HDTenEightyP/NetNews huggingface dataset:
From: roger@crux.Princeton.EDU (Roger Lustig)
Subject: Re: There's nothing wrong with Bolero
Originator: news@nimaster
Reply-To: roger@astro.princeton.edu (Roger Lustig)
Organization: Princeton University
Date: Mon, 11 Jan 1993 23:37:43 GMT

In article <106751@bu.edu> spacefox@acs.bu.edu (Godfrey Degamo) writes:
>In article <1isjviINNdj9@mizar.usc.edu> hbaldwin@mizar.usc.edu (Harry Baldwin) 
>writes:
>>Yes and no.  There's 'nothing wrong with Bolero,' it's true, but I
>>don't think it's necessarily 'pathological' to retire it from one's
>>listening for a while so it could sound fresh again. Ever since the
>>film 10 Bolero has been a  repeated request on classical radio...

>     Was Bolero written for 10?  

No, not hardly.  _10_ came out in 1979, 48 years after the piece and
long after Ravel's death.

>I don't usually like it when
>"classical" music is used in movies, I tend to associate it with the
>movie and all it's emotional forms and this "pollutes" its musical
>"purity."  

Relax -- it never had it.  People associate things with pieces no
matter what you do.  Music is like that.

>(I was disappointed to find out that Chopin's Op 10 No 3
>was named "tristesse etude" and more disappointed someone actually
>wrote words to the melody.  I believe the song is called "No Other Love")
>     So, I don't know if I should do this, but I never saw 10.  Is it
>any good?  

Yes, actually.  One of Blake Edwards' best.  Some very funny scenes,
and one of the longest sequences of short scenes making up a narrative
arc that I've ever come across -- from the dentist's office to the arrival
in Mexico.  (I've given nothing away.)  

>I know this perhaps doesn't belong in this newsgroup, but I
>want to know if it "pollutes" Bolero.  Or it maybe the case that
>Bolero was written for it, I don't know!

Neither.  The piece plays a very minor part in the movie, just as Bo
Derek does -- though they're both the focus of the hype.  (Derek's few
lines include one word -- you can probably guess the word -- used to
devastating effect.  Good comment on the music, too.)

>     Well, before this turns out to be a totally irrelevant post, let
>me try and save it.  What other "classical" pieces you know of that
>have been "tainted" by movies?

Actually, I can think of a few movies that have been tainted by pieces! 
Anything with Carmina Burana in it....  8-) 


Roger
Newsgroups: rec.music.classical
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: Janacek
Keywords: Glagolytic Mass
Organization: Morgan Stanley & Co., New York, NY
Date: Wed, 6 Jan 1993 16:45:34 GMT

In article <1993Jan6.110115.2677@maths.tcd.ie> bannistr@maths.tcd.ie (Jeff Bannister) writes:
>Anybody any recommendations for recordings of the Glagolytic
>Mass?
>
>Jeffrey Bannister.

The absolute hands-down winner is, of course, Mackerras on Supraphon.

The absolute hands-down winner is, of course, Ancerl on Supraphon.

Newsgroups: rec.music.classical
From: sowhat@gphs.vuw.ac.nz (Christian Zick)
Subject: Re: Violin/Viola Duos
Organization: Institute of Geophysics, Victoria University of Wellington, NZ
Date: Tue, 12 Jan 1993 23:39:20 GMT

In article <ll68ijINN5mm@exodus.Eng.Sun.COM>, jamesc@bassclar.Eng.Sun.COM (James Langdell) writes:
> rainer@fml.tuwien.ac.at (Rainer Staringer) writes:
> >My friend and I are looking for some interesting (but playable...)
> >pieces for violin and viola. We already know - and love! - the two
> >Mozart duos. Are there any other pieces which are equally beautiful
> >and fun to play?
> 
> 
Try Bartok's 44 Duos for 2 violins. Not being a violinist, but only a
melomane, I think they should not be too difficult.
N.B. I always enjoy listening to Mozart's played by G.Kremer/K.Kashkashian.
Heartbreakingly joyful!

Christian
sowhat@gphs.vuw.ac.nz
From: zornow@hpcc01.corp.hp.com (Claudia Zornow)
Date: Tue, 12 Jan 1993 00:14:42 GMT
Subject: Re: Anybody heard of Gliere?
Organization: HP SSD R & D
Newsgroups: rec.music.classical

And by the way, today (January 11) is Gliere's birthday.

