HDTenEightyP/NetNews huggingface dataset:
From: ct@icarus.lis.pitt.edu (fac chris tomer)
Newsgroups: rec.music.bluenote
Subject: John Hammond's recordings
Date: 22 Aug 92 13:42:44 GMT
Organization: University of Pittsburgh

I'm trying to determine which of John Hammond's recordings are available
on compact disc. Here's what I've got so far:

John Hammond (Vanguard)
The Best of John Hammond (Vanguard)
John Hammond Solo (Vanguard)
I Can Tell (Atlantic)
John Hammond "Live" (Rounder)
John Hammond (Rounder)
Mileage (Rounder)
Frogs for Snakes (Rounder)
Got Love if You Want It (Charisma/Point Blank)

Anyone with additional information?

          **********************************************************
          *  Chris Tomer                                           *
          *  University of Pittsburgh                              *
          *  135 North Bellefield                                  *
          *  Pittsburgh, Pennsylvania 15260                        *
          *  Telephone:  412-624-9448                              *
          *  FAX:        412-624-5231                              *
          *  E-mail address:  ct@icarus.lis.pitt.edu               *
          **********************************************************
Organization: University of Maine System
Date: Thursday, 13 Aug 1992 19:55:25 EDT
From: M.A. Murphy <MURPH@MAINE.MAINE.EDU>
Newsgroups: rec.music.bluenote
Subject: Re: Library of Congress Blues
 <1992Aug12.122641.24696@murdoch.acc.Virginia.EDU>

In article <1992Aug12.122641.24696@murdoch.acc.Virginia.EDU>, rwd4f@poe.acc.Virginia.EDU (Rob Dobson) says:
>
>In article <1992Aug11.163139.10684@ultb.isc.rit.edu>                           writes:
>whc2993@ritvax.isc.rit.edu
>>       Reading through books on the blues I have discovered the fact that the
>>Library of Congress did a lot of recording of country blues artists in the
>>thirties and forties I believe.  They recorded people like Muddy Waters to   e
>hav
>>a record of the music I suppose.  My question is, is this music available?
>
>Some of it is. I know that they just released a Leadbelly set which contains

I received, today, a copy of Honeyboy Edwards _Delta Bluesman_ CD that
contains a number of tracks recorded for the Library of Congress.  The CD
contains 27 tracks, 13 of which were recorded in July of 1942.  All but one
of the other tracks were recorded during different sessions in 1991.  The
lone remaining track was recorded in 1979.  The album is out on Earwig Music,
distributed by Flying Fish.

I would guess that you could write to either record label and inquire
about the Library of Congress recordings.  You could also write to
the Library of Congress.
-------

                                            Murph

                                            Michael A. Murphy
                                            MURPH@MAINE.BITNET

If you do not understand my silence
you will not understand my words.
From: exujsch@exu.ericsson.se (Johnny Schmittou EXU-T-EEG x7887 Dallas Texas USA)
Newsgroups: rec.music.bluenote
Subject: Re: Jeff Procaro
Date: 17 Aug 92 14:38:20 GMT
Reply-To: exujsch@exu.ericsson.se
Organization: Ericsson Network Systems, Inc.

OK, here's the article on Jeff Porcaro from UPI.  Thanks to Jason Boardman
for re-sending to me.

--------------------------------8<------------------------------------------
	LOS ANGELES (UPI) -- Drummer Jeff Porcaro of the Grammy-winning pop
group Toto died of a heart attack that was apparently caused by a
reaction to pesticides he was using at his home, his managers said
Thurdsay.
	Porcaro, 38, died Wednesday night at West Hills Medical Center, where
he had been taken after falling ill while using a pesticide in the
backyard of his home in Hidden Hills.
	Porcaro's management company, Fitzgerald Hartley Company, said early
indications were that the cardiac arrest ``may have been caused by
pesticide poisoning.''
	``Whether it was the pesticide that induced the heart attack or
something else that triggered it we don't yet,'' said publicist Michael
Jensen. ``The toxicological report won't be available for five days.''
	Porcaro was a co-founder of Toto and the son of jazz percussionist
Joe Porcaro.
	Toto's debut single, ``Hold The Line,'' went gold and was on the
group's first album for Columbia Records in 1977, which went platinum.
In 1982, the group's fourth album, ``Toto IV,'' led to six Grammy
Awards, with Porcaro honored for best instrumental arrangement
accompanying vocals for ``Roseanna.''
	Porcaro also performed with such stars as Bruce Springsteen, Dire
Straits, Paul Young and John Fogerty.
	He is survived by his wife, Susan, and sons Christopher, Miles and
Niko; his parents; brothers Michael and Steve and sister Joleen.
	Services were pending.

