HDTenEightyP/NetNews huggingface dataset:
From: 002519m@ace.acadiau.ca (KRISTIAN AARON MACCALL)
Newsgroups: alt.music.alternative
Subject: Re: Who sings...
Date: 11 Dec 92 22:29:17 GMT
Organization: Acadia University

In article <1992Dec10.213908.6541@leland.Stanford.EDU> dblmint@leland.Stanford.EDU (Erik S. Chen) writes:
>From: dblmint@leland.Stanford.EDU (Erik S. Chen)
>Subject: Re: Who sings...
>Date: 10 Dec 92 21:39:08 GMT
>In article <1992Dec10.151455.2793@gacvx2.gac.edu> rloisell@mora.gac.edu (Renee M Loiselle) writes:
>>I can't for the life of me figure out who sings the following songs.  I  
>>don't know the titles of them either.  But, maybe you can help anyway...
>>Thanks!
>>
>>1)  "Boom boom boom let's go back to my room..."
>>
>>2)  "Go straight to hell boys..."  (He sings aobut Christmas in Ho Chi 	 
>>	Minh City)
>>
>>			--RML
>>
>
>The second song is "Straight to Hell" by the Clash.
>
>- Erik Chen
>dblmint@leland.stanford.edu

The first song is "Boom Boom (Let's go back to my Room)" by Paul Lekakis.  
Not very alternative, but to each his/her own, I guess...
From: mm68@unix.brighton.ac.uk (Lost Boy)
Newsgroups: alt.music.alternative
Subject: Re: The Nephilim- anyone heard of this band?
Date: 11 Dec 92 19:06:05 GMT
Organization: University of Brighton, UK

Carl recons he has the righs tothe Fields of the Nephilim name so he may well
appear again under that name.


-- 
+---------------------------------------------------------------------------+
|On the end of every wizards staff is a knob! - T.Pratchett                 |
|									    |
|Michael May, Brighton University, Sussex, England			    |
+---------------------------------------------------------------------------+ 
Posted-Date: Thu, 17 Dec 92 12:48:02 CST
Received-Date: Thu, 17 Dec 92 12:48:33 CST
From: Jim Hiebert <jimh2@cfsmo.honeywell.com>
Subject: re: Replacements
To: alt.music.alternative
Date: Thu, 17 Dec 92 12:48:02 CST
Mail-Station: MN51-1330
Phone: 785-4344 (vm - 8565)
Mailer: Elm [revision: 66.25]
Newsgroups: alt.music.alternative
Organization: mailEnteringNews at Honeywell SRC


I was kind of amazed at the amount of responses to the original poster's
query--this is probably much more information than that person wanted.  

But, the Replacements are one of my favorite bands (with R.E.M, Buffalo Tom,
and Husker Du/Bob Mould/Sugar), so, what the hell, I'll throw my thoughts 
in as well...

Hootenanny:  A good example of the 'Mats in their raw stage.  Some good
songs, some average.  "Color Me Impressed" is very good.  The first time
I heard "Buck Hill" (which, incidentally is a ski area just south of
Minneapolis on I-35), I swore they were singing "fuck you".

Let It Be:  One of the top 15 albums of the '80s, according to Rolling Stone.
I'd agree.  This is my favorite 'Mats disc.  Nearly every song is great.
"Unsatisfied" (or is it "Satisfied" :-/ is their best song period.  
"I Will Dare" (Peter Buck on guitar) is also very good.  "Tommy Gets His 
Tonsils Out" is hilarious.  

Tim:  A *very* close second to Let It Be.  "Hold My Life", "Left of
the Dial", and "Little Mascara" are my favorites. 

Pleased to Meet Me:  I don't like this disc as much as their others of this
era, and I'm not completely sure why.  I know I overplayed this disc when
I first bought it.  It seemed overproduced, or something--I get the feeling
they were trying too hard to keep the band together at this point.  There 
are some good songs on PtMM, but overall, it's much weaker than Tim, or ....

Don't Tell A Soul:  The 'Mats really changed their sound on this disc.  Much
mellower than their earlier stuff.  "Talent Show" is another one of my 
favorites.  All in all, a big change, but a very good disc.

All Shook Down:  I never liked this one very much.  "Nobody" and at least one
other song (can't remember the title..."One ??? Out of Time...") are pretty
good, but I didn't care for the rest.  Paul Westerberg really took over at
this point (he wanted to release this one as a Paul Westerberg solo effort,
but WB (I think) said "nope").

