HDTenEightyP/NetNews huggingface dataset:
From: jul@iesd.auc.dk (Thomas Jul Jensen)
Newsgroups: rec.music.bluenote
Subject: Re: Buddy Rich
Date: 14 Sep 92 08:10:41 GMT
Organization: Mathematics and Computer Science, Aalborg University
Bcc: jul

In article <1992Sep11.151640.7930@alf.uib.no> s310@brems.ii.uib.no (Chris Tveit) writes:

   I have recently found out what a great drummer Buddy Rich was, and
   what great bands he put together.
   I now need some recomandations on his albums.

   What are the best albums availeble from Buddy.

   I do like his older stuff, the hard-swinging/hard-driving BigBand-jazz, better
   than the later funky (too much guitar-sound) jazz.

   So give me your favorite list.

In my opinion you should try getting the album titled 

		Play, Play, Play

That's the best Buddy Rich album I have heard. On the cover, it has got
a little boy in sailors dress, playing a drum.

Unfortunately that's all the information I can give you, as I have
lost the record when moving out from the place I lived before. *:-( 
I have not been able to find the album again and do not even know if
it is printed anymore. From your description, that might be one of the
albums you are looking for. It is definitely not one of his new ones.

Good luck hunting!


- jul 

  (jul@iesd.auc.dk)
From: doucet@ripolin.laas.fr (Jean-Etienne Doucet)
Newsgroups: rec.music.bluenote
Subject: Re: Ornette Coleman
Date: 14 Sep 92 09:21:18 GMT
Reply-To: doucet@laas.laas.fr
Organization: LAAS-CNRS, Toulouse (France)


In article 92Sep11143355@kariba.bbn.com, rshapiro@bbn.com (Richard Shapiro) writes:
>	[some very good stuff deleted...]
>less swinging. My two favorites? CHAPPAQUA SUITE and LIVE AT THE
>GOLDEN CIRCLE.
>	[more of even better stuff deleted...]

Talking about CHAPPAQUA SUITE, does anyone know it it has been (or will soon be)
reissued ? My '67 vinyl records tend to become less and less audible...
Although Sony/CBS do reissue most of this time records (all Monks, almost all Miles...)
I've never seen Chappaqua in the stores.

Thanks for any info, good or bad...

	+-------------------------+-------------------------+
	|   Jean-Etienne DOUCET   |       LAAS - CNRS       |
	|   doucet@laas.laas.fr   |   Toulouse     FRANCE   |
	+-------------------------+-------------------------+
	|     excuse bad english: I'm still learning it     |
	|              (bad english, that is)               |
	+---------------------------------------------------+
Newsgroups: rec.music.bluenote
From: loon@underdog.ee.wits.ac.za (LOON M J)
Subject: Re: Hugh Masekela (was Two of my current favourites
Organization: Wits Electrical Engineering (Undergrads).
Date: Sat, 12 Sep 1992 20:51:12 GMT

In article <1992Sep9.013209.19690@udel.edu> gallo@almira.asel.udel.edu (Andy Gallo) writes:
>RE: Hugh Masekela 
>        About his love life - I had no idea he was married to Miriam.
>To me, Miriam's most famous lover was Stokley Charmichael(sp?), who's
>famous quote in the 1960s was that the position of women in the civil
>rights movement was "prone".

>>-----------------------------------------------------------------------------<
>> Andy Gallo   | gallo@asel.udel.edu  | U. of Delaware/Applied Sci & Eng Labs <
>>-----------------------------------------------------------------------------<
>>     Come wash the nighttime clean, come grow the scorched ground green.     <
>>-----------------------------------------------------------------------------<


I had no idea either! 
Glad he's it in the world! He deserves it.

--
Marc Loon <loon@underdog.ee.wits.ac.za>
Student No: 8807871/X
Elec Eng. University of the Witwatersrand
Johannesburg

Conversation: a voice competition between two people
in which the one taking a breath is called the listener.
Newsgroups: rec.music.bluenote
From: hsu@sp1.csrd.uiuc.edu (William Tsun-Yuk Hsu)
Subject: Re: Cecil on FMP
Organization: UIUC Center for Supercomputing Research and Development
Date: Wed, 9 Sep 92 20:23:11 GMT

jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas) writes:

>Is there a 12-cd box set including all the cds that have
>been released separately documenting Cecil's stay
>in Berlin in '88?  On FMP, of course.  

