HDTenEightyP/NetNews huggingface dataset:
From: koelman@cuby.stc.nl (Ton Koelman)
Subject: MIDI guitar
Reply-To: koelman@stc.nato.int
Organization: SHAPE Technical Centre, NL
Date: Thu, 20 Aug 1992 12:20:49 GMT


I'd like to get some opinions on MIDI guitar equipment
such as:

Roland GR 700
Ibanez MIDI guitar
Roland GM70
Roland GR50
Yamaha G10
Casio MIDI guitars
Korg Z??
the new Roland GR1

I'm mainly concerned about tracking/delay performance
and guitar/pickup adjustment. not so much about built in
sounds.

--
Ton Koelman   e-mail: koelman@stc.nato.int (NeXT Mail Welcome!)
SHAPE Technical Centre, P.O. Box 174, 2501 CD  The Hague
The Netherlands  (voice: 31-70-3142429, fax: 31-70-3142111)
Newsgroups: rec.music.synth
From: mchen@groucho.cs.psu.edu (Michael Chen)
Subject: Re: What module for midi AND PC games?
Organization: Penn State Computer Science
Date: Sun, 16 Aug 1992 05:51:31 GMT

In article <64085@cup.portal.com> Darla@cup.portal.com (Kuby - Downs) writes:
>Hi!
>
>=>Get the new Gravis ULTRASOUND board. It is just now coming 
>=>out. It has general MIDI sounds via Ensoniq 16+ sample 
>=>library, and has a soundblaster emulation mode that as far 
>=>as I can tell works perfectly (BUT.. you should use DOS 5 
>=>and load the driver into high memory).

   Wait.  The Ultrasound uses Ensoniq samples?  I have an EPS (not 16+, but
life's tough)... does that mean that if I buy an Ultrasound, I can transfer
and use those samples via MIDI?  Mucho cool, if true!  How much is the MIDI
kit?

--- Mike

-- 
_____________________________________________________________________________
| Michael Chen			| From the depths of our most lucid horrors |
|				| spring our fond hopes and pure desires... |
| mchen@groucho.cs.psu.edu	| except what comes from HELL! :-) 7/23/92  |
From: black-silicon!hacker@CS.UMD.EDU (Dark Hacker)
Newsgroups: rec.music.synth
Subject: Re: Money to spend...
Date: 20 Aug 92 03:22:19 GMT
Reply-To: Dark Hacker <black-silicon!hacker@cs.UMD.EDU>
Organization: Black Silicon, Fortress of Computation
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Comments: To: "Redistribution of rec.music.synth" <SYNTH-L@AMERICAN.EDU>

Korg 01/W.  great sounds for lounge lizard/start playing right out of
the box stuff.

- Hacker
Newsgroups: rec.music.synth,comp.dsp,comp.sys.hp
From: dce@smsc.sony.com (David Elliott)
Subject: Re: AUDIO-CD READING ?
Organization: Sony Microsystems, San Jose, CA
Date: Tue, 18 Aug 92 21:43:40 GMT


In article <1992Aug17.113234.15909W@lumina.edb.tih.no>, ketil@edb.tih.no (Ketil Albertsen,TIH) writes:
|> And, when will we get similar functionality on PC class machines?

It has nothing to do with the class of the machine, but with how much
we demand it.

I talked to the CD-ROM and DAT people at Sony to find out why they
don't have this available, and the answer was "nobody ever asked for it
before".  What this probably really means is "nobody we care about has
threatened to not buy from us without the feature".

I also suspect that there's a legal timidity on the part of most
companies to provide this ability.  Being able to grab the data from an
audio CD digitally is technically enticing, and the legitimate/legal
uses of this are fairly rare (in other words, it's pretty likely that
you are wanting to get the music into your computer so you can play it
back, which is illegal in most cases).

SGI has set a precedent, and we can try to take advantage of that
precedent by telling companies we want this feature.

--
...David Elliott
...dce@smsc.sony.com | ...!{uunet,mips}!sonyusa!dce
...(408)944-4073
..."I take my arms and I wrap them around my art." - F
Newsgroups: rec.music.synth
From: glatz@emily.uvm.edu (Terry A Glatz)
Subject: FTP sites?
Organization: University of Vermont -- Division of EMBA Computer Facility
Distribution: usa
Date: Tue, 18 Aug 1992 01:58:38 GMT

Hi all,
    
     I am looking for FTP sites which have MIDI stuff for IBM.
The only place I know of is ucsd.edu and they seem to be slow when it comes to getting new files. 
     Any replies would be greatly appreciated.                      
 
