HDTenEightyP/NetNews huggingface dataset:
From: mciver@alpo.cs.colorado.edu (William McIver Jr.)
Subject: New Release: Russell Malone (Guitar)
Keywords: guitar columbia milt hinton
Organization: University of Colorado, Boulder
Date: Fri, 13 Nov 1992 07:46:21 GMT


Has anyone checked out the new release by Russell Malone
on Columbia?

What do you think?
-------------------------------------------
The CD is _Russell Malone_ (Columbia CK 52825)

This is a debut recording for Malone. It contains
a wide range of material from tunes in the Wes
vein, Gut Bucket Blues, and Classical Guitar (Flowers For Emmet Till).

The compositions are "obscure" standards and two original tunes.

See the October (September ?) isse of JazzTimes for a brief article on
Russell.

Look for him in Boston and L.A. (Nov 22) in the next month or two.
(I will post his schedule as soon as I get it).


tracks:

 1. Wives And Lovers (David/Bacharach)
   Russell Malone: Electric Guitar
   Donald Brown: Piano
   Robert Leslie Hurst III: Bass
   Yoron Israel: drums

 2. Invisible Colors (R. Malone)
   Russell Malone: Electric Guitar
   Donald Brown: Piano
   Robert Leslie Hurst III: Bass
   Yoron Israel: drums

 3. When I Take My Sugar To Tea (Fain/Norman/Kahal)
   Russell Malone: Electric Guitar
   Milt Hinton
   Shannon Powell: drums

 4. It's The Talk of The Town (Symes/Neiburg/Livingston)
   Russell Malone: Electric Guitar
   Milt Hinton
   Shannon Powell: drums

 5. St. Louis Blues (W.C. Handy)
   Russell Malone: Acoustic Guitar
   Milt Hinton

 6. I Don't Know Enough About You (Barbour/Lee)
   Russell Malone: Acoustic Guitar/Vocals
   Harry Connick, Jr.: piano

 7. Close Your Eyes (Petkere)
   Russell Malone: Electric Guitar
   Milt Hinton
   Shannon Powell: drums

 8. London By Night (Coates)
   Russell Malone: Electric Guitar
   Donald Brown: Piano
   Robert Leslie Hurst III: Bass
   Yoron Israel: drums

 9. I Can't Believe That You're In Love With Me (McHugh)
   Russell Malone: Acoustic Guitar
   Harry Connick, Jr.: piano

 10. Moonlight Serenade (Parish/Miller)
   Russell Malone: Electric Guitar
   Donald Brown: Piano
   Robert Leslie Hurst III: Bass
   Yoron Israel: drums

 11. Flowers For Emmett Till (R. Malone)
   Russell Malone: Classical Guitar

 12. Precious Lord (T. Dorsey)
   Russell Malone: Acoustic Guitar
   Milt Hinton
   Shannon Powell: drums
------------------------------------------------





-- 
------------------------------------------------------------------
William J. McIver, Jr.          mciver@cs.colorado.edu
Department of Computer Science, University of Colorado @ Boulder	
------------------------------------------------------------------
Newsgroups: rec.music.bluenote
From: lenny@theory.TC.Cornell.EDU (Lenny Silver)
Subject: Re: Info please:  Horace Silver
Organization: Cornell Theory Center
Date: Tue, 10 Nov 1992 07:21:27 GMT

In article <BxGzz4.KLG@rice.edu> mcmahon@owlnet.rice.edu (Michael G. McMahon) writes:
>Well, I picked up a really cheap used CD "The Best Of Horace Silver".  
>   No surprises, except that there's NO liner info.  The back of the
>case says published in 1969 by Liberty Records and distributed by
>Applause Records.  
>  Tracks are
>1.) Senor Blues    2.) The Preacher   3.)  Doodlin'  4.) Sister Sadie
>5.) Filthy McNasty   6.) The Tokyo Blues
>
>   Does anyone have any idea who the backups for Silver would have been
>back then?  Actually the group goes together too well to stick them with
>a name like back-ups, but you get the picture.  Also, did Silver write
>each of these?
>   Thanks,  -mike
>

There's a Blue Note CD by the same name that has on it:

1.) Senor Blues: Hank Mobley, tenor, Donald Byrd, trumpet, Doug Watkins,
bass, Louis Hayes, druns, 11-10-1956 from Six Pieces of Silver

