HDTenEightyP/NetNews huggingface dataset:
From: Patrick Parker <pharmacy@epx.cis.umn.edu> 
Subject: Hellraiser III, Why????
Reply-To: pharmacy@epx.cis.umn.edu
Organization: University of Minnesota
Distribution: na
Date: Tue, 6 Oct 1992 17:32:13 GMT

I don't know if this has been discussed previously, but I just wanted to
forewarn all interested individuals, DON'T SEE IT!!!!  Okay, you may see it,
but for the sake of sanity, don't pay full price to see this flick.

This movie is pure nonsense.  It's not that I'm not into this type of film, in
fact, I liked Hellraise I, and found Hellraiser II okay.. but this last one is
rehashed garbage.  Not only is there no thought put into the plot and/or story,
there isn't anything new introduced.  It's our basic struggle of man vs. the
monster he created.

If you ever decide on seeing it, wait until it's out on VHS.  You'll thank me.

If you want more detailed reasons (which entails spoiling parts) ask..

Patrick Parker
pharmacy@epx.cis.umn.edu
Newsgroups: rec.arts.movies
From: gmark@cbnewse.cb.att.com (gilbert.m.stewart)
Newsgroups: rec.arts.movies
Subject: Re: Name this Movie, win Gold Ingots
Date: 5 Oct 92 22:17:04 GMT
Organization: AT&T

In article <1992Oct5.184034.11714@tandem.com> Montague_Kevin@Tandem.com (Kevvy Kev) writes:
>Okay, I had to get you to read it somehow:
>
>It's been eating at me all weekend, and I'm sure many of you know the feeling.
>So, sorry for pestering you BUT: can anyone name the highly-forgettable movie
>about a yuppie couple that gets into cocaine, then one of them decides to start

Was James Woods in it?  I remember it having something to do with an
alternate name for a "high".  Something like "The <noun describing a high>".
The Fix?  The...  Damn.

Now I'm really reaching, but was it the one that got Sean Young and
James Woods together?

GMS
From: amymw@chaos.cs.brandeis.edu (Amy Wisotsky)
Newsgroups: rec.arts.movies
Subject: Re: SNEAKERS question
Date: 5 Oct 92 15:49:35 GMT
Organization: Brandeis University

dly@vms.macc.wisc.edu writes:


>What does SNEAKERS stand for?  I didn't catch any reference to it
>during the movie.  I've even tried to make other words out of the
>letters, but I'm stumped.  Any one know?

I've come up with two possibilities for this:   

1)  refers to the people "sneaking" around, breaking into codes, etc.

2)  refers to footwear.  If you remember, when the two guys came to
talk to Marty the first time, one of Marty's workers told him
"shoes...expensive ones"  (possibly not exact words) to describe what
type of people the visitors were.

If anyone has any other suggestions, I'd love to hear them.

								-Amy-
								 :)
----                                      
Amy M. Wisotsky -- amymw@chaos.cs.brandeis.edu 
"Once upon a time, in your wildest dreams...." 
				-Moody Blues   
        				  ----
Newsgroups: rec.arts.movies,alt.cult-movies
From: donnell@squid.micro.umn.edu (Your Heinous)
Subject: Re: the absolute worst movie of all time, so bad it's bad
Organization: none
Date: Sat, 26 Sep 1992 16:09:41 GMT

In article <1a1j25INNlt6@gap.caltech.edu> jittlov@gumby.cs.caltech.edu (Mike Jittlov) writes:
>hennessy@acsu.buffalo.edu (DOG BASEBALL!!!) writes:
>
>>	you've all seen bad movies.  bad movies which are so bad they're
>>hilariously funny.  bad movies so bad that the dialogue from the audience
>>makes it good.  however, I have just seen the absolute worst movie in my
>>entire life.  so bad, not even the guys at MST3K would touch it with a ten
>>meter cattle prod.  you wanna know what it is?  you sure?  well, alright then,
>>you asked for it...
>>
>>	OCTAMAN
>
>
>Eau to the contraire!  CASABLANCA is to OCTAMAN, as OCTAMAN is to
>
>                       d:  THE WIZARD OF MARS  :p
>
>TV Guide's capsule summary, when TWOM first showed on Los Angeles
>television:  "Four people land on Mars, and can't wait to leave."
>
>Any film editor seeing this film will immediately feel good about
>any project he/she is working on.  If you can revive said editor.
>Hysterical laughter uses up a lot of oxygen & energy.
>
>Even edges out my OWN film, for this position.
>
>________________________________________ ___._`.*.'_._ ________
> Mike Jittlov - Wizard, etc       .   . +  * .o   o.* `.`. +.  
>  Hollywood, CA 90026-2714       '   *  . ' ' |\^/|  `. * .  *
>jittlov@gumby.cs.caltech.edu  (: May All Your  \V/  Good Dreams
>  <& alt.fan.mike-jittlov>    and Fine Wishes  /_\  Come True:)
>============================================= _/ \_ ===========
>
>

