HDTenEightyP/NetNews huggingface dataset:
From: trs4742@sigma.tamu.edu (SEBESTA, TIMOTHY RICHARD)
Subject: Re: Die Warzau
News-Software: VAX/VMS VNEWS 1.41    
Organization: Texas A&M University, Academic Computing Services
Date: Tue, 29 Sep 1992 17:30:00 GMT

In article <Uels3bm00WBOE6s4g1@andrew.cmu.edu>, ep2j+@andrew.cmu.edu (Edward Sokhyon Pak) writes...
> 
>   Anybody have word, any word on Die Warzau?  I wasn't too impressed by
>their last effort.... but I think Disco Rigido was pretty good...... 
>Anything new? anybody know? does anybody care?

Yeah, some people care. Their latest effort was poor compared to Disco Rigido

Tim Sebesta
From: mason@dante.uucp (Mason Jones)
Subject: Re: Hafler Trio info
Date: Mon, 28 Sep 92 16:28:03 GMT
Organization: Charnel House

gt5986c@prism.gatech.EDU (John P. Guske-Arnzen) writes:
: 
: a couple quick questions i'm ahoping that someone can answer for me about
: the Hafler Trio:
: 
: 1--	who is in the group?  someone listed this info about a year or
: 	so back but i wasn't listening to them then.  my loss, huh?

It was Dr Edward Moolenbeek, Chris Watson, and Andrew Mackenzie.  It
is now only Andrew.

: 2--	is there a connection with Cabaret Voltaire?

Only that Chris Watson was a member of CV when they were doing
interesting music.  He left, and later joined HT for a short period.

: 3--	does anyone have a COMPLETE discog of their work?  i keep finding
: 	stuff i've never heard mention of or listings for popping up on
: 	compilations and release lists [not to mention occasional finds
: 	at the neighborhood Tower recs].

I've never seen a complete listing; they released a large number of
limited items when they first started working.  A number of these are
now being re-issued by Mute and others.

: 4--	does anyone out there know a "classification" for their music?

Basically ambient experimental work, I'd say.

: 5--	has anyone seen the video of one of their performances [i'm not
: 	sure of the label, but they market fairly minimally covered 
: 	recordings of Laibach,PTV,CV, etc.]

Having seen then perform here, I'd have to say that blank videotape
would be more interesting than a video of one of their performances.

: 6--	and finally,  an address where i can order HT's albums [touch 
: 	or solielmoon, or wherever]

Soleilmoon; call (503) 621-3202 and have him send you a catalog.


  VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
             Mason Jones           Charnel House Productions
             P.O. Box 170277, San Francisco 94117-0277 U.S.A.
   ...{uunet,sun}!hoptoad!dante!mason   or   dante!mason@hop.toad.com
  ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
From: cshin@feds47.Prime.com
Newsgroups: rec.music.industrial
Subject: KMFDM in Boston, MA
Date: 2 Oct 92 22:24:58 GMT
Distribution: usa

For those of you who will be visiting Boston...

KMFDM is playing at the club Manray in Cambridge
on Friday, October 23, 1992.

I was told this show was listed in the Boston Phoenix.

CaRoLyN
Newsgroups: rec.music.industrial
From: ranald@athena.mit.edu (Gregory L Yantz)
Subject: Re: The The (where did it go?)
Organization: Massachusetts Institute of Technology
Date: Mon, 5 Oct 1992 10:44:58 GMT

In article <21c6RB4w165w@cyberden.uucp>, moon!cyberden!hughmann@well.sf.ca.us writes:
|> The The?  Haven't heard that name in a long time.  No idea what happened 
|> to them, but I'll check around.
|> 
|> __________________________________________________________________________
|>    |       /         |\
|>    | H E   \ Y B E R |/ E N       [ moon!cyberden!hughmann@well.sf.ca.us ]

As I was reading the paper a few days ago I noticed something interesting
in the jazz listings- an upcoming performance by Matt Johnson. Much mention
was made of his 'distinctive style', that sort of thing. I tend to think that
it was the same Matt Johnson, and that he's doing jazz instead of more
The The, at least for a while.

