HDTenEightyP/NetNews huggingface dataset:
From: blayman@magnus.acs.ohio-state.edu (Bram J Layman)
Subject: 2 Dead Sightings
Organization: The Ohio State University
Date: Mon, 17 Aug 1992 00:17:49 GMT



First of all, the header *is* correct, I refer to these as sightings because I 
*saw* them. :-}

Anyway, about a week ago on the Comedy Channel, Rob Wasserman and Michelle 
Shocked performed an acoustic tune and were interviewed.  I can't recall the 
name of the show (it was a talk show), but I do have it on video.  (Just 
realized that this is *not* an actual *Dead* sighting.  Ever so sorry!)

Also in the current issue of some magazine called "M", there is a short article
on the Dead with a few nice photos, old as well as current.

Till Then....
         Bram
Newsgroups: rec.music.gdead
Subject: Dead computer 'stuff'
From: ptalmadge@eagle.wesleyan.edu
Date: 15 Aug 92 11:33:28 EDT
Organization: Wesleyan University

Hello all,
          I have a problem that some of you hacker heads (that sounds kind of
funny) might be able to help me with.  Just landed my first job, and I want to
go about personalizing my workstation as it were.  Any neat graphical stuff
(screen savers, windows stuff, games?) related to the Dead that you can show
me, and possibly show how to use, would be greatly appreciated.  Oh yeah, I'm
using a 386 IBM-clone. Thanks,
                              -Pete
Newsgroups: rec.music.gdead
From: ross_g_h@bt-web.bt.co.uk
Subject: Re: Deadicated Comments
Reply-To: ross_g_h@bt-web.bt.co.uk
Organization: The Internet
Date: Wed, 19 Aug 1992 11:45:10 GMT

From:	NAME: Gavin Ross            [DAT31 ]
	FUNC: DAT31                           
	TEL: 0473-642551                      <ROSS G H AT WEB AT WEBCS>
To:	"dead-flames@virginia.edu"@R11F@MRGATE


John J. Wood says:
|As for the album's disposable track, the "Harshed Mellows" horribly wretched
|take of "U.S. Blues" winds hands down.  Memebers of the Heartbreakers
|team with members of the (very lame) Georgia Satellites to produce
|a version which comes across as a poor man's Aerosmith without the
|edge.  Totally unlistenable crapola!

Well, John, I always miss out the first two tracks and go straight
onto that "horribly wretched take" - I find it's full of energy; I
like it a lot :-)

Gavin.
Newsgroups: rec.music.gdead
From: Fred Harris <fhh@nofs.navy.mil>
Subject: 3FTV
Reply-To: fhh@nofs.navy.mil
Organization: The Internet
Date: Fri, 14 Aug 1992 01:57:20 GMT


If '73 is in the running, how about a single CD with a set that's got 3
instances of a song in it: San Diego Sports Arena 11-14-73 second set:
  Truckin =>
  The Other One (with 1st verse) =>
  Big River =>
  The Other One (lengthy instrumental only) =>
  Eyes Of The World =>
  The Other One (with 2nd verse) =>
  Wharf Rat
and conclude the CD with the Me And My Uncle that comes directly after.

I've had the mono audience tape since the show was performed; anyone
have a better copy?  No lists I have seen from other tapers have 
mentioned this show...

Fred Harris
Newsgroups: rec.music.gdead
From: Rob Gilde <gilde@jaco.ds.boeing.com>
Subject: Announcing "Life After The Dead" Eugene, August 29 and 30
Reply-To: gilde@jaco.ds.boeing.com
Organization: The Internet
Date: Fri, 21 Aug 1992 04:56:01 GMT

"Life After The Dead"

weekend of August 29 and 30
Conde Lumberyard, Harrisburg, OR
between Eugene and Coburg - Take I5 exit 209

$5/day
$15/weekend - includes camping!  
No re-entry.

Gates open Saturday at 9pm.  Festival ends Sunday evening.

Bands:

Dead Ringers (Tom Constanten + others)
Little Women
Clan Dyken
Renegade Saints
International Anthem
Hairy Mamas
+ some surprises
+ many more 

Other entertainment includes Ken Kesey and his "Magic Bus" and other
surprises.

