HDTenEightyP/NetNews huggingface dataset:
From: joey@berkeley.edu (Joe Hellerstein)
Newsgroups: rec.music.bluenote
Subject: Re: Freddie Hubbard/Lee Morgan
Date: 13 Aug 92 14:57:50
Organization: Postgres Research Group
NNTP-Posting-Host: elysium.cs.berkeley.edu
In-reply-to: hkang@intelhf.hf.intel.com's message of Wed, 12 Aug 92 15:57:20 GMT

In article <1992Aug12.155720.18364@intelhf.hf.intel.com> hkang@intelhf.hf.intel.com (Hananel Kang) writes:

>   I've been looking all over for the Blue Note release "Night of the 
>   Cookers"  with Freddie and Lee sharing the front line.  I
>   hear it is a smokin' album; considering the personnel, how could it
>   be otherwise? 
>
>   Trouble is, I haven't been able to find it anywhere (I've only looked
>   for it on tape or CD).

I have one volume of NIGHT OF THE COOKERS on vinyl.  Frankly, I've
never thought that much of it.  A lot of stock licks get played --
Freddie has often had that failing, and Lee isn't as inventive on that
record as on most of his stuff.  There's some excitement there, but it
doesn't really move me.  The volume I have has "Jodo" on one side and
"Breaking Point" on the other.

As a note of reference, there's a really fun version of "Breaking
Point" on Freddie's SWEET RETURN album, under the title "Calypso
Fred".  I once saw this album on CD (its an early 80's Atlantic
recording), but that was long ago.  Anybody know of the CD
availability of this one?  It's one of the first jazz albums I really
liked, and it has stood up to repeated listenings.  Among the best
post-60's Hubbard albums.

Joe Hellerstein
Newsgroups: rec.music.bluenote
From: tomer@skybridge.SCL.CWRU.Edu (Dr. Chris Tomer)
Subject: Release date on Clapton's "Unplugged"
X-Post-Machine: shasta.scl.cwru.edu
Organization: Smith Undergrad Lab, CWRU, Cleve. OH
Date: Thu, 13 Aug 92 13:48:09 GMT

The so-called "street date" for Eric Calpton's "Unplugged" session was
August 11. Any sign of it? Any news about when it's likely to be available?

Chris Tomer
University of Pittsburgh
ct@coltrane.lis.pitt.edu
From: jae@cstr.ed.ac.uk (John Elliott)
Newsgroups: rec.music.bluenote
Subject: Re: Trumpets
Date: 13 Aug 92 09:48:45 GMT
Organization: Centre for Speech Technology Research, Edinburgh University

Excellent analysis of the trumpet and trombone harmonic series.  I just want to 
add that there are extra pedal notes achievable on the trumpet (and therefore
probably trombone)

Guy Klose writes:

tbn   tpt   series:
 1   (open)  Bb  Bb  F   Bb  D   F   Ab  Bb  C   D  ...
 2     2     A   A   E   A   Db  E   G   A   B   Db ...
 3    1      Ab  Ab  Eb  Ab  C   Eb  Gb  Ab  Bb  C  ...
 4    12     G   G   D   G   B   D   F   G   A   B  ...
 5     23    Gb  Gb  Db  Gb  Bb  Db  E   Gb  Ab  Bb ...
 6    1 3    F   F   C   F   A   C   Eb  F   G   A  ...
 7    123    E   E   B   E   Ab  B   D   E   Gb  Ab ...
----------------------------------------------------------
            Ped
    
The first note in each series is a pedal.  There are infact further "false 
pedals"  which can, with practice, be played in that bottom octave.  Lowest
non-pedal on the Bb trumpet is the concert E.  Below this a whole octave of
"false pedals" can be played with the same fingerings as the same notes in
the octave above.  These make excellent practice for embrochure and intonation
development since the notes don't actually "exist" on the instrument.

-- 

					----------oOo-----------
					     John A. Elliott         
					----------oOo-----------	
Newsgroups: rec.music.bluenote
From: by074@cleveland.Freenet.Edu (R. Lynn Rardin)
Subject: Re: Naked City and Nike?!
Reply-To: by074@cleveland.Freenet.Edu (R. Lynn Rardin)
Organization: Case Western Reserve University, Cleveland, OH (USA)
Date: Mon, 17 Aug 92 14:47:11 GMT


In a previous article, wildman@athena.mit.edu (Timothy Worsley) says:

>I just saw a Nike ("Just Do It") ad on TV that used Naked City's
>"Batman".
>
>It was something of a shock!

