HDTenEightyP/NetNews huggingface dataset:
From: gtaylor@vme.heurikon.com (Gregory Taylor)
Newsgroups: rec.music.misc
Subject: Re: Indian classical music concert at Purdue
Date: 9 Apr 92 14:51:22 GMT
Reply-To: gtaylor@vme.heurikon.com (Gregory Taylor)
Organization: Heurikon Corporation, Madison, WI

ramasubr@ecn.purdue.edu writes:
><         INDIAN CLASSICAL MUSIC ASSOCIATION OF PURDUE
><                    PRESENTS A FLUTE RECITAL
><                            BY
><                      DR. N. RAMANI
><
><A.KANYAKUMARI (VIOLIN)              GURUVAYUR DORAI (MRIDANGAM)

Note for net denizens:

The above are on tour, so the possibility exists that they'll show up
in your neighborhood. I caught them Monday night last [courtesy of an
Indian student's organization who has a knack for booking some really
spectacular work], and they were *wonderful* - even if you're not a
bigtime fan of Carnatic music. Dorai [the drummer] was worth the trip
just for the percussion solos - once you've heard someone like this or
perhaps Zakir Hussain, you really wonder who in the west came up with the
great idea of having this enormous drum kit thing just to have "lots of
different kinds of noises". And if [like me] you're used to hearing
flautists like Hariprasad Chaurasia [sp.] and that really breathy flute,
you'll be surprised. This guy's tone is like honey. And can they jam!
Give it some serious thought.

--
I am so lonely for the twentieth century,/for the deeply felt, obscene
graffiti/of armed men and the beautiful bridges/that make them so small and
carry them/into the hearts of cities written like words/across nothing,/the
dense void history became in my beautiful century/gtaylor/608-828-3385
From: woj@romulus.rutgers.edu (voy toy)
Newsgroups: rec.music.misc
Subject: hex (was Re: Brand X)
Date: 12 Apr 92 18:28:28 GMT
Organization: the wonderful world of muzak

wcsanil@alfred.carleton.ca (Anil Prasad) writes:
>Can you tell us some more about "HEX"? I'm dying for more info!!!

as i mentioned, hex is the trio that jones is performing with currently.
their live set consists mostly of songs from jones' solo album _cape catas-
trophe_ on hot wax records (a german label dedicated to releasing more
music focusing on the bass guitar). band members include mark wagnon on
electronics and vibes (i think he's from switzerland) and frank katz on
drums (he's from brooklyn).

>Do they have an album out?

not as hex, but there is one in the works. it should be out sometime this
year (if what percy told me at the show holds true). not sure which label
it will be on or what the title of it will be. they did play a few songs
from the forthcoming release and they were quite good...
-- 
woj - ich bin schwarz und weiss oder weiss und schwarz - with a kiss...
Xref: sparky rec.music.misc:14042 alt.music.alternative:3112
From: trev@hubcap.clemson.edu (Trevor Bauknight)
Newsgroups: rec.music.misc,alt.music.alternative
Subject: Re: Who does grunge version of old tune "In the Pines?"
Date: 11 Apr 92 05:56:00 GMT
Organization: Jes Grew Carriers -- Metaphysical Bunko Squad

MURPH@MAINE.MAINE.EDU (M.A. Murphy) writes:

>I think the Triffids are great, but I'd hardly call their version
>of "In The Pines" 'grunge'!

Nit-picker.  :-)

Didn't know how to describe it, exactly...
   
Trevor Bauknight         trev@hubcap.clemson.edu    ...gatech!hubcap!trev
 
                                                     +-----------+
                                                     | _> ###    |
                  clownhead                          |     |     |
                                                     +-----------+
From: ckc1@ns1.cc.lehigh.edu (CEDRICK KIT CHAN)
Newsgroups: rec.music.misc
Subject: Re: Genesis/RTZ??????
Date: 7 Apr 92 01:59:45 GMT
Organization: Lehigh University

>Okay, what is RTZ?!?
>
>(What kind of music, who, how are they connected with Genesis, ad infinitum...)

    RTZ is the band Return to Zero.  They consist of members of Bost without
the over producer Tommy Schultz.  I guess they're music can be classified as a
sort of modern classic rock (Boston-like).

    As far as I know of, they're only connection to Genesis is the rumor that
they're opening for them.

