HDTenEightyP/NetNews huggingface dataset:
From: phz@cadence.com (Pete Zakel)
Subject: Re: other women who have played with the band
Organization: Cadence Design Systems
Date: Thu, 19 Nov 1992 05:05:44 GMT

In article <1992Nov16.183456.23266@head-cfa.harvard.edu> eskridge@head-cfa.harvard.edu (Paul Eskridge) writes:
>
>have my attributions correct).  Joan Baez also sang with the Dead for a number of 
>shows in late 1981, including the 12/30 and 12/31 shows.

Also Maria Muldaur in set III of 31 Dec 1983 (although I couldn't hear her in
the mix, she was up there -- as well as Rich Danko).

Also, Flora Purim added her voice (and Airto added some percussion) during
drums in one of the Greek Theatre shows in Berkeley sometime in the eighties.
Unfortunately Deadbase VI doesn't have that information -- but I'm pretty sure
it was in the range of 1981 through 1984.

It was a very spacy drums, and the Flora's voice is pretty unmistakable, so
anyone with Greek tapes from that period should be able to ID the date (I'd
like to annotate my DB VI with the info -- so please post it if you know, or
at least email me -- aTdHvAaNnKcSe).

-Pete Zakel
 (phz@cadence.com or ..!uunet!cadence!phz)

The Pig, if I am not mistaken,
Gives us ham and pork and Bacon.
Let others think his heart is big,
I think it stupid of the Pig.
Newsgroups: rec.music.gdead
From: GLADSTONE@csmcmvax.bitnet
Subject: WARNING... Possibly offensive material en re Berkely nudity.  NO ODC
Reply-To: GLADSTONE@csmcmvax.bitnet
Organization: The Internet
Date: Mon, 16 Nov 1992 02:25:50 GMT

        It sounds to me like Herr Chancellor Chang-Lin Tien has a very small
d**c, since he feels so threatened by otherwise legal nudity...
Penis envy does occur in males from time to time.
Flames to dev.nul.yourself.
This guy sounds like someone who would have been quite at home passing out
ammo to the murders ot Tien An Mien Square...

Just one anarchists opinion.  ;-)
P.Ss.
If she if Female, please disreguard this post.
Gladstone>   < Mr. Politically Uncorrect >
Newsgroups: rec.music.gdead
From: rebop@well.sf.ca.us (Bob Ulius)
Subject: New Tapebase Program...Shareware
Keywords: tapes, labels, shareware, database
Organization: Whole Earth 'Lectronic Link
Date: Mon, 23 Nov 1992 20:31:34 GMT



 
 I recently tried cosmos' Reels 2.2 program, and although I thought it
 had great features and was extremely well done, it lacked several
 features that I would like to see. Consequently, I have just finished
 writing my first application!
 
 This is a Windows application that runs under a database program called
 "Approach" which is neccessary for it to run. I am investigating
 licensing a runtime version of Approach, but if that proves impossible,
 you would need Approach to run my program. It sells on the street for
 about $249, but currently has a competitive upgrade of $149. Any
 database will suffice to qualify for this upgrade.
 
 What my program will do is foremost, allow you to enter the data for
 any set ONCE, including where the tape flip occurs, and print
 beautifully formatted Cassette Labels AND RDAT Labels! Additonally, you
 can print a complete tapelist,including all data and song list per set,
 also formatted, or an ascii only list for bbs upload. The database
 holds information on any and all Artists, not just GD, and allows you
 to search and group in many different ways.
 
 Any data can be searched on and kept as a group of records for printing
 of labels or lists. These searches include: Artist, Date, Venue,
 Quality of Tape, Cassettes Only, RDATS Only, All Tapes, City, State or
 tapes including any song which can be searched by only enetering the
 first few letters of the song.  Additionally, you are provided with a
 screen including a repeating panel that will scroll through all of your
 tapes allowing you to instantly go to any show that you select from the
 list. All of these functions including searches, printing, sorting, etc
 are provided on Windows Type Buttons.
 