I saw that ad and had exactly the same response! (although I didn't 
recognize the tune as "Batman", I knew it had to be Naked City)
-- 
 
< R. Lynn Rardin (rardin@auriga.rose.brandeis.edu)  >
< Rosenstiel Basic Medical Sciences Research Center >
< Brandeis University, Waltham, MA                  >
From: exubma@exu.ericsson.se (Bassam Madi)
Newsgroups: rec.music.bluenote
Subject: Dallas' Upcoming Jazz Events.
Date: 17 Aug 92 20:49:57 GMT
Reply-To: exubma@exu.ericsson.se (Bassam Madi)
Organization: Ericsson Network Systems


John Scofield is appearing in the Caravan of Dreams next month.
Sonny Rollins is coming Nov. (4th, I think). Yes
Bassam
--
Bassam Madi              |    
Ericsson Network Systems |   How can U soar like an eagle,
exubma@exu.ericsson.se   |   when U are dealing with turkeys??
Ph. (214) 733-4339       |
From: saul+@pitt.edu (Alan B Saul)
Newsgroups: rec.music.bluenote
Subject: GIFs via FTP
Date: 13 Aug 92 02:11:19 GMT
Organization: University of Pittsburgh

There are now a number (in fact, 13) of GIFs accessible via anonymous
FTP, in two places:
    ftp.cica.indiana.edu   /pub/laser/Incoming
and ftp.njit.edu           /pub/images

Thanks to Will Sadler and Brian White.

Several people have asked for emails of them, which I will attempt
to do at some point, but may not get to it for awhile.

Here is a description of the shots:

There should be 13 GIFs:

1. Andrew Hill and his wife by the piano.
Photo by Tadayuki Naito/East Wind, from Swing Journal 11,
Vol. 29 No. 13, November 1975, p. 46.
A dark grayscale image, dense like his music.

2. Ben Webster smoking with his tenor.
Photo by Jorgen Bo, from same Swing Journal as above, p. 42.

3. Phineas Newborn, Jr.
Photo credits unknown, from same Swing Journal as above, p. 119.

4. Thelonius Monk smiling at the camera.
Photo credits unknown, from same Swing Journal as above, p. 253.

5. Charlie Parker in section, his name telling somebody who he is.
Photo from insert to Hipsville CD R2 70197 "Charlie Parker:
Bebop & Bird Volume 1", courtesy of Michael Ochs Archives.

6. Famous picture of Bird smiling like a model, from same
insert as above.

7. Booker Little sitting on stool smiling.
Cover of Candid LP/CD 9027 "Out Front".

8. Sun Ra done up by some artist, using a Fresnel lens, a
border of pseudo-hieroglyphics and Saturns, and Sun Ra's
palms covered with an Earth and the words "FUN RA".
From the cover of the June 4-11, 1986 The New Paper, a weekly
in Providence RI.

9. John Coltrane playing tenor for an interested Dizzy Gillespie.
Unidentified photographer, 1951, from Frank Driggs Collection.

10. Eric Dolphy playing alto at a practice session.
Photo from the Dolphy archives, and p. 40 of Simosko and Tepperman.
A good shot of his bump.

11. Eric Dolphy playing flute, another famous shot.
This one is taken from p. 250 of Swing Journal 6, June 1974.
I'll scan the big shot with bass clarinet in the opening foldout soon.

12. Drawing of a little car (a Messerschmitt?) with Eric's
face on the front, from p. 109 of the above Swing Journal.

13. Steve Lacy in the middle of playing.
From p. 34 of the above Swing Journal. Nice sweater.

Some of these have been reduced from larger versions. If you
want one of the larger files (some are 1.5-2 Mb) let me know.

Alan Saul
saul@unix.cis.pitt.edu
412-648-1442
.
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.bluenote
Subject: Re: bb king is giving me the blues
Date: 22 Aug 92 23:37:21 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

chip@chinacat.unicom.com (Chip Rosenthal) writes:
>I'm somewhat disheartened to hear the part B.B. King has played in
>the recent festivities in Houston.  He was featured at an event honoring
>the late Lee Atwater.

