HDTenEightyP/NetNews huggingface dataset:
From: sjeck@isi.com (Steve -- The Other One)
Newsgroups: rec.music.gdead
Subject: lost mail
Date: 3 Sep 92 16:56:08 GMT
Article-I.D.: uvaarpa.1992Sep3.165608.16802
Reply-To: sjeck@isi.com
Organization: The Internet


for those of you who tried to reach me earlier, my link
was down.  I got so pissed about these Deadheads infiltrating
the Diamondbacks that I broke my network link.

I just couldn't stand by taking it anymore so I have
reestablilshed the link via a Airfone and a Laptop 
and am now in route over America to Albany New York
to straighten out Bill and his scummy fake Diamondbacks.

I'll teach them to try and sell cut-rate caviar!

I missed some of you who publicly posted that you wanted
to help with the Oakland Coliseum Diamondback Litmus Test.
We will be verifying all vendor's caviar quality and 
ensuring that only helium is sold in balloons.  

Could someone please mail me yesterdays's Dead-Flames?
I know this is a issue close to the heart of all of 
you Diamondbacks out there, but please only a few
of you mail me because the Airfone link is costing
me out the ass, but it's worth it to maintain the 
high quality of cheese required by True Diamondbacks.

If Bill was any kind of Diamondback at all he would
have posted the Setlist by now!

Steve-TOO
Newsgroups: rec.music.gdead
From: wac@world.std.com (william a colbert)
Subject: Re: best tapes - tdk or maxell
Summary: Cheaper...Realy? 
Organization: The World Public Access UNIX, Brookline, MA
Distribution: usa
Date: Sat, 29 Aug 1992 13:54:05 GMT

In article <1992Aug29.132845.7183@uvaarpa.Virginia.EDU> IWS%ssmic@cdfq.ssd.ray.com writes:
>It seems that a lot of tapers are in the Maxell camp when it
>comes to tape-of-choice, and Maxell is generally cheaper to
>buy than TDK (for the same type of tape), but isn't it true that

I think there are a couple of reasons why Maxell wins out over TDK.
First I should comment, I don't know where you buy your tapes but
I have ALWAYS found TDK to be less expensive than Maxell

Maxell's Max points program makes it very benificial(sp) to buy thier brand
basically stated for every 6 tapes you buy you can get one free(very 
useful for high volume traders)

Many people report that they have had quality problems in the past with TDK
regardless if thisis still a problem I think most people view TDK as
lower quality.

Lastly, I think that Maxell has a better feel than TDK (especialy the
XLIIS and newly designed XLII shells

Regarding use of TDK at the soundboard, I have never heard this, but 
I can only guess that either it isn't true or they simply get a 
good price on the TDKs

Peace!!!
Rob C
From: eskridge@head-cfa.harvard.edu (Paul Eskridge)
Newsgroups: rec.music.gdead
Subject: FIRE UP
Date: 31 Aug 92 17:10:41 GMT
Followup-To: John Wood's post about Merl
Organization: Smithsonian Astrophysical Observatory, Cambridge, MA,  USA


John said, 

>That's [contract/royalty problems, musicians getting fucked over by labels,
>etc.] also why smokin' albums like FIRE UP and HEAVY TURBULANCE haven't appeared 
>on CD -- and if/when both ever do, get them.

Don't wait for CD.  If you can come across the used vinyl, BUY EM.  That way, you
don't even have to trust that the re-mastering isn't butchered, as it is so
painfully often.  I've only heard Heavy Turbulence once or twice, so no further
comment.  But Fire Up is a fantastic album.  Both Merl and Jerry were really
flying on this record -- it's worth the $10 I paid for it back in the early 80s
just for the first (After Midnight) and last (Lonely Avenue) tracks.  And it has
some of the only really interesting electric bass work I've ever heard from
John Kahn.

Don't be a slave to digital,

Paul
From: bowman@reed.edu (Eric Bowman (bobo))
Newsgroups: rec.music.gdead
Subject: Re: John Irving and NH (was: Re: WYO Safe!)
Date: 3 Sep 92 23:11:50 GMT
Article-I.D.: reed.1992Sep3.231150.18279
Distribution: usa
Organization: Reed College, Portland, OR

In article <1992Sep3.220113.5370@cs.tulane.edu> lw24lag@rs1.tcs.tulane.edu (peter lavallee) writes:
>In article <1992Sep1.192354.26665@morrow.stanford.edu> EP.LLD@forsythe.stanford.edu (Lara) writes:
>>>  And about New Hampshire-
>>John Irving thinks it's a great state: The World According to Garp
>>and Hotel New Hampshire, not to mention that it comes up in every
>>book he writes.  It's gotta beat Wyoming, speaking of fascists.

