HDTenEightyP/NetNews huggingface dataset:
From: smehta@kwela.nynexst.com (Sandeep Mehta)
Newsgroups: rec.music.bluenote
Subject: Re: Hal Russell
Date: 26 Jan 93 19:22:35 GMT
Article-I.D.: kwela.SMEHTA.93Jan26112235
Reply-To: smehta@nynexst.com
Organization: Speech Technology, AI Lab, NYNEX S&T Inc, White Plains, NY


In article <1993Jan25.162733.2190@msus1.msus.edu> kenz@local.host writes:

> I wrote: 
>    Has anyone information on the availability of Hal Russell's recording
>    the Finnish/Swiss tour?....

It is in print as is HAL'S BELLS. Tower has it and you can probably
order it by modem from CD Connection. I like the group recording
better.  Somehow the idea of overdubs bothered me a wee bit though
Hal's genius made it work wonderfully. The NRG group is also
remarkable in that it is the only group I know of that has *3*
didgeridoo players! :-)

Here's the info on the first ECM disc.

Russell, Hal                                                      ECM 1455 (CD)
Title: NRG Ensemble - The Finnish/Swiss Tour
Recorded: 1991 at Tampere Jazz Happening & the Internationale Jazz Festival
          Zurich.
Released: 1991
With: Hal Russell (leader), tenor sax, soprano sax, trumpet, vibraphone,
                            drums
      Mars Williams, tenor sax, soprano sax, didgeridoo
      Brian Sandtrom, bass, trumpet, guitar
      Kent Kessler, bass, bass guitar, didgeridoo
      Steve Hunt, drums, vibraphone, didgeridoo
Contents:  1) Monica's Having A Baby                                   ( 05:58)
           2) Aila/35 basic                                            ( 07:17)
           3) Temporarily                                              ( 09:39)
           4) Raining Voices                                           ( 05:02)
           5) For MC                                                   ( 03:27)
           6) Dance Of The Spider People                               ( 03:27)
           7) Ten Letters Of Love                                      ( 04:51)
           8) Hal The Weenie                                           ( 07:33)
           9) Linda's Rock Vamp                                        ( 04:04)
          10) Mars Theme                                               ( 09:47)
          Total:                                                       ( 61:05)
Purchased: 1992
Comments: compiled, produced, notes by Steve Lake

/sandeep
--
smehta@nynexst.com
--
        "This space of time is organized. We need not fear these
	 silences, -- we may love them." -- John Cage, Silences, 1961.
From: kumard@acsu.buffalo.edu (Deepak Kumar)
Newsgroups: rec.music.bluenote
Subject: Re: Steps Ahead - need info
Date: 22 Jan 93 21:48:56 GMT
Organization: State University of New York at Buffalo/Comp Sci

In article <SMEHTA.93Jan22145047@kwela.nynexst.com> smehta@nynexst.com writes:
>
>> avi@Warren.MENTORG.COM (Avi Ziv) writes:
>
>> I am desperately searching for a Steps live album which I heard on tape.
>> I think it is called something like "Smokin' in the Pit".
>> I know for a fact that the band included Michael Brecker and Steve Gadd.
>> Tower Records doe not list it in their catalog. Can it be a foreign issue?
>> Is it available in the US? Any info will be appreciated.
>
>It is an import and, to my knowledge, out of print. My vinyl copy is:
>Nippon Columbia YB 7010-11-ND released in 1981. I also remember it
>being a bit overpriced.
>
>--
>smehta@nynexst.com
>--
>        "This space of time is organized. We need not fear these
>	 silences, -- we may love them." -- John Cage, Silences, 1961.


I do have a CD copy (from a Japanese label)....guess what I picked it
up at Tower in DC about 3-4 years ago for a reasonable price. I had
heard rumors that the `3' japanese Steps CDs were being released
in the US (this was more than 6 months ago)....BTW Kazumi Watanabe
sits in on a couple (maybe just 1...its been a while since I heard
my CD)...and is also on the picture of the band. Good Luck trying to
find it....your best bet would be one of the specialty import stores
but be prepared to pay serious $$$ for it...not really worth that much
IMHO.

Deepak.

