HDTenEightyP/NetNews huggingface dataset:
From: eirikur@ranger.enet.dec.com (Eirikur Hallgrimsson)
Newsgroups: rec.music.synth
Subject: Re: Clavinet Example (was: Re: Keyboard feel (was: Re: CZ101 for sale)
Date: 6 Oct 92 19:45:29 GMT
Article-I.D.: nntpd.1992Oct6.184626.5243
Organization: Digital Equipment Corporation


In article <9210051853.AA04984@ucbvax.Berkeley.EDU>, JROSSI@EAGLE.AAMRL.WPAFB.AF.MIL writes...
> 
>About the most 'famous' clavinet example is the song Superstition by
>Stevie Wonder.  The whole thing is Clavinet with whammy bar.
Gee, John, was there a hardware mod to the Clavinet to give it a whammy bar?
Neither of mine have it, and I don't recall there being one in the data sheets
even as high as the model E7.  Of course, it was probably a third party like
Dyno-My-Piano or somesuch.  Still, I never heard of it.

I think that Superstition may just be a stock Clavinet with a wah-wah or
similar effector.

Eirikur Hallgrimsson   |    "Rhodes?  Where we're going, we don't need Rhodes!"
eh@ranger.enet.dec.com |
PATHWORKS for Macintosh|
Newsgroups: rec.music.synth
Date:         Thu, 1 Oct 1992 20:07:06 EDT
From:         "(Jeff Mallory)" <jeff@MILLIE.LOC.GOV>
Subject:      Re: 4MBx9-80ns SIMMs for sale
Comments: To: SYNTH-L@AMERICAN.EDU

These are 4Mbx_9_ bit wide SIMMs (i.e., byte + parity), which the suns
and PC's use. 4Mbx8 are what I thought Macs and K2000's used, and are
less expensive. We just bought some new 4Mbx9-80 last week at work for
$149 each through an open market GSA sale. And that price is consistent with
 what I've seen
in the mail order ads for these. I am, however, willing to deal!

Thanks,

jeff
jeff@millie.loc.gov
Newsgroups: rec.music.synth
From: darrin@arrakis.engin.umich.edu (Darrin P Cardani)
Subject: Re: Midi song - "Borderline - Madonna"
Date: Wed, 30 Sep 92 20:53:34 EDT
Organization: University of Michigan Engineering, Ann Arbor
Originator: darrin@arrakis.engin.umich.edu


In article <1992Sep30.090310.27637@comp.lancs.ac.uk>, davei@comp.lancs.ac.uk (Mr D Ingles) writes:
> In article <BvC29K.Isy@rivm.nl> sb2fhh@rivm.nl ( Frits van den Heuvel ) writes:
> 
> Has anyone manage to unpack these MIDI files and play them ? I have had no
> success *8-( I have tried Prism / Cubase for Windows / Encore demo / Cakewalk
> demo / Windows Jukebox / Windows MIDI player.
> 
> Please reply here as my e-mail is disconnected until next week.
> 
> Davei

No. And as a matter of fact, the copy I got from the newsgroup got screwed up.
Could someone e-mail them/repost them?
					Darrin Cardani
darrin@engin.umich.edu
From: brooksp@hpcc01.corp.hp.com (Peter Brooks)
Date: Fri, 2 Oct 1992 16:40:02 GMT
Subject: Re: Analog suggestions, anyone?
Organization: the HP Corporate notes server
Newsgroups: rec.music.synth

Thanks for the responses.  Now all I have to do is 1) let my budget recover
from near melt-down and 2) decide if I want a rackmount unit (the Matrix-1000)
or yet another keyboard.  The second task is going to ba a lot more fun than
the former.

Pete Brooks

Newsgroups: rec.music.synth
From: kpm8447@tesla.njit.edu
Newsgroups: rec.music.synth
Subject: Cakwalk and .wavs
Date: 4 Oct 92 01:39:32 GMT
Organization: New Jersey Institute of Technology

I just got the Cakewalk for windows demo and it's great (full working
except for saving)  I read in a keyboard magazine that it can play
wav files as weell as midi for those with sound cards (like Sb, etc)
Does anyone know how to do this, the online help doesn't say.

