HDTenEightyP/NetNews huggingface dataset:
From: bp271@cleveland.Freenet.Edu (Matthew N. Sharp)
Subject: Re: Matty's Minute (was Re: Test Dept discography)
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Tue, 18 Aug 92 06:14:14 GMT





Mason,
	I have a splendid suggestion for you,
	and it will cost you nothing.
	If you are indeed fond of the title
	"Hater of Bigots," why not change your
	band name ("Trance") to 


 M A S O N  J O N E S, H A T E R   O F   B I G O T S, A N D   P A L S.


	I think it is a very memorable name, and
	will no doubt add to the already great 
	success which you have enjoyed up until now.
	I won't even request mention on liner notes.







HELLO? ANYONE THERE?
Love,
Matthew
-- 
Matthew Neill Sharp
bp271@Cleveland.Freenet.Edu
Newsgroups: rec.music.industrial,alt.rave
From: lazlo@triton.unm.edu (Lazlo Nibble)
Subject: Re: ORB/Blue Room "CD SET" plus other orb stuff
Date: Tue, 18 Aug 92 20:40:42 GMT
Organization: Sporadic and incomplete

chris@Minsk.DoCS.UU.SE (Christian Bartholdsson) writes:

[about "A Huge Ever-Growing Pulsating Brain...":]

>> the original 12" was only available on vinyl, stock number MWS 017T.
>> It's the MWS 27 series that was on CD-5 and 12" All are out of print at
>> this point, BTW. 
>
> The original 19:07 version is available on CD single (Wau!Mr.Modo BLR 27
> OCD). I know it because I have a copy of it right here. 

And that's a cue to to issue one of my periodic pleas for Orb releases. 
Anyone who can find me any of the following will be my Instant Pal-For-Life:

Orb, The: Kiss EP                              UK 12": W!MM MWS 10T
Orb, The: A Huge Ever-Growing... (original)    UK CD5: Big Life BLR 27 OCD
Orb, The: A Huge Ever-Growing... (remix)       UK CD5: Big Life BLR 27 CD
Orb, The: Little Fluffy Clouds                 UK CD5: Big Life BLR 33 CD
Orb, The: Little Fluffy Clouds (remix)         UK 12": Big Life BLR 33 R
Orb, The: Perpetual Dawn (ultrabass ii)        UK 12": Big Life BLRR 46

--
Lazlo (lazlo@triton.unm.edu)

Show me how you do that trick -- the one that makes me scream, she said
From: U19807@uicvm.uic.edu
Newsgroups: rec.music.industrial
Subject: Re: STUPID QUOTE OF THE DAY
Date: 13 Aug 92 22:26:05 GMT
Organization: University of Illinois at Chicago

In article <4707@blue.cis.pitt.edu.UUCP>, damian+@pitt.edu (Liquid Cooled
Spherical Imaging) says:
>
>Ran across this while thumbing through the Pittsburgh City Paper :
>
>"Sound is such an essential part of Ministry."
>      -- William Rieflin
>
>
>What a fucking deep thinker.

I take it,then,that the newspaper strike is still going on.

Well,what _else_ explains the quote? >:)

      ** Chris Krolczyk,esq.  * DISCLAIMER: My opinions are in **
      ** Maniac-at-Large      * no way endorsed by the Univer- **
      ** U19807@UICVM.BITNET  * sity of Illinois at Chicago.   **
      ** u19807@uicvm.uic.edu * So there. Nyaah.               **
Newsgroups: rec.music.industrial
Subject: Re: Moshing? What the fuck...
From: kupixel@oread.cc.ukans.edu
Date: 19 Aug 92 15:37:55 CDT
Organization: University of Kansas Academic Computing Serces

In article <1992Aug18.005211.3431@cmcl2.nyu.edu>, galanter@nyu.edu writes:
> 
> I am not sure where then term "moshing" turned up first, but I tend to  
> associate it with the time that metal and punk crossed (something that  
> would have been unthinkable in earlier years in terms of club scenes, but  
> not so much as musical styles, at least among punk musicians who  
> understood what they were doing at a more, -ahem-, cerebral level).   
> Suddenly we seemed to have thrash, speed-core, speed-metal, skate punks,  
> and .... mosh pits.
> 
> It would be an interesting exercise in pop culture research to find the  
> first printed use of the term moshing...it might provide some subcultural  
> and regional clues...

