HDTenEightyP/NetNews huggingface dataset:
From: Robert.Castellano@DARTMOUTH.EDU
Newsgroups: rec.music.early
Subject: Ancient Airs and
Date: 14 Oct 92 16:19:58 GMT
Article-I.D.: dasher.966801
Content-transfer-encoding: 7BIT


 Regarding  Paul O'Dette's recording of the "Ancient Airs and Dances"
(Hyperion CDA 66228)  I believe that the original lute source was lost during
WWII.
Oscar Chilesotti late 19th early 20th century musicologist had transcribed
the originals into modern guitar notation.  As he was very careful to keep
them in the proper physical relationship  when transcribing the lute
tablatures into guitar notation,  it is not too difficult to either
re-intabulate the works, or just read them on the lute.  So regarding the
originality, at least for the solo lute music on this disc, any derivation
is minimal at best.
From: UHAA017@VAX.RHBNC.AC.UK
Newsgroups: rec.music.early
Subject: PLAINCHANT, IMPROVISED POLYPHONY AND COMPOSITION - A STUDY DAY
Date: 12 Oct 92 14:15:04 GMT
Article-I.D.: UK.23A0265E_003C0BF0.00961FDA50EC6680$39_1
Content-transfer-encoding: 7BIT
Via:           UK.AC.RHBNC.VAX; 12 OCT 92 17:12:54 BST
Actually-to:   <earlym-l%earn.aearn@UK.AC.EARN-RELAY>
Originally-to: EARN%"earlym-l@earn.aearn"
Originally-from: UHAA017
Mailer:        Janet_Mailshr V3.5 ( 13-OCT-1989 14:07:27 )


               PLAINCHANT, IMPROVISED POLYPHONY AND COMPOSITION
 
                           A Study and Singing Day
               held by THE PLAINSONG & MEDIAEVAL MUSIC SOCIETY
            at The Faculty of Music, St. Aldate's, OXFORD, ENGLAND
                        on Saturday 17th October 1992
 
 
Timetable
 
11.00	Coffee
 
11.30	Sixteenth-century studies - presentations include:
 
		Jeffrey Dean on the relative unimportance of splendid
		polyphony in sixteenth-century Italy;
 
		Bonnie J Blackburn on improvised counterpoint and the
		writings of Luigi Zinobi.
 
1.00	Lunch (not provided)
 
2.15	Annual General Meeting of The Plainsong & Mediaeval Music Society
	(members only)
 
2.45	Fifteenth-century studies - presentations include:
 
		Andrew Kirkman on fauxbourdon;
 
		Margaret Bent on Dufay's rondeau Craindre vous vueil;
 
		Practical session: polyphony will be improvised by attendees.
 
5.00	End of proceedings (approximate time).
 
Members and non-members are all welcome to attend.  The afternoon session will
include a break for tea at a suitable juncture.
 
There is no attendance fee, but a small charge will be made for Coffee and Tea.
There are plenty of cafes and restaurants in the vicinity where attendees may
obtain lunch.  The day will finish in time for those who wish to attend
Evensong in Oxford to do so.
 
PLEASE NOTE: there are no car parking facilities at the Faculty of Music.
 
 
 
For more information contact:
 
Catherine Harbor			e-mail: C.Harbor@UK.AC.RHBNC.VAX
Secretary PMMS				'phone: 0784-443165
Computer Centre
Royal Holloway and Bedford New College
University of London
Egham Hill
Egham
Surrey TW20 0EX
U.K.
From: STMOORE@PUCC.BITNET (Stephen T. Moore)
Newsgroups: rec.music.early
Subject: RE: Arvo Part (review of ARBOS)
Date: 12 Oct 92 03:57:37 GMT
Article-I.D.: AEARN.EARLYM-L%92101213041729
In-reply-to: Message of Sun,11 Oct 1992 16:54:59 -0700 from <alves@CALVIN.USC.EDU>
Content-transfer-encoding: 7BIT

RE: Numinous: from the Latin "numen" , meaning  deity, divine power, spirit.
Tom Moore, STMOORE at PUCC.PRINCETON.EDU
Newsgroups: rec.music.early
From: sbloch@silver.cs.umanitoba.ca (Stephen Bloch)
Subject: Re: Arbeau's Orch'esographie; from 1589 on CD?
Organization: Computer Science, University of Manitoba, Winnipeg, Canada
Date: Wed, 14 Oct 1992 17:58:08 GMT

strauss@uncavx.unca.edu writes:
>The piece referred to in the notes is: "Arbeau's
>well-known dance manual of 1589, the Orch'esographie."

