HDTenEightyP/NetNews huggingface dataset:
From: donnell@tuna.micro.umn.edu (BogusMan)
Subject: Re: Candlemass Quick Question (or two)
Organization: none
Date: Sat, 12 Dec 1992 14:47:20 GMT

In article <42476@sdcc12.ucsd.edu> bruss@cs.ucsd.edu (Brian Russ) writes:
>In article <Bz4GrE.AEx@news.cso.uiuc.edu> djs55750@uxa.cso.uiuc.edu (the man ) writes:
>>Sitting here listening to Candlemass' "Tales of Creation", I am prompted to
>>ask if their other albums are as good?  I have seen Doomis Metallicus
>>whateverus and Candlemass live...are these good, better than Tales, do they
>>sound good live, do they have anymore, etc etc etc.
>
>	My opinion (which may or may not be shared with everyone else)
>is that "Tales Of Creation", "Nightfall", and "Ancient Dreams" all
>sound so similar to one another that they might just as well have 
>released one very long album.  If you like "Tales" you should get
>the other two.  "Epicus Doomicus Metallicus", their first, has a 
>different vocalist, a rawer production, and (I think) much stronger 
>and more diverse songs.  I think it's a classic.  The live one and 
>the new one ("VI") I have not heard -- apparently they've gone slightly
>off the doom path with "VI" (and there's a different vocalist on 
>that one too).
>
>>Was also wondering what other groups in this type of genre that could be
>>recommended.  I guess you would call it Doom (they even do in the Album name
>>Doomis Metallicus), but it is almost more gothic.  I have Cathedral, I have
>>Skyclad, and  was wondering what else I may get...not that skyclad is like
>>Candlemass, but you know...thanks
>
>	Solitude Aeturnus's debut, "Into The Depths Of Sorrow" (or something
>like that) is heavily Candlemass-influenced.  Old Trouble albums
>(the first three, not the two Def American releases) fit in this mold
>too ...
>
>					Brian
>-- 
>Brian Russ
>CSE Department, UC San Diego
>bruss@beowulf.ucsd.edu

Solitude Aeturnus's new one is even better, called "Beyond The Crimson
Horizon". They have their own style, but you can hear the Candlemass
influence.

The Trouble Albums to look for are

Psalm 9
the skull <the best!!!!!!>
Run To the Light

Also try looking for Saint Vitus <although they are pretty crude>, The
Obsessed, and Pentagram.

Pax
					--Judex--

Newsgroups: alt.rock-n-roll.metal.heavy
From: pw15@cunixa.cc.columbia.edu (Philip  Wang)
Subject: Re: Candlemass Quick Question (or two)
Reply-To: pw15@cunixa.cc.columbia.edu (Philip  Wang)
Organization: Columbia University
Date: Sat, 12 Dec 1992 02:01:26 GMT

In article <Bz4GrE.AEx@news.cso.uiuc.edu> djs55750@uxa.cso.uiuc.edu (the man ) writes:
>Sitting here listening to Candlemass' "Tales of Creation", I am prompted to
>ask if their other albums are as good?  I have seen Doomis Metallicus
>whateverus and Candlemass live...are these good, better than Tales, do they
>sound good live, do they have anymore, etc etc etc.
>Was also wondering what other groups in this type of genre that could be
>recommended.  I guess you would call it Doom (they even do in the Album name
>Doomis Metallicus), but it is almost more gothic.  I have Cathedral, I have
>Skyclad, and  was wondering what else I may get...not that skyclad is like
>Candlemass, but you know...thanks
>
I have Candlemass's LIVE, and I enjoy it very much. It contains "The Well Of
Souls," "Through The Infinitive Halls Of Death," "Mirror, Mirror," "The
Sorcerer's Pledge" (one of my favorites), "At The Gallows End" (another of
my favorite songs here), and "Dark Are The Veils Of Death" and a couple others.
That was my first taste of Candlemass and if I can find their albums I'll
be getting some of their other stuff. I hear the newest one (an import) is
very different because Messiah Marcolin is with Count Raven now.

BTW, this is way off the subject, but I noticed that on Andy McCoy's new band
Shooting Gallery's album Andy McCoy does another version of Hanoi Rocks's
"Don't Never Leave Me." I like that song a lot, but it's like "Remember 
Tomorrow" like Paul Di'anno. No, the song is way different. I'm talking about
heavy metal hero not in band that made him famous but on latest band did a
song by that band that he wrote. Anyone know how that sounds?

