HDTenEightyP/NetNews huggingface dataset:
From: gwl%wave3_1@MCNC.ORG (Glenn Lea)
Newsgroups: rec.music.bluenote
Subject: Re: Lyrics Wanted [no, *not* U2 or Tori Amos....]
Date: 15 Apr 92 19:56:48 GMT
Reply-To: gwl%wave3_1@mcnc.org

>>>>> On 14 Apr 92 18:12:48 GMT, wave3_3!vme.heurikon.com!gtaylor (Gregory Taylor) said:

  Gregory> Never mind why, but I've been hunting all over to find a copy of the
  Gregory> lyrics for "Nkosi Sikeleli Africa" - the COSATU song. I don't need a
  Gregory> translation of the lyrics from the original, I need the [Swahili?Zulu?]
  Gregory> lyrics themselves. I know that the world is wide, and I'm hoping I can
  Gregory> find *someone* out there who has 'em or knows 'em.

  Gregory> Asante, bwana. Salaam.


Here are the African lyrics to the African National Congress anthem,
"Nkosi Sikelel' i Afrika" by Enoch Sontonga.  They were printed in the
booklet to Charlie Haden's Liberation Orchestra "Dream Keeper" CD
(which has a superb version of the song):

Nkosi sikelel' i-Afrika
Maluphakanyisw' uphondo lwayo
Yizwa Imithandazo yethu
Nkosi sikelela -- Nkosi sikelela
Nkosi sikelel' i_Afrika
Maluphakanyisw' uphondo lwayo
Yizwa Imithandazo yethu
Nkosi sikelela -- Thina Lusapho Iwayo
Woza Moya
Woza Moya, oyingcwele
Nkosi sikelela
Thina Lusapho Iwayo

Morena Boloka
Sechaba sa heso
O fedise dintwa le Matswenyeho
Morena boloka
Sechaba se heso
O fedise dintwa le Matswenyeho
O se boloke -- o se boloke
O se boloke -- o se boloke
Sechaba sa heso
Sechaba sa Afrika
O se boloke Morena -- o se boloke
O se boloke Sechaba -- o se boloke
Sechaba se heso
Sechaba sa Afrika

--------------------------------------------------
Glenn Lea - reply to gwl@wavetracer.com
Wavetracer, Inc.
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Newsgroups: rec.music.bluenote
Subject: Re: Blues Record Stores in Chicago?
Date: 15 Apr 92 21:10:36 GMT
Distribution: usa
Organization: Educational Computing Network

In article <1992Apr15.182004.27708@csrd.uiuc.edu> hsu@sp24.csrd.uiuc.edu (William Tsun-Yuk Hsu) writes:
>Haha... actually I saw a map of the flooded areas earlier (which might
>be wrong, of course). I think the buildings on Grand did not have to
>be evacuated. (They may have no power, of course. Anyone knows?)

I heard it was only the area just south of the river.  Between the
river, Michigan, Dearborn, and Adams.  In an area where there is not too
much going on ;) 

Jeff  from Chicago, the city of leaky rivers. 
Xref: sparky rec.music.bluenote:3327 rec.music.misc:14091
From: burdick@hditest1.crd.ge.com (William E. Burdick KWC-1604 5585)
Newsgroups: rec.music.bluenote,rec.music.misc
Subject: WANTED:  Recordings by Pete Lewis, Johnny Otis, etc.
Date: 12 Apr 92 17:49:44 GMT
Distribution: usa
Organization: GE Corp. Research & Development, Schenectady, NY

Help!  I am interested in purchasing every recording I can find
featuring Pete "Guitar" Lewis, Jimmy Nolen, and Cal Green.  All
of these fine players were once featured guitarists with Johnny
Otis.  If you have any of this stuff you'd like to sell and/or
know of a good mail order source for used blues (vinyl and/or CD),
contact me.


Johnny Otis
------------
The Original Johnny Otis Show (2 LPs)			Savoy 2230
The Original Johnny Otis Show Vol I (Import?)		Savoy 2218
The Original Johnny Otis Show Vol II (Import?)		Savoy 2219

Other stuff by Johnny Otis (sorry, I don't know the titles):
Savoy 787
Regent 1036
Savoy 743
Mercury 8273

Sorry I don't have album titles for the following, all I know is the
label and stock number.  Some of this stuff was recorded under the
names/titles of Little Esther, Preston Love, Pete Lewis, Jimmy
Nolen, or Cal Green.


