HDTenEightyP/NetNews huggingface dataset:
From: kpc@panix.com (Kevin Centanni)
Newsgroups: alt.rave
Subject: Re: InSoc
Date: 27 Sep 92 20:53:15 GMT
Organization: PANIX Public Access Unix & Internet, NYC

In article <1992Sep24.192143.12713@gagme.chi.il.us> wyller@gagme.chi.il.us (wyller) writes:
>A while back when InSoc came out with _HACK_ and I was into the hacking
>scene, me and a few friends used our skills to get  Kurt Valaquen
>manhattan home number.  We interviewed him for a hacker 'zine and asked
>him what he thinks about hackers and such.
>
>Anyways, I was thinking I should call him up again and ask him what he
>thinks about techno, if the new CD is influenced by it, and if he would
>be interested in playing at a rave.
>
>So what I want to know from you people is what would you want to ask InSoc,
>and is having them at a rave stupid or what?
>
>Any thoughts...
>
>-jw
>



Since Kurt and I are pretty good friends, I thought I'd pass this post over
to him - he doesn't have net access, but, maybe you'll see a follow-up
from him via me.
 
I've heard the new InSoc release - "Peace and Love, Inc." - it's better
than "Hack".

Stay tuned...


-- 
Kevin P. Centanni
Corporate Communication Group
212.268.2100
kpc@panix.com       {cmcl2,apple}!panix!kpc
From: renew@blade.stack.urc.tue.nl (Rene Walter)
Newsgroups: alt.rave
Subject: Re: looking for 130 bpm + titles
Date: 28 Sep 92 15:21:34 GMT

MAB195@psuvm.psu.edu writes:
>I would appreciate any informationon any groups, titles, or comps with alot of
>fast (130 bpm+) titles on them,

I don't know the exact speeds, but the Prodigy album sounds quit fast.
Also Skin Up's Acellerate is great at 145 BPM (with the flip side Horny 
doing great at 137 BPM).
Also a high-speed artist is Dice (take the X-static EP, 3 tracks at 147
and 148 BPM). And the new Rising High releases (The Hypnotist/a hippie, ...)
are going at around 140 BPM.
Also worth mentioning are some other XL releases (Nu-Matic,Liquid).
My favoutite (together with Skin Up) is Urban Shakedown-Some Justice.
The original goes at 138 BPM, with the remix at 146 BPM. Also on the
12" is "Summer Break" at 143 BPM. This was made on 2 Amigas and (if you
like breakbeat house then listen to it. It's GREAT).
 +=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+
 |      Rene Walter           E-Mail: renew@blade.stack.urc.tue.nl         |
 |-------------------------------------------------------------------------|
 |       "KLF, KLF, KLF. Oh God, I wish I was managing KLF..."             |
 |                                  -James Barton, Manager of K-Klass      |
 +=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=+

Newsgroups: alt.rave,rec.music.industrial,rec.music.synth,rec.music.compose
From: lazlo@triton.unm.edu (Lazlo Nibble)
Subject: Re: TECHNO Samples...
Date: Sat, 03 Oct 92 22:29:46 GMT
Organization: None for me, thanks . . . I'm driving.

jvance@maxwell.oac.uci.edu (Joachim Vance) writes:

>> Try to get permission from the artist you're sampling if possible. 
>
> Remeber, if you get artist permission, you're only half-way there. It's
> the recording label that "owns" the music. 

No need for sneer quotes around "owns" -- in most cases, the record label
does, literally, own all rights to the artist's music.  (This is why U2
had no specific legal power to stop Island from suing Negativland over _U2
Negativland_.)  In fact, in such cases, the artist's permission is
irrelevant. 

--
Lazlo (lazlo@triton.unm.edu)

There's not a problem that I can't fix, 'Cause I can do it...in the mix
From: bbehlen@soda.berkeley.edu (Vitamin B (Brian Behlendorf))
Newsgroups: alt.rave
Subject: Re: Twitch is on the net!
Date: 28 Sep 1992 04:19:50 GMT
Organization: U.C. Berkeley, CS Undergraduate Association
Distribution: usa
NNTP-Posting-Host: soda.berkeley.edu

In article <1992Sep27.160105.9066@bradley.bradley.edu> pwh@bradley.bradley.edu (Pete Hartman) writes:
>
>
>I was of the impression that you *couldn't* get the Ultraviolet Catastrophe
>12" from them, but who'm I?

