HDTenEightyP/NetNews huggingface dataset:
From: dave@jato.jpl.nasa.gov (Dave Hayes)
Subject: Re: *BAD* music group reorg will not be honored
Reply-To: dave@jato.jpl.nasa.gov
Organization: Jet Propulsion Lab - Pasadena, CA
Date: Fri, 6 Nov 1992 18:39:21 GMT

jmaynard@oac.hsc.uth.tmc.edu (Jay Maynard) writes:
>>Some leaf nodes on USENET cannot do this. Certain connected mailing
>>lists either can't or won't. 
>Here we reach the crux of the matter: they won't. That action is causing the
>problem, and your obstructionism is merely making matters worse.

If I get involved in something to this degree, it means that I perceive
an inequitable situation. What is being done to r.m.s is not a "real"
net.consensus but a "political" net.consensus. I'm merely trying to help.



-- 
Dave Hayes - Network & Communications Engineering - JPL / NASA - Pasadena CA
dave@elxr.jpl.nasa.gov       dave@jato.jpl.nasa.gov         ...usc!elroy!dxh

Test  (n.)   - 1. A hardship you don't expect.
Brave (adj.) - 1. Someone looking for a test.
Xref: sparky rec.music.makers:10909 alt.guitar:9823 sci.electronics:18773
From: larryh@cabezon.uucp (Larry Huntley)
Newsgroups: rec.music.makers,alt.guitar,sci.electronics
Subject: Re: HV capacitors
Date: 11 Nov 92 18:30:49 GMT
Article-I.D.: cabezon.1992Nov11.183049.16558
Organization: Logic Modeling Inc of Beaverton Oregon

In article <BxGz0u.K1F@hfglobe.intel.com> dcovell@hfglobe.intel.com (David Covell) writes:
>
>I'm looking for a mail-order source for high-voltage capacitors for tube
>amplifiers. I need 70uF in 350-400V range and 20-200uF in 500-525VDC range.
>Thanks for any pointers; phone numbers will be especially appreciated.

	Antique Radio Supply, somewhere in Arizona (Tucson, I think.)
	I don't have a phone number, but look in the back pages, the
	classifieds, in any issue of Radio Electronics.  Their ad will
	be lurking back there.

	Good luck, and remember - one hand in your pocket...

	- Larry Huntley

-- 
         (larryh@lmc.com)         |         --TALK.BIZARRE-- 
     Logic Modeling Corporation   |      The Suppurating Abcess
          Beaverton,  OR          | of the INTERNET - Dr. Donald Wildmon
Newsgroups: rec.music.makers.guitar
From: aa0fm@vexcel.com (Zach)
Subject: Amplifying acoustics
Organization: VEXCEL Corporation, Boulder, CO
Date: Thu, 12 Nov 1992 15:52:50 GMT

Hello guitar players

Well, I might as well jump into this group and start something. I have
played acoustic guitar for many years and have tried several ways to
amplify mine during a variety of gigs. I currently play a Santa Cruz and
love it but do not want to drill holes in it. So I am using an acoustech
dynamic field pickup. Yes it has the proximity effect and has problems
when things get loud, but it works without major modification to the 
guitar. I am considering just buying another guitar that does not sound
as good acoustically but sounds better amplified. Any suggestions are
appreciated. It seems that no matter how simple you try to make it, you
always end up sticking a serious EQ, a sonic maximizer, pre-amp, and
other electronics into the loop (hopefully not feedback), to get the 
"correct" sound. The options I am familiar with include: 

-transducer under bridge
-sound hole mag pickup
-microphone
-mini mic inside guitar
-acoustech (sound board acts as diaphram)
-combination of the above

Of course, the environment plays a big role. If I am in a coffee house or
playing in a hall such as the Boulder Theatre my pickup seems to do
ok. But the bar scene with changing acoustics and close sound relectors
reduce my gigs to an in depth study of EQ. Well I hope I have started an
interesting discussion. Or maybe this is a has been topic. I have not had
access to the net for a while. Keep slamin' and jamin'.

-Zach

P.S. I hope the postings about why this group exists GO AWAY.
Newsgroups: rec.music.makers.guitar
From: peter@palin.cc.monash.edu.au (Peter Hawkins)
Subject: What makes a good *guitar*?
Organization: Monash University, Melb., Australia.
Date: Thu, 12 Nov 1992 23:41:29 GMT

I've been wonderring, what are the manufacturing differences
between good and less-good guitars?

