HDTenEightyP/NetNews huggingface dataset:
From: maxc1104@ucselx.sdsu.edu (Avoid normal situations.)
Newsgroups: alt.cult-movies
Subject: Re: Most SHOCKING film in my childhood
Keywords: alt.fan.john-waters.puke.puke.puke
Date: 21 Nov 92 00:26:23 GMT
Organization: The Special Corps

In article <3222@nlsun1.oracle.nl> gbradley@uks240.Berkeley.EDU (Gary Bradley) writes:
>For REAL scares, forget the very drab
>"Amityville Horror" film, read the book instead (by Jay Aston, I think,
>but it has been a long time).

  Actually, that's Jay Anson. Not a bad book, IMHO, but he has the 
irritating tendency to end every chapter with a sentence ending with an 
exclamation point, i.e. "She threw the door open and gasped as she saw her
husband standing on their bed naked with a chainsaw!".

							Love & kisses,

						The Stainless Steel Moviegoer

						Beware of Cenobites bearing
					          gifts.
Newsgroups: alt.cult-movies
From: maxc1104@ucselx.sdsu.edu (Avoid normal situations.)
Subject: Pee Wee Herman as 6th Replicant doesn't hold water 
Summary: was: Philadelphia Experiment 
Keywords: alt.fan.robocop2.boom.boom.boom 
Organization: The Special Corps
Date: Fri, 20 Nov 1992 21:31:49 GMT


  Today, boys and girls, the magic word is "for".

In article <19948.2b0828dc@ul.ie> 9111123@ul.ie writes:
>In article <1992Nov14.211805.8891@ac.dal.ca>, 01fortec@ac.dal.ca writes:
>> In article <1992Nov13.160609.18751@nuscc.nus.sg>, med50003@nusunix1.nus.sg (WANSAICHEONG KHIN-LIN) writes:
>> 
>> Not quite. The USS Eldridge was supposed to be testing an E-M masking device
>> based on some of Einstein's unified field theories, and it did more than 
>> expected. According to the story (not the movie, quite), the ship appeared in
>> her home port, then dissappeared again. When it reappeared, the crew was taken
>> off. There were supposed to be some lingering side effects. Apparently, some
>> crew dissappeared completely, never to be found. Of those taken off and 
>> committed to sanitoriums for

  AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHH!!!!!!!!

>> treatment, a number are supposed to have 
>> also dissappeared. Apparently the survivors became small field generators 
>> without any conscious control. Also, as shown in the movie, some men 
>> were found merged into the metal plates, decks, deckheads, because the 
>> transition state left them capable of flowing through solid objects.
>> 
>> This story was covered in some detail by Argosy magazine back in the 60s,
>  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
>> along with other stories of the Bermuda Triangle and other curiosities. It 
>> also appeared in Charles Berlitz's books on the same subject. The story has
>> also been linked in several books and articles to UFOs.
>> 
>> Joe
>> 01fortec@ac.dal.ca
>
> I don't have external mail privs so if you send me the full story behind this
>,or post it here,or to alt.conspiracy I'd be very greatful.
>
> Pat
>************************************************************************
>* Pat Mathews	   *   "Four

  AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHH!!!!!!
  (Oops... :-))

> things greater than all things are,
>*  9111123@ul.ie  *     Women and horses and power and War"                    *
>*                 *      Rudyar Kipling(maker of exceedingly good cakes)       *
>* I would be greatly susprised if anyone shared my views:disclaimer            *
>********************************************************************************

							Love & kisses,

						The Stainless Steel Moviegoer

					"I don't care how small or bigger
					 I don't want to be called 'yo niga'!"
					  -- Public Enemy, "I Don't Want To Be
					     Called Yo Niga"
From: mccoyje@wkuvx1.bitnet
Newsgroups: alt.cult-movies
Subject: Re: A NIGHTMARE ON ELM STREET 
Date: 16 Nov 92 14:36:59 CST
Organization: Western Kentucky University, Bowling Green, KY