Pete "Guitar" Lewis
-------------------
Federal 12066
Federal 12076
Federal 12103
Federal 12112

King 528
King 859

Modern 20-715


Jimmy Nolen
-----------
Federal 12246
Federal 12252
Federal 12254
Federal 12262
Federal 12274
Federal 12278

King 528


Cal Green
---------
Federal 12318



Thanks,
Bill Burdick
burdick@zeppo.crd.ge.com
From: v125njuc@ubvmsb.cc.buffalo.edu (DA BIG FAT FUNKY BUTT-GROOVE)
Newsgroups: rec.music.bluenote
Subject: frisell and Berne?
Date: 13 Apr 92 17:21:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41


	does anyone out there have a recording of Tim Berne and
Bill Frissel called "theoretically" or "Fulton street maul"?
If so, could you sell me your copy or make me another? - these
recordings seem to be out of print.

Thanks,
Rich
v125njuc@ubvms.cc.buffalo.edu

"once your dead, you've got it made"
                                       -Jimi Hendrix
Newsgroups: rec.music.bluenote
From: wcsanil@alfred.carleton.ca (Anil Prasad)
Subject: JACO PASTORIOUS LIVE CDs (was: Weather Report CDs)
Organization: Carleton University, Ottawa, Canada
Date: Thu, 9 Apr 1992 21:24:10 GMT

While we're on the topic of Weather Report CDs, I've seen *many* live
Jaco Pastorious CDs listed in various catalogs. Most of them are
from Japan and Italy. But there's an american released called
"JACO LIVE IN ITALY" that I'd like more info about. There are other
discs with titles like "Live In NYC pt. 1, 2, 3" "Honestly Solo Live"
among others.

Any info is greatly appreciated.

Anil Prasad
wcsanil@ccs.carleton.ca


Newsgroups: rec.music.bluenote
From: rshapiro@arris.com (Richard Shapiro)
Subject: cd reissues missing tracks
Organization: ARRIS Pharmaceutical, South San Francisco, CA
Date: Tue, 7 Apr 92 15:42:20 GMT

In article <1992Apr7.030308.10015@Princeton.EDU> herbsman@phoenix.Princeton.EDU (Tal Herbsman) writes:
>I own the double LP complete SR-JH quartets, and this is the most majestic
>jazz i know. EACH and EVERY track is priceless. i can never bring myself
>to buy the RCA cd rerelease for such an act would be a latter-day
>sophie's choice.
>
>please help!! 


Why do you even want the cd when you already have the lps? Especially
considering the subpar sound quality of RCA's cd reissues. You should
consider yourself lucky to have the lp version...
From: cthulhu@raybans.cis.ufl.edu (Mark Kupper)
Newsgroups: rec.music.bluenote
Subject: RTF
Date: 9 Apr 92 22:06:28 GMT
Organization: Univ. of Florida CIS Dept.


  Has RTF's Where Have I Known You Before been released on CD ever? I've had
a hell of a time trying to find it. Thanks for any info.
From: bweiner@ruhets.rutgers.edu (Benjamin Weiner)
Newsgroups: rec.music.bluenote
Subject: Zornosity
Date: 17 Apr 92 20:47:31 GMT
Organization: Rutgers Univ., New Brunswick, N.J.

When I saw Naked City, in spring '89, they were much more
like the collage-ist Zorn, playing film music pieces,
short thrashfests, sudden mood changes, etc.  (Beginning to
sound like a description of myself: "short thrashfests and
sudden mood changes.")  They were Zorn, Frith, Horvitz, Baron,
and Frisell at that time.  

Zorn had the obnoxious stage personality at that time, but seems
to have gone increasingly for shock-value and epater le bourgeois,
which I am disappointed by, especially since he is capable of a lot
of good ideas.

Interestingly, yesterday I found a $1.99 record, "Lowe and Behold"
by the Frank Lowe Orchestra, from about 1977, and who should be
playing alto sax on it but - John Zorn!  More details later, 
on the 11 o'clock news.

