HDTenEightyP/NetNews huggingface dataset:
From: dickw@IASTATE.EDU (Richard Wallingford)
Subject: Re: Help Me Choose Songs!
Reply-To: dickw@IASTATE.EDU (Richard Wallingford)
Organization: Iowa State University
Date: Fri, 21 Aug 1992 15:40:35 GMT

In article <1992Aug20.203602.13995@microsoft.com>, erikm@microsoft.com (Erik
Madsen) writes:
> 
> Hi - I've got a band together and we're trying to focus on playing funk
> and r&b tunes. To give you an idea of what type of stuff we are gearing
> towards, I've put the songlist below.  I would really appreciate some
> help from all of you to help me pick some more songs along this vein:
> 
> Thank You Forlettinme Be Mice Elf Agin - Sly and Family Stone 
> Use Me - Bill Withers 
> Superstitious - Stevie Wonder
> Don't Change Horses - Tower of Power
> Couldn't Stand the Weather - Stevie Ray Vaughn
> You Haven't Done Nothin' - Stevie Wonder
> I Shot the Sheriff - Eric Clapton version 
> Goin Down - Freddie King 
> Feelin Alright - Joe Cocker version 
> Mustang Sally - mix of Commitments/Buddy Guy version 
> Got to Find My Baby - Johnny Winter 
> Life Is Hard - Johnny Winter
> Something Up My Sleeve - BB King 
> Walk the Dinosaur - Was Not Was (A lot more modern, but we like it)

Tell Me Something Good  -  Chaka Kahn/Rufus
My Girl  -  Gadd Gang version
Mercy Mercy Mercy  -  Zawinul
Round in Circles  - Billy Preston
Cut the Cake  -  Average White Band
Right Place, Wrong Time  -  Dr. Hook ????
Any James Brown (for instance, "Get up off of that Thing" is a good one)

--
+--------------------------------------------------------------------+
|Dick Wallingford      | Internet: dickw@iastate.edu                 |
|Center for NDE        | Packet  : wd0anb@n0an.ia.usa.na             |
|Iowa State University | "This river don't go to Aintree" - S.H.     | 
+--------------------------------------------------------------------+
Newsgroups: rec.music.bluenote
From: johnm@meaddata.com (John Manley)
Subject: Re: Odd custom at B.B. King concert
Organization: Mead Data Central, Dayton OH
Date: Thu, 20 Aug 1992 13:58:00 GMT

In article <1992Aug20.124642.1624@dxcern.cern.ch>, djcam@dxcern.cern.ch (Douglas Cameron) writes:
|> In article <1992Aug19.193004.26551@anasazi.com> gaf@misty.anasazi.com (Guy Finney) writes:
|> >
|> >At the end of his set, B.B. King walked across the front of the stage
|> >several times handing out things to audience members.  I was too far
|> >back (even with binoculars) to see what they were, but I caught glimpses
|> >of what looked like gold chains from time to time.
|> >
|> >Is this common practice, and if so what is the motivation behind it?
|> >This was my first big-name blues concert, so I don't want to judge too
|> >quickly.  I have to say, though, that it seemed a bit odd to me.
|> 
|> I saw B.B. at at the Paleyo festival at Nyon in Switzerland last month, and he
|> gave out about 20 of what appeared to be gold chains there too.  For me this
|> spoilt a little, what was otherwise a pretty good concert, but then maybe he
|> just likes to be generous.
|> 
|> I had tears in my eyes when he played "The Thrill is Gone".
|> 
|> Albert King played earlier in the evening, and he was full of energy.  An
|> excellent performance by him on his pink Flying V.
|> 
|> If only Freddie was still alive I could maybe have seen all three Kings of the
|> Blues.
|> 
|> Doug
|> 
|> -- 
|> 
|> "My son, the world's your lobster" - Arthur Daley
|> 
|> djcam@dxcern.cern.ch

I've seen him five or six times in the past two years and he always hands
out guitar picks and (sometimes) little guitar-shaped lapel pins that say
BB KING. The pins are gold...perhaps that is what you saw?? I've seen other
artists (such as Buddy Guy) do this too, but not as consistently as BB.
The last time I saw BB, in addition to the end-of-show charity, he stopped
midway thru his set to have about 50 little kids come down for a surprise.
(It was at an outdoor theatre at the Cincinnati zoo). Kind of neat....

