HDTenEightyP/NetNews huggingface dataset:
From: deadhead@beyond.ugcs.caltech.edu (stephen thompson)
Subject: REQ: schematics for Wa-Wa pedal
Organization: California Institute of Technology, Pasadena
Date: Fri, 10 Apr 1992 21:26:48 GMT



I really want a Wa-Wa pedal, but don't have the money.
Things are always cheaper if you build them yourself.
Does anyone happen to have schematics for any type of
Wa-Wa effect?  Does anyone have any schematics for
any effects boxes?

Thanks,

  stephen



--
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% deadhead@through.ugcs.caltech.edu   | |   /USA/91126/170-25/stephenthompson %
%     " I'll let you be in my dreams if I can be in yours. " -- Bob Dylan     %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Newsgroups: alt.guitar
From: jamesb@nevada.edu (James Bender)
Subject: Re: CHORDS!!
Organization: University of Nevada System Computing Services
Date: Sat, 11 Apr 1992 22:39:16 GMT


>
>i don't think sus has anything to do with the thirds.. example: Csus4
>is  X32011 . the thing is, a sus2 is kinda like a 9 only a 9 has
>a 7 in it too.. so a 9 without a 7 is a sus2... same for sus4, only
>with the 11?   the most common sus4 is raising the third a half step,
>and the most common sus2 is dropping the third a whole step.. i think
>the fact that you don't play the third is just accidental..
>
	"Sus" or suspended chords do have to do with thirds. When you play
a  sus4 or a sus2 chord your suspending the 4th or the 2nd from resolving  to
the 3rd or the 1st repectivly. That is why whene you play "normal" major
or minor chords with a band, you kinda blend in, but if you suspend the 4th or
the 2nd, it stands out.
	A second and a ninth are similar, but different. The ninth is a 
second an octave higher. That octave DOES make a diffirence. the ninth chord 
has a  seventh, beacuse you are esentilly "stacking note" in the melody. You
can remove the seventh, and it will change the sound slightly, but it will
still not be suspended, beacuse you, depending on how the chord in fingered,
will still have the third in the harmony. The same goes for the 
fourth/eleventh relationship.
	Hope I could help.

				Just another tab reading, 
				teenage(for a few more weeks anyway!),metalhead
				
From:     		jamesb@redrock.nevada.edu
-------------------------------------------------------------------------------
Don't flame me for my spelling, I'm not an english major.  :)
-------------------------------------------------------------------------------
"Waffles are nothing more than a vehicle for butter and syrup"
							-- Dr. Forrester


Newsgroups: alt.guitar
From: bkeating@jarthur.claremont.edu (Fool With A Plan)
Subject: Re: nuts
Keywords: nuts
Organization: Harvey Mudd College, Claremont, CA 91711
Date: Sun, 12 Apr 1992 20:24:23 GMT

Actually this isn't re: nuts,  but whoever posted all that garbage that
makes no sense to me,  all the random characters,  must be nuts.

-brett
From: koontz@iasdv1.iasd.honeywell.com (Sean C. Koontz)
Newsgroups: alt.guitar
Subject: CHORDS!!
Date: 7 Apr 92 19:32:59 GMT
Article-I.D.: src.1992Apr7.193259.21982
Reply-To: koontz@iasdv1.iasd.honeywell.com
Organization: Honeywell,Phoenix,AZ

Can somebody please explain what the "sus" means and how to interpret
it when seen in a chord designation?  For example, how do I play a 
Asus4?  Also, what does it mean to write A/C#?  Maybe somebody could
post a listing of all the chord syntax and how to interpret and map it
to a specific fingering.

Sean "koontz@iasdv1.iasd.honeywell.com"
From: davidp@pulua.uhcc.Hawaii.Edu (David Park)
Newsgroups: alt.guitar
Subject: Ultra harmonix big muff
Date: 9 Apr 92 19:56:37 GMT
Article-I.D.: news.1992Apr9.195637.771
Organization: University of Hawaii


 I'm looking to buy a ultra harmonix big muff..if any one has one to sell mail me davidp@pulua.hcc.hawaii.edu. Thanks. If any knows where i can get the schematics for it, mail me.... Thanks alot..
From: lee@Gwinnett.COM (Lee Reese)
Newsgroups: alt.guitar
Subject: distortion boxes?
Date: 9 Apr 92 23:44:16 GMT
Distribution: usa
Organization: Gwinnett Computer Services, Atlanta(Duluth), GA


I am in the market for a new distortion pedal.  I currently have a Rat
but I want a distortion box that doesn't cut off the lower frequencies 
as much.  The Rockman units (distortion generator or "sustainor") seem
to be nice.  Does anybody have any experience with them?  Is there any-
thing better?  BTW, I want to use this pedal with a Jackson Soloist with
a EMG 81.    