For example, I realise that certain brands of pickup are superior,
but why? Humbuckers have a second coil wound the other way to reduce
noise, but how is noise cut down in expensive single-coil pickups?

I also know that Expensive guitars have lees joint movement (thus reducing
absorption of vibrations), as well as certain kinds of wood (though I
forget what kinds). I once saw a brand new Squire with a neck that wasn't
straight, so clearly Strats have superior reinforcements.

I'm also curious about differences between manufacture of high-quality
guitars (eg why are certain strat models better than others, and apart from
the obvious - pickups etc - what differences are there between Fenders,
Gibsons, Les Pauls etc etc).

In short, if I'm buying, it'd be nice to know the way *I* would put together
a guitar if I had the resources.

Peter

-- 
Peter Hawkins,
Assistant Lecturer, Computer Centre
Monash University, Australia
peter@palin.cc.monash.edu.au
From: msr@kepler.unh.edu (Reno no BAKA)
Newsgroups: rec.music.makers.guitar
Subject: Re: Why Do These Redundant Groups Exist?
Date: 11 Nov 1992 06:18:28 GMT
Organization: None what-so-ever
Distribution: na
NNTP-Posting-Host: kepler.unh.edu

In article <19109@ucdavis.ucdavis.edu> darsie@eecs.ucdavis.edu (Richard Darsie) writes:
>Subject says it. There's an alt.guitar and alt.guitar.tab. Why these?
>
>Richard

Because people like me, who play the guitar and like to talk about it, and
don't receive alt groups, ask for them.  
-- 
NNNNNNAAAAAAAAAAAAAAAANNNNNNNNNNNNNNNNNNNNNNNNIIIIIIIIIIIIIIIIIIIIIIIIIII???????
And I thought I was going to graduate on time......
Matt Reno, a miserable excuse for a cs major!
msr@kepler.unh.edu
or the one I never use MSR_CS611@unhh.unh.edu
or the new one M_RENO@unhh.unh.edu
Newsgroups: rec.music.makers.guitar
From: mtc001@dunix.drake.edu (Spike)
Subject: Re: String Problem
Keywords: guitar,strings
Organization: Drake University, Des Moines, Iowa, USA
Date: Tue, 10 Nov 1992 22:16:30 GMT

In article <1992Nov10.145448.14009@hubcap.clemson.edu> wolf@hubcap.clemson.edu (Randy Martin) writes:
>I recently bought an Eddie Van Halen Musicman guitar and I changed the
>strings on it for the first time the other day.  This guitar has a
>blocked Floyd Rose tremolo system.  I've never owned a guitar with a 
>Floyd on it, so I'm not sure if my problem has anything to do with it or
>not.  The problem is that my low E string is to low to the frets and
>when the open string is picked, it makes an terrible ping.  It didn't do
>this until I changed the strings, and it only does it on this one
>string.  Does anyone have any suggestions as to how to solve this
>problem?  Do I need to adjust the tremolo somehow or am I doing
>something wrong?  
>
>Thanks!!! 
>
>
>-- 
>Randy Martin
>wolf@hubcap.clemson.edu
>Clemson University
>(803)656-1208


Hmm, looks like you made a mistake many Floyd users make.  Did you remove all
the strings at once and replace them?   Usually, if you take them all out
at once the tremolo is thrown out of wack.  If no one has any suggestions here
as to how to change the adjustment, I would suggest you call a repair shop and
see what they say.
The same thing happened on my Peavey Vandenberg guitar...wow, did it sound
bizarre.
BTW, it's an AWESOME guitar...(if you like wide necks and low action)

Newsgroups: rec.music.makers.guitar
From: bruce@hpmcbp (Bruce Pritchard)
Subject: Re: buzzing noises
Organization: HP Cardiology Business Unit - McMinnville, OR
X-Newsreader: Tin 1.1 PL5
Date: Thu, 12 Nov 1992 05:09:03 GMT

Blake Butterworth (butterwo@cs.tulane.edu) wrote:
> 
>     I already posted this question to alt.guitar, but since some of you may
> not have had the chance to see it, I'll ask again.  Every time I plug my
> guitar into my amp, I can hear a faint buzzing noise in the background.  It
                                   ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

I assume it's coming from the speaker . . .  :^)


> occurs only while I am -not- touching something metal on the guitar like the
> strings or bridge.  I'm pretty sure that the problem is with the guitar.  If
> someone knows what my problem is or how to fix it, could you email me?

