HDTenEightyP/NetNews huggingface dataset:
From: wbarnes@sura.net (Bill Barnes)
Subject: Re: AnAm info file 7 Jan
Organization: SURAnet, College Park, MD, USA, NA, Earth, Milky Way
Date: Thu, 7 Jan 1993 17:56:34 GMT

[Just a couple of annoying comments on my part - since my ability to go
to either anime con this year is dependent on my winning the Publisher's
Clearinghouse Sweepstakes, I'm a bit peevish about the whole subject.]

In article <930107040424_72736.433_EHC87-1@CompuServe.COM> 72736.433@compuserve.com (Chris Swett) writes:
>  Writer Guest of Honor:
>
>    Haruka Takachiho - Creator of Crusher Joe and Dirty Pair,
>     author of more than 30 science fiction novels in Japan

Hey, all the DP fanfic writers can go and kowtow to him and hope to get
his permission to officially use the Lovely Angels!  8->

>  Comic Artist Guest of Honor:
>
>    Adam Warren - Writer and Artist for the American Dirty
>     Pair comic

Gee, how long has it been since DP III: A Plague of Angels finished?
And what has he done since then?  I'm not sure he should count as a
writer/artist if he doesn't come out with *something* before AnimeAmerica!
8-]

>Tomoko Saito
>Contributing artist to True North II

Ummm, while I enjoyed her contribution to True North II, you seem to be
ignoring her work that's relevant to anime & manga, like what she did
on the Dirty Pair.

Well, enough of my grousing...
-- 
-----------------------
William Barnes		SURAnet Operations
wbarnes@sura.net	(301) 982-4600 voice  (301) 982-4605 fax
From: rang@laputa.ics.uci.edu (Roger P. Ang)
Subject: Re: Dubs and streamline
Newsgroups: rec.arts.anime
Reply-To: rang@ics.uci.edu (Roger P. Ang)
Organization: Univ. of Calif., Irvine, Info. & Computer Sci. Dept.
Date: 11 Jan 93 23:11:15 GMT
Distribution: usa

In article <9y+3s+h@rpi.edu> lennad@rpi.edu writes:
>  You people are missing the point entirely. I realize that the dubs
>  are not worth looking at more than once ( if even that ). My point
>  is that their existence, bad or good, helps bring new blood in to
>  anime.

Eh.  If I were introduced to anime by some of the dubs out today,
I probably wouldn't become a fan.  The dubs are often patronizing,
which the originals definitely aren't.  If I want to be talked down to
I'll watch U.S. stuff ;-P.  I was genuinely turned off by the
Streamline dub of Castle of Cagliostro.  Their sub of the movie was
better and that wasn't even a decent subbing.  Nevermind the poor
voice casting, they changed dialogue so that it became syrupy junk.
Blech. Streamline seems to be trying to revive the alternate meaning
of the word "stupefy".

	stupefy (verb): to make stupid, groggy, or insensible

As in: "Streamline stupefied Castle of Cagliostro with their dubbing."

>  Let's face it, even when comparing come of the really bad
>  dubs to US cartoon, the dub comes out ahead ( with the possible
>  exception for Batman : the animated series :).

	This isn't saying much.  Remember, the U.S. stuff today is so
bad that Saturday morning cartoon viewing is at a low.  So much so,
that NBC doesn't have Saturday morning 'toons now.  Seems to say to me
that much of the 'toons on U.S. TV now are so bad, even kids think
they're not worth watching.

