HDTenEightyP/NetNews huggingface dataset:
From: wcsanil@superior.carleton.ca (Anil Prasad)
Subject: Re: Camel Interview???
Organization: Carleton University, Ottawa, Canada
Date: Mon, 25 Jan 1993 21:39:06 GMT

In article <1993Jan25.090301.13509@zoo.bt.co.uk> ipc@zoo.bt.co.uk writes:
>Hi, sometime ago someone posted something about a Camel interview. Since then I
>have waited with baited breath (being somewhat of a Camel addict), but nothing 
>seems to have turned up.
>
>Any ideas if it was typed up and posted?

The interview was posted to the Gibraltar mailing list which seems
to come out every century or so.... you should see it soon, it's
extremely long, something like 1600 lines long, so maybe it clogged
the e-mail lines.. I dunno. If Gibraltar doesn't come out within
2-3 weeks, I'll figure out an alternative method of distribution.

Anil Prasad
wcsanil@ccs.carleton.ca
From: chrisley@oxford.ac.uk (Ronald L Chrisley)
Newsgroups: alt.music.progressive
Subject: Re: Question about Jobson
Date: 26 Jan 93 17:40:11 GMT
	<1993Jan21.203536.28331@leland.Stanford.EDU> <106145@netnews.upenn.edu>
Organization: School of Cognitive & Computing Sciences, Univ. of Sussex
In-reply-to: jarnot@kin.lap.upenn.edu's message of 22 Jan 93 04:23:28 GMT

In article <106145@netnews.upenn.edu> jarnot@kin.lap.upenn.edu (Kevin J. Jarnot) writes:


   > For one thing, he did a solo album called "Zinc" which I happen to really like.


   Agreed!  One of the finest albums to come out of the 80's.

Agreed!

   Funny
   thing, I remember skipping classes one day and caught an interview
   between J.J. Jackson and Jobson on MTV!  They then went on to show the
   video for "Turn it Over".

I must get this interview on tape!  Does anyone have it?

   BTW, I believe the albums's name is "The Green Album", and his backup
   band's name was Zinc...

   BTW (again), whatever happened to the "Pink Album".  Remember, "Green is now,
   and Pink is next"...

Listen to reason...

   The album was "Theme of Secrets" released on the Private Music label.
   Very moody album composed and performed completely on the Synclavier
   music system (my next synth....someday... ;-(  I like it quite a bit.
   He also performed two piano pieces on "Piano One", also on Private
   Music.  

Don't forget the Korg sampler that just came out!  He also has been
doing some jingles...

And he played violin on Bruford's One of a Kind album.
--
Ronald L. Chrisley  ronc@cogs.susx.ac.uk
COGS, University of Sussex
Falmer, Brighton, BN1 9QH, UK
From: sjames@adam.adelaide.edu.au (S James)
Newsgroups: alt.music.progressive
Subject: Not Drowning Waving - New Release Soon
Date: 26 Jan 93 06:18:45 GMT
Organization: The University of Adelaide
Distribution: world
NNTP-Posting-Host: adam.adelaide.edu.au
Summary: New Release soon for Not Drowning Waving
Keywords: Not Drowning Waving

Here in Australia there was a 1hr documentary on Not Drowning Waving
the other night. It mentioned at the end that there is a new CD to be
released next mont called Circus.
More information as it comes to hand.

Steve James
sjames@adam.adelaide.edu.au

Newsgroups: alt.music.progressive
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: MORE Djam Karet News
Organization: Wind River Systems, Inc.
Date: Sat, 23 Jan 1993 18:49:20 GMT

wcsanil@superior.carleton.ca (Anil Prasad) writes:
>- The new studio CD will feature the following players along
>with the band:

>KIT WATKINS!!!!!!!!!!!!!!!
>Steve Roach
>Jeff Greinke

Wow! The first two don't surprise me as much as seeing Grienke's name here. 
For those unfamiliar, Jeff works in ambient/industrial stuff that's
pretty much on a par with Jon Hassell and Brian Eno. He used to be in a band
called the Metaphonics that used found metal percussion and costumes, but
overall he's mostly done solo work, and though he lives in Seattle almost
all of his releases except his first and his most recent are all not
released in the USA but instead are found on German and Swiss labels. 
Though I haven't kept up much, I've know Jeff since we dj'ed at the 
same station back in 1980 or so, a few years before he started releasing
his own music. I'm very surprised to see he'll work with Djam Karet, 
and personally I think Jeff's ambient works are much more interesting
than the Djam Karet work on Suspension and Displacement. I'm very curious
to hear what this sounds like. BTW, I have discographies of Greinke and
Hassell if anyone is interested.

