HDTenEightyP/NetNews huggingface dataset:
From: pmsc13sg@UMASSD.EDU (Stephen Grossman)
Subject: Re: Alvin Lee/Ten Years After
Reply-To: pmsc13sg@UMASSD.EDU
Organization: UMASS DARTMOUTH, NO. DARTMOUTH, MA.
Date: Wed, 23 Dec 1992 03:17:43 GMT

In article <ganders-221292151707@129.46.148.48>, ganders@Qualcomm.comm (Greg) writes:
>
>Anybody out there (besides me) still enjoy listening to the clean,
>lightning-fast guitar work of this man?  E.g. Choo Choo Mama, Baby Won't
>You Let Me Rock-n-Roll You, Goin' Home, Once There Was a Time... etc.?  
>
>Alvin Lee still puts heavy metal to shame... 
>
>Why? -Cause distortion is no substitute for precision....


    I thought I was the only person who remembers Ten Years After. They were one of the best 
of the best blues-rock groups but, very unfortunately, I only found that
quality on their first album, which I still have and enjoy as much as when I 
heard them AND Albert King (who just died) at the LA Coliseum in the late 
'60s. It's really a shame that later albums lacked the precise creativity of 
the first. 
================================================================================
	"In that world, you'll be able to rise in the morning with the spirit
you had known in your childhood: that spirit of eagerness, adventure and cer-
tainty which comes from dealing with a rational universe."
                                                              AYN RAND
================================================================================
Stephen Grossman <PMSC13SG@UMASS.EDU>
================================================================================
From: aa595@cleveland.Freenet.Edu (Dan Duvall)
Newsgroups: alt.rock-n-roll.classic
Subject: Jethro Tull rare CDs wanted
Date: 29 Dec 1992 04:58:47 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: slc12.ins.cwru.edu


I'm lookin' for the following Tull rarities:

-"Part of the Machine" picture CD single
-Unistar 3-CD global radio show (official DJ CD - not a bootleg)
-"Live in Chicago 1970" boot  (not to be confused with other boots
                               of the same gig with different titles
                               like "Blues From Chicago" and "This is
                               Jethro Tull")

Send e-mail if ya got 'em for sale. Thanks!

-- 
aa595@cleveland.freenet.edu   ///
Dan S. Dooooooooooooooovall  ///
Newsgroups: alt.rock-n-roll.classic
From: s14109jo@UMASSD.EDU
Subject: song
Reply-To: s14109jo@UMASSD.EDU
Organization: UMASS DARTMOUTH, NO. DARTMOUTH, MA.
Date: Tue, 29 Dec 1992 18:13:28 GMT


Does anybody out there have any information on the name of the band that
sings somthing like: "I got a new girl now...I got a new girl now and she's
a lot like you" or something like that........and what is the name of the
album??

JoE OliVier

Newsgroups: alt.rock-n-roll.classic
From: 6069870@LMSC5.IS.LMSC.LOCKHEED.COM
Subject: need lyrics to:ode to billy joe
Organization: Lockheed Missiles & Space Company, Inc.
Date: Wed, 23 Dec 92 12:06:33 PST


 Although this isn't what Netrockers call rock-n-roll but...
I'm looking for the lyrics to:ODE TO BILLY JOE.
I just figured out the music & realized I've fogotten most of the
words.  Havn't heard the song since I was a kid.  Can anyone help?
   THANKS!   MIKE @ LMSC ca.

WHEN IN DOUBT I WHIP IT OUT.. I GOT ME A ROCK-N-roll band.. IT'S A FREE FOR ALL
From: vcz40@jester.usask.ca (Charles T. Sedgewick)
Newsgroups: alt.rock-n-roll.classic
Subject: Re: song
Date: 30 Dec 1992 15:18:33 GMT
Organization: University of Saskatchewan
NNTP-Posting-Host: jester.usask.ca
X-Newsreader: TIN [version 1.1 PL7]

s14109jo@UMASSD.EDU wrote:
:>
:>Does anybody out there have any information on the name of the band that
:>sings somthing like: "I got a new girl now...I got a new girl now and she's
:>a lot like you" or something like that........and what is the name of the
:>album??
:>
:>JoE OliVier
:>
The band is Honeymoon Suite, a Canadian band from Ontario. The song is
from (I think) their first album, which (again, I think) was self-titled.


