HDTenEightyP/NetNews huggingface dataset:
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
Newsgroups: alt.guitar.tab
Subject: CRD: Nanci Griffith "It's a Hard Life..."
Date: 12 Nov 1992 00:51:04 GMT
Organization: University of California, Santa Cruz
NNTP-Posting-Host: ucscb.ucsc.edu



IT'S A HARD LIFE WHEREVER YOU GO (Nanci Griffith)
-------------------------------------------------

These are just the chords, obviously.  Same chords through the whole 
song...

D  C(9)  |  G   G  |

Play them with hammer-ons at the beginning of the measure, like this:

  D           C(9)         G
E 0h2-2-2-2-2-3---3-3-3-3-|3---3-3-3-3-3-----3-3-3-|
B 3---3-3-3-3-3---3-3-3-3-|3---3-3-3-3-3-----3-3-3-|
G 2---2-2-2-2-0---0-0-0-0-|0---0-0-0-0-0-----0-0-0-|
D 0---0-0-0-0-0h2-2-2-2-2-|0---0-0-0-0-0-----0-0-0-|
A ------------0h3-3-3-3-3-|0h2-2-2-2-2-2-----2-2-2-|
E ------------------------|3-3-3-3-3-3-3-----3-3-3-|
  +   -   -   +   -   -    +   -   -   +   -   -    <--time markers

Ad lib the strumming pattern; that was just an example.

I learned this from watching Austin City Limits...


==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider               indigo@ucscb.ucsc.edu              U.C. Santa Cruz 
             "Your actions will follow you full circle 'round..."
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Newsgroups: alt.guitar.tab
From: aschwabe@netcom.com (Andy Schwabecher)
Subject: REQ: Sting Me by da Black Crowes
Summary: Someone please post Sting Me
Keywords: Sting, ouch, stupid guitar players, request, help
Organization: Netcom - Online Communication Services  (408 241-9760 guest) 
Date: Thu, 5 Nov 1992 04:10:58 GMT

	My stupid and deaf guitar player can't figure out Sting Me by The Black
Crowes. I have the bass line down (being the bass guy that I am). But im not onefor figuring out chords and stuff on a bass...

Please help me out here because we have a few gigs next week and I really want
to play it at this chick party...

-Andy
aschwabe@netcom
Newsgroups: alt.guitar.tab,rec.music.folk
From: Peter.Weekes@bbs.actrix.gen.nz
Subject: REQ Black Velvet Band-Irish Trad
Organization: Actrix Information Exchange
Date: Wed, 11 Nov 1992 04:39:35 GMT

I would be very grateful if someone could send me the words and chords to this
lovely old Irish song. The chorus goes "Her eyes they shone like diamonds" etc


Thanks

-- 
Peter Weekes          PARADOX Consultant             |
Box 7163              Parasitologist                 | 
Wellington South      Epidemiologist                 |   
New Zealand           Peter.Weekes@bbs.actrix.gen.nz |
From: preidy@alsvid.une.edu.au (Paul Reidy)
Newsgroups: alt.guitar.tab
Subject: Re: CRD: Trapped (Springsteen)
Date: 10 Nov 92 08:56:51 GMT
Organization: University of New England - Northern Rivers (Lismore)

From article <1de463INNls1@uwm.edu>, by yanoff@csd4.csd.uwm.edu (Scott A. Yanoff):
> 
> Bruce Springsteen   (song originally done by Jimmy Cliff)
> 
> Trapped		(off the album, "USA for Africa" and many bootlegs)
G' Day , 

I wonder if you've got any more bruce tabs out there, if you have could you
post them or email them to me.

Thanks

Reidy
-- 
Paul Reidy  Internet:  preidy@loki.une.edu.au   Phone:  +61 66 ????????
    University of New England, Northern Rivers (Lismore) NSW Australia
From: fontana@disuns2.epfl.ch (Pierre Fontana)
Newsgroups: alt.guitar.tab
Subject: REQ: TAB - Born to fight (Chapman)
Date: 13 Nov 92 14:01:47 GMT
Organization: Ecole Polytechnique Federale de Lausanne


Anybody'got the TAB/CHORDS for that song of Tracy ?

Thanks for posting it.