Thanks in advance,
Lee Reese
lee@gwinnett.com
From: frazo@sdcc13.ucsd.edu (I am the lizard king...)
Newsgroups: alt.guitar
Subject: Re: WANTED: Tab for ** TURN IT ON **
Date: 10 Apr 92 03:50:27 GMT
Organization: University of California, San Diego

In article <1992Apr9.163133.16450@acsu.buffalo.edu> v056rcrx@ubvmsd.cc.buffalo.edu (Chuck, the Fencing God) writes:
>First of all, what IS the gangster of boats trilogy?  (ie WHERE's MY THING?)

I don't think there is such a trilogy, since "Where's my thing" is
Part IV of the trilogy (see, that is not possible...). It might be a
inside joke in the band, Because In the tour program, I believe more
than once Neil referred to the album as "Row the Boats"...I don't
know, just a theory... 
Newsgroups: alt.guitar
From: bill@verdix.com (William Spencer)
Subject: Re: Acoustic Guitar Pedal survey -HELP ME PLEASE!
Organization: Verdix Corp.
Date: Fri, 10 Apr 1992 20:15:34 GMT

In article <1992Apr9.224555.4936@cco.caltech.edu> julius@cco.caltech.edu (julius yang) writes:
>Why simulate an acoustic when you can get the
>natural sound?  If the processor will cost $1500 to simulate a Martin, why
>not buy the Martin? 

I find acoustics, especially big body ones, really uncomfortable to play,
for one thing!

bill


Newsgroups: alt.guitar
From: gvbattle@elgreco.Princeton.EDU (Gregory V. Battle)
Subject: Re: Ernie Ball Music Man
Organization: Princeton University
Date: Mon, 13 Apr 1992 23:24:09 GMT

In article <92104.100644JMR118@psuvm.psu.edu> JMR118@psuvm.psu.edu writes:
> I was just wondering if any body out there has an opinion on EVH's new guitar
> I know someone posted an article similar to this but i didn't spot any
> replies. If you could, please send me e-mail on your opinion of this guitar
> Is it really worth $1700.

It plays really well.  The neck is kind of choked up, giving a really small
feel to the guitar.  The sound is really good also.  I just played the thing
last Saturday.  Around here, I can get it for about $1200.   Better find
a more reasonable music store, dude.

Greg BAttle
Organization: Penn State University
Date: Tuesday, 14 Apr 1992 20:25:30 EDT
From: <WKM101@psuvm.psu.edu>
Newsgroups: alt.guitar
Subject: more theory

dearpeopleofthealt.guitarworld,
    yesterdayanarticleaboutguitartheorywaspostedonmyaccount.
afriendofminepostedit. thispersonhastaughtmealmosteverything
iknowabouttheguitar. i'mnotexactlysurewhyhepostedthearticle
ontheory. helovesplayingpenatonicminorscalesandaugmented
scales. heisalwaysreadingonetheorybookoranother. heeither
wroteittoattackpeoplewhothinkonemustlivebytheoryorhediditto
seehowpeoplewouldrespond. he'snothererightnowbuthewould
fullyagreewiththepeoplethatsaiditshouldbeusedasatool. my
mainintentinwritingthiswastoaplogizeforangeringpeople.
theoryhasgottobeoneoftheemostimportanttools, butyou've
gottohavesoul. pleasedon'tthinkthatmyfriendormyselfis
lame. thanks.
                                 will
eating fireflies will only make you light-headed.
                                  James Thurber
Newsgroups: alt.guitar
From: bill@verdix.com (William Spencer)
Subject: Re: Where does the fretted (left) hand thumb go?
Organization: Verdix Corp.
Date: Thu, 9 Apr 1992 23:02:57 GMT

In article <mtm.702687926@CAMIS> mtm@camis.Stanford.EDU (Mike Macgirvin) writes:

>	The previously mentioned preferences are all valid. There is
>another option which I didn't see listed. That is to get your thumb
>out of the dang way altogether; i.e. hang it out in space. If you are

If you don't press on the back of the neck with exact same pressure as the
front the neck will bend and be out of tune and it *will* be audible.