2.) The Preacher: Hank Mobley, tenor, Kenny Dorham, trumpet, Doug Watkins,
bass, Art Blakey, drums, 2-6-1955 from Horace Silver Quintet Vol 2

3.)  Doodlin': Hank Mobley, tenor, Kenny Dorham, trumpet, Doug Watkins, bass,
Art Blakey, drums, 11-13-1953 from Horace Silver Quintet Vol 1

4.) Sister Sadie: Junior Cook, tenor, Blue Mitchell, trumpet, Gene Taylor,
bass, Louis Hayes, drums, 8-30-1959 from Blowing the Blues Away

Perhaps these are the same performances as are on your CD? As for
Filthy McNasty and The Tokyo Blues, they're on none of the Horace Silver
albums I have.

hope this helps
Lenny

Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: DB Reader's Poll
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Date: Thu, 5 Nov 1992 19:00:58 GMT


Was it my imagination, or was Dave Holland not even listed in the "acoustic
bass" category of the Down Beat Reader's poll?

--
Amendment 2 - Shame On You, Colorado
--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
a disgusted resident of the first state in history of the union
to enact a constitutional amendment that explicitly legalizes discrimination
against a particular minority
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
Newsgroups: rec.music.bluenote
Subject: '...a newsgroup for jazz?'
From: Karl Nordstrom <KXN2@psuvm.psu.edu>
Date: Thu, 5 Nov 1992 13:03:58 EST
Organization: Penn State University

In article <Bx7ILv.H4o@unix.amherst.edu>, hjwulfso@unix.amherst.edu (Harris
Wulfson) says:

>Jostein Lodve Trones (trones@dxcern.cern.ch) wrote:
>}
>} Anybody out there know if James Brown plays concerts these days?
>} Or if he has plans for this?
>} Will he visit Europe in the not-to-far future?
>}
>} On more thing, does there exist a newsgroup for jazz? Or is this
>} as close as I can get...
>}
>} Cheers, Jostein


>Try rec.music.bluenote

Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: Coltrane - Exotica?
Organization: AT&T
Distribution: na
Date: Mon, 9 Nov 1992 01:31:18 GMT

abz@world.std.com (Andrew B Zaff) writes:
>I just picked this CD up in a used store the other day. It's on a strange
>label I've never heard of and has absolutely no liner notes. I was wondering
>if anyone out there knows anymore about this album...

EXOTICA, ONE AND FOUR, and LIKE SONNY were recorded on 9/8/60 with Tyner,
S Davis, Billy Higgins. Since this was only half an album's worth of music,
it has been the orphan in the Trane discography and has shown up paired with
all sorts of things--most likely the other half of your CD is not Trane.

The Roulette CD LIKE SONNY inlcude this material plus an album led by
Ray Draper on tuba which included Trane.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: What Happened to Charles Tolliver?
Organization: AT&T
Distribution: na
Date: Tue, 10 Nov 1992 04:14:52 GMT

>Has anybody heard anything released from Charles Tolliver lately? I haven't
>seen anything released by him in a long time.  Just wondering...

[reply posted for Mark Goldstein <mark@atlantis.usc.edu>  who does not
have regular net access, but is a fan of Tolliver]

Last I saw him was as part of a Blue Note anniversary concert in Los
Angeles in 1989.  He has been on a two SteepleChase albums as a member
of Louis Hayes group.  I have been disappointed with his playing both
live and on the Hayes disc I have [Light and Lively from 1989]; he
doesn't seem to have the same technical ability, strength, emotion in
his playing that I enjoyed in his performances on Arista/Freedom [The
Ringer and Paper Man] from about 20 years earlier.

/mark
Mark Goldstein <mark@atlantis.usc.edu>  213-388-0545
From: fwj@reg.triumf.ca (JONES,FRED_W.)
Newsgroups: rec.music.bluenote
Subject: Re: Return To Forever
Date: 5 Nov 1992 13:00 PST
Organization: TRIUMF: Tri-University Meson Facility
Distribution: world
NNTP-Posting-Host: reg.triumf.ca
News-Software: VAX/VMS VNEWS 1.41    

chuck@spectrum.cs.unsw.oz.au (Mark Andrew Hawling) writes...

>In article <Bx4wM6.4yn@rice.edu> sami@owlnet.rice.edu (Stephen Andrew Mills) writes:
>>Can someone give their opinion of Return To Forever's Romantic Warrior?
>>How does it compare with other fusion, such as the Mahavishnu Orchestra
>>or Miles?
..