---
___________________________________________________________________________
Internet....: exujsch@exu.ericsson.se | "Everything I say is the absolute
Real life...: Johnny Schmittou        |  Gospel...  Nah, just kidding."
Virtual life: Q-man   ---<<<I'd rather be drumming.>>>--- Dallas, Texas USA
From: venkat@ccwf.cc.utexas.edu (mu)
Newsgroups: rec.music.bluenote
Subject: Yusef Lateef, "Live at Pep's", Personnel?
Date: 18 Aug 92 15:02:56 GMT
Reply-To: venkat@ccwf.cc.utexas.edu (mu)
Organization: The University of Texas at Austin, Austin TX
Originator: venkat@doc.cc.utexas.edu


If anyone out there has a copy of Yusef Lateef's, "Live at Pep's",
I'd appreciate a list of the players on that record.  I picked up
an used copy of it recently sans cover/liners.

Its on Impulse, circa 1972.

Thanks,

murari venkataraman
venkat@ccwf.cc.utexas.edu
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.bluenote
Subject: Re: Ohnedaruth
Date: 18 Aug 92 22:50:17 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

"Ohnedaruth" is on the Art Ensemble live at the Ann Arbor Jazz & Blues
Festival in the early 70s.  The tunes all have possibly-African names
including "Odwalla" which is their usual closer and is on other live
albums as well.  I don't know if this is the recording Jeff was
thinking of ... but a great album.

Ben
Newsgroups: rec.music.bluenote
From: rob@xyzoom.info.com (Rob Lingelbach)
Subject: Pat Metheny and game shows
Organization: Altruistic Intentions, Hollywood, CA
Date: Sun, 23 Aug 1992 07:14:35 GMT

I've always held Pat Metheny's guitar playing, composition, and
arranging in the highest regard.  When he and Lyle Mays broke new
ground with the Synclavier I listened and learned from it.  When he
assimilated Brazilian influences into his music I went right along and
started getting into M. Nascimento and others.  I still find fresh
ideas on Pat's first solo record, with Jaco.   

I've approached Pat's latest album with trepidation, hoping he would
bring me into some other new musical world, or refine some of the
other influences...or at least play some solos that bear learning and
repeating.  His previous two albums appeared to have started a swing
toward more mainstream pop accessibility that threw me off a little
(there was still enough raw Pat and experimentation though).

The new record, except for perhaps 2 or 3 cuts, reminds me more of
television game show music than anything he's done yet.  Is this due
to Steve Rodby's influence and orchestration?  I can hear Lyle's
lyrical presence in a couple of cuts, though all too little.  Some of
the music is fit for movie soundtrack, but I can't stop hearing those
game show themes.

Does anyone else agree/disagree?  I know it can be a matter of
taste...  Perhaps I can listen with a different attitude and like the
album better if someone corrects me.  


Regards--
--Rob

-- 
Rob Lingelbach KB6CUN | 2660 Hollyridge Dr LA CA 90068 213 464 6266 (voice) 
rob@xyzoom.info.com   | "I care not much for a man's religion whose dog or 
robl@netcom.com       |  cat are not the better for it."  --Abraham Lincoln
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Subject: Re: Freddie Hubbard/Lee Morgan
Organization: Educational Computing Network
Date: Thu, 13 Aug 1992 04:38:24 GMT

In article <1992Aug12.203823.17821@uxa.ecn.bgu.edu> ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>Speaking of Freddie, he is scheduled to be on LENO this night.  (Wed,
>Aug 12)
>
>So check it out...

I guess not.....  but they had it listed twice in the Chicago Trib, and
they got the other guests right.  No sign of him on tomorrow.
I did think it strange they would have had both Joe Cocker and Freddie
on, two musicians on the same night is rare.

