HDTenEightyP/NetNews huggingface dataset:
From: per@aber.ac.uk (Peter David Roberts)
Newsgroups: rec.music.folk,soc.culture.celtic
Subject: Re: The essential Celtic recordings?
Date: 18 Aug 92 16:35:28 GMT
Organization: University of Wales, Aberystwyth

In article <1992Aug17.104526.19376@yang.earlham.edu> johnl@yang.earlham.edu (John Fiskio-Lasseter) writes:
Lots deleted including album list
>
>Okay, there're SOME of the recordings that are my personal favorites.  
>Anyone else care to add?
>
>--John

Ok I'll bite but on the Celtic basis as much as the folk

The Alarm: Newid (especialy A New South Wales) essentialy a rock band their
last two albums are also available in Welsh and draw on Welsh traditions.

Capercalie: any album realy but Sidewauk gets the edge over the more recent
Delirium. Both have a good mix of pure traditional styled songs and the modern
sung in both Gaelic and English.

Runrig: All the albums have their strong points but for me Recovery and The 
Cutter and The Clan stand out. The former for its storytelling and its blend of
old and new cultures, the latter for its powerful lyrical messages

Runrig:- Flower of the West (12" single) combining the title track with 
Ravenscraig( one of the best political songs of the 1980's) and an incredible
version of Chi m'in Geamaigh with Karen Mattherson of Cappercalie made this 
the best release of 1991 for me

Well thats some more input
Comments?
Pete



-- 
% Peter Roberts, JANET per@uk.ac.aber   INTERNET per@aber.ac.uk.     %
% Palynology (Postgrad): University of Wales, Aberystwyth.           %
% " Ah but mountains are holy places, and beauty is free, you can    %
%  still walk through the garden, our earth was once green" - Runrig %
Newsgroups: rec.music.folk
From: bermes@cbnewsc.cb.att.com (Terry Bermes)
Subject: Thistle and Shamrock in Chicago?
Organization: AT&T Looney Bin
Distribution: chi
Date: Wed, 19 Aug 1992 17:10:56 GMT

	Does anyone know when/if Thistle and Shamrock is broadcast in
the Chicago area and what station it is on?

thanks,

terry
From: margog@magnus.acs.ohio-state.edu (Margo Garcia)
Newsgroups: rec.music.folk
Subject: De Dannan
Date: 19 Aug 92 12:28:06 GMT
Article-I.D.: magnus.CMM.0.90.2.714227286.margog
Organization: The Ohio State University

De Dannan's most recent recording is:  "1/2 Set in Harlem".   It's an
interesting attempt at merging two distinctfully different idioms.  In most
cases it works, though because of this seemingly unlikely blending, it may
take a few listen-tos to get use to it.  For diehards, there are still plenty
of traditional cuts on this recording.  There is also a quasi-Klezmer piece
included.  

De Dannan played Coulbus a few weeks back and they were wonderful, as usual. 
Even after the second time the sound system blew (and I do mean "blew"... it
sounded like the explosion of a nuclear reactor), they kept their cool and
waited until it was fixed.  Then they played away, beautifully.  Great stuff.
Xref: sparky rec.music.folk:5665 soc.culture.celtic:5501
From: johnl@yang.earlham.edu (John Fiskio-Lasseter)
Newsgroups: rec.music.folk,soc.culture.celtic
Subject: The essential Celtic recordings?
Date: 17 Aug 92 15:45:26 GMT
Organization: Earlham College, Richmond, Indiana

In article <1992Aug14.082351.8402@cicb.fr>, moisan@cicb.fr (Herve Moisan -  stagiaire CICB) writes:
> can somebody say to me what groups are the best irish groups (or
> scottish)?
> 
> i want to buy some tapes and i have no idea which one are the best ...
> (CLANNAD , THE CHIEFTAINS ?)

Kind of a subjective answer, though, eh?  Still it's a natural question to 
ask.  Since we just finished a rather fun thread on the essential 
Irish/Scots tunes, how about a new thread on the essential Irish/Scots 
*RECORDINGS*?  Actually, why limit it to Ireland and Scotland?  How about 
Wales, Brittany, Isle of Man, Shetland, Cape Breton, etc. -- any of the 
places that have a distinctly Celtic tradition?  I know it's been done 
before, but it hasn't been done for awhile.  

