HDTenEightyP/NetNews huggingface dataset:
From: loren@bluemoon.rn.com (Loren Sims)
Subject: Miracle?
Organization: Blue Moon BBS ((614) 868-998[024])
Date: Thu, 03 Sep 92 03:52:20 EDT

I'm just starting out and would like to move up from (or supliment) my
Yamaha PSS-480.
  What I'm looking for is full-sized velocity-sensitive keys, MIDI i/o,
and different types of sounds, perhaps PCM voices.  I see where DAK is
offering the 'Miracle' learning system for $199, with a keyboard that
offers all these, as well as a sustain pedal.
  
  I'm not particularly familiar with what's out there, but this looks
pretty good to me.  Can anyone tell me more about this keyboard?  I can't
find a brand name on it, and haven't seen anything quite like it 
elsewhere.  What else it out there with comparable features for less than
$250-$299?  Is there any reason to avoid this (proprietary?) keyboard?
  
                                     Thanks in advance,   -Loren

 This is from
     loren@bluemoon.rn.com
who doesn't have his (or her) own obnoxious signature yet
Newsgroups: rec.music.synth
From: pixel@cbnewse.cb.att.com (william.j.sequeira)
Subject: ==> FOR SALE: 2MB Memory Module for PB100 - $70 + Shipping
Organization: AT&T
Distribution: na
Date: Thu, 3 Sep 1992 20:40:53 GMT


I have a 2MB memory module to upgrade a 2 meg machine up to 4MB.
$70 plus shipping.  Includes booklet that explains in detail how 
to install the module and of course, an antistatic wristband to
prevent an accidental discharge.

        ....... ... ..........                            ......  
       ..... .... .... .......  William J. Sequeira       ......  
      .... .....   ..... .....  pixel@ihlpe.att.com       ......  
     .... .....     ..... ....  (708) 979.8448            ......  
     .... ....       .... ....                            ......  
     .... ...         ... ....  AT&T Bell Laboratories    ......  
     ..... .           . .....  200 Park Plaza            ......  
     ....... ......... .......  Naperville, IL 60566-7050 ......  
     .......... ... ..........  U.S.A.                    .....   

Newsgroups: rec.music.synth
From: broe@dfv.rwth-aachen.de (Frank Breier)
Subject: Re: Tell me about keyboard controllers
Organization: Communication Networks
Date: Thu, 3 Sep 1992 07:07:02 GMT

Hi,

you asked for an ideal Keyboardcontroller. Here is my opinion :

Look out for a D70 or a T3. Both got very got sounds. D70 sounds a little
bit warmer, more analog. T3 has got very good samples (8MB onboard). The
masterkeyboard-functions of both are very good. You can split up the
D70 into five internal and four external zones, T3 can be even split up
into eight internal and eight external zones. Both can send program change
number to your expanders. The handling of both is very good, cause of the
big display. The structure of the T3 seems to be a little more clearer.
T3 has got 66 keys (T2 : 76 keys), D70 has got 76 keys. The mapping of the
midi controller in the D70 seems to be more flexible. 
The T3 is even more expensive than the D70, but it has got more features:
8-Track sequenzer with 50000 notes capacity, a floppy disk to archive your
data, more memory for patches and multis (performances), expanding your
sample-data with 1MB own-loadable samples and four MIDI-OUT's
with two ports (=32 MIDI-channels).
If you want a real piano feeling, then what's about a T1. Same features as
T2 and T3, but 88 weighted piano keys and even more expensive.

Frank Breier

-- 
Frank Breier						 |     C   O   M
Communication Networks, Technical University of Aachen   | --v-^-v-^-v-^-v--
  Phone: +49-241-807921       Fax: +49-241-84964         |   N   E   T   S
  Email: broe@dfv.rwth-aachen.de                         | RWTH Aachen, Germany
From: dan@cafws2.eng.uci.edu (Dan Harkless)
Subject: Re: K2000 < analog
Newsgroups: rec.music.synth
Organization: University of California, Irvine
Date: 25 Aug 92 17:48:13 GMT

In article <1992Aug19.173940.9941@bmerh85.bnr.ca> shiv@bnr.ca (Shiv Naimpally) writes:
>Keyboard had a 'minimoog' patch for the Yamaha TX81z 4-op FM box
>and it was pretty decent ! Mind you, the 81z is capable of waveforms
>more complex than sine waves to begin with, and this patch used all
>8 voices stacked and detuned to produce a huge monophonic sound.