In another thread, 880139h@dragon.acadiau.ca (Rob Hutten) writes:
> ... Is it possible to remove the music from this context and still
>retain its meaning?  Has modern blues (a la SRV, Hendrix, etc) lost the
>original intent of blues?

Welll...  now we see just how far the music can be removed, right?
It is no comfort that (from the 30 seconds I saw on TV) B.B. King
sounded pretty good, too; good music and good intentions don't 
always go together.  (Although I've heard that Lee Atwater's album
is really terrible, thank God.)  Whether the music hasn't been
tarnished in some way, everyone will have to decide for themselves.

B.B. King's Republicanism doesn't bother me so much as the
Republicans' gleeful use of him as media event, considering how
many of them probably still belong to all-white clubs and the like.
Still, there is a long history of that, of black musicians playing
in clubs they wouldn't be allowed to enter through the front door,
and so on.  Consider it not a travesty, but a reminder.
From: trradrx@canctr.mc.duke.edu (R.CLOUGH)
Newsgroups: rec.music.bluenote
Subject: Re: history of BLUES music
Date: 19 Aug 92 19:21:15 GMT
Reply-To: trradrx@canctr.mc.duke.edu
Organization: Duke U. Med. Ctr., Durham, NC

In article <1992Aug19.174202.16070@ncar.ucar.edu>, kauff@neit.cgd.ucar.edu (Brian Kauffman) writes:

>Early: 20's & 30's, earliest recordings, solo acoustic, show band
My list would include:

Lonnie Johnson (one of the most prolific and influential blues artists ever.
       	        his slickness was years ahead of its time)
Skip James (psychotic lyrics, frenetic playing.  "Devil Got My Woman" was
	    the foundation for R.Johnson's "Hellhound on my Trail")
Blind Willie McTell (from ragtime to the blues; often played a 12-string)

Robert Clough, DUMC (though certainly not speaking for them)
	"I'm not angry.  I'm a delightful sort of person."--Bob Dylan
Newsgroups: rec.music.bluenote
From: VEMBAR@engvax.picker.com (MANE VEMBAR)
Subject: re: Early Fleetwood Mac
Organization: PICKER INTERNATIONAL
Date: Tue, 18 Aug 1992 20:01:20 GMT
X-News-Reader: VMS NEWS 1.23


Speaking of Fleetwood Mac, I happen to have a live CD-
"The Original Fleetwood Mac - Roots- Live in Concert" that was
recorded live in 1969 (I think) at a club in Boston.  This was
remastered in 1987-88 has Peter Green in the lineup.

If anyone wants more info, pl. let me know and I'll post it on
the net.

Mani Vembar
(vembar@engvax.picker.com)


Newsgroups: rec.music.bluenote
From: ejohnso@ccu.umanitoba.ca (Eric Johnson)
Subject: Re: Miles' best work?
Organization: University of Manitoba, Winnipeg, Canada
Date: Fri, 21 Aug 1992 14:18:15 GMT

In <2038@tfd.tfd.com> bret@tfd.COM (Bret Weinraub) writes:

>Does anyone know the story of a live album WE WANT MILES.  I found a
>tape of this album in an abandoned boom-box in Boulder, CO.  It
>is excellent.  Any info much appreciated.   

It's a recording of the tour he did after coming out of semi-retirement and 
releasing Man with the Horn. The only songs I remember off hand are that it
opens and closes with Jean-Pierre, and Kix is in there somewhere.  I also
think Fat Time is included.
-- 
    Eric Johnson	         |  Commit random acts of kindness and
    ejohnso@ccu.umanitoba.ca 	 |         senseless beauty.
From: mjs@hpfcso.FC.HP.COM (Marc Sabatella)
Date: Thu, 20 Aug 1992 17:33:47 GMT
Subject: Re: Re: Freddie Hubbard/Lee Morgan
Organization: Hewlett-Packard, Fort Collins, CO, USA
Newsgroups: rec.music.bluenote

In rec.music.bluenote, joey@berkeley.edu (Joe Hellerstein) writes:

> As a note of reference, there's a really fun version of "Breaking
> Point" on Freddie's SWEET RETURN album, under the title "Calypso
> Fred".  I once saw this album on CD (its an early 80's Atlantic
> recording), but that was long ago.  Anybody know of the CD
> availability of this one?  It's one of the first jazz albums I really
> liked, and it has stood up to repeated listenings.  Among the best
> post-60's Hubbard albums.

