HDTenEightyP/NetNews huggingface dataset:
From: Kay.Shapero@f524.n102.z1.fidonet.org
Newsgroups: alt.music.filk
Subject: Neo Vs. Ego
X-Sender: newtout 0.02 Nov 17 1992
Date: 20 Nov 92  09:10:53

On <Nov 15 09:33>, Gerald Bliss (1:120/281) wrote to John Creasey:

 GB>Sorry, no, not everyone has heard of the Lee Gold Poker-Chip 
 GB>variant. 
 GB> 

Lee calls it a non-topological Bardic Circle.  You hand a stack of different
colored poker chips to each person present.  Each chip represents a chance to 
pick, pass or perform.  You declare a color for the first round, and each
person who wants to do something or have someone else do something tosses in a 
chip when they want to do it.  Everybody gets a turn, it's easy to do
followers, you don't have to match the mood of the person just before you and 
you can go to the washroom without worrying about the circle passing your
spot.

And if Leslie Fish is around you get to watch her build all sorts of
interesting symbols with the chips as they collect on the floor.  (That and
occasionally calling out "I've got a follower; anybody got a chip?"  much to
the delight of those who didn't really want to sing anything that round
anyway. ) 

--- msged 2.06
Newsgroups: alt.music.filk
From: rnakkula@magnus.acs.ohio-state.edu (Robin J Nakkula)
Subject: Re: "Song at the Ready"
Organization: The Ohio State University
Date: Mon, 16 Nov 1992 00:33:04 GMT

Suzette Hadin Elgin released "Song At the Ready" on her own label, _Magic_
Granny_Line_, on "Dragons, Cows, and Kudzu."  The tape and the songbook are
both available from your friendly local filkhuckster's table, or from Bob
Laurent's WailSongs.

@@@---Robin Nakkula

Newsgroups: alt.music.filk
From: figmo@netcom.com (Lynn Gold)
Subject: Re: Huh????
Organization: The Burn the Candle at Both Ends Club
Date: Mon, 23 Nov 1992 06:06:39 GMT

In article <kf3agYu00UhWE2D3N2@andrew.cmu.edu> eg1n+@andrew.cmu.edu (Eli Brian Goldberg) writes:
>IMHO, it would be fascinating to do a survey of instrumentalists at a filk
>con to see which instruments psychologically appeal to them, and to get
>a broad idea of their personality traits.  I know one filker who picked
>up the guitar so-so, and then tried a Mandolin, and within a few minutes
>was picking out Celtic songs, and just fell in love overnight...Likewise,
>there's one person's style of guitar playing which I honestly can't do
>a passable imitation of, and then there was Fish's style, which is much 
>harder, but seems to just "make sense".  It would be equally interesting 
>to see why certain playing styles subconsciously appeal to certain people 
>more than others...
>
>I would also be very surprised if there wasn't any psychology research done
>on this; there IS a branch of musical psychology.  Anyone know details?

When I bought my bodhran last year, the guy who sold it to me showed
me the basics of how to play it.  I then imitated him and started
banging out a few rhythms.  He said I was one of the best people he'd
ever seen just pick it up and start on it.  I'd had no experience
playing a bodhran.

1.5 weeks later, I played Merle O'Bodhran in concert at ConChord.
Afterwards, one of the people at the con complimented me on my use of
the bodhran, and that I'd improve with a little more practice.  Just
for giggles, I asked her how long she thought I'd been playing.

"Oh, about six months or so."

NOW if I could just get someone to show me how to REALLY use my
bodhran!

--Lynn
From: Kay.Shapero@f524.n102.z1.fidonet.org
Newsgroups: alt.music.filk
Subject: Getting everyone involved
X-Sender: newtout 0.02 Nov  5 1992
Date: 14 Nov 92  13:18:40

On <Nov 10 18:48>, Gerald Bliss (1:120/281) wrote to Mike Liebmann:

 GB>though Michigan is Anarchy Filk country, we decided to try a 
 GB>slightly 
 GB>modified Bardic Circle.  It was Play-or-Request-or-Follow, with a 
 GB>Pass 
 GB>being determined by the fact that you didn't open your mouth fast 
 GB>enough.  That way, we didn't waste anyone's time waiting for 
 GB>somebody to 
 GB>determing that so-and-so was going to pass, and the Follow aspect 
 GB>allowed for a bit of anarchy IF the singer had something that was 
 GB>begging to be played after the last song. 

