HDTenEightyP/NetNews huggingface dataset:
From: yanoff@csd4.csd.uwm.edu (Scott A. Yanoff)
Newsgroups: rec.music.makers.guitar.tablature
Subject: In My Life (Beatles)
Date: 12 Jan 1993 17:08:52 GMT
Organization: University of Wisconsin - Milwaukee, WI
Distribution: world
NNTP-Posting-Host: 129.89.7.4
Originator: yanoff@csd4.csd.uwm.edu

It seems not too long ago many people were posting their rendition of this
song and such, so I decided to take every version of this song that was
posted and turn it into what I thought was a decent version, based on sound
and ease of play.  

The Beatles

In My Life
----------

Main Riff: E----5-----0-4-
           B--2---2-3-----
           G--2-----------

There are places I'll remember  
          A             F#m

All my life though some have changed
       Bm Dm       A

Some for ever not for better
         A            F#m

Some have gone, and some remain.
          Bm Dm     A

All these places have their moments
          F#m               Bm

With lovers and friends, I still can recall
     G                     A

Some are dead and some are living
         F#m               Bm

In my life, I've loved them all
   D  Dm         A

{Repeat main riff, and continue as verse above}

But of all these friends and lovers
There is no one compared with you
And these memories lose their meaning
When I think of love as something new
Thought I know I'll never lose affection
For people and things that went before
I know I'll often stop and think about them
In my life I'll love you more
In my life I'll love you more

At the end, there is the first riff above, then a higher Dm (played as a bar
chord at the 5th fret) then the riff below:

                             E7       A
Last Riff: E----5-----0-4----4--2--4--5
           B--2---2-3--------3--------5
           G--2--------------4--------6
           D--------------------------7

CHORD FORMATIONS:
A   x 0 2 2 2 0
F#m 2 4 4 2 2 2  (Bar across 2nd fret)
Bm  x x 4 4 3 2
Dm  x x 0 2 3 1
G   3 2 0 0 3 3
-- 
 _/\ _ !\ _         @           Milwaukee, WI - A Great Place by a Great Lake
!  _! !! ! !_  ~~  @ ~  ~~         
! ! ! !! ! ! !~~__=||_~ ~~~          *** Computing Services Division ***
! ! ! _! ! ~~~ ~\____/  ~~~ yanoff@csd4.csd.uwm.edu
From: stevep@snowhite.cis.uoguelph.ca (Steve Portigal)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Billy Idol's White Wedding?
Date: 9 Jan 1993 11:28:25 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


 Can anyone post the tablature to this one? I think it might be fairly 
simple... of couse I have no idea...

 Any takers?

Steve

+-------------------------------------------------------------+
|  Steve Portigal  University of Guelph  Guelph, Ontario      |
|  stevep@snowhite.cis.uoguelph.ca (519) 824-4120 x 3580      |
|  Vicki Lawrence must DIE! Vicki Lawrence must DIE!          |
+-------------------------------------------------------------+
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: twelve days of christmas
Date: 7 Jan 93 23:58:53 GMT
Organization: Chevron







                     The Twelve Days of Christmas
        
                    F                         C7                   F
        1       On the first day of Christmas my true love sent to me
                       Bb   F     C    F
                A partridge in a pear tree
                    F                          C7                   F
        2       On the second day of Christmas my true love gave to me
        3              third day
        4              fourth day
                  C7                      F   Bb   F    C7    F
        2       Two turtle doves   and a Partridge in a pear tree
        3       Three French Hens
        4       Four calling birds  (sing in reverse order)




                    F                            C7                F
        5       On the fifth day of Christmas my true love sent to me
                       G7     C7
                Five golden rings
               

        6       On the sixth day of Christmas my true love sent to me
        7               seventh
        .                 .
        .                 .
        12              Twelfth

