From: x87bennett@gw.wmich.edu
Newsgroups: rec.humor
Subject: Monty Python "Splunge" sketch
Date: 19 Dec 92 00:42:32 EST
Organization: Western Michigan University

ANIMATION, which leads us to the 'Twentieth Century Vole' trademark.
Cut to film producer's of fice. Six writers sitting round a table with one
very impressive chair empty at the head of the table. They wait
reverently. Suddenly the door of the room flies open and Larry Saltzberg,
the film producer, walks in. The writers leap to their feet.

Larry (GRAHAM):  Good morning boys.
Writers:  Good morning sir Saltzberg.

(They run to help him into his chair.)

Larry: (sitting) Sit down! Sit down! Sit down! Sit down! Now, boys, 
I want you to know that I think you are the best six writers in movies 
today. (the writers are overcome) I want you to know that I've had an 
idea for the next movie I'm going to produce and I want you boys 
to write it.

(The writers run and kiss him.)

Writers: Thank you. Thank you.

Larry: Oh sit down! Sit down! Sit down! There'll be plenty of time for 
that later on. Now boys, here's my idea...

Third Writer (ERIC): It's great!

Larry: You like it huh? (he looks round the table)

Writers: (catching on fast) Yeah, yeah, great! Really great. Fantastic. 

(first Writer is the only one not having an orgasm about the idea)

Larry: (to first writer) Do you like it?

First Writer (MICHAEL): (thrown) Yeah! Er . . . yeah 

Larry:  (still to f rst writer) What do you like best about it?

First Writer: Oh well you haven't told us . . . what it is yet . . .

Larry: WHAT!?

First Writer: (pointing at second writer) I like what he likes.

Larry:  What do you like?

Second Writer (TERRY J): (pointing at third wnter) I like what he likes.

Third Writer: (pointing at fourth wnter) I like what he likes.

Fourth Writer (JOHN): I like what he likes (pointing atfifth wnter)

Fifth Writer (TERRY G): I just crazy about what he likes (pointing at 
sixth writer)

Larry: What do you like?

Sixth Writer (IAN DAVIDSON): I...  I...  I... agree with them.

Larry: Good! Now we're getting somewhere. Now, here's the start of the 
movie . . . I see snow! (writers applaud) White snow!

Fourth Writer: Think of the colours!

Larry: And in the snow, I see . . . a tree!

Writers: (applauding) Yes! Yes!

Larry: Wait, wait I haven't finished yet.

Third Writer: There's more?

Larry: And by this tree, gentlemen, I see... a dog!

Writers: Ole!

Larry: And gentlemen, this dog goes up to the tree, and he piddles on it.

Writers: Hallelujah!

Sixth Writer: Have we got a movie!

Fifth Writer: He tells it the way it is!

Fourth Writer: It's where it's at!

Third Writer: This is something else!

Second Writer: It's out of sight!

First Writer: (finding Larry staring at him) I like it, I like it.

Larry: (suspicious) Oh yeah?

First Writer: Yeah, yeah, I promise I like it!
Fifth Writer: Sir, I don't know how to say this but I got to be 
perfectly frank. I really and truly believe this story of yours 
is the greatest story in motion-picture history.

Larry: Get out!

Fifth: Writer What?

Larry: If there's one thing I can't stand, it's a yes-man! Get out! 
(fifth writer leaves very fast, the others go very guiet) I'll see 
you never work again. (to sixth writer) What do you think?

Sixth Writer: Well... I...

Larry: Just because I have an idea it doesn't mean it's great. It 
could belousy.

Sixth Writer: It could?

Larry: Yeah! What d'ya think?

Sixth Writer: It's lousy 
Larry: There you are, you see, he spoke his mind  He said my idea was 
lousy. It just so happens my idea isn't lousy so get out you goddam 
pinko subversive, get out! (sixth writer exits) You... (looking straight 
at John)

Fourth Writer: Well... I think it's an excellent idea.

Larry: Are you a yes-man?

Fourth Writer: No, no, no, I mean there may be things against it.

Larry: You think it's lousy, huh?

Fourth Writer: No, no, I mean it takes time.                                   

Larry: (really threatening) Are you being indecisive?

Fourth Writer: No. Yes, perhaps. (runs out)

Larry: I hope you three gentlemen aren't going to be indecisive! (they 
try to hide under the table) What the hell are you doing under that table?

First Writer: We dropped our pencils.

Larry: Pencil droppers, eh?

