HDTenEightyP/NetNews huggingface dataset:
From: aj671@cleveland.Freenet.Edu (W. Gregory Downs)
Newsgroups: rec.music.folk
Subject: Re: Nightnoise - recommended!!
Date: 22 Jan 1993 18:21:18 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: aj671@cleveland.Freenet.Edu (W. Gregory Downs)
NNTP-Posting-Host: slc10.ins.cwru.edu


In a previous article, shulick@navajo.ucs.indiana.edu (Sam Hulick) says:

>
>Sorry if this band is old. :)  I just now discovered them, on Windham
>Hill Sampler '89.  Their song "Hugh" on this sampler is EXCELLENT.  The
>Nightnoise quartet consists of a pianist, a flutist, a violinist, and a
>guitarist (accoustic).  Very good stuff!
>
>By the way, what can you recommend as far as dulcimer mixed with flute
>and other winds, etc.?  (Sort of a medieval style).  A friend of mind
>mentioned "Strayaway Child" but didn't go into detail.  Any info..?
>Thanks!
>

  I'll second the recommendation.  I picked up the CD "Nightnoise: A Windham
Hill Retrospective" this past fall after hearing one of their tunes on the
radio and it's been one of my favorite folk music acquisitions of this year.

  "Strayaway Child" is a wonderful album of hammered dulcimer and guitar
music by Jerry Read Smith (hammered dulcimer) and Tom Fellenbaum (guitar).
It is put out by their own label, "Song of the Woods Music" (I think, this
is from memory).  As far as I know, the only thing the label has ever put
out other than SC and one other by Smith and Fellenbaum is the first David
Wilcox album "Nightshift Watchman".  The last I heard, SC was available
only on LP and cassette.

 Greg Downs
Newsgroups: rec.music.folk
From: magus@netcom.com (Magus)
Subject: Re: Review:  On the Banks of Helicon
Organization: Sandor Arbitration Intelligence
Date: Tue, 26 Jan 1993 23:33:35 GMT

In article <1993Jan21.205718.19642@husc3.harvard.edu> rice@scws3.harvard.edu (Ken Rice) writes:

>It's _On the Banks of Helicon:  Early Music of Scotland_  
>by the Baltimore Consort.  Dorian Recordings, DOR-90139.


Oh...yes.  This is wonderful music.  If you liked this CD you would be well
served to find (also by them) "Watkin's Ale" (DOR-90142).  They have a new CD
out (I haven't seen it yet) the title is "The Art of the Bawdy Song".


Enjoy
	john
-- 
John Schmid		Internet: magus@netcom.com

  Do you ever feel like every day is a monday?
From: tbd@neuro.duke.edu (Tristan Davies)
Newsgroups: rec.music.folk
Subject: What was that Leo Kottke Song on Austin City Limits?
Date: 25 Jan 93 03:56:20 GMT
Distribution: na
Originator: tbd@neuro.neuro.duke.edu

I was watching Leo Kottke on Austin City Limits this weekend. The show
was a new one, I think; Mark Cohn was the other half of the show.
Anyway, I loved Leo and his playing, but I really liked the song
that he spoke over with repeated phrases, such as "and you crawl out
of bed and you crawl out of bed and you crawl out of bed..." Is this
the title track from his "My Father's Face" record? What's the story behind the
song? Did LK write the lyrics or are they a poem that someone else
wrote? Et cetera.

Well, I'm going to go look out the moon where the window is. Thanks
for any info!

Tristan Davies

-- 
e-mail: tbd@neuro.duke.edu
Department of Neurobiology, Duke University Medical Center

"grblb blabt unt mipt speeb!! oot piffoo blaboo..." -- Opus
From: sarrator@CVAX.IPFW.INDIANA.EDU
Newsgroups: rec.music.folk
Subject: Josh White Jr.
Date: 24 Jan 1993 14:46:45 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

I was at an Odetta concert last Wednesday (which was wonderful) and she
mentioned Josh White.  This reminded me of his son, Josh White Jr. who
played the coffeehouse circuit during the 60's and 70's.  I haven't
heard from or of him in a long time.  Any help out there?  I'd appreciate
an E-mail response--I'm not a regular (at least yet).  Thanks!

