HDTenEightyP/NetNews huggingface dataset:
From: anthonyh@granite.pa.dec.com (Anthony Head)
Newsgroups: rec.music.marketplace
Subject: WANTED: Vocal Mic. & Wind Controller
Date: 16 Dec 92 23:55:58 GMT
Reply-To: anthonyh@granite.pa.dec.com (Anthony Head)
Organization: Digital Equipment Corporation
NNTP-Posting-Host: granite.pa.dec.com

I am trying to get my hands on a good Vocal Mic. (eg/ Shure SM58 or better).

I'm also in the market for a Wind Controller, that will work with my Korg M1.

You can email me or call 415-617 3532.
Newsgroups: rec.music.marketplace
From: jyoo@cbnewsb.cb.att.com (jay.y.yoo)
Subject: buying a violin
Organization: AT&T
Distribution: ne
Date: Mon, 14 Dec 1992 15:12:02 GMT

I'm looking to buy a used size 1/8 violin for my daughter.
If it's working condition and reasonably priced please call me
at 908 949 5725 (Jay) or jyoo@honet9.att.com.
From: jason@retina.anatomy.upenn.edu (Jason Ehrlich)
Newsgroups: rec.music.marketplace
Subject: Wanted: Dregs, Paula Hatcher.
Date: 13 Dec 92 22:24:47 GMT
Organization: Dept. of Neuroscience, U. of Pennsylvania

Greetings net,

I'm looking for anything by The Dregs and the Paula Hatcher Jazz
Quintet, on CD if at all possible.

If anyone has a good-condition copy of "Zone 5" (by Paula Hatcher &
co.), which was distributed free in copies of Digital Audio magazine
sometime in 1988, I'd like that too.

Please reply via e-mail.

Thanks!
jason

-- 
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Jason Ehrlich *  jason@retina.anatomy.upenn.edu (or jehrlich@aol.com)       *
SysOp, *StarLine* Information Systems - Data (215) 635-2341 (v32bis)        *
"The Universe is Change; Our Life is what Our Thoughts Make It." - Antoninus*
Newsgroups: rec.music.marketplace
From: peppler@ux1.cso.uiuc.edu (Randy Peppler)
Subject: Two CDs for Sale
Organization: University of Illinois at Urbana-Champaign
Distribution: na
Date: Fri, 18 Dec 1992 16:34:38 GMT

I have two essentially unplayed CDs for sale.  $5 each postpaid gets them:

Robert Plant		Manic Nirvana
The Cars		Door to Door

Please respond to this post via e-mail (big R or small r)...

-- 
-------------------------------
| Randy Peppler               |
| Illinois State Water Survey |
| peppler@ux1.cso.uiuc.edu    |
From: barothwe@floyd.cca.cr.rockwell.com
Newsgroups: rec.music.marketplace
Subject: ==> +30db GAIN Circuit for Your Guitar: $25 <==
Date: 18 Dec 92 21:16:56 GMT
X-Received: by usenet.pa.dec.com; id AA09349; Fri, 18 Dec 92 13:17:20 -0800
X-Received: by inet-gw-2.pa.dec.com; id AA19301; Fri, 18 Dec 92 13:17:18 -0800
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	id AA01202; Fri, 18 Dec 92 15:16:57 -0600
X-To: rec.music.marketplace.usenet
X-Mts: smtp


I wanted to make anyone who is interested aware...

	A local service tech has come up with a really slick circuit
that will add 30 db of gain to your signal!

		o  +30db og PURE GAIN
		o  DOES NOT change your tone

	He builds a kit that is already pre-wired and ready to install in
your guitar. It replaces your existing potentiometer(s). It is an active
circuit that operates on a 9v battery. The pre-wired kit includes:

		o  Potentiometer
		o  Toggle switch (toggles the gain function in and out)
		o  9v battery connector

	The discrete parts other than the three just mentioned are siliconed
to the back of the pot and switch... real nice handiwork.

	He wants to sell the pre-wired kit, ready for you to install for just
$25.00 each (1 required for each pot or you can add this kit and use it as a
master).

	If anyone is interested, email me directly and I'll be glad to put pass
along the particulars.

Later.

===============================================================================
  Bruce Rothwell                            \ /~~~~~~\     Opinions expressed
  barothwe@floyd.cca.cr.rockwell.com         X        )    are mine, but they
  Rockwell Int'l - CCA                      / \______/     might be shared by 
  Cedar Rapids, IA 	                                        multitudes !!
===============================================================================
Newsgroups: rec.music.marketplace
From: humph@uhuru.uchicago.edu (Humphrey D. Chen)
Subject: FYI: Compact Disc Connection
Organization: University of Chicago
Distribution: usa
Date: Fri, 18 Dec 1992 14:41:09 GMT



For those of you interested, here's some additional information regarding
the Compact Disc Connection service. Currently available in New York, Chicago,
Sunnyvale, CA, and Boston. (Boston is currently having modem problems)

Here's how it works, basically it is a dialup bulletin board which has the
following:

	- over 60,000 CD titles
	- allows searches by Artist, Title, Song, and Label
	- on popular CD's, stores Track info, ie. times, etc.
	- provides delivery within 1-2 weeks, depending on where you live
	- no tax charges for residents outside of California
	- shipping charges are $3.00 per order, NOT per CD.
	- orders over $100 receive free shipping!
	- VISA and Mastercard accepted!!
	- no access fee

It is truly awesome.  They also just started a Golden Ears program where you
can see what other users of the system thought of CD's they've ordered.

I'd say average prices are around $10.50, new CD's are around $11.50 or so,
but for the most part, the prices are pretty reasonable.

The best thing about it is you don't have to search everywhere to find that
hard to find CD.

Try it out.

The number in CA is (408)730-9015 , modem settings N-8-1
 	Baud rates up to 9600 baud are fully supported
	3 lines currently up.

The Chicago number is (312)751-2447 with 9600 baud supported as
	well.  2400 baud works fine.  

The New York number is (212)532-4045 with 9600 baud supported as well.

The Boston number is (617)321-7980, (currently there are modem problems)

For those of you not in the immediate vicinity of these four areas, you can
also download the music categories of your interest, and shop at your own
leisure, and avoid the long distance charges.  Once you've decided what you
want, call back and then order.

Try it you'll like it, but be careful, it's addictive.  Happy holidays!


-Humphrey
From: barothwe@floyd.cca.cr.rockwell.com
Newsgroups: rec.music.marketplace
Subject: WANTED: Power Soak -OR- Red Box -OR- ???...
Date: 16 Dec 92 17:06:59 GMT
X-Received: by usenet.pa.dec.com; id AA06899; Wed, 16 Dec 92 09:07:21 -0800
X-Received: by inet-gw-2.pa.dec.com; id AA08675; Wed, 16 Dec 92 09:07:19 -0800
X-Received: by floyd.cca.cr.rockwell.com (5.57/Ultrix3.0-C)
	id AA27215; Wed, 16 Dec 92 11:06:59 -0600
X-To: rec.music.marketplace.usenet
X-Mts: smtp


I'm looking to acquire something along the lines of a Power Soak
or Red Box Cabinet Simulator.

The reason is two-fold:

	1.  I have a Fender Princeton Reverb amp that I'd like
	    to record without a microphone.

	2.  I need to feed the output of a Power Soak (or equiv.)
	    into a Sonic Maximizer 422A, which only has line level
	    inputs.

If you have anything like this you'd be willing to part with, let
me know.

If you've got a better idea, let me know.

Please respond directly to me with email in addition to posting, `cuz
I can't read the news as much as I'd like.

Thank you,

Bruce

===============================================================================
  Bruce Rothwell                            \ /~~~~~~\     Opinions expressed
  barothwe@floyd.cca.cr.rockwell.com         X        )    are mine, but they
  Rockwell Int'l - CCA                      / \______/     might be shared by 
  Cedar Rapids, IA 	                                        multitudes !!
===============================================================================
Newsgroups: rec.music.marketplace
From: davidu@space.mit.edu (David)
Subject: Classical CDs
Keywords: CDs
Organization: MIT Center for Space Research
Date: Sat, 12 Dec 1992 23:04:35 GMT



Classical CDs FOR SALE 
CDs


Hello,

	I am clearing out some of my CDs.  If you are interested, 
then feel free to inquire further via net (davidu@Space.MIT.edu) or by
NET (617-623-8576).  Please excuse this message if it belongs in a
classical CD newsgroup, but I could not find such a listing.


FOR SALE:  Classical CDs (All prices not including postage)


1.  BACH:  The Complete Orchestral Suites - Marriner/Academy of St. Martin-in-
	     (incl. Air on G String)		the-Fields (LONDON)

	PRICE = $8

2.  BEETHOVEN and MOZART:  Wind Quintets - Ashkenazy/London Wind Soloists
						(LONDON)
	PRICE = $6

3.  MENDELSSOHN:  Overture to Midsummer's Night Dream (incl. Wedding March)
    SCHUBERT:  Overture to Rosamunde -  Szell/Concertgebouw O  (Philips)

	PRICE = $5

4.  MUSSORGSKY:  Pictures at an Exhibition
    STRAVINSKY:  Rite of Spring             - Karajan/Berlin PO  
						(DG)
	PRICE = $5


5.  SEGOVIA:  The Romantic Guitar - Guitar transcriptions by the greatest
		classical guitarest of works by Brahms, Schubert, Schumann,
		Mendelssohn, Chopin, Debussy, Grieg, etc.

	PRICE = $7

BONUS:  If you buy any four of the above CDs, I will throw in a FREE CD of
	a Cherubini Requiem, OR waive the postage.  



						Thank You,

						Dave



-- 
David T S Um ~~~~~~~~~~~~~~~~~~~~~~~~ MIT Center for Firmament (Space) Research
davidu@Space.MIT.edu ~~~~~~~~~~~~~~~~ Cambridge MA ~~~~~~~~ Tel: (617) 253-9342
************** The heavens declare the glory of God; **************************
****************** and the firmament sheweth His handiwork! **** (Ps 19:1, KJV)








Newsgroups: rec.music.marketplace
From: neale@cc1.unt.edu (Eriq Oliver Neale, ACS)
Subject: Looking for Goeff Downes CD
Organization: Computing Center, UNT
Date: Sat, 12 Dec 1992 19:18:50 GMT

A few years back, Goeff Downes (of ASIA and Yes fame) released a solo album 
billing himself as the New Dance Orchestra. The album's title was "The Light 
Program" (I'm pretty sure). I heard it way back when and really enjoyed it, 
but had forgotten about it until recently (I never got around to buying it). 
Now, I find out it's out of print.

Basically, I'm looking for anyone that might have a source for this disk. If 
you've got info on it, please e-mail me!

-Q

 Eriq O. Neale                              BITNET : LIPS@UNTVAX
 Lab/Network Manager                      Internet : neale@unt.edu
 Academic Computing Services               Ma Bell : (817) 565-4808
 University of North Texas                  finger @lipsmac.acs.unt.edu
"If I got paid for what I say, I'd either be very rich, or very quiet!"
From: gingeric9178@iscsvax.uni.edu
Newsgroups: rec.music.marketplace
Subject: WANTED:Vocoder
Date: 16 Dec 92 23:02:45 -0600
Organization: University of Northern Iowa


Hello,
   Anyone who has a device with vocoder capabilities and would like to sell it,
I am interested.  That is all.

Robert Williams
From: agwing@picasso.ocis.temple.edu (Andrew Wing)
Newsgroups: rec.music.marketplace
Subject: LPs/CDs wanted
Date: 11 Dec 92 19:15:41 GMT
Organization: Temple University
X-Newsreader: Tin 1.1 PL5


	Hi,

	Anyone have the following rare stuff?

Jordan Delasierra - Gymnospheres
Socratese - Phos
Roberto Cacciapaglia - anything but Sonanze
Franco Battiato - Sulle Corde D'aires
Soundtrack - Cold Nose (Franco Falsini)
Soundtrack - Dead Calm (various)
Soundtrack - Full Circle/Haunting of Julia (Colin Townes)
Soundtrack - The Keep (Tangerine Dream)
Francesco - Cosmic Beam
Dorothy Carter - Tree of Life

	Thanks!

--
v2002a@vm.temple.edu     (preferred)
agwing@picasso.ocis.temple.edu    (last resort)
Xref: sparky rec.music.marketplace:2704 ba.music:2119 rec.music.synth:19449 ba.market.misc:9351 misc.forsale:33531
From: archer@elysium.esd.sgi.com (Archer Sully)
Newsgroups: rec.music.marketplace,ba.music,rec.music.synth,ba.market.misc,misc.forsale
Subject: Re: MIDI Footwear
Date: 15 Dec 92 21:10:55 GMT
Organization: Silicon Graphics, Inc.  Mountain View, CA

In <1992Dec15.185936.28543@netcom.com> ladasky@netcom.com (John J. Ladasky II) writes:
*
*	Now, it occurred to me that it's awfully easy to tap your foot, 
*even while standing.  So, is there a MIDI shoe that one could wear that 
*would contain a trigger right in the sole?  Heck, put on a pair of such
*shoes and go tap dancing!  Ain't technology wonderful?
*

It seems to me that you could install a couple of piezo triggers into
the soles of your Nikes (or whatever you wear).  Of course, you would also
be walking around with wires hanging out of the feet, but no price is too
high to pay for Art.

-- archer
Newsgroups: rec.music.marketplace
From: fred@wang.com (fred rozakis tower iii 9677002)
Subject: Still looking for these used CD's:
Organization: Wang Labs, Lowell MA, USA
Date: Fri, 11 Dec 1992 16:19:37 GMT

Want to buy these used CD's in excellent condition:

Metallica - Ride the Lightening
Metallica - And Justice for All
Megadeth - Countdown to Extinction
REM - Automatic for the People
Coroner - Mental Vortex
Newsgroups: rec.music.marketplace,alt.music.progressive
From: torres@Xenon.Stanford.EDU (Alberto Torres)
Subject: Pink Floyd Collection (13 LP Box set) for sale
Organization: Computer Science Department, Stanford University.
Date: Fri, 18 Dec 1992 18:28:39 GMT


Pink Floyd Boxed  13 LP set
	Excelent european limited edition of classic Pink Floyd Albums. 
The recods are pressed in Sweden, the covers are made in Germanwith the liner 
notes of RThe WallS printed in the UK. It includes the following LPUs:
	A nice pair (2LP, The piper at the gates of dawn/A saucerful of secrets)
	Sountrack from the film RMoreS
	Ummagumma (2LP)
	Atom heart mother
	Meddle
	Obscured by the clouds
	The dark side of the moon
	Wish you were here
	Animals
	The Wall (2LP)
The box includes two posters (The band circa RDark side .of the moonS, 
Pyramids), the original RWish you wereS postcard and some other promotional 
materials (a couple of Pink Floyd flyers and a nice reproduction of 
TriumviratUs RSpartacusS cover). The records and covers are basically in 
mint condition. All but 3-4 records have been played only once or twice. 
They come in a box printed with RThe WallS brick pattern. The box itself 
has some slight damage, but is still in very good condition.

If you are interested in this box, send me an offer to
torres@cs.stanford.edu or respond this posting.

Newsgroups: rec.music.marketplace
From: fuzzbox@world.std.com (U.F.Orb)
Subject: Re: Synergy Cds
Organization: The World Public Access UNIX, Brookline, MA
Distribution: na
Date: Fri, 18 Dec 1992 06:08:58 GMT

timk@meaddata.com (Tim Klein) writes:

>In article <1992Dec17.045250.22468@cs.tulane.edu>, buckley@cs.tulane.edu (James Buckley) writes:
>|> I am interested in purchasing any CDs by Synergy (Larry Fast) except for
>|> "Realizations For Rock Orchestra" and "Games" (I already have these).  

>James doesn't want "Realizations...", but I do!  Sell that one to me!
>I'll offer anybody in North America $12 plus postage for it.  I'm also
>looking for "Audion" and "Sequencer".

And I'm looking for "Cords", "Sequencer", and "The Jupiter Menace".
Those three would complete my collection.... 8-)

This could go on forever.....
-- 
Jason Bilsky   fuzzbox@world.std.com 
"Got enough guilt to start my own religion."
From: alves@calvin.usc.edu (William Alves)
Newsgroups: rec.music.compose
Subject: Re: Advances in composition
Date: 15 Dec 1992 18:10:19 -0800
Organization: University of Southern California, Los Angeles, CA
NNTP-Posting-Host: calvin.usc.edu

David V. Feldman writes:

> In the opinions of readers of this group, what pieces of music
> composed recently represent the most important theoretical 
> developments in compositional technique.

Well, I for one think that one important and relatively recent development
is that many composers, such as myself, have stopped this grandious view
of music history (especially in the 20th century) as a series of "develop-
ments" or "advancements" by way of "experiments" and "research." This
vocabulary only makes sense if one agrees that there is a single goal
that all composers can agree on. Alternatively, you can take the approach
of some composers in the 20th century and simply dismiss anything that
falls outside of your own myopic view of "tradition."

Schoenberg's writing of his 12-tone method certainly did a lot to shape
this attitude. His writings, which looked upon this method not just as
a necessity for his personal artistic expression, but as a HISTORICAL
necessity. Thus his invention was often talked about as a "discovery"
as were many of the variations that his followers began to invent:
combinatorial hexachords, cells, serialism, set theory, blah blah blah.

If it works well for you, go for it. But changes in compositional techniques
to me should be driven by the necessities of personal expression, and thus a
historically changing process incidentally, not by design. (Remember the
debate over the connotations of the word "evolution" to describe change
in composition over time? Was that in rec.music.classical?)

Hey, Milton Babbitt: who cares if you experiment?

Bill Alves
Newsgroups: rec.music.compose
From: fields@zip.eecs.umich.edu (Matthew Fields)
Subject: Re: How does one compose?
Organization: University of Michigan EECS Dept., Ann Arbor
Date: Thu, 17 Dec 1992 18:29:21 GMT

In article <1992Dec17.175223.19197@leland.Stanford.EDU> bil@cmn14.Stanford.EDU
(Bill Schottstaedt) writes:
>My Landlady: Rent's due.
>Me: But Mrs Golgotha, I'm a budding Artist and all my friends on
>    rec.music.compose say "don't worry: the money will come."
>My Landlady: Pay me or I throw you out.
>Me (as I land in the street): Oh joy!  A new Experience!  Now my
>    music will be better than ever!

Nontrivial, if you consider rents in Menlo Park.

Newsgroups: rec.music.compose
From: bgood@sundagger.lerc.nasa.gov ()
Subject: Re: uh-oh
Organization: NASA Lewis Research Center
Date: Mon, 14 Dec 1992 17:40:48 GMT

In article <1992Dec14.150231.2933@zip.eecs.umich.edu> fields@zip.eecs.umich.edu (Matthew Fields) writes:
>In article <1992Dec10.202300.15626@zip.eecs.umich.edu> fields@zip.eecs.umich.edu (Matthew Fields) writes:
>
>In article <1992Dec10.173122.27687@eagle.lerc.nasa.gov> bgood@sundagger.lerc.nasa.gov () writes:
>Too bad you have to travel shofar away to hear a premiere of your work.
>
>To which I said:
>I was thinking of sending the piece to Australia for Stuart Dempster to
>play it, but he's full of Didgeree-doo.
>
>To which Brian came back:
>I don't know what came over me.  I'm usually ContraPuntal.
>
>To which I said:
>Well, you put your Dux up, and I had to Comes up with a proper response.
>
>To which he said:
>Vivaldi puns going back and forth over the net, I can hardly get any
>work done.
>
>To which I say:
>If all thesis folks get off their arsis, we should be able to
>meter goals. Then we'll have more choices than to see sharp or be double-flat.

I surrender! (There must be ascii graphics for a white flag around here somewhere...)
I guess senility is setting in--I haven't been able to come up with a good
pun on the name Buxtehude, so I'll quit while I'm ahead...