How fast was "fast enough"?  It's rather unpleasant to make the next person in 
line spend so much effort on being sure they said something the very next
instant after the previous one sang that they don't have time to really listen 
to the song...  I still like the Poker Chip approach - whoever wants to Pass
never tosses theirs in at all, or passes it on to someone else, so you waste
even less time.

Incidentally, if you did step on some toes I suspect you wouldn've heard of it 
at the time... but the victims are apt to be creebing all over the place for
months ELSEWHERE (at least judging by some of the posts I've seen in here...
:-< ) 

--- msged 2.06
From: Ken.Burnside@f110.n114.z1.fidonet.org
Newsgroups: alt.music.filk
Subject: Rush Limbaugh
X-Sender: newtout 0.02 Nov 17 1992
Date: 16 Nov 92  10:43:00

Shadow:  Liked the poem.  Scott might've been a bit offended by it; I'm not.

I tend to disagree least with the Libertarians.  Enjoy your opinions!

[Scott Mode On]: Nah, I'm not offended by it...in fact, I thought it
illustrated my point nicely! <gryn>


---LCD
... Written any good filks lately?
--- Blue Wave/QBBS v2.10
Newsgroups: alt.music.filk
From: markbr%radian@natinst.com (markbr)
Subject: Re: Neo Vs. Ego
Date: Wed, 18 Nov 1992 19:17:40 GMT
Organization: n.o.y.b

In article <n0e62t@ofa123.fidonet.org> John.Creasey@f524.n102.z1.fidonet.org writes:
>Guest Post by Leslie Fish**********************
>Hello out there.  How many of you have heard my interesting tale
>of Why You Should 
>Always Be Nice To Neos?  A bit of patience and politeness to a
>new filker got me a deal for six professionally pubbed (and paid!)
>stories in C.J. Cherryh's MEROVINGEN NIGHTS series, also got me 
>a novel-collaboration, and pretty damn well launched my career as
>a Pro. SF writer.  How's that for an argument in favor of good
>manners at a filksing?  
>     Always remember: Thou Too Wert Once A Neo (yeah, me too;
>I went to my first SF con when I was 16, as the guest of Forry
>Ackerman, since I'd written lots of enthusiastic letters about
>his new pro-zine, FAMOUS MONSTERS OF FILMLAND.  If it hadn't been
>for Forry's patronage, I might never have encountered fandom).  No,
>I didn't get into filking then;  I was into folk-music and had 
>started my years-long task of setting Kipling's poems to my tunes,
>but filking didn't yet have a name then -- it was something done
>occasionally by Gordy Dickson at room-parties, and nowhere else.  I
>didn't run into it at cons myself until ten years later.  
>Obviously, I benefitted from the generosity of BNFs -- and likewise 
>benefitted from being nice to a filk-neo.  Is there a lesson in that,
>team?
<munch>
>     Really, there's always room to start another filk.  All you need
>is your songs, your guitar, enough space to sit down in, and a thick
>enough skin that sneers of the snooty don't discourage you.  As for 

Or you *could* ask friends, who may or may not sing in the traditional
fannish key of "off" (like my wife and I), but who have a thick enough
hide, and an anarchic enough point of view, to but *their* way in to
start the song *you* want, and they *can* always let you pick it up....

>other filkers, be tolerant of the not-so-great musicians and firm with
>the bullying types (don't be afraid to use your foot, if needed, for
>the sake of the public peace).  There's room for every kind of weirdo
>at a con, or even a house-filk.  Why else are we here?
>                             
Brava! BRAVISSIMA!!!

And remember, the filkhogs don't do many old traditional filks, nor usually
look kindly towards sing-alongs, which *IS* what the tradition of filking
*IS*. As I believe I've posted before, WHO THE BLOODY HELL TOLD SOME OF
THESE PEOPLE that *ANYONE* singing was doing so for *their* exclusive
entertainment, and not for the enjoyment of the person *singing*? In non-
fannish life, *I* was told for *years* "shut up", until I realized the
above, and got pissed off enough at people self-centered enough to think
that way.

