HDTenEightyP/NetNews huggingface dataset:
From: bgray1@cc.swarthmore.edu (Brandon Gray)
Newsgroups: alt.guitar.tab
Subject: Re: ???tab/under the bridge???
Date: 16 Oct 92 16:49:43 GMT
Organization: Swarthmore College

In article <92289.140433IBA100@psuvm.psu.edu>, <IBA100@psuvm.psu.edu>
writes:
> 
> I need the tab for under the bridge by the red hot chili peppers.
> thanx-
> IBA100
> 
> 
					    Well, I won't be able to transcribe the whole song right now, but
I can do it in installments...perhaps I'll give the intro., and then
someone else will feel nice enough to finish the rest (I'm going home in 30
min. for fall break...)  Later much!
					                 Brandon

          

                          "Under the Bridge"(intro)

let ring clearly...

E---------------2---------I----------------------------------I--------------
B---------3---------3-----I----------------------------------I--------------
G------2-----2---------2--I-------------------------3--------I--------------
D---0---------------------I-------------------4--------4-----I-4--2--0-----0
A-------------------------I-4--2--0--------4-----4--------4--I----------2---
E-------------------------I----------4--2--------------------I--------------




                                                ==>   (repeat1x only)
E-----------2--------I---------------------------I-------------I I-----
B------3-------3-----I---------------------------I-------------I I--9--
G---2----2--------2--I------------------3--------I-------------I*I--9--
D--------------------I-0--2--------4-------4-----I-4--2--0-----I I--9--
A--------------------I----------4----4--------4--I----------2--I*I--7--
etc.
E--------------------I-------2-------------------I-------------I I-(0)--


That's all I have time for now...but I can tell you that the chord
progression goes as follows:  E     B Bsus4 B   C#m   G#m   A  ;   E   B
Bsus4 B   C#m  A 
etc. ->  Emaj7 (note: they're all barre chords - 2nd pos.) etc.

If no one else posts the tab, just ask me to and I'll post the rest when I
get back in a week or so...See Ya'!!
From: nates@ll.mit.edu ( Nate Smith)
Newsgroups: alt.guitar.tab
Subject: Re: Banjo
Date: 14 Oct 92 17:43:42 GMT
Organization: MIT Lincoln Laboratory

In article <1992Oct14.142045.7392@newscan.canada.sun.com> mario@theglove.Canada.Sun.Com writes:
>In article 22329@newshub.ariel.yorku.ca, cs902154@ariel.yorku.ca (RONALD W ENGLISH) writes:
>>
>>Can anyone e-mail tuning and play instructions to me
>
>I believe you tune it in open G. Then you can play all those great
>Keith Richards' licks (no jokes!).

4-string banjos (the kind used in Jass bands) are tuned to the notes of a
violin.  HOWEVER, it is most likely that you have a 5-string banjo.  the
5th string is tuned to G, 3 frets above the high E-string on a guitar.  to
get the G-tuning, the other 4 are D, G, B, and D - open G.  to get the
C-tuning, the 4th string is dropped down 2 fret's worth to C.  to get a D
tuning, drop the 5th string 1 fret's worth to F# and the other 4 go D, F#,
A, D.  to get the mountain modal tuning, first, go back to the G-tuning
above, then raise the 2nd string 1 fret to C.  thats just a few for
starters.  as you may suspect, the are many tunings.  i'm old-fashioned,
but i swear by the legendary "How to Play the 5-String Banjo" by Pete
Seeger - a truly classic instruction book, where you also will get a
healthy lesson in using TABlature for music.

