HDTenEightyP/NetNews huggingface dataset:
From: edc@evolution.bchs.uh.edu (edward s. chen)
Subject: Re: Anyone own the Japanese Imported Beatles CDs?
Organization: Little to none, or maybe not......
Date: Tue, 7 Apr 1992 20:12:05 GMT

In article <1992Apr7.190604.24562@en.ecn.purdue.edu> prokopy@en.ecn.purdue.edu (Dave) writes:
>In article <MFh+19+@engin.umich.edu>, alb@irie.ais.org (Alan Brushaber) writes:
>>   Subject says it all. I would like to hear from anyone who owns
>> these pressings.
>
>No... But that reminds me of ANOTHER question:  I was in Chicago a
>couple weeks ago, and I came across some Japanese Beatles discs...
>It looked like a seven-or-so volume "Best of" collection, spanning all
>the EMI/Apple releases, all in chronological order.  There was no
>indication of mono/stereo, and I was wondering whether or not the
>earlier stuff (ie, material from the first four EMI albums) was available
>on these in stereo, since we all sorta got shafted a few years' back...
>
>So, does anybody out there in r.m.b. land have THESE, either?
>

No, but they are all inferior quality things, taken *from records*.
The copyright on music in Japan runs out after 25 years, with *NO*
renewal process.  Therefore, in Japan all Beatle material (through 1967)
is currently in the public domain.

There are a number of packages out there, the two more widespread being the
"Lennon Tracks", "McCartney Tracks" (etc) series, and the aforementioned 
"numbered series" ("Beatles Best 1", "BB2", "BB3", etc...).  Both sets use
vinyl records as the source of the material, and record dealers over there 
have been strongly urged by EMI not to carry the sets.  I would concur.  For
the money, you'd be better off getting stereo copies of the first four from
the MFSL set of a few years back...

<ESC>


-- 
ou est le soleil, dans la tete, Travaillez.
                                    -- Paul McCartney
From: mccombj@reis4.alleg.edu (Joseph McCombs)
Newsgroups: rec.music.beatles
Subject: Re: even more triv
Date: 9 Apr 92 16:59:54 GMT
Distribution: usa
Organization: Allegheny College

In article <44552@mentor.cc.purdue.edu> hartigse@fe607.cc.purdue.edu  
(Scott Hartig) writes:
> Getting tired of this yet?
> 
> What term did the group use when they went to smoke marijuana?

Have a laugh.
Newsgroups: rec.music.beatles
From: MHIRS00@ricevm1.rice.edu (Hirsh, Marc Bennett)
Subject: Re: The genesis of "...Northern Song"
Organization: Rice University, Houston, TX
Date: Sat, 11 Apr 1992 18:37:54 GMT

In article <1992Apr10.114957.4235@mic.ucla.edu>
dmaclaug@agsm.ucla.edu (saki) writes:

>
>In article <1992Apr9.153851.4034@verifone.com> kent_f1@verifone.com writes:
>>Speaking of songwriting pressure, that's where 'Only A Northern Song'
>>came from.  They were one short and George wrote it just to fulfill
>>the contract... hence the title.  Not a great song, but still interesting
>>and a good example of the very experimental stage they were into at the
>>time.
>
>Not so. This myth (maybe we *do* need a list, after all! :-) may be
>traceable to the producer of Yellow Submarine, who was quoted saying
>he needed one more song for the film, so George came up with this
>at 2 a.m., having kept an orchestra waiting, etc....
I could be wrong (it's happened before), but wasn't this "Hey Bulldog?" Or was
that when they were waiting to record another song ("Lady Madonna?"), found
that they had a few hours left in the studio, and hammered "Bulldog" out? Or
maybe they're both the same thing? Or maybe all of this was just a bad idea
to bring up in a post? Probably the latter. Sorry to vent my confusions on the
net.

Marc Hirsh

"I don't swear just for the hell of it. Language is a poor enough means
  of communication. I say we use all of the words we've got."
   ---snappy end-of-file sign-off quote from Inherit The Wind, one of whose
        authors has the same name as a general in the Civil War (guess who?)

