HDTenEightyP/NetNews huggingface dataset:
From: hcorbett@pattie.wellesley.edu
Subject: Respite / Heather Mirth Corbett
Organization: WELLESLEY COLLEGE
Date: Tue, 26 Jan 1993 10:34:51 GMT

Respite
-------
Oblique sunlight slides under the smooth
cloud skin spreading westward
after coastal hills have scraped out the underside
like teeth on a ripe fig
mourning doves sit at precise angles
to raindrop-scalloped wires
no slugs' ooze competes with sticky bark
though limpets of bright water adorn windows
the runoff courses in striated sheets
down a designated
gutter
in still, thick knobs over twigs
lumps of hard sheen, words
tumbled and polished in a poet's mouth
evening crawls, glistning, out of the bay
and falls up the slope, looking for dry land.

----------------------------------------------------------------------
| hcorbett@ocf.berkeley.edu    |  please post or e-mail constructive |
| hcorbett@garnet.berkeley.edu |  criticism - thanks!   HMC          |
| hcorbett@lucy.wellesley.edu  |_____________________________________|
From: bg@stein.u.washington.edu (Bill Whitson)
Newsgroups: rec.arts.poems
Subject: Tuning Out (C/C always welcome)
Date: 27 Jan 93 01:03:40 GMT
Organization: University of Washington
NNTP-Posting-Host: stein.u.washington.edu

-Tuning Out-

Through the thin walls-
I hear the crying,
short, quiet, powerless.
I am too young
and insignificant
to stop/escape it
and I don't know anyone
who believes or cares.
It is the same as the
other nights.
Singing me to sleep.
It surprised me when
I stopped having nightmares.
Sometimes now,
I don't even care when I'm awake.

-Bill Whitson

(all legal bullshit in my name...)
Newsgroups: rec.arts.poems
From: daq@fc.hp.com (Doug Quarnstrom)
Subject: Re: Idea Economy
Date: Thu, 28 Jan 1993 19:04:59 GMT
Organization: SPUGE
X-Newsreader: TIN [version 1.1.8 PL6]

Marek Lugowski (marek@casbah.acns.nwu.edu) wrote:
: In article <C1KoLq.180@fc.hp.com> daq@fc.hp.com (Doug Quarnstrom) writes:
: 
: >Danny-Boy (sheilah@wam.umd.edu) wrote:
: ...
: >: an ecology of ideas - might fit more, because I was making
: >: an observation on survival traits of ideas. etc etc
: >
: >Curious coincidence as I have been pondering lately a rather
: >Hegelian idea of the possibility of the evolution of 
: >intelligence through the competition of ideas.
: 
: I don't see anyting Hegelian in it, but this sounds within spitting
: distance of zoologist Richard Dawkins' ideas in the last chapter of
: _The Selfish Gene_.  Check out also _The Extended Phenotype_, _The Blind
: Watchmaker_ and the book chapter in _Artificial Life_, Chris Langton, ed.,
: on biomorphs.

It is very possible that this is the case Marek.  Thanks for the
references.  I will check them out.

Of course the fact that you do not see anything Hegelian about it
may be because you have not taken even the slightest opportunity
to ask me specifically what I am talking about.

doug
From: alk4@ellis.uchicago.edu (Alex L. Karan)
Newsgroups: rec.arts.poems
Subject: Some help needed
Date: 24 Jan 93 19:08:06 GMT
Reply-To: alk4@midway.uchicago.edu
Organization: University of Chicago Computing Organizations

Something is very wrong with this piece
and it won't go away or let me work on anything else.
Please tell me what it might be:


Metaphor
--------



In the late
setting

Pravda 
was toilet paper.

Infants 
were so bundled,
they couldn't move.

That Red 
was everything.

Then Lenin's 
statues went up
for sale.

Gravestones
collapsed 
onto arranged flowers.

Gorbachev 
signed away his power
with a borrowed pen;
his failed.

And when we saw
their blood-
red banners 
spilling to the ground,
 
we must have 
felt a point
pressing in.

From the crumpled 
fist of a still war

did we grasp the pen
that bleeds our lives?



