HDTenEightyP/NetNews huggingface dataset:
From: crispops@world.std.com (Dale A Smoak)
Subject: Re: Cadence Poll
Organization: The World Public Access UNIX, Brookline, MA
Date: Wed, 30 Dec 1992 22:39:04 GMT

jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas) writes:

>In article <1h9u6eINN3nc@specialist.genrad.com>, gwl@specialist.genrad.com (Glenn W. Lea) writes:
>|> Here are the readers' poll results from the Jan 92 Cadence.

>What? No Braxton at Willisau?! Maybe it's the price of the set

The poll includes only what was reviewed in the magazine between December
1991 and November 1992, and they hadn't gotten to the Braxton yet.  Wait
'till next year.

Dale
Newsgroups: rec.music.bluenote
Subject: Re: Date of Johnny Winter "Live"?
From: raa@wndrsvr.la.ca.us (Ramon Lopez)
Date: Thu, 31 Dec 1992 10:49:39 GMT
Organization: Wonder Server - Public Access for SoCal

jsulliva@amstel.prime.com (Jeff Sullivan) writes:

> I recently went thru and added the copyright date of all my CDs to
> my on-line CD list. My list is sorted alphabetically by artist and
> then chronologically if there are more than one per artist. Simple
> enough, but a pain to enter for the first time.
> 
> Anyway, I could not find ANYWHERE on my copy of Johnny Winter's
> "Live" what year it was released in. This was the only one out of
> 150+ CDs that I could find NO copyright date.
> 
> So, if anyone knows the copyright date of this recording, please
> let me know. It's the one with Rick Derringer on 2nd guitar and
> contains Johnny B. Goode (I think).
> 
> Thanks,
> -Jeff
> 
> 
> 
> 
> Jeff Sullivan | Computervision Corp. | jsulliva@cvbnet.Prime.COM
> CADDS R&D     | Bedford, MA    01730 | sun!cvbnet!jsulliva

Well damn! I was all ready to tell you the date ... I ran to My room to get
My copy of it on Vinyl! But, to My surprise, the date isnt on THAT either!
I think I read somewhere it was 1973 ... But I dont know for sure ...

    __ ___ ________/\_____  ___ ___ ___ ___ ___
    \//___\\__  ___/\____/\/__//__//__//__//__/\
 ____//__//\\/ /\__\/\___\/\__\\__\\__\\__\\__\/ raa@wndrsvr.la.ca.us
/________/ //_/ / DigiT.W.I.T. Ink. UnLtd. '92! Wheeze Bee JPL!!!
\________\/ \_\/  Pffffttt!!!...Pop!!!...Bang!!!.....Etc.!!!?


_ Management may or may not have a different view of the above comments.
__ Wonder Server; Just Waffling around... Call 1-310-370-3069
From: cogan@merlin.anu.edu.au (Bruce Cogan)
Newsgroups: rec.music.bluenote
Subject: Re: Ellington suggestions
Date: 23 Dec 1992 23:31:11 GMT
Organization: Mt. Stromlo and Siding Spring Observatories
Distribution: world
NNTP-Posting-Host: 150.203.89.37

In article <SUBOTIC.92Dec22094918@osl440a.erim.org>, subotic@osl440a.erim.org (Nik Subotic) writes:
|> 
|> 
|> Hi all,
|> 
|> I've recently been listening to Ellington with renewed fervor and was
|> wondering where to go from here.  Most of the things I have are the


You can't go too far wrong listening to tracks the band recorded
for Victor in 1940-44. There's a Bluebird CD, and various others
on the market.

Bruce Cogan
From: burger@sphinx.ece.wisc.edu (Dick Burger)
Newsgroups: rec.music.bluenote
Subject: Fantasy Box Sets
Date: 31 Dec 92 14:56:49 GMT
Organization: Univ. of Wisconsin-Madison; Electrical & Computer Engineering


     A while ago there was some mention on the net that Fantasy was going 
to reduce prices on their jazz box sets.  Any more word on this?   Was this 
just a rumor?  The sets that look the most tempting to me are the huge
(and priced to match) Monk on Milestone, Rollins on Presitige, and the
soon-to-be-released Montgomery on Riverside.
thanks much, dick
From: derrick@aupair.cs.athabascau.ca (Derrick Rowlandson)
Newsgroups: rec.music.bluenote
Subject: Re: Danny Gatton: album info wanted
Date: 31 Dec 92 19:48:33 GMT

rstern@col.hp.com (Richard Stern) writes:

>I've been searching for Danny Gatton's New York Stories, and none of the
>local record stores have been able to find it.  I know it's on Blue Note,
>but I don't know the #.  If you have the #, could you e-mail it to me.
 