	Ha har ha hah harh!  They also had one for the VZ-1.  I was laughing
so hard I could barely keep my hand steady enough to write over it.

------------------------------------------------------------------------------
| Dan Harkless                | "The sore in my soul                         |
| dan@cafws1.eng.uci.edu      |  The mark in my heart  ->  Front 242,        |
| dharkles@bonnie.ics.uci.edu |  Her acid reign..."        Tragedy >For You< |
------------------------------------------------------------------------------
From: Michael_Loutris.wbst129@XEROX.COM
Newsgroups: rec.music.synth
Subject: Re: Synclavier prices ...
Date: 4 Sep 92 12:50:19 GMT


>>>when they find out their $250,000 to > $500,000 investment ... (?)

>>Is a Synclavier really that expensive?? (Rick Jansen)

>Not that I own one you understand, but those are the figures I've seen
>mentioned over the years. (Ross-c)

Hmmm... I don't think so.  I was considering getting a basic model, but I
should mention that this was about 12 years ago.  A basic 8 voice unit, with no
peripheral terminals, Winchester storage, etc, was $15,000 US.  Each additional
set of 8 voices was $5,000.  It was basically a pure (sine wave) additive
synth, which allowed very primitive FM, at least back then they didn't have the
DXn algorithm complexity.  If I remember correctly, it sampled at 50K Hz.  The
peripherals allowed one to display "3-D" plots of the sample and New England
was also marketing the Synclavier as a scientific audio tool.  Of course, even
the prices above are very expensive compared to newer products, but most of
this audience does not realize the truly revolutionary developments that have
occurred in the last 12 years.  Hell, for the first couple of years, it only
played samples in a monophonic mode!!!

Mike
Newsgroups: rec.music.synth
From: cmarsigl@silver.ucs.indiana.edu (Klif Marsiglio)
Subject: JV30/80
Organization: Indiana University
Date: Sat, 29 Aug 1992 06:44:54 GMT

Recently I saw a request for the advantages of the JV80 over the JV30 but I
never saw the replys (or were ther any???)

As most on here, I am a po'e college student and can not afford much (which is
why I'm tring to decide between the 2 of these :) and if the 80 is that much
better I will get it -- I'm mainly going to use as a controller but probably
going to need the sounds as well if that helps.


Please mail me responses --


cmarsigl@silver.ucs.indiana.edu        Klif Marsiglio

Newsgroups: rec.music.synth
From: skipa@milton.u.washington.edu (Skip Albertson)
Subject: Ideal System (Again...!)
Summary: Ideal System
Keywords: Ideal, System
Organization: University of Washington
Date: Mon, 31 Aug 1992 23:33:10 GMT


Here's my idea of a good keyboard system:

Controller: I like at least one 88 key, weighted, full-MIDI
controller which feels as close as possible to a Steinway.

Peavey DPM-C8

Synth: Next, one plastic 61 keyboard ONLY please!!!  I've only
got 2 hands SO I don't need anymore than 2 keyboards (sorry Rick
Wakeman)...

I'd have to go with the Kurzweil K2000 for now...
Some Netters complain about k2000 sounds which I DON'T UNDERSTAND!!!
Isn't the point that either with the sampling option or the hard-disk
dump (SCSI) that there are no limitations (16-bit sound)?

Drums: an Alesis D4 drum module mainly so that I can bang
drum parts into my computer-based sequencer with sticks.  Probable
pads... a DrumKat.

Microphones & Effects... I'd like an AKG condenser mike for
vocals with a Lexicon reverb box, and an Electrovoice dynamic mike
with a quadraverb for the road.


