HDTenEightyP/NetNews huggingface dataset:
From: jaeger@buphy.bu.edu (Gregg Jaeger)
Newsgroups: alt.music.rush
Subject: Re: Strange Morse Code!
Date: 27 Sep 92 16:32:03 GMT
Distribution: na
Organization: Boston University Physics Department

In article <Bv8tuy.Aw4@DMI.USherb.CA> pompf00@DMI.USherb.CA (FRANCOIS POMPEO) writes:

>Last October I attended the Roll The Bones concert in Montreal and
>bought the tour booklet. Read it and appreciated it. 

>BUT... on the bottom of page 2 (the inside of the cover page) there is
>a line of small bones and skulls which resembled morse code.
>I decoded it and it was morse code. The sentence was about death and it
>being present or something (I don't specifically remember the sentence).

>It was very strange! Does anybody have the booklet and if so, what was
>that sentence again? What could it mean? Would Rush be approaching
>its death? Is Neil, Geddy, or Alex dead with all of us fans living in
>ignorance?

Ha Ha :)

It's says ``Remember Death.'' I think it is meant to resonate with
``Learning that we're only immortal for a limited time.'' To remember
death is to not forget that one is mortal. One has a limited time
on this earth, so if you plan to get something done in the time
you have, then ROLL YOUR BONES!

BTW, the author of the story ``Roll the Bones'' from which the
latest album draws its title, Fritz Leiber, died this month.
The story, I believe, is available via anonymous ftp from syrinx
(I got mine from my school library)....


>I still love all their music! But... Rupert has a little too much influence!

Yes! Someone in the band made the comment that they are definitely
planning to work again with Peter Collins -- the sooner the better!


Gregg

-- 
-----------------------------------------------------------------------------
Gregg Jaeger    (jaeger@buphy.bu.edu)     | Tristero?   ______/|/|  Treestero?
Dept(s). of Physics (and Philosophy)      ------------    (_) \|\|  Trystero?
Boston University, 590 Commonwealth Ave.,Boston MA 02215 --------------------- 
Newsgroups: alt.music.rush
From: burnett@osiris.cso.uiuc.edu (Andy Burnett)
Subject: The neverending Singles hunt
Organization: US Army Corps of Engineers - Construction Eng Research Labs
Date: Mon, 28 Sep 1992 20:16:56 GMT

  Well, I found a copy of the Bravado promo single last week.  Is there a
promo disc for Roll the Bones?  The Bravado disc is a picture disc, and only
contains the Bravado radio edit.  SO far I have found the following singles:
	Bravado (Promo)
	Roll the Bones
	Roll the Bones (geddy interview)
	RTB (Neil Interview)
	RTB (alex interview)
	Ghost of a Chance

  Anything else out there?

		&y
-- 
Andy Burnett - US Army Corps of Engineers -- Construction Eng. Research Labs
burnett@zorro.cecer.army.mil - burnett@osiris.cso.uiuc.edu
From: uslave@mcl.ucsb.edu (Sir Prize!!!)
Newsgroups: alt.music.rush
Subject: Re: The BIG change -- a new thread?
Date: 27 Sep 92 18:57:57 GMT

In <1686F9534.PRAETHE@YaleVM.YCC.Yale.Edu> PRAETHE@YaleVM.YCC.Yale.Edu (Ethan Evan Prater) writes:

>thoughtful tunes like Freewill and The Spirit of the Radio [note--THE Radio--
>ethan]. 

What is the significance of this nitpick?  I've seen it called "The Spirit of
Radio" and "Spirit of the Radio".  My copy of "Permanent Waves" says "The
Spirit of Radio", while in a magazine article (interview with Geddy in Guitar
I believe) Geddy called it "Spirit of the Radio".  So what's the big deal?  I
personally call it by what it says on my PW album, but why should you insist
that it's called one thing and not another when even the band members have
called it both at one time or another?