Anyway, my votes for the albums everyone should own (In no particular 
order):

The Chieftans --  The Chieftans 7, Celtic Wedding
The Tannahill Weavers -- anything they've ever recorded
Ar Log -- same as above
Ossian -- Ossian, St. Kilda Wedding, Dove Across the Water
Planxty -- Cold Blow and the Rainy Night
The Bothy Band -- anything they've recorded, but especially 
		  After Hours:  Live in Paris
The Boys of the Lough -- Second Album
Dick Gaughan -- Handful of Earth, Live in Edinburgh
Finbar Furey -- The Irish Pipes of Finbar Furey
Ma/ire Ni/ Chathasaigh -- The New-Strung Harp

Okay, there're SOME of the recordings that are my personal favorites.  
Anyone else care to add?

--John

+---------------------------------------------------------------------+
|John Howard Eli Fiskio-Lasseter  |     "Is obair-la\ to\iseachadh"   |
|Earlham College Computing Center |    ("Beginning is a day's work")  |
|e-mail: johnl@yang.earlham.edu   |                --Gaidhlig Proverb |
+---------------------------------------------------------------------+
Newsgroups: rec.music.folk
From: jmorton@euler.Berkeley.EDU (John Morton)
Subject: Re: Conjunto Music
Organization: University of California at Berkeley
Date: Fri, 21 Aug 1992 17:28:52 GMT

In article <1992Aug21.003038.607@iscnvx.lmsc.lockheed.com> benjamin@force.ssd.lmsc.lockheed.com writes:
>
>Can someone point me towards other good "Conjunto" recordings?  (I've heard 
>that Santiago's older brother Flaco Jimenez, lately performing with the
>Texas Tornados, is also is fine Conjunto musician.)

Isn't Flaco the same as Santiago, Jr.?  I think "Flaco" means "skinny".
Santiago Sr. is (was?) a founding father of this music, which is a close cousin
to the Norteno music of northern Mexico.  The Conjunto capital is San Antonio,
Texas.  I am new to this stuff also.  I am quite dazzled by the pyrotechnics
and humor of Flaco's playing.
>
>Thanks in advance for any advice!
>
>Brian
>
>benjamin@force.ssd.lmsc.lockheed.com



John Morton					University of California
jmorton@euler.berkeley.edu			Mechanical Engineering
{decvax,cbosgd}!ucbvax!euler!jmorton		Machine Shop
Newsgroups: rec.music.folk
From: ntaib@silver.ucs.indiana.edu (Iskandar Taib)
Subject: Re: Lakes of Pontchartrain lyrics/music?
Organization: Indiana University
Date: Fri, 14 Aug 1992 17:02:50 GMT

In article <1992Aug12.100028.25169@hemlock.cray.com> robd@cherry09.cray.com (Robert Derrick) writes:

>    All strangers were no friends to me til the dark road towards me came.
                                             ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

I've heard this as "a dark girl to me came" but I'm probably wrong..




>    And I fell in love with a Creole girl, by the lakes of Pontchartrain.
-- 
-------------------------------------------------------------------------------
Iskandar Taib                          | The only thing worse than Peach ala
Internet: NTAIB@SILVER.UCS.INDIANA.EDU |    Frog is Frog ala Peach
Bitnet:   NTAIB@IUBACS                 !
Newsgroups: rec.music.folk
From: james@wrs.com (James Moore)
Subject: Re: The essential Celtic recordings?
Reply-To: james@wrs.com
Organization: Wind River Systems
Date: Thu, 20 Aug 1992 16:59:26 GMT

johnl@yang.earlham.edu (John Fiskio-Lasseter) writes:

>Speaking of Breton groups, their's another really good band called Kornog 
>who has some releases in the US on GreenLinnet.

My absolute favourite Breton group is called Gwalarn.  They remind me
a little bit of a Welsh group called Plethyn, with a lot of tight
vocal harmony work.  I've only been able to find two of their
recordings:

	A-hed An Amzer  (Distributed by Keltia Musique, 1 Place au
	    Beurre, 29000 Kemper phone 98 95 45 82)

	Selaouit, koz ha yaouank (Distributed by Arion, but there's no
	    address or phone number of the record.  Date is 1983.)

I saw a copy of A-hed An Amzer in Down Home Music in El Cerito (SF bay
area) a few weeks ago, so it should be available relatively easily.

