HDTenEightyP/NetNews huggingface dataset:
From: diana@wetware.com (CatWoman )
Subject: Re: Edman Fitzgerald?
Organization: Castle WetWare MouseCatcher
Date: Sun, 8 Nov 1992 16:38:48 GMT

Some "from memory" differences:

I'm taking out the verses I don't remember any differences
for.

Diana

paul@moore.com (Paul Maclauchlan) writes:

] Curt Potterveld (potter@charon.phys.rpi.edu) wrote:
] : I'm looking for information on a song which I think is entitled,
] : "The Wreck of the Edman Fitzgerald". Any information about the
] : lyrics or artists would be greatly appreciated.
] 
] From the Digital Tradition database:
] 
] THE WRECK OF THE EDMUND FITZGERALD
] (Gordon Lightfoot)
] 
] The legend lives on from the Chippewa on down
] Of the big lake they call Gitchigumi
] The lady, it's said, never gives up her dead
      ^^^^ lake
] When the skies of November turn gloomy.
] 
] The ship was the pride of the American side
] Coming back from some mill in Wisconson
] As the big freighters go it was bigger than most
] With a crew and the Captain well seasoned.
                  ^^^ good
] 
] The wind in the wires made a tattletale sound
] When the wave broke over the whaling
                               ^^^^^^^ railing
] And every man knew, as the Captain did, too,
] T'was the witch of November come stealing.
] 
] Does anyone know where the love of God goes
] When the words turn the minutes to hours
           ^^^^^ waves
] The searchers all say they'd have made Whitefish Bay
] If they'd fifteen more miles behind her.
           ^ put
] 
] They might have split up or they might have capsized
] They may have gulfed deep and took water
                ^^^^^^ broke
] And all that remains is the faces and the names
] Of the wives and the sons and the daughters.
] 
] Lake Huron rolls, Superior sings
] In the ruins of her ice water mansion
         ^^^^^ rooms
] Ole Michigan steams like a young man's dreams,
] The islands and bays are for sportsmen.
] 
] The legend lives on from the Chippewa on down
] Of the big lake they call Gitchigumi
] Superior, they say, never gives up her dead
            ^^^^^^^^ it's said
] When the gales of November come early.
] 
] Copyright Warner Brothers, Inc.
] 
] -- 
] .../Paul Maclauchlan
] Moore Corporation Limited, Toronto, Ontario (416) 364-2600
] paul@moore.com   -or-  {...!uunet.ca,...!telly}!moore!paul
] "Someday girl, I don't know when, we're gonna get to that place,
]  Where we really want to go."/BS'75
From: jerry@hnrc.tufts.edu (Jerry Dallal)
Newsgroups: rec.music.folk
Subject: Re: Fred Niel
Date: 13 Nov 92 13:50:28 GMT
Distribution: rec.music.folk
Organization: USDA HNRC at Tufts University

In article <BxF4n9.C91@well.sf.ca.us>, jonsson@well.sf.ca.us (Darrell Jonsson) writes:
> 
> Years ago I remember hearing a crooning folk singer by the name of
> Fred Niel.  He wrote a song called 'Dolphin Song' which got quite of bit
> of airplay on folk music programs in L.A. during the early 60's.  

        Fred  Neil recorded for both Elektra and Capitol.    "Dolphins 
        was   the  name  of  his  first  Capitol  album.    He   wrote 
        "Everybody's Talkin'" which was used as the theme song for the 
        movie  Midnight Cowboy and made into a hit by  Harry  Nillson.  
        (ET  replaced  Nillson's own "I Guess the Lord Must be in  New 
        York  City",  which was originally proposed for  the  Midnight 
        Cowboy theme.  I've forgotten the reason for the switch.   The 
        songs sound remarkably similar.)  "Dolphin" was on and was the
        name of his first Capitol album.
From: n9040513@henson.cc.wwu.edu (Andrea Aldridge)
Newsgroups: rec.music.folk
Subject: Re: Shanty's?
Keywords: Shanty
Date: 11 Nov 92 03:33:05 GMT
Article-I.D.: henson.1992Nov11.033305.16721
Organization: Western Washington University

In article <BxJ6qH.HLu@umassd.edu> davest@cis.umassd.edu (Dave N. St. Pierre) writes:

>     I was wondering if any of you can give me the names
>of some good Shanty songs and artist and where I would
>most likely find them. I already have 1 "Angels & Darling"
>tape that I enjoy very much. Thanx lots for the info in advance.

