HDTenEightyP/NetNews huggingface dataset:
From: yasuhiro@dcl.co.jp (Yasuhiro 'Orange' Morishita)
Subject: Re: UUCP/TCP problem between SunOS4.0.3 and SunOS4.1.1
Organization: Yokogawa Digital Computer Corporation, Tokyo, Japan
Distribution: fj
Date: Wed, 8 Apr 1992 09:21:02 GMT

In article <1992Apr8.071732.15800@tutkie.tut.ac.jp> nakayama@ume.tutkie.tut.ac.jp (Masaya NAKAYAMA) writes:
>$BC1=c$K9M$($i$l$k$N$,!"(JSunOS4.0.3 $B$N(J uucico $B$,(J socket $B$KBP1~$7$F:n$i$l$F(J
>$B$$$J$$$?$a!"2?$b$7$J$$$G=*N;$9$k$N$G$O$J$$$+$H$$$&$3$H$J$N$G$9$,!"$=$&(J
>$B$J$k$H!":,K\E*$K$_$J$$$H$$$1$J$$$H;W$C$F$^$9$,!"$I$J$?$+2?$+$4B8CN$G$7$?$i(J
>$B65$($F2<$5$$!#(J

$B$h$/$o$+$j$^$;$s$,!"C1$K(JSunOS 4.0.3$B$N(Juucico$B$G$O(Jt-protocol$B$,(J
$B%5%]!<%H$5$l$F$$$J$$$?$a$K$&$^$/F0:n$7$J$$$N$G$O$J$$$G$7$g$&$+!#(J

$B8F$VB&$G(Juucico$B$r%G%P%C%0%b!<%I$GF0$+$9$H2?$+$o$+$k$+$bCN$l$^$;$s!#(J

$B$*$l$s$8(J
--
$B?92<(J "$B%*%l%s%8(J" $BBY9((J, Yasuhiro 'Orange' Morishita
$B2#2O%G%#%8%?%k%3%s%T%e!<%?(J($B3t(J) SI$BK\It(J $B>pJs@oN,%0%k!<%W(J
Tel: 0466-47-5111 ext.3329 E-Mail:<yasuhiro@dcl.co.jp>
$B!A?9$NLZ1"$G$I$s$8$c$i$[$$(J
From: toku@dit.co.jp (Yoshitaka Tokugawa)
Subject: Re: UUCP/TCP problem between SunOS4.0.3 and SunOS4.1.1
Organization: dit Co., Ltd. Tokyo, Japan
Date: Wed, 8 Apr 1992 09:48:16 GMT

nakayama@ume.tutkie.tut.ac.jp (Masaya NAKAYAMA) writes:
>$B8=:_!"(BUUCP/TCP $B$rMQ$$$FC1J}8~8F$S=P$7$K$h$k(B batch $BE>Aw$r9T$J$*$&$H(B
>$B$7$F$$$k$N$G$9$,!"(BSunOS4.0.3 ($B8F$P$lB&(B) $B$K$O(B uucpd $B$,$J$/!":$$C$F$$$^$9!#(B
>$B8F$VB&(B(SunOS4.1.1)$B$K$O!"$"$k$s$G$9$1$I0UL#$,$J$$!#(B

UUCP over IP$B$H$$$&$3$H$O(Buucp-t$B%W%m%H%3%k$r;H$*$&$H$7$F$$$k$H(B
$B$$$&$3$H$G$9$M!#(B

>bsd-sources $B$K$"$C$?(B uucpd $B$rD>$7$FF0$+$=$&$H$7$F$$$k$N$G$9$,!"$I$&$b(B
>$B:G8e$K(B execl $B$5$l$k(B uucico $B$,@5>o$KF0:n$7$J$$MM;R$G!"2?$b$7$J$$$G(B
>connection $B$,@ZCG$5$l$F$7$^$&$H$$$&>uBV$G$9!#(B

SunOS4.1.x$B0JA0$N(Buucp$B!"$D$^$j(BHDB uucp$B$K$J$kA0$N(Buucp$B$O(Buucp-t$B%W%m%H%3%k$r(B
$B%5%]!<%H$7$F$$$J$$$O$:$G$9$+$i!"(Buucpd$B$@$1%$%s%9%H!<%k$7$F$b$@$a$@$H(B
$B;W$$$^$9!#(B

>$B0JA0$O!"(BSunOS3.4 $B$+$i(B 4.3BSD (VAX) $B$r8F$S=P$7$F$$$F!"$=$l$O$&$^$/(B
>$BF0:n$7$F$$$?$N$G!"$I$&$b8F$P$l$kB&$G$N@_Dj$K2?$+I,MW$J$3$H$,$"$k$N$G$O(B
>$B$J$$$+$H;W$$(B post $B$7$?<!Bh$G$9!#(B($B4{$K(B VAX  $B$OE15n$5$l$F$$$F!"D4$Y$k(B
>$B$3$H$,$G$-$J$$$b$N$G(B)

