HDTenEightyP/NetNews huggingface dataset:
From: bihaenra@sus.edu.eur.nl (Bas Haenraets The Warhammer Rolemaster!)
Subject: Bruce Rothwell (2)
Organization: EUR
Date: Fri, 18 Dec 1992 10:51:00 GMT

Hi again Bruce,

I've been doing some checking on this Roland TR-707 drumcomputer,
and I found out it is a fairly overaged drumcomputer with only
12 sounds (12 sounds?! Is that all?).

So I think I'll refrain from this offer, and just buy one overhere.

I would like, though, to hear your comment on Yamaha drumcomputers.
In a local shop here in Rotterdam, there's a pretty ok drumcomputer on
sale for only (roughly) $300. It sounds great and is fully MIDI.
Do you have any experiences with Yamaha? If so, please let me know.

Thanks again for all the effort you put into finding me a drumcomputer.

Best of luck, Merry Christmas and a Happy Newyear!

Bye,

Bas.



Newsgroups: rec.music.synth
From: tsines@magnus.acs.ohio-state.edu (Todd J Sines)
Subject: MIDI to cv/gate again. blah.
Organization: The Ohio State University
Date: Sat, 19 Dec 1992 11:35:28 GMT

does anybody really know how to do this successfully without paying $250-400 
for a rackmounted or stand alone chip board from PAIA, JL cooper, or roland?

i want this:

a midi in port

multiple cv/gate outputs (each pair of CV/gate outputs being a seperate MIDI
channel)

at LEAST two if not more SYNC outputs (compatable with the tb303, tr606, and
tr808)

and a power supply to execute all of this.

roland, as far as i can see, does not make such a dual-tasking box. maybe just 
the SYNC, maybe just cv/gate, but not both.

or, can i get a cv/gate to sync converter?  that way i wouldn;t be such a 
greedy asshole and want the best of both (who doesn;t?) worlds.



any new comments are welcome. i know that the PAIA this is a rackmounted thing 
that basically takes care of MIDI to cv/gate but no sync. please, if a cv/gate 
to sync convertor exists, or if you have schematics for such a device (is this 
in particular really that difficult?)

fire away !!!



sines
-- 
----------------------------------------------enhanced--body-release-----------
----------------------------------------------todd sines--614.299.9529---------
---+------------------------------------------tsines@magnus.acs.ohio-state.edu
----------------------------------------------384 e17th ave columbus oh 43201--
Newsgroups: rec.music.synth,rec.music.makers.synth
From: jon@chopin.udel.edu (Jon Deutsch)
Subject: M1/T3 compilation tape
Organization: University of Delaware - What state is that in?
Date: Mon, 14 Dec 1992 17:40:13 GMT

OK -- I'll try it again...

In light of the success of the VFX compilation tape, I would like
to organize an M1/T-series compilation tape.  
Let's show all the netters what we can do with one slab of technology.

Formats:  cassette tape (via USMAIL)
	  SysEX format  (via e-mail, uuencoded)

mail me if you're interested, or have any questions.


       X-------------------+--------------+-----------------------X
       |  |   |\       |>jon@chopin.udel.edu<|  "For my 2 cents,  |
       | \|on |/eutsch |>>-----------------<<|  I'd pay a dollar" |
       X------+--------------------+--------------------+---------X
Newsgroups: rec.music.synth
From: hardin@dino.mcc.com (John Hardin)
Subject: Ensoniq SQ-1 or Roland U-20 -- which do YOU like?
Organization: MCC ISD, Austin, Texas
Distribution: rec
Date: Mon, 14 Dec 1992 15:44:10 GMT

I bought a clean, used SQ-1 (*not* a Plus) and apparently got a good
deal on it -- the owner at my local keyboard store is willing to trade
me a clean, used Roland U-20 for it straight-up.  I know the U-20 does
not have a sequencer, but in the little bit I dinked with it, I came
away with the impression that its sounds were MUCH better (higher
quality, more realistic) -- ESPECIALLY the piano!  (I already have a
Macintosh, so the sequencer is not irreplaceable.)  I can upgrade the
SQ-1 to the SQ-1:32 for $499 (plus shipping and handling) which'll buy
me an additional 2M of sounds (an entire 1M of which are, according
Ensoniq, piano samples) not to mention expanded polyphony and
sequencer memory (I *think*).