 Sound interesting to anyone? If so I would be happy to provide it as
 Shareware with a charge of $29.95! All I would need towrite would be
 instructions for use for the product to be ready to market.
 
 Perhaps the Deadbase folks would like to consider a version that would
 include all shows and to be sold as a binary version of Deadbase?
 
 Also, I could use a name for the program, should you have any
 suggestions.  And if anyone out there has Approach already and would
 like to beta test a copy for me, please let me know.
 
 I will be very interested to see the level of interest in this.
 
email rebop@well.sf.ca.us only, please as I infrequently check in here.


v
-- 
           ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~
           - Bob Ulius |  rebop@well.sf.ca.us   |  (415) 383-1350  -
           ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Nak 400
Date: 18 Nov 92 15:02:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 


JB>I saw a very very nice used NAK 400 tape deck at a stereo store the other
JB>day, and was wondering who had any sort of experience with this model. It
JB>seems like a very very high-end deck (although about 5-10 years old) and it
JB>in very good shape (Im taking a scope and test tape down there in the next f
JB> days)

Never used it but my warning is to call Nak in Torrance and be sure you
can get parts. Nak stopped making parts for many of the older decks. I
wish you luck.
---
 . SLMR 2.1 . Next time you see me, things won't be the same.
                                                                                           
Newsgroups: rec.music.gdead
From: MAH2033@tntech.bitnet
Subject: Chain Tapes
Reply-To: MAH2033@tntech.bitnet
Organization: The Internet
Date: Mon, 16 Nov 1992 13:55:12 GMT

Hey all,
        I had this idea while driving through Kentucky....  We could do a
chain tape where one person (me) will send out a tape, the first person to
recieve the tape will record his or her favorite tune, and send the tape to
the next person.  The original sender of the tapes could collect them in the
end and distribute copies (by whatever method agreed upon be it trading or
sending blanks).  Only about 6 people will fit on a 90 minute tape, so if
there is enough interest we could do more than one (That is, if anyone is
interested at all).  If you want to give this a shot, e-mail me and put as
the subject "Unbroken Chain."
WHEEEEEEEEEEEEEEEEEEEE.... NO BRAKES!!!!!!
        Mark
Organization: Freshman, Art, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.gdead
Date: Mon, 23 Nov 1992 13:15:24 -0500 
From: Steven Ray Shaw <ssa6+@andrew.cmu.edu>
Subject: Wall Of Sound

Does any one out in netland know what tour(s) the wall of sound was used
on, and or any good tapes that have it? For all I know I may have one
and not even know it.

Steve  
Newsgroups: rec.music.gdead
From: Jeff Althoff <jeff@max.physics.sunysb.edu>
Subject: Dillard's/Compton paranoia
Reply-To: jeff@max.physics.sunysb.edu
Organization: The Internet
Date: Thu, 19 Nov 1992 21:02:28 GMT

Hi Everyone, 
Well, I might as well be among the first to give in:

Has anyone who ordered tickets for Compton Terrace from
Dillard's received them yet? 

I'm leaving town on Sunday and I'm trying to figure out
how to set things up...

Jeff A.
--------------------------------------------
Jeff Althoff    jeff@insti.physics.sunysb.edu

Newsgroups: rec.music.gdead
From: tracer@carson.u.washington.edu (David P. Tracer)
Subject: Re: Grateful Dead song poll
Organization: University of Washington, Seattle
Date: Mon, 16 Nov 1992 20:06:39 GMT

>>Top three "other" revivals (instrumentals, Phil tunes :), etc...) 

This one's easy:

1. THE ELEVEN
2. THE ELEVEN
3. THE ELEVEN

-David
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Dead Attorney?
Date: 18 Nov 92 15:02:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 

I'm in the bay area and I know many good attorneys. The guy I'm mainly
thinking of does not like the dead but he is a hippee and real cool guy.
When was you accident? Real important as statute of limitations may
apply.
---
 . SLMR 2.1 . Wait a minute, wait a minute
                                                                                                                      
Newsgroups: rec.music.gdead
From: dudasj@rs6220.ecs.rpi.edu (Joel Schostok Dudas)
Subject: Re: Bob sings the Star Spangled Banner
Organization: Rensselaer Polytechnic Institute, Troy, NY
Date: Tue, 17 Nov 1992 00:38:44 GMT

