HDTenEightyP/NetNews huggingface dataset:
From: tygar+@cs.cmu.edu (Doug Tygar)
Newsgroups: rec.music.bluenote
Subject: Re: Ellington at Fargo, Live - 1940
Date: 12 Jan 93 22:41:48 GMT
Article-I.D.: cs.C0rJ1s.LHy.1
Organization: School of Computer Science, Carnegie Mellon

While I really like this set of the Blanton-Webster Ellington band, which
features many solos by Blanton, Webster, Johnny Hodges, Sonny Greer,
and Rex Stewart, the recording itself has some techical problems.
Principally, many tracks are fragmentary and/or interrupted since there
was only one acetate recorder!  Thus, many interruptions exist, and since
the technician (Jack Tower) recording the concert was an amateur, there are
some errors in the recording.  Finally, the acetate was played many times
before being transferred to LP and CD, and degraded.

For example, there are only the final 45 seconds of the first track
``It's a Glory.''  The second track, ``The Mooche'' is missing the first
few measures.  Later, the recording includes an overdub made of a radio
broadcast that started at 9PM, and you can hear the KVOX announcer over the
music on the recording.  The sixth, fourteenth, twentieth, and twenty-third
tracks on the first disk, are similarly truncated.  The second disk has
several truncated tracks, including the last one!

I recommend the CD set, but it is quite frustrating!
From: burdick@frostbite.crd.ge.com (William E. Burdick KWC-1623 5585)
Newsgroups: rec.music.bluenote
Subject: Re: Blues: Albert King
Date: 5 Jan 93 20:36:30 GMT
Distribution: usa
Organization: GE Corp. Research & Development, Schenectady, NY

re: Albert King


Not only did Albert King play an upside down, right handed
guitar lefte handed, he strung his guitar with two high
E strings!

The best stuff I own by Albery King is:

Lets Have A Natural Ball (Modern Blues Recordings-CD) 
 - A colection of his work on the Bobbin and King labels

Wednesday/Thursday Night In 'Frisco
 - King live!  The best way to hear the modern A. King

There are other good recordings by King but these are my favorites
and I would recommend them to anyone who lacks material by King
or wants to add to thier collection

Bill
Newsgroups: rec.music.bluenote
From: mcmahon@owlnet.rice.edu (Michael G. McMahon)
Subject: Re: Dizzy Gillespie
Organization: Rice University
Date: Fri, 8 Jan 1993 16:00:54 GMT

In article <8602@laas.laas.fr> doucet@ripolin.laas.fr writes:
>	Another Dizzy worthy record is from a Parisian concert in 88 or 89:
>	Dizzy and Max Roach in duo. I saw this on TV.
>	I've seen the CD some time ago (so it exists): the question is
>	does it _still_ exist ?
>	Forgot the name, sorry...
>	
   I assume it's still in print.  It's called (strangely enough) Max
Roach + Dizzy Gillespie - Paris 1989.  A&M CD6404.
   It's technically a 2 CD set, but 33 minutes of disk 2 is an interview
of them talking about (and listening to) Bird.  Interesting the first
couple of listens, but don't expect 2 full discs of music.
   It's one of those discs that I think is great, but I don't listen
to very often.  Not sure why.

-- 
There is a level of cowardice lower than that of the conformist:
  the fashionable non-conformist.   -ayn rand
Newsgroups: rec.music.bluenote
From: mingus@cbnewsl.cb.att.com (Damballah Wedo)
Subject: Re: Don Cherry suggestions?
Organization: The Poto Mitan in the Houmfor
Distribution: na
Date: Mon, 11 Jan 1993 18:32:13 GMT

An interesting observation on Don Cherry is that he played with all
the "big" tenor sax players of the sixties: Coleman, Coltrane, Rollins,
Shepp, Ayler, .... Kinda makes him the ideal set-up man or something.

