HDTenEightyP/NetNews huggingface dataset:
From: cseb@frodo.lfi.uni-hannover.de (Christian Sebeke)
Subject: Re: Promises (Eric Clapton)
Reply-To: cseb@frodo.lfi.uni-hannover.de
Organization: Univ. Hannover, LFI, Abt. Design&Test
Date: Wed, 16 Dec 1992 07:59:29 GMT

Hi mike.

Just have a look at vacs.uwp.edu. There you will find:

c/clapton.eric:
     bad_love
     further_on_up_road
     i_shot_the_sheriff
     journeyman.
     knockin_on_heavens_door
     lay_down_sally
     layla
     let_it_grow
     promises
     tears_in_heaven
     wonderful_tonight

Maybe you can't ftp, so here we go:


 I don't care if you never come home 
 I don't mind if you just keep on 
 Rolling away on a distant sea 
 'Cause I don't love you and you don't love me 
  
 You cause a commotion when you come to town 
 You give 'em a smile and they melt 
 Having lovers and friends is all good and fine 
 But I don't like yours and you don't like mine. 
  
 I don't care what you do at night 
 Oh, and I don't care how you get your delights 
 I'm gonna leave iyou alone, I'll just let it be 
 I don't love you and you don't love me 
  
 I've got a problem, can you relate? 
 I've got a woman calling love hate 
 We made a pvow we'd always be friends 
 How could we know that promises end? 
  
 I tried to lvoe you for years upon years 
 You refused to take me for real 
 It's time you saw what I want you to see 
 And I still love you, just love me 
  
 I've got a problem, can you relate? 
 I've got a woman calling love hate 
 We made a vow we'd always be friends 
 How could we know that promises end? 
         --"Promises", Eric Clapton 


---

Christian Sebeke, Univ. Hannover/LFI, Schneiderberg 32, D-3000 Hannover 1                             Tel: +49 511 762 5035                    sebeke@frodo.lfi.uni-hannover.de
From: Iain.Anderson@newcastle.ac.uk (I. Anderson)
Newsgroups: alt.guitar.tab
Subject: REQ: Patrick Rondat
Date: 18 Dec 92 13:35:37 GMT
Organization: University of Newcastle upon Tyne, UK, NE1 7RU

Anyone got any tabs of Patrick Rondat ?

If you haven't heard him I recommend you do. He's a French instrumental geezer
along the lines of Steve Vai but much more listenable IMO. Listen to 'Rape of
the earth'

Iain

n038q@uk.ac.newcastle
Newsgroups: alt.guitar.tab
From: walker@eplrx7.es.duPont.com (Scott Walker)
Subject: Keys
Organization: DuPont Central Research & Development
Date: Tue, 15 Dec 1992 19:47:42 GMT

Hello everyone,
    When someone posts a song, sometimes the chords are very difficult for
a beginner to play.  For example, the chords for "Rocking Around the 
Christmas Tree" is played in the key of Ab, using the chords Ab, Fm, Db, and
Eb.  Is there an easy method of transposing a song in one key down to 
another key?  Like what would be the equivalent chords to the above song
say in the key of G?  Can you actually do this?  Maybe someone you could
post the chord equivalents for the major keys of A,C,D,G etc?
   I would really appreciate it and thank you,
      scott
******************************************************
Scott C. Walker
walkersc@esvax.dnet.dupont.com

+++The few opinions I express are not the opinions of my employer.
"What's settled down?  Settled down is you get married and then you buy a
house.  You can get a wood house, a plaster house or a stucco house.  
Oh, how you can get stucco!"  - David Lee Roth, on Rockline, stolen
from Groucho Marx.
******************************************************
Newsgroups: alt.guitar.tab
From: etlcrcy@bugs.ericsson.se (Chris Cleverly)
Subject: L7 - Pretend We're Dead
Organization: Ericsson Cellular Division
Distribution: alt.guitar.tab
Date: Mon, 14 Dec 1992 13:18:54 GMT

Well here's the chords to L7's 'Pretend That We're Dead';


                F#  E  A  B


- The riff and the rest of the song are just based around the same basic pattern.


