HDTenEightyP/NetNews huggingface dataset:
From: mingus@cbnewsl.cb.att.com (Damballah Wedo)
Subject: Re: Cecil Taylor
Organization: The Poto Mitan in the Houmfor
Distribution: na
Date: Wed, 11 Nov 1992 17:57:17 GMT

> jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas):
>                                               Also, anybody have
> THE GREAT CONCERT with Jimmy Lyons and Sam Rivers on Prestige?
> This looks like it would burn -- I think it's a three record set.

It does burn -- continuously, unrelievedly, for all three albums.
This monochrome intensity winds up detracting from the overall appeal
of the album. I think overall it's a disappointment, given the
quality of the personnel.

BTW, this was initially issued as three separate LP volumes called LES
NUITS DE LA FONDATION MAEGHT, on a French label (BYG?) These are very
rare and worth a lot of money. They are also to be distinguished from
two Sun Ra albums of the same name, recorded either the same year, or
another, but of the same festival.
-- 
Marcel-Franck Simon             	mingus@usl.com, usl!mingus

	" Papa Loko, ou se' van, ou-a pouse'-n ale'
	  Nou se' papiyon, n'a pote' nouvel bay Agwe' "
Newsgroups: rec.music.bluenote
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: CONCERT: Dixie Dregs West Coast Assault [USA]
Organization: Wind River Systems, Inc.
Date: Sat, 7 Nov 1992 18:16:11 GMT

daugherb@b8.b8.ingr.com (Bruce Daugherty) writes:

>##Are you sure about Jerry Goodman on violin? Did he replace Alan Sloan
>  for this tour? Sloanav sure gave a great edge to original Dixie Dregs
>  sound, I guess he's back in anesthiesiology (sp?).

I'm sure that Goodman was on the last leg of the tour a few weeks ago and 
I'd heard that Sloan or whoever couldn't make it, I think because of
med school, even though he is on the latest recording and Goodman isn't. 

I think Jerry Goodman was doing new age stuff a few years ago, but I've
rarely heard his name since Mahavishnu and the Goodman/Jan Hammer 
collaboration. So I'm especially interested in feedback from fans on 
how he fits and sounds with the Dregs vs. the Dregs other violinist(s)?
There's been more than one guy on violin on Dregs recordings, right? 

  - Malcolm
  
Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Re: Bill Evans
Organization: Brotherhood Of Breath
Date: Tue, 10 Nov 1992 05:16:18 GMT

bweiner@ruhets.rutgers.edu (Benjamin Weiner) writes:
>There was a Bill Evans album reissued (on LP, maybe CD) in about 1988 
>called "You're Gonna Hear from Me."  

It's on CD as Milestone MD 9164.  Recorded November 24, 1969
in Copenhagen, with Eddie Gomez (b) and Marty Morell (d).

Another CD from the same concert is "Jazzhouse" MD 9151.


--Gidi
Newsgroups: rec.music.bluenote
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: CONCERT: Dixie Dregs West Coast Assault [USA]
Organization: Wind River Systems, Inc.
Date: Thu, 5 Nov 1992 17:33:14 GMT

jordan@mothra.rose.hp.com (Jordan Levin) writes:

>    West coast assault is
>    as follows: (venues unavailable at this moment) 

>    Nov 13th  Santa Cruz
>              San Jose
>              San Francisco
>              Los Angeles
>              Fresno
>              Ventura
>    Nov 19th  San Diego

>Has anyone heard anything more on this (i.e. actual dates and places)?

I saw an ad for yesterday for a show at Slims in San Francisco. Don't
have the date handy. Personally it's one of my least favorite venues
to see a show at, and I doubt I'll bother going, though I'm very curious
about hearing Jerry Goodman on violin with them

  - Malcolm 

Newsgroups: rec.music.bluenote
From: rpeck@pure.com (Ray Peck)
Subject: Re: Henry Kaiser recommendations
Organization: Pure Software, Los Altos, CA
Date: Mon, 9 Nov 1992 00:39:20 GMT

In article <40418@sdcc12.ucsd.edu> ee152fcy@sdcc15.ucsd.edu (Paolo Valladolid) writes:
>After hearing Kaiser on _World Out of Time: Henry Kaiser and David
>Lindley in Madagascar_, I would like to hear more of his playing.
>So, any recommendations?

