HDTenEightyP/NetNews huggingface dataset:
From: beelewm@wkuvx1.bitnet
Newsgroups: alt.guitar.tab
Subject: Re: Argh! I can't do G chords!
Date: 12 Jan 93 00:11:24 GMT
Organization: Western Kentucky University, Bowling Green, KY

In article <1993Jan7.135920.17449@olymp.informatik.uni-bonn.de>, prante@radium.informatik.uni-bonn.de (Joerg Prante) writes:
> In article 931905121931@ibm3090.bham.ac.uk, GREENA@UK.AC.BHAM.IBM3090 () writes:
>>>Subject line says it all, I am learning to play, and I find mostly all of the
>>>chords easy to fret EXCEPT for the G chord.  Can someone tell me the proper
>>>fingering of this?  Whenever I try to hit the third fret I end up dampening
>>>all of my open strings.  I need new fingers.
>>>
>>>Thanks much!
> 
> It should be fingered like this:
> 
> --000-    --00--
> ||||||    ||||||
> |2||||    |1||||
> 3||||4    2|||34
> 
>   (i)      (ii)
> 
> The problem for beginners in (i) is the little finger I believe, because
> it is not straightened like the third one, and the gap between
> the third und fourth finger is quite wide.
> 

I agree that it poses some problem for beginers,(i) but it is also much
easier than the "correct" method of having the first finger on the
low E and the pinkie or ring finger on the high E.  Also, it offers
easier change over to the C,F,Am, and E chords.  Also, fig. (ii) is
good when wanting theat Poison sound when trying to play something
like "Every Rose Has It's Thorn" etc. I think it sounds more 12
stringish.  When I was learning to play, my instructor told me to play
it the "correct" way and my hands cramped for weeks, (a major reason I
gave up for a while), now I find I like playing because I can change
from the G chord to other chords faster.

Marc
Newsgroups: alt.guitar.tab
From: jnovy@nmsu.edu (NOVY)
Subject: re: Dueling Banjos
Organization: NMSU Computer Science
Distribution: alt.guitar.tab
Date: Fri, 8 Jan 1993 01:56:08 GMT

I would also like a copy of the Tab for the dueling banjos on the
guitar.  If and when some one gets a chance please post it.  Thanks in
advance.


James E. Novy
From: esh@hplb.hpl.hp.com (Sean Hayes)
Date: Fri, 8 Jan 1993 15:19:01 GMT
Subject: Re: Re: Argh! I can't do G chords!
Organization: Hewlett-Packard Company
Newsgroups: alt.guitar.tab
Reply-To: esh@hplb.hpl.hp.com (Sean Hayes)

>  --000-    --00--
>  ||||||    ||||||
>  |2||||    |1||||
>  3||||4    2|||34

  (i)      (ii)

> The problem for beginners in (i) is the little finger I believe, because
> it is not straightened like the third one, and the gap between
> the third und fourth finger is quite wide.

When I started I was taught style (ii) however I remember it 
was a major revelation being taught (i) by this guy playing 
in a bar. I was able to use it almost straight away and the ease of
getting to C and G7 etc is great. I almost never use (ii) now.
Sean.
    | esh@hplb.hpl.hp.com 
Organization: Carnegie Mellon, Pittsburgh, PA
Newsgroups: alt.guitar.tab
Date: Mon, 11 Jan 1993 13:51:23 -0500 
From: "Jesse L. London" <jl9e+@andrew.cmu.edu>
Subject: Re: REQ: LED ZEP - In the Evening: Lyrics

You can get the lyrics from an album called "The song retains the name".

On this album another group covers the song..
This time without delay distortion on the vocals..

Newsgroups: alt.guitar.tab
From: villard@venus.cc.hollandc.pe.ca (Excuse me sir...What does this core meltdown light mean)
Subject: Request Dueling Banjo's Transcribed for Guitar
News-Software: VAX/VMS VNEWS 1.41    
Organization: Holland College - Charlottetown PEI
Date: Tue, 5 Jan 1993 17:40:00 GMT

Hi all,

I am in desperate need of the tablature for Dueling banjos, I heard it 
played on the guitar before and loved it, if anyone can email it to me 
or lead me to it I will be forever greatful,  Please respond by email 
as soon as possible,

Kent Villard
VILLARD@VENUS.CC.HOLLANDC.PE.CA

Newsgroups: alt.guitar.tab
From: sartre@iastate.edu (Michael J. Wendling (515) 294-6186)
Subject: REQ: Bob Mould...Heartbreak A Stranger
Organization: Iowa State University, Ames, IA
Date: Wed, 6 Jan 1993 19:05:33 GMT


I would especially like to figure out the opening.