                                        Roger P. Ang (rang@laputa.ics.uci.edu)
Irvine? Where's Irvine?                 Grad student at the
In the heart of the Orange Curtain.     Dept. of Information & Computer Sci.
Oh no! The poor fool.                   Univ. of California, Irvine.  USA
Newsgroups: rec.arts.anime
From: tsait@rebecca.its.rpi.edu (Theodore Leonard Tsai)
Subject: Re: Cyborg 009
Organization: Rensselaer Polytechnic Institute, Troy, NY
Date: Tue, 5 Jan 1993 23:30:07 GMT

In article <Jan05.080847.39872@yuma.ACNS.ColoState.EDU> ntetsuya@lamar.ColoState.EDU (Nishimura) writes:
>	001	Ivan Whisky	ESPer baby
>	002	Jet Link (Rink?) he flies
>	003	Furansowaazu (Fransoir ? spl?)	bionic ears and telepathy
>	004	Alberto Heinrich (spl?) missles from knees (and elbows, too?)
>	005	Geronimo (Jeronimo?)	enormous power
>	006	Chang Chang-ko	breathes fire
>	007	(I forgot his name!!!)	metamorphoses
>	008	Pyunma (Punma ?  NOT Puma)	runs like a hell
>	009	Joe Shimamura	er...  what does he do???
>
WAsn't it 009 with the super speed?  I distinctly remember him  running and 
blurring while yelling "accelerate" or it's equivalent in Japanese.


Newsgroups: rec.arts.anime
From: sazan@hounix.org (Kevin Winkler)
Newsgroups: rec.arts.anime
Subject: Re: AD Vision?! Never heard of them. (Was: Anime Seiya addenem Summary)
Date: 4 Jan 93 15:20:26 GMT
Organization: Houston UNIX Users Group (HOUNIX), Houston, TX


 Thien,

     If they order through Capital or Diamond, they will here of Devil Hunter 
Yohko soon.  We hope:-)

    Haven't heard of anything else Mika Doi has done.  Let you know if she
apears again.
From: bp652@cleveland.Freenet.Edu (Gil W. Lau)
Newsgroups: rec.arts.anime
Subject: Re: HELP!  Am I becoming an anime snob??
Date: 5 Jan 1993 02:26:19 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: bp652@cleveland.Freenet.Edu (Gil W. Lau)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, albertw@netcom.com (The Email Otaku) says:

>In article <1iacqsINNq2a@usenet.INS.CWRU.Edu> bp652@cleveland.Freenet.Edu (Gil W. Lau) writes:
>>
>>Then some guy is about to make a major purchase, and he has one of the
>>Silent Mobius CDs on top, and the guy starts giving a movie review!
>>Now I'm thinking to myself, "What the hell does this guy knows!"
>
>Ok, so the guy is a little enthusiastic about anime. ^_^  But did he know
>what he was talking about?
>
He didn't say anything anyone off the street wouldn't know.  I agree,
this guy was definitely gung-ho about anime, and that's not a crime
(or we'd all be posting from jail!  :)  but I wish he could do it 
in a less boisterous and obnoxious way.

>And no...you don't sound like an anime snob at all. ^_^
>-- 
Good.  Whew!  For a moment I thought I was harboring those, "More anime
otaku than thou!" feelings!  :)

  -- Gil
From: michaele@nsg.nsg.com.au (Michael Edwards)
Newsgroups: rec.arts.anime
Subject: Re: NG Knight Lamune & 40 notes
Date: 8 Jan 93 01:41:44 GMT
Organization: Network Solutions Group / GEC Alsthom, Sydney

amelman@orion.oac.uci.edu (Wan Dabada) writes:
:The four main creators of the show are the same people who have now formed
:Project B-4, who created KO Seiki BEAST Sanjuushi, and are currently working on
:BOTH KO Seiki BEAST Sanjuushi Series II, and a new Lamune & 40 OAV series.

I've seen 1 & 2 of the L40 OAV, does anyone know when the next episode is
due out [and how many in total]?

What episodes are compressed into the TV compilation LD 1?  Is there a set
of the TV episodes uncut on LD?

thanks
Michael
[If I knew a source for the L40 TV LDs (if they exist) I could be convinced
to order them...]
--
"Jung isn't deep, he's my brother!" 
The moving story of one Hippos love for black suits and blasters
"Hairbutt the Hippo" - Jason Paulos (Rat Race Comix)
 
Michael J. Edwards                                        michaele@nsg.com.au
From: m0336@tnc.UUCP (Ralph Jenkins)
Newsgroups: rec.arts.anime
Subject: Re: The Most Over-Hyped Anime of 1992
Date: 9 Jan 93 07:48:17 GMT
Reply-To: m0336@tnc.UUCP (Ralph Jenkins)
Organization: The Next Challenge, Fairfax, Va.


