HDTenEightyP/NetNews huggingface dataset:
From: pearl@remus.rutgers.edu (Starbuck)
Newsgroups: rec.arts.anime
Subject: Re: I come from the land of rec.arts.animation....
Date: 9 Sep 92 20:15:30 GMT
Organization: the Worlds Welfare Work Association, Rutgers Anime division

In article <BuBAMJ.8p2@CAM.ORG> emru@CAM.ORG (Emru Townsend) writes:

> In article <95328@bu.edu> shimkevi@buchmf.bu.edu (Sergey Shimkevich) writes:
> >
> >>> (2) Which animation company did the 1979 anime version of "The Little
> >>>Mermaid"? I think it might be Tatsunoko, but I'm not sure.  Damn good movie.
> >
> >>Is this the version recently released by Starmaker and selling for about $10? 
> >>I saw that but didn't buy it because I had no idea if it was any good.  If so,
> >>I'll pick it up right away.
> >
> >Where can you buy it? I saw it in 1980 and don't remember how it looked like.
> 
> You can get it from Whole Toon Access.
> 
> Hmn.  After a quick check through my files, I seem to have lost the address.
> Anyone?


From the FAQ:

- The Whole Toon Catalog
	PO Box 369
	1460 19th Ave. NW
	Issaquah, WA  98027
	(206) 391-8747
	(206) 391-9064
  General animation paraphernalia store.
  Books, tapes and LDs.  Catalog available.
  [Good place to inquire for anime shown in the USA.  If they don't
   have it, odds are you can't get it.  I don't think they do imports.]


Steve
---
Stephen Pearl (Starbuck)    Work: (908)932-3465   Home: (908)566-6842
UUCP:  rutgers!remus.rutgers.edu!pearl  Internet: pearl@remus.rutgers.edu
FidoNet: Stephen.Pearl@f619.n2605.z1.fidonet.org (or 1:2605/619)
GEnie: S.PEARL6                    CI$: >internet:pearl@remus.rutgers.edu  
US MAIL:  359 Lloyd Rd, Aberdeen, NJ 07747-1826           
QUOTES: "What is Starbuck-ing?" -Adultress 19
        "Works for me!" -Rick Hunter (The Cop, not the Robotech Defender)
From: dcb@wdl1.wdl.loral.com (Predecrement David)
Newsgroups: rec.arts.anime
Subject: Re: hunt for red otaku
Date: 14 Sep 92 15:49:32 GMT
Organization: Tomobiki-cho

ken@uxc.cso.uiuc.edu (Ken Primer) writes:
>    Actually this should be titled hunt for tan otaku....
>
>WOW I finally met Enrique Conty! I even got to shake his hand!!!!
>
>I'll never be the same again.

Argh!!  You met The Paunched Otaku?!  This is so frustrating!  I've wanted
to meet him for a very long time, and never got the opportunity.  Grr.

This is almost as bad as when Cal Animage had Hitoshi Doi come over for a
meeting, and didn't tell anyone before hand.  I blew my top when I found out
I missed a chance to meet Hitoshi in Berkeley....

--David
+---------------------------------------------------------------------------+
| David Blume            | Minami: "Yeah.  Always, always, always!"         |
| dcb@wdl1.wdl.loral.com | Kazuya: "Yeah..."   --"Touch" in the KOR Movie   |
+-finger acct. for prefs----------------------------------------------------+
From: garion@micromed.com (Chris Thi Nguyen)
Newsgroups: rec.arts.anime
Subject: Cal-Animage and Help me Please
Date: Fri, 11 Sep 92 15:32:25 PDT
Organization: Micro-Medic BBS - +1 408 279 5240 - Public Access

        Anybody out there a part of Cal-Animage? I'm trying to join, but
NO one knows where? Thankee vewy vewy much. 
                  -Thi "DON'T BEND THE DAMN COVER!" Nguyen

-- 
garion@micromed.com (Chris Thi Nguyen)
Newsgroups: rec.arts.anime
From: msw8629@zeus.tamu.edu (WILLIAMS, MICHAEL SHANE)
Subject: Re: "Huge" breasts in anime
News-Software: VAX/VMS VNEWS 1.41    
Organization: Texas A&M University, Academic Computing Services
Date: Mon, 7 Sep 1992 22:17:00 GMT

>In article <18eng0INNrht@usenet.INS.CWRU.Edu> bn981@cleveland.Freenet.Edu (Ryan Mathews) writes:
>1.  Excluding "hentai" pink anime, do characters with "huge" breasts (not
>just "large", but huge, i.e. larger than you'd expect for a character her
>age and height) prevail in anime?

