HDTenEightyP/NetNews huggingface dataset:
From: akp1@quads.uchicago.edu (Adam K. Powers)
Subject: Re: Good Bluegrass CDs
Reply-To: akp1@midway.uchicago.edu
Organization: University of Chicago Computing Organizations
Date: Fri, 20 Nov 1992 20:18:08 GMT

I just picked up _The Essential Bill Monroe & His Blue Grass Boys_ double-CD
set for $20 here in Chicago.  It's part of Columbia Records' 'Country Classics'
series and is very well done w/ lots of info on the history of the band and 
the recording sessions.  The set covers 1945-49, the 'classic' Bill Monroe
years, when Lester Flatt and Earl Scruggs were in the band, and while it isn't
as uptempo as more recent bluegrass, these guys could really cook!  The
sound quality is great, considering these are 1940's recordings, and Bill's
vocals are downright stunning!  After listening to his "Blue Moon of Kentucky"
you'll forget all about Elvis Presley's version...

Also, you gotta check out the stuff that Flatt & Scruggs did in the 50's and
60's - Earl Scruggs banjo pickin' is mindboggling.  Their hit "Foggy Mountain
Breakdown" was used in the movie _Bonnie and Clyde_ and stands a classic 
of the genre.  Almost every banjo player cuts his teeth on Scruggs' style.
The last time I was at Tower Records, I remember seeing an *immense* Flatt &
Scruggs box set.  Way too much stuff for a casual listener, but maybe I'll
save up for it.  I grew up on the edge of bluegrass country in western North
Carolina (16 miles out of Burnsville, along the Cane River and up in the
holler about a mile :-) and am starting to rediscover my, uh, roots, or
something like that.  Mostly I remember that every band in that part of the
Appalachians plays a song called "Rocky Top" - I think I've heard it about
100,000 times now...
						-Adam K. Powers
						akp1@midway.uchicago.edu

P.S. Check out the rhododendrons on Roan Mountain if you're ever in eastern
Tennessee in late spring.

Newsgroups: rec.music.gdead
From: IWS%ssmic@cdfq.ssd.ray.com
Subject: RE: goodbye, too
Reply-To: IWS%ssmic@cdfq.ssd.ray.com
Organization: The Internet
Date: Thu, 19 Nov 1992 04:21:14 GMT

sjeck@isi.com writes:

| THIS IS A WHEELIE'S POST:
| 
| | (rest of article deleted)

I knew it, I just knew it!  Steve IS a wheelie!  I knew it!
And now all his posts are going to have that big heading at
top so the rest of us will know it too!  Sound the horn and
tap the tambourine, for Steve is now posting!  :-) :-) ;-).
From: BJBUR@SBBIOVM (BJ)
Newsgroups: rec.music.gdead
Subject: Joehack
Date: 17 Nov 92 15:09:05 GMT
Article-I.D.: uvaarpa.1992Nov17.150905.27074
Reply-To: BJBUR@SBBIOVM
Organization: The Internet

Joe is no different than the kid from UMass last year except obviously a bit
more creative. They can't stand to see anyone have a little fun so they feel
the need to set us right. Then, they start with the "I'm just holding up a
mirror to you guys" bit.I've seen it ALL before right up to and including the
cute little poll. We're used to this kind of thing because we are a diverse
bunch, and we STILL fall for it. I applaud the intentions of the netheads who
would try to win these kinds over as friends, but more often than not they're
just continuing their joke. I don't believe anything like that any more than I
believe the LaHonda bit. They do it for the same reason as any anonymous
vandal. Because they can. I'm afraid that there are some people that get
more pleasure in negative energy. The Net.scriptures tell us how to deal with
it. If there is random provocation, ignore it. Don't try to tell me that this
guy wouldn't be an net.impersonator or a virus.writer if he had the ability. I
regret the chronic lack of DEAD CONTENT that has driven some of our most
Deadicated nets to back off and well...   anyway, sorry for coming on as such
a tightass and adding another mile to this thread, look, I'm not even going to
talk about Diamondbacks!
Have a Happy Holiday season and please pass on my good cheer to our virtual
friends that have left the Grateful.net.