Aw, gee...(shuffle, shuffle)...well, *I* can't recommend you check out the tape
SYRENS by St. Elmo's Choir, in all good conscience, but I'll let someone *else*
recommend it.  Greg?  John??  ;^)



-- 
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
<>  Andrea Aldridge   IRC:  Folkie   E-Mail: n9040513@henson.cc.wwu.edu   <>
<>  WWU--452 Edens Hall North/Bellingham, WA 98225 USA     206-734-0270   <>
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
From: ian@ossian.turing.ac.uk (Ian Watson)
Newsgroups: rec.music.folk
Subject: Top Folk Albums
Keywords: Folk Music Recordings
Date: 10 Nov 92 12:29:18 GMT
Organization: The Turing Institute, Glasgow, Scotland.

Here is my list of 10 pretty good albums which culd constitute a top ten of sorts.


1  Bert Jansch			Bert Jansch
2  Liege and Lief		Fairport Convention
3  Handful of Earth		Dick Gaughan
4  Song For Ireland		De Dannan
5  The Bothy Band		The Bothy Band
6  The Woman I Loved So Well	Planxty
7  Renaissance of the 
   Celtic Harp			Alan Stivel
8  Traverse d l'Atlantique	La Bottine Souriante
9  I Want to See the 
   Bright Lights Tonight 	Richard and Linda Thompson
10 Down Home: fiddle music 
   of Scotland and N America	Aly Bain and (many) others



Ian Watson	
Tel +44 41 552 6400
Fax +44 41 552 2985
email ian@turing.ac.uk
--------
Newsgroups: rec.music.folk
From: jmalcolm@sura.net (Joseph Malcolm)
Subject: Re: Pentangle Question
Organization: SURAnet, College Park, MD, USA, NA, Earth, Milky Way
Date: Sun, 8 Nov 1992 19:30:29 GMT

In article <OLSON.92Nov6221605@husc8.harvard.edu> olson@husc8.harvard.edu (Chip Olson@somewhere.out.there) writes:
>In article <1992Nov6.212312.23764@sura.net> jmalcolm@sura.net (Joseph Malcolm) writes:
>
>>In article <73902@hydra.gatech.EDU> ken.boff@business.gatech.edu (Ken Boff) writes:
>>>Does anyone know which Pentangle album contains the song
>>>"When I was in my Prime"?  For some reason this is particularly
>>>hard to locate.
>>
>>I believe that it's on _Cruel Sister_ (is that the title?),
>>which also contains a bunch of other cool stuff.
>
>Indeed it is.. that album also has "Cruel Sister", a marvelous take on
>"Lord Franklin" and a sidelong version of "Jack Orion".

I am also rather fond of "A Maid That's Deep In Love".
-- 
Joseph Malcolm				jmalcolm@sura.net		
SURAnet Operations			+1 301 982 4600
From: dgolber@aero.org (Dave Golber)
Newsgroups: rec.music.folk
Subject: Re: Saxophone for Guitar Swap?
Date: 12 Nov 1992 16:26:36 GMT
Organization: The Aerospace Corporation
NNTP-Posting-Host: midnight.aero.org

In article <BxM18p.M4J@mtholyoke.edu> ppalmier@MtHolyoke.edu (Patricia S. Palmiere) writes:
>
>Hello!  I know that an alto saxophone is not a very folkish instrument,
>but I am wondering if anyone out there is willing (or knows of someone who
>is willing) to take part in a swap.  I have a hardly used alto sax that I
>would like to swap for a 6 string acoustic guitar (a very folk instrument).
>It can be left or right handed (left preferred).
>
What!  Sax not a folk instrument!  But what about all that great 
Balkan gypsy stuff!!

Dave Golber
From: krj@netsun.cl.msu.edu (Ken Josenhans)
Newsgroups: rec.music.folk
Subject: Re: Steeleye Span re-issues
Date: 10 Nov 92 20:21:42 GMT
Organization: Michigan State University

In article <MRYSB79X@cc.swarthmore.edu>
            nparkhu1@cc.swarthmore.edu (Nao Parkhurst) writes:
)Is _Live at Last_ the same as _Tonight's the Night_? If so, it's out in the
)U.S.  on Shanachie.
)I had the impression that they were the same, given something that Peter
)Knight said on Gene Shay's folk show on WHYY (or else "the Unicorn" on
)WXPN) one Sunday night last spring. When asked what Steeleye Span albums
)might be coming out in the near future, he mentioned (I'm pretty sure)
)thatthe long awaited _Live at Last_  album would be out in the US this
)fall. And then _Tonight's the Night_ came out this fall, so I assumed they
)were the same.... Correct me if I'm wrong?

