HDTenEightyP/NetNews huggingface dataset:
From: dgj2y@kelvin.seas.Virginia.EDU (David Glen Jacobowitz)
Newsgroups: rec.music.makers.synth
Subject: Re: Ensoniq ASR10 Info Wanted
Date: 18 Nov 92 16:19:34 GMT
Organization: University of Virginia

>Hi,
>
>I'm shopping for a new sampler and was considering the Akai S1000 until I 
>heard about the new Ensoniq ASR10. All I know about it are the basic specs,
>what I really need to know is what is it like to use? Are there any obvious
>features omitted in the software? How does it compare in features/ease of 
>use with the Akai S1000. I have heard that the keyboards Ensoniq puts on 
>their products are sometimes unreliable, has anyone had any problems with 
>their Ensoniq?

	The person who posted this asked for an e-mail response, but I
thought it is important to get a certain point cleared up because I
see so much of it on the net. It seems to be a very popular notion
that Ensoniq keyboards are unreliable. Really, this is not true. IT is
important to note that when Ensoniq first entered the synth business
(was previuously invloved only in hearing aids) they built
synthesizers to put electronic music in the hands of regular folk. The
mcahines they built, the Mirage and ESQ-1 were cheap. They weren't the
most wonderful synths in the world, but they reallly had a lot og bang
for the buck and actually competed quite favourably (featurwise and
soundwise) with the other synths and samplers in the industry. If
anyone remembers much about when the Mirage was introduced, it really
knocked a lot of poeple on their butts. It didn't sound great but it
was CHEAP. In trying to produce these products some corners were cut,
and there were problems, but for the most part, the people who bought
them delt with them because they knew that they'd have nothing if they had
to buy an Emax or something. 
	Since then Ensoniq has held true to their concept of making
affordable synths, but they have only improved quality with every new
product. THey have definitely learned a lot better how to make quality
instrumnents. As of the last year or two, with the EPS16+, the SD1, SQ2,
KS32, DP/4, and now the ASR10, Ensoniq sa entered the realm of truly
world class products. These are professional boxes and they all work
well. There may be problems here and there with them, but they are not
unreliable. I have never had any problems with Ensoniq products that I
have owned, except for the occaisional software bug and subsequent ROM
upgrade.
	My point: In the beginning things were a little shakey. They
just aren't anymore. Ensoniq's current products are really all rock
solid.

					sincerely,
					david g. jacobowitz
					dgj2y@virginia.edu
Newsgroups: rec.music.makers.synth
From: watpod83@alfred.carleton.ca (Robert Telka)
Subject: Sound Cards: PC based
Organization: Carleton University
Date: Fri, 20 Nov 1992 19:49:02 GMT

Howyd y'all!

I'm interested in purchasing a soundcard for an IBM AT 286 clone.
However, I know very little about current cards available.  For
example, cards like Sound Blaster, Adlib, etc.  A requirement would be
that it must support MIDI, since I'd like to connect my dinky Yamaha
DX-100.  

I have plans on purchasing some sort of music workstation (eg. Korg
M1).  Can anyone suggest a half decent system.  Note that I'm a
student and can't afford mega-bucks, so I want to stretch the buck as
far as it'll go.  If anybody wants to donate their system to me,
please go ahead!  E-mail me for more info...

If you can help me in any way, my Email address is:
watpod83@alfred.ccs.carleton.ca

Thanx in advance!  Rave on 'till dawn!

Robert Telka
Carleton University
Ottawa, Ontario, Canada
Newsgroups: rec.music.makers.synth
From: velhart@epas.utoronto.ca (Nicholas Velharticky)
Subject: ROLAND D-20, ALPHA JUNO-2, AND PEAVEY KB-300 AMP FOR SALE
Organization: University of Toronto - EPAS
Distribution: ontario
Date: Sun, 22 Nov 1992 03:24:29 GMT

F O R   S A L E
================

This music equipment is in excellent condition and was never used on
the road.  I am posting from Toronto.  Buyer pays shipping.
Send all requests to velhart@epas.utoronto.ca.


Roland Alpha Juno-2 synthesizer --------------------------------($400)

	6-voice, analog/digital hybrid (DCO/VCF/VCA), 128 tones (64
	preset, 64 user-programmable), 64 extra tones on data sheets,
	5-octave keyboard (61 keys), velocity- and channel
	aftertouch-sensitive keys, polyphonic portamento, chord
	memory, octave transpose, biometric multi-parameter
	adjustment, carrying case included.


