HDTenEightyP/NetNews huggingface dataset:
From: "allan canney" <allan.canney@canrem.com>
Subject: marr/?
Reply-To: "allan canney" <allan.canney@canrem.com>
Organization: Canada Remote Systems
Distribution: alt
Date: 28 Sep 92 12:52:01 EST

-> jdrage@cayley.uwaterloo.ca (Govern your soul!) writes:
->
-> > In article <wcscses2.716874167@cunews> wcscses2@alfred.carleton.ca
-> (Geoff Ham > > _Mind Bomb_ was just Smiths sans Morrissey.
-> >
-> > Not true.  The Smiths never expressed the same sort of contempt for
-> society > that exists on _Mind Bomb_.  Just because Johnny Marr
-> joined the band doesn't > make them a Smiths clone.
-> the smiths were morrissey and marr. if you remove one element you
-> just dont have the smiths. the the isnt the smiths and morrissey band
-> isnt either. morrissey and marr was a match made in musical heaven.
-> -g
->
-> HALE TELECOMMUNICATIONS - Public Access Node, San Diego CA
-> 619/660-6734 HST genocide@hale.cts.com (Gary Danko)   22-Sep-92 at
-> 12:31p

  Even all the other projects Marr has done since he left the Smiths has
sounded nothing like he did with them.  He has a way of adapting to the
style that is needed for the artist he is with.  Look what he did for
Brian Ferry.  He took an old Smiths instrumental and truned it into a
Brian Ferry song, and ot doesn't sound anyhting like the smiths.  Also,
there isn't one Electronic song that sounds anyhting like the Smiths.  I
just think its the fact that Jonny Mar is capable of playing any kind of
music that is needed at the time.
--
Canada Remote Systems  - Toronto, Ontario
World's Largest PCBOARD System - 416-629-7000/629-7044
Newsgroups: alt.music.alternative
From: dhalgren@milton.u.washington.edu (Dhalgren)
Subject: Re: Galaxie 500 King of Spain
Organization: University of Washington
Date: Tue, 29 Sep 1992 02:28:06 GMT

sdm91r@ecs.soton.ac.uk (Stuart Maclean) writes:

>Hi all, I've noticed reading a couple of items about Galaxie 500's 'King of
>Spain' that it appears to be on 'Today'. I have copies of the album on
>Shimmy Disc Europe and Rough Trade and its not on either. I know 'King
>of Spain part II is on This is our Music. Is part I only on the original
>Aurora pressing.

Well, it's on my CD of "Today"...Rough Trade R266-2. Maybe it's not on the
vinyl copy?
From: feit@acsu.buffalo.edu (Elissa Feit)
Newsgroups: alt.music.alternative
Subject: Re: Mystery NIN Bonus songs
Date: 2 Oct 92 21:26:24 GMT
Organization: State University of New York at Buffalo/Comp Sci

In article <1992Sep22.235341.28920@dartvax.dartmouth.edu> Virginia.A.Reed@dartmouth.edu (Virginia A. Reed) writes:
>I picked up BROKEN today, and on the second side, after fast-forward
>through about 15 min., There were two untitled songs, they were pretty
>good . Any info on these????

On the regular (non-bonus) cd, these show up on tracks 98 and 99.
Each of tracks 7-97 are about a second long...  so if you're in a rush
you might just miss it...

Elissa Feit (feit@cs.buffalo.edu // {rutgers,uunet}!cs.buffalo.edu!feit)
"Boy, they were big on crematoriums, weren't they?
                -- Vice President George Bush at Auschwitz, 1987."
Newsgroups: alt.music.alternative
From: leo@ph.tn.tudelft.nl (Leo Breebaart)
Subject: Re: Nirvana
Reply-To: leo@ph.tn.tudelft.nl
Organization: Delft University of Technology
Date: Tue, 29 Sep 1992 09:49:02 GMT

(soren--Ms. Jackson if you're nasty) writes:

> I haven't a clue what the "philosophical substance" of "I like it/I'm not
> gonna crack/I miss you I'm not gonna crack/I hate you/I'm not gonna
> crack..." is, but it captures, for me, a state of mind  with a clarity
> and economy that Metallica's turgid, pretentious, overwrought attempts
> at relevence can't even come close to.

