HDTenEightyP/NetNews huggingface dataset:
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: The Lawnmower Man
Keywords: Lawnmower, Man, Special Effects
Organization: Wind River Systems, Inc.
Date: Thu, 10 Sep 1992 19:08:51 GMT

donnell@sponge.micro.umn.edu (Your Heinous) writes:

>And yes, despite showing up on some early posters for the video release,
>Stephen King's name does not appear anywhere in the film that I noticed.
>Too bad, because this is stil more enjoyable than most of the films that
>were legitimately based on his work. 
><All IMHO, of course>

King won a lawsuit to have his name removed - only a very small part of the
plot has anything to do with his story. 

 - Malcolm  
Newsgroups: alt.cult-movies
From: daniel_x@athena.mit.edu (Daniel M Higgins)
Subject: Re:Twin Peaks. Fire Walk Wild at Heart
Organization: Massachusetts Institute of Technology
Date: Sat, 12 Sep 1992 17:37:01 GMT


=     I'm sorry, but for some reason, _Wild At Heart_ didn't hit me as hard as
=_Blue Velvet_ or even, more recently, _Fire Walk With Me_.. By the way, has
=anyone else seen the Twin Peaks film?  I quite enjoyed it.  Seeing it at the
=theater was like gazing deeply (at times) into a surrealist painting.
=anyone else seen the Twin Peaks film?  I quite enjoyed it.  Seeing it at the

=Little Man: Let's rock!

    Fire Walk With Me ,on first viewing bypasses the intellect and works
directly on the emotions, though this may not be accurate for the pre Twin Peaks
segment.
	The series was the highlight of my year when it aired (Mr. Excitement 
that I am). Despite this I was not even faintly dissappointed with Fire....
The difference in mood between Fire.. and the series is as remarkable as
the interconnectivity which is maintained.
	For me this picture redefines Lynch's ability.
Newsgroups: alt.cult-movies,rec.arts.movies
From: boucher@roche.csl.sri.com (Peter K. Boucher)
Subject: Re: Various stuff RE Aliens, Terminator, etc.
X-Disclaimer: The views expressed in this message are those of an
	      individual at SRI International, and do not necessarily
	      reflect those of the company.
Reply-To: boucher@roche.csl.sri.com (Peter K. Boucher)
Organization: SRI International, Computer Science Lab, Menlo Park, CA
Date: Tue, 8 Sep 1992 16:35:56 GMT


The biker, attacked in a pool-hall/bar by arnie in T2 is 
also attacked in a pool-hall/bar by vampires in Near Dark.

What's his name?

Peter K. Boucher    (boucher@csl.sri.com)
Newsgroups: alt.cult-movies
From: gunnarh@dhhalden.no (GUNNAR HORRIGMO)
Subject: Re: Title of 70's TV series
Organization: Ostfold College
Date: Tue, 15 Sep 1992 00:00:32 GMT

In article <1992Sep14.182705.5046@organpipe.uug.arizona.edu> kachun@astro.as.arizona.edu (Ka Chun Yu) writes:
>From: kachun@astro.as.arizona.edu (Ka Chun Yu)
>Subject: Re: Title of 70's TV series
>Date: 14 Sep 92 18:27:05 GMT
>In article <1992Sep14.155337.5494@news2.cis.umn.edu> donnell@shark.micro.umn.edu (Your Heinous) writes:
>>In article <gunnarh.110.716478822@dhhalden.no> gunnarh@dhhalden.no (GUNNAR HORRIGMO) writes:
>>>I remember a series that was aired on scandivian TV when I was a little boy.
>>>I remember allmost nothing of it, besides the fact that I thought it was 
>>>extremely cool. Anyway here's a little summary of what I can recall from it.
>>>
>>>It was this SF thing, about some space-guy roaming around with a little 
>>>robotic friend. I have an idea he had his little robot in his back pocket, 
>>>allthough I'm not at all sure of this. He was assigned to a spacecraft build 
>>>inside/outside/around/whatever a small planet ( No not Moonbase Alpha, one 
>>>of my favorites in SF). Uhh.....No wait there's more.I remember a lot of 
>>>hairy guys chasing our friend, the hero, around. And I have quite a clear 
>>>image of the bad guy. He was all dressed in black (of course), looked a 
>>>quite like Darth Vader I believe. He , the bad guy, allso had this thing in 
>>>covering one of his eyes, making him able to Zap people just by looking at 
>>>them.
>>>
>>>If any of this seem familiar, please post and tell me what the series was 
>>>called, as it represents, probably, my first interrest of science fiction.
>>>
>>>If there's any help in it I can allso tell you it was aired in oh...-77/-78 
>>>or so. In scandiavia, that is.
>>>
>>>
>>>          /\           | I didn't say this.      | "I never forget a
>>>        /    \         | My supervisor would     | face. Especially
>>>      /        \       | kill me if i did.       | when I've sat
>>>    /    (<>)    \     |_________________________| on it."
>>>  /                \   |Gunnar Horrigmo          | -Kathleen Turner
>>>/____________________\ |gunnarh@sofus.dhhalden.no| Crimes of passion
>>
>>Part of this seems to suggest, to my mind anyway, the trashy epic "The
>>Starlost". But part of it doesn't.
>>
>>					--Judex--
>
>No, it's "Jason of Star Command" or one of its affiliated brethren.

