HDTenEightyP/NetNews huggingface dataset:
Organization: The American University - University Computing Center
Date: Tue, 26 Jan 1993 01:00:55 EST
From: Douglas B. Zimmerman <DZ5401A@auvm.american.edu>
Newsgroups: alt.rave
Subject: Re: DC/Balto RAVE's

For those of you interested:

  there is now an e-mail list line for the dc-baltimore area called
dcraves. It discussed the DC/Balt scene, has a weekly post of upcoming
raves in the area and just about any other rave related topic.

to suscribe to dcraves:
send e-mail to listserv@auvm.american.edu, and on the

first line of the message write:

suscribe dcraves <your full name>

after that write mail to dcraves@american.edu

doug ))))) a b00mingg baSS for a l0ving race ((((( dz5401a@american.edu
co-list owner
Organization: The American University - University Computing Center
Date: Sat, 23 Jan 1993 12:49:53 EST
From: Charles A. Monroe, Jr. <CM5038A@auvm.american.edu>
Newsgroups: alt.rave
Subject: Re: reese project- colour of love
Distribution: inet
 <sfL_L6K00awNM2VGcR@andrew.cmu.edu> <f1sami.727695323@uta.fi>

Yo, I have the remix of Reese project remix and all there records since 1987
and the"Sound" album. Sorry techno people, but it is totally underground house
and I think that Reese wants it that way. He has been doing house for a long ti
me and used to do acid remixes, until people started confusing acid house music
 with acid "house music", then he stopped(I don't blame him). Sorry I'm not a t
echno fan. Maybe if they slowed it down to 120-125 bpm I would listen, but then
 it would be old acid"house music".
Newsgroups: alt.rave
From: ol@chaos.cs.brandeis.edu (Oz Lubling)
Subject: ATwin | Prodigy & Moby
Organization: Brandeis University
Date: Wed, 27 Jan 1993 18:39:46 GMT


Can anyone post up reviews for the Universal Indicator EP's ???

also please post up the dates for the Prodigy/Moby NE tour....



ol
TechnoHead

p.s. big two day rave this thrusday and friday at the limelight
     in nyc, with dj's like on-e (nasa), scott henry (catasrophic),
     denard (primal), and the list goes on....


-- 
  ol@chaos.cs.brandeis.edu             TechnoHead, Aphex Twin,             
  lubling@BINAH.CC.BRANDEIS.EDU        DB And Scotto         
  lubling@cmns-sun.think.com           DJ: Scott Henry of DC
From: ccjy@bristol.ac.uk (APATHY=)
Newsgroups: alt.rave
Subject: Re: AMIGA TECHNO
Date: 26 Jan 93 09:22:59 GMT
Organization: University of Bristol, England

In article <1993Jan23.190942.2886@crash> tfinn@crash.cts.com (Aaron Grier) writes:
>	There is still something to say about playing 'Watch
>Your Bass Bins' on a stock Amy 500. It's just so.. so... so elegant! :)
>

=8*)  Thanks.

>Sometimes I wish I had a record-maker so I could stick some of these
>MOD files onto vinyl and play with them. You could add some breakbeats
>to them for a little more 'depth' (something that the amiga kinda
>lacks in) and run them through a reverb or something for the same
>reason, but they are cool songs still the same. Suburbass Commando,
>eh? Let us all know when it appears on FTP!

Will do, though it looks like it won't be out for sometime.
We'll see how we go.
Maybe a music disk is in order.!!???

>
>(BTW, what is the deal with an Amiga for you?)
>

Well the AMiga to me is the first affordable machine i saw on the market place
readily available with a lot of help at hand.
Ok i started out with sweet F.A. and i still have sweet F.A. and a sampler.
But that doesn't matter, IT DOESN'T TAKE 2,000 DOLLARS WORTH OF EQUIPMENT TO
SOUND GOOD!!! What is it with these people that say "You have to have a s-1000
to be serious in techno music" Bull shit.  No way matey.
Ok you have to have a s-1000 to be expensive fast and join the sheep, but you
don't need it if you don't want it!!!!
Simple really when you look at it.
I have no money, so this hitech equipment is a no go for me.
Whereas a audio engineer 4 sampler and an amiga is within my range if i scrape
and starve for about 3 months.
Yes i would dearly love to spend time with equipment like that, infact any
synth would be nice!!!

A simple rule to all you "spend a grand to get good quality music" people.
You don't have to have the best, to be the best.

