HDTenEightyP/NetNews huggingface dataset:
From: mvburke@silver.ucs.indiana.edu (mary virginia burke)
Newsgroups: rec.arts.movies
Subject: Re: Best Sequels
Date: 16 Oct 92 03:51:18 GMT
Article-I.D.: usenet.Bw741J.48v
Organization: Indiana University

In <1992Oct15.223838.10100@oz.plymouth.edu> k_mullin@oz.plymouth.edu (Keith J. Mullins) writes:

> Personally, I think 'The Empire Strikes Back' and 'The Return of the Jedi'
>were the BEST sequels ever made to this day.  Any others i may have 
>forgotten?

>K-->  

Let's not forget _Aliens_, please.  And although _Evil Dead 2_ probably
doesn't count, being more of a remake, I have high hopes of _Army of
Darkness_, which will definitely be a sequel to ED2.....

Cheers--MVB

"Gotcha, didn't I, you little sucker!"--Ash
Newsgroups: rec.arts.movies
From: jespah@carson.u.washington.edu (Kathleen Hunt)
Subject: Re: A room with a view
Organization: University of Washington, Seattle
Date: Thu, 8 Oct 1992 16:58:45 GMT

In article <BvpCDG.A8K@acsu.buffalo.edu> v115p8d6@ubvmsb.cc.buffalo.edu (I have a cunning plan...) writes:
>In article <BvnzJ1.BHH@acsu.buffalo.edu>, mec@acsu.buffalo.edu (Marie E. Copertino) writes...
>> 
>>	WHO the heck did DD Lewis play in "A Room With a View" ....
>>		NOT Cecil????
>
>YES Cecil!!
>
>hard to believe, isn't it?:-)
>
>I thought he was very good in the part, especially in the scene where
>Lucy dumps him. Excellent performance there.
>
One of my favorite scenes in that movie is where Lucy is watching him
out a window, and he's out in the garden with a cup of tea.  Suddenly
he goes into this frenzy trying to swat a fly away without spilling his
tea, trying to keep his demeanour the whole time.  It's just hilarious,
and you can just see Lucy thinking "Jeez, what a geek..."

Kathleen
-- 
Halfway round the course, up spoke the noble rider:  
 "I fear we must fall back, for she's going like a tiger."
Up spoke the noble horse:  "Ride on, my noble master,
  For we're halfway round the course, and now we'll see who's faster."
Newsgroups: rec.arts.movies
From: k084118@hobbes.kzoo.edu (Pamela S. Rivers)
Subject: Sinead on SNL
Organization: Kalamazoo College
Date: Wed, 14 Oct 1992 03:49:41 GMT


In article <ed.718436302@cwis> you write:
>cb366@cleveland.Freenet.Edu (Mark B. Bendiksen) writes:

Much, much stuff deleted

>something they can understand and insult them with ad-hominem attacks.
>
>I applaud Sinead for what she did.  First of all, I think I know what
>she was getting at with the Pope-rip (Catholicism is causing death in
>her homeland, I believe and religion itself is best left behind).
>Secondly, it takes guts to do that sort of thing (for lack of a better
>term).  If she wanted attention, she could have done many worse things.
>She was making a statement that I interpretted as anti-institutionalized
>religion and anti-dogma.  I agree.
> 
>I find it sad that so many people are intolerant...but you guys have the
>right to speak too.  
> 
>I'm probably inviting flames and hate-mail for taking sides in
>this...but I found it hard to keep silent in the face of these unfair
>insults.  I think some of you need to open up a little more to the fact
>that there are things wrong in this world and to accept that some people
>care about that fact and aren't interested in your game.    
> 
>(the target is painted, take your best shots)
>...e
>
>
>>Mark B. Bendiksen
>>cb366@freenet.cwru.edu
>>-- 
>>"If we don't get some cool rules ourselves, pronto,
>> We'll just be bogus, too."-- Dr. Jeff Spicolli
>--
> ____                  


I, too, had planned to stay out of this whole discussion about Sinead and what
she did, but upon seeing this particular post, I felt I needed to say
something.  I think the problem with what Sinead did is simple.  She went on
public television, without permission of those who invited her, and made a
hateful display.  She didn't say here's a problem that we need to deal with,
she destroyed a picture of a living, breathing human being, implying a lot
more.  I'm no big fan of the pope myself, but if that isn't hateful, I don't
know what is.