Several people have explained what Orchesographie is.  I'll merely add
that the Julia Sutton translation of it should be available in paperback
from Dover for something like $9.  I heard a vicious rumor nine months
ago that Dover was taking it out of print, but in August I asked a
bookseller who stocked it regularly and she said this was news to her.
The Dover edition has text in modern English, modern typeface, but
the music and step diagrams are facsimile.  (The music is quite
legible, as long as you can handle C clefs, note values twice what
they would be today, relatively few bar lines, and sharp/flat signs
above rather than before the notes they modify.)

Incidentally, there's a piece in Orchesographie called "Bransle de la
Guerre", or "War Bransle", whose music (an A and a B part, with a
page-turn in between) has puzzled many a dancemaster and many a dance
musician because the B part seems to have an extra beat.  Somebody
several years ago suggested to me that the first note of the B part be
read as a pickup (there are no measure lines), which makes everything
make wonderful sense.  But for some reason almost nobody plays it that
way.

-- 
					Stephen Bloch
				sbloch@silver.cs.umanitoba.ca
From: romain@salt.eng.pyramid.com (Romain Kang)
Newsgroups: rec.music.early
Subject: Re: Thomas Tallis' Canon.
Date: 16 Oct 92 05:57:24 GMT
Reply-To: romain@pyramid.com
Organization: Pyramid Technology Corp, San Jose, CA
NNTP-Posting-Host: salt.eng.pyramid.com

phoogenboom@eagle.wesleyan.edu writes:

| All the notes are equal length (I
| have usually seen them as quarter notes but I do not know what their original
| value is).

The original is written in quavers, if I'm not mistaken.  You can see a
facsimile from the original edition in _The Hymnal 1940 Companion_ of
the Episcopal church, pp. 121-122; a reasonably well equipped municipal
library would probably have it available.  Note that in the facsimile,
each eight note sequence is repeated to fit the meter of the psalm
setting.  Also, it is a fifth higher than the notes listed here:

	c|cBcc|dde c|cBcc|dde
	c|ffee|ddc c|ffee|ddc
	g|fdee|ddc g|fdee|ddc
	G|ABce|ddc G|ABce|ddc

It is in this form and text that the Tallis Scholars have recorded the
canon for their Tallis English anthems collection.
Newsgroups: rec.music.early
From: justin@inmet.camb.inmet.com (Justin du Coeur MKA Mark Waks)
Subject: Re: Arbeau on disc
Organization: Many, Sundry, and Odd
Date: Tue, 13 Oct 1992 19:39:11 GMT

As several others have noted, there are a few recordings of Arbeau
available. Both the Broadside Band and New York Renaissance Band
recordings are top-notch, and tend to be useable -- be careful about
other recordings, because some, while pretty, really aren't especially
practical.

Note that the NY Ren. Band recording has been released several times,
under various names. Besides "Washerwomen, War, and Pease", it is also
available (or has been) as simply "Orchesographie", and in a two-disc
collection from one of the music clubs, with their recording of
Playford's country dances. (I don't recall the name of the collection,
but I have both of the constituent discs, and both are excellent.)

Also, as noted, the book Orchesography (translated by Mary Stewart
Evans, edited and with notes by Dr. Julia Sutton) is available from
Dover. Rumor has it that it is recently out-of-print, but it should
still be findable. The book, especially in this edition, is highly
recommended -- Arbeau was writing for an inexperienced audience, and
this is by far the easiest-to-follow of all period dance texts...

