HDTenEightyP/NetNews huggingface dataset:
From: tdbear@tandon.com (Tom Barrett)
Subject: Re: THX - "The Audience Is Listening"
Organization: Tandon Corporation, Moorpark, CA
Date: Wed, 7 Oct 1992 17:37:47 GMT

I just saw the "THUD" from TINY TOON ADVENTURES: HOW I SPENT
MY SUMMER VACATION... it was just as great as reported (sorry,
I lost the message from the guy who alerted us).  They sort of
teased me through most of the movie hinting at going to the
movies... I new it was coming and it was hard to keep from
using the FF.

Anyway... the credits were super, as reported previously too.
Rent this tape!
-- 
Tom Barrett (TDBear)    tdbear@tandon.com          voice: 805-378-6207
Tandon Corporation      609 Science Drive          Moorpark, CA  93021 
Sr. HW Design Engineer  "War is Peace, No is Yes, And We're All Free!" 
-=>NOTE:  The feed to tdbear@tandon.com may be interrupted in Sept.<=-
Newsgroups: rec.arts.movies
From: wildman@athena.mit.edu (Timothy Worsley)
Subject: Re: List of all J. Jarmusch movies ?
Keywords: Jarmusch List
Reply-To: eprice@sybase.com
Organization: Massachusetts Institute of Technology
Distribution: rec
Date: Wed, 14 Oct 1992 20:56:40 GMT

In article <2478@bigfoot.first.gmd.de> aze@first.gmd.de (Andre' Zehl) writes:
>Has anybody a complete list of all J. Jarmusch movies ?

You might want to check the Director List for this kind of
information.  Here are the ones I can think of:

PERMANENT VACATION
STRANGER THAN PARADISE
DOWN BY LAW
MYSTERY TRAIN
NIGHT ON EARTH

There's also COFFEE & CIGARETTES, a short film I haven't seen.  And
he did a Talking Heads video, I can't remember which song but it's
available on video on a collection of Talking Heads music videos.  It
is obvious which one is his from the style!

My favorite Jim Jarmusch movie is STRANGER THAN PARADISE -- actually
it is one of my all-time favorite movies ever.

Jarmusch also appears in Aki Kaurismaki's LENINGRAD COWBOYS GO AMERICA
and in Alex Cox's STRAIGHT TO HELL.  Anyone know of other roles?

-Ed (not Tim), eprice@sybase.com (not wildman@...)
From: mw2i+@andrew.cmu.edu (Michael Winston Woodring)
Newsgroups: rec.arts.movies
Subject: Freeze Die Come to Life Question -- MAJOR SPOILERS!!!
Date: 13 Oct 92 15:11:26 GMT
Organization: English As A Second Language Center, Carnegie Mellon, Pittsburgh, PA

I have a question about the end of Freeze Die Come to Life.  If you have
not seen the film, don't read further -- SPOILERS SPOILERS SPOILERS











Ok, my question deals with the 'accident' to the two children (Galia and
V. -- I forget to get the spelling of his name) at the end.  What
exactly happened?  They're walking on the railroad tracks when you hear
running, Galia's name, and two cracks (gun shots?  thrown rocks?).  Next
you go back to the village, where the director eventually comes out from
behind his traditional role of director (i.e. he makes himself known to
the audience, someone says that he should take the camera off the
children, he gives directions to the naked crazy woman).  So, what
happened to the children (and does it matter?) & why does the director
choose at the last minute to completely break the direction of the film?
 I am still formulating my own ideas, but I'd like to hear others
(especially if you've seen it more than once).  

Please send responses to this account.

Mike
Newsgroups: rec.arts.movies
From: wildman@athena.mit.edu (Timothy Worsley)
Subject: Re: The Long Goodbye - Elliot Gould as a gumshoe
Reply-To: eprice@sybase.com
Organization: Massachusetts Institute of Technology
Date: Sun, 11 Oct 1992 06:41:30 GMT

In article <98192@bu.edu> abw@natchez.bu.edu (Al Wesolowsky) writes:
>I saw [THE LONG GOODBYE] in its original release, ca. '75, but
>remember it pretty well. I liked it a lot.

>But, (spoiler follows)
(Sure does.)

>The ending, when Gould offs the baddie, goes against everything
>Chandler ever wrote. Visceral, cathartic, possibly tacked on by the
>studio brass, but just plain *wrong*.