*        *      *     *     *    *   *  *  * * ** ** *** **** ****** *********
   Jesse Chang  (Sir Prize!!!)            INTERNET:  uslave@mcl.mcl.ucsb.edu *
   "-.-- -.-- --.." "Technology - high, on the leading edge of life."  -Rush *
*         *       *      *     *    *   *  *  * ** ** *** **** ****** ********
From: fjs@nighthawk.ksu.ksu.edu (Frank J Sereno)
Newsgroups: alt.music.rush
Subject: Re: Neil's depth (was Re: neil's cross?)
Date: 4 Oct 1992 02:49:40 -0500
Organization: Kansas State University
NNTP-Posting-Host: nighthawk.ksu.ksu.edu

d40374w@kaira.hut.fi (Tero Valkonen) writes:

>In article <1992Oct01.212847.4361@bnr.ca> therese@crchh588.NoSubdomain.NoDomain (Therese McCarthy) writes:

>   was wondering what songs, written by Neil, would people consider
>   to be pure fluff?  In other words, what songs qualify as having
>   no deep insights or REAL thought-provoking subjects?  

>By-Tor and the Snow Dog (stupid story), Cygnus X-1 (even more stupid
>story), Countdown (yuck!), The body electric (this doesn't just say
>anything to me, it's boring), The big money (TOO much repetition,
>but some of the lines are clever), Tai Shan (doesn't work. Neil 
>shouldn't write about his great experiences), War paint (simply 
>dull), Heresy (the worst thing he ever did. Neil does the Phil
>Collins trick :-( ), You bet your life (just another lyric).
If I may ask, why do you think that By-Tor and the Snow Dog, Cynus 
X-1, and Countdown are such "stupid and yuck(y)" songs.  Not that I
don't respect your opinion, but I was curious as to a more detailed explanation.>--
>Tero Valkonen
>d40374w@kaira.hut.fi
From: fjs@nighthawk.ksu.ksu.edu (Frank J Sereno)
Newsgroups: alt.music.rush
Subject: Re: Ayn Rand & The Simpsons (10/1)
Date: 4 Oct 1992 03:05:55 -0500
Organization: Kansas State University
NNTP-Posting-Host: nighthawk.ksu.ksu.edu

As I had understood Ms. Rands writings of 'Anthem and 'The Fountainhead`, I thought the 
overall theme of her novels was individuality and how conforming to society was "wrong".  Perhaps
Mr. Goening saw these writings in a different way that I saw them.  I was just wondering what the rest of you felt about this matter.......



Franko Sereno
Manhatttan, Ks

B
B
B
B
B
B
B
                                                                                                                                                                             
                                                                                                                                                                                                                                            
(Where we discuss amoungst ourselves the true,
From: Phil.Hodges@f601.n105.z1.therose.pdx.com (Phil Hodges)
Sender: postmaster@therose.pdx.com
Newsgroups: alt.music.rush
Subject: The worst Rush song
Date: Fri, 18 Sep 1992 02:28:34 -0700

"Ethan Evan Prater, talking to All, said about 'The worst Rush song' ":
___--------------------------------------------------------------------------

>>> Scars.
>>
>>This was one of the "worst" concert songs for me because i was
>>looking forward to seeing Ged play the cool bass line .......
>>but it was sequenced!!!!!   no!!!!
>>
>>Thomas Beaudoin

>I wholeheartedly agree. That qualifies as perhaps my greatest Rush
>disappointment. I was so psyched to hear Geddy play that line, and more than a
>little disappointed to see him push a button for it.

   Oh, give me a friggin break! Would YOU want to play that bass line
for an entire song?!  I thought that song RAGED in concert! Geddy got to
play around with his sampler while the bass line looped. Get a life!

___
 X SLMR 2.1a X C'mon, Punk...Reductio my Absurdum
From: dan@rat.csc.calpoly.edu (Dan Delany)
Newsgroups: alt.music.rush
Subject: Re: YYZ YYZ YYZ YYZ YYZ
Date: 28 Sep 92 21:01:03 GMT
Organization: Shinola Industries: We know the difference.

Wow!  901430w@dragon.acadiau.ca typed...
> 
> Anyway, the initial reason for my post was to throw out a little tidbit
> of trivia about YYZ.  Some of you may already know this.  I read this in
> a copy of the Moving Pictures tourbook.  The title of the song 'YYZ' is
> the Air Canada code for Toronto, their hometown.  And - the intro of the
> song (those abrupt guitar/bass/drum patterns) is based on the same rhythm
> as the pulses of the radar beacon at Toronto Airport.  Neat, huh ?

Check the FAQ.