-- 
James Moore                            /|\                        james@wrs.com
Wind River Systems                     \|/                  Alameda, California
	 "Half of what he said meant something else, and the other half
			  didn't mean anything at all"
Newsgroups: rec.music.folk
From: neverisk@trintex.uucp (Mike Neverisky)
Subject: Re: "Fingerstyle" Guitarists
Organization: Prodigy Services Co.
Date: Tue, 18 Aug 1992 12:35:46 GMT

In article <16or1fINNnbc@agate.berkeley.edu> spp@zabriskie.berkeley.edu (Steve Pope) writes:
>Okay, a few people share my natural distaste for the
>term "fingerstyle" guitarist, but it seems most on r.m.f
>don't seem to get it.  So, I will try to explain.
>
>o Whether one plays guitar with one's fingers, a flatpick, fingerpicks,
>  or just a brush strum is a matter of *technique*, not *style*.

	Connotation is what is important here, I think.  "Fingerstyle" guitarist
	implies something different, *stylistically*, than "Classical".  Though
	bought *techniques* eschew flatpicks.
	
>  
>o Can anybody point to a well-recognized guitarist who describes
>  themselves as "fingerstyle"?  I didn't think so.

	Guy Van Duser.  His business card reads "Finger-Style" Guitar in
	a larger font than his name!
>
>o Something about the word "fingerstyle" conjures up images of
>  new-age, windham-hill, yuppie music.  Get me outta here...
>
	My point exactly - connotation is the significance.  Fingerstyle
	is OK by me.  I first heard the adjective living in Cambridge, MA -
	and it was applied to Guy, Eric Schoenberg, Duck Baker, Pete Kairo,
	etc.  Fond memories...   Guess what my business card says?




-- 
---------------------------+---------------------------+-------------------
Mike Neverisky             |  philabs!trintex!neverisk | Prodigy: KJRJ75A
Prodigy Services Company   |  1-914-684-0679 FAX       | My opinions, not my
White Plains, NY 10601     |  1-914-993-2402 voice     | employers.
From: jonb@Ingres.COM (Jon Berger)
Newsgroups: rec.music.folk
Subject: Re: An Apology - was Re: Copy whose right?
Date: 19 Aug 92 23:08:07 GMT
Reply-To: jonb@ingres.com
Organization: Ingres, an ASK Company

In article <1992Aug19.224609.444@aero.org>, dgolber@aero.org (Dave Golber) writes:
>The folk (well, really ethnic) music and dance group I used to 
>play with:  The announcer used to explain that "real" folk
>music (read "ethnic" ??) was about birth, death and crops.
>The tamburitza orchestra then came out and sang about 
>fast horses, booze and women.
>
>With all due respect ... but a little :-)

No, no, he got it right.  Women=birth, booze=death (just ask the MADD),
and at least one product of fast horses has a great deal to do with crops.

--------------------------------------------------------------------------
   -__ __ /_   Jon Berger              "If you push something hard enough,
  //_// //_/   jonb@ingres.com          it will fall over."
_/ ---------                              - Fudd's First Law of Opposition
Newsgroups: rec.music.folk
From: martin@lyra.cis.umassd.edu (Gary Martin)
Subject: Re: World Cafe schedule for next week
Organization: University of Massachusetts Dartmouth
Distribution: na
Date: Sat, 15 Aug 1992 15:33:05 GMT

In article <1992Aug15.121005.11451@gvl.unisys.com> wrp@ivy.unisys.com (Bill Pringle) writes:


   Attached is a list of the features on next week's World Cafe shows.
   World Cafe broadcasts a wide range of music, along with a number of
   live interviews/performances and commentaries.


   SATURDAY AUGUST 22, 1992 (WEEKEND EDITION #2)
   Singer-songwriter, New England bluesman, and self-described 
   "swamp Yankee" Bill Morrisey performs from his latest album, 
   Inside.  This album is a textured, literate, and more 
   musically-expansive than his previous releases.  Graced with 
   Bill's rasping baritone and joined by fellow folksingers 
   Suzanne Vega and Greg Brown, Inside is a bourbon-seeped 
   medley of tales.

Interesting that Inside should be described as "bourbon-seeped",
considering that it has far fewer references to alcohol and drinking
than his earlier albums.  My recollection is that nearly every song
on Standing Eight (or was it North?  maybe both) has such a reference,
while perhaps two songs on Inside do.