What does YOUR experience tell you?  Which keyboard do YOU like?

Thanks in advance for any and all advice.

-jwh
--
John W. Hardin		    phone:  (512)338-3535
MCC			    email:  hardin@mcc.com
3500 W. Balcones Center Dr  fax:    (512)338-3897
Austin, TX  78759-6509	    uucp:   ...!cs.utexas.edu!milano!hardin

Xref: sparky rec.music.synth:19572 comp.music:5750
From: five@sys6626.bison.mb.ca (A.R.F.)
Newsgroups: rec.music.synth,comp.music
Subject: Re: mirage disks
Keywords: format system disks
Date: 20 Dec 92 21:24:23 GMT
Organization: System 6626 BBS, Winnipeg Manitoba Canada

smill@eskimo.com (Steven Miller) writes:

> 
> Does anyone know if it is possible to format bland DS/DD disks
> on a Mirage?  I was looking through a manual the other day,
> considering buting one real chaep, but the manual only refers
> to Ensoniq Formatted Disks, available from your dealer (yech...).
> So what gives?  Do you really have to but pre-formatted disks for this
> thing?  I find that really hard to believe...
> Respond by email or posting, as you feel appropriate
> Thanks in advance.
> -- 
> Steven M. Miller       		"The history of music evolution is
> smill@eskimo.celestial.com          not the history of nice guys"
>                          		-- Anthony Braxton
> Electronic Music Coordinator - Cornish College of the Arts, Seattle WA
 
With later versions of the Mirage's operating system, you can boot the 
machine with a samples disk (These disks have a bit of boot code on 
them), and come up ready to format.  That's IF I remember correctly.  
It's been about 8 months.  Longer than that since I formatted.
 
Five
From: klon@cs.tu-berlin.de (Florian Richter)
Newsgroups: rec.music.synth
Subject: OPCODE's mail address ?
Date: 15 Dec 1992 13:04:32 GMT
Organization: Technical University of Berlin, Germany
Distribution: world
NNTP-Posting-Host: manana.cs.tu-berlin.de

Hi,

can someone help me with a mail address for OPCODE?

Many thanks in advance!


Florian

-- 
--------------------------------------------------------------------
|                        Florian Richter                           |
| UUCP:klon@opal.cs.tu-berlin.de  ..!{unido,pyramid}!tub!opal!klon |
| BITNET: klon%tubopal@DB0TUI11.BITNET                             |
--------------------------------------------------------------------
Newsgroups: rec.music.synth
From: naherzin@rodan.acs.syr.edu (Neil A. Herzinger)
Subject: Ensoniq DP/4 Prices Wanted
Organization: Syracuse University, Syracuse, NY
Date: Tue, 15 Dec 92 21:41:36 EST

I'm looking for good prices/deals on the Ensoniq DP/4 fx unit.  If anyone has
bought or researched one of these, can you tell me what stores/mail order
places have the best price?  Please Email me direct.  Thanks in advance.

neil.herzinger...graduate...art.media.studies...computer.graphics...syracuse.u.
....................................grae.com...................................
From: jason@cs.utexas.edu (Jason Martin Levitt)
Newsgroups: rec.music.synth
Subject: Recommendations for small portable amp/speaker for synth use
Date: 21 Dec 92 00:33:42 GMT
Organization: CS Dept, University of Texas at Austin
NNTP-Posting-Host: im4u.cs.utexas.edu


   I need a small amp/speaker rig to use when practicing with a
band. Basically, I just want something like a guitar player might
bring to practice -- an amp/speaker combo that I can plug my WX11
wind controller and some synth modules into and perhaps a Roland
keyboard. I want good clear sound for highs and lows. Anybody have
any suggestions? I'd like to be able to carry the thing with one
arm......