$B$=$l$C$F(BSun$BB&$N(Buucp$B$r(Bbsd$BHG$KF~$l49$($F$$$?$j$7$^$;$s$G$7$?$+!)(B

>$BC1=c$K9M$($i$l$k$N$,!"(BSunOS4.0.3 $B$N(B uucico $B$,(B socket $B$KBP1~$7$F:n$i$l$F(B
>$B$$$J$$$?$a!"2?$b$7$J$$$G=*N;$9$k$N$G$O$J$$$+$H$$$&$3$H$J$N$G$9$,!"$=$&(B
>$B$J$k$H!":,K\E*$K$_$J$$$H$$$1$J$$$H;W$C$F$^$9$,!"$I$J$?$+2?$+$4B8CN$G$7$?$i(B
>$B65$($F2<$5$$!#(B

alt.sources$B$KN.$l$?(BTaylor's uucp($B$@$C$?$H;W$&(B)$B$O(Buucp-t$B$K$b(B
$BBP1~$7$F$$$^$9!#(B

$BFA@n(B
Xref: sparky fj.comp.image:77 fj.meetings:233
From: machi@bc.crl.go.jp (Akihiko MACHIZAWA)
Newsgroups: fj.comp.image,fj.meetings
Subject: CALL for PAPERS: Picture Coding Symposium 93
Date: 6 Apr 92 06:34:58 GMT
Followup-To: fj.comp.image
Distribution: fj
Organization: Communications Research Laboratory


$@MhG/(J$@$N2hA|Id9f2=%7%s%]%8%&%`$NO@J8Jg=8MW9`$,Ce$^$7$?$N$G8f>R2p$7$^$9!#(J
information sheet $@Ey$O;vL36I$X$*Ld(J$@$$9g$o$;$/$@$5$$!#(J


			FIRST CALL for PAPERS
				PCS 93
			1993 Picture Coding Symposium
				17-19 March 1993
		Swiss Federal Institute of Technology
			Lausanne - Switzerland

Papers containing new, original and unpublished material of research
character are solicited. Prospective authors are asked to submit for
review 4 copies of a preliminary summary of the paper in English with the
information form (printed at the back). We will alternatively accept
completed papers for review at this time. The summary should be no more
than four pages, but not less than two. You are requested to leave a 3 cm
left margin and use good printing quality. Two types of presentations will
be used, oral and poster presentations. About 15 minutes will be allotted
to each oral presentation, including discussions. Overhead projector, 35
mm slide projector and U-matic 3/4" NTSC/PAL will be  available. Other
means of visual aids may be provided on request.

	Areas of interest include, but are not limited to:
	* Human observer/psychophysics
	* Feature extraction and picuture processing
	* Coding of still pictures
	* Coding of moving pictures
	* Modeling and synthetic coding
	* Error protection
	* Architecture and LSI
	* Implementation
	* Systems and applications

Authors' schedule:
Submission of summary and information sheet: September 15, 1992
Notice of acceptance given: December 1, 1992
Submission of revised summary (optional): January 15, 1993

Attendees wishing to contribute to the program should give their complete
address and submit to:

		MS. I. Bezzi, PCS'93
		Laboratoire de traitement des signaux
		EPFL - Ecublens
		1015 Lausanne - Switzerland
From: a41627a@nucc.cc.nagoya-u.ac.jp (Minoru OKADA)
Newsgroups: fj.comp.image
Subject: Re: CV database ver.5 is released
Date: 6 Apr 92 07:48:17 GMT
Distribution: fj
Organization: Education Center for Information Processing, Nagoya University, Japan.

$B2,ED(B@$BL>8E20Bg3X$G$9!#(B
In article <1992Apr6.12520.20550@kei.is.s.u-tokyo.ac.jp> kensyu@is.s.u-tokyo.ac.jp (YOSHIDA Kensyu) writes:
>In article <1992Apr4.022723.23474@nucc.cc.nagoya-u.ac.jp> a41627a@nucc.cc.nagoya-u.ac.jp (Minoru OKADA) writes:
> >  *** 3.5$B%$%s%A(B2HD$B%U%m%C%T%#%G%#%9%/(B3$BKg(B(1.2MB$B$G%U%)!<%^%C%H$N$3$H(B)
> >	   (640k/720k/1.44M etc.,5$B%$%s%A(Betc.$B$O%@%a$G$9(B)
>
>$B$H$N$3$H$G$9$,!"(B 1.25Mbyte(98 $B7O(B) $B$+$=$l$H$b(B 1.20Mbyte(J3100 $B7O(B; IBM $B$K$b$"$C$?$+$J(B)
>$B$G$7$g$&$+!#(B
>1.44Mbyte $B7O$,$@$a$J$s$@$+$i!"9qFb7O$@$H$O;W$$$^$9$,!#(B

 $B$9$_$^$;$s!#>pJs$,B-$j$^$;$s$G$7$?$M!#(B
1.25MB$B$G$9!#(BPC98/FMR$B$N(B2HD$B$N%G%U%)%k%H$G$9!#(B
1.20MB$B$C$F!"$$$o$f$k(B2HC$B$N$3$H$G$9$+!)(B

