HDTenEightyP/NetNews huggingface dataset:
From: scholl@uvmark.uucp (Kathryn Scholl)
Newsgroups: rec.arts.movies
Subject: Re: 1492: A REVIEW
Date: 15 Oct 92 12:47:13 GMT
Article-I.D.: uvmark.1992Oct15.124713.18720
Organization: Vmark Software, Inc.

In article <urf.718877219@sw2001> urf@icl.se (Urban F) writes:
>People who are supposed to be speaking Italian, Castilian,
>or whatever as their own languages, really shouldn't have
>any accent at all.
>But one interesting thing about Columbus, was that he had
>an accent in _all_ languages he spoke, and he wrote equally
>badly in all languages, so it's impossible to be _really_
>sure which was his native language. (And he changed his 
>name in almost all countries he lived in.)

Actually, I have a friend who has an accent in every language he speaks.
He was born in Belgium, then, as a toddler, moved to Argentina, where
he was raised in French schools.

So, he speaks Belgian(?), French, Spanish, English, and Portuguese,
_all_ with 'accents', meaning that his accent is recognized as not
being native.

The same could probably be applied to Columbus....
So it's not true that people speaking 'their own' languages should
not have an accent.  They just have a universal 'euro' accent for
all languages they speak!

-- 
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 Kathryn Scholl  -- Above text reflects opinions of the author, not VMark --
 Vmark Software, Inc., 30 Speen Street, Framingham, MA  01701, USA
 Internet: uvmark!scholl@merk.com, UUCP: uunet!merk.com!uvmark!scholl
From: sjs28257@uxa.cso.uiuc.edu (Steve Stelter)
Newsgroups: rec.arts.movies
Subject: Re: Best Sequels
Date: 16 Oct 92 05:05:58 GMT
Article-I.D.: news.Bw77I0.Gq
Organization: University of Illinois at Urbana

k_mullin@oz.plymouth.edu (Keith J. Mullins) writes:

> Personally, I think 'The Empire Strikes Back' and 'The Return of the Jedi'
>were the BEST sequels ever made to this day.  Any others i may have 
>forgotten?

"Aliens" (but not "Aliens^3) and "Terminator 2" are on my list.  I enjoyed
"Phantasm II" a lot as well.

Speaking of which, anyone know anything about whether there'll be a "Phantasm
III"?


                             --Steve Stelter
                               sjs28257@uxa.cso.uiuc.edu
Newsgroups: rec.arts.movies
From: hcleong@iti.gov.sg (Leong Heng Cheong (CCL Sch 10/92))
Subject: Re: Wicked, Bad, Scary Movies. (Recommendations anyone?)
Organization: Information Technology Institute, National Computer Board, Singapore.
Date: Wed, 7 Oct 1992 15:25:08 GMT

In article <Bvr2K2.FFI@gabriel.keele.ac.uk> phd69@seq1.keele.ac.uk (R.D. Hayler) writes:
>From article <1992Oct6.155450.43633@kuhub.cc.ukans.edu>, by brnt@kuhub.cc.ukans.edu (Brent E. Dyer):
>> 
>> 	I'm looking for some really frightening movies.  I don't want any of
>> [...]  I want some "I can't turn the light out until tomorrow
>> morning because bad things might be coming for me" movies.
>
>	I'm not convinced those sort of movies really exist anymore.

I think that the audiences now-a-days have more or less become numb to
most of the plot devices ever invented that it is difficult to really
scare the heck out of the audiences.

A film that I was really scared when I was young was "The American
Werewolf in London".  I know -- it is partly a comedy...  but I was
scared nevertheless...

Heng Cheong
  hcleong@iti.gov.sg
From: 910252m@ace.acadiau.ca (DWAYNE ALLAN MACKINNON)
Newsgroups: rec.arts.movies
Subject: Re: best movie titles
Date: 14 Oct 92 19:56:33 GMT
Organization: Acadia University

In article <1bh4f9INNsb4@agate.berkeley.edu> brianm@soda.berkeley.edu (Brian Markenson) writes:
>From: brianm@soda.berkeley.edu (Brian Markenson)
>Subject: Re: best movie titles
>Date: 14 Oct 1992 12:40:09 GMT
>In article <13OCT199222200621@portal.lasc.lockheed.com> le01167@portal.lasc.lockheed.com (Ron Nadel) writes:
>>In article <23.287AA.9@sansome.com>, gj@sansome.UUCP (Gerry Johnson) writes...
>>
>>>I want to know what people's favorite movie titles are. I mean those titles
>>>that are so good you want to see the movie without even knowing what it's
>>>about. Those titles that are like a line of poetry.