\ /
 ^  ---ugly red source of all evil following every post and causing me to
 V         struggle to say something cool about it every time

Say, have I told everybody that I saw U2 on Monday?
From: deryl@waikato.ac.nz
Newsgroups: rec.music.beatles
Subject: Re: Another one of those damn polls
Date: 16 Apr 92 14:19:01 +1200
Organization: University of Waikato, Hamilton, New Zealand

In article <32927@darkstar.ucsc.edu>, mortal@ucscb.UCSC.EDU (71079000) writes:
> 
> I was listening to Past Masters, and I heard a song with the rather
> lame (if I may say so) lyric reading something like:
>.......
 
> 1) What is the worst original Beatles lyric (Ranging from a couple
>    words to a whole song. Whatever wrankles your hackles.) you've
>    heard? 
> 
> 2) What is the best?> 


For my money the best Beatles lyrics are the craftsmanship of Johnny..
"In My Life".

As for the worst.... Bungalow Bill has always irritated the hell out of me
(sorry about that Johnny...)

Another pet hate is in "Girl" .. "when you say she's looking good, she acts
as though it's understood she's cool.." I'm not quite sure what it is about
that one that doesn't quite seem to work for me.

Actually, when you think about it, there are an awful lot of 'deep &
meaningful' Beatles lyrics that seem able to strike a particular chord
depending on what's going on in your life at the time.  That must be
why we love them!

:-)

Deryl
From: dap@predator.vpharm.com (David A. Pearlman)
Newsgroups: rec.music.beatles
Subject: Re: Beatles influence on REM?
Date: 13 Apr 92 18:18:06 GMT
Article-I.D.: predator.1992Apr13.181806.28806
Organization: Vertex Pharmaceuticals, Inc.

In article <703176374@macbeth.cs.duke.edu> kirk@cs.duke.edu (Scooter Corleone) writes:
>In article <1992Apr9.023838.22135@cc.uow.edu.au> kp@cc.uow.edu.au (Karen
>Pepper)
> writes:
>>prokopy@en.ecn.purdue.edu (Dave) writes:
>>
>>>Uhh... actually I remember reading once that Pete Buck (guitarist for
>>>R.E.M.) said that he HATED "Sgt. Pepper..."  I would say that both the
>>>Beatles and R.E.M. were heavily influenced by the Byrds, however.
>>>("If I Nedded Someone" aounds strickingly similar to the Byrds (earlier)
>>>release "The Bells Of Rhymny".  I think George admits this, too.)
>>
>>...... and the Byrds have admitt their trademark jangly
>>guitar sound was originally inspired by the jangly guitar bit at
>>the end of "A Hard Day's Night".
>>
>AND, R.E.M.'s version of "Superman" sounds a lot like "If I Needed Someone",
>to me.

REM's cover of "Superman" is a carbon copy of the original by The Clique,
which came out in the late '60's on White Whale records. Interestingly,
"Superman" was one of the few originals on The Clique's album. "Superman"
was actually the b-side of The Clique's closest shot at a hit single, their
cover of Tommy James' "Sugar On Sunday."

dap
-- 
===============================================================================
    David A. Pearlman

Vertex Pharmaceuticals Inc.                     email: dap@vpharm.com
From: fs13+@andrew.cmu.edu (Francis W. Starr, II)
Newsgroups: rec.music.beatles
Subject: Re: ftp site for beatles lyrics
Date: 7 Apr 92 14:46:26 GMT
Distribution: usa
Organization: Sophomore, Physics, Carnegie Mellon, Pittsburgh, PA

Keyush writes:

>Can someone send me the address of ftp site on which the lyrics of beatles
>songs are stored?

There is an ftp site for the beatles, but i can't remember exactly
what's in there.  It can be reached at

bobcat.bbn.com

directory: beatles

Use anonymous for name.  It will give you the appropriate password.  

I'm looking for an ftp site that has a bootleg information.  I know
there is a little at that site, but if anyone knows of a detailed list
with comments on quality, please let me know.

Thanks,
efFrey
From: nahas1@husc8.harvard.edu (Stephanie Nahas)
Newsgroups: rec.music.beatles
Subject: Re: BeatleTrivia
Date: 9 Apr 92 02:18:05 GMT
Article-I.D.: husc3.1992Apr8.221806.10871
Organization: Harvard University Science Center

In article <44501@mentor.cc.purdue.edu> hartigse@fe638.cc.purdue.edu (Scott Hartig) writes:
>In article <1992Apr8.184759.27654@magnus.acs.ohio-state.edu> jruiz@magnus.acs.ohio-state.edu (Jose Ruiz) writes:
>>
>>     Another Trivia question for all you experts:
>>
>>     What color are the cellophane flowers that are "towering over your head"?
>
>Oh brother.  Who do you think you're dealing with here, Jose?  Let's try 
>one.
>
>What song did Paul play a fuzz bass on? (Hint: Rubber Soul)

"Think For Yourself." Does playing a regular bass through a makeshift
fuzz box count for playing a fuzz bass? Or are they the same thing?
Should I shut up now?

