HDTenEightyP/NetNews huggingface dataset:
From: solovay@netcom.com (Andrew M. Solovay)
Subject: Re: Alan Moore's "last Superman story"
Organization: Smiley Abolition Front
Date: Sat, 21 Nov 1992 03:15:54 GMT

In article <1ek07aINN2tn@usenet.INS.CWRU.Edu> aa396@cleveland.Freenet.Edu (Bill Henley) writes:
>
>The story, titled "Whatever Happened to the Man of Tomorrow?"
>starts off in SUPERMAN in a near future where all is peaceful
>in Metropolis-- until Bizarro makes an unusually murderous
>attack on the city and has to be destroyed by Superman (I
>don't recall the exact details).  

As I recall, Bizarro decides to be a more perfect "imperfect
duplicate" of Superman. Since Superman never kills, Bizarro must
go on a murderous rampage. When Superman shows up, Bizarro
explains it, adding that since Superman is alive, Bizarro
Superman should be dead. Bizarro then peels some lead foil off of
his "good luck charm", revealing a piece of blue kryptonite
(which is fatal to bizarros). He dies before Superman can save
him.

>                 But he is further disturbed when the
>members of the Legion of Super-Heroes -- including Super-
>girl, who hasn't died yet at this point in the future--

Not true. When WHTTMOT takes place, Supergirl is dead (this is
after the Crisis, but not Post-Crisis(TM), if you know what I
mean). Back when Supergirl was a teenager, she went to the 30th
century to visit the LSH; she decided to tag along with the LSH
on their visit to Clark. She doesn't expect to materialize along
with them, since she thinks they're visiting a time when an older
Supergirl lived (and in pre-Crisis DC, two people couldn't fully
exist at the same time). When she corporeates, she wonders aloud
how it's possible, then concludes that the Supergirl of that time
must be time traveling in the past or future. Superman doesn't
want to tell teen-Supergirl that grown-up-Supergirl is dead, so,
choking back tears, he says "Yes, Supergirl is in the past." More
poignancy in that moment than in all six brain-dead Dupesday
issues put together.
-- 
Andrew Michael Solovay    

"When angry, count four. When very angry, swear."
                --Mark Twain
From: wga@po.CWRU.Edu (Will G. Austin)
Newsgroups: rec.arts.comics.misc
Subject: On the matter of Image. . .
Date: 17 Nov 1992 16:43:11 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: wga@po.CWRU.Edu (Will G. Austin)
NNTP-Posting-Host: thor.ins.cwru.edu


	YAAAAAAAAWWWWWWWWWWWNNNNNNNNNNNNNNNNNNNNNNN!!!!

	I've checked out a few of the Image titles, and like PE says, don't
believe the hype. . .
	Basically, we've seen this stuff before, and I think the Image guys have
yet to show us something truly interesting.  I think they may be capable of it
but the money's talking. . .
-- 
"...It is a tale told by an idiot/Full of sound and fury, signifying nothing!"
Will Shakespeare, *Macbeth*||||Me, after seeing Coppola's version of *Dracula*
=====Will Austin---Nomad---wga@po.cwru.edu---wga%po.cwru.edu@cunyvm============
	
Newsgroups: rec.arts.comics.misc,alt.sex.general
From: larryc@netcom.com (Larry Ching)
Subject: Betty Page Found! By WHO?
Summary: Betty Page Interview on "Lifestyles of the Rich and Famous". 
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Date: Mon, 16 Nov 1992 14:49:37 GMT


 If I wasn't channel hopping, I wouldn't have been tuned in to "Lifestyles
of the Rich and Famous" - in which they featured an interview with Betty
Page! Not an on-camera interview; she felt that her fans should have an
an image of her youth instead of what she looks like now. The oldest photo
they showed was a family photo from twenty years ago - still looked good
then!

 A hard childhood, broken home and a failed teenage marriage with a fellow
high school student. Then to New York, and her (im)famous modelling and
acting career. She quit after someone published some trick photos of her
head on another model's body, doing porno stuff. She found a refuge in
Jesus, and has been living in modest circumstances since.


 Not rich and famous, instead, in her words, "poor and imfamous!". Still,
the "poor" part may be changing soon - it seems she has got a LOT of $$$
coming to her, as her old modelling release doesn't cover all the stuff
exploiting her image made since she signed the release. The guy who
edits the "Betty Pages" magazine was interviewed - he said he would be 
glad to send her a couple thousand.