Pierre
From: stevep@snowhite.cis.uoguelph.ca (Steve Portigal)
Newsgroups: alt.guitar.tab
Subject: REQ: Venus (not the
Date: 5 Nov 1992 17:29:18 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu


I'd like some chords or tab or some pointers to the song "Venus"
by I belive the Shocking Blue, later covered by Banarama (although THAt
version is vile vile vile)...seems like a neat sixties song that would
be fun to play...

thanks,


Steve
-- 
/*************************************************************\
|  Steve Portigal  University of Guelph  Guelph, Ontario      |
|  stevep@snowhite.cis.uoguelph.ca (519) 824-4120 x 3580      |
\*************************************************************/

Newsgroups: alt.guitar.tab
From: jonb@Ingres.COM (Jon Berger)
Subject: Re: REQ Black Velvet Band-Irish Trad
Reply-To: jonb@ingres.com
Organization: Ingres, an ASK Company
Date: 13 Nov 92 00:59:04 GMT

In article <1992Nov13.002447.8947@pony.Ingres.COM>, I wrote:
>Incidentally, does everyone here know about Martin Leclerc's wonderful
>"chord" program?...

Whoops.  I meant that to go to rec.music.folk, not alt.guitar.tab.  I
_know_ everyone here knows about "chord".  Just a momentary failure to
observe the Followup-To: header; sorry.

--------------------------------------------------------------------------
   -__ __ /_   Jon Berger              "If you push something hard enough,
  //_// //_/   jonb@ingres.com          it will fall over."
_/ ---------                              - Fudd's First Law of Opposition
From: johneco@cns.nyu.edu (John Econopouly)
Newsgroups: alt.guitar.tab
Subject: REQ: Wait Until Tommorow/Hendrix
Date: 12 Nov 92 18:09:17 GMT
Reply-To: johneco@cns.nyu.edu
Organization: New York University

Can anyone please post the tab to this great tune?  I'm in over my head.
thanks
j

---
---------------------------------------------------------------------------
John Econopouly			|
johneco@cns.nyu.edu		|
From: stevep@snowhite.cis.uoguelph.ca (Steve Portigal)
Newsgroups: alt.guitar.tab
Subject: MAILING-LIST: Rolling Stones (repost)
Date: 9 Nov 1992 14:35:08 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

       Rolling Stones Mailing List created!

   UNDERCOVER@SNOWHITE.CIS.UOGUELPH.CA is an unmoderated mailing list for the
discussion of the Rolling Stones. Discussion topics may include: bootleg
trading, how-to guitar playing advice, information about recent books
such as Wyman's Stone Alone and others, perspectives on recent solo
albums by Watts, Richards and Wood and the upcoming album by Jagger.

To be added to (or removed from) the list: 
send mail to undercover-request@snowhite.cis.uoguelph.ca

This information will be appended to each mailing that goes out from the
list, so no one should have trouble remembering the admin address.

Looking forward to hearing from you all soon...

Steve Portigal
From: JHARTLEY@cmsa.gmr.com
Newsgroups: alt.guitar.tab
Subject: Re: REQ: name this tune
Date: 9 Nov 92 12:20:11 GMT
Organization: GM Research Labs

I believe this song is "Bus Stop" by the Hollies.

**************************************************
Newsgroups: alt.guitar.tab
From: brockr@muvaxa.rferl.org (Train, Learn, Climb, Ride)
Subject: FTPing
News-Software: VAX/VMS VNEWS 1.41    
Organization: Radio Free Europe
Date: Wed, 11 Nov 1992 09:05:00 GMT

  Hi all,

  I've tried pulling some tab music off the newsgroup, to no avail.  Everytime
I issue the Get command and then the extracted file name the system comes
back and tells me the file is not a text file and then craps out.  Now, I
know when using FTP there are some qualifiers one can tag on so I'm 
wondering which little critter it is.  Could someone give me a hint please?
Thanks in advance.


 Richard Brock
 Radio Free Europe/Radio Liberty
 Munich, Germany
From: hl27+@andrew.cmu.edu (Haw Juin Lin)
Newsgroups: alt.guitar.tab
Subject: Re: REQ: Anarchy in the UK
Date: 9 Nov 92 00:11:26 GMT
	<1992Nov9.110139.1@csc.canterbury.ac.nz>
Organization: Freshman, CIT general, Carnegie Mellon, Pittsburgh, PA

>
>>  Your future dream is a shopping scheme. 
>
>  I always heard this as : sharp pitched scream
>
>> Many ways to get what you want.  I use the best, I use the rest.  I use
>
>  and this as : I use the fist, I use the wrist
>
>  (Johnny's hand movements in a clip I've seen seem to indicate this as >well)


In the Tablature, it says Spree instead of scream or scheme, and He has
it right with best and rest....