Claudia (a little birdie on KKHI told me so)
Newsgroups: rec.music.classical
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: Anyone heard of Huenter Kradaken?
Organization: Morgan Stanley & Co., New York, NY
Date: Thu, 7 Jan 1993 18:38:14 GMT

Daniel Steven Reinker writes:
>I am still interested
>in knowing about Kradaken, 

and I'm still sceptical 
that a composer by this name 
ever existed.




 

Newsgroups: rec.music.classical,rec.music.cd
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: Tips on recordings, and on classical shops in Denver
Organization: Morgan Stanley & Co., New York, NY
Date: Mon, 11 Jan 1993 20:19:46 GMT

In article <1993Jan9.013403.27593@informix.com> rika@informix.com (Rika Tsitsinia) writes:


>	Tower. And now is the time.


Unless you happen to be within striking range of J&R in lower
Manhattan.

	1.  Their selection is better than Tower's.

	2.  Their everyday price is Tower's sale price.

	3.  A storewide countersale is now in progress.
From: pieterh@sci.kun.nl (Peter Herweijer)
Newsgroups: rec.music.classical
Subject: Q: Inbal's Mahler
Summary: Opinions about Inbal's Mahler please?
Keywords: Mahler, Inbal
Date: 6 Jan 93 11:53:29 GMT
Organization: University of Nijmegen, The Netherlands

I can get Eliahu(sp?) Inbal's discs of Mahler symphonies (and more)
on Denon very cheap. Now I've heard very little about these (though
what I've heard is not negative) and I wondered if there are any
net.people that can give me their opinion about these versions. Are
they any good? How do they compare, say, to the likes of Horenstein
Walter Klemperer and Barbirolli?

Thank you very much for your time.

Peter Herweijer
pieterh@sci.kun.nl
From: rags@triples.math.mcgill.ca (Robert A. G. Seely)
Newsgroups: rec.music.classical
Subject: Re: Haydn's "Creation" - new recording on Telarc by Shaw
Date: 6 Jan 93 06:05:20 GMT
Organization: /etc/organization

In article <1993Jan6.030734.5402@wam.umd.edu> ext@wam.umd.edu (Eugene Zhu Xia) writes:
>>From: rtut@troi.cc.rochester.edu (Raymond Tuttle)
>>Subject: Haydn's "Creation" - new recording on Telarc by Shaw
>
>
>How does that compare with Hogwood's English version (which I own)
>on period instruments?
>
>Eugene


The December Gramophone reviewed Shaw's recording, and I'd say he (MR = Marc
Rochester) preferred the Hogwood.  After praising the instrumental playing,
MR says "all this ... is leading up to a big 'but' ... too big to make this
Creation a real contender.  The problem lies with the soloists ..."

I haven't heard the Shaw, but I'm happy with the Hogwood - why duplicate
without a good cause?, and this doesn't seem such a one.  

-rags
From: krzystek@carson.u.washington.edu (Jerzy Krzystek)
Newsgroups: rec.music.classical
Subject: Re: New Year's Concert
Date: 4 Jan 1993 16:59:47 GMT
Organization: University of Washington, Seattle
NNTP-Posting-Host: carson.u.washington.edu


After watching and listening to the New Year's Concerts from Vienna for
many years I still have the following question:

The concert apparently is broadcasted live in Europe (at noon MET), while
the ballet scenes are quite obviously pre-recorded. How is the
co-ordination achieved? After all, the dancers have to dance to the beat?

Quite aside, does anybody share the opinion that since heavy-weight
conductors like Karajan, Kleiber, Maazel, Mehta or Muti started conducting
these concerts in the eighties, they sort of became less interesting? I
miss Willy Boskovsky who used to give them a light-hearted atmosfere...


J. Krzystek

U. of Washington
Seattle
From: i3270@zarina.dc.dk (Erik Kristiansen)
Newsgroups: rec.music.classical
Subject: Couperin - recorded by Scott Ross ??
Summary: Has Scott Ross recorded any Couperin?
Keywords: Couperin Ross
Date: 7 Jan 93 14:31:01 GMT
Organization: Datacentralen A/S

In the biography by Wilfried Mellers on Francois Couperin 
he says that Couperin has been recorded by the harpsichordist
Scott Ross. Has anyone heard of it?

As to the recording done by Blandine Verlet: Which harpsichords
has she used? (original insts./copies/makers name?)

Does anyone know if the recording by Laurence Boulay (still F.Couperin)
has been reissued on cd?

