HDTenEightyP/NetNews huggingface dataset:
From: ijgordon@eniac.seas.upenn.edu (<*Ian J Gordon*>)
Newsgroups: rec.arts.theatre
Subject: Re: Chess
Date: 20 Dec 92 22:02:31 GMT
Distribution: usa
Organization: University of Pennsylvania


In article <1h2mpgINNhua@bigboote.WPI.EDU> dewitt@wpi.WPI.EDU (Jeffrey Dewitt Waldin) writes:

>
>A lot depends on which version of the musical they are familiar with. I don't
>care for the Broadway version (although there are some incredible songs like
>"Someone Else's Story" and "Apukad Eros Kazen" - and the female lead on the
>Broadway cast album, Judy Kuhn, has a more vibrant style). I prefer the story
>and music from the concept album, and find myself running lines from that
>frequently. The female lead from a play I directed this summer listened to
>the tape backstage before every performance. My sister disagrees entirely,
>and likes the Broadway album better. My roommate saw the new version a few
>months ago and says that it combines the best of both. There have been many
>other versions as well, it changes almost every time it is staged.

  I believe that this "new" version was one reworked for the Paper Mill Play-
house in Millburn, NJ (correct me if I am mistaken). It is definitely a combo
of both versions. For example, the settings are the same as in the B'way 
version and "Someone Else's Story" and "Apukad Eros Kazen" are included, but 
also some music cut out of the B'way version such as "The Deal" and "Argument" 
is in the new one. Also, the ending is the same as in London (If I remember
correctly), but I won't give that away. I can see why, because I was disgusted 
when I read the synopsis of the B'way version in the CD (I never saw it on
B'way). My school recently put on a production of the new version, and the 
story was much improved. If you saw and didn't like the B'way version and this
new one pops up in your area, i recommend you go see it. 

 	Ian

--
Ian J Gordon's quote of the week: Both the jayhawk and the man eat chickens, 
				  but the more jayhawks, the fewer chickens, 
				  while the more men, the more chickens.
					-Henry George, 19th century economist
Newsgroups: rec.arts.theatre
From: spady@bcstec.ca.boeing.com (Robyn Spady)
Subject: Re: Chess, & a teeny Phantom question...
Organization: Boeing
Distribution: usa
Date: Fri, 18 Dec 1992 16:28:41 GMT

>A N D   N O W,  A  G R A T U I T O U S   "P H A N T O M"  Q U E S T I O N...
>
>   ... In the recording of "Think of Me", some of the lyrics (according to
>the libretto) are:
>
>   "what a switch, you're really not a bit
>   the gawkish girl that once you were"
>
>   ... but when I listen to it, it sounds much more like this:
>
>   "what a switch, you're really not a bitch,
>   the gawkish girl that once you were"
>
I always thought he was saying "the corkish girl that once you were . . . "
. . . am I incorrect?  When I listen to my recording I distinctly hear an "o"
sound and not an "ah" sound.

Robyn 

spady@bcstec.ca.boeing.com
From: kilroy@access.digex.com (Donna Lettow)
Newsgroups: rec.arts.theatre
Subject: Re: Chess, & a teeny Phantom question...
Date: 21 Dec 1992 02:40:23 GMT
Organization: Express Access Online Communications, Greenbelt, MD USA
Distribution: usa
NNTP-Posting-Host: access.digex.com

Which version of CHESS is generating the most criticism?  I adore the
original British version, but the US version tore my heart out --
because by trying to make it more palatable for the US audience, (IMHO) they
tore its heart out.  (Of course, being a Murray Head fan, I could be a bit
biased.)

I was so glad to see that Tim Rice could write something other than
BLONDEL without ALW.  I haven't seen Alladin yet, so I don't know how
big his contribution was to that project.

Donna Lettow
kilroy@digex.com

Newsgroups: rec.arts.theatre
From: morrison@eng.auburn.edu (Kelly Morrison)
Subject: Re: Aspects of Love
Reply-To: morrison@eng.auburn.edu
Organization: Auburn University Engineering
Distribution: usa
Date: Thu, 17 Dec 1992 23:09:33 GMT


In article 2F@news.cso.uiuc.edu, jab55062@uxa.cso.uiuc.edu (The World Reknown Jason Boskey) writes:
> For $60 a ticket, you'd better listen to it first.  I thought it was great,
      ^^^

Good heavens... I paid about $15/ticket for "Aspects" in Atlanta, Georgia, and
had pretty good right orchestra seats! Are the Broadway shows really that much
better than the travelling shows?