Interesting - I've heard that same tune ("Calypso Fred") by yet a different
name, although I can't remember what it is.  "Sweet Return" may have been the
first jazz album I ever bought that *didn't* feature Oscar Peterson.  I've
never seen it on CD.  I haven't listened to it in ages - I think I'll put it
on tonight before my gig.  Odd album, the more I think of it.  Joanne Brackeen
backing Freddie, playing "Misty"?  A Mancini tune?  A couple of tunes with odd
time signature vamps?  Lew Tabackin?  Quite a departure from almost everything
else Freddie has done since the mid-60's with Herbie, Trane, or Ornette.

-------------------------------------------------------------------------------
Marc Sabatella           Winner, 1992 First Annual Bill Evans Lookalike Contest
marc@fc.hp.com
From: rich@dcs.glasgow.ac.uk (Richard Cooper)
Newsgroups: rec.music.bluenote
Subject: Re: Robert Johnson Video
Date: 13 Aug 92 13:46:39 GMT
Organization: Glasgow University Computing Science Dept.

whc2993@ritvax.isc.rit.edu writes:


>       There is supposed to be a new video out soon called The Search For
>Robert Johnson, does anyone know about this video like when it is supposed to
>be out?  I wonder if most record stores will carry it because many people don't
>know who RJ was. I haven't been able to find  a recent biography of RJ's life
>which is also titled The Search For Robert Johnson at any book stores.

>                                                       B.C.

Presumably the video mentioned was of the program
shown recently on Channel 4 in the UK.

This was an interesting documentary rssdearching
Johnson's life, talking to old lovers and eventually
getting around to a fairly well substantiated
hypothesis on how he was murdered and who by.

There was not such a strong emphasis on music.

rich
Newsgroups: rec.music.bluenote
From: peugh@wam.umd.edu (Arthur Dent)
Subject: Bolero
Organization: University of Maryland, College Park
Date: Sat, 22 Aug 1992 16:19:08 GMT


  Hi.  I'm new to this group, so i'll post some stuff.
  I heard a jazz version of Bolero and i knocked me out! It was great, but 
i had to leave the car before i heard who the artist was.  Can anyone out there
tell me who's done a jazz Bolero?  I've been told Frank Zappa did one, but this
didn't sound like him.

  I'm also wondering under what label to find Clarence "Gatemouth" Brown's 
recordings.  I've seen him live, and he's GREAT!  One of my favorite artists, 
and i've only heard him once!
  THanks.
From: acosta@smaug.Eng.Sun.COM (Joe Acosta)
Newsgroups: rec.music.bluenote
Subject: Re: Looking for name of guitarist
Date: 13 Aug 1992 16:35:23 GMT
Organization: Sun Microsystems, Mt. View, Ca.
Distribution: rec
NNTP-Posting-Host: smaug

In article <1992Aug13.154417.8728@math.utexas.edu> mossingh@henri.ma.utexas.edu (Mike Mossinghoff) writes:
>Can someone tell me the name of the guitarist that played in David Sandborn's
>late night jazz/blues show a few years back?  I really enjoyed his playing
>then, in jams with Stevie Ray, Robert Cray, Eric Clapton and others.  

I believe it was Hiram Bullock.  A regular with D. Sanborn.
>
> -- Mike
>-- 
>Internet:    mossingh@math.utexas.edu
>Sneakernet:  R.L. Moore Hall 10.138  U.T. Mathematics
>Favorite Food:  Chitlins Con Carne

			Joe Acosta
From: vek@spacsun.rice.edu (Vincent E. Kargatis)
Newsgroups: rec.music.bluenote
Subject: concert review journalism
Date: 13 Aug 1992 17:09:39 GMT
Organization: Rice University

Under Steve Norton's urging, I'm posting a little tidbit of information
that Kevin Whitehead told me over the phone. I'd called him to find out if
any magazines/journals he wrote for subsidized trips for concert reviews
and/or interviews (obviously for the KTRU concert we're planning). He said
that the magazines like Downbeat *never* spring for any expenses and that
it's the festivals that always pay for the reviewer's way, despite "the
obvious conflict of interest". He said Downbeat was extremely miserly about
that stuff. Never read that at the bottom of any concert reviews, though,
do we? Guess it's either that or no reviews at all.

