HDTenEightyP/NetNews huggingface dataset:
Organization: Penn State University
Date: Mon, 14 Dec 1992 20:33:55 EST
From: Ross Whitwam <REW4@psuvm.psu.edu>
Newsgroups: rec.music.dylan
Subject: Re: Mississippi John Hurt
 <1992Dec13.220645.6233@seas.gwu.edu>

In article <1992Dec13.220645.6233@seas.gwu.edu>, kopti@seas.gwu.edu (Juzer T.
Kopti) says:

> Yes, a lot of good MJH is available on CD nowadays.BTW,did
> you know that MJH used to record in the early 20's and 30's.
> He made a few 78's adn then was forgotten about.In the 50's
> a blues collector called TOM HOSKINS located him by getting
> clues from one of  MJH's famous tracks called AVALON BLUES.
> I think he was located him in the town of AVALON and then went
> on to record some more magnificient blues, most of which is
> available on cd along with his pre-war performances on many
> compilations.

>                                                JUZER

13 songs Mississippi John Hurt recorded in 1928 (including
the original version of "Avalon Blues" which led to his
rediscovery) are available on a CD from Yazoo records
titled _Mississippi John Hurt 1928 Sessions_ .

Yazoo has re-released (on CD and cassette) the original
recordings from the 20's and 30's of many of the great blues
artists who were seminal influences on Dylan's work, including
Charley Patton, Blind Lemon Jefferson, MJH, and Blind Willie
McTell.  Dylan has great taste in music, because these guys
are all great.

MJH is the one blues artist whose recordings at the end of
his life/career I find as good as the stuff he recorded
in his "youth".  Maybe it's because MJH cut so few records
before he (temporarily) disappeared into obsucurity; the
stuff he was recording in the 60's wasn't simply
a rehash of the same old songs he had recorded in 1928
-- there were lots of songs that he hadn't put on record
before, and so which seemed fresh and interesting.  (As
compared to Muddy Waters, say.  At the end of *his* career
he seemed to be just re-recording his Chess hits over and
over again; doing a good job of it, mind, but not improving
on the originals at all.  So why not just listen to the
Chess versions again?)


Ross Whitwam                  REW4@psuvm.psu.edu
Dept. Molec + Cell Biology
Penn State University
Organization: Penn State University
Date: Mon, 14 Dec 1992 21:03:57 EST
From: Ross Whitwam <REW4@psuvm.psu.edu>
Newsgroups: rec.music.dylan
Subject: Re: query about a lyric
 <1992Dec14.020134.25064@ncsu.edu>

In article <1992Dec14.020134.25064@ncsu.edu>, dcblack@eos.ncsu.edu (DORWIN CLAY
BLACK) says:

>Speaking of Outlaw Blues, has anyone else picked up the British cd of the
>same title.  It's a Dylan tribute album with covers of about 12 Dylan songs
>performed by alternative rock groups none of whom(sp?) I had ever heard of
>before I bought it. I particularly like the eerily haunting version of
>"Mama You Been on My Mind" by Lee Renaldo complete with some bizarre
>synthesizer sound effects.

This is my favorite track on the album, and that is a guitar
making those noises.  Feedback = tenderness, who'da thought it
would work so well.

>                             Also a searing rendition of "Sooner or Later (One
>of Us Must Know)" by the Boo Radleys,

The Boo Radleys' first major label release has been out for a while now,
and my mind goes blank for the title.  Based on their handling of
this song I've been meaning to pick it up.

>                                      and an almost rap version of "Isis" (I
>don't remember the name of the group off hand). Other songs on the album
>include "It Aint Me Babe","Tombstone Blues","Outlaw Blues"(naturally),
>and"Just Like Tom Thumbs Blues" .  This is one of the better Dylan tribute
>albums IMHO, although those who do not like alternative rock may disagree.
>It's a British Import ( the label is Imaginary Records).  Does anyone else
>out there have an opinion on this album?
>                                        _-Dorwin
>                                          North Carolina State University

One of the better tribute albums period, though that isn't saying much.
I still listen to it regularily, unlike the recent _I Shall Be
Unreleased_, which turned out be little more than of novelty
interest (which a handful of strong exceptions).