     ---jason  jason@cs.utexas.edu
Newsgroups: rec.music.synth,rec.music.makers.synth
From: archer@elysium.esd.sgi.com (Archer Sully)
Subject: Re: Oberheim Matrix 1000 questions
Organization:  Silicon Graphics, Inc.  Mountain View, CA
Date: Thu, 17 Dec 92 21:59:20 GMT

In <1992Dec17.193425.11965@nntpd.lkg.dec.com> eh@ranger.enet.dec.com (Eirikur Hallgrimsson) writes:

*In article <tnhunuk@zuni.esd.sgi.com> Archer Sully,
*archer@elysium.esd.sgi.com writes:
*>Get a Macintosh (a used plus or SE should do fine for this), and use Max
*>to map the PG-800 (or whatever you have) to controllers that your Matrix 
*>patches will understand.  The Oberheim boxes understand lots of
*controllers.
*
*No.  Not in my experience.  The Matrix-1000, and presumably the 6R, has a
*very primative controller implementation.  You have to assign a
*controller to one of four logical pedals, and in EACH PATCH use the
*logical pedals to modulate parameters.
*This is very annoying and limits you to four controllers, including
*things that one would want to be global, like Portamento on/off/rate.
*

Well, you can also edit parameters with small sysex messages, which is why
you want to use Max to do the job.  As long as the changes aren't coming in
at much more than 10/sec. it should work fine.

-- archer

Newsgroups: rec.music.synth,comp.music
From: malouin@engin.umich.edu (Curt Malouin)
Subject: Re: mirage disks
Date: Sat, 19 Dec 92 23:44:49 EST
Organization: University of Michigan Engineering, Ann Arbor
Keywords: format system disks

In article <1992Dec19.101414.9848@eskimo.com> smill@eskimo.com (Steven Miller) writes:
>Does anyone know if it is possible to format bland DS/DD disks
>on a Mirage?  I was looking through a manual the other day,
>considering buting one real chaep, but the manual only refers
>to Ensoniq Formatted Disks, available from your dealer (yech...).
>So what gives?  Do you really have to but pre-formatted disks for this
>thing?  I find that really hard to believe...
>-- 
>Steven M. Miller       		"The history of music evolution is

My partner and I bought a Mirage a while back, and the manual
says that there is a "formatting disk" which you use to format
blank disks for use with the Mirage.  Unfortunately, ours didn't
come with a formatting disk.  I assume Ensoniq could provide us
with one, but we haven't called yet.  This seems like a poor way
to handle such a basic task, though, so I wonder if there is
some way to format disks from the MASOS system disk.  Anyone know?

Great sampler, BTW.

	-curt

--
Curt Malouin                                Hotline Counselor, Printer Support
engin.umich.edu                     Computer Aided Engineering Network
Newsgroups: rec.music.synth,comp.music
From: smill@eskimo.com (Steven Miller)
Subject: mirage disks
Keywords: format system disks
Organization: -> ESKIMO NORTH (206) For-Ever <-
Date: Sat, 19 Dec 1992 10:14:14 GMT


Does anyone know if it is possible to format bland DS/DD disks
on a Mirage?  I was looking through a manual the other day,
considering buting one real chaep, but the manual only refers
to Ensoniq Formatted Disks, available from your dealer (yech...).
So what gives?  Do you really have to but pre-formatted disks for this
thing?  I find that really hard to believe...
Respond by email or posting, as you feel appropriate
Thanks in advance.
-- 
Steven M. Miller       		"The history of music evolution is
smill@eskimo.celestial.com          not the history of nice guys"
                         		-- Anthony Braxton
Electronic Music Coordinator - Cornish College of the Arts, Seattle WA
From: trog@midiline.la.ca.us (Ralph Stempel)
Newsgroups: rec.music.synth
Subject: Re: Exciters, Enhancers, and Maximizers - Oh My!
Date: Thu, 17 Dec 92 04:21:37 PST
Organization: MIDILine BBS - Altadena, CA - (818) 797-3285

glennd@pioneer.arc.nasa.gov (Glenn Deardorff GDP) writes:

> Lets say my interest is in enhancing, er... maximizing Clarity and
> Definition of my mix (I'm not looking for Brilliance, per se).  I
> know about the tricks of trying to achieve same by providing individual
> reverb/effects and/or frequency ranges to the tracks.  What I want to know is
> which of the BBE line (or equivalent) of "aural improvers" would be best
> for strictly maximizing clarity of the mix. Comments welcome.
> 
> - Glenn 

   What you most likely want is a BBE 422A. The 422A is a stereo box that 
deals with unbalanced input/output. 
   These things sound very good on a wide variety of program material. 
Almost everything I run through one sounds better than the original 
sound.
   You can buy them new for roughly $200.