Pamela Rivers			| "I want somebody to share, share the rest of
k084118@hobbes.kzoo.edu		|  my life.  Share my innermost thoughts and
                                |   my intimate details.
				|  Someone who'll understand me, and give me
				|  support."  -Somebody by depeche mode

-- 



******************************************************************************
* Pamela Rivers             |    "I want somebody who cares for me           *
* k084118@hobbes.kzoo.edu   |     passionately.  Someone who'll understand me*
-- 



******************************************************************************
From: romkey@asylum.UUCP (John Romkey)
Newsgroups: rec.arts.movies
Subject: Re: Candyman music...Philip Glass
Date: 9 Oct 92 01:04:37 GMT
Article-I.D.: asylum.467

mcohen@vax.clarku.edu writes:
>Anyway, I -swear- I saw something in the quickie credits following the 
>commercial.  "Music by Philip Glass".  I've seen the commercial twice and I'm 
>rather sure of this.  Now I am a big fan of Glass and his wonderful scores for 
>films like Koyaanisqatsi, The Thin Blue Line, etc.  But...Candyman???  Doesn't 
>fit into the artsy-film type I usually associate with the guy.

The film is based on a story by Clive Barker, who is also the executive
producer (but not director); that was probably enough to get Glass in.
-- 
	- john romkey	  ELF Communications	 romkey@ELF.com
Xref: sparky rec.arts.movies:30347 alt.cult-movies:9109
From: synth@deepthought.unm.edu (Synth F. Oberheim)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: Fav films?
Date: 15 Oct 92 18:54:36 GMT
	<1992Oct14.145728.2734@cbnewse.cb.att.com>
	<1992Oct15.114311.25546@ifi.unizh.ch> <562zrxg@rpi.edu>
Organization: SynthMedia Productions Ltd -- Now Appearing Nightly With DON HO


kimp@rs6414.ecs.rpi.edu (Phil Kim) writes:

Phil> I need to expand my video library NOW.  So if you have a list of
Phil> films (preferably 10 or less) that everyone MUST (or should) have, 
Phil> please list them here or send me an e-mail.

Totally Impromptu List of Must-Have Home Videos:

The Adventures of Buckaroo Banzai: Across the Eighth Dimension
Aliens
Big Trouble In Little China
Close Encounters of the Third Kind
Die Hard
Dr. Strangelove
The Hunt for Red October
Monty Python & the Holy Grail
Raiders of the Lost Ark
Raising Arizona
Real Genius
The Shining
Star Trek II: The Wrath of Khan
Star Wars
The Terminator
Terminator 2: Judgment Day
They Live
Tremors


===============================================================================
    :: :: :: :: ::     Synth F.    synth@deepthought.unm.edu    U S E N E T   
 :: :: :: :: :: :: ::  Oberheim    synth@yenta.alb.nm.us             in color!
===============================================================================
"We daren't follow them into the nebula, sir -- our RICH CORINTHIAN LEATHER
 would be USELESS!"
Newsgroups: rec.arts.movies
From: jm0i@ns1.cc.lehigh.edu (JOSEPH ALOYSIUS MCVEIGH)
Newsgroups: rec.arts.movies
Subject: Re: best movie titles
Date: 14 Oct 92 03:30:12 GMT
Organization: Lehigh University

dianne@dianne.NoSubdomain.NoDomain (Dianne Ferrans ) writes:
>You're going to have to sub-divide this....

Agreed, Diane.

>1.  Titles that are lyrical like poetry:

From Here to Eternity
Casablanca
The Way We Were (Title only, remember)
The Pride Of The Yankees
The Sound Of Music
Gone With The Wind
The Good, The Bad, And The Ugly
The Magnificent Seven

>2.  B-movie titles which inspire the "Aw, I GOTTA see that"

Earth Girls Are Easy
Commando
Penitentiary III
The Grafenberg Spot
Rock 'n' Roll High School
The Toxic Avenger
Reform School Girls
101 Dalmations

