HDTenEightyP/NetNews huggingface dataset:
From: mikebo@i88.isc.com (Michael Borowiec)
Subject: Import Video Format Question (Steve Hackett concert)
Organization: INTERACTIVE Systems Corporation, Naperville, IL
Date: Wed, 23 Dec 1992 15:44:45 GMT

I am interested in acquiring a concert video that is (for now)
available in the UK but not the US. What do I have to watch out
for? I don't think the UK uses NTSC video so VHS is out, but what
about Video Laserdisc? Is this some kind of Universal standard,
or does the NTSC format issue still apply to LaserDiscs?

The concert I am looking for is the Steve Hackett _Time Lapse_
video. I don't know the Publishers name, but the import CD is
on the ?Crisis? Label. I imagine the video would be on Virgin?
If anyone has any information on this video at all, such as
publishers name, catalogue number, etc. I would be extremely
grateful... Particularly, is this video available in Canada
and does Canada use NTSC video standard? Thanks!

Mike

--------------------------------------------------------------------------
Michael Borowiec  (N9EUZ)  -  mikebo@isc.com  -  mikebo@timesink.chi.il.us
INTERACTIVE Systems Corp. - 1901 N. Naper Blvd. - Naperville, IL 60563 USA
A Kodak Company  -  Telephone: 708-505-9100 ext. 229  -  FAX: 708-505-9133
--------------------------------------------------------------------------
Newsgroups: alt.music.progressive
From: barrett@server.cs.jhu.edu (Dan Barrett)
Subject: Re: CHRIS SQUIRE: Fish Out Of Water Lyrics?
Organization: Johns Hopkins Computer Science Department, Baltimore, MD
Date: Wed, 23 Dec 1992 04:39:04 GMT

In article <1992Dec22.143114.11807@cs.unca.edu> mcmahan@cs.unca.edu (Scott McMahan -- Genesis mailing list owner) writes:
>does anyone have *lyrics* to this album? I can't really understand
>much of what he's singing!

	The Japanese pressing of this CD, Warner AMCY-19, has the lyrics.

                                                        Dan

 //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
| Dan Barrett -- Dept of Computer Science, Lederle Graduate Research Center |
| University of Massachusetts, Amherst, MA  01003  --  barrett@cs.umass.edu |
 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\/////////////////////////////////////
From: borella@cs.ucdavis.edu (Mike Borella)
Newsgroups: alt.music.progressive
Subject: A progressive music information archive
Date: 31 Dec 1992 21:08:09 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


Does anybody have the time and resources to set one up?  There's the Gibraltar
archive and the directory at cs.uwp.edu, but no site that is dedicated to
prog music.  What I have in mind is something that will take a mail message
and send out the appropriate info.  For example, you tell it, "send King 
Crimson" and it spits out a discography, articles, reviews, etc.  

I've seen some nice stuff done with WAIS and gopher.  A user friendly
interface like that would make it real easy to use.  Also, having all kinds
of progressive music info in one place would be nice.  

Any takers?

-Mike
From: agwing@picasso.ocis.temple.edu (Andrew Wing)
Newsgroups: alt.music.progressive
Subject: Re: A simple question
Date: 31 Dec 92 05:04:01 GMT
Organization: Temple University
X-Newsreader: TIN [version 1.1 PL8]

Hi,

	I would hope that *all* music is preserved even if it doesn't "endure".
There must be thousands of classical compositions that are *never* seen by   
students in school, let alone performed.  "Classical" usually means what the 
classical establishment deems proper, Bach, Brahms, Stravinsky, Mozart, etc...
Whens the last time Antoine Brumels "Earthquake Mass" was performed?  How often
do you hear Tallis' "Mass for Four Voices" on your local classical station?
Given time I'm sure that John Adams, Phillip Glass, Terry Riley and Sun Ra
will be as respected as Bach is today.  It may take 200 years, but...
	What about books?  A thousand scholars would take a 
century or more to read every book in the Library of Congress, and I'm sure 
that there are many 'hidden gems' there.  BTW, doesn't the LOC preserve 
recordings as well?  Could my great grandchildren go there in the 22nd century
and dig out an Art Zoyd CD?
	Maybe sometime in the 30th century, some people will dig up progressive
music and 'rediscover it'.  Maybe the people of the 30th century will see
genius in the works of Marillion, Yes, Genesis, etc in the same way that we
see genius in the work of Mozart today.  It's all relative, after all 
Tchaikovskys 'Swan Lake' was considered a flop when first performed.