Thanks in Advance,
Mike





-- 
 Michael J. Wendling
 A410 Phys & Astronomy		     
 Iowa State University	  			Internet: sartre@iastate.edu
 (515)294-5440		 			Bitnet:   ISUMMA::WENDLING
Xref: sparky alt.guitar.tab:4933 rec.music.makers.guitar.tablature:994
From: arb@presto.ig.com (Dan Arbios)
Newsgroups: alt.guitar.tab,rec.music.makers.guitar.tablature
Subject: Bob Dylan's "Like A Rolling Stone.
Date: 12 Jan 93 18:51:24 GMT
Organization: IntelliGenetics Inc., Mtn. View, Ca.


In reference to the request for Bob Dylan's "Rolling Stone"

This chord progression can be played anywhere on the neck, just like
any other progression!

My favorite is for the verses:  G Am Cm Dm E  with a few nuances like
fills.
 Then for the chorus:  G  C  D or if you want that minor feel: G Am D


I know a few lyrics, but give me a break for not remembering them
all,, the song is a monster and even Hendrix said to the audience at
Monterey Pop Festival," Hey, I know I missed a verse, just cool out, "
or something like that!!!!

Once upon a time you dressed so fine,
Threw the bums a dime in your prime,
Didn't you!

You used to say,"stay away, stc,
You shouldn't let other people get their
Kicks for you,

You used  to laugh about,
Everybody that was hangin' out,
Now you don't talk so loud,
Now you don't seem so proud,
you're invisible now, you have no secrets
To conceal

Chorus:
How does it feel? How does it feel?
To be on your own..with nop direction home,
Like a complete uknown,
Like a rolling stone....

AWWWWWWW(With nasal flaired!)

Princess on the steeple with the pretty people thinkin' 
that they GOT IT MADE!
___________________, you better take your diamond ring,
You better pawn it babe.

You used to compromize,
with the mystery tramp, but now you realize,
he's not selling any alibies,
as you stare into the vacuum of his eyes,
you're invisible now, you have no secrets to conceal...

Chorus

You went to all the finest schools. all right miss lonely,
but you know you only used to get
Juiced in it, 
You never learned to live out on the streets, and now you're gonna
have , To GET USED TO IT!

You used to be so amused, 
by Napolean in rags, and the language (sweet Talk) that he used,
Go now , he calls to you, you can't refuse,
When you've got nothin', nothin' to lose,
_________________________ forgot this part, thinks its the  to
conceal line from the last verse.



O.K. I give up,, without listening to it, I'm lost.
Newsgroups: alt.guitar.tab
From: hertzberg@levers.enet.dec.com (Marc Hertzberg (History: Love it or leave it!))
Subject: Re: In My Life (Beatles)
Reply-To: hertzberg@levers.enet.dec.com (Marc Hertzberg (History: Love it or leave it!))
Organization: Digital Equipment Corporation
Date: Tue, 12 Jan 1993 22:40:20 GMT


The posting is more or less correct, but missing a few chords in a place or two. 
Also, most of the chords called out as Bm are actually D chords (which are closely related, of course).  See if this sounds more authentic to your ears.

							Marc

|> 
|> There are places I'll remember  
|>           A        E    F#m     A7
|> 
|> All my life though some have changed
|>        D Dm         A
|> 
|> Some for ever not for better
|>          A     E       F#m    A7
|> 
|> Some have gone, and some remain.
|>           D Dm       A
|> 
|> All these places have their moments
|>           F#m                D
|> 
|> With lovers and friends, I still can recall
|>      G                     A
|> 
|> Some are dead and some are living
|>          F#m                 B (not minor)
|> 
|> In my life, I've loved them all
|>    D  Dm         A
|>
From: robo@oregon.uoregon.edu (O'Neill, Rob)
Newsgroups: alt.guitar.tab
Subject: Re: Freight Train
Date: Fri, 8 Jan 1993 20:06:33 GMT
Organization: University of Oregon
Distribution: world
NNTP-Posting-Host: robo.uoregon.edu

In article <1ikknjINNc6j@CS.UTK.EDU> barrett@dino.cs.utk.edu (Richard F Barrett) writes:

>To avoid a wasted effort:

>If anyone is interested, I could post "Freight Train", a finger pickin song
>by Elizabeth Cotton.

