HDTenEightyP/NetNews huggingface dataset:
Newsgroups: rec.music.synth

This has been discussed at length, but the short story is:
The PB-100 is fine, if you can find one.
The others (140,170, and 145 (I presume, since it's a 170/140 combo))
have a problem in that the power-conservation circuitry causes
*incoming* serial information to be dropped at high baud rates.
Outgoing MIDI is OK, but incoming stuff, particularly sys-ex, but
also controllers and the odd note-off, will get dropped.

If you want a notebook for MIDI, forget the 140 family for now.

Pete Brooks
From: starr@dpe.enet.dec.com (Alan Starr)
Newsgroups: rec.music.synth
Subject: Any comments on the ART DR-X multi-effects unit?
Date: 3 Sep 92 19:32:53 GMT
Reply-To: starr@dpe.enet.dec.com
Organization: Digital Equipment Corporation


Has anyone used or heard the ART DR-X mutli-effects unit? Musician's Friend
is blowing them out - lists for $629, originally sold for $499, now being
blown out for $238.

Basic info from the blurb:

Combines highest-quality studio digital reverb, pitch transposing, dynamics 
processing, and sampling with 160kbytes of audio RAM - all at up to an amazing 
20Khz bandwidth. Capable of up to 10 simultaneous effects including an 
exciter, equalizer, compressor, limiter, expander, noise gate, stereo panner, 
stereo chorus and flanger, 21 different delays (up to a full 2 seconds), 24
reverb algorithms, and more. Powerful dynamic MIDI control, 200-memory storage 
locations, and amazingly comprehensive real-time MIDI control. Professional, 
high-quality USA-made components and workmanship, offering you powerful, 
reliable effects-processing.


So - anyone know anything about it? Sounds like a *lot* of stuff for $240!

alan
From: lclarke@oasys.dt.navy.mil (Lee Clarke)
Newsgroups: rec.music.synth
Subject: Re: Alesis D4: Help me !!
Date: 3 Sep 92 18:45:35 GMT
Reply-To: lclarke@oasys.dt.navy.mil (Lee Clarke)
Distribution: usa
Organization: Carderock Division, NSWC, Bethesda, MD

In rec.music.synth, broe@dfv.rwth-aachen.de (Frank Breier) writes:
>Hi,
>
>I bought an Alesis D4 three days ago, and now I've got my first problem.
>If I let play it via Midi, the drums cut themselves off. The HiHat seems to
>be ok, but the bassdrum jumps from one side to the other, and the snare
>cannot be heard.
>The very informative manual (some pieces of paper) could not help me,
>who could solve my problem ?
>
>Thanx in advance,
>
>    Frank


I have had similar problems with my Alesis D4.

When I use a keyboard to 'play' the drum beats in real time, the D4
locks up and some drum kits actually get rewritten with random
parameters and random text.                                                    y

I have to repower the D4 and reprogram the drum kits to return it to
its normal operating settings.

I consider that to be a hardware defect in my _NEW_ D4 ( ;-< )

Lee Clarke
lclarke@oasys.dt.navy.mil
Newsgroups: rec.music.synth
From: shiv@bnr.ca (Shiv Naimpally)
Subject: Re: Hardware Sequencers
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Date: Wed, 02 Sep 92 15:59:16 GMT

Depends what you want it for. For studio use a computer and computer
based sequencer is a good way to go because the computer can also
run an editor/librarian, and other MIDI s/w, as well as other non-music
related things. Also, a computer monitor can display a lot more info
about a sequence than a 2 line LCD display.

Since you mention notebook computers, it sounds like you want it for
live use. In that case a hardware sequencer is easier to lug around,
set up and use than a computer.
Newsgroups: rec.music.synth
From: kemp@uiatma.atmos.uiuc.edu (John Kemp)
Subject: K2000 Questions
Organization: University of Illinois, Urbana-Champaign
Date: Sat, 29 Aug 1992 20:27:43 GMT

I found a local music store that sells the K2000 today.
I must have been standing there reading the manual for 
45 minutes.  Never once did a salesman approach me and
ask me if I wanted to hear it or try it out.  I tried
to get some headphones but was summarily ignored...
It's nice not to be bothered, but come on, 45 minutes?
In their defense they were talking with some of their
friends.  ;-/  

Now for the questions:

1) Someone with a Sam Ash catalog know what a K2000 would
    go for through mail order?