-- 
$@2,EDL-!wL>8E20Bg3X>pJs=hM}650i%;%s%?!<(J         --------- $@@lLgJ,Ln(J ---------
$@!!!!!!!wL>8E20Bg3X9)3XIt>pJs9)3X2JD;OF8&5f<<(J   *$@#n<!852hA|=hM}(J{n|n=1,2,3,4}
E-mail   : okada@nuie.nagoya-u.ac.jp           *Computer Geometry/Graphics
Ampr net : min@jr2tbi.ampr.org                 *PC98$@$H(JMAC$@$r6&B8$5$;$k$3$H(J
From: aochan@elelab.nsc.co.jp (Katsuhiro Aoyagi)
Newsgroups: fj.comp.music
Subject: Re: Performer (Re: librarian, editor)
Date: 9 Apr 92 08:29:09 GMT
	<AOCHAN.92Apr7114755@indus.elelab.nsc.co.jp>
	<MASUI.92Apr9122154@sutra.syslab.iias.flab.fujitsu.co.jp>
Distribution: fj
Organization: Computer Systems Lab., Electronics Research Labs., Nippon Steel.
In-reply-to: masui@iias.flab.fujitsu.co.jp's message of 9 Apr 1992 12:21:54 JST

$@A}0f!wIY;NDL9q:]8&(J $@$5$s!'(J
> $@$d$O(J$@$jIM@%$5$s$NK\$O$*$9$9$a$J$s$@$m$&$H;W$$$^$9!#KM$O$^$@(J
> $@Gc$C$F$^$;$s$,(J :-$@!K(J $@FC=85-;v$J$i(J MUSETEX $@$N4X(J$@78<T$N?M$,(J
> $@!D(J
$@Bg$-$JK\20$5$s$K9T$1$?$iC5$7$F$_$^$9!#9b$$$N$+$J!)(J

> $@$7$+$7!"#57n$K$O(J Performer4.0 $@$,(J$@=P$k$=$&$G$9$M(J :-) 
$@$[!A!#(J

> $@4A;z%H!<%/$H$$$&$+!"(JScript Manager $@$K$bBP1~$7$F!"F|K\8l$N(J
> $@J8;zNs$r07$((J$@$k$h$&$K$J$k$_$?$$$G$9!#%i%$%V%i%j%"%s5!G=$b(J
> $@AH9~$^$l$k$h$&$G$9$7!#!J$7$+$7!"$^$?8+1I=PHq$,(J... ;-p$@!K(J
$@$[!A!"4r$7$$!#(J
$@%"%C%W%0%l!<%I$C$F$$$/$i$0$i$$$+$+$k$s$G$9$+!)(J

> > $@$=$l$H!"(JMIDI$@%$%s%?!<%U%'%$%9$J$I$N(J$@%O!<%I$NOC$G$9$,!"(J
> $@!D(J
> $@$OFq$7$$$_$?$$$G$9$M!#(JMTP $@MQ$N(J OMS $@%I%i%$%P$r;H$($PI,MW$J5!4o$@$1$K(J
>  MIDI $@?.9f$rAw$j$D$1$k$3$H$,$G$-!"FC$K$3$N$"$?$j$NG[@~$,(J Mac $@B&(J
> $@$+$i%^%H%j%C%/%9I=<($rMQ$$$F7h$a$i$l$k$h(J$@$&$G!"$9$C$-$j$7$=$&$G$9!#(J

($@$^$@=i?4<T$J$N$GJ,$+$i$J$$$G$9$,!D!D$HF($2$F$*$$$F(J:-)
OMS$@$C$F(JOpcode$@$N5,3J(J$@$G$9$h$M!#(JMTP$@MQ$N%I%i%$%P$,B8:_$9$k$s$G$9$+!)(J
MIDI$@$NG[@~$O!"(JMTP$@MQ$N(JDA$@$G(J(Performer$@$r;H$C$F$$$l$P(JPerformer$@$G(J)$@$G$-$k(J
$@$b$N$H0c$&$b$N$r;X$7$F$$$k!D$H$$$&$3$H$+$J!D!D$o$+$i$J$$(J ;-<
-
 $@@DLx(J $@M:Bg!?(Jaochan@elelab.nsc.co.jp$@!??7F|K\@=E4(J($@3t(J)$@%(%l%/%H%m%K%/%98&5f=j(J
From: masui@iias.flab.fujitsu.co.jp (Motoo Masui)
Newsgroups: fj.comp.music
Subject: Re: Performer (Re: librarian, editor)
Date: 10 Apr 92 04:17:42 GMT
	<AOCHAN.92Apr9172909@indus.elelab.nsc.co.jp>
Distribution: fj
Organization: FUJITSU LABORATORIES,IIAS; Kamata, Tokyo, Japan.
In-reply-to: aochan@elelab.nsc.co.jp's message of 9 Apr 92 08:29:09 GMT

$@$^$9$^(J$@$98x3+;d?.2=$7$F$*$j$^$9(J ;-p

In article <AOCHAN.92Apr9172909@indus.elelab.nsc.co.jp>, aochan@elelab.nsc.co.jp (Katsuhiro Aoyagi) writes:
>> $@$7$+$7!"#57n$K$O(J Performer4.0 $@$,=P$k$=$&$G$9$M(J :-) 
>$@%"%C%W%0(J$@%l!<%I$C$F$$$/$i$0$i$$$+$+$k$s$G$9$+!)(J

$@$^$!!"(JPerformer $@$r(J Digital Performer $@$K%"%C%W%0%l!<%I$9$k$h$j(J$@$O(J
$@0B$/$F:Q$`$N$8$c$J$$$G$7$g$&$+!#!JBgBN!"$^$@%b%N$,$G$-$F$k$o$1(J
$@$G$O$J$$$G$7$g$&$+$i!"%3%9%H$b$o$+$i(J$@$J$$$H;W$$$^$9$,(J :-$@!K(J