Anyway, here's what recdb has to say abou thim. This is not complete
(yet -- 1070 albums and counting!), but includes a few non-obvious
things

As a leader:
Shepp, Archie - In Europe with the New York Contemporary 5,  (Delmark 1963, LP)
Walcott, Collin - Codona                                         (ECM 1979, LP)
Walcott, Collin - Codona 2                                       (ECM 1981, LP)
Walcott, Collin - Codona 3                                       (ECM 1983, LP)
Also plays on:
Ayler, Albert - Vibrations                            (Arista-Freedom 1975, LP)
Ayler, Albert - The Hilversum Session                        (Osmosis 1983, LP)
Bang, Billy - Untitled Gift                                    (Anima 1983, LP)
Bley, Carla - Escalator Over The Hill                           (JCOA 1971, LP)
Coleman, Ornette - Ornette On Tenor                         (Atlantic 1962, LP)
Dyani, Johnny - Song for Biko                           (Steeplechase 1979, CD)
Rollins, Sonny - Our Man In Jazz                                 (RCA 1963, LP)
Rollins, Sonny - Live Mid 60s                              (Landscape 1992, CD)
Sun Ra - Purple Night                                          (A & M 1990, CD)
Walcott, Collin - Grazing Dreams                                 (ECM 1977, LP)
Also on records:
Smithsonian - The Smithsonian Collection of Classic Jazz (Smithsonian 1973, LP)

Others have talked about the recordings with Ayler and with Ornette, but
do check out the Billy Bang, which is a wonderful swinging date. The Rollins
recordings kick ass; Sonny plays so much tenor that even sidemen of the
caliber of Cherry, Billy Higgins and Henry Grimes can do little more than
stay out of his way! The Johnny Dyani album is really nice, though not
really remarkable. Ditto for the Sun Ra, which I like because of the 19
minutes "Of Invisible Them", Sunny's stern answer to corporate types urging
him to do "popular" stuff.Cherry's contrinbution to the Smithsonian box
is as part of Ornette's double quartet.

Cheers, and enjoy!
-- 
Marcel-Franck Simon             	mingus@usl.com, usl!mingus

	" Papa Loko, ou se' van, ou-a pouse'-n ale'
	  Nou se' papiyon, n'a pote' nouvel bay Agwe' "
Newsgroups: rec.music.bluenote
From: karish@pangea.Stanford.EDU (Chuck Karish)
Subject: Re: hep cats and their music (was: On Drugs, Bebop and The Wire)
Organization: Mindcraft, Inc.
Distribution: na
Date: Mon, 4 Jan 93 19:12:29 GMT

In article <1993Jan4.034517.5742@cbnewsl.cb.att.com>
mingus@cbnewsl.cb.att.com (Damballah Wedo) writes:
|| rshapiro@bbn.com (Richard Shapiro):
|| [ I (Marcel) wrote the indented text ]
||    Check out the cover of THIS IS OUR MUSIC.
||    Ask yourself is that young man struggling to
||    keep his head upright is what you imagine a hep cat ought to look
||    like
||
|| Like I say, this photo looks quintessential jazz-hip to me. It never
|| occured to me (consciously at least) that any of the four were at high
|| at the time; but it doesn't change my opinion of the image.
|
|You know, neither did I, until I read the interview with Haden (I do
|have all this stuff buried somewhere, promise, though it might take
|me a while to find it.) Says something about what was thought to be
|cool back then, doesn't it?

For an example of an album cover photo where it's obvious
that the 'cool' is chemically induced, check out the
jacket for the Paul Butterfield Blues Band's _East-West_.

The music is wonderful, but the lifestyle ahd its costs.
At least two of those guys are dead from direct or
delayed effects of drugs.
--

    Chuck Karish          karish@mindcraft.com
    (415) 323-9000 x117   karish@pangea.stanford.edu
From: lmcohen@terapin.com (Lee Cohen)
Newsgroups: rec.music.bluenote
Subject: Re: The Tonight Show
Date: 12 Jan 93 13:36:06 PST
Organization: BBS

No one in their right mind would deny that institutional racism is a part of
America's 20th century history, and that its effects reverberated
throughout every aspect of its culture, including music.  But to condemn
and vilify Elvis and Benny Goodman, two poeple who loved and were
impassioned by the music they are accussed of stealing, is akin to
intellectual facism, and further,  stinks of revisionist history at its worst.
It also denies the contribution of Tin Pan Alley and the American
Standard Song, which is certainly part of the foundation of both Jazz and
Rock and Roll.  I sometimes wonder what the innovators of BeBop would
have done without Harry Warren, Irving Berlin, the Gershwins, Jimmy Van
Heusen, Cole Porter, Rogers and Hart, the list goes on and on.
Just look at the song writing credits of your favorite Jazz lp's and cd's to
see what I mean.