Steven T. Sarratore
Chair, Department of Theatre
Indiana University-Purdue University Fort Wayne
Phone:  (219) 481-6551
Fax:    (219) 481-6707
Internet:  sarrator@cvax.ipfw.indiana.edu
Bitnet:  sarrator@ipfwcvax
From: hbarnes@andromeda.rutgers.edu (Heidi Barnes)
Newsgroups: rec.music.folk
Subject: Anybody heard of this song?
Summary: anybody know the title, etc. to song
Keywords: anybody heard song
Date: 27 Jan 93 23:07:40 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

Hi,

When I was younger my family would take long car rides. My mom would drive
the late hours and I'd stay awake and sing songs with her to keep her awake.
Anyway, I only remember bits and pieces of a song that I don't know the name
to and don't know where to find it. My mom died a few years ago, so I can't 
ask her and my dad doesn't remember.

Here's what I know:

Theme of Song:  It was about a young girl who was "in love" with this older
boy, Johny.  She would wait by the school yard hoping to see him, praying
that he'd take notice, and that he would wait for her to grow up so that
they could "go out together."  In the end, the girl ended up getting married
to someone else, and the boy longs for her, wishing he had made a move 
earlier.  It's kinda sad.

Bits and Pieces of Phrases:

Wait for me, wait for me. Johny please wait for me, I'm growing up as fast
  as I can.

She used to wait by the school yard gate...she was always getting in my way....
  now I'm older but it's too late......


That's all I know.

Thanks for any help you can give me.

:)Heidi:)
From: Sean.P.Donahue@dartmouth.edu (Sean P. Donahue)
Newsgroups: rec.music.folk
Subject: Re: Four Bitchin' Babes II
Date: 26 Jan 93 19:02:51 GMT
 <1993Jan26.055940.20145@netcom.com>  <1k3ejqINNsd6@digex.digex.com>
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a5@newshost.dartmouth.edu

In article <1k3ejqINNsd6@digex.digex.com>
entrpoop@access.digex.com (Dexter Medley) writes:

> Now that I've said it semi-politely, my personal opinion is that Ms
> Gold can't carry a tune in a sack.

I love her voice! Have you heard her performance of "Heaven" on the "On
a Winter's Night" alblum?  No one BUT her could sing that song
properly.  There is an innocence and an insecurity in her voice which
fits her songs so perfectly, bringing out the deep emotion she puts
into her writing.
Newsgroups: rec.music.folk
From: murphy@well.sf.ca.us (Daniel A. Murphy)
Subject: Strawbs CD Box?
Organization: Whole Earth 'Lectronic Link
Date: Sat, 23 Jan 1993 14:40:18 GMT



I understand there's supposed to be some sort of CD box set of Strawbs
recordings.  Is this out yet?  If not, does anyone know when it will be
released?
-- 
-------------------
Daniel A. Murphy        Net:         murphy@well.sf.ca.us
San Francisco, CA       GEnie:       D.MURPHY11
U.S.A.                  MCI Mail:    377-7947
Xref: sparky rec.music.folk:9384 rec.music.cd:9076 rec.music.afro-latin:877
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.folk,rec.music.cd,rec.music.afro-latin
Subject: Re: Melodica (was: Re: OUTBACK)
Date: 21 Jan 93 20:29:30 GMT
Followup-To: rec.music.folk
Organization: Rutgers Univ., New Brunswick, N.J.

The reggae musician Augustus Pablo seems to do fine with his melodica ...
also, for real trivia fans, on Gang of Four's first and best album
(Entertainment!) the singer plays melodica on one or two songs.
From: martin@lyra.cis.umassd.edu (Gary Martin)
Newsgroups: rec.music.folk
Subject: Re: Filk (was: Re: Mangled song lyrics)
Date: 24 Jan 93 15:02:13 GMT
	<1993Jan18.173529.8256@pony.Ingres.COM>
	<1993Jan19.034249.5979@d-and-d.com>
	<MARTIN.93Jan19101447@lyra.cis.umassd.edu>
	<Jan.20.11.35.12.1993.8686@andromeda.rutgers.edu>
Organization: University of Massachusetts Dartmouth

In article <Jan.20.11.35.12.1993.8686@andromeda.rutgers.edu> dmr@andromeda.rutgers.edu (Daniel Rosenblum) writes:

   Well, I'm glad I'm not the only person to have had this thought.
   So much of the singer-songwriter stuff gets so introspective, so
   self-consciously poetic, that it loses all meaning to me and
   anyone but the singer (and evidently some similarly afflicted
   listeners who enjoy this sort of thing).  It puts me in the same
   bored, tuned-out state as virtually all so-called New Age music
   (feh! (a Yiddish expression, roughly translatable as "yuck!")).