Thanks
 
-Terry
Newsgroups: rec.music.synth
From: valaris@swifty.dap.CSIRO.AU (Andrew Valaris)
Subject: Yamaha C1 music computer
Organization: CSIRO, Division of Applied Physics, Sydney
Date: Thu, 20 Aug 1992 23:17:51 GMT


I was thumbing through some back issues of 'Keyboard' last night and saw an
advertisement for the Yamaha "C1". Looked pretty interesting. Unfortunately
I don't have an issue with a review on the unit and would like to know more
about it. Does anyone out there use or have used on of these "computers"?
What did they sell for when they were first released, and what is the selling
price for them now (new and used)? Any information would very useful. I am
currently using a hardware sequencer (QX5FD) an am looking to upgrade to a
software based one. The idea of having the interface built into the unit
is very enticing indeed. Portable too ! Unlike my macII.


Thanks for any information provided,

Andrew

Newsgroups: rec.music.synth
From: cwilson@void.ncsa.uiuc.edu (Chris Wilson)
Subject: Re: Alesis D4: Possible to use Triggerinputs as MIDI-Triggers ?
Organization: Nat'l Center for Supercomputing Applications
Date: Mon, 17 Aug 1992 16:23:16 GMT

broe@dfv.rwth-aachen.de (Frank Breier) writes:
>Hi !
>Last week, I heard about this brandnew (in Germany!) Alesis D4 Drum Module.
>I have two questions:
>
>First, how does it sounds ? Are there more akustical or electronic sounds ?
>
>Second, if you use these trigger inputs, is it possible to use other
>Drum modules or sampler via MIDI ?

There are ~500 sounds, which are based on 44.1kHz 16-bit samples, many of them
in stereo.  IMHO (and in that of many others) the samples are excellent.  The
sounds are mostly acoustic,  or acoustic layered with processing,  although
there are a fair number of electronic sounds and sound effects.  I've been
very happy with mine,  and I tend to use more processed/electronic sounds.

To answer your second question,  it is quite easy to use the trigger inputs
to trigger external MIDI modules,  either layered with the sounds from the
D4,  or you can set the D4 to produce silence for that note,  and just use
the sound from the external module.

If you have any other questions,  feel free to contact me.

>Thanks in advance,
>
>Frank
>-- 
>Frank Breier						 |     C   O   M
>Communication Networks, Technical University of Aachen   | --v-^-v-^-v-^-v--
>  Phone: +49-241-807921       Fax: +49-241-84964         |   N   E   T   S
>  Email: broe@dfv.rwth-aachen.de                         | RWTH Aachen, Germany

-Chris Wilson
 Programmer,  Nat'l Center for supercomputing Applications
 (217) 333-0085 (USA)
 cwilson@ncsa.uiuc.edu

Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Sat, 15 Aug 1992 00:21:27 CST
From:         Rod Lemcke <WEBERLOI@MAX.CC.UREGINA.CA>
Subject:      Re: Looking for synths:
              6 Aug 1992 19:41:11 CST from <five@SYS6626.BISON.MB.CA>

I've actually got a Sequential Circuits Six Trak and an Oberheim OB-X.  I have
been considering selling these because I'm out of room and haven't plugged them
 in for a couple of years.  If you are interested give me a shout via the voice
 line at (306)-789-0961.


                          later..........
                                             Rod L.
Newsgroups: rec.music.synth
From: zerobeat@intacc.uucp (Ferenc Szabo)
Subject: Re: Mark Mothersbaugh - What KEYBOARDS did DEVO use in their CLASSIC days?
Date: Mon, 17 Aug 1992 07:43:18 GMT
Organization: Inter/Access' Matrix BBS

In article <1992Aug12.135045.22074@lmpsbbs.comm.mot.com> chucksi@stc.comm.mot.com (Chuckorama) writes:
>Does anyone know what keyboards DEVO used in their classic era ("Freedom of
>Choice" - anything including and prior to "Oh NO, IT's DEVO")
>

I'd call 'classic' DEVO the stuff from the 70's, so I'll tell about
their synth stuff from all three eras.

