aradhana ( english : worship ) is a 1969 indian romantic drama film directed by shakti samanta , starring sharmila tagore and rajesh khanna .

sharmila tagore would win her first filmfare best actress award for playing the lead role in this film .

originally released in hindi and dubbed in bengali , aradhana 's huge success led to two remakes , both starring vanisri in tagore 's role : the tamil film sivagamiyin selvan ( 1974 ) and the telugu film kannavari kalalu ( 1974 ) .

this film is counted among the 17 consecutive hit films of rajesh khanna between 1969 and 1971 , by adding the two hero films marayada and andaz to the 15 consecutive solo hits he gave from 1969 to 1971 .

aradhana ( 1969 film )

film : aradhana year : 1969 singer : kishore kumar composer : s . d . burman
rajesh khanna and farida jalal get sassy in the uncut version of baaghon mei n bahaar hai from the 1969 film aradhana .
song : mere naseeb mein . . . film : do raaste ( 1969 )
roop tera mastana – film : aradhana , year : 1969 , singer : kishore kumar , composer : s . d . burman
number one is a 1969 american film drama released by united artists and directed by tom gries .
this film is counted among the 17 consecutive hit films rajesh khanna between 1969 and 1971 , by adding the two hero films marayada and andaz to the 15 consecutive solo hits he gave from 1969 to 1971 .
in 1969 three of his film were playing to house full boards at the same time - - aradhana , do raaste and ittefaq . he was the first hindi film star who had golden jubilee hits in non - hindi speaking places like madras , hyderabad .
aradhana is a romantic drama film directed by shakti samanta , starring sharmila tagore and rajesh khanna . it was voted as the best film of the year by the filmfare awards .
1969 - film aradhana and the song roop tera mastana represent another important milestone in the evolution of hindi film music . true , it is the song which began the superstar - innings for rajesh khanna , but even more importantly , it is the song which resurrected kishore kumar’s singing career .
song : roop tera mastana film : aradhana ( 1969 ) with sinhala subtitles director : shakti samanta cast : sharmila tagore , rajesh khanna music : s . d burman song : kishor kumar lyrics : anand bakshi song awards : film fare award ( 1970 ) for best male playback singer : kishor kumar
aradhana was one of the classic and block bluster of all times of super star rajesh khanna .
aradhana ( 1969 ) by shakti samanta kaka plays a dashing pilot who falls in love with sharmila tagore . the story opens with him chasing a coy tagore , crooning mere sapnon ki raani . aradhanawon best film of the year and tagore her first best actress filmfare award .
the hindi film song is also an avenue of gauging the pulse of a generation . when rd burman’s fifth film
aradhana is a 1969 hindi film directed by shakti samanta , starring sharmila tagore & rajesh khanna in lead roles and sujit kumar & farida jalal in supporting roles . music composed by s . d . burman . aradhana bagged 3 filmfare awards i . e . best movieaward , best actress award ( sharmila tagore ) and best male playback award ( kishore kumar for ‘roop tera mastana’ ) .
film on actor : british broadcasting corporation ( bbc ) had made a film on him called ' bombay superstar in 1974’ .
i have kind of grown up on these films . but the first film i would remember is aradhana , watching it on television in 1981 . and then perhaps namak haram .
as the lead which was also written by sachin bhowmick . much to his surprise this film had similar ending as his own film . the following day samanta decided to scrap his film , when writers
shakti samanta’s romantic drama aradhana ( 1969 ) , which traces the journey of an unwed mother , was a landmark film in more ways than one . its lead actor , rajesh khanna , sealed his superstar status with the movie . kishore kumar’s career as a playback singer turned around . the film also marked the beginning of a strong second wind in sd burman’s career as a music composer .
ajanabee is a romantic bollywood film produced by girija samanta and directed by shakti samanta . the film stars rajesh khanna and zeenat aman .
