HDTenEightyP/NetNews huggingface dataset:
From: chrisley@oxford.ac.uk (Ronald L Chrisley)
Newsgroups: alt.music.progressive
Subject: Prog rock items for sale (and a few other things)
Date: 29 Sep 92 12:06:13 GMT
Organization: soon: School of Cognitive & Computing Sciences, Univ. of Sussex


OK, here's my latest offering.  I'm willing to trade and deal, so make
an offer. Postage included is *airmail*.


===
Asia|Who Will Stop The Rain (UK single; 2 non-album tracks)|$12 ppd

Oldfield, Mike|Sentinel (UK 3 track single, all non-album)|$12 ppd

Sky|Sky 2 (UK; *complete* double album + history booklet; over 79
minutes long!)|$22 ppd.

Stewart, Al|24 Carrots/Indian Summer (UK; At Last! Over 60 mins long;
lyrics/notes)|$22 ppd

Asia|Crime Of The Heart/Who Will Stop The Rain (UK promo single; still
in shrinkwrap)|$7 ppd

ELP|Black Moon (Euro single; includes great non-album track & remix of
title track)|$12 ppd

Triangulus| With Bjorn J:son Lindh (great Swedish symphonic music;
1986; missing booklet)|$10 ppd

Waters, Roger|What God Wants, Part I (UK single; includes video
version)|$7 ppd

Wigwam|Being (Best Finnish Prog Band; rare)|$21 ppd

Wigwam|Fairy Port (Best Finnish Prog Band; 2 LP on 1 CD; rare)|$25 ppd

Soundtrack|Rocketeer (picture CD; missing booklet)|$5.50 ppd

Bankstatement|Bankstatement (Tony Banks fron Genesis; missing
booklet)|$5 ppd

FGTH/Rutherford, Paul|Oh World (considered by many to be the best of
the post-Frankie albums)|$12 ppd

Spinal Tap|The Majesty Of Rock (UK Digipak single with interview &
lyrics)|$7 ppd

They Might Be Giants|Istanbul (Euro single; 2 bonus tracks)|$7 ppd

Parsons/Freudiana|Freudiana (Euro single; 4 tracks; includes single
edit)|$7 ppd

Genesis|Many Too Many (UK single, includes 2 great non-album
tracks)|$6 ppd|7"

Genesis|Your Own Special Way (UK single, includes non-album track)|$6
ppd|7"

Stewart, Al|Russians & Americans (Euro version, with two tracks not on
US version)|$20 ppd|LP

Stewart, Al|The Best Of (rare 1981 German LP; features some tracks
from 1967 & 1969)|$15 ppd|LP

Samla Mannas Manna|Maltid (Swedish Prog; 1973; includes bonus
tracks)|$21 ppd

Samla Mammas Manna|Snorungarnas Symfoni (Swedish Prog; like Gentle
Giant meets early Zappa?; 1976; very rare)|$12 ppd|LP

Kansas/Steve Walsh|Schemer-Dreamer|$20|LP

Trettioariga Kriget|Krigssang|$25 ppd


Plus many more that you've seen here before...  Just ask for a list.

Ron
--
Ronald L. Chrisley
School of Cognitive & Computing Sciences, University of Sussex
Falmer, Brighton, BN1 9QH, UK
NOTE:  I will have no email access between Sept 4th and Sep 20th...
Newsgroups: alt.music.progressive
From: mkj@sup.stollmann.de (Michael Joehnk)
Subject: Re: Eloy Recommendations
Date: Mon, 28 Sep 92 17:15:48 GMT
Organization: Stollmann GmbH, D-2000 Hamburg 50, Germany

mikebo@i88.isc.com (Michael Borowiec) writes:

>In article <xd7nkvd@Stollmann.DE> mkj@sup.stollmann.de (Michael Joehnk) writes:
>>jeff@tessi.com (Jeff Hemmerling) writes:
>>
>>I am surprised that somebody is interested in Eloy outside Germany, in
>>my opinion they do this very old-fashioned, pseudo-dramatic bombast rock
>>with lyrics that are in English but pronounced with a strong German accent.
>>I have sold most of the records.
>>
>>Michael mj@stollmann.de

>But I *LIKE* it... Matter of fact, I would like to start a new News group:
>alt.music.very.old-fashioned.pseudo-dramatic.bombast.rock!

