HDTenEightyP/NetNews huggingface dataset:
From: mrk@gvgspd.GVG.TEK.COM (Michael R. Kesti)
Newsgroups: rec.music.synth,comp.music
Subject: GLIB file format
Summary: Straight dumps except...
Date: 28 Jul 92 00:14:21 GMT
Followup-To: rec.music.synth
Organization: Grass Valley Group, Grass Valley  CA

In article <1992Jul24.103100.3591@funet.fi> ptl@cs.tut.fi
						(Launiainen Petri) writes:

>The patches at ucsd.edu seem to be in GLIB format.  Anyone out there
>having a program that mangles GLIB to standard SYX format ? Or is there
>more in the GLIB format than meets the eye ?


In article <1992Jul22.111241.190@cmu.unige.ch> cohen@cmu.unige.ch writes:

>I have found some patches for a TX81Z synth, that are GLIB librairies.
>How can I upload them to the synth ?


GLIB files are straight copies of the SysEx data that was downloaded from
the synth, except that SOME of the synth specific versions include a DataID
byte as the first byte in the file.  This is an attempt to prevent a given
synth's version from attempting to load the data from another synth.

I'm not certain to what Launiainen is refering to by "standard SYX format",
nor what tools cohen has available for synth data transfer, but one can
derive a "raw dump" from a GLIB file using a binary editor.  If the first
byte is not 0xF0 (the SysEx status byte), remove that byte.  The remainder
is the raw data that was generated by commanding GLIB to download from the
synth in the first place.

For those of you not familiar with GLIB:

GLIB is a public domain generic librarian/editor designed to be portable
both in terms of host computer and synthesizer that was originally written
by Tim Thompson, Steve Frysinger, John Helton, and James Gosling.  The
program has been extended by Steve Falco, Alan Bland, Greg Lee, Scott
Snyder, Mark Rinfret and myself.

Currently, support exists for Amiga, Mac, IBM (and its ubiquitous
compatibles), ST, and Unix hosts; and Casio CZ1, Roland D-10 and DEP5,
Yamaha DW8000, DX100, DX7, and TX81Z, and Kawai K1 and K5 synthesizers.
(These lists may be incomplete!) In the case of a Unix host, the midi
I/O routines are stubbed and the program becomes a user interface demo.

All source files are distributed, so if your host and/or synth aren't
listed above, but you can code in C and understand the SysEx documentation
for your synth, it is possible to write what you need based on the existing
code.  It's no Sunday walk in the park, but it can be done!

GLIB has been distributed on comp.sources.misc in the past.  While I am
certain that it is available from archive sites, I have no way of knowing
which, because I cannot ftp from here, although I'm fairly certain that it
can be found on ucsd.edu.  Ask around, and you'll likely be able to find it.

-- 
============================================================================
Michael Kesti  Grass Valley Group, Inc. | "And like, one and one don't make
    mrk@gvgspd.GVG.TEK.COM              |  two, one and one make one."
    !tektronix!gvgpsa!gvgspd!mrk        |         - The Who, Bargain
From: scott@bbx.basis.com (Scott Amspoker)
Newsgroups: rec.music.synth
Subject: Re: Kurzweil K2000 Sample Board
Date: 23 Jul 92 02:29:33 GMT
Organization: BASIS International, Ltd., Albuquerque NM USA

In article <kgeib.711829046@maui> kgeib@maui.qualcomm.com (Ken Geib) writes:
>The sampler is a complete board, which is installed in the left side of the
>keyboard near the SCSI port.  There is a punch out panel on the back of the
>keyboard where the sample inputs attach.  The inputs include both analog
>and digital ports.  The other output/inputs are not connected to the sampler
>option at all.

I'll second that.  I saw a K2000 with the sampling option installed
the other night (at a Kurzweil clinic).  It is at the far left side
of the rear of the instrument.

-- 
Scott Amspoker                       |    
Basis International, Albuquerque, NM |  Too bad ignorance isn't really
                                     |  bliss.  Then it could be outlawed.
scott@bbx.basis.com                  |
From: JROSSI@EAGLE.AAMRL.WPAFB.AF.MIL
Newsgroups: rec.music.synth
Subject: Roland JV80
Date: 22 Jul 92 13:52:00 GMT


Comment -->  Barf...

