HDTenEightyP/NetNews huggingface dataset:
From: mayer@osiris.cso.uiuc.edu (James Mayer)
Newsgroups: rec.music.gdead
Subject: John Cippolina
Summary: John Cippolina
Keywords: John Cippolina, dinosours
Date: 2 Sep 92 20:00:09 GMT
Organization: University of Illinois at Urbana

Its a wonder more people havn't been turned on to the magic of John's work.
This net may be just the place to help spread the word.  For starters, do
you think this is the appropriate Net Group?  The first place to gain some
insight into John's work recently came out on Rhino Records in the form of
Sons of Mucury - Quicksilver Messenger Service '66 to '75.  Check this out
and you will hear the light.  Chipp's start came as the lead guitarist (one
of two) for QSMS.

Shall we continue here or elswhere in the net? any interest?
From: bg377@cleveland.Freenet.Edu (Rich Wainwright)
Newsgroups: rec.music.gdead
Subject: Re: I heard a cancer rumour
Date: 2 Sep 1992 11:59:58 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: bg377@cleveland.Freenet.Edu (Rich Wainwright)
NNTP-Posting-Host: slc4.ins.cwru.edu


In a previous article, h7l@vax5.cit.cornell.edu () says:

 
>Look, I heard a rumour that Jerry has cancer.
 
OK, kill this one right now.  He does not have cancer.  The McNally spin
doctor program is pointing us in the wrong direction, and his problems
are different then the current speil.  

Various reliable sources have said Jerry's health problems are serious,
but not life threatening, however, the prognosis is still unclear and he 
definitely does not have cancer.  The worst case scenario would be, no touring
and and occasional concert to satisfy a jones for playing.  
 
My .02 says give him time and we may the see boys again this February.

 
Rich
 
-- 
*****************************************************************
*   Rich Wainwright               Some folks are electricians   *
*   BG377@cleveland.freenet.edu   others plumber's wives.       *
*****************************************************************
Newsgroups: rec.music.gdead
From: Victor A D'Amato <DAMATO@unc.oit.unc.edu>
Subject: Re: Don't Let That Deal Go Down
Reply-To: DAMATO@unc.oit.unc.edu
Organization: The Internet
Date: Wed, 26 Aug 1992 14:16:39 GMT

I've heard and seen David Bromberg play this old folk song.

Speaking of David Bromberg, I've learned that some members of the
Dead played on his 1970s album "Demon in Disguise" and maybe another
from the same period.  I'll be on the lookout for them.  I've never
come across any live stuff featuring David w/ the Dead or vice-versa
although he has played w/ Jorma and Jack Cassady of Hot Tuna many
times.

Vic
Organization: Penn State University
Date: Sun, 30 Aug 1992 22:16:10 EDT
From: <ADB103@psuvm.psu.edu>
Newsgroups: rec.music.gdead
Subject: ALLMANS Merriweather P 8-29 list

This was your typical red hot Allmans show. The most memorable moment came on "
 End of the Line."  Just as they were preparing to give the final thump of the
ending the entire band launched into ......."THE OTHER ONE".....no doubt about
it.  The band jammed on "The Other One" theme for about a minute and a half and
 then ended the electric portion 1.  This was no doubt meant to link up the mes
sage of "End of the Line" with Mr. Garcia's state of affairs.
Merriweather Post Pavillion
Colombia,MD. 8-29-92
It Ain't My Cross To Bear
Statesboro Blues
Blue Sky
Don't Keep Me Wonderin'
Nobody Knows
End Of The Line>The Other One
=acoustic=
Seven Turns
Midnight Rider
Southbound
Melissa
Goin' Down The Road Feelin' Bad
Dickey acoustic solo>
=electric=
Hoochie Coochie Man
Get On With Your Life
Jessica
Revival
=encores=
One Way Out
Whippin'Post
Newsgroups: rec.music.gdead
From: gallo@almira.asel.udel.edu (Andy Gallo)
Subject: Re: Uncle John's Band/Jesus
Organization: AI duPont Institute
Distribution: usa
Date: Mon, 31 Aug 1992 19:37:29 GMT

In article <Btv1Cy.9Az@acsu.buffalo.edu> v087jsfu@ubvmsd.cc.buffalo.edu (DANNY) writes:
>I was wondering if anyone else thought that Uncle John's
>Band had symbolism to Christianity in it?  Please don't
>rag on me if this is old..