How about The Princess Bride?

DMK
Acadia University, Wolfville, Nova Scotia, Canada.
Xref: sparky rec.arts.movies:29723 rec.arts.sf.movies:7787
From: otto@jybox.jyu.fi (Otto J. Makela)
Newsgroups: rec.arts.movies,rec.arts.sf.movies
Subject: Re: "Stranger In A Strange Land" To Be Filmed
Date: 8 Oct 92 06:14:02 GMT
Organization: Jyvaskyla Electronic Mailbox

beede@sctc.com (Mike Beede) writes:

> jsp@uts.amdahl.com (James Preston) writes:
> >Or Arnold Schwarzenegger?  Gee, it's kind of fun trying to think of the
> >worst possible actor for a role like that.  Any other suggestions?
> 
> Peter Sellers.

That's unfair, he's dead.  What about Marilyn Monroe in the ash tray ?

   /* * * Otto J. Makela <otto@jybox.jyu.fi> * * * * * * * * * * * * * * * */
  /* Phone: +358 41 613 847, BBS: +358 41 211 562 (V.32bis/USR-HST,24h/d) */
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From: bov@x.co.uk (Andy Bovingdon)
Newsgroups: rec.arts.movies
Subject: Re: Wicked, Bad, Scary Movies. (Recommendations anyone?)
Date: 8 Oct 92 09:58:02 GMT
Organization: IXI Ltd.


I found John Carpenters version of 'The Thing' made me hide under the
covers. Ok its a SciFi film with gory bits but the tension of not
knowing who is an alien organism is great, and you are still not sure
right to the end. I avoided dogs for week after seeing it.

Other films with good scary parts are: 
 Alien - has a few hide behind your hand bits.
 Halloween - a few close your eyes and it will go away bits.
 The Evil Dead - has the 'Were gonna get you' bit and the person under the
                 trap door.
 Night of the Demon - Very effective for its time.
 Nightmare on Elm Street - Very scary bits, like when Freddies arms grow long,
                 I had a big fear of my arms growing too long for weeks.
 Dr Who (the TV series) - Behind the sofa time or what!
 
Bov!
--
                           _________________________               _ __ ___ _
  IXI Limited             |       bov@x.co.uk       |             | |\ /  /| |
  Vision Park,            |  *  Andy  Bovingdon  *  |             | | /  / | |
  Cambridge, England.     |_________________________|             |_|/__/_\|_|
From: dconway@cs1.uct.ac.za (D CONWAY)
Newsgroups: rec.arts.movies
Subject: Re: Another Goof (nit-picking)
Keywords: White Sands
Date: 16 Oct 92 13:27:48 GMT
Article-I.D.: cs1.dconway.11.719242068
Organization: Computer Science Department, University of Cape Town

The recently (for S.A.) released WHITE SANDS has somewhat of a goof on its 
advertising poster.  The letters are written with their shadow images below 
them.  Unfortunately the shadow of the "A" is back to front.  This can be 
seen because the cross line doesn't join on one of the downstrokes.  
	(Have fun finding it!)

The closet nit-picker

	
Xref: sparky rec.arts.movies:30405 alt.cult-movies:9132
From: cjm@iris.mincom.oz.au (Chris Moran)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: Shooting in circles (was: the absolute worst movie of all time, ...)
Date: 16 Oct 92 07:11:45 GMT
Reply-To: chris.moran@mincom.oz.au (Chris Moran)
Organization: Mincom, Brisbane, Australia
X-Newsreader: TIN [version 1.1 PL6]

Your Heinous (donnell@manowar.micro.umn.edu) wrote:
: In article <1992Oct12.163553.11572@cs.ucla.edu> reiher@ficus.cs.ucla.edu (Peter Reiher) writes:
: >In article <chil.718797449@sfu.ca> chil@fraser.sfu.ca (Keith Lim) writes:
: >>I remember a scene in "The Untouchables" where the four leads
: >>were sitting around a small table, and while they were talking, the camera
: >>went round and round and round and round the table.
...
: DePalma has been doing this since he got enough budget to afford it. I think
: he does it in "The Fury" too.