-----
trog@midiline.la.ca.us (Ralph Stempel) 
MIDILine BBS (midiline.la.ca.us) - Altadena CA - (818)797-3285
Newsgroups: rec.music.synth
From: bernd@comp.vuw.ac.nz (Bernd Gill)
Subject: Proteus Patch Editor/Librarian available via FTP
Organization: Dept. of Comp. Sci., Victoria Uni. of Wellington, New Zealand.
Date: Thu, 17 Dec 1992 19:09:04 GMT


Some time ago I developed a Patch Editor/Librarian
for the E-mu Proteus. It currently supports the Proteus/1, 
Proteus/2 and XR's.

The program runs on any Macintosh SE or higher with System 6.0 or later.

The main features are:
  - Easy programming of all patch parameters
  - Step by step modification of patches and instant replay
  - Easy customisation of sound banks
  - Supports on-screen keyboard or external MIDI controller keyboard
  - Patches and banks can be saved to disk in several formats for 
    subsequent loading into sequencers. Formats are: standard MIDI,
    hexadecimal, decimal and binary.
  - Bank mapping
  - Can be configured to recognise add-on boards like the
    InVision Protologic
  - Works with and without Apple's MidiManager
    (MidiManager is recommended, though)
  - System 7 compatible
  - Balloon help under System 7

For those interested, a demo version is available via anonymous ftp
from ftphost.comp.vuw.ac.nz (130.195.5.12) in
        pub/packages/ProteusDemo1.0.1.sit.hqx

A version that works properly under the MPS is under development.

A full version is available for US$ 39.00.
-- 
Bernd Gill				Dept. of Computer Science
					Victoria University of Wellington
Email: Bernd.Gill@comp.vuw.ac.nz	Wellington, NEW ZEALAND
Phone: +64-4-495-5053, Fax: +64-4-495-5232
Xref: sparky rec.music.synth:19520 rec.music.makers.synth:804
From: eh@ranger.enet.dec.com (Eirikur Hallgrimsson)
Newsgroups: rec.music.synth,rec.music.makers.synth
Subject: Re: Oberheim Matrix 1000 questions
Date: 17 Dec 92 19:34:25 GMT
Organization: Digital Equipment Corporation
X-Xxmessage-Id: <A7564137F401C0D8@rahab.ljo.dec.com>
X-Xxdate: Thu, 17 Dec 92 14:37:43 GMT
X-Useragent: Nuntius v1.1.1d11

In article <tnhunuk@zuni.esd.sgi.com> Archer Sully,
archer@elysium.esd.sgi.com writes:
>Get a Macintosh (a used plus or SE should do fine for this), and use Max
>to map the PG-800 (or whatever you have) to controllers that your Matrix 
>patches will understand.  The Oberheim boxes understand lots of
controllers.

No.  Not in my experience.  The Matrix-1000, and presumably the 6R, has a
very primative controller implementation.  You have to assign a
controller to one of four logical pedals, and in EACH PATCH use the
logical pedals to modulate parameters.
This is very annoying and limits you to four controllers, including
things that one would want to be global, like Portamento on/off/rate.

Eirikur
Newsgroups: rec.music.synth
From: mgunders@magnus.acs.ohio-state.edu (Mark T Gunderson)
Subject: Opinions: Get a new R8, a used Otari 50/50, or something else?
Organization: The Ohio State University
Date: Wed, 16 Dec 1992 22:07:10 GMT

    Greetings! Well, it's that time of year, time to buy presents...
for MYSELF. Hah. So, I'm looking to graduate from my aging Porta-Two
to an 8-track, so I'll need a mixer with that, and I want a DAT to
master to. I've called a number of places and gotten a few offers and
suggestions, and now I'm faced with the anxiety of picking one. Which
one should Mark spend mound o' money on?

    (Keep in mind that I'm trying to budget about $3,000 for the
equipment I listed above, so options are limited...)

	A) A new Fostex R8, with an 8 x 8 mixer (I'm solo; don't need
	   many inputs), with a Casio DAR-100 thrown in for good measure.
	   Goldman's is willing to gimme this for $3K even.

	B) A used Otari 50/50 from Rogue for $1,595-ish. Haven't asked
	   how much for the mixer and DAT, but I suspect it would be
	   pretty close to $3K.