I actually think you've got it there!


          /\           | I didn't say this.      | "I never forget a
        /    \         | My supervisor would     | face. Especially
      /        \       | kill me if i did.       | when I've sat
    /    (<>)    \     |_________________________| on it."
  /                \   |Gunnar Horrigmo          | -Kathleen Turner
/____________________\ |gunnarh@sofus.dhhalden.no| Crimes of passion
Newsgroups: alt.cult-movies
From: donnell@manowar.micro.umn.edu (Your Heinous)
Subject: Re: Akira
Organization: none
Date: Sat, 12 Sep 1992 21:25:07 GMT

In article <BuGDvt.9A2@news.cso.uiuc.edu> ken@uxc.cso.uiuc.edu (Ken Primer) writes:
>tzau4@isuvax.iastate.edu writes:
>
>>Are ther any good Japaneese anamation like Akira on video? I bought 
>>Clash of the BioNoids (with characters from the robotech I think) but
>>it was god awful. Also bought a Speed Racer. pretty sad, made me laugh
>>tho. I want good flicks, preferably in English, but I suppose Ill also
>>check out some sub-title ones...
>>Also of any addresses?
>>I know Heavy Metal mag has some ads for em, but looking for any others
>>
>>Thanks
>    Check out any video store (since you live in a college town) that offers
>the wierd stuff. If they don't have it then write to:
>Streamline Pictures: Po box 691418 W Hollywood, CA. 90069 USA.
>US Manga Corp: 301 west 53rd st. siute 13e,New York,New York.10019 (212)977-
>7456
>US Renditions: 1123 Dominguez street. unit k, Carson California 90746 (213)
>604-9701
>Animiego: po box 989 Wilmington NC,28402. (919) 799-1501
>
>My recommendations are:
>Vampire Princess Miyu (Animiego) a story about Japanese vampires
>Doninion 1-4 (US MANGA Corps) cops in tanks patrol in bladerunner type city
>Black Magic m-66 (US manga Corps) a nifty terminator rip off.
>Project Ako(US Manga Corps) cute Japanese school girls destroy city
>in masive cat fight. Watch for appearance by Superman and wonder woman
>Bubble gum crisis (animiego) babes in neat armor blast evil corporate
>thugs in futuristic Tokyo
>
>
>-- 
>MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW|Yet another content free      MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW|posting from:
>MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW|ken Primer aka "thingfish"    MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW MEOW|ken@uxc.cso.uiuc.edU

Good stuff all. On the private collectors circuit, I have run across some
excellent stuff, but its all undubbed/unsubtitled.
However, I have seen "Lensman" around at a few stores. Excellent stuff,
although the cross borrowing from "Star Wars" gets a bit thick.