    I remember that shot at the beach in "The Fury" - it was amazing.
Really stood out.


Chris Moran
chris.moran@mincom.oz.au

Newsgroups: rec.arts.movies
From: le01167@portal.lasc.lockheed.com (Ron Nadel)
Subject: Re: Identify this quote
Followup-To: rec.arts.movies
News-Software: VAX/VMS VNEWS 1.41    
Organization: Lockheed Aeronautical Systems Co. - Rye Canyon
Date: Wed, 7 Oct 92 19:24:18 GMT

In article <dewey-061092160314@sebastian.centerline.com>, dewey@centerline.com (Devan F. Dewey) writes...
>OK, we have some ideas but we're not positive.
> 
>The quote is: "Be afraid. ... Be very afraid."
> 
The remake of The Fly.  Geena Davis says this to some bimbo that Jeff Goldblum
wins in a hand-wrestle bout in a bar.

Ron
From: ahom@yingjow.tnds.bellcore.com (Allen Hom)
Newsgroups: rec.arts.movies
Subject: Re: godfather aspect rati
Date: 14 Oct 92 18:05:23 GMT
Distribution: rec
Organization: Network Data Collection Presentation and Processing Development


In article <1992Oct13.1489.31216@channel1>, eric.walker@channel1.com (eric walker) writes:
|> SC>Does anyone happen to know the original aspect ratio of the Godfather
|> SC>films? I've never seen, or heard of, a letterboxed or matted version.
|> SC>Does this mean that they were shot at the older format of 1.37:1 ? If
|> SC>yes, is this something Coppola did to maintain the atmosphere of the 30's
|> SC>gangster film's when he set up the composition of the shots?...
|> 
|>      I've read somewhere that yes, Coppola DID indeed film his GODFATHER
|>      movies in the same ratio as the classic gangster movies.  When he
|>      proposed doing so, the Paramount studio tried to discourage it,
|>      saying that "no one" watches movies in that ratio anymore.  But
|>      he persisted, and he made his movies in the same ratio as the
|>      Golden Age gangster movies.
|> 
|>      However, since most movie screens won't fit that aspect ratio
|>      anymore (they're made for wide-screen movies), it's possible that
|>      many theatres have shown the GODATHER movies at least slightly
|>      matted on the top and bottom.
|> 
|>      This may be one case where the video version is actually more
|>      accurate than the movie theatre.
|> ---
|>  ~ SLMR 2.1a ~ I'm MAD as HELL and I'm not going to take it anymore!
|> --
|> Channel 1 (R)   Cambridge, MA
The October Issue of Laser Flash says that the _GodFather_ films were
matted in theaters (not sure to what aspect ratio though), but will *not*
be matted for the upcoming deluxe laser disc version.
-- 
allen hom
Bellcore
ahom@tnds.bellcore.com
(908)699-5728
From: Laurie Mann
Newsgroups: rec.arts.movies
Subject: Fine Actors (Re: Daniel Day Lewis in Unbearable Lightness of Being)
Date: 13 Oct 92 16:19:38 GMT
Reply-To: lmann@vineland.pubs.stratus.com
Distribution: usa

Gerald Olchowy writes
>In article <1992Oct13.130203.20191@cs.wayne.edu> faa@athena.cs.wayne.edu  
(Felicitas A. Atabong) writes:
>>After seeing "The Last of the Mohicans", a movie I really enjoyed, I went out
>>seeking for other works of Daniel Day Lewis. Last night, I watched the
>>"The Unbearable Lightness of Being", a philosophical story worth seeing

Yes!  Lena Olin and the woman who plays his wife (sorry, the
name escapes me) are also pretty good.

>>He seems so different in all the movies I've seen him in, infact I have
>>to look hard just to recognize him (and this is not just because of
>>makeup). Just for that, I'd be a big fan of his. But to me he's more
>>that that - I think he's an actor with great potential who deserves an
>>applause from the movie industry.  He seems to keep in mind the phrase
>>"It's not the quantity of movies you do, but the quality of the movies
>>that you do."
>That's the difference between "acting" and being a Hollywood movie star.
>Daniel Day Lewis is an actor...most movie stars are merely celebrities.

Absolutely.  Day Lewis is a terrific actor.  And if you thought he
was different in those movies, watch A Room with a View (Cecil)
and My Beautiful Launderette (Johnny(?))