Nicely put. But surely you realize that this works both ways? There
may be people out there who feel that *Metallica's* lyrics directly
connect to their mind or heart, even though they might agree with you
that the lyrics are "turgid, pretentious and overwrought".

90 % of all pop/rock lyrics are either too stupid ("hello (16x)") or
too pretentious ("lying next to you in silent lucidity") not to be
embarassing when separated from the music. But is precisely the 
combination of music, performance, and text that can not only make
me forget that the lyrics are garbage, but which can make trite
lyrics seem positively brilliant, within the context.

> Nirvana may not be the most articulate lyricists in the world, but
> at least they understand that the words gotta scan with the music--
> something that Rush and Metallica never managed to figure out.

This is really the comment that prompted my follow-up. I don't believe
for one second that you'll be able to define "scan with the music"
any better than other people have been able to define "commercial"
in past discussions, and I take exception to your casual dismission
of Rush and Metallica on these grounds of their words not 'scanning'
with the music.

-- 
Leo Breebaart  (leo @ ph.tn.tudelft.nl)
From: genocide@hale.cts.com (Gary Danko)
Newsgroups: alt.music.alternative
Subject: Re: nirwannabe
Date: 28 Sep 92 23:35:42 GMT
Organization: Hale Telecommunications San Diego CA

jis@panix.com (Jack Szwergold) writes:

> It's not what you say Danko, it's -HOW- you say it....
> 
> Jack
> jis@panix.com

if you dont like it, ignore it.
-g

HALE TELECOMMUNICATIONS - Public Access Node, San Diego CA 619/660-6734 HST
genocide@hale.cts.com (Gary Danko)   28-Sep-92 at 4:36p
Newsgroups: alt.music.alternative
From: schansen@amc.com (Scott Hansen)
Subject: PEARL JAM BRAKES UP!
Organization: Applied Microsystems, Redmond, WA
Date: Wed, 30 Sep 1992 16:02:58 GMT

>  I just spoke to a friend of mine who writes for Spin and he was sent
>to Seattle to do a cover story on Pearl Jam. Well yesterday he called me
>and said that they have broken up. After Lollapallooza 2 and all those
>shows I was pretty surprised but apparently they can't deal with all the
>pressures of the music industry and so they've called it quits. All of
>the details will be in the article in the next issue of Spin. - Marc 

Then why did I just see them here in Seattle at a free show on
Sept 20th?  They were really happy about pulling-off a free show
for 30,000 people (it cost them over $100K) and Eddie said "We'll
see you next year when we do this again"...

I think you must be confused with some Nirvana rumor or something...

-Scott
-- 
==============================================================================
Scott Hansen (schansen@amc.com)           Sysop...:  The Crystal Chip 
Applied Microsystems Corporation          BBS.....:  (206) 226-6550    
Redmond, Washington  98073                Voice...:  (206) 882-5322
From: Nathan.H.Saunders@dartmouth.edu (Nathan H. Saunders)
Newsgroups: alt.music.alternative
Subject: Re: ***The ROLLINS Band
Date: 30 Sep 92 11:45:00 GMT
Organization: Dartmouth College, Hanover, NH
X-Posted-From: InterNews1.0a5@newshost.dartmouth.edu

Now I get to return the favor that a few people did for me when I was
just getting into Rollins Band about seven months ago.

In article <1992Sep30.020116.4675@nuscc.nus.sg>
eng20015@nusunix1.nus.sg (GOH KING SHY) writes:

> 	What are the albums that has been released by the Rollins band?

Henry Rollins:  Hot Animal Machine
                Henrietta Collins and the Wifebeating Childhaters (EP)
These two are on one CD under the title _Hot Animal Machine Plus_. 
_HAM_ sounds a little underproduced, and is especially weak in sound
when compared to subsequent life releases, but the songs are incredible
- Rollins at his paranoid best.  _Collins_ is a hilarious joke EP which
features a killer cover of wire's "Ex-Lion Tamer" as well as a lot of
funny stuff.

Rollins Band:  Life Time
               Do It
               Turned On
_Life Time_ is produced by Ian MacKaye of Fugazi, one of Rollins' best
friends (they grew up together in D.C.).  _Do It_ has three _LT_
outtakes and a bunch of live stuff.  Both _Do It_ and _Life TIme_ have
about five bonus live tracks on the CD version.  _Turned On_ is a
complete live set recorded somewhere in Europe in 1989.  _TO_ is on
Quarterstick/Touch and Go; the first three are on Texas Hotel.