   my first exposure to "moshing" came several years ago back in high school
when i heard a song that went something like "mosh mosh mosh moshing into hell
mosh mosh."  back then i'd never heard of skinny puppy or front242 or cabaet
voltaire; msohing was, to me, something done at metal concerts.  from my
experience punks slammed, and metalheads moshed.  but i agree that some
crossover in musical styles occurred--and two kinds of dancing that emerged
from entirely different backgrounds merged.  punks will call it slamming,
metalheads will call it moshing.  i think the only way to settle this is to
find out what MTV calls it, and then use the other name.

c.j.
KUpixel@oread.cc.ukans.edu

"Wir sind die Kuhe der Popmusik
 Die heiligen Kuhe der Popmusik."  --D.A.F.
Newsgroups: rec.music.industrial
From: pashdown@javelin.sim.es.com (Pete Ashdown)
Subject: Re: FLA concert review
Organization: Evans & Sutherland Computer Corporation
Date: Fri, 14 Aug 1992 15:06:48 GMT

laugh@helios.ucsc.edu (laughlin) writes:

>The tanned and fit Bill Leeb was in fine form,
>barking out the meaningless slogans and refrains that comprise the
>lyrical vernacular of FLA. He looked simply terrific up there, thrashing
>around, clasping the outstretched hands of his front line fans,
>silhoetted against the non-stop-cut-up barrage of 16 video monitors,
>with nary an oxygen tank in site.

OK, OK, but how was his DANCING?  Did you feel like doing aerobics?
-- 
			  I'm not wearing any pants.

DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown
From: steveh@yallara.cs.rmit.OZ.AU (Steve Hayes)
Newsgroups: rec.music.industrial
Subject: Industrial/Metal Cross-over Bands
Date: 19 Aug 92 12:09:36 GMT

A few bands I have heard/heard of, which might be classified as industrial/metal
cross-over are:

Skrew
Malhavoc
Scorn
Ministry
and even Godflesh, depending on your interpretation of the terms.

I would like to write an article for a local industrial magazine about this
new and interesting (IMHO) style of music, but I don't have a lot of information
about these bands. Any information about the members/discographies/etc. would
be appreciated (oh, except I know a fair bit about Ministry already).
When I get it written, I'll also post it back here.
Also, any other bands which people would classify similarly?
Post replies or email one-liners!
Thanks, Steve
From: douellet@beach.csulb.edu (Daniel Ouellette)
Newsgroups: rec.music.industrial
Subject: FLA in LA
Date: 14 Aug 92 15:41:16 GMT
Organization: Cal State Long Beach


  Well, I went to the show last night. It was quite impressive. If only I 
could afford to have a 16 screen television array in my home, now THAT would
be entertainment. Anyway, I was wondering what the last song _before_ the
encores (right after Mindphazor) was, or better yet, if anyone has the entire
set list. Reading the review from Palo Alto, it seems that the set list 
changed considerably.
  On another note, I thought Contaigen sounded pretty bad at the Palace. The
palace would not allow them to turn up the volume, and alot of their show
sounded washed out. I talked to the drummer after the show and he pretty much
said the same thing. He was really irritated with the way the show went, in 
addition to them having a lot of technical difficulties (one of their mikes 
went out and they had no monitors working). I've been to a couple of thier 
shows, and this was definitely the worst I've seen them do - and I'm friends 
with the band.
-Daniel


-- 
AlienSexFiend*Bauhaus*Curve*DepecheMode*Erasure*FrontLineAssembly*Gruesome- *
*	Daniel Ouellette       | 	 "People need to be schocked"	    *
*   douellet@beach.csulb.edu   |		     -Me	   	    *
Twosome*HumanDrama*JesusJones*KMFDM*LordsOfAcid*MLwtThrillKillKult*NitzerEbb*
Organization: Office of the Dean - CFA, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.industrial
Date: Mon, 17 Aug 1992 10:24:42 -0400 
From: Liz Fox <lf01+@andrew.cmu.edu>
Subject: Evolution Control Committee - need phone #


I need to get in touch with the guy in charge of Cleveland's Evolution
Control Committee about an upcoming show.