>Personally I hate it. I never liked very much of RTF stuff. It always was too much
>showing off and quick runs. The improvisations are also too controlled by the music
>except for them being fast and difficult. The only RTF tunes I ever really liked were
>the Stanley Clarke ones which were at least usually fairly funky. I always felt
>there were a lot better fusion albums than RTF ones. ie
>1) Anything by Miles
>2) Mahavisnu - Inner Mounting Flame, Birds of Fire etc.
>3) Tony Williams Lifetime when it has Mclaughlin Actually most of the Mclaughlin
>   stuff is excellent.
>4) The Stanley Clarke Solo album is cool
> 
>etc
> 
>I don't like RTF or Weather Report, and considering I have the majority of the albums
>by them it isn't by ignorance but just my personal taste. In the 70's stuff like
>Ornette's was always more interesting anyway.

Tastes seem to vary widely in the fusion arena.  I have a lot of albums by
Miles, RTF, Weather Report, and Mahavishnu, and I certainly wouldn't put
RTF and Weather Report in an inferior position, quite the contrary.

It's true that RTF have been guilty of producing some "typwriter music" (to
use a phrase from the period) and Romantic Warrior is a case in point: it's
probably one of their more contrived-sounding albums.  But they also put
out some beautiful stuff that still makes great listening, such as their
"Light as a Feather" album and the more rock-oriented "Where Have I Known
You Before".  I like RTF for the strong sense of evolution and form in many 
of the compositions, and for the classical as well as rock influences.  The
group are also  distinguished by their level of virtuousity on both
electric and acoustic  instruments.  Many of the albums have great acoustic
tracks that are a nice  contrast to the electronics: there is excellent
solo piano work by Corea, and Stanley Clarke has amazing chops on standup
bass.

Same goes for Weather Report: not to everyone's taste but to me and many
others one of the best and most consistently interesting fusion groups.

To my taste, some of Miles' fusion seems rather random and aimless, and
Mahavishnu is  sometimes too repetitive and intense, but I wouldn't write them
off because of occasional shortcomings, there's too much great music that
would be missed.  If you're investigating  fusion, I would highly recommend
checking out all of the above-mentioned artists.

Frederick Jones
fwj@reg.triumf.ca
Newsgroups: rec.music.bluenote
From: jajo@e.kth.se (Jan Johannesson)
Subject: Re: Favourite Fusion Album of All......
Reply-To: jajo@e.kth.se (Jan Johannesson)
Organization: KTH, Royal Institute of Technology, School of Electrical Engineering
Date: Mon, 9 Nov 1992 13:15:38 GMT



Here are my contribution to the "Favourite fusion-album list".

Of course, none of them is on GRP and the most of them are from the 70's.

Jeff Beck - Wired				Epic 32067
Jeff Beck with the Jan Hammer group - Live 	Epic 34433
Billy Cobham - Spectrum				Atlantic SD 7268
Miles Davis - A tribute to Jack Johnson		Columbia/CBS 70216
Miles Davis - Star People			Columbia/CBS 25395
Mike Stern - Upside Downside			Atlantic 781 656
Mike Stern - Time In Place			Atlantic 781 840
The Eleventh House - Introducing...		Vanguard VSD 79342
Eddie Henderson - Sunburst			Blue Note BN-LA464-G
Mahavishnu Orchestra - Birds of Fire		Columbia/CBS S 65321
Kornet - 1st album (Swedish Fusion a la 70's)	MNW MAN 005

That's all for now.		 

Jan Johannesson			|	"Man kan har roligt utan sprit,
jajo@e.kth.se			|	 bara man har en korv av skit"	
The Royal Swedish 		|	 
Institute of Technology		|	 	Tycho Brahe, 1546-1601
Newsgroups: rec.music.bluenote
From: tjarvine@jyu.fi (Topi V Jarvinen)
Subject: The best rhythm changes improvisations?
Organization: University of Jyvaskyla, Finland
X-Newsreader: TIN [version 1.1 PL6]
Date: Thu, 12 Nov 1992 12:13:46 GMT


I'm prepairing a study on the analysis of jazz improvisations. At this
point I've decided to restrict my considerations to rhythm changes tunes.
I would be interested in knowing which rhythm changes improvisations are
the best in your opinion. I would appreciate if you could also give the
name of the record and any other information you think is necessary
in finding it.

