HDTenEightyP/NetNews huggingface dataset:
From: jimmys@bonnie.ics.uci.edu (Jimmy Shaw)
Subject: Joni Mitchell's "Chelsea Morning"
Newsgroups: rec.music.folk
Reply-To: jimmys@ics.uci.edu (Jimmy Shaw)
Organization: Univ. of Calif., Irvine, Info. & Computer Sci. Dept.
Date: 13 Dec 92 01:39:21 GMT


I was wondering if someone could email me the lyrics to "Chelsea
Morning."  I was told of this song's existence by a friend of
mine, and she said it is from the album "Clouds."

The reason why I am curious about this song is because my new
girlfriend's [Yeah!] name is Chelsea, and my friend said I should
certainly show her the lyrics, and/or sing her the song :-)

I was also wondering if the song is still/currently available in
stores like the Warehouse, if not, where can I get a copy of the song?
(can I request it from certain radio stations, and do you know of any
in the Los Angeles area?)

Thanks in advance (from Chelsea and I :-)

Jimmy
jimmys@ics.uci.edu


--
Jimmy Shaw		      RamFAST, ZipGSX and 6.0... Apple II Forever!
jimmys@ics.uci.edu
-----------------------------------------------------------------------------
From: mg@dagoffice.cs.uni-sb.de (Michael Greim)
Newsgroups: rec.music.folk
Subject: Re: Makem & Clancy, Waltzing Mathilda
Date: 15 Dec 1992 15:33:55 GMT
Organization: Universitaet des Saarlandes,Rechenzentrum
NNTP-Posting-Host: dagoffice.cs.uni-sb.de
Originator: mg@dagoffice

From article <1992Dec15.090627.13036@bsu-ucs>, by 00rdharringt@leo.bsuvc.bsu.edu (Rob Harrington):
= In article <1992Dec15.094854.8168@teetot.acusd.edu>, jerry@teetot.acusd.edu (Jerry Stratton) writes:
=> Okay, here's a lyric question for y'all. I've got an ancient Makem &
=> Clancy tape; in the song 'Waltzing Mathilda' (which is not the standard
=> Waltzing Mathilda previously posted), there's the following lines:
=> 
=> "Waltzing Mathilda, Waltzing Mathilda,
=>  Who'll come a Waltzing Mathilda with me?
=>  and their ghosts may be heard
=>  as they march by the temenole,
=>  who'll come a Waltzing Mathilda with me?"
=> 
=> Okay, what are they marching by? It sounds sort of like what I've
=> written, but this poor American boy can't quite make out what they're
=> saying.
= 
= Hmmmm if memory serves me correct the song is actually
= "And the band played Waltzing Mathilda"
= about Anzacs in WWI... 

I think it is
	as they march by the billabong

(at least as June Tabor and the Dubliners sing it (not together!))

If my memory serves me correctly, the word is australian and means
a kind of dead-end branch of a river or creek. Or was that dried-up branch?

	-mg

-- 
Michael Greim    e-mail : mg@cs.uni-sb.de    or : ...!uunet!unido!sbsvax!mg
 .-. .-.  .-.    voice  : +49 681/302-2434
(   X   )( __)   As the Sun pulls away from the shore, and our boat sinks
 \_/ \_/  \_/    slowly in the west ...      --- Spike Jones
From: J.Crowcroft@cs.ucl.ac.uk (Jon Crowcroft)
Newsgroups: rec.music.folk
Subject: Re: **QUICK SINEAD SURVEY PLEASE ANSWER**
Date: 14 Dec 92 13:34:48 GMT


 >I have seen much talk about Sinead on the net lately, 
 >and was wondering what the general opinion of Sinead
 >was.  Please take the 20 seconds it takes to reply to
 >this question and answer it.  (A simple Y or N will do).

 >Please use your newsreader's reply option or regular
 >email to submit votes -- do not post your answer.

well, this aint my answer, so i can post it - i agree with Annie Lenox
who wrote to the papers recently

 jon
Newsgroups: rec.music.folk
From: mudws@sunvis1.vislab.olemiss.edu (David Warren Steel)
Subject: Re: Steve Young/Seven Bridges Road
Organization: Mississippi State University
Date: Mon, 14 Dec 1992 01:17:54 GMT

In <1992Dec13.014937.28956@uvm.edu> 
     riordan@moose.uvm.edu (Gerard Riordan) writes:

>	 I am cross posting a request for any one of Steve Youngs versions
>of the song Seven Bridges Road. I am interested in getting either the chords or
>tab to this song. I know it was covered by the Eagles, Ian Tyson, Joan Baez, to
>name a few.