See what we mean? Every absolute statement can be qualified somewhat.
-- 
-------------------------------------------------------------------------------
Joseph Aloysius McVeigh | "The biggest danger is not doing it right...you only
   jm0i@.Lehigh.edu     |  get so many shots with the cream pie."
       "N.I.N.A."       |              - Doug Watts, Former Reagan Ad Director
-------------------------------------------------------------------------------
Newsgroups: rec.arts.movies
From: FHERTZBERG@finabo.abo.fi (Fredrik Hertzberg Lit)
Subject: Re: Best Sequels
Organization: Abo Akademi University, Finland
Date: Fri, 16 Oct 1992 12:43:48 GMT
X-News-Reader: VMS NEWS 1.23

In <Bw77I0.Gq@news.cso.uiuc.edu> sjs28257@uxa.cso.uiuc.edu writes:

> k_mullin@oz.plymouth.edu (Keith J. Mullins) writes:
> 
> > Personally, I think 'The Empire Strikes Back' and 'The Return of the Jedi'
> >were the BEST sequels ever made to this day.  Any others i may have 
> >forgotten?
> 
> "Aliens" (but not "Aliens^3) and "Terminator 2" are on my list.  I enjoyed
> "Phantasm II" a lot as well.

  "The Exorcist" No. 2 as well as "Rambo" 2 & 3 and "Nightmare on Elm Street"
2 & 3 and "Halloween" 2 & 3 are all better than their predecessors! Fred


> 
> Speaking of which, anyone know anything about whether there'll be a "Phantasm
> III"?
> 
> 
>                              --Steve Stelter
>                                sjs28257@uxa.cso.uiuc.edu
From: Gordon.S.Witter@dartmouth.edu (Gordon S. Witter)
Newsgroups: rec.arts.movies
Subject: Re: Who is the Playboy Centerfold in Under Siege
Date: 14 Oct 92 22:15:20 GMT
Article-I.D.: dartvax.1992Oct14.221520.11438
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a5@newshost.dartmouth.edu

In article <1992Oct14.173952.9978@brtph560.bnr.ca>
robertk@bnr.ca (Robert Kaczynski P765) writes:

> Who is the centerfold in Under Siege?  I did not see her
> name in the credits at the end of the movie.
> 
> Has she been in anything else?

Her name's Erika Eleniak (sp?).  She can be seen every week in the TV
series 'Baywatch'.  Unfortunately, if it wasn't for her, and the fact
that it's usually shown right before STTNG, the show wouldn't be worth
watching.

-dino

-----------------------------------------------------------------------
"It's not denial.  I'm just very selective about the reality I accept."

    - dino@dartmouth.edu -    (Gordon S. Witter, Dartmouth College)
-----------------------------------------------------------------------
Newsgroups: rec.arts.movies
From: d-yang@cs.columbia.edu (David Yang)
Subject: Re: "Ace in the Hole" = "The Big Carnival"???
Summary: yes
Organization: Columbia University Department of Computer Science
Date: Tue, 13 Oct 1992 15:01:24 GMT

The 2 films are indeed the same-- I've heard that the
film was originally titled Ace in the Hole, but did poorly
at the box office, so it was renamed, but this didn't help
things any.  Oh well.  And I agree, excellent movie,
with an excellent performance from Douglas.

David
From: uslave@mcl.ucsb.edu (Sir Prize!!!)
Newsgroups: rec.arts.movies
Subject: Re: Lord of the Rings
Date: 13 Oct 92 17:49:31 GMT

In <0w2JsB1w164w@cellar.org> revpk@cellar.org (Brian 'Rev P-K' Siano) writes:

>koch7243@iscsvax.uni.edu writes:

>> Hello All,
>> 
>> I have heard stories that there is a animated version of the Lord of the 
>> Rings flaoting about.  Is this true?  Is it any good?  How indepth does 
>> it take the story?  Please email me or post the info if you know.  If 
>> not thhhpppppttt! :)

>The first was the Rankin-Bass adaptation of "The Hobbit," done for 
>television, and I recall it being pretty damn good. Voices included Orson 
>Bean as Bilbo, and Richard Boone as the dragon.

Yup, _The Hobbit_ was well done.  All they did wrong was leave out Beorn.

>rotocoped to give it a nice, realistic feel. Overall, the adaptation wasd 
>done with a genuine love for the source material, and although it didn't 
 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
>really end, it wasn't as bad as it could have been. 