                      F    Bb         C7   F
        5-12    And a partridge in a pear tree
                 F                   Bb                 C7
        5-12    Four calling birds, three french hens, two turtle dove
                 C7                         F    G7     C7
        6       Six geese a laying         five golden rings
        7       Seven swans a swimming
        8       eight maids a milking           
        9       nine ladies dancing
        10      ten lords a leaping
        11      eleven pipers piping
        12      twelve drummers drumming   (sing in reverse order )
Newsgroups: rec.music.makers.guitar.tablature
From: keith@neuromancer.uchicago.edu (Keith Waclena)
Subject: CHOPRO: Verlaines, ``Makes No Difference''
Organization: University of Chicago Library
Date: Tue, 5 Jan 1993 08:08:10 GMT

From the Verlaines album *Bird Dog*, on Flying Nun (NZ) or Homestead
(USA).

{title:Makes No Difference}
{st:Verlaines}
{define:A/Eix 9 4 2 1 - - -}
{define:Aadd9v 5 3 1 2 - - -}
{define:Aix 9 1 2 1 - - -}
{define:Asus4v 5 1 1 3 3 - -}
{define:Av 5 1 1 2 3 - -}
{define:Bsus4 0 1 5 4 4 - -}
{define:E7iii 3 2 1 2 0 - -}
{define:Eiv 4 1 2 1 - - -}
{define:Esus4iv 4 2 2 1 - - -}
{define:Evii 7 1 3 3 3 - -}
{define:F#sus4 0 2 2 4 4 - -}
{define:F#vi 6 1 2 1 - - -}

# This doesn't print very nicely... 
#{c:Intro}
#|-------------------------|
#|-----------------------7-|
#|-----------------------8-|
#|-2/7-22/7----2/7-22/7--9-|
#|-2/7-22/7----2/7-22/7--9-|
#|-0-----------0-----------|

I [Evii]see in your eyes that they [Evii]don't refuse
And I [Asus4v]see in those same [Av]eyes a huge re[Eiv]flection
Of [Esus4iv]what  -  [Evii]ever the back-[F#vi]drop [Bsus4]sees    [B]   [F#sus4]
And you [Evii]wipe it good and you [Evii]wipe it clean
And say [Asus4v]I'll see you in the [Av]death machine to[Eiv]morrow
Un[Esus4iv]less      [Evii]somebody's [F#vi]god inter[Bsus4]venes  [B]   [F#sus4]
And I'll [F#m]see you there but [A]you sure won't see [E]me

[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]

I [Evii]see in your eyes that [Evii]they look over
To [Asus4v]bluer skies and [Av]greener clover
But [Eiv]you're on[Esus4iv]ly      a[Evii]llowed to see [F#vi]through [Bsus4]me     [B]    [F#sus4]
And [Evii]I walk home and I [Evii]try to sleep
But it's [Asus4v]quiet in the [Av]death machine this [Eiv]evening
[Esus4iv]Since    [Evii]I left the pub [F#vi]with the [Bsus4]key    [B]    [F#sus4]
And I'd [F#m]give it you back but you'd [A]only foot the bill on [E]me

[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]

[Eiv]       [E7iii]        [C]    [E+]      [C]
[Av]      [A]    [Av]      [A]    [Av]      [A]    [Av]      [Aadd9v]            [Aix]      [A/Eix]          [Aix]      [Av]

[Eiv]And [Evii]so the [Asus4v]tiller man will take [Av]hold
The [Eiv]shady bas[Esus4iv]tard  will   [Evii]come to make [F#vi]you [Bsus4]bleed  [B]    [F#sus4]
And you'll [Evii]wipe it good and you'll [Evii]wipe it clean
And say [Asus4v]I'll see you in the [Av]death machine to[Eiv]morrow
Un[Esus4iv]less       [Evii]somebody's [F#vi]god inter[Bsus4]venes  [B]    [F#sus4]
And the [F#m]day will come and it'll [A]make no difference to [E]me

[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]       [Am]
[E]    [A]    [E7iii]       [Am]       [E]