On the other hand, sometimes introspection and poetry are the key
ingredients in a good song.  A few days ago, I went to an open mike
where there was a higher-than-normal density of both traditional
and political songs.  The former was good; the latter was a mixed-bag.
One of the political songs was by a fine singer (not well-known)
whose name is probably best omitted here.  The song was her obligatory
"fall of the Berlin Wall" song, with a chorus contrasting that
event to the fact that 32 minors had been murder victims in Boston
that year.  The song was utterly boring and was written more in the
language of an Op-Ed piece than a song.  In contrast, sensitive,
introspective, poetic singer-songwriter Maria Sangiolo sang a song
about a woman she knows who emigrated from Sarajevo to Boston four
years ago and left family and friends behind.  The song is about
a real person dealing with a difficult situation.  There's a neat
line in the chorus: "There's danger in daring, there's madness in
memory."  So despite the outward similarity of the two songs which
basically say "isn't that terrible", the former says freedom's 
breaking out all over yet we're killing children in Boston, while
the latter tells the story of how one person deals with (or avoids
dealing with) the destruction of her home and danger to her family
and friends.
	I think that my major complaint with the typical introspective,
poetic songwriters is that they often discard rhyme, meter, and
standard melodic and harmonic structures, leaving nothing familiar
for the listener to feel comfortable with while trying to understand
the content.  Without those things, it's also very difficult to
remember the words and the tune, making it unlikely that the 
listener will want to learn and sing it.  I don't think there's
anything particularly bad about introspective and poetic songs,
but I'm afraid that many songwriters take these aspects to be a
licence to abandon all standard structures from their tradition.
(That's their artistic right, of course, but it puts me to sleep.)

--
Gary A. Martin, Assistant Professor of Mathematics, UMass Dartmouth
Martin@cis.umassd.edu
From: jerry@hnrc.tufts.edu (Jerry Dallal)
Newsgroups: rec.music.folk
Subject: Re: Who is Eric Anderson? (Cheryl Wheeler content)
Date: 28 Jan 93 14:55:53 GMT
Organization: USDA HNRC at Tufts University

In article <1k713pINNr76@hp-col.col.hp.com>, judym@col.hp.com (Judy Miller) writes:
> I heard that Cheryl Wheeler was going to be at the Mercury Cafe in Denver.
> 
> But I called, and she's only warmup to Eric Anderson.  
> Who's he?  What's his music like?  This may be my only chance to
> see Cheryl, but I'd like to know what I'm getting into.
> 


If you're prone to depression, you might not want to see an Eric Anderson/
Townes van Zandt double bill!  (claim by Anderson himself)

60's folkie.  Best known for "Thirsty Boots" and "Violets of Dawn".
Also, "Is it really love at all?"  Recorded
the acoustic album "'Bout Changes and Things".  A few months later, he was
back in the studio recording "'Bout Changes and Things, Take 2", same same
songs, with soft rock accompaniment.  (I like both versions, that is, I'm
indifferent to which one is on the turntable.)

The Anderson/Wheeler pairing should be very compatible.
You'll probably enjoy him.
From: ccsdhd@sunlab1.bath.ac.uk (Dennis Davis)
Newsgroups: rec.music.folk
Subject: Re: Strawbs CD Box?
Date: 26 Jan 93 10:10:13 GMT
Organization: Bath University Computing Services, UK

In the referenced article, ann@ukc.ac.uk (A.N.North) writes:
>
>I list below all the Strawbs albums I know of, anyone know of anymore?
>
   [  list deleted ]
>

I have the following two LP's that you don't seem to mention.