"Please do," says the crowd...

-- 
:::::::::::::::::::::::::::::   ::::::::::::::::::::::::::::::::::::::
:: Stephanie Nahas         ::   :: She's a drag. A well known drag. ::   
:: nahas1@husc.harvard.edu ::   :: We turn the sound down on her    ::
:::::::::::::::::::::::::::::   :: and say rude things.             ::
From: demes@chopin.udel.edu (James A Demes)
Newsgroups: rec.music.beatles
Subject: Re: LYRICS II (extended version)
Date: 17 Apr 92 16:30:55 GMT
Organization: University of Delaware

In article <1992Apr13.163226.23995@minyos.xx.rmit.oz.au> s913391@minyos.xx.rmit.oz.au (Antony Ross Lazarus) writes:
>Due to the great response I got last time, I made an extended list of songs
>which I would like the words of:
>Blackbird
>Mean Mr Mustard
>Polythene Pam
>Here Comes the Sun
>You've Got to Hide Your Love Away
>I've Just Seen a Face
>Yesterday
>Nowhere man
>In My Life
>Watching the Wheels (John Lennon)
>Jealous Guy (JL)
>Love (JL)

If you're looking for lyrics, try ftp'ing to cs.uwp.edu and looking in
directory /pub/music/lyrics - get the file called Index
Many of these songs listed above are in this archive.
However, this collection is incomplete.  If you have lyrics that aren't
at cs.uwp.edu, mail them to datta@cs.uwp.edu and he'll add them.
This way, everyone can enjoy the lyrics and the posts will be unneccessary!

--
UU    UU      Jim Demes  (demes@brahms.udel.edu or demes@freezer.cns.udel.edu)
UU    UU      1106 Christiana West Tower /----------------------------------|
UU  DDDDDDD   Newark, DE 19717-7814     /                                   |
UUUUUUUU  DD  (302) 837-1736           /       FOR RENT - CALL NOW!         |
    DD    DD                          /                                     |
    DDDDDDD                          /--------------------------------------|
Newsgroups: rec.music.dylan
From: roger@SSD.intel.com (Roger Golliver)
Subject: Re: Sydney, March 24 & 25 (really Trail of the Buffalo Skinners)
Originator: roger@rag
Organization: Supercomputer Systems Division, Intel Corp.
Date: Wed, 8 Apr 1992 19:38:22 GMT

> > Does anybody have a tape good enough to get Dylan's lyrics from?
> > 
> > Does anybody really care about this?

> Just you and I, I guess. 

> > Derek Gross                              "... Beans. Baked beans. Quality. ..."
> > derek@psych.rochester.edu                                           - Bob Dylan

> Gerry Myerson

Bob did "On the Trail of the Buffalo" at the George WA 1988 show.
I remember this song was a favorite of the person who made me the tape.
The tape is of good quality. I'll give it a listen tonight, and see how
many words I can make out.

Roger Golliver
roger@ssd.intel.com
From: heard@qut.edu.au
Newsgroups: rec.music.dylan
Subject: Re: WWI poetry Dylan influence?
Date: 10 Apr 92 16:39:38 EST
Organization: Queensland University of Technology

It's been a heavy week: courses to give and newsletters 
to get out. I'll see how far I get with transcribing 
the review article from "The Australian" tonight though.
 
Take care
Ronno
From: jab@cs.brown.edu (James M. Borger)
Subject: Dylan on Kostis
Organization: Brown Computer Science Dept.
Date: Fri, 10 Apr 1992 18:50:36 GMT

Thursday (4/9) night, a couple of the guys I live with were watching Later with
Bob Kostis.  I can't remember the name of the guest, but about ten minutes from
the end of the show he said he wanted to see Dylan announce his candidacy for
president.  After joking around about Dylan for a little while, the guest asked
Kostis why he has never had Dylan on the show.  Kostis replied that Dylan would
be on the show on (he thought) next Tuesday (4/21).  You should keep an eye on
the TV section in your favorite paper to be sure.  If anyone finds anything
please post.