Never heard of this one...

>Also, I've heard of 2 other Danny Gatton re-releases called Redneck Jazz
>and Unfinished Business (on the NRG label).  Does anyone know anything
>about these discs and if they are good and worth buying?


I have both these CD's (with  bonus tracks). Both are excellent. I got them
from Compact Disk Exchange modem-mail order. 

Derrick
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: clarinetist Perry Robinson
Organization: Educational Computing Network
Date: Wed, 23 Dec 1992 03:32:12 GMT

Perry Robinson has a record out as a leader called Funk Dumpling with
Kenny Barron, Paul Motian, and Henry Grimes, I assume from the early
or mid 60s.  The tunes are Moon Over Moscow, Sprites Delight, Wahayla,
Farmer Alfalfa, Magareta, Funk Dumpling, and Home Is Where The Hearth
Is.  Perry has quite excellent bebop chops, and also has a vocabulary of
sonics a la Dolphy to some extent, but generally is smoother and more
tonal.

It is on Savoy, so who knows, it might be reissued.

Jeff
From: rshapiro@bbn.com (Richard Shapiro)
Newsgroups: rec.music.bluenote
Subject: hep cats and their music (was: On Drugs, Bebop and The Wire)
Date: 31 Dec 92 10:03:40
Organization: BBN, Cambridge MA
Distribution: na
	<1992Dec29.211926.11248@pony.Ingres.COM>
	<SMEHTA.92Dec30115921@kwela.nynexst.com>
	<1992Dec31.071015.11021@cbnewsl.cb.att.com>
NNTP-Posting-Host: kariba.bbn.com
In-reply-to: mingus@cbnewsl.cb.att.com's message of 31 Dec 92 07:10:15 GMT

In article <1992Dec31.071015.11021@cbnewsl.cb.att.com> mingus@cbnewsl.cb.att.com (Damballah Wedo) writes:

   Check out the cover of THIS IS OUR MUSIC.

I've always thought the cover photo of this particular record depicted
four of the hippest looking individuals imaginable.

   Ask yourself is that young man struggling to
   keep his head upright is what you imagine a hep cat ought to look
   like


Like I say, this photo looks quintessential jazz-hip to me. It never
occured to me (consciously at least) that any of the four were at high
at the time; but it doesn't change my opinion of the image. Whether
Haden was "struggling to keep his head upright" or posed that way by a
savvy Atlantic photographer, it's a great photo which perfectly
captures the essence of early 60s cool.
From: "dale smoak" <dale.smoak@channel1.com>
Newsgroups: rec.music.bluenote
Subject: jimmy rowles
Date: 30 Dec 92 07:49:07 EST
Reply-To: "dale smoak" <dale.smoak@channel1.com>
Distribution: rec
Organization: Channel 1 Communications

In article <BzzL9w.J7y.2@cs.cmu.edu> Stephen Guattery writes:

>Any recommendations on recordings that feature Jimmy Rowles?  The only thing

Yes, buy any Zoot Sims record that Rowles is on.  They did a number of
albums for Pablo in the late '70s and early '80s.  The one called *If
I'm Lucky* is outstanding.  I remember once playing "It's All Right With
Me" blindfolded for a friend who was raised on Ornette and Braxton, and
he was positively thrilled by the on-edge feel of the music.

The one album of Zoot and Rowles that I've heard that is below par is
the one dedicated to Lady Day, on Pablo.

Rowles is just apt, man, that's all.  He's simply the accompanist of
choice, always dropping unexpected little bombs in his playing.  He has
played with almost every major non-avant-garde vocalist from Billie
Holiday to the present, and he seems to know when to support 'em and
when to push 'em.

