HDTenEightyP/NetNews huggingface dataset:
From: lcorbin@westmont.EDU (Lyle Corbin)
Newsgroups: rec.music.misc,rec.music.newage
Subject: Looking for information on Enya
Date: 13 Apr 92 19:57:10 GMT
Organization: Westmont College, Santa Barbara, CA


Being something of Enya fans, a few of us are curious as to some of Enya's
background and etc.  Is there anyone out there who has any information
about who she is, and in particular what kinds of things inspire her
music?

I notice on both her latest albums, "Watermark" and "Shepherd Moons" (I
don't have the first album to check on that one) that she only writes
the music, but not the words, which are written by Roma Ryan.  (Any
info on Roma Ryan would be equally welcome.)  Being that most of her
music is in foreign languages which we cannot interpret, do her albums
portray any specific themes?  (Most of the English songs seem to be
romantically oriented.)  Perhaps someone has translations of the songs
(or general meanings of them) which can help us out a bit.  One item of
specific interest to us is if she is involved in New Age groups at all,
which is a question brought up by the style of music.

Thank you for your help in this matter.  Please respond by email since
our site does not subscribe to this specific group.  If enough people
express interest, we can post a summary of information we receive.

Lyle Corbin
Guy Varble        Send email to:  lcorbin@westmont.edu
Thom Kirk
From: fins@radgumbo.Corp.Sun.COM (Richard Schiavi)
Newsgroups: rec.music.misc
Subject: Sweet Insanity
Date: 6 Apr 92 20:12:34 GMT
Reply-To: fins@radgumbo.Corp.Sun.COM
Organization: Sun Microsystems, Inc.
NNTP-Posting-Host: radgumbo.corp.sun.com


Recently, BAM magazine had some critics rate their
top 10 albums of the year.  More then one critic placed
Brian Wilson's Sweet Insanity album in there list, some 
even numero uno!  A comment was made about it being
unavailable due to some legal hoopla. I read the Brian Wilson
bio and it mentioned an upcoming legal battle, but I can't
believe the release of this album was totally blocked! 
 
Probably by that bone-head Mike Love or some crap like 
that.  Since  BAM said the details of the settlement for
the blocking of the album were not revealed, I was wondering
if anyone out there in NetLand knows any more about this.


Thanks,

Rich
fins@Corp.Sun.COM


---


"If you have a beer you have a friend"
Xref: sparky rec.music.misc:13984 alt.rock-n-roll:9483
From: johnf@Auspex.COM (John Fereira)
Newsgroups: rec.music.misc,alt.rock-n-roll
Subject: Re: THE TEN MOST OVERRATED ROCK BANDS EVER(GNR)
Date: 10 Apr 92 17:44:27 GMT
Followup-To: rec.music.misc
Organization: Auspex Systems, Inc.

In article <1992Apr10.141554.5196@nic.unh.edu> tcw@kepler.unh.edu (Timothy C Webb) writes:
|>God and I really hate it when G and r
|>swear on their albums. It sends me running for my bible. Yeah, you're also
|
|  They're just swearing for the sake of swearing, not because it has any
|meaning to the music (whatever music there is, if any). They just like to be
|controversial.

I agree.  Using profanity seems to be there just so they can attract the
rebellious teenager that thinks it's cool that someone actually said 
fuck in one of their songs.  It doesn`t add anything to the lyrical content
IMO.  But, for the anti-establishment rebellious teenager it's just the
kind of thing that gets them off.

-- 
+=============================================================================+
| John Fereira                Al Bundy for President          
| johnf@auspex.com         "He's as good as the next guy"                     |
+=============================================================================+
Newsgroups: rec.music.misc
From: al@iris.claremont.edu (crispy derson the wearer of wigs)
Subject: Re: Lou Reed boxed set
Organization: Harvey Mudd College
Date:  7 Apr 92 16:27:55 GMT

rpiercey@kean.ucs.mun.ca writes:

>Has anyone heard anything about the new Lou Reed boxed set, _Between
>Thought and Expression_? The last I heard was that it should be 
>released on April 14. What material will be included--will the set
>include VU stuff or just solo material?
>Thanks,
>Robert Piercey