But I don't know that's what the tab said...


merlin
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 Merlin from the underworld.                E-mail: hl27@andrew.cmu.edu
  the essence of evil                        PH#: (412)268-3979
Newsgroups: alt.guitar.tab
From: bas@wam.umd.edu (Bryan Adam Slavin)
Subject: REQ:Ugly Kid Joe Tab
Organization: University of Maryland, College Park
Date: Tue, 10 Nov 1992 02:57:05 GMT

If anyone has the tablature for 'Everything about You' from Ugly Kid Joe
could you either E-mail it to me or post it here. I did not see it on
Nevada.edu.  It would be much appreciated. Thanks!

Newsgroups: alt.guitar.tab
From: lyd@gagme.chi.il.us (Dave W. Frank)
Subject: REQ: Steve Morse Tab
Organization: GAGME - Public Access UNIX of Chicago, Illinois, USA, Earth
X-Newsreader: TIN [version 1.1 PL6]
Date: Sat, 7 Nov 1992 15:28:37 GMT


Newsgroups: alt.guitar
From: jtblair@silver.ucs.indiana.edu (John Blair)
Subject: Re: neck trouble
Organization: Indiana University
Distribution: usa
Date: Thu, 5 Nov 1992 07:45:07 GMT

Sorry!  Not MacDonald-Douglas, but Stewart.MacDonald's Guitar Shop Supply,
and the number is
                      800-848-2273
By the way.  I would think that the development of a lighter touch would
both stop intonation problems from the wear between the frets, and aid
in the development of a smoother, and faster style.  See for example the
article by Kottke in the last Acoustic Guitar.  (Not that I have any of
those positive characteristics in my playing style._

john
From: drp40@cd.amdahl.com (Doug Puchalski)
Newsgroups: alt.guitar
Subject: Re: van halen's variac
Date: 9 Nov 92 21:25:34 GMT
Reply-To: drp40@cd.amdahl.com
Organization: Amdahl Corporation, Sunnyvale, CA

In article <1dgk0rINNs7o@usenet.INS.CWRU.Edu>, bk233@cleveland.Freenet.Edu (Jack W. Weinmann) writes:

>As an electronic technician I must agree that this is NOT a good idea for
>the average guitarist.
>     First of all, when you overvoltage electronic equipment you take a 
>chance on exceeding the ratings of the transformers, rectifiers, filter
>capacitors, etc.....
>
>     Second, many of the newer electronic devices have "safety related"
>components which are rated for FIRE safety.  You may exceed the ratings on
>these and burn out your amp.

Excuse me, but a variac *decreases* input voltage, correct?  By decreasing
input voltage you lower the amplitude at which clipping and distortion occurs.

-- 
Doug Puchalski						   Death to all smileys
drp40@cd.amdahl.com
dpuchals@engin.umich.edu
Newsgroups: alt.guitar
From: gerald.b.ross@um.cc.umich.edu (Gerald Ross)
Subject: Re: Solo Acoustic Guitar
News-Software: IBM OS/2 PM RN (NR/2) v0.14 by O. Vishnepolsky and R. Rogers
Reply-To: gerald.b.ross@um.cc.umich.edu
Organization: University of Michigan Math Dept
Date: Mon, 9 Nov 1992 14:23:05 GMT

Try these 2 cds by Tuck Andress. He plays an electric guitar but,
he has an acoustic sound.

    Reckless Abandon
    Hymns, Carols and Songs about Snow (Xmas tunes. Excellent)


--
_______________________________________________________________

Gerald Ross

     ...It's 1992.  So where's my jetpack?
_______________________________________________________________
From: pkor@phoenix.oulu.fi (Pasi Korhonen)
Newsgroups: alt.guitar
Subject: Re: Go on, date my Tele
Date: 5 Nov 92 17:17:12 GMT
Organization: Ripoff Industries
X-Newsreader: TIN [version 1.1 PL6]

Peter.Weekes@bbs.actrix.gen.nz wrote:

: tell me the methodology behind the serial numbering system on Telecaster 6
: strings ? My one has it's number on a transfer on the head. 
: 
	There is a few different numbering schemes depending of the era.
	4 digits 	1950-1956
	5 digits	1955-1963
	L+5 digits	1963-1965
	6 digits	1965-1976
	S6,S7,S8,S9
	+ 5 digits	1976-1980
	E0,E1,E2,E3,
	E4 + 5 digits	1979-1988
	E8,E9,N9 +
	5 digits	1988-1990

