HDTenEightyP/NetNews huggingface dataset:
From: z3kpw@ttacs1.ttu.edu ("Wheeler, Kevin")
Subject: recording bass guitar?
Date: 10 Nov 92 03:44:00 CST
X-Received: by usenet.pa.dec.com; id AA16555; Tue, 10 Nov 92 02:02:32 -0800
X-Received: by inet-gw-1.pa.dec.com; id AA20833; Tue, 10 Nov 92 02:02:30 -0800
X-To: "rec.music.makers.usenet" <rec.music.makers.usenet>

Argh.  I'd really like some opinions on how to get a good punchy bass guitar
sound.  Is it a matter of EQ?  Noise gate?  

sound.  Is it a matter of EQ?  Noise gate?  

I'd much rather go direct, as miking a bass amp has never been very successful (for me, anyhow).  

All I've been able to really get is a low muddy sound.
All the equipment I have is a Tascam Porta Two 4-track, an ART SGE Mach II, ,and a couple of old Shure mics so I can't do anything too fancy...


Also, a petty little question: How do you pronounce "TEAC"?

One more: which is better, the Maxell XL-IIS or the best TDK Type II tape?

All replies are much appreciated.
From: tenny@euclid.uucp (Nathan Tenny)
Newsgroups: rec.music.makers
Subject: Re: President Bill
Keywords: Sax, drugs, rock-n-roll
Date: 11 Nov 92 00:04:34 GMT
Article-I.D.: nntp.1992Nov11.000434.1004
Organization: Department of Mathematics, University of Oregon


I missed the event in question, but Clinton played briefly during a recent
appearance in Eugene---he sat in momentarily with the Crazy 8's, a moderately
big-time NW band.  The sax player whose horn he borrowed said he played a
pretty credible "Take Five."

	NT
Xref: sparky rec.music.makers:10791 alt.emusic:362 rec.music.synth:17954 rec.music.marketplace:2160
From: axman@acadia.Kodak.COM (Mike Axman)
Newsgroups: rec.music.makers,alt.emusic,rec.music.synth,rec.music.marketplace
Subject: TASCAM MS-16 FOR SALE
Keywords: tascam ms-16, multitrack, recorder
Date: 6 Nov 92 17:40:48 GMT
Organization: Eastman Kodak Co., Rochester, NY

For Sale:

TASCAM MS-16 1 inch 16 track machine $5800.

includes:
	- TASCAM DBX
	- Autolocator with roll around cart
	- original packaging material
	- custom desk to house MS-16, a board, and effects racks

Used in home studio only.  This unit is in mint condition and is 4 years old.  
Wire harness and blank tapes available at additional cost.  Layaway payment 
plan available.  Located in the Rochester, New York area.

If interested, please send E-Mail to Paul Melnychuck at
melny@kodak.com, or call 716 477-3080.




DISCLAIMER:
Kodak gives me this Net access for free, but they aren't 
responsible for my postings.
From: exujsch@exu.ericsson.se (Johnny Schmittou EXU-T-EEG x7887 Dallas Texas USA)
Newsgroups: rec.music.makers
Subject: Re: Singing and drumming simultaneously
Date: 6 Nov 92 18:45:13 GMT
Reply-To: exujsch@exu.ericsson.se
Organization: Somewhere in lovely Richardson, TX
X-Disclaimer: This article was posted by a user at Ericsson.
              Any opinions expressed are strictly those of the
              user and not necessarily those of Ericsson.

The thing I've grown to dislike about headset mics is the dynamics problem.
The mic is always a fixed distance from my mouth while I'm playing.
Thus if I really have to belt out a note (due to the note being in a certain
range or what-not) the extra loud note can really overshadow other group
members.  With a regular mic, I can backoff or get really close to the mic
as needed and vary my dynamics quite a bit more.  But of course, the regular
mic tends to get in the way of playing a good deal.

Ah, the toils and turmoils of being a singing drummer...
---
___________________________________________________________________________
Internet....: exujsch@exu.ericsson.se | "Everything I say is the absolute
Real life...: Johnny Schmittou        |  Gospel...  Nah, just kidding."
Virtual life: Q-man   ---<<<I'd rather be drumming.>>>--- Dallas, Texas USA
From: nicholl@cs.uiuc.edu (Sheldon Nicholl)
Newsgroups: rec.music.makers
Subject: Medleys?
Date: 5 Nov 92 05:03:52 GMT
Organization: University of Illinois, Dept. of Comp. Sci., Urbana, IL


I'm looking for information on how one would go about 
selling/publishing/copyrighting medleys of material
that already exists. Of course, if this is impossible
for legal or other reasons, I'd like to know that too.