# Transcribed by <k-waclena@uchicago.edu>
--
Keith Waclena                             	  k-waclena@uchicago.edu
EFF #1018                                         MIME / RFC 1341

If you're not gonna dance, you gotta hold the baby.	Ambitious Lovers
From: sjulstad@mari.acc-admin.stolaf.edu (Michael Sjulstad)
Subject: REQ: Michael Hedges tab
Keywords: Alternate Tunings, New Age
Organization: St. Olaf College; Northfield, MN
Date: Tue, 12 Jan 1993 18:35:29 GMT


Hello musician friends.  If anyone has any tab (or some form of documentation)
for Hedges' stuff, I would really appreciate seeing it.  I just recently started
playing his stuf, although I've listened to him for many years, the idea of 
open tunings never interesed me much....until I tried it.

Anyway, I've got his version of "All Along The Watchtower", but I really want
is:   "Face Yourself"
       "Woman of the World"
       "Running Blind"

or just about anything from the "Watching My Life Go By"  tracks.

Thanks in advance.

Michael Sjulstad

Michael Sjulstad        ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Dir. Electronic Services~~~~~~     ~~     ~~~~~~~~~~       ~~~
1510 St. Olaf Ave. ~~~~~~~~~~   ~~~  ~~~   ~~~~~~~~   ~~~~   ~~
St. Olaf College~~~~~~~~~~~~   ~~~~  ~~~~   ~~~~~~~~    ~~~~~~~
Northfield, MN 55021    ~~~~   ~~~~~~~~~    ~~~~~~~~~~       ~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~    ~~~~~~~~~~    ~~~~~~~~~~~~~    ~
(507) 646-3835 ~~~~~~~~~~~~    ~~~~~~~~~~    ~~   ~~~~~      ~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~    ~~~~~~~~~~    ~~~~         ~~~~
e-mail~ sjulstad@stolaf.edu  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
From: jreese@leland.Stanford.EDU (james reese)
Subject: Re: REQ: Man on the moon - REM
Organization: DSG, Stanford University, CA 94305, USA
Date: Mon, 4 Jan 93 23:28:17 GMT


Here's the quick version: Verses are C-D-C-C, then changing to Am-G (throw
pinkie on the A note=5th fret 1st string), resolve to D.
CHORUS: G-Am-C-G-Am-D, G-Am-C-Am.

Hope that helps ya get started.

Jim!
jreese@leland.stanford.edu

Xref: sparky rec.music.makers.guitar.tablature:864 alt.guitar.tab:4814
From: chf0@bunny.gte.com (Curt Fennell)
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: REQ - "Just Because" by Mary Chapin Carpenter
Date: 6 Jan 93 14:39:56 GMT
Reply-To: chf0@gte.com
Followup-To: rec.music.makers.guitar.tablature
Organization: GTE Laboratories, Waltham, MA

Subject says it all.

Curt

Curt Fennell, Unix Sys Admin, GTE Labs    EMAIL: chf0@gte.com
==============================================================
"With Mr. Lawrence, mercy is a passion. With me it is merely
good manners.  You, yourself may judge which is more reliable"
From: fmccool@phzzzt.uucp (Finn McCool)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Black Nag Tab Post
Summary: Repost?
Keywords: Black Nag Mando Chart
Date: 10 Jan 93 01:31:37 GMT
Organization: A.T.W.W.
X-Newsreader: Tin 1.1 PL4

Could the guy/gal who posted the Black Nag mando tab repost it?
I really would like to print it out for future woodshedding, but
at the time it came up on my screen I didn't know how to print
from where I am.  I would also be interested in any other
mando and/or Celtic tab that you (or anybody else) might know.
I hope it's not against the law to post mando tab here! I know
we are a minority.
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:Green Rolling Hills (Author unknown)
Date: 12 Jan 93 23:51:32 GMT
Organization: Chevron







                             Green Rolling Hills

                 G                D             G
		The green rolling hills of West Virginia
                         C                               D
		Are the nearest thing to heaven that I know.
                            G                  G7         C
		Though the times are sad and drear and I cannot linger here.
                         G            D          G
		They'll keep me and never let me go.