Ross Whitwam                  REW4@psuvm.psu.edu
Dept. Molec + Cell Biology
Penn State University


Newsgroups: rec.music.dylan
From: jbrown@magnus.acs.ohio-state.edu (James S Brown)
Subject: Mississippi John Hurt
Organization: The Ohio State University
Date: Fri, 11 Dec 1992 23:20:42 GMT

The subject pretty much says it all.  I picked up a Mississippi John Hurt album
at the used record store today and was completely blown away by it.  If you 
like GAIBTY, try to scare up some MJH.  "Frankie and Albert" is on the album I 
bought.

Is Hurt available on CD?  Anybody else in r.m.d. listen to the blues?

Take it easy, but take it . . .

Jim Brown               [jbrown@magnus.acs.ohio-state.edu]
-- 
..the only people for me are the mad ones, the ones who are mad to live, mad
to talk, mad to be saved, desirous of everything at the same time, the ones who
never yawn or say a commonplace thing, but burn, burn, burn like fabulous
yellow roman candles exploding like spiders across the stars...  --Kerouac
Newsgroups: rec.music.dylan
From: roth@feline.cs.wisc.edu (Bill Roth)
Subject: Re: Trivia Question
Organization: University of Wisconsin, Madison -- Computer Sciences Dept.
Date: Mon, 14 Dec 1992 18:23:27 GMT

In article <1gh108INNnqm@usenet.INS.CWRU.Edu> aa737@cleveland.Freenet.Edu (Mike George) writes:
>
>What time is it?  Said the judge to Joey when they met?
>
"5 to 10", Joey said.


Signed, a former resident of President Street.

-- 

-------------------------------------------------------------------
Bill Roth, University of Wisconsin Computer Sciences Dept.
Internet: roth@cs.wisc.edu. BITNET: ROTH@WISCPSL. HEPNET: PSL::ROTH

Newsgroups: rec.music.dylan
From: vuyk@let.rug.nl (W. Vuijk)
Subject: Re: Rerelease of Blonde On Blonde
Organization: Faculteit der Letteren, Rijksuniversiteit Groningen, NL
Date: Mon, 14 Dec 1992 15:34:06 GMT

In article <1992Dec10.164112.15626@sadtler.com> djs@sadtler.com writes:
>From: djs@sadtler.com
>Subject: Rerelease of Blonde On Blonde
>Date: Thu, 10 Dec 1992 16:41:12 GMT
>
>Does anyone have the new Sony Master Plus series release of Blonde on Blonde?
>I read that the sound quality on the release clearly surpasses that of the 
>Columbia release.
>-- 
>D. Sears                                          Email:  djs@sadtler.com
>post += disclaimer;                   Sadtler Research Labs, Philadelphia 
>-------------------------------------------------------------------------
Newsgroups: rec.music.dylan
From: jab@cs.brown.edu (James M. Borger)
Subject: She's Your Lover Now
Organization: Brown Computer Science Dept.
Date: Mon, 14 Dec 1992 19:28:08 GMT

In Paul William's (I think) book, he talks about a recording of Dylan singing all
of SYLN on piano, and says it's his favorite Dylan recording.  I think SYLN is
easily one of his best songs and would like to know if anyone has or has heard
the piano version.
Newsgroups: rec.music.dylan
From: kloeck@research.nj.nec.com (Erwin Klock)
Subject: Re: Mississippi John Hurt
Originator: kloeck@frege
Organization: NEC Research Institute
Date: Wed, 16 Dec 92 18:30:15 GMT

akp1@midway.uchicago.edu writes:

>>material that it contains. I found the same to be true of many
>>Yazoo CDs, exellent material in abysmal sound quality, as in scratched
>>beyond recognizability. I don't buy their stuff anymore although
>>it is often tempting from the titles they put out.

>It's a shame that I can't go out and buy a Blind Lemon
>Jefferson recording that has the same sound quality as the latest Paula Abdul
>dance-remix, but I still would rather spend my money on the former instead of
>the latter.  It all comes down to the music.
>

When I said that the sound quality of Yazoo CDs is bad I did not
compare them to the latest Paula Abdul release ( I could not because
I don't know it ) but to the Roots'N'Blues Series that Sony/Columbia
puts out. They clean up the sound, remove the scraches etc. The result
still is not HiFi but very listenable.
On the "News and the Blues" CD there is Frankie by 
Mississippie John Hurt. Compare this one to the Yazoo version on the
1928 Sessions and you will know what I mean.

