HDTenEightyP/NetNews huggingface dataset:
From: mikeh@cbnewsg.cb.att.com (michael p.herlihy)
Subject: Mary Had A Little Lamb
Organization: AT&T
Date: Fri, 22 Jan 1993 15:57:21 GMT



MARY HAD A LITTLE LAMB	(as recorded by Stevie Ray Vaugh)

Original music by George "Buddy" Guy

I haven't figured out the solo, but this is the intro and the
verses.  

h = hammer on for next note
p = pull off for next note
s = slide up to next note


Intro (Stevie throws in grace notes but this is the basic structure):

     E7                               
|---------------------------------------------------------------------------
|-----------------------3-3-3-3-2-----------------------------------3-3-3-3-
|-----------------------1-1-1-1-1-----------------------------------1-1-1-1-
|--------0--------------2-2-2-2-2--------------------------------2--2-2-2-2-
|--0--2-----0--2--0---------------------------0h-2--2--2--0-----------------
|--------------------3------------------0--0------------------3-------------

                                      A7
|------------------------------------------3--3--3--3-----------------------
|-------------------------2h-3p-2p-0-------2--2--2--2-----------------------
|------------------------------------------2--2--2--2-----------------------
|---------------------------------------------------------------------------
|-----2h-4--0h-2--2--2-0----------------0-----------------------------------
|--0--0---------------------------------------------------------------------

     E7                                                          B7
|---------------------------------------------------------------------------
|-----------------------3-3-3-3-2-------------------------------------1-----
|-----------------------1-1-1-1-1-----------------------------------2---2---
|--------0--------------2-2-2-2-2-------------------------------------------
|--0--2-----0--2--0---------------------------0h-2--2--2--0------2--------0-
|--------------------3------------------0--0------------------3-------------

     E7                               
|--3--0--------------0--0--------------3--3--3--3---------------------------
|--------3--0--------3--3--2--0--------3--3--3--3---------------------------
|--------------2s-4-----4--------2-----1--1--1--1---------------------------
|--------------------------------------2--2--2--2---------------------------
|-----------------------------------0---------------------------------------
|--------------------3------------------0--0------------------3-------------


Verse: (4/4 - Each slash is a beat)

E7				A7
/	/	/	/	/	/	/	/
1.	Mary had a little lamb
2. He followed her to school one day

				E7
/	/	/	/	/	/	/	/
1. It's fleece as white as snow, yea
2. and broke the teacher's rule

				B7
/	/	/	/	/	/	/	/
1. Everywhere the Child went
2. What a time they had

A7				E7
/	/	/	/	/	/	/	/
1. You know the lamb was sure to go, yea
2. That day at school
-- 
Angels can fly because they take themselves lightly.
Orthodoxy (1908), Chapter 7, G. K. Chesterton 1874-1936  
Newsgroups: rec.music.makers.guitar.tablature
From: cbray@nyx.cs.du.edu (chris bray)
Subject: REQ: Tom Cochrane, Teenage Fanclub, Matthew Sweet, Soul Asylum
Organization: University of Denver, Dept. of Math & Comp. Sci.
Date: Thu, 21 Jan 93 22:03:44 GMT

If anyone has any chords/tab to any of the following, can you please post
them?

Anything off of Tom Cochran's "Mad Mad WOrld"
anything off of Teenage Fanclub's CD's (except for the Concept)
Anything off of Matthew Sweet's "Girlfriend" album
or Soul Asylum "Somebody to Shove"

Thanks
Chris Bray

--
==============================================================================
csb1@engr.uark.edu            |  Chris Bray
cbray@uafhp.uark.edu          |  University of Arkansas, Fayetteville 
==============================================================================
From: anagonda@lehtori.cc.tut.fi (Ala-Tala Antti)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ:Nothing else matters by Metallica
Date: 25 Jan 1993 15:36:29 +0200
Organization: Tampere University of Technology, Computing Centre
Distribution: world
NNTP-Posting-Host: cc.tut.fi
Keywords: guitar

	Hello !

	I've been looking for chords/tabs for Nothing else matters
	by Metallica. As I'm new here I can't know if they have already
	been in this newsgroup. 

	If somebody has them, please e-mail me.

	Thanks in advance !

