HDTenEightyP/NetNews huggingface dataset:
From: ramirez.Princeton.EDU!penrose (Christopher Penrose)
Subject: More Hyperupic.app (!!!) Hoaxdom
Originator: news@nimaster
Keywords: TIFF, sound, transduction
Organization: Princeton University
Date: Tue, 6 Oct 1992 05:34:37 GMT



Greetings Friends!

Yet another version of Hyperupic (v1.4), the TIFF image to sound transduction  
software for NeXT computers, is available via anonymous ftp:

princeton.edu	128.112.128.1
/pub/music/Hyperupic-1.4.tar.Z

it also lies in the submissions directories at sonata.cc.purdue.edu and  
cs.orst.edu.

This new version has added error checking, image display, oscillator tables  
specifiable with arbitrary soundfiles, stereo spatialization.  Wow you say.   
Snarf up this freeware quick, before ... well before you forget you can snarf  
up this software at absolutely no cost.  Source code is included as always.

Hyperupic (v 1.4) was built under NeXTstep 2.1. NeXTstep 3.0 compatible source  
code will be available sometime before the year ends.  The appwrap and binary  
seems to function smoothly under NeXTstep 3.0.

Christopher Penrose
effete ivy tower composeur
penrose@silvertone.princeton.edu

Newsgroups: comp.music,rec.music.synth
From: davet@cbnewsj.cb.att.com (Dave Tutelman)
Subject: Re: MPU-401 programming info needed
Organization: AT&T Bell Labs - Lincroft, NJ
Date: Wed, 30 Sep 1992 11:42:38 GMT

In article <1992Sep30.043703.31144@slate.mines.colorado.edu> jarhart@slate.mines.colorado.edu (Jason Arhart) writes:
>
>     I want to write a simple program to control my synthesizers using my
>MPU-401 compatible interface, but I can't find any information on how it's
>done.  I've looked all over the network to no avail.  I would be very
>appreciative if somebody could help me out.

Well, you're going to have to look beyond the network.  But that's most of
life, anyway.  (There IS life beyond the network  :-)

The best (only?) decent reference I've seen on this is the Technical Spec
published by MusicQuest (the manufacturer of MPU401 clones).  It's not
trivially cheap ($40), but it comes with an interface library (including
the source).  It's a fact-filled 80-page book, with as much detail as you'll
ever want to know.

If you are willing to live with dumb-UART mode of the MPU401, you don't
need the whole Technical Manual;  MusicQuest will send you a free 3-page
document on all the commands necessary to do that. 
Pros and cons of dumb-UART mode:
 + Better control over EVERYTHING that goes on, from the program.
 + Much easier to program, since there are so few commands and so little
   state information.
 - Harder to program, since the program has to do every little thing itself.
   (-:  You get to choose whether it's easier or harder for
   YOUR application :-)
 - If you want input-to-output MIDI thru, it has to be done in the program;
   the 401's built-in MIDI thru only works in smart mode.
 - If you have an old, slow box (say, 4.77MHz 8088), the computer may be
   kept busy keeping track of byte-by-byte MIDI, and run out of real time.
   Newer machines (even a 12 MHz 286), isn't likely to be limited by this.

As of a year ago, MusicQuest could be reached at  1-800-876-1376.
(For those who can't reach 800 numbers, call the USA at 214-881-7408.)

I'm in no way affiliated with MusicQuest, just a satisfied customer.

Dave Tutelman

>Jason Arhart
>jarhart@slate.Mines.Colorado.edu
               ^^^^^^^^^^^^^^--Jason, if you run into a freshman named
				Jon Keller, give him my regards.
From: richard@adpgate.UUCP ( ADP OPuS)
Newsgroups: comp.music
Subject: Re: Resetting Roland U-20
Date: 1 Oct 92 16:23:30 GMT
Article-I.D.: outland.1608
Distribution: comp.music
Organization: ADP Dealer Services R&D, Portland, OR
X-Newsreader: TIN [version 1.1 PL6]

Harry Jenkins (hjenkins@amsaa-seer.brl.mil) wrote:
: Hello All,
: 
: I have a U-20 that I loaned to a friend.  Upon receiving it, all the
: presets I had were changed.  I was wondering if there is a way to
: reset it back to the factory settings quickly?
: 
: 
: Harry Jenkins
: e-mail:hjenkins@BRL.Mil

  Assuming you mean the timbres and sound patches I'm afraid the
  news may be bad!!  I bought a used U-20 several years back and
  a few of the timbres and sound patches had been changed. Once
  these have been saved from temporary to permanent status on the
  U-20, that's it!  

