HDTenEightyP/NetNews huggingface dataset:
From: atzachar@unix.amherst.edu (Aladdin)
Subject: Re: Sheryl Lee: I Love You to Death?
Organization: Amherst College
X-Newsreader: TIN [version 1.1 PL6]
Date: Wed, 11 Nov 1992 07:10:52 GMT

Betsy Brett (bbrett@morgan.ucs.mun.ca) wrote:
> 
> Along the same lines, now that I think of it, who was Lara Flynn-Boyle
> in DEAD POETS SOCIETY???  She played Donna on Twin Peaks (the series,
> not the movie.)  I also have this film, but have not spotted her in it.
> 
> -Betsy Brett-
> bbrett@morgan.ucs.mun.ca

Lara Flynn-Boyle appears in DPS for only a few seconds because most of her
part ended up on the cutting room floor.  I believe that she plays the
younger sister of the girl with whom the DPS guy falls in love.  Not sure,
as it has been a while.

	--Ala"ddi"n

From: cn@otter.hpl.hp.com (Colin Needham)
Date: Thu, 5 Nov 1992 12:34:23 GMT
Subject: LIST: Dead (A-Ce), Part 1 of 5
Organization: Hewlett-Packard Laboratories, Bristol, UK.
From: imran@panix.com (Imran Anwar)
Subject: Re: Script Programs for Mac: Collaborator etc.  Where to get them?????
Date: Fri, 6 Nov 1992 03:48:49 GMT
Distribution: usa
Organization: Information & Media Resources, Affiliations, Networks

Ala[ddi]n,

Thanks for the info, I downloaded the Collaborator demo from Compuserve today

Any idea where one can get info on the other programs you mnetion eg Final 
Draft [was that used to write "Back Draft" ;-) ?

Imran

Xref: sparky rec.arts.movies:32300 alt.cult-movies:10105
From: bchurch@oucsace.cs.ohiou.edu (Robert Church)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: Christmas Movies
Date: 7 Nov 92 06:48:47 GMT
Distribution: usa
Organization: Ohio University School of Art. Athens

In article <1992Nov7.033651.9250@magnus.acs.ohio-state.edu> mritchie@magnus.acs.ohio-state.edu (Michael S Ritchie) writes:
>Who would I like to see play Scrooge?
>Denholm Elliot (who just died last month--he played the sly
>butler in Trading Places) or Richard Pryor (imagine Pryor
>in Scrooged instead of Bill Murray!) or Jonathan Pryce.
>--Michael

I have a hard time picturing anyone else doing Scrooge after seeing George
C. Scotts version. He was great. I liked the way the movie showed his 
younger years. It showed his evolution into a Scrooge rather than the more
simplistic versions where he always seemed that way.


-- 
*********************************************
*    bob church                             *
*    bchurch@oucsace.cs.ohiou.edu           *
*    D-8195 NFS #27                         *
From: kristinw@cc.usu.edu
Newsgroups: rec.arts.movies
Subject: Re: Jurassic Park
Date: 11 Nov 92 22:43:22 MDT
Organization: Utah State University

In article <ufaustus.721001056@mcl>, ufaustus@mcl.ucsb.edu (Mark Bergem) writes:
> 
>  I am really looking forward to this movie, if it's anything like the book.(of  course it won't be, so I don't know whyI'm getting my hopes up.) Does anyone    know when the release date will be...?
> 
> 
> 
> 			Dr Faustus
> 

I AM ALSO LOOKING FORWARD TO THIS MOVIE.  I KNOW THAT FILMING STARTED IN AUGUST
AND IT SHOULD BE RELEASED IN THE SPRING.  SORRY, I DON'T HAVE EXACT DATES!!!
	
DID YOU LIKE THE BOOK???  MICHAEL CHRICHTON (IS THAT HOW YOU SPELL IT??) IS A
GREAT AUTHOR.  HIS BOOK "SPHERE" WAS REALLY GOOD AND I'D RECCOMEND IT AND "THE
ADROMEDA STRAIN" TO EVERYONE!!