[ the sky entertainment dvd of aradhana features a good quality print of the film . optional english subtitles are , happily , provided for all song lyrics as well as for dialogues . ]
samanta later teamed up tagore with rajesh khanna for movies such as aradhana ( 1969 ) and amar prem ( 1972 ) . other directors paired them together in safar ( 1970 ) , daag ( 1973 ) , and maalik ( 1972 ) . the pair of khanna - sharmila gave 7 box office hits – aradhana , safar , amar prem , chhoti bahu , daag , “raja rani” and avishkaar .
many of them . i divided his life by decades - - the ' 60s , ' 70s and ' 80s . one got an idea from the ' 60s by seeing aradhana , baharon ke sapne and aakhri khat . but there is a film between raaz and aradhana called aurat . it has padmini as the lead .
in their time , producer - director shakti samanta and actor rajesh khanna were the best of friends and worked on eight super - hit films together . and though most veteran actors today are against their hit films being remade , khanna asked samanta’s son ashim to make a modern version of aradhana ( 1969 ) , perhaps their most memorable film together .
ittefaq ( 1969 ) by yash chopra kaka plays a painter who is being tried for murdering his wife . the film also stars nanda in the lead . it is one of the first films sans any singing or dancing .
bandhan ( 1969 ) by narendra bedi this was the second film starring kaka and mumtaz in the lead . reportedly , the film grossed nearly rs 2 . 8 lakh at the bo , which was big moolah at the time . it was also one of the few films where mahendra kapoor lent his voice to kaka .
she has received two national film awards and two filmfare awards for her performances .
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song : ek ajnabee hasina se . . . film : ajnabee ( 1974 )
song : gore rang pe na . . . film : roti ( 1974 )
khamoshi ( 1969 ) by asit sen kaka plays a manic patient under the care of nurse radha portrayed by waheeda rehman . the black - and - white film is remembered especially for hemant kumar’s haunting melodies like tum pukar lo . . tumhaara intezaar hai
’ ) to enunciating trends and serving as the biggest sampler of a forthcoming film , the hindi film song has a rich legacy . may its stardom never diminish .
only after that would finance for a film flow . so it was as finance for
sharmila tagore is an indian film actress known for her works predominantly in hindi cinema .
she was one of the international competition’s jury members at the 2009 cannes film festival .
film : slumdog millionaire year : 2009 singer - composer : a . r . rahman
melodies have saved many a film , many an actor from being relegated entirely to obscurity . kumar gaurav , actor rajendra kumar’s son , made quite a splash with his first film
ittefaq is a 1969 film directed by yash chopra , produced by b . r . chopra starring rajesh khanna and nanda in lead roles . the music was composed by salil choudhury . it was a remake of 1965 hollywood film signpost to murder . the film won two filmfare awards i . e . best director ( yash chopra ) and best sound ( m . a . shaikh ) . the other nominations for the film were for best actor ( rajesh khanna ) , best actress ( nanda ) and best supporting actress ( bindu ) .
about a year ago , i chanced upon an online discussion that centred around the chartbuster mere sapnon ki rani from the 1969 film aradhana . no , it wasn’t about how the song , which spiralled a then little - known rajesh khanna to dizzy fame , was shot without sharmila tagore ( common fodder for many a film trivia conversation ) . this debate , a little more unusually , focused on the book that the coquettishly dimpling tagore is shown to be reading in the train as khanna serenades her from a jeep running alongside .
aap ki kasam is a 1974 hindi film directed and produced by j . om prakash .
i f it weren ' t for gulshan nanda , aradhana - - among samanta ' s signature works - - would have never been made ,
says ashim .
just a day before aradhana was to start , surinder kapoor ( producer and anil kapoor ' s father ) invited dad to see his new film ek shriman ek shrimati starring shashi kapoor .
dad was shocked to see that the climax was the same as aradhana ' s . it was possible because both films were written by the same writer - - sachin bhowmick . the next day , samanta had made up his mind to scrap aradhana .
it so happened that writers gulshan nanda and madhusudan kalelkar dropped into his office that day and they noticed that he was tense .
originally , aradhana was to have rajesh khanna die at the interval point and a new hero would come in . instead , gulshan nanda suggested why not have a double role of father and son . dad loved the idea and went on to make the film .