I saw a piece on the set, can't remember where.  Don't know exact tracks,
but they are from Lou solo, no VU (I believe).  Lou helped put the
thing together, which makes me happy.
-- 
="Why do witches burn?"                                 |Michael L. Medlin    =
="We carry your guns, deep within our hearts,           |al@iris.claremont.edu=
= For no better reason than our lives have no meaning   |Spik and Span        =
= And we want to be on television" -Camper Van Beethoven|It's the master plan =
Newsgroups: rec.music.misc
Subject: Re: he can't dance/he can't sing
From: doug@doug.ksc.nasa.gov (doug hammond)
Date: 9 Apr 92 10:03:45 EST
 <1992Apr07.211913.5480@crash.cts.com> <+82t4xp@rpi.edu> <1992Apr8.104015.2490@titan.ksc.nasa.gov> <z53thag@rpi.edu>
Organization: NASA - Kennedy Space Center

In article <z53thag@rpi.edu> toshj@rpi.edu writes:
>
>If you believe that his drive for the homeless is a publicity stunt, that's fine. I'm not going to change your mind. BUT, that still does not say that your acquaintences reflect what AMerica thinks about music. Up here, I know next to nobody who doesn't l

Gee, I really don't remember saying anything about what "my aquaintences" 
think about music.  Nor do I really care.  Nope, I thought this up all by
myself.


>ike a little of his music, at least. That doesn't mean that I tink the whole world loves his music. You can't judge what America thinks just on your own little niche. If record sales prove that someone is popular, whether or not the music has quality (Gun
>s
>
>
> 'N Posers sells a whole lot), that group is well liked. That's all there is to it.
>
>					Joe


Well Joe, it's kind of like the upcoming election.  When your choice is so
limited that you have to choose the lesser of 2 evils, it's not much of a
choice.  If Bush gets re-elected I can't assume it's because everyone's in
love with the guy - they just feared worse from Clinton.

It would be interesting to see what would happen if a lot of lesser-known
artists enjoyed the same publicity and air time that guys like Phil do.  But
that won't happen, Phil's too easy.  And most people flipping on their radio
are just using it for background music anyway.  Phil's about as inoffensive
and background as you can get so he's a pretty sure bet.  Those advertisers
love it and everyone gets paid.  It's hunkey-dorey.


Doug


Newsgroups: rec.music.misc
From: ajw@cbnews.cb.att.com (andrew.j.whitman)
Subject: Re: Yet another indie label about to bite the dust
Organization: AT&T
Date: Tue, 7 Apr 1992 15:08:50 GMT

In article <1992Apr6.202730.29427@predator.vpharm.com> dap@vpharm.com (David A. Pearlman) writes:
>Rumor has it that Polygram is close to closing a deal to purchase
>the Fantasy label. Fantasy owns substantial jazz and blues catalogues,
>including Prestige, Riverside and Milestone. They also own the Stax 
>catalogue, and the Creedence Clearwater Revival masters...
>
>Thus dies yet another of the remaining significant indie labels. Polygram
>will supposedly be paying a hundred million for the label, mostly
                                                            ^^^^^^
>to get access to their vast jazz holdings...
 ^^ ^^^ ^^^^^^ ^^ ^^^^^ ^^^^ ^^^^ ^^^^^^^^

Really?  Any idea just how profitable the jazz labels have been for
Fantasy?  I'd love to think that the faceless corporate heads at 
Polygram have some inherent love for the music, but the saner part
of my nature tells me that it's purely a business decision.  But if 
that's the case, I still have a hard time believing that the Prestige, 
Riverside, and Milestone recordings actually made much money for Fantasy.  
Jazz doesn't sell anyway, unless it's Jazz Lite or ends with the name
Marsalis, and I would think that the market for the vast catalogues
of fifties and sixties jazz that Polygram just purchased would be
fairly small.  Is my thinking off here?

Did you hear anything about how this acquisition might affect the
price of the music?  One of my great pleasures over the last few
years has been buying up literally hundreds of new Miles, Coltrane,
Mingus, Monk, Bill Evans, Sonny Rollins, Clifford Brown, Ornette
Coleman, Bird, Coleman Hawkins, and Lester Young LP re-issues at $6
a shot.  I hope that trend can continue because there's just a 
staggering amount of great jazz on Prestige, Riverside, and 
Milestone.  