Newsgroups: rec.music.synth
From: valaris@swifty.dap.CSIRO.AU (Andrew Valaris)
Subject: MIDI Pedalboard
Organization: CSIRO, Division of Applied Physics, Sydney
Date: Thu, 3 Sep 1992 01:27:09 GMT

I searched through my old brochures and sure enough I found it. The Korg    
"MPK-130 midi pedalboard".Here are the specs:

	- 13 notes, C to C
	- 3 octave ranges, L(midi notes 24-36),M (midi notes 36-48),H(midi notes	  48-60)
	- Compatibility - any MIDI capable unit
	- Control - Midi channels 1-16 MONO/POLY
	- Terminals - Midi OUT, DC in, OCTAVE CHANGE foot switch jack
	- Dimensions 562(W)x447(D)x111(H)
	- weight 6.9 kg

I don't know about the availability of this unit, as the brochure is from 1985,
1986. I never encountered one, nor do I know what the original list price was.
Best to contact Korg, or maybe look around some used equipment stores. You  
might be lucky. That's all I know. Hope it's helpful.

Cheers

P.S. Just in case the above is slightly ambiguous, it is one octave,
transposable over three octave ranges.
From: JROSSI@EAGLE.AAMRL.WPAFB.AF.MIL
Newsgroups: rec.music.synth
Subject: JV80: Opinion Rendered!
Date: 31 Aug 92 22:21:00 GMT


Ho hum... Same Old ... Same Old ... etc.
Might make a good planter for zucchini!

John
Newsgroups: rec.music.synth
From: lawrence.lougheed@rose.com (lawrence lougheed)
Subject: MIDI Pedalboard
Organization: Rose Media Inc, Toronto, Ontario.
Date: Fri, 4 Sep 1992 08:46:05 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.70)


Date Entered: 09-04-92 03:34
If you are looking for a MIDI pedalboard that meets AGO specs, then you
should contact the dudes that make "church" electronic organs.  I would
start with the ones that make custom organs, such as Associated Organ
Builders (in the USA), and Classic-Artisan organs (in Canada).  I know
that Classic-Artisan is building MIDI into their consoles now.  If that
fails, then contact the mass producers, such as Rodgers, Allen, Baldwin
etc.  Of course, the mass producers will be less likely to sell you
_just_ a pedal board, but it's an idea to follow up on.  You should also
check out the official organ (sorry, I couldn't resist!) of the
American Guild of Organists and the Royal Canadian College of Organists.
The magazine used to be called "The American Organist", then something
else, then I think that they when back to that title.

Lawrence Lougheed
Brantford, Ontario, Canada
lawrence.lougheed@rose.com
---
   RoseMail 2.00 : Usenet: Rose Media - Hamilton (416) 575-5363
From: kyle@wendy-fate.UU.NET (Kyle Jones)
Newsgroups: rec.music.synth
Subject: Re: cheap acid bass drum
Date: 1 Sep 1992 17:01:32 -0400
Organization: UUNET Communications
NNTP-Posting-Host: wendy-fate.uu.net

Just what is an "acid bass drum" anyway?

Newsgroups: rec.music.synth
From: bsanders@mrcnext.cso.uiuc.edu (Barry Sanders)
Subject: Cheap DAT Portables???
Organization: University of Illinois at Urbana
Date: Thu, 27 Aug 1992 21:42:29 GMT

Anyone know where to find the current cheapest price on a portable DAT recorder?
The best I've found so far is $595 for an AIWA HDS-1 walkman-size unit from 
Audio Gallery [(310) 829-3429].  Can anyone beat this deal?
Also, if you know of anyone selling a used DAT portable, lemme know!

Thanks.

Barry Sanders
bsanders@mrcnext.cso.uiuc.edu
Newsgroups: rec.music.synth
From: galanter@nyu.edu (Philip Galanter)
Subject: Re: Team Metlay 1992: Screaming Into The Aether (part two) *LONG*
Reply-To: galanter@nyu.edu (Philip Galanter)
Organization: New York University
Date: Thu, 27 Aug 1992 22:25:27 GMT

In article <9208271936.AA04748@minerva.phyast.pitt.edu>  
metlay@PHYAST.PITT.EDU (metlay) writes:

|
|3. Noise gates are NOT a solution. They keep background noise down, but 
|when you play your synths, you hear the hiss jump in with the sounds. 
|

Bad noise gates are not a solution, but good ones can help a bunch.   
Compressor/limiters can be used in a noise gate mode with adjustable  
trigger levels and variable decay and tweaked for the given patch and  
style or part.  I always have one after my TX81Z (4-op FM).

|
|THE GEAR PILES UP
|

What, no drum machines?  :^)

|The Lexicons were used very little this time around, as was true of
|the other effects boxes. A lot of mixes were fairly "dry" to minimize
|noise and keep things from getting too muddy. However, I wish to put

Plug for Yamaha effects...the early reflection programs are a nice way to  
place sounds in a space without mud.  