BTW... Aspects of Love is the first Weber production I've seen that DIDN'T get a
standing ovation at the end. I did enjoy it, but after "Cats", "Phantom", and 
"Jesus Christ Superstar", I think my expectations were too high.
From: murray@aristotle.ils.nwu.edu (Thomas Murray)
Newsgroups: rec.arts.theatre
Subject: Re: Need a crowd pleaser
Date: 17 Dec 92 19:57:49 GMT
	<BzB3tI.D7K@news.udel.edu> <1992Dec15.161806.2459@psych.toronto.edu>
Distribution: na
Organization: The Institute for the Learning Sciences, Evanston, IL

In article <1992Dec15.161806.2459@psych.toronto.edu> dsy@psych.toronto.edu (Desiree Sy) writes:

Desiree suggests that maybe plays that have an association with a film
would be good at bringing in the "butts".  If that's the case, three
plays that might work would be:

	ARSENIC AND OLD LACE
	HARVEY
	LIFE WITH FATHER

The movies we all know of these are based on the plays, I think.
Granted these are older plays (and often appear in community theatre,
or summerstock), but they are generally good entertainment.  The
balance between men and women is pretty good (with maybe the exception
of ARSENIC AND OLD LACE), and I can only think of maybe some potential
technical problems in HARVEY being that doors and stuff have to open
"magically", etc.

Anyway, these are all plays that might have "name recognition",
especially with older crowds.

-tom murray
From: wfk@cellar.org (William F. Kershner)
Newsgroups: rec.arts.theatre
Subject: Re: Always hoped that I'd be an Apostle
Date: 15 Dec 92 04:27:55 GMT
Organization: The Cellar BBS and public access system

dpm@rti.rti.org writes:

> In article <1992Dec13.051147.13289@udel.edu>, litterst@pecan.cns.udel.edu (Th
> > I got it!!!!!!!!!

> > 
> > 					Thanks!!!
> > 						Steve
> > "Knew that I could make it if I tried."
> > 
     Congrats Steve!!!
	
     Don't let whatever's in the bread go to your head!
     'Til tomorrow is this morning, life must be fine!!

     Once again, congratulations!s.	

________________________________________
William F. Kershner
wfk%cellar@tredysvr.tredydev.unisys.com
wfk@cellar.org
----------------------------------------
Newsgroups: rec.arts.theatre
From: shorts@chaos.cs.brandeis.edu (Rafi Levavy)
Subject: Re: "Cats" lyrics
Organization: Brandeis University
Date: Fri, 18 Dec 1992 22:05:45 GMT

>I was listening to "Cats" the other day with my girlfriend, and we couldn't
>figure out the lyrics for a section of "Old Deuteronomy"...

>	Well, of all things, can it be really,
>	No, yes, [tgjhaw84oeiytsa]
>	My mind may be wandering, but I confess... (etc.)

>that garble represents the part we couldn't get. The best guess we made was
>"No, yes, Ohio, my eye!" but I don't think that's quite right. Also, she tells
>me that in the London production (which she saw -- I didn't), the words were
>not "no, yes", but "yes, no". Is this right?

They are "No, yes, ho, hi, oh my eye!  In London (or at least on the
London CD) the lyrics are "Yes, no, ..."

Hope this helps.

Rafi

-- 
Rafi Levavy		        A.K.A	Raf-Man, Number 8, Shorts
(Not Jacques)				The Thermal Wonder, The Candy Man
"He wears shorts and a shirt and socks."
 	  -S. Most, "The Raf Song"	shorts@chaos.cs.brandeis.edu
Newsgroups: rec.arts.theatre
From: qtm2w@Virginia.EDU ("Quinn T. McCord")
Subject: Re: Need a crowd pleaser
Organization: University of Virginia
Distribution: na
Date: Mon, 14 Dec 1992 20:33:43 GMT


	If you want funny, I really like John Bishop's "Musical
Comedy Murders of 1940".  It's not a musical, but it's a
hilarious mystery-comedy.  However, if you want name
recognition, it's hard to beat Neil Simon.  "Rumors" is pretty
good, and not done that much.  Both shows have 50/50 male
female casts, about 10 parts in each show.