E-mail, please. Thanks,

--Sheldon Nicholl
nicholl@cs.uiuc.edu
Newsgroups: rec.music.makers,rec.music.synth,news.groups,news.admin
From: dave@jato.jpl.nasa.gov (Dave Hayes)
Subject: Re: *BAD* music group reorg will not be honored 
Reply-To: dave@jato.jpl.nasa.gov
Organization: Jet Propulsion Lab - Pasadena, CA
Date: Mon, 9 Nov 1992 08:51:16 GMT

twpierce@unix.amherst.edu (Tim Pierce) writes:
>>>If you choose to ignore RFDs posted to a group you read, you do so at
>>>your own peril.
>>This is supposed to be a good practice?
>Yes.

Why?

>Usenet policies.  As far as I'm concerned, it's a simple matter of
>common sense that comes with the territory.

Your idea of "common sense" may not be someone else's. 

>>You are showing your lack of concern for net.people here. Is this really
>>what you wanted to imply?
>Since I was careful to restrict the class of net.people for whom I
>lack concern, yes.

So you also admit that there is a class system here in USENET? That's 
two of you so far. Any more?
-- 
Dave Hayes - Network & Communications Engineering - JPL / NASA - Pasadena CA
dave@elxr.jpl.nasa.gov       dave@jato.jpl.nasa.gov         ...usc!elroy!dxh

          You possess only what will not be lost in a shipwreck.
Xref: sparky rec.music.makers:10819 rec.music.synth:18083 news.groups:20841 news.admin:8413
From: fenner@postscript.cs.psu.edu (Bill Fenner)
Newsgroups: rec.music.makers,rec.music.synth,news.groups,news.admin
Subject: Re: *BAD* music group reorg will not be honored
Date: 9 Nov 92 18:20:08 GMT
Organization: Penn State Computer Science

In article <1992Nov9.091041.11043@jato.jpl.nasa.gov> dave@jato.jpl.nasa.gov writes:
|Some people are so overwhelmed ... that they'll be on this net for months
|before realizing any such thing. 

Why not?  Didn't they read news.announce.newusers?

  Bill
Xref: sparky rec.music.makers:10813 rec.music.synth:18057 news.groups:20811 news.admin:8400
From: jmaynard@oac.hsc.uth.tmc.edu (Jay Maynard)
Newsgroups: rec.music.makers,rec.music.synth,news.groups,news.admin
Subject: Re: *BAD* music group reorg will not be honored
Date: 9 Nov 1992 15:22:48 GMT
Followup-To: rec.music.makers
Organization: UT Health Science Center Houston

In article <1992Nov9.084510.10599@jato.jpl.nasa.gov> dave@jato.jpl.nasa.gov writes:
>I refuse to buy the "tough it's your fault" attitude at all.

You must have real trouble coping with the real world, then.

>Again,
>silence as an implied vote is a good tool for political control by
>the few. 

It's not "silence as an implied vote", it's "silence as no vote". It's not
possible to determine what someone wants if they refuse to speak for
themself. Given that, it's not reasonable to allow someone's silence to have
any effect on those who do speak up, and therefore the silent ones must accept
what those who do participate decide.

-- 
Jay Maynard, EMT-P, K5ZC, PP-ASEL | Never ascribe to malice that which can
jmaynard@oac.hsc.uth.tmc.edu      | adequately be explained by stupidity.
     We survived Jimmy Carter; we'll (probably) survive Bill Clinton.
Newsgroups: rec.music.makers
From: manes@magpie.nycenet.edu (Steve Manes)
Subject: Re: Best bass sound
Organization: Manes and Associates, NYC
Date: Fri, 13 Nov 1992 01:23:28 GMT
X-Newsreader: Tin 1.1 PL5

"Eric J. Knittweis" (ek2m+@andrew.cmu.edu) wrote:
: CC: 
: In-Reply-To: <9211101002.AA20833@inet-gw-1.pa.dec.com>
: References: <9211101002.AA20833@inet-gw-1.pa.dec.com>
: 
:     In response to bass-recordings post:
: 
:        In my experience with recording the best way to get the nice deep
: full sound of the bass, is by miking the bass amp itself when recording.