Chris Cleverley.
etlcrcy@deep-thought.ericsson.se
--
---------------------------------------
| Chris Cleverley,                    | 
| eltcrcy@deep-thought.ericsson.se    | 
---------------------------------------
Newsgroups: alt.guitar.tab,rec.music.makers.guitar.tablature
From: n3884@cray.com (Peter Palmer)
Subject: OfCourse.crd -- Jane's Addiction
Date: 19 Dec 92 11:35:21 CST






"Of Course" by Jane's Addiction from 

Ritual De Lo Habitual



A
Of course this land is dangerous!
All of the animals are capably murderous
When I was a boy, my big brother held onto my hands
Then he made me slap my own face
I looked up to him and still do
He was trying to teach me something

A7 (better with Amaj7)                              
And now I know what it was!      
Now I know what he meant!
Now I know what it is oh oh

D
Oh oh oh oh, oh-oh-oh-oh-oh

A
oh ah

D
One must eat the other 
Who runs free
Before him, Put them right in his 

A
Mouth 

D
While fantasizing the beauty of his movements
A sensation not unlike 

A                       D
Slaping yourself in the face

A                        D
Slapping yourself in the face

A                        E/D
Slapping yourself in the face

D
One must eat the other 
Who runs free
Before him, Put them right in his 

A
Mouth 

D
While fantasizing the beauty of his movements
A sensation not unlike 

A                       D
Slaping yourself in the face

A                        D
Slapping yourself in the face

A                    D
Slapping yourself in the

A                    D
Slapping yourself in the

A                    E/D
Slapping yourself in the

A
face



You fake the violin part by hammering up on the high E string

E F# G A Bb

and back down again


-- 


--------------------------------------------------
Pete Palmer (n3884@cray.com)
From: chucky@ttiradar.tamu.edu (Crazy Coonass)
Newsgroups: alt.guitar.tab
Subject: Re: REQ: Seven Bridges Road
Date: 12 Dec 1992 06:31:58 GMT
Organization: Armadillos `R Us
NNTP-Posting-Host: ttiradar.tamu.edu

I don't have the tab, but it's pretty simple. It's in D, and the only other
chords are C and G.
Intro is something like this...
D         C            G        D
There are stars in the southern sky
 
And so on. Once the song starts going fast, play the D chord with an alter-
nating bass note -- D first, and the hammering G to A on the G string.
 
That's really all there is to it. Enjoy.

Chucky

________________________________________________________________________________

 "Wasted away again in Margaritaville"  |    Laissez le bon temps rouller!!!
    -- J. Buffett                       |---------------------------------------
                                        |   
 "I got a limo, I ride in the trunk;    |      chucky@ttiradar.tamu.edu
   I lock the doors in case I get drunk"|      cvd4002@rigel.tamu.edu
    -- J. Walsh                         |
--------------------------------------------------------------------------------
From: dougp@austin.ibm.com
Newsgroups: alt.guitar.tab
Subject: Basic TAB reading question
Date: 14 Dec 92 21:51:30 GMT
Reply-To: dougp@austin.ibm.com
Organization: IBM Austin
News-Software: IBM OS/2 PM RN (NR/2) v0.13 by O. Vishnepolsky and R. Rogers


I was looking at the dictionary of chords from nevada and stumbled upon
something I didn't understand.

What do chords like A/C# or A/D or B/A mean?

How would I say those chords in english? The A C# chord?

