HDTenEightyP/NetNews huggingface dataset:
From: aoarts@registry.adelaide.edu.au
Newsgroups: rec.music.funky
Subject: Re Jam & Lewis
Date: 27 Jan 93 03:19:15 GMT
Organization: Office of the Registry, University of Adelaide
NNTP-Posting-Host: admin.registry.adelaide.edu.au

Who can forget Jam & lewis production for Thelma Houston????
Ross Karavis
From: bretg@iscp.bellcore.com (Bret Gorsline)
Subject: Re: sly
Organization: Bellcore
Distribution: usa
Date: Thu, 28 Jan 93 14:20:20 GMT
Keywords: sly, ice-t

In article <elskedar.728214133@milton>, elskedar@milton.u.washington.edu (Darren Eslke) writes:
|>  I am in an arguement with a pal.  I say that Sly & Family Stone did the song
|> "Don't Call Me Nigger, Whitie" a long time ago, and Ice-T and Perry Ferral
|> were covering it at the first Lalapaluza.  He disagrees, saying Ice-T etal
|> made it up themselves.  I know he is full of it.  Tell me what album and
|> when Sly did it, please!
|> 
|>  Darren
|> 


I don't know the year it originally came out, but it is definately on the
Sly and the Family Stone Anthology.

As a side note, this song is also sampled by the Family Stand on the 
Moon in Scorpio album. I believe the track is "Never Be".

Bret
Newsgroups: rec.music.funky
From: mark@bilpin.co.uk (Mark Allerton)
Newsgroups: rec.music.funky
Subject: Re: Jam & Lewis
Date: 26 Jan 93 13:39:17 GMT
Organization: SRL Data
X-Useragent: Nuntius v1.1

In article <gil.5@adcom@uci.edu> Gil Vera, gil@adcom@uci.edu writes:
>In article <1jot6pINNpk@zikzak.apana.org.au> acb@zikzak.apana.org.au
(Andrew 
>Bulhak) writes:
>>Does anybody have a list (or at least a reasonable idea) of what
>>acts Jimmy Jam and Terry Lewis have worked with? I heard something
>>on the American Top 40 some years ago, but I only vaguely remember.

The Time (who they were part of before Prince fired them...)
SOS Band (who did "Just Be Good To Me" with them, and most
of the rest of three albums)
Change ("Change of Heart" etc..)
Cheryl Lynn ("Encore")
Alexander O'Neal

After that the people they've worked with become to numerous
to count - but an honourable mention should go to the stuff
they produced for Sounds of Blackness...)
From: f1sami@uta.fi (Samu Mielonen)
Newsgroups: rec.music.funky
Subject: Re: help:Vinyl in London(UK)???
Keywords: ]
Date: 22 Jan 93 09:14:09 GMT
Distribution: inet
Organization: University of Tampere, Finland

In <C15Jv2.20L@dcs.glasgow.ac.uk> crawf@dcs.glasgow.ac.uk (Crawford Tait) writes:

->howdy,
->	
->I am a funk/jazz Dj in Glasgow and am coming down to London for a day with an 
->aim to getting some new tracks while i'm there.

->Can anyone help with eg good stockists of American imports (Luv 'n' Haight,
->eight ball...), 70s vinyl, new British 12s...


Well, I'm not sure whether these shops cater only for jazz/funk crowd, but
they still might stock something interesting:

Catc-A-Groove 
94 Dean St, Soho
(downstairs for the stuff you're after)

Unity
Soho
(don't have the exact address, sorry)

Then there's a shop on Berwick Street (Soho) the name of which I can't 
remember that stocks some jazz/funk stuff. It's near Reckless records that
might have some used stuff of your interest.

Also there's a slammin club you out to check out, called "Loose Juice"
that operates on the premises of club Fish. Jazz, funk, boogie, hip hop etc.
They might also be able to recommend some good stores 2 U (especially the DJs!)

I hope you find what you're looking for and more!
And if you find about some good stores, please post a summary here.


Cheers,
Samu Z. Mielonen




-- 
sZm
f1sami@kielo.uta.fi
From the School of Neuro Acoustic Programming
"It's not where you're from. It's where you're at."

