HDTenEightyP/NetNews huggingface dataset:
From: josh@viewlogic.com (Josh Marantz)
Subject: Re: King Crimson Boxed Set vs. Studio albums
Organization: Viewlogic Systems, Inc.
Date: Fri, 18 Dec 1992 15:15:25 GMT

>In article <42683@sdcc12.ucsd.edu> pvallado@sdcc13.ucsd.edu (Paolo Valladolid ) writes:
>>Should I get _The Great Deceiver_ boxed set or the three studio
>>albums from that era (_Lark's Tongue in Aspic_,_Red_,_Starless and
>>Bible Black_)?  Please state the reason for your choice. What does
>>the boxed set have that the three studio albums don't have and vice
>>versa.

>The sound quality on studio albums and boxed set is the same.  Some of
>the studio tracks on the boxed set are abbreviated which makes the set
>unacceptable to me.

I think there's some confusion here.  The original poster was
referring to The Great Deciever, which has no studio versions, it's
all live.  There are some abbreviated songs, but those songs appear
elsewhere in the set in their full glory.  Easy Money, for example,
appears 4 times, one of which is abbreviated.  Actually, thAT
particular one (the second one on disk 2) has some great drumming on
the intro, after which they sort of meander off into an improvisation
that never gets back to the theme, so they called it a different song.

The preponderance of muliple versions is a troubling point, though.
Easy Money is probably my favorite Crimson song, and I appreciate the
different ways they played it on this set, but I really miss what I
guess must be Jamie Muir's percussion from the studio version.  Other
people may get bored of this.  You really have to listen carefully on
some tunes to hear the difference, and I haven't always found it to
be significant.

Back to the original question: it's a tough call, but I think the live
performances are much better than the studio ones (except for the lack
of Muir's percussion on the middle section of Easy Money), which are
excellent.  But it repeats several tracks a few too many times, and
leaves off some great stuff from Red, mainly because the concerts were
recorded before Red was.  It does not include Fallen Angel or One More
Red Nightmare.  But it has some great versions of Starless.  I forget
how many.

If you can afford it, try to get the boxed set + Red.  Eventually you
will want to get Larks... and Starless & Bible Black, but they're very
well covered by the boxed set, which also includes some killer improvs
that are unavailable elsewhere, and some extensive liner notes.
-- 
Joshua Marantz                          You make my life and times
Viewlogic Systems,                        a book of bluesy Saturdays
josh@viewlogic.com                      And I have to choose...
Newsgroups: alt.music.progressive
From: jchokey@leland.Stanford.EDU (James Alexander Chokey)
Subject: Re: Any medieval/renaissance style progressive bands?
Organization: DSG, Stanford University, CA 94305, USA
Date: Sat, 19 Dec 92 18:32:13 GMT

In article <a5se02eW2f2C01@JUTS.ccc.amdahl.com> ptt00@DUTS.ccc.amdahl.com (  179  Peter Thelen) writes:
>
>In article <1gsms7INN7q0@bigboote.WPI.EDU> martino@wpi.WPI.EDU (Robert Paul Martino Jr) writes:
>
>>is probably parts of Gentle Giant, and I don't know why the group 
>>Renaissance is called that becuase it sounds nothing like music 
>>from that era!  :)
>
>Ah yes, but the primary definition of renaissance is: "A rebirth or
>revival"; the "era of great revival of art & learning in 14th,15th & 16th
>century europe" is the secondary definition.

	Ah, but what exactly are they trying to revive?  :-)




>>Anyway,  does anyone know who I could check out?  I heard there's
>>a group similar to GG called Gryphon which sounds kind of medieval. 
>
>
>Also, you might try something by Dead Can Dance.
>I don't know which albums are best since all i have is the compilation.


	I give a hearty second to Dead Cance Cance.  I'd particularly
reccomend _Aion_, which IMHO, sounds very "medeivalesque."  One or two
of their albums, however, to have a more "college alternative" sound to
them, however--  not bad, but definitely not medievalesque.