<I say cross-borrowing, since George Lucas admitted to being "influenced"
by the Lensman series. I remember the story being somewhat similar, but
not his similar!>

					--Judex--
From: st923058@pip.cc.brandeis.edu (Rosaleen Dhu)
Newsgroups: alt.cult-movies
Subject: cont.
Date: 10 Sep 92 01:07:44 GMT
Reply-To: st923058@pip.cc.brandeis.edu
Organization: Brandeis University

Hi guys, sorry about this. This is a continuation of my last post. Anyways,
someone asked whether the Princess Bride would make a good cult movie. I say
absolutely. I mean, one of the best criteria for a cult movie is whether the
dialogue is recitable along with the movie, and PB definitely qualifies.
("...I shall be very put out.")
Worst cult movie I ever saw: oo, gotta be "Ro-Man". This flick was 
reportedly made on a 16,000 dollar budget, and you can tell. The plot concerns
a scientist and his assistant and family, trapped on a planet with an alien
who looks like Oscar the Grouch with a fish bowl on his head. The best part
of the movie was when Ro-Man captured the scientist's teenage daughter. Upon
being ordered by the alien Mission Control to kill the girl, Ro-Man stared
soulfully into her cleavage and announced, "I must...but I cannot". I saw
this movie at a 24-hour sci fi movie marathon in which it was considered
good taste to yell things at the screen a la Rocky Horror, and everyone
proceeded to yell the above line whenever they felt like it. There was 
another movie being shown at the same festival called "Earth VS The Flying
Saucers". I couldn't face that one--too scary--so I retired to my then-
boyfriend's house to play NetHack. (Looking back, I might have been better
off with the movie, but never mind.) Anyways, sounded like a sleeper.
				Rosaleen Dhu
Newsgroups: alt.cult-movies
From: donnell@squid.micro.umn.edu (Your Heinous)
Subject: Re: George A. Romero's Zombie Trilogy
Organization: none
Date: Fri, 11 Sep 1992 14:32:42 GMT

In article <1992Sep10.173207.18288@samba.oit.unc.edu> northcot@med.unc.edu (Robert W. Northcott) writes:
>I think that it very important which order the "Dead" films are viewed.
>The first film is set when the zombie phenomena is first erupting and the
>general population is loosely banded together (i.e. the farmer and local
>citizen types who are shooting zombs and also shoot the hero) and in the
>second film the t.v. and radio stations, swat teams, etc. have been
>mobilized in the public interest in a more sophisticated way than in
>NOTLD, and in the third film the army has even begun to experiment with
>captured zombs.  I think that this is crucial to understanding the
>spreading of the zomb phenomena and makes the trilogy more believable and
>scarier too.  Also, I have a paperback copy of Stephen King's 
>"The Stand" from the late seventies that mentions a "soon to be a major
>motion picture directed by George A. Romero" on the back.  Does anyone
>have info on what ever happened with this?  I have often wondered.
>:wq
>.
>:wq
>zz
>

I agree that the Dead films should be viewed in the order they were made, since
each builds upon the last, although there are no recurring characters.
As for the Stand, Romero has had the script for that, for years. But, it 
is hard to get proper financing for a film that would HAVE to be extra long,
and they do not wish to screw it up. Cross your fingers.

					--Judex--

Newsgroups: alt.cult-movies
From: adamfox@super.org (Adam Fox)
Subject: Re: Another Dune question
Organization: Supercomputing Research Center, Bowie, MD  USA
Date: Fri, 4 Sep 1992 20:43:53 GMT

In article <1992Sep3.112846.9223@bsu-ucs.uucp>, 00njhavert@bsu-ucs.uucp writes:

|> 	2. How does that force field thing work. Because Duncan turns
|> it on, tackles about ten guys, and then another shoots this drill-like
|> thing at him. It goes right through the field and into his head. Huh?

I think I know this one.

The way the shield works was explained in the scene with Patrick Steward and
Kyle McG (Paul).  It only shields one against high-speed attacks (like a
blaster, or a quick hit), but is vulnerable to the slow attack (like someone
thrusting a blade).  Apparently this drill like thing was slow (say like the 
Hunter-seeker) so it penetrated.

That's the best way I can describe it.

-- Adam Fox
adamfox@super.org
From: epp@mala.bc.ca (Lorne Epp)
Newsgroups: alt.cult-movies
Subject: Re: Nosferatu - The Vampyre?
Date: 10 Sep 92 22:59:54 -0700
Organization: Malaspina College

In article <1992Sep10.195438.18700@sbcs.sunysb.edu>, ieya@byron.u.washington.edu (Morpheus Laughing) writes:
>>excellent, but if you like a lot of action, forget it.  It's
>>moody and atmospheric (in a different way than the 1922 version -
>>which by the way, is available in a restored version).
> 
> i just watched the 'restored' 22 nosferatu, yes, it's a much better print
> than the one i'd seen previously, the soundtrack is however absolutely
> wretched.  horrid horrid horrid. it breaks into jazz  at entirely
> inappropriate moments. bleah...
> 

I saw that version too, and you're right, that anachronistic soundtrack
is annoying.  There was one part that sounded disconcertingly like the
theme from Bonanza.  The mood of the music didn't match up very well
with the action either, I thought.

