HDTenEightyP/NetNews huggingface dataset:
From: ptt00@DUTS.ccc.amdahl.com (  179  Peter Thelen)
Newsgroups: alt.music.progressive
Subject: ZNR Records ??
Date: 29 Dec 92 17:09:15 GMT
Reply-To: ptt00@DUTS.ccc.amdahl.com
Organization: Amdahl Corporation, Sunnyvale CA

Can anyone give me a telephone number for ZNR Records in Louisville, KY ?
I've already got an address, just want the phone number.

Please email me directly. Thanx in advance

peter (ptt00@duts.ccc.amdahl.com)  "The Lighthouse Keeper"
Newsgroups: alt.music.progressive
From: shiv@bnr.ca (Shiv Naimpally)
Subject: Flamenco
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Date: Tue, 22 Dec 92 15:28:47 GMT


I have been listening to two albums by 2 flamenco guitarists, Strunz
and Farah. One is Latino the other Middle Eastern and they play
duets. They have several albums out.

I normally don't listen to much stuff that doesn't have synths 
(except for Indian Classical stuff) but these guys are just phenom !
I also have the McLaughlin, DeLucia, Dimoela albums. I have heard
Ottmar Leiberts stuff but haven't cared for it too much.

Can anyone reccomend any other good flamenco guitar albums ?
Organization: Universit de Sherbrooke
Date: Tuesday, 22 Dec 1992 16:08:35 EST
From: <LDAA@UDESVM.BITNET>
Newsgroups: alt.music.progressive
Subject: Re: CHRIS SQUIRE: Fish Out Of Water Lyrics?

The canadian pressing of the LP includes the lyrics as does the
japanese pressing cd.

-Pierre Blackburn
Newsgroups: alt.music.progressive
From: barrett@server.cs.jhu.edu (Dan Barrett)
Subject: Camel and drum machines
Reply-To: barrett@cs.umass.edu
Organization: Johns Hopkins Computer Science Department, Baltimore, MD
Date: Sat, 2 Jan 1993 23:22:57 GMT


	I just picked up Camel's STATIONARY TRAVELLER and was surprised to
hear that they used a drum machine for much (if not all) of the drumming.
Paul Burgess is simply credited as playing "drums," and no machine is
mentioned.  Did this guy play real drums too?

	How did I know it's a machine?  Easy -- I own the same drum
machine (an E-Mu Drumulator) and its sound is very distinctive.
"Fingertips" is a dead giveaway.

                                                        Dan

 //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
| Dan Barrett -- Dept of Computer Science, Lederle Graduate Research Center |
| University of Massachusetts, Amherst, MA  01003  --  barrett@cs.umass.edu |
 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\/////////////////////////////////////
From: christen@astro.ocis.temple.edu (Carl Christensen)
Newsgroups: alt.music.progressive
Subject: Re: Best Dixie Dregs place to start?
Date: 31 Dec 92 18:31:22 GMT
Organization: Temple University
X-Newsreader: TIN [version 1.1 PL8]

I think a good place to start for the Dixie Dregs is their album/CD
'Unsung Heroes'.  It's got a good bit of diversity from classical
to rock and a great remake of 'Cruise Control' which is their
greatest "hit".

I don't have their latest tour CD although I've just seen them here
in Philly (about a month ago) and they were awesome as usual.  If you're
a progressive rock fan I'm sure you'll enjoy the Dregs.  Steve Howe
even made a cameo appearance on a Dregs album, on a duet with Steve Morse.

If the Dregs are playing anywhere near you, by all means go and see them,
you'll be astounded.

Carl Christensen
Newsgroups: alt.music.progressive
From: s0454850@let.rug.nl (J.P. Prenger)
Subject: Re: A simple question
Organization: Faculteit der Letteren, Rijksuniversiteit Groningen, NL
Date: Wed, 23 Dec 1992 18:32:12 GMT

In article <1992Dec23.091227.1@fib.upc.es> guijarro@fib.upc.es writes:
>From: guijarro@fib.upc.es
>Subject: A simple question
>Date: 23 Dec 92 09:12:27 GMT
>I just want to raise a simple question:
>
>	<< What kind of music will endure??? >>
>
>As we are suppossed to be progressive lovers/haters, please
>try to be objective choosing the bands and authors you think 
>will survive...
>
>		Sun stricking cold, an old man wanders lonely
>		taking time the only way he knows...
>
>				Ian Anderson (AQUALUNG by Jethro Tull)
>
>David