In professional (and most serious amateur) recording studios,
electric bass is invariably taken direct.  Any "air" that you may
want to capture by miking a bass amp is lost unless miked from
several feet away because that's how long it takes for the low bass
waves to become coherent and bounce off something.  And then you
sacrifice definition.  In twenty years as a recording bass player
(and owning commercial recording studios) I've only had occasion to
record non-direct twice: once to capture something like a live bass
quality in a Yes-sounding track and once in a fruitless challenge to
see what way cool sounds we could come up with using Barcus-Berry
transducers stuck all over the instrument.  (The game was won by
the engineer, who stuck a Barcus to a meat thermometer and called it
a "vocal-direct").

The only way to record an electric bass is direct, through a good
DI box, ideally something with a big, fat, heavy transformer.  Active
DI boxes are nice but tend to get a little peaky when overdriven by
the occasional-overpopped bass string.

: Most non-professional track machines are not powerful enough to
: handle inputing bass directly into them.

Neither are professional machines, not that you plug instruments directly
into tape track inputs to begin with.  Use a direct (DI) box into a
decent mic preamp or mixing console input.

-- 
Stephen Manes					   manes@magpie.nycenet.edu
Manes and Associates/Commontech-NoHo		   New York, NY, USA  =o&>o
From: grego@bit.UUCP (Greg Sanguinetti)
Newsgroups: rec.music.makers
Subject: Re: Sabine Rackmnt Tuner--Comments?
Date: 8 Nov 92 17:40:16 GMT
Article-I.D.: bit.468
Reply-To: grego@bit.UUCP (Grego Sanguinetti)
Organization: BIT  Portland, OR

In article <bert.721092738@athena.llnl.gov> bert@athena.llnl.gov writes:
>CA.JNL@forsythe.stanford.edu (Joshua Loftus) writes:
>
>>I play bass and I've got a few extra spaces in my rack just begging
>>for toys to fill them up.  Does anyone have any comments on the
>>Sabine Rackmount Tuner (model 1600, I think)?  It's very cheap ($130
>
>...the Sabine reacts reasonably rapidly to pitch changes, and it is
>pretty sensitive: it's very easy to pluck a string too hard (so it
>registers sharp) even when it is really in tune.  So, it's best to
>wait a moment for the string's pitch to "settle down" before twisting
>pegs.

This is especially true for Bass, you have to wait a second or two for 
the pitch to stabilize, it will be sharp at first then stay at pitch for a
bit then go flat. My acoustic bass really goes through a wild intonation
envelope.

>
>In gigging, I've discovered that the LEDs are very easy to read; what
>is very difficult to read are the labels under the LEDs (which are
>simply written in white paint).  ...

I also chose the Sabine rack model after reviewing the same choices.
Actually I have found that it's easy to learn the position of the LED's.
Also the Sabine is very good at picking the correct pitch and I have learned
to trust it to do so. I then am really only concerned with the three
tuning LED's. I find it really easy to use and recommend it.

-grego
-- 
---------------------------------------------------------------------------
Grego Sanguinetti, Bipolar Integrated Technology | Water, water everywhere,
grego@bit.uucp or grego%bit%ogi.cse.edu          | but I'd rather drink
or bit!grego@ogi.cse.edu or ...!ogicse!bit!grego | beer.
Newsgroups: rec.music.makers.percussion
From: u509274@csi.UOttawa.CA (U. N. derGrad)
Subject: Shark pedals
Keywords: electronic drumming
Organization: Dept. of Computer Science, University of Ottawa
Date: Fri, 13 Nov 92 20:05:04 GMT


I own a Tama Techstar (the last version Tama put out, some 7 or 8 years ago)
electronic pad set.  This is the system with a synth and hand clap but no snare
or bass.  I have been looking for a certain pedal I saw advertized in MD a few
years ago, the "Shark" pedal I think it was called...

Does anyone know where I could still get one (I hear the company went bankrupt or
something...)

Thanks for your help!

AL.

-- 
The    Alain Gauthier u509274@csi.UOttawa.CA    The
Al     u509274@csi.UOttawa.CA                    Al
From: jack@dcs.glasgow.ac.uk (Jack Campin)
Newsgroups: rec.music.makers.percussion
Subject: Re: Middle Eastern rhythms
Date: 12 Nov 92 16:08:02 GMT
Reply-To: jack@dcs.glasgow.ac.uk (Jack Campin)
Organization: COMANDOS Project, Glesga Yoonie

williamt@athena.Eng.sun.com (Dances with Drums) wrote:
> GRS00005@CONRAD.APPSTATE.EDU (*Kevin Stuart Liske) writes:
>> Does anyone know of where/who/how to locate Middle Eastern rhythms
>> for hand drums?  I'm interested in learning how to play such rhythms
>> and need either something simple or teaching type tapes.
> You might call Mary Ellen Donald at (415) 826-DRUM, I believe, in San
> Francisco -- she's in the phone book there.  She has two looseleaf/
> spiral bound notebook sized books out as well as 1 or 2 teaching tapes.