Please send phone number of info to me at lf01@andrew.cmu.edu

Thanks

Liz and Joe

Newsgroups: rec.music.industrial
From: Greg Clow <ecurrent@zooid.guild.org>
Subject: Re: Coil - Discography Wanted
X-To: ANDRE BERTHIAUME
Organization: The Zoo of Ids
Date: Wed, 12 Aug 1992 14:52:00 GMT

AB>Well, the subject line says it all 8)  If anyone has a complete 
AB>discography of Coil, pls post or email.  I'd greatly appreciate it! :)

I, too, would find this most helpful.


Greg
ecurrent@zooid.guild.org
sizone!ecurrent@ee.ryerson.ca


--- WinQwk 2.0 #0
Newsgroups: rec.music.industrial
From: mason@dante.uucp (Mason Jones)
Subject: Re: Noize/Experimental DJ list
Date: Tue, 18 Aug 92 15:52:41 GMT
Organization: Charnel House Prod.

mwilkenf@silver.ucs.indiana.edu (Missi Wilkenfeld) writes:
: Liz Fox <lf01+@andrew.cmu.edu> writes:
: >
: >Joe sez:
: >
: >Could we please compile a DJ list  of people who play serious noize and
: >experimental music exclusively?  Not industrial, techno, or
: >"Alternative" amphetamine repile rock.
: 
: Eric Sinclair (esinclai@indiana.edu) and Todd Freeburg (tfreebur@indiana.edu)
: at WQAX 
: 
: You will have to talk to them about it.  I know I just got the Sounds
: of Chicago stuff for them.  They are doing the show now, and Crash
: Worship was on the Disc Player when I walked out the door.

Good for them. ;-)

I've got a list of nearly 100 stations which play experimental music
from the U.S., Canada and beyond (including Portugal, Greece, Brazil,
Italy, Czechoslovakia, etc).  I don't know if I can get the whole
thing over here in shape to post, but I'll give it a shot.


  VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
             Mason Jones           Charnel House Productions
             P.O. Box 170277, San Francisco 94117-0277 U.S.A.
   ...{uunet,sun}!hoptoad!dante!mason   or   dante!mason@hop.toad.com
  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Newsgroups: rec.music.industrial
From: earle@poseur.JPL.NASA.GOV (Greg Earle - Sun JPL on-site Software Support)
Subject: Re: Skinny Puppy: Back and Forth
Followup-To: rec.music.industrial
Organization: Sun Microsystems - JPL on-site Software Support
Date: Wed, 12 Aug 1992 17:31:58 GMT

In article <259DPB2w164w@sys6626.bison.mb.ca> ringworm@sys6626.bison.mb.ca (Count Ringworm) writes:
>>I've heard there exists a tape from Skinny Puppy called "Back and Forth".
>>Here in Germany no one can tell me something about it. 
>>
>>How can I get this tape???
> 
>Nettwerk is going to release it this fall... much to the dismay of the Pups.

I beg your pardon?  It's being done with the full knowledge and support of
the "Pups", cEVIN in particular.  I don't know why you'd say something like
this.  Maybe Rave isn't pleased with the fact that the tracks aren't being
released in 100% original form (i.e., they're being remixed), but I'd hardly
call that "much to the dismay of the Pups".

Newsgroups: rec.music.industrial
From: vidarh@stud.cs.uit.no (Vidar Hanssen)
Subject: REVIEW: Blue Eyed Christ: Catch My Fall
Organization: University of Tromsoe, Norway
Date: Thu, 20 Aug 1992 14:49:30 GMT

 
BLUE EYED CHRIST: Catch My Fall (KK Records KK081CDS)

This EP contains 7 remixes of Catch My Fall, all "produced through the warzone 
unity". That is, re-recorded with Die Warzau. The only thing left from the 
original, is the lyrics and the "suicide" sample. The original (as the rest of 
the Leaders And Followers album) is under-produced with it's sparse demo-ish 
sound. But Die Warzau have thrown in more interesting rhythms and some new,
catchy themes, creating a totally new sound. The EP starts with a short,
metalic intro, and continues with 4 pumping 123 bpm versions, mainly
instrumentals. It ends with two slower 101 bpm funky/moody version. Favourite
mixes is the instrumental Troposphere with samples from The Orb's Huge Ever
Growing, and the  slow Abyss version with a more ambient feel.