while actors spend years and do films before that one elusive hit that launches them to stardom , in case of rajesh khanna success came in only with his fourth film — aradhana ( 1969 ) . as arun driving an open - jeep , serenading vandana ( sharmila tagore ) to the strains of ‘ mere sapno ki rani kab aayegee tu . . . ’ through the winding routes of a hill train in darjeeling , he became an instant favourite . also in the film , rajesh khanna made pre - marital sex permissible for the first time on the screen in an age of conventions and conformism . aradhana catapulted him to glory and made him the first superstar of the bollywood . his do raaste was released within weeks of aradhana and he was established as a major star with both the films celebrating a silver jubilee . after this , there was no looking back for khanna who became a phenomenon .
he first achieved acclaim in aradhana ( worship , 1969 ) , playing two roles – the husband and grown - up son , both air force pilots , of the established star sharmila tagore . notable among the romantic drama ' s musical numbers was the sexy roop tera mastana ( your beauty is intoxicating ) , recorded in a single take , a first for hindi cinema .
hindi cinema has done much to acknowledge the music composer’s importance . a cursory look at film credit sequences over several decades shows the composer’s name generally appearing just before the director’s , thus highlighting his eminence as the second - most important technician in the hindi film universe . even today , music maestro ar rahman’s presence in a forthcoming release is enough to create a buzz about the film . to this extent , a film’s musical score is not just an avenue to create excitement or to advertise the film , but also an opportunity for film producers to sell music rights and recover costs .
no , not at all . amar prem may feel a bit dated , but if you see aradhana today it works well . namak haram is far more relevant today .
doli ( 1969 ) by adurthi subba rao kaka once again plays a middle class hero , this time round romancing babita kapoor . however , things get a bit complicated when prem chopra arrives on the scene .
ashim was planning his son aditya’s acting debut and thought about casting him in the remake of aradhana . “but i realised that people would compare him to rajesh khanna . so i am launching him in yeh jo mohabbat hai and making aradhana later ( with aditya in the lead ) , ” he says . ashim has also spoken to khanna about another film , which will have the actor in an important role , but it depends on the actor’s health .
aradhana was khanna’s third film and his biggest hit . the actor essays the role of an airforce officer , arun varma , who has a secret wedding with vandana ( sharmila tagore ) , and dies in an air - crash leaving a pregnant wife behind . in the film , he also plays the son suraj , who after many hardships , finally accepts vandana as his mother .
kati patang is a romantic film directed by shakti samanta . it stars asha parekh , rajesh khanna .
? while the film’s publicity before its release had pictures of guru dutt and waheeda rehman featured prominently on its posters , ludhianvi’s lyrics were quite the rage after the film’s release . one advertisement even propped up
commercially , aradhana and kati patang did exceptionally well , featuring rajesh khanna at his romantic best with a soundtrack that remains at the very core of why we love those two films .
do raaste ( 1969 ) by raj khosla kaka plays the dutiful son and mumtaz his love interest . the story revolves round the challenges faced by a lower middle class family , and places a premium on oldfashioned values .
most of them are available on dvds because there is a great interest in old hindi cinema . of course , many of them are on youtube channels , including aradhana and amar prem .
plans for the film were announced in 1966 to be made by the same team as the war lover .
film : teesri manzil year : 1966 singers : mohd . rafi , asha bhosle composer : rahul dev burman
as ‘a lyrical new high in film music’ . or consider that it is in lyricist shailendra’s songs , ‘
bombay was produced simultaneously in tamil and hindi by mani ratnam with the production crew from kodampakkam . aradhana , had a tamil remake with sivaji ganeshan in the lead called ' sivahamiyin selvan . '
while dad was upset and had decided to move on from aradhana , gulshan nanda told him not to fret and advised him to start another film . for that purpose , he narrated the story of kati patang .
dad jumped at it . first , they reworked the second half of aradhana in the next few hours and then , they discussed kati patang at length . two of his finest films were created in that evening , within a gap of few hours ,
says ashim .
