HDTenEightyP/NetNews huggingface dataset:
Newsgroups: bit.listserv.emusic-l
Date:         Sat, 10 Oct 1992 11:17:53 CDT
From:         "(Dave Chesak)" <davec@SAINTJOE.EDU>
Subject:      pedalboard interface
Comments: To: EMUSIC-L@AMERICAN.EDU

Earlier this year someone was asking about an interface circuit that
would allow an organ pedalboard to be interfaced to a MIDI instrument.
I had been planning to build one but didn't feel I could respond to the
request.  Finally, this summer, I decided to bite the bullet.  Anyway
I have one built.  The heart of the unit is a Z80 cpu with an EPROM and
RAM.  Since it is entirely hand wired (what a chore), I don't have have
etched pc boards to offer but I can send anyone who is interested a copy
of the circuit.  I can burn in the EPROM for those who don't have a
EPROM programmer.  There was an earlier posting for a design that was
velocity sensitive.  My design is not.  The velocity is set at 64 in the
program but it could be set at anything else.  Total parts cost is between
$10 and $20, depending on your junk box.  The hard part is the fabrication
and wiring - hours and hours.

		Dave Chesak      davec@saintjoe.edu
		219-866-6000
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Date:         Thu, 8 Oct 1992 16:01:00 -0400
From:         "(Joseph D. McMahon)" <xrjdm@CALVIN.GSFC.NASA.GOV>
Subject:      How to subscribe to the Computer Music Journal
Comments: To: "(Electronic Music Discussion List)" <emusic-l@auvm.american.edu>

Because of the overwhelming number (okay, four, I'm easy to overwhelm)
of request for the information, here's how to get the Computer Music
Journal.

To subscribe to the Computer Music Journal, send your name and address
(along with the appropriate amount fom the list below) to

	MIT Press Journals
	55 Hayward Street
	Cambridge MA 02142-9902

			US	Canada(*)	All other
Individual		$38	$55.64		$52
Institution		$80	$100.58		$94
Student/Retired		$30	$47.08		$44
(ID required)

The Canadian price reflects shipping/handling and 7% GST. The subscription
can be paid via VISA or Mastercard, by money order, or by check (if drawn
on a US bank).

For those who don't know it, the CMJ is a journal devoted to the academic
and research composer; it is definitely not Keyboard magazine. It does
review currently-available music and instruments, but with an eye to
their usability as experimental machines.

I highly recommend it to anyone whose interested in more esoteric
topics than are covered in the popular magazines.

 --- Joe M.
From: metlay@NETCOM.COM ((metlay))
Newsgroups: bit.listserv.emusic-l
Subject: Re: your mail
Date: 16 Oct 92 17:04:31 GMT
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
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Comments: To: EMUSIC-L@AMERICAN.EDU
              "wbf@ALUX2.ATT.COM" at Oct 16, 92 9:09 am

>Subject: Serious Dementia!
>
>Oops!  My rapidly deteriorating mind slipped a gear when somebody
>mentioned Jeff Pressing and I erroneously recalled data about Eric
>Persing.  Sorry.

No harm done. I was half tempted to say something like "Isn't Jeff
Pressing the music professor who writes the Piano Master Class
olumn in KEYBOARD?" but with no referene at hand I didn't want to
stick my neck out. Anyway, Jeff Pressing IS the professor etc.
I don't know if his column is still running monthly....

--
metlay            | and she's a master of return hitting
atomic city       | giving rhythm to her posts
                  | so you read her and think hey it sounds good
metlay@netcom.com | and wish her posts had a soundtrack too    (f. ercolessi)
From: xrjdm@CALVIN.GSFC.NASA.GOV ((Joseph D. McMahon))
Newsgroups: bit.listserv.emusic-l
Subject: Re: Just intonation - rec.music.compose #834
Date: 15 Oct 92 15:33:57 GMT
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Comments: To: emusic-l@auvm.american.edu

