HDTenEightyP/NetNews huggingface dataset:
From: zalewk@rpi.edu (Kenny Zalewski)
Subject: Looking for Leland Apedaile ("Dog")
Organization: Information Technology Services at Rensselaer, Troy, NY
Date: Thu, 20 Aug 1992 01:42:13 GMT

If anyone has been in contact with "Dog" in the last month or so, please
send me Email quickly.  I have been trying to reach him via Email for
quite a while now, to no avail.  Thank you.             -- kennyz

-- 
Kenny Zalewski -- Information Technology Services at Rensselaer
Rensselaer Polytechnic Institute, 83 Albright Court, Troy, NY, 12180
zalewk@rpi.edu | Kenny_Zalewski@mts.rpi.edu | zalewk@RPITSMTS.bitnet
Newsgroups: rec.music.synth
From: mute@wpi.WPI.EDU (Madman Omar)
Subject: Korg Poly 800 manual?
Organization: Worcester Polytechnic Institute
Date: Thu, 20 Aug 1992 23:15:50 GMT


I recently acquired a Korg Poly 800. Unfortunately, it did not come
equipped with a manual, and, although I can figure out most of the
programming from the diagrams on the top panel, there are some
features that are somewhat less than self-explanatory.

Is there some kind soul who either has a manual they do not need, or
who could photocopy one and mail it to me? I would be happy to pay
shipping and photocopying costs.

Thanks much in advance,
Josh Brandt
-- 
                We weren't stupid enough to be businessmen,
            and we weren't pretty enough to be David Bowie.   Devo
                                         - mute@wpi.wpi.edu   Joshua Brandt -
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Via: uk.ac.leeds.ai; Sun, 16 Aug 1992 12:17:19 +0100
Newsgroups: rec.music.synth
Date:         Sun, 16 Aug 1992 12:13:10 BST
From:         The Brown Bottle <ross-c@DCS.LEEDS.AC.UK>
Subject:      Re: New specs of Atari Falcon (500 Pounds)
Comments: To: SYNTH-L@AMERICAN.EDU

>From: Xorcist <system@UUCP.CYBERDEN>
>Subject:      Re: New specs of Atari Falcon (500 Pounds)
>
>Um... err... a Mac setup to do 8 Ch. DSP 50K playback and recording
>would run yer ass $10,000 US dollars or higher... 2 Pro-Tools with
>software, Tax, etc... for $700, this little gem MIGHT kick some
>butt... Now we just have to see what software will be driving it.
>
>The other consideration is if the S/PDIF AES/EBU ports are OPTIONAL for a
>gazillion dollars, or standard.
><X>orcist
>

Does anyone know if the 56001 will be user programmable. If so, wouldn't
the Falcon be about the cheapest 56001 standalone development system on
the market?

Cheers,

Ross-c
Newsgroups: rec.music.synth
From: roy@engin.umich.edu (Roy William Feague)
Subject: D20 for sale: Who made offer?
Date: Wed, 19 Aug 92 11:41:05 EDT
Organization: University of Michigan Engineering, Ann Arbor
Distribution: USA
Keywords: Roland D-20 D20 For Sale

I recently advertised a Roland D-20 for sale with goodies at
$700 or best.  Unfortunately, I lost the mail address of some
gentleman who made me an offer!  If it was you, please re-email
me and I will be happy to give you all the D-20 specs and try  
to work something out.
Thanks, 

Roy

Newsgroups: rec.music.synth,comp.dsp,comp.sys.hp
From: mjg@nwu.edu (Michael J Graven)
Subject: Re: AUDIO-CD READING ?
Originator: mjg@casbah.acns.nwu.edu
Reply-To: mjg@nwu.edu (Michael J Graven)
Organization: Northwestern University, Evanston, Illinois, USA
Date: Thu, 13 Aug 1992 17:31:03 GMT

Joseph D. McMahon writes:

> The Iris Indigo is currently the only machine which supports direct reading
> of the audio data on a standard CD. It also can write audio output direct to
> its DAT drive. Otherwise, you're right. You're SOL.

and furio ercolessi (ercolessi@uimrl7.mrl.uiuc.edu) writes:

> I remember seeing some postings about programs able to play CDs 
> inserted into [an RS/6000 or HP Apollo]'s CD drive.  So if they 
> can play it, they can read it.

