HDTenEightyP/NetNews huggingface dataset:
From: kogutt@rintintin.Colorado.EDU (SCAVENGER II)
Subject: RATTLER TIDE: PLOT KING vs. MANGA MAN (a limited series in n parts)
Followup-To:  staff@uscu.colorado.edu                            
Organization: University of Colorado, Boulder
Date: Tue, 15 Sep 1992 21:48:39 GMT

What you are about to read is the first part of an epic.  For marketing reasons
it has been crossed over to many net.worlds.  Please do not respond to this
post.  If you don't understand what is going on, you're probably a lot safer.

RATTLER TIDE: PLOT KING vs. MANGA MAN (a limited series in n parts)
                by SCAVENGER

Through the void, PLOT KING soars, searching for his sworn foe. He emits a
challenge that is heard throught the net.multiverse (hence the x-over):

""MANGA MAN!!! SHOW YOURSELF YOU COWARD!!!! YOU HAVE MANY PLOT CRIMES TO ANSWER
FOR!!!  YOU ARE MINE!!!"

To be coninued in RATTLER HIDE #1

thank ya'll for your co-operation.

Newsgroups: alt.comics.lnh,rec.arts.comics
From: kogutt@ucsu.Colorado.EDU (SCAVENGER)
Subject: 501 BLUES #3 will be ready tonight.
Organization: University of Colorado, Boulder
Distribution: na
Date: Mon, 14 Sep 1992 19:30:19 GMT

I've been on a creative roll.  Part 3 will be posted hopefully befor 4:30 (
don't want to miss BATMAN :-).  Enjoy

BTW: get those roster submissions in!!!!

-----SCAVENGER

-- 
KAHN: And I never forget a face.  Mr. Chekov,   |  kogutt@ucsu.colorado.edu
           isn't it?                            |      (Internet/Usenet)
CHEKOV:  But, I wasn't in that episode!!!       | No matter where you go, there
     (from MST3K:The Wrath of Kahn)             |    you are."-Buckaroo Banzai 
Newsgroups: alt.comics.lnh,rec.arts.comics
From: dvandom@magnus.acs.ohio-state.edu (David VanDomelen)
Subject: Re: THE 501 BLUES:  THE FINAL BATTLE FOR EARTH R.A.C. part 3
Organization: The Ohio State University
Date: Tue, 15 Sep 1992 01:58:06 GMT

Meanwhile, Letter.Man called up to the booth, "Hal?  What do we do now?  Our 
first guest has gone to lim.bo and the audience went all over the damn place!  
Go to commercial?  Okay, kids, we'll be right back as soon as we figure out how
to kill about 10 minutes."
               *              *              *              *
     During the commercial, Time Crapper used his powers to retcon himself back
into existence and make his scheduled appearance, where Letter.Man talked to 
him about the new 15-cover one-shot (no pages, just 15 covers stapled together)
with J'Mage comics, but this is all exposition.  Back to the story, such as it 
is.
               *              *              *              *
     D"D"D chuckled in a not very evil but still not terribly benign manner.  
"Good thing I thought to leave that dialed-up decoy there to distract those 
heroes...I was swinging toward hero mode, and was in no mood for a Marvelesque 
hero-on-hero fight."  Sitting down, D"D"D used a lesser power of his dial to 
dial up some Pizza Hut pizza, and began to scarf it up, hidden in a small grad 
student office in a Major Midwestern University (yes, the same one Acton Lord 
is hiding out in, but different building).
               *              *              *              *
     Meanwhile, prolonged exposure to the energies of alt.cyberpunk.chatsubo 
had once again mutated Sig Lad into Cybersig!  Using the awesome and 
scientifically impossible netrunning/matrixhacking techniques endemic to 
cyberpunk stories, he netted over to the alt.config area and waited for 
alt.comics.lnh to show up at OSU while spending the time trying to unmutate.
     Dave Van Domelen, typing with one hand thanks to the Ninja Bush in wReam's
letter....
Xref: sparky alt.comics.lnh:6 rec.arts.comics:23073
From: v129j6ed@ubvmsb.cc.buffalo.edu (This is F.U.N.)
Newsgroups: alt.comics.lnh,rec.arts.comics
Subject: LNH: Time Crappin' in a Letter Seat (Re: THE 501 BLUES)
Date: 14 Sep 92 12:11:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

In article <1992Sep14.012603.4657@magnus.acs.ohio-state.edu>, dvandom@magnus.acs.ohio-state.edu (David VanDomelen) writes...
>     Applause thundered all about as Rebel Yell tried to figure out what was 
>going on here.
>     "We'll take a break for commercial, and then we'll have our first guest, 
>the Time Crapper!  And we all know how painful that can be."
>     How would Rebel Yell escape before Time Crapper arrived and bored him to 
>death with plugs for his newest title?  Already Typo Lad had that faxed slime 
>(fixed smile) of the Letter.Man studio audience, and Yell could feel his brain 
>going!  D"D"D had left longago, and Sig Lad (who had permanently split from 
>D"D"forD) was *still* trapped on alt.cyberpunk.chatsubo.  What would he do???

(let's take a step back to find out how the Time Crapper got here)

	Being taken away by Professor G and the Un-Manned G-Men, the Time
Crapper plans his escape because he has never been put in jail, ever.  As
the crew of villians are being loaded onto the infamous G-Bird, the ultimate
flying machine until next issue, the Time Crapper notices the multi-colored
van starting to approach the huge group of super-powered personas.  By the
time the Un-Manned G-Men notice it, it is too late.  IceIceBaby is hit and
his wig is knocked off his head, making him flee in panic. The rest of the 
team, noticing this, go after the van, while the villians spread out and 
try to escape.  Professor G, in his G-shaped wheelchair, is able to capture
some of the villians with throwing supeonas at them, but most are able to
escape.  The Time Crapper, who went around the G-Bird to hide, uses his
power and disappears in a small flash(tm).  
	As his form becomes solid again, he realizes that he has somehow
ended up in a TV studio.  Not sure why he is not back at his base, a small
weasle-type woman comes up to him.
	"You're on next, Mr. Crapper", says the woman.
	"Huh? I don't know what you are talking about."
	In his confused state, the Time Crapper is easily pushed out on
stage, and the only thing he can think of doing is wave at the audience.

501 Blues will continue....

*******************************************************************************
"Groovy!" - Ash "Evil Dead II : Dead By Dawn" (1987)
*******************************************************************************
"Fans are interesting things. Rush fans just can't comprehend why the
rest of the world doesn't like Rush. REM fans consider the rest of the world
beneath their social level to notice. Kate Bush fans love the rest of the
world, and the world loves them, but spend long nights plotting to knife
one another."                    --Richard Darwin
                                   Richard Darwin #33, "Gradenza"
*******************************************************************************
v129j6ed@ubvms
The KaTeFan(tm)
Xref: sparky alt.comics.lnh:8 rec.arts.comics:23102
From: v076jy2p@ubvmsb.cc.buffalo.edu (Cosmo Of The Cosmos)
Newsgroups: alt.comics.lnh,rec.arts.comics
Subject: Re: THE 501 BLUES:  THE FINAL BATTLE FOR EARTH R.A.C. part 3
Date: 15 Sep 92 17:27:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

>     Meanwhile, prolonged exposure to the energies of alt.cyberpunk.chatsubo 
>had once again mutated Sig Lad into Cybersig!  Using the awesome and 
>scientifically impossible netrunning/matrixhacking techniques endemic to 
>cyberpunk stories, he netted over to the alt.config area and waited for 
>alt.comics.lnh to show up at OSU while spending the time trying to unmutate.
>     Dave Van Domelen, typing with one hand thanks to the Ninja Bush in wReam's
>letter....


	Somewhere else...

	Y-Plex Burp was relaxing on a tropical island Somewhere Else (tm).
A waiter came walking over the sand dune carring a telephone on a silver
platter.
	"For you, sir.  A Mr. Thug I believe."
	Y-Plex Burp arched an eyebrow and took the phone. "Thank you, good man.
Now get lost."  Y-Plex picked up the phone, took a deep breath, and released
the hold button.  "What do you want?"
	"Hello, BOSS."  The voice said in a sarcastic tone.  "How's Someplace
Else (tm)?  Must have cost a bundle to retire there.  But then again, you 
earned enough money off our backs to do it, didn't you."
	"I don't need to explain myself to you, I'm a super villian.  I do
what I want."
	"You we're our hope!  We thought you'd be the one to break these chains
and set us free!  What do you do?  Sell out, that's what."
	"You can't fight the system!  I just got smart, that's all."
	"Bunny's dead."
	The phone dropped from Y-plex's hand to the ground.  His eyes watered.
He reached down and picked the phone back up.  In a choking voice he replyed,
"How?"
	"Oh you know the way it works.  You got smart after all."  Thug's 
cutting sarcastic remark cut Y-plex to the bone.  "You could have stopped it.
You didn't.  She was caught up in the system, and you can't fight the system."
	"You BASTARD!  Why are you telling me this!?!  I can't do anything about
it!"
	"Your a supervillian, you can do anything you want."
	"Damm you!  Damm you for making me remember, I didn't want to do it
in the first place!  I just wanted to get OUT!  I'm not your savior, you picked
me!"
	"Because you're the only one who can do it."
	"I hate you."
	"You have to do it.  Do it for Bunny."
	The line was silent.  Then a cracked voice said,
	"OK, you bastard.  Get everything ready.  Access the accounts, and
activate the sleeper agents.  I'll do it, God damm it!  I'll do it..."  Then he
slammed the phone down and tossed it away.  "...for Bunny."



					-Me

Rude .sig under construction.
Newsgroups: alt.comics.lnh,rec.arts.comics
From: kogutt@ucsu.Colorado.EDU (SCAVENGER)
Subject: re: Rattler Hide
Organization: University of Colorado, Boulder
Date: Tue, 15 Sep 1992 21:58:48 GMT

would someone who can x-post write me.   My grand epic's marketing idea is going
flop.


---S


-- 
KAHN: And I never forget a face.  Mr. Chekov,   |  kogutt@ucsu.colorado.edu
           isn't it?                            |      (Internet/Usenet)
CHEKOV:  But, I wasn't in that episode!!!       | No matter where you go, there
     (from MST3K:The Wrath of Kahn)             |    you are."-Buckaroo Banzai 
Newsgroups: alt.comics.buffalo-roam
From: ajmorrison@happy.colorado.edu
Subject: memories of Boulder...
Organization: University of Colorado, Boulder
Date: 11 Sep 92 14:50:01 MDT


Alright, let's see some discussion in here! As a Boulder expatriate, I loved
where the buffalo roam, even if Hans can't draw fer nothin'. Haven't been to
boulder in a few years, tho--I've been exiled to Colorado Springs, a.k.a.
FundieLand, due to lack of funds. What's goin gon up there? Is Naoki's still
there? Whatever happened to the Garage Dibune? Who can I beg to gwet copies of
the Colorado Daily? Only thing I can get in FundieLand is the Daily Camera,
which I hardly read when I lived in Boulder.... Sigh....
From: DURRETT@SLACVM.SLAC.STANFORD.EDU
Newsgroups: alt.comics.buffalo-roam
Subject: Re: Compilation
Date: 15 Sep 92 21:30:49 GMT
Organization: Stanford Linear Accelerator Center

Yes, there is at least one compilation of WTBR strips. This is probably
available to you only via snail mail, and I don't know the address, but
would guess that Hans reads this, since he posts GIFs every so often,
so hopefully he'll give it to you(he seems rather shameless that way).
If he somehow misses this, send me e-mail at the address below and I
will pass it along to you.

Roo-Dog Rip
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
Roo-Dog Rip is:                  <>SLAC, Stanford, the DOE, and the
Derrell Durrett                  <>University of Colorado neither claim
D_DURRETT@COLOPHYS.BITNET        <>responsibility nor accept liability
D_DURRETT%KAOS@VAXF.COLORADO.EDU <>for my opinions. Gee- what a surprise.
From: rlopez@elm.circa.ufl.edu (Ricardo Lopez)
Newsgroups: alt.comics.buffalo-roam
Subject: Compilation
Date: 15 Sep 92 19:23:26 GMT
Organization: University of Florida, Gainesville

Hello all you buffalo fans out there.  There does not seem to be much
traffic on this group but hopefully some one will hear this.
I am a big fan of WTBR but unfortunately my school newspaper prints it
erratically at best and I haven't seen it for quite a while.  Does there
exist any compilations, booklets, etc. of past strips.  I used to have
the email of the WTBR author but misplaced it somehow or I would send
him a message.  Any help will be appreciated, please reply to the group
or better yet to rlopez@elm.circa.ufl.edu
Thanks in advance,
Ricardo

Newsgroups: alt.industrial
From: harald@efasp1.tuwien.ac.at (Harald Stadlbauer)
Subject: RTA - realtime tools
Reply-To: harald@efasp1.tuwien.ac.at (Harald Stadlbauer)
Organization: Flexible Automation TU Wien
Date: Wed, 9 Sep 1992 15:39:17 GMT


I am posting this for a friend, who has no net access till now, but will forward replies to him:


For all that have the need to bring Real-Time and relational DBs
together, there is some hope now.

RTA (Real Time Architecture) is a toolbox for implementing OS-independent,
distributed, Real-Time applications which require data to be stored and
maintained in relational DBs like ORACLE and DEC-Rdb.

RTA features

o  an OS-independent C interface library for system-calls
o  a common C subroutine library for Real-Time applications
o  a Real-Time object system for administration of shared memory
   data-objects
o  a procedural SQL interface for easy use of SQL in C programs
o  OS-independent  task management and supervision
o  OS-independent  intertask event handling
o  OS-independent  intertask queue communication
o  OS-independent  node (network nodes) handling and supervision
o  OS-independent  network-wide intertask event handling
o  OS-independent  network-wide intertask queue communication
o  a memory resident real time database (RtDb) with a hot link
   to a relational DB (SqlDb) with automatic RtDb to SqlDb
   table-synchronisation
o  network-wide RtDb to RtDb (internode) table-synchronisation
o  network-wide SqlDb to SqlDb (internode) table-synchronisation

Moreover it offers highly sophisticated features for easy
implementation of  MASTER-SLAVE and/or SERVER-CLIENT
configurations with HOT-LINKS to slaves and clients.


RTA, which is purely implemented in ANSI-C, is available as
a Run-Time license or as an unlimited source code license.

It currently supports the following OSs and DBs:

          OS          DBs
          -----------------------------
          VMS         DEC-Rdb, ORACLE
          ULTRIX      ORACLE
          ISC-UNIX    ORACLE
          OS/2        ORACLE




-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-
Harald Stadlbauer, Institute of Flexible Automation, Technical University of 
                   Vienna, Gusshausstr. 27-29, A-1040 Vienna, AUSTRIA
                   e-mail: harald@efads1.tuwien.ac.at
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-
Newsgroups: alt.industrial
From: sg@monsoon.com (Sunil Gupta)
Newsgroups: alt.rave
Subject: Raves...
Date: Sat, 05 Sep 92 13:02:22 EDT
Organization: Monsoon Software, Inc.


Hello all, I'm new to this group and the raver scene. Anyone know
of upcoming raves in the New York to Washington DC corridor?


Sunil Gupta
Monsoon Software, Inc.
sg@monsoon.com
Newsgroups: alt.rave,aus.music,rec.music.industrial
From: lmn52210@uxa.cso.uiuc.edu (Ramona)
Subject: Re: ItchE and ScratchE, Ministry, NIN, SevHeads
Organization: University of Illinois at Urbana
Date: Tue, 15 Sep 1992 19:50:09 GMT

You're entitled to your opinion and everything, but just so 
you know, Al Jourgensen is ashamed of everything he did before
"Twitch" and considers everything he does an effort to live that
body of work down.  You might not be into the hard stuff, but that 
is all of what Ministry is about now, and has been for some time.
I love Ministry to death, they're one of my favorite bands.  I 
like them for what they are now.  Most of the people I know 
make fun of the previous incarnation of Ministry.  I didn't want
to do it, but a comment like that is a sure target for flaming 
around here.


					     Ramona
From: MAB195@psuvm.psu.edu
Newsgroups: alt.rave
Subject: Re: rave in philly
Date: 13 Sep 92 22:12:21 GMT
 <4115@svin09.info.win.tue.nl>
Organization: Penn State University

I was wondering if anyone had any information on the rave scene in philly.
mike in penn state
Newsgroups: alt.rave
From: eda747nsft@vx24.cc.monash.edu.au
Subject: MELBOURNE MAIL. LIST (Inc. Aus. STATES)
Organization: Computer Centre, Monash University, Australia
Date: Mon, 14 Sep 1992 10:59:00 GMT



Any Melbourne ravers should mail me on

eda747nsft@vx24.cc.monash.edu.au

with their name, address details. Or mail me via post to

HARDWARE/INTERFACE NEWS
PO.BOX 1193
EAST DONCASTER 3109

The last issue on Hardware 3 went out last week.

Our membership stands at 1104 at the moment so if your not on it, let me
know ! You definately notice the difference when you go to rave that has used
it (big, big numbers !!) Amnesia 1, Hardware 1 + 2 + 3, Harmony and Sasha as
well as Wink (Wednesdays, yeah !!) OLD SKOOL !

See ya.

Richie "Rich" Mc Neill  (Is this the 4th message I've posted tonight ? ..
talk about being a cocky bastard !)
From: mikec@praxis.co.uk (Michael Chace)
Newsgroups: alt.rave
Subject: Hold Onto Those Speakers
Date: 14 Sep 92 12:57:25 GMT
Organization: PraXis Systems plc, Bath, Avon UK

Out this week on Strictly Underground Records, the Rave compilation
to kill all Rave compilations


	"Illegal Rave"  (Cat No STHC LP1)

Features tracks by loads of the best London based Rave mixers/DJs. Get
it quickly and you'll find a free 12" with remixes of the latest biscuit
from Hackney Hardcore.

Mike
****

 HardCore - You know the score.
Newsgroups: alt.rave
Subject: Eon: Void Dweller (Extra track!)
From: ajbennett@miavx1.acs.muohio.edu (Andrew Bennett)
Date: 13 Sep 92 17:15:18 -0500
Organization: Spandex Admirers Intl.

Well, I picked up Eon's _Void Dweller_ Friday.  Really really good.  I'll
post a review Tuesday or so of that and some other purchases.

Was everyone elses jewel case wrapped separately after removal of the longbox?
And did it have one of those hologram stickers on it like VHS movies do?
(And the "Basket Case" cd5...)

And lucky me!  It appears that I am the first one to post this question,
probably which will be asked 10^10 times...

Q: What's the name of the track that begins about 4:28 into track 11 after
   the silence break?  Any clues?


Andrew

-- 
        Andrew Bennett         (ajbennett@miavx1.acs.muohio.edu) 
        Oxford, Ohio           (abennett@apsvax.aps.muohio.edu) 
---------------------------------------------------------------------------
     Hot tune: "Fait Accompli", by Curve.  From the cd _Doppelganger_
Newsgroups: alt.rave
From: chris@Minsk.DoCS.UU.SE (Christian Bartholdsson)
Subject: Denmark 2 Germany 0
Organization: INRIA Sophia Antipolis, France
Date: Tue, 8 Sep 1992 10:14:01 GMT

Remix title of the month:  "Denmark 2 Germany 0 Mix".
(Inspiral Carpets "Generation" 12" remixed by Fortran 5)

- chris@minsk.docs.uu.se
-------------------------------------------------------------------------
naughty, naughty, very naughty
Newsgroups: alt.rave
From: EIVERSO@cms.cc.wayne.edu
Subject: Re: Earliest use of "techno" to describe music?
Organization: Wayne State University, C&IT
Date: Thu, 10 Sep 1992 01:59:12 GMT

In article <1992Sep9.212738.20765@bradley.bradley.edu>
pwh@bradley.bradley.edu (Pete Hartman) writes:
 
>In <BuBuD6.8t4@rice.edu> mikes@owlnet.rice.edu (Michael Shou-Yung Shum) writes:
>>In article <1685DCE9F.EIVERSO@cms.cc.wayne.edu> eiverso@cms.cc.wayne.edu writes:
>>>I'd like to find out when the word "techno" was first used to describe
>>>any music. The earliest reference I have found so far is a summer '78
   ^^^ ^^^^^
>>>issue of Synapse which mentions the term "Techno-punk" in conjunction
>>>with the Screamers (California-based band). There *must* be earlier
>>>uses of the term "techno" as applied to music.
>>the earliest use of the term "techno" as applied to actual "techno music"
>>(the one that had its genesis in detroit w/ may/saunderson/atkins) was in
>>may 1988 in an issue of _the face_ magazine...
 
Ah, the British press is right on the cutting edge...
May et al's Cybotron released _Enter_ in '81.
 
>>(this is second-hand information from the british pop magazine _select_)
>>of course techno has been used forever to describe anything electronic...
 
>Of course anyone who can claim they know what 'actual "techno music"' is
>is full of it.
 
Full of "actual 'techno music'"? ;-)
 
The earliest use of the word "techno" to describe *any* music is what I'm
after. Yet another "what is techno?" thread is boring and is already going
on anyway.
 
--Eric
 
  ======================================     eiverso@cms.cc.wayne.edu
 |[  RP-1  [____]|[  1] -<>-<>- 0  0   ]|   WSU, Detroit, Michigan USA
  | 6     7     8     9     0          |
  | ====  ====  ====  ====  ====  ==== |         Just say techno!
  | 1     2     3     4     5          |
  | ====  ====  ====  ====  ====  ==== |     "So thick, it stands up
  |____________________________________|           to a straw!"
From: bbehlen@soda.berkeley.edu (Vitamin B (Brian Behlendorf))
Newsgroups: alt.rave
Subject: Re: HELP (Rave Newbie)
Date: 12 Sep 1992 17:16:44 GMT
Organization: U.C. Berkeley, CS Undergraduate Association
NNTP-Posting-Host: soda.berkeley.edu
Keywords: clueless, but hoping to be clueful

In article <1992Sep12.161938.4775@wam.umd.edu> hwyman@next05cville.wam.umd.edu (The Hwyman) writes:
>Anyways, I'm an absolute rave newbie.  I had several friends go to  
>one during the summer, and they haven't stopped "raving" about it  
>since then.
>When I pressed for more details, they weren't really able to satisfy  
>my curiosity. (Obviously, I've yet to go to one.)
>
>Never the less, I was wondering if there was a FAQ list on rave  
>available which someone could E-mail to me.  If not, could some  
>enlightened rave addict(s) help me out?

	Among the several dozen other net-projects I'm working on, one
is the alt.rave FAQ.  But I'll tell you all right now, the FAQ will mainly
be a series of pointers to articles and other info sources, most of which
are or will be available at the sfraves FTP site (soda.berkeley.edu:
/pub/sfraves).  You can browse around there now... the README files are
kinda out of date, though, since I;ve added lotsa stuff since updating
them.

	Brian




-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

"This isn't one of those RAVE parties, is it?" - Nat'l Park Service
representative while I tried making "camping" reservations. ;-)
From: thiel@hardy.u.washington.edu (me me me me...)
Newsgroups: alt.rave
Subject: Re: 808 and stuff
Date: 15 Sep 1992 03:45:26 GMT
Organization: University of Washington, Seattle


 Hmmm, i have one with Open Your Mind and Lift on it, different mixes...
where does that fit in?

thiel
Newsgroups: alt.rave
From: pwh@bradley.bradley.edu (Pete Hartman)
Subject: Re: Earliest use of "techno" to describe music?
Organization: Bradley University
Distribution: usa
Date: Wed, 9 Sep 92 21:27:38 GMT

In <BuBuD6.8t4@rice.edu> mikes@owlnet.rice.edu (Michael Shou-Yung Shum) writes:
>In article <1685DCE9F.EIVERSO@cms.cc.wayne.edu> eiverso@cms.cc.wayne.edu writes:
>>I'd like to find out when the word "techno" was first used to describe
>>any music. The earliest reference I have found so far is a summer '78
>>issue of Synapse which mentions the term "Techno-punk" in conjunction
>>with the Screamers (California-based band). There *must* be earlier
>>uses of the term "techno" as applied to music.
>the earliest use of the term "techno" as applied to actual "techno music"
>(the one that had its genesis in detroit w/ may/saunderson/atkins) was in
>may 1988 in an issue of _the face_ magazine...
>(this is second-hand information from the british pop magazine _select_)
>of course techno has been used forever to describe anything electronic...

Of course anyone who can claim they know what 'actual "techno music"' is
is full of it.
-- 
Pete Hartman		       Bradley University	pwh@bradley.bradley.edu
               It is said that the Devil has all the best tunes.
                             This is broadly true.
                    But Heaven has the best choreographers.
Newsgroups: alt.rave