HDTenEightyP/NetNews huggingface dataset:
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: Havanna Jam / Real Books
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Distribution: rec
Date: Wed, 18 Nov 1992 17:41:55 GMT

ETX-TT-ED Sahlin Johan (etxjoos@kk39.ericsson.se) wrote:
: 
: I'm about to buy a Real/Fake book which one is the best for Standards and
: which one is best for newer material as Weather Report, Chick Corea and
: stuff like that.

"best" is always a relative term.  For standards, I'd still recommend the
original (and illegal) "Real Book", if you can find it.  It's obviously not
available in stores, or perhaps I should say "not obviously available".  It
has a lot in it, and in fact has helped *define* what a standard is.  Most
importantly, it's what everyone else has.

Chuck Sher's "The New Real Book" is also very popular, but doesn't have nearly
as much in it.  It is the "best" legal choice because it is so widespread.  The
emphasis is primarily standards, with some fusion too.  His "New Real Book
Volume II" will probably over the next couple of years become as popular; the
two books combined are probably enough to supplant the original "Real Book"
eventually.  Chuck's first one, "The World's Greatest Fakebook", probably has
the most classic fusion in it.  His two "New Real Book" volumes has more even
newer stuff - Michael Brecker, Bob Berg, and so on, as opposed to things like
Weather Report.

: *  "Women and the rythm section first"        * etxjoos@kk.ericsson.se   *
: *                   -Jaco Pastorius           *                          *

Cute - where did this quote come from?

--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
Amendment 2 Is Legalized Discrimination - Shame On You, Colorado
--
"Neither the State of Colorado ... nor any of its municipalities ... shall ...
 enforce any ... ordinance ... whereby homosexual, lesbian, or bisexual
 orientation ... shall ... be the basis of ... any ... claim of discrimination"
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
Newsgroups: rec.music.bluenote
From: mcjones@src.dec.com (Paul McJones)
Subject: Re: James Brown and jazz standards.
Summary: Messing with the Blues, maybe?
Organization: DEC Systems Research Center
Date: Tue, 24 Nov 92 03:31:45 GMT

Is it possible you are thinking of "Messing with the Blues" (Polydor
847 258-2 in the U.S)?  The liner notes say "Messing With The Blues is
James Brown as perhaps you've never heard him before: paying homage to
the great jump, jazz, and rhythm and blues artists who inspired him -
the link between the Godfather and the forefathers of soul."

The two-disc set includes:

Like It Is, Like It Was (The Blues)
Don't Cry, Baby
Caldonia
Somebody Done Changed The Lock on My Door
Ain't Nobody Here But Us Chickens
Good Rockin' Tonight
I Love You, Yes I do
Messing With The Blues
Waiting in Vain
For You, My Love
Blues For My Baby
Everyday I Have the Blues
Love Don't Love Nobody
Goin' Home
Have Mercy Baby
Kansas City ('67 alternate)
The Bells

Don't Deceive Me (Please Don't Go)
The Things That I Used To Do
Need Your Love So Bad
Like A Baby
Honky Tonk
Suffering with the Blues
Further on Up The Road
Talk To Me, Talk To Me
Kansas City ('75)
Wonder When You're Coming Home
Like It Is, Like It Was (The Blues, continued)


Paul McJones
mcjones@src.dec.com
Newsgroups: rec.music.bluenote
From: kamine@is.rice.edu (Jorge Hershel Kamine)
Subject: "Sketches of Spain" performance at Montreaux 91
Organization: Rice University
Date: Tue, 17 Nov 1992 20:43:28 GMT

Has Miles Davis' Montreaux performance of the "Sketches of Spain"
material from last year?  I read a very complimentary review in
Downbeat about the performance, but I hadn't seen anything about
its release (although I understood it would be released sometime
this year).  Thanks for your help.  Please email, if possible.
-- 
*******************************************************************************
*       Jorge Kamine Arreola      * "An eye for an eye leaves two men blind."  
*       email: kamine@is.rice.edu *  -Edward James Olmos   
*******************************************************************************
Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: Standards from today (was Re: "Shakil's Warrior", standards)
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Distribution: usa
Date: Tue, 17 Nov 1992 18:30:05 GMT

ricardo.g.irvin (ric@cbnewsj.cb.att.com) wrote:
: 
: I nominate:
: 'train's Giant Steps
: Monk's 'round midnight'

Um, yeah, but I was talking about tunes written in the last decade or so.
These are both older than I am, and are already in the Real Book.