I wouldn't say they prevail, but they're out there!  Case in point:  

CLEOPATRA: DC (or Cleo D-Cup as the local fans say...)

	Captain "Top Heavy" Woodchuck

msw8629@rigel.tamu.edu			The new Ranma movie is also pretty big
From: michael@izumi.DIALix.oz.au (Michael Studte)
Newsgroups: rec.arts.anime
Subject: ANIME BINGE '93
Distribution: world
Date: Fri, 11 Sep 92 15:13:11 GMT
Organization: JAFWA, Cal-Animage Zeta, Perth, Western Australia


In article <189iu2INNd5e@usenet.INS.CWRU.Edu> bn981@cleveland.Freenet.Edu writes:
 > >> > [BEER!]
 > >> [Yeah!  Sake?  Tequila?]
 > > [SAKE!]
 >  
 > I have a feeling that the otaku's at the Expo are going to be too sloshed
 > to do anything constructive.  :-)

Throughout last year's con, I had a total of 1 beer (from the Brit who
brought them up to our room).

It was also the first time I tried a Dr Pepper. You americans have
weird tastes... :)

 > Highlights :
 > 11 puking Nadia's at the masquerade
 > Carl Macek vs. Robert Woodhead tequila drinking contest

I meant a different Robert, actually, but that's beside the point. :)

 > Panel: Which anime feature looks the best after nine beers?

Lamune & 40... It has to make more sense after alcohol-induced vision.

--

+-------------------+----------------------------------------------+
| Michael Studte    | Japanese Animation Fans of Western Australia |
| 46 Hackbridge Way | CAL-ANIMAGE ZETA, Perth, Australia   +-------+
| Bayswater  6053   | Internet: michaels@DIALix.oz.au      |
| AUSTRALIA         |           michael@izumi.DIALix.oz.au |
+-------------------+ FidoNet:  3:690/728 (MegaTokyo 2033) |
|  Inokuma Yawara   |--------------------------------------+
|        for        | Indiana Kou: "CARROTS!! Why did it   |
|       GOLD!       |               have to be carrots??"  |
+-------------------+--------------------------------------+
From: pittaya@edison.seas.ucla.edu (Pittaya Yuthrayard)
Newsgroups: rec.arts.anime
Subject: Re: IMHO
Date: 15 Sep 92 20:30:26 GMT
Organization: SEASnet, University of California, Los Angeles

In article <1992Sep10.140021.7456@panix.com> jis@panix.com (Jack Szwergold) writes:
>Can anyone explain, or even attempt to explain, to me (or anyone else who
>cares, why a country that is predominantly oriental in look, and culture,
>such as Japan, can market so much ANIME and MANGA that contains TONS of
>caucasion characters with caucasion features?  There is nothing wrong with
 
Well Jack I've seen lots of Japanese with blonde or red or green hair and
the reason is that they dye their hair different colors because they want
to look different than their god given appearance just like everyone else
in the world.

Of course this is coming from a man who has no honest opinions. :)

Pittaya "The Deceptive" Yuthrayard
From: jis@panix.com (Jack Szwergold)
Newsgroups: rec.arts.anime
Subject: IMHO
Date: 10 Sep 92 14:00:21 GMT
Organization: Panix, NYC

In my honest opinion, everyone has an honest opinion.  And to think that
words out of someone's own mouth is not an honest opinion, is a violation
of that person's own honest opinion (Please, don't that this personally
IMHO).  We should all have our own opinions, and if your opinion, is not
my opinion.  HECK!  It's because its your opinion (IMHO).

Jack
jis@panix.com

My name is Jack (this is my own opinion, mind you) and I think this whole
discussion of accountability for opinions should end.  If some people have
egg-shell egos, it's their problem (IMHO).  Lets talk about somthing else....
Like....

