HDTenEightyP/NetNews huggingface dataset:
From: dan@cafws2.eng.uci.edu (Dan Harkless)
Newsgroups: rec.music.industrial
Subject: Re: NIN "pinion" video?
Date: 21 Dec 92 23:04:00 GMT
Organization: University of California, Irvine

In article <18776@mindlink.bc.ca> Ian_Upright@mindlink.bc.ca (Ian Upright) writes:
>Has anyone else seen this video?  Definitely pretty bizzare.. I really
>like it..  This is the only NIN video I've ever seen.. !  Up here in Canada
>we're pretty secluded to that kind of stuff..

	Is this the one where the camera journeys down, down, down through the
sewer pipes to the underground room where the guy is strapped into the sewage-
consumption torture suit?  Yes, very nice.

------------------------------------------------------------------------------
| Dan Harkless                | "The sore in my soul                         |
| dan@cafws1.eng.uci.edu      |  The mark in my heart  ->  Front 242,        |
| dharkles@bonnie.ics.uci.edu |  Her acid reign..."        Tragedy >For You< |
------------------------------------------------------------------------------
Newsgroups: rec.music.industrial
Subject: Re: 1992 - soon history
From: meachen@med.wcc.govt.nz
Date: 23 Dec 1992 11:06:04 GMT
Reply-To: meachen@med.wcc.govt.nz
Organization: Wellington City Council, Wgtn, NZ
NNTP-Posting-Host: nomad.wcc.govt.nz

In article <1992Dec22.065611.13583@intacc.uucp>, zerobeat@intacc.uucp (Ferenc Szabo) writes:
>In article <1992Dec17.105744.4449@ifi.uio.no> berntr@ifi.uio.no (Bernt Olav Rostad) writes:
>>
>>Movie of the year ?
>>========================================
>>
>>"Brain Dead"  (New Zealand)
> It was directed by the same guy who made Meet The Feebles - also banned 
>all over the place.  The director describes the movie as 'Splatstick'.
>         

Visited the graveyard setting last Friday for the Gravediggers Ball,
set in the centre in a shed of the Kaori Cementery, drove up to the
door, outside a Black '61 Dodge Desoto Hearse parked up outside with
JBMH playing on a '60's style dukebox that had a chrome V8 trimming
embossed on the front - hmmmmm....

(The house is in the movie was inhabited by some skinhead ex-flatmates
who were pissed they were'nt allowed to keep the props).

Peter Jackson is the guy, also directed Bad Taste, another recommended
viewing - has an inkling to do with our favourite past-time -sheep.

--
Red

I'm a little Ray of Sunshine on A Cloudy Day - Chris Smith
					       Gravedigger/Al's Army


 
                                   


Newsgroups: rec.music.industrial
From: pauls@tellabs.com (Paul Silver)
Subject: Re: what ever happened Lard
Organization: Tellabs, Lisle,IL
Date: Mon, 21 Dec 1992 23:19:18 GMT

In article <42710@sdcc12.ucsd.edu> bkeeley@sdcc3.ucsd.edu (Brian Keeley) writes:
[...]
>Ob-Jello: There's relatively new 7" bootleg compilation of live
>performances by Jello, L7, Nomeansno, and some other group whose
>name escapes me.  Called "Where are they now?"
[...]

Gray Matter is the band you are looking for.

Are you sure this is a bootleg?  I thought it was a
legitimate release.  I'll have to check my copy and see.

-- 
   "Life is inhuman when you are too old to be young." -Bill Nelson
   --------------------------------------------------------------------
  /       Paul Silver          /           Radius Records            /
 /     pauls@tellabs.com      /   PO Box 723, Lincolnshire IL 60069 /
--------------------------------------------------------------------  
   All opinions expressed are strictly my own, unless I stole them.
From: laciakr@kirk.msoe.edu
Newsgroups: rec.music.industrial
Subject: Leaether Strip Fan Base ZOTH OMMOG info service
Date: 1 Jan 93 20:39:53 CDT
Organization: Milwaukee School Of Engineering, Milwaukee, WI USA
Summary: Leaether Strip Fan Base ZOTH OMMOG info service industrial
Reply-To: laciakr@kirk.msoe.edu
Followup-To: laciakr@kirk.msoe.edu
Keywords: Leaether Strip Fan Base ZOTH OMMOG info service industrail
Distribution: usa

       ___      ___ _____        ___   ___      ___  _____  ___     ___
|     |       /|      |   |   | |     |   |    |       |   |   | | |   |
|     |__    / |      |   |___| |__   |___|    |___    |   |___| | |___|
|     |     /--|--    |   |   | |     | \          |   |   | \   | |
|____ |___ /   |___   |   |   | |___  |  \      ___|   |   |  \  | |

G.A.W.M.U.S. U.S. FAN BASE c/o R|< LA<|AK, P.O. BOX 353 SUITE MLH 220
MILWAUKEE, WI. 53201 USA laciakr@kirk.msoe.edu 414 287-5039 OR FAX.