-- 
I'm not a teacher but I play one at school.
kumard@cs.buffalo.EDU                    Deepak Kumar, Department of Comp. Sc.
kumard%cs.buffalo.edu@ubvm.bitnet        226 Bell Hall, SUNY@Buffalo, NY 14260.
From: dschaefe@wsuaix.csc.wsu.edu (Don Schaefer - Economics;S28754)
Subject: penguin guide to recorded jazz
Organization: Washington State University
Date: Fri, 22 Jan 93 23:11:21 GMT

last week there was a discussion of the penguin guide to
recorded jazz. my local bookseller investigated and could
only find penguin's Jazz on CD LP and Cassette by Cook and 
Morton (isbn 0140153640) which would not be available
until may 1993. is this the penguin guide to recorded jazz?
if not could anyone provide me with more information so i
could track it down?
thanks
don schaefer
From: lcornel@eis.calstate.edu (Louis Cornelio)
Newsgroups: rec.music.bluenote
Subject: Carmen sings MONK!
Date: 27 Jan 93 00:22:41 GMT
Organization: Calif State Univ/Electronic Information Services


 
CD      CD      CD      CD =============================
 
Carmen Sings Monk! Novus, 1990 60 minutes of classic
Thelonius Monk through the vocal stylings of Carmen McRae.
 
Indispensable!  ====== $9 includes shipping ============
 
 
lcornel@eis.calstate.edu
From: Daniel.F.Krawiec@dartmouth.edu (Daniel F. Krawiec)
Newsgroups: rec.music.bluenote
Subject: re: elvin jones
Date: 28 Jan 93 03:45:41 GMT
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a5@newshost.dartmouth.edu

elvin will be playing with his quintet THE JAZZ MACHINE at the charles
hotel in cambridge, mass. in the REGATTABAR.  he'll be there late this
winter or in the spring time.  I've seen him play there.  it's a good
room.  

daniel
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: Cadence order is nigh - opinions please!
Organization: AT&T
Distribution: na
Date: Tue, 26 Jan 1993 03:50:43 GMT
Keywords: LONG (sorry)

mcmahon@owlnet.rice.edu (Michael G. McMahon) writes:
>Charlie Mingus - "Final Work"  11/77 w/ W. Shaw, Jeru   Who'sWho 72204
>  Is this a boot?  Why only seven dollars?  Was Roland Kirk with him
>around this time, and how strong WAS Mingus' group in the years near his
>death?  

Not a boot, but one of Mingus' less interesting performances. It was
originally called Lionel Hampton Presents: The Music of Charles Mingus,
on the Who's Who label; it was produced by Hampton, and the Who's Who
label seems to have been connected to Hamp in some way, since all but
one of the Who's Who albums I've seen have had Hamp sitting in with the
featured artist.

On paper, this one looks good: Mingus last quintet (Neloms, Ford, Walrath,
Richmond) plus Woodie Shaw, Gerry Mulligan, Paul Jeffrey, Peter Matt,
and Hamp. Lots of familiar Mingus pieces (Peggy's Blue Skylight,
Slp, Duke Ellington's Sound of Love, Farwell Farewell, Fables of Faubus.

But Hamp seems too much in control, and intead of Mingus' usual fire,
this one has Hamp's easy going swing feel. Not bad, but not Mingus either.

This has been reissued under several different titles on both LP and CD;
all seem to wind up in the cut bins without even stopping in the full price
bins. I've seen 2 different issues, with differnt titles and on different
labels in the cut bins at Tower at the same time.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: burger@sphinx.ece.wisc.edu (Dick Burger)
Subject: Re: More Penguin Guide banter, Richard Davis
Organization: Univ. of Wisconsin-Madison; Electrical & Computer Engineering
   Just wanted to mention that I agree with you completely.   I love Monk, 
Date: 25 Jan 93 13:49:01 CST