Yup. The whole set was called Berlin 88, I think. If you got the whole
set initially, you get this (reportedly) nifty booklet with lots of
great photos and notes. Glenn Lea has a copy of this.

>Someone has
>told me there is and that there is an an extra cd that
>wasn't released individually.

I think the extra CD is the "student orchestra" CD, that's not supposed
to be that great.

>How is the Cecil/Parker/Hosinger (sp?) trio cd also?

This is part of the Berlin set. It's the first one I picked up (I've also
heard the awesome European Orchestra 2-CD date, the duet with Derek Bailey,
and the solo). I'd put it in my top 8 or so Cecil recordings. It doesn't
all work, but there's a lot of tasty interplay and just generally hot
playing from all 3 musicians. Highly recommended.

I wish my copy wasn't languishing in a crate in a warehouse :-(

Bill, who will be posting about that Derek Bailey concert Real Soon Now


Newsgroups: rec.music.bluenote
From: bulm2533@hgc.edu (steven bulmer)
Subject: Happy Birthday 
Organization: The Hartford Graduate Center
Date: Tue, 15 Sep 1992 15:45:48 GMT

Birthday thoughts to Cannonball Adderly, born this day in 1928.

-Steve
From: pierccm@wkuvx1.bitnet
Newsgroups: rec.music.bluenote
Subject: Help on Harmonica
Date: 8 Sep 92 12:02:29 CDT
Organization: Western Kentucky University, Bowling Green, KY

Hi!

I'm fairly new to playing the harmonica, but I am really interested in the
Blues.

Does anyone out there play, be willing to converse via e-mail, or just have 
any tips in general?

Thanks,

Chris
From: tygar+@cs.cmu.edu (Doug Tygar)
Newsgroups: rec.music.bluenote
Subject: Wendy Carlos Blindfold Test
Date: 11 Sep 92 21:15:38 GMT
Organization: School of Computer Science, Carnegie Mellon

There is an absolutely hilarious blindfold test of Wendy Carlos
(synthesizer musician of ``Switched on Bach'' fame) in October's Downbeat.
She fails to identify playing by Sun Ra, Jan Hammer, Joe Zawinul, Frank Zappa,
and Keith Jarrett.  She guesses that a Lou Harrison gamelan piece might
be by Harrison, but is quite vague.  I've never seen a worse performance
published in Downbeat.

The funniest portion is when she fails to identify Bach's Goldberg
variations!  She says that she thinks it is by Scarlatti.

John Diliberto makes a point of referring to Switched on Bach as 
``S-O B'' in his description of Carlos's work.
From: rshapiro@bbn.com (Richard Shapiro)
Newsgroups: rec.music.bluenote
Subject: Sunny Murray
Date: 11 Sep 92 18:49:18 GMT
Organization: BBN, Cambridge MA
NNTP-Posting-Host: kariba.bbn.com
In-reply-to: saul+@pitt.edu's message of 11 Sep 92 18:16:11 GMT

In article <5748@blue.cis.pitt.edu.UUCP> saul+@pitt.edu (Alan B Saul) writes:
   >> rshapiro@bbn.com (Richard Shapiro):
   >> According to the liner notes, Murray's first record under his own name
   >> features Albert Ayler and Don Cherry

   I don't have this either, but remember it from around 1970.
   This along with other Aylers and Ras were some of the fine ESPs of that era.



Just to clear up a possible misunderstanding: the *first* Sunny Murray
record, the one with Ayler, Cherry and LeRoi Jones (as he was known at
the time), was not on ESP and is not currently available in any form,
so far as I know. It's the second one that was on ESP, and this one
has recently been reissued on cd by ZYX. The respective recording
dates are 1965 and 1966.

rs
From: mjs@hpfcso.FC.HP.COM (Marc Sabatella)
Date: Fri, 11 Sep 1992 19:34:45 GMT
Subject: Re: Abdullah Ibrahim (was Re: Hugh Masekela)
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.bluenote

In rec.music.bluenote, milo@cbnews.cb.att.com (guy.f.klose) writes:

> In article <1992Sep4.170222.21146@u.washington.edu>, clements@milton.u.washington.edu (Steve Clements) writes:
> > Abdullah Ibrahim comes to mind. Same ballpark, not surprisingly.
>  
> I've been on an Abdullah Ibrahim kick lately...one reason is that a guy I
> study with is also on an Abdullah kick, so we do lots of Abdullah's tunes.