						-Quinn
Newsgroups: rec.arts.theatre
From: st923058@pip.cc.brandeis.edu (Jessica Raine)
Subject: Re: "Cats" lyrics
Reply-To: st923058@pip.cc.brandeis.edu
Organization: Brandeis University
Date: Sun, 20 Dec 1992 23:59:35 GMT

	Lyrics (taken from T.H. White's poem, 'Old Deuteronomy'):
	  "Well, of all things! Can it be? Really?
	  "No! Yes! Ho! Hi! Oh, my eye! [a common exclamation in Victorian
England, roughly analagous to "No Way!"]
	  "My mind may be wandering,"...etc.
	Did not see London production--saw it in a very nice little production
in Boston. The Boston cast said "No! Yes!"

Jessica Raine | st923058@pip.cc.brandeis.edu
"By the pricking of my thumbs, something wicked this way comes."--The Bard
"I once was a Pirate as sailed the 'igh Seas
"But now I'm retired as a Com-missionaire"--"Cat Morgan Introduces Himself,
", a fantastic Cat poem from T.H. White's "Old Possum's Book Of Practical
Cats" which unfortunately did not make it into the stage play
From: guyette@parrot.WPI.EDU (Thomas M Guyette)
Newsgroups: rec.arts.theatre
Subject: Re: "Cats" lyrics
Date: 19 Dec 1992 00:00:26 GMT
Organization: Worcester Polytechnic Institute
NNTP-Posting-Host: parrot.wpi.edu

The lyrics of "Old Deuteronomy" in question are, from the libretto:

	WELL OF ALL THINGS CAN IT BE REALLY
	NO, YES, HO, HI, OH MY EYE!
	MY MIND MAY BE WANDERING...

						:-)
							
OH.  And as far as Steve Barton saying "You're really not a bitch,"
it is simply a case of overenunciation of the "t" in bit.  

						:-)

							-- Tom
From: kilroy@access.digex.com (Donna Lettow)
Newsgroups: rec.arts.theatre
Subject: JC Superstar Tour Dates
Date: 17 Dec 1992 23:59:03 GMT
Organization: Express Access Online Communications, Greenbelt, MD USA
NNTP-Posting-Host: access.digex.com

Here is a list of _tentative_ tour dates and cities for Jesus
Christ Superstar.

Baltimore        Mechanic Theater  Dec 15 - Jan 10
Detroit          Fox Theater       Jan 12 - 17
Philadelphia     Merriam Theater   Jan 19 - 31
Toledo           Masonic Theater   Feb 2 - 3
Ft. Wayne        Embassy Theater   Feb 4 - 5
Indianapolis     Clowes Hall       Feb 6 - 7
Syracuse         Landmark Theater  Feb 12 - 14
Washington       Warner Theater    Feb 16 - 28
Cleveland        Palace Theater    Mar 2 - 7
Minneapolis      State Theater     Mar 9 - 14
Chicago          Chicago Theater   Mar 16 - 21
West Palm Beach  Kravis Center     Mar 23 - 28
Dayton           Nutter Center     Mar 30 - Apr 1
Milwaukee        Riverside Theater Apr 2 - 4
Salt Lake City   Capital Theater   Apr 6 - 11
San Diego        Symphony Hall     Apr 13 - 18
Tucson           Tucson Arena      Apr 19 - 20
Albuqerque       Coliseum          Apr 22
El Paso          Performing Arts   Apr 23
San Francisco    Orpheum Theater   Apr 27 - May 99

Dennis DeYoung has not yet appeared in the show.  Monday night, he fell,
injuring his back.  It aggravated an old injury he suffered while filming
a video in 1984, for which he was in a body cast for a number of months.
He flew back to Chicago Tuesday to see his specialist.  He was due back
in Baltimore Wednesday, but as of last night there was still no word on
when he'd be performing.  

Donna Lettow
kilroy@digex.com
Newsgroups: rec.arts.theatre
From: fskanes@kean.ucs.mun.ca
Subject: Forum Theatre Workshops??
Organization: Memorial University. St.John's Nfld, Canada
Date: Tue, 15 Dec 1992 16:30:20 GMT

recently I wa sin touch with Augusto Boal and he mentioned 2 forum theatre
workshops, one in Paris in January, and one in Rio in July. He forgot 
however to give any details about the 2 worhsjops. I was wondering if
anyone has heard of them? E-mail or post. 