Jim Borger
From: u6409886@ucsvc.ucs.unimelb.edu.au
Newsgroups: rec.music.dylan
Subject: What a show!
Date: 8 Apr 92 03:45:14 GMT
Organization: The University of Melbourne

regarding last night's Melbourne show:

		WOW.

Seriously, I could use a lot of superlatives on this one. Bob was in 
good voice and seemed to enjoy himself as much as I did, which is saying
something. Last thursday's show was good with some great moments, but
right from the start of the show last night he was in top form. "Watchtower
seared out last night as an opener, whereas last week it was kind of
flat, and Bob  was not warmed up in voice. Also "Baby Blue" and "I
Believe in You" were really nice surprises last night. He even talked
interactively (yes really) with the audience. As I understand it we
have a deal; if last night's audience promises to go back to the Palais
next year so will Bob. I'll be there...

Andrew Davies
Melbourne Uni
From: u6409886@ucsvc.ucs.unimelb.edu.au
Newsgroups: rec.music.dylan
Subject: Distribution
Date: 15 Apr 92 06:54:35 GMT
Organization: The University of Melbourne


Last week I posted a couple of things to this group about Bob's
Melbourne shows. I felt like I was pissing into a black hole for
all the response it engendered. Then today I look in the group and
find "Re: What a show!" (my original post subject), which has
transmogrified into something completely different. 

Please check that if you post to this group the distribution is set
to "world". It is extremely annoying to know that there is stuff
being sent out that we antipodeans are not seeing. 

Andrew Davies
Physics, Melbourne Uni

P.S. Anyone want to mail me the discussion re "What a show" ?
Thanks.
From: nickh@CS.CMU.EDU (Nick Haines)
Newsgroups: rec.music.dylan
Subject: Re: WWI poetry Dylan influence?
Date: 6 Apr 92 15:17:23 GMT
Organization: School of Computer Science, Carnegie Mellon University
Originator: nickh@VOILA.VENARI.CS.CMU.EDU

In article <1992Apr4.100604.45691@qut.edu.au> heard@qut.edu.au writes:

   ". . . like Verlaine or Rimbaud" -- I forget the name 
   of the song, but I think Dylan refers to Rimbaud elsewhere 
   too, and I see him as an important influence.

Absolutely. I'd recommend Rimbaud to _any_ Dylan fan. The penguin
translation of his Complete Poems is a tolerable one, and has the
original text too. I think one could consider Dylan in '66 as
attempting the total `derangement of the senses' that Rimbaud went on
about.

Nick Haines nickh@cs.cmu.edu
Organization: Rohm and Haas Company
Date: Wednesday, 8 Apr 1992 08:27:09 EDT
From: <MAH76X@ROHVM1.BITNET>
Newsgroups: rec.music.dylan
Subject:    Cats in the Well...


Anybody have any speculation as to why Bob is playing THIS song from UtRS so
much on this tour?  It seems to be the only song from UtRS he is playing.  I
am SURE glad to see that Wiggle Wiggle hasn't been in the setlists ;-) ;-) ;-)

Joe Doheny
From: cpry_ltd@uhura.cc.rochester.edu (Chris Perry)
Newsgroups: rec.music.dylan
Subject: Lenord Cohen question
Summary: In search of Bootlegs
Keywords: Looking for Bootlegs
Date: 14 Apr 92 02:18:28 GMT
Article-I.D.: galileo.1992Apr14.021828.18948
Organization: University of Rochester - Rochester, New York


  I'm not sure if this news group is the correct place to ask and get answers to
the following question if it is not, please be so kind to inform me where this
question can be answered-
If there are any Lenord Cohen fans that have bootlegs or info. about acquiring 
some could you please e-mail or post the information.
 This is for a friend so you can send e-mail to me or directly to 
his address below,