-- 
|John Manley         |  BEARS  BULLS  BLACKHAWKS   |      (513) 865-1152   
|Mead Data Central   |   IRISH BOILERS CHISOX      |  Engineering Productivity
|P.O. Box 933        |                             |     johnm@meaddata.com
|Dayton, Ohio  45401 |        Questions?           |  ...!uunet!meaddata!johnm
Newsgroups: rec.music.bluenote
From: deadhead@grate.ugcs.caltech.edu (stephen thompson)
Subject: Southern Cali Blues(Was...BLUES: Chicago vs. Delta)
Organization: California Institute of Technology, Pasadena
Date: Thu, 20 Aug 1992 19:18:13 GMT

elliott@ncrcol.ColumbiaSC.NCR.COM (Elliott New) writes:
>Some of the Southern California blues bands are the most authentic blues
>bands playing today!  I've posted about them before... but groups like
>Rod Piazza & the Mighty Flyers, William Clarke, and James Harman are
>great.  They have a lot of swing or jump blues influence from guys
>like T-Bone Walker, Pee Wee Crayton, early Gatemouth Brown, Little
>Walter, etc.  Check out their stuff.  Even better, catch them live
>when they are in your town.

Hey,

Have any of you heard Danny Peck play?  He's astounding, or, at least, he
was the night I saw him.  He plays regularly at a place, I think, called
the Genghis Khan (sp?) in LA.  The night I saw him (a few months back)
there was also a lady jazz/blues singer before him who was also brilliant.
If you're in LA, check him out.  He generally plays Thursday nights.

--stephen


--
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% deadhead@through.ugcs.caltech.edu   | |   /USA/91126/170-25/stephenthompson %
%     " I'll let you be in my dreams if I can be in yours. " -- Bob Dylan     %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
From: bubba@mace.cc.purdue.edu (Gary Beason)
Newsgroups: rec.music.bluenote
Subject: Re: BLUES: What is ``Modern Blues?''
Date: 22 Aug 92 22:47:56 GMT
Distribution: na
Organization: Purdue University


>
>Blues (and jazz) music will always be around.  I doubt Madonna 
>and Tiffany will.


I'm new to this group, so I hope I won't repeat anything that's been
thoroughly discussed . . . Since this thread has an element of the
roots of the blues, and since many posters are assuming an
African-American basis for blues, how do y'all contend with the idea
that the blues is *not* so much a part of African-American culture as
it is an appropriation by them and then a re-appropropriation?

I'm not trying to inject racial or ethnic commentary at all, but some
people like Van Morrison argue, with some good reasons, that blues has
its origins in Irish-Celtic music.  Certainly, the chord progressions
are the same, and the themes, particularly with the traditional
Irish-Celtic music, are similar.

Following the history of settlement in the U.S., this interpretation
makes sense, for the Irish and particularly the Scots settled in the
South and influenced a great of Southern culture.  (I have seen
arguments, for example, of the linguistic similarities between some
Southerners and the Irish and Scots.)  

Perhaps this is all widely accepted.  But I find it very interesting,
particularly when we label things "black music."  This is NOT to deny
the signficant changes and enthusiasm that the black culture embued
the blues with; rather, it's a very multicultural art form.

Thematically, the blues and rap are similar in terms of expressing
frustrations, but musically, would y'all agree that rap represents
more of an African influence, because its heavy emphasis on
percussion, than blues does?  I hope I'm not perpetuating a
stereotype, but from I've heard of African music, it emphasizes
percussive instruments.
From: craigo@ESD.3Com.COM (Craig Owens)
Newsgroups: rec.music.bluenote
Subject: Re: BLUES: Howlin' Wolf vs. Son House
Date: 19 Aug 92 21:02:39 GMT
Organization: 3Com Corporation