Newsgroups: alt.rock-n-roll.classic
From: sharrington@mpgs.enet.dec.com (Shawn Harrington)
Subject: Jay Ferguson/Joe Walsh collaboration?
Organization: Digital Equipment Corporation
Date: Mon, 21 Dec 1992 18:17:40 GMT


		Some months back, on one of the other newsgroups (can't
	remember if it was alt.rock-n-roll, or rec.arts.music), someone
	asked a question about the band Jo Jo Gunne. As discussion pro-
	gressed, we got to talking a little bit about singer Jay Fer-
	guson, and someone recommended an album he and Joe Walsh made
	in the (I think) early '80s. I'd like to look for that album...
	but I can't remember the title now!

		Would anyone happen to know it?





--- Shawn Harrington, DEC, Shrewsbury, MA


sharrington@mpgs.enet.dec.com
		OR
sharrington%mpgs.enet.dec.com
		OR
sharrington%mpgs.enet.dec.com@decwrl.dec.com
		OR
!decwrl!mpgs.enet!sharrington
		(Use whichever seems to work)

*******************************************************************
*	Disclaimer: The opinions expressed are my own, and they   *
*   may not reflect, nor should they be taken as reflecting, in   *
*   any way, the opinions of Digital Equipment Corporation.       *
*******************************************************************
From: aa595@cleveland.Freenet.Edu (Dan Duvall)
Newsgroups: alt.rock-n-roll.classic
Subject: Tull 1990 tour program: transcription
Date: 30 Dec 1992 21:51:42 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: slc5.ins.cwru.edu


Below is the introduction from the 1990 Tull tour program.
The text was written by Ian Anderson:

---
Well it's been one of those years when there is no new
'product' as record companies would term our particular brand
of cornflakes.

So do Tull boys relax on sun-soaked beaches sipping cool drinks
through long straws, surrounded by servile maidens,
wind-surfers, powerboats and torn up credit cards? No sirree...
unlike the bonnie Bros boys, we older and wiser chappies still
retain our marbles and most of the wonga. Not for us the
clenched fist salute in defiance of changing times. Not for us
to teeter on the brink of the abyss into which fall unloved
lovelies once so fashionable. Sadly, 'though, not for us either
the thicker barnets of yesteryear, the trim taught [sic]
buttocks of youth and more free guitar strings than you could
play in a John Lee Hooker lifetime. Still, you can't have it
both ways.

Even in this, an off year, the lure of the hungry crowd draws
us out... into the Transit van: Martin Barre driving, me
checking suitcases and hotel reservations and David Pegg,
silent operator in the twilight world of back stage security
and catering, making the nightly trek to the box office with
sealed envelopes for the lucky few containing cryptic
'after-show-only' passes and season tickets for Fairport
Convention concerts.

Big boy Doane will have to wake himself each morning on this
tour, and Martin Allcock will have to learn to put himself to
bed.

Yes, it's the budget special, with small venues, most of which
we haven't played for fifteen years. In response to the many
letters, we thought we'd give it a go... with by necessity, a
smaller crew and a bit less equipment. Not so much back to
basics... just back to Sunderland. And if something in the way
of gigs crops up later in the year... well we might do that
too... so long as we are able to get into the studio around the
end of September, suitably visited by the muse, new guitar
strings and the VAT man; not necessarily in that order.

Right then, here we go... same old Tull, same old stuff, but at
least you got a new tour programme...

-- 
aa595@cleveland.freenet.edu   ///
Dan S. Dooooooooooooooovall  ///
Newsgroups: alt.rock-n-roll.classic
From: geturner@aer.com. (George Turner)
Subject: Re: THE GREATEST PSYCHEDELIC SONGS EVER!!!
Organization: Atmospheric & Environmental Research, Inc.
Date: Tue, 22 Dec 1992 15:04:30 GMT

>but why has NO  ONE  cited any real psyche yet???? 

Perhaps, because twentysomething years later a lot of the real psychedelic
stuff is pretty boring.  I, for one, no longer spend my evenings in a dark 
room, with one candle and limited conversations, listening to space jams.

One man gathers what another man steals...