Thanks for the help,

Doug P.
Newsgroups: alt.guitar.tab
From: n3884@cray.com (Pete Palmer)
Subject: Re: REQ: My Sweet Lord (George Harrison)
Reply-To: n3884@cray.com
Organization: Cray Research, Inc.
Date: 17 Dec 92 09:03:24 CST


---
In article 3964@bcars6a8.bnr.ca, evolcoop@bcarh11e.bnr.ca (Stephen Marschall) writes:
>In article <1992Dec16.202329.19781@jarvis.csri.toronto.edu> bmc@sys.toronto.edu (Brian Mark Carlson) writes:
>>In article <1992Dec16.201309.5634@stortek.com> roush@stortek.com (Jeff Roush) writes:
>>>[stuff deleted]
>>
>>What makes my sweet lord sound so cool is the fact that Harrison
>>did a capo on the ninth fret. -- That doesn't leave alot of frets
>>for creativity.
>>
>>bmc

Are you sure you are not confusing this with "Here Comes The Sun"?  I recently
saw George and Paul Simon do it on an old SNL rerun, and I believe they were
pretty high on the neck (capo at 9th sounds close).
>
>I was just looking at one of my old video tapes which had an interview
>with Harrison.  The interview included some footage of the concert for
>Bangladesh.  One of the clips was Harrison playing My Sweet Lord.  He was
>capoed at the second fret.
>
>Stephen

I'm absolutely certain that George is either bar chording it capoing it pretty low
on the album (2nd fret is correct for the real F#m).  This is the only way he gets those deep, rich bass notes. :-)
See Rob O'Neill's recent post
and capo on 2.


--------------------------------------------------
Pete Palmer (n3884@cray.com)
--------------------------------------------------

Anyone who has considerably meditated on man, by profession or vocation,
is led to feel nostalgia for the primates.  -Camus

Newsgroups: alt.guitar.tab
From: zars10@trc.amoco.com (Andrew R. Slagle)
Subject: spindoctors
Originator: zars10@orca
Organization: Amoco Production Company, Tulsa Research
Date: Sat, 19 Dec 1992 21:33:35 GMT


requesting anything from the subject group

thanks,
andy slagle
From: msh7585@venus.tamu.edu (SCOTT)
Newsgroups: alt.guitar.tab
Subject: REQ: Back in Black by AC/DC
Date: 13 Dec 1992 00:14 CST
Organization: Texas A&M University, Academic Computing Services
Distribution: world
NNTP-Posting-Host: venus.tamu.edu
News-Software: VAX/VMS VNEWS 1.41    

	I looked for Back in Black at Nevada but it wasn't there.  Anyone out
there got the tab to the intro?  
Thanks.
From: walker@eplrx7.es.duPont.com (Scott Walker)
Newsgroups: alt.guitar.tab
Subject: Keys thank you
Date: 16 Dec 92 15:51:44 GMT
Organization: DuPont Central Research & Development


Thanks to all who posted and e-mailed about changing the keys of songs.
I never realized it was so easy!

Happy strumming...
   Scott Walker
Organization: Arizona State University
Date: Wednesday, 16 Dec 1992 18:20:31 MST
From: <IFSXM@ASUACAD.BITNET>
Newsgroups: alt.guitar.tab
Subject:    TAB:Wipeout by the Ventures

This is a great one for warming up.  The faster you play it, the better
it sounds.

WIPEOUT  by the Ventures
-------

|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-0-3-4-5-5-4-3-0-|-0-3-4-5-5-4-3-0-|-0-3-4-5-5-4-3-0-|-0-3-4-5-5-4-3-0-|
|-----------------|-----------------|-----------------|-----------------|


|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|---3-4-5-5-4-3-0-|-0-3-4-5-5-4-3---|-----------------|-----------------|
|-5---------------|---------------5-|-0-3-4-5-5-4-3-0-|-0-3-4-5-5-4-3-0-|
|-----------------|-----------------|-----------------|-----------------|


|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|---5-6-7-7-7-7-7-|-5-------5-5-5-5-|-5-3-------------|-----------------|
|-7---------------|---7-------------|-----5-----------|-----------------|
|-----------------|-----------------|-----------------|-----------------|

I'm not to sure of how to tab the last part here, but the rest of the song
is all 8th notes without rests.