--
Gary A. Martin, Assistant Professor of Mathematics, UMass Dartmouth
Martin@cis.umassd.edu
From: filfeit@rael.Tymnet.COM (Fil Feit)
Newsgroups: rec.music.folk
Subject: Re: Suzanne Vega?
Date: 13 Aug 92 15:21:56 GMT
Reply-To: filfeit@rael.Tymnet.COM
Organization: Sun Microsystems

Wendy,

Hope you read this.  Sorry I didn't Email, but my mailer-daemon
doesn't seem to recognize your address....

I'd have to look up the names, but both songs are by
Christine Lavin.  I have a copy of each that she did live,
on a bootleg tape.  I could probably transcribe them, since she
is fairly coherent. 

I'm not sure I ever had the name of the first song (re sushi), and
the second one has the world's longest title (it was discussed in this
group a few months ago).  It had a short subtitle that I do not recall
at this moment.

She does some wonderfully witty songs, doesn't she?  Another fun song
was called "three months to live", telling everybody to go out and buy
her records now, because she only has 3 mo. to live, and then the records
will all be worth a fortune.

--f2
--------------------------------
  In ten years we're gonna have
  One Million lawyers;
  How much can a poor nation stand?
From: aeksir@owlnet.rice.edu (Amy Elizabeth Ksir)
Newsgroups: rec.music.folk
Subject: Re: typical irish music ?
Date: 14 Aug 1992 16:00:34 GMT
Organization: Rice University

In article <1992Aug14.082351.8402@cicb.fr> moisan@cicb.fr (Herve Moisan -  stagiaire CICB) writes:
>can somebody say to me what groups are the best irish groups (or
>scottish)?
>
>i want to buy some tapes and i have no idea which one are the best ...
>(CLANNAD , THE CHIEFTAINS ?)

I'll put in my vote for Capercaillie. I just got a 'phonorecord' :) of
_Sidewaulk_ and it's really terrific.

Amy (aeksir@owlnet.rice.edu)
Newsgroups: rec.music.folk
From: mark@oracorp.com (Mark Bickford)
Subject: Re: Lakes of Pontchartrain
Summary: Probably played in DADGAD 
Keywords: DADGAD
Organization: ORA Corporation, Ithaca, New York
Date: Mon, 17 Aug 1992 22:12:42 GMT

Paul Brady probably plays Lakes of Ponchartrain in DADGAD.
From: cimo@cs.montana.edu (Bob Cimikowski)
Newsgroups: rec.music.folk
Subject: Chris Bohren???
Date: 19 Aug 92 19:47:54 GMT
Organization: CS


Michelle Shocked is appearing in Bozeman soon and her opening act is a
fellow named Chris Bohren.  Anyone know anything about him and what kind
of music he plays?
Newsgroups: rec.music.folk
From: wkm1@nestor.uucp (24102-messer)
Subject: Suzanne Vega?
Organization: Bellcore, Livingston, NJ
Distribution: usa
Date: Wed, 12 Aug 92 19:28:46 GMT


I think the song's by Suzane Vega, and goes something like this:

I hate sushi,
He loves sushi,
I hate sushi,
But I love him...

anyway, there's a whole bunch of verses, and I'm trying to get the
words to that song, as well as the one she sings to her 'beloved', hoping
all sorts of nasty things happen to him, and it turns out to be the 
machine....

please e-mail me, as i do not normally read this group.

thanks,
wendy messer    nestor!wkm1
From: marchany@vtserf.cc.vt.edu (Randy Marchany)
Newsgroups: rec.music.folk
Subject: Re: Hammered Dulcimer question
Date: 14 Aug 92 14:00:49 GMT
Organization: Virginia Tech, Blacksburg, VA

In article <1992Aug12.230028.14675@microsoft.com> ellene@microsoft.com (Ellen Mitsue Eades) writes:
>There's a guy who has a record and booklet set out on building
>hammered dulcimers, available from Folk-Legacy records: old
>geezer with old geezer dulcimer, very recognizable.  Someone
>help me out (Randy???).  You can also contact various builders
>by getting their phone #'s from an issue of Dulcimer Players News.......

Howie Mitchell was the guy who put out a book on hammer dulcimer
construction. I think there was a record as part of the set. He was one
of the ones responsible for the revival of the instrument back in the
early 60's. I think the player that Ellen was talking about is Paul
Van Arsdale. His record set is one of the standards for HD players.
His grandfather, Jesse Martin, used to play the HD in the country bands
that Henry Ford used to hire for his "summer" dances at the Ford estate.