-- 

Dan Delany
dan@rat.csc.calpoly.edu
I failed the Turing test.
From: jaeger@buphy.bu.edu (Gregg Jaeger)
Newsgroups: alt.music.rush
Subject: Re: RTB Rap
Date: 27 Sep 92 01:31:01 GMT
Organization: Boston University Physics Department

In article <1992Sep26.221325.6001@news.iastate.edu> irsman@iastate.edu (That Ian Guy) writes:
>In article <Bv7DnL.BMI@news.cso.uiuc.edu> sgi50692@uxa.cso.uiuc.edu (SHREDDER) writes:
>>In article <1992Sep26.145732.18985@news.iastate.edu> irsman@iastate.edu (That Ian Guy) writes:

>>>  A rap is simply one way to pull this off.  Besides, IMHO its better
>>>than your average (c)rap...cool guitar licks, real acoustic drums,[...]

       
>>      Real acoustic drums in the RTB rap?!? Where?  

>As I recall from Neil's -Rockline- interview, he said that the rap was done
>entirely with acoustic instruments (the electric guitar of course excepted).

Sounds to me that only the `snare' is non-acoustic...

Gregg

-- 
-----------------------------------------------------------------------------
Gregg Jaeger    (jaeger@buphy.bu.edu)     | Tristero?   ______/|/|  Treestero?
Dept(s). of Physics (and Philosophy)      ------------    (_) \|\|  Trystero?
Boston University, 590 Commonwealth Ave.,Boston MA 02215 ---------------------
From: fes9s@faraday.clas.Virginia.EDU (Frank Erick Sellin)
Newsgroups: alt.music.rush
Subject: Re: Analog Kid - Digital Man
Date: 6 Oct 92 01:27:01 GMT
Organization: University of Virginia

In article <97671@bu.edu> jaeger@buphy.bu.edu (Gregg Jaeger) writes:
>In article <1992Oct5.191716.18695@murdoch.acc.Virginia.EDU> fes9s@faraday.clas.Virginia.EDU (Frank Erick Sellin) writes:
>>In article <16877B371.PRAETHE@YaleVM.YCC.Yale.Edu> PRAETHE@YaleVM.YCC.Yale.Edu (Ethan Evan Prater) writes:
>
>>>>>What is the connection, if any between the songs "Analog Kid" and "Digital
>>>>>Man" on _Signals_? The names obviously imply some kind of relationship, but
>>>>>from the lyrics alone I don't really see anything. Perhaps a general longing
>>>>>to escape from the pressures of life? That seems weak.
>>>>>--Ethan
>
>>>>a _contrast_ between the two: analog/digital, kid/man. Right?
>
>>I always got the impression that analog in this context really meant the
>>good old days: when everything blended together into some sort of holistic
>>synergy;  you remember what it was like in childhood and the kind of
>>energy and dreams you used to have, all blended together, but the problem
>>is the memory you have on tape tends to fade a bit over time.  Very 
>>nostalgic to be sure.
>
>
>I really like this idea of it being related to memory in this way
>-- very nice! It sure goes along with the relation being one of
>contrast. The connection is looking stronger to me now...
>
>
>>  Digital man suddenly realizes he's got
>>to kick his life into gear if he hope to capture anything at all
>>approaching his analog childhood. Thus the date with fate in a black
>>sedan, and the longing for lover's wings to fly on to a tropic isle
>>of Avalon.
>
>
>I'm not so convinced about this part, though...
>
>
>>BTW the last par kinda confused me. Avalon is the mystic kingdom isel
>>of Arthurian times, right? What the hell is it doing in the tropics?
>
>
>I think that Avalon is just a metaphor here, and he really wants to
>go to Aruba or some such place...
>
>
I dunnno, I just can't shake the feeling that although digital man
assuredly is a part of his modern, computerized era, he is profoundly
dissatisfied.  "With the answers but no clue"?  "Where he traces point
of view"?  There's also a lot of motion involved in the song, like he's
got ants in his pants and something just won't wait--not like the
analog kid who can screw around, kick back in the grass, ignore mom, and,
by the way, who still wonders exactly what's going to happen to him--is
he going to end up as yet another digital man?