An interesting (to me, anyhow) sidelight is that the "gospel-ish" arrangement
of "Twinkle, Twinkle, Little Star" I posted a while ago was actually inspired
by Ibrahim's playing, such as on "Blues For A Hip King" from "African Dawn",
the only one of his albums I have (I know, I need more).  When I told Hugh
(Ragin) this, he said "then it can't be gospel - Abdullah is a Muslim".  Duh.
Anyhow, he had already figured out it wasn't *real* gospel - the progression
was a little too complex.

Most of what I've heard from Ibrahim is in the style of the solo "African
Dawn", which I like very much.  Very few artists with careers as long as his
are so consistent, so I can't help feeling there must be more sides to his
playing than this.  Could someone post some sort of breakdown of his career
and albums?  I want more of what I already have ("African Dawn"), plus I want
to check out what else he has done.

-------------------------------------------------------------------------------
Marc Sabatella           Winner, 1992 First Annual Bill Evans Lookalike Contest
marc@hpmonk.fc.hp.com
Newsgroups: rec.music.bluenote
From: stovall@ficus.cs.ucla.edu (Steven Stovall)
Subject: Hendrix At Maui
Organization: UCLA, Computer Science Department
Date:  9 Sep 92 00:39:04 GMT

I discovered a bootleg in 1971 (or thereabouts) of a Hendrix sound-check/
concert recorded during the filming of Rainbow Bridge. At the beginning
there is a cornball intro with some surf-idiot extolling the praises of
"Jimi Hendrix, guitar genius." But underneath the voice-over is the most
amazing version of the instrumental lead-in to "Hey Baby" ever recorded.
In fact, there are several unknown instrumentals that are astonishing,
as well as excellent versions of "Red House" and "Hear My Train A Comin."

I last saw a vinyl copy of this record in SoHo in 1986. Has anyone seen
it anywhere, heard it, or heard of a CD??

_______________________________________________________________________________

steven stovall
stovall@exeter.cs.ucla.edu
(310) 825-7307
From: mjs@hpfcso.FC.HP.COM (Marc Sabatella)
Date: Mon, 14 Sep 1992 20:26:49 GMT
Subject: Re: Re: Joe Henderson trio
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.bluenote

> According to TV listings, he is scheduled to be on Leno on Tuesday
> night.  If it is a trio, then it is likely to be Ron Carter and Al
> Foster.  (Althought it has also been Charlie Haden)

Did anyone see it?  A friend who is bass player absolutely loved the bass
player, and from the description he gave, my best guess is Dave Holland.
Damn.  I need to start watching that show more often.

-------------------------------------------------------------------------------
Marc Sabatella           Winner, 1992 First Annual Bill Evans Lookalike Contest
marc@hpmonk.fc.hp.com
Newsgroups: rec.music.bluenote
From: gthomas@unixg.ubc.ca (Guy R Thomas)
Subject: Re: Bobby McFerrin
Organization: University of British Columbia, Vancouver, B.C., Canada
Date: Wed, 16 Sep 1992 04:06:44 GMT

In <malcolm.716571740@wrs.com> malcolm@wrs.com (Malcolm Humes) writes:

>Any opinions on the collaboration between McFerrin and Cellist Yo Yo Ma? I 
>saw a brief tv segment of these guys together and it was very strange. I'm 
>curious what the release is like.

> - Malcolm
I heard a cut off that album on the radio the other weekend and it was 
spellbinding!  If I ever get any loose money I will definitly pick up the 
album.  (Hell I might not eat next week to get it!)

Guy
gthomas@unixg.ubc.ca

Newsgroups: rec.music.bluenote
From: goodrich@lynx.larc.nasa.gov (Mike Goodrich)
Subject: Re: Buddy Rich
Organization: NASA Langley Research Center, Hampton, VA  USA
Date: Tue, 15 Sep 1992 16:13:28 GMT


I have the 'Big Swing Face' LP and like it quite a lot. It has Ernie Watts
among others featured...