Finally, I got the Tool EP. Interesting recording. Pretty good. I don't know
what to say about it, but I like it.

philip
Philip Wang                            E-mail at pw15@cunixa.cc.columbia.edu
"Memories persist, succubus I've kissed, my thoughts remiss, I'll lose my brain
 if you don't wake me" - Defenestration, "Battle Of The Hemispheres"
Newsgroups: alt.rock-n-roll.metal.heavy
From: amgaudra@neumann.uwaterloo.ca (Alain M. Gaudrault)
Subject: Re: Dream Theater ???????????????????
Organization: University of Waterloo
Date: Sat, 12 Dec 1992 21:28:21 GMT

In article <1992Dec12.135033.6225@news2.cis.umn.edu> donnell@tuna.micro.umn.edu (BogusMan) writes:
>In article <naam.724101588@terra.cecer.army.mil> naam@cecer.army.mil (Ramez Naam) writes:
>>cthomas@npal.rn.com writes:
>>
>>>	I have the Dream Theater CD.  I am not sure from your comment if you've
>>>heard much of their stuff or not but the album is pretty good.  The music
>>>is a progressive heavy-metal sort of like Fates Warning, actually a lot like
>>>Fates Warning with better vocals.  Overall the album is light and jazzy
>>>with a few heavy Metallica style rythms.  If you like Fates Warning you'll
>>>love Dream Theater
>>
>>Having just bought the album, I'd describe it as a mix between Queensryche
>>and Rush, with vocals reminiscent of Styx, and the occasional Metallica
>>riff.
>>--
>>Ramez Naam
>>naam@terra.cecer.army.mil
>
>the Rush influence can be summed up in two or three words: Odd time signatures.
>
>Every time a band uses one, the are accused of sounding like Rush. 
>Pretty funny if you ask me.
>About like the days when Queensryche and Fates Warning were accused of
>outright cloning Iron Maiden.
>
	I remember thinking (still do) that Queensryche's _The Warning_ was
an IM soundalike.  To this day, I dislike that album, but am a fan of everything
else they've done, including the original EP.

Tearing through walls of injustice,
						  Big Al the Devil's Pal!!
                                                     __   __            
                                                    /  `-' /          ,,
                                                    |[====|||||||||||[::}
                                                    \__.-._\          ``
Organization: William Rainey Harper College; Palatine, IL  60067
Date: Thursday, 10 Dec 1992 10:48:55 CST
From: Don Malzahn <DMALZAHN@HARPERVM.BITNET>
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Joe Satriani: Letterman, last night.

Anybody see Joe last night? During the opening theme I heard they had
this guitarist guitar turned up more than usual. I said to myself, "SELF,
I GOTTA find out who this guitarist is!". Was a pleasant surprise to learn
it was Joe. I have several CDs of his and was hoping on seeing him in Chicago
this month, but couldn't get anyone to go with me. Guess I don't know the right
kind of people, eh?
Newsgroups: alt.rock-n-roll.metal.heavy
From: stuartj@esg.mentor.com (Stuart John)
Subject: Re: Annihilator question...
Date: Mon, 14 Dec 1992 11:36:03 GMT
Reply-To: stuartj@esg.mentor.com
Organization: Mentor Graphics Corporation
Keywords: 
Followup-To: 

In article <Bz4psI.E4B@news.cso.uiuc.edu>, djs55750@uxa.cso.uiuc.edu (the man ) writes:
|> Hullo, fans,
|> 
|>   I have never heard Annihilator, and was wondering if someone could give me
|>   a frame of reference.  are they any good, what is their best, etc. what do
|>   they sound like, who could you compare them to, etc.  Thanks all...
|> 
|> 							the man

I got a copy of Alice In Hell 3 years ago, and have played it to death since then.
The guitarist played some brilliant riffs and solos were surprisingly good too.
Then I heard Never Neverland, and it was total crap from start to finish. They even
tried to explain the songs on the inlay card, pathetic or wot ?