- nate, in possession of Celebrated Benary #6
From: bgray1@cc.swarthmore.edu (Brandon Gray)
Newsgroups: alt.guitar.tab
Subject: Re: ???tab/under the bridge???
Date: 16 Oct 92 17:21:06 GMT
Organization: Swarthmore College

In article <YWWRBLLM@cc.swarthmore.edu>, bgray1@cc.swarthmore.edu (Brandon
Gray) writes:
>
> let ring clearly...
> 
> E---------------2---------I----------------------------------I--------------
> B---------3---------3-----I----------------------------------I--------------
> G------2-----2---------2--I-------------------------3--------I--------------
> D---0---------------------I-------------------4--------4-----I-4--2--0-----0
> A-------------------------I-4--2--0--------4-----4--------4--I----------2---
> E-------------------------I----------4--2--------------------I--------------
> 
> 
> 
> 
>                                                 ==>   (repeat1x only)
> E-----------2--------I---------------------------I-------------I I-----
> B------3-------3-----I---------------------------I-------------I I--9--
> G---2----2--------2--I------------------3--------I-------------I*I--9--
> D--------------------I-0--2--------4-------4-----I-4--2--0-----I I--9--
> A--------------------I----------4----4--------4--I----------2--I*I--7--
> etc.
> E--------------------I-------2-------------------I-------------I I-(0)--
> 
> 
   I KNOW! I KNOW!!!  I was just looking through my files, and I realized
that gave a simplified version I sent to a beginner a few weeks
ago...anyway, I'm not going to bother to go through with the whole
transcription again, but here a the correct chord forms.  Sorry, for the
inconvenience, but I don't listen to the Peppers, and the mistake went
unnoticed...
                                            Brandon


E-----------------------------I
B---3-----------3(5)(3)-------I
G---------2--------------2----I
D------4-------------------4--I
A---5--------5----------------I
E-----------------------------I  etc...you'll be able to figure it out!
> 
> 
>
From: lesher@bucknell.edu (T. Lesher)
Newsgroups: alt.guitar.tab
Subject: Re: Why are strings on acoustic guitars so high off the fret board??
Date: 9 Oct 92 03:00:49 GMT
Followup-To: alt.guitar.tab
Organization: Bucknell Computer Services
NNTP-Posting-Host: macb02.bucknell.edu

In article <BvtsI0.GI1@ecf.toronto.edu>, blazic@ecf.toronto.edu (BLAZIC
Joseph R) wrote:
> 
> Recently I bought an acoustic for about $250 CAN, a decent quitar, and while
> in the music store I noticed that most acoustic guitars had the same problem:
> action.  I've been told that this problem is easily remedied by shaving the
> bridge a bit.  I have to ask:
> 
> -will this change the sound of the guitar to any degree?
> -why do most acoustics have such high action (compared to most electrics)?
> 

These are my thoughts:

1.  There are gonna be some purists that tell you, "Anything that you do to
the <insert guitar part> is going to change the sound."  True, to an
extent.  But, IMHO, shaving the bridge is ok if you do it the way I did.
I removed the "saddle" (the usually white sliver of the bridge on which
the strings rest) and place the *bottom* edge on a belt sander.
Presto-changeo,
a lower action, and an even "shave".

2.  [BTW, this is mostly conjecture] (1) More acoustics are used for slide
playing than are electrics.  High action is better for playing slide, cuz
you don't _want_ the slide to touch the fretboard.  It's a b*tch playing
slide on a guitar with a low action. (2) When you (or at least I) play an
acoustic, you play the strings harder; you need to, to get any kind of
volume.  If you play hard on a low-action guitar, you get lots of string
buzz
from the strings slapping the frets.  So, on an acoustic which will
probably
get played hard, you want a high action.

But, now after my bridgework ;) my acoustic action is only marginally
higher
than my electric action.
Newsgroups: alt.guitar.tab
From: cdj@iti.org (Chris D. Jennings)
Subject: Re: name that tune...
Organization: Industrial Technology Institute
Distribution: usa 
Date: Fri, 16 Oct 1992 15:19:55 GMT

In article <1992Oct16.130348.27677@newscan.canada.sun.com> martin@sun.com writes:
>I am looking for the exact title and author of the song that includes these lyrics.
>
>I can't live
>If living is without you
>I can't live
>I can't live anymore

The song title is "Without You."  I'm not sure who the author was,
but I've heard versions of it by various people.