Thoughts on the matter? Or does that surprise no one? :/
-- 
| Vincent Kargatis                      |  "It was jump or die."              |
| Dept. of Space Physics and Astronomy  |                                     |
| Rice University, Houston, TX          |      Marilyn Crispell to Anthony    |
| [vek@spacsun.rice.edu]                |        Braxton on his Comp. 69C     |
From: rshapiro@bbn.com (Richard Shapiro)
Newsgroups: rec.music.bluenote
Subject: Re: Coltrane question - Meditations, Interstellar Space
Date: 23 Aug 92 12:00:39
Organization: BBN, Cambridge MA
NNTP-Posting-Host: kariba.bbn.com
In-reply-to: gallo@almira.asel.udel.edu's message of Sat, 22 Aug 1992 21:41:01 GMT

In article <1992Aug22.214101.21705@udel.edu> gallo@almira.asel.udel.edu (Andy Gallo) writes:

   From: gallo@almira.asel.udel.edu (Andy Gallo)
   First Meditations
   Meditations

	   So what's the deal on these disks?  Are they separate
   recordings or is one just a re-release release of the other?  Can you
   recommend which one to buy for starters?

As the names suggest FIRST MEDITATIONS is an earlier recording,
although MEDITATIONS was released earlier. Which to recommend?
MEDITATIONS is a more substantial piece of music, imho, but it's also
much more severe. FIRST MEDITATIONS is probably an easier listen for
novices. 

	   Also, the back of the "Interstellar Space" disk says it
   features John Coltrane on sax and bells, and Rashied Ali on bells.  Is
   this all - just two musicians, or are these just the "featured"
   musicians.

Like the cover says (or used to say) "an astonishing series of duets"
-- just two musicians. It's an outstanding record but among the most
intense of Coltrane's recording career.

	   Also, as an aside, can anyone recommend a good introduction to
   Bird - I'm ashamed to say my collection is void of his work.


Either the Savoy collection or the Dial collection. These are
generally (and accurately imho) considered to be his best recordings.
Newsgroups: rec.music.bluenote
From: jdc5@typhon.uchicago.edu (Jonathan Cohen)
Subject: Re: Keith Jarrett in Sun (8/16) NYT
Organization: Department of Computer Science, University of Chicago
Date: Mon, 17 Aug 1992 19:02:01 GMT

In article <1992Aug17.013747.18861@athena.mit.edu> eprice@sql.sybase.com writes:
[ text of jarrett's article deleted]

>
>PS: As a fanatic about Jarrett's music, and a frequent apologist for
>his behavior and even his views, I have to admit that I didn't really
>understand this article.  Often when I did think I knew what he was
>saying, I didn't agree with it.  Also, I would prefer that he would
>talk more about what he loves rather than what he hates--surely there
>must be some new music that he finds worthwhile?  I'm a little
>confused as to what audience he was writing this for: people who love
>music will always find it even if the "industry" does not encourage it
>(and has it *ever*?)  People who don't will not care anyway, and will
>certainly not understand his arguments.  Maybe I'm feeling more
>optimistic than usual, because I just picked up my first issue of
>Cadence and sent in a poverty-inducing order... :-) Thanks to everyone
>here that recommended them!

I love Jarrett too, and I found his remarks in this article similarly
puzzling.
Why did he feel the need to write this article?
Does he expect that he will change anything for anyone?
Why did he write the article now?
It just sounds like standard jazz-musician-bitches-about
music-industry stuff to me.

Did he say anything in the article that was useful at all to anyone?

The part that pissed me off the most was the remark about "cleverness"
and synthesizers.
One would think that a person as creative as KJ would allow others
to manifest their own creative energies in other media without taking
them to task for it.
Does anyone go around saying, "it's useless to see how clever we can
be about line structure and rhythmic displacement" ?

In any case, I was very disappointed.
Guess I'll go home and listen to Still Live until I think KJ is a
deity once again.

-- 
University of Chicago                             phone: (312) 702 4718
Department of Computer Science                    email: jdc5@cs.uchicago.edu 
1100 East 58th Street
Chicago, IL 60637
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.bluenote
Subject: Re: BLUES: Chicago vs. Delta
Date: 19 Aug 92 21:34:04 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

As other people have said, the transition from Delta blues (or just
"country blues") to Chicago blues (electrified bands specifically)
has a lot to do with the great northward movement of blacks - but
of course also a lot to do with "the invention of electricity by
Muddy Waters" (i like that phrase!)  Muddy is usually given credit
for leading the move to electric bands - although most of the Chess
recording artists were affiliated with Willie Dixon is some way, 
since he worked for the label and wrote a lot of the songs, the
stylistic influence is really Muddy's.