>Fra Sellin
===============
"I think I, I'm going bald..."
       --from the tune of the same name
===============
>
>
>
>Gregg
>
>
>-- 
>-----------------------------------------------------------------------------
>Gregg Jaeger    (jaeger@buphy.bu.edu)     | Tristero?   ______/|/|  Treestero?
>Dept(s). of Physics (and Philosophy)      ------------    (_) \|\|  Trystero?
>Boston University, 590 Commonwealth Ave.,Boston MA 02215 ---------------------
From: tsirbasc@ERE.UMontreal.CA (Tsirbas Christos)
Newsgroups: alt.music.rush
Subject: Re: Rupert Heine
Date: 28 Sep 92 16:42:57 GMT
Distribution: na
Organization: Universite de Montreal

Francois,

Je suis d'accord que, par rapport a PUG, PW, et HYF, il y a moins de
synthe que sur PRESTO et Roll the Bones, mais, malgre ca, je trouve
que ces deux dernieres disques sonnent trop froid, ce que j'aime surtout
sur Moving Pictures, Permanent Waves, et Farewell to Kings est une espece
de chaleur dans la musique qu'on en retrouve pas sur les deux dernieres albums.

J'ai eu la meme impression de Power Windows.  Le fait qu'il y a moins de
synthetiseurs sur Presto et Roll the Bones est evident, mais la production 
de ces deux disques quand meme sonne trop electronique dans la facon que les
mixages et les effets ajoutes aux instrument fait qu'ils sonnent sur-produits.

Chris in Montreal
tsirbasc@brise.ere.umontreal.ca
Newsgroups: alt.music.rush
From: ziggy@r-node.gts.org (Adrian Buss  Sys-Op)
Subject: Re: To Be OR Not To Be A RUSH Fan
Organization: /usr/lib/news/organzation
Date: Mon, 05 Oct 1992 00:22:36 GMT

In article <BvDIJ1.LBI@news.cso.uiuc.edu> sgi50692@uxa.cso.uiuc.edu (SHREDDER) writes:
>In article <Bv9F5F.Htr@news.cso.uiuc.edu> cka52397@uxa.cso.uiuc.edu (Slartibartfast) writes:
>>>
>>>The first time I heard the song "Roll the Bones", I cried.  I just don't
>>>understand the justification for putting a 'rap' in the song.  I think
>>>it would be safe to assume that they wouldn't have even considered 
>>>placing it there unless it was such a popular genre among youth today.

Its a joke get a life you puzt.....Rush dosnt need to attract  new audiance
and it aint rap its scat get with the game!!!!!

regards

ziggy
:)

-- 
ziggy@r-node.pci.on.ca  <--- New and impoved fastest route :) USE IT!!
ziggy@r-node.gts.org         | Have you rubbed noses with an Eskimo today??
ziggy@zooid.guild.org        | My inability to spell and gramatize are no
adrian@skypod.guild.org      | reflection on the GENERAL CANADIAN intelligence!!
From: eam3@po.CWRU.Edu (Eric A. Meyer)
Newsgroups: alt.music.rush
Subject: RE: The First Album
Date: 28 Sep 1992 13:48:03 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: eam3@po.CWRU.Edu (Eric A. Meyer)
NNTP-Posting-Host: thor.ins.cwru.edu


In a previous article, tbeaudoin@vax1.umkc.edu () says:

>> 	Hey, I love Rush's first album.  In fact, I am kind of partial to it.
>>  I knew Daonna Halper, to whom the album is dedicated.  
>> 				
>	Who was this Donna Halper?

   She was a DJ on 100.7/WMMS Cleveland who was about the only U.S. DJ to
play the first album.  It was thanks to her that Mercury heard the band and
decided to offer a contract, arrange a tour, etcetera.

		-EMeyer

-- 
"Unstable condition--a symptom of life       | Eric A. Meyer (eam3@po.CWRU.edu)
 In mental and environmental change          |  Alumnus,  Beta Nu of Theta Chi
 Atmospheric disturbance--the feverish flux  |---------------------------------
 Of human interface and interchange-"  -N.P. |    "What do you think, sirs?"
From: jaeger@buphy.bu.edu (Gregg Jaeger)
Newsgroups: alt.music.rush
Subject: Re: The BIG change -- a new thread?
Date: 27 Sep 92 21:35:15 GMT
Organization: Boston University Physics Department

In article <uslave.717620277@mcl> uslave@mcl.ucsb.edu (Sir Prize!!!) writes:

>What is the significance of this nitpick?  I've seen it called "The Spirit of
>Radio" and "Spirit of the Radio".  My copy of "Permanent Waves" says "The
>Spirit of Radio", while in a magazine article (interview with Geddy in Guitar
>I believe) Geddy called it "Spirit of the Radio". 