Thanks!
-- 
////////   ///   Topi J{rvinen    ++++++++++++++++++++++++++ 
  ///     ///    K{yr{katu 9A2    + email: tjarvine@jyu.fi +             
 /// /// ///     40600 Jyv{skyl{  ++++++++++++++++++++++++++ 
/// ///////      Finland          phone: +352-41-218409     
Newsgroups: rec.music.folk
From: adt@Virginia.EDU ("Anthony D. Townsend")
Subject: Re: Help id this song:  "Her name was Joanne, she lived in a meadow..."
Organization: University of Virginia
Date: Sat, 14 Nov 1992 01:49:44 GMT

I seem to remember "Joanne" as being sung by Michael Nesmith,
post-Monkees.  Would that be the Electric Flag Band?  I'd love
to get a copy of this recording.

Tony Townsend
adt@virginia.edu
Newsgroups: rec.music.folk
From: ccksb@trentu.ca (Ken Brown)
Subject: Grandfather's Clock - summary
Organization: Trent University, Ontario
Date: Tue, 10 Nov 1992 17:10:15 GMT


Here's what I've got so far from various folks who have responded to my
request.


  My Grandfather's Clock was too large for the shelf 
  So it stood ninety years on the floor. 
  It was taller by half than the old man himself 
  but it weighed not a pennyweight more. 
  It was bought on the morn of the day that he was born. 
  It was always his treasure and pride. 
  But it stopped short, never to go again, when the old man died. 
    
  Chorus: 
   
  Ninety years without slumbering, tic toc, tic toc 
  His life's seconds numbering, tic toc, tic toc 
  It stopped short, never to go again, when the old man died. 
   
  In watching its pendulum swing too and fro 
  Many hours had he spent while a boy. 
  And in childhood and manhood the clock seemed to know 
  and to share both his grief and his joy. 
  For it struck twentyfour when he entered at the door 
  With a blooming and beautiful bride. 
  But it stopped short, never to go again, when the old man died. 
   
  Chorus 

  My grandfather said that of those he could hire
  Not a servant so faithful he'd found.
  For it kept to its place and had but one desire
  At the end of each week to be wound.
  For it stood in its place, not a frown upon its face
  And its hands never hung by its sides.
  But it stopped short, never to go again, when the old man died

  Chorus

  Thanks to respondents...
-- 
====================================================================
Ken Brown                                       voice: (705)748-1540
Trent University Computing & Telecommunications   fax: (705)748-1246
Peterborough, Ontario, Canada K9J 7B8     internet: kbrown@trentu.ca
From: driel@wpi.WPI.EDU (Deborah M Riel)
Newsgroups: rec.music.folk
Subject: Re: Jack Hardy
Date: 9 Nov 1992 15:12:14 GMT
Organization: Worcester Polytechnic Institute
Distribution: na
NNTP-Posting-Host: wpi.wpi.edu

Ah, it's nice to hear some positive comments on Jack Hardy--a most
interesting, intelligent and talented songwriter.  And so unknown and
underappreciated!  Yes, he plays in New England quite frequently and
has several cd's available.  I have "Two of Swords," "The Hunter,"
"Retrospective," and "Through."  His music is hard to get; you can buy
it at his shows or by ordering direct from him.  I'll post the address
later when I can look it up.

Debbie
Newsgroups: rec.music.folk
From: takoosma@utkvx1.utk.edu (Toby Koosman)
Subject: Re: Kate and Anna McGarrigle
News-Software: VAX/VMS VNEWS 1.41    
Organization: University of Tennessee Computing Center
Distribution: na
Date: Mon, 9 Nov 1992 13:14:00 GMT

In article <1992Nov6.142639.16231@porthos.cc.bellcore.com>, afd@bellcore.com 
(A. Dietz) writes...
> 
>Which do you recommend for someone unfamiliar with their music?

To me their recordings improve as you go backward in time.  The first two,
"Kate and Anna McGarrigle" and "Dancer with Bruised Knees" are delightful.
"Heartbeats Accelerating" is horribly overproduced and I don't recommend it.
"French Record" is also recommended, if you're not put off by the lyrics
being entirely in that tongue.  

