HDTenEightyP/NetNews huggingface dataset:
From: yjossa@mathlab.sunysb.edu (yuri jossa)
Subject: Re: 383 ALBUMS FOR SALE
Organization: SUNY at Stony Brook, Dept. of Math
Date: Fri, 2 Oct 1992 06:22:05 GMT
X-Posted-From: mathlab-gw.pi.sunysb.edu
NNTP-Posting-Host: sol.ctr.columbia.edu

In article <1992Sep28.204113.8450@edinboro.edu> w644171c@edinboro.edu writes:
>
>	383 ALBUMS FROM THE 60'S AND 70'S FOR SALE.
>SEND A # 10 SELF ADDRESSED STAMPED ENVELOPE WITH A $2.00 MONEY ORDER FOR
>A COMPLETE LIST OF TITLES AND ARTISTS.
>
>  TO:	HARRY FARNHAM
>	4315 HARTWIG STREET
>	NORTH EAST PA  16428-1839
>

>
>P. S.  I AM POSTING THIS FOR A FRIEND SO DO 'NOT' REPLY BY E-MAIL

Who the fuck is going to send this asshole $2.00 for a list?

who is the interested in seling the albums?? 

let him take the work and post the list thru somebody or he can go and fuck 

himself!!

yjossa@mathlab.sunysb.edu

peace, love and dismemberment.






Newsgroups: comp.music
From: sugai@spls38.ccs.mt.nec.co.jp (Masaru Sugai)
Subject: CD+MIDI 
Date: Mon, 5 Oct 1992 11:43:12 GMT
Organization: NEC Corporation, +81(3)5476-1084(VOX)/1083(FAX)

Hi.
I am looking for pointers to CD+MIDI format specs. I already know that
CD+MIDI uses similar subcode scheme like CD+G, but my reference focuses on
graphic side. Also I would like to know available titles and distributors
in the world. Meantime, I will be trying to see Karaoke industries in Japan.
Thanks in advance.

- Masaru Sugai	NEC Corporation; Tokyo Japan
 
Masaru Sugai   NEC Corporation Tokyo Japan
   sugai@ccs.mt.nec.co.jp, masaru@world.std.com
Newsgroups: comp.music
From: cschen@csie.nctu.edu.tw (Chih-Shen Chen)
Subject: Beginner's call for help
Organization: National Chiao Tung University
X-Newsreader: TIN [version 1.1 PL6]
Date: Sun, 4 Oct 1992 12:28:35 GMT

Hi, there

	Sorry, I am not sure if this is the right place.  Being a beginner
in the field of computer music and MIDI, could anyone be so kind to suggest
me some good magazines about this.  Many thanks in advance..

+-
| Chih-Shen Chen			Internet: cschen@csie.nctu.edu.tw
+--------------------------------------------------------------------------+
| NCTU Inst. CSIE, PDP Lab.						   |
| Hsinchu, Taiwan, R.O.C.						   |
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
Newsgroups: comp.music
From: NVOGTEN@KUBVX1.KUB.NL (U092 774111 vogten)
Subject: Co-vox 2
Date: Tue, 29 Sep 92 14:41:41 GMT
Organization: Tilburg University, The Netherlands
X-News-Reader: VMS NEWS 1.22

Does anyone know if a tsr exists that wil enable me to play
soundblaster or ad-lib music on my Co-vox ?
Please MAIL your answers, since I re my mail more frequently than 
"news". Thanks !
Nanko.
From: shawni@tis.llnl.gov (Shawn Instenes)
Newsgroups: comp.music
Subject: Re: Trakblaster (comes w/ audio spectrum 16)
Date: 28 Sep 92 23:56:21 GMT

raffi@aero.org (Raffi Krikorian) writes:

>I recently saw a demo of Trakblaster that comes with the new audio
>spectrum 16 card, and it looked incredible!  Does anyone know if this
>program would work with the SBpro?  Or is there a program similiar
>to this that can allow you to use my computer as a 4-track studio?

Trakblaster Pro does not work with anything other than a PAS 16.  And
then it won't work if you set the DMA channel to anything other than 1 or 3.

Am I the only one who's noticed that the author got the left & right channels
wrong?  (Tracks 1 & 4 are LEFT, 2 & 3 are RIGHT in MODs.  Trust me, I own
two Amigas, too.)