Outside chance, is it possible the strings are vibrating except when 
you touch them?

Unless someone has some good ideas here, why don't you show it to 
somebody there at Tulane, say, in the EE Department?

I'm not familiar with guitar/pickup/cable/amp systems but here's my 
guess.  

You need a better "earth ground" to some portion of the system.
Without it you are either picking up some electric fields (60 Hz and
harmonics) onto the signal wire; or you effectively have too much 
"common mode" signal into the amplifier, which it isn't able to reject
sufficiently.

Unless the amp is fairly old it probably has a 3-wire power cord.
Make sure it's plugged into a properly grounded 3-wire outlet.
(If you don't, you may be able to feel a slight tingle when you 
touch the metal guitar parts, like I can on mine.  This is not good.
I repeat.  This is not good).  

Next, try a different guitar-to-amp cable in case yours is damaged
or perhaps inadequately shielded (it *is* shielded, isn't it?).

Next, you might (get someone to?) check electrical continuity from
the "third wire" terminal of the power cord, to:
    a) metallic parts of the amplifier chassis;
    b) the shield of the guitar cable (one of the conductors on the
       connector); and
    c) metallic parts on the guitar.

I don't know if it's conventional/universal to design pickups/guitars
so as to make the connection to metallic parts on the guitar, so that 
part may not apply.  (Though if not, that could be the problem).

I can imagine some other things but they mostly depend on how the 
pickup works.  Besides it's hard to describe how to do more
troubleshooting without knowing more.  Contact me if you get 
desperate.


> Thanks
> 
> Blake

Sounds like a fun problem -- but then, tastes differ.


        Bruce Pritchard
	good engineer
	bad guitarist
        bruce@hpmcaa.mcm.hp.com

Newsgroups: rec.music.makers.guitar
From: ray@eecs.nwu.edu (Jim Ray)
Subject: Tubes vs. Transistors
Organization: EECS Department, Northwestern University
Date: Thu, 12 Nov 1992 01:02:12 GMT

I need a new amp.  I have heard tubes are the only way to go.
Transistors are much more reliable.  Is there a way to get the same
effect of a tube amp at a small signal level or even digitally and
then use a transistor power amp to get the volume?

*****************************************************************
*                                                               *
* Jim Ray                                      ray@eecs.nwu.edu *
*                                                               *
* If the thunder don't get you, then the lightning will. jg     *
*                                                               *
*****************************************************************
From: bremford_m@kosmos.wcc.govt.nz (Mike Bremford)
Newsgroups: rec.music.makers.guitar
Subject: Re: WANTED: BEGINNER INFO
Date: 13 Nov 1992 00:21:31 GMT
Organization: Wellington City Council (Public Access), Wgtn, Nz
Reply-To: bremford_m@kosmos.wcc.govt.nz
NNTP-Posting-Host: kosmos.wcc.govt.nz

In article <1992Nov11.210953.7645@csservices.Princeton.EDU>, mb@cs.Princeton.EDU () writes:
>Hi.  I hope this is the right place to post this.  I own a guitar and I have no
>idea how to play it.  My brother (who plays) suggested I get some sheet music
>with tabulature and teach myself, but this didn't seem to work.  I was thinking
>of getting one of those "Mel Bays Guitar Method" sort of books and learn to play
>"Row Row Row Your Boat" or whatever.  Anyway, I'd like suggestions as to what
>you think the best way to start is (without a private teacher) and what books or
>video tapes or whatever are most helpful.  I know this is really vague, but even
>I don't really know what I want...
>
>Thanks,
>- Matt -
Get "Progrssive Rythm Guitar". real good book for chords and rythm stuff. much
better than lead guitar. *DONT* get Progressive lead guitar, its rubbish
though.

Im using a new news server which is &^%&* and apparantly wont let me reply to
news articles if there are more lines included than typed by me... so excuse
the blank lines.. (I'll get around this somehow..)


	Cheers... Mike




                      Frustrated? Me?...

ho hum

that should do it...


