HDTenEightyP/NetNews huggingface dataset:
From: sik@grosz.esd.sgi.com (Seth Katz)
Subject: Re: Jamaaldeen Tacuma? (was JAZZ IS DYING)
Reply-To: sik@grosz.esd.sgi.com (Seth Katz)
Organization: Silicon Graphics, Inc., Mountain View, CA, USA
Date: Thu, 15 Oct 1992 21:19:24 GMT

In article <malcolm.719164132@wrs.com>, Malcolm Humes writes:
mctkew@dct.ac.uk writes:

>I listen to... 
<lots of text deleted...>

>Jamaaladeen Tacuma (and anyone else from Prime Time)

I've always wanted to hear more of Tacuma's bass playing - I've heard such
wonderful things about him. But the only solo stuff or non-Prime Time 
=-=-=-=-=-=-

I still listen to Tacuma's "Renaissance Man".  Malcolm, you might be
amused to hear Bruford on one cut.   As a sideman, I think he's uncredited
on Blood Ulmer's "Aren't you glad to be in America" (I think it's called) the 
one with the suburban scene painted on the cover, on Artist's House.   Pretty
great.    

Mostly, when I think of Tacuma, I think of him sweating out an 
incredibly powerful set at Santa Cruz's Kuumbwa with James Blood Ulmer
and Grant Calvin Weston.  

=-s

Cyclical topics in r.m.b:

- Jazz is dead/dying
- Neo Con sucks/is great/Wynton
- Jazz trombonists

we're about ready for another round of Women in Jazz, followed by Kenny G.

Newsgroups: rec.music.bluenote
From: anton@HQ.Ileaf.COM (steve norton)
Subject: braxton & lewis (was: Re: JAZZ TROMBONE)
Reply-To: anton@HQ.Ileaf.COM (steve norton)
Organization: Interleaf, Inc.
Date: Tue, 13 Oct 92 18:42:04 GMT

In some article, ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
> In some other article, sandeep (smehta@nynexst.com) writes:
> >George Lewis
> >============
> >Braxton, Anthony - Live                           (RCA Bluebird 1977, CD)
> >Braxton, Anthony - Creative Orchestra Music 1976  (RCA Bluebird 1987, CD)
> 
> There also is stuff orginally on Arista,  called the Montruex-Berlin
> concerts.  I believe the Montruex concerts had Kenny Wheeler and the
> Berlin ones had George.  

but jeff, the "Live" on bluebird IS Montreau/Berlin, reissued on CD
and missing the original side 4, which was devoted to Composition 63,
one of my favourite of braxton's orchestral pieces.  i was really
pissed off finding out that this performance had been left off the
reissue.  granted, that would have bumped it up to a 2 CD set, but
still!  it's a piece for braxton and lewis as soloists and a chamber
orchestra.  it ends with an incredibly gorgeous harp solo (of all
things!).  i wanna see a Mosaic set of braxton's complete Arista
recordings.  hell, michael cuscuna produced them all!

and i think that it's lewis in berlin and wheeler in montreaux, but i
definitely could be wrong.

>                       Recently, Hat Art issued a recording from the
> same tour of the Arista recording, recorded live at Dortmund.
> They play a freebop tune (also recorded on the Arista with Kenny, and on
> a duo record with bassist Lindberg) at an unbelievable tempo, and George
> nails it.  That line at that tempo would scare most saxophonists and
> pianists.  

that's braxton's Composition 23j.  i've got the music--it scares me,
for sure!  i'm glad someone mentioned Dortmund in this thread: a must
for anyone interested in modern jazz trombone.  lewis is amazing here.
-- 

/steve
Newsgroups: rec.music.bluenote
From: rwd4f@poe.acc.Virginia.EDU (Rob Dobson)
Subject: Re: JAZZ IS DYING:HELP!!
Organization: University of Virginia
Date: Wed, 14 Oct 1992 12:26:10 GMT


if jazz is dying than blues is DEAD--they havent done anything but perfect
for the last 20 years. Yeah, I agree, most of the good stuff Ive heard in
the 90s has come from old farts--and speaking of which---saw Frank Morgan
with pianist James Williams this weekend--absolutely beautiful. What else
has J. Williams worked on?

r
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.bluenote
Subject: Vinyl Sale!
Date: 14 Oct 92 19:45:42 GMT
Distribution: pa,nj,ny
Organization: Rutgers Univ., New Brunswick, N.J.