There will be food booths and other vendors.

There is water on site.

This is a smaller festival (5000-6000 people) to take the place of the
cancelled Third Decadenal Field Trip.  It has absolutely nothing to do
with Oregon Country Fair or Field Trip Productions.  This is a
community/family event.  The purpose is to recoup some of the economic
losses to the community and turn an unfortunate situation into a good
time.

For additional information, call Bill Conde at 503-995-6164.  I suggest
you think twice before calling him.  He has less than 100 hours to get
this whole thing together.

I will post more details as soon as I get them from the promoter.  This
is all the info I have.  Please do not send me email regarding this.

There is absolutely no connection between myself or my employer and the
producers of this event.

Newsgroups: rec.music.gdead
From: geoff@mailhub.scf.lmsc.lockheed.com (Geoff Wells)
Subject: Re: Questions for musicologists
Organization: Lockheed Santa Cruz, CA.
Date: Wed, 12 Aug 92 19:55:40 GMT

In article <1992Aug12.140459.4135@dartvax.dartmouth.edu> Victoria.M.Haliburton@dartmouth.edu (Victoria M. Haliburton) writes:

>Rob: I do appreciate your effort, thanks, but I'm afraid you haven't
>gone anywhere but around a circle. You've said the sound is distinct
>because it's distinct and the beat takes its time because it takes its
>time. Can anyone give a more enlightening explanation?
>Thanks
>Vic
Come on Vic, you're talking about style. The style of the "Dead Sound" is
what makes it so distinct. The individual artists' style that you have come
to recognize by pounding it into your brain umpteenth million times is why
you can instantly recognize who is doing the playing. But this happens with
all accomplished musicians. Its like the tonal quality of a familiar voice
(Rod Stewart??) Its the signature of the artist. As in the previous post,
Lead guitarist Trey A. of Phish is mentioned. I might add Clapton to the
list. Or Dire Straits, or Bob Dylan. This Phenomenon also happens outside
of musical information. Take Morse code for example. A fast and experienced
code person can tell who is sending the code just by the minute spacing
differences and the lengths of the dots and dashes. They call it reading
a "fist". Or take the information given you by your dog or cat. You can tell
which one is doing the barking or meowing without seeing them because the
minute differences in their aural qualities is a familiar pattern embedded
in your brain and distinguishable by you.

Now as to WHY the "Dead sound" is so particularly appealing to an unknown
number of people, Well that IS a question open for debate and probably a
good basis as to why this newsgroup exists.

All I know is that I was blown away in 1968, got a consensus from friends,
and have had a great time since. Yes, I can recognize the "Dead Sound" after
a couple of bars (I'll name that tune in 4 notes, no three!), but by this
time, I'd be embarassed if I couldn't.

We used to joke that the Dead had "discovered" the secret musical styling
of the Pied Piper, and kept "Piping" the little children around from town
to town. I guess in a way, they really had!

Geoff Wells

 
geoff@mailhub.scf.lmsc.lockheed.com
From: jjfink@skcla.monsanto.com
Newsgroups: rec.music.gdead
Subject: Re: The Grateful Dead and the Mixolydian Mode...
Date: 14 Aug 92 08:15:26 GMT
Article-I.D.: skcla.1992Aug14.081526.1
Organization: Searle, Skokie, IL
Nntp-Posting-User: mas

In article <BsxKrC.60C@news.udel.edu>, moffitt@chopin.udel.edu (Curtis Moffitt) writes:
> 
> This is a very long post.  It is a detailed description of the concept
> of modes, and modal playing.  It also discusses the prevalence of the 
> mixolydian mode in the grateful dead's music and why they use it so much.
> 
[Much enlightening stuff deleted]

From what little I remember from some ancient music theory I had, the various
modes had their own 'natural' chord progressions, as opposed to the 'major'
circle of fifths.

Also, the study I did found that much rock music uses the Lydian mode.
A prime example of Lydian is Elton John's _Rocket Man_ (unknown if Kate Bush's
version undoes the modality, I can no longer pick up on this stuff).