Writers: No, no, no, no, no!

Larry: Right. Now I want your opinion of my idea . . . (pointing at 
first writer) You...

First Writer: (quaking) Oh...
     
     (First writer looks around and then faints.)

Larry: Has he had a heart attack?

Second and Third Writers: Er...

Larry: If there's one thing I can't stand, it's people who have heart 
attacks.                                                                 

First Writer: (recovering immediately) I feel fine now.                        

Larry: Well, what do you think?

Writers: Oh! Eh! You didn't ask me you asked him. He didn't ask me, 
he asked him. No, him.

Larry: I've changed my mind. I'm asking you, the one in the middle.

Second Writer: The one in the middle?

Larry: Yes, the one in the middle. (the phone rings) Hello, yes, 
yes, yes, yes, yes, yes, Dimitri . . . (all jockey for position 
desperately trying to put the others in the middle and finish sitting 
on one chair) What the hell are you doing?

Second Writer: I'm thinking.                                                   

Larry: Get back in those seats immediately. (back to phone) Yes . . . 
(second writer is grabbed by the others and held in the middle chair; 
Larry finishes with the phone) Right you. The one in the middle, what 
do you think?

Second Writer: (panic) Er... er...

Larry: Come on!

Second Writer: Splunge.

Larry: Did he say splunge?

First and Third Wriiters: Yes.

Larry: What does splunge mean?

Second Wriiter: It means . . . it's a great-idea-but possibly-not-and-I'm-
not-being-indecisive!

Larry: Good. Right . . . (to third wnter) What do you think?

Third Writer: Er. Splunge?

Larry: OK...

First Writer: Yeah. Splunge for me too.

Larry: So all three of you think splunge, huh?

Wriiters: Yes!
Larry: Well now we're getting somewhere. No, wait. A new angle! In 
the snow, instead of the tree, I see Rock Hudson, and instead of the 
dog I see Doris Day and, gentlemen, Doris Day goes up to Rock Hudson 
and she kisses him. A love story. Intercourse Italian style. David 
Hemmings as a hippy Gestapo officer. Frontal nudity  A family picture  
A comedy. And then when Doris Day's kissed Rock Hudson she says 
something funny like . . . (looks at third writer)

Third Writer: Er . . . Good evening.

Larry: Doris Day's a comedienne, not a newsreader. Get out! (third 
writer runs) She says something funny like (looks at second writer)

Second Writer: Splunge?

Larry: That's the stupidest idea I ever heard. Get out! (second 
writer leaves) Doris Dog kisses Rock Tree and she says (looks at 
first writer)

First Writer: Er... er... er... I can't take it anymore. (runs out)

Larry: I like that! I like that, I can't take it any more, and then 
Rock Hudson says 'I'm a very rich film producer and I need a lobotomy, 
and then Doris Dog says 'I think you're very handsome and I'm going to 
take all my clothes off' and then Doris Dog turns into a yak and goes 
to the bathroom on David Lemming. No, wait, wait! (picks up phone) 
Hello, (cut to 'It's ' man film with Larry continuing voice over) 
hello, hello, who are you? You're an out-of-work writer?  Well, you're 
fired. Roll the credits. (here the credits do start to roll with Larry's 
voice continuing aver) Produced by Irving C. Saltzberg Jnr. of Irving C. 
Saltzberg Productions Ltd. and Saltzberg Art Films, Oil, Real Estate, 
Banking and Prostitution Inc.

      The credits read:

	 PRODUCED BY IRVING C. SALTZBERG JNR.
     AND IRVING C. SALTZBERG PRODUCTIONS LTD. AND
  SALTZBERG ART FILMS, OIL, REAL ESTATE, BANKING AND
	   PROSTITUTION INC. CO-PRODUCTION
  FROM AN ORIGINAL IDEA BY IRVING C. SALTZBERG JNR.
WRITTEN BY IRVING C. SALTZBERG AND IRVING C. SALTZBERG
    ADDITIONAL MATERIAL BY IRVING C. SALTZBERG AND
      GRAHAM C. CHAPMANBERG    JOHN C. CLEESEBERG
      TERRY C. JONESBERG    MICHAEL C. PALINBERG
       TERRY C. GILLIAMBERG    ERIC C. IDLEBERG
	ALSO APPEARING WAS IAN C. DAVIDSONBERG
	     CREDITS BY IRVING C. SALTZBERG

(The technical credits continue in the same style.)