>dap
>===============================================================================
>    David A. Pearlman
>Vertex Pharmaceuticals Inc.                     email: dap@vpharm.com

Andy Whitman
AT&T Bell Laboratories, Columbus, Ohio
att!cblpo!ajw  or
ajw@cblpo.att.com
Newsgroups: rec.music.misc
From: tcw@kepler.unh.edu (Timothy C Webb)
Subject: Re: THREE GREATEST CHORDS OF ALL TIME
Organization: University of New Hampshire  -  Durham, NH
Date: Fri, 10 Apr 1992 14:20:07 GMT

In article <1992Apr10.071536.9152@dcs.glasgow.ac.uk> degnans@dcs.glasgow.ac.uk (The Imposter) writes:
>msr@kepler.unh.edu (Mathew S Reno) writes:
>>>>G
>>>>Eb
>>>>Cm
>>>>
>>> That's more like it! Sounds like "Wurm" from Yes' "Starship Trooper". Though
>>>I don't actually remember the exact chord types, the root motion is the same. 
>>Actually, Webb, it goes G Eb C. Playing a Cm chord would have made the solo
>>easier!
>>---Reno
>
>FUCK OFF AND DIE PANANTIC BASTARD!

   I think we'd all appreciate it if you'd refrain from being a total ass on
this net. Do we really need this?



-- 
:::::::::::        ::::         ::::::   
 <<<<<<<<<<<      >>>>   >>>   >>>>>>    Tim Webb   tcw@kepler.unh.edu
     ????        ????  ?????  ?????    _________________________________
      ((((      (((( ((((((( (((((   
       ####    ########  #######       "The challenge is to chase the sound
        ||||  |||||||    ||||||      just to break away"   ---YES 

Newsgroups: rec.music.misc
From: malcolm@wrs.com (Malcolm Humes)
Subject: Re: What is CD CONNECTION?
Organization: Wind River Systems, Inc.
Date: Thu, 9 Apr 1992 19:01:37 GMT

wcsanil@superior.carleton.ca (Anil Prasad) writes:

>CD Connection is a bootleg CD dealer in Germany. *DON'T* deal with
>them unless you enjoy giving away money. I've many horror stories
>about service from them, not to mention the fact that they ripped
>me off for a large sum of money.

>Avoid them at all costs.

Anil, 

What happened? I'm curious. I know someone else who has bought from them 
repeatedly without any problems, except maybe that they didn't have something
he asked for and gave him credit, so now he is carefull to list alternates. 

 - malcolm@wrs.com
From: fscll@acad3.alaska.edu (Chris Lott)
Newsgroups: rec.music.misc
Subject: Re: Bruce Springsteen
Date: 12 Apr 92 20:34:32 GMT
Organization: University of Alaska Fairbanks

In article <1992Apr12.180137.21113@en.ecn.purdue.edu>, kardaras@en.ecn.purdue.edu (George S Kardaras) writes:
> Hello,
> 
> Has anyone bought the two new albums of Springsteen?
> If so, what's your opinion about them?
> 
> George S. Kardaras

If you are president of a Springsteen fan club then I recommend these albums
whole-heartedly... for the rest of us, I wouldn't waste the money. The tunes
are boring, the lyrics trite and the vibe he used to have is just not there... 
imho of course
-- 
 __________________________________________________________
|  Christopher L. Lott  --- Poet and Pauper                |
|__________________________________________________________|___
|  fscll@alaska                | "And now what shall become of |
|  fscll@acad3.alaska.edu      |  us without any barbarians?   |
 ------------------------------|  Those people were a kind of  |
                               |          solution."           |
                                -------------------------------
Newsgroups: rec.music.misc
Subject: Re: Tears In Heaven
From: kmagnacca@eagle.wesleyan.edu
Date: 16 Apr 92 13:23:07 EDT
Organization: Wesleyan University

In article <MAILQUEUE-99.920415230033.320@caedm.byu.edu>, MURILLOM@CAEDM.BYU.EDU ("Martin Murillo") writes:
> 
> I really like the song 'Tears in Heaven' by Erik Clapton  (spelling?),
> I heard that there's a pretty sad history behind it, does anybody of
> you know anything about this?.

   It's about his son Connor, who died last year after falling out the window
of an apartment building (about 52 stories up, I believe).

Karl Magnacca

 __________________________________________________________________
|  "Lastly, I come to China in the hope  |  "Jesus creeping shit!  |
|  of fulfilling a lifelong ambition -   |  We've walked into a    |
|  dropping acid on the Great Wall."     |  time capsule!"         |
 ------------------------------------------------------------------
From: john@spss.com (John Przyborowski)
Newsgroups: rec.music.misc
Subject: Re: Television reunion
Date: 17 Apr 92 14:49:24 GMT
Organization: SPSS Inc.

louis@aie.nl (Louis Kossen) writes:

>I already read something about the television reunion but i are they
>already performing, recording or is there someone who has heard something
>of the music they make right now?




