HDTenEightyP/NetNews huggingface dataset:
From: galuska@oz.asel.udel.edu (Scott Galuska)
Newsgroups: rec.music.beatles
Subject: Ringo interview in UA magazine
Date: 10 Nov 92 18:20:09 GMT
Organization: AI duPont Institute

I know this is a bit late, but there is an interview with Ringo in the August 
Vis-a-Vis, the magazine for United Airlines (Ringo also graces the cover).

Just a one page article, no major revelations, but kinda nice.  Ringo talks
about Time Takes Time ("I think all the tracks have some autobiographical
resonance."), his approach to songwriting ("... the basic thing for me is that
it's two verses, a chorus, a verse, a chorus, and then out."), Shining Time
Station ("When I walk down the street now, little children run over to me and
say 'Mr. Conductor!'  They have no idea of my past.  It's another lease on 
life."), and at one time being the most successful former Beatle ("And wasn't
that a thrill?  ...  We were just striking the right chord.").

The article was written by Hank Bordowitz...


-- 
Scott Galuska
Dept. of Computer & Info. Science        "There's no crying in baseball!"
Univ of Delaware
galuska@asel.udel.edu
From: v201lrxa@ubvmsb.cc.buffalo.edu (NOWHERE MAN)
Newsgroups: rec.music.beatles
Subject: I've done it, I've done it!!!!
Date: 12 Nov 92 07:10:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

Ok, I was just listening to my MMT tape, and I've figured out 
the line in SFF that's had people wondering. The thread is 
kind of old, but I think I have it right:

'I think a no, I mean a yes, but it's all wrong. That is, I 
think I disagree."

If you think about it, it makes sense - thinking no, but meaning yes.
Sounds like typical Lennonesque manipulation of words and thoughts.

Amazing what the human mind can do at 2 am...........

mike
From: strange@zk3.dec.com (Steve Strange)
Newsgroups: rec.music.beatles
Subject: Re: Lennon leads
Date: 12 Nov 92 22:21:33 GMT
	<1992Nov12.200035.29067@b8.b8.ingr.com>
Organization: Digital Equipment Corp.

In article <1992Nov12.200035.29067@b8.b8.ingr.com> daugherb@b8.b8.ingr.com (Bruce Daugherty) writes:

   ** I remember reading that JL came up with the catchy intro to I Feel Fine
   ** while in India. I've always wondered who played the part on record.

Well, John played it in concert (in the videos I've seen), so I would
be surprised if it's not him on the record.

	Steve
Organization: Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.beatles
Date: Sat,  7 Nov 1992 01:52:32 -0500 
From: "Benjamin D. Lukoff" <bl2m+@andrew.cmu.edu>
Subject: Only A Northern Song

Can anyone tell me why "Only A Northern Song" was mixed and released in
mono? Also, as a followup to a previous post, I just felt the
construction "I don't know if you're loving somebody, I only know it
isn't mine" was so atypical for a song I felt it had to be a reference
to "With A Little Help From My Friends". Back to the subject, I noticed
"It's All Too Much" seemed to be recorded with two vocal tracks and a
two-track instrumental bit, mixed full mono...why? It was 1968, for
God's sake!
---------------
bl2m+@andrew.cmu.edu, lukoff@cmu.edu
Carnegie Mellon University Music Pre-College 1992
The program is over, but the account lives on........
Xref: sparky rec.music.beatles:5565 rec.music.misc:27069
From: maujs@csv.warwick.ac.uk (Mr J D Morris)
Newsgroups: rec.music.beatles,rec.music.misc
Subject: Re: more music trivia
Date: 7 Nov 1992 14:27:10 -0000
Organization: Computing Services, University of Warwick, UK
NNTP-Posting-Host: lily.csv.warwick.ac.uk

	Er...a couple more strange things I've heard on Beatles tracks:


	1 - On 'What Goes On' Ringo sings into the fade but his voice is
	mixed so low it sounds as if it ain't supposed to be there.

	2 - On 'Baby You're A Rich Man' John sings alternative lyrics in the
	fade. I can't quite make them out but they seem to be an abusive
	comment about Brian Epstein - as in John's working title for this
	song...