	
	Pasi

--
 p a s i   k o r h o n e n             p k o r @ p h o e n i x . o u l u . f i


 saaristonkatu 3 A 6      90100 oulu     finland,europe     tel:358-81-377 81
Newsgroups: alt.guitar
From: heiser@fretz.enet.dec.com (Michael A. Heiser)
Subject: Re: Joe Satriani in England
Keywords: Satch!
Reply-To: heiser@fretz.enet.dec.com (Michael A. Heiser)
Organization: Digital Equipment Corporation - Phoenix, AZ
Date: Thu, 5 Nov 1992 21:12:57 GMT


I was at the tour kickoff show in Phoenix last Sunday.  go see him, you won't
regret it!
--

    Mike
    
    "in this day & age...music performed by humans...hum?!" 
       - wilde silas tomkyn
Newsgroups: alt.guitar
From: evorst@ccu.umanitoba.ca (Ed Vorst)
Subject: Edge is God?
Organization: University of Manitoba, Winnipeg, Canada
Date: Sun, 8 Nov 1992 08:18:19 GMT

	Yes, I am a Big U2 fan, however, the blatant misuse of the title
God in reference to The Edge is disgusting. He is very talented, without
question, But in rock-and-roll, there is only one God; talent-wise and in
(nick-)name, That man is ERIC CLAPTON, and so it shall always be!
-------------------------------------------------------------------------
	  		el conquistador	
-------------------------------------------------------------------------
	( evorst@umanitoba.ccu.ca ) - Kiss my ass, I bought a boat
					        I'm going out to sea
							-L. Lovett
	
Newsgroups: alt.guitar
From: META000 <META@UNB.CA>
Subject: RE: Electronic definition of sprong!
Organization: The University of New Brunswick
Date: Thu, 12 Nov 1992 22:30:38 GMT

In article <1992Nov10.215058.22727@ncsu.edu> npstewar@eos.ncsu.edu (NATHAN PHILLIP STEWART) writes:
>
>I've played a lot of different amps, and some have a better feel than others.
>With my current amp, an '84 CARVIN w/ 6L6's, even if I set up a fairly low gain
>setting (and it's not much by modern standards on 10), I get a good sound, but
>the amp doesn't play as dynamically as I'd like it to.  I have played different
>amps that had different amounts of sponginess/touch/feel/Sprong! or whatever its
>proper term is - that the amount of distortion and especially the sound of the
>amp changed dramatically with my touch.  This is what I crave in an amp.
>
>So I was wondering if any electrical engineer type people out there could say
>exactly what it is that gives an amp this quality.  I've heard one of the
>variables is the amount of feedback used in the amp, but I was curious if
>anyone else who knows what I'm talking about has thought this out enough to give
>a thoughtful answer.
>.
>.
Removing the negative feedback resistor that comes from the speaker
sideof the power transformer will remove a bit of the sponginess,
although it will add a bit more distortion at lower gain levels.  A
second route is to replace the tube rectifier with a solid state
retrofit.  A number of outfits make and sell these.  Fender makes
one for their '59 Bassman reissue, and New Sensor (see their ad in
Radio Electronics) advertizes solid state rectifier replacements
(although they have a minimum purchase order of $50, they sell all
kinds of other tasty goodies like Sovtek power tubes, etc.).

Mark Hammer

Newsgroups: alt.guitar
From: 6o25@sdf.lonestar.org (Stephen M. Jones)
Subject: looking for dan armstrong parts..
Organization: Super Dimension Fortress - Public Access Unix - Dallas, Tx.. 
Date: Fri, 6 Nov 1992 22:05:20 GMT

please email me if you know the phone number of the guy who bought
all teh parts.. heh

-- 
Stephen M. Jones (214)436-4622 
SysAdmin <-> Super Dimension Fortress PAU 
6o25@sdf.lonestar.org - "Put in a quarter and play road rally." - Descendents 
Newsgroups: alt.guitar
From: cfthb@ux1.cts.eiu.edu (Howard Black)
Subject: Re: Bridge adjustments
Date: Mon, 09 Nov 1992 21:20:39 GMT
Organization: Eastern Illinois University

In article <BxGMxo.7xE@csugrad.cs.vt.edu> gwaldron@csugrad.cs.vt.edu (Glenn Waldron) writes:
>On the bridge of the guitar, each string has two small Allen screws
>for adjusting the action of the string.  But what are the Phillips
>screws behind the brigde for?  I know they move the individual
>bridge pieces (don't know the terminology) forward and backward,
>but what does this accomplish?