Remember that mud is equal portions of wetness (water) and noise (dirt) 

:^)

|in a good word for the Korg SDD-2000, the only DDL out there other
|than the LXP-5 that will synch echo times to MIDI clocks. I own one,

Was this important because of tempo changes, or just not wanting to  
calculate b.p.m. reciprocals and key them in?

|and John 3 brought his. We put one on each output channel of my
|Prophet VS, and had a GRAND old time! In most cases, though, we relied
|a great deal on internal effects processing for the synths that had
|it. It's often quieter, and it certainly simplifies cabling.

Quieter?  Thats the reverse of typical recording studio thinking...but  
then I guess you guys didn't have $10K reverb units...

|... (my wife's favorite soap opera uses a
|WS whenever someone evil sneaks through a window or begins fondling
|someone who doesn't want to be fondled). 

Just think, if they had an Xpander and your orgasm patch the plot might  
have to be changed (not to mention panties)

|
|But the K2000 is not first on my synths-to-buy list; that honor goes
|to the Wavestation (keyboard or rack). The Wavestation speaks directly
|to a need I have seen and recognized for several years, that plugs
|into my existing setup and compositional style with little difficulty.

Could you say more about this?  Couldn't one create wave sequences using  
something like SoundDesigner and load them into a K2000?

Phil

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Philip Galanter         New York University    phone:    212-998-3041
Research Associate      251 Mercer             fax:      212-995-4120
Academic Computing      New York, NY 10012     internet: galanter@nyu.edu
 
   O f f i c e   o f   A r t s   &   M e d i a   T e c h n o l o g i e s
From: burley@geech.gnu.ai.mit.edu (Craig Burley)
Newsgroups: rec.music.synth
Subject: Re: What digital piano/synth to buy?  Need furniture!
Date: 29 Aug 92 19:26:52 GMT
Organization: Free Software Foundation 545 Tech Square Cambridge, MA 02139
In-reply-to: brian@aicorp.cmhnet.org's message of 28 Aug 92 02:40:37 GMT

In article <1992Aug28.024037.20954@aicorp.cmhnet.org> brian@aicorp.cmhnet.org (Brian Lockrey) writes:

   I'm looking for input on a digital piano/synth for my living room.
   Must be like furniture. Sorry, no rack mount, Marshall amplifier, speakers,
   etc., allowed in "our" living room. :-)

   I've seen the Yamaha Clavier series and it looks ok and sounds
   pretty good too, although I want GS midi, which I don't think the Clavier is.
   The salesman didn't know and sales lit. didn't say it was.

We have a Clavinova CLP-670, though I don't know what you mean by "GS midi".

We originally got excited about digital pianos in Austin at a showroom that
had something called a Samick SE-900G, a digital piano that looked like
an infant grand or something.  I.e. it was like a very foreshortened baby
grand.  It sounded quite good as I recall, but since we did our real shopping
in the Boston area, I can't say for sure how well it sounded compared to
the CLP-670, the MKS 88 (or whatever), and others we tried.  But it sure
looked nice!  That was a few years ago, though, and Samick might no longer
exist, for all I know.  I've never heard of it since.
--

James Craig Burley, Software Craftsperson    burley@gnu.ai.mit.edu
Member of the League for Programming Freedom (LPF)
Newsgroups: rec.music.synth
From: kin@island.COM (Kin Blas)
Subject: Re: D-70 Question?
Organization: /usr/local/rn/organization
Date: Wed, 2 Sep 1992 15:54:20 GMT