>Richard


>Please do!!!!!!
Newsgroups: alt.guitar.tab,rec.music.guitar.tablature
From: juggle@athena.mit.edu (furious axe demon)
Subject: Re: Request Dueling Banjo's Transcribed for Guitar
Organization: Massachusetts Institute of Technology
Date: Tue, 5 Jan 1993 20:02:10 GMT

In article villard@venus.cc.hollandc.pe.ca 

>I am in desperate need of the tablature for Dueling banjos, I heard it 
>played on the guitar before and loved it, if anyone can email it to me 
>or lead me to it I will be forever greatful,  Please respond by email 
>as soon as possible,

Desperate need?  That's a bit exaggerated, isn't it Kent?  ;-)  It happens
I was looking for a tab copy myself.

I didn't spend much time on it, but I got a tape copy, and I figured
out some of the intro by ear.  The fast fingerpicking part was out of
my reach.  I am not quite sure how well this song translates onto
guitar anyway, considering the unusual tuning of a banjo.  (I believe
the fifth string is tuned higher than the first one).  I am not a
fingerpicking pro (by any strtech of the imagination) but this part
did sound kind of weird to me).

Anyway, I make no guarantees as to the correctness of my intro; I don't have
either my guitar or a copy of the song with me, it is all by my fuzzy
memory.  I appreciate any corrections, or better yet, a more complete 
posting with the fingerpicking part, but this ought to get you started.

If I get some time in the immediate future (unlikely) I'll write out
the whole intro.


  Intro to dueling banjos, 
   (Eric Weissberg, '74?):

All these parts are "answered" in a lower key by the second banjo.  Most of
them repeat up and down the neck.

           A                 A (strum in time)      
e---------------------0------0-0-0---0--0---------  
A-----------------2----------2-2-2---2--2---------
D-------------2--------------2-2-2---2--2---------
G---------2------------------2-2-2---2--2---------
B-----0----------------------0-0-0---0--0---------
E-------------------------------------------------

  Theme riff (repeats throughout song)
e-------------------------------
A---2--4--5--2--4-----2---------
D------------------4-----2---4--
G-------------------------------
B-------------------------------
E-------------------------------
 
 "Yankee Doodle" part            Riff two (repeats several times)
e------------------------       e---------------------------------
A-----------2-----2------       A----------------2--4--5--4--2----
D---2--2--4----2-----4---       D----2-2-2---4--------------------
G------------------------       G---------------------------------
B------------------------       B---------------------------------
E------------------------       E---------------------------------


	-Joe G-
	-juggle@athena.mit.edu-
From: cah@pdx.csd.mot.com (Chris Huey)
Newsgroups: alt.guitar.tab
Subject: REQ: Pink Cadillac - Springsteen
Date: 5 Jan 93 18:07:55 GMT
Organization: Motorola, Beaverton, OR
X-Newsreader: TIN [version 1.1 PL6]

Anyone got the lyrics (and chords?) for this one?

Thanks!

-- 
Chris Huey                                               Motorola Computer Group
cah@pdx.csd.mot.com                                      Voice: (503) 520-5215
 "I lost my job last month.  Actually, I didn't really lose it.  I know right
 where it is.  There's just somebody else doing it now." -- Steven Wright
Newsgroups: alt.guitar.tab
From: regie@pellan.ireq-robot (Regis Houde)
Subject: Re: Tab for Helene by Roch Voisine seeked.
Reply-To: regie@pellan.ireq-robot
Organization: Sun Microsystems, Inc.
Date: Mon, 4 Jan 1993 17:38:45 GMT


     This song is really easy to play and goes like this (sorry, I only
know the French lyrics):


       | Em  | G   | C   | D  |
	
For the verse

and :

       | G   | C   | G   | C  |
       | G   | C   | G  Am | D | 
       
for the chorus
       

I guess you can figure out what's next..
 