Newsgroups: rec.music.makers.guitar
From: bh419@cleveland.Freenet.Edu (Ted B Samsel)
Newsgroups: rec.music.makers.guitar
Subject: Farrington (guitars) on NPR
Date: 10 Nov 1992 12:28:54 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: hela.ins.cwru.edu


Anyone catch this on NPR last Thursday? There is an art type
book on his custom guitars with a cd enclosed. Anyone have
prices? Ordering info??
-- 
Ted....
From: atkins@nosc.mil (Hugh T. Atkins)
Newsgroups: rec.music.makers.guitar
Subject: Re: Open E
Date: 11 Nov 92 23:39:45 GMT
Article-I.D.: nosc.1992Nov11.233945.29561
Organization: Naval Ocean Systems Center, San Diego, CA


To avoid extra tension on an open E tuning I used to just tune each string
down one step. I guess this effectivly makes it open D tuning but the
fingerings are all the same. If you need to play along with another instrument
you can always capo up one step. Anyway that's what I used to do.

Hugh
Newsgroups: rec.music.makers.guitar
From: battlec@cs.rpi.edu (Clark Battle)
Subject: builders
Date: Wed, 11 Nov 1992 18:43:24 GMT

Is there a newsgroup for stringed instrument builders? guitars, basses, sticks...
Newsgroups: rec.music.makers.guitar
From: twalker@magnus.acs.ohio-state.edu (Timothy M Walker)
Subject: Open E
Organization: The Ohio State University
Date: Tue, 10 Nov 1992 15:50:35 GMT


I've pretty much decided to leave my acoustic tuned to open E most of the time.
My question is, should I buy thinner ( => higher ) strings to make a->b d->e
g->g# so that I won't have higher tension on those three strings?  I'm worried
about the extra force on my neck (plus the strings break more often).  Also, 
those strings are harder to bend, and the timbre doesn't sound quite right.
What sizes do all you gurus in rec.* land <rec>ommend?
P.S.
  I usually use Martin Marquis Medium, more out of habit than anything else.

-- 
          ........   Do Not Taunt Happy Fun Ball ..........

                          ==> BIM <==
Newsgroups: rec.music.makers.guitar
From: gerald.b.ross@um.cc.umich.edu (Gerald Ross)
Subject: Heritage Guitar Head Stocks...Weird Looking?
News-Software: IBM OS/2 PM RN (NR/2) v0.14 by O. Vishnepolsky and R. Rogers
Reply-To: gerald.b.ross@um.cc.umich.edu (Gerald Ross)
Organization: University of Michigan Math Dept
Date: Thu, 12 Nov 1992 14:12:10 GMT

 I'm considering purchasing a Heritage Johnny Smith Arch-Top
 guitar (carved top, floating pickup, single cut-a-way, ebony
 fingerboard, MOP & Abalone inlay, Finger Style tailpiece)

 My question to the net.
         Does anyone else out there think Heritage Head Stocks
         are weird looking? They look too small to me or
         something... I can't put my finger on it.

         Also:
         How do those finger style tailpieces work?

 Thanks

 Gerald Ross

     ...It's 1992.  So where's my jetpack?
From: caedmon@cats.ucsc.edu (Axeman)
Newsgroups: rec.music.makers.guitar
Subject: Re: Why Do These Redundant Groups Exist?
Date: 11 Nov 1992 00:14:48 GMT
Organization: University of California, Santa Cruz
Distribution: na
NNTP-Posting-Host: am.ucsc.edu


darsie@eecs.ucdavis.edu (Richard Darsie) writes:

>Subject says it. There's an alt.guitar and alt.guitar.tab. Why these?

Just to confuse you...

-- 
,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,
,;';,   caedmon@ucscb.ucsc.edu               Jeff Ishaq          .,;';,
,;';,   I am a meatball:  Bite me.           Guitar withdrawal!  .,;';,
,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,.,;';,
Xref: sparky rec.music.makers.guitar:26 rec.music.makers.guitar.tablature:10
From: darsie@eecs.ucdavis.edu (Richard Darsie)
Newsgroups: rec.music.makers.guitar,rec.music.makers.guitar.tablature
Subject: Why Do These Redundant Groups Exist?
Date: 10 Nov 92 23:24:54 GMT
Followup-To: rec.music.makers.guitar
Distribution: na
Organization: University of California, Davis

Subject says it. There's an alt.guitar and alt.guitar.tab. Why these?