	I'd also reccomend listening to one or two of the Celtic rock
bands that are out there if you're looking for "progressive vaguely-
medieval-sounding rock." I'm not talking about groups like The Pogues, but 
groups more like Boiled in Lead and Tempest.  They're relatively obscure 
bands and their tapes and CD's might be kind of tricky to find in record
shops that don't carry a lot of independent labels, but they're definitely
worth listening to if you like a folkish touch to your progressive rock,
a la early Jethro Tull.

	--  Jim C. <jchokey@leland.stanford.edu>  
Newsgroups: alt.music.progressive
From: stegner_g@cubldr.colorado.edu
Subject: Re: Steve Hillage: Guitar-Centered Albums?
Organization: University of Colorado, Boulder
Date: Mon, 14 Dec 1992 03:17:23 GMT

In article <sr_r_gc@lynx.unm.edu>, lazlo@triton.unm.edu (Lazlo Nibble) writes:
> After hearing Hillage's guitar work with The Orb and his System 7/777
> project and doing a little asking around, I picked up his album 'Rainbow
> Dome Music'.  It's a great album, but more ambient than guitarry, and I'm
> more interested in hearing the guitar-sounding stuff right now.  Any
> recommendations?
> 
> --
> Lazlo (lazlo@triton.unm.edu)

If you want to hear more of Hillage's guitar work, your best bet would be his
1983 double-album set "For To Next/And Not Or".  This was Hillage's first
extensive work with computers (aside from "TONTO the Computer" on "Motivation
Radio").  The double album is actually two separate albums packaged together,
the first two sides "For To Next" having vocals (Steve and Miquette Giraudy)
and the 3rd and 4th sides "And Not Or" being completely instrumental, and
naturally featuring most of the guitar solos.  There's a killer re-make of
"Outer Temple/Inner Temple" from Gong's "Angel's Egg" (re-titled "Knights
Templar") and also a re-make of "The Golden Vibe" from Hillage's first album,
"Fish Rising".  I don't know if this double-album is available on CD yet.

But don't stop there.  2nd best choice for Hillage guitar work would be Gong's
1974 album, "You".  Although Daevid Allen was still the "official" leader of
the band at that point, the music seems to be more in Hillage's direction, the
album containing mostly long, spatial instrumentals, and IMHO containing some
of the best Hillage guitar passages ever recorded - especially on cuts like
"Master Builder" and "The Isle of Everywhere".  This album is a MUST for all
Hillage aficianados.  Once again, not sure if available on CD.

Other good Hillage albums, though not necessarily emphasizing guitar work, are
"Green" (1978), Open (1979), and "Live Herald" (1979 - double album with 3 live
sides and 1 studio side).  Hillage albums to avoid would be "L" (1976 - yes I
know, one of his most popular albums, but comparitively not very good) and
"Motivation Radio" (1977 - his worst album IHMO).

Incidentally, I'm very interested in these projects you mention that Hillage has
been involved in.  I stopped following him after 1983 and have no idea what
he's been up to.  Can you describe these recordings for me?  Thanks.

Glen Stegner
University of Colorado at Boulder

Newsgroups: alt.music.progressive
From: piscine@rs1.tcs.tulane.edu (Mike Taylor)
Subject: Re: Art Bears
Nntp-Posting-Host-[nntpd-17554]: rs1.tcs.tulane.edu
Organization: Tulane Museum of Natural History
Date: Fri, 18 Dec 1992 13:23:34 GMT

Thus quoth the Raven ...

>I've never heard any of the Art Bears music and I was wondering 
>if their _Hopes and Fears_ CD on Wayside/Cuneiform is a good 
>introduction to their music?  All I know about this CD is that
>Fred Frith and Dagmar Krause are on it.  Opinions anyone?

MH> I think Hopes and Fears is pretty good, and Dagmar's voice seems a
MH> little toned down compared to In Praise of Learning

I haven't heard any Art Bears, but her voice on _IPOL_ does take some getting
used to.  Though it has grown on me, I think many people would find it grating.


Mike

      /-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=(*)=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-\
      ^ Mike Taylor                  <->                  rolyaT ekiM ^
      ^ piscine@rs1.tcs.tulane.edu   <->   ude.enalut.sct.1sr@enicsip ^
      \-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=(*)=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-/
From: mkmclatchey@ucdavis.edu (Mike McLatchey)
Newsgroups: alt.music.progressive
Subject: Festival News #2
Date: 16 Dec 1992 14:40:14 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


The LA progressive music festival has been tentatively set for May 29th,30th.
Tickets probably won't be going on sale for another month and a half, so its
not much to worry about for now.