Newsgroups: rec.music.funky
From: n1mpq@anomaly.sbs.com (Tony Pelliccio)
Subject: Re: Grace Jones
Organization: Small Business Systems, Incorporated, Smithfield, RI 02917
Date: Tue, 26 Jan 1993 20:02:41 GMT

karlg@fulcrum.co.uk (Karl Greenow) writes:

>In article <1993Jan25.104214.28159@alf.uib.no> s135@brems.ii.uib.no
(Morten Hoff) writes:
>>Can someone please tell me which Grace Jones albums are worth owning ?

>For my money, the three early 80's collaborations with Sly & Robbie
>are her best, Private Life, Nightclubbing and Living My Life. As you
>may expect they are all reggae-tinged, with some startling cover versions
>of unexpected songs (esp. Private Life & Love Is The Drug). Nothing
>since has come up to scratch, although her 1991 UK shows were totally
>wonderful. Grr.. What a woman.

>k.

>--
>Karl Greenow                                        karlg@fulcrum.co.uk
>Fulcrum Communications Ltd, Fordrough Lane, Birmingham, B9 5LD, ENGLAND
>Tel: +44 203 631553 (Make My Day - Fill My Answering Machine)

And if you happen to own a Lincoln with a JBL sound system and a CD
player, Slave to the Rythm is incredible. 

-- 
------------------------------------------------------------------------
----  Tony Pelliccio, N1MPQ/AA      ---     Our Repeater Motto:     ----
----  n1mpq@anomaly.sbs.risc.net    ---    No codes for no-codes!   ----
---------------------------------------    Real Hams Pound Brass!   ----
From: S_HOFFMANND@IRAV1.ira.uka.de (|S| Dirk Hoffmann)
Newsgroups: rec.music.funky
Subject: Parade lyrics ?
Date: 27 Jan 1993 12:59:46 GMT
Organization: University of Karlsruhe, FRG
Distribution: world
NNTP-Posting-Host: irav1.ira.uka.de
X-News-Reader: VMS NEWS 1.25

Hi to all Prince Fans around the world !

Could anyone post or send me the lyrics of the Parade-album ?

Dirk Hoffmann
S_HOFFMANND@irav1.ira.uka.de
S_HOFFMANND@irav1.ira.uni-karlsruhe.dbp.de
uk1s@dkauni2.bitnet
uk1s@ibm3090.rz.uni-karlsruhe.dbp.de
Newsgroups: rec.music.funky
From: cfb@bnr.ca (Charles F. Board)
Subject: Re: sly
Date: Thu, 28 Jan 1993 16:45:28 GMT
Organization: Bell-Northern Research
Keywords: sly, ice-t

In article <elskedar.728214133@milton>, elskedar@milton.u.washington.edu (Darren Eslke) writes:
|>  I am in an arguement with a pal.  I say that Sly & Family Stone did the song
|> "Don't Call Me Nigger, Whitie" a long time ago, and Ice-T and Perry Ferral
|> were covering it at the first Lalapaluza.  He disagrees, saying Ice-T etal
|> made it up themselves.  I know he is full of it.  Tell me what album and
|> when Sly did it, please!

1969 on the album "Stand!". I believe it's available on the "Anthology" album (but
could be wrong about that).

|> 
|>  Darren
|>
From: elskedar@milton.u.washington.edu (Darren Eslke)
Newsgroups: rec.music.funky
Subject: sly
Date: 28 Jan 93 09:42:13 GMT
Organization: University of Washington
NNTP-Posting-Host: milton.u.washington.edu
Keywords: sly, ice-t

 I am in an arguement with a pal.  I say that Sly & Family Stone did the song
"Don't Call Me Nigger, Whitie" a long time ago, and Ice-T and Perry Ferral
were covering it at the first Lalapaluza.  He disagrees, saying Ice-T etal
made it up themselves.  I know he is full of it.  Tell me what album and
when Sly did it, please!

 Darren

Newsgroups: rec.music.funky
From: ddogan@AFIT.AF.MIL
Subject: Re: Steve, Bootsy and Buddy
Organization: Air Force Institue of Technology, WPAFB OH
Date: Wed, 27 Jan 1993 14:40:27 GMT

In article <38250003@hpcc01.corp.hp.com> joncon@hpcc01.corp.hp.com (Jon Connolly) writes:
>From: joncon@hpcc01.corp.hp.com (Jon Connolly)
>Date: Fri, 22 Jan 1993 18:54:27 GMT
>Subject: Steve, Bootsy and Buddy
>I had a chance to check out a new disc recently that I think any 
>funkster might want to keep an eye out for.  Bootsy, Buddy Miles and
>Steve Salas.  It's definitely rock and it's definitely funky.  It's 
>a three piece band and has a small touch of Band of Gypsys.
>
>From what I understand this disc has been released in Japan but 
>not here in the states yet.  I believe the title is simply...
>
>Steve, Bootsy, Buddy
>
>Buddy and Bootsy doing most of the vocals.
>
>Check it out!!