   I really liked the soundtrack of Megazone 23 III, but didn't you
think the animation was a bit limited?  There were a few scenes where
it seemed they decided to just skip the in-between animation.  Looked
very jumpy. 
   I think that sequel, like Macross II, is looked down upon because
it tries to continue a series that:
 
   A) Is a classic, and
   B) Already had a fitting ending.
 
   It seems as though the studio was afraid to risk doing something
totally new, so instead they tried to attach their series to a proven
seller.
 
  -RJ
-- 
The Next Challenge - Public Access Unix in Northern Va. - Washington D.C.
703-803-0391 To log in for trial and account info.
Newsgroups: rec.arts.anime
From: danrama@wam.umd.edu (Daniel Bloomfield Ramagem)
Subject: LD player question: why CAV ?
Organization: University of Maryland, College Park
Date: Fri, 8 Jan 1993 21:32:42 GMT

Ok, so this isn't a direct anime question, but I'm considering getting
an LD player to watch anime, so bear with me.

Is there a point to having CAV LDs if you have an LD player that does
special effects (i.e.: allows you to freeze frame and do slow motion on
CLV LDs)?  

dAn(!)
danrama@wam.umd.edu
From: rb6t+@andrew.cmu.edu (Robert Everett Brunskill)
Newsgroups: rec.arts.anime
Subject: BGCrisis! Episode 3
Date: 6 Jan 93 17:48:03 GMT
Article-I.D.: andrew.8fGuTnq00WAL83Gscp
Organization: Freshman, CIT general, Carnegie Mellon, Pittsburgh, PA

Recently I saw a friend's copy of BGC1, and liked it.  When I later went
to the store I intended to get eps 2, but they didn't have it so I got
eps 3.  Does this tape happen to be the worst of the series, or am I
just missing something by not seeing eps 2?

I found that Animeigo's description of the story to be better than the
tape itself.  It was just too short, it was a full hour story crammed
into 30 minutes.  There was no emotion in the situation where Sho's
mother dies, and almost nothing is made of the conflict between Sylia
and Mason.  It was just bland, very bland.  Where are the riots
mentioned in the insert?  Where is the emotional devastation of Sho's
loss?  Where was the fight between Sylia and Mason?  It was dull!

Don't mind me, I'm just bitter for shelling out $34.95 for 30 minutes of
boredom.

Rob Brunskill

By the way, how is MD Geist?  It's about the only other thing the video
store here carries.
From: pearl@remus.rutgers.edu (Starbuck)
Newsgroups: rec.arts.anime
Subject: Re: Streamline's Robotech Releases
Date: 6 Jan 93 18:55:14 GMT
Organization: the Worlds Welfare Work Association, Rutgers Anime division

In article <1993Jan3.172422.3662@nic.csu.net> shogun@sutro.SFSU.EDU (Mike M. Tatsugawa) writes:

> I got a chance to look at Carl's Robotech tapes.  The stuff is scary.
> He went for literal translations and the subbing was so good that I
> swear that Robert Gutierrez did them!  Macek will probably get kudos
> from the purists for this one.


I'm really glad to hear this.  After seeing the "Twilight of the
Cockroaches" LD again, I was beginning to fear for the worst!  I can't
wait to see them!

Steve
---
Stephen Pearl (Starbuck)    Work: (908)932-3465   Home: (908)566-6842
Internet: pearl@remus.rutgers.edu      FidoNet: Stephen.Pearl@1:2605/619
US MAIL:  359 Lloyd Rd, Aberdeen, NJ 07747-1826   GEnie: S.Pearl6
QUOTES: "What is Starbuck-ing?" -Adultress 19
        "Works for me!" -Rick Hunter (The Cop, not the Robotech Defender)
Newsgroups: rec.arts.anime
From: sterling@netcom.com (Bruce Sterling Woodcock)
Subject: Re: Animeigo (should) release KOR tv series LDs!!
Organization: Netcom Online Communications Services (408-241-9760 login: guest)
Date: Fri, 8 Jan 1993 02:17:57 GMT