Title:          Strawbs
Record Label:   A & M Records
Record Number:  AMLS 936  
Date:           1969

Title:          Grave New World
Record Label:   A & M Records
Record Number:  AMLH 68078
Date:           1972
-- 
Dennis Davis, BUCS, University of Bath, Bath, BA2 7AY, UK
D.H.Davis@bath.ac.uk
From: martin@lyra.cis.umassd.edu (Gary Martin)
Newsgroups: rec.music.folk
Subject: Re: Who is Eric Anderson? (Cheryl Wheeler content)
Date: 28 Jan 93 14:27:31 GMT
Organization: University of Massachusetts Dartmouth

In article <1k713pINNr76@hp-col.col.hp.com> judym@col.hp.com (Judy Miller) writes:

   I heard that Cheryl Wheeler was going to be at the Mercury Cafe in Denver.

   But I called, and she's only warmup to Eric Anderson.  
   Who's he?  What's his music like?  This may be my only chance to
   see Cheryl, but I'd like to know what I'm getting into.

WUMB is playing a song of his at this very moment!  (As I type, not
as you read!)   His heyday was the 60s or 70s (before my time, so
I'm not up on details).  He was somehow connected to the Beat
generation poet crowd in San Francisco - Allen Ginsburg, et. al.
His best known songs seem to be "Violets of Dawn" and "Thirsty Boots":

Take me to the night I'm tipping topsy turvy turning upside down
Hold me tight and whisper what you will for there is no one here around
O you may singsong me sweet smiles regardless of the city's careless frown
Come watch the no colors fade blazing into petal sprays of violets of dawn.



Then take off your thirsty boots and stay for awhile
Your feet are hot and weary from a dusty mile
And maybe I can make you laugh, maybe if I try
I'm just lookin' for the evenin' and the mornin' in your eyes.

He's been making a comeback lately, with a new album with Shawn
Colvin doing some backup vocals.  If I recall correctly, he's
also recently issued an album from some old recordings that
were somehow lost by his record company.


--
Gary A. Martin, Assistant Professor of Mathematics, UMass Dartmouth
Martin@cis.umassd.edu
From: TDM@ECLX.PSU.EDU (Truman D Mast)
Newsgroups: rec.music.folk
Subject: Re: from a distance (4 bitchin' babes)
Date: 27 Jan 93 01:29:32 GMT
Distribution: usa
Organization: Penn State Engineering Computer Lab
X-News-Reader: VMS NEWS 1.24

In <1993Jan26.055940.20145@netcom.com> altinbay@netcom.com writes:

> I've been excited about this group after I heard at Lavin's show
> at the Great American a couple of months ago that Julie Gold had
> joined.  Is her "From a Distance" on this CD?  Is it on *any* CD?
> It's one of my very favorite songs, it touches me deeply, and I
> have it by Bette Midler, Kathy Mattea and Judy Collins (no, not
> all on the same track!!!)  Has it been recorded by any men?  I know
> Nanci Griffiths has done it, and I'm going to get one of her
> versions, too!
> 

Simon Nicol (of Fairport Convention) has recorded it on his album
*Before Your Time* (Woodworm Records, UK).  He does a decent version
of the song, but for me it is not one of the highlights of this
album (which is excellent).  At least Simon's version doesn't have
all the "God is watching us" claptrap. . . .

Doug.
Newsgroups: rec.music.folk,dc.general
From: hofkin@software.org (Bob Hofkin)
Subject: Re: Lee Michael Demsey: anniversary
Followup-To: rec.music.folk,dc.general
Reply-To: hofkin@software.org
Organization: Software Productivity Consortium
X-Newsreader: TIN [version 1.1 PL8]
Distribution: usa
Date: Sun, 24 Jan 1993 23:34:38 GMT

David E. Scheim (des@helix.nih.gov) wrote:
: The cancellation of the Lee Michael Dempsey show has forced had severe 
: repercussions in the folk music community in D.C.

This is a strong piece of evidence that Demsey's show had a significant
place in the community  It seems to be happening at all the
venues--even the Birchmere and the Barns of Wolf Trap seem to be dark
more these days.  Someone mentioned a noticable effect on folk artist
royalties--which may imply that Lee's influence spread well beyond
WAMU's signal range.  Too bad the station management considers this
unimportant.

:  I stopped supporting WAMU after that incident and would be 
: delighted to resume support if the show is continued.