	C) Rogue also has some used Tascams -- a 388 and a 688 -- for
	   $1,395 and $1,995 respectively. The 688 sounds interesting
	   but I don't know anything about it. They also say they have
	   a 48 for $1,750 (no mixer), which is apparently a 1/2", so
	   that's kind of attractive.

	D) Go to Chicago, play many, many, many hours of BattleTech.

	E) Make a very large purchase of gum. Grape flavoured.

	F) Something else I'm missing.

    Stores are always threatening me with eternal karma damage for buying
a used multitrack, always offering their killer sales phrase, "When was
the last time YOU cleaned your 4-track heads?" The loaded question has no
right answer, of course.

    So... OPINIONS?
	Is used really as much of a risk as they make it out to be?
	Is an R8 a decent machine?
	Is deal A a good deal?
	Any recommendations of other places to try?
	Should I consider another flavour besides grape? Maybe cherry?

    Thanks bundles,

- Mark G.
Newsgroups: rec.music.synth
From: lains@world.std.com (Layne L Ainsworth)
Subject: Re: Good keyboard controllers
Organization: The World
Date: Fri, 11 Dec 1992 19:36:47 GMT


Along these lines: Does anyone have any experience with FATAR
Studio 90, Studio 90Plus and Studio 2001 controllers? I'm looking
for comparisons to other controllers (like the KX88 and Roland mentioned 
original post of this thread.

Thanks
-Layne

-- 
  Layne Ainsworth | lains@world.std.com <or> ...!{xylogics,uunet}!world!lains
	  The truth can't hurt you; it's just like the dark.
From: KOH@mindlink.bc.ca (Kenneth O'Heskin)
Newsgroups: rec.music.synth
Subject: Midi File Format
Date: 19 Dec 92 19:42:05 GMT
Organization: MIND LINK! - British Columbia, Canada


>A good book on the subject is the "MIDI Programmer's Handbook"
>by Steve DeFuria and Joe Scacciaferro, published by M&T books.
>It has a pretty thourough breakdown of the Standard MIDI file
>format as well as lots of programming help.


        Thanks to everyone on alt.emusic and rec.music.synth who
        responed to my inquiry re: the MIDI file format. As requests
        for reply forwarding are still coming in, I'll post a brief
        summary of the many good suggestions offered:

        ** In addition to the above, another recommended title
              _Music Through MIDI_   by Michael Boom
              1987 Microsoft Press

        ** The official Standard document can be ordered from the
           IMA. Although I intend to get it, I havn't yet checked if
           this address and number are current:
              The International MIDI Association,
              5316 W. 57th. St.,
              Los Angeles, California, 90056.
              (213) 649-6434.

        ** anonymous ftp directory of ucsd.edu. suggested as a site
           with good online MIDI info

        ** The [midi] archive is available with ftp from ftp.cs.ruu.nl
           directory MIDI. Also by a mail-server - send mail to
           mail-server@cs.ruu.nl with the following contents:
            BEGIN
            PATH <a valid mail address to you>
            HELP
            send MIDI/INDEX
            END
            Note: specify a correct address
            (e.g. user@host.univ.edu or user@host.BITNET)

          Vrs 1.0 of the MFF spec is available there along with lots
          of other material of interest to MIDI programmers. If you
          need it, send mail to piet@cs.ruu.nl (Piet van Oostrum) and
          request a more complete description of access to the archive.



--

        .  kenneth o'heskin              .  art of programming bbs
               . . . .                   .  (604) 826-9663 24/hr 2400 8n1
        .  koh@mindlink.bc.ca            .  grafix.midi.800+ forth files.
From: mir@chorus.chorus.fr (Adam Mirowski)
Newsgroups: rec.music.synth
Subject: Re: Programming Roland's GS Sound Card
Date: 16 Dec 92 13:27:42 GMT
Organization: Chorus systemes, St Quentin en Yvelines, France
X-Newsreader: Tin 1.1 PL4

pauls@trsvax.tandy.com writes:
: 
: 1) The MIDI commands are simultaneously routed to internal synth and MIDI
: jacks. I dont know offhand if you can turn internal synth on/off via
: commands.

Can you also use the MIDI-in to send commands to the
card? Can it dump sysex data to MIDI-out?