Newsgroups: alt.guitar.tab
From: bjparr00@nx20.mik.uky.edu (bradley joe parrott)
Subject: BAD LOVE
Organization: University Of Kentucky, Dept. of Math Sciences
Date: Mon, 12 Oct 1992 02:02:57 GMT

Anyone have the music to Bad love by ERIC CLAPTON?
Newsgroups: alt.guitar.tab
From: ascheng@athena.mit.edu (Adelbert S Cheng)
Subject: Drive by REM
Organization: Massachusetts Institute of Technology
Date: Sat, 17 Oct 1992 00:09:32 GMT

Here's REM's Drive, which is from their latest album Automatic For The
People.  The picking pattern on the chords (basically on the Dm) is
pretty simple, so I'm not going to tab that out.  I figured this out
by simply listening to the song, so errors may exist (especially with
the lyrics).  If you find any, please e-mail me and bring them to my
attention.

--
A. S. (Ed) Cheng
ascheng@athena.mit.edu

--------------->8---------------cut here--------------->8---------------
Drive
by REM


The chords:

Dm - xx0231
G  - 3x0003
F  - 133211
Am - x02210
Em - 022000


The music:

Intro - 
| Dm | Dm | Dm | Dm |

Part A - 
| Dm | G  | Dm | Dm :|
| F  | Am | G  | G  |
| Em | Em | Dm | Dm |

(repeat Part A)
 
| Am | G  | Dm | Dm |
| Am | Am | Dm | Dm |
| Am | G  | Dm | Dm | Dm | Dm |

(Part A again)

| Am | Am | Dm | Dm |
| Am | Am | Dm | Dm | Dm | Dm | Dm |


The lyrics:

Smack, crack, bushwacked
Tie another one to the racks, baby
Hey kids, rock and roll
Nobody tells you where to go, baby
What if I ride, what if you walk
What if you rock around the clock
Tit, tot, tit, tot
What if you did, what if you walked
What if you drive to get off, baby

Hey kids, where are you
Nobody tells you what to do, baby
Hey kids, shake a leg
Maybe you're crazy in the head, baby
Maybe you did, maybe you walked
Maybe you rocked around the clock
Tit, tot, tit, tot
Maybe I ride, maybe you walk
Maybe I drive to get off, baby

Hey kids, shake a leg
Maybe you're crazy in the head, baby
Ali, ali, ali, ali, ali
Ali, ali, all come free, baby
Hey kids, where are you
Nobody tells you what to do, baby

Smack, crack, shack-a-lack(?)
Tie another one to your backs, baby
Hey kids, rock and roll
Nobody tells you where to go, baby
Maybe you did, maybe you walked
Maybe you rocked around the clock
Tit, tot, tit, tot
Maybe I ride, maybe you walk
Maybe I drive to get off, baby

Hey kids, where are you
Nobody tells you what to do, baby
Hey kids, rock and roll
Nobody tells you where to go, baby, baby, baby
--------------->8---------------cut here--------------->8---------------
From: rlwst8+@pitt.edu (Robert L Williamson)
Newsgroups: alt.guitar.tab
Subject: Re: A Robert Plant song
Date: 14 Oct 92 00:16:04 GMT
Organization: University of Pittsburgh

There is a Robert Plant song that I constantly used to hear over the radio.  It is a really slow and mellow song.  The only way I know how to describe it is that there are only two chords that are played by the guitarist; the rest is mostly bass and a relatively fast beat.  Can anyone tell me the name of this song and possibly give me those two chords and any of the solo riffs?  I would appreciate any comments.
From: v085pcqr@ubvmsd.cc.buffalo.edu (MATTHEW J. SUROWIEC)
Newsgroups: alt.guitar.tab
Subject: MONKEES - Look Out, Here Comes Tomorrow
Date: 9 Oct 92 18:12:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

a Neil Diamond penned song, not bad really:

i play it starting with G but it can be changed to any 3 chord sequence to
fit your vocal range ( ex> CFG, GCD, etc....)