My friends

U4ia of Megawatts
Newsgroups: alt.rave
From: pashdown@javelin.sim.es.com (Pete Ashdown)
Subject: Re: techno equipment
Organization: Evans & Sutherland Computer Corp.
Date: Mon, 25 Jan 1993 19:06:51 GMT

greg.ipp@rose.com (greg ipp) writes:

>> frequency oscilator and a Saftey Speak N Spell.

>Why didn't I think of that?  What an awesome idea.  I believe mine is 

Didn't Kraftwerk use a Speak n' Spell at one time?
-- 
I will not fight about digital vs analog.  I will not fight about digital vs a

DISCLAIMER: My writings have NOTHING to do with my employer.  Keep it that way.
Pete Ashdown    pashdown@slack.sim.es.com    ...uunet!slack.sim.es.com!pashdown
From: dineshm@phoenix.Princeton.EDU (Dinesh Bidappa Maneyapanda)
Newsgroups: alt.rave
Subject: Re: Need SHAMEN CD5 Title...
Keywords: SHAMEN
Date: 27 Jan 93 06:50:10 GMT
Distribution: alt.rave
Organization: Princeton University
Originator: news@nimaster

yes, you are correct.  the other two songs are spacetime and lsd
(uh, librae solidae dominae or something similar)...

the mixes are alright.  i wouldn't recommend paying a lot for them.

dinesh
Newsgroups: alt.rave
From: EIVERSO@cms.cc.wayne.edu
Subject: Re: techno equipment
Organization: Wayne State University, Detroit MI  U.S.A.
Date: Thu, 28 Jan 1993 03:31:03 GMT

cs90rwr@brunel.ac.uk (Hacienda) writes:
 
>EIVERSO@cms.cc.wayne.edu wrote:
>: Kraftwerk uses many things to get voice effects including; real voice,
>: singing computers, speak and spell, vocoders, an Amiga (whoops! :)  ).
>
>A lot of what Kraftwerk use is designed by themselves and their crew of
>electrical engineers.  I have a feeling that they have designed their own
>vocoders (were vocoders around when 'Ohm Sweet Ohm' and 'Autobahn' were
>originally released ?).
 
Isn't it obvious from listening to those songs? Yes.
In fact, the vocoder was invented by Homer Dudley in the '30s.
Walter Carlos used one in music for the '70 soundtrack to A Clockwork Orange.
Kraftwerk's first vocoder was built for them by Sennheiser in the '70s.
They also use standard EMS vocoders.
 
>The speak and spell appeared on the 'Computer Love' album (the start up tune is
>played at the beginning of 'It's More fun to Compute'), but after that, it was
>all vocoders.  I'm not too sure about the Amiga though.
 
I think that was actually a speech synthesizing computer. They also used
a pocket language translator. I was kidding about the Amiga.
 
>Elektric Music (ex-Kraftwerk) have used computer speech packages - the 'Baby
>Come Back' track on RubyTrax is an example of this.  However, they also use
>vocoders (like in the Planet Rock remix).
 
>For more info on Kraftwerk, and what they use, read Music Technology last
>month.
 
Thanks for the advice.
 
 
 
--Eric                       ///\\
                             o/o-)
eiverso@cms.cc.wayne.edu    _\- /|___
                           / >7__/<  \
HUMANS MUST BE DESTROYED! / |\ \/ / \ \  DESTROY, DESTROY, DESTROY!!!
Newsgroups: alt.rave,rec.music.makers.synth
From: ee90crr@monge.brunel.ac.uk.ac.uk (Christopher R Ringrose)
Newsgroups: alt.rave
Subject: Re: AMIGA TECHNO
Date: 25 Jan 93 11:21:25 GMT
Reply-To: ee90crr@monge.brunel.ac.uk.ac.uk
Organization: Sun Microsystems, Inc.

In article 1160@aston.ac.uk, hartnupj@cs.aston.ac.uk (John Hartnup) writes:
> Ok let's face it MIDI is great. An Amiga restricts you to 8 note polyphony, 8 voice
> multitimbrality. Not really to hot. You're also restricted to samples only.
> MIDI can control a number of different sound sources : drum m/c, analogue synth,
> sampler (which could be an Amiga!). MIDI sequencers generally have much higher
> resolution than a Tracker player, and support all kinds of weird and wonderful effects.
> MIDI supports effects processors : not much use with the single audio out of the Amiga
> (as you will always want to effect one instrument and not another).
> All in all, yes, you CAN get good results using just an Amiga, but it will always be
> second best. MIDI is much easier (particularly if you can afford Cubase) but sadly
> more expensive.
> 
> 
> ________________________________________________________________
> |And if you're so very entertaining, |  JOhn.                  |
> |Why are you on your own tonight ?   | hartnupj@uk.ac.aston.cs |
> |____________________________________|_________________________|


I heartily agree...