	Andy Wing

--
v2002a@vm.temple.edu     (preferred)
v2002a%templevm.bitnet@pucc.princeton.edu
agwing@picasso.ocis.temple.edu    (last resort)

Any disclaimer issued by me is subject to change without notice
From: christen@astro.ocis.temple.edu (Carl Christensen)
Newsgroups: alt.music.progressive
Subject: Re: What is group UK like?
Date: 31 Dec 92 18:36:44 GMT
Organization: Temple University
X-Newsreader: TIN [version 1.1 PL8]

Robert Paul Martino Jr (martino@wpi.WPI.EDU) wrote:
: What type of progressive is the band UK?  I've heard members of Yes and
: Asia have been involved in this group, and would like to more about
: what the band sounds like.

UK is sort of in between ELP and Asia in my opinion.  Eddie Jobson is a
quite capable violinist and keyboardist; John Wetton you're probably 
familiar with from Asia ('pop' prog rock icon); and either Bill Bruford or 
Terry Bozzio (apres Zappa) was on drums depending on which UK incarnation
you're looking at.

Oh yeah, the first album had the phenomenal Allan Holdsworth on guitar
but he was pretty subdued -- I heard that Jobson wanted him to play more
pop style guitar (a la Trevor Rabin?) but that Holdsworth wasn't too keen
on that.  From interviews I've read with Holdsworth, he didn't really care
too much for his UK experience, just doing Bruford a favor.

Enjoy...
From: larry@cs.com (Larry Spence)
Newsgroups: alt.music.progressive
Subject: Re: Heldon: Interface vs. Allez-Teia (sp?)
Date: 27 Dec 92 08:46:56 GMT
Organization: Computer Support Corporation,  Dallas,Texas

In article <42875@sdcc12.ucsd.edu> pvallado@sdcc13.ucsd.edu (Paolo Valladolid ) writes:
>The local Tower has these two Heldon CDs in stock at the moment.
>Which should I get first (or, which is the more aggressive)? The
>cover of Allez Teia looks violent enough ;-)...

Partly on the recommendation of Michael Bloom in his Boston Rock retro-
spective on Heldon/Pinhas, I picked up _Interface_, and am pretty pleased
with it.  Pinhas' guitar sure does sound a lot like Fripp, although the 
overall sound is different (lots of analog sequencing).  The drumming is 
definitely aggressive on this one.

Does anyone know why the live version of "Interface" fades out and then
back in?  Is it for artistic effect, or is there some flaw being concealed?

-- 
Larry Spence
larry@cs.com
uunet!csccat!larry
From: ipc@zoo.bt.co.uk (Ian Coleman)
Newsgroups: alt.music.progressive
Subject: Re: Who mattered in Yes
Date: 21 Dec 92 09:42:38 GMT
Reply-To: ipc@zoo.bt.co.uk
Organization: BT Laboratories

In article 15087@cs.tulane.edu, piscine@rs1.tcs.tulane.edu (Mike Taylor) writes:
 
>This will be one of those things we'll agree to disagree on.  =8)  IMO, there
>are just as many guitarists with no style as there are keyboardists with no
>style.  

Hmmm, maybe. There certainly are a good few! And I'll agree to disagree...
 
>IC> Can't agree more, hence my initial statement that Wakeman was not 
>IC> irellavent
>
>Of course not.  And I opened by saying I agreed with you on this point.  At
>least on agreement is good!  =8)

Yes, at least we agree on the *important* things :-)

---
Ian Coleman      | "Long in the day, moon on the rise
ipc@zoo.bt.co.uk |  she sighs with a smile in her eyes..."
From: fofp@castle.ed.ac.uk (M Holmes)
Newsgroups: alt.music.progressive
Subject: Hawkwind - info available!
Date: 22 Dec 92 15:52:12 GMT
Distribution: alt
Organization: Edinburgh University

I noticed that there were some info requests on Hawkwind posted here.
Unfortunately they'd expired by the time I got to 'em. If those folks
want to mail me directly then I can probably help. I have a few info
files on the band from a private mailing list.

