HDTenEightyP/NetNews huggingface dataset:
From: btwind@panix.com (Thomas Stalzer)
Newsgroups: rec.music.gdead
Subject: Need Shoreline tixs!
Date: 28 Jul 92 00:03:04 GMT
Organization: PANIX Public Access Unix, NYC


 I need *2*, possibly 3 tickets to each night at Shoreline. I will
 pay face and possibly throw in a tape or 2. I may be able to get my
 hands on some extra Oregon tixs to trade. 

 email here or btwind@well.sf.ca.us

 Thanks so much!
    -Tom
 
Newsgroups: rec.music.gdead
From: Alan Sodoma <ajs@jloda.cci.com>
Subject: Re: Tipper Update!
Reply-To: ajs@jloda.cci.com
Organization: The Internet
Date: Wed, 22 Jul 1992 18:54:00 GMT


|
|National Public Radio had an interesting discussion on Morning Edition
|about Tipper the day(s) after Al G. was announced as the VP candidate.
|

|She started the PMRC after buying 'Purple Rain' for one of their younger
|children.  One of the songs is apparently about Prince's obsession and
|conquest of someone.  (I may be wrong, not a big Prince fan.)  The song
|is somewhat graphic.  Tipper was quite upset that the child (nine at 
|the time) was exposed to this.  
|

So she started that whole fiasco over the lines:
I knew a girl named Nicki
You could say she was a sex-fiend (sp?)
I met her in a hotel lobby
Masterbating with a magazine.


Maybe she just had nothing better to do, or just wanted to help get
her husbands name to be recognized a bit more.

ODC:  Does anyone have a real nice copy of the RFK '91 show?  Or the '92!



Al Sodoma



Newsgroups: rec.music.gdead
From: barnes@galileo.ifa.hawaii.edu (Joshua Edward Barnes)
Subject: Re: Tipper Update!
Summary: Fire In The Theatre
Organization: Institute for Astronomy, Hawaii
Date: Wed, 22 Jul 1992 00:31:45 GMT

In article <14f16bINN1l0@stanley.cis.Brown.EDU> ST702459@brownvm.brown.edu
(Jordan Schwartz) writes:
>                                      I mean, we all agree that noone has
>the right to yell "fire" in a crowded theatre.
		    ^^^^

    Except during the chorus of Fire On The Mountain, when *everyone*
else is singing along!  [No, I don't mean to restart the talking/
singing during songs thread.]

					Cheers,

						Josh Barnes

					barnes@zeno.ifa.hawaii.edu


"Freedom is the right to shout `Theatre' in a crowded fire."
Newsgroups: rec.music.gdead
From: David Gans <tnf@well.sf.ca.us>
Subject: GD Hour #201
Reply-To: tnf@well.sf.ca.us
Organization: The Internet
Date: Thu, 30 Jul 1992 22:10:08 GMT



Grateful Dead Hour no. 201
Week of July 27, 1992


Part 1  22:53
                  In cue: <music>
     :00     :42  Opening
     :42   22:00  Grateful Dead 7/2/88 Oxford Plains Speedway, Oxford ME
                  BLOW AWAY->
                  VICTIM OR THE CRIME
                  FOOLISH HEART
   22:42     :11  ID
                  Out cue: ...when the Grateful Dead Hour continues.

   22:53    1:00  Music bed for local announcements
   23:53     :08  Pause

Part 2  26:25
                  In cue: And now, here are some scenes from next week's...
   24:01    1:30  Introduction
   25:31   24:35  Grateful Dead 7/2/88 Oxford Plains Speedway, Oxford ME
                  JAM->
                  THE WHEEL->
                  GIMME SOME LOVIN'->
                  ALL ALONG THE WATCHTOWER
   50:06     :20  Outro
                  Out cue: and I'll meet you back here next week.