Thanks again, Fellow Worker!

	mark, the Silverdragon
	   "I ain't proud, ... nor tired" - Arlo Guthrie, _Alice's Restaurant_
From: Richard.Sarner@f248.n271.z1.fidonet.org
Newsgroups: alt.music.filk
Subject: (3/4) Dr. Demento
X-Sender: newtout 0.02 Nov  5 1992
Date: 13 Nov 92  09:34:00

KS >And it's the November Dr. Demento update
KS >area codes with no stations broadcasting the good doctor:
KS > 804                 ?                            8/11/92

That's half of VA, the half I live in--WAHHHH!

  We don't get no filk, we don't get no Doctor...  
 
--- FreeMail 1.03
Newsgroups: alt.music.filk
From: electro@access.digex.com (Gary Ehrlich)
Subject: Post Permission
Summary: Q and blanket permission
Keywords: Q, post, blanket
Organization: Express Access Online Communications, Greenbelt, MD USA
Distribution: usa
Date: Wed, 18 Nov 1992 00:31:10 GMT


My attempt to post last night got garbled, so I'll try again:

To the person who wanted to repost "Amanda Be Q": fire away!

To the keeper of the blanket permission list: Please add me to it

    Gary Ehrlich    electro@access.digex.com

Thanx!




-- 
     ELECTRO   | Gary J. Ehrlich           | "Real filkers don't document;
    E_____     |                           |  if it was hard to write it   
   E           | electro@access.digex.com  |  should be hard to scan" 
  ELECTRO      | G. EHRLICH on GEnie       |          
Organization: Sophomore, H&SS general, Carnegie Mellon, Pittsburgh, PA
Newsgroups: alt.music.filk
Date: Sat, 21 Nov 1992 11:03:24 -0500 
From: Eli Brian Goldberg <eg1n+@andrew.cmu.edu>
Subject: Re: New Filk

Excerpts from mail: 18-Nov-92 New Filk "filk.ml-error"@ofa123.f (952)

> U > Organization: Sophomore, H&SS general, Carnegie Mellon, Pittsburgh, PA 
>  U > From: Eli Brian Goldberg <eg1n+@andrew.cmu.edu> 
>  U > Message-ID: Uf1f1Ve00Uh7M2llNn@andrew.cmu.edu 
>  U > Newsgroups: alt.music.filk 
>  U > 
>  U > 
>  U >            Hate is not a traditional family value: Boycott Colorado! 
>  
> I wish I could agree with you, but I just can't.  Hatred is one of the 
> first lessons in most families in America (and almost every other 
> country).  Also, I love Colorado (and I know many of her secret places 
> of beauty, not the trashcan ski areas) and wish I were back there (and 
> gainfully employed there).  But both points are well-taken. 


Go repeat what you just said to Kathy Mar...just make sure I'm out of the room
first... ;-)

           Hate is not a traditional family value: Boycott Colorado! 
 Internet: eg1n@andrew.cmu.edu Filknet: "Hey, you with the 12-string guitar!"
 SnailMail: Eli Goldberg, Box 4352, 5115 Margaret Morrison Rd, Pitt, PA 15213
From: S.S.B.Glover@bradford.ac.uk (SSB GLOVER)
Newsgroups: alt.music.filk
Subject: Re: Pentatonic
Date: 15 Nov 92 19:44:33 GMT
Organization: University of Bradford, UK
Originator: 92909131@muser

In article <n0e63t@ofa123.fidonet.org> Deborah.Weiss@f524.n102.z1.fidonet.org writes:
>I think I'm losing my marbles...or at least my PC is.  Would anyone on the
>Echo/Net post con info for Pentatonic, please?  I seem to have misplaced the
>info & need to update the con listings for TFT.  Mucho thanx in advance.
> 

From Matrix (Newsletter of the British Science Fiction Association) 100:

Pentatonic: The fifth British Filk Convention has Kathy Mar and Rhodri James
voice ;-)) for guests. February 6-7 Rozel Hotel, Weston Super Mare.
Info available from: 3 West Shrubbery, Redland, Bristol, UK

Hope this helps... 