What?!?  Y'mean Buddy Miles is out of jail?  Last I heard about him,
 (Rolling Stone feature, "Where Are They Now?", about Jimi Hendrix' ex-
sidemen) he was doing time for grand theft auto!
From: cspot@cats.ucsc.edu (Christopher Edward Hilker)
Newsgroups: rec.music.funky
Subject: Re: Clinton Meets Clinton
Date: 25 Jan 1993 21:42:22 GMT
Organization: University of California, Santa Cruz
NNTP-Posting-Host: am.ucsc.edu
Keywords: P.Funk Parliament Funkadelic


pjebsen@well.sf.ca.us (Peter Jebsen) writes:

>Clinton is planning to attend to Midem (music industry meeting in
>Cannes/France) to find a label interested in re-releasing the
>Funkadelic albums of the late '80s.

I'm not aware of any Funkadelic albums from the late '80's. Do you mean
the albums originally released on Warner Bros. in the late '70's/early '80's?
(Like 'Uncle Jam Wants You,' 'One Nation Under a Groove,' etc.)

C.

-- 
hilker!chris (cspot@cats.ucsc.edu)

Life is fair. There, I said it. If anyone asks, you can tell them I did.
From: bretg@iscp.bellcore.com (Bret Gorsline)
Subject: Re: Prince Mailing List
Organization: Bellcore
Distribution: usa
Date: Sun, 24 Jan 93 22:47:30 GMT
Keywords: Prince

910621c@axe.acadiau.ca (SCOTT EDWARD COLQUHOUN) writes:

>Is there anyone out there with a complete Prince discography (including 
>Albums, singles, maxi-singles, boots, etc).  If there is anyone out there 
>with one (even a partial one) could you please post it or E-Mail it to me? 

and

>Is there a Prince Mailing List anywhere?   If so, could someone post the 
>info on how to get on it?  Or e-mail me?

The answer to both of your questions is: mail to

	prince-request@icpsr.umich.edu

You can also get the discography (and most of his lyrics) from anonymous
FTP at cs.uwp.edu.

Keep Bustin'

Bret
From: 00bbharris@leo.bsuvc.bsu.edu
Newsgroups: rec.music.funky
Subject: GENESiS AGENDA -- AWESOME!!! brandon
Date: 28 Jan 93 04:20:06 GMT
Organization: Ball State University, Muncie, In - Univ. Computing Svc's

Okay okay...
Now, you guys are gonna be really shocked
but this time i'm not posting about Prince!

i know.... i know...
it's hard to believe.
And no, that's not the 7th sign, either.

It's just i have friends in the biz (music, that is...) and this friend
has just sent me the hottest studio take from a band that is not even
signed yet.  I had it for ages, thinking that it was unimportant.  But
finally, i popped it in and lo' and behold there was the funkiest music
i had heard in quite some time.

The group is REALITY IN ORCHESTRATION, and the tape is called something
like GENESiS AGENDA.  It's a brash mix of funk and jazz and rock that 
is sure to please even the more... unwelcoming of listeners.

It starts off with a beautifully arranged and performed masterpiece
entitled GENESiS, which blends instrumental balladry with soulful free-jazz and
orchestrated percussion.  It leads to the funk-laced hip/hop piece SKYNNTYGHT,
with a finger-poopin' bass-line and brass section to kill for.  Sexually
coded, the song takes you through a series of funkestrated orgasms climaxing
to the very end.  A roller coaster of wilde exhuberant sexual energy that
flows the entire song.  It's great!

Funk is dominant through out the entire tape, including the KRYST'L LOVE
track and the retro-funk of FUNK IT UP, with the emphasis on a solid
bass groove and steady horn section, cultivating the synchopated drum tracks.
But the best of which is SexXiMe, with the techno-mechanical hip/hop drum
groove and the weird spiralling vocal tracks the lead to an end. 