I have 5 of his, I guess:

o	French, Frith, Kaiser and Thompson
o	French, Frith, Kaiser and Thompson, "Invisible Means"
o	Frith and Kaiser, "With Friends Like That, Who Needs Enemies?"
o	Henry Kaiser, "Crazy Backwards Alphabet"
o	Henry Kaiser, "I can't remember the damn name and it's at home.  
	There's a picture of a scuba diver on the front."

I'd recommend Crazy Backwards Alphabet (with Andy West of The Dregs)
and the first FFK&T as first buys of those 5.


-- 
Ray Peck						rpeck@pure.com
Pure Software						415-903-5100
2111 Grant Road
Los Altos, CA, 94024
From: oded@fiber-bits.ai.mit.edu (Oded Maron)
Newsgroups: rec.music.bluenote
Subject: Posters
Date: 13 Nov 1992 17:23:31 GMT
Organization: MIT Artificial Intelligence Lab
Distribution: world
NNTP-Posting-Host: fiber-bits.ai.mit.edu

Does anyone know of a mail-order place that has a good sized collection of 
blues/jazz posters?

Thanx,

Oded
Newsgroups: rec.music.bluenote
From: ssr1099@zeus.tamu.edu 
Subject: GRP All-Star Big Band
News-Software: VAX/VMS VNEWS 1.41    
Organization: Texas A&M University, Academic Computing Services
Date: Thu, 5 Nov 1992 22:39:00 GMT

We have had someone submit an article that wants a discussion on the GRP All-
Star Big Band album, issued this past summer.  Well, here's my 2 cents worth,
and according to some of the e-mail I get, that's probably all these people
will think it's worth (my advice to them is to keep listening to other things) -

This album has only one major drawback in my opinion (but it's also something
that helps it be unique among other big band albums):  they don't do the 
standard big band thing very much.  What I mean is that they ARE a big band,
but they don't play in the standard style.  When I purchased the album, I was
expecting a much more orchestrated approach to playing...this isn't the case,
so some of the tunes sound SLIGHTLY drawn out, but not much.  What you will hear
on this album is the combo-improv style done on a large scale.  For the most
part this works quite well.  I think a better job could've been done on some
pieces, e.g. "The Sidewinder."  For the most part, the arranging is wonderful
and the performance is good.  If I had to name instrumentalists that do the
best jobs on the album, I would cite Gary Burton, Nelson Rangell, Lee Ritenour,
and Arturo Sandoval.  If you listen to the album, you will know why I say this:
the arrangements loan themselves to solos in these areas.

High Points:
1)  My favorite 3 pieces on this album are, in order:
	"Donna Lee" (a VERY good interpretation of the Charlie Parker tune)
	"Spain" (Chick Corea, eat your heart out...the nice part about this
	         piece is that they take the genius of Corea and only make
		 it better!)
	"Sister Sadie" (it's just cute)
2)  This album has very good sound quality, but the playing isn't flawless,
    which is fun.  For instance about 2/3 of the way through "Donna Lee" it
    almost sounds as though you can hear someone make a yell...fun, indeed.
3)  The sequence of pieces is a little divergent, so even if you don't like
    every chart, there WILL be some that you will like.  This album lends
    itself to suiting tastes that span the entire range of jazz listening.

So, in conclusion...this album is more mainstream than most GRP stuff, so those
of you who have constant gripes about GRP might actually enjoy it (if you let
yourselves) and those of you who like GRP already will probably like this too.

