HDTenEightyP/NetNews huggingface dataset:
From: sxjwg@orca.alaska.edu
Subject: FARTHEST NORTH COUNTRY WESTERN DANCE FESTIVAL, ALASKA
Organization: University of Alaska
Date: Tue, 6 Oct 1992 00:07:34 GMT

							Last update: 24 SEP 92

                                    The

         THIRD ANNUAL FARTHEST NORTH COUNTRY WESTERN DANCE FESTIVAL
                   
                               will be held

                           March 5, 6, & 7, 1993
       
                                  at the
       
                   Hall of the Fraternal Order of Eagles
                                 
                                located at

                             200 First Avenue
                             Fairbanks, Alaska

There will be open dancing Friday and Saturday as well as various times between
classes throughout the festival.  Dance classes will be taught for beginners,
intermediate, and advanced.  Emphasis will be on INTERMEDIATE.

There will be a dance competition for Division IV (beginners) and Division III
(intermediate).  This competition will be governed by independent rules.  There
will be preliminaries and finals.  There will be no fee for entering the
contest if a weekend pass is purchased.  Trophies awarded will be
Alaskan Goldpans. 

There will be prizes in addition to the trophies.

FIRST PLACE in each division will win a eight hour boat excursion
on Stan Stephens Charters (Valdez, Alaska) to Columbia Glacier, Prince William
Sound, and a Alaskan cookout on Growler Island. 

Door prizes and raffles will also be conducted during the festival.

This will be three days of non-stop country craziness!!!

For more information write: 	FNCWDF
				P.O. Box 82683
				Fairbanks, Alaska
						99708-2683

Or call 907-479-4282 and leave your name, phone number and mailing address and
you will be added to a special mailing list.  SPEAK SLOWLY AND CLEARLY IF YOU
LEAVE THE ABOVE INFORMATION ON THE ANSWERING MACHINE!

This is not a square dancing event.

Questions may also be directed to this bitnet address.

This event is hosted by the FAIRBANKS COUNTRY KICKERS,
a non-profit organization.

ALL INFORMATION IS SUBJECT TO CHANGE WITHOUT NOTICE!

James W. (Jim) Grimes
Event Director
-- 

********************************************************************************
    UNIVERSITY OF ALASKA - FAIRBANKS, UNIVERSITY OF ALASKA COMPUTER NETWORK
                   James W. (Jim) Grimes, SXJWG@ORCA.ALASKA.EDU
THIRD ANNUAL FARTHEST NORTH COUNTRY WESTERN DANCE FESTIVAL-MARCH 5, 6 & 7, 1993
  Call (907) 479-4282 or write FNCWDF, PO Box 82683, Fairbanks, AK 99708-2683
********************************************************************************
Newsgroups: rec.music.country.western
From: geffy@access.digex.com (Geff King)
Subject: Michael W. Smith (was Re: No Show Jones Saves the Show
Keywords: Unaussprechlichen
Organization: Express Access Online Communications, Greenbelt, Maryland USA
Distribution: Absolutely sure that I want to do this
Date: Mon, 5 Oct 1992 03:15:20 GMT

In article <1992Oct1.124413.2721@nsisrv.gsfc.nasa.gov> slywczak@ame.gsfc.nasa.gov (Rich Slywczak) writes:
>"No Show" Jones added some class to what was the *worst* awards show in 
>Nashville's "we can attract more people to country music, if we make it 
>sound like pop" history.  Here are my varied comments:
>
>2)  Who is Micheal W. Smith??  Obviously Nashville is trying to bring in
>    new country fans!!

I didn't catch the awards, as I was up in the wilds of Maine on both honeymoon
and vacation. The name Michael Smith, however, is interesting, since it was
a Mike Smith who wrote "The Dutchman", one of my favorite Steve Goodman songs
and a folk music staple.  Not the same guy, is it by any chance?

Geff(y@access.digex.com)


Newsgroups: rec.music.country.western
From: wrp@psl1.gvl.unisys.com (Bill Pringle)
Subject: Re: Thelma & Luise
Organization: Paramax Systems, Ivyland, PA
Date: Fri, 2 Oct 1992 16:40:04 GMT

In article <1992Sep30.140116.25026@ousrvr.oulu.fi> las@tko.vtt.fi (St}hle Lauri) writes:
>
>G' day !
>
>Does anybody know the name of the country-rock in the movie Thelma and Luise, 
>I mean the which was playing in the country bar where the girls were one night.