Heheheheheh. I saw this on KCOP-13 in LA a loooong time ago. I came in a little
late, and didn't figure out what I was watching til years later. John
Carradine gives a real screamer of a performance as "the Wizard".
But I still think "Wizard Of Mars" is "Battleship Potemkin" when compared
to the excruciating terror that is "Malibu High"...
<All IMHO>
					--Judex--
From: jameskau@aludra.usc.edu (James Kaufman)
Newsgroups: rec.arts.movies
Subject: HOFFA
Date: 4 Oct 1992 23:46:31 -0700
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: aludra.usc.edu

Just caught a screening of HOFFA (I believe the first screening) at twentieth
century fox.  It was a pretty rough draft (no titles, credits, or original 
score), but I really enjoyed it.  Nicholson was incredible, and DeVito was
surprisingly good -- I've seen him do great comedy, but I was impressed with
his dramatic performance.  A lot of the problems I had with HOFFA may have
just been that it hadn't been perfected yet; there were lots of scenes that
seemed to have no real point, and it didn't all tie together as well as it
could have.  As a disclaimer, I saw it with five friends, none of whom liked
it as much as I did; a few said they weren't quite sure of the point, and
I agree with some of their criticisms.  It didn't examine Hoffa the man as
well as it could of.  But I liked it, and would recommend it when it comes
out (which I believe is Christmas).
It also starred Armand Assante, J. T. Walsh, Robert Prosky, and Bruno Kirby.

James Kaufman
jameskau@aludra.usc.edu
From: zap@savage.UUCP (Zap Savage)
Newsgroups: rec.arts.movies
Subject: Re: Geena Davis in A League of Their Own
Date: 1 Oct 92 17:56:38 GMT
Article-I.D.: savage.988
Organization: Savage Research, Inc. (San Diego, CA, USA)

In <philip.717826209@labtam>, philip@labtam.labtam.oz.au (Philip Stephens) writes:
> Brett Daniels writes:
> >Did Geena Davis play both the young and old (about 65 y.o) 
> >Dotti Hinsons in "A league of their own".  I saw it recently 
> >and thought that she didn't however other people say Geena 
> >played Dotti at both ages.  Who is correct.
>   You are.  I was curious about this myself when I saw the film, so I carefully
> read the credits to determine whether it was Geena Davis in makeup or another
> actress.  It was another actress--credited as "old Dotti" :-)

Listening to the voice, however, I'd almost be willing to bet that Geena
dubbed the voice, just to get it perfect.

Zap
---
Zap Savage, Savage Research, Inc.
"When I'm playful I use the meridians of longitude and parallels of latitude
for a seine, and drag the Atlantic Ocean for whales.  I scratch my head with
the lightning and purr myself to sleep with the thunder."
	- Life on the Mississippi, Mark Twain
Newsgroups: rec.arts.movies
From: st1sq@Elroy.UH.EDU (Charles Foster Kane)
Subject: Re: Scorsese's "The Age of Innocence"
Reply-To: st1sq@Elroy.UH.EDU
Organization: University of Houston
Date: Fri, 2 Oct 1992 06:07:57 GMT

In article <1992Oct1.120608.4477@desire.wright.edu>, erobinette@desire.wright.edu writes:
>I was wondering if anyone knows anything about Martin Scorsese's new film
>"The Age of Innoceence" based on the Edith Wharton novel. I'd like
>to know A) what it's about, B) the plot synopsis and C) the thechnical credits.

I don't know the answer to A, B, or C....

>Clue me in... 

BUT...

I am a die-hard Scorsese fan, and the news is not good. You've probably already
heard that the movie is being delayed until LATE 1993 !!

They say that it's running behind and wouldn't make the New Year deadline, so
it'll be pushed back almost a whole year to help its Oscar Chances.

