HDTenEightyP/NetNews huggingface dataset:
From: gunnarh@dhhalden.no (GUNNAR HORRIGMO)
Subject: Kraftwerk address
Organization: Ostfold College
Date: Mon, 5 Oct 1992 14:36:09 GMT

Does anobody know the Kraftwerk contact address??


          /\           | I didn't say this.      | "I never forget a
        /    \         | My supervisor would     | face. Especially
      /        \       | kill me if i did.       | when I've sat
    /    (<>)    \     |_________________________| on it."
  /                \   |Gunnar Horrigmo          | -Kathleen Turner
/____________________\ |gunnarh@sofus.dhhalden.no| Crimes of passion
Newsgroups: rec.music.synth
From: ja51359@uxa.cso.uiuc.edu (axelrod)
Subject: Trade SY77 Banks??
Organization: University of Illinois at Urbana
Date: Fri, 2 Oct 1992 04:53:53 GMT


Well, since nobody ever uploads new stuff to ucsd, I'd like to offer to
trade banks.  I've got about 20-25 disks full of sounds and would like to
get more including neato new sequences.  Please email me to work out arrange-
ments.

Jeff

Newsgroups: rec.music.synth
From: lawrence.lougheed@rose.com (lawrence lougheed)
Subject: 88 Weighted Keys
Organization: Rose Media Inc, Toronto, Ontario.
Date: Sat, 3 Oct 1992 01:07:29 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.70)


Date Entered: 10-02-92 20:05
I am about to offer my O1/W for sale (not the O1/Wfd), since I want to
upgrade to the O1/WproX.  I need 88-weighted keys with the buttons
within easy reach.

I have been using a Korg Concert 5000 digital piano, with the O1/W
placed on top, but this places the O1/W buttons just a bit too far out
of reach.  (I'm not talking mere inconvience here, the reach is
aggravating a medical problem in my neck/upper back muscles, to the
point that it's going to be "worth it" to upgrade to the proX).

However, perhaps there is a weighted 88-note keyboard that can be used
as a decent master controller (with the buttons within easy reach!), and
I could keep my O1/W, to use as a sound module.

I did test drive the Ensoniq KS-32, but I really didn't like the
touch/feel of the keyboard.  Rats.  Certainly would have been a much
cheaper method of getting a weighted keyboard.  One other problem with
the KS-32, of course, is the 76 keys.

I have tried to live (musically speaking) with the 5-octave synth
keyboard, but after playing the C5000, I've had it.  I'm doomed to
88-weighted!  (The C5000, BTW, is on loan for a few weeks).

Any suggestions or pointers would be appreciated.

lawrence.lougheed@rose.com
---
   RoseMail 2.00 : Usenet: Rose Media - Hamilton (416) 575-5363
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
X-VMS-To: IN%"SYNTH-L@AMERICAN.EDU"
Newsgroups: rec.music.synth
Date:         Tue, 6 Oct 1992 11:15:00 EDT
From:         WSCOTT@ACS.WOOSTER.EDU
Subject:      Re: K2000R followup
Comments: To: SYNTH-L@AMERICAN.EDU

Thanks, Scott, for the overview of the K2000R. They had one in the back
room at Lentine's in Akron the day before yesterday, and they *wouldn't
even let us open up the box and look at it* :-(

Q1 Does it have the scratch pad sequencer and .mid file player that the
K2000 has?

Q2 Does it have sysex out functions like the keyboard model (MIDI xmit
page with buttons toggle)?

How do you like that GMIDI setup for patches 1-200? :-)

BIll Scott
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
X-VMS-To: IN%"SYNTH-L@AMERICAN.EDU"
Newsgroups: rec.music.synth
Date:         Mon, 28 Sep 1992 10:04:00 EDT
From:         WSCOTT@ACS.WOOSTER.EDU
Subject:      Re: Wavestation (+K2000 u
Comments: To: SYNTH-L@AMERICAN.EDU

re K2000:
Q. How can you overwrite "Read Only Memory"?
A. ROM isn't really overwritten. The map is automatically redirected to your
saved patch rather than to the ROM patch. To the user, it is equivalent to
overwriting ROM except that a little bit of RAM space is used up.

