@deadmin.ucsd.edu> zirk@celece.ucsd.edu (Karin Zirk) writes:
>Saturday August 15th, 
>@ SOMA
>555 Union Street (Downtown San Diego)
>239-SOMA
>$8 - tix @ door only

$8?!?  $8!!!

Sometimes I see posts from people that bemoan the fact that they live off in
the hinterlands.  I can understand and sympathize, but look on the bright side:

- Contagion shirts were $15 at The Edge in Palo Alto.
- The show is $8 in San Diego.

Now, the bands are the same, and the t-shirts are undoubtedly the same.

But the L.A. Palace show was *$15* at the door, and the Contagion t-shirts
were *$18*.

Can you say, "Rip-off for living in a major market"?  Sure, I knew you could.

BTW, Front Line have a great 4x4 video monitor setup (serious $$$, this), but
for the most part were dreadfully monotonous.  There's one song that has a
few Techno-y bits in it (I told Paul Moore it sounded like their "Homage To
Lords of Acid") and a couple of old chestnuts sounded good (what *was* that
last encore; I know it's old enough to be on an FLA album I actually own ... )
but for the most part it's the same bpm thump-thump-thump music.  It's really
a shame that they have to put on their Front Line guise and play their
simplest and most watered-down music on tour; the pre-set Delerium stuff and
the opening intro (and a few random between-song bits) music is just so much
more dense and thoughtful (and more *intense*) that it's a real disappointment
that you just get teased with it.  Then it's "OK kiddies, it's Uncle Bill with
his Dance Aerobics hour!".  *sigh*.

	- Greg

Newsgroups: rec.music.industrial
From: alh@einoed.in-berlin.de (Adrian Le Hanne)
Subject: Re: Hafler Trio
Organization: Einoed Unix & Netzwerke, Berlin (FRG)
Distribution: rec.music.industrial
Date: Sun, 23 Aug 1992 13:54:38 GMT

tmcfarla@fraser.sfu.ca (Tara McFarlane) writes:

>i suspect any discography would be quickly obsolete. the haflers seem to 
>be really productive recently. imho, the hafler trio came into their own 
>with the release of the brain song ep and a thirsty fish. if you want a
>good domestic usa release look for inoutof and for info on the band track
>down an interview of the haflers, now reduced to andrew mackenzie, in option
>magazine--'bout a year ago.

Marco Piovanelli did a pretty complete (as complete as possible) discography
which he probably will post in september. There are several CD releases
available now, from which i can recommend "Kill The King" for the beginner.
Grey Area tells us since several months that they will rerelease the older 
H3O stuff. At the moment, H3O only consists of Andrew McKenzie, Dr. Edward 
Moolenbeek and Chris Watson left in the (late?) eighties.

First known release is "Bang! An Open Letter" (Doublevision, 1984).
The most obscure :-) H3O release is "Burst". If someone has some information
(release, date, media) about this, please e-mail me.

Adrian
-- 
Adrian S. Le Hanne        Einoed Unix & Netzwerke, Koepenicker Str.154, D-1000
alh@einoed.in-berlin.de   Berlin 36. Tel.: 030/611 31 26,  Fax.: 030/826 98 75
                                         "Christianity Is Stupid" -Negativland
Newsgroups: rec.music.industrial
Subject: Lead Into Gold
From: chris@astro1.phya.utoledo.edu (C. Strom)
Date: 17 Aug 92 13:20:19 EST
X-Newsreader: Tin 1.1 PL4

Paul Barker's solo project a couple years ago..
Anyone know if he's planning anything else under that name?
Good tracks on the last LP...

--
      christopher strom
    department of physics and astronomy
  university of toledo
chris@astro1.phya.utoledo.edu

Dyslexic agnostics are Waiting for Gdo.
Newsgroups: rec.music.industrial
From: mason@dante.uucp (Mason Jones)
Subject: Re: CURRENT 93 event
Date: Fri, 21 Aug 92 17:13:00 GMT
Organization: Charnel House

tmcfarla@fraser.sfu.ca (Tara McFarlane) writes:
: 
: how does one know for sure if limited editions are really as limited as they
: claim? let's see, i've got the in menstral night picture disc, nurse with wounds'live at bar maldoror', ptv's mouth of the night picture disc, a carlos peron
: ep, and i forget what else that are all supposedly limited editions. but are 
: they really? i don't really care myself. i didn't buy them for their rarity but
: for the music contained on them. i'm not really into obsessively owning         everything favorite bands produced. 

Unless a limited edition is numbered, I don't necessarily trust it.
A band would have to be fairly stupid to release more than the advertised
number of copies if they're numbered, because people might eventually
compare their numbers.  If the edition isn't numbered, then it seems
as though there's a good chance that it's not really as limited as they
might claim.


  VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
             Mason Jones           Charnel House Productions
             P.O. Box 170277, San Francisco 94117-0277 U.S.A.
   ...{uunet,sun}!hoptoad!dante!mason   or   dante!mason@hop.toad.com
  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Newsgroups: rec.music.industrial
From: st10t@Rosie.UH.EDU
Subject: J&MC
Reply-To: st10t@Rosie.UH.EDU
Organization: University of Houston
Date: Sat, 22 Aug 1992 19:19:38 GMT

I heard somewhere that Jesus and Mary Chain's Reverance was banned
in England for Blasphemy.. Any truth to this or is this an urban
legend cooked up by conspiricists. 
Irrelevently, I actually also heard someone got arrested in England for
blasphemy also...

avi
Newsgroups: rec.music.industrial
Subject: Re: Meat Beat (was: Sheep)
From: antelope@ecst.csuchico.edu (Titanium Dioxide (where can I get some?))
Date: Sat, 22 Aug 1992 01:26:22 GMT
Organization: California State University, Chico

Excerpts from 2 songs off the forthcoming album appear on a WEA
new release sampler for September.  I haven't seen a date, though.
 
(cut #1 shreds in the typical Meat Beat fashion, yea!  Cut #2 had almost
Depeche Modesque vocals.  huh?)
 



Newsgroups: rec.music.industrial
From: tceh000@convex1.tcs.tulane.edu (eugene hopstetter)
Subject: Re: Going to New Orleans, where should I go when I get there? 
Nntp-Posting-Host-[nntpd-6248]: convex1.tcs.tulane.edu
Organization: Tulane University, New Orleans, LA
Date: Wed, 19 Aug 1992 14:27:12 GMT

In article <1992Aug19.010345.1110@usenet.ins.cwru.edu> bp271@cleveland.Freenet.Edu (Matthew N. Sharp) drivels:
>
>Avoid, at all costs, Cafe Brazil.

You were there on the wrong night. Their "Vacuous Pretentious Pinheads Drink
Free" night is on Sunday. Besides, Cafe Brazil features world music and 
samba and such. What were you looking for? Hell, if for anything you should
go to Cafe Brazil because their manager is always willing to help out guys
like me to publish music scene rags, i.e., he's quite a supportive guy in
that respect. Hmm, and I seem to remember All, Fugazi, and other such bands
playing there.

Alright, lemme defend N'Awlins to a certain extent. We have a few good bands:
The Iguanas, for great Tex-Mex, Lump, for great punk-funk, the aforementined
Nipples of Isis, Krash for wombadelics, Enoch Light Presents for rubberheaded
wackiness, and let's not forget the great rhythm n' blues, soul, zydeco, etc.
I'm just mentioning this in the small chance that someone may take Matt's
post seriously.

>And any New Orleans "noise bands."

Hello? There are no New Orleans noise bands. The closest we've got are 
Nipples of Isis, who do a rubberhead Longshoremen/Butthole Surfers kinda
thing. Perhaps, you could, ah, clue us in? I can't wait to hear this, or,
better yet, your definition of "noise."
>
>
>Speaking from his asshole,
>-- 
>Matthew Neill Sharp

Damn, and to think I missed meeting you. You could have at least come to
the studio when I was on the air, at WTUL, and granted the pitiful, unhip
people of New Orleans a few pearls of your wisdom. Well, heck, why stop
there? Why don't we just GIVE you the station, and name it WMAT? You know
our FCC charter says we have to serve the public interest, and being the
trend-setter that you are, I think we'd be obliged, nay, legally obliged
to get you on the air. Oh, do ring us up next time you're in town. We'll
even dust off an old Fall lp for ya...

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ gene hopstetter - tceh000@convex1.tcs.tulane.edu. I don't represent Tulane! +
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ "If the future don't suit ya you're better off dead."                       +
+  --J.G. Thirlwell                                                           +
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
From: patterjd@NeXTwork.Rose-Hulman.Edu (Jeffrey D Patterson)
Subject: 8/16 Lolla at Pitts
Organization: Rose-Hulman Institute of Technology
Date: Thu, 13 Aug 1992 15:08:35 GMT


Does anyone have a set o 3 tix that they would sell for Lolla at
Pittsgurgh, Aug 16

	email at
		patterjd@nextwork.rose-hulman.edu
From: mdb@next14epsl.wam.umd.edu (Michael David Blanford)
Subject: Lollapalooza in DC (aka...Mud Feast)
Organization: Workstations at Maryland, University of Maryland, College Park
Date: Sat, 15 Aug 1992 15:13:07 GMT


Yesterday i went to lollapalooza in virginia it rained for two days before  
concert and there was about an inch of mud on the ground (they played in a  
field).  They were hosing down the crowd, made for more mud.  I was in the  
pit for soundgarden, ice cube and ministry, slaming pit!  WEll heres a  
quick review of the show:

Lush - ok

Pearl Jam - didn't really like them, singer got stuck in traffic and
            had to run three miles to make it to the show.  played 
     	    temple of the dog, first time??

Jesus & Mary Chain - got high, didn't see them.

Soundgarden - liked them, "Cop Killer"

Ice Cube - Gangsta, Gangsta!!

Ministry - ROCKED!!, just one fix was awesome

R.H.C.Peppers - after ice cube and ministry show was over for me
		left about before chill peppers ended.

Also, FLA in DC at 9:30 club (aka killer club!) wed sept. 2.

see ya at the shows,

hip