HDTenEightyP/NetNews huggingface dataset:
From: gerald.b.ross@um.cc.umich.edu (Gerald Ross)
Subject: Re: New York Stories
News-Software: IBM OS/2 PM RN (NR/2) v0.14 by O. Vishnepolsky and R. Rogers
Reply-To: gerald.b.ross@um.cc.umich.edu (Gerald Ross)
Organization: University of Michigan Math Dept
Distribution: usa
Date: Tue, 10 Nov 1992 16:34:07 GMT

In  <9385@blue.cis.pitt.edu.UUCP>  milst1@cislabs.pitt.edu (Martin I Lewison) writes:
>
> Anybody out there heard of this band called New York Stories?  I heard
> something off of their "Volume I" CD, and I thought it was *hot*!



 I hear that guitarist Danny Gatton is on the CD.

 What type of jazz is it? Swing? Bop?

 Anyone?

_______________________________________________________________

Gerald Ross

     ...It's 1992.  So where's my jetpack?
_______________________________________________________________
From: CGARNER@cmsa.gmr.com
Newsgroups: rec.music.bluenote
Subject: Jazz Improvisation Primer
Date: 5 Nov 92 14:27:26 GMT
Organization: GM Research Labs

In September, mjs@fc.hp.com (Marc Sabatella) posted exepts from
JIP.  Has the whole document been posted since?  Could someone
repost of e-mail me a copy?

Thanks

cg

Newsgroups: rec.music.bluenote
From: mciver@alpo.cs.colorado.edu (William McIver Jr.)
Subject: New Release: Russell Malone (Guitar)
Summary: Columbia music release w Milt Hinton
Keywords:  guitar cd russell malone
Organization: University of Colorado, Boulder
Date: Fri, 13 Nov 1992 07:37:12 GMT


Has anyone checked out the new release by Russell Malone
on Columbia?

What do you think?
-------------------------------------------
The CD is _Russell Malone_ (Columbia CK 52825)

This is a debut recording for Malone. It contains
a wide range of material from tunes in the Wes
vein, Gut Bucket Blues, and Classical Guitar (Flowers For Emmet Till).

The compositions are "obscure" standards and two original tunes.

See the October (September ?) isse of JazzTimes for a brief article on
Russell.

Look for him in Boston and L.A. (Nov 22) in the next month or two.
(I will post his schedule as soon as I get it).


tracks:

 1. Wives And Lovers (David/Bacharach)
   Russell Malone: Electric Guitar
   Donald Brown: Piano
   Robert Leslie Hurst III: Bass
   Yoron Israel: drums

 2. Invisible Colors (R. Malone)
   Russell Malone: Electric Guitar
   Donald Brown: Piano
   Robert Leslie Hurst III: Bass
   Yoron Israel: drums

 3. When I Take My Sugar To Tea (Fain/Norman/Kahal)
   Russell Malone: Electric Guitar
   Milt Hinton
   Shannon Powell: drums

 4. It's The Talk of The Town (Symes/Neiburg/Livingston)
   Russell Malone: Electric Guitar
   Milt Hinton
   Shannon Powell: drums

 5. St. Louis Blues (W.C. Handy)
   Russell Malone: Acoustic Guitar
   Milt Hinton

 6. I Don't Know Enough About You (Barbour/Lee)
   Russell Malone: Acoustic Guitar/Vocals
   Harry Connick, Jr.: piano

 7. Close Your Eyes (Petkere)
   Russell Malone: Electric Guitar
   Milt Hinton
   Shannon Powell: drums

 8. London By Night (Coates)
   Russell Malone: Electric Guitar
   Donald Brown: Piano
   Robert Leslie Hurst III: Bass
   Yoron Israel: drums

 9. I Can't Believe That You're In Love With Me (McHugh)
   Russell Malone: Acoustic Guitar
   Harry Connick, Jr.: piano

 10. Moonlight Serenade (Parish/Miller)
   Russell Malone: Electric Guitar
   Donald Brown: Piano
   Robert Leslie Hurst III: Bass
   Yoron Israel: drums

 11. Flowers For Emmett Till (R. Malone)
   Russell Malone: Classical Guitar

 12. Precious Lord (T. Dorsey)
   Russell Malone: Acoustic Guitar
   Milt Hinton
   Shannon Powell: drums
------------------------------------------------





-- 
------------------------------------------------------------------
William J. McIver, Jr.          mciver@cs.colorado.edu
Department of Computer Science, University of Colorado @ Boulder	
------------------------------------------------------------------
From: milst1@cislabs.pitt.edu (Martin I Lewison)
Newsgroups: rec.music.bluenote
Subject: New York Stories
Date: 10 Nov 92 08:48:17 GMT
Distribution: usa
Organization: University of Pittsburgh


Anybody out there heard of this band called New York Stories?  I heard 
something off of their "Volume I" CD, and I thought it was *hot*!