Can anyone explain, or even attempt to explain, to me (or anyone else who
cares, why a country that is predominantly oriental in look, and culture,
such as Japan, can market so much ANIME and MANGA that contains TONS of
caucasion characters with caucasion features?  There is nothing wrong with
this, every one in a while.  But other than the one or two
ninja/samurai/fantasy stories, the majority of characters are causcasion? 
What does this say about the Japanese?  Do they unconciously want to be
caucassion?  I know many of you will flame me and call me an instrigator
for asking this, but how can anyone justify a country portraying a
self-image of themselves (through their art) in this way.  And this is
especially relavant since ANIM is primarilly confined to Japan and other
neighboring countries.....

Ohhh: As an example of an asian country that doesn't caucasionize (is that
a word?) in their comics and art is CHINA.  Why then does Japan do this?
From: bn981@cleveland.Freenet.Edu (Ryan Mathews)
Newsgroups: rec.arts.anime
Subject: Re: Anime, and He May Not
Date: 5 Sep 1992 07:41:10 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: bn981@cleveland.Freenet.Edu (Ryan Mathews)
NNTP-Posting-Host: slc4.ins.cwru.edu


In a previous article, emru@CAM.ORG (Emru Townsend) says:

>What style there is in BUBBLEGUM CRISIS is vastly overshadowed by
>cheap, exploitative writing. Very sad.

He claims the writing is cheap and exploitative, but doesn't give
any examples.  How does one exploit an animated character, or a
fictional being like a Boomer for that matter?

>For example, women are so poorly treated in anime that it is next
>to impossible to nail down the main stereotype. [...]

[Numerous example of "stereotypes" deleted]

>Is it the spunky tomboy fighter pilot, the zipper of her flight suit
>constantly under incredible strain from her massive breasts...

If there is anything I am sick of, it is this bit.  Where do people like
the reviewer get the idea that anime is full of huge-breasted women?  I
am hard-pressed to think of a lot of anime characters with "noticeable"
breasts (i.e. big enough to wobble a little), and the only characters I
can think of off-hand with truly "massive" breasts are the twins in
1+2=PARADISE, and that's soft-porn, so it can hardly be used as an
encompassing example.

I'd also suggest that the reviewer check his dictionary.  He seems to
have confused the concept of a "stereotype" with that of a "cliche".
The reviewer rattles off so many different cliches for the treatment
of women, it's hard for me to comprehend his apparent point that women
are treated with enough variety, but instead chained down to a
"stereotype".  If we continue with a list, I'm sure we could list every
female character as a "stereotype".  I take it Leiquinni from WINGS OF
HONNEAMISE is "the young lady who becomes the main character's inspiration"?
Does simplifying her to a sentence make her a "stereotype".

I'm getting timed out again.  Shouldn't have done that download.  One
more post to finish this up...

			---------- Ryan Mathews
-- 
Email: bn981@cleveland.freenet.edu      DISCLAIMER:  Any resemblence of this
Snailmail: 786 High Street              article to rational thought is
           Bedford, OH 44146            purely coincidental.
Newsgroups: rec.arts.anime
From: conty@cbnewsl.cb.att.com (OtakuRoach)
Subject: Re: Various comments on anime (SAILOR MOON, NG LAMUNE & 40)
Organization: AT&T Bell Laboratories
Date: Wed, 16 Sep 1992 04:11:40 GMT

In article <1992Sep16.004700.24435@wdl.loral.com>, dcb@wdl1.wdl.loral.com (Predecrement David) writes:
> takahash@ntmtv.UUCP (Alan Takahashi) writes:
> >conty@cbnewsl.cb.att.com (OtakuRoach) writes:
> >>- SAILOR MOON:  Frankly, I can't see why people like this show, unless
> >>  they're MST3King it to heck and back.  Formula writing, so-so animation
> >>  (except for the canned sequences).
> >
> >Sounds like you're expecting some substance from Sailor Moon.  THIS
> >IS THE WRONG APPROACH TO TAKE!!!  If you're expecting some 'bite'
> >from this series, you'd be disappointed, 'cause there isn't any...
> 
> I have to side with Alan on this one.  Sailor Moon strikes me as being in
> the same vein as the Urusei Yatsura TV shows.

