HDTenEightyP/NetNews huggingface dataset:
From: oestline@maui.qualcomm.com (Ofer Estline)
Subject: ALEK'S RT GROVEL
Summary: : -)
Keywords: He Delivered!
Organization: Qualcomm, Inc., San Diego, CA
Date: Fri, 28 Aug 1992 21:35:55 GMT


	A little something I wanted to share..

	I have just received a package in the mail.  It was box-shaped,
	cardboard, and when you shook it it gave no hints.
	But---wait a minute!  Alek Grabinski, (sp?) who took on the
	monunmentally selfless task of spreading the music of Phish
	to people, including those who are just very curious, did say
	that those who mailed him blanks early will get theirs early.

	He delivered.

	I opened the box and immediately popped in the first cassette,
	and while listening to Buried Alive for the first time, I 
	noticed he attached a personal note!  Talk about a giving
	person... :-)  This is much more than I expected.  My deeply
	sincere thanks go out to you!  

	So why post this on the net?  First and foremost, for everyone
	to learn that spreading your tapes helps spread 'the word.'
	I felll in love with Phish!  They're distinct, unique, experimental,
	and offer an alternative to the junk that's been produced in the
	past decade.  These guys can really *jam*.  I bet seeing them live
	is a treat.
	Second, I posted this on the net to praise Alek, who's karma is
	now ranking high in the positives.   Rolling hours and hours of
	tape for others is a kind deed, and we should all learn a lesson
	(me too) in generosity :-) :-)
	(excluding Tim, of course)....

	Okay, back to work, trying to keep those headphones on and still
	hear the phone when it rings!  What a task!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
      /|		JUST MHO ...
   ./'/|		ooo  ooooo ooooo ooo	   Ofer Estline
   |/' |    .	       o   o ooo   ooo   oo o	   oestline@sdcc13.ucsd.edu
   | ()'    |\/	        ooo  o     ooooo o  o	   oestline@maui.qualcomm.com
 ()'        |	       
   	  ()'	   (),  		      "... and it's too late
		     |  		           to lose the weight
		     |/'		       	   you used to need
		     ' 				   to throw around "  --R.Waters
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Newsgroups: rec.music.phish
From: BGILLESPIE%COLGATEU.bitnet@cunyvm.cuny.edu
Subject: lyrics file/helping phriendly book
Reply-To: BGILLESPIE%COLGATEU.bitnet@cunyvm.cuny.edu
Organization: The Internet
Date: Tue, 1 Sep 1992 13:53:43 GMT

Hey everyone,
      I haven't posted in four months due to absence but it is good to be back
I have a request. If someone out there will send me a copy of the lyrics file
and/or the helping phriendly book, I would be most appreciative. In return I
will post set lists to the Trax show in July and maybe the Amherst set in May,
if I'm feelin' wild. So I need your help because everytime i request it from
the archives, it doesn't work.  Thanks in advance.

                                     Flame Away,
                                                  Bobby Gillespie
From: eyethink@cse.ucsc.edu (Carl A. Wescott)
Newsgroups: rec.music.phish
Subject: Re: Shoreline 8/29/92
Date: 1 Sep 92 08:03:12 GMT
Organization: University of California, Santa Cruz (CE/CIS Boards)
NNTP-Posting-Host: arapaho.ucsc.edu

Rich <farrar@mailhost.adaclabs.com...no longer on uunet!> writes:
>It was also great to hear
>Miles for the pre-show music.  How many times do you go to a show and hear
>"Tribute to Jack Johnson"?  IMHO, it was lame to cut off the last 15 minutes
>of "Right Off", but then not everyone can sit through 2 25 minute Miles songs.

Yeah, they did the same thing at Concord the day before, though that
time they cut off 'Yesternow', the other song on 'Jack Johnson'.  Hendrix
before Miles both times too.