Look Out, Here Comes Tomorrow
-----------------------------

(intro)
   v   v   ^   v   v   ^   ^   v   ^   v   v   ^
|--3---3---3---3---3---3---3---3---3---3---3---3---|-
|--0---0---0---0---0---0---0---0---0---0---0---0---|-
|--0---0---0---0---0---0---0---0---0---0---0---0---|-
|--0---2---0---0---2---0---0---2---0---0---2---0---|-
|--2-------2---2-------2---2-------2---2-------2---|-
|--3---3---3---3---3---3---3---3---3---3---3---3---|-

G         C                    D           G
Look out, here comes tomorrow, that's when i'll have to choose
G     C                   D              G
how i wish i could borrow someone else's shoes
G     C                     D         G
Mary, oh what a sweet girl, lips like strawberry pie
G       C                          D                G
Sandra, long hair with veet curls, can't make up my mind

[chorus] 
G          F                   C      F          G
well i see all kinds of sorrow wish i only loved one
G        F
look out here comes tomorrow 
C        F      C            F     G    D
oh how i wish tomorrow would never come

G         C                      D       G
told them both that i loved them said it and it was true
G     C                       D                  G
but i can't have both of them don't know what to do

(CHORUS)

[whispered: "Mary, I love you, Sandra, I love you..."]

(CHORUS)



---that's pretty much it.  just follow along on the record, i may be
   off on the chorus part a bit, and i'm not sure what key the actual
   song is in


CROWEHEAD
From: stevep@snowhite.cis.uoguelph.ca (Steve X. Portigal)
Newsgroups: alt.guitar.tab
Subject: Keith Richards and Open G tuning
Date: 13 Oct 1992 08:15:40 -0500
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


  I know Keith plays with open G tuning, I've got my guitar like that,
and I can do really well jsut by barring any of the frets. However, it's
getting a little limited. Does anyone have any useful chord shapes or
stadard fingerings for Open G, especialy in connection with any
songs of keith on his own (off of Talk is cheap, a GREAT disc) or
any Stones songs...I'm specifically interested in simple open-G tuning
stuff, working my way from the bottom to more complicated stuff..
 
thanks,
 
steve Portigal
stevep@snowhite.cis.uoguelph.ca
From: plunt@hpcc01.corp.hp.com (Peter Lunt)
Newsgroups: alt.guitar.tab
Subject: REQ: Man Come Into Egypt
Date: 7 Oct 92 00:08:49 GMT
Organization: the HP Corporate notes server

Good Day!

Looking for any help with music/chords/tab for "Man Come Into Egypt"
by Hellerman/Minkoff from  PP & M "(Moving)" album please.

Pete

plunt@dns001.ford.com
From: kurt@bluemoon.rn.com (kurt schroeder)
Newsgroups: alt.guitar.tab
Subject: REQ: What You Give
Date: 12 Oct 92 15:31:53 GMT
Organization: Blue Moon BBS ((614) 868-998[024])

I checked Nevada and didn't see Tesla's "What You Give."  If 
anyone has the tab for this, could they please post it?

Thanks.

---------------------------------------------------------------------
The more it stays the same the less it changes!
---------------------------------------------------------------------
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
Newsgroups: alt.guitar.tab
Subject: CRD: They Might Be Giants "Istanbul"
Date: 15 Oct 1992 21:44:59 GMT
Organization: University of California, Santa Cruz
NNTP-Posting-Host: ucscb.ucsc.edu



ISTANBUL (Not Constantinople) [by Jimmy Kennedy & Nat Simon]
------------------------------------------------------------
[These are the chords I remember from my piano-playing days;       ]
[actually, They Might Be Giants' recording of this song is in F#m, ]
[not Am, but do _you_ want to play it in F#m?  Not me.  If you     ]
[must be accurate, transpose this to Em and capo up two frets.     ]
[The whole song isn't here, but it should be enough so that you    ]
[can figure out the intro and solo yourself.  Oh, and the groovy   ]
[chord at the end is an Am(#7), which is x02110 or x06554.         ]

[Each chord is one measure, except "X - Y" is one measure TOTAL.   ]

Am           Am                       Am            Am
Istanbul was Constantinople, now it's Istanbul, not Constantinople
       E7                  E7
Been a long time gone, old Constantinople
         Am   -    Dm         Dm  -   Am
Now it's Turkish delight on a moonlit night
Am           Am                      Am            Am
Every gal in Constantinople lives in Istanbul, not Constantinople
      E7               E7                        Am    -    E7    Am
So if you've a date in Constantinople, she'll be waiting in Istanbul
     Am      Am       Am             Am
Even old New York was once New Amsterdam
Bm7-5               E7           Am                   E7
Why they changed it I can't say, people just liked it better that way
   Am              Am                     Am               Am
So take me back to Constantinople, no you can't go back to Constantinople
         E7            E7                      Am                     Am
Now it's Istanbul, not Constantinople, why did Constantinople get the works?
       E7                        Am
That's nobody's business but the Turks

