HDTenEightyP/NetNews huggingface dataset:
From: dadoun@cs.ubc.ca (Nou Dadoun)
Newsgroups: rec.music.bluenote
Subject: Re: Bill Evans -- documentaries, writings, bios
Date: 10 Nov 1992 20:03:36 -0800
Organization: Computer Science, University of B.C., Vancouver, B.C., Canada
NNTP-Posting-Host: columbia.cs.ubc.ca

In article <1992Nov8.083736.14445@news.columbia.edu> ph14@cunixb.cc.columbia.edu (Pei Hsieh) writes:
>Also, has anyone listened to the CD-set of his complete Riverside 
>recordings?  I've been loathe to buy any more single Riverside CDs
>b/c I think I might just take the plunge, not eat for a couple
>weeks and buy the set, but any and all input would be very much
>appreciated.

Just a short (general) word of advice, hold off on box-sets from 
Fantasy for a little while (<=month); I  just got a Fantasy release
sheet anouncing major cuts in their box-set prices soon.

[...and yes the Riverside Evans is  wonderful...]

--------------------------------------------------------> Nou

====
Nou Dadoun	  	 | ubc-cs!cs.ubc.ca!dadoun | Black Swan Records,
Dpt. of Comp. Sci., UBC, | dadoun@cs.ubc.ca        | 2936 W. 4th Ave.,
Vancouver, BC, V6T 1W5   |-------------------------| Vancouver, BC, V6K 1R2
(604) 822-3065 / 822-5485 [FAX]       | (604) 734-2828 / 734-2899 [FAX]
From: dadoun@cs.ubc.ca (Nou Dadoun)
Newsgroups: rec.music.bluenote
Subject: Re: Definitive "Bluesette" recording/vocalist?
Date: 12 Nov 1992 16:34:09 -0800
Organization: Computer Science, University of B.C., Vancouver, B.C., Canada
NNTP-Posting-Host: darkstar.cs.ubc.ca

In article <1992Nov12.215814.27190@sfu.ca> hayward@sfu.ca writes:
>You know how every now and then you'll hear a great tune that you know  
>you've heard many times in the past, but you're not sure where or by who?  
>Well last night I was at a concert where "Bluesette" was featured during  
>the set, and I've decided that I need to get a good recording of it. And,  
>if possible, others in a similar style (don't ask me to characterize the  
>style or the era).
>
>Can anyone make any recomendations? So far the only recording of it that  
>I've found *period* is on Cleo Laine's album "Jazz", which appears to be a  
>recent release, rather than a recording from whenever "Bluesette" may have  
>initially been current.

Hi Michael, the tune itself is by Toots Thielesman (although I've never
heard a version by him) probably on guitar (rather than harmonica).
I may have other recordings of it but the two I can remember off the
the top are Lenny Breau (Live at Shelly's Manne Hole) and Chet Atkins
(Progressive Pickin'; the hottest Atkins album I've ever hear, picked up
at a garage sale for a quarter 15 years ago and likely the source of
Lenny's version).

------------------------------------------------------------------> Nou

====
Nou Dadoun	  	 | ubc-cs!cs.ubc.ca!dadoun | Black Swan Records,
Dpt. of Comp. Sci., UBC, | dadoun@cs.ubc.ca        | 2936 W. 4th Ave.,
Vancouver, BC, V6T 1W5   |-------------------------| Vancouver, BC, V6K 1R2
(604) 822-3065 / 822-5485 [FAX]       | (604) 734-2828 / 734-2899 [FAX]
Newsgroups: rec.music.bluenote
From: jphillip@comanche.ess.harris.com (John Phillips)
Subject: Re: Return To Forever
Date: Wed, 11 Nov 1992 22:14:01 GMT
Reply-To: jphillip@comanche.ess.harris.com
Organization: Harris Corporation, Government Aerospace Systems Division


In article <Bx4wM6.4yn@rice.edu> sami@owlnet.rice.edu (Stephen Andrew Mills) writes:
>Can someone give their opinion of Return To Forever's Romantic Warrior?
>How does it compare with other fusion, such as the Mahavishnu Orchestra
>or Miles?
>
>Any info would be appreciated.
>
>-Steve