Hmm, well, JI grew up in New Hampshire.  It's a beautiful state, but it's
full of ignorant red neck conservatives.  Wicked pissah!

As a native Montanan, I gotta say, if you think NH is better than Wyoming,
that's fine.  Keep believing it.  Never visit it.  It's *so* ugly, all that
empty space.  And those national parks, well, it's all a scam.  The east
coast is *much nicer*.  Not nearly so lonely, you're not so likely to get
mauled by a bear or shat upon by an eagle or something.

>For those who care, John Irving is an alumnus of Phillips Exeter Academy,
>in Exeter, NH.  (My brother is another famous alum. ;-))  He can be seen
>in the Garp movie, playing the wrestling coach at the Academy.  I believe
>he was a wrestler when attending PEA.

His dad was/is a teacher there.  He was still there when I was there (mid'80's)
but he was the oldest teacher there (or close to it).

The "bookstore ladies" used to refer to him as just "John", as in "Oh! John's
got a new book."

later,
bobo
bowman@reed.edu
George Clinton in '92
Newsgroups: rec.music.gdead
From: EP.LLD@forsythe.stanford.edu (Lara)
Subject: Re: recycling idea
Organization: Stanford University, California, USA
Distribution: usa
Date: Wed, 2 Sep 1992 17:03:56 GMT

Happy Birthday, PigPen: keep rockin w/Janis and Jimmy!!

lara
(don't forget, tomorrow's Hart's)
Newsgroups: rec.music.gdead
From: ncovey@bronze.ucs.indiana.edu (neil covey)
Subject: Dylan does Dead again?
Organization: Indiana University
Date: Sun, 23 Aug 1992 19:04:37 GMT

A review of the 8/20 Dylan concert at Erie, PA on rec.music.dylan lists
the first song as "Don't Let Your Deal Go Down."  Sounds like "Deal"
to me.  Any more informed folk out there know for sure?

Also a Dead sighting:  While watching CMT (Country Music Television) the
other day I saw a Billy Joel video of his cover of All Shook Up.  The
video covers various anti-rock and roll movements of the last 40 years.
A newspaper headline proclaiming that the Grateful Dead Not Allowed to
Perform showed up close to the end.
Newsgroups: rec.music.gdead
From: SCHUBERT%MIDD.BITNET@mitvma.mit.edu
Subject: Merl,Kingfish,NRPS,T.C at Loon Mtn
Reply-To: SCHUBERT%MIDD.BITNET@mitvma.mit.edu
Organization: The Internet
Date: Sun, 30 Aug 1992 20:55:39 GMT

Drove over into the fascist state of N.H. (check your rights at the door)
to listen to the Lottaoldgeezers '92 at Loon Mtn. on Sat.
  Rick Danko opened up at 2 pm. with a fine acoustic set of old Band tunes
that redeemed him from the drunken sailor I had seen twice before. His
style on the acoustic showed practice, and only the sound system marred
an otherwise strong set. Jiggle the Handle, a Boston band, rocked hard,
and made some new fans. Good playing, not that much presence.
 Tom Constanten followed, filling the mountain air with beautiful
melodies, typically segueing one song into the next, to form odd pairs.
A high point. T.C also mingled throughout the crowd the rest of the
afternoon, greeting and being greeted as an old friend by many. Nice guy.
 The New Riders, Marmaduke, and two guitar slingers, played a fine
acoustic set, sprinkled with references to Bob Hunter and other GD.
 We hiked up the mountain, so the black flies wouldn't have to travel
so far to suck on us, and were met with another high point, Kingfish
Rocked. Hard. Yeah, The type of music that is made for mountains and
sunny days. A woman singer, Anna Rizzo (?), brought that yin touch,
and also stepped back to let the guitar player do his stuff.
 We hiked down to the front row for Merl's set. There was only about
200-300 people total, so plenty of room. Merl took A LONG time to
get ready, and the drunks were threatening to come over the fence
by the time he arrived. Merl started up with some old standards,
and we danced and boogied. He introduced 'Blues from the Rainforest'
and had three young kids up on stage to play the shakers. Wont see
that in a bar:-) He gave us Funky System, a few more songs, and
left us with Sunrise over Haleakula (?), and a rousing Bertha.
 All in all, 6 bands, 8 hours of music, for 20 bucks, gave us
only the long ride home, and our bug-scarred legs to complain about.
These guys must be losing money big time to play in front of so
few people, but if you get the chance, it's a BIG fun day of music.
                      andy
[This has nothing to do with the Dead, it's just a poem he said]
[Got no news or tale to tell, just some inane lyrics, with  ]
[nothing to do with the Dead. Send'm out to Peter Ponytail  ]
Newsgroups: rec.music.gdead
From: Jeff Lester <lester@gandalf.etdesg.trw.com>
Subject: Re: Warlock's LP Price Check
Reply-To: lester@gandalf.etdesg.trw.com
Organization: The Internet
Date: Fri, 28 Aug 1992 23:22:53 GMT