                                      fskanes@kean.ucs.mun.ca
Newsgroups: rec.arts.theatre
From: morrison@eng.auburn.edu (Kelly Morrison)
Subject: Chess, & a teeny Phantom question...
Reply-To: morrison@eng.auburn.edu
Organization: Auburn University Engineering
Distribution: usa
Date: Thu, 17 Dec 1992 23:31:38 GMT


In article 25668@cs.tulane.edu, jordan@cs.tulane.edu (Grizabella) writes:
> I was just sitting here listening to my CHESS album, and I was wondering
> if there was anyone out there in net.land who happened to have the
> lyrics to "Nobody's Side". Actually, I'd like to have lyrics to the whole
> thing, but I'll settle for "Nobody's Side". :)
> 
> Can anyone help me out?
  I'll send them to you (along with some reprints of my cartoons) to your
home. BTW, thanks for the Christmas card! :)


W H I L E   W E ' R E   T A L K I N G   A B O U T   "C H E S S" ...

   ... I've been reading this newsgroup for about a year, and I'm amazed at
how many people dislike it! Personally, it's my favorite CD (at least, in the
musicals category), and I catch myself humming music from it constantly. Why
does everyone groan so much when it's brought up???


A N D   N O W,  A  G R A T U I T O U S   "P H A N T O M"  Q U E S T I O N...

   ... In the recording of "Think of Me", some of the lyrics (according to
the libretto) are:

   "what a switch, you're really not a bit
   the gawkish girl that once you were"

   ... but when I listen to it, it sounds much more like this:

   "what a switch, you're really not a bitch,
   the gawkish girl that once you were"

   QUESTION: am I hearing things, trying to carry over the rhyme in my head, or
is the singer just trying to make a smoother transition between words, or did the
singer really sing that (perhaps commenting on Ms. Brightman)?


Newsgroups: rec.arts.theatre
From: st923058@pip.cc.brandeis.edu (Jessica Raine)
Subject: Re: Chess, & a teeny Phantom question...
Reply-To: st923058@pip.cc.brandeis.edu
Organization: Brandeis University
Distribution: usa
Date: Sun, 20 Dec 1992 23:53:15 GMT

	The big confusion on this seems to result from a. the fact that the
lyrics on the tape are from the Brit version, whereas they changed the 
lyrics when they released the sheet music in the U.S. and b. Steve Barton's
crummy diction.
	Brit lyrics: "What a change, you're really not a bit
			the gawkish girl that once you were"
	American lyrics (which I believe are now being used onstage just
about everywhere): "Long ago, it seems so long ago,
			how young and innocent we were"
Hope this helps.

Jessica Raine | st923058@pip.cc.brandeis.edu
"By the pricking of my thumbs, something wicked this way comes."--The Bard
"Here's another note!" [groans]--The Phantom of the Opera
Newsgroups: rec.arts.theatre
From: dpm@rti.rti.org
Subject: Les Miserables
Organization: Research Triangle Institute, RTP, NC
Date: Thu, 17 Dec 92 17:55:32 GMT

Hi!

I am very excited to be going to see Les Miserables on Broadway just
after Christmas.  As I am only vaguely familiar with the story, would
someone please give a synopsis?  Also, is anyone familiar with the
current Broadway cast, i.e. any opinions on this particular cast/show?

I recently bought the international highlights CD.  Its captivating!

Thanks.

David
Newsgroups: rec.arts.theatre
From: wwd1@ra.msstate.edu (William Duncan)
Subject: Re: Acquiring tickets to shows in London
Organization: Mississippi State University
Date: Wed, 16 Dec 1992 22:54:59 GMT

In article <1992Dec16.210444.22849@bcars6a8.bnr.ca> csanoy@bcars689.NoSubdomain.NoDomain (Cynthia Sanoy) writes:
>What is the best way to acquire show tickets for London, UK performances?
>Is there a British equivalent to TicketMaster/Tickettron phonable from
>Canada?
>
>Does anyone out there have any suggestions, phone numbers, fax numbers etc?


Well, I went to a travel agent, and she called around for free and found
me tickets from Keith Prowse Co. in NY.  A month before I left for London
she was able to get me a good floor seat to Phantom, a show that is
routinley sold out months in advance.  There are still tourists waiting
for returns for blocks every day! :)
Another thing to keep in mind is that for shows that aren't quite so major,
you can usually get good tickets at the theatre on the day of the performance.
Also, there's a half-price ticket booth in Leicester Square where you can
get tickets for many shows (excluding major ones like Phantom, Saigon,
Les Mis, etc.) for the day of the performance (max of 4 tickets per person).
Watch our for scalpers around the booth before it opens.