In article <SYNTH-L%92083108285792@AUVM.AMERICAN.EDU> "Sean F. Jepson" <SJEPSON@ERS.BITNET> writes:
>I have been wanting to purchase a D-70 for some time now but have not
>had the money to buy one. This past Saturday I visited a local music store
>and the salesman told me that they no longer carry the keyboard and that it
>will be discontinued by Roland.  He said he could special order the keyboard
>but it would cost more since it was not bought in bulk quantity.  The price
>he quoted was $1895.  I believe that the going rate was around $1650 or less
>... am I right?  Has anyone heard about a new model which will replace the D-70
>? I love the sounds but are the 30 tones enough when using 4 tone patchs and
>playing chords, are there any cutoff problems?  Should I wait or try and
>scrap up the money? Thanks for the advice ... Sean
>
>
>----------------------------------------------------------------------
>Sean Jepson ----------------------------------------------------------
>USDA, Economic Research Service   ------------------------------------
>SJEPSON@ERS.BITNET ---------------------------------------------------
>----------------------------------------------------------------------
>----------------------------------------------------------------------

  I bought my D70 about 4 months ago and ended up paying about what
the dealer quoted to you, $1895 (out the door)!  I must say that it
was well worth the money to me!  I do all my sequencing with it, and
usually have drum, bass, chords, and lead tracks all going at the same
time ... I don't really notice any cutoff problems!

  While we`re on the subject, I'd like to get in touch with
anybody willing to swap patches and knowledge regarding the
D70!

Thanks,

Kin Blas
kin@island.com
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Thu, 3 Sep 1992 08:08:40 PDT
Reply-To:     dunn@intellicorp.com
From:         Casey Dunn <DUNN@SAFFRON.BITNET>
Subject:      Re: cheap acid bass drum
Comments: To: SYNTH-L@AMERICAN.EDU

You said (Re: Re: cheap acid bass drum)
> In article <180lncINN8jt@wendy-fate.UU.NET> kyle@wendy-fate.UU.NET (Kyle
 Jones)
> writes:
> >Just what is an "acid bass drum" anyway?
>
>    It is simply a sonic love-pulse matrix simultaneously capable of expanding
> and contracting while exhibiting a behaviour complex of intricately imploding
> into tubules of effervescent molecular interdependencies,-- all that within
> a single unit of time pulse structure forming logics.
>
>   --- james mccartney

yowza-whippy! I just thought it wuz a bass drum which went:


	hhhaaaaaaWWWWHOOOOOOOOOMMMMMMMMMMMMMMMMMMmmmmmm

and shook your solar plexis
				(which admittedly, at enuf dB, would
				 produce the above results...)

c a s e y
From: jamesmc@ut-emx.uucp (James McCartney)
Newsgroups: rec.music.synth
Subject: Re: cheap acid bass drum
Date: 2 Sep 92 21:27:34 GMT
Organization: The University of Texas at Austin; Austin, Texas

In article <180lncINN8jt@wendy-fate.UU.NET> kyle@wendy-fate.UU.NET (Kyle Jones) writes:
>Just what is an "acid bass drum" anyway?

   It is simply a sonic love-pulse matrix simultaneously capable of expanding
and contracting while exhibiting a behaviour complex of intricately imploding
into tubules of effervescent molecular interdependencies,-- all that within
a single unit of time pulse structure forming logics.

  --- james mccartney
From: maurices@spock.dis.cccd.edu (Maurice Shihadi)
Newsgroups: rec.music.synth
Subject: Re: Free Newsletter of the International Samplers Co-op
Date: 25 Aug 92 21:08:42 GMT
Organization: Coast Community College District, Costa Mesa, CA


Hoe do I get in touch with the Newsletter people, I want to get on
their mailing list also.
From: ja51359@uxa.cso.uiuc.edu (axelrod)
Newsgroups: rec.music.synth
Subject: Re: Extra information in CDs
Date: 25 Aug 92 17:43:25 GMT
Organization: University of Illinois at Urbana

ross-c@DCS.LEEDS.AC.UK (The Brown Bottle) writes:

>>From: "Ketil Albertsen,TIH" <ketil@NO.TIH.EDB>
>>Subject:      Re: AUDIO-CD READING ?
>>
>>Early demo systems, before the CD system was released to the commercial
>>market, could display various text along with the music, in an alphanumeric
>>display on the player: The title, name of the singer, or the words of the
>>text. I doubt that that was removed from the spec when it was commercialized.
>>True enough, about zero of the CDs on the market has recorded anything such
>>information - or at least we think so, because we have no way to detect it.
>>

>My memory is a little hazy on this but I think that in Japan you can get
>Karaoke CDs that can be played in normal CD players, but when used with a
>special player will display the lyrics as graphics on a screen. I have seen
>one of these in action, but was not able to ascertain if the CD was identical
>in spec to normal audio CDs, or just downwards compatible. I have also seen
>(in a bus no less) Karaoke audio CDs that would display teletext-like pictures
>that changed only occasionally. I wasn't able to see the size of these CDs
>though (whether standard CD or some other format).

