HDTenEightyP/NetNews huggingface dataset:
From: dgc3@ellis.uchicago.edu (milovan djilas)
Subject: Re: .aiff files?
Followup-To: comp.sys.amiga.audio
Reply-To: dgc3@midway.uchicago.edu
Organization: Parts of the University of Chicago
Date: Fri, 4 Sep 1992 07:38:21 GMT

Note followup to Amiga newsgroup.  If you don't get that group, but
wish to reply, please send me E-Mail.

In article <crystal.715444649@glia> crystal@glia.biostr.washington.edu (Crystal) writes:
>>I don't know of any AIFF sample players for the Amiga.  It shouldn't be
>>to hard to write one, if you have the skills and time. 
>
>I just received a beta test version of one in email that plays a LOT of
>different formats, including NeXT.  Since I have today off, I can play
>with it and see how such a thing works.  (He just finished it a day or so
>ago...it's kinda neat getting to be a beta-tester! ;> )
>
>I'm not mentioning his name here because he might not want to get inundated
>with email...yet...;>

Okay, it's out now.  Check wuarchive (/systems/amiga/incoming/audio,
/systems/amiga/audio/sampleplayers) for oplay098.lha.  Plays
8SVX, AIFF, WAV, VOC, .au, .snd, and raw.  Lots of options.  Plays
PowerPacked sounds, too, if you have powerpacker.library installed.
oplay098.lha is also available from aminet sites in the new or music
directories.

There are still a couple of known bugs in OmniPlay v0.98 (documented
in oplay.doc), but I'm going to be unable to transfer files for about
three weeks, so I wanted send this out now.  Mail and news still work
on my end.

Hope you like this.

--dgc
-- 
dgc3@midway.uchicago.edu
You usually don't want to know.
From: pat@ocf.berkeley.edu (Patrick Horio)
Newsgroups: comp.sys.amiga.audio
Subject: INCREDIBLE AMIGA SALE - CHEAP !!!
Date: 23 Aug 1992 18:46:23 GMT
Organization: U.C. Berkeley Open Computing Facility
NNTP-Posting-Host: ocf.berkeley.edu

I am selling a load of Amiga products at VERY CHEAP prices.  Everything
comes with all instructions, etc. and is in PERFECT, LIKE NEW condition.

Amiga 500 with CSA Mega-Midget Racer Accelerator (68030/68882 25 MHz),
  WB 2.0 Operating System, 1 Meg Chip Ram, 512k of 32-bit ram (on CSA board)

  $600 !!!

GVP Series II external HD with 52Meg Quantum LPS and 
  2 Megs of Ram installed (expandable to 8 Megs)  

  $350 !!!

Commodore 1084S stereo color monitor

  $150 !!!

I  am selling these cheap simply because I need money now !!!
I will split shipping&handling charges with the buyer as well.  If you
are interested, please mail me back at

pat@ocf.berkeley.edu 

or call me at  (510)643-2120

Thanx a lot and reply soon if you want to take advantage of this 
incredible deal !!!
From: pac1@st-andrews.ac.uk (Paul Andrew Carey)
Newsgroups: comp.sys.amiga.audio
Subject: Re: TALK.LHA *FOUND*
Date: 3 Sep 92 17:37:43 GMT
Organization: St. Andrews University, Scotland.

What exactly is talk?

What does it do??

What can it be used for??


Please some one tell me 


thanks

-= Paul =-
Newsgroups: comp.sys.amiga.audio
From: dgc3@ellis.uchicago.edu (milovan djilas)
Subject: Re: Music-X limitations questions!
Reply-To: dgc3@midway.uchicago.edu
Organization: Parts of the University of Chicago
Date: Sat, 29 Aug 1992 07:48:56 GMT

In article <52667@dime.cs.umass.edu> barrett@gleep.cs.umass.edu (Daniel Barrett) writes:
>In article <music.715044296@batman> music@moravian.edu (Steve Heller) writes:
>>It seems Music-X can only put sample data into chip ram. Is there any
>>way around this or any obvious reason that FastRAM isn't accessible
>>for samples?
>
>	Sample data must go into CHIP RAM on the Amiga.  That's a fact
>of life.  The reason it's called "CHIP" RAM is because it's directly
>addressable by the Amiga custom chips, including the sound chip (Paula).
>Therefore, in order for Paula to see the data, it must be in CHIP RAM.