Alex L. Karan


(Pravda means "truth" it was the newspaper of Russia)
(all the things in this poem are true (I mean the active thigs,
not their latent meanings)
Newsgroups: rec.arts.poems
From: ralph@wixer.cactus.org (Ralph Cherubini)
Subject: Poem--Guess what
Organization: Real/Time Communications
Date: Wed, 20 Jan 1993 16:01:37 GMT


                                Guess what

Slurping sucking
noises
as the animal draws near
being blind I cannot see its form
know only its eager intent on the trail
as it finally gets to me
I feel its hot breath on my stomach
IT TICKLES!!!





-- 
ralph@wixer.cactus.org
cactus.org!wixer!ralph
From: hseung@oz.anatomy.upenn.edu (Rebecca H. Seung)
Newsgroups: rec.arts.poems
Subject: Poppy My Love
Date: 24 Jan 93 06:16:35 GMT
Article-I.D.: oz.9301241900.AA00299
Organization: University of Pennsylvania
NNTP-Posting-Host: cs.utexas.edu


Poppy-seed bagel, I love thee.
  (You look so good!)
Stuff some SeWooJeot, I lust thee.
  (You smell so gooood!)
Dip it in GanJang, I dote thee.
  (You taste so goooooooood!)
Oh Poppy, won't you come back to me?
  (You come out of that oven RIGHT NOW!)

--
Rebecca H. Seung              SeWooJeot... salted shrimp
                              GanJang..... soybean sauce
From: bu016@cleveland.Freenet.Edu (Zita Marie Evensen)
Newsgroups: rec.arts.poems
Subject: light     /  z.
Date: 24 Jan 1993 03:14:14 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: bu016@cleveland.Freenet.Edu (Zita Marie Evensen)
NNTP-Posting-Host: hela.ins.cwru.edu



            
              light
       ____________________


she washes the dishes
in the latest electronic dishwasher, 
cooks gourmet microwave dinners ...
dries clothes in a UV equipped electric dryer.

( electricity ... statics ... electromagnetism )

drives to the grocery store
in an elegantly designed convertible
with the latest CD disc-jockey
and computerized dash.

(einsteinian speed limit ...relativity...
   ...newtonian acceleration ... bernoulli )

shops for the latest designer outfits...
hesitates on the latest fashion accutrements
and colors displayed on Rodeo Drive ...

(hues, thin films, optics...mirror images )

waves at the roller-bladers 
along venice beach ... as she speeds by
on her De Rosa bike.

(torque ... rotational motion ...kinetic energy )

Grandma always said:
   "Hide your light ...
       Or you will scare men way !"

I did. Where are you?

Is infinity all or nothing?


          ***

zita maria evensen
c1992, april 26th

( crits amd comments requested )


-- 

Newsgroups: rec.arts.poems
From: root@bing.atl.ga.us (Administrator)
Subject: poem -- revised, c & c appreciated
Organization: Bing's Rubber Chicken Factory -- "Our clucks are boneless."
Date: Mon, 25 Jan 93 05:19:12 GMT

1.
peach skin sunset winter night
cold as hell
mean comfort and cold warmth
promises the neon
a whole bedroom for the night
24.99 cable tv included
small fish tanks for small fishes
 
whenever i pass by her
she makes me feel like a schoolboy
aren't you cold?
shivering in fish net on bare skin
i think of the 24.99 bedroom
of fishes drowning in water
 
i pass
walk by
and she is devoured by the night
drowning in its black murky waters
 
2.
i now know her name--
Nicole 24 years old
with an eight year old daughter
wait... what's 24 minus 8?

confused she is hungry without knowing hunger
a vacuum holding back everything that might help her
afraid that being nothing will be worse somehow
than being less than nothing
she is drowning of her own accord
thinking she can breath the water

1/24/93
bhb

--
Bing H Bang                                  +---------------------------+
Senior Systems Analyst                       | This is my home computer. |
National Data Corporation, Atlanta, GA       | I do not speak for NDC.   |
uucp: root@bing.atl.ga.us                    +---------------------------+
From: jstc_ss@troi.cc.rochester.edu (j. collins)
Newsgroups: rec.arts.poems
Subject: REQUEST
Date: 27 Jan 93 21:24:27 GMT
Organization: University of Rochester - Rochester, New York