OK.  :-)  LIVE AT LAST is a 1978 recording featuring a lineup of
Maddy Prior, Tim Hart, Martin Carthy, John Kirkpatrick & Peter Knight.
It was, as the title suggests, the final recording before they disbanded.

TONIGHT'S THE NIGHT, LIVE is a new 1992 recording with Maddy Prior, 
Bob Johnson, Peter Knight, and two guys whose names I can't remember off
the top of my head.  I'll get around to posting a review soon, really
I will.   The quick version:  it's not an embarassment, but it's also 
pretty much a nostalgia album.   Of the new material, the highlight is 
probably "Tam Lin". 

-- 
--Ken Josenhans
    Internet: 13020KRJ@msu.edu      Bitnet: 13020KRJ@msu
From: hauk@andromeda.rutgers.edu (Keira E. Hauk)
Newsgroups: rec.music.folk
Subject: Really?
Date: 10 Nov 92 15:06:43 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

Thanks guys!  Are you all sure about Loreena Mc Kennitt?  I'd never heard of    her before...I could have sworn that it was Enya singing, at least I know a    part of the show was.  

I have another one... WHAT LANGUAGE ARE SOME OF ENYA'S SONGS IN ??? I DON'T      REMEMBER THE TITLES OFF HAND.
From: jerry@hnrc.tufts.edu (Jerry Dallal)
Newsgroups: rec.music.folk
Subject: Re: Ultimate top 10 of folkalbums
Date: 9 Nov 92 14:54:07 GMT
Organization: USDA HNRC at Tufts University


            As  other  posters have noted,  picking 10  ultimate  folk 
        albums is  a  nearly impossible task.   Not only is  there the 
        obvious question of "what kind of folk"  but there is also the 
        more  subtle question of albums versus songs or artists.     I 
        listen to artists (Peter Bellamy and Roberts and Barrand among 
        my favorites;   Mary McCaslin is on the turntable as  I  type, 
        replaced by the Red Clay Ramblers)  and I listen to songs, but 
        I rarely pick out albums.  I suppose it's because there are so 
        few albums that stand out, cut after cut . . . which does make 
        the rare few very special,   doesn't it?   So here's a list of 
        *albums*  in no particular order.  The fact that they made the 
        list says it all. 
       
            Martin Carthy -- Crown of Horn
            June Tabor -- Airs and Graces
            Chris Foster -- All Things in Common
            Nic Jones -- Penguin Eggs
            Lou Killen -- The Rose in June
            Tony Rose -- On Banks of Green Willow
            Lou and Sally Killen -- Bright Shining Morning
            Hot Vultures -- Up the Line
  
            I *am*  surprised by the absence of American artists, CD's 
        that  have  replaced  vinyl  (except for June Tabor), and many 
        disks  that I've nearly worn through (Moloney and  O'Donnell's 
        "Slow  Airs  and  Set  Dances";   Helen  Schneyer's  "Ballads, 
        Broadsides  and  Hymns";  all of the Ian and  Sylvia  catalog, 
        especially  "So Much for Dreaming").    Perhaps  it's  just  a 
        variant of the John  McCutcheon story about how after learning 
        "Jimmy  Crack  Corn"   he went home and threw the  record  out 
        because  he  didn't need it anymore.   All  the  records  I've 
        listed have  been  in my collection for over 10  years (except
        for  "The Rose in June",  and I still get  something new  from 
        most cuts every time I play them.
From: priley@convex.com (Patrick Riley)
Newsgroups: rec.music.folk
Subject: Re: Harry Chapin
Date: 5 Nov 92 17:09:21 GMT
Article-I.D.: convex.priley.720983361
Organization: CONVEX Computer Corporation, Richardson, Tx., USA
X-Disclaimer: This message was written by a user at CONVEX Computer
              Corp. The opinions expressed are those of the user and
              not necessarily those of CONVEX.