>> MTP $@MQ$N(J OMS $@%I%i%$%P$r;H$($PI,MW$J5!4o$@$1$K(J
>>  MIDI $@?.9f$rAw$j$D$1$k$3$H(J$@$,$G$-!"FC$K$3$N$"$?$j$NG[@~$,(J Mac $@B&(J
>> $@$+$i%^%H%j%C%/%9I=<($rMQ$$$F7h$a$i$l$k$h$&$G!"$9$C$-$j$7$=$&(J$@$G$9!#(J

> OMS$@$C$F(JOpcode$@$N5,3J$G$9$h$M!#(JMTP$@MQ$N%I%i%$%P$,B8:_$9$k$s$G$9$+!)(J
> MIDI$@$NG[@~$O!"(JMTP$@MQ$N(JDA$@$G(J(Performer$@$r;H$C$F$$$l$P(JPerformer$@$G(J)$@$G$-$k(J
> $@$b$N$H0c$&$b$N$r;X$7$F$$$k!D$H$$$&$3$H$+$J!D!D$o$+$i$J$$(J ;-<

OMS $@$K$O(J Standard MIDI Interface $@MQ(J, Digidesign $@$N(J SampleCell 
$@MQ!"(JMotU $@$N(J MTP $@MQ$N#3$D$N%I%i%$(J$@%P$,$"$j!";d$N$h$&$J%S%s%\$J(J
$@4D6-$G$O!"8e<T$N#2$D$OJu$N;}$AIe$l$C$F$3$H$K$J$j$^$9$M!#(J;-p

$@$*$=$i$/(J MTP $@$N(J MIDI $@%Q%C%A%c$H$7$F$N@\B3@ZBX$($,!"(JMac $@$+$i(J
$@!V$3$N5!<o$O$I$N%]!<%H$N$I$N%A%c%s%M%k!W$H$$$&46$8$G(J$@@_Dj$G$-$k(J
$@$N$@$H;W$$$^$9$,!"(JOMS $@$r:\$;$?>l9g$O(J OMS $@$N5!G=$N0lIt$H$7$F!"(J
$@F1MM$J(J MTP $@$N@_Dj$,$G$-$k$N$@(J$@$H;W$$$^$9!#$3$l$O(J Performer $@5Z$S(J
MTP $@$N%f!<%6AX$N8|$5$r<($9$b$N$G$O$J$$$+$H;W$$$^$9$,!#$G$b!"(J
$@:G6a$O(J Opcode $@$+$i$O(J Studio V $@$H$$$&9b5!G=$J(J MIDI/SMPTE I/F $@$b(J
$@=P$F$$$k$h$&$G$9$+$i!":#8e$NE83+$O3Z$7$_$G$9(J$@!JLn<!GO:,@-(J ;-p$@!K(J

# $@$G!"(JMotU $@$N(J Digital Performer $@$O(J Digidesign $@$N(J SampleCell $@$d(J
# SoundAccelerator $@$KBP1~$7$F$k$H;W$&$N$G$9$,!"5U$K(J Digidesign $@$N(J
# Studio Vision $@$,(J MotU $@$N(J Digital Waveboard $@$KBP1~$7(J$@$F$k$+$I$&$+!#(J
# $@%f!<%6$H$7$F$O!"$3$NJU$j$N8_49@-$,$"$kJ}$,4r$7$$$N$OL^O@$G$9$,!#(J

	$@A}0f!wIY;NDL9q:]8&(J	masui@iias.flab.fujitsu.co.jp
From: kimura@musashi.mri.co.jp (Kazushi Kimura)
Newsgroups: fj.comp.music
Subject: Re: librarian, editor
Date: 6 Apr 92 09:44:22 GMT
	<KIMURA.92Apr1192713@aisna.musashi.mri.co.jp>
	<MASUI.92Apr1225914@sutra.syslab.iias.flab.fujitsu.co.jp>
	<KIMURA.92Apr2125712@aisna.musashi.mri.co.jp>
Distribution: fj
Organization: Mitsubishi Research Institute, Inc., Tokyo, Japan.
In-reply-to: kimura@musashi.mri.co.jp's message of 2 Apr 92 03:57:12 GMT


$@LZB<!w#M#R#I$G$9!#(J

$@$*OM$S$HD{@5(J$@$N!"$*OM$S$HD{@5$G$9!#$4$a$s$J$5$$!#(J

 |MTR $@$H$NF14|MQ$N(J SMPTE $@BP1~(J MIDI I/F $@$,9b$$$H8@$$$^$7$?$,(J
 |Macway TM100 $@$H$$$&0B$$$N$b$"$j$^$9!#(J

$@8E$$%$%7%P!{3Z4o$N9-9p$K!V(JSMPTE $@40A4BP1~!W$H=q$$$F$"$C$?$N$G$9$,(J$@!"(J
$@$3$l$O8m?"$G!"(JStudio 3 $@$N@kEAJ86g$,E=$jIU$$$F$$$?$h$&$G$9!#(J

$@<B$O!"8E$$(J MTR (PortaOne) $@$r;}$C$F$$$k(J$@$N$G!"F14|$r$d$C$F$_$h$&$+$H(J
$@$=$N<o$N$*E9$K8+$K9T$C$F!"$d$C$H5$$,$D$$$?$N$G$7$?!#(J