Balladry is also important on the tape.  The three ballads are NUDE, a
bisexually encoded song of unrecipricoled love, LOV'R, and SiLK SHEETS.
All of which are written from a very non-gender-specific pont-of-view.
There are no references to "boy" or "girl" in any of the songs, save
NUDE and KRYST'L LOVE, but that is simply because the story is about a
particular girl.  It's rather amusing, tho'.  The lead singer does not seem to
even have a sexual preferrence or orientation.  Even the preacher-gone-bad
detailed in FATH'R BASH'M (BASH 'EM ALL), is non-gender specific as he rapes
his daughter and son, in order to save their souls ("their $ and their
spirits")

The primary importance lyrically on the tape is sex.  But, non-specific sex, at
least when it comes to gender.  When this person comes out (into the music biz,
that is) it'll be fun watching him dodge all the questions directed towards his
sexual orientation.

I don't know if bootleggers got ahold of this one...
I don't know how they got ahold of Prince stuff tell ya' the truth.

Play list
GENESiS
SKYNNTYGHT
LOV'R
KRYST'L LOVE
SEXXIME
FUNK IT UP
FATH'R BASH'M
NUDE
COWBOYZ & IDIOMZ
SILK SHEETS
ORCHESTRATION

if u can gett it...

gett it..

brandonn
From: acb@zikzak.apana.org.au (Andrew Bulhak)
Newsgroups: rec.music.funky
Subject: Jam & Lewis
Date: 23 Jan 1993 00:35:21 +1100
Organization: Zikzak public access UNIX, Melbourne Australia
NNTP-Posting-Host: zikzak.apana.org.au

Does anybody have a list (or at least a reasonable idea) of what
acts Jimmy Jam and Terry Lewis have worked with? I heard something
on the American Top 40 some years ago, but I only vaguely remember.

I know that they worked with Janet Jackson and New Edition (including
Ralph and Johnny's solo efforts), but what else? I heard that they worked
with another white act apart from George Michael, but can't remember who it
was. Also, did they produce the song "Just Be Good To Me"? 
And a DJ on a (sadly long gone) Funk/Hiphop/Swing-beat radio program said that
they did the keyboards on a really early Ice-T record. Is that true?

Please post replies to rec.music.funky.


-----------------------
Andrew Bulhak				"Tao fa t'ien; t'ien fa ti
acb@zikzak.apana.org.au		 	ti fa jen; po Kibo tsu-jan"
				- With apologies to Prof. Han Tui-Po
Zikzak public access UNIX, Melbourne, Australia.
From: mlind@netcom.com (Mr. San Diego)
Newsgroups: rec.music.funky
Subject: Re: Jam & Lewis
Date: 23 Jan 93 20:14:37 GMT
Organization: Netcom Online Communications Services (408-241-9760 login: guest)

In article <gil.5@adcom@uci.edu> gil@adcom@uci.edu (Gil Vera) writes:

>BTW....does anyone know who recorded (early 80's)? a song
>called "Cutie Pie"?, sounds almost P-Funk but I don't think it is.

It was done by One Way. Saw them at a car show in LA in '91 I think it was.
 
>                                           gil

- Mike
From: mark@bilpin.co.uk (Mark Allerton)
Newsgroups: rec.music.funky
Subject: Re: Where's Robin? (was: ZAPP)
Date: 25 Jan 93 14:13:27 GMT
Organization: UK Mac DTS/SRL Data
X-Useragent: Nuntius v1.1

In article <28199@sybase.sybase.com> Martin Moessel,
mm@moessel.sybase.com writes: 
>- Zapp III ("More Bounce to the Ounce" makes you feel the bass)

Ummm... isn't "More Bounce..." from the (1979? or is it 1980?)
album "Zapp" (i.e the first one, produced by Bootsy along with
Roger Troutman.)

I don't have "Zapp III", but I do have "Zapp", and it does have
"More Bounce To The Ounce" on it.

Otherwise - I agree - Zapp and Roger Troutman are wonderful.
"More Bounce..." is just one of the all-time funkiest records
ever made.