This is the FAN BASE for the Danish Industrial bands Leaether Strip &
Klute.  Also this is TECHO BASE for ZOTH OMMOG & Bands.  Use e-mail for
info and contact.  Send 1-2 stamps or 1-2 IRC's for membership to
G.A.W.M.U.S., Leaether Strip/Klute stickers, Newsletters, Band Info and
band contact.  [More stamps = More stuff].

LOOK FOR LEAETHER STRIP INTERVIEW IN INDUSTRIAL NATION ISSUE #7 SOON.
ALSO SPECIAL ZOTH OMMOG REVIEW OF BANDS AND INTERVIEWS.

>P  R  I  D  E              G  I  V  E  S                 P  O  W  E  R<

              >INJUSTICE!  BREEDS FURTHER  INJUSTICE!<

>F E E D  T H E  W O R M S ,  T H E Y ' R E  A L W A Y S  H U N G E R Y<
From: bkeeley@sdcc3.ucsd.edu (Brian Keeley)
Newsgroups: rec.music.industrial
Subject: Foetus discog
Date: 3 Jan 93 23:12:28 GMT
Organization: University of California, San Diego

>VARIOUS ARTISTS
>   Mesomorph Enduros             1992      CD       (B-C)       ABB36CD
>   *** Includes the track "Incesticide" by FOETUS INC.

I know questions like this are annoying but would anybody out there
like to review this compilation?  Or at least post a track listing?

Reality
From: cd178@cleveland.Freenet.Edu (Richard Skellen)
Newsgroups: rec.music.industrial
Subject: Re: z()\/|eT  (*  Fr/\nCe
Date: 28 Dec 1992 16:56:48 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: cd178@cleveland.Freenet.Edu (Richard Skellen)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, peter@zone4.ocunix.on.ca (Peter Dubiel) says:

>Hello...
>
>I just picked up my first Zoviet France album, after hearing snippets of 
>ZF being played at a local record store... I bought _Vienna 1990_ on CD and
>think it makes for some very unique nighttime listening, which is the only
>time that I listen to the thing (makes sense, I suppose).
>
>How does the Zoviets' other work compare to this? More melodic, more ambient,
>more abstract, noisier, quieter, more structured, less structured, ANYTHING?
>
>Also, I hear something about a 4 hour DAT tape by Zoviet France released on
>Staalplaat... Any idea (since I don't have a DAT player and can't afford one)
>if it will be released in any other format? If not, would anyone out there
>who has it be willing to make me a copy (I would pay for shipping and tapes,
>of course)?
>
>Any recommendations as to which ZF albums to buy next? As far as this type of
>music goes, my tastes run along the lines of Current 93, Tangerine Dream's
>early experimental stuff (like "Electronic Meditation" and "Zeit"), some
>but not all Einsu"rzende Neubauten, etc. I like ambient and rhythmic stuff
>more than disjointed noise collages...
>
>Thanks...
>
>
>     _/\     /\__Piotr F. Dubiel___peter@zone4.ocunix.on.ca__/\     /\_
>        \_/\/                                                  \/\_/
>

Hey Zoviet France fans........

   my recommendations:


     "just An Illusion" - Many tribal sounds, ambient and rhythmic stuffs..
                          1st edition 1990, through..The Ooze, 2190 West
                          Burnside St., Portland, Oregon, 97210


 "Shouting at the Ground"- More tribal stuff, with an Asian feel, flutes,
                           ambient stuff...some rhythmic stuff..
                           1988, Try through Mute Records..