Reply-To: alves@calvin.usc.edu
In article <1biknpINNciq@calvin.usc.edu>, alves@calvin.usc.edu (William Alves)
 writes:
> Rather than just a single scale (like equal temperament), just intonation
> is more of a classification of any number of tuning systems. In just in-
> tonation, the ratios of the frequencies can all be represented by rela-
> tively low number fractions: 3/2, 5/4, 7/6, and so on. (A scale built en-
> tirely on 3/2 ratios, by the way, is a special case called Pythagorean
> tuning.) By contrast, tuning systems that use temperament have ratios that
> are irrational numbers, that is, they cannot be represented by finite frac-
> tions. As a result, justly-tuned scales sound much more consonant, but
> because unequal interval sizes, modulation is very limited. A very common
> just tuning method would be:
>
> 1/1  16/15  9/8   6/5   5/4   4/3   ???   3/2   8/5   5/3   16/9  15/8  2/1
>  C    C#     D    Eb     E     F    F#     G    Ab     A     Bb     B    C
>
> The tritone (F#/Gb) can be derived a number of ways, and that tends to vary
> from scale to scale. Some composers (like me) have a preference for more
> uncommon ratios, like those based on the 7th or 11th harmonic. These result
> in wonderful sonorities quite far removed from conventional equal tempera-
> ment. Try 7/4 for Bb or 7/6 for Eb or 11/8 for F#, just to give a few ex-
> amples.
>
> Among the composers who use just intonation are Harry Partch, Lou Harrison,
> Terry Riley, and La Monte Young. Partch's book, _Genesis of a Music_ is
> a good, if somewhat eccentric, introduction to his music and just intona-
> tion in general.
>
> The Just Intonation Network is an organization of composers and others
> who like JI. They have a free catalog of books (including Partch's),
> recordings, software, and other goodies. Just write to:
>
> The Just Intonation Network
> 535 Stevenson St.
> San Francisco, CA 94103
>
> Tell them I sent you. :-)
>
> Bill Alves

--
Joe McMahon    \ "WWAAAAAAAAHHHHHHHHHRRRRGGGHHHHHHHAAAUUUGGGHHH!!!!"
P.O. Box 13     \SCRREEESSSHHHHHKHKHKHKHKHKKXKXKXKXKHKHRKHKRKRRJRRJRJRHHHKKKKK
Lothian, MD 20711\   <pause>  "That was fun."
xrjdm@twinpeaks.gsfc.nasa.gov --------------------------------------------------
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Organization: The American University
Newsgroups: bit.listserv.emusic-l
Date:         Tue, 13 Oct 1992 08:46:14 EDT
From:         ronin <HARNDEN@AMERICAN.EDU>
Subject:      Re: VFX questions
              12 Oct 1992 05:25:01 GMT from <jseboldt@PNET51.ORB.MN.ORG>

>
>:John Seboldt...Mpls, MN...As a ham, K0JD...as a human...well,...   :
>:UUCP:{crash, tcnet, petrus, quest}!orbit!pnet51!jseboldt __________:
>:ARPA:crash!orbit!pnet51!jseboldt@nosc.mil |          -<:o)         :
>:INET:jseboldt@pnet51.orb.mn.org           |   ESCHEW OBFUSCATION   :

hey! is someone recycling my old signatures? next thing you know, we'll
be reading that 'noisy vices are pursuant to no good.' ;->

-----------< Cognitive Dissonance is a 20th Century Art Form >-----------
Eric Harnden (Ronin)
<HARNDEN@AUVM.BITNET> or <HARNDEN@AMERICAN.EDU>
The American University Physics Dept.
4400 Mass. Ave. NW, Washington, DC, 20016-8058
(202) 885-2748
---------------------< Join the Cognitive Dissidents >-------------------
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Newsgroups: bit.listserv.emusic-l
Date:         Fri, 9 Oct 1992 14:29:12 BSC
From:         Gustavo de Souza Verissimo <DECXGUST@BRUFV.BITNET>
Subject:      Some simple questions

Hello people!