>And where I can I find this good stuff?

Look for 'promod' and 'wowii' on an archie server near you.  They will let
you play MOD files, which is all that Trakblaster Pro does.  I've yet to
see a decent MOD editor on an ??-DOS based machine.  (I've only seen two.)

--
Shawn Instenes, shawni@tis.llnl.gov, shawni@s1.gov
Distributed Computing Support Program, LLNL
Newsgroups: comp.music
From: Colin.Toal%nautical@r-node.gts.org (Colin Toal)
Newsgroups: comp.music
Subject: Hey All..
Date: 5 Oct 92 19:58:41 GMT
Reply-To: Colin.Toal%nautical@r-node.gts.org (Colin Toal)
Organization: R-node Public Access UNIX Information System (416-249-5366)
X-Posting-Software: UniBoard 1.10 S/N 120921

Hey there, being a Small Potatoes Low Key Private BBSer of sorts, I'm
new to the whole USENET scene. It's pretty Wild I must say. Anyway,
What I'm driveling about is regarding any other Atari ST users out
there doing creative things with their MIDI systems, I wanna know if
anyone wants to trade secrets or Song Files Etc... Anyway, Talk to
me...
                      Colin
--
Colin Toal, user of the UniBoard System @ r-node.gts.org
E-Mail: Colin.Toal%nautical@r-node.gts.org


R-node Public Access Unix/BBS - Free Access to the World thru Usenet
                 Data: 1-416-249-5366 (3 Lines)
     Shell Accounts Available - Contact marc@r-node.gts.org
Newsgroups: comp.music
From: downs@nevada.edu (Lamont Downs)
Subject: Re: Notation Software with Inkjet Printers
Keywords: music notation Canon BJ-330 Finale
Organization: UNLV
Date: Wed, 30 Sep 1992 01:19:52 GMT

In article <1992Sep29.182127.16235@merlin.hgc.edu> bulm2533@hgc.edu (steven bulmer) writes:
>From: bulm2533@hgc.edu (steven bulmer)
>Subject: Re: Notation Software with Inkjet Printers
>Date: Tue, 29 Sep 1992 18:21:27 GMT
>Was going to send this personally but downs@nevada.edu returned
>"user UnKnown" on my system:
>
>Hi,
>   Thanks for the posting on Finale and the Canon BJ330. I am
>looking for a printer now to go with Finale.  Would you recommend
>the BJ 330 over say standard laser/postscript printers? I like
>the idea of being able to print on larger than 8.5x11 paper.
>Is your BJ 330 Postscript compatible? Do you also use Adobe Type
>manager?  Thanks for addressing any/all of these questions!
>
>Steve Bulmer
>bulm2533@hgc.edu'
>
>
Sorry, Steve. That should have been downs@helios.nevada.edu. To answer
your questions in order:

A laser printer definitely provides better output. Although the 330 has
360x360 resolution, the individual pixels aren't nearly as precise as
laser printing, with the result that small characters can appear slightly
"fuzzy," & vertical staff lines are "jiggly" if you look closely. On the
other hand, if you want something larger than legal size and don't have
five grand to spend, it's virtually your only alternative (unless you want
to "tile" pages, which I personally dislike doing). It _is_ nice to do
actual performance books, with four pages per sheet (two per side) stapled
along the spine, although at least with Finale it requires running the
paper through the printer once for each actual page.

The BJ-330 looks like a dot-matrix printer to your computer (or Windows), 
and as far as I know Canon doesn't offer a PostScript card, so you'd have
to use a software PostScript interpreter if you want actual PS output
(I'm in the process of investigating UltraScript and EmuLaser after a
bad experience with Freedom of Press). Adobe Type Manager is a _must_ if
you're using Finale without PS, but although it makes all font-generated
characters (notes, dynamics, clefs) look fantastic, it doesn't affect things
like slurs, hairpins, braces, etc. which I've been told look much better
when printing PS or through a PS interpreter.

Hope this helps.