So, as far as a recommendation for a 'Mats disc goes.... well, it depends.
Their early stuff was loud, uneven, and angry.  Their music was much more 
intense and interesting to me then.  From release to release, they slowly got 
more "polished".  They also became much more pop-oriented and "mellow" with 
"Don't Tell a Soul".  If you want to hear them in their prime (and when 
*they* were primed most of the time), I'd recommend Let It Be or Tim.  But, 
for someone who likes a mellower, pop sound, I'd recommend Don't Tell a Soul.


All this IMHO, of course.

__________________________________________________________

Jim Hiebert - jimh2@cfsmo.honeywell.com
Honeywell Commercial Flight Systems/Minneapolis Operations
          -          -      -       -           -
"Let's get this over with, I tee off in an hour
 Didn't wash up, yesterday I took a shower" 
-- the Replacements ("Tommy Gets His Tonsils Out")

Newsgroups: alt.music.alternative
From: vigilr@bray1b.its.rpi.edu ( nine inch nails )
Subject: Re: ministry and country music.
Reply-To: vigilr@rpi.edu
Organization: Rensselaer Polytechnic Institute, Troy, NY.
Date: Thu, 17 Dec 1992 04:36:46 GMT

In article <Dec16.031446.46495@yuma.ACNS.ColoState.EDU>, hexonxon@lamar.ColoState.EDU (Mark Goldstein) writes:
|> In article <95039@rphroy.ph.gmr.com> bbeagan@gmr.com writes:
|> >In article 1gl2n4INN4r9@bigboote.WPI.EDU, timothy@wpi.WPI.EDU writes:
|> >>In article <1992Dec15.010818.3457@athena.mit.edu> arashk@athena.mit.edu writes:
|> >>>at the ministry/helmet show they played the countriest country music between
|> >>>sets. I thought it was pretty damn cool.
|> >>>ak
|> >>
|> >>A friend of mine from Chicago said that Al Jourgensen is getting heavily into
|> >>country music and is even looking to move Wax Trax to Nashville, so he will
|> >>be closer to Country musicians so he can record with them.
|> >>tim
|> >
|> >Am I the only person who finds all this very disturbing?
|> >
|> >Brian.
|> 
|> yes.
 
Well, i would really hate if ministry went even relatively country. The long lost
days of Twitch and the Land of Rape and Honey, i guess, are really lost.


-RV
Newsgroups: alt.music.alternative
From: brian@nx27.mik.uky.edu (Brian hoffman)
Subject: Re: Songs With Obnoxiously Long Titles
Organization: University Of Kentucky, Dept. of Math Sciences
Date: Fri, 11 Dec 1992 21:32:26 GMT

In article <1992Dec11.040259.11391@wam.umd.edu>  
moleface@next05cville.wam.umd.edu (Ashley Edward Collins) writes:
> In article <1992Dec10.183419.18866@midway.uchicago.edu>  
> rons@quads.uchicago.edu (Josh Ronsen) writes:
> > 	On my next radio show I am going to do a special Theme Show on
> > Songs With Obnoxiously Long Titles. Any help is appreciated. The
> > titles should be vaugely alternative or obscure rock, no jazz or
> > classical, although Henry Partch and Charile Mingus have some great
> > ones, and I have heard some really long contry song titles ("walk out
> > the door backwards so that i will think that you're walking in"?)
> > 

On Alice Donut's new album (which also has a pretty long title) there is a  
song called "Son of a disgruntled ex-postal working....".  I can't  
remember the whole name of the song but it's pretty good.
-Brian
Newsgroups: alt.music.alternative
From: etxsahm@eua.ericsson.se (Marten Sahlen)
Subject: Re: Lush and grungy sound
Organization: Ellemtel Telecom Systems Labs, Stockholm, Sweden
Date: Wed, 16 Dec 1992 14:47:02 GMT

In article <1992Dec15.223244.20907@eskimo.com> fisel@eskimo.com (Aron Roberts) writes:
>I'm sorry but none of the Lush recordings do justice to how they sound
>live. Robin Guthrie destroyed thier raw edge sound in the studio. I
>can't remember the other producers name but he did a better job.(tim
>Green i think). Anyway they would do better to search for a new
>producer. I mean Guthrie didn't even use amps(everything was straight to
>the board). I will probably get flamed for saying this but they would do
>well by seeking out a producer in the US. I love Lush live and hate to
>see how badly thier recordings get botched. Maybe this is all because I
>saw them live before I bought any of the CD's. oh well what can i do?
>  
>Fisel@eskimo.com       naked and running with the infidels...