-thanks

--

Erik Kristiansen
  
From: zornow@hpcc01.corp.hp.com (Claudia Zornow)
Date: Thu, 7 Jan 1993 16:42:08 GMT
Subject: Re: CARTOON MUSIC! HELP AND A CHALLENGE
Organization: HP SSD R & D
Newsgroups: rec.music.classical

>>  The music was upbeat, fast, jazzy.  Lot of clarinets.  Happy
>> music.  CARTOON music.  I'm sure I recognized these tunes as
>> background-type music for the 'toons, Warner Bros circa 1930-1940.

>       This sounds an awful lot like "The Carl Stallings Project"... 

To me this sounds like the CD I got for Christmas.  I've forgotten
the exact title, but the composer is Raymond Scott.  (The title is
something like "The Music of Raymond Scott.")  Probably the most
familiar track, though most people will recognize it by sound but
not by name, is "The Toy Trumpet."

Claudia
Newsgroups: rec.music.classical
From: ssc@nwu.edu (Steven Chung)
Subject: Re: Looking for D. Oistrakh CDs
Originator: schung@casbah.acns.nwu.edu
Organization: Northwestern University, Evanston Illinois.
Date: Fri, 8 Jan 1993 07:31:07 GMT

In article <C0Iq3E.Ft7@ecf.toronto.edu> torenvl@ecf.toronto.edu (TORENVLIET GERARD LAWRENS) writes:
# In article <1993Jan6.174532.18207@sequent.com> danielh@sequent.com (Daniel Hobbs) writes:
# >I've seen claims recently that a number of David Oistrakh's recordings
# >
# >Does anyone know of any other reissues of this, esp. with domestic 
# >orchestras.  Or other Oistrakh reissues, for that matter.
# 
# On their bargain basement "Priveledge" label, DG has released Oistrackh playing
# Beethoven's violin concerto in D Major, Op. 61.  It is a Penguin Guide Rosette,
# and for $9 Cdn., definitely a great buy.

No, Schneiderhan plays the concerto on this disc; Oistrakh only plays the
two romances.
From: kalagatl@sdl.egr.uh.edu (Anil K. Kalagatla)
Newsgroups: rec.music.classical
Subject: What is that music in..?
Date: 5 Jan 1993 17:54:55 GMT
Organization: University of Houston
Distribution: usa
NNTP-Posting-Host: sdl.egr.uh.edu

What is that music in tha commercial for  JOOP (perfume)?
and in the commercial for Marines?

Anil
Newsgroups: rec.music.classical
Subject: Orff's Trionfi
From: <DXH117@psuvm.psu.edu>
Date: Sun, 10 Jan 1993 19:54:10 EST
Organization: Penn State University

Having read a discussion on Orff's trilogy containing Carmina Burana as the
most famous excerpt, when I found a recording in London, I purchased it.  I
haven't listened to it yet (I found _many_ wonderful things in London, and
it will be a while before I've heard them all), I figured some of you would
be interested.  Of course, I don't have it with me at the moment, but as far
as I can remember, it's on the Supraphon label, and is performed by
Hungarian groups.  If you'd like more specifics, just e-mail me and I'll get
back to you with whatever you want to know.  If this post turns out funny,
that's because it's my first.  Enjoy.

                                            David
Newsgroups: rec.music.classical
From: runehh@dhhalden.no (RUNE HALFDAN HOLST HUSEBY)
Subject: Re: Anyone heard of Huenter Kradaken?
Organization: Ostfold College
Date: Wed, 6 Jan 1993 19:19:33 GMT

In article <1993Jan5.234013.12482@cheshire.oxy.edu> dementia@cheshire.oxy.edu (Daniel Steven Reinker) writes:
>From: dementia@cheshire.oxy.edu (Daniel Steven Reinker)
>Subject: Re: Anyone heard of Huenter Kradaken?
>Date: Tue, 5 Jan 1993 23:40:13 GMT
>In article <C0E8pu.Mx@usenet.ucs.indiana.edu> cstringe@silver.ucs.indiana.edu (Chuck Stringer) writes:
>>mjenkins@alfred.carleton.ca (Michael Jenkinson) writes:
>>|
>>| Oh, indeed his second was superior to the third, but the third
>>| symphony had that *je ne se quoi* about that always stirs my heart.
>>| 
>>| I really don't know why Kradaken never really broke more to the
>>| "mainstream". It's unfortunate.
>>| 
>
>I'm amazed to hear the date Kradaken was born....listening to his third
>symphony, I thought he was more modern. He certainly shows an amazing
>acquantince with atonality for his time. (Either that or he has 
>absolutely no understanding of standard chord structure.)
>
>I think my favorite movement of "St. Peter and the Four Dragons"
>is the second movement, called the "Allegro Dragon." The end cadence,
>which actually leads to an augmented seventh as the final chord, is
>utter genius. That movement is definitely superior to the "Lentemente
>Dragon"...the wailing french horn solo grates on me after awhile.
>
>Steven
>
>-- 
>"You can't help that. We're all mad here."-The cheshire cat, Alice in WL
>
>"A mass hysteria/a megalomania/reveal Dementia/reveal"-Metallica                
Well, those stories about Kradaken is definetly not the same as the one I've
heard. Rumours says that, as you know he suffered from depression, his older
sister wrote the third symphony when he was at a hospital. That is said to 
be the reason to why the third is so different from the rest.