Something that has been bugging me:  In the tape the characters all
had the familiar Stoker names: Dracula, Harker, Van Helsing, etc.
I vaguely remember reading a book about old horror movies, and its
description of the movie mentioned different names for the characters.
The vampire was called something like "Count Morlock", I believe.
Were the characters' names altered for the video, was the book wrong,
or is my memory shot?  I also remember the book mentioning that the
movie violated Stoker's copyright, hence the altered names.  Maybe
the names were altered in the versions exhibited in countries where
the copyright was in force, and the Stoker names used elsewhere?
----------------------------------------------------------------------
Lorne Epp                                               epp@mala.bc.ca
Newsgroups: alt.cult-movies,rec.arts.sf.movies,dc.general
From: dsc@gemini.tmc.edu (Doug S. Caprette Bldg. 28 W191 x3892)
Subject: Re: Director's cut of Bladerunner: When?
Organization: NASA GSFC CDP VLBI
Distribution: usa
Date: Thu, 10 Sep 1992 20:34:30 GMT

In article <1992Sep8.144920.25212@linus.mitre.org> wherndon@smiley.mitre.org (William Herndon) writes:
>
>    The answer to this question is probably available on a FAQ list by
>    now.  If so, forgive me, but...
>
>    When in Austin, TX recently I saw a movie bill that indicated that 
>    the director's cut of Bladerunner would be in theaters on September
>    11th, but I can find no independant confirmation, and I've seen 
>    nothing about the new Bladerunner release in the DC area at all.
>

As someone else mentioned, The Cineplex Odeon Uptown ran an add for it
SUnday (opens Friday).  

However, the add billed the movies as *BOTH* the director's cut, and as the
original version!

A year or two ago they ran the standard version available on U.S. video, and
billed it as the director's cut.  So, I'm keeping my fingers crossed.


Newsgroups: alt.cult-movies
From: wildman@athena.mit.edu (Timothy Worsley)
Subject: Article on Chinese and Hong Kong films in NYRoB
Reply-To: eprice@sql.sybase.com
Organization: Massachusetts Institute of Technology
Date: Sat, 12 Sep 1992 15:30:17 GMT

The September 24, 1992 issue of _The New York Review of Books_ has a
great article on Chinese and Hong Kong films.  It is by Geoffrey
O'Brien; according to the Contributors list he "is an associate editor
at the Library of America and the author of _Dream Time_" and "is
currently at work on a book about film, _The Phantom Empire_".

Here's the list of films discussed:

RED SORGHUM (Zhang Yimou, 1987)
HORSE THIEF (Tian Zhuangzhuang, 1986)
THE BIG PARADE (Chen Kaige, 1985)
YELLOW EARTH (Chen Kaige, 1984)
RAISE THE RED LANTERN (Zhang Yimou, 1991)
FISTS OF FURY (Lo Wei, 1972)
SHANGHAI BLUES (Tsui Hark, 1984)
PEKING OPERA BLUES (Tsui Hark, 1986)
A CHINESE GHOST STORY (Ching Siu-ting, 1987)
A BETTER TOMORROW (John Woo, 1986)
BOAT PEOPLE (Ann Hui, 1982)
ROUGE (Stanley Kwan, 1988)
A TERRA-COTTA WARRIOR (Ching Siu-ting, 1990)
ONCE UPON A TIME IN CHINA (Tsui Hark, 1991)
A TOUCH OF ZEN (King Hu, 1975)

He mentions others of course, in passing, like EASTERN CONDORS, GANGS,
GOD OF GAMBLERS, LONG ARM OF THE LAW, CODE NAME COUGAR, THE KILLER,
PROJECT A, MR. VAMPIRE, SWORD OF DOOM (so it's not HK, sue me, but
it's a great flick!), and even quotes a couple of lines of dialogue
from A BETTER TOMORROW II!