Newsgroups: rec.music.gdead
From: Paul Tumolo <ptumolo@seq.csuhayward.edu>
Subject: veneta
Reply-To: ptumolo@seq.csuhayward.edu
Organization: The Internet
Date: Tue, 21 Jul 1992 21:49:06 GMT

what's the story on camping (or otherwise staying overnight) at the
concert site. i seem to recall someone posting that the permit allowed
for 40k concert attendees and 10k camping. perhaps norma sax can
enlighten us? thanks. -paul
Newsgroups: rec.music.gdead
From: RAFFI NIZAMIAN - JUST A NOTE <NIZAMIAN@CSMCMVAX.BITNET>
Subject: Tie by day Tie-dye by night
Reply-To: NIZAMIAN@CSMCMVAX.BITNET
Organization: The Internet
Date: Wed, 22 Jul 1992 21:31:51 GMT

J. Garcia ties are being sold through local Bullock's stores right
here amid the smogberry trees of LA (Sunday LA Times ad).

-raffi
Newsgroups: rec.music.gdead
From: jerryme@milton.u.washington.edu (Jeffrey Seifred)
Subject: Re: Purposely munging headers
Keywords: or even here.
Organization: University of Washington
Date: Fri, 31 Jul 1992 00:35:44 GMT

sethb@fid.morgan.com (Seth Breidbart) writes:

>In article <1992Jul23.150528.25853@nic.umass.edu>
>s3583045@titan.ucc.umass.edu (John Greene) writes:
>>In article <3307@unisql.UUCP> wrat@unisql.UUCP (wharfie) writes:

>>>People who purposely do stupid things
>>>that annoy people are not worth being involved with, so *you* can just
>>>go to hell, pal.

>>I don't see any smilie faces wharfie...  so here comes a flame:
>>I'll tell you what annoys me.... People you tell other people to
>>fuck off on the net...  Take it to e-mail, and give people the
>>benefit of the doubt.  Hevean forbid should someone include too
>>many headers.... geeez!

>Did you read the articles wharfie complained about?  Did you examine
>their headers carefully?  (I did.)

>people have a header line "X-Zippy-Says: " or "X-NSA-Fodder: ").
>Those are amusing, or can be ignored.
  I thought that we were all supposed to be friends here?  Lighten up and make up! :-> :->
Newsgroups: rec.music.gdead
From: quaglia@seas.smu.edu (Bruce Quaglia)
Subject: Re:  HOAX!! Re: First and LAST visit to a Grateful Dead Concert.  Yuk!
Organization: SMU School Of Engineering and Applied Science
Date: Sat, 25 Jul 1992 06:19:02 GMT


 Well, after hearing the exegesis of this article I guess it wasn't
 posted seriously, but the only thing that is really dubious about
 the article is why somebody like "Dale" would be tuning into a
 newsgroup like this. It's not as if shitty things don't happen
 at dead shows. Some of the biggest assholes I have ever met have
 been at shows...however the most beautiful people I've had the
 pleasure to know are the folks that I romped through Grateful
 Dead Land with for years....however, comes at time when you 
 notice there's a very sordid ugly side to what goes on on
 tour too and that's just a fact- god bless and goodnite.

Newsgroups: rec.music.gdead
From: df@cbnewsh.cb.att.com (Dave)
Subject: Re: Phish and Santana at S.P.A.C. - Random Ramblings
Organization: The Garden State
Distribution: usa
Date: Tue, 28 Jul 1992 14:38:45 GMT

In article <1992Jul28.122210.17875@uvaarpa.Virginia.EDU> andrejkow@tbosch.dnet.ge.com writes:
> In 16 years of going to concerts, this show ranked up 
>with the best of them.  DO NOT MISS THIS TOUR!!!

I saw this show at G.S.A.C., and again the following Sunday
at Big Birch.  The first one was mediocre.  The second one was
incredible.  I don't know if it was the venue, or the audience,
or if Carlos had a bad day in NJ, but it was like a completely
different band playing, they were totally on at Big Birch.
Phish was really cool both times.  I'd see them again ;-)

-- 
 Dave Fischer   att!hou2h!davef   or   davef@hou2h.ATT.COM
"You have left the New Jersey Turnpike.  Obey local speed laws."
Newsgroups: rec.music.gdead
From: Jannette Pazer <ibmsupt!ibmpa!jannette.aix.kingston.ibm.com!jannette@uunet.uu.net>
Subject: Re: The Dead on PBS
Reply-To: ibmsupt!ibmpa!jannette.aix.kingston.ibm.com!jannette@uunet.uu.net
Organization: The Internet
Date: Tue, 21 Jul 1992 21:06:29 GMT

Chris Stimac <stimac@pangolin.csee.usf.edu> writes:
| It was looking to be another same old same old evening watching Saturday
| Night Live, when a flip thru the channels revealed an unexpected treasure.  
| On PBS (Channel 3 here in Tampa) was _So Far_!!!  