When I'm as objective as I can, I think that most bands/authors mentioned in 
this group won't endure. 99% of progressive music is interesting just for 
the moment being. I just can't imagine that there's anyone listening to Yes, 
Jethro Tull, Marillion, Genesis (the *old*-Genesis, the newer albums will 
not even survive next year!)etc. etc. I mean, what really NEW stuff did they 
bring to music? Do these band really stand in the history of popular music? 
I can't even imagine the Beatles surviving this century. I think that the 
Stones are/were far more inventive regarding pop-history.


The only one I'm absolutely sure of to survive (well, not in person ;-) ) is 
Frank Zappa and his music. 

All this doesn't mean that I don't like progressive music, I just think that 
within a hundred years, with all the knowledge, experiences etc. of mankind, 
people just won't listen to what we call progressive music anymore.

JPP
Newsgroups: alt.music.progressive
From: borella@toadflax.cs.ucdavis.edu (Mike Borella)
Newsgroups: alt.music.progressive
Subject: Re: YES! YES! YES! NO! - OKAY! Something different!
Date: 28 Dec 92 02:52:54 GMT
Organization: Department of Computer Science, University of California, Davis

In article <Bzo1uM.I6u@gabriel.keele.ac.uk> u2d92@seq1.keele.ac.uk (MJ Gumbley) writes:
>From article <BzMBvo.H92@umassd.edu>, by s14109jo@UMASSD.EDU:
>> I like YES...and I own 3 of their CD's
>> but...GEESH.....is that all anyone has to post about...
>> 
>> ENOUGH OF YES!!!!!!!!!!!!!!!!!!!!
>
>  Allright then folks, lets bring a fine band to your attention:
>
>  OZRIC TENTACLES
>
>  Now, where shall we start?

Why should we start?  They don't have any members from
Yes/Genesis/ELP/KC on any of their albums, nor were they produced by
these gentlemen, nor were they influenced by, nor do they sound like
them.  Judging from other articles on this newsgroup, there's no
reason we should talk about them.

Geez, they probably don't even use mellotrons...

-Mike
From: Gerald Sylvester <sylve_ge@jaflrn.UUCP>
Newsgroups: alt.music.progressive
Subject: Re: Which Dixie Dregs to start with
Date: Fri, 01 Jan 93 15:20:30 EST
Organization: The Wizzard's Cave, East Meadow, NY


There is a Dixie Dregs mailing list.  I am not sure that this
is the correct address but it is close (like that helps ;-)  )

BLICKSTEIN@DREGS.ENET.DEC.COM

Try that.  If that bounces, please send me email at either of
my two accounts

SYLVE_GE@JHUNIX.HCF.JHU.EDU
SYLVE_GE@JAFLRN.UUCP

Gerald Sylvester
Newsgroups: alt.music.progressive
Subject: Re: King Crimson Newbie
From: guijarro@fib.upc.es
Date: 23 Dec 92 12:40:51 GMT
Nntp-Posting-User: guijarro

In article <1992Dec19.202621.3637@metrosoft.com>, gvh@metrosoft.com (Gordon Van Huizen) writes:
> In article <uyJyVB2w164w@jaflrn.UUCP> Don Becker <grendel@jaflrn.UUCP>  
> writes:
>> gvh@metrosoft.com (Gordon Van Huizen) writes:
>> 
>> > In article <1992Dec12.193652.7200@metrosoft.com> I wrote:
>> > >
>> > > [some stuff about "Lizard"]
>> > >
>> > 
>> > Forgot to mention that this is the one place that I'm aware
>> > of that you get to hear Jon Anderson sing for King Crimson.
>> > Determining whether this is a Good Idea or not is left as an
>> > excercise for the reader. :-) 
>>  
>> I thought he sang on "Starless And Bible Black" (the album
>> -- not sure which  track, but I'm sure SABB was the album) 
> 
> You must have different liner notes (and a different
> pressing!) from the ones I have. The liner notes for SABB
> don't make any reference to Jon Anderson and I'm quite
> certain that it's John Wetton singing on all the vocal
> tracks.  
> 
> However, the liner notes for "Lizard" indicate that "Jon
> Anderson of YES Vocals on 'Prince Rupert Awakes'" and it
> sure sounds like his crooning to me... 
> 
> Of course, perhaps he's singing "21st Century Schizoid Man" on  
> Earthbound... :-)


I agree with you, Jon has never done anything with King Crimson,
as far as I know. 