CLASSIC DEVO: '74 - '79

EML WASP, YAMAHA CS80, MINIMOOG, SCI PROPHET 5, EML GNAT(?)
Jim Mothersbaugh, who quit the band around '77 (replaced by drummer
Alan Myers), built a lot of home-made doodads including a very
early drum pad system.  The above equipment was actually attained
more or less in the later '70s (obviously with the Pro 5)

MIDDLE DEVO: '80 - '83

Jim Mothersbaugh got a job at Roland (eventually as a chief engineer
for the US branch).  So DEVO aquired a LOT of Roland gear.
Prophet 5 (still), Roland Jupiter 8, SH100, MC4 sequencer, vocoder/strings
Linn LM1 drumcomputer, Moog Source.

LATE DEVO: '84 - '90 (the tinnier, brittle, digital years)

Fairlight CMI II, Roland D50, S50, Fairlight CMI III.

I'm including stuff that was apparent from live use and on video.  THey
actually had way more stuff that was not used live (especially in the
later years).  Please correct any glaring errors

Especially in later years, they often had multiple instruments (I 
spotted 2 D50s/S50s live).

Duty Now For The Future

ferenc
From: quantum@mfci.UUCP (Quantum Audio Concepts)
Newsgroups: rec.music.synth
Subject: Re: Comments MIDI Quest
Date: 13 Aug 92 23:32:43 GMT
Reply-To: quantum@mfci.UUCP (Quantum Audio Concepts)
Organization: Bell Atlantic Business Systems Service Branford, Ct.

In article <1992Aug13.200439.6435@bmerh85.bnr.ca> shiv@bnr.ca (Shiv Naimpally) writes:

>A friend has GenEdit from Hybrid Arts. He is not very happy with it

What doesn't he like? Does he have the latest version, 2.0. I use it quite
a bit, and have developed new templates and library configurations. The 
templates can be customized to your liking, and they support a wide range
of gear. I have Galaxy which I am just starting to learn - it has some
nice features. Since I have not used it very much I can't comment on it, other
than the fact that edit templates are only available from Opcode. Which
is cool if they have what you have. But when new gear comes out you have to
wait for them. With GenEdit you can roll your own, if you are up to it.
It is not trivial, but not beyond the scope of a good programmer. 

>and the company treats its customers badly.

Hybrid Arts doesn't exist. Barefoot software handles support. I'm sure
support will be much better. I am willing to provide answers to specific
questions as well.

>Shiv

Gary
From: nunis@hpsgm2.sgp.hp.com (Simon NUNIS)
Newsgroups: rec.music.synth
Subject: U20 Bass Sounds Wrong  :(
Date: 17 Aug 92 03:28:22 GMT
Organization: HP Singapore Notes-Server

hi everyone!

yesterday, i started using my u20 once again...and behold...something is not
right...

well, basically, i used one of the bass patches (FINGERED 1) and played the
bass for a song.  now, usually this bass sounds loud and has a good strong
attack to it.  yesterday, it was much softer than normal and there seems to
be a slight pitch bend at the beginning of every note from a few cents above
the note gliding down the the actual note in about half a second.

has anyone had the same problem?  i checked all the "Sound" and "Timbre"
parameters concerning pitch bend/detune/aftertouch/velocity and everything
seems to be set right...so what gives? 

please email responses to :   nunis@hpsgm2.sgp.hp.com


thanks a million to you all good folks!

simon ;)
From: mitch@banana.fedex.com (mitch wood)
Newsgroups: rec.music.synth
Subject: OBXa Help!
Date: 17 Aug 92 12:53:06 GMT
Organization: Federal Express Corp.

Hi all,

I just purchased a used Oberheim OBXa. I got no manuals of course.
The unit is is great physical condition and sounds great too! but
I have concerns when I press the 'AUTO' button. I havent figured
out what the flashing led's on the 1-8 programmer buttons means,
but I think they tell what voice cards are out of tune and turn
them off? I noticed that when 2 blink I have a 6 voice synth, 
when 4 blink I have a 4 voice synth...etc.. How can I fix the 
problem? They seem to be at random. Help me ol-vintage synth gurus!

Also.. what does the F-env button do on the pulse width section?