Our local PBS station based in Albany, NY once had a Grateful dead night
during fundraising week.  They played So Far, some videos, the documentary
"Deadheads-An American Subculture", and to end the evening, the movie 
"2001 a Space Odessy".  For contributions, they gave away copies of
Deadbase, as well as other stuff.  The station had a record fund drive that
night - they had never in the history of funddrives had such overwhelming
response and made so much money!  That blew away any stereotypes that
Deadheads were all poor, cheap bums living in VW vans, and PBS members 
were all intellectual snobs who only listened to opera and classical music.
We are everywhere!

Just waiting for them to do it again!

Jannette

-- 
Jannette Wing Pazer 		* 	IBM Kingston - "tangled up in Blue"
		No direct internet access, only uunet. 
uunet:
   uunet!panews.awdpa.ibm.com!jannette.aix.kingston.ibm.com!jannette
internet:
   panews.awdpa.ibm.com!jannette.aix.kingston.ibm.com!jannette@uunet.UU.NET
From: burnett@gandalf.rutgers.edu (Gary Burnett)
Newsgroups: rec.music.gdead
Subject: Re: Theriman
Date: 23 Jul 92 23:42:59 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

In article <1992Jul23.185007.22080@uvaarpa.Virginia.EDU> imagesys!dmg@uu.psi.com (David M. Geoghegan) writes:

> ODC: Wouldn't it be cool if the Dead used one of these or had a big 
>one so that the movements of the whole audience could somehow be 
>mixed into the sound

Heaven help us!  I can see it now.  There's one of these things on
stage, so 10,000 crazed heads decide that *they* can control the
show, & rush the stage to make the damn thing change its pitch.
Gives new meaning to the phrase "take a step back."

But, hey, other than that, it's *almost* as good an idea as yelling
"JEERRRRRRYYYYYY" during the quietest moment of Stella Blue.

--Gary B.
-- 
Gary Burnett                             burnett@gandalf.rutgers.edu 
130 Columbia Street                      gburnett@zodiac.rutgers.edu   
Highland Park, NJ  08904                          jera@well.sf.ca.us

"Things then did not delay in turning curious."  --Thomas Pynchon
From: ST702459@brownvm.brown.edu (Jordan Schwartz)
Newsgroups: rec.music.gdead
Subject: Tipper what have you wrought
Date: Tue, 21 Jul 1992 22:52:05 EDT
Organization: Brown University - Providence, Rhode Island  USA
NNTP-Posting-Host: brownvm.brown.edu
News-Software: BNN via BNN_POST v1.0 beta

Please excuse me if I don't respond to each and every argument
launched against my position (and lets try and keep it that way ->
personal attacks don't get us anywhere), as I do have other things
to do then read this board (actually, I wasn't reading it all semester,
I found out about only within the last month or so...I've been going
to classes for the last four years...)

First -> no you do not have the *right* to yell fire in a crowded
theatre any more than you have the right to come into my house with
a gun and rape my "old lady" (not my phrase). You CAN do it, but
that does not make it a RIGHT. If you don't understand the difference,
we're not speaking the same language.

As far as Frank's extensive attacks on my logical structure go, the
fact that not every statement agrees with the next is very intentional.
It is intended to draw attention to the difficult contradictions of the
issues. Please give me a bit of credit...

Let's suppose I backed entirely off my position that there exists
music out there that should not be out there. Are you all prepared to
throw up your hands and say "if you want to go around telling people
to rape my daughter, fine, its your right. If you want to go around
telling people that Jews are inferior, alright by me!"