By the way "21st CSM" is on "ITCOTCK" (their first album), and the singer 
was Greg Lake.

David

Newsgroups: alt.music.progressive
From: levin@lmoadm.enet.dec.com (Suegene Levin)
Subject: Re: Dream Theater
Organization: Digital Equipment Corporation
Date: Tue, 22 Dec 1992 15:21:18 GMT


In article <1992Dec21.231956.12350@pacdata.uucp>, jimh@pacdata.uucp (Jim Harkins) writes...
>In article <BzLEx7.BBy@acsu.buffalo.edu> v078jxag@ubvmsb.cc.buffalo.edu (Todd Carrozzi) writes:
>>
>>	I am planning on getting the latest Dream Theater CD for my brother for
>>Christmas, but before I did, I figured I'd ask if I should buy him the first
>>one, and if it exists on CD.  Thanks for any info.
> 
>Yes it exists on CD, yes you should get it for him.  Thats the easy part :-)
>I've been looking for this sucker for months with no luck, it's out of print
>and very hard to find in used CD stores.  Insert 4 letter word here...
> 
Dream Theater's first CD, When Day and Dream Unite, is available from Columbia
House Records through their CD club...I just ordered and received two of them
last month.

Suegene
From: eric@prodigal.psych.rochester.edu (Eric Hansen)
Newsgroups: alt.music.progressive
Subject: Re: Best Dixie Dregs place to start?
Date: 31 Dec 92 14:49:16 GMT
Organization: University of Rochester - Rochester, New York

In <1htrktINNn7j@bigboote.WPI.EDU> martino@wpi.WPI.EDU (Robert Paul Martino Jr) writes:

>I've seen the recently released (within the last year or so) live album
>Bring 'em Back Alive and was wondering if this would be a good place to
>start if I wanted to check out the group.

>Rob

>-- 
>Rob Martino                          |     (clever or particularly funny
>martino@wpi.wpi.edu                  |      philosophical quote here)
>Worcester, Massachusetts USA         |                              

I would like to know the same thing!  Hey, how about a list (oh no, another
list!) which has each of the "progressive" bands and peoples' recommendations
for good "starter albums" -- we could even put Yes on it!

Please post your responses to the Dixies Dreggs question.

Eric Hansen

--
* Eric J. Hansen                       |    Center for Clinical Computing   *
|  eric@binoc.bih.harvard.edu          |   350 Longwood Avenue, Boston, MA  |
*  eric@prodigal.psych.rochester.edu   |            (617) 732-5925          *
From: Don Becker <grendel@jaflrn.UUCP>
Newsgroups: alt.music.progressive
Subject: Re: YES! YES! YES! NO!
Date: Fri, 25 Dec 92 20:56:04 EST
Organization: The Wizzard's Cave, East Meadow, NY

gvh@metrosoft.com (Gordon Van Huizen) writes:

> In article <g6o8VB4w164w@jaflrn.UUCP> Don Becker <grendel@jaflrn.UUCP>  
> writes:
> > You must've missed the long discussion of Keith
> > Emerson's keyboard style,  comparisons between him and
> > Tony Banks, and all the talk about what King  Crimson CD to
> > get first (my vote goes for The Compact King Crimson, then 
> > Lark's Tongues In Aspic, but that's not important right
> > now.) 
> > 
> Gee - we *do* have a broad range of topics, don't we? :-)
 
Hey, when I first started reading the group, all the discussion (literally, 
ALL of it) centered around Yes' "Starship Trooper".
 