Thanks!!!
Mitch
mitch@banana.dis.fedex.com

-- 
********************************************************************************
** Sysop of: MIDImadness QuickBBS in Memphis, TN (901) 725-1815  (1200/2400)  **
** mitch@banana.fedex.com or ..!rutgers!banana!mitch or ..!mips!banana!mitch  **
********************************************************************************
From: five@sys6626.bison.mb.ca (A.R.F.)
Newsgroups: rec.music.synth
Subject: Deathlehem Tape orders
Date: Thu, 13 Aug 92 20:34:35 CST
Organization: system 6626 BBS, Winnipeg MB

All orders for the Deathlehem tape, will be filled this weekend.  (I've 
been too busy to record anything more than two peoples, through the past 
week).
 
I'll be taking orders for more, (you send $3 US, or $1 US plus a 60 
minute tape (Chrome), and I'll fill it) till this SUNDAY, AUGUST 15th, 
1992.
 
After that date, the tape will be close to getting into the store, and 
the cost will rise.
 
Thanks to all those that have ordered so far.
 
Correction:  1 person whom I misquoted as having ordered a tape (payed by 
cheque), ordered schematics.  Those will be going out this weekend also.
 
Five
 
- Warning.  This is NOT normal music.  This is heavily processed PAIN.  
(Deathlehem motto?)

;--- (A.R.F.) a user of sys6626, running waffle 1.64
;E-mail: five@sys6626.bison.mb.ca
;system 6626: 63 point west drive, winnipeg manitoba canada R3T 5G8
From: JROSSI@EAGLE.AAMRL.WPAFB.AF.MIL
Newsgroups: rec.music.synth
Subject: Expanding polyphony
Date: 12 Aug 92 14:49:00 GMT


Since one of your main considerations is piano, try to find a used Kurzweil
1000 Px, 1000 Px+, or Pro-1.  I have seen Pxs selling in the $450 range.
This will extend your polyphony bu 24 voices and give you access to the
best piano sample playback unit known to man/woman.  In addition, the other
3 MB of samples in the box are incredible as well.  When taken in its
totality, the Kurz box makes the Proteus look like the cheap plastic toy
it really is (:-)... just kidding Proteus owners... I like the Proteus, but
is sound isn't in the same league with the Px for practical things like
piano, choirs, acoustic bass, trumpet, and synth effects).

John
Newsgroups: rec.music.synth
From: rogalsky@fraser.sfu.ca (Matthew Rogalsky)
Subject: DX100 transmits wierd sysex
Summary: DX100 sends wierd sysex
Keywords: DX,blah,blah,blah
Organization: Simon Fraser University, Burnaby, B.C., Canada
Date: Thu, 13 Aug 1992 20:43:02 GMT

I am toying with this little DX100 ... plugged it into a Mac
running HMSL, started up the midi.scope, and was looking at
the data as it came in.  Note on/off - fine.  Then I hit
a program change and instead of seeing a simple MIDI program
change message come into the computer I saw a sysex message
of at least 100 bytes!!  I haven't got a manual for the DX100,
so am curious to ask if anybody knows why this little
synth doesn't send a normal program change.  I can't get it to
do so no matter what buttons I push.  

If you can offer info...
thanks.
Matt
rogalsky@mailserver.sfu.ca
From: geoff.peters@p4.f820.n680.z3.fido.zeta.org.au (Geoff Peters)
Newsgroups: rec.music.synth
Subject: software support--sort of
Date: 10 Aug 92 16:48:58 GMT
Organization: Fidonet. Gate admin is fido@socs.uts.edu.au

Original to: rmartin
 >         Do I have a story from hell....
 > 
 >         Mistake One: I went to my local music store and bought MOTU
 > Performer 3.61. This was last winter. I waited two months to get it. 
 > 
 > <etc etc etc>
 > 
 >         Mistake number twelve: I am actually going to wait for the phone
 > call. 
 > 
 >         So what do I have after all this.....no back up, no way to back
it
 > up (it is copy-protected), a rather large phone bill, and a pain in the
neck.
 > 
 >         If you are still with me at this point, I hope atleast I have
some
 > sympathy. Should I have bought a different sequencer for my mac? I am
 > beginning to wonder. MOTU Performer is great software, but the hassels I
 > have run into really make me wonder.

Be thankful. I live in Australia - think about the cost of your mail and
calls if you lived over here!

(Not that I use a MOTU product - I chose Dr T's Beyond! over Vision (some
call it the Excel of music software :-)), but that's just the way I work.)