In article <Bt8JsJ.1os@rice.edu> preston@dawn.cs.rice.edu (Preston Briggs) writes:
>deadhead@beyond.ugcs.caltech.edu (stephen thompson) writes:
>>
>>So, I picked up two CD's recently.  The Howlin' Wolf London Sessions
>>and the Library of Congress' Son House Recordings.  The two men have
>>very different styles, but they are both playing the blues.  Son House
>>was playing a country/rural blues, while Howlin' Wolf plays a more
>>urban/Chicago blues.  I was wondering where and why this transition
>>in the blues form occurred
>
>Occured with migration of lots of poor from Mississippi to Chicago
>during the Depression.  Then Muddy Waters invented electricity and the
>Chicago style was born (at least, that's the way I've always heard it).
>
>An additional factor might be that it's easier to keep a band (say 3
>or more people) together in a city than in a rural setting.
>
>Preston Briggs

An excellent book that describes the history of the blues is "Deep Blues" by
Robert Palmer.  I'd recommend that anyone with interest in this area read it
(if you can find it, that is).  On the other had, skip the movie by the same
name.

Craig Owens
Network Adapter Division
3Com
Newsgroups: rec.music.bluenote
From: pmagnena@ul9000.unil.ch
Subject: Re: Rumour about a jazz death
Organization: University of Lausanne CH (Switzerland)
Date: Tue, 18 Aug 1992 13:42:13 GMT

In article <1992Aug14.150429.26073@bnr.ca>, jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas) writes> I heard a rumour (AND BOY I USUALLY HATE THESE) fro               > in France though.  I set this up as a spoiler so don't read on                                                                                                                                                      
> I heard from a friend who owns a record shop that just recently
> opened up who was a friend of John Cage that we lost Steve Lacy
> a few weeks ago.  Can someone in France substantiate this?
> The person didn't hear of what causes he died; they were talking
> more about Cage's recent death as both knew Cage personally.
> 
> PLEASE SAY IT ISN'T SO!!!

NO, THAT IS NOT TRUE. The organizer of the Willisau Jazz Festival has verified
this morning. Steve is in perfect condition, and will play at Willisau
on september 3, at a concert entitled "Thelonius Monk Memorial". There will be:
- Steve Lacy Quintet
- Randy Weston solo
- "Monk in Motian", trio with Paul Motian, Joe Lovano and Bill Frisell.

If you want to be sure, come at Willisau (charming town in centre of
Switzerland), from August 27 to Aug. 30, where you will hear 6 concerts, 
featuring, for example, Hamiett Bluett, Oliver Lake, Julius Hemphill, Jeanne
Lee, Dave Holland, Don Pullen, etc, etc. apart from Steve's one.

P. Magnenat
Lausanne University
From: bret@tfd.COM (Bret Weinraub)
Newsgroups: rec.music.bluenote
Subject: Re: Miles' best work?
Date: 19 Aug 92 16:55:50 GMT
Organization: Twenty-First Designs, Wash, DC

In article <1992Aug13.193120.11715@CSD-NewsHost.Stanford.EDU>, gidi@Hilbert.Stanford.EDU (Gidi Avrahami) writes:
> mlindholm@cc.helsinki.fi writes:
> >
> >    I was thinking of byuing some Miles Davis records.
> >    Which ones would you recommend?
> 
> The following is an annotated discography of Miles Davis.  It lists
> almost all the official U.S. releases, and points to some of the
> rare/bootleg/europeans.  The records are grouped by the major musical
> styles and periods, in order to provide an immediate answer to the
> question ``which records sound like X?''  At the end, I suggest
> starting points for each of the major styles.


Left off this list is ON THE CORNER, which happens to be fairly seminal
as far as I can tell.  As if there wasn't enough seminal MILES to slurp
up our disc-buying money.  Plus MILES DAVIS' JAZZ ALL-STARS, which
I think was his first recording.  

Does anyone know the story of a live album WE WANT MILES.  I found a
tape of this album in an abandoned boom-box in Boulder, CO.  It
is excellent.  Any info much appreciated.   
Newsgroups: rec.music.bluenote
From: elliott@ncrcol.ColumbiaSC.NCR.COM (Elliott New)
Subject: Re: BLUES: Son House quits the blues...
Organization: NCR E&M Columbia SC.
Date: Thu, 20 Aug 92 13:13:51 GMT

In article <1992Aug19.131356.2284@dragon.acadiau.ca> 880139h@dragon.acadiau.ca (Rob Hutten) writes:
>deadhead@beyond.ugcs.caltech.edu (stephen thompson) writes:

>was `rediscovered' by this Library of Congress guy in the sixties who
>fortunately got a number of tracks recorded before House died.

