HDTenEightyP/NetNews huggingface dataset:
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: Ravel
Organization: Morgan Stanley & Co., New York, NY
Distribution: na
Date: Wed, 6 Jan 1993 06:03:41 GMT

In article <C0Ez6I.GBM@ecf.toronto.edu> torenvl@ecf.toronto.edu (TORENVLIET GERARD LAWRENS) writes:
>Christmas seems to have netted our house a bargain basement recording of Ravel
>(2 CD's on the VoxBox label, the Minnesota Orchestra, under Svatislov Richter
							     ^^^^^^^^^^^^^^^^^

Certainly Skrowacewski conducting.  (Wow -- you really *do* dislike that Ravel
orchestration.)  I've never understood the critical fuss over these performances,
but that may be because I strongly prefer Ravel's piano and chamber works to
the orchestral compositions.  If you can lay hands on the Japanese Seraphim
reissues of Gieseking's recordings of the piano works, do.  Otherwise, I suggest
Kim Woo Paik's Dante set.  I also recommend the String Quartet, the Piano Trio, 
the Introduction and Allegro for Harp and chamber ensemble, and both piano concertos.
For the string quartets I suggest the Emersons on DG.  For the Piano Trio, there's 
a wonderful London recording coupling that with the Chausson Concert.  Michelangeli 
is a good choice for the piano concrtos.


>[I think]).  Anyways, the performance and recording is singularly unimpressive
>(don't tell my aunt this).  I was wondering, is Ravel any good.  The only piece
>that I am familiar with is his orchestration of Mussorgsky's "Pictures..;" I 
>think it is chaotic and cacophonic and don't like it much (the solo piano I do
>like, very much).  Yet, just because of this bad recording, I don't wish to put
>Ravel permanently out of my collection.
>
>So, if Ravel is played well, is it worth it?

Yes yes yes.  

>
>Earlier,
>Gerard.
>_____________________________________________________________________
>Gerard Torenvliet                 |
>Engineering Computing Facility    |  Hofstadter's Law:
>University of Toronto             |   It always takes longer than you
>                                  |   think, even when you take into
>torenvl@ecf.toronto.edu           |   account Hofstadter's Law.
>(416)221-5949                     |
>---------------------------------------------------------------------
>
From: elkies@ramanujan.harvard.edu (Noam Elkies)
Newsgroups: rec.music.classical
Subject: Re: Vocal Concertos
Date: 7 Jan 93 17:46:32 GMT
Organization: Harvard Math Department

In article <1993Jan7.154139.26469@bme.ri.ccf.org>
christoj@bme.ri.ccf.org writes:
>I recently heard (I believe) Joan Sutherland performing Glier (spelling?)
>Concerto for Soprano and Orchestra.  It was fantastic and I was curious as to
>whether there are any other concerti written for the human voice (which is
>a form of wind instrument, after all).  

Lots of them --- but usually known as "arias".  :-)

[Orchestras do occasionally put an aria, either one from an opera
or a free-standing "concert aria", in the place in the program where
one would generally find a solo concerto.]

--Noam D. Elkies (elkies@zariski.harvard.edu)
  Dept. of Mathematics, Harvard University
From: velde2@jhunix.hcf.jhu.edu (Francois Velde)
Newsgroups: rec.music.classical
Subject: Re: Tower Records
Date: 11 Jan 1993 16:04:08 -0500
Organization: Homewood Academic Computing, Johns Hopkins University, Baltimore, Md, USA
Distribution: usa
NNTP-Posting-Host: jhunix.hcf.jhu.edu


In article <1993Jan9.012122.26919@informix.com> rika@informix.com (Rika Tsitsinia) writes:
>In article <1993Jan8.072759.8437@news.acns.nwu.edu> kelsey@casbah.acns.nwu.edu (chris kelsey) writes:
>>hate to disappoint y'all, but...  tower's "blow-out" this year is merely
>>their regular sale prices, but all labels at once.  and if your local tower
>>is like the one in chicago, they spent the month of december marking *UP*
>>most of the premium disks by $1 - $2.
>>
>>however, classical music *books* are 30% off.  now, if crown or b. dalton or
>>barnes & noble would only carry cd's... ;)
>
>	This has definitely _not_ been my experience with Tower in
>    both San Francisco/Bay area and New York city.
>
>	The sales are real; they don't mark up anything the previous
>    month in order to put it on "sale" today. Not only that, but for
>    full-price CDs ($13.99-$14.99) the sale is much better than their
>    regular sales. In their regular sales these go for $12.99.
>    During these 4 days they go for $11.99. You may find $1 not that
>    important, but I bought 21 CDs today alone.

Same experience at the Tower Record in Annapolis: a true sale, $2 off
a $14 or $15 CD, and $3 off a $17-18 CD.

>	But the major advantage is that _everything_ is on sale.
>    Particularly labels like Reference, Chesky, Dorian, Elan and
>    some others that never otherwise go on sale, or almost never. 

Or Astree for those into French baroque, or Gimell for fans of Tallis
Scholars, etc....










-- 

	Francois Velde
From: mgresham@dscatl.UUCP (Mark Gresham)
Newsgroups: rec.music.classical
Subject: Re: N. American Choral Concerts Jan. 15 - 31 (King's Singers)
Date: 11 Jan 93 22:17:15 GMT
Reply-To: mgresham@dscatl.UUCP (Mark Gresham)
Organization: Digital Systems Co,  Atlanta, Ga

In article <1993Jan11.024823.18748@news.stolaf.edu> hakari@lars.acc-admin.stolaf.edu (The Conformist Contrabass Clarinetist) writes:
>In article <1172@dscatl.UUCP> mgresham@dscatl.UUCP (Mark Gresham) writes:
>
>>  Sheet music isn't normally available at the concerts.  However,
>>much of their music is available through Hinshaw, Oxford, and
>>so-forth.  Try a major choral mail-order warehouse like J.W.
>>Pepper.
>
>What is the address for J.W. Pepper?

Since we have a J.W. Pepper warehouse in Atlanta, I have no idea
what the address of the main warehouse in Virginia is.  I bet the
choir's librarian could tell you (or has a catalog).

As a consolation prize, the address of Hinshaw Music is:
P.O. Box 470
Chapel Hill, NC 27514-0470
(919) 933-1691  FAX: (919) 967-3399

I think they also publish some Chanticleer arrangements, too.

--Mark Gresham
dscatl!mgresham@gatech.edu
=====
Newsgroups: rec.music.classical
From: mccomt@aix.rpi.edu (Todd Michel McComb)
Subject: Re: Tournemire PIANO works
Organization: Rensselaer Polytechnic Institute, Troy, NY
Date: Mon, 4 Jan 1993 21:15:31 GMT

In article <LNBVwB2w165w@student.business.uwo.ca> Richard Smith writes:
>Anybody know this stuff and have recommendations?

Certainly.  I've gone over this before, so email if you want more info.

There are two discs by George Delvallee on the Adda (Radio France) label
of piano music.  The first is the 12 Prelude-Poems; these begin in a sort
of Debussy mode, continue through some sonic ideas later to become 
characteristic of Messiaen, and end in Tournemire's inimitable modal-
polyphonic conclusion.  This work is over an hour in length; the program
is the ages of man, beginning with birth and running through maturity to
a contemplation of the mystical; this is also the first thing Tournemire
wrote after finishing the five-year project of l'Orgue Mystique.  This
work as a whole is a little over-long for my tastes, but has some marvelous
moments and shows an over-riding architectural scheme put to the service
of musical expression -- a Tournemire trademark.  The second disc is a
set of four shorter piano works (this rounds out the set nicely, leaving only
a fair sized body of early pieces unrecorded).  The first piece is a one-
movement rhapsody: an interesting theme and some rhythmic tricks make this
a fairly serious example from this genre.  The second piece is the Poeme
Mystique which is a ~25 minute triptych in a sort of rejuvenated Franckian
style; this piece was composed about the same time as the Triple Choral for
organ and marks Tournemire's final debt toward Franck and the beginning of
his own most serious style; a fine work.  The third piece is an impressionist
piece in one short movement on some natural thematic material: The Bells
of Chateau Neuf-du-Faou, as I recall; this is the most anticipatory of
Messiaen and the later declamatory style of the piano works.  The last piece
is the Etudes du chaque jour, one of my favorites; this is a model of piano
writing from the score and the pedagogical intent to the subteties of repeated
hearing.  Both this piece and and the Prelude-Poems are scored on open staves,
fully marked with resonances.

I hope this helps.  BTW, it looks my Tournemire's string quartet, Musique
Orante, might be released on recording soon -- perhaps with the Sonate-Poem
for violin and piano, the two biggest masterpieces yet to be heard.

T. M. McComb

Newsgroups: rec.music.classical
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: Dialectico-hydraulic musicology
Organization: Morgan Stanley & Co., New York, NY
Date: Mon, 4 Jan 1993 19:48:35 GMT


The liner note to Galina Ustvolskaya's Piano Sonata #1
(Arts & Electronics, AED 68010):

  'According to Soviet musicologist Elena Auerbach,

	"The prophetic and violent revelation of
	of the first movement turns into the 
	inspiration of overcoming pressure, in
	the second movement.  The third movement
	is fascinating, priceless as a martyr's
	drops of blood, to an intense cry sinking
	in silence.  The finale is very expressive,
	and reminds one of either a funeral march
	or a very sad lullaby."'
From: dh0a@ns1.cc.lehigh.edu (DONALD L. HARDY)
Newsgroups: rec.music.classical
Subject: Choral Music Info Needed
Date: 4 Jan 93 15:53:17 GMT
Organization: Lehigh University

When I was in choir at Penn State, our Chapel Choir (directed by the
legendary Raymond Brown) did a setting of Martin Luther King's "I Have A
Dream" speech every year.  My choral director here at Lehigh is interested in
finding the piece, and, alas, it is one of the things I neglected to, um,
borrow at the time.

I don't know if this is the right place to request this information, but I
can't find rec.music.choral anywhere in my listings.

Does anyone out there know the piece, the publisher, and the composer?  The
information would be greatly appreciated.

Also, anyone else sing between '76 and '80 at PSU?

Donald
-- 

******************************************************************************

Donald L. Hardy                                    Office of Physical Planning
Project Planner                                    Lehigh University
dh0a@lehigh.edu                                    (215) 758 5110
Newsgroups: rec.music.classical
From: mccomt@aix.rpi.edu (Todd Michel McComb)
Subject: Iranian music
Organization: Rensselaer Polytechnic Institute, Troy, NY
Date: Sat, 9 Jan 1993 22:09:52 GMT

I picked up two volumes of "Iran: The Masters of Traditional Music" on
Ocora 560024 & 560025 in Boston Yesterday.  These two discs feature solo
performances (which is the more classical style, as opposed to the growing
fascination with ensembles) of voice, ney (reed), santur, tar and sehtar.
The second volume also lists a third volume, but I did not see that.  These
are excellent recordings (made in 1979 & 1980) by the top musicians in
Iran.  Highly recommended.

T. M. McComb

Newsgroups: rec.music.classical
From: jobg0542@uxa.cso.uiuc.edu (James Bordner)
Subject: Re: Favourite Organ Work Survey
Organization: University of Illinois at Urbana
Date: Fri, 8 Jan 1993 01:17:36 GMT

lionel@cs.city.ac.uk (Lionel Tun) writes:

>In article <1993Jan4.051617.16927@news.stolaf.edu> hakari@lars.acc-admin.stolaf.edu (The Conformist Contrabass Clarinetist) writes:
>>
>>
>>My 2 favorites are Bach Fugue in g minor ("Little") and Saint-Saens Finale from
>>Symphony No. 3...well, at least the organ parts of it...

>Have you come across the Bach fugue on CD at all?

It's a fairly popular piece so I wouldn't expect too much trouble finding it.
I have it on "Johann Sebastian Bach Great Organ Favorites" by E. Power Biggs
(CBS Records, catalog number MK 42644) which I feel comfortable recommending, 
though I haven't personally heard any other recordings of it on organ so there 
might be something better out there.

--james
From: pmy@vivaldi.acc.virginia.edu (Pete Yadlowsky)
Newsgroups: rec.music.classical
Subject: Re: Mimaroglu
Date: 6 Jan 93 23:43:02 GMT
Organization: University of Virginia

Michael Hand writes
>Does anyone know whether recordings of Ilhan Mimaroglu's "Wings 
>of the Delirious Demon" and "Tract" are still available?

I have a recording of WDD on a CD which also includes a string
quartet titled "The Wall", or something like that. Good stuff. I'll
try to remember to look at the recording label when I get home. 

>Also, does anyone know what he is up to today?

I'd like to know too.

--
Peter M. Yadlowsky              |  Wake! The sky is light!
Academic Computing Center       | Let us to the Net again...
University of Virginia          |    Companion keyboard.
pmy@Virginia.EDU                |                      - after Basho
Newsgroups: rec.music.classical
From: will@ogre.cica.indiana.edu (William Sadler)
Subject: Re: When did Ives stop composing?
Organization: Indiana University
Date: Tue, 5 Jan 1993 16:28:50 GMT

>b-grant@nwu.edu (Barry Grant) writes:
>: I was speaking with someone from our music school who said he though Ives
>: stopped composing music at age 29. This doesn't seem right to me. Does
>: anyone know the facts?

Look at Peter Burkholder's _Charles Ives: The Ideas Behind the Music_.
Basically Ives stopped composing after the fourth symphony but continued
to revise and "tinker" (as Peter phrases it).  He did decide to not
pursue music as a career and go into insurance, which is what your
friend may have been thinking of.

Will
--
***************************************************************************
*   _______________\|/_      Will Sadler     will@cica.indiana.edu        * 
*   Laser 44888    /|\                       sadler@iubacs.bitnet         *     
***************************************************************************
Newsgroups: rec.music.classical
From: torenvl@ecf.toronto.edu (TORENVLIET GERARD LAWRENS)
Subject: Re: Best CD of Mussorgsky "Pictures ..."
Organization: University of Toronto, Engineering Computing Facility
Distribution: na
Date: Wed, 6 Jan 1993 03:55:26 GMT

In article <1993Jan5.215131.2986@bme.ri.ccf.org> christoj@bme.ri.ccf.org (Judy Christopher) writes:
>Please help - I need to get for my husband the absolute best CD of
>Pictures at an Exhibition (Ravel).  What do you recommend?
>
>Ciao, Judy

Quite frankly, I don't recommend the orchestration by Ravel; instead get the
original piano piece by Mussorgsky.  If you can still get your hands on the
one played by Mikhail Pletnev on the (now defunct) Virgin label, you do your-
self and your husband well.

Yodels,
Gerard.
Newsgroups: rec.music.classical
From: dbarker@spang.Camosun.BC.CA (Deryk Barker)
Subject: Re: Bruckner (was: Re: Best finale)
Organization: Camosun College, Victoria B.C, Canada
X-Newsreader: Tin 1.1 PL4
Date: Sat, 9 Jan 1993 01:31:54 GMT

cb@tamarack13.timbuk (Chris Brewster) writes:
: Michael J Valinis:
: 
:    >there have been such postings here lately!) would think that
:    >old Anton must be the best of the "three B's". (...)
: 
: Volker Kleinschmidt:
: 
:    The three B's are Johann Sebastian, Ludwig and Johannes. Does
:    anyone see Anton in here?
: 
: Unless B is just a statistically common initial letter for last names,
: it seems to loom disprortionately large among composers.  One publisher
: even has a series of biographies, each of which features a huge B on the
: cover: in addition to the traditional three, there are Berlioz, Bartok,
: Berg, Bruckner, and Boulez.  The B section of my personal phone
: directory has always needed many supplemental pages (and would even
: without family members).  I guess a B name just indicates something
: special about a person; Deryck Barker, wouldn't you agree?
                              ^ (no 'c' actually Chris)
But of course, it's one of those things you're either born with or....

BTW you forgot Busoni....

--
Real:  Deryk Barker, Computer Science Dept., Camosun College, Victoria B.C.
Email: (dbarker@spang.camosun.bc.ca)
Phone: +1 604 370 4452
From: bannistr@maths.tcd.ie (Jeff Bannister)
Newsgroups: rec.music.classical
Subject: Janacek
Summary: Janacek Glagolytic Mass
Keywords: Glagolytic Mass
Date: 6 Jan 93 11:01:15 GMT
Organization: Dept. of Maths, Trinity College, Dublin, Ireland.

Anybody any recommendations for recordings of the Glagolytic
Mass?

Jeffrey Bannister.
Newsgroups: rec.music.classical
From: kldawkin@undergrad.math.waterloo.edu (Kiwi)
Subject: Re: Gorecki's 3rd Symphony
Organization: University of Waterloo
Date: Tue, 12 Jan 1993 02:54:32 GMT

> In article <C0CEsv.14w@news.cso.uiuc.edu>, erwin@helsinki.ks.uiuc.edu (Edgar Erwin) writes:
> 
> Sorry if this has been asked before, but can anyone tell me the correct
> pronunciation of this composer's name? Every time I hear it spoken it's
> pronounced in a different way!
> So far, I've heard of "Gorekki", "Goretchi", "Goretski" and "Goreski".
> Any clues?

	Listen. It's really awfully simple. It's

		Guh-ret-ski

	You know, as in "Wayne". ;-)

	Cheers!

	Kyle.
   ,------------------------------.,---------------------------------.   \._,
  /   7   ,7  o             o     / kldawkins@cayley.waterloo.edu    /   < /
 /   /--<'   /   /  ,  /   /     / kldawkins@descartes.waterloo.edu /     ' 
/  -'    `--'`--'`-'`-'`--'`-   / kldawkins@napier.waterloo.edu    /    /7 
`------------------------------'`---------------------------------'    //  NZ!
"Don't call me God. Call me Pope so I have something to aspire to."    '
Newsgroups: rec.music.classical
From: torenvl@ecf.toronto.edu (TORENVLIET GERARD LAWRENS)
Subject: Re: music near toronto
Organization: University of Toronto, Engineering Computing Facility
Distribution: rec
Date: Mon, 4 Jan 1993 21:41:01 GMT

In article <1993Jan4.4216.26420@dosgate> "alexander inglis" <alexander.inglis@canrem.com> writes:
>To: bob.warren@canrem.com
>
>BW>    So do I, but I live in Brampton and work in North York. I don't
>  >get downtown that often, so other than over to Square One I'm not
>  >able to frequent a large number of music stores. There _is_ an HMV
>  >outlet at the Bramalea Shopping Centre, but fairly expensive.
>
>You'd find it worthwile taking a leisurely drive to Toronto some Sunday.
>A&As, Sam's and HMV are all open at least Noon-6. Roads are clear,
>parking is free and the stores are not overcrowded. HMV's *everyday*
>prices are silly but the new releases rack (the length of the store!)
>always has a wide selection of material at decent prices. They also have
>a "CD Club". Buy anything over $15.99/disc and they'll give you one
>credit on a card. Collect 10 credits and they'll deduct up to $26.99

Also, there are two other fairly good stores near the downtown Toronto area 
(Bay and Bloor area, to be exact).  The first one, which I highly recommend,
is the L'atelier Grigorian.  The second, which I do not have as much experience
with, but seems to have a good selection of Classical and Jazz is some classicalmusic store (I forget the name) in Hazelton Lanes.

Good Luck.

Regards,
Gerard

_____________________________________________________________________
Gerard Torenvliet                 |
Engineering Computing Facility    |  Hofstadter's Law:
University of Toronto             |   It always takes longer than you
                                  |   think, even when you take into
torenvl@ecf.toronto.edu           |   account Hofstadter's Law.
(416)221-5949                     |
---------------------------------------------------------------------
From: velde2@jhunix.hcf.jhu.edu (Francois Velde)
Newsgroups: rec.music.classical
Subject: Re: Couperin - recorded by Scott Ross ??
Date: 7 Jan 1993 13:20:11 -0500
Organization: Homewood Academic Computing, Johns Hopkins University, Baltimore, Md, USA
NNTP-Posting-Host: jhunix.hcf.jhu.edu
Keywords: Couperin Ross

In article <i3270.726417061@newsie> i3270@zarina.dc.dk (Erik Kristiansen) writes:
>
>As to the recording done by Blandine Verlet: Which harpsichords
>has she used? (original insts./copies/makers name?)

Francois Couperin:
Ordres 1-6, 9-10, 15: Pierre Danzelague, Paris, 1716.
Ordres 7-8, 13, 17-18, 20-27: Gilbert des Ruisseaux, end 17th c.
Ordres 14, 19: Francois Blanchet, 1746.

All on the Astree label.


-- 

	Francois Velde

Newsgroups: rec.music.classical
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: Stockhold Philharmonic Orchestra
Organization: Morgan Stanley & Co., New York, NY
Date: Fri, 8 Jan 1993 20:34:36 GMT

In article <1993Jan8.011934.19008@spang.Camosun.BC.CA> dbarker@spang.Camosun.BC.CA (Deryk Barker) writes:
>apter@fid.morgan.com (Steve Apter) writes:
>: The "Stockholm Philharmonic Orchestra" set on 8 CDs from BIS 
>: (BIS CD 421/424) contains some real novelties.  Since only the
>: least interesting items are listed on the box, here is a summary
>: of the complete contents of the set.
>
>: Mahler, Symphony 6			Horenstein <---- Deryck alert
>
>Thankyou, thankyou, thankyou......
>
>I knew there was a rehearsal tape in existence - the archivist of
>Swedish Radio wrote and told me, but I was not aware that any of it
>had been published.
>
>What is the serial number of this disc Steve? You quote 421/424 above
>- but that only covers 4 discs, not 8.


That gave me cause to wonder as well.  Perhaps from the perspective
of "accounting theory" (as opposed to physics), the eight really 
"are" four ...


>
>The Talich stuff sounds interesting too. BTW what language(s) do the
>conductors use? I can't imagine most of them speaking Swedish.....
>


Haven't listened that far into the set yet.  I'll post further
details when I do.


>--
>Real:  Deryk Barker, Computer Science Dept., Camosun College, Victoria B.C.
>Email: (dbarker@spang.camosun.bc.ca)
>Phone: +1 604 370 4452


Newsgroups: rec.music.classical
From: apter@fid.morgan.com (Steve Apter)
Subject: Re: French Baroque Chamber Music
Organization: Morgan Stanley & Co., New York, NY
Date: Tue, 5 Jan 1993 20:45:57 GMT

In article <1993Jan5.201735.20678@jhunix.hcf.jhu.edu> velde2@jhunix.hcf.jhu.edu (Francois Velde) writes:
>
>Lute Music:
>
>Ennemond Gaultier (1575-1651) and Denis Gaultier his cousin (died 1672):
>	there is a recording of each by Hopkinson Smith on Astree. Splendid
>	music, very rich, soulful, delicate, magnificent interpretation.
>

There is also a wonderful rendition of Denis Gaultier's _La Rhetorique des 
Dieux_ by Pernot on Accord (2 CDs).  Make sure your wig is well-powdered
before sampling.
From: wilcox@vax.oxford.ac.uk
Newsgroups: rec.music.classical
Subject: Re: Carnival of the Animals
Date: 3 Jan 93 16:33:43 GMT
Organization: Oxford University VAX 6620

ANOther asked:
>>    I've heard OF in which Hermione Gingold and Grace Kelly (two 
>>separate recordings) read Nash's verse?
[to the Carnival of the animals]

For some reason I think that the Gingold version was on DG, coupled with Peter
and the Wolf, but I could be wrong.

-- 

Stephen Wilcox             |   For Sale: Posts in British Government. Suit
wilcox@vax.oxford.ac.uk    |   outgoing American. Highest bids accepted.
Newsgroups: rec.music.classical
From: dbarker@spang.Camosun.BC.CA (Deryk Barker)
Subject: Re: Gorecki's 3rd Symphony
Organization: Camosun College, Victoria B.C, Canada
X-Newsreader: Tin 1.1 PL4
Date: Sat, 9 Jan 1993 17:57:10 GMT

atmrjga@vax.oxford.ac.uk writes:
: In article <C0CEsv.14w@news.cso.uiuc.edu>, erwin@helsinki.ks.uiuc.edu (Edgar Erwin) writes:
: > Dale Atems writes
: >> I listened to the first movement of Gorecki's 3rd symphony today on
: >> headphones in the local record store.
: 
: Sorry if this has been asked before, but can anyone tell me the correct
: pronunciation of this composer's name? Every time I hear it spoken it's
: pronounced in a different way!
: So far, I've heard of "Gorekki", "Goretchi", "Goretski" and "Goreski".
: Any clues?

Well the BBC also used to pronounce Penderecki and Pen-der-evski, so I
would guess Gor-evski.

--
Real:  Deryk Barker, Computer Science Dept., Camosun College, Victoria B.C.
Email: (dbarker@spang.camosun.bc.ca)
Phone: +1 604 370 4452