In article <C0EuJn.J5w@news.cso.uiuc.edu> ken@uxc.cso.uiuc.edu (Ken Primer) writes:
>trebor@foretune.co.jp (Robert J Woodhead) writes:
>>Yeah, well, there is the matter of only so many hours in the day
>>you know!  And it's going to take us 5 years to do all of UY.
>>
>>Sales of UY have been very, very good.
>And let me add (as being one of the few...the proud...AnimEigo title timers)
>that this is indeed a MASSIVE project! Woof, just timing a 30 minute ep is
>alot, I can only imagine what the restn of the project is like.

Amen!  As a title timer myself, I know this isn't easy work... but it is fun!
Robert, if UY sales are really going good, then how about giving the title
timers more hours, and thereby enable us to crank out episode even faster!
Maybe it won't take 4 years after all... and with the extra profits, you can
even buy KOR episodes and do them at the same time.  :)  Expand, expand!  :)

But in seriousness, I think Robert expressed at Anime Expo last year that if
he had it to do over again, he would do the KOR episodes first.  As I pointed
out, it's hard to get new people 'hooked' on an OVA or movie, and if we want
to grow market share, we have to expand the audience beyond the current fandom.

Bruce

-- 
Bruce Sterling Woodcock                 Internet:  sterling@oldcolo.com
Systems Programmer                      Alternate:  sterling@netcom.com
Old Colorado City Communications        "Global Access From Any Micro"
From: ramberg@futon.SFSU.EDU (James Ramberg)
Newsgroups: rec.arts.anime
Subject: Re: Ayukawa or Madoka? (**some spoilers**)?
Date: 8 Jan 93 20:39:35 GMT
Organization: San Francisco State University

In article <SCOTTH.93Jan6212813@oniboshi.corp.sgi.com> scotth@oniboshi.corp.sgi.com (Scott Henry) writes:
>
>>>>>> In article <1993Jan6.095305.28110@pegasus.com>, ranma@pegasus.com (Doug Cha) writes:

BTW please check the atttributions next time .. half of the
stuff being asked here is from my original post .. thanks ;-)  
[ save bandwidth]>

>
>on 7 feb 1992 (I love having lots of disk to save things to...)
>tkim@sdcc3.ucsd.edu posted a translation(?) of (part of?) an interview
>with the director of the movie. Here's a couple of excerpts from that
>posting:
Could you repost the entire thing ????
this goes for the author (tkim) if he is still around .. thanks


>Q: Was there something that you had in mind when you made this
>   movie?
>
>A: Since this is a triangle, I think that all three of them should
>   hurt. I tried to make the story that makes sense from the
>   realistic point of view.

 I I guess a good question to ask is how Madoka got hurt by the breakup ?
I seem to remember no specific mention of any impact on the
her relationship to Hikaru-chan .. tyhough some was undoubtedly
likely


>
>
>Q: What are your "ideals" and how did they effect the movie?
>
>A: I discarded ideal elements. I paid attention to make the movie more
>   realistic.
 [ Is it me or does this not make sese ??`]
>
>
>>BTW, did the same person who had creative/story control in the manga
>>(the name escapes me)  have the same in the OAV and the TV series ???
>
>Matsumoto Izumi wrote the manga, I don't think that he had much other
>control or influence over the TV or OAV series. In any case, the movie
>really bore no relation to the manga. In many respects, the movie is a
>different universe than the one in (most of!) the manga. Parts of the
>manga take place in a parallel universe, and some of that was put in
>the last two TV eps.
>
I think that they call that creative licence 
i can't really comment on the manga...   the TV and OAVs have a different
perspective but they do seem consistant ( I've only seen the first 4 TV
episdoes   though)
[ saving bandwidth]
>
>A Sayuri ep would certainly be one of the top "H" eps, too...
>
 what do you mean by H ?????


