希臘古甕頌

title: 原作与中翻.
content: Thou still unravish'd bride of quietness,  你激情未启的恬静新娘,  Thou foster-child of silence and slow time,  你受养于寂寂悠悠岁月,  Sylvan historian, who canst thus express  森林神的太史,谁能如是描绘  A flowery tale more sweetly than our rhyme:  缤纷韵事比诸我等诗韵更甜美:  What leaf-fring'd legend haunts about thy shape  何样镶叶传奇出没于你所形塑  of deities or mortals, or of both,  的神或凡,或神凡相会,  In Tempe or the dales of Arcady?  於坦佩或阿凯地山谷?  What men or gods are these? What maidens loth?  何方男子或男神?何方受迫少女?  What mad pursuit? What struggle to escape?  何等疯狂追逐?何样挣扎逃脱?  What pipes and timbrels? What wild ecstasy?  何处笛声鼓击?何等疯野狂喜?<br>  Heard melodies are sweet, but those unheard  听见的旋律很美,但听不见的  Are sweeter: therefore, ye soft pipes, play on;  更美:故,清柔笛声,吹吧;  Not to the sensual ear, but, more endear'd,  非为感官之耳,而是,更深情地,  Pipe to the spirit ditties of no tone:  为心灵吹奏无音小曲:  Fair youth, beneath the trees, thou canst not leave  美少年,倚树下,你难舍  Thy song, nor ever can those trees be bare;  你的歌,树也永难舍叶;  Bold lover, never, never canst thou kiss,  勇敢恋者,永永远远无法触吻,  Though winning near the goal — yet, do not grieve;  虽几乎赢得芳心 — 然,莫伤悲;  She cannot fade, though thou hast not thy bliss,  她不会消逝,虽未臻于极乐,  For ever wilt thou love, and she be fair!  你会永远地爱,她会永远地美!  Ah, happy, happy boughs! that cannot shed  啊,快乐,快乐枝枒!难舍难离  Your leaves, nor ever bid the spring adieu;  你的叶,永不向春天告别;  And, happy melodist, unwearied,  而,快乐笛手,不倦不疲,  For ever piping songs for ever new;  永远吹奏全新乐曲;  More happy love! more happy, happy love!  更多欢爱!更多欢喜,欢爱!  For ever warm and still to be enjoy'd,  永远温存且尚待乐享,  For ever panting, and for ever young;  永远急吁,永远年青;  All breathing human passion far above,  远远超乎凡人炽恋,  That leaves a heart high-sorrowful and cloy'd,  使一颗心悲极腻极,  A burning forehead, and a parching tongue.  额头灼烧,舌燥热。<br> Who are these coming to the sacrifice?  前来献祭为何人?  To what green altar, O mysterious priest,  前去何方绿祭坛,哦 神秘祭司,  Lead'st thou that heifer lowing at the skies,  是你引领着望空低哞的牝犊,  And all her silken flanks with garlands drest?  和她饰以花环的柔软胁腹吗?  What little town by river or sea shore,  是哪座河畔或海滨小镇,  Or mountain-built with peaceful citadel,  或依山而建的宁静堡垒,  Is emptied of this folk, this pious morn?  空无祭献信徒,无此虔祭之晨?  And, little town, thy streets for evermore  而,小镇,你的街道永远  Will silent be; and not a soul to tell  将沉寂;无一魂灵述说  Why thou art desolate, can e'er return.  为何你会荒芜,永难返。<br> O Attic shape!Fair attitude! with brede  哦 雅典之形!典雅之姿!交错成列  Of marble men and maidens overwrought,  精雕细琢的男女石像,  With forest branches and the trodden weed;  伴以杂林丛枝踏径野草;  Thou, silent form, dost tease us out of thought  你,形以静默,逗引我们遐思  As doth eternity: Cold Pastoral!  一如永恒:凄寒田园牧歌!  When old age shall this generation waste,  当现今世代滔尽老去年华,  Thou shalt remain, in midst of other woe  你仍存留,身处他样烦忧  Than ours, a friend to man, to whom thou say'st,  异于我们,以朋友之名,对人言道,  "Beauty is truth, truth beauty, — that is all  「美即真,真即美 — 那就是全部  Ye know on earth, and all ye need to know."  你们在世上所知,你们所需要得知。」

Summary: 《希腊古瓮颂》(英语:Ode on a Grecian Urn)是英国浪漫诗人约翰·济慈的诗作,作于1819年5月,1820年1月出版。它与《怠惰颂》、《忧郁颂》、《夜莺颂》、《赛姬颂》和《秋颂》并称为济慈传世的六大颂诗。在创作晚期,济慈不满足于早期诗歌体例,于是发展出全新的颂体,即以他的六首诗为代表。

Ode sur une urne grecque: Ode sur une urne grecque, en anglais ', est un poème de John Keats composé en mai 1819 et publié anonymement en janvier 1820, dans le quinzième numéro de la revue '. Elle a été traduite en français en 1968 par Albert Laffay dans un recueil de poèmes de Keats.