What we're beginning to see in the academic writing on jazz is a
disturbing "Political Correctness" that creates an atmosphere of fear.  We
must always remember that the "Left" can be just as narrow minded and
dogmatic as the "Right" when it comes to questions of power.  And make
no mistake, this "massaging" of music history is being done by those with
no real interest or passion for the music, but are only using it as a means
to carve a territory where they can rule supreme.  This of course will be at
the expense of Art, as it always is, when facist's begin to define its
content.

I'll give Art Blakey the final word:

.."Jazz is known all over the world as an American musical art form and
that's it  No America, no Jazz.  I've seen a lot of people try and connect it
to other countries,  for instance to Africa, but it doesn't have damn thing
to do with Africa..."

                                 ART TAYLOR's -- Notes and Tones (pg242)
Newsgroups: rec.music.bluenote
Subject: Re: Curlew, Dr.Nerve, Bird, Jarrett
From: hsu@walnut.sfsu.edu (William Hsu)
Date: 12 Jan 93 16:40:44 PST
Reply-To: hsu@walnut.sfsu.edu
Distribution: world

Ben Weiner:
> Tom Cora is a member of Curlew.  A year or two ago he toured as
> "Tom Cora and The Ex."  Does anyone know if this The Ex are the same 
> as the anarchist punk band from Holland named The Ex 

Yes. An excellent studio record by Cora and the Ex is available from
Recommended (thru Wayside etc).

Of the Dr. Nerve records that I've heard, Out to Bomb Fresh Kings/
Armed Observation and Beta 14 OK are both excellent. I've heard that
the live disk is not as good. They're one of the most exciting groups
today operating out of the British progressive RIO tradition.

Bill
Newsgroups: rec.music.bluenote
From: jdh64@cas.org (Dave Huddle)
Subject: Re: Carol Sloane discography
Reply-To: jdh64@cas.org
Organization: What, Me Organized?
Date: Thu, 7 Jan 1993 22:02:50 GMT

In article <1993Jan7.204748.17876@sarah.albany.edu>,
rstump@itchy.geog.albany.edu (Roger Stump) writes:
|> In article <00966403.EA2A0420@OCTAVO> mdcolby@OCTAVO writes:
|> >There was some interest here in Carol Sloane a few weeks back.  Just in
|> case
|> >it hasn't totally died out, I'm posting this discography.
|> >
|> I saw a new one in the record store today (new to me at least) on Concord,
|> called something like CONCORD ON CAPE COD.  It's not under her name; she's
|> listed as "special guest."  The band is apparently led by Scott Hamilton
|> and Dave McKenna.  If anyone knows anything about this, I'd appreciate a
|> mini-review.  My parents live on Cape Cod and are big Dave McKenna fans,
|> so I thought I might pick this up for them if it's any good.
|> -- 
|> Roger Stump  (rstump@itchy.geog.albany.edu)


From the Concord catalog-received yesterday

CONCORD ALL-STARS ON CAPE COD      CCD-4530   (released Nov 92)
This current edition of the Concord All-Stars may well be the most exciting and
compatible grouping under this name to date.  Featuring Concord stalwarts (Scott
Hamlton, Dave McKenna and Chuck Riggs) teamed up with more recent Concord
discoveries (Gray Sargent, Marshall Wood) this group is the epitoome of swinging
straight-ahead jazz.  Add velvety renderings by Concord's newest vocal star,
Carol Sloane, on three handpicked jazz favorites, and you have a disc you 
wont't be able to keep out of your CD player!

"In this concert, these players put their individual and collective stamps on
some of the finest jazz and popular American standards ever written...From start
to finish, this All-Starperformance swings with both sparks and subtlety"
					-Ken Francklin


The above stuff is quoted from Concord.   I'll probably wait till they send me
another sale catalog (usually in June or Dec.) when DC's are $10 each.

				- Dave Huddle
Newsgroups: rec.music.bluenote
From: sjones@alfred.carleton.ca (Stan Jones)
Subject: Re: Gene Harris
Organization: Carleton University
Date: Tue, 12 Jan 1993 15:02:30 GMT

In <1993Jan12.111235.1@vaxa.strath.ac.uk> cbas26@vaxa.strath.ac.uk writes:


>    He has asked me if i can tap the network's genius again and
>see if I can come up with some info. on a jazz pianist called
>GENE HARRIS.....a discography would be brill...