Joel
From: N570098@univscvm.csd.scarolina.edu (UVAARPA.VIRGINIA.EDU)
Newsgroups: rec.music.gdead
Subject: PPersonal to Chrish Perkins
Date: 20 Aug 92 13:42:37 GMT
Reply-To: N570098@univscvm.csd.scarolina.edu
Organization: The Internet

Chris, I'm in Atlanytaq, lost yer number. If you see this, please mail no,that'
s a stupid idea, actually, phone me at 255-0925 and ask fer Sarah. I'll be in t
own at least for a coupla hours. Good luck, if this doesn't work out, we'll jus
t mail thezse darn tapes. Sorry fpor all the typos.
  Sorry netheads fior wasting bandwidth.




Saragh
From: JJSST16@vms.cis.pitt.edu
Newsgroups: rec.music.gdead
Subject: Re: Dead-Flames Digest #185
Date: 22 Aug 92 15:16:52 GMT
Reply-To: JJSST16@vms.cis.pitt.edu
Organization: The Internet

Please remove me from your mailing list I am going on vacation.
	Thank you
		jjsst16
From: jojw@uhura.cc.rochester.edu (John J. Wood)
Newsgroups: rec.music.gdead
Subject: The net.get.well.card
Date: 17 Aug 92 19:41:19 GMT
Organization: University of Rochester (Rochester, NY)

Well, judging by the response, it's already safe to start doing up
the net.get.well.card for Jerry.:-)

If you wish to appear on the card, please email me, and *include*
your email address and hometown.  Also, if you'd like to include
any personal messages to Jerry, please place that at the bottom
of your email reply.  Again, all names will appear in alphabetical
order, followed by the email address and hometown.  After that
list, the messages section will follow, probably in the order
which I receive them.

*All* email responses *must* be sent by Thursday, August 20th.  Any
responses sent after that date will *not* be accepted.  I hate
to sound so strict, but I'd really like to get this card out ASAP.
I also think that a 3-day turnaround is feasible.  Victoria
Haliburton has kindly offered to create a laser hardcopy of the
card, but she needs to have all the data by the end of the week.
The address to mail the card to will be the one Todd Brown posted,
unless there's even a better address.  Victoria, if you are unable
to work on this, I more than understand, and I can always do the
Macintosh-to-laser work if necessary.

Finally, I'm open to any and all ideas and suggestions on the card,
particularly the contents of the initial card message.  Remember, this
card to Jerry is coming from *us*, and any input you have is more
than welcomed.     

Thank you for your support, everyone.:-)  Let's get this card going!

 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
 | John J. Wood                              jojw@uhura.cc.rochester.edu  |
 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
 |			PLEASE GET WELL, JERRY!!!   			  |
 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
 | "You can't let go, 'cause you're afraid to fall,            		  |
 |  And the day may come, when you can feel it all..."			  |
 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
From: 7039P@navpgs.bitnet (Emil Petruncio)
Newsgroups: rec.music.gdead
Subject: Re: Wharf Rat
Date: 16 Aug 92 15:41:53 GMT
Reply-To: 7039P@navpgs.bitnet
Organization: The Internet


A few bits more on the saga of August West and his visitor, and why
it makes me smile, smile, smile:

Though the characters in this song seem to be hurtin', the focus of
the song is not on their plights but on their faith.  Though blind,
dirty, and reduced to begging for dimes, August is still able to muster
up the faith in his ability to turn things around. Whether he gets a new
start or not isn't the point of the song.  The narrator appears to have
lost touch with Bonnie Lee, yet clings to his belief that she's been
true to him.  That's the 'beauty in the tragedy' that I was muttering
about the other day.

Anyways, the point I'm awkwardly trying to make is, without their
steadfast faith, what would these guys have?   Simple characters,
yet what they possess is the same thing that will keep the human
race going, or at least bring the Phillies another pennant someday.
Shucks, miracles just don't happen unless folks *believe* that they will.
I reckon that's enough bits for now.

BTW, congrats, wharfie.