 
 
       


--------------------------------------------------------------------
Regis Houde                             regie@ireq-robot.hydro.qc.ca
Institut de recherche d'Hydro-Quebec    regie@ireq-robot.uucp
1800, montee Sainte-Julie		(514) 652-8107
Varennes, Que., Canada   J3X 1S1	FAX : (514) 652-8435
--------------------------------------------------------------------
From: etlcrcy@bugs.ericsson.se (Chris Cleverly)
Newsgroups: alt.guitar.tab
Subject: Re: letter from the UK
Keywords: nice.... real nice.
Date: 8 Jan 93 17:28:45 GMT
Organization: Ericsson Cellular Division

In article <C0JnEH.788@dcs.glasgow.ac.uk> dam@dcs.glasgow.ac.uk (David Morning) writes:
>macon@cbmvax.commodore.com (Glen Macon) writes:
>
>
>>gee i received a nice letter from someone who really liked
>>all the music that we have posted (about 180 songs).
>>i'd like to post that lovely letter.
>
>University of Sussex is in Farnham nr. Brighton. It's in southern England
>near Essex!! (In joke for UK people re Essex residents).
>In short, people from that area are considered stuck-up tossers who drink in
>poofy wine bars and drive company ca....hang on a minute! What was it they
>said?.....
> 
>>> however you seem like a complete and utter stuck up tosser
>>> i bet you drink in wine bars you southern poof
>>> ha i spit on your ford sierra (company car)
>
>Ahhh!..right and a Ford Sierra too?
>
>
>>well, i drink bourbon, rarely get out to bars, and 
>>don't have a company car.  by the way, for all you
>>central.sussex.ac.uk!mmuw2-ers, west chester pa is
>>north of the mason-dixon line, and i'm considered a
>>yankee.  i thought all americans were considered
>>yankees...
>
>>i don't mind letters about spelling and chord changes.
>
>I wouldn't worry about it. Looks like someone's left their terminal unattended
>and a couple of typically infantile *English* southerners with an obsession
>about masturbation and homosexuals thought they'd drop you a note.
>They probably arrived at the University in a Ford Sierra themselves.
>
>What's the saying you Merkins have about a life again? Seems quite appropriate
>for these clowns.
>
>
>Dave (*much* nearer the Shetlands than Sussex and drives a clapped out Astra)
>
>-- 

  Don't slag it - I hail from that neck of the woods originally and can say
Sussex is great.  It just happens to have *like everywhere-else* a minority
of...  well I supose you're right about the Ford Sierra bit.

  ...and  ( *much* nearer Sussex than Shetlands and drive a clapped out Uno ). 


--
---------------------------------------     \\\\ 
| Chris Cleverley,                    |      . . 
| eltcrcy@deep-thought.ericsson.se    |       S    
---------------------------------------       ~    "...I have a cunning plan..."
From: graeme@abekrd.co.uk (Graeme Griffiths)
Newsgroups: alt.guitar.tab
Subject: Re: Nothing else Matters
Date: 12 Jan 93 10:23:55 GMT
Distribution: alt.guitar.tab
Organization: Abekas Video Systems, Reading, UK.

In <OBRY.93Jan11111400@cheesesteak.flash.bellcore.com> obry@flash.bellcore.com (Pascal Obry) writes:


>Hi,

>I'am working on Nothing Else Matters from Metallica. And I found an error on
>the tablature posted some time ago :

>At the end of the intro it was :

{Correct TAB deleted}

>but should have been  (not sure) :

{As is the new TAB}

>At least it sound better for me.

	Thats possibly true. I haven't played it like that, but the original
TAB is the correct one, it just misses out GTR II which puts in the fills
that you're adding for GTR I.

>Also, I'am looking for the lyric of this song.
>My french ear is lost here !!

	Erm... this is from memory so sue me.

So close, no matter how far.
Couldn't be much more, from the heart.
Forever, trust in who we are.
And nothing else matters.

Never opened myself this way.
Life is ours, we live it our way.
All these words I don't just say.
And nothing else matters.

They never care for what we do.
they never care for what we know.
but I know.

Trust I seek, and I find in you.
Every day for us, something new.
Open my eyes for a diff'rent view.
and nothing else matters.

Never opened myself this way.
Life is ours, we live it our way.
All these words I don't just say.
And nothing else matters.

They never cared for what we say.
They never cared for feeling gray.
They never cared for what we do.
They never cared for what we know, oh.
But I know.

So close, no matter how far.
Couldn't be much more from the heart.
Forever trust in who we are.
And nothing else matters.

Trust I seek and I find in you.
Every day for us something new.
Open my eyes for a diff'rent view.
and nothing else matters.