I will posting some production information in the coming week...a precursor
to that is that Dave Grusin is in the preliminary stages of developing a tribute
album to Duke Ellington, analogous to his tribute to George and Ira Gershwin,
THE GERSHWIN CONNECTION, which was released about a year ago.

That's all for now...good listening and good bye until later,
Shea
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Subject: Brecker Brothers in Boston
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Distribution: ne
Date: Tue, 10 Nov 1992 01:18:43 GMT

In article <1992Nov9.135837.14989@news.cs.brandeis.edu>, rardin@binah.cc.brandeis.edu (R. Lynn Rardin) writes:

>I saw an ad in JazzTimes that said that the Brecker Bros. would be appearing 
>at the Bluenote in December.  Anyone know if there are plans for appearances 
>outside of NYC?  I would be especially interested in appearances in the Boston 
>area!

I got some information today that enables me to answer my own question. :)  For 
the benefit of Brecker Bros. fans in the Boston area, they'll be appearing at 
the Berklee Performance Center on Friday, December 4 at 8:00 PM.  Tickets are 
$16.50 and $19.50.

-Lynn  (rardin@auriga.rose.brandeis.edu)
Newsgroups: rec.music.bluenote
From: thorn@phoenix.radonc.unc.edu (Jesse Thorn)
Subject: Re: Otis Rush
Organization: Radiation Oncology, NCMH/UNC, Chapel Hill, NC
Date: Mon, 9 Nov 1992 18:10:23 GMT

In article <1dcdpgINN7le@life.ai.mit.edu> oded@fiber-bits.ai.mit.edu (Oded Maron) writes:

>Also, I have a number of his albums.  Does anyone have recommendations
>for more stuff?
>

I have heard cuts from his Cobra sessions on Paula which I have really
liked. It's in the same vein as the Door to Door stuff. I have his
live in Japan lp on Delmark that I would recommend highly. Its called
So Many Roads. I believe it was just released on cd along with Cold
Day In Hell. It features killer versions of All Yor Love (I Miss
Loving), Crosscut Saw and I Can't Quit You.

--Jesse
From: mjs@fc.hp.com (Marc Sabatella)
Newsgroups: rec.music.bluenote
Subject: Re: Definitive "Bluesette" recording/vocalist?
Date: 12 Nov 92 23:25:17 GMT
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]

Michael Hayward (hayward@biblio.ucs.sfu.ca) wrote:
: You know how every now and then you'll hear a great tune that you know  
: you've heard many times in the past, but you're not sure where or by who?  
: Well last night I was at a concert where "Bluesette" was featured during  
: the set, and I've decided that I need to get a good recording of it. And,  
: if possible, others in a similar style (don't ask me to characterize the  
: style or the era).

OK, since you're not being picky, I'll name the one recording I have of this
tune: on "Doc Severinsen's Greatest Hits".  This album is about 10 years old,
and features most of his Tonight Show band, I think.  I'm not sure why I have
it.

--
Amendment 2 - Shame On You, Colorado
--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
a disgusted resident of the first state in history of the union
to enact a constitutional amendment that explicitly legalizes discrimination
against a particular minority
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
Newsgroups: rec.music.bluenote
Subject: Rahsaan Roland Kirk - Info Please
From: kulp@cosc.canterbury.ac.nz (David Kulp)
Date: Sat, 7 Nov 1992 23:31:44 GMT
Organization: University of Canterbury, Christchurch, New Zealand

I just picked up Rahsaan Roland Kirk's _The Man Who Cried Fire_ on
Night Records and was so darn tickled pink over this incredibly
"down" jazzman! I'm sure many of you have mentioned Kirk previously,
but so often I don't bother paying attention unless I'm ALREADY
familiar with the musician -- what a shame. I remember listening to
bits of _The Case of the 3 Sided Dream_ several years ago and finding
it too "out" for me at the time, but if it's anything like Cried Fire
then it should be right up my alley these days.