In article <hojking.18.721747071@halls1.cc.monash.edu.au>, hojking@halls1.cc.monash.edu.au (JASON KING) writes:
> WELL TO ALL THOSE HORROR FANS THE NEXT ELM STREET MOVIE IS COMING.
> YES A NIGHTMARE ON ELM STREET 7....
Well, let me start out by saying that if I am not the most devoted fan
of Kruegerdom, I don't want to meet the psycho who is.  Now, if I had
only heard this news from here, I would not have believed it. I have,
however, heard it from various sources (magazines, interviews, etc.)
IMHO, I feel this news is both EXTREMELY GREAT and sort of
disappointing.
	Let me explain that. EXTREMELY GREAT comes from the feeling I
got when I heard "THE FINAL NIGHTMARE", surprise. I was shocked. My
jaw hit the floor. How could the bastards take the greatest bastard of
all times away from us? Now, he's coming back. Yes!!!! They shouldn't
have buried him. He wasn't dead.
	As for the sort-of-disapponted part, I really despise "last"'s
that end up being middles. THE LAST CHAPTER (#4 of 8 in Friday the
13th) is such a LAST. If it isn't going to be the last, don't ccall it
the last.> 
> 
> ALSO DOES ANYBODY KNOW WHERE IT'S POSSIBLE TO GET NIGHTMARE ON ELM STREET 
> POSTERS FROM..., PARTICULAR POSTERS THE 1ST MOVIE, 2ND MOVIE AND 3 MOVIE,
> 
I once had a catalog from some mavie place in Hollywood that sold
posters from every movie imaginable from A to Z. I don't remember
where it is, but if I find it, I'll post the name and address. The
only poster that I know of that they didn't have for Nightmare was the
original ANOEL2:FR poster. It had a picture of Jesse and his squeeze
hugging (how cute.) but in the mirror on the wall Freddy was grasping
the girl ("I love you to pieces!"). Anyway, they had just about every
other ANOEL poster. While we are on the "where can I find" subject,
does anyone have any idea where I can get a cut out of ANOEL2:FR? The
one where Freddy is standing in the middle of flames (as in during the
Barbeque).

For all those Nightmare fans:
"IT'S *****A***** NIGHTMARE ON ELM STREET!!! A, A, A, A, A!!!!!!"

Jason McCoy
"Wearer of the Power Glove"
-- 
"Sleep -- those little slices of death -- how I loathe them!"
					-- Edgar A. Poe

"Here's your big break in TV. Welcome to prime time, BITCH!"
					--Freddy Krueger

Newsgroups: alt.cult-movies
From: mccreary@sword.eng.hou.compaq.com (Ed McCreary)
Subject: Re: Any Good Vincent Price Movies ?
Organization: Compaq Computer Corp.
Date: Fri, 20 Nov 1992 15:40:48 GMT

In article <1992Nov20.002627.5298@microsoft.com> pierres@microsoft.com (Pierre Stromberg) writes:
>     I just watched Roger Corman's "The Pit And The Pendulum" again
>starring Vincent Price. This guy is great ! Does anyone know of other
>good Vincent Price movies out there ? I heard a rumor about a movie
>called "Conqueror Worm" that was supposedly well received. 

Try anything that Price did with Corman.  Here are a few of my favorite
Price Movies...

House of Wax, 1953*
House on Haunted Hill, 1958
The Fly, 1958
Tales of Terror, 1962
The Raven, 1963*
The Last Man on Earth, 1964 (Based upon the Richard Matheson novel,
I Am Legend, which was the basis for _The Omega Man.  This version
is closer to the novel)

The Masque of Red Death, 1964
The Conqueror Worm, 1968 (also released as The Witchfinder General)
the Abominable Dr. Phibes*, 1971
The Phibes Rises Again, 1972
Theater of Blood*, 1973

(* indicates a particular favorite of mine)

From what I've read over the years, he's a wonderful person as
well as a world renowned art expert and chef.



