HDTenEightyP/NetNews huggingface dataset:
From: Kevin.J.Feury@dartmouth.edu (Kevin J. Feury)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: Megadeth and Metallica
Date: 27 Jul 92 19:26:31 GMT
 <1992Jul24.131951.2601@news2.cis.umn.edu>  
 <1992Jul24.184227.819@thunder.mcrcim.mcgill.edu>
Organization: Dartmouth College, Hanover, NH

In article <1992Jul24.184227.819@thunder.mcrcim.mcgill.edu>
bui@ee470.ee.mcgill.ca (BUI/DON/MR) writes:

> Excuse me!?!  What does this mean?  He puts a lot of energy and emotion
> into his playing yet he is not good?  Hmmmm...  doesn't make any sense 
> to me.  As far as I'm concerned any musician who plays with energy and
> emotion is definitely "good".

so you'd throw technical ability to the wind then? for shit's sake,
vanilla ice and the new kids put a lot of energy and emotion into their
shows, does that make them good? i'd think not. it comes down not only
to how you play your music, but what music you play.

> And Cliff was definitely GOOD if not one
> of the best metal 4-stringers ever.

certainly NOT one of the best ever. there are many, many players better
than he: steve harris, lemmy and billy sheehan come t omind off the top
of my head and i'm sure there are lots of others (tom araya, geezer
butler etc...etc...)
not saying cliff wasn't good, but the musical quality of the bass lines
played on albums like KEA and RTL was far below what i'd call
excellent. fast is one thing, good is another.

-kev.

slatanist@mac.dartmouth.edu

================================
one hour from now
another species of life form 
will disappear off 
the face of the planet...forever
and the rate is accelerating
================================
From: bruss@cs.ucsd.edu (Brian Russ)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: Megadeth and Metallica
Date: 30 Jul 92 09:18:17 GMT
Organization: =CSE Dept., U.C. San Diego

In article <1992Jul29.152221.27853@Cadence.COM> noah@Cadence.COM (Noah Ruiz) writes:
>In article <1992Jul27.192631.8048@dartvax.dartmouth.edu> Kevin.J.Feury@dartmouth.edu (Kevin J. Feury) writes:
>>In article <1992Jul24.184227.819@thunder.mcrcim.mcgill.edu>
>>bui@ee470.ee.mcgill.ca (BUI/DON/MR) writes:
>>
>>> And Cliff was definitely GOOD if not one
>>> of the best metal 4-stringers ever.
>>
>>certainly NOT one of the best ever. there are many, many players better
>>than he: steve harris, lemmy and billy sheehan come t omind off the top
>                                  ^^^^^^^^^^^^^
>>of my head and i'm sure there are lots of others (tom araya, geezer
>>butler etc...etc...)
>
>    [oh God puleeeze! insert finger into mouth]
>How can anybody compare Cliff Burton and Billy Shef@g!!!!!!!!!!!!!!!!!!!

	How indeed.  Sheehan is a much better bassist than Burton ever
was.  Sheehan is much, much more than "the bassist for Mr. Big" (who
I don't like even in the slightest).  Burton was good, but he's 
overated just because he was in such a popular band.  (I agree with
someone else too about the above -- what is Tom Araya doing in a 
best bassist list?).  If you want to hear good basswork, go listen
to Dream Theatre, Primus, or Watchtower ...

					Brian


-- 
Brian Russ
CSE Department, UC San Diego
..!sdcsvax!bruss	bruss@beowulf.ucsd.edu
From: gse9k@holmes.acc.Virginia.EDU (Scott Evans)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: advice please
Date: 30 Jul 92 14:36:29 GMT
Reply-To: thrash@virginia.edu (Scott Evans)
Organization: or lack thereof


>>I did post in support of another Sepultura fan that they are a
>>great band to listen too, I have Beneath the Remains and Arise.
>>For you metal heads out there, are they a Slayer copy?  They 
>>don't sound like Slayer to me so what do you think?  