The hammer dulcimer construction books are good for historical interest
but I wouldn't build one today using those plans because the 1) the
builders have learned such much more about what works and what doesn't
2) the authors of the books don't recommend it either for reason number
1.

	-Randy Marchany
From: moisan@cicb.fr (Herve Moisan -  stagiaire CICB)
Newsgroups: rec.music.folk
Subject: typical irish music ?
Date: 14 Aug 92 08:23:51 GMT
Organization: CICB, Universite' de Rennes I, FR

can somebody say to me what groups are the best irish groups (or
scottish)?

i want to buy some tapes and i have no idea which one are the best ...
(CLANNAD , THE CHIEFTAINS ?)
Newsgroups: rec.music.folk,rec.music.misc
From: lucchesi@iris611.gsfc.nasa.gov (Rob Lucchesi)
Subject: Re: So whatever happened to that new Shawn Colvin album, anyway?
Organization: Goddard Space Flight Ctr - GMSB, Greenbelt,MD
Date: Wed, 12 Aug 1992 12:42:07 GMT

In article <1992Aug10.153300.7074@gvl.unisys.com> martha@gvlf7-o.gvl.unisys.com (Martha Sherman) writes:
>
>I hope I'm not repeating old information (it's been awhile since I've had
>time to read this group), but I heard Shawn Colvin interviewed on WXPN
>on 8/6, and she said her new album will be out the 3rd week of September.
>It is entitled "Fat City".  Colvin will be part of a "5 Star" lineup 
>September 17 at the Mann Music Center in Philly, to benefit WXPN and
>a local AIDS organization.  Sorry, I forget the name of the organization.
>
>
>Martha H. Sherman
>--------------------------------------------------------------------------
>I speak only for myself, and sometimes I even wonder about that...
>--------------------------------------------------------------------------



Does anyone up in Philly have any more info about this "5 Star" lineup.  Who
else is going to be playing?   How much are tickets?  Are they on sale yet?
Thanks,
Rob


-- 

Rob Lucchesi            lucchesi@iris611.gsfc.nasa.gov
Goddard Space Flight Center    (301) 286-9084
Greenbelt, MD
From: Lindsay.Marshall@newcastle.ac.uk (Lindsay F. Marshall)
Newsgroups: rec.music.folk
Subject: Re: jigs,reels,hornpipes...(definitions)
Date: 21 Aug 92 10:26:10 GMT
Organization: University of Newcastle upon Tyne, UK, NE1 7RU

Just to confuse the issue even more with regard to Hornpipes, there
are in fact several different styles which sound distinctly different.
A good source of examples is Honeyman's Violin Tutor whihc has been
reprinted recently and contains examples of the same tune written out
in three different styles. Hornpipes are more "stotty" than reals to
use a Newcastle expression. (What it boils down to actually id that
the Irish don't know how to play them properly!!!) 

To muddy the waters even further there is a whole class of Hornpipes
written in 3/2 - the Lnacashire DOuble Hornpipe.

And of course let us not forget slides written in 12/8, polkas amd
mazurkas...

L.

MAIL :	Lindsay.Marshall@newcastle.ac.uk
POST :	Computing Laboratory, The University, Newcastle upon Tyne, UK NE1 7RU
VOICE:	+44-91-222-8267
FAX  :	+44-91-222-8572
Xref: sparky rec.music.folk:5652 soc.culture.celtic:5497
From: cedelle@yin.irisa.fr (Alain Cedelle)
Newsgroups: rec.music.folk,soc.culture.celtic
Subject: Re: Dan Ar Bras solo albums?
Date: 17 Aug 92 22:41:00 GMT
Organization: IRISA, Rennes (Fr)
News-Software: VAX/VMS VNEWS 1.41

In article <1992Aug13.220513.25066@leland.Stanford.EDU>, jchokey@leland.Stanford.EDU (James Alexander Chokey) writes...
> 
>	Does anyone out there have any reccomendations for Dan Ar Bras'
>solo albums?  I have _Acoustic_, but I have to admit that I don't find it
>all that exciting.  I have heard other people tell me that he does have some
>really great stuff, though, so I'd like to hear something else of his.  