Well, yeah -- sample data for playback has to go in Chip.  I'm not
sure whether sampling has to record to Chip (I haven't written my
sample routine yet).  Regardless, though, the machine has enough time
to toss data between Fast and Chip as necessary (if your program uses
double-buferring) when playing back, at least.  It seems that Music-X
should be able to do this, too -- if there's not too much system
overhead, anyway.  (Maybe Music-X demands too much else, and just can't
double-buffer while it's playing...I don't have Music-X, so I don't
know.)

--dgc
-- 
dgc3@midway.uchicago.edu
You usually don't want to know.
From: pat@ocf.berkeley.edu (Patrick Horio)
Newsgroups: comp.sys.amiga.audio
Subject: INCREDIBLE AMIGA SALE - CHEAP !!!
Date: 23 Aug 1992 18:44:25 GMT
Organization: U.C. Berkeley Open Computing Facility
NNTP-Posting-Host: ocf.berkeley.edu

I am selling a load of Amiga products at VERY CHEAP prices.  Everything
comes with all instructions, etc. and is in PERFECT, LIKE NEW condition.

Amiga 500 with CSA Mega-Midget Racer Accelerator (68030/68882 25 MHz),
  WB 2.0 Operating System, 1 Meg Chip Ram, 512k of 32-bit ram (on CSA board)

  $600 !!!

GVP Series II external HD with 52Meg Quantum LPS and 
  2 Megs of Ram installed (expandable to 8 Megs)  

  $350 !!!

Commodore 1084S stereo color monitor

  $150 !!!

I  am selling these cheap simply because I need money now !!!
I will split shipping&handling charges with the buyer as well.  If you
are interested, please mail me back at

pat@ocf.berkeley.edu 

or call me at  (510)643-2120

Thanx a lot and reply soon if you want to take advantage of this 
incredible deal !!!
From: apollo@ee.ualberta.ca (Apollo Wong)
Newsgroups: comp.sys.amiga.audio
Subject: Any C7 chord sample?
Date: 28 Aug 92 18:45:18 GMT
Reply-To: apollo@ee.ualberta.ca (Apollo Wong)
Organization: University of Alberta Electrical Engineering

Hi fellow musicians,

I am current working on a MOD that needs a C7 chord sample. I can find
C major chord and minor chord samples but I can't find any C7 chord.
Can anyone tell me where to get one?

Many thanks in advance.

Apollo Wong.
-- 
---------------------------------------------------------------------------
| Apollo WONG S.Y.                 | Third Year Electrical Engineering,   |
| Internet : Apollo@EE.Ualberta.CA | University of Alberta, Canada.       |
---------------------------------------------------------------------------
From: kent@swrinde.nde.swri.edu (Kent D. Polk)
Newsgroups: comp.sys.amiga.audio
Subject: Re: Halving sample speed while keeping pitch
Date: 29 Aug 92 03:27:44 GMT
Organization: Southwest Research Institute, San Antonio, Texas

In article <ERICJ.92Aug28131534@manila.cfsat.Honeywell.COM> ericj@hwcae.Honeywell.COM (Eric Jacobsen) writes:
>In article <13327@swrinde.nde.swri.edu> kent@swrinde.nde.swri.edu (Kent D. Polk) writes:
>
>... Lots of extremely cool and interesting stuff deleted...
>
>   Oh yes. I use "The Web Data Acq. and Signal Processing Suite" for this
>   research. If you have tried out the demo and wondered what all those strange
>   options in the 'Play' filter were for... (Gotta put a plug in for Pete and
>   Dave :^)
>
>Is this an Amiga application? If so, is there an ftp site for the demo?

Yes. avail ftp as well as on a Fish disk near you.

>Expiring minds are dying on the vine.

Go check out:

  Article 333 (2 more) in comp.sys.amiga.announce (moderated):
  From: pete@plutonium.CChem.Berkeley.EDU (Pete Goodeve)
  Subject: Data Acquisition demo `The Web' available for ftp
  Date: 25 Aug 92 05:38:35 GMT
From: ccsw@bristol.ac.uk (EthaStorm)
Newsgroups: comp.sys.amiga.audio
Subject: Re: U4ia: HELP HIM OUT. SPREAD THE WORD. SPREAD THE $5.00
Date: 26 Aug 92 10:23:25 GMT
Organization: University of Bristol, England


On behalf of U4ia (who is sitting here beside me dictating this AS ALWAYS!!!)