-- 
     __  __
     \ \/ /          ///////////////////////////////////////////////////////
      \  /          // Vidar Hanssen  University Of Tromsoe, Norway ///////
       \/          // Email: vidarh@stud.cs.uit.no  Phone: +47 83 44032 //
control, I'm here ///////////////////////////////////////////////////////

Newsgroups: rec.music.industrial
From: djs6015@ultb.isc.rit.edu (Don Smith)
Subject: Re: FTP Sites
Originator: djs6015@ultb
Organization: R.I.T.
Date: Sun, 16 Aug 1992 13:30:34 GMT

In article <1992Aug14.175038.646@news.nd.edu> wlamonac@handel.helios.nd.edu (william lamonaca) writes:
>Could someone please post or email me the FTP sites for music GIFs?
>Thanks, Bill.

This is a repost of the original article concerning the .GIF's. I am
just reposting this article.... and I have nothing to do with them.

>Newsgroups: rec.music.industrial
>Path: isc-newsserver!psinntp!psinntp!rpi!johnsh
>From: johnsh@aix.rpi.edu (Hugh Witt Johnson)
>Subject: Industrial GIFs - update!
>Message-ID: <9d8x0rj@rpi.edu>
>Nntp-Posting-Host: aix.rpi.edu
>Organization: Rensselaer Polytechnic Institute, Troy, NY
>References: <fb3xfyr@rpi.edu>
>Date: Wed, 5 Aug 1992 17:31:29 GMT
>Lines: 22
>
>The Ministry (Jesus Built My Hotrod) and KMFDM (Money) GIFs that I mentioned
>to everyone earlier have now been posted at cs.uwp.edu, so look for them there
>soon.  New industrial GIFs I also posted today at cs.uwp.edu:
>
>Name                          Dim.      Notes
>============================= ========= ===============================
>Front 242 (Big Face)          535x480   from Tyranny For You promo copy
>Front 242 (Big Scream)        480x425   from Tyranny For You promo copy
>Front 242 (Four Faces)        535x480   from Tyranny For You promo copy
>Front 242 (Graphic)           535x480   from Tyranny For You promo copy
>Front 242 (Tragedy For You)   468x480   Tragedy For You single cover
>Ministry                      480x480   new Ministry album cover
>Skinny Puppy                  480x480   Too Dark Park album cover
>
>All these GIFs are 8-bit (256 color).  If you don't have ftp access, send me
>mail and I'll try so send you what you need.
>
>
>Hugh Johnson                                        "Who'm I trying to impress?
>Rensselaer Polytechnic Institute                          Who could care less?"
>Troy, New York
>johnsh@rpi.edu                                             -- Ministry, TV Song
-- 
   | Don Smith     (yahweh)      |  Its a Satanic drug thing....     |
   |djs6015@ultb.isc.rit.edu     |    ....you wouldn't understand.   |
   |djs6015@ritvax.isc.rit.edu   |                                   |
   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Newsgroups: rec.music.industrial
From: mason@dante.uucp (Mason Jones)
Subject: Re: FLA/CONTAGIN/PUPPY (T-Shirt Prices)
Date: Fri, 21 Aug 92 17:19:50 GMT
Organization: Charnel House

douellet@beach.csulb.edu (Daniel Ouellette) writes:
: In article <4ZskPB3w165w@cyberden.uucp> xorcist@cyberden.uucp (Xorcist) writes:
: >Contagin/Biohazard/<name of the week>'s prices are realistic, but
: >until they get a real following, I think theirs are about $5 too high...
: >Again, it's all a status symbol, "lookie what I got" game...
: 
:   I agree totally, but unfortunately it's not just the artist's fault. I was
: talking to the guys in Contaigen after the show in LA and they were really 
: upset at the price of their shirts. Jack was saying that the Palace got around
: 60% of the take, and the girl that worked the booth got another 16%. Goin from
: that (and it doesn't sound too far fetched to me), that doesn't leave alot of
: profit from an $18-$20 t-shirt, especially after overhead and the record 
: company gets their cut. Just my $0.02 worth.

The Warfield here in SF is like that too.  When Godflesh & Puppy were
here the shirts were about $24 or something, because the Warfield takes
a big chunk of the money.  In such a case I'd say the band shouldn't
sell shirts, although in their case it might be the label's people
in charge of it.  Or tell people to come out to the van after the show
and buy the shirts from them without giving the fucking venue a huge
cut of the money for doing nothing.  It's bullshit.


  VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
             Mason Jones           Charnel House Productions
             P.O. Box 170277, San Francisco 94117-0277 U.S.A.
   ...{uunet,sun}!hoptoad!dante!mason   or   dante!mason@hop.toad.com
  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Newsgroups: rec.music.industrial
From: tmcfarla@fraser.sfu.ca (Tara McFarlane)
Subject: Re: CURRENT 93 event
Organization: Simon Fraser University, Burnaby, B.C., Canada
Date: Fri, 21 Aug 1992 08:40:58 GMT

ok, seeing as we're on the topic of current 93... i've a question that's been
bugging me for some time: just how many vinyl copies of christ and the pale
queens mighty in sorrow were released? there were only supposed to be 93
copies and i think originally tibet was marketing them for over 30 pounds. 
well i picked up a new copy a few years back for only $17 canadian. ok, i
know it has since been released on cd, but how many vinyl copies were pressed?

how does one know for sure if limited editions are really as limited as they
claim? let's see, i've got the in menstral night picture disc, nurse with wounds'live at bar maldoror', ptv's mouth of the night picture disc, a carlos peron
ep, and i forget what else that are all supposedly limited editions. but are 
they really? i don't really care myself. i didn't buy them for their rarity but
for the music contained on them. i'm not really into obsessively owning         everything favorite bands produced.
From: imt@crosfield.co.uk (ian taylor)
Newsgroups: rec.music.industrial
Subject: Re: Nitzer semantics
Date: 12 Aug 92 16:39:18 GMT
Distribution: rec.music.industrial
Organization: Crosfield Electronics, Hemel Hempstead, United Kingdom.

In article <BsKpDJ.n1E@knot.ccs.queensu.ca> conner@qucis.queensu.ca (Mike Conner) writes:
>The correct way to pronounce "nitzer" is with a long I sound.
>It would look like this "NIGHT-SIR".
			^^^^^^^^^^^^^
I just hope that this sad wanker is joking....no, probably not.

"Nitzer Ebb" was meant to sound German (although it's a nonsense word, and
Nitzer Ebb are from Chelmsford in Essex...). Consequently, the correct German
pronunciation is with a short "i" sound, a glottal stop on the "t", and the 
"z" pronounced as "tz". In short, just like it looks. 
Sorry to be picky, I just couldn't help myself.

+----------------------+
| From the terminal of |
+----------------------+------------------------------------------------------+
|     ___     __  __ ____ __   ___    ___  ___  ___ ___  ___  ___  __  ___    |
|    /_  /   /_  /    /  /__> /  /   /__/ /__  /__ /__/ /__  /__   /  /  /    |
|   /__ /__ /__ /__  /  / \  /__/   /  / ___/ ___//  / ___/ ___/ _/_ /  /     |
+----------------------+------------------------------------------------------+
| imt@cel.crosfield.uk | Harsh reality in a virtual world. God is the Machine |
+----------------------+-----------------------------------+------------------+
| Concrete Productions - PO Box 798 London W14 9NT England | (044)71 385 6690 |
+----------------------------------------------------------+------------------+
From: tvaughan@desire.wright.edu
Newsgroups: rec.music.industrial
Subject: Going to Seattle--any cool clubs?
Date: 19 Aug 92 15:21:40 GMT
Organization: Wright State University


	Although I've been to Seattle many times before, I've never been
able to find a decent alternative/industrial dance club.  (Seems kind of odd
with all the music coming out of Seattle these days...)
	Anyways, the only place I found was a place in the U district, The
Underground, and it seemed like a teeny-bopper bar.  Are there any decent
clubs in town?  (Lemme know if there's any under-21 clubs, so I can take my
brother...)

	Thanks in advance,

				thomas

(.sig - deficient)
From: alex@fiskville.mc.utexas.edu
Newsgroups: rec.music.industrial
Subject: Re: NIN new album news!
Date: 14 Aug 92 22:37:37 GMT

Dean H Saxe writes
> In article <1992Aug12.034258.22044@usenet.ins.cwru.edu> 
> aa561@cleveland.Freenet.Edu (Bob Nekic) writes:
> >
> >
> >
> >I heard some info on the local radio station this evening about the
> >new NIN album.
> 
> OK, I heard the same info in Houston.  Its a 6 song EP titled Broken and  
is
> due out in stores on Sept. 23rd.  After 3 yrs w/out an album it promises  
to
> be good.  Last interview I heard with Trent had him describing a much  
harder
> & angrier album.  Should be great!