From: miller@hpscit.sc.hp.com (Phil Miller)
Date: Mon, 21 Dec 1992 22:49:33 GMT
Subject: Re: Best Beatle albums (was: Re: admit it (Beatles))
Organization: Hewlett-Packard, Santa Clara, CA
Newsgroups: alt.rock-n-roll.classic

In alt.rock-n-roll.classic, erics@sco.COM (eric smith) writes:


> Phase                                          Best Representative Album
> -----                                          -------------------------
> Teenage dance music  (pre-'65)                 A Hard Day's Night
> Progressive Rock (or Psychedelia) ('65-'67)    Revolver
> Back to the roots  ('68-'69)                   Abbey Road

I'd hardly shlep phase one off as teenage dance music.  You'll never 
hear anybody sing vocals like jl/pm did on those early recordings.
That kinda exuberance is not possible in the cynicism that followed
the sixties.
                             Phil (miller@sc.hp.com)


> And not surprisingly the entire pop music scene was experiencing these
> same phases at the time, although the Beatles' music gives the clearest
> example of one group transitioning through all the phases. (The Stones,
> for example, failed miserably at psychedelia but came back strong in
> the "back to the roots" phase. Many groups who flowered in one particular
> phase simply failed to evolve at all.) The Beatles either were leading
> this pop music evolution or else they were incredibly tuned into the
> rapid cultural change that was occurring (I suspect it was some combination
> of both.) The Beatles were able to do something that is so rare among
> artists, especially popular artists: realize when one style had reached
> the end of its possibilities for artistic expression, and seamlessly
> transition to another form of expression.

> The White Album really should be given a special place, though. Even
> though its official title is _The Beatles_, it's really not so much
> a Beatles album as it is a collection of the four as solo artists.

> -----
> Eric Smith         | Joel:  "What do you guys want for Christmas?"
> erics@sco.com      | Gypsy: "I want a pony!"
> erics@infoserv.com | Crow:  "I want to have the power over who lives
> CI$: 70262,3610	   |         and who dies."

Newsgroups: alt.rock-n-roll.classic
From: elisha@chaos.cs.brandeis.edu (Elisha Landman)
Subject: Fave Beatles CD
Organization: Brandeis University
Date: Tue, 22 Dec 1992 05:01:09 GMT

Personally, I like both Abbey Road and Sgt. Pepper's... I would have
to say that they are my two fave Beatles Albums/CDs....
I made an amazing Beatles mix the other day... i will post the songs
that I put on it at a later date....

-- elisha
From: napier@cs.ucsd.edu (Jim Napier)
Newsgroups: alt.rock-n-roll.classic
Subject: Re: Janis Joplin
Date: 22 Dec 1992 20:28:36 GMT
Organization: AMES Dept., UC San Diego
Distribution: world
NNTP-Posting-Host: sierra.ucsd.edu


In article <1gjqkcINNkms@nighthawk.ksu.ksu.edu>, fjs@nighthawk.ksu.ksu.edu (Frank J Sereno) writes:
|> 
|> In article <1992Dec14.225532.17135@seas.gwu.edu>, kopti@seas.gwu.edu (Juzer T. Kopti) writes:
|> >  What abour SUMMERTIME ,BALL AND CHAIN,TURTLE BLUES,MAYBE
|> >   
|> >  						JK
|> >
|> Don't forget....'Try (Just a Little Bit Harder)'  EXCELLENT Groove!!!
|>                                                   ^^^^^^^^^
|> Frank Sereno
|> Kansas State University

I like all of these and also don't forget "Get It While You Can", one of
my all time Joplin favs.

=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
Jim Napier
Systems Administration
Applied Mechanics & Engineering Sciences Dept.
UC San Diego
(619)534-5414
napier@ames.ucsd.edu

"Shut up before I have to tell you to shut up."
=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
Newsgroups: alt.rock-n-roll.classic
From: s14109jo@UMASSD.EDU
Subject: THE BOSS
Reply-To: s14109jo@UMASSD.EDU
Organization: UMASS DARTMOUTH, NO. DARTMOUTH, MA.
Date: Mon, 21 Dec 1992 18:16:13 GMT

Another song I'd like the lyrics for:

BRUCE SPRINGSTEEN's: BORN TO RUN

....especially the part about "SLAP YOUR HANDS 'CROSS MY ENGINES"

Newsgroups: alt.rock-n-roll.classic
From: canright@convex.com (Robert Canright)
Subject: Re: Alvin Lee/Ten Years After
Date: Mon, 28 Dec 1992 17:22:02 GMT
Organization: Engineering, CONVEX Computer Corp., Richardson, Tx., USA
X-Disclaimer: This message was written by a user at CONVEX Computer
              Corp. The opinions expressed are those of the user and
              not necessarily those of CONVEX.