  The U-20 however, does offer utilities for doing System
  Exclusive data dumps both from and to the unit. in retrospect,
  you should have done a full permanent data dump before loaning
  it to your friend. Don't know if the RAM card has the ability
  to store this or not since I use the Mac sequencer Vision and
  store my SysEx stuff with it. Had you done this, you could now
  very easily dump your data back into the U-20 and it would be
  just as it was when it left.

  If you know someone with a U-20 that has it's factory timbres
  and sound patches intact, you could get a SysEx dump from them
  and load it into your U-20.  Good Luck!
Xref: sparky comp.music:4690 rec.music.synth:16145 alt.emusic:315
From: jdm1@vogon1.pasen.gov (Jonathan D McCown)
Newsgroups: comp.music,rec.music.synth,alt.emusic
Subject: Re: Sam Ash Email?
Date: 6 Oct 92 15:55:21 GMT
Organization: Vogon Poets Society



Despite the flamewar over Sam Ash pricing and deals, I would be
very interested in recommendations for mail order equipment places.

In particular, I am interested in PA components (amps, drivers, cabinetry
crossovers etc.) and the usual rack/pedal effects soft of thing.
Some years ago I had some good connections for this, but such things
are transitory.  

Info preferred: Do they accept plastic?  800 number?  Competitive?
		Competent folks answer the phone? (not necessarily
		musicians but "aware") Used gear?

Thanks,

JDMC
-- 
            J.D. McCown - Computer Services - Senate of Pennsylvania  
psuvax1!vogon1!jdm1                    "You don't want to get locked into   
jdm1@vogon1.pasen.gov                   'open systems'." -anonymous IBM Rep.    
Xref: sparky comp.music:4663 rec.music.synth:16018
Organisation: European Space Technology Centre (E.S.T.E.C)
Date: Monday, 5 Oct 1992 16:51:17 CET
From: <CTIRABAS@ESTEC.BITNET>
Newsgroups: comp.music,rec.music.synth
Subject:    Re: Cakewalk to MIDI convertion utility

Thanks to all the people that bothered to answer.
I got the conversion utility from ftp.cs.ruu.nl (131.211.80.17) in the
MIDI/PROGRAMS/MSDOS directory, following the site responsible advise
(thanks again Piet).
This is only valid for conversions from Cakewalk V2.0 downwards to MIDI
type, and does not work for later Cakewalk versions (V3.0, V4.0).
For these versions I'm afraid the only way is to purchase Cakewalk V4.0
itself (unless somebody else will come out with another nice utility)!

Some blaim on myself for not having specified that I do not owe Cakewalk
itself but only needed a conversion utility to convert Cakewalk files
I obtained from various sources. Thanks anyhow to all of you (tons)
that suggested that the best approach would have been to use Cakewalk
to produce the MIDI files.

Cesare

Email: ctirabas@estec.estec.esa.nl
       ctirabas@estec.bitnet

Xref: sparky comp.music:4596 rec.music.synth:15745
Organisation: European Space Technology Centre (E.S.T.E.C)
Date: Wednesday, 30 Sep 1992 16:18:01 CET
From: <CTIRABAS@ESTEC.BITNET>
Newsgroups: comp.music,rec.music.synth
Subject:    Help: Cakewalk to MIDI conversion.


Does anybody know of a Cakewalk file type (.wrk) to MIDI file type
conversion utility, where it can be found (o be so kind to mail me a copy)?

Thanks,

Cesare

Email: ctirabas@estec.bitnet or ctirabas@estec.estec.esa.nl
From: ich@jasper.music.mcgill.ca (Ichiro Fujinaga)
Newsgroups: comp.music
Subject: Big (100MB RAM or more) samplers?
Keywords: sampler
Date: 5 Oct 92 15:14:20 GMT
Organization: McGill Research Centre for Intelligent Machines

What are the samplers with large memory capacity? We are looking  
for those in the order of 100 MB or more. Note that  we're  
referring to RAM not hard disk. Keyboard magazine (Mar. '89)  
lists Synclavier 9600 with 96MB and Waveframe AudioFrame with  
120MB. Are there any others?