Ben
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu
Subject: Re: JACO PASTORIOUS LIVE CDs (was: Weather Report CDs)
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Fri, 10 Apr 1992 04:59:18 GMT

In article <1992Apr9.212410.26681@cunews.carleton.ca>, 
wcsanil@alfred.carleton.`
>While we're on the topic of Weather Report CDs, I've seen *many* live
>Jaco Pastorious CDs listed in various catalogs. Most of them are
>from Japan and Italy. But there's an american released called
>"JACO LIVE IN ITALY" that I'd like more info about. There are other
>discs with titles like "Live In NYC pt. 1, 2, 3" "Honestly Solo Live"
>among others.
>
>Any info is greatly appreciated.
>
>Anil Prasad
>wcsanil@ccs.carleton.ca
 
The 3 volumes of LIVE IN NEW YORK CITY (Big World 1001, 1002 and 1003) are
pretty poor as far as sound quality goes.  The larger group material is
especially bad--the horns sound like they're playing from backstage.  The mix
is not too great anytime.  Volume 1 (PUNK JAZZ) is based on the trio of Jaco,
Hiram Bullock (g) and Kenwood Dennard (d), with the addition of Alex Foster
(s), Butch Thomas (s), Delmar Brown (synth), Michael Gerber (p) and Jerry
Gonzalez (t and congas) on 5 of the 8 cuts.  Volume 2 (TRIO) features the
Pastorius-Bullock-Dennard trio.  The trio work on Volumes 1 and 2 is not as
bad sonically and some of the performances are pretty exciting.  There's no
indication of when these recordings were made.  Does anyone happen to know
when they were made???

The Jazzpoint recordings were made while Jaco was on tour in Europe in March,
1986.  Here are the that 3 I'm aware of:
 
"HONESTLY" SOLO LIVE (Jazzpoint 1032)
"LIVE IN ITALY" (Jazzpoint 1031)
STUTTGART ARIA (Bireli LaGrene and Jaco--Jazzpoint 1019)
 
These recordings are much better sonically than the BW recordings.  HONESTLY
features Jaco playing live solo performances that are totally improvised, but
incorporate bits and pieces of his songs and other tunes.  These recordings
are not from a single concert, but are a collection of Jaco's solo 
performances from the tour (as I understand it).  LIVE features Jaco with Bireli
LaGrene (g) and Tom Borocz (d).  ARIA is a studio recording made in Stuttgart
and features LaGrene and Jaco, as well as Vladislaw Sendecki (keys), Jan
Jankeje (synth. bass on 2 cuts), Peter Lubke (d) and Serge Ringolf (perc).
I can't tell from the liner notes whether this recording was made before or
after those made in Italy (they all say March, 1986).  The following claims
are made in the liner notes: "Several records of live concerts with Jaco
Pastorius have been released since his death.  But buying most of them is a
risk because of their bad sound quality.  The tracks on this album were
recorded on one of his last tours through Italy, using real studio equipment,
not a walkman."  I guess from what I've heard, I would have to agree.
 
-Lynn Rardin (rardin@auriga.rose.brandeis.edu)
Newsgroups: rec.music.bluenote,rec.music.misc
From: judym@col.hp.com (Judy Miller)
Subject: Re: Earl Klugh Music
Date: Mon, 13 Apr 1992 21:22:30 GMT
Organization: HP Colorado Springs Division

fscll@acad3.alaska.edu (Chris Lott) writes:
> I just bought the Earl Klugh Trio, vol. 1 and think it is great... 
> 
> can anyone point me to what they feel is Klugh's best work so that I can find
> it? Being a guitarist I am especially interested in his best guitar work, but
> any overall comments suggestions are welcome... 

Finger Paintings is a classic.  More mellow than jazz.  I love it.

Judy
Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Re: Chick Corea Question
Organization: Brotherhood Of Breath
Date: Mon, 6 Apr 1992 06:28:30 GMT

ebaddour@kean.ucs.mun.ca writes:
>[...] I have some of his earlier stuff (for example, the songs of 
>singing) that leads me to believe the man must have been doing some 
>heavy drugs.....

Nat, you're stepping heavily on many toes here.  I am one of those who
believe that Chick Corea's best work was done before the k-bands
(akoustic & elektrik, or however he spelled them.)  Whether or not
drugs were involved (I don't know nor care) -- the trio works like
NOW HE SINGS and TRIO MUSIC, and the Braxton/Holland CIRCLE projects
are among his more adventurous and more beautiful.  Immensely more
creative and original than the k/k jobs -- which, in my opinion, are
pretty hackneyed.