That was recorded WELL BEFORE he died.  Son House died just a few years
ago.  He had been in a nursing home for years.  From what I understand,
he was unable to play, but he accepted visitors as late as 1987.  I
spoke with someone who travelled to see Son.  He was very friendly and
talkative.

>A guy I know saw House playing live at a blues festival shortly before
>he died.  Apparantly he could hardly play a thing; his singing was off
>and he couldn't tune his guitar.  It's sad to hear of such a powerful
>performer weakened by age to the point where he can no longer get his
>music out.  

As I said above, he hadn't been performing for YEARS before he died.
Even in the 60's, he was very raw.  There is some cool video footage
of him in the 60's... really neat to see.  I can post the address
of the company that sells it if anyone is interested.  The company
also has video footage of Bukka White (one of my favorites),
Lightnin' Hopkins, and Mance Lipscomb.

Elliott New
From: mjs@hpfcso.FC.HP.COM (Marc Sabatella)
Date: Thu, 20 Aug 1992 17:46:19 GMT
Subject: This Old Man
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.bluenote

Does anyone know on what Monk album is the recording of "This Old Man"?  I
heard this on the radio a year ago - I think it was a quartet, with Charlie
Rouse, and ran to my piano to try to get it down.  I've been playing it ever
since (I think it's the outgoing message on my answering machine right now),
but I've probably drifted quite a bit from Monk's original variation on the
head.  The part I especially don't remember is what he put in place of the
"knick-knack-paddy-whack" line.  Hugh Ragin has been on this children's song
kick the last couple of weeks (we just played at his daughter's day care
center) and he wants to add "This Old Man" to our regular book, and I'd like to
get a more definitive version of the head down on paper.

He also had me do an arrangement of "Twinkle, Twinkle, Little Star".  So here
is what I came up with, during the commercials while watching "Star Trek" the
other night:

(slow and freely, gospel hymn-like)

| C  C/E | F F#dim C/G A7 | Dm7 C/G | G7 Gb7#11 |

| Fmaj7 Bb7 | Asus B7alt | Em7b5 A7alt | Dm7 E7b9 |

| Am7 C7 | Fmaj7 - C/E Eb7 | Dm7 Fm-maj7 | G7 - F/C C |

-------------------------------------------------------------------------------
Marc Sabatella           Winner, 1992 First Annual Bill Evans Lookalike Contest
marc@fc.hp.com
From: jgthomas@crchh420.BNR.CA (John Thomas)
Newsgroups: rec.music.bluenote
Subject: Re: Ohnedaruth
Date: 18 Aug 92 15:50:15 GMT
Reply-To: jgthomas@crchh420.BNR.CA (John Thomas)
Organization: Bell-Northern Research Ltd.


|> Funny, I was just listening to the album `Infinity' by John Coltrane,
|> which has string arrangements by Alice Coltrane recorded in 1972.  The
|> inside jacket's picture of Coltrane is captioned `Ohnedaruth, John
|> Coltrane'.  I have the impression that it's a name referring to
|> Coltrane himself.
|> 
|> I don't, by the way, recommend the album.  In my opinion, the very
|> lush overdubs obscure some of the group interaction that is evident on
|> those of the cuts that I've heard released in their original form.
|> 
|>   -- Dan Rabin
|>      rabin-dan@cs.yale.edu

Yeah, I think this is the album Rashied Ali referred to when he
couldn't believe they put those strings on there as mentioned
in Wilmer's AS SERIOUS AS YOUR LIFE.  He said some thing like:

"It was like re-recording the Bible!"
From: jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas)
Newsgroups: rec.music.bluenote
Subject: Re: Dallas' Upcoming Jazz Events.
Date: 19 Aug 92 21:03:39 GMT
Distribution: usa
Organization: Bell-Northern Research, Richardson, Tx