				-- Justin du Coeur
				   Editor, The Letter of Dance

Random Quote du Jour:

"2. Evaluate the influences, if any, of William James and Sigmund Freud on
    contemporary psychology."
		-- from "A Comprehensive Exam for Students 
		         in Introductory Psychology"
From: kbs@espresso.ai.mit.edu (Karen B. Sarachik)
Newsgroups: rec.music.early
Subject: Looking for a used Bass Recorder
Date: 15 Oct 92 18:44:38 GMT
Distribution: ne
Organization: MIT Artificial Intelligence Lab


Does anyone out there have a used bass recorder that they're
interested in selling? I'm concerned about price; I can get a new
plastic one for $250 (seems like a lot for plastic), but I would
rather pay less. If you have one that you would part with for less
than that, please contact me,

Karen (617) 253-8170, or kbs@ai.mit.edu

Thanks.
From: simona@panix.com (Simona Nass)
Newsgroups: rec.music.early
Subject: New York Madrigal Singers Concert in NYC
Keywords: motet madrigal early music
Date: 13 Oct 92 04:51:42 GMT
Distribution: nyc
Organization: PANIX Public Access Unix, NYC

The New York Madrigal Singers will perform music of the high Renaissance at
their gala benefit on Monday, October 26, 1992, at St. Peter's Church, 619
Lexington Avenue (at the Citicorp Building).

Enjoy a preconcert cocktail* with the musicians, then enjoy the concert. The
first half will focus on the legacy of the Spanish School, featuring
Catalonian villancicos, Spanish and Portuguese motets and a Mexican Magnificat.

The second half of the program will highlight madrigals of Elizabethan
England, ranging from light homophonic selections to full and intricate
polyphony.

A gourmet dinner follows, catered by internationally acclaimed Filipino
chef Reynaldo G. Alejandro.*


Tickets are $15 for students/seniors, $20 for general admission, $50 for
the dinner and pre-performance cocktails. There are additional classes 
of support and benefits for benefactors.

* Advance reservations required for dinner and cocktails as well.

FOR TICKETS, call Director Erik-Peter Mortensen, 212-666-1626 or
212-674-0673. -S.
-- 
        Alumni of Stuyvesant HS of New York: e-mail stuy@panix.com
    if you wish to participate in compiling an alumni e-mail directory
---------  simona@panix.com    or    {apple,cmcl2}!panix!simona  ----------
Disclaimer: I am not an attorney, though I do have an opinion on everything.
Newsgroups: rec.music.early
From: tomrice@netcom.com (Tom R. Rice)
Subject: ARS address, please...
Keywords: ARS, recorder, society
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Distribution: us
Date: Tue, 13 Oct 1992 06:27:48 GMT

Until about fifteen years ago, I was an avid recorder and
buzzy player.  Now I'd like to get back into the game.

Would some kind soul please e-mail me the current address
of the American Recorder Society, so that I may re-join?

Thank you, trr


-- 
"Start off every day with a smile and get it over with."  --W.C.Fields
Tom R. Rice   WB6BYH                   Holler Observatory - 
tomrice@netcom.com                     Longitude:  121 d  30 m  20 s W 
CIS: 71160,1122                        Latitude:    37 d  25 m  10 s N
Newsgroups: rec.music.early
Subject: RE: Arvo Part (review of ARBOS)
From: "Timothy M. Williams" <twillia@EIS.CALSTATE.EDU>
Date: 13 Oct 1992 17:49:52 -0700
In-reply-to: <9210131224.AA19461@eis.calstate.edu>
Content-transfer-encoding: 7BIT

I recently performed the Arvo Part "Magnificat" and I find the combination
of minimalist techniques and eastern European sound cluster and "klang"
techniques to be the overriding effect.  Perhaps the spirit of Renaissance
comes through, but only in the overriding piety of Part's music and
religious belief.
 
I now get off my soap box.
 
On Tue, 13 Oct 1992, Ken Koester wrote:
 
> This sounded like it might intrigue the Bloomster :-)
>
> ----------------------------Original message----------------------------
> I got hold of Arvo Part's _Miserere_ recently.  The jacket blurb said
> (among other things) that it transcended any effort to categorize (or
> something to that effect) -- but it seemed pretty straightforward
> to me, a blend of neo-renaissance and minimalist styles.  The ten
> minutes of an unaccompanied hand drum droning very subtle variations
> of the same rythm over and over, interrrupted with a lush choral
> piece that evoked renaissance polyphony in decidedly modern tonalities
> is amazing.  I listened to it while walking 3 miles through city
> traffic -- as David said, not at all an appropriate setting.
>
> I haven't heard ARBOS yet, but if any of this sounds enticing, _Miserere_
> is definitely worth a listen.
>
> James Quinn
> Quinn@Gonzaga.Bitnet
>
> GLOSSARY:
> interrrupted . . . interrupted
> rythm . . . rhythm
> etc.
Newsgroups: rec.music.early
Subject: RE: Looking Bach Keyboard Works by Gould on Tape
From: 32WHEELER@CUA.BITNET
Date: 13 Oct 1992 12:24:58 -0400
MIME-version: 1.0
Content-type: TEXT/PLAIN; CHARSET=US-ASCII
Content-transfer-encoding: 7BIT

ASIM...check the CBS catalogue, I know Gould's last recording of the Goldberg
variations was on CBS Masterworks (and is probably the world's slowest rendition
   of the same!.
 