   I just wanted to say thank you to all the people who take the time
to read my posts and to respond, but I would like to ask that if you are
going to take the time to respond please say more than 'I like it' or
'I do not like it.'  As much as I appreciate people responding it does not
help my poetry if I do not know what people like and do not like.  Thanks
in advance.

peace,
-justin
From: ccarroll@hdsc-calm.ssc.af.mil (Chris Carroll)
Newsgroups: rec.arts.poems
Subject: STANZA question!
Date: 27 Jan 1993 10:21:23 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu



I recently received the advert concerning STANZA the online poetry
magazine. 
Is the email address given there (rmacmichael@cup.portal.com) correcT?
I'm having trouble mailing to it....
Can someone or the person involved with it email me some info?

Thanx,
cHris

Newsgroups: rec.arts.poems
From: wsh1@quads.uchicago.edu (Wells S. Hansen)
Subject: HEY, AL! HEY-LA! HEYLA SHALALA! (textas)
Reply-To: wsh1@midway.uchicago.edu
Organization: University of Chicago Dept. of Classics
Distribution: na
Date: Sat, 23 Jan 1993 00:28:36 GMT



	ShackLife
	_______________________

     When you're living in a one room shack
     Your life becomes complete
     When your traveling round the world
     With three lovely girls
     And still looking for someone to meet. 








-- 
wells s hansen
dept of classics
From: sheilah@wam.umd.edu (Danny-Boy)
Newsgroups: rec.arts.poems
Subject: Adriene Rich
Date: 25 Jan 93 17:17:42 GMT
Organization: University of Maryland, College Park

I've grown tired of reading novels, and finally came back
to finish the book, whose first poem I had only 
read.

So I'd like to recommend, Diving into the Wreck
by Adrienne Rich.
-- 
I am always wrong. Don't believe me ever.
stark raving sane  sheilah@wam.umd.edu
From: forsburg@molbiol.ox.ac.uk
Newsgroups: rec.arts.theatre
Subject: Follies and Julia McKenzie
Date: 22 Jan 93 14:28:47 GMT
 <1993Jan19.084154.12803@athena.mit.edu>,<1993Jan19.180943.17742@psych.toronto.edu> <1993Jan20.171203.8766@news.cs.brandeis.edu>
Organization: Oxford University Molecular Biology Data Centre
Nntp-Posting-User: forsburg

In article <1993Jan20.171203.8766@news.cs.brandeis.edu>, st923058@pip.cc.brandeis.edu (Jessica Raine) writes:
> 
> 	I really like reading all the FOLLIES discussions. It's so nice to see
> rational, reasonable, knowledgeable debates about a show I like so much.
> 	I have not heard the version in which Julia McKenzie sings Sally. But
> is she the same Julia McKenzie who sings all of Sally's music on the album
> "Side by Side by Sondheim"? If so, I really, really like her style. The
> way she sings, I can see exactly what she would be thinking about while she
> was singing, and it's nice to listen to.
> 				--Jess

You can hear more of Julia McKenzie not only on the lOndon cast recording of
Follies, which makes an interesting comparison with her performance in SIDE BY 
SIDE some years earlier, but also in the London cast recording of INTO THE 
WOODS where she was a marvelous witch (I saw Bernadette Peters as the witchin 
NY but I like Julia McK. better.  Just MHO).  And, she has recently released a 
new album called something like THE MUSICALS ALBUM, which is as you might 
expect a selection of songs from a variety of shows.  

Also, Julia McKenzie directed PUTTING IT TOGETHER here in England.  She is 
considered one of, if not "the", best British interpreters of Sondheim.  
I think she is, or was, president of the Sondheim Appreciation 
Society here.  Having heard her speak during the seminar series held 
when Sondheim was Visiting Professor of Contemporary theatre here at 
Oxford a few years back, I can also report 
that she seems to be a delightful lady!

susan

<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
s l forsburg 		forsburg@molbiol.ox.ac.uk
icrf cell cycle group
dept biochemistry 
oxford university
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
From: joe@dogface.austin.tx.us (Joe Zitt)
Newsgroups: rec.arts.theatre
Subject: Re: I wish I had seen...
Date: 24 Jan 93 18:09:14 GMT
Organization: The Fortress of Ultimate Dorkiness

> What are the top ten (if you can name that many) productions (B'way or
> othewise) you wish you had seen.  And why?  This is not limited to
> musicals (for those of us who find plays their principal attraction to
> theatre).  This also isn't limited to recent shows (though maybe we
> should try to stay within the 20th century?).