As for turning the synth off, the Sound Canvas has
a sysex command to change the receiving channel of
a part or turn it to none. I use it pretty frequently
with games supporting the MT-32, because I have both
devices on the same MIDI input and audio output and
I prefer not to hear SC's "emulation" of MT-32
together with the true MT-32.
-- 
Adam Mirowski,  mir@chorus.fr (FRANCE),  tel. +33 (1) 30-64-82-00 or 74
Chorus systemes, 6, av.Gustave Eiffel, 78182 Saint-Quentin-en-Yvelines CEDEX
From: wilkins@soliton.physics.arizona.edu (Mark Wilkins)
Newsgroups: rec.music.synth
Subject: FOR SALE:  Anyone want an Alesis SR-16?
Date: 9 Dec 92 12:19:45 GMT
Organization: University of Arizona, Tucson AZ



  FOR SALE!

  Alesis SR-16 drum machine

  12 touch-sensitive programmable pads, 200+ sampled drum sounds with and
without effects.  No sound editing facilities, but the sounds it has are
beautiful.  Strong programming facilities for stand-alone use.

  In excellent condition.

  $300 o.b.o. (Please make me an offer!)

Mark R. Wilkins
wilkins@soliton.physics.arizona.edu
(602)745-0767
From: five@sys6626.bison.mb.ca (A.R.F.)
Newsgroups: rec.music.synth
Subject: Re: ***  ATARI TT030 multitasking ***
Date: Sat, 12 Dec 92 14:49:42 CST
Organization: System 6626 BBS, Winnipeg Manitoba Canada

bmdjul01@ulkyvx.louisville.edu writes:

> Does anyone use ATARI TT030 or FALCON 030 for musical purposes. How about
> the multi-tasking???
> 
> I'm considering to buy one of those.
> 
> Any comments/advices appreciated.
> 
> 
> MLADEN 
 
Wait for the Falcon to come out, and then get it.  Price wise, it's going 
to be one of the cheapest multi-tasking computers you'll find.
 
Five

Newsgroups: rec.music.synth
From: idealord@dorsai.com (Jeff Harrington)
Subject: Alesis MMT8 8 Track MIDI Sequencer Specs?
Organization: The Dorsai Embassy, New York's Computer Consulate. +1.718.729.5018
Date: Fri, 18 Dec 1992 17:52:54 GMT

Hi, I just bought a used Alesis MMT8 MIDI Sequencer and was wondering 
about the specs.  (I didn't get any docs).  How many notes per 
part/song/track?  Can it really hold 99 complete songs?  How much ram 
does it have?  What is its MIDI resolution?  
 
I didn't really need it but the price was great and I could use a way to 
record MIDI from my computer when using some algorithmic comp progs...

Anyone out with info can email me-> Thanks!


Jeff Harrington      
IdEAL ORDER               
idealord@dorsai.com
From: pugsley%h32@nswc-wo.nswc.navy.mil (Don Pugsley)
Newsgroups: rec.music.synth
Subject: Looking for MIDI upgrades...
Date: 15 Dec 1992 14:01:03 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

I would like to add a MIDI interface to an old Korg PolySix synth, and to a
Roland GR300 guitar module... I know a PolySix upgrade exists, don't know
about the Roland.  I would like to do it myself if I can get the stuff
somehow... I have complete shop manuals and circuit diagrams for both units
if that matters.  Neither has CV/Gate i/o so that kind of interface is out,
although I could create appropriate signals with some hardware hacking if I
have to.

1. What sources are there for upgrade kits?

2. What are the limitations and/or problems with the resulting setup?
(Hopefully someone out there has done a PolySix before...)

3. Will the result be worth the trouble?  Should I just bite the financial
bullet and buy a new MIDI synth?

Any suggestions, pointers, or assistance would be greatly appreciated!

Don Pugsley
pugsley@h32.nswc.navy.mil
(Washington, D.C)

Newsgroups: rec.music.synth
From: mortenaa@Lise.Unit.NO (Morten Aagaard)
Subject: >Windows>>MIDIMAPPER>>D70
Reply-To: mortenaa@lise.unit.no
Organization: Norwegian Institute of Technology
Date: Sat, 19 Dec 92 14:38:18 GMT

Keywords: 

Has anyone with a D70 made a good mapping or set of patches to match the General
MIDI standard with their synth?

I am using Windows 3.1 and would love to have a good mapping, instead of the terrible
mapping it has now!

Thanks in advance!

Morten Torber Aagaard
Newsgroups: rec.music.synth