I'd like to let people in the area know that 3rd St Jazz and Rock,
the great Philly record store, is having a 1/3-off sale on *all* its
vinyl until Election Day.  This is kinda sad - when 3rd St starts
dumping vinyl, you know that the LP is really dead.  But I urge you
all to go there and save some bucks; they have a lot of interesting
things.  3rd St is at 20 N. 3rd St. in downtown Philly, not too far
from the Market East train station for the differently automobiled.

Needless to say, I have no affiliation with the store, except that
I like it a lot (imagine Tower with more taste, and salespeople who
know something about the music).
Newsgroups: rec.music.bluenote
From: anton@HQ.Ileaf.COM (steve norton)
Subject: Re: What's happening in Boston next week (10/10-10/18)
Reply-To: anton@HQ.Ileaf.COM (steve norton)
Organization: interleaf, inc., waltham, ma, usa
Distribution: usa
Date: Fri, 9 Oct 92 16:55:58 GMT

In some article, cjn@cbnewsf.cb.att.com (curtis.j.newton) writes:
> In some other article, austin@decisv.ucs.dec.com (Cathy Austin) writes:
> >I'll be in the Boston Area next week.  Does anyone know what's happening.
> >
> >Thanks,
> >Cathy A.
> 
> Yeehah...Since you asked, I'll plug a Debris gig (with fellow rmb-er 
> steve norton), Wednesday at the Middle East Cafe, starting 9 pm.  
> The total bill is:
> 
> 	SPONJ Sax Quartet:  Randy McKean, Steve Norton, Dan Plonsey,
> 			    Chris Jonas
> 
> 	Third Ear:  Michel Gentile (flute), Matt Turner (cello),
> 		    John Mettam (percussion)--all improv stuff
> 
> 	Debris (the sextet version):  Steve Norton & Randy McKean
> 	(reeds), Arthor (guitars), Bob Ross (bass), Jason Rogers
> 	(trombone), Curt Newton (percussion).

curt forgot to mention that SPONJ contains *another* rmb-er, dan
plonsey.  this is, in fact, a bi-coastal rmb collaboration.  but
surely no the first, eh?  anyone?  anyone?
-- 

/steve
Organization: Arizona State University
Date: Thursday, 8 Oct 1992 14:46:19 MST
From: Allen French <ICSAFF@ASUACAD.BITNET>
Newsgroups: rec.music.bluenote
Subject: Re: 78 RPM Blues

This is good question:-). It seems that early blues and jazz 78's are some
of the hottest 78 collectibles now, especially the "race" series that
featured relatively unknown negro groups--this is according to my grammophone
catalog of 78s.

I decided I cannot afford to buy everything I could ever want on CD, so I
am back to buying cheap vinyl. 78's seem to sell for $1-2 here in the
Phoenix area. I buy mine at swapmeets and thrift stores, although they
also have them at higher prices in some used record stores. But mostly I
am finding big band music of the 30's and 40's, not the blues and jazz
combo stuff I want.

By the way, Doug Elliot has a mailing list for 78RPM collectors. I'm sure
they could provide more information about sources. To subscribe to the
mailing list send mail to "LISTSERV@CORNELL.EDU" with text of "SUB 78-L
 <your name>. Happy hunting, Allen.
From: fwj@reg.triumf.ca (JONES,FRED_W.)
Newsgroups: rec.music.bluenote
Subject: Re: JAZZ IS DYING:HELP!!
Date: 16 Oct 92 04:32:00 GMT
Organization: TRIUMF: Tri-University Meson Facility
NNTP-Posting-Host: reg.triumf.ca
News-Software: VAX/VMS VNEWS 1.41

dave@jato.jpl.nasa.gov writes..