Completely off the top of my head...

1. Bernstein's Mass, live. Seeing it when broadcast spun my brain around when
I was a kid. (Does it exist on video?)

2. The original Einstein on the Beach at the Met.

3. The premiere of the Rite of Spring (wearing appropriate riot gear, of
course.

4. Paradise Now. I have the sort-of-script, and the show must have been
amazing.

5. The early Habimah production of The Dybbuk.

6. The all-star Waiting for Godot from a few years ago.

7. The original Jesus Christ Superstar.

8. Four Walls.

9. Peter Brook's Mahabarata.

10. The premiere of John Cage's Europera I & II.
From: jcichock@ep.ieee.org (J Cichocki)
Newsgroups: rec.arts.theatre
Subject: Re: I wish I had seen...
Date: 22 Jan 93 17:48:13 GMT
Reply-To: jcichock@ep.ieee.org
Organization: IEEE, New York, NY

> In article <MURRAY.93Jan20205858@aristotle.ils.nwu.edu> murray@aristotle.ils.nwu.edu (Thomas Murray) writes:
> >
> >What are the top ten (if you can name that many) productions (B'way or
> >othewise) you wish you had seen.  And why?  This is not limited to
> >musicals (for those of us who find plays their principal attraction to
> >theatre).  This also isn't limited to recent shows (though maybe we
> >should try to stay within the 20th century?).
> 
Here goes!! (not in any particular order...take it for granted I mean the original if not stated otherwise...thanks)

1) Godspell...it would probably have been just as powerful as it 
   is now.

2) A Chorus Line...Just to see the quiana shirts and the 70's duds.

3) West End Production of Starlight Express. (I saw it and it blows the horrific
   abomination of Broadway's)

4) Phantom of the Opera (I saw the original with Michael Crawford. His hands are so
   expressive)

5) Guys and Dolls...Truly an American classic!!

6) Nine...(I saw the original with Raul Julia and it was wonderful)

7) Gypsy...Ethel Mermen must have been wonderful. I could just see her now singing 
   Gypsy's Lament.

8) A Funny Thing Happened on the Way to the Forum...a hoot.

9) OKLAHOMA!...it must have been so inventive with the ballet chorus. Down home fun.

10) Les Miserables...(I saw both original West End and Broadway productions and they
    faired equal in my book. The only exception was the wonderful accents in London and
    Patti Lupone as Fantine)

I hope I didn't open a can of worms by picking show I saw in addition to which ones I
would liked to have seen. There are many, many others, but I went with the classics in some cases.

Jeff
From: eliz@world.std.com (Elizabeth Lear Newman)
Newsgroups: rec.arts.theatre
Subject: Re: On a Clear Day You Can See Forever?
Date: 22 Jan 1993 13:05:07 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


 qtm2w@Virginia.EDU ("Quinn T. McCord")
>	The song "On a Clear Day You Can See Forever" is from,
>amazingly enough, from the musical, "On a Clear Day You Can See
>Forever" I want to say that the composer was Burton Lane, but
>I'm not sure.

Alan Jay Lerner and Burton Lane wrote the score.  Good memory!

						...eliz
Newsgroups: rec.arts.theatre
From: qtm2w@Virginia.EDU ("Quinn T. McCord")
Subject: Re: JCS Tour
Organization: University of Virginia
Distribution: usa
Date: Sat, 23 Jan 1993 14:09:32 GMT