	Ever tried doing a decent acid trak on OctaMed on an Amiga - you cant!
		(not enough variation with samples)

	Use a Datel Midi box - three outs is enough for most rigs 
		-be warned users of one out midi boxes end up having to buy
			through boxes as well
	SOG....
From: lazlo@triton.unm.edu (Lazlo Nibble)
Newsgroups: alt.rave
Subject: Re: AMIGA TECHNO
Date: 22 Jan 1993 17:49:38 GMT
Organization: Usenet Power Elite: Crush-The-Innocent-Newbies Strike Team
NNTP-Posting-Host: triton.unm.edu

raver909@telerama.pgh.pa.us (Rave Crusader) writes:

>> This was made using ONLY 2 amiga's, a mixer, a zoom 9030 effects
>> processor and a DAT to record it on.
>
> Only 2? Only two to get 16 voice polyphony and 4 outputs? Wow I only
> need one Ensoniq EPS. Imagine That! : Now let me see how YOU prove that
> it isn't possible!!!!!!!!!!!!

Once again you're missing everyone else's point, which is not that an
Amiga-based system is the *best* system to produce techno, but simply that
it's capable of handling the task.  I doubt anyone interested in serious
production work would turn down a nice MIDI-connected synths/samplers/
sequencers setup in favor of an Amiga system -- certainly no one *here* is
claiming that they would -- but neither is it *obligatory* to own all the
bells and whistles on the *production* end in order to create decent
*music*!

--
Lazlo (lazlo@triton.unm.edu)

STUPID REC.MUSIC.MISC LISTS #21: Songs About Chaos Dynamics
   Devo: Smooth Noodle Maps, System 7: Fractal Liason, Smiths: Oscillate Wildly
From: squigg@gssec.bt.co.uk (Stephen Quigg)
Newsgroups: alt.rave
Subject: Re: Suggested 12"'s
Date: 27 Jan 93 09:22:03 GMT
Organization: BT Glasgow Systems and Software Engineering Centre, Scotland.

In article <1V6yXB3w165w@cybernet.cse.fau.edu>, kellyd@cybernet.cse.fau.edu (David Kelly) writes:
|> Here's some 12"'s that are (mostly) new that I can suggest..  Most are in 
|> the progressive house or trance vein..  Some approach house..
|> 
|> Leftfield - 'Song of Life' - Hard Hands
|> B.M.Ex - 'Appolonia' - UCR
|> CLS - 'Can You Feel It' (Remixes) - UMM
|> Lemon Interrupt - 'Dirty' - Junior Boys Own
|> Drum Club - 'Alchemy' - Guerilla
|> Jaco - 'Show Some Love' - Warp
|> DOP - 'Oh Yeah' - Guerilla
|> Ground Level - 'Dreams of Heaven' - Faze 2
|> Paradise Organisation - 'The Prayer Tower' - Cowboy
|> Usura - 'Open Your Mind' - deConstruction
|> Mind Over Rhythm - 'Erzulie' - Rumble
|> Ohm - 'Tribal Tone' - Hubba Hubba
|> The Chameleon Project - 'Feel' - Guerilla
|> Crunch - '50 Cents' - Six Foot Six
|> Hardfloor - 'Hardtrance Acperience' - Harthouse
|> Dee Patten - 'Who's The Badman' - Hard Hands
|> 
|> That's all I can think of right now..  Havanna supposedly has a new one 
|> either coming out or already out, also..  If it is out, I haven't seen 
|> it, but it is definately something to keep in mind..
|> 
|> 
|> -----
|> just keep movin.  just keep groovin.
|> 
|> kellyd@cybernet.cse.fau.edu

-- 

	Halleluia ! Someone has seen the light :-)

Strange phenomenon number #271 : Usura 'Open Your Mind' has hit the charts big
                               style in the UK  ... mind you , I'd rather see
                               Usura there than k-klass ! 