           "Look Into Me"-  More like Current 93 to me.....ambient
                            more noise...cool stuff..
                            1st edition 1990, try Mute Records and the 
                            Above Oregon site......


  good stuff..

  rich 
  cd178@freenet.cleveland.edu

  WRUW 91.1

      
-- 
------------------------------------------------------------------------------
                tension makes a triangle of each thought,
          becoming an inconvenient sound as it never penetrates,
                   as servile edges break and feint.        
Newsgroups: rec.music.industrial,alt.music.alternative
From: thoth@uiuc.edu (Ben Cox)
Subject: Re: NIN discography update
Originator: ben@ipoint
Reply-To: thoth@uiuc.edu (Ben Cox)
Organization: Ancient Illuminated Sears of Bavaria
Date: Sat, 2 Jan 1993 06:42:33 GMT

paul@ais.org (Paul Vargo) writes:

>He was also in Exotic Birds and Hypo Luxa.

I thought "Hypo Luxa" was a pseudonym for Al Jourgensen.  Was it also
a band name?

>       Supernaut is from either the "stolen" Wax Trax Demo or
>       the 1000 Homo D.J.'s 12" of Supernaut.  I don't know if
>       the 12" was ever released or not.  This is the song that
>       got TVT's pants all up in a bunch over Trent's contract.

>1000          Supernaut 12"        Reznor sings the song Supernaut.
>Homo Djs                           On Wax Trax.

People looking for this should be warned that the _CD_ of Supernaut by
1000 Homo DJs does not have Trent on it.  "Buck Satan" (Al) sings on
the CD single.  If you want Trent, be sure to get the 12" (as
mentioned above, this may not be available).

--
Ben Cox
thoth@uiuc.edu
From: Nathan.H.Saunders@dartmouth.edu (Nathan H. Saunders)
Newsgroups: rec.music.industrial
Subject: Re: what ever happened Lard
Date: 22 Dec 92 21:47:42 GMT
 <42710@sdcc12.ucsd.edu>
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0b1@newshost.dartmouth.edu

In article <42710@sdcc12.ucsd.edu>
bkeeley@sdcc3.ucsd.edu (Brian Keeley) writes:

> Given that by almost unanimous decision this ["I AM Your Clock"] is 
> considered the worst track ever done by Lard, exactly which country 
> was subjected to a one-sided 12-inch of this thing and WHY???

Whoever decided that this was an "almost unanimous decision" obviously
likes Jourgensen's music a lot better than they like Biafra's lyrics. 
I am your Clock is among the best writing I've ever seen Biafra do. 
IMHO.

Was this "almost unanimous decision" reached here on r.m.i way back
when, or is this your opinion, Brian?  Just curious,

 - nathan
   If you must ask, "IAYC" is my 2nd favorite from LARD, 
   right after "Time to Melt."  HA!
Newsgroups: rec.music.industrial
From: warrenc@bcstec.ca.boeing.com (Cherie Warren)
Subject: Re: KRAFTWERK performed at Woodstock ??!
Organization: Boeing Computer Services
Date: Tue, 22 Dec 1992 22:54:25 GMT

lupo@kaa.informatik.rwth-aachen.de (Lutz Bauer) writes:

>Kraftwerk performed at Woodstock ??

>I've seen a film about Woodstock some years ago. I think
>they showed an interview with Kraftwerk in it.
>I am not totally sure, but I believe that Florian S.
>was telling some stuff about their music concept, etc.
>But I can not remember exactly.
>Well, the time is O.K. (Woodstock's been at 15th-17th
>August '69). And they used to be kind of Hippies those days.

>Does anybody know something ? Anybody been there ?
>Has anybody film/audio material about the Kraftwerk
>performance ?

No, they didn't perform at Woodstock.  They were barely in their
beginnings as a performing outfit, and Woodstock was not a place for
unknowns just starting out with experimental music - well-established
performers were the rule, like Joan Baez, Crosby Stills & Nash, Jimi
Hendrix, Moutain, Canned Heat, the Who, and Jefferson Airplane.