  - Malcolm
From: Brian.K.Sward@dartmouth.edu (Brian K. Sward)
Newsgroups: alt.music.progressive
Subject: King Crimson and Rush
Date: 25 Jan 93 20:45:13 GMT
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0b1@newshost.dartmouth.edu


I've been into Progressive Rock for about five years now, and my tastes
are quickly expanding.  It all started when a friend got me into both
Rush and Yes.  Between the two bands I have over 20 CD's.  Within the
last year, I've acquired a large number of King Crimson albums, and
when the local music shop had a 20% off sale, I grabbed a copy of _The
Great Deciever_ for just $51.

After listening to the boxed set for over four hours, I poped on
_Caress of Steel_.  When It got to "The Necromancer," I wasn't paying
attention, and suddenly realized that it sounded ALMOST EXACTLY like
Wetton-era Crimson (except Geddy's voice).  Has anyone else noticed
this, or am I just going crazy?

Brian

brian.sward@dartmouth.edu

PS- On a totally different note, have any of the Starcastle albums
besides the first made it to CD?  If you're a fan of Yes, you've got to
at least hear them.
From: cs163wel@sdcc8.ucsd.edu (Paolo Valladolid)
Newsgroups: alt.music.progressive
Subject: Re: Bruford video
Date: 23 Jan 93 23:21:17 GMT
Organization: University of California, San Diego

I highly recommend this video to all musicians, even non-drummers.
Bruford explains, among many other things, how he fits odd-meter
rhythms over a straight 8th note beat.  There are many awesome
demonstrations of Bruford soloing, creating multi-drum arrangements,
etc. Also included are interviews of Steve Howe and Robert Fripp
talking about their experiences working with Bruford. Bruford also
explains how he developed his drum part for the song "Discipline". 
	The King Crimson footage shows the band performing this song
live in the studio, thus disproving that Fripp or Adrian were using
delay units for certain parts of the song (their guitars interlocked
so tightly that my friend and I thought they were using delays!).

Happy viewing,
PaolO
From: borella@cs.ucdavis.edu (Mike Borella)
Newsgroups: alt.music.progressive
Subject: An info-address for ProgFest '93
Date: 25 Jan 1993 00:40:38 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


Progfest '93
PO Box 3162
Burbank CA 91508


Write for ticket info, hotel accomodations, etc.  Looks like its
happening on May 29th & 30th.

-Mike
From: chrisley@oxford.ac.uk (Ronald L Chrisley)
Newsgroups: alt.music.progressive
Subject: Re: Question about Jobson
Date: 26 Jan 93 17:27:23 GMT
	<1993Jan22.154603.26601@news.vanderbilt.edu>
Organization: School of Cognitive & Computing Sciences, Univ. of Sussex
In-reply-to: talbert@athena.cas.vanderbilt.edu's message of 22 Jan 93 15:46:03 GMT

In article <1993Jan22.154603.26601@news.vanderbilt.edu> talbert@athena.cas.vanderbilt.edu (Robert Talbert) writes:


   In article <1993Jan22.085043.15307@daimi.aau.dk> etcetera@daimi.aau.dk (Frank Carvalho) writes:
   >waleed@sun14.vlsi.uwaterloo.ca (Fakhr M. Waleed) writes:
   >
   >>Excuse my ignorance, what did Jobson do after UK? 
   >>and are any of these works worth buying?
   >
   >Yes, he went to play in Jethro Tull on `A`. This record was not intended as
   >a JT album in the first place - but it turned out to become so.
   >Then my JT booklet from '20 years of JT' claims that he was in Yes briefly 
   >in June 1983. However, he never recorded with them I think.