I think other fine actors in this mold include:

Anthony Hopkins
Meryl Streep
Anette Benning
Jeremy Irons
Julie Warner
Mandy Patinkin
William Hurt
Kenneth Branagh
Emma Thomson

Some of these folks have been in bad movies over time.  But the general
quality of their work is quite high.  Some of them are also <stars> but
they are actors first.  And it's probably no coincidence that many of
them are British.

*  NeXT: lmann@vineland.pubs.stratus.com * GEnie:  Laurie.Mann  *
**** Bush or Perot, Just say NO! **  Vote for CHANGE in 1992!****
***** "Hollywood still doesn't get it." Dan Quayle, 9/21/92 *****
* "No Dan, YOU still don't get it."  American Voters, Fall 1992 *
Newsgroups: rec.arts.movies
From: "james kewageshig" <james.kewageshig@canrem.com>
Subject: wicked, bad, scary mo
Reply-To: "james kewageshig" <james.kewageshig@canrem.com>
Organization: Canada Remote Systems
Distribution: rec
Date: 10 Oct 92 00:15:07 EST

morgana@infonode.ingr.com (Angela Morgan) writes:
AM>brnt@kuhub.cc.ukans.edu (Brent E. Dyer) writes:

>  I'm looking for some really frightening movies.  I don't want any of
>those sophomoric, gore movies that hollywood seems to think are scary, but they
>actually aren't.  I want some "I can't turn the light out until tomorrow
>morning because bad things might be coming for me" movies.  Email or Post,
>s'all the same to me

AM>When I first saw _The Shining_ (w/ Jack Nicholson, Scatman Crothers, don't
AM>recall the female lead's name) back when it was released (~1980?), I was
AM>so scared and nervous afterwards that I came home, locked all the doors
AM>in the house, left all the lights on, and sat up all night with firearm
AM>close at hand because I was too scared and nervous to sleep.  I was also
AM>rather nervous for a couple of days after that.

I agree with 'The Shining', it is very scary.

One that got to me was (hold your laughs...) 'The Prince of Darkness'
by John 'I do my own music' Carpenter.  The movie went way off the
track half-way through, but some of the ideas in it... whoa.

Also, I rented 'Demons' a coupla years ago and that got to be
pretty weird after a while, VERY gory from what I remember, but
some cool ideas also in it.
 _________________________________________________________________________ 
|0 ___ ___  ____  ____  ____                                             0|\
|   \ \//    ||    ||    ||                James Kewageshig               |\|
|   _\//_   _||_  _||_  _||_      UUCP: james.kewageshig@canrem.uucp      |\|
|   N E T W E R K    V I I I    INET: james.kewageshig%canrem@lsuc.on.ca  |\|
|0_______________________________________________________________________0|\|
 \_________________________________________________________________________\|
---
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--
Canada Remote Systems  - Toronto, Ontario
World's Largest PCBOARD System - 416-629-7000/629-7044
Newsgroups: rec.arts.movies
From: akriger@hamp.hampshire.edu
Subject: 1492 innacuracy
Organization: Hampshire College
Date: Fri, 16 Oct 1992 00:35:11 GMT

An interesting historical note on 1492:
[Based completely on Boston Globe health-sci section Mon 10-12-92]
In 1492, there is a big scene where one of CC's sailors asks CC how he 
navigates without land in sight.  CC shows him how to use a quadrant to
get an angle reading from the stars.  However, according to the article
in the Globe, CC wrote in his journals of using the quadrant occasionally
and finding it completely unreliable for navigation.  Thus, in his
voyages to the New World, CC never used it, instead prefering the dead-
reckoning method of navigation.

-andrew kriger
From: bole@hmivax.humgen.upenn.edu (Greg Bole)
Newsgroups: rec.arts.movies
Subject: Re: Beverly Hillbillies: The Movie!
Date: 8 Oct 92 18:29:59 GMT
Distribution: usa
Organization: HHMI/Human Genetics, Univ of Pa.

In article <6555@huxley.cs.nps.navy.mil>, jxxl@huxley.cs.nps.navy.mil 
(John Locke) writes:
> tdbear@tandon.com (Tom Barrett) writes:

> # >Jed - Gregory Peck

> I was thinking of his Atticus Finch from "To Kill a Mockingbird." He can
> turn on the hick. And he's plenty old enough. He would have to shed some
> dignity, though.