	Antti     
	anagonda@cc.tut.fi
 


-- 
	Nain kirjoitti tanaan	Antti Ala-Tala		    anagonda@cc.tut.fi
				Kalevanpuistotie 16 B 17
				33500 Tampere
From: kyeh@remus.rutgers.edu (Kung-Ching Yeh)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ: Steely Dan Tabs
Date: 26 Jan 93 19:10:20 GMT
Article-I.D.: remus.Jan.26.14.10.19.1993.6061
Organization: Rutgers Univ., New Brunswick, N.J.

Can someone please post Steely Dan Tabs.  Any will do.

Thanx in advance!!!!!

Brian
Xref: sparky rec.music.makers.guitar.tablature:1321 alt.guitar.tab:5209
Organization: Rohm and Haas Company
Date: Thu, 21 Jan 1993 12:12:14 EST
From: <RSNDLH@rohvm1.rohmhaas.com>
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject:    Re: Crds/Words: Last Train to Clarksville

Here is an update with allthe verses (I think),
At the end of the song the signiture riff gets a little more intense but I have
n't figued out whats going on.  Suggestions?
     #     #    LAST TRAIN TO CLARKSVILLE
					            			The Monkees
G
Take the last train to Clarksville and I'll meet you at the station
you can be here at 4:30 cause I've made your reservation don't be
C7
Slow, oh no no no, oh no no no
G
Cause i'm leaving in the morning and I won't see you again
we'll have one more night together, till the morning brings my train and
I must
C7
Go, oh no no no, oh no no no
     D
And I  don't know if I'm ever coming
G
home

Take the last train to Clarksville and I'll be waiting at the station
we'll have time for 40 flavored kisses and a bit of conversation, oh
(G & F7) ?

Do,Do,Do,Do,Do,Do,Do,Do,Do,Do,Do,Do,Do (2x)

I Must hang up the phone I can't hear you in this noisy railroad station
I'm feeling low
C7
Slow, oh no no no, oh no no no
G
Cause i'm leaving in the morning and I won't see you again
we'll have one more night together, till the morning brings my train and
I must
C7
Go, oh no no no, oh no no no
     D
And I  don't know if I'm ever coming
G
home.
2nd come in  3x ...end

First position G chord:
----------------------------------- ----------------------------
----------------------------------- ------------------0-----0---
------0-------------- ------0---------- ------0-----0-----0-----
--------3---2---0--  ---------3--2--0--- ---------3-----2-----0-
------------------------------------- --------------------------
----3---------------------3------------- ---3-------------------

Newsgroups: rec.music.makers.guitar.tablature
From: O10037@waccvm.corp.mot.com (Ray Hoff)
Subject: Re: REQ: Strange Kind of Woman (Deep Purple)
Organization: Motorola
Date: 26 Jan 1993 13:12:35 MST

>From: neilg@cs.hw.ac.uk (Neil MG Gall)
>** Neil, how about posting what you've figured out?  Pretty please.
>**
>** Ray

>Here's how we play the verse...

   [explanation deleted]

Neil,

Thanks.  I'll give it a try tonight after work.  I haven't played much
in the last year and a half (probably only 5 or 6 hours :-() but after
discovering this group on the net I have taken the old strat out of
retirement!  I've always been too lazy (also my "ear" isn't that good)
to figure out things from a CD so I just relied on tab from GFPM and
other publications.  I like this song so I thought I'd make the request.

Thanks again,
Ray
From: rogers@calamari.hi.com (Andrew Rogers)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Guess Who - "Share The Land"
Date: 25 Jan 93 23:40:17 GMT
Organization: Hitachi Computer Products, OSSD division
NNTP-Posting-Host: calamari.hi.com


		"Share The Land"
		  (B. Cummings)

Intro:	Bm  E  (2x)

Verse 1:

Bm
Have you been around
E
Have you done your share of comin' down
G             A                 D   F#
On different things that people do

Have you been aware
You got brothers and sisters who care
About what's gonna happen to you in a year from now

Chorus:

B                       F#
Maybe I'll be there to shake your hand
E                       B
Maybe I'll be there to share the land
                 F#
That they'll be givin' away
     E              B
When we all live together
I'm talkin' 'bout together
(Repeat)