There may be a surprise band replacing Echolyn as the eighth band - one most
of you will end up going to see the festival for.  Do not write me asking
who it is, since Iam not at the liberty to tell yet, I will let you know
when it is confirmed.

Mike McLatchey
Newsgroups: alt.music.progressive
From: waleed@sun14.vlsi.uwaterloo.ca (Fakhr M. Waleed)
Subject: SuperTramp?
Organization: University of Waterloo
Date: Sun, 13 Dec 1992 01:25:11 GMT


I don't know if SuperTramp belongs to Prog. Rock (at least I think so)
any way, does any body know what's happening to Hodgeson and Davis?
 are they still fighting for the SuperTramp?
Also, is Gilmour and company planning to give us another Pink Floyd album?
From: craigs@pyrdc.UUCP (Craig Shipley)
Newsgroups: alt.music.progressive
Subject: Internet Radio Station
Date: 16 Dec 92 17:51:24 GMT
Organization: Pyramid Technology Corp. Annapolis Junction, MD

And now for something completely different...

Lets us all use our imagination here for a few minutes. Let's
suppose that you work at a radio station that is letting you
do a broadcast on progressive music and you can play anything you
want. What sort of playlist would you come up with that would run
for, say, an hour? What would be the theme of your show (Marillion
influenced bands? All these songs feature the Mellotron? Japanese
progressives that sing in English? Be creative!) 

I'm asking this not because I work for a radio station, but to see
what kind of programs people come up with and maybe come up with
a good sampler tape of other people's "shows". I'm working on mine
and will post it. Have fun!

-- 

Regards,

Craig Shipley

      -m------- Craig Shipley	aka: craigs@pyrdc.va.pyramid.com
    ---mmm----- Pyramid Technology Corporation 
  -----mmmmm--- 10010 Junction Dr. Suite 112
-------mmmmmmm- Annapolis Junction, MD 20701   	 (301) 725-5705

  Opinions expressed here, if any, are my own and not Pyramid's.
Newsgroups: alt.music.progressive
From: shio@cc.keio.ac.jp (Atsushi Shionozaki)
Subject: NEW ELP Live CD in Japan
Organization: Comput. Center, Keio Univ., Yokohama, Japan.
Distribution: alt
Date: Fri, 18 Dec 1992 14:47:58 GMT

The New ELP Live CD has been released in Japan (Dec. 16).

	Emerson, Lake, & Palmer
	Live at the Royal Albert Hall
	VICP-5222
	2,500 yen about $20US

If you want to see the track listing please press space.



  Live at the Royal Albert Hall

 1. Karn Evil 9 (1st Impression, Part 2)  2:14
 2. Tarkus (Medley)                       9:32
    Eruption
    - Stone of Years
    - Iconoclast
 3. Knife Edge                            5:29
 4. Paper Blood                           4:09
 5. Romeo & Juliet                        3:40
 6. Creole Dance                          3:21
 7. Still... You Turn Me On               3:13
 8. Lucky Man                             4:39
 9. Black Moon                            6:37
10. Pirates                              13:18
11. Finale (Medley)                      14:42
    Fanfare for the Common Man
    - America
    - Rondo

I just bought it and haven't listened to it yet.
It's mentioned on the CD that it's 71 minutes and no overdubs.
(Track times taken from booklet)
--
Atsushi Shionozaki
shio@cc.keio.ac.jp
Newsgroups: alt.music.progressive
From: dmandl@shearson.com (David Mandl)
Subject: Re: King Crimson Newbie
Reply-To: dmandl@shearson.com
Organization: Lehman Brothers, Inc.
Date: Fri, 18 Dec 1992 15:12:36 GMT

In article uyJyVB2w164w@jaflrn.UUCP, Don Becker <grendel@jaflrn.UUCP> () writes:
>gvh@metrosoft.com (Gordon Van Huizen) writes:
>
>> In article <1992Dec12.193652.7200@metrosoft.com> I wrote:
>> >
>> > [some stuff about "Lizard"]
>> >
>> 
>> Forgot to mention that this is the one place that I'm aware
>> of that you get to hear Jon Anderson sing for King Crimson.
>> Determining whether this is a Good Idea or not is left as an
>> excercise for the reader. :-) 
> 
>I thought he sang on "Starless And Bible Black" (the album -- not sure which 
>track, but I'm sure SABB was the album)
> 

Absolutely not.  It's John Wetton.