-- 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
Kirk Membry             ( * * * T H I S   S P A C E   F O R   R E N T * * * )

kpm8447@tesla.njit.edu                                    kpm8447@teak.njit.edu
kmembry@andromeda.rutgers.edu                             kpm8447@maple.njit.edu
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
From: moon!cyberden!system@well.sf.ca.us
Newsgroups: rec.music.synth
Subject: *** WARNING *** Pandemonium Contest possibly a HOAX?
Date: Fri, 02 Oct 92 13:17:17 PDT
Organization: Indescribable Creations

Hi...

A while back there was an ad in Keyboard magazine (or EM) about winning a
ton of stuff if you completed puzzles. It was not a contest and money was
required to enter the 'logic' contest.

It was put on by a company called PANDEMONIUM and it said that all you had
to do was pay up to $6 to enroll in the contest, depending on how many
prizes you wanted. $2 enrollment got you only to a certain level of
prizes, $4 and $6 got you more prizes if you won...

Well anyways, I went for the gusto $6 figuring that would be all the money
to ever spend...

WRONG..

The first PHASE 1 of 4 puzzles came in with a mandatory $2 entry fee (AGAIN!)
PLUS you had to pay more for even more prizes... well I figured... "grrrr...
more money? They never said anything about that... grrr..." Well, I sent the
completed puzzle back with the $2 and figured, ok... $6+$2 ea phase is only
$14... no biggie...

Well, 3 days after I sent PHASE 1 in, I get ANOTHER PHASE 1 ENTRY FORM!!!!!!
THIS TIME IT'S A DIFFERENT PUZZLE!!!! BOGUS!!!!! RIP OFF!!!!! RIP OFF!!!!!!!

So... has anyone else entered into this contest and is getting a but pissed
off about being lied and cheated to? What, is there going to be 132 fucking
PHASE 1 puzzles?

Well, I've called this guy's answering machine twice, and if I don't get an
answer about this soon, it's Better Business Bureau time....

Just for your info:

PANDEMONIUM INCORPORATED
PO Box 26247
Minneapolis, MN  55426-0247
(612) 944-2923

AGAIN: This may NOT be a scam... but so far, it's pointing to that direction.
<X>orcist

__________________________________________________________________________
   |       /         |\
   | H E   \ Y B E R |/ E N       [ moon!cyberden!system@well.sf.ca.us ]
From: smithj@hpsad.sad.hp.com (Jim Smith)
Date: Mon, 5 Oct 1992 03:31:07 GMT
Subject: Re: Synth timbres alone (was Re: I don't think any of us are belittling)
Organization: no risk to you!
Newsgroups: rec.music.synth

In rec.music.synth, metlay@netcom.com (metlay) writes:

    If you listened to someone who wasn't a very good pianist playing the
    nicest piano ever built, I'll bet you'd get sick of it in a lot less
    than an hour. A person who is good at what they play can make an 
    electronic keyboard sound good enough to listen to for an hour without
    any trouble. Anthony Phillips can sit down at the Polymoog and just
    play it, producing utterly wonderful stuff.

Slightly off the point, perhaps, but it seems to me that a more valid
comparison would be of a piano and an entire electronic music setup.
After all, we don't require a percussionist to entertain us all evening
with just a pair of claves too often!

    Oh god, not more onanism. I would call a lot of what Keith Jarrett plays
    "masturbation" but that would launch a whole 'nuther rhubarb....

I think that what Keith does might more aptly be called "Moaninism." :->

                 - Jim Smith  smithj@hpsad.sad.hp.com
                   Icktang icktang, Ickitack tangdow...
From: scott@bbx.basis.com (Scott Amspoker)
Newsgroups: rec.music.synth
Subject: Re: I don't think any of us are belittling Gen
Date: 1 Oct 92 20:03:50 GMT
Organization: BASIS International, Ltd., Albuquerque NM USA

In article <2ACB2DAA.20399@news.service.uci.edu> dan@cafws2.eng.uci.edu (Dan Harkless) writes:
>	*Cough* *cough* *cough* <ahem>...  Sir, I must take great exception to
>the above.  Synth patches *boring*??  Not mine...  Acoustic piano - now _that_
>is boring.

real acoustic piano = boring
electronic piano simulation = exciting

Oh well.  At least I know where you stand.  Please don't invite me to
your next gig.