HOWEVER...I've heard that the real reason is that, so far- the film >sucks<.
They say 'Marty' just ain't the right director for this type of film.

They hope that some money and a no-pressure editing enviornment will give
Mr. Scorsese the tools to turn the movie inside-out and make it a masterpiece.

I'll see it regardless. I have faith in Scorsese!
Xref: sparky rec.arts.movies:29243 rec.arts.sf.movies:7632 alt.cult-movies:8553
Newsgroups: rec.arts.movies,rec.arts.sf.movies,alt.cult-movies
Subject: Re: My (NSH) opinions on the changes in Blade Runner
From: ace@kryton.UUCP (Catherine Beckstead)
Date: Mon, 28 Sep 92 11:57:34 PDT
Organization: Paradox Alley F&SF BBS 805-492-8789

jk87377@cc.tut.fi (Juhana Kouhia) writes:

> 
> In article <1992Sep21.183144.4214@cs.sfu.ca> jamie@cs.sfu.ca (Jamie
> Andrews) writes:
> >
> >   THE (spoiler rules ok) IS LIFTED FROM THE MOVIE
> >   THAT RIDLEY SCOTT MADE AFTER _BLADE RUNNER_, _LEGEND_.
> 
> When the Legend was made? (Also when it was released?)
> 
> Juhana Kouhia

_Legend_ was released in 1985.  I assume it was made within that year as
well.


-------------------------------------------------------------------
Catherine Beckstead                    ace@kryton.uucp
"Do you want to argue with a can of deodorant that registers
NINE on the Richter scale?"        --Ace, in "Dragonfire"
Newsgroups: rec.arts.movies,rec.arts.sf.movies
From: beede@sctc.com (Mike Beede)
Subject: Re: "Stranger In A Strange Land" To Be Filmed
Organization: SCTC
Date: Mon, 5 Oct 1992 00:03:41 GMT

jsp@uts.amdahl.com (James Preston) writes:

>Or Arnold Schwarzenegger?  Gee, it's kind of fun trying to think of the
>worst possible actor for a role like that.  Any other suggestions?

Peter Sellers.

	Mike

-- 
Mike Beede         Secure Computing
beede@sctc.com     1210 W. County Rd E, Suite 100           
------------------ Arden Hills, MN  55112
                    (612) 482-7420
From: egl1@cunixf.cc.columbia.edu (Elizabeth G. Levy)
Newsgroups: rec.arts.movies
Subject: Re: movies with labelled chapters
Date: 28 Sep 92 14:56:47 GMT
Article-I.D.: news.1992Sep28.145647.12295
Reply-To: egl1@cunixf.cc.columbia.edu (Elizabeth G. Levy)
Organization: Columbia University

Threads, the British nuclear holocaust film.  The sections were described
a time period, and the ever fun effects of radiation in a given time
frame.


--
"I was trying to figure out which of my friends were hedgehogs, and which
were foxes...."
"Shakespeare wrote _King Lear_, NOT _King Leo_...."
From: merlyn@ora.com (Randal L. Schwartz)
Newsgroups: rec.arts.movies
Subject: Re: THX - "The Audience Is Listening"
Date: 29 Sep 92 21:11:01 GMT
Article-I.D.: romulus.MERLYN.92Sep29141056
Organization: Stonehenge Consulting Services; Portland, Oregon, USA

In article <1992Sep28.163717.2882@tandon.com> tdbear@tandon.com (Tom Barrett) writes:
   Am I the only one who gets chills up and down my spine when
   they play "The Audience Is Listening" intro?  

We like to call that one "The Audience is Listing" because of the way
we all list from side to side as we listen to that. :-)

The other one we call "the heartattack trailer" because it just comes
BOOM at you.  I prefer the "listing" one myself.

THX.  I drive out of my way to go to a THX house.  Way cool.

Just another movie maker,

--
Randal L. Schwartz / Stonehenge Consulting Services (503)777-0095
merlyn@reed.edu (guest account) merlyn@ora.com (better for permanent record)
cute quote: "Welcome to Portland, Oregon -- home of the California Raisins!"
Xref: sparky rec.arts.movies:29563 rec.arts.sf.movies:7741 alt.cult-movies:8754
From: mst@vexpert.dbai.tuwien.ac.at (Markus Stumptner)
Newsgroups: rec.arts.movies,rec.arts.sf.movies,alt.cult-movies
Subject: Re: Deckard as 6th Replicant doesn't hold water
Date: 6 Oct 92 14:04:09 GMT
Organization: DB and ES Subdivision, TU Vienna

From article <1992Oct6.001726.29338@news.nd.edu>, by Richard.A.Swift.1@nd.edu (Richard A. Swift):
>>>>>And where do you get they idea they are able to erase memories?  