                                        BJ
From: patm@hpfcso.FC.HP.COM (Pat Murphy)
Date: Wed, 18 Nov 1992 18:32:40 GMT
Subject: Re: NEWBIES OFFER: 10/12/89 (Thanks to JBOWER!)
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.gdead

DATELINE 11/18/92

THE OFFER OF THE EAST RUTHERFORD (MEADOWLANDS) SHOW IS
OFFICIALLY CLOSED.  THANKS FOR ALL THE RESPONSES, IT
MAKES MY HEART FLUTTER THAT I AM ABLE TO SHARE THE
WEALTH AND KINDNESS OF JOHN BOWER (thanx again, jb!).

PEACE & COOKIES FOR ALL,
Patrick.

Newsgroups: rec.music.gdead
From: dblackbu@alleg.edu (Dave Blackburn)
Subject: Re: vw vans, bmw 525's, porsche 911 turbos
Organization: Allegheny College
Date: Fri, 20 Nov 1992 01:58:56 GMT

In article <Qf31tgu00WBLA6PrBe@andrew.cmu.edu>  writes:
|hey you dead heads
|
|while you guys are driving around in your vw vans living poverty and
|selling tie dyes jerry's driving a round in a BMW 535 and bob's driving
|around in Porsche 911 turbo.
|chew on that for awhile hippies.
|
|"riding that train high on cocaine"
|                                   -Jerry Garcia

The poor guys. Must be their microbuses are in the shop!!!
:-)
P. S. Flame Jennifer "Who the hell cares" Yablonsky, jy0t+@andrew.cmu.edu, for  
this wonderful prose. Jen, you got a lot to learn from Joe Hack if ya wanna  
piss us off!
So, is she a DICK or a DACK? (BTW, despite the .edu, I'm a prof. So I must be  
a DACP wich just doesn't fit as well.)
--

* Dave Blackburn  dblackbu@alleg.edu  flames to self@home.dev.null *          
* Chemistry, Macs, Hypercard, cats,  <>< religion, & the Dead      *
* (Anyone else who held these opinions would be as crazy as I am.) *
*   "Sometimes the songs that we hear are just songs of our own"   *
Newsgroups: rec.music.gdead
From: Gregory Speckhart <gspeck@bbn.com>
Subject: Change O'Address
Reply-To: gspeck@bbn.com
Organization: The Internet
Date: Mon, 23 Nov 1992 21:58:32 GMT


Pls update my email address to reflect the address on  this posting.  
I have risen to the height of a SUN (figuratively, of course).......

Greg     	|
                |
              ' * '
            ---*0*---
              ' * '
                |
                |

####################################################################
Newsgroups: rec.music.gdead
From: John Schulien   <U21187@uicvm.bitnet>
Subject: Scalper Stories
Reply-To: U21187@uicvm.bitnet
Organization: The Internet
Date: Wed, 18 Nov 1992 18:36:46 GMT

My friend Jim worked at a Rose Records for a summer. The employees
know full well who the scalpers are ... they're the ones who buy tickets
to any and every show. Anyhow, one of the scalpers offered him a free
ticket and a ride to some show. Why not? On the way, the scalper opened
his glove compartment. It was completely full of bundles of unused
tickets for past shows dating back to the beginning of the year.

"Didn't you lose a lot of money on those tickets?"

"If I can't sell 'em, I write them off on my taxes. I'm in the business
of purchasing tickets for clients. If my clients can't use the tickets,
that's a business loss."

Apparently the IRS has no problem with this.
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Women w/ the Dead
Date: 18 Nov 92 15:02:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 

DS>Newsgroups: rec.music.gdead
DS>From: dwstein@lookout.it.uswc.uswest.com (Donald Stein)
DS>Subject: Re: GD and Susan Vega
DS>Message-ID: <BxtoIG.EK7@da_vinci.it.uswc.uswest.com>
DS>Date: Mon, 16 Nov 1992 18:54:16 GMT