-- 
Scott Amspoker                       |    
Basis International, Albuquerque, NM |  Too bad ignorance isn't really
                                     |  bliss.  Then it could be outlawed.
scott@bbx.basis.com                  |
Newsgroups: rec.music.synth
From: neal@cmptrc.lonestar.org (Neal Howard)
Subject: Re: Vintage Synth Re-Issues, what do you think?  Would you buy?
Date: Tue, 6 Oct 1992 19:56:05 GMT
Organization: CompuTrac Inc., Richardson TX

Personally, I loved the old analog synths, especially the Sequential
Prophet 5 rev 3.2 (with the cheesy cat meow, dog bark, and bird chirp 
included in the factory patch data). I was a synth tech back in the early
1980's and got to work on almost every brand and model available then. It
seemed that every other music store electronics repair department in northern
Texas was afraid to open these units up. Anyone out there remember the
dreaded Oberheim Four Voice (I think that's what it was called). I think it
was the very first production line synth with patch memory (no cpu, only
hardwired TTL logic !!!). How about the Roland Jupiter 4 with 8 (count 'em,
wow!) user patch memory locations and the random arpreggiator (Duran,Duran's
Hungry Like the Wolf background noise)? I modified one of the very first JP-4's
to have 8 banks of 8 memories for 64 total user patches for a guy in Wichita
Falls, TX who still uses the thing to this very day. Anyway, as a previous
post said it would be prohibitively uneconomical to re-create these wonderful
old machines today, I have to agree. Just finding the analog voice IC's is
tough enough for restoring broken units. (Note: I read a post in
sci.electronics where Curtis CEMxxxx chips can still be found at
     Doug Curtis
     On-Chip Systems
     1190 Coleman Ave.
     San Jose, CA 95110
     (408)988-5400
)
As to getting that fat, robust analog sound, I kinda like my Ensoniq VFX-SD.
It has a couple of sounds in the factory patches that really bring back
memories of the good old days. (It also has it's fair share of behavioral
quirks and bugs^H^H^H^Hfeatures just like the good old days 8-} ).
My $0.02 worth,
Neal
-- 
=============================================================================
Neal Howard (neal@cmptrc.lonestar.org)        CompuTrac, Inc. (Richardson,TX)
DoD #686   '91 XLH-1200      '70 Kawasaki G4-100cc    '69 Cougar XR7-GT390
	   Ensoniq VFX-SD    Kramer Pacer guitar      '70 429CJ(needs a home)
"how often you get much more drunk than you ought to on a Friday night...
...about once a week" -  Tom Yates
=============================================================================
From: kishon-amir@CS.YALE.EDU (amir kishon)
Subject: Looking for Kawai dealers
Organization: Yale University Computer Science Dept., New Haven, CT 06520-2158
Date: Tue, 6 Oct 1992 15:15:08 GMT

I am looking for a good place to buy Kawai electric pianos in the
New York area. I am especially interested in MR3000. Thanks,

Newsgroups: rec.music.synth
From: ricard@axis.se (Ricard Wolf)
Subject: Re: General MIDI
Keywords: MIDI General Onanism
Organization: Axis Communications AB, Lund Sweden
Date: Wed, 30 Sep 1992 08:26:20 GMT

In article <24SEP199213021044@erich.triumf.ca> felske@erich.triumf.ca (FELSKE, WAYNE W.) writes:
>    Onanism ? !! I thought we were talking about MIDI.
>I seems to me that GMIDI is just a tool that will allow people who may not
>want to understand all of MIDI just to make a few sounds. ie Multimedia.
>Certainly it can do more, but it was designed to make decent music more
>simple. 
>    Yet I fear that most people on the "no" side are just fearfull that all
>the work they put into learning MIDI, Sys Ex, Patch Programming, and all, is 
>being threatened as useless. No need to fear. Just as MIDI has limitations,
>so has GMIDI. 