In 1969, the pop/rock music industry was overwhelmingly dominated by
American and English acts.  Kraftwerk didn't even 'break through' until
six years later with _Autobahn_.
-- 
Cherie
warrenc@bcstec.ca.boeing.com
...!uunet!bcstec!warrenc
From: Cannam@sc.ZIB-Berlin.de (Chris Cannam)
Newsgroups: rec.music.industrial
Subject: Re: What a joke
Date: 21 Dec 92 20:13:05
Organization: Konrad Zuse Zentrum fuer Informationstechnik Berlin
Distribution: world
	<iu75VB2w165w@noncomf.tdkcs.waterloo.on.ca>
NNTP-Posting-Host: quattro.zib-berlin.de
In-reply-to: markp@noncomf.tdkcs.waterloo.on.ca's message of Mon, 21 Dec 92 12:09:29 EST


In article <iu75VB2w165w@noncomf.tdkcs.waterloo.on.ca> markp@noncomf.tdkcs.waterloo.on.ca (Mark A. Pitcher) writes:

   [lengthy comment, with which I have no quibble]

   ... Ogre cannot be compared in the same context as any "pop" singer.

Yes, fine.  I'm not disagreeing with anything in your argument;
_except_ that it was used not only to justify Ogre's abilities as a
vocalist (which the original poster had never disputed), but to try to
dismiss a claim that his _voice_ was fairly weak, and to dismiss it by
simply re-asserting the argument about vocalistic abilities.

[he says, getting himself into linguistic knots]

It's fine for someone to be a good vocalist despite a complete
inability to `sing'.  What seems unfair is to raise upon a pedestal,
as a good _singer_ (not a good _vocalist_), someone whose voice is in
any case half manufactured, with the other half possessing as much
emotive quality as you like, but little actual _singing_ ability.
Such as, for example, Ogre.  (And indeed a whole truckful other of my
favourite singers.  Don't flame me on that, please.)  Whereas Mariah
Carey's voice is half manufactured, and half chock-full of singing
ability but completely absent of worthwhile emotion.

I don't think we're actually disagreeing on anything fundamental
here, although I still don't agree with your point.

						Chris
From: perez@andromeda.rutgers.edu (William Perez)
Newsgroups: rec.music.industrial
Subject: Death In June
Date: 28 Dec 92 05:31:09 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

I'm searching for a Death In June discography...

It seems amazing how many different projects this band alone has done.

Any information will be appreciated.

Please email responses and if there is enough interest... I'll post 
thee results....

Thanx!  and  n-joi thee holy-daze!

wil-E  
-- 
perez@andromeda.rutgers.edu (William Perez)
From: bkeeley@sdcc3.ucsd.edu (Brian Keeley)
Newsgroups: rec.music.industrial
Subject: Re: Ministry review, SF
Date: 1 Jan 93 00:05:16 GMT
Organization: University of California, San Diego

In article <1992Dec31.005552.11416@fuug.fi> an2531@anon.penet.fi (/dev/high) writes:
>
>X-Anon-To:rec.music.industrial
>
>Now, the part of the nite that very nearly ruined my whole
>high - the break between Helmet and Ministry was filled with
>Hank Williams Sr. Straight, nothing else, loud, twangy, music
>to commit suicide by. It was the worst experience ever. Has
>anyone else had this happen with this tour? The crowd was
>ready to riot, we were having our brains melted by this crap.
>Al was desensitizing us to our concept of reality, all rational
>thoughts can not exist in a state like this. Whatever pre-
>conceived notions we had of the concert were smashed, we were
>now zombies ready for the brainwashing.
>

...and xorcist chimed in with:

>No I will NOT buy their new country & western hick album
>No I will NOT play the harmonica on stage
>No I will NOT wear the latest in western apparel

BRILLIANT!  Let the alienation of the fan-base begin!! Al has tacked
back over his "fans" more times than most.  I'm starting to believe
Al when he says his musical genre is "aggro" -- shake-n-bake,
channel-surfing, postmodern smorgasborg.  If Buck Satan & the 666
Shooters (which I was under the impression is not yet recorded)
sounds like nothing AL has yet done (perhaps other than the "dualing
banjos" lick of the "Beers, Steers, & Queers" remixes), then I for
one will be pleased.

...And if Al manages to slough off his admiring hordes, maybe the
concert ticket prices will drop out of the stratosphere. (yeah,
right.)