	I never thought of it this way.  One of the neat things about
poetry/lyrics is they are so open to multiple interpretations (like
the Good Book itself, but I won't get into that).  
	Uncle John's Band is a song I only recently got a grips on.  I
used to think it was:

		Come HERE Uncle John's Band 
	
	ie. "Here I am down by the riverside, I've got some things to
talk about, so come HERE and join me".  In this reading, the narator
of the song is the individual listener.

	But now I know it to be:

		Come HEAR Uncle John's Band 

	ie. A much less self-centered interpretation, the band is
already down by the riverside and you are being called to join.  In
this reading, the narrator is someone else, calling the listener to
partake and join the group.


	Where do you find the Christian references?  I think it would
be easy to see Uncle John's Band as being John the Baptist and his
followers, christening people down on the banks of the river Jordan.
Or even still, Christ and the apostles.  "He's come to take his
children home" sort of, to me, implies a Christ figure rather than the
Baptist, unless "He" doesn't refer to John, but instead refers to
Christ, who was around at the time or John but was not yet preaching.

	I doubt Hunter would ever tell what he really meant by the
song (that would only ruin it!), and in some sense, Hunter may no
longer know, or perhaps has a different reading than he used to.  Of
course, if it was a Christian reference, it wouldn't be the first time
in a Dead song.

	Enjoy.

>-----------------------------------------------------------------------------<
> Andy Gallo   | gallo@asel.udel.edu  | U. of Delaware/Applied Sci & Eng Labs <
>-----------------------------------------------------------------------------<
>     Come wash the nighttime clean, come grow the scorched ground green.     <
>-----------------------------------------------------------------------------<


	
Newsgroups: rec.music.gdead
From: quaglia@seas.smu.edu (Bruce Quaglia)
Subject: Re:  Deadheads
Organization: SMU School Of Engineering and Applied Science
Date: Wed, 26 Aug 1992 00:56:22 GMT

In article <1992Aug25.215109.2804@sunspot.noao.edu> brown@sunspot.noao.edu (Todd Brown) writes:
>In article <1992Aug25.202047.10196@seas.smu.edu> quaglia@seas.smu.edu (Bruce Quaglia) writes:
>>I seem to recall quite alot of violence and not all of it was going
>>on in southeast asia- it was one of the most violent times in our country's
>>history.
>>
>Usually when confronted by police, and National Guard or when
>defending ones person against attacks from looking to kick hippies
>asses and raise a little hell.
>
It's hard to follow your grammar, but from what I gather you've written,
you've adopted a fairly revised version of history. The facism displayed
by U.C. Berkely, the national guard, and the police in countless cities
etc not-with-standing; everybody else in the sixties were not neccesarily
peace-freaks and flower-children. There were more calls for armed uprising
and revolution <yes, of a violent-if-neccesary nature> than at any time
since perhaps the civil war. Many people beleived we were in the midst
of a civil war potentially. You're characterization is simply inaccurate.


>>Give credit where credit is due- Abbey Hoffman (R.I.P<R.I.P.> coined this
>>phrase and it was still the '80s when he said it. I believe his phrase
>>was "under 30", but that was nearly 10 years ago.
>
>Probably just before he decided to exit this world out of disgust of
>seeing the Regan years unfolding.
  
  He died of a drug-overdose, some have speculated suicide. I don't 
  know how you might presume to ascribe motives, but friends of mine
  who were close to him when he was "underground" say he was a sort
  of depressive personality. Contrary to his public persona.

>
>

Newsgroups: rec.music.gdead
From: sethb@fid.morgan.com (Seth Breidbart)
Subject: Re: Vintage DATs
Organization: NY home for wayward dats
Date: Tue, 1 Sep 1992 03:02:02 GMT

In article <1992Aug31.161703.28541@uvaarpa.Virginia.EDU>
Tom_Jacobs@qms1.life.uiuc.edu writes:

>How many *excellent* DAT Dead tapes are there in circulation from the 1968 to
>1973 era?