"go west young man"
Stephen Quigg
squigg@gssec.bt.co.uk 
British Telecom , Group Software Engineering and Development
(Disclaimer : I babysit for a lawer .... )
Newsgroups: alt.rave
From: EIVERSO@cms.cc.wayne.edu
Subject: Sprockets (Was Re: Multiplatform Techno)
Organization: Wayne State University, Detroit MI  U.S.A.
Date: Mon, 25 Jan 1993 14:20:19 GMT

In article <1993Jan23.225000.1952@telerama.pgh.pa.us>
raver909@telerama.pgh.pa.us (Rave Crusader) writes:
 
>: What if you had 2 or 3 Amigas or other computers?
>I wouldn't be so foolish as to have TWO
> Amigas. Why would I waste that
>kinda cash?
 
Answer my question! Do it!
 
>: >: I know. Can I have a cookie now? :)
>: >Yes, here, Oreo's or Chips Ahoy?
>: Oreo. Double-Stuff, by any chance?
>Here you go...  = = = =
 
I love the texture of Oreo Double-Stuff...it is so jejune.
 
>: >: I like kicks with some *bite*! :-[
>: >I said an *808 Kick* There are very few if any upper partials.
>:
>: I thought the 808 was the bright one ala Blue Monday/the Beach. Perhaps
>: I was wrong! Whatever. I still like bright kickdrums...dull ones too.
>No, its that "hummmm" rap kick.
 
Are you saying I was right? Why must we go on like this?
I am going insane....there. now I am insane.
 
>: Mirage [DMS] with special input filter (up to 50KHz sampling rate) and
>: random-stereo modification. I use it mostly for low-rate sampling (~6KHz)!
>: It has a nice sound when you overdrive the input too.
>: I told you I like noise. :)
>Yeah, it seems these low end units are still pretty popular.
 
The growl of low end sampling makes me feel as happy as a little girl.
 
>Well I put my foot down when it comes to sampling. No shit computers for
>me thank you.
 
Do you enjoy the texture of excrement between your toes?
 
>Yeah it's cool to have a big ole ARP 2600 but man think about taking THAT
>on the road.
 
I care not for the road. Would you like to touch my monkey?
 
>: BTW someone mentioned that Kenton Electronics in the UK makes an imitation
>: midi 303 with full midi implemetation & rack mountable for around $300.
>Yeah but do you have any more info on this unit or the company? Like a
>contackt address??
 
Your questions have become tiresome. I must go now.
 
Now is the time on alt.rave when we dance!
 
--Eric
 
eiverso@cms.cc.wayne.edu  "I'm the Inman    And I'm keen
Detroit, Michigan  USA     I've a mind    Like a machine"
Newsgroups: alt.rave
From: cms2839@ultb.isc.rit.edu (a.stranger)
Subject: Re: Opinions on +8 stuff
Keywords: +8 hardcore Definitiver[D Records Jetstream
Organization: Minimalist Music for Hyperactive Children (MMHC)
Distribution: alt
Date: Wed, 27 Jan 1993 20:57:54 GMT

In article <C1ECzr.5wG@watserv2.uwaterloo.ca> kowalski@sciborg.uwaterloo.ca (Paul Kowalski) writes:
>I'm curious what the net thinks about +8 records like CyberSonik,
>Circuit breaker Etc. Also, two other records sortof by +8 - Jetstream and

				+8 tends to represent the " rawest " of
the hardcore -- strong , rock - solid drum patterns with no breakbeats ,
all kinds of funky shit on top . if you're into layer - upon - layer -
upon - layer orchestrations like most of the belgian stuff , you might
not be into it , but i like it a lot . Cybersonik and Speedy J are two
of the best hardcore acts going , IMHO . Underground Resistance , also ,
but they're not on +8 .  

				one thing about hardcore -- it
*requires* better than average DJs to be successful in a club . the DJs
who sync up the beats and then play the entire cut will bore everyone
off the floor with it . people like Jeff Mills or Kevin Saunderson , on
the other hand , will use it as " building blocks , " syncopating it
with other records , layering it into the mix , usually for no more than
about 30 seconds per disc . in talented hands , it can be an amazing
experience .

-- 
       @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
       @       "Imagination keeps the shadows away  -  Xymox       @
       @~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~@
       @ a.stranger - CMS2839@ritvax.isc.rit.edu - PGP key on req. @
Newsgroups: alt.rave
From: wwc56110@dcl-nxt52.cso.uiuc.edu (Walter Wai-hung Chiu)
Subject: Age of  Chance
Organization: University of Illinois at Urbana
Date: Wed, 27 Jan 1993 22:53:21 GMT

Has anyone heard of Age of Chance's "She is Filled with Secrets"?
Tell me more about this nice song.  Is it on CD?  Thanks.