Comments?

-Martin

Newsgroups: rec.music.bluenote
From: anton@HQ.Ileaf.COM (steve norton)
Subject: Re: Cecil Taylor
Reply-To: anton@HQ.Ileaf.COM (steve norton)
Organization: interleaf, inc., waltham, ma, usa
Distribution: na
Date: Fri, 13 Nov 92 14:48:08 GMT

In some article, Sandeep (smehta@nynexst.com) writes:
> 
> Taylor, Cecil                                       Prestige P-34003 (LP)
> Title: The Great Concert Of Cecil Taylor                                
> Recorded: 7/29/1969 at Saint Paul de Vence, Paris, France.                
> Released: 1977
> With: Cecil Taylor (leader), piano, voice (voice on Side 4 only.)       
>       Sam Rivers, soprano sax, tenor sax                                
>       Jimmy Lyons, tenor sax                                            
		     ^^^^^^^^^

g'wan, i don't believe a word of it!

-- 

/steve
Newsgroups: rec.music.bluenote
From: bobdavis@mighty.viewlogic.com (Bob Davis)
Subject: Re: GRP News (SR) & Russian Modanna
Originator: bobdavis@mighty
Organization: Viewlogic Systems, Inc.
Date: Mon, 9 Nov 1992 14:21:25 GMT


|> Hi again everyone...it's your favorite GRP fanaticist...before I get started
|>...
|> Latvian musical sensation Laima will goin GRP in 1993.  She is tagged as
|> "Russia's Madonna," having sold over 20 million albums in the former Soviet
|> Union.

I wonder who tagged her, the unfortunate lady.  Anyway...

Oh boy, I'm gonna run over to Tower right now to buy all her CD's
and put 'em next to all that musically deep modonna collection. :-)

By-the-way, does she perform by lip-synch'ing, in her underwear?
Maybe we can have her write an interesting "novel" too.
-- 
Bob Davis -- bobdavis@viewlogic.com
"VISUALIZE WHIRLED PEAS"

Newsgroups: rec.music.bluenote
From: gidi@Hilbert.Stanford.EDU (Gidi Avrahami)
Subject: Re: Favorite Fusion Album of All......
Organization: Brotherhood Of Breath
Date: Fri, 13 Nov 1992 06:35:31 GMT

buzzsaw@bluemoon.rn.com (Patrick Buzby) writes:
>let me mention Hatfield and the North and National Health.

Never let it be said that I skipped an opportunity to talk about the
Hatfields.  Or the North.

Yes, that was a wonderful band.  They obviously came to Jazz-Rock (the
european term for fusion?) from Rock rather than from Jazz, but they
had their roots in various Robert Wyatt lineups, and we all know that
Wyatt could whistle complete Charlie Parker solos while standing up
drunk and riding in a jeep on the beach in Spain.

So, remember that moment in Mumps (on THE ROTTERS CLUB) after the
vocal part, when the sax comes in (Jimmy Hastings) followed by Phil
Miller's guitar and they proceed to solo in tandem?  Unforgettable.
Could be an overdub, but who cares.

By the way, the CD's have extra tracks, including the original version
(released as single) of Fitter Stoke Has A Bath -- the one where
he says "Pamela doing dishes and washing clothes" instead of "Pamela
looking elegant and writing prose" -- and a version of Gloria Gloom
under a different name.  (GG is from Matching Mole's LITTLE RED RECORD,
and was also done by Henry Cow in their CONCERTS double album).