Uh, yeah.  That's why half the names were pronounced wrong, and the elf on the
white horse was changed from Glorfindel to Legolas (who was a Wood-Elf, didn't
have blond hair, and didn't know Aragorn), and......
I could go on forever about the crimes Bakshi committed against Tolkien.

>        Problem is, it stiffed at the box office, and Rankin-Bass decided to 
>adapt the second half of the Rings books in a TV special "The Return of the 
>King." Lots of good voices didn't make up for what had to have been one of 
>the worst adaptations conceivable, especially a horribly drippy ending. 
>(Needless to say, if you hadn't read Tolkien, the film made not one lick of 
>sense.)

Yeah, _Return of the King_ stank too.


*        *      *     *     *    *   *  *  * * ** ** *** **** ****** *********
   Jesse Chang  (Sir Prize!!!)            INTERNET:  uslave@mcl.mcl.ucsb.edu *
   "Travelling thru hyperspace ain't like dusting crops, boy!"   -- Han Solo *
*         *       *      *     *    *   *  *  * ** ** *** **** ****** ********
From: "eric walker" <eric.walker@channel1.com>
Newsgroups: rec.arts.movies
Subject: question: "the player
Date: 10 Oct 92 14:09:41 EST
Reply-To: "eric walker" <eric.walker@channel1.com>
Distribution: rec
Organization: Channel 1 Communications

MD>Who played the Ice Queen (June Gutmundsdottir, sp) in "The Player?"

     Greta Scacchi.
---
  SLMR 2.1a  Calcium Anthropology: The study of milkmen.
--
Channel 1 (R)   Cambridge, MA
From: donnell@seahorse.micro.umn.edu (Your Heinous)
Newsgroups: rec.arts.movies
Subject: Re: Bava's Hercules.
Date: 15 Oct 92 21:35:51 GMT
Organization: none

>Having just spent money on a supposed copy of "Hercules In The Haunted World",
>that turned out to be the inferior "Hercules against The Moon Men", I am
>presented with a problem.
>
>I know Sinister Cinema has the film I want, but I can't afford to spend
>quite that much. Perhaps there is a kind sould with an extra copy of
>"Herc. in the Haunted World" who could see trading for "Moonmen"?
>Or someone who would buy "Moonmen" for $5 and Postage, which would
>then allow me to just buy the film from Sinister.
>
>Reg Park Rules!
>
>					--Judex--
>
>Speak to me, O mighty Kibo.
>
From: braca2@cspyr1.cs.adfa.oz.au (BRAY CHRISTOPHER)
Newsgroups: rec.arts.movies
Subject: Re: "Stranger In A Strange Land" To Be Filmed
Date: 12 Oct 92 10:09:23 GMT
Organization: Australian Defence Force Academy, Canberra, Australia

burt@aupair.cs.athabascau.ca (Burt Voorhees) writes:

>otto@jybox.jyu.fi (Otto J. Makela) writes:

>  Or, on the other side, how about Nickelson for Jubel and Tim Robbins for
>MVS?

I could handle Tim, and think he could be way cool, to coin a phrase.
Nickelson for Jubel,
'Turn that Goddam Noise box off.'

I can see it, :)

|-|()()|<
From: scholl@uvmark.uucp (Kathryn Scholl)
Newsgroups: rec.arts.movies
Subject: Re: What's the plot of the Manchurian candidate?
Date: 13 Oct 92 12:58:18 GMT
Article-I.D.: uvmark.1992Oct13.125818.52873
Organization: Vmark Software, Inc.

In article <67625@cup.portal.com> Harv@cup.portal.com (Harv R Laser) writes:
>
>It was re-released a couple years ago after not having been seen
>in public for a couple decades (Frank Sinatra was sitting on it,
>believe it or not, but that's another story).


Please...tell it!


-- 
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 Kathryn Scholl  -- Above text reflects opinions of the author, not VMark --
 Vmark Software, Inc., 30 Speen Street, Framingham, MA  01701, USA
 Internet: uvmark!scholl@merk.com, UUCP: uunet!merk.com!uvmark!scholl
Newsgroups: rec.arts.movies
From: rorschak@daimi.aau.dk (Jesper Lauridsen)
Subject: Luxury! The movie *I* saw was bad
Organization: Exile Government of Bramming
Date: Thu, 15 Oct 92 14:15:27 GMT

  Forget about Plan 9 From Outer Space or Headless Eyes or any of the
other high quality movies that you have seen. There is a movie that
is lightyears ahead of anything you can throw at it. And that movie
is Herbert Acternbuschs masterpiece:

                           Das Gespenst

  Probably the first, last and only Bavarian Jesus movie ever to be set
in Bavaria 1982. The "plot" is that a Jesus figure comes to life and 
descends from the cross in a small Bavarian monestary. Jesus and one
of the nuns the goes forth into the world. 

