HDTenEightyP/NetNews huggingface dataset:
From: mcbean@vax.oxford.ac.uk
Newsgroups: rec.music.reggae
Subject: Re: Annoyances ( was Re: Blue eyed dub)
Date: 9 Jan 93 01:37:48 GMT
Organization: Oxford University VAX 6620

In article <1993Jan8.172058.5411@nosc.mil>, mike@jammin.nosc.mil (mike pawka) writes:
> |> reggae artists?  I know in my own mind, when I hear a white reggae group (the
> |> same also holds for white rappers), I sometimes feel like they're going to 
> |> have to prove themselves to me more than if they were black.  And when I hear 
> |> rap/reggae I don't like, by white artists, it often seems to me that some
> |> quality of "whiteness" about it is what I don't like...whereas when the artist
> |> is black, I usually have other reasons (Most dancehall stuff doesn't thrill,
> |> for instance).
> |> 
> 
> 	I agree here, and haven't really found any group that has "proved"
> themselves.
> 
> 						mike

I find that the problem with dancehall stuff (ragamuffin esp.) is that it is
primarily an entertainment vehicle, as opposed to classic reggae which always
had a message to give; and then people trying to judge both music forms in the
same light.

McBean
From: wwilliam@dvorak.amd.com (Wade Williams)
Newsgroups: rec.music.reggae
Subject: Re: Another Lee Perry request.....
Date: 4 Jan 93 20:37:13 GMT
Organization: Austin, Texas

In article <C06MEy.Lt2@dcs.glasgow.ac.uk> stevem@dcs.glasgow.ac.uk (Steve McGowan (RA)) writes:
>A few weeks ago I saw a Lee Perry CD in a record shop. I didn't
>
In the same vein, is there anyone with the Time Boom X De Devil Dead that
they would be willing to sell me or perhaps roll a copy of?  I have been 
looking hard, but with stats like this it is real hard:

Time Boom X : This was first released by On-U Sound early in 1987, a limited
run of about 3000 copies each of LP and cassette, supposedly (ON-U LP 43/C).
Then EMI got interested and it was exclusively licensed to them, as Vato
has already mentioned.  They rereleased it on LP (SYLP 6000), MC (TCSYLP 6000)
and CD (CDP 74844-2) around October 1987 on their Syncopate imprint.  With
those lovely purple labels :) .  I never got around to getting a copy after
release alas, although judging from the remixes and versions of its tracks
that On-U have releassed since, and the "Jungle" single ("what a lot of
coughing") (7"/10"/12"), its a pretty fine album  <sigh>.  I haven't seen it
for a couple of years now in stores.

-courtesy of the ON-U mailing list guru Culf :)

Thanks,

Wade   wwilliam@dvorak.amd.com
From: rkv@acsu.buffalo.edu (Rajeev K. Verma)
Newsgroups: rec.music.reggae
Subject: What is DUB stand for?????
Date: 8 Jan 93 20:11:42 GMT
Organization: UB

Hi,

	I do not know much about reggae; Can Someone tell

me; What is DUB stand for?

	Can someone suggest me; which Album should I buy,

in which Most of the songs are like Wickked in Bed by

Shabba Rhanks.


				Good Day

			      Rajeev Verma
Newsgroups: rec.music.reggae
From: rodean@fc.hp.com (Bruce Rodean)
Subject: Lucky Dube clarification
Date: Wed, 13 Jan 1993 02:09:38 GMT
Organization: Hewlett-Packard Co., Fort Collins, CO
X-Newsreader: TIN [version 1.1.8 PL6]

While scanning the Compact Disk Connection databases from ftp.uwp.edu, I
noticed that Lucky Dube was listed under "D" as if Dube was a surname.
Other places have it listed under "L".  Is Lucky Dube a real name?

--
Bruce Rodean                          Hewlett-Packard Company
rodean@fc.hp.com

Newsgroups: rec.music.reggae
From: raymond@kronos.arc.nasa.gov (Eric A. Raymond)
Subject: Re: What is DUB stand for?????
Organization: NASA/ARC Information Sciences Division
Date: Tue, 12 Jan 1993 21:06:12 GMT

Steve Frampton <frampton@vicuna.ocunix.on.ca> writes:

>rkv@acsu.buffalo.edu (Rajeev K. Verma) writes:

>> I do not know much about reggae; Can Someone tell me; What is DUB stand 
>> for?