In article <1992Aug19.143443.2154@vixvax.mgi.com>, mcnamara@vixvax.mgi.com writes:
|> In article <1992Aug18.155444.20870@bnr.ca
|> >, jgthomas@crchh420.BNR.CA (John Thomas) writes:
|> > 
|> > In article <1992Aug17.204957.9117@exu.ericsson.se>,
|> > exubma@exu.ericsson.se (Bassam Madi) writes:
|> > |> 
|> > |> John Scofield is appearing in the Caravan of Dreams next month.
|> > |> Sonny Rollins is coming Nov. (4th, I think). Yes
|> > |> Bassam
|> > |> --
|> > |> Bassam Madi              |    
|> > |> Ericsson Network Systems |   How can U soar like an eagle,
|> > |> exubma@exu.ericsson.se   |   when U are dealing with turkeys??
|> > |> Ph. (214) 733-4339       | 
|> > 
|> > Rollins is supposed to appear Nov. 6 from the last Observer I consulted.
|> > 
|> > I wouldn't hold your breath though.  I have tried to see him twice
|> > here in Dallas the last couple years and he cancelled both times
|> > "due to illness."  
|> 
|> 	I'm not sure what you are getting at here ......  do you think
|> that Sonny was not sick?  That the promoters cancelled and claimed illness
|> on his part?  He is no spring chicken (~60?) and does have some health
|> problems, so her may very well have been sick.  In any case I would
|> urge everyone in the area to get tickets ... here is one of the true
|> masters who won't be with us forever.
|> 
|> 						Curt
|> 
|> ****************************************************************************
|> Curt McNamara	(mcnamara@mgi.com)	|"The present would be full of all
|> Mgmt. Graphics, Inc.			|possible futures, if the past had
|> 1401 E. 79th St.			|not already projected a pattern
|> Mpls., MN    55425			|upon it."  Andre Gide
|> ****************************************************************************

I am not getting at anything here.  I didn't know he had health problems;
what is wrong with him?  I do know that he played on some of the larger
cities after the Dallas stop so it did make me suspect a little that
enough tickets weren't sold. 

I agree he is a master and that you should really try to see him if
you can.  But out here in Dallas, beware is all I am saying.  If you
are going to buy tickets, buy them at the door as I believe you
will save the service charge and not risk any loss at all.
From: sik@grosz.esd.sgi.com (Seth Katz)
Newsgroups: rec.music.bluenote
Subject: New stuff: Braxton and ESP CDs
Date: 14 Aug 92 19:01:20 GMT
Organization: Silicon Graphics, Inc., Mountain View, CA, USA

A couple of days ago I did my part to help Tower 
in Mnt View meet their rent. 

First of all, I picked up the Braxton 4 CD set on Hat,
Willisau.   Willisau is awesome, but you knew that.
Willisau was $53.  Beats $66.99 at Jazz Mart
in Chicago.  BTW, if you don't know about this album,
it's a 4 CD set, 2 live, 2 studio, of Anthony Braxton's 
unbelievable quartet of Crispell/Hemingway/Dresser. 
Save your money and don't buy the Leo London 2 CD set 
of the same band- the superior sound here and incredible
performances makes this the one to buy.  Oh, CDs average
about an hour a piece.  I was hoping to have someone mail 
order this one for me, but it showed up in Tower and I couldn't
resist.  Glad I didn't.   

A mystery label from Germany, ZYX, has released a 
number of seemingly authorized CDs of ESP albums.
So far, I've picked up 3 (not all are out yet, of course).

Spirits Rejoice by Albert Ayler is my favorite thus far.  
Sound is decent and music is out of this world.  When I 
play this disk, I can't help but imagine a teenage Brotzmann
playing it over and over and over again...
  
I also picked up the ESP disk "New York Eye and Ear Control" with
Cherry, Ayler, Tchicai, etc.  Haven't heard much of
it yet.  Also, I couldn't resist the ESP Paul Bley 
"Barrage" with Marshall Allen and Milford Graves
(along with Eddie Gomez, etc).   I kinda expected the sort of mediocre 
performance John  Gilmore gave in his work with Tyner or (reportedly) his
work with Blakey.  Marshall Allen has always had a bug up
his  ass, and he blasts as beautifully as  ever here.  Bley fans 
might be disappointed- it's often hard to hear the piano.  Think of 
the sound as a bootleg- uneven but often lousy.  I don't regret picking
it up, though.  A great and rare performance.

The ESP disks are "only" $11.99.  Not bad.  
The liner notes are extensive, but written 
by someone who is clearly not a native English
speaker.  Fairly amusing.  Also, there are no
extra cuts.  Apparently they  plan to release
Ayler's "Bells" with extra material (fair enough-
a 20 minute CD would be kinda sad), so some does
exist...