   --Dave.

---
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
         Dave Mandl            |    Opinions expressed here
       New York City           | are not those of my employer,
   (dmandl@shearson.com)       |          believe me.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
From: markg@rigel.cs.pdx.edu (Mark Gay)
Newsgroups: alt.music.progressive
Subject: Re: Gentle Giant: Where are they now?
Date: 14 Dec 92 14:20:48 GMT
	<WHITE.92Dec10080524@hydro.mps.ohio-state.edu>
	<11DEC92.09913708.0184@UNBVM1.CSD.UNB.CA>
Organization: Portland State University, CS Dept.
In-reply-to: MICH@UNB.CA's message of 11 Dec 92 13:10:45 GMT

>The Yes concert was fantastic but Gentle Giant stunk up the place so 
>badly 15,000 people practically booed them off the stage.

Must have been a bad night.  I saw that tour in Seattle.  Gentle Giant
played one of the best shows that I've ever seen, Yes was a much bigger 
production, and I was more familiar with the music, but Gentle Giant was 
every bit as impressive that night. 

    --Mark

   markg@rigel.cs.pdx.edu
Newsgroups: alt.music.progressive
Subject: Re: Question about Curved Air
From: adrian@pluto.logica.co.uk (Adrian Putley)
Date: 18 Dec 92 11:06:38 GMT
Reply-To: adrian@pluto.logica.co.uk
 <1992Dec14.215059.27052@cbnewsk.cb.att.com> <KERS.92Dec15091829@cdollin.hpl.hp.com>,<1992Dec16.142527.13618@cbnewsk.cb.att.com>
Organization: Logica Industry Ltd, UK

In article <1992Dec16.142527.13618@cbnewsk.cb.att.com>, kalang@cbnewsk.cb.att.com (kenneth.lang) writes:
>In article <KERS.92Dec15091829@cdollin.hpl.hp.com> kers@hplb.hpl.hp.com (Chris Dollin) writes:
>>In article ... kalang@cbnewsk.cb.att.com (kenneth.lang) writes:
>>
>>   [...]
>>   Yes. Everdance and Back Street Luv appear on:
>>   Curved Air - Second Album,  released 1971. I have it on vinyl and its pretty
>>   good. 
>>
>>``Pretty good''? I'd rank it as the definitive Air album. Checking someones
>
>I must admit I haven't listened to it in quite some time. However, didn't they
>release an album called Phantasmagoria or something like that which is 
>considered by critics to be their best work ?

Yes, I like Phantasmagoria, but there are good tracks on all of their first
four LPs.  In the late 70s/early 80s there was a `best of' compilation album 
that contained many of the really good ones, including

	`It Happened Today' and `Vivaldi'	from `Airconditioning'
	`Back Street Luv'			from `Second Album'
	`Melinda, More or Less' and
	   `Cheetah + Ultra Vivaldi'		from `Phantasmagoria'
	`Metamorphosis'				from `Air Cut'

(There were basically two tracks from each of these albums, but I forget what
the other ones from the 2nd and 4th albums were.)

Does anyone know whether this compilation has ever been issued on CD?

Adrian Putley		Logica Industry Ltd	Medina House, Business Park 4,
putleya@logica.co.uk				Randalls Way, Leatherhead,
(+44 71) 637 9111 x5715				Surrey  KT22 7TW, UK
From: wmccull@uoft02.utoledo.edu
Newsgroups: alt.music.progressive
Subject: Re: Jon and Kitaro
Date: 19 Dec 92 18:04:13 EST
Organization: University of Toledo, Computer Services

Already owning several Kitaro tapes (I did not have a CD player at that time),
I purchased Dreams last spring.  Having just this past year been introduced
to the wonderful music of Yes, I was eager to hear this tape, as I feel that
Jon has one of the smoothest voices in existence.  I was not disappointed in
the least.  It was a strange experience for me, as I was unaccustomed to 
hearing vocals with Kitaro music.   My hard-core-Yes-fan friends brushed the
tape of as Jon-sings-sappy-love-stuff, but I still enjoy the tape immensly.
 