Guess the Trib is living up to its reputation as the Fib.

Would have been nice.

Jeff
Newsgroups: rec.music.bluenote
From: mlj@po.CWRU.Edu (Marcus L. Just)
Subject: Frogman in the movies?
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Wed, 19 Aug 92 13:02:07 GMT


Okay, 
	I was in a bar last night and someone played this cool
song on the jukebox.  It was called "Ain't got a Home," by
Clarence "Frogman" James.  I had never heard it before but my
drinkin' buddy had.  He said he saw a brat pack movie where
some teenager was lip synching with the whole song.  Then he
started getting p-oed because he couldn't think of the name of
the movie and who was in it.  HE HAS NEVER BEEN STUMPED BEFORE!
If some kind person knows the movie I'm talking about, please
e-mail me.  There might be a percentage of the money I win off
him coming to you. :-)
-- 
Marcus Just: mlj@po.cwru.edu: Computing Support: Wickenden 319:
From: preston@dawn.cs.rice.edu (Preston Briggs)
Newsgroups: rec.music.bluenote
Subject: Re: BLUES: Howlin' Wolf vs. Son House
Date: 19 Aug 1992 14:48:19 GMT
Organization: Rice University, Houston

deadhead@beyond.ugcs.caltech.edu (stephen thompson) writes:
>
>So, I picked up two CD's recently.  The Howlin' Wolf London Sessions
>and the Library of Congress' Son House Recordings.  The two men have
>very different styles, but they are both playing the blues.  Son House
>was playing a country/rural blues, while Howlin' Wolf plays a more
>urban/Chicago blues.  I was wondering where and why this transition
>in the blues form occurred

Occured with migration of lots of poor from Mississippi to Chicago
during the Depression.  Then Muddy Waters invented electricity and the
Chicago style was born (at least, that's the way I've always heard it).

An additional factor might be that it's easier to keep a band (say 3
or more people) together in a city than in a rural setting.

Preston Briggs
Newsgroups: rec.music.bluenote
From: kamine@is.rice.edu (Jorge Hershel Kamine)
Subject: Re: Miles' best work?
Keywords: Cool
Organization: Rice University
Date: Mon, 17 Aug 1992 17:13:30 GMT

In article <1992Aug13.104708.1@cc.helsinki.fi> mlindholm@cc.helsinki.fi writes:
>    I was thinking of byuing some Miles Davis records.
>    Which ones would you recommend?
If you've got the money, I would recommend the Prestige Davis
Set.  It only period one period of his varied career, but it
includes his work with many great musicians like John Coltrane,
Charlie Parker, Sonny Rollins, and Milt Jackson to name only a
-- 
*******************************************************************************
*       Jorge Kamine Arreola      * "An eye for an eye leaves two men blind."  
*       email: kamine@is.rice.edu *  -Edward James Olmos   
*******************************************************************************
Newsgroups: rec.music.bluenote
From: smehta@kwela.nynexst.Com (Sandeep Mehta)
Subject: Re: Rumour about a jazz death
Reply-To: smehta@nynexst.com
Organization: Speech Technology, AI Lab, NYNEX S&T Inc, White Plains, NY
Date: 14 Aug 92 18:09:22


> jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas) writes:

> I heard a rumour (AND BOY I USUALLY HATE THESE) from a pretty
> reliable source that we lost a jazz great in Paris a few weeks
> ago.  I wanted to get it substantiated from some of our friends  

> I heard from a friend who owns a record shop that just recently
> opened up who was a friend of John Cage that we lost Steve Lacy
> a few weeks ago.  Can someone in France substantiate this?
> The person didn't hear of what causes he died; they were talking
> more about Cage's recent death as both knew Cage personally.

The only jazz great based in Paris who died recently is saxophonist
and composer Charles Tyler. His SAGA OF THE OUTLAWS suite recorded by
Alan Douglad w/ the other Wildflowers sessions during the heydays of
the loft scene is a pretty amazing piece of music. More recently he
was playing bari sax. I believe there are a few releases on
Silkheart/Storyville. SAGA OF THE OUTLAWS is, I think, on Nessa.