Hope this helps,

Dale
---
  DeLuxe 1.26b #12237  crispops#world.std.com/76350.3662@compuserve.com
--
Channel 1 (R)   Cambridge, MA

Newsgroups: rec.music.bluenote
From: lc@apolo.fct.unl.pt (Luis Correia (El Grande))
Subject: Re: Niels-Henning Orsted-Pedersen (NHOP)
Organization: Universidade Nova de Lisboa, PORTUGAL
X-Newsreader: TIN [version 1.1 PL8]
Date: Wed, 23 Dec 1992 16:57:11 GMT

Lars Olav Wedege Bertelsen (olavb@daimi.aau.dk) wrote:
: exubma@exu.ericsson.se (Bassam Madi) writes:

: >Hi all,

: >I don't think anybody would argue that NHOP is one of the best
: >bass players alive (if not the best). I have a few albums on which
: >he appears and I would appreciate any comments on other albums featuring
: >this fine musician. A discography (even if partial) would be great. I have the
: >following albums:

: >Kenny Drew Trio (Timeless) .. This 1989 recording, if U can get it, is simply
: >                              outstanding. NHOP's playing on Gentle Rain is
: >                              truly amazing.

: >Spanish Nights (Enja)..       With Philip Catherine (Guitar).

: >Freddie Hubbard's Face to Face (Pablo, I think)

: >He played with Dex Gordon, but I cannot remember on which records.

: He was a member og the Oscar Peterson trio for many years, untill about 
: five years ago.

: For many years in the sixties, I think, he was in the backinggroup in the
: "Jazzhus Montmartre" (montmarte jazzhouse) in Copenhagen, Denmark, here he
: played with a lot of different people including Dexter Gordon. A lot of
: the gigs has been recorded, and there has been many studio sessions
: with different solists and the "Montmartre backing trio". I belive that
: most of it is out on "Steple Chase records".

: NHOP has also recorded with Joe Pass, Phillip Catherine (NHOP-trio, on 
: Steple Chase), and many others.

He plays with Maria Joao and Aki Takase in "Alice", Enja label (I think)

--
  Luis M.P. Correia                     |
  Universidade Nova de Lisboa - FCT/DI  |  e-mail: lc@fct.unl.pt
  Qta da Torre, 2825 Mte de Caparica    |  Tel: +351-1-295-3220/4464 ext.1307
  PORTUGAL                              |  Fax: +351-1-295-5641/4461
Newsgroups: rec.music.bluenote
From: jbulyk@telesciences.com (Jerry E. Bulyk)
Subject: Jazz Composers Guild
Organization: TeleSciences CO Systems, Inc.
Date: Tue, 22 Dec 1992 17:54:22 GMT


Reading through the liner notes on some of these XYZ ESP reissues,
I came across references to the Jazz Composers Guild and their
"October Revolution" of 1964.  The only other place I have heard
of the JCG was in rlc's Sun Ra discography under FEATURING PHAROAH 
SANDERS AND BLACK HAROLD [Saturn IHNY 165] recorded 6/15/64.

Can someone fill-in who were the players who comprised the Jazz
Composers Guild, and what, if any, sessions were ever recorded by 
this collective? What was their mandate, and did they eventually 
reform as the Jazz Composers Orchestra Association (JCOA) in 1968?
- the first known record by the JCOA being the Cecil co-led date 
"The Jazz Composer's Orchestra" [JCOA 1001/2 841 124-2].
There is too big a gap between the two dates to be explained, unless
they went under all to fast.


	- jerry



Jerry E. Bulyk
TeleSciences C.O. Systems, Inc

INTERNET:        jbulyk@telesciences.com
From: derrick@aupair.cs.athabascau.ca (Derrick Rowlandson)
Newsgroups: rec.music.bluenote
Subject: Re: B.B. King
Date: 23 Dec 92 22:48:10 GMT


While we are on the subject, does anyone know about the B.B. King album
that Peter Green played on? Is it available on CD?

thanks

Derrick
From: hellers@cs.wisc.edu (Joe Hellerstein)
Newsgroups: rec.music.bluenote
Subject: Re: On Drugs, Bebop and The Wire
Date: 30 Dec 92 18:23:27 GMT
	<RSHAPIRO.92Dec29154328@kariba.bbn.com>
	<1992Dec29.211926.11248@pony.Ingres.COM>
	<SMEHTA.92Dec30115921@kwela.nynexst.com>
Organization: Univ. of Wisconsin @ Madison, CS Dept.

While we're debunking the myths about drugs and jazz, I have heard
people claim that steady heroin use increases your lung capacity.
Coltrane was given as a case in point, the myth being that some of his
solos simply could not be played by a person who had remained clean
all their life.  Anybody got the medical bottom line on this?