Greg
Newsgroups: rec.music.industrial
From: kritt@einoed.in-berlin.de (Kritt Gierlefzen)
Subject: Re: EINSTURZENDE
Organization: Einoed Unix & Netzwerke, Berlin (FRG)
Date: Tue, 29 Sep 1992 11:31:54 GMT

saiki@mpg.phys.hawaii.edu (L. Saiki) writes:

>I am not sure if it was in the FAQ or not, but I remember "Collapsing
>New Buildings" as being the translation [..]

Right.

As far as I remember Einstuerzende Neubauten chose their name when the
Berlin 'Kongresshalle' collapsed around 1980. The building is located close
to the Reichstag and was a gift of the US allies to the city of Berlin.
The Kongresshalle is shaped a bit like an oister, was used for all kinds
of exhibitions and meetings and finally collapsed due to its cheap 50's (?)
concrete/metal construction. A journalist died, a few more were injured and 
several cars were smashed.
After a rather long public discussion the Berlin government decided to 
rebuild the Kongresshalle since it was a symbol for the friendship between
Germany and the US. 

A picture of the collapsed Kongresshalle can be found on the inside of
the 'Kalte Sterne' double single with the Neubauten native logo on top 0-(-(

Kritt

-- 
Ich bin synthetisch aber nicht bloed...
                                                       kritt@einoed.in-berlin.de
Einoed Unix & Netzwerke. Koepenicker Str. 154, 1 Berlin 36. Tel: 611 3[1,2] 26
Newsgroups: rec.music.industrial
From: pashdown@javelin.sim.es.com (Pete Ashdown)
Subject: Re: Anybody heard of...? (Swamp Terrorists)
Organization: Evans & Sutherland Computer Corporation
Date: Fri, 2 Oct 1992 16:25:32 GMT

lcwu@athena.mit.edu (Lawren C Wu) writes:

>They are not as "hard" on the guitars as Ministry or the latest NIN.

However, Ministry or NIN aren't as "tight" on the guitars as Swamp Terrorists.
What the Swampies do are carefully controlled speed explosions, sort of like
KMFDM at high speed.  I doubt Trent could even start to play as well as ST.
-- 
	"Oh, save me from these pale green pants with nobody inside!"

DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown
Newsgroups: rec.music.industrial
From: aankrom@nyx.cs.du.edu (Anthony Ankrom)
Subject: Re: Bargeld/Cave
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Sun, 4 Oct 92 15:05:35 GMT

In article <1992Sep25.143023.13214@tdb.uu.se> t89par@tdb.uu.se (Par Svens
on) writes:
>I heard a rumour some time ago, about Blixa Bargeld and
>Nick Cave facing criminal charges for torturing a young
>girl. Anyone know something about this?
>
>/Par


 Maybe she didn't like their show? Pathetic girl...
 HAs there been an album done with Neubauten and Cave?

St. Anthony

--
        CH3  O            CH(CH3)2        |      dadaMatrix
           >-P-S-CH2CH2-N<            VX  |                       
    CH3CH2O               CH(CH3)2        |     aankrom@nyx.cs.du.edu
                                          | A kinder gentler lobotomy...
Newsgroups: rec.music.industrial
From: pashdown@javelin.sim.es.com (Pete Ashdown)
Subject: Worship Services
Organization: Evans & Sutherland Computer Corporation
Date: Fri, 2 Oct 1992 14:25:07 GMT


The throb begins.  The crowd starts to pulse and sway.  We hear the beat from
the innermost regions of our mind.  A sound that calls our primitive selves by
name, bringing them forth with an urgency that we rarely feel.  Everyone is in
motion, everyone is aware of other people but not other personalities.  It is
as if an organism had been split into a hundred different entities and was
rejoining into one.

The rain showers me under the roof.  Changing the physical sense from
something clean and dry into something writhing and wet.  A man falls to the
ground in front of me.  People clear the way to try and pull him up.  He stays
and suddenly we realize that he wants to be there.  Another person joins him.
Then it is spontaneous, people fall to the floor and snake over each other's
bodies.  Feeling, touching, pulsating.  The mass is trying to join together
again.  To be what we were before.  The beat ends and people stand again,
ready for the next rhythm to shake their souls.