Some books that are cited:

_Perspectives on Chinese Cinema_ (BFI Publications, 1991).
_The Asian Film Industry_ (Univ. of Texas Press, 1990).
_Cine Kung Fu_ (Paris: Editions Ramsay, 1988).
special Hong Kong issue of "Cahiers du Cinema" (September 1984).

By the way, the Asian Cine-Vision program that he mentions ("Cinema of
Blazing Passions: Hong Kong Films in the 80s") is currently at the
Museum of Fine Arts in Boston.

Also, he doesn't mention but should have, that there is currently a
theater up by Lincoln Center (New York City) playing the films of Hsu
Feng (eg A TOUCH OF ZEN).

Anyone want *real* trivia?  John Zorn was composing a musical piece
called "Hsu Feng" (yes, named after the actress) about five years ago.
I don't know what happened with it, though...

(OK, so that was a digression.  Sorry.)

Ciao,

-Ed (not Tim), eprice@sql.sybase.com (not wildman@...)
Newsgroups: alt.cult-movies
From: mol@jyu.fi (Mika O. Latokartano)
Subject: Re: Blade Runner v. Alien
Organization: University of Jyvaskyla, Finland
Date: Tue, 15 Sep 1992 07:01:48 GMT

In article <id73552@pro-amber.cts.com> rsopicki@pro-amber.cts.com (Randy Sopicki) writes:
>In <1992Sep13.234150.25918@murdoch.acc.Virginia.EDU>
>psc9q@holmes.acc.Virginia.EDU (The Beloved) writes:
>
>>I apologize if this has been discussed before, but could someone tell me why
>>some of the same computer graphics sequences were used in both movies? I just
>>saw Alien again last night and it rekindled my curiosity.
>>
>>Paul
>>-- 
>>beloved@virginia.edu
>>psc9q@holmes.acc.virginia.edu
>
>
>Now you've interested me. What sequence are you refering too??

A minor spoiler about "Alien" included



  In Alien there is a computer display showing some kind of a docking
  system disengaging, when Ripley is escaping with the shuttle from the
  about-to-self-detonate Nostromo.  The same display is in Blade Runner, 
  when Deckard and Gaff take off with the hovercraft from the 
  Chinatownish-part of the LA to meet Bryant.  Also, a computer screen
  displaying "PURGE" is used both in Alien and in Blade Runner.

	- Mika

-- 
[  Mika O. Latokartano		|	"Oh, goody!  My Aludium-Q-36-	     ]
[  Internet : mol@jyu.fi     	|	 Explosive Space-Modulator!"         ]
[  mol@vipunen.hut.fi          	|		- Marvin Martian	     ]

Newsgroups: alt.cult-movies
From: donnell@manowar.micro.umn.edu (Your Heinous)
Subject: Re: Most Embarassing Movie
Organization: none
Date: Sat, 12 Sep 1992 21:12:08 GMT

In article <1992Sep11.220653.21844@mnemosyne.cs.du.edu> glongiii@nyx.cs.du.edu (George Long) writes:
>
>I suppose my title is kind of a misnomer, because this really isn't the
>most embarassing movie, but it was the most disappointing movie I've ever
>seen.  
>
>Cape Fear (the remake) sucked in all departments.  Yes, even DeNiro seemed
>to phone in his patented psycho routine.  The whole movie, from the heavy
>handed direction to the lousy acting (Juliette Lewis especially--what the
>hell is the deal with her?) made me glad that I only paid two bucks to see
>this when it was on campus.
>
>Bad, bad, bad.
>
>

I have to disagree here too. I admit that the acting is quite uneven, but I
thought the film worked just fine. Nice set design, and an overall    
prouction that I felt had a definate italian feel to it. <in a good way.>.

I thought DeNiro's psycho role was getting a bit familiar, but I still enjoyed
his performance. <Quite similar, but subtly different from the role for 
"Taxi Driver">

And the model work for the climax was outstanding. I still like the original
better, but I didn't mind the updating. Nice touch to cast three actors from
the original in different roles for the reamke. <Robert Mitchum, Gregory Peck,
and Martin Balsam>.

To each their own, I guess.