One thing to keep in mind when citing interviews, is to realize that
what is _written_ in them has been transcribed from an audio tape
(sometimes a really _bad_ quality one too) by the writer whose
name appears on the article. My bet is that the guy who did the
interview made an error in transcription. I've never _heard_
anyone in the band call ``The Spirit of Radio'' `the spirit of
the radio' (no I listened carefully to ESL and IMHO he does _not_
say ``this is the spirit of the radio' but says `this isss the
spirit of radio' where his pronunciation of `of'  sounds
sort of like `ovuh' and which might even be heard as sounding
like `ofthe' (smashed together like that too). Hey, I know
someone who thought `fish-eye lense' in ``Limelight'' sounds
like `fish islands'! ;)

Gregg


-- 
-----------------------------------------------------------------------------
Gregg Jaeger    (jaeger@buphy.bu.edu)     | Tristero?   ______/|/|  Treestero?
Dept(s). of Physics (and Philosophy)      ------------    (_) \|\|  Trystero?
Boston University, 590 Commonwealth Ave.,Boston MA 02215 --------------------- 
Newsgroups: alt.music.rush
From: inde7lo@elroy.uh.edu (92F02544)
Subject: Re: Rush fan speaks
News-Software: VAX/VMS VNEWS 1.41    
Organization: University of Houston
Date: Wed, 30 Sep 1992 15:00:00 GMT

In article <97101@bu.edu>, jaeger@buphy.bu.edu (Gregg Jaeger) writes...
>In article <29SEP199221133455@elroy.uh.edu> inde7lo@elroy.uh.edu (92F02544) writes:
>>In article <96979@bu.edu>, jaeger@buphy.bu.edu (Gregg Jaeger) writes...
> 
>>>This is an argument from elitism, and these other people have limited
>>>tastes. Now you seem to be upset that Rush did somethings that those
>>>people like, which is moving away from your tastes. Your liking it 
>>>less for that reason alone just makes you like a conservative elitist.
> 
>It's not elitism that I see as negative so much as conservatism. Elitism
>is fine if it's based on something objective.
> 
>>As is mentioned below, I have no problem with Rush gaining po
>>with the mainstream.  My point was that their new popularity was because
>>they _catered_ to the mainstream.
> 
> 
>Can you support this statement? That they are really _catering_ to the
>public.
> 

No.  Unless I can talk to the band personally to find out their motives, it's
hard to draw conclusions that are 100% correct.  All of my postings are only
my opinions.  It would be difficult to support any opinion with fact, whether
it's praise or criticism.  It would be just as hard for you to prove that
Rush's current developments are really improving artistically.  If I disagree,
we could both be right to some extent.  But read my last post again.  I give a
short (maybe crude) opinion of why Rush is catering to the public.

> 
>The point is whether you can support your elitism with something 
>substantial or not. I don't mind being elitist because I can point 
>to some criteria to back it up. I'm sure you could do so, but I 
>didn't see much of that in your original post, is all.
> 
> 
>Gregg

I really don't consider myself elitist or conservative (I'm voting for
Clinton, if that means anything).  I'm EE major with a minor in Music
History, so I have formed somewhat educated _opinions_ of music from all
eras.  And remember, IMHO, I consider a majority of the music pumped
out of the radio stations today are garbage.  Again, IMHO, I don't like
to see this stuff end up in Rush's music.

Just how one guy sees it.

Bob
From: irsman@iastate.edu (That Ian Guy)
Subject: Re: To Be OR Not To Be A RUSH Fan
Organization: Iowa State University, Ames, IA
Date: Sat, 26 Sep 1992 14:51:44 GMT

In article <1992Sep26.064407.2910@cc.umontreal.ca> tsirbasc@ERE.UMontreal.CA (Tsirbas Christos) writes:
>RE: True fans
>
>Guys,
>
>being a true fan of RUSH or any band also means being critical.
>If Rush does something that sucks, then face up to it:
>it sucks!  Unconditional acceptance of all that they do
>is the mark of obsession and immaturity, not fandom.

I doubt very many people unconditionally accept anything.  I have to listen to
a lot of albums 2 or 3 times before they sink in.  Rush has -never- done 
anything which sucks, although they've laid an egg or 2 (the first album, but
that's not Neil so I forgive them for it :)

>Recall, if you will, Neil's recent radio interview and
>how he rejects the notion of heroes.
>
>Let's face it, everybody makes mistakes, everybody is
>human, even the guys in Rush.  I'm pretty sure that
>any musician appreciates an honest critical appraisal of
>his or her work rather than unconditional acceptance.