   I don't have lyrics or tab, but those interested in Steve Young should
check the interview of Steve Young by Ted Olson entitled "I've Got Another
Song About the South," in _CrossRoads: A Journal of Southern Culture_, a
new journal published by the University of Mississippi (vol.1, no. 1, pp.
49-70).  An important resource for all interested in this important
singer and songwriter.

David Warren Steel        University of Mississippi  
mudws@sunvis1.vislab.olemiss.edu

Xref: sparky rec.music.folk:8658 rec.music.misc:29516
From: jonb@Ingres.COM (Jon Berger)
Newsgroups: rec.music.folk,rec.music.misc
Subject: Re: Modes; was: Re: Reading music - book sought.
Date: 18 Dec 92 17:25:53 GMT
Reply-To: jonb@ingres.com
Organization: Ingres, an ASK Company

In article <1992Dec18.163122.16669@crd.ge.com>, kassover@rumsey.crd.ge.com (David Kassover) writes:
>I'm told certain of the ancient Greek philosophers lobbied
>against its use in the construction of new music, because it
>songs in this mode were wont to encourage frivolity and
>lasciviousness.

Wow.  Those ancient G's were pretty much right on the money, weren't they?

--------------------------------------------------------------------------
   -__ __ /_   Jon Berger              "If you push something hard enough,
  //_// //_/   jonb@ingres.com          it will fall over."
_/ ---------                              - Fudd's First Law of Opposition
Newsgroups: rec.music.folk
From: davis@garlic.IntelliCorp.COM (Nils Davis)
Subject: Re: Bok Muir Trickett - discography?
Date: 11 Dec 92 18:48:59 GMT
Distribution: na
Reply-To: ndavis@intellicorp.com

dschatz@ccwf.cc.utexas.edu (Dan Schatz) writes:

>Gordon Bok, solo

>[Bok discography...]
>Return to the Land, FSI-118, 1990

Is it just me, or is this album not up to the earlier ones? I picked
it up a few months ago. I played it once, and then again because I
thought I must have missed something. It did not grow on me. What do
other people think?

Nils Davis
ndavis@intellicorp.com
-- 
==========
Nils Davis  Intellicorp, Inc.  ndavis@intellicorp.com 
"Providing people with one hand so they can experiment with clapping
has its limits." Bob Frankston
From: betsys@cs.umb.edu (Elizabeth Schwartz)
Newsgroups: rec.music.folk
Subject: Re: The Great Selkie of Sule Skerrie
Date: 17 Dec 92 20:16:53 GMT
	<1gibdsINNphr@agate.berkeley.edu>
Organization: University of Massachusetts at Boston

I have two recordings of this:
  Joan Baez on "The Joan Baez Ballad Book." Vanguard .
   My copy of this is on tape so I'm not sure of the details. 
   It might be a compilation  of earlier recordings.
 Lui Collins on "Made in New England" on Philo. She credits the
   tune to Jim Waters. Same tune as Baez's, but I like Collin's
   timing. 
--
System Administrator                  Internet: betsys@cs.umb.edu
MACS Dept, UMass/Boston               BITNET:ESCHWARTZ%UMBSKY.DNET@NS.UMB.EDU
100 Morrissey Blvd                    Staccato signals
Boston, MA 02125-3393                      of constant information....
Newsgroups: rec.music.folk
From: bulger@ug.cs.dal.ca (Fred Bulger)
Subject: Lyrics
Organization: Math, Stats & CS, Dalhousie University, Halifax, NS, Canada
Date: Sat, 12 Dec 1992 17:32:20 GMT


   I haven't been able to find the lyrics to these songs anywhere on the net,
so I would greatly appreciate it if anybody could help me out :

  "Galoway Races "   Irish folk song
  "The Badger Drive"   A song on Stan Rogers "For the Family" album ...
	               I can't make out all of the words :(
 
	    Thanks...

			-Fred.