BTW, Bill Hsu - "Law Years" is more well known than your average Ornette tune
these days because Pat Metheny covered it a few years ago.  And you're right
about "Blues Connotation", too - I almost mentioned that.  So even modern
composers have some chance of hitting the right buttons.

--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
Amendment 2 Is Legalized Discrimination - Shame On You, Colorado
--
"Neither the State of Colorado ... nor any of its municipalities ... shall ...
 enforce any ... ordinance ... whereby homosexual, lesbian, or bisexual
 orientation ... shall ... be the basis of ... any ... claim of discrimination"
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
From: bearce@hpcc01.corp.hp.com (Phil Bearce)
Date: Tue, 17 Nov 1992 15:36:56 GMT
Subject: Guitarist Michael Dowdle
Organization: the HP Corporate notes server
Newsgroups: rec.music.bluenote

I want to ask if anyone's heard of a guitarist named Michael Dowdle.  A friend
let me borrow his first and second cd's called "Touch" and "From The Hip". He
records on the Airus label out of Salt Lake City.  I really like this guy. 
He sort of sounds like a cross between Larry Carlton and Lee Ritenour with a 
little Robben Ford thrown in for good measure.  If you haven't had a chance to
hear him, you should.  This is all, of course IMHO.

________________________________________________________________
  ___              Phil Bearce at HP San Jose - Components
 (/__) /_   .  /)  internet: phil@hpmsfpb.sj.hp.com
 /    /  )_(__(_ -     "Look out for that root."  -James Taylor
________________________________________________________________
Newsgroups: rec.music.bluenote
Subject: Re: George Adams passes
From: Ignatios Alexander <ia0n+@andrew.cmu.edu>
Date: Tue, 17 Nov 1992 12:27:29 -0500 
Organization: University Libraries - Administration, Carnegie Mellon, Pittsburgh, PA

>From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
>Sorry to be the bearer of bad news - I heard today that George
>Adams has just died.  He was 52.  No details.

Has any additional information on George Adams' death been published?

I love all his recordings with Don Pullen.  

A special event I'll never forget is the time he played in duet with
Pullen at the Newstand in Philadelphia, surrounded by the audience just
inches away.  It was very intimate and very memorable.

I still can't believe he's gone.

---Ignatios


Newsgroups: rec.music.bluenote
From: smehta@kwela.nynexst.com (Sandeep Mehta)
Subject: Re: George Adams passes
Reply-To: smehta@nynexst.com
Organization: Speech Technology, AI Lab, NYNEX S&T Inc, White Plains, NY
	<Bxo99L.I2p@fc.sde.hp.com><Nov.16.13.36.29.1992.18235@ruhets.rutgers.edu>
	<0f2Gi1G00iUzQ1zakN@andrew.cmu.edu>
Date: 18 Nov 92 09:47:15


> Ignatios Alexander <ia0n+@andrew.cmu.edu> writes:

> >From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
> >Sorry to be the bearer of bad news - I heard today that George
> >Adams has just died.  He was 52.  No details.
> 
> Has any additional information on George Adams' death been published?

George Adams had been sick for almost a year. I last saw him in Aug
'91 @ the Brooklyn Museum w/ the Mingus Dynasty band. He was also
supposed to be w/ the Mingus Dynasty workshop that has been
performing for the past year at the Time Cafe on Great Jones St in
the Village. The last two people who were there did not see him in
the group.

In '91 Adams looked like he had lost a *lot* of weight and I was a
bit suspicious. I asked some folks but didn't get any confirmed
answer. Last Thursday I heard a *very* unconfirmed rumor that he
might have been suffering from AIDS. Little did I know that he would
pass on on Sat morning.