--
====
Ed McCreary                                               ,__o
mccreary@sword.eng.hou.compaq.com                       _-\_<,
"If it were not for laughter, there would be no Tao."  (*)/'(*)
Newsgroups: alt.cult-movies
From: ckt4x@faraday.clas.Virginia.EDU (The Mantle Clinic)
Subject: Re: HELP!!!!
Organization: University of Virginia
Date: Wed, 18 Nov 1992 19:00:36 GMT

stover@ab.wvnet.edu writes:
>   DO ANY OF YOU NETTERS HAVE ANY IDEA WHERE IA VCAN GET A COPY OF HAL HARTLEY'S
>  "TRUST" IT WAS A VERY GOOD FILM. MR.HARTLEY ALSO WROTE AND DIRECTED "PUMP
> UP THE VOLUME" I THINK.  ANY HELP?
> 
Hartley had nothing to do with Pump but he did also make The
Unbelievable Truth and the current release Simple Men (in
addition to various shorts).  Trust is still probably in the
$90 range brand new, but some video stores (like Blockbuster)
sell used copies if you're lucky.
--
                     A helpless victim of society...
                                Curt Tsui
                            curt@Virginia.EDU
From: farant@terapin.com (Faran Thomason)
Newsgroups: alt.cult-movies
Subject: Re: Tsui Hark the auteur
Date: 20 Nov 92 19:17:46 PST
Organization: BBS

In article <Ef33vce00iUx47uXk2@andrew.cmu.edu>, Daniel Read
<dr3u+@andrew.cmu.edu> writes:
>Faran Thomason:
> 
>>... it is apparant that Hark does NOT have a definate style. Working Class is
>>different from Peking Opera Blues. As ABT 3 differs from Once Upon a Time in
>>China.
>
>I don't believe that this is at all evident.  The notion of "style" (as
>you are using it) is not simply a matter of all films looking alike or
>being about the "same thing".  It is reflected in themes, tone, common
>motifs and symbols, and a pattern of common artistic goals.  Moreover,
>an artist's concerns will certainly change with time.  Tsui Hark is a
>popular artist working within a variety of genres (e.g., gangster,
>screwball comedy, kung-fu).  Examination of these films reveals a
>variety of elements that can be treated as the "signature" of the artist.
>
>For example:
>
>    1. Concern with modern Chinese history and its significance for the
>present day.  (All of his later films can be cited here).  ONCE UPON A
>TIME IN CHINA is not just about the Sino-American relations of the past,
>its also about how the  traditional world and the modern world can be
>reconciled.  (See the tremendous scene in OUAT II in which Sun Yat Sen
>translates Wong's medicine into "western" terms).
>
>    2. Friendship and romance.  There is uncertainty about which of
>these roles his characters will or should adopt with one another.  The
>final shot of PEKING OPERA BLUES (before the masked man laughs) is
>paradigmatic. 
>
>    3. "Woman's place".  All of the Tsui directed films contain
>surprisingly progressive depictions of women and their social roles.   
>
>    4.  The light touch.  None of these films ever become nightmarish or
>unbearably dark -- Tsui's world is largely benign, although it might be
>absurd.  Even the conclusion of ABT III is romantic rather than tragic. 
>[Contrast that with the horrendous conclusion of Ching's SWORDSMAN II --
>could we imagine the same ending if Tsui had directed that film?]
>
>daniel read
>
Sorry to quote all that over but. I pretty much agree with you. His themes are
very similar throughout all his films where he is credited as director. However
many of his films vary radicaly in terms of cinematic style. I think his latest
film The Master is evidence. His usual themes were present but the film looked
crappy and the fight sequences were not that strong and the story line was
pretty average. Maybe shoting in America made the difference and casting US
stuntmen. Another film Working Class cinematicly seems different from his other
stuff. Maybe he was trying for something different.

Has anyone seen Shanghai Blues ? If so what's it about ?
Newsgroups: alt.cult-movies
From: orson@lars.acc-admin.stolaf.edu (Ors)
Subject: Dark Star
Organization: St. Olaf College; Northfield, MN
Distribution: alt.cult-movies
Date: Thu, 19 Nov 1992 20:28:01 GMT

	Well I saw Dark Star again this summer and was woundering a few things.
Do other people like it.  How would you compaire it to other early films from 
other directors. ie. Lukas's THX-. And are the rumors true that Carpenter filmed
the whole thing on his campus as a grad. project.  Thaks for the time and the band width.