I need to know these answers:
1) What means TVF in eletronic music?
2) In which country the MIDI protocol has been origined?
3) A Roland equipment that combines a sequencer and a sound module.

Please, send the responses to my own address because I'm not
subscribed to this list .
Thanks in advance.
Gustavo

***********************************************************
* e-mail: DECXGUST@BRUFV.BITNET                           *
* University of Vicosa - Brazil   Engeneering Department  *
***********************************************************
Organization: Penn State University
Date: Sat, 10 Oct 1992 20:18:49 EDT
From: Chris Hoffman <CXH181@psuvm.psu.edu>
Newsgroups: bit.listserv.emusic-l
Subject: Re: Patch editing on the SY55

Scott -
        I can't really help you but if you get a response please send it to me.
  I've got a TG55 and I'm having the same problems.  I also have the Yamaha V50
 but it isn't the same as the TG55.
                                   Thanks -
                                          Chris
Xref: sparky bit.listserv.emusic-l:1316 bit.listserv.allmusic:11551 ba.music:1762 aus.music:1427 alt.exotic-music:518 alt.emusic:328
From: arthur_noguerola@vos.stratus.com
Newsgroups: bit.listserv.emusic-l,bit.listserv.allmusic,ba.music,aus.music,alt.exotic-music,alt.emusic
Subject: records for sale
Date: 13 Oct 92 10:14:25 GMT
Followup-To: bit.listserv.emusic-l
Organization: Stratus Computer

lots of records for sale
contact arthur_noguerola@vos.stratus.com

_____________________________________________________
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Newsgroups: bit.listserv.emusic-l
Date:         Thu, 15 Oct 1992 16:50:20 -0600
From:         Thunder-Thumbs <siffert@HORTON.COLORADO.EDU>
Subject:      keyboard question
Comments: To: EMUSIC-L@AMERICAN.EDU

Hi, I just bought an Elka MK88-II controller keyboard for my computer
system and soundcard.  The price for the keyboard with limited
warranty was $1899.  I've seen the keyboard marked at $2600 before,
so I snapped it up.  What I would like to know is, does anyone
have experience with this keyboard and what are your thoughts?
Did I get it at a good price?

It's being used in conjunction with an IBM 486/33, Finale,
Cakewalk Pro for Windows, and a Roland SCC-1 soundcard.  (And
a good stereo system with four-track and mikes to boot).

Thank,s
Curt Siffert
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From: ROBSONMN@BRUFMG.BITNET (Luiz Carlos Portugal Starling)
Newsgroups: bit.listserv.emusic-l
Subject: .wav files wanted
Date: 15 Oct 92 21:50:50 GMT
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU

Hello!
I'm a novice to the list, so forgive me if I'm asking about anything that you
have been  discussing... Does  anybody know  about a ftp  site that  has .wav
files???

Thanks in advance...

Luiz Carlos Portugal Starling
ROBSONMN@BRUFMG.BITNET
ROBSONMN@VM1.LCC.UFMG.BR
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Mail-System-Version: <VAX-MM(284)+TOPSLIB(151)@UNHH.UNH.EDU>
Newsgroups: bit.listserv.emusic-l
Date:         Fri, 9 Oct 1992 09:33:58 -0400
From:         Dana Nibby <D_NIBBY@UNHH.UNH.EDU>
Subject:      synth vs. sampler
Comments: To: rec-music-synth@ucbvax.berkeley.edu, emusic-l@auvm.american.edu

I was reading through an ensoniq propaganda booklet called 'choosing a
synth or sampler' or something like that. It seemed to say that there
were only a few differences between synths and samplers. namely:

  (1) w/a synth, you have quick access to hundreds of sounds. no loading
      time needed like with a sampler.

  (2) w/a sampler you need tons of extra memory whereas with a synth you
      do not.

     It went on to say that if you bought a hard-drive and 'flashbank'
     memory (memory that works like ram and rom. can save samples onto it
     for near instant loading. And that this virtually closed the gap
  between synths and samplers. This makes me wonder.