>Personally I hate it. I never liked very much of RTF stuff. It always was too much
>showing off and quick runs. The improvisations are also too controlled by the music
>except for them being fast and difficult. The only RTF tunes I ever really liked were
>the Stanley Clarke ones which were at least usually fairly funky. I always felt
>there were a lot better fusion albums than RTF ones. ie
>1) Anything by Miles
>2) Mahavisnu - Inner Mounting Flame, Birds of Fire etc.
>3) Tony Williams Lifetime when it has Mclaughlin Actually most of the Mclaughlin
>   stuff is excellent.
>4) The Stanley Clarke Solo album is cool

>etc
I agree that the Stanley tunes are the best. As far as the quick runs, what else
would be expected from a band with Chick Corea, Al Dimeola, Stanley Clarke and
Lenny White?

Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Marsalis' 1st album (was: The best rhythm changes)
Organization: Brotherhood Of Breath
Date: Sat, 14 Nov 1992 02:16:50 GMT

sham@cs.arizona.edu (Shamim Zvonko Mohamed) writes:
>>"Hesitation" (also a cool composition!) on Wynton's first, sefl-titled album
>>on Columbia.
>I just remembered that I don't know who the sidemen are on this

The tracks are
	1. Father Time (WM)
	2. I'll Be There When The Time Is Right (Herbie Hancock)
	3. RJ (Ron Carter)
	4. Hesitation (WM)
	5. Sister Cheryl (Tony Williams -- see Marc Sabatella's new thread
						on modern "standards")
	6. Who Can I Turn To (When Nobody Needs Me) (Bricuse & Newly)
	7. Twilight (WM)

Personnel on 1 and 2:
	Wynton (tpt) Branford (sax) Kenny Kirkland (p) Jeff Watts (dr)
	and Clarence Seay (b).
On 7, same as above but Charles Fambrough replaces Seay.
On 3 and 5:
	Wynton, Branford, Herbie Hancock (p), Tony Williams (dr) and Ron
	Carter (b).
On 4, same as 3 & 5 but omit Hancock.
On 6, same as 3 & 5 but omit Branford.

Recorded in Japan, 1982.  Note that there is a Herbie Hancock double LP
called QUARTET recorded at about the same time and also featuring the
lineup of #6 above.

--Gidi


>      "If you understood everything I said, you'd be me!"  - Miles Davis

Old hands of RMB may recall that this used to be my .sig, before I 
decided that I was too cool to have one.  What goes around...

Newsgroups: rec.music.bluenote
From: sylve_ge@jhunix.hcf.jhu.edu (Gerald Sylvester)
Newsgroups: rec.music.bluenote
Subject: Re: Monty Alexander
Keywords: whereabouts
Date: 8 Nov 92 23:13:57 GMT
Organization: HAC - Johns Hopkins University, Baltimore

>	Anyone out there know what Monty Alexander is up to these
>   days ? Thanks.

I saw him in concert two years ago for free (my University has a
faculty-student interaction program) at Blues Alley in Wash., DC.
I thought he was so SQUARE.  His solos sounded all the same.  Every
solo, I commented that it sounded like he was soloing off of 'St.
Thomas.'  When he finally played 'St. Thomas,' I expected the
same solo and got just that.

Gerald Sylvester
Newsgroups: rec.music.bluenote
From: anton@HQ.Ileaf.COM (steve norton)
Subject: Indexing elucidated on Braxton's Live Willisau discs
Reply-To: anton@HQ.Ileaf.COM (steve norton)
Organization: interleaf, inc., waltham, ma, usa
Date: Tue, 10 Nov 92 21:03:59 GMT


i did a little investigation last night that i thought i'd share with
the group, as others might find it of some interest.

the 2 live discs in the Willisau (Quartet) 1991 set by Anthony Braxton
on hat Art document 2 sets of a concert.  these sets, as with all of
Braxton's small group music since the late seventies, run without a
break; since the mid-eighties it has often been somewhat difficult to
ascertain where one piece ends and the other begins.

since i was interested in putting these recordings on a cassette, i
figured i'd see if i could find good places to break them up.
fortunately, hat Art has provided indexes on these discs.  (UNlike the 4
discs of music from 1985 available on Leo, which are one bloody
annoying track each.  how thoughtless!!)

