HDTenEightyP/NetNews huggingface dataset:
From: mmarx@Csli.Stanford.EDU (Matthew Marx)
Subject: Re: Favorite "one"-liners. RESULTS.
Organization: Stanford University CSLI
Distribution: na
Date: Fri, 31 Jul 1992 00:13:31 GMT


>"Leave out the fiction - The fact is: This friction, Will only be worn by
> persistance. Leave out conditions--Courageous convictions, Will drag the
> dream into existence"

Definitely my fave, too. But isn't this a THREE-liner? (more in the
printed lyrics).


-- 
Matt Marx     mmarx@csli.stanford.edu     (415)725-1499
....not related to Karl, Groucho, Harpo, or Richard....
Does a mild-mannered college student need a disclaimer?

Newsgroups: alt.music.rush
From: mmarx@Csli.Stanford.EDU (Matthew Marx)
Subject: Re: Queenryche and Rush (was Re: Proposal for alt.music.queensryche)
Organization: Stanford University CSLI
Date: Mon, 27 Jul 1992 18:39:56 GMT

In <92014@bu.edu> jaeger@buphy.bu.edu (Gregg Jaeger) writes:

>In article <1992Jul27.044256.6697@news.columbia.edu> pw15@cunixb.cc.columbia.edu (Philip  Wang) writes:

>>While we're on this, can we say Rush is progressive metal? I tend to think of
>>Rush as a heavy metal band, although I guess many of you wouldn't think so.


>To quote Neil, ``I've never thought of us as heavy metal, and never
>will.''

To quote Neil even further: (from the AFTK tourbook):

  It may be that the only term loose enough to  encompass  anything
of  the
concept of Rush, is simply "progressive rock", for it is  to  this
ideal  of                   ^^^^^^^^^^^^^^^^        
enjoyment, integrity, and freedom of expression  that  we  have
dedicated
ourselves.  Our music is aimed at the head, at the heart, and at the
abdomen.  We can only hope that it finds it's mark in yours. 

"progressive rock" sez it all. And can we stop the Queensryche stuff?


-- 
Matt Marx    mmarx@csli.stanford.edu    (415)725-1499
...not related to Karl, Groucho, Harpo, or Richard...
RushU2BachRushMozartVivaldiRushTalkingHeadsHandelRush
Newsgroups: alt.music.rush
From: d40374w@kaira.hut.fi (Tero Valkonen)
Subject: Re: Didacts & Narpets
Organization: The rational midnight star
	<1992Jul20.054938.21642@rat.csc.calpoly.edu>
	<BroCI3.9w3@news.cso.uiuc.edu>
Date: 20 Jul 92 22:30:09

In article <BroCI3.9w3@news.cso.uiuc.edu> jpm56290@uxa.cso.uiuc.edu (Duner) writes:

   >It was.  Neil didn't use any electronic percussion until _Grace Under
   >Pressure_.

     Are you sure?  I could have sworn that he used electronic drums on Witch
     Hunt.  Take a listen.

On p/g tour video, yes. On ASOH CD, yes. On Moving pictures, no. So, no
electronic percussion before p/g. 
--
Tero Valkonen
d40374w@kaira.hut.fi
Newsgroups: alt.music.rush
From: gtas1@pool.info.sunyit.edu (Terrance Stedman)
Subject: Re: How much is this 7" worth?
Organization: State University of New York -- Institute of Technology
Date: Wed, 29 Jul 1992 10:51:34 GMT

In article <1992Jul28.153400.19153@ms.uky.edu> brian@nx11.mik.uky.edu (Brian hoffman) writes:
>
>  I have a 7" of "The Body Electric" b/w "Distant Early Warning" and "The  
>Analog Kid" on red vinyl.  Does anyone know if this is a collectors item  
>and, if so, how much it is worth?
>-Brian


	I've seen this single in at least one collector's catalog.  They
were asking $40, so it's probably relatively rare.  Same catalog also
had a Power Windows LP autographed by all 3 for $150 big ones.  Yow!
-- 
 I ) I I <~ I_I   Terry Stedman
 I \ I_I _> I I   Internet: gtas1@pool.info.sunyit.edu
---------------------------------------------------------------------------
Newsgroups: alt.music.rush
From: gtas1@pool.info.sunyit.edu (Terrance Stedman)
Subject: Re: One Liners
Organization: State University of New York -- Institute of Technology
Date: Fri, 24 Jul 1992 12:17:34 GMT


	"Each of us a cell of awareness imperfect and incomplete..."
-- 
 I ) I I <~ I_I   Terry Stedman
 I \ I_I _> I I   Internet: gtas1@pool.info.sunyit.edu
---------------------------------------------------------------------------
Newsgroups: alt.music.rush
From: sh@cypress.com (Steve Haigh/VDSP)
Subject: Re: Favorite one-liner
Originator: sh@kahuna
Organization: Cypress Semiconductor/San Jose, CA
Distribution: na
Date: Tue, 21 Jul 1992 14:51:50 GMT

"Static on your frequency, electrical storm in your viens. Reaching at
unreachable glory, straining at invisible chains", The Pass, Presto.