I had read the book before I saw the movie.  But I loved the movie,
including the ending.  I didn't mind that he took liberties with
Chandler's story; the ending is hardly the only thing that is
significantly different.

>And the line, "You killed my cat," was egregious.

Maybe such a line would be egregious if it were in the film...

You should watch it again; it is certainly better in the theater than
on video, but it is available on laserdisc, letterboxed.

Ciao,

-Ed (not Tim), eprice@sybase.com (not wildman@...)
Newsgroups: rec.arts.movies
From: boltz@chopin.psu.edu (Mark Boltz)
Subject: The Princess Bride - Script?
Organization: Penn State University
Distribution: usa
Date: Sun, 11 Oct 92 01:57:51 GMT

I'm looking for anyone who may have a copy of the script to the Princess
Bride that they could email me.  If so, send it out to

boltz@vivaldi.psu.edu

if you could. I like the movie a lot, but find Montoya and others hard to
understand in some places.  (Like the duel with Wesley).  Thanx.


------------------------                        ------------------------------
boltz@vivaldi.psu.edu                         The Pennsylvania State University
"Buster" Boltz, Toonster Extraordinare                "...no relation"
"Dost thou not know, my son, with how little wisdom the world is governed?"
					Count Oxenstierna (1583-1654)
------------------------                        ------------------------------

Xref: sparky rec.arts.movies:29948 rec.arts.sf.movies:7835
From: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Newsgroups: rec.arts.movies,rec.arts.sf.movies
Subject: Re: alt.bladerunner
Date: 9 Oct 92 16:45:46 GMT
Reply-To: lsnow@ncrclm.ClemsonSC.NCR.COM (Linda Snow)
Organization: NCR E&M CLEMSON Liberty, SC

In article <1avks7INN7ge@gazette.bcm.tmc.edu> rick@crick.ssctr.bcm.tmc.edu (Richard H. Miller) writes:
>In article <JARI.MAKELA.92Sep30151854@valerian.hut.fi>, Jari.Makela@hut.fi (Jari.Makela) writes:
>> 
>> How about someone creating alt.bladerunner,
>
>Or better yet, just ignore what you are not interested in; most threads on
>individual movies tend to die out after a few weeks (or at least fade into the

In general this is true.  Bladerunner is the major exception to the rule.
I have been reading this group regularly for over 6 years and my conclusion
is that Bladerunner is the most heavily dicussed movie of all time in this
newsgroup.  The Is-Deckard-a-replicant thread NEVER goes away.  And now that
we have the director's cut to hash over, the traffic is even heavier. I 
think a separate newsgroup is in order.
From: milst1@cislabs.pitt.edu (Martin I Lewison)
Newsgroups: rec.arts.movies
Subject: Re: Glengarry Glen Ross (*SPOILERS*)
Date: 8 Oct 92 02:57:33 GMT
Distribution: usa
Organization: University of Pittsburgh

SPOILER WARNING





>
>First, people in 
>my viewing party disagreed about whether or not Pacino had slept with
>the guy he sold the land to.  One
>of us said he had slept with him, and then he threatened him with telling
>his wife about it (very subtle, friendly, threats).  Did others see this?

Whoa!  Totally new angle for me.  I didn't suspect such a thing for a second,
although, I did wonder why the client was so upset at the end.  I just assumed
that it was because he'd just blown a lot of money without his wife's 
permission, and it seemed that she wore the pants in that family.  

I did wonder why that guy was sitting in a seedy cocktail lounge with Pacino.
Was he a potential client from the start, meeting with the salesman because
he had genuine interest.  No, the conversation didn't get to Glengarry
until much later.  Maybe the dude was just hanging out.  I thought he
was another salesman at first!
>
>The other question is, what was that look on Pacino's face when Lemon
>said he made the killer sale this morning?  It was some sort of realization.
>Sort of like the look on Kevin Spacey's face when he figured out Lemon knew
>something he shouldn't have known.  In the larger sense, I guess I want to
>know when Pacino figured out Lemon's story was inconsistent.  And did he 
>know the marks Lemon hit were mental cases?  Was he just being nice to
>Lemon for kicks?
>And why was Harris so mean to Lemon when Lemon did what he wanted?