/sandeep
--
smehta@nynexst.com
--
"An artist is never ahead of his time but most people are far behind theirs."
	-- Edgard Varese
From: sik@grosz.esd.sgi.com (Seth Katz)
Newsgroups: rec.music.bluenote
Subject: Re: Upcoming in SF Bay Area
Date: 21 Aug 92 20:45:50 GMT
Reply-To: sik@grosz.esd.sgi.com (Seth Katz)
Organization: Silicon Graphics, Inc., Mountain View, CA, USA

In article <1992Aug21.185332.25658@Csli.Stanford.EDU>, Clayton Glad writes:
sik@grosz.esd.sgi.com (Seth Katz) writes:

>Sun 8/30 Elbo Room, SF
>(from Japan) 
>Takashi Kazamaki & Kalle Laar
>with Splatter Trio

show, which will be on Friday, 9/4 at the Heinz in Oakland.
=-=-=-=-
Yeah, but who would miss Don Cherry/Multiculti at the Kennel
Klub that night?
=-s
From: jspirer@rain.next.com (Jeff Spirer)
Newsgroups: rec.music.bluenote
Subject: Re: John Zorn
Date: 10 Aug 92 16:14:41 GMT

In article <1992Aug8.232139.7645@news.cs.brandeis.edu>  
rardin@binah.cc.brandeis.edu (R. Lynn Rardin) writes:
> In article <1992Aug08.154000.292441@cs.cmu.edu>, tygar+@cs.cmu.edu (Doug  
Tygar) writes:
> How is the recorded version of COBRA?  Does it do justice to a live 
> performance?
> 
> -Lynn
> 
I find it fairly boring, the visual aspects of live performance add quite  
a bit.  The moderately high cost (i's on hat art) makes it a  
not-so-attractive proposition as far as I'm concerned.

Jeff
From: wildman@athena.mit.edu (Timothy Worsley)
Newsgroups: rec.music.bluenote
Subject: Naked City and Nike?!
Date: 17 Aug 92 04:51:36 GMT
Reply-To: eprice@sql.sybase.com
Organization: Massachusetts Institute of Technology

I just saw a Nike ("Just Do It") ad on TV that used Naked City's
"Batman".

It was something of a shock!

What's next, Cecil Taylor on MTV??  (Well, maybe not, I guess Naked
City *is* more "accessible"...)

Actually, that reminds me, I've heard that some Japanese person made
one or more videos for Naked City.  Does anyone know anything about
that?

-Ed (not Tim), eprice@sql.sybase.com (not wildman@...)
From: bo304@cleveland.Freenet.Edu (Erik Jul)
Subject: Re: INFO: Blues Musicians on TV - 8/13, 8/14
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Fri, 14 Aug 92 14:44:58 GMT


My thanks to the poster for bringing these nationally televised
blues performances to the attention of the list readers.

While I was indeed pleased to see such prominent musicians as
B.B. King and Buddy Guy performing on the tonight show, I was
nevertheless acutely aware of the vast chasm between the
restrained performances accommodated by the major network media
and the shear forcefullnes of live performance.

I had the rare opportunity of seeing Buddy Guy at Stache's in
Columbus, Ohio, only days after he had played with Stevie Ray
Vaughn, Eric Clapton, and Robert Cray on the night on SRV's
untimely death.  Emotions were high and raw, understandably, and
the performance venue, a local club with a strong blues scene,
provided an impassioned performance space.  I was just feet from
the performers--even the back of the house was "up front."

I have trouble even comparing Buddy Guy's television performance
last night with his live show, which certainly stands as one of
my great blues experiences.

This is not surprising, that the gap between liv

It is not surprising that the gap between live blues performance
and television broadcast should be so great, but it does
highlight for me the importance of supporting local and national
blues acts when they come to town.

Columbus has an active and growing blues scene (Koko Taylor is
her tonight!), something I will not take for granted.

Enjoy your blues live!