Joe Hellerstein
Newsgroups: rec.music.bluenote
Newsgroups: rec.music.bluenote

>(Keith Wolters) / 10:30 am  Dec 18, 1992 /
>Hi.  I'm looking for reccommendations on the first BB King CD I should
>get.  I've seen many "Best of" CDs but figured there must be some
>which are better than others.  Thanks.

>Keith

Another great B. B. album (well I guess they're *all* great!) is
"Blues Is King" on ABC-Bluesway. I don't know if this is available on
CD, if not probably the songs are available on some compilation.  The
highlight is a great live version of "Don't Answer the Door".  Do not
play this cut at any feminist cocktail parties, however.

- Gary Rosen
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: Ellington suggestions
Organization: Educational Computing Network
Date: Tue, 22 Dec 1992 20:15:48 GMT

The Great Paris Concert is very good all-around Duke.  It has a set of Hodges
features, a head chart on the blues for lots of soloists, an ambitious
version of Perdido, the gut-bucket bolero called Bula, some Cootie
Williams features, and a Tone Parallel to Harlem.

For some small group Ellington, the Great Ellington Units on Bluebird is
tops.  One set is featuring Hodges, another Rex Stewart, and another is
Barney Bigard.  Also significant is that it has Jimmy Blanton on bass,
and Blanton is really making it on these sessions.

I also like New Orleans Suite, especially the opening blues number which
features Hodges and Wild Bill Davis.  They get into the badest pocket on
that one.

I also like the Afro-Eurasian Eclispse and Afro-Bossa. If you like the 
Far East Suite and the Latin American Suite, you should like that.
The AEE is one of his last records, but still very creative.

The band from the 40s that does Koko is also one of the classics.
It is basically a 3CD set from RCA.  I think it is called the
Blanton-Webster Band.

Ellington did some projects with Coltrane and with Coleman Hawkins on
Impulse that are very fine.  Also recommended is the Great Reunion,
which is a collaboration with Louis Armstrong.

He did an arrangement of Tschaikovksy's Nutcracker that is real
exciting.  He changes Dance Of the Sugar Plum Fairy to Sugar Rum Cherry
and puts a West Indian beat on it, and makes it a low sax duet.
There is nothing corny.  In fact, Duke had apprehensions about doing
this piece he ran into Tchaikovsky at the Riviera Hotel in Vegas, and got his
approval :)

I have most of the Studio Sessions, and they generally have good
quality.  There is one where he arranges Monk tunes, but was is real
happening is Frere Monk, which is an Ellington composition with a
Monkish style.  I also like The River, which he only recorded to have
something to listen to when he orchestrated it for symphony orchestra.
But his big band version is worthwhile even if there are sections which
aren't as tight as they could be.

I have heard exciting boots too.  I could go on and on.  Duke has so
much solid music, but these are some of the ones I like best.

Jeff
Newsgroups: rec.music.bluenote,alt.config,misc.misc
From: will@ogre.cica.indiana.edu (William Sadler)
Subject: Re: CFD: Enough Interest Out There To Form a 1920's-30's Jazz/Dance/Big Band Newsgroup?
Organization: Indiana University
Date: Tue, 22 Dec 1992 14:58:03 GMT

In <1992Dec21.183734.23107@netcom.com> noring@netcom.com (Jon Noring) writes:

>Hello,

>The title says it all.  I'm seriously considering creating an alt.*
>newsgroup whose purpose is to discuss all aspects of 1920's and 30's jazz,
>dance and big band music.  Discussion would include discographical
>information, CD sources, discussions about various jazz artists, modern
>orchestras today who are recreating the 20's and 30's sound (and I'm not
>referring to Dixieland which is not a true 20's and 30's sound), etc., etc.

So what is the _true_ 20s-30s sound?  I think Bob Crosby topped the 
Downbeat polls several times in this period.  Would he be excluded?  The
history of jazz in this country is not comprised of discrete jumps from
one style to the next. 

Why don't we try discussing the Swing Era in rec.music.bluenote?  I doubt
that the inclination toward more recent styles keeps people away from the
newsgroup.  Most jazz fans have an interest in all kinds of jazz.  Traffic
in this newsgroup does not seem excessively great, either.

Will
--
***************************************************************************
*   _______________\|/_      Will Sadler     will@cica.indiana.edu        * 
*   Laser 44888    /|\                       sadler@iubacs.bitnet         *     
***************************************************************************
Newsgroups: rec.music.bluenote
From: hellers@cs.wisc.edu (Joe Hellerstein)
Subject: Re: On Drugs, Bebop and The Wire
Organization: Univ. of Wisconsin @ Madison, CS Dept.
Date: Tue, 29 Dec 1992 20:01:37 GMT


Amen to all that.