Lamont Downs
downs@helios.nevada.edu
From: daveg@icad.com (Dave Gladstein)
Newsgroups: comp.music
Subject: Sparc 10 sound
Date: 28 Sep 92 01:33:54 GMT
Distribution: comp.music
Organization: ICAD Inc., Cambridge, MA


I heard on this newsgroup that the Sparc 10 has 16 bit stereo sound.
The soundtool demo supplied with the machine seems to like 8 bit
mu-law files and nothing else, but the subjective quality of the sound
you get out of it is much better than on the older machines.  Does
anyone know what's up?
From: John_Somerville@mindlink.bc.ca (John Somerville)
Newsgroups: comp.music
Subject: Re: Pitch vs Frquency
Date: 28 Sep 92 02:50:48 GMT
Organization: MIND LINK! - British Columbia, Canada
Distribution: world

OK, but I can understand a conversation about the frequency of a sine wave, but
I have trouble with a statement with to respect frequency of a note from a
violin. If OTH we talk about the periodicity of a note from a violin, I find
that more acceptable. But I know little of which I speak, and therefore ask:
What property of say, a Stradivarius (S) is different than grandpa's fiddle
(g). Would it be correct to say that note A(S) is the same pitch as note A(g).

regards john
--
john somerville B.C. Hydro
affiliations FIG Forth Interest Group
Xref: sparky comp.music:4633 misc.wanted:8780 rec.music.synth:15864
From: cfoley@Bonnie.ICS.UCI.EDU (Ciaran Foley)
Subject: BOSS SE-50 Multi-Effects Unit Wanted.
Newsgroups: comp.music,misc.wanted,rec.music.synth
Date: 2 Oct 92 14:41:36 GMT

If it is the one I think it is (that includes vocoding, half rack,
has impressive specs) I'd very much like to get some advice as to
where I can purchase one for a low cost (phone numbers, PLEEEZ) or
perhaps one of you out there has one you'd be willing to sell me?

Thanks a million!

Ciaran Foley

-------------------------------------------------------------------------------
California Software, Inc.  | cfoley@bonnie.uci.ics.edu |  (714)729-4230 Office
2121 E. Pacific Coast Hwy  | eaiu131@orion.oac.edu     |  (714)644-6277 Fax
Suite #220                | ciaran@calsoft.com        |  (714)729-4222 Mail
Corona Del Mar, Ca 92625   | Internet                 |  (714)830-3579 Home
-------------------------------------------------------------------------------


Xref: sparky comp.music:4588 rec.music.synth:15722
From: jarhart@slate.mines.colorado.edu (Jason Arhart)
Newsgroups: comp.music,rec.music.synth
Subject: MPU-401 programming info needed
Date: 30 Sep 92 04:37:03 GMT
Organization: Colorado School of Mines


     I want to write a simple program to control my synthesizers using my
MPU-401 compatible interface, but I can't find any information on how it's
done.  I've looked all over the network to no avail.  I would be very
appreciative if somebody could help me out.

Thank you,

Jason Arhart
jarhart@slate.Mines.Colorado.edu
From: woodson@cse.ucsc.edu (Morgan Woodson )
Newsgroups: comp.music
Subject: ICMC 1992 - If you're going, let's talk
Date: 6 Oct 1992 06:19:49 GMT
Organization: University of California, Santa Cruz (CE/CIS Boards)
Distribution: ba
NNTP-Posting-Host: arapaho.ucsc.edu


I saw the post on the Frost Ampitheathre concert at Stanford - are there
people in the Bay area going to ICMC events that read comp.music?  I know
metlay over on rec.music.synth lives in this area and there's lots of
commercial development (E-mu, Passport, Korg, Opcode, Digidesign,
Dolby Labs, etc.) and academic research (CCRMA, CNMAT, SJSU, UCSC, Coggswell),
around, so who's going and what looks interesting?  I just registered (they
claimed pretty late reg. would be OK - hope so!) and haven't received
abstracts yet, so have no idea what to expect.

Xref: sparky comp.music:4634 rec.music.synth:15866 alt.emusic:309
From: sarisky@a.chem.upenn.edu (Mark J. Sarisky)
Newsgroups: comp.music,rec.music.synth,alt.emusic
Subject: Re: Sam Ash Email?
Date: 2 Oct 92 13:59:56 GMT
Followup-To: comp.music
Organization: University of Pennsylvania

In article <1992Oct2.061543.587@sol.ctr.columbia.edu> yjossa@mathlab.sunysb.edu (yuri jossa) writes:
>
>As far as i know there is no email for Sam Ash..
>they are a fucking ripoff anyway.. if you buy anything from them 
>you are an idiot!