What are you talking about? Did you really listen to Scar and Mad Love?? 
There you can find exactly that raw edge guitar sound you're looking for. 
Hell, 'Second Sight' is the best song Sonic Youth never did.

While on Spooky, and also live, they've lost it all. The fierce attacks 
have turned into mellowed out, etherial, songs that goes along infinitely. 
I got utterly disappointed when I went to see them live, even the good old 
songs from the first EP's were transformed into something compatible with 
the "Spooky sound". Sad sad thing.

Am I the only one to notice that Lush is on the way of becoming the Durutti
Column of the 90's? Just listen to 'Covert' and 'Ocean' off Spooky, they
could have been cuts from any DC album.

-- 
>>>>-----------------Marten Sahlen  etxsahm@eua.ericsson.se-----------------<<<<
>>>-----Ellemtel Telecom Systems Lab, Box 1505, S-125 25 Alvsjo, Sweden------<<<
>>--------------------"An apple a day keeps the doctor away-------------------<<
>--------an orgasm a day keeps the psychiatrist away" - Dusan Makavejev--------<
Newsgroups: alt.music.alternative
From: fnord@panix.com (Cliff Heller)
Subject: Re: BUTTHOLES
Date: Fri, 11 Dec 1992 21:02:06 GMT
Organization: Right Bleedin' Church of Libertine Obfuscatology

In <1992Dec11.123308.2421@dragon.dragon.psych> naf@ox.ac.uk (Neil Forrester) writes:



>           .SATAN SATAN SATAN.


>Anyone out there have Butthole Surfers Discog. ?

>I have :-

>Butthole Surfers

Live at the PCPPEP
>Rembrant Pussyhorse
>Psychic Powerless (Another Man's Sac) - Creamed Corn
Creamed Corn From The Socket Of Davis (packaged with Rembrandt Pussyhorse,
not Another Man's Sac).

>Locust Abortion Technician
>Hairway to Steven
>Live Double Bootleg
>Pioughd

>Jack Officers

>WidowMaker E.P.
>Hurdy Gurdy Man Single.

>What other stuff has been released ?

Paul Leary - The History of Dogs
The lead guitarrist.  This is a great album.

Also, Daddy Longhead - Cheatos  has two or three of the 'holes on it.
Very excellent.


And don't omit Gibby's guest vocals on Jesus Built My Hotrod by Ministry.
He also did vocals for a recent Dead Milkmen single.

-- 
    / \      Reverend fnord                 | "King Kong died for your sins!"
   /   \     fnord@panix.com                | 
  / <0> \                                   | "Don't just eat a hamburger, 
 /_______\   Church of Obfuscatology, Inc.  |  eat the HELL out of it!"
Newsgroups: alt.music.alternative
From: falcon@camelot.bradley.edu (D. Nathan Hood)
Subject: Re: Songs With Obnoxiously Long Titles
Organization: Bradley University
Date: 12 Dec 92 21:21:48 GMT

In <Bz5KC9.32v@watserv1.uwaterloo.ca> hesse@watserv1.uwaterloo.ca (BJ Cameron - DCS) writes:

>From article <dbyrne.724165672@unix1.tcd.ie>, by dbyrne@unix1.tcd.ie (I'm the Hip-Priest):
>> 
>>>In article <1992Dec10.183419.18866@midway.uchicago.edu>, rons@quads.uchicago.edu (Josh Ronsen) writes:
>>>|> 	On my next radio show I am going to do a special Theme Show on
>>>|> Songs With Obnoxiously Long Titles. Any help is appreciated. The
>>>|> titles should be vaugely alternative or obscure rock, no jazz or
>>>|> classical, although Henry Partch and Charile Mingus have some great
>>>|> ones, and I have heard some really long contry song titles ("walk out
>>>|> the door backwards so that i will think that you're walking in"?)
>> 

>I think you'll find the winner is Shawn Phillips album Second Contribution
>which has a song with the title: "She Was Waitin' For Her Mother At The 
>Station In Torino And You Know I love You Baby But It's Getting Too Heavy
>To Laugh".