					Walter
From: ee90crr@monge.brunel.ac.uk.ac.uk (Christopher R Ringrose)
Newsgroups: alt.rave
Subject: Re: Q
Date: 25 Jan 93 11:45:56 GMT
Reply-To: ee90crr@monge.brunel.ac.uk.ac.uk
Organization: Sun Microsystems, Inc.

In article 1jn4kaINNbk5@darkstar.UCSC.EDU, cspot@cats.ucsc.edu (Christopher Edward Hilker) writes:
> 
> sfwhite@cantor.math.uwaterloo.ca (Stephen F. White) writes:
> 
> >[ whether bands like, say, def leppard are actually writing their puerile
> >and adolescent songs "from the heart", i don't know whether you or I can
> >actually say.  personally, i have absolutely no desire to know what's in their
> >hearts. it must be awfully strange and somewhat embarassing to be pushing 40
> >and find your songs are STILL appealing to the same sort of 16-year-old
> >adolescent male morons that it appealed to when you started. ]
> 
> My advice to you, although you yourself state that you don't listen to
> the radio, is that the next time you hear a Def Leppard track, listen to
> the drums. Their rhythm programming and production is better than a lot
> of dance music I can think of.
> 
> Don't flame me for being a Def Leppard fan; I'm not. I've just found something
> to keep me from tearing out my hair when I'm forced to hear their dreck that
> may serve the alt.rave community as well.
> 
> C.
> 
> -- 
> hilker!chris (cspot@cats.ucsc.edu)
> 
> Life is fair. There, I said it. If anyone asks, you can tell them I did.


So lets all sample def lepp drum beats, put them on a Zero-G sample CD and end up
sounding like the Prodigy!

		bod on acid	SOG '93
Newsgroups: alt.rave
From: malxtt@maths.tcd.ie (Malcolm Tyrrell)
Subject: Rave composition
Summary: Rave Composition
Keywords: r
Organization: Dept. of Maths, Trinity College, Dublin, Ireland.
Date: Thu, 21 Jan 1993 16:44:11 GMT

  The problem with the present U.K. rave scene is that the emphasis on the
writing of the music is on quantity rather than quality. Those who write
music for raves find that if they take too long writing a tune it is in
yesterday's style. Those who write music for public release find they must
continually flood the market with their tunes or their name becomes obsolete.

  What I desire is a rave tune nutured from birth and brought up lovingly
by its creator. Consistant in its mood, less emphasis on concept-sampling,
and more individual in its style. 

What I want is a rave composition: composed, not written or programmed in!

malxtt@maths.tcd.ie
Newsgroups: alt.rave
From: dhoffman@spot.Colorado.EDU (David Hoffman)
Subject: Kaos Theory discs
Organization: University of Colorado, Boulder
Date: Thu, 28 Jan 1993 20:17:37 GMT

Which of the first four volumes of the Kaos Theory compilations are worth
getting?  Also, is Give Peace a Dance Vol.2 worth $22?  I've heard it's
pretty good.  Finally, Twitch CD 2 has eleven tracks listed on the liner
notes, but there are 12 tracks on the disc...can someone tell me what the
twelfth one is called, and who does it?

Thanks!

Dave
From: bbehlen@soda.berkeley.edu (Brian Behlendorf (Vitamin B))
Newsgroups: alt.rave
Subject: Re: Rave composition
Date: 21 Jan 1993 19:52:47 GMT
Organization: U.C. Berkeley, CS Undergraduate Association
NNTP-Posting-Host: soda.berkeley.edu
Keywords: r

In article <1993Jan21.164411.13023@maths.tcd.ie> malxtt@maths.tcd.ie (Malcolm Tyrrell) writes:
>
>  What I desire is a rave tune nutured from birth and brought up lovingly
>by its creator. Consistant in its mood, less emphasis on concept-sampling,
>and more individual in its style. 
>
>What I want is a rave composition: composed, not written or programmed in!

Well, I don't see why something can't be well written AND programmed, but I
think I understand most of what you're saying.  Let me suggest some examples
of what I think you were looking for:

Orbital: just about anything, really
Stakker: Humanoid (and all Future Sound of London shtuff)
Gat Decor: Passion
Rabbit City: Digital Domain (and others)

and going further back,

Any of Derrick May's early stuff
early 808 state
etc....