		My Daddy said don't ever be a miner.
		For a miner's grave is all you'll ever own
		'Cause the hard times everywhere, I can't find a dime to spare.
		These are the worst times I've ever known.

		Chorus

		So I'll move away into some crowded city
		In some northern factory town, you'll find me there.
		Though I'll leave the past behind, I'll never change my mind.
		These troubled times are more than I can bear.

		Chorus

		But someday I'll go back to West Virginia
		To the green rolling hillss I love so well.
		Yes someday I'll go home and I know I'll  right the wrong.
		These troubled times will follow me no more.

		Chorus (repeat last two lines)
From: mhoffman@encore.com (Mike Hoffman)
Subject: Re: CRD: Suffragette City
Organization: Encore Computer Corporation
Date: Mon, 4 Jan 1993 20:08:37 GMT
Keywords: Suffragette, Bowie

mbreen@sdacs.ucsd.edu (Michael Breen) writes:

>In article <1JAN199314564399@scsuc.ctstateu.edu> brenckle@scsuc.ctstateu.edu (BRENCKLE,NICHOLAS) writes:
>>Hey Man, I gotta
>>Straighten my face This mellow thighed chick just put my

>This brings up an interesting discussion:

>My friends and I always argued that Bowie says "mellow black chick",
>but all printed version of lyrics refer to a more "PC" "mellow-thighed
>chick".

I have the album with printed lyrics, and if memory serves, 
it is "These mellowed-back chicks".

Of course, now I'll have to go back and check...maybe that would be a good
excuse to leave work early on this first day back after the holidays? :-)

Michael J. Hoffman, Mfg. Eng.            Encore Computer Corporation
mhoffman@encore.com                      100 N. Babcock Street
TEL: (407)255-8116 FAX: (407)255-8195    Melbourne, FL 32935
.signature: No such file or directory. Reformat hard drive? <y>:
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Brown Eyes Blue
Date: 6 Jan 93 23:58:53 GMT
Organization: Chevron








	               BROWN EYES BLUE


	         G         EM    AM           D7
		DON'T KNOW WHEN I'VE BEEN SO BLUE
	         G          EM     F#M       B
		DON'T KNOW WHAT'S COME OVER YOU
	         EM         G      A
		YOU FOUND SOMEONE NEW
	             C                 BM        C    C
		NOW DON'T IT MAKE MY BROWN EYES BLUE


	         G      Em    Am          D
		I'LL BE FINE WHEN YOU'RE GONE
	        G         Em  F#m        B
		I'LL JUST CRY ALL NIGHT LONG
	        Em     G      A
		SAY IT ISN'T TRUE
	         C                    C           G
		AND DON'T IT MAKE MY BROWN EYES BLUE

	         Em          Bm       C            G
		TELL ME NO SECRETS   TELL ME SOME LIES
	         Em         Bm             C       G
		GIVE ME NO REASONS   GIVE ME ALIBIES
	         Em          Bm          C            G
		TELL ME YOU LOVE ME AND DON'T LET ME CRY
	         Am       Bm       C          C
		SAY ANYTHING BUT DON'T SAY GOODBYE


	          G       Em       Am     D
		I DIDN'T MEAN TO TREAT YOU BAD
	        F      Em       F#m      B
		DID'T KNOW JUST WHAT I HAD
	        Em         G     A    
		BUT HONEY NOW I DO
	         C                    Bm
		AND DON'T IT MAKE MY BROWN EYES
	         C                Bm
		DON'T IT MAKE MY BROWN EYES 
	         C                C          G
		DON'T IT MAKE MY BROWN EYES BLUE
Newsgroups: rec.music.makers.guitar.tablature
From: obry@flash.bellcore.com (Pascal Obry)
Subject: Re: GUITARE ?
Organization: /u/obry/.organization
Date: 5 Jan 93 16:18:11


You can FTP GUITARE by

	ftp ftp.nevada.edu
	cd pub/GUITARE

	get README.1st
	...