  The highlight of the movie is a 15 minutes long scene with two police
men each trying to fill a small glass with shit. They fail and end up
shooting eachother. When I write 15 minutes long I mean 15 minutes with
no cuts or camaramovements! 

  This movie caused Herbert Achternbusch to lose his government support,
an unfair decision IMHO - he should have been shot for making this piece
of utter dreck. 

  40% of the paying audience to this screening left during it (accurate
figure, I was so bored that I counted them). Most shocking part of this
experience was that after a movie I heard a Jens Joergen Thorsen (Danish
director of similar quality) exclaim "pissego' film, mand" ("one hell of
a movie"). 

  Hell indeed.
-- 
Jesper Lauridsen        | Je ne suis pas un voyou
rorschak@daimi.aau.dk   | Je suis Monsieur Hire
From: bjbartlett@miavx1.acs.muohio.edu (I'm not really a doctor...)
Newsgroups: rec.arts.movies
Subject: Re: Another SNEAKERS question
Date: 8 Oct 92 07:40:13 GMT
Article-I.D.: miavx1.1992Oct8.124013.13419
Organization: Miami University Academic Computer Service"

In article <1992Oct7.222306.11891@panix.com>, schuster@panix.com (Michael Schuster) writes:
> In article <1992Oct7.143436.29978@lamont.ldgo.columbia.edu> stclair@ldgo.columbia.edu (moanna stclair) writes:
>>I just saw SNEAKERS this past weekend and have a question:
>>
>>In the scene when Marty Bishop decides that the name of 
>>the black box stands for something else and he was playing
>>around with the letters what phrase did he spell before 
>>he came to "TOO MANY SECRETS"  I did not have my glasses 
>>on and neither did my pal, so we missed it.  All we know
>>is that it got a big laugh.
> 
> COOTY RAT SEMEN

 You're missing an "S".  How about SOCRATES TOY MEN?
Newsgroups: rec.arts.movies
From: greg@ctpm.uq.oz.au (Greg Hall)
Subject: Re: DIE HARD MUSIC QUESTION--PLEASE!!
Organization: Centre for Language Teaching and Research, Uni of Queensland, AUSTRALIA.
Date: 14 Oct 92 23:21:43 GMT

dbrod@eng.clemson.edu (Douglas Brod) writes:

>In article 5083@constellation.ecn.uoknor.edu, gmcmanus@reepicheep.gcn.uoknor.edu (Gary McManus) writes:
>>Can anybody tell me the name of the music at the end of DIE HARD (the 
>>first one) which begins at the playing of the credits--not the Christmas
>>music.  It sounds like the chorus from one of Beethoven's Symphonies (#9
>>or #5 perhaps).  The origins of this music has been eluding me for
>>awhile.  Thanks in advance.
>>
>>Gary McManus

>I'm not sure or the answer to that one, but I was watching a rented copy of "Die Hard" this weekend and I noticed something interesting.  In the last scene, when McClain and his wife are standing outside of the building and the last terrorist pops up and Powell shoots him, the music that is being played is "Resolution and Hyperspace", the last track on the "Aliens" soundtrack by James Horner.  I first heard this two years ago when DH played on network TV and thought it was a possible editing maneuver




>e part of the networks.  But this weekend my suspicions were confirmed.  So now I have this question:  does anyone know anything about this?  Did the studio put the track in, or did Michael Kamen decide to rip off somebody else?  Did they need music in a rush?  What's the story?

>Doug Brod
>dbrod@eng.clemson.edu
>  

I've checked the credits of DH and James Horner (composer of the Aliens
soundtrack) does not get a mention. Two interesting points: this track
does NOT appear in its entirity in Aliens (only the last quiet
section appears) and of course both DH and Aliens are 20th Century
Fox films so its not really surprising to see it used again. I just
can't work out why JH doesn't get credit for it.


