HDTenEightyP/NetNews huggingface dataset:
From: bfkelly@afterlife.ncsc.mil (Blair Kelly III)
Newsgroups: rec.arts.theatre
Subject: Shakespeare Reading Group
Date: 1 Jan 93 02:52:32 GMT
Distribution: na
Organization: The Great Beyond

Announcement

The Washington D.C. Shakespeare Reading Group is an informal group
which meets approximately once a fortnight to read and discuss 
one of the plays by William Shakespeare.  Members take turns
reading various characters, trying to put as much "acting"
into their voices as possible.

New members are always welcome.

Our schedule for the next two months is:

Fri Jan  8  Henry VI Part 3
Sat Jan 23  The Comedy of Errors
Fri Feb  5  Titus Andronicus
Sat Feb 20  Richard III 

All meeting begin promptly at 7:30 pm.  Meetings on Saturdays
are preceded by a potluck dinner which begins at 6:15 pm.

Meetings are held in the basement of 

                The Palisades Community Church
                5200 Cathedral Avenue, N.W.
                Washington, D.C. 20016
                (202) 966-7929

------------------------------------------------------------------

Two Questions

1.  If this is not the appropriate newsgroup in which to post this,
my apologies, and can you direct me to the appropriate newsgroup?

2.  If anyone knows of any other Shakespeare reading groups, I would
very much appreciate hearing about them.  The only other one
of which I am aware is in Cheltenham, England.

---
Blair  Kelly III             bfkelly@afterlife.ncsc.mil
Speaking only for myself ...
Newsgroups: rec.arts.theatre
From: clavazzi@nyx.cs.du.edu (chuck lavazzi)
Subject: Re: phantom version not alw
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Thu, 31 Dec 92 05:34:51 GMT

In article <1992Dec24.104535.20852@nntp.hut.fi> p38448n@puukko.hut.fi (Timo Saarto) writes:
>
>Hello,
>
>now this is most likely a faq, as even I remember seeing a thread 
>of this a while ago; nevertheless as I don't remember the outcome of
>the thread here goes:
>
>How does the Phantom by Kopit/Yeston compare with that of ALW ?
>
>	- music ?
>	- story ?
>	- other ?
>
>	- most important, worth shoveling out $60 ?
	Well...I have yet to see Lloyd-Webber's "Phantom" (it won't get to
St. Louis until the fall of '93) but the Kopit/Yeston version is on the 
boards locally.  Musically it's nowhere near as memorable as the Lloyd-
Webber, and the story line is revisionist to say the least.  A thumbnail
review:  entertaining (assuming your cast is a good one) in a small-scale
way.  Kopit and Yeston apparently decided to go for simplicity and intimacy
instead of spectacle, and it works well on that level.
	$60?  I dunno.  We saw it on press comps.....>:-)>
The_Doge

Newsgroups: rec.arts.theatre
From: rs54@cunixf.cc.columbia.edu (Richard Sucgang)
Subject: Re: Chess
Reply-To: rs54@cunixf.cc.columbia.edu (Richard Sucgang)
Organization: Columbia University
Distribution: usa
Date: Wed, 23 Dec 1992 00:04:16 GMT

According to the PlayBill, Tim Rice wrote the definitive
version for the Off Bway revival last year, with J. Mark McVey
as Anatoly in the Master Theatre. Admittedly, I was dying to
see the show, after hearing and loving the music all this time.
I was one of the first people to get tickets :).


-rich
Richard Sucgang  : Dept. of Anatomy and Cell Biology Columbia University
(sucgang@cuhhca.hhmi.columbia.edu | rs54@cunixf.cc.columbia.edu)
"...Dr. Jekyll and Mr. Hyde, individually, collectively or otherwise."
From: jholstei@scott.skidmore.edu (jeremy holstein)
Newsgroups: rec.arts.theatre
Subject: Re: Steve Barton
Date: 27 Dec 92 19:55:37 GMT
Article-I.D.: scott.1992Dec27.195537.1065
Organization: Skidmore College, Saratoga Springs NY

stranger@watserv.ucr.edu (Katherine T Lim) writes:
> 
> Steve Barton appeared in "Phantom" as Raoul,
> but he did more of a disappearing act than
> the Phantom himself.  Does anybody know
> his professional whereabouts since POTO?

As of 1990 he WAS the Phantom on Broadway....