This has possibilities...I also liked the Leslie Neilson suggestion.
What about Dan Ackroyd?  I'm thinking of his role in _Driving Miss Daisy_.
 
> # Arnold is no Jethro... someone mentioned Sly, but
> # both are just too old (can we imagine Jethro as an
> # Austrian-American? :).

> Jethro's tough to fill. Hulk Hogan would be good if were younger. Or Jeff
> Daniels. How about Matt Dillon?

Hulk Hogan?  Matt Dillon?  We need ultimate stupid beef-cake here!  There 
is only one man for the role: Miles O'Keefe!!!!! (Tarzan the Ape Man, Sir
Gawain and the Green Knight, Ator)
 
> # Goldie is a good choice for Elly, but
> # I'm afraid that her age might be a problem (her eyes).
 
> We need a young Dolly Parton.

The actress that plays Corky on "Murphy Brown".  Without a doubt.
 
> # Jessaica Tandy would be a SUPER granny... 

Estelle Getty was a better suggestion.  Tandy is too dignified.

Greg Bole                                "What kind of mother would I be if I
bole@hmivax.humgen.upenn.edu              didn't give my girls tits...tips?"
                                             Dustin Hoffman in _Tootsie_
From: d89-rbi@goldfinger.nada.kth.se (Ron Birk)
Newsgroups: rec.arts.movies
Subject: Re: DIE HARD MUSIC QUESTION--PLEASE!!
Date: 12 Oct 92 17:32:33 GMT
Distribution: rec
Organization: Royal Institute of Technology, Stockholm, Sweden

In article <1992Oct12.025256.5083@constellation.ecn.uoknor.edu> gmcmanus@reepicheep.gcn.uoknor.edu (Gary McManus) writes:

   Can anybody tell me the name of the music at the end of DIE HARD (the 
   first one) which begins at the playing of the credits--not the Christmas
   music.  It sounds like the chorus from one of Beethoven's Symphonies (#9
   or #5 perhaps).  The origins of this music has been eluding me for
   awhile.  Thanks in advance.

Well, try the last part of Beethoven's #9.

-------------------------------------------------------------------------------
Ron Birk, Krogarv. 11, 14552 Norsborg.  E-Mail: d89-rbi@nada.kth.se
Royal Institute of Technology, Stockholm, Sweden
Projects: PlaySID (Amiga), FanGog (Mac), MonkeyBase (UNIX)
From: corwin@ensta.ensta.fr (Gilles Gravier)
Newsgroups: rec.arts.movies
Subject: Re: THX envy
Date: 14 Oct 92 11:16:01 GMT
Organization: ENSTA, Paris, France
NNTP-Posting-Host: ensta.ensta.fr

In article <1992Oct5.223721.4518@cs.ucla.edu> coleman@rocky.cs.ucla.edu (Mike Coleman) writes:
>awalsh@mta.ca (Andrew Walsh) writes:
>|I hope all of you who have seen a movie in THX or Digital rot in 
>|hell. I'm stuck here on the East Coast of Canada where the nearest
>|THX theater is in Montreal, and it's probably showing "Stay Tuned"
>|. I hate you all. 
>
>Before you start feeling sorry for yourself, go see a flick at your local
>drive in.  You know, the kind with the one-channel, "almost as good as your
>telephone" sound system.  Renew your appreciation for stereo.  :-)
>


	Here, in good old Paris France, we're lucky! We've got several THX
theaters! And, one absolutely GREAT digital one, with a 24 meter (yards) wide
screen! And it starts with a laser show... Something like 12 speakers spread
around the room... Seing the last of the mohicans in it was a great experience!

	Wait till Lucasfilm releases it's Home THX sound system! You'll have
that at home (with the counterpart of having much less money on your bank
account!).

	I'm really impressed with the THX intro they play. Thow the first ones
used to be much better than nowadays... Has anyone also noticed it? Or am I
just becomming to much used to quality?...

	Remember, the Audience - you - is listnening!

	Gilles.

