HDTenEightyP/NetNews huggingface dataset:
From: mrhine@prism.gatech.EDU (Mike Rhine)
Newsgroups: rec.music.makers.guitar.tablature
Subject: mobile position chords
Date: 27 Jan 93 20:50:04 GMT
Organization: my organization here

hi folks...

should this be useful to you, i have a *lot* more :-)...use them for teaching.
originally given to me (in longhand) by paul reilly at ball state when i 
studied classic guitar with him. i asked him what were "the standard jazz
chord formations...". over the years i have added to it.

remember, once you get one of these chords, your knowledge multiplies by
10...all chords are 4 note mobile position. you just have to know where to
"slide it around to" :-)

have fun...



Chord Chart-Page 1

Key
  x = mute , O = open , * = optional , # = sharp , ^ = flat


Chord: Gmaj7    Chord: Gmaj6    Chord: Cmaj7    Chord: Cmaj6    Chord: Cmaj6
Fret :  0       Fret :  0       Fret :  0       Fret :  0       Fret :  0
__x_______x     __x_______x     x__________     x_________x     __x_______x
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | | |
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | | |
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | O |
|.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | | |
| | | | | |     | | | | | |     | | | | | |     | | ___ | |     | | | | | |
| | | | | |     | | O | | |     | | | | | |     | | O O | |     | | O O | |
|.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | | |
| | | | | |     | | | | | |     | _________     | | | | | |     | | | | | |
O | | | O |     O | | | O |     * O | | | O     * O | | | |     O | | | | |
|.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | | |
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | | |
| | O O | |     | | | O | |     | | | O | |     | | | | | |     | | | | | |
|.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | | |
| | | | | |     | | | | | |     | | | | | |     | | | | | |     | | | | | |
| | | | | |     | | | | | |     | | O | O |     | | | | O |     | | | | | |
|.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|     |.|.|.|.|.|
1   3 4 2       2   1 4 3       1 1 3 2 4 1     2 2 1 1 4       4   2 3 1
G   F#B D       G   E B D       G C G B E G     G C E A C       G   E A C


-- 
...
mrhine@thor.gatech.edu...: ppl...404-894-4660...: fax...404-894-9548
From: ww1i+@andrew.cmu.edu (William Spaulding Wood)
Newsgroups: rec.music.makers.guitar.tablature
Subject: REQ: FUGAZI
Date: 26 Jan 93 21:33:01 GMT
Organization: Carnegie Mellon, Pittsburgh, PA

Anyone know the chord forms for any of the really crunchy chords used by
FUGAZI?  Like the 'strumed' parts of "Exit Only," "Reclamation," or the
chords that get snuck in in songs like "Greed," and, well, you know,
those chords that sound really odd, and painful.

    ~wig
Newsgroups: rec.music.makers.guitar.tablature
From: anne@westford.ccur.com (Anne Francis)
Subject: REQ: Unsigned by Eric Clapton? Sweet 16 songs
Organization: Concurrent Computer Corp.  Westford, MA
Date: Mon, 25 Jan 1993 17:34:54 GMT

I remember seeing Unsigned on the net and thought it would be put 
on the ftp site nevada I've checked since then and it's not there.
Could someone please email a copy to me since I don't always get 
to read the articles.

Also would anyone have any "sixteen" songs arranged for 
guitar I have a friend getting to that age. 
Thanks
Newsgroups: rec.music.makers.guitar.tablature
From: olivier@masi.ibp.fr (Olivier FLORENT)
Subject: CHOPRO : Tears In Heaven - Eric Clapton
Organization: Laboratoire MASI, Paris VI, France.
Date: Tue, 26 Jan 1993 18:20:45 GMT

Here is the CHOPRO of Tears in Heaven from Eric Clapton.