		Am I hearing things?...	J.Morris
From: mrk@gvgspd.gvg.tek.com (Michael R. Kesti)
Newsgroups: rec.music.beatles
Subject: Re: Revolution #9 and Dream#9
Date: 5 Nov 92 23:55:28 GMT
Organization: Grass Valley Group, Grass Valley, CA
NNTP-Posting-Host: gvgspd.gvg.tek.com

In article <72038389624034@c00740-400wi.eos.ncsu.edu>
                                jcsmith@eos.ncsu.edu (Jay C. Smith) writes:

>By what calendar is October the 9th month?  (And yes, I've heard this same 
>claim uttered before, so I'm wondering if I'm missing something....)

If we are brave enough to recognise that most us were not taught to enumerate
correctly, and come to grips with the difference between enumeration and
quantity, then January is month number zero, February is month number one,
etc.  This makes October, the tenth month, month number nine.

;-)

-- 
============================================================================
Michael Kesti  Grass Valley Group, Inc. | "And like, one and one don't make
    mrk@gvgspd.GVG.TEK.COM              |  two, one and one make one."
    !tektronix!gvgpsa!gvgspd!mrk        |         - The Who, Bargain
Newsgroups: rec.music.beatles
From: jbeer@lonestar.utsa.edu (Jason R. Beerhalter)
Subject: Re: Sergent Pepper Mono
Organization: University of Texas at San Antonio
Date: Thu, 5 Nov 1992 17:49:13 GMT

I'll have to look and listen "When I Get Home"... :)
From: ravi@hls.com
Newsgroups: rec.music.beatles
Subject: Re: beatles in other songs
Date: 12 Nov 92 20:46:17 GMT

There's a song by Bad Company ( Shooting Star I think ) which goes like
Johnny was a schoolboy when he heard his first Beatles song. Love me Do
it was ...

ravi
ravi@hls.com
Newsgroups: rec.music.beatles
From: edc@dna.bchs.uh.edu
Subject: Re: Uncle Albert
Organization: University of Houston
Date: Thu, 5 Nov 1992 18:13:25 GMT

In article <1992Nov5.164741.9216@en.ecn.purdue.edu> prokopy@en.ecn.purdue.edu  
(dave) writes:
> In article <henny.720940599@uieea> henny@uieea.ece.uiuc.edu (Henny Graupe)  
writes:
> >Though not exactly a Beatles song, would anyone know where I could
> >find the lyrics to McCartneys Uncle Albert/ Admiral Halsey song?
> these can be found in the liner notes of _all the best_
> 
> >Also what exactly is the relationship between the song and any real
> >characters?
> no clue.  probably none. :)

Well, Paul does like to tell a story about the inspiration for the song.
This is paraphrased from "McCartney on McCartney":

"I really had an Uncle Albert -- just like I really had an Auntie Jin (from
'Let Em In').   I'm sure every family has one of those crazy, lovable types.
Albert's thing was that after a few drinks at family get togethers, he'd like
to stand on tables and start reading out passages from the bible.  I remember
one time he started, and my Dad came over and got him down off the table,  
mumbling about 'Oh Albert -- not the bible thing again.'  Anyway, that's what  
really inspired me to write the song"

<ESC>
--
..You either kiss the future or the past goodbye...
                          -- Ringo Starr (written by O'Deherty / Velez)

                                
Newsgroups: rec.music.beatles
From: hymowitz@whatever.cs.jhu.edu (Hymie!)
Subject: that damn line in sff Re: I've done it, I've done it!!!!
Organization: Creative Sensualities dept, Jacquie's House of Underwear
Date: Thu, 12 Nov 1992 15:09:08 GMT

here we go again...

source 1: beatlemania 1967-1970 (piano music book)
i think i know of thee, ah yes, but it's all wrong.

source 2: the beatles illustrated lyrics
i think i know i mean a 'yes'. but it's all wrong.

the line in illus-lyrics seems to make less sense to me...
of course, that's not saying much...