Nice comment.  I usually don't go to Sam Ash to get fucked.  I now know to 
stick to the local whores.  I must be a real idiot, however.  Sam Ash has
provided me with deals-a-plenty.

Symetrix 501 compressor/limiter 		$185 in 1990 on sale.
Apex Keyboard Stand				$119 in 1989
Shure SM-57's					$65 after rebate in 1988
Ibanez Tube Screamer TS-10			$40 last year on sale

Just to name a few.

>
>try Caruso Music in connecticut, better prices and selection...

Actually, I've called them a few time and they have not even been able to
beat prices from stores in Philadelphia.  And their used prices have be
really out of line.  $550 for a Roland GR-300 with a G-202 controller, 
I ended up getting one in Philadelphia for $350 and have several within
$50 of that to choose from.

Options are great.  Opinions are common.

Mark
sarisky@a.chem.upenn.edu
From: rdw1@rodan.acs.appstate.edu (Robert D Warren)
Newsgroups: comp.music
Subject: CMF -> MIDI conversion wanted
Keywords: cmf midi convert
Date: 5 Oct 92 21:38:43 GMT
Organization: Appalachian State University


	I know there is a converter that transforms SoundBlaster CMF
files to MIDI format. It's been around a while too, so I'm told. Has
anyone seen this file anywhere? Could someone send me a copy, or point
me to where I can get it. It wasn't referenced on archie. Thanks in
advance.

								B
--
Robert D. Warren
Appalachian State University 
AcsOp17@Appstate.Edu
Newsgroups: comp.music
From: euasgn@eua.ericsson.se (Sten Gunnarsson)
Subject: Re: Resetting Roland U-20
Reply-To: euasgn@eua.ericsson.se
Organization: Ellemtel Telecom Systems Labs, Stockholm, Sweden
Date: Fri, 2 Oct 1992 11:25:20 GMT

In article 1608@outland.UUCP, richard@adpgate.UUCP ( ADP OPuS) writes:
>Harry Jenkins (hjenkins@amsaa-seer.brl.mil) wrote:
>: Hello All,
>: 
>: I have a U-20 that I loaned to a friend.  Upon receiving it, all the
>: presets I had were changed.  I was wondering if there is a way to
>: reset it back to the factory settings quickly?
>: 
>: 
>: Harry Jenkins
>: e-mail:hjenkins@BRL.Mil
>
>  Assuming you mean the timbres and sound patches I'm afraid the
>  news may be bad!!  I bought a used U-20 several years back and
>  a few of the timbres and sound patches had been changed. Once
>  these have been saved from temporary to permanent status on the
>  U-20, that's it!  
>
>  The U-20 however, does offer utilities for doing System
>  Exclusive data dumps both from and to the unit. in retrospect,
>  you should have done a full permanent data dump before loaning
>  it to your friend. Don't know if the RAM card has the ability
>  to store this or not since I use the Mac sequencer Vision and
>  store my SysEx stuff with it. Had you done this, you could now
>  very easily dump your data back into the U-20 and it would be
>  just as it was when it left.
>
>  If you know someone with a U-20 that has it's factory timbres
>  and sound patches intact, you could get a SysEx dump from them
>  and load it into your U-20.  Good Luck!

I own a U-20 and before I started do sysEx dumps to my Mac Performer
sequencer I used to overwrite some factory patches (not owning a RAM card).

The good news are: all factory presets are in the manual! I know it`s hard work
but it can be done. Conclusion: Save your settings together with your songs
in your sequencer.

Sten


Xref: sparky comp.music:4584 rec.music.synth:15710
From: gtaylor@vme.heurikon.com (Gregory Taylor)
Newsgroups: comp.music,rec.music.synth
Subject: Re: Rouge Music
Date: 29 Sep 92 17:45:09 GMT
Reply-To: gtaylor@vme.heurikon.com (Gregory Taylor)
Organization: Heurikon Corporation, Madison, WI

In article <92272.134912MRLCC@CUNYVM.BITNET> MRLCC@CUNYVM.BITNET writes:
>
>  Does anyone know if ROUGE MUSIC in N.Y. has an email address? Could you
>please email the information to me or post it. Thank you.