'About 12:00 GMT, there will be a new module released to the network sites of

   wuarchive.wustl.edu  IP 128.252.135.4

and the other usual sites. This module willed be entitled 'When I needed you', 
and is by 'no means a masterpiece, but what do you expect' (his words!).

This will most likely be the last EVER release of music from me until I can
find an Amiga. Regarding the quote of 'do I want a A500 or an A3000?', I'm
NOT FUSSY!!!!  =8*)

My friends

U4ia of MegaWatts'
From: barrett@gleep.cs.umass.edu (Daniel Barrett)
Newsgroups: comp.sys.amiga.audio
Subject: Re: Music-X limitations questions!
Date: 29 Aug 92 01:25:44 GMT
Reply-To: barrett@gleep.cs.umass.edu (Daniel Barrett)
Organization: BLAZEMONGER INCORPORATED

In article <music.715044296@batman> music@moravian.edu (Steve Heller) writes:
>It seems Music-X can only put sample data into chip ram. Is there any
>way around this or any obvious reason that FastRAM isn't accessible
>for samples?

	Sample data must go into CHIP RAM on the Amiga.  That's a fact
of life.  The reason it's called "CHIP" RAM is because it's directly
addressable by the Amiga custom chips, including the sound chip (Paula).
Therefore, in order for Paula to see the data, it must be in CHIP RAM.

>We have been unable to get more than 20 sequences running at a given
>time. Is there some reason that only 20 sequences can be going? The
>manual suggests a much higher number. Are we missing something?

	20 is the limit of sequences that can play simultaneously.
You can have 250 sequences stored at any time, but only 20 can play.
You can get around this limitation by merging sequences.

>We are using version 1.1B. Anyone know if there will be an update
>anytime soon?

	Rumor says that 2.0 is due within a few weeks or months.
Call MicroIllusions if you want the story, I suppose....

                                                        Dan

 //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
| Dan Barrett -- Dept of Computer Science, Lederle Graduate Research Center |
| University of Massachusetts, Amherst, MA  01003  --  barrett@cs.umass.edu |
 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\/////////////////////////////////////
Newsgroups: comp.sys.amiga.audio
From: ericj@hwcae.Honeywell.COM (Eric Jacobsen)
Subject: Re: Halving sample speed while keeping pitch
Organization: Honeywell, Air Transport Division; Phoenix, AZ
	<ERICJ.92Aug24131911@lagos.cfsat.Honeywell.COM>
	<1992Aug25.155155.20785@kong.gsfc.nasa.gov>
Date: Tue, 25 Aug 1992 19:25:14 GMT

In article <1992Aug25.155155.20785@kong.gsfc.nasa.gov> arensb@kong.gsfc.nasa.gov (Andrew Arensburger - RMS) writes:

   >1. Upsample the signal until it is of the length you wish. The pitch
   >will be lower, but you can get the time duration you want.

	   I believe the original poster wanted to avoid messing with the
   pitch at all.

There's still some understandable confusion. The second step I posted
was to mix the signal with a sine wave to bring the pitch back up to what
it was originally.

	   I did this thing once, by chopping the original signal into 50-
   sample segments. The segment size should be longer than the wavelength
   of the signal, but short enough to be almost unnoticeable. Then just play
   each segment twice, so that
		   "hello world"
   becomes
		   "hheelllloo  wwoorrlldd"
   I didn't conduct an extensive study of appropriate segment lengths or
   sampling rates, but it seemed to me that slowing down human speech in this
   way worked fairly well (sounded like someone speaking verrrry slowwwly,
   albeit a bit choppy), but made musical instruments sound like hell.

But if anybody does any kind of spectral-based speech recognition or
processing they're going to be screwed with your method. FOr just
listening it sounds like you have a novel method, but for detailed
analysis you've added some bizarre harmonics, etc., due to the way you
chop it.
 
