HDTenEightyP/NetNews huggingface dataset:
From: ch00@ns1.cc.lehigh.edu (Chris Hartzell)
Newsgroups: rec.music.country.western
Subject: Re: She Took it like a man
Date: 18 Nov 92 14:08:53 GMT
Organization: Lehigh University

In article <1992Nov17.174320.1@gallua.gallaudet.edu>, rlwilliams@gallua.gallaude
t.edu writes:
>The discussion of "Take it like a man" reminds me of another song... by a
>male singer... the lyrics I remember went like this:
>
>She kicked a hole in the kitchen wall,
>she threw the phone half way down the hall...
>
>all in all, she took it like a man...
>
>
>
>any one know who sings this?
>
>skip
>rlwilliams@gallua.bitnet

A group by the name of Confederate Railroad.
-- 

    ^^^^^Chris Hartzell^^^^^Computing Center^^^^^Ext. 83830^^^^^
Newsgroups: rec.music.country.western
From: marshall@nebula.ssd.lmsc.lockheed.com (Bob Marshall)
Subject: Re: who sings this
Reply-To: marshall@nebula.ssd.lmsc.lockheed.com
Organization: LMSC, Sunnyvale, California
Date: Tue, 17 Nov 92 21:26:43 GMT

In article <gf2GiYa00WB71PneVX@andrew.cmu.edu>, Tracy Aulfinger <tf1g+@andrew.cmu.edu> writes:
>Anyway, I heard a song a while back that the dj never identified.  The
>voice sounded a little familiar, but I can't place it.  It said
>something like "take this woman's heart..." take it like a man or like
>that.  Could I get singer and album, if possible?

Don't know the album name, but I'm pretty sure that's Michelle Wright
singing "Take It Like A Man". I don't really like this song, but she 
sings another one called "He Would Be Sixteen". It's about a woman who
gave up a son for adoption on the day he was born. Not really very
country, but surely beautiful. Great video, too!

=============================================================================
Bob Marshall                     \\     "Women aren't as smart as they
Lockheed Missiles & Space Co.     \\     think they are; they think we
Sunnyvale, CA                      \\    men know a lot more than we
marshall@force.ssd.lmsc.lockheed.com\\   really do."
"I tell the truth 'cept when I lie"  \\     - Tim the Toolman
=============================================================================
From: mxl6@po.CWRU.Edu (Michael Lederman)
Newsgroups: rec.music.country.western
Subject: "HELLO WALLS" BY FARON YOUNG
Date: 22 Nov 1992 04:13:21 GMT
Organization: Case Western Reserve University, Cleveland, OH (USA)
Reply-To: mxl6@po.CWRU.Edu (Michael Lederman)
NNTP-Posting-Host: hela.ins.cwru.edu




Is anyone familiar with the song "Hello Walls" by Faron Young?  I have the
song on a Billboard's Top Country tape and I do not own the album this song
came from, so I don't know what record company the song was recorded on. 
Does anyone know the artists label and/or manager.   I am trying to contact
Young's management.  Any leads?

Thanks


Please reply via direct e-mail as I do not get the chance to read usenet
very often.  Thanks.
Newsgroups: rec.music.country.western
From: jhansen@convex.com (James Hansen)
Subject: Dwight Yoakum
Date: Mon, 16 Nov 1992 22:53:12 GMT
Distribution: usa
Organization: Engineering, CONVEX Computer Corp., Richardson, Tx., USA
X-Disclaimer: This message was written by a user at CONVEX Computer
              Corp. The opinions expressed are those of the user and
              not necessarily those of CONVEX.

Check your local TV listings for the Whoopi Goldberg show.  Dwight will
be a guest on her show.  I've seen the show via satellite and really
enjoyed it.  Dwight has been somewhat of an enigma for me, and his
appearance on Whoopi's show really enlightened me.