>going for the land speed record in guitar playing, this is the only
>way to do it.

I guess.

bill
Newsgroups: alt.guitar
From: dcampbel@timshel.austin.ibm.com (David L. Campbell)
Subject: Re: My 15 year Mistake (learning to play)
Organization: IBM Austin, TX
	<1992Apr10.163248.9101@hemlock.cray.com>
Date: 13 Apr 92 17:03:12


In article <1992Apr10.163248.9101@hemlock.cray.com> dpm@cray.com (Donald P. Maghrak) writes:
>I have always thought that the 'lead' and 'rythmn' distinction on guitarists
>is silly.  Pete Townesend seemed to be always refered to as a 'rythmn'
>guitarist, yet he can play very tasteful and technically good 'single' note
>phrases (ok lead guitar parts).  Jimmy Page seems to have a reputation as
>a 'lead' guitarist, yet he plays very good 'rythmn parts'.  I have
>always been drawn to guitarists that can play both sides of the fence and
>inbetween.  Some of the best 'rythmn' parts I have heard, were played by
>guitarists that are acclaimed as lead guitarists.  The opposite is true also.

I agree -- I suspect that the terms lead and rhythm came from trying
to designate who the best guitarist was in the band. ;-)  You know,
kind of like 1st chair, 2nd chair, etc.  Bob is better than Moe, so
he'll take the solos and Moe should just stick to strummin' chords.
This, of course, is dead wrong.  I rather hear a good rhythm player
anyday -- single string wanking gets old.  Good funk and reggae players
know this; most rock players don't.  There are some excellent exceptions
however.  (I'm a rock player so don't get the idea that I'm casting
dispersions that way.)

>The guitar is a polyphonic instrument and should, IMHO be approached as such.
>It seems to me that 'lead' and 'rythmn' are at the extreme ends of guitar
>style: 

This is something that has always surprised me -- how the polyphony of
a guitar is largely unexploited (in rock anyway).  Its one of the few
instruments that is polyphonic and yet so many of its "virtuosos" are
known for their single string technique only.

David.
--
+----==== opinions expressed do not represent those of my employer ====----+
| David L. Campbell, IBM PSP Austin       | "After all, he was the walrus. |
| INET: dcampbel@ajones.austin.ibm.com    |    I could be the walrus too." |
| IBM TR: dcampbel@timshel.austin.ibm.com |               FBDO             |
Newsgroups: alt.guitar
From: china@milton.u.washington.edu ()
Subject: Re: need an instructor
Organization: University of Washington, Seattle
Date: Fri, 10 Apr 1992 17:28:19 GMT

Rich Miani say:

 Can anybody recommend a guitar teacher here in li'l old Hoboken ? There is
 not a single music shop ( at least that I'm aware of ) in this town...
 
I say:

 Try your EAR!  Playing's more fun than learning. ;/

Rich Miani say:

 Thanks in advance,

I say:

 no sweat.  :)


Pablo.

Newsgroups: alt.guitar
From: ferg@brahms.udel.edu (Christopher Ferguson)
Newsgroups: alt.guitar
Subject: 4-track question #2
Date: 10 Apr 92 13:23:23 GMT
Organization: University of Delaware


Thanks to all those who responded to my initial question concerning 
four track recorders. I have decided to go for the tascam 424 not only
because the response was overwhelmingly in it's favor, but I actually found
someone who had one and checked it out. Now that that's done, one more
question...what is a good price on one of these things. I'd rather not have
to travel too far, so it doesn't have to be a rock bottom price, just a good 
one.  The local music store (well, the only decent one) sells it for $475.
Venneman's Music Emporium (not local) sells a package including the machine,
two mics, headphones for $525, but given the quality of the mics and the 
headphones they include, that's really about the same price. 


ferg
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
Newsgroups: alt.guitar
Subject: CHORDS: Live & Let Die
Date: 7 Apr 92 03:37:56 GMT
Article-I.D.: darkstar.32238


Andrew F. Null wanted some music to "Live and Let Die"... I was in the
library today and stumbled across it.  Sorry I didn't write down all the
words.