Roland D-20 synthesizer ----------------------------------------($800)

	32-voice, digital Linear Arithmetic synth (12-bit PCM
	sample-playback and synthesized waveforms), 9-track sequencer
	(8 + 1 drum track) 16,000 note capacity, built-in 3.5" disk
	drive, 5-octave keyboard (61 keys), velocity-sensitive keys,
	128 preset tones, 64 user-programmable tones, 448 extra tones
	on disk, 32 preset drum patterns, 32 user programmable drum
	patterns, carrying case included.


Peavey KB-300 keyboard amplifier ------------------------------($400)

	130-watt, 3-channel, 3-band EQ on each channel, reverb on each
	 channel, 1	effects send (ch. 1), horn driver and 15" scorpion
	 subwoofer, dust cover included.
From: (Christopher J. Amow)
Newsgroups: rec.music.makers.synth
Subject: Midi Trigger (for a pseudo drummer!)
Followup-To: rec.music.makers.synth
Date: 19 Nov 1992 02:17:39 GMT
Organization: Hewlett Packard, San Diego Division
Distribution: world
NNTP-Posting-Host: hpsdr170.sdd.hp.com

Hi y'all,

Does anyone out there know of an 'affordable' Midi trigger (real basic,
mayber just an assignable
MIDI channel) that I can use for the more complex fills when I sequence on
my O1/W fd?

Thanks
Chris
From: au462@cleveland.Freenet.Edu (Robert Drake)
Newsgroups: rec.music.makers.synth
Subject: ADAT bugs???
Date: 22 Nov 1992 06:47:37 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: slc10.ins.cwru.edu


i remember seeing messages about possible bugs with the Alsesis
ADAT 8track digital recorder.  i didn't pay attention 'cause i
wasn't in the market at the time--now i am.  can anybody fill me
in?  email appreciated, so's not to bore the rest of you with
old news...

thanx
luigi
Newsgroups: rec.music,rec.music.makers.synth,rec.music.synth,ba.music,rec.arts.theatre
From: feldman@Xenon.Stanford.EDU (Todd J. Feldman)
Subject: Keyboardist Needed for "Little Shop of Horrors"
Originator: feldman@Xenon.Stanford.EDU
Organization: Computer Science Department, Stanford University.
Distribution: ca
Date: Sat, 21 Nov 1992 17:10:04 GMT


	L I T T L E   S H O P

		 O F

            H O R R O R S


Ram's Head Theatrical Society of Stanford University
is looking for a keyboard/synth player for their
upcoming winter production of "Little Shop of Horrors".

The score is written for 3 keyboards (synth, electric
piano, and organ) to be played by one person.  It is also
quite possible to condense the music onto two keyboards.

The show is a tremendous amount of fun and there would be 
relatively little rehearsal time involved.  The performances
will be held January 28-31 and February 4-7.

If you're interested in finding out more, please get in touch 
ASAP.  You can phone me at (415) 691 - 9978, or send e-mail
to feldman@cs.stanford.edu.

Thanks!!

Todd
From: phillip@BARTAL.COM (Phillip M. Vogel)
Newsgroups: rec.music.makers.synth
Subject: WANTED MT-32 (actually two of them)
Date: 21 Nov 92 22:15:59 GMT
Distribution: usa
Organization: Bartal Design Group, Inc.


I'm looking to purchase an MT-32 or two. If you have one you'd like to get
rid of, or if you have any leads, send email or call or fax.

Thanks,

Phillip
--
Phillip M. Vogel, Technical Director    | Ask about the 'Visual Conductor'(TM)
TimeStream Technologies, Inc.           | Domain: phillip@bartal.com
318 Marlboro Road, Englewood, NJ 07631  | (201)567-1343   FAX:(201)568-2891
From: dgj2y@kelvin.seas.Virginia.EDU (David Glen Jacobowitz)
Newsgroups: rec.music.makers.synth
Subject: Re: KORG 01/W Discussions
Keywords: KORG,01/W
Date: 17 Nov 92 00:14:36 GMT
Organization: University of Virginia