Emil T. Petruncio  BITNET: 7039p@navpgs  INTERNET: 7039p@cc.nps.navy.mil
Newsgroups: rec.music.gdead
From: quaglia@seas.smu.edu (Bruce Quaglia)
Subject: Re: That chick singer
Organization: SMU School Of Engineering and Applied Science
Date: Thu, 13 Aug 1992 00:40:19 GMT

In article <3431@unisql.UUCP> wrat@unisql.UUCP (wharfie) writes:
>In article <1992Aug11.202735.6534@vicorp.com> mc@vicorp.com (Mark Charalambous) writes:
>>wrong to claim that Donna's being out of tune was due to having compete
>
>	No, don't you see??  **Donna** was the only one ever *in* tune!
>The rest of those guys were wrong.
>
Pitch is relative, yeah sure <unless you have perfect pitch, but even 
those folks don't usually agree>, but she was out of tune relative to
herself...she didn't stay constantly 15 cents flat to the rest of the 
band. She was like all over the road intonation-wise. (    

	.   .
	\________/

	-bq



Newsgroups: rec.music.gdead
From: langston@src.umd.edu ()
Subject: Wasted Space
Originator: langston@disney.src.umd.edu
Organization: Institute for Systems Research, University of Maryland, College Park
Date: Fri, 21 Aug 1992 19:07:46 GMT

	Hey guys, let's find something meaningfull to talk about or just
chill out.  We may never Smoke at another show, and Donna's not going
to see dead shows anymore.  So who cares?  
	Let's find a more profound subject or chill out.
-- 
Richard Langston (langston@src.umd.edu)  (w) 301 405 6597 (h) 301 572 4817 
computer systems specialist/systems research center/university of maryland
   All that is left of my reason, are holes in the kness of my blues
From: rjn@snowbird.LABS.TEK.COM (Jim Nusbaum)
Newsgroups: rec.music.gdead
Subject: radiators tickets
Date: 12 Aug 92 18:53:22 GMT
Distribution: usa
Organization: Computer Research Laboratory, Tektronix, Inc., Beaverton OR

To anyone who finds themselves going to Oregon with nothing to do:

4 tickets to Radiators
Friday, Aug 21st, 10pm
Eugene Hilton Ballroom
$10 each (cost $15)

Email or call me.

--
Jim Nusbaum, Software Technology Research Lab, Tektronix Laboratories
[ucbvax,decvax,allegra,uw-beaver,hplabs]!tektronix!strl!rjn
rjn@strl.labs.tek.com
(503) 627-4612
Newsgroups: rec.music.gdead
From: Steve -- The Other One <sjeck@isi.com>
Subject: Re:  Does Garcia have an obligation?
Reply-To: sjeck@isi.com
Organization: The Internet
Date: Fri, 14 Aug 1992 00:31:19 GMT

funny how many people think they can tell Mr. Garcia
that he should do this or that to stay healthy.  yeah,
i know they are subtle about it, like:

|I think the only responsibility (or maybe primary responsibility) Jerry has is
|to himself.   That obligation to stay healthy puts Jerry first and he needs to
|take care of himself for himself, not for us. 

the man is gonna do what the man is gonna do.  what
is there to talk about?  "Does Garcia have an obligation?"
what a self-centered question!  the only reason to ask
if he has an obligation is because you want something
from him.  this whole situation should serve as notice
for those who have made the pursuit of the Grateful Dead
the center of their lives.  it won't go on forever and
they have no obligation to continue.

Steve-TOO

"where they ever here at all?"
From: lewis4@husc8.harvard.edu (Andrew Lewis)
Newsgroups: rec.music.gdead
Subject: Personal to Eric Cobb
Summary: 1968 tree
Date: 21 Aug 92 21:25:44 GMT
Article-I.D.: husc3.1992Aug21.172545.14993
Organization: Harvard University Science Center

As always, sorry to waste bandwith ...
Eric. I am a leaf of yours on the 1968 tree, and the address I have for you
(PHILZONE%WHARF@CANAL.ORG) bounces. Please try to get in touch with me.
Thanks    
andy lewis
lewis4@husc.harvard.edu

p.s. if anyone else is one of his leaves, have you been able to get in touch
with him?
Newsgroups: rec.music.gdead
From: pmc@world.std.com (Patrick M Chase)
Subject: Re: Wharf Rat
Organization: The World Public Access UNIX, Brookline, MA
Date: Sat, 15 Aug 1992 03:45:23 GMT