   Ok, I *know* the sound on a synth can be manipulated in more ways than
with a sampler (or at least more of them). *My* main concern is this.
I know from sampling that as you play a sample higher than it's recorded
pitch/rate, it sounds like a sped-up tape or record... the same goes with
playing a note lower. The only reason I'm considering buying a synth vs.
a sampler (I would definately prefer having sampling capabilities) is that
with a synth, you can play notes all over the scale without this speeding
up and slowing down of sound. How does the EPS or EPS 16+ work? When you
buy a disk with samplers, is there just one sample or are there 4-5 so
you don't get as much speed change?

   Another reason I'd *prefer* a sampler over a synth is because I'm a
poor student, and since synths have pre-set waveforms, I could never
get truly new sounds. I think it's ridiculous that synths like the VFX-SD
, which is the one I would buy, don't accept PCM cards so I can get new sounds.
I don't have the money to buy new modules, other synths, etc. to get more
sounds. The keyboard I buy has to be versatile. Synths just aren't as far
as I can tell. The sounds you have stock, plus doing some mods with
parameters.. that's all you have. With a sampler, I can get all kinds
of disks of old analog synths. Granted, it's not the same as owning the
original synths, but since I'm not too familiar w/the originals, I won't
be too picky about that. (i.e. well, the sample just isn't *fat* enough,
etc.)

  Please help! Should I buy an EPS/EPS 16+ or a VFX-SD? Main question is
can I get the sampler to sound like a synth, using maybe 4 samples to span
the keyboard.

   Thanks,

      Dana
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Date:         Tue, 13 Oct 1992 09:32:41 -0400
From:         "(Joseph D. McMahon)" <xrjdm@CALVIN.GSFC.NASA.GOV>
Subject:      Re: records for sale
Comments: To: EMUSIC-L@american.edu
              "arthur_noguerola@vos.stratus.com" at Oct 13, 92 10:14:25 am

arthur_noguerola@vos.stratus.com writes:
>
> lots of records for sale
> contact arthur_noguerola@vos.stratus.com
>
> _____________________________________________________
>
Ads are not acceptable on EMUSIC-L. Please do not repeat this posting.

 --- Joe M. (EMUSIC-L administrator)
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: bit.listserv.emusic-l
Date:         Wed, 7 Oct 1992 18:02:31 MDT
From:         "(Adam Schabtach)" <schabtac@STOUT.ATD.UCAR.EDU>
Subject:      Re: 8-bit Ratners
Comments: To: EMUSIC-L@AMERICAN.EDU

>This is not necessarily a bad thing. 8-bit Grunge is good in places. Listen
>to the PPG.

Or the Fairlight Series II. Or the Emax.

>>let's face it - 8-bit is crap
>
>Well, it works for me.

And Tangerine Dream, Peter Gabriel, Kate Bush, Thomas Dolby, etc. etc...
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: bit.listserv.emusic-l
Date:         Mon, 12 Oct 1992 02:45:52 CDT
From:         "Throop,Henry B" <THROOP@GRIN1.BITNET>
Subject:      Tape hiss

Can someone explain a) what causes analog tape hiss, and b) why it's most
pronounced on the high end?  My intuition would be that it's not possible
to fully magnetize the tape as it passes by the record head, and it leaves
some white noise in the background, but this would not explain why it is
concentrated at the top of the spectrum.

-Henry

--
Henry Throop
throop@ac.grin.edu THROOP@GRIN1.BITNET
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Full-Name: Marc-Andre Pepin
Newsgroups: bit.listserv.emusic-l
Date:         Wed, 7 Oct 1992 11:03:11 EDT
From:         Marc-Andre Pepin <mapepin@CERBERUS.ULAVAL.CA>
Subject: Re: Ambient FAQ available
Comments: To: EMUSIC-L@american.edu

>
> The first draft of the Ambient FAQ is finished.  I posted it to
> rec.music.info, alt.rave, and rec.music.industrial.  Readers of
> other newsgroups/mailing lists can check the places I posted it
> or I can email you a copy (65K).
>
> Mike

	I would like to receive a copy by email.