--Gidi

Newsgroups: rec.music.bluenote,rec.music.misc,alt.rock-n-roll
From: ouij@triples.math.mcgill.ca (Luigi Perrotta)
Subject: Dregs update 
Organization:  The church Of surfing anarchist
Date: Fri, 6 Nov 1992 01:56:32 GMT

For those who  bitch 
 
a) about the incompleteness of the tour info I post,
you are more than welcome yourselves to call Capricorn records
in Nashiville and run up your phone bill.

b) the dregs not coming to a particular city,
program your VCR's to record the jan 7th, TONIGHT SHOW
where they will perform two songs. Also,
This past november 1st the dregs were recorded live for a National Public
Radio special called "Mountain Stage" which was either broadcast that
day or at a later date. Not living in the USA makes it difficult to
know what happened. 

It looks like Rod has found some more free time,
so from jan 8th to jan 15th, they will tour the
west- mid west known cities at this moment
are  las vegas, boulder, and somewhere in oklahoma.

ouij
-- 
				ouij@math.mcgill.ca
From: sue@snafu.seada.com (Sue Raul)
Newsgroups: rec.music.bluenote
Subject: Concert Review (sort of) Delfeayo Marsalis, Pattitucci(sp?)
Date: 8 Nov 92 17:57:44 GMT
Organization: Software Engineering and Design Associates

Yesterday was a good jazz day in San Diego.  UCSD presented
three groups in their annual free jazz festival, and I thought
the line-up this year was their best ever.  Traditionally, there
has been a line-up of "fusion" groups like the Rippingtons,
and others, but this year they added Delfeayo Marsalis...to
John Pattitucci's band and Hollis Gentry's Neon.  Gentry was
first, and they got started a little late, but quit on time
to keep the day moving along.  A short set with fine musicians
but not enough `space' for all out blowing.  The musicians
had impressive credentials, players who worked with Stevie
Wonder, Earl Klugh, Larry Carlton; they were solid but the
best was yet to come.

John Pattitucci's band came on second.  Now, I usually don't
go out to hear "fusion" jazz, but the musicianship in this
group was outstanding and transcended style.  Dave Weckyl (sp?)
on drums was particularly impressive with a tight sound, steady
beat, and energetic solos.  This was my first time seeing
Pattitucci live and was glad to be able to see the hands at
work on the six-string bass.  He uses all of the range, often
implying two instruments, like the upper range is a guitar,
lower is bass.  It made the overall sound of the band fuller
and more interesting.  The sax player was solid with a good
sound and chops, and the pianist held his own.  But clearly
the two strongest in the band were Pattitucci and Weckyl.

Finally, Delfeayo Marsalis' group played. The first thing he said was
how to pronounce his name. It's ">Del<fio" like the city "Philadelphio"
:-).   From a distance, DM looked a lot like Branford to me and I
thought Branford was making a surprise appearance. But, then I sobered
up. Marsalis' trombone playing was really fine, with solid chops and
sensitivity to tone and phrasing.  I especially liked the
compositions.  They played songs from their new CD, "Pointus P...lus".
(sp?) There's a melding of traditional and modern in these pieces, one
piece made me call it "Lawrence of Arabia meets Coltrane and Dolphy"
but they were all different.  The whole set was exciting.

For this group I wrote down the names of the players:
Mark "Nat" Turner, tenor sax (someone to watch out for)
Neil "Sugar" Cane, bass
Victor "Red" Atkins, piano
Martin Butler, drums

If the CD is as good as the live performance, it'd be worth
picking up.  Does anyone know how it sounds?

Was anyone else from San Diego there?  What did you think?

Sue
From: burger@sphinx.ece.wisc.edu (Dick Burger)
Newsgroups: rec.music.bluenote
Subject: Re: MILES DAVIS
Date: 11 Nov 92 19:58:37 GMT
Article-I.D.: doug.1992Nov11.135837.6954
Organization: Univ. of Wisconsin-Madison; Electrical & Computer Engineering

In article <1992Nov11.185602.21999@mlb.semi.harris.com> jphillip@comanche.ess.harris.com writes:
>I want to add some Miles Davis classics to my cd collection. Please
>post some recomendations ( both old and recent).
>

my favorites:
   MD & the Modern Jazz Giants
   Kind of Blue
   Sketches of Spain
   Miles Smiles
   Tribute to Jack Johnson
Dick Burger
Newsgroups: rec.music.bluenote
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Subject: Re: Jazz/Bach fusion?
Organization: AT&T
Distribution: na
Date: Thu, 12 Nov 1992 03:56:16 GMT

rardin@binah.cc.brandeis.edu writes:
>Something that might be of interest to Paolo is Ron Carter's upcoming (Nov. 17 
>from Dave Dooley's list in rec.music.info) RON CARTER MEETS BACH.