>
>: Andrew Hill, Point of Departure
>: Bobby Hutcherson, Dialog
>
>I think these two are the same album.  At least, every time I grab one to put
>on, I'm always expecting it to be the other :-)  They are also both arguably
>Dolphy's "Out To Lunch".  So I guess it doesn't surprise me to see all three
>get 5's, although I would have given them only 3-4.
>
 I think Richard Davis plays bass on all three of these records.  RD teaches
here at the University of Wisconsin (he's a great story teller!), and I have
a soft spot for his work from the early sixties.  I think that Richard Davis 
is a little like Art Blakey in that he seems to bring out the best in the 
other musicians.   
   By the way, there's a Earl Hines Trio record from the 60's with RD on bass
that is just fantastic.   I think it is called Stanley the Steamer or 
something like that, maybe it is on Douglass Records.  What a find! Incredible 
music from an unlikely combo.   Somehow in my lust to enter the world of CD's
i allowed this precious vinyl to slip through my fingers.   Anybody seen 
Earl Hines with Richard Davis music on CD? 
   
dick burger 
Newsgroups: rec.music.bluenote
From: sjones@superior.carleton.ca (Stan Jones)
Subject: Re: penguin guide to recorded jazz
Organization: Carleton University
Distribution: usa
Date: Sat, 23 Jan 1993 15:27:50 GMT

In <1993Jan23.020449.13792@cbnewsl.cb.att.com> wjh@cbnewsl.cb.att.com (william.j.hery) writes:

>dschaefe@wsuaix.csc.wsu.edu (Don Schaefer - Economics;S28754) writes:
>>last week there was a discussion of the penguin guide to
>>recorded jazz. my local bookseller investigated and could
>>only find penguin's Jazz on CD LP and Cassette by Cook and 
>>Morton (isbn 0140153640) which would not be available
>>until may 1993. is this the penguin guide to recorded jazz?

>The title, author and publisher are right, but my copy has no ISBN in it!

The ISBN is correct.  Bill, does your copy have a bar code? The ISBN
is usually part of the numbers printed under the code (because the
ISBN is part of the code).
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Newsgroups: rec.music.bluenote
Subject: Re: Presidential Bash Sham (OR: how i became a republican
Date: 21 Jan 1993 13:37:51 -0600
Organization: Educational Computing Network
NNTP-Posting-Host: uxa.ecn.bgu.edu

In article <C17sF5.7G0.1@cs.cmu.edu> tygar+@cs.cmu.edu (Doug Tygar) writes:
>>If he can only get a damn visa....
>
>Actually, he must have been able to get a visa in 1992, because he
>performed last fall while touring with the London Jazz Composer's Orchestra.
>I was fortunate enough to catch the LJCO playing one evening in a number of
>small ensembles when I was on a trip to Chicago.  (The group played four sets
>-- until close to 2AM!  Fortunately, I didn't have an early morning appointment
>the next day!)

Yes, they did get visas for that, but that's not the whole story.

The same place you saw him play at tried to get him a year 
earlier, but he was denied a visa because he had played
at some British labor party function.

Cadence didn't elaborate, but when they talked about that LJCO tour, the
implied that their U.S. dates were restricted by their visa situation.

The current laws only allow so many visas under the category they would
get.  I hope this will be relaxed under Clinton, but the labor unions
like to keep this number low.

Jeff
Newsgroups: rec.music.bluenote
From: tygar+@cs.cmu.edu (Doug Tygar)
Subject: Re: Presidential Bash Sham (OR: how i became a republican
Organization: School of Computer Science, Carnegie Mellon
Date: Thu, 21 Jan 1993 17:25:50 GMT

In article <1jkkihINNabg@uxa.ecn.bgu.edu> ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>In article <1993Jan20.180056.17096@zip.eecs.umich.edu> talh@cauchy.eecs.umich.edu (Tal Herbsman) writes:
>>in a related story, '96 republican presidential contender j. danforth quayle,
>>in order to win the support of r.m.bluenoters nationwide,  has already
>>announced his intention of inviting evan parker to play the national
>>anthem at his inauguration.
>
>If he can only get a damn visa....