>fwj@reg.triumf.ca (JONES,FRED_W.) writes:
> 
>>Today, the jazz programming seems to be polarized: you either get 24-hour
>>Yellowjackets/Kenny G "Happy Jazz" interspersed with New Age, or material 
> 
>I hardly think that the Yellowjackets and Kenny G are in the same category.
>In my opinon, the Yellowjackets are much more expressive and progressive
>than Kenny "too many notes" G. 
> 
>Besides...Mr G was a lot better when he was with Jeff Lorber.

Yes, I guess I'm being too hard on the Yellowjackets.  Maybe I should have
cited Flim and the BB's or Spyro Gyra instead.  Hmmm, come to think of it, 
their stuff is more intesting than Kenny's too...

FWJ
fwj@reg.triumf.ca
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Newsgroups: rec.music.bluenote
Subject: Re: What Are Cutouts? (was Re: Cutouts and record company economics)
Date: 8 Oct 92 01:00:20 GMT
Distribution: usa
Organization: AT&T

tesar@tigger.cs.Colorado.EDU (Bruce Tesar) writes:
>    Here is a simple (I hope) question: what exactly are cutouts? I can
>infer some things from peoples' comments, such as Bill's above, but can
>someone concisely state the basic principle/process? Please alleviate
>my ignorance!

When a record company decides a recording isn't going to sell enough, they
discontinue it and sell off the remaining stock as "remainders" or "cut-outs"
Thes CDs and albums are defaced in some way (CDs sometimes have a notch cut
or a hole punched in the jewel box, including the booklet, or there is
a hole punched in the booklet; LPs usually have a notch cut in the corner of
the jacket or a hole punched through the jacket and label). The defacing
is to prevent dealers from returning them as unsold merchandise, since the
wholesale price of the cut-outs is much lower than the in-print items.

The good news for us record/CD buyers is that we ge some great bargains:
I've found cut CDs for around $5-$7, LPs for$2-$5. The bad news for
us buyers is that you better buy it now, because you may never see it
again (I can still kick myself for not getting every Monk on Riverside
when they were cut).

The bad news for artists is that there are no royalties paid for remaindered
items--they are supposedly sold only so the record company can recover the
cost of production. The artists not only lose the royalties on the cut
issue, but it competes (at a lower price) agains their in-print albums
(for which they do get royalties).

The good news for the record companies is that they clean out their
warehouses and make almost as much on the cuts as on the in-print items
(because they save on the royalties).

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
From: shashaan@bronze.ucs.indiana.edu (Ali Shashaani)
Newsgroups: rec.music.bluenote
Subject: 2 great jazz books back in print
Keywords: book
Date: 8 Oct 92 20:52:34 GMT
Distribution: na
Organization: Indiana University


	I just come from a local campus bookstore where, upon
noticing the new issue of "Books In Print", I was pleasently 
surprised to discover that the following two titles are no 
longer out of print:

	"As Serious As Your Life: The story of the New Jazz",
	Valerie Wilmer, Consort Book Sales (English publisher),
	$10.99 paperback.
		This is a unique inside look at the 70's jazz scene
		and has been recommended in this news group before.

	"Coltrane", C. O. Simpkins, Black Classic (publisher)
	$11.95 paperback.
		Considered by most to be the best biography of
		Trane and certainly superior to an alternative
		I know, "Chasing the Trane."  It includes a 
		discography and also poems by the author.


	Get your copies now before they're out of them again.
Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: A Suggestion for an Experiment (was: rec.music.creative_music)
Date: Thu, 8 Oct 1992 00:07:52 GMT
Distribution: na
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Fort Collins Site
X-Newsreader: TIN [version 1.1.2 PL6]

I have to agree with Bill here: while I can understand the jazz/blues
distinction in most cases (anything Bird did is jazz, in the sense that your
average non-jazz "blues" fan will not be interested in it, so "Cool Blues" is
"jazz" not "blues" in such a split), that is as far as I am willing to
categorize.  OK, so my primer made some attempt to label further, but that was
only for exposition, and wasn't meant to imply that the music really can be
compartmentalized like that.