-- 
This is my sig file.
Newsgroups: rec.arts.theatre
From: llamas@itd.itd.nrl.navy.mil (Winston Llamas)
Subject: Lea's Les Misc schedule
Reply-To: llamas@itd.nrl.navy.mil
Organization: Naval Research Lab, Washington, DC
Distribution: usa
Date: Tue, 29 Dec 1992 16:11:04 GMT

This is probably a FAQ, so I apologize in advance.  When is Lea Salonga 
scheduled to perform in Les Miserables?  Will she be performing on all shows
during the week?  If not, when?  Thanks for any info.

Winston
--
#========================================================#
# Winston M. Llamas       email: llamas@itd.nrl.navy.mil #
#========================================================#
From: pape@rd1.interlan.com (Donna Pape)
Newsgroups: rec.arts.theatre
Subject: Guys and Dolls
Date: 28 Dec 92 18:49:39 GMT
Organization: Racal-Datacom, Sunrise, FL

For anyone interested, I saw that E! is going to have a "Behind the
Scenes" at "Guys and Dolls" this coming weekend (2-3 Jan).  I hope
it's as entertaining as the "Guys and Dolls" special about making
the cast recording!

Donna
Newsgroups: rec.arts.theatre
From: hudu@well.sf.ca.us (Scott Marley)
Subject: Re: South Pacific question
Organization: Whole Earth 'Lectronic Link
Date: Sat, 26 Dec 1992 03:59:14 GMT


Re Nellie Forbush's hometown, this is from the very first scene of the show:

EMILE: Who is not running away from something?  There are fugitives
everywhere--Paris, New York, even in Small Rock--  [NELLIE looks puzzled]
Where you come from...

NELLIE: [bursting out laughing] Oh, Little Rock!

Scott Marley
hudu@well.sf.ca.us
Newsgroups: rec.arts.theatre
From: bunnyman@leland.Stanford.EDU (Edwin Chen)
Subject: "King and I" recording
Organization: DSG, Stanford University, CA 94305, USA
Date: Sun, 3 Jan 93 19:26:05 GMT

Not sure if this has been mentioned before, but how are the
reviews for the new "King and I" recording?  Also, how large
is the role of Lea Salonga in the recording.  I am not familiar
with the story so I don't know how much her character sings.
Newsgroups: rec.arts.theatre
From: rs54@cunixf.cc.columbia.edu (Richard Sucgang)
Subject: GoodBye Girl in Chicago?
Reply-To: rs54@cunixf.cc.columbia.edu (Richard Sucgang)
Organization: Columbia University
Date: Wed, 23 Dec 1992 00:01:50 GMT

I have it on very good information (yes Andrew, you know)
that GoodBye Girl, with Martin Short and Bernadette Peters is
playing in Chicago. Can someone please tell me which theatre it is
in? If you've seen it, what do you think?


-rich
Richard Sucgang  : Dept. of Anatomy and Cell Biology Columbia University
(sucgang@cuhhca.hhmi.columbia.edu | rs54@cunixf.cc.columbia.edu)
"...Dr. Jekyll and Mr. Hyde, individually, collectively or otherwise."
From: kilroy@access.digex.com (Donna Lettow)
Newsgroups: rec.arts.theatre
Subject: Re: Production rights to "Chess"
Date: 24 Dec 1992 21:13:25 GMT
Organization: Express Access Online Communications, Greenbelt, MD USA
NNTP-Posting-Host: access.digex.com


Hello?  Did you say version of "Chess" currently touring the US?

WHERE?  WHERE?  WHERE?  Have Mastercard, Will Travel.
Newsgroups: rec.arts.theatre
From: tomp@acpy01.att.com (Tom Purcia (CXNIXPT1))
Subject: Re: Chess
Organization: AT&T IMS - Piscataway, NJ (USA)
Distribution: usa
Date: Mon, 21 Dec 1992 14:45:31 GMT

In article <102795@netnews.upenn.edu> ijgordon@eniac.seas.upenn.edu (<*Ian J Gordon*>) writes:
>
>In article <1h2mpgINNhua@bigboote.WPI.EDU> dewitt@wpi.WPI.EDU (Jeffrey Dewitt Waldin) writes:
>
>  I believe that this "new" version was one reworked for the Paper Mill Play-
>house in Millburn, NJ (correct me if I am mistaken). It is definitely a combo
>of both versions. For example, the settings are the same as in the B'way 
>version and "Someone Else's Story" and "Apukad Eros Kazen" are included, but 
>also some music cut out of the B'way version such as "The Deal" and "Argument" 
>is in the new one. Also, the ending is the same as in London (If I remember
>correctly), but I won't give that away. I can see why, because I was disgusted 
>when I read the synopsis of the B'way version in the CD (I never saw it on
>B'way). My school recently put on a production of the new version, and the 
>story was much improved. If you saw and didn't like the B'way version and this
>new one pops up in your area, i recommend you go see it. 
>
> 	Ian