I think in many cases (myself included) it's trying to defend your position
when someone comes up to you and says "Isn't this new General MIDI stuff 
great!". It is, for the right people, and it isn't for the wrong people.
I'm more into sound-crafting, so I'm not interested, and I feel
I have to make some sort of a statement instead of just replying 
"Yeah, sure, love it.". I think we (= the no side) get the impression that
the GMIDI buffs think it is the solution to all sound incompatibility
problems. For multimedia applications it'll be all the rage, but
I find it difficult to imagine Larry Fast or Edgar Froese using it.

/Ricard
-- 
Ricard Wolf                   / | \  / | /-           email: ricard@axis.se
Axis Communications AB       /__|  \/  | \__          uucp:  axisab.se!ricard
S - 223 70 LUND             /   |  /\  |    \         Tel:   +46 46 19 18 63
SWEDEN                     /    | /  \ | \__/         Fax:   +46 46 13 61 30
Newsgroups: rec.music.synth
From: eirikur@ranger.enet.dec.com (Eirikur Hallgrimsson)
Subject: Vintage Synth Re-Issues, what do you think?  Would you buy?
Organization: Digital Equipment Corporation
Date: Fri, 2 Oct 1992 03:06:26 GMT

You know, playing around with a Fender synth. has made me think about applying
their vintage guitar re-issue concept to synth marketing.....

I get the feeling that Roland could make some money with a TR-808 reissue.  Put
MIDI on it, just to differentiate it from the original (which would still be in
demand).

Ok.  TR-808, what else?

Roland D-50  (mucho temptation to ask for cleaner PCM and a few other things)

Moog MiniMoog
Moog Taurus pedals (original, not II)
Moog PolyMoog
			add MIDI to all of the above

Elka Synthex		HAD MIDI, even then.

Rhodes Chroma, but not the Polaris  (has parallel port, MIDI could be external)

Gleeman Pentaphonic?  (Now I'm getting silly)

What would your list of re-issues look like?  Would you buy them?
Of the above, I'd probably buy the Synthex, and the Taurus. I have a Chroma,
and I don't do House :-)

Just to play devil's advocate against my original TR-808 example, the markup,
which is to say profit, on selling ROM cards of TR-808 sounds, is probably
higher than selling a re-issue of the hardware (software is more profitable),
and this way they can still demand top dollar for this year's features in the
drum machine, and stay competitive.

Eirikur

Eirikur Hallgrimsson   |    "Rhodes?  Where we're going, we don't need Rhodes!"
eh@ranger.enet.dec.com |
PATHWORKS for Macintosh|
From: kmg@softcore.asd.sgi.com (Kevin Michael Goldsmith)
Newsgroups: rec.music.synth
Subject: MM Patchbay problem
Date: 30 Sep 92 17:23:19 GMT
Reply-To: kmg@softcore.asd.sgi.com (Kevin Michael Goldsmith)
Organization: sgi

I got the MIDI developer tools disk with MM on it from Apple.  I seem to be having a problem though, where everytime I run patchbay, the MIDI driver will not let me choose the panel to tweak it.  Everytime I choose it from the menu, my PB100 just beeps at me.  Has anyone else had this problem?  It completely kills MM for me, because the MIDI driver is stuck on the MODEM port, which my Powerbook doesn't have.

Please e-mail me direct with answers,
	thanks,
	Kevin
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Sat, 26 Sep 1992 07:14:00 EST
From:         STEVE@ADELPHI-MSC.ARMY.MIL
Subject:      RE: Bach MIDI File wanted
Comments: To: SYNTH-L <SYNTH-L@auvm.american.edu>

>  david mann requests tocatta in d minor j.s bach midi file
....
I have uploaded a copy of this file I found in an archive a while
ago.  I put it at wuarchive.wustl.edu directory pub/MSDOS_UPLOADS
                  files are
                                  toccatta.doc  (ascii)
                                  tocatta.mid  (binary)
You can retrieve it with anonymous ftp

s.c.
Newsgroups: rec.music.synth
From: ljnelson@unix.amherst.edu (Laird Nelson)
Subject: For Sale: Korg M3R, DDD-5
Organization: Amherst College
X-Newsreader: TIN [version 1.1 PL6]
Date: Sun, 4 Oct 1992 23:57:27 GMT

Korg M3R Rack Synth: $500  

A while back, I bought a Korg M3R rackmount unit, thinking I'd be getting a 
mixer soon.  The cash for the mixer never made it; consequently the M3R has 
seen essentially no use since I bought it.  Purchased with light use (studio
only) for $600; I'd like $500 for it.  This is in the middle of the prices that
M3R's have gone for on the net so far, according to the often-posted used
price list.