John
Newsgroups: rec.music.synth,rec.music.makers,comp.music
From: wang@hp4at.eunet.co.at (Wang)
Subject: Re: Roland SH-101 synth $100
Reply-To: mza@pag.wang.co.at
Organization: EUnet EDV-Dienstleistungsgesellschaft m.b.H
X-Newsreader: Tin 1.1 PL4
Date: Thu, 23 Jul 1992 11:33:04 GMT

rost@rgb.dec.com (My name is Brian Rost) writes:
: 
: 		*** Roland SH-101 Analog Synthesizer $100 ***
: 
: This is NOT a digital synth, it is NOT polyphonic, it is NOT compatible with
: MIDI.  What it IS is a monophonic analog synthesizer.
: 
: with the high pass filter, stereo chorus, MIDI features and half the keys
: removed.
: 
: I do NOT have the manual, AC adapter or the "modulation grip" accessory.
: 
: The condition of the unit is excellent, near mint.  All sliders and switches in
: great condition.
: 
: For $100, I will UPS anywhere in the US.  If you can pick up in central MA
: (Worcester) area, I will knock off a few bucks.
: 

I tried to reply by e-mail, I can't reach you!!

   ----- Transcript of session follows -----
550 rgb.dec.com (TCP)... 550 Host unknown
554 rost@rgb.dec.com... 550 Host unknown (Authoritative answer from name server)

   ----- Unsent message follows -----
Received: by hp4at.eunet.co.at id AA10793
  (5.65c8/IDA-1.4.4 for rost@rgb.dec.com); Thu, 23 Jul 1992 13:16:45 +0200
Return-Path: <wang>
Date: Thu, 23 Jul 1992 13:16:45 +0200
From: Wang <wang>
Message-Id: <199207231116.AA10793@hp4at.eunet.co.at>
To: rost@rgb.dec.com (My name is Brian Rost)
Subject: Re: Roland SH-101 synth $100

---------------

What's the price for UPSing it to Vienna/Austria/Europe????

I'm interested!!

Thanks,
/m


-- 
Michael Zacherl, Wang Austria Ltd., Vienna         |
E-MAIL: mza@pag.wang.co.at                         | "Everything you wish
PHONE:  +43 (1) 89-111 ext. 433                    |  comes true! (mostly)"
FAX:    +43 (1) 894-17-14                          |         ;-)
Newsgroups: rec.music.synth,comp.sys.ibm.pc.soundcard
From: rga@rti.rti.org
Subject: Re: Turtle Beach Multisound
Keywords: Price
Organization: Research Triangle Institute, RTP, NC
Distribution: usa
Date: Wed, 29 Jul 92 21:39:38 GMT

>In article <1992Jul29.020028.10717@ucsu.Colorado.EDU> mccreary@ucsu.Colorado.EDU (MCCREARY SEAN) writes:
>>I received a flyer in the mail today announcing that PC-Zone is having a
>>sale.  Well, it seems that they are offering the Multisound card for $728,
>>and on top of that they are offering a 5% discount, so the net cost is
>>$691.60!  This is $100 less than I have seen this card going for anywhere
If I understand correctly, this card has a Proteus 1 with some DSP
capabilities as well ? Do programming tools for accessing the DSP
exist for a person such as myself ? Also, is there a driver to allow
it to be triggered from standard MIDI interfaces i.e. MPU-401
compatible ? Will it work with cakewalk ? Questions, questions. ...

What can it do beyond what a Proteus rack unit will do ?

Thanks,
Randy
From: cczdvh@unicorn.nott.ac.uk
Newsgroups: rec.music.synth
Subject: Atari/Cubase novice needs advice...
Date: 21 Jul 92 18:23:31 GMT
Organization: Cripps Confusing Centre, University of Nottingham
Originator: cczdvh@unicorn.nott.ac.uk

Dear Net-Midithings.. Well I took the plunge & now have an Atari 1040ste
running Cubase 2.0 driving my Kawai K4. Having read all manuals twice,
checked connections etc. etc. there area couple of niggles that I can't
sort out so......