	The order of verses looks a bit iffy to me, and the second chorus is
almost certainly wrong but I'm sure someone will correct it.
------------------------------------------------------------------------------
|From: Graeme Griffiths             | "Well your jokes ain't funny,          |
|Abekas Video Systems,12 Portman Rd,|    and there's nothing you say,        |
|Reading,Berks,ENGLAND.             |      that I want to hear....."         |
|(0734)585421 x2247                 |                     Skid Row           |
------------------------------------------------------------------------------
From: btiffany@pbs.org
Newsgroups: alt.guitar.tab
Subject: Re: letter from the UK
Date: 7 Jan 93 08:18:02 EST
Organization: PBS:Public Broadcasting Service, Alexandria, VA

Glen Macon writes:

> well, i drink bourbon, rarely get out to bars, and 
> don't have a company car.  by the way, for all you
> central.sussex.ac.uk!mmuw2-ers, west chester pa is
> north of the mason-dixon line, and i'm considered a
> yankee.  i thought all americans were considered
> yankees...

I have no idea what that weird letter was about, but if you're from
Pennsyltucky you ain't no Yankee.  True, Southerners may consider anyone or
anything north of the Mason-Dixon Line a Yankee, but a true Yankee is a
native of New England.  Not even New York State counts, N.Y. Yankees
notwithstanding!

-- Bruce Tiffany
From: matusima@marooned.berkeley.edu (Tatsuhito Matsushima)
Newsgroups: alt.guitar.tab
Subject: REQ: complete Will You Dance/Jannis Ian
Date: 8 Jan 1993 22:07:18 GMT
Organization: University of California Berkeley
Distribution: world
NNTP-Posting-Host: marooned.berkeley.edu


I tried to chord my favorite song, Will you dance / Janis Ian, but unfortunately
it's difficult for me to figure out the lyrics(I'm a japanese.) 
will someone complete the lyrics and post it ?



Will you dance
Janis ian


D7sus      C
someone is waiting over by the window
					G
just beyond the stairs where someone is crying
Am7			    D7
drowned in the words of the prophets that are
		C
written for the dead and the dying
	   G               D7     D7sus
someone is lying, no one is buying

.
.
.
          C
will you dance, will you dance 
			   G
?life fantastic ............
Em			C
.............................
		    G    G7
How familiar all we are

         C
will you dance will you dance, 
                           G
.............................
Em	 C        Bm       C
............................
C	     D7       G
If you and I should fall




-- 
-----------------------------------------------------------------------------
Tatsuhito Matsushima * matusima@barkley.berkeley.edu
Computational Fluid Dynamics Lab, ME Dept, UC Berkeley 
Newsgroups: alt.guitar.tab
From: obry@flash.bellcore.com (Pascal Obry)
Subject: Re: Nothing else Matters
Organization: /u/obry/.organization
	<1993Jan12.102355.17844@abekrd.co.uk>
Distribution: alt.guitar.tab
Date: 12 Jan 93 16:19:33


Hi,

Mario send me this Chordpro version of Nothing Else Matters.

Pascal.

----------------

{title:Nothing Else Matters}
{subtitle:Metallica}
# transcribed by Mario Dorion (Mario.Dorion@Canada.Sun.Com)
# Format is for the "chord V1.0" PostScript chord formatting utility.
# Chord V1.0 is a public domain utility developped by
#   Martin.Leclerc@Canada.Sun.Com and Mario.Dorion@Canada.Sun.Com
#
[Em]So close no matter [D]how far[C]
[Em]Couldn't be much more [D]from the heart[C]
[Em]Forever trusting [D]who we are[C]
[G]And [B]nothing else [Em]matters

[Em]Never opened my[D]self this way[C]
[Em]Life is ours, we live it [D]our way[C]
[Em]All these words I don't [D]just say[C]
[G]And [B]nothing else [Em]matters

[Em]Trust I seek and [D]find in you[C]
[Em]Every day for us [D]something new[C]
[Em]Open mind for a [D]different view[C]
[G]And [B]nothing else [Em]matters 

{start_of_chorus}
[C]          [A]          [D] Never cared for what they [C]do
          [A]          [D] Never cared for what they [C]know
          [A]          [D] But I [Em]know
{end_of_chorus}

{comment: repeat 1st verse}
{comment: chorus}
{comment: repeat 2nd and 3rd verse}

[C]          [A]          [D] Never cared for what they [C]say
          [A]          [D] Never cared for what they [C]play
          [A]          [D] Never cared for what they [C]do
          [A]          [D] Never cared for what they [C]know
          [A]          [D] But I [Em]know

{comment: repeat 1st verse}
--

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  `` inheritance is surely a good answer, but who knows the question ? ''