Thanks,

ich@music.mcgill.ca
Newsgroups: comp.music
From: 901185g@dragon.acadiau.ca (Scottie Goodwin)
Subject: need info on comp-music-CREATIVITY
Organization: Acadia University
Date: Wed, 7 Oct 1992 01:58:03 GMT

I'm currently stuck in a course which is heavy into presentations and I have
been handed down the topic "Computers being used creatively in the field
of music".

This is a wash out for me.  I went out and bought a neat (and cheap)
'composer' program and have been fiddling with that, but I want to mention
some stuff that not everybody knows about.

In asking people around campus for help this newsgroup was mentioned to me.
So here I am.  Can anybody out here either help me or direct me to someone
or something (ie book, magazine...) that could?  Information concerning the
MIDI stuff that seems to be discussed here a lot, would be most appreciated
(it looks interesting).  Actually ANYTHING would be VERY appreciated.

				Thanks very much in advance,
						Scott
From: edhall@rand.org (Ed Hall)
Newsgroups: comp.music
Subject: Re: Pitch vs Frquency
Date: 26 Sep 92 10:55:46 GMT
Organization: RAND

In article <Bv5A7q.Gx0@unix.amherst.edu> hjwulfso@unix.amherst.edu (HARRIS JOSHUA WULFSON) writes:
>
>     I don't think it is true that changes in wave shape or amplitude
>affect the percieved pitch. A person with pefect pitch can identify a 
>pitch of 440 Hertz as "A" no matter what the timbre or volume of the 
>sound is. Some sounds are said to have a "high" timbre if they contain
>a lot of overtones (integer multiples of the frequency of the fundamental
>tone), but the percieved pitch is the same.

Sounds with high harmonic energy, very loud tones, and sounds consisting
of two or more tones well within a critical bandwidth are all cases where
pitch != frequency.  There is nothing particularly magical about "perfect
pitch" which makes it resistant to these effects.  They appear to have
much to do with how the ear and brain perceive pitch, which is why these
and other effects have been widely studied.  Head to your library and
find a book on psychoacoustics.  Every musician should have at least a
basic knowledge of the subject, IMHO.  (I'd argue that all good musicians
do have such knowledge, most often in an intuitive sense.)

		-Ed Hall
		edhall@rand.org
From: cyberman@exucom.com (Stephen R. Phillips)
Newsgroups: comp.music
Subject: Re: Welcome Undergraduates....
Date: 5 Oct 92 03:01:15 GMT
Organization: ExuCom MultiMedia Inc.

dce@smsc.sony.com (David Elliott) writes:
: 
: Hmmm.  Until the "trade" article, I just assumed someone had taken over
: this person's account and was posting stuff.  Then again, the posts
: are coming from New York, so maybe that's just the way those dudes
: talk...
: 
Please Don't Flame!
I'm from NY, it is unfortunate that foul mouthed individuals can post
on the net, and it's unlikely that this individual has bothered to read
the newsgroup NEWS.ANNOUNCE.NEWUSERS  or the NETICUTT posts. 

Sigh must be a Vulgarian! :)
Cyberman
From: bigguy@apple.com (bigguy)
Newsgroups: comp.music
Subject: SND->MOD Convert For Mac?
Date: 5 Oct 92 21:32:19 GMT
Followup-To: comp.music
Organization: apple

Does anyone know a Mac utility to convert standard Mac SND resources to
Amiga MOD files?  I know the opposite exists. Shouldn't be too hard to
reverse the process. Should it?

Hmmm.
From: mcarlsso@sdcc13.ucsd.edu (Mars)
Newsgroups: comp.music
Subject: SampleCell II - when ??????
Date: 5 Oct 92 09:40:16 GMT
Article-I.D.: sdcc12.39018

Digidesign finally came out with Audiomedia II which was good since
the old version was not all that....  Anybody know if SampleCell
will be upgraded as well?  