                                          Waylena
Newsgroups: alt.music.progressive
From: st902485@pip.cc.brandeis.edu
Subject: ?'s about Penguin Cafe Orchestra
Reply-To: st902485@pip.cc.brandeis.edu
Organization: Brandeis University
Date: Sat, 12 Dec 1992 17:26:47 GMT

I've seen some albums by the Penguin Cafe  Orchestra; Mike Giles is in at
least one of them. Please inform my wandering intellect with lots of other
stuff that you know about them. Merry Christmas. With lots of good will, 
-Ely.
Organization: Penn State University
Date: Sat, 12 Dec 1992 23:12:52 EST
From: <LPR100@psuvm.psu.edu>
Newsgroups: alt.music.progressive
Subject: Clair Hamill from The Steve Howe Album

Can anyone tell me anything about Clair Hamill? All I know is that
she sang on "Look Over Your Shoulder" on the Steve Howe Album, so
I thought this might be the newsgroup to ask. I am interested in
hearing more from her, and any information would be appreciated.

 ___                 ___                  Larry Rossi -- LPR100@psuvm.psu.edu
/   \   _ _   _  _  /   \  _     ___
| O  | || || | \/ | | O  || |   | __|     And for a moment when our
|  -<  || || |    | | --< | |   ||=         world had filled the skies,
| O  | ||_|| ||\/|| | O  || |_  ||__        Magic turned our eyes...
\___/  \___/ ||  || \___/ |___| |___|                       Jon Anderson
From: Don Becker <grendel@jaflrn.UUCP>
Newsgroups: alt.music.progressive
Subject: Re: EMERSON Re: Welcome back my friends to the rants that never end.
Date: Sun, 13 Dec 92 23:34:49 EST
Organization: The Wizzard's Cave, East Meadow, NY

mcmahan@cs.unca.edu (Scott McMahan -- Genesis mailing list owner) writes:

> But then I like Tony Kaye's playing, too, so what do I know? :)
 
Well, I always liked his Hammond skills on the first three albums he did 
with Yes -- it's a great deal better than his more recent "Who ran the 
electric current through my keyboards?" style.
 
Does anyone have any stuff he did with Badger, Detective, and Badfinger that 
points to where he lost it?
 
--Don

--
+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+
| MARILLION-YES-ABWH-PINK FLOYD-PEARL JAM | "Do you think that if sperm     |
| Don Becker:         grendel@jaflrn.uucp | production reduced life expect- |
| or:         jaflrn!grendel@uunet.uu.net | ancy that Ted Kennedy would     |
| Nothing above is to be taken as dogma.  | still be alive today?"          |
| FISH-QUEENSRYCHE-SOUNDGARDEN-QUEEN-ASIA |        --Rush Limbaugh          |
+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+
Newsgroups: alt.music.progressive
From:  (Brian Wofford)
Subject: Concerts
Followup-To: alt.music.progressive
Organization: BGSU
Date: Thu, 17 Dec 1992 19:31:55 GMT

I got a question/request;


   Does anybody out there have a schedule of any good bands playing in the
Bowling Green/Toledo area in January? I would really like to go see a good
band that I have never heard of play. Can anyone help.



																																	Thanks.


																																		Brian   bpw2001@andy.bgsu.edu
From: ptt00@duts.ccc.amdahl.com (  179  Peter Thelen)
Newsgroups: alt.music.progressive
Subject: Re: Question about Curved Air
Date: 15 Dec 92 07:31:42 GMT
Reply-To: ptt00@DUTS.ccc.amdahl.com
Organization: Amdahl Corporation, Sunnyvale CA

In article <CHRISLEY.92Dec14173354@black.oxford.ac.uk> chrisley@oxford.ac.uk (Ronald L Chrisley) writes:
>
>Has the song "Everdance" ever appeared on a Curved Air album (if so,
>it's probably the same one as "Back Street Luv" appears on).