Here is the track listing from the soundtrack:

Various|Thelma and Louise Soundtrack|1991|MCA|10239
	Part of You, Part of Me|5:59|Frey, Glenn
	Badlands|5:34|Sexton, Charlie
	House of Hope|4:50|Childs, Toni
	I Can't Untie You From Me|4:59|Hugh, Grayson
	Better Not Look Down|4:13|King, B. B.
	Little Honey|4:43|Willis, Kelly
	Kick the Stones|3:51|Whitley, Chris
	Wild Nights|3:18|Reeves, Martha
	Tennessee Plates|3:30|Sexton, Charlie
	Ballad of Lucy Jordan|4:06|Faithful, Marianne
	Thunderbird|4:03|Zimmer, Hanz~Haycock, Pete

============================================================================
Bill Pringle                      Software Tools
Paramax Corporation               Voice: (215)443-7500 X4023
Internet: wrp@ivy.unisys.com      UUCP: ...!uunet!mimsy!widener!gvls1!wrp%ivy
Newsgroups: rec.music.country.western
From: texan@cbnewsg.cb.att.com (jennifer.j.sinclair)
Subject: Re: Garth on the CMA show
Organization: AT&T
Distribution: na
Date: Fri, 2 Oct 1992 12:58:43 GMT

In article <BvGuJH.IGn@fc.hp.com> rodean@fc.hp.com (Bruce Rodean) writes:
>
>Also did anyone notice that Mark O'Connor's fiddle wasn't picked up at
>all during that song.  Hell they even did a couple of close-ups on him
>during the song and you couldn't hear anything.  I wonder if the live
>audience missed out on that as well.
>

I heard that someone forgot to turn on his microphone!!!

Jennifer


>--
>Bruce Rodean                          Hewlett-Packard Company
>rodean@fc.hp.com
>


Newsgroups: rec.music.country.western
From: alberter@untadh.enet.dec.com (Ludwig Alberter)
Subject: Re: News on the Highwaymen
Reply-To: alberter@untadh.enet.dec.com (Ludwig Alberter)
Organization: Digital Equipment GmbH, Muenchen
Date: Thu, 1 Oct 1992 09:27:45 GMT


In article <AVH7KMC@gwdu03.gwdg.de>, mkunze@gwdgv1.gwdg.de writes:

I have just heard that Kris Kristofferson is leaving the Highwaymen (Willie 
Nelson, Waylon Jennings, Kris Kristofferson).

You forgot to mention Johnny Cash as the fourth member.

Are the "Highwaymen" really a group or is it just that those four grand old 
singers come together once in a while, practice some old and new great songs,
put it together to a concert and occasionally record it to an album ?
If Kris really would leave them, I think they would not loose too much of their
vocal power, but they wouldn't be the same as before - he really belongs to
the other three.

Btw, did they publish more albums than those two that I have: HIGHWAYMEN (1985)
and HIGHWAYMEN 2 (1991) ? 
--

regards,
Ludwig

		          ^  ^  ^ 
		 EXTRA   / \/ \/ \ NULLA
		BAVARIAM \ /\ /\ / VITA
		          v  v  v
From: lyndap@Novell.COM (Lynda Peterson)
Newsgroups: rec.music.country.western
Subject: Re: No Show Jones Saves the Show
Date: 5 Oct 92 16:17:27 GMT
Organization: Novell, Inc.

> *I think he really is going to end up retiring or at least taking a long
> vacation. I think it's a combination of sincere realization of the  
importance
> of family and what he stands to miss out on if he's not around and just  
plain
> disgust with what he's seen on the "inside" of the industry.
> 
Garth canceled his world tour and is taking 8 months off next year. If an  
artist only works 4 months of the year, can he still be an "Entertainer of  
the Year?"
Newsgroups: rec.music.country.western
From: ctp1575@tamsun.tamu.edu (Christoph Purifoy)
Subject: 10 Worst Country Songs
Followup-To: marshall@force.ssd.lmsc.lockheed.com
Organization: Texas A&M University, College Station
Date: Tue, 29 Sep 1992 22:13:31 GMT


First off, What is wrong with "Baby's Got Her Blue Jeans On?"  That is
a good song.
Second, what is wrong with Billie Joe Royal?
Third......."SHAMELESS????????"   Are you kidding?  Or were you just
trying to get flames started?

                     GARTH IS GOD!!!!!!!!!!!!
That is that needs to be said about that one.



-- 
Todd Purifoy                                AGRICULTURE:  Never before
ctp1575@tamsun.tamu.edu                     have so few, fed so many, 
purifoy@ageco.tamu.edu                      for so little.
From: sml@ssc-vax (Stuart Lewis)
Newsgroups: rec.music.country.western
Subject: Re: Top 100 Country Songs of All Time
Keywords: #76, "There's A Star Spangled Banner.."
Date: 29 Sep 92 23:11:32 GMT
Reply-To: sml@ssc-vax.UUCP (Stuart Lewis)
Organization: Boeing Aerospace & Electronics

It's been a long time since I heard this song and I have to admit a
lot of surprise at seeing such an old one as this make the top 100 -
if for no other reason than the one stated.... "Who???, WHat???"

Basically, it's a WWII "rallying" song (propoganda - and I don't
mean that derogatorily).  I concerns a young man who wants to join
the armed forces and fight for his country, but (if I remember
right) he's crippled and they won't take him.  The song goes on and
names off a buch of famous Americans who did great things, and the
chorus is that there's a Star Spangled Banner waving somewhere for
him (and he hopes he gets there).

Like I said, it's real propaganda-ish and sort of equates being a
good American by going off to fight, and that even a crippled man
wants to enlist for his country.

For those of you in the Puget Sound region, you can hear this song
at least twice a year: every Memorial Day, and every Veterans Day.
Actually, the Sunday before, or so.  Tune in "Music with Moscowitz"
on 106.1, KRPM, on Sundays at 7pm.  He's sort of a local version of
Dr. Demento, for those of you who are familiar with him.  Anyway, he
plays this song at least during those times of the year (and maybe
others, if requested).

Stuart Lewis
sml@ssc-vax.boeing.com

> 76. "There's a Star-Spangled Banner Waving Somewhere", Elton Britt (???,
>       another one I've never heard. From 1942.)
From: kjun@typhoon.atmos.colostate.edu (Pat Fitzpatrick)
Newsgroups: rec.music.country.western
Subject: Re: Bottom Ten C/W Songs
Date: 30 Sep 92 19:32:54 GMT
Organization: Colorado State University -- Atmos Sci

>The station I
>listen to most (KDHT, Greeley, CO) plays "real country" they air it.
>(which is to their credit.  None of the other stations would ever play
>a song that wasn't in the "Top 40" of country music)

This is an excellent station, and I hope more stations in the US follow
its format. Another thing they do I like is play songs with a certain
theme on the weekends (about 2 or 3 an hour) which makes for fun listening!
From: dfausett@zach.fit.edu ( Donald W. Fausett)
Newsgroups: rec.music.country.western
Subject: Re: Red River Dave
Date: 30 Sep 92 19:44:47 GMT
Organization: Florida Institute of Technology, Melbourne USA

In article <1a6r8fINN3a5@usenet.INS.CWRU.Edu> bh419@cleveland.Freenet.Edu 
(Ted B Samsel) writes:
>
>  Anyone out there remember Red River Dave McHenry from San
>Antonio? 

Wow, somebody else knows about Red River Dave.  I'll bet there aren't
too many of us around.  I used to live in Bandera when I was a boy,
and I saw Dave perform in person a time or two at outdoor events.  I
believe that it was after a baseball game on one occasion.  (I was too
young to get into places like the Cabaret or the Silver Dollar at the
time.)  Dave also used to do a sterling rendition of "Oklahoma Hills".
He had a radio program on one of the San Antonio stations in those days.
I am glad to hear that Dave is still performing somewhere.

-- 
+  Don Fausett  <dfausett@zach.fit.edu>  +       ___   __    ____     +  
|  Department of Applied Mathematics     |      /_     /      /       | 
|  Florida Institute of Technology       |     /     _/_     /        | 
+ ************************************** + ************************** + 
Newsgroups: rec.music.country.western
From: shenkin@avogadro.barnard.columbia.edu (Peter S. Shenkin)
Subject: Re: Bottom Ten C/W Songs
Organization: Dept. of Chem, Barnard College, Columbia U, New York
Date: Wed, 30 Sep 1992 17:54:16 GMT
X-Posted-From: avogadro.barnard.columbia.edu
NNTP-Posting-Host: sol.ctr.columbia.edu

Speaking of "Phantom 309," has anyone heard the Tom Waits version?  It's
a scream.  From his "Nighthawks at the Diner" album.

	-P.
-- 
************************f*u*cn*rd*ths*u*cn*gt*a*gd*jb*************************
Peter S. Shenkin, Department of Chemistry, Columbia Univ.,  New York, NY 10027
(212)854-8402    shenkin@avogadro.barnard.columbia.edu   shenkin@cunixf.BITNET
*********************** UNIX:  the wave of the present ***********************
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
Newsgroups: rec.music.country.western
Subject: Pop/Country/Rock/Whatever
Date: 2 Oct 1992 17:45:07 GMT
Organization: University of California, Santa Cruz
Distribution: na
NNTP-Posting-Host: ucscb.ucsc.edu


Someone said in the midst of all the CMA discussion something along the
lines of "why don't Wynonna and Suzy Bogguss and Garth Brooks and BRC just
_say_ they're making pop music, instead of corrupting country music?"  Well,
I don't want to resurrect this discussion _too_ much, but...
  I don't think they (the artists) really care.  I think they're making
music that they enjoy.  If I had any musical talent and had to cut an album,
it would be some weird hybrid of rock, folk, and country, and they wouldn't
know where in the record store to put me.  It's the record companies that
decide to promote the music as one genre or another, and CMA nominated those
artists.  You don't have to like the "non-traditionalist" music, but I don't
think it's fair to blame them for "ruining" anything.  Personally, I
wouldn't go near country music if not for the likes of Wynonna Judd and
Garth Brooks, and most "traditional" country makes my skin crawl.
Obviously, we're dealing with a sector of music that is far more broad than
some people choose to recognize.  (Think of rock music; it covers everything
from Elvis to Air Supply to Spinal Tap.)

So, lets just admit that there's _always_ going to be some music that you
don't like, and nobody said you had to like it.

Adam

==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider               indigo@ucscb.ucsc.edu              U.C. Santa Cruz 
             "Your actions will follow you full circle 'round..."
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Newsgroups: rec.music.country.western
Subject: Re: C&W Lyrics Quiz #3 - RESULTS/ANSWERS
From: pscott@nutmeg.ntu.edu.au (Phil Scott)
Date: 29 Sep 92 21:47:05 +0900
Organization: Computer Science, Northern Territory University, Australia

Bob Marshall writes (inter alia):

>15. "We'll tell the man to turn the jukebox way down low"
>JIM REEVES, "HE'LL HAVE TO GO" (If you got this one, you're in my book

Correct me if I'm wrong, but wasn't this "I'll tell the man..."?

Sorry Bob, couldn't resist.

Cheers from tropical Australia,
-- 
Phil Scott (pscott@cs.ntu.edu.au) Phone: +61 89 466519 Fax: +61 89 270612
Dept. Computer Science, NTU, PO Box 40146, Casuarina, NT, 0811, Australia
From: QUINN@GONZAGA.BITNET
Newsgroups: rec.music.early
Subject: RE: Soprano(s) & Recorder(s)
Date: 30 Sep 92 04:56:00 GMT
Article-I.D.: GONZAGA.01GPE7XFCFF400144R
X-VMS-Cc: QUINN
Content-transfer-encoding: 7BIT

From: "(Ray Brohinsky)" <raybro@SUN1X.ACTC.RES.UTC.COM>
Subject: RE: Soprano(s) & Recorder(s)
 
> Telemann has both the canonic sonatas and another set of duets which
> are usually published as being for flutes or violins. If you see them
> in an addition for violins, though, be prepared to move them up a fourth
> or fifth.
 
Excellent post, Ray -- a definite keeper.  One quick correction,
though -- the violin version is the same one you use for transverse
flutes -- if you want to play them on alto recorder you transpose them
up a minor third, or, if that results in too many flats for your taste
(and it won't put the music up too high), use a perfect fourth.
 
BTW, there is a great CD of the (non-canonic) sonatas played on recorder
by Michaela Petri.
 
:-)
 
James Quinn
Spokane, WA
Quinn@Gonzaga.Bitnet
From: DKWILSON@UCS.INDIANA.EDU
Newsgroups: rec.music.early
Subject: RE: HANDEL: Tolomeo
Date: 2 Oct 92 07:58:01 GMT
Article-I.D.: AEARN.EARLYM-L%92100218592566
Content-transfer-encoding: 7BIT

Matthias Rademcher,
 
Is this Tolomeo performance on baroque instruments?  Who's conducting?
Newsgroups: rec.music.early
From: jim@nimbus.com (Jim Washburn)
Subject: Re: songs by Sir Thomas Wyatt / Robert Burns
Reply-To: jim@nimbus.com (Jim Washburn)
Organization: Nimbus Technology, Santa Clara, CA USA
Date: Tue, 6 Oct 1992 17:21:20 GMT

In article <5OCT199211544754@eccles.caltech.edu> inr@eccles.caltech.edu (I. Neill Reid) writes:
>From: QUINN@GONZAGA.BITNET
>
>>I once heard an "original" version of Auld Lang Syne-- both original music and
>>language -- I wish I had taped it -- it was magnificient.
>
>>James Quinn
>>Quinn@Gonzaga.Bitnet

The version of Auld Lang Syne heard on the radio show Thistle and Shamrock
was most likely the version recorded by the Scottish group called the Tannahill Weavers.
That version was played on the show, and is indeed magnificent. The song was included
in a recording, "Tannahill Weavers IV", which was released in the States in 1982 by
Green Linnet Records.

-jim
From: john@minster.york.ac.uk
Newsgroups: rec.music.early
Subject: Some UK publications
Date: 4 Oct 92 18:00:43 GMT
Organization: Department of Computer Science, University of York, England

The National Early Music Association of the UK is to issue
the 1993 UK Early Music Yearbook in December 1992. It is the
essential reference book for early music in the UK. It includes:

	* articles on the work of NEMA, The UK Early Music Centre
	  and the regional UK Early Music Fora.

	* a directory of useful addresses e.g. the fora; UK and
	  overseas societies; worldwide periodicals; specialist
	  publishers; sources of performing material; concert promoters;
	  artists agents; educational establishments; specialist
	  record companies; dealers in books, music, recordings and
	  instruments; instrument collections; international exhibitions;
	  summer schools; international festivals;

	* a buyer's guide to over 600 early music instrument makers
	  worldwide;

	* the UK register of early music, now listing over 2000
	  individuals and ensembles, professional and amateur,
	  including performers and teachers, makers and researchers,
	  with sub-listings by activity and location.

Before 1st November, it is available at the special price of #5-50,
after which it will cost #8. Payment preferred by sterling cheque or
Eurocheque backed with the card number, other forms of payment to
include a surcharge of #5 to cover bank charges. Post and packing
included - though the information I've seen is not clear whether
this holds for overseas destinations.

The Yearbook (ISSN 0967-6619) may be ordered from: NEMA, 8 Covent Garden,
Cambridge, UK, CB1 2HR.

----

The Musical Times (published by the Oxford University Press) is selling a
full colour 12-page Early Music Calendar for 1993. It features paintings
which have appeared on the cover of the OUP's journal Early Music.

Copies are available for #6-95 (1 off), #6-25 (2-9 off) or #5-95 (10 up),
including UK P+P. There is a surcharge of #1 for overseas postage. You may
order by phone and pay by credit card by phoning 0858 410222. Please allow
up to 28 days for delivery in UK, up to 42 days if overseas.

You may pay in US $ for orders placed in the US: $11-95 (1 off), $10-95
(2-9 off) or $9-95 (10 up), including P+P. Credit card orders may be placed
by phone to 011 44 858 410222. Please allow up to 42 days for delivery.

----

I have no connection with NEMA or the Musical Times, except as an
intending purchaser of these publications. :-)

John A. Murdie
From: JOLACEY@IRLEARN.UCD.IE (Joanne Lacy)
Newsgroups: rec.music.early
Subject: RE: Soprano(s) & Recorder(s)
Date: 1 Oct 92 13:56:47 GMT
Article-I.D.: AEARN.EARLYM-L%92100114013672
In-reply-to: Message of Tue,29 Sep 1992 18:14:51 GMT from <raybro@SUN1X.ACTC.RES.UTC.COM>
Content-transfer-encoding: 7BIT

Hi folks!
 