    It adjusts the length of the string, which affects the intonation.  In
a nutshell, you're just making sure that the 12th fret divides the string
*exactly* in half.

-- 
   ******************************************************************
     Howard Black                             cfthb@ux1.cts.eiu.edu
     Department of Chemistry                  Eastern Illinois Univ. 
Newsgroups: alt.guitar
From: campoe@JSP.UMontreal.CA (Campo Erik)
Subject: M Bernard guitars
Organization: Universite de Montreal
Date: Fri, 6 Nov 1992 15:50:36 GMT

Hi.
My brother just bought yesterday a guitar called M Bernard. The guy in the store said it's a BC Rich
division. I would like to know if this is true and how good are they.

Thanks.

Erik The Viking.
-- 
Erik Campo campoe@JSP.UMontreal.Ca -- "Between the velvet lies
                                       There's a truth that's made of steel
                                       The vision never dies
                                       Life's a never ending wheel" R.J.Dio 1983
Newsgroups: alt.guitar
From: jpeg8496@uxa.cso.uiuc.edu (Jeffrey P. Elbel)
Subject: Re: Edge is God...
Organization: University of Illinois at Urbana
Date: Wed, 11 Nov 1992 06:53:51 GMT

How can so many people be missing the point on this?
Are you musicians, or technicians?

I like U2.  LIKE.  so, this is no raving endorsement or flame
of Edge and his playing.  He began as a guitar player with
poor technique.  He has improved a fair amount over his
career.  He will NEVER be able to play a metal lead, but
why the heck would he want to?  U2 is about a band sound,
not solos.  U2, if nothing else, have created an ensemble
sound which sounds like U2.  without edge, it wouldn't have 
happened.

I personally think adam clayton should be ashamed to call 
himself a bassist, but he is relevant to U2.

It seems to me that Edge has always been more concerned
with creating a FEEL or texture, and putting together SONGS.

Jeff

Newsgroups: alt.guitar
From: dbi@cs.columbia.edu (Dmitry Babayev)
Subject: Re: Tremolo system -- HELP !!!
Organization: Columbia University Department of Computer Science
Date: Tue, 10 Nov 1992 00:22:57 GMT

In article <BxGvtL.DxA@undergrad.math.waterloo.edu> elee@zeno20.math.UWaterloo.ca (Salty Freckles) writes:
>
>Instead of tuning all the strings at once, you might want to tune the strings
>in passes. What you experience when you tune all the strings at once, is the
>tension on your tremelo system changes and once you've finished tuning the
>sixth string, your first one is already out of tune. In that case, go back
>to your first string, fine-tune it again, as with the other strings. You will
>find that even on your third or fourth pass, the sixth string will be out of
>tune with the first one (remember with new strings there is also the elastic
>factor - don't forget to stretch the strings out once they're fitted). It
>normally takes five or so passes to tune a newly-strung guitar with any kind
>of tremelo system. 
>
>
>Gene Lee
>elee@descartes.uwaterloo.ca
>
Many people have already suggested to do the same thing and it sounds
as a logical one. But actually, the real problem with my trem was that the
springs pulling on the trem(and compensating the pull of strings) were too
weak. When I tightened them up I was able to tune the strings in just a few
passes !
And another good thing happened: Since the springs on the trem became
much tighter, the bridge does not raise as much and therefore the
strings get closer to the fretboard, which in turn, makes pickups more
productive!

Thanks for the advice!
--MITCH--
Organization: Stanford Linear Accelerator Center
Date: Thursday, 12 Nov 1992 15:17:25 PST
From: <WAUGH@SLACVM.SLAC.STANFORD.EDU>
Newsgroups: alt.guitar
Subject: Re: Frampton Talkbox Schematic (Other Performers)
 <1992Nov5.042925.22653@hubcap.clemson.edu> <weyJsna00WBNE3kmkF@andrew.cmu.edu>
 <1dglj8INNt6n@usenet.INS.CWRU.Edu> <12NOV92.18752643.0050@UNBVM1.CSD.UNB.CA>

>>>By the way, I'm a great fan of this little gadget, and am trying to compile
>>>a list of all the recordings in which it is used.  Are you aware of
>>>any recordings of someone using  it with a violin (or any other non-guitar)?
>>
>>Tim and anyone else OLD enough to remember,
>>
>>There used to be a steel (slide) guitarist in the '50's that used one to
>>make his steel guitar talk.  I can't remember his name, but I remember that
>>one of the songs that he did was something like:
>>
>>"I'm just a guit-ar.... why does ever-y-body pick on me!"
>>
>I believe the gent's name is Aldo Ray, if memory serves.