Since the Penguin Jazz Guide is available in the UK, you might find
get a copy because there is a section on Gene Harris (inexplicably it
contains nothing by Carol Sloan).  Your friend might know that
Harris's work can also be found under the name Three Sounds.  Anyway,
here's the Penguin list:

Gene Harris Trio Plus One (Concord CCD 4303)
Listen Here! (Concord CCD 4385)
Tribute to Count Basie (Concord CCD 4337)
Live at Town Hall, NYC (Concord CCD 4397)
World Tour 1990 (Concord CCD 4443)
At Last (Concord CCD 4434)

Ray Brown is the bassist on all these.  They all get *** (out of five)
from Penguin suggesting great consistency, if not cutting edge
quality.

Penguin lists only one Three Sounds CD, but mentions another and one
LP:

Babe's Blues (Blue NOte 784434)
Introducing (Blue Note CDP 74653)
Here We Come (BST 84008)

and says that they 'embody the group's uncluttered profesionalism and
easy melodic invention" (to which they give, yes, ***)
From: gwl@specialist.genrad.com (Glenn W. Lea)
Newsgroups: rec.music.bluenote
Subject: Re: Sun Ra
Summary: oops, 1993
Date: 7 Jan 93 14:20:31 GMT
Organization: GenRad, Inc.
NNTP-Posting-Host: specialist.genrad.com

In article <C0HL5o.8Kw@wang.com>, bst@wang.com (Bruce Tannenbaum) writes:
> gwl@specialist.genrad.com (Glenn W. Lea) writes:
> 
> >Sun Ra Alert!
> 
> >New issue of Goldmine (Jan 22, 1983, Steely Dan cover) has a major
> 
> How new can it be if it's ten years old???? :)
> 
Brand new.  My fingers erred.  It's really the CURRENT issue, 
dated 1/22/93.  Sorry and thanks all you eagle-eyes for all 
the corrections :)

> Glenn, did you  switch jobs???????
> 
Yes.

Glenn Lea
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: Dizzy Gillespie
Organization: AT&T
Distribution: na
Date: Fri, 8 Jan 1993 00:52:26 GMT

tenny@euclid.uucp (Nathan Tenny) writes:
>As regards essential recordings, I'm awfully fond of the Massey Hall concert
>(Mingus, Diz, Max Roach, Bud Powell, and Bird [credited as Charlie Chan]);
>half the material is Dizzy's, and while the recording is a little spotty,
>it's a hell of a collective performance.
>
>Is this out on CD, though?  I have an old tape which is starting to show its
>age.

OJC-044: Charlie Parker, THE QUINTET: Jazz at Massey Hall. Still in the OJC
catalog on CD, LP and cassette.

Its also included in the Mingus Debut box set in two forms: the original
version as taped, and the released version with Mingus overdubbing the
bass parts because the bass level was too low (and maybe he wanted to
spruce up a few of his solos :-) ).

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
From: hellers@cs.wisc.edu (Joe Hellerstein)
Newsgroups: rec.music.bluenote
Subject: Re: Recent Jazz
Date: 12 Jan 93 07:42:12 GMT
	<1ismp3INN323@hpfcbig.sde.hp.com> <1itbkhINN2k8@uxa.ecn.bgu.edu>
Organization: Univ. of Wisconsin @ Madison, CS Dept.

In article <1itbkhINN2k8@uxa.ecn.bgu.edu> ujwb@uxa.ecn.bgu.edu (Jeff Beer) writes:
>   You really should try On Broadway, by Paul Motian.  [...] the music is
>   all standards that everyone from Ben Webster to Charlie Parker to every
>   singer in jazz have played a million times.  But played in a way that no
>   one has played.  
>

Also try the albums "News For Lulu" and "More News For Lulu" by John
Zorn, George Lewis, and Bill Frisell (again!) as examples of how very
"straight-ahead" jazz (in this case, tunes from the "Blue Note" or
"Hard Bop" school of the 50's) can be taken apart and renewed without
losing form or swing.  This is a more aggressive example of this than
the Motian trio.  I found "News For Lulu" to be a revelation on
this count when I first heard it.