/-----------------------------+--------------------------------------------\
|  Rune Halfdan Holst Huseby  |  Ostfold Regional College, Halden, NORWAY  |
|-----------------------------+--------------------------------------------|
| Real programmers never work 9 to 5. If any real programmers are around   |
| at 9 am, it's because they were up all night.                            |
\--------------------------------------------------------------------------/
Newsgroups: rec.music.classical
From: jon@playfair.Stanford.EDU
Subject: Re: SURVEY: FAVORITE PIANO CONCERTO
Organization: Stanford University
Date: Wed, 6 Jan 93 17:43:04 GMT

My favorite concerto is the Schumann A-Minor.  My favorite Beethoven is
the third.
From: velde2@jhunix.hcf.jhu.edu (Francois Velde)
Newsgroups: rec.music.classical
Subject: Re: Do recordings of the following pieces exist?
Date: 11 Jan 1993 09:51:00 -0500
Organization: Homewood Academic Computing, Johns Hopkins University, Baltimore, Md, USA
NNTP-Posting-Host: jhunix.hcf.jhu.edu



In article <1993Jan8.221904.4017@spang.Camosun.BC.CA> dbarker@spang.Camosun.BC.CA (Deryk Barker) writes:
>judd@wilkinson.cs.colorado.edu (Stephen Judd) writes:
>: 	Brahms (Did I see correctly that people seriously dismiss Brahms
>: 		as a composer?  Wow.  And please don't post responding
>: 		to this comment!  Send email!)
>: 		
>: 		Sonatas, Op. 78, Op. 100, Op. 108
>
>I particularly like the recording of the sonatas by Kremer and
>Afanassiou (is that right?) on DG coupled with the Busoni #2. I am
>aware that this is a minority opinion, and that they spread to 2 disks
>because they take them so slowly, but the playing has a great beauty
>and intensity which I find irresistable. And I *love* the Busoni.

And I like the recording of all three sonatas (on 1 CD) by Lydia Mordkovitch
and Gerhard Oppitz (Chandos 8517).  Full of fire and intensity, and a glorious
sound.  I also like Oppitz and Karl Leister playing the clarinet sonatas on
an Orfeo recording. 





-- 

	Francois Velde
Organization: University of Maryland at Baltimore
Date: Tuesday, 5 Jan 1993 14:40:14 EST
From: Tom Williams <TW@UMAB.BITNET>
Newsgroups: rec.music.classical
Subject: Re: Saint-Saens' Organ Symphony
 <1993Jan5.171219.29148@europa.asd.contel.com>

One of my favorite organ recordings is  E Power Biggs' _Festival
of French Organ Music_, which includes Alain's Litanies(one of
my favorite pieces). I don't know if it's been reissued  on
CD.

- Tom
+----------------------------------------------------------------------------+
| "Work and play are words used to describe the same thing under different   |
|  conditions."                                                              |
|                                                            - Mark Twain    |
| Bitnet: TW@UMAB     Internet: TW@UMAB.UMD.EDU     Phonenet: (410)706-4134  |
| SnailNet: 100 N. Green Street, Baltimore, MD  21201                        |
+----------------------------------------------------------------------------+
From: chem91@Elroy.UH.EDU ("Bill Harrison (713)-743-2789")
Newsgroups: rec.music.classical
Subject: Tower Records
Date: 6 Jan 1993 15:38:27 GMT
Organization: University of Houston
Reply-To: chem91@Elroy.UH.EDU
NNTP-Posting-Host: elroy.uh.edu



Hi...   Could somebody please tell me when the Tower Records(TM) annual
sale begins and ends...  Thanks.  I understand that it's 20% off everything?