It is just a translation of the chord posted by James L. Zito

----------- TearsInHevan.chopro --------------
{t Tears In Heaven}
{st Eric Clapton}

{define C#/E# : 1 1 2 1 3 4 1}
{define E/G# : 4 1 2 1 3 4 1}
{define E7sus : 1 0 0 2 0 2 0}
{define G/B   : 1 3 3 0 0 2 x}

[A]Would you [E/G#]know my name[F#m]             [A]  
[D]if I [A]saw you in Heav[E]en
[A]Would it [E/G#]be the same[F#m]               [A] 
[D]if I [A]saw you in Heav[E]en

[F#m]I must be strong[C#/E#]   
[Em]and carry on[F#] 
`Cause I [Bm]know I don't belong[E7sus] 
[E7]here in heaven

 | A  E/G# | F#m  A | D  E7sus E7| A     |

Would you hold my hand, 
if I saw you in heaven
Would you help me stand, 
if I saw you in heaven

I'll find my way 
through night and day
`Cause I know I just can't stay 
here in heaven.

{c Bridge:}
[C]Time can [G/B]bring you [Am]down 
Time can [D]bend your [G]knees[D]   [Em]       [D]  [G]
[C]Time can [G/B]break your [Am]heart 
Have you [D]beggin  please[G] 
[D]beggin please[E]

| A       E/G#    |F#m  A| D   A      | E     |
| A       E/G#    |F#m  A| D   A      | E     |

Beyond the door, 
there's peace for sure 
and I know there'll be no more 
tears in heaven.

 | A  E/G# | F#m  A | D  E7sus E7| A     |

[A]Would you [E/G#]know my name[F#m]             [A]  
[D]if I [A]saw you in Heav[E]en
[A]Would it [E/G#]be the same[F#m]               [A] 
[D]if I [A]saw you in Heav[E]en

[F#m]I must be strong[C#/E#]   
[Em]and carry on[F#] 
`Cause I [Bm]know I don't belong[E7sus] 
[E7]here in heaven

 | A  E/G# | F#m  A | D  E7sus E7| A     |


+---------------------------------------------------------------------------+
|                                                                           |
|            +---+                     	     Olivier FLORENT                |
|           / \ / \                                                         |
|          /   /   \                         Equipe CAO-VLSI                |
|         +---+ \   \                       Laboratoire MASI                |
|          \   \ +---+                Institut Blaise Pascal                |
|           \   /   /                                                       |
|            \ / \ /   Couloir 55-65, 2eme etage, Bureau 215                |
|             +---+    Universite Pierre et Marie Curie (P6)                |
|                      4 place Jussieu, 75252 Paris Cedex 05                |
|                                                                           |
|            Tel: 44.27.71.23,       Fax: 44.27.62.86                       |
|         Telex: UPMCSIX200145F, e-mail: florent@masi.ibp.fr                |
|                                                                           |
+---------------------------------------------------------------------------+
Newsgroups: rec.music.makers.guitar.tablature
From: tmarvan@sdcc3.ucsd.edu (Thomas Marvan)
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: Re: A really nice chord (Was REQ Lionel Richie)
Date: 22 Jan 93 07:53:13 GMT
Followup-To: rec.music.makers.guitar.tablature
Organization: University of California, San Diego

In article <GUY.93Jan20100552@rocannon.harlqn.co.uk> guy@harlqn.co.uk (Guy Snape) writes:
>Can't remember all the chords, but there's an A minor +9 in "Hello"
>which is an absolute gem....
>X O     O O
>___________
>|_|_|_|_|_|
>|_|_|_|_|_|
>|_|_|_|_|_|
>|_|_|_|_|_|
>|_|_|_O_|_|
>|_|_|_|_|_|
>|_|_O_|_|_|
>|_|_|_|_|_|
>
>If any of you don't know this one, go and grab a guitar and get *real
>mellow* :)
>
>The solo from Hello is nice too.... I'll try and tab it out sometime.


Or you can crank up your amp just a little bit, put on your melodic
fingers, and play the introductory solo (not the chord) to Sultans
of Swing by Dire Straits.




*******************************************************************
*  Thomas (Tom) Marvan         Phone: (619) 757 4743              *
*  Dept. of Political Science, E-Mail: tmarvan@sdcc3.ucsd.edu     *
*  University of California,   Snail Mail: PO BOX 948565,         *
*  San Diego,  USA.            La Jolla, CA, 92037-9402.          *
*******************************************************************

"Two men say they're jesus, one of them must be wrong," M. Knopfler
Newsgroups: rec.music.makers.guitar.tablature
From: cseb@frodo.lfi.uni-hannover.de (Christian Sebeke)
Subject: Re: Arlo Guthrie - Coming into Los Angeles
Reply-To: cseb@frodo.lfi.uni-hannover.de
Organization: Univ. Hannover, LFI, Abt. Design&Test
Date: Mon, 25 Jan 1993 07:55:48 GMT


Here we go.