Seems like a brill idea to turn your Mac into a sampling
workstation with SoundTools/Audiomedia and a SampleCell card but the
latter needs some serious improvements (more polyphony, filters and
better software plus a better interface with SoundTools/Audiomedia
among other things).

mc

mars@ucsd.edu



-- 
_______________________________________________________________
 		
   mars@ucsd.edu
From: tor@agon.sublink.org (Paolo Tortiglione)
Newsgroups: comp.music
Subject: Re: Score User needs help
Date: 30 Sep 92 15:05:25 GMT
Organization: Paolo Tortiglione - Agon - Acoustics & Computer Music Research

UJ4J@DKAUNI2.BITNET (Christoph Luebbe) writes:

> compatible to Roland MPU401). SCORE can send MIDI data but it is
> not able to receive any MIDI data. I tried all possible interrupts
> but i was not able to solve the problem. Remember all works fine
> under DOS. Any ideas ?
> ..
> please contact me. Christoph Luebbe uj4j@dkauni2.bitnet    or
>                    uj4j@ibm3090.rz.uni-karlsruhe.dbp.de

No!
I'm a SCore user also but score accept only MIDI pitch.
The midi work fine under os/2 2.0 without driver.
Only WINDOWS (THE BAD!!!) programs works very bad under os/2 but under
windows too!!!!


~~~
   |)   Paolo Tortiglione        	Internet : tor@agon.sublink.org 
  /|_   Viale Monte Penice, 10  	Fidonet  : 2:331/316.9         
 ((|,)  I-20089 Rozzano (MI)     	Tel:     : +39-2-825.40.66     
  ~|~   Italy                  	        FAX      : +39-2-825.40.66
Newsgroups: comp.music,rec.music.synth
From: hgs@wdl1.wdl.loral.com (Harry Salvini)
Subject: Re: Alchemy -> Roland DJ70 and AkaiMPC60
Organization: Loral Western Development Labs
Date: Tue, 6 Oct 1992 19:01:40 GMT

In article <39069@sdcc12.ucsd.edu>, ee154fbk@sdcc15.ucsd.edu (Marcel Carlsson) writes:
> 
> I have an old version of Alchemy(2.23) and need to transfer samples
> to a Roland DJ70 and an Akai MPC60.  Neither of these machines are
> included in the instrument menu in Alchemy.  Any bright
> ideas!?!?!?!?!?

The only ones listed in Alchemy(2.6) (which is now copy protected and a pain
to install), are as follows (taken from the "Network/Instrument/New" menu
option:

Mac; SDS; Mirage; EPS|EPS-16; Emax; Emax II; E III; SP1200; FZ-1|10|20;
S900|950;S1000|1100; S-50; S-330; S-550; SMDI; DPM-WP; K2000; T1|2|3.

Don't know if that helps, but it's all I know about that.  It doesn't look as
if this version will help much.  You might try calling Passport and/or the
Roland and Akai reps to find out.

Good luck.

+----------------------------------------------------------------------+
| O O  hgs@wdl1.wdl.loral.com -- Kathy's Hubby & Jonathan's Daddy  O O |
|  v    BTW: LORAL doesn't have anything to do with my opinions.    v  |
| \_/              I came up with them all on my own.              \_/ |
+----------------------------------------------------------------------+
Xref: sparky comp.music:4641 rec.music.synth:15896 alt.emusic:311
From: noahvawt@bigwpi.WPI.EDU (Noah Theodore Vawter)
Newsgroups: comp.music,rec.music.synth,alt.emusic
Subject: Re: Sam Ash Email?
Date: 2 Oct 92 20:27:43 GMT
Distribution: inet
Organization: Worcester Polytechnic Institute
NNTP-Posting-Host: bigwpi.wpi.edu

In article <1992Oct2.061543.587@sol.ctr.columbia.edu> yjossa@mathlab.sunysb.edu (yuri jossa) writes:
>
>As far as i know there is no email for Sam Ash..
>they are a fucking ripoff anyway.. if you buy anything from them 
>you are an idiot!

I admire your compromising attitude...my friend and I have spent over $2000
there in the last two years, and have now upgraded, making a $700 profit
in selling the old stuff, and our first CD went into print last summer.

p.s. Does Caruso's have an email address anyways?

       o      
        o
   ___ o      There is no Earth!  Gravity sucks!           
|\/  o\ o                       
|/\___/       Call your vision at noahvawt@wpi.wpi.edu 
 	      Headquarters of:  The Shifties
Newsgroups: comp.music,comp.sys.ibm.pc.soundcard
From: cerebrus@eskimo.celestial.com (Dan Scherck)
Subject: Re: Looking for a few good MOD editors...
Organization: -> ESKIMO NORTH (206) For-Ever <-