>-- 


>                                      louis kossen
>                                      amsterdam

They've supposedly finished the album back in December-January. Rumour has
it that they almost killed each other in the process--apparently not a very
congenial reunion.

Look for it soon, should be on Atlantic.

john
Newsgroups: rec.music.misc
From: spence@gog.cs.uiuc.edu (Rob Spence)
Subject: List of BMG codes
Organization: University of Illinois, Dept. of Comp. Sci., Urbana, IL
Date: Wed, 15 Apr 1992 19:41:36 GMT

Does anyone now of a list, on line or otherwise, of the BMG codes for 
CDs/Tapes? I scanned the FAQ list and no luck!

Rob
spence@gog.cs.uiuc.edu

--
Rob Spence
University of Illinois
spence@gog.cs.uiuc.edu
Xref: sparky rec.music.misc:14445 soc.culture.netherlands:1387
From: eerke@cs.kun.nl (Eerke Boiten)
Newsgroups: rec.music.misc,soc.culture.netherlands
Subject: CHART: Dutch singles
Date: 16 Apr 92 12:45:02 GMT
Organization: University of Nijmegen, The Netherlands

Dutch Top 10 (singles) 18-4-1992

1	1	UNDER THE BRIDGE - red hot chili peppers 
2	4	TO BE WITH YOU - mr big
3	5	KAPLAARZEN - dingetje (NL)
4	2	TWILIGHT ZONE - 2 unlimited (NL)
5	3	GOODNIGHT GIRL - wet wet wet
6	6	AMERICA: WHAT TIME IS LOVE? - klf
7	11	MONEY DON'T MATTER 2 NIGHT - prince
8	10	MAD ABOUT THE BOY - dinah washington 
9	17	WHY - annie lennox
10	12	BLIJF JE VANNACHT BIJ MIJ - gordon (NL)
--- movers up in the rest of the top 40 ---
13	19	WEATHER WITH YOU - crowded house
14	26	WHO WANTS TO LIVE FOREVER - queen 
15	27	DAS BOOT - u 96
16	--	PLEASE DON'T GO - double you
17	20	SONG OF OCARINA - diego modena & jp audin
20	23	NO MORE TEARS - ozzy osbourne 
21	--	SAVE THE BEST FOR LAST - vanessa williams
22	29	DO YOU WANT ME - salt 'n pepa
23	33	RICH MAN - ten sharp (NL)
25	38	FEYENOORD FEYENOORD - cock van der palm (NL) 
30	35	DO NOT PASS ME BY - hammer
32	--	JOY - soul II soul
34	--	HOLD ON MY HEART - genesis
38	--	OSEZ JOSEPHINE - bashung
40	--	FUNKIN' FOR JAMAICA ('91 remix) - tom browne
-- Comments --
NL = Dutch production; B = Belgian production
-- Expected in chart soon: --
HAZARD - richard marx, TURNING OVER NEW LEAVES - grant & forsyth,
RHYTM IS A DANCER - snap, SHAME SHAME SHAME - izabella, IN THE CLOSET -
michael jackson
-- 
Eerke Boiten (eerke@cs.kun.nl)
Dept. of Informatics (STOP Project)
University of Nijmegen, NL
Newsgroups: rec.music.misc
From: dap@predator.vpharm.com (David A. Pearlman)
Subject: Re: Power Pop Recommendations (was Re: Kronto Singles Reviews Vol.2, #
Organization: Vertex Pharmaceuticals, Inc.
Date: Mon, 13 Apr 1992 12:50:09 GMT

In article <tWl+RxA@engin.umich.edu> rcj@caen.engin.umich.edu (R o d Johnson) writes:
>In article <1992Apr10.020619.12576@predator.vpharm.com> dap@predator.vpharm.com (David A. Pearlman) writes:
>>In article <92100.202522MURPH@MAINE.MAINE.EDU> M.A. Murphy <MURPH@MAINE.MAINE.EDU> writes:
>
>>>Transvision Vamp
>
>>I thought their version of "Tell That Girl
>>To Shut Up" was lame compared to the original, and the band-written
>>tunes were worse. The latest album is completely worthless. 
>
>I agree completely.  However, while we're on the subject of power pop,
>you remind me, David, about Holly Beth Vincent, whose first album is a
>*gem* of honest-to-gosh power pop, even produced by one of the
>granddaddies of the genre, Richard Gottehrer.  Her second album is
>excellent too, with stronger, albeit less poppy songwriting, and a
>more restrained approach than the first.  I'd put HBV in the power-pop
>pantheon fer sher.