(Going out on a limb here:) I like to compare the above groups, among
others (David Murray comes immediately to mind), with -- on the one
hand the Coltrane school of standard playing, and on the other hand
the recent series of standards albums by Wynton Marsalis and related
folks.  Coltrane was one of the first people to take well-known
standards and really tear them up to the point where only the
initiated would catch the references to the original tune.
Conversely, Wynton Marsalis has put out a series of very classy,
polished albums of standards played with a lot of taste but without
any particularly novel insight.

I see a refreshing amount of standard playing being done these days
that falls in between these "extremes", the albums above being good
examples.  I like the idea of a recognizable but fresh treatment of a
standard, i.e. taking a good tune (a la Gershwin, Harold Arlen,
Ellington, etc.) and renewing it without transforming it.  I don't
hear Wynton Marsalis bringing much new perspective to these tunes.
Conversely, Coltrane is dealing more with Coltrane than with some of
the tunes he plays (which is A-OK with me, it's a different thing,
that's all.)  The Motian albums, as well as the News for Lulu albums,
are explorations of older material that stretches that material
without remaking it entirely.  I like that.

Joe Hellerstein
From: US30139@VM.CC.LATECH.EDU
Newsgroups: rec.music.bluenote
Subject: Re: YellowJackets former Sax player. Where is he now ?
Date: Mon, 11 Jan 93 11:07:48 CST
Organization: Louisiana Tech University
NNTP-Posting-Host: vm.cc.latech.edu

 
OK, so who is playing sax with the YellowJackets now?  I own 2 YJ albums--
Four Corners and Samurai Samba--and love them and Russo's playing on them.
 
Is their other stuff as good as these 2 albums?
 
mikejames (US30139@VM.CC.LATECH.EDU)
 
Newsgroups: rec.music.bluenote
From: hbsk@hostsit.cad.cea.fr (David HAUBENSACK)
Subject: UZEB
Date: Mon, 11 Jan 1993 16:09:08 GMT
Organization: CEA

Can you give me the complete list of UZEB's records or of any record of any member of the band ?
As I'm not a regular reader of this newsgroup, can you email the answer to me

David <hbsk@hostsit.cad.cea.fr>
Newsgroups: rec.music.bluenote
From: bst@wang.com (Bruce Tannenbaum)
Subject: Re: Sun Ra
Organization: Wang Labs, Lowell MA, USA
Date: Thu, 7 Jan 1993 13:51:23 GMT

gwl@specialist.genrad.com (Glenn W. Lea) writes:

>Sun Ra Alert!

>New issue of Goldmine (Jan 22, 1983, Steely Dan cover) has a major

How new can it be if it's ten years old???? :)

Glenn, did you  switch jobs???????

--Bruce (currently, an infrequent contributor to r.m.b because he's
	kinda broke and hasn't had much time to read his music mags.)
-- 
Bruce S. Tannenbaum (RADAR) <bst@wang.com>
VoiceCom Systems Inc., San Francisco, CA and Tewksbury, MA.
"I have a cunning plan!"
From: hsu@walnut.sfsu.edu (William Hsu)
Newsgroups: rec.music.bluenote
Subject: Re: Solo Cecil (was Re: akisakila, by c.t.)
Date: 5 Jan 93 01:01:12 GMT
Reply-To: hsu@walnut.sfsu.edu

Dale Smoak:
> 
> If you're looking for one Cecil album, or a next Cecil album, I'd say
> get *The Eighth* on Hat Art.  It's a quartet with Jimmy Lyons, alto
> saxophone; William Parker, bass; and Rashid Bakr, drums.  

I listened to this a while back, and I don't remember it turning
me on. For the Cecil beginner, I'd recommend something like
Nefertiti, the Beautiful One has Come (with Lyons and Sunny
Murray), which unfortunately is not easy to find. Or maybe something
even more conservative like Air or one of the late '50s dates.

Bill
Newsgroups: rec.music.bluenote
From: af185@yfn.ysu.edu (Robin L. Gibson)
Subject: Re: Another master is gone....
Reply-To: af185@yfn.ysu.edu (Robin L. Gibson)
Organization: St. Elizabeth Hospital, Youngstown, OH
Date: Thu, 7 Jan 1993 13:29:30 GMT


In a previous article, ujwb@uxa.ecn.bgu.edu (Jeff Beer) says:

>So one of the innovators is gone.  There should be someone replacing
>him, but who is that going to be??????????????
>
>Jeff
>
It just can't be done.  The death of Miles really made me sad; now THIS...