actually i think that Pink Floyd's  Several Species Of Small Furry Animals
Gathered Together In A Cave And Grooving With A Pict... is if not the
longest certainly the wierdest long title...
--
 I Wish You A Hopeful Christmas                   \             / /   
 I Wish You A Brave New Year                        \\\' ,      / //      
 All Anguish Pain And Sadness                         \\\//,   _/ //,      
 Leave Your Heart, And Let Your Road Be Clear           \_-//' /  //<,      
                                                          \ ///  <//`         
                   -Emerson, Lake And Palmer-             /  >>  \\\`__/_   
                   -I Beleive In Father Christmas-       /,)-^>>\` , \\\   
Newsgroups: alt.music.alternative
From: kill0012@student.tc.umn.edu ()
Subject: Re: WHY? (NOT WHY ME?)
Organization: University of Minnesota
Date: Mon, 14 Dec 1992 17:05:02 GMT

In article <Bz92J2.BA7@newcastle.ac.uk> C.L.Gannon@newcastle.ac.uk (C.L. Gannon) writes:
>
>      ... (and it's not why does J Alfke hate me so much). I used to be
>        really
>        into the whole metal thing (anthrax, megadeth etc..), and a lot of these
>        groups do sound very similar to them(in particular anthrax) so how
>        come it isn't "cool" to like them? Are they just too popular?

Well, I can't answer your question directly, but I've noticed that this
goes the other way, too.  I've always felt the same as you, that the line
between "mainstream" and "alternative" rock can be rather blurry, and
wondered why people who like mainstream rock think bands like Soul Asylum
are "weirdo punk rockers" (actual quote heard at an outdoor concert at
whcih Soul Asylum opened for Cheap Trick).

Anyone, anyone?

		Jenni

Newsgroups: alt.music.alternative
From: mario@thepub.wh.att.com ( Mike Mario)
Subject: Who does "Doldrums"?
Originator: news@cbnewsb.cb.att.com
Organization: AT&T Bell Labortatories
Date: Wed, 16 Dec 1992 16:22:23 GMT


Help!

A question for the indie gurus.

Last night I heard a song on WPRB (Princeton College Radio) and didn't get
all the info.  The song was called "Doldrums", a mostly guitar instrumental.

The band is from Boston, and I seem to remember that I heard the name 
"Cul De Sac" but I don't know if I didn't just make that up.

Anyone know anything about this?  I'd like to know more info, label and
where I might be able to get it.

Many thanks,
--mike
mario@thepub.wh.att.com
--
Mike Mario		email:
AT&T Bell Labs		   mario@thepub.att.com
Whippany, NJ		or m.p.mario@att.com
(201)386-4699
From: mpuf6@syma.sussex.ac.uk (Mark Constable)
Newsgroups: alt.music.alternative
Subject: Re: The Nephilim- anyone heard of this band?
Date: 11 Dec 92 16:55:23 GMT
Organization: University of Sussex

From article <1992Dec11.150730.601@lth.se>, by dat92bjo@ludat.lth.se (Master Twiddy):
> In article <morteng.723979845@fenris.dhhalden.no> morteng@dhhalden.no (Morten Graesby) writes:
>>I bought a CD by a band called The Nephilim the other day. 
>>Great rock with some depressive and strange tunes in it. The singer
>>has this whiskey- voice a'la T.Waits. 
>>Has any of you *alternative* people out there any knowledge of this band?

Yo.  In 1986 Two guys called Wright and a geezer called McCoy formed a
band called 'Fields of the Nephilim'.  They have released a few LP's :

	DawnRazor, 1987
	The Nephilim, 1989
	Elizium, 1991
	Earth Inferno (live), 1991

I've seen them live a few times, and they were shit hot (mind you, that
was when it was fashionable for 16 year olds to be goths....).

At the start of this year, they went their separate ways.  The Wright
brothers formed a band called Rubicon, and the lead singer (Carl McCoy -
the nomad fron "Hardware") formed a band called 'The Nephilim'.  Or was
it the other way around, I forget now.

They hailed from my local area and thus they played quite a few of the
smaller local venues.  

See if you can get hold of any more of their stuff, if you liked what
they're doing now, you might like the older stuff.  

See you in Cthulhu.....