...mike
Newsgroups: rec.music.bluenote
From: chuck@spectrum.cs.unsw.oz.au (Mark Andrew Hawling)
Subject: Re: Hendrix At Maui
Reply-To: chuck@spectrum.cs.unsw.oz.au (Mark Andrew Hawling)
Organization: none
Date: Wed, 9 Sep 1992 04:36:52 GMT

In article <stovall.715999144@ficus.cs.ucla.edu> stovall@ficus.cs.ucla.edu (Steven Stovall) writes:
>I discovered a bootleg in 1971 (or thereabouts) of a Hendrix sound-check/
>concert recorded during the filming of Rainbow Bridge. At the beginning
>there is a cornball intro with some surf-idiot extolling the praises of
>"Jimi Hendrix, guitar genius." But underneath the voice-over is the most
>amazing version of the instrumental lead-in to "Hey Baby" ever recorded.
>In fact, there are several unknown instrumentals that are astonishing,
>as well as excellent versions of "Red House" and "Hear My Train A Comin."
>
>I last saw a vinyl copy of this record in SoHo in 1986. Has anyone seen
>it anywhere, heard it, or heard of a CD??

There are several releases from these Rainbow Bridge shows, but most recently
there have been the two Swinging Pig releases of the two shows Hendrix played
(the recordings aren't from the soundcheck). These are called, I think
"Last American Concert VolI" and "Last American Concert VolII". The first one
is the first show (where Hendrix is very stoned and sloppy) where they play
numbers such as Voodoo Chile, Purple Haze, Hey Baby/In From the Storm, Hear My Train,
Foxey Lady, Stone Free. The second one is the second show and is excellent. Here he
plays his Flying V and plays Dolly Dagger/Instrumental Solo, Red House, Jam Back
at the House, Straight AHead, Hey Baby/Midnight Lightn', Freedom and Ezy Ryder.

The swinging pig releases have been No-Noised and are very good quality. Tracks have
appeared also on records such as "Can't Use My Name" and "Incident at Rainbow Bridge".
Badly edited footage from the first show appears in the film Rainbow Bridge for about
20mins. DO NOT BUY this video because it is crap, but it is worth trying to borrow 
and have a look at.

mark
Newsgroups: rec.music.bluenote
From: rdr@panix.com (Reuben Radding)
Subject: Re: Shipp
Date: Sat, 12 Sep 1992 05:08:21 GMT
Organization: Doc Porter's Thrills Show

Hey guys, just looked at the new issue of Downbeat,
and there's a profile of Shipp with a mention that he has
a new one out called "Pieces" on Silkheart. Happy hunting.
Right after I finished reading the article I ran into
Shipp himself. Life is weird like that!

 
-- 
================================================================
|  Reuben Radding         rdr@panix.com       cmcl2!panix!rdr  |
|==============================================================|
| ******************* Marrou / Lord in 1992 ****************** |
From: exubma@exu.ericsson.se (Bassam Madi)
Newsgroups: rec.music.bluenote
Subject: Pat Metheny Tour Dates
Date: 11 Sep 92 18:12:02 GMT
Reply-To: exubma@exu.ericsson.se (Bassam Madi)
Organization: Ericsson Network Systems

Here is a list of Pat's Tour dates. Thanks to Kevin Stussman
for supplying the info below.


Lineup :  
--------
	        Pat Metheny : Guitars
	  Tortsen de Winkel : Guitars
	      Gil Goldstein : Keyboards 
	        Steve Rodby : Bass
	       Paul Wertico : Drums
	     Armando Marcal : Percussion
	     David Blairmes : Vocals

September:
----------
24 	College of Dupage		Glenn Ellen, IL
25	Univ. Iowa, Hanshire Aud.	Iowa City, IA
26 	Univ. Nebraska, Leeds Ctr.	Lincoln, NE
27	Orchestra Hall			Minneapolis, MN
29 	Paramount			Denver, CO

October
-------
1	Univ. Idaho			Boise, ID
2	Snitzer Aud.			Portland, OR
3	Paramount Theatre		Seattle, WA
4	Queen Eliz. Theatre		Vancouver, BC
5	Hult Centre			Eugene, OR
7	PAC				San Jose, CA
8	Veterans Aud.			Marin, CA
9-11	Warfield Aud.			San Francisco, CA
14	Humphrey's 			San Diego, CA
15-17	Pantages Theatre		Los Angeles, CA
18	Symphony Hall			Scottsdale, AZ
20	Kiva				Albuquerque, NM

November
--------
2-3	Lisner Aud.			Washington, DC
6-7	Royal Oaks Theatre		Detroit, MI
12-14	VIC Theatre			Chicago, IL
25,27,28,29 Beacon Theatre		NY, NY 