I love Slayer.  But I don't think they could pull off a single
song on _Arise_ if their life depended on it.  Slayer has their
sound, which is great, but is a lot looser than Sepultura.
_Arise_ has some incredible playing on it.  And (oooh) good 
solos.  They're just tight as hell.  I don't think they sound
the same at all, personally, except that they're both good
fast thrash bands.


s
Newsgroups: alt.rock-n-roll.metal.heavy
From: scam@lims01.lerc.nasa.gov (JOE JR. SAGGIO)
Subject: Bass
News-Software: VAX/VMS VNEWS 1.41    
Organization: NASA Lewis Research Center
Distribution: usa
Date: 24 Jul 1992 09:20 EST  

Truthfully, I have been disappointed with the bass sound at every metallica 
show I have been to.  I think the bass is always too muddy.  I have seen 
alot of live footage of Cliff playing and when he does his solos, he is 
great, however, I have a hard time hearing either bass player when the 
whole band is playing. 
Newsgroups: alt.rock-n-roll.metal.heavy
From: d90-two@hemul.nada.kth.se (Thomas Wolmer)
Subject: Re: Hawkwind
Organization: Royal Institute of Technology, Stockholm, Sweden
Date: Wed, 22 Jul 1992 11:31:54 GMT

In article <1992Jul20.100311.25746@infoserver.th-darmstadt.de> rb420@rbhp24.rbg.informatik.th-darmstadt.de (Chris Vetter) writes:

>1975 they were headliner of the reading festival. 1977 Lemmy was fired (I believe coz of his
>Motorhead)

Naa... Lemmy was kicked in 1974, it was something about drugs I think.
He founded Mot|rhead in 1975.

 __-^-__ I_I_I_I_I_I_I_I_I_I_ V 1.5.1 _I_I_I_I_I_I_I_I_I_I_I_I   IOI
[___X___]                    |"There's no tomorrow,              |=|
   |=|   Thomas Wolmer       | just sadness and sorrow           |=|
   |=|   d90-two@nada.kth.se | Hold on to the Ancient Dreams"  __|_|__
   |=|   Angantyr on IRC     |  - Candlemass "Ancient Dreams" [__ X __]
   IOI   I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I_I   `-'
Newsgroups: alt.rock-n-roll.metal.heavy
From: pw15@cunixa.cc.columbia.edu (Philip  Wang)
Subject: got 'em
Reply-To: pw15@cunixa.cc.columbia.edu (Philip  Wang)
Organization: Columbia University
Date: Fri, 31 Jul 1992 00:37:38 GMT

Got the Def Leppard tickets w/ Bryan Adams and Richard Marx. Now, say I wanted
to sneak backstage to see someone, say Rick Savage or Viv Campbell. Any
info on how I may see them with only a $25.00 ticket? (in person, not
on stage). They'reamong my favorite bands, so I really don't want to miss
any oportunity to see them.

philip



"Washington Boulevard, east-bound. Thirty-three...Can I get a transfer, man?
Ninety-five cents?! FUCK YOU I'LL SKATE TO THE BEACH, AND I'LL LOOK BETTER
GETTING THERE!!!" - Faith No More, "Death March"
e-mail Philip Wang at pw15@cunixa.cc.columbia.edu
From: pw15@cunixa.cc.columbia.edu (Philip  Wang)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: COUNTESS BATHORY lyrics!!!!!!!!
Date: 30 Jul 92 16:46:28 GMT
Reply-To: pw15@cunixa.cc.columbia.edu (Philip  Wang)
Organization: Columbia University

In article <1992Jul30.135140.3511@nobeltech.se> ppan@nobeltech.se (Per Andersson) writes:
>In article <1992Jul24.172224.22456@news.columbia.edu> pw15@cunixb.cc.columbia.edu (Philip  Wang) writes:
>>I finally figured out the lyrics to Venom's "Countess Bathory" (from BLACK 
>>METAL, 1982 Neat Records) more or less. I thought I'd share them with you.
>>
>
>Almost correct. But didn't all editions include lyrics sheet ?