-- 
  Fred Bulger                |  1-(902)-429-3057 
  6137 Charles St.           |  bulger@ug.cs.dal.ca  
  Halifax, Nova Scotia       |  fbulger@ac.dal.ca 
  CANADA    B3l 1K8          |  bulger@moon.sba.dal.ca
Newsgroups: rec.music.folk,rec.music.misc,rec.music.country.western
From: ddyment@well.sf.ca.us (Doug Dyment)
Subject: Re: Looking for Joni Mitchell/K.D. Lang
Organization: Whole Earth 'Lectronic Link
Date: Fri, 18 Dec 1992 05:10:56 GMT


"Crying" is _also_ available on k.d.'s fantastic video, "Harvest of Seven
Years (Cropped and Chronicled)". It's an hour long, in both VHS and laser
disk formats, and is a must for all her fans. It also includes the song
from her film "Salmonberries", plus other live footage from concerts in
Alberta, Ontario, and other spots.
-- 
  Doug Dyment = ddyment@well.sf.ca.us = {pacbell,hplabs,ucbvax}!well!ddyment
From: ndrose@husc8.harvard.edu (Nathan Rose)
Newsgroups: rec.music.folk
Subject: Re: The Great Selkie of Sule Skerrie
Date: 15 Dec 92 19:28:20 GMT
Article-I.D.: husc3.1992Dec15.142821.18527
Organization: Harvard University Science Center

In article <1geb7lINNevl@pith.uoregon.edu> tenny@euclid.uucp (Nathan Tenny) writes:
>
>Does anyone have a working melody for this song?  There's one in the Viking
>Press collection of ballads, but it's kind of clunky and obvious to my
>ears.
>
>Thanks
>
>	NT

My favorite version of this is the one sung by Bonnie Dobson. Joan Baez sings itto approximately the same tune, but not quite as well to my taste.

Nathan Rose
Newsgroups: rec.music.folk
From: maxson@cerl.uiuc.edu (K R Maxson)
Subject: Re: Who is Shawn Colvin?
Organization: UIUC Computer-based Education Research Lab
Date: Fri, 11 Dec 1992 17:45:26 GMT

In article <1992Dec10.015739.19829@nysernet.org> Alan Rowoth <alan@lpl.org> writes:
>Shawn is my favorite singer. I love Steady On and I love her live solo. They
>are two different things, but the songs are great songs and her voice is
>fantastic. Those elements work for me in both cases. The parts on "Steady On"
>are great parts and well played, they just don't sit well with people who like
>their music direct and to the point. I listen to a lot of jazz also and found
>them very tastefully.
>"Fat City" is less schizophrenic than "Steady On", but Larry Klein has shifted
>the emphasis on some songs from guitars (Shawn & John Leventhal) to keyboards.
>This isn't bad, but it is also not a sound that you will hear her play live. 
>The bottom line is that she is great and these records (along with several
>compilation spots) represent her recorded output. I think she is the most
>important new artist of the last 5 years and recommend them both highly. 

Which reminds me: I caught part of a Shawn Colvin set on public television's
Austin City Limits a while ago -- well, I suppose maybe as much as a year
ago now.  Would it be too much to hope that someone out there recorded her
performance?
From: jmf@endor.harvard.edu ( ghost )
Newsgroups: rec.music.folk
Subject: Re: Bela Fleck and the Flecktones
Keywords: Flecktones, N'Dour
Date: 15 Dec 92 19:33:06 GMT
Article-I.D.: das.1992Dec15.193306.23453
Organization: DAS Purchasing, Harvard University

In article <brookeb.3.724372204@ksg1.harvard.edu> brookeb@ksg1.harvard.edu (BRIAN BROOKE) writes:
>Yes, I'm posting again....
>	Does anyone know any tour dates? (I saw Amherst but I don't know 
>where that is)  


Uhh...They were at Berklee Performance Center in Boston Nov 15th;
I'll bet they're not coming back anytime soon, scheduling being what it is
(dammit).
(I was outside the sold-out Somerville Theater Youssou N'Dour concert that
same night, unsuccessfully trying to get in...although World Music still
had a large stack of unclaimed complimentary tickets at an hour into the show,
they refused to sell them, ever.  If I'd known this for sure in advance,
I'd have been at Berklee...)

The key to all this is not so much that I'd seen Flecktones live but never seen
N'Dour, as that when shoved up against a wall, I guess I still go for a
potentially glorious singer over a guaranteed original jazz group.
Rather not be shoved, though.
(N'Dour gave a performance on some festival show I saw last year that
started out fairly self-indulgent & wound up transcendent.  Sold me.)