Thanks


--
Marc-Andre Pepin              | Centre de Traitement de l'Information (CTI)
mapepin@cti.ulaval.ca         | Universite Laval
                              | Pavillon L-J-Casault, suite 2410
                              | Ste-Foy, Quebec, Canada, G1K 7P4
                              | Tel.: (418) 656-3632 / Fax : (418) 656-7305
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: bit.listserv.emusic-l
Date:         Mon, 12 Oct 1992 15:03:47 MET
From:         Mike Lyons <mdl@JUNIOR.BINTEC.DE>
Subject:      Re: your mail
Comments: To: EMUSIC-L@AMERICAN.EDU
Comments: cc: "(Mike Lyons)" <mdl@Germany.EU.net>
              "wbf@ALUX2.ATT.COM" at Oct 9, 92 3:12 pm

>
> > 3) A Roland equipment that combines a sequencer and a sound module.
> 	S-550 (if you also buy Director-S sequencing software), W-30,
> 	and probably some others, too.

the MV-30 is a more likely candidate.
From: KEELERJA@MAX.CC.UREGINA.CA (Jason Keeler)
Newsgroups: bit.listserv.emusic-l
Subject: Re: MIDI ftp sites other than...
Date: 15 Oct 92 05:10:56 GMT
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
              12 Oct 1992 17:55:13 -0400 from <mjk7911@ULTB.ISC.RIT.EDU>

Hi;

Don't forget NIC@FUNET.FI....HUGE library!  Also try PRINCETON.EDU

Let me know if you find any more...I'm always looking myself!


Regards,

Jason Keeler
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Newsgroups: bit.listserv.emusic-l
Date:         Tue, 13 Oct 1992 06:48:47 PDT
From:         "(metlay)" <metlay@NETCOM.COM>
Subject:      Re: VFX questions
Comments: To: EMUSIC-L@AMERICAN.EDU
              13, 92 8:46 am

Eric the Masterless Warrior Harnden scribbles:
>>:INET:jseboldt@pnet51.orb.mn.org           |   ESCHEW OBFUSCATION   :
>
>hey! is someone recycling my old signatures? next thing you know, we'll
>be reading that 'noisy vices are pursuant to no good.' ;->

I thought that mutation of your original phrase was MINE. |->

--
metlay            | and she's a master of return hitting
atomic city       | giving rhythm to her posts
                  | so you read her and think hey it sounds good
metlay@netcom.com | and wish her posts had a soundtrack too    (f. ercolessi)
From: MUHENRY@ECUVM1.BITNET (Henry,Otto,W)
Newsgroups: bit.listserv.emusic-l
Subject: Re: Original EPS specs
Date: 16 Oct 92 01:16:29 GMT
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
              11 Oct 1992 12:24:25 -0400 from <D_NIBBY@UNHH.UNH.EDU>

ABOUT THE EPS SAMPLER (EARLY VERSION): OURS WORKS VERY WELL. IT HAS A SEQUENCER
, BUT HAS NO ONBOARD EFFECTS. IT IS VERY COMPLICATED
From: yuen@NADC.NADC.NAVY.MIL ((D. Yuen))
Newsgroups: bit.listserv.emusic-l
Subject: Re: Idependent Music Release List
Date: 14 Oct 92 11:46:50 GMT
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Comments: To: EMUSIC-L@AMERICAN.EDU

Howdy,
I've been compiling a list of independent music releses and labels, and
similar stuff in the publication's area.  I wanted to find out if there
is enough interest among the list users for me to post it.

If you're interested please reply to the list.  If only a couple people
respond I can send it to you individually.

The list contains some prices and addresses but I DO NOT GAIN ANY MONETARY
BENEFITS.  In other words, it's not an ad just a compilation of names.