I chose to remain a member at the basic level.  The rest of my
intended contribution became "Demsey Dollars" and then a challenge
grant for Mary Cliff's show on WETA.  I also continue to volunteer for
WAMU (folk/bluegrass only) -- just enough for the management to see me
and know I'm still around.  I also attend community council meetings.

--Bob Hofkin
Newsgroups: rec.music.folk
From: jonb@Ingres.COM (Jon Berger)
Subject: Re: A Source for "Oor Hamlet"
Reply-To: jonb@ingres.com
Organization: Ingres, an ASK Company
Date: 26 Jan 93 17:05:00 GMT

In article <MARTIN.93Jan26093553@lyra.cis.umassd.edu>, martin@lyra.cis.umassd.edu (Gary Martin) writes:
>The main problem with his version (especially for a Shakespeare class)
>is that he changes the line "When Laertes hears his dad's been stabbed
>through the arras" [that meter doesn't sound quite right] to "When
>Laertes hears his dad's killed in the bedroom of the heiress", which
>doesn't make much sense - Gertrude's not the heiress, is she?

Only sort of; I think she technically inherited the crown, which Claudius
then immediately got, of course, by marrying her and hence outranking her.

The version that's been floating around r.m.f. has the same weird line,
but I'm pretty sure it's a mis-hearing.  Martin Carthy, from whom I
originally learned the song, definitely sang "When Laertes heard his
dad's killed in the bedroom with the arras."  Admittedly, "heiress"
makes exactly as much sense in this context, if we assume Gertrude is
one, but Carthy made a big deal of enunciating every word perfectly
when he did this song, and it was really clear.  Of course, _he_ could
have gotten it wrong too, but I like the "arras" version better anyway.
For one thing, it's a better rhyme for "Paris."

By the way, anyone who develops a serious interest in the actual play
from this discussion should make every attempt to find the BBC production,
which features Patrick Stewart as Claudius.  It's nice, for once, to see
Claudius portrayed as something other than a double-dyed villain.  I got
it on tape at my local video rental place, so maybe it's widely available.

--------------------------------------------------------------------------
   -__ __ /_   Jon Berger              "If you push something hard enough,
  //_// //_/   jonb@ingres.com          it will fall over."
_/ ---------                              - Fudd's First Law of Opposition
From: kassover@rumsey.crd.ge.com (David Kassover)
Newsgroups: rec.music.folk
Subject: Re: song of Carrol's "Jabberwocky"
Date: 25 Jan 93 22:51:33 GMT
Organization: nope

In article <pavlovic.28.727918121@ehsc.orst.edu> pavlovic@ehsc.orst.edu (James Pavlovich) writes:
>Years ago when I was in grade school (@1970).  I heard an 
>album of famous poems set to music.  "Jabberwocky", "The Vinegar Man", and "
>Annabel Lee" are the titles that stand out.  They were in a style similar to 
>that of the Kingston Trio.  I have never been able to locate this record or 
>remember the artist.  Does this ring a bell with anyone?  I would like to 
>track it down if I could.
>
>Thanks

_Joe's Got A Head Like A Ping-Pong Ball_, by Marcia and Jon
Pankake has got several of these.

In particular, it appears that Jabberwocky (along with almost
everything else 8-) can be coerced in to scanning to
Greensleeves...

Can't help you with the album, though.

-- 
David Kassover             "Proper technique helps protect you against
uupsi!khazad!kassover	          sharp weapons and dull judges."
kassover@aule-tek.com                   F. Collins
kassover@ra.crd.ge.com
Newsgroups: rec.music.folk
From: jcf@world.std.com (Joseph C Fineman)
Subject: Re: "Amazing Grace" - Origin Folklore
Organization: The World Public Access UNIX, Brookline, MA
Date: Thu, 28 Jan 1993 04:29:21 GMT

It appears that slaves *sang* it, anyway.  A big chunk of it is quoted
verbatim in _Uncle Tom's Cabin_.  If you combine those verses with the
(also large, but disjoint!) selection in _The Folksingers's Wordbook_,
you can keep it going quite a long time.