Return To Forever is perhaps the ladmark 70's fusion band (along with
the Mahavishnu Orchestra, I guess.)  I'm basically a non-fusionist so
I am not really familiar with their heyday, which is supposed to be
the records with Al Di Meola.  I do know the 73-74 stuff, with Joe
Farrell, Stanley Clarke, Airto Moreira and Flora Purim, e.g. the
eponimous record on ECM, and the super-classic LIGHT AS A FEATHER.
They are very very good, strong & smooth (but not slick).  Actually,
all of his 70's work on ECM -- like the Gary Burton duets -- is good
like that.

I guess this doesn't help you at all since we obviously have different
tastes, but what the hell.

--Gidi
From: herbsman@dew.Princeton.EDU (Tal Herbsman)
Newsgroups: rec.music.bluenote
Subject: Re: Kenny Kirkland - info and albums
Date: 5 Apr 92 17:11:07 GMT
Organization: Princeton University
Originator: news@ernie.Princeton.EDU

In article <1992Apr2.005134.15044@casbah.acns.nwu.edu> booyacht@casbah.acns.nwu.edu (Ryan Lucas) writes:
>BTW, does anyone have a list of other people's albums he's played on?  I know
>he's played on the following:
>	Wynton's old albums
>	Branford's not-quite-as-old-albums
>	Stanley Jordan's "Cornucopia"
>	Michael Brecker's first solo album
>	Arturo Sandoval's "I Remember Clifford" (just out)
>	Sting's solo albums
>
>Does anyone know of any others?  

he's also on 3 tracks on the novus scofield compilation _who's who_. 
what album(s) these are taken from, i do not know.

tal.
From: brian@grot.ca41.csd.mot.com (Brian Smithson)
Newsgroups: rec.music.bluenote
Subject: That Fabulous Fender/Rhodes sound (was Re: Chick-Round II)
Date: 11 Apr 92 13:57:38 GMT
Organization: Brian Smithson

cwalker@vega.tmc.edu (carleton walker `93) writes:

>In article <1992Apr7.011934.1@kean.ucs.mun.ca> ebaddour@kean.ucs.mun.ca writes:
>>really good.  My only gripe with it is with the instrument(s) he uses, 
>>primarily the fender rhodes.  As a keyboardist/pianist myself (sounds 
>>important doesn't it?), I HATE that horrible thin sound.  Had he used 
>>a concert grand for the album, it would probably rank as one of my 
>>favourites, but alas I have to bear that BLEUGH sound of archaic 
>>technology.  The other "old" album I have is the "song of singing".  

Damned youngsters... :-)

I started listening to this stuff in the late 60's, and a Rhodes was
really cool then.  Even the yucky unmodified ones!  I still like the
sound, in part because I associate it with a certain period of music
which I like.  Hell, I even *have* a Rhodes!  I guess I'm getting old. :-(

Now, does anyone remember the sound of a Rhodes through a ring modulator,
e.g. Mike Nock in the Fourth Way?  Very hip. 

-- 
-Brian Smithson
 Motorola Inc., Computer Group, Commercial Systems Division
 2001 Logic Drive, San Jose, CA 95124 USA, (408)369-4104
 brian@csd.mot.com, {apple | pyramid}!motcsd!brian
Newsgroups: rec.music.bluenote
From: lell@dec2.wu-wien.ac.at (Christoph Lell )
Subject: Re: Chick Corea Question
Reply-To: guru@awiwuw11.bitnet
Organization: Wirtschaftsuniversitaet Wien
Date: Tue, 7 Apr 1992 07:40:16 GMT

In article <1992Apr5.194023.1@kean.ucs.mun.ca>, ebaddour@kean.ucs.mun.ca writes:
|> I'm a big fan of Chick Corea.  I have all the recent cds that he plays
|> singing) that leads me to believe the man must have been doing some

|> heavy drugs.....(though some other early stuff like My Spanish Heart
|> is really bitchin'....)
|> 			info appreciated
|> 					Nat

I would suggest you listen to CIRCLE on the ECM label. This is very very good
and includes the great Dave Holland on bass, Barry Altschul on drums and
either Braxton or Sam Rivers (I forget which) on sax.

It is also easy listening music :-).

YES of course Chick Corea was on drugs when he played his early stuff. Don't
people realize that as soon as the music is not as easy to listen to
the musicicians must be abusing certain substances.     