  I am not sure if it is the correct key, but it should be easy to
transpose it.


         COMING INTO LOS ANGELES
              Arlo Guthrie

Em                         A
Coming in from London from over the pole
C           G      H7
Flying in a big airliner
Em                        A
Chicken flying everywhere `round the plane
C                  G    H7
Could we ever feel much finer

Em              A
Coming into Los Angeles
Em                      A
Bringing in a couple of keys
Em             G              A
Don't touch my bag, would you please
    C       G   H7
Mr. customs man

There`s a guy with a ticket to Mexico
No he couldn`t look much stranger
Walking in the hall with his things and all
Smiling said he was the Lone Ranger

Coming ...

Hip woman walking on a movin' floor
Trippin' on the escalator
There's a man in the line and he's blowing his mind
Thinking that he already made her

Coming ...



Enjoy.

cs
---
my opinion ...
Christian Sebeke, Univ. Hannover/LFI, Schneiderberg 32, D-3000 Hannover 1                             Tel: +49 511 762 5035                    sebeke@frodo.lfi.uni-hannover.de
From: carlos@american.edu (Carlos Li)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: CRD: "Heart of the Matter" by Don Henley
Date: 22 Jan 93 18:02:32 GMT
Reply-To: carlos@american.edu
Organization: The American University Computing Center
NNTP-Posting-Host: marley.cas.american.edu

In article <1993Jan21.220121.11257@mnemosyne.cs.du.edu>  
cbray@nyx.cs.du.edu (chris bray) writes:
> I've known that the intro dealt with D's, but I never really picked
> it out till I played along with it on MTV last night

Yeah, I saw that too. Sorry, I don't know this one, but does anybody have  
"Last worthless evening" by Henley also?
Thanks.

Carlos Li.
From: jsarna@vax.clarku.edu
Newsgroups: rec.music.makers.guitar.tablature
Subject: RE: Spin Doctors
Date: 26 Jan 93 21:49:16 GMT
Organization: Clark University

Could someone out there post tab and/or chords to "Yo Mama's a Pajama,"
as found on the live album _Homebelly Groove_ (and possibly even _Up for
Grabs_-I'm not sure)       thanks...

                -jeremy
Xref: sparky rec.music.makers.guitar.tablature:1318 alt.guitar.tab:5205
From: dam@dcs.glasgow.ac.uk (David Morning)
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: Re: That damned chord again Re: A really nice chord
Date: 21 Jan 93 16:57:02 GMT
Organization: Glasgow University Computing Science Dept.

rlopez@loanstar.tamu.edu (Robert Lopez) writes:

>In article <OBRY.93Jan20140038@cheesesteak.flash.bellcore.com>, obry@flash.bellcore.com (Pascal Obry) writes:
>|> >		E  A  D  G  B  E      or   E  A  D  G  B  E
>|> >		0  7  6  7  8  0           0  7  6  7  0  7
>|> 
>|> Actually the second one is a simple E7.
>|> 
>|> But the first one contain : E G Ab D ... I really don't know the name of this
>|> one !
>|> 
>|> Anybody ?

>yeah.
>"The Jimi Hendrix chord."
>That's what I have called it for 15 years.

E7 sharp 9th


Dave
(Who's music theory is minimal at the best of times!!)

-- 
Newsgroups: rec.music.makers.guitar.tablature
From: umbirch2@ccu.umanitoba.ca (Robert Birch)
Subject: Re: REQ: TAB - Domino - Kiss
Keywords: none
Organization: University of Manitoba, Winnipeg, Manitoba, Canada
Date: Wed, 27 Jan 1993 17:31:36 GMT

In article <C1HB23.GJF@undergrad.math.waterloo.edu> jlhoo@cayley.uwaterloo.ca (Lost Johnny) writes:
>If anybody has the TAB for Domino by Kiss, could you please send it to me
>via e-mail
>
>Many thanks in advance.
>
>LJ - jlhoo@cayley.uwaterloo.ca

   Could someone please post it also, as I am sure others would like to see
it too.