Carl
From: beowulf@wam.umd.edu (amealuh)
Newsgroups: rec.music.phish
Subject: Re: Vacuum noises?
Date: 2 Sep 92 20:54:21 GMT
Reply-To: beowulf@wam.umd.edu
Organization: The Internet


if you listen to Bouncing as it fades out... there's a
faint "blaAAAAAAAT" in the background. isn't that the
mating call of the Holy Housecleaning Appliance?

beo

		I don't love you anymore since you ate my dog.
beowulf@wam.umd.edu					    beowulf@eng.umd.edu
-------------------------------------------------------------------------------
Newsgroups: rec.music.phish
From: Mike Cantor <MCANTOR@eagle.wesleyan.edu>
Subject: removez-moi
Reply-To: "mike cantor"@eagle.wesleyan.edu
Organization: The Internet
Date: Sat, 29 Aug 1992 19:40:19 GMT

I must, i am afraid, bow my head and depart from this mailing list.
I have not written much to it, but I have read a good deal, I am a silent
participant, and now i must asquiesce. Will the person who runs the net please
take me off the mailing list.

i don't want a goldphish
i don't want a goldphish
i   want   a    dog.

-mike c.
personal mail: mcantor@eagle.wesleyan.edu
phishnet address: mcantor@mockinbird.wesleyan.edu
Newsgroups: rec.music.phish
From: ericbe@microsoft.com (Eric Berman)
Subject: Shoreline and Cal Expo
Date: 02 Sep 92 15:53:08 GMT
Organization: Microsoft Corp.

Hello all.

Just got back from a roadtrip from Seattle to California to catch
the final Phish/Santana shows at Shoreline in Mountain View and at
Cal Expo in Sacramento.  Man, these were awesome shows.  Too bad
the Phish sets were really short.  Lessee...that makes 28 hours of driving
in a weekend for about 80 minutes of Phish...I think that's worth it.

So how come they bypassed the great Northwest on this tour?

I think we should try to get Phish to play at Bumbershoot next year, or
with Santana again at the Gorge in George.  Does anybody in the Phish
organization monitor this net, or should we send requests to the newsletter
address?

I enjoyed seeing Carlos crack up at Fishman playing the vacuum cleaner.
Was I the only one that thought the Cal Expo vacuum solo was way better
than the previous night?

By the way, Hi, Alec, Leslie, and Hank.  It was great seeing you guys.

--Eric
From: harpua@yvax.byu.edu
Newsgroups: rec.music.phish
Subject: addendum
Date: 31 Aug 92 19:51:45 -0700
Organization: Brigham Young University

> Does anyone want to trade phish for copies of dead and dead related studio
> stuff?  Just don't offer a copy of PON to me.

To clarify.  I don't mean I want your studio dead, nor any dead at all.  I just
received an email offering dead.  I want phish...of course, we all want phish.

harpua
From: eyethink@cse.ucsc.edu (Carl A. Wescott)
Newsgroups: rec.music.phish
Subject: Re: Shoreline Amphitheatre, Mountain View, Ca.  8/29/92
Date: 30 Aug 1992 10:24:04 GMT
Organization: University of California, Santa Cruz (CE/CIS Boards)
Distribution: world
NNTP-Posting-Host: arapaho.ucsc.edu

>>>> Shelly writes: 
>The in-venue video display at Shoreline was *very* nicely done.  I was
>much impressed by the video controller's ability to pick up quickly on
>the nuances of what I would guess were to that person totally unfamiliar
>songs - for example, switching the display back and forth between Page
>and Trey as they alternated vocals on Rift.  Being in such a large venue
>where it was difficult to actually see the performers from many areas, the
>video displays really added a lot.

Yeah, Shoreline's in-house video staff are aMAZEing.  They didn't
really use their digital video effects tonight, but when the 
(heaven forbid! ;^) Grateful Dead play there, they create some
mind-bending visuals.

We were sitting up front, but I still spent a lot of time staring
at the screen, trying to watch Trey's fingers fly across the fretboard.

Carl
Newsgroups: rec.music.phish
From: dsteinbe@nmsu.edu
Subject: The Curtain
Reply-To: dsteinbe@nmsu.edu
Organization: The Internet
Date: Thu, 3 Sep 1992 14:11:48 GMT

Does anyone know how The Curtain got that name?  Just wondering...
-David "ZZYZX" Steinberg
Newsgroups: rec.music.phish
From: dudasj@rs6210.ecs.rpi.edu (Joel Schostok Dudas)
Subject: tour dates?/tapes wanted
Organization: Rensselaer Polytechnic Institute, Troy, NY
Distribution: usenet
Date: Thu, 27 Aug 1992 16:28:36 GMT

Hey!
   Anyone know if Phish will be in the Albany area anytime?
I am not a regular to the Phish net, so could the response
be in e-mail (dudasj@rpi.edu).
  Also, if anyone has some REALLY nice recordings
of Phish, with songs like Fee, Possum, "Bag it, tag it, sell it
to the butcher in the store", "it got away", or others, and
wants to trade for Dead (I have 400 hours), that would be great!

Later,
Joe D.
dudasj@rpi.edu

Newsgroups: rec.music.phish
From: gates@cscsparc.larc.nasa.gov (Ray Gates)
Subject: Re: ALEK'S RT GROVEL
Keywords: He Delivered!
Organization: NASA Langley Research Center, Hampton, VA  USA
Date: Sat, 29 Aug 1992 20:15:14 GMT

just to echo the words of Ofer Estline.....Alek and I had just set up a trade before
he announced his MOST GENEROUS OFFER and we pulled off a quick and clean trade, which
certainly satisfied me ( and him, I hope too!!!- he's been so busy I haven't heard
from him.....) I only wish that I had the organization he has....for I have 
dropped the ball on trades, etc.....due to my somewhat semi-fried, overworked brain...

Thanks again, Alek and thanks to all of you for letting me say (type??) this....
-- 
_______________________________________________________________________________
				       |        Ray Gates 
	"Mama, mama, many worlds       |	CSC/NASA-Langley
	 have come since I first       |	gates@cscsun1.larc.nasa.gov
               left home."	       |              (128.155.42.32)
				       |        Phone:  804.865.1725
-------------------------------------------------------------------------------
DISCLAIMER: The comments/opinions contained within are my own and do not
            necessarily represent the opinions of my employer(s).
-------------------------------------------------------------------------------
From: darkmage@toz.buffalo.ny.us (Dark Mage)
Newsgroups: rec.music.phish
Subject: newsletters
Date: 28 Aug 92 00:32:25 GMT
Organization: The Tower of Zot - (716)691-3865


is there any way to get access to old newsletters?  I'd even go so far as 
to pay or trade tapes for newsletters that I don't have...


Happy! Happy! Joy! Joy!
Set the gearshift for the high gear of your soul
DM
From: shell@gandalf.Berkeley.EDU (Shelly Culbertson)
Newsgroups: rec.music.phish
Subject: New hotline number & message
Date: 3 Sep 1992 20:33:52 GMT
Organization: Dept. of Statistics, U. C. Berkeley
Distribution: world
NNTP-Posting-Host: gandalf.berkeley.edu

John (Paluska) and Marni have finished moving to the new office;
I don't have the new address here, but the old one (Watertown)
will still work too.

The new Phish hotline number is:
(617) 647-5521

Marni put a new message on it yesterday or today, saying that:
Santana tour is over, and Phish will be in the studio until
mid-November.  From November 19 through December 12, they will
be touring in the northeast and a little bit to the west of the
northeast.  Junta will be re-released in early November, and will
include bonus tracks not found on the original tape....
Then, from late January through May, Phish will be touring throughout
the country.  The next newsletter (with tourdates) should be mailed
at the end of September.

If you are not yet on the mailing list and find it easier to use
email than the telephone ;-), feel free to email me your U.S. Mail
address, and I will transmit it to Marni for inclusion on the 
(paper) mailing list. 

Shelly
From: farrar@mailhost.adaclabs.com (richard farrar)
Newsgroups: rec.music.phish
Subject: Shoreline 8/29/92
Date: 31 Aug 92 20:33:54 GMT
Reply-To: farrar@mailhost.adaclabs.com
Organization: The Internet

I was quite disappointed that they only played 45 minutes.  They did jam,
though, especially on "Maze", quite impressive.  It was also great to hear
Miles for the pre-show music.  How many times do you go to a show and hear
"Tribute to Jack Johnson"?  IMHO, it was lame to cut off the last 15 minutes
of "Right Off", but then not everyone can sit through 2 25 minute Miles songs.

Rich
From: samuels@matia.Stanford.EDU (Steve Samuels)
Subject: Mailing/Packing Tapes (was: Cesar Whoever)
Organization: Psychology Dept, Stanford Univ.
Date: Wed, 2 Sep 92 18:06:15 GMT

In article <1992Sep1.215906.9565@uvaarpa.Virginia.EDU> AGRABINSKI@libra.intel.com writes:
>authoritatively say that the best way to mail tapes (with cases) is to 
>securely wrap the tapes in bubble wrap, THEN stuff them in your padded 
>mailer....
>benefits of mailing just tapes (no cases), but I have seen that the tape 
>spools tend to go one way - looser - and that you can easily end up with 
>creases in the tape when you tighten them (which you should do slowly, 
>by hand, to avoid weirdness to the take-up reel).  Anyway, while cracks 
>are usually cosmetic, it's really annoying to have broken hinges and 
>missing edges where you open the case, both of which I have seen.....

In fact, you should thank whichever deity you think is cool when the
cases DO come cracked!  It means if the other person hadn't included the
cases, than the tapes would bear the damage themselves.  Spend the extra
pennies.	Tape Cases: Not Really The Law, Just a Good Idea!

>those of you who have received tapes from me, REUSE THE BOXES!!  It 
>would be gratifying to receive a well-travelled box a couple of months 

Absolutely!  I can honestly say that I have NEVER purchased a padded
envelope for trading.  [For those of you familiar with the conservation
of mass, I should mention that I grab them from the office recycling
bin, my folks' place, and anything mailed to me.]  Also, for those who
don't have bubble-wrap handy, crumpled newspaper works just as well.

"They used to call me cheap, now I'm environmentally conscious" ;^)
HammaH
From: vosshall@apple.com (Pete Vosshall)
Newsgroups: rec.music.phish
Subject: Need directions to Cal Expo
Date: 27 Aug 92 20:49:23 GMT
Distribution: ca
Organization: Apple Computer Inc, Cupertino, CA


   If anyone out there in net land could be so kind as to e-mail some
directions to the Cal Expo Amphitheatre, I would be eternally grateful. Well,
at least until Sunday.

   Looking forward to a weekend of Phish and Santana!!!

      - Pete

_______________________________________________________________________________
* Pete Vosshall         |INTERNET: vosshall@apple.com  | "So maybe I could be *
* Collaborative Systems |VOICE:    (408) 720-1664  home| a fly...and feed an  *
* Apple Computer, Inc.  |          (408) 862-5418  work| arachnid as I die"   *
From: shell@gandalf.Berkeley.EDU (Shelly Culbertson)
Newsgroups: rec.music.phish
Subject: Shoreline Amphitheatre, Mountain View, Ca.  8/29/92
Date: 30 Aug 1992 09:20:19 GMT
Organization: Dept. of Statistics, U. C. Berkeley
Distribution: world
NNTP-Posting-Host: gandalf.berkeley.edu


Shoreline Amphitheatre, Mountain View, California  8/29/92

Chalkdust Torture
Rift
Bouncing Around the Room
Maze
You Enjoy Myself


The set was about 40 minutes, including the nice long YEM (great vocal
jam!).  I've been trying to remember if there was possibly another song
after Maze and before YEM...I don't think so.  Though it was short, this
was the best Phish-opening-for-Santana set I've seen so far (of five).

The in-venue video display at Shoreline was *very* nicely done.  I was
much impressed by the video controller's ability to pick up quickly on
the nuances of what I would guess were to that person totally unfamiliar
songs - for example, switching the display back and forth between Page
and Trey as they alternated vocals on Rift.  Being in such a large venue
where it was difficult to actually see the performers from many areas, the
video displays really added a lot.

Time to sleep...12 hours till Cal Expo(!)...

Shelly

Newsgroups: rec.music.phish
From: samuels@matia.Stanford.EDU (Steve Samuels)
Subject: Re: Let the Karma Roll - Tapes for Neo-phites
Organization: Psychology Dept, Stanford Univ.
Date: Mon, 31 Aug 92 21:52:38 GMT


offer has been snapped up, please do not send anymore requests.
From: NCALCATE@pearl.tufts.edu
Newsgroups: rec.music.phish
Subject: Bouncing during Bouncing
Date: 23 Aug 92 20:27:19 GMT
Reply-To: NCALCATE@pearl.tufts.edu
Organization: The Internet


  In an attempt to finish off an argument with a friend, I'm wondering if anyonecan remember Trey and Mike jumping on the trampolines while playing Bouncing wayback in 1989.

  My earliest show dates back to late 1990, and all of the Bouncings that I saw
were not done on the trampolines.  Because Trey, Mike, and Page all sing on
Bouncing, I argued that Trey and Mike would not be able to bounce because they
would be singing during most of the song.       ld not sing 

  My friend still insists that they bounced on the trampolines during Bouncing.
Can anyone clear this up for me by posting about the Bouncings they've seen in
early 1990?

                                              Nick Calcaterra
                                              ncalcate@pearl.tufts.edu
Newsgroups: rec.music.phish
From: RKNIGHT%COLGATEU.bitnet@cunyvm.cuny.edu
Subject: Just a phriendly hello...
Reply-To: RKNIGHT%COLGATEU.bitnet@cunyvm.cuny.edu
Organization: The Internet
Date: Wed, 2 Sep 1992 23:58:04 GMT

Hey now everyone,
        I just thought I'd say hello to all out there, as I just got back
to school, and regained my net access.  And as a footnote, I rounded up
some killer tapes this summer, and if there's anyone out there looking to
trade... drop a line.
                                Rob
Newsgroups: rec.music.phish
From: friedman@col.hp.com (John Friedman)
Subject: Re: Spelling Check:_____ Groove
Date: Thu, 27 Aug 1992 02:18:20 GMT
Organization: HP Colorado Springs Division

Peter Beernink <beernink@bu-bio.bu.edu> writes:
> I notice that Lee Silverman writes "Weekaparg Groove." This is not a 
> typographical error; I've seen this spelling in a Phish Newsletter
> from several years ago. So, either most of us have been spelling this 
> wrong for a long time, or that Phish mailing contained a typo. Does 
> anybody know for sure? I know it doesn't *sound* like "Weekaparg."

It is indeed Weekapaug.  It was a typo in the newsletter.  Page has
confirmed this, by the way.

John Friedman
friedman@col.hp.com
From: ai.torosian@mcc.com (Dan Torosian)
Newsgroups: rec.music.bluenote
Subject: World Saxophone Qtt album sales
Date: 25 Aug 1992 16:03:47 -0500
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

I was just listening to WSQ's "Rhythm and Blues" and started wondering
how many copies an album like this (or WSQ plays Ellington) sells.
Anybody know?  Or, even better, is there some centralized resource
(trade publications?) for finding out this kind of info?  The more I
think about it, the more curious I get - how many copies of "Blues And
The Abstract Truth" are out there in people's libraries?  Or "Sketches
Of Spain"?  My local record store is of no help with this, so once
again, I turn to the net.

-Dan
Organization: Penn State University
Date: Wed, 26 Aug 1992 14:07:55 EDT
From: Karl Nordstrom <KXN2@psuvm.psu.edu>
Newsgroups: rec.music.bluenote
Subject: Re: bb king is giving me the blues

Too bad Willie Horton wasn't a registered republican!
From: Paco_Ojeda_Gonzalez@macmailgw.dfci.harvard.edu (Paco Ojeda)
Newsgroups: rec.music.bluenote
Subject: Re: Marsalis Bros. (Wynton)
Date: 3 Sep 92 18:37:28 GMT
Organization: Thinking Machines Corporation
NNTP-Posting-Host: macdrf_43.dfci.harvard.edu
X-UserAgent: Nuntius v1.1.1d9
X-XXMessage-ID: <A6CBD56CAB014F9B@macdrf_43.dfci.harvard.edu>
X-XXDate: Thu, 3 Sep 92 19:45:00 GMT

In article <470@muller.loria.fr> Gerald Masini, masini@loria.fr writes:
>I've just discovered Branford Marsalis through ``Crazy People Music'' and
>Wynton Marsalis through ``The Majesty of the Blues''. I've appreciated
them
>much and I would like recommandations to hear more.
>Thanks.

There is a wonderful recording of standards by Wynton and his father on
piano. Really nice performances.

Paco Ojeda

    *****************************************************
    ** Paco Ojeda-Gonzalez                             **
    **                                                 **
    ** Paco_Ojeda_Gonzalez@macmailgw.dfci.harvard.edu  **
    *****************************************************
From: vek@spacsun.rice.edu (Vincent E. Kargatis)
Newsgroups: rec.music.bluenote
Subject: Re: What is Hard Bop?
Date: 27 Aug 1992 16:42:43 GMT
Organization: Rice University

will@ogre.cica.indiana.edu (William Sadler) writes:
> In <1992Aug26.180648.1261@guvax.georgetown.edu> mchenry@guvax.georgetown.edu writes:
> 
> So "hard" was the East Coast continuation/extension 
> >of be-bop, whereas "cool" continued in the West Coast with (mainly) white 
> >players. Hard bop was the dominant style of jazz in the later 1950s and 
> 
> Is there a specific album you have in mind here?  It was always my
> understanding that hard-bop was the style used by Mingus, Art Blakey,
> Cannonball Adderley etc. that was more "funk" oriented than cool
> jazz.  Of course, "funk" then meant something different than funk
> does now.  Basically a return to blues oriented, hard swinging,
> aka Horace Silver type tunes.  Like "better git it in your soul"
> and "mercy, mercy, mercy"  

I'd always thought that there were both "hard bop" and "funky bop", Blakey
being an example of the former, post-Messengers Silver and Cannonball the
latter. I'd say there were enough musical distinctions to validate the
classifications.
-- 
| Vincent Kargatis                      |  "It was jump or die."              |
| Dept. of Space Physics and Astronomy  |                                     |
| Rice University, Houston, TX          |      Marilyn Crispell to Anthony    |
| [vek@spacsun.rice.edu]                |        Braxton on his Comp. 69C     |
From: gwl%wave3_1@CONCERT.NET (Glenn Lea)
Newsgroups: rec.music.bluenote
Subject: Victoriaville lineup
Date: 3 Sep 92 17:11:27 GMT

Here's a brief lineup of the artists appearing at this year's FIMAV,
the Festival International Musique Actuelle in Victoriaville, Quebec.
(Each line is a separate concert.)

Thu 10/8:
Jean Derome
Bill Frisell Band + Horns (Kermit Driscoll, Joey Baron, Don Byron, Curtis
    Fowlkes, Billy Drewes)
Paul Plimley, Lisle Ellis Quartet (Bruce Freedman, Gregg Bendian)

Fri 10/9:
Francois Houle
Arraymusic
Konrad Bauer Trio
Fred Frith Ensemble (H. Benninck, Lesli Dalaba, Jean Derome, 
    Guy Klucevsek, Rene Lussier, Myra Melford, Ikue Mori, Zeena Parkins)
Sovetskoe Foto

Sat 10/10:
Barre Phillips & Alain Joule
X-Legged Sally
Fred Frith & Han Bennink
Anthony Braxton Quartet (Crispell, Hemingway, Dresser)
London Jazz Composers' Orchestra
Last Poets

Sun 10/11:
5th Species
London Jazz Composers' Orchestra
Diedre Murray & Fred Hopkins
Maarten Altena Ensemble
Elliot Sharp Carbon Orchestra & Carbon (double show)
Mon 10/12:
Abel Steinberg Winant Trio
Lars Hollmer Looping Home Orchestra
Urs Leimgruber & Fritz Hauser
Pierre Cartier
Arto Lindsay Band (Melvin Gibbs, Marc Ribot, Bernie Worrell, Cyro
    Baptista, Dougie Bowne)


For more info:

Productions Plateforme, Inc
C.P. 460
82 Notre-Dame Est
Victoriaville, Quebec
Canada, G6P 6T3
Tel: 819 752-7912
Fax: 819 758-4370

Ticket prices range from $12 to $24, depending on
the event.  Seats are general admission.  

Anybody ever been to this?  
Newsgroups: rec.music.bluenote
From: perttula@lut.fi (Mika Perttula)
Subject: John Coltrane 16 cd set prices ?
Date: Thu, 27 Aug 1992 12:14:49 GMT
Organization: Lappeenranta University of Technology, Finland

 Hey!

	I wonder, how much Trane`s 16 cd set costs in
	U-NINE-TED-STATES or in the rest of the world.
	As you probably know it`s goddam expensive
	in Finland.If there`s anybody out there willing
	to sell it to me,please contact me with E-mail.

	My E-mail address is:

				perttula@kannel.lut.fi

		Thank`s in advance

				   MIKA 
Newsgroups: rec.music.bluenote