Bill Scott
From: plate@cdsmn.mn.org (Doug Plate)
Newsgroups: rec.music.synth
Subject: Re: CZ101 for sale
Date: 28 Sep 92 15:18:09 GMT
Organization: Dicomed, Inc.

In article <1680254@hpsad.sad.hp.com> smithj@hpsad.sad.hp.com (Jim Smith) writes:
>One very nice thing about the DX7 is its keyboard.  It's velocity-sensitive,
>has channel aftertouch, and (IMHO) feels great to play.  
[...]
>
>                 - Jim Smith  smithj@hpsad.sad.hp.com

Amen!  I was appalled recently when I demoed the Proteus MPS at a local
music store.  The keyboard!!  Amongst the most cheesy keyboards I have
touched.  The original Mirage being another example of a strange feeling
keyboard. 

Regards,
Doug Sr.
From: helin@vehka.uta.fi (Mikko Helin)
Newsgroups: rec.music.synth
Subject: PC Sampling software
Date: 30 Sep 92 10:01:16 GMT
Reply-To: helin@vehka.uta.fi (Mikko Helin)
Organization: University of Tampere, Finland

Is there any sound sampling program for IBM PC computers? 
I am looking for one that could play sounds by MIDI. What I mean is
that individual samples could be assigned to MIDI note numbers
and played by external MIDI sequencer or keyboard. 

It should be quit easy programming project if you use WINDOWS 3.1 functions.
As far as I remember there were some articles in PC-Magazine written 
by Mr. Petzold that could come for help. And, of course, samples should 
have the famous 16-bit resolution for high fidelity ( what ever it is ).
Delay between NOTE-ON and actual sample begin is no big problem, anyway,
if it's constant (it's controllable by external sequencer).

By the way, does WINDOWS know 16 bit-format? How about two channel mono,
is it possible to play two different samples at the same time, another
panned to left and another to the right channel?
 
Thanks,
Mikko

--
---
Mikko Helin
helin@vehka.cs.uta.fi
Newsgroups: rec.music.synth
From: rolfe@fraser.sfu.ca (Christopher John Rolfe)
Subject: Re: What is Ring Modulation?
Organization: Simon Fraser University, Burnaby, B.C., Canada
Date: Tue, 6 Oct 1992 18:59:20 GMT

dan@hpwin052.uksr.hp.com (Dan Bennett) writes:

>w.r.t. ring modulation, if your two input signals are identical,
>there'll be no effect, I think. If your two input signals are, say
>a minor second apart, you'll get some wonderfully upsetting sounds
>at the output. Real 1950's Stockhausen stuff!

	No.  If the carrier and program are the same, then the output
will be one octave higher ( output=carrier + program, carrier -
program , therefore c=100 hz and p=100 hz, output= 100 + 100, 100 -
100 = 200, nil.
	


-- 
Chris                   | 2617 East 4th,| If brevity is the soul of 
rolfe@sfu.ca            | Van., B.C.    | wit, what is semibrevity
Simon Fraser University | V5M 1K5       | the soul of?
Burnaby,  Canada        | Canada        |
From: pustule@cats.ucsc.edu (Thaddeus H. Wood)
Newsgroups: rec.music.synth
Subject: -= Peavey DPM3 =-
Date: 6 Oct 1992 21:07:00 GMT
Organization: University of California; Santa Cruz
NNTP-Posting-Host: as215-ws-2.ucsc.edu


Greetings fellow synthaholics.  I am a proud owner of 
a Peavey DPM3, and am interested in making contacts
with other users/owners.  So, if you own/use one,
please mail me and let me know.  Thanks, much.

--
Thad
Newsgroups: rec.music.synth
From: davecole@casbah.acns.nwu.edu (David Cole)
Subject: Re: Midi song - "Borderline - Madonna"
Organization: Northwestern University, Evanston Illinois.
Date: Wed, 30 Sep 1992 11:47:00 GMT

In article <1992Sep30.090310.27637@comp.lancs.ac.uk> davei@comp.lancs.ac.uk (Mr D Ingles) writes:
>In article <BvC29K.Isy@rivm.nl> sb2fhh@rivm.nl ( Frits van den Heuvel ) writes:
>
>Has anyone manage to unpack these MIDI files and play them ? I have had no
>success *8-( I have tried Prism / Cubase for Windows / Encore demo / Cakewalk
>demo / Windows Jukebox / Windows MIDI player.
>
>Please reply here as my e-mail is disconnected until next week.
>
>Davei


No.  They had errors.  Much better to post them to an ftp site.