Very sad news and what a terrible year for music: Tyler, Blackwell,
Red Mitchell, Adams...

/sandeep
--
smehta@nynexst.com
--
        "This space of time is organized. We need not fear these
	 silences, -- we may love them." -- John Cage, Silences, 1961.
From: jpaxton@andy.bgsu.edu (joshua paxton)
Newsgroups: rec.music.bluenote
Subject: Re: James Brown and jazz standards.
Date: 19 Nov 92 17:59:54 GMT
Article-I.D.: andy.Bxz5zv.L6n
Organization: Bowling Green State Univ.

I've heard the album you're talking about.  I don't remember what it's
called, but I'll be able to find out over Thanksgiving -- my dad has a
bunch od JB albums, and I remember that one in particular because my
old piano teacher, Frank Vincent, plays on it.  I rememebr it's got "I
Loves You Porgy," and "Geargia on my Mind,"  but I can't recall the other
tunes.  I'll let you know.

Josh
Newsgroups: rec.music.bluenote
From: ric@cbnewsj.cb.att.com (ricardo.g.irvin)
Subject: Re: Standards from today (was Re: "Shakil's Warrior", standards)
Organization: AT&T
Distribution: usa
Date: Tue, 17 Nov 1992 17:27:03 GMT

In article <Bxu1vF.H3q@fc.sde.hp.com> marc@hpmonk.fc.hp.com writes:
>Joe Hellerstein (hellers@cs.wisc.edu) wrote:
>: 
>: Personally, I don't think that any of today's tunes will be "standards"
>: the way that "Body and Soul" is, for example.
>
>I wasn't talking about "Body And Soul" types of standards.  That was a pop
>tune.  I'm talking about things like "Oleo" or "Footprints" - songs written by
>jazz musicians and for jazz musicians.

I nominate:
'train's Giant Steps
Monk's 'round midnight'





			Ric. Irvin
From: miller@hpscit.sc.hp.com (Phil Miller)
Date: Thu, 19 Nov 1992 16:14:29 GMT
Subject: Coltrane / OM / Voodoo?
Organization: Hewlett-Packard, Santa Clara, CA
Newsgroups: rec.music.bluenote


           Last night while I was listening to John Coltrane's _OM_,
     my wife commented that this was the kind of music that voodoo
     practitioners would use to induce trance states in themselves.
     She implied that the music (esp. the rhythms) were not an original
     outgrowth of modern Jazz (i.e., Coltrane and his contemporaies 
     didn't evolve the style), but that it was borrowed from the
     "voodoo culture". Perhaps such a culture operated for years
     in New Orleans' "underground"-- influencing musicians throughout
     the century.

              I'd always just thought of this music as "Free Jazz",
     or in _OM_'s case, "Energy Music".

                                                     Phil
                                                  (miller@hpscit.hp.com)

Newsgroups: rec.music.bluenote
From: Ken.J.Taylor@cray.com (Ken J.  Taylor - Huntington Beach)
Subject: Re: Return To Forever
Reply-To: Ken.J.Taylor@cray.com
Organization: Cray Research, Inc.
Date: 19 Nov 92 12:14:33 CST

In article 22393@mlb.semi.harris.com, jphillip@comanche.ess.harris.com (John Phillips) writes:
>I consider  Return To Forever's Romantic Warrior a fusion classic. A blazing
>19 year old Al D., Chick at his best, start of Stanley's impact and influence
>on bassists, and a smokin' Lenny White.

The song "Romantic Warrior" was one of their best and aptly titled:
regal, powerful, lyrical.  Chic Corea's solo on that song is one of my
favorites (others might be the solo in Return to Forever on Airto's
Free album and Where Have I Danced with You Before? on RTF Where Have I
Known You Before? album.)  Lenny White finally was able to contribute
significantly in acoustic RTF setting in that song.  Lenny's drumming
is the most powerful, yet complementary, I have heard in an acoustic
setting.  Both Stanley Clarke and Al Di Meola had lyrical solos that
are also my favorites.  The rest of the album, unfortunately was too
uneven (there are some exciting bits and pieces on the second side.)
My favorite RTF albums would be Return to Forever by RTF1, Hymm of the
Seventh Galaxy by RTF2, and Where Have I Known You Before? by RTF3.
After Where...  RTF became more and more orchestral, lost some of their
members, and consequently,lost their bite.  Same thing happened to
Mahavishu Orchestra.  I don't care at all for the current RTF.