Carol
Newsgroups: rec.music.early
From: dennis@socs.uts.edu.au (Dennis Cook)
Subject: Re: Arbeau's Orch'esographie; from 1589 on CD?
Reply-To: dennis@socs.uts.EDU.AU
Organization: University of Technology, Sydney
Date: 14 Oct 92 09:38:54 GMT

"(Joan Boorstein)" <boorstein%umbsky.dnet@NS.UMB.EDU> writes:

>Bob Strauss (strauss@uncavx.unca.edu) asks:
> 
>>A question:  I have a CD, London, 417 778-2, called Vaughn Williams, with
>>Neville Marriner and Academy of St. Martin, etc.
>>One piece they do is Capriol Suite, by Peter Warlock. There is a pavane in it
>>that sounds very familiar. The piece referred to in the notes is: "Arbeau's
>>well-known dance manual of 1589, the Orch'esographie."
> 
>>Now, this title isn't familiar to me, but the pavane is. My question (finally!)
>>is, does anyone know of a CD with that piece, by Arbeau?  Sounds like a "must
>>have" for my collection.
> 
>It is important to note that there is no such 'piece' as Arbeau's
>_Orch'esographie_.  This publication is a dance manual and contains directions
>(as well as music) for many 16th C. dances (pavan, bransle, galliard,
>canary, courante, allemande, etc.; sometimes many versions of the same).
>As has already been noted probably the most well-known musical example
>is the pavane _Belle, qui tiens ma vie_.
> 
>I have not heard the Broadside Band recording already mentioned.  Does it
>contain all the musical examples found in Arbeau?
> 

There is a recording of all the pieces from the Orchesographie,
presented in the same order, by the New York Renaissance Band,
released (in this country anyway) on the Arabesque label.

A quite reasonable recording, with moderately danceable tempi,
but I must admit I wasn't terrribly impressed with their cornetto
player.  :-/

But a fun recording, nevertheless.

--
| Dennis Cook                           "Never miss a chance to have sex or
| (dennis@socs.uts.EDU.AU)               appear on television." -Gore Vidal
From: jml2q@UVA.PCMAIL.VIRGINIA.EDU (Julie Lehrman)
Newsgroups: rec.music.early
Subject: RE: Phildelphia REn wind Band
Date: 15 Oct 92 08:19:55 GMT
Article-I.D.: uva.9210151620.AA28458
Content-transfer-encoding: 7BIT
X-Mailer: UVa PCMail 1.7.1

I have a tape of a concert the Philadelphia Renaissance Wind Band gave at the
Amherst Early Music festival during the summer of 1991.  It was a wonderful,
energetic concert, made even more special by the fact that they had memorized
a good portion of the program, so were better able to interact with the
audience.
 
I believe these tapes are still for sale through the Amherst Early Music
Institute in New York. I do not have the institute's address, but the tape
used to be distributed by Michael P. Hesse  200 W 15 Street, New York, NY.
I think the cost is $12, but don't quote me on that.
 
I also would love to know what other recordings the Philadelphia Renaissance
Wind Band has made.
 
Julie Lehrman
jml2q@virgina.edu
Newsgroups: rec.music.early
Subject: Thomas Tallis' Canon.
From: phoogenboom@eagle.wesleyan.edu
Date: 13 Oct 92 12:54:57 EDT
Organization: Wesleyan University

In article <1992Oct12.225235.28897@nntp.uoregon.edu>, JBrandt@AAA.UOregon.EDU (Laurie Brandt) writes:
> Also A firend of mind told be about a work called Thomas Tallows Cannon,
> Has anyone heard of it. If so where can I get a copy either in notations or
> as a recourding?