'Fraid not.  Being able to read a disc is one thing; having access to
the digital data stream is quite another.  Evidently, most CD-ROM drives
on the market, while allowing the playback of CD audio through internal
DACs, do not allow the user access to the digital audio data stream.  
The user can only send ioctls to start, stop, skip tracks, and so on.

The SGI Indigo CD-ROM drive, however, was consciously developed with 
this capability in mind.  

> Furio Ercolessi

-- 
-Michael                          "We were at it like a raven on a road kill."
mjg@nwu.edu                            -- Dan Rather, on Ross Perot's quitting
From: five@sys6626.bison.mb.ca (A.R.F.)
Newsgroups: rec.music.synth
Subject: Re: Mark Mothersbaugh - What KEYBOARDS did DEVO use in their CLASSIC
Date: Tue, 18 Aug 92 19:20:41 CST
Organization: system 6626 BBS, Winnipeg MB

zerobeat@intacc.uucp (Ferenc Szabo) writes:

> In article <1992Aug12.135045.22074@lmpsbbs.comm.mot.com> chucksi@stc.comm.mot
> >Does anyone know what keyboards DEVO used in their classic era ("Freedom of
> >Choice" - anything including and prior to "Oh NO, IT's DEVO")
> >
> 
> I'd call 'classic' DEVO the stuff from the 70's, so I'll tell about
> their synth stuff from all three eras.
> 
> CLASSIC DEVO: '74 - '79
> 
> EML WASP, YAMAHA CS80, MINIMOOG, SCI PROPHET 5, EML GNAT(?)
> Jim Mothersbaugh, who quit the band around '77 (replaced by drummer
> Alan Myers), built a lot of home-made doodads including a very
> early drum pad system.  The above equipment was actually attained
> more or less in the later '70s (obviously with the Pro 5)
> 
> MIDDLE DEVO: '80 - '83
> 
> Jim Mothersbaugh got a job at Roland (eventually as a chief engineer
> for the US branch).  So DEVO aquired a LOT of Roland gear.
> Prophet 5 (still), Roland Jupiter 8, SH100, MC4 sequencer, vocoder/strings
> Linn LM1 drumcomputer, Moog Source.
> 
> LATE DEVO: '84 - '90 (the tinnier, brittle, digital years)
> 
> Fairlight CMI II, Roland D50, S50, Fairlight CMI III.
> 
> I'm including stuff that was apparent from live use and on video.  THey
> actually had way more stuff that was not used live (especially in the
> later years).  Please correct any glaring errors
> 
> Especially in later years, they often had multiple instruments (I 
> spotted 2 D50s/S50s live).
> 
> Duty Now For The Future
> 
> ferenc
> 
> 
> 
 
In your 2nd era, Devo was also using a lot of heavily modified Casio 
gear, as well as other modified gear.  Never heard anything though, on 
how the gear was modified, though it was modified by band members.
 
Five


;--- (A.R.F.) a user of sys6626, running waffle 1.64
;E-mail: five@sys6626.bison.mb.ca
;system 6626: 63 point west drive, winnipeg manitoba canada R3T 5G8
Newsgroups: rec.music.synth,comp.music,comp.sys.ibm.pc.misc,comp.sys.mac.misc
From: jk87377@cc.tut.fi (Juhana Kouhia)
Subject: Re: New specs of Atari Falcon (500 Pounds)
Organization: Tampere University of Technology
Date: Fri, 14 Aug 92 09:47:17 GMT


In article <1992Aug13.173628.26085@mnemosyne.cs.du.edu>
jyoung@nyx.cs.du.edu (Jeff Young) writes:
>
>262,144 colour palette
>Max res 640x480 16 bit mode (65,536 colours on screen)

No, the total set of colors is 262144.
Palette is 65536 colors.

A color tube artists keep the color palette in their hands but the
colors available is infinity.

So, the palette is, for example, 256 colors (out of 16.7 million).

Correct?

Juhana Kouhia
From: chardin@cbnewsk.cb.att.com (christopher.hardin)
Newsgroups: rec.music.synth
Subject: Wanted: Comments on Roland SCC-1
Date: 12 Aug 92 23:44:40 GMT
Distribution: usa
Organization: AT&T

Greetings,

	I am considering the Roland SCC-1.  This is the Sound Canvas Card
that can be inserted into an IBM PC.  The literature from Roland says it
has 317 sounds PLUS 9 drum kits.  They list 128 sounds (from the MT-32 ? );
so what are the rest of the sounds?  Is this card capable of playing MIDI
events from an external synth while software (say Band in a Box) is playing?