Geoff


--- Jabberwocky Demo
 * Origin: No! Not that! Not the Minimoog! (3:680/820.4)
From: quantum@mfci.UUCP (Quantum Audio Concepts)
Newsgroups: rec.music.synth
Subject: Re: Anybody used a Kawai K3R before?
Date: 20 Aug 92 16:22:37 GMT
Reply-To: quantum@mfci.UUCP (Quantum Audio Concepts)
Organization: Bell Atlantic Business Systems Service Branford, Ct.

In article <1992Aug19.170019.2963@amgen.com> mylesw@amgen.com (Myles Wakeham) writes:
>Hi.  The piano store around the corner from me recently is dumping
>a bunch of MIDI items and one of them is a Kawai K3R unit.  I am


No such thing as a K3-R. There is a K3-M.


>looking to upgrade my MT32 with a 16 bit sound module for more


The K3-M is not a sample playback unit, but a hybrid subtractive synth -
digital osc. of different wave shapes run thru a filter. 6 voice, nice
sound.


>The guy at the store is willing to deal on this unit, but before 


Pay no more than $250 in mint condition.


>Myles


========================================================================
Quantum Audio Concepts                       Yamaha, EMU, Korg, Kawai
800 Village Walk, Suite 122
Guilford, CT 06437                                 203-481-3289
========================================================================
Newsgroups: rec.music.synth
From: bbs.cement@tsoft.sf-bay.org (Christopher Clement)
Subject: Info needed on Mackie mixer
Organization: The TSoft BBS and Public Access Unix, +1 415 969 8238
Date: Wed, 19 Aug 1992 19:11:40 GMT

Last week there was a post regarding mixers made by Mackie.  Also there 
was a post regarding a phase problem with the mixer.  Anyone who has the 
post, would you please e-mail it to me directly or repost it please.

Trying to prevent a big mistake...

Christopher Clement

--
Christopher Clement (bbs.cement@tsoft.sf-bay.org)
From: moon!cyberden!system@well.sf.ca.us
Newsgroups: rec.music.synth
Subject: Re: Money to spend...
Date: 18 Aug 92 21:16:49 GMT
Organization: Indescribable Creations

sands@ccu1.aukuni.ac.nz (Greg Sands) writes:

> NZ$5000 (probably around US$2500) for it.  The thing is, he needs to buy
> another synth, and present them with the receipt before they'll pay.  So
> the $2500 question is - what to buy?
>
> anyone else?  Remember that a high powered synth (a la Wave-Station) would
> probably be overkill in this case, so I'm not asking for your dream
> machine!  Any ideas, anyone?


umm... errr.... actually, a Wavestation would not be overkill as they go
for around $2200 or so... Maybe a Korg M1? T1? T2? Or perhaps the new
Emu performance Synth? Those sound good and cheap. (No, wait, I meant good
sounding, cheap price!)
<X>orcist

__________________________________________________________________________
   |       /         |\
   | H E   \ Y B E R |/ E N       [ moon!cyberden!system@well.sf.ca.us ]
Newsgroups: rec.music.synth
From: galanter@nyu.edu (Philip Galanter)
Subject: Re: AUDIO-CD READING ?
Reply-To: galanter@nyu.edu (Philip Galanter)
Organization: New York University
Date: Thu, 13 Aug 1992 15:10:58 GMT

In article <BsxCy3.GIs@news.cso.uiuc.edu> kemp@uiatma.atmos.uiuc.edu (John  
Kemp) writes:
|
|Two questions:
|
|1) Is it possible to read sectors off of an audio CD
|   on a CD-ROM drive of a Unix workstation?  If so,
|   how--scsi ioctl's, dd, or what?
|
|2) Given the above, what format would the audio clip
|   be in?
|

I can't give any technical details as I have not used it yet, but the only  
CD-ROM drive I know of that can do this is the one from Silicon Graphics  
on the Indigo (and Crimson? and others?).  i

Phil

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Philip Galanter         New York University    phone:    212-998-3041
Research Associate      251 Mercer             fax:      212-995-4120
Academic Computing      New York, NY 10012     internet: galanter@nyu.edu
 
   O f f i c e   o f   A r t s   &   M e d i a   T e c h n o l o g i e s
From: cdodson@beast.cac.stratus.com (R. Craig Dodson)
Newsgroups: rec.music.synth
Subject: Re: ensoniq SD1-32 vs. the other workstations
Date: 20 Aug 92 17:33:24 GMT
Reply-To: cdodson@beast.cac.stratus.com

In article <20AUG92.15584631@sklib.usask.ca> supplies@sklib.usask.ca writes:
> Could someone tell me why people spend much more on other workstations
> other than the SD1-32voice.