--
James B. Hansen                                  {sun,uunet}!convex!jhansen
CONVEX Computer Corporation                              jhansen@convex.com
3000 Waterview Parkway, P. O. Box 833851
Richardson, TX 75083-3851                              Phone: (214)497-4802
Newsgroups: rec.music.country.western
From: geffy@access.digex.com (Geff King)
Subject: Re: Garth Brook's 'Friends in Low Places'
Keywords: Unaussprechlichen
Organization: Express Access Online Communications, Greenbelt, Maryland USA
Distribution: All low places 
Date: Thu, 19 Nov 1992 18:03:57 GMT

In article <1992Nov18.232053.1@orca.alaska.edu> sxjwg@orca.alaska.edu writes:
>In article <1eccsoINNn2@bigboote.WPI.EDU>, chev@wpi.WPI.EDU (Kevin William 
>Waid) writes:
>> I heard that Garth has a third verse to 'Friends in Low Places' while
>> in concert.  Since I was unable to attend any of these concerts, is it
>> true?  And if it is, does anyone know the lyrics?  Thanks in advance!
>
>I guess I was wrong I just don't belong but then I've been there before,
>everything's alright I'll just say goodnight and show myself to the door,
>hey I didn't mean cause a big scene just wait 'til I finish this glass,
>then sweet little lady I'll head back to the bar and you can kiss my ASS!

Another interesting variation of the 'lost verse' to Garth Brooks' "Friends
in Low Places" has been reported in the Baltimore MD area by an obscure 
C&W band who shall remain anonymous. The verse goes thus:

I guess I was wrong/I just don't belong/But then I've been there before;
Everything's alright/I'll just say goodnight and throw myself out the door;
hey I didn't mean/To cause a big scene/So here's a drink to your health
I'm gonna go out and play my guitar/And you can go [you can't say that on
the Internet!!] yourself......

Never did like that 'sweet little lady' crap....

        +----Geff King--Librarian by Day/Bass Player by Night---+
        | "Nobody told me. That don't mean nobody told anybody; |
        |  that just means nobody told me."  --Baldemar Huerta  |
        +------------ mail geffy@access.digex.com --------------+
Newsgroups: rec.music.country.western
From: thughes@lonestar.utsa.edu (Toby . Hughes)
Subject: Re: Eagles (Re: The only good country artist)
Organization: University of Texas at San Antonio
Date: Fri, 20 Nov 1992 01:22:11 GMT

In article <1ehdprINNrg2@darkstar.UCSC.EDU> indigo@ucscb.UCSC.EDU (indigo) writes:
>
>In <1992Nov17.200356.5435@ringer.cs.utsa.edu> thughes@lonestar.utsa.edu (Toby . Hughes) writes:
>
>>In article <1992Nov16.234532.9056@TorreyPinesCA.ncr.com> djohna@TorreyPinesCA.ncr.com (John Ackerman 3568) writes:
>>
>>>   Besides everyone knows one of the really great country
>>>   bands of all time was of course SoCal's own Eagles.
>>>
>>>-- John
>
>>Right, who can forget that Nashville classic "Hotel California?"
>
>Okay, smart-aleck.  You wouldn't call these country?:
>
>Lyin' Eyes
>Take It Easy
>Seven Bridges Road
>Peaceful Easy Feeling
>Tequila Sunrise
>Best of My Love
>New Kid in Town

Some yes, some no.  The one thing I would NOT do is call you a name.
Recording a good country song at sometime in your career does NOT make
you a 'country band.'  BTW, for the record, the Eagles are my favorite
'soft rock' group.

>
>Okay, so "Life in the Fast Lane" wouldn't exactly qualify, but the Eagles
>definitely made quite a bit of country music.
>
>(By the way, Don Henley sings harmony on two songs on Trisha Yearwood's
>new album.)

He also sang harmony with Stevie Nicks on "Leather and Lace."

And Bing Crosby sang "Mule Train."