In article <1e8st8INN3al@charnel.ecst.csuchico.edu> gcrown@ecst.csuchico.edu (Fuzz E. Pickle) writes:
>I am about to buy my first (auhhh) synth and I was about THIS  |<-->| close
>to buying an 01/W becuase it feels nice, looks nice, and the piano sound
>(the sound by which I make all judgement) sounded the best of all the synths
>I tested.  But then someone told me that with the 01/W you can never ever
>change the actual sample.  That all those sound cards, disks, etc., are
>just parameters to be used on the original samples.  To me that is a big
>drawback.  Is this guy right?  So I've been looking into the Yamaha SY85
>which supposedly CAN use completely new sample data-like it's big brother
>the SY99.  BTW, can you use SY99 samples on the SY85?
>
>-FUZ

	The O1/W can take souncd cards which are just sets of new
patch data and parameters. ADDITIONALLY< it can take PCM data cards
which, of cours, add new real samples to the instrument. Korg's policy
is pretty much to make wavetable-expandable synths.	
Xref: sparky rec.music.makers.synth:186 rec.music.synth:18569 comp.music:5264
From: scott@bbx.basis.com (Scott Amspoker)
Newsgroups: rec.music.makers.synth,rec.music.synth,comp.music
Subject: Re: K2000R (Q)
Date: 17 Nov 92 17:49:37 GMT
Article-I.D.: bbx.64
Organization: BASIS International, Ltd., Albuquerque NM USA

In article <oivindi.64.721991452@dhhalden.no> oivindi@dhhalden.no (OIVIND IDSO) writes:
>
>Does the Rack-version of K2000 contain all the same features as the keyboard 
>version (except for the sequencer, I guess?)? Disk-drive, possible to 
>install sampling-option and 68 MB...?

The K2000R (rack K2000) contains all of the features of the keyboard
version plus additional outputs, an extra SCSI port, and a cooling fan
already installed.  It has the same sequencer, floppy drive, and 
memory expansion as the keyboard version.

-- 
Scott Amspoker                       |    
Basis International, Albuquerque, NM |  Too bad ignorance isn't really
                                     |  bliss.  Then it could be outlawed.
scott@bbx.basis.com                  |
Newsgroups: rec.music.makers.synth
From: seh003@acad.drake.edu
Subject: Re: **GOOD KEYBOARDS****
Organization: Drake University, Des Moines, Iowa, USA
Date: Wed, 18 Nov 1992 03:39:17 GMT

In article <41163@sdcc12.ucsd.edu>, ma168faf@imath7.ucsd.edu (Matthew Guarnotta) writes:
> 
> I Need some advice about a good Keyboard....My price range is maximum $1000
> and I definitely want MIDI capability. I also like to download pathches
> if possible from my Mac....Any suggestions????? Does anybody know about
> the Yamaha TX-88???? Anybody have one??? Are they good??? What's your
> favorite keyboard and why
> 
> Matt
> 
> May the force be with you..........

To my knowledge, there is no such thing as a Yamaha TX-88.  There was a KX-88,
which may be what you're thinking about.  The KX-88 is an 88-note MIDI
controller and has no sounds of its own.

Stephen

-- 
/-----------------------/      ... Beware, my friends, as you pass by
/    Stephen E. Hale    /          as you are now so once was I
/ SEH003@ACAD.DRAKE.EDU /          as I am now so you will be
/-----------------------/          prepare, my friends, to follow me ...


	     /--- --/-- /--- /---/ /   / /--- /|    /
	    /      /   /    /   / /   / /    / |   /
	   /---/  /   /--- /---/ /---/ /--- /  |  /
	      /  /   /    /     /   / /    /   | /
	  ---/  /   /--- /     /   / /--- /    |/
Newsgroups: rec.music.makers.synth,news.groups,rec.music.synth
From: dave@jato.jpl.nasa.gov (Dave Hayes)
Subject: Re: Dave Hayes may be right (was Re: To keep the r.m.s rename...)
Reply-To: dave@jato.jpl.nasa.gov
Organization: Jet Propulsion Lab - Pasadena, CA
Date: Thu, 19 Nov 1992 09:02:20 GMT

dickw@IASTATE.EDU (Richard Wallingford) writes:
>So I guess I'm not sure what you want.  Some sort of absolutist
>rule that would never allow anything BAD to happen.  How about if
>*you* become our benevolent dictator. That way we will never have to vote 
>or decide anything.  We will all trust you to do the right thing
>and we'll abide by your wishes. 