Dan Y
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Newsgroups: bit.listserv.emusic-l
Date:         Sun, 11 Oct 1992 14:18:46 CDT
From:         "(Gregory Taylor)"
              <vme.heurikon.com!gtaylor%heurikon.UUCP@CS.WISC.EDU>
Subject:      Re: Chaos in Composition
Comments: To: EMUSIC-L@AUVM.AMERICAN.EDU
              Oct 10, 92 5:16 pm

> Once I see the source code, I'll create some MAX objects to explore
> these systems. Would anyone else be interested in these objects,
> once I get them written?
> --Adam

Sure. Sounds intriguing!
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Original-From: wbf@alux2 (Fox)
Newsgroups: bit.listserv.emusic-l
Date:         Fri, 9 Oct 1992 15:12:00 EDT
From:         wbf@ALUX2.ATT.COM

Subject: Re: Some simple questions

I sent the following response to Gustavo in Brazil.  I'm posting it here
in case somebody would like to correct or expand upon any of my answers.
------------------------------------------------------------------------
> I need to know these answers:
> 1) What means TVF in eletronic music?
	Time Variant Filter:  This is a filter whose electronic
	characteristics can be changed during its operation.  For
	example, its frequency of operation (cut-off frequency for a high
	or low pass filter, center frequency for a band-pass filter) can
	be changed so that the timbral qualities of the sound being
	processed changes in time.  Way back in the early days, this was
	accomplished by applying an envelope generator's output to the
	filter's control input.
> 2) In which country the MIDI protocol has been origined?
	The United States and Japan (at least).
> 3) A Roland equipment that combines a sequencer and a sound module.
	S-550 (if you also buy Director-S sequencing software), W-30,
	and probably some others, too.

Bill Fox
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Original-From: blink!tjt (Tim Thompson)
Newsgroups: bit.listserv.emusic-l
Date:         Fri, 9 Oct 1992 16:05:18 EDT
From:         tjt@BLINK.ATT.COM
Subject:      re: Don Buchla on the East Coast

> Don Buchla, one of the most innovative electronic music pioneers, will
> be making a rare appearance on the East Coast at Drew University in
...
> For further information, call Norman Lowrey (201) 408-3142, or make
> queries here.

Make that 201-408-3421.    ...Tim...
From: xrjdm@CALVIN.GSFC.NASA.GOV ((Joseph D. McMahon))
Newsgroups: bit.listserv.emusic-l
Subject: Patch editing on the SY55
Date: 9 Oct 92 13:26:37 GMT
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Comments: To: "(Electronic Music Discussion List)" <emusic-l@auvm.american.edu>

92537%TAYLORU.BITNET@american.edu writes:
>         I am relatively new to the world of MIDI.  I have a Yahama SY55
> and an IBM running Cakewalk 4.0.  My problem, though, is with the sound
> editing capabilities of the SY55.  Reading through the manual, I was
> able to figure out some of the more simple aspects of the editing
> (attack, effects, waveforms), but I am lost when it comes to the filters
> and the other more technical options.  Can someone point me in the
> right direction?  I would like to have some info on sound editing "in
> general."  Where can I get an article, book, pamphlet... on this?  Also,
> is there anyone who is familiar with the SY55?  If so, I would appreciate
> a "push in the right direction."
> Thanks,
>
>     Scott
>
Please reply to Scott at the address above, or post responses to this list.

 --- Joe M.
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Newsgroups: bit.listserv.emusic-l
Date:         Thu, 8 Oct 1992 16:37:54 PDT
From:         Jim Ramberg <ramberg@CEA.BERKELEY.EDU>
Subject:      how to subscribe ??
Comments: To: emusic-l@american.edu

Please tell me how. I have a friend who is interested.
thanks
--
Jim Ramberg
Center for EUV Astrophysics	Internet:  ramberg@cea.berkeley.edu
University of California	(510)-642-2648
Berkeley, CA  94720

*** the need of the one outweigh the need of the many ***
*** brighten the universe: Hold a Time Lord ***
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