Steve Glover (editor, Matrix: mail me for joining info. fan programme, Worldcon
1995 in Glasgw)
From: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
Newsgroups: alt.music.filk
Subject: Re: Ye Rules
Date: 16 Nov 1992 16:52:12 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, Kay.Shapero@f524.n102.z1.fidonet.org () says:

>
>Gotcha, and will do.  (Er... I'm handicapped by the fact that I don't recall
>the first names of the infamous Smothers Brothers (oh, the shame of it all!) - 
>if Harry was one of 'em, is there any way we could have aliases that won't
>create confusion?)
>


Oy, how soon we forget! The Smothers Brothers were Tom and Dick. Their _dog_, 
as seen on the commercials they are doing for the "Invisible Fence" people, 
is Harry... or is that Hairy? Anyway, the commericials are done by just
Tom, Dick, and Harry...    

<<ba-dum bum! Crash!>>


<<WERE Tom and Dick? They still _are_ Tom and Dick... sheesh...>>

-- 
 Joe Ellis  o/~ The Synthetic Filker o/~    |     TesserAct Studios
     Internet:   usr6184a@tso.uc.edu        |       P.O. Box 18577
        GEnie:   J.ELLIS22                  |     Fairfield, OH 45018
    All filked up and no place to sing!     |   New Dimensions In Filk!
From: Shadow.Spear@f236.n271.z1.fidonet.org
Newsgroups: alt.music.filk
Subject: Rush Limbaugh
X-Sender: newtout 0.02 Nov  5 1992
Date: 13 Nov 92  09:01:00

<We have witnesses who say Scott Malcomson spoke to Kay Shapero
about Slick willie on 11-05-92  18:46>

 KS> OK, guys - lambasting politicians and such lowlives in song is quite
 KS> all right in here, but try to keep this from turning into a prose
 KS> argument, ok?   

 SM> Sorry about that...sorry, sorry! I DO get a bit carried away... :)
 
 KS> (In other words, Scott, how's about a filk on the perfidys of Rush
 KS> Limbaugh?  Just think - it'll still be useful when most of the
 KS> campaign filks are outdated!)  

 SM> Well, I dunno...Ken Burnside and I are working on a tape called: "The
 SM> Best of Rush Limbaugh: The First Four Years", which will be a
 SM> long-playing 90-minute cassette...of perfect silence.
 SM> It records all the spots BETWEEN his words, where he wasn't saying
 SM> anything! 


	Well, Since I don't write _songs_ very often, how about a poem?


	Rush Limbaugh


When Democrats hold office
All across "The Fruited Plain",
Conservitives turn to Rush Limbaugh,
Whom Liberals disdain.

He is our "Guiding Light
Through Times of Trouble, and Despair",
He's always spreading "EIB",
(A virus), through the air.

Using "Talent on loan from God",
And only "Half his brain",
His views are sweeping the nation,
They cannot be contained.

The Institute at EIB
Is a very helpful thing;
It takes the "Young Skulls Full of Mush",
And teaches them to think.

I was not into politics,
Until the recent war,
But listening to Rush gave me
A view worth fighting for.

I'm just a simple "Dittohead"
Who really loves this show,
And prays the nation can survive Clinton,
We've only _four_ years to go!

	DITTOES RUSH!!!!!!!!!!!!!


	Robert Gunther Haid, Jr. 


	I hope this is an acceptable format, Kay.
As usual, please feel free to spread this around, as long as my name stays on
it, and it is not changed.


... Politically Correct: offending everybody by trying to offend nobody.  
--- FMail 0.90
From: hjfeld@acs.bu.edu (harold feld)
Newsgroups: alt.music.filk
Subject: Re: "Break The Law" musical debate (1 of 2)
Date: 15 Nov 92 19:46:02 GMT
Organization: Boston University, Boston, MA, USA

In article <n0e2ct@ofa123.fidonet.org> Mary.Creasey@f524.n102.z1.fidonet.org writes:
>And I have a tape of Leslie doing it, at Consonance a couple years 
>ago.
>Harold--just what WAS the point of debate? (Curious)

Well, it all started at Boskone 24.....
Leslie did "Break the Law".  I enjoyed it.  I sang along. Awhile
later, some little part of my brain started going:
'Wait a minute HArold, you know Jewish history.  How many times
has banker or tax-collector been 'Jewbanker/tax-collector' (one word:))?
So I wrote this:

Title: Lessons From History by Harold Feld
Tune: Break The Law

I was a banker, in Rocksmith county, I was dressing when the lynch-mob came
They'd burn my home, and kill my family
They'd lost their farms and said I was to blame

Are these the men whom I lent money freely, when no one else would give 
a goddamn dime
And every month when they'd miss their payments
I'd sign the papers, give 'em still more time

Stockholders screaming, my family starving
I yell "I had no choice I'm sorry boys."
But they just laugh, and push on forward
And from the back I heard an ugly noise....