	Yeah, I caught the JCS tour it its last week in
Baltimore (around the 6th).  Luckily, both Ted Neeley and Carl
Anderson were performing.  Dennis DeYoung was still out, and
the announcer came over the PA to say that Irene Cara wouldn't
be performing (The audience let out a collective "Awwwww!"  I
bet that made the understudy feel really good.)  Anyway, Mary's
microphone went out during What's the Buzz.  For the next seen,
Jesus let her borrow his when she needed it, and they kept
trading it off.  It was pretty neat, even though it wasn't
supposed to happen.
	Judas wore a head mic, so he wouldn't tie up his
hands.  In my opinion, all of his songs were taken at
unacceptably fast tempos.  Oh, well.
	As usual, the "conceptual dances" during the overture
made no sense.
	I suppose the most unique thing about this production
(besides the Ted and Carl) was the Cross effect at the end.
The lighting for it was indescribably beautiful.  You HAVE to
see it!
	Some friends and I went backstage to talk to the stars
after the show.  Ted was very friendly, signing and talking for
about an hour.  Carl was cordial, but you could tell he wanted
to get out of there.  It's understandably.  This was a matinee,
and these people don't want to lose an extra hour of their
precious time between shows.
	I can't really remember what they said much.  Ted says
he has a record coming out.  Someone asked him why, "Then We
Are Decided" wasn't in the show.  Ted said he thinks it should
be because it provides a lot of insight into Caiaphas and Annas.
	Someone told Carl that he was better in the part than
Ben Vereen (the original Broadway Judas).  Carl agreed.
	By the way, I just bought the 20th anniversary
recording, and for the most part, it sucks donkeys.  It was
painfully obvious that Keith Burns/Paul Nicholas have nowhere
near the ranges that Murray Head/Ian Gillian or Carl
Anderson/Ted Neeley have.  The only interesting arrangement is
for Simon Zealotes.
					-Quinn
From: eliz@world.std.com (Elizabeth Lear Newman)
Newsgroups: rec.arts.theatre
Subject: Re: "Children Will Listen"
Date: 21 Jan 1993 15:32:26 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


 calliope@leland.Stanford.EDU (Joanna Salgado):
>Actually, I believe that in the Lament, the witch sings "Children
>won't listen," but that doesn't really matter.  What I really wanted
>to know is, is that realy a whole song?  From what I remember, the
>Witch's Lament only had the "children Won't Listen" part for a couple
>of lines, at the very end.  

Once again to the liberetto:

Act 1 (Rapunzel's betrayal):

WITCH
	Why could you not obey?
	Children should listen.
	What have I been to you?
	What would you have me be?


Act 2 (Rapunzel's fate):
	
WITCH
	This is the world I meant.
	Couldn't you listen?
	Couldn't you stay content,
	Safe behind walls,
	As I
	Could not?
	No matter what you say,
	Children won't listen.
	No matter what you know,
	Children refuse 
	To learn.

	Guide them along the way,
	Still they won't listen.
	Children can only grow
	From something you love
	To something you lose ...


Act 2 finale:

WITCH
	Careful the things you say,
	Children will listen.
	Careful the things you do,
	Children will see,
	And learn.

	Children may not obey,
	But children will listen.
	Children will look to you
	For which way to turn,
	To learn what to be.

	Careful before you say,
	"Listen to me."
	Children will listen.

COMPANY
	Careful the wish you make,
	Wishes are children.
	Careful the path they take -
	Wishes come true,
	Not free.

	Careful the spell you cast,
	Not just on children.
	Sometimes the spell may last
	Past what you can see
	And turn against you ...

WITCH
	Careful the tale you tell.
	*That* is the spell.
	Children will listen ...



						...eliz
__
   tongue - a variety of meat, rarely served because it clearly crosses
            the line between a cut of beef and a piece of dead cow.
                                                    (Bob Ekstrom, Pitt, MN)
Newsgroups: rec.arts.theatre
From: qtm2w@Virginia.EDU ("Quinn T. McCord")
Subject: Re: JCS Recordings
Organization: University of Virginia
Date: Mon, 25 Jan 1993 22:11:42 GMT


	I think most actresses embellish Mary's songs way too
much, as opposed to Yvonne's very simple rendition.  Claire
Moore is fine, however.
						-Quinn
Newsgroups: rec.arts.theatre
From: dsy@psych.toronto.edu (Desiree Sy)
Subject: Re: Kiss of the Spider Woman
Organization: Department of Psychology, University of Toronto
Date: Fri, 22 Jan 1993 14:13:12 GMT

In article <1jkjq4INNlu6@jhunix.hcf.jhu.edu> golds_ss@jhunix.hcf.jhu.edu (Stuart S Goldstone) writes:
>
>	My roommate saw KISS OF THE SPIDER WOMAN in Toronto and loved it,
>and wanted me to ask if anyone knows when it slated to come to Broadway?
>
>
>						- Stu

I heard it would open two days before its eligibility for 1992-3
Tony status would expire.