"You will be the captain and I will draw the chart. Sailing into destiny,
closer to the heart". 

Steve.
From: bmaraldo@watserv1.uwaterloo.ca (Commander Brett Maraldo)
Newsgroups: alt.music.rush
Subject: Re: Time Signatures
Date: 29 Jul 92 07:51:09 GMT
Organization: Unit 36 Research

In article <1992Jul27.212124.8577@usenet.ins.cwru.edu> eam3@po.CWRU.Edu (Eric A. Meyer) writes:
>   The difference often lies in accenting.  Music, when written, implies that
>an accent is given to the first note of any given measure unless otherwise
>marked.  The placement of other accents throughout the measure are dependent
>on the number of beats in the measure and what kinds of notes are counted as
>one beat.  Thus, the accents in the opening measures of "Jacob's Ladder" are
>controlled by the placement of measure bars.
>   For example, 6/4 implies "TA-ta-ta-TA-ta-ta" (TA=accent, ta=unaccented).
>The more conventional 4/4 goes "TA-ta-TA-ta".  Actually, it's all a bit
etc.

	It has more to do with phrasing then accents.  For example I can
write something in 4/4 with accents like ta-Ta-Ta-ta or Ta-ta-ta-Ta etc.
The accenting tends to revolve around the phrasing and it is the phrasing
that denotes the time signature.  So, if there is a question of 6/4+5/4 vs.
11/4 one must listen to how the music is phased.  If a phrase (harmonic
or melodic or even rhythmic) is phrased in two sub-phrases of 6 and 5 then
the compound meter is more relevant.  If the music revolves around a longer
11 beat phrase the the simple meter is the ticket.  For an example listen
to Mike Oldfield's _Tubular Bells_:  The piano theme is definitely 8/8+7/8
but the bass (harmony) and the rest of the instruments play within a 15
beat meter so 15/16 make more sense.

Brett Maraldo
Plexus Productions



-- 
               --------     Unit 36 Research     ---------
	                "Alien Technology Today"
  	 	      bmaraldo@watserv1.UWaterloo.ca
  	           {uunet!clyde!utai}!watserv1!bmaraldo
Newsgroups: alt.music.rush
From: gimper@leland.Stanford.EDU (Stuart Miyasato)
Subject: Re: Time Signatures
Organization: DSG, Stanford University, CA 94305, USA
Date: Wed, 29 Jul 92 15:30:43 GMT

In article <Bs551v.6Kz@watserv1.uwaterloo.ca> bmaraldo@watserv1.uwaterloo.ca (Commander Brett Maraldo) writes:
>In article <uslave.712352623@mcl> uslave@mcl.ucsb.edu (Sir Prize!!!) writes:
>>I'm not *too* sure about this, but it seems as though 7/8, 5/8, 10/8, etc.
>>are not compound meters, like 3/8, 6/8, 9/8, and 12/8, where there is a
>>triplet feel.  I guess it's pretty hard to get a triplet feel from something
>>that isn't divisible by 3.....
>
>	A compound meter is one that is made up of more than one time
>sig, like 3/4+4/4+6/8, etc.  The concept of a triplet has nothing to do with
>the meter.
>
>[remainder deleted...]
>
>Brett Maraldo
>Plexus Productions

I don't think I agree here.  In the music classes I've taken over the
past ten years or so, I've always gotten the impression that 6/8, 9/8,
and 12/8 are to taken with a triplet feel.

Here's how it was explained to me.  Essentially, 3/4 and 6/8 should be
similar -- notation-wise, both would have three quarter notes to a
measure.  However, I understand it as being 3/4 gets three counts to a
measure, while 6/8 gets *two* counts to a measure, with each eighth
note receiving 1/3 of a count -- i.e. it is a triplet eighth note.  The
same holds true for 3/8, 9/8, and 12/8.

