HDTenEightyP/NetNews huggingface dataset:
From: tparker@music.scd.ucar.edu (Tom Parker)
Subject: Re: Lyrics to "Brown-Eyed Girl"
Organization: Scientific Computing Divison/NCAR Boulder, CO
Date: Mon, 14 Sep 1992 23:15:37 GMT

In article <13557@pogo.wv.tek.com> jd@pogo.wv.tek.com (John "JD" Dalrymple) writes:
>
>Anyone got the lyrics to "Brown-Eyed Girl"?  I gigged it with a pickup band
>yesterday and it was a lot of fun, but I had to mumble a lot.  I want to
>start doing it with my regular band.
>
>Thanks in advance,
>
>JD

            Brown-Eyed Girl

Hey where did we go, days when the rain came.
Down in the hollow, playin' a new game.
Laughin' and a runnin' , hey hey, skippin' and a jumpin' 
in the misty mornin' fog with our hearts a thumpin' at you,
The Brown-Eyed Girl
You're my Brown-Eyed Girl

Now what ever happened, Tuesday is so slow,
Goin' down the old man river, with a transistor radio
standin' in the sunlight laughin' 
[. . .]
Slippin' and a slidin', all along the waterfall with you,
the Brown-Eyed Girl
You're my Brown-Eyed Girl.

Do you remember when, ah we used to sing

Sha la la la la la la la la la la dee dah
Sha la la la la la la la la la la dee dah
la dee dah

So hard to find my way, now that I'm all on my own
I saw you just the other day, my how you had grown,
[.. ] sometimes overcome thinkin' bout,
makin love in the green grass, behind the stadium with you.
the Brown-Eyed Girl
You, my Brown-Eyed Girl.

Do you remember when, ah we used to sing

Sha la la la la la la la la la la dee dah
Sha la la la la la la la la la la dee dah
la dee dah



I got these lyrics from the "lyrics server" via anonymous ftp.  You ftp to
cs.uwp.edu (131.210.1.4) and look in /pub/music/lyrics/files/morrison.van
--
+--------------------------------------------------------------------+
| Tom Parker             |  National Center for Atmospheric Research |
| tparker@ncar.ucar.edu  |  (303) 497-1227                           |
+--------------------------------------------------------------------+
From: stevek@hpfcmgw.FC.HP.COM (Steve Kauder)
Date: Fri, 4 Sep 1992 19:02:43 GMT
Subject: Re: ** New at ftp.nevada.edu(131.21.1.11) **
Organization: HP Fort Collins, CO
Newsgroups: rec.music.makers

>In rec.music.makers, tmarvan@sdcc3.ucsd.edu (Thomas Marvan) writes:
>
>    In article <1992Aug30.175826.25237@nevada.edu> jamesb@nevada.edu (James Bender) writes:
>    >
>    >	Graham Nash
>    >		Don't Say Goodbye c
>    >***********************************************************************
>    >* From: James B     * "Life is a diamond you turn into dust."         *
>    >* jamesb@nevada.edu *                               -- N. Peart       *
>    >***********************************************************************
>
>    How does one get access to this music.  It is a mailing list....?
>
>    Tom Marvan.

Another question: What format is the music in?  Standard midi files
(on my dos machine, with a .MID extension)?  If standard midi, I presume
I can ftp to the files?  

Thanks,

Steve Kauder                        Phone: 303-229-3541 
UTD Support and Learning Products   Unix Mail: stevek@hpfcmgw.fc.hp.com

"Computers, Music, The Course in Miracles, what's next??"
From: al@sys6626.bison.mb.ca (Haus Der Luge)
Newsgroups: rec.music.makers
Subject: CARDD
Date: Sat, 05 Sep 92 10:28:02 CST
Organization: system 6626 BBS, Winnipeg MB

Does anybody here have the CARDD digital recording package for their
PC ???
 
I read a review of it in the new HOME AND STUDIO MUSICIAN and have a 
feeling that it is too good to be true.
 
But then again (as they pointed out in the review), the Alesis HR-16
was another thing that was 'too good to be true' but it WAS true.
 
HausDerLuge
 

;--- (Haus Der Luge) a user of sys6626, running waffle 1.64
;E-mail: al@sys6626.bison.mb.ca
;system 6626: 63 point west drive, winnipeg manitoba canada R3T 5G8
Newsgroups: rec.music.makers
From: tmbg9495@uxa.cso.uiuc.edu (Freak )
Subject: Fuzz box schematic!
Organization: University of Illinois at Urbana
Date: Fri, 11 Sep 1992 18:26:55 GMT

Thanks to all who replied to my request for a fuzz box schematic!  I've had
a couple of kind folks offer to send me specific schematics, and several 
people have recommended sources where I can find a generic schematic.  Thanks
for all your help!


						Freak
						(aka Tom)

Newsgroups: rec.music.makers
From: swanger@ducvax.auburn.edu
Subject: Strat Plus Ultra question(s)
Followup-To: rec.music.makers,alt.guitar
X-Newsgroups: alt.guitar
Organization: Auburn University, AL
Date: Thu, 10 Sep 1992 20:59:01 GMT
X-From: swanger@ducvax.auburn.edu

X-Sender: usenet@news.duc.auburn.edu (News Account)
X-Nntp-Posting-Host: ducvax
X-Organization: Auburn University, AL
X-Date: Tue, 8 Sep 1992 21:02:19 GMT

I am curious about a guitar, the Fender Strat Plus Ultra (I think that is
the name).  I've seen this guitar in magazines and I saw one in a store but
didn't get a chance to play it.  It looks like a Strat Plus with 1 blue 
Lace Sensor pickup in the neck position, 1 silver (or is it gold) Lace 
Sensor pickup in the middle position and 2 red Lace Sensor pickups in the 
bridge position.  There is a regular strat 5 position pickup selector 
switch plus a toggle switch that I guess turns one of the bridge pickups on 
and off.

Does anyone out there have one of these guitars?  Are the Lace Sensors as
versatile as Fender claims?  That is, does the blue pickup really sound like
a PAF?  Does either of the red pickups really sound like a hot humbucker?  
Do both red pickups together have a high output humbuckerish sound?  How
about the "out of phase" sounds (positions 2 and 4)?  Are they similar to
"real" strat (not trying to start a war) out-of-phase sounds?  While I'm 
at it, can this guitar get many of the "classic" strat sounds along with 
it's other sounds?

If you have one of these, how do you like it?  Great, good, fair, dog, etc?
Fender also has a Strat Plus Deluxe (I think that is the name) that is very
similar to the Ultra but only has one red pickup by the bridge and is a bit
cheaper than the Ultra.  Is the Ultra worth the extra dollars over the
Deluxe?

Thanks for any help you can send!
-- 
David Swanger,   Auburn University, Alabama,   swanger@ducvax.auburn.edu
From: gmw1@cunixa.cc.columbia.edu (Gabe M Wiener)
Newsgroups: rec.music.makers
Subject: Query for brass players
Date: 12 Sep 92 02:59:12 GMT
Organization: Columbia University

Question for brass players:  How different is the technique for playing one
brass instrument over another?  i.e. can a trumpeter easily play a trombone,
or can a french horn player do anything productive with a tuba?  Is the
embouchure <sp?> of one instrument significantly different from that of
another?  Obviously the use of the valves will be different, but I'm curious
about mouth positions

What about within the family?  Can a trumpet player play a bugle without
trouble?  Or a piccolo trumpet?  Or the cornetti used in Baroque music?

Just curious.  I tell people quite often that playing the organ or
harpsichord bears very little resemblance to playing the piano, so I'm
interested to know the situation w/brass.  Thanks.


--
Gabe Wiener - Columbia Univ.     "This 'telephone' has too many shortcomings 
gmw1@cunixa.cc.columbia.edu       to be seriously considered as a means of 
N2GPZ in ham radio circles        communication. The device is inherently of
72355,1226 on CI$                 no value to us." -Western Union memo, 1877
From: agr00@ccc.amdahl.com (Anthony G Rose)
Newsgroups: rec.music.makers
Subject: Re: anyone heard of a YAMAHA YQ-10 (?) sequencer?
Date: 9 Sep 92 23:43:21 GMT
Reply-To: agr00@JUTS.ccc.amdahl.com (Anthony G Rose)
Distribution: na
Organization: Amdahl Corporation, Sunnyvale CA

In article <24766@oasys.dt.navy.mil> doney@oasys.dt.navy.mil (William Doney) writes:
>cheers all!  anyone heard/own/seen a sequencer/drum machine unit made
>by YAMAHA called the YQ-10 ?  buddy of mine was talking about one that
>he picked up, but wasn't sure if YQ-10 was the correct unit ID.  it's
>basically a mini sequencer (memory of 6k notes?) the size of a VHS video
>tape.  also has rhythm patterns that are programmable, and the ability
>to program chord changes over the drum patterns.  has MIDI IN/OUT and 
>1/4" headphone jack.  he hasn't used it that much since he has a full
>blown studio, but said it's very cool to throw in the case and take
>on travel, etc.  wondering if anyone else has seen this thing....
>
>thanks...
>
>p.s.  heard rumors of a Spinal Tap broadcast on NBC in OCT....?
>
>bill
>=======================================
>'been waiting for the bus all day' - ZZ
>doney@oasys.dt.navy.mil
>bethesda, MD   USA
>=======================================


Yes, it is called a Yamaha QY-10.  I have one, I got it for a Christmas
present.  It is a nice little tool for the songwriter on the road.  The
sounds are good for it's size, and it is pretty easy to use with a small
amount of practice.  The only problem I have had with it is I can't for
the life of my figure out how to tie a dotted note.  It want's to give
the life of my figure out how to tie a dotted note.  It want's to give
the two notes tied together two separate pulses.  Not that I think that
it can't support this function, just that I can't figure out how to do it.
Any help would be appreciated.

thnx,
-tony
Newsgroups: rec.music.makers
From: daveh@xtenk.wpd.sgi.com (David Higgen)
Subject: Re: Show tips & tricks
Organization: Silicon Graphics, Inc.  Mountain View, CA
Date: Sat, 5 Sep 1992 00:46:52 GMT

In article <5@bbx.basis.com>, scott@bbx.basis.com (Scott Amspoker) writes:
> In article <1992Sep3.012739.13969@news.weeg.uiowa.edu> smills@news.weeg.uiowa.edu (MuffinHead) writes:
> >   Laugh about mistakes in your playing. Laugh about equipment problems.
> >I always screw up lyrics and start mumbling into "Did you see any action?
> >Biggoo hack Mary brains?" or stuff like that. People catch the fact that
> >I'm smiling and they laugh.
> 
> A friend of mine used to play in a band that gave one of its members an award
> at the end of every gig for the "best save of the night".  The audiences
> always got a kick out of it.

One of my old bands had an award called the "Osmium Albatross" for the
worst blooper of the night. I won't go into detail about the award ceremony, 
but it did occur *after* the show, in private....

So, how was the "best save" award presented? I would have thought that
by the end of the gig, the audience would have entirely forgotten the
incident - if indeed they noticed it at all: it continues to amaze me,
after years of playing, how audiences will entirely miss things that 
seem like complete disasters on stage. (Alas of course, the converse is true
as well: they often dislike or find fault with something you thought went
just fine....)


		Dave Higgen (daveh@xtenk.wpd.sgi.com)
From: piz@cbnewsl.cb.att.com (G G ZIPFEL)
Newsgroups: rec.music.makers
Subject: Second SCRAM release for sale. (not for profit)
Date: 11 Sep 92 19:06:38 GMT
Distribution: na
Organization: AT&T



	The second SCRAM release "Brain Muffin" is now availible.
	If you would like to hear a fellow netters' journey into
	music, email me at:
	
	zipfel@ihlpm.att.com

	to set up an exchange.

	The tapes go for $5.00, and we will pay shipping.

	Tapes are printed and shrink wrapped, and sound (if I may
	say so) pretty decent. This release is not quite as
	raunchy as the first, but still has the pixies-ish
	speed and feel.

	Any interested parties send me email. I'm trying to
	get opinions on the stuff to see if it's any good,
	or if I should just give it up....
	Thanks,


-- 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
          Zip                  |   Owner/GM West Chicago Zippers,           
Steelers in 92, Bubby's Back!  |   Obviously the funniest team in the IBL.   
"Anything that travels that far oughta have a damn stewardess on it"
From: tenny@euclid.uucp (Nathan Tenny)
Newsgroups: rec.music.makers
Subject: Re: Earplugs?
Date: 14 Sep 92 21:54:03 GMT
Organization: Department of Mathematics, University of Oregon


This is an ultra-low-tech solution, but I find that cotton balls work pretty
well---I can still hear what's going on, but my ears don't ring after practice.
Not as effective as the expensive earplugs, I'm sure, but less murky-sounding
than the little foam cylinders.

	NT
Xref: sparky rec.music.makers:9478 alt.guitar:7930
From: balon@cup.hp.com (Tom Balon)
Newsgroups: rec.music.makers,alt.guitar
Subject: Re: Strat Plus Ultra question(s)
Date: 10 Sep 92 23:13:22 GMT
Organization: Hewlett-Packard, Cupertino, CA


	Has anyone played the new Strat Plus Deluxe Ultra Custom ? 
	I think this is just like the Eric Johnson model with a
	few of the features of the Eric Clapton model. Great guitars.

	- T
From: tmbg9495@uxa.cso.uiuc.edu (Freak )
Newsgroups: rec.music.makers
Subject: Help? Fuzzbox schematic?
Date: 9 Sep 92 20:19:08 GMT
Organization: University of Illinois at Urbana

Hi!  Does anybody out there know where to find a schematic for your basic
fuzz-box?  Or is it simple enough to post?  I looked inside my Rat
(which isn't as simple as some) and it didn't seem to be too complex... but
I'd rather have it on paper than trying to figure out how to make one from
looking at a circuit board.  Can anybody help me?  Thanks!

						Freak
						(aka Tom)
From: KNVU%MARIST.bitnet@YaleVM.YCC.Yale.Edu (Steven Zabniak)
Newsgroups: rec.music.makers
Subject: Korg M1 For Sale
Date: 9 Sep 1992 18:49:57 -0500
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

Hello All,

I have a Korg M1 keyboard with a Calzone flight case, a sound card, a
damper pedal, and a ultimate diplex stand. Asking $1000.. If anyone is
interested, please send E-Mail to knvu@vm.marist.edu, and we'll talk..

Thanks,
Steve.
From: helper@castle.ed.ac.uk (A Wilson)
Newsgroups: rec.music.makers
Subject: come on aileen
Keywords: dexys aileen
Date: 7 Sep 92 15:33:02 GMT
Distribution: rec
Organization: Edinburgh University

Can anyone send me the words of "come on aileen" recorded by Dexy's
midnisght runners?  I cannot make them out from the record.

Arthur Wilson                                  Telephone: 031-650 3323
Documentation Team                                   Fax: 031-662 4809
Edinburgh University Computing Service      email from EU: A.Wilson@ed
University Library                              from A.Wilson@uk.ac.ed
George  Square                    from bitnet: A.Wilson%ed.ac.uk@UKACRL
EDINBURGH EH8 9LJ                 from UUCP: A.Wilson%ed.ac.uk@ukc.uucp
Newsgroups: rec.music.makers
From: josh@Tekelec.gecko.uucp (Josh Barinstein)
Subject: FOR SALE:  WS-X1 RECORDER/MIXER
Originator: josh@reliant
Organization: Tekelec Inc
Distribution: usa
Date: Tue, 08 Sep 1992 17:31:08 GMT


FOR SALE:  SANSUI WS-X1 6 TRACK MULTI-RECORDER/8 CHANNEL MIXER

     Extracted from the manual:

     * The world's first 6 Track cassette format recording system.
     * Built-in 2 Track cassette deck for "Mix-Down" or 2 Track
       playback.
     * Built-in digital signal processing.
     * Built-in 8 Channel mixing console.
     * More flexible "Track Bouncing" (Ping-Ponging) using the
       "Mix-Down" deck.

     * 8 Mic/Line inputs for connection with microphones, electric
       guitars, keyboards, drum machines, etc.
     * 2 Balanced XLR type inputs.
     * Stereo Effects Loop.
     * 6 Individual Track Outputs
     * 2 Separate Stereo Outputs for monitoring and for use with
       external 2 Track recorders (DAT machines, etc.).
     * 2 Headphone Outputs for monitoring
     * Mono Tape Cue Output
     * Separate Sync In/Out jacks for use with synchronizers
     * 3 Stereo AUX inputs for the connection of DAT machines, CD
       players, sub-mixers, effects returns, etc.
     * Built-in digital signal processing providing 3 different
       digital reverbs and stereo echo.

     * Auto rehearsal function.
     * Zero return.
     * One touch "Mix-Down" control.

PRICE:  $800 (or best offer)

CONDITION:  In great condition, hardly used.

REASON FOR SELLING:  Need the money...

-----
Josh Barinstein - josh@Tekelec.com
                  (818) 880-7963 (work, Calabasas)
                  (818) 787-1844 (home, Van Nuys)

Xref: sparky rec.music.makers:9563 misc.forsale:26319 wi.forsale:341
From: bold@astroatc.uucp (Jeff Beck)
Newsgroups: rec.music.makers,misc.forsale,wi.forsale
Subject: For sale: 5-string Ibanez bass
Date: 14 Sep 92 22:35:25 GMT
Distribution: usa
Organization: Trilogy Musical Group

This is posted for a friend, with a phone no., but you can still reply to this
account if you like.

For sale:

Ibanez EX Series 5-string bass

	- EMG pickups installed (very hot pickups)
	- excellent condition (hardly used)
	- includes hardshell case with storage compartment
	- black
	- plays excellently - no buzzes or slop

Asking $325.00

Call (608) 246-4024 - Tim Faupl (this is in Madison, WI - S. central WI)

-- 
Jason Bold - Madison, WI:                 +===+   o    +===+  Yeah, but two
bold%astroatc.uucp@spool.cs.wisc.edu      |   |  /|\   |   |  amps can go
                                          |~~~|  Co-"= |~~~|  up to 22.
"With this amazing new "knife"...         |___|  / \   |___|  So there!
From: chrisc@gold.gvg.tek.com (Chris Christensen)
Newsgroups: rec.music.makers
Subject: Re: Problems with drummer's slang. How to translate?
Keywords: drum
Date: 8 Sep 92 17:33:24 GMT
Organization: Grass Valley Group, Grass Valley, CA

In article <AAIq3hgi99@polygon.spb.su> vep@polygon.spb.su writes:
>Hi,
>I've to translate a user manual for a MIDI drum controller from
>Russian into English. But I got some tough problems with the
>professional drummer's slang. Could you help me?
>Here are some difficult words which I don't know how to translate.

I suggest that you purchase a begining drum book.  I believe that you
will find that most of the slang is standard terminology.

My answers to your questions are my reflections to your questions.

>1. When a drumer beats the drum, what does he make? - Strokes,
>beats, blows, or hits, or something else?

Strokes.

>2. When a drummer makes the very fast drum beat, is it called a
>tap?

A tap is a very light feel.  A very fast drum beat may be considered a
drum roll.

>3. When a drummer makes a very heavy stroke on the drum,
>(BTW, is a stroke strong or heavy, what  difference?)
                             ^^^^^
>the drum can react to the mechanical interference produced by
>the drum stand, sound from loudspeakers, etc.
>The overall sound would consists of two sounds: one is
>useful from the drummer stroke, the other is spurious from the
>interference.
>Can I say that the drum produces the "doubled" sound?

If the sumpathetic sound is produced by something other than the drum
it is just that, sympathetic sound.

There is a sound that a snare drum makes when it is struk real hard.
I don't know what it is called,  I know what it *sounds* like....

>4. How can I call two separate notes played together with very
>short interval between them, as closed as they sounded almost
>as one?

The term for this is a flam.


-- 
Chris Christensen                  The opinions I express are my own,
chrisc@gold.gvg.tek.com            and sometimes they are wrong!
916-478-3419 FAX 916-478-3887      After all, I *AM* only human.
Newsgroups: rec.music.makers
From: smills@news.weeg.uiowa.edu (MuffinHead)
Subject: Re: vocal mic advice
Organization: University of Iowa, Iowa City, IA, USA
Distribution: na
Date: Thu, 10 Sep 1992 00:05:39 GMT

dhi00@ccc.amdahl.com (mofo ) writes:

>i'm looking for a good vocal mike for under $100.  any info?

Shure SM57 or SM58 can be had for under $100. There are lots of other brands
like Beyer, Audio Technica, AKG, etc... Don't know any prices of those though.
-- 
Muff
From: bob@radius.com (bob lashley)
Newsgroups: rec.music.makers
Subject: Re: Rehearsal Space?
Keywords: rehearse, storage lockers
Date: 5 Sep 92 20:15:30 GMT
Reply-To: bob@radius.com (bob lashley)
Organization: Radius, Inc.

In posting: <1992Sep3.204911.15778@murdoch.acc.Virginia.EDU>, Scott writes:

>our band.  We're loud.  I'm wondering if anyone's got any success
>stories on what they've done in a college area to get rehearsal space.

I've heard of people renting out storage lockers specifically for practice sessions.
Most are in industrial parks or away from residential areas around here.  And why
not store your gear there between gigs, too - all set up and ready to go.

-bob
From: mbreen@sdacs.ucsd.edu (Michael Breen)
Newsgroups: rec.music.makers
Subject: Re: Show tips & tricks
Date: 14 Sep 92 22:44:47 GMT
Organization: University of California, San Diego
NNTP-Posting-Host: sdacs.ucsd.edu

In article <MGATES.92Sep10104843@entiat.boeing.com> mgates@entiat.boeing.com (Michael Gates) writes:
>>>>>> On 8 Sep 92 22:08:17 GMT, mylesw@amgen.com (Myles Wakeham) said:
>Myles> The basic rules are:
>
>Myles> 1.  Never apologise to an audience
>Myles> 2.  Be a total professional.  Double check everything before you 
>Myles>      start.  (Especially true for guitarists - tune and retune).
>Myles> 3.  Move around a lot.  Don't stay in the same place all the time.
>Myles> 4.  Be honest to your audience.  Don't try and be someone you are not.
>Myles> 5.  Have an attitude.  This works very well.
>
>Myles> and most importantly....
>
>Myles> 6.  If you are having a great time, so will your audience.  Its amazing
>Myles>      how contageous this is.
>
>Number 4 is incompatible with Numbers 3 and 5.
             ^^^^^^^^^^^^
>--
>et tu mgates?

Nope.  Some people honestly like to move around a lot, and I have yet to
meet an "ego-less musician".  Attitude can also mean standing stock-still
with your back to the audience, and that *still* might be an honest reflection
of that performer.  Takes all kinds.

Michael Breen
singing and philosophizing
(and honestly an absolute manic attitude-full guy)
Xref: sparky rec.music.makers:9389 rec.music.synth:14480 rec.audio.pro:1642 alt.guitar:7790
From: soh@gdstech.grumman.com (Scott O'Hare)
Newsgroups: rec.music.makers,rec.music.synth,rec.audio.pro,alt.guitar
Subject: Re: Best price on Mackie?
Date: 3 Sep 92 14:08:01 GMT
Reply-To: soh@gdstech.UUCP (Scott O'Hare)
Organization: Grumman Data Systems-Woodbury

In article <1992Sep2.230225.4737@oswego.Oswego.EDU> vermilye@oswego.Oswego.EDU (Jon R. Vermilye) writes:
>In article <1992Sep2.175822.1457@intelhf.hf.intel.com> dcovell@pcocd2.intel.com (David Covell) writes:
>>
>>Where can I find the best mail-order deal on a Mackie 1604 these days?
>
>I purchased mine from Boynton Studio, Melody Pines Farm, Morris, NY 13808
>for $325.00.
>

Surely you are talking about the 1202, no?

soh
-- 
---------------------------------------------------------------------
- Scott O'Hare (soh@gdstech.grumman.com)                            -
---------------------------------------------------------------------
Newsgroups: rec.music.makers
From: ia4@cunixa.cc.columbia.edu (Imran Anwar)
Subject: COsts for making small run of CDs of music demo, say 10-100
Reply-To: ia4@cunixa.cc.columbia.edu (Imran Anwar)
Organization: Columbia University
Distribution: usa
Date: Tue, 8 Sep 1992 03:20:51 GMT

Was wondering about cost of making about 10-100 demo CDs of music