Toby Koosman
University of Tennessee   Knoxville, Tennessee  USA
Internet: koosman@utkvx.utk.edu     Bitnet: koosman@utkvx
From: rachelw@spider.co.uk (Rachel Willmer)
Newsgroups: rec.music.folk
Subject: Re: "Mary Ellen Carter" a true story?
Date: 11 Nov 92 14:41:11 GMT
Organization: Spider Systems Limited, Edinburgh, UK


E.M.> As long as we were on a ship song thread, I thought I'd ask if Stan Roger's
E.M.> song "Mary Ellen Carter" was based on a true incident.  Anyone know?

Check out the acapella version of this song by Artisan, it's great!
--

Rachel Willmer                             Spider Systems 
rachelw@spider.co.uk                       Spider Park, Stanwell Street
+44 31 554 9424                            Edinburgh, Scotland
Newsgroups: rec.music.folk
From: spencer@cgrg.ohio-state.edu (Stephen N. Spencer)
Subject: Re: Calling all David Wilcox Fans..
Organization: OSU Advanced Computing Center for the Arts and Design
Date: Mon, 9 Nov 1992 19:39:40 GMT

In article <1992Nov8.054322.27019@murdoch.acc.Virginia.EDU> sej5g@curry.edschool.Virginia.EDU (Susie Juroff) writes:
>Yes. I heard "Eye of the Hurricane" on WHFS out of Annapolis,
>MD (a progressive/alternative station) and fell in love. Got
>that CD, but no others. There's one earlier than "How Did You
>Find Me Here" and one after, right? How are they?
>--

He has three releases: "Nightshift Watchman" only available on cassette from
his shows or mail-order, and "How Did You Find Me Here" and "Home Again (For
The First Time)" which are more widely available on cassette and CD (and 
perhaps vinyl, I don't know).  They're wonderful.  I started with "Home Again"
and worked backwards, and am anxiously awaiting the next one, due out in the
first part of 1993.

-- 
"The cows in the moo yard/Are making their plans/
 For the long winter nights/And the cold winter hands..." - John Gorka
Stephen N. Spencer, Graphics Research Specialist           ,__o      ,__o
spencer@cgrg.ohio-state.edu  (or spencer@siggraph.org)   _-\_<,    _-\_<,
From: tenny@euclid.uucp (Nathan Tenny)
Subject: Re: "Mary Ellen Carter" a true story?
Organization: Department of Mathematics, University of Oregon
Date: Mon, 9 Nov 92 21:07:53 GMT


The "liner notes" in the _Songs from Fogarty's Cove_ songbook sound as if
the song is totally fictitious, if memory serves.  They usually note when
a song is more or less true...

On another note, does anyone know exactly where "White Squall" (from the
_From Fresh Water_ album) is set?  I don't know the Great Lakes region well
enough to parse the place-names.

	NT
Newsgroups: rec.music.folk
From: walker@sun.soe.clarkson.edu (Graham Walker, 227 West Old Main,268-3847,)
Subject: Re: folk music & political movements
Organization: Clarkson University
Date: Sun, 8 Nov 1992 17:23:59 GMT

Several years ago I heard a song that had a line that went,

	  "Sacco and Vanzetti are a long time gone"

an anyone tell me the name of the song and who sang it (the version I
heard was by and Irish singer).

												Thanks,

												  GW

Newsgroups: rec.music.folk
From: gerry@macadam.mpce.mq.edu.au (Gerry Myerson)
Subject: Re: My Grandfather's Clock
Originator: gerry@macadam.mpce.mq.edu.au
Organization: School of MPCE, Macquarie University, Australia.
Date: Wed, 11 Nov 1992 00:16:48 GMT


In article <1992Nov8.043442.10497@trentu.ca>, ccksb@trentu.ca (Ken Brown) writes:
> 
> Hello all,
> 
> I'm not certain if this is the group to post this request to but here it
> goes;
> 
> I'd like to get the words to Henry Clay Work's (sp?) `My Grandfather's
> Clock'.  I think it was written around 1870.

Bad music drives out good. I can't help you, but I know all the words to the 
Alan Sherman parody (copyright lawyers, please ignore); 

My grandfather's clock was the best ever made 
By the Timex company. 
Just like the one John Cameron Swayze displayed 
Last night on the old TV. 
Oh, it runs underwater so perfectly, 
and it still makes a ticking sound. 
Like my grandfather tried only this afternoon, 
And that's how the old man drowned. 