Rollins Band:  The End Of SIlence
This is the Rollins Band's latest album, their major label debut on
Imago records, their first studio album since _Life Time_ in 1987, the
critically acclaimed album featuring the smash hit single "Low Self
Opinion," etc., etc., etc.  I like it quite a bit.

Rollins also has a bunch of spoken word stuff, most notably four
tapes/CDs just re-released on Texas Hotel:  _Human Butt_, _Live at
McCabes_, _Sweatbox_, and _Big Ugly Mouth._  The four are also
available as a box set called _Deep Throat_.

>   HenryRollins used to be in a group called Black Flag, what happened to
> them? Do they sound like the rollins band?

Greg Ginn (guitarist and founding member) disbanded Flag in 86 or so. 
I really like early (pre-Rollins) Black Flag, but I haven't heard much
Black Flag with Rollins.  I'm waiting for recommendations too on this
one.

 - nathan
Newsgroups: alt.music.alternative
From: speterse%peruvian.utah.edu@cs.utah.edu (soren--Ms. Jackson if you're nasty)
Subject: Re: Pop Underground CD
Date: 2 Oct 92 20:08:08 MDT
Organization: The Erland Cult

In article <1afqmpINNrn1@usenet.INS.CWRU.Edu> cc647@cleveland.Freenet.Edu (Mark Cornick) writes:

>In a previous article, 900361p@ace.acadiau.ca (MICHAEL CHARLES PIERCEY) says:

>A related compilation is _Kill
>Rock Stars_ which was originally given away at the festival but is now
>widely available on CD. Get 'em both.

A minor nit:  *Kill Rock Stars* wasn't given away at the convention, 
unfortunately--we had to buy our copies.  Also, the CD has a bunch of 
tracks that aren't on the album.

I heartily agree with everyone's recommendations, btw.  It's a fine album,
and a really good introduction to the aesthetic.

--
    "From your signature it is obvious that you are a homosexual"
soren f petersen           :        i AM NOT          :    --Doc
speterse@peruvian.utah.edu :  THE university OF utah  :
"How could I dance with another/When I saw him standing there"  --Tiffany
From: poole@castor (Bryan Poole)
Newsgroups: alt.music.alternative
Subject: Re: Throwing Muses
Date: 30 Sep 92 19:26:05 GMT
Organization: University of Georgia

>
>BTW, fans may be interested in knowing that I talked to 4AD this summer and
>they said that through the Reprise licensing deal _Throwing Muses_ is finally
>going to be released domestically with _Chains Changed_ tacked on, which is
>good since the latter is out of print and not available on CD anyway...
>supposedly it should be out by the end of the year.
>
>And another thing... did anyone else purchase the import of _Red Heaven_ (Best
>album since _House Tornado_ I think... blows away the deplorable _Hunkpapa_)
>with the extra CD of Kristen Hersh live? I ask because I find that the whole
>recording seems to have been pitched down flat and sounds rather strange... has
>anyone else noticed this? Or do I have a defective copy?
>
>--Kreig
>kzimmerman@eagle.wesleyan.edu

Thats wonderful about _Chains_Changed_! Her guitar on the live CD seems
to be tuned down to a B or something. All the songs seem very moody and
dire. I don't think its the recording. It's just the way she tuned
her guitar.

My favorites: House Tornado, Throwing Muses, Fat Skier, Real Ramona

Hunkpapa stunk. A few gems like Fall Down and Dragonhead.

Supposedly Sugar and the T.M. are gonna tour some together. I know of
no dates except that I know Sugar is in Europe right now.

=-=--=-==-=====--=--=-===-=-=-=
= Bryan Poole = Boots Anyone? -
-   poole@castor.cs.uga.edu   =
=-=-=-=-=--===--=---=-=---=--==
From: ee3401cb@carina.unm.edu (Student Class Account)
Newsgroups: alt.music.alternative
Subject: Re: This Mortal Coil/Fortran 5
Date: 2 Oct 92 21:16:20 GMT
Organization: University of New Mexico, Albuquerque

In article <KJETILHO.92Oct2101701@holmenkollen.ifi.uio.no> kjetilho@ifi.uio.no (Kjetil Torgrim Homme) writes:
>Speaking of sampling on Fortran 5's album "Blues":
>
>	Girl (breathing heavily, anxious): Did you get it?
>	Boy (matter-of-factedly): Not yet (??)
>	Girl: Oh geez, can't you do anything right?
>	Boy: I'm doing the best I can.
>	Girl: Soon it's going to be OK.
>	[...]
>
>This is at the end of track eight, "Love Baby". I *know* I've seen the
>film this is taken from, and have been tearing my hair out trying to
>remember which film. Can anyone help?

Yes, that is taken from the movie "Runaway".  The man in the scene is 
Tom Sellek.  He's trying to remove a small "smart bullet" lodged in a 
woman's arm.  I thought the movie was pretty cool back when I first saw
it (High School I think). 

James
Newsgroups: alt.music.alternative
Subject: Re: Pain Teens
From: kzimmerman@eagle.wesleyan.edu
Date: 25 Sep 92 15:28:04 EDT
Organization: Wesleyan University

> Can anyone give me any info on the Pain Teens?  We just got their latest
> LP at our radio station (I forget it's name).  All I've gotten a chance to
> hear is "The Poured Out Blood" and found it very good, chilling but good.
> 
> What is the rest of their work like, or is this their first album?  Are they
> any good live?
> 
That new album is _Stimulation Festival_. It came out in May, on Trance
Syndicate. They had an earlier album, _Born In Blood_ out on Trance in 1990.
I've only seen it on LP format but I'm sure you could get it on CD. as for the
sound, yes, they've always been like that

only this album moreso (experience i guess).

Kreig
kzimmerman@eagle.wesleyan.edu
From: killer@jhunix.hcf.jhu.edu (Francis J Park)
Newsgroups: alt.music.alternative
Subject: Re: Give me a bomb!  A malatov! <-artist?
Summary: Golden Shower
Date: 29 Sep 92 13:17:16 GMT
Organization: Johns Hopkins University, Department of Military Science

In article <wajzh-b@rpi.edu> mageej@rpi.edu writes:
>Coup de tau!
>Give me a bomb!
>A malatov...
>first the president then his wife
>it's all set up we'll do it tonight
>.....  take their lives!

You're thinking of the song "Coup d'Etat" by Circle Jerks.  This is off their
album Golden Shower of Hits, which I consider their best album.  Another
album you might want to look into by them might be Group Sex (for a slightly
less-refined sound) or their album VI for a much more refined sound.

You might also want to check out some of 7Seconds' earlier albums since they'd
probably be also along the lines of what you're looking for...

-- 
Francis Park, Johns Hopkins Univ '94, Dept/History     killer@jhuvms.hcf.jhu.edu
The Baltimore Chainsaw Massacre BBS:410-467-2617, WWIVLink@14060 v.32bis/v.42bis
--------------------------------------------------------------------------------
"We must sink the censorship to find out what the truth is..."   -disappear fear
Newsgroups: alt.music.alternative
Subject: Re: NIN
From: steiner@jupiter.cse.utoledo.edu (jason "Think!" steiner)
Date: 1 Oct 92 23:19:26 EST

JD2859A@auvm.american.edu (Jeff Dubin) writes:
> What? No discussion of the new NIN???!!!

it's been pretty much beaten to death. what's there to say? (i'll
say it again anyway...)

> Well, I'll start:
> I think Suck and Last are the two best NIN songs not only from this 
> album, but ever from Trent.  I've been looking for Suck forever.  
> Does the tape have the extra two songs that came on the CD3?  And 
> what is the name of that 1st song?

Physical. it's an Adam Ant song. (check the back of the 3" sleeve.)
IMO, this version of Suck isn't as good as the Pigface one. i haven't
heard the NIN bootleg, so can't comment on that version.

> Kinda dissapointed that :
> a) came in longbox, but still was in strange single box

ticked me off. if it hadn't been in a longbox (evil!) i wouldn't
have bought it. (cardboard box. -very- evil. and cheap. and i'm
boycotting.)

> b) 20mins for CD5, 10mins for CD3... why not combine?

some versions were. 99 tracks, with the 2 bonus songs on tracks
98, 99.

> c) how long have we been waiting?  only 30 mins total?

too long.

> but otherwise a masterpeice as expected.  Any comments?

Broken -is- growing on me, but it's still hard to believe that he
threw away all the elements that made him semi-unique to become
another "grunge-guitar and unintelligible vocals" type. *sigh*
anyone else notice that his use of "fuck" has gone up a lot?
it was also rather telling that a friend of mine could play Broken 
pretty much perfectly after 1 listen...

jason

--
 "Y'all ain't from around here are ya?" - The best complement I ever got, from 
                                          a local in Defiance, Ohio, BFE
`,`,`,`,`,`,`,`,`,`,`,` steiner@jupiter.cse.utoledo.edu `,`,`,`,`,`,`,`,`,`,`,`
Newsgroups: alt.music.alternative
From: homulka@casbah.acns.nwu.edu (Thomas Homulka)
Subject: This Mortal Coil/Fortran 5
Organization: Northwestern University, Evanston Illinois.
Distribution: world,local
Date: Thu, 1 Oct 1992 17:46:30 GMT

Does anyone have the complete lyrics to the following two songs:

(1) "Song to the Siren" This Mortal Coil (written by Tim Buckley)
(2) "Bike" Fortran 5 (written by Syd Barrett)

Please e-mail responses to:
homulka@casbah.acns.nwu.edu
From: clopez@weird.miami.fl.us (Carlos Lopez)
Newsgroups: alt.music.alternative
Subject: Re: PEARL JAM-sounds all alike
Date: 29 Sep 92 18:58:25 GMT
Organization: Weird BBS [Amiga] (305)553-3207 S. Miami, FL USA

Simplicity and commercial success go hand and hand.  The Beatles started out
with 3 chords and two-part harmony.  Pop and rock is simple.  Of course,
there's many, many exceptions.  A three cord song can be complex,
though....thick harmonies, complex polyrhythm, texture, etc.  But in the most
part, pop amd rock (successful or not, alternative or mainstream) is relatively
simple compared to most jazz and other ethnomusicologies and classical music. 
This is not a criticism but an observation.  A more simple song will probably
make it commercially than a more complex song that requires active and aquired
listening.  Now, alternative music seems to be leading to that direction as
well.  But of course, sometimes the best songs are the simple ones.
Don't mean to confuse..........
Xref: sparky alt.music.alternative:11825 rec.music.misc:24419 rec.music.industrial:11240
From: bledbett@fish.prime.com (Bruce Ledbetter)
Newsgroups: alt.music.alternative,rec.music.misc,rec.music.industrial
Subject: Orb Blue Room II packaging
Date: 1 Oct 92 20:35:05 GMT
Reply-To: bledbett@fish.prime.com (Bruce Ledbetter)
Organization: Prime Computervision, Bedford MA



        I bought the Orb's Blue Room Single in the US some time back in
        August.  It came with a cardboard advertisement of anther single
        including Blue Room and Towers of DUB remixed.  Now all I can find
        is the 2 single package for $20.00.
        
        Has anyone seen the Blue Room/Towers single for sale in the US
        without the 40m BR single?

                            bledbett@funk.prime.com        
                                  -----------
                                    -------
                                       V
Newsgroups: alt.music.alternative
Subject: Re: Throwing Muses
From: kzimmerman@eagle.wesleyan.edu
Date: 2 Oct 92 00:26:49 EDT
 <kbennett.717867919@milton> <91083@netnews.upenn.edu> <winer.717895301@husc8>
Organization: Wesleyan University

> Chains Changed was a 4 song ep they put out on 4AD AFTER the first album.
> It's really good;  it includes a Beatles song that I think they just put
> out on another single; I'm sure it's a different version.

Actually the "Cry Baby Cry" on _Chains Changed_ was a Hersh original although
it shared the name with a Beatles song. They covered that song on their "Not
Too Soon" single.

Elucidating out,

Kreig

kzimmerman@eagle.wesleyan.edu
Newsgroups: alt.music.alternative
From: mikes@owlnet.rice.edu (Michael Shou-Yung Shum)
Subject: Re: Early New Order CD reissues?
Organization: Rice University
Date: Fri, 2 Oct 1992 17:08:49 GMT

In article <LANCER.92Oct2101126@bigwpi.WPI.EDU> lancer@bigwpi.WPI.EDU (Stephe Lewis Foskett) writes:
>Power, Corruption, and Lies (album, their weakest IMHO)

power corruption and lies is by consensus of most new order fans their best
album.  qwest perversely added blue monday/the beach to the domestic version,
but the original only has 8 songs, all brilliant, including  that smiling
face, the village, age of consent, 586, etc... the record is simply put
_sublime_.