If you can get your hands on Rush sheet music, check out the score for
Hemispheres.  Many of these sections have 12/8 parts in them -- they
have the 4 beats to a measure feel, but also with each beat having a
triplet feel.

I was also told that 6/8, 9/8, 12/8, etc. time signatures are used for
convenience in notation -- both for the writer and the performer.  I
once had a part that was written in 4/4 that drove me crazy trying to
sight-read because it had all these triplets all over the place --
except for maybe four bars, every measure had triplets written.  Even
my instructor told me they should have written it in 12/8.

Just my $0.02 worth...  If anyone has any corrections to the above,
please do drop me a note or post to the group...

-- Stuart  (gimper@leland.stanford.edu)
Newsgroups: alt.music.rush
From: eam3@po.CWRU.Edu (Eric A. Meyer)
Subject: Re: Time Signatures (Perm. Waves Movements)
Reply-To: eam3@po.CWRU.Edu (Eric A. Meyer)
Organization: Case Western Reserve University, Cleveland, OH (USA)
Date: Fri, 24 Jul 92 14:19:09 GMT


In a previous article, herrage@crchh451.bnr.ca (Robert Herrage) says:

>  I. <water portion at the beginning>
> II. Portion beginning with "Wheels within wheels in a spiral array" (or 
>     something like that; &$#(@, now I've got to go back and listen to
>     it or it will bug me the rest of the day!)
>III. Portion that includes "Science, like nature, must also be tamed".
> IV. Portion that includes "Tide after tide, will flow and recede...".

   "Permanent Waves" is divided into movements.  They are:

     I. Tide Pools (corresponds to #1 and #2 above)
    II. Hyperspace (when the funky "wa-wa" effects start)
   III. Permanent Waves (#3 and #4 above)


>"Permanent Waves" is kinda contradictory when I think of time signatures;
>they weren't very "permanent" ;)

   I've always thought that, too, but it makes sense in light of the final
verse (which I quoted in a Re: Favorite One-Liners--"Wave after wave...").

		-EMeyer

-- 
"Unstable condition--a symptom of life       | Eric A. Meyer (eam3@po.CWRU.edu)
 In mental and environmental change          |  Alumnus,  Beta Nu of Theta Chi
 Atmospheric disturbance--the feverish flux  |---------------------------------
 Of human interface and interchange-"  -N.P. |    "What do you think, sirs?"
From: eam3@po.CWRU.Edu (Eric A. Meyer)
Newsgroups: alt.music.rush
Subject: Re: Queenryche and Rush (was Re: Proposal for alt.music.queensryche)
Date: 22 Jul 92 19:33:57 GMT
Reply-To: eam3@po.CWRU.Edu (Eric A. Meyer)
Organization: Case Western Reserve University, Cleveland, OH (USA)


In previous articles, jchokey@leland.Stanford.EDU (James Alexander Chokey) and
others say, in part:

>>>	Just because Queensryche has eclipsed Rush as the premiere "thinking-
>>>man's" rock band is no reason to be so childishly bitter. 
>>
>>WRONG WRONG WRONG WRONG WRONG WRONG WRONG WRONG WRONG WRONG!
>
>	So, you think it _is_ a legitimate reason to be childishly bitter? ;-)

   No, apparently someone doesn't think their arguments through (like not
at all).  Actually, a couple of someones.  Both are quoted above.

		-EMeyer

-- 
"Unstable condition--a symptom of life       | Eric A. Meyer (eam3@po.CWRU.edu)
 In mental and environmental change          |  Alumnus,  Beta Nu of Theta Chi
 Atmospheric disturbance--the feverish flux  |---------------------------------
 Of human interface and interchange-"  -N.P. |    "What do you think, sirs?"
From: lindgren@kuhub.cc.ukans.edu
Newsgroups: alt.music.rush
Subject: How did they meet?
Date: 29 Jul 92 17:41:41 CDT
Organization: University of Kansas Academic Computing Services

	I've got a question that I haven't been able to find the answer to yet
in the FAQ or any articles at the ftp site.  I was wondering how Neil got
hooked up with Geddy and Alex.  I've read about when Neil got in the band but
not how they were introduced.  I mean, did the record company get them together
or did they meet at a gig Alex and Geddy were playing?

Thanks in advance.

Jay
Newsgroups: alt.music.rush
From: caruso@socrates.umd.edu (John Caruso)
Subject: Re: One Liners
Organization: University of Maryland University College
Date: Sat, 25 Jul 1992 17:30:49 GMT


"Is any killer worth more than his crime?"