(repeat intro)

Verse 2:

Did you pay your dues
Did you read the news
This mornin' when the paper landed in your yard

Do you know their names
Can you play their games
Without losin' track and comin' down a bit too hard

(repeat chorus)

(guitar solo over verse chord pattern)

(repeat chorus)

A cappella break:

Shake your hand, share the land (repeat to fade)

You know that I'll be standin' by to help you if you worry
No more sadness, no more sorrow, and no more bad times

(instruments re-enter; repeat B  F#  E  F# to fade)

Every day come sunshine, every day everybody laughin'
Walkin' together by the river
Walkin' together and laughin'
Everybody singin' together
Everybody singin' and laughin'
Good times, good times
Everybody walkin' by the river now
Walkin', singin', talkin'
Similin', laughin', digging each other
Everybody happy together
I'll be there to worry if you need me
Call on me, call on me
Call my name, I'll be runnin' to help you
Everybody walkin' by the river now
Everybody, everybody laughin'
Everybody singin' and talkin'
Smilin', laughin', digging each other...
Organization: University of Illinois at Chicago
Date: Thu, 21 Jan 1993 14:21:03 CST
From: <U59919@uicvm.uic.edu>
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ. Listen to Our Hearts -Geoff Moore and SCC.

I'd like the tabs to "Listen to Our Hearts" by
Geoff Moore and Steven Curtis Chapman.
Yep! it's a Christian song, and I need the tabs for it.
thanx in advance
--------------------------------+------------+---------------------------------
Theodore Penn                   |  <><   <>< | University of Illinois at
U59919@uicvm.uic.edu  Internet  |    ><>     | Chicago - Computer Science Dept.
U59919@uicvm          Bitnet    | <><  <><   | Go Against the Flow.
(312)237-0096         Phone     |  <><  <><  | I am a Stranger to this World.
From: rjl4@quads.uchicago.edu (robert joseph litt)
Newsgroups: rec.music.makers.guitar.tablature
Subject: A bug in CHORDPRO???
Date: 25 Jan 93 21:42:27 GMT
Reply-To: rjl4@midway.uchicago.edu
Organization: University of Chicago

Has anyone else encountered the problem when using CHORDPRO 2.0 that
the program will always give a 'Segmentation Fault' error whenever the
file to be processed contains 'DEFINE' statements?  I am working on a
Sun using Sun UNIX 4.1.  Does this occur on other machines also?  Is
this a known bug in the program?  This is very inconvenient since many
songs contain such 'DEFINE' statements.  How might possible bugs be
reported to the author?

Bob Litt
rjl4@midway.uchicago.edu
Newsgroups: rec.music.makers.guitar.tablature
From: obry@flash.bellcore.com (Pascal Obry)
Subject: Re: Favourite chords? (Was A really nice chord)
Followup-To: rec.music.makers.guitar.tablature
Organization: /u/obry/.organization
	<GUY.93Jan27102349@rocannon.harlqn.co.uk>
Date: 27 Jan 93 16:33:27


> In case you missed it, here's the one I posted earlier, from "Hello"
> by Lionel Richie.  I suppose it's an Am sus2 rather than an Am9 coz
> there's no 7 (G) in there.
>
> X O     O O
> ___________
> |_|_|_|_|_|
> |_|_|_|_|_|
> |_|_|_|_|_|
> |_|_|_|_|_|
> |_|_|_O_|_|
> |_|_|_|_|_|
> |_|_O_|_|_|
> |_|_|_|_|_|

I think it could me a : Asus2/C ; Am/B ; Am9 (no 7th) ; or Am add9

but not a Amsus2.

Pascal.

--

-------------------------------------------------------------------------------
--  Pascal OBRY								     --
--  Room 2D-337				e_mail : obry@bellcore.com  	     --
--  Bellcore								     --
--  445 South Street			voice : 1 - 201 829 4039	     --
--  Post Office Box 1910		FAX   : 1 - 201 829 5981	     --
--  Morristown, New Jersey 07962-1910					     --
-------------------------------------------------------------------------------

  `` inheritance is surely a good answer, but who knows the question ? ''
Newsgroups: rec.music.makers.guitar,rec.music.makers,rec.music.makers.bass
From: lrm28@cas.org ()
Subject: Competent repair persons.
Summary: Who do you recommend?
Organization: Chemical Abstracts Service, Columbus, Ohio
Distribution: na
Date: Fri, 22 Jan 1993 17:45:27 GMT

I would like to compile a list of COMPETENT repair persons for
musical instruments and equipment.  If you have such a person in
mind, please send me: (via e-mail)

Name
Store name
Store address
Fields of excellence (what does he/she work on?)
Reasons for recommendation (why do you like them?) (Be brief)

I will summarize and post/repost regularly.