First, When a sound is played on the synth with local on (and no signal
processing in the chain) the sound comes through clearly and "dry" of effects
external to the synth, however, with local off the sound has a slight
reverb and seems slightly quieter. This affects all sounds from the K4 and
the drier they are the more noticable it is, especially the drums.
Could this be my Midi leads, as I know the Atari Midi ports use the outer
pins as a Thru and if the leads have these shorted in some way ....??

Second, I cannot seem to get Cubase to transmit a C5 note. The note plays ok,
again, with Local On but otherwise Cubase says it is recieving Midi data
but not sending for that key/note no... most puzzling.

Any thoughts/5 page hints&tips much appreciated, & be gentle with me Im new
to this  :-)

Dave Valentine-Hagart       cczdvh@uk.ac.vme       vweeepowuuuurghraaarshwaarf
Newsgroups: rec.music.synth
From: lawrence.lougheed@rose.com (lawrence lougheed)
Subject: K2000
Organization: Rose Media Inc, Toronto, Ontario.
Date: Fri, 31 Jul 1992 08:37:13 GMT
X-Gated-By: Usenet <==> RoseMail Gateway (v1.70)


Date Entered: 07-31-92 03:32
In article <1992Jul30.053950.262951@cs.cmu.edu>
sef@sef-pmax.slisp.cs.cmu.edu writes:

>The factory patches on the K2000 will not reach out and grab you
>(unlike the Proteus 1, for example).  However, if you listen carefully,
>you will hear all the ingredients you need to make great patches:
>really fat, smooth analog sounds, tinkly FM-like sounds, ethereal
>sounds that evolve for hours, and acoustic instruments that are both
>dead accurate and controllable.

IMHO, the factory patches did not reach out and grab me, and I think
they are the source of many people being unimpressed by the instrument.

A few months ago I was delighted that my local dealer was adding
Kurzweil to their product line.  The specs looked fantastic on paper,
but when I got a chance to audition the K2000, I was disappointed in the
sound.  I also auditioned the Roland JV-80 and thought that it had a
much more exciting sound.  ( Based strictly on sound, the JV-80 had it
over the K2000.  Obviously, there is much more to the comparison than
just sound, however. )

A few weeks ago I visited Sweetwater Sound, and mentioned the above.
They told me that there was a new set of factory patches about to be
shipped. (I'm unclear if the new patches are from Sweetwater or from
Kurzweil). In any case the salesman spent an hour showing off the new
patches, comparing the old to the new, etc., and this session changed my
mind.  The new patches are much more exciting and interesting!
( Sweetwater told me that they were about to start shipping all K2000's
with these patches. )

I have an O1/W and enjoy it very much.  I want to add a module, and have
my heart set on the rack mount version of the K2000.  I have been told
that it will be available (in Canada) by Christmas, which means a whole
lot sooner in the States.  Any info on this?
---
   OLX 2.2   Internet: lawrence.lougheed@rose.com
   RoseMail 1.70: Usenet: Rose Media - Hamilton (416) 575-5363
From: pjb@cci632.cci.com (Phil Busardo)
Newsgroups: rec.music.synth
Subject: FZ-1 Samples Wanted
Date: 27 Jul 92 12:00:16 GMT
Organization: [Computer Consoles, Inc., Rochester, NY

I am looking for percussion, drum, but mostly bass samples for a Casio
FZ-1 sampler.  Willing to trade samples or $$$.  Please e-mail.


Thanx.
Newsgroups: rec.music.synth
From: beltran@ns.network.com (Tony R. Beltran)
Subject: Re: Looking for a good price on a used Kurzweil 150 FS...
Organization: Network Systems Corporation
Date: Wed, 29 Jul 92 13:45:22 GMT

In article <mhall.04y6@amiganet.chi.il.us> mhall@amiganet.chi.il.us (Mike Hall) writes:
>Hi, all!  I have an opportunity to buy a used Kurzweil 150 FS (their
>Fourier Synthesizer).  They're asking $600 - and I'm asking "is that
>about right?".  I know there's spiffier stuff that one can get for less,
>but that's not the point (I think).  What should a K150FS go for?
>
>
>--
>Mike Hall       708-393-6350
>mhall@amiganet.chi.il.us

The local Guitar Center (here in the Twin Cities) had them for $350US
a year or so ago.