			Thanks-

				Chris

(His name is Tony and to e-mail to his Compuserve account send mail to-)   )
-- 
---------------------------------------------------------------------------------    Amazing, Memorable, Shocking, Explosive, Insightfull .sig not included    --                             :-> MAYBE NOT :->                                - -------- The Ultimate Bumper-sticker== Jesus Nukes Gay Whales, Peace. ---------
From: cpry_ltd@uhura.cc.rochester.edu (Chris Perry)
Newsgroups: rec.music.dylan
Subject: Re: Lenord Cohen question II
Keywords: Looking for Bootlegs
Date: 14 Apr 92 02:36:21 GMT
Organization: University of Rochester - Rochester, New York

Sorry about the address screw-up Tony's address is
	76635.616@Compuserve.com

			Thanks Again,

				Chris

-- 
---------------------------------------------------------------------------------    Amazing, Memorable, Shocking, Explosive, Insightfull .sig not included    --                             :-> MAYBE NOT :->                                - -------- The Ultimate Bumper-sticker== Jesus Nukes Gay Whales, Peace. ---------
Newsgroups: rec.music.dylan
From: sfy@dmp.csiro.au (Shane Youl)
Subject: Melbourne, April 7, 1992
Organization: CSIRO Division of Mineral Products, Melbourne, AUSTRALIA
Date: Wed, 8 Apr 1992 02:28:07 GMT

Melbourne, April 7, 1992
------------------------

1.  All Along The Watchtower
2.  Simple Twist Of Fate
3.  Everything Is Broken
4.  Just Like A Woman
5.  Tangled Up In Blue
6.  She Belongs To Me
7.  Maggie's Farm
8.  Love Minus Zero/No Limit
9.  Little Moses
10. The Golden Vanity
11. It's All Over Now, Baby Blue
12. Cat's In The Well
13. I Believe In You
14. The Times They Are A-Changin'
15. Highway 61

16. Absolutely Sweet Marie
17. Ballad Of A Thin Man

18. Blowin' In The Wind
---
A good concert. Early on, Bob seemed to have problems with his shirt, guitar
strap, harmonica holder, etc. Very fidgety. Mostly played harmonica with a 
hand-held microphone. In good voice, although still having trouble with lyrics;
notably in Times(see below) and Blowin', where he misses the second line of the
second verse.  The only low note was seeing "Visions Of Johanna" on the set list 
after the show :-(( It was replaced by Baby Blue.

Bob talk -

 Introducing "The Golden Vanity"
   "This is a song about ... uh ... somebody who went to sea"

   "You know this one" after the first line of Times. Then completely messes
    up the first two verses.

 Before Blowin'
   "This is my first time playin' here at this uh hall. Maybe I..
    somebody asked me if I'd call back next year and play it again.
    So yes you, you come/all come back, now."
   From the crowd "We love you Bob" "We love you Bob"
   Bob "You what?"
   Someone "We love you Bob"
   Bob "You love me? Can you believe it? (Turning to back stage)
    They love me!"
-- 
  Shane Youl                              _--_|\
  CSIRO Division of Mineral Products     /      \
                                         \_.--._/ 
  sfy@dmp.CSIRO.AU                             v
Newsgroups: rec.music.dylan
From: rmura@world.std.com (Ron Mura)
Subject: Melbourne, April 3 and 5, 1992
Organization: The World
Date: Mon, 6 Apr 1992 14:29:54 GMT


Melbourne, April 3, 1992
------------------------

All along the Watchtower		
Most of the Time
I Don't Believe You
Just Like a Woman 		
Tangled up in Blue
She Belongs to Me	
I'll Be Your Baby Tonight	
Love Minus Zero/No Limit  (this and the next 3 I assume were acoustic)
Little Moses		
Female Rambling Sailor	
Mr. Tambourine Man		
Cat's in the Well	
Idiot Wind		
The Times The Are A-changin'	(probably acoustic)
Highway 61 Revisited			

Absolutely Sweet Marie		
Watching the River Flow	
Blowin' in Wind		        (probably acoustic)
-- 
- Ron Mura, Boston, Massachusetts              rmura@world.std.com
Organization: Rohm and Haas Company
Date: Wednesday, 8 Apr 1992 08:12:58 EDT
From: <MAH76X@ROHVM1.BITNET>
Newsgroups: rec.music.dylan
Subject: Re: What a show!

I have been reading positive reviews of the Australian shows here :-).  I do
however, think that Bob needs a little help in the song selection he takes from
 the Grateful Dead ;-) ;-) ;-).  First West LA Fadeaway, and now Black Cruddy
River?  I guess Day Job or Ship of Fools is next ;-) ;-) ;-).