-desiree
Newsgroups: rec.arts.theatre
From: bnelson@next-7.gac.edu (Brent N Nelson)
Newsgroups: rec.arts.theatre
Subject: Re: "The Actor's Nightmare"
Date: 21 Jan 1993 21:14:26 GMT
Organization: Gustavus Adolphus College
NNTP-Posting-Host: next-7.gac.edu

In article <1993Jan19.104510.17962@Virginia.EDU> qtm2w@Virginia.EDU  
("Quinn T. McCord") writes:
> 
> 	I saw that one-act about a week ago.  I'd say that
> you'd better have a very good actor playing George.  Otherwise,
> I'd say it's pretty straight forward.
> 							-Quinn

I've seen this play done twice, and both times I was really unimpressed.   
Just make sure all of your characters are Good, or the whole play stinks.
Newsgroups: rec.arts.theatre
From: nsh3@cunixf.cc.columbia.edu (Nadine S Harris)
Subject: Re: Judi Dench
Reply-To: nsh3@cunixf.cc.columbia.edu (Nadine S Harris)
Organization: Columbia University
Date: Tue, 26 Jan 1993 22:36:35 GMT

  [ Sorry - I've lost the attribution....]

>>>	Does anyone know what Judi Dench has done besides being the first
>>>Grizabella and playing Dame Quickly in Kenneth Branagh's phenomenal "Henry
>>>V"? I figured she had to have come from the stage, but I didn't know she
>>>did musicals.


She is the "lady noveLIST" (Gilbert's phrase) whom Maggie Smith and
her young cousin (Helena Bonham-Carter) meet in the Italian pensione
in the movie ROOM WITH A VIEW.

The character's name is Eleanor Lavish (ahem) and she writes a book
called "Under a Loggia" which describes all too well some
misadventures of the heroine a clef.  (Cecil mispronounces her
name as Elinor la-VISH").

It's an outrageous performance among a whole pantheon of performances
like that, some of which (Smith, Daniel Day-Lewis, Simon Callow)
are legendary, so it may get overlooked.  It is an excellent
characterization, however, quite believable although very exaggerated
and comic.

In England, she is a very well-known actress who is frequently seen on
tv and in regional theater.  Most English theater fans and TV viewers
are familiar with her.

Nadine

Newsgroups: rec.arts.theatre
From: deleon@adobe.com (Michael de Leon)
Subject: Re: SUNSET BOULEVARD - THE FULL DETAILS!!!
Organization: Adobe Systems Incorporated
Date: Fri, 22 Jan 1993 17:11:58 GMT

In article <1993Jan17.184334.12288@syma.sussex.ac.uk> sfue5@syma.sussex.ac.uk (Andrew Richards) writes:
>
>Further to my posting of yeasterday re. Sunset Blvd, here are the
>current full details, as published in today's London press...
>
>				Sunset Boulevard
>
>				      with
>			 Patti Lupone      Kevin Anderson
>		
>				    Music by
>			      Andrew Lloyd Webber
>		Book & Lyrics by Don Black & Christopher Hampton
>Production Designed by John Napier  Costumes Designed by Anthony Powell
>Lighting Designed by Andrew Bridge  Musical Supervision & Direction by
>							   David Caddick
>	      Orchestrations by Andrew Lloyd Webber & John Cameron 
>			  Musical Staging by Bob Avian
>			     Directed by Trevor Nunn
>
>				Opening 29th June
>				      at the
>				 ADELPHI THEATRE
>				      London
>
>Anyway, hope this is of interest to others who, like me, have been
>waiting eagerly for details for some time....
>
>Andrew
> 

Does anyone know why ALW and Tim Rice no longer work together? It seems to
me that he would have been a natural for the lyrics. He might be less prone
to give give the show an overly self important feel which is one of the 
things I liked about EVITA.
Also, does anyone wonder what Stephen Sondheim might have done with this
show? (SUNSET BOULEVARD that is) 

Michael de Leon
deleon@adobe.com