HDTenEightyP/NetNews huggingface dataset:
From: walt@diusys.cms.udel.edu (Walt Dabell)
Subject: Re: Women..
Reply-To: walt@diusys.cms.udel.edu
Organization: U of Delaware, College of Marine Studies / Lewes
Date: Fri, 11 Sep 1992 12:47:03 GMT

In article 20300@sci.kun.nl, beker@sci.kun.nl (B.P.T.M. Beker) writes:
>
>Hi there,
>
>please note that this article is not the kind of article
>you usually find in this newsgroup. In my opinion however,
>it fits quite well.
>
>I'd like to know your opinions on the following subject:

I'm no expert, but I'll relay some personal observations on the subject...

>I guess that many of you don't play in a band but sometimes
>play guitar at parties or similar occasions.
>
>How do women react on it?

That greatly depends on the nature of the party, the age group, and the kind
of music they are looking to hear vs the kind of music you are playing.

>1) They think you're a 'softy'.

This can work to your advantage, but that depends on what your definition of
"softy" is. I'm 6'2'' and 250++ lbs, full beard and tatoo. I've never been
called a "softy" yet, unless they were refering to my "love handles":-).

>2) They want to make love to you.

Again, that depends on the crowd and especially what your playing. If your
TRYING to get laid, you wont. Play the songs that tell about how you wanted to
love a woman but were rejected and treated like shit. Do the ones that tell
about great pain and suffering in a relationship. Let them think your soft
and the aggressive ones will come out of the woodwork. But then, I like the
agressive ones.:-) Don't set your standards too high, and don't expect it to
work often, but it do work... or at least I (we musicians) like to think so...
but that's another story.

>It's also interesting to relate the question to specific
>songs.

If you cant find commercial ones, write your own.

>Note that this article is written by a male heterosexual.
>Please feel free to make adjustments when you're male
>homosexual or female heterosexual. 
>
>:-)
>
>Benny

Of course now that I think about it, and no more often than it has happened,
I wonder if it was more just being in the right place at the right time. If 
nothing else, it gives a female looking for companionship something to talk
to you about.

Good luck!
---
         __________________________________________________________
         Walt Dabell  KD3GS (302)645-4225  walt@diusys.cms.udel.edu  
                  U of Delaware / College of Marine Studies
                      700 Pilottown Rd. Lewes, DE 19958

Newsgroups: alt.guitar.tab
From: mpa44683@uxa.cso.uiuc.edu (The Wisest Fool)
Subject: REQ: Legal Kill by King's X
Organization: University of Illinois at Urbana
Date: Mon, 7 Sep 1992 01:37:06 GMT

Could some one please send me the tab to Legal Kill by King's X.

Thanks in advance,


       _____   ___    ____  _____  _____
      /\____\ /\__\  /\___\/\____\/\____\ 
     / /    // /  | / /   /\/_  _/\ \   /        
    / / \/ // /   |/ /  _/ / / /  / /  /        Marty Allen
    \/__/_/ \/____|\/___\  \/_/   \/__/
       ___    __     __     ____   _____        University of Illinois
      /\__\  /\_\   /\_\   /\___\ /\____\       Champaign-Urbana
     / /  | / / /  / / /  / / __// /    /
    / /   |/ / /_ / / /_ / / __// /    /        smarty@uiuc.edu
    \/____|\/___/ \/___/ \/___/ \/__/\/
From: shotokan@diku.dk (Kim H|glund)
Newsgroups: alt.guitar.tab
Subject: CHORDS: Is This Love? -- Bob Marley
Date: 7 Sep 92 13:26:31 GMT
Organization: Department of Computer Science, U of Copenhagen

I believe there were a request a couple of weeks ago for some Marley
songs...  Disclaimer: I haven't been playing theses songs for a long,
long time so chord changes etc. may be slightly off.  Anyway, you
should be able to get the general idea.