Erwin

-- 
--------..----------------------------------------------------------- 
Erwin Klock                         phone:             (609) 951-2748
NEC Research                        fax:               (609) 951-2482
Princeton NJ                        email: kloeck@research.nj.nec.com   
Newsgroups: rec.music.dylan
From: cjf49655@uxa.cso.uiuc.edu (Chuck)
Subject: Re: Last thoughts on...
Organization: University of Illinois at Urbana
Date: Wed, 16 Dec 1992 21:11:28 GMT

it is in the book _Lyrics 1962-1985_ (by Bob Dylan), pp. 32-36.


-- 
Chuck Falzone
cjf49655@uxa.cso.uiuc.edu
Newsgroups: rec.music.dylan
From: prokopy@sage.cc.purdue.edu (dave)
Subject: Blonde on Blonde CD remastering
Organization: elsewhere
Date: Mon, 14 Dec 1992 22:48:46 GMT

In article <1992Dec14.205302.4057@uvaarpa.Virginia.EDU> APOEHLER@ucs.indiana.edu writes:
>RE: Blonde On Blonde, why is the CD of Blonde On Blonde not as highly regarded
>by some people?  The author of Dylan: Behind The Shades says that the vinyl
>is preferable to the CD for this record.  Why is this?  I have the CD, and I
>don't notice anyything _wrong_ per se, but someone with the vinyl version may
>know something I don't here.  Is it the mix?  The mastering?  What?  

the original pressings of the cd contained abreviated versions of a
couple songs ("sad-eyed lady of the lowlands" and "just like a woman,"
i believe) in order for the entire album to fit onto one disc.  as
cd technology advanced, and more info was able to be stored on a disc,
_bob_ was released, not once, but TWICE, each time getting a little
longer.  the final version contains the entire album, without the
early fades.  i would assume the new gold disc is the complete version.

-- 
( dave prokopy - prokopy@sage.cc.purdue.edu or prokopy@en.ecn.purdue.edu    )
( "this is my mistake - let me make it good."                               )
(  -r.e.m., "world leader pretend"                                          ) 
Newsgroups: rec.music.dylan
From: DAISY GLAZE <APOEHLER@ucs.indiana.edu>
Subject: Outlaw Blues, Blonde on Blonde
Reply-To: APOEHLER@ucs.indiana.edu
Organization: The Internet
Date: Mon, 14 Dec 1992 20:53:02 GMT

RE: Outlaw Blues, you _may_ have heard of one of bands on the disc and not
known it...Lee Ranaldo is a member of Sonic Youth, as are Thurston and Kim from
the track credited to 'Thurston, Kim, and Epic'.  A side note, but one I
though might need clearing up.
RE: Blonde On Blonde, why is the CD of Blonde On Blonde not as highly regarded
by some people?  The author of Dylan: Behind The Shades says that the vinyl
is preferable to the CD for this record.  Why is this?  I have the CD, and I
don't notice anyything _wrong_ per se, but someone with the vinyl version may
know something I don't here.  Is it the mix?  The mastering?  What?  
---Aaron
Newsgroups: rec.music.dylan
From: akp1@kimbark.uchicago.edu (Adam K. Powers)
Subject: Re: Mississippi John Hurt
Reply-To: akp1@midway.uchicago.edu
Organization: University of Chicago Computing Organizations
Date: Wed, 16 Dec 1992 21:12:23 GMT

kloeck@research.nj.nec.com (Erwin Klock) writes:

>akp1@midway.uchicago.edu writes:
>
>>>material that it contains. I found the same to be true of many
>>>Yazoo CDs, exellent material in abysmal sound quality, as in scratched
>>>beyond recognizability. I don't buy their stuff anymore although
>>>it is often tempting from the titles they put out.
>
>>It's a shame that I can't go out and buy a Blind Lemon
>>Jefferson recording that has the same sound quality as the latest Paula Abdul
>>dance-remix, but I still would rather spend my money on the former instead of
>>the latter.  It all comes down to the music.
>>
>
>When I said that the sound quality of Yazoo CDs is bad I did not
>compare them to the latest Paula Abdul release ( I could not because

Sorry, didn't mean this as a personal slight or anything, just picked a
performer at random from the bevy of current pop stars.  My only point here
was that modern recording studios can crank out volumes upon volumes of
technically well-recorded material that lacks much artistic credibility in
the long term.