--
Greg Hall                            |  "Kitchens! Kitchens! Kitchens!"
Centre for Tropical Pest Management  |    - Commercial Crimestoppers   
greg@ctpm.uq.oz.au                   |      on 'The Late Show'
Newsgroups: rec.arts.movies
From: hafner@ifi.unizh.ch (Michel Hafner)
Subject: Re: Reuse of Music in Film Trailers (was: Danny Elfman)
Organization: University of Zurich, Department of Computer Science
Date: Thu, 15 Oct 92 11:26:07 GMT

In article <1254@ozz.oasis.icl.co.uk> dvp@getafix (Dave Parry) writes:
>BTW, anyone know what music they used in the trailer for 'Revolution'?
>The film and the soundtrack were turkeys IMHO, but the trailer, with
>THAT music, was great (again IMHO).

Mark Isham: Vapour Drawings  ( found that out myself a few days ago! )
								M.H.
Newsgroups: rec.arts.movies,rec.games.trivia
From: niche@ssd.intel.com (Dominic Allori)
Subject: Re: Insects on film
Organization: Supercomputer Systems Division, Intel Corp.
Date: Fri, 9 Oct 1992 23:09:00 GMT

In article <1b1ccuINNnqi@uakari.primate.wisc.edu> hamel@uakari.primate.wisc.edu (Ray Hamel) writes:
>
>	I'm trying to compile a list of films in which insects play
>an important role.  Some I have already discovered are:
>
>	THEM!, THE DEADLY BEES, THE SWARM, CREEPSHOW, THE NAKED
>	JUNGLE (ants), PINOCCHIO (Jiminmy Cricket), BEGINNING OF THE
>	END (giant grasshoppers), THE DEADLY MANTIS, MYSTERIOUS ISLAND
>	(giant bumblebee), PANIC AT LAKEWOOD MANOR/ANTS, THE HELLSTROM
>	CHRONICLE, ALICE IN WONDERLAND (caterpillar).
>
>	There is also a British film about a colony of super-intelligent
>	ants, the title of which is eluding me.
>
>	Please do not include films about spiders -- they are not insects.
>
>	Send your suggestions via e-mail to hamel@primate.wisc.edu.  I
>will summarize and post in the near future.
>
>Ray Hamel
>University of Wisconsin

 Another Movie is Squirm.  It's about a bunch of worms killing people
From: hseung@anat3d1.anatomy.upenn.edu (Hyunsuk Seung)
Newsgroups: rec.arts.movies
Subject: _Brazil_, the European cut.
Date: 14 Oct 92 04:05:28 GMT
Distribution: na
Organization: University of Pennsylvania


I managed to see the European cut of _Brazil_ shown at New York City
over the weekend, which was shown only for three days, and thought I
might share the experience with those who have missed it.
   First of all, the quality of the print itself was less than
perfect.  The colors were dull, the film had scratches, and suffered
rough cuts in some scenes.  Fortunately, it was sharp enough to allow
tiny letters in numerous posters & documents to be legible (which were
hilariously funny; I have a list actually), and the aspect ratio was a
bit wider than the one used on the video.  It was not in the
traditional letterbox ratio, though.  After all, the movie had a
certain "vertical" feeling in most of its scenery.
   The merit of European cut should go to its powerfully moving
ending, IMHO; especially Sam's humming of the song "Brazil" without
the cloud.  I've heard about the European cut's ending before seeing
it myself, but such magnitude of seriousness and sadness was not
anticipated.
   The general story line, as was discussed previously by others on
the net, is no less different from the U.S. theatrical version, but
numerous extra footages, both long and short (the "bedroom frolicking
which explains the sudden loss of Jill's hair" scene was not in this
version), and the handling of the ending more than made up the film's
poor print quality.
   In short, I really look forward to the Criterion release of the
European cut.  If anyone has any information regarding its release
date and where I could purchase it, please let me know.  I need some
information.
   BTW, I noticed that most of the music scores used in the movie are
actually variations of "Brazil."  In fact, one of the most creative
variations I've noticed in the movie was "EREIAM J.H." in Deputy
Minister's lift.

Hyunsuk Seung
hseung@anat3d1.anatomy.upenn.edu
Newsgroups: rec.arts.movies