No, they didn't. My friend has a 1st Neat pressing of Black Metal (never opened
and still with plastic wrap) and he opened it for me. No lyric sheet. I have
the Combat / Neat CD, and there are no lyrics there, so thanks for printing 
them. If you could, could you please e-mail or post the album lyrics? (except
"At War With Satan," of course, which is very easy since he's only talking and
not screaming at warp speed). Thanks a lot.

philip

"Washington Boulevard, east-bound. Thirty-three...Can I get a transfer, man?
Ninety-five cents?! FUCK YOU I'LL SKATE TO THE BEACH, AND I'LL LOOK BETTER
GETTING THERE!!!" - Faith No More, "Death March"
e-mail Philip Wang at pw15@cunixa.cc.columbia.edu
Newsgroups: alt.rock-n-roll.metal.heavy
From: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Subject: info about lyrics
Reply-To: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Organization: Columbia University
Date: Wed, 29 Jul 1992 12:58:20 GMT

As I have the Vertigo release of High'n'Dry and don't have the "Bringin' On
The Heartbreak" single (so no "Me & My Wine"), I didn't include the lyrics
for the bonus tracks. 
"Switch 625" was composed by Steve Clark.

I neglected to give writing credits for the Iron Maiden albums, so:
Prowler (Harris)
Remember Tomorrow (Harris, Di'anno)
Running Free (Harris, Di'anno)
Phantom Of The Opera (Harris)
Transylvania (Harris)
Strange World (Harris)
Sanctuary (Harris, Di'anno, Murray)
Charlotte The Harlot (Murray)
Iron Maiden (Harris)

The Ides Of March (Harris)
Wrathchild (Harris)
Murders In The Rue Morgue (Harris)
Another Life (Harris)
Prodigal Son (Harris)
Genghis Khan (Harris)
Innocent Exile (Harris)
Killers (Harris, Di'anno)
Drifter (Harris)
Twilight Zone (Murray, Harris)
Purgatory (Harris)

Anyone interested, I've got lyrics for other bands, too, although most of them
are right out of the picture sleeve. Just ask me if you want any lyrics in
particular and maybe I have them (but then maybe not).

philip


"Inside the power cage, I can feel the music call my rage
It's paranoid, first degree. It's telling me that I'm not free.
I've got heavy metal music in my blood and I like to get it to you if I could"
-Holocaust, "Heavy Metal Mania" ||||||||| pw15@cunixa.cc.columbia.edu |||||||||
Newsgroups: alt.rock-n-roll.metal.heavy
From: wcsvic@alfred.carleton.ca (Victor Kamutzki)
Subject: Re: Hawkwind (esp. Lemmy)
Organization: Carleton University
Date: Wed, 22 Jul 1992 15:48:41 GMT

d90-two@hemul.nada.kth.se (Thomas Wolmer) writes:

>rb420@rbhp24.rbg.informatik.th-darmstadt.de (Chris Vetter) writes:

>>1977 Lemmy was fired (I believe coz of his Motorhead)

>Naa... Lemmy was kicked in 1974, it was something about drugs I think.
>He founded Mot|rhead in 1975.

Busted for possession of amphetamines at the Canada/USA border, though
I'm not sure which way they were going at the time.

Did anybody else catch the single that Lemmy did with the Upsetters
for the Elvis tribute album?  I think the 7" of their version of "Blue
Suede Shoes" is out on Sun Dazed Records.  Please tell me there are
other Lemmy fans out there!

__________________ThanksToModernChemistrySleepIsNowOptional_______________
| "[I wasn't expecting] a chain-smoking, | - - - Victor Kamutzki - - -   |
| coffee-swigging bearded red-head..."   |- - wcsvic@ccs.carleton.ca- -  |
|                       - Nikki Cattrell | DoD#303, and I'm not telling. |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Newsgroups: alt.rock-n-roll.metal.heavy
From: donnell@squid.micro.umn.edu (Your Heinous)
Subject: Re: Agent Steel
Summary: more info
Keywords: Agent Steel
Organization: none
Date: Wed, 29 Jul 1992 00:13:09 GMT

In article <27JUL199221344260@zeus.tamu.edu> mfc1493@zeus.tamu.edu (Ratboy) writes:
>I bought this album a looooong time ago called Unstoppable Force by Agent Steel.
>The guitar licks were good, and the vocalist was incredible. I know they have
>3 or 4 albums out. But... the inside cover was completely black...I *hate*
>that. No info...no lyrics...didn't even say who the members were....*sigh*
>
>So...
>
>Can anyone tell me who the members of Agent Steel weere (I heard they broke up
>a while back) and what they are doing now?
>
>Michael