A watermelon is passed to me, I hungrily take a bite.  A canister of water is
poured on my head, I let it fall in my mouth for a second.  Everything is
passed around and noone greedily takes more than their share.  No fights break
out, everyone lost whatever attitude they had when they came in.  I join a
ring of people dancing.  I hold on for a while, then the ring breaks apart.
I'm thrown to the center.  I look around, there is no escape, so I move once
again.  Spinning, shifting.  I am my prisoner's dervish for a few minutes.
They move in and I feel their touch, then it is over as quickly as it began.

I work my way toward the stage to put an empty canister down, then walk
backwards to get to the center of the floor.  I fall upon a new mass of
people.  This time I am part of the orgy.  At first it is pleasant.  A weird
loss of sexes, just a mass of flesh moving over me.  Then it becomes painful.
Too many people this time.  I reach my hands into the air and someone pulls me
out.  The bodies remain on the floor for a longer period.  It screams, it
shouts, it cries.  Bystanders look on in amazement.  We find it hard to
believe we can become so primal, but are strongly attracted to the scene at
the same time.  A heat is felt rushing from the stage.  Men are blowing twenty
foot fireballs.  The largest I have ever seen.  Gods are among us.

Two hours from the arrival, the beat leaves.  A chain of people, follow the
rhythm pipers out the door and dance in the cool air of the night.  Suddenly
it stops and a cheer rises from the crowd.  We have truly been reborn for
another year.

Oh yeah, and Crash Worship was pretty good too.
-- 
	"Oh, save me from these pale green pants with nobody inside!"

DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown
Newsgroups: rec.music.industrial
From: matthew@mentor.cc.purdue.edu (Matthew N. Sharp)
Subject: Re: Kill File
Organization: Purdue University Computing Center
Date: Wed, 30 Sep 1992 05:26:40 GMT

In article <1992Sep29.173535.27090@versyss.com> keithd@versyss.UUCP (Keith Doyle) writes:
>
>Well, I just put Ministry, NIN, and Trent in my kill file.  It'll be 
>interesting to see what's left to read....
>
>Keith


Right here, babe.




Matthew Neill Sharp
matthew@sonata.cc.purdue.edu  matthew@mentor.cc.purdue.edu 
matthew@symphony.cc.purdue.edu  bp271@Cleveland.Freenet.Edu
mnsharp@nyx.cs.du.edu  sharpmn@sage.cc.purdue.edu and more
Newsgroups: rec.music.industrial
From: scupin@rintintin.Colorado.EDU (SCUPIN  JONATHAN RAYMOND)
Subject: Re: Industrial music in Denver?
Organization: University of Colorado, Boulder
Distribution: usa
Date: Sat, 26 Sep 1992 21:13:49 GMT

westling@starbase.mitre.org (Mark Westling) writes:

>I'll be in Denver from 9/27 to 10/1; any recommendations for
>clubs with industrial or progressive dance music?  Something
>that will render me unfit for 8 A.M. meetings? :)

>--Mark
No major shows that I know of, but there are alot of flyers for Raves going
around here(boulder).  If you're here on Thursday, there's a little klub
called Club 156 on campus that plays industrial dance, and rave stuff on 
thursday...
coprophiliac

Newsgroups: rec.music.industrial,alt.rave
From: mary@ferkel.ucsb.edu (Mary Cardenas)
Subject: Sample from movie "After Hours", which song?
Keywords: scorsese
Organization: University of California, Santa Barbara
Date: Mon, 5 Oct 1992 04:13:42 GMT


Rosanne Arquette says
over and over and over
"He just couldn't stop
he just couldn't stop
....
so i just broke the
whole thing off."

Now I know I've heard
this in a song.
Can anyone tell me which one?