Mark James Constable

BRIGHTON, England.
From: rmason@bigwpi.WPI.EDU (Bob Mason)
Newsgroups: worcester,wpi,wpi.students,alt.music.alternative
Subject: Re: LIVE SHOW: the SWIRLIES !!!
Date: 12 Dec 1992 20:09:30 GMT
Organization: Worcester Polytechnic Institute
Distribution: ne
NNTP-Posting-Host: bigwpi.wpi.edu

In article <NOAHVAWT.92Dec12144511@bigwpi.WPI.EDU> noahvawt@bigwpi.WPI.EDU (noahvawt) writes:
>HEY EVERYONE!!!!!
>
>SCRATCH MONKEY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>CANISTER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>PLAYING TONIGHT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>GOMPEI'S!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>I DON'T KNOW HOW MUCH IT COSTS, BUT IT'S A LAST-MINUTE THING!!!!!!!!

Sorry Noah, cancel that.  The show has been axed.  Someone higher up than me
cancelled it on us.

Oh well...

-bob
From: rjc@cogsci.ed.ac.uk (Richard Caley)
Newsgroups: alt.music.alternative
Subject: Re: What is "alternative"
Date: 18 Dec 92 15:26:59 GMT
	<Dec14.081412.40792@yuma.ACNS.ColoState.EDU>
Organization: Human Communication Research Center
In-reply-to: hexonxon@lamar.ColoState.EDU's message of 14 Dec 92 08:14:12 GMT

In article <Dec14.081412.40792@yuma.ACNS.ColoState.EDU>, Mark Goldstein (mg) writes:

mg> you can't blame people who form an identity with a band when the
mg> band gets popular and they have to watch 14 year old girls getting
mg> teary-eyed when the red hots play Under the Bridge. 

Yes you can. It unbelievably stupid to get upset because somone else
happens to like the same music as you, whatever their age or sex.

mg> it makes you feel like the red hots are no different from paula
mg> abdul. 

They aren't, except she has a better voice.

--
rjc@cogsci.ed.ac.uk			_O_
					 |<
Newsgroups: alt.music.alternative
From: cherry@cup.hp.com (Kristen Cherry)
Subject: Re: Replacements
Date: Tue, 15 Dec 1992 19:24:17 GMT
Organization: Hewlett-Packard
X-Newsreader: Tin 1.1scd1 PL4

: IF you have heard any of their songs, which ones did you like?  That way I or
: anyone else could narrow it down to specific albums.

I like the Paul Westerburg (sp?) songs off Singles and I like the Chris Mars 
song Popular Creeps.  Recently I heard a Replacements song (I think) that
had the words "ball and chain" somewhere in the lyrics.  Sorry I can't be
more specific.  I'm sure there are tons of Replacements songs I know, but I
don't know which album to get first.

Thanks for helping,
Kristen

(cherry@cup.hp.com)
Newsgroups: alt.music.alternative
From: blckjck@leland.Stanford.EDU (Brett Alexander Cruden)
Subject: Re: Poppies
Organization: DSG, Stanford University, CA 94305, USA
Date: Wed, 16 Dec 92 04:29:34 GMT

In article <BzAwzp.ILI@dcs.ed.ac.uk> dmor@dcs.ed.ac.uk (David Morris) writes:
>
>  I notice a large percentage of the postings on this newsgroup are from the USA and
>Canada, so I thought this would be a good group to send this question to.....
>  Are PWEI (Pop Will Eat Itself) known over in the States? If they are known of, how
>to their record sales go, and what do all you guys think of them?

Ah ha!  PWEI!  Pop Will Eat Itself is an awesome band.  I would have to say the
most underrated band.  Very few people have heard of them here in the US.  They
get hardly any airplay time on the radio stations around here too.

I was kind of dissappointed with there last album though.  Cure for Sanity and
this is the day ... are definitely the best.
From: Christopher.Carne@brunel.ac.uk (Christopher J Carne)
Newsgroups: alt.music.alternative
Subject: Re: New Zealand Music (more than the Chills)
Date: 15 Dec 92 12:53:34 GMT
Organization: Brunel University, West London, UK