In <17101@mindlink.bc.ca> Will_Leslie@mindlink.bc.ca (Will Leslie) writes:

>Hi there...I am a new fan of the late Harry Chapin, humanitarian and
>folk-rock singer...I know when he died, but I was wondering if anyone can
>give me some information about the circumstances surrounding his death (I
>know it was a car accident, that's all) and if there is a fan club or
>somewhere I can get more information about his life.  Thanks.

>WL


He had a heart attack either before or after the accident, I can't remember
which.  I also got to see him in concert about a year before he died.  Very
interesting show.  It was at a local college and after the show you could
play basketball with Harry, Steve, and Tom Chapin for a contribution to 
World Hunger.  


Patrick
Newsgroups: rec.music.folk,rec.music.country.western
From: thughes@lonestar.utsa.edu (Toby . Hughes)
Subject: Re: Austin City Limits?
Organization: University of Texas at San Antonio
Distribution: usa
Date: Wed, 11 Nov 1992 02:00:52 GMT

In article <1992Nov10.173229.26025@spectrum.xerox.com> wegeng.henr801c@xerox.com writes:
>Anybody know what's happening with Austin City Limits?  My local PBS
>station isn't carrying it at the moment, because (according to the
>person at the station that I talked to, at least) there won't be
>any new shows for a couple more months and they were tired of
>broadcasting repeats.
>
>It is surprising that the new season of ACL would not start at the
>same time as the new season for other television shows.  Anybody know
>what the story is here?
>
>/Don
>wegeng.henr801c@xerox.com


ACL is currently taping their 18th season, which will start running on PBS
in January.  Until then, reruns are the order of the day.  Your local PBS
affiliate is like most other PBS affiliates, practically autonomous in
their selection of programs.  It is typical that "they" are tired of
broadcasting repeats, thus they cease to do so, with no regard for what
their viewers may want.

There is one new ACL show which will run on PBS tomorrow (Wednesday) night.
It is a Veterans Day special called "In Country: Songs of the Vietnam War,"
a show hosted by Kris Kristofferson and featuring original songs written and
sung by men and women in Vietnam.  Despite the fact that the show is a
Veterans Day special, broadcast on the tenth anniversary of the dedication
of the Vietnam Veterans Memorial, some PBS affiliates have elected not to
broadcast it.

When Fund-raising week comes around again, and your PBS affiliate begs you
for money to continue providing "programming for you," remember (and remind
them) how deeply they considered your wishes during the rest of the year.

TH
From: scottm@spruce.ppc.ubc.ca (Scott Morgan)
Newsgroups: rec.music.folk
Subject: REQ: Phil Ochs Lyrics
Date: 12 Nov 1992 23:32:21 GMT
Organization: University of B.C. Pulp & Paper Centre
Distribution: world
NNTP-Posting-Host: spruce.ppc.ubc.ca
Keywords: Phil Ochs

Help! Can't find my Phil compilation tape and it's been so long,  I can't remember the words.
Does anyone have the lyrics for the following tunes?

When I'm gone
Changes

If there is interest, I will post the TAB.

Tanks in a  dance!
-- 
----------------------------------------------------------------------------
Scott Morgan				|  email: scottm@ppc.ubc.ca
Electrical Engineering			|  tel:   (604)822-8567
c/o Pulp and Paper Centre		|  fax:   (604)822-6063
2385 East Mall				|  favourite colour: Blue
University of British Columbia		|
Vancouver, BC				|
CANADA V6T 1Z4				|
----------------------------------------------------------------------------
Newsgroups: rec.music.folk
From: spencer@cgrg.ohio-state.edu (Stephen N. Spencer)
Subject: Shawn Colvin Concert Review
Organization: OSU Advanced Computing Center for the Arts and Design
Distribution: na
Date: Tue, 10 Nov 1992 14:53:21 GMT

i attended the first show of shawn colvin's "fat city" tour last night at
"peabody's downunder" in cleveland ohio.  