Actually, he did a bunch of studio work with them during the Cinema (pre-90125,
   barely-pre-Jon Anderson period),

I don't mean to be rude, but do you have any evidence to back this up?
I know that some people were circulating a Cinema demos tape that
"credits" him on keys, but that's not him!

    although most of the keys work was redone 
   by Tony Kaye (I think that's true, anyway). If you look closely at the video
   for "Owner of a Lonely Heart", Jobson is in it! They don't show him close up,
   but on that first synth-horn hit at the beginning of the song, you can see 
   him in the background kind of jumping up, just for about a half second. They 
   also show him from behind towards the end, when they're all on top of that 
   building. 

Yes, Jobson was added AFTER the making of the album, but before the
video & tour, since Kaye had a tour conflict (Badfinger!).  But Rabin
ruptured his spleen in a freak accident (Spinal Tap or what?), so the
tour was delayed long enough for <sigh> Kaye to return...

      Also, I think he may have done the violin-sounding riffs on "Leave It", 
   but I don't know for sure. 

Is this just speculation?

--
Ronald L. Chrisley  ronc@cogs.susx.ac.uk
COGS, University of Sussex
Falmer, Brighton, BN1 9QH, UK
From: cdpert01@ulkyvx.louisville.edu
Newsgroups: alt.music.progressive
Subject: Re: Asia Second Leg USA
Date: 27 Jan 93 15:18:20 GMT
Organization: University of Louisville

In article <1993Jan23.161808.16206@jarvis.csri.toronto.edu>, marwood@csri.toronto.edu (Simon J. Marwood) writes:
> However, according to Asia fan club prez Michael Stollery, Howe is
> required under contractual obligation to appear at every date on the
> NA Asia tour as "special guest". Especially as Howe intends to be *the*
> guitarist from now on, it follows that he would complete the tour
> anyway.
> 
     Is it a "done deal" that Howe will be the Asia guitarist?  Also,
will Howe be the only Asia guitarist (i.e. will Vinny Burns get the
ax)?  I hope so -- it was difficult to appreciate Howe's finesse
(during the first-leg Asia shows) when he was being drowned out often
by Burns heavily-distorted riffs.
 
     C. Perttunen
From: greg@cybernet.cse.fau.edu (Greg severine)
Newsgroups: alt.music.progressive
Subject: Dixie Dregs "Industry Standard" out on CD
Date: 27 Jan 93 06:33:12 GMT
Organization: Cybernet BBS, Boca Raton, Florida

Yes, you read it correct.  This is finally out.  Unfortunately it is
out on CD in Japan, not the US.  I saw it advertised while reading the
latest issue of Goldmine.  I wonder if it'll ever come out in the US,
but I know I'm not taking any chances, I'm ordering it tomorrow...
From: bt979@cleveland.Freenet.Edu (Jeff Preston)
Newsgroups: alt.music.progressive
Subject: Re: Question about Jobson
Date: 25 Jan 93 17:42:52 GMT
Reply-To: bt979@cleveland.Freenet.Edu (Jeff Preston)
Organization: Case Western Reserve University, Cleveland, OH (USA)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, narpet@cs.mcgill.ca (Greg WARD) says:

>And now the part you're REALLY going to hate me for is that I wasn't
>really all that impressed by *Zinc*.  (Or The Green Album, or whatever

  Oh, hate is the wrong word... in fact, I sympathize with you. I don't
think this is a desert island disc by any means, althought I might give
it slightly higher marks than you did. I agree completely that whole 
parts of it are damn boring ("Easy For You To Say" is one title which
pops immediately to mind in this catagory). But all in all, it's a 
pretty decent album. I doubt that anyone would consider it a better
work than _U.K._, but still, it's decent.

  Jeff

-- 
| Jeff Preston - owner and moderator of | "We don't  get  many requests |
| the  Allan Holdsworth discussion list |  for recent history."  -- Mr. |
| *** To subscribe, send e-mail to: *** |  Atoz, from the '69 Star Trek |
| <atavachron@morekypr.morehead-st.edu> |  episode _All Our Yesterdays_ |
Newsgroups: alt.music.progressive
From: ekl35091@uxa.cso.uiuc.edu (larkin erik keith)
Subject: Midwestern Prog
Organization: University of Illinois at Urbana
Date: Fri, 22 Jan 1993 05:09:33 GMT

To David Hartlage and all those interested.