--
Marc Sabatella
marc@hpmonk.fc.hp.com
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: Tacuma/Blood Ulmer (oops)
Organization: Educational Computing Network
Date: Fri, 16 Oct 1992 22:26:19 GMT

Let's not forget the Music Revelation Ensemble, with Blood, Jamaal,
Davide Murray, and Ronald Shannon Jackson.

There is one on DIW.  I think they toured a lot in the Summer of 90, and
they were supposed to be hot, but no records have appeared as of yet.

Jeff
Newsgroups: rec.music.bluenote
From: m1@english.as.ua.edu
Newsgroups: rec.music.bluenote
Subject: mose allison
Date: 13 Oct 92 17:40:03 GMT
Article-I.D.: english.m1.1
Organization: Department of English, The University of Alabama

i'll try this one more time:

anyone with any information on mose allison's early work on compact disc?
I have BACK COUNTRY SUITE and LOCAL COLOR on disc, but I know he had another 
album with Prestige (CREEK BANK) and Columbia (THE TRANSFIGURATION OF HIRAM 
BROWN).

anyone heard these other albums to compare with BACK COUNTRY and LOCAL COLOR?

Thanks
scook@english.as.ua.edu
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Newsgroups: rec.music.bluenote
Subject: Re: Compiling list used jazz record stores
Date: 13 Oct 92 21:44:46 GMT
Distribution: na
Organization: AT&T

In article <16921@pitt.UUCP> mab@icarus.lis.pitt.edu writes:
>Anybody care to forward me their opinions on the best places to buy used
jazz records(not CDs) in the United States.

A comprehensive list of r.m.ber's recommended record and CD stores worldwide
is posted here regularly and available via ftp. I am forwarding a copy to
the original poster who, hopefully, will email me any updates he has.

Lists of jazz clubs, jazz hotlines, and jazz radio staions are also posted.

Since we are into the start of a new sememster and probably have several new
readers I will repost them soon.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote,rec.music.folk,rec.music.info,rec.music.misc
From: CHRIS PIERCE <pierccm@WKUVX1.BITNET>
Subject: MAILINGLIST: HARMONICA LIST SERVER CREATED!!!
Followup-To: rec.music.bluenote,rec.music.folk,rec.music.misc
Originator: recmusic@galaxy
Reply-To: pierccm@WKUVX1.BITNET
Organization: Western Kentucky University, Bowling Green, KY
Date: Wed, 7 Oct 1992 08:22:53 GMT

Hello to all Harmonica lovers,

I have just had a list server for harmonica created.  This list is
open to anyone who plays any type of music, who likes any type of
music and those who are just curious.  EVERYONE is WELCOME!!!

This is for no certain type of music.  Personally, I would like to see
a large amount of diversity.  Blues, Jazz, Folk, Classical, Country
and all other styles of harmonica playing are welcome.

To subscribe to this server write (via e-mail) to:

        LISTSERV@WKUVX1.BITNET

The body of the letter should be this:

        SUBSCRIBE HARP-L "your real name"

The server should send you a help file and any letters already in the
archives (which is not many, YET!!).

If you have any questions or problems write me at:

        PIERCCM@WKUVX1.BITNET

If you know of others who would be interested, please let them know.


Thanks,

Chris Pierce
pierccm@wkuvx1.bitnet

Newsgroups: rec.music.bluenote
From: mcgonig@eeserv.ee.umanitoba.ca (Gordon McGonigal)
Subject: Misterioso: The TV Show?
Organization: Dept. of Elect. & Comp. Engineering, U of Manitoba
Date: Fri, 16 Oct 1992 09:58:09 GMT

Last night I caught most of a show (movie?) broadcast on national TV
called Misterioso.  It is a BBC production from 1991.  Written by Alan
Plater, it is full of jazz references.   The basic story line is that a
woman finds her long-lost father to be a jazz musicain who also runs
the Club Misterioso in London.   The soundtrack (by Frank Ricotti, and
played by David Hartley (p), Stan Sulzman (ts), Harold Fisher (d))
isn't exactly memorable, but if you get a chance to watch it's at least
an amusing little ditty.  Bill Berry has a cameo appearance as the
hard-drinking, hard-talking American trumpeter who's "played with both
Duke and Basie".