HAVE A GREAT DAY!!!!
		 	KRISTINW

PS  DID YOU KNOW THAT STEPHEN SPIELBURG IS DIRECTING "JURASSIC PARK"?
From: garretso@oac.hsc.uth.tmc.edu (Leon T. Garretson)
Newsgroups: rec.arts.movies
Subject: Re: My opinion of Under Siege(possible spoiler)
Date: 12 Nov 1992 20:17:09 GMT
Organization: UT Health Science Center Houston

In article <1992Nov12.192919.9498@mcs.anl.gov> chuck@cygnus.eid.anl.gov writes:
>In article 1du7nlINN3qc@eagle.natinst.com, darrenl@natinst.com (Darren Lilie) writes:
>> Another thing which bothered me is that how did Segal know exactly how
>> much time to "cook" the "homemade bomb" that he put in the microwave.
>> I mean that the buzzer happen to go off right before the bomb exploded and
>> there happen to be several of the terrorists in the room at the time.
>
>Easy, Segal turned the lights off by turning off the *circuit breaker*. When the
>bad guys turned the breaker back on, both the lights and the microwave started.
>Obviously the amount of time to microwave a bomb is covered in Special Forces
>Cooking 101.

	And another thing. After a while I began to wonder about the
	body count. Way more peopled were offed while onboard than
	actually arrived there by helicopter! Guess this little detail
	woulda kept the movie down to about 30 minutes.

-- 
 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 + Self-denial is merely the indulgence          garretso@oac.hsc.uth.tmc.edu +
 + of a propensity to forego.                    Leon T. Garretson            +
 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Xref: sparky rec.arts.movies:32290 alt.cult-movies:10094
From: maxc1104@ucselx.sdsu.edu (Avoid normal situations.)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: Michael Mann, John Woo, Clint Eastwood
Summary: Definitions
Keywords: everybody makes me barf
Date: 7 Nov 92 04:26:58 GMT
Article-I.D.: ucselx.1992Nov7.042658.16488
Organization: The Special Corps

In article <0eydaeK00iV3I2B2gA@andrew.cmu.edu> Daniel Read <dr3u+@andrew.cmu.edu> writes:
>I say:
>
>I cited Citizen Kane because it is the paradigmatic example of a "great
>film", at least in North America and England.  It has attained that

  Huh? "Paradigmatic example of a 'great film'"?

  [ other stuff about _Citizen Kane_ and _A Better Tomorrow_ deleted ]


>Second, I don't think innovative technique is enough to make a film (or
>any piece of art) a masterpiece.  It is not the technology, but the way
>it is used.  Now I don't have a good theory of aesthetics, but I will
>suggest that technique and theme must be organically related in order to
>create great art.  CITIZEN KANE's technique, for example, is intimately
>related to one theme of the film -- the fact that the private worlds of
>public figures can never be known.  (I think this is what makes Pauline
>Kael call it shallow.  Interestingly, Borges called CK a "labyrinth
>without a center"  -- and this tremendous insight was intended as a
>CRITICISM).  If BRINGING UP BABY had been made like CITIZEN KANE it
>wouldn't be a masterpiece (and vice versa).  
>

  Gentlemen, I'm confused. How exactly are we defining "masterpiece"
and "great art" here?

							Love & kisses,

						The Stainless Steel Moviegoer

						"If thought can corrupt 
						language, then language can
						corrupt thought."
							-- George Orwell
Newsgroups: rec.arts.movies
From: goldsman@cc.gatech.edu (Michael G. Goldsman)
Subject: Ending to Mr. Smith goes to Washington?
Reply-To: goldsman@cc.gatech.edu (Michael G. Goldsman)
Organization: College of Computing, Georgia Institute of Technology
Date: Tue, 10 Nov 1992 17:45:42 GMT


Okay.. Last week on AMC I was watching  Mr. Smith Goes to Washington
and right at the end I got a phone call and missed the last two minutes...
could someone tell me what happened???
<spoilers>


Stewart had just fainted and The other senator left the room and 
apparently shot himself... (I heard gunshots)

Then <ring ring ring>  

when I got back I saw THE END..


what happened???!?!?!?


-mike
------------------------------------------------------------------------
Mike Goldsman              __o          o__      o__      o__      o__    
36004 Ga Tech Station    _ \<,_        _.>/ _   _.>/ _   _.>/ _   _.>/ _   
Atlanta, Georgia 30332  (_)/ (_)      (_) \(_) (_) \(_) (_) \(_) (_) \(_)
------------------------------------------------------------------------
PGP Key available upon request
Newsgroups: rec.arts.movies
From: huston@access.digex.com (Herb Huston)
Subject: Re: MOVIES ABOUT BLIND PEOPLE
Keywords: none
Organization: Express Access Online Communications, Greenbelt, MD USA
Date: Mon, 9 Nov 1992 22:46:13 GMT

In article <1992Nov9.143239.4963@pony.Ingres.COM> walker@Ingres.COM (Lynn Walker) writes:
>With all this talk about "Jennifer 8", I seemed to remember a similar film
>about a blind women who may have "witnessed" a murder. This film was made
>in the 70's (??) I can't remember the star or title, but perhaps someone
>can refresh my memory?