A real US release is coming. Great news. That album is mentioned in the
notes to Carter's ALL ALONE CD, but the only time I have seen it is in Tower
as a $28 Philips import--a price that I couldn't justify for a 45-50 minute
single CD. The recording includes parts of Bach's wonderful suites for solo
cello, which should sound great transcribed to a bass. (I wonder if he bows
them or plays pizzacato?). Something to really look forward to.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: hsinglet@mailbox.fwrdc.rtsg.mot.com (Hayward Singletary)
Subject: Re: MILES DAVIS
Organization: Fort Worth Research and Development Center, Motorola Inc.
Date: Thu, 12 Nov 1992 20:27:25 GMT

> In article <1992Nov11.185602.21999@mlb.semi.harris.com> jphillip@comanche.ess.harris.com writes:
> >I want to add some Miles Davis classics to my cd collection. Please
> >post some recomendations ( both old and recent).
> >
From a big Miles fan ....

Here is a list of some of my favorite recordings by Miles Davis:

        Walkin
        Workin
        Steamin
        Relaxin
        Round About Midnight
        Kind Of Blue
        Sketches Of Spain
        Someday My Prince Will Come
        At Carnegie Hall
        My Funny Valentine
        Four & More


                -Judy Smith
		smithj@nusc-npt.navy.mil
-- 
my name is hayward
"What makes a man want to rule the world?" -PRN


Newsgroups: rec.music.bluenote
From: buzzsaw@bluemoon.use.com (Patrick Buzby)
Subject: Re: Miles Davis Columbia Years
Organization: Blue Moon BBS ((614) 868-998[024])
Date: Thu, 12 Nov 92 22:27:51 EST

Eugene Kuo <ek1i+@andrew.cmu.edu> writes:

> Hello,
> 
> Could someone please tell me who plays on the live version of "Straight
> No Chaser" included in the box set Miles Davis: The Columbia Years
> 1955-1985?  Also, while I'm at it, where and when it was recorded? 
> Thanks!
> 
> eugene

   I know it was done in 1958 by Miles, John Coltrane, Cannonball Adderly, 
Bill Evans, Paul Chambers, and Jimmy Cobb.  If the booklet for this box 
says different, don't believe it- it's chock full of errors.  Sorry- don't 
remeber where it was recorded.

     Pat Buzby           "Fried ice cream is a reality!"-George Clinton
     Grove City, OH      "Music is the best."-Frank Zappa
Newsgroups: rec.music.bluenote
From: tomk@meaddata.com (Tom Kresin)
Subject: Long John Baldry
Organization: Mead Data Central, Dayton OH
Date: Sat, 7 Nov 1992 18:46:29 GMT

I've been trying to locate "Don't Try To Lay no Boogie Woogie on the
King of Rock & Roll" to no avail.  Was this only released as a single or
can it be found on an album somewhere?  

-- 
###########################################################################
# Tom Kresin                           ##               tomk@meaddata.com #
# Mead Data Central                   ##          ...!uunet!meaddata!tomk #
# Dayton, OH                         ##                                   #
From: mikefitz@beach.csulb.edu (Mike Fitzpatrick)
Newsgroups: rec.music.bluenote
Subject: Re: Concert Review (sort of) Delfeayo Marsalis, Pattitucci(sp?)
Date: 10 Nov 92 06:45:39 GMT
Article-I.D.: beach.BxHMs4.DIM
Organization: Cal State Long Beach


 I also happened to be down in San Diego to catch this enjoyable event.
I would recommend picking up the new CD.  Delfio (sp?) was a true
professional as he introduced every song with some interesgint little
tidbit.  My favorite was "Duke Ellington called it the greatest duet, a
man and a woman.  This song is called Adam's ecstasy, Eve's delight"

Jimmy Cheetum(sp?) was also in attendance.  From what I understand he is
the director of the jazz band at UCSD.  It was a very cool afternoon.