Thomas Tallis wrote the following very famous canon.  There are weveral
different poetic texts which have been used with it.  It is very effectively
used in Benjamin Britten's _Noyes Fludde_.  All the notes are equal length (I
have usually seen them as quarter notes but I do not know what their original
value is).  In 4/4 time:

c|cBcc|ddec|ffee|ddcg|fdee|ddcG|ABce|dde

This melody repeats ad infinitum.  The interval is one measure, and the canon
is so constructed that it can be sung in up to eight parts.  The upper case
letters here represent notes BELOW the tonic "c" and the lower case ones above
(this distinguishes the two c-to-g intervals, in measures 4 and 6, as up a
fifth and down a fourth, respectively.

Peter Hoogenboom
phoogenb@ucs.indiana.edu


Newsgroups: rec.music.early
From: JBrandt@AAA.UOregon.EDU (Laurie Brandt)
Subject: Phildelphia REn wind Band
Organization: The Polyhedron Group
Date: Mon, 12 Oct 92 22:52:35 GMT

I have heard the Philidelphia Renaissance wind Band several times in the
past week on "Proformance Today" aired over my local PBS readio channel in
this case KOAC 55O AM. Can anyone tell me more about this group and under
which lable are they hidding under :-) ?

Also A firend of mind told be about a work called Thomas Tallows Cannon,
Has anyone heard of it. If so where can I get a copy either in notations or
as a recourding?


Laurie E. W. Brandt
From: ELLIOTP@WSUVM1.BITNET (Paula Elliot)
Newsgroups: rec.music.early
Subject: RE: Arbeau's Orch'esographie; from 1589 on CD?
Date: 11 Oct 92 13:22:20 GMT
Article-I.D.: AEARN.EARLYM-L%92101212533162
In-reply-to: Message of Sun,11 Oct 1992 13:47:24 -0500 from <strauss@UNCAVX.UNCA.EDU>
Content-transfer-encoding: 7BIT

This is in reply to Bob Strauss, who wanted to know about that pavane
from Arbeau which is in the Capriol Suite of Peter Warlock. I'm putting
my response on the list in case anybody else was wondering. The piece is
"Belle Qui Tient Ma Vie," and it's available on the CD _Danses Populaires
Francaises et Anglaises_ by the Broadside Band, Harmonia Mundi 901152.
I also have it on an old Turnabout disc of Arbeau pieces, but I don't
know where else it's available on CD.  Maybe some other readers can add to
the discussion.  PE
From: pkbockus@gsbphd.uchicago.edu (Keith Bockus)
Newsgroups: rec.music.early
Subject: Re: Baltimore Consort candidate for Grammy
Keywords: Baltimore Consort Grammy
Date: 15 Oct 92 23:14:40 GMT
Distribution: na
Organization: University of Chicago Computing Organizations

russell@moravian.edu (James C. Russell) writes:


>  The Baltimore Consort was recently notified that the group's second
>release, "Watkins Ale:Music of the English Renaissance," has been
>selected as a candidate for a 1993 Grammy Award.  The Disc was nominated
>by Dorian Recordings and Allegra Imports, and enters a pool of other
>classical discs from which several finalists will be selected.

And rightly so!  This is a fantastic disk.  Their recordings
of Scottish music "On Banks of Helicon" are similarly great.

>  Last week, the consort recorded a disc of popular French Renaissance 
>music, which will be released next fall.  The ensemble's third disc, "The
>Art of the Bawdy Song," is scheduled to be released on November 1.

The "Bawdy Song" disk is definitely a day-of-release purchase.

Keith Bockus
Newsgroups: rec.music.early
From: bel@ssc.com (Belinda Frazier)
Subject: Early Music Shops in Portland, Or?
Organization: SSC, Inc.,  Seattle, WA
Distribution: pnw
Date: Thu, 08 Oct 1992 16:45:53 GMT

Greetings,

Is there a shop with early music instruments and sheet music in
the Portland Area? 

Also, what shops in Vancouver B.C. would you recommend for browsing through
recorders, viols, etc?

Thanks 

Belinda
-- 

bel@ssc.wa.com   or   uunet!nwnexus!ssc!bel
From: JBrandt@AAA.UOregon.EDU (Laurie Brandt)
Newsgroups: rec.music.early
Subject: RE: Arbeau on disc
Date: 12 Oct 92 23:14:04 GMT
Organization: The Polyhedron Group

>Joan Boorstein
Yes there is one recording that I am aware of that does indeed have all the
works  in the _Orch'esographie_. 
The New York Renaissance Band, Sally Logemann, Director
"Washer Women, War and Pease the Music of  Arbeau's Orch'esographie"
An Arabesque Digital recording 6514, 1984.