--hymie
hymowitz@cs.jhu.edu                                         hymie@jhuvms.bitnet
-------------------------------------------------------------------------------
you must be as tall as this .sig to read this letter.
-------------------------------------------------------------------------------
Newsgroups: rec.music.dylan
From: prokopy@en.ecn.purdue.edu (dave)
Subject: Re: credits Good as I been to you
Organization: Purdue University Engineering Computer Network
Date: Fri, 6 Nov 92 20:14:03 GMT

In article <vuyk.82.721058106@let.rug.nl> vuyk@let.rug.nl (W. Vuijk) writes:
>but one can find a difference between the lp and cd: the 
>cd gives no songcredits at all, and the lp gives "traditionals arranged by 
>Bob Dylan". Are all the songs 'traditionals'? Maybe someone can give some 
>info on that.

actually, the disc itself has songwriting credits.  don't have it right in
front of me, but i seem to remember that it lists some as being "traditionals"
arranged by bob, while others as being in "public domain" (i.e., out
of copyright).

-- 
( dave prokopy - prokopy@en.ecn.purdue.edu or prokopy@sage.cc.purdue.edu    )
( "silence means security.  silence means approval."                        )
(  - r.e.m., "begin the begin"                                              )
From: paul.fletcher@rose.com (paul fletcher)
Newsgroups: rec.music.dylan
Subject: Record Collector Mag
Date: 11 Nov 92 03:59:29 GMT
Article-I.D.: rose.1992Nov11.035931.24157
Organization: Rose Media Inc, Toronto, Ontario.
X-Gated-By: Usenet <==> RoseMail Gateway (v1.70)


Date Entered: 11-10-92 22:56

    We just picked up a copy of Record Collector NO. 157 Dated 
September 1992.  This magazine originates in London England.

    It contains several articles on Bob.  

    The first is titled Bob Dylan On Video.  Official releases barely
scratch the surface of Dylan's career.  

        Nice picture of a young Dylan.
        Includes a commentary on Eat The Document and Renaldo And 
        Clara. Also reviews Concert Films, Acting Roles and 
        Compilation Appearances

    The second article is called "In The Studio - Al Kooper On Dylan"

        Includes a 1966 picture of Bob Dylan and Johnny Halliday.

    The third article is titled " In The Studio - Charlie McCoy On 
    Dylan" 

        Includes a picture of Bob with the caption " It's a well-kept
        secret that Bob Dylan liked to act out some of his songs for
        unknowing photographers. Here he is, having just crawled out
        of a first-floor window of a top London hotel"

        Also includes another 60's picture of Bob sitting in a hotel
        room.



Paul/Lorraine


|============================================================|
|      FROM PAUL FLETCHER, TORONTO ONTARIO, CANADA           |
|                                                            |
|     SEND REPLIES TO:                                       |
|                         PAUL.FLETCHER@ROSE.COM             |
|============================================================|
---
   RoseReader 1.70 R001290: Operator! Trace this call and tell me where I am
   RM 2.00 : RoseNet<=>Usenet Gateway : Rose Media 416-733-2285
From: stevep@snowhite.cis.uoguelph.ca (Steve Portigal)
Newsgroups: rec.music.dylan
Subject: Tribute show tix
Date: 11 Nov 1992 15:07:17 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

There were NO industry freebies for this show, contrary to what a
prevoius poster theorized.

They ALL went through TicketBastard...


-- 
/*************************************************************\
|  Steve Portigal  University of Guelph  Guelph, Ontario      |
|  stevep@snowhite.cis.uoguelph.ca (519) 824-4120 x 3580      |
\*************************************************************/

Newsgroups: rec.music.dylan
From: BUCK@vax.museum.upenn.edu
Subject: Froggie
Reply-To: BUCK@vax.museum.upenn.edu
Organization: The Internet
Date: Fri, 6 Nov 1992 22:29:32 GMT

We were looking through our records last night for different
versions of the songs on Good As I Been To You, and I came up
with this sort of interesting thing.  Frog Went A-Courtin' is
almost word for word the same version as a version that appears
on Pete Seeger's American Folk Songs For Children, Fokways
Records FC 7601.

There is one verse that Dylan left out.  In the notes for the
Seeger album, it says "Selections from AMERICAN FOLK SONGS
FOR CHILDREN, a book of musical notations and notated guides,
for home and school, by Ruth Crawford Seeger, Published by
Doubleday & Company, Inc. New York.

Anyone have an easy access to this to see where it was collected?

And, anyone interested, perhaps, in helping me put together some
source versions of the songs that appear on GAIBTY?  Fun for those
long winter hours!  We came up with about fifteen songs, but didn't
get through out whole collection.