Key of G
4/4 time

G      Bm     | C      D7 D7-9 | G     Bm     | C     C/D Cm/D |
When you were young...          You used to say live & let live...

G      Bm     | C      A       | D            | Bb             |
But if this ever-changing...    give it a cry....    

G7     C/G    | Gdim   G7      | G7    C/G    | (3/8 time) C/G |
..die! Live & let die! Live & let die! Live & let die!

(4/4) Gm      | Gm             | Gm           | Gm             |
(Fast instrumental part)

C9            | G7             | D7           | Em       F     | F    |
What does it matter to ya....          ...gotta give.....hell!

Gm            | Gm             | Gm           | Gm             |
(Fast instrumental again)

You get the idea...

The notes for the instrumental are:
G A Bb, D E F, C Bb G
G A Bb, D E F C Bb
You can figure out the tab yourself; I was going to say 0,2,3 on the 3rd
string, but I know you electric players like playing way up on the 
75th fret...

==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider     indigo@ucscb.ucsc.edu     U.C. Santa Cruz     (408) 457-2172
             "Your actions will follow you full circle 'round..."
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Newsgroups: alt.guitar
From: larryh@cabezon.uucp (Larry Huntley)
Subject: Re: Inversions ...
Organization: Logic Modeling Corporation / Beaverton OR & Milpitas CA
Date: Thu, 9 Apr 92 23:02:21 GMT

In article <9APR199210580782@rosie.uh.edu> st1hz@rosie.uh.edu (Meyers, David C.) writes:
>In a previous post A/C# is called "A w/ the first inversion". Why is it the
>1st inversion and say not the 3rd since C# is the 3rd degree of the tonic A?
>Is it because the inversion of the tonic does not make sense, the inversion
>of the minor second as well as the minor 3rd is dissonant, and the inversion
>of the 2nd degree is a different chord alltogether, and therefore the C#
>inversion gets to be the first?  

	I didn't follow this completely, but I can explain chord inversions.
	(For simplicity, let's use the A-major triad [chord].)

	Root position:  1 - 3 - 5      A - C# - E
	First inversion:    3 - 5 - 1      C# - E - A
	Second inversion:       5 - 1 - 3       E - A - C#

	So, the chords are built using the same tones, but using different
	voicing.  The 1st inversion is built on the 3rd, the second
	inversion is built on the 5th.

	A/C# is "A major, 1st inversion" because it is built on C#, the
	third tone of the scale.

	On the guitar, this would be C# - E - A - C# - E; one example of
	this usage is the third chord in "Back In Black."
-- 

    Larry Huntley / Logic Modeling Corporation / Beaverton  OR
    Fire and Chains and/Fire and Chains and/Fire and Chains and...
                      [Stop Continental Drift!]
Newsgroups: alt.guitar
From: goodrich@lynx.larc.nasa.gov (Mike Goodrich)
Subject: Re: CHORDS!!
Organization: NASA Langley Research Center, Hampton, VA  USA
Date: Wed, 8 Apr 1992 17:13:57 GMT

In article <1992Apr8.112522.23740@spider.co.uk>, keitha@spider.co.uk (Keith Aitken) writes:
|> In article <32288@darkstar.ucsc.edu> indigo@ucscb.UCSC.EDU (Adam Schneider) writes:
|> >   About those "/"'s in chords: that's easy.  "A/C#" means an A chord with
|> >a C# bass note.  In playing the chords on the guitar, those bass notes often
|> >don't make a whole lot of difference unless the bass is a note that doesn't
|> >normally go with that chord, such as "A/G#" or "A/B".  These goofy bass notes
|> >can also be important in playing parts with running bass lines, such as:
|> >G | G/F# | Em .
|> 
|> How about the following chord?
|> 
|>     E 3
|>     B 3
|>     G 0
|>     D 2
|>     A 2
|>     E 0
|> 
|> I would've called it E/G, but from the above, I guess that's wrong.
|> 
|> (Example of usage - Neil Young's "Heart of Gold")



Well, of course, this chord can be played by strumming all strings
unfretted, and is conventionally known as an Em11,
"E minor 11th". EGB is the E minor triad, D the b7 and A the 4th.
BTW 11th also would imply optional inclusion of the b7 and/or 9. Of course
you must understand that classical music theory ( triads and diatonic
scales ) was empirically derived and by convention we don't say 
"E minor sus", but Em11 instead.