Anybody want to describe the Berklee or Somerville show & make me feel bad?

(Another key here is that 3rd-world ethnic acts with a large local following,
will, when sold out, not generate ticket holders whose friends
dropped out & whose extra tickets need to be sold. 
My understanding is that the event becomes more important than 
"I'll go if I can, otherwise I'll leave you holding the bag",
& also that more people that the ticket holder knows like or at
least want to identify with a given performer.)
Xref: sparky rec.music.folk:8519 rec.music.makers:11476 rec.music.makers.guitar:924 alt.guitar:10846
From: jmf@endor.harvard.edu ( ghost )
Newsgroups: rec.music.folk,rec.music.makers,rec.music.makers.guitar,alt.guitar
Subject: Re: Name of Irish folk song?
Keywords: Jack Hardy
Date: 14 Dec 92 22:06:08 GMT
Organization: DAS Purchasing, Harvard University

In article <Bz9I7I.Gz2@usenet.ucs.indiana.edu> ntaib@silver.ucs.indiana.edu (Iskandar Taib) writes:
>In article <1992Dec9.185056.10249@das.harvard.edu> jmf@endor.harvard.edu ( ghost ) writes:
>
>>Must be from before he drank the lye.
>
>He did? 

NO NO NO NO. (!!!) (At least, not that I know of.)
That's why I had the line of frownies :( :( :( etc.
Its a joke...a bad one, a very bad one, I'll admit.
Newsgroups: rec.music.folk
From: fkhan@vax.clarku.edu
Subject: RE: Cleveland setlist for Indigo Girls 12-15-92
Organization: Clark University
Date: 17 DEC 92 15:11:32 GMT

thanks for the update -- i wish they'd put out an album of all their covers...ifanyone would like to write back to me who shares my interest in them, i'd
appreciate it. A LOT
thanks.
From: walters@mills.edu (Timothy Walters)
Newsgroups: rec.music.folk
Subject: Re: The Great Selkie of Sule Skerrie
Date: 13 Dec 1992 23:33:29 GMT
Organization: Mills College, Oakland CA
NNTP-Posting-Host: ella.mills.edu

In article <1gettcINN9fi@agate.berkeley.edu> stevena@triangle.Berkeley.EDU (Steven Alexander) writes:
>_Rise Up Singing_, from Sing Out, has it as
>
>    D C - D / / G D C D / Em - C D
>

These are also the chords Baez uses.  I much prefer my chord progression,
to wit:

   D C C D / Bm Em A7 F#m / G D C Bm - / Em - C D
                                     ^
                          (yes, an extra measure)

My version will appear on the soon-to-be-released MUSENET '92 CD, so
you can hear it and judge for yourselves. 

Tim
walters@mills.edu

Newsgroups: rec.music.folk
From: moss@cs.cmu.edu (Eliot Moss)
Subject: Re: Folk Radio Threatened Again
Reply-To: moss@cs.cmu.edu
Organization: Dept of Comp and Info Sci, Univ of Mass (Amherst)
Distribution: usa
Date: Fri, 11 Dec 1992 22:58:36 GMT

Doesn't WGBH also do Celtic Sojourn? Or is that another public station in
Boston? (Or is it no longer on the air?)
--

J. Eliot B. Moss, Associate Professor	Visiting Associate Professor
Department of Computer Science		School of Computer Science
Lederle Graduate Research Center	Carnegie Mellon University
University of Massachusetts		5000 Forbes Avenue
Amherst, MA  01003			Pittsburgh, PA  15213-3891
(413) 545-4206, 545-1249 (fax)		(412) 268-6767, 681-5739 (fax)
Moss@cs.umass.edu			Moss@cs.cmu.edu
Newsgroups: rec.music.folk
From: scs@lokkur.dexter.mi.us (Steve Simmons)
Subject: Re: Uncle Bonsai CD's
Organization: Inland Sea
Date: Sun, 13 Dec 92 17:42:03 GMT

meyer@brahma.edsg.hac.com (Mike Meyer) writes:

>'The Inessential Uncle Bonsai'  is pretty darned essential, I think.
>It contains live and public radio versions of most of the songs from
>'Lonely Grain of Corn' and 'Boys Want Sex in the Morning'.  The
>performances are superb, many of them better than the 'Boys' versions.
>Also, the 'Lonely Grain' songs benefit by live presentation.  The
>version of 'Penis Envy' , from a public radio broadcast, is hilarious,
>and somewhat ironic, considering the FCC's fining of public radio
>stations for playing it.  Liner notes on this one give all the lyrics,
>and detail where the performances came from.