 I don't want to hear about the older VFX-SD's problems.

I think you answered your own question . . .


Craig Dodson (Stratus Computer)
cdodson@beast.cac.stratus.com
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Via: uk.ac.leeds.ai; Fri, 14 Aug 1992 11:21:06 +0100
Newsgroups: rec.music.synth
Date:         Fri, 14 Aug 1992 11:12:51 BST
From:         The Brown Bottle <ross-c@DCS.LEEDS.AC.UK>
Subject:      Amstrad PC compatible for music
Comments: To: SYNTH-L@AUVM.AMERICAN.EDU

Has anyone used the old Amstrad PC compatible for music? (The one with 640K
and an 8086 chip)

[Flameproofing: Don't blame me for my choice of computer, it was free!]

Can someone who knows something about what can be done on ancient PCs
contact me please?

Thanks in anticipation,

Ross-c
From: dan@cafws2.eng.uci.edu (Dan Harkless)
Subject: Re: Mark Mothersbaugh - What KEYBOARDS did DEVO use in their CLASSIC days?
Newsgroups: rec.music.synth
Organization: University of California, Irvine
Date: 18 Aug 92 19:58:59 GMT

In article <1992Aug17.074318.15840@intacc.uucp> zerobeat@intacc.uucp (Ferenc Szabo) writes:
>
>MIDDLE DEVO: '80 - '83
>
>Prophet 5 (still), Roland Jupiter 8, SH100, MC4 sequencer, vocoder/strings
				      ^^^^^

	Nitpick:  This should be "SH-101".  Otherwise, people could get it
confused with the System 100.  Also, I don't know if they actually used this
for recording with.  It might have just been a prop for that one video (I 
forget which one now).  Another band that used the SH-101 for a prop but
didn't necessarily record with it was Trans-X.

------------------------------------------------------------------------------
| Dan Harkless                | "The sore in my soul                         |
| dan@cafws1.eng.uci.edu      |  The mark in my heart  ->  Front 242,        |
| dharkles@bonnie.ics.uci.edu |  Her acid reign..."        Tragedy >For You< |
------------------------------------------------------------------------------
From: ccavers@ersys.edmonton.ab.ca (Cam Cavers)
Newsgroups: rec.music.synth
Subject: Re: What module for midi AND PC games?
Date: Thu, 20 Aug 92 13:26:21 MDT
Organization: Edmonton Remote Systems #3, Edmonton, AB, Canada

bollard@hpspkla.spk.hp.com (Lee M. Bollard) writes:

- When using an MT-32 or LAPC-1 for games, do the games use waveform audio
- that these modules/cards do not provide?
-
- Am I correct in stating that these two devices do not support waveform audio.
-

Yup. I have an SB-Pro, which works fine with MIDI, providing the software
supports the SB MIDI interface (I use Win 3.1, so it's not a problem). I would
probably suggest a Pro-Audio Spectrum card; they seem to be the most
well-rounded, and I think you can get Soundblaster emulation drivers.

The MT-32 and all roland stuff, to the best of my knowledge, is MIDI hardware
and nothing else. You could always get 2 cards...:)


** Cam Cavers (ccavers@ersys.edmonton.ab.ca)                             **
** Member of B.A.K.A.-Banzai ANIME Klub of Alberta                       **
** We're too hentai for Milan, New York and Japan... :-)                 **
From: bollard@hpspkla.spk.hp.com (Lee M. Bollard)
Newsgroups: rec.music.synth
Subject: Re: What module for midi AND PC games?
Date: 19 Aug 92 22:12:50 GMT
Article-I.D.: hpspkla.4760050
Organization: Hewlett Packard Company, Spokane, Wa.

When using an MT-32 or LAPC-1 for games, do the games use waveform audio
that these modules/cards do not provide?  

Am I correct in stating that these two devices do not support waveform audio.


Regards,

Lee Bollard              
HP Spokane Division
bollard@hpspkla.spk.hp.com
Newsgroups: rec.music.synth