Nah, old Trent has been hanging out with Al Jourgensen for way too long  
(take a close look at Pigface) and I think this association will have  
destroyed the subtle touch which made _Pretty Hate Machine_ so cool. All  
thrash and guitar and distorted screaming (while great for Ministry  
et.al.) won't stand up to Trent's previous offering (IMHO).


Alex.
From: bp271@cleveland.Freenet.Edu (Matthew N. Sharp)
Subject: Re: r.m.i rules and guidelines
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Wed, 19 Aug 92 00:53:51 GMT






BRIAN, YOU SILLY POLLACK,
WHAT GOOD ARE YOUR RULES WHEN YOU ARE COMPLETELY UNABLE TO ENFORCE
THEM, MR. FRONT242-DISCO-SKINNY-PUPPY-DYED-BLACK-HAIR-BUTT-FUCK?




LOVE,
YOUR BETTER.
-- 
Matthew Neill Sharp
bp271@Cleveland.Freenet.Edu
Newsgroups: rec.music.industrial
From: ghond@acca.nmsu.edu (ICE-9)
Subject: Re: Cage Dead
Organization: New Mexico State University
Date: Sun, 16 Aug 1992 21:12:43 GMT

In article <36849@sdcc12.ucsd.edu> dmarasco@sdcc13.ucsd.edu (David Marasco)
writes:

> It might be a small stretch to post this to RMI, but that's never
> stopped anybody before.  John Cage died of a stroke in New York two
> days ago.

On this sad occasion, I'd like to have a respectful moment of silence
for 4 minutes and 33 seconds.

-- Stephen
-- 
stephen white			| the priests and the friars
ghond@sloth.nmsu.edu		| approach me in dread
				| because i still love you,
				| my love, and you're dead - s. o'connor
Newsgroups: rec.music.industrial
From: jon@cunixf.cc.columbia.edu (Jonathan Nowitz)
Subject: Re: Moshing? What the fuck...
Reply-To: jon@cunixf.cc.columbia.edu (Jonathan Nowitz)
Organization: Columbia University
Date: Thu, 13 Aug 1992 14:36:48 GMT


> I love it!!  Of course, those of us with very short brush cuts don't even fit in
> to your
> formula.  How about (#mohowks * .75 + #brush * .25) / #longHairedHooligans.
>
> Anyone else feel left out?

Actually, I do.  Anyone with bangs down to their chin and a 1/4 inch buzz 
cut probably belongs somewhere in the numerator... unfortunately, my
mohawk comes and goes pretty much on a whim (never gets very long, of
course).
From: ldt@vax5.cit.cornell.edu
Newsgroups: rec.music.industrial
Subject: Re: Music to kill by
Date: 21 Aug 92 18:40:42 EDT
Distribution: rec
Organization: Cornell University

X-NEWS: vax5 rec.music.industrial: 2712
Relay-Version: VMS News - V6.0-3 14/03/90 VAX/VMS V5.4; site vax5.cit.cornell.edu
zaphod.mps.ohio-state.edu!magnus.acs.ohio-state.edu!usenet.ins.cwru.edu!po.CWRU.Edu!jwk3
Newsgroups: rec.music.industrial

Thus spake vhspet01@uctvax.uct.ac.za (Peter van Heusden):
>Now for an arbitrary post:
>
>Anything to keep this group alive at UCT:
>
>Anyway, a topic:
>Music to kill by:
>
>What would be your favourite music to annilate objects by?
>

I always thought that "killing" referred more to people than objects.

Anyway, on that note, I think the question needs to be a bit more
specific.  If I were bludgeoning people to death with blunt objects at
close range, I would probably be cranking NON's "Physical Evidence"
and SPK's "Information Overload Unit"/"Liechenschrei" over
loudspeakers.  If I were killing people at a distance with a
high-powered rifle, I would be listening to the louder/faster parts of
Skinny Puppy's "Cleanse, Fold..."/"VIVISECT VI"/and "Too Dark Park" on
my walkman.  For a drive-by/walk-up shooting, having some really hard
techno playing somewhere would be ideal.  I guess it kind of depends
on the situation.


The Walrus
~~~~~~~~~~~~~~~~~~
pgs@ee.cornell.edu  (Peter G. Soderquist)

I am your washing machine.
Newsgroups: rec.music.industrial