-- 

--------------------------------------
| The Nation Dictates:  Look Good!!! |
--------------------------------------
Cedrick  Chan,  a lost demented soul
From: dap@predator.vpharm.com (David A. Pearlman)
Newsgroups: rec.music.misc
Subject: Re: Power Pop Recommendations (was Re: Kronto Sin
Date: 10 Apr 92 17:49:24 GMT
Organization: Vertex Pharmaceuticals, Inc.

In article <1992Apr10.121337.2505@titan.ksc.nasa.gov> doug@doug.ksc.nasa.gov (doug hammond) writes:
>In article <1992Apr10.020619.12576@predator.vpharm.com> dap@predator.vpharm.com (David A. Pearlman) writes:
>>In article <92100.202522MURPH@MAINE.MAINE.EDU> M.A. Murphy <MURPH@MAINE.MAINE.EDU> writes:
>
>>>Ambrosia (Their first album especially, later albums moved towards blandness)
>>
>>I think both the first album and "Somewhere I've Never Traveled" (the
>>second album) are good, if a bit artfully bambastic. Alan Parsons produced.
>>As you note, all subsequent albums are considerably more bland.
>
>
>I guess I don't completely understand the criteria for something to be
>"Power Pop".  As much as I hate categories I would've considered Ambrosia, at

I agree that these are not "power pop." That's one reason I didn't include them
on my original list. But since they were brought up by someone else, I added
some commentary.

>least the 1st couple albums to be more, er, well, "art rock" or at least
>"art rock wannabees".  Things like "mama frog" kind of sound like a
>heavily-THC influenced ELP or something.  Intricate instrument arrangements
>but at a more digestable speed, and with more digestable melodies & harmonies.
>
>I thought the 1st album was practically amazing, and still do.  "Somewhere I've
>Never Traveled" had a few high points but was, as you say, too bombastic for
>me.  After that they steadily became less interesting until they plugged
>themselves in as another top-40 formula band.

A few notes about Ambrosia

1) The cover of the first album was once voted "worst cover of all time." 
Well, I dunno about
that. But it isn't the finest cover art you'll ever see. That's what you
get when you have a third rate record company (20th Century) behind you...

2) The first song, "Nice Nice Very Nice" features lyrics by Kurt Vonegut.
They asked him to write some lyrics for them, and he did.

3) The members of Ambrosia, prior to forming the band, had worked with
Leonard Bernstein, primarily as singers (if I recall correctly).
Perhaps on his "Mass"?

4) When Ambrosia was signed by Warner Brothers, after the first two albums,
Warners bought the rights to the first two albums from 20th Century and
reissued them. Now that WB has hired someone to oversee a coherent reissue
program, I'll be these two albums will eventually get rereleased (perhaps
as a 2-fer?).

5) Ambrosia did a remake of the Beatles' "Magical Mystery Tour" on the
"All This and World War II" soundtrack (also on 20th Century Records).

6) Ambrosia played a small number of reunion gigs a few years ago in the
LA area. I don't know if it was the entire original lineup, or what they
played.

dap
-- 
===============================================================================
    David A. Pearlman

Vertex Pharmaceuticals Inc.                     email: dap@vpharm.com
Newsgroups: rec.music.misc
From: lorne.murphy@rose.uucp (lorne murphy)
Subject: Tony Banks Solo disc
Organization: Rose Media Inc, Toronto, Ontario.
Date: Mon, 13 Apr 1992 15:27:14 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.2)


Date Entered: 04-12-92 14:57
Has anyone heard of the release date for Tony Banks' new solo disc,
supposedly entitled "Still"?

FISH (ex of MARILLION, sounds JUST LIKE Gabriel) is on this album, (or
so I heard.). Was he on BANKSTATEMENT????


LM
---
   SLMR 2.1a   %Rael stands astonished...doubting his sight...%
   RM 1.60: Usenet: Rose Media - Hamilton (416) 575-5363
Organization: University of Illinois at Chicago
Date: Monday, 6 Apr 1992 14:55:35 CDT
From: <U36300@uicvm.uic.edu>
Newsgroups: rec.music.misc
Subject: Re: Deja vu (Re: ALL TIME GREATEST GROUPS LIST)

>>Let's start a chain of favorite music groups...