$@0B$/:Q$^$9$K$O(J MIDI I/F $@$,4{$K$"$l$P!"(JMIDI-SMPTE $@JQ494o$H$7$F!"(J
SYNCMAN$@!JLs#5K|1_<e!K$d!"(JOpcode $@<R$N(J TimeCodeMachine$@!J#3(J$@K|1_!K$,(J
$@$"$j$^$9!#(J
$@$?$@!"$3$l$@$H!"(JSong Pointer $@$r(J Tape $@$K=q$-9~$`J}<0$J$N$G!"(J
$@8e$+$i%F%s%]$d6J$N9=@.(J$@$rJQ99$G$-$J$$$=$&$G$9!#(J

$@!t;d$K$O$3$NDxEY$G==J,$+$b$7$s$J$$!#(J



--

$@"v!!LZB<!!?t;K!!!J3t!K;0I)Am9g8&(J$@5f=j(J    JUNET:kimura@musashi.mri.co.jp
                                        NIFTY:TBC00726
From: masui@iias.flab.fujitsu.co.jp (Motoo Masui)
Newsgroups: fj.comp.music
Subject: Re: Performer (Re: librarian, editor)
Date: 6 Apr 92 14:01:25 GMT
	<MASATO.92Apr6153003@eri.bridge.co.JP>
Distribution: fj
Organization: FUJITSU LABORATORIES,IIAS; Kamata, Tokyo, Japan.
In-reply-to: masato@bridge.co.JP's message of 6 Apr 92 06:30:03 GMT

In article <MASATO.92Apr6153003@eri.bridge.co.JP>, masato@bridge.co.JP (Masato YAMANISHI) writes:
> >$@Nc$N85!V%J%K%o3Z4o(J$@!W$C$F!"$^$@(J MOTU $@$NBeM}E9$b$d$C$F(J
> >$@$^$7$?$C$1!)(J $@:#$O(J Opcode $@$N(J Vision $@$K9J$C$F$^$;$s$+!)(J
> >$@0JA0$O(J$@!"3N$+$K!"%^%K%e%"%k$r#3K|1_(J :-O $@$GGd$C$F$^$7$?$,!#(J

$@<:Ni$7$^$7$?!#@hF|!"KkD%$N(J MacWorld Expo $@$GLc$C$F(J$@$-$?;qNA$r(J
$@8+D>$7$?$i!"(JPerformer3.6, Pro.Composer, MIDI Time Piece $@$N(J
$@#3E@$@$1$O!"<h$j07$C$F$$$k$h$&$G(J$@$9!#F|K\8l%^%K%e%"%k$G$9$,!"(J
$@8=:_$O(J3.3 $@$NF|K\8lLu$r#1K|1_!*$GJLGd$j$7$F$$$k$h$&$G$9$M!#(J

> $@$"$j$c!"$=(J$@$&$J$s$G$9$+!#$=$3$+$iGc$C$?CN$j9g$$$N$H$3$m$K$O(J
> Digital Performer $@$X$N%"%C%W%0%l!<%I$NO"Mm$OMh$F$J(J$@$$$h$&$G$9!#(J

$@%"%C%W%0%l!<%I$r3+;O$7$F!"$b$&#1%+7n$b$?$D$H8@$&$N$K(J....

$@$^!"(JMotU $@0l<R$K9J$C$F@?<B$KBP(J$@1~$7$F$$$kBeM}E9$,$"$k0J>e!"(J
$@%f!<%6$b!"$G$-$l$PBeM}E9$NF@<jITF@<j$r9M$($F!"N)$A8~$+$&(J
$@$Y$-$G$O$"$k$s$G(J$@$7$g$&$M!#(J;-p

> >$@%+%a%*$N>l9g$O!"%f!<%6$ND>@\EPO?$OG'$a$F$$$J$$$O$:$G$9!#(J
> >$@:G6a$O!"F|K\8l$H1Q8l$NEP(J$@O?MQ;f$rN>J}B7$($FDs=P$7$J$$$H(J
> >$@@55,%f!<%6$H$7$F$OG'$a$J$$$=$&$G$9$+$i!#!J<B:](J Opcode 
> >$@$d(J Digidesign $@$KBP$7$F$O$+$J$jH/8@NO$,$"$k$_$?$$$G$9!K(J

> $@$=$l$J$i$=$l$G%-%A%s$H%5%]!<%H$7$F$/$l$l$PLdBj$J$$$N(J$@$G$9$,!#(J

$@0JA0!"$"$^$j%a%8%c!<$G$J$$$b$N$r07$C$F$k$+!)$J$s$FJ9$$$?(J
$@$3$H$,$"$k$N$G$9$,!"!V$^$:BeM}E97@(J$@Ls$r7k$s$G$+$i1>!9(J...$@!W(J
$@$H$$$&JV;v$G$7$?!#$3$l$>$H8+9~$s$@$b$N$K$D$$$F$O!"%-%A%s$H(J
$@%5%]!<%H$7$FLc$($k(J$@$h$&$G$9$M!#%^%K%e%"%k$d%=%U%H$NF|K\8l2=(J
$@$J$I$b4^$a$F$NOC$J$s$G$7$g$&!#$-$C$H!#(J