In article <lstein-161192153150@maca509.mv.us.adobe.com> lstein@adobe.com (Larry Stein) writes:
>In article <1992Nov16.221557.26517@grouper.mkt.csd.harris.com>,
>gaile@grouper.mkt.csd.harris.com (Gail Edwards) wrote:
>> 
>> In article <1e8v76INNami@agate.berkeley.edu> berger@dewey.soe.berkeley.edu (Daniel Berger) writes:
>> >FYI...
>> >
>> >At Saturday night's Warriors game vrs Portland, Bob Weir sang the Star
>> >Spangled Banner!  This was preceeded by Donn Nelson, Sarunas Marciulionus,
>> 
>> Too much!  High notes and all?
>
>      That must have been unreal.  The Star Spangled Banner is very
>      difficult to sing.  I just can't imagine Our Boy Bob (tm) singing
>      this, not with his limited vocal range.
>
>      But I'll give him a lot of credit for having the balls to do so!
>
>      --larry 

Did he start goin' off towards the end of the song like
he does on Estimated (NAAAAAAAAAH!!  Ah NAAAAH!)
or do one of his Good Lovin'-esque vocal raps?
Joe D.
dudasj@rpi.edu
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Stanford
Date: 18 Nov 92 15:02:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 


JL>|Does anyone have a sdbd or high quality recording of Stamford, CT 2/9/73??

I have a 3rd gen soundboard.
---
 . SLMR 2.1 . It hurts me too
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish)
Newsgroups: rec.music.gdead
Subject: Hi
Date: 18 Nov 92 15:02:00 GMT
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish)
Organization: IDC BBS - Alameda, CA - 510-865-7115

Howdy, I am Dario and I am new to this conference. Several of you know
me from Rime and several know my tapes. I'm into taping as you can
guess. I have several thousand tapes and many non-dead tapes.

I've been seeing the dead for about 25 years. I have no clue of my first
show. I saw the boys in NYC until 8-1-73 which was my last east coast
show. I then moved to the Bay Area which is where I live.

So glad to meet you folks and I'm glad to be here.

See you folks in Oakland.
---
 . SLMR 2.1 . Writing 'What For? accross the morning sky
                                                                                                  
Newsgroups: rec.music.gdead
From: lstein@adobe.com (Larry Stein)
Subject: Re: Bob sings the Star Spangled Banner
Followup-To: rec.music.gdead
Organization: Adobe Systems
Date: Mon, 16 Nov 1992 23:35:52 GMT

In article <1992Nov16.221557.26517@grouper.mkt.csd.harris.com>,
gaile@grouper.mkt.csd.harris.com (Gail Edwards) wrote:
> 
> In article <1e8v76INNami@agate.berkeley.edu> berger@dewey.soe.berkeley.edu (Daniel Berger) writes:
> >FYI...
> >
> >At Saturday night's Warriors game vrs Portland, Bob Weir sang the Star
> >Spangled Banner!  This was preceeded by Donn Nelson, Sarunas Marciulionus,
> 
> Too much!  High notes and all?

      That must have been unreal.  The Star Spangled Banner is very
      difficult to sing.  I just can't imagine Our Boy Bob (tm) singing
      this, not with his limited vocal range.

      But I'll give him a lot of credit for having the balls to do so!

      --larry
From: fish@clubzen.fidonet.org (Rob Fish)
Newsgroups: rec.music.gdead
Subject: Oakland Tix Arrive!
Date: Mon, 16 Nov 92 12:59:34 PST
Organization: Club Zen BBS - (Clan Zen Relay Network) Mountain View, CA

They're here.  I ordered 12/11 & 12/12, 2 for each show.
Friday's are peach-colored (#s 2745 & 46); Sat's are light
green (#s 2857 & 8).  Note with tix just has standard Oakland
info (e.g. no camping, overnight parking, or vending, etc.).