Mike
Newsgroups: rec.music.bluenote
From: lenny@theory.TC.Cornell.EDU (Lenny Silver)
Subject: Re: Ray Charles, Jazzman???
Organization: Cornell Theory Center
Date: Wed, 11 Nov 1992 18:31:39 GMT

In article <1992Nov11.105614.3643@doug.cae.wisc.edu>, burger@sphinx.ece.wisc.edu (Dick Burger) writes:
|> i have the CD of Ray Charles and Milt Jackson together, its  a double CD,
|> and frankly i find it kind of bland.  Am I missing something here, does
|> anybody else out there have it and like it a lot?
|> Dick Burger
|> 

I got this as 2 casettes, I was at first excited to see it, but I found
it uninteresting too.

Lenny
Newsgroups: rec.music.bluenote
From: TDM@ECLX.PSU.EDU (Truman D Mast)
Subject: Re: Otis Rush
Organization: Penn State Engineering Computer Lab
Distribution: usa
Date: Sat, 07 Nov 92 19:00:00 GMT
X-News-Reader: VMS NEWS 1.24

In <1dcdpgINN7le@life.ai.mit.edu> oded@fiber-bits.ai.mit.edu writes:

> I'm sitting here listening to his "Cold Day in Hell" again and thinking
> what an incredible musician he is.  Does anyone know if he's touring
> or is planning to tour in the near future?

Well, I got no real information, just a story that should be told.  Otis
played a couple years ago at the Central Pennsylvania Festival of the Arts.
His set started late, and he didn't appear for a couple of songs (the white
boys backing him up did their best to make do).  When he did come out, it
was evident why the delay occurred--the man was smasherooed.  He spent the
first couple of "songs" just wandering around the stage, occaisionally
muttering "check" into a mic or hitting a note on his guitar.

Eventually, he seemed to sober up enough to sing well, though not enough
to really play guitar.  He was going overtime, he told them he would do one
more song, and proceeded to do a 45 minute version of "Cold Day in Hell."
It was truly harrowing.  

Later that night, he sat in with our local band "Queen Bee and the Blue
Hornets," and played quite a while, functioning as their lead guitar player.
I missed it, unfortunately.

Doug.
From: sod@csd4.csd.uwm.edu (Sean M O Donnell)
Newsgroups: rec.music.bluenote
Subject: Re: Coltrane Recordings
Date: 6 Nov 1992 04:33:57 GMT
Organization: University of Wisconsin - Milwaukee
Reply-To: sod@csd4.csd.uwm.edu
NNTP-Posting-Host: 129.89.7.4
Originator: sod@csd4.csd.uwm.edu

From article <Bx9Kzq.5L3@news.udel.edu>, by cornwall@bach.udel.edu (Ray J Cornwall):
> I also am interested in which Coltrane recordings are good. I've just
> recently started listening to jazz, and am currently enjoying Coltrane
> and Davis. I've got Coltrane's Giant Steps, Blue Train, My Favorite

...Things, includes the Africa Brass disc.  This may be a little bit
too "out" in comparison to the discs that you've listed but I believe
that it's one of his best.

Sean

>
From: mchenry@guvax.acc.georgetown.edu
Newsgroups: rec.music.bluenote
Subject: Re: Cadence Magazine
Date: 12 Nov 92 05:58:11 GMT
Article-I.D.: guvax.1992Nov12.105811.1724
Distribution: na,world
Organization: Georgetown University

> The point is that Cadence is a great magazine for reviews of jazz/improvised
> music that is not highly commercial, that doesn't get covered by downbeat,
> Jazz Times, Jazziznt (excuse me, Jazziz :-) ). There are also great
> interviews, and the purpose of the interview is NOT to plug the artist's
> latest release. If I could only get one US jazz magazine, this would be it.

Please post the subscription information for Cadence. Thank you.

Bill McHenry                   |Those who do not hear the past works
mchenry@guvax (bitnet)         |are condemned to recompose them....
mchenry@guvax.georgetown.edu   |                 -me
From: wjh@cbnewsl.cb.att.com (william.j.hery)
Newsgroups: rec.music.bluenote
Subject: Re: Coltrane - Exotica?
Date: 10 Nov 92 01:28:25 GMT
Distribution: na
Organization: AT&T

>>>I just picked this CD up in a used store the other day...