Straight out bans are dangerous, especially in the hands of the
government (who I don't trust a bit, a point with Frank got very
confused on). Warning labels would be counter-productive (see the
way people flock to buy 2 Live Schmoo). What's left? I am not
content to just sit and watch hatemongers shape a world around me!
I'm not saying I have all the answers, but I don't think the answer is
as simple as some make it out to be. At no point have I advocated
government bans (the beauty of electronic arguments - you can check!)
But I do think that the industry/our society/you/me have a responsibility
to protect innocents for hateful attacks. Its fine when its in the
abstract, but there are humans out there hurting from it.

J
Clinton/Gore - '92
Newsgroups: rec.music.gdead
From: jjmckay@ux1.cso.uiuc.edu (Jim McKay)
Subject: Re: GD name origin and tape trading
Organization: University of Illinois at Urbana
Distribution: na
Date: Thu, 30 Jul 1992 16:27:56 GMT


The folk tale as I understand is based on the Egyptian Text so I think BOTH
are true explanations!



In rec.music.gdead you write:

>Hey Now! 

>I have a question about the origin of the Grateful Dead name.  I have heard
>two different stories about how the name came about.  The first and most 
>common story is that it is a quote from some Egyptian text that goes as
>follows:

>We now return our souls to the creator, as we stand on the edge of eternal
>darkness
>Let our chants fill the void in order that others may know.
>In the land of the night
>the ship of the sun is drawn by the GRATEFUL DEAD


>The other story is an old folk tale, and goes like this:

>A poor man dies, and there is no money to pay for his burial.  A stranger 
>pays for the burial.  Later, when he is walking down a road a man comes
>up to him and gives him some gold coins.  It turns out in the story that 
>the man was the ghost of the dead man.  i.e. the grateful dead

>Does anyone know which story is right, if either of them is right?

>By the way, does anyone want to do some trading?  I have about 140 hours
>of Grateful Dead.  Leave me e-mail and I'll send you my list.

>			Later,

>			Andrew Carlisle(gt4601b@prism.gatech.edu)

>"I can tell the queen of diamonds by the way she shines."
>-- 
>CARLISLE,ANDREW GUY
>Georgia Institute of Technology, Atlanta Georgia, 30332
>uucp:     ...!{decvax,hplabs,ncar,purdue,rutgers}!gatech!prism!gt4601b
>Internet: gt4601b@prism.gatech.edu

Newsgroups: rec.music.gdead
From: sethb@fid.morgan.com (Seth Breidbart)
Subject: Re: 7/22/92 - Weir/Wasserman setlist & brief net.rap
Organization: NY home for wayward dats
Date: Fri, 24 Jul 1992 01:47:54 GMT

In article <1992Jul23.132120.1693@galileo.cc.rochester.edu>
jojw@uhura.cc.rochester.edu (John J. Wood) writes:
>7/22/92 - Weir & Wasserman @ Empire Court, Syracuse, NY

>In the parking lot around approximately 6:30 last night, a group of young
>people (early 20s) were having the typical "parking lot" acoustic jam
>session -- with Michelle Shocked and her fiddler brother Max sitting 
>in.:-)  Stood three feed to Michelle's right, as she chipped in mandolin
>on a traditional fiddle stomp (with her only lead vocals of the session), a
>fun Weight sing-along, the Beatles' I Want To Hold Your Hand and Help, Simon &
>Garfunkel's 59th Street Bridge Song and Cecelia, Eyes, and a few originals
>by the two young guitarists.  The results were obviously rough, but that
>wasn't the point:  This was all for fun, and the spirit that kindled
>from this jam session felt truly special.  Unfortunately, Michelle's
>road mgr. prevented us from obtaining autographs, but the whole scene
>was *way* cool.

The hell with the autographs.  Where are the TAPES?

Seth		sethb@fid.morgan.com
From: les@chopin.udel.edu (Matthew Re Templeton)
Subject: DE valley...tape sale!
Organization: University of Delaware
Date: Wed, 29 Jul 1992 20:52:37 GMT

Sorry if you don't live in the Delaware Valley and have to read this, 
but I don't know how to set distribution to Delaware *and* Pennsylvania.

Anyway, there's a sale on at Rolling Thunder Records in Branmar Plaza,
located at the intersection of Marsh and Silverside roads, just north
of Wilmington.  (No, I don't work for them...)  I got a pretty decent
deal on blanks: $47 for 20 XLIIS's.  Probably on par with Terrapin
when you count in the shipping Terrapin charges on small orders.

They've also got a bunch of Dead-bases too, but they were a little to
pricey for me...

And now, here's a bit of this...

Matthew Templeton  les@brahms.udel.edu or les@chopin.etc....
No, this is *not* my spiffy new .sig so hold yer horses!!! :-)
Newsgroups: rec.music.gdead
From: ceo@churchy.gnu.ai.mit.edu (Chip Olson)
Subject: Re: You're gonna need one big chickadee ...
Organization: Spam-On-A-Rope Inc.
	<CEO.92Jul27235447@churchy.gnu.ai.mit.edu> <3334@unisql.UUCP>
Date: Wed, 29 Jul 1992 04:54:15 GMT

In article <3334@unisql.UUCP> wrat@unisql.UUCP (wharfie) writes:
>	Peregrine falcons have been re-introduced into several large
>metropolitan areas, where they happily nest on window ledges and eat pigeons
>all day.

Yup, there's a few around Boston Common... wonder how many tourists have 
gotten heart attacks from seeing a falcon come down at 200mph and nail a
pigeon.  

--
-Chip Olson. | ceo@silver.lcs.mit.edu | ceo@gnu.ai.mit.edu 
"PROUD SPONSORS OF THOSE WHO CARRY THE TORCH"  -banner on US Post Office
across from burned-out block of stores in south-central LA.
Newsgroups: rec.music.gdead
From: bs810@cleveland.Freenet.Edu (D. Eric Nay)
Subject: Re: DHFJ
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Fri, 31 Jul 92 01:52:51 GMT


Deadheads for Jesus?? Help me lord.  They'd probably love the sticker I thought
up a while back, "GOD LOVES THE DEAD"
:-) :-) :-)
eric n
From: dwdennin@myfeet.Corp.Sun.COM (Doug Dennin)
Newsgroups: rec.music.gdead
Subject: Re: REQUEST of posters
Date: 28 Jul 1992 18:05:09 GMT
Organization: Sun Microsystems, Inc.
Distribution: world
Reply-To: dwdennin@myfeet.Corp.Sun.COM
NNTP-Posting-Host: myfeet.corp.sun.com

In article 20583@cbnewsh.cb.att.com, df@cbnewsh.cb.att.com (Dave) writes:
>
>Hi all -
>Seeing as how fall tix are arriving, I make the following request.
>You don't need to listen to it, but it would save alot of people
>alot of aggravation if you do.
>
>We don't need to know when everybody receives their tickets!
>If you see a posting that tix for a venue have arrived, there
>is no need to follow up with a posting mentioning where _your_
>seats are.  We'll find you.
>It's just getting to be too much, logging in every morning and
>seeing ~125 NEW articles on r.m.g.
>
>Thanks for your time,
>
>-- 
> Dave Fischer   att!hou2h!davef   or   davef@hou2h.ATT.COM
>"You have left the New Jersey Turnpike.  Obey local speed laws."


Perhaps you should get out more often.  B^)

RELAX

Newsgroups: rec.music.gdead
From: petert@zk3.dec.com
Subject: Re: 7/22/92 - Weir/Wasserman setlist & brief net.rap
Reply-To: petert@zk3.dec.com
Organization: The Internet
Date: Wed, 29 Jul 1992 14:26:49 GMT

Catfish wrote about Michelle Shocked jamming with folks in the parking lot:

| Unfortunately, this was one of those times where I *wish* I was a concert
| taper.:-( I'd say there was approximately 30-40 people hanging out and
| enjoying the session, but I did not see a deck in sight.  Simultaneously,
| I also didn't have a camera:  at least it's in my memory, but that really
| isn't a great consolation in this case.

That's OK John.  They're working on the direct Memory to video interface
right now.  Perhaps we could get you to volunteer yours??