...mike
Newsgroups: alt.guitar
From: fscll@acad3.alaska.edu (Chris Lott)
Subject: Yngie's scalloped Strat
Organization: University of Alaska Fairbanks
Date: Tue, 14 Apr 1992 03:26:21 GMT

In article <22959@goofy.Apple.COM>, ksand@apple.com (Kent Sandvik) writes:
> In article <1992Apr10.110717.1@acad3.alaska.edu>, fscll@acad3.alaska.edu (Chris
> Lott) writes:
>>> Oh yeah, I play blues and rock, some heavier metal and sometimes fool with
>> jazz/fusion. I really want a fast fingerboard with a low action, something to
>> compensate for my lack of finger speed (Malmsteen I ain't)
> 
> Malmsteen cheats by having scallops on his fretboard...
> 
> Cheers,
> Kent

I don't think that's cheating because scalloping doesn'tr make the fret-board
any faster, does it? I tried out the Yngie Strat and only foud that I couldn't
keep the damn thing in tune while I played because I would press too hard on
the strings with my fretting hand.... if I had a good enough ear and a
lighter tough (which I should develop) I could see the usefulness of the
scalloped fretboard....

But not now!
-- 
 __________________________________________________________
|  Christopher L. Lott  --- Poet and Pauper                |
|__________________________________________________________|___
|  fscll@alaska                | "And now what shall become of |
|  fscll@acad3.alaska.edu      |  us without any barbarians?   |
 ------------------------------|  Those people were a kind of  |
                               |          solution."           |
                                -------------------------------
From: ksand@apple.com (Kent Sandvik)
Newsgroups: alt.guitar
Subject: Re: Steve Vai and guitar questions.
Date: 9 Apr 92 06:14:32 GMT
Organization: MacDTS Mongols

In article <1992Mar31.142413.1@acad3.alaska.edu>, fsmlw1@acad3.alaska.edu
writes:
> 
> Don't want to offend anyone but Steve Vai is the master all others take
lessons
> from. He is the best guitar player of this decade and possibly ever. So Eddie
> VanHalen... Bite me... Anyway I have several questions... I know most of the
> people who subscribe to this newsgroup know what they are talking about so her
> goes...
> I am in the market for a guitar... I am limited in fundage but am looking to
> spend around 1200 dollars or less... Can someone reccomend the best guitar for
> that price range... I am looking at the six string version of the Ibanez that
> Steve Vai plays, since seven is probably way beyond my abilities... I have
just
> started to look so if anyone can give me any advice I would appreciate it very
> much...

Check out most of the better brands, even if I do like Ibanez 760:ies
it does not mean that I need to play the same guitar as Steve Vai. Some people
feel that Ibanez 760:ies are a little bit too heavy and it takes some time
to get used to the fretboard. I think a nice small Strat would be nice
as a second guitar, actually.

I wouldn't buy any of the Vai models, they tend to be too much customized,
and usually each guitar player has their own ideas about pickups and other
customizable items.

Cheers,
Kent
Newsgroups: alt.guitar
From: drake@dragon.cpe.ulowell.edu (Frank Drake)
Subject: Re: CANDY AND THE BITCH
Organization: University of Massachusetts Lowell
Date: Wed, 8 Apr 1992 23:05:50 GMT

In article <1992Apr6.135224.1@vax.sonoma.edu> greenspa@vax.sonoma.edu writes:

>   well, i know that bb king named his guitar Lucille and i've heard 
>   that Billy Sheehan named his bass "the Wife". I've named my brite,
>   brite red strat "candy" (miss applered to you!) and my fender p-bass
>   "the bitch". I was wondering if anyone else out there in net.land
>   named their instruments. (ps this is just a desperate attempt to
>   start a new thread!!!) 
>			   guitarfully yours, 
>			   thrashmaster rustafari

I haven't named my guitars, but I have DEFINATELY noted their personalities.
I have a late `70s Les Paul, a late `60s ES-175D, and an `80s Charvel Jackson.
My Les Paul is the most faithful - always there, always ready to play, and
always fantastic. My 175 is bitchy, tempermental, and ornery, but when she
is in a good mood, you can't beat the sweet, clean sound. And my youngest -
the Jackson - is fast and wild, but lacks the maturity and developed
personality of the other two.