------------------------------------------------------------------------------
Rob Fish -> (fish@clubzen.fidonet.org)
Newsgroups: rec.music.gdead
From: max@hitl.washington.edu (Max Minkoff)
Subject: Re: Songs during breaks
Organization: /home/max/.organization
	<1992Nov15.040251.19612@u.washington.edu>
Date: Mon, 16 Nov 1992 00:46:42 GMT


In article <1992Nov15.040251.19612@u.washington.edu> tracer@carson.u.washington.edu (David P. Tracer) writes:

   In article <1992Nov14.144957.13354@athena.mit.edu> hbh@athena.mit.edu (Heidi Hammel) writes:
   >
   >Does anybody want to share any other stories about favorite (or
   >worst) pre-, during, or post-show music at Dead concerts (anybody
   >else remember the concert that they were playing Wizard of Oz tunes
   >for our post-show listening pleasure!?!)?

   Reading this thread, I was just thinking about this show.  Wasn't it after
   the second night at the Palace of Auburn Hills?  

   And they didn't play just any Wizard of Oz tune - they played a bit of the
   pre-tune dialogue and then that wonderful song, "If I Only Had a Brain"!!

Hmmm, I think I remember this also, though.  Could it have been Mardi
Gras '92?  Maybe they did it several times on the spring tour?

Max
Newsgroups: rec.music.gdead
From: tjdalton@athena.mit.edu (Transitive NightFall of Diamonds)
Subject: Re: Lost Sailor revival
Followup-To: alt.flame
Organization: Massachusetts Institute of Technology
Date: Thu, 19 Nov 1992 15:21:19 GMT

In article <14179@cis.rand.org> kmodel@cis.rand.org (Karyn Model) writes:

>Well now, I've gotten back a couple of "definitely not's" and a couple of
>"hey, yeah, I thought so too's".  So -- could someone *pleeeeeeeeeeeeeease*
>post a set list (this one's post-DB VI) so I can go about figuring out
>exactly which alternate reality (or NOT!) I was in last Spring?  That's
>3-12-92 Nassau Coliseum, folks.

There was no Lost Sailor revival.  

Thursday, March 12th, 1992, Nassau Coliseum, Uniondale, NY - with Bruce

 I: Greatest Story Ever Told, Bertha, Walkin' Blues, Stagger Lee,
    BIODTL, Tom Thumb's Blues, Tennessee Jed,  Promised Land.

II: Saint of Circumstance, Ship of Fools, Corina -> Playin' Reprise ->
    DRUMS -> Space-> The Other One-> Stella Blue -> Sugar Magnolia.

    E: Baby Blue.

Saint of Circ. was revived in Paris in 1990.  And kept in the
rotation wit an appearance in Oakland in Dec. 1990...And bobby's been
doing it ever since....

	Tim
---
Timothy J. Dalton                                   tjdalton@mit.edu
MIT, Dept. of Chemical Engineering, Materials Etching Technology Lab
           The wheel is turning and you can't slow down
From: tomas@leland.Stanford.EDU (Thomas J. Monica)
Newsgroups: rec.music.gdead
Subject: Re: I'm waiting...
Date: 17 Nov 92 01:37:37 GMT
Organization: DSG, Stanford University, CA 94305, USA

In article <1992Nov16.221628.16810@uvaarpa.Virginia.EDU> sjeck@isi.com writes:
>
>eskridge@head-cfa.havard.edu asks:
>
>|What does Joe Hack have to teach us?  Cynicism?  Self-hatred?  The need to
>|drag others down in order to validate ourselves?  No thanks.  So, to Joe
>|Doheny, I disagree.  And to Joe Hack, you have my sympathy.
>
>i think it was Soren Kierkegaard that said,
>"anything less than a self examined life is unworth living."


Well actually it was old Socrates. 'course them buddists say
"the unlived life is not worth reflecting upon"

Nor is JH IMHO.