FoFP
Newsgroups: alt.music.progressive
From: rlm2910@ritvax.isc.rit.edu (OnedayTasmaniawillruletheworld!)
Subject: Re: Flamenco
Reply-To: rlm2910@ritvax.isc.rit.edu
Organization: Rochester Institute of Technology
Date: Wed, 23 Dec 1992 21:36:07 GMT

>I have been listening to two albums by 2 flamenco guitarists, Strunz
>and Farah. One is Latino the other Middle Eastern and they play
>duets. They have several albums out.
>
>I normally don't listen to much stuff that doesn't have synths 
>(except for Indian Classical stuff) but these guys are just phenom !
>I also have the McLaughlin, DeLucia, Dimoela albums. I have heard
>Ottmar Leiberts stuff but haven't cared for it too much.
>
>Can anyone reccomend any other good flamenco guitar albums ?


	-No.



	Rich M.

	"I'll show you the life of the mind!"
		-Charlie
Organization: University of Illinois at Chicago
Date: Tuesday, 29 Dec 1992 23:24:25 CST
From: <U49254@uicvm.uic.edu>
Newsgroups: alt.music.progressive
Subject: Re: A simple question
 <1992Dec29.235335.1656@cs.unca.edu>

So I'm sitting here listening to that new Crimson quadraped and reading
about endurance. This stuff was recorded nearly twenty years ago, and
sounds a hell of a lot fresher than most of the stuff I've heard lately-
and I'm not just referring to the commercial crap. To me, it seems like
it will endure.But as my dad always used to say, will it stand the test of
time? Well, only time will tell, so it's pointless to argue. Taste is too
damned objective. All I can say is that I get off on it. And for me, that's
quite enough.

                     Kaplan at UIC
                     aka u49254@uicvm.cc.uic.edu


Newsgroups: alt.music.progressive
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: Heldon: Interface vs. Allez-Teia (sp?)
Organization: Wind River Systems, Inc.
Date: Sun, 27 Dec 1992 21:33:39 GMT

pvallado@sdcc13.ucsd.edu (Paolo Valladolid ) writes:

>The local Tower has these two Heldon CDs in stock at the moment.
>Which should I get first (or, which is the more aggressive)? The
>cover of Allez Teia looks violent enough ;-)...

INterface would be the more aggressive, more rock oriented one, though
I'm very fond of Allez-Teia, which, despite it's aggressive cover is
probably the gentlest and most Fripp and Eno inspired of all Heldon's
works. In a sense I think Allez-Teia is Heldon's most accessible, and
Interface on the other hand gets into some darker, atonal and 
dissonant areas. My impression from the titles is that Interface 
is about an encounter with green alien beings that eventually leads to
sex (interfacing), which places this is a pretty unusual concept lp
if my interpretation is correct. But as a intro to some of Pinhas'
best works I'd still reccommend L'Ethique and Heldon's Standby as
top notch harder Pinhas and Allez-Teia as a perspective of the 
lighter more ambient side. Standy has yet to be issued on cd in
the US yet. 

No idea about the live fades that Larry mentions, but my hunch is 
the tape stops or they're hiding something. I haven't got this
on cd yet - Larry,  what's the date of the concert the live stuff came 
from? I may have the original concert on tape.

  - Malcolm 

BTW, I'll probably be net-dead for the next week until 1/4 or so 
due to internal re-workings, so any replies or mail to may bounce...
plus I probably won't see news, unless I find a temp account somewhere. 
  
Newsgroups: alt.music.progressive
From: hunnicu@seq.uncwil.edu (jeff hunnicutt)
Subject: Re: Yes cover of "America"
Organization: Univ. of North Carolina @ Wilmington
Date: Tue, 22 Dec 1992 18:18:11 GMT



This song may be found on the Yes album "Yesterdays".
-- 
 Jeff Hunnicutt, UNC-Wilmington/Information Systems/Datacommunications 
  \--------------------Wilmington, North Carolina-------------------/   
   hunnic@uncecs.edu hunnicutt@vxc.uncwil.edu hunnicu@seq.uncwil.edu
       "And you and I climb, crossing the shapes of the morning"      
Newsgroups: alt.music.progressive
From: cwalters@ducvax.auburn.edu (The Honky Avenger)
Subject: Steve Howe's "Turbulence" in sheet music anywhere?
News-Software: VAX/VMS VNEWS 1.41    
Organization: Auburn University--Auburn, AL
Date: Wed, 30 Dec 1992 13:31:00 GMT

Hi!