Stanley Clarke was a major, influential bass player several years
before the Romantic Warrior album.  He popularized bass as a solo
instrument in the 70's.  Check out the titleless Stanley Clarke album
with the song Spanish Phases for Bass and Strings.  Al Di Meola was I
believe in his 20's by the time of the Romantic Warrior album.  I think
he was ~19 when he started with RTF.

Why do great bands break up?



Ken Taylor


Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: George Adams passes
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Date: Wed, 18 Nov 1992 17:28:17 GMT


So is there still no "official" confirmation?  This morning, the local jazz
station opened its music broadcast (after NPR) with Adams' solo rendition of
"Take Me Out To The Ballgame".  I was thinking, "how cool - a tribute to Adams,
and the new Colorado Rockies team, in one shot", but the DJ didn't make any
mention of his passing afterwards; only of the Rockies.  I called her up and
she said this was the first she had heard about it.

--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
Amendment 2 Is Legalized Discrimination - Shame On You, Colorado
--
"Neither the State of Colorado ... nor any of its municipalities ... shall ...
 enforce any ... ordinance ... whereby homosexual, lesbian, or bisexual
 orientation ... shall ... be the basis of ... any ... claim of discrimination"
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
Newsgroups: rec.music.bluenote
From: glad@Csli.Stanford.EDU (Clayton Glad)
Subject: Re: MUWORKS records and Robert Musso solo works
Organization: Stanford University CSLI
Date: Thu, 19 Nov 1992 00:16:40 GMT

vek@spacsun.rice.edu (Vincent E. Kargatis) writes:

>Lessee, MU has 2 Machine Gun albums, 

Three!  Pass the Ammo arrived just this week.  I've only given it
a cursory listen but it sounds like a good one.  Musso's getting
a bit more imaginative with the guitar, IMHO.  Along with that
we got John McCracken and Outland.  I haven't heard this one yet.
McCracken's a guitarist; Chapin's on this one as well.  According
to the liner notes not only whas the whole thing improvised in the
studio, but before this date they had never before played together
as a group.

Here's their catalog to date:

	MUW 1001	Machine Gun:  Machine Gun
	MUW 1002	Robert Musso:  Absolute Music
	MUW 1003	Machine Gun:  Open Fire
	MUW 1004	Pheeroan Aklaff:  Sonogram
	MUW 1005	Thomas Chapin:  Radius
	MUW 1006	Lunar Bear Ensemble:  Dark Pastures
	MUW 1007	Improvised Music New York 1981
	MUW 1008	Robert Musso:  Active Resonance
	MUW 1009	Thomas Chapin & Borah Bergman:  Inversions
	MUW 1010	John McCracken & Outloud:  Blood from a Tome
	MUW 1011	Machine Gun 3:  Pass the Ammo
	MUW 1012	Robert Musso & Steve Buchanan:  Noise Floor
	MUW 1013	Last Exit:  Live in Europe

I've neither heard nor seen these last two.

Sez here, "for mailorders, please send $12.00 per cd, $6.00 per
cass. plus $2.00 shipping and handling per item to:  MUWORKS
Records; 111 4th Ave., Suite 5A, NYNY 10003."

Surely you know, Malcolm, to scour Amoeba before you write any checks.
I saw both Mussos in their jazz clearance bin for $2 on Monday.