Mark Allerton - mark@bilpin.co.uk 
SRL Data, but I speak for myself
From: 00bbharris@leo.bsuvc.bsu.edu
Newsgroups: rec.music.funky
Subject: Prince - Random Boot List #1 (2)
Date: 22 Jan 93 09:12:15 GMT
Organization: Ball State University, Muncie, In - Univ. Computing Svc's

(sorry for the interruption)

ELECTRIC INTERCOURSE (con't)
	The rehearsal shows Prince and the Revolution practicing a song
that is already ready to perform for a live show.  Unlike the rehearsals 
for DO ME, BABY and BEDTIME STORY, where Prince is still forced to spoon-feed
Mark Brown bass notes and Wendy chords, as well as reminding the band what key
they will modulate into next and the crew when to add reverbs to the lead
microphone.  SEXUAL INTERCOURSE is split into two parts, because the band stops
the first time, then goes into again, with Pricne signing the song in his
weak falsetto voice (which, for some reason, he refers to it as "Fantasy.")

part of this grab-bag o' outtakes includes Soulpsychedelicide, which 
was recorded during the creation of Grafitti Bridge, with the entire 
ensemble ranging from Tevin Campbell, to the Staple Singers, to Mavis
Staple, to George Clinton and various members of his "band", and the 
instrumental members of the New Power Generation, minus a few members
here and there.  The song includes the ever famous water-thermous that
was present during LoveSEXY (the LP and tour).  


	XTRA LOVEABLE is definitely a throw back from the pre-PURPLE RAIN/post-
CONTROVERSY days, and as a result, most probably performed solely by Prince,
himself with the exception of a few vocal tracks.   It's a hyper-long
event where he attempts to call out a jam-session with the Revolution, but
is highly doubtful... as he's done that line before!

	Live performances include The BALL, with Shiela E. hopping off drums
to perform HOLLY ROCK, with Prince on drums, and ELECTRIC INTERCOURSE, both
at 1st AVENUE.  Interesting,to say the least, but not worth jumping to your
local bootlegger to buy.

	The only problem with this grab-bag is that the bootlegger n question
decided to re-record sped-up versions of ST*RFISH and COFFEE and DOROTHY
PARKER (Both from SOTT) at faster rates and try and pass them as legitiment
Prince recordings.  (And it's for that reason that you should be careful
of bootlegger grab-bags)

	Still, in terms of interest and quality, i would say that this is a
bootleg is worth at least its weight in gold....

brandon

okay, Mr. Brode.... go away and rip away....! 8-)
Newsgroups: rec.music.funky
From: dem2@pyuxd.uucp (Me)
Subject: Re: SCDOWN
Organization: Bellcore, Livingston, NJ
Date: Wed, 27 Jan 93 21:24:23 GMT

In article <1993Jan23.164338.2114@guvax.acc.georgetown.edu> 
uelmenm@guvax.acc.georgetown.edu writes:
>[stuff deleted]
>The little guy 
>was so distracted by his jazz pretensions that it took him until the
>past year to discover sampling. 

Actually, he's been sampling from "conventional sources" (read James Brown)
since the Nude Tour of 1990, and from unconventional sources (eg. Mahler's
3rd symphony, the Batman movie, and himself) even before that.
	Darryle
From: zonnevel@dutiws.twi.tudelft.nl (B.J.Zonneveld.tel-015-622622)
Newsgroups: rec.music.funky
Subject: Re: SCDOWN
Date: 26 Jan 93 17:19:36 GMT
Organization: Delft University of Technology


Let's face it, folks.  Prince went off the deep end circa 1984. The 
true majesty of his early albums - not including the first two, which
are largely testaments to the joy of camp - was found in the element 
of the ONE-MAN-SHOW.  Whether one called him an extremist in terms of 
artistry or egotism, there can be little debate concerning the intimacy 
and brilliance of D Mind, Cversy, and 1999.  I won't delve into 
psychological history - I've never even had lunch with the man - but 
it seems quite apparent that when Prince works alone, he's brilliant, 
and when he collaborates, he falls square on his ass.  The little guy 
was so distracted by his jazz pretensions that it took him until the
past year to discover sampling.  Leave "jamming" to Phish. rip,prn.
----------------------------------------------------------------------
"He's definitely masturbating . . . " -All the critics love U . . .    

Although I must confess 1999 is one of Prince funkiest, I wouldn't place
the other two in line with it. Purple Rain was directed to a more general
public but after that he started of in a new direction with Around the world..
1986's Parade is Prince back in a new funk direction with an old feel.
Although I myself think Prince's later albums (Batman, D&P) are a bit lame
some of his bootleg material proved he didn't lose but was just developing
in a new direction.