>I don't know it ) but to the Roots'N'Blues Series that Sony/Columbia
>puts out. They clean up the sound, remove the scraches etc. The result
>still is not HiFi but very listenable.
>On the "News and the Blues" CD there is Frankie by
>Mississippie John Hurt. Compare this one to the Yazoo version on the
>1928 Sessions and you will know what I mean.

You've called me on that one - I don't have any overlap between the two
series.  A lot of the CD blues reissues I've bought are by Yazoo and by an 
Austrian company called 'Document' that does complete chronological
recordings of many artists (Blind Willie McTell, for example).

Personally, as for 'cleaning up' the sound, I'm at a real dilemma here -
Like I mentioned with about the new Dylan gold CDs, I do like to hear the
best possible sound, but I definitely think there are drawbacks to too much
remastering or fiddling around with old recordings.  Rather than try to 
defend a half-baked view on this one, I'd like to ask a question of any
net.god who knows more about digital transfer than I: by 'remastering' an
old 78-rpm record, is a significant amount of the original analog data lost
along with the noise?
						-Adam K. Powers
						akp1@midway.uchicago.edu
Newsgroups: rec.music.dylan
From: SCALES@wsuvm1.csc.wsu.edu
Subject: New Rolling Stone
Organization: SYSTEMS & COMPUTING
Date: Wed, 16 Dec 92 22:19:51 PST

The latest Rolling Stone spotlights Dylan's album, and gives it 4 stars.
Nice article.
 
 
 
 
Newsgroups: rec.music.dylan
From: rmura@world.std.com (Ron Mura)
Subject: Re: Talkin' Bob Dylan
Organization: The World
	<1992Dec17.223546.23476@utoday.com>
Date: Fri, 18 Dec 1992 03:36:11 GMT

In article <1992Dec17.223546.23476@utoday.com> georger@utoday.com (George Rothe) writes:
> 
> In article <1992Dec16.153850.1896@uvaarpa.Virginia.EDU> alan@atmos.umd.edu writes:
>>Who's the guy who did "Talkin' Bob Dylan" on his new History album?
>>
> is that the name of the song by Loudon Wainwright III ?

The official name is "Talking New Bob Dylan."
-- 
- Ron Mura, Boston, Massachusetts              rmura@world.std.com

Newsgroups: rec.music.dylan
From: kopti@seas.gwu.edu (Juzer T. Kopti)
Subject: Re: Mississippi John Hurt
Organization: George Washington University
Date: Fri, 18 Dec 1992 05:00:03 GMT

 Speaking of bad recordings,I have a record issued by the SMITHSONIAN
 called "NEGRO BLUES AND HOLLERS".It has performances by willie brown
 and son house amongst others.All these were recorded on farms in the
 40's on movable equipment as mentioned in an earlier articles.However
 yhe music on this record is absolutely mindblowing.I reccomend it to
 people who have not hesrd it yet. Also I have a question.I have a
 recording (on tape) called "STORY OF THE BLUES"-It features artistes
 like Leadbelly ,Butterbeans and Susie.However there is one song called
 'YARUM SONG' by the fra fra tribesmen.This group has not been mentioned 
 in many of the Blues books that I've read.Could sanyone give me a brief
 history of this group and as to availability of its recordings?.Also
 this recording that I have is a fifth or sixth derivative copy so I'm
 not sure of the artistes names.One track I've listed is by  CASEY BILL
 Is it actually CAREY BELL or is the above name right?Also has this
 compilation been released on cd? Thanks in advance
	
							JK

Newsgroups: rec.music.dylan
From: tlundgre@magnus.acs.ohio-state.edu (Timothy J Lundgren)
Subject: Re: Blonde on Blonde CD remastering
Organization: The Ohio State University
  Track lengths deleted....
Date: Fri, 18 Dec 1992 21:43:32 GMT

My album of _BoB_ doesn't have any track lengths listed at all--either on the 
outer jacket, or on the records themselves.  Do others' albums have them?