>Not much help here, I *think* it stands for nothing; it is simply a style
>similar to Dancehall, but is simply a mix of pre-release Dancehall songs 
>that they are "testing" in the field before actually releasing them???  I
>could be way off-base here, and actually I wouldn't mind knowing this one 
>myself.

According to Johny Too Bad, DUB is a style of reggae in which a
producer/DJ creates a song by doing heavy mixing at the sound board.
Typically different tracks (instruments) are faded in/out in various
different ways.
From: ray@unisql.UUCP (Ray Shea)
Newsgroups: rec.music.reggae
Subject: Re: Annoyances ( was Re: Blue eyed dub)
Date: 12 Jan 93 19:16:29 GMT
Organization: UniSQL, Inc., Austin, Texas, USA

In article <1993Jan9.013347.11179@vax.oxford.ac.uk> mcbean@vax.oxford.ac.uk writes:
>I disagree with you on some of this, but maybe we can agree to disagree.  

I agree.

>I
>believe that it is a mark of disrespect when you take somebody's obvious
>religious and spiritual symbols and treat them with trite disregard.  For
>example if some group believes that a certain area is sacred, then though I
>won't agree I will respect their beliefs.  Same thing goes with locks.  It's
>probably due to my having grown up in Jamaica, where you would not be wearing
>locks for fashion.

Did dreadlocks into come existance directly from Rastas, or did other people or
cultures wear them before that?  I though that dreads were an
existing style which took on added meaning through Rastafarianism, much
like the "afro" style did during the 60's (only deeper, since the significance
is religious more that cultural).  My understanding is that dreadlocks are
supposed to emulate the look of the Lion (the Savior?  I might be wrong on
this)...thus the term "baldheads" to refer to the white opressors.

I guess it's hard for me to see it from your viewpoint, because my own
religion/philosophy/whatever-you-want-to-call-it doesn't really have any
sacred symbology...it's all in my head.  I have a cross tattooed on my left
shoulder which has some religious significance, but I guess I would have to
admit that even some of that significance is based on a disregard for my
Roman Catholic upbringing.  So I guess I see your point...but I don't believe
that non-rastas wearing dreads mean any disrespect, mainly because I don't
believe it has occurred to many of them that a hairstyle could have religious
significance.

>Always goes back to culture.  I wouldn't know how to appreciate heavy metal in
>a month of Sundays.  Also the history of black music being ripped off
>continuously gives a feeling of deja vu, which becomes almost a reflex action.

Agreed.

-- 
Ray Shea                                      
UniSQL, Inc.                             Sometimes I feel like a blue dog.
unisql!ray@cs.utexas.edu                                     -- The Blue Dog
DoD #0372 -- Team Twinkie -- '88 Hawk NT650
From: robert@cse.fau.edu (Robert France)
Newsgroups: rec.music.reggae
Subject: Re: Female Reggae
Date: 8 Jan 93 22:00:23 GMT
Organization: Florida Atlantic University, Boca Raton, FL, USA

In article <1993Jan5.153407.12393@nosc.mil> mike@jammin.nosc.mil (mike pawka) writes:
>new face, check out Annette Brissett & The Taxi Gang on RAS.

Great album that! Also check out Sister Audrey's new album (I think it's
called `Populate') - includes `Africa is Zion' and (my favourite)
`Don't Call me no English Girl' (there's a more rootsey version of this
by her on an album featuring female roots singers). Only drawback with
this album is the recording quality (I bought it on cassette since I could not
find the CD), does anyone know if this album is released on CD.

Robert


-- 
Robert B. France                              |    Tel: (407) 367-3857
CS&E Dept, Florida Atlantic University,       |    Fax: (407) 367-2800   
Boca Raton, FL 33431-0991                     |    email: robert@cse.fau.edu
===============================================================================
From: fiddick@condor.ucsb.edu (Laurence Fiddick;)
Newsgroups: rec.music.reggae
Subject: Re: Ijahman info?
Date: 11 Jan 93 05:45:27 GMT
Distribution: rec.music.reggae

i've got 'are we a warrior?' which i like, but am not sure of his other
releases, so i wouldn't mind hearing what others have to say. should i seek
out more? so far as i know ijahman is just a marginal figure, but then
dancehall has marginalized many great artists so audience isn't
everything.
From: arf@otter.hpl.hp.com (Andrew Farmer)
Date: Thu, 7 Jan 1993 08:14:16 GMT
Subject: Re: Blue eyed dub
Organization: Hewlett-Packard Laboratories, Bristol, UK.
Newsgroups: rec.music.reggae