Rebecca
buck@vax.museum.upenn.edu
Newsgroups: rec.music.dylan
From: michel@netcom.com (Steve Michel)
Subject: Re: Misc questions and comments
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Date: Mon, 9 Nov 1992 03:34:36 GMT

Wade Greiner writes,

>I also came across a copy of Williams "Bob Dylan: Performing Artist -
>The Middle Years: 1974-1986."  Has there been dicussion of this book on the net
>or did I miss something?  I like the first volume a lot.  Haven't had a chance
>to read a lot of this one yet, but the sections I have read have been enjoyable.
>His preface says "This is the second of two books about Bob Dylan in
>performance."  Does this mean he's not righting a third one?  I would like to
>see his insights into "Oh Mercy" myself.  (It's an album I'm still extremely
>fond of.)
 
Wade,
 
The book is good, though not, predictably, as good as the first one. But
there are a lot of gems in there.
 
Re another volume, I know that Paul is planning another one. I spoke
with him the other day, and he was thinking of one covering the
Neverending Tour. And he contended that, for practical purposes the NET
ended this winter, to be replaced, perhaps by NET Mark II, with the
larger band. But at any rate, my guess is that it's at least a few 
years before volume III appears.
 
Read the book. It's a good one.
 
Steve
From: edwd@troi.cc.rochester.edu (Ed Wierenga)
Newsgroups: rec.music.dylan
Subject: Re: credits Good as I been to you
Date: 6 Nov 92 18:17:58 GMT
Organization: University of Rochester (Rochester, NY)

In article <vuyk.82.721058106@let.rug.nl> vuyk@let.rug.nl (W. Vuijk) writes:
>
>The artwork of Good as I been to you may be disappoiting - no songtexts, no 
>information at all, but one can find a difference between the lp and cd: the 
>cd gives no songcredits at all, and the lp gives "traditionals arranged by 
>Bob Dylan". Are all the songs 'traditionals'? Maybe someone can give some 
>info on that.
>
>Wim Vuijk
>vuyk@let.rug.nl

The CD lists some songs as 'traditional' and others as 'public domain',
all arranged by Dylan.

Ed Wierenga
edwd@troi.cc.rochester.edu
Newsgroups: rec.music.dylan
From: geller@cbnewsj.cb.att.com (michael.jay.geller)
Subject: Re: Melody Makre review of MSG bash
Organization: AT&T
Date: Thu, 12 Nov 1992 16:22:44 GMT

In article <WILLIE.92Nov11102912@amalthea.osf.org> willie@osf.org (William Williams) writes:
>
>Who is this schmuck Allan Jones?  
>
><"the next guest is a portly man named George Thoroughgood, who plays
><an astonishingly dull version of `Wanted Man'. This superannuated old
><duffer is as irrelevant to the proceedings  as albino blues
><catastrophe Johnny Winter who appears later with a fatuous take on
><`Highway 61 Revisited,' and the irredeemably laddish Ron Wood who
>
>I cite this because I watched the show again last night, and can't
>get over how great the Johnny Winter segment makes me feel.  I say
>"makes" because the lines "God told Abraham, 'kill me a son'; Abe
>said 'God, you must be putting me on'... and 'It can be easily done'
>have been racing through my mind all morning.  And the original is 
>also fabulous, with Bloomfield and all screaming along.  I think I
>considered this song a relative bust when it came out (for the same
>reason that I resisted _Freak Out_ and _Fresh Cream_.  They were all
>ahead of their time.
>
>One great thing about this show was that it enabled performers I'm
>usually not crazy about to shine.  I'd never go out of my way to hear
>Mellencamp, but he was fine (at least on "Rolling Stone").
>
>Now, a question.  I'm sure it's been discussed here, but could someone
>tell me about "Foot of Pride"?  Which album is it from?  It sounds
>like late-"Christian" period -- with that line about the kiss on
>the cheek (Judas?).  But the "ain't no comin' back" refrain certainly
>is a twist on Christianity.  If anyone has the lyric handy, I'd like
>to see them, and to hear anyone's interpretation.  This was definitely
>an inspired selection by Lou Reed.


	Foot of Pride is on the Bootleg Series Vol 1-3(last side). Dylan's
version os masterful. If you liked Lou Reed's version I think you will
love Bob's. It's followed by "Blind Willie McTell' another MUST to hear.