==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider               indigo@ucscb.ucsc.edu              U.C. Santa Cruz 
             "Your actions will follow you full circle 'round..."
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
From: daw8@po.CWRU.Edu (David A. Winslow)
Newsgroups: alt.guitar.tab
Subject: REQ:   JUDAS PRIEST
Date: 16 Oct 1992 17:06:58 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: thor.ins.cwru.edu


My best friend and I are worshippers of the Priest god
and the tabs to

              Dying To Meet You

would be mucho appreciated.    Thanks.

---------------------------------------
reply to daw8@po.cwru.edu
-- 
David Winslow......a.k.a. Evad
Newsgroups: alt.guitar.tab
From: aaltonen@cortex.sai.vtt.fi     (Matti Aaltonen)
Subject: Death on Two Legs (Queen)
Organization: Technical Research Centre of Finland (VTT/SAI)
Date: Wed, 14 Oct 1992 08:00:38 GMT

Hello

Has anybody figured out the chords to the intro Death on Two Legs by Queen?
It's played on a piano but since there is no alt.piano.tab I posted this
here. By the way has the intro been borrowed from some classical piece? It 
sounds a bit like Chopin. Well here is how I think it goes, but I'm
not sure if it's correct.

D#m, F#/C#, C#, Fm/C, C, Em/B, G, ||: G, G/D, Gdim7, Gdim7/C# :|| Bm,
                                      repeat several times
the main riff starts here.
                                      

Cheers Matti
From: jeffy@cray.com (Jeffrey Neau)
Newsgroups: alt.guitar.tab
Subject: Re: rem lyrics
Date: 9 Oct 92 17:54:28 GMT
Organization: Cray Research, Inc.

In article <BvuyDM.50I@umassd.edu> s14182sm@UMASSD.EDU writes:
>here's the lyrics to: It's the end of the world...
>
>
>That's great it starts with an earthquake,virgin snakes, and airplanes
>and many bruises not afraid,

Lenny Bruce is not afraid?

>Eye of a hurricane, listen to yourself churn,
>World tripped it's own knees,Dummy serve your own needs,

World serves it's own needs?


>speed it up a notch speed
>Grunt nose street
>The ladder starts to clatter with fear fight down hype
>Wire in the fire represent the seven gains in the government for hire
>and a combat sight,
>Message wasn't coming in a hurry with the furries breathing down your neck
>Team by team reporters baffle trunk kevin crop
>Look at that low plan,    Fine,     desk
>Ut oh overflow population common with little to save yourself,serve yourself,
>World tripped it's own knees
>Listen to your heart beat 
>Tell with the rapture in the reverend in the right,  RIGHT!
>You fitchriotic patriotic slam bite right, right feeling pretty site
>
>It's the end of the world as we know it,
>It's the end of the world as we know it,
>It's the end of the world as we know it, and I feel fine
>
>Six o'clock TV hour, don't get caught for and tower
>Slice and burn return, Listen to yourself churn
>Locking in uniform and book,  burning,   blood
>Letting every motive escalate, Automotive cinerate
>Light a candle, Light a motor
>Step down , step down
>Watch a hill,  CRUSH  CRUSH
>Ut oh this means no fear cavalier
>Renegade steer clear
>Turn em in and turn em in turn em in oblige
>Offer me solution and to offer me alternatives and I DECLINE
>
>It's the end of the world as we know it,
>It's the end of the world as we know it,
>It's the end of the world as we know it, and I feel fine
>It's the end of the world as we know it,
>It's the end of the world as we know it,
>It's the end of the world as we know it, and I feel fine
>
>The other night I drifted noge, continental drifted by
>Mountain staying, inner lime
>Lay in earth BERNSTEIN
>Lee and matt brest have Leny put some Lister back
>Birthday party, cheesecake, Jellybean,  BOOM
>You sifiotic patriotic slam ba nite, right?   RIGHT!
>
>It's the end of the world as we know it,
>It's the end of the world as we know it,
>It's the end of the world as we know it, and I feel fine
>
>(repeat 2 more times)
>
>
>THE END.  
>
>This was done by me personally by listening to the music. Errors might exist.
>
>
>                        Steve
Newsgroups: alt.guitar.tab
From: uphhsbt@Msu.oscs.montana.edu
Subject: Re: rem lyrics
Reply-To: uphhsbt@Msu.oscs.montana.edu
Organization: Montana State University
Date: Fri, 9 Oct 1992 21:49:21 GMT