|I recently came across a Warlocks LP from May 3, 1965,
|selling for $30. Is this a rare find, worth $30? I was
|in a hurry when I saw it, so I didn't check it out very 
|thouroughly, but it seemed to be in fairly good condition.
|
|Should I go back and try to find this? I'm a starving student,
|and $30 will leave a gaping hole in my pocket...

Ihor's discography has it listed as:

The Emergency Crew - Warlocks (Autumn  ) recorded November 3, 1965 as a
        demo record for Gene Estribou's Scorpio Records.

I wasn't sure if it was ever actually released, if so it's probabaly quite
rare and worth the $30. The one you saw could be a bootleg, though.

-Jeff
From: david@c-cat.UUCP (dave)
Newsgroups: rec.music.gdead
Subject: Re: ROOKIE QUESTION
Date: 3 Sep 92 01:02:53 GMT
Organization: Intergalactic Rest Area For Weary Travellers

jko@Bonnie.ICS.UCI.EDU writes:

> 
> Some of the shorthand used on the bbs/forums is vague to me...:-)
> 
> But what does IMHO =?
> 
sorry folks but I cant resist this one..

read the FAQ


                                                       -David

China Cat System     
(301)604-5976 8N1
david@sandr.com
From: jackaroe@wharf.UUCP (Bart Zantzinger)
Newsgroups: rec.music.gdead
Subject: Ski Tripping (their title, not mine)
Date: 27 Aug 92 22:21:23 GMT
Organization: Fisherman's Wharf BBS  (215) 383-7245

From the September SKIING, sans permission
 
Ski Trippers, take note:  Lunatic Fringe, a sister company to Olin skis, 
is introducing a limited edition Grateful Dead ski.  The Dark Star ski, 
named after a song from the cult-followed (!) '60s holdover band (!) will 
be available in selected ski shops this fall.  The topskin will be 
(sorry) will feature familiar Grateful Dead visuals: "steal your face" 
skull-and-lightning-bolt insignias;  petal-shedding roses; and dancing, 
top-hatted skeletons.

Except for the graphics, the Dark Star is identical to the Olin RTS, a 
slalom ski that was *very* well liked at SKIING's test camp last April.  
The ski will cost as much as 20 Dead tickets ($499;  $15 more than the 
RTS).  There's only 1000 being produced, each individually numbered.  The 
Dark Stars will probably sell out before snow falls, but stay mellow (!): 
Plans are already set for a January release of the American Beauty ski, a 
Deadicated version of the Olin XMT.  For more info, call Lunatic Fringe 
at (802) 253-7750, and feed your legs (!).

(Exclamations of disgust mine.  I am not affiliated with Lunatic Fringe, 
Olin, etc, etc)

The picture has a ski in dark blue background bordered in black with a 
stealie on the tip, a fat dull orange boltdown from there, some white 4 
cornered stars and a LUNATIC FRINGE logo holding a yellow orb.  Nifty.  

Wish I skiied more (and was made of money).

<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<*>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
<<<   My mind's been going places without me lately.              >>>
<<<   jackaroe%wharf@canal.org                                    >>> 
<<<                                   - or something like that    >>>
<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<*>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Newsgroups: rec.music.gdead
From: lbfp@lut.ac.uk (Frank Parry)
Subject: Personal to Mark Swanda
Organization: Loughborough University, UK.
Date: Fri, 4 Sep 92 07:39:02 GMT

Sorry Mark, lost your email ad. somehow. Got the tapes ok which are
great - many thanks,
Frank Parry

ps please drop me a line, sometime

(Excuse waste of bandwidth guys and gals)
From: jkiparsk@reed.edu (Jonathan Kiparsky)
Newsgroups: rec.music.gdead
Subject: Change of address
Date: 26 Aug 92 19:41:43 GMT
Article-I.D.: reed.1992Aug26.194143.14951
Organization: Reed College, Portland, Oregon

Hi folks- I'm up here in Oregon these days(you still around, mojo?), so
From: sjeck@isi.com (Steve -- The Other One)
Newsgroups: rec.music.gdead
Subject: Re:  Deadheads
Date: 27 Aug 92 23:42:17 GMT
Reply-To: sjeck@isi.com
Organization: The Internet


 lb04@ns1.cc.lehigh.edu (Laura Bassi) asks:
|You people actually had a discussion of "Wild in the Streets?" going on
here!?!?  Strange.
|And this discussion of the "over 30" thread made me think exactly of this
|flick...
|Well, how did you get away with this discussion which lacks ODC???

Actually several years ago, we finished discussing  every aspect and every tangent related to the Grateful Dead.  Ever since then we have been watching 
new students come in and recycle the discussions.  

When you have flamed someone on EVERY subject then you get Net.Icon status
like Wharfie, Reno, Wheels,...

Steve-TOO
Newsgroups: rec.music.gdead,rec.music.phish
From: rwd4f@poe.acc.Virginia.EDU (Rob Dobson)
Subject: ALLMAN BROTHERS, 09/01/92 Richmond, VA
Organization: University of Virginia
Date: Wed, 2 Sep 1992 12:37:12 GMT


Dont Want You No More->
Not My Cross To Bear
Statesboro Blues
Blue Sky
Dont Keep Me Wondering
Nobody Knows
End of the Line

Acoustic: Seven Turns
          Midnight Rider
          Southbound (!!!!)
          Melissa
          GDTRFB->Jam (Dicky)->

Electric:->Jam (Warren)
Hoochie Coochie Man
Get On With Your Life
Jessica->Jam->
Revival-->Mountain Jam->
Revival (!@!@!@!@!@!@)

Encores: You Dont Love Me
One Way Out
Whipping Post

This show was incredibly outrageous, even by the high standards of the Allman
Brothers. Every time I see them Im blown away more and more. What more can you
say?

*****GROVEL*****

If anyone taped this show, PLEASE PLEASE PLEASE let me get a copy. I have 
other ABB, Phish, and Dead to trade, along with eternal gratitude.......

-rob

Newsgroups: rec.music.gdead
From: ingraffi@tramp.Colorado.EDU (INGRAFFIA EDMOND J)
Subject: Re: The Rads (was: Re: HEY NORMA!!)
Organization: University of Colorado, Boulder
Date: Wed, 2 Sep 1992 01:41:11 GMT

In article <1992Aug30.162621.26670@cs.tulane.edu> lw24lag@rs1.tcs.tulane.edu (peter lavallee) writes:
>
>Here in Andrew-ravaged land (New Orleans), we just caught the Rads
>Friday night at Tipitina's.  They were smokin', which was a pleasant
>surprise, as I was unimpressed with their last performance at that
>venue.
>	
>pjl

	Well, the scene is always going to fluctuate, depending on how
	much fried chicken Dave scarfed before the show, how many bottles
	of Sauza are waiting backstage, or whether or not Zeke wears the
	cool wet towel on his head during "Pig Meat Is All I Crave"....

	But you can count on it being shloppe'.....:^)

	Yangety
 


Newsgroups: rec.music.gdead
From: EP.LLD@forsythe.stanford.edu (Lara)
Subject: Re: fer the birds...
Organization: Stanford University, California, USA
Distribution: usa
Date: Fri, 4 Sep 1992 16:33:15 GMT

Brian sez:
>Sheepskin condoms (like "Fourex" brand) (even from Wyoming sheep)
>have a porosity that prevents transmission of sperm, but not
>transmission of virus.  In other words, don't rely on animal skin
>condoms for HIV protection.  And they do hold back water (I mean,
>Gore-tex condoms don't make much sense).

>Just thought it worth mentioning among this "all-natural" crowd.

really the best advice is: abstinance makes the heart grow fonder.
lara
Newsgroups: rec.music.gdead
From: lw24lag@rs1.tcs.tulane.edu (peter lavallee)
Subject: John Irving and NH (was: Re: WYO Safe!)
Organization: Tulane University, New Orleans, LA
Distribution: usa
Date: Thu, 3 Sep 1992 22:01:13 GMT
Nntp-Posting-Host-[nntpd-5323]: rs1.tcs.tulane.edu

In article <1992Sep1.192354.26665@morrow.stanford.edu> EP.LLD@forsythe.stanford.edu (Lara) writes:
>
>>  And about New Hampshire-
>John Irving thinks it's a great state: The World According to Garp
>and Hotel New Hampshire, not to mention that it comes up in every
>book he writes.  It's gotta beat Wyoming, speaking of fascists.
>
>>

For those who care, John Irving is an alumnus of Phillips Exeter Academy,
in Exeter, NH.  (My brother is another famous alum. ;-))  He can be seen
in the Garp movie, playing the wrestling coach at the Academy.  I believe
he was a wrestler when attending PEA.

ODC:  Bobby went to prep school, too.

pjl

--
Peter J. Lavallee		: "Live free or die."
lw24lag@rs1.tcs.tulane.edu	:          -- Major Gen. John Stark
Newsgroups: rec.music.gdead
From: brown@sunspot.noao.edu (Todd Brown)
Subject: Re: DEAD PHISH:')
Organization: National Solar Observatory/SP, Sunspot NM, USA
Date: Thu, 3 Sep 92 15:31:42 GMT

In article <1992Sep3.001145.5836@uvaarpa.Virginia.EDU> BGILLESPIE%COLGATEU.bitnet@cunyvm.cuny.edu writes:
>PS Phish is better than the dead...

Maybe, if they practice for 25yrs. They might get close.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>|<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< 
>TODD|-ODD-|:-)                   |         Nothing Left To Do But  <
>brown@sunspot.sunspot.noao.edu  /|\             :-) :-) :-)        <
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>/ | \<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<


Newsgroups: rec.music.gdead
From: ADJS000 <ADJS@nmumus.bitnet>
Subject: HAPPINESS IS A WARM GUN
Reply-To: ADJS@nmumus.bitnet
Organization: The Internet
Date: Tue, 1 Sep 1992 00:06:00 GMT

Normally, the response to any and just about all lyric grovels on this
net. order grovellers to shell out cash and buy the music. In this case,
I can see how it's a little different. "Happiness..." being done by the
Beatles and not (as the writer assumed) the Grateful Dead... my advice
is to buy a clue. ;-)
From: klp@pnet51.orb.mn.org (Kevin Prigge)
Newsgroups: rec.music.gdead
Subject: Dead Citing (Not Sighting)
Date: 26 Aug 92 18:38:32 GMT
Organization: People-Net [pnet51], Minneapolis, MN.

In todays Wall Street Journal (8/26/92) there are a couple of references to
the Dead in an article titled "Rhythm and Blues: Rock Music Is Steadily Fading
As Choices Grow and Rap Takes the Protest Market".

"Rap music came about because there was a need for protest and for talking
about real things," says Mickey Hart, drummer for the Grateful Dead. "Rock had
become pablum. The [radio] programmers didn't want to hear real rock 'n' roll
lyrics, so they played, 'Oh baby, you're so fine, you blow my mind.'"

A little further in the article talks about problems with record companies
signing artists for big bucks, and then not making money because the artists
do better on tour than on album sales:

This pattern portends profit problems for labels. The list of aging acts that
do better on tour than in record stores is long and growing, including Neil
Diamond, Jimmy Buffet, the Beach Boys and the Grateful Dead.

All this is of course reproduced without permission.

Newsgroups: rec.music.gdead
From: wam@athena.mit.edu (William A Mayer)
Subject: Re: setlist
Organization: Massachusetts Institute of Technology
Distribution: usa
Date: Wed, 26 Aug 1992 18:00:21 GMT