They have arranged it by types of dance such as Side 1, Band 1 Pavane,
Galliard, based on Bel aui tiens ma vie, Basse Dance and Tourdion
attaigmnat based on Jouissance uous donneray.
Band 2 Galliards Band 3. Basic Branles
Band 4 Mixed Branles; Side 2, 1 Branles from other regions, Band 2 Mined
Branles, Band 3 Other Branles.

On the topic of medieval dance can any one recomend a disckography that
would have the dances as given in Dulmatches works on English and spanish
dances or other dance manules of the time that are now translated in to
English?  or is this available at an FTP some where?

Laurie E.W. Brandt

 
Newsgroups: rec.music.early
From: guy@slustl.slu.edu (Guy Smith)
Subject: Re: Ancient Airs and
Organization: Saint Louis University  Saint Louis, MO
Date: Thu, 15 Oct 1992 17:40:26 GMT

In article <966801@dasher.Dartmouth.EDU> Robert.Castellano@DARTMOUTH.EDU writes:
>tablatures into guitar notation,  it is not too difficult to either
>re-intabulate the works, or just read them on the lute.  So regarding the
>originality, at least for the solo lute music on this disc, any derivation
>is minimal at best.

Has anyone out there done the transcription to French Tab. I'd be interested
if you are willing to part with a copy. I've got enough on my plate trying
to decipher "A Varietie of Lute Lessons".
Newsgroups: rec.music.early
From: bchivers@soldier.mitre.org (Brent Chivers)
Subject: Univ MD concert, music circa 1492
Reply-To: bchivers@mitre.org
Organization: The MaiTai Corp, McLean, VA
Distribution: dc
Date: Wed, 14 Oct 1992 15:18:42 GMT


                The [New York] Ensemble for Early Music
                       directed by Frederick Renz
                                presents

                         "The Golden Age, 1492"

   The year 1492 saw the expulsion of the Jews from Spain, the deaths
  of Lorenzo de Medici and the composer Antoine Busnois, and Columbus'
 epic voyage.  This concert presents a treasure chest of secular music
  bracketed by Columbus' lifetime -- 1451-1506.  We see Europe through
   its music:  Burgundian court songs by Busnois, peasant songs from
  Germany, love songs from the British Isles, villancicos by Juan del
 Encina extolling Ferdinand and Isabella, Carnival songs popularized by
 Lorenzo the Magnificent, traditional Sephardic love songs, and earthy
  drinking songs from the personal library of Columbus' son Fernando.

                        Friday, October 30, 1992

                       Pre-concert panel: 6:30 pm
                            Concert: 8:00 pm

                University of Maryland Conference Center
                            College Park, MD

                            Tickets: $17/$7
                              301-403-4240
                      Concert Society at Maryland
________________________________________________________________________

If you're interested in going, Patricia Cutts-O'Brien is gathering
a group to get a slight discount on the tickets.  If you'd like to
get in on a $15 group-ticket buy, give her a call [soon!]:

	202-543-1941 (or 202-546-1320)
-- 
______________________________________________________________________

Brent Chivers		McLean, VA		bchivers@mitre.org
Newsgroups: rec.music.early
Subject: Re: Thomas Tallis' Canon.
From: phoogenboom@eagle.wesleyan.edu
Date: 15 Oct 92 13:57:34 EDT
Organization: Wesleyan University

In article <mjc.719161640@NL.CS.CMU.EDU>, mjc+@cs.cmu.edu (Monica Cellio) writes:
> [I wrote:]
>> c|cBcc|ddec|ffee|ddcg|fdee|ddcG|ABce|dde
>                                         ^
>                                         c
> 
> Monica


oops, sorry.

Peter Hoogenboom
phoogenb@ucs.indiana.edu
Newsgroups: rec.music.early
From: mjc+@cs.cmu.edu (Monica Cellio)
Subject: Re: Thomas Tallis' Canon.
Organization: School of Computer Science, Carnegie Mellon
Date: Thu, 15 Oct 1992 15:07:20 GMT

>c|cBcc|ddec|ffee|ddcg|fdee|ddcG|ABce|dde
                                        ^
                                        c

Monica