This is the version 3.0.

Pascal.
--

-------------------------------------------------------------------------------
--  Pascal OBRY								     --
--  Room 2D-337				e_mail : obry@bellcore.com  	     --
--  Bellcore								     --
--  445 South Street			voice : 1 - 201 829 4039	     --
--  Post Office Box 1910		FAX   : 1 - 201 829 5981	     --
--  Morristown, New Jersey 07962-1910					     --
-------------------------------------------------------------------------------

  `` inheritance is surely a good answer, but who knows the question ? ''
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: down and out
Date: 8 Jan 93 00:22:57 GMT
Organization: Chevron


       
       
       
                 NOBODY KNOWS YOU WHEN YOUR DOWN AND OUT 
       
       
                       D                 F#         B7
		I USE TO LIVE THE LIFE OF A MILLIONAIRE
                   G         B7        Em 
		SPENDING MY MONEY AND I DIDN'T CARE 
                   G          C#7       D           B7
		SHOWING MY FRIENDS A MIGHTY FINE TIME
                   E                         A7
		DRINKING HIGH PRICE LIQUOR, CHAMPAGNE AND WINE 
                 D        F#      B7
		WHEN I BEGAN TO FALL SO LOW 
                G                 B7        Em
		I DIDN'T HAVE A FRIEND AND NO PLACE TO GO
                G                  C#7          D     B7
		IF I EVER GET MY HANDS ON A DOLLAR AGAIN   
                            E             E7              A   A7
		I'M GONNA SQUEEZE THAT DOLLAR 'TILL THE EAGLE GRINS
              
       
       
                D  F#    B7
		NOBODY KNOWS YOU
                 G          B7      EM
		WHEN YOUR DOWN AND OUT
                 G        C#7    D     B7       
		IN YOUR POCKET NOT A PENNY
                 E                    A
		AND YOUR FRIENDS YOU AIN'T GOT ANY
                 D            F#               B7
		BUT WHEN YOU GET BACK ON YOUR FEET AGAIN
                  G          B7             Em
		EVERYBODY WANTS TO BE YOUR LONG LOST FRIEND
                 G            C#7               D         B7
		IT'S MIGHTY STRANGE BUT THERE AIN'T NO DOUBT
		 E      A                    D       B7
		NOBODY KNOWS YOU WHEN YOUR DOWN AND OUT 
                 E      A                    D   A    D
		NOBODY KNOWS YOU WHEN YOUR DOWN AND OUT
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD:I Got Mine (Author unknown)
Date: 12 Jan 93 23:49:50 GMT
Organization: Chevron






		            I GOT MINE
       
                C                 C7
	 	I WENT DOWN TO A BIG CRAP GAME
                  F                       C
		CERTAINLY WAS AGAINST MY WILL
                                    A
		LOST EVERY DOGGONE NICKLE I HAD
                         D                 G
		CEPT A GREEN BACK DOLLAR BILL
                    C                    C7
		A FORTY DOLLAR BET WAS LYING ON THE FLOOR
                        F                  C
		AND MY BUDDY'S POINT WAS NINE
                      F                     C            A
		THE POLICE CAME AND THEY GRABBED ALL OF US
                    D  G   C
		BUT I GOT MINE.
      
                 C            F       C
	        I GOT MINE.  I GOT MINE.
                                               A
		JUST GRABBED THAT MONEY RIGHT OFF THE FLOOR
                              D               G
		AND OUT THE BACK DOOR I WENT FLYING
                  C              C7
		EVER SINCE THAT BIG CRAP GAME
                         F                      C
		I BEEN LIVING OFF CHICKEN AND WINE
                    F               C  A       D  G   C
		A LEADER IN HIGH SOCIETY SINCE I GOT MINE.

