HDTenEightyP/NetNews huggingface dataset:
Newsgroups: rec.music.misc
Date: Wed, 22 Jul 1992 20:31:38 -0400 
From: "Benjamin D. Lukoff" <bl2m+@andrew.cmu.edu>
Subject: Re: "Ask Alice...", anyone?
	<l6qumpINNece@exodus.Eng.Sun.COM>

That is what the dormouse said....."Feed your head", not "keep your head".
Xref: sparky rec.music.misc:20636 alt.rock-n-roll:14244 alt.music.alternative:8292
Newsgroups: rec.music.misc,alt.rock-n-roll,alt.music.alternative
Subject: Re: New Thread (was Re: Songs that mention other groups)
From: mnor1@cs.aukuni.ac.nz (Mark Hiro           Norman         )
Date: Tue, 28 Jul 1992 05:16:01 GMT
 <1992Jul27.043459.22800@news.stolaf.edu> <1992Jul27.130130.25612@eua.ericsson.se>
Organization: Computer Science Dept. University of Auckland

Don Henley receives the ultimate tribute in Mojo Nixon's song
"Don Henley Must Die", on Otis.


-- 
Mark Norman           | My university doesn't let me send email.
mnor1@cs.aukuni.ac.nz | "We Hate It When Our Friends Become Successful..."
Newsgroups: rec.music.misc
From: boarjas@elof.iit.edu (Jason Boardman)
Subject: Any drummers out there?
Organization: Illinois Institute of Technology, Chicago
Date: Thu, 23 Jul 92 06:40:09 GMT


Are there any drummers out there?  Professional/Amateur/Beginner 
whatever??  Just wondering....  

--
Jason Boardman  -=-  boarjas@elof.iit.edu  -=-  boarjas@iitvax.bitnet

Newsgroups: rec.music.misc
From: starr@dpe.enet.dec.com (Alan Starr)
Subject: Re: promoters sued?
Reply-To: starr@dpe.enet.dec.com
Organization: Digital Equipment Corporation
Date: Tue, 28 Jul 92 19:26:26 GMT


am2x+@andrew.cmu.edu (Anna Matyas) writes:

> Someone told me that four major acts (Pink Floyd and Bowie are the only
> two she remembered) are suing a concert promoter for over-charging them
> when booking venues.

> Anyone have details?

Here's something that was posted in clari.news.music this afternoon:

Article 1842 of clari.news.music:
From: clarinews@clarinet.com (UPI)
Subject: Superstars overcharged
Date: Tue, 28 Jul 92 6:44:04 PDT

	PHILADELPHIA (UPI) -- Federal officials have charged Electric Factory
Concerts of Philadelphia and two executives with cheating performers --
many of them superstars -- out of nearly $1 million.
	The concert organizers systematically inflated the concert
preparation bills, taxes and union benefits for such groups as the
Rolling Stones, U-2, Madonna, David Bowie, Paul McCartney and Genesis.
	For example, McCartney's July 14-15, 1990 appearance was overcharged
$116,000. Madonna was overcharged $47,163, Bowie was overcharged $68,219
and the Rolling Stones were overcharged $150,244.
	Prosecutors said the illegal activity included the production costs
on 13 concerts from 1987 to 1990.
	If the case goes to trial, some of the superstars could be called to
testify. However, Electric Factory attorney Richard Meltzer said the
defendants have been working with the music groups to settle accounts.
	In addition, Meltzer disputed the government's calculations, calling
them ``erroneous.''
	Named as defendants were EFC vice president and part-owner Allen
Spivak, 54, of Bryn Mawr, and Sidney Payne, 51, of Havertown.
	Meltzer suggested that the company, Spivak and Payne may plead
guilty.



Xref: sparky rec.music.misc:20337 rec.music.country.western:2883 rec.music.folk:5093
From: sag@hera.Berkeley.EDU (Steve Goldfield)
Newsgroups: rec.music.misc,rec.music.country.western,rec.music.folk
Subject: Re: David Lindley's "The Johnson Boys"
Date: 23 Jul 1992 16:04:39 GMT
Organization: University of California at Berkeley
NNTP-Posting-Host: hera.berkeley.edu

In article <1992Jul23.031545.2649@portal.vpharm.com> dap@portal.vpharm.com (David A. Pearlman) writes:
#>Tonight I picked up a curiosity:
#>
#>"The Very Best of Country Banjo"
#>United Artists UALA 411-E
#>(c) 1975.
#>
#>This album came out in UA's series of cheap oldies reissues. Anyway, what's
#>curious about it is that there are a few artists on this album that I
#>didn't think recorded any tracks for UA/Imperial/etc. (the UA series
#>of labels). These include tracks by David Lindley, Mason Williams,
#>and Jim (nee Roger) McGuinn.
#>
#>Of particular note is a great original banjo tune by David Lindley,
#>"The Johnson Boys". Does anyone know what the source of this stuff is?
#>(The Jim McGuinn tune is "Banjo Cantata", Mason Williams does "Whistle
#>While You Work", David Lindley also contributes "Clinch Mountain Backstep";
#>other tracks are by Jim Helms, Billy Cheatwood, Mike Seeger, Dick Rosmini,
#>Billy Faier, Joe Maphis & Dick Weissman).
#>
#>    David A. Pearlman

I haven't heard the album, but are you sure this
isn't the traditional tune of the same name,
"The Johnson Boys." I think the lyrics start
out something like, "The Johnson boys, they
went a-courtin' ...."

Steve Goldfield
Newsgroups: rec.music.misc
From: glad@Csli.Stanford.EDU (Clayton Glad)
Subject: Re: Anyone ever heard of The Shirts?
Organization: Stanford University CSLI
Date: Thu, 23 Jul 1992 22:15:09 GMT

sshurr@boddu.prime.com (Scott Shurr) writes:

>Her name is Annie Golden.  She was on the cast of a musical play (Hair?)
>before joining the Shirts. 

No, the Shirts were around for a *long* time.  Golden was a Shirt
even before she was in the revival of Hair.  

This is documented on that bizarre product of Hilly Crystal's greed
known as "Live at CBGB."  That album, which dates from '75, I think,
features a few cuts by the Shirts, not to mention Sun.

Like the other bands on that album (except, perhaps, the then Robert
Gordon-led Tuff Darts) the Shirts had little or nothing to do with 
what that club was known for at the time.

-- Clay
Xref: sparky rec.music.misc:20501 alt.rock-n-roll:14158 alt.music.alternative:8150
From: gpgabb@sdrc.sdrc.com (Rob Gabbard)
Newsgroups: rec.music.misc,alt.rock-n-roll,alt.music.alternative
Subject: Re: Songs that mention other groups (was: Bands w
Date: 24 Jul 92 13:14:14 GMT
Reply-To: rob.gabbard@sdrc.com
Followup-To: rec.music.misc
Organization: SDRC, Graphics & User Interface Group


In article <1992Jul23.104218.14088@husc3.harvard.edu>,
fenick1@husc10.harvard.edu (Sharon Fenick) writes:
them
|>obliquely.  But here's a good time and place to ask...the Traveling
|>Wilburies
|>"Tweeter and the Monkey Man" is supposed to have been written by Dylan
|>and 

Speaking of the Traveling Wilburys, they mention "Purple Haze" in one
song off of Vol. 1.  I forget the name but it was a hit ("Well, its
alright...") The video was shot after Roy Orbison passed away. The rest
of the band was on a train.

Rod Stewart mentions alot of Motown groups in "The Motown Song".  The
animated/live-action video was hilarious and included Vanilla Ice,
Sinead O'Connor, Madonna, Elton John and the Four Tops (or was that the
Temptations?).  The first three are treated pretty comically.

------------------------------------------------------------------------------
Rob Gabbard 				    Internet: rob.gabbard@sdrc.com
Technical Development Engineer                  UUCP: uunet!sdrc!rob.gabbard
Structural Dynamics Research Corporation
From: beebe@cs.arizona.edu (Craig A. Beebe)
Newsgroups: rec.music.misc
Subject: Re: Al Gore & Tipper (was Re: Where's Frank Zappa?
Summary: Another Zappa fan(atic)
Date: 26 Jul 92 03:50:52 GMT
Followup-To: rec.music.misc

> In article <tony.711841907@ais.org>, tony@ais.org (Tony Poole) writes...

>  I would like to suggest that we all move this now non-Zappa thread
> to another group. Any suggestions? alt.politics.zappa-fans?
> 
 
   Is there such a newsgroup? If so, my university doesn't subscribe to it,
and I'd really like to know how to get it. I've been a big fan of his for
many years, I have (almost) all of his albums, and I'd love to communicate
with other Zappaphiles. 
 
   
--
-------- Craig Beebe - or, if you prefer, beebe@caslon.cs.arizona.edu -------- 
"We do what we're told", Peter Gabriel; "America, the big wedge", Fish; 
"Television, the drug of a nation", Disposable Heroes of Hiphoprisy; 
"Hey Hey, My My", Neil Young; "HUHEEEAAAAYYYYYYK", James Brown. 
Newsgroups: rec.music.misc
From: rogers@rosencrantz.osf.org (Andrew Rogers)
Subject: Re: A question for Neil Diamond experts
Organization: HICAM/OSD
Date: Thu, 23 Jul 1992 15:17:18 GMT

In article <48630003@hpscit.sc.hp.com> rkarlqu@hpscit.sc.hp.com (Rick Karlquist) writes:
>In rec.music.misc, dap@portal.vpharm.com (David A. Pearlman) writes:
>
>> So I was listening to the first few tracks on the recently-released
>> "Neil Diamond: The Greatest Hits 1966-1992", the stuff from his Bang Records
>> era. "Shilo" comes on and immediately take note: This is not the same version
>> of the song I'm familiar with from my other Bang-era collections. I look
>
>I was just reading in the "Both Sides Now Stereo Newsletter" the other day
>that all Bang-era Diamond material has at least two versions, the Bang version
>and the rerecording for MCA.  Furthermore, some songs have Bang 45 versions
>and Bang LP versions, mono and stereo versions and just plain alternate takes.
>There may be as many as four released versions of the same song.

Well, ND recorded 26 songs for Bang, which they recycled into *six* albums.
"Solitary Man" appears on all six and "Cherry Cherry" on five, and according
to an old article in Goldmine *no two takes/versions/mixes of either* are
identical.  Bang also continued to issue old B-sides and even beefed-up
demos for at least five years after he left the label; the B-side of "Thank
The Lord..." (sorry, I can't remember the title) charted six years after
the A-side..

>Diamond himself owns the rights to his Bang recordings and hasn't seen
>fit to release them on CD.

I don't know how recently BSN wrote the article you refer to (I have the last
couple years and don't remember it), but I was under the impression that
Columbia now owns the Bang catalog (especially interesting since three of the
four co-founders were Atlantic execs).  I have the ND "Early Years" comp on
Columbia, and it claims to contain the "original versions" - but as we've
seen, that doesn't mean much; "Solitary Man", for instance, is the 1970
single version and "Cherry, Cherry" has the obnoxious "yee-haws" throughout.
At least they don't appear to be the re-recordings, though..

> In general, to get every possible version, you
>need everything on 45, and all original LPs, and greatests hits LPs, and 
>the MCA rerecordings.

Basically true.  BTW, Bang collected 25 of the 26 songs ND recorded (omitting
an embarassing version of "Hanky Panky" which he must have done as a favor to
his producers, Barry/Greenwich, who had written it) on a two-record set
in the early 70's, and if they'd just put that out on a single CD I'd be
happy as a clam.

AWR, responding to DAP for the first time in nearly 3 years

Newsgroups: rec.music.misc
From: ting@pioneer.arc.nasa.gov (ting vogel)
Subject: Looking to share campsite for Reggae on the River
Organization: RIACS, NASA Ames Research Center
Distribution: ba
Date: Wed, 22 Jul 92 18:34:27 GMT

We're looking for some kind souls who would be willing to share
their campsite near French's Camp the weekend of Reggae on the
River (August 1st and 2nd) with two of us.  We promise we will
respect your space, won't pollute your air with tobacco smoke
8-), and won't run around naked at 6 in the morning ;-) 8-).
Your kindness would be greatly appreciated!!


-- 
peace,
t!ng
 
==================================================
InterNet:  ting@chute75.arc.nasa.gov
           ting@earth.arc.nasa.gov
           ting@skylrk.enet.dec.com
UUCP:   ...earth.arc.nasa.gov!ting
        ...skylrk.enet.dec.com!ting
==================================================
NO TIME TO HATE!!  8->!!
From: Christopher.Carne@brunel.ac.uk (Christopher J Carne)
Newsgroups: rec.music.misc
Subject: Re: A.R. Kane question
Date: 23 Jul 92 11:11:14 GMT
Organization: Brunel University, West London, UK

In article <1992Jul22.220331.13997@ee.eng.ohio-state.edu> fowler@ee.eng.ohio-state.edu (Jim Fowler) writes:
>My question is: what does A.R. Kane sound like?  I have heard them mentioned
>in the same sentence as Ride and My Bloody Valentine.  Is A.R. Kane
>similar?  I am quite a fan of Lush, Ride, and My Bloody Valentine.  Would
>it be worth my while to check out A.R. Kane?
>
>Thanx in advance,
>
>
>-- 
>Jim Fowler			"Here are the young men
>fowler@ee.eng.ohio-state.edu	 with weight on their shoulders"
>Electrical Engineering			- Joy Division
>The Ohio State University

I supposr AR Kane are like the other bands that you mention in that
they use a lot of different guitar textures and have a kind of
dreamy psychedelic feel (though not always) like MBV. However they
draw upon a lot more musical syles (dance, reggae, funk) than the
usual indie bands, twisting them to their own uses.

To my knowledge they have two albums out:

SIXTY-NINE   Lots of odd guitar work. Some great songs but loads of
drifty refracted stuff too. A really good record.

"i" More focussed than its predescessor (sp). Many more proper
'songs'. Slightly more 'poppy' too. Less guitar noise. A more
enjoyable, if less impressive album that 69.

There's also several EPs as well.

I've heard nothing about the band for a while now, but I think
they're involved with their own studio/label and producing
other band. If anyone can add to this I'd appreciate it.

Go and buy! It's good stuff. And you can blame me if you don't
like it :-)

Chris  
Newsgroups: rec.music.country.western
From: kjc7435@ultb.isc.rit.edu (K.J. Cater )
Subject: "Boot Scoot Boogie" 12" remix....YECH! 
Originator: kjc7435@ultb
Organization: Rochester Institute of Technology
Distribution: usa
Date: Wed, 29 Jul 1992 18:40:07 GMT

Any readers hear this yet?  The original version of the song has become
so popular here that people have begun to request the 12" remix of it...

well..
the 12" is about the WORST thing I have ever heard on country radio!!!
Drum machine throughout, rap/hiphop sound effects.....
this is what I had stopped listening to rock stations for, to get away
from all the technopop, and now it's invading country music???

Flame me if you want, but I agree with Eddie London on this one:

	"Don't fix it folks, cause it ain't broke,
	 Just Leave My Country Alone"!!!!!Thanks,
Kerry Cater
e-mail: "kjc7435@ritvax.isc.rit.edu"
From: IO20467@MAINE.MAINE.EDU
Newsgroups: rec.music.country.western
Subject: i need tour dates!!! new england
Date: 26 Jul 92 18:09:12 GMT
Organization: University of Maine System

if anyone has clint black/aaron tippin tour dates in new england, PLEASE
email them to me or post them here... PLEASE!!!

thank you VERY much!!!
         amy

io20467@maine   9124053@awiwuw11   amy@umainecs
Newsgroups: rec.music.country.western
From: decot@cup.hp.com (Dave Decot)
Subject: Re: Hal Ketchum (Five O'Clock World)
Date: Fri, 31 Jul 1992 05:14:44 GMT
Organization: Hewlett-Packard, Cupertino, CA
X-Newsreader: Tin 1.1 PL3

: I can't decipher this answer, but the correct answer is, yes, it's the
: same "Five O'Oclock World" that the Vogues did in the '60s.

I like this new version better.  Hal yodels very well, and the
instrumentation is more open.

Dave
Newsgroups: rec.music.country.western
From: mvk@leland.Stanford.EDU (Michael Van Kleeck)
Subject: Lookin' for a song
Organization: DSG, Stanford University, CA 94305, USA
Date: Tue, 21 Jul 92 06:17:05 GMT

I've been looking for a song for the longest time, and no matter what albums
I look at in the stores, I can't find it. I thinks it's from '86 or so. I
remember some words vaguely, and I think it was a duet, though I really can't
remember the voices. It seems there was a woman singing who sounded somewhat
like Emmylou Harris, though I bought her duets album, and it's not there.
If I remember right, the man sounded like Dan Seals, although I'm pretty sure 
it wasn't him.

Anyway, the verse I remember vaguely was something like:
"If she only knew
 What I was thinking
If she only knew what was in my mind
She'd be mine...."

Or something like that. Really slow and moody. 
I owe you a big one if you can mail me the title and artist and album,
or any info!
Thanks!
-Mike
mvk@leland.stanford.edu
From: willis@oracle.SCG.HAC.COM (Stan Willis)
Newsgroups: rec.music.country.western
Subject: Re: Some album recommendations
Date: 30 Jul 92 23:48:59 GMT
Reply-To: willis@empire.dnet.hac.com
Organization: none

In article <Jul27.193743.37575@yuma.ACNS.ColoState.EDU> kjun@typhoon.atmos.colostate.edu (Pat Fitzpatrick) writes:
>>First, I love "The Hard Way". I've got all three Clint Black albums, and this
>
>I noted that the Dallas paper absolutely slammed his latest album. They 
>complained that, first of all, there were only 9 songs on the album, and
>aside from his first release currently being played on the radio, the
>rest of the songs stunk.
>
>Pat Fitzpatrick


The LA Times just reviewed Clints latest offering and gave it a rating of
3 on the scale of 1 to 4, with 4 being the best.  The review was mostly
positive.

Stan Willis
From: mr@eng.uiowa.edu (Michelle Roderick)
Newsgroups: rec.music.country.western
Subject: Brooks and Dunn
Date: 21 Jul 92 19:59:33 GMT
Organization: Department of Elect. and Comp. Engr., University of Iowa, USA.

In response to a comment about Brooks and Dunn, THEY ARE HOT.

I had the opportunity to see them in a small honkey-tonk here in
Iowa City back in January.  I think there biggest hit then was
Brand New Man, but when I heard them sing Boot Scootin' Boogie, I 
fell in love right away.  They put on a great show and I would love
to see them again.  

I remember when they were introduced, they came out saying:
	... and that's not Garth Brooks and Holly Dunn....

And just a point for all the ladies out there,  Kix Brooks looks 
mighty fine in his wranglers!!

Michelle
-regular boot scooter,  Wed-Sat, that is....

Newsgroups: rec.music.country.western
From: HF.RME@forsythe.stanford.edu (Bob Elmore)
Subject: Garth Brooks
Organization: Stanford University, California, USA
Distribution: ba
Date: Thu, 23 Jul 1992 18:42:41 GMT

In case anyone is interested -


           GARTH WAS AWESOME !!!!!!!!!!!
From: dil.admin@mhs.unc.edu (Dave Laudicina)
Newsgroups: rec.music.country.western
Subject: Re: David Lindley's "The Johnson Boys"
Date: 23 Jul 92 14:29:54 GMT
Organization: UNC Office of Information Technology

Does anyone know what David is up to lately. Have not 
heard from him for a while.  
Newsgroups: rec.music.country.western
From: lyndap@Novell.COM (Lynda Peterson)
Subject: Re: Hal Ketchum (Five O'Clock World)
Organization: Novell, Inc.
Date: Fri, 31 Jul 1992 16:15:39 GMT

In article <1992Jul30.214005.14220@CSD-NewsHost.Stanford.EDU>  
flournoy@Xenon.Stanford.EDU (Raymond Suke Flournoy) writes:
> In article <1992Jul30.201818.21635@dsd.es.com> mmoore@dsd.es.com (Mike  
Moore) writes:
> >In article <1992Jul30.180840.10587@dartvax.dartmouth.edu>,  
David.T.Greenfield@dartmouth.edu (David T. Greenfield) writes:
> >|> 
> >|> Is that the same "Five O'Clock World" that was done by The Vogues  
back
> >|> in the 60's?
> >
> >	Couldn't be, because Hal writes all his own songs (well, all but
> >one on this one anyway).
> 
>   I don't believe that this is true.  I think that of the four singles
> off of this album (Small Town Saturday Night, I Know Where Love Lives,
> Five O'Clock World, Past the Point of Rescue), only one (IKWLL) was
> written by Hal.  I remember looking at the liner notes and thinking
> that it seems like all the songs he *didn't* right are being released
> as hits.
> 
>   Additionally, I remember a DJ describing FO'CW as a remake.
> 
>   I don't have the disc in front of me, so I apologize for any errors.

___________________________

I happen to have the Cd right here and here is the scoop.

"Small Town Saturday Night" written by Pat alger and Hank Devito
"I Know Where Loves Lives" written by Hal Ketchum
"Old Soldiers" written by Hal Ketchum and Dave Mallett
"Somebody's Love" written by Hal Ketchum and Pat Alger
"Past the Point of Rescue" written by Mick Hanly
"Five O'Clock World" written by Allen Reynolds. BTW, I saw Hal on Crook  
and Chase. He talked about FO'CW. He asked his producer, Allen Reynolds  
(same one who wrote it), if he liked the song. Allen said, "I am biased  
because I WROTE the song."  It is a remake. And Hal does a very nice job  
with it.
"I Miss My Mary" written by Hal Ketchum
"Don't Strike a Match (To the Book of Love)" written by Hal Ketchum and  
Pat Alger
"Long Day Comin'" written by Hal Ketchum and Gary Burr
"She Found the Place" written by Hal Ketchum

Although I like the songs he has released so far, my favorites are  
"Somebody's Love," "I Miss My Mary," and "Long Day Comin." ALL of the  
songs are good and I recommend it to anyone.
From: jrhunsbe@eos.ncsu.edu (JONATHAN RO HUNSBERGER)
Newsgroups: rec.music.country.western
Subject: Re: John Anderson/Dire Straits tune
Keywords: When it Comes to You
Date: 28 Jul 92 18:15:08 GMT
Reply-To: jrhunsbe@eos.ncsu.edu (JONATHAN RO HUNSBERGER)
Distribution: rec.music.country.western
Organization: North Carolina State University, Project Eos
Originator: jrhunsbe@c00478-224wi.eos.ncsu.edu


|>John Anderson's tune "When it Comes to You" is the same song sung by
|>Dire Strait's on their album "On Easy Street".  Does anybody know who
|>did it originally. John? Dire Straits?  Inquiring people want to know.
|>Thanks in advance.
|>
|>DeWayne
|>
|>
|>
|>


I saw an interview with John Anderson on TNN and he said the song was
written by a good friend of his (Mark Knopfler?) from Dire Straits.
Apparently he and the band get along and he has appeared at some of 
their concerts.  [the one he mentioned was in canada.]
He said (the dire straits dude) gave him a tape and said here, take 
a listen, I think you'll like this.  And he ended up recording it.


correct me if I'm wrong,


Jonathan Roy Hunsberger
From: willie@amalthea.osf.org (William Williams)
Newsgroups: rec.music.country.western
Subject: Madagascar radio coup
Date: 30 Jul 92 17:16:21 GMT
Distribution: rec
Organization: Open Software Foundation


I heard the Costas bit last night.  I was interested because
one of my very favorite records is a Madagascar group playing
crude stringed (plucked and bowed) homemade instruments.  It
is haunting music, and clearly is influenced by both Mozart 
and country.  The bowing especially has the aching feel of a
pedal steel.

On a related note, I once put up for the holidays a Kenyan who 
was in school in the States.  He was passingly interested, it
seemed, in a variety of music; but when I put on Charlie Pride,
he went wild.  He played the record over and over and over. 
Finally, I asked him if he would use ear-phones, and it was
weird to go around the house hearing Wilfred moaning along to
"Mansion on the Hill" and other favorites.  To hear his keening,
you would never, never have guessed what he was listening to
(well, you might have guessed, but it would have been something
like Balkan, not country).
From: kjun@typhoon.atmos.colostate.edu (Pat Fitzpatrick)
Newsgroups: rec.music.country.western
Subject: Re: Some album recommendations
Date: 27 Jul 92 19:37:43 GMT
Organization: Colorado State University -- Atmos Sci

>First, I love "The Hard Way". I've got all three Clint Black albums, and this
>one's the best- it's really catchy, yet it's got all the longog sounds of
>a crooning Clint. Check out the title cut especially. A must buy- maybe, just
>maybe the best album of '92.

I noted that the Dallas paper absolutely slammed his latest album. They 
complained that, first of all, there were only 9 songs on the album, and
aside from his first release currently being played on the radio, the
rest of the songs stunk.

Since I haven't heard the album, I'm in no position to judge. Just thought
I'd pass this note on.

Of course, critics are often wrong :-). Anybody else have comments?

Pat Fitzpatrick
Newsgroups: rec.music.country.western