-- 
  _
 ( `/_                  *  Mentor Graphics Corporation (UK)
(_)(_(/                 *  BRACKNELL, England.
stuartj@esg.mentor.com  *  #include<std.disclaimer> 

  mubla tneserpgniddew wen eht yub
(no subliminal messages ...honest !) 

'Real Cyberpunks don't go shopping... they jack into the matrix,
 set about 7-11's EPOS ICE with a Klang Grade $2.99 Co-op virus, 
 leap to the bar code database and absorb the neon price polygons
 as visual stimuli.'  - Stu
Newsgroups: alt.rock-n-roll.metal.heavy
From: naam@cecer.army.mil (Ramez Naam)
Subject: Re: Dream Theater ???????????????????
Organization: US Army Corps of Engineers Construction Engineering Research Labs
Date: Sat, 12 Dec 1992 14:29:27 GMT

donnell@tuna.micro.umn.edu (BogusMan) writes:

>In article <naam.724101588@terra.cecer.army.mil> naam@cecer.army.mil (Ramez Naam) writes:
>>Having just bought the album, I'd describe it as a mix between Queensryche
>>and Rush, with vocals reminiscent of Styx, and the occasional Metallica
>>riff.
>the Rush influence can be summed up in two or three words: Odd time signatures.

>Every time a band uses one, the are accused of sounding like Rush. 
>Pretty funny if you ask me.

No, I'd say it's deeper than that.  The lyrics, and in places, the
vocals, are very similar to Rush.  Now, I'm not saying it's a Rush 
_influence_, just that a strong similarity is there.
--
Ramez Naam
naam@terra.cecer.army.mil
Newsgroups: alt.rock-n-roll.metal.heavy
From: donnell@tuna.micro.umn.edu (BogusMan)
Subject: Re: Newer Black Sabbath
Organization: none
Date: Sat, 12 Dec 1992 13:37:05 GMT

In article <Bz00xI.DL@acsu.buffalo.edu> v096pz6l@ubvmsd.cc.buffalo.edu (HAVE YOU HAD YOUR SPAM TODAY?) writes:
>In article <ByzvDF.M35@math.uwaterloo.ca>, amgaudra@neumann.uwaterloo.ca (Alain M. Gaudrault) writes...
>>In article <1992Dec9.033153.24459@news.acns.nwu.edu> autopsy@casbah.acns.nwu.edu (Gregory Baumgartel) writes:
>>	Born Again had Ian Gillan (of Deep Purple fame), Seventh Star featured
>>Glen Hughes.
>^^^^^^^^^^^^
>  Glen Hughes is also of Deep Purple fame.He played bass on the last couple
>of albums.He also was in the Butterfly Ball(??). He sang the Bat.
>It was a cool song for a childrens album.
>
>  T

Let's not forget that Glenn Hughes also shared the lead vocals for the last
few original albums by Deep Purple, with David Coverdale.

It's getting tighter all the time....

Pax
					--Judex--
From: bn@mndcrme.uoknor.edu (Bo Najdrovsky)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: W.A.S.P???
Date: 16 Dec 92 22:10:44 GMT
Organization: Operation Mindcrime
X-Newsreader: TIN [version 1.1 PL6]


    The original WASP album was definately the best  album  from  the  band
(every song on there is awesome!), but Headless Children was  probably  the
best thing  since  then  (excluding  LITR  since  it  contains  prev.  rel.
material.) I haven't heard the new one yet :-(  so  I  can't  say  anything
about that, except that I will be sure to get it  as  soon  as	it  becomes
available here in the States. Does anybody know when this will be?  I  just
keep wishing that Blackie would get the orig. lineup  back together. When I
saw them open for Iron Maiden back in '84, I thought it was one of the best
gigs I've ever seen (what a great combo... WASP/IM). It still  remains  one
of my favorite shows that I've attended.