Say, isn't that that new feminist-separatist collective up on Spring
Street? I don't think they'll sell synthesizers to anyone with an XY
chromosome configuration onboard. ;-)




-just another rogue

--
I've never had much real control over things. The music of pianos, for example,
is the dead world where I loved the machine of my small freedoms, one of the 
crowd in his best clothes despite the weather, the Eastern snow like the 
distinct sound of pianos over the airfield. The music lifts and swells.
Xref: sparky comp.music:4604 rec.music.synth:15781 rec.music.makers:9959
From: nguyen@net5.ics.uci.edu (Thieu Q. Nguyen)
Subject: Ear Training -- Help!
Newsgroups: comp.music,rec.music.synth,rec.music.makers
Organization: Univ. of Calif., Irvine, Info. & Computer Sci. Dept.
Date: 30 Sep 92 22:58:40 GMT


Hi,

I am wondering if anyone knows of a music software that would improve
my listening skills, especially recognizing melodic, harmonic intervals,
or identifying triads (whether they are major, minor, augmented, or
diminished).  Of course, I would like to get a public domain one.  Thanks
very much for any pointer...  Please send email.

--tn
  nguyen@cisoc.canon.com or
  nguyen@ics.uci.edu

--
Thieu Nguyen
Newsgroups: comp.music
From: dtg001@dunix.drake.edu (Soli Deo Gloria)
Subject: Where to find MIDI protocols?
Followup-To: dtg001@dunix.drake.edu
Organization: Drake University, Des Moines, Iowa, USA
Date: Thu, 1 Oct 1992 23:54:16 GMT


Hello, folx.  I'm new to this group, but reading from now on...
So, sorry if there have been posts pertaining to this in the past.

I'm working on a rather large project (for personal interest and
fun, not much else).  The program, hopefully, *smile* will be used
to analyze music in various styles, i.e., sixteenth-century
counterpoint, 18th cent. counterpoint, classical, etc.

Obviously, I _am_ duplicating work that has been done previously.
That's fine... it's not my goal to be original.  I won't be
selling the product or anything.  This is more a programming 
exercise for myself to keep me limber.  :)

Anyway... my question is, since I'm doing so much work on this,
I want to incorporate MIDI standards so that once I have a MIDI
setup (coming soon) it will interface with my program.  Where
do I find such standards?  How pitch names, frequencies, voices,
etc. are transmitted from medium to medium...  Any ideas?

It'd be nice if I could just go to the library and pick up
a book, like 'ANSI C'  *chuckle*  but I doubt such a thing
would be found at my school.  *melodious sigh*  

Anyway... I'll be reading the group, so either post or eMail,
whichever you prefer.

Thanks for your help!

Damien Guay
Church Music major, Drake Univ.

P.S. eAddresses of others doing similar work would also be
appreciated!  :)
From: jayb@hpgrla.gr.hp.com (Jay Brown)
Date: Mon, 5 Oct 1992 20:48:37 GMT
Subject: Re: Ear Training -- Help!
Organization: Hewlett-Packard, Greeley, CO
Newsgroups: comp.music

>I am wondering if anyone knows of a music software that would improve
>my listening skills, especially recognizing melodic, harmonic intervals,
>or identifying triads (whether they are major, minor, augmented, or
>diminished).  Of course, I would like to get a public domain one.  Thanks
>very much for any pointer...  Please send email.

>--tn
  >nguyen@cisoc.canon.com or
  >nguyen@ics.uci.edu


  Play it By Ear by IBIS Software.  Available from Computers and Music
  Mail Order (and from other sources I'm sure).  Around $50.

	Tried to mail it back, but unsuccessful, so glad you found it here.

  Jay Brown
  hpgrla!jayb 303-350-4630
From: gtaylor@vme.heurikon.com (Gregory Taylor)
Newsgroups: comp.music
Subject: Welcome Undergraduates....
Date: 2 Oct 92 18:44:54 GMT
Reply-To: gtaylor@vme.heurikon.com (Gregory Taylor)
Organization: Heurikon Corporation, Madison, WI

yjossa@mathlab.sunysb.edu (yuri jossa) writes:
>Who the fuck is going to send this asshole $2.00 for a list?
...>
>let him take the work and post the list thru somebody or he can go and fuck 
>himself!!