cheers


-- 
Jim Ramberg [e-mail-->fastest reply]       (quote is from BGC3: Asu e Touchdown)
** And protect us,always                  Soo itsudemo watashitachi o mamotte **
** until we overcome and break down the walls    Kabe o Break down koeru made **
** until we touch down and seize our dreams    Yume o touch down tsukamu made **
Newsgroups: rec.arts.anime
From: takahash@ntmtv.UUCP (Alan Takahashi)
Subject: Anime Pocket Guide (4/4) [postscript]
Originator: takahash@lacerta
Reply-To: takahash@ntmtv.UUCP (Alan Takahashi)
Organization: Northern Telecom Inc, Mountain View, CA
Date: Mon, 11 Jan 1993 21:07:20 GMT



Anime Pocket Guide work in progress:

   - Super Cat Girl Nuku Nuku
	(Blame Mike "Harlock" for this one...he showed it at Silicon! :-))

   - Minky Momo (update)

   - Mary Bell

   - Sailor Moon (cast update)

   - Mama is a 4th Grade Student

   - Mamono Hunter Yohko (cast update)

   - Kimagure Orange Road (rewrite)

   - Bush Baby

   - Hime-chan no Ribbon


If there is something not in the Anime Pocket Guide that you think
should be there, I take requests.  Same with anything that needs to
be corrected.  *E-Mail* me with the following info:

+ Name of the anime.
+ A short description (in case I have never heard of it)
+ Cast list if any

I'll get to it when I can.  If I end up using your description, then
you get a credit in the Intro file.  Let me know if you *don't* want
your name used.

-----
Alan Takahashi              UUCP    : ..........!ames!ntmtv!takahash
Northern Telecom Inc.                 ...!uunet/
Mountain View, CA           INTERNET: ntmtv!takahash@ames.arc.nasa.gov
----------------------------------------------------------------------
"When you need to knock on wood is when you realize the world's
  composed of aluminum and vinyl." -- Flugg's Law
From: thmartin@romulus.rutgers.edu (Miss Animerica)
Newsgroups: rec.arts.anime
Subject: Patlabor: OP2 "Condition Green" lyrics
Date: 4 Jan 93 18:52:59 GMT
Organization: Rutgers Anime

On the #anime! channel on irc, we were talking about good anime songs to
listen to on long drives.  Most Patlabor themes are good songs for this.

Here are the lyrics in romaji and in Japanese Industrial Standard
codes.  The ESC characters in the JIS codes are replaced with "^[" for
posting.

These and many other anime song lyrics and translations are available
for anonymous ftp from romulus.rutgers.edu (128.6.13.2), in the
pub/anime/lyrix subdirectory.

Condition Green ~ kinkyuu hasshin (Emergency takeoff)
"Kidou Keisatsu Patlabor  Patlabor on Television" opening theme (1990)

moshi mo  ima anata no yume no ERIA [area] ga
namida ni okasare
kujiketa toki wa  nee kokoro de
watashi no namae yonde
Hurry up Hurry up  ai no tsubasa
anata no sora e tonde-yuku

* I'm gonna fly fly away
  KONDISHON GURIIN [condition green]
  mukai kanashimi wo  tasuketai no
  Just fly fly away
  onaji itami wo  mune no REEDAA [radar] wa
  itsudemo kanjite-iru wa

shinobi-yoru kodoku no kabe no kanata ni
mirai ga tozasare
ano hi no egao  wasureta nara
watashi wo omoidashite
Hurry up Hurry up  ai no SORUJAA [soldier]
subete wo sutete  tonde-yuku

I'm gonna fly fly away
KONDISHON GURIIN [condition green]
atsui tokimeki wo  mamoritai no
Just fly fly away
yume no shouri wo  sou yo sugu soba de
itsudemo negatte-iru wa

Just I'm gonna fly away

* Repeat

Just I'm gonna fly away


Singer: Kasahara Hiroko
Lyricist: Taguchi Shun
Composer: TSUKASA
Arranger: Negishi Takayuki