Tim Lundgren  tlundgre@magnus.acs.ohio-state.edu
From: jbair@phoenix.princeton.edu (Joe Bair)
Newsgroups: rec.music.dylan
Subject: Covers
Date: 17 Dec 92 16:34:56 GMT
Organization: Princeton Univ.
Originator: news@nimaster

Nobody can sing the Blues like Blind Willie Mctell and I know not much more
about this song besides whats on The Bootleg Series, but I sure do like it!
Anybody in for a discussion on this?
Newsgroups: rec.music.dylan
From: dcblack@eos.ncsu.edu (DORWIN CLAY BLACK)
Subject: Re: query about a lyric
Originator: dcblack@c00325-2114bl.eos.ncsu.edu
Reply-To: dcblack@eos.ncsu.edu (DORWIN CLAY BLACK)
Organization: North Carolina State University, Project Eos
Date: Mon, 14 Dec 1992 02:01:34 GMT


Speaking of Outlaw Blues, has anyone else picked up the British cd of the
same title.  It's a Dylan tribute album with covers of about 12 Dylan songs
performed by alternative rock groups none of whom(sp?) I had ever heard of 
before I bought it. I particularly like the eerily haunting version of
"Mama You Been on My Mind" by Lee Renaldo complete witn some bizarre
synthesizer sound effects.  Also a searing rendition of "Sooner or Later (One
of Us Must Know)" by the Boo Radleys, and an almost rap version of "Isis" (I
don't remember the name of the group off hand). Other songs on the album
include "It Aint Me Babe","Tombstone Blues","Outlaw Blues"(naturally),
and"Just Like Tom Thumbs Blues" .  This is one of the better Dylan tribute
albums IMHO, although those who do not like alternative rock may disagree.
It's a British Import ( the label is Imaginary Records).  Does anyone else 
out there have an opinion on this album?
					_-Dorwin
					  North Carolina State University
Newsgroups: rec.music.dylan
From: ALBATROSS! <Y79@ucc.uwindsor.ca>
Subject: Re: Highway61 Digest #222
Reply-To: Y79@ucc.uwindsor.ca
Organization: The Internet
Date: Fri, 11 Dec 1992 20:51:45 GMT

|
|Subject: Re: Under The Red Sky
|From: cctr128@cantua.canterbury.ac.nz (Mr K Osborn)
|Date: Fri, 11 Dec 1992 03:32:29 GMT
|
|Stacy Tartar (co273@cleveland.Freenet.Edu) wrote:
|:
|: I may stand alone, but even as a follow up to the spectacular OH MERCY,
|: I think that Under The Red Sky is really good.  Maybe it's an "aquired
|taste."
|
|I reckon it's an aquired taste.  When I bought the album, I played it once
|and thought Yeechh. Put it away for a month or so.  After several
|listenings it started to grow on me tho an I quite like it now.

My experience exactly.  Also second the notion that _Oh Mercy_
is his best since _Infidels_.  I find _GAIBTY_ a little hard to
"get into" b/c mostly what I value about Dylan is his writing
and these songs just don't have that "authorship" thing going
for them, although it certainly isn't a "bad" album by any
means.  I'll take it with me on my train trip next week.
Should make good train travellin' music.  That and some Neil
Young.

BTW Thanks for clearing up what "GAIBTY" stands for.  I thought
it was an alternate guitar tuning - damn guitar had a nervous
breakdown.                                           dry :-]


|From: howells@pioneer.arc.nasa.gov (John Howells)
|Subject: Re: Tape Rumours?
|Date: Fri, 11 Dec 1992 15:40:37 GMT
|
|cuddf@csv.warwick.ac.uk (Charles Handley) writes:
|
|<On the subject of rumours, does anybody have any information
|<about a tape called the `Denver Hotel Tape' from 1966 which
|<I read somewhere is supposed to be made available soon.
|<I would be interested to know what is on it.
|
|Some previously unknown songs, apparently, and early versions of "Just
|Like a Woman" and "Sad Eyed Lady of the Lowlands". The latter has Dylan
|changing keys quite few times while trying to find the right pitch for
|the song. Before singing it he claims it's the best song he'd ever
|written.