Thanks

mary
Newsgroups: rec.music.industrial,rec.music.folk,rec.music.dementia
From: wrp@pslsrv1.gvl.unisys.com (Bill Pringle)
Subject: Re: LESBIGAY MUSICIAN NAMES NEEDED.
Organization: Paramax Systems, Ivyland, PA
Date: Wed, 7 Oct 1992 01:39:03 GMT

In article <K4BRBSP4@cc.swarthmore.edu> jacob@cs.swarthmore.edu (Jacob Mattison) writes:
>Ok, I'm going to just brainstorm a bit here.  Hope it helps.
>
>Folk:
>Judy Small.  Holly Near.  Fred Small.  Romanovsky and Phillips.  Sweet
>Honey in the Rock.  Ferron.  Phranc.  k.d. lang.  Indigo Girls.
>Two Nice Girls.
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Sweet Honey in the Rock ???  Why would you think they are lesbian?
I can't think of any song they do which is lesbian/gay.  Most of
their songs, and certainly their traditions, are  african-american
women oriented, particularly from church activities.

They are certainly not *anti* lesbian/gay, but I don't think you could
make much of a case for them.

BTW - Holly Near is bi-sexual, but currently is enjoying living alone.

============================================================================
Bill Pringle                      Software Tools
Paramax Corporation               Voice: (215)443-7500 X4023
Internet: wrp@ivy.unisys.com      UUCP: ...!uunet!mimsy!widener!gvls1!wrp%ivy
From: bbehlen@soda.berkeley.edu (Vitamin B (Brian Behlendorf))
Newsgroups: rec.music.industrial
Subject: Re: This *IS NOT* rec.music.industrial !!!
Date: 28 Sep 1992 21:57:35 GMT
Organization: U.C. Berkeley, CS Undergraduate Association
NNTP-Posting-Host: soda.berkeley.edu

In article <-p_pfqg@lynx.unm.edu> ee3401cb@carina.unm.edu (Student Class Account) writes:
>   I mean, when was the last time anyone shot up heroin and went to 
>a bad-vibes rave where Skinny Puppy and Ministry were played?  These
>groups are not rave groups!

   Shoot up heroin?  What the hell?  Since when do people shoot up heroin
at raves?!?!  I would be willing to bet more people at said SP or Ministry
show would be shooting up than at a rave.

   Get your drugs straight!!  ;)

   Though I agree with everything else you say; the discussion shouldn't
be on alt.rave and they aren't "rave" groups (though a friend did say he
heard Assimilate being played at 45rpm once... :)

	Brian
Newsgroups: rec.music.industrial
Subject: RE:RE: re:Cranes
From: aakhan@wsuhub.uc.twsu.edu
Date: 30 Sep 92 17:02:11 CST
Organization: Wichita State University, Wichita, Ks

In article <1992Sep29.161839.16573@athena.mit.edu>, lcwu@athena.mit.edu (Lawren C Wu) writes:
> 
>>have you tried "Cranes-Wings of Joy"
>>they fit your description perfectly
>>except the high bpm and samples bit
> 
> Um.  Cranes is really slow, mellow/haunting stuff.  No samples at all.  I don't
> hear any Nitzer Ebb or Pigface in them, either.  Closer to Garlands-era Cocteau
> Twins than the Nitzer Ebb/Pigface mixture.

I agree 
but most of their rythms are very sparse gothic/tribaly oriented.  My
favorite songs on PigFace has that in common(Blood and Sand, Little Sisters,
Weightless etc.) with Cranes.  Also most of the music on both Cranes and
Pigface in centered around noisy, dronning, feed back ladden guitar.
Most of Cranes's bass lines are very precise and Mechanical sounding ala Nitzer
Ebb plus most of arpegiated pianos and strings sound like sequencers
Nitzer Ebb seems to be infatuated by the very sound on their recent releases

But most of all the gentleman was asking for a vocalist with ethereal qualities
/that sounds like ENYA
........
I rest my case
 
an offering of love
from flesh chamber9
From: moon!cyberden!xorcist@well.sf.ca.us
Newsgroups: rec.music.industrial
Subject: Re: hellooo moon!cyberden!flesh
Date: Sat, 03 Oct 92 12:05:19 PDT
Organization: Indescribable Creations

aakhan@wsuhub.uc.twsu.edu writes:

> can any one describe the general sound of this album and <X>orcist in general
> may I add that I'm basically tired of the generic riffy-guitary/ minor
> sequencer "Industrial"
> Mr.  <X>orcist??