DS>As for other women besides Susan Vega and Donna playing with the Dead,
DS>I have seen Joan Baez and Etta James play with the Dead nat New Year's  show
DS>in Oakland.
I went to those shows too. The woman I'd most like to see sing with the
dead is Aretha Franklin. The least favorite is Donna. I haaaaaaaaaate
her.
---
 . SLMR 2.1 . I don't care what your daddy says
From: RFEATHER@macc.wisc.edu (Geoffrey Bradshaw)
Newsgroups: rec.music.gdead
Subject: Re: the music never started
Date: 23 Nov 92 00:25:50 GMT
Reply-To: RFEATHER@macc.wisc.edu
Organization: The Internet

On the theme of this rescent thread, I've got an unlabeled show from
I'd guess around 69-70, where the sound system is totally down
and various people talk to the crowd to try and keep eveybody
interested.  Phil talks for a while, then Country Joe McDonald
comes out and says something like "Us out here in the bay area
like to drop a lot of acid.  The stuff they're handin' out today
may or not be real..."  He goes on like that for a while
interjected by calls to bring up this or that mike, etc before
they get everything together and they break into a long sweet
Dark Star (followed by High Time, Good Lovin' and Truckin').
 
Can anybody ID this show, there is some great jams going on there
but unfortunately the pitch is just off enough that everybody
sounds like they're trying out for Alvin and the Chipmonks.
 
Geoff /^\
      \~/
 
 
Newsgroups: rec.music.gdead
From: tracer@carson.u.washington.edu (David P. Tracer)
Subject: Re: Grateful Dead song po
Organization: University of Washington, Seattle
Date: Thu, 19 Nov 1992 23:34:28 GMT

In article <9908@blue.cis.pitt.edu.UUCP> cdpst@cislabs.pitt.edu (Christophe D Piccolo) writes:
>In article <108.1007.uupcb@idcbbs.uu.holonet.net> dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) writes:
>>
>>DPT>This one's easy:
>>DPT>1. THE ELEVEN
>>DPT>2. THE ELEVEN
>>DPT>3. THE ELEVEN
>>DPT>-David
>>
>>Bro you need to be patient. First you have to sit through the Star and
>>Stephen before we get to the 11. What do thet go into? Death Don't Have
>>No Mercy? Lovelight seems boring since Weir has sung them.
>>---
>I agree lovelight isn't the same, occasionally Bob really nails one tho...

In my view, NONE of the Pigpen tunes are the same since other members have
started doing them: including Bobby's Smokestack and Jerry's Big Boss Man.
 But just 'cause they're not the "same" doesn't mean they're not good.  I
love most of the Pig tunes that are back in the lineup - and right now,
Lovelight is probably my favorite tune to have 'em close the show with
(love that midi saxophone!!).

	************************************************************
        *                       David P. Tracer                    *
        *                  University of Washington                *
        *                   tracer@u.washington.edu                *
        ************************************************************
        *                   Nothing's for certain,                 *
        *                   it can always go wrong                 *
        ************************************************************



Newsgroups: rec.music.gdead
From: Steve -- The Other One <sjeck@isi.com>
Subject: RE: goodbye, too
Reply-To: sjeck@isi.com
Organization: The Internet
Date: Wed, 18 Nov 1992 21:45:25 GMT


THIS IS A WHEELIE'S POST:

|From: IWS%ssmic@cdfq.ssd.ray.com
|
|soon to be former net personna Steve "Reno" "Steve-TOO" Jeck writes:
|
|| NO I AM NOT JOE HACK, I've just played him before.
|
|Does this mean that you'll keep on playing him?  Maybe you'll
|even follow in his footsteps?  As in when Joe Hack dries up
|and blows away, you will too???  I hope so :-)
|
|Phosphordottingly - Ihor

Newsgroups: rec.music.gdead
From: Steve -- The Other One <sjeck@isi.com>
Subject: Re: Set Break Tunes
Reply-To: sjeck@isi.com
Organization: The Internet
Date: Tue, 17 Nov 1992 23:07:50 GMT


NEIL DIAMOND AT SAM BOYD SILVER BOWL, LAS VEGAS NEVADA ON MAY 29, 1992!
From: SCHUBERT%MIDD.BITNET@mitvma.mit.edu
Subject: DeAd POE-t.s. SOcIEtY
Reply-To: SCHUBERT%MIDD.BITNET@mitvma.mit.edu
Organization: The Internet
Date: Mon, 23 Nov 1992 22:31:57 GMT