OH NO!  WE'RE CAUGHT IN AN ENDLESS TIME LOOP---AAAAAAUUUUUUGH!!

rr

"i'm having an old friend for dinner." Dr. Hannibal Lecter
From: dudley@treefort.Corp.Sun.COM (Dudley Gaman)
Newsgroups: rec.music.misc
Subject: Rock is Dead!
Summary: Long Live Rap!
Keywords: R.I.P.
Date: 10 Apr 92 22:52:56 GMT
Organization: The Treefort
NNTP-Posting-Host: treefort.corp.sun.com

Rock has become old, bloated, and predictable.  It has lost the spark
and spirit that made it great.  Contemporary rock stars are no more
than time-worn cliches, re-hashing what has been done before.  All
originality has been killed in a mindless marketing orgy.

But there is good news.  Rap is everything rock used to be.  It is
distinct and original.  It has force and meaning.  It carries a
message.  It lets you dance.  And best of all, the establishment 
hates it.  From what I've seen on this board, most of you are the 
establishment.  You've grown old and conservative.  You hate rap, 
yet you don't even know what it is.  Open your minds.

Dudley
.
Newsgroups: rec.music.misc
From: tcw@kepler.unh.edu (Timothy C Webb)
Subject: Re: jazz group?
Organization: University of New Hampshire  -  Durham, NH
Date: Fri, 10 Apr 1992 22:12:53 GMT

In article <1992Apr10.134542.1@vaxb.acs.unt.edu> la02@vaxb.acs.unt.edu writes:
>
>Where is the rec.music.jazz category

  Try rec.music.bluenote. 
-- 
:::::::::::        ::::         ::::::   
 <<<<<<<<<<<      >>>>   >>>   >>>>>>    Tim Webb   tcw@kepler.unh.edu
     ????        ????  ?????  ?????    _________________________________
      ((((      (((( ((((((( (((((   
       ####    ########  #######       "The challenge is to chase the sound
        ||||  |||||||    ||||||      just to break away"   ---YES 

Xref: sparky rec.music.misc:13657 alt.music.alternative:2798
From: gtaylor@vme.heurikon.com (Gregory Taylor)
Newsgroups: rec.music.misc,alt.music.alternative
Subject: Listening Suggestions Yet Again....
Keywords: Rave, Remix, Deconstructive Surgery, Sampling, Sayonara
Date: 6 Apr 92 17:16:28 GMT
Article-I.D.: heurikon.1405
Reply-To: gtaylor@vme.heurikon.com (Gregory Taylor)
Organization: Heurikon Corporation, Madison, WI


Just a quick pointer: Now that the weenies at Rockpool have actually
said something *good* about it in the mainstream "alternative" [cough]
music press, it's just *obscure* enough to be in Milo's field of view:

Angelique Kidjo "Logozo" [Mango]

Essentially, a woman from Benin with a wonderful set of pipes and some
good connections through the Paris axis of Francophone African pop folks.
She showed up on the Jean-Luc Ponty rehabilitation disc "Tchokola" as
a backing vocalist behind M'boup and more or less a who's who in the 
Paris African pop scene. This is her first disc as a solo artist, and
it's a fizzy bit of great crossover stuff. Guest appearances by Branford
Marsalis and Man Dibango on saxes, a cover of the tune "Malaika" that
was on the Miriam Makeba record we had around the house while I was
growing up. Like Marisa Monte's "Mais" [Brazilian goes to New York to
record with Arto Lindsay, Bernie Worrell, John Zorn and Sakamoto], this
is one of those recordings that has the proper shiny urban surface *and*
still holds on to those rootsy grooves. In short, the music that G*d
puts on when it's housecleaning time ["Batonga" is perfect music to 
vacuum venetian blinds by].

It's just a trifle on the short side [~40 minutes], but it delivers its
payload of frisson with pinpoint accuracy. Laissez les bon temps roulez.

Ca plane pour moi, et peut-etre pour toi.
--
I am so lonely for the twentieth century,/for the deeply felt, obscene
graffiti/of armed men and the beautiful bridges/that make them so small and
carry them/into the hearts of cities written like words/across nothing,/the
dense void history became in my beautiful century/gtaylor/608-828-3385
From: mcmahan@cs.unca.edu (Scott McMahan -- Genesis mailing list owner)
Newsgroups: rec.music.misc
Subject: Re: Brand X (was re:
Date: 13 Apr 92 17:56:17 GMT
Organization: University of North Carolina at Asheville

lorne.murphy@rose.uucp (lorne murphy) writes:

: Yes, I agree that NUCLEAR BURN is a great track.