Could you be thinking of _Wait Until Dark_ (1967) with Audrey Hepburn?
She was a blind woman who was terrorized in her home by Alan Arkin, who
was looking for something or other (hey, it's been 25 years).

-- Herb Huston
From: hughes@dogwood.botany.uga.edu (Wayne Hughes)
Subject: Re: REVIEW: CANDYMAN
Organization: Botany Department - U of Georgia, Athens
Date: Thu, 12 Nov 1992 03:05:24 GMT

In article <101610@bu.edu> nate@bu.edu (Nathan Auclair) writes:
>
>Phantom,   
>
>	Your review is too damn long! Shorten it, get a clue.
>
>
  Nathan, get several clues.

    Stop engaging in meta discussion.  It's useless.
    If you don't like the way someone does something, quit yer bitching
  and do it yourself.
    When you disagree with someone (a la your *previous* criticism)
  don't engage in ad hominem attacks to try to make your point.
  Maybe you just see things different ways.
    As for Phantom's lengthy reviews, well, he has more on his agenda
  than the ordinary movie review.  Note that he limits his reviews
  to movies of a certain *flavor*.  This is because he has definite
  opinions and knowledge, and we are probably a little better
  educated after reading one of his reviews for the detail and ancillary
  information he includes.  
  
  There are plenty of short order reviewers who distill everything down
  to a volume even you can manage.  Put Phantom in your kill file 
  and stop whining.

  Wayne

Newsgroups: rec.arts.movies
From: hafner@ifi.unizh.ch (Michel Hafner)
Subject: Re: Music from TC,TT,HW,HL
Organization: University of Zurich, Department of Computer Science
Date: Thu, 5 Nov 92 10:13:36 GMT

In article <1992Nov5.023331.34315@datamark.co.nz> thomas@datamark.co.nz (Thomas Beagle) writes:
>In article <1992Nov4.220812.3678@noose.ecn.purdue.edu> mbrockma@bank.ecn.purdue.edu (Matt Brockman) writes:
>>Does anyone know what music is used as the 
>>soundtrack for The Cook, the Thief, His Wife, Her Lover?
>>Is it original and released as a soundtrack or is
>>it borrowed from someone?
>It is original music by Michael Nyman. I have the soundtrack CD and
>think it is wonderful.
>He has also done music for most of Peter Greenaway's other films,
>including Drowning by Numbers, Draughtman's Contract, Prospero's Books
>and Belly of an Architect.

"Belly of an Architect" is NOT by Nyman. It's music was composed by Wim Mertens
and Glenn Branca. A fact Nyman doesn't like at all. In an interview he said
that his music for Greenaway films is much better. I don't agree.
								M.H.

Newsgroups: rec.arts.movies
From: sweaver3@mach1.wlu.ca (scott weaver 9209 U)
Subject: Re: why the hang-up on NC17?
Organization: Wilfrid Laurier University
Date: Thu, 12 Nov 1992 00:06:20 GMT

In article <1992Nov11.201419.19030@infonode.ingr.com> dianne@dianne.NoSubdomain.NoDomain (Dianne Ferrans) writes:
>In article <BxGH7B.7nw@mach1.wlu.ca>, sweaver3@mach1.wlu.ca (scott weaver 9209 U) writes:
	[my original article deleted for space purposes]
>
>Well, here in the US we have a large population of religious right-
>wing sorts (you didn't watch the Republican National Convention??) who
                                  ^^^ must have missed it :( 
                                      (or should that be :)  )

>have a rather large hang-up with realistically portrayed sexuality,
>naked brests, Madonna and the like. ;->

Canada has its own fair share of R. R-W sorts too.  I guess they're not as
vocal though.  (But, someone succeeded in keeping Madonna's new videos off
MuchMusic (our version of MTV).)
>
>Oh, didn't you know that it leads to a lack of "Family Values" and
>teen pregnancy and all??