Oookay.  I'll get a tape with some episodes in it, and let you know what
I think later.  Gotta remember to leave the brain in the other room, tho...
:-)
-- 
			    E n r i q u e  C o n t y
			The Incredible Man-with-no-Life
			      jester@ihlpl.att.com
		    Disclaimer: You're not dealing with AT&T
From: scotth@hoshi.corp.sgi.com (Scott Henry)
Newsgroups: rec.arts.anime
Subject: Re: Where are you, Urusei Yatsura?
Date: 14 Sep 92 15:36:33 GMT
Organization: Silicon Graphics Inc, Mountain View, CA


>>>>> In article <1992Sep14.144739.27045@ulowell.ulowell.edu>, bkeener@cs.ulowell.edu (Brian E. Keener) writes:


bkeener>        I have been trying to find Urusei Yatsura videotapes
bkeener> for sale, either the movies or the series.  However, I have
bkeener> had no luck at all.  I have tried Coconuts, Tower Records,
bkeener> and Suncoast Movies (Sam Goody), but nobody seems to have it.
bkeener> I am in Massachusetts, southeast.  Where could I go to find
bkeener> these tapes?

Well, if you are referring to the subtiltled version being done by
AnimEigo, the first ones will be out starting next month (so they said
in this nice little card I got from them).  So, you can't find them
yet 'cause their not out yet.

--
 Scott Henry <scotth@sgi.com> / Just Another Anime & Manga Fan
From: michael@izumi.DIALix.oz.au (Michael Studte)
Newsgroups: rec.arts.anime
Subject: Anime, and He May Not {Re-post}
Distribution: world
Date: Sat, 12 Sep 92 19:26:57 GMT
Organization: JAFWA, Cal-Animage Zeta, Perth, Western Australia


In article <1992Sep7.164007.13339@panix.com> jis@panix.com writes:
 > In <18escuINN43d@usenet.INS.CWRU.Edu> bn981@cleveland.Freenet.Edu (Ryan
 > Mathews) writes:
 >  
 > >Anyone who knows me from when I used to hang around on rec.arts.startrek
 > >and rec.arts.comics knows that the best way to push my flame button is
 > >to do what this bonehead just did.
 >  
 > Oh.  I guess your the netG-d here.  Let me bow....

NOW who's doing an idiotic knee-jerk reaction, huh? Look in a mirror
before labelling someone else, mate.

 > >as tasteful and cultured?  Yup, that'll give them studios in Japan what
 > >fer!!
 >  
 > I never EVER said that you should watch stuff that is cultured and
 > tasteful.  You are such a KNEE JERK FANBOY!!! I said the community hardly

Calling someone that is a very knee-jerk thing, you know. :)

 > SInce you are the ANIME OVERLORD, I think I'll have to kill a deer or
 > something for a blood sacrifice.  :)  CHILL OUT.  DON"T TAKE IT SOOOOO
 > PERSONALLY.

You call him a knee-jerk fanboy and don't want him to take it
personally. You are a weird one.


 > >Email: bn981@cleveland.freenet.edu      DISCLAIMER:  Any resemblence of this
 > >Snailmail: 786 High Street              article to rational thought is
 > >           Bedford, OH 44146            purely coincidental.
 >                                          ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
 >  
 > I couldn't have said it better myself.

You just came here to stir, didn't you? Go back to alt.flame.

--

+-------------------+----------------------------------------------+
| Michael Studte    | Japanese Animation Fans of Western Australia |
| 46 Hackbridge Way | CAL-ANIMAGE ZETA, Perth, Australia   +-------+
| Bayswater  6053   | Internet: michaels@DIALix.oz.au      |
| AUSTRALIA         |           michael@izumi.DIALix.oz.au |
+-------------------+ FidoNet:  3:690/728 (MegaTokyo 2033) |
|  Inokuma Yawara   |--------------------------------------+
|        for        | Indiana Kou: "CARROTS!! Why did it   |
|       GOLD!       |               have to be carrots??"  |
+-------------------+--------------------------------------+
Newsgroups: rec.arts.anime
From: jmkaraka@eos.ncsu.edu (JOHN MARTIN KARAKASH)
Subject: Re: Anime, and He May Not
Originator: jmkaraka@c00088-100lez.eos.ncsu.edu
Reply-To: jmkaraka@eos.ncsu.edu (JOHN MARTIN KARAKASH)
Organization: North Carolina State University, Project Eos
Date: Wed, 9 Sep 1992 22:15:33 GMT


	Remember: "90% of Everything is crap."
     Why should Anime be any different?

