HDTenEightyP/NetNews huggingface dataset:
From: ryanr@beethoven.beethoven.CS.ColoState.EDU (richard ryan)
Subject: request: chord intro to "Cowgirl in  the Sand"
Date: Wed, 29 Jul 1992 04:02:20 GMT
Distribution: alt
Organization: Computer Science Department, Colorado State University

Hello,

Does anybody out there have the chord intro to Neil Young's
"Cowgirl in the Sand." I'm particularly looking for the version
that's on his first (only?) "Decade" album which is the same as
what's on his "Everybody Knows This Is Nowhere" album.

Thanks,
Richard.
From: rocker@csa.bu.edu (The Long Haired One)
Newsgroups: alt.guitar.tab
Subject: Re: Tab Request: Led Zeppelins - Hey Hey
Date: 23 Jul 92 17:02:05 GMT
	<1992Jul23.090904.18394@u.washington.edu>
	<1992Jul23.152412.26676@wam.umd.edu>
Organization: Boston University
In-reply-to: peugh@wam.umd.edu's message of 23 Jul 92 15:24:12 GMT


>>>>> On 23 Jul 92 15:24:12 GMT,
	 peugh@wam.umd.edu (General Napolean) said:

|>   Achillies Last Stand isn't part of the the stuff on the box-set that's not
|> been realesed on an LP before.It was on Presence(an incredable album, but it
|> didn't sell well), and i recomond this album to any Zep fan who doesn't
|> have it.

|>   The only new stuff on the boxset is "White Summer/Black Mountainside", 
|> "Traveling Riverside Blues", "Hey, Hey, What Can I Do" and "Moby Dick/Bonzo's
|> Montraux".

New stuff on the Boxset? I don't own nor heard the box set, but
"Bonzo's Montraux" appear on the "Coda" Album, and Moby Dick is on Zep II.
Unless you count live versions as new(if the box set is live), both of
these tunes appear on previous records.

-Rocker
From: jamesb@nevada.edu (James Bender)
Subject: ** new at ftp.nevada.edu(131.216.1.11) **
Originator: jamesb@redrock.nevada.edu
Organization: University of Nevada System Computing Services
Date: Thu, 30 Jul 1992 18:17:21 GMT

	Dan Crofts
		Tequilla

	Slow day.  :)


*******************************************************************************
* From: James B     * "For you, the blind who once could see, the bell tolls  *
* jamesb@nevada.edu *  for thee.                            -- N. Peart       *
*******************************************************************************
* "...if you're trying to get a laugh at a funeral, you're going to have to   *
*  be a lot funnier than that!"				-- Woody from Cheers  *
*******************************************************************************
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: music : COUNTRY ROAD
Keywords: (James Taylor)
Date: 23 Jul 92 13:21:23 GMT
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA


                                                                       085

Title:				COUNTRY ROAD			(James Taylor)

		D                             C            G
		Take to the highway won't you lend me your name
		D                              C          G
		Your way and my way seem to be one in the same
		Em7                    A
		Momma don't understand it
		    Em7                   A
		She wants to know where I been
		    Em7                     A
		I'd have to be some kind of natural born fool 
		           C(9)           G
		To want to pass that way again
		          D        C  G
		But I can feel it 
		             D     C  G  D
		On a country road

		D                               C              G
		Sail on home to Jesus won't you good girls and boys
		D                          C             G
		I'm all in pieces, you can have your own choice
		Em7                    A
		I have seen a heavenly band full of angels
		              Em7              A
		And they're a comin' to set me free
		  Em7                       A		
		I don't know much about the wild wind
		          C(9)                    G
		But I can tell that it's bound to be
		           D        C  G
		Know I can feel it
		             D      C  G  D
		On a country road

		Dm                           G          D  C  B  A
		Geuss my feet know where the want me to go
					   D
		Walkin' on a country road


		REPEAT 1st verse

		D                           C
		Walk on down, walk on down, walk on down
		G                           D
		Walk on down a country road
		C   G   D   C   G            D     C
		La la la la la la la country road
		G                      D   C  G  D
		Walkin' on a country road


\_  \_  \_  \_  \_  \_  \_  \_ 

    \_\_\_      \_      \_                  Glen Macon 
   \_            \_\_  \_\_     any-net: macon@cbmvax.commodore.com
   \_             \_ \_\_ \_            Standard disclaimer...    
    \_   \_\_\_    \_  \_  \_   Commodore doesn't endorse what I say, I do
     \_       \_    \_      \_           Who wants to know...
       \_     \_     \_      \_      
	 \_\_\_       \_      \_    
	                                                
 \_  \_  \_  \_  \_  \_  \_  \_  \_  \_

All those moments will be lost in time, like tears in the rain.
From: evs@tern.almaden.ibm.com (David Evans)
Newsgroups: alt.guitar.tab
Subject: Re: REQUEST: Roxanne (Police)
Date: 24 Jul 92 07:56:28 GMT
Reply-To: evs@tern.almaden.ibm.com (David Evans)
Organization: IBM Almaden Research Center


Don't have my guitar here, but something like this is close for the main riff:

Gm      Dm      EbMaj7   Dm      Cm      Fsus4   Gsus4 
355333  X57765  x68786   x57765  x35543  xx1311  320011
EADGBE

--- Dave
From: sdavis@laforge.ksc.nasa.gov (Steve Davis)
Newsgroups: alt.guitar.tab
Subject: Re: G chord poll Re: REQUEST: Roxanne (Police)
Date: 24 Jul 92 20:04:48 GMT
Organization: NASA


  I almost always mute the A-string, strictly because of sound; I don't like  
muddy, close-spaced intervals in the lower range.  My standard open-G chord is:

E ||-----|-----|--4--|---
B ||-----|-----|-----|---
G ||-----|-----|-----|---
D ||-----|-----|-----|---
A ||-----|-----|--x--|---   Here, my middle finger mutes the A-string while
E ||-----|-----|--2--|---   its tip fingers the E-string.

  From there, I can switch to G5 (something I do a lot!) like this:

E ||-----|-----|--4--|---
B ||-----|-----|--3--|---
G ||-----|-----|-----|---
D ||-----|-----|-----|---
A ||-----|-----|--x--|---
E ||-----|-----|--2--|---

   ... or G/B:

E ||-----|-----|--4--|---
B ||-----|-----|--3--|---  <--- optional, depending on voicing desired.
G ||-----|-----|-----|---
D ||-----|-----|-----|---
A ||-----|--1--|-----|---
E ||-----|-----|--x--|---

  I also switch between G (or G5) and C9 a lot:

E ||-----|-----|--4--|---
B ||-----|-----|--3--|---
G ||-----|-----|-----|---
D ||-----|--1--|-----|---
A ||-----|-----|--2--|---
E ||-----|-----|--x--|---

  About the only time I change my open-G fingering is when I want to switch to  
open-C:

E ||-----|-----|--4--|---
B ||-----|-----|-----|---   open-G
G ||-----|-----|-----|---
D ||-----|-----|-----|---
A ||-----|-----|--x--|---  <--- muted same as my standard open-G, but with
E ||-----|-----|--3--|---       ring finger.

E ||-----|-----|--4--|---  <--- optional for voicing, as above.
B ||--1--|-----|-----|---
G ||-----|-----|-----|---   open-C
D ||-----|--2--|-----|---
A ||-----|-----|--x--|---
E ||-----|-----|--3--|---

Enjoy...
--
+----------------------------------------------------------------+
| Steve Davis                      | sdavis@laforge.ksc.nasa.gov |
| NASA, DL-DSD-32                  | (NeXT Mail preferred)       |
| Kennedy Space Center, FL  32899  |                             |
| (407)867-7582  fax:(407)867-2173 | #include <disclaimer.h>     |
+----------------------------------------------------------------+
From: friedenb@egr.msu.edu ( Gedaliah Friedenberg )
Newsgroups: alt.guitar.tab
Subject: Request: Brown Eyed Girl by Van Morrison
Date: 23 Jul 92 21:00:49 GMT
Reply-To: friedenb@egr.msu.edu ( Gedaliah Friedenberg )
Organization: Michigan State University
Originator: friedenb@kira.egr.msu.edu


Does anyone have _Brown Eyed Girl_ by Van Morrison with the intro in
TAB and the rest of the song in chords?

Thanks!

Gedaliah Friedenberg
-=-Department of Mechanical Engineering
-=-Department of Metallurgy, Mechanics and Materials Science
-=-Michigan State University
Newsgroups: alt.guitar.tab
From: potter@scan2.tamu.edu (SHANE POTTER)
Subject: Stuff I need.
News-Software: VAX/VMS VNEWS 1.3-4   
Reply-To: potter@scan2.tamu.edu
Organization: Cyclotron Institute, Texas A&M University
Date: Wed, 29 Jul 1992 05:21:56 GMT

	I guess I'll just have to keep posting this until I find someone
who has what I need!!

	I would like :

	1.) Tab to Pearl Jam songs, and especially lyrics to _Evenflo_.
	2.) Tab to the solo for Garth Brooks' _Friends in Low Places_.
	3.) Tab to any/every Tall Stories song.
	4.) Anybody heard anything by Little Angels?  What other bands
	    do they 'sound like' for want of a better term?

						Thanks,
						Shane
From: ak10+@andrew.cmu.edu (Andrew Joseph Kompanek)
Newsgroups: alt.guitar.tab
Subject: TAB Request: Ren&Stimpy Solo
Date: 30 Jul 92 16:55:48 GMT
Organization: Carnegie Mellon, Pittsburgh, PA

Has anyone transcribed the electric guitar solo that opens and closes
the Ren & Stimpy Show?

-Drew
From: bearce@hpcc01.corp.hp.com (Phil Bearce)
Date: Mon, 27 Jul 1992 22:05:44 GMT
Subject: LYRICS: Secret Agent Man
Organization: the HP Corporate notes server
Newsgroups: alt.guitar.tab


    Okay, here's another lyrics only song, I've got a few of these.  Again
    if anyone has the chords please send them to me or re-post with the 
    chords... Thanks...
       
			  Secret Agent Man
                            by (?) (Johnny Rivers?)
 
		There's a man who lives a life of danger

		To everyone he mees, he stays a stranger

		With every move he makes

		Another chance he takes

		Odds are he won't live to see tomorrow

		  Chorus:   Secret agent man, secret agent man
			   
			    They've given you a number

			    And taken 'way your name


                Beware of pretty faces that you find

		A pretty face can hide an evil mind

		Don't let the wrong word slip

		While kissing persuasive lips

		Or odds are you won't live to see tomorrow

		   Chorus:

                Swinging on the Riviera one day

		Lying on some balmy island next day

		Be careful what you say

		Or you'll give yourself away

		Odds are you won't live to see tomorrow 

		   Chorus:
________________________________________________________________
  ___              Phil Bearce at HP San Jose - Components
 (/__) /_   .  /)  internet: phil@hpmsfpb.sj.hp.com
 /    /  )_(__(_ -     "Look out for that root."  -James Taylor
________________________________________________________________
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: music : ON THE BORDER
Keywords: (Al Stewart)
Date: 23 Jul 92 13:20:31 GMT
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA

084

Title:				ON THE BORDER			(Al Stewart)

		F#m 	
		The fishing boats go out across the evening water
		D
		Smuggling guns and arms across the Spanish border
		Bm
		The winds whip up the waves so loud
		    A                 G
		The ghost moon sails among the clouds
		    F#m              E           F#m
		And turns the rifles into silver on the border

		F#m
		On my wall the colours of the maps are running
		D
		From Africa the winds they talk of changes coming
		Bm
		The torches flair up in the night
		    A                  G
		The hand that sets the farms alight
		    F#m                E                    F#m
		Has spread the word to those who're waiting on the border

		A
		In the vllage where I grew up
		Em
		Nothing seems the same
		              D                                A
		But still you never see the change from day to day
		           D                        C#   C# B A G#m F#m E F#m
		And no one notices the customs slip away

		F#m
		Late last night the rain was knocking on my window
		D
		I moved across the darkened room and in the lampglow
		Bm
		I thought I saw down in the street
		    A             G
		The spirit of the century
		F#m             E                  F#m
		Telling us that we're all standing on the border

		A
		In the islands where I grew up 
		Em
		Nothing seems the same
		              D                             A
		It's just the patterns that remain an empty shell
		              D                                   C#
		But there's a strangeness in the air you feel too well

		C# B A G#m F#m E F#m

		REPEAT 1st VERSE


\_  \_  \_  \_  \_  \_  \_  \_ 

    \_\_\_      \_      \_                  Glen Macon 
   \_            \_\_  \_\_     any-net: macon@cbmvax.commodore.com
   \_             \_ \_\_ \_            Standard disclaimer...    
    \_   \_\_\_    \_  \_  \_   Commodore doesn't endorse what I say, I do
     \_       \_    \_      \_           Who wants to know...
       \_     \_     \_      \_      
	 \_\_\_       \_      \_    
	                                                
 \_  \_  \_  \_  \_  \_  \_  \_  \_  \_

All those moments will be lost in time, like tears in the rain.
From: rogers@world.std.com (roger j selverstone)
Newsgroups: alt.guitar.tab
Subject: Chords: San Antonio Rose
Date: 21 Jul 92 15:04:48 GMT
Organization: The World Public Access UNIX, Brookline, MA

San Antonio Rose - Bob Wills
============================
     Bb        Bb7          Eb   C7
Deep within my heart lies a melody,
  F7              F+   Bb
A song of old San An - tone.
                  Bb7         Eb  C7
Where in dreams I live with a memory,
  F7                   Bb
Beneath the stars all alone.
                     Bb7Eb         C7
It was there I found beside the Alamo
  F7                       Bb
Enchantment strange as the blue up above.
          Bb7  Eb             C7
A moonlit pass only she would know,
      F7                      Bb
Still hears my broken song of love.
F           Fdim C7   F          C7   Abm C9
Moon in all your splendor,  know only my  heart
C         Abm C9            F
Call back my  Rose, Rose of San Antone.
        Fdim  F   C7 F         C                    C9
Lips so sweet and tender, like petals falling apart.
C          Abm  C9         F        F7
Speak once  a - gain of my love, my own.
Bb     Bb7         Eb      C7         F7                   F+  Bb
Broken song, empty words I know still live in my heart all a - lone
         Bb      Bb7         Eb  C7      F7                     Bb
For that moonlit pass by the Alamo,  and Rose, my Rose of San Antone.
Newsgroups: alt.guitar.tab
From: s1170796@giaec.cc.monash.edu.au (Phillip Grant (EVH))
Subject: QUEENSRYCHE
Organization: Monash University College Gippsland, Churchill, 3842, Australia
Date: Wed, 22 Jul 1992 06:33:08 GMT

O.K.

*******WANTED*******WANTED*******WANTED*******WANTED*********WANTED*********

    QUEENSRYCHE

        WAITING FOR 22

    if anyone has this on tab, could they please post it to me, thanks

    Phil
    (e-mail me on: s1170796@giaec.cc.monash.edu.au)
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: music : the boxer
Keywords: p. simon
Date: 21 Jul 92 18:00:37 GMT
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA


                                                                       079

Title:				THE BOXER			(Simon)


		C                                             Am
		I am just a poor boy though my story's seldom told
		       G
		I have squandered my resistance 
		      G7             G6                C
		For a pocket full of mumbles, such are promises
		             Am            G                 F
		All lies and jest, still a man hears what he wants to hear
		                   C     G  G7  G6  C
		And disregards the rest

		C                                                       Am
		When I left my home and my family, I was no more than a boy
		       G
	 	In the company of strangers
		       G7         G6               C
		In the quiet of a railway station, running scared
		       Am           G              F
		Laying low, seeking out the poorer quarters
		                        C
		Where the ragged people go
		        G              G7   G6         C
		Looking for the places only they would know

		Am G Am G F C
		Lie la lie Lie la lie Lie la lie Lie la lie Lie la lie 

		C                                                Am
		Asking only workman's wages I come looking for a job
		             G
		But I get no offers
		       G7               G6                C
		Just a come-on from the whores on Seventh Avenue
		       Am                G                F
		I do declare, there were times when I was so lonesome
		                    C
		I took some comfort there
		G                  G7  G6  C
		Lie lie lie lie la


		Then I'm laying out my winter clothes and wishing I was gone
		Going home where the New York City winters aren't bleeding me
		Leading me, going home.

		In the clearing stands a boxer and a fighter by his trade
		And he carries a reminder ov ev'ry glove that laid him down
		Or cut him till he cried out in his anger and his shame
		I am leaving, I am leaving
		But the fighter still remains

		Lie la lie ... etc.


\_  \_  \_  \_  \_  \_  \_  \_ 

    \_\_\_      \_      \_                  Glen Macon 
   \_            \_\_  \_\_     any-net: macon@cbmvax.commodore.com
   \_             \_ \_\_ \_            Standard disclaimer...    
    \_   \_\_\_    \_  \_  \_   Commodore doesn't endorse what I say, I do
     \_       \_    \_      \_           Who wants to know...
       \_     \_     \_      \_      
	 \_\_\_       \_      \_    
	                                                
 \_  \_  \_  \_  \_  \_  \_  \_  \_  \_

All those moments will be lost in time, like tears in the rain.
Newsgroups: alt.guitar.tab
From: denmckinnon@halls1.cc.monash.edu.au (NEIL MCKINNON)
Subject: Crowded House: Better be Home Soon
Organization: Halls of Residence, Monash University 
Date: Mon, 27 Jul 1992 15:55:09 GMT


BETTER BE HOME SOON  (N.Finn)

C                Am                      Em7          G
Somewhere deep inside, something's got a hold on you
         C           Am                         Em7
And it's pushing me aside, see it stretch on forever
               C   C7                          F
And I know I'm right, for the first time in my life.
             G                              C
That's why I tell you, you'd better be home soon.


Bflat        D                       G
   Don't say no, don't say nothing's wrong
Gm                          A                  D     G
   'Cause when you get back home maybe I'll be gone.



Neil...
Newsgroups: alt.guitar.tab
From: mongeau@ferrari.nmc.ed.ray.com (Mike Mongeau)
Subject: TAB REQUEST:  "Johnny's Garden" by Stephen Stills
Organization: Equipment Division, Raytheon Company
Date: Wed, 22 Jul 92 14:48:38 GMT

Does anyone have the chords/lyrics to the Stephen Stills'
song "Johnny's Garden".   Even better would be the
arpeggio patterns that are used throughout most of the
song.  Thanks.

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
   Mike Mongeau                           Raytheon Equipment Division
   mongeau@nmc.ed.ray.com                                Marlboro, MA
 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Newsgroups: alt.guitar.tab
From: jamesb@nevada.edu (James Bender)
Subject: Re: BIG THANKS to Glen Macon
Organization: University of Nevada System Computing Services
Date: Fri, 24 Jul 1992 20:42:18 GMT

>Great Job Glen!!! Thanks a lot and to all those who have
>posted tabs here.

	Yeah, I don't think the archive would be half of big without Glen's
stuff. Thanks.

*******************************************************************************
* From: James B     * "For you, the blind who once could see, the bell tolls  *
* jamesb@nevada.edu *  for thee.                            -- N. Peart       *
*******************************************************************************
* "...if you're trying to get a laugh at a funeral, you're going to have to   *
*  be a lot funnier than that!"				-- Woody from Cheers  *
*******************************************************************************
From: aash@ms.uky.edu (aash)
Newsgroups: alt.guitar.tab
Subject: Re: chord info
Date: 21 Jul 92 22:20:58 GMT
Organization: University Of Kentucky, Dept. of Math Sciences

In article <BrpD1H.2E9@xcluud.sccsi.com> drew@xcluud.sccsi.com (Andrew Freeman) writes:
>I need some very basic information.  Can someone tell me what the keys
>are for the following chords.  I guess all major chords would do.
>
>D chord
>Emin chord
>G chord
>Bmin chord
>A chord

all these chords are in the key of D major.. 
-- 
aash@{ms.uky.edu|ukma.bitnet|ukpr}    "the only thing i ever really wanted to
{backbone|rutgers|uunet}!ukma!aash     say was wrong, was wrong, was wrong."
From: teri@sdd.hp.com (Teri Tracey)
Newsgroups: alt.guitar.tab
Subject: Re: Is there anybody out there?
Date: 21 Jul 1992 12:56:58 -0700
Organization: HP/San Diego Technical Graphics
NNTP-Posting-Host: hp-sdd.sdd.hp.com

In article <BrIGMH.AA8@comp.vuw.ac.nz> Michael.Bremford@comp.vuw.ac.nz (Michael Paul Bremford) writes:
>
>Erm... Ive posted a couple of tabs already, but is anyone outside of NZ actually
>recieving these? Please mail me if someone can read these messsages (or even if
>you dont ?!?)

We're reading them...I did try to email you but it bounced severely.

                             T   e   r   i
                            teri@sdd.hp.com 
               "He can't just come in here and say, "bugs!" 
Newsgroups: alt.guitar.tab
From: cj@eno.corp.sgi.com (C J Silverio)
Subject: REQUEST: Eno/Fripp: anything at all!
Reply-To: cj@eno.corp.sgi.com (C J Silverio)
Organization: SGI TechPubs
Date: Tue, 28 Jul 1992 18:17:15 GMT

---
I've worked out the chords for "I'll Come Running",
and I am slowly muddling my way through Fripp's solo,
but I'd appreciate some pointers from people with better
ears than mine.  Any of the Fripp solos on _Another Green
World_ would be cool, or maybe even "Baby's on Fire".

Thanks.

---
cj@eno.corp.sgi.com      C J Silverio/Brahms Gang/Berkeley CA 94720
"Dogmatic attachment to the supposed merits of a particular structure
 hinders the search for an appropriate structure" -- Robert Fripp
Newsgroups: alt.guitar.tab
From: hertzberg@elwood.enet.dec.com (Marc Hertzberg (History: Love It Or Leave It))
Subject: Re: LYRICS: Secret Agent Man
Reply-To: hertzberg@elwood.enet.dec.com (Marc Hertzberg (History: Love It Or Leave It))
Organization: Digital Equipment Corporation
Date: Wed, 29 Jul 1992 14:46:46 GMT


       
			  Secret Agent Man
                            by (?) (Johnny Rivers?)
 

                  Em               Am              Em
		There's a man who lives a life of danger

                                                  B7
		To everyone he mees, he stays a stranger

                      Em
		With every move he makes

                  Am
		Another chance he takes

                 Em                Am            Em
		Odds are he won't live to see tomorrow

                                  B7     Em        B7      Em   
		  Chorus:   Secret agent man, secret agent man

			             Am
			    They've given you a number

                                      B7         Em
			    And taken 'way your name


                Beware of pretty faces that you find

		A pretty face can hide an evil mind

		Don't let the wrong word slip

		While kissing persuasive lips

		Or odds are you won't live to see tomorrow

		   Chorus:

                Swinging on the Riviera one day

		Lying on some balmy island next day

		Be careful what you say

		Or you'll give yourself away

		Odds are you won't live to see tomorrow 

		   Chorus:



	The signature riff:

	E ----0---0---0---0---0---0-------------
	B --0---1---1---2---1---1---------------
	G --------------------------------------
	D --------------------------------------
	A --------------------------------------
	E --------------------------------------