In rec.music.reggae, jd10002@eng.cam.ac.uk (J. Dobbs) writes:

>I also agree that the "New Age Steppers" album (fuzzy tape, actually) I have
>here is a worth tracking donw. It goes by the title "Foundation Steppers" and
>the track listing is:- Some Love; Memories; 5 Dog Race; Misplaced Love;
>Dreamers; Stabilizer; Stormy Weather; Vice of my Enemies; Mandarin. Tracks
>1,5 and 7 are IMHO outstanding. So, does anyone know what happened to the band?
>It was news to me that they became African Head Charge, in fact I'd never
>heard of African Head Charge before I read this article? Were they Brits?
>Do they tour? Anyone seen them?

	New Age Steppers were one of the early On-U Sound projects. On-U 
 Sound is a collective group of musicians and a record label. New Age
 Steppers were made up mostly of ex-members of cult post-punk bands like
 Bristol's Pop Group and The Slits, with some help from established Jamaican
 reggae artists such as Bim Sherman and members of the Roots Radics. Over
 the years, On-U has had many faces, including Dub Syndicate, Gary Clail,
 Tackhead, Mark Stewart and Maffia, African Headcharge etc etc. Personnel
 for these bands change constantly, the main linking factor being On-U
 label boss and producer Adrian Sherwood (who cut his teeth in the late
 70s doing dub mixing for big names such as Prince Far I). Incidentally,
 the current line-up of African Head Charge are all black so I'd hardly
 call them "blue-eyed dub".

>Some more trivia concerning The Clash, culled from my hazy, holographic
>memory - there's a dead famous recording studio in Jamaica where all the
>greats who recorded there have got their faces on a mural on the wall
>(anybody care to name it? - i've forgotten). The Clash are the only white folks
>on it - credit where credit's due, is what I say.

	Wasn't this Lee Perry's seminal Black Ark studio? I seem to remember
 the Clash recording there. According to legend, Perry burnt down that 
 studio something like 10 years ago.....

	arf
From: mike@jammin.nosc.mil (mike pawka)
Newsgroups: rec.music.reggae
Subject: Re: sound files for SUN workstations
Keywords: sound files
Date: 11 Jan 93 17:51:28 GMT
Organization: NRaD

In article <C0p9Cq.DAs@news.cecer.army.mil>, engwall@zorro.cecer.army.mil (Evan Engwall) writes:
|> These sound files seem like a great idea.  How do I access them, what sort of
|> hardware do I need? How do I play them, etc.  Pardon my ignorance...
|> 

	Actually, they're kind of interesting, but unless you have a lot of disk
space, not so practical. A 4 minute song takes about 1.5MB. You need a SUN Sparc
workstation. CD's are much more practical.

	To access the soundfiles, ftp to jammin.nosc.mil (128.49.17.163), login
with username anonymous, use your e-mail address as the password, change
directory to the audio directory (cd pub/reggae/audio), set binary transfer mode
(bin), issue a dir to see what's there, use the "get" command to download the
files.

							mike
Newsgroups: rec.music.reggae
From: LB.NKA@isumvs.iastate.edu (Nubi Achebo)
Subject: On-U Sound Address
Organization: Iowa State University, Ames IA
Date: Thu, 7 Jan 1993 18:35:44 GMT

Would someone please post the address of On-U Sound?  A direct e-mail will be
fine in addition to the general posting.

Nubi Achebo.
Newsgroups: rec.music.reggae
From: mike@jammin.nosc.mil (mike pawka)
Subject: Re: Annoyances ( was Re: Blue eyed dub)
Organization: NRaD
Date: Mon, 11 Jan 1993 16:59:29 GMT

In article <1993Jan9.013748.11180@vax.oxford.ac.uk>, mcbean@vax.oxford.ac.uk writes:
> 
|> I find that the problem with dancehall stuff (ragamuffin esp.) is that it is
|> primarily an entertainment vehicle, as opposed to classic reggae which always
|> had a message to give; and then people trying to judge both music forms in the
|> same light.
|> 