is a family drama film directed by raj khosla . it stars rajesh khanna as the dutiful son and mumtaz .
jai ho – film : slumdog millionaire , year : 2009 , singer - composer : a . r . rahman
record hits : he made the world record of having 17 successive super - hits in three years from 1969 - 71 that included 15 consecutive solo super - hit films and two solo - hero films namely ' andaz ' and ' maryada ' .
we round up the bollywood superstar ' s most memorable roles in remembrance of his varied and consistently successful film career .
the film stars rajesh khanna and mumtaz in lead roles and sanjeev kumar , rehman , asrani and a . k . hangal in supporting roles . the film was nominated for the 1975 bfja awards for best actor ( rajesh khanna ) .
’ had never been heard before . the novel nature of the musical arrangement in these songs caught on with moviegoers . the film’s soundtrack gained iconic appeal in no time . likewise , when rahman first appeared on the hindi film landscape with
in 1931 , the hindi film song has served several purposes . from being the only good thing about nondescript films like
ashim claims , “yes , rajesh khanna asked me to remake aradhana with a new boy and girl . he even said that he would help me with the screenplay and music . we were planning to start work on the film last november when he was well . as soon as he recovers , we will begin the project . ”
it is not difficult to find out whether the selected hindi film is a dubbed version or whether there is a tamil version of the particular film . to say otherwise is to say that those who are responsible are idiots . are they ?
avtaar is a 1983 hindi film directed and produced by mohan kumar . the film stars rajesh khanna and shabana azmi in lead roles . avtaar was rajesh khanna’s biggest hit film in terms of box office collections after his bad phase from 1976 - 1978 . rajesh khanna was nominated for the 1984 filmfare award for best actor and the 1984 bfja awards for best actor .
films like aradhana , amar prem , kati patang , kashmir ki kali and an evening in paris were not only blockbusters of their age but have also transcended their time to find resonance among viewers of different generations .
now here’s a thought . what if the latter part of aradhana had indeed leapt into the eighties ? what imaginary war situation would the scriptwriter have conjured up for the junior iaf officer ? back in 1969 when the film was made , no one could have guessed that the last official war of the century would be fought two years later , and that all subsequent hostilities calling for the army’s intervention would have to do with cross - border terrorism , internal insurrections and the like . decades later , it would indeed have been diverting to check if at all the scriptwriter’s imagination coincided with reality .
some pioneer tv stations repeatedly telecast one tamil film for a record number of times - perhaps to recall their pioneering days .
by his filmmaker uncle , writer - producer - director nasir husain . he went on to act in husain’s next big film—
( 1981 ) , it was burman junior’s music that often catapulted a film’s fortunes from good to great . if amitabh bachchan’s
anand is a 1971 film written and directed by hrishikesh mukherjee . it was produced by hrishikesh mukherjee and n . c . sippy . it was the first film where there was no lead heroine opposite rajesh khanna and the first film in which rajsh khanna eventually dies in the end . anand bagged a record of six filmfare awards ( best movie , best actor , best supporting actor , best story , best editing and best dialogue ) and one national award ( best feature film in hindi ) .
after aradhana ' s super success , khanna once again worked with the director shakti samanta in this movie . with its complicated but engrossing storyline , kati patang went on to become one of the top grossers of the year .
son , pancham , had used a prestigious film of his , aradhana , to tilt the scale , decisively , in favour of kishore . and dada burman had nothing against kishore , his own discovery - - now that this singer , realising his full potential late in his performing life , had become regular in the matter of both rehearsing and recording .
this list collects every film from the starting list that became they shoot pictures don ' t they ' s 1000 greatest films . this…
this isn’t to suggest that lyricists have contributed in any small measure to songs as the intangible star in a hindi film . what is
( 1992 ) , film audiences had suffered an entire decade of the 1980s , with banal , often plagiarised songs ruling the roost .