Please post or e-mail at your convenience,
Bill


+ ~~~~~~~~~~~~~~~~~~~~~~~~~\               /~~~~~~~~~~~~~~~~~~~~~~~~~~~+
| Bill Harrison,            \             /       "Be as radical as... |
| University of Houston, TX  >-----------<         reality itself"     |
| CHEM91@JETSON.BITNET      /             \                V. I. Lenin |
+ ~~~~~~~~~~~~~~~~~~~~~~~~~/               \~~~~~~~~~~~~~~~~~~~~~~~~~~~+
From: ebroom@amethyst.axion.bt.co.uk (Ed Broom)
Newsgroups: rec.music.classical
Subject: Easy quiz answers required
Date: 12 Jan 93 17:26:26 GMT
Reply-To: ebroom@axion.bt.co.uk
Organization: BT Labs
Organisation: BT Laboratories, Martlesham Heath, IPSWICH UK

Could anybody out there help me out with the following questions:

1. The composer Philip Heseltine is better known as...?

2. Which composer died from a self-inflicted injury sustained
   while conducting?

3. Which opera ends with nuns being guillotined?

4. Who wrote three operas involving Elizabeth I?

Answers gratefully received by e-mail, thank you.

Ed Broom

..but smart old Blue he took the Milky Way.
Newsgroups: rec.music.classical
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: Piano Rarities
Organization: Morgan Stanley & Co., New York, NY
Date: Thu, 7 Jan 1993 03:54:40 GMT

No comments from me, except to point out the presence of Ronald Smith
and Marc-Andre Hamelin, and to note that Benedikt Koehlen's performance
of the Janacek sonata (available in a studio performance on very difficult
to find col legno disk) is probably worth the price of disk 2.  Some of
this talent is otherwise unknown to me.  

Vols. 1-3 of 'Rarities of Piano Music at "Schloss vor Husum"' 89,90,91
---------------------------------------------------------------------

DACOCD 349:

Alkan			Cantique des cantiques		Ronald Smith
Rachmaninoff		Serenade op.3 no.5		Michael Ponti
Chopin-Godowsky		Suite no.42			Marc-Andre Hamelin
Confrey			Kitten on the keys			"
von Sahr		From "Stimmen der Nacht		Jozef De Beehnouwer
Bennett			Rondeau a la Polonaise op.37	Hamish Milne
Medtner			Fairy Tale op.8,2			"
Bizet			Depart				Jean-Marc Luisada
Faure			Nocturne no.2				"
Faure			Nocturne no.13			Idil Biret
Faure-Grainger		Nell op.18,1			Peter Froundjian
Palmgren		Feux-follets op.35,3			"
Glinka-Balakirev	The Lark			Boris Bloch
Tchaikovsky-Pletnjov	Andante ma estoso			"
Liszt			Hungarian Rhapsody no.10	Rainer M. Klaas
Gluck-Chasins		Melody				Daniel Berman
Faure			Nocturne no.2				"

DACOCD 379:

Scriabin		Polonaise op.21			Igor Shukow
Clementi		Sonata op.25 no.5 (fragment)	Claudius Tanski
Liszt			Rigolletto-paraphrase			"
Schubert-Godowsky	Morgengrus			Janice Weber
Liszt			Aux cypres de la Villa d'Este II	"
Chopin-Godowsky		Suite no.34 "Mazurka"		Marc-Andre Hamelin
Prokofiev		Sarcasm op.17 no.1			"
Janacek			Sonata 1			Benedikt Koehlen
Mankell			Intermezzo op.12,2		Bengt Forsberg
Medtner			Stimmungsbild op.1,4		"
Godowsky		The Musical Clock		Geoffrey Douglas Madge
Albeniz-Godowsky	Triana				Abbey Simon

DACOCD 389:

Liszt-Busoni		Fantasia ... "La Prophete"	Hamish Milne
Siloti			Complainte				"
Medtner			Prelude from op.54			"
Glinka			Barcarolle			Alexej Ljubimov
Rimsky-Korsakov		Novellete op.11 no.2		Boris Bloch
	"		Kleines Lied ...			"
	"		Romanze A major op.15 no.2		"
Dobrowen		Prelude				Kolja Lessing
	"		Mazurka-Caprice				"
Strasfogel		Rondo					"
Cyril Scott		Lotus Land op.47		Donna Amato
Erdmann			Fox Trot			Sontraud Speidel
Newsgroups: rec.music.classical
From: lungtt@gus.ecn.purdue.edu (Terence T. Lung)
Subject: Help!  Suggestions needed in memorizing music?
Organization: Purdue University Engineering Computer Network
Date: Wed, 13 Jan 1993 04:39:45 GMT

I'm foremost a violinist.  I've ALWAYS found it most anguishing
to try to "memorize" a piece for performance.  It's always been
practice over and over and over again, section by section by section
to infinitum ad nauseum specifically to memorize.  But then, when
I've got it memorized, there seems to be an added benefit of practicing
it that way.  There's one less thing to concentrate on--the sheet
music in front of you.  But, the thought of putting a piece to memory
to be able to play it back often terrifies me as eternal anguish.