The toll-free number for Keith Prowse in NY is 800-223-4446.  They charge
a small commission, but if you're in a pinch, that's the way to go.
In London, you can try Ticketmaster at 071-379-4444  or 
Firstcall at 071-240-7200.
If you need any more info, or specific theatre numbers, let me know.

Good Luck!
From: jdooley@maemaster.eng.uci.edu (John R. Dooley)
Subject: Re: Movie Version of Evita
Newsgroups: rec.arts.theatre
Organization: University of California, Irvine
Date: 16 Dec 92 17:30:39 GMT

In article <3290017@hpcc01.corp.hp.com> shalese@hpcc01.corp.hp.com (Shalese Huang) writes:
>>/ hpcc01:rec.arts.theatre / qtm2w@Virginia.EDU ("Quinn T. McCord") /  3:25 pm  Dec  7, 1992 /
>>
>>	The movie version of Evita is back on again!  Reliable
>>sources tell me that this is to be the cast:
>>
>>Eva: Roseanne Arnold
>>Che: Keanu Reeves
>>Peron: Danny DeVito
>>Magaldi: Bob Saget
>>Peron's Mistress: Macauley Culkin in drag
>
>----------
>
>Is this a joke?
>

I suspect it is.  But, try this one on ...
Jean Simmons as Sarah Brown and Marlon Brando as Sky Masterson in
  "Guys and Dolls".  

John D.

Newsgroups: rec.arts.theatre
From: litterst@pecan.cns.udel.edu (The Assasin's Guild)
Subject: Always hoped that I'd be an Apostle
Organization: University of Delaware, Newark
Date: Sun, 13 Dec 1992 05:11:47 GMT

I got it!!!!!!!!!
After much stress, dancing and singing I have been cast as an Apostle
in JC Superstar.  Thanks to all who suggested stuff.  Production is the
first three weekends in March if anyone's interested...


					Thanks!!!
						Steve
"Knew that I could make it if I tried."

-- 
| Stephen C. Litterst           |*HUG*HUG*HUG*HUG*HUG*HUG*HUG*HUG*HUG*HUG*|  
| kyraan@bach,udel.edu          |       More man than you'll ever be...   |
| litterst@pecan.cns.udel.edu    \   More woman than you'll ever get.     |
|_guido@gnu.ai.mit.edu____________\ ______________________________________|
Newsgroups: rec.arts.theatre
From: penfold@rock.concert.net (Patricia A White -- Oxford University Press -- MIS)
Subject: When does the cast of Crazy for You change?
Organization: CONCERT-CONNECT -- Public Access UNIX
Date: Fri, 18 Dec 1992 14:16:56 GMT

So does anybody know when Harry Groener, Jodi Benson, and Bruce Adler
are scheduled to leave the show?

And please no suggestions to check out the NY Times.  I read it every
day ('cept Saturday) and it just gives the current situation.

Thanks!
-Patricia
 penfold@rock.concert.net
-------------------------------------------------------------------------------
"Those who know that they are profound strive for clarity.  Those who would
like to seem profound to the crowd strive for obscurity."  --Nietzsche
Newsgroups: rec.arts.theatre
From: jpenovic@encore.com (Jan Penovich)
Subject: Re: Need a crowd pleaser
Reply-To: jpenovic@encore.com
Organization: Encore Computer Corp., Fort Lauderdale FL
Distribution: na
Date: Fri, 18 Dec 1992 14:45:47 GMT

In article <MURRAY.92Dec17135749@aristotle.ils.nwu.edu>,
murray@aristotle.ils.nwu.edu (Thomas Murray) writes:
> In article <1992Dec15.161806.2459@psych.toronto.edu>
dsy@psych.toronto.edu (Desiree Sy) writes:
> 
> Desiree suggests that maybe plays that have an association with a film
> would be good at bringing in the "butts".  If that's the case, three
> plays that might work would be:
> 
> 	ARSENIC AND OLD LACE
> 	HARVEY
> 	LIFE WITH FATHER
> 
> Anyway, these are all plays that might have "name recognition",
> especially with older crowds.
> 
  Another play that has great name recognition and always
  seems to pull people in (especially older people) is
  You Can't Take It With You.  It really is a very wacky and
  funny play.  One set, though there are more men
  than women. 