                    TERMINAL VOODOO
Is all this fame and fortune nothing but a dream
It seemed it was for real this time, but things arent as they seem.
I thought I knew the way out, but now the way out is dark;
I finally found my keys, but I've forgotten where we parked.
Off on down a sidestreet, Off the beaten track,
Not likely to find our car down here, We may never get back.
I thought I knew the way out, I thought, the way out is clear;
But when I start to say out, the Way Out disappears.
Cause all this fame and fortune, its nothing but a curse;
I thought it was the answer, but now bad is turning worse.
I thought I knew the way out, but now the way out is dark;
I finally found my keys, but I've forgotten where we parked.
Off on down some sidestreet, Off the beaten path.
Not likely to find our car down here, We may Never get back.
For all this fame and fortune, its nothing but a curse;
I thought it was the answer, but now bad has gone to worse,
But now bad has gone to worse.     _Obsidian Wind_c11/92
From: kmodel@cis.rand.org (Karyn Model)
Newsgroups: rec.music.gdead
Subject: Re: TICKETBASTARD STORIES WANTED
Date: 17 Nov 92 18:59:40 GMT
Reply-To: kmodel@cis.rand.org (Karyn Model)

In article <1992Nov17.181741.16810@uvaarpa.Virginia.EDU> Jim McVey <jmcvey@uunet.uu.net> writes:
>Believe it or not (ODC) I actually have a happy ticket story, although it's
>from Ticket Pro, not Ticket Master.
>
Unfortunately I have a bad Ticket Pro story...

I got thru (for the Boston '91 run) a little later -- about 11am.  Since
the Fri-Sat-Sun tix were all sold out, I ordered 4 each for Tues-Wed-Thurs.
Well, when I got my tix, they sent me 8 tix for Wed., 4 for Thurs., and
none for Tues.!  When I called them they said that there was a big delay in
the phone order-takers confirming your order and the *actual* confirmation
of the order, and so in between them telling me that I got the tix and my
*actually* getting them, Tues. sold out.  I guess it's good that they still
sent me the 8 for Weds., and I traded around and got to go to all the shows
anyway :-).  Still, I've never had this problem with other ticket places.
I have had tix for later days sell out while I was on the line getting
other days taken care of, but I had never been told that my order was
confirmed only to find out that in fact it was not -- only at Ticket Pro.

My $.02!

Karyn
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Re: Grateful Dead song po
Date: 18 Nov 92 15:02:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 


DPT>This one's easy:

DPT>1. THE ELEVEN
DPT>2. THE ELEVEN
DPT>3. THE ELEVEN

DPT>-David

Bro you need to be patient. First you have to sit through the Star and
Stephen before we get to the 11. What do thet go into? Death Don't Have
No Mercy? Lovelight seems boring since Weir has sung them.
---
 . SLMR 2.1 . Even the president sometimes has to stand naked.
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Re: Miserable netheads {)
Date: 18 Nov 92 15:02:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 


TNOD>All you get out of backstage is a free can of soda, and a clean
TNOD>bathroom with no line.

I've been backstage and they have food too. The bathroom benefit is
great though.
---
 . SLMR 2.1 . One way or another this darkness has got to give
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Bromberg and the Dead
Date: 19 Nov 92 16:27:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 

IW>Date: Wed, 18 Nov 1992 03:37:57 GMT

IW>from the GDDiscography...

IW>Demon in Disguise - David Bromberg (Columbia KC 31753) Garcia, Kreutzman,
IW>        Lesh, and Keith Godchaux play on two tracks on this 1973 release.

IW>Wanted Dead or Alive - David Bromberg (Columbia KC 32717) Kreutzman, Lesh,
IW>        Garcia, and Keith Godchaux appear on this 1974 release.  The studio
IW>        side was recorded on August 8, 1972.

IW>Out of the Blues - David Bromberg (Columbia PC 34467) this 'best of' album,
IW>        released in 1977, includes "Demon in Disguise" and "Sharon", two tra
IW>        where members of the Dead play.  Also on CD, and on cassette with a
IW>        slightly changed cover.