Depending on what the original requestor really needed you may have
an interesting solution.
--
*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
* Eric Jacobsen        Honeywell Inc.                           *
|     1-602-436-3941   Commercial Flight Systems, Air Transport |
* HVN       436-3941   US Mail: P.O. Box 21111, MS 2Q34C1       *
| FAX 1-602-436-1310   Phoenix AZ 85036-1111                    |
* INet: ericj@hwcae.honeywell.com                               *
| UUCP: uunet!hwcae.honeywell.com!ericj@uunet.uu.net            |
* The opinions expressed are my own and therefore better        *
| thought out than my employer's.                               |
*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*

Newsgroups: comp.sys.amiga.audio
From: crystal@glia.biostr.washington.edu (Crystal)
Subject: .aiff files?
Organization: University of Washington
Date: Mon, 31 Aug 1992 00:24:16 GMT

In my travels through FTP land I discovered some .aiff files that are
apparently samples.

What is the difference between a sample and a mod?

How can I listen to a sample?  or can I?  Are they supposed to be used to
make mods?

(I found Monty Python and Startrek and a myriad of stuff while on an 
excursion in Finland...titles sort of look like mods, but...)

Thanks in Advance!
Crystal
  ;>
From: luforum@cs-acad-lan.Lakeheadu.Ca (LUSU FORUM CLUB-POL. STUDIES)
Newsgroups: comp.sys.amiga.audio
Subject: Where to find MODS and MEDS and WHATEVERS
Date: 27 Aug 1992 22:03:50 GMT
Distribution: all
Organization: Lakehead University


	I've been reading a few posts by new FTPers asking where to find the 
latest MODs MEDs and ST/NTs and such; I've had a lot of luck with foreign 
sites such as U of Stuttgart and FUNNET in Finland. Anyways, here's a couple 
of addresses:

	funet.fi	128.214.1.1
	rusmv1.rus.uni-stuttgart.de	129.69.1.12
	jyu.fi		128.214.7.5 ** only 3 anon users at a time!!
	wuarchive.wustl.edu		128.252.135.4
	nic.funet.fi	128.214.6.100
	amiga.physik.unizh.ch		130.60.80.80

	I hope this helps out.  If anyone knows of more excellent FTP sites, 
post them!!  I have stacks of printouts of FTP sites- unfortunately, most 
are inactive.  There are only 30 good ones on this planet that I've 
found.... so far!

Chris Chapman
cchapman@flash.lakeheadu.ca
Lakehead University - Thunder Bay, Ontario - C A N A D A
From: barrett@scooby.cs.umass.edu (Daniel Barrett)
Newsgroups: comp.sys.amiga.audio
Subject: Re: Copyist (was Re: Music programs ?)
Date: 3 Sep 92 19:08:48 GMT
Reply-To: barrett@scooby.cs.umass.edu (Daniel Barrett)
Distribution: usa
Organization: BLAZEMONGER INCORPORATED

In article <1992Sep3.164550.29300@cbnews.cb.att.com> milo@cbnews.cb.att.com (guy.f.klose) writes:
>I just recently bought Dr. T's Copyist, and I thought I would post a couple
>of comments...

	Thanks for your comments, Guy, and I hope you'll submit a mini-review
or full review to comp.sys.amiga.reviews when you feel ready!

>Moving notes, and cutting and pasting is easy.

	This is my biggest gripe about Copyist Professional, the one which
is preventing me from buying it.  If you delete a measure in the middle of
the score, Copyist can NOT re-align all your other measures to fill in the
gap.  You have to move all your other measures by hand.  Same thing for
inserting a measure.

	This was true, at least, as of 4 weeks ago, and KEYBOARD magazine
complained about it in their review too (over a year ago).  I called the
company and asked if they're going to fix this deficiency, and they said,
"Well, the program really isn't designed to do that."  Bah!!  If your
text editor can do it, your music editor should do it!  Even lowly DMCS
does it.

                                                        Dan

 //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
| Dan Barrett -- Dept of Computer Science, Lederle Graduate Research Center |
| University of Massachusetts, Amherst, MA  01003  --  barrett@cs.umass.edu |
 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\/////////////////////////////////////
Newsgroups: comp.sys.amiga.audio
From: cwquak@cs.ruu.nl (Wilko Quak)
Subject: Samples and ftp-sites
Summary: Where to find...
Date: Tue, 1 Sep 1992 10:54:58 GMT
Organization: Utrecht University, Dept. of Computer Science
Keywords: samples,ftp

I have a problem finding good amiga samples.Does anyone out there
know of an ftp site which has good samples,either in RAW or IFF format?