--
                                   * * *
Gord McGonigal                                  mcgonig@eeserv.ee.UManitoba.ca
Dept. of Electrical & Computer Engineering
University of Manitoba, Winnipeg, CANADA (R3T 2N2)       phone: (204) 474-6295
Organization: Design, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.bluenote
Date: Wed, 14 Oct 1992 08:48:24 -0400 
From: "Roy D. McKelvey" <rm0n+@andrew.cmu.edu>
Subject: Johnny Costa recording

I don't have the title and label at hand right now,
but Johnny Costa recently released a CD which has 
understandably been getting a lot of airplay here in 
Pittsburgh (home of Costa, Negri and of course Fred 
Rogers--who by the way I once ran into in our gymnasium 
locker room in his jockey shorts...but that's another story).

The musicianship is excellent, and the tunes are (all?)
standards--if you like his work on Mr Rogers, this is 
just what you are looking for. If I run across it, I'll
forward more details.

By the way, the local PR has protrayed Mr. Costa as a
talented and in demand pianist, but with a devotion to 
family, friends and community that made him uninterested 
in life on the road--he's very happy with his 30 yr gig on 
Mr. Rogers and what he has accomplished locally.

I believe this CD his his first recording under his own
name.
From: wpf@cco.caltech.edu (William P. Fornaciari)
Newsgroups: rec.music.bluenote
Subject: Re: JAZZ TROMBONE
Date: 11 Oct 1992 04:32:22 GMT
Organization: California Institute of Technology, Pasadena
NNTP-Posting-Host: alumni.caltech.edu

a list of trombonists without JACK TEAGARDEN is like:

organists without Bach
poets without Shakespeare
jazzmen without Louis Armstrong
From: x92gwinnell@gw.wmich.edu
Newsgroups: rec.music.bluenote
Subject: JAZZ TROMBONE
Date: 7 Oct 92 22:34:55 EST
Reply-To: X92GWINNELL
Keywords: JAZZ TROMBONE
Organization: Western Michigan University


	HELLO, I AM A TROMBONIST IN THE WESTERN MICHIGAN UNIVERSITY JAZZ
ORCHESTRA. BESIDES JJ JOHNSON, I WAS WONDERING IF YOU COULD INPUT ON ANY GOOD
JAZZ TROMBONIST RECORDINGS THAT I MIGHT BE ABLE TO LISTEN TO. I WOULD BE VERY
GRATEFUL.

                                         SCOTT GWINNELL


Newsgroups: rec.music.bluenote
From: walden@ready.eng.ready.com (Eugene Walden)
Subject: Record Company Catalogs
Organization: Ready Systems
Date: Wed, 7 Oct 92 19:40:31 GMT

I just recently went to Tower Records, and noticed their "Original Jazz 
Classics" section. Check it out if there is a Tower near you-- all the CDs
run about $11 -$12.

Anyway, their catalog is actually a catalog from Fantasy Records in Berkeley,
CA.

The problem is that many of the OJC recordings are available on LP and 
cassette only. Tower, however, doesn't do that vinyl thang. 

Upon calling Fantasy, I found that I could order directly through them. The
LP prices were *reeeeel* cheap! They also sent me a more complete catalog of
their stock. 

So, I was wondering, aside from Fantasy, do any other record companies do 
this? It's kinda nice to browse through a catalog rather than having to 
sift through over-packed bins of records. 

Does Blue Note do the same thing? 

I'll post any results I get. 

   - Eugene Walden (walden@gate.ready.com)

BTW, if anyone is interested in getting the Fantasy catalog, contact:

   Fantasy, Inc.
   10th & Parker
   Berkeley, CA 94710
   (510) 549-2500

   The woman I spoke to, Cynthia LeBarr, was particularly helpful.
From: johnf@Auspex.COM (John Fereira)
Newsgroups: rec.music.bluenote
Subject: Re: Gary Moore
Date: 7 Oct 92 19:26:33 GMT
Distribution: usa
Organization: Auspex Systems, Inc.
Originator: news@auspex-gw.Auspex.COM

In article <1992Sep28.203651.6437@news.Hawaii.Edu> robin@uhunix.uhcc.Hawaii.Edu (Robin Amano) writes:
|>auditorium), and has a regular Monday night jam session at a small club
|>in NJ.
|>
|>Or is there another Gary Moore I don't know about? (I will assume that you
|>don't mean the 1960s TV game show host :-). )
|
|
|There's a Gary Moore who used to be with Thin Lizzy.
|He's been solo for a while now, great guitar player.
 