Actually, he must have been able to get a visa in 1992, because he
performed last fall while touring with the London Jazz Composer's Orchestra.
I was fortunate enough to catch the LJCO playing one evening in a number of
small ensembles when I was on a trip to Chicago.  (The group played four sets
-- until close to 2AM!  Fortunately, I didn't have an early morning appointment
the next day!)
From: s1mbm@isuvax.iastate.edu (michael bruce mcdonald)
Newsgroups: rec.music.bluenote
Subject: Re: Zorn: Spillane and the recent Japanese releases
Date: 24 Jan 93 21:43:08 GMT
Article-I.D.: news.C1DoBw.Cv4
Reply-To: s1mbm@isuvax.iastate.edu
Organization: Iowa State University, Ames, Iowa

In article <HELLERS.93Jan24125534@cleo.cs.wisc.edu>, hellers@cs.wisc.edu (Joe Hellerstein) writes:
>In article <v5kqf2o@zola.esd.sgi.com> sik@grosz.esd.sgi.com (Seth Katz) writes:
>>
>>   Yeah, I heard this band called "Prime Time" that has this 
>>   American drummer and this Indian drummer and all these loud
>>   guitars.  Man, you shoulda heard them try to play Ornette.
>>   Then there was that Pat Metheny album with Denardo AND Jack
>>   DeJohnette.  They sure couldn't play a melody.
>
>Well, touche, there are two drummers in Prime Time (all I've got is
>VIRGIN BEAUTY, which does indeed have Denardo and Calvin Weston).  But
>you're not seriously suggesting that you don't hear the distinction
>between the Prime Time sound and the sound of SPY VS SPY?  I mean,
>Prime Time is not "loud" the way that SPY VS SPY is.  Am I being silly
>here? 

Joe, for what it's worth, I agree completely that Prime Time is not "loud"
(or assaultive!) in the way that Spy most indelibly is!  And being silly
you are not.

michael mcdonald

>
>>   I think Spy Vs Spy does a fine job of what it's trying to do-
>>   bring Ornette to a generation with hardcore sensibilities and
>>   regain some of the shock that Ornette caused when he started.
>
>Was Ornette really about shocking people, mostly?  I don't think so, I
>think he presented the music as music, not as shock value.  And while
>Zorn's clearly after shock value, I think he's got more going on there
>too.
>
>Joe Hellerstein
Newsgroups: rec.music.bluenote
From: sik@grosz.esd.sgi.com (Seth Katz)
Subject: Re: Zorn: Spillane and the recent Japanese releases
Organization: Silicon Graphics, Inc.  Mountain View, CA
Date: Thu, 21 Jan 93 17:40:45 GMT


In article <HELLERS.93Jan21105139@cleo.cs.wisc.edu>, hellers@cs.wisc.edu writes:
> 	<C162Lx.4xI@news.iastate.edu>
> Sender: news@cs.wisc.edu (The News)
> Organization: Univ. of Wisconsin @ Madison, CS Dept.
> Lines: 49
> In-Reply-To: s1mbm@isuvax.iastate.edu's message of Wed, 20 Jan 1993 19:10:41 GMT
> 
> In article <C162Lx.4xI@news.iastate.edu> s1mbm@isuvax.iastate.edu (michael bruce mcdonald) writes:
> 
> >   In article <SMEHTA.93Jan20114818@kwela.nynexst.com>, smehta@kwela.nynexst.com (Sandeep Mehta) writes:
> >   >Incidentally I was mildly surprised by Richard Cook's description of
> >   >SPY VS SPY in the Penguin Guide. He described it as among the best
> >   >treatments of Ornette's music in that despite the hardcore thrash
> >   >feel to the album it retains the melodic germ of Ornette's
> >   >compositions. Or some such thing...
> >   >
> >   >Any comments on that aspect of SPY?
> >
> >   sandeep, the melodic *germ* may still be present on SPY, but the wonderful
> >   thing about Ornette is that no matter how "free" he plays, melody always, or
> >   almost always, remains in the foreground, even when it is implied rather 
> >   than explicitly stated.  I'm a Zorn fan, but really haven't been able to
> >   sit through all of SPY at a given time.  I admire the sheer, assaultive
> >   energy of this recording, but something is missing to my ears, and I think
> >   that this missing element is perhaps indeed some more explicit melodic sense.
> 
> I'd have to agree with Michael here, that the Penguin review has
> missed the point.  Ornette is certainly a melody-based
> player/composer.  SPY vs. SPY is mostly about *texture* or timbre, at
> least as far as I'm concerned.  You don't employ two drummers and play
> as loud as possible to work on melody.  I think SPY vs. SPY succeeds

=-=-=-=-

Yeah, I heard this band called "Prime Time" that has this 
American drummer and this Indian drummer and all these loud
guitars.  Man, you shoulda heard them try to play Ornette.
Then there was that Pat Metheny album with Denardo AND Jack
DeJohnette.  They sure couldn't play a melody.