		LET ME TELL YOU BOUT A BARBER SHOP
		RIGHT DOWN ALONG WALKER STREET
                IT'S THE ONLY PLACE ON A SATURDAY
		THAT THE GAMBLIN FOLKS DO MEET
		SOME COME IN FOR A HAIR CUT
		SOME COME IN JUST TO SCRAP
		YOU SEE ME AND MY BUDDIES HEADIN UP THAT WAY
		WE'RE GONNA MEET TO SHOOT SOME CRAPS
       
		GONNA HOLLER SEVEN COME ELEVEN
		WON'T YOU COME COME COME
		IF YOU DON'T SEVEN COME ELEVEN DICE
		I'M DONE DONE DONE
		IF I SEE THE POLICE FOR HE SEES ME
		I'M GONNA RUN RUN RUN
		I'M A LEADER IN HIGH SOCIETY SINCE I GOT MINE

		I GOT MINE.  I GOT MINE.
		GOT IT ALL AT GOOD SPORT
		SHOOTIN DICE ALL THE TIME
		SOME OF THE BOYS GOT 30 DAYS
		SOME GOT FORTY NINE.
		WHEN THEY BROUGHT THOSE STRIPES ON
		THE VERY NEXT MORNING  I GOT MINE











		LET ME TELL YOU BOUT A TURKEY FEED
		THE DINNER IT CERTAINLY WAS FINE
		ABOUT 15 MINUTES BEFORE THE PLATES WAS SET
		THE FOLKS THEY FELL IN LINE
		WHEN THEY BROUGHT THOSE GOBBLERS ON
		OH THE RASCALS THEY DID SHINE
		YOU TALK ABOUT A RASCAL I GRABBED THEN
		YES SIR I GOT MINE



		I GOT MINE.  I GOT MINE.
		GRABBED THAT TURKEY RIGHT BY THE WING
		AND OUT THE BACK DOOR I WENT FLYING
		TRIED TO MAKE IT TO MY HIDING PLACE
		BUT I COULDN'T GET THERE IN TIME
		ANOTHER RASCAL GRABBED ME BY THE COLLAR
		AND I GOT MINE


		NOW I WENT DOWN TO MY BEST GIRL'S HOUSE
		THE HOUR WAS HALF PAST NINE
		I WASN'T DRESSED UP EXACTLY LIKE HENRY FORD
		BUT I WAS FEELIN MIGHTY DOGGONE FINE
		TILL I SEEN HER SITTIN IN ANOTHER RASCALS LAP
		AND I DIDN'T LIKE THAT SIGN
		I TOLD THAT RASCAL WHAT I THOUGHT ABOUT HIM
		AND THEN I GOT MINE


		I GOT MINE.  I GOT MINE.
		HE LAYED A FIST RIGHT BESIDE MY HEAD
		THEN THE FRONT TEETH THEY WENT FLYING.
		BUT EVER SINCE MY BIG CRAP GAME
		I'VE BEEN LIVING OFF CHICKEN AND WINE
		DIDN'T NEED THAT GAL ANYHOW
		SINCE I GOT MINE.
From: rlopez@loanstar.tamu.edu (Robert Lopez)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: CRD: Suffragette City
Date: 6 Jan 1993 21:37:13 GMT
Organization: The Hosequarium South
Distribution: world
NNTP-Posting-Host: loanstar.tamu.edu
Keywords: Suffragette, Bowie

In article <1i7ceoINNr9l@network.ucsd.edu>, mbreen@sdacs.ucsd.edu (Michael Breen) writes:
|> In article <1JAN199314564399@scsuc.ctstateu.edu> brenckle@scsuc.ctstateu.edu (BRENCKLE,NICHOLAS) writes:
|> >Hey Man, I gotta
|> >Straighten my face This mellow thighed chick just put my
|> [rest of Bowie's "Sufferagette City" deleted]
|> 
|> This brings up an interesting discussion:
|> 
|> My friends and I always argued that Bowie says "mellow black chick",
|> but all printed version of lyrics refer to a more "PC" "mellow-thighed
|> chick".
|> 
|> Any opinions one way or the other?  If you've got good ears, give it
|> a listen.  I think I've got good ears, and I hear "black".
|> 

wow.  We always sang it "Mellow FAT chick."  Makes sense that she'd
put your spine out of place.  Now we have three possibilities.