That's a really nice idea. And a good joke as well. Thanks for making me
smile.:-)

>Seriously tho... How can you try to pigeonhole a group with a catalogue as
>extensive and diverse as Eloy? Lots of "progressive" rock is bombastic if

Sometimes polemics is groovie. But to be seriously, I think they are not
as diverse as you might suggest.

>what you mean is: sometimes overbearing and solemn music that takes itself
>too seriously... Groups like Floyd, Genesis, Yes, ELP, Kansas and most of
>the groups discussed here have some output that falls into this catagory.

That's quite right.

>Frankly, I'm surprised Eloy haven't gotton more exposure outside Germany.
>I discovered them quite by accident and really like them...

Anybody is free to like each imaginable band, my words do not originate
from any dogma, and I liked Eloy very much, but just 15 years ago, and
my taste has changed over time.

>- Mike

dito


-----------------------------------------------------------
Michael Joehnk                    email: mj@stollmann.de			
c/o Stollmann GmbH                voice: +49-40-890 88 358
Gasstrasse 18                     fax:   +49-40-890 88 444
2000 Hamburg 50/ Germany

"To assume means to make an ass of u and me..." (Th.Harris)
------------------------------------------------------------
From: jaeger@buphy.bu.edu (Gregg Jaeger)
Newsgroups: alt.music.progressive
Subject: sinead o'connor; I'm confused!
Date: 4 Oct 92 18:24:49 GMT
Organization: Boston University Physics Department

I realize that this is not directly related to what most here would
consider progressive music, but I have to ask whether anyone reading
this has any idea what the heck Sinead O'Connor was trying to say/do
on Saturday Night Live last night. She was singing some song ostensibly
about universal human rights and which ended with statements about
youth having to fight and being confident of the victory of good over
evil -- okay so far so good -- then there is a close-up of hear tearing
up a picture of the Pope when she says (not sings) ``fight the _real
evil_''. I figured, OK, she's Irish and pro-Protestant (i.e. presumably
protestant), but then I noticed she was wearing a _mogen David_. 
Could anyone out there give me some idea of where she was coming from
and what the point of her performance was supposed to be?

Thanks,

Gregg


-- 
-----------------------------------------------------------------------------
Gregg Jaeger    (jaeger@buphy.bu.edu)     | Tristero?   ______/|/|  Treestero?
Dept(s). of Physics (and Philosophy)      ------------    (_) \|\|  Trystero?
Boston University, 590 Commonwealth Ave.,Boston MA 02215 --------------------- 
Newsgroups: alt.music.progressive
From: etmmato@andromeda.ericsson.se (Marcel van Tongeren)
Subject: Re: IQ live at the Marquee, London next Saturday (10th Oct)!
Organization: Ericsson Telecom, Stockholm, Sweden
Date: Fri, 2 Oct 1992 06:43:45 GMT

In article <CHRISLEY.92Oct1154635@black.oxford.ac.uk> chrisley@oxford.ac.uk (Ronald L Chrisley) writes:
>
>FYI:
>
>IQ will be playing at the venue and date mentioned in the subject line.
>
>They are also playing in Rotheram *this* Saturday (3rd).
>
>See ya there ;)
>
>Ron
>
>Ignore my .sig, it's out of date...
>--
>Ronald L. Chrisley
>School of Cognitive & Computing Sciences, University of Sussex
>Falmer, Brighton, BN1 9QH, UK
>NOTE:  I will have no email access between Sept 4th and Sep 20th...

Great that they are still alive, let us know if they play any new songs.
Its almost a year ago that I saw them in Amsterdam, hope they are comming
to Holland soon, do you have any info on other dates ?

Marcel.
Xref: sparky alt.music.progressive:2832 rec.music.newage:3411
From: craigs@pyrdc.UUCP (craig)
Newsgroups: alt.music.progressive,rec.music.newage
Subject: i/e Magazine
Keywords: progressive newage magazine
Date: 2 Oct 92 16:50:12 GMT
Article-I.D.: pyrdc.9822
Organization: Pyramid Technology, Government Systems

For those of you  that are not geting you literary fill from reading
the 'Net, there is a new magazine devoted to progressive (as defined
by the charter of the alt.music.progressive newgroup) and new age music.
It is called "i./e." and a US subscription runs $10.00 for four issues.
For further info, write:

Think Tank Tomes
2300 N. Yucca
Chandler, AZ 85224

(602) 821-1061

I just looked thru the one sample issue and saw such articles as "It's
OK to like Marillion". The contributing editors are or were involved
with Tower Records' PULSE! magazine, specifically the Contemporary
Instrumental / New Age columns.