In <1992Dec27.160936.4598@samba.oit.unc.edu> Daniel.Parmet@launchpad.unc.edu (Daniel Parmet) writes:

>In article <ganders-221292161414@129.46.148.48> ganders@Qualcomm.comm
>(Greg Anderson) writes:
>>Anybody out there (besides me) still enjoy listening to the clean,
>>lightning-fast guitar work of this man?  E.g. Choo Choo Mama, Baby Won't
>>You Let Me Rock-n-Roll You, Goin' Home, Once There Was a Time... etc.?

>I've been listening to Alvin Lee & Ten Years After since I was four years old.
>My brother, who was sixteen then, used to play their albums all the time.  I
>got hooked.

>I've got all of Ten Years After's albums and some of Alvin Lee's solo stuff.
>He's just such an articulate player that gets amazing tone out of that Gibson.
>I saw him at the Tower Theatre here in Philadelphia about five years ago.
>His drummer and bassist left a lot to be desired, but he was still playing
>some fierce blues.

>- Dan

Please recommend 1 or 2 albums on cd that have good blues type guitar.

Thanks, Bob Canright
canright@convex.com

Newsgroups: alt.rock-n-roll.classic
From: cochran@spam.rtp.dg.com (A. Jing Hippy)
Subject: Re: THE BOSS
Date: Tue, 22 Dec 92 00:40:47 GMT
Organization: A Suffusion of Yellow

s14109jo@UMASSD.EDU writes: 
| Another song I'd like the lyrics for:
| 
| BRUCE SPRINGSTEEN's: BORN TO RUN
| 
| ....especially the part about "SLAP YOUR HANDS 'CROSS MY ENGINES"

Here ya go, straight from the inside of the album cover:

In the day we sweat it out on the streets
   of a runaway American dream.
At night we ride through mansions of
   glory on suicide machines.
Sprung from cages out on highway 9
Chrome wheeled, fuel injected 
And stepping out over the line.
Baby this town rips the bones from your back
It's a death trap, it's a suicide rap
We gotta get out while we're young
'Cause tramps like us, baby we were born to run.

Wendy, let me in, I wanna be your friend
I want to guard your dreams and visions
Just wrap your legs round these velvet rims
And strap your hands across my engines
Together we could break this trap
We'll run till we drop, baby we'll never go back
Will you walk with me out on the wire
'Cause baby I'm just a scared and lonely rider
But I gotta know how it feels
I want to know if your love is wild
Girl I want to know if love is real

Beyond the palace hemi-powered drones
   scream down the boulevard
The girls comb their hair in rear-view mirrors
And the boys try to look so hard
The amusement park rises bold and stark
Kids are huddled on the beach in a mist
I wanna die with you out on the streets tonight
In an everlasting kiss

The highways jammed with broken heroes
On a last chance power drive
Everybody's out on the run tonight
But there's no place left to hide
Together, Wendy, we can live with the sadness
I'll love you with all the madness in my soul
Someday girl, I don't know when,
   we're gonna get to that place
Where we really want to go
And we'll walk in the sun
But till then tramps like us
Baby we were born to run


+--------------------------------------------------+
|Dave Cochran, Data General Corporation, RTP, NC   |
|cochran@dg-rtp.dg.com                             |
+--------------------------------------------------+
|"Reality is nothing but a collective hunch."      |
|                                   --Lily Tomlin  |
+--------------------------------------------------+
From: v128juxa@ubvmsb.cc.buffalo.edu (SCHUYJUANNAH)
Newsgroups: alt.rock-n-roll.classic
Subject: Re: THE GREATEST PSYCHEDELIC SONGS EVER!!!
Date: 22 Dec 92 17:31:00 GMT
Organization: SUNY@Buffalo
News-Software: VAX/VMS VNEWS 1.41