                                             Thanks,
                                             Robert Birch
                                            <umbirch2@ccu.umanitoba.ca>
Xref: sparky rec.music.makers.guitar.tablature:1311 alt.guitar.tab:5198
From: rlopez@loanstar.tamu.edu (Robert Lopez)
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: That damned chord again Re: A really nice chord
Date: 21 Jan 1993 14:48:33 GMT
Organization: Academic Computing Services
Distribution: world
NNTP-Posting-Host: loanstar.tamu.edu

In article <OBRY.93Jan20140038@cheesesteak.flash.bellcore.com>, obry@flash.bellcore.com (Pascal Obry) writes:
|> 
|> 
|> > heres a nice chord ..  not too mellow though
|> > its called E7 plus 9 dim7 blah blah ..( ie I dont know but it s similar to 
|> > E7 with d on the B string played
|> >
|> >		E  A  D  G  B  E      or   E  A  D  G  B  E
|> >		0  7  6  7  8  0           0  7  6  7  0  7
|> 
|> Actually the second one is a simple E7.
|> 
|> But the first one contain : E G Ab D ... I really don't know the name of this
|> one !
|> 
|> Anybody ?

yeah.
"The Jimi Hendrix chord."
That's what I have called it for 15 years.

Actually, this little bugger comes up for discussion on music-makers about
once every couple of months and provokes a great deal of discussion every time.

-- 
----------------------------------------------------------
Robert E. L\'{o}pez       |       Internet:
Texas LoanSTAR Program    |       rlopez@loanstar.tamu.edu
The Hosequarium South     |       rlopez@cs.tamu.edu
----------------------------------------------------------
    Texas A&M University Energy Systems Laboratory
----------------------------------------------------------
From: steve@imix.Cyanamid.COM (steve campbell)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: CRD - Guess Who, "These Eyes"
Date: 25 Jan 1993 19:37:55 GMT
Organization: American Cyanamid Company
Distribution: world
Reply-To: steve@imix.Cyanamid.COM
NNTP-Posting-Host: imix.pt.cyanamid.com

Thanks Andrew Rogers for all the Guess Who tab.  You wouldn't happen to
have No Sugar Tonight/New Mother Nature?

Steve Campbell

Newsgroups: rec.music.makers.guitar.tablature
From: mikeh@cbnewsg.cb.att.com (michael p.herlihy)
Subject: Mary Had A Little Lamb
Organization: AT&T
Date: Wed, 27 Jan 1993 14:29:01 GMT



I checked out _Texas_Flood_ and SRV definitely says:

	fleece as white as snow, yea

However, on the _Live_at_the_El_Mocomba_ tape he says:

	fleece as black as coal, yea

So there you have.  He did it both ways!

-- 
He Kurtz cried in a whisper at some image, at some vision, -- he cried out
twice, a cry that was no more than a breath -- "The horror! The horror!"
Heart of Darkness (1902), Teodor Josef Konrad Korzeniowski  
Newsgroups: rec.music.makers.guitar.tablature
From: brenckle@scsuc.ctstateu.edu (BRENCKLE,NICHOLAS)
Subject: Music Sound Database
News-Software: VAX/VMS VNEWS 1.41    
Organization: Southern Connecticut State University - Computer Center
Date: Thu, 21 Jan 1993 14:56:00 GMT

Sound format wise I think there are enough "standards" for us to find an 
acceptable one. (There is a verion os Sun's SOX for Amiga as well) THe problem 
will lie in an acceptable packing system. At 44.1K/s (cd quality) a 10 sec 
sample is almost 400K. Trying to find an acceptable rate around 22K or so will 
produce slightly smaller samples. 

I think ARC is a fairly wide used system but it has since fallen the wayside for 
the newer ones. LHA and ZIP are in use on Most PC's and Amigas. How about Macs 
and the Suns etc..