For the uninitiated, I suppose it should be mentioned that the first
album was by "Holly and the Italians," while the second was just by
Holly Beth Vincent, though (from memory, not going back to check) was
titled something like "And The Italians". Whatever. Anyway, HBV was (is)
a Valley Girl from Los Angeles who, by numerous accounts, is pretty
hard to work with. At one point, she was slated to be the replacement
lead singer for (fill in the correct band name here as I have drawn
a blank; yeah, that's imformative!). That didn't pan out for reasons of
"personal differences."

Those who'd like to see what she sounds like, and who don't want to
look/pay for her albums can find a couple of her songs on one the old
CBS "Exposed" samplers. These double album label samplers were issued
for a few bucks in the early '80's, and are as common as sea salt at
most used record stores. There are two of 'em, and one contains "Tell
That Girl To Shut Up," as I recall...

>
>>To me, these
>>guys are the latest piece of splatter from England, lame tunes delivered
>>by a mediocre ensemble fronted by a mildly strinking but fairly
>>talentless female lead singer.
>
>She's better not try *strinking* around here.  :)

Hey, from what I can tell, the lead singer will do ANYTHING for publicity.
Even strinking.  At least once... :-)

dap




-- 
===============================================================================
    David A. Pearlman

Vertex Pharmaceuticals Inc.                     email: dap@vpharm.com
Xref: sparky rec.music.misc:14334 rec.music.cd:4025
From: buckmr@vccsouth18.its.rpi.edu (Ron Buckmire)
Subject: CHART: US Top10 (4/18)
Date: Wed, 15 Apr 1992 02:59:23 GMT


Here is an update on the Billboard charts for the week ending 04/18/92:
Copyright Billboard Magazine (1992)

U.S. Top Pop Singles:
   1. (01) VANESSA WILLIAMS  --  Save The Best For Last [FIFTH week at #1]
   2. (02) ERIC CLAPTON  --  Tears in Heaven
   3. (??) KRISS KROSS  --  Jump
   4. (10) QUEEN  --  Bohemian Rhapsody
   5. (03) ATLANTIC STARR  --  Masterpiece
   6. (05) MARIAH CAREY  --  Make It Happen
   7. (09) TLC  --  Ain't 2 Proud 2 Beg
   8. (??) EN VOGUE  --  My Lovin' (Never Gonna Get It)
   9. (1?) CELINE DION & PEABO BRYSON  --  Beauty and The Beast
  10. (06) MINT CONDITION  --  Breakin' My Heart (Pretty Brown Eyes)

U.S. Top Pop Albums:
   1. (--) DEF LEPPARD  --  Adrenalize [ONE week at #1]
   2. (--) BRUCE SPRINGSTEEN  --  Human Touch
   3. (--) BRUCE SPRINGSTEEN  --  Lucky Town
   4. (--) WYNONNA  --  Wynonna
   5. (01) VARIOUS ARTISTS  --  Soundtrack to "Wayne's World" 
   6. (02) GARTH BROOKS  --  Ropin' The Wind 
   7. (03) NIRVANA  --  Nevermind
   8. (04) UGLY KID JOE  --  As Ugly As They Want To Be
   9. (??) KRISS KROSS  --  Totally Krossed Out
  10. (08) EN VOGUE  --  Funky Divas

Top Adult Contemporary Singles in the USA 
   1. (02) ERIC CLAPTON  --  Tears in Heaven [ONE week at #1]
   2. (01) VANESSA WILLIAMS  --  Save The Best For Last 
   3. (03) ATLANTIC STARR  --  Masterpiece
   4. (05) RICHARD MARX  --  Hazard
   5. (07) KENNY LOGGINS  --  The Real Thing
   6. (04) MICHAERL BOLTON  --  Missing You Now 
   7. (09) CATHY TROCCOLI  --  Everything Changes
   8. (06) AMY GRANT  --  Good For Me
   9. (??) BRUCE SPRINGSTEEN  --  Human Touch
  10. (08) PAUL YOUNG  --  What Becomes of the Brokenhearted 