	Also, are these sounds sampled from acoustic instruments or taken
from the MT-32 (or similiar synth)?  BTW, what is the MT-32?

	Any comments, good or bad, will be greatly appreciated.
-- 
Chris Hardin	chris@green.att.com	...!att!green!chris	404.750.5246
Newsgroups: rec.music.synth
From: tmm@world.std.com (Tom M Moravansky)
Subject: Tangerine Dream Equipment on this tour
Organization: The World Public Access UNIX, Brookline, MA
Date: Mon, 17 Aug 1992 10:03:48 GMT

Has anyone seen TD on their current tour? Are they using 'normal'
equipment  (PLEASE, no flames on this one ;-) ) or are they using
samplers and Ataris like this last time I saw them.

It was a nice show last time (2 years ago?), but I wondered if they
are touring with large racks & banks of keyboards like the old days.
From: poncelet@doc.bmd.trw.com
Newsgroups: rec.music.synth
Subject: Re: FTP sites?
Date: 18 Aug 92 12:45:35 MST
Distribution: usa

In article <1992Aug18.015838.12787@uvm.edu>, glatz@emily.uvm.edu (Terry A Glatz) writes:
> Hi all,
>     
>      I am looking for FTP sites which have MIDI stuff for IBM.
> The only place I know of is ucsd.edu and they seem to be slow when it comes to getting new files. 
>      Any replies would be greatly appreciated.                      
>  
> Thanks
>  
> -Terry


I have found these ftp sites that have music related files.  Since I have a Mac
I wasn't looking for PC related sites, but these sites are not all Mac
specific.

scam.berkeley.edu           (misc/netjam/submissions/midi)
ucsd.edu
ussprinceton.princeton.edu  (pub/midi/submissions)
louie.udel.edu              (pub/midi/software/mac)
ftp.nevada.edu              (pub/guitar)
novamail.cerl.uiuc.edu      (pub/lime)

Have fun.

Gene_Poncelet@oz.bmd.trw.com
Ogden, Utah
From: jdawes@sdcc13.ucsd.edu (Shaggy)
Newsgroups: rec.music.synth
Subject: Re: Sample CD's??
Date: 12 Aug 92 12:04:30 GMT
Organization: University of California, San Diego

Howdy! I would like receive a copy of this newsletter.  And any
other sample sources you may know of.  Thanks

jdawes@sdcc13.ucsd.edu


Xref: sparky rec.music.synth:13602 rec.music.makers:9029
Newsgroups: rec.music.synth,rec.music.makers
Subject: Drum machine question
From: glickman@hustat.harvard.edu (Mark Glickman)
Date: 17 Aug 92 10:27:32 EDT
Distribution: world
Originator: glickman@observed

I recently purchased a Boss DR-660 drum machine,
and am quite happy with it.  It's quite an
improvement over the Yamaha RX-15, the last drum
machine I used to own.

One feature that does not appear to be present with
the DR-660 which, curiously enough, did exist with
the RX-15, is the ability to repeat patterns within
songs by programming pattern "loops" (my term, not
Yamaha's).  Is this feature usually not implemented
on most drum machines?  I realize that 250
patterns per song on the DR-660 is a plenty,
especially since I can make the patterns long, but
the ability to loop patterns would have added much
more flexibility.  Has anyone else had any
experience using the DR-660?

Thanks!

           - Mark
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Sat, 15 Aug 1992 14:18:10 PDT
Reply-To:     dunn@intellicorp.com
From:         Casey Dunn <DUNN@SAFFRON.BITNET>
Subject:      need manual (or copy of) for yamaha fb-01
Comments: To: SYNTH-L@AMERICAN.EDU

hey, I've been on the road, and am now going through old mail,,,but if
you havn't picked up a manual yet, I have one. infact it's the xerox
copy that came with my FB01!...let me know and I'll copy it at work,
down here in mv.

oops. posting...
From: fwl@wlbr.iipo.gtegsc.com (Fred Lockard)
Newsgroups: rec.music.synth
Subject: Re: ** FOR SALE, PX1000..., TASCAM PORTA05..., BOSS BX-16...
Date: 14 Aug 92 16:50:56 GMT
Distribution: usa
Organization: GTE Federal Systems

All the equipment is sold, (including the Midiverb II).
Thanks to everyone who responded.                    	