-- 
+----------------+----------------------------------------------------+
| Wilko Quak     | email: cwquak@cs.ruu.nl                            |
| Arnhemseweg 53 +----------------------------------------------------+
| 6711 GR  EDE   | I still haven't found what I'm looking for.        |
Newsgroups: comp.sys.amiga.audio
From: rtsumn01@ulkyvx02.louisville.edu (Shaitan)
Subject: Digitizer:  what to get?
News-Software: VAX/VMS VNEWS 1.4-b1  
Keywords: Help me.
Organization: University of Louisville
Distribution: usa
Date: Tue, 1 Sep 1992 01:28:00 GMT

I'm hoping for some recommendations for a good sound digitizer for a standard
Amiga 2000 with 50mb hard drive & 3mb ram (currently) w/OS 2.0.  I'm currently
thinking about AMAS v2.0, Digital Sound Studio, Audition 4, and A-Sound Elite,
Audiomaster IV.  Your advice is appreciated; reply to me or followup.

Thanks in advance,

--Robert Sumner--
From: jc@crosfield.co.uk (jerry cullingford)
Newsgroups: comp.sys.amiga.audio
Subject: Re: Halving sample speed while keeping pitch
Date: 27 Aug 92 12:13:46 GMT
Organization: Crosfield Electronics, Hemel Hempstead, United Kingdom.

In article <9208241809.AA00474@.nairobi.inel.gov.inel.gov.> mnu@INEL.GOV (Rick Morneau) writes:
> In other words, I  
>want to stretch out the signal so that it sounds like the speaker is  
>speaking more slowly, with out distorting the pitch.

>Does anyone know if AudioMasterIV can do what I need?

Yes, it will. I think it's under 'effects' - anyway, it's one of the
menus near the right hand side,  NOT the real time ones.

I think there are two - duration and pitch.
duration changes the duration, keeping the pitch the same,
pitch changes the pitch, keeping the duration the same.

You can also do the pitch change as a real time effect,
(e.g. for use with a half speed tape player).

The 'duration' quality is reasonable for smallish changes,
and 'processed sounding' but quite recognisable for larger ones.

-- 
+------------------------------------------------------------------+     |
| Jerry Cullingford  #include <std.disclaimer> +44 442 230000 x3868|   ,-|--
| jc@crosfield.co.uk (jc@cel.uucp) or jc@selune.demon.co.uk        |   \_|__
+-----(Work)---------------------------------(home)----------------+ \___/
Newsgroups: comp.sys.amiga.audio
Subject: Re: Music programs ?
From: dgold@basso.actrix.gen.nz (Dale Gold)
Date: 5 Sep 92 02:59:46 PST
Organization: New Zealand Symphony Orchestra

Quoted from <52874@dime.cs.umass.edu> by barrett@snoopy.cs.umass.edu (Daniel Barrett):
> In article <1992Sep2.080931.949@galaxy.gov.bc.ca> EWILTS@GALAXY.GOV.BC.CA writes:
> >There is really only two choice for printing sheet music on the Amiga.  The
> >first is Deluxe Music Construction Set from Electronic Arts....
> >The second choice is The Copyist from Dr. T.....
> >[or a combination...]
> 
> 	It is also possible to buy AMAX II+ and run Mac notation software
> like Finale.
> 
> 	I did an extensive survey of Amiga notation packages several
> months ago on USENET.  
> 
> 	BTW, I am sick of the lack of notation programs on the Amiga, and I
> have decided to do something about it myself.  By December, there might be
> another alternative on the Amiga.

Hi Dan, we meet again.  I have moaned about the lack of decent Amiga music
notation in this group at great length, and in email to yourself.  I went
to extraordinary lengths a couple of years ago to try to help to create
something, but my programming friend was unable to continue due to other
commitments.  There was a surprising lack of interest in the Amiga
community on the Net, which may explain something in itself.  

> 	MusicTeX also exists for the adventurous -- a set of TeX macros
> and fonts for typesetting music.  But this is not what the original poster
> wants (too complicated).