Dave
From: craig@hadrian.uk.sun.com (Craig Barnes - Sun UK - Senior Systems Admin N + SW Group Regio)
Newsgroups: rec.music.synth
Subject: FOR SALE
Date: 30 Sep 92 09:20:40 GMT
Reply-To: craig@hadrian.uk.sun.com
Organization: Sun Microsystems


For Sale:-

1. Roland D110 multitimbral module (Excellent condition) + Atari Editor

225 UK pounds.

2. Cheetah MS6 multitimbral Digital/analogue module (Never used yet).

225 UK pounds.

Contact by email...
From: adair@hal.gnu.ai.mit.edu (Jonathan Edward Adair)
Newsgroups: rec.music.synth
Subject: AKAI S1100 SCSI port & harddrives
Date: 26 Sep 92 12:42:41 GMT
Organization: The Illuminati

A friend has an AKAI S1100 and called me the other day because he
was sick of sampling sounds and having to split them across 2
floppies when he saved them.  

I assume the SCSI port on the S1100 is for a HD.  I don't know why
this guy can't shell out for a HD from AKAI, but maybe they are
really outrageous $$-wise.  

* Has anyone had any luck connecting other SCSI drives to these kinds
  of ports?  I would think Atari and maybe Apple ones would have
  a better chance of working with the "standand" :) port...

--
Jonathan E. Adair  -  Programmer at Large                          /\
adair@gnu.ai.mit.edu             <-  Best choice                  /<>\
adair@cfrrisc1.cfr.usf.edu       <-  Works for now               /    \
jonathan579@tampa.relay.ucm.org  <-  Works for now              /______\
adair@psycho.fidonet.org         <-  Shakey...               We're Watching
Newsgroups: rec.music.synth
From: dce@smsc.sony.com (David Elliott)
Subject: Asking the experts about MIDI songs
Organization: Sony Microsystems, San Jose, CA
Date: Mon, 5 Oct 92 23:47:31 GMT


In article <1992Oct2.182315.19359@netcom.com>, metlay@netcom.com (metlay) writes:
|> The thing I'm wondering is, has anyone actually picked up the phone and
|> called Trycho Tunes or one of those other big MIDIfile houses and ASKED
|> them if they pay royalties? My bet is that they do, probably at the same
|> rate per copy sold as a band would do for selling a CD with a cover of
|> another artist's work on it. Pennies per disk, but enough to keep the 
|> legal end straight. Anyone know for sure?

With this suggestion, I actually picked up the phone and called Trycho
Tunes and talked to Steve Kern.

Steve told me that they pay the same licensing fees and royalties as an
artist or group recording a song does, and in the same way.  He said
that they have to be able to tangibly count the number of copies of
anything that they sell.

He went on to say that the music publishing industry is up in arms
about people making MIDI files of published songs and uploading them to
BBSes.  Basically, they feel that these MIDI files are "performances",
and are subject to the same fees as a live or recorded performance.

Obviously, this also applies to MOD, digitized music files, and
other file formats for music, not just MIDI files.

I wonder myself if they might try to impose the same type of payment
system that clubs currently use on BBSes and ftp sites.  That is, the
site operator would pay a fee to allow music files to be downloaded
from the site.

--
...David Elliott
...dce@smsc.sony.com | ...!{uunet,mips}!sonyusa!dce
...(408)944-4073
..."I take my arms and I wrap them around my art." - F
Newsgroups: rec.music.synth
Subject: Re: Korg MS-20 Synth & SQ-10 Seq For Sale
From: ymatsumoto@eagle.wesleyan.edu (Sardana)
Date: 28 Sep 92 22:20:47 EDT
Organization: Wesleyan University

In article <1745@heurikon.heurikon.com>, gtaylor@vme.heurikon.com (Gregory Taylor) writes:
> Mark Sullivan writes:
>>Two old analog Korg workhorses for sale:
>> 
>>Korg MS-20 Monophonic Synthesizer (2 oscillators, patch bay)
>>--$100 (plus shipping) or best offer
>>Korg SQ-10 Analog Sequencer (the one with 3 rows of knobs & lots of
>>patch points)
>>--$100 (plus shipping) or best offer
> 
> The person who doesn't snap this up bigtime is a major chump. These
> pups are a bargain at three times this price. Go to it, kids.
> 