>==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
>Adam Schneider               indigo@ucscb.ucsc.edu              U.C. Santa Cruz
>             "Your actions will follow you full circle 'round..."
>==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==


TH
Newsgroups: rec.music.country.western
From: djohna@TorreyPinesCA.ncr.com (John Ackerman 3568)
Subject: Re: who sings this
Organization: NCR (Torrey Pines Development Center)
Disclaimer: This posting does not necessarily reflect the opinions of NCR.
Date: Wed, 18 Nov 92 18:22:24 GMT

blofgren@phoenix.Princeton.EDU (Brent M. Lofgren) writes:
: In article <gf2GiYa00WB71PneVX@andrew.cmu.edu> Tracy Aulfinger <tf1g+@andrew.cmu.edu> writes:
: >
: >Thanks for the response on my Christmas list problem.  To my pleasant
: >surprise, my yankee husband keeps coming up with new country stuff to
:               ^^^^^^
: 
  (Stuff Deleted)

: After all of that rambling, the point is that I don't appreciate the
: tendency that country music has for regional chauvanism and national
: chauvanism, and think that it might enhance the enjoyment of country
: music for many people if this were less frequent.
: 
********************************

  I think your underwear's too tight brother...
Newsgroups: rec.music.country.western
From: marshall@nebula.ssd.lmsc.lockheed.com (Bob Marshall)
Subject: Re: 'How-Do' Artist Needed
Reply-To: marshall@nebula.ssd.lmsc.lockheed.com
Organization: LMSC, Sunnyvale, California
Date: Sat, 21 Nov 92 23:30:04 GMT

In article <1992Nov21.212149.22175@magnus.acs.ohio-state.edu>, kwmiller@magnus.acs.ohio-state.edu (Kenneth W Miller) writes:
>Would anyone happen to know the name of the artist (female singer)
>who had a minor hit a couple of years ago with a song called 'How
>Do'?  I remember that I really liked the song; it was a had a fast
>tempo (polka-style) and there was a funny line in it about the woman
>looking for a man who could speak French: "A-Voux, How Do." (sorry,
>my French is rather limited so I may have misspelled that!)  Thanks
>for you help!

Mary-Chapin Carpenter, from her "State of the Heart" album.

=============================================================================
Bob Marshall                     \\     "Women aren't as smart as they
Lockheed Missiles & Space Co.     \\     think they are; they think we
Sunnyvale, CA                      \\    men know a lot more than we
marshall@force.ssd.lmsc.lockheed.com\\   really do."
"I tell the truth 'cept when I lie"  \\     - Tim the Toolman
=============================================================================
From: jrd@frame.com (James Drew)
Newsgroups: rec.music.country.western
Subject: "Calamity Jane" soundtrack
Date: 17 Nov 1992 16:38:31 -0600
Organization: UTexas Mail-to-News Gateway
NNTP-Posting-Host: cs.utexas.edu

I'm trying to dig up a copy of the song "Deadwood Stage," the opening number
(I guess; it's first on the soundtrack) from the early-50's release of the
movie "Calamity Jane," starring Doris Day.

The only copy I have is an original LP, and it has scratches, so the song is
useless.  Has the sountrack ever been re-released on cassette or CD, or as
part of one of the "flip albums," where they put two soundtracks on one record
(they did this with "Seven Brides for Seven Brothers," I know)?  Alternately,
has the movie version been released as part of any Doris Day compilations that
anyone has seen?

Thanks...

------------------------------
                             |     We guided the guy dressed as a nun up Dore
Jim Drew                     | Alley, to see the dead guy dressed as a nun.
jrd@frame.com                |     "Oh, this isn't one of *us,*" he said, and
(Furry: Randy Puritan)       | started patting down the dead nun's habit, until
"Innocent, but not naive."   | he found a silver flask of alcohol.
B2h t w- c k s g+(p) rv p    |     "We're the Sisters of Perpetual Indulgence.
S8/5 g l+ y+ o+ a+ u++- j++  | This used to be one of the Sisters of Perpetual
{opinions: mine != frame's}  | Inebriation.  They're down at the other end of
                             | the fair.
                             |		- Marc Lynx, "Awl's Fare"
Newsgroups: rec.music.country.western
From: ellis@alexia.lis.uiuc.edu (June Ellis)
Subject: Re: Reba and good country artists
Organization: University of Illinois at Urbana
Distribution: rec
Date: Mon, 23 Nov 1992 19:20:52 GMT

In <1992Nov23.115133.16119@vax5.cit.cornell.edu> crj@vax5.cit.cornell.edu 
writes:

>My daughter is a REBA fan.  Thru her so am I.  My daughter also joined Reba's
>fan club and has managed to fill in her collection of CDs.  Reba is a fine
>singer and a decent person, unlike so many of the other so-called "country"
>singers.  I my opinion and it has been formed by attending concerts like:
>Highway 101, Garth Brooks, Travis Trit; they have reverted to the rock styles
>of a generation ago.  Lost the country sound.  Reba is still country and we
>love her for that.                                     ^^^^^^^^^^^^^

Reba may be a dynamic singer and a lovely person, but IMHO she, too, lost the 
country sound a while back.  Have you listened to her latest single "Take It 
Back?"  Since when are saxophones standard in a country band?  To me it sounds 
like she's changed her style quite a bit from "How Blue" or "Somebody Should 
Leave".  I'm not saying it's bad music, just that it ain't quite as country as 
it used to be.
From: de19@umail.umd.edu (Dana S Emery)
Newsgroups: rec.music.early
Subject: Re: There is no rose
Date: 22 Nov 92 20:07:19 GMT
Followup-To: rec.music.early
Organization: personal

In article <EARLYM-L%92111923181155@AEARN.EDVZ.UNIVIE.AC.AT>,
ST402808@BROWNVM.BITNET (Kim Plofker) wrote:
> 
> 
>    Is anybody out there familiar with a medieval carol for two voices called
> "There is no rose"?  I have the music and I have the words, but I am looking
> for ways to vary the repetitions of the burden, which goes

This is one of my favorites, both to sing and to play.  The three part
burden is especially effective in a hard acoustic, and is well accompanied
by recorders, either high or low.  

I would limit choral treatment to a small sensitive group, the last phrase
of the burden delicately suggests hocketing in its intricate rhythms, and
would be spoiled with a clumsy group.

You say you have music, but since you dont mention the 3vv burden, I will
cite you the following:

Musica Britanica v4 "Medieval Carols".  The volume itself it expensive ($50
us in 1975, probably 80 now), but serious music libraries will have it.

The only quibble I would have with it lies in the repetion of the burdens
words in the first verse, Most groups I have sung with have elected to omit
one or the other (ie, b, v2, b... or v1, v2, b,v3,b...  but never b, v1, b,
v2 ...)

The "Christmass in Anglia" record ittle rings a bell with me as well,
unfortunatly my records are not available to me as I write this, but I
recall that album being new in 1978-79, maybe it made it into CD, it was
certainly a worthy recording.
--

Dana S Emery <de19@umail.umd.edu>
Newsgroups: rec.music.early
Subject: IU
From: chris smith at iu school of music 855-9169 <SMITHCJ@UCS.INDIANA.EDU>
Date: 19 Nov 1992 23:59:17 -0500 (EST)
Content-transfer-encoding: 7BIT

Re: Tim McGee's book of medieval instrumental music, published by
Indiana University Press. The book is not cheap (don't have my copy
handy, but it's in the realm of $25). It's paper covers, wide spiral
bound so that it will lay flat. Has a good discussion of the various
repertoires, and some suggestions about performance practice (McGee has
written other articles which deal with this question in greater detail).
I recall at least one nasty review (I believe by a dance specialist) who
felt that McGee had not looked to dance iconography enough in his tempo
etc suggestions. But as a working string player (oud, etc), not a scholar
in this area, I \
I've found the book useful, practical, and informative. It's the closest
thing to a "medieval music fake book" I've seen. Manuscript is computer-
set, easy to read, and McGee's editorial hand is light. If you'd like more
info, feel free to email me privately. Best wishes, chris smith
Newsgroups: rec.music.early
From: dp@world.std.com (Jeff DelPapa)
Subject: Re: Music editor for MS-Loss
Organization: The World Public Access UNIX, Brookline, MA
Date: Fri, 20 Nov 1992 16:46:21 GMT

I will ask the expected next question - anything good out there for
the IBM world? - email, will summarize..

<dp>
From: QUINN@GONZAGA.BITNET
Newsgroups: rec.music.early
Subject: RE: very modern + very old
Date: 20 Nov 92 19:34:00 GMT
Article-I.D.: GONZAGA.01GREBH4G4240004KB
X-VMS-Cc: QUINN
Content-transfer-encoding: 7BIT

I've heard some Irish folk music where they use synthesizers to add
shadows of harmonic color in the background of a piece, while the main
melodies are sung or played on traditional instruments.  This is a good
approach for slow, plaintive ballads.  I could see St. Godric's Hymn
or Perotin's _Beata Viscera_ done very effectively that way.
 