I had the pleasure of seeing the version at Paper Mill Playhous. Yes, they did
rework the ending and the begining of the show but the stayed fairly close to
the B'way version. They tried to give the story a happy ending but IMHO it 
really did not work.    

As I said they also changed the begining of the show. The Story Of Chess is
sung by the Arbitor and then Florances father sings "The Hungarian Lullaby"  
to her as she escapes Hungary.

All in all it was an interesting show but I can see why it never lasted on 
B'way. The music is great but the story is very awkward and unbelievable. 

Tom Purcia
AT&T IMS
attmail!tpurcia

Newsgroups: rec.arts.theatre
From: rs54@cunixf.cc.columbia.edu (Richard Sucgang)
Subject: Re: Lea Salonga albums
Reply-To: rs54@cunixf.cc.columbia.edu (Richard Sucgang)
Organization: Columbia University
Date: Sun, 3 Jan 1993 21:03:03 GMT

In article <1993Jan3.203816.13638@leland.Stanford.EDU> bunnyman@leland.Stanford.EDU (Edwin Chen) writes:
>Does anyone out there know if any of Lea Salonga's earlier albums
>are available?  I've read in places that she made a few recordings
>in Manila when she was younger, and I'm curious what they sound like.
>Thanks!
>ed

Well, I was in Manila way back in Sept., and yes, I did check for the earlier
recordings (the most famous one being Small Voice), Apparently, stores
have emptied all their stocks in favor of her latest album which I think
was recorded shortly after Ms Saigon. It sounds rather cheesy.

The recordings she made when she was younger show an innocent appeal. She
was after all a child star who I admired while growing up (in the
Philippines). Small Voice was a song that won a UN competition, and she
got to sing it. I remember her also as being the spokesperson for KLIM
commercials.


Newsgroups: rec.arts.theatre
From: murray@aristotle.ils.nwu.edu (Thomas Murray)
Subject: Re: GoodBye Girl in Chicago?
Organization: The Institute for the Learning Sciences, Evanston, IL
	<1992Dec23.212312.28204@news.acns.nwu.edu>
Date: Thu, 31 Dec 1992 06:11:37 GMT

THE GOODBYE GIRL started playing the Tuesday before X-mas (Dec. 22nd)
and officially "opened" in Chicago on Dec. 29th.  Reviews should
already be out.  Alas, I am in LA, and unable to get a Chicago Tribune
to check for reviews.  I do hope some other Chicago "regulars" will
keep an eye open for these.

I personally already have tickets for Jan. 26th, just before it leaves
for B'way.  If no one has posted a review by then, I'll make sure I
do.  We might be fortunate to get a review from our very own Jon
Conrad, though.  I believe he is/was in Chicago for the Holidays.  He
might also be able to provide us with a review of the Kopit/Yeston
PHANTOM which is also running in Chicago.  Well, Jon?

-tom

Newsgroups: rec.arts.theatre
From: pyramus@leland.Stanford.EDU (Jeffrey Brooks Meador)
Subject: Re: Falsettos...
Organization: DSG, Stanford University, CA 94305, USA
Date: Tue, 22 Dec 92 03:42:53 GMT

Falsettoes is a FABULOUS show.  it is a very poignant show, and addresses
the issues of homosexuality in such a way that is effective while not
beating you over the head with it.  it has very many light moments that
turn out to be downright hysterical (see the "i'm breaking down" number).
this is definitely a must see.  the songs are beautiful ("what would i
do" is one of the best).  if you are going to be in the new york area,
definitely check it out.  it has a lot of critical acclaim, and deservedly
so.


Newsgroups: rec.arts.theatre
From: M02449@mwvm.mitre.org (Joe Gems)
Subject: Production rights to "Chess"
Organization: The MITRE Corporation, McLean VA 22102
Date: Thu, 24 Dec 1992 19:32:35 GMT

 
Can anybody tell me anything about getting rights to stage a production of
"Chess" other than the version that is available from Samuel French (this
version, the only version I know of available for production, is the version
that flopped on Broadway)? I am looking for a rental and rights source for
either the original London version, or the revamped version now touring in the
US, which supposedly combines the best aspects of both the London and B'Way
versions.
 