			-Ors

What no sig?!@#$!?
Newsgroups: alt.cult-movies
From: shiv@bnr.ca (Shiv Naimpally)
Subject: Fatal Attraction and Play Misty For Me
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Date: Mon, 16 Nov 92 16:02:05 GMT


If you get a chance, watch these 2 movies back to back, and you'll
see just how much Fatal Attraction borrows from Play Misty For Me.
In fact you could almost call it a remake ...
Newsgroups: alt.cult-movies
From: wildman@athena.mit.edu (Timothy Worsley)
Subject: Re: Woo's "The Killer" out on US video
Reply-To: eprice@sybase.com
Organization: Massachusetts Institute of Technology
Date: Tue, 17 Nov 1992 23:32:49 GMT

In article <Yf213PK00Uh_85K48x@andrew.cmu.edu>
Daniel Read <dr3u+@andrew.cmu.edu> writes:

[Stuff about how good the actors are in Woo's films.  I agree.]

>Working with Van Damme will be like a return to the early days of films
>like THE YOUNG DRAGONS.  Artistically, its clearly a big step down for
>Woo -- although I suspect he feels that a trashy American martial arts
>picture will be a good career move.  

With respect to acting, it might be bad, yeah.  But it certainly has a
higher budget than THE YOUNG DRAGONS.  HARD BOILED cost $4 million to make.
HARD TARGET is budgeted at $20 million.  I hope Woo is able to retain his
distinctive style of filmmaking with a US studio.  Sure, this is a Van
Damme vehicle (BTW, Lance Henriksen is playing a villain, I believe).  But
there are good signs, too, maybe?  For example, Sam Raimi and Terence Chang
(Woo's usual partner) are producing the film.  I wonder who's writing it,
however...

>Personally, I think that RESERVOIR DOGS will be the best John Woo film
>this year.  (Why couldn't he have made a film with Harvey Keitel or
>Christopher Walken?).

:-) BTW, Quentin Tarantino is writing a script for John Woo.  Another good
sign, IMHO.  [Thanks to Peter Reiher for bringing this to my attention.]

>Good luck, John -- you'll need it.

We'll see!  I, for one, am giving him the benefit of the doubt pending the
actual outcome.

Ciao,

-Ed (not Tim), eprice@sybase.com (not wildman@...)
From: jmv@grip.cis.upenn.edu (Jean-Marc Vezien)
Newsgroups: alt.cult-movies
Subject: Re: Zentropa
Date: 23 Nov 92 22:23:34 GMT
Organization: GRASP Lab

Well, if you liked Zentropa, go and see other
films from this excellent danish director:
"Epidemic", "The Element of Crime".

The later is a cinematheque classic.

JM.
Newsgroups: alt.cult-movies
From: kca@cbnewsc.cb.att.com (k.c.archie)
Subject: Re: Children Shouldn't Play With Dead Things 
Organization: AT&T
Date: Sun, 15 Nov 1992 21:53:50 GMT

> In article <1992Nov6.163633.1447@twisto.eng.hou.compaq.com> mccreary@sword.eng.hou.compaq.com (Ed McCreary) writes:
>>>Isn't that the same Bob Clark who made "Porky's", "Deathdream", "Deranged", 
>>>"Black Christmas" and others?
>>Yup, anid the ever classic, _Children Shouldn't Play with Dead Things_. 
			      ___________________________________________

Boy, I had almost forgotten that one.
Really poor. The cast consisted primarily of the director/writer,
his family and friends. Really bad, but fun, because it is bad.
One of the characters
sings 'Deck the hall with bones of Orville'.
Orville is the dead guy that the male lead marries.
The director/writer/star (whose name I forget) was a writer on
the 'Cat People' remake a some years ago.
**kent
Kent Archie
kca@iwtqg.att.com
From: bchurch@oucsace.cs.ohiou.edu (Robert Church)
Newsgroups: alt.cult-movies
Subject: Re: Any Good Vincent Price Movies ?
Date: 23 Nov 92 12:51:25 GMT
Organization: Ohio University School of Art. Athens

In article <bbrett.722488329@morgan> bbrett@morgan.ucs.mun.ca (Betsy Brett) writes:
>
>I personally enjoyed TALES OF TERROR quite a bit.  He was in all the
>stories in it.  I think they were all based on Egar Allen Poe stories.
>
>-Betsy Brett
>bbrett@morgan.ucs.mun.ca

Is this the one in which Price and Peter Lorre do 'A cast of amontillado(sp)'?
I've been looking for that one. The wine tasting scene is a classic. That is,
'it's very good'.