Newsgroups: rec.music.synth
From: jon@chopin.udel.edu (Jon Deutsch)
Subject: Korg M1/T3 demo tape
Organization: University of Delaware - What state is that in?
Date: Sat, 25 Jul 1992 02:37:07 GMT

The VFX demo tape seemed to be such a success that I am thinking
of compiling the "best of" M1/T3 sequences.   
(Kudos to all contributors to the VFX tape!)

I would prefer you send me SysEx dumps of sequences, so I can
make first generation copies to tape.   

Mail me if you are interested.


       X-------------------+--------------+-----------------------X
       |  |   |\       |>jon@chopin.udel.edu<|  "For my 2 cents,  |
       | \|on |/eutsch |>>-----------------<<|  I'd pay a dollar" |
       X------+--------------------+--------------------+---------X


ps:  what ever happened to Craig Latta's compilation CD project?
     
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Return-Path: crispen <@ada3.ca.boeing.com:crispen@efftoo>
X-Envelope-To: SYNTH-L@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Tue, 28 Jul 1992 13:38:53 CDT
From:         crispen <crispen@EFFTOO.BOEING.COM>
Subject:      Re: Ensoniq KS-32
Comments: To: SYNTH-L@ada3.ca.boeing.com

metlay <metlay@MINERVA.PHYAST.PITT.EDU> sez:

>Humph. Well, for people who complain about light synth keyboards, I suppose
>this is easier to find and carry than a T8.

Oh, so we have a little girly man here, eh?  Can't you hang your
Steinway around your neck and boogie around the stage?  Better spend
some more time in the gym, metlay ;-)

Bob
crispen@foxy.boeing.com
Xref: sparky rec.music.synth:12817 rec.music.makers:8611 alt.music.progressive:1563
From: schroede@bnlux1.bnl.gov (gary l. schroeder)
Newsgroups: rec.music.synth,rec.music.makers,alt.music.progressive
Subject: Re: Will the real ALT.MUSIC.PROGRESSIVE please stand up!
Date: 28 Jul 92 17:05:33 GMT
Organization: Brookhaven National Laboratory, Upton, NY 11973

In article <1992Jul28.073614.17817@pasteur.Berkeley.EDU> c60a-zg@volga.Berkeley.EDU (Martin Guerrero-LabA) writes:
>Personally, I don't think Kansas, Genesis, Queensryche, etc. belong
>in the alt.music.progressive.
>
>Why was this newsgroup created in the first place?

To discuss Genesis, Yes, and Marillion.

-- 
--------------
Gary Schroeder		
schroede@bnlux1.bnl.gov 
Brookhaven National Laboratory     "Home of the Big BNL Burger."
From: pjb@cci632.cci.com (Phil Busardo)
Newsgroups: rec.music.synth
Subject: ** WANTED - Bass Samples For Casio FZ-1 **
Date: 23 Jul 92 15:18:50 GMT
Organization: [Computer Consoles, Inc., Rochester, NY

Does anyone have any HIGH QUALITY bass, percussion, and/or drum samples for
the Casio FZ-1?  I'm willing to trade samples or $$$.

Please e-mail.

And Thanx in advance...
Newsgroups: rec.music.synth,comp.music
From: smill@polari.online.com
Subject: Re: circuit schematics, etc
Organization: Seattle Online Public Access Unix (206) 328-4944
Date: Fri, 24 Jul 1992 07:16:50 GMT


	Oh, I also have 10 of the following chips that I know
absolutely nothing about.  Anyone know what they are/do???

	TI	7552A

	It's a standard 14-pin package.  I have no info at all.

Thanks in advance...
-- 
Steven M. Miller		"The history of music evolution is
smill@polari.online.com		 not the history of nice guys"
smill@online.com			-- Anthony Braxton
smill%polari@online.com
From: dan@cafws2.eng.uci.edu (Dan Harkless)
Subject: Re: Nash the Slash Rises Again!!! NEW RELEASE
Newsgroups: rec.music.synth
Organization: University of California, Irvine
Date: 23 Jul 92 16:29:30 GMT

In article <3554@blue.cis.pitt.edu.UUCP> metlay@minerva.phyast.pitt.edu (metlay) writes:
>In article <1992Jul21.053308.19550@intacc.uucp> zerobeat@intacc.uucp (Ferenc Szabo) writes:
>
>>By the way, a friend of mine who has know Nash for 15 years said that he
>>read in the newspaper that a downtown Toronto man with the exact same
>>age and real name of Nash had been arrested for some fairly heinous
>>assualt or sex crime.  I can't remember what his name is....something
>>like Jeff Gl*****. 
>
>Nash's first name is Jeff, but his last name doesn't start with a "G."
>
>That aside, however, and allowing for the possibility that you were
>just remembering it wrong, I contacted a friend of mine in Canada who
>works with Nash on a regular basis. He assured me that the man who was
>arrested was NOT the Nash we know and love, so let's stop this train
>of thought right here, okay?