The FCC fined public radio for playing it?  Hadn't heard that one . . .
details, please?

True story about "Penis Envy" follows (I heard this myself while
listening to the radio):

WDET is the public radio station in Detroit.  The morning music show
used to be run by Dave Dixon, a fella with some severe personality
faults but great taste (he was referred to as "the Jabba the Hut of
Detroit radio" by local reviewers).  During one of their pledge drives
some woman called in and pledged $100.00.  A few minutes later he
played "Penis Envy".  The woman called back and revoked her pledge.
The show was promptly deluged with new pledges to make up for the
revocation.  All great fun to listen to...
-- 
 "When Dexter's on the Internet, can Hell be far behind?"
		-- Steve Simmons, scs@lokkur.dexter.mi.us
From: jmf@endor.harvard.edu ( ghost )
Newsgroups: rec.music.folk
Subject: Re: The Great Selkie of Sule Skerrie
Date: 18 Dec 92 16:03:06 GMT
Article-I.D.: das.1992Dec18.160306.13214
Organization: DAS Purchasing, Harvard University

In article <BzG9Jv.7p3@sunlab1.bath.ac.uk> ccsdhd@sunlab1.bath.ac.uk (Dennis Davis) writes:
>In the referenced article, jmf@endor.harvard.edu ( ghost ) writes:
>>if you've actually never heard it (hard to believe)
>>its on: Joan Baez Vol 2, Vanguard VSD-2097.
>>This is *the* version.

->This is, of course a matter of personal preference.  I'm rather
->fond of the version by the Scottish folk singer Ray Fisher.
->Unfortunately it isn't on her CD "Traditional Songs of Scotland"
->but is probably on some long-deleleted vinyl LP.  I only have a
->copy on tape.

I'm rather fond of everything Ray Fisher does, but I've never heard
her do Selkie.  I'll look out for it.
Newsgroups: rec.music.folk
From: robd@cherry09.cray.com (Robert Derrick)
Subject: Re: And the Band Played Waltzing Mathilda
X-Newsreader: TIN [version 1.1 PL6]
Distribution: usa
Date: 15 Dec 92 14:36:26 CST

Ugo Piomelli (ugo@eng.umd.edu) wrote:
: 
: For I'll go no more Waltzing Mathilda
: All around the green bush far and near
: ... a man needs both legs
  ^^^ For to hunt, tent and pegs,...
: No more Waltzing Mathilda for me

--

rob derrick				robd@cherry.cray.com
Newsgroups: rec.music.folk
From: bosak@netcom.com (Jon Bosak)
Subject: The Great Selkie of Sule Skerrie
Organization: Netcom, a Commercial Internet Service in San Jose
Date: Sun, 13 Dec 1992 07:52:10 GMT


Nathan Tenny (tenny@euclid.uucp) asks:

NT> Does anyone have a working melody for this song?  There's one in
NT> the Viking Press collection of ballads, but it's kind of clunky
NT> and obvious to my ears.

I have a dim (like, 30-year-old) memory of Joan Baez having recorded
this song on an early album under the title "Silkie".  If not a figment
of my imagination, the tune should be in the Joan Baez Songbook.  I
don't know if she used the same melody as the one in the Viking
collection, but I seem to remember liking it a lot at the time.

+----------------------------------------------------------------------+
 Jon Bosak  Sunnyvale, California : bosak@netcom.com  jbosak@novell.com
+----------------------------------------------------------------------+
Newsgroups: rec.music.folk
From: jonb@Ingres.COM (Jon Berger)
Subject: Re: And the Band Played Waltzing Mathilda
Reply-To: jonb@ingres.com
Organization: Ingres, an ASK Company
Distribution: usa,na
Date: 16 Dec 92 00:40:40 GMT

In article <1992Dec15.182502.1@stsci.edu>, gawne@stsci.edu writes:
>In article <1992Dec15.221609.8030@pony.Ingres.COM>, 
>jonb@Ingres.COM (Jon Berger) writes:
>
>[concerning a line in "The Band Played Waltzing Matilda"]
>
>> Hmm, obviously there's some controversy here.  I've always thought it
>> was "For to hunt, tent, and beg".  That is, to do the stuff the narrator
>> did before he joined the military: carry his pack, live the free life
>> of a rover, and generally waltz his Matilda.
>
>And Jon included several other interpretations.  Well, to throw another
>iron in the fire my recollection of the line is:
>
>"For to hump tent and pegs, a man needs both legs."