I also know that he will play the Majestic Theatre in Dallas on Oct.22.
--
Bassam Madi              |    
Ericsson Network Systems |   How can U soar like an eagle,
exubma@exu.ericsson.se   |   when U are dealing with turkeys??
Ph. (214) 733-4339       | 
Newsgroups: rec.music.bluenote
From: hsmoliar+@cs.cmu.edu (Harold Smoliar)
Subject: Re: harmonica music?
Organization: School of Computer Science, Carnegie Mellon
Date: Tue, 8 Sep 1992 18:44:03 GMT

In article <1992Sep8.150140.28700@eagle.lerc.nasa.gov> gmayhew@sven.lerc.nasa.gov (George Mayhew) writes:
>In article <1992Sep4.164859.1@gallua.gallaudet.edu> rlwilliams@gallua.gallaudet.edu writes:
>>Hi,
>>	any thoughts about good harmonica music artists?  I have cephus and 
>>wiggins' two, going on three albums. It doesn'thave to be compleat 

What about Toots Thielmans? Or have I joined the discussion too late and he was
already mentioned? [sorry, I've been away]


Harold Smoliar
English horn, Pittsburgh Symphony
Piano, Symphony Jazz Trio
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: Ahmad Jamal (& the Crouch)
Organization: Educational Computing Network
Date: Thu, 10 Sep 1992 23:33:40 GMT

In article <SMEHTA.92Sep10134722@kwela.nynexst.Com> smehta@nynexst.com writes:
>Actually, a minor nugget of info that I found interesting and, if
>true, saddening was John Gilmore's allegation in a WIRE interview
>from over a year ago. Apparently, Jamal used to sit in a phone-booth
>outside (or near) the club (DeLisa?) in Chicago when the Arkestra was
>playing and ripped of some tunes that became "hits" for Jamal. Well,

Yes, I seem to remember a Sun Ra interview where Ra claims Jamal made a
million dollars ripping him off.  But hey, what's a million dollars
between friends...

Jeff
Newsgroups: rec.music.bluenote
From: rob@xyzoom.info.com (Rob Lingelbach)
Subject: Re: Pat Metheny on Letterman 9/10
Reply-To: rob@xyzoom.info.com (Rob Lingelbach)
Organization: Altruistic Intentions, Hollywood CA
Date: Sun, 13 Sep 1992 00:01:33 GMT

In article <1992Sep10.051657.17550@jhunix.hcf.jhu.edu> sylve_ge@jhunix.hcf.jhu.edu (Gerald Sylvester) writes:
>
>Pat Metheny will be on 'Late Night with Dave Letterman' on Sept. 10.

If anyone taped this show, and would be willing to lend me the tape, I
would be extremely grateful.  

Regards-

-- 
Rob Lingelbach KB6CUN | 2660 Hollyridge Dr LA CA 90068 213 464 6266 (voice) 
rob@xyzoom.info.com   | "I care not much for a man's religion whose dog or 
robl@netcom.com       |  cat are not the better for it."  --Abraham Lincoln
Xref: sparky rec.music.bluenote:6885 rec.music.folk:6140
From: rholmes@athena.cs.uga.edu (Robb Holmes)
Newsgroups: rec.music.bluenote,rec.music.folk
Subject: Re: Last Train to Clarksville (was Re: train song tape finished)
Date: 9 Sep 92 16:36:02 GMT
Organization: University of Georgia, Athens

In article <92253.082010WAUGH@SLACVM.SLAC.STANFORD.EDU> WAUGH@SLACVM.SLAC.STANFORD.EDU writes:
>I was under the impression that the Clarksville referred to in the Monkees
>first single was an induction center (all you old guys out there, remember the
>draft?) with the singer on his way to military service and perhaps a war zone.

Hmm.  Just when did that record come out, anyway?  Was Clark Clifford still
Secretary of Defense?  Is that how they came up with the equation:
Clarksville = induction center?
From: mjohnson@schaefer.math.wisc.edu (Mark Johnson)
Newsgroups: rec.music.bluenote
Subject: Bill Evans CDs for sale
Date: 9 Sep 92 21:06:47 GMT
Reply-To: mjohnson@math.wisc.edu
Distribution: usa
Organization: Univ. of Wisconsin Dept. of Mathematics

These were posted as part of a longer list in rec.music.marketplace.
Prices include U.S. postage, and are negotiable.  I'd like them to find
good homes.