			    IS THIS LOVE?		(Bob Marley)
			    =============

	| F#m	| F#m	| D	| A	|
	  F#m	| F#m	| D	|

      A C#m   | F#m    |
	I wanna love you
	D           | A
	and treat you right.
	C#m   | F#m    | F#m |
	I wanna love you
	      D           | A
	every day and every night.
        C#m      | F#m  | F#m |
	We'll be together
	       D                 | A
	with a roof right over our heads.
	      C#m     | F#m   | F#m |
	We'll share the shelter
	D          | A
	of my single bed.
	      C#m     | F#m      | F#m |
	We'll share the same room,
	D             | A     |
	Jah provide the bread.


	        C#m                       | C#m
	Is this love, is this love, is this love,
			    | Bm     | Bm |
	is this love that I'm feeling?
	        C#m			  | C#m
	Is this love, is this love, is this love,
			    | Bm     | Bm |
	is this love that I'm feeling?


	| Bm C#m D | E |
	Dmaj7		  | Dmaj7		| Bm C#m D | E |
	I wanna know, wanna know, wanna know now.
	C#m		       | C#m		      |
	I've got to know, got to know, got to know now.
	C#m | C#m           | Bm  | Bm |
	I...  I'm willing and able,
	   C#m	    | C#m	  | E     D |
	so I throw my cards on your table.


     C# Bm    | F#m
	I wanna love you
	      | D	      | A        C#m     | F#m
	I wanna love and treat, love and treat you right.
              | F#m      |
	I wanna love you
	      D           | A
	every day and every night.
        C#m      | F#m  | F#m |
	We'll be together
	       D                 | A
	with a roof right over our heads.
	      C#m     | F#m   | F#m |
	We'll share the shelter
	D          | A
	of my single bed.
	      C#m     | F#m      | F#m |
	We'll share the same room,
	D             | A     |
	Jah provide the bread.


      A       C#m     | F#m   | F#m |
	We'll share the shelter
	D		|
	of my single bed.



Enjoy,
  Kim

_____
Kim H|glund,  shotokan@diku.dk,    CS Dept. at U of Copenhagen,  Denmark
"I've got plenty of common sense. I just choose to ignore it." -- Calvin
From: andrew@rle-vlsi.mit.edu (Andrew Eli Grumet)
Newsgroups: alt.guitar.tab
Subject: Re: Tom Petty's "Yer So Bad" (Chords)
Date: 7 Sep 92 16:34:26 GMT
Organization: Research Laboratory of Electronics, Massachusetts Institute of
	Technology

In article <l9t6lrINNrs7@skat.usc.edu> sweet@skat.usc.edu (Rob Sweet) writes:

           I am afraid I didn't bother checking for a USENET "standard" for
   chord notation, but I think this will work.  Feel free to add lyrics and
   a tab for the solo.

               Am               D               G              Em   

             o       o         o               o o o       o     o o o
           ===========     ===========     ===========     ===========
           | | | | 1 |     | | | | | |     | | | | | |     | | | | | |
           -----------     -----------     -----------     -----------
           | | 2 3 | |     | | | 1 | 2     | 2 | | | |     | 1 2 | | |
           -----------     -----------     -----------     -----------
           | | | | | |     | | | | 3 |     3 | | | | 4     | | | | | |
           -----------     -----------     -----------     -----------
           | | | | | |     | | | | | |     | | | | | |     | | | | | |

(etc and so forth)

For those of you out there who are more exacting or more adventurous, try
the following for the second chord:


                        Dadd9/F#

                          x o     o
                        ===========
                        | | | | | |
                        -----------
                        2 | | 3 | |
                        -----------
                        | | | | 4 |
                        -----------

note: mute the 5th string by tilting back the second finger a bit.


Andrew Grumet
andrew@rle-vlsi.mit.edu
Newsgroups: alt.guitar.tab
From: terryk@encore.com (Terence M. Kelleher)
Subject: CRD: Its Dangerous Out There - Bill Morrisey
Organization: Encore Computer Corporation
Date: Wed, 9 Sep 1992 18:17:18 GMT


Its Dangerous Out There
By Bill Morrisey

Am                                             Dm              Am
There are Russians int the front yard, there's Martians on the ceiling
                              Dm            Em             Am
There's a Cape buffalo on the patio and you ask me how I'm feeling
                                      Dm               Am
There's a sniper by the swingset, the highway has been mined
                          Dm              Em                Am
Then here you come with a great big smile singing, rise and shine 


Chorus
Am            Em                              Am
Well, there's nothing you could say that will get me up today
Dm                         Em
Nothing you have ever said that can drive me from this bed
        Am                           Dm              Em
You can call me lazy, crazy, call me stupid, I don't care
Am      Dm                    Em            Am
I ain't gettin' up, cause its dangerous out there.