Well, seeing as how one of them is a member of UVC, and the catalog # is 
TW-EP-1 (or something), you better be able to get it from them. :)   They
just got a shipment of 700 last week, with almost all of them accounted for.
But like the potato chip commecial says, "[they]'ll make more."

>I have CD #1 & #2 and recommend them highly as well.
>
>And Mr. Drukman sez CDs 3 & 4 are even better.

Yes, three and four are really great as well.  Get them.  Kill if you have
to. :)

	Brian

Newsgroups: alt.rave
From: ee3401cb@carina.unm.edu (Student Class Account)
Subject: Re: Oh nooo...not another KLF post!
Date: Tue, 29 Sep 92 19:41:37 GMT
Organization: University of New Mexico, Albuquerque
Keywords: SPACE

In article <28SEP199215592097@rosie.uh.edu> st1pk@rosie.uh.edu (Taylor, Daniel K.) writes:
>	I just got the KLF's Space lp but my turntable is broken for 
>   now...I was wondering what this LP is like? Is it more ambient stuff
>like the KLF's Chill Out or what?
>
>dan  
>

I believe the story goes like this:  Jimmy "KLF" Cauty and Alex "Orb" 
Patterson embark on a project to produce an ambient album.  Well, the
project didn't quite work out as far as the album goes, but some material
from those sessions has been released.  Among this material is the
Orb single "A Hige Evergrowing Pulsating Brain...".  Jimmy Cauty took
his material and released it under the name SPACE.  Bill Drummond of the 
KLF has nothing to do with this work.

SPACE sounds nothing like Chill Out.  It is more like the Orb's material
only vastly inferior, IMHO.  You might like it.  If not, there are many
people on this net that probably would buy it off of you.  Enjoy.

James
From: salsbury@acsu.buffalo.edu (The Caterpillar Cannot Understand The Butterfly)
Newsgroups: alt.rave
Subject: Re: Hard techno compilations wanted...
Date: 6 Oct 92 15:55:38 GMT
Organization: Evolutionary Acceleration, Inc.
Where: Buffalo, NY - USA ...Earth (*GRIN*)
School: SUNY Buffalo
Project: Ushering in the next stage of human evolution, and fixing the world.

mpisano@magnus.acs.ohio-state.edu (Michael A Pisano) writes:
-IMHO the best place to get a hardcore techno compilation is straight from a DJ
-who produces their own demos.  I haven't yet heard a really good hardcore
-compilation that isn't laced with filler. To obtain one of these i'd suggest  
-posting a request on alt.rave, or you can probably pick some up at a really 
-well-stocked techno store. I've seen stacks of demos for sale at Liquid Sky i 
-NYC and Groove Records probably has an even greater selection. Many RAVES also
-have booths that sell them.
--mic P
	Ok, I'll bite... 

	Anyone got anything they want to share? I'm looking to stock up my
collection, too. Still new to the scene (only a few months) and actually
thinking of dusting off my old DJ cap....

Pat

-- 
   Patrick G. Salsbury			  State University of NY @ Buffalo, USA
SALSBURY@ACSU.BUFFALO.EDU			Disclaimers are silly. ;^)

			    Think for yourself.
Newsgroups: alt.rave
From: moeller@mundil.cs.mu.OZ.AU (Mc Mars)
Subject: KLF mailing list?
Summary: Over and out?
Organization: Computer Science, University of Melbourne, Australia
Date: Tue, 29 Sep 1992 10:35:58 GMT

What ever happened to the ol' KLF mailing list? The last thing I heard
from them was months ago... 

If this is now closed, is there an alternative list, or is there
anybody considering setting up some sort of KLF/Orb related mailing
list? We can't just let these things die!

-- 
Mario Moeller /                             /  _ 
             / moeller@mundil.cs.mu.oz.au |/| |_
----------------------------------------- |\|/| 
Xref: sparky alt.rave:3664 rec.music.industrial:11457 rec.music.synth:16089 rec.music.compose:170
From: alves@calvin.usc.edu (William Alves)
Newsgroups: alt.rave,rec.music.industrial,rec.music.synth,rec.music.compose
Subject: Re: TECHNO Samples...
Date: 6 Oct 1992 10:53:54 -0700
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: calvin.usc.edu

In article <1992Oct6.082324.23676@daffy.cs.wisc.edu> johnson@snake10.cs.wisc.edu (Kai Johnson) writes:

>Perhaps this is relevant, perhaps not.
>
>James Brown recently sued a beer company for using "I feel good" in one of their
>commercials. The beer company had permission from the record label, but the
>Godfather of Soul still sued. The suit claimed that JB's voice was very
>distinctive, and using it in the commercial implied that JB endorsed the beer.
>Last I heard the case had passed some sort of preliminary trial and was going to
>court.

This is an exception to the principle of ownership to which I replied
earlier. Because Brown's songs were recorded before the current copyright
law and before songwriters were able to wrest power away from the record
companies, they are, in effect, owned by the record companies. The same
is true of most popular songs before the late 1960's. Brown's suit, as I
understand it, is based not on ownership of the song itself, but on his
distinctive style, which, Brown hopes to show, is akin to advertisers 
using a celebrity's picture to sell their product without the celebrity's
permission.

Other famous R&B songwriters of the 1950's have brought well-publicized
suits against record companies because the record companies coerced them
into selling their songs outright for a tiny fraction of their ultimate
value. At the time, the songwriters had the choice of accepting the record
companies' terms or not getting recorded. Now some of those songwriters
are actually poor. Unfortunately, the cases I have heard about have been
decided in favor of the record companies.

As popular songwriters (notably Lennon & McCartney) gained more power,
they were able to retain ownership of their songs. The distinction was
made explicit in the 1980 US copyright revision, which defined "work
for hire." Now only advertising jingles or commercial background music
is typically work for hire. This is not to say that the record companies
still don't have a lot of power.

Bill Alves
Newsgroups: alt.rave
From: Michael A Pisano <mpisano@magnus.acs.ohio-state.edu>
Subject: Re: Hard techno compilations wanted...
[bto: ogd@selway.umt.edu
Organization: The Ohio State University
Date: Mon, 28 Sep 1992 16:08:27 GMT

In article <1992Sep27.210007.4012@selway.umt.edu> you write:
>
>    Howdy. I'm still pretty new to techno and rave culture in
>general, and am feeling musically impoverished. The techno I have is
>limited to the Techno Ex-Tacy compilations (vols. 1 & 2), which are
>pretty good for as old as they are; This is Techno vol. 2 (is there a
>Vol. 1? Is it as wishy-washy as vol. II); the omnipresent rave 'til
>dawn; the X-Static Tracks vol. 2 (which I alternately love and hate,
>depending on how ambient or R&B my mood is at the moment). My fave
>techno track is "injected with a poison" by Praga Khan. Oh yeah, I
>really like the techno (no, not industrial. Sorry, kids) from Lords of
>Acid, and Laibach's Kapital.
>    All right, my question is this: where can I find some hard and
>fast techno comps? I've heard good things about a comp called _Serious
>Beats_. Who's on it and where is it available from? How about the most
>recent Instinct comp? And who are these TVII people that everybody
>keeps complaining about? They sound interesting.
>    That sounds about confused enough to me. Feel free to respond
>to me directly to keep bandwidth at a minimum. Thanks in advance to
>anyone who responds.
>
>do skorova sve danya,
>ozymandias G desiderata
>(ogd@selway.umt.edu)


IMHO the best place to get a hardcore techno compilation is straight from a DJ 
who produces their own demos.  I haven't yet heard a really good hardcore
compilation that isn't laced with filler. To obtain one of these i'd suggest  
posting a request on alt.rave, or you can probably pick some up at a really 
well-stocked techno store. I've seen stacks of demos for sale at Liquid Sky in 
NYC and Groove Records probably has an even greater selection. Many RAVES also 
have booths that sell them.

As far as commercial compilations go. I've heard a couple that are pretty 
exclusively hardcore, but still on the mainstream side as far as techno goes.  
THis is most likely due to the fact that the compilation market is still geared
towards that type of buyer. (yeech. economics, capitalism, phooey ;-).
With that in mind, I'd recommend the KILLER TECHNO compilation and ZOO RAVE 1 
which is a litle more toward the mainstream, but laced with pretty serious 
techno framework. Both are domestic releases so they won't cost you too much 
green.  IMHO if you're really interested in TECHNO, spend your $$$ on indie 12"
or on road trips to real hardcore events (if there are none locally). I've 
found--after over $3000 in cds--that this is the best way to experience the 
music and all the crucial elements that go along with it: the crowd, the 
visuals, the DJ's, and the dancing.

-mic P
From: bbehlen@soda.berkeley.edu (Vitamin B (Brian Behlendorf))
Newsgroups: alt.rave
Subject: Re: Query
Date: 30 Sep 1992 01:58:39 GMT
Organization: U.C. Berkeley, CS Undergraduate Association
NNTP-Posting-Host: soda.berkeley.edu

In article <1992Sep29.180433.596@javelin.sim.es.com> pashdown@javelin.sim.es.com (Pete Ashdown) writes:
>Oh come on!  Didn't Frankie Bones DJ for 25,000 people three years ago?

YEAH MAN!  EET WAS HAHHHDCOHRE!  'FRISCO WAZ IN DA HOUZ!

hahaha.  I think we just found our rave DJ equivalent of B1FF!!1!!1!

	Brian
From: moon!cyberden!dbarton@well.sf.ca.us
Newsgroups: alt.rave
Subject: Re: Messiah---?
Date: Tue, 29 Sep 92 19:10:54 PDT
Organization: Indescribable Creations

The "Did I dream..." is from Songto the Siren by This Mortal Coil.


__________________________________________________________________________
   |       /         |\
   | H E   \ Y B E R |/ E N       [ moon!cyberden!dbarton@well.sf.ca.us ]
Newsgroups: alt.rave
From: zane@ddsw1.mcs.com (Sameer Parekh)
Subject: Raves in Chicago
Date: Sat, 3 Oct 1992 23:44:08 GMT
Organization: ddsw1.MCS.COM Contributor, Chicago, IL


	I know I've posted about this before, so I know that to find good
raves I must check out the flyers in record shops and stuff, but anyone know
of any raves in Chicago and the area in the next two weeks?
	Thanks.
-- 
Sameer_Parekh zane@ddsw1.MCS.COM zane@infopls.chi.il.us
PFA related mail to pfa@ddsw1.MCS.COM   | Specialization is for insects
Anonymous mail to ap.2363@cupid.sai.com |   - Robert A. Heinlein
Sat Oct  3 18:33:09 1992 US Debt: $4,082,066,285,995 Per capita: $15,976
Newsgroups: alt.rave
From: schnizer@kurims.kyoto-u.ac.jp (Schnizer Ansgar)
Subject: Acid Jazz
Organization: Research Institute for Mathematical Sciences, Kyoto, Japan.
Distribution: alt.rave
Date: Wed, 30 Sep 1992 07:32:05 GMT

In a local club here in Kyoto they played some very decent
Acid Jazz on Saturday night. Does anybody have the 411 on 
the good _Acid Jazz_ records around???
I mean the stuff one can dance to, remember this being
alt.rave. But then again there are no Raves in Kyoto, not
even in close-by Osaka, though I heard there are some in
Tokyo (anybody with more info on that?). Techno is pretty
big here in west Japan too, with quite a few clubs playing 
a lot good stuff (only Ragga seems to be even _bigger_).

 Bye the way what styles beside Techno are being played 
at your local raves? If somebody puts Orb on the turntable
people run away? Whats about _Acid House_, _Trance House_
_Acid Jazz_ or even _Ragga_ or _Hip Hop_?
 A couple of months ago I think people on the net mentioned 
that _Acid House_ keeps to get mixed in?

Ansgar
--
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Newsgroups: alt.rave
From: oddbjorn@flipper.pvv.unit.no (Oddbjoern Steffensen)
Subject: Raves in London, 4-10th of Oct.
Summary: Are there any ? :)
Organization: Fun'n'Pleasure Productions
Date: Wed, 30 Sep 92 13:58:50 GMT

Hi.

A simple question : 

Are there any raves in London from the 4th 
to the 10th of October ? 

If you should happen to know about other
underground events as well - please answer
by e-mail to oddbjorn@edb.tih.no.

Regards,
oddbjorn

PS! This is not a genuine alt.rave question, 
    but... :) 
    Does anyone know the address of Alternative
    Tentacles Records in London ? Do they sell
    records from that address, or is it just a
    simple 'office' ? :)
From: lazlo@triton.unm.edu (Lazlo Nibble)
Newsgroups: alt.rave
Subject: Re: Orb Assassin!!!!!
Date: 4 Oct 92 18:26:04 GMT
Organization: None for me, thanks . . . I'm driving.

pet@mullian.ee.mu.OZ.AU (paul eng-yi tan) writes:

> Are these two separate versions or is it a Blue room type pack??? 

Two different versions, the first in a double-digipak:

   CD5:	1992 UK (Big Life BLRDA 81) (Int: 863 875-2) [double digipak]
		Assassin (the oasis of rhythms mix)
		U.F.Orb (bandalu remix)
	[includes sticker?]

   CD5:	1992 UK (Big Life BLRDB 81) (Int: 863 877-2) ["Assassin^3"]
		Assassin (radio 7)
		Assassin (another live version)
		Assassin (chocolate hills of bohol mix)

(A tip o'the Studio Nibble hat to Jethro Binks for track and catalog info.
Anyone have track times, or are they not out yet?)

--
Lazlo (lazlo@triton.unm.edu)

Lair Of The Beast   +1 505 243-0500
Where the weak are killed and eaten
Newsgroups: alt.rave
From: karty@cs.washington.edu (Richard Karty)
Subject: 808 State's September US tour
Organization: Computer Science & Engineering, U. of Washington, Seattle
Date: Tue, 29 Sep 92 18:51:09 GMT

808 State did a promo/d.j. tour of roughly a dozen US cities this
month and I didn't hear one peep about it - and I know I didn't miss
more than a couple days of net news. Didn't Mr. Belendorf solicit
questions in advance?

Please help us poor disco refugees in this cultural
former-soviet-republic, and post reviews! Or at least a description of
what they were wearing.

...Last time I asked about this for the Kraftwerk + Public Enemy
concert in England I was told to wait 'til they come here and see for
myself. :(   

I imagine there were plenty of stories about Wish on sfraves but I had
to cancel my subscription.

Desper-8-ly,

Richard
.
.

.
.
.
Newsgroups: alt.rave
From: vidarh@stud.cs.uit.no (Vidar Hanssen)
Subject: Thrash/Fortran 5
Organization: University of Tromsoe, Norway
Date: Wed, 30 Sep 1992 12:02:24 GMT


|> > Also, I noticed that someone mentioned that Thrash was a member of
|> > Fortran 5. Although I agree they are a wonderful band, I don't think
|> > Thrash is a resident member. 
|>  
|> Well, at least he seems to have been involved in everything they've done
|> as Fortran 5.  But you may be right, I haven't seen him in any of their 
|> videos, for instance.


Thrash *is* a member of Fortran 5 (at least according to Volume magazine).

The two main persons in Fortran 5 is David Baker and Simon Leonard, who used
to be I Start Counting. Other members is Colin Faver, Thrash and Lucy.


-- 
     __  __
     \ \/ /          ///////////////////////////////////////////////////////
      \  /          // Vidar Hanssen  University Of Tromsoe, Norway ///////
       \/          // Email: vidarh@stud.cs.uit.no  Phone: +47 83 44032 //
control, I'm here ///////////////////////////////////////////////////////
From: mcsbc3ktp@dct.ac.uk
Newsgroups: alt.rave
Subject: Re: Query
Date: 29 Sep 92 14:35:40 GMT
Organization: Dundee Institute of Technology

In article <1a7u5iINNlu2@agate.berkeley.edu>, bbehlen@soda.berkeley.edu (Vitamin B (Brian Behlendorf)) writes:
> In article <1992Sep28.155805.444@dct.ac.uk> mcsbc3ktp@dct.ac.uk writes:
>>What is the average attendance of most "big" raves in the U.S, over here we
>>have normally have the capacity for about 20,000 but normally the attendance
>>is only 10,000+? How does this compare with the U.S?
> 
> Yow!  "only 10,000+"...  the largest they get in the US is about 5,000, and 
> that's primarily in LA and a recent one in NY.  Usually the large ones in
> SF get around 3000-4000, but the ones with more than 2000 people have a 
> tendency to lose their rave-family feeling.
> 
> There are even some over here who claim that the party's too big if you can't
> meet and talk to everyone at least once. ;)
> 
> 	Brian


I agree with your last comment Brian, it can be very impersonal....but again

the atmosphere is amazing...!!
Newsgroups: alt.rave
From: EIVERSO@cms.cc.wayne.edu
Subject: Re: Techno Rave in Midwest's Rock Capitol?
Organization: Wayne State University, C&IT
Date: Tue, 29 Sep 1992 23:42:47 GMT

In article <BvCy7x.Doz@news.cso.uiuc.edu>
cs125b55@dcl-nxt01.cso.uiuc.edu (cs125 student) writes:
 
>I would appreciate any information concerning Techno raves in Champaign,
>Illinois (home to the University of IL).  I know there are many rock bands
>like the Poster Children here in Champaign, but is Techno happenin' here?
>Do I have to go back to my home in Chicago for good techno and house
>music?  There must be some Techno freaks here.
 
Both of those cities are far away from either of the midwest's rock capitals.
 
 
--Eric
 
  ======================================     eiverso@cms.cc.wayne.edu
 |[  RP-1  C____]l[  e] -v>-<>- l  a   nd   WSU, Detroit, Michigan USA
  | R     0     C     K     S          |
  | ====  ====  ====  ====  ====  ==== |  "Persuaded of the co-operation
  | M     0     T     0     W          |    of the Techno-mechanic with
  | ====  ====  ====  ====  ====  ==== |        the Dynamo-ideal..."
  |____________________________________n             --Sarah Austin, 1833
Newsgroups: alt.rave
From: arthurc@sfsuvax1.sfsu.edu (Arthur Chandler)
Subject: Re: Twitch is on the net!
Organization: California State University, Sacramento
Distribution: usa
Date: Mon, 28 Sep 1992 21:07:58 GMT

  I'll add my voice to the chorus:
Twitch #3 is excellent.  9/10 on the Ashdown scale. You won't be
disappointed: you'll dance!
 
Newsgroups: alt.rave
From: cs125b55@dcl-nxt01.cso.uiuc.edu (cs125 student)
Subject: "Who is Elvis?"
Organization: University of Illinois at Urbana
Date: Tue, 29 Sep 1992 20:52:49 GMT

What is the difference between "Who is Elvis?" by Phenomania and "Who is  
Elvis?" by Interactive?  In any case, are either one available on CD  
Single? Tell me anything concerning "Who is Elvis?" (the techno song, not  
the beloved 60's singer).  Thanks.



					"Digital OverDose"
From: djd0873@ritvax.isc.rit.edu (p r u n e)
Newsgroups: alt.rave
Subject: Re: NO SPLITS UNTIL MARRIAGE
Date: 5 Oct 92 18:59:08 GMT
Reply-To: djd0873@ritvax.isc.rit.edu
Organization: Rochester Institute of Technology

In article <1992Oct1.172233.17422@cbnewsl.cb.att.com>,
laural@cbnewsl.cb.att.com (laura.l.la gassa) writes:
 
>SO, all you house-hungry house music lovers out there, stop lurking and talk 
>about house if you want.  Some of us would like to learn from your knowledge.  
>Spread the word -- raving is *more* than just hardcore, after all.

	Bravo, Laura.  One problem:  Wonder-bread whiteys like me don't know
house music well enough to comment on it, though I do like Todd Terry and
S-Xpress.  Perhaps this is a byproduct of the rave audience, which is primarily
white, but embarrassed by that fact.  House music tends to originate from a
more Afro-American or Hispanic American audience.  BUT HEY! I'm up to hearing
more about it, too.


p r u n e        RIT        Roch. NY, home of Kodak, Jolt Cola, and many other
                            artificial chemical substances.
From: piglet.caltech.edu!hogg (David Hogg)
Newsgroups: alt.rave
Subject: 20 Quid? You Must Be Joking!
Date: 27 Sep 1992 05:34:26 GMT
Organization: California Institute of Technology, Pasadena
NNTP-Posting-Host: piglet.caltech.edu
Originator: hogg@piglet

Does anyone have the Sterling white label "20 Quid"? If so, I am willing
to pay a buttload of money for it. If not, please tell me where I can get
it. Send email to hogg@cco.caltech.edu, stat!