It's Joanne here again.........does anyone out there play the oboe???..who
will admit to it!!
 
If so please mail me back and we can swop notes!
 
Joanne
 
 
 ps....the same applies if you play the flute
From: spencer%zeus@UUNET.UU.NET ((Spencer Hines))
Newsgroups: rec.music.early
Subject: RE:  Sellers of Early Keyboard Music
Date: 2 Oct 92 05:41:20 GMT
Article-I.D.: zeus.9210021341.AA06112
Content-transfer-encoding: 7BIT

I have a lot of catalogues for ordering early music from various
sources, most of which also have retail stores.  However, they're
weighted in favor of recorders.
 
I could post a list of sources from my pile.  I would think this
would be a FAQ...maybe someone's got such a precompiled list.
 
Let me know if you want me to post my list of catalogues.
 
Spencer
From: Ray.Brohinsky@f401.n109.z1.fidonet.org (Ray Brohinsky)
Sender: Uucp@blkcat.UUCP
Newsgroups: rec.music.early
Subject: Soprano(s) & Recorder(s)
Date: Mon, 05 Oct 1992 17:15:59 -0500

Organization: United Technologies Research Center

QUINN@GONZAGA.BITNET writes:
: From: "(Ray Brohinsky)" <raybro@SUN1X.ACTC.RES.UTC.COM>
: Subject: RE: Soprano(s) & Recorder(s)
:  
: > Telemann has both the canonic sonatas and another set of duets which
: > are usually published as being for flutes or violins. If you see them
: > in an addition for violins, though, be prepared to move them up a fourth
: > or fifth.
:  
: Excellent post, Ray -- a definite keeper.  One quick correction,
: though -- the violin version is the same one you use for transverse
: flutes -- if you want to play them on alto recorder you transpose them
: up a minor third, or, if that results in too many flats for your taste
: (and it won't put the music up too high), use a perfect fourth.

Thanks, I needed that.

Actually, though, you're a good half right: I use the violin version
with my wife-the-violinist, using a tenor recorder. There are C#'s,
for which I have to close the bell with my leg (looks weird, but
works). She won't transpose at sight, and I'm too work-loaded to
do it by hand or CopyistDTP, so we do skip some movements altogether.

For altos, yes, the transposition is just right.
:  
: :-)
:  
: James Quinn
: Spokane, WA
: Quinn@Gonzaga.Bitnet
From: cbrewer@GARNET.ACNS.FSU.EDU (charles e. brewer)
Newsgroups: rec.music.early
Subject: RE:Medieval Sources
Date: 6 Oct 92 07:23:20 GMT
Article-I.D.: garnet.41001.cbrewer
Content-transfer-encoding: 7BIT
X-Nupop-Charset: English

In Message Mon, 5 Oct 1992 19:15:13 -0400, E7M7GRI@TOWSONVX.BITNET writes:
 
>I am trying to locate the music for the following:
>
>Italian 14th century Lauda: "Gloria'n cielo e pace'n terra"  (Anon.)
>English 13th-century motet: "Excelsus in numine"
>
>Any help would be appreciated.
>
>Gene Griswold
>Towson State University
 
Since Prof. Lincoln has provided you with the lauda, look for the motet in
Polyphonic Music of the Fourteenth Century.  There are are least two volumes
of English material from the Worcester School and the fourteenth century,
edited by Ernest Sanders, Frank Ll. Harrison, and Peter Lefferts.
Charles E. Brewer, School of Music R-71, The Florida State University,
Tallahassee, FL 32306-2098 (cbrewer@garnet.acns.fsu.edu)
From: MMW@LNS62.TN.CORNELL.EDU
Newsgroups: rec.music.early
Subject: RE: Waverly Consort recordings
Date: 6 Oct 92 11:38:00 GMT
Article-I.D.: LNS62.01GPMTF8QGWG8WX0GF
X-VMS-Cc: MMW
Content-transfer-encoding: 7BIT

Thanks to Rick for the info on the Berkshire Record Outlet.  I just called.
There is a $2 charge for the catalog.  The address is:
                RR 1
                Lee, Mass 01238
 
Meredith Williams
mmw@crnlns
mmw@lns61.tn.cornell.edu