Ok...Touche...Ow, stop. I guess I want people to stop treating newbies like
they're dirt and people to stop renaming things anal retentively. Those
aren't exactly objective criteria, I know...and hardly enforcable. But
a good reworking of the "usenet documentation" and "guidelines" may be
a good thing to start with. 
-- 
Dave Hayes - Network & Communications Engineering - JPL / NASA - Pasadena CA
dave@elxr.jpl.nasa.gov       dave@jato.jpl.nasa.gov         ...usc!elroy!dxh

   Enjoyment is not a goal,
      it is a feeling that accompanies important ongoing activity
From: daver@sunspot.ssl.berkeley.edu (David Ray)
Newsgroups: rec.music.makers.synth
Subject: Re:  Roland U-20 Patch Editor / Librarian
Date: 16 Nov 1992 19:26:05 GMT
Organization: /etc/organization
NNTP-Posting-Host: sunspot.ssl.berkeley.edu

In article <> jdrage@cantor.math.uwaterloo.ca  writes:
>Anybody out there in net-land use a Roland U-20 RS-PCM keyboard with an MS-DOS
>based MIDI setup?  I've been searching for a patch editor / librarian...

I have a U-220 (same as U-20 without kbd) and I need a patch editor / librarian
for the Macintosh, preferably OMS, preferably Max. I have some cool Max patches
that I am willing to trade for a U-220 editor in Max.

Thanks-

Dave Ray   daver@sunspot.ssl.berkeley.edu   (510) 527-9010


Newsgroups: rec.music.makers.synth
From: aclaasse@nyx.cs.du.edu (Arne Claassen)
Subject: Using Atari 520 ST with harddisks
X-Disclaimer: Nyx is a public access Unix system run by the University
	of Denver for the Denver community.  The University has neither
	control over nor responsibility for the opinions of users.
Organization: Nyx, Public Access Unix at U. of Denver Math/CS dept.
Distribution: rec.music.makers.synth
Date: Mon, 16 Nov 92 18:21:07 GMT


f you run your MIDI on an Atari 520 ST, is it possible to share a 
SCSI harddisk used with your keyboard. It seems that most keyboards use
MS-DOS formatted disks.

On the same line of question: Could you share such a harddrive if you used
a Mac instead of an Atari? I'm looking into these options, since I
currently only have an IBM PS/2 with that legendary (and only used in
legends) Micro Channel architecture and the only MIDI card I could find
was made by Roland and listed at about $400 while I could pick up an Atari
520 ST for about $200. 

-Arne
claassen@ebs330.eb.uah.edu
From: gompertz@sdd.hp.com (Ron Gompertz)
Newsgroups: rec.music.makers
Subject: Re: Q: recording with a 4 track deck.
Date: 19 Nov 1992 18:50:07 GMT
Organization: Hewlett-Packard, San Diego Division
Distribution: world
NNTP-Posting-Host: hpsdl90.sdd.hp.com

In article <1992Nov19.124343.18149@aie.nl>, louis@aie.nl (Louis Kossen) writes:
|> I have a 4 track fostex recorder and I have some plans to make
|> recordings of the noise I make together with the some other people.
|> We have to record: drums, bass, guitar (2x) and vocals (2x). We want to
|> make direct recordings. Is there anyone who has some experience with 4-track
|> machine and who has some practical advices.
|> 
|> Louis Kossen
|> 
|> 
|>

 A couple of things to consider:

   -Correct me if I'm wrong, but I think your tape deck will only let
you record 2 tracks at a time...

   -Are you planning on miking the drums?


 Here's my suggestion:

   Patch everyone into a mixer upstream of the deck. Coming out of the mixer
you may be able to combine bass and drums onto one track. Put the guitars
on track 3 and then use tracks 2 and 4 to overdub vocals/leads. The best thing
you can do is simplify your arrangements because getting a good final
mix with all these instruments on so few tracks will be tough.