-- 
*********************************************
*    bob church                             *
*    bchurch@oucsace.cs.ohiou.edu           *
*    D-8195 NFS #27                         *
From: farant@terapin.com (Faran Thomason)
Newsgroups: alt.cult-movies
Subject: Re: Tsui Hark filmography?
Date: 17 Nov 92 16:40:59 PST
Organization: BBS

Well on the topic of who directs these films. Interviews say when directors go
into Tsui Harks Film Workshop they make films like Hark. However from all the
stories I have read about Hong KOng film it appears that many different
directors will direct a film. Hark co-directed Twin Dragons. He also says that
Swordsman was directed by 4!! directors including Hark. But in a lotof stories
Hark is credited as director of the Chinese Ghost Story series. Clearly as a
producer he has a great influence on the directors. Of course Hark is also
credited as producer of John Woo's film's like A Better Tommorow 1 & 3, the
Killer and claims he wrote Once A Thief. Hope this helps solve the debate.
Newsgroups: alt.cult-movies
From: daviss@sweetpea.jsc.nasa.gov (steven davis 283-4129)
Subject: Re: Heavy Metal
Organization: McDonnell Douglas Space Systems Company
Date: Mon, 23 Nov 1992 15:49:43 GMT

In article <1992Nov22.235242.14368@miavx1.acs.muohio.edu>, bjbartlett@miavx1.acs.muohio.edu (I'm not really a doctor...) writes:
|> In article <1992Nov20.144314.12243@shearson.com>, scarrobi@shearson.com (Steve Carrobis) writes:
|> > dont you know owning a copy is illegal? my goodness. (hehehe)
|> > as long as u dont charge money they cant hit u with a fine. 
|> > i am sure someone on the net can get u one.
|> >
|> Then would it be legal to make an extra copy for myself, then, realizing "Hey,
|> why do I need two copies?" ask someone to trade my "extra copy" of Heavy Metal
|> for their "extra copy" of, say ... the longer tv version of Dune?  This is 
|> purely hypothetical I might add :)
|> 
|> Bart

In my original post I was not asking how to get a videocassette copy
of the film, but how to obtain an actual 16mm or 35mm film print to be
shown in a theater.  

Showing a film print is not illegal because the producers obtained the
release rights.  Unfortunately they did not negotiate the video release
royalty rights with the bands on the soundtrack.

Thanks to all that responded to my post. In case anybody is interested,
the informations sent to me from several people indicates that a film
print can be obtained from:

      Films Incorporated
      5547 N. Ravenswood Avenue
      Chicago, IL  60640-1199

      Phone: 800-323-4222


|--------------------------------- ******** -------------------------|
|                                 * _!!!!_ *                         |
| Steven Davis                   * /  \   \ *                        |
| daviss@sweetpea.jsc.nasa.gov  *  (<o><o>)  *                       |  
|                               *  \>_db_</  *  McDonnell Douglas    |
|  - I don't represent           *   |vv|   *   Space Systems Company| 
|    anybody but myself. -        *  (__)  *    Houston Division     |
|--------------------------------- ******** -------------------------|
Xref: sparky alt.cult-movies:10352 rec.arts.sf.movies:8733
From: @oswego.Oswego.EDU (Edward G. Farrell)
Newsgroups: alt.cult-movies,rec.arts.sf.movies
Subject: Re: GODZILLA VS BIOLLANTE
Date: 16 Nov 92 13:55:30 GMT
Organization: SUNY OSWEGO
 
   I can't believe $70.00 for the new film. This is a major disappointment. I'll have to hope that a used

copy appears a few months later at a store. With such a price it seems that HBO doesn't want people to
buy the film, only to rent it.
   Of course HBO might lower the price themselves after they feel the film has been out for a while. Then
again they don't want fans to have their own copy but to watch the film when it appears on their pay
station. I should have expected a price like that, but I had hoped for something reasonable.


                                                                                                           Just an angry Godzilla fan
                                                                                                                   
Newsgroups: alt.cult-movies
From: donnell@manowar.micro.umn.edu (BogusMan)
Subject: Re: Woo's "The Killer" out on US video
Organization: none
Date: Wed, 18 Nov 1992 16:54:04 GMT

In article <1992Nov17.111357.20530@yang.earlham.edu> uril@yang.earlham.edu writes:
>In article <Yf213PK00Uh_85K48x@andrew.cmu.edu>, dr3u+@andrew.cmu.edu (Daniel Read) writes:
>> "JUDEX" says:

^^^^^^^^^^^^^^^^ 
I DID NOT!