Reality

P.S. And anybody who complains about Hank being played at Ministry,
obviously never sat through a Swans show.  Old Blue Eyes and a band
that doesn't show up until after midnight. Now THAT's torture!
Newsgroups: rec.music.industrial
From: thf@sizone.uucp (Jason Kalra)
Subject: Re: Ambient stuff...
Organization: Sonic Interzone, Atonal Hoodlum Subversion, TO Ont. 416-276-0552
Date: 27 Dec 92 00:01:44 GMT

To: thf
Subject: Re: Ambient stuff...
From: thf@sizone.UUCP (Jason Kalra)
Date: Sat, 26 Dec 92 18:52:41 EST
Organization: Sonic Interzone, Atonal Hoodlum Subversion, TO Ont. 416-276-0552
From: sizone!thf@ee.ryerson.ca (Jason Kalra)
Newsgroups: rec.music.industrial
Subject: Re: Ambient stuff...
Date: Sat, 26 Dec 92 18:43:01 EST
Distribution: world
Organization: Sonic Interzone, Atonal Hoodlum Subversion, TO Ont. 416-276-0552

6anthony_m@spcvxb.spc.edu writes:

> 
> Can anyone reccomend some groups to me?  I am new to this industrial stuff.
> I have picked up the follwing.
> Cop Shoot Cop - Consumer Revolt -- Very Good!
> Einstuerzende neubauten - Drawings of patient OT -- Good...
> KMFDM - Money -- Sucked...
> 
> With that, can someone name a bunch of bands I would like?
> I dont like the dance-pop crap, more ambient type stuff.  Im looking
> for some TG albums, with no luck....
> Thanks...

... You might consider taking a a listen to Skinny Puppy.  Many may not 
consider them "Industrial", but hopefully that won't matter.  I've read 
one reply already to this message, and don't close your mind to 
Cyberactif.  They aren't as irritating as you may be led to believe.  As 
for Ministry.. (this is all opinion, of course).. as mentioned, The Mind 
is a Terrible Thing to Taste is excellent, but I'd be more inclined to 
reccomend The Land of Rape and Honey.  Stay _AWAY_ from With Sympathy.  

(A little bit of line noise on my end... hope this is sensible... ).. 
Psalm 69 is a good album, and it get's knocked a lot because it has some 
questionable tracks (in my opinion, however, if more than a few of the 
tracks on Psalm 69 were installed on the Mind or Land releases, they'd be 
heralded and glorified)... I'm relatively dense when it comes to 
obscurities, but my only reccomendation is that you keep your ears open, 
and listen to as much as you can (even if it's labeled by many to be 
'dance' music).. I'm still surprised by how severly opinions can vary on 
the classifications of certain groups... 


Jason Kalra - Sonic Interzone BBS, Toronto
Inet: thf%sizone@ee.ryerson.ca
From: plong@kuhub.cc.ukans.edu
Newsgroups: rec.music.industrial
Subject: Re: Suggestions?
Date: 28 Dec 92 22:15:17 CST
Organization: University of Kansas Academic Computing Services

>>>      I want to buy something from Foetus (sp?), but I am not sure whic
>>>album to try out...what would be good choice for a Foetus newbie? 
>>
>>Personally, I think that "HOLE" is the best. I've got it on tape (which
>>has extra tracks which are brilliant). I have never seen any Foetus on
>>CD unfortunately and was wondering about its availability. I've got the
>>Steroid Maximus CD but that hasn't got the Foetus name really, has it?
>>

Foetus not on CD?  Pishaw!  I've got "Nail", "Hole", "Thaw", "Sink" and "Male"
plus the "Butterfly Potion" single on CD.  Admittedly, some of these are hard
to find, but I know that I've seen several copies of "Hole" hanging around at
the local record store within the last few months, and the "Male" concert 2-CD
set was just released (well, within the last 6 months) and should be readily
available from Big Cat records.

As for suggestions, I would say "Hole" is a pretty good starter.  Another 
goodie would be "Sink" which covers singles from throughout the life of 
Foetus, or "Male" which covers Foetus' career plus a couple of Wiseblood
tracks for good measure.

Later,
Steve
From: lhk2@po.CWRU.Edu (Lucas H. Kuzma)
Newsgroups: rec.music.industrial
Subject: NIN!!!!!!
Date: 23 Dec 1992 01:58:57 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
Reply-To: lhk2@po.CWRU.Edu (lucas)
NNTP-Posting-Host: thor.ins.cwru.edu



let it be known:
 trent himself has said that although somewhat influenced by
industrial, his music does not belong in that category, but
rather in the category of pop. i concur and wonder why so many
NIN messages are posted here at rec.music.INDUSTRIAL.


-- 
mad, adj.- Affected with a high degree of intellectual independence; not
 conforming to standards of thought, speech, and action derived by the
 conformants from study of themselves.