Bill Evans Trio		at the Village Vanguard $11
			   (not "Sunday at the Village Vanguard")
			Stockholm 1965 (import) $15
			Time to Remember (import Europe 65-72) $12
			In His Own Way (import) $15
			Best of (Verve) (japanese import) $20
			Jazzhouse $10
			Blue in Green $10

Mark Johnson / math.wisc.edu
Newsgroups: rec.music.bluenote
From: kanpm@cs.curtin.edu.au (Philip Kan)
Subject: Different Blues styles
Organization: Curtin University of Technology
Date: Mon, 14 Sep 1992 07:40:41 GMT

Hi, 
	Posted just now was a list of the "top" fifty blues CDs. Al though
I am no-one to comment on what exaclty is great and what is not, what I am
intyerested in is how do you define one blues style from another? 

For instance, different styles of blues exist. Delta Blues, Texas Blues and 
Modern Urban Blues were cited in the post I mentioned. what defines each of
these as unique from one another. The blues is, of course, more than just
a "standard" set of chord changes, but what exactly? And one more thing,
How closely are the blues (any, or all styles) related varying periods of
jazz? As a style of blues developed, did a corresponding jazz style 
come too? or vice versa? 

Any ideas?

Phil.
Still not up on the blues, but trying real hard.

--
----------------------------------------------------------------------------
Phil Kan.	    Xan.| Shaking like a Tree. 
Curtin Uni. Bentley WA  | Rolling like a Log.
Australia		| Shaking an'a Rolling now,
kanp@cs.curtin.edu.au   | And that ain't all.
			| (Stevie Ray Vaughan)
----------------------------------------------------------------------------
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Hal Russell 1926-1992
Organization: Educational Computing Network
Date: Mon, 7 Sep 1992 19:40:29 GMT

Hal Russell, one of Chicago's prominent avant-garde jazz musicians, died
last Saturday (9/5) of a heart attack.  He had just started to get
international recognition, was touring a lot of European festivals, and
has a record out on ECM with his NRG ensemble.  His last major project,
ironically called THE HAL RUSSELL STORY, was performed in Chicago and
across the many summer jazz festivals in Europe.  It was also recorded
in Switzerland, and ECM plans on releasing it next year.

His last gig (I saw it) was at the Hot House in Chicago during the 1st week 
of August with Joel Futterman and Noel Coppersmith, shortly thereafter he 
underwent a quadruple bypass operation.  He appeared to be getting
stronger in the following weeks, but in the end the heart failed.

A graduate from the University of Illinois in 1948, in the 50s he
collaborated with Miles Davis, Woody Herman, Billie Holidy, Sonny
Rollins, and John Coltrane.  His own work is charactarized by high energy 
dissonance, but he also had a keen sense of humor and theatre.  One of his 
projects, "The Surreal Sound Of Music" was a suite dedicated to the cast of 
the Sound of Music, and what became of them.  It was performed while three reels
from the film The Sound Of Music were shown everlapping each other.  
Also was a "Fred", a comic tribute to Fred Astaire.

Jeff
From: sylve_ge@jhunix.hcf.jhu.edu (Gerald Sylvester)
Newsgroups: rec.music.bluenote
Subject: Pat Metheny on Letterman 9/10
Date: 10 Sep 92 05:16:57 GMT
Organization: HAC - Johns Hopkins University, Baltimore


Pat Metheny will be on 'Late Night with Dave Letterman' on Sept. 10.


***************************************************
*   Gerald Sylvester                              *
*   The Johns Hopkins University, Baltimore, MD   *
*   BITNET:  SYLVE_GE@JHUNIX.HCF.JHU.BITNET       *
*   INTERNET:  SYLVE_GE@JHUNIX.HCF.JHU.EDU        *
***************************************************
From: ai.torosian@mcc.com (Dan Torosian)
Newsgroups: rec.music.bluenote
Subject: Re: Re: Joe Henderson Trio
Date: 15 Sep 1992 14:11:01 -0500
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

mjs@hpfcso.FC.HP.COM (Marc Sabatella) says about the Joe Henderson Trio
on the Tonight Show:

>>Did anyone see it?  A friend who is bass player absolutely loved the bass
>>player, and from the description he gave, my best guess is Dave Holland.
>>Damn.  I need to start watching that show more often.
>>
>>-------------------------------------------------------------------------------
>>Marc Sabatella           Winner, 1992 First Annual Bill Evans Lookalike Contest

Well, Marc, it was either Dave Holland, or the winner of the 1992 First Annual
Dave Holland Lookalike Contest.

-Dan

P.S. - I'm very interested in the jazz primer (it was you, wasn't it?)
you're working on.  Keep me posted.