Maybe somebody over there could look at their phone dial and tell us all
what DRUM means?  (I don't think any other country in the world uses the
US's number-to-letter mapping; the UK used to have such a convention but
it was different from the US's and was abandoned 40 years ago anyway).
Or maybe a postal address?

-- 
--  Jack Campin    room G092, Computing Science Department, Glasgow University,
17 Lilybank Gardens, Glasgow G12 8RZ, Scotland   TEL: 041 339 8855 x6854 (work)
INTERNET: jack@dcs.glasgow.ac.uk or via nsfnet-relay.ac.uk    FAX: 041 330 4913
BANG!net: via mcsun and uknet     BITNET: via UKACRL    UUCP: jack@glasgow.uucp
Newsgroups: rec.music.makers.percussion
From: pmartz@dsd.es.com (Paul Martz)
Subject: Re: Drumkit cost..
Reply-To: pmartz@dsd.es.com (Paul Martz)
Organization: Evans & Sutherland Computer Corp., Salt Lake City, UT
Date: Thu, 12 Nov 92 16:49:51 GMT

In article <1992Nov12.121108.16272@sfu.ca>, wonge@fraser.sfu.ca (Edmund Wong) writes:
> In article <74273@hydra.gatech.EDU> mhopper@emperor.gatech.edu (Michael A. Hopper) writes:
> >In article <9NOV199215445060@rosie.uh.edu> st1p8@rosie.uh.edu writes:
> >>Could anyone give me a rough estimate of the cost of two bass drums,
> >>snare, high-hat, 4 toms, ride, 3 crashes (all Tama/Zildjian)?  Thanks
> >>in advance.
> >
> >It's been a while since I priced new drums, but I would say around
> >$2500 for what you've mentioned.  
>     
>    Does the list mentioned above, constitute a BASIC drum set, or
> an intermediate to ADVANCED level drum set?  I'd like to purchase
> a BASIC drum set so I can learn to play, but not sure what consitutes
> a BASIC drum set....  

I would say a basic drumset is a single bass, two toms, snare, hi-hat,
crash, and ride. Maybe $1000-$1500 for something like that.

Same used, maybe $400.

If you're just getting started I *strongly* urge you to buy used
equipment.  In a few years you'll know what you want, you'll know
you're definitely into drumming, and you'll have a good idea of what a
decent price is.  Playing on used equipment is an inexpensive way to
get a feel for this, while simultaneously learning how to play.

By the way, as a beginner you can go a long way towards learning to
play with just a snare drum and some beginner technique books. It's
not as glitzy and fun as a whole set, but a damn good way to learn the
basics.
-- 

   -paul	pmartz@dsd.es.com
		Evans & Sutherland
From: mbreen@sdacs.ucsd.edu (Michael Breen)
Newsgroups: rec.music.makers.percussion
Subject: Re: Aluminum-plastic dumbek (darabouka)
Date: 10 Nov 1992 18:25:51 GMT
Organization: University of California, San Diego
NNTP-Posting-Host: sdacs.ucsd.edu

I'm a composer arranger who is working on pissing off my credit card company.
This was way easy to do...I just called about 10 mail-order music places
and asked for a catalog, then let nature take its course.

One that surprised my was Thoroughbred music.  I did not expect a percussion
catalog, but that's what I got.  Some good prices, and some very interesting
instruments.  I wouldn't swear there was a dumbek in there, but the name
sounds familiar.  I want to buy and instrument they call a "Cajon", it looks
like fun.

Want me to look up the 800-number?

Michael Breen
singing and philosophizing
Newsgroups: rec.music.makers.percussion
From: icsu0182@cs.montana.edu (Sean)
Subject: Re: Z-series ride cymbals
Organization: Montana State University, Dept. of Computer Science, Bozeman MT 59717
Date: Fri, 13 Nov 1992 18:21:22 GMT

 THe Z-series have a great rock sound.  The Z-series is exactly made for that,
Rock.  I think that they rank pretty well, but it depends on the type of music
that you want to play.  They have a tendency to have a lot deeper sound than
a lot of the others that I have played.  Like any ride, they are good for some
things and poor for others.