I gathered that the original question was about using a live performer on
a synthetic harpsichord, however.  I say, if that's what you have, just
use it.
 
James Quinn
Quinn@Gonzaga.edu
 
(Come to think of it, that's about the same effect that the Hilliard
ensemble gets with a vocal drone on _Beata Viscera_ -- no wonder that
example popped to mind!)
Newsgroups: rec.music.early
From: kent@netcom.com (Kent Crispin)
Subject: Re: lute construction
Organization: Netcom - Online Communication Services (408 241-9760 guest)
Date: Wed, 18 Nov 1992 07:12:59 GMT

In article <1992Nov12.061113.8610@jesus.questor.wimsey.bc.ca> scottc@jesus.questor.wimsey.bc.ca writes:
>	I am interested in constructing a seven-course lute from scratch.  
>I would appreciate any information/recommendations regarding a mail-order  
>wood supplier.(curly maple, yew and German spruce in particular).Any other  
>tips will be warmly received.
>
>		dumky@jesus.questor.wimsey.bc.ca

You want to join the 

Guild of American Luthiers
8222 South Park Avenue
Tacoma, WA 98408
(206) 472-7853

They produce a quarterly journel, "American Lutherie", in which there
are advertisements from suppliers of instrument grade woods.  Also, they
have been running a series on historical lute construction for about
the past few years, and they have full plans for several lutes available --
6 course Renaissance Lute, 6 course Descant Lute, 8 course Bass Lute,
10 course Lute, 7 course Renaissance Alto Lute, 13 course Baroque Lute,
14 course Archlute.  Not to mention plans for  a 1943 Hauser SR classic
guitar, 1918 Martin l-18, 1948 D'Angelico New Yorker Guitar, and many
others.  This organization is a real treasure, and you won't regret
getting involved with them...You really want to join and buy a complete
set of back issues.
-- 
Kent Crispin			"No reason to get excited",
kent@netcom.netcom.com		the thief he kindly spoke...
Newsgroups: rec.music.early
From: smalin@well.sf.ca.us (Stephen Malinowski)
Subject: Re: TANTRUM: Temperament Analysis Software for IBMPC
Organization: Whole Earth 'Lectronic Link
Date: Mon, 16 Nov 1992 16:35:15 GMT


I've now learned enough about the Internet to be able to send a
PKZIP-ped and uuencode-d version of TANTRUM via email.  I will
probably figure out a good way to make this publicly available
(without my intervention --- whew! I'm astounded at the response
to this so far!) in the next couple of days.  In the meantime,
I'm happy to send it by email or snail mail, as you prefer.

Stephen
Newsgroups: rec.music.early
From: dennis@socs.uts.edu.au (Dennis Cook)
Subject: Tempus est Iocundum
Summary: Lyrics requested...
Reply-To: dennis@socs.uts.EDU.AU
Organization: University of Technology, Sydney
Date: 23 Nov 92 03:47:22 GMT

Could someone please mail me, or post, if you think
it's of general interest, the lyrics from TEMPUS EST
IOCUNDUM, from the Carmina Burana?

Thanks in advance,
--
Dennis Cook ------------------------------------------- dennis@socs.uts.edu.AU

Hello. My name is Inego Montoya. You killed my father. Prepare to die.
Newsgroups: rec.music.early
From: des@inmos.co.uk (David Shepherd)
Subject: Re: Fretwork
X-Newsreader: Tin 1.1 PL5
Date: Wed, 18 Nov 92 09:34:00 GMT

Ray Gebbie (ray@thyme.sharebase.com) wrote:
: In article <1992Nov15.190018.11450@midway.uchicago.edu> hcresnic@midway.uchicago.edu writes:
: >	The viol consort Fretwork performed here on Friday night, and I just
: >want to remind all the viol players out there that your work is appreciated.
: >Yes, I know why the instruments of the viol family went down in popularity at
: >the end of the 17th century - people couldn't get enough of the violin. But
: >the sound of the viol (both solo and in consort) is probably the nearest and
: >most beautiful thing to a human voice as any instrument beside the horn.
: >	The audience had a wonderful time. it was a freezing cold night, but 
: >we all had a wonderful time.
: 
: They played here in Berkeley last night (Sunday).  It was a wonderful experi-
: ence!  Viol consort music can be somewhat monotonous (or very monotonous,
: depending on the group!), but that was not my experience last night.

for anyone in the UK ... they are being broadcast on the bbc radio 3
lunchtime concert at 1:05pm on december 3 from st george's brandon hill
in bristol. admission to concert is free - doors close at 1pm.