-- Clay
      	  "Existence is existence throughout all of existence."
				-- Stephen Grossman


Newsgroups: rec.music.bluenote
From: wilsonjc@expert.cc.purdue.edu (John Wilson)
Subject: record stores
Organization: Purdue University Computing Center
Distribution: rec.music.bluenote
Date: Fri, 20 Nov 1992 20:06:42 GMT


I'd appreciate it if anyone would send me info on record stores which sell
rare and vintage recordings of jazz.  Either post or e-mail me.  Thanks
in advance.
wilsonjc@expert.cc.purdue.edu
John
Newsgroups: rec.music.bluenote
From: ken_blackman@gateway.qm.apple.com (Ken Blackman)
Subject: Re: MILES DAVIS
Date: Thu, 19 Nov 1992 01:54:19 GMT
Organization: Apple Computer, Inc

In article <1992Nov17.234848.47487@watson.ibm.com>, cc@biff.fishkill.ibm.com (Chris Cowan) writes:
> 
> 
> In article <kRR6TB4w165w@bluemoon.use.com>, buzzsaw@bluemoon.use.com
> (Patrick Buzby) writes:
> |> On The Corner (if it's ever reissued)
> 
> It's out on CD, I've seen it!!  (Should have bought it then too, because
> that's the only one I've seen!)
> 
> |> 
> |>      Pat Buzby           "Fried ice cream is a reality!"-George Clinton
> |>      Grove City, OH      "Music is the best."-Frank Zappa
> Chris Cowan 
> 

I believe the guitarist Dave Creamer (thread about him earlier) is on
this album...
Newsgroups: rec.music.bluenote
From: piscine@rs1.tcs.tulane.edu (henry bart)
Subject: Re: Mystery guitarist on Trilok Gurtu's _Usfret_
Organization: Tulane University, New Orleans, LA
Date: Mon, 16 Nov 1992 18:30:51 GMT
Nntp-Posting-Host-[nntpd-28450]: rs1.tcs.tulane.edu

>uncredited electric guitarist. 

GA> The title would make me guess Sonny Sharrock.

No, I think the title comes from Gurtu's mother, Shoba, who sings
on the album.

Mike


      /-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=(*)=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-\
      ^ Mike Taylor                  <->                  rolyaT ekiM ^
      ^ piscine@rs1.tcs.tulane.edu   <->   ude.enalut.sct.1sr@enicsip ^
      ^ finger it if you are curious <-> suoiruc era uoy fi ti regnif ^
      \-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=(*)=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-/
Newsgroups: rec.music.bluenote
From: lund@vms.macc.wisc.edu
Subject: Jazz Improvisation Primer
Organization:  University of Wisconsin Academic Computing Center
Date: 18 NOV 92 08:07:02    

	Sorry to bother, but would someone either repost or forward me the 
message pertaining to Marc Sabatella's Jazz Improvisation Primer.  I trashed the 
message and am interested in FTPing the document.  It's probably best to email 
me directly, unless you think others may be interested in a repost.  Thanks. 

					*******************
					-Mitch Lundquist
					-lund@macc.wisc.edu
Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Re: Marsalis & New Orleans style?
Organization: Brotherhood Of Breath
Date: Wed, 18 Nov 1992 01:04:21 GMT

ylo@osiris.kbfi.ee (Ylo Mets) writes:
>Can anybody tell, if Wynton has played New Orleans' style
>with a small group on a record.

The ones that probably fit your description are:
	THE MAJESTY OF THE BLUES
	The Original Soundtrack From TUNE IN TOMORROW
	CRESCENT CITY CHRISTMAS CARD

MAJESTY is a nice record but you must have a CD player so that you can
program it to skip the 10 minutes sermon. 


--Gidi
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Newsgroups: rec.music.bluenote
Subject: Re: Eva/Wave and Avant record labels?
Date: 17 Nov 92 02:32:52 GMT
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University

In article <derrigfj.721949583@craft.camp.clarkson.edu>, derrigfj@craft.camp.clarkson.edu (Frank J. Derrigo) writes:
>Could someone please post any info they have about the
>Japanese labels Eva/Wave or Avant?  What available out there?
>I only know of Naked City's Heretic on Avant and John Zorn's
>Elegy on Eva/Wave.  

I believe there's also a Zorn (and Naked City?) recording called LOCUS SOLUS 
from 1983 on Eva.