Date: Sat, 26 Sep 1992 02:13:37 GMT

the problem with graphically oriented Modeditors is that they graphics
tend to take a lot of memory, which would otherwise be allocated to the
samples and song. The best I have seen is Moded's newest version. It is
only text, but does a good job. There are a good many graphical editors
out however many seem to have compatibility problems.
Xref: sparky comp.music:4554 rec.music.synth:15633
From: MRLCC@CUNYVM.BITNET
Newsgroups: comp.music,rec.music.synth
Subject: Rouge Music
Date: 28 Sep 92 17:49:12 GMT
Organization: City University of New York/ University Computer Center


  Does anyone know if ROUGE MUSIC in N.Y. has an email address? Could you
please email the information to me or post it. Thank you.
-------






MARC(MRLCC@CUNYVM.CUNY.EDU)
From: houkes@ebr.eb.ele.tue.nl (Vincent Houkes)
Newsgroups: comp.music
Subject: Notation-program for IBM-pc (MSDOS)
Date: 1 Oct 92 15:25:19 GMT
Distribution: eunet
Organization: Eindhoven University of Technology, The Netherlands


 I hope I am adressing to the right group when I ask if
anyone could tell me if there is a good notation program for the
IBM-pc (MS-DOS, 386DX40, VGA). Probably a lot of people have asked 
this question, but unfortunally I have only recently been able to work
with an internet, and E-mail connection. 

As I said, I am searching for a notation program, which is capable of
printing on a LaserJet (HP) printer. Also the program should be able
to tranpose notes from and to different values. I have tried to work
with musician, but for some reason this program doesn't work OK on 
my computer. I think however that a program like musician has 
the possibilities I need. (I don't care if the program can play the music
also, because I have not got a music or something like that. Musician does
work without a sound-card, so that one is alright (excet the fact that
some features do not work. ))

Could anyone give me a anonymous-ftp adress where I could find a program
like that, or otherwise, does anyone know a shareware or commercial 
program which is adequate for me ?

Thanks in advance for the one who could tell me more.

~r signature
Newsgroups: comp.music,rec.music.synth
From: hgs@wdl1.wdl.loral.com (Harry Salvini)
Subject: Alchemy for Mac / EMAX II question
Organization: Loral Western Development Labs
Date: Fri, 2 Oct 1992 16:49:13 GMT

I have a MAC IIsi running version 2.6 of Passport's Alchemy.  I bought this
after a phone call to EMU systems in Scotts Valley, who assured me there would
be no problem obtaining sample dumps from the keyboard to the mac for editing
purposes.

Unfortuanatly, it isn't working.

First, I had a rush order placed through Guitar Showcase in San Jose.  Passport
sent Alchemy out right away.  Unfortunatly, when I tried to install it on a
PB170, the message came up that "This is an unauthorized copy of Alchemy, please
insert the original program disk".  Needless to say, I was pissed.  Alchemy
isn't one of the cheaper programs available.

After reading many messages on r.m.s, I began to dread what was to come as far
as support from Passport.  Anyway, I called Passport Design in Half Moon Bay,
and spoke with a tech support guy, who told me that "the powerbook won't work
with Alchemy", to which I pointed out page 7 of the addendum manual, it stated
that PB170s are wonderful for running Alchemy, and also that during the
installation process, the program wasn't even considering what platform it
was being put on.

I was then transfered to the head of sales, Mike Higgins.  Mike was concerned
that the installation was failing, and that due to my position as critical path
at work, we could work something out.

I asked if maybe he could send me a new copy of the installer disks, to which
he said "fax me a copy of your receipt, and I'll get the new one to you right
away".  I did that last Tuesday, and recieved late yesterday, an Air-Borne
shipment with the new disks.

Wow!

Anyway, Alchemy installs correctly now.  (I did switch from a PB170 to a IIsi,
as the 170 doesn't have the reputation of doing well with MIDI.