Thanks for any information you can provide.
 
    Joe Gems
 
Newsgroups: rec.arts.theatre
From: bunnyman@leland.Stanford.EDU (Edwin Chen)
Subject: Lea Salonga albums
Organization: DSG, Stanford University, CA 94305, USA
Date: Sun, 3 Jan 93 20:38:16 GMT

Does anyone out there know if any of Lea Salonga's earlier albums
are available?  I've read in places that she made a few recordings
in Manila when she was younger, and I'm curious what they sound like.
Thanks!
ed
From: forsburg@vax.path.ox.ac.uk
Newsgroups: rec.arts.theatre
Subject: kurt weill
Date: 1 Jan 93 16:57:46 GMT
Organization: Oxford University Molecular Biology Data Centre
Nntp-Posting-User: forsburg

Happy New Year, everyone.....time to start those new conversational 
threads!

Last night, the BBC broadcast a one hour joint BBC/German TV show
called I'M A STRANGER HERE MYSELF, about Kurt Weill's career after he
moved to the US.  Brief excerpts from the works in question were 
performed by a number of artists, including Judy Kaye.  If it hasnt 
been broadcast in the US yet (it's only an hour long), keep your eyes 
out for it on A&E or PBS etc. etc.

WEll, I know that Weill wrote Threepenny Opera and Street Scene and
Lady in the Dark, but I dont actually _know_ them.  And I didnt know 
many of the other scores mentioned.  Would anyone care to 
comment on their favourite Weill works and recordings, and where they 
recommend the newcomer begin listening?

Hope '93 treats us all favourably,

	susan
% % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % 
S L Forsburg  		forsburg@vax.path.ox.ac.uk      
Biochemistry Dept
Oxford University
 
Newsgroups: rec.arts.theatre
From: myrab@cbnewsg.cb.att.com (myra.bronstein)
Subject: Bonnie Scott (aka Rosemary in "How to Succeed..." on Broadway)
Keywords: talent, boffo
Organization: AT&T
Date: Mon, 28 Dec 1992 18:20:10 GMT

I recently purchased and listened to the original Broadway
cast album for "How to Succeed in Business...," and heard
Bonnie Scott in the role of Rosemary.  (Until now I'd 
thought that Michelle Lee originated the role, but the
liner notes explained that Lee took over the role from
Scott.)

**>Here's my question:
Does anyone know what else Bonnie Scott appeared in?
Plays--esp musicals--esp musicals with cast albums, movies,...
anything.

I think she is absolutely fantastic.  Her voice is
powerful and full of expression, which comes through on
the cast album and punctuates the song lyrics
much as Robert Morse and Faith Prince are able to do.
I like Michelle Lee in the movie version, but after
hearing the album I'm sorry that Scott wasn't in it instead, 
and I'm also sorry that they cut some of
her wonderful songs like "Happy to Keep his Dinner Warm,"
and "Paris Original."  There was some recent discussion here
of those missing songs, and now I understand the regret that
was expressed.  Well, I'm glad they're preserved on the album.

(BTW, the liner notes gave some more interesting info.
The show was written with Robert Morse in mind; from the
beginning he was "the one and only choice for the role
of J. Pierpont Finch."  From the time "How to..." had
financing and had secured Burrows and Loesser, it was
tailored for Morse's talents.  I'm glad to find that out
because I think Morse is one of the most talented 
performers I've ever seen.)

Thanks in advance for any info.

Myra
From: dewitt@wpi.WPI.EDU (Jeffrey Dewitt Waldin)
Newsgroups: rec.arts.theatre
Subject: Re: "Cats" lyrics
Date: 22 Dec 1992 03:31:30 GMT
Organization: Worcester Polytechnic Institute
NNTP-Posting-Host: wpi.wpi.edu