In article <1h7435INNa6g@transfer.stratus.com>, Arthur_Noguerola@vos.stratus.com writes...
>In article <68260003@hp-ptp.ptp.hp.com> brett@hp-ptp.ptp.hp.com (Brett Hanna) wrote:  
>> 
>> 
>>	Buffalo Springfield's "Broken Arrow" is a must add  
>>to any list. (This is not MHO, this is a fact) Neil wrote it 
>>for Springfield's second album. It switches effortlessly (IMHO) 
>>between 4/4 and 6/8 time and is complete with spooky orchestral 
>>background, crowd noises, heartbeat effects and a legitimately 
>>brilliant piano solo by (I think) Don Randi 
> 
> 
>ok ok you're getting warmer.... 
> 
>but why has NO  ONE  cited any real psyche yet???? 

How about these:

'My World Fell Down'  - Sagittarius
'Journey to the Centre of the Mind' - Amboy Dukes
'My White Bicycle' - Tommorrow (that album of theirs is quite good!)
'It's a Happening Thing' - Peanut Butter Conspiracy
'I See You' - The Byrds
'Nighttime Girl' - Modern Folk Quartet (MFQ)

BTW, wasn't the band Tommorrow a forerunner of Yes?
Newsgroups: alt.rock-n-roll.classic
From: mschenk@research.ptt.nl (Mike Schenk +31 70 33 23926)
Subject: Re: Revolver/Rubber Soul
Organization: PTT Research
Date: Wed, 23 Dec 1992 20:15:14 GMT

In article <75550003@hpscit.sc.hp.com>, miller@hpscit.sc.hp.com (Phil Miller) writes:
> 
> The problem with Sgt Pepper: too many bum songs which were below
> the Beatles high standards.

It's not only with the Beatles but with a lot of other bands in 
the 60s and 70s. But I don't find that a problem but quite liked 
it because you can really have some favourite songs on these 
albums. With the latest albums all the songs are usually on the 
same level so it's hard to find any favourites. Take for instance 
"Machine Head" by Deep Purple. Highway Star and Smoke on the 
Water are IMHO the best songs on this album. With the latest 
Purple albums from "Perfect Strangers" on the overall level is 
perhaps higher than that of "Machine Head" but there are no 
peaks.

    Mike
From: miller@hpscit.sc.hp.com (Phil Miller)
Date: Wed, 23 Dec 1992 22:36:20 GMT
Subject: Re: THE GREATEST PSYCHEDELIC SONGS EVER!!!
Organization: Hewlett-Packard, Santa Clara, CA
Newsgroups: alt.rock-n-roll.classic

In alt.rock-n-roll.classic, geturner@aer.com. (George Turner) writes:

> >but why has NO  ONE  cited any real psyche yet???? 

> Perhaps, because twentysomething years later a lot of the real psychedelic
> stuff is pretty boring.  I, for one, no longer spend my evenings in a dark 
> room, with one candle and limited conversations, listening to space jams.

What do you do now?

                      Phil
From: Arthur_Noguerola@vos.stratus.com
Newsgroups: alt.rock-n-roll.classic
Subject: Re: THE GREATEST PSYCHEDELIC SONGS EVER!!!
Date: 22 Dec 1992 13:09:57 GMT
Organization: Psychedelic Engineering ,Inc.
NNTP-Posting-Host: m21.eng.stratus.com

In article <68260003@hp-ptp.ptp.hp.com> brett@hp-ptp.ptp.hp.com (Brett Hanna) wrote:  
> 
> 
>	Buffalo Springfield's "Broken Arrow" is a must add  
>to any list. (This is not MHO, this is a fact) Neil wrote it 
>for Springfield's second album. It switches effortlessly (IMHO) 
>between 4/4 and 6/8 time and is complete with spooky orchestral 
>background, crowd noises, heartbeat effects and a legitimately 
>brilliant piano solo by (I think) Don Randi 


ok ok you're getting warmer.... 

but why has NO  ONE  cited any real psyche yet????
From: Michael.P.Colburn@dartmouth.edu (Michael P. Colburn)
Newsgroups: alt.rock-n-roll.classic
Subject: Frank Marino/Mahogany Rush
Date: 22 Dec 92 02:31:33 GMT
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a5@newshost.dartmouth.edu

Well, as they say, "the subject lines says it all", sorta...