The problem is, after I start Alchemy, and set up the "network" for a EMAX II,
then choose the "Get Sound" option.

What I got was "Could not retrieve EMAX II keyboard layout".

I'm using RS422 from the MAC to the keyboard.  I believe the cable has the
correct pinout.  But then, maybe not?  The cable was supplied by the computer
"gurus" of Loral. :-)

Is there some "strange" configuration that I don't know about?  I'm trying
Passport as well.

At one time, with an older EMAX II, I was informed that RS-422 although the
connector was on the machine, didn't work.  Is it working on the newer ones?

Also, I'd like any experiences y'all have had using Alchemy.

Please E-Mail or post.

+----------------------------------------------------------------------+
| O O  hgs@wdl1.wdl.loral.com -- Kathy's Hubby & Jonathan's Daddy  O O |
|  v    BTW: LORAL doesn't have anything to do with my opinions.    v  |
| \_/              I came up with them all on my own.              \_/ |
+----------------------------------------------------------------------+
Newsgroups: comp.music
From: dbruyne@reks.uia.ac.be (Karel De Bruyne)
Subject: PD MAC sequencer
Organization: U.I.A.
X-Newsreader: Tin 1.1 PL5
Date: Mon, 28 Sep 1992 11:01:29 GMT

Hi,

a friend of mine has bought a MAC, and asked me to look
for some software (PD/Shareware) to use as a MIDI-sequencer.

Does anyone know about such a package, or any other MAC-software
to use with midi.

Karel De Bruyne
Newsgroups: comp.music
From: hjwulfso@unix.amherst.edu (HARRIS JOSHUA WULFSON)
Subject: Audiomedia Advice?
Organization: Amherst College
X-Newsreader: TIN [version 1.1 PL6]
Date: Wed, 30 Sep 1992 21:18:00 GMT


    I am thinking about getting digidesign's Audiomedia II system for 
recording pop music. I want to integrate midi and sound with Opcode's
Studio Vision. Does anyone have experience with this system? Is it
viable for four-track recording? What size hard drive should I get 
for 4-6 minute four-track work? Can data be archived onto DAT? Should
I just forget about direct-to-disk and get an Alesis ADAT? Any advice is
appreciated. Thank yall.

   -Harris
Xref: sparky comp.music:4593 comp.fonts:2909
From: musbep@luxor.latrobe.edu.au (PETHERICK Bruce)
Newsgroups: comp.music,comp.fonts
Subject: Re: Chant fonts ???
Date: 29 Sep 92 15:28:30 GMT
Distribution: inet
Organization: La Trobe University

In article <1a0besINNdf0@usenet.INS.CWRU.Edu> dxc4@po.CWRU.Edu (David Condon) writes:
>
>Greetings,
>
>Has anybody ever come across a font for notating Gregorian chant --
>"square" notation as used in Vatican editions of chant such as the
>Liber Usualis? I am particularly interested in finding one for the Macintosh.

This is not perhaps a font, but there is a programme called `Scribe' that is,
at the moment, written for the IBM, specifically to notate 4 line chants.  The 
text is included, and it can be notated in square or round notation. For 
more information, contact John Stinson at La Trobe University, Melbourne
Australia on musjs@lure.latrobe.edu.au

Regards,

Bruce Petherick
Music
LaTrobe University, Melbourne, Australia
musbep@luxor.latrobe.edu.au
Newsgroups: comp.music
From: mo@gizmo.bellcore.com (Michael O'Dell)
Subject: Re: ICMC 1992 
Keywords: 
 
Reply-To: mo@bellcore.com
Organization: Center for Chaotic Repeatabilty
Distribution: ba 
Date: Tue, 6 Oct 92 10:05:55 GMT

dates and specific location for ICMC-92???

	-Mike
Newsgroups: comp.music
From: stefanb@delos.stgt.sub.org (Stefan Bechtold)
Subject: PC Music program dealer in New York City
Date: Wed, 30 Sep 1992 22:34:18 GMT
Organization: Delos Stuttgart, Germany

Hi !

I'm looking for an address/phone/fax number of dealers who provide
music software and hardware for the PC which are located in New York City.

I'm especially interested in Coda's Finale (notation software),
Rolands SCC-1 (soundcard) and perhaps a sequenzing program
(all for the PC).

Any hints would be greatly appreciated.

Stefan
-- 
+ Stefan Bechtold # stefanb@delos.stgt.sub.org # Voice +49 711 813240 +
++++++++sed nemo potuit tangere: merda fuit ! (Martial III 17)+++++++++
Newsgroups: comp.music