- John
From: ngupta@mtl.mit.edu (Nitin Gupta)
Newsgroups: alt.music.rush
Subject: Re: Other-than-Rush favorites
Date: 30 Jul 92 17:29:28 GMT
Organization: Massachvsetts Institvte of Technology


Eric Clapton
Dire Straits
Stevie Ray Vaughn
Boston

---------------------------------------------------------------------
Nitin Gupta                       MIT Submicron Structures Laboratory
ngupta@mtl.mit.edu       NeXT Mail Encouraged            617 253 0721
---------------------------------------------------------------------
From: iyengars@pub2.bu.edu (Sridhar Iyengar)
Newsgroups: alt.music.rush
Subject: Other-than-Rush favorites
Date: 29 Jul 92 15:19:52 GMT
Organization: Boston University, Boston, MA, USA


  It is hard to say what 3 bands I like after Rush since I listen to
just about anything not on top 40.  But, if I had to choose, I'd say:

1. Rush
2. Led Zeppelin
3. Styx
4. Guns-n-Roses


-Sridhar
From: decostem@IRO.UMontreal.CA (MAD Marc MAD Andre MAD Decoste MAD)
Newsgroups: alt.music.rush
Subject: The professor's REAL name ???
Date: 31 Jul 92 14:09:47 GMT
Organization: Universite de Montreal




     I Think I have a good one for you guys, The NMS FAQL says that Neil 
Peart's real name is... Neil Peart... Well I don't know FOR SURE if I'm 
right but I think his REAL name is G. Taylor. Here's why:


     I have a friend (yes I know it doesn't start well but please read on), 
let's call him #1. He works at a ski resort near Le Studio in Morin Heights
and the last time the Boyz were there, Neil and Alex went there for a day
of skiing. #1 was at the counter when they arrive and he made a bill for 
A. Zivojinovic and G. Taylor. A little later that came back to buy something
and since it was payed by Le Studio Morin Heights, they both signed Alex
Lifeson and Neil Peart (and I have actually SEEN those bills !!!).

     An other friend of mine (call him #2), work as a carpenter for 
building new houses. Lately, he got a contract in the Laurentiens to build
a house for G. Taylor, and his employer told him that this G. Taylor was 
nobody else then the drummer of this Heavy Metal band called RUSH...


     And this could not be coincidence because #1 doesn't know #2, even if
I know them both... What I suspect is, If Neil Peart is his REAL name then 
he's using G.Taylor to avoid beeing recognised ????



     Anybody eles knows something about that ???


BYE
MAD

--
And if the music Stops,             |   /-\ + + /- + +   /\ /\  A  +\   O
There's only the sound of the rain, |   | | | | \  |_|   | V | / \ | \  O
All the hopes and glory,            |   |-\ | |  \ | | & |   | |-| | /  V
All the sacrifice in vain.          |   +  \\_/ _/ + +   +   + + + +/   o
Newsgroups: alt.music.rush
From: exumfs@exu.ericsson.se (Mark Steph, XT/DO, x7534)
Subject: Re: One-liners
Reply-To: exumfs@exu.ericsson.se
Organization: Ericsson Network Systems
Date: Tue, 21 Jul 1992 21:16:04 GMT

My favorites (in addition to many of those already mentioned):

 Leave out the fiction - The fact is: This friction, Will only be worn by persistance
 Leave out conditions--Courageous convictions, Will drag the dream into existence
 
and
 
  Like a rare and precious metal Beneath a ton of rock
  It takes some time and trouble 
  To separate from the stock
  You sometimes have to listen to 
  A lot of useless talk

  He's not afraid of your Judgement, He knows of horrors worse than your Hell

  His mind is not for rent to any god or government
  
Okay, so some of 'em are more than one line.
---
Mark Steph               | The most endangered species--The honest man
exumfs@exu.ericsson.se   | Will still survive anninilation
(yes, .se *is* in Texas) | Forming a world--State of integrity
PO Box 833875, MS L-05   | Sensitive, open, and strong
Richardson, TX 75083     |      -Neil Peart, "Natural Science"

Newsgroups: alt.music.rush
From: mmarx@Csli.Stanford.EDU (Matthew Marx)
Subject: Re: One Liners
Organization: Stanford University CSLI
Date: Tue, 28 Jul 1992 00:31:34 GMT

A tqad sarcastic, but I like it:

"Fugitives at the bedroom door/lovers pause to find an open store."