	$@A}0f!wIY;NDL9q:]8&(J	masui@iias.flab.fujitsu.co.jp
Xref: sparky fj.comp.music:166 fj.sys.next:231
From: masui@iias.flab.fujitsu.co.jp (Motoo Masui)
Newsgroups: fj.comp.music,fj.sys.next
Subject: Re: NeXT Music Kit (was Re: DSP & Mixer for Sun WS)
Date: 13 Apr 92 11:47:02 GMT
	<NKAWAI.92Apr13183001@rkna50.riken.go.jp>
Followup-To: fj.comp.music
Distribution: fj
Organization: FUJITSU LABORATORIES,IIAS; Kamata, Tokyo, Japan.
In-reply-to: nkawai@rkna50.riken.go.jp's message of 13 Apr 92 09:30:01 GMT

$@A}0f!wIY;NDL9q:]8&$G$9!#(J

In article <NKAWAI.92Apr13183001@rkna50.riken.go.jp>, 
	nkawai@rkna50.riken.go.jp (Nobuyuki Kawai) writes:
>>    NeXT $@$b(J OS 3.0 $@$G$O(J Music Kit $@$,$J$/$J$j!"(JSound Kit $@$r(J
>>    $@Cf?4$H$7$?(J Digital Audio $@$NJ}8~$K?J$_$=$&$@$H$$$&OC$G$9$M(J...

$@$3$NItJ,$O#37nKv$KFO(J$@$$$?(J NEXTWORLD EXTRA MARCH 1992 
$@!J(JNEXT WORLD $@;o$NA}4)!';0$D@^$G#8%Z!<%8!K$N5-;v$r;29M$K(J
$@$7$?$N$G$9$,(J$@!"8m2r$7$F13$r=q$$$F$7$^$$$^$7$?!#(J(_._)

> NeXT $@$N(J Music Kit $@$O$J$/$J$k$o$1$G$O$J$/!"(JNeXT $@<R$,%5%]!<%H(J$@$r$7$J$/$J(J
> $@$k$H$$$&$3$H$G$9!#(JMusic Kit $@$O!"(JStanford $@Bg3X$N(J CCRMA $@$K$h$C$F%5%]!<%H(J
> $@$5$l$k$3$H$K$J$k(J$@2DG=@-$,9b$$$h$&$G$9!#$^$?!"$=$N>l9g!"(JMusic Kit $@$N%=!<(J
> $@%9!&%3!<%I$b8x3+$5$l$k$3$H$K$J$k$i$7$$!#(J

NEXTWORLD EXTRA $@$NJ}$b$[$\F1$8FbMF$G$9$M!#$7$$$FIU$12C$($l$P!"(J
Music Kit $@$,%P%s%I%k$+$i30$l$F$b!"?7$7$$(J MIDI Driver $@$H$+!"(J
Sound Kit $@$N2~NI$K$h$j!"%j%"%k%?%$%`%_%-%7%s%0!"05=L8zN($N2~A1(J
$@$J$I$,8+9~$^$l!"(JNeXT $@$,(J Digital-Audio $@$N%j!<%@!<E*$JLr3d$r(J
$@2L$?$9$3$H$K$D$J$,$C$F$$$/$@$m$&(J.....$@$H$+!#(J

$@0JA0$K(J NeXT $@$N2;(J$@3ZMQ%"%W%j%1!<%7%g%s$N;n:n$rH/I=$7$?!"(JOpcode, 
Coda, MotU (Mark of the Unicorn) $@$,@=IJ$N%j%j!<%9$K<:GT(J$@$7$F(J
$@$7$^$C$?$?$a!"%W%m$N%_%e!<%8%7%c%s$K$O(J NeXT $@$,<u$1F~$l$i$l$F(J
$@$$$J$$(J...$@$J$s$FOC$G$^$H$a$F$"$k$N$O(J$@!"$A$g$C$HNT$7$$$G$9$,!#(J

> $@$^$?!"(JMusic Kit $@$N9V5A%F%-%9%H$,(J CCRMA $@$+$i(J ftp 
> $@$GF~<j2DG=$G$9!#(J

$@$&$&(J$@$&(J....$@2y$7$$(J... $@!J6l>P!K(J

			$@A}0f!wIY;NDL8&!J9q:]8&3wED!K(J
			masui@iias.flab.fujitsu.co.jp
From: mimura@atomic.trl.mei.co.jp (FID)
Newsgroups: fj.comp.music
Subject: Proteus/1 v2.30
Date: 8 Apr 92 09:54:09 GMT
Article-I.D.: trl.fuhXS.mimura
Reply-To: mimura@trl.mei.co.jp (FID)
Followup-To: mimura@trl.mei.co.jp
Distribution: fj
Organization: Matsushita Electric Industrial Co., Ltd.

$@$O$8$a$^$7$F!"$_$`$i!w>>2<EE4o$G$9!#(J

$@0JA0!"(JProteus/1$@$H$$$&2;8;$N%P!<%8%g%s$,OCBj$K$J$j$^$7$?$,!"(J
$@;d$N(JProteus/1$@$N%P!<%8%g%s$,(J2.30$@$K$J$C$?$N$GJs9p$7$^$9!#(J

$@!J3'MM!"D6%m!<%+%k$JOC$G?=$7Lu$"$j$^$;$s(J^.^;$@!K(J

Proteus/1$@$O5nG/$N#87n$K9XF~$7$?$b$N$G!"%P!<%8%g%s$b$?$7$+(J2.03$@!JA0LL%Q%M%k$K(J
$@J|G.7j$,L5$$%?%$%W$G$7$?!K$@$C$?$N$G$9$,!"@hF|(JProto-Logic$@!JGH7A(JROM$@$G$9!K$r(J
$@IU$1$F$b$i$C$?$H$3$m!"%P!<%8%g%s$,(J2.30$@$K%"%C%W$7$F$$$^$7$?!#(J