Why this list?  If you're in need of good service, go to the
best.  They'll benefit with the work, you'll benefit by getting
good work done.

-- 
Luke Mayercin  lrm28@cas.org  "Why does ear wax taste like it does?"
Chemical Abstracts Service is not responsible for these comments.
Newsgroups: rec.music.makers.guitar
From: jftheysm@descartes.uwaterloo.ca (Jef)
Subject: Re: 57 strat
Organization: University of Waterloo
Date: Fri, 22 Jan 1993 17:59:52 GMT

Howdy,

 I have a 57 reissue strat (American) and I like it just fine for what it is.  I tend to like really warm drivy pickups which this thing just dosn't have, but single coils arn't supposed to sound like that.  I have started to use it more as my playing style now include more classic soundins "strat" type sounds. As for the neck, People may say that it's stick but I think it's much much cleaner than my Gibson.  Gibson's finish seems to get grimy really fast, while Fender seems to stay fairl clean feeling.  I




f you really hate the laquer on the finish you could always remove it.  I lightly snaded down the neck of one of my imitations guitayt and the neck is completely smooth (though a little loggy).

-Jef-
From: dam@dcs.glasgow.ac.uk (David Morning)
Newsgroups: rec.music.makers.guitar
Subject: Re: INFO needed on HAGSTROM guitar please...
Date: 28 Jan 93 10:44:11 GMT
Organization: Glasgow University Computing Science Dept.

jftheysm@descartes.uwaterloo.ca (Jef) writes:

>> > A friend of mine hafd borrowed a Hagstrom bass for a while. It was a peice
>> > of shit. I loved it.  In fact if you decide that you don't want this guitar,
>> > I think I am interested in it. (I search out bad guitars).  if you want to
>> > get rid of it, mail me and we'll talk turkey.
>> >
>> > -Jef-
>> 
>> First of all it's spelled Sweden and not Sweeden. Since I am a Swede
>> I am familiar with Hagstrom guitars. They've been around for a long
>> time. Pay no attention to that Jef fellow. Hagstrom has put out
>> many quality guitars series. I can't answer for all their guitars of
>> course, but saying it's a "piece of shit" just because it's a
>> Hagstrom is just nonsense. I have no idea if it is worth anything
>> as a collector's item though. (probably not)
>> 
>Granted, maybe I judged it to soon, but let me describe to you what it looked like.
>the body was either plastic, or a really light wood, I couldn't tell because the body was covered in fake, snakeskin vinal.
>Need I say more.

Ugghh!
Actually I remember some old Hagstroms which came in a horrendous metallic
paint finish, usually red or blue with giant metal flakes.
They also did a version covered entirely in pearloid..Now THAT was ugly!!
But they also made some decent guitars later on, as has been mentioned
by previous posters.

>i liked it, I'd be interested in owning a guitar that's that bad, maybe there are good ones, i have yet to see one.

Maybe you should go out and try and get hold of one of those ultra-cheap
60's Jap guitars that was sold during the Beatlemania era. I got given one
of these a few months back in bits in a box. Very weird. Pick-up selectors
were accordian switches!! No truss rod (amazingly the neck is still straight!)
and the strangest looking whammy bar you could imagine. Pick-ups were crude
single coils stuck inside a big pressed metal cover with screws going nowhere
to make them look like humbuckers.

Ugly! Ugly!