  Mother          Father
  Alice           Tony
  Essie           Essie's husband
  Reba            Reba's boyfriend
  Tony's mother   Tony's father
  Drunken actress Grandpa
  Dutchess Olga   IRS man
		  Mr. DePina
		  Ballet teacher
		  FBI agents

I was in a production of it several years back.  The audience
loved it (plus it was so much fun to do).  Reba and her boyfriend 
are supposed to be black. No black actors auditioned, so the characters
were changed to Puerto Rican and actors that could do the accent 
were cast.

********************************************************************
TTFN,    ___           *   jpenovic@encore.com
      / /   /  /\   /  *   
     / /___/  /  \ /   *   
/___/ /   /  /    /    *   
                       *   Encore Computer Corp., Ft. Lauderdale, FL
*********************************************************************
From: dpfabie@csd4.csd.uwm.edu (David Paul Fabie)
Newsgroups: rec.arts.theatre
Subject: Re: Phantom in LA?
Date: 16 Dec 1992 05:54:44 GMT
Organization: Computing Services Division, University of Wisconsin - Milwaukee
NNTP-Posting-Host: 129.89.7.4

In article <3290019@hpcc01.corp.hp.com> shalese@hpcc01.corp.hp.com (Shalese Huang) writes:

>The LA phantom is sensational!!!
>I forgot his name, sorry. I think it's something Jacob or Jacob something.
>I think he is better than Michael Crawford whom I heard thru the

Mark Jacoby perhaps?

Dave

-- 
---------------------------------------------------------------------------
David Paul Fabie                   * "Remember! Editors never reject.  We
University of Wisconsin-Milwaukee  *  merely select." - David Kirby
Department of Residence Life       *  ------------------------------------
Newsgroups: rec.arts.theatre
From: elltankw@nuscc.nus.sg (Tan Kok Wan Peter (Dr))
Subject: Aspects of Love
Organisation: National University of Singapore
Organization: National University of Singapore
X-Newsreader: Tin 1.1 PL4
Date: Tue, 15 Dec 1992 08:30:25 GMT


                                   15.xii.92
I saw *Aspects of Love* whilst in London.  I honestly don't know what
people are raving about.  The plot was shallow and unbelievable, and the
music highly repetitious.  IMHO, A.L.Webber is resting on his past laurels.
                                   Peter, elltankw@nuscc.nus.sg
From: uwkeller@mcl.ucsb.edu (William Keller)
Newsgroups: rec.arts.theatre
Subject: Re: Need a crowd pleaser
Date: 18 Dec 92 21:22:20 GMT
Distribution: na

In <BzB3tI.D7K@news.udel.edu> conrad@brahms.udel.edu (Jon Conrad) writes:

>So consider the other two, both written by the late Larry Shue:  THE
>FOREIGNER and THE NERD.  Both are extremely funny farces, I've seen both
>of them work brilliantly in community productions, and both are fairly
>modest in production requirements.  I'm afraid both do have more men
>than women (if my mental tally is correct, FOREIGNER has 5M 2F plus
>walk-ons, NERD has 4M 2F).  THE FOREIGNER is the better constructed and
>more ingenious, I think.  It would be my first recommendation for your
>purposes.

>Jon Alan Conrad

I did the lighting design for FOREIGNER a little over a year ago. This
is an absolutly histerical (sp?) show. On the tech side it is relitively
simple. You'll need a trap door (we used a platform raised two feet and
a very agile actor.) and an explosion (camera flash, and a picture hung
with a solinoid did quite well, follow by a hubcap with some fire
extingesher powder rolling in the door). Anyway I too would recomend
this one.

I also remember a show I say several years ago called BEDROOM FARCE. I
don't remember who it was by but the cast was something like four males,
three females, and the set was three bedrooms. Very funny.

Hope this helps.
	William Keller
-- 

   _  _        /\                                  |
  / \/ \      / /                                  |
  -------    / /                                   |
  |     |    \/         uwkeller@mcl.mcl.ucsb.edu  | 
  |     |/|   |----|         William Keller        | "He who opens a school
  | PBP | |   |Take|     Point Beach Productions   |  door, closes a
  |     |\|   |  1 |      6509 Sabado Tarde #15    |  prison"
  |     |     |----|      Isla Vista, Ca. 93117    |   -Victor Hugo
  -------                    (805) 685-3479        |
    /|\                                            |
   / | \                                           |
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Newsgroups: rec.arts.theatre