I did send Mark email inquiring about this, but I haven't gotten a response.
Did it get through?
From: five@sys6626.bison.mb.ca (A.R.F.)
Newsgroups: rec.music.synth
Subject: Re: MC202...How do I hook this beast up
Keywords: MC202 analog synth help
Date: 24 Sep 92 23:31:24 GMT
Organization: system 6626 BBS, Winnipeg MB

rmartin@ccu.umanitoba.ca (Richard Martin) writes:

> I just bought an MC202 (roland) and am trying to figure out non-midi hook
> ups. I know enough to have to buy a midi to CV converter. But I have no
> manual (what do you expect for 60 bucks). Are there not different types of
> CV connections (re:different voltage requirements). Could I harm the thing
 
I've got an MC-202 with a manual.  Need help?  Mail me or pop on over.  
I've got it running along with my other analogs, and MIDI.  (A special 
box is required to SYNC the things internal sequencer to MIDI).
 
Five


--- (A.R.F.) a user of sys6626, running waffle 1.64
E-mail: five@sys6626.bison.mb.ca
system 6626: 63 point west drive, winnipeg manitoba canada R3T 5G8
From: dan@cafws2.eng.uci.edu (Dan Harkless)
Subject: Re: Oberheims: another post from the man with too many questions
Newsgroups: rec.music.synth
Organization: University of California, Irvine
Date: 6 Oct 92 23:05:57 GMT

In article <718230969.270000.D_NIBBY@UNHH.UNH.EDU> D_NIBBY@UNHH.UNH.EDU (Dana   Nibby) writes:
>
> Can anyone tell me^H^H^H^H^H^H^H^H^H^H^H^H^H^H^H^H^H^HDoes anyone have an Oberheim Matrix-1000, 6, or ^^H6r? Can ^H^H^Hould you tell me a bit
>about it (the 1000)/them? 

	I think you need to reassign your backspace key or use a different
editor, you moron^H^H^H^H^H^H^H^H^HDana.  

;^>

------------------------------------------------------------------------------
| Dan Harkless                | "The sore in my soul                         |
| dan@cafws1.eng.uci.edu      |  The mark in my heart  ->  Front 242,        |
| dharkles@bonnie.ics.uci.edu |  Her acid reign..."        Tragedy >For You< |
------------------------------------------------------------------------------
From: ip@nessie.mcc.ac.uk (Ian Pallfreeman)
Newsgroups: rec.music.synth
Subject: PC multi-port MIDI cards -- any info?
Summary: buy what?
Date: 1 Oct 92 14:24:46 GMT
Organization: Manchester Computing Centre

Sadly, my dealer has just informed me that the Music Quest 8-port MIDI card
which I was expecting to purchase "around the middle of the year" has been
put back until '93 because of "software problems". At the same time, it was
suggested that I didn't want to buy a CMS444 4-port card because they were
"unreliable". This leaves me a bit stuck, since I was planning to spend the
long winter nights battling with one or other of these things.

So, does anybody have any information about other multi-port cards which I
can stuff into my humble '386? Ideally MPU401 compatible, but I've even
given some thought to fiddling with crystals and opto-isolators on a
"straight" multi-port RS232 card, such is my level of desperation. 

Thanks in anticipation,

Ian.
-- 
  Network Unit, Computing Centre, University of Manchester, England, Europe?
  Mail: ip@mcc.ac.uk || ip@uk.ac.mcc || ...!uknet!cns!ip || X.400 Who-Knows?
   This all sounds complicated, but it mostly does exactly what you expect.
     It's just hard for us to explain what you expect... (The Camel Book)
From: metlay@netcom.com (metlay)
Newsgroups: rec.music.synth
Subject: Re: Korg DSS1 keyboard/sampler/synthesizer
Summary: Speeches and delays
Date: 5 Oct 92 18:33:01 GMT
Organization: Atomic City

In article <BvKEu0.EEp@news.cso.uiuc.edu> furio@uiuc.edu (furio ercolessi) writes:
>In article <1992Oct3.170231.19538@netcom.com>, metlay@netcom.com (metlay) writes:
[compliments on the DSS-1]

>I hereby request your permission to use the above text (under the 
>heading "What the Big Guns say about it" and a subheading "Very easy
>to learn and use") the day I will decide to sell my DSS1 (at an 
>outrageous price :-)

Feel free to quote me; after all, I'm enjoying quoting you in every 
post I'm making these days. |-> But please note that I'm only one
of the so-called "Big Guns," and one whose opinion is not universally
respected.....