If anyone knows if the music from Howe's latest album "Turbulence"
exists, please let me know.  Thanks.

Christian Walters
cwalters@ducvax.auburn.edu
From: eric@prodigal.psych.rochester.edu (Eric Hansen)
Newsgroups: alt.music.progressive
Subject: Manheim Steamoller (was: Any medieval/renaissance style progressive bands?)
Date: 21 Dec 92 21:41:41 GMT
Organization: Center for Clinical Computing - Boston, MA

I will likely get some strange looks for this recommendation, but what about
the group Manheim Steamroller?  Check out their Fresh Air III album, as it has
some interesting pieces which I would claim to have medieval/Baroque influence.
If I remember correctly, their are seven Fresh Aire albums (I through VII),
but I've only heard III and IV.  In my opinion, III is a pretty safe
recommendation -- even if you don't consider it medieval or Baroque, you'll
probably still dig its originality and "freshness" (hence the name?!)


- Eric

eric@binoc.bih.harvard.edu


--
* Eric J. Hansen                       |    Center for Clinical Computing   *
|  eric@binoc.bih.harvard.edu          |   350 Longwood Avenue, Boston, MA  |
*  eric@prodigal.psych.rochester.edu   |            (617) 732-5925          *
From: borella@cs.ucdavis.edu (Mike Borella)
Newsgroups: alt.music.progressive
Subject: 1992 Progressive releases
Date: 1 Jan 1993 12:30:50 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


I'm compiling a list of progressive releases from 1992 for a survey that
I'll be posting soon.  If you know of any that I haven't listed below, 
please let me know about them.  This is a list of albums recorded in 1992,
not re-releases of previously recorded music.

--------------------------------------------------------
List of 1992 Progressive Rock releases (not re-releases)
--------------------------------------------------------
Aragon - The Meeting
Arcansiel - Still Searching
Asgard - Arkana 
Asia - Aqua
Brand X - Xcommunication
Calliope - La Terra dei Grande Occhi
Caravan of Dreams - Caravan of Dreams
Casino - Casino 
Cathedral - Kingdoms of Ends
Clepsydra - Hologram
Differences - A World of Difference
Dixie Dregs - Bring 'em Back Alive
Dream Theater - Images and Words
Eloy - Destination
ELP - Black Moon
Eris Pluvia - Rings of Earthly Light
Fonya - Wanderers of Neverending Night
Forrest Fang - World Diary
Galadriel - Chasing the Dragonfly
Steve Hackett - Time Lapse
Hawkwind - Electric Teepee
Iconoclasta - La Rencarnacion de Maquiavelo
Jadis - More Than Meets the Eye
Kenso - ??
Kim Justice - Water  
King Crimson - The Great Deceiver
Landberk - Lonely Land
Legend - Light in Extension
Geoff Mann - Second Chants
Now - Deep
Nuova Era - Io e il Tempo
Mike Oldfield - Tubular Bells II
Ozric Tentacles - Live Underslunky
Popul Vuh - For You and Me
Richard Pinhas - DWW
Steve Roach - World's Edge
Steve Roach / Robert Rich - Soma
Spellbound - 23rd Century Music
Tiemko - Parade
TNR - The Chessboard  
Marcus Viana - Panatal 
Rick Wakeman - Wakeman with Wakeman
Rick Wakeman - A World of Wisdom
Rick Wakeman - Classical Connection II
Kit Watkins - Wet, Dark, Low
Carl Weingarten - Pandora's Garage
Xaal - On the Way
-------------------------------------------------------------------------------
From: ipc@zoo.bt.co.uk (Ian Coleman)
Newsgroups: alt.music.progressive
Subject: Re: Internet Radio Station
Date: 21 Dec 92 09:53:12 GMT
Reply-To: ipc@zoo.bt.co.uk
Organization: BT Laboratories

In article 10194@pyrdc.UUCP, craigs@pyrdc.UUCP (Craig Shipley) writes:
>And now for something completely different...
>
>Lets us all use our imagination here for a few minutes. Let's
>suppose that you work at a radio station that is letting you
>do a broadcast on progressive music and you can play anything you
>want. What sort of playlist would you come up with that would run
>for, say, an hour? What would be the theme of your show (Marillion
>influenced bands? All these songs feature the Mellotron? Japanese
>progressives that sing in English? Be creative!) 