Besides, it's the holiday break -- of course we're gonna hit a lull! :)
 
--Don

--
+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+
| MARILLION-YES-ABWH-PINK FLOYD-PEARL JAM | "Do you think that if sperm     |
| Don Becker:         grendel@jaflrn.uucp | production reduced life expect- |
| or:         jaflrn!grendel@uunet.uu.net | ancy that Ted Kennedy would     |
| Nothing above is to be taken as dogma.  | still be alive today?"          |
| FISH-QUEENSRYCHE-SOUNDGARDEN-QUEEN-ASIA |        --Rush Limbaugh          |
+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+
Newsgroups: alt.music.progressive
From: mleipe@bnr.ca (Mike Leipe)
Subject: Re: Yes cover of "America"
Reply-To: mleipe@bnr.ca (Mike Leipe)
Organization: Bell-Northern Research Ltd.
Date: Tue, 22 Dec 92 17:44:13 GMT

In article <1h7hpqINNis9@news.aero.org>, shag@aero.org (Robert M. Unverzagt) writes:
|> Does anybody know if Yes' cover of "America" has
|> appeared on any recent CD-issued compilations?

There's an abbreviated and, IMHO, inferior version of it in the "Yesyears"
box.  I think it's the single release, missing the wonderful bass/guitar
solo bits through the middle.

I've seen "Yesterdays" on CD and am tempted to pick it up just to get a
version of this tune that hasn't been trashed by yours truly playing it
over and over trying to learn the bass parts.

MIKE

-- 
 -----------------------------------------------------------------------------
| Mike Leipe             | "This world is a comedy to those that think, a     |
| S/W Designer           |  tragedy to those that feel."                      |
| Bell-Northern Research |                              - Horace Walpole      |
| Ottawa, Canada         | ---------------------------------------------------
| (613) 765-3206         |             My opinions, not BNR's                 |
 -----------------------------------------------------------------------------
From: jonathan@vinnie.cuc.ab.ca (Jonathan Levine)
Newsgroups: alt.music.progressive
Subject: Crimson live / Great Deceiver
Date: 27 Dec 92 20:01:00 GMT

I just got The Great Deceiver (I'd been putting it off a bit 'cause of $,
but my girlfriend gave it to me for xmas).  Pretty good stuff so far; my
only complaint has to be the dumb-ass package form factor -- a fat longbox
fits neither on a 12x12 record shelf or a 6x6 CD shelf.  Oh, well...

Fripp is unexpectedly generous toward bootlegs in his opening comments in
the accompanying book(let).  His statement that "there are currently 120
King Crimson bootlegs available", though, took me by surprise.  The 1990
edition of Hot Wacks (Book XIV), generally regarded as the authoritative
reference on boots, lists about 30.  There are most certainly more, and
"new" material is constantly surfacing as a new wave of 'leggers presses
their wares on CD.  Given the limited information available to me, though,
I undertook to do a little cross-referencing, in an effort to find out
which of The Great Deceiver's tracks, if any, had appeared elsewhere.

Hot Wacks lists only one corresponding date:

Heretic
TAKRL 1968 (The Amazing Kornyfone Record Label)

Side 1:	The Night Watch	4:35
	Starless	11:38
	Easy Money	5:55

Side 2:	Great Deceiver	4:08
	Lament		4:01
	Exiles		5:48
	21st Century 
	Schizoid Man	9:10

Excellent Stereo
Pennsylvania State U. Jan. 29 '74

The date is obviously a typo.  According to Fripp's notes it should be
June 29, 1974.  TAKRL, no longer around, was a reliable producer of quality
vinyl.  Their disks are getting increasingly hard to find.  If you know of
a copy of this record that I can get my hands on, please let me know.

In Paris in September, I also found the following (at an INCREDIBLE shop --
more "live" CDs (at good prices) than I've seen anywhere else:

Atmosphere
Beech Marten BM035

Great Deceiver		3:14
Lament			4:12
The Night Watch		4:34
Starless & Bible Black	11:38

Stanley Theater, Pittsburg (sic) PA, April 29, 1974

The remainder of this disk is September 2nd, 1984 Le Spectrum (Montreal)
concert.

It would thus seem that Fripp has done a pretty good job as far as providing
material not previously available.

P.S. Does anyone know for sure what the date of recording of "U.S.A." was?
     Best I can figure it must have been the June 28th, 1974 Asbury Park
     concert.  If that's not the case, it was probably the June 30th
     Providence material that comprises disk 1 of "Deceiver".