there is a little note in the lower right hand corner of the traycard
of the jewel case of the live discs which says something to the effect
that the index numbers are only there as a convenience, and don't
correspond to the compositions.  fortunately, this is, for the most
part, bullshit.  below is a listing of the tracks, their timings
(also not included in the packaging) and how the compositions of the
set relate to them.


track	timing	compositions
-----	------	---------------------------------------------------------
DISC 1 (64003) first set

1	13:22	67 (starts right on it)
2	16:02	69B (starts right on it)
3	17:28	34 (starts @ 5:54 of this track)
4	13:29	20 (starts right on it)
5	11:35	23G (starts @ 0:33 of this track)


DISC 2 (64004) second set

1	17:22	69(O) (starts @ 1:39 of this track)
2	17:04	69B (starts right on it)
3	 9:10	107 (section A) (starts right on it)
4	13:47	101 (starts right on it)
		23N (starts @ 6:26 of track 4)


have fun,
-- 

/steve
Newsgroups: rec.music.bluenote
From: anton@HQ.Ileaf.COM (steve norton)
Subject: Re: Anthony Braxton solo in Denver
Reply-To: anton@HQ.Ileaf.COM (steve norton)
Organization: interleaf, inc., waltham, ma, usa
Date: Thu, 12 Nov 92 21:28:10 GMT

In article <1992Nov10.214538.16049@news2.cis.umn.edu> jb@buddha.ncc.umn.edu (James Barnett) writes:
> 
> Anthony Braxton was in Denver last Sat. to give a solo performace.  The 
> evening was in part funded by the non-profit organization, Creative Music
> Works which is based in Denver.
> 
> It would have been nice to see him play a couple of his other horns.

this is something i've always wondered myself.  i saw him in boston,
dec 1982, in a trio with dave holland (subbing for a sick ray
anderson) and marilyn crispell.  i think i counted eight different
saxophones on the stage.  he plays a couple of them almost as
frequently as the alto (sopranino, anyway) but i've never heard of him
doing solo concerts on anything other than alto.

closest thing i can think of is Compostion 113 (sound aspects 003),
which is an lp-long piece for solo sopranino.  and it's more varied
and interesting than one might think!

-- 

/steve
From: jimh@pongo.Eng.Sun.COM (jim hori)
Newsgroups: rec.music.bluenote
Subject: "Shakil's Warrior"?
Date: 13 Nov 1992 17:35:09 GMT
Organization: Sun Microsystems, Mt. View, Ca.
Distribution: world, rec, usa
NNTP-Posting-Host: pongo

In a recent Village Voice critic Francis Davis had a consumer
guide where he reviews a Jack McDuff LP. In that review he
mentions that it is perhaps the best organ combo album of the
year, save for the "genre stretching "Shakil's Warrior".

I can't find "Shakil's Warrior" and wonder if anyone knows
anything about this release.

....
jimh@west.sun.com
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Newsgroups: rec.music.bluenote
Subject: Re: "Shakil's Warrior"?
Date: 13 Nov 92 18:29:50 GMT
Reply-To: rardin@binah.cc.brandeis.edu
Distribution: world, rec, usa
Organization: Brandeis University

In article <1992Nov13.174621.3515@sarah.albany.edu>, rstump@itchy.geog.albany.edu (Roger Stump) writes:
>In article <1e0p0dINNh0c@smaug.West.Sun.COM> jimh@pongo.Eng.Sun.COM (jim hori) writes:
>>
>>I can't find "Shakil's Warrior" and wonder if anyone knows
>>anything about this release.
>>
>This is a fairly recent David Murray release on DIW (I think it's actually
>Shakill's Warrior).  Don Pullen plays organ.  An excellent record.

SHAKILL'S WARRIOR is one of the DIW recordings that is being distributed in 
the U.S. by Columbia (CK 48963), so it's fairly easy to find.  It was recorded 
in 1991.