Gail Edwards writes:
>David Lippe) writes:
>>that the song doesn't do much for her.  Personally, I love Wharf Rat-- 
>>in fact,
>>suprised me to hear people say they don't like it.  What do the rest of you
>>think about the song?  
>
>2-18-71, Portchester, DarkStar->WharfRat->DarkStar, beautiful beyond words.

and 12/2/73, Boston Music Hall.
+-------------------------------------------------------------------------+
| Patrick Chase                             InterNet: pmc@world.std.com   |
| Technical Support Specialist              UUCP: uunet!world!pmc         |
| Genzyme Corporation                       UUCP: bu.edu!world!pmc        |
| One Kendall Square                        AOL: Patrick0 (That's a ZERO!)|
| Cambridge, MA  02139-1562                 (617)252-7804 (voice & vmail) |
|    FidoNet: Patrick.Chase@f270.n101.z1.fidonet.org (or 1:101/270.2)     |
+-------------------------------------------------------------------------+



Newsgroups: rec.music.gdead
From: jojw@uhura.cc.rochester.edu (John J. Wood)
Subject: Re: Todd Mentions Pedal Steel
Organization: University of Rochester (Rochester, NY)
Date: Wed, 19 Aug 92 16:16:50 GMT

Matt Brown recalls...
>This gave me a flashback (drug free) of the only time I had a chance to
>see Jerry play pedal steel.  I was at Foxboro for the Dylan/Dead show
>a few years back.  The Dead opened and played clean & classic stuff (no 
>major surprises, but sweet stuff).  It was July (I believe) and mighty hot,
>and we had gotten there early.

The show was 7/4/87, Foxboro, and the first of the six shows of the
Dead/Dylan "Alone & Together" Tour.  I attended, and Foxboro was indeed
a dust bowl.;-)

>delay shots, etc.  At the beer stands they had a small color monitor, mostly
>so bloodball fans wouldn't miss a Patriot's play while tanking up. So I look
>up, and what do I see?  There's Jerry at the pedals!  Double shit!  By the
>time I got the beers and beat it on up to the seats, they were just finishing.
>He didn't go near the pedal steel the rest of the night, best I can remember.

The song Jerry played pedal steel on was "I'll Be Your Baby Tonight",
which made a personal favorite Dylan number that much sweeter.  The
performance wasn't perfect, but the feel was heavenly with a soupcon
of country.:-)  This was my personal favorite highlight of the show.
The only other song Jerry utilized pedal steel on was at Giants 
Stadium (7/12/87) for "Tomorrow Is A Long Time."  Jerry used pedal
steel for the other versions of "I'll Be Your Baby Tonight" at those
Dead/Dylan shows.

>So, on a similar theme, what's the net opinion of some of the better Jerry
>pedal steel shows out there in tapeland?  And would one of these shows make
>a decent 3FTV or 4FTV...

If you want pedal steel, a good place to look is on the New Riders
Of The Purple Sage live album, VINTAGE NRPS (Relix records).  The live
material is derived from the NRPS opening set for one of the Dead shows at
Portchester 1971 (the exact date, as I recall, wasn't on the CD).
At that time, Jerry was sitting in with the band on pedal steel.

As for Jerry playing pedal steel with the Dead, I believe that hasn't
occurred for an entire show, and probably not in the acoustic 1970
sets in general (I could be wrong, but I don't recall any:-})


 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
 | John J. Wood                              jojw@uhura.cc.rochester.edu  |
 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
 |			PLEASE GET WELL, JERRY!!!   			  |
 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*
 | "You can't let go, 'cause you're afraid to fall,            		  |
 |  And the day may come, when you can feel it all..."			  |
 *-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=*

Newsgroups: rec.music.gdead
From: PRRICE@miamiu.bitnet
Subject: dickheads and valium
Reply-To: PRRICE@miamiu.bitnet
Organization: The Internet
Date: Wed, 12 Aug 1992 14:17:17 GMT

OK, everyone who is a dickhead, or thinks someone else is a dickhead, go
take a valium and a nice long nap. I now return you to you regularly
scheduled programming:-)
From: moffitt@chopin.udel.edu (Curtis Moffitt)
Newsgroups: rec.music.gdead
Subject: Re: The Grateful Dead and the Mixolydian Mode...
Date: 14 Aug 92 14:27:20 GMT
Organization: University of Delaware