No affiliation with the above mentioned magazines.

Regards,

Craig Shipley

      -m------- Craig Shipley	aka: craigs@pyrdc.va.pyramid.com
    ---mmm----- Pyramid Technology Corporation 
  -----mmmmm--- 10010 Junction Dr. Suite 112
-------mmmmmmm- Annapolis Junction, MD 20701   	 (301) 725-5705

  Opinions expressed here, if any, are my own and not Pyramid's.

-- 

Regards,

Craig Shipley

      -m------- Craig Shipley	aka: craigs@pyrdc.va.pyramid.com
    ---mmm----- Pyramid Technology Corporation 
  -----mmmmm--- 10010 Junction Dr. Suite 112
-------mmmmmmm- Annapolis Junction, MD 20701   	 (301) 725-5705

  Opinions expressed here, if any, are my own and not Pyramid's.
From: tedr@athena.cs.uga.edu (Ted Kalivoda)
Newsgroups: alt.music.progressive
Subject: Helpo
Date: 1 Oct 92 21:55:46 GMT
Organization: University of Georgia, Athens

Could some kind soul help me get in touch with an old friend of mine from
BuckWheat Zydeco.  I need to get in touch with V as soon as possible.

Please send their booking number or just their new address.

Thanks,

======================================================
 Teddy Kalivoda  ------------> tedr@athena.cs.uga.edu 
   University of GA Computing & Network Services       
     Inst.of Higher Education, UGA, Athens, Georgia               
=====================================================                                                                          
	"The sleep of reason gives rise to monsters"
				        (Goya, Caprichos)
Newsgroups: alt.music.progressive
From: rost@rgb.dec.com (My name is Brian Rost)
Subject: Re: Family (was: Re: Caravan and other Canterbury requests)
Organization: Digital Equipment Corporation
Date: 29 SEP 92 09:38:57    


In article <e3zC02YN23Wm01@JUTS.ccc.amdahl.com>, ptt00@duts.ccc.amdahl.com (  179  Peter Thelen) writes...
>For years I've had three Family albums, got them when they were new.
>These are "Fearless", "Anyway", and "Bandstand". I know they had several
>others before those three, and a couple more after.
>To my ears "Fearless" is a classic, "Anyway" is merely OK, and "Bandstand"
>falls in between. What other albums by them are worth checking out ?
> 
>By the way, very few people probably realize that Family was the band
>that produced John Wetton, before Crimson, before UK, before Asia.

They had a string of bassists:  first Ric Grech, then John Weider (both doubled
on violin), then Wetton and mumble, mumble (forget!).  Wetton is only on
Fearless and Bandstand.

Discography:

Music in a Doll's House (Reprise)
Family Entertainment (Reprise)
A Song For Me (Reprise)
Old Songs, New Songs (compilation of above three, UK only) (Reprise)
Anyway (United Artists)
Fearless (United Artists)
Bandstand (United Artists)
It's Only A Movie (United Artists)
Best of Family (another compilation, UK only) (Reprise)

My recommendations:

Fearless, Doll's House, Entertainment and Song, in that order.

					Brian Rost @rgb.enet.dec.com

					508-568-6115

	****************************************************
	*						   *
	*  The above does not reflect the opinions of	   *
	*  my employer.					   *
	*						   *
	*  If music is outlawed, only outlaws will be      *	   
	*  musicians.					   *
	*						   *
	****************************************************

Newsgroups: alt.music.progressive
From: emp1@crux1.cit.cornell.edu (Ernest M. Paik)
Subject: Re: Anyone seen John Zorn
Keywords: John Zorn
Organization: Cornell Information Technologies
Date:  4 Oct 92 01:38:02 GMT

ballj@pell4l20 (Jamie Ball) writes:

>	I am looking for information about John Zorn who did "The Music of  
>Ennnio Morricone," and "Ornette Coleman," and "Naked City

John Zorn...ah...let's see.  For one thing, he's an excellent saxophone player (and clarinet and game calls), composer, arranger, and producer.  He's influenced by Japanese culture (he visits Japan every so often), cartoon music, and hardcore music (he loves Napalm Death).  He dabbles in a little of everything (jazz, blues, classical) and is one of the most innovative composers I know of.