Quite a few, and more showing up regularly.  How many do you need, and
what do you consider excellent?  I have nearly 100 tapes from 1973 or
earlier; many of them come from reels, but they blow away any of the
cassettes I've heard from that era.  (Two or 3 gens of reels does a
lot less harm to the sound than one gen of cassette.)

>  I know that PCM was the only digital medium going at that time, but
>what I'm asking is, how many of the crispy PCM or R2R sbd's from that era have
>been transferred to serially copiable DATs which are in circulation?

All dats are serially copyable :-)

> If I spring for a DAT system (or 2!), am I going to be frustrated
>trying to find tapes of that vintage which are anything but digitized versions
>of the same muddy crap that's traded in the analog realm these days? (granted,
>there are some mighty nice analogs around)

You can probably find some locally who'll let you listen to some of
the tapes that are circulating.

>And how do you DAT traders actually trade?  Does everybody have at least one
>non-SCMS (i.e., "professional") machine?  I was told by one friendly DAT taper
>over the weekend (Barry Ramsey, Blacksburg, VA) that he has 2 machines, a SCMS
>one and a non-SCMS one.  Now, if everybody has this setup, then no sweat.

Some people have that, some people have scms-eaters, some people have
two consumer machines and slight problems when they get tapes with
nonzero scms.  Some people just have one deck and get together with a
friend for cloning.

Seth		sethb@fid.morgan.com
From: jkiparsk@reed.edu (Jonathan Kiparsky)
Newsgroups: rec.music.gdead
Subject: Re: Inspiration, not Deadication
Date: 1 Sep 92 19:02:41 GMT
Article-I.D.: reed.1992Sep1.190241.25718
Organization: Reed College, Portland, Oregon

In article <1992Sep1.015809.22176@news.Hawaii.Edu> jdlb@mamane.ifa.hawaii.edu writes:
>
>As a complement to the Deadicated album, I'd like to see a compilation of
>original versions of songs covered by the Dead.  Some, particularly the
>Dylan covers, are easy to come by, but others are more rare.  A few which
>come to mind are Morning Dew (both the Dobson and Rose versions would be
>nice), Viola Lee Blues, Big River, Death Don't Have No Mercy, Mexicali
>Blues, Smokestack Lightning, and Wang Dang Doodle.

Wang Dang Doodle and Smokestack Lightning, as well as Little Red Rooster,
Down in the Bottom(which I understand the boys have done- "Meet me in the
bottom, bring me my running shoes..." sound familiar?), Spoonful, and maybe
others that I've forgotten are Howling Wolf tunes, mostly written by Willie
Dixon, and can be easily found. One of the Wolf's best is one with a
picture of a rocking chair on the cover, I'm not sure if it has a title
other than "Howling Wolf." Viola Lee Blues and Minglewood are jug band tunes,
and harder to find(and recognize when you do find them). Death Don't Have No
Mercy is a Gary Davis tune, it can be found on his album "Pure Religion", 
which may have been released on CD. If not, it should be, it's fantastic.
Samson and Delilah is on that one, too.
Mexicali Blues is, I'm pretty sure, a Barlow/Weir composition. Their first
one, I think.
-jon
Newsgroups: rec.music.gdead
From: tnf@well.sf.ca.us (David Gans)
Subject: Bob Weir sez: REGISTER AND VOTE!
Organization: Whole Earth 'Lectronic Link
Date: Fri, 28 Aug 1992 16:45:44 GMT


 Q:  Are you one of those people that believes it's a good idea to
 register and vote?

 Bob Weir:  I think this year particularly!  I always register and I
 always vote.  I don't know if it's a knee-jerk reaction or what, but
 this year I feel like there's something to vote for.  We had an
 election kind of similar to this one in 1932, when Hoover wanted to
 get re-elected.  Hoover was doing basically about the same thing that
 our administration is doing, that being pursuing right-wing politics,
 and the rich were getting richer and the poor were getting poorer.
 That escalated into a depression much like we're having now.  And he
 wanted to hang in there, but he got real unpopular 'cause people were
 starting to get kind of upset with the way things were going, and they
 voted him out of office and we got an administration voted in that
 turned things around for us.  And it looks like we could do that
 again.