Yow. Three "fucks" in two posts in a row. Must be the start of the school
year, when we can always look forward to this kind of stellar objective
judgement from those bright young children of privilege just learning to
use the net for the first time.
--
I've never had much real control over things. The music of pianos, for example,
is the dead world where I loved the machine of my small freedoms, one of the 
crowd in his best clothes despite the weather, the Eastern snow like the 
distinct sound of pianos over the airfield. The music lifts and swells.
Newsgroups: comp.music,rec.music.makers
From: stefanb@delos.stgt.sub.org (Stefan Bechtold)
Subject: Re: demo of Score -- where ?
Date: Fri, 2 Oct 1992 17:35:36 GMT
Organization: Delos Stuttgart, Germany

LOGIN@delos.stgt.sub.org writes:
^^^^^

I don't know how this happened :-(
If you want to mail me, use stefanb@@delos.stgt.sub.org.

My original posting was:
>I'm looking for a demo of the notation software SCORE for the PC.
>Is such a demo available by ftp ? (I've looked at ucsd.edu but 
>didn't find it :-(

>Where else can I receive a demo ?

>Any hints would be greatly appreciated...

Stefan
-- 
+ Stefan Bechtold # stefanb@delos.stgt.sub.org # Voice +49 711 813240 +
++++++++sed nemo potuit tangere: merda fuit ! (Martial III 17)+++++++++
Newsgroups: comp.music
From: shiv@bnr.ca (Shiv Naimpally)
Subject: Re: Notation Software with Inkjet Printers
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Date: Tue, 29 Sep 92 14:08:30 GMT

Typically you need the correct printer driver for use with your
notation package. A friend who had Notator bought an HP Deskjet,
but the supplied driver was incorrect and Digidesign (who was
distributing and supporting C-Lab) wasn't much help. He finally
went to the store where he bought Notator, got a copy of the latest
driver off of them and it worked fine. So check your printer drivers !
Newsgroups: comp.music
From: hsiaoe@aix.rpi.edu (Eric Hsiao)
Subject: Re: Trakblaster (comes w/ audio spectrum 16)
Organization: Rensselaer Polytechnic Institute, Troy, NY
Date: Tue, 29 Sep 1992 01:31:27 GMT

In article <shawni.717724581@tis.llnl.gov> shawni@tis.llnl.gov (Shawn Instenes) writes:

>Am I the only one who's noticed that the author got the left & right channels
>wrong?  (Tracks 1 & 4 are LEFT, 2 & 3 are RIGHT in MODs.  Trust me, I own
>two Amigas, too.)

Yeah, I knew about this "bug" back in June.  When I wrote MV about it, they
didn't seem to know what I was talking about.  TB Pro was written for MV by
the guy in Germany so I guess MV is just acting as the distributor.  
   Win Mod Pro will play correctly 1&4 to the left and 2&3 to the right on the
PAS-16.  Don't confuse Winmod Pro with Winmod.  Winmod has docs all in 
German, while Win Mod Pro has English docs and was written by a person in
Australia (or was it New Zealand?)
                     - Eric
-- 
| Internet: hsiaoe@rpi.edu         > Read GIF News - a freely copied news  < |
| Bitnet: userHA6G@rpitsmts.bitnet > magazine in .GIF file format.  Color  < |
| To get GIF News, FTP to here:    > articles on reviews of programs,      < |
| netserv1.its.rpi.edu /pub/misc   > games, industry news, IBM, Amiga, etc.< |
Newsgroups: comp.music
From: plee@panix.com (John Lee)
Subject: info needed on Speaker/Monitor
Summary: info wanted on speaker
Date: Tue, 29 Sep 1992 03:07:05 GMT
Organization: PANIX Public Access Unix & Internet, NYC
Keywords: speaker monitor

Hi net people,

	I just bought an M1 and it nearly broke me.  Right now I just 
hooked the keyboard to a stereo instead of going out and purchase a 
monitor.  Later when I have some cash I would like to get a decent speaker.
I was wondering if people can recommand some low priced monitors.

	Also I was wondering what spec should I look for.  For example
frequency response range, cross over frequency.  

Any help would be greatly appreciated,

JPHL
Newsgroups: comp.music