I'd be willing to bet there's stronger family values still in Europe than
there is here.  I'd doubt if some nudity and stuff has contributed too much
to 'the decline of the American empire'.  (sorry about the pun :) )

I guess if we want 'family values', we ought to be watching re-runs of
_Father knows best_!

>
>Ergo, we rarely get to see the same "cut" of movies that the Europeans do ;-(
>
>You see, it would warp people's minds.  You would realize that, I suppose,
>but you must already have been warped ;->  (note smileys here!)

Of course I'm just as warped as you!  ... I would think (and I could be
wrong on this) that since there is no 'X' (or 'NC17' for that matter)
rating, we would get films with less cuts than you.  It's obvious there
isn't the socially-unacceptable stigma attached to the 'R' rating here.

>
>dianne@dianne.b24b.ingr.com  "Born in the USA"


-- 
Scott B. Weaver		Internet: sweaver3@mach1.wlu.ca
"Dream Weaver"		Bangs: ..!torn!watserv2.uwaterloo.ca!mach1!sweaver3
Patience comes to 	Snail: 2C-264 Regina Street North
those who wait...	       Waterloo, Ontario, Canada N2J 3B7
Newsgroups: rec.arts.movies
From: bjornhk@dhhalden.no (BJORN HAAVARD KLEVEN)
Subject: Red Dawn
Organization: Ostfold College
Date: Mon, 9 Nov 1992 11:59:38 GMT

I just watch "Red Dawn" on TV the other day. I wasn't particulary impressed,
except for the props: They made a almost impressive job in receating the 
Soviet equipment, with an unusual attention to detail. Does anybody know 
who did all these conversions? (The CH-3's where quoted in the credits to 
come from an airlift-company, but I couldn't see anything else regarding the 
conversions)

Anybody?

-=* Bjorn
Xref: sparky rec.arts.movies:32217 alt.cult-movies:10035
From: bov@x.co.uk (Andy Bovingdon)
Newsgroups: rec.arts.movies,alt.cult-movies
Subject: Re: Bladerunner DC in UK.
Date: 5 Nov 92 14:48:59 GMT
Organization: IXI Ltd.


Yes it is on at the Empire on 22nd of November at 21.00. and I believe Ridley Scott will
be present. Tickets went on sale to members of the National Film Theater on October 15th
and to the general public on October the 30th. Now this is the bad bit. I rang on the
30th for tickets and was told the show was sold out days before. Looks like all the
members bought tickets to it. The good news is that the film is on selected release later
this year. You just miss out on Mr Scott's little talk. Bummer!

Bov!

--
                           _________________________               _ __ ___ _
  IXI Limited             |       bov@x.co.uk       |             | |\ /  /| |
  Vision Park,            |  *  Andy  Bovingdon  *  |             | | /  / | |
  Cambridge, England.     |_________________________|             |_|/__/_\|_|
From: z_sammonpr@ccsvax.sfasu.edu
Newsgroups: rec.arts.movies
Subject: STAR WARS
Date: 4 Nov 92 21:15:36 CST
Organization: Stephen F. Austin State University

I'm new to this system and want to know if anyone has any...
            I mean any information on a new Star Wars movie?

If they have started on one, does anyone know where it's to be located at or
what's it to be about?

peter
Newsgroups: rec.arts.movies
From: lazlo@triton.unm.edu (Lazlo Nibble)
Subject: Re: Movie Production
Date: Mon, 09 Nov 92 02:30:33 GMT
Organization: None for me, thanks . . . I'm driving.

I'd be willing to run an RFD/CFV for a rec.arts.moviemaking (or whatever
the groupname turns out to be) but only on the condition that it be open
to people shooting motion pictures in *any* medium -- including video.

--
Lazlo (lazlo@triton.unm.edu)
From: millis@ckgp.UUCP (Tom Millis)
Newsgroups: rec.arts.movies
Subject: The Art of War
Date: 9 Nov 92 23:26:06 GMT
Organization: CKGP Assoc. Inc. Birmingham, MI

Saturday nite I went to see Passenger 57 (it was pretty good).
The main character, Wesley Snipes, was sitting on a plane 
reading "The Art of War".  Then I went home and popped in a
movie I had rented earlier (my wife says I watch too many movies)
The movie was K2, and the main character was sitting in a tent
reading "The Art of War".  Then I come to work and people on
the net are talking about this book.  