Music-wise, I have his contributions with Anton Fier's The Golden Palominos, "Naked City", "Spillane", and "Spy Vs. Spy".  "Naked City" is my favorite, with many schizophrenic songs that portray the dark side of New York city...the styles change quickly and violently...it's a fun album to play REALLY LOUD.
I wouldn't suggest "Spy Vs. Spy" unless you REALLY like John Zorn or you REALLY like Ornette Coleman...it's a difficult album to listen to.

Gotta go...hope this helped.
From: labuski@emavr01.rtp.dg.com (Frank Labuski)
Newsgroups: alt.music.progressive
Subject: PAT METHENY
Date: 29 Sep 92 14:51:22 GMT
Reply-To: labuski@emavr01.rtp.dg.com (Frank Labuski)
Organization: Data General Corporation, Research Triangle Park, NC

Does anyone know who is in the band that is currently touring with Pat
Metheny?????  He'll be in Boston, MA 11/20.  Thanks.
From: aki+@cs.cmu.edu (Yoshiaki Ohshima)
Newsgroups: alt.music.progressive
Subject: Ollie Halsall (Re: Patto)
Summary: Simply put, I like Ollie Halsall.
Keywords: Ollie Halsall, Mike Patto, Boxer, Tempest, Allan Holdsworth
Date: 28 Sep 92 18:36:22 GMT
Organization: School of Computer Science, Carnegie Mellon

>After the band broke up, Halsall and Patto went their own ways for a bit, then
>reunited in a band called Boxer whose recordings I never heard. Mike Patto also

I'm a big fan of Ollie Halsall!! And I find music by those guys very
original. Mike Patto's voice brings some pathos into the lyrics--he
sounds a bit sad even at the loudest moment, that's what I meant--and
Ollie's guitar work is creative. I recognize this Patto/Halsall thing 
started out as part of Kevin Ayers thread, but if there's anyone who has 
missed Ollie's aggression, I would recommend you to check out Tempest's 
second album, "Living in Fear"

As far as I know, Boxer left three LP's:

	Below the Belt
	Bloodlettin'
	Absolutely

All of them are very good, and Patto and Halsall are found in the
first two. "Waiting for a Miracle" in theirs is the same song with
a different arrangement from the one in "Living in Fear". (Frankly,
I'm not sure Boxer that recorded "Absolutely" are the same group that
produced the other two. I must check out the credits. "Absolutely"
is also a very compelling listening. Tim Bogert played the bass
for this album!)

Lastly, it is known that Allan Hosldsworth played the guitar for the
Tempest's first "Gorgon", and Ollie did the second, "Living in Fear"
and there's nothing inclusively involved these two incredible guitarists
in the recording. However, for a short period of time right after the
release of "Gorgon", they played together on stage and I have a tape
(not with me currently, it's in my storage in Tokyo..) from a radio 
show in which Ollie and Allan did intense guitar battle all the way 
along. Oh, in August's Goldmine, I noticed someone was advertizing
a CD that includes two Tempest albums, which was pressed in Japan...

P.S. It was in late 1970s that I heard Mike Patto died of lung cancer in 
his 40s, BTW. Would anyone who knows kindly correct my memory, if I'm
mistaken?


							--aki
From: wombat@claris.com (Scott Lindsey)
Newsgroups: alt.music.progressive
Subject: No, "Sky" (was Re: Sky?  No, Skyy.)
Date: 2 Oct 92 02:53:17 GMT
Organization: Claris Corporation, Vancouver WA
Wombat: yes
Number: 53540

In article <1acqbaINNa7d@male.EBay.Sun.COM>, gra@groon.EBay.Sun.COM (Greg Aranda - 'Confusion will be my epitaph') writes:
> 
> In article 9111@vax.oxford.ac.uk, nelson@vax.oxford.ac.uk () writes:
> > In article <1992Sep28.065317.1102@muddcs.claremont.edu>,
> > jstimson@jarthur.claremont.edu (John Stimson) writes:
> > > 
> > > While at a record swap today, I found three records by a band called Sky, 
> > > this seemed to be a completely different band - had vocals...
> > >
> > There are brief vocals on exactly one Sky track, on "The Great Balloon Race".
> > I suspect there is indeed another "Sky".
> >  
> > > Are these two different bands?  Where can I find a recording of the former?
> 
>   There is a non-related, non-progressive band called Skyy (double 'y').  
>   Could this be the other band whose records you saw at the swap? 