Close.  It was Alvino Rey who made his guitar "talk."  Aldo Ray was a great
character actor from Crockett, CA (a little port town where the Sacramento
River meets San Francisco Bay).  Remember him in _We're No Angels_ and _From
Here to Eternity_.  Aldo that is, not Alvino.  Remember Alvino from "Your Hit
Parade" a forerunner of MTV aired in the 50s.  God, I'm getting old...

Brian
Newsgroups: alt.guitar
From: 6o25@sdf.lonestar.org (Stephen M. Jones)
Subject:  I need Dan Armstrong info..
Organization: Super Dimension Fortress - Public Access Unix - Dallas, Tx.. 
Date: Thu, 5 Nov 1992 22:43:59 GMT


hi.. I asked about his about a year ago and can't find the file... I am
looking for the person who bought all the old DA spare parts (some
guy in new york... a "famous" music store I believe.)

-- 
Stephen M. Jones (214)436-4622 
SysAdmin <-> Super Dimension Fortress PAU 
6o25@sdf.lonestar.org - "Put in a quarter and play road rally." - Descendents 
Newsgroups: alt.guitar
From: paulsson@vaxkab.lne.kth.se ()
Subject: Re: Edge is God...
Reply-To: paulsson@vaxkab.lne.kth.se ()
Organization: School of EE, Royal Institute of Technolgy
Date: Mon, 9 Nov 1992 09:29:11 GMT

I think the question 'Is there a god, and in if there is, does he/she/it 
play electric guitar?' ought to be answered before this discussion 
sinks any deeper. Maybe in another group though, say
alt.religion.musical-preferences.instruments.electrical.
All would benefit from knowing the answer to this question.
People who solve their personal problems with facing conflicts over
the net could fight over whether God prefers S.D, EMG or DiMarzio,
and people who wants to now the age/value of EQ could ask him (her? it?)
directly and get an exact answer. Wouldn't that be nice?

  - M.P.  The 'edge'og
From: basinski@biosci.arizona.edu (Mark Basinski)
Newsgroups: alt.guitar
Subject: Re: Steely Dan questions
Date: 6 Nov 92 22:20:33 GMT
Followup-To: alt.guitar,rec.music.misc
Organization: Univ. of Arizona

Steve Kahn played guitar on several cuts on "Gaucho", and one of my
favorite Larry Carlton solos is the one from "Third World Man"
----------------------------------------------------------------------------
Mark Basinski      Internet: basinski@biosci.arizona.edu
From: v201lrxa@ubvmsb.cc.buffalo.edu (NOWHERE MAN)
Newsgroups: alt.guitar
Subject: Re: Funny Chord Symbols
Date: 6 Nov 92 19:06:00 GMT
Organization: University at Buffalo
News-Software: VAX/VMS VNEWS 1.41

In all the music classes I have taken in the past 3 or 4 years, 
the plus sign has been used in reference to major keys/chords,
and a minus sign has been used in refereance to minor keys/chords.
In high school, I learned that the little circle means diminished. 
I haven't read any jazz music, but sounds like it could be fun!

mike
Newsgroups: alt.guitar
From: twalker@magnus.acs.ohio-state.edu (Timothy M Walker)
Subject: Re: NEEDED: Frampton Talkbox Schematic 
Organization: The Ohio State University
Date: Thu, 5 Nov 1992 21:09:06 GMT


I'd like to see that schematic too, if you don't mind.

Do you feel like I do?


-- 
          ........   Do Not Taunt Happy Fun Ball ..........

                          ==> BIM <==
Organization: Graduate School of Industrial Administr., Carnegie Mellon, Pittsburgh, PA
Newsgroups: alt.guitar,rec.music.misc
Date: Thu, 12 Nov 1992 09:00:03 -0500 
From: Bill Thomas <bt16+@andrew.cmu.edu>
Subject: Re: Steely Dan questions
	<1992Nov11.102714.492@murdoch.acc.Virginia.EDU>

Owsley is the chemist who made the LSD for Kesey and the Merry
Pranksters (as well as the Grateful Dead, I believe).