Comments like these are just beyond me. Anyway, I really WOULD buy CIRCLE,
(but Nat certainly wouldn't enjoy it.)

Christoph

-- 
Christoph Lell                         lell@wu-wien.ac.at, lell@awiwuw11.bitnet
Wirtschaftsuniversitaet Wien         |   
Augasse 2-6, A-1090 Wien, Austria    |     "Free your mind and your 
Tel. (43) (222) 31 336 x4449 or x4443|      ass will follow!"
From: mcgonig@eeserv.ee.umanitoba.ca (Gordon McGonigal)
Newsgroups: rec.music.bluenote
Subject: Re: Giant Steps
Date: 14 Apr 92 21:57:47 GMT
Organization: Dept. of Elect. & Comp. Engineering, U of Manitoba

smehta@nynexst.com writes:
>.......................................................... I would
>probably retract my earlier claim that he's likely to be the Geri
>Allen of the 90's. ..........

I think of him more as an Oscar-Peterson-with-a-heavy-dose-of
-McCoy-Tyner of the 90's (at least at this stage in his development).
The Tyner influence is obvious, and the Peterson reference is to
his astounding technical ability, which he has yet to fully exploit
for the forces of goodness.  Sometimes I think he goes for flash
rather than substance.  But, he is an incredible talent, no doubt
about it.
--
                                   * * *
Gord McGonigal                                  mcgonig@eeserv.ee.UManitoba.ca
Dept. of Electrical & Computer Engineering
University of Manitoba, Winnipeg, CANADA (R3T 2N2)       phone: (204) 474-6295
Newsgroups: rec.music.bluenote
From: altoman@cbnewsi.cb.att.com (robert.elinson)
Subject: Yamaha soprano saxophone for sale
Organization: AT&T
Distribution: usa
Date: Fri, 10 Apr 1992 14:55:32 GMT
Keywords: model 62





straight Bb soprano saxophone for sale

Yamaha yss62

only 2 years old

perfect condition

$1700


Call (908)834-1229
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu
Subject: Re: JACO PASTORIOUS LIVE CDs (was: Weather Report CDs)
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Fri, 10 Apr 1992 05:17:58 GMT

In article <1992Apr10.050647.27598@news.cs.brandeis.edu>, rardin@binah.cc.brandeis.edu writes:
>
>The 3 volumes of LIVE IN NEW YORK CITY...

I apologize for the fact that this message ended up posted 3 times.  I got
"protocol errors" the first couple of times I tried posting it and figured 
that meant it wouldn't show up.  So I posted it again [successfully].  Now I 
see that all three tries resulted in the message being posted.

-Lynn
Newsgroups: rec.music.bluenote
From: rardin@binah.cc.brandeis.edu (R. Lynn Rardin)
Subject: Re: Zorn and Burrell
Reply-To: rardin@binah.cc.brandeis.edu
Organization: Brandeis University
Date: Wed, 15 Apr 1992 17:51:32 GMT

In article <SMEHTA.92Apr14115450@kwela.nynexst.Com>, smehta@kwela.nynexst.Com (Sandeep Mehta) writes:
>
>> gwl%wave3_1@MCNC.ORG (Glenn Lea) writes:
>
>> "More News for Lulu" (John Zorn, George Lewis, Bill Frisell
>> interpreting Blue Note hard bop tunes) is much more interesting
>> than their first try -- it's quite entertaining, in fact.  Frisell
>> is a major contributor this time, and he accounts for much of the
>> difference in openness and interplay.  With the first album, I had
>> usually had enough after about 5 cuts and would take it off.  Here,
>> I listened to half of it at a time (2 * 39 minutes) and it seemed
>> short...
>
>I agree that it is more interesting; actually, the word that first
>popped into my mind was "fresh". I think the Lewis/Zorn interplay w/
>the same material is more exciting. It definitely makes the large
>overlap in material worth it. The only grudge I had was w/ the mix on
>at least the Paris set -- Frisell got easily masked esp. when Lewis'
>'bone stepped up. The Basel set as better. Listening to this disc w/
>headphones would certainly help...

I would have to agree that this is great stuff.  After hearing NAKED 
CITY, I was afraid to venture into more Zorn.  But MORE NEWS is, obviously, 
nothing like NAKED CITY.  I'd have to say that I was struck more by the 
interaction of Lewis and Zorn than that of Zorn and Frisell--very tight.  I 
would second the opinion that Frisell somtimes gets lost in the mix.  As you
suspected, Sandeep, headphones help a bit.