%^)
-- 
        Joe Fineman             jcf@world.std.com
        239 Clinton Road        (617) 731-9190
        Brookline, MA 02146
From: jat@edsr.eds.com (Jon A. Turner)
Newsgroups: rec.music.folk
Subject: Re: Witch of Westmoreland shares tune
Keywords: Fisher, Banks, Atwater, Miller
Date: 21 Jan 93 15:39:52 GMT
Organization: EDS Research, Dallas, TX 75230

In <1993Jan20.235200.18600@das.harvard.edu> jmf@endor.harvard.edu ( ghost ) writes:

>All I can remember of Bank's song is a chorus that goes
>"hey Donald, ho Donald, rum a do a day"
>(not the ever-famous bird-beneath-the-apron song, despite having
>that rum-a-do line in common).

>Atwater says she got the song from Ed Miller of the Irish Ossian.

Interesting!

I know an Ed Miller--he's a Scotsman living in Austin, TX--
who does this song. Or at least I think it's this song:
the title is "Love and Freedom," and the chorus is:
     "And it's hey, Donald, ho, Donald,
     "De rum a do ma day."
But the tune he does is definitely not that of "Witch of the
Westmoreland," though it's a bit similar.

(The song is about a highland piper--the aforementioned Donald--
who asks a lowland lass to run off with him: "I'll give you love
and freedom if you'll go away with me.")

Any more info?

	JT
From: n9040513@henson.cc.wwu.edu (Andrea Aldridge)
Newsgroups: rec.music.folk
Subject: A Source for "Oor Hamlet"
Date: 25 Jan 93 19:44:39 GMT
Article-I.D.: henson.1993Jan25.194439.14174
Organization: Western Washington University

My Shakespeare class is doing Hamlet in a couple or three weeks, and I would
love to watch Dr. Donker's face as I play "Oor Hamlet" for the class.  Does
anybody know of a (cassette tape) source I can use?  Even better if you're
in or near the Puget Sound area and I could borrow yours for a day or two...

Pretty please?


-- 
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
<>  Andrea Aldridge    IRC:  Folkie   E-Mail:  n9040513@henson.cc.wwu.edu <>
<>  WWU - 452 Edens Hall North/Bellingham, WA 98225-5971   (206) 650-2647 <>
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
From: sachs@guvax.acc.georgetown.edu
Newsgroups: rec.music.folk
Subject: L M Demsey, and DC radio (cont.)
Date: 21 Jan 93 18:25:49 -0500
Distribution: world
Organization: Georgetown University

I just wanted to add my 2 or so cents to the WAMU and general DC 
discussion---after spending a lot of time in the Philadelphia area, 
which is blessed with WXPN, DC radio is *awful*  (IMHO, of course).  
I find that I only listen to Morning Edition/All things Considered and 
don't even turn on the radio the rest of the time. 

I never thought I'd say this, but the music was better in Knoxville, 
TN!

Maybe XPN could hire LMD and make Philadelphians even happier than 
they are now!


Just letting off steam, I guess, but I sure wish we could do something 
to change the situation.

Hilary
From: terry@cs.umd.edu (Terry Gaasterland)
Newsgroups: rec.music.folk
Subject: Re: Lee Michael Demsey: anniversary
Date: 25 Jan 93 23:32:57 GMT
Distribution: usa
Organization: Argonne National Lab, Argonne, Illinois 60349

In article <1056@vk2bea.UUCP> michael@vk2bea.UUCP (Michael G. Katzmann) writes:
>
>What a contrast there was between her [Diane Rehm] and Mike Cuthbert!  
> Mike never
>tried to put down a caller, and always treated their views respectfully.
>Pity (for us) he went north.   

Does anyone know where he went?  I recall that my impression at the 
time was that he went to Chicago.  But now I'm living in Chicago, and
he doesn't seem to be on any of the airwaves around here.  

  -- Terry  (gaasterland@mcw.anl.gov)
From: drchip@cup.portal.com (MYRON A LIEBERMAN)
Newsgroups: rec.music.folk
Subject: Re: "Who'd a Thunk It" by Greg Brown/discography
Date: Sat, 23 Jan 93 23:46:06 PST
Organization: The Portal System (TM)

Which Greg Brown CD includes "Dream Cafe?"
Xref: sparky rec.music.folk:9486 rec.music.misc:30978