--
brian good                     
NASA Lewis Research Center     
bgood@sundagger.lerc.nasa.gov
From: brickle@idacrd.UUCP (Frank Brickle)
Newsgroups: rec.music.compose
Subject: Re: Advances in composition
Date: 18 Dec 92 18:09:02 GMT
Organization: idacrd, princeton, nj

From article <BzFnI2.2qD@usenet.ucs.indiana.edu>, by rpeck@bronze.ucs.indiana.edu (robert william peck):
> In article <1gm36bINNeul@calvin.usc.edu> alves@calvin.usc.edu (William Alves) writes:
>>
>>Hey, Milton Babbitt: who cares if you experiment?
>>
> 
> I, for one, do.
Ditto.
Newsgroups: rec.music.compose
From: fields@zip.eecs.umich.edu (Matthew Fields)
Subject: Re: COMMENTS ON FAQ
Organization: University of Michigan EECS Dept., Ann Arbor
Date: Mon, 14 Dec 1992 21:16:52 GMT

In article <1992Dec14.204119.23025@dgbt.doc.ca> ted@dgbt.doc.ca (Ted Grusec) writes:
>The simple point I was trying to make is that there are lots of
>people, quite serious musicians, who are using Intel machines, and
>whether anyone likes it or not, their needs should be met in an FAQ.
>I was not at all defending Intel, only the genuine needs of people
>accessing information.  This newsgroup is about music, not about
>platforms, and should be addressed to EVERYONE, regardless of what
>machines they use.

Forgive me for seeming stupid, but doesn't the last sentence of this
paragraph  not quite fit with any of the previous discussion?

I don't presently advocate expert systems, although I know Mr. Harrington
gets great mileage out of them, and has the know-how to correct for their
limitations.  The main composing tool is your mind, still.

Richard Hoffmann of Oberlin College has long been sounding the welcome for
computer music.  In fact, he goes so far as to say that soon there will be
robotic audiences for us, that will respond to "good" music appreciatively.
The first generation, however, will be flawed so that the hands will not
quite meet when they attempt to clap, so they will wind up slapping each
other.

A prototype for this was one of the first pneumatic robotic arms, built at
Stanford years ago.  Leland Smith explains that it worked so fast, it was
dangerous and had to be kept in a cage.  Sensors fed back proprioception
data, and a feedback loop attempted to correct its position when it
overshot the destination angles.  You guessed it, the thing got into limit
cycles, because the pneumatics were just too strong for the situation.  So
on its first demonstration, it got going on one of these limit cycles and
parts started flying off at high speeds.
From: elkies@ramanujan.harvard.edu (Noam Elkies)
Newsgroups: rec.music.compose
Subject: Re: looking for IRCAM links
Summary: it's simply ircam.fr
Date: 14 Dec 92 04:55:35 GMT
Organization: Harvard Math Department

In article <Bz1s3n.M7L@immd4.informatik.uni-erlangen.de>
birken@cip.informatik.uni-erlangen.de (Klaus Birken) writes:
>Does anyone know the yellow or e-mail address of
>the IRCAM institute in Paris/France?
>
>Where can I get information about projects there?

[I'm posting this rather than e-mailing because many other
rec.music.compose readers might be interested.]

Believe it or not, the e-mail name is simply ircam.fr ;
if you want to reach a particular person, say Jean P. Rameau,
then either jpr@ircam.fr [the 3 initials] or Jean.Rameau@ircam.fr
is a valid e-mail address.  I don't know a specific contact
person for projects, but you can probably finding out by asking
postmaster@ircam.fr .

For paper mail ["yellow mail"?  That expression I haven't heard:
what's the etymology?] I don't have an exact address.  They are
part of the Pompidou complex, so "IRCAM \\ Centre Pompidou \\ Paris,
France" would probably work, but is surely not the canonical form
of the address, missing both the street address and the CEDEX code.

--Noam D. Elkies (elkies@zariski.harvard.edu)
  Dept. of Mathematics, Harvard University