What is this book?
Is it actually instructions on fighting?
How old is the book?
Are there any pictures of Madonna in it?

And finally, IS IT WORTH READING?

Just curious.

Tom

uunet!ckgp!millis
--
Newsgroups: rec.arts.movies
Subject: Re: James Woods
From: erkamp@JANUS.ARC.AB.CA (Bob Erkamp)
Date: 5 Nov 92 11:08:02 MDT
Reply-To: erkamp@JANUS.ARC.AB.CA
Organization: Alberta Research Council

In article <1992Nov4.155041.27886@cs.nott.ac.uk>, mjb@cs.nott.ac.uk (M J Brownlow) writes:
>Hi, can anyone give me a list of films with James Woods in?
>

Here you go....

Bob

===============================================================================

Woods, James		Against All Odds
			Alex and the Gypsy
			And Your Name Is Jonah (TV)
			Badge of the Assassin (TV)
			Best Seller
			Black Marble, The
			Boost, The
			Boys, The (TV)
			Cat's Eye
			Cop
			Disappearance of Aimee, The (TV)
			Eyewitness (1981)
			F. Scott Fitzgerald in Hollywood (TV)
			Fast-Walking
			Footsteps (TV)
			Foster and Laurie (TV)
			Gambler, The (1974)
			Gift of Love, The (1978) (TV)
			Great American Tragedy, A (TV)
			Hard Way, The (1991)
			Hickey and Boggs
			Immediate Family
			In Love and War (1987) (TV)
			Incredible Journey of Doctor Meg Laurel, The (TV)
			Joshua Then and Now
			My Name Is Bill W. (TV)
			Night Moves
			Once Upon a Time in America
			Onion Field, The
			Promise (1986) (TV)
			Raid on Entebbe (TV)
			Salvador (AAN)
			Split Image
			True Believer
			Videodrome
			Women and Men: Stories of Seduction (TV)
			"Holocaust" (mini)
From: MSTBH@CUNYVM.BITNET (mstbh)
Newsgroups: rec.arts.movies
Subject: Re: Beauty and the Beast
Date: 9 Nov 92 18:32:21 GMT
Article-I.D.: CUNYVM.92314.133221MSTBH
Organization: City University of New York/ University Computer Center


    Who hasn't?   I haven't yet.  I am still waiting for it to be available
  in my local video store.  It is always out....
Newsgroups: rec.arts.movies
From: Mathew L. Spolin <mspolin@cyber.hughes.american.edu>
Subject: Documentary Films Discussion??
X-Xxmessage-Id: <A725BA5CDF029637@cyber.hughes.american.edu>
X-Xxdate: Tue, 10 Nov 92 00:13:32 GMT
Organization: Cybervision Productions
X-Useragent: Nuntius v1.1.1d12
Date: Wed, 11 Nov 1992 00:09:19 GMT

Is there any sort of news feed or mailing list for the discussion of
documentary films?  I know there aren't many being made, but I'd be
interested in knowing anyone who is interested in this exciting format.

---Matt Spolin
   American University
   Washington DC
From: tsui@ils.nwu.edu
Newsgroups: rec.arts.movies
Subject: SCREENWRITER NEEDED
Date: 12 Nov 92 18:37:59 GMT
Distribution: usa
Organization: Institute for the Learning Sciences

this is for a friend of mine:

Low budget film director/producer has outline for script and needs screenwriter
to write the first draft.  Will definitely be paid fee and credit, possible
bonuses if and when the film is made.  Writer must have good collaboration
skills.  The story is written and just needs someone who is good with natural
dialogue to fill it out.  The writer will not necessarily be involved in
rewrites.

The writer should have a good understanding of action films (particularly John
Woo films).  This isn't essential but is a plus.

Writer will be paid and can negotiate other bonuses or credits, etc...

This is a good oppurtunity for someone still in film-school or whatever to get
noticed.  The film is independently produced so its likely it will get made one
way or another and not drown in studio beauracracy.  It is preferable that the
person lives in Chicago or vicinity but not essential.  Female and minority
writers are strongly encouraged to participate, director/producer is looking
for fresh voices.

please respond to address above and I will send all queries to the appropriate
places.

thanx
From: k@hprnd.rose.hp.com (Steve Kao)
Date: Mon, 2 Nov 1992 23:10:49 GMT
Subject: Re: Book "The Art of War" seen in the movie 'K2-The ultimate High'
Organization: HP Roseville Networks Division
Newsgroups: rec.arts.movies

Many people have translated Sun Tzu's _Art_of_War_.  James Clavell has
already been mentioned.  Two others are Samuel B. Griffith and Thomas
Cleary.