-- 
 This message has been brought to you by Gilles GRAVIER - corwin@ensta.fr
                       ***** Amber Forever! *****
    I know you believe you understand what you think I said, but I am
       sure, you realize,  that what you heard is not what I meant.
From: gharris@jade.tufts.edu (George W. Harris)
Newsgroups: rec.arts.movies
Subject: Re: Beverly Hillbillies: The Movie!
Date: 8 Oct 92 21:05:33 GMT
Distribution: usa
Organization: Tufts University - Medford, MA
Originator: gharris@jade.tufts.edu

In article <6555@huxley.cs.nps.navy.mil> jxxl@huxley.cs.nps.navy.mil (John Locke) writes:
>tdbear@tandon.com (Tom Barrett) writes:
># In article <6498@huxley.cs.nps.navy.mil> jxxl@huxley.cs.nps.navy.mil (John Locke) writes:
># >Jed - Gregory Peck
># >Granny - Jessica Tandy
># >Elly Mae - Goldie Hawn
># >Jethro - Arnold Schwarznegger
># >Mr. Drysdale - Richard Dreyfus
># >Mrs. Drysdale - Bette Midler
># >Miss Jane - Sandra Barnhard
># 
>
># Goldie is a good choice for Elly, but
># I'm afraid that her age might be a problem (her eyes).
>
>We need a young Dolly Parton.

	Jennifer Connolly, but only if she can do a convincing Southern 
accent, certainly more convincing than Olympia Dukakis'.

>John
--
gharris@jade.tufts.edu          "She had ever chance for happiness, ever 
George W. Harris                chance in the world, and stomped ever one 
Dept. of Mathematics            of them chances down in the dirt like a 
Tufts University                bug."   _The Devil's Dream_
Newsgroups: rec.arts.movies
From: ins894r@aurora.cc.monash.edu.au (Aaron Wigley [Wigs])
Subject: Re: The Princess Bride - Script?
Organization: Monash University
X-Newsreader: TIN [version 1.1 PL6]
Date: Wed, 14 Oct 1992 12:17:49 GMT

Keir Buckhurst (kbuckhu1@cc.swarthmore.edu) wrote:
: In article <aZoJsB5w165w@cybernet.cse.fau.edu>,
: dascoser@cybernet.cse.fau.edu (david serchay) writes:
: > boltz@chopin.psu.edu (Mark Boltz) writes:
: > > I'm looking for anyone who may have a copy of the script to the Princess
: > > Bride that they could email me.  If so, send it out to
: > Same here. 
: ditto.

Inconceivable! These people who follow up for the express purpose of
showing a desire for a script!

ha ha ha ha ha ha ha *thunk*

Seriously, I've got a copy of the script I found at an ftp site:

deja-vu.aiss.uiuc.edu in the /misc/fun/movies/scripts dir.

Bad News:
	It is totally unformated, and there are no scene changes
listed. There is also some missing dialogue - most notably the 
fencing terms during the Swordfight.

Good News:
	I have a clean copy of the script which I have been working
on - adding scene descritions, changes etc. My copy also has the 
correct spelling of the terms use in the Swordfight scene
(thanks to Patrick Clark, Brian Court, Jesse Chang and all the
others who responded to my query regarding this subject a few months 
ago)
	If people like - I can make available this copy of the script
at an ftp site near you, my only concern is - what's the deal with
copyright of scripts?

The Wigs of Oz,
Aaron Wigley
From: revpk@cellar.org (Brian 'Rev P-K' Siano)
Newsgroups: rec.arts.movies
Subject: Re: SNL: Joe Pesci's Opening Monologue
Date: 14 Oct 92 23:14:09 GMT
Organization: The Cellar BBS and public access system

kaufman@eecs.nwu.edu (Michael L. Kaufman) writes:

> margaret@infonode.ingr.com (Margaret Wiginton) writes:
> >He held up a pieced-together picture of Pope and said that, on last's week 
> >show, Sinead O'Conner had rippped it up.  He explained how he had asked that
> >it be glued back together.  Then, he held up his hand and said, he'd like to
> >slap her for what she did.  
> 
> Actually, what he said was that if she was there, he would pull her ...
> eyebrows.
> 
> Michael
        No, he also said he'd slap her.

-----------------------------------------------------------------------------
Brian "Rev. P-K" Siano                                  revpk@cellar.org
Servo: "Dianetics, by L. Ron Hubbard."
Joel:  "Why is my life messed up? Page 74."
Servo: "When will this movie end? Page 155."
Crow:  "How much money can we get out of Tom Cruise? Page 85."
                                       "Mystery Science Theater 3000,"
                                       during a volcano scene in
                                       "Hercules and the Moon Men."
Newsgroups: rec.arts.movies