That's what I've been using lately.  It's far more flexible than Copyist 
and as you say, it's not for the casual user.  It is also free of charge to
anyone who can obtain Georg Hessman's PasTex, which will supply the basics
for TeX on the Amiga.  MusicTeX is just another set of macros to add to an
existing TeX implementation.  Having cut my teeth on PasTeX, and having
gone on to purchase Tom Rockiki's commercial AmigaTeX, I give both authors
full marks for their contributions to quality software for the Amiga.  As
well as to Daniel Taupin, who has done so much to make MusicTeX a viable
option for any user of any computer.

However, I am very disheartened to see that two friends who have purchased
Ataris within the last few months with no prior computer experience are now
getting higher levels of productivity than I am, and I now consider myself
to be an experienced computer user.

My friends with Finale for the Mac or Windows, or Atari's Notator, are so
far ahead in terms of time-invested per note and flexibility that it breaks
my heart to think about it.  I'm talking about computer users who come to
me to ask how to delete a file or read text, but who are writing
professional film scores and symphonies which are performed by professional
orchestras in New Zealand and North America!

If anyone thinks that they can write a decent notation program for us, I
will be happy to email all research I've done so far on the subject.

Dale
--
- dgold@basso.actrix.gen.nz
- Korokoro, New Zealand
From: barrett@scooby.cs.umass.edu (Daniel Barrett)
Newsgroups: comp.sys.amiga.audio
Subject: Re: Amiga KCS 3.5
Date: 3 Sep 92 19:00:38 GMT
Reply-To: barrett@scooby.cs.umass.edu (Daniel Barrett)
Organization: BLAZEMONGER INCORPORATED

>On Aug 31 1992, barrett@astro.cs.umass.edu (Daniel Barrett) said:
>>[Music-X] doesn't work?  Could you be a little more specific... like,
>>maybe actually present some evidence?

In article <92245.082431M-WHIT2@UMINN1.BITNET> M-WHIT2@UMINN1.BITNET (Michael Whitten) writes:
>I think if a midi sequencer can't record midi accurately, it pretty well
>has zero functionality.  If I watch the Error gadget (Huh? why would a
>midi sequencer even HAVE an error gadget, you ask?) and play even simple
>monophonic notes into Music-X it will tally approximately 1 note error
>every 8-10 notes....those errors are 'hanging' notes - notes without a
>note-off and that's wholly unacceptable.

	I was having a similar problem with Music-X until I found a
solution.  On the FILTERS page, there is a gadget labeled "RE-OUT",
which is turned on by default.  (A bad move by Microillusions.)  This
causes your incoming MIDI data to be echoed to the Amiga's MIDI out.
In other words, when you play, extra data is being sent to the instrument
you are playing.  All my "spurious note" problems disappeared when I 
turned off RE-OUT.  Could this possibly be the problem you saw?

>the Library section where the sysex librarian features of Music-X lie.
>What can I say? .... midi errors abound here, too.

	Yes, the librarian has numerous and does cause transmission errors.
(A pity, since the specification itself is quite nice, except for the stupid
16-patch-per-library limit.  I've written numerous Music-X patch protocols
with very little effort.)  To be fair, though, I have written my own MIDI
librarian utility, using Commodore's official recommended "read the serial
port" algorithm, and my own code *still* loses bytes of incoming system
exclusive data.  This was on an A1000 with MIDI Gold interface.  I haven't
done extensive testing on the A3000T yet.  Some people blame serial.device
for this.  I dunno.

>Something very fishy about that
>Micro'sIllusion outfit - they blew me off completely after that episode.

	I believe the company has been bought out at least once and
undergone internal political turmoil.  This is not an excuse -- just an
observation.

	The company definitely sucks when it comes to updates, though.
No updates in 3 years is totally stupid.

	I look forward to Music-X 2.0.  If it repeats the problems of
its older version, then I'll be pretty pissed.

                                                        Dan

 //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
| Dan Barrett -- Dept of Computer Science, Lederle Graduate Research Center |
| University of Massachusetts, Amherst, MA  01003  --  barrett@cs.umass.edu |
 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\/////////////////////////////////////
Newsgroups: comp.sys.amiga.audio