The liner notes attempt to fight the impression that Kirk is gimmicky
since he sometimes plays 2 or 3 horns simultaneously, is able to
sustain notes seemingly forever using a clever breathing technique
(HOW does he do it?), and fiddles on trumpets with sax mouthpieces
and other peculiarities.  I found him wonderfully creative and
enjoyable. I just freaked listening to him, and I'd love to hear
more information about the man, his recordings, reccomendations,
or any tangent. I must admit that I didn't recognize any of the
support group from this live recording :-(

Thanks,
David.

Newsgroups: rec.music.bluenote
From: cfthb@ux1.cts.eiu.edu (Howard Black)
Subject: Re: Return To Forever
Date: Wed, 11 Nov 1992 21:11:05 GMT
Organization: Eastern Illinois University

In article <1992Nov11.190406.22393@mlb.semi.harris.com> jphillip@comanche.ess.harris.com writes:
>I consider  Return To Forever's Romantic Warrior a fusion classic. A blazing
>19 year old Al D., Chick at his best, start of Stanley's impact and influence
>on bassists, and a smokin' Lenny White.
>

    I agree completely.

-- 
   ******************************************************************
     Howard Black                             cfthb@ux1.cts.eiu.edu
     Department of Chemistry                  Eastern Illinois Univ. 
Newsgroups: rec.music.bluenote,rec.music.cd
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: John Coltrane Tribute on the radio
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Distribution: na
Date: Thu, 5 Nov 1992 18:21:25 GMT

Damballah Wedo (mingus@cbnewsl.cb.att.com) wrote:

: Are you sure it's Blue Note? The Cuscuna/Ruppli discography of the label
: includes no recordings of these two, individually or together, made at
: the Five Spot or anywhere else for that matter.
: ...
: Unless of course it's some low-fi bootleg that Blue Note purchased
: from some scuzzball lowlife (or exalted fan, depending on your
: point of view :-)

I suspect the latter.  The existence of such tapes have been known about for
quite some time - Coltrane himself had them in his possession and thought of
them among his most treasured recordings, according to some sources (no, I
don't remember where I heard that - perhaps the same Downbeat article?)

Low-fi, lowlife, or not, I'm buying them the instant they become available.

--
Amendment 2 - Shame On You, Colorado
--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
a disgusted resident of the first state in history of the union
to enact a constitutional amendment that explicitly legalizes discrimination
against a particular minority
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
Newsgroups: rec.music.bluenote,rec.music.makers
From: cornwall@bach.udel.edu (Ray J Cornwall)
Newsgroups: rec.music.bluenote
Subject: Coltrane Recordings
Date: 5 Nov 92 22:26:13 GMT
Article-I.D.: news.Bx9Kzq.5L3
Organization: University of Delaware

I also am interested in which Coltrane recordings are good. I've just
recently started listening to jazz, and am currently enjoying Coltrane
and Davis. I've got Coltrane's Giant Steps, Blue Train, My Favorite
Things, Village Vanguard, Birdland, and A Love Supreme. I had Om, but
hated it and sold it back. I also have Miles' Kind of Blue and Birth
of the Cool.
Given these tastes, which Coltrane and Davis CD's (I don't have a
record player or a reliable cassette deck) should I look into?
Thanks. I hope the focus of this question is different from other
recent inquiries...
Ray Cornwall
University of Delawhere
From: oded@fiber-bits.ai.mit.edu (Oded Maron)
Newsgroups: rec.music.bluenote
Subject: Otis Rush
Date: 6 Nov 1992 00:21:04 GMT
Organization: MIT Artificial Intelligence Lab
Distribution: world
NNTP-Posting-Host: fiber-bits.ai.mit.edu

I'm sitting here listening to his "Cold Day in Hell" again and thinking
what an incredible musician he is.  Does anyone know if he's touring
or is planning to tour in the near future?

Also, I have a number of his albums.  Does anyone have recommendations
for more stuff?

This is what I got: Cold Day in Hell, Mourning in the Morning,  Lost
in the Blues, and Door to Door with Albert King.