--- Fred

-- 
Fred Lockard                              GTE Government Systems
Internet: fwl@wlbr.iipo.gtegsc.com        UUCP: {hacgate,jplgodo,voder}!wlbr!fwl
From: gvh@metrosoft.com (Gordon Van Huizen)
Newsgroups: rec.music.synth
Subject: Re: Tangerine Dream Equipment on this tour
Date: 17 Aug 92 16:19:07 GMT
Reply-To: gvh@metrosoft.com (Gordon Van Huizen)
Organization: Metrosoft

In article <Bt4HAD.ItA@world.std.com> tmm@world.std.com (Tom M Moravansky)  
writes:
> It was a nice show last time (2 years ago?), but I wondered if they
> are touring with large racks & banks of keyboards like the old days.

Have you heard "Rockoon"? If you have, you don't need to ask this  
question. :-)

Maybe it's time for a TD Reunion Tour. Whatever happened to Peter Baumann  
and Chris Franke anyway?

Gordon
-- 
----------------------------------------------------------------
Gordon Van Huizen           vox: 619.488.9411  fax: 619.488.3045
Metrosoft                   gvh@metrosoft.com [NeXTmail welcome]
----------------------------------------------------------------
Newsgroups: rec.music.synth
From: broe@dfv.rwth-aachen.de (Frank Breier)
Subject: Looking for Soundmanager/editor for T3 and TG77
Organization: Communication Networks
Date: Tue, 18 Aug 1992 09:47:34 GMT

I found many sounds on several ftp-sites but I wonder if there are
soundmanager or editors (I only want a library).


Thanks in advance,

Frank

-- 
Frank Breier						 |     C   O   M
Communication Networks, Technical University of Aachen   | --v-^-v-^-v-^-v--
  Phone: +49-241-807921       Fax: +49-241-84964         |   N   E   T   S
  Email: broe@dfv.rwth-aachen.de                         | RWTH Aachen, Germany
From: john@hpwin052.uksr.hp.com (John Radley)
Date: Mon, 10 Aug 1992 12:23:14 GMT
Subject: Help wanted re 4/6 track cassette decks
Organization: HP Response Centre, Berkshire, England.
Newsgroups: rec.music.synth

Hello folks,

I wonder if anyone can offer me some advice regarding 4 and 6 track
casette systems.

I am currently thinking of purchasing a 4 track portastudio system,
but require at least 8 inputs (preferably 12). Systems that can support
this tend to be pricey and I thought it might therefore make more sense
to buy a separate mixer (eg. Mackie 1202) and rack mounted tape deck. This
may cost a bit more, and sound quality probably won't be much different, but
together should provide more flexibility than a portastudio.

I have a good knowledge of the range of portastudio products available, but
very little knowledge of rack mounted 4 track cassette decks. Can anyone
make any recommendations for what decks are available. Also, Sansui once 
did (does) a 6 track cassette deck. I have always been dubious of squeezing
6 tracks onto a cassette but have no hard evidence of any problems. Does
anyone know if this or any other 6 track cassette system can meet the
sound quality of a good 4 track portastudio.

Any help on these questions is much appreciated.
Thanks in advance,

John
(e-mail john@hpwin051.uksr.hp.com)
From: D_NIBBY@UNHH.UNH.EDU (Dana   Nibby)
Newsgroups: rec.music.synth
Subject: Drum machines
Date: 16 Aug 92 17:11:00 GMT


What drum machines do rap artists use (besides the TR-808) to get
those sub-bass sounds? Also, what sorts of drum machines are used
by current techno/house artists? Any information would be
appreciated.

   Dana
Newsgroups: rec.music.synth
From: jrblack@magnus.acs.ohio-state.edu (James R Black)
Subject: The Drum Solution?!?
Organization: The Ohio State University
Date: Tue, 18 Aug 1992 20:04:38 GMT

	Reading all the posts about the Alesis D4 and Emu Procussion makes
me wonder....

1. Is the drum machine dead?

   Having started with an Emu Drumulator back in '83 and staying with them
the last few years - I feel attached.  I like the song/pattern w/ looping
format, and Roland's step-entry method is neat.  BUT, upon upgrading to
Performer 3.64 (already 1 behind) I realize the software sequencers make
editing/entering drum/percussion easy.  Plus having to switch back and forth
between drum machine and computer while trying to write a song is a pain in
the ass.  Also, the ROM based sounds are...