1. I use an Atari for sequencing... average of 16-48 tracks worth at a time.
   (does this constitute it as minor?)

2. There are no guitars.


__________________________________________________________________________
   |       /         |\
   | H E   \ Y B E R |/ E N       [ moon!cyberden!xorcist@well.sf.ca.us ]
Newsgroups: rec.music.industrial
From: aankrom@nyx.cs.du.edu (Anthony Ankrom)
Subject: Re: Ambient FAQ?
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Date: Sun, 4 Oct 92 15:36:04 GMT

In article <Bv96Cq.7oI@mentor.cc.purdue.edu> matthew@mentor.cc.purdue.edu
(Matthew N. Sharp) writes:
>In article <1992Sep27.182515.18055@sol.ctr.columbia.edu> locklin@titan.u
c.umass.edu writes:
>>Motion seconded, this should be rec.music.NIN.ministry
>>you don't even see many S.P. posts anymore, just commercial stuff; 
>>FLA -yeauchh!
>
>Do you mean to imply that skinny puppy is not by definition "commercial 
tuff"?
>
>
>
>Matthew Neill Sharp
>matthew@mentor.cc.purdue.edu     



 Yeah and what is FLA - yeeuch! supposed to mean? Have FLA gone
commercial? I haven't heard Tactical Neural Implant, but I couldn't fathom
it being remotely commerical. I have Mindphaser single and Corrosion and
Gashed Senses and Crossfire. The latter two rank with my most favorite for
this style of industrial music (right up with Front By Front and Official
Version).

St. Anthony

--
        CH3  O            CH(CH3)2        |      dadaMatrix
           >-P-S-CH2CH2-N<            VX  |                       
    CH3CH2O               CH(CH3)2        |     aankrom@nyx.cs.du.edu
                                          | A kinder gentler lobotomy...
Newsgroups: rec.music.industrial
From: saiki@mpg.phys.hawaii.edu (L. Saiki)
Subject: Re: EINSTURZENDE
Organization: University of Hawaii, Dept. of Physics & Astronomy
Date: Sun, 27 Sep 1992 23:17:28 GMT

In article <4213.928.uupcb@bville.gts.org> john.walter@bville.gts.org (John Walter)  writes:
>-> Einstuzende Neubauten (sp?) stands for "Delapitated New House".

>Actually from what I remember reading it is something like "Collapsing
>New Buildings", but it isn't just "New Buildings" but Neubauten is
>actually a form of archetecture...  Something like that...

I am not sure if it was in the FAQ or not, but I remember "Collapsing
New Buildings" as being the translation and the "new buildings" that 
they were talking about were the ones built just after WWII.  Being that
it was just after an economically devastating war with tons of war
reparations to be made, Germany was poor and the landscape was
demolished.  The buildings that were built at the time were not made 
with quality materials.

So 40 some odd years later [or earlier], the buildings started to 
crumble/fall apart -> collapse.

If I am wrong, correct me.
-- 
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
     The end!					 L. Saiki	
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
From: gt5986c@prism.gatech.EDU (John P. Arnzen)
Newsgroups: rec.music.industrial
Subject: Now, some Godflesh info...
Date: 30 Sep 92 18:26:46 GMT
Organization: Georgia Institute of Technology

does anyone know about Godflesh's very first album?  it's supposedly
eponymous.  I saw it referred to in the trouser press record gd [a decent
gd, IMHO], but haven't seen it anywheres or even heard anyone talk about
it.  are the bonus tracks on the STREET CLEANER cd from this recording?
anyone out there got any sort of clue about this mystery album?

also, found the cd-5 of COLD WORLD the other day at Tower.  Pretty good 
stuff, i thought.  you guys have probably already discussed it, but if there
are any late finders like me out there still hungry for all the GF they
can find, it's recommended [tho the tracks definitely sound like they
should have been left off PURE].

thanks--

john arnzen
gt5986c@prism.gatech.edu


Newsgroups: rec.music.industrial
From: scupin@rintintin.Colorado.EDU (SCUPIN  JONATHAN RAYMOND)
Subject: Re: What about the Queen song and Metallica(?) NIN?
Organization: University of Colorado, Boulder
Date: Mon, 28 Sep 1992 17:09:54 GMT

micah@hardy.u.washington.edu (Micah Anderson) writes:

>Why aren't the two remixes that NIN did on the new albulm? Although anyone
>smart enough could just get a copy of the two songs and record them onto
>the blank part of the second side....