In article <1992Aug13.190000.7971@sunspot.noao.edu> brown@sunspot.noao.edu (Todd Brown) writes:
>In article <BsxKrC.60C@news.udel.edu> moffitt@chopin.udel.edu (Curtis Moffitt) writes:
>>
>>This is a very long post.  It is a detailed description of the concept
>>of modes, and modal playing.  It also discusses the prevalence of the 
>>mixolydian mode in the grateful dead's music and why they use it so much.
>
>Ok, here I go again, steppin' in composte:-)
>Question, is this or is this not a recreational
>newsgroup(rec.music.gdead)? So we need this highly technical
>disscusion on how it is the Dead manage to Jam so well.
>Question, is not Phil the only schooled musician in the group, and
>thus probably the only one who is able to offically grasp these
>great technical discussions.
>

Todd,  I think that Jerry must have had some kind of musical training... I
think I remember hearing somewhere about Jerry taking lessons from someone
but I can't quite remember...  Either way,  Jerry definately does have an
excellent grasp of music thoery and is not "feeling his way through it."
Music is a language unto itself and to speak the language of music is one
of the most important things in expanding your ideas... If Jerry has indeed
talked to Miles and others, then he definately need to know his thoery
and music language if he were to keep up with their level of discussion
of music theory....  Also, as far as Bobby goes, he probably learned from
both Jerry and Phil if not also having a teacher when he was younger....
The most important thing I think, though, is that when you play in a band
you exchange musical ideas and theory all the time.  They have probably
taught each other a lot just from interacting in a band situation.  And then,
when each person learns some things "outside", they bring them to the group and
apply them....

>So is it the combined opinion of the group that these discussions
>of brilliant understanding of musical education should continue
>or would it not be best for those concerned to take this discussion
>to email or start their own group tech.music. anaylisis of gdead:-)
>
>A thought if Phil is the only "educated" musician in The Dead, how
>is it that they have managed to do so well over the years playing
>all this highly technical educated modal type music? Could it come
>naturally or is it a developement caused by a high rate of experience
>and experimentation.

Definately and emphatically, BOTH!
Later, Curt 
Newsgroups: rec.music.gdead
From: Brian.Jarvinen@um.cc.umich.edu
Subject: more Deadicated wishes
Reply-To: Brian.Jarvinen@um.cc.umich.edu
Organization: The Internet
Date: Sat, 22 Aug 1992 00:14:29 GMT

This was fun:
 
 Beat It On Down the Line - The Cynics   (tho it ain't an original)
 Big Railroad Blues - The Allman Brothers
 Bird Song - Hot Tuna
 Greatest Story Ever Told - Beausoleil
 The Other One - The Flaming Lips
  (Metallica and Primus are also good choices)
 Saturday Night - Phish
 Victim or the Crime - Sonic Youth
 The Wheel - Shonen Knife
From: wrat@unisql.UUCP (wharfie)
Newsgroups: rec.music.gdead
Subject: Re: Analyze the Music
Date: 13 Aug 92 15:00:39 GMT
Reply-To: wrat@unisql.UUCP (wharfie)
Organization: UniSQL, Inc., Austin, Texas, USA

In article <1992Aug12.200448.25418@col.hp.com> rstern@col.hp.com (Richard Stern) writes:
>early versions of Hell in a Bucket or Brother Esau or even Touch of
>Grey.  Lots and lots of missed changes and botched endings.  It seemed like

	Fer shure: I remember Esau (why don't they play that anymore??)
going "Twanngggg Twannngggg <sputter>" more often than not...
From: Rob Gilde <gilde@jaco.ds.boeing.com>
Subject: Correction to "Life After The Dead" announcement!!!
Reply-To: gilde@jaco.ds.boeing.com
Organization: The Internet
Date: Fri, 21 Aug 1992 02:31:36 GMT

In my haste to get this info out, I screwed up!

The correct dates are Saturday August 22 and Sunday August 23.  
                             
Sorry.

Rob
Newsgroups: rec.music.gdead