And about the best early one -- until Product.  

: Although to the guy who doesn't like Morris Pert, May I ask why? He really
: has written some fantastic tracks for BRAND X, as well as done some
: outstanding playing on PETER GABRIEL IV (otherwise known as "SECURITY").

His songwriting doesn't do much for me. His playing is great, don't get me wrong!

Scott
From: eerke@cs.kun.nl (Eerke Boiten)
Newsgroups: rec.music.misc
Subject: Comparing Nirvana singles (Re: Kronto Singles Reviews Vol.2, #6)
Date: 10 Apr 92 11:43:14 GMT
Organization: University of Nijmegen, The Netherlands

leo@ph.tn.tudelft.nl (Leo Breebaart) writes:
>NIRVANA - Come As You Are (0) [..]
>It's just a 'Teen Spirit II' -- without the balls and without the novelty. 

mcelwee@wampyr.cc.uow.edu.au (Bennett) writes:
>I'd give it (**).  Funny, my mother would probably say that this song sounds
>like "Smells Like Teen Spirit", but that's just because she isn't at all into
>that sort of music.  But I find it hard to see how anyone who likes this kind
>of music could think "Come As You Are" is like "Teen Spirit II"...c'mon, they
>are pretty different, and I would say that "Come As You Are" is weaker,
>mainly coz it has less energy and no real hook (and, yes, no balls).
[Insert witticism about mothers and detection of balls here]

Even my most trusted musical friends wouldn't agree with me when I said
that Smells Like Teen Spirit starts out like an early Police song (vocals
like start of Roxanne, guitar).

*I* think it is suitable for them to now sound like REM on their second
hit single Come As You Are (like REM because of the not quite boring not
quite driving tempo and feel of it all). Probably you'll all disagree
with me again.

The next single is the more important one: extrapolating, it will be
Nirvana trying to sound like a band that broke through in the early 2000's.
--
Eerke Boiten (eerke@cs.kun.nl)
Dept. of Informatics (STOP Project)
University of Nijmegen, NL
From: ajnuttal@teaching.cs.adelaide.edu.au (Tony Nuttall)
Newsgroups: rec.music.misc
Subject: Crowded House mailing lst ?
Date: 7 Apr 92 13:10:39 GMT

Hi there, I was a member of a crowded house mailing list last year. 
unfortunately I've forgotten the address of the person co-ordinating it.
can someone help me out ?

thanks
tony
-- 
Anthony Nuttall                           ajnuttal@teaching.cs.adelaide.edu.au

Maths and Computer Science Student     University of Adelaide, South Australia

"Big bottoms drive me out  of my  mind,
 how can I leave that behind ? '

        --  Spinal  Tap, "Big Bottoms", Smell the  Glove
Xref: sparky rec.music.misc:14038 alt.rock-n-roll:9539
From: vestrada@sal-sun81.usc.edu (Victor Estrada)
Newsgroups: rec.music.misc,alt.rock-n-roll
Subject: Re: THE TEN MOST OVERRATED ROCK BANDS EVER(GNR)
Date: 10 Apr 1992 20:43:33 -0700
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: sal-sun81.usc.edu
Keywords: GNR sucks

In article <1992Apr7.022627.15011@nic.unh.edu> tcw@kepler.unh.edu (Timothy C Webb) writes:
>In article <1992Mar30.232554.5974@sdc.com>, norm@sdc.com (Norm) writes:
>> Well for my .02, I think that GNR is far and away the most overated band
>> of all time.  These guys are the biggest cliche I've ever seen.  They've
>> got a tattooed phoney from Indiana, a doped-up bozo in a top hat, covers
>> from Wing's Greatest Hits, and stupid, racist, sexist lyrics.
 
>> This band is only popular because they look good on TV.

>  I couldn't agree with you more! Guns 'N Roses is THE most overrated band.
>They're so bad I don't know where to begin. They're a bunch of talentless
>assholes who don't know a thing when it comes to making music. All I hear when

God! I just love well thought-out criticisms like the above.  You must have
stood up all night searching for just the right words to use.

>I listen to their music (which is obviously only when I'm forced to) is a big
>noisy mess riding on a sea of dissonant guitar work and foul-sounding vocals.
>What a waste.