There was another Sky that issued an LP in 1970 semi-titled _Don't Hold Back_.
I.e., the title only appeared on the record label, sort of like Gabriel's
_(Security)_. The record (US) is on RCA LSP-4467.  The four members listed
were Doug Fieger, John Coury, Rob Stawinski, Bob Greenfield.  I remember seeing
it listed in some catalog or another with a cross reference to a newer, more
popular band, but I can't remember who it was.

No relation to the John Williams, Francis Monkman... Sky, musically or otherwise.

--
Scott Lindsey <wombat@claris.com>
Newsgroups: alt.music.progressive
From: jeff@tessi.com (Jeff Hemmerling)
Subject: Gabriel's Passion
Organization: Test Systems Strategies, Inc., Beaverton, Oregon
Date: Sun, 4 Oct 1992 07:15:41 GMT

jstimson@jarthur.claremont.edu (John Stimson) writes:

>I was listening to Gabriel's "Passion" CD, and I noticed intermittent static
>on the right channel.  Has anyone else heard this problem, or was I listening
>to a defective disc?  The static is really obnoxious - you'd think the 
>mixing or recording people would notice something like that!

I've listened to my copy to death and never noticed any static.
Get a new copy.

-- 
-- Jeff Hemmerling <jeff@tessi.com>
-----------------------------------
Xref: sparky alt.music.progressive:2787 alt.music.alternative:11722
From: mascdb@gdr.bath.ac.uk (C D Burdorf)
Newsgroups: alt.music.progressive,alt.music.alternative
Subject: Sugar live in London
Date: 30 Sep 92 16:30:49 GMT
Organization: University of Bath, UK

Sugar kicked some major ass at the Town & Country club in London
on sunday night.  The show was sold out and we were packed in like
sardines.  It was incredibly hot and stuffy, but the band just
jammed.  Bob Mould is one intense bastard!  The show was
like a 90 minute sonic blast.  Major stress releiving experience.
Hail Mould and company!  They delivered.
Newsgroups: alt.music.progressive
From: marwood@csri.toronto.edu (Simon J. Marwood)
Subject: Asia Aqua in Canada (was Re: ELP NEW ALBUM)
Organization: CSRI, University of Toronto
Date: 4 Oct 92 18:09:26 GMT

In article <1992Oct02.135636.21979@bmerh85.bnr.ca> reaume@bmerh962.bnr.ca (Andy Reaume) writes:
>
>#3) Anyone in Canada can tell me where I can pick up the new ASIA CD?

Asia Aqua has still not been released in Canada, and a check at the HMV
Superstore on Yonge Street reveals that they still have no date for it.
However, it is available on Japanese, UK, and US import now.

Simon

-- 
-------------------------------------------------------------------------------
Simon Marwood		 | "Is this the train to Desert Moon?" was all she said
marwood@csri.toronto.edu | But I knew I'd heard that stranger's voice before...
-------------------------------------------------------------------------------
From: valeu@hpsdde.sdd.hp.com (John Valeu)
Newsgroups: alt.music.progressive
Subject: ELP in concert
Date: 6 Oct 1992 15:14:58 -0700
Organization: Hewlett Packard, San Diego Division
NNTP-Posting-Host: hpsdde.sdd.hp.com

I wanted to respond to a note that was posted during ELPs last
tour.  I attended the show here in San Diego (in late August)
and thought that it was great (nothing like the old ELP, but 
hey - we're all getting a little older, slower in reflex and not
as quick as we were say 15-20 years ago...).  The biggest thing
for me was to watch their faces (they were having a great time
and were as loose as I'd ever seen them).

Anyway, I have a friend who has gotten a hold of a couple of 
videos of two shows from the last tour (Live in Jones Beach and
Live in New Hampshire).  Both shows are excellent (tape a little
grainy) and musically are better than the show I saw here.  

Someone had written in and said that they were disappointed with
Carl Palmer's lack of electronic percussion implements (something
about being limited to a Snare Trigger on a Tamborine).  While he
did have that, I wondered how CP got all of those other sounds (chime,
timpani, blocks).  In the video I noticed that he had triggers on
ALL of his mounted toms and some sort of midi-ed pads over the floor
toms (he used these for the chimes during Pix at an Exhibition).