Chorus: They said: Break the law, there's nothing that he can do
They said: Break the law, he's just a dirty Jew!
Break the law, it's either him or you

I heard the words, I was angry, then I remembered what my father feared
Now I know why he smiled sadly when I said 'Abba it can't happen here'
I shout 'You bastards, you call me coward, let's see you come and face
me one on one.'
But they just laqugh, and press on forward
I run inside to wake my wife and son

Chorus

I wake my wife, she grabs the baby, 
She starts to run but she don't understand
We tried to help them they want to kill us
Where are our neighbors won't they lend a hand?

My wife is fleeing, the crowd is coming
My neighbors stay locked up safe in their homes
I got my shot gun, I got my ammo
I may go down but I won't go alone!

Chorus (gun shot sound effects)

continued....

Harold Feld
From: Kay.Shapero@f524.n102.z1.fidonet.org
Newsgroups: alt.music.filk
Subject: Smothers
X-Sender: newtout 0.02 Nov  5 1992
Date: 15 Nov 92  15:20:59

On <Nov 14 15:17>, Mary Creasey (1:102/524) wrote to Kay Shapero:

 MC>They were Tom & Dick; that's why he's Harry!

Aha!!!  Thanks. 

--- msged 2.06
From: Leonard.Erickson@f51.n105.z1.fidonet.org
Newsgroups: alt.music.filk
Subject: Dr. Demento special!
X-Sender: newtout 0.02 Nov  5 1992
Date: 15 Nov 92  18:45:00

I guess I'm not the only person who doesn't read the TV listings in advance...

I just discovered that the Comedy Central cable channel is running a Dr.
Demento 20th anniversary special. I missed the first 5 minutes. I hope other
folks caught it.  
 
--- QuickBBS 2.76 (Gamma-3)
From: khill@decserv1.eecs.wsu.edu (Keith Hill)
Newsgroups: alt.music.rush
Subject: Re: If you could only buy 1 Rush CD(s)???
Date: 17 Nov 92 19:55:06 GMT
Organization: Washington State University

In article <1992Nov12.32217.4657@ms.uky.edu>, jjedmo00@nx40.mik.uky.edu (james j edmondson) writes:
|> In article <1992Nov11.232446.29954@wam.umd.edu> ghost@wam.umd.edu (.)  
|> writes:
|> > In article <1992Nov11.155442.27399@bnr.ca> herrage@bnr.ca writes:
|> > >My choice would definitely be "Hold Your Fire".
|> > >
|> > >Rob
|> > 
|> > 
|> > mine would be Exit Stage...Left
|> My choice would have to be All the World's a Stage
would have to be Moving Pictures. Tough choice though.
From: v281nr6a@ubvmsb.cc.buffalo.edu (Mark D Uher)
Newsgroups: alt.music.rush
Subject: Re: Rush/Charities/Causes
Date: 20 Nov 92 03:55:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

In article <1egs5cINNhfb@interceptor.ksu.ksu.edu>, fjs@interceptor.ksu.ksu.edu (Frank J Sereno) writes...
> 
>I am curious to know if anyone has an idea about which `charitable organizations' 
>the members of Rush find credible and worthwhile.  
> 
>So far, the only things I can remember are Neil's involvment with percussionists,
>Alex with his 'Omega Concern', and Geddy with the 'Northern Lights' album.  Also, 
>I seem to remember that Rush donated the proceeds from a RTB concert in Los 
>Angeles to help fight HIV and the spread of AIDS.  Other than that, I am clueless!
> 
>Can anybody help with a further comment???  Thanks!
> 
>Frank Sereno
>Kansas State University


In addition to what you have already mentioned... I heard that they did a canned
food collection at the RTB concert in Toronto.  It was so successful, 9 tons?!?
that they continued the effort during some of the shows in the U.S.  People 
were given a chance at front row tix if the brought in x number of cans.
                                           -Mark-
From: khill@decserv1.eecs.wsu.edu (Keith Hill)
Newsgroups: alt.music.rush
Subject: Re: Xanadu or Zanadu
Date: 17 Nov 92 20:10:54 GMT
Organization: Washington State University