-Lynn  (rardin@auriga.rose.brandeis.edu)
Newsgroups: rec.music.bluenote
From: glocke@morgan.ucs.mun.ca (Gordon Locke  )
Subject: "I want some seafood, Mama!!" 
Organization: Memorial University of Newfoundland
Date: Fri, 6 Nov 1992 16:40:01 GMT

	This question has been bugging me and my friends for some time
now, and I guess this is the best place to ask about it.  A friend of
mine found this tape in a parking lot (don't ask!)  Anyway, this mystery
cassette contained many fine tunes, most of which were somewhat familiar
top-40 pop songs from the early '80's and such.  However, there was this
one song that, although we haven't the foggiest who the performer is, or
what inspired the song, has since become one of our most often-sung
favorites.  The question is: where did this song come from, and who
performs it??!!  
	It sounds like very early jazz / blues type stuff, very scratchy
recording, and the refrain goes:  "I want some seafood, Mama!"  Various
other parts of the song go on to expound the writer's fondness for fish,
seafood, shrimp, oysters, etc.  Kinda wierd, very catchy, and a great
laugh!  Another part of the song goes: "When I come home, late at night,
I prepare my favorite dish ... FISH!"  What a hoot!  
	A mutual friend's father said he thought it might be Count Basie
and his orchestra, but this has not been confirmed.  Any help, clues or
whatever would be appreciated.  Post or e-mail is fine I guess.  
-- 
    Gord Locke, a.k.a.    |    "I'm not an      |  "The Universe is so
 glocke@morgan.ucs.mun.ca | Internet address .. | big I get dizzy when I
   Newfoundland, Canada   |  I'm a free man!"   | think about it" -Bjork
Newsgroups: rec.music.bluenote
From: mciver@alpo.cs.colorado.edu (William McIver Jr.)
Subject: Dates: Russell Malone
Keywords: guitar show concert
Organization: University of Colorado, Boulder
Date: Fri, 13 Nov 1992 22:51:09 GMT


Jazz Guitarist _Russell Malone_ will be playing the following dates:

1. Boston, Nov 16, Schuler's (sp ?)

2. Costa Mesa, California, Nov 21, (location ?), 
    ** with Branford Marsalis **

3. Los Angeles, Nov 24, Lenaria

4. Chicago, Dec 10, Jazz Oasis

5. New York, Dec 14, The Bluenote


He will have several exciting musicians from Atlanta
with him (George Grier, bass; Gary Motley, piano;  ????, drums).

------------------------------------


WJM


-- 
------------------------------------------------------------------
William J. McIver, Jr.          mciver@cs.colorado.edu
Department of Computer Science, University of Colorado @ Boulder	
------------------------------------------------------------------
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: Where's Lennie Tristano???
Organization: AT&T
Date: Fri, 6 Nov 1992 03:59:41 GMT

>Tristano's records are occasionally available in better used record
>bins in more civilized parts of the continent. For instance, I just
>saw the Atlantic 2-fer Requiem listed in a recent Wayside catalog
>(yes, I sent for a copy). 

...and you are in for a treat. But catalog shoppers should be aware
of th e fact that REQUIEM is a two LP repackaging of two single Atlantic
albums: LENNIE TRISTANO (Atlantic 1224) and THE NEW TRISTANO (Atlantic
1357), which also might show up on used record lists. I don't know if
there have been any other reissues of these albums.

Atlantic has screwed up most (but not all) of their far too few
CD reissues, so I'm not sure what to expect in the near future, but one
ray of hope is the reports of Rhino taking over hte Atlantic re-issue
program. They are probably in more for the R&B material, but the folks
at Rhino are also interested in jazz, and the Rhino issues that I have
seen are well thought out. We can only hope...


Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: abz@world.std.com (Andrew B Zaff)
Subject: Re: Coltrane - Exotica?
Organization: The World @ Software Tool & Die
Distribution: na
Date: Mon, 9 Nov 1992 07:03:29 GMT

>>I just picked this CD up in a used store the other day. It's on a strange
>>label I've never heard of and has absolutely no liner notes. I was wondering
>>if anyone out there knows anymore about this album...

>EXOTICA, ONE AND FOUR, and LIKE SONNY were recorded on 9/8/60 with Tyner,
>S Davis, Billy Higgins. Since this was only half an album's worth of music,
>it has been the orphan in the Trane discography and has shown up paired with
>all sorts of things--most likely the other half of your CD is not Trane.

>The Roulette CD LIKE SONNY inlcude this material plus an album led by
>Ray Draper on tuba which included Trane.