Well, over the last month, I have had three one and a half hour
shows on a charity community Radio station, doing the rock show.

I didn't go for a wholly porgressive show, as I didn't want to
isolate any listeners, but I had a first half of commercial rock
type and then moved into the prog area. I'll look out the playlist
and see what I did!

The last show I did was a "Saxophone Segue" (pronounced segway)
where every track had a saxophone solo. This was mostly not
progressive (included Careless Whisper, Baker Street, Will You)
but I snuck in some tracks by Camel (Fingertips) and Floyd.

---
Ian Coleman      | "Long in the day, moon on the rise
ipc@zoo.bt.co.uk |  she sighs with a smile in her eyes..."
From: pvallado@sdcc13.ucsd.edu (Paolo Valladolid )
Newsgroups: alt.music.progressive
Subject: Heldon: Interface vs. Allez-Teia (sp?)
Date: 27 Dec 92 00:32:26 GMT
Organization: University of California, San Diego

The local Tower has these two Heldon CDs in stock at the moment.
Which should I get first (or, which is the more aggressive)? The
cover of Allez Teia looks violent enough ;-)...

Paolo
Newsgroups: alt.music.progressive
From: gvh@metrosoft.com (Gordon Van Huizen)
Subject: Re: King Crimson Newbie
Reply-To: gvh@metrosoft.com (Gordon Van Huizen)
Organization: Metrosoft
Date: Wed, 23 Dec 1992 22:45:13 GMT

In article <1992Dec23.124051.1@fib.upc.es> guijarro@fib.upc.es writes:
> I agree with you, Jon has never done anything with King
> Crimson, as far as I know.  

Well he *does* appear on the one cited track on "Lizard",
which was my original point. 

> By the way "21st CSM" is on "ITCOTCK" (their first album),
> and the singer  was Greg Lake. 

Ummm, I'm *pretty* familiar with that album. :-) There's
also a live version on "Earthbound" (and there are a few
others too). I was making a joke, in that the vocals on
"21st CSM" are so intentionally distorted that it could
be just about anyone singing it (although in the case of
the "Earthbound" rendition, the liner notes claim it's
'Boz' Burrell).

Gordon
-- 
----------------------------------------------------------------
Gordon Van Huizen           vox: 619.488.9411  fax: 619.488.3045
Metrosoft                   gvh@metrosoft.com [NeXTmail welcome]
----------------------------------------------------------------
From: detrolio@andromeda.rutgers.edu (David De Trolio)
Newsgroups: alt.music.progressive
Subject: New ELP Live - U.S. Release Date?
Keywords: elp,emerson,lake,palmer
Date: 26 Dec 92 06:45:03 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

Anyone know when the new live release "Live at The Royal Albert Hall"
will be released in the USA?

A recent posting indicated it was released in early December in
Japan.

Thanks,


-- 
David De Trolio - (detrolio@andromeda.rutgers.edu)
--------------------------------------------------
Reagan-Bush 1981-1988 + Bush-Quayle 1989-1992
An Era of Strong American Leadership
From: ciao@diku.dk (Lars Thorup)
Newsgroups: alt.music.progressive
Subject: Wanted: Lyrics for "Grendell" by Marillion
Date: 22 Dec 92 13:26:58 GMT
Organization: Department of Computer Science, U of Copenhagen

Please respond by email. Any information about general lyric-archives
(Marillion, Jethro Tull, ...) is also appreciated.

Thanks

- Lars Thorup (ciao@diku.dk), University of Copenhagen, Denmark
From: s0499528@let.rug.nl (R. Dijkhuis)
Newsgroups: alt.music.progressive
Subject: Re: A simple question
Date: 24 Dec 92 11:59:13 GMT
Organization: Faculteit der Letteren, Rijksuniversiteit Groningen, NL