--
---------------------------------------------------------------------------
|  Bo Najdrovsky  bn@mndcrme.uoknor.edu bn@okcforum.uoknor.edu|    //	  |
|							      |   //	  |
|      "I remember now, I remember how it started..."         | \X/ AMIGA |
---------------------------------------------------------------------------
Newsgroups: alt.rock-n-roll.metal.heavy
From: djs55750@uxa.cso.uiuc.edu (the man )
Subject: Re: Dream Theater: I was wrong.
Organization: University of Illinois at Urbana
Date: Sun, 13 Dec 1992 21:19:20 GMT

mech14017020@memstvx1.memst.edu writes:

>Okay, okay. I can admit when I'm wrong. I saw Dream Theater's video last
>night on Headgiver's Ball. It was great! It was called 'Pull Me Under' off
>Images and Words. I guess the album I have of them was just an early effort
>that didn't quite work out the way they wanted it to. I loved the heavy
>gee-tar, and the keyboards actually complimented the music instead of sounding
>stupid like they do in that early album I have. Let it be known that I WILL
>get this album. 
>		


Saw the same video, and didn't like it...too mellow like for me, and I didn't
really like the vocalist.  Just shows how two people can differ in opinion.
I have come to the conclusion that Headbanger's Ball is there so I can listen
to songs from albums and find out I don't need to get that album (e.g. last
nite - Dream Theater, D.R.I., Biohazard)...all IMHO of course.

							the man
Newsgroups: alt.rock-n-roll.metal.heavy
From: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Subject: NWOBHM ID
Reply-To: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Organization: Columbia University
Date: Sat, 19 Dec 1992 23:25:19 GMT

I have these compilations and a whole bunch of bands I know almost nothing 
about, so those of you who can help, please provide some info:

Quartz
Bitches Sin
Soldier
Bleak House
Bashful Alley
Buffalo
Triarchy
Black Rose
Crucifixion
Badge
Axis
Mother's Ruin
Mythra
E.F. Band (they're Swedish, but I know two of them are British. One of the
	members was Dave Dufort, brother of Girlschool's drummer Denise and
	ex-member of Angel Witch)
Jameson Raid
Oxym
Limelight
Xero
Stormtrooper
Hightreason
Heritage
Chevy
Persian Risk (all I know about these guys is that Steve Hopgood, who plays
	drus for Paul Di'anno's new band Killers was once in the lineup)
Toad The Wetsprocket (no relation to the one who's been releasing albums
	recently)
Legend (there were three or four of them. I'm familiar somewhat with the one
	who released DEATH IN THE NURSERY, but I have only a song called
	"Hideaway" not by the DITN Legend. Obviously it's from one of the
	other two or three.)
Cryer
Trident
After Dark
Marquis De Sade
Scratch
Dargonfly
Mendes Prey (I have a single "On To The Borderline" by these guys and I notice
	that the guitarist's name is Mark Sutcliffe. Anything to do with the
	Mark Sutcliffe of Trespass fame?)
Dawn Watcher
Dealer
Hammerhead
Seventh Son
Warrior (no relation to the US band that released FIGHTING FOR THE EARTH and
	also not the one who released FOR EUROPE ONLY)

Thanks a lot

philip



Philip Wang                            E-mail at pw15@cunixa.cc.columbia.edu
"Memories persist, succubus I've kissed, my thoughts remiss, I'll lose my brain
 if you don't wake me" - Defenestration, "Battle Of The Hemispheres"
From: bcopelan@cs.strath.ac.uk (Barry Copeland TBS92)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: Arrrrrrrrgh!
Date: 16 Dec 92 15:36:43 GMT
Organization: Comp. Sci. Dept., Strathclyde Univ., Glasgow, Scotland.

In article <Bz387r.vA@news.cso.uiuc.edu> djs55750@uxa.cso.uiuc.edu (the man ) writes:
>I like Entombed :)

Me to ! :)

Grinding Christmas!! :)
Newsgroups: alt.rock-n-roll.metal.heavy
From: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Subject: Re: Candlemass Quick Question (or two)
Reply-To: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Organization: Columbia University
Date: Sat, 12 Dec 1992 16:36:17 GMT


>The other albums are about the same or better.
>
>Epicu Doomicus Metallicus is their first, and the singer and lead guitar
>player are hired hands. Still, it is definately Candlemass.
>
>Nightfall, their 2nd, was the debut of Man Mountain Messiah Mercolin, and is
>definately my favorite.
>
>Ancient Dreams was a little simplistic, but not bad. Great Black Sabbath
>medley on side 2! Still, they seemed to be short on ideas.
>
>Tales Of Creation isn't bad, but they throw some speedmetal and such into
>the fray, and sometimes it doesn't seem to work. But a good album.
>
>Live is okay. They run through the best stuff from the previous albums, but
>Messiah often destroys the mood by shouting "Oi Oi OI" and such shit at
>the wrong moments. The sound is good, and the performance is hot.
>Good sampler of their stuff.
>
The "oi, oi, oi" bit isn't that bad, but how about "Stockholm, put your
fucking hands up!" What's he trying to do? It sounds like a bank heist or
terrorist attack or something.