I assume that's who the original poster was talking about.  Many moons
ago I picked up a Gary Moore album that he did prior to playing with
Thin Lizzy.  It was stolen along with a bunch of others about 15 years
ago.  I recently heard an album that he did called "After Hours".  It
had some great blues tunes.  It reminded me much of some of Robert Crays
material but with better guitar playing.  I'd be interested in a Gary
Moore discography if someone has one.

-- 
+==========================================================================+
| John Fereira     | Auspex Systems | "Auspex does not share my opinions.  |
| johnf@auspex.com | Santa Clara CA |  So Why am I still working here?"    |
+==========================================================================+
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: JAZZ TROMBONE
Organization: Educational Computing Network
Date: Thu, 8 Oct 1992 21:05:08 GMT

In article <SMEHTA.92Oct8144656@kwela.nynexst.com> smehta@nynexst.com writes:
>George Lewis
>============
>Braxton, Anthony - Live                                 (RCA Bluebird 1977, CD)
>Braxton, Anthony - Creative Orchestra Music 1976        (RCA Bluebird 1987, CD)

There also is stuff orginally on Arista,  called the Montruex-Berlin
concerts.  I believe the Montruex concerts had Kenny Wheeler and the
Berlin ones had George.  Recently, Hat Art issued a recording from the
same tour of the Arista recording, recorded live at Dortmund.
They play a freebop tune (also recorded on the Arista with Kenny, and on
a duo record with bassist Lindberg) at an unbelievable tempo, and George
nails it.  That line at that tempo would scare most saxophonists and
pianists.  

George also does improvisations with his computer.  No records are out
that I know of, but he has been teaching at the Art Institute a few
years ago (don't think he is there now) and put on some concerts and
workshops.  I learned Forth from George Lewis. 


>Grachan Moncur III
>==================
>Another member of the post-60's avante scene who migrated, along with
>many other, to Europe which resulted in his being part of the Paris
>Affinity recordings. The Burrell arrangement of Puccini's opera is to
>me a bit odd and while I like the album in parts it is at best a
>novelty. The very dense and intense ECHO is good even if the mix is
>muddy. Sunny Murray maintains a relentless drive throughout. The Frank
>Lowe date is much more laid back. 

There is one out on Blue Note under his name with Lee Morgan, Herbie
Hancock, Bobby Hutcherson, damn, can't remember the name, but has some
interesting tunes such as Monk In Wonderland.  He is an excellent
writer.  

Let's hope there is a Mosaic box of his blue note recordings.

>Roswell Rudd
>============

There are quite a few with Carla Bley, including some of the large
ensembles (he has to be on Escalator?)  I know he is on the very soft
and mellow Dinner Music, and is feature prominently.

You will never find it, but he did make a killer record with Steve Lacy
called School Days, in which they play all Monk tunes with Henry Grimes
and Dennis Charles.

>Steve Turre
>===========
he also writes letters to Downbeat dissing Ray Anderson.


Jeff
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Subject: Re: Jamie Abersold's reocrd dist. company
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Distribution: usa
Date: Wed, 14 Oct 1992 13:51:16 GMT

In article <Bw44Jx.9tr@uxa.ecn.bgu.edu>, ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>A while back I ordered some music from them, and there were no problems.
>I don't know if the record place is different, but when I get their
>CD catalog, I throw it away without looking at it...
>Jeff

I believe someone mentioned here several months ago that the record/CD 
business is run by Jamey's son, while the music and instructional recording 
business is run by Jamey.

-Lynn

< R. Lynn Rardin (rardin@auriga.rose.brandeis.edu)  >
< Rosenstiel Basic Medical Sciences Research Center >
< Brandeis University, Waltham, MA 02254-9110       >