I didn't catch the look on Pacino's face either.  I thought he was just
genuinely surprised and supportive.  What was wrong with Lemmon's story?
I had no clue until Spacey said the check was no good.  Lemmon knew that
the old leads sucked.  Why didn't he figure it out by himself?

I think Harris was just really fucking scared of being caught.

>
>I liked the movie, but I was a bit confused.  I don't normally deal with
>people who are quite that visibly twisted.
>--
>Tracy Larrabee		larrabee@cse.ucsc.edu

Yeah, really sick people.  I liked that "In New York, everyone is completely
screwed up" feel to that film.

Sorry I was so unattentive!  I've gotta go see it again, or read it.

-Martin
From: "tom betz" <tom.betz@execnet.com>
Newsgroups: rec.arts.movies
Subject: green lantern: the motion
Date: 8 Oct 92 04:36:47 EST
Reply-To: "tom betz" <tom.betz@execnet.com>
Distribution: rec
Organization: Executive Networks Information

Quoth Andre Kuzniarek regarding GREEN LANTERN: THE MOTION on 10-06-92:

AK>Back on the subject of Green Lantern, does anybody here think casting 
AK>Gerard is a good idea? 

Doubtful.

AK>I mean, gads, he was a damn fart when he did Bu
AK>Rogers. 

I don't remember G.L. being a particularly young man.

AK>What's with these hollywood people? They cast Tom
AK>Hanks in _Stranger in a S. L._ and now this!

I have mixed feelings about Hanks.  If he doesn't play it for laughs, 
and he loses all that weight he put on for the baseball movie, and then 
some, he might just be able to pull off VMS.

He's no Bowie, granted...

---
  WinQwk 2.0 a#299  A myth is a way of thinking imbedded in our consciousness
--
Executive Network Information System  (914) 667-4567
International ILink Host
From: bole@hmivax.humgen.upenn.edu (Greg Bole)
Newsgroups: rec.arts.movies
Subject: Re: Gerard Depardieu
Date: 9 Oct 92 21:03:02 GMT
Organization: HHMI/Human Genetics, Univ of Pa.

In article <2AD5C51C.4523@news.service.uci.edu>, assist@orion.oac.uci.edu 
(ASSIST Coordination Site) writes:
> In article <nnvzabl@rpi.edu> Matt Garretson writes:
 
>>I'll have to catch up on his older stuff. I hate the way everyone in the US
>>pronounces his last name "Depardoo".
 
> I have to agree!  Why is it so hard for people in the US to pronounce
> foreign names how they are supposed to be pronounced?

*FLAME-THROWER ON*

Arrrrrrgggghhhhhh!!!   I held my tounge the first time, but couldn't do 
it again.  If it's a foreign name...how the hell are we *supposed* to know
how to pronounce it?!?!?  I've always used the above pronunciation, because
I've never heard any other!  I have never taken a lick of French, and probably
never will.

I hate people that complain about something that could be corrected so easily,
then DON'T EVEN BOTHER TO CORRECT IT!  If you are sick of hearing "Dep-ar-doo"
tell us the way *he* pronaunces it, and we'll know better!!!  Do you think 
we say this just to piss off the French?  (We do other things to do that, like
insult Jerry Lewis)  :^)

*FLAME-THROWER OFF*

Greg Bole                                "What kind of mother would I be if I
bole@hmivax.humgen.upenn.edu              didn't give my girls tits...tips?"
                                             Dustin Hoffman in _Tootsie_
Xref: sparky rec.arts.movies:30420 alt.cult-movies:9142
From: stuam@csv.warwick.ac.uk (Mr O A Machado)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: Fav films?
Date: 16 Oct 92 13:46:33 GMT
Organization: Computing Services, University of Warwick, UK
NNTP-Posting-Host: lily.csv.warwick.ac.uk

In article <562zrxg@rpi.edu> kimp@rpi.edu writes:
>I need to expand my video library NOW.  So if you have a list of films 
(preferably 10 or less) that everyone MUST (or should) have, please list 
them here or send me an e-mail.