I think Spy Vs Spy does a fine job of what it's trying to do-
bring Ornette to a generation with hardcore sensibilities and
regain some of the shock that Ornette caused when he started.
To me, albums like "Change of the Century" are staid, mellow
jazz.  Great listening, mind you, but not shocking. 

Someone recommended making a tape interspersing songs from
In All Languages and Spy Vs Spy.  Apparently a lot of the same
songs are played (though I can't find a CD of IAL).

Getting back to Leng T'che, a friend recommends looking at
it as Zorn's answer to Neil Young's "Arc".  
=-s
From: mjs@fc.hp.com (Marc Sabatella)
Newsgroups: rec.music.bluenote
Subject: Re: Elvin Jones
Date: 28 Jan 1993 18:21:46 GMT
Organization: Hewlett-Packard Company
Reply-To: marc@hpmonk.fc.hp.com
NNTP-Posting-Host: hptrane.fc.hp.com
X-Newsreader: TIN [version 1.1.2 PL6]

kenz@local.host wrote:

:     A friend of mine saw him recently in Minneapolis with a kind of Tribute to
: Coltrane thing.  Javon Jackson was in the band.  He said Elvin was terrible,
: there was no balance between the drumming and other instrumentalists.

Is this friend someone who otherwise appreciates Elvin?  I mean, that's been a
criticism of guys like Elvin (and Tony Williams, and Art Blakey...) since Day
One.  Does your friend mean, there was less balance than usual?  Also, is it
possible the problem wasn't with Elvin, but instead with the sound system?

: He also
: said the mostly young band was very weak except for Jackson.

Yawn.  I still don't understand why people are so high on this guy, and I'm
sure William will find it somewhat ironic to travel thousands of miles to see
a band whose only strong player is someone he used to be able to catch locally
all the time anyhow...

--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
Amendment 2 Is Legalized Discrimination - Shame On You, Colorado
--
"Neither the State of Colorado ... nor any of its municipalities ... shall ...
 enforce any ... ordinance ... whereby homosexual, lesbian, or bisexual
 orientation ... shall ... be the basis of ... any ... claim of discrimination"
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Visas (has nothing to do with: Presidential Bash)
Organization: Brotherhood Of Breath
Date: Thu, 21 Jan 1993 20:12:00 GMT

ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>[...] he [Evan Parker] was denied a visa because he had played
>at some British labor party function.

This sounds like the State Department denying entry to someone
who they suspect of being a communist.  (Didn't you guys win the
cold war already?  Get a life.)

>The current laws only allow so many visas [...]
>I hope this will be relaxed under Clinton, but the labor unions
>like to keep this number low.

If you're talking about the actors & musicians unions, then it's not
about a visa but about a work permit.

Let's keep it straight about which bureacracy denies us what.


--Gidi (F1 visa)
From: gsc@csd4.csd.uwm.edu (Gary S Casper)
Newsgroups: rec.music.bluenote
Subject: WHERE IS JOHNNY WINTER PLAYING???
Date: 26 Jan 1993 06:11:28 GMT
Organization: Computing Services Division, University of Wisconsin - Milwaukee
Distribution: usa
NNTP-Posting-Host: 129.89.7.4
Summary: Anyone know if Johnny Winter is playing in the Chicago-Madison-
Keywords: blues, winter
Originator: gsc@csd4.csd.uwm.edu


Newsgroups: rec.music.bluenote
From: blindsay@bmerh9f5.bnr.ca (Brian Lindsay)
Subject: Re: Penguin Guide: Short Review & 5 Star Recordings
Organization: Bell Northern Research, Ottawa, Canada
Date: Sun, 24 Jan 93 21:21:23 GMT

In article <C1BvoK.35o@news.rich.bnr.ca> John Thomas <jgthomas@bnr.ca>               writes:
>In article <1993Jan23.031114.14929@cbnewsl.cb.att.com>, wjh@cbnewsl.cb.att.com (william.j.hery) writes:
>
>[stuff deleted]
>
>|> Here's the list of Penguin 5 Star recordings. Keep in mind that only
>|> recordings currently in print in England are reviewed in the book.
>|> 
>
>How can they leave off Sun Ra's ESP titles? Mingus' band with Dolpy?
>This really is a ridiculous list.
>
>Ahhhhhhhhhh!  Is some of this stuff not in print in England?!