-Nick
BRENCKLE@SCSUC.CTSTATEU.EDU
From: jcraig@access.digex.com (Joseph N. Craig)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: CRD: Today (please identify author/singer)
Date: 25 Jan 1993 11:11:05 -0500
Organization: Express Access Online Communications, Greenbelt, MD USA
NNTP-Posting-Host: access.digex.com
X-Newsreader: TIN [version 1.1 PL8]

Steve Putz (putz@parc.xerox.com) wrote:
: I posted the same request last year before I submitted about 160 folk songs
: including "Today" to the music archives at ftp.nevada.edu.

: I was told that "Today" was written by Randy Sparks.

: -- 
: Steve Putz <putz@parc.xerox.com>
: Xerox Palo Alto Research Center
: Palo Alto, California


Randy Sparks of the New Christy Minstrels wrote "Today" and a number of other
songs as part of the soundtrack to a movie called "Advance to the Rear" -- 
provided thay my memory is correct.  This was early 60's, the movie was a
comdey set during the Civil War.  Another of the songs was "A Company of
Cowards."  These all appeared on one of the NCM's albums.

joe
From: AR.CRP@forsythe.stanford.edu (C. Ray Parker)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: REQ: Me and Bobby McGhee
Date: 28 Jan 1993 11:12:51 -0800
Organization: Stanford University
Distribution: usa
NNTP-Posting-Host: morrow.stanford.edu

In article <1993Jan28.182334.5030@cbnews.cb.att.com>,
yy@cbnews.cb.att.com (alan.j.lapenn) writes:
>In article <9301281457.AA10838@snowhite.cis.uoguelph.ca>, stevep@snowhite.cis.uoguelph.ca (Steve Portigal) writes:
>> Has anyone got the chords to this song, done by Kris Kristofferson and
>> covered quiete well by Janis Joplin? it's really a great song...might
>
>Written by Gorden Lightfoot
>
>--
>Alan LaPenn      att!mvuxd!yy          .signature not found!

This was written by Kristofferson and nicely done by Lightfoot I
believe on his "If You Could Read My Mind" album.

Ray
From: rlopez@loanstar.tamu.edu (Robert Lopez)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: That damned chord again Re: A really nice chord
Date: 21 Jan 1993 15:34:04 GMT
Organization: the Hosequarium South
Distribution: world
NNTP-Posting-Host: loanstar.tamu.edu
Keywords: eat more moose

In article <NICHAEL.93Jan21102327@kariba.bbn.com>, nichael@bbn.com (Nichael Cramer) writes:
|> rlopez@loanstar.tamu.edu (Robert Lopez) writes:
|>    obry@flash.bellcore.com (Pascal Obry) writes:
|>    |> >		E  A  D  G  B  E
|>    |> >		0  7  6  7  8  0
|> 
|>    yeah.
|>    "The Jimi Hendrix chord."
|>    That's what I have called it for 15 years.
|> 
|> Well, I first learned it from from the sheet music for "Tax Man"
|> 
|>  "Let me tell you how it will be [CHORD] [CHORD]"
|> 
|> N


I wish you wouldn't have cut the rest of my post...the part about how
this sparks new heated discussion every two months was my real point.

Is anyone starting a FAQ for this/these group(s)?  If so, this damned
chord ought to be in it.

BTW, I love the chord.

-- 
----------------------------------------------------------
Robert E. L\'{o}pez       |       Internet:
Texas LoanSTAR Program    |       rlopez@loanstar.tamu.edu
The Hosequarium South     |       rlopez@cs.tamu.edu
----------------------------------------------------------
    Texas A&M University Energy Systems Laboratory
----------------------------------------------------------
From: rogers@calamari.hi.com (Andrew Rogers)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Guess Who - "Undun"
Date: 22 Jan 1993 23:18:35 -0000
Organization: Hitachi Computer Products, OSSD division
NNTP-Posting-Host: calamari.hi.com

		  "Undun"
		(R. Bachman)


Cmaj7-5		8 x 10 9 7 7		B		7 9 9 8 7 7

Em9/B		x 2 4 0 0 0		Em9/C		x 3 4 0 0 0
Em9/C#		x 4 4 0 0 0

Intro:	Cmaj7-5  B  *  [3x]

* harmonic on 12th fret of B string

Verse 1:

              Em7  A  G
She's come undun
                             F#m7       B7
She didn't know what she was headed for
                              F#m7       Am7
And when I found what she was headed for
            G    
It was too late

C9  B9

Verse 2:

She's come undun
She found a mountain that was far too high
And when she found out she couldn't fly
It was too late

Chorus:

Cmaj7-5   B  *
It's too late
     Cmaj7-5    B  *
She's gone too far
     Cmaj7-5    B 
She's lost the sun

Verse 3:

She's come undun
She wanted truth but all she got was lies
Came the time to realize
And it was too late

(repeat Verse 1)

(repeat chorus)

Bridge:

           Em9/B  Em9/C  Em9/C#  Em9/C
She's come undun
Em9/B    Em9/C    Em9/C#               Em9/C
Too many mountains      and not enough stairs to climb
Too many churches and not enough truth
Too many people and not enough eyes to see
Too many lives to lead and not enough time

(repeat chorus)

(scat and flute solo over verses)

(repeat chorus)

(repeat Verses 1, 2)

(repeat chorus)

Coda:

                   Em7  A  G  F#m7  Fmaj7  Em
She's... come... undun
Organization: Arizona State University
Date: Tuesday, 26 Jan 1993 19:19:11 MST
From: <IFSXM@ASUACAD.BITNET>
Newsgroups: rec.music.makers.guitar.tablature
Subject:    REQ:Bongwater

This is kind of a long shot, but if anyone knows how to play anything
off of Power of Pussy, or The Big Sellout, I'd love to have them
post it.

Have a nice day,
Paul Zimmerman
From: US30139@VM.CC.LATECH.EDU
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: Mary Had A Little Lamb
Date: Mon, 25 Jan 93 09:49:30 CST
Organization: Louisiana Tech University
NNTP-Posting-Host: vm.cc.latech.edu

In article <1993Jan22.155721.4179@cbfsb.cb.att.com>
mikeh@cbnewsg.cb.att.com (michael p.herlihy) writes:
 
>MARY HAD A LITTLE LAMB  (as recorded by Stevie Ray Vaugh)
>
>Original music by George "Buddy" Guy
>
>1.      Mary had a little lamb
 
>1. It's fleece as white as snow, yea
 
>1. Everywhere the Child went
 
>1. You know the lamb was sure to go, yea
 
 
 
 
 
I always thought the lamb's fleece was "black as coal, yea."  Am I wrong?
 
------------------------------------
mikejames (US30139@VM.CC.LATECH.EDU)
 
 
 
 
 
 
Newsgroups: rec.music.makers.guitar.tablature
From: poirier@bnr.ca (Daniel Poirier)
Subject: Re: Blues Riffs ( as requested )
Organization: Bell-Northern Research, Ottawa, Canada
Date: Thu, 21 Jan 1993 19:43:20 GMT

In article <1993Jan20.165950.17047@ericsson.se> etlcrcy@bugs.ericsson.se (Chris Cleverley) writes:
>
>In response to requests to some Blues riffs here is a small selection; 
>
>Riff 1: This is a very common one used by Eric Clapton alot.  A prime example is in Crossroads ( key of A ) but you will hear it over and over again, especially if you listen to his earlier pieces.
>
>e ---------5--------------------------------------------------------
>B -------5---8p5----5-------------5-----5---------------------------
>G ---5h6----------7---5h6---------5h6---5h6-------------------------
>D -------------------------7----------------------------------------
>A ------------------------------------------7~~~--------------------
>E ------------------------------------------------------------------
>

Lots of other nice blues riffs deleted...

>
>--
>Chris Cleverley                     \\\\ 
>eltcrcy@deep-thought.ericsson.se     . . 
>                                      S  
>"...It just came off in my hand..."   ~  



More, more MORE MORE MOOOORE!

A million thanks for posting these ideas. I know a good blues riff when I
hear it, but have never made a decent connection with my guitar playing (I
play rock, mostly...). I'm SOOOOO anxious to get home and try these! If you
have more of these (or if anybody else can post some nifty "classic" blues
fillers etc...), the PLEASE keep them coming. May the fleas of a thousand
camels infest the armpits of your worse enemy!

-- 
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 Daniel Poirier  e-mail: Daniel.Poirier@x400gate.bnr.ca  (613)763-5185
    Standard disclaimers... - BNR does not own or share my opinion!
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Newsgroups: rec.music.makers.guitar.tablature