	How can I distinguish "ragamuffin" from standard dancehall? Are there
other forms of "ragamuffin".

							mike
Newsgroups: rec.music.reggae
From: mike@jammin.nosc.mil (mike pawka)
Subject: reggae archives
Organization: NRaD
Date: Tue, 12 Jan 1993 16:27:46 GMT

	More gifs thanks to Paul Mowatt,

pub/reggae/pics/marley.gif	Bob from insert of "Live" CD
pub/reggae/pics/tosh.gif	Peter from cover of "Wanted, Dread and Alive"

						niceness,	mike


reggae archives: jammin.nosc.mil (128.49.17.163)
login anonymous, password e-mail address
cd pub/reggae
From: mike@jammin.nosc.mil (mike pawka)
Newsgroups: rec.music.reggae
Subject: Re: Female Reggae
Date: 5 Jan 93 15:34:07 GMT
Article-I.D.: nosc.1993Jan5.153407.12393
Organization: NRaD

In article <1993Jan4.204258.14859@dvorak.amd.com>, wwilliam@dvorak.amd.com (Wade Williams) writes:
|> 
|> Don't know this one, but the best live female reggae singer I've ever
|> had the pleasure of seeing was Sophia George.  What a heart wrencher ;-)
|> Reggae Sunsplash '88 I believe.  Bliss with the Touring Band Saggitarius
|> behind her.
|> 

	Saw her on the Sunsplash World Tour in '89 and '90, she was supposed to
have a new album out on Pow-Wow last year but it never made it. For a relatively
new face, check out Annette Brissett & The Taxi Gang on RAS.

							mike
Organization: Penn State University
Date: Wed, 6 Jan 1993 11:57:11 EST
From: Peter Parisi <PXP8@psuvm.psu.edu>
Newsgroups: rec.music.reggae
Subject: Ijahman info?

A few years ago a friend gave me some Ijahman tapes and I thought they were
great and rather unusual--maybe more melodic than most reggae, though still
with a wonderfully compelling, pulsing rhythm.  Very spiritual lyrics.  Or
so it seemed to me.  I am not knowledgable about reggae, so wanted to hear
others views on a few questions.  Is he a rather minor figure in the reggae
pantheon?  Is he still active?  Does he work with one band or different
musicians?  What do others think of him?  How would others compare him to
other performers?  Is there a name for his style?  ETc.  Thanks!
Newsgroups: rec.music.reggae
From: hamm@weejordy.physics.mun.ca (Craig Hamm (Evil Spock))
Subject: Re: Annoyances ( was Re: Blue eyed dub)
Organization: Ocean Sciences Centre
Date: Fri, 8 Jan 1993 20:31:58 GMT

	In article <4498@unisql.UUCP>, ray@unisql.UUCP (Ray Shea) writes:

|> I wonder, do people think there is a credibility problem sometimes with white
|> reggae artists?  I know in my own mind, when I hear a white reggae group (the
|> same also holds for white rappers), I sometimes feel like they're going to 
|> have to prove themselves to me more than if they were black.  And when I hear 
|> rap/reggae I don't like, by white artists, it often seems to me that some
|> quality of "whiteness" about it is what I don't like...whereas when the artist
|> is black, I usually have other reasons (Most dancehall stuff doesn't thrill,
|> for instance).
|> 
|> Dunno what I'm getting at here, really.  Maybe other people have thoughts on
|> the subject?
|> 
|> -- 
|> Ray Shea                                      
|> UniSQL, Inc.                             Sometimes I feel like a blue dog.
|> unisql!ray@cs.utexas.edu                                     -- The Blue Dog
|> DoD #0372 -- Team Twinkie -- '88 Hawk NT650

	I'm in Newfoundland, about as close to Greenland as you get on this 
	Continent (N.A.), and there is a reggae band in town here.  This is
	NOT a reggae environment, trust me!!  HOWEVER, they are a predominately
	white band (and include a female too).  I think they are pretty good.
	They have 'proved' themselves to ME.  Oh, they're no MARLEY, but they
	do quite well.  I couldn't give a crud what colour etc the artists are.
	If they're good, they're good.  Nuff said.  You also have to allow us white
	folk to play reggae, so that after we fall in love with it, we can 
	go out and discover the grandaddies (mamas?) of the movement, Marley etc.
	Then, we skank.