10 films that everyone MUST have:

Henry, Portrait of a Serial Killer             (John McNaughton)
The Cook, The Thief, His Wife and Her Lover    (Peter Greenaway)
Taxi Driver                                    (Martin Scorsese)
A Clockwork Orange                             (Stanley Kubrick)
Suspiria                                       (Dario Argento)
Eraserhead                                     (David Lynch)
Dead Ringers                                   (David Cronenburg)
Down By Law                                    (Jim Jarmusch)
Un Chien Andalou                               (Luis Bunuel/Salvador Dali)
Martin                                         (George Romero)



Orlando
-- 
-----------------------------------------------------------------------------
"I can't take pleasure from killing - but there's |      Orlando Machado
 just some things you gotta do..."          - TCM |  stuam@csv.ac.warwick.uk
-----------------------------------------------------------------------------
From: bd@fluent@dartmouth.EDU (Brice Dowaliby)
Newsgroups: rec.arts.movies
Subject: Re: Movies
Date: 13 Oct 92 17:06:10 GMT
Reply-To: bd%fluent@dartmouth.EDU
Distribution: usa
Organization: Fluent Inc., Lebanon NH

Well, this is one of the *most* informative subject lines I've seen.
-- 
   Brice Dowaliby, Fluent Inc., 10 Cavendish Court, Lebanon, NH  03766
                         bd%fluent@dartmouth.edu        
             I don't speak for them, they don't speak for me
                              DoD # 0698
From: smmat@ukc.ac.uk (S.M.M.Al-Taher)
Newsgroups: rec.arts.movies
Subject: Re: Identify this quote
Date: 7 Oct 92 15:17:39 GMT
Reply-To: smmat@ukc.ac.uk (S.M.M.Al-Taher)
Organization: Computing Lab, University of Kent at Canterbury, UK.

In article <dewey-061092160314@sebastian.centerline.com> dewey@centerline.com (Devan F. Dewey) writes:
>The quote is: "Be afraid. ... Be very afraid."
>
The Fly (1986). Isn't it?

Sami.
--
| Sami M AL-Taher                |                                 | 
| Electronic Engineering Labs.   |                                 |
| University of Kent,            | E-mail: smmat@ukc.ac.uk         |
| Canterbury, Kent, UK.          | Tel: + 44 227 769303            |
From: rabbi@kiwi.gen.nz (Rabbi Bajzheet)
Newsgroups: rec.arts.movies
Subject: Rosencrantz and Guildenstern are Dead
Date: 16 Oct 92 13:07:12 GMT
Organization: Household UNIX, Auckland, New Zealand
X-Newsreader: Tin 1.1 PL4

I finally managed to see this movie last night. Wow! It's got to be one of the
best films I've ever seen. What other movies/plays/whatever has Tom Stoppard
done?

And doe anybody have any idea why `Seamus' was the title song?

What was the coin flipping thing about? Was it just to demonstrate that they
weren't really in the real world? Why all the stuff aout Rosencrantz discovring
basic physical laws all the time?

I'm going to see it again in a few days; maybe that'll shed some more light on
it.

Rabbi
From: mlh@eddy.austin.ibm.com (Mike Haskell)
Newsgroups: rec.arts.movies
Subject: Re: Gerard Depardieu
Date: 15 Oct 92 20:45:48 GMT
Organization: IBM, Austin

In article <lairdb.719091147@crash.cts.com> lairdb@crash.cts.com (Laird P. Broadfield) writes:
>In <1992Oct13.161120.21349@awdprime.austin.ibm.com> mlh@eddy.austin.ibm.com (Mike Haskell) writes:
>
[much verbal excrement deleted]

>Isn't it interesting that Mike assumes that anyone who would point out
>faults in American anything must be a foreigner?  Does "love it or leave
>it" sound familiar, Mike?  Ever notice how the sort of people who say
>things like that never seem to think of the most "American" alternative
>of all: "fix it"?

Ever notice that no matter how many times someone tries to fix a problem
you still keep getting whiners like Lard here?

>
>Any questions?