Am                                     Dm               Am
There's a hunter from New Jersey in my kitchen drinking beer
                       Dm            Em             Am
There's a Texan out my window with a chainsaw and a lear
                                        Dm                 Am
I could take a walk around the block to shake me from this slumber
                            Dm            Em             Am
But there's student drivers out today and one has got my number


Am                                      Dm                Am
There's a pounding on my front door its enough to make me scream
                                Dm             Em               Am
Why, its two girl scouts, one Jehova's Witness and a whole SWAT team
                                  Dm                 Am
So listen to me, darling.  Please heed these words I say
                           Dm               Em               Am
Its too scary here in February dear, set my snooze alarm for May
--

                                 +----------------+
Terence Kelleher              +--+-------------+  |
Encore Computer Corp.         |  | E N C O R E |  |
terryk@encore.com             |  +-------------+--+
607-687-2644                  +----------------+
From: engel@fujiyama.irisa.fr (Jean-Christophe Engel, AB 116, Tel 7343)
Newsgroups: alt.guitar.tab
Subject: REQ: John Renbourn TABS/CHORDS/LYRICS
Date: 15 Sep 92 14:24:01 GMT
Reply-To: engel@fujiyama.irisa.fr
Organization: IRISA, Rennes (Fr)

I'm looking for the tabs, chords, lyrics of the following (traditional)
songs as arranged and/or played by John Renbourn:

  . White House Blues
  . Buffalo skinners
  . Kokomo Blues
  . Little Sadie
  . Willy O'Winsbury
  . The Cuckoo
  . Come on in my kitchen
  . Country Blues
  . Faro Annie
  . Back on the road again

Thanks !

	Jean-Christophe Engel
Newsgroups: alt.guitar.tab
From: US30139@VM.CC.LATECH.EDU
Subject: Re: Cajun tune? Trying to locate
Organization: LOUISIANA TECH UNIVERSITY
Date: Fri, 11 Sep 92 12:51:52 CST

In article <1992Sep9.120607.15770@ultb.isc.rit.edu>
rar6811@ritvax.isc.rit.edu writes:
 
>
>In article <18gshlINNmnu@usenet.INS.CWRU.Edu>, as443@cleveland.Freenet.Edu (Christopher Standish) writes:
>>
>>Greetings! I am trying to find a song that some friends used
>>to sing. I think its Cajun. It has a heavy beat, and the
>>only words I can remember are something like:
>>
>>	My Grandpa said to your Grandpa
>>	Sittin' by the bayou
>>	My Grandpa said to your Grandma
>>	I'm gonna' set yo' house on fire
>>
>>That's it!
>>If you have any idea what the tune is or who sings it
>>you can e-mail me at (shit...I don't know the complete address)
>>....as443.cwru.freenet.edu
>>
>>Chris
>>--
>> C   H   R   I   S     S   T   A   N   D   I   S   H       as443
>>
>>
>
>Iko,Iko is the name of the tune. Don't know who did the orignial but lots of
>people cover it including the Dead 8^). A great version of this song can be
>heard on the album "The Ultimate Dr. John" which is a Dr. John Greatest hits
>album.
>
>Hope this helps:
>
>Rob R.
 
 
Iko Iko isn't Cajun music.  Probably better to classify it as New Orlean
R&B or even zydeco.  "Cajun" music is traditional (folksy, bluegrass-y)
music.  It features acoustic guitar, fiddle, accordian, washboard and spoons,
etc.  You get the idea.  Beats are not heavily syncopated.  Ballads and
waltzes are common.  Two-step music also.  Iko Iko and other NO music like
it have heavy syncopation playing ahead of the beat to push the song along.
Even slow-tempo'd songs appear faster because of the ahead-of-the-beat
accents.
 