> My post referred to the suggestion that new "implants" could be used to
> supersede existing knowledge.

Since all Tyrell mentioned was the use of implants for new replicants,
I would assume that was not the case.
-- 
Markus Stumptner                                mst@vexpert.dbai.tuwien.ac.at
University of Technology Vienna                 vexpert!mst@relay.eu.net
Paniglg. 16, A-1040 Vienna, Austria             ...mcsun!vexpert!mst
Newsgroups: rec.arts.movies
From: eur@dutncp2.tn.tudelft.nl (Eur van Andel)
Subject: Re: Rutger Hauer Revisted
Organisation: TU Delft, The Netherlands
Organization: Delft University of Technology
Date: Mon, 28 Sep 1992 10:53:04 GMT


>>	Now for the long shot...can anyone picture
>>Rutger in what would be a "serious" role (Ladyhawke
>>doesn't count!)...or has this already been done?  How
>>do you think he would do if he had to go a whole movie
>>without disposing of his opponents?

>I belive Rutger Hauer played a semi-serious part in a movie about the
>resistance movement in Holland during the 2. world war. The movie was
>titled ORANGE SOLDIER (this may not be the original title), and was
>directed by another famous deutchman Paul Verhoven (ROBOCOP TOTAL RECALL BASIC
>INSTINT). From what I heard this was Verhovens first movie.

Soldaat van Oranje (Soldier of Orange) is the original title, and
it is a great, great film. It is about students in Holland during
World War II, and it is partly shot in my own fraternity building.

If you're British you might like this one, but for an American this
movie probably isn't interesting. It is a serious film though, based
on a autobigraphical book by Eric Hazelhoff Roelsema.

Only thinking of the title music send shivers down my spine: I saw
it more than 15 times.

-- 
eur  eur@dutncp8.tn.tudelft.nl
--
eur  eur@dutncp8.tn.tudelft.nl
From: tgoodman@aludra.usc.edu (Theodore Goodman)
Newsgroups: rec.arts.movies
Subject: Re: SNEAKERS question
Date: 7 Oct 92 03:36:31 GMT
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: aludra.usc.edu


  In the screenplay _Sneakers_, Martin Bishop's entire group is collectively
called the Sneakers.  So the Sneakers' headquarters/clubhouse is that
warehouse place full of electronics projects, etc.
  This term, Sneakers, wasn't really used in the diegetic/story world, only
in descriptions of action and location, in expressions like "The Sneakers are
spying from a hillock near Playtronics", etc. (not an actual quote).
-- 
  Theodore Goodman / tgoodman@usc.edu
Newsgroups: rec.arts.movies
From: zippy@cs.brandeis.edu (Patrick Tufts)
Subject: Blade Runner CD != Movie Soundtrack
Summary: b.runner cd different than movie soundtrack
Organization: Brandeis University
Date: Mon, 28 Sep 1992 19:39:50 GMT

I wanted to buy the soundtrack for Blade Runner, so I stopped by HMV,
checked out the soundtrack section, and bingo.  BLADE RUNNER in big
letters, movie poster art, everything.

Then I noticed - 

	Orchestral adaptation of music composed
	for the picture by Vangelis.

	Performed by the New American Orchestra.

I checked the movie credits - Vangelis composed and *performed* the
soundtrack for the movie.  The CD is completely different.  Ugh!
Strings instead of synth destroys the techno-futuristic score.

Does anyone know where I can get Vangelis's version?  This fake one is
catalog number 23748-2 on Full Moon/Warner Bros.

--Pat
Newsgroups: rec.arts.movies
From: newt@netcom.com (Karsten Schneider)
Subject: Re: Microsoft's Cinemania MultiMedia CD-ROM is out
Organization: Netcom
Distribution: na
Date: Fri, 2 Oct 1992 05:32:22 GMT

In article <1992Oct1.231104.13019@tc.fluke.COM> moriarty@tc.fluke.COM (Jeff Meyer) writes:
>I received, and am playing around with, my new Microsoft Cinemania CD-ROM
>(for MS WIndows), and I have to say that it's very nice.  It's a combination
>...