Funny, that's very similar to what I think of the Replacements.  Paul
Westerberg does not have the world's greatest voice, and the rest of the band
can sound very trashy sometimes.  Of course, I think the Replacements are/were
one of the best bands ever! Who says you have to be a great musician or singer
to be a great band?  For further proof, listen to Neil Young (awful voice,
lousy guitar player, musical genius) or for the opposite listen to Yngwie
Malmsteen (this man has no soul).  Apologies to Yngwie fans, but virtuosity
for virtuosity's sake is not my idea of great music.

>  As for them looking good on TV, I think they look as bad as they sound! Let's

Who the hell cares how they look on TV?!

>start a mailing list for haters of Guns 'N Roses so we can all trash on them
>together.

Boy! Sounds like big fun to me.

>  And yes, no matter how many times the band's blind followers deny it, GNR's
>lyrics are racist, sexist, and STUPID!!

You may have a point here, especially regarding the sexist part. That does
certainly bother me.  Overall though, I have to say that GnR is a really
good band.  They have a lot of energy, and "Sweet Child O'Mine" may be
the only song I can hear over and over and still not get sick of it.

> <<<<<<<<<<<      >>>>   >>>   >>>>>>    Tim Webb   tcw@kepler.unh.edu

==========================================================================

-- 
   				Victor Estrada  (vestrada@usc.edu) 
"Death to the message of the Ku Klux Klan"--Red Hot Chili Peppers
From: v095px49@ubvmsd.cc.buffalo.edu (Archbishop)
Newsgroups: rec.music.misc
Subject: A deceptively simple Misfits question.
Keywords: full of shit?
Date: 9 Apr 92 21:50:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41


	As mentioned above, I have a question regarding Misfits recordings. I
own the self-titled _Misfits_ collection from Plan 9. On the back cover of the 
CD is written something to the effect of "contains alternate versions" (or 
something similar; I don't have it in front of me). Not having the best copies
of other Misfits recordings, when I compare them, I really can't tell whether
the versions are different or not. 
	I would appreciate it if someone would shed some light on my humble 
inquiry. If they're all different, how so? If some are, which ones? If none
are, why is Plan 9 full of shit? An inquiring mind wants to know.

						Gracias.
							Craig
							v095px49@ubvms
From: yea045@muvms3.bitnet (Allen Clarkson)
Newsgroups: rec.music.misc
Subject: HIATT FAN CLUB AGAIN (correction)
Date: 7 Apr 92 22:52:32 GMT
Organization: Marshall University

That address should read as follows:

In the John . . . Hiatt Fan Club
PO Box 158423
Nashville, TN  37215

I hope that this clears up any confusion and everything is hunky-dorey!!!

ACC:  in a real mood to "Drive South"
From: eerke@cs.kun.nl (Eerke Boiten)
Newsgroups: rec.music.misc,soc.culture.netherlands
Subject: CHART: Dutch albums
Date: 10 Apr 92 13:56:17 GMT
Organization: University of Nijmegen, The Netherlands

Dutch album top 10 of 11-4-1992:

1	5	BLOOD SUGAR SEX MAGIK - red hot chili peppers +
2	1	WE CAN'T DANCE - genesis +
3	2	THE GREATEST HITS 1992 1 - various +
4	8	THE VERY BEST OF - foreigner
5	3	STARS - simply red +1
6	4	AFTER HOURS - gary moore
7	6	HOUSE PARTY 2 - various +
8	-	HUMAN TOUCH - bruce springsteen
9	7	HIGH ON THE HAPPY SIDE - wet wet wet
10	10	VOOR MIJN VRIENDEN - robert long (NL)
--- some movers up in the rest of the top 100 ---
11	--	LUCKY TOWN - bruce springsteen
16	18	NEVER ENOUGH - melissa etheridge
17	29	TOUR OF DUTY 4 - various
19	23	FIDO'S CHOICE 3 - various
22	31	OPEN - scene (NL)
33	36	FINALLY - ce ce peniston
35	62	WOODFACE - crowded house +
43	50	TWO ROOMS - various +
45	72	UP - right said fred
46	48	DIAMONDS AND PEARLS - prince +1
51	--	DANCE CLASSICS GOLD 3 - various
53	91	UNDER THE WATERLINE - ten sharp (NL)
58	68	IN CONCERT BEST ROMANTIC CLASSICS - james last
60	97	LEAN INTO IT - mr big
64	92	SATURDAY NIGHT 1975-1984 - herman brood (NL)
65	76	LET ME COVER OVER - buffalo tom
72	95	BETWEEN 10TH AND 11TH - charlatans
75	81	DOPPELGANGER - curve
79	84	EVERYBODY'S FREE - rozalla
89	--	SATURDAY NIGHT LIVE - herman brood (NL) *1
93	-R	NO MORE TEARS - ozzy osbourne *2
96	--	DIVINE MADNESS - madness
NL: Dutch production, B: Belgian, +: 50,000 sold, +n: n00,000
*1 Recent live recording.
*2 I have been conditioned to see (Enough is enough) when I read this
   title ...
-- 
Eerke Boiten (eerke@cs.kun.nl)
Dept. of Informatics (STOP Project)
University of Nijmegen, NL
Newsgroups: rec.music.misc,alt.rock-n-roll
From: dledelen@wheaton.edu (Daniel Lane Edelen)
Subject: Re: THE TEN MOST OVERRATED ROCK BANDS EVER
Organization: Wheaton College
Date: Wed, 8 Apr 1992 14:23:57 GMT