Well, if they thought you were crazy for naming them, imaging what they
think about me classifying their personalities!

Frank
"Never sell your guitar your your pen!"
--
Frank Drake                 "Jesus saves - and Esposito scores on the rebound!"
University of Massachusetts Lowell
Center for Productivity Enhancement                               (508)934-2630
Lowell, Massachusetts 01854                        drake@dragon.cpe.ulowell.edu
Newsgroups: alt.guitar
From: ereidell@media.mit.edu (Evan A. Reidell)
Subject: Questions: Tubelike distortion, Wa Wa / Env. Filters, Compr/Limiters
Organization: MIT Media Laboratory
Distribution: usa
Date: Wed, 8 Apr 1992 16:25:43 GMT

I suppose tube amps are the best way to get sweet tubelike distortion,
but are any pedals excitingly close?

Besides Crybaby WahWah, Boss AutoWah, and the DOD Envelope Filter, what do
people find to be good effects for the wahwahwah kind of thing?

And can someone please tell me:  
  What exactly does a compressor-limiter do?

And where can I learn the answer to these and other such questions...
do people know of a recent Guitar Player magazine or something that has
an "Intro to effects" article?

Many thanks...

Evan A. Reidell (ereidell@media-lab.media.mit.edu)

P.S. Does anyone know what chain / combination of effects Prince uses to
get his howling, screeching solos?  Anyone familiar with Prince guitar
music and how he makes it sound that way using 6 strings, email me directly?
From: lewocz@cs.Buffalo.EDU (John S. Lewocz)
Newsgroups: alt.guitar
Subject: Re: distortion boxes?
Date: 10 Apr 92 04:59:12 GMT
Distribution: usa
Organization: State University of New York at Buffalo/Comp Sci
Originator: lewocz@zanian.cs.buffalo.edu


In article <GRIGSBY.92Apr10004442@occs.cs.oberlin.edu>, grigsby@occs.cs.oberlin.edu (Spiral Death Trap) writes:
> 
> In article <1992Apr9.234416.12017@Gwinnett.COM> lee@Gwinnett.COM (Lee Reese) writes:
> 
>    I am in the market for a new distortion pedal.  I currently have a Rat
>    but I want a distortion box that doesn't cut off the lower frequencies 
>    as much.  The Rockman units (distortion generator or "sustainor") seem
>    to be nice.  Does anybody have any experience with them?  Is there any-
>    thing better?  BTW, I want to use this pedal with a Jackson Soloist with
>    a EMG 81.    
> 
> Rockmans (rockmen?) are way expensive and only give you about five different

How expensive are they?

--John
-- 

--John S. Lewocz                          "It's better to spend money like
lewocz@cs.Buffalo.EDU                      there's no tomorrow than it is
lewocz%cs.Buffalo.EDU@ubvm.BITNET          to spend tonight like there's no
From: easteee@wkuvx1.bitnet
Newsgroups: alt.guitar
Subject: Screamin' Demon ?
Date: 14 Apr 92 12:13:11 CDT
Organization: Western Kentucky University, Bowling Green, KY

Does anyone have George Lynch's "Screamin' Demon" pickup (Seymour Duncan)?
How does it behave?  What does it sound like?  Is it worth the price?

-Treewire
From: liebman@xrxedds.UUCP (Chris Liebman)
Newsgroups: alt.guitar
Subject: Re: How do I date a Fender Twin?
Date: 10 Apr 92 13:46:31 GMT
Organization: EDDS, Xerox Corporation, Herndon Va.
In-reply-to: liebman@xrxedds.UUCP's message of 10 Apr 92 13:44:59 GMT


Please,
   No responces on how that article sgould have been posted to
alt.sex.inanimate.objects! :^)

				-- Chris
--
Chris Liebman
Work:
    UUCP:		...!uunet!xrxedds!liebman
    ARPA:		liebman@xrxedds.com
    ATT:		1-(703)-787-2032
    XNS:		liebman:Herndon:xerox
    INTELNET:		8*440-2032
Home:
    UUCP:		...!uunet!xrxedds!zod!liebman
				\!bopper!zod!liebman
    ARPA:		liebman@zod.isnet.com
Newsgroups: alt.guitar