Bromberg played with the Dead 4-9-70 at the Fillmore West. I have a
lousy audience tape of this show. Bromber sang Cowboy Song. Deadbase V
doesn't identify him as the guest artist. I wish I was there.
---
 . SLMR 2.1 . It may not be music but it sure is fun
From: lencell@unmc.edu (Lance Encell)
Newsgroups: rec.music.gdead
Subject: Stamford, 1973
Date: 15 Nov 92 22:45:35 GMT
Reply-To: lencell@unmc.edu
Organization: The Internet

Does anyone have a sdbd or high quality recording of Stamford, CT 2/9/73??
I have part of this show, but would like a better sounding and complete
recording.  Since I'm not positive if this date is right the set list is
as follows: roll out the barrel, mexicali blues, brown-eyed woman, el paso,
here comes sunshine, playin', might as well, stir it up, peggy'o',
promised land, row jimmy, black thr. wind, deal, me & my uncle, sugaree,
llr, loose lucy, get back.  If nothing else, I'd like to know how complete
my recording is.  Help me if you can. Thanks,
lencell@molecular.unmc.edu
Newsgroups: rec.music.gdead
From: pmc@world.std.com (Patrick M Chase)
Subject: Re: nice little 80's jams
Organization: The World Public Access UNIX, Brookline, MA
Date: Tue, 24 Nov 1992 04:06:14 GMT

In article <Nov.20.01.14.43.1992.2093@klinzhai.rutgers.edu> juo@klinzhai.rutgers.edu (John Oleynick) writes:
>
>Lately I've been listening to a lot of tapes from the 80's and have
>found a few tapes where they play 3 or 4 songs into the 2nd set, and it
>sounds like they're all done and are going to leave the stage to Mickey
>and Bill, but then they go into a real nice jam out of no where.  A few

[...]

> I've really gotten to love these little jams, and having been digging
>through all my 80's tapes re-listening to them to see if I've missed
>any other gems.  Does anybody else like these, or am I just weird
>(and/or don't listen to enough 60's and 70's tapes)?  What are some
>other nice ones out there?

3/28/85, Just after the Looks Like Rain. I've always felt that it could be the
basis of an entirely new tune. It sort of appears from nowhere and trickles
into a very hot, full strength jam complete with melody and rythym (as opposed
to formless form) and then tapers back into nothingness. It's really the only
reason I hang onto that tape anymore... 3 or 4 minutes of shear ingenuity. And
like you said, it's right before the Drums and totally unrelated to the
previous song.

Anyone make any custom 7/13/84 PostScript labels for the tree?
+-------------------------------------------------------------------------+
| Patrick Chase                             InterNet: pmc@world.std.com   |
| Technical Support Specialist              UUCP: uunet!world!pmc         |
| Genzyme Corporation                       UUCP: bu.edu!world!pmc        |
| One Kendall Square                        AOL: Patrick0 (That's a ZERO!)|
| Cambridge, MA  02139-1562                 (617)252-7804 (voice & vmail) |
|    FidoNet: Patrick.Chase@f270.n101.z1.fidonet.org (or 1:101/270.2)     |
+-------------------------------------------------------------------------+
From: MAH76X@rohvm1.rohmhaas.com
Newsgroups: rec.music.gdead
Subject: Re: harvesting wind
Date: 18 Nov 92 11:44:22 GMT
Organization: Rohm and Haas Company

In article <1992Nov18.064357.22046@uvaarpa.Virginia.EDU>,
IWS%ssmic@cdfq.ssd.ray.com says:
>First you start a flame fest and now you're offering the olive branch
>of peace.  You speak with forked tongue ---<=

I think *YOU* started it Ihor, by not vetoing my nomination.  I have shown
my personality here on the net Ihor.  I've revealed it even to people like
you Ihor.  *YOU* made a bad judgment call by not raising your hand with a
vetoe when it came to nominating me.  *YOU* JUDGED ME the wrong way :-)
:-) :-).