	It was just some other guy with a bunch of bandages on his head, right?
[*ducking*]  Sorry, couldn't resist...  ;^}

------------------------------------------------------------------------------
| Dan Harkless                | "The sore in my soul                         |
| dan@cafws1.eng.uci.edu      |  The mark in my heart  ->  Front 242,        |
| dharkles@bonnie.ics.uci.edu |  Her acid reign..."        Tragedy >For You< |
------------------------------------------------------------------------------
From: nick@dcs.ed.ac.uk (Nick Rothwell)
Newsgroups: rec.music.synth
Subject: Re: Skinny Puppy MIDI song files
Date: 28 Jul 92 11:56:38 GMT
Organization: Naff Green Shorts Dance Co.
In-reply-to: five@sys6626.bison.mb.ca's message of 28 Jul 92 01:43:24 GMT

In article <27RLoB5w164w@sys6626.bison.mb.ca> five@sys6626.bison.mb.ca (skinny puppy) writes:

   Don't bother.  Unless you'll be happy with some basslines, a melody and 
   some percussion.  Most of their stuff is HEAVILY processed, with MANY 
   samples, that you'd have to sift through thousands of horror movies to 
   find the original raw materials from.  (Before processing).

Absolutely, and this just goes to show why I consider MIDI File Format
useless as a means to exchange musical material. There's so much distance
between the notes triggered and the sound that comes out of a sampler. Or
so there should be anyway.

By the way, interesting review of the Peavey SP/SX in last month's (I think)
Sound On Sound. Martin Russ explaining what the Peavey SP was. Sort of like
a sample-player (Proteus, M1, etc.) except that the samples can be changed,
and are lost if you turn the machine off.

Oh well. Is this the best way of explaining a sampler to today's keyboard
player? A bit retro, as John3 would say.

Nick.
--
  Nick Rothwell, LFCS, Edinburgh | "Say, how many contemporary dancers are
               nick@dcs.ed.ac.uk |     there in this bar?"
CASSIEL Contemporary Music/Dance | "Dunno; count the Dr. Martens and
     cassiel@cix.compulink.co.uk |     divide by two..."
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Tue, 28 Jul 1992 16:44:58 BSC
From:         Flavio Bressan <87141167@BRUFSC.BITNET>
Subject:      Problem with my email adress last week is ended!

Hello Folks,

    Last week I have a problem with my emal address, because a
HACKERS's invasion! The postmaster from here canceled some addresses,
and mine was one too. Now, the problem was solved and the things are
normal. My email address is working, and my 'analog' address is with
the correct zip.

Flavio

_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-
FLAVIO BRESSAN - 87141167@BRUFSC    | FLAVIO BRESSAN
GRAD IN ELECTRICAL ENGINEERING      | R AFONSO PENA, 987 - ESTREITO
FEDERAL UNIVERSITY OF SANTA CATARINA| 88070-650 - FPOLIS - SC - BRASIL
------------------------------------------------------------------------
NAO CONFIE EM NINGUEM COM MAIS DE 25 ANOS! :-)
-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
From: metlay@minerva.phyast.pitt.edu (metlay)
Newsgroups: rec.music.synth
Subject: Re: Attention r.m.s Veterans: Don't Post to This Newsgroup!
Summary: Jivin'.
Date: 31 Jul 92 14:57:45 GMT
Organization: Atomic City

In article <1992Jul30.054705.14226@cdsmn.mn.org> plate@cdsmn.mn.org (Doug Plate) writes:
>Then the only thing in here will be "which synth should I buy".
>Don't complain, um, write a song about it!  Yeah!  "Nobody in
>r.m.s. loves but mike metlay,  and he might be jivin too!"

