HDTenEightyP/NetNews huggingface dataset:
From: dmaclaug@agsm.ucla.edu (saki)
Newsgroups: rec.music.beatles
Subject: Re: "Not only...but also...."
Organization: UCLA, Anderson Graduate School Of Management
Date: 7 Apr 92 17:57:24 PDT

In article <1992Apr5.081707.14036@syma.sussex.ac.uk> stevedc@syma.sussex.ac.uk (Stephen Carter) writes:
>[Re: connections between the Beatles and Cook & Moore]
>There is a MUCH better one in that Dud & Pete did a show called 'Not
>Only But Also' and John appeared on it to plug his first (?) book and
>to appear in a few sketches.

That must have been Peter Cook and Dudley Moore's radio version of
their revue, not the stage version. My sources say that John appeared
as a guest with Cook and Moore on BBC radio on 9 January 1965. He was
probably plugging his first book, "In His Own Write", though his 
second, "A Spaniard In The Works", was in process and was published
a mere six months later, so he could conceivably have read some poetry
from the upcoming book. John did make a TV appearance for "A Spaniard..."
later that year, on a BBC TV show called "Tonight"; he was also active
in promoting it by radio.

Another connection between Lennon and Cook & Moore (since we seem to
be collecting them here): Eleanor Bron, who appeared in the Beatles'
film "Help!" was also the female lead in Peter Cook and Dudley Moore's
1968 satire "Bedazzled". And one more coincidence: Bron's father Sidney
once employed Dick James, who became the Beatles' music publisher.

--
"I get something in me head, you know, and all the
walls of Rome couldn't stop me."
----------------------------------------------------
saki (dmaclaug@agsm.ucla.edu)
From: fenick1@husc8.harvard.edu (Sharon Fenick)
Newsgroups: rec.music.beatles
Subject: Re: Review: George at the Albert Hall
Date: 8 Apr 92 14:25:21 GMT
Article-I.D.: husc3.1992Apr8.102521.10839
Organization: Harvard University Science Center

In article <1992Apr7.181538.7063@gdr.bath.ac.uk> maptjg@gdr.bath.ac.uk (T J Garratt) writes:
>
>Well, I was lucky enough to be there last night when George
>played his first concert (i.e. a full set of songs) in the UK
>since 1965! It was an incredible evening by all accounts....
>
permission to be more jealous than i've ever been in my life?

sharon
From: keithg@hpdmd48.boi.hp.com (Keith Glasson)
Date: Sat, 11 Apr 1992 08:43:03 GMT
Subject: Re: BeatleTrivia
Organization: Hewlett Packard - Boise, ID
Newsgroups: rec.music.beatles

/ hpdmd48:rec.music.beatles / deryl@waikato.ac.nz /  5:04 pm  Apr  9, 1992 /
In article <1992Apr8.190854.17463@ncsu.edu>, cmgrawbu@eos.ncsu.edu (CHRISTOPHER M GRAWBURG) writes:
> 4000
> 
Just because there were 4000 rather small holes in Blackford Lancashire, which
he counted... does that necessarily imply that 4000 is the number required
to fill the Albert Hall?

Deep metaphysical question... :-)

Deryl

----------
It is implied-"now they know how many holes"-but not expressly implied.
The holes in Blackford Lancashire might might only be used as a ratio
to calculate how many holes it does take to fill the hall
 
Shallow, superficial answer... :-|
From: bad@pismo.sw.stratus.com (Bruce Dumes)
Newsgroups: rec.music.beatles
Subject: Re: Beatles (the dark side)
Date: 15 Apr 92 13:18:38 GMT
Organization: Stratus Computer, Software Engineering

In article <1992Apr14.205841.1635@menudo.uh.edu> edc@evolution.bchs.uh.edu (edward s. chen) writes:
>
>Mary's death was a bit more abstract for the young Paul.  He internalized his
>own pain tightly, only occasionally allowing it to the fore.  However, it was
>always there.

I'm sure that's true, but it's hard to get that feeling from Paul. 
Especially when you read that one of the first things Paul said after her
death was "What are we going to do without her money?" 

I also think that Paul is still very much feeling the effect of John
Lennon's death.  However, in Paul's case, I think he is now trying to
prove to himself and the world that *he* was the one.  Because John
has become somewhat mythologized, he is unable to (at least in his own
mind) overcome this hurdle.

Bruce




-- 
Bruce Dumes			| "Bruce is too obsessed with the Beatles"   |
Stratus Computer, Inc.		|   --comment on report card from Spring '64 |
bad@sw.stratus.com              
508-460-2816
From: kent_f1@verifone.com
Newsgroups: rec.music.beatles
Subject: Re: FAME School and the Beatles
Date: 10 Apr 92 19:56:41 HST
Organization: VeriFone Inc., Honolulu HI

> One of Paul's current pet projects is turning his old school, the Liverpool
> Institute into a "Fame" type school.  I was thinking about this, and realized
> that even had such a school existed in Liverpool in the 1950's, it wouldn't
> have helped the fledgling fabs.  

I agree.  I think it very well have killed the whole thing.  Keep in 
mind where the pre-Brian Teddy leather-clad Beatles were coming from.   
Having to mold their talents into a school's format would have destroyed
the rebel-ness that the Fabs had and represented.  I think that a
Fame school of 1950's workingclass Liverpool would have been a
far cry from the 1980's television show set in New York City.

Still, I applaud Paul for the effort.

-------------------------------------------------------------
| Kent Fletcher	           |				    |
| 150 Hamakua Drive #513   |  I test + for Rickenbakeritis  |
| Kailua, HI  96734	   | 				    |
-------------------------------------------------------------
From: dmaclaug@agsm.ucla.edu (saki)
Newsgroups: rec.music.beatles
Subject: Re: The genesis of "Hey Bulldog"
Summary: ...and the borrowings of anecdotes, in general
Date: 15 Apr 92 22:56:46 GMT
Organization: UCLA, Anderson Graduate School Of Management

In article <167C6BFB4.MHIRS00@ricevm1.rice.edu> MHIRS00@ricevm1.rice.edu (Hirsh, Marc Bennett) writes:
>I could be wrong (it's happened before), but wasn't this "Hey Bulldog?" Or was
>that when they were waiting to record another song ("Lady Madonna?"), found
>that they had a few hours left in the studio, and hammered "Bulldog" out? Or
>maybe they're both the same thing?

The confusion (whether "Hey Bulldog" was the song written/recorded at
the last minute, or whether "Northern Song" was) probably reflects the
spontaneous, disorganized state of the Fabs' scheduling during their
latter recording career. "Hey Bulldog" was, according to "Recording
Sessions", written specifically for the animated film "Yellow Submarine",
though the sequence containing it didn't make it into *most* final
releases of the film.

The Fabs had booked their studio time at Abbey Road on Sunday 11 February
1968 to provide an opportunity for a promotional film to be made, not
for "Bulldog" but for "Lady Madonna". Instead of rehearsing or whatever
for that purpose, the Beatles decided to actually record "Hey Bulldog",
making their way through ten takes by the time the session ended at
2 a.m.

The story about "someone" quickly writing last-minute lyrics could be 
a misremembered analogy from previous situations ("I Wanna Be Your Man", 
"Misery") but the bit about "keeping an orchestra waiting till 2 a.m." 
is a curious embellishment; neither "Northern Song" nor "Bulldog" have
an orchestra accompaniment. Could the "orchestra" detail have been
borrowed from another circumstance? Maybe one of the orchestra members
present during the recording of "A Day In The Life", which was done on
10 February 1967, was anxious to go home and invented a tall tale about
being kept up past his bedtime. :-)
--
"Listen to this! I'm going to give it expression as well."
-------------------------------------------------------------
saki (dmaclaug@agsm.ucla.edu)
From: dfl@panix.com (Danny O'Bedlam)
Newsgroups: rec.music.beatles
Subject: Re: Hey Jude, the album
Date: 14 Apr 92 09:26:23 GMT
Organization: Panix, (New Yawk City)

In <1992Apr14.034748.14666@cs.mcgill.ca> timelord@cs.mcgill.ca (Jeffrey JACOBS) writes:
>Funny, I bought mine in France, where it had been sitting around since
>1967, if you can believe it.  It was in fact printed by EMI in England.
>Interestingly enough, the title on the album is "The Beatles Again."

	the 'illustrated record' lists the date of HEY JUDE as FEB 26 1970.
Dont let me down and Revolution were recorded in 1968, 
Ballad of John & Yoko/Old Brown Shoe were recorded in 1969.
Whatever was around in 1967 didnt have those songs on it.

Im sure that the album HEY JUDE was made by EMI in England in 1970 or
later, but not before the material was recorded.
-- 
***********************************************************************
* Danny O'Bedlam  = dfl@panix.com = cmcl2!panix!dfl = Danny Lieberman *
* PO Box 3131 Church St Station, New Yawk, New Yawk, 10008-3131 (usa) *
***********************************************************************
From: prokopy@en.ecn.purdue.edu (Dave)
Newsgroups: rec.music.beatles
Subject: Re: Beatles influence on REM?
Date: 8 Apr 92 01:03:41 GMT
Organization: Everywhere

In article <32304@darkstar.ucsc.edu>, chelle@cats.ucsc.edu (Mavourine Tesoro) writes:
> 
> on a nostalgia kick for the past few days, i've been listening
> fairly continuously to ``Rubber Soul.''  whatta great album!
> 
> anyway, i was noticing that some of the guitar riffs --
> particularly on _If I Needed Someone_ -- sound particularly
> REM-ish.  'anyone know if the guitarist in REM has ever
> confessed to have come under the influence of the Beatles?
> 
> and here i always thought of REM as being *totally* original... ;-)
> 
> michelle

Uhh... actually I remember reading once that Pete Buck (guitarist for
R.E.M.) said that he HATED "Sgt. Pepper..."  I would say that both the
Beatles and R.E.M. were heavily influenced by the Byrds, however.
("If I Nedded Someone" aounds strickingly similar to the Byrds (earlier)
release "The Bells Of Rhymny".  I think George admits this, too.)
This all gets back to my wish that Roger McGuinn would be the next
Wilbury, but let's not get into THAT again... :)

-- 
David Prokopy - prokopy@en.ecn.purdue.edu
"Now a life of leisure and a pirate's treasure don't make much for tragedy.
 But it's a sad man, my friend, who's livin' in his own skin and can't stand
   the company..."                -Bruce Springsteen, 1992
From: bh@anarres.CS.Berkeley.EDU (Brian Harvey)
Newsgroups: rec.music.beatles
Subject: Re: SHE LOVES YOU #1 ???
Date: 16 Apr 92 22:07:17 GMT
Article-I.D.: agate.sktqlINN8ig
Organization: University of California at Berkeley
NNTP-Posting-Host: anarres.cs.berkeley.edu

nelson@palmerc@abulafia.b21.ingr.com (Nelson Jordan) writes:
> To qualify for a gold record, one has to pay an application fee of $450.

Every time I think I've finally gotten over being naive, someone comes along
and shatters another illusion.  Here I thought they gave gold records just
based on merit (as measured by sales, that is :-) as a disinterested public
service.

Next you're probably going to tell us that Saki gets paid by the word...

P.S.  How come everybody else's Pnews lets them post followups with a
zillion lines of quotation and three lines of new stuff, and mine doesn't?
From: bh@anarres.CS.Berkeley.EDU (Brian Harvey)
Newsgroups: rec.music.beatles
Subject: Re: Lennon/McCartney
Date: 8 Apr 92 14:56:38 GMT
Article-I.D.: agate.rv1j6INNjo9
Organization: University of California at Berkeley
NNTP-Posting-Host: anarres.cs.berkeley.edu

kent_f1@verifone.com writes:
>> (Brian Harvey) writes:
>> 2.  Their work benefitted from *being Beatles* -- from the hype, the
>>     pressure, the zillions of eager fans, all that. 
>
>If that were true, we'd all be looking back and saying "I guess those songs
>weren't so good after all".  Clearly, that's not the case.  Just give me
>the HDN soundtrack and a pair of headphones and I'm on cloud 9.  The truly
>great songs just keep getting better and better.

No, no, I didn't mean that our perception was affected by the hype.  I meant
that *their* lives were so hectic and adrenaline-filled that it inspired
their music in the direction of rocking hard.  Sort of the musical
equivalent of Charles Dickens writing his books a-chapter-a-week to meet
magazine deadlines.

P.S.  I stand by "40-year-olds can't rock" without admitting any of those
exceptions you mentioned.  I think even Ray Davies has been slowing down
lately -- his stuff is still loud and wild, but it doesn't feel new.  It
feels like any old '90s MTV stuff.
From: bad@pismo.sw.stratus.com (Bruce Dumes)
Newsgroups: rec.music.beatles
Subject: Re: Review: George at the Albert Hall
Date: 14 Apr 92 12:07:28 GMT
Organization: Stratus Computer, Software Engineering

In article <1992Apr7.181538.7063@gdr.bath.ac.uk> maptjg@gdr.bath.ac.uk (T J Garratt) writes:
>
>Well, I was lucky enough to be there last night when George
>played his first concert (i.e. a full set of songs) in the UK
>since 1965! It was an incredible evening by all accounts....
>

I saw a clip from the concert on MTV and it included a very short interview
with George.  He was playing "Taxman" in the clip.  It really did sound
great.  And fortunately, I had a videotape handy! :-)

So a complete video must exist...I wonder how long it'll be before that starts
circulating in the collector arena... 

Bruce

-- 
Bruce Dumes			| "Bruce is too obsessed with the Beatles"   |
Stratus Computer, Inc.		|   --comment on report card from Spring '64 |
bad@sw.stratus.com              
508-460-2816
From: dmaclaug@agsm.ucla.edu (saki)
Newsgroups: rec.music.beatles
Subject: Re: Vee-Jay's legal battles
Date: 15 Apr 92 23:23:06 GMT
Organization: UCLA, Anderson Graduate School Of Management

In article <1992Apr15.171149.14574@cunixf.cc.columbia.edu> brennan@cunixf.cc.columbia.edu (Joseph Brennan) writes:
>
>The legal problem was that Vee Jay's license from the music publisher
>for Love me do/P.S. I love you had expired by the real release date....
>
>The Vee Jay releases are covered in even more depth than this in a book
>released a year or two ago, and of course I cannot now recall the
>author or title, sorry.

There's a short history of the Vee-Jay story in Perry Cox and Joe
Lindsay's "The Beatles Price Guide for American Records" (1990),
p. 68, plus lots of helpful photos of all the label variations and
values thereof.
--
"Listen to this! I'm going to give it expression as well."
-------------------------------------------------------------
saki (dmaclaug@agsm.ucla.edu)
Newsgroups: rec.music.beatles
From: fanyl@vms2.iscs.nus.sg (FAN YENG LOON)
Subject: Two Virgins to be sold
News-Software: VAX/VMS VNEWS 1.41    
Organization: National University of Singapore Dept. of Computer Sc.
Date: Mon, 13 Apr 1992 17:22:00 GMT

Hi!  I would like to sell off my 'Two Virgins' by John and Yoko (UK made.)
I am trying to find out how much it would fetch, as I cannot decide the 
price I am letting it go.   
Please help desperate ol' me.  Many thanks in advance!!!  *8)

p/s  Emails would be most welcome.

-applecore-
"I've got blisters on my fingers!" - Ringo
fanyl@iscs.nus.sg | fanyl@nusdiscs.bitnet
Newsgroups: rec.music.beatles
From: stevens1@evax2.engr.arizona.edu
Newsgroups: rec.music.beatles
Subject: glitch in beatles cd
Date: 15 Apr 92 04:34:55 GMT
Reply-To: stevens1@evax2.engr.arizona.edu
Distribution: world,local
Organization: University of Arizona, College of Engineering and Mines, Tucson

If you have the CD version of Magical Mystery Tour, try this:
Put on headphones and crank the volume; Fast forward to
Strawberry Fields, about 2:06 into the song, in the left
channel, listen closely.  
Same thing with All You Need is Love, 24 sec. right channel.
Or am I just hearing things?





          --*Jane*--
From: exxtjg@gdr.bath.ac.uk (T J Garratt)
Newsgroups: rec.music.beatles
Subject: Re: Review: George at the Albert Hall
Date: 15 Apr 92 08:03:11 GMT
Organization: Guest of Bath University Computing Services, UK

In article <2169@transfer.stratus.com> bad@pismo.sw.stratus.com (Bruce Dumes) writes:
>In article <1992Apr7.181538.7063@gdr.bath.ac.uk> maptjg@gdr.bath.ac.uk (T J Garratt) writes:
>>
>>Well, I was lucky enough to be there last night when George
>>played his first concert (i.e. a full set of songs) in the UK
>>since 1965! It was an incredible evening by all accounts....
>>
>
>I saw a clip from the concert on MTV and it included a very short interview
>with George.  He was playing "Taxman" in the clip.  It really did sound
>great.  And fortunately, I had a videotape handy! :-)
>
>So a complete video must exist...I wonder how long it'll be before that starts
>circulating in the collector arena... 
>

Thanks Bruce for reminding me; I notice at least one camera
in the Albert Hall (behind the mixing desk - pointing
at centre stage, some way back).
 
Tony
From: kp@cc.uow.edu.au (Karen Pepper)
Newsgroups: rec.music.beatles
Subject: Re: Beatles (the dark side)
Date: 16 Apr 92 05:36:14 GMT
Organization: University Of Wollongong

bad@pismo.sw.stratus.com (Bruce Dumes) writes:

>I also think that Paul is still very much feeling the effect of John
>Lennon's death.  However, in Paul's case, I think he is now trying to
>prove to himself and the world that *he* was the one.  Because John
>has become somewhat mythologized, he is unable to (at least in his own
>mind) overcome this hurdle.

I've found the perfect motto to go on the coat of arms when Paul
gets his life peerage. Appropriately enough, it's from 
_The_Satyricon_  (see below).

(For the non-classicists, it means "Pretend I'm dead - say 
 something nice.")


-- 
* Karen Pepper                  *                                     *
* Moth Wrangler and Stylist     *  " Fingite me mortuum esse. Dicite  *
*                               *    aliquid belli. "                 *
* kp@wampyr.cc.uow.edu.au       *                        - Petronius  *
From: dennis@hpwrce.HP.COM (Dennis Alstrand)
Date: Thu, 9 Apr 1992 23:59:53 GMT
Subject: Re: BeatleTrivia
Organization: the HP Mtn.View Resp. Cntr.
Newsgroups: rec.music.beatles

Yellow and Green
From: jcsmith@eos.ncsu.edu (Jay C. Smith)
Newsgroups: rec.music.beatles
Subject: Re: Anyone own the Japanese Imported Beatles CDs?
Summary: Mono vs. Stereo -- again
Date: 7 Apr 92 20:25:41 GMT
Organization: NCSU Project Eos

In article <1992Apr7.190604.24562@en.ecn.purdue.edu> prokopy@en.ecn.purdue.edu 
(Dave) writes:
>There was no
>indication of mono/stereo, and I was wondering whether or not the
>earlier stuff (ie, material from the first four EMI albums) was available
>on these in stereo, since we all sorta got shafted a few years' back...

Yes, we all did get shafted tremendously when the Sgt. Pepper CD was
released in stereo rather than mono.

(Sorry, but I couldn't resist!)

Mono forever!

Pardon me while I go back to listening to some of my Beach Boys CDs...
And my Elvis CDs...
And my Beatles 3" CD singles...
And the boxed set of Rolling Stones singles...
Phil Spector, anyone?

--
Jay C. Smith
Domain/internet: jcsmith@eos.ncsu.edu  uucp: ...!mcnc!ncsuvx!eos!jcsmith
------------------------------------------------------------------------
"Good.  For a minute I thought we were in trouble."
Newsgroups: rec.music.beatles
From: afcanav@lims01.lerc.nasa.gov (VIC CANACCI)
Subject: Re: Shared Vocals (was Re: Lennon/McCartney)
News-Software: VAX/VMS VNEWS 1.41    
Organization: NASA Lewis Research Center
Date: 10 Apr 1992 11:00 EST  

In article <44650@mentor.cc.purdue.edu>, hartigse@fe521.cc.purdue.edu (Scott Hartig) writes...
>In article <1992Apr9.170841.27700@pellns.alleg.edu> mccombj@reis4.alleg.edu (Joseph McCombs) writes:
>>In article <1992Apr9.150619.562@ux1.cso.uiuc.edu>  
>>rgp39716@uxa.cso.uiuc.edu (Rahul G. Patwari) writes:
>>
>>> In how many Beatles's songs was there a sharing of lead vocals, i.e. 
>>> "A Day In The Life" where Paul get's to sing the middle section?  I  
>>can't
>>> think of any others (I only have _Help!_ and beyond, though).
>>
>>Let's see... Just off the top of my head:
>>"I've Got a Feeling" (at least that last part...)
>>
>>Shoot!  I'm stumped on this one!
>>Can anyone else out there help?
>>
> 
>Well, John, Paul, and George all sang on "Sgt Pepper's Lonely
>Hearts Club Band (reprise)".  I'm pretty sure that's it.
>If you wanted to stretch it you could include "Revolution 9".
>But I think we can leave that one off the list.  Also,  (although
>it is not one song) the three song combo of "Mean Mr. Mustard",
>"Polythene Pam", and "She Came in Through the Bathroom Window".
>But that's probably stretching it too.  I'm thinking that there's
>something on "Rubber Soul" as well.