                     

	Mike Geller


     
.
From: gerkepott@espel.picker.de
Newsgroups: rec.music.dylan
Subject: new boot-CDs
Date: 9 Nov 92 09:31:16 MET
Organization: Picker International GmbH, Espelkamp

Some new boot-CDs

Bod Dylan & Grateful Dead
In The Heart Of Oregon
FR010 - Flamingo Records, Luxemburg

1  Maggie's Farm
2  Dead Man, Dead Man
3  Watching The River Flow
4  Simple Twist Of Fate 
5  Ballad Of Frankie Lee & Judas Priest
6  Stuck Inside Of Mobile With The Memphis Blues Again
7  Heart Of Mine
8  It's All Over Now Baby Blue
9  Tangled Up In Blue
10 All Along The Watchtower
11 Queen Jane Approximately (not listed on cover)

Recorded live in Eugene, OR 7/19/87
incomplete PA tape, 58 min., excellent sound

----------------
Bob Dylan
Border Beneath The Sun (2CD)
SIRA CD-36/37 - Silver Rarities

CD1 (75 min)
1  My Back Pages (instr.)
2  She's Love Crazy
3  Baby Stop Crying
4  Mr. Tambourine Man
5  Shelter From The Storm
6  It's All Over Now Baby Blue
7  Tangled Up In Blue
8  Ballad Of A Thin Man
9  Maggie's Farm
10 I Don'Believe You
11 Like A Rolling Stone
12 I Shall Be Released
13 Going, Going, Gone
14 Rainy Day Women # 12 & 35 (instr.)
15 True Love Tends To Forget
16 Gates Of Eden

CD2 (70 min)
1  The Man In Me
2  One More Cup Of Coffee
3  Blowin' In The Wind
4  I Want You
5  Senor
6  Masters Of War (not listed)
7  Just Like A Woman
8  Don't Think Twice It's All Right
9  All Along The Watchtower
10 All I Really Want To Do
11 It's Alright Ma
12 Forever Young
13 Changing Of The Guards
14 The Times They Are A-Changin'

Pavillion de Paris, Paris France 6 July 1978
excellent sound, i like the shows of 1978, so i can really recommend this CD.

----------------
About some other CDs:

i've already seen these CDs, but my enthusiasm in collecting CDs has calmed
down a little bit:
   The Circus Is In Town - BBC 1965
   Foxboro 87
   Clean-Cuts
   Gotta Serve Somebody - 2CD, again Fox Warfield Nov 16 1980
 
Highway 61 Revisited Again is said to be better available soon.
The Genuine Basements tapes vol 1 and 2 are better available now.

Heinrich
Newsgroups: rec.music.dylan
From: sfy@koel.mel.dit.CSIRO.AU (Shane Youl)
Subject: Re: Cincinnati Music Hall Nov 3.
Organization: CSIRO DIT (Melb.)
Date: Sun, 8 Nov 92 07:45:50 GMT

phayes@lfpd1.DaytonOH.NCR.COM (Paul Hayes) writes:

>I still don't like this band very much ! Jackson was gone (a plus for me)
>but Diaz seemed lost to me as well. 

Any other info on Jackson/Diaz. Has Jackson left the band and been
replaced by Diaz? Any other lineup changes?

Thanks for the reviews and set lists...Shane
--
  Shane Youl                                  ,-_|\    sfy@mel.dit.CSIRO.AU
  CSIRO Division of Information Technology   /CSIRO\   +61 3 282 2626
  723 Swanston Street Carlton 3053           \_,-._/
  AUSTRALIA                                       v    DoD#0504
Newsgroups: rec.music.dylan
From: willie@osf.org (William Williams)
Subject: Re: Foot Of Pride
Organization: Open Software Foundation
Date: Thu, 12 Nov 1992 18:45:54 GMT


<FOOT OF PRIDE is from Volume 3 of the Bootleg Series, which is full
<of excellent gems.  Check it out!

Hmm, this reminds me of something.  I copied a tape a friend had
made (from CD) of the Bootleg Series, and I remember thinking that 
this tape was incomplete.  It ends with the following sequence:

	o Call Letter Blues
	o Idiot Wind
	o If You See Her, Say Hello
	o Blind Willie McTell

I think before this it is complete.  What am I missing besides
"Foot of Pride"?