-Lynn  (rardin@auriga.rose.brandeis.edu)
From: jim@marvin.contex.com (James Bampos)
Newsgroups: rec.music.bluenote
Subject: Metheny Appearance
Date: 19 Nov 92 17:37:56 GMT
Distribution: usa
Organization: Xyvision Design Systems


To Pat Metheny Fans:
	Most of you know Pat Metheny will be appearing at the Orpheum
Theature in Boston on Friday & Saturday night for his Secret Story
Tour. That's November 20 & 21 at 7:30 and I understand tickets are still
available for the Saturday show. From all the reviews on the net I would
suggest making an attempt to see this show. Anyway ... Pat will be at
the Tower Records store on the corner of Newbury St. and Mass Avenue on
Saturday from 1 (one) in the afternoon to ???. No departure time was 
given. See you there. Just an FYI to all Metheny fans who might be
interested in meeting this great guitarist.
						See You There
								Jim
Organization: University Libraries - E&S Library, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.bluenote
Date: Mon, 23 Nov 1992 15:11:01 -0500 
From: Robert Angelo Pleshar <rp16+@andrew.cmu.edu>
Subject: Pittsburgh radio special

Hi - I just wanted to let everyone in Pittsburgh (sorry to everyone
else, I couldn't figure out how to limit it to Pgh) know that there will
be a special radio program coming up. Please tune in and give us a call
if you're interested.

The scoop:
MDM - Monk, Duke, Mingus
Friday - Sunday 
November 27-29
noon to midnight

on WRCT 88.3fm in Pittsburgh. Phone line: 621-9728

Tomorrow I'll make a post of what sort of special things we'll be
playing and when (the specials within the special). 

Thanks for your time,
Ralph


Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Re: Mystery guitarist on Trilok Gurtu's _Usfret_
Organization: Brotherhood Of Breath
Date: Mon, 16 Nov 1992 17:18:51 GMT

ee152fcy@sdcc15.ucsd.edu (Paolo Valladolid) writes:
>The opening track, "Shobarock", features some blazing solos by an
>uncredited electric guitarist. 

The title would make me guess Sonny Sharrock...

--Gidi
From: diogenes@eve.usc.edu (Diogenes C da Silva Jr.)
Newsgroups: rec.music.bluenote
Subject: Re: Jazz/Bach fusion?
Date: 18 Nov 1992 12:54:17 -0800
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: eve.usc.edu

In article <40718@sdcc12.ucsd.edu> ee152fcy@sdcc15.ucsd.edu (Paolo Valladolid) writes:
>I heard the strangest thing on the local jazz station the other day.
>It was a jazz group with a trumpet quoting the opening theme from Bach's Chorale
>Prelude "Wachet auf". The rest of the band then proceeded to
>improvise over a more traditional jazz groove. The song ended with a
>restatement of the Bach theme.
>
>Could anyone out there identify the artist and song?
>
>Paolo

Maybe you heard Modern Jazz Quartet's "Blues on Bach", an old
album, by the way. It's a variation on Bach's theme.

If you are interested in such third stream work, try to find
another MJQ album with the Swingle Singers ( the spelling may
be incorrect ). In this album you'll find a very interesting
variation on "aria for the G string".

If you want I can give you the correct names.

  Diogenes

--
From: diogenes@marilyn.usc.edu (Diogenes C da Silva Jr.)
Newsgroups: rec.music.bluenote
Subject: Re: Jazz/Bach fusion?
Date: 20 Nov 1992 13:06:46 -0800
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: marilyn.usc.edu

In article <1992Nov20.024202.4495@math.ucla.edu> gretsky@sonia.math.ucla.edu (Neil Edward Gretsky) writes:
>
>About jazz/bach fusion: 
>check out Bachianis Brazilieris (the spelling
>needs to be corrected) by Villa-Lobos.
>
>
The correct spelling is "Bachianas Brasileiras" by Villa-Lobos,
but they are classical compositions, not related to jazz,
at least by the composer.

Another brazilian composer, this is contemporaneuos, recorded some
Villa-Lobos' compositions, he is Egberto Gismonti.

  Diogenes



--