Good Luck,


Ron

gompertz@sdd.hp.com
  
Xref: sparky rec.music.makers:11009 alt.emusic:393 rec.music.synth:18583 rec.music.marketplace:2306
From: david@roth-music.com (David A. Roth)
Newsgroups: rec.music.makers,alt.emusic,rec.music.synth,rec.music.marketplace
Subject: Re: TASCAM MS-16 FOR SALE
Date: Sat, 14 Nov 92 02:30:53 EST
Organization: DAVID A. ROTH MUSIC
Reply-To: david@roth-music.com (David A. Roth)
X-Mailer: uAccess - Macintosh Release: 1.5v4


In article <dave.24@scrc.umanitoba.ca> (rec.music.makers,alt.emusic,rec.music.synth,rec.music.marketplace), dave@scrc.umanitoba.ca (Dave McCrea) writes:
> 
> In article <1992Nov6.174048.28265@kodak.kodak.com> axman@acadia.Kodak.COM (Mike Axman) writes:
> 
> >For Sale:
> >TASCAM MS-16 1 inch 16 track machine $5800.
> >includes:
> >       - TASCAM DBX
> >       - Autolocator with roll around cart
> >       - original packaging material
> >       - custom desk to house MS-16, a board, and effects racks
> 
> > stuff deleted
> 
> Isn't this getting close to the price of 2 new Alesis ADATS with better S/N 
> and cheaper tape costs? How long will it be before good taperecorders such 
> as the MS-16 are sold for their scrap metal value?
> 
> Just curious.

I think it's more like...When are digital machines going to have the
warmth of good analog machines.  I'm not trying to stop a war on digital
vs analog but digital has not become all things to all people.  Of
course, you wouldn't know that by many of the postings in this newsgroup.
Besides quality of sound, the tape transports are very important too
and the format being used since some put a lot of time on machines
and need them to really hold up.  Another thing to considered is that
there is not yet an accepted common format for multi-track digital.

David
david@roth-music.com
Xref: sparky rec.music.makers:11090 rec.music.synth:18756 news.groups:22690 news.admin:8634
From: dave@frackit.UUCP (Dave Ratcliffe)
Newsgroups: rec.music.makers,rec.music.synth,news.groups,news.admin
Subject: Re: Intentional ignorance of newsgroup creation
Date: 21 Nov 92 19:18:15 GMT
Followup-To: news.groups
Organization: Data Factory Services, Harrisburg, Pa.


 In article <1992Nov12.050330.3428@jato.jpl.nasa.gov>, dave@jato.jpl.nasa.gov (Dave Hayes) writes:
 > chip@tct.com (Chip Salzenberg) writes:
 > Granted. I'd have to agree that those who remain ignorant by choice do 
 > take responsibility in what they experience.  

Nice of you to at least partially agree..... finally.

 > >But then you may ask, "Why should users suffer if their administrators
 > >don't inform them?  Is that fair?"  To which I answer, No, it's not
 > >fair.  But it happens anyway.  
 > 
 > So then, efforts to recify the situation are actually welcomed?

Of course they are.  Efforts to modify the guidelines AND provide for
better informational postings are very welcomed.  Efforts to overturn a
perfectly valid vote are, however, NOT. 


-- 
 vogon1!compnect!frackit!dave@psuvax1.psu.edu            |  Dave Ratcliffe  |
 - or - ..uunet!wa3wbu!frackit!dave                      |  Sys. <*> Admin. |
                                                         | Harrisburg,  Pa. |
From: dam@dcs.glasgow.ac.uk (David Morning)
Newsgroups: rec.music.makers
Subject: Re: Looking for ways to lower Marshall volume
Keywords: marshall amplifier
Date: 19 Nov 92 17:55:17 GMT
Organization: Glasgow University Computing Science Dept.

boutin@verbosa.ncd.com (Paul Boutin) writes:

>I want to get a Marshall Super Lead 100 to sound as much 
>like it does on 10 without the fighter-jet sound level.  This has 
>probably been Marshall FAQ #1 since 1969, so I figure there must be
>a known reasonable solution by now; in fact I saw a couple of postings
>on the topic recently but didn't get a chance to read them.

In short - no chance.
Any alteration to the drive signal to reduce the volume will invariably
alter the sound since that sound is derived from overdriving the power amp.

The only option you have is to pull two of the 4 output valves out and run
it as a 50 watt, similar to the 'Tweed Mode" switch in Fenders but you have
to pull out the *correct* two.

There's a good guideline in The Tube Amp book on moding a Marshall to run
this way and which tubes to remove. You willalso have to alter the impedance
selector setting to get a proper match too. If you normally run with an 8
ohm speaker cabinet, then you'll have to set the selector switch on the
back of the amp to 4 ohms to match your existing 8 ohm cabinet, if you run
a 16 ohm speaker rig then set it to 8 ohms.

The 'correct two' are the two outermost tubes (one to the furthest left, the
other to the furthest right) of the line of 4 power tubes.