>Cheers,

>Ross-c

What you guys are talking about is CD+G (CD+Graphics.)  It was a big flop in
the U.S. and I think that only like one player was made that supported it,
and there were only like two albums supporting it, one of them being Talking
Heads' "Naked" album.  It was a really stupid idea.

Jeff
Newsgroups: rec.music.synth
From: shiv@bnr.ca (Shiv Naimpally)
Subject: Re: ?? Populating a Yamaha TX-816 rack ??
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Distribution: na
Date: Wed, 26 Aug 92 15:40:55 GMT

I have seen other TX216 racks around. Check Rogue Music in New York.
They carry lots of used gear.

> By the way, does anyone know
>why Yamaha didn't follow up with a new module when they
>released the DX7-II?

They did - it was called the TX802 - 16 voices, DX7II architcture.
From: John M Sellens <jmsellen@taipan.uwaterloo.ca>
Subject: Monthly posting: Roland Sampler Users' Mailing List
Organization: University of Waterloo
Date: Tue, 1 Sep 1992 08:17:02 GMT

This is an automatic monthly posting that provides information
about the "sgroup" - a mailing list of Roland Sampler users
(S50, S550, S220, W30, ...).

Send subscription/deletion/administrative requests to
    sgroup-request@taipan.uwaterloo.ca
The sgroup mailing list address is:
    sgroup@taipan.uwaterloo.ca
Address all group correspondence to this address.  The mailing list
is unmoderated and unedited.

Please send anything else (file requests, etc...) to me:
    jmsellens@watdragon.uwaterloo.ca

There is an FTP archive that includes introductory information, useful
utilities (read Roland disks on your computer), and some samples.
The archive is on taipan.uwaterloo.ca in the pub/sgroup directory.

John Sellens
University of Waterloo
Waterloo, Ontario
N2L 3G1 Canada
519-888-4594
jmsellens@watdragon.uwaterloo.ca
Newsgroups: rec.music.synth
From: nastasi@cbnewsk.cb.att.com (joseph.l.nastasi)
Subject: Re: Looking for suggestions on price of ...
Organization: AT&T
Date: Fri, 28 Aug 1992 12:46:36 GMT
Summary: the $50,000 Peter Sinfield question...

In article <1992Aug28.053136.7082@nntpd.lkg.dec.com>, eirikur@ranger.enet.dec.com (Eirikur Hallgrimsson) writes:

> It's heard on the Peter Sinfield album "Still."  Others have probably spotted
> it elsewhere.  BTW, for extra credit, who was Sinfield, and what else did he do
> besides write poor lyrics for ELP.  I'm looking for an answer that does not
> involve writing.
> 

Peter Sinfield wrote poor lyrics for King Crimson, too.  But
he also operated their light show.  Am I right?  Did I win?  Weeeooo! :-)


> Eirikur Hallgrimsson   |    "Can I have some more aftertouch on that
> eh@ranger.enet.dec.com |     snooze-alarm?"
> PATHWORKS for Macintosh|  

Joe Nastasi
AT&T, Middletown, NJ
(908) 957-6365 7am-4pm EST M-F
Newsgroups: rec.music.synth
From: noah@Cadence.COM (Noah Ruiz)
Subject: Re: Sample news letter
Organization: Cadence Design Systems, Inc.
Date: Thu, 27 Aug 1992 20:26:52 GMT

In article <Bt9qsM.8Gy@syd.dms.CSIRO.AU> valaris@swifty.dap.CSIRO.AU (Andrew Valaris) writes:
>
>I've only recently begun to read this newsgroup and recently saw a posting
>about an international news letter regarding sampling and the such. Where
>and to whom do I send my address ? Do I leave it here, or do I email some
>specific person ? Any help appreciated.
>
>
>Thanks (the people on this net are really helpful)


Yes, I would also like to know where to send the address!

noah@cadence.com  
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU