HDTenEightyP/NetNews huggingface dataset:
From: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
Newsgroups: rec.music.makers
Subject: Re: Yes lyrics!
Date: 11 Oct 92 22:00:53 GMT
Article-I.D.: usenet.1ba86lINN1sb
Reply-To: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
Organization: Case Western Reserve University, Cleveland, OH (USA)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, gt6851a@prism.gatech.EDU (Brian King) says:

>>>Have you tried buying the 90125 CD??  Mine has a book of lyrics in it.  And
>Owner... is in it!  Yep, it's right here.
>
>
>A big help you are!  Why didn't you just post them?
>
>
>Here they are:
>
[Lyric deleted]

Because, Mr. King, he obviously did not want a violation of copyright law 
staring him in the face. I suggest you go back and read the "Copyright" 
and "MIDI songs" threads, which you obviously skipped over. 

Some aspects of copyright law are ambiguous... but THIS is not! You violate
the law when you publish the lyrics in the manner, unless you have prior
permission from the copyright holder.

-- 
 Joe Ellis  o/~ The Synthetic Filker o/~    |     TesserAct Studios
     Internet:   usr6184a@tso.uc.edu        |       P.O. Box 18577
        GEnie:   J.ELLIS22                  |     Fairfield, OH 45018
    All filked up and no place to sing!     |   New Dimensions In Filk!
Xref: sparky rec.music.makers:10081 alt.guitar:8679
From: dhi00@ccc.amdahl.com (mofo )
Newsgroups: rec.music.makers,alt.guitar
Subject: stack pickup
Date: 7 Oct 92 15:40:18 GMT
Reply-To: dhi00@juts.ccc.amdahl.com (mofo )
Distribution: na
Organization: Amdahl Corporation, Sunnyvale CA

big mistake leaving the "extra" pair of wires on the stack pickup
unconnected.  the stack is similar to a humbucker in that both
represent 2 separate coils each with their own pair of wires.

most of the time, you have the option of wiring the four wires
to your preference (i.e., you can connect them to a switch giving
you the sound [and hum] of single coil phasing, or the punch
of humbuckers).  

for the humbucking effect, you definitely need the extra pair of
wires.  did you check the instructions with the pickup?  they 
should have defined how to connect it for different settings.
i dont know off hand what colors should be connected to what
but all four wires should be used.  hint: 2 wires will go to
your output/ground connection of your guitar, 2 wires will 
be connected together with nothing else.  you could go trial
and error although thats a pretty painful method.  

d
From: daveh@Auspex.COM (David Higgen)
Newsgroups: rec.music.makers
Subject: Re: Posting lyrics and Copyright violations (was: Yes lyrics)
Date: 13 Oct 92 23:20:31 GMT

In article <1bakgbINN8u1@usenet.INS.CWRU.Edu>, be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.) writes:
> 
> If, indeed, he has purchased the recording and found the lyric sheet missing,
> he should return it to the store where purchased and make an exchange, or
> contact the record company and request a sheet.

Since I seem to be the originator of this thread, let me say that I did indeed
buy an official, commercial copy of the cassette. So the chaps aren't losing
out on royalties there. Alas, clearly by design, the packaging did NOT include 
any lyric sheet. Not unusual with cassettes. As I noted, we did try to 
order the sheet music, which is out of print. 
And somehow I don't think you'd have a lot of luck with a
letter to the record company asking for the lyrics....   ;-)

As for performance, my band plays in commercial places of entertainment which
presumably have their ASCAP/BMI licences in order.

So relax, calm down. Nobody's getting ripped off here!


		Dave Higgen (daveh@auspex.com)
Newsgroups: rec.music.makers
From: bonobo@Ingres.COM (David Victor)
Subject: Re: EMs Compressor???
Keywords: EM compressor
Reply-To: bonobo@Ingres.COM (David Victor)
Organization: Ask Computer Systems Inc., Ingres Division, Alameda CA 94501
Distribution: na
Date: 7 Oct 92 18:56:51 GMT

In article <4030060@hpcc01.corp.hp.com> joncon@hpcc01.corp.hp.com (Jon Connolly) writes:
>I noticed in the most recent issue of Electronic Musician that they have the 
>plans for a simple Compressor.

It may be "simple", but making a quality PC board is still a pain in
the butt, especially with traces the size of those in the EM
compressor.  Of course, you can always get the PAiA PCB, but that's not
really "doing it yourself"!

>I wondered if anybody had tried it yet or something similar?  I'd be inter-
>ested to know.

I'm gonna give this one a shot eventually...I still need to buy a nice VSR 
drill.

-David Victor
Newsgroups: rec.music.makers
From: krothman@chaos.cs.brandeis.edu (Ken Rothman)
Subject: for sale: moog, guitar, pedal
Organization: Brandeis University
Date: Wed, 14 Oct 1992 05:21:52 GMT


F O R  S A L E:

Music Stuff:

moog Prodigy.
yes, this is a real moog and it makes neat-o moogy noises.
astound your friends by playing the cool keyboard part from "tom sawyer."

$125 obo


Fender Gemini III
Acoustic Guitar
This is your basic dreadnought size guitar with gig bag.
And guess what... its BLACK.  That means it looks very cool.

$100 obo


Marshall Drivemaster
Good distortion pedal
I have a Marshall amp, so i have no real use for this anymore.

$80 obo


I feel these are reasonable prices, but make an offer.

Ken


*******************************************************************************
* Ken Rothman * krothman@chaos.cs.brandeis.edu * st891075@pip.cc.brandeis.edu *
*      rothman@binah.cc.brandeis.edu * hico2!kadath!krothman@att.att.com      *
*******************************************************************************
*              "Does it seem cold in here to you?" - Van Halen                *
*******************************************************************************
From: simmons@ittc.wec.com (Garry Simmons)
Newsgroups: rec.music.makers
Subject: Royalties for song use on national TV
Date: 12 Oct 92 09:43:37 GMT
Distribution: usa
Organization: Westinghouse Electric Corp., ITTC, Pgh. PA.

A friend of mine wrote a ditty about the Pittsburgh Pirate knuckleball pitcher
called "Knuckleball Wakefield". Its getting played by one of the local album
rock stations (WRRK 97). 

Somebody from CBS heard it while in town for the National League playoffs and 
called WRRK to get a copy for use on a broadcast (probably Tuesday night when 
Wakefield pitches). The song is copyrighted but is not signed to a publisher. 
My friend is not a member of either ASCAP or BMI. 

Does CBS's use of the song count as Sync Rights or Small Performance rights?
A book I have on songwriting legalese isn't clear. Sync rights are negotiable,
performance rights have to be paid by ASCAP/BMI/SESAC. Is/should he see any
money out of CBS for this? The thought of national exposure on a prime time
show is very appealing, but he is the leader of a starving all original band and
a few bucks would go a long way to paying for recording time for their next album.

FWIW, the song was recorded in my basement, live-to-DAT. It will be interesting
to see how the mix translates to a 4" mono TV speaker...

Anyway, if anybody out there has experience with songs being used on national
TV, please enlighten me...

Thanks,

Garry Simmons
simmons@ittc.wec.com
From: kew@cbnewsg.cb.att.com (steve.w.askew)
Subject: Re: Mesa Boogie Mark III
Summary: Mesa MkIII Boogie
Organization: AT&T
Distribution: usa
Date: Mon, 12 Oct 1992 20:53:06 GMT

In article <1992Oct9.105531.1@cubldr.colorado.edu>, jacobson_d@cubldr.colorado.edu writes:
> I'm looking for information on the Mesa Boogie Mark III simulclass amplifier.
> What are its features, and what's a fair price for it?  I know someone who 
> is selling his for $675.  I'll get to try it out in a few days, but I thought
> it'd be nice to know something about it beforehand.  
>    
>    Thanks in advance,
> 
>    Darren
	If it works BUY IT! That is a great price. The heads are about 1200
	new, 1280 for combos. Most MrkIII's are loaded, simuclass, reverb,EQ.
	
	
	Steve
	Doin That Blues ThAng!
From: chrisc@gold.gvg.tek.com (Chris Christensen)
Newsgroups: rec.music.makers
Subject: Re: Alesis 3630 Compressor
Date: 16 Oct 92 17:28:27 GMT
Article-I.D.: gold.5434
Organization: Grass Valley Group, Grass Valley, CA

In article <7363@bigbird.hri.com.hri.com> burgess@hri.com writes:

>I bought this baby when it first came out and think it's excellant as all of
>Alesis' products are. I can't remember how I paid for it (sorry) but I know
>for a fact that Sam Ash in NYC (1-800 472 6274) has one of the lowest prices
>on it (I bought it there mail order). 

>For features, quality and diversity it beats the pants off other mid-priced 
>units offered by dbx etc. I use it in my home studio for guitar, bass, vocals
>and final stereo mix-down "squeeze."

>Buy it today - just do it!

I have one also.  I also have a dbx 166,  not mid priced competition
to the Alesis because it costs $175 more!

I paid about $300 for my Alesis and the 166 cost $475.  The dbx does
sound a little better but I am told that both units use the same gain
cell so the difference is in the control electronics.....

The problem I have with the Alesis is that they put the gain reduction
and output LED meters below the knobs.  The unit needs to be mounted
at eye level to use those meters........I am usually unable to mount
it that way so I have to pay more attention to the unit when I am
setting it up.

Oh and if you need a compressor DI IT!


-- 
Chris Christensen                  The opinions I express are my own,
chrisc@gold.gvg.tek.com            and sometimes they are wrong!
916-478-3419 FAX 916-478-3887      After all, I *AM* only human.
Xref: sparky rec.music.makers:10115 alt.guitar.bass:1574
From: cwalker@elnath.bucknell.edu (carleton walker `93)
Newsgroups: rec.music.makers,alt.guitar.bass
Subject: Re: Peavey bass equipment
Date: 8 Oct 1992 18:14:21 GMT
Organization: Bucknell University, Lewisburg, PA
NNTP-Posting-Host: elnath.cs.bucknell.edu

In article <16879CAE4.ADCBB@VM.CC.LATECH.EDU> ADCBB@VM.CC.LATECH.EDU (C. Brian Batey) writes:
>In article <BvrEF3.19C@math.uwaterloo.ca>
>irmurray@math.uwaterloo.ca (Ian Murray) writes:
>>I'm looking for information on Peavey bass equipment: basses (the model(s)
>>with two humbuckers(?)) and amp combos (TKO series with or w/o Black Widow
>>speaker).
>>
>>Any and all comments (playability, versatility, price...) are appreciated.

>TL series basses.  However, I do like their amps and Black Widow woofers.
>I have a Combo 300 that I get a lot of good service from.  I played a

	I've played Peavey bass amps for years, and really feel like I
have to plug them. Their strongest suits are their roadability and
their price. I picked up a Mark II head and a 15-inch Black Widow cab
several years ago for about $400, have played them ever since, and
have no plans to change amps in the next few years. My sound's
improved by a Korg A5 signal processor ($250).
	Sure the Peaveys don't sound as good as say an SWR red-head,
or an ADA running into a Hartke, but in the places I've been playing
lately, I'm not sure that a really good amp is all that necessary.


Carl Walker
--
Carl Walker				"Hectic days ahead of us,
Bucknell University			 Rotten ones behind,
Lewisburg, PA				 Keeping plastics in our pockets,
cwalker@canopus.bucknell.edu (! tmc.edu) Children never mind." - K, S, & W
Newsgroups: rec.music.makers
From: wayne@inmet.camb.inmet.com (Wayne Wylupski)
Subject: JCM-900 opinions wanted
Organization: Intermetrics Inc, Cambridge MA
Date: Fri, 16 Oct 1992 14:01:33 GMT

I'm looking at a Marshall JCM-900 to buy.  Has anyone tried this model
and what is your opinion of it?  Have you noticed any particular problems
or pluses with this amplifier?

For the record, it's a 50 watt combo amp.  It has been used (only for 8 
months) and it's selling for $575.  My only concern is having one set of
tone controls for both channels -- how much of a limitation is that?

wayne
-- 
Wayne Wylupski    {...!}uunet!inmet!wayne    wayne@inmet.camb.inmet.com
Newsgroups: rec.music.makers
From: jacobson_d@cubldr.colorado.edu
Subject: Mesa Boogie Mark III
Organization: University of Colorado, Boulder
Date: Fri, 9 Oct 1992 17:55:31 GMT

I'm looking for information on the Mesa Boogie Mark III simulclass amplifier.
What are its features, and what's a fair price for it?  I know someone who 
is selling his for $675.  I'll get to try it out in a few days, but I thought
it'd be nice to know something about it beforehand.  
   
   Thanks in advance,

   Darren

p.s. sorry about the screwup in the previous message.  I'm new to netnews.
From: danb@zx.qsp.UUCP (Daniel Benbenisty)
Newsgroups: rec.music.makers
Subject: Re: Effects loop vs Straight In
Date: 9 Oct 92 19:13:23 GMT
Organization: Quality Software Products, LA, CA

In article <9210081730.AA05959@adelphi-assb01.army.mil> chang@ADELPHI-ASSB01.ARMY.MIL writes:
>/>What's the difference between the following setups:
>/>
>/>Guitar -> effects -> amplifier
>/>
>/>Guitar -> amplifier
>/>          |     |
>/>          effects (in the effects loop)
>/
>/This configuration will sound better.  An effect loops allows placement of
>/various effects between a combo amp's pre-amp and power-amp stages.  Placing
>/effects before the pre-amp stage (ie. before the signal enters the amp's main
>/input) will drastically increase the noise.

I'm moving to a more and more FX-driven performance, so I need some help.

I have a GXL150 Crate head driving a 4x12.  The head has an effects loop
but no post-loop volume or post-loop mixer.  I own a variety of FX units
(DP/4, SPX-90, Zoom 9000) but when I use any of these units in the
FX-loop, I end up with a severely limited volume.

I can use the Zoom or DP/4 before the amp's input (since these FX have
semi-decent distortion) and end up with any volume I want, but then I can't 
really use my CRATE's >sweet< built-in distortion.  Do I actually need a 
pre-amp, or something of the sort?

>>>===Pan-Handle-Dan===>	danb@qsp.com
Daniel Benbenisty		Guitarist for EARWURM
From: p_pugli@pavo.concordia.ca (PUGLIESE, PETER)
Newsgroups: rec.music.makers
Subject: Wah-to-Volume?
Date: 8 Oct 92 15:19:00 GMT

old Roland wah pedal into a (more useful) volume pedal??
Organization: Concordia University
News-Software: VAX/VMS VNEWS 1.41    

remain a clean channel during boost :) !! Any suggestions 
other than my el-cheapo conversion idea??( brands, methods,
etc.)  Thanks in advance!!
Pete

Newsgroups: rec.music.makers
From: srfergu@rufus.erenj.com (Scott Ferguson)
Subject: Who wrote this song????
Organization: Exxon Research & Engineering Co.
Date: Wed, 14 Oct 1992 13:05:18 GMT


At nearly every computer trade show I've been to (really not that
many,but...) in the last couple years, I've heard a really excellent
song played at a number of booths. 

I asked the salespeople at these booths, "Who did this???"

It's a tune with loads of piano, but very energetic synthesized bass,
etc in the background.

Someone told me it was written for some Canadian olympic-style games.
I also heard it once in a commercial for the movie "Vital Signs". 

I'm dying to know the artists name so I can find this album. Record
store folks tend to look at you funny when you ask them for an album
but you don't know who did it.....

Anyone have an idea what I'm babbling about? Thanks a lot.
-- 
----------------------------------------------------------------------
Scott Ferguson                        Exxon Research & Engineering Co.
Project Engineer                      Route 22 East, Room CC113
(908) 730-2339                        Annandale, NJ 08801
----------------------------------------------------------------------
"Without life itself, chemicals would be impossible."

Newsgroups: rec.music.makers
From: jeep@cbnewsd.cb.att.com (maurice.smeets)
Subject: How to use effect units
Organization: AT&T
Date: Tue, 13 Oct 1992 19:57:36 GMT
Keywords: effect units


I am looking for ideas on how to trail different effect units and persets?
This would be a way of learning what a particular unit can or can not do
for me.  The traditional way is to rerun a tape over and over.  This will
however wear out the machine heads.  One suggestion was a PR-50 to sample
different sounds and have the machine (PR-50) repeat them.  Simular to the
Alesis button demo box, but I can select the sound(s).  Any other ideas?  

Maurice Smeets
ihlpb!jeep
708-224-2475
 
Newsgroups: rec.music.makers,co.ads,alt.rock-n-roll
From: lindaj@solbourne.com (Linda Weygant)
Subject: Guitar Player Wanted
Organization: Solbourne Computer, Inc., Longmont, CO
Distribution: co
Date: Fri, 9 Oct 1992 14:30:01 GMT

	High energy rock-n-roll band looking for guitarist.  Band practices
	in Longmont twice a week.  Looking to work by New Year's.  Covers
	and originals.  For more info or to schedule an audition e-mail
	lindaj@solbourne.com or call 678-7432 and leave a message.

Newsgroups: rec.music.makers
From: jay@cmn19.Stanford.EDU (Jay Kadis)
Subject: Re: EMs Compressor???
Organization: DSO, Stanford University
Distribution: na
Date: Wed, 7 Oct 92 21:51:54 GMT

I find it very hard to set up a compressor with no level indicators...

Jay
Newsgroups: rec.music.makers
From: jdb1@kepler.unh.edu (Jonathan D Baumgartner)
Subject: My Bandmaster Reverb needs another cab ..
Organization: University of New Hampshire  -  Durham, NH
Date: Wed, 7 Oct 1992 16:40:07 GMT

... any suggestions?  Right now, I've got a VOX with two Celestion GH-12s,
and I'd like a second, comparable cab to add to it.

Jon

-- 
Jonathan D. Baumgartner         		         "D O T H  G R O O V E"
jdbaum@unh.edu							   - Tommy Lutz
		 	 	      "It's just a matter of opinion" -- Primus
			  "I laughed 'til I stopped."  -- Tiny Toons Adventures
From: simmons@ittc.wec.com (Garry Simmons)
Newsgroups: rec.music.makers
Subject: MUSENET 92 - Craig are you out there??
Date: 13 Oct 92 18:58:58 GMT
Organization: Westinghouse Electric Corp., ITTC, Pgh. PA.

For Craig Latta or anyone else that knows...

My band wants to submit a song on DAT for the MUSENET 92 compilation. I never saved
a copy of your email address or the submission procedures (why does that sound
so dangerous? :) ). Could Craig or someone please e-mail the details to me ASAP
as I believe the deadline has just passed or is getting very close.

Garry Simmons
simmons@ittc.wec.com
Newsgroups: rec.music.makers
From: stud30@iris1.csv.ica.uni-stuttgart.de (U. Seidler)
Subject: Genesis' "Foxtrott" musicbook
Organization: ica2
Distribution: eunet
Date: Thu, 15 Oct 1992 09:52:33 GMT

Hello Genesis-Fans out there,
I like very much the very old Genesis albums, and I would like
to play those old songs too. I'm focussed on the 'Foxtrott'-album
and i'm desparetly looking for a music book containing songs from this album.
All regularly available musicbooks start with 'The lamb lies down...", which
was released about two years later.
SO IF ANYBODY KNOWS ANYTHING ABOUT SCORES OF SONGS OF THE "FOXTROTT"-ALBUM, 
please, please, contact me. 
Thanks, Uwe. 
EMAIL: stud30@iris5.csv.ica.uni-stuttgart.de
From: swk@tylos.East.Sun.COM (Steve Klosterman - Sun BOS Hardware)
Newsgroups: rec.music.makers
Subject: Re: Advice need on buying a REAL oboe (long)
Keywords: oboe
Date: 12 Oct 92 12:39:08 GMT
Reply-To: swk@east.sun.com (Steve Klosterman - Sun BOS Hardware)
Organization: Sun Microsystems, Billerica MA
NNTP-Posting-Host: tylos.east.sun.com

I can't comment on the current price of new instruments, but in 1975
$2K was the lowest price you could buy serious instruments.  Having a good
instrument, though, is vital in being able to learn.  I have a wooden
Larilee student model which is a very good intermediate level axe.

I took two years of clarinet before switching over to oboe.  I don't think
a  sane teacher should start a child on oboe.  By the time I took up oboe
I was already versed in reading, breathing and basic woodwind technique.   
This enabled my first oboe teachers to concentrate on developing embrochure 
and tone.   If you've ever heard beginning players, you'll appreciate why
that is a great advantage.  Besides, most woodwind players need
to be competent across most of the family (I've performed on clarinet, flute,
oboe, english horn and sax).

Oboe requires a real commitment.  It's a difficult instrument and can't be
mastered in the typical school environment.   The demands of the mouth and
breathing require very regular practice.  Without the drive, it can quickly
become very frustrating.  You need a good teacher.  Make sure it's a teacher 
that can teach your student how to make reeds.

I began at age 11 and had almost 2 1/2 years of experience on the instrument
prior to high school.  Because oboe takes such a long time to get beyond the
beginner stage, I found this head start to be a tremendous advantage.  This
meant, of course, that I began clarinet at age 9.  (Progressive parents :^)).

If the child is serious about music, oboe is a great instrument.  A moderately
accomplished player, at virtually any age, is very valuable to an ensemble. By
my junior year in high school, I was regularly playing as a principle chair in
over a dozen bands, orchestras, pit bands, etc.  Because there are fewer players
there is less competition for prestiguous organizations, too.  It's even an
asset when applying for music schools.

By virtue of being a primary solo voice in most repetoire, it's an
instrument which quickly allows you to develop an identity.  Oboe stands out.
Newsgroups: rec.music.makers
From: josh@Tekelec.gecko.uucp (Josh Barinstein)
Subject: FOR SALE:  Sansui WS-X1
Originator: josh@reliant
Organization: Tekelec Inc
Date: Tue, 13 Oct 1992 01:16:32 GMT


FOR SALE:   Sansui WS-X1

CONDITION:  Excellent (hardly used)

FEATURES:   SIX track multi-recorder
            EIGHT channel mixer
            TWO tape decks
            (email me for complete set of features...)

PRICE:      $700 or best offer

CONTACT:    josh@Tekelec.com

PHONE #'s:  (818) 787-1844     (home)
            (818) 880-7963     (work)

-----
Josh Barinstein - josh@Tekelec.com

Newsgroups: rec.music.makers
From: pkor@phoenix (Pasi Korhonen)
Subject: Re: Marshall JMP-1 review
Organization: Ripoff Industries
X-Newsreader: TIN [version 1.1 PL6]
Date: Fri, 16 Oct 1992 10:06:26 GMT

Bill Leff (leff@sco.COM) wrote:

: For the record, the latest issue of Guitar Player (the issue featuring
: slide guitar) did a review of the JMP-1 vs the Boogie Tri-Axis.

	What kind of other equipment they used for testing ? Guitar, power amp
	etc. ??? I have tested TriAxis briefly, and had quite contrary
	experience. I didn't get too harsh sounds out of it. I had it
	rigged to Boogie tube power amp and Boogie cabs, though. 


	Pasi

--
 p a s i   k o r h o n e n             p k o r @ p h o e n i x . o u l u . f i


 saaristonkatu 3 A 6      90100 oulu     finland,europe     tel:358-81-377 81
From: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
Newsgroups: rec.music.makers
Subject: Re: Lyrics request
Date: 16 Oct 1992 19:07:49 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: be726@cleveland.Freenet.Edu (Joseph A. Ellis Jr.)
NNTP-Posting-Host: hela.ins.cwru.edu


In a previous article, piz@cbnewsl.cb.att.com (G G ZIPFEL) says:

>
>	Yes, I've looked at ftp.nevada.edu.
>	Yes, I've looked at cs.uwp.edu.
>
>	So, I need the lyrics to two songs. I've been sort of mumbling
>	them for a while now.
>
>	The songs are:
>
>	The Wait  - by The Pretenders, and
>	Blitzkrieg Bop - By The Ramones.
>
>	Note, I don't really want to know what you think they are,
>	but what they *really* are........... (ha!)
>
>	thanks,
>
>
>
>-- 
>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>          Zip                  |   Leaves are turning into Blood,           
>Steelers in 92, Bubby's Back!  |   Trees a viscous corpuscular flood - me.   
>"Anything that travels that far oughta have a damn stewardess on it"
>



<<sigh>>


At LEAST send it E-mail. Please _don't_ post lyrics! 

-- 
 Joe Ellis  o/~ The Synthetic Filker o/~    |     TesserAct Studios
     Internet:   usr6184a@tso.uc.edu        |       P.O. Box 18577
        GEnie:   J.ELLIS22                  |     Fairfield, OH 45018
    All filked up and no place to sing!     |   New Dimensions In Filk!
Newsgroups: rec.music.makers,rec.music.synth,misc.wanted,rec.music.marketplace