Just don't call it Cajun!  ;-)
 
Mike James
Ruston, LA
US30139@VM.CC.LATECH.EDU
Newsgroups: alt.guitar.tab
From: watts@cs.scarolina.edu (Chris Watts)
Subject: Re: Last Crazy Train Question
Organization: USC  Department of Computer Science
Date:  9 Sep 92 03:22:41 GMT

rlwst8+@pitt.edu (Robert L Williamson) writes:

>One more question about the song Crazy Train (I promise :-), who was the guitarist for it?

Randy Rhoads!
From: walsh@rcf.rsmas.miami.edu
Newsgroups: alt.guitar.tab
Subject: Request-Lyrics for Johnny B. Goode and Louie, Louie
Date: 8 Sep 92 14:14:23 GMT
Reply-To: walsh@rcf.rsmas.miami.edu
Organization: RSMAS

Does anyone have the lyrics for these two classics? I'd appreciate it if
you could post them or email them. Thanks! Pat Walsh.
Newsgroups: alt.guitar.tab
From: ddavis@casbah.acns.nwu.edu (Donald Davis)
Subject: Re: REQ: My Cherona by The Kinks (er, The Knack)
Organization: The YYZ Concern
Date: Mon, 7 Sep 1992 15:32:05 GMT


	Let's give credit where it's due!  This classic '70's song was by the
two-hit wonder "The Knack" and not the legendary Kinks.

						-- YYZ

	BTW: If someone will be good enough to post lyrics for Black Sabbath's
Newsgroups: alt.guitar.tab
Subject: Re: CHORDS: The Chauffeur (Duran^^2)
From: Francis.Gardner@comp.vuw.ac.nz (Francis Gardner)
Date: Tue, 15 Sep 1992 12:29:51 GMT
Organization: Dept. of Computer Science, Victoria Uni. of Wellington, NZ.


  Hmmmmmm.......I like this some, BUT it is all keyboards + bass line.
  Strange song to post!!!  (This isn't a flame - just my own personal silly
  opinion!)

  Francis.
--
fgardner@comp.vuw.ac.nz
Francis Gardner
MSc Student, Computer Science Department
Victoria University of Wellington
Newsgroups: alt.guitar.tab
From: terryh@cae.wisc.edu (Terry Henning)
Subject: Using sound boards to play by ear
Organization: U of Wisconsin-Madison College of Engineering
Date: 7 Sep 92 12:00:58 CDT

Hi,

I've started to use my computer to help me learn songs by ear.  It's very
helpful, but I'm starting to realize some real limitations of my software/
sound card.  

Right now I have an ATI Stereo F/X sound board, with some simple playback
and recording software.  I digitize part of a song and slow the sampling
rate down to hear the individual notes at playback.  

Does anyone know of any software and/or soundboards that will allow you to
change the tempo but keep the pitch so that the notes sound right?  I
suspect that the Gravis Ultrasound would be ideal for this with its DSP, but
then again all I may need is some different software.

I'm not too familiar with the music software that is out there, so I would
appreciate any suggestions.

In case anyone is interested the ATI Stereo F/X is an 8 bit card capable of
up to 44 KHz mono and 22 KHz stereo.  So far I've been pretty happy with it.

Terry Henning

terryh@cae.wisc.edu

Newsgroups: alt.guitar.tab
From: M23231@mwvm.mitre.org
Subject: Cancion Mixteca (From Paris, Texas)
Organization: The MITRE Corporation, McLean VA 22102
Date: Tue, 8 Sep 1992 17:46:28 GMT

Does anyone out there have the solo part of Cancion Mixteca transcribed off
the Paris, Texas sound track? I can't quite get the sound right. Perhaps it's
overdubbed or something.
 
Thanks,
From: kenk@lookoutit.uswc.uswest.com (Ken Kaliszewski)
Newsgroups: alt.guitar.tab
Subject: REQ: No Myth - Michael Penn
Date: 15 Sep 92 18:11:11 GMT
Organization: US WEST Information Technologies


If anyone knows the chords to this song I would appreciate it... I don't have a copy of
the song to get them myself (and I'm not a big enough Penn fan to buy the disc).