Dave
--
Organization: Stanford Linear Accelerator Center
Date: Thursday, 28 Jan 1993 13:55:57 PST
From: <WAUGH@SLACVM.SLAC.STANFORD.EDU>
Newsgroups: rec.music.makers.guitar
Subject: Re: Fender Strat
 <1993Jan28.145023.2937@cbfsb.cb.att.com> <1993Jan28.192530.27505@ncsu.edu>

In article <1993Jan28.192530.27505@ncsu.edu>, npstewar@eos.ncsu.edu (NATHAN
PHILLIP STEWART) says:
>
>>> (whar are...) phase-shift pickups?
>
>That anything like phase reveral of pickups or series/parallel switching.?
>Throw away your Mutron and get one of these!
>
The American Standard has a true "out of phase" middle pickup with reverse
widnings and polarity compared to the neck and bridge pickups to be effectivly
"humbucking" when used in the 1+2 or 2+3 position of the selector switch.

Brian
From: holtslander@skyfox
Newsgroups: rec.music.makers.guitar
Subject: RE: Resinator guitars (was Dobros)
Date: 26 JAN 93 19:53:46 GMT
Organization: University of Saskatchewan
NNTP-Posting-Host: sask.usask.ca


fndaj@acad3.alaska.edu (JOHNSON DANIEL A)
writes:

<I have an old National tri-cone which I purchased many years ago.  From photos
<I have seen in books on resinators, I estimate it was built in the 
<late 20s (1927?).  It is in good shape - certainly looks original to me from
<the tuning pegs on down.  My question is:  although I am not hot to sell the
<thing, I am curious about the value and would consider selling it.  I don't
<have access to anyone who trades in vintage guitars up here (that I know of any
<way), does anyone have opinions on its value or how to value it?  Thanks  


<Dan Johnson  Fairbanks, AK (cold and dark - a good time to practice guitar!)

There was a '29 National tricone squareneck for sale here in Sasktatoon Sk a 
few monthes ago going for $3,000 Canadian.  There isn't a big market for them
in this City (I know of 5 or 10  people that play resinators in the whole 
province) so it is likely worth more.  See if you can find an add for
Gruhn Guitars in Nashville (or any of the other vintage guitar companies in 
the guitar magazines, they would tell you how much they would pay for it.

Gord Holtslander		Let it slide
Holtslander@skyfox.Usask.ca  
Newsgroups: rec.music.makers.guitar
Newsgroups: rec.music.makers.guitar,alt.guitar
Date: Wed, 27 Jan 1993 18:37:57 -0500 
From: Nicholas Weidmann <nw24+@andrew.cmu.edu>
Subject: Re: WANTED: Hardtail Stratocaster
	<1993Jan26.142829.7743@seachg.uucp>

	A Custom Made Strat is around $2000

Nicholas
Newsgroups: rec.music.makers.guitar
From: jnewton@athena.cs.uga.edu (Johnny S'traction)
Subject: RP-1 and JCM900 - pairing the two
Organization: University of Georgia, Athens
Date: Fri, 22 Jan 1993 21:58:53 GMT

Hey! I just purchased the Digitech RP-1 and I am still trying figure
out its nuances. The most annoying thing so far is that I can't seem
to get a FULL sound out of it. I unwittingly assumed that I would be
running the RP-1 through the effects loop on my JCM 900 (which is why
I ditched my JCM 800 for the 900). I have found this not be the case.

Is there a way to run the RP-1 thru the effects loop? The sound I get
when I have the RP-1 bypassed (or not) is much tinnier than if I was running
straight into the head. I'm probably missing a lot of the basics right
now, but can anybody give me any suggestions? Did I buy the wrong toy?
Can I bypass the preamp?

=-=--=-==-=====--=--=-===-=-=-=
= Bryan Poole = Boots Anyone? -
-  jnewton@athena.cs.uga.edu  =
=-=-=-=-=--===--=---=-=---=--==
From: raymond@kronos.arc.nasa.gov (Eric A. Raymond)
Newsgroups: rec.music.makers.guitar
Subject: Please RENAME Subject when really new (was Re: Lesson a week (NEW))
Date: 25 Jan 93 21:42:34 GMT
Article-I.D.: kronos.1993Jan25.214234.29333
Organization: NASA/ARC Information Sciences Division

In the pursuit of increasing the signal to noise ratio in this group,
it would be really nice if people change the Subject: line (however
slightly) to let people know the topic has changed (and the true
nature of the contents).