Erik Jul
Columbus, OH
ekj@oclc.org
From: gallo@almira.asel.udel.edu (Andy Gallo)
Newsgroups: rec.music.bluenote
Subject: Re: Miles' best work?
Date: 21 Aug 92 16:05:57 GMT
Organization: AI duPont Institute

In article <1992Aug21.141815.7434@ccu.umanitoba.ca> ejohnso@ccu.umanitoba.ca (Eric Johnson) writes:
>In <2038@tfd.tfd.com> bret@tfd.COM (Bret Weinraub) writes:
>>Does anyone know the story of a live album WE WANT MILES.  
>
>It's a recording of the tour he did after coming out of semi-retirement and 
>releasing Man with the Horn. The only songs I remember off hand are that it
>opens and closes with Jean-Pierre, and Kix is in there somewhere.  I also
>think Fat Time is included.

	Love this disk!

	Its all recorded live from the following shows:
		Kix, Boston 6/27/81
		Avery Fisher Hall, NYC 7/5/81
		Tokyo 10/4/81

	The lineup is Miles, Marcus Miller (bass), Bil Evans (sax),
Mike Stearn (guitar), Al Foster (drums), Mino Cinelu (percussion).

	Setlist:

		Jean-Pierre
		Back Seat Betty
		Fast Track
		Jean-Pierre
		My Man's Gone Now
		Kix

	Check out the guitar and sax solos on the first version of
Jean-Pierre.  Wow!  

>-----------------------------------------------------------------------------<
> Andy Gallo   | gallo@asel.udel.edu  | U. of Delaware/Applied Sci & Eng Labs <
>-----------------------------------------------------------------------------<
>     Come wash the nighttime clean, come grow the scorched ground green.     <
>-----------------------------------------------------------------------------<
From: trradrx@canctr.mc.duke.edu (R.CLOUGH)
Newsgroups: rec.music.bluenote
Subject: Re: What is ``Modern Blues?''
Date: 19 Aug 92 19:26:44 GMT
Reply-To: trradrx@canctr.mc.duke.edu
Organization: Duke U. Med. Ctr., Durham, NC

In article <1992Aug19.165733.17153@dragon.acadiau.ca>, 880139h@dragon.acadiau.ca (Rob Hutten) writes:

>I hope I'm not offending any blues lovers.  I happen to like some 
>street rap and thrash bands for a lot of the same reasons I like early
>blues artists.  Am I the only one?

You're not, actually.  I've have long thought that rap and blues had a lot
in common.  Both speak of the frustrations, fears and hopes of African-
Americans, at different parts of the century.  Rap is perhaps more angry 
because African-Americans have more of an opportunity to fight back against
the system.  Blues artists of the time had fewer opportunities, thanks to
segregation.  
  More on this topic later.

Robert Clough, DUMC (though certainly not speaking for them)
	"I'm not angry.  I'm a delightful sort of person."--Bob Dylan
Newsgroups: rec.music.bluenote
From: jbart@oakhill.sps.mot.com (John Bartholomew)
Subject: desperately seeking Fats
Organization: Motorola Inc., Austin, Texas
Date: Thu, 20 Aug 1992 15:46:53 GMT

  Does anyone out there know of a *vocal* version of "Jitterbug Waltz"
  performed by Fats Waller?  He accompanys himself on piano and I believe
  there are no other musicians present.

  [I heard this on FM one night years ago in Chicago - probably Dick
  Buckley's show - and it was a really subtle performance; the lyrics -
  almost never heard - are sublime.  The mood is at polar opposites from
  Fats' typical comedic presentation, which may relate to why virtually all
  his recordings of this piece are instrumental.]

  Any assistance would be most appreciated.



John Bartholomew
Austin Texas    
Newsgroups: rec.music.bluenote
From: cc@cowan.fishkill.ibm.com (Chris Cowan)
Subject: Re: Tina Gonzalez
Date: Tue, 18 Aug 92 17:03:23 GMT
Reply-To: cc@cowan.fishkill.ibm.com (Chris Cowan)
Organization: Pough, NY


In article <1992Aug12.124359.28710@ncrcae.ColumbiaSC.NCR.COM>,
elliott@ncrcol.ColumbiaSC.NCR.COM (Elliott New) writes:
|> I believe his first name is Tino... not Tina.  I've heard of the
guy... (heard
|> some live tapes), but I don't think he has any records out.
|> 
|> Elliott New
Just for information, Tino has played here in Pok 3 or 4 times in the last
6 months.   I spoken with members of his band in the past.   I'll ask next
time I see them and post any info.