--
Jonathan Levine: voice 403-686-0473 | Digital Alternatives      (Calgary AB)
                 fax   403-686-1254 | Virtual Universe Corp.    (Calgary AB)
      uucp: jonathan@vort.cuc.ab.ca | Survival Research Laboratories (SF CA)	
Newsgroups: alt.music.progressive
From: dmarkfie@nyx.cs.du.edu (David Markfield)
Subject: Re: Best Dixie Dregs place to start?
Organization: University of Denver, Dept. of Math & Comp. Sci.
Date: Thu, 31 Dec 92 18:55:53 GMT

eric@prodigal.psych.rochester.edu (Eric Hansen) writes:

>In <1htrktINNn7j@bigboote.WPI.EDU> martino@wpi.WPI.EDU (Robert Paul Mart
no Jr) writes:

>>I've seen the recently released (within the last year or so) live album
>>Bring 'em Back Alive and was wondering if this would be a good place to
>>start if I wanted to check out the group.

>>Rob

>>-- 
>>Rob Martino                          |     (clever or particularly funn

>>martino@wpi.wpi.edu                  |      philosophical quote here)
>>Worcester, Massachusetts USA         |                              

>I would like to know the same thing!  Hey, how about a list (oh no, anot
er
>list!) which has each of the "progressive" bands and peoples' recommenda
ions
>for good "starter albums" -- we could even put Yes on it!

>Please post your responses to the Dixies Dreggs question.

>Eric Hansen

>--
>* Eric J. Hansen                       |    Center for Clinical Computin
   *
>|  eric@binoc.bih.harvard.edu          |   350 Longwood Avenue, Boston, 
A  |
>*  eric@prodigal.psych.rochester.edu   |            (617) 732-5925      
   *
the progressive survey that is being revised basically did this among many
other things.  It gave starter albums, thumbnail sketches of groups and all
sorts of sundried opinions.  It is currently being revised....(however I do
not kno wthe status of the revision)

dave
From: jks4675@ritvax.isc.rit.edu
Newsgroups: alt.music.progressive
Subject: ELP 92 Tour CD??
Date: 28 Dec 92 19:13:19 GMT
Reply-To: jks4675@ritvax.isc.rit.edu
Organization: Rochester Institute of Technology

Where can I order this import??

Jeff
From: u2d92@seq1.keele.ac.uk (MJ Gumbley)
Newsgroups: alt.music.progressive
Subject: Re: Clair Hamill from The Steve Howe Album
Date: 22 Dec 92 15:09:02 GMT
Organization: Keele University, England

From article <MARKT.92Dec21193123@wundt.harlqn.co.uk>, by markt@harlqn.co.uk (Mark Tillotson):
> marco@itnsg1.cineca.it (Marco Olivotto) writes:
> 
>> <LPR100@psuvm.psu.edu> writes:
>> 
>> >Can anyone tell me anything about Clair Hamill? All I know is that
>> 
>> 	This is not a lot, but I have a CD issued by Claire Hamill.
>> It is listed as "New Age" (can't remember which label or collection),
>> and it is called "Voices". 
> |\  /|          | ,  M. Tillotson       Harlequin Ltd. \
> | \/ |  /\| |/\ |<   markt@uk.co.harlqn  Barrington Hall,\
> |    |  \_| |   | \  +44 223 872522       Barrington,      \
> I came, I saw, I core-dumped...            Cambridge CB2 5RG \

  Well, I was going to send the same reply, but couldn't be sure if they
were one and the same Claire Hamill. I've got "Voices" - excellent album,
I can't remember what label it's on either (although OMNI rings a bell) -
I'll have to take a looksee later. There are a number of other outstanding
artists on the same label, John Themis, and Dashiell Rae to name but two.

  Merry Christmas, all - Matt.

--
Matt J. Gumbley              || Still needs a good signature, not liking
u2d92@seq1.cc.keele.ac.uk    || any of his recent feeble improvements on:
University of Keele, England || Why can't _I_ think of a good signature?
Newsgroups: alt.music.progressive
From: abgem@stdvax (Gary Mosier)
Subject: Re: What is group UK like?
News-Software: VAX/VMS VNEWS 1.4-b1  
Organization: Goddard Space Flight Center - Robotics Lab
Date: Thu, 31 Dec 1992 19:32:00 GMT

In article <1hu0hqINNp0g@bigboote.WPI.EDU>, martino@wpi.WPI.EDU (Robert Paul Martino Jr) writes...
>What type of progressive is the band UK?  I've heard members of Yes and
>Asia have been involved in this group, and would like to more about
>what the band sounds like.