Have a nice day,
Paul Zimmerman
Newsgroups: alt.guitar.tab,rec.music.makers.guitar.tablature
From: evolcoop@bcarh11e.bnr.ca (Stephen Marschall)
Subject: Re: REQ: My Sweet Lord (George Harrison)
Organization: Bell Northern Research, Ottawa, Canada
Date: Thu, 17 Dec 1992 14:13:43 GMT

In article <1992Dec16.202329.19781@jarvis.csri.toronto.edu> bmc@sys.toronto.edu (Brian Mark Carlson) writes:
>In article <1992Dec16.201309.5634@stortek.com> roush@stortek.com (Jeff Roush) writes:
>>[stuff deleted]
>
>What makes my sweet lord sound so cool is the fact that Harrison
>did a capo on the ninth fret. -- That doesn't leave alot of frets
>for creativity.
>
>bmc

I was just looking at one of my old video tapes which had an interview
with Harrison.  The interview included some footage of the concert for
Bangladesh.  One of the clips was Harrison playing My Sweet Lord.  He was
capoed at the second fret.

Stephen
Newsgroups: alt.guitar.tab
From: mewilson@convex.cl.msu.edu (Margaret Wilson)
Subject: Re: Cavatina Tab
Organization: Michigan State University
Date: Mon, 14 Dec 92 16:37:38 GMT

>In article <1992Dec11.111533.25311@dcs.warwick.ac.uk> rsheldon@news.dcs.warwick.ac.uk (Richard A Sheldon) writes:

>Would some kind soul please indicate the right hand fingering to
>Cavatina for a semi-novice?  The first couple of lines is enough.  Thanks!

Would some kind soul please post the *entire* Cavatina tab?  I missed it before.

Thanks!

/M
--
Margaret Wilson, Systems Analyst  |  mewilson@convex.cl.msu.edu
Network Services, Computer Lab    |            mewilson@msu.edu
Michigan State University         |
Newsgroups: alt.guitar.tab
From: alwalsh@unix1.tcd.ie (Andreas Walsh)
Subject: Re: Keys
Organization: Trinity College, Dublin
Date: Fri, 18 Dec 1992 17:27:37 GMT

In <1992Dec15.194742.9215@eplrx7.es.duPont.com> walker@eplrx7.es.duPont.com (Scott Walker) writes:

>Hello everyone,
>    When someone posts a song, sometimes the chords are very difficult for
>a beginner to play.  For example, the chords for "Rocking Around the 
>Christmas Tree" is played in the key of Ab, using the chords Ab, Fm, Db, and
>Eb.  Is there an easy method of transposing a song in one key down to 
>another key?  Like what would be the equivalent chords to the above song
>say in the key of G?  Can you actually do this?  Maybe someone you could
>post the chord equivalents for the major keys of A,C,D,G etc?
>   I would really appreciate it and thank you,
>      scott

Here's a list of all twelve notes:

       C  C#  D  D#  E  F  F#  G  G#  A  A#  B and then return to C 

also   C  Db  D  Eb  E  F  Gb  G  Ab  A  Bb  B  and then return to C

A sharp "#" moves a key up one fret and a flat "b" down one.

To transpose a song which has one chord DBmin to Fmin for example just
count the difference between them, in this case 4 frets or semi-tones
(or half-notes). Then do the same for all the other chords, so if G is
in the song it changes to B, and A7 changes to Db7 or C#7 which ever you
choose. The stuff after the chord doesn't change!!  And for the purposes
of neatness you usually only have sharps or flats not both in a song
(this isn't too important).

Hope this helps!

Any questions just mail

Andreas


--
"You need the dark to see the stars."
Newsgroups: alt.guitar.tab
From: carll@cs.concordia.ca (LEDUC carl s)
Subject: Re:    TAB:Wipeout by the Ventures
Organization: Computer Science, Concordia University, Montreal, Quebec
Date: Thu, 17 Dec 1992 04:24:53 GMT

You know, I hate it when you see everyone posting a different version of the
same song, but everyone plays to their own tune...beats their own drum...etc.