Please don't ask me for information on where to get copies or if
I can get copies, he wouldn't do more than show them to me.  I did
see a copy of Goldmine magazine so I figured he probably found them
in there.

Personally, I would recommend the Jones Beach video over the other
one I saw - in case someone else has the opportunity to get a hold 
of one of these.....


Newsgroups: alt.music.progressive
From: mikebo@i88.isc.com (Michael Borowiec)
Subject: Re: Genesis: The Horizons Debacle
Organization: INTERACTIVE Systems Corporation, Naperville, IL
Date: Wed, 30 Sep 1992 04:03:49 GMT

In article <1992Sep29.181923.10955@dartvax.dartmouth.edu> Ryan.J.Victor@dartmouth.edu (Ryan J. Victor) writes:
... stuff deleted ...
>Unfortunately, I got screwed. Hackett's "Horizons" was not even
>on the disc as advertised, its spot being taken by the first half of
>"Epping Forest" But it was the recording itself that really
>disappointed me. The sound was good in parts but overall it tended to
>get muffled a lot. There were no stories told in the recording and it
>seemed that they were editied out. Lastly, and most grotesquely, the
>end of Supper's Ready was faded out before the last ten seconds of the
>song could be heard eliminating the usually magnificent crossfade of
>the end of the song with the crowd's cheers. What a massive bummer. 

Yes, bootlegs can be a massive bummer... I've bought my share of bad
Genesis boots. I have the same boot, but on vinyl... I don't believe
Epping Forest was cut in half, but it does have a glitch in there...
must have been in the master... what a drag. Anyhow, the quality on
this particular show is pretty bad, but typical of a boot.

I know that one of the King Biscuit shows was a Live at the Rainbow
of the '74 Selling England tour - quality excellent! Typical of the
BBC! This is not the whole show, but does have a tremendous version
of Supper's Ready! Listen to this one back to back with the first
live album and you have quite a long 73/74 vintage show. There is
also a Best of the BBC of the Lamb concert - but not the whole thing.
Enuf to give you a taste. NO title cut... NO Broadway Melody of 1974.
Oh well... nothings perfect. (-8
- Mike

--------------------------------------------------------------------------
Michael Borowiec  (N9EUZ)  -  mikebo@isc.com  -  mikebo@timesink.chi.il.us
INTERACTIVE Systems Corp. - 1901 N. Naper Blvd. - Naperville, IL 60563 USA
A Kodak Company  -  Telephone: 708-505-9100 ext. 229  -  FAX: 708-505-9133
--------------------------------------------------------------------------
Newsgroups: alt.music.progressive
From: ken@bnf.com (Ken Bibb)
Subject: Re: lyrics: KING CRIMSON
Organization: Byte & Floppy Computers
Date: Sun, 27 Sep 1992 16:26:36 GMT

In <Sep25.215626.52075@yuma.ACNS.ColoState.EDU> mk568652@longs.LANCE.ColoState.EDU (Mitchell Kotler) writes:


>Could someone please send me the lyrics to "Epitaph"?

>Thanks.
>Mitch.


They are available on ftp.uwp.edu (the lyrics server).  If I recall
correctly, they are in the directory /pub/music/lyrics/files/king.crimson

--
ken@bnf.com
-- 
ken@bnf.com		"Lady Nina, where did all the romance go?"
Newsgroups: alt.music.progressive
From: piscine@rs1.tcs.tulane.edu (henry bart)
Subject: New Jade Warrior
Nntp-Posting-Host-[nntpd-26188]: rs1.tcs.tulane.edu
Organization: Tulane University, New Orleans, LA
Date: Sat, 26 Sep 1992 12:48:45 GMT

Awhile back, someone mentioned Jade Warrior...

-=> Now someone told me there was yet another JW album after _Horizen_
-=> titled _At Peace_. Does anyone know anything about this one ?
-=> Anyone ever heard it ? Anyone know where I can get a copy ?"

I showed this question of a friend and here's his reply, FWIW. I respect his 
musical opinion, for what that's worth, as well.

PS> I have 'Horizen', and figured the band died with guitarist Tony
PS> Duhig. I wasn't aware of either of the later releases, and can't
PS> imagine JW without Dughig. 'Horizen' wasn't too good, either, so
PS> I'm pretty skeptical about these later albums.

Mike Taylor -=- piscine@rs1.tcs.tulane.edu

Newsgroups: alt.music.progressive