Just to give everyone more info to go on, the label is "Del Rack" (their
address is listed as Northridge, CA) and it was released in 1986.

The songlist is as follows:

	One And Four, Simple Like, Exotica, Tip Toe,
	H & T Blues, Subtle Rebuttal

After further listening I agree that this is probably two different bands
with the first 3 songs being a Coltrane group and the second three being
someone entirely different, though quite possibly with Coltrane as a member
of the group.

Thanks again for any help that can be provided!

Andy
From: stovall@ficus.cs.ucla.edu (Steven Stovall)
Newsgroups: rec.music.bluenote
Subject: Re: MILES DAVIS
Date: 11 Nov 92 23:02:07 GMT
Article-I.D.: ficus.stovall.721522927
Organization: UCLA, Computer Science Department

acosta@smaug.Eng.Sun.COM (Joe Acosta) writes:

>In article <1992Nov11.135837.6954@doug.cae.wisc.edu> burger@sphinx.ece.wisc.edu (Dick Burger) writes:
>>In article <1992Nov11.185602.21999@mlb.semi.harris.com> jphillip@comanche.ess.harris.com writes:
>>>I want to add some Miles Davis classics to my cd collection. Please
>>>post some recomendations ( both old and recent).
>>>
>>
>>my favorites:
>>   MD & the Modern Jazz Giants
>>   Kind of Blue
>>   Sketches of Spain
>>   Miles Smiles
>>   Tribute to Jack Johnson
>>Dick Burger
>>

>Some of my favorites
>    Milestones  ( a must !)
>    (with Coltrane, Cannonball, Wynton Kelly, Paul Chambers, Phily Joe Jones)
>    Four and More 
>     (with quintet Wayne Shorter, Herbie Hancock Tony Williams, Ron
>     Carter)
>    Seven Steps to Heven 

Dont forget Miles Davis +19 "Miles Ahead." Tracks from this one were played
by Chuck Niles on KBCA every day for years (or so it seemed :-)
_______________________________________________________________________________

steven stovall
stovall@exeter.cs.ucla.edu
(310) 825-7307
From: gerry@keele.ac.uk (G.D.Pratt)
Newsgroups: rec.music.bluenote
Subject: "Deep Blues" soundtrack available
Date: 12 Nov 92 12:55:21 GMT
Organization: University of Keele, England
X-Newsreader: TIN [version 1.1 PL6]

Does anyone who reads this know about a soundtrack to a film called
"Deep Blues" about music in Mississippi made by Robert Palmer (ex-rolling
stone journalist) and Dave Stewart (of Eurythmics). Is it on CD yet?
--
gerry pratt  --  workstation support  --  university of keele
email:  gerry@seq1.keele.ac.uk   *   telephone :  0782 583072
"these opinions are mine, mine, Mine.....ALL MINE I TELL YOU!"
From: burger@sphinx.ece.wisc.edu (Dick Burger)
Newsgroups: rec.music.bluenote
Subject: Re: Ray Charles, Jazzman???
Date: 11 Nov 92 16:56:14 GMT
Article-I.D.: doug.1992Nov11.105614.3643
Organization: Univ. of Wisconsin-Madison; Electrical & Computer Engineering

i have the CD of Ray Charles and Milt Jackson together, its  a double CD,
and frankly i find it kind of bland.  Am I missing something here, does
anybody else out there have it and like it a lot?
Dick Burger
Newsgroups: rec.music.bluenote
From: jpaxton@andy.bgsu.edu (joshua paxton)
Subject: Re: Bill Evans
Organization: Bowling Green State Univ.
Date: Tue, 10 Nov 1992 05:04:19 GMT


>There was a Bill Evans album reissued (on LP, maybe CD) in about 1988
>called "You're Gonna Hear from Me." I can't remember who, if anyone, else
>was on it, or what the tunes were, but it was a really nice album. I
>sometimes look for this in reputable record stores, but never see it. 
>Can any one of you identify it?  Maybe it was withdrawn and came out
>differently on CD, or something. 

I have a cassette copy, which I bought around 1988 as well.  I believe
I've also seen it on CD, but I wouldn't swear to it.  It is an excellent
album, but maybe my opinion is biased since it's the first Bill Evans
album I ever heard.