( “adoration , worship” ) 1969 , hindi , 180 minutes produced and directed by shakti samanta story and screenplay : sachin bhowmick ; dialogue : ramesh pant ; lyrics : anand bakshi ; music : s . d . burman ; art direction : shanti das ; cinematography : aloke das gupta
rajesh khanna , affectionately called as kaka ji , has given many hits in his career . the heartthrob of million fans entered hindi cinema in 1960’s . he made his film debut in 1966 with chetan anand directed film ‘aakhri khat . aakhri khat was india’s entry for the best foreign language film at the 40th oscar academy awards in 1967 . it was a great achievement for a new comer like rajesh khanna .
the hysteria he created with his crinkling eyes and lily - white smile drove fans into raptures . more than four decades after aradhana and many other blockbusters , there has never been anyone to rival the appeal of rajesh khanna in his heyday .
kati patang is a 1970 film produced and directed by shakti samanta , starring asha parekh and rajesh khanna in lead roles . the music was composed by r . d . burman . the film was nominated for six flimfare awards i . e . best director , best actor , best story , best lyrics , best male playback singer and best actress . asha parekh won filmfare best actress award for this film .
put you on the game was the final single off the documentary , the debut album from west coast rapper the game . this was the first single to be released from the game after his break - up with the group g - unit . the game left the group after a beef with fellow band member 50 cent over denying 50 writing credits on four songs on the documentary . the timberland - produced song put you on the game caused problems as well . the song samples from the 1969 hindi film aradhana , which was a re - make of hollywood ' s 1946 film to each his own . the samples were not cleared , and two years after put you on the game was released , the rapper , the producer and the labels were slapped with lawsuit from a major indian record company .
she led the indian film censor board from october 2004 till march 2011 . in december 2005 she was chosen as an unicef goodwill ambassador .
in 1991 baz luhrmann ' s hollywood musical moulin rouge ! was released starring nicole kidman and john leguizamo . the film ( and soundtrack ) features the song hindi sad diamonds . the song samples lyrics from chamma chamma baje re - a song out of the 1998 bollywood film china gate . the film was inspired by the 1954 film seven samurai , and is said to be a tribute to the films of late director akira kurosawa . china gate is famous for the chamma chamma baja re song , where indian sex symbol urmila matondkar dances while playback star alka yagnik signs .
bawarchi is a drama film directed by hrishikesh mukherjee starring rajesh khanna and jaya badhuri with asrani , a . k . hangal , usha kiran .
having studied urdu for 12 years , tom has written an urdu script for a film he wants to make . interestingly , the film which traces the friendship of a padri , a maulvi and a pandit , has been inspired by a faiz ahmed faiz couplet : “ek fursat - e - gunaah mili woh bhi chaar din ; dekhe hain hamne haunsale parvardigaar ke . ” the film will feature naseeruddin shah , benjamin gilani , besides tom .
“i am bad at comedy , ” says the actor , who will shortly feature in three films — “hawaein” , a film set in the backdrop of 1984 riots , directed by amitoj mann ; asambhav , a thriller by rajiv rai and aitbaar , a vikram bhatt film that also features amitabh bachchan .
sachaa jhutha is a comedy film directed by manmohan desai . the movie was a box - office blockbuster . the movie stars rajesh khanna and mumtaz .
here is my approach towards this query . for me , the 5 songs that define hindi film music are the 5 songs that would encapsulate the entire evolution of hindi film music , right from the time it began way back in the 1930s to its current status in the post - millennium era .
enjoy this super hit hindi classic romantic old song mere sapno ki rani sung by kishore kumar from classic bollywood blockbuster movie aradhana ( 1969 ) starring rajesh khanna & sharmila tagore . music composed by s . d . burman & lyrics by anand bakshi . rest of the notable cast : sujit kumar , farida jalal , madan puri , ashok kumar , asit sen . directed and produced by shakti samanta . subscribe to rajshri - urltoken follow us on g + urltoken like us on facebook - urltoken follow us on twitter - urltoken follow us on pinterest - urltoken visit rajshri ' s website - urltoken
anand is an indian drama film co - written and directed by hrishikesh mukherjee . it stars rajesh khanna in the lead role and amitabh bachchan in supporting .