In article <1992Dec20.235935.19177@news.cs.brandeis.edu> st923058@pip.cc.brandeis.edu writes:
>	Lyrics (taken from T.H. White's poem, 'Old Deuteronomy'):
>	  "Well, of all things! Can it be? Really?
>	  "No! Yes! Ho! Hi! Oh, my eye! [a common exclamation in Victorian
>England, roughly analagous to "No Way!"]
>	  "My mind may be wandering,"...etc.
>	Did not see London production--saw it in a very nice little production
>in Boston. The Boston cast said "No! Yes!"
>
>Jessica Raine | st923058@pip.cc.brandeis.edu
>"By the pricking of my thumbs, something wicked this way comes."--The Bard
>"I once was a Pirate as sailed the 'igh Seas
>"But now I'm retired as a Com-missionaire"--"Cat Morgan Introduces Himself,
>", a fantastic Cat poem from T.H. White's "Old Possum's Book Of Practical
>Cats" which unfortunately did not make it into the stage play

Minor point that the poems are by T.S. Eliot (I have the book) 
T.H. White is "The Once and Future King" on which "Camelot" was based.
Newsgroups: rec.arts.theatre
Subject: SUGARPLUMS!!!!!!
From: stover@ab.wvnet.edu
Date: 24 Dec 92 16:09:17 -0500
Organization: Alderson-Broaddus College

does anyone have a script or know where I can get one for a plat I saw on
A&E called"I think It's Called the Sugarplum" with Ione Skye?  Any help would
be appreciated....

Newsgroups: rec.arts.tv
From: dmb@world.std.com (Deborah M Brown)
Subject: Re: Kids in the Hall humor sick and jaded?
Organization: The World Public Access UNIX, Brookline, MA
Date: Thu, 31 Dec 1992 19:41:51 GMT

In article <1992Dec31.172635.6809@ils.nwu.edu> pautler@ils.nwu.edu (David Pautler) writes:
>> After my original posting acclaiming the merits of the
>> kids in the hall (sic boys in the hall) I have received
>> a number of e mail notes from people decrying it as
>> merely sick and jaded, hardly humor.

>This really surprises me.  Do these people enjoy SNL?  Criticizing
>"In Living Color" on these grounds I can understand, but "Kids in the Hall"?

I haven't seen SNL in quite a while, so I can't comment.  I don't watch 
In Living Color, so I can't comment on that either.

I DO watch Kids in the Hall and find them hilarious!  Those people are
insane - they have to be.  I am by no means fond of sketch comedy, and
for those people to make me enjoy their sketches, they *have* to be nuts.
I *love* those guys!! :-D

I never miss them on Comedy Central.  I just hope they don't wait too
long to show the new CBS installments!

>If you're one of this group, would you explain what's so offensive?

That's what I'd like to know.

No, wait.  I do know.  It's the homosexual humor, isn't it?  Scott Thompson
is openly gay and uses it in some of the sketches.  Is that it?  What
else could it be?


-- 
*********** "Oh shut up, Frank!"  Dr. Clayton Forrester, MST3K *********
Disclaimer: "Disclaim THIS, pal!" (Crow bit me - it IS fun!)
Internet:   dmb@world.std.com   -or-   dmb7229@ultb.isc.rit.edu 
Debbie Brown | Prodigy: NCNX32A | America OnLine: misty15930@aol.com
From: HF.ZMF@forsythe.stanford.edu (Miriam Ferziger)
Newsgroups: rec.arts.tv
Subject: Re: QL:  What Price Gloria? (also Double Trouble)
Date: 30 Dec 1992 08:54:09 -0800
Organization: Stanford University
Distribution: usa
NNTP-Posting-Host: morrow.stanford.edu

In article <1hsfeoINNfo7@usenet.INS.CWRU.Edu>,
bl375@cleveland.Freenet.Edu (Brian G. Greenberg) writes:
>
>I just saw this episode last night on USA.  I thought it was pretty good.
>I have a quick question about Gloria.  Who played her?
>
>I think that it was one of the Segal twins that played in the 80's TV hit
>Double Trouble.  Is this correct or was I mistaken?

Jean Sagal played Gloria and Lisa played Gloria's mirror image. (assuming
we have the names correct :-)

All of the mirror shots in that episode were actually double sets with
Scott and Jean on one side of a non-mirrored piece of glass and Lisa and ??
on the other side.  This technique was used for a few of the early
episodes, but proved much too expensive to continue using

Miriam Ferziger                            miriamf@forsythe.stanford.edu
To leap, perchance to dream
--Me
From: langbein@pilot.njin.net (John Langbein)
Newsgroups: rec.arts.tv
Subject: Re: TV signal amplifiers
Date: 21 Dec 92 23:18:39 GMT
Organization: Information Builders, Inc.
To: PNCSPPC@ccvax1.cc.ncsu.edu

In article <9212210118.AA12642@ncsuvx.ncsu.edu> PNCSPPC@ccvax1.cc.ncsu.edu writes:

> My parents live in a remote area where TV reception is rather poor.  I was
> wondering if a TV signal amplifier might improve reception.  Do those
> things really work?  If so, I'd be interested in hearing recommendations.
> Since my Usenet newsgroup access is variable I'd appreciate replies by
> e-mail.  Thanks.