philip
Philip Wang                            E-mail at pw15@cunixa.cc.columbia.edu
"Memories persist, succubus I've kissed, my thoughts remiss, I'll lose my brain
 if you don't wake me" - Defenestration, "Battle Of The Hemispheres"
Organization: University of Illinois at Chicago
Date: Friday, 11 Dec 1992 15:51:42 CST
From: <U19807@uicvm.uic.edu>
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: Motorhead
Distribution: na
 <ByqF60.KKp@math.uwaterloo.ca> <42027@sdcc12.ucsd.edu>
 <1992Dec7.074247.13900@news2.cis.umn.edu>

In article <1992Dec7.074247.13900@news2.cis.umn.edu>,
donnell@manowar.micro.umn.edu (BogusMan) says:
>
>
>Sorry, but I think Fast Eddie is overrated.

It depends. I think he fit in fine,but I couldn't really get into the (ad-
mitted) small amount of Fastway I've heard....

>Brian Robertson did some fantastic
>playing on "Another Perfect Day" and I really like the album. Stuff like
>"Tales Of Glory" and "Back At The Funny Farm" are classic Motorhead.
>"APD" is still the only album by Motorhead that is really any different from
>the rest, and it hinted at some new directions for the band. Unfortunately
>the fans hated it <most of them> and the albun is now unjustly neglected.

Hmmmm. Wasn't the main complaint that a lot of the LP's strength was due to
the Vic Maile's (?) knob-twiddling,and not Robertson's guitar playing?

>the one track on "No Remorse" is one of the worst songs on the album.

You're referring to "Shine",right? Actually there are two songs from APD on
NO REMORSE-and "Dancing on Your Grave" is a much better track....I'll agree
on at least that much.

      ** Chris Krolczyk,esq.  * DISCLAIMER: My opinions are in **
      ** Maniac-at-Large      * no way endorsed by the Univer- **
      ** U19807@UICVM.BITNET  * sity of Illinois at Chicago.   **
      ** u19807@uicvm.uic.edu * So much for frivolous lawsuits.**
From: okes@essex.ac.uk (Simon Oke)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: Iron Maiden's FEAR OF THE DARK
Date: 16 Dec 92 18:05:46 GMT
	<11329@baird.cs.strath.ac.uk>
Organization: Department of Computer Science, University of Essex, UK.
In-reply-to: pgibb@cs.strath.ac.uk's message of 16 Dec 92 11:43:33 GMT

In article <11329@baird.cs.strath.ac.uk> pgibb@cs.strath.ac.uk (Paul Gibb TBS92) writes:
| Don't know about anybody else, but I don't really like Fear of the Dark all that
| much.  I much prefer No Prayer which was for me a step in the right direction
| towards a harder, meaner sound.  Small point here, but do any Maiden fans
| actually prefer the new Eddie ??  I though the artwork by Riggs on No Prayer
| was pretty good.  Mind you none of their recent stuff lives up to Piece Of Mind
| or Powerslave.  (You can't beat The Trooper, Flight Of Icarus or Back in The 
| Village with the volume at full !)  
|
I also prefer the sound of No Prayer to Fear of the Dark. Others may say that
Maiden are maturing and expanding their horizons, but it sounds to me like
they're just getting old and changing direction, and I just don't like the
new stuff. Artwork is (IMHO of course) irrelevant, it's the sound that
counts.

Favourite songs: (all from Live After Death)
Flight of Icarus
Hallowed be thy Name
Run to the Hills
Rime of the Ancient Mariner

need I say more?