this path - breaking film which shot rajesh khanna to ' superstar ' status , won 3 filmfare awards - best film for shakti samantha , best actress for sharmila tagore , and best male playback singer for kishore kumar . kishoreda won this award for roop tera mastana which was rd burman ' s key contribution when he took over the reins after sd burman fell ill during the progress of the film / music production . my humble tribute through this song . . .
aaja aaja main hoon pyar tera – film : teesrimanzil , year : 1966 , singers : mohd . rafi , asha bhosle , composer : rahul dev burman
interestingly , it is the evergreen nature of the film’s songs that has kept vijay and monto alive , to whatever extent , in public memory . vijay’s character was enacted by vijay arora , a graduate from the film and television institute of india ( ftii ) , who hardly made an impact in hindi cinema outside
“aradhana” , a major hit of 1969 , was the main turning point in the careers of both rajesh khanna & kishore kumar . the rich & melodious songs of the movie became a national craze in the year of its release . the song “mere sapno ki rani” is still used as an introduction for kishore da and rajesh khanna in various stage shows and tv programmes even today . apart from the musical merit of the movie , it also had a career best performance from sharmila tagore in the tough role of a sacrificing mother , for which she deservingly won filmfare best actress award at that time .
recently mtv telecast kaadalan , roja and bombay , all hindi versions , with the usual tags saying
subtitled in sinhala .
last week , itn telecast aradhana , a hindi film . again with subtitles .
perhaps because the majority of our country can ' t understand hindi , let alone tamil . some understand english and quite a few more understand tamil as there is a tamil speaking population in this country , if i am correct .
the tone of aradhana shifts between realism and melodrama , sometimes abruptly , but the changes are not distracting . rather , they make the movie operate on two levels . in its more delicate , realistic moments , aradhana is a sad story about a very likeable woman and the losses she endures over her liftime . the movie also invokes some of the usual improbable filmi tropes , the most notable of which is that renu ' s beau is vandana ' s lost son , suraj , now grown into a dashing fighter pilot who is the spitting image of his father ( and is of course also played by rajesh khanna ) . when it becomes more filmi , aradhana evokes its grander themes of balance , purity , and the dignity of motherhood . and it works splendidly on both levels , not least because sharmila tagore is a skilled actor who shifts effectively between these two storytelling modes .
haathi mere saathi is a drama film directed by manmohan desai . the movie was a box - office blockbuster . the movie has a disneysquare appeal with an indian twist .
amar prem is a romantic film directed by shakti samanta . it stars sharmila tagore ( pushpa ) , rajesh khanna ( anand babu ) music : r . d burman .
when saigal sang jab dil hi toot gaya under naushad’s baton in the 1946 - film shah jehan , he was fighting a losing battle against alcoholism . in a few months after the film’s release , he bade final goodbye to this world . a legend goes that it was saigal’s last wish that the song should be played at his funeral !
in the opening song sequence , sharmila tagore is seen reading a book while seated in the train . the book ' s name is when eight bells toll , a thriller novel written by alistair maclean published in the year 1966 . the film was released in 1969 , so it is clear that the flashback was shown in a time which was actually a
flash - forward
, which is impossible . she should have been shown reading the heart of the matter ( 1948 ) , a novel by the english author graham greene .
moving away from his acting , he’s also an author with three books to his credit – two novels and one on cricket – why hasn’t he written film scripts . the answer is quite startling . “i have three film scripts ready , all my own . one day i will make them into films . ” but he doesn’t commit to a timeframe .
tagore began her career as an actress in satyajit ray’s 1959 bengali film apur sansar ( the world of apu ) , as the ill - fated bride of the title character .
namak haram is a 1973 film directed by hrishikesh mukherjee and produced by jayendra pandya , rajaram and satish wagle . the film stars rajesh khanna and amitabh bachchan in lead roles and rekha , asrani , raza murad , a . k . hangal , simi garewal and om shivpuri in supporting roles . rajesh khanna won the 1974 bfja awards for best actor .