2) I am confused by the sampling section of the keyboard.
	A) What ways can you load samples, floppy? scsi? midi?
	B) What kind of samples can you use? AKAI1000?
	C) Can you map 10-20 samples to different zones?
	D) Is there velocity crossfade?
	E) What are the available rates/options/stereo/etc.?

RE: The CASIO FZ-1 to me was incredibly simple to understand.
    If someone could discuss the K2000 just with respect to 
    it as a sample keyboard, that would be neato, and keen.

3) Would you wait for the next release of the K2000 before
   buying one, and why?

4) Are you getting tired of all of these questions?

5) Will the SCSI work with a Syquest drive and read cartridges
   formatted on a MacIIcx?

6) Does it get easier to program after you use it for a while?

RE: I looked at some of the builtin patches.  They had anywhere
    from 5-20 functions going into the sound wave generation 
    section of the patch!  It looks incredibly powerful just 
    from a beginners point-of-view, but is it comprehensible
    once you start using it?

7) How well suited to you think this keyboard would be as the 
   sound source for electronic drumming?

8) "Keyboard" and "Electronic Musician" must have reviewed this
   awesome looking monster synth.  Anyone know which issues?

9) Do you think anyone will do a computer based patch editor?

Thank you, thank you, thank you (in advance)!
JohnKemp@uiuc.edu
Newsgroups: rec.music.synth
From: alexees@wam.umd.edu (ALEXANDROS G. HOBSON)
Subject:  Advice needed on sampler purchase.
Organization: University of Maryland, College Park
Date: Sat, 29 Aug 1992 20:30:51 GMT

Hello,     
A friend of mine asked me to find a good sampler to buy for him, since
these things are pretty much expensive back in Greece. He owns a 
Roland D-10 and an Atari ST1040. What he's looking for is a good used
sampler, preferably AKAI or Roland, that will fit just right with what
he has right now. Since we both don't know a lot about samplers, and I've
been reading this newsgroup for only a week or so, could someone give us
some pointers on what would be a good sampler for the kind of hardware
he has and that would not cost us more than 300 dollars (used)?
Thanks in advance...
Oh one more thing. Where can I find some good sounds for D-10's? Could someone
provide me with some addresses for good mail-order companies?

Alex.


Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Fri, 4 Sep 1992 11:02:34 EST
From:         "W. John Weber" <WWEBER@UCS.INDIANA.EDU>
Subject:      Re: Synclavier/New England Digital (Was: Parting with old synths)

Date sent:

     The main thing that made the Synclavier so expensice (-ive... Sorry, I'm
modeming i.. with a program that doesn't allow me to backspace, so all typos
will stand) was the tapeless studio concept.  In addition a(oops) to all the
synthesis, it was a 16 track hard disk recorder (plus virtual tracks), and it
integrated the recording and synthesis functions.  The half-mil. was for a
shit-load of Winchester drives - count double the drives for its 100k sampling
rate, the best drives around, and this was before drives got cheap.  There's,
of course, a glut of DAW's around today, but the Syncl. preceded them by 3-5
years.  It still takes 100,k to get near the memory of a 500k Synclavier 5
years ago....

______________________________________________________________________________
W. John Weber                          | It'd be nice if we could set all this
Bitnet: wweber@iurose                  | [sound equipment] up and look at it
Internet: wweber@ucs.indiana.edu       | for a while, then tear it down, and
P.O. Box 22, Bloomington, IN 47402     | not have to deal with the performers.
Phone: (812)330-4965 (touch-tone pager)|                          - Anon.
_______________________________________|______________________________________
Xref: sparky rec.music.synth:14353 comp.music:4305 comp.sys.mac.misc:15871 comp.sys.ibm.pc.misc:12173 comp.sys.amiga:211
From: clint@artech.UUCP (Clinton Keith)
Newsgroups: rec.music.synth,comp.music,comp.sys.mac.misc,comp.sys.ibm.pc.misc,comp.sys.amiga
Subject: Re: Atari Falcons $799!!!!!
Date: 2 Sep 92 20:27:48 GMT
Followup-To: rec.music.synth
Organization: Applied Remote Tech., San Diego

In article <1992Sep1.143739.15864@lambda.msfc.nasa.gov>, thigpen@lambda.msfc.nasa.gov (Keith Thigpen) writes:
> >   [description of VGA quality graphics used in Falcon deleted]
> >-- John Townsend, Atari Corp.
> 
> To be quite honest, this is lousy video. The lowest resolution PC that I
> use is 800x600x256, and normally I use 1024x768x256. Your specs are 
> underwhelming at best.