Machiavelli's _The_Art_of_War_ was originally published in 1521.
Marshall Saxe wrote _Reflections_on_the_Art_of_War_ during or after the
Thirty Years War.

- Steve Kao
From: yeshwant@chico.cse.ogi.edu (Yeshwant K Muthusamy)
Newsgroups: rec.arts.movies
Subject: Re: Nudity by leading actors
Date: 9 Nov 92 22:55:08 GMT
Article-I.D.: ogicse.45539
Organization: Oregon Graduate Institute - Computer Science & Engineering

In article <1992Nov9.001113.18932@monu6.cc.monash.edu.au> edf250y@monu6.cc.monash.edu.au (Andrew Marks) writes:
>
>>>In article <1992Nov1.005906.23395@dartvax.dartmouth.edu> Joseph.J.Marcheso.Jr.@dartmouth.edu (Joseph J. Marcheso Jr.) writes:
>>>>
>>>> [article seeking examples of leading male frontal nudity in films 
>>>>  deleted]
>
>I am currently reading the December copy of a magazine called ``Cleo''; an
>Australian teenage girl-type publication.  It has an article called
>``Sex in the Movies'' and an accompanying table listing both male and
>female exposure in films (using Greta Scacchi, Ellen Barkin, Richard Gere
>and Mel Gibson as examples).  Of the two men, apparently Richard Gere had
>full frontal uncovered scenes in both ``Breathless'' and ``American Gigolo''.

I haven't seen it mentioned since this thread began, so here are my 
additions to the list:

Tom Berenger in "At Play in the Fields of the Lord"
[Daryl Hannah also appeared nude in at least one scene.]

Helen Mirren's lover (forget his name, semi-lead role :-) in "The Cook,
the Thief..."

Was there a long shot of Sir John Gielgud (sp?) in the buff (facing
the camera) in "Prospero's Books"? It's been awhile...


Yeshwant
From: lau@daniel.wharton.upenn.edu (Yan K. Lau)
Newsgroups: rec.arts.movies
Subject: Re: 'Innocent Blood' -- why'd it bomb?
Date: 9 Nov 92 15:09:30 GMT
Organization: A Private Heaven

In article <74=qqvj@lynx.unm.edu> lazlo@triton.unm.edu (Lazlo Nibble) writes:
>John Landis' latest film, 'Innocent Blood', lasted all of maybe two weeks
>So why did it
>crash and burn as badly as it did at the box office?
 ^^^^^^^^^^^^^^ bad choice of words.
I almost got away with not having responding to this one but couldn't let
it pass.  I wanted to see this movie because it stars Anne Parillaud
(La Femme Nikita).  However, after the deaths on the set of the Twilight
Zone movie, I promised never to see another John Landis movie.  I know he
was found not guilty of wrongdoing.

I am not sure how strong a resolution this is.  This time out, I was lightly
tempted.  Next time, who knows.  What if I should walk into a movie not
knowing he had directed it.  Well, that's my reason for not seeing it.



Yan.
-- 
          "I think we're both gonna make it *big*. I am very optimistic."
   )~  Yan K. Lau          lau@desci.wharton.upenn.edu         128.91.11.226
 ~/~   Decision Sciences    The Wharton School    University of Pennsylvania
 /\    God/Goddess/All that is -- the source of love, light and inspiration!
From: amymw@chaos.cs.brandeis.edu (Amy Wisotsky)
Newsgroups: rec.arts.movies
Subject: Re: Amy Irving/B. Bertolucci
Date: 10 Nov 92 19:50:18 GMT
Organization: Brandeis University

nancyl@osiris.cso.uiuc.edu (Nancy Lellenberg Bentrup) writes:

>Is Amy Irving married to Bernardo Bertolucci?

Correct me if I'm wrong, but I think she's married to Stephen
Spielberg.  

							-Amy-
							 :)
--
	#include ".sig"
	#define AMY amymw@chaos.cs.brandeis.edu
		:)
Organization: Sophomore, Architecture, Carnegie Mellon, Pittsburgh, PA