What net wisdom is there concerning how to efficiently memorize 
something?

Thanks for any ideas.

with a lack of memory,
Terence

ps  How is it that European soloists often get to escape this
silly practice?
Newsgroups: rec.music.classical
From: mvalinis@magnus.acs.ohio-state.edu (Michael J Valinis)
Subject: Re: Do recordings of the following pieces exist
Organization: The Ohio State University
Date: Fri, 8 Jan 1993 23:51:52 GMT

Yes, Stephen Judd, an excellent recording of the Brahms sonatas (Op. 78, 100, &
108) does exist.  At least I think so, even though this recommendation is
liable to draw fire from the Ashkenazy-bashers.  Anyway, the recording is by
Itzhak Perlman & Vladimir Ashkenazy, on EMI D 233760.  It was recorded in 1983.
The performances are sympathetic, lush, passionate.... a good reading of some 
excellent Brahms chamber works.
-- 
*>   Michael J. Valinis   -=+<*>+=-   mvalinis@magnus.acs.ohio-state.edu   <*
*>=>  "Music is your own experience, your thoughts, your wisdom. If you  <=<*
*>+>=> don't live it, it won't come out of your horn." -Charlie Parker <=<+<*
*>=>+>=>+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+<=<+<=<*
Newsgroups: rec.music.classical
Subject: Re: Anyone heard of Huenter Kradaken?
From: sowhat@gphs.vuw.ac.nz (Christian Zick)
Date: Fri, 8 Jan 1993 03:00:51 GMT
 <1993Jan6.234129.18239@cheshire.oxy.edu> <2002@heurikon.heurikon.com> <1993Jan7.183814.5181@fid.morgan.com>
Organization: Institute of Geophysics, Victoria University of Wellington, NZ

In article <1993Jan7.183814.5181@fid.morgan.com>, apter@fid.morgan.com (Steve Apter) writes:
> Daniel Steven Reinker writes:
> >I am still interested
> >in knowing about Kradaken, 
> 
> and I'm still sceptical 
> that a composer by this name 
> ever existed.
> 
> 
You are right. But it is a spelling mistake only: his first name was "Guenter".

Christian Zick
sowhat@gphs.vuw.ac.nz
Newsgroups: rec.music.classical
From: phatak@watserv1.uwaterloo.ca (Aloke Phatak)
Subject: Marais/Sainte Colombe CD
Summary: Info on Marais/Sainte Colombe CD 
Keywords: Marais, Sainte Colombe, Tous les matins du monde
Organization: University of Waterloo
Date: Tue, 12 Jan 1993 20:04:46 GMT

I think I missed this the first time around.  Could somebody post
the title, label, catalogue number, etc. of the soundtrack of the
film "Tous les matins du monde"?  Are there any other CDs of music
by Marais or by Sainte Colombe in the catalogue?

Thanks in advance.

--
 +----------------------------------------------------------------------------+
 | Aloke Phatak                                                               |
 | Department of Chemical Engineering                                         |
 | University of Waterloo                        phatak@watserv1.uwaterloo.ca |
 | Waterloo, Ontario CANADA N2L 3G1                 (519) 885-1211, ext. 6982 | 
 +----------------------------------------------------------------------------+
From: velde2@jhunix.hcf.jhu.edu (Francois Velde)
Newsgroups: rec.music.classical
Subject: Re: Saint-Saens question
Date: 8 Jan 1993 09:58:45 -0500
Organization: Homewood Academic Computing, Johns Hopkins University, Baltimore, Md, USA
NNTP-Posting-Host: jhunix.hcf.jhu.edu

In article <1993Jan8.041415.15540@noose.ecn.purdue.edu> lungtt@gus.ecn.purdue.edu (Terence T. Lung) writes:
>I think there was something to be said about the nationalism
>happening at the time too.(Unlike its neighbors at the time,
>France needed some musical character.)

Richard Wilmer, please do something to this man.

-- 

	Francois Velde