yours,m
From: rcj@engin.umich.edu (R o d Johnson)
Subject: Re: nina hagen???
Date: Tue, 29 Sep 92 19:44:27 EDT
Organization: Lost Tribes of Gazebo
Distribution: alt

In article <1992Sep29.204727.9425@oswego.Oswego.EDU> @oswego.oswego.EDU (chris hallen) writes:
>In article <1992Sep27.4968.7808@dosgate>, allan.canney@canrem.com (allan canney) writes:

>> -> 99 Red Balloons
>> ->
>> -> 1. German band, Nina > Nina Hagen's the name.  Opera trained.  Her
>> -> few albums are hard to find

As people have pointed out, Nena (Gabrielle Kerner) did 99 Luftballons
and is not Nina Hagen.  I dunno if Nina Hagen is "opera trained" and
her records aren't especially few (at least six, not counting
compilations, by my count), but they are hard to find.  Only one that
I know of is on CD in the States.  Anyone know about "Nunsexmonkrock"?
I put her in the same pigeonhole, historically, with early women punk
rockers like Marianne Faithful and Lizzie Mercier Desclough (anyone
remember her?  yecch), but especially Lene Lovich in her extreme and
fearless vocal antics.  She's a love her/hate her kind of musician.

>nina hagen certainly did not sing this song. I'm not even sure what she has 
>done exactly but i beleive she was a D.J.  or worked in some capacity at a toronto
>radio station cfny 102.1

Not from Toronto and as far as I know has never worked there.  She's
just a kind of punk icon--the original punkette, the punkette Richard
Hell, as it were--so it's no surprise young bands are singing about
here.  Some day someone will cast Joey Ramone in a movie as someone's
dad, and then the world will end.  Nina has divided her time mostly
between Berlin and NYC since the late 1970s, I believe.

Nena, by the way, was not as bad as some people say, in my opinion.
Excellent if rather fluffy pop, if that's not a contradiction in terms
to you.

-- 
       Rod Johnson  *  rcj@caen.engin.umich.edu  *  (313) 764-3103
    
                "What I do doesn't happen in a warehouse"
                                          --Jim Dickinson
From: donato@applix.com (Donato Miranda [ext 241])
Newsgroups: alt.music.alternative
Subject: Re: nina hagen???
Date: 30 Sep 92 19:26:30 GMT
Distribution: alt
Organization: Applix, Inc., Westboro, MA

nina hagen sings on Adamski's latest album _Naughty_
 
it's quite good. (both her singing and the album)
enjoy!

peacE&rave,
Donato Miranda
donato@applix.com
damir@wpi.wpi.edu
Newsgroups: alt.music.alternative
From: Chuck Tomlinson <chuck@ssc.space.umn.edu>
Subject: Robyn Hitchcock Mailing List? Where Are You?
Organization: Space Science Graphics/U of M
X-Useragent: Nuntius v1.1
Date: Mon, 5 Oct 1992 19:03:37 GMT

Hey, just wondering if anyone knows if or when the Fegmaniax mailing list
will be up and running again? I just recently found out about it and
would like to see it moving again.

Anybody have any info?

Chuck Tomlinson
chuck@ssc.space.umn.edu
"WHEN THE GOING GETS WEIRD, THE WEIRD TURN PRO"
From: v079ql9q@ubvmsb.cc.buffalo.edu (I got a Catholic Block.....)
Newsgroups: alt.music.alternative
Subject: Re: lallapoluza II
Date: 28 Sep 92 03:15:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

In article <gP6RRB2w165w@hale.cts.com>, genocide@hale.cts.com (Gary Danko) writes...
>v094lrtr@ubvmsb.cc.buffalo.edu (MENION LEAH) writes:
> 
>> In article <000998s.12.717190740@ace.acadiau.ca>, 000998s@ace.acadiau.ca (KAR
>> >I'd like any info on it!
>> >				Karl
>> 
>> it was a concert you dumb fuck!
> 
>it was a complete tour you dumb fuck. :)
>-g
> 
>HALE TELECOMMUNICATIONS - Public Access Node, San Diego CA 619/660-6734 HST
>genocide@hale.cts.com (Gary Danko)   27-Sep-92 at 3:01p
It was MORE than a complete tour/concert/carnival:  It's a lollipop, and a big
one at that.

Later-

Shane