$@A0$H$I$3$,0c$&$+$H$$$&$3$H$G$9$,!"(J

$@#1(J $@EE8;EjF~;~$N%a%C%;!<%8$,(J
    PROTEUS/1+I
    @1990 E-mu v2.30
   $@$H$$$&6q9g$$$KJQ$o$k(J

$@#2(J $@%G%b5!G=$,$J$/$J$k!*!J$3$l$O%+%?%m%0$K$O=q$$$F$J$+$C$?$>!*!K(J
   $@$3$l$OBe$o$j$K?7$7$$%G%b%=%s%0$N(JMIDI$@%G!<%?$,IU$$$F$-$^$9!#(J

$@$3$s$J$H$3$m$G$7$g$&$+!#(JMIDI$@5!G=Ey$K$D$$$F$NJQ99$O!"@bL@$,$"$j$^$;$s$G$7$?!#(J
$@2;Ey!">\$7$$$3$H$O%j%/%(%9%H$,$"$l$P$*CN$i$;CW$7$^$9!#(J

$@$"$^$jM-0U$J>pJs$G$O$"$j$^$;$s$G$7$?$,!"$*$7$i$;$^$G$K!#(J


              $@;0B<(J $@@/Gn(J  mimura@trl.mei.co.jp
              $@>>2<EE4o3t<02q<R(J $@>pJsDL?.El5~8&5f=j(J
From: masato@bridge.co.JP (Masato YAMANISHI)
Newsgroups: fj.comp.music
Subject: Performer (Re: librarian, editor)
Date: 6 Apr 92 06:30:03 GMT
	<MASUI.92Apr3162123@sutra.syslab.iias.flab.fujitsu.co.jp>
Reply-To: masato@bridge.co.jp
Distribution: fj
Organization: Bridge Corp., Sapporo, Japan.

In article <MASUI.92Apr3162123@sutra.syslab.iias.flab.fujitsu.co.jp>
masui@iias.flab.fujitsu.co.jp (Motoo Masui $@A}0f$5$s(J) writes:

 >In article <MASATO.92Apr3104039@eri.bridge.co.JP>, masato@bridge.co.JP (Masato YAMANISHI) writes:
 >> $@3Z4oE907$$$J$i(J Performer $@$H(J MIDI Time Piece $@$NBeM}E9$O!"Nc$N(J
 >> $@%+%a%*$@$H;W$$$^$9$,!"EPO?(J$@$O(J MotU (Mark of the Unicorn)$@<R$K(J
 >> $@D>@\=P$7$?$[$&$,!"%P!<%8%g%s%"%C%WEy$,Aa$/0B>e$,$j$K$J$k$G$7$g$&(J$@!#(J
 >
 >$@Nc$N85!V%J%K%o3Z4o!W$C$F!"$^$@(J MOTU $@$NBeM}E9$b$d$C$F(J
 >$@$^$7$?$C$1!)(J $@:#$O(J Opcode $@$N(J Vision $@$K9J(J$@$C$F$^$;$s$+!)(J
 >$@0JA0$O!"3N$+$K!"%^%K%e%"%k$r#3K|1_(J :-O $@$GGd$C$F$^$7$?$,!#(J

$@$"$j$c!"$=$&$J$s$G$9$+!#$=(J$@$3$+$iGc$C$?CN$j9g$$$N$H$3$m$K$O(J
Digital Performer $@$X$N%"%C%W%0%l!<%I$NO"Mm$OMh$F$J$$$h$&$G$9!#(J

 >$@%+(J$@%a%*$N>l9g$O!"%f!<%6$ND>@\EPO?$OG'$a$F$$$J$$$O$:$G$9!#(J
 >$@:G6a$O!"F|K\8l$H1Q8l$NEPO?MQ;f$rN>J}B7$($FDs(J$@=P$7$J$$$H(J
 >$@@55,%f!<%6$H$7$F$OG'$a$J$$$=$&$G$9$+$i!#!J<B:](J Opcode 
 >$@$d(J Digidesign $@$KBP$7$F$O$+$J$jH/(J$@8@NO$,$"$k$_$?$$$G$9!K(J

$@$=$l$J$i$=$l$G%-%A%s$H%5%]!<%H$7$F$/$l$l$PLdBj$J$$$N$G$9$,!#(J
$@9,$$$K$7$F(J(?)$@!":#(J$@$N$H$3$m4X$o$j9g$$$O$"$j$^$;$s!#(J

 >MotU $@$K4X$7$F$O!"(JENIAC, MUSETEX $@$J$I9qFb$K?t<RBeM}E9$,(J
 >$@B8:_$7!"(J$@D>@\EPO?$7$F$bBeM}E97PM3$GEPO?$7$F$b9=$o$J$$$H(J
 >$@J9$$$F$$$^$9!#1Q8l$K$h$k%5%]!<%H$G9=$o$J$$$H$$$&?M$O(J
 >$@D>@\EPO?$9$k$N$b$$$$$G$7$g$&$M!#5U$K!"JB9TM"F~IJ$r!"(J
 >$@M-NA$G:FEPO?$7$F$/$l$kBeM}E9$b$"$k$h$&$G$9!#(J;-p