The article by David Hartlage stated that in the Illinois Entertainer
Animator was listed as a Rush tribute band.  I beleive he is confusing
Animator with Animation.  Animation is a Rush tribute band (Three piece
and all).  Animator covers a few Rush tunes but can hardly be called
a tribute band.  As i recall when Animator was reviewed in the IL Ent.
they didn't even seem to like the genre,  i beleive the first line of 
the article read "is progressive rock dead?  Not with Animator around
though it should be..." or something along those lines.  Anyway it
didn't seem as though the IL. Entertainer cared much for progressive
rock.

						 R. Marc Phillips
						 Animator Psuedo-mang.

Newsgroups: alt.music.progressive
From: fineston@pop.cis.yale.edu (Jason Finestone)
Subject: Re: Would I like ELP?
Followup-To: alt.music.progressive
Organization: Earl's Comfort Station
Date: Thu, 28 Jan 1993 02:31:34 GMT

In article <C1Ivxn.z3@mentor.cc.purdue.edu>, zaphod@sage.cc.purdue.edu
(Majikthise) wrote:
> 
> I'm a really *BIG* Yes fan.  So would I like Emerson, Lake and Palmer?
> What about King Crimson and the other big ones?  All I've heard of 
> progressive music is Yes, Genesis, and Rush (I don't like Rush all that much.)
> 
> 				Thanks,
> 					Majikthise

  I am a big Yes fan, and I also love ELP and KC.  I would highly suggest
both.  ELP leans toward the keyboard oriented sound, "similar" to Wakeman's
work with Yes, with very little guitar in most of their stuff (all studio
guitar solos are played by keyboard for live concerts).  The fact that they
are a trio, however, gives them a tight, sometimes sparse sound such as
Rush. 
  King Crimson is different through its incarnations.  The first couple are
very "psychedelic" ensemble pieces, the 73-74 trio sounds a little bit like
Rushbut a lot more like Primusand the eighties group is, most likely,
unlike anything you've heard before (unless you've heard Fripp's work with
Andy Summers or Adrian Belew's solo albums).  Anyway, both are great, and
you should love them.

*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*
o      Earls                                                              
  o
o     * COMFORT                              Jason Finestone               
  o
*     * STATION|\                            Yale University               
  *
o      ***********                       fineston@pop.cis.yale.edu         
  o
o          ||  |/                                                          
  o
*          ||                                                              
  *
*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*oo*
Newsgroups: alt.music.progressive
From: d90eridy@odalix.ida.liu.se (Erik Dyrelius)
Subject: Sting progressive?
Organization: CIS Dept, Univ of Linkoping, Sweden
Date: Wed, 20 Jan 1993 22:12:31 GMT

Hi!
Just a short question (no need to follow it up like the Kansas question)
in your opinions would an artist like Sting qualify as progressive?
His ability to write varying music and his excellent musicians suggest that.
On Dream of the Blue Turtles he mixes all kind of music and has got some
rather nice arrs. (I heard that the title track got nominated for some
kind of Jazz award, anyone know?)

	/Erik
From: jeanthea@oasys.dt.navy.mil (Mark Jeantheau)
Newsgroups: alt.music.progressive
Subject: Tape Swaps - Early Pink Floyd
Date: 26 Jan 93 03:05:58 GMT
Reply-To: jeanthea@oasys.dt.navy.mil (Mark Jeantheau)
Distribution: usa
Organization: Carderock Division, NSWC, Bethesda, MD

I just finished making 2 C-60's worth of a mix of early Pink Floyd stuff.
My goal was to recombine the tracks into more homogenous sides, as well
as to eliminate some of the truly bizarre (and boring) stuff.  Two tapes
cover most of "The Piper at the Gates of Dawn," "A Saucerful of Secrets,"
"Relics," and a couple of tracks from "Ummagumma."  The tapes were made
from records that are in good--though not perfect--shape.

My tape deck can record two tapes at once, so I now have a spare set of
these tapes.  I'm interested in trading them for tapes of something
I don't have.  I have most mainstream art rock (progressive rock), but
I'm sure I'm missing a lot of good stuff.

Respond via e-mail if interested.