--
Simon Oke, 3rd year Computer Science
undergraduate at the University of Essex, UK.
From: raj@zx.qsp.UUCP (Raj Dosaj)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: MORE ON THIS SELLING OUT THING
Date: 15 Dec 92 23:49:35 GMT
Organization: Quality Software Products, LA, CA



If you saw Metallica on their last tour then you know for sure that they
have sold out (hopefully they figure this out and go back).  The whole
show seemed that like that same phony shit you see all the glam bands
doing.  The video camera behind the scenes of the show, the "drum battle",
and all the other senseless shit they did, annoyed the fuck out of me.
I remember when they simply played song after song and gave you all they
had.  Now it seems like they feel compelled to give us the same crap that
other bands give us.  Fuck the explosions and laser displays and extra long
solos.  I came to the show to see them play not to try to appeal to their
new "video" crowd.  If you leave a show, any show, and the thing you remem-
ber the most was some pyrotechnic display, then you better think about
what you really paid to see.  Remember, Lazerium is a lot cheaper than
a concert.

Raj

Newsgroups: alt.rock-n-roll.metal.heavy
From: donnell@eel.micro.umn.edu (BogusMan)
Subject: Re: Dream Theater ???????????????????
Organization: none
Date: Mon, 14 Dec 1992 19:35:41 GMT

In article <1992Dec13.192704.3246@murdoch.acc.Virginia.EDU> thrash@virginia.edu (Scott Evans) writes:
>
>>I got him to send me Fates' Warning's Parallels and Dream Theater's Images and
>>Words.  I must say that DT's vocalist blows away Fates' Warning's.  Fates'
>>singer tries to sound like Goeff Tate too much, anyway.
>>
>>						  Big Al the Devil's Pal!!
>
>
>Gotta disagree...Parallels isn't the best example; go get _Perfect Symmetry_
>or _No Exit_ and listen to mind-boggling vocals.  On _Parallels_, Ray has a
>little more finesse, but I love his vox on his first two Fates' albums.
>And he is UNREAL live.  Hits every note and more.  Geoff, unfortunately,
>doesn't really do that anymore, although I still love his voice too.
>And I really really really don't think Ray's trying to sound like Geoff.
>
>
>
>s

Last time I saw the 'Ryche, Geoff was hitting every note perfectly. He even
ran through "Roads To Madness" and that has got to be a throat killer!
9 minutes of high sustained screams. Ouch!
He did go for lower notes once in a while, but he always hit them spot
on perfect the majority of the time.  he may have been taking it easy on his
throat once in a while, but he was amazing.

And Ray really doesn't sound that much Like Tate. Very different style, and tone.

He sounds like Tate about as much as Tate sounds like Bruce Dickinson. There is
a similarity, but it is superficial.

Pax
All IMHO, naturally.
					--Judex--

Newsgroups: alt.rock-n-roll.metal.heavy
From: pw15@cunixa.cc.columbia.edu (Philip  Wang)
Subject: got the new Girlschool
Reply-To: pw15@cunixa.cc.columbia.edu (Philip  Wang)
Organization: Columbia University
Date: Sat, 19 Dec 1992 02:00:59 GMT

New album just came out, called GIRLSCHOOL (what's this with old bands calling
their new albums after the band name?) Anyway, I took a few listens to it, but
not in entirety. I'll get my stereo back finally tomorrow and get a good
listens as I've finished exams, but as far as I can tell it's a lot better
than TAKE A BITE which, except for three songs were boring, unfortunately
even the one Lemmy wrote (those of you who don't know, Girlschool and Motorhead
go way back - Motorhead I think helped them get their Bronze Records contract
and helped them become successful. They even did an EP together called
ST. VALENTINE'S DAY MASSACRE). 
This new one sounds Ramonse (how do you spell it? It's a punk band. Had a song
"I Wanna Be Sedated" I think) and Motorhead like. Pretty good so far, although
still pales to DEMOLITION. But then I haven't listened to it too seriously yet.
They look quite different, now, except Kim McAuliffe and Denise Dufort. Bassist
is new, but Chris Bonacci has improved her lead guitars. She hasn't sounded 
this good since NIGHTMARE ON MAPLE CROSS, which wasn't terribly exciting.
I'll poset a better review once I've heard it. But Girlschool fans would
probably enjoy this recording, as it's their best in over five years.

philip



Philip Wang                            E-mail at pw15@cunixa.cc.columbia.edu
"Memories persist, succubus I've kissed, my thoughts remiss, I'll lose my brain
 if you don't wake me" - Defenestration, "Battle Of The Hemispheres"
Newsgroups: alt.rock-n-roll.metal.heavy