>And: two 500ms digital delays in the effect section.

How COULD I forget to mention these?! They are a large part of what
makes the DSS so way-cool.




-- 
metlay            | and she's a master of return hitting          
atomic city       | giving rhythm to her posts
                  | so you read her and think hey it sounds good
metlay@netcom.com | and wish her posts had a soundtrack too    (f. ercolessi)
From: pyro@wpi.WPI.EDU (Stephen D Tomas)
Newsgroups: rec.music.synth
Subject: Where to find MIDI songs via ftp?
Date: 5 Oct 1992 15:10:57 GMT
Organization: Worcester Polytechnic Institute
Distribution: usa
NNTP-Posting-Host: wpi.wpi.edu

Where can I find some .mid files to play on my newly acquired
PAS16 sound card?

If this is a frequently asked question, I am sorry, but then could
someone tell me where to find the FAQ.

Thanks,
-Steve Tomas
pyro@wpi.wpi.edu
From: Randomizer@cup.portal.com (Aron Fingers Nelson)
Newsgroups: rec.music.synth
Subject: Re: Question:  Powerbooks and MIDI
Date: Wed, 30 Sep 92 23:43:10 PDT
Organization: The Portal System (TM)
Distribution: world

This is a letter from Doug Wyatt concering this subject.  Please DO NOT
reply to this account.
Since my name is being mentioned in this thread, I thought I'd
add $.02.

1. Opcode's fix in OMS 1.2 does use the TN318 technique, which half-works:
it's necessary but it's not sufficient.  Whoever thought that asking
a tech support person for a definitive answer about how something is
implemented internally is asking too much.  Most of the *programmers*
at Opcode don't know the internals of how someone else's code is
implemented, let alone tech support people.

2. 1.2 contains another fix which do make the 140/145/170 handle up
to around 3.2 x MIDI flawlessly.  Good news for Studio 5/Studio 4/MTP users.

3. The interrupt blackout period (reportedly 6 out of 200 milliseconds?
I haven't researched this thoroughly) theoretically will cause timing
precision to suffer on the 140/145/170.  6 milliseconds is in the realm
of "pretty good ears" but I think this is a consideration for serious
users.

4. Our tests with the PB100 revealed two failure cases:
receiving VFX sequences and a Studio 5 ramped down to 1 x MIDI.  These
were sufficient to convince us that *some* problem exists on the PB100
and that we could not truly say that our software is completely
compatible with it.

5. OMS 1.2b21 is available in the Opcode SIG of PAN for people who
want to try it for themselves.

Someone said something about people at Opcode owning PB100's.  True,
I know of 2 people who have them, and neither are being used for MIDI.

I readily admit that the 100 appears to be far more reliable than
the 140/145/170 in the absence of OMS 1.2.  Still, the 140/145/170
have been made 100% reliable with OMS 1.2, but due to a limitation
of the TN318 fix, there is no solution in sight to make the PB100
100% reliable.

Doug Wyatt

dougwyatt@pan.com

======================================================================
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Mailer: Elm [revision: 66.33]
Newsgroups: rec.music.synth
Date:         Tue, 6 Oct 1992 11:11:37 MET
From:         Andrea TONI <andrea@SIHP03.SI.ESTEC.ESA.NL>
Subject:      Re: Hope for the Future (was Re: Vintage Synth Re-Issues)
Comments: To: "('Redistribution of rec.music.synth')" <SYNTH-L@AMERICAN.EDU>

> Andrea TONI says:" new extra-useless complicated (RCM)
> techniques " and then lists the SY99 as a one of the good new synths.
> Isn't it the RCM that makes the sy/tg/99/77 a standout? I think so.