Thanx.
From: cde@mulka (Colin Entwisle)
Newsgroups: rec.music.makers.guitar
Subject: companion
Date: 25 Jan 1993 00:20:02 GMT
Organization: University of Melbourne
NNTP-Posting-Host: mulka.ph.unimelb.edu.au
X-Newsreader: TIN [version 1.1 PL8]




	anyone know or own a 

	companion amplifier physcodelic machine?

	its got mood (like boss vibrato) and fuzz

	on the one i know the fuzz setting comes with
a very serious volume drop - on full volume - which makes
it unique amongst my fuzz pedals
	actually damn annoying - 

	anyone know if this is a fault in this particular unit
	or a generic traight of this effect!

	CE
Newsgroups: rec.music.makers.guitar
From: npstewar@eos.ncsu.edu (NATHAN PHILLIP STEWART)
Subject: Re: Fender Strat
Originator: npstewar@c00480-224wi.eos.ncsu.edu
Reply-To: npstewar@eos.ncsu.edu (NATHAN PHILLIP STEWART)
Organization: North Carolina State University, Project Eos
Date: Thu, 28 Jan 1993 19:25:30 GMT



>> phase-shift pickups. 

That anything like phase reveral of pickups or series/parallel switching.?
Throw away your Mutron and get one of these!

Nate
thinking hard to come up with a cool sig
From: harley@bu-ast.bu.edu (Harley Erickson)
Newsgroups: rec.music.makers.guitar
Subject: FOR SALE: Electric Guitar - Flying V
Date: 27 Jan 93 14:26:08 GMT
Distribution: ne
Organization: Astronomy Department, Boston University, Boston, MA, USA
Originator: harley@bu-ast.bu.edu


    
     Must Sell - Cheap!!

     FOR SALE:  Dean baby FLYING V Electric Guitar

          - 2 pickups, vintage humbucker in bridge position and EMG
            Select single coil in neck position. Guitar is set
            up so both operate simultaneously.

          - non-tremelo bridge consisting of partial Kahler
            tremelo that can be converted easily back to 
            tremelo.
          
          - in great condition, with new V gig bag
          - satin finish neck with rosewood fingerboard
          - has white original paint headstock, but body
            is plain wood   
            or you can   paint/decorate it as you wish!)
          - Thick tube-like sound. Great for heavy music
               or grunge.
          - a little smaller than a full-size V

                 $150   Please e-mail harley@bu-ast.bu.edu
                        if interested.

  Harley Erickson


Newsgroups: rec.music.makers.guitar
From: JOHNSON@zeus.ahabs.wisc.edu (Scott C. Johnson)
Subject: Re: Digitech GSP21
Followup-To: rec.music.makers.guitar
Organization: University of Wisconsin - Madison
Date: Wed, 20 Jan 93 21:40:13 GMT


In article <1jficnINNi6h@access.usask.ca> speiser@skorpio.usask.ca (SED's
Russ Speiser) writes:
>I just tried out the GSP21 in a store running stereo with two
>fender amps set as clean as possible.  I was quite impressed with what I
>heard - the hardest thing to get on these processors seems to be a good            
>distortion sound, and this one sounded pretty good (on two of the four
>possible distortion types - the others were lousy).


For what it's worth, I have used several digitech products.  Most recently
I had a Digitech 256XL, which at the time I thought was great except for
the level of noise it generated.  I have found this to be a common
complaint regarding Digitech products.  I must admit I only tried the GSP21
for a short period of time so I may not be completely qualified to comment
on that particular model.  But, here goes, in the same sitting I also
played an ART SGX2000, an Alesis Quadraverb GT, and a rack mounted Zoom.  I
must say that I was impressed most with the SGX2000.  I was able to
completely tailor my sound to my liking.  This was also possible to some
extent with the other units, but the seven "tone" control pots on the front
of the SGX may it extremely easy to accomplish this in real time.  Since
then I have purchased an SGX2000 and the X-15 foot controller.  I feel that
together they make the SGX one of the most versitile effect processors on
the market.  So to sum all this up if you like the GSP21 and haven't tried
the SGX2000, give it a test drive, I think you will be pleased. 

Scott C. Johnson
University of Wisconsin - Madison
JOHNSON@zeus.ahabs.wisc.edu
Newsgroups: rec.music.makers.guitar