Thanks,

Ken
Newsgroups: alt.guitar.tab
From: edwards@andy.bgsu.edu (Bruce Edwards)
Subject: Re: request little red ridinghood
Organization: Bowling Green State University B.G., Oh.
Date: Tue, 15 Sep 1992 14:16:53 GMT

In article <47548@shamash.cdc.com>, dbw@svl.cdc.com (Dave Woerner) writes:
> morris@mksol.dseg.ti.com (jerry a morris) writes:
> 
> >I don't konw the artist
> >lyrics tab or /and cords wanted please.
> 
> >thanks in advance
> >jerry
> 
> I'll second the request.  To jog your memory, here's
> all I can remember:
> 
> Hey there little red riding hood
> You sure are lookin' good
> You're everything that a
> Big Bad Wolf would want
> 
> Dave

Just off the top of my head something like:

Hey little red riding hood
Do you think little good girls should
Go walkin in the spooky ol' woods alone

.
.
.
What big eyes you have
The kinda eyes that drive wolves mad
......

You know I'd like to walk with you for a while

:-) A feeble attempt but sheeze I have thought of that
song in ages!

edwards@andy.bgsu.edu

-- 

edwards@andy.bgsu.edu

Newsgroups: alt.guitar.tab
From: pcrossma@cs.ulowell.edu (The Gillrocker)
Subject: Re: TAB: Silent Lucidity - Queensryche
Followup-To: alt.guitar.tab
Organization: University of Massachusetts at Lowell Computer Science
Date: Tue, 15 Sep 1992 22:01:00 GMT

In article <BuM39D.H94@comp.vuw.ac.nz> Michael.Bremford@comp.vuw.ac.nz (Mike Bremford) writes:
>
>
>This is the accoustic intro to this song as I play it - dont know if its right..

			Silent Lucidity
		    As played by Chris DeGarmo
			 Of Queensryche

Intro and first verse:

E+-----7-----7-----5-----5-----5---+-----7-----7-----5-----5-----5---+
B+-------0-----0-----0-----0-------+-------0-----0-----0-----0-------+
G+---------------------------------+---------------------------------+
D+--5------5-----5-----5-----5-----+-5-------5-----5-----5-----5-----+
A+---------------------------------+---------------------------------+
E+---------------------------------+---------------------------------+


E+-----2-----2---------------------+-----2-----2---------------------+
B+-------0-----0---3-----3-----3---+-------0-----0---3-----3-----3---+
G+-------------------0-----0-------+-------------------0-----0-------+
D+-2-------2-----2-----2-----2-----+-2-------2-----2-----2-----2-----+
A+---------------------------------+---------------------------------+
E+---------------------------------+---------------------------------+


E+-----7-----7-----5-----5-----5---+-----7-----7-----5-----5-----5---+
B+-------0-----0-----0-----0-------+-------0-----0-----0-----0-------+
G+---------------------------------+---------------------------------+
D+--5------5-----5-----5-----5-----+-5-------5-----5-----5-----5-----+
A+---------------------------------+---------------------------------+
E+---------------------------------+---------------------------------+


E+-----2-----2---------------------+-----2-----2---------------------+
B+-------0-----0---3-----3-----3---+-------0-----0---3-----3-----3---+
G+-------------------0-----0-------+-------------------0-----0-------+
D+-2-------2-----2-----2-----2-----+-2-------2-----2-----2-----2-----+
A+---------------------------------+---------------------------------+
E+---------------------------------+---------------------------------+


This was the only difference to anyone who HAS to play it like
Chris does....

-- 
 _ __ A straight _ line __ may be the shortest distance between two points, 
' )  ) but it is//by no/  ) means the most interesting. -- Dr. Who
 /--' __.  . . //     /    __  _____    _   ______  __.  ____  pcrossma@ulowell
/    (_/|_(_/_</_    (__/ / (_(_) \_)__/_)_/ / / <_(_/|_/ / <_ .ulowell.edu
From: adam@micromuse.co.uk (Adam Kerrison)
Newsgroups: alt.guitar.tab
Subject: Re: Rush Basslines
Date: 15 Sep 92 08:13:24 GMT
Reply-To: adam@micromuse.co.uk
Organization: MicroMuse Ltd, London, Uk

In article 24697@mnemosyne.cs.du.edu, alee@nyx.cs.du.edu (alex lee) writes:
>
> 
>I'm looking for transcriptions of the music of Rush.  I realize that
>Warner Bros. Music sells books of TAB for guitar, but I'm looking for
>the basslines of these songs.
> 
Some of the books are piano arragements. These have a bass line in them 
but there not perfect but they are reasonably close. I started from these
and worked out the rest.