Let's also face that the boyz would never release an album they personally
didn't like.

>Chris in Montreal



-- 
        Ian Schmidt: irsman@iastate.edu or aol.com, BITNET: twbv4@isuvax       
 I dig: Apple IIgs, Rush, Tiny Toons, Ren & Stimpy, Dave Barry, David Letterman
  "I will choose a path that's clear: I will choose free will" - Neil Peart  
Newsgroups: alt.music.rush
From: cka52397@uxa.cso.uiuc.edu (Slartibartfast)
Subject: Re: Neil's depth (was Re: neil's cross?)
Organization: University of Illinois at Urbana
Date: Tue, 6 Oct 1992 06:20:16 GMT

In article <D40374W.92Oct5223327@kaira.hut.fi> d40374w@kaira.hut.fi (Tero Valkonen) writes:
>In article <Pmm4RB7w165w@mintir.new-orleans.la.us> vortexae@mintir.new-orleans.la.us (Niki LeBoeuf) writes:
>
>   So what's the Phil Collins trick? :-)
>
>Write about a tense subject in a typical way. Are you familiar with the 
>lyric of "Another day in paradise"? It's absolutely horrible, and I think
>that Heresy is just as bad, but the fact that it's written by Neil makes
>it even worse. 
>I hate the idea of complaining about the world's problems childishly. Sure,
>that does appeal to a lot of people but it won't change anything and it
>makes you a hypocrite in my eyes. "All those wasted years, all those 
>precious wasted years / Who will pay?" What BULLSHIT!

	What is so stupid about the song?  Most choruses are fairly silly, in
almost any song, but what is so stupid about a line like "The counter-
revolution, at the counter of a store"  And about the who will pay, I'd
like to know who is responsible for all the worlds resources wasted in 
wishing away WWIII?

-- 
**RUSH**YES**METALLICA**PINK*FLOYD**PEARL*JAM**PETER*GABRIEL**PAUL*SIMON**REM*
* "A pope claimed that he'd been wrong in the past, this was a big surprise" *
* c-amin1@uiuc.edu************************STING, "Jeremiah Blues, Pt1"********
*The University of Illinois, Urbana/Champaign***Go Illini!*Orioles!*Cowboys!**
Newsgroups: alt.music.rush
From: d40374w@kaira.hut.fi (Tero Valkonen)
Subject: Re: Neil's depth (was Re: neil's cross?)
Organization: The rational midnight star
	<1992Oct1.164912.13906@cc.umontreal.ca> <1992Oct01.212847.4361@bnr.ca>
Date: 3 Oct 92 23:06:58

In article <1992Oct01.212847.4361@bnr.ca> therese@crchh588.NoSubdomain.NoDomain (Therese McCarthy) writes:

   was wondering what songs, written by Neil, would people consider
   to be pure fluff?  In other words, what songs qualify as having
   no deep insights or REAL thought-provoking subjects?  

By-Tor and the Snow Dog (stupid story), Cygnus X-1 (even more stupid
story), Countdown (yuck!), The body electric (this doesn't just say
anything to me, it's boring), The big money (TOO much repetition,
but some of the lines are clever), Tai Shan (doesn't work. Neil 
shouldn't write about his great experiences), War paint (simply 
dull), Heresy (the worst thing he ever did. Neil does the Phil
Collins trick :-( ), You bet your life (just another lyric).
--
Tero Valkonen
d40374w@kaira.hut.fi
From: ericm@eebbs.isis.org (Eric Mathurin)
Newsgroups: alt.music.rush
Subject: Re: Ozzy:last show, acronyms
Date: 27 Sep 92 23:08:40 GMT
Organization: Electronic Encounters BBS

PRAETHE@YaleVM.YCC.Yale.Edu (Ethan Evan Prater) writes:

> Does anyone know who Ozzy is?

Ozzy Osbourne (Black Sabbath!)

I love his unique voice; just like I love Geddy's.

Take care,
Eric

-------------------------------------------------------------------------
 ericm@eebbs.isis.org (Eric Mathurin)  | "no one is blameless,          
 Sysop, Electronic Encounters BBS      |  but we're all without shame"   
 (613)820-0324, 1:163/133@FidoNet      |       -- Second Nature, Rush        
-------------------------------------------------------------------------