Sounds interesting... How much does it cost?
-- 
KARSTEN SCHNEIDER  +---------------------------+----------------------------+
newt@netcom.com    |  98 Main Street, No. 306  |   Telephone: 415-435-6227  |
                   |  Tiburon, CA 94920        |         Fax: 415-435-0989  |
                   |  U.S.A.                   |  CompuServe: 76256,1363    |
                   +---------------------------+----------------------------+
From: le01167@portal.lasc.lockheed.com (Ron Nadel)
Newsgroups: rec.arts.movies
Subject: Re: My Own Private Idaho
Date: 2 Oct 92 15:38:48 GMT
Article-I.D.: portal.2OCT199208475195
Organization: Lockheed Aeronautical Systems Co. - Rye Canyon
News-Software: VAX/VMS VNEWS 1.41

Aside from the interesting allusion to Falstaff/Hal relation-
ship noted elsewhere, I think there is some importance to the
wide open Idaho, and the unused lonely road that the Phoenix
character always falls asleep on.

I began to wonder if that road is the mainstream of life, and
that this poor character just did not fit there, or perhaps
the mainstream never quite reaches him - since the road is
always so secluded.  If a wide open Idaho is the wide range
of human behaviour and expression, and the narrow road running
thru it is where we find the limited lives WE live, it becomes
a poignant moment when the Pheonix character stands at the road
and thinks to himself how that road goes all over the world and
right to his feet, and when he gets ready to ride that road...
he falls asleep.

His unusual childhood and the very confusing part played by his
brother/father has created his search for love through his life
and this movie...the journey that keeps looking for a highway,
as it were.


Ron
Newsgroups: rec.arts.movies
From: greg@ctpm.uq.oz.au (Greg Hall)
Subject: Billy Joel's All Shook Up: Soundtrack??
Keywords: soundtrack
Organization: Centre for Language Teaching and Research, Uni of Queensland, AUSTRALIA.
Date: 30 Sep 92 23:14:07 GMT


	In Australia at the moment the radio station's are playing
  Billy Joel's latest single, "All Shook Up", a cover of the Elvis
  number. Tell if I'm wrong but I think I read somewhere that it
  was from the soundtrack of some movie and that it included other
  Elvis covers as well. Can anyone tell which movie and what other
  covers (if any) are included?

--
Greg Hall                            |  "Kitchens! Kitchens! Kitchens!"
Centre for Tropical Pest Management  |    - Commercial Crimestoppers   
greg@ctpm.uq.oz.au                   |      on 'The Late Show'
From: lazlo@triton.unm.edu (Lazlo Nibble)
Newsgroups: rec.arts.movies
Subject: Re: THX - "The Audience Is Listening"
Date: 4 Oct 92 04:34:34 GMT
Organization: None for me, thanks . . . I'm driving.

coleman@rocky.cs.ucla.edu (Mike Coleman) writes:

> in every theater I've been in, when they reach the end of the THX
> trailer, which is typically a quiet sustained contrabass with some high-
> frequency tinsel, you can hear the fuzz, popping, etc., quite quickly. 

Hey, garbage in, garbage out.  A THX cert means you'll get clean reproduction
of whatever you put into the sound system.  If a theatre runs a dirty print
of the THX trailer, you'll hear the noise *very* clearly.

> THX is better than what came before, but I think digital is the way.

The digital sound systems aren't going to obsolete THX.  I don't think THX
even cares whether the head end is digital or analog.

--
Lazlo (lazlo@triton.unm.edu)
From: hhtra@usho21.hou281.chevron.com (T.M.Haddock)
Newsgroups: rec.arts.movies
Subject: Re: Your favorite obscure actors!
Date: 5 Oct 92 17:27:41 GMT
Organization: Chevron

In article <colinm.718180611@cunews>, colinm@prince.carleton.ca (Colin McFadyen) writes:
|> Bill Paxton - Usually winds up dead!!!

  Must have taken over from Bo Hopkins who usually wound up getting killed.
From: tomoo@hpmctt.mcm.hp.com (Tomoo Taguchi)
Subject: Re: Garrison Keillor/American Radio Co. in New York
Organization: HP Cardiology Business Unit - McMinnville, OR
Date: Thu, 01 Oct 1992 20:14:09 GMT

Can anyone tell me what cities ARC will hit on their tour this year?
I'd like to go see a show live.