It's on _Second Album_(studio version), and also on _Live_.
Second Album is IMHO one of their best.


peter (ptt00@duts.ccc.amdahl.com)  "The Lighthouse Keeper"
Newsgroups: alt.music.progressive
From: wcsanil@superior.carleton.ca (Anil Prasad)
Subject: KORG PROGRESSIVE ROCK MUSICIAN DEMO DISC UPDATE
Summary: I'll buy that for a dollar! (or four!)
Organization: Carleton University, Ottawa, Canada
Date: Thu, 17 Dec 1992 03:57:52 GMT

Three or four weeks ago I mentioned the Korg "Best of the 01/W"
CD feature new tracks by Emerson, Froese, Jobson, Wakeman, Stewart,
Downes and Zawinul (and others). The address I posted was only for
the USA and Canada. There's now a U.K. address for anyone in Europe
that wants one. Send #2 to:

Department CDO
Korg U.K. Ltd.
8-9 The Crystal Centre
Elmgrove Road
Harrow, Middlesex
HA1 2YR
U.K.

I haven't received mine yet, so I don't know how good it is.

BTW, I have no affiliation with Korg, I'm only posting this in the
hopes that they send me free demo units of every product they release
in my lifetime.

Anil Prasad
wcsanil@ccs.carleton.ca
Newsgroups: alt.music.progressive
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: Dave Stewart (was Re: Steve Hillage: Guitar-Centered Albums?)
Organization: Wind River Systems, Inc.
Date: Wed, 16 Dec 1992 17:33:57 GMT

bobn@hawkwind.central.Sun.COM (Bob Netherton) writes:

>Two questions:

>	1. How are the Stewart/Gaskin releases ?  Anything like
>	   Egg/Hatfield/National Health ????

Not really. Despite occasional guest musicians from his past life, DS is
born again as a pop craftsman. Some fans of his I know enjoy both his
older work and his new stuff, but I think many, like myself, find this 
a little too poppy. It's well done, but not something I ever have much
desire to hear.  

>	2. In the liner notes (OK, CD booklet) for the Complete National
>	   Health, Dave Stewart said they initially turned down Pip Pyle
>	   because he didn't want Hatfield and the North, MK II.  Isn't
>	   that what he really ended up with anyway ?????  Comments ?????

NO! I think Stewart plays down Alan Gowen's role in the band a little 
in the liner notes, but he makes it clear that the initial band was a
collaboration between Stewart and Gowen and was intended as a double
quartet but they never could afford to find and keep that many players
in the band. Granted, it mutated into something closer to Hatfield in 
the end, but the major element lacking there was Richard Sinclair, who's
vocals played a major role in Hatfield. I think when more of Gowen's other
works are released on cd it'll be easier for folks to hear more of him and
to appreciate his role in National Health, even though he left the band and 
then came back. National Health toured the US in 1979 with Gowen and without
Dave Stewart, so at times the band was as much Gowen's as it was Stewart's. 

 - Malcolm 

Newsgroups: alt.music.progressive
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: Seventies Pop lyrics quiz
Organization: Wind River Systems, Inc.
Date: Wed, 16 Dec 1992 17:48:01 GMT

jhopkins@cbacc.cba.uga.edu (John Hopkins) writes:

>If you listened to the radio, saw "Saturday Night Fever," and liked K.C. and 
>the Sunshine Band, you should do well.

I guess I flunk... I still listen to the radio once in a while but mostly
keep it tuned to jazz stations. I'm rather proud about *never* having seen
Saturday Night Fever and never liking K.C. and the Sunshine band. (Well, 
ok, there was one dorm party in college where I got real drunk and played
air guitar on a tennis racket with one of their songs cranked up, but hey, 
everyone else was doing it too...) 

That first K.C. lp was the only one that was really progressive right? 
Seems to me that after that they went way downhill... :^) 

>25.	In these old familiar rooms, children would play.

Was this quiz by the same guy who just did the SINEAD POLL in every newsgroup
with the word "music" in it? 

  - Malcolm 
Newsgroups: alt.music.progressive