my, what a show.  she's wonderful.  just her and her guitar.  she did most
of the songs from "fat city": 

	polaroids (encore song #1)
	tennessee
	tenderness on the block
	round of blues (the "emphasis" track, and verging on a "happy" song, 
			she said)
	climb on... (first song of the night)
	object of my affection
	set the prairie on fire (beautiful rendition of this one)
	kill the messenger
	i don't know why (she closed the show with this)

as well as: 

	say goodnight
	diamond in the rough (encore song #2)
	steady on
	shotgun down the avalanche
	ricochet in time (thought she was gonna break a string on that one)

i'm going to more shows out of town -- cleveland and cincinnati audiences are
much more polite (read that as "QUIET & POLITE") than columbus audiences. wow.  
this was the first stop on her tour, and she's ready to go.  she's sounding
good, looking good, and playing beautifully.  

she said that she and mary-chapin carpenter just did a photo shoot for, of
all things, _vogue_ magazine, and that she recently got to meet elton john
at a benefit concert.  also, she'll be on David Letterman's show this 
Wednesday night, performing "round of blues."  (11 november 1992)

tired but happy, (two concerts and 430+ miles driving in three days)

steve

-- 
Stephen N. Spencer, Graphics Research Specialist           ,__o      ,__o
spencer@cgrg.ohio-state.edu  (or spencer@siggraph.org)   _-\_<,    _-\_<, 
(614) 292-3416                                          (*)/'(*)  (*)/'(*)
From: jack@dcs.glasgow.ac.uk (Jack Campin)
Newsgroups: rec.music.folk
Subject: Re: Pirate Music Anyone?
Date: 12 Nov 92 19:02:31 GMT
Reply-To: jack@dcs.glasgow.ac.uk (Jack Campin)
Organization: COMANDOS Project, Glesga Yoonie

Given that most pirates got into it by force of circumstance, kept it up
for only a short period, and afterwards either shut up about it or were
painfully executed, the chances of there ever having been a genre of
"pirate songs" or of any non-pirate ever getting to hear what pirates sang
are not very good.  The largest group of pirates nowadays (possibly the
largest at any time in history) is the guys who raid fishing boats and
small trading vessels in South-East Asia; they emerged from obscurity in
the early 80s when they took to raping and murdering entire shiploads of
Vietnamese Boat People.  Somehow I don't think "let me go, I'm a folksong
collector" would impress them.  Of course, don't let me stop you... for
afters you could go for "Initiation Songs of the Fiances of Death".

-- 
--  Jack Campin    room G092, Computing Science Department, Glasgow University,
17 Lilybank Gardens, Glasgow G12 8RZ, Scotland   TEL: 041 339 8855 x6854 (work)
INTERNET: jack@dcs.glasgow.ac.uk or via nsfnet-relay.ac.uk    FAX: 041 330 4913
BANG!net: via mcsun and uknet     BITNET: via UKACRL    UUCP: jack@glasgow.uucp
Xref: sparky rec.music.folk:7516 rec.music.early:1483
From: dgolber@aero.org (Dave Golber)
Newsgroups: rec.music.folk,rec.music.early
Subject: Re: Woodwind hole placement
Date: 7 Nov 1992 00:30:55 GMT
Organization: The Aerospace Corporation
NNTP-Posting-Host: midnight.aero.org

In article <BxBG8u.IJy@usenet.ucs.indiana.edu> ntaib@silver.ucs.indiana.edu (Iskandar Taib) writes:
>>>>My advice would be (1) copy an existing instrument that you like and then (2)
>>>>make minor adjustments by trial and error.  One thing to notice on flute-type
>>>>instruments is that the head joint has to narrow somewhat with respect to
>>>>the body if you want a good full tone.  Measure the bore of your prototype
>>>>carefully!
>
>
>This should be childs' play with lexan or plexiglass/perspex tubing! The
>head can be two layers nested together and glued... the joint area is 
>simply a the inner tube extending beyond the outer tube.
>
Uhhh.... this results in a _step_ in the bore at the point where the two tubes meet.
This is generally considered _baaaad_.

Better than this would almost certainly be just plain straight tubing.

Not quite the place to get into the whole thing of "how do wind instrument makers
actually make tubes with variations in the bore?"