In article <BvuyDM.50I@umassd.edu>, s14182sm@UMASSD.EDU writes:
>here's the lyrics to: It's the end of the world...
>
>
>That's great it starts with an earthquake,virgin snakes, and airplanes
>and many bruises not afraid,

I'm pretty sure this line is "Lenny Bruce is not afraid"

>Eye of a hurricane, listen to yourself churn,
>World tripped it's own knees,Dummy serve your own needs,
>speed it up a notch speed
>Grunt nose street
>The ladder starts to clatter with fear fight down hype
>Wire in the fire represent the seven gains in the government for hire
>and a combat sight,
>Message wasn't coming in a hurry with the furries breathing down your neck
>Team by team reporters baffle trunk kevin crop
>Look at that low plan,    Fine,     desk
>Ut oh overflow population common with little to save yourself,serve yourself,
>World tripped it's own knees
>Listen to your heart beat 
>Tell with the rapture in the reverend in the right,  RIGHT!
>You fitchriotic patriotic slam bite right, right feeling pretty site
>
>It's the end of the world as we know it,
>It's the end of the world as we know it,
>It's the end of the world as we know it, and I feel fine
>
>Six o'clock TV hour, don't get caught for and tower
>Slice and burn return, Listen to yourself churn
>Locking in uniform and book,  burning,   blood
>Letting every motive escalate, Automotive cinerate
>Light a candle, Light a motor
>Step down , step down
>Watch a hill,  CRUSH  CRUSH
>Ut oh this means no fear cavalier
>Renegade steer clear
>Turn em in and turn em in turn em in oblige
>Offer me solution and to offer me alternatives and I DECLINE
>
>It's the end of the world as we know it,
>It's the end of the world as we know it,
>It's the end of the world as we know it, and I feel fine
>It's the end of the world as we know it,
>It's the end of the world as we know it,
>It's the end of the world as we know it, and I feel fine
>
>The other night I drifted noge, continental drifted by
>Mountain staying, inner lime
>Lay in earth BERNSTEIN
>Lee and matt brest have Leny put some Lister back
>Birthday party, cheesecake, Jellybean,  BOOM
>You sifiotic patriotic slam ba nite, right?   RIGHT!
>
>It's the end of the world as we know it,
>It's the end of the world as we know it,
>It's the end of the world as we know it, and I feel fine
>
>(repeat 2 more times)
>
>
>THE END.  
>
>This was done by me personally by listening to the music. Errors might exist.
>
>
>                        Steve
From: mccauley@bucknell.edu (robert mccauley `93)
Newsgroups: alt.guitar.tab
Subject: Re: Any s/w TAB player for the MAC?
Keywords: TAB, MAC
Date: 9 Oct 92 04:21:55 GMT
Organization: Bucknell University, Lewisburg, PA
NNTP-Posting-Host: achernar.cs.bucknell.edu

In article <2159@grivel.une.edu.au>, plaplagn@metz.une.edu.au (Patrick Laplagne) writes:

|> Hi. I was wondering if anyone knew of a sound player for the
|> Macintosh that would play tablatures.

The main limitation of tablature is that there is no precise method of notating

timing and rhythm.  It is intended for guitarists who have already heard the song

and are familiar with the length and spacing of the notes.  In tab, you can give

a rough idea of the timing using the spacing of the numbers, but again it is the

player who smooths it all out and makes it sound like the record.  Until there is

some recognized standard for rhythm notation, tablature readers will not work

well.

**************** mccauley@pleiades.cs.bucknell.edu **************************
Newsgroups: alt.guitar.tab