** Mark **

-----
jeanthea@oasys.dt.navy.mil // Mark Jeantheau // (202) 227-3562 // U.S. Navy
Naval Surface Warfare Center, Carderock Div. // Code 1401 // Bethesda MD 20084
-----
Opinions expressed herein blah blah blah... [Standard disclaimer.]
-----
Newsgroups: alt.music.progressive
From: kellyj@leland.Stanford.EDU (Kelly Johnson)
Subject: Re: Question about Jobson
Organization: DSG, Stanford University, CA 94305, USA
Date: Thu, 21 Jan 93 20:35:36 GMT

In article <C17ryp.4vJ@sun3.vlsi.uwaterloo.ca> waleed@sun14.vlsi.uwaterloo.ca (Fakhr M. Waleed) writes:
>Excuse my ignorance, what did Jobson do after UK? 
>and are any of these works worth buying?
>
>Thanks alot
>Waleed

For one thing, he did a solo album called "Zinc" which I happen to really like.
It contains alot of stuff that still showcases his electric violin instead of
just keyboards.  I think it's probably hard to find these days though.  I have
it on vinyl.  Later, he did solo work on a "New Age" type of label.  He doesn't
seem to use the violin much anymore (correct me anyone if I'm wrong).  

Newsgroups: alt.music.progressive
From: battlec@cs.rpi.edu (Clark Battle)
Subject: Re: Hackett-unauth bio
Date: Thu, 28 Jan 1993 18:46:43 GMT

also... Emmett Chapman (the inventor of the stick) was tapping jazz on his guitar
in clubs in the early 60's.  I'm sure there are other examples as well be neither
eddie nor steve howe invented it.
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: Djam Karet as a 3 piece
Organization: Wind River Systems, Inc.
Date: Tue, 26 Jan 1993 16:33:06 GMT

borella@cs.ucdavis.edu (Mike Borella) writes:
>>i heard from mclatchey that mike henderson has left Djam
>>Karet. anyone else heard this, or know if it is true?

>Yes, it is.  If you don't believe Mike McLatchey (and you shouldn't since
>he makes up at least half of those supposedly "obscure" bands he raves
>about :-) Hi Mike!) it is also reported in I/E.

>This is at least part of the reason they're working w/Watkins, Roach, etc.

I thought what Mike (or someone else?) told me was that Henderson was
perhaps still going to work with the band, but not full time any longer,
at least some contexts. Has the situation perhaps changed since the last 
I heard on it? 

Any chance Henderson be playing live with the band this summer at the L.A.
progfest?

  - Malcolm                                
Newsgroups: alt.music.progressive
From: talbert@athena.cas.vanderbilt.edu (Robert Talbert)
Subject: Re: Question about Jobson
Organization: Vanderbilt University Mathematics Department
Date: Fri, 22 Jan 1993 15:46:03 GMT

In article <1993Jan22.085043.15307@daimi.aau.dk> etcetera@daimi.aau.dk (Frank Carvalho) writes:
>waleed@sun14.vlsi.uwaterloo.ca (Fakhr M. Waleed) writes:
>
>>Excuse my ignorance, what did Jobson do after UK? 
>>and are any of these works worth buying?
>
>Yes, he went to play in Jethro Tull on `A`. This record was not intended as
>a JT album in the first place - but it turned out to become so.
>Then my JT booklet from '20 years of JT' claims that he was in Yes briefly 
>in June 1983. However, he never recorded with them I think.

Actually, he did a bunch of studio work with them during the Cinema (pre-90125,
barely-pre-Jon Anderson period), although most of the keys work was redone 
by Tony Kaye (I think that's true, anyway). If you look closely at the video
for "Owner of a Lonely Heart", Jobson is in it! They don't show him close up,
but on that first synth-horn hit at the beginning of the song, you can see 
him in the background kind of jumping up, just for about a half second. They 
also show him from behind towards the end, when they're all on top of that 
building. 
   Also, I think he may have done the violin-sounding riffs on "Leave It", 
but I don't know for sure. 