Also, (again, I know this all was discussed about a year ago) who
is playing guitar on "Blind Willie McTell"?  (I assume it's Bob
on piano.)


	
Newsgroups: rec.music.dylan
From: afishman@scott.skidmore.edu (adam fishman)
Subject: Re: GAIBTY
Organization: Skidmore College, Saratoga Springs NY
Date: Fri, 6 Nov 1992 19:40:51 GMT

It looks to me that that inside cover photo is simply a closup of the
backround clouds on the front cover.
		ajf
Newsgroups: rec.music.dylan
From: howells@pioneer.arc.nasa.gov (John Howells)
Subject: The new album
Organization: NASA Ames Res. Ctr. Mtn Vw CA 94035
Date: Thu, 5 Nov 92 19:22:35 GMT

I was all set to be disappointed in this album, and in fact was a
little unimpressed upon first listening, but after a few more
listenings it really grew on me. The first thing that struck me was how
sloppy the guitar playing is, and out of tune, but at least he's trying
to play something interesting and even tries a little fingerpicking -
for the first time in a long long while. Too bad he couldn't get
Richard Thompson to accompany him!

The singing, on the other hand, is magnificent. Just as fine is the
song selection, which seem particularly well chosen for their variety.
It appears that these songs are particular favorites of Bob's and he
does them with enthusiasm. Another thing that strikes me is the way in
which these songs evolved into other more famous songs, not just those
written by Bob. "Blackjack Davy", for instance, is very similar to
Woody Guthrie's "Gypsy Davy". "Sittin' On Top of the World", I'd always
thought was a Howlin' Wolf original, but he isn't credited here at
all.  Then there's "Froggie Went A-Courtin'" - has anyone else noticed
the similarity to Dylan's "Apple Suckling Tree"?

I've read a few conflicting reviews, one which claims that this is a
commercial move on his part to tap into the "Unplugged" trend in the
wake of successful MTV appearances and subsequent releases by Eric
Clapton and Mariah Carey, and another that says the album is a
non-commercial move on Dylan's part. So which is it? Is he selling out
or thumbing his nose? :-) Totally ridiculous conjectures. Dylan just
felt like doing some a little different this time. I'm surprised that
it actually worked out so well and wouldn't be surprised if the album
went gold.

--
                                        John Howells
                                        howells@pioneer.arc.nasa.gov 
                                        howells@earth.arc.nasa.gov
From: gerkepott@espel.picker.de
Newsgroups: rec.music.dylan
Subject: new CD with cover-versions
Date: 9 Nov 92 09:30:03 MET
Organization: Picker International GmbH, Espelkamp

New CD with cover versions
( i did not see a posting about this CD, so i post the track list)

Barbara Dickson
Don't Think Twice It's Alright
Columbia MOOD CD25

1  Don't Think Twice It's Alright
2  With God On Our Side
3  When The Ship Comes In
4  Maggie's Farm
5  Tears Of Rage
6  Oxford Town
7  You Ain't Going Nowhere
8  When I Paint My Masterpiece
9  The Times They Are A-Changin'
10 Ring Them Bells
11 A Hard Rain's A-Gonna Fall
12 Blowin' In The Wind
 
produced by Ian Lynn & Barbara Dickson
includes a 12-page booklet with all the lyrics

Heinrich
Newsgroups: rec.music.dylan
From: pwssab@mips2.ma30.bull.com (Pws Sablime Login)
Subject: Re: This Ol' Man
Organization: Bull HN Informations Systems Inc.
Date: Thu, 12 Nov 1992 16:11:40 GMT

jball@unixg.ubc.ca (Joe E Ball) writes:

>In <jokerman.721326642@andrej> jokerman@andrej.informatik.rwth-aachen.de (Karl-Heinz Meurer) writes:

>>I think it was last year, that Dylan did a children's 
>>song ('This Ol' Man) for a benefit record.

>>Could anybody tell me the exact title and/or number
>>of this record, my local record dealer couldn't help
>>me.

>Well now, I think that this record was done for a children's AIDS
>project-there was a lot of stuff in the papers re: this.  Was it for
>somebody Glaser? - sorry to be so helpful, but try compilations or
>benefits in your local vinyl center.
>over and out

I believe the album title is "For Our Children" and yes the proceeds were
to go to benefits pediatric AIDS research.