>> 
>> In his HK films Woo has usually worked with first-rate ACTORS and not
>> action-film pieces of meat.  Chow Yun Fat is not the HK version of Van
>> Damme, but of Cary Grant.  Leslie Cheung, Sally Yeh, Ti Lung, Cherie
>> Chung and Jackie Cheung are all top notch actors.  (Look at the trilogy
>> of fine performances that form the center of BULLET IN THE HEAD -- who
>> would remember it if Dolph Lundgren, Van Damme and Steven Seagal had
>> played the three friends).  So even when the screen is exploding with
>> bullets the people holding the guns are believably motivated human
>> beings.
>
>I am actually really hopeful about John Woo's American effort.  You must 
>remember that when Chow Yun Fat was used by Woo in A Better Tommorow, his 
>reputation was not the greatest in the world as an actor.  However, 
>because of Woo's fabulous direction, he pulled a great performance out of 
>Chow Yun Fat.  Jean Claude Van Damme has the potential of bringing out a 
>strong performance.  He is not a cold person.  If you ever see interviews 
>with Van Damm he is warm, joking, laughing, serious and fun to watch.  
>However, the scripts and direction Van Damme has recieved have not allowed 
>him to work off of any of those qualities.  John Woo will.  I am looking 
>forward to seeing Hard Target, and I will bet we will see Van Damme cry in 
>this movie.
>Movies make good actors.  Think about Bruce Willis in Blind Date.  Now 
>picture him in Die Hard.  Just a minor change in performance quality, 
>wouldn't you think. 
>But we will see what happens.
>-- 
>
>Uri J. Lessing |  Earlham College |  Richmond, Indiana

I hate Van Damme. I have seen him in interviews and don't care for the man.
So he is gonna cry in this one. BIG DEAL, he has  the onscreen emotions
of a turnip!

I do like Dolph Lundgren, and I would much rather see him in a Woo film,
for most of the reasons given. That and the fact that he seems to be
capable of acting from time to time. Something Van Damme has shown 
no trace of. Yes, Woo uses the best actors he can get in Hong Kong,
but since this is America, he has to get marquee value. 
Suprised that Van Damme is taken so seriously after the box office 
failure of "Double Impact", which caused a layoff at the production
company that made it. And, suprise, Van Damme was twice as bad as normal,
in the double role. "Lionheart" was tolerable, but Van Damme is just
not my cup of bacilli, I guess.
And at least Lundgren has lost his accent, and can now speak clearly.
Compare Dolph in "Masters Of The Universe" with more recent stuff,
like "Showdown In Little Tokyo" and I think you would agree that he
has come a long way.
<All imho, and not meaning much>
					--Judex--

Newsgroups: alt.cult-movies
From: tomboy@netcom.com (Thomas Miller)
Subject: Re: Heathers
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Date: Mon, 16 Nov 1992 23:03:31 GMT

I don't know that I'd call Heathers the greatest movie of the generation, but
it certainly has some of the best one liners I've ever heard.

"F%*k me gently with a chainsaw!"  

Newsgroups: alt.cult-movies
From: donnell@tuna.micro.umn.edu (BogusMan)
Subject: Re: Woo's "The Killer" out on US video
Organization: none
Date: Sun, 15 Nov 1992 17:20:29 GMT

In article <d_hqyl+@lynx.unm.edu> lazlo@triton.unm.edu (Lazlo Nibble) writes:
>Street date for the US release of 'The Killer' is November 24th.  And as
>part of his new adventures in America, Woo is slated to direct (get this)
>the new Jean-Claude Van Damme movie, which is going to be produced by Sam
>Raimi.  The camera operator's going to get hazard pay . . .
>
>--
>Lazlo (lazlo@triton.unm.edu)

Although I would rather see Woo work with Dolph Lundgren than Van Damme,
I too, am eagarly awaiting "Hard Target". And "The Killer" made the rounds
on Cinemax about 1 month back, in a very nicely dubbed version.

					--Judex--