Yea.  When are going to stop using your head as a proctoscope and get back 
to the topic of movies?  
Newsgroups: rec.arts.movies
From: wildcat@niwot.scd.ucar.edu (Wes Wildcat)
Subject: Re: Best Sequels
Organization: Scientific Computing Divison/NCAR Boulder, CO
Date: Fri, 16 Oct 1992 20:31:10 GMT

In article <1992Oct16.170844.8493@twisto.eng.hou.compaq.com> mccreary@sword.eng.hou.compaq.com (Ed McCreary) writes:
>In article <1992Oct16.124348.16655@abo.fi> FHERTZBERG@finabo.abo.fi (Fredrik Hertzberg Lit) writes:
>>
>>  "The Exorcist" No. 2 as well as "Rambo" 2 & 3 and "Nightmare on Elm Street"
>>2 & 3 and "Halloween" 2 & 3 are all better than their predecessors! Fred
>>
>COUGH! cough! sputter, sputter, blech, cough, cough....blech.
>
>You just happen to pick four sets of movies in which I liked the first
>and despised the sequals.  Actually, Halloween 2 wasn't that bad, but
>it sure wasn't better than the original.
>
>
>
>--
>In the midst of the word he was trying to say,|McCreary@sword.eng.hou.compaq.com
>     In the midst of his laughter and glee,   |Me, speak for Compaq?  
>He had softly and suddenly vanished away---   |Yeah, right.
>     For the Snark *was* a Boojum, you see.   |#include <stddisclaimer.h>


	My favorite sequel had to be Friday the 13th Part III.  It would have
been just another teen slasher film but the 3-D version kept the theater packed
for weeks.                               

Newsgroups: rec.arts.movies,alt.cult-movies
From: jor1@hera.uucp (24315-rich)
Subject: Re: the absolute worst movie of all time, so bad it's bad
Organization: Bellcore, Livingston, NJ
Date: Wed, 7 Oct 92 19:17:54 GMT
Followup-To: rec.arts.movies
Summary: Orgy of the Dead

In article <2OCT199220125227@nsinic.gsfc.nasa.gov>, lev@nsinic.gsfc.nasa.gov (Brian S. Lev) writes:
> In article <wemAPWm00WB4JNh2Qv@andrew.cmu.edu>, kn00+@andrew.cmu.edu (Kevin S Ng) writes...
> > 
> >    I think I can remember one movie that my friends talked me into
> >renting-----"Orgy of the Dead". If anyone has mentioned this before, or
> >know anything at all about this piece of sh*t, welcome to hell.
> 
> OotD is probably the only movie I've ever seen (yes, it was a rental, and
> no, it wasn't worth the money, even split between me and three friends)
> that I consider worse than "Battle Beyond the Stars" -- which I saw eons
> ago in the theater, and which a friend of mine and I still refer to 
> "Garbage Beyond the Stars."
> 
> By the way, I thought "Night of the Comet" was a pretty good flick!
> 
> -- Brian
> 

I thought "Orgy of the Dead" reached a point where it became
hysterical. Criswell's "evil" rantings and that K-Mart Wolfman
costume, for example....
Xref: sparky rec.arts.movies:29924 alt.cult-movies:8932
From: donnell@sponge.micro.umn.edu (Your Heinous)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: HEADLESS EYES: Worst movie?
Date: 10 Oct 92 15:24:37 GMT
Organization: none

In article <1687BF85F.PETERC@YaleVM.YCC.Yale.Edu> PETERC@YaleVM.YCC.Yale.Edu (Peter Correnty) writes:
>In article <1992Oct9.165458.20714@ifi.unizh.ch>
>hafner@ifi.unizh.ch (Michel Hafner) writes:
> 
>>
>>In article <Bvuzvw.DE4@usenet.ucs.indiana.edu> foxd@silver.ucs.indiana.edu (daniel fox) writes:
>>>The movie HEADLESS EYES is real real real bad.  It seems to be meant to be
>>>taken seriously as an art film but the dialog is awful. It's not
>>>unintentionally funny, it's just bad.
>>>The premise is that a burglar during one of his robberies gets an eye gouged
>>>out with a spoon.  He then goes on to become a twisted artist (you can tell
>>>that he's a twisted artist because he says things like "I`m twisted!" all
>>>through the movie) who stalks victims and gouges their eyes out with a spoon
> 
>This movie IS really awful, but I kinda enjoyed its cheesiness.  Everything is
>crude about this film ... acting, fx, dialogue, plot.  This last scene in
>the meat locker is a weird combination of art/shlock/ineptitude (???).
> 
>I believe someone confused this movie with LES YEUX SANS VISAGE (EYES
>WITHOUT A FACE)!!!!!!!  EYES WITHOUT A FACE does NOT equal HEADLESS EYES!!
>Oh my God, the latter is a brilliant masterpiece filmed in gorgeous
>b&w in 1959 with a literate screenplay and awesome perfs, and the former
>is a bad-beyond-belief brain dead bloodfest with no redeeming qualities ...
>probably why I enjoyed it.
> 
> 
>Pete.