 Loath would I be to tell people _how_ to vote, but I would tell people
 to vote.  Vote your heart, vote your conscience.  Don't vote your
 wallet.  That's my opinion, but you've got to vote.  It's an
 American's blessed duty.  And to vote, you've got to register, so do
 it today.


-- 

	David Gans	tnf@well.sf.ca.us
			{apple,pacbell,hplabs,ucbvax}!well!tnf

Newsgroups: rec.music.gdead
From: appleyar@brtph72.bnr.ca (Doug Appleyard P215)
Subject: Re: INDIGO DEAD
Organization: Bell-Northern Research, RTP, NC
Date: Mon, 31 Aug 1992 16:39:58 GMT

In article <1992Aug29.002153.4465@uvaarpa.Virginia.EDU> jko@bonnie.ics.uci.edu writes:
>
>INDIGO GIRLS SET -=> :-)
>
>Galileo
>Three Hits
 [...]
>Romeo and Juliet (Dire Straits Tune)
>Fare Thee Well, My Little Star
 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

this sounds like a nanci griffith tune from her album "storms"
some of the lines I remember are 

"fare thee well sweet love of mine
 fare thee well my lips of wine      (very sketchy memory here)
 ...
 so long ago-o-o-o-o-o-o"

there's also a line about "(something something) out on CONgress avenue"
(am I being vague enough?)  

are the indigo girls doing nanci griffith now?  it's become
hip to cover nanci griffith songs.  i've heard a male c/w version
of "on the radio" and jimmy buffett + evangeline doing "gulf coast highway"

ODC:  of course it's also hip to use the phrase "fare thee well"

-- 
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
-= Doug Appleyard  =-=-=-=-=-=-= voice: 919-991-7805  esn: 294-7805 -=
=- appleyar@bnr.ca -=-=-=-=-=-=- warning: not the views of bnr inc. =-
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
From: lb04@ns1.cc.lehigh.edu (Laura Bassi)
Newsgroups: rec.music.gdead
Subject: Personal to Michael Ray Smith
Date: 25 Aug 92 18:43:32 GMT
Organization: Lehigh University

Just checking to see if by some weird coincidence you have net.access.
If so, write back!

Disclaimer:
It's better to have wasted bandwidth and lost, then never to have been wasted
at all  ;-)
From: rcbi105@muvms3.bitnet (Matt Leary)
Newsgroups: rec.music.gdead
Subject: Re: Bonnie Rait (sp?)
Date: 1 Sep 92 13:58:36 GMT
Organization: Marshall University

In article <1992Aug28.174535.28249@sunspot.noao.edu>, brown@sunspot.noao.edu (Todd Brown) writes
>>Is anyone going to catch Bonnie Rait in Hersey PA this Sat (29th)?
> 
> It's too late she got married:-(   :-) :-) :-) 

Cute, very cute.  I finally got to laugh today.  It has been on of thoes days.

*Matt Leary - RCBI105@MARSHALL.WVNET.EDU - The Internet
*1434 5th Ave. Huntington, WV 25701  (304) 522-4456
*You can fool some people sometimes, but you can't fool
*all the people all the time - Bob Marley


Newsgroups: rec.music.gdead
From: Steve -- The Other One <sjeck@isi.com>
Subject: On the Road with Neil
Reply-To: sjeck@isi.com
Organization: The Internet
Date: Thu, 3 Sep 1992 00:13:19 GMT


This has really got my dandruff up!

The idea that a bunch of scumbag Deadheads are
gonna start following Neil Diamond around and 
disrupting his shows  like they have the Grateful
Dead is enough to make me want to fly to Albany
and put this ANDREJKOW character in his place!

Who does he think he is selling cut-rate caviar! 

The thought of some poor Grandmother sucking on
a balloon she bought in the parking lot hoping to
use the helium in it to mimic a Neil falsetto and
ending up stoned on nitrous is enough to make this
red-blooded American citizen want to see those
scumbags in jail!  Or at least a hospital!

Well, now we have sufficent warning. I am calling
all California Diamondbacks to rally against these
deadbeat Deadheads when Neil plays the Oakland Coliseum.

BTW, George, are you going to all the shows or
just the Fri/Sat ones?  How about the Arco Arena shows?