I am sure a lot of potential 5 star recordings are out of print
over in UK (and here), but I think you also have to bear in mind
what they are indicating with 5 stars. 

4 stars indicates " an outstanding record that demands a place
in any comprehensive collection".

The 5 star recordings are supposed to be of a "desert island
calibre, amoung the very finest of all jazz recordings [...]
, only a handful of discs". Maybe the exercise is futile, but
anytime you try and limit yourself to a handful there is
going to be something that someone else thinks should have
been on the list.

In any case I think its an excellent reference. I especially
like the fact that the players for each recording are fully
listed, plus it has a full index, so you can find every (in
UK print)  recording your favorite player was on.


--
--------------------------------------------------------------
The opinions expressed above are solely those of Brian Lindsay
--------------------------------------------------------------
Newsgroups: rec.music.bluenote
From: qb7g6@fel.tno.nl (Maarten Landzaat)
Subject: Re: Steps Ahead - need info
Organization: TNO Physics and Electronics Laboratory
Date: Tue, 26 Jan 1993 12:33:57 GMT

rardin@binah.cc.brandeis.edu (R. Lynn Rardin) writes:

>BTW, it's possible that these recordings may be reissued domestically by Mike 
>Mainieri's new NYC label.  There was a note in his most recent Steps Ahead 
>release on NYC that said something about his label releasing old Steps 
>recordings that had never been released in the U.S...

Here in Holland, I recently saw a new CD by Mike Mainieri (don't remember
the title) with old tracks. I didn't listen but the musicians of 
"Steps" (not steps ahead) were listed and there was an old recording date,
and the track titles looked familiar to me.
I guess this is the CD you were referring to.
-- 
Maarten J. Landzaat (analyst/programmer, bass player, Atari/midi freak)
BSO/Aerospace & Systems			Mail: Spuistraat 97
Email: maarten.landzaat@fel.tno.nl	      1012 SV  Amsterdam
Phone: +31 20 6266098			      The Netherlands
From: jeckenbe@lust.reed.edu (Judah Michael Eckenberg)
Newsgroups: rec.music.bluenote
Subject: Re: Ella Fitzgerald (was: Singers)
Date: 24 Jan 93 02:53:58 GMT
Article-I.D.: reed.1993Jan24.025358.20434
Distribution: na
Organization: Reed College, Portland, OR

In article <1993Jan22.223145.26969@cbnewsk.cb.att.com>  
marvo@cbnewsk.cb.att.com (ronald.f.roberts) writes:
> In article <lm0oq9INN9pr@exodus.Eng.Sun.COM>  
milliken@scofield.Corp.Sun.COM (Gary Milliken) writes:
  About a month ago I picked up the
> Ella with Chick Webb on GRP.  Also very nice!  Her voice was striking in  
the
> late 30s-early 40s time frame (or is it the vintage recording  
technology?)
> -- 
> 
> Ron Roberts

	Ella's voice has been striking since the mid 30's and is still  
striking today.  I caught her at the Mount Hood Festival of Jazz in 1989,  
I believe and although she had to be helped onto the stage and off of the  
stage, while she was on the stage she owned it.  She was about 80 at the  
time and although she didn't have the power she used to, the style that  
brought her a 50 some year career was still there.  This is a lady that  
has outlasted the likes of Carmen McCrea, Sarah Vaughn, Dakota Stanton,  
Ruth Brown, and Billie Holliday.  And as for the assertion made in a  
previous assertion that Ella only had technical perfection and lacked  
feeling, I suggest looking at her rendidtion of Silk Stockings on Walkman  
Jazz and the entire tribute to Cole Porter.

	Judah Eckenberg
	Reed College		jeckenbe@reed.edu