Particularly:

In article <1992Dec29.034842.28962@cbnewsl.cb.att.com> mingus@cbnewsl.cb.att.com (Damballah Wedo) writes:
>   (these last few point the lie in Lewis' howler that heroin
>   use was pretty much over by the mid 60s...) 

I was shocked recently when I got back together with an old friend who
went through the New School jazz program, and hung with a variety of
the younger players in New York.  One of the reasons she got out of
New York and jazz was that she was sick of picking up the pieces of
her friends' messed up lives.  According to her, *lots* of the young
players in New York are doing heroin steadily, including a variety of
the bigger names.  This came as a big unhappy surprise to me.

Joe Hellerstein
From: traub@rtf.bt.co.uk (Michael Traub)
Newsgroups: rec.music.bluenote
Subject: Re: On Drugs, Bebop and The Wire
Date: 31 Dec 92 10:31:11 GMT
Organization: BT Customer Systems, Brighton, UK

In article <1992Dec30.215415.11353@pony.Ingres.COM> corman@Ingres.COM (Anthony Corman) writes:
>I'm anti-drug in principle, and was not trying to reinforce
>any heroin myths. The fact is that a very accomplished musician
>reported to me that he felt he heard better behind heroin. Maybe
>drugs open some doors for some people at some times; never did
>anything for my playing, so I don't mess with it. However, there
>was a connection, and it's interesting and instructive to read
>reports from guys like Dexter and Gerry Mulligan and Miles,
>who were there. Strong peer disapproval is probably the best 
>weapon: get Mike Brecker on some anti-drug poster and stand back.

None  of  my  musician  friends ever got into heroin, but many dabbled with
grass  and  alcohol.  The  excuse was always that it made them play better.
It  was  pretty  obvious  to  me that alcohol never made anyone do anything
better  if  any  level  of  technicality was involved. After some quizing I
came  to  the  crux of the matter. The drug(s) took away their fears, their
anxieties,  their  angst,  and let them see/feel clearly and hence play the
music  better.  This  I'm  sure is true, and is the reason most people take
drugs,  not  just  musicians.  Peer  presure  isn't  necessarily  going  to
overcome  this.  Most  of  the  musicians I know are repressed individuals,
the  drugs  took  that  problem  away.  Luckily  some  of  them  eventually
realised  that  what  they  actually needed was the music itself, the music
was  the  drug that allowed them to feel normal. Playing the blues away can
be a reality.




-- 
Michael Traub
BT Customer Systems, Brighton Systems Centre. traub@btcs.bt.co.uk
Newsgroups: rec.music.bluenote
From: hellers@cs.wisc.edu (Joe Hellerstein)
Subject: Request for comments; selections from Cadence
Organization: Univ. of Wisconsin @ Madison, CS Dept.
Date: Tue, 22 Dec 1992 06:36:46 GMT

Finished pass #3 through Cadence (this time with a pen.)  I'd
appreciate comments/recommendations on the following.  Funds are
limited, so if you think some of these things could be found in a
reasonably complete retail store, let me know (saves shipping...)


Clifford Brown & Neal Hefti 1/18-20/55 w. R Powell/Roach  Westwind 2032
	What is this??!!  The only association between these two I'm
aware of is the CB WITH STRINGS session on Emarcy.  I've never heard
of this session, I don't think.


Jay Clayton w. J. Ira Bloom/Karush/Swartz  "All Out"  Anima 1J35
I confess to recognizing only Jane Ira Bloom's name here, and I've
never seen this.

Miles Davis & John Colrane live in NY w/Bill Evans c. '58&'59 Bandstand 1501  

Marilyn Crispell w/ Billy Bang/Betsch  "Spirit Music"  CadenceJazz
1015 (LP only, sigh.)

Cecil Taylor "Jumpin' Punkins" w/Rudd,Lacy,Shepp,etc. '61  Candid 9013

Don Braden 5tet  "Time is Now" w/Harrell/B. Green  Crisscross 1051

Betty Carter & Ray Charles "Together"  (ABC) Dunhill 39
	I used to see this in the record stores, but haven't for quite
a while.  Should it be around?

Mal Waldron/Steve Lacy "Snake Out & Herbe De..."  Hat Art  2015
	Mmmmm... I have HOT HOUSE and like it a lot.