Is this what you meant? Seems to me that "La Yeux Sans Visage" was filmed in
"gorgeous b&w" about 1959, etc...
Love everything I have seen by Georges Franju...

						--Judex--
Newsgroups: rec.arts.movies
From: lairdb@crash.cts.com (Laird P. Broadfield)
Subject: Re: Gerard Depardieu
Organization: "Well, a head on top, an arm on each side, two legs...."
Date: 14 Oct 92 19:32:27 GMT

In <1992Oct13.161120.21349@awdprime.austin.ibm.com> mlh@eddy.austin.ibm.com (Mike Haskell) writes:

[omitted:  my remarks about the average American's education being 
lacking in quality and breadth, particularly in the so-called
"liberal arts."]

>Laird P Broadfield?  Let me guess... We ignrant Amerkans dont kno shit.
>How about a cruise missle up your ass, as that is something we ignrant
>Amerkans can do well.  Oh, excuse me Laird,  let me interpret for you...
>"How about a projectile up your arse?  Go toss off, you bloody wanker."

Well, I'm not sure if this would be funnier if I were whatever kind of
foreigner this fellah thinks I am.  FYI, Mike, I was born here, I've
lived most of my life here, I was "educated" in what passes for public
schools here, I'm in business here doing system design (using virtually
nothing of what was fobbed off on me as an education), I'sm a militia
member, and believe myself more patriotic (in both active and passive
senses) than most, I've even taught high school "students" here, and I 
*still* agree with you: most "ignrant Amerkans"[sic] are pathetically 
undereducated.

"If a foreign government had imposed this system of education on the
 United States, we would rightly consider it an act of war."
   --Glenn T. Seaborg, National Commission on Excellence

Isn't it interesting that Mike assumes that anyone who would point out
faults in American anything must be a foreigner?  Does "love it or leave
it" sound familiar, Mike?  Ever notice how the sort of people who say
things like that never seem to think of the most "American" alternative
of all: "fix it"?

Any questions?

-- 
Laird P. Broadfield     lairdb@crash.cts.com    ...{ucsd, nosc}!crash!lairdb
Hi!  I'm a shareware signature!  Send $5 if you use me, send $10 for manual!
From: farant@terapin.com (Faran Thomason)
Newsgroups: rec.arts.movies
Subject: Under Siege-Possblie Spoilers
Date: 7 Oct 92 23:33:37 PST
Organization: BBS

I just saw the latest Steven Seagl flick Under Siege. In my opinon it is his
best best film and certainly his biggest budget. Howver it is still a pretty
average action film with one dimensional characters. Segal has ano charisma.
The best actor in the film is Gary Busey(which gives you an idea of the talent
assosiated with this film.) 
In a nutshell it's a lame combination of Die Hard and Hunt For Red October. The
action sequnces are pretty lackluster however there are a few decent gore
scenes. If you like Segal movies you will probobly like this one if not you
probobly won't see it anyway.
From: hamster@werple.apana.org.au (Anthony Horan)
Newsgroups: rec.arts.movies
Subject: Re: Question: "The Player"
Date: 7 Oct 92 15:23:40 GMT
Organization: werple public-access UNIX, Melbourne
NNTP-Posting-Host: werple.apana.org.au

MDJ102@psuvm.psu.edu (Mike Jung) writes:

>Who played the Ice Queen (June Gutmundsdottir, sp) in "The Player?"

Greta Scacchi, a rather wonderful (semi) Australian actress.

She's been in such recent films as "Shattered", and "Fires Within", and
"Turtle Beach". Her older films include "White Mischief" "Heat And Dust"
and, of course, "Presumed Innocent" opposite Harrison Ford. 

There's an actress list elsewhere in this newsgroup at the moment, so
you can look her up! :-)

Anthony Horan

-- 
(@)  (@)                            |    Anthony Horan
   UU                               | Melbourne Australia
////////                            | "Alas, poor kcirroY...
hamster@werple.apana.org.au         | I knew him backwards!"
Newsgroups: rec.arts.movies