     Agent Steel had 2 albums and one EP. Jon Cyriss was the vocallist and the
rest of the band kept changing. Cyriss had been with Abbatoir and can be found
on one of the Metal Massacre comps with them, singing "Screams From The Grave".
After leaving Abbatoir shortly thereafter, Jon formed Agent Steel. Quickly signed
they released their first album, which I cannot for the life of me remember
the name of. Wait, it's "Skeptic's Apocalypse", I believe. Following lineup 
changes, the "Mad Locust Rising" ep <Not great, kinda cheap> came out, and then
Unstoppable Force. Cyriss fired the band and moved to Florida, after the
first album, maybe later. They stuck together with the guitarist singing, and
became Evil Dead, and they have one, maybe more, albums. Cyriss is currently
MIA, and according to given reports, he is a real jerk to work with. Too
bad since he has one of the most interesting voices ever. Creem used to slag
on his Ass somethng fierce..."Sounds like nothing so much as Bruce
Dickinson on acid. Moved to Florida to be close to a strange energy in the
bermuda Triangle, that he uses to force Record companies to sign him..."
     Anybody with any info on what he is doing now, please get back to me.
                                       -Judex

__________________________________________________________________________
                       Blurga blurga blurga - The Cow
From: bruss@cs.ucsd.edu (Brian Russ)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: Manowar news
Date: 31 Jul 92 08:27:27 GMT
Organization: =CSE Dept., U.C. San Diego

In article <1992Jul30.102006.27695@minyos.xx.rmit.oz.au> s914534@minyos.xx.rmit.OZ.AU (Ben Anderson) writes:
>
>Apparently Scott Columbus (drummer) has left the band for family reasons.
>(I think a certain family member is sick)  
>This means that only 2 of the original members remain - in what has always
>been a consistent line-up.

	Scott Columbus was not an original member.  So even before his
departure, the only original members left were Eric Adams and Joey
DeMaio.  (Donnie Hamzik played drums on their first album).

	This in not a flame, I just felt like nit-picking ...

>Needless to say, the new album (if there ever is one) will be delayed.

	This is too bad (though I share your guarded optimism -- it has
been quite awhile since they released anything ...)

					Brian
-- 
Brian Russ
CSE Department, UC San Diego
..!sdcsvax!bruss	bruss@beowulf.ucsd.edu
From: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: got 'em
Date: 31 Jul 92 14:51:52 GMT
Reply-To: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Organization: Columbia University

>
>What?  Def Leppard with Bryan Adams and Richard Marx?  Is that true???  
>I have lost all resepect for Def Leppard even as a hard rock band.

It's only a benefit concert, not the Adrenalize tour, which, to my knowledge,
hasn't begun yet. I definitely know this show is NOT part of the Adrenalize 
Tour. They'll give them a heavy supporting act for this one. Can't remember
who it was supposed to be with, though. What if Maiden and Leppard did a
double headliner? That would be sooooooo cool. They should do that. With
Angel Witch opening up for them, or something like that (if Kevin Heybourne
can get his visa straight so he doesn't get deported again). 
>
>They've gone a long way from NWOBM to mega-top 40 wimps.

No, I don't think so. They're way overproduced on their albums, but they go by
the concept that the album is there forever, so why not make it as perfect as
you can get it? Live is where the full energy and spontaneity takes place.
Guns N' Roses, if I heard correctly, did the same on Use Your Illusions. But
even their new album isn't wimpy. Reminds me of Raven's Nothing Exceeds Like
Excess. You can tell it's them, but it sounds as if they're not really there 
anymore, but just a bunch of guys who look like and sound like them. It's a
good album, but it's missing the quality that makes it Def Leppard or Raven.
That's how I see it. Maybe Viv Campbell will make a differnce on the next album
because you know the band will make him write something (even if he hasn't done
much since Dio or Sweet Savage). I hope he doesn't steal any S Savage riffs,
though ('cause few people know any of their songs or heard of them). But I've
got a S Savage bootleg, so I know plenty of their riffs. We'll see how they
turn up. Oh, no, I'll be a junior or senior by the next album. Maybe I will
have already graduated. 