$@;d$N>l9g!"(JPerformer $@$O(J ENIAC $@$5$s$G9XF~$7$?$N$G$9$,!"%5%]!<%H$O(J
MotU $@$+$iD>@\Mh$F$$$^$9!#$b$A$m$s(J ENIAC $@$5$s$G$b<u$1IU$1$F$/$l$^$9!#(J

 >> $@:#$J$i!"(JDigital Performer $@$X$N%"%C%W%0%l!<%I$,(J 45,000yen $@DxEY(J$@$G(J
 >>$@$G$-$^$9$h!#(J
 >
 >Digital Performer $@$K%"%C%W%0%l!<%I$9$k$H!"(JPerformer 
 >$@$H$7$F$N%"%C%W%0%l!<%I(J$@$O<u$1$i$l$J$/$J$k$h$&$G$9!#(J
 >$@8+1I$G%"%C%W%0%l!<%I$9$k$N$b9M$($b$N$G$9$M!#!J>P!K(J

$@!V8+1I!W$G%"%C%W%0(J$@%l!<%I$7$?8}$G$9(J(^^;)$@!#$=$N$h$&$J$3$H$r(J Nifty $@$N(J
Performer $@2q5D<<$G$b8+$^$7$?$,!"(JMotU $@$+$i$N(J NewsLetter $@$r8+$k8B$j(J
$@@A5a$9$l$P:G?7%P!<%8%g%s$rAw$C$FLc$($=$&$J46$8$G$9!#(J

$@$7$+$7$J$,$i(J Digital $@$G$J$$$[$&$N(J Performer $@$,:#8e$I$&$J$k$+$O(J
$@!)$G$9$M!#%0%i%U%#%C%/!"3ZIhI=<($K$h$kJT=8$NA`:n@-!"%9%F%C%WF~NO$N(J
$@2~A1(J$@$O$^$:K>$a$J$$$G$7$g$&!#EvJ,$O(J Macintosh $@$N?75!<o!"?7(J OS $@BP1~$H(J
$@%P%0%U%#%/%9$N%^%$%J!<%A%'%s%8$KN1$^$k(J$@$@$m$&$H$$$&$N$,!";d$NM=A[$G$9!#(J

					$@;3@>2m?M(J
					masato@bridge.co.jp
Xref: sparky fj.comp.music:163 fj.rec.music:1567
From: bugbird@erawan.bootsystems.co.jp (Toshiboumi Ohta)
Newsgroups: fj.comp.music,fj.rec.music
Subject: Recording Mix'er for sale !!
Date: 13 Apr 92 00:09:41 GMT
Followup-To: fj.comp.music
Distribution: fj
Organization: Boot Systems Japan Corp. Tokyo Japan.

$B!!$3$s$K$A$O!!B@ED$H?=$7$^$9!#(J

$B!!4{$K(J fj.forsale $B$G%"%J%&%s%9$7$F$$$k5-;v$G$9$,!"$3$A$i$N(J
NG $B$K$b$*$8$c$^$5$;$F$/$@$5$$!#(J

--X8--X8--X8--X8--

$B!!%W%i%$%Y!<%H!&%9%?%8%*$G;H$&$D$b$j$G9XF~$7$?(J 12ch
$B%l%3!<%G%#%s%0!&%_%-%5!<$r7k6I<jJ|$9$3$H$K$$$?$7$^$7$?!#(J

$B!t!!@-G=$HA`:n@-$NNI$5$K$OBgK~B-$J$N$@$1$I!"(J
$B!t!!$I$&$d$C$F$b@_CV%9%Z!<%9$,(J *$B$J$$(J* $B!D(J ;_; 

$B!!%a!<%+!<$O!!#F#O#S#T#E#X!"5!<oL>$,!!#1#2#4#0(J
$B!!DLEE;~4VLs#2#0;~4V!"H~IJ!"%^%K%e%"%k$"$j!"(J
$B!!J]>Z=q$HH"$J$7(J

$B$H$$$&%3%s%G%#%7%g%s$J$N$G$9$,!"#2#0K|1_$G$$$+$,$G$7$g$&$+!)(J

$B!!H"$,$J$/!"$^$?Hf3SE*9b3[$JGdGc$G$b$"$j$^$9$N$G8=J*$r(J
$B8+$F$$$?$@$1$k<jEO$7$r4uK>$7$^$9!#%I%i%$%V$,9%$-$J$N$G!"(J
$BK\=#$G$"$l$P$3$A$i$+$i$&$+$,$&$3$H$b2DG=$G$9!#(J

$B!!%K%e!<%9$NBZ2_$,H/@8$7$F$$$k>u67$G?=$7Lu$"$j$^$;$s$,(J
$BEvJ}$N;v>p$+$i<uIU$O(J 4/25 $B$GDy$a@Z$i$;$F$$$?$@$-$^$9!#(J

--X8--X8--X8--X8--
-- 
Sehet!    Wen?   Den Brautigam.     |
Seht ihn! Wie?   Als wie ein Lamm.  |
Sehet!    Was?   Seht die Geduld.   |  bugbird@erawan.bootsystems.co.jp
Seht!     Wohin? Auf unsre Schuld.  |   (Toshiboumi Ohta)