Another proud Diamondback.

Newsgroups: rec.music.gdead
From: Jeff Lester <lester@gandalf.etdesg.trw.com>
Subject: Re: Best Tapes
Reply-To: lester@gandalf.etdesg.trw.com
Organization: The Internet
Date: Wed, 26 Aug 1992 01:19:07 GMT

|>Solution:  Buy a DAT and scrap the analogs!  Almost all of the tapes
|>on the market are high quality (of course $6-8 they should be!)
|                                           ^^^^^
|            This is the only reason I haven't bought a DAT deck yet.
|      How can you DATheads afford to pay this much for blank tapes?!
|      Is there any hope that the prices will come down in the future
|      or will the tape companies indefinitely keep the prices artificially
|      high?

Probably not. Although the construction of the DAT is like a minature 
videotape (meaning they should be comparable in price), I think the big
factor is volume. There isn't enough DAT blank volume for the tape 
companies to bother bringing the prices down. There's no need for price
competition. And with the coming of DCC and/or MD (sometime in the future ??)
it's unlikely to change. DAT for mass consumer markets is pretty much dead.

-Jeff Lester
Newsgroups: rec.music.gdead
From: brown@sunspot.noao.edu (Todd Brown)
Subject: Re: Lazy Lightning
Organization: National Solar Observatory/SP, Sunspot NM, USA
Distribution: usa
Date: Fri, 4 Sep 92 21:04:54 GMT

In article <1992Sep4.152610.5030@dvorak.amd.com> wwilliam@dvorak.amd.com (Wade Williams) writes:

>
>Love the squaking, screeching, and whining....doesn't everyone else.

Beats The DEAD slience:-)

>BTW, I was kindof fond of both Colorado and Wyoming, but if ya'll 
>represent the majority of the residents, I'll just hang in TX with
>the JoeBob's and Bubba's.

But they'er all up here in New Mexico this weekend, hope they brought
plenty of money:-)
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>|<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< 
>TODD|-ODD-|:-)                   |         Nothing Left To Do But  <
>brown@sunspot.sunspot.noao.edu  /|\             :-) :-) :-)        <
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>/ | \<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<


Newsgroups: rec.music.gdead
From: brown@sunspot.noao.edu (Todd Brown)
Subject: Re: Tour dates, confirmed and RUMORED
Organization: National Solar Observatory/SP, Sunspot NM, USA
Date: Fri, 28 Aug 92 16:28:32 GMT

In article <1992Aug27.235253.20607@uvaarpa.Virginia.EDU> lester@gandalf.etdesg.trw.com writes:

>
>If I were to rate the likelyhood of the rumours I posted (based merely on my
>own personal opinions) on a scale of 1 to 10 (10 being most likely) I would
>say:
>
>JGB November East: 0.5
>Dead Solstice or other Nov/Dec bay area: 4
>Dead Denver/Tempe: 4
^^^^^^^^^^^^^^^^^^^^^

Can't we hope that this one is an 8 ;-)

Maybe this would began a new trend in a new era, and keep it going.

Please don't bogart that DEAD show, my friend:-) :-) :-)

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>|<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< 
>TODD|-ODD-|:-)                   |         Nothing Left To Do But  <
>brown@sunspot.sunspot.noao.edu  /|\             :-) :-) :-)        <
>dtodd@well.sf.ca.us            / | \                               <
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>V<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
Organization: The American University - University Computing Center
Date: Tuesday, 25 Aug 1992 14:40:39 EDT
From: <SGORDON@auvm.american.edu>
Newsgroups: rec.music.gdead
Subject: Re: best tapes
 <16324@ucdavis.ucdavis.edu>

My personal experiences lead me to choose Maxell XLIIS tapes.  The main
aspect that I prefer over any TDK tape is the Maxell XLIIS shell.  The
tape is sturdier and cosmetically more appealing.  TDK SA, SA-X, and Maxell
XLII tapes feel cheap and suffer from excessive rattle.  When I pop a XLIIS
into my deck and hit rewind, the only way that I know the tape is moving is by
watching the tape spin.  The tape mechanism + my deck are silent.  With lesser
tapes, the rattle is annoying and occasionally sounds like an approaching
train :-).  These observations are obviously in addition to impressive sonic
qualities.