Anyway, it's on the Milestone label, and the catalog number is 5M-9164, if
that helps.  It's a 1969 trio album, with Eddie Gomez and Marty Morell. 
The songs are:
	
	You're Gonna Hear From Me
	'Round Midnight
	Waltz for Debby
	Nardis
	Time Remembered
	Who Can I Turn To
	Emily
	Our Love Is Here to Stay
	Someday My Prince Will Come

To the person who was looking for stories and writings about him, I have a
lead that might help you.  A former piano teacher of mine was Bill Evans'
roommate for some time in the 60's (and I foolishly thought he wouldn't
notice when I copped a B.E. solo for my entrance audition - SHEESH!).  His
name is Vince Maggio, and he's the head of the jazz piano department at
the University of Miami.  You can call information (area code 305, city of
Coral Gables) and get the general info number for the school, and then get
his office number from there.  I don't know how much you'll get from him,
but it's worth a shot.

While we're on the subject, I read that at one time Bill was heavily into
playing boogie piano.  It's the only area where I've actually heard him
praise his own playing (I believe he said something like, "Oh yeah, I'm
great at that stuff.  At one time I was the fastest boogie-woogie player
in New Jersey").  Has anyone heard of any recordings of him playing in
that style?  If there are any, I'd love to get my hands on them. 

Joshua
Newsgroups: rec.music.bluenote
From: sylve_ge@jhunix.hcf.jhu.edu (Gerald Sylvester)
Subject: Re: CONCERT: Dixie Dregs West Coast Assault [USA]
Organization: HAC - Johns Hopkins University, Baltimore
Date: Sat, 7 Nov 1992 21:44:28 GMT

>I'm sure that Goodman was on the last leg of the tour a few weeks ago and 
>I'd heard that Sloan or whoever couldn't make it, I think because of
>med school, even though he is on the latest recording and Goodman isn't. 

Sloan graduated med school in '88.  I don't know how long residency
is for his specialty, anesthesiology.  I would guess he is finishing
up or has a couple of years left.

>I think Jerry Goodman was doing new age stuff a few years ago, but I've
>rarely heard his name since Mahavishnu and the Goodman/Jan Hammer 
>collaboration. So I'm especially interested in feedback from fans on 
>how he fits and sounds with the Dregs vs. the Dregs other violinist(s)?
>There's been more than one guy on violin on Dregs recordings, right? 

I saw the Dregs with Goodman in early October in Baltimore.  I didn't
think Goodman fit in that well.  Actually, I do have to say he was not
familiar with the music that much.  He had a music stand with that
nights music on it in front of him.  I should say that if he was as
familiar with the Dregs music as Sloan was/is, he should be really good.

Does anyone know who is going to be playing violin on the Jay Leno Show
on Jan. 7th?  I would really like to see Sloan do that.  I hope they do
an interview.  Leno would probably say something, "Steve is a 5 time
best all-around guitarist, Rod is in Winger, Sloan is an anesthesiologist,
T and LaRue are just hitching a ride 8-)."

Gerald Sylvester
From: exubma@exu.ericsson.se (Bassam Madi)
Newsgroups: rec.music.bluenote
Subject: Re: re: "Kind of Blue" rerelease
Date: 5 Nov 92 16:51:49 GMT
Organization: Ericsson Network Systems
X-Disclaimer: This article was posted by a user at Ericsson.
              Any opinions expressed are strictly those of the
              user and not necessarily those of Ericsson.

In article <1992Nov4.134709.1638@guvax.acc.georgetown.edu> mchenry@guvax.acc.georgetown.edu writes:
>
>I have nothing definitive to offer, but I did notice that when I was 
>transcribing the So What solo several years ago I had to tune my trumpet 
>sharp or flat to be in tune. I just thought it was my turntable playing 
>slightly at the wrong speed and forgot about it. 

ICE had actually stated exactly what U are saying: trumpeters having to re-tune
their trumpets to be able to play in tune. I do not read notes and was wondering
whether the difference would be big between the original KoB and the planned rerelease.
Bassam

--
Bassam Madi              |    
Ericsson Network Systems |   How can U soar like an eagle,
exubma@exu.ericsson.se   |   when U are dealing with turkeys??
Ph. (214) 733-4339       | 
Newsgroups: rec.music.bluenote