Dave Golber
From: mfd3k@uvacs.cs.Virginia.EDU (Michael Dunn)
Newsgroups: rec.music.folk
Subject: Mountain Stage
Date: 7 Nov 92 15:05:19 GMT
Organization: University of Virginia Computer Science Department

Does anyone know a number I can call or an address I can write to for tickets 
to Mountain Stage in West Virginia? Any ideas on how hard it is to get tickets?
Thanks!
--Mike

-- 
|  Mike Dunn                     :  "If your knees aren't green by the     |
|    University of Virginia      :   end of the day, you need to seriously |
|      Dept. of Computer Science :   re-examine your life."   --Calvin     |
From: tombrady@vtcc1.cc.vt.edu (Tom Brady)
Newsgroups: rec.music.folk
Subject: Top Ten Folk Albums
Date: 6 Nov 92 12:33:00 GMT
Organization: Virginia Tech, Blacksburg, Virginia
News-Software: VAX/VMS VNEWS 1.41


Top Ten Folk/Celtic (I cheated) albums as of 7:25 AM EST, 11/6/92
   (and subject to change at any moment), in no particular order:
1. "In Real Time: Live '87" by Fairport Convention
2. "Castellum Honesti" by Milladoiro
3. "When October Goes" by Vary Ous Artists
4. "Cullen Bay" by the Tannahill Weavers
5. "Legende: Deuxime Epoque" by Malicorne (Ryko)
6. "Soundtrack to 'Bringing It All Back Home'" (BBC Documentary)
7. "Land of the Bottom Line" by John Gorka (Windham Hill)
8. "Keepers of the Flame" by Phoenyx (Independent-available
             from Firebird Records)
9. "From the Ladle to the Grave" by Boiled in Lead
10. "Whitewash" by Dougie MacLean

And a bunch of others...
-Tom
+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-
Tom Brady        Virginia Tech, Blacksburg, VA
brady@vtvm1.cc.vt.edu         So, what exactly IS a Hokie?
"Never underestimate the effect of inertia as a force in society."
From: jmf@endor.harvard.edu ( ghost )
Newsgroups: rec.music.folk
Subject: was: Re: Edman Fitzgerald?; now Detroit (tomorrow the world)
Keywords: Detroit!
Date: 6 Nov 92 07:06:52 GMT
Article-I.D.: das.1992Nov6.070652.23874
Organization: DAS Purchasing, Harvard University

In article <1992Nov5.014228.19330@henson.cc.wwu.edu> n9040513@henson.cc.wwu.edu (Andrea Aldridge) writes:
>Besides (rhetorical question only), how did the original speakers pronounce it,
>come to that? Not like the "Americans," I bet. :-)

Uh-uh, there are no rhetorical questions, not on usenet.
Surely you knew that...

I'll bet they said something like
"these shit-head invaders are taking all the best land", 
only they said it in Ottowa.  That's the language, not the city...

The guys who then renamed it undoubtably pronounced it "Day Twa", or something
very close, but the guys who took it from those guys didn't.

So its " Dee Troyt ", moderate accent on the 2nd syllable, & 2nd syllable
the last it is, Lightfoot notwithstanding.
Until came Mitch Ryder, then all the rest was history.
From: mcclosk@cats.ucsc.edu (James McCloskey)
Newsgroups: rec.music.folk
Subject: Re: Kate and Anna McGarrigle
Date: 6 Nov 1992 17:04:59 GMT
Organization: University of California; Santa Cruz
NNTP-Posting-Host: rufus.ucsc.edu
Keywords: Kate Anna McGarrigle



In article 13400, Mike Meyer (meyer@brahma.edsg.hac.com) writes:

|> I'm waiting for 'Love Over and Over' to come out, myself.  My vinyl
|> copy has seen better days, as has my (now variable-speed) turntable.

I bought "Love Over and Over" on CD when I was in Quebec in August.
It's on Polydor/Polygram. The number is 422 841 101-2

Jim McCloskey


Newsgroups: rec.music.folk
From: dbader@eng.umd.edu (David Bader)
Subject: Re: Harry Chapin and Steve Goodman
Date: Thu, 05 Nov 92 16:21:37 GMT
Organization: College of Engineering, Maryversity von Uniland, College Park
Originator: dbader@tea.eng.umd.edu


Does anyone here have "live" (audience/SBD) tapes of Steve Goodman and/or
Harry Chapin???

 just a'wonderin'

peace,
 david

Maryland Address:                Permanent Address:
David A. Bader                   David A. Bader
48 Avonshire Court               1402 Lorain Avenue
Silver Spring, MD 20904          Bethlehem, Pa  18018
(301) 680-3616                   (215) 868-1311

Internet: dbader@eng.umd.edu
Newsgroups: rec.music.folk,soc.culture.celtic