Thanx,

Oded
From: cjf49655@uxa.cso.uiuc.edu (Chuck)
Newsgroups: rec.music.bluenote
Subject: Re: Otis Rush
Date: 7 Nov 92 02:29:23 GMT
Article-I.D.: news.BxBqx0.C2G
Organization: University of Illinois at Urbana

try to find "Groaning the Blues: Original Cobra Recordings 1956-58",
on Flyright records (FLY 560)  
IMHO easily his best work. the legendary Lester Bangs agrees with me
(or rather, I agree with him, I suppose).
Its in mono, and its a British import, and I have no idea if its still in print.


-- 
Chuck Falzone
cjf49655@uxa.cso.uiuc.edu
Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: Where's Lennie Tristano???
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Date: Thu, 5 Nov 1992 18:24:07 GMT

Lenny Silver (lenny@theory.TC.Cornell.EDU) wrote:
: 
: There's a Lee Konitz album called something like Subconscious-Lee on which
: Tristano plays.  There's some other stuff I have that's pretty good, and
: some on which the recording quality is abysmal.  The 'Jazz' label is run
: by Tristano's daughter.  I'm personally waiting for a Mosaic set that they
: report is in the works.

Much of the "Jazz" catalog is available from Cadence, including several
Tristano recordings.

He also plays on at least one recording with Bird, recorded in Tristano's
apartment, with someone playing "drums" on a phone book.

--
Amendment 2 - Shame On You, Colorado
--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
a disgusted resident of the first state in history of the union
to enact a constitutional amendment that explicitly legalizes discrimination
against a particular minority
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Fantasy box sets (was Re: Bill Evans
Organization: AT&T
Distribution: na
Date: Thu, 12 Nov 1992 04:00:50 GMT

dadoun@cs.ubc.ca (Nou Dadoun) writes:
>Just a short (general) word of advice, hold off on box-sets from 
>Fantasy for a little while (<=month); I  just got a Fantasy release
>sheet anouncing major cuts in their box-set prices soon.

Another good news posting. I'm on the verge of buying the Monk box (there's
a spot next to the Evans/Riverside and Mile boxes just itching to be filled),
just waiting for a Fantasy sale.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: burger@sphinx.ece.wisc.edu (Dick Burger)
Subject: Re: Jazz/Bach fusion?
Organization: Univ. of Wisconsin-Madison; Electrical & Computer Engineering
Distribution: na
Date: 12 Nov 92 14:42:13 CST

>>from Dave Dooley's list in rec.music.info) RON CARTER MEETS BACH.
>
>The recording includes parts of Bach's wonderful suites for solo
>cello, which should sound great transcribed to a bass. (I wonder if he bows
>them or plays pizzacato?). Something to really look forward to.
>
>Bill Hery
 
    Are you sure that Ron Carter doesn't play cello on this?  I seem to
remember some jazz record where R.C. played cello, but maybe my memory
is playing tricks on me.
dick burger
Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: Info please:  Horace Silver
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Date: Tue, 10 Nov 1992 18:58:10 GMT

Michael G. McMahon (mcmahon@owlnet.rice.edu) wrote:
: Well, I picked up a really cheap used CD "The Best Of Horace Silver".  
: ...
: published in 1969 by Liberty Records and distributed by
: Applause Records.  
: ...
:    No surprises, except that there's NO liner info.

Just as well.  I have this same thing on LP, and the liners notes are written
in this very annoying self-consciously hip style ("As if side one wasn't
enough to gas you out, you'll flip for side two...")

Most of the tracks featured Junior Cook and Blue Mitchell, if I remember
correctly, but I don't think there was a full listing of exactly who played on
what.