You know, I'm starting to like Adrenalize more and more. I like "Tonight" the
most on the album. Sounds like something off High'n'Dry, actually. "White
Lightning" is pretty good, too. Even "Let's Get Rocked." I don't like the new
version of "Tear It Down," nor did I like the original, and it should have been
scrapped even from the b-side from whence it came. I don't like most of the 
lyrics, actually, but the music isn't bad. Contrary to what the band says on
the inner sleeve, though, this is not the best music they have ever put on 
record.

philip
"Washington Boulevard, east-bound. Thirty-three...Can I get a transfer, man?
Ninety-five cents?! FUCK YOU I'LL SKATE TO THE BEACH, AND I'LL LOOK BETTER
GETTING THERE!!!" - Faith No More, "Death March"
e-mail Philip Wang at pw15@cunixa.cc.columbia.edu
Newsgroups: alt.rock-n-roll.metal.heavy
From: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Subject: Re: Saxon
Reply-To: pw15@cunixb.cc.columbia.edu (Philip  Wang)
Organization: Columbia University
Distribution: usa
Date: Wed, 29 Jul 1992 21:16:32 GMT

>I stopped buying Saxon LPs after "Power and Glory". I feel that a reason
>for their demise and the demise of *some* NWOBHM bands is the following:
>
>Some of these bands were popular because they were the fastest and
>heaviest bands in their time (quantitative reasons - "Speed", "Heaviness",
>etc).  Then something called 1983 happened. Metallica's "Kill 'em All",
>Anthrax's "Fistful of Metal" and, to some extent, Exciter's "Heavy Metal
>Maniac" (predating KEA by 2 months). The NWOBHM bands who were popular
>for "quantitative" reasons couldn't keep up. In looking back to when I
>first started to follow metal seriously (1977/1978 or so), I was always
>into the fastest and heaviest bands around. The NWOBHM helped full that
>void (Raven, Saxon, Maiden to name a small few). Seeing Metallica
>blow away Raven in Brooklyn told me that some NWOBHM bands might have
>trouble.
>
Yeah, I can see why that did NWOBHM in, although many of them, like Metallica
and Slayer actually took lots of stuff off of NWOBHM and built up on their
music. But, don't forget that some of the really big ones like Angel Witch
and Praying Mantis, and I guess Samson went through about a million lineup
changes, which tends to weaken a band when only one or two people are left 
who have to teach all the newcomers the songs and watch them leave as soon as
they learned them.

By the way, the Praying Mantis Reading Festival Live EP is an awesome recording
for anyone who liked Live At Last. Bernie Shaw is great, especially on "Tell Me
The Nightmares Wrong" (cool mushy song - way up there with Saxon's "I Can't
Wait Anymore" and Hanoi Rocks "Until I Get You") and "Turn The Tables." Of
course my roommate is going to murder me if I play "Flirting With Suicide" one
more time (now I have the TIME TELLS NO LIES version, the LIVE AT LAST version,
one from the "Cheated" single, and the READING FESTIVAL LIVE recording).
People who don't have any Praying Mantis should check out their Maiden / Mantis
reunion LIVE AT LAST (Paul Di'anno on vocals, Tino Troy and Dennis Stratton on
lead guitars, Chris Troy on bass and some lead vocals, and Bruce Bisland,
formerly of NWOBHM bands Weapon and Statetrooper, on drums). Di'anno does the
best version of "Running For Tomorrow" and "Cheated" although Chris Troy 
sounds much better here than on anything he ever did in the past. I wish they
did some Bernie Shaw songs, but I guess they didn't have a keyboard player.
Where's Graeme Crallan when you need him?

philip
"Washington Boulevard, east-bound. Thirty-three...Can I get a transfer, man?
Ninety-five cents?! FUCK YOU I'LL SKATE TO THE BEACH, AND I'LL LOOK BETTER
GETTING THERE!!!" - Faith No More, "Death March"
e-mail Philip Wang at pw15@cunixa.cc.columbia.edu
Newsgroups: alt.rock-n-roll.metal.heavy
From: jimh@pacdata.uucp (Jim Harkins)
Subject: Re: Hawkwind (esp. Lemmy)
Organization: Pacific Data Products
Date: Thu, 23 Jul 1992 21:50:00 GMT

In article <wcsvic.711820121@cunews> wcsvic@alfred.carleton.ca (Victor Kamutzki) writes:
>>Naa... Lemmy was kicked in 1974, it was something about drugs I think.
>>He founded Mot|rhead in 1975.
>
>Busted for possession of amphetamines at the Canada/USA border, though
>I'm not sure which way they were going at the time.