Top Rhythm and Blues Singles in the USA 
   1. (02) GLENN JONES  --  Here I Go Again [ONE week at #1]
   2. (05) AARON HALL  --  Don't Be Afraid
   3. (04) TLC  --  Ain't 2 Proud 2 Beg
   4. (08) TEVIN CAMPBELL  --  Goodbye
   5. (07) JOE PUBLIC  --  Live and Learn
   6. (09) KEITH SWEAT  --  Why Me Baby?
   7. (??) LISA STANSFIELD  --  All Woman
   8. (03) ATLANTIC STARR  --  Masterpiece
   9. (01) VANESSA WILLIAMS  --  Save The Best For Last 
  10. (10) BEBE & CECE WINANS  --  It's OK

---
RON BUCKMIRE, 11 Colvin Circle, Troy, NY 12180-3735.  "D.C. IN 93!"
uunet!rpi.edu!buckmr||buckmr@rpitsmts.bitnet||buckmr@rpi.edu||+1 518 276 8910
"You know, you should really change your position on abortion."
                                 --Katharine Hepburn to George Bush, Nov 1990
-- 
RON BUCKMIRE, 11 Colvin Circle, Troy, NY 12180-3735. 
uunet!rpi.edu!buckmr||buckmr@rpitsmts.bitnet||buckmr@rpi.edu||+1 518 276 8910
PrinceMADONNAMariahCareySineadO'ConnorGeorgeMichaelKateBushEnyaCocteauTwins
MTVCNNFOXNBCCBSVH1RobertBarnardIsaacAsimovGoreVidalGlennCloseMerylStreep
From: oliver@Software.Mitel.COM (Freaky Styley)
Newsgroups: rec.music.misc
Subject: Re: Rec.music.lyrics
Date: 13 Apr 92 03:51:42 GMT
Organization: At Death's Door

>What's wrong with the FTP site?  (cs.uwp.edu (131.210.1.4))

Not all of us have access to FTP.

----------------------------------------------------------------------------
oliver@Software.Mitel.COM - "And have you noticed the french fries at the A&W
                              taste a little strange?..." - Jello Biafra (DK) 
----------------------------------------------------------------------------
Newsgroups: rec.music.misc
From: john@spss.com (John Przyborowski)
Subject: Re: Iggy Pop
Date: 10 Apr 92 16:43:30 GMT
Organization: SPSS Inc.

pmbooth@cac.washington.edu (Peggy M. Booth) writes:

>I don't know too much Iggy stuff, but Dog Food is a
>personal favorite.  Any listening suggestions for other great
>music by him?

If you can find "Soldier" that's (IMHO) his best album. Dog Food brings back
sweet memories of driving in a Mercury convertible down the WEst Side Drive
in July, Bud in one hand and my Mets ticket in the other listening to that
great song and to Ike & Tina. Great song.
Try "Raw Power" with the Stooges.

john
From: haasj@coch5.alleg.edu (Jim Haas)
Newsgroups: rec.music.misc
Subject: Reich & Riley (was Re: Philip Glass)
Date: 13 Apr 92 15:24:40 GMT
Organization: Allegheny College

In article <OLA.92Apr12160324@vipunen.hut.fi> ola@vipunen.hut.fi (sir Ola  
Rinta-Koski) writes:
> In article <1992Apr10.191753.14061@pellns.alleg.edu> haasj@coch5.alleg.edu  
(John Haas) writes:
> >Philip Glass ...
> (...)
> >Other minimalist composers include Steve Reich, Terry Riley and John  
Adams...
> 
>   I'd mention Michael Nyman here also; even though he's not really a
> minimalist (and Glass himself does not like to be called a minimalist
> anymore) I think their prospective audiences are quite similar. I like
> both...
> 
	Another possible inclusion is perhaps one of the very first  
minimalists, LaMonte Young...

>   Any recommendations where to start with Reich and Riley?

	Although I haven't actually heard much of either of them, I know that  
Riley calls upon many Eastern influences in his music, while Reich has used  
some African influences in his music.  Riley's most famous work, however, was  
written before his Eastern days and is called "In C"... It basically has  
something fifty short motives which each player goes through.  The catch is the  
player decides how many times to repeat each motive which makes each  
performance unique.  Reich's works include a piece called "Drumming" which uses  
some African drumming techniques - I really don't know much about it.

						Jim
From: benham@anion.serum.kodak.com (Todd Benham (x37354))
Subject: Uli Roth
Organization: Clinical Products Division, Eastman Kodak Company
Date: Wed, 15 Apr 1992 14:49:55 GMT


Does anyone know what Uli Roth (from the Scorpions) has being doing lately?
Any new albums?  Thanks.

Todd