--
--------------------------------------------------------------------------
david shepherd: des@inmos.co.uk or des@inmos.com    tel: 0454-616616 x 625
                inmos ltd, 1000 aztec west, almondsbury, bristol, bs12 4sq
                1992: celebrate the quincentenary of columbus getting lost
Newsgroups: rec.music.early
From: robdean@access.digex.com (Rob Dean)
Subject: Re: Fretwork
Organization: Express Access Online Communications, Greenbelt, MD USA
Date: Wed, 18 Nov 1992 02:25:15 GMT

In article <1992Nov16.184751.20305@sharebase.com> ray@thyme.sharebase.com (Ray Gebbie) writes:
>
>They played here in Berkeley last night (Sunday).  It was a wonderful experi-
>ence!  Viol consort music can be somewhat monotonous (or very monotonous,
>depending on the group!), but that was not my experience last night.
>
As an amateur viol player, allow me to offer an opinion: much of the viol
consort music that you will see on concert performances shouldn't be there,
since it was intended to be used for small group playing in the "living room"
by amateurs (in the better sense).  The result is that the music is very
exciting to be "inside" of, playing, but rather monotonous to someone not
involved in the production of it.  I feel the same way about a lot of choral
music I've performed...

Just a personal opinion, and a radical over-generalization at that...

Rob Dean
Gamba student (when I can get my schedule to interface with my teacher's)
From: shallenb@spot.Colorado.EDU (Nualle")
Subject: Re: vibrato in a cappella renaissance music
Organization: University of Colorado, Boulder
Date: Wed, 18 Nov 1992 06:41:29 GMT

TUK@IAEA1.BITNET (Peter Tuff) writes:

>Hi!
> 
>>                          And on a more practical note, does anyone have
>> suggestions on how to help amateur singers today improve the quality of
>> vocal production for early music?
> 
>From one singer to another:  Find a singer of early music you admire/
>trust and inquire of him/her about a teacher or coach you could consult.
> 
> 
>Peter Tuff
>IAEA, Vienna

   From a voice teacher (and singer)...  non-vibrato is problematic at best
for untrained voices...  but if you insist, then keep in mind that it requires
a lot MORE airflow, not less.  The singers may need constant reminders on 
this from the director.


-- 
Nualle" Schallenberger             | \ |\/                             ------- 
  Music Geek (working my way up to |  \|/\      DON'T SHOOT !         --\---/   
                  `Fuguing Tune')  |   |\        I'm a bear.           \ \//  
email: shallenb@spot.colorado.edu  |  -| \                              \/'
From: jamesc@bassclar.Eng.Sun.COM (James Langdell)
Newsgroups: rec.music.early
Subject: Re: Thomas Tallis' Canon.
Date: 17 Nov 1992 19:54:03 GMT
Organization: Sun Microsystems
Distribution: world
Reply-To: jamesc@bassclar.Eng.Sun.COM
NNTP-Posting-Host: bassclar

In article 10147@vax.oxford.ac.uk, wilcox@vax.oxford.ac.uk () writes:
>In article <01GR352TQWQC000U9F@GONZAGA.EDU>, QUINN@GONZAGA.BITNET writes:
>> BTW, what comes after a hemi-demi-semi-quaver?  (That question sounds
>> like it needs a punchline more than an answer!)
>
>A semi-hemi-demi-semi-quaver of course. Better known as a note with five tails.


What I remember from music theory days as the next level of subdivision is quasi-hemi-demi-semi-quaver.

By the time you say its name, about 200 of them could have been played.

--James Langdell       jamesc@eng.sun.com
  Sun Microsystems     Mountain View, Calif.