					--Judex--

Newsgroups: alt.cult-movies
From: tzau4@isuvax.iastate.edu
Subject: ummm
Reply-To: tzau4@isuvax.iastate.edu
Organization: Iowa State University, Ames, Iowa
Date: Thu, 10 Sep 1992 13:46:02 GMT

RHIP? dont ya mean RHPS?

Xref: sparky alt.cult-movies:7653 rec.arts.movies:27251
Newsgroups: alt.cult-movies,rec.arts.movies
Subject: Braindead
From: geoff@rua.isor.vuw.ac.nz (Geoffrey Grimwood)
Date: Wed, 9 Sep 1992 21:29:52 GMT
 <92252.113743TAB129@psuvm.psu.edu> <1992Sep9.141803.12918@news2.cis.umn.edu>
Organization: Institute of Statistics and Operations Research, VUW, Wellington, NZ


I strongly recommend everyone with a sense of humor and love of gore and splat sees this
film. It is by NZ director/producer Peter Jackson ("Bad Taste" and "Meet the Feebles").

It was *the* film at a recent gore/splat festival in Italy.

It has only just been released in NZ and I am unsure of its distribution to the rest of
the world.

Regards
From: rkim@CALSTATELA.EDU ("Richard H.S. Kim")
Newsgroups: alt.cult-movies
Subject: Re: Director's cut of Bladerunner: When?
Date: 10 Sep 92 03:25:46 GMT

In article <1992Sep9.160949.6048@elroy.jpl.nasa.gov> Pieter writes:

| For you Info:
|
| Blade Runner Director's Cut is playing at the Mann Theatre
| in Westwood.  Rumor has it it will open at the Rialto
| in South Pasadena (a much better theatre for BR, IMHO).
|
|- Pieter
|
|--
| Pieter Kallemeyn                     |   phk@aristotle.jpl.nasa.gov
| Jet Propulsion Laboratory            |          - or - 
| California Institute of Technology   |   phk@charybdis.jpl.nasa.gov

No rumor, the Rialto in S. Pasadena will show it on the 11th.  However,
since Blade Runner is a WIDE screen film, the Rialto would probably
crop it (like they did at the Nuart), makeing it feel like a regular
movie.  If you can, make sure the theater will display it on a wide
screen.

It's about time they came out with the dir. cut because the single worst
aspect of this movie when I saw it back in the 80's was crummy editing.
The entire cast, effects, filming were wasted due to ridiculous editing.
I hope they did it right....

Rich K.
From: donnell@sponge.micro.umn.edu (Your Heinous)
Newsgroups: alt.cult-movies
Subject: Re: Lovecraft movie
Date: 9 Sep 92 14:13:36 GMT
Organization: none

In article <batemanc.715962434@p4.cs.man.ac.uk> batemanc@p4.cs.man.ac.uk (Mad Chris) writes:
>espensk@stud.cs.uit.no (Espen Skoglund) inquires:
>
>>I recently snapped up some rumours about a movie based
>>on H.P.Lovecrafts "The Case of Charles Dexter Ward",
>>but I have no idea of what the name of it is.
>>If someone out there has some information, please let me
>>know.
>>I would also be glad to hear about other movies inspiered/
>>based on his works.
>
>To the best of my knowledge there are at least four:
>
>'Reanimator'
>'Reanimator II'
>'From Beyond'
>'The Unnamable' (truly dreadful)
>
>I also know of a version of 'The Shuttered Room' and (I think) 'The
>Dunwich Horror' but I forget what those films are called. I'm willing
>to bet someone can set me straight.
>
>Mad Chris.

This is hardly definitive, but here goes-

The Dunwich Horror <late 60's. Pretty Funny, with Dean Stockwell and Sandra
     Dee>
The Haunted Palace <Vincent Price in an adaptaion of "The Case Of Charles 
     Dexter Ward". Not too bad.>
Die, Monster, Die <Boris Karloff in a slow version of "The Colour Out Of 
     Space">

Don't know of a film version of "The Shuttered Room". Isn't that one of those
Lovecraft-August Derleth "Collaborations" where Derleth writes a short book
around a paragraph from Lovecrafts notebooks?
Anyone want to add to the list?

					--Judex--
P.S. We rented "The Unnameable". The first half hour was missing! Even with
the missing bit of tape, it is still more like "The Unwatchable"!
Newsgroups: alt.cult-movies