	Brian "Death to the Smart E's" B.



"Yeah, sure Mondo 2000 is a music magazine.  That's like saying High Times is
about flying" - Bryan Campbell
Newsgroups: alt.rave
From: wwc56110@ih-nxt04.cso.uiuc.edu (Walter Wai-hung Chiu)
Subject: Re: paganism and rave
Organization: University of Illinois at Urbana
Date: Sat, 23 Jan 1993 20:51:17 GMT

There are some Christian techno groups like Zero (not related to
Zero Zero) or Jyradelix.  I haven't heard any of their stuff, though.
There are reviews in True Tunes' free alternative music magazine.

						Walt
Newsgroups: alt.rave
From: EIVERSO@cms.cc.wayne.edu
Subject: Re: Opinions on +8 stuff
Organization: Wayne State University, Detroit MI  U.S.A.
Date: Thu, 28 Jan 1993 16:50:34 GMT

In article <1993Jan27.205754.6106@ultb.isc.rit.edu>
cms2839@ultb.isc.rit.edu (a.stranger) writes:
 
>                                one thing about hardcore -- it
>*requires* better than average DJs to be successful in a club . the DJs
>who sync up the beats and then play the entire cut will bore everyone
>off the floor with it .
 
That's a shame. I'd agree that there's alot of raw, dry, "acid" if you
will, material on +8 but the better stuff sounds great to me with no
additional mixing.
 
>people like Jeff Mills or Kevin Saunderson , on
>the other hand , will use it as " building blocks , " syncopating it
>with other records , layering it into the mix , usually for no more than
>about 30 seconds per disc . in talented hands , it can be an amazing
>experience .
 
I got Probe Records' "Probe volume 1" (pro11 1992) on in the background.
Probe is a sort of spinoff label to +8. This is a "slammin" comp.
It features many bands already on other +8 releases.
 
The pick to click: Public Energy's "Three O' Three" (J. Paap).
Comp is at least as good as FOMTY v1 or BPFMT v1. I hear FOMTY v2 is
mostly leaning toward the ambient side--something many will no doubt
enjoy, but I won't be purchasing it.
 
 
 
--Eric                       ///\\
                             o/o-)
eiverso@cms.cc.wayne.edu    _\- /|___
                           / >7__/<  \
HUMANS MUST BE DESTROYED! / |\ \/ / \ \  DESTROY, DESTROY, DESTROY!!!
From: f1sami@uta.fi (Samu Mielonen)
Newsgroups: alt.rave
Subject: Re: Opinions on +8 stuff
Date: 27 Jan 93 16:43:34 GMT
Distribution: inet
Organization: University of Tampere, Finland

->kowalski@sciborg.uwaterloo.ca (Paul Kowalski) writes:
-> 
->>I'm curious what the net thinks about +8 records like CyberSonik,
->>Circuit breaker Etc.

In <16B61EA71.EIVERSO@cms.cc.wayne.edu> EIVERSO@cms.cc.wayne.edu writes:

->This part of the net likes them alot.


Yes! Even your mad hardcore abhoring Finnish house underground groovers 
like that stuff. I've only heard the compilation "From our Minds to Yours"
and some essential 12"s (Speedy J., FUSE, Circuit Breaker). Odlly enough
this is the kind of techno I'd rather listen to at home than in a rave.

Does anybody have an idea of how much stuff they've put out?
And wasn't there supposed to be a second compilation for us poor folks who
can't buy all the 12" stuff here in the middle of nowhere?
All you hardcore people respond now or be doomed to eternal life in a world
without Rolands! That should sort'em! :-)

sploosh,
sZm

-- 
sZm
f1sami@kielo.uta.fi
From the School of Neuro Acoustic Programming
"It's not where you're from. It's where you're at."
From: kmfdm@csd4.csd.uwm.edu (Michael Alan Johnston)
Newsgroups: alt.rave
Subject: ATTN:Australia
Date: 22 Jan 1993 01:57:58 GMT
Organization: Computing Services Division, University of Wisconsin - Milwaukee
Distribution: world
NNTP-Posting-Host: 129.89.7.4
Originator: kmfdm@csd4.csd.uwm.edu

I am wondering if anybody from Australia happen to attend Dunmore Lange college
If so could you please get in touch with me?

Thanks much,
Mike J