How about "Two of Us"

Vic Canacci, Sverdrup Tech., NASA Lewis Cleveland
From: rgp39716@uxa.cso.uiuc.edu (Rahul G. Patwari)
Newsgroups: rec.music.beatles
Subject: Re: Lennon/McCartney
Date: 9 Apr 92 15:06:19 GMT
Organization: University of Illinois at Urbana

kent_f1@verifone.com writes:

>>       The Lennon and McCartney songwriting patrnership is often regarded
>>   as a total or partial myth. It is true that the two stopped writing
>>  together in ameaningful way very early on. But the collabaration was
>>  essentially competitive anyway. 

>I'd say it's about 86.3% myth.  These guys would come up with songs and
>then get some degree of input from one-another.  I think the key to the 
>whole thing is that it WAS a competition.  I've read a number of quotes 
>from Paul and John to that effect.

>The question REALLY should be:
>  
>	Which Beatle songs were true 50-50 collaborations?
>        ==================================================

>        You might pick 'A Hard Day's Night' for starters.
>	How about 'Cry For A Shadow' (J + G)?

In how many Beatles's songs was there a sharing of lead vocals, i.e. 
"A Day In The Life" where Paul get's to sing the middle section?  I can't
think of any others (I only have _Help!_ and beyond, though).
-- 
Rahul G. Patwari         
rgp39716@uxa.cso.uiuc.edu
University Of Illinois  
At Urbana-Champaign    
Newsgroups: rec.music.beatles
From: ewing@.SanDiego.NCR.COM (David Ewing)
Subject: NRBQ (Re: Lennon/McCartney)
Reply-To: ewing@tara.SanDiego.NCR.COM (David Ewing)
Organization: NCR Corporation, Rancho Bernardo
Date: Fri, 10 Apr 1992 00:36:39 GMT

In article <rv1j6INNjo9@agate.berkeley.edu> bh@anarres.CS.Berkeley.EDU (Brian Harvey) writes:
>P.S.  I stand by "40-year-olds can't rock" without admitting any of those
>exceptions you mentioned.  

You obviously have never seen NRBQ live.

******************************************************************************
David A. Ewing                 "I think I've known, look, this economy is  
David.Ewing@SanDiegoCA.NCR.COM  in free fall.  I hope I've known it." 
                                                               -- George Bush
From: pdlemass@unix2.tcd.ie (Something original)
Newsgroups: rec.music.beatles
Subject: Re: Lennon/McCartney
Date: 9 Apr 92 12:54:24 GMT
Organization: Trinity College, Dublin

In <rqbidINN4hj@agate.berkeley.edu> bh@anarres.CS.Berkeley.EDU (Brian Harvey) writes:

>4.  Let's face it, 40-year-olds can't rock.  (Except maybe Ray Davies.)

And Neil Young of course.
From: kent_f1@verifone.com
Newsgroups: rec.music.beatles
Subject: Re: Lennon song
Date: 9 Apr 92 15:17:00 HST
Organization: VeriFone Inc., Honolulu HI

> "The Ballad of John and Yoko". 

A John song, yes.  But did you know that the whole thing was done by 
John + Paul.  George and Ringo took no part.  That's Paul on drums.
From: weiss@mott.seas.ucla.edu (Michael Weiss)
Newsgroups: rec.music.beatles
Subject: Re: "Strawberry Fields Forever" Edit
Date: 8 Apr 92 23:52:16 GMT
Organization: SEASnet, University of California, Los Angeles

In article <1992Apr5.165153.27038@nsisrv.gsfc.nasa.gov> alex@drax (Alex Measday) writes:
>On 3Jul91, David Faciane discussed a "Strawberry Fields Forever" edit
>at "about 0:55" which must exist before the line "Let me take you 
>down..."  That edit can be heard (so to speak).  Balance your stereo
>all the way to the right.  Listen closely at 0:55.  You'll hear *two*
>breath intakes.

The edit is four seconds later.  If you balance the stereo all the way to the
left, you can hear from the first part "Let me take you down 'cause I'm" and
then the word "going" is quite suddenly (and obviously) from the other take.
It's both abrupt and obvious.
--
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