Steve Lacy & Mal Waldron  "Herbe De L'Ouble"  8/81  HatMusics 3513
	Half of the above??

Woody Shaw 4tet 2/87 live "in My Own Sweet Way"  In&Out 7003

David Murray 4tet "Live at Ocean Club" Col.1&2 w/ L. Bowie (!!) India
Navigation 1032

Lester Bowie "No. 1 & 2" w/ Rosco M/Jarman/Favors 8/67.  Nessa 1

Eddie Gale:   "Live in San Jose"  Rooftop 2001
              "Quiet Times and Inner Peace"  Rooftop 3001
	I missed Eddie Gale the two times I tried to see him in San
Jose, so I've never actually heard the guy.

Mal Waldron 5tet:  "Git Go"  live w/Woody Shaw/Rouse/Blackwell SoulNote 1118
                   "Seagulls of Kristiansund" w/Shaw/Rouse  SN121148

Fred Houn Afro-Asian Ensemble "Tomorrow is Now"  SoulNote 1117

W. Horvitz, Butch Morris, B. Previte, Frisell:  "Todos Santos"  SAS 19

Paolo Fresu:  a whole bunch of stuff on Splasch.  Any recommendations?
Sidepeople listed include Dave Liebman, Tracanna, Troves.

Fred Hersch/Charlie Haden/Joey Baron  "Sarabande" 12/87 Sunnyside 1024
	I used to see this at Leopold's in Berkeley...

George Adams/Don Pullen 4tet  "earth Beams"  Cameron B.  Timeless 147


David Murray & Dave Burrell in concert 10/12/91 Duo  Victo 16 
	I saw these two just around that time at Koncepts (following a
DM master class at Berkeley in which my ego was forever boosted after
elicitng an approving grunt from the master as we soloed together).
Could this recording be a Koncepts gig??

Multitudinous thanks!

Joe Hellerstein
Newsgroups: rec.music.bluenote
From: jay@unlv.edu (Jay Nietling)
Subject: Re: "Jazzy" blues followup
Organization: unlv cs
Date: Sun, 3 Jan 93 11:01:22 GMT

In article <5171@equinox.unr.edu> alan@wrc.unr.edu (Alan McKay) writes:
>
>In article <C02wy6.91o@hfglobe.intel.com> dcovell@hfglobe.intel.com (David Covell) writes:
>
>[Robben Ford stuff deleted]
>
>>This is a good album, and it's refreshing to hear someone play blues with
>>such a nice tone and unconventional licks, but it's lacks the jazz flavor
>                                                               ^^^^^^^^^^^
>>I'm looking for.
>>Any other recommendations?
>
>I ~know~ someone already mentioned this [may have been me], but get Duke
>Robillard's _After Hours Swing Session_, now! 
>
[good stuff]
>....al
>w.a. mckay
>desert research institute
>reno, nevada
>
>

i'll  second  the duke recommendation  and  add that he has an earlier
album called _swing_, similar in style.  i read the group so  rarely i
should shut up now but if you like unconventional blues  guitar  bobby
radcliff might fit the bill.

-jay
jay@cs.unlv.edu
Newsgroups: rec.music.bluenote
From: scott@sklib.usask.ca
Newsgroups: rec.music.bluenote
Subject: RE: Blues Radio listing
Date: 1 JAN 93 16:58:49 GMT
Organization: University of Saskatchewan
NNTP-Posting-Host: sklib.usask.ca

>            B L U E S       R A D I O      L I S T I N G
>            *********       *********      *************
>City             Station/Freq    Day/Time          Show
>-------          ------------    ------------      ------------------
>Calgary, Alberta    CBC  93.7    Sat 3:30-5:30pm   "Saturday Night Blues"
>  (I was told by several people that this program runs on various
>   CBC stations, AM and FM, across Canada, sometimes from 11pm-1am)

Holger Petersen, who hosts the show, was recently awarded a Juno for his
CD compliation "Saturday Night Blues: The Great Canadian Blues Project
Volume 1". It won the "Best Roots and Traditional Music" category.
(SPCD 1172/VRCD 1014)

For further information contact Philip Coulter, Music Office, CBC Radio,
Box 500, Station A, Toronto, Ontario, Canada, M5W1E6. Ph: 4169752234 or
FAX: 4169756090.

Holger Peterson can be reached by Ph: 4034686423 or FAX: 4034658941
Newsgroups: rec.music.bluenote