-- 
Matt Marx    mmarx@csli.stanford.edu    (415)725-1499
...not related to Karl, Groucho, Harpo, or Richard...

RushU2BachRushMozartVivaldiRushTalkingHeadsHandelRush
Newsgroups: alt.music.rush
From: d40374w@kaira.hut.fi (Tero Valkonen)
Subject: Re: One Liners
Organization: The rational midnight star
Date: 23 Jul 92 22:45:39

In article <91478@bu.edu> jaeger@buphy.bu.edu (Gregg Jaeger) writes:

   My favorites:

   ``Learning that we're only immortal... for a limited time''


Ahh. This one was on my list also. IMO, this is probably the best line
Neil has ever written. The oxymoron makes the line even more effective.

   ``A spirit with a vision... is a dream with a mission''

This is a good one, but a bit too complex to be truly powerful. 



--
Tero Valkonen
d40374w@kaira.hut.fi
Newsgroups: alt.music.rush
From: d40374w@kaira.hut.fi (Tero Valkonen)
Subject: Re: Moving Pictures Back (and a discovery! read this, please!)
Organization: The rational midnight star
Date: 21 Jul 92 22:17:51

In article <91420@bu.edu> jaeger@buphy.bu.edu (Gregg Jaeger) writes:

   On my album I see a small girl in a brown coat looking at the head of
   the woman (in reality Deborah Samuel, the photographer who took the
   photos of the band appearing inside the album^*) being burned at the
   stake...
   * interestingly, the photo of Neil does not appear on the CD version in
   the U.S.

...or in Europe. My Moving Pictures CD is printed in (West) Germany. 

I went to a record store today. They had a huge bunch of old singles
for sale (for 5 FIM - that's about 1.16 US$). Of course, the price
being so incredibly low, I took a close look at the bunch of singles,
and searched, and searched, and found - two Rush singles. One of them
was Freewill/Closer to the heart, which wasn't a very interesting
discovery. The other one was New world man/Vital signs (live). Now,
this was something! I naturally bought this one and went home to
listen to the poor old vinyl - and boy was I surprised. I've always
thought that the live versions of songs that appear in the b sides
of Rush singles are always taken from somewhere (a video or a live
album). The Vital signs obviously was not. It's not from the p/g
video, since a) it's (c) 1982 and b) the snare drum in the beginning
is absolutely an analogue one, with no special effects whatsoever. 
The song itself - or, the live version of it - is very very good. 

I was just wondering if this is a rare beast. Does anyone else
own this? 
 


--
Tero Valkonen
d40374w@kaira.hut.fi
Newsgroups: alt.music.rush
Newsgroups: alt.music.rush
Date: Mon, 27 Jul 1992 11:14:25 -0400 
From: "Jay T. Detwiler" <jd49+@andrew.cmu.edu>
Subject: Re: Time Signatures
	<1992Jul27.140736.23063@IRO.UMontreal.CA>

<nl>
<nl>
<bold><excerpt>Excerpts from netnews.alt.music.rush: 27-Jul-92 Re: Time Signat=
ures MAD M. A. M. D. MAD@IRO. (709)</excerpt></bold><nl>
<nl>
<excerpt>   In a A/B signature, I know that the A is the number of beats in <n=
l>
   one bar, but I'm not really sure what the B means...<nl>
</excerpt><nl>
<excerpt>   For examples: What's the difference between a 7/4 and a 7/8 ???<nl=
>
</excerpt><nl>
This is probably going to get answered a million times, but anything to post t=
o this bboard.  The bottom number represents the unit that receives the beat. =
 Meaning in 7/4, there are seven beats to a measure and a quarter note gets on=
e beat, and in 7/8 an eighth note gets one beat.  The only real difference bet=
ween writing something in 7/4 and 7/8 is that  you expect a different feel and=
 subdivision between the two as between 6/4 and 6/8.  <nl>
<nl>
	A non-signature person,<nl>
		Jay D.<nl>
From: brian@nx11.mik.uky.edu (Brian hoffman)
Newsgroups: alt.music.rush
Subject: How much is this 7" worth?
Date: 28 Jul 92 15:34:00 GMT
Organization: University Of Kentucky, Dept. of Math Sciences


  I have a 7" of "The Body Electric" b/w "Distant Early Warning" and "The  
Analog Kid" on red vinyl.  Does anyone know if this is a collectors item  
and, if so, how much it is worth?
-Brian
Newsgroups: alt.music.rush
From: d40374w@kaira.hut.fi (Tero Valkonen)
Subject: Re: Moving Pictures Back (and a discovery! read this, please!)
Organization: The rational midnight star
	<D40374W.92Jul21221751@kaira.hut.fi> <91617@bu.edu>
Date: 23 Jul 92 23:01:18

In article <91617@bu.edu> jaeger@buphy.bu.edu (Gregg Jaeger) writes:

   >discovery. The other one was New world man/Vital signs (live). Now,
   >this was something!
   >I was just wondering if this is a rare beast. Does anyone else
   >own this? 