In article <s0454850.100.0@let.rug.nl> s0454850@let.rug.nl (J.P. Prenger) writes:
>From: s0454850@let.rug.nl (J.P. Prenger)
>Subject: Re: A simple question
>Date: Wed, 23 Dec 1992 18:32:12 GMT
>In article <1992Dec23.091227.1@fib.upc.es> guijarro@fib.upc.es writes:
>>From: guijarro@fib.upc.es
>>Subject: A simple question
>>Date: 23 Dec 92 09:12:27 GMT
>>I just want to raise a simple question:
>>
>>	<< What kind of music will endure??? >>
>>
>>As we are suppossed to be progressive lovers/haters, please
>>try to be objective choosing the bands and authors you think 
>>will survive...
>>
>>		Sun stricking cold, an old man wanders lonely
>>		taking time the only way he knows...
>>
>>				Ian Anderson (AQUALUNG by Jethro Tull)
>>
>>David
>
>When I'm as objective as I can, I think that most bands/authors mentioned in 
>this group won't endure. 99% of progressive music is interesting just for 
>the moment being. I just can't imagine that there's anyone listening to Yes, 
>Jethro Tull, Marillion, Genesis (the *old*-Genesis, the newer albums will 
>not even survive next year!)etc. etc. I mean, what really NEW stuff did they 
>bring to music? Do these band really stand in the history of popular music? 
>I can't even imagine the Beatles surviving this century. I think that the 
>Stones are/were far more inventive regarding pop-history.
>
>


I think you're being too pessimistic. IMHO, anything that is still being 
discussed and (more importantly) listened to after twenty years has a good 
chance of staying around forever. Yes, Tull, Genesis, Crimson etc. are 
likely to endure, just as the Beatles and (much as I deplore it) the Stones 
(I'd like to hear some evidence for the inventivity you mention). Some 
albums or groups will vanish for awhile and then come back. Crimson #I 
sounds pretty dated to some on this newsgroup, but to me (I'm 21) it sounds 
fresh and crisp as if it was released yesterday. Tull has had a strong 
resurgence in the past 5 years, with people everywhere coming out of the 
closet and proclaiming themselves fans. 

And there's more young metal bands basing themselves on Black Sabbath, who 
for 15 years were taken seriously by nobody. Same goes for Glam as a genre. 
The wheel of fashion will turn again and again.

Reinder
From: steiner@bakerst.rutgers.edu (Dave Steiner)
Newsgroups: alt.music.progressive
Subject: Re: Gentle Giant CDs
Date: 23 Dec 92 07:34:52 GMT
Organization: Rutgers Univ., New Brunswick, N.J.
Cc: steiner

In article <1992Dec18.180047.20934@ohsu.edu> bellutta@ohsu.EDU (Paolo Bellutta) writes:

> In article <Dec.18.02.39.16.1992.10207@bakerst.rutgers.edu>  
> steiner@bakerst.rutgers.edu (Dave Steiner) writes:
> > US sometime in December on Renaissance Records.  Looks like the same
> > special cover on IAGH and the extra song on TPatG but for the cheaper
> > US price.
> 
> What special cover of IAGH?  I have the vinyl and it is *exactly* the
> same as the CD.

I haven't actually seen it yet but I thought there was something from
the cover actually etched onto the jewel case instead of just on the
insert.

> Unfortunately my CD copy of TPATG also does not contain the bonus track.
> I guess I need to buy another copy...

Yes, I have the version of TPaTG that came out a while ago without the
bonus track.  Oh well....

ds
-- 

Dave Steiner
arpa: Steiner@BakerSt.Rutgers.Edu or Steiner@Rutgers.Edu
uucp: ...{backbone site}!rutgers!bakerst.rutgers.edu!steiner
From: barrett@server.cs.jhu.edu (Dan Barrett)
Newsgroups: alt.music.progressive
Subject: Carmen questions
Date: 23 Dec 92 19:22:40 GMT
Reply-To: barrett@cs.umass.edu
Organization: Johns Hopkins Computer Science Department, Baltimore, MD


	I have Carmen's first album FANDANGOS IN SPACE, and I think it's
fantastic progressive rock with Hispanic influences.  I've just discovered
that they have 2 other albums:  DANCING ON A COLD WIND and THE GYPSIES.  If
I like FANDANGOS, will I like these other 2 albums?  Do they have the same
musicians as FANDANGOS?  The same rhythmic intensity?

                                                        Dan

 //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
| Dan Barrett -- Dept of Computer Science, Lederle Graduate Research Center |
| University of Massachusetts, Amherst, MA  01003  --  barrett@cs.umass.edu |
 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\/////////////////////////////////////