 Robin Leach - who would of thought it?

					Larry Ching / larryc@netcom.com
 

-- 

 *-------------------------------------------------------------------------*
 | "Listen carefully to the music, and dance like a flower"                |
 |  ---> Body Of Light:"Dance Like A Flower"                               | 
 | "I AM THE GENIE OF THE TOOTHPASTE!"                  larryc@netcom.com  |
 |  ---> The Darwin Chamber:"Genie Of The Toothpaste"                      |
 *-------------------------------------------------------------------------*

Newsgroups: rec.arts.comics.misc
From: Montague_Kevin@Tandem.com (Kevvy Kev)
Subject: Re: Jim Lee rips off Frank Miller??
Organization: In Effect Enterprises
Date: Thu, 19 Nov 1992 17:55:21 GMT

In article <1eftujINNdtk@darkstar.UCSC.EDU>, isaac@cats.ucsc.edu (Isaac Truder) writes:
> 
> 
>  > How do you know that this is what Jim Lee is doing?  I am just
>  > curious since most comic book artwork looks similar, with very, very
>  > few  exceptions.  And I wouldn't consider Frank Miller's art an
>  > exception.
>  > 
>  > And when you take an art class, alot of learning how to draw, paint,
>  > etc. comes from copying other famous artist.  So, if Jim Lee is
>  > copying  Frank Miller, and I am not convinced that he is, so what?
>  > If he wants to learn how to draw like Mr. Miller, why shouldn't he?
> 
> You obviously have seen neither Frank Miller's current style, nor the Jim
> Lee artwork for DARKER IMAGE.  When you do, get back to me on this one.
> Frank Miller's present style is so distinctive that there is no mistaking
> Lee's inspiration.
> 
> As far as your art school comment goes; sure, one might learn figure
> drawing or light and shadow from outright COPYING from a master's works;
> but when you're in art school doing this, you're doing this to learn
> something, in order to build on it.  You don't turn around and sell your
> sketches from Michaelangelo just because you know Michelangelo had a 
> "hot new style".  If I went and made paintings copying as exactly as I
> could the cubist period of Picasso, I'd be laughted out of galleries.
> The only reason to buy my paintings would be if the customer liked 
> Picasso's style that much, but couldn't afford an original (and didn't
> just want a coffee-table book).  On its own, however, without the
> analogy to Picasso, my artworks would have no merit, no value at all.

John Byrne had a good article about this in some magazine or another (anybody?)
in which he talked about "swipes," and whether they're homage or stealing.  As
I recall, for him it comes down to the artist's intent, and whether or not they
give due credit.  The area he talked about was in cover art, and he used it to
explain why he (and a lot of other people, these days) now put "after" on covers
which other people inspired.  So for example the cover he did that copied FF 1
was signed "John Byrne *after* Kirby."
Made sense to me.  I'll see if I can dig it up.

Kevvy Kev
"Oh my G-d.  Does this mean we have to start fighting?"
 -Selina Kyle
From: howie@simcon.boeing.com (Howie Modell)
Newsgroups: rec.arts.comics.misc
Subject: Re: Doomsday:  I've been wondering
Date: 17 Nov 92 21:27:39 GMT
Followup-To: rec.arts.comics.misc
Organization: Boeing Defense & Space Group

In article <1992Nov15.011659.65008@ns1.cc.lehigh.edu>,
ckc1@ns1.cc.lehigh.edu (CEDRICK KIT CHAN) wrote:
> 
> 
> >And how the heck did Sinestro Gardner lose to
> > him?
> 
>     Its obvious that there are billions upon billions of holes in this
> storyline.  Let's just hope they fill some of them up by the end.  I don't see
> anything so special about Doomsday, that a handful of the most powerful (and
> averagely intelligent) DC heroes couldn't handle.  If the heroes can work
> together to defeat the Anti-Monitor, I see no reason why they have so much
> trouble in defeating Doomsday.
> 
I  agree with that last opinion.  It seems like DC is into a "lets get rid
of major characters" 
kick.  First they decimated the MultiVerse with "Crisis", getting rid of
two of my favorites,
Supergirl and Flash, who they subsequently "bring back" in different guise.

I'm sorry .... Wally West is NOT the Flash and Matrix is NOT Supergirl!
And then they kill off Lex Luthor, replacing him with a hairy clone.

Obviously, they'll resurrect Superman with either a clone or an android.
(They can't use a relative, having to gone to universe-shaking lengths
to orphan the poor guy.)

+----All opinions expressed are mine and *NOT* my employers!----+
   howard modell, Boeing Defense & Space group, Seattle, WA
         howie@simcon.boeing.com, h.modell@online.com,
         h.modell@ieee.org,   72376.252@compuserve.com
From: axjb@dcs.ed.ac.uk (Anthony Bailey)
Newsgroups: rec.arts.comics.misc
Subject: Gaiman and Vonnegut
Date: 20 Nov 92 10:46:55 GMT
Organization: Department of Computer Science, University of Edinburgh

There am I on the bus this morning, off to purchase the latest Sandman and see
what Delirium has managed to crash into so far, reading "Palm Sunday" by Kurt
Vonnegut (sound author) when what do I find?

" All these varieties of speech are beautiful,  just as the varieties of
  butterflies are beautiful. No matter what your first language, you should
  treasure it all your life. If it happens not to be standard English, and if
  it shows itself when you write standard English, the result is usually
  delightful, like a very pretty girl with one eye that is green and one that
  is blue. "
	from "Triage / How to Write with Style"

Woh! Synchronicity or what???

	Anthony.
From: dvandom@magnus.acs.ohio-state.edu (Dave Van Domelen)
Subject: Re: Superman Revival Methods
Organization: The Ohio State University
Distribution: usa
Date: Mon, 23 Nov 1992 03:08:19 GMT

In article <SS.92Nov22160210@wpi.WPI.EDU> ss@wpi.WPI.EDU (Scott Streeter) write
s:
>But they still have to get the brain out right? Well Supes is still
>nigh unvulnerable even when dead, so how can they cut it out? At least
>he still exibited unvulnerablity in Holy Terror, but that WAS an Else
>Worlds book.
>--
> Scott Streeter                             Visit the Star Wars Archive at
> ss@wpi.wpi.edu                             wpi.wpi.edu       130.215.24.1

Firstly, only the Tick is "Nigh Invulnerable".
Secondly, Superman's invulnerability is due to a "funky doubletalk body aura" 
which would presumably fade as his cells died.  So if he's still invulnerable, 
he's still alive or at least only mostly dead.  If he's *really* dead his skin 
should be as easily cut as anyone else's.  Moreso, actually, given the 
tenderizing DD gave him.
     Dave Van Domelen, eating cheese while Rome burns
Newsgroups: rec.arts.comics.misc
From: kogutt@ucsu.Colorado.EDU (SCAVENGER 2099)
Subject: Can't we all just get along?
Organization: University of Colorado, Boulder
Date: Fri, 20 Nov 1992 20:31:24 GMT

I am begging y'all, please stop with the "Let's get rid of the LNH"posts and
the "let's keep the LNH posts".

I especialy say this to the pro-lnh side.  Please let it drop!  Mr. Cowling
is satisfied for now, since we are using the headers, and this constant 
bickering is just ridiculous.   

There is no reason that we need to keep going over this.  We have better things 
to discuss, like why DC published such a G-d,awful storyline like Doomsday.

Thank you.

----SCAVENGER off to flame Drizzt for ragging on VERTIGO!
-- 
Alt.comics.lnh -the most fun you can have with  |  kogutt@ucsu.colorado.edu
    your .net on!                               |      (Internet/Usenet)
You don't have to be crazy to be in the LNH,    |  "Oh Bite Me!  It's fun"
    But it helps!!!                             |         -Crow T. Robot (MST3K)
From: albert@chain.ssctr.bcm.tmc.edu (Rick Jones)
Newsgroups: rec.arts.comics.misc
Subject: Re: Bravo to Mr. David on #401 of the Hulk!
Date: 20 Nov 1992 19:49:45 GMT
Organization: Baylor College of Medicine, Houston, Tx
NNTP-Posting-Host: chain.ssctr.bcm.tmc.edu

In article <1992Nov20.052113.2704@magnus.acs.ohio-state.edu> dvandom@magnus.acs.ohio-state.edu (Dave Van Domelen) writes:
>Wow.  This issue beats the metaphoric crap out of #400. (And apparently sticks 

	Yah, I must confess I liked this issue a lot more than 400 as well.
Perhaps it's because the slugfest to characterization ratio is better.

>     And forgive me for doubting the handling of Leader's death.  The Leader 
>*IS* dead.  Long live the Leader!  The eraserhead version is back! (Kinda)

	Yeah, I wonder if Leader didn't manage to jump his mind into 
Omnibus, or if OB is just picking up Leader's bad habits.

>I forget, what is Paris's power, anyway?  The ability to be inhumanly 
>insufferable?

	He's an empath.  (see the Las Vegas/Punnisher issues)
	
	I'll be curious to see what happens with Marlo now.  There must 
be something there mentally with the people Leader revives, since Redeemder II 
was capable of complex actions, even if he did drool a lot.  I'm not sure 
I like this "Marlo the Zombie" bit.  
	I'm suprised that you didn't mention that PAD may have brought back
one of the "never to come back from the dead" characters.
SPOILERS

	Bucky.  At least that's what I thought the whole line from Aggy
about having amazing adventures during WWII.  It could just be a wink to 
fans, though.
-- 
Rick Jones				Systems Support Center
albert@bcm.tmc.edu			Baylor College of Medicine
Voice: 713-798-7352			standard disclaimers apply
Superman's not just dead, he's wrapped in plastic.-Houston Chronicle (11/19/92)
From: cdr@kpc.com (Carl Rigney)
Newsgroups: rec.arts.comics.misc
Subject: Re: SANDMAN: Death and Superman
Date: 22 Nov 92 06:59:02 GMT
Organization: Kubota Pacific Computer Inc, Santa Clara, CA

In article <1992Nov19.040031.9067@news2.cis.umn.edu> lsmith@pico.cs.umn.edu (Lance "Squiddie" Smith) writes:
>Anyway, we should know next week. I'm glad the issue was delayed a week.
>I'd hate to have to fight through the Supes mourners to get to Sandman
>tomorrow.

Am I the only one who would like to see Gaiman write an issue where
Death meets Superman?  Alan Moore's brushes with the Myth of Steel have
whetted my appetite for what can be done with him in the proper hands.

--
Carl Rigney
cdr@kpc.com

"Here was a man who made a difference, someone who could change things
for the better rather than fight a holding pattern in a hopeless and
pointless war."
Newsgroups: rec.arts.comics.misc
From: jcowling@ophelia.UVic.CA (Scowling Jim Cowling)
Subject: Re: For those that are sick of the Legion of net.heroes
Organization: University of Victoria, Victoria, BC, Canada
Date: Mon, 16 Nov 92 01:56:01 GMT

In article <1992Nov13.194520.16536@ucsu.Colorado.EDU> kogutt@ucsu.Colorado.EDU (SCAVENGER 2099) writes:
>WE( The members of the LNH) are attempting to find a way so that everyone
>who wants to read our posts can accsess the group.  Untill such time, every 
>LNHer is actively encouraged to use a "LNH:" prefix in their postings, so that
>killfiles may be used.
>
>nor marketplaces, nor info, nor xbooks.  Thus we are misc.  If you don't like 
>it, tough!

It isn't tough.  The vote stands at 32-6 now.  If the opinion against LNH is
strong enough, I will raise a formal CFV for a policy change to the r.a.c.m.
charter.

-------
Scowling Jim Cowling
Creative Writing Department, University of Victoria (opinions disassociated)
-------
From: ss@wpi.WPI.EDU (Scott Streeter)
Newsgroups: rec.arts.comics.misc
Subject: Re: Superman 75 (no spoilers)
Date: 19 Nov 92 07:18:33
Organization: Worcester Polytechnic Institute, Worcester, MA 01609-2280
NNTP-Posting-Host: wpi.wpi.edu
In-reply-to: houchin@sunshine.Kodak.COM's message of Wed, 18 Nov 92 20:04:17 GMT

>>>>> On Wed, 18 Nov 92 20:04:17 GMT, houchin@sunshine.Kodak.COM (Scott Houchin) said:


houchin> Does the deluxe edition of Superman 75 include the art from
houchin> the cover of the Newstand edition --> The picture with Supe's
houchin> cape hanging on a stick. I really want this picture, but I
houchin> don't want to have to buy the Newstand edition to get it.

No. The bagged edition has the tombstone like grey cover, with the "S"
on the top, and "Here lies Earth's greatest hero" under it.

--
 Scott Streeter                             Visit the Star Wars Archive at
 ss@wpi.wpi.edu                             wpi.wpi.edu       130.215.24.1
Newsgroups: rec.arts.comics.misc
From: kogutt@ucsu.Colorado.EDU (SCAVENGER 2099)
Subject: Re: The Annotated Books of Magic, book IV -- revised
Organization: University of Colorado, Boulder
Date: Sun, 15 Nov 1992 21:08:03 GMT

I really think that the "misegenation" Mr. E refers to is a reference to 
Chaiken's TWILIGHT series.  Remember it envolves Animal/humans-robots-human
couplings.


----SCAVENGER
-- 
Alt.comics.lnh -the most fun you can have with  |  kogutt@ucsu.colorado.edu
    your .net on!                               |      (Internet/Usenet)
You don't have to be crazy to be in the LNH,    |  "Oh Bite Me!  It's fun"
    But it helps!!!                             |         -Crow T. Robot (MST3K)
Newsgroups: rec.arts.comics.misc
From: stdeprie@eos.ncsu.edu (SHAWN TEMPLE DEPRIEST)
Subject: Re: Guy Gardner #3
Originator: stdeprie@c00508-119rd.eos.ncsu.edu
Reply-To: stdeprie@eos.ncsu.edu (SHAWN TEMPLE DEPRIEST)
Organization: North Carolina State University, Project Eos
Date: Thu, 19 Nov 1992 18:04:22 GMT


ALmost made me decide to drop it from my list, I found it dissapointing.
Newsgroups: rec.arts.comics.misc
From: glocke@morgan.ucs.mun.ca (Gord Locke)
Subject: Re: Ghost Rider
Organization: Memorial University of Newfoundland
Distribution: usa
Date: Mon, 23 Nov 1992 00:45:35 GMT

	I really like Ghost Rider, too.  Although I miss Texeira's (sp?)
_EXCELLENT_ art.  Also, the writing on the Midnight Sons issues, and
those in-between and slightly before and after, was below par.  I
haven't bought an issue since Brett Blevins took over (and I'm
considering dropping the book entirely since he ain't Tex), so what do
people think of him?  I liked what I saw of him on some Spider-Man comic
I've got, and on Sleepwalker, so I'm not too disappointed in the choice.
-- 
   Gord Locke, a.k.a.    |    "I'm not an       | "The Universe is so big
glocke@morgan.ucs.mun.ca | Internet address ... | I get dizzy when I think
  Newfoundland, Canada   |   I'm a free man!"   |  about it" -Sugarcubes
Newsgroups: rec.arts.comics.misc
Subject: Re: Dream and the Prodigal do history..
From: dubach1@husc10.harvard.edu (joev dubach)
Date: 21 Nov 92 17:58:50
Organization: Harvard Arts and Sciences Computer Services, Cambridge, MA
In-reply-to: 2013bp@gmuvax2.gmu.edu's message of Fri, 20 Nov 1992 19:51:01 GMT

In article <1992Nov20.195101.21051@gmuvax2.gmu.edu> 2013bp@gmuvax2.gmu.edu ( ) writes:

   In article <cezLKaC00io7I1QV0y@andrew.cmu.edu> el24+@andrew.cmu.edu (Edward Liu) writes:
   >In <lsmith.721165401@deci>, lsmith@deci.cs.umn.edu (Lance "Squiddie" Smith)
   >writes:
   >
   >[	spoiler removed since this ain't really a spoiler	]
   >
   >>(BTW, there's one theory that states that ROYGBIV came from Newton trying
   >> to match colors to available paint pigments. Thus we're stuck with indigo.)
   >
   >   If my chem teacher was right, ROYGBIV came from an attempt to match the
   >colors of the spectrum to the Western 8-note musical scale, since this would
   >show some incredible balance between sight and sound, and demonstrate the
   >perfectness of the creations of the universe or something like that.  Of
   >course, the fact that some Asian cultures use a 5-note scale and other cultures
   >use other "octave" scales didn't really figure into this much.
   >

   No,No,No, that can't be. Count it. ROYGBIV is only seven colors. I could
   easily have broken it into eight colors if I were trying to, and I'm no
   Newton!  Obviously, the colors ROYGBIV are an attempt to unify the
   colors of the spectrum with the Endless (of which there are seven).
   Think about it.
   I dare you.

   Bill
   .

The point of the major scale is that it sounds "complete" when it
finishes where it started: C-D-E-F-G-A-B-...-C!  Similarly, imagine
R-O-Y-G-B-I-V-...-R!  (Personally, I think this is kind of bogus, as I
see no similarity between V and R the way I do between B and C, but
hey.)

This is off-topic, but hey, racm gets >100 posts a day; it's a drop in
the bucket. :)

Joev
--
_____________________________________________________
DDDDDDDDD   JJJJJJ      | Joev Dubach
     D      J     J     | dubach1@husc.harvard.edu
     D      J     J     | 249 North Mail Center
D    D      J     J     | Harvard University
DDDDD    *  JJJJJJ  *   | Cambridge, MA 02138
From: royd@ERE.UMontreal.CA (Roy Daniel)
Subject: Re: Grimjack!
Organization: Universite de Montreal
Date: Thu, 19 Nov 1992 15:30:04 GMT

OK, guys, here the rumor:

Someone told me DC was planning to BRING BACK GRIMJACK!

Is there any one who can confirm or infirm this rumor?

Seeya in Cynosure.


Daniel "GrimDan" Roy

Newsgroups: rec.arts.comics.misc
From: jeanthea@oasys.dt.navy.mil (Mark Jeantheau)
Newsgroups: rec.arts.comics.misc
Subject: Seduction of the Innocent
Date: 15 Nov 92 17:02:28 GMT
Article-I.D.: oasys.27498
Reply-To: jeanthea@oasys.dt.navy.mil (Mark Jeantheau)
Organization: Carderock Division, NSWC, Bethesda, MD

A friend of mine is interested in a book called "Seduction of the Innocent"
by Wethham, which apparently describes the 1950's right-wing attack 
on comic books.  Can anyone provide info on availability?

PLEASE E-MAIL.  Thanks.

-----
jeanthea@oasys.dt.navy.mil // Mark Jeantheau // (202) 227-3562 // U.S. Navy
Naval Surface Warfare Center, Carderock Div. // Code 1401 // Bethesda MD 20084
-----
Opinions expressed herein blah blah blah... [Standard disclaimer.]
-----
From: breitzsp@cnsvax.uwec.edu
Newsgroups: rec.arts.comics.misc
Subject: Re: Guy Gardner #3
Date: 19 Nov 92 20:08:02 -0600
Organization: University of Wisconsin Eau Claire

> 
> 	As I was reading through GG#3 in the local comics store, I too had
> to laugh out loud as I came to the end.  I was not, however, laughing at or
> with the comic, but with the writers' "suckering" of both DC and the people 
> who are going to buy this issue. When someone saying "Next!" at the end of an
> issue-long fight scene is the only  substantive dialogue in a comic, I think 
Y>> it's a sign that the writers are just being lazy.  (The artists, however, did
> an admirable job, IMHO).
  Since when does a comic need to have words to covey a story?  Did you need
Guy to say something cocky to see that is was being cocky?  Did you need him
to say oops when he made a mistake?  For the base emotions shown by  Guy in 
this story I didn't need words to see and feel what was going on.

Scotty B
Newsgroups: rec.arts.comics.misc
Subject: Need Help with Sandy Plunkett
From: <CM26ACCW@MIAMIU.BITNET>
Date: Thursday, 19 Nov 1992 21:03:37 EST
Organization: Miami University - Academic Computer Service

I have recently become aware of local comic book writer/artist,
Sandy Plunkett.  A news article explains that his career began
with a 1982 Spiderman story and he has since written
X-Men, Fantastic Four, and other stories.  The article also
includes a coverish looking drawing of The Spectre and is
signed 1992.
  The final paragraph of teh article:
     Currently, Plunkett is working for DC Comics and has an
offer to draw for teh Rocketeer comic book.  He has just finished
a monthly comic book for Ant-Man, which he said is tongue-in-
cheek and "99.9 percent different" from other current comic books.
 
  I would appreciate input from anyone out there who could
identify stories Plunkett has written or drawn from 1982 to
present.
 
Thanks in advance
 
Chris
Newsgroups: rec.arts.comics.misc