   I don't know if it's rare, but I have a copy. :)

Someone else (whose name was subsequently lost in a short-term memory
loss void) reported me on email that he also has one. He also told
me that the single indeed _is_ rare; he bought his copy in 1982. Boy,
at that time I was heavily into children's songs. Anyone remember
"Soihdut sammuu, kaikki v{ki nukkuu?" Oh well, anyone know any Finnish? :-)

--
Tero Valkonen
d40374w@kaira.hut.fi
Newsgroups: alt.music.rush
From: drx@chinet.chi.il.us (Scott Whittle)
Subject: Re: Rush Firsts
Date: Thu, 23 Jul 1992 14:43:06 GMT
Organization: Chinet - Public Access UNIX

In article <91625@bu.edu> iyengars@pub2.bu.edu (Sridhar Iyengar) writes:
>
>I was curious to know from those of you out in Rush-ville about your
>first introduction to Rush. How/when/why did you know that you just
>absolutely had to get more and more Rush ablums? For me it was

For me it was YYZ when I was in High School. Being a drummer too, I WAS
VERY INTRIGUED by the poly-rythms and the brute force speed (It was the
live version). Then Power Windows released and went to that concert    
(9Th row, center!) I was taken. Then I discoverd that the more you
listen to any one song, the more you hear. It is never the same song
twice. There is so much subtle stuff going on. After that, I'm became
a RUSH addict and now am a full blown RUSH FREEK.



-- 
Scott Whittle (drx)                       drx@chinet.chi.il.us
Ground Zero Sight & Sound, inc.          
Two Wheaton Center #1111         * Ding-a-Ding-Dang my Dang-a-long-ling-long 
Wheaton, IL 60187 708.533.7471   * Ministry, JBMH, as edited by IceIce Beno  
Newsgroups: alt.music.rush
From: joev@creek.eel.ufl.edu 
Subject: Re: Other-than-Rush favorites
Organization: UF EE Department
Date: Wed, 29 Jul 92 20:17:11 GMT

Hmmmmm
1)RUSH
2)RUSH
3)RUSH

wham wham wham 
Bad fan! Bad fan!

Ok seriously, staying in the vein of rock music
1)Marillion (set flame protection to yellow alert)
2)Zep
3)Yes

It's funny that there are not more rush fans that like Marillion since the two groups are so familiar(set flame protection to double red alert)

That's all
Joe
From: ericm@eebbs.isis.org (Eric Mathurin)
Newsgroups: alt.music.rush
Subject: Re: Favorite one-liner
Date: Tue, 21 Jul 92 21:00:24 EST
Organization: Electronic Encounters BBS

cs50665@uxa.cso.uiuc.edu (Enter Scogman) writes:

>  (Another Tom Robbins book)  Neil is quoted in one of the liners in the

I'm interested; could you quote the quote for us?

Take care,
Eric

------------------------------------------------------------------------
 ericm@eebbs.isis.org (Eric Mathurin)  | "Forget about your silly whim,
 Sysop, Electronic Encounters BBS      |  it doesn't fit The Plan!"         
 (613)820-0324, 1:163/133@FidoNet      |       -- 2112, Rush               
------------------------------------------------------------------------
From: gtas1@pool.info.sunyit.edu (Terrance Stedman)
Newsgroups: alt.music.rush
Subject: A reason to say yes to alt.music.queensryche!
Date: 28 Jul 92 14:27:34 GMT
Distribution: usa
Organization: State University of New York -- Institute of Technology


	Yup, here's the best reason of all to vote for the creation of
alt.music.queensryche:  
	Maybe it will get this friggin discussion out of alt.music.rush!!!!!
-- 
 I ) I I <~ I_I   Terry Stedman
 I \ I_I _> I I   Internet: gtas1@pool.info.sunyit.edu
---------------------------------------------------------------------------
Newsgroups: alt.music.rush