> If this ain't the group would someone point me to the right one?
> 
> Thanks in advance.
> -- 
> ====================================================================
> Ken Brown                                       voice: (705)748-1540
> Trent University Computing & Telecommunications   fax: (705)748-1246
> Peterborough, Ontario, Canada K9J 7B8     internet: kbrown@trentu.ca

Gerry Myerson
Newsgroups: rec.music.folk
From: rmura@world.std.com (Ron Mura)
Subject: Re: Pirate Music Anyone?
Organization: The World
Date: Thu, 12 Nov 1992 14:49:02 GMT

In article <11NOV199216170199@vtcc1.cc.vt.edu> tombrady@vtcc1.cc.vt.edu (Tom Brady) writes:
> 
> In article <6906@news.duke.edu>, cjs@phy.duke.edu (Carl Schnurr) writes...
>>I'm interested in finding some cd's containing "pirate" music.  You
> 
> I'd recommend my favorite "pirate" song, "Yo Ho!" by Phoenyx,
> on their (alas, cassette-only) release "Keepers of the Flame".
> Neat stuff - electric guitars, electric fiddles, and "Drunken
> Sailor" embedded in the song. Available from Firebird Arts or
> on Dirty Linen Magazine's "Keltia" sampler.

Spanish singer/songwriter Joan Manual Serrat has a beautiful song
_about_ pirates, "Una de piratas."  It's on his album "En transito."

-- 
- Ron Mura, Boston, Massachusetts              rmura@world.std.com
From: dmr@andromeda.rutgers.edu (Daniel Rosenblum)
Newsgroups: rec.music.folk
Subject: Re: folk music & political movements
Date: 9 Nov 92 16:46:49 GMT
Article-I.D.: andromed.Nov.9.11.46.47.1992.21380
Organization: Rutgers University, Graduate School of Management, Newark, N.J.

In <1992Nov8.172359.27126@news.clarkson.edu>
 walker@sun.soe.clarkson.edu (Graham Walker, 227 West Old Main,268-3847,)
 writes:

>Several years ago I heard a song that had a line that went,

>	  "Sacco and Vanzetti are a long time gone"

>an anyone tell me the name of the song and who sang it (the version I
>heard was by and Irish singer).

A number of people have written songs about Sacco & Vanzetti.
Charlie King's "Two Good Hands" is one of the most moving, but
this is definitely not it.  It's possible that the song is one
of the ones that Woody Guthrie wrote under commission from Moe
Asch for the 20th or 25th anniversary of Sacco & Vanzetti's
1927 execution.  According to Joe Klein's biography, Woody, by
then beginning to suffer the effects of Huntington's Disease
(although he didn't realize it yet) was not really able to focus
on this project.  Folkways did issue an album of this stuff,
some of which is OK but which is probably not uniformly up to
the standards of Woody's best work.
-- 
Daniel M. Rosenblum, Assistant Professor, Quantitative Studies Area,
   Graduate School of Management, Rutgers University (Newark Campus)
ROSENBLUM@DRACO.RUTGERS.EDU                      ROSENBLUM@ZODIAC.BITnet
dmr@andromeda.rutgers.edu          ...!rutgers!andromeda.rutgers.edu!dmr
From: johnf@Auspex.COM (John Fereira)
Newsgroups: rec.music.folk
Subject: Re: ENYA - "The Lady of Shalott"
Date: 9 Nov 92 23:34:03 GMT
Organization: Auspex Systems, Inc.

In article <Nov.9.16.08.55.1992.10742@andromeda.rutgers.edu> hauk@andromeda.rutgers.edu (Keira E. Hauk) writes:
|A few months ago I heard a set of unreleased Enya songs, on the radio.
|Among many beautiful melodoes and Irish folk songs she sang her own version of  Tennyson's poem, "The Lady of Shalott."  
|
|Did anyone else out there hear it also; if so, what did you think and how might one get a copy of it?  It was so beautiful...but it was also very different    from her more popular albums.  She used her voice so muchmore than her latest  stuff.. 

Interesting.  Loreena McKennitt, whose style has been likened to Enya does
a lengthly iterpretation of "The Lady of Shalott" as well.

-- 
+==========================================================================+
| John Fereira        | Auspex Systems | "Ask me about my vow of silence." |
| johnf@auspex.com    | Santa Clara CA |                                   |
+==========================================================================+