>>EXOTICA, ONE AND FOUR, and LIKE SONNY were recorded on 9/8/60 with Tyner,
>>S Davis, Billy Higgins. Since this was only half an album's worth of music,
>>it has been the orphan in the Trane discography and has shown up paired with
>>all sorts of things--most likely the other half of your CD is not Trane.

>	One And Four, Simple Like, Exotica, Tip Toe,
>	H & T Blues, Subtle Rebuttal

>After further listening I agree that this is probably two different bands
>with the first 3 songs being a Coltrane group and the second three being
>someone entirely different, though quite possibly with Coltrane as a member
>of the group.

LIKE SIMPLE was also recorded for Atlantic as LIKE SONNY, and for contractual
reasons it was called Like Simple on the original Roulette release of this
material (although later Roulette releases corrected it).

The other three pieces are by a Thad Jones group, which also include brother
Hank on piano, Billy Mitchell on sax, and Al Grey on trombone. [Thad,
Mitchell and Grey are all Basie alumni.] This has also shown up on the flip
side of the Coltrane material on vinyl (I have them together on an Accord
LP). The bassist and drummer are not identified on my copy.

Bill Hery
AT&T Bell Labs
201-386-2362
hery@att.COM
Newsgroups: rec.music.bluenote
From: mjs@fc.hp.com (Marc Sabatella)
Subject: Re: Coltrane Recordings
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]
Distribution: na
Date: Fri, 6 Nov 1992 20:32:25 GMT

Jeff Beer (ujwb@uxa.ecn.bgu.edu) wrote:
: 
: That's right.  Ascension, OM, and Japan Concert all sound very mellow to
: me now, there is a certain level where everything is happening at a
: smooth and peaceful level. 

I don't think I've reached the stage where "Ascension" sounds "mellow", but I
do agree with the sentiment of keeping things you may grow into.  I suppose a
case could be made for selling back things you've already grown out of, if
you're hard up for cash...

: With Trane, all roads lead to Interstellar Space.

*This* one I almost find mellow.  Just Trane and Rashied Ali on drums, nowhere
near as "cluttered" as Ascension or OM.  It is great, and might possibly be
an exception to my generalization "you won't like anything after A Love
Supreme" - in any case, it is likely to be the first thing you will grow into,
although I haven't heard the "First Meditations" yet.

--
Amendment 2 - Shame On You, Colorado
--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
a disgusted resident of the first state in history of the union
to enact a constitutional amendment that explicitly legalizes discrimination
against a particular minority
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.
From: mjs@fc.hp.com (Marc Sabatella)
Newsgroups: rec.music.bluenote
Subject: Re: DB Reader's Poll
Date: 5 Nov 92 21:02:33 GMT
Article-I.D.: fc.Bx9H4C.7rD
Reply-To: marc@hpmonk.fc.hp.com
Organization: Hewlett-Packard Company
X-Newsreader: TIN [version 1.1.4 PL6]

Vincent E. Kargatis (vek@spacsun.rice.edu) wrote:
: mjs@fc.hp.com (Marc Sabatella) writes:
: > Was it my imagination, or was Dave Holland not even listed in the "acoustic
: > bass" category of the Down Beat Reader's poll?
: 
: Doesn't surprise me. I haven't seen the last several, but isn't the Reader's
: Poll always the one with Gerry Mulligan as best bari and Wayne Shorter as best
: soprano? (not to disparage their talents, but they are hardly more deserving
: than several others.) My choices always clicked more with the Critic's Poll.

Me too, but still, I am surpised.  Dave Holland is pretty darn mainstream, and
certainly has been a lot more in the public eye for the last five years than,
say, Rufus Reid, who received a good share of votes.  Charlie Haden won the
category, and I don't see him as significantly more mainstream than Holland,
although I imagine the latest Liberation Music Orchestra album with Branford
probably helped.

--
Amendment 2 - Shame On You, Colorado
--
Marc Sabatella
marc@hpmonk.fc.hp.com
--
a disgusted resident of the first state in history of the union
to enact a constitutional amendment that explicitly legalizes discrimination
against a particular minority
--
All opinions expressed herein are my personal ones
and do not necessarily reflect those of HP or anyone else.