Having said that, I'll give my 2 cents worth.  Wipeout as interpreted by me:

|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-0-3-4-5-5-5-3-0-|-0-3-4-5-5-5-3-0-|-0-3-4-5-5-5-3-0-|-0-3-4-5-5-5-3-0-|
|-----------------|-----------------|-----------------|-----------------|

|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-0-3-4-5-5-5-3-0-|-0-3-4-5-5-5-3-0-|-----------------|-----------------|
|-----------------|-----------------|-0-3-4-5-5-5-3-0-|-0-3-4-5-5-5-3-0-|
|-----------------|-----------------|-----------------|-----------------|

|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|---5-6-7-7-7-5---|---7-6-5-5-5-----|-----------------|-----------------|
|-7-------------7-|-7-----------7-5-|-0-3-4-5-5-5-3-0-|-5-3-0-0-0-0-0-0-|
|-----------------|-----------------|-----------------|-----------------|

|-----------------|
|-3---------------|
|-2------Z--------|
|-0------/--------|
|-----------------|
|-----------------|


And now the drum solo arranged for guitar....Oops, gotta run, maybe some other
time!

Be Seein' You,

(The Prisoner)

Carl.
-- 
I've no-.sig left to say to you.    | carll@concour.cs.concordia.ca
Some .sigs are better left unsaid.  | I'm not paranoid, just stop following me
 .Sig you later, alligator.         | around!
From: ISTS024@UABDPO.DPO.UAB.EDU (Leonard Watkins)
Newsgroups: alt.guitar.tab
Subject: Tab Request: Cray's Strong Persuader
Date: 18 Dec 1992 13:50:11 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

I'd like the tab/chords to Robert Cray's Strong Persuader.....Thanks
.......ists024@uabdpo..................L.W.
Newsgroups: alt.guitar.tab
From: timothy.folkins@rose.com (timothy folkins)
Subject: Re: Let it Be SOLO
Organization: Rose Media Inc, Toronto, Ontario.
Date: Thu, 17 Dec 1992 14:11:46 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.70)


Date Entered: 12-17-92 09:06
From: timothy.folkins@rose.com (Timothy Folkins)
Subj: Re: Let it Be SOLO
Orga: Rose Media, Incorporated

Thanks very much for the TAB to the solo of Let it Be! It was
much appreciated.

regards,
tef

---
   RoseReader 1.70 R001122: Please respond if this message not received
   RM 2.00 : RoseNet<=>Usenet Gateway : Rose Media 416-733-2285
Newsgroups: alt.guitar.tab
From: bartelds@fys.ruu.nl (Gert-Jan Bartelds)
Subject: CRD: Eldorado by Neil Young
Summary: The song
Keywords: Neil Young, tablature, chords, music
Organization: Physics Department, University of Utrecht, The Netherlands
Date: Tue, 15 Dec 1992 12:58:57 GMT


When I looked into the Neil_Young directory at ftp.nevada.edu today I
saw this great song missing.
So I thought I type this one in myself. I hope I got the lyrics right,
if anybody finds something wrong, mail me. I will try to put the
tablature for the little solo parts between verses together next week.

Greetings, Gert-Jan
-------------------

              Eldorado  --  Neil Young


Intro: Am  F G  (play with Spanish tango feel)


Am  F                  G                         Am
       In the cristal ball the gypsy sees the villa
    F                     G                      E
       The riders on the hill, the fire in the fields
    F                        G                      Am
       She sees the mission bell swinging in the silence
    Dm                    F
       Now the shooting starts
    Dm                         F
       The bullets pierce the hearts
    Dm               F              G
       The senoritas crying at the well

Up the Gold Hotel the money hits the table
The heavies all are there that's why the deal's goin' down
Beatiful women all dressed in diamonds and sable
Down upon the street beside a garbage heap
A mariachi band begins to play

Somewhere a blues guitar plays echos in the alleyway
The Tijuana dawn claims another day
The golden sun rises on the runway
The pilot understands, the money changes hands
Inside the jet the briefcase snaps goodbye 