640x480x8-bit color is certainly run-of-the-mill for most personal computer 
users.  It's not "lousy".  Granted, you won't do any studio quality stuff 
on it, but most (if not all) applications and games will run at or below 
this level. 

Until mass storage and large hi-res color monitors become ALOT cheaper,
not very many general users are going to want 1024x768x256.  It takes 
768k to store a single picture, and besides, I doubt that this res will 
be popular anyways.  256 colors are not enough.  I think the standard will be
24 bits at or above this res.  Again, though, the coming low cost mass media 
and displays will be the main factor.


-- 
Clinton N. Keith                       ... Speaking for himself.
Applied Remote Tecnology               
crash!hp-sdd!artech!clint              
artech!clint@hp-sdd.sdd.hp.com
Newsgroups: rec.music.synth
Subject: Proteus Patch Editor/Librarian available via FTP
From: bernd@comp.vuw.ac.nz (Bernd Gill)
Date: Wed, 26 Aug 1992 02:59:32 GMT
Organization: Dept. of Comp. Sci., Victoria Uni. of Wellington, New Zealand.



Some time ago I developed a Patch Editor/Librarian
for the E-mu Proteus. It currently supports the Proteus/1, 
Proteus/2 and XR's.

The program runs on any Macintosh SE or higher with System 6.0 or later.

The main features are:
  - Easy programming of all patch parameters
  - Step by step modification of patches and instant replay
  - Easy customisation of sound banks
  - Supports on-screen keyboard or external MIDI controller keyboard
  - Patches and banks can be saved to disk in several formats for 
    subsequent loading into sequencers. Formats are: standard MIDI,
    hexadecimal, decimal and binary.
  - Bank mapping
  - Can be configured to recognise add-on boards like the
    InVision Protologic
  - Works with and without Apple's MidiManager
    (MidiManager is recommended, though)
  - System 7 compatible
  - Balloon help under System 7

For those interested, a demo version is available via anonymous ftp
from ftphost.comp.vuw.ac.nz (130.195.5.12) in
	pub/packages/ProteusDemo1.0.1.sit.hqx

A full version is available for US$ 39.00.
-- 
Bernd Gill				Dept. of Computer Science
					Victoria University of Wellington
Email: Bernd.Gill@comp.vuw.ac.nz	Wellington, NEW ZEALAND
Phone: +64-4-495-5053, Fax: +64-4-495-5232
From: arpraym@ac.dal.ca
Newsgroups: rec.music.synth
Subject: Q. for AppleIIe-IIGS/Roland S550 Experts
Date: 28 Aug 92 18:48:16 GMT
Organization: Dalhousie University, Halifax, Nova Scotia, Canada

Here's a question for someone out there with just the right amount of Roland
sampler, and Apple experience. I bet no one can accurately answer this 
question... it is a little obscure, but the Internet people have amazed me
before.

There is a company in Canada who is selling of a bunch of 12" RGB monitors
(Apple) for $95 Canadian. When I called them, they said that these monitors
were for Apple IIe and Apple IIGS macines ONLY! Thus the cheap price.

Question: Is there any reason why I would not be able to buy one of these
and hook it up to my Roland S550? As S550 users are aware, there is an RGB
plug on the back of the S550, and all it says, (as far as I could tell),
is that it is for an RGB monitor.

$95 is an awful good price in Canada, (and anywhere else for that matter),
for a color monitor.

Any recommendations would be appreciated.

Ray MacNeil
Halifax, Nova Scotia
Canada
Comments: Gated by NETNEWS@AUVM.AMERICAN.EDU
Newsgroups: rec.music.synth
Date:         Tue, 25 Aug 1992 14:06:26 BSC
From:         Flavio <87141167@BRUFSC.BITNET>
Subject:      rec.music.devo

Hello folks,

   Being I a Devo-fan, I'd like to suggest that the Devo discussion group
have access from bitnet adresses. I don't have access to rec.music.anything,
except rec.music.synth (redistributed via AUVM node).
   A way that maybe works is devo-request, like rush-request, elp-request
(already working), but I don't know how is the administration of this system.