In article <neeri.702569173@iis> neeri@iis.ethz.ch (Matthias Ulrich Neeracher) writes:

>Anybody who lumps all of Rap together shows his ignorance of it. What is the
>problem with liking both Jethro Tull and Public Enemy ?
>
>Matthias

In reply to your comment about my inablility to distinguish Rap, I would have
to say that at the ripe old age of 29 I do sound like my father. Yes, folks do
you remember the days when your parents would make comments about all rock
music sounding the same? Well now I find myself saying that about Rap.

Seriously, once you've heard one Rap album you've basically heard them all.
Rap also suffers from the "any couple of guys with an attitude can record an
album of rantings about this and that" syndrome. Needless to say, here today,
gone tomorrow....

If someone wishes to prove to me that Rap is real music then please show me
where the majority of Rap songs have a transcriptable melody line.

-- 
 @ @ @ @ @ @ @ @ @              Daniel Lane Edelen            @ @ @ @ @ @ @ @ @
  @ @ @ @ @ @ @ @           dledelen@david.wheaton.edu         @ @ @ @ @ @ @ @
   @ @ @ @ @ @ @      uunet.uu.net!tellab5!wheaton!dledelen     @ @ @ @ @ @ @
    @ @ @ @ @ @     "No matter where you go, there you are."     @ @ @ @ @ @
From: grr@cbmvax.commodore.com (George Robbins)
Newsgroups: rec.music.misc
Subject: Re: "I'm Blue" was Re: my boy lollipop
Date: 8 Apr 92 12:52:04 GMT
Reply-To: grr@cbmvax.commodore.com (George Robbins)
Distribution: world, rec, usa
Organization: Commodore, West Chester, PA

In article <ku3o4nINNpjm@west.west.sun.com> jimh@ism.isc.com (jim hori) writes:
> In article <1992Apr6.152805.473@alc.com> altinbay@alc.com (John Altinbay) writes:
> >In article <1992Apr3.173506.24258@apollo.hp.com> stuart@apollo.hp.com (Stuart Troutman) writes:
> >- Millie Small made a few other records that were better known in
> >- England than in the US (I think she was usually identified simply
> >- as "Millie"). She also recorded a few odd things with Steve Winwood
> >- & the Spencer Davis Group, including a pretty awful thing called
> >- something like "I'm Blue", in which she mainly just squeaked and
> >- swooped out a lot of nonsense syllables.
> >Was that Millie Small?  Wow.
> >I'm Blue (The Gong Gong Song).  I really liked it.  What's this
> >about it being pretty awful?
> 
> Of course the Ikettes did the original - never heard Millie's version
> but I generally like squeaking, swooping, and nonsense syllables so I'll
> have to try and find it.

It's [Millie's] on the otherwise excellent "The Island Story" 25-th
aniversary compilation.  There are couple other so-so things on there,
but this is the on that made my finger dive for the skip button.  Maybe
if you consider it a camp piece..

-- 
George Robbins - now working for,     uucp:   {uunet|pyramid|rutgers}!cbmvax!grr
but no way officially representing:   domain: grr@cbmvax.commodore.com
Commodore, Engineering Department     phone:  215-431-9349 (only by moonlite)