2. Are ROM based drum instruments the answer?

   I look at my 3 year old R-5 and cringe.  It's amazing how after only a
few years the sounds just 'wear' on you.  As an example, how many ROM based
machines had 'house' beat sounds in them 3 years ago?  Of course you say,
hell drummers don't buy a new set every 2-3 years..... yup.

3. You try sampling, but isn't $2,000+ alittle much for drums....
   IN OTHER WORDS.... isn't 12 bit sampling 'good enough' (i.e. S950/900)
   for most (obviously not cymbals) drums sounds?

   I think so, since quite a few drummers I know have Akai S950s, however
in the day and age of 16 bit.....

4. Why not just use the REAL thing.

   Ahh, the age old question.  Let's see... I've had 5 or 6...drummers play
in bands with me.  1 committed suicide, 1 tried to steal my cousin's wife,
etc.  However, my next studio date, I'm using a drummer!  If only for the
snare and hi-hat.  The only electronic hi-hat I've met that I've liked was
a Oberheim SEM module.  Short of an S1000, this is the only solution.
What'd ya' think?


-- 
-------------------------------------------------------------------------------
|  Jim Black     |    jrblack@magnus.acs.ohio-state.edu                       |
-------------------------------------------------------------------------------
Newsgroups: rec.music.synth
From: M.P.Wood@lut.ac.uk (Michael Wood) 
Subject: SCSI sample dumps
Keywords: SCSI sample
Reply-To: M.P.Wood@lut.ac.uk (Michael Wood)
Organization: Loughborough University, UK.
Date: Thu, 20 Aug 92 09:16:29 GMT


I read an article in Sound on Sound (Europe) about how he was dumping
samples between his K2000 and SoundTools on a mac over SCSI.

I have heard about the Peavey developed system has anyone got any details
on this.

My K2000 manual does not mention it, does this mean I don't have the
capabilites ?

Can you share a disk between say a K2000 and an atari with SCSI ?

Would be nice if they could both use the same partition as well
( both read DOS style disks ).

Mike.
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Fri, 14 Aug 1992 16:29:03 CST
From:         Rod Lemcke <WEBERLOI@MAX.CC.UREGINA.CA>
Subject:      Re: Free Newsletter of the International Samplers Co-op

Hi Myles, I would like to get a copy of your newsletter you mentioned about in
your posting.    Please send a copy to me at the following address.



                     Rod Lemcke
                     54 - Joyce Crescent
                     Regina, Sk.    Canada
                     S4N 5G3



                               Thanks, I am looking forward to it...
                                                                     Rod L.
From: nick@dcs.ed.ac.uk (Nick Rothwell)
Newsgroups: rec.music.synth
Subject: Re: MIDI Clock -> MTP... No Hap?
Date: 21 Aug 92 11:15:59 GMT
Organization: Naff Green Shorts Dance Co.
In-reply-to: jrblack@magnus.acs.ohio-state.edu's message of 20 Aug 92 17:43:05 GMT

As far as I know, an MTP will distribute MIDI clock from any of its MIDI inputs,
in addition to clock from the Mac port. It doesn't cablise clocks though;
they'll appear on all cables unless filtered on the way out.

Nick.
--
  Nick Rothwell, LFCS, Edinburgh | "Say, how many contemporary dancers are
               nick@dcs.ed.ac.uk |     there in this bar?"
CASSIEL Contemporary Music/Dance | "Dunno; count the Dr. Martens and
     cassiel@cix.compulink.co.uk |     divide by two..."
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Return-Path: crispen <@ada3.ca.boeing.com:crispen@efftoo>
X-Envelope-To: SYNTH-L@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Wed, 12 Aug 1992 09:41:36 CDT
From:         crispen <crispen@EFFTOO.BOEING.COM>
Subject:      Re: Need Recommendations on Adding Polyphony
Comments: To: SYNTH-L@ada3.ca.boeing.com

Please excuse an ignorant suggestion, but if the VFXsd has an
"alternate" mode, you can simply set up two VFXsd's in alternate
mode and double your pleasure, double your fun, double your
polyphony.  Besides, you get an extra keyboard for those times
when you aren't playing thick chords.