One of the Muddy Waters Chess records ("The Real Folk Blues" maybe)
collects a few very early (late 40's?) sides along with later, more
typical work.  The early songs have just Muddy on guitar and a
(double) bassist, and although Muddy is playing an electric and has
that stinging sound, they are a sort of connection between the
Delta style and his later music.

I think all forms of electric blues, such as Texas blues. latter-day
Chicago blues, etc etc, Southern California blues if there is such a
thing, essentially grow out of first-generation Chicago blues.  But of
course a statement as sweeping as that is bound to be wrong.

Ben Weiner
From: jgthomas@crchh420.NoSubdomain.NoDomain (John Thomas)
Newsgroups: rec.music.bluenote
Subject: Rumour about a jazz death
Date: 14 Aug 92 15:04:29 GMT
Organization: Bell-Northern Research, Richardson, Tx

I heard a rumour (AND BOY I USUALLY HATE THESE) from a pretty
reliable source that we lost a jazz great in Paris a few weeks
ago.  I wanted to get it substantiated from some of our friends  
in France though.  I set this up as a spoiler so don't read on
and flame me if I'm wrong...


I heard from a friend who owns a record shop that just recently
opened up who was a friend of John Cage that we lost Steve Lacy
a few weeks ago.  Can someone in France substantiate this?
The person didn't hear of what causes he died; they were talking
more about Cage's recent death as both knew Cage personally.

PLEASE SAY IT ISN'T SO!!!
Newsgroups: mdc.general,rec.music.bluenote
From: johnm@meaddata.com (John Manley)
Subject: BONNIE RAITT : Upfront and Backstage!!
Organization: Mead Data Central, Dayton OH
Date: Thu, 13 Aug 1992 21:34:29 GMT
Distribution: oh

Bonnie Raitt (and Lyle Lovett) will be appearing at Wright State University's
Nutter Center in Dayton, Ohio on Tues Sept. 8th. Bonnie has made special
charity arrangements with the Quaker organization American Friends Service
Committee. AFSC is an anti-violence, anti-racism organization that Bonnie
was associated with back in the late '60s. She has generously donated 200
tickets (in rows 6-12) for the 9/8 show. Cost is $100/ticket and it includes
a post-concert, backstage pass for a reception with Bonnie & Lyle.

For more details, respond to me by email.

-- 
|John Manley         |  BEARS  BULLS  BLACKHAWKS   |      (513) 865-1152   
|Mead Data Central   |   IRISH BOILERS CHISOX      |  Engineering Productivity
|P.O. Box 933        |                             |     johnm@meaddata.com
|Dayton, Ohio  45401 |        Questions?           |  ...!uunet!meaddata!johnm
From: millsad@prlhp1.prl.philips.co.uk (Alan Mills)
Newsgroups: rec.music.bluenote
Subject: Re: Howard Roberts
Date: 14 Aug 92 09:05:25 GMT
Reply-To: millsad@prlhp1.UUCP (Alan Mills)
Organization: Philips Research Laboratories, Redhill, UK

In article <1992Aug11.125348.16116@icd.ab.com> jaz@icd.ab.com (Jack A. Zucker) writes:
>Apparently he died last month. He was a jazz guitarist who was
>prominant during the 1960's and early 70's. I don't know any
>details although I had heard that it was from liver cancer.
>
Howard Roberts was on the first 12 inch LP I ever bought (in 1956)
entitled 'Jazz Studio 2' which featured a number of West Coast musicians
in a sort of cool jam session.  It's a nice record which I still dig out
from time to time.  Other people on the session were Milt Bernhart, John
Graas, Don Fagerquist, Jimmy Giuffre, Herb Geller, Marty Paich, Curtis
Counce and Larry Bunker (I've just amazed myself with my recall).

Alan Mills (millsad@prl.philips.co.uk)
Philips Research Laboratories
Cross Oak Lane, Redhill, Surrey, RH1 5HA, U.K (tel: +44 293 785544)
Newsgroups: rec.music.bluenote