Thanks in advance,
Flavio

_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-
FLAVIO BRESSAN - 87141167@BRUFSC    | FLAVIO BRESSAN
GRAD IN ELECTRICAL ENGINEERING      | R AFONSO PENA, 987 - ESTREITO
FEDERAL UNIVERSITY OF SANTA CATARINA| 88070-650 - FPOLIS - SC - BRASIL
-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
From: brooksp@hpcc01.corp.hp.com (Peter Brooks)
Date: Thu, 27 Aug 1992 17:28:31 GMT
Subject: Re: Performer 4? (was Re: Price for Performer sequencer)
Organization: the HP Corporate notes server
Newsgroups: rec.music.synth

Dunno why the SE didn't crash.  I'm running a Classic II with 4M,
system 7.0, and tuner 1.1.1.  I can leave AfterDark installed, but
if it's active, the crashes go way up with Performer.  Haven't
tried it since I loaded Performer 4, though.  Oh, yeah, 4M RAM, too.

Pete Brooks

Newsgroups: rec.music.synth
From: Bob.Weigel@bbs.oit.unc.edu (Bob Weigel)
Subject: for sale
Organization: Extended Bulletin Board Service
Distribution: usa
Date: Thu, 3 Sep 1992 17:54:53 GMT


                Here are some things that might be of interst. 
        Korg DW-8000 in like new condition.  This is fairly similar
        to my first synth (a K3)  Touch and pressure sensing, and 
	flexible enough to be interesting, but not so complex as to be
	overwhelming for the aspiring synth programmer.  $420.00

        Yamaha CS-60 in decent looking condition for a relic.  This one
        is in a local shop, so just send me a bid if you are really
        interested.  I believe they said they wanted at least $225. 
        This same shop has a Prophet 600 for $500, which is probably
        a bit high, seeing that one sold for $250 some time ago.  So,
        as I said, make a bid if you like. 

        Conn Constellation Trumpet, also in great shape.  $300.00

        KMD MC-1602 16 channel mixer and Peavy 16 in 4 out snake,
        with one channel out on the mixer currently.  $800.00

                                          Bob.Weigel@bbs.oit.unc.edu
                                          71045.3674@compuserve.com
 
 
 
 
 
 
 

--
   The opinions expressed are not necessarily those of the University of
     North Carolina at Chapel Hill, the Campus Office for Information
        Technology, or the Experimental Bulletin Board Service.
           internet:  bbs.oit.unc.edu or 152.2.22.80
Newsgroups: rec.music.synth
From: ola@vipunen.hut.fi (Ola Rinta-Koski)
Subject: Re: Wavestation/AD
Organization: BREWTeX '92 -- International Boy Stout Organization
Date: 27 Aug 92 14:29:50

In article <1992Aug26.155307.18445@frog.CRDS.COM> arman@frog.CRDS.COM (bedrock) writes:
> In my attempt to create a performance editor I read from one bank and wrote
> to another.  Can some kind owner of a Wavestation/AD mail me a sysex dump 
> of an original ram1 , starts with 'Ski Jam' . 

  And on a similar note, suggestions how to restore such rambank to
a Wavestation from a Mac+ via MTP are welcome: one of the first things
I did with my WS was to wipe the RAM banks -- and I'm not ashamed to
say I didn't do it on purpose! I hadn't even heard all the factory
presets once... -- and it's been without the patches ever since.

  My attempts at getting a shareware program called Sysex Dump or
something like that to not hang the computer have been less than
spectacular. (I do have Vision 1.3, if that helps, but I haven't
figured out whether I could use it to reload the WS.)
--
      Ola Rinta-Koski  ola@vipunen.hut.fi  OK 20 B 22, 02150 Espoo, Finland
    "Americans pay less for gear, electronic goods, CD's, clothes, etc.
     than the rest of us because it is their legal right as free citizens.
     It's somewhere in the Constitution."  -- Nick Rothwell
From: five@sys6626.bison.mb.ca (A.R.F.)
Newsgroups: rec.music.synth
Subject: Synth trade thought .....
Date: 1 Sep 92 01:27:10 GMT
Organization: system 6626 BBS, Winnipeg MB

I'm toying with the idea (toying with.  NOTHING definately decided yet) 
of putting my Ensoniq ESQ-1 up for Trade.
I'm looking for a Modular synth, (or in the case of Korg synths - Modular 
synthS) in trade for the machine.  Or a modular + sequencer, or an analog 
plus sequencer.  Or a working Roland MC-8 (will consider MC-4) Micro 
Composer.  (Sequencers in both cases, would be Analog, and external to 
the synths (except in the case of a Roland System 100M).
 
To save time, I would consider an even trade for:
 
My ESQ-1 with 80 Patch Ram Cartridge (4 years old.  Latest software, that 
I know of (3.5?)) for:
 
(1) Working Arp 2600
(2)    "   Korg Modular Synths + Sequencer
(1)    "   Roland System 100M WITH Sequencer module
(0)  (IE: No trade for) PAIA Gear (i have lots)
(?) Some Serge Modules (dependant on modules)
(?)   "  Aries Modules ( " " ")
(?) Some Polyfusion Modules (" " ")
(1) Working Arp Odyssey + (1) Working String Machine of any make
(1) Roland MC8 Microcomposer (working)
(1) Working Roland Jupiter 6
(1) Working Roland Jupiter 8 (I would consider adding cash to this offer)
(1) Working Memory Moog
 
Any other ideas?  I will also include a hard shell travelling case.  
(It's not a Flight case)
 
Exiting the Midi era .........
 
Five

;--- (A.R.F.) a user of sys6626, running waffle 1.64
;E-mail: five@sys6626.bison.mb.ca
;system 6626: 63 point west drive, winnipeg manitoba canada R3T 5G8
From: kaustell@viikki.Helsinki.FI (KIM OLAVI KAUSTELL (MATEK))
Newsgroups: rec.music.synth
Subject: MacIntosh control prog. for Korg M1 ?
Summary: Is there a Mac ctl prog for Korg M1 available ?
Date: 4 Sep 92 06:53:36 GMT
Organization: University of Helsinki, Fac.Agric.For.


Does anybody know about a program for controlling the (quite ascetic, but 
powerful) Korg M1 with a MAc through MIDI ?  What I'd need is to simly get 
rid of scrolling through the menus in the tiny display of the instrument.
I've seen such customized progs for other keyboards.

Any hints appreciated.

                        y-=p Kim Kaustell p=-y
-----------------------------------------------------------------------------
HELSINKI UNIVERSITY                     Tel.      +358+0+70851
Dept. Agric. Engineering                Fax.      +358+0+7085491
And Household Technology                Internet : Kim.Kaustell@Helsinki.Fi
Helsinki, Finland                       EARN     : KAUSTELL@FINUH
-----------------------------------------------------------------------------
Newsgroups: rec.music.synth
From: shiv@bnr.ca (Shiv Naimpally)
Subject: Re: Moog/SCI questions (Devo/gary numan)
Reply-To: shiv@bnr.ca (Shiv Naimpally)
Organization: Bell-Northern Research Ltd.
Date: Mon, 31 Aug 92 17:38:43 GMT

The Radio Shack moog was also sold by Moog but it was called the Rogue,
not the MicroMoog. The Opus 3 was a rehashed Prodigy if I remember 
correctly.
From: bw@hpcvxgmr.cv.hp.com (Bill Wilhelmi)
Newsgroups: rec.music.synth
Subject: Help with SY99
Date: 3 Sep 92 16:38:29 GMT
Article-I.D.: hpcvusn.1992Sep3.163829.6707
Reply-To: bw@hpcvlx.cv.hp.com
Organization: Interstate 5

I am posting this for a friend who has an SY99.  This is a snippet of a 
message he sent me.  Any clues would be appreciated.  Thanks!

  Also, if you ever come across synthesizer files on the Yamaha SY-99, I'd be
  interested in knowing if anyone else has had some baffling problems I've had
  with mine that Yamaha, at least on the phone, says they know nothing about.
  
  Like, every once in a while when I power it up, it sounds like an out-of-tune
  electric piano on EVERY voice.  I have to power it up and down several times
  to get it to be normal.  Or, sometimes in edit mode, it will all of a sudden
  exhort a terrible "farting" sound at ear-splitting levels.  This is my second
  SY-99 and they both have done it, so I know it's not just "my unit."  I've
  been wondering if anyone has come up with a "fix" for some of the annomalies?

-- 
 Bill Wilhelmi    
 Hewlett-Packard - User-interface Technology Division CV
 1000 NE Circle Blvd.  Corvallis, OR 97330
 bw@hpcvlx.cv.hp.com
Organization: Sophomore, H&SS general, Carnegie Mellon, Pittsburgh, PA
Newsgroups: rec.music.synth
Date: Tue,  1 Sep 1992 23:15:35 -0400 
From: David Jason Wyse <dw3m+@andrew.cmu.edu>
Subject: SY77 cards

   I've been told that SY77 data cards that come with waveform cards can
have write protection turned off.  As there is no switch on the visible
surface of the card, I was wondering if anyone knows how to turn the
write protection off.

                        Jason
===============================================================================
=
"Is all that we see or seem, but a dream within a dream?"
---Edgar Allen Poe

"Don't dream it, be it!"
---The Rocky Horror Picture Show

"Happy, happy... joy, joy!"
--- Ren & Stimpy

"Somnia soni sunt quae in fabulas versemus!"
--- Jay
From: nunis@hpsgm2.sgp.hp.com (Simon NUNIS)
Date: Mon, 31 Aug 1992 00:09:06 GMT
Subject: Yamaha Rack Mounts...advice needed
Organization: HP Singapore Notes-Server
Newsgroups: rec.music.synth

Hi everyone...

I am looking out to buy a rack mount sound unit to give me more polyphony and
also to get the sounds my U20 doesn't have.

This time round, I am looking at Yamaha units (the FM ones).  I would like
some advice as to which unit to get for maximum polyphony, sound, and savings.

Well, I definitely would not  need a sampler as I will probably not have the
time to learn sampling and all that jazz.  What I would want is something
with great sounds, or sounds that I can make great...yes...and something
with multitimbral sounds (like the U20).  Drums are not needed here as
the U20 already has pretty good drums.  Something capable of good e.piano
sounds would be GREAT...also good guitar sounds would be perfect.  

So please fire away with your advice and recommendations to:

nunis@hpsgm2.sgp.hp.com


thanks folks!

simon ;)
Newsgroups: rec.music.synth,rec.music.cd,rec.music.classical,rec.music.compose,rec.music.misc,alt.emusic,alt.music.alternative,comp.music
From: EIVERSO@cms.cc.wayne.edu
Newsgroups: rec.music.synth
Subject: Re: Moog/SCI questions (Devo/gary numan)
Date: 31 Aug 92 17:40:28 GMT
Organization: Wayne State University, C&IT

In article <1992Aug30.221016.26903@sdf.lonestar.org>
6o25@sdf.lonestar.org (Stephen M. Jones) writes:
 
>on what Moog synth (if it was used) on the devo song "Smart patrol/Mr.DNA"
 
I'd bet it was the Mini-Moog. They relied quite heavily on that in those
days. They had a emu programmer for it which made things easier for them.
 
--Eric
eiverso@cms.cc.wayne.edu   >...It has a REAL TECHNO style, in the tradition
WSU Detroit, Michigan      >of the old(er) Detroit techno. --Wilco Boumans
From: arendi@loke.soo.dec.com Jaak A
Newsgroups: rec.music.synth
Subject: Re: Editor/Librarian for Roland U20
Date: 1 Sep 92 11:45:20 GMT
Reply-To: arendi@loke.soo.dec.com
Distribution: usa
Organization: Digital Equipment Corporation


		
	Why not try Dr T's XOR? Generic but very nice!


		Jack
From: rej@sal.wisc.edu (Randy Jones)
Newsgroups: rec.music.synth
Subject: Wanted. Yamaha REX-50.
Date: 26 Aug 92 18:04:25 GMT
Organization: Arc of Transcendence, Inc.

I'd like one. Or also possibly SPX-90. Thanks.

-- 
| Randy Jones           | \B/
| rej@bob.sal.wisc.edu  | RXE
| 608 259 0311          | /O\
Newsgroups: rec.music.synth