I didn't _think_ I included any other interpretations, but maybe my news
program has developed opinions of its own.  In any event, I like yours
a lot, so I think I'll believe it.  It actually makes sense, which is
always a good sign.

--------------------------------------------------------------------------
   -__ __ /_   Jon Berger              "If you push something hard enough,
  //_// //_/   jonb@ingres.com          it will fall over."
_/ ---------                              - Fudd's First Law of Opposition
Organization: University of Illinois at Chicago
Date: Friday, 18 Dec 1992 13:30:52 CST
From: <U15289@uicvm.uic.edu>
Newsgroups: rec.music.folk
Subject: Re: Woke up, it was a Chelsea (Clinton) Morning...
 <1992Dec14.224606.1@cubldr.colorado.edu>

Was Judy Collins' cover of this song ever released on an album?  I haven't
seen it on one myself, though I have heard it on radio.


                                                 Mitch Pravatiner
                                                 U15289@uicvm.uic.edu
Xref: sparky rec.music.folk:8653 rec.music.misc:29512
From: kassover@rumsey.crd.ge.com (David Kassover)
Newsgroups: rec.music.folk,rec.music.misc
Subject: Re: Modes; was: Re: Reading music - book sought.
Date: 18 Dec 92 16:31:22 GMT
Organization: nope

>In article <1992Dec17.175722.4795@pony.Ingres.COM> jonb@ingres.com writes:
>>These scales are called "modes" of the original major scale -- well,
>>_technically_, they're all modes of the original _minor_ scale, but
>>nobody worries about that much any more -- and they're used constantly
>>in folk music.  In fact, the Dorian mode is so common that it's sometimes
>>referred to as simply "modal".  They're definitely different from major,
>>but, since they use the same notes, it's easy to think that it's all
>>just one big happy scale.

There's a modal name for the major scale, but I don't recall it  8-)

I'm told certain of the ancient Greek philosophers lobbied
against its use in the construction of new music, because it
songs in this mode were wont to encourage frivolity and
lasciviousness.


-- 
David Kassover             "Proper technique helps protect you against
uupsi!khazad!kassover	          sharp weapons and dull judges."
kassover@aule-tek.com                   F. Collins
kassover@ra.crd.ge.com
From: riordan@moose.uvm.edu.UUCP (Gerard Riordan)
Subject: Re: Nightrider's Lament
Originator: riordan@moose.uvm.edu
Organization: University of Vermont -- Division of EMBA Computer Facility
Date: Tue, 15 Dec 1992 00:56:09 GMT

From article <8aHoVB1w165w@oldblev.lonestar.org>, by wgreene@oldblev.lonestar.org (Wayne Greene):
>> didn't catch the name of the other performer.  The three of them did a
>> creditable job on Nightrider's Lament, a favorite song of mine.  The song
>> was introduced on international television as being a Utah Phillips song.  I
>> think Utah Phillips is a terrific writer and performer, but didn't Michael
>> Burton write Nightrider's Lament?  I've heard the song from any number of
> yes, Michael Burton did write Nightrider's Lament.
> 
>    Wayne G.
> 
> ----------------------------------------------------------------------------
> oldblev!wgreene@oldblev.lonestar.org (Wayne Greene)                                       |
> Old Blevins Productions  +1 214 352 5584  | Email and News                 |
> PO Box 7427, Dallas, TX 75209-0427        | -------------------------------|

Any version of Night Riders Lament has been credited to Michael Burton. This
song was covered twice by Jerry Jeff Walker. First on Riding High then on 
Gypsy Songman, to which was added the lyrics...just tradin' in buffalo chips
for micro chips.... Garth did a fair job of the tune but given the mileage
on JJW's bones, it seems a lot more sincere comming from the "Gypsy Songman"
himself. (its hard to see a hawk on the wing from a concert hall)