"Better a Socrates dissatisfied than a pig satisfied" Plato


Hey as long as we're throwing quotes, how's this alteration of Lin Yutang:
"Every Deadhead is a Confucian when he suceeds and a Taoist when he fails"

I like it! :-)


OAKLAND! YES!

t

>
>why do you react so to Joe Hack?  why do you judge him so harshly?
>
>NO I AM NOT JOE HACK, I've just played him before.
>
>Steve-TOO
>
>
>


-- 
Porpise: run, bike, swim, make cookies


"long distance runner, what you holding out for?"
From: lb04@ns1.cc.lehigh.edu (Laura Bassi)
Newsgroups: rec.music.gdead
Subject: >>Question<<
Date: 18 Nov 92 21:29:02 GMT
Organization: Lehigh University

hey now people,
 did i post this twice??
 well, see how much i want to know!

 the question:  is it legal to sell a ticket for face value or less than face
 value or can you only sell it for like 2 bucks legally?
 this is the story i'm told
 i figure it's bullshit.
 fill me in, oh knowledgable ones & ticketholders read the back of your tix!
 help me settle this dispute...
 pearled whees and whirrled peas,
 laura
From: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 
Newsgroups: rec.music.gdead
Subject: Etta James
Date: 18 Nov 92 15:02:00 GMT
Distribution: world
Organization: IDC BBS - Alameda, CA - 510-865-7115
Reply-To: dario.wolfish@idcbbs.uu.holonet.net (Dario Wolfish) 

JR>Etta James 12/31/82, set III

I went to those shows in Oak. I have boards of both as well. Great. The
Tower of Power Horns were groovy also.


JR>Don't forget Janis Joplin!!!! 1969, check yer Deadbase. (mine's not here).

and 1970. I have boards of both shows.
---
 . SLMR 2.1 . May require a change that hasn't come before
                                                         
Newsgroups: rec.music.gdead
From: phz@cadence.com (Pete Zakel)
Subject: Re: questions
Organization: Cadence Design Systems
Date: Tue, 17 Nov 1992 02:36:09 GMT

In article <1992Nov2.234300.5238@cheshire.oxy.edu> achilles@cheshire.oxy.edu (Gregory Jonathan Williams) writes:
>2)I mailed off my Dec.11 ticket request today, and I was wondering what 
>the average turn-around time is.  I've never gotten tickets thru GDTS
>before, so when should I expect that nice little registered mail envelope
>(assuming of course, I'm lucky enough to actually get the tickets in the first
>place...)

I requested Dec. 11 & 13 and got my tickets (non-registered normal mail) on
Friday, 13 Nov. (Friday the 13th is usually one of my luckier days!).

From this I assume people should be getting their Series I tickets this week
(my ticket serial numbers were in the 3000 range for Sunday and the 4000 range
for Friday).  I assume they'll send out all of Series I before filling Series
II, but I didn't order any Series II so I don't know for sure.

ObDeadSighting:  I sing in my wife's church choir, and in last Sunday's
sermon, the Pastor mentioned Mickey Hart's recording of the gospel choir in
San Quentin (mentioning Mickey Hart by name, and that he was a percussionist
for the Grateful Dead).  A very pleasant surprise (and I've already ordered
the recording from GDM -- hope it comes quick, I'm looking forward to hearing
it).

-Pete Zakel
 (phz@cadence.com or ..!uunet!cadence!phz)

You've been leading a dog's life.  Stay off the furniture.
Newsgroups: rec.music.gdead
From: ra@asuvax.eas.asu.edu (Starcap'n Ra)
Subject: Re: Tempe drinking establishments
Organization: Tempe
Date: Mon, 16 Nov 1992 21:04:57 GMT

kmalmber@ub.d.umn.edu (kenneth malmberg) writes:
> Coming along way for the Compton Terrace shows...are there any microbreweries
> in Tempe.  How about pool halls, or friendly neighborhood pubs?

     Bandersnatch is the microbrewery.  The friendly
neighborhood pub is Casey Moore's, where you may
have the pleasure of drinking with Starcap'n Ra.

     Actually you're all very much in luck, as the
Tempe Fall Festival of the Arts, one of the biggest
and best arts/crafts/music fairs in the country,
will be held in Tempe the same weekend the Dead
will be here.  All of downtown Mill Avenue and two
or three blocks to either side will be blocked off
and occupied by artisans and street musicians.
Bakra Bata (sp?) from Seattle will be in the street
somewhere, among others.