Robin
-- 
Robin L. Gibson          gibson@email.ncsc.navy.mil
                         Gibson_Robin@lanmail.ncsc.navy.mil
Coastal Systems Station
Panama City, FL  32407-5000
Newsgroups: rec.music.bluenote
From: vek@spacsun.rice.edu (Vincent E. Kargatis)
Subject: Re: Harmolodics ???
Organization: Rice University
Date: Fri, 8 Jan 1993 17:31:02 GMT

smehta@kwela.nynexst.com (Sandeep Mehta) writes:
> I did read that Ornette was writing a book which, among other things,
> would explain his harmolodic theory but I don't think the book was
> ever published.

Well, not that Ornette is very good at explaining it - there was a small
article in the back of Downbeatin the early or mid-80s (in that column
where they often put transcriptions, I think) where he wrote an entire page
worth of explanation concerning harmolodics, not a bit of which made sense.
(At least not to me.) 

The impression I got from random writings and references to it is that
harmolodics is melody, harmony, and rhythm all taking equal and equivalent
roles in the composition/performance. (Oh, like *that* means a lot :)
-- 
| Vincent Kargatis		     |	Dept. of Space Physics & Astronomy |
| vek@spacsun.rice.edu		     |	Rice University, Houston, TX       |
| "[Christ's] birthday mighta been the time to be on the beach at Galilee, |
|   watching him turn water into beer" - Brave Combo, "Christmas In July"  |
Newsgroups: rec.music.bluenote
From: cliveg@cix.compulink.co.uk (Clive Grace)
Subject: Double Bass for sale
Reply-To: cliveg@cix.compulink.co.uk
Date: Sat, 9 Jan 1993 15:57:00 +0000

Subject: Double Bass for Sale
=============================

[For UK post only: Sorry my mailer can't automatically do UK 
distribution posts.]


3/4 size Double Bass for sale. Blonde, carved Zeller model, includes 
soft case. A-mazing sound, but sadly I'm moving to smaller premises 
that only allow for my bass guitars.

Two years old, never gigged, never left my house and it's in 
absolutely pristine condition. Cost #670. Want to sell for #550 
o.n.o.

Please don't follow up in this newsgroup, please Email me for more 
information and I'll post you my telephone number if you';re 
interested.

Thank you

Clive Grace
From: mchenry@guvax.acc.georgetown.edu
Newsgroups: rec.music.bluenote
Subject: Re: The Tonight Show
Date: 12 Jan 93 19:31:59 -0500
Distribution: world
Organization: Georgetown University

In article <1993Jan11.161540.23148@siemens.com>, hampel@siemens.com. (Ken Hampel) writes:
> In article <1993Jan7.152334.27772@ee.gatech.edu> wung@eecom.gatech.edu writes:
>>
> However, didn't anyone notice Mike Stern? Anyone not familiar with Stern

> He played with Miles in the early '80's. He appeared on Miles Smiles and
> did an incredible job on We Want Miles.
> As a side note, he recently toured with the Brecker Brothers.
> 
Someone probably already posted a correction...
Miles Smiles was done in 1965, We Want Miles in 1981. Let's see I think 
Mike was no more than about 5 years old when he played on Miles Smiles. And 
I thought Tony Williams was young when HE started with Miles. 

Bill McHenry                   |Those who do not hear the past works
mchenry@guvax (bitnet)         |are condemned to recompose them....
mchenry@guvax.georgetown.edu   |                 -me
From: cook@bebop.esd.sgi.com (Doug Cook)
Newsgroups: rec.music.bluenote
Subject: Re: Another master is gone....
Date: 6 Jan 93 23:02:26 GMT
Organization: Silicon Graphics, Inc.  Mountain View, CA


In article <1ifmakINNoat@hpfcbig.sde.hp.com>, mjs@fc.hp.com writes:
> Oh well, I expect to hear "A Night In Tunisia" more times in the next week than
> I have heard it in the last four years combined.  It seems to be the only one
> of his tunes that made it into "The Real Book" and is known by most musicians.
> I suppose it is as fitting a tribute to his personality as any other tune I can
> think of - as "Blue In Green" was for Miles.  But here's hoping someone besides
> me calls up "Con Alma", "Things To Come", "Salt Peanuts", and other less played
> yet equally "Dizzy" compositions.

Speaking of which, does anyone know where I can get the music for
"Manteca?"

	-Doug