Joe Doheny

Ps. Is my grammar and sentence structure alright Ihor? ;-) ;-) ;-)

Pps. Sorry to the rest of the net, I guess when I say I'm done fighting
     those who feel as though they CAN get a cheap shot in, go for it :-(.
Newsgroups: rec.music.gdead
From: "Tony K. Wei" (FSAC-SID) <trwei@pica.army.mil>
Subject: Re: Why a lack of minorities at shows?
Reply-To: trwei@pica.army.mil
Organization: The Internet
Date: Thu, 19 Nov 1992 15:36:55 GMT

|In article <Bxx8s2.Mu1@ra.nrl.navy.mil>, brust@i5120q.nrl.navy.mil (Joe Brust)
|writes:
||> In article <1992Nov18.070814.23330@uvaarpa.Virginia.EDU> RFEATHER@macc.
|wisc.edu writes:
||> >Somebody just noted that they see very few non-whites at shows,
||> >and wondered why.  I too have pondered over this question, and have
||> >a couple of guesses.

|When was the last time you went to a rap concert? I think the reason
|you (probably) haven't been to one recently might be the same
|reason you don't find too many non-whites at Dead shows / rock concerts
|in general. Our tastes are shaped by the sub-culture we live in and
|identify with. This is true for lots of things besides music.

||> >Lastly, this may be off base but I think there is a tendancy
||> >to lump the Dead with the southern rock sound ala the Allmans
||> >or Lynard Skinnard.  Maybe some minority people assume that
||> >the audience of the show will be a bunch a drunken rednecks
||> 
||> Now this, I'll buy.

|I think this is a bit far-fetched. I don't think too many non-whites
|even know who the Allman Bros are, let alone that they're a southern
|rock band.

||> 
||> Yes.  Now that you mention it.  I've been wondering why I see so few non-
|whites
||> at blues, r&b, and zydeco shows such as B.B. King and C.J. Chenier.
||> What's the deal?  Anyone?

|I remember reading that Jimi Hendrix was really frustrated at the
|lack of recognition he got from the black community. Maybe with blues.
|jazz, etc, its a generational thing. Just like you probably don't like
|the music your parents like, maybe this stuff isn't contemporary for people
|who are at the age that they're most likely to go to concerts. 

I do notice this and I am quite concerned about it.  Being a "non-white", Asian
to be exact, it feels a bit uncomfortable going to Allman Bros. shows and Dead
shows being the only one of two or three Asians there.  I don't understand
why.  I hate closed minded people which is why a lot of closed minded Asians,
or any other minority group, really piss me off when they learn that I'm a
Deadhead and react accordingly.  Basically, their attitude is I have no 
business being a Deadhead.  I don't look like one.  My reaction to such closed
minded ignorant idiots is "It just goes to show, you never know".  I never do
what I'm supposed to anyway.  I love seeing people's reaction when they see me
walking into a bar with a "Dead" band playing :-)  Well, there's my $.02.  If
you want to see at least one Asian at a Dead show, come to Giant Stadium or 
Madison Square Garden.  You can't miss me.  See ya soon

Tony
Newsgroups: rec.music.gdead
Subject: Re: Set Break Music
From: <MAH76X@rohvm1.rohmhaas.com>
Date: Sun, 15 Nov 1992 07:25:30 EST
Organization: Rohm and Haas Company

Before the show at Hershey Park in '85 they played Dark Side of the Moon!
Very Worthy.  I can kind of remember something about them playing "Happiness
is a Warm Gun" prior to a show.  I can't remember which, or if I was there
or read about it here :-).

Joe Doheny
From: cdpst@cislabs.pitt.edu (Christophe D Piccolo)
Newsgroups: rec.music.gdead
Subject: Re: Grateful Dead song po
Date: 19 Nov 92 17:55:10 GMT
Organization: University of Pittsburgh

In article <108.1007.uupcb@idcbbs.uu.holonet.net> dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) writes:
>
>DPT>This one's easy:
>DPT>1. THE ELEVEN
>DPT>2. THE ELEVEN
>DPT>3. THE ELEVEN
>DPT>-David
>
>Bro you need to be patient. First you have to sit through the Star and
>Stephen before we get to the 11. What do thet go into? Death Don't Have
>No Mercy? Lovelight seems boring since Weir has sung them.
>---

I agree lovelight isn't the same, occasionally Bob really nails one tho...
at other times, Death Don't could work, as well as GDTRFB, Wharf Rat, perhaps
a Peter -> Magnolia if they feel especialy enrgetic...a Dew...

"Let your mind wander, we dont enforce leash laws around here..."
Chris
Newsgroups: rec.music.gdead