     The fair runs all day Friday, Saturday, and 
Sunday.  Since the Dead shows pretty much kill
Saturday and Sunday, you all should try and get
here by Friday morning if you can.

--Starcap'n Ra       {ames,gatech,husc6,rutgers}!ncar!noao!asuvax!kennedy
                        {allegra,decvax,ihnp4,oddjob}--^
                                          ^---------------The Wrong Choice
                             internet: kennedy@asuvax.asu.edu

Newsgroups: rec.music.gdead
From: dblackbu@alleg.edu (Dave Blackburn)
Subject: Re: vw vans, bmw 525's, porsche 911 turbos
Organization: Allegheny College
Date: Sat, 21 Nov 1992 22:38:54 GMT

In article <lstein-201192123641@maca504.mv.us.adobe.com> lstein@adobe.com  
(Larry Stein) writes:
|> 
|> 
|        Well, you're close.  Jerry drives a 750iL (black, of course)
|        and has also been spotted in a white Mazda Miata.
|
Whoo! Jerry in a Miata! No wonder he had to lose some weight!  :-)
--

* Dave Blackburn  dblackbu@alleg.edu  flames to self@home.dev.null *          
* Chemistry, Macs, Hypercard, cats,  <>< religion, & the Dead      *
* (Anyone else who held these opinions would be as crazy as I am.) *
*   "Sometimes the songs that we hear are just songs of our own"   *
From: mark@isis.Berkeley.EDU (mark kraitchman)
Newsgroups: rec.music.gdead
Subject: Re: Women on stage w/the Dead
Date: 19 Nov 1992 16:07:44 GMT
Organization: University of California, Bezerkeley
NNTP-Posting-Host: isis.berkeley.edu

Wahoo5!

In article <SOWA.92Nov18205327@netcom.com> sowa@netcom.com (Erik Sowa) writes:
>>>>>> "Steve" == Steve Harris <steveha@sco.COM> writes:

>Steve> Has Flora Purim been on stage with the Drums,

>Yes, several times. The first time I can remember without checking
>printed references was one of the 12/80 Long Beach shows.

The first time I can remember seeing Flora (and Airto) on stage with
the Dead was 12/30/78 at Pauley Pavillion.




-- 
mark [can't revoke your soul for tryin] kraitchman
*	Internet: mark@isis.Berkeley.EDU         *
* UUCP:{ucbvax,uunet}!isis.Berkeley.EDU!mark   	 *
*	BITNET: mark%isis.berkeley.edu@ucbjade	 *
Newsgroups: rec.music.gdead
From: gw214790@LANCE.ColoState.Edu (Galen Watts)
Subject: Re: Wall Of Sound
Date: Tue, 24 Nov 1992 01:39:35 GMT
Organization: Colorado State U. Engineering College

In article <Mf4Fyw200Uh_A4omds@andrew.cmu.edu> Steven Ray Shaw <ssa6+@andrew.cmu.edu> writes:
>Does any one out in netland know what tour(s) the wall of sound was used
>on, and or any good tapes that have it? For all I know I may have one
>and not even know it.
>Steve  

My info says the Wall of Sound went on tour in early '73 and was retired at
Winterland in Oct '74.  It took 20 hours to set up (as compared to 4-6 hours
today) and required at least two hours to test it and find all the blown 
speakers from the last show.  Pieces of it were used after the '75 touring lull
but most of it got cannibalized or given to lesser known Bay area bands.

I had the pleasure of hearing this system in Denver in '74.  It was truly
amazing, even compared to today's sound.  ( My First show!)

Steal Your Face was recorded by miking small parts of the array in Oct '74.
I had the chance to speak to Bill Wolfe, who did the recording and now mixes
Tony Rice, an dhe said the album does not do the system justice.  He said it 
may have been impossible to get a good recording of the Wall of Sound because
of the size of the system.

Something like 15 semi's and two separate scaffolding sets.

Ah, the good old daze.