-- 
  Craig Hamm, Memorial University,|   
  Newfoundland, Ocean Acoustics   |
  Canada  DoD #1500 ,'81 Maxim 650|
  ________________________________|
From: ncambray@eoe.co.uk (Nick Cambray)
Newsgroups: rec.music.reggae
Subject: Re: Rico, Man from Wareika
Date: 6 Jan 93 12:38:55 GMT
Organization: EO Europe Limited, Cambridge, UK
X-Newsreader: TIN [version 1.1 PL6]

In case anyone is interested ....

Rico is currently touring the UK with a band called Jamaica Jazz. They
are playing mostly ska, including loads of old classics by the Skatalites
et al. Saw them at the Jazz Cafe in Camden, London a week or so ago
& the old songs sounded as good as ever. I'm afraid I have no schedule
for them, but if you can catch them anywhere, I reccommend it strongly.


			Nick
From: smurungu@cvbnet.prime.com (cvbnet)
Newsgroups: rec.music.reggae
Subject: Re: Rico, Man from Wareika
Date: 5 Jan 93 00:37:11 GMT

From article <Dec30.194212.28002@yuma.ACNS.ColoState.EDU>, by jn163051@LANCE.ColoState.Edu (Joel Nevison):
> Does anyone have a copy of the album 'Man from Wareika' by Rico Rodriguez?

I have the album

solomon murungu
smurungu@rusape.prime.com
(617) 275-1800 x4334
Newsgroups: rec.music.reggae
From: kburns@hydra.unm.edu (Kevin Burns...math)
Subject: Welcome!
Date: Thu, 07 Jan 93 18:48:51 GMT
Organization: University of New Mexico, Albuquerque

     I welcome with open arms this newsgroup to the U. of New Mexico!
     It's about time!  All praise to Jah!

     New Mexico is a favored concert site for a good handful of the best
     musicians.  1992 was a great year with Jimmy Cliff twice, Third World,
     Toots & the Maytals, Pato Banton and Burning Spear.  I promise to keep
     the newsgroup updated on any future shows in Albuquerque and Santa Fe.

     For the netter who asked about satellite G3; it is at 93.5 - it is the
     same bird as the one which broadcasts MTV, Nickelodeon, C-Span, etc.
     The group has paid me immediate dividends as reggae music is at this
     moment flowing from my TV!

     Let me close with a plug for the weekly reggae music show on KUNM, 89.9
     FM, on Thursdays from 7-10 PM MST, from Albuquerque.

     I'll be back!                                 

                       Kevin
From: mcbean@vax.oxford.ac.uk
Newsgroups: rec.music.reggae
Subject: Re: REQ: source of song
Date: 4 Jan 93 21:58:08 GMT
Distribution: rec
Organization: Oxford University VAX 6620

In article <BADRI.92Dec30092736@elysium.warren.mentorg.com>, badri@warren.mentorg.com (Badri Lokanathan) writes:
> I have been trying to track down the group who did a song that starts
> (I believe) Open Sesame, here comes Rastaman ...
> I thought it was by Steel Pulse but have not found it on any of their
> albums. It may also be by Culture.
> 
> I remember it from sunsplash '87 in JA, if that is of any use.
> Any pointers?

It definitely is by Steel Pulse and the title (from memory) is "Stepping Out",
but it's on their album "Earth Crisis" (I'm not 100% sure about the title.  The
album is in Ja and I'm going senile!).  That was the last decent album they did
for me.

McBean
Newsgroups: rec.music.reggae
From: darkstar@pecan.cns.udel.edu (The Janitor Of Anarchy)
Subject: Re: Who was Selassie? (was Re: Annoyances)
Followup-To: rec.music.reggae
Summary: Presents For All
Keywords: surviving the iron storm i pledge to do...
Organization: The Green Circle Of Vengence
Date: Mon, 11 Jan 1993 05:21:13 GMT

In article <C0o51D.IEv@undergrad.math.waterloo.edu> gdnikoli@napier.uwaterloo.ca (Greg Nikolic) writes:

[stuff deleted]

>     Yeah, that brings me to my question. My sister Melissa is having her
>birthday on Feb 14 and I want to buy her some boom new reggae sounds. She (of
>course) loves Marley (god knows how many wall paintings she has of him), and
>really like Arrested Development. Could someone suggest something else that
>my sister would like, something a little different to surprise and delight her?
>Keep in mind that I live in a mass marketing, mall-centred area in Ontario, and
>hence most mainstream stores will have a limited selection of reggae...altho'
>if someone knows of a good reggae/ska store in Kitchener-Waterloo, I'd apprec-
>iate that too.
>
>

I recommend Black Uhuru.  Try getting either Now or Iron Storm (their 
latest two albums).  Also, depending on the flavor of reggae she likes,
each album is available in the either the "regular/traditional" style,
and the "dub" style.  I like them both, but if she goes for lyrics as
much as great music, I suggest the regular versions of the albums.