Note that while this is a safe option, going down from 100 watts to 50 watts
won't give as much a volume reduction as you think.


Dave
--
From: g_house@goes11.enet.dec.com (Greg House)
Newsgroups: rec.music.makers
Subject: Re: Cheapo mikes for drum use... how bout this?
Date: 16 Nov 92 23:25:10 GMT
Reply-To: g_house@goes11.enet.dec.com (Greg House)
Organization: Digital Equipment Corporation, Colorado Springs CO


In article <BxqqHn.1Ex@news.cso.uiuc.edu>, brownfld@rcnext.cso.uiuc.edu 
(Kenneth R Brownfield) writes:

|>     Rapio Shack sells (sold?) a PCM for around $30 that was allegedly a
|>reissue of a major brand name PCM (forgot the brand.)  It was allegedly
|>modified to use a 9V battery and a 1/4" unbalanced plug (although the design
|>remains balanced, I believe.)  It's a good deal if you can spend $30.  A
|>little work could make it an excellent mic.
|>

The Radio Shack PZM mike sells for $50 these days.  It runs on a single AA 
battery, or two of those 3 volt camera batteries (by RS's specs).  I've seen
several modifications which use anything from a 9v battery on up.  The 
transformer used is apparently quite noisy as well, but all in all, it's 
not a bad sounding mike for the money.

Greg
Newsgroups: rec.music.makers
From: 00013073@ysub.ysu.edu
Subject: HARMONICA BUFFS SPEAK OUT
Organization: Youngstown State University
Date: Tue, 17 Nov 1992 02:24:47 GMT

My name is George W. Miklas--formerly with Jerry Murad's Harmonicats.
I am interested in speaking with other harmonica players accross the USA
or the World.  While with the Harmonicats in 1985, I was accompnied by the
St. Louis Symphony Orchestra under the baton of guest conductor Richard Hayman.
I have played Roger Miller's show Big River for the Youngstown Playhouse.  Lets
talk--I would like to correspond with other harmonica players who have played
Big River.
 
ALL HARMONICA PLAYERS PLEASE WRITE !!!!
 
GEORGE W. MIKLAS   00013073@ysub.ysu.edu
P.O. Box 292, North Lima, OH  44452-0292
Phone (216) 549-2684  Fax (216) 742-1998
Newsgroups: rec.music.makers
Newsgroups: rec.music.makers

I need to upgrade my equipment, so I have following for sale:


	- KORG 12 channel line mixer 
	  
		Model KMX-122.
		3 Effects Loops.
		mint condition. 

		Asking : $250/b.o. (plus  shipping)


	- Boss  4 channel mixer

		line/mic inputs

		Asking : $100/b.o. (plus  shipping)


	- IBM PC version of Trax (ver 2.17), with complete
	  documentation. Great for starters.
		
		Asking : $120/b.o. (includes shipping)


Please e-mail/call me.

Shailesh
spatel@hpclbis.cup.hp.com
408/447-6776
Newsgroups: rec.music.makers
From: Chris Rogers
Subject: FOR SALE: DigiDesign AD/IN analog-digital converter
Reply-To: kevinr@wri.com
Organization: Wolfram Research, Inc.
Date: Fri, 20 Nov 1992 18:31:05 GMT

<<<<<<<<<<<<<<<<<<<<<<<<<<<---------------->>>>>>>>>>>>>>>>>>>>>>>>>>>>

I'm selling my DigiDesign AD/IN analog to digital converter which is
used with the Macintosh AudioMedia and Sound Accelerator cards.
It is a necessary component of the DigiDesign SoundTools system
if you don't have a DAT/IO digital interface.

I'm asking $375.  The reason I'm selling, is because I've upgraded to
a DAT/IO interface and DAT recorder...

Chris Rogers (kevinr@wri.com)
Newsgroups: rec.music.dementia
From: st923058@pip.cc.brandeis.edu (Jessica Raine)
Subject: Axl
Reply-To: st923058@pip.cc.brandeis.edu
Organization: Brandeis University
Date: Mon, 23 Nov 1992 18:12:17 GMT

	Last night on the good Doctor's show, I heard a song called something
like "Axl for Christmas". Anyone got the lyrics? I wanna post it to
alt.fan.metal.gnr...
				Jess
Organization: Freshman, MCS general, Carnegie Mellon, Pittsburgh, PA