Sean
 
-- 
****** GO HORNETS! *** GO COWBOYS! *** GO ORIOLES! *** GO BLACKHAWKS! ******    
Sean Reid                 ||"Baseball is a rather simple game...You throw the 
Dept. of Computer Science || ball, you hit the ball, you catch the ball...  
Montana State University  || Sometimes you win, sometimes you lose, sometimes
Newsgroups: rec.music.makers.percussion
From: mikebee@athena.mit.edu 
Subject: Solid Snare Drums
Organization: Massachusetts Institute of Technology
Date: Fri, 13 Nov 1992 18:25:57 GMT

I have a 4" Solid Percussion maple solid wood snare drum with a natural finish.  I was wondering
how much it is worth?  I was thinking of selling it.
Newsgroups: rec.music.makers.percussion
From: afo@apollo.HP.COM (Aaron Oppenheimer)
Subject: Re:  Hand Drumming, Folk Percussion Instruments
Date: Tue, 10 Nov 1992 16:48:39 GMT
Organization: Hewlett-Packard Company, Chelmsford, MA

There's a place called Lark in the Morning (PO box 1176 Mendocino, 
CA 95460 tel (707)964-5569) that has lots of stuff, percussion and
otherwise, including world music and ancient instruments. Their
catalog is 3 bucks but well worth it.


=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Aaron Oppenheimer                             Multimedia Technology Lab
                         "Please Be Fabulous"
Hewlett Packard Co.                                      Chelmsford, MA
=-=-=-=-=-=  I can hardly speak for myself, much less HP. =-=-=-=-=-=-=
From: rbn@ralph.rtpnc.epa.gov (Bob Boyd)
Newsgroups: rec.music.makers.percussion
Subject: Hand Drumming, Folk Percussion Instruments
Date: 10 Nov 92 16:12:43 GMT
Article-I.D.: rtpnc.1992Nov10.161243.22050
Reply-To: rbn@ralph.rtpnc.epa.gov
Organization: Unisys/EPA

I would like to assemble a list of sources for "traditional" 
percussion instruments.

I'm also interested in learning about/sharing about 
drum jams & classes on a regional basis.  

Anyone else out there who would like to get involved with
doing something along these lines?

I've been taking lessons in African style hand drumming 
for about 6 months, as well as participating in a men's 
drumming circle.

One source for drums that has a WIDE variety available for
reasonable prices is:

FolkBeat Percussion
509 E. Tenth St.
Newport, KY 41071
800-228-BEAT 
800-228-2328
606-431-2333

--
Bob Boyd                 
rbn@ralph.rtpnc.epa.gov 
Unisys/EPA               
Newsgroups: rec.music.makers.percussion
From: doug@justdoit.ingr.com (Doug Harbord)
Subject: Looking for a used Drum rack
Reply-To: doug@justdoit.b11.ingr.com
Organization: Intergraph Corporation
Date: Fri, 13 Nov 1992 16:52:25 GMT

I am in the market for either a Pearl or Gibraltar drum rack. 
Must have at least one side extension. I want to mount 4 toms,
4 cymbals and a remote hat. Anyone looking to get rid of their
rack?


--
Doug Harbord 	Intergraph Corporation
M.S. CR1102	Systems Product Marketing - Graphics Technology
(205)730-6166	b11!justdoit!doug
internet 	doug@justdoit.b11.ingr.com
Newsgroups: rec.music.makers.percussion
From: hill@aclcb.purdue.edu (B.Hill)
Subject: Z-series ride cymbals
Reply-To: hill@aclcb.purdue.edu
Organization: Purdue University AIDS Center
Date: Thu, 12 Nov 1992 22:02:09 GMT

I was wondering about the Zildjian Z-series ride cymbals.  I
currently use the Z-series dyno beat high hats and like the way they sound.
I have not had the chance to play on any of the ride cymbals of this 
series.  Anybody have any opinions about them?