-john-
Xref: sparky rec.arts.anime:18925 soc.culture.japan:8064 rec.arts.manga:950
From: moakler@romulus.rutgers.edu (bam!)
Newsgroups: rec.arts.anime,soc.culture.japan,rec.arts.manga
Subject: Anime/Manga Project: Need Help
Date: 14 Sep 92 17:03:29 GMT
Followup-To: rec.arts.anime
Organization: Rutgers Univ., New Brunswick, N.J.



Hello,

I'm doing an independent study in Japanese to complete my degree work
this year, and my sponsoring professor has graciously allowed me to a
project on manga. In addition to getting college credit for
translating manga (and providing me with impetus for actually getting
something done), I have to write a series of essays about various
aspects of manga. Since the only concrete source I have is Fred
Schodt's "Manga! Manga!", which is getting a little dated, I am
worried about getting enough information to write these essays and
have thrown myself at the mercy of the net and ask for your help in
completing this project.

These essays will not be scholarly in nature, so I don't need
citations and all that jazz. Basically, I just need accurate
information and analysis about manga. Even if it's somtehing obvious
to you that every manga reader should know, please send it, since I
sometimes miss the forest while looking for the trees.

The topics are:

The role or place of manga in current Japanese society:
	Things like current sales figures, breakdowns of the major
weeklies, the major publishers, and the major "special interest" manga
that are aimed at a specific following, and how and why manga are so ubiquitous
would be very helpful.

An overview of the top artists in the field:
	Basically what it says. I'm looking for recent artists, since
Manga!Manga! covers the older ones. I definately would like info on
Takahashi Rumiko and the people who work at CLAMP. I need things like
lists of works( with dates), magazines these works appear in (if
possible), if the artist works on weekly deadlines or works at his own
pace (like Masamune Shirow), salaries, non-manga related works, how
said artist broke into the field (or how artists in general break into
the field), and any plots/themes/genres that the artist is noted for.
Also, any information on artists who who top-sellers/earners in Japan,
but do not have large fan-followings here because of the genre they
work in because they lack anime connection. (I'm particularly
interested in "Sweet Spot", the name of whose artist I can't remember,
beccause it helped propagate the "oyaji garu".)

A comparison between manga and Western comics:
	How did manga and comics evolve differently? Stylistic
differences in art and writing. This topic is more subjective, so any
analyses would be appreciated.

I will post the manga translations to the appropriate group and will
post the essays if people request them, but at a later date.

Thank you,

---
Bill Moakler				  |        LPO 10280  PO Box 5064     
rutgers!remus.rutgers.edu!moakler (UUCP)  |       New Brunswick, NJ 08903
moakler@remus.rutgers.edu (arpa)          |    	     [!RUTGERS ANIME!]   
	                      	!ALLERGIC TO J-POP!
From: m0336@tnc.UUCP (RALPH JENKINS)
Newsgroups: rec.arts.anime
Subject: Re: Shows that shouldn't be subtitled/Dubbed
Date: 10 Sep 92 02:52:14 GMT
Reply-To: m0336@tnc.UUCP (RALPH JENKINS)
Organization: The Next Challenge, Fairfax, Va.


I vote for _Robot Carnival_.  Both of the segments with dialogue,
"Presence" and the robot one, seemed more interesting without the
benefit of translation.  Just my opinion...
 
  -Ralph Jenkins

-- 
The Next Challenge - Public Access Unix in Northern Va. - Washington D.C.
703-803-0391 To log in for trial and account info.
From: upsiu@KING.MCS.DREXEL.EDU (Paul Siu)
Newsgroups: rec.arts.anime
Subject: Re: Marine Boy
Date: 11 Sep 92 05:07:37 GMT

Yes, I think Marine Boy was an anime series brought over to the U.S. along
with Speed Racer, and Giant Robot something.  I don't remember too much about
it.  It had a guy in a wet suit, jet boots, with a electrical boomerang.  He
also had some sort of oxygen gum.

For some reason I cannot recall, I did not like Marine Boy.  I kept hoping
that one of the villian would switch Marine Boy's oxygen gum with a pack of
Rigley spearmint.

-----------------------------------------------------------------------------
Paul Siu             upsiu@mcs.drexel.edu

  I am Bomb, James Bomb  BOOM!