Newsgroups: rec.music.industrial
From: coan@griffin.emba.uvm.edu.uvm.edu (Brian M Coan)
Subject: new Intermix album - when??
Organization: University of Vermont -- Division of EMBA Computer Facility
Distribution: net
Date: Tue, 29 Dec 1992 02:39:56 GMT

Hey, does anyone know when the new Intermix album is due out??

	coan@emba.uvm.edu
From: flesh@cyberden.sf.ca.us
Newsgroups: rec.music.industrial
Subject: Re: Beatnigs question
Date: Mon, 28 Dec 92 02:57:41 PST
Reply-To: flesh@cyberden.sf.ca.us
Organization: Indescribable Creations


> 2767hoffmanj@vms.csd.mu.edu (NAME) writes: 
> 
> 
> >I'm looking for a more or less complete discography for the Beatnigs..
> 
> This one is easy.  The Beatnigs did one album, called THE BEATNIGS, one 
> 12" single for "Television" (which features a smokin' remix by Adrian 
> Sherwood), and a track or two on compilations.  All of this stuff is 
> collected on the CD of THE BEATNIGS LP on (of course) Alternative 
> Tentacles.
> 
> If anyone knows of any other Beatnigs material, lemme know.
> 
> 
Aside from the above mentioned, and a full album, there's also the 
soundtrack to Terminal City Ricochet, available on A.T. Records.


__________________________________________________________________________
   |       /         |\
   | H E   \ Y B E R |/ E N            [ flesh@cyberden.sf.ca.us ]
Newsgroups: rec.music.industrial
From: dacc@cmp-rt.music.uiuc.edu (Andrew C. Crowell)
Subject: Re: Carl Stone
Organization: University of Illinois School of Music
Date: Wed, 23 Dec 1992 18:47:15 GMT

In article <1985@heurikon.heurikon.com> gtaylor@vme.heurikon.com (Gregory Taylor) writes:
>
>Incidentally - I've since gotten a couple of e-mail questions about the
>Stone disc. The singer being sampled on "Shing Kee" is Akiko Yano, who
>you may know as Ryuichi Sakamoto's wife (thought question: if we like
>this album or SPK's "Zamia Lehmanni", then is R. Sakamoto's "Esperanto"
>also an ambient industrial disc?). The Schubert lieder is "Der Lindenboom",
>and it appears originally on Yano's album "Brooch". The first uses 
>some vocal samples from the pygmies of the Ituri rain forest and (guess).

And from what I can tell, Greg, "Mom's" (the title cut) is all built of from
little bits, pieces, fragments..whatever you wanna call what it is that
Stone smashes his sources into...of Paul Simon's "Graceland". There's a few
horn riffs, some accordion bits, and some of the sounds in general that
sound _distinctly_ like he played cut-up with that album.
	Oh, if you can get your mitts on it and _want_ some raucous Carl
Stone music, try and get a copy of "Hop Ken". It's the evil, anti-"Shing Kee".
In _this_ piece, Stone uses _only_ a copy of Mussorgsky's "Pictures at an
Exhibition" (the Ravel orchestration), and it sounds like some marching
band from hell gone totally _nutz_!!! When I heard this on some NPR program
I forget the name of a few years ago, I nearly sent my car into the ditch
because I was laughing so hard while driving! Not on any disc _I_ know, but
if you try the contact address in the liner notes to _Mom's_, you might
luck out...

D.A.C. Crowell
Computer Music Project/School of Music
University of Illinois at Urbana/Champaign
(dacc@cmp-rt.music.uiuc.edu)
From: feit@acsu.buffalo.edu (Elissa Feit)
Newsgroups: rec.music.industrial
Subject: Pigface
Date: 3 Jan 93 23:52:47 GMT
Organization: State University of New York at Buffalo/Comp Sci

I recently saw Pigface, and I was wondering, as I'm not familiar with
*everyone* in the band... I know En Esch, Chris Connelly, Ogre, Trent
didn't play with them this time... What I want to know is: who is the
sweet-looking guy who's got longish wavy brown hair? He's the only member
of pigface who doesn't look completely murderous. He played some bass
and some keys, but so did everyone.

Elissa Feit (feit@cs.buffalo.edu // {rutgers,uunet}!cs.buffalo.edu!feit)
                      I'm alive - Love and Rockets
Newsgroups: rec.music.industrial