-Bryan-
    Name: B.Hill
Internet: hill@aclcb.purdue.edu
   Phone: 
Newsgroups: rec.music.makers.percussion
From: robh@meaddata.com (Rob Hoeting)
Subject: Re: Drumkit cost..
Organization: Mead Data Central, Dayton OH
Date: Tue, 10 Nov 1992 18:51:45 GMT
Distribution: na

In article <74273@hydra.gatech.EDU>, mhopper@emperor.gatech.edu (Michael A. Hopper) writes:
|> In article <9NOV199215445060@rosie.uh.edu> st1p8@rosie.uh.edu writes:
|> >
|> >Could anyone give me a rough estimate of the cost of two bass drums,
|> >snare, high-hat, 4 toms, ride, 3 crashes (all Tama/Zildjian)?  Thanks
|> >in advance.
|> 
|> It's been a while since I priced new drums, but I would say around
|> $2500 for what you've mentioned.  If your not picky about having 
|> new drums/cymbals, I suggest looking in the classifieds and other 
|> sources of used musical equipment.  Here in Atlanta, there is a 
|> publication called the Atlanta Advertiser which has tons of used 
|> equipment, priced at REAL SACRIFICES.  Look to pay 40% of the new
|> price for any used stuff, especially drum sets.  They are just 
|> hard to sell.
Absolutely! Last month I bought a used 7-pc Pearl with Sabian HH, Crash,
All heavy duty hardware for $600. I would have paid at least $2000 in 
the store. I would definitely look used before bending over at the
music store.	


Newsgroups: rec.music.makers.percussion
From: umlehner@uxa.ecn.bgu.edu (Mike Lehnertz)
Subject: Re: Middle Eastern rhythms
Organization: Educational Computing Network
Date: Thu, 12 Nov 1992 23:39:07 GMT

   DRUM = 3786 on American telephones.



                                      - Mike -
From: GRS00005@CONRAD.APPSTATE.EDU (*Kevin Stuart Liske)
Newsgroups: rec.music.makers.percussion
Subject: Middle Eastern rhythms
Date: 10 Nov 92 20:26:07 GMT
Article-I.D.: lester.1dp5svINNb88
Distribution: world
Organization: APPALACHIAN STATE UNIVERSITY
NNTP-Posting-Host: alf.appstate.edu
X-News-Reader: VMS NEWS 1.24

Does anyone know of where/who/how to locate Middle Eastern rhythms
for hand drums?  I'm interested in learning how to play such rhythms
and need either something simple or teaching type tapes.


Thanks

Kevin
Newsgroups: rec.music.makers.percussion
From: nathan@laplace.biology.yale.edu (Nathan F. Janette)
Subject: Re: need suggestion on MIDI drums...
Reply-To: nathan@laplace.biology.yale.edu
Organization: Yale University, Department of Computer Science, New Haven, CT
Distribution: usa
Date: Fri, 13 Nov 1992 20:48:13 GMT

In article <1992Nov13.172023.3799@wam.umd.edu> ghost@next08pg2.wam.umd.edu (.)  
writes:
> 
> can you tell me about DRUMKAT's new pedals, please especially the,
> what is it called Fat KAt ? is it a bass trigger pedal ?
> hookup ? specs? COST??

There are two new pedals: the Fat Kat, and the Hat Kat.  Both look
like a guitar volume pedal, and both trigger at the end of the pedal's
throw.  The Hat Kat additionally provides lines that will allow a Drum
Kat to sense the position of the pedal, allowing a simulation of a
high hat.  I think they cost about $200 each, I'll check this weekend.


--
Nathan Janette		"I'm a NeXTstep man,
Dept MB&B, Yale Univ	 I'm a NeXTcube guy"
New Haven, CT
nathan@laplace.biology.yale.edu (NeXT)

Newsgroups: rec.music.makers.percussion
From: cep@sage.cc.purdue.edu (CRAIG PFEIFER)
Subject: Re: double bass pedals
Keywords: double bass pedal
Organization: Purdue University Computing Center
Distribution: global
Date: Wed, 11 Nov 1992 16:42:47 GMT

In article <BxHJv5.6D7@acsu.buffalo.edu> v104n55k@ubvmsd.cc.buffalo.edu (David I Schwartz) writes:
>Any recommendations on double bass pedals? I'm looking for something really
>sturdy. I am would like the cost to be somewhere around $250 or less.
>
>Dave
   DW (Drum Workshop) makes the smoothest series of kick pedals out.


-- 
/-----------------------------------------------------------------------------\ |                             | "We are young despite the years,              |
|   cep@sage.cc.purdue.edu    |  We are concerned,                            |
|   Craig Pfeifer, Purdue U.  |  We are hope despite the times."  - R.E.M.    | \-----------------------------------------------------------------------------/ 
Newsgroups: rec.music.makers.percussion