 There is only one album that i know, from Dan Ar Bras, it's _Septembre bleu_.
 I really like it, but i'm unable to say if it's better than any other ...

a.c.
Newsgroups: rec.music.folk
From: wcsanil@superior.carleton.ca (Anil Prasad)
Subject: Re: gorka..temporary road
Organization: Carleton University, Ottawa, Canada
Date: Wed, 12 Aug 1992 21:20:56 GMT

In article <1992Aug12.182454.4464@vestek.com> tim@vestek.com (Tim McGinnis) writes:

>has anyone found/seen/bought Temporary Road (release date aug. 11) yet? 
>i was looking last night, but the slugs (at my local tower) were still
>unpacking the new arrivals. 

Tim, the release date has been pushed to August 27th or 25th or
something. 

Anil Prasad
wcsanil@ccs.carleton.ca
Newsgroups: rec.music.folk
From: schmid@aix.rpi.edu (David Anthony Schmidt)
Subject: Re: jigs,reels,hornpipes...(definitions)
Organization: Rensselaer Polytechnic Institute, Troy, NY
Date: Fri, 21 Aug 1992 19:54:22 GMT

In article <1992Aug21.155541.9763@pony.Ingres.COM> jonb@ingres.com writes:
>
>This discussion has made me realize that I've been playing hornpipes for
>many years without actually knowing the official definition.  I always
>thought that the distinguishing characteristic was the thump-thump-thump
>at the end of the phrase; that is, most hornpipes consist primarily of
>eighth notes (or, dotted-eighth/sixteenth pairs, I suppose, if you want
>to get technical), but the end of each part is usually three quarter
>notes, which correlate pretty closely with the steps of the dance.
>There are probably exceptions, but most of the tunes I can think of that
>are generally recognized as hornpipes have this feature.
>

Yes, this agrees with the point I made in my last post.  The feature you
describe (I know exactly what you mean) is also seen in most 2/4 marches.
A hornpipe looks (when written out in pipe music) almost exactly like a
2/4 march, i.e.., the parts are the same length, and they share this
property that Jon mentions.  In fact when hornpipes are played slow
(which they are often) they sound like non-pointed 2/4 marches.  

I still maintain that in pipe music hornpipes are twice as long as reels.
I have not heard anyone mention this.

>--------------------------------------------------------------------------
>   -__ __ /_   Jon Berger              "If you push something hard enough,
>  //_// //_/   jonb@ingres.com          it will fall over."
>_/ ---------                              - Fudd's First Law of Opposition


				-dave schmidt
Newsgroups: rec.music.folk
From: wcsanil@superior.carleton.ca (Anil Prasad)
Subject: INFO REQUEST: New fairport boxed set
Organization: Carleton University, Ottawa, Canada
Date: Sun, 16 Aug 1992 22:12:23 GMT

If anyone out there has purchased the new "Fairport Convention
25th Anniverary Pack" that Island records just released in the UK,
can you please post a review?

Thanks,

Anil Prasad
wcsanil@ccs.carleton.ca
Xref: sparky rec.music.folk:5709 soc.culture.celtic:5517
From: mongoose@yoyo.cc.monash.edu.au (Conrad Leviston)
Newsgroups: rec.music.folk,soc.culture.celtic
Subject: Re: The essential Celtic recordings?
Date: 19 Aug 92 12:09:12 GMT
Organization: Monash University General Access Unix
X-Newsreader: Tin 1.1 PL5


	Other than Clannad, The Cheiftans etc., I would highly recommend
Allen Stivell. He is a Breton artist who mixes traditional and modern
instruments. Well worth a listen, even if he does sing in French (horrid
language that).

-- 
Conrad Leviston	 | Got to find a brightness in the soul,
mongoose@yoyo.	 | Not look outside to find out where we are,
cc.monash.edu.au | Otherwise you won't be satisfied, 
Save the gherkin | 'Til you've made posession of the stars. (K.Wallinger)
From: fnsjc@acad3.alaska.edu
Newsgroups: rec.music.folk
Subject: Where is Hannibal/Carthage Records?
Date: 18 Aug 92 22:45:18 GMT
Organization: University of Alaska Fairbanks

Does anyone know the address for Hannibal/Carthage Records?
I want to get their catalogue.  I am particularly interested
in Ivo Papasov and his group, their first album "Orpheus Ascending"
was absolutely fantastic, and I hear that they have another album
out now.                  Thanks,  Sandra Chaffin