-- Robert



--
Robert N. Talbert    		  | "I saw what cannot be seen
Mathematics Department  	  |  She spoke to me
Vanderbilt University		  |  'Take what you've learned, set it free
talbert@athena.cas.vanderbilt.edu |   See what you'll see.' " --- King's X
Newsgroups: alt.music.progressive
From: malcolm@wrs.com (Malcolm Humes)
Subject: Kevin Ayers/Daevid Allen US tour info
Organization: Wind River Systems, Inc.
Date: Thu, 21 Jan 1993 22:50:54 GMT


Here's the latest info on plans for Kevin Ayer's US tour and the Daevid 
Allen tour following that.

Few or no venue info was offered. Look for local ads around that
time and/or email me if you need to track it down and haven't heard yet.
But UI have to call long distance to verify so I probably won't do that until 
just before the gigs. 
 
Kevin Ayers tour:

2/18 Denver
2/20 San Francisco
2/22 Kansas City
2/24 Rochester NY
2/25 and 2/26 Toronto
2/27 Cleveland
2/28 Detriot
3/2  Waterbury, CT
Friday 3/5  Hoboken, NJ 
Saturday 3/6  Baltimore (unconfirmed)
Sunday  3/7 Los Angeles at McCabe's Guitar Galklery

Seattle, Portland, NY and Boston are not yet confirmed. 

Kevin should be touring with one or two other folks playing with him. 
Probably mostly acoustic guitar stuff, maybe some old classic Soft Machine
tunes? 

Daevid Allen  Tour  March  3- April 3: 
========================================
March 3, San Francisco, at the Kennel Club
Seattle 12th or 13th with art exhibit of gong related paintings
3/19 Denver
3/21 Detroit
3/23 Kansas City
3/24 Rochester
Thursday 3/25 Toronto   
Saturday 3/27 Cleveland
Saturday 4/3  WashingtonDC

more dates expected to be added. 

Daevid will tour with a couple of folks, probably Mark from the Magic Brothers
and someone else. I think Graham can't make it this time. 

The new Shapeshifter release is sold out already, with only a small run
of some 2000 copies pressed, and apparently few or none made it to the US. 
A second pressing might happen, and maybe even some US licensing, which seems
unlikely. 

  - Malcolm
From: ak999@cleveland.Freenet.Edu (Susan Davis)
Newsgroups: alt.music.progressive
Subject: YES: Ritual != To Be Over
Date: 21 Jan 1993 15:55:53 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: ak999@cleveland.Freenet.Edu (Susan Davis)
NNTP-Posting-Host: slc10.ins.cwru.edu


In <MARKG.93Jan11172709@rigel.cs.pdx.edu> markg@rigel.cs.pdx.edu (Mark Gay) writes:
>
>I'm not sure if it's what you're talking about (it's been awhile since I've 
>given relayer a spin...)  but I seem to remember hearing what I though were 
>the words "nous somme du soleil", which would mean, "we are of the sun" in 
>french.  (of course I could be totaly wrong, and pardon my french if I didn't
>spell or translate something right). 

"Nous Sommes du Soleil" comes from "Ritual", which is movement 4 of
_Tales_From_Topographic_Oceans_.  The song in question is "To Be Over",
which is the third and final song on _Relayer_.

-- Sue --

(I would notice this question just *after* changing my .sig from "Ritual"
to "Winter"....)

-- 
Susan Davis <ak999@cleveland.freenet.edu> mirror, mirror, where's the crystal 
palace but I can only see myself SKATING around the truth who I am but I know 
dad says when you gonna make up your mind cause things are gonna CHANGE so fast
From: rogoff@netcom.com (Carolyn Rogoff David Rogoff)
Newsgroups: alt.music.progressive
Subject: Re: Where do I get these obscurities?! (was: If I like King Crimson..)
Date: 27 Jan 93 16:47:18 GMT
Organization: Netcom - Online Communication Services (408 241-9760 guest)

The best store that I've found for progressive stuff is Round Sounds
in Redondo Beack (near L.A.)  It's a small store that is almost all
progressive stuff including lots of imports.  They do mail/phone order:

 (310-316-0078)  [Round Sounds] 1219 So PCH, Redondo Beach, CA 90277 

Tell Ed where you heard about it!!


David

p.s.- He has really good prices too.
-- 
Carolyn & David Rogoff
  rogoff@netcom.com
    Synthesizers, birds, armour, OS/2 etc.
Newsgroups: alt.music.progressive