Well the SY99 is a nice synth because of the good samples (not in the 77) the
possibilities of receive external one , the superb filters and post-processing
section (2 LFO),  the superb fx's section (not in the 77), and even if I'm not
fan FM fan , the enanched FM facilities.
But certainly not because of the RCM ! If I remember properly not even in
the preset there are RCM sounds (maybe just one).
If it was so useful I'm sure Yamaha would have spend more time to create
wonderful patches to prove it !!
A sample that modulates a sample with feedback that modulate a .. what the hell
..... come on !!

> When something is really different, it runs the risk of being dubbed
> new, extra-useless, and complicated.

That is exactly what RCM is all about it !!
But you are welcome to prove the opposite !!
It will probably take a couple of years (like the first FM) before
somebody can come up with some humanly-usable decent effort,  if any !
.. Just a guess ...

> Bill Scott
>

Ciao
Andrea
Newsgroups: rec.music.synth
From: hjv@phil.ruu.nl (Hendrik Jan Veenstra)
Subject: Re: MIDI hookups
Organization: Department of Philosophy, University of Utrecht, The Netherlands
Date: Sun, 4 Oct 1992 21:32:14 GMT

michael@NSMA.AriZonA.EdU (Michael S. Williams) writes:

>I assume that you currently have the setup as such:

[ ... ]

>As far as the merger, you could get something like the Anatek Pocket Merger
>for under $100, or you could invest in a patch bay, if your rig is eventually
>going to get more complicated.

If your sequencer is able to send all IN data to OUT ( a software THRU that
is) - and IMHO *every* sequener shuld be able to do that - then you could
do the following (no additional hardware required):


   Seuencer            Keyboard                     Module
   IN  OUT           IN  OUT  THRU               IN  OUT  THRU
   ^    |             ^   |     |                 ^
   |    \-------------/   |     \-----------------/
   \----------------------/

Now when playing the keyboard, the MIDI-data will enter the seq, be thru-ed to
the out, enter the IN from the keyboard, leave the keyboard's OUT and finally
enter the module (and that's what you wanted). Playing the sequencer is much
the same, except that the first link (kb-out -> seq-in) is missing.
You could get troubles however if there's no way to prevent 'signal doubling'.
I.e. when using this way of hooking things up, the keyboard receives the signal
it has just transmitted, so it's possible that for every note you play on the
keyboard, the sound-generation part of the keyboard will play *two* notes - the
same note twice.
I have my gear hooked up like this and have solved the problem like this:
put keyboard to midi-channel 1 (so it *sends* channel1 messages), put the
sound-part of the keyboard to channels 2-9 (8* multi-timbral) (so it only
*plays* when receiving ch2-9) and put the module on channel 1.
Well, it all depends on the properties of your gear of course. Another solution
would be to have a translating 'thru' on the sequencer - e.g. all messages
coming in on channel 1 are sent to the seq-out as channel2 messages...
Yet another solution: if your keyboard has a 'local off' mode, switch it on
(I mean 'off' :) - this seperates the keyboard-part from the sound-generating
part.
If you get this to work, you can expand the chain (when you buy another
module :), by conecting it's IN to the THRU of the first module... etc, etc.

my $0.02
Hendrik Jan


--
Hendrik Jan Veenstra  |   hjv@phil.ruu.nl   |   You look for your dreams in
Dept. of Philosophy   |                     |   heaven, but what the hell are
University of Utrecht |                     |   you supposed to do when they
The Netherlands       |                     |   come true...?
Newsgroups: rec.music.synth
From: breeze@well.sf.ca.us (Jeff Baust)
Subject: Music gear for SALE!!
Organization: Whole Earth 'Lectronic Link
Distribution: rec.music.marketplace, ba.music, rec.music.synth, comp.music
Date: Sun, 27 Sep 1992 02:56:38 GMT



I have the following items for sale:

Yamaha TG 33 sound module     16 parts/32 note polyphony, vector synthesis,
                              built in FX, AFM/AWM sounds          $350
Boss DR-550 drum machine      programmable patterns/songs, 49 drum samples
                              batteries or AC                      $150
Casio CZ-1 keyboard           full size 61-keys, multi-timbral, PD
synthesis,
                              great MIDI controller                $240
Lexicon LXP-5 multi FX unit   best sounding multiFX, reverb, chorus, pitch
                              shift, delay, full MIDI implementation,
                              programmable, brand new!             $340

e-mail breeze@well.sf.ca.us or call (510) 527-8068