In Eldorado town there lives a great bullfighter
His eyes are screaming blue, his hair is red as blood  <---|
And when the gate goes up the crowd gets so excited        |
And he comes dancin' out, dressed in gold lamee            |
He kills the bull and lives another day                    |
                                                           |
                                                           |
Note: Please explode your guitar at this point...   -------|
The three intro chords are also played between verses

----------------------------------------------------------------
Gert-Jan Bartelds, Astrophysics Dept., Univ. of Utrecht, Holland

bartelds@fys.ruu.nl
--
Newsgroups: alt.guitar
From: tim@unislc.uucp (Tim Morrison)
Subject: Re: aging strings - is there a way to recycle
X-Newsreader: TIN [version 1.1 PL6]
Organization: Unisys Corporation SLC
Date: Sat, 19 Dec 1992 00:20:29 GMT

Henrik Klagges (uh311ae@sunmanager.LRZ-Muenchen.DE) wrote:
: Q: Strings age and need to be replaced. Ist there a way to squeeze more life
:    out of them ? It seems such a waste to throw them away.
: 
: Q: Do thinner strings age quicker than thicker ones ? It would be plausible
:    given the higher tension.
: 
: Cheers, Henrik
: 

Q1: Try boiling (yes, in water) for added life.
Q2: Thinner strings typically do wear out faster than thicker ones - that is,
    they lose their tone quality (go dead) - probably due to the oils and
    dirt (from your fingers) that build up over continued use - try boiling.

Newsgroups: alt.guitar
From: fullerto@mostaccioli.cis.ohio-state.edu (timothy dwight fullerton)
Subject: Re: Please define fusion...
Organization: The Ohio State University Dept. of Computer and Info. Science
Date: Mon, 21 Dec 1992 07:22:29 GMT

In article <BzLJ3L.Mp@usenet.ucs.indiana.edu> hhuynh@silver.ucs.indiana.edu (Insignificant self-proclaimed gOd of my own existence...) writes:
>	I've tried Al Di Meola's _Kiss My Axe_ and I can't stop
>listening to it. But could someone formally define what fusion is? As
>well as list some (if not all) fusion guitarists along with their
>recommended works (or efforts, for the lack of a better word)?
>
>	I've tried Pat Metheny's _Pat Metheny Group_??? and have taken an
>interest to it. I've also tried John McLaughlin's _Devotion_ and
>_Between Eternity and Nothingness_. Are these two guitarists also fusion
>guitarists?
>

	I believe that "Fusion" can be applied to any synthesis of any 
seemingly mutually exclusive styles. Most if not all of the styles to 
which I have heard it applied, though, were a synthesis of Rock and Jazz 
elements. 

	Therefore, all of the artists that you mentioned could be classed 
as Fusion. Some more of my favorites are Scott Henderson; Jeff Berlin; 
Allan Holdsworth; Konnoynoya (I have no clue about the spelling on this 
one); Mike Stern; Phil Keaggy; Robben Ford; The YellowJackets; The 
Rippingtons; and Miles Davis... just to name a scant few.

	By the above argument, one could also include those very 
Classically influenced heavy metal players; for example Tony Macalpine. 
Really, though, I have never heard those genres referred to as anything 
besides metal.

	As a tangent, has anyone else noticed a trend toward serialism in 
Thrash?

	Have fun!

		Tim
Newsgroups: alt.guitar
From: chieh@dvs.com (Warner Bros.)
Subject: Fender Deluxe Amplifier
Organization: Digital Video Systems
X-Newsreader: TIN [version 1.1 PL6]
Date: Tue, 15 Dec 1992 21:45:40 GMT

Hi,
	I've just recently purchased a Fender Reverb Deluxe, and wondered if
I could get some opinions as to how much it's worth.  I paid $200 Canadian.
	I was also wondering if anyone could figure out how old it is.  The
serial number is A32240, and I've been told it's about 12 years old.

		Thanks in advance.
	


		Baldwyn Chieh