I have to give 2 answers to this question, 'cause there were really
2 different groups.

UK #1 consisted of Eddie Jobson (keys/violin), John Wetton (bass/vocals),
Alan Holdsworth (guitar), and Bill Bruford (drums). They only released one
album, "U.K.", which proved to be a fairly adventurous recording for a
rock supergroup. Holdsworth/Bruford gave the group somewhat of a
jazz/rock feel on this album, then split to form the group BRUFORD where
they could stretch a bit more in that direction. This album mixes the
jazz/rock stuff up pretty well with the classical/keyboard prog rock
style favored by Jobson/Wetton, although it's kinda laid back.

UK #2 replaced Bruford with Terry Bozzio and went as a 3-piece. Sort of
like a poor man's ELP. This trio released the album "Danger Money" and
then a live set (title escapes me now). Very much in the ELP/YES/ASIA
vein (with no guitar, of course), heavy on the keyboards and time changes
and sometimes pompous vocals. This lineup didn't do much for me but it
had some moments and a slightly higher energy level than the first.

===========***********<><><><><><><><><><><><>***********===========
Gary E. Mosier                                  voice:  301-286-8535
Code 712.1                                      fax:    301-286-9214
NASA-Goddard Space Flight Center   !!! DON'T USE abgem@stdvax... !!!
Greenbelt MD 20771     Internet: gem712@rs710.gsfc.nasa.gov
USA                    BITnet:   gem712%rs710.gsfc.nasa.gov@interbit

"I don't like to think. It takes too long and it never works."
===========***********<><><><><><><><><><><><>***********===========
Newsgroups: alt.music.progressive
From: gvh@metrosoft.com (Gordon Van Huizen)
Subject: Re: YES! YES! YES! NO!
Reply-To: gvh@metrosoft.com (Gordon Van Huizen)
Organization: Metrosoft
Date: Wed, 23 Dec 1992 19:12:09 GMT

In article <g6o8VB4w164w@jaflrn.UUCP> Don Becker <grendel@jaflrn.UUCP>  
writes:
> You must've missed the long discussion of Keith
> Emerson's keyboard style,  comparisons between him and
> Tony Banks, and all the talk about what King  Crimson CD to
> get first (my vote goes for The Compact King Crimson, then 
> Lark's Tongues In Aspic, but that's not important right
> now.) 
> 
Gee - we *do* have a broad range of topics, don't we? :-)

Gordon 
-- 
----------------------------------------------------------------
Gordon Van Huizen           vox: 619.488.9411  fax: 619.488.3045
Metrosoft                   gvh@metrosoft.com [NeXTmail welcome]
----------------------------------------------------------------
From: danb@zx.qsp.UUCP (Daniel Benbenisty)
Newsgroups: alt.music.progressive
Subject: Re: Brand X...power trio?!
Date: 22 Dec 92 01:59:12 GMT
Organization: Quality Software Products, LA, CA

In article <BzEy1y.7rx@news.cso.uiuc.edu> pardue@alexia.lis.uiuc.edu (Bill Pardue) writes:
>Just saw Brand X in Chicago last night.  [ more deleted ]

I would like to know if anyone has seen the Fire Merchants.

This is John Goodsall's (guitarist of Brand X) 'other' band.
I've caught them four times this year in small clubs here in 
L.A., and they blew me away.  I haven't heard the latest brand X, 
so I can't compare (can anyone else out there post such a 
comparison?), but they basically do hard jams on weird time sigs 
(15/8, etc.) that are DENSE with textural and thematic variation.

In addition to J.G., Fire Merchants consists of the bassist
from the Dennis Miller Show (was Andy Summer's band...),
and Toss Panos, the drummer from Toy Matinee (a lousy band, I
hear, but a springboard for several talents), who does continuous
double-bass jazz solos but syncing perfectly with the others.  
They have at least one album out with Chester Thomson (who isn't
as all-out as T.P. in this band).

Anyway, has anyone else been rolled up and smoked by these guys?

>>>===Pan-Handle-Dan===>	danb@qsp.com
Daniel Benbenisty		Guitarist for EARWURM	
Waiting for John Goodsall to return to the West Coast...