This sounds a lot like something Shelton describes in his book.  He
tells of sitting down with Bob (and Robbie?) in a hotel room
and Bob plays a new song from _BoB_ which I think was SELotLL
and says it's the best song he's ever written.  I may be a little
hazy on the facts here, can anyone shed more light on this.
Of course maybe Bob said this about every song (!).  Or maybe
he's just saying it to Robbie.

So could this have been Shelton's tape? Bob's?  Somebody hiding
under the bed?

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
x  Jim Kelly                              Windsor, Ontario, Canada  x
x              Internet: Y79@UCC.UWINDSOR.CA                        x
x                        -------------------                        x
x          "Sooner or later it all gets real/ Walk on."             x
x                   - Neil Young, "Walk On"                         x
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
From: bloom@buast7.bu.edu (Steve Bloom)
Newsgroups: rec.music.dylan
Subject: Re: covers again
Date: 19 Dec 92 17:35:53 GMT
Organization: Astronomy Department, Boston University, Boston, MA, USA

In article <1992Dec11.173809.694@uvaarpa.Virginia.EDU> JESLREYN@ucs.indiana.edu writes:
>
>I admit it is impossible to fully list all Dylan covers.  But here's two
>thoughts.
>
>Does anyone have a full listing of Bob covers by the Dead?  Perhaps this
>should be in Dead-flames/rec.music.gdead.  But anyway, here's what I have.
>
>Jesse Reynolds
>jeslreyn@ucs.indiana.edu


Newsgroups: rec.music.dylan
From: rcj10@cus.cam.ac.uk (Craig Jamieson)
Subject: Re: Don't Look Back (WAS Re: GAIBTY poll)
Summary: Epistemology of Bob Dylan as experienced through Don't Look Back
Keywords: dude cartoon Senior Prom epistemology 
Organization: U of Cambridge, England
Date: Sat, 12 Dec 1992 11:42:14 GMT


Until you accept that there is no Bob Dylan, just a chap named
Robert Zimmerman who plays the part of a character called Bob
Dylan, I don't think he makes much sense. Robert Zimmerman is
a very private dude who sooner or later none of us might know.

Bob Dylan as a larger than life imaginary character can change
in ludicrous and unexpected ways, just as a cartoon character     
can. Robert Zimmerman is probably just as boring as you or me.
Bob Dylan however is often interesting. 

Craig Jamieson
University of Cambridge

Newsgroups: rec.music.dylan
From: srp3@cunixa.cc.columbia.edu (Scott R Perman)
Subject: More Bootleg Series?
Reply-To: srp3@cunixa.cc.columbia.edu (Scott R Perman)
Organization: Columbia University
Date: Sat, 12 Dec 1992 18:18:40 GMT

When the box set of Bob's "Bootleg Series Vol 1-3" came out, there
was a great deal of discussion from people at Columbia Records
(as well as a note in the box, I think), which stated that there
would be multiple more volumes to come.  Volume 4 was to be a 
complete recording of the Royal Albert Hall concert.  Has anyone
out on the net heard anything about this or any other volumes
due to come out.  While I enjoy GAIBTY as much as the next guy,
a super clean, complete version of the Albert Hall show on CD
would be really spectacular.
Thanks!

Newsgroups: rec.music.dylan
From: healy@nosc.mil (Mike Healy)
Subject: Re: Mississippi John Hurt
Organization: Naval Ocean Systems Center, San Diego
Date: Thu, 17 Dec 1992 01:46:50 GMT


As far as fixing up old, damaged recordings, Mickey Hart of the Grateful Dead has been
using digital recording software/hardware to clean up early recordings by reconstructing
the wave forms so that the music is enhanced as opposed to being changed. I think I saw
this in Electronic Musician this year. 

Mike Healy

healy@nosc.mil

Newsgroups: rec.music.dylan
From: Jesse Reynolds <JESLREYN@ucs.indiana.edu>
Subject: other versions og GAIBTY
Reply-To: JESLREYN@ucs.indiana.edu
Organization: The Internet
Date: Thu, 17 Dec 1992 05:58:35 GMT


Thanks for the list of other versions of the songs on GAIBTY.  Ther's one
that I remembered and wasn't on there.  In a Tom and Jerry cartoon,
Jerry's country-musicain uncle does it on a TV show.  I don't think this
is out on cd yet.  :-)

Jesse Reynolds
jeslreyn@ucs.indiana.edu
Newsgroups: rec.music.dylan