I've often thought about getting a second V50, but I always felt
bad about doing that before I got a sampler, and my wife has felt
bad about my doing that before I got new dining room furniture.
Of course, none of you have that problem ;-)

BTW, if I ever get my kid through college, I've been tending more
and more toward the idea of making my second sound source another
keyboard instead of a rack-mount.  What did you all get for your
second instrument?

Bob
crispen@foxy.boeing.com
Newsgroups: rec.music.synth
From: pesjogre@nada.kth.se (Peter Sj{gren)
Subject: New sounds for the JV-30
Originator: pesjogre@byse.nada.kth.se
Reply-To: pesjogre@nada.kth.se (Peter Sj{gren)
Organization: Royal Institute of Technology, Stockholm, Sweden
Date: Sat, 15 Aug 1992 15:39:55 GMT

Hi,

my local synth dealer told me that the JV-30 is expandable so that it can
play more sounds. He was not able to answer if these sounds are new PCMs
or just variations on the preset PCMs. Can anyone tell me the how it really
is please.

By the way, are there sound modules on the market that let you load it
with new PCM waveforms via MIDI? What are the prices?

One more thing. Is there a good ftp site with sounds for my good old DX7 and
others? 

Thank you for your answers!
Peter Sjogren
Stockholm
Sweden



please answer to pesjogre@nada.kth.se or peter@jada.se
From: tmm@world.std.com (Tom M Moravansky)
Newsgroups: rec.music.synth
Subject: Linn Drum models
Date: 19 Aug 92 10:00:32 GMT
Article-I.D.: world.Bt86Gx.GH4
Organization: The World Public Access UNIX, Brookline, MA

Can someone please summarize the differences between the Linn
Lm-1, LM-2, LinnDrum, and the Linn 9000?  Thanks
From: valaris@swifty.dap.CSIRO.AU (Andrew Valaris)
Newsgroups: rec.music.synth
Subject: Sample news letter
Date: 20 Aug 92 06:17:09 GMT
Organization: CSIRO, Division of Applied Physics, Sydney


I've only recently begun to read this newsgroup and recently saw a posting
about an international news letter regarding sampling and the such. Where
and to whom do I send my address ? Do I leave it here, or do I email some
specific person ? Any help appreciated.


Thanks (the people on this net are really helpful)
Newsgroups: rec.music.synth
From: kxj6@po.CWRU.Edu (Kijin Jung)
Subject: Re: Need Recommendations on Adding Polyphony
Reply-To: kxj6@po.CWRU.Edu (Kijin Jung)
Organization: Case Western Reserve University, Cleveland, OH (USA)
Date: Wed, 12 Aug 92 17:53:45 GMT


In a previous article, paulb@cbnewsk.cb.att.com (paul.l.bidwell) says:

>
>I have a VFXsd that has 21 voice polyphony. I find myself needing to
>add more polyphony, and I'm looking for some advice as to the most 
>economical way to do so.
>
>What do just piano modules go for? I typically use a lot of piano notes
>and I have thought that might be an alternative.
>
The E-mu Proformance (or Proformance Plus) goes for $300 to $500. Very
nice sampled piano...

Newsgroups: rec.music.synth,comp.music
From: smill@polari.online.com
Subject: Re: wanted:  k5m editor for mac
Organization: Seattle Online Public Access Unix (206) 328-4944
Date: Wed, 12 Aug 1992 04:52:55 GMT

In article <D88-JWA.92Aug9123953@dront.nada.kth.se> d88-jwa@dront.nada.kth.se (Jon W{tte) writes:
>> smill@polari.online.com writes:
>
>   >will someone please write an editor
>   >it will improve the life of the common man
>
>	   Hear, hear!!! I second that !  Will someone write a K5 editor,
>   with graphically displated envelopes????
>
>Yes, I will write an editor. Since my regular schedule @ $80/hour is
>full, you will have to pay the overtime price though ($160/hour)
>
>Contact my office for a drwa-up of specifications and contract.
>
>-- 
>- I have decided that it is not boxes but my lack of skill that's the problem.
>- Traitor! This kind of attitude will get you nowhere around here. If you must
>  know, it's not your boxes that are the problem, it's your lack of a
>  sufficient number of boxes. Go out and buy something.

	No problem, that should *almost* offset my consulting fee for
providing the specs...:)

-- 
Steven M. Miller		"The history of music evolution is
smill@polari.online.com		 not the history of nice guys"
smill@online.com			-- Anthony Braxton
smill%polari@online.com
Newsgroups: rec.music.synth