  James of the TechnoDiscordian
Organization: Penn State University
Date: Sat, 5 Sep 1992 20:48:21 EDT
From: <JBK4@psuvm.psu.edu>
Newsgroups: rec.arts.anime
Subject: Re: Robotech (Macross) and Gobot model info wanted.
 <1992Aug19.013946.20093@cbnewsl.cb.att.com> <Btu6AE.Kx7@dei.unipd.it>

I'm always looking for the any Robotech models.  If you know where I can
get any Please e-mail me.   Thanks.

Jason K.
From: michael@izumi.DIALix.oz.au (Michael Studte)
Newsgroups: rec.arts.anime
Subject: KOR OAV 2
Distribution: world
Date: Sun, 06 Sep 92 06:17:31 GMT
Organization: JAFWA, Cal-Animage Zeta, Perth, Western Australia


In article <1992Sep1.154634.5957@cbnewsl.cb.att.com> conty@cbnewsl.cb.att.com writes:
 > > It's also not very often that you get to see
 > > Japanese subtitles (Macross and Robot Carnival come to mind, any others?)
 >  
 > GUNBUSTER, episode 6.
 >  
 > WINGS OF HONNEAMISE, just about every scene in the Republic (the original
 > language was Malaysian, BTW).

KOR - Hurricane Akane OAV (the "train" sequence).

+-------------------+----------------------------------------------+
| Michael Studte    | Japanese Animation Fans of Western Australia |
| 46 Hackbridge Way | CAL-ANIMAGE ZETA, Perth, Australia   +-------+
| Bayswater  6053   | Internet: michaels@DIALix.oz.au      |
| AUSTRALIA         |           michael@izumi.DIALix.oz.au |
+-------------------+ FidoNet:  3:690/728 (MegaTokyo 2033) |
|  Inokuma Yawara   |--------------------------------------+
|        for        | Indiana Kou: "CARROTS!! Why did it   |
|       GOLD!       |               have to be carrots??"  |
+-------------------+--------------------------------------+
Newsgroups: rec.arts.anime
From: albertw@netcom.com (The Email Otaku)
Subject: Re: MacrossII scripts
Date: Tue, 08 Sep 92 16:58:25 GMT
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 

In article <Bu9G2G.3Ft@news.larc.nasa.gov> avik@icase.edu (Avik Banerjee) writes:
>greetings,
>
>	does anyone know how many LD's of macrossII there are? (not just
>	ones released in the US but how may to fit the entire story on)
>	also where can i get the scripts for macrossII (and silent mobius)?
>	thanks for your help.
>

Macross II is slated as a 6 part OAV series...so, they're are going to be
six discs.  At least they're CAV. ^_^  Dunno, if the US version will even
have LDs.  I think because USRenditions is releasing Macross II in the US,
no one is doing scripts anymore.  Silent Mobius scripts is probably
available via FTP from ocf.berkeley.edu, or the Comics forum on CI$.

-- 
+---------------------------------------------------------------------------+
| Albert Wong                                                               |
+-------------------------------------+-------------------------------------+
| Internet       : albertw@netcom.com | Compu$erve : 72657,2103		    |
| America Online : Al Wong            | Prodigy    : WJTM10B		    |
| Genie          : A.Wong7            | Fidonet    : Albert Wong @ 1:125/2  |
+-------------------------------------+-------------------------------------+
|     "Rush, Riot, Rage,...Rabbit?  No! We are BUNNY!" - VA Bunny's         |
+---------------------------------------------------------------------------+
Newsgroups: rec.arts.anime
Subject: Comments re: anime ..
From: ramberg@futon.SFSU.EDU (James Ramberg)
Date: 5 Sep 92 21:25:00 PDT
Distribution: world  
Organization: San Francisco State University

Part of my comments got cut off in my previous letter...
Let me just summarize by saying ..If there is osmething you like
BUY and SUPPORT it . If there is something you don't like,
dont watch it... The buck still works wonders...
IMHO of  course...
-- 
Jim Ramberg   San Fran State Dept. of Physics & Astronomy
Please send e-mail to ramberg@quark.sfsu.edu
*** the need of the one outweigh the need of the many ***
*** brighten the universe: Hold a Time Lord ***