Hell whatever's funky!
From: 00bbharris@leo.bsuvc.bsu.edu
Newsgroups: rec.music.funky
Subject: Parade Outtakes Correction - brandon
Date: 26 Jan 93 01:58:29 GMT
Organization: Ball State University, Muncie, In - Univ. Computing Svc's

PARADE OUTTAKE 
corrections

Sorry, folks....
The explanation i gave for the minor chord structures being a favorite
of Prince and how to play the opening flute line belongs to [There are others
Here with Us] and not [Old Friends 4 Sale], which is how Prince views his
unofficial de-throning.

Thanx... and sorry about the editing error...
8-)
brandon
From: 00bbharris@leo.bsuvc.bsu.edu
Newsgroups: rec.music.funky
Subject: Prince - Random Boot List #1
Date: 22 Jan 93 08:47:59 GMT
Organization: Ball State University, Muncie, In - Univ. Computing Svc's

YAY!!
Mommie, mommie... Turn  up the volume...
It's the Prince Boot review (with possibly incorrect info*)

* Disclaimer for Mr. Brode before he chooses to flame me again...

	So far in this little thread, i've brought to you musings on
Prince's CRUCIAL and CRYSTAL BALL bootleggs.  And now, I shall do it
once again.  This one is alittle different.  What i'm reviewing now
is not really an album that was shelved but a bootleggers compillation.
Therefor, as a warning, the title of my Comp.'s may be different than
yours.... beware, for mine is simply entitled...
	PRINCE 		OUTTAKES		#6

	It is a series of studio outtakes and rehearsals and live
performances with Prince and the Revolution, Grafitti Bridge ensemble,
and the LoveSEXY/SOTT (for Mr. Brode) band.  Here is the song list:

Highway (instr)                           Do Me Baby (Rehearsal)
Sexual Suicide                            BedTime Story (Rehearsal)
Electric Intercourse (rehearsal A and B)  SoulPsycheDelicide
Electric Intercourse (live at 1st Avenue) Crystal Ball (AKA The Ball)
Xtra Loveable (long)                      Power Fantastic
St*rFish and Coffee                       The Ball - Live at 1st Ave.
Dorothy Parker

HIGHWAY is a live pre-rehearsal jam session, that I call highway simply
because i hear Prince yell "...down the highway..." in the beginning as
a rally, battle cry to start the session... . It goes on and on and 
indulges in improv, free-jazz styles and solos... .  

SEXUAL SUICIDE is the same that is on the CRUCIAL boot, so i won't 
indulge on the compositional and arrangement and production values... .

ELECTRIC INTERCOURSE (rehearsal A)  shows Prince playing the pivotal love-
al-a-physical... .
From: mm@moessel.sybase.com (Martin Moessel)
Newsgroups: rec.music.funky
Subject: Re: Where's Robin? (was: ZAPP)
Date: 19 Jan 93 02:42:03 GMT

OK, since it seems that there are quite a few ZAPP fans on the net
(and not only Swing Out Sisters or Sade fans who don't know that there
was a pre-Sade era), I post my email reply to the original poster:

There are three Troutman brothers, Roger, Zapp, and Larry. Roger, who also
is an solo artist, was (is?) the producer of Zapp (it's been a while since
the last zapp album has been released). Roger was heavily influenced by
Clinton in the late 60's/early 70's, Clinton was his musical spiritus rector
and provided him the opportunity of gigs and recording sessions.

You really should listen to
- Roger - The many Faces of Roger (released around 1980, hard core groove
	version of M. Gaye's "I've heard it thru the Grapewine", "Do It Roger"...)
- Zapp II ("Do Wah Ditty" is one of the best dance floor songs I know)
- Zapp III ("More Bounce to the Ounce" makes you feel the bass)
- The New Zapp IV U  ("Computer Love" and more heavy duty groove)

In the last couple of years Roger released 2 albums and had a top10 hit
"I wanna be your man".

If you get the chance to attend a Roger/Zapp concert, go for it. I happened
to see him last year in Munich, it was show, groove, entertainment at its
best. The drummer was Lester Troutman, Roger's nephew.


Enjoy

Martin
mm@sybase.com