In article <BtLHAs.9K5@world.std.com>, wac@world.std.com (william a colbert) writes:
|> In article <1992Aug26.082309.19465@aragorn.unibe.ch> kamber@iacrs1.unibe.ch writes:
|> >compare the two setlists i found on two different records. both claim to be shows recorded on 8/13/1975.
|> >
|> >Make Believe Ballroom (TAKRL 2979  BOOTLEG):
|> >Help on the Way / Slipknot / Franklin's tower
|> >The music never stopped
|> >Eyes of the world / Stronger than dirt or milking the roses
|> >It must have been the roses
|> >Round and round
|> >Sugaree
|> >I'm gonna sit right here until i die
|> >Perhaps the other one / going down the road feeling bad
|> >
|> >Who is right? Two shows on this day?
|> >
|> >any help appreciated    -- Ivo
|>

 
|> Hey Ivo,
|> 	On 8-13-75 The Dead played at The Great American Music Hall
|> in San Fran CA. Period.....
|> 	The set list above does not exist.  Those songs have NEVER
|> been played in that sequence in the same show.
|> Peace!!
|> Rob C
|> 
 
Well, actually, these two lists are the same show -  the OFTV and Make Believe 
Ballroom - Both editions have had their songs re-arranged, OFTV due to time
constraints (check the album notes) and MakeBelieveBallroom because of the 
unknown bootlegger's executive decisions.  BTW, "I'm gonna sit right here until
I die" is in reality "Big River".

As always, just cuz I say it don't mean that it's so! :->:->:->

Bill Mayer
ILB/MIT
wam@athena.mit.edu

Newsgroups: rec.music.gdead
From: rbalko@attmail.com ()
Subject: Address for Terrapin Station et. al.
Organization: All The Acronyms That Fit, Inc.
Distribution: na
Date: Tue, 25 Aug 1992 21:18:45 GMT
Keywords: FTP

Could someone please send me (or post) the address
for terrapin-station.syr.edu or any other site that
has gdead related info, please?

rbalko@attmail.com

And now some scenes from next week...
Newsgroups: rec.music.gdead
From: 12mwingfield@gallua.gallaudet.edu
Subject: Jerry...
Organization: Gallaudet University
Date: Mon, 31 Aug 1992 17:36:32 GMT

Yo, I have been out for a while, so can anyone update me with the infos. on
Jerry Garcia??  Heard that he was sick, but I don't got enuf infos. on it... 

Thanks, mon...
Peace and may the Lord bless Garcia...

Wingfield
Newsgroups: rec.music.gdead
From: Tom Jacobs <Tom_Jacobs@qms1.life.uiuc.edu>
Subject: Vintage DATs
Reply-To: Tom_Jacobs@qms1.life.uiuc.edu
Organization: The Internet
Date: Mon, 31 Aug 1992 16:17:03 GMT

Vintage DATs

Hey now, tapers:

Questions from one who's considering taking the DAT plunge:

How many *excellent* DAT Dead tapes are there in circulation from the 1968 to
1973 era?  I know that PCM was the only digital medium going at that time, but
what I'm asking is, how many of the crispy PCM or R2R sbd's from that era have
been transferred to serially copiable DATs which are in circulation?  You see,
I'm not particularly interested in current, or even 1980's shows, but really
only those from back when I used to attend them regularly (late 60's, early
70's).  If I spring for a DAT system (or 2!), am I going to be frustrated
trying to find tapes of that vintage which are anything but digitized versions
of the same muddy crap that's traded in the analog realm these days? (granted,
there are some mighty nice analogs around)

And how do you DAT traders actually trade?  Does everybody have at least one
non-SCMS (i.e., "professional") machine?  I was told by one friendly DAT taper
over the weekend (Barry Ramsey, Blacksburg, VA) that he has 2 machines, a SCMS
one and a non-SCMS one.  Now, if everybody has this setup, then no sweat.

advTHANKS!ance

Keep it on, y'all

Tom Jacobs
tom_jacobs@qms1.life.uiuc.edu


Newsgroups: rec.music.gdead
From: Curt.Hamilton@med.umich.edu (Curt Hamilton)
Subject: Re: Electronic lyrics
Date: Wed, 26 Aug 92 08:45:15 EDT
Organization: University o' Michigan Radiology
Followup-To: rec.music.gdead

     I'd check out ftp.apple.com. There's a directory either pub/gdeadstuff
or just gdeadstuff that has lyrics, setlists, and hypercard stacks!


> 
> Anybody know of an FTP site where one can get lyrics
> (and possibly chords)?
> 

##*##*##*##*##*##*##*##*##*##*##*##*##*##
Uh, signature, signature...
Let's see...
Ok ... Ok...
Hmm... Hmm..,
Well, well, uh
Newsgroups: rec.music.gdead