-Lynn

< R. Lynn Rardin (rardin@auriga.rose.brandeis.edu)  >
< Rosenstiel Basic Medical Sciences Research Center >
< Brandeis University, Waltham, MA                  >
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Newsgroups: rec.music.bluenote
Subject: Re: Arthur Blythe recommendations
Date: 15 Apr 92 03:30:07 GMT
Distribution: na
Organization: AT&T

smehta@nynexst.com writes:

>I can immediately think of 2 pre-80's, pre-Columbia dates which are
>excellent: THE GRIP (India Navigation) and BUSH BABY (Adelphi). They
>are out of print so you'll have to take a chance w/ used and cut-out
>vinyl bins.

You must be several months behind in reading your Cadence Center Sale
sections, Sandeep: THE GRIP and METAMORPHOSIS hve been reissued
togehter on a single India Navigation CD called IN CONCERT. The two
original LPs were each half of a single concert. Personnel: Blythe,
Bob Stewart (tuba), Ahmed Abdullah (trumpet), Abdul Wadud (Cello),
Steve Reid (drums) and Muhamad Abdullah (percussion). And I will
give Sandeep's recommendation a stong second.

>The above are all leader dates. Two sideman dates that I highly
>recommend are Lester Bowie's THE 5TH POWER, an early Black Saint
>recording, and the other is available as a reissued CD by RCA called
>WEST COAST HOT which is a really 2 albums one a Carter-Bradford date
>and the other a Horace Tapscott Quintet date where Blythe debuts.

Given the personnel, I found 5TH POWER somewhat disappointing. But
WEST COAST HOT is one of my favorites; this one is a reissue of a couple
of 20 year old recordings from Bob Thiele's Flying Dutchman label. On
the origian release, Blythe was listed simply as Black Arthur.

Other places to look for Blythe as a sideman are the LEADERS albums
(which don't live up to the promise of the personnel, either IMHO),
and the first Jack DeJohnette Special Edition album, including
both David Murray and Blythe.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
From: dat91msu@ludat.lth.se (Martin Sunnerdahl)
Newsgroups: rec.music.bluenote
Subject: Re: Naked City at the Marquee (NYC) 4/9/92
Date: 14 Apr 92 17:43:08 GMT
Organization: Lund Institute of Technology, Sweden

hhs@cbnewsm.cb.att.com (Sweetleaf) writes:

> There were at least three cameras going.  Eye was there for vocal
> duties, as well as another person on a few pieces - anyone know who
> this was?  He was American, with long brown hair.
> 

Well, it _could_ be Mike Patton, singer w/ Faith No More.
When Naked City played in Scandinavia last year, he sang instead of Eye...

Martin

---
Newsgroups: rec.music.bluenote
From: ujwb@uxa.ecn.bgu.edu (Jeff Beer)
Newsgroups: rec.music.bluenote
Subject: Mile Davis : Plugged Nickel Discography
Date: 14 Apr 92 00:11:09 GMT
Organization: Educational Computing Network

OK, some people are interested in this, so I thought I'd post the tracks
on this.  This is the 7CD Miles Davis Complete Live At Plugged Nickel
1965, with Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams.
The catalog number is:  Sony SRCS 5766-5772 CD7

Disc 1  12/22/65 set 1

If I Where A Bell
Stella By Starlight
Walkin
I fall In Love Too Easily  *
Theme *

Disc 2  12/22/65 set 2

My Funny Valentine *
Four *
When I Fall In Love *
Agitation *
Round Midnight
Milestones-Theme *

Disc 3  12/22/65 set 3

All of You *
Oleo *
I Fall In Love Too Easily *
No Blues *
I thought About You *
The Theme *

Disc 4  12/23/65 set 1

If I Were A Bell *
Stella By Starlight
Walkin
I Fall In Love Too Easily *
The Theme *

Disc 5   12/23/65 set 2

All Of You *
Agitation
My Funny Valentine *
Green Dolphin Street
So What
The Theme *

Disc 6  12/23/65 set 3

When I Fall In Love *
Milestones
AUtumn Leaves *
I Fall In Love Too Easily *
No Blues-Theme *

Disc 7  12/23/65 set 4

Stella *
All Blues
Yesterdays 
The Theme

* means previous unissued.