HUH?

coprophiliac


Newsgroups: rec.music.industrial
From: pashdown@javelin.sim.es.com (Pete Ashdown)
Subject: Re: New Mixer...
Organization: Evans & Sutherland Computer Corporation
Date: Tue, 6 Oct 1992 14:24:29 GMT

bbehlen@soda.berkeley.edu (Brian Behlendorf (Vitamin B)) writes:

>    At the past couple of raves I've been to here, the mixer that the DJ uses
>has been completely unfamiliar.  Gone are the sliders - instead, there are
>knobs.  Dozens of knobs.  No sliding X-fader.  Knobs.  No master level control.
>Knobs.  And also no name, none that I could see.  Anyone know about these?  
>I've seen them at enough events now to think that perhaps the DJ's prefer
>them...

I used one once.  I didn't like it much.  These mixers are better suited
towards live bands and performances.  Who cares if you can split the EQ into
five different levels?  Give me a slider or give me death.
-- 
		       "I'm Slash man, Slash!" - Slash

DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown
From: john.walter@bville.gts.org (John Walter)
Newsgroups: rec.music.industrial
Subject: UNCLE AL
Date: 30 Sep 92 02:29:00 GMT
Reply-To: john.walter@bville.gts.org (John Walter)
Organization: Baudeville BBS - Toronto, Canada 416-283-0114 2000+ conferences

-> Instead of flaming, why don't you pretend you have a purpose and
-> contribute something other than a useless posting to this Newsgroup.
-> I'm pretty sure no one will mind.  Obviously, you can't read since
-> this was the trailer on my initial message:

        Oh, I see, it's O.K. for you to flame me for flaming you to show
that I shouldn't flame cuz it's stupid right? HEhehehe....  Oh yeah, I
can't read! HEhehehe...  Who gives a #(@!*! how many groups alan has
been a part of! That is impossible to determine! He is *PART* of just
about every group on WaxTrax...

        John (Who can't read! Heheheh!)
                          
Newsgroups: rec.music.industrial
From: dickenjd@ctrvx1.vanderbilt.edu (DICKENJD)
Subject: Re: Throbbing Gristle at Oundle School
News-Software: VAX/VMS VNEWS 1.41    
Organization: Vanderbilt University
Date: Thu, 1 Oct 1992 22:48:00 GMT

In article <BvGHMG.D2D@news.cso.uiuc.edu>, ash50842@uxa.cso.uiuc.edu (Dres) writes...
>   I just rented out the video for the recording of Heather Earth and the
>Throbbing Gristle performance, live at Oundle School.  The Oundle thing
>has be puzzled.
>   First of all, maybe I just dont know a lot about British schools, but
>it seems VERY odd that a school would let a group that was probably very
>contraversial at the time play at the school.
>   And second, the kids LOVED TG!  Maybe they were just exciting about having
>a concert at their school (I have no idea how well known TG was at that time).
>Anyway, most kids I know are listening to the New Kids on the Block, and would
>probably positively HATE TG.  Hell, *I* would have hated TG when I was 12
>years old.  British kids' can't be THAT much different.
> 
>   So, I figure "something must be going on here, that I don't know about" (
>Suicidal Tendencies quote) perhaps one of you will know what it is!
> 
>-Dres
	Oundle School, If my memory serves, is/was a trade/engineering 
college. So, some of your puzzlement should be solved with that. 
That IS a pretty funny thought, TG playing live at an elementary
school..... heh.

J. David Dickens . . . dickenjd@ctrvx1.vanderbilt.edu 
Newsgroups: rec.music.industrial