>I imagine that since Geddy Lee is one of the world's best bass players,
I agree !!!
>there are transcriptions available somewhere.  If I can get books of the 
>albums, I'd especially like the more recent stuff:
> 
>Moving Pictures, Signals, Grace Under Pressure, Power Windows, 
>Hold Your Fire, Presto, Roll The Bones.
> 
>Any help would be greatly appreciated.  Thanks in advance!
> 
There is a whole archive of TAB at ftp.nevada.edu in /pub/guitar. They
have a Rush section and its full of guitar and bass TAB. From what I've seen
it pretty good, So if you want of bass stuff - check it out !!!

I have never seen and Rush bass TAB books - if I had I would have got them.
If anyone does know of any I'd like to know too ...

Adam

---
===========================================================================
Adam Kerrison                  | Phone : +44 71 352 7774
Technical Support              | Fax   : +44 71 351 7834
MicroMuse Ltd                  | Personal E-mail: adam@micromuse.co.uk 
London SW10 0RN                | Support E-mail : support@micromuse.co.uk 
===========================================================================
Newsgroups: alt.guitar.tab
From: kang@stolaf.edu (Joseph S Kang)
Subject: Chords:  All I Want (Toad the Wet Sprocket)
Organization: St. Olaf College, Northfield, MN
Distribution: na
Date: Tue, 15 Sep 1992 02:03:08 GMT


Well, when I first got this disc, I was anxious to figure out the chords for
this song.  After a few revisions to what I first wrote down as chords, I feel
that it is ready to be seen by all who want this.  I should warn you that 
when I figure out songs, I do it for myself only and that I usually don't 
intend for it to be used by everyone.  I write down less than is needed 
because I usually remember a song that I figured out without having to
write it down.  Anyway, this is my first post so bear with me please.
Alright, enough of my babbling, soo here it is....

--cut here--

All I Want
Toad the Wet Sprocket

(lyrics reprinted without permission)

*Note:  these are just the chords so you should listen to the song to get
	it totally correct.


             Dm	     F
Nothing's so loud

   C		    Am7
As hearing when we lie

		 Dm	F
The truth is not kind

   C			   Am7
And you've said neither am I

		Dm		   F	     C  Am7	Dm
	but the air outside so soft is saying everything

	Am7	 Bb
	everything

C		  Am7
All I want is to feel this way

     Dm		     G
to be this close, to feel the same

C		  Am7
All I want is to feel this way

   Dm		     E7		  F		Dm F C Am7
the evening speaks, I feel it say....


Nothing's so cold
As closing the heart when all we need
Is to free the soul
But we wouldn't be that brave I know
	
	And the air outside so soft, confessing everything
	everything

All I want is to feel this way
To be this close, to feel the same
All I want is to feel this way
The evening speaks, I feel it say....

	G	Am   G      F
	And it won't matter now

	C	 G	      F
	Whatever happens will be

		   C	     G		   D
	Though the air it(?) speaks of all we'll never be
	
	F			Dm F C Am7 Dm Am7 Bb
	It won't trouble me

C		  Am7
All I want is to feel this way

      Dm	  G
To be this close, to feel the same

C		 Am7
All I want is to feel this way

  Dm		     G
The evening speaks, I feel it say...


C		     Am7
And it feels so close

    Dm		G
Let it take me in

C	      Am7
Let it hold me so

Dm	       E7  F
I can feel it say

Well I hope that this is good enough.  Hope you enjoy it.

-Joe
-- 
Joseph Kang      |  Disclaimer:  Whether you believe it or not, the views
kang@stolaf.edu  |               expressed in the above article are all mine.
                 |  		 Unless I've been brain-washed and don't know
St. Olaf College |    		 it or don't notice the difference. :-)