Anybody know what happened to Mr. Marino?  I had two of his Mahogany
Rush albums, "Child of the Novelty" and "Maxoom".  Can anyone tell me
if these are out in CD (or out on anything?)?  I can still remember how
all us Hendrix fans went nuts when Marino hit the scene...of course, it
wasn't very long before we realized he was nothing but a placebo. 
Still, the guy could play, even though he didn't have seem to have a
clue on how to play with any feeling...funny how PR or rumor had it
that went Jimi died, Frank felt his soul enter his body, hence he was
Hendrix reincarnate.  Any one remember whether Frank actually said this
or was this a 'rumor'.

Mike Colburn                         =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Dartmouth-Hitchcock                  "Pulu-see-ba-goomba" -- Gilligan 
Medical Center                       =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Lebanon, New Hampshire  03756        :-):-):-):-):-):-):-):-):-):-):-)
From: aa595@cleveland.Freenet.Edu (Dan Duvall)
Newsgroups: alt.rock-n-roll.classic
Subject: Ian Anderson reveals musical influences
Date: 31 Dec 1992 07:06:15 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: slc5.ins.cwru.edu


Ian Anderson wrote the following in 1982 for Trouser Press magazine:

       My own musical history goes back to about the age of 11,
when my father bought me a cheap Spanish guitar and encouraged me to
play. I never did learn to play to his satisfaction - probably
haven't to this day. I sort of scratched around, just about picking
out a tune on one string. (I'm self-taught on the instruments I
play.) It wasn't till I was 15 that I tried to figure out what these
mysterious "chords" were, and went on from there to pick up a
basic understanding of music from listening to people like the
Rolling Stones and the Beatles.
       The Stones' influence on me wasn't so much musical as an
example of how one could rebel against the popular concept of
being a "rock" or "pop" musician. The world was full of people
like Herman's Hermits: very slick, very showbiz bands, the kind
you could have on the Carson show and everything would go really
smoothly. Even the Beatles were sort of smug and nice lads...or so
it appeared in those days. It seemed particularly brave to take
something as exotic as American black music and shift it into a
kind of British R&B as the Stones did. There were a few other
bands doing it, too, like the Animals and even, to a lesser extent,
Manfred Mann. And then there were real wizards like the Graham Bond
Organization with Jack Bruce, Ginger Baker, and Dick Heckstall-Smith,
taking it more from a jazz angle.

-- 
aa595@cleveland.freenet.edu   ///
Dan S. Dooooooooooooooovall  ///
Xref: sparky alt.rock-n-roll.classic:683 rec.music.misc:29721
From: rost@tecrus.dec.com (My name is Brian Rost)
Newsgroups: alt.rock-n-roll.classic,rec.music.misc
Subject: Re: live Traffic '69?
Date: 23 Dec 92 16:56:53 GMT
Distribution: world, rec, usa
Organization: Digital Equipment Corporation


In article <1h80n3INN70f@smaug.West.Sun.COM>, jimh@pongo.Eng.Sun.COM (jim hori) writes...
>In article <BzLErv.Kpo@uxa.ecn.bgu.edu> gsu0013@uxa.ecn.bgu.edu (Michael Kaminsky) writes:
>>"Welcome to the Canteen"  is one of the finest live Traffic stuff I've
>>ever heard!  I couldn't disagree with you more!  Classic tunes such as
> 
>One of the reasons why this album kicks is the rhythm section
>which Winwood and company hired away from Muscle Shoals. The
>drummer, Roger Hawkins, was one of the best pop music drummers
>ever, and can be heard on all the best Aretha, Wilson Pickett,
>Solomon Burke, James and Bobby Purify, etc. recordings of the
>soul era.

BZZZZT!

The Muscle Shoals rhythm section only appears on "Shootout at the Fantasy
Factory" and "On the Road"; the "Canteen" rhythm section was Ric Grech and Jim
Gordon.

					Brian Rost @tecrus.enet.dec.com

					508-568-6115

	****************************************************
	*						   *
	*  The above does not reflect the opinions of	   *
	*  my employer.					   *
	*						   *
	*  If music is outlawed, only outlaws will be      *	   
	*  musicians.					   *
	*						   *
	****************************************************
Newsgroups: alt.rock-n-roll.classic