Thanks,
Tomoo
Newsgroups: rec.arts.wobegon
From: dnewcomb@whale.st.usm.edu (Donald R. Newcomb)
Subject: Songs (was Re: Thanksgiving broadcast)
Keywords: song lutheran supper
Organization: University of Southern Mississippi
Distribution: na
Date: Sat, 3 Oct 1992 18:17:08 GMT

While we are talking about songs, I'd still like to get the words
to "At the Lutheran Supper" sung to the tune of "On the Bayou".
If anyone hears a rerun of this song please try to copy it down.
-- 

Donald R. Newcomb
dnewcomb@whale.st.usm.edu
newcomb@usmcp6.bitnet
From: eamon@netcom.com (Charles E Taggart)
Newsgroups: rec.arts.wobegon
Subject: Re: Songs (was Re: Thanksgiving broadcast)
Summary: A one, a two, a three ...
Keywords: song lutheran supper
Date: 6 Oct 92 08:28:52 GMT
Distribution: na
Organization: Netcom - Online Communication Services  (408 241-9760 guest)

In article <1992Oct3.181708.1435@ra.msstate.edu> dnewcomb@whale.st.usm.edu (Donald R. Newcomb) writes:
>While we are talking about songs, I'd still like to get the words
>to "At the Lutheran Supper" sung to the tune of "On the Bayou".
>If anyone hears a rerun of this song please try to copy it down.
>-- 
>
>Donald R. Newcomb

Yes friends, for the very finest in Lutheran-Cajun cuisine, it's Swanson's
Supper Club in Lindqvist, Louisiana!

Open every night until 8:00, our menu includes those classic dishes:

  Crawfish hotdish
  Meatloaf gumbo
  Cream-of-mushroom sauce piquante
  Tuna etouffee
  And tonight's special, Catfish Cha-Cha with Polka Dot Yum-Yums!

A one, a two, a three ...

"Oh casseroles, great big bowls
 Of lemon jello,
 B.L.T.'s, macaroni and cheese
 All nice and yellow.

"Where's your sock?  It's six o'clock,
 Better hurry;
 Move your feet, those Lutherans eat
 At six thirty!"

I treasure the tape of this program ... as a native Louisianian, I think
this is overall one of the finest episodes of "A Prairie Home Companion" 
EVER!

Traditional New Orleans jazz clarinetist Willie Humphrey, Michael Doucet
and Beausoleil, Marc and Ann Savoy, then 92-year-old Cajun fiddler Dennis
McGee, Johnny Gimble, Chet Atkins, Peter Ostroushko and Butch Thompson.

And that other brilliant commercial ... make money in your spare time
harvesting Louisiana's number-one cash crop -- mildew!  Just order your
mildew harvesting implements from Emile's in Abita Springs ...

                   Chuck
-- 
          ,                                          
  Charles Eamon Taggart   | "Time and space are playing games with people 
     eamon@netcom.com     |  who don't understand / You can't talk about
   eamont@well.sf.ca.us   |  the weather when you've killed the weatherman."
 Santa Monica, California |                      -- Toasted Heretic
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Newsgroups: rec.arts.wobegon
Subject: Garrison Keillor/American Radio Co. in New York
From: Aron Eisenpress <AFECU@CUNYVM.BITNET>
Date: Tuesday, 29 Sep 1992 17:54:37 EDT
Organization: City University of New York/ University Computer Center

GK's American Radio Company will be in New York at Symphony Space for four
broadcasts this fall -- November 21st and 28th and December 5th and 12th.
Tickets are $25 in the orchestra and $20 in the balcony; they're on sale
to the general public on October 27th, but you can get them now by mail or
in person with a priority ticket order form -- I got one in the mail from
Minnesota Public Radio, and I'll gladly send copies to folks who can use
them (send me e-mail with your snail-mail address).  You can also order by
phone (212/864-5400, Tuesday to Sunday, noon to 6 pm; AMEX, Visa, or MC,
and there's a $3.50 service charge for phone and mail orders); tell them you   u
have the priority order form.  (When I called, the box office person suggested
I'd get better seats by mail, and also telephone orders are held at the
box office.  I ended up going up and getting the tickets in person.)
I don't know anything about who's on the shows; I just got tickets for the
two performances I could go to.
-------

 -- Aron Eisenpress, City U of NY
    (AFECU@CUNYVM.BITNET, or AFECU@CUNYVM.CUNY.EDU on the Internet)
Newsgroups: rec.arts.wobegon