Chris Cowan
From: templon@paramount.nikhefk.nikhef.nl (Jeffrey Templon)
Newsgroups: rec.music.bluenote
Subject: Re: Frogman in the movies?
Date: 19 Aug 92 17:12:26 GMT
Organization: NIKHEFK

Sorry, I don't know the movie, but it is Clarence "Frogman"
Henry, not James.  He also had a song that was a hit called
"I don't know why I love you but I do".  I found out
about him a few years ago, when I decided to chase down
all the musical references in Jimmy Buffett's songs.
He mentions him in the song "Saxophone""

	I cut my teeth on Gumbo Rock,
	Bennie Spellman (??) and Dr. John,
	Sweet Irma Thomas and Frogman Henry
	Used to boogie-woogie all night long

I managed to find both Thomas and Henry on a compilation
of New Orleans R&B from the 50's -- very nice.
Anybody know who the Spellman character is?

					JT

There is a lip-synch of an old R&B number in "Pretty in Pink"
(a Molly Ringwald film) but I don't think it was this song.
A great scene though.  Maybe it's the one your friend is
thinking of.
Newsgroups: rec.music.bluenote
From: jgthomas@crchh420.BNR.CA (John Thomas)
Subject: Re: Dallas' Upcoming Jazz Events.
Keywords: Rollins
Reply-To: jgthomas@crchh420.BNR.CA (John Thomas)
Organization: Bell-Northern Research Ltd.
Distribution: usa
Date: Tue, 18 Aug 1992 15:54:44 GMT


In article <1992Aug17.204957.9117@exu.ericsson.se>,
exubma@exu.ericsson.se (Bassam Madi) writes:
|> 
|> John Scofield is appearing in the Caravan of Dreams next month.
|> Sonny Rollins is coming Nov. (4th, I think). Yes
|> Bassam
|> --
|> Bassam Madi              |    
|> Ericsson Network Systems |   How can U soar like an eagle,
|> exubma@exu.ericsson.se   |   when U are dealing with turkeys??
|> Ph. (214) 733-4339       | 

Rollins is supposed to appear Nov. 6 from the last Observer I consulted.

I wouldn't hold your breath though.  I have tried to see him twice
here in Dallas the last couple years and he cancelled both times
"due to illness."  One of these times, Feb. 14 of this year, he was
supposed to play at Caravan too.
Newsgroups: rec.music.bluenote
From: kougham@pell4l10.alleg.edu (Michael Koughhan)
Subject: john mclaughlin 
Organization: Allegheny College
Date: Thu, 20 Aug 1992 01:08:28 GMT

If any kind soul could post tour dates for the john mclaughlin trio, it  
would be greatly appreciated by many worldwide.  thank you.
Newsgroups: rec.music.bluenote
From: gallo@almira.asel.udel.edu (Andy Gallo)
Subject: Coltrane question - Meditations, Interstellar Space
Organization: AI duPont Institute
Date: Sat, 22 Aug 1992 21:41:01 GMT


	I was trolling the record store the other day and come across
a few Coltrane albums that looked interesting, but before I bought
them I wanted to get some more info.

	There are two disks out there that essentially contain the
'Trane composition "Meditations".

First Meditations - Love, Compassion, Joy, Consequences, Serenity, Joy
	(alternate version)
Meditations - The Father the Son and the Holy Ghost, Compassion, Love,
	Consequences, Serenity

	So what's the deal on these disks?  Are they separate
recordings or is one just a re-release release of the other?  Can you
recommend which one to buy for starters?

	Also, the back of the "Interstellar Space" disk says it
features John Coltrane on sax and bells, and Rashied Ali on bells.  Is
this all - just two musicians, or are these just the "featured"
musicians.  The disk looks frightening, but I'm game.  Can anyone
enlighten me?

	Also, as an aside, can anyone recommend a good introduction to
Bird - I'm ashamed to say my collection is void of his work.

	Thanks.

>-----------------------------------------------------------------------------<
> Andy Gallo   | gallo@asel.udel.edu  | U. of Delaware/Applied Sci & Eng Labs <
>-----------------------------------------------------------------------------<
>     Come wash the nighttime clean, come grow the scorched ground green.     <
>-----------------------------------------------------------------------------<
Newsgroups: rec.music.bluenote