--
Amendment 2 - Shame On You, Colorado
--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
a disgusted resident of the first state in history of the union
to enact a constitutional amendment that explicitly legalizes discrimination
against a particular minority
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
Newsgroups: rec.music.bluenote,rec.music.misc,rec.music.makers
From: ochikubo@.etdesg.trw.com (Craig F. Ochikubo)
Subject: Live Jazz Concert
Organization: TRW Inc., Redondo Beach, CA
Date: Fri, 6 Nov 92 09:02:50 GMT

In Concert:
CONTINUUM
Saturday,  November 7, 1992
Los Angeles Harbor College
Music Recital Hall
Wilmington, CA
 
 CONTINUUM, the critically acclaimed jazz group will be
 performing at the LAHC Music Recital Hall, located on L
 Street, across from the baseball diamond.  There will be
 a $5.00 charge at the door, and there is ample free
 parking in Lot H, adjacent to the Music Building.  Come
 out and Support Creative Music at our Local Schools. 
 For further information contract Lira Productions at
 213-267-1830.
 or contact me at ochikubo@desperado.etdesg.trw.com  
  Reviews:
  "Melody rich originals are heard on the electric bands
  debut recording, You Tell Me ...", "This UNIT is known
  for its offbeat approach to contemporary jazz ..."
  Bill Kohlaase - L.A. Times
   
   {"Many say that fusion is dead, killed off by 'happy
   jazz' crossover groups containing little but dance
   beats, derivative soloists and upbeat melodies. 
   CONTINUUM is a dissenting voice, a fusion band with
   fire, strong melodies, good soloists, versatility and a
   sound of their own, proving that fusion ain't dead just
   yet."
   Scott Yanow - Downbeat/Jazziz contributing writer
    
    "Heavily lauded bent jazz types who take soi-disant
    'fusion' into the 21st century, where it's respected ...
    far from the same old fusion CONTINUUM brings an
    artistic edge to this desparaged form of crown pleasing
    jazz."
    Dolores Haze - LA Weekly

Newsgroups: rec.music.bluenote
From: millerje@CS.ColoState.EDU (Jeff Miller)
Subject: Re: Chick Corea's "Three Quartets"
Date: Fri, 13 Nov 1992 21:29:31 GMT
Organization: Colorado State University, Computer Science Department

In article <1992Nov13.151806.7312@news.cs.brandeis.edu> rardin@binah.cc.brandeis.edu writes:
>Has anyone else picked up a copy of Chick Corea's THREE QUARTETS reissue on 
>Stretch/GRP?  I was very glad to see this finally appear on CD, but was 
>somewhat disappointed by the inferior sound quality on _some_ of it.  I believe 
>it was "Quartet No. 3" that was the most problematic--there's some pretty 
>nasty distortion of the sound of the piano on some occassions and a general 
>fuzziness to the bass and drums.
>
>One nice thing about the reissue is that Chick has included some never before 
>issued material that they recorded at the time, due to their having some extra 
>studio time.  There's a hot version of "Confirmation" by Brecker and Gadd!
>
>-Lynn  (rardin@auriga.rose.brandeis.edu)

Funny, I was just about to ask if this has ever been released on CD as its
probably one of the all time (very IMHO) Jazz albums.  Guess I'll have to stop
by the CD store...

-- 
 _____________________________________________________________________________
|                                                                             |
| "Nuke the unborn gay whales!" |  millerje@cs.colostate.edu  |  Jeff Miller  |
|_____________________________________________________________________________|
From: ulf@julius.c3consult.comm.se (Ulf Lagerstedt)
Newsgroups: rec.music.bluenote
Subject: Re: "I want some seafood, Mama!!"
Date: 10 Nov 92 11:09:15 GMT
Organization: Communicator C3Consult AB


In article <1992Nov6.164001.10979@morgan.ucs.mun.ca> glocke@morgan.ucs.mun.ca (Gordon Locke  ) writes:
>	It sounds like very early jazz / blues type stuff, very scratchy
>recording, and the refrain goes:  "I want some seafood, Mama!"  Various

Fats Waller does this on an old tape I have. The title appears to be
"Want some....", that's all the information I've got.

--
Ulf Lagerstedt, Communicator C3Consult, Sweden  /  ulf@c3consult.comm.se