in the opening song sequence , sharmila tagore is seen reading a book while seated in the train . the book ' s name is when eight bells toll , a thriller novel written by alistair maclean published in the year 1966 . the film was released in 1969 , so it is clear that the flashback was shown in a time which was actually a
flash - forward
, which is impossible . she should have been shown reading the heart of the matter ( 1948 ) , a novel by the english author graham greene . see more »
khanna , who died on july 18 , is the only indian actor to have delivered 15 consecutive hits as a solo hero between 1969 and 1971 . he almost always played a gentle romantic , leaving the angry young man image to others like bachchan . that said , he did not shy away from different kinds of roles : psychotic murderer ( red rose ) , jealous husband ( aap ki kasam ) and a convict on the run ( ittefaq ) . he briefly dabbled in politics and film production but he is most known for his indubitable superstar status .
according to music and film expert rajesh subramanian , in
roop tera mastana
, kersi lord played the accordion , homi mullan played the duggi and manohari singh played the saxophone .
khanna was given a filmfare lifetime achievement award in 2005 , and the same honour at the international indian film academy awards in 2009 . he is survived by his wife and daughters .
in the 1980s he started working in multi - star cast films , because that had become the norm and until then he had never done a two - hero film . the first film was kudrat and by then it was too late . whereas , if you look at the first 10 years of amitabh bachchan he was only working in multi - star films .
his most recent release was rajesh shera’s “ocean of an old man” based on the 2004 tsunami that caused such damage in the andaman & nicobar islands . alter plays an old schoolteacher living on one of the islands who loses five of his students and his wife in the disaster . the film was very well received in the festival circuit and released in india last month . alter is brutally frank in saying that the film saw a commercial release only because of the strike . he adds , “it is a beautiful and evocative film , not made to run to full - houses in bombay or anywhere else but people did watch it . i have received the most wonderful reactions ; it is a work of beauty a pioneering film . ”
the film won sharmila tagore her first and only filmfare best actress award . in 1947 , olivia de havilland had won her first academy award for best actress for playing the same role in
kudrat is a 1981 hindi film directed by chetan anand and produced by b . s . khanna . the film stars rajesh khanna and hema malini in lead roles and raaj kumar , priya rajvansh and vinod khanna in supporting roles . kudrat won all - india critics association ( aica ) best actor award in 1982 at calcutta and nominated for the 1982 bfja awards for best actor .
on your call , sharmila tagore discusses the prevalent attitude towards women in the society and how it can be changed . she also reminisces about her acting career and time in the film industry .
avtaar is a drama film director and story by mohan kumar starring rajesh khanna and shabana azmi . it was directed by mohan kumar , and the music was by laxmikant pyarelal . rajesh khanna .
after that , his film activity slowed down , and he served the new delhi constituency as an indian national congress mp from 1992 to 1996 . he remained an activist after losing his seat .
“from the firmly rooted to the indian earth jab dil hi toot gaya and barsaat mein humse mile tum , to increasingly westernized aaja aaja and roop tera mastana , and finaly to the free - flying globalized jai ho , it is an interesting journey which captures the major artistic influences and milestones in hindi film music’s evolution . that’s why these 5 songs define hindi film music to me ! ”
bollywood - also known as hindi film cinema , is one of the largest film production centers in the world . bollywood is not the only film producer in india , but it is one of the largest . bollywood is located in mumbai , india - formally known as bombay . the name was created by combining the
b
from bombay with hollywood . the history of bollywood goes back to the early 1930 ' s when it was called tollywood - the film industry was based in tallygunge , calcutta at the time . in the 1970 ' s bollywood was heavily focused on producing commercial cinema , and america fell second to india in film production . by the 2000 ' s bollywood was popular across the world , and big investments were made in technology . most bollywood movies are musicals , usually the music is produced in a studio , and the actors lip - sync for the films . the music from these movies has been heavily sampled , particularly in hip - hop music .
number one had never been issued on dvd for many years , but old copies on vhs existed . on november 12 , 2015 however , mgm released the film on dvd for the first time .