Just for general info....

1) This probably would be best directed to rec.video.

2) My parents used one at their house and it helped the signal by a
significant amount. They had a 2 piece in line model. I have tried the
'box' model. my problem was minor, and it was enough.

I reccomend going to Radio shack. They have a 30 day money back
guarentee on all parts. Try it. If it don't work, return it.

				John
-- 
D-----------Phone:<908>494-0209--------Office:<212>736-4433---------------C
E|ARPA: langbein@pilot.njin.net  USPS: 26B Brunswick Av Metuchen NJ 08840|H  
A|UUCP: !rutgers!pilot!langbein  WORK: 1250 Broadway New York NY 10001   |E
T|Quote: "Holy Cow!" The Scooter  Nickname: The Doctor/The Fugitive      |A
H----"It's-like-putting-a-B-flat-in-my-A-sharp-concerto!"---Adam--NEXP----T
From: unknown@Apple.COM (Matt Ackeret)
Newsgroups: rec.arts.tv
Subject: Re: Racism and fried food (Was: Where is Lake Edna? (KFC))
Date: 31 Dec 92 02:06:02 GMT
Organization: Apple Computer Inc, Cupertino, CA

In article <1992Dec30.184601.18319@ms.uky.edu> kherron@ms.uky.edu (Kenneth Herron) writes:
>Yes, society still has gender roles.  Saturn isn't trying to change 
>society, they're trying to sell cars.  I seriously doubt that commercial
>set the movement back more than a day or so. :-)

Uhh, I realize it's not what you were thinking.. But I would (in a nice
way) argue that Saturn (and their parent, GM) *is* trying to change society.
They're trying to get America to buy American cars! That's sure changing
society.. heh heh..	Also, isn't Saturn itself run in many ways
like Japanese car companies are? They're doing many things differently.
-- 
unknown@apple.com		Apple II Forever
unknown@ucscb.ucsc.edu  These opinions are mine, not Apple's.
Newsgroups: rec.arts.tv
From: gld@cunixb.cc.columbia.edu (Gary L Dare)
Subject: Re: Top Ten Females on TV
Reply-To: gld@cunixb.cc.columbia.edu (Gary L Dare)
Organization: The Bates Motel
Date: Thu, 24 Dec 1992 06:41:35 GMT

[Posted for your flaming pleasure ...]

1. (Cheryl) Gates McFadden, Star Trek: The Next Generation (Dr. Bev Crusher)
2. Michelle Forbes, Star Trek: The Next Generation (Ensign Ro Laren)
3. Denise Crosby, Star Trek: The Next Generation (Lt. Tasha Yar)
*4. Sheila Kelley, L.A. Law/E.N.G. (90-91)
*5. Sarah Botsford, E.N.G. (CTV (Canada)/Lifetime Network) ("Ann", the Producer)
*6. (Louise) Robie, Friday the 13th: The Series ("Micki")
*7. Deborah Duschene, Forever Knight ("Jeanette")
8. Amy Locaine, Melrose Place ("Sandy")
9. Dana Delaney, China Beach (ABC/Lifetime)
*10. Charlotte Ross, The Heights ("Hope")

* Canadian 

Honourable mentions: Jocelyne St.-Onge* (Mount Royal - CTV/TFI/TV
Suisse), Mag Ruffman* ("Olivia King", Avonlea - CBC/Disney), Gema
Zamprogna* ("Felicity King", Avonlea - CBC/Disney), Susan Walden*
("J.L. Duval", Danger Bay - CBC/Disney).

gld

Disclaimer: not blind nationalism, just limited TV viewing (I didn't even
realize some of those shows were Canadian 'til I noticed an odd familiarity
of some street scenes ... former Toronto resident, 1984-1986)
--
~~~~~~~~~~~~~~~~~~~~~~~~ Je me souviens ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Gary L. Dare
> gld@cunixd.cc.columbia.EDU 		Support NAFTA
> gld@cunixc.BITNET			 Eat Mexican  (El Teddy's ad)
Newsgroups: rec.arts.tv