:-)
PeterT

"We Can Remember it for You Wholesale"  P.K. Dick
From: glambert@pyramid.com (George Lambert)
Newsgroups: rec.music.gdead
Subject: Re: East Coast
Date: 24 Jul 92 19:41:06 GMT
Organization: Pyramid Technology

In article <1992Jul24.130547.82326@chili.cc.lehigh.edu> porphano@calvin.sfc.lehigh.edu (Paul A. Orphanos) writes:
>In article <1992Jul21.232944.2369@vestek.com> marcus@vestek.com (Mark Stephen) writes:
>>
>>     What venues have the Dead by kicked out of ?
>>
>
>If you mean not able to come back to, there are a few:
>
>Saratoga
>Merriwether Post
>Hartford
>Fox - Atlanta (probably because it's too small)
>
Here's some more:

San Francisco Civic Center
Frost Amphitheater
Kaiser Auditorium
Greek Theater, UCB
Irvine Meadows
Red Rocks
Cal State Dominguez Hills

George Lambert
From: lb04@ns1.cc.lehigh.edu (LAURA MARIE BASSI)
Newsgroups: rec.music.gdead
Subject: Re: First (and LAST) visit to a convention-head show - \*GAG!!!\*
Date: 22 Jul 92 17:16:23 GMT
Organization: Lehigh University

In article <1992Jul22.132137.37081@chili.cc.lehigh.edu>, porphano@calvin.sfc.leh
igh.edu (Paul A. Orphanos) writes:
>In article <1992Jul22.064154.13618@usenet.ins.cwru.edu>, bz206@cleveland.Freene
t.Edu (Joseph Hack) writes:
>|> FIRST AND LAST TRIP TO A "CONVENTION-HEAD" VENUE
>|> --------------------------------------------------
>
>Outstanding anti-porsche-guy story. If I'm not mistaken though, did'nt you
>post the porsche-guy flashback? Whassta point?
>
>later,
>paul
>
I agree w/you here Paul...
My compliments to the original author of the c-head post...
Even got me to laugh, tho- I'm having a dreadful day!
Agreement on point 2, as well....What is the point?
I wasn't on the net in '88 or whenever D.the P. guy showed up (and, no I
wasn't in junior high school either.....) but knew about the infamous one from
FAQ...
Never saw/heard tell of this c-head stuff til today, however....It's way cool
;-)
see ya,
Peace, Laura
BTW...you all ignored my previous post; whaddareya tryin' to give me a
complex???  ;-)
From: wrat@unisql.UUCP (wharfie)
Newsgroups: rec.music.gdead
Subject: Re: the perennial subject of donna and keith
Date: 28 Jul 92 15:30:11 GMT
Reply-To: wrat@unisql.UUCP (wharfie)
Organization: UniSQL, Inc., Austin, Texas, USA

In article <1992Jul27.224555.2873@vicorp.com> mc@vicorp.com (Mark Charalambous) writes:
>Keith & Donna were a mistake from the get-go, especially Donna. The only

	Oh, horseshit.  (A mistake that they allowed to hang around for
6 or 7 years? Really.)  Listen to LLR from early-mid '77, or TMNS, or
Dancin'.  And the Wheel.  I haven't heard a great Wheel *since* *Donna* 
*left*.


>Keith's piano playing occasionally contributed in the jams, but his style
>did not fit. [...] Basically the guy was just not a good pianist

	!!!!!!!!!!!!!!!!!!!   

>Ever notice how the piano is by far the loudest instrumnent in those 
>recordings? And right up front,too.

	Well, the _shows_ sounded fine.  Too bad the tapes suck.

							the wharf rat



Xref: sparky rec.music.gdead:13498 rec.music.folk:5127
From: ddc1@jaguar.uofs.edu
Newsgroups: rec.music.gdead,rec.music.folk
Subject: Bruce Cockburn sets from tour?
Date: 27 Jul 92 04:57:39 GMT
Followup-To: rec.music.gdead
Organization: University of Scranton


	Did anybody get any tapes of the Bruce Cockburn sets from the ongoing
Bob Wier/Rob Wasserman, Bruce Cockburn, Michelle Shocked tour? If so please
email me and we'll haggle....

    Join the Bruce Cockburn mailing list! humans-request@death.corp.sun.com
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Dave D. Cawley		   |	Where a social revolution is pending and,
University Of Scranton	   |	for whatever reason, is not accomplished,
ddc1@jaguar.uofs.edu	   |	reaction is the alternative.
ddc1@SCRANTON		   |				-Daniel De Leon
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Newsgroups: rec.music.gdead