In article <1992Nov13.142140.3999@pool.info.sunyit.edu>, gtas1@pool.info.sunyit.edu (Terrance Stedman) writes:
|> 	The spelling of Xanadu on my LP copy of ESL is "Zanadu".  This
|> typo also appears on the label of the record.  My CD copies of ESL and
|> AFTK have Xanadu spelled correctly.
|> 	It might be worth mentioning that I bought ESL from Columbia
|> House many years ago.  Perhaps that is the reason for the typo.
|> -- 
|>  I ) I I <~ I_I   Terry Stedman                          .sig copyright   
|>  I \ I_I _> I I   Internet: gtas1@pool.info.sunyit.edu   1992, T. Stedman 
|> --------------------------------------------------------------------------
My copie of tape and CD have it Xanadu.

Mr Hill

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From: dan@rat.csc.calpoly.edu (Dan Delany)
Newsgroups: alt.music.rush
Subject: Re: How others see Rush fans
Date: 16 Nov 92 04:25:58 GMT
Organization: Shinola Industries: We know the difference.

Wow!  cmermag@eng.umd.edu typed...
> Anyway, do any of you have any similar experiences of Rush-fan
> bashing in the form of "If you like Rush, then you are an 
> arrogant pompous who thinks he is intellectually better than
> the rest.."? This happened around the p/g PoW timeframe..

I've never had that sort of experience, but I've noticed the opposite quite
frequently, especially on the net.  What I'm talking about is the arrogant
Rush fan who causes Rush fans to be stereotyped in that way.

Typically these individuals react with hostility when another person says
that they prefer another group's music to Rush, or even say that Rush is
somehow less than perfect.  They will also react negatively if you mention
some other good musician and say "This guy is as good as
<Geddy|Neil|Alex>."

They can also be noted for their lack of tolerance towards the bands that
open for Rush live.

Lighten up, people!  Rush is a rock band.  It's ok to like other bands.
People who know me can confirm that Rush is my favorite band, but I don't
feel a need to listen to Rush every waking moment.  I don't think that
Alex, Geddy, and Neil would be offended to find out that I listen to other
bands.  Please, people.  If you encounter somebody who thinks you're a
snobby Rush fan, prove them wrong.

-- 
"All the world's a stage                      |   dan@rat.csc.calpoly.edu
 And all the men and women merely players:    |       Daniel Alan Delany
 They have their exits and their entrances;  -- Wm. Shakespeare  (1564-1616)
 And one man in his time plays many parts."    _As You Like It_  II,vii,39
From: lhcompt@cs.umd.edu (Lawrence H. Compton)
Newsgroups: alt.music.rush
Subject: Re: Neil
Date: 22 Nov 92 07:44:30 GMT
Organization: U of Maryland, Dept. of Computer Science, Coll. Pk., MD 20742

In article <BxvqB1.AJq@ns1.nodak.edu> abrahams@plains.NoDak.edu (Ryan Abrahamson) writes:
>
>And besides even if it was Neil in thoes photos(which I don't think it was)
>He can pose naked if wants to, that dosen't mean he's gay.
>
>Oh well first cancer, now a queer, what next, maybe Hitler reincarnated?
>
Don't forget soulless (sp?). That would add an interesting twist to
the reincarnation idea. 

						Larry
Newsgroups: alt.music.rush
Subject: Re: Red Barcheta
From: dan@rat.csc.calpoly.edu (Dan Delany)
Date: Sun, 15 Nov 92 17:51:58 GMT
Organization: Shinola Industries: We know the difference.

Wow!  hurben@lamar.ColoState.EDU typed...
> 
> So has anyone out there actually read the story?  "A Nice Morning Drive,"
> or something like that?
> 

It's available via anonymous ftp on syrinx.umd.edu in the rush/special
directory.

-- 
"All the world's a stage                      |   dan@rat.csc.calpoly.edu
 And all the men and women merely players:    |       Daniel Alan Delany
 They have their exits and their entrances;  -- Wm. Shakespeare  (1564-1616)
 And one man in his time plays many parts."    _As You Like It_  II,vii,39
Newsgroups: alt.music.rush