Korg DDD-5 Drum Machine: $175

Your basic 12-bit sampled drum box, with all the usual editing tools, rudi-
mentary sequencer, etc.  Studio use only; very good to excellent condition.
Again, I'm asking for a price in the middle of the prices I've seen this unit
go for on the net.

Please reply by email only; don't abuse bandwidth.  :)

LAiRD

--
ljnelson@amh.amherst.edu     |
ljnelson@unix.amherst.edu    |           quintet-essential.
(413) 542-2932               |
From: takem_b@pyramid.unr.edu (Brian Takemoto)
Newsgroups: rec.music.synth
Subject: Midi ftp archive sites...
Keywords: midi,songs
Date: 2 Oct 92 00:34:19 GMT
Distribution: usa
Organization: University of Nevada, Reno  Department of Computer Science

Does anybody know of any ftp sites that have midi files available?  An
archive site with *.MID files is preferred, but not necessary.  (ie. KCS,
Cubase, Cakewalk, or other program specific files are ok.)

---------------------------------------------------------------------------
takem_b@pyramid.cs.unr.edu or ucbvax.berkley.edu!pyramid.cs.unr.edu!takem_b
#include <sig.h>    /* unfriendly control codes with ascii self-portrait */
Anything that can go wronx3%se  Pnews: segmentation violation. core dumped.
From: ae302@cleveland.Freenet.Edu (Peter Haller)
Newsgroups: rec.music.synth
Subject: Re: 4MBx9-80ns SIMMs for sale
Date: 2 Oct 1992 13:27:27 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: ae302@cleveland.Freenet.Edu (Peter Haller)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, jeff@MILLIE.LOC.GOV ("") says:

>These are 4Mbx_9_ bit wide SIMMs (i.e., byte + parity), which the suns
>and PC's use. 4Mbx8 are what I thought Macs and K2000's used, and are
>less expensive. We just bought some new 4Mbx9-80 last week at work for
>$149 each through an open market GSA sale. And that price is consistent with
> what I've seen
>in the mail order ads for these. I am, however, willing to deal!
>
More FYI: Looking in current computer shopper: 4Mx9 SIMM (80ns) from $89 to
$120. (No quantities involved.)

PCH
-- 
Peter C. Haller                         |       'If you do what you
Lorain Products                         |       have always done,
ae302@cleveland.Freenet.Edu             |       expect what you have
"Are we having fun yet?"                |       always received.'
From: ac540@cleveland.Freenet.Edu (Carl Skala)
Newsgroups: rec.music.synth
Subject: Info needed on Kurtzwel K250
Date: 2 Oct 1992 22:29:28 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: slc10.ins.cwru.edu


Or is is spelled as Kurztwel???? I've suddenly gone brain dead.
Anyway... a friend has one of these and we need some info. This keyboard has
a Mac serial port (by the looks of it) on it. I gather it is there 'cause at the
time this keyboard was made having a MIDI port(or adapter) on your computer was 
unheard of. Now is there any advantage of using the serial port over the MIDI on
this keyboard?????
Please respond via E-mail.
-- 
All rights reserved, All wrongs reversed
CLONE THE DATA NOT THE MACHINES!!!
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
X-VMS-To: IN%"synth-l@american.edu"
Newsgroups: rec.music.synth
Date:         Tue, 29 Sep 1992 10:03:00 EDT
From:         WSCOTT@ACS.WOOSTER.EDU
Subject:      Po Stliteracy
Comments: To: synth-l@american.edu

Randy Jones writes:
"When I write "fish", I refer to a fish. There's no way to convey an actual
fish through this technology, so I use "fish" and  assume that you have some
physical or otherwise scopic fish in your memory to refer to. While it's
hard to imagine a technology capable of conveniently transferring actual
fish or anything else to which we might want to refer in human discourse,
there are existing technologies which transfer musical sound quite well.
"

Well, whenever I've received an actual fish in print, I've taken it to
mean "Luca Brazzi sleeps with the fishes", which is a kind of language
encoding in itself, so I don't like your example, but I get the idea.