In article <klejefm-111292002238@stiles-42-kstar-node.net.yale.edu> klejefm@yalevm.ycc.yale.edu (J Klein) writes:
>In article <1992Dec10.231520.13681@massey.ac.nz>, R.J.Patel@massey.ac.nz
>(R. Patel) wrote: (re: NZ Bands)
>
>> So check out other bands on F.Nun and elsewhere in NZ, after all we do
>> churn out more than pristine pop. So check out the Skeptics (sorta
>> industrial), the Gordons (sorta mindfucking),the Clean (these guys
>> started it ALL), Bailter Space (definitely mindfucking), Lung, Rake etc.
>
>I've gotten into NZ bands of late, and I've decided that, per square inch,
>NZ may have the best music in the world.  In specific, Dunedin.  Check out
>The Chills' Submarine Bells and Kaleidoscope World, The Tall Dwarfs'
>Weeville and Fork Songs, The 3Ds EPs and Hellzapoppin, and The Bats' Fear
>of God.  Submarine Bells and Fork Songs in my opinion rank among the best
>music in existence.
>[JK]

I'd largely agree with these sentiments. It should however, be borne in
mind that there is some difficulty in getting many NZ records in the UK.
The Chills, Straitjacket Fits, The Bats and The 3-Ds are about the only
bands whoose work is easily available. Even if other stuff gets imported
the price is usually prohibitive. For example, a Dead C EP can set you
back about six pounds plus.  But there's a lot of stuff that just never
makes it over here. I'm quite prepared to believe that Bill Direen 
record is the only one ever to be seen in a record shop in the UK.

Knowing about NZ bands is one thing, getting your hands on their
records is quite another matter, sob.


CHR$
From: whitten@kuhub.cc.ukans.edu
Newsgroups: alt.music.alternative
Subject: Re: Too Much Joy ...
Date: 10 Dec 92 20:53:57 CST
Organization: University of Kansas Academic Computing Services

In article <1992Dec7.232310.4970@midway.uchicago.edu>, lim7@ellis.uchicago.edu (robert  lim) writes:
> In article <1g0dmnINNge1@life.ai.mit.edu> dmb@case.ai.mit.edu (David Baggett) writes:
>>In article <1992Dec6.230247.45448@kuhub.cc.ukans.edu> whitten@kuhub.cc.ukans.edu writes:
>>>>>Agreed. Anyone out there actually have a copy (one of the only 1000  
>>>>>produced) of Green Eggs and Crack?
>>>
>>>No, but I know a local radio station that has a copy.  Guess I shouldn't
>>>say that since one of you TMJ heads will probably come and swipe it
>>>from out stacks.  
>>
>>I saw a copy in a record store in the Haight in San Francisco.  I had
>>no idea it was rare since it was marked $13.  (All TMJ fans will now
>>proceed to feel the same way their fathers did when Grandma threw out
>>the Action Comics #1.)
>>
>>I remember thinking, "Nah, I never pay 13 bucks for a CD.  I'll get
>>it somewhere else for $10."  Dang.
> 
> strange.  i thought it was released on vinyl and tape, no cd.
> maybe they got around to rereleasing it.

Yeah, I didn't think it every got on CD.  In an interview on our
station, they said Green Eggs was one of the few things that they
actually own, and that they are raising money to re-release it.
I think they mentioned the sale of T-shirts and stuff went towards
this.

> BTW, the album sucks pretty hard.  Mostly spoken word, inane
> vocals.  Two songs that stand as decent- "Drum Machine" and "The
> sorry....  "godzilla" (?) and maybe the otter song...

Well, I suppose.  You can really feel them developing their style though.
I actually doubt they will re-release it till they get a little more
popular though... I mean if this was your first experience with them,
you might be a little turned off by it.

Besides, when they big stars, they'll make much much more off it.
Until then, I guess we'll just have to listen to our illegal tapes
and laugh.

>>Dave Baggett

Chris

"Can't get a decent haircut to save my life."

==============================================================================
 WHITTEN@KUHUB.CC.UKANS.EDU                  Chris Whittenburg, N0TWA
 WHITTEN@UKANVAX.bitnet              Univ. of Kansas - Electrical Engineering
==============================================================================



==============================================================================
 WHITTEN@KUHUB.CC.UKANS.EDU                  Chris Whittenburg, N0TWA
 WHITTEN@UKANVAX.bitnet              Univ. of Kansas - Electrical Engineering
==============================================================================
From: mctsrj@dct.ac.uk
Newsgroups: alt.music.alternative
Subject: The Man From Del Monte
Date: 17 Dec 92 12:20:46 GMT
Organization: Dundee Institute of Technology

Hi,

Anyone out there know what The Man From Del Monte are doing now?

Many thanks for any info.

Steve
Newsgroups: alt.music.alternative