Richard
Newsgroups: rec.music.makers.guitar
From: hjwulfso@unix.amherst.edu (Harris Wulfson)
Subject: Re: What makes a giid guitarist?
Organization: Amherst College
X-Newsreader: TIN [version 1.1 PL6]
Date: Wed, 11 Nov 1992 03:05:03 GMT

Being able to play what you hear in your head doesn't make you a good 
guitarist. It makes you a good musicain. Let's say you are a great 
musician and you play the clarinet, and you have great ear-hand
coordination and you also can read. You're still not a good _guitarist_!
    A good guitarist is someone who plays good music on the guitar.
How 'bout that?!

Harris
hjwulfson@amherst.edu

Newsgroups: rec.music.makers.guitar
From: cseb@frodo.lfi.uni-hannover.de (Christian Sebeke)
Subject: Re: Fender StratoFAQ
Reply-To: cseb@frodo.lfi.uni-hannover.de
Organization: Univ. Hannover, LFI, Abt. Design&Test
Date: Wed, 11 Nov 1992 12:48:25 GMT


What about adding information on how to date a Strat? Like in the
posting by Pasi Korhonen (it was on dating a Tele):

------------------------- CUT -----------------------------

	There is a few different numbering schemes depending of the era.
	4 digits 	1950-1956
	5 digits	1955-1963
	L+5 digits	1963-1965
	6 digits	1965-1976
	S6,S7,S8,S9
	+ 5 digits	1976-1980
	E0,E1,E2,E3,
	E4 + 5 digits	1979-1988
	E8,E9,N9 +
	5 digits	1988-1990

	
	Pasi

------------------------- CUT -----------------------------

I guess there's enough knowledge in the net to build a precise dating
sceme. To make a suggestion: I could gather information, edit them and
merge it to the StratoFAQ. To make it a bit easier, mail the infos you
have to me along with a note where you got them from. Other suggestions
are welcome.

cs

---

Christian Sebeke, Univ. Hannover/LFI, Schneiderberg 32, D-3000 Hannover 1                             Tel: +49 511 762 5035                    sebeke@frodo.lfi.uni-hannover.de
From: srfergu@rufus.erenj.com (Scott Ferguson)
Newsgroups: rec.music.makers.guitar
Subject: Re: First Post?
Date: 9 Nov 92 20:42:28 GMT
Organization: Exxon Research & Engineering Co.

In article <1992Nov9.182001.2208@rhrk.uni-kl.de>, CRJ14530@acuvax.acu.edu (Judd Christopher R.) writes:
|> Is this group about people that are making guitars?  if so, I have some
|> questions and coments...   If not, then have a fun day!.
|> 

I'd think that it's about people who make music on guitars, but making
guitars is part of the process of making music with guitars, is it not?

Here's a thread to start: What's your favorite single-coil pickup?
I've got a Jap Strat that's reall noisy. I've played the Strat Pluses that
have FenderLace Sensors, and they're much quieter. I put a FenderLace in
my Strat, but it's still pretty noisy. Anyone know how to quiet this 
baby?

I heard a capacitor between the strings and the signal ground is a good
thing...true or false, anyone?
-- 
----------------------------------------------------------------------
Scott Ferguson                        Exxon Research & Engineering Co.
Project Engineer                      New Jersey
----------------------------------------------------------------------
"Always bark at a dog."
Newsgroups: rec.music.makers.guitar
From: webb@chopin.udel.edu (W Webb Pickersgill)
Subject: Re: Post #1. . .Hurray!!
Organization: University of Delaware
Date: Tue, 10 Nov 1992 02:05:13 GMT

In article <1992Nov9.235334.21752@athena.mit.edu> juggle@athena.mit.edu (???) writes:
>
>So what's this newsgroup about?
>
>How is it different than alt.guitar?
>

	Well, there is no difference in content.  The only difference
is in the name.  The alt. music groups are going to be removed
soon so get used to this group.

BTW:this group idea is a lot better than the old alt. ones.  Th
Rec. groups reach a lot more people than the alt groups did.

						Webb

+-------------------------------+---------------+-------------------------+
|   ___    ____                 | Factor Hartke | webb@chopin.udel.edu    | 
|  (   `--'  .-'         ___    |  Samson GHS   | Webb Pickersgill        | 
|  |8) O O  ||||||||||||||[_-~) | Ibanez A.R.T. | (302) 837-1861          | 
|  (__.--.__| Kubicki Factor    |   Digitech    | Bassist For:Seven Wishes|
+-------------------------------+---------------+-------------------------+

Newsgroups: rec.music.makers.guitar
From: brenckle@scsuc.ctstateu.edu (BRENCKLE,NICHOLAS)
Subject: Making..
News-Software: VAX/VMS VNEWS 1.41    
Keywords: making, Kramer
Organization: Southern Connecticut State University - Computer Center
Date: Tue, 10 Nov 1992 16:16:00 GMT


I bought a Kramer Gorkey Park model for $150 a few months ago that I am
currently ripping apart to try and make my own. For price to parts wise
it was an excellent deal. One high distortion humbucker, Floyd Rose and
a smooth neck. The body will be scrapped as thats the part I'm making
(from a nice piece of maple) and I'll add another humbucker in a sort
of Les Paul configuration/


-Nick
BRENCKLE@SCSUC.CTSTATEU.EDU


Newsgroups: rec.music.makers.guitar
From: brad@buck.viewlogic.com (Bradford Kellogg)
Subject: alt groups you're missing (was Re: Why Do These Redundant Groups Exist?)
Originator: brad@buck
Organization: Viewlogic Systems, Inc.
Distribution: na
Date: Wed, 11 Nov 1992 20:54:16 GMT


In article <74444@hydra.gatech.EDU>, gt2619b@prism.gatech.EDU (S. Axel Medlin) writes:
|> In article <19109@ucdavis.ucdavis.edu> darsie@eecs.ucdavis.edu (Richard Darsie) writes:
|> >Subject says it. There's an alt.guitar and alt.guitar.tab. Why these?
|> >
|> >Richard
|> 
|> 
|> Some of us don't get any alt. groups.
|> 
You mean some of you don't get:
 
alt.desert.storm.its.not.scud.its.al-hussein.dammit

or 

alt.duke.basketball.sucks.sucks.sucks

or

alt.ensign.wesley.die.die.die

or

alt.music.pop.will.eat.itself.X.Y.and.Z.electrix.sunshine.mix

???

Gosh, I pity you.
Newsgroups: rec.music.makers.guitar
From: mccoy@pecan.cns.udel.edu (Don McCoy)
Subject: Re: Why Do These Redundant Groups Exist?
Organization: University of Delaware, Newark
Distribution: na
Date: Wed, 11 Nov 1992 05:39:14 GMT

darsie@eecs.ucdavis.edu (Richard Darsie) writes:
>Subject says it. There's an alt.guitar and alt.guitar.tab. Why these?
>
>Richard

Time passes.  Things change.  Prolly the charter hasn't shown
up yet at your site.  Rest easy, it will.  All will become 
clear then.

..don...                    __
                         ___\/___
Newsgroups: rec.music.makers.guitar
From: jaz@icd.ab.com (Jack A. Zucker)
Subject: PRS Standard
Organization: Allen-Bradley Company, Inc.
Date: Tue, 10 Nov 1992 15:56:01 GMT

I'm selling a PRS Standard and an American Standard TELE.
I'd be willing to accept a trade involving a Les Paul or a
MOSVALVE power amp.

-Jaz

-- 

          | Bmaj7  D7  | Gmaj7 Bb7 | Ebmaj7  | Am7  D7  |

| Jack A Zucker                              {uunet}!jaz@icd.ab.com |
| Allen-Bradley Company, Inc.                    or  ICCGCC::ZUCKER |
| 747 Alpha Drive                                                   |
| Highland Hts., OH 44143 Phone(216) 646-4668   FAX: (216) 646-4484 |
From: jkiparsk@reed.edu (Jonathan Kiparsky)
Newsgroups: rec.music.makers.guitar
Subject: Re: Korean tele question...
Date: 12 Nov 92 17:36:57 GMT
Article-I.D.: reed.1992Nov12.173657.6802
Organization: Reed College, Portland, Oregon

In article <92316.221053SRJ102@psuvm.psu.edu> SRJ102@psuvm.psu.edu (Scott Jung) writes:
>
>    Can anyone tell me whether Squier telecasters are worth anything?

If you play it, and you like it $125 worth, buy it. We can't tell you a damn 
thing about how well you'll like a particular guitar that none of us have
played- and if we could, would you really want us to pick your guitars?
-jon