    In reference to Dolby use, I avoid it like the plague.  A minute! amount
of noise adds the feel of a live concert.  The medium of audio tape inherently
attracts tape hiss and any attempt to remove all of it is futile.  As tapes
move on down the line (increase generations), noise accumulates, so if you
despise noise, attempt to get low gen sbds or learn to effectively use an
equalizer.
to attempt to acquire a g
 -Seth
From: burnett@gandalf.rutgers.edu (Gary Burnett)
Newsgroups: rec.music.gdead
Subject: Re: Phil question
Date: 26 Aug 92 01:36:12 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

In article <134419@lll-winken.LLNL.GOV> mcinnis@lll-crg.llnl.gov ( James McInnis) writes:

> pstevens@Metaphor.COM (Paul Stevens) asks:
> 
> >telling me about a band that Phil had around '75 with the name, "Too
> >Loose to Truck" (sp?).  I think they played a few gigs in the Bay Area
> >at that was it.  Can anyone confirm this?  Who else was in that band?

>   Terry Haggerty, lead guitarist from the Sons of Champlain, was the
> guitar player in "Too Loose to Truck". The band's name is a goof on
> the artist Toulouse-Lautrec.

Now the million dollar question:  Are there by any chance any tapes
of this band in anyone's collection?  I'd *love* to trade for one.

--Gary B.
-- 
Gary Burnett                             burnett@gandalf.rutgers.edu 
130 Columbia Street                      gburnett@zodiac.rutgers.edu   
Highland Park, NJ  08904                          jera@well.sf.ca.us

"Things then did not delay in turning curious."  --Thomas Pynchon  
 
Newsgroups: rec.music.gdead
From: wrat@unisql.UUCP (wharfie)
Newsgroups: rec.music.gdead
Subject: Re: TDK bashing
Date: 1 Sep 92 15:44:00 GMT
Reply-To: wrat@unisql.UUCP (wharfie)
Organization: UniSQL, Inc., Austin, Texas, USA

In article <1992Sep1.131257.16891@riacs.edu> howells@pioneer.arc.nasa.gov (John Howells) writes:
>Hmmm. Interesting to see the TDK bashing going on because my experience

	yeah, this happens over in rec.martial-arts all the time.  Sure,
the style has its weaknesses, but even traditional Tae Kwan Do teaches
you to use your legs well and something about distancing and..  

	What? TDK?  Not TKD ? Oh...

	Never mind...
								wr
Newsgroups: rec.music.gdead
From: ajax@well.sf.ca.us (Randy Alan Jackson)
Subject: Re: Inspiration, not Deadication
Organization: Whole Earth 'Lectronic Link
Date: Wed, 2 Sep 1992 14:35:36 GMT

In article <25925@dog.ee.lbl.gov> mike@inti.lbl.gov (Michael Helm) writes:
>Death Don't predates Davis ... he learned it from a Blind Willie Johnson
>record & rearranged it for his style.  There are other forms of this
>song in the spiritual & gospel tradition.  Same for S & D.  Incidentally
>Gary Davis also did a "Spoonful" but it's very different from the
>Wolf's (who was a generation younger & from a diff't part of the
>country).  


	Can you please provide some documentation for the statement
	that Davis learned "Death Don't" from W Johnson. I think that
	the song does pre-date Davis, but I haven't found a reference
	to a recording by Johnson. S & D did come from Johnson as you
	indicated.

	randy 
Newsgroups: rec.music.gdead
From: "Brian J. Rupert" <0004903167@mcimail.com>
Subject: The "New Jerry"
Reply-To: 0004903167@mcimail.com
Organization: The Internet
Date: Thu, 3 Sep 1992 15:17:57 GMT

      This bumper sticker my friend has reminds me of
      the condition Jerry is going to be in once he
      makes his big return in Tempe! :)

           
             *************************
             * SUGAR-FREE  JERRY G.! *
             *************************


      Stay Sugar-Free Jerry G.! Hope to see you in Tempe!

      BJR

      **********************************
      ** E-Mail: 490-3167@mcimail.com **
      ** P-Mail: 202.416.5631         **
      **********************************





Newsgroups: rec.music.gdead