	--Jerry




-- 

Jerry Alexandratos            | "If you want to get a head,
darkstar@freezer.cns.udel.edu |  you got to get a hat!"
darkstar@bach.udel.edu        |    --"Skin Trade"
Newsgroups: rec.music.reggae
Subject: Dubaddxx/Black Matrix Records info?
From: <LIBRBA@BYUVM.BITNET>
Date: Monday, 11 Jan 1993 14:33:39 MST
Organization: Brigham Young University

Help!  Has anyone out there ever heard or heard of a group called Dubaddxx
and/or their album "Dub to the Truthseekers?"  They apparently record for
a label called Black Matrix; does anyone have an address or phone number for
that label?

Thanks and keep on skankin',
                             Rick Anderson
Newsgroups: rec.music.reggae
From: mike@jammin.nosc.mil (mike pawka)
Subject: Re: Annoyances ( was Re: Blue eyed dub)
Organization: NRaD
Date: Mon, 11 Jan 1993 17:04:32 GMT

In article <1993Jan9.013347.11179@vax.oxford.ac.uk>, mcbean@vax.oxford.ac.uk writes:
|> I disagree with you on some of this, but maybe we can agree to disagree.  I
|> believe that it is a mark of disrespect when you take somebody's obvious
|> religious and spiritual symbols and treat them with trite disregard.  For
|> example if some group believes that a certain area is sacred, then though I
|> won't agree I will respect their beliefs.  Same thing goes with locks.  It's
|> probably due to my having grown up in Jamaica, where you would not be wearing
|> locks for fashion.
|> 

	Interesting, none of my jamaican friends feel this way, although
admittedly it's not a large sample and none are rastas. I'm wondering how you
feel about wearing the red, gold and green, caps and stuff. To me it shows
support for reggae (as well as looking nice ...).

								mike
Newsgroups: rec.music.reggae
From: rohilton@diana.cair.du.edu (RON HILTON )
Subject: Re: Haile Selassie
Organization: University of Denver, Denver, Colorado
Distribution: na
Date: Fri, 8 Jan 93 19:41:42 GMT

In article <93008.072751LIBRBA@BYUVM.BITNET> <LIBRBA@BYUVM.BITNET> writes:
>In article <1ijtpgINN5d1@meaddata.meaddata.com>, derrick@meaddata.com (Derrick
>Tatem) says:
>>>  What does all this have to do with Jamaica and
>>>reggae?
>>
>>Well reggae was born in Jamaica.
>>
>
>   We need to remember, however, that reggae had been around in its early
>forms for quite a while before it was adopted as Rasta music.  Ska and

*If I could also add .. many of the musicians "adopted" rastafari as their
 religion and wove that message into their music.  Thus reggae and rasta
 have been identified together.




Newsgroups: rec.music.reggae
From: rustcat@leland.Stanford.EDU (Vallury Prabhakar)
Subject: Reggae clubs in South Bay?
Organization: CDR, Stanford University
Distribution: ba
Date: Thu, 7 Jan 93 20:48:47 GMT

Are there any good reggae clubs with live bands in the 
South Bay area?  I've been to Antonio's in Mountain View
a couple of times, but wasn't very impressed.  The music
seemed too polished and rap-like, though it might have 
been a couple of off-nights.  

I'd been to Ashkenaz in Berkeley a long time ago, and 
the bands playing there sounded very authentic.  Unfortunately,
Berkeley is too far from Palo Alto, and besides it's probably
not a good idea given the Big Game annhilation of Cal. :-}

Thanks in advance for any info.  

-- Vallury Prabhakar

 
-- 
Eighty percent of air pollution comes from plants and trees. -- Ronald Reagan, famous movie star
 
== rustcat@sunrise.stanford.edu ==
== Office #:    [415] 725-0163  ==