-- 
----------------------------------------------------------
Robert E. L\'{o}pez       |       Internet:
Texas LoanSTAR Program    |       rlopez@loanstar.tamu.edu
The Hosequarium South     |       rlopez@cs.tamu.edu
----------------------------------------------------------
    Texas A&M University Energy Systems Laboratory
----------------------------------------------------------
From: oldp@grug06.nor.chevron.com (Lawrence Perry)
Newsgroups: rec.music.makers.guitar.tablature
Subject: THE CAT CAME BACK
Date: 8 Jan 93 00:01:04 GMT
Organization: Chevron







                     THE CAT CAME BACK


	G
	OLD MR. JOHNSON HAD TROUBLES OF HIS OWN
	        G                                  D
	HAD AN OLD YELLOW CAT THAT WOULDN'T LEAVE HOME
	       G
	TRIED EVERYTHING HE KNEW TO GET THE CAT TO STAY AWAY
              G
	EVEN TOOK HIM UP TO CANADA AND TOLD HIM FOR TO STAY

	         G
  CHR: 	BUT THE CAT CAME BACK
	     G
	THE VERY NEXT DAY
	  G
	THOUGHT HE WAS A GONER
	         C
	BUT THE CAT CAME BACK
	            D             G
	'CAUSE HE WOULDN'T STAY AWAY

	WELL HE GAVE A BOY A NICKEL FOR TO SET THE CAT AFLOAT
	AND HE TOOK HIM UP THE RIVER IN A SACK IN A BOAT
	AND THE FISHING IT WAS FINE 'TILL THE NEWS GOT AROUND
	THAT THE BOAT WAS MISSING AND THE BOY WAS DROWNED

        CHORUS

	THE FARMER ON THE CORNER SAID HE'D SHOOT HIM ON SIGHT
	AND HE LOADED UP A GUN FULL OF ROCKS AND DYNAMITE
	WHEN THE GUN WENT OFF HEARD ALL OVER TOWN
	LITTLE PIECES OF THE MAN WAS ALL THAT THEY FOUND

	CHORUS

	THEY THOUGHT THEY HAD A WAY TO PUT THE CAT FOR A FIX
	THEY PUT HIM IN AND ORANGE CRATE ON ROUTE 66
	CAME A TEN TON TRUCK WITH A TWENTY TON LOAD
	SCATTERED PIECES OF THE ORANGE CRATE ALL DOWN THE ROAD

        CHORUS























	THEY GAVE HIM TO A MAN GOING UP IN A BALLOON
	TOLD HIM FOR TO LEAVE HIM WITH THE MAN IN THE MOON
	BUT THE BALLOON IT BURST AND BACK TO EARTH IT HEAD
	SEVEN MILES AWAY THE PICKED THE MAN UP DEAD

	CHORUS

	THEY TOOK HIM TO A PLACE WHERE THE MEAT WAS GROUND
	DROPPED HIM IN THE HOPPER WHEN THE BUTCHER WASN'T ROUND
	THE CAT DISAPPEARED WITH A BLOOD CURDLING SHRIEK
	AND ALL THE TOWN'S MEAT TASTED FURRY FOR A WEEK

	CHORUS

	THEY TOOK HIM TO CAPE CANAVERAL
		AND THEY PUT HIM IN A PLACE
	THEY PUT HIM IN A U. S. ROCKET GOING WAY OUT IN SPACE
	THEY FINALLY THOUGHT THE CAT WAS OUT OF HUMAN REACH
	'TIL THEY RECIEVED A CALL FROM MIAMI BEACH

	CHORUS