Jivin'? Moi? Never. I love EVERYONE on the Net... that's why I keep
trying to cram so many of them into my studio....

>Anyone have any questions about DX7 sysex?  OMYGOD! I've outlived my
>usefullness!

If the DX7 was your specialty, Dougie, you never HAD any usefulness.
Oops, sorry, that was a neuron from 1987. Never mind. Forget it. |->

>One of these days that little "this message will be posted to a gazillion
>computers throughout the universe and you may end up looking like an idot,
>are you sure...?"  message is going to come up and the pressure of such an
>intense burden is just going to crack me in half.

You know, I'd like to see that. Can I watch? 

>Okay, so this wasn't my best post, but that's...okay.

No problem. Just look into your reflection in the LCD display and repeat
after me: "I'm talented enough, I'm MIDIwise enough, and doggone it, my
synths LIKE me!"


--
dr. michael metlay          \  "Warning: This is not normal music.
atomic city                  \  This is heavily processed pain."  
                              \ 
metlay@minerva.phyast.pitt.edu \                       (r. miller)
Newsgroups: rec.music.synth
From: d86-emh@dront.nada.kth.se (E Magnus Hulthen)
Subject: Broken MPU-IPC (in a strange way)
Organization: Royal Institute of Technology, Stockholm, Sweden
Distribution: rec
Date: Tue, 21 Jul 1992 14:27:40 GMT


Hello,

I'm having some problems with my MPU-IPC (Roland successor to 401)
which is broken. At some times when I power up my computer the
metronome speaker will scream and neither resetting nor restarting
the machine will help.
If i get past this and try to run Ballade it won't work, usually
the screen will remain black after the initial startup screen.
Once past that the sequencer may go down at any minute.

If press the MPU board on the outer edge down (its horizontally
mounted) it will work. If I let go, it goes back to sleep. Apart
from impairing me from playing it looks ridiculous :-)

At first I figured it might be the bus slot so I switched.
Exactly the same results occured anyway. So of I went to Roland
with my board. They tried it in their machine and it worked like
a charm. Both I and the service guy at Roland checked the soldering
and it seems to be OK.

I'm not wealthy enough to follow my gut instinct here, namely breaking
the f!$#"%g board to pieces and bying another one. So if anybody
can help me in any way with this I would greatly appreciate it.

My computer is an AST 386SX Premium Workstation with two slots
and 6M memory.

The things I beleive may cause this are;

1)  A bonding inside one chip (whichever that might be) is bad.

2)  The power supply is to weak

3)  A copper wire on the PCB has impurities

4)  It is part of "Plan 10 from outer space" where gentle beings
    are driven to homocidal maniacs by using "computer-breaking"
    rays				(  :-)  indeed )

As you may see any and all of the reasons are quite flakey. But 
please give me a better reason. I have wiring diagrams and
schematics of the board so if you wanna get technical, I dont
mind.

			Thanks,
				/Magnus Hulthen
				d86-emh@nada.kth.se
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
From: br326@cleveland.Freenet.Edu (Raphael Pungin)
Subject: YAMAHA PSR-500M Midi Bulk Dump
Organization: Case Western Reserve University, Cleveland, Ohio, (USA)
Date: Fri, 31 Jul 92 19:25:02 GMT


	Hello. I think that this question can be answered just 
by the owneres of YAMAHA PSR-500M keyboard. Although it is not
a professional synthesizer, I hope there are enough people on
this newsgroup who could help me.

Here is an excerpt from page 15 of the Owner's Guide:

	"The contents of each PAGE MEMORY can be bulk dumped
via the MIDI OUT connector as a system exclusive message and
received by a second PSR-500M or a MIDI data recorder."

	Being a novice in the MIDI world, I would like to know what 
kind of software/hardware for IBM compatible computer can be used 
as "a MIDI data recorder?" Ultimately what I would like to be able
to do is to save the PAGE MEMORY contents on the computer's hard 
disk and load it back into the keyboard. In other words, I would 
like to overcome the limit of only 4 PAGE MEMORY banks in PSR-500M.

	THANK YOU VERY MUCH IN ADVANCE.
To reply directly to me, please use this address: iby247@uriacc.uri.edu

	Sincerely, 
		Raphael Pungin
Newsgroups: rec.music.synth