But now that I have the idea, I feel that we're advocating dropping the
"music as literature" metaphor for a "music as virus". The sound, existing
on its own, is communicated solely through exact replications, with variance
allowed for speaker design. Maybe biological DNA structures are an analog
to this. But in biology, time and space extensive communications occur
as a result of sex, and the equivalent communications in a post-literate
music would be found in such projects as Natalie Cole singing with her
Dead Dad.

Bill Scott
From: eijkhout@cupid.cs.utk.edu (Victor Eijkhout)
Newsgroups: rec.music.synth
Subject: Re: Do I exist?
Date: 28 Sep 92 14:38:13 GMT
Organization: University of Tennessee, Knoxville - Department of Computer Science
Distribution: world
Reply-To: eijkhout@cupid.cs.utk.edu (Victor Eijkhout)
NNTP-Posting-Host: cupid.cs.utk.edu

In article <1992Sep25.211924.963@yvax.byu.edu>, feijai@endor.byu.edu (Sean Luke) writes:
|> In article <9209251518.AA22092@ucbvax.Berkeley.EDU>  writes:
|> >
|> >You think me therefore I am.
|> 
|> 
|> Well, we try not to.
|> 

Let me quote from the guy's msg header:

From: JROSSI@EAGLE.AAMRL.WPAFB.AF.MIL
Newsgroups: rec.music.synth
Subject: Do I exist?

Obviously he cannot even make up his mind whether he purports
to come from .MIL or from Berkeley. He doesn't exist for sure.

|> Sean Luke

Victor.
Newsgroups: rec.music.synth
From: dmcnamar@netcom.com (Dennis McManara)
Subject: Re: 8bit vs 16bit?
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Date: Mon, 5 Oct 1992 03:13:04 GMT

In article <718220794.880000.D_NIBBY@UNHH.UNH.EDU> D_NIBBY@UNHH.UNH.EDU (Dana   Nibby) writes:
>
> Can anyone tell me what the difference is in sound quality between 8bit
>and 16bit? I understand about sampling rate, and that if the rate is too low,
>aliasing/clipping occurs. I've asked this question before and gotten no respon.
>  
Almost, but not quite. The sampling rate gives you the highest frequency
you can reproduce without distortion, which is one half the sampling rate.
Sampling at 40,000 a second means you can reproduce a 20K Hz overtone
with no distortion.

>  People tend to say, "Well, 16bit sounds better." Gee, well, in what respect?
>Is 8-bit sound tinny, whereas 16-bit sound is warmer? For example, does an
>Ensoniq ESQ-1 sound tinny/weak because it has an 8-bit processor?
>How does 8-bit/16 bit sound compare to what you hear on vinyl? I mean, what
>are the fequency limits of vinyl? And if anything much past 8-bit is useless
>for vinyl... In other words, is 8-bit sound good enough for vinyl records?
>Can a comparison even be made here? Can *someone* out there help me
>understand the difference between 8-bit sound and 16-bit sound? Is 8-bit
>sound 'fuzzy', etc. etc.
>
>
>  Thanks,
>
>    Dana
The 8 bit/16 bit has to do with dynamic range. THe highest number in 8 bits
is hex FF or decimal 255, so the dynamic range is 256 steps. The largest
number in 16 bits is FF FF hex or decimal 4095, or 256 times the 8 bit
dynamic range. So the louds can be louder.

If memory serves, even a very high fidelity vinyl peaks out about 15K Hz.
I don't know about the dynamic range, whether anything over 8 bits is
wasted.

From the comp.sys.atari.st newsgroup, I found that the new Falcon will
be able to produce sound smpled at 50K Hz with 24 bit words. That's
described as being better than  CD quality. And the Digital Signatl
Processor will be able ( they claim) to be programmed to act as a 
19800 baud modem. Makes the $795 suggested retail seem cheap.


-- 
Dennis McNamara dmcnamar@netcom.com
Purveyor of Fine Software: Composer's WorkBench

Newsgroups: rec.music.synth