kishore kumar’s smoulderingly passionate rendition of roop tera mastana ( and for that matter his other aradhana - renditions like mere sapnonki rani and kora kaagaz tha yeh man mera ) brought in a new macho romanticism . his easy - going , straight - to - heart singing now became the preferred style over mohd . rafi’s more intricate yet nuanced style . as a singer , for almost two decadeskishore had stayed in rafi’s shadows . there were even times ( as in ragini and shararat ) when composers had used rafi’s playback for his screen persona . but aradhana’s success changed all that . kishore kumar was the new rage of nation and he emerged as the voice , who would dominate the 70s and the 80s .
khanna plays a jealous husband in this film , not a role that would endear him to one and all . he played it convincingly , overshadowing sanjeev kumar , an undoubtedly better actor . the film is also remembered for its foot - tapping number jai jai shiv shankar with his co - star mumtaz where , high on bhang ( a drink made with cannabis ) , they prance on a hill .
aaja aaja main hoon pyar tera from 1966 - film teesri manzil ushered in another new era . it was the breakthrough composition for rahul devburman , a man who would go on to give a new dimension to hindi film music with his innovative fusion of various musical styles . pancham had debuted five years before teesri manzil but his early compositions had failed to separate him from his father sachin dev burman’s towering shadow .
the loquacious lover of aradhana and andaz , who swept the heroine off her feet with his charm and simplicity , acquired a serious countenance in aap ki kasam and safar . in aap ki kasam , it was a marriage soured by suspicion . khanna slipped into the soul of the character so unobtrusively that the audience felt it was a chunk from his real life .
mere jeevan saathi is a 1972 film directed by ravikant nagaich and produced by vinod shah , starring rajesh khanna and tanuja in lead roles and sujit kumar in supporting role . rajesh khanna plays the lead role as a blind person . the music composed by r . d . burman was all time hit . the most popular songs of the film are ‘o mere dil ke chain’ and ‘chala jata hoon’ sung by kishore kumar
i watched
to each his own
in the later part of the 60s , enjoyed the story and acting very much . then watched aradhana in the early 70s , also a well made and acted movie . i noticed the storyline was identical in many aspects . it became a tremendous super hit in india and shakti samantha received accoladaes for writing such a fresh storyline .
you think zanjeer is the first time you see amitabh ' s angry young man , but it is in namak haram ( both film were released in 1973 ) that the angry young man finally comes into his own .
hindi cinema is replete with innumerable such instances . songs in hindi films have been the invisible stars , with the power to do much more than entertain . not only have they boosted the fate of lacklustre films , they have made fortunes for filmmakers and actors alike . in many cases , for decades after the film itself has been forgotten , its music has remained fresh and as much loved as it was when the film was released .
aan milo sajna ( 1970 ) by mukul dutt kaka plays a local peasant and asha parekh is his love interest . the film is remembered especially for its songs like aan milo sajnaand achcha to hum chalte hain among others .
if one artiste is to be credited for this mind - boggling paradigm shift , it would have to be a . r . rahman . with his genius , this mozart from madras has blurred the musical boundaries between bollywood , kollywood and hollywood . he has changed hindi film music like no one has . his critics may be right when they say that under his influence hindi film music has no longer remained hindi ( or hindustani ) in its essence .
aradhana set me thinking : how many earlier mainstream film - makers were meticulous enough to create two distinct eras in movies that dealt with different generations ? answering that question would entail a viewing of dozens of films but one can safely make an educated guess : very , very few . off the top of my head i can think of manoj kumar’s 1970 film purab aur paschim , in which the past , beginning in the year of the quit india movement , had a distinctly different feel ( it was also shot in black - and - white before switching to colour for the present , perhaps a first for a mainstream film ) . then there’s ramesh sippy’s television epic buniyaad , whose progression from 1915 to the 1960s was handled with the necessary changes in production design , costume , language and political - cultural references . buniyaad ’s last episode was set in 1964 , the year jawaharlal nehru died , but it also had a 20 - year flash forward — the 90th birthday of its protagonist master haveli ram , who , in the continuing interests of period authenticity , is shown talking on a cordless telephone .
he continued