Anybody catch Lemmy on the Hard'n Heavy video where he does the grab bag?
One of the things he pulled out was Hawkwind's first album, he looks at it,
says "I used to play with these guys, they suck", and tossed it over his
shoulder.  Funny as hell.

jim

-- 
Lawyers Creed:  What's mine is mine, what's yours is negotiable.
--------------------------------------------------------------
Jim Harkins                         [ucsd|uunet]!pacdata!jim
Pacific Data Products               jim@pacdata.com
--------------------------------------------------------------
From: frsdav04@uctvax.uct.ac.za
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: FTP sites\lyrics wanted
Date: 31 Jul 92 10:30:33 +0200
Organization: University of Cape Town

Dudes

Could anybody please post up or email me some FTP sites where I could get 
hold of metal lyrics?
I already have ftp.cs.uwp.edu but they dont have too many death metal lyrics.

Please help...

Thanks
SLOTU
From: masproj8@ubvmsd.cc.buffalo.edu (Viper)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: Megadeth and Metallica
Date: 31 Jul 92 19:42:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

In article <36309@sdcc12.ucsd.edu>, bruss@cs.ucsd.edu (Brian Russ) writes...
>In article <1992Jul29.152221.27853@Cadence.COM> noah@Cadence.COM (Noah Ruiz) writes:
>>In article <1992Jul27.192631.8048@dartvax.dartmouth.edu> Kevin.J.Feury@dartmouth.edu (Kevin J. Feury) writes:
>>>In article <1992Jul24.184227.819@thunder.mcrcim.mcgill.edu>
>>>bui@ee470.ee.mcgill.ca (BUI/DON/MR) writes:
>>>
>>>> And Cliff was definitely GOOD if not one
>>>> of the best metal 4-stringers ever.
>>>
>>>certainly NOT one of the best ever. there are many, many players better
>>>than he: steve harris, lemmy and billy sheehan come t omind off the top
>>                                  ^^^^^^^^^^^^^
>>>of my head and i'm sure there are lots of others (tom araya, geezer
>>>butler etc...etc...)
>>
>>    [oh God puleeeze! insert finger into mouth]
>>How can anybody compare Cliff Burton and Billy Shef@g!!!!!!!!!!!!!!!!!!!
> 
>	How indeed.  Sheehan is a much better bassist than Burton ever
>was.  Sheehan is much, much more than "the bassist for Mr. Big" (who
>I don't like even in the slightest).  Burton was good, but he's 
>overated just because he was in such a popular band.  (I agree with
>someone else too about the above -- what is Tom Araya doing in a 
>best bassist list?).  If you want to hear good basswork, go listen
>to Dream Theatre, Primus, or Watchtower ...

Sheehan vs Burton is absurd, *not* because of the talent levels of each player
(though I dare a listener to give Anesthesia a hear-to and walk away saying "It
sucked"), but because Mr. Big is "the band for Billy Sheehan."  Burton was not
asked to do that much for Metallica, and its sound was not determined by the
bass--as is, say, Les Claypool's Primus.

Anyone who doesn't think Cliff had a clue never listened to RTL.  Just pick up
the bass lines in that album, especially the underlying tones in Call of Ktulu
(Leper Messiah, Orion, and Fade to Black--but again, the bass is not supposed 
to *dominate* the songs mentioned, so keep that in mind.)

>					Brian
> 
> 
>-- 
>Brian Russ
>CSE Department, UC San Diego
>...!sdcsvax!bruss	bruss@beowulf.ucsd.edu

					---The Vertigod Himself
From: bane@vtx.ma.man.ac.uk) (M i c h a e l ;-)
Newsgroups: alt.rock-n-roll.metal.heavy
Subject: Re: Hawkwind (esp. Lemmy)
Date: 25 Jul 92 17:27:28 GMT
Organization: Kings of Speed


>>Naa... Lemmy was kicked in 1974, it was something about drugs I think.
>>He founded Mot|rhead in 1975.
>
>Busted for possession of amphetamines at the Canada/USA border, though
>I'm not sure which way they were going at the time.
and I'm sure we all know what the term MOTOR-HEAD means? see the link with the speed -
there's more humour with our friend Kilminster than one first assumes!

for more good/humourous/far-out stories I recommend you read "This is Hawkwind - do
not panic"

Magic Michael
Newsgroups: alt.rock-n-roll.metal.heavy