^[$@%3%s%G%#%7%g%s!&%0%j!<%s!A6[5^H/?J!A^[(J
^[$@!V5!F07Y;!%Q%H%l%$%P!<!!^[(JPATLABOR ON TELEVISION^[$@!W%*!<%W%K%s%0!&%F!<%^^[(J (1990)

^[$@$b$7$b!!:#$"$J$?$NL4$NNN0h!R%(%j%"!S$,^[(J
^[$@N^$K?/N,!R$*$+!S$5$l^[(J
^[$@$/$8$1$?;~$O!!$M$(?4$G^[(J
^[$@;d$NL>A08F$s$G^[(J
hurry up hurry up^[$@!!0&$NMc^[(J
^[$@$"$J$?$N6u$XHt$s$G9T$/^[(J

^[$@"(^[(JI'm gonna fly fly away
^[$@!!%3%s%G%#%7%g%s!&%0%j!<%s^[(J
^[$@!!?<$$Ha$7$_$r!!=u$1$?$$$N^[(J
^[$@!!^[(JJust fly fly away
^[$@!!F1$8DK$_$r!!6;$N%l!<%@!<$O^[(J
^[$@!!$$$D$G$b46$8$F$$$k$o^[(J

^[$@$7$N$S4s$k8IFH$NJI$NH`J}$K^[(J
^[$@L$Mh$,Iu:?!R$H$6!S$5$l^[(J
^[$@$"$NF|$N>P4i!!K:$l$?$J$i^[(J
^[$@;d$r;W$$$@$7$F^[(J
hurry up hurry up^[$@!!0&$N%=%k%8%c!<^[(J
^[$@A4$F$r<N$F$F!!Ht$s$G9T$/^[(J

I'm gonna fly fly away
^[$@%3%s%G%#%7%g%s!&%0%j!<%s^[(J
^[$@G.$$$H$-$a$-$r!!<i$j$?$$$N^[(J
Just fly fly away
^[$@L4$N>!Mx$r!!$=$&$h$9$0$=$P$G^[(J
^[$@$$$D$G$b4j$C$F$$$k$o^[(J

Just I'm gonna fly away

^[$@"($/$j$+$($7^[(J

Just I'm gonna fly away


^[$@2N!'3^8690;R^[(J
^[$@:n;l!'ED8}!!=S^[(J
^[$@:n6J!'#T#S#U#K#A#S#A^[(J
^[$@JT6J!':,4_5.9,^[(J
Newsgroups: rec.arts.anime
From: chiu@alumni.berkeley.edu (David Chiu)
Subject: Yoko tape
Summary: ....
Originator: chiu@alumni
Organization: University of California Society of Electrical Engineers
Date: Thu, 7 Jan 1993 01:54:33 GMT

Just the other day I saw the tape at Nikaku. I must confess the jacket
art leaves something more to be desired...

Newsgroups: rec.arts.anime
From: conty@cbnewsl.cb.att.com (E. Kontei)
Subject: Re: GIANT ROBO
Organization: AT&T Bell Laboratories
Date: Mon, 11 Jan 1993 17:59:46 GMT

In article <11029@vtserf.cc.vt.edu>, ST101900@BROWNVM.brown.edu (Rafael Brown) writes:
> So what's the word on Giant Robo anyway?

IMO it's the best OAV of 1992.  Excellent music, spectacular animation
(if I didn't know better I'd have guessed it was a theatrical release),
brilliant direction, and some amazing writing.

You know you can truxt me on this.  :-)
-- 
			    E n r i q u e  C o n t y
			       Master of Science!
			      jester@ihlpm.att.com
		    Disclaimer: You're not dealing with AT&T
From: whong@musubi.pubnet.com (Dream Hunter)
Newsgroups: rec.arts.anime
Subject: Re: AD Vision?! Never heard of them. (Was: Anime Seiya addenem Summa
Date: 10 Jan 93 13:39:45 GMT
Organization: Studio Musubi, Honolulu HI

albertw@netcom.com (The Email Otaku) writes:

> In article <1908@tnc.UUCP> m0336@tnc.UUCP (Ralph Jenkins) writes:
> >
> >Albert Wong wrote:  "Of the US translated titles that have made it onto
> >   LD, the pricing for said LDs are dirt cheap compared to the
> >   original import version.  ^_^"
> > 
> >  
> >   I agree, except for the US pressing of Akira by Criterion.  $129.50
> >is a bit more than the import version.  (Okay, Criterion's disc *is*
> >CAV, but it is still higher.)
> > 
> 
> Seems like they are marketing that one has a 'collectors edition'.  Or
> maybe Criterion is being an 'evil huckster' this time. ^_^  Besides CAV,
> you get an Akira cel or something?
> -- 

Other than the nice 3 way folding album here there's a little note with the 
disks correcting the mispelling in the supplement video.  ;^)
And that's it. I -wish- they put a Cel in them even a reproduction would 
have been nice.

Wendell Hong, AKA Dream Hunter: The #2 busiest anime fan in the world!
J.A.S.H. Travel Coordinator/Public Relations/All around drudge...
+-----------------------------------------------------------------+
|Internet:  whong@musubi.pubnet.com     GEnie:  ANIMATSURI        |
+-------------------------*STUDIO-MUSUBI*-------------------------+
|  Honolulu, Hawaii's Free Public Access Internet/Usenet System   |
+-----------------------------------------------------------------+
From: cstewart@npal.rn.com
Newsgroups: rec.arts.anime
Subject: Test. Can you read this?
Date: 28 Dec 92 10:57:45 EDT
Organization: PalNet -- Indianapolis, Indiana

PUMA!

Local netfeed seems to be down...AGAIN.
Is any one on the planet able to read this? 
I.'m posting this on Dec. 28, 1992 at 10:54 as  an internal reference.
Please respond by Email if you can read this.

PUMA!PUMA!POMONA!PUMA!PUMA!PUMA!PUMA!'
(...pomona?!...)

PUMA!

pumaspumaspumaspumaspumas- B U A K U ! -pumaspumaspumaspumaspumaspumas
s   Sky Marshal; Defender of Puma-kind and all Neko-Jin!             p
a INTERNET: cstewart@npal.rn.com             Charles A. Stewart      u
m USENET: towers!mgcind!sfbhq!chuck.stewart  Indiana Animation Club  m
u FIDONET: Chuck Stewart 1:231/190           543 Fletcher Ave. #3    a
p INTERNET-TO-FIDO: chuck.stewart@f190.n231.z1.fidonet.org           s
samupsamupsamupsamupsamupsamupsamupsamupsamupsamupsamupsamupsamupsamup
Newsgroups: rec.arts.anime
From: jet@boxer.nas.nasa.gov (J. Eric Townsend)
Subject: Re: LD player question: why CAV ?
Organization: Numerical Aerodynamic Simulation, NASA Ames
Date: 8 Jan 93 18:12:18

"tdinh" == Ota-kun  <tdinh@sdcc13.ucsd.edu> writes:

tdinh> In article <1993Jan8.213242.20908@wam.umd.edu> danrama@wam.umd.edu (Daniel Bloomfield Ramagem) writes:
>Is there a point to having CAV LDs if you have an LD player that does
>special effects (i.e.: allows you to freeze frame and do slow motion
>on

tdinh> Not really. LD's that are CAV will just end up costing you more

Sure there is.  CLV is a stream of info, the digital effects has to
decide which part of what field to put on the screen when you hit
"pause".  With CAV, when you pause, you see a single frame.  And when
you want to see a specific image, you just pound in the frame number
on your unit and <whirrr-sclick> it's on the screen.  Hopefully
it corresponds with a single frame from the original movie  :-) (I dunno
what they do for CAV stuff that was shot on videotape, I suspect they
just combine two fields into a frame or something).
--
J. Eric Townsend --  jet@nas.nasa.gov -- 415.604.4311 (DoD# 0378)
"It is the cunning of form to veil itself continually in the evidence
of content.  It is the cunning of the code to veil itself and to produce
itself in the obviousness of value." -- Baudrillard
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