=-Seth
From: rshapiro@bbn.com (Richard Shapiro)
Newsgroups: rec.music.bluenote
Subject: Re: Miles boots, 1960-1975 (was: Miles' best work?)
Date: 19 Aug 92 03:02:43 GMT
	<1992Aug17.131329.21525@uxa.ecn.bgu.edu>
	<1992Aug18.043421.28614@usage.csd.unsw.OZ.AU>
	<RSHAPIRO.92Aug18103623@pilsner.bbn.com>
Organization: BBN, Cambridge MA
NNTP-Posting-Host: kariba.bbn.com
In-reply-to: rshapiro@bbn.com's message of 18 Aug 92 10:36:23

In article <RSHAPIRO.92Aug18103623@pilsner.bbn.com> rshapiro@bbn.com (Richard Shapiro) [me] writes:
   ...
   1964 (Davis, Shorter, Hancock, Carter, Williams)
    Paris
    Copenhagen
    Sindelfingen [used to say "Berlin", which is not a bootleg]

   ...

   1967 (as above)
    Paris
    Berlin [used to say "somewhere in Europe"]

   1971 (Davis, Bartz, Jarrett, Henderson, DeJohnette, unknown percussion)
        [I couldn't remember the personnel before]
    NYC
    Stockholm
From: dnd@ee.man.ac.uk (Darryl Davis (RA))
Newsgroups: rec.music.bluenote
Subject: Re: Keith Jarrett in Sun (8/16) NYT
Date: 18 Aug 92 10:23:17 GMT
Reply-To: dnd@spec0.ee.man.ac.uk (Darryl Davis (RA))
Organization: Dept Electrical and Electronic Eng, Manchester University, UK

(Jonathan Cohen) writes:
>[ text of jarrett's article deleted]
>
>>
>
>The part that pissed me off the most was the remark about "cleverness"
>and synthesizers.
>One would think that a person as creative as KJ would allow others
>to manifest their own creative energies in other media without taking
>them to task for it.
 
It was a very negative article, but I am sure he feels that the undeniable
commercial success of Style Over Content needs commenting on, and sure there
is a too much artistic pretence in much "serious" musik.
The synthesiser bit has me confused tho, after all isn't Terry Riley clever
with synthesisers ...
 
dnd
Newsgroups: rec.music.bluenote
From: stuart@apollo.hp.com (Stuart Troutman)
Subject: shorter ill?
Originator: stuart@mingus
Date: Mon, 17 Aug 1992 15:08:25 GMT
Organization: Hewlett-Packard Company, Apollo Division - Chelmsford, MA


I just saw the cover of the Sept. issue of Downbeat. Wayne Shorter looks
very unlike himself. Does anyone know in he's in poor health? I almost
didn't recognize him in the photo.
                                            -stuart@apollo.hp.com
From: templon@paramount.nikhefk.nikhef.nl (Jeffrey Templon)
Newsgroups: rec.music.bluenote
Subject: BLUES: Early Blues Magazine Article
Keywords: son house etc
Date: 19 Aug 92 17:19:04 GMT
Organization: NIKHEFK


For those seeking more information on early blues music,
there is an article in this month's _Guitar Player_ magazine
by Jas Obrecht about the early blues.  It includes information
about Son House, Charley Patton, Muddy Waters, and several
other legendary blues pioneers, and how they knew each other.
Also you will find an interview with John Lee Hooker in
this magazine, and with Albert Collins, and with Buddy
Guy.  The last two are very guitar-oriented but the
Hooker one is not so technical.   A fine issue.  Also
for guitar players, there is tab for 25 famous blues licks.

Have fun.

					JT

(ps can some people in the US please send me mail verifying
 that you saw this?  I am never sure my articles make it
 to the US.  Also, everybody, please do not limit your
 discussion to USA distribution on r.m.b!!  Use distribution
 world!)
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: Freddie Hubbard/Lee Morgan
Organization: Educational Computing Network
Date: Wed, 12 Aug 1992 20:38:23 GMT

Speaking of Freddie, he is scheduled to be on LENO this night.  (Wed,
Aug 12)

So check it out...


Jeff