Anyway, my question is what about the Letterman show?  It seemed to me as
though most of the people were ready to shut good old Bob's coffin on him
after that performance?

To me, it's like the Grammys from last year.  EVERYBODY complained about Bob
on the net here.  If I were to listen to y'all, I would have written off
everything after that performance as being lousy.  Since then, I have
received a handful of tapes from '91 performances (AFTER the Grammy Perf.).
To me, some of those performances were PURE MAGIC, especially the accoustic
sets.  I thought that last years performances of "Bob Dylan's Dream" showed
just how much Bob could still throw emotion into his voice.  I don't know,
but I don't think we should all be so ready to crucify Bob, after one public
performance (SPECIALLY a highly COMMERCIAL performance).

Joe Doheny
From: gt1054a@prism.gatech.EDU (JOHNSTON,JERRY WAYNE)
Newsgroups: rec.music.dylan
Subject: Thanks
Keywords: none
Date: 14 Apr 92 22:21:36 GMT
Organization: Georgia Institute of Technology



	Thanks to everyone who sent me information on Dylan for my paper.
I wasn't really expecting any responses but I got tons on stuff that I was
able to use.  I'm having trouble contacting some people so I figured I'd
just thank everyone this way.  I really do appreciate it.  Peace


							

								Jay






-- 
JOHNSTON,JERRY WAYNE
Georgia Institute of Technology, Atlanta Georgia, 30332
uucp:     ...!{decvax,hplabs,ncar,purdue,rutgers}!gatech!prism!gt1054a
Internet: gt1054a@prism.gatech.edu
From: PA113718@utkvm1.utk.edu
Newsgroups: rec.music.dylan
Subject: Re: WWI poetry Dylan influence?
Date: 8 Apr 92 14:43:57 GMT
Organization: The University of Tennessee, Knoxville

In article <1992Apr4.200224.25884@zip.eecs.umich.edu>
raghu@nairobi.eecs.umich.edu (Raghu Mani) writes:

>I think the lyrics are
>
>....... Situations have ended sad
>       Relationships have all been bad
>       Mine've been like Verlaine and Rimbaud
>       But there's no way I can compare
>       All them scenes to this affair
>       You're gonna make me lonesome when you go ......
>
>From "You're Gonna Make Me Lonesome When You Go"
>       - from the album "Blood on the Tracks"
>
>Raghu
>
I apologize if my same general reply got posted earlier, but we've had
problems with our netnews mailer.  That is, I think my earlier post
evaporated.

Anyway, what I had said was that this line about Verlaine and Rimbaud
is especially funny and ironic given that one ended up shooting the other
(can't remember which, but my money is on Rimbaud as the triggerman).
They were lovers at the time, and Rimbaud was sort of a poetic prodigy
who had been befriended by the somewhat older Verlaine.  Rimbaud wrote
his best stuff in his early 20s, then quit and eventually became a gun-
runner in Africa.  Some role model for Zimmy, huh?  Great poet, though,
and somebody who really understood all that dark-night-of-the-soul jazz.
Check out Saison en l'Enfer (Season in Hell).  I think that's right;  God,
my French is rusty.

      Tom Garritano
      pa113718@utkvm1.utk.edu
Newsgroups: rec.music.dylan
From: rmura@world.std.com (Ron Mura)
Subject: Re: Melbourne, April 5, 1992
Organization: The World
Date: Mon, 6 Apr 1992 16:14:21 GMT


Here's the April 5 song list:


Melbourne, April 5, 1992
------------------------

All along the Watchtower		
What Good Am I?
I Don't Believe You
Just Like a Woman 		
Tangled up in Blue
It Takes a Lot to Laugh, It Takes a Train to Cry
Maggie's Farm
Love Minus Zero/No Limit  (this and the next 3 I assume were acoustic)
Little Moses		
Female Rambling Sailor	
Desolation Row
Cat's in the Well	
Idiot Wind		
The Times The Are A-changin'	(probably acoustic)
Highway 61 Revisited			

Absolutely Sweet Marie		
Rainy Day Women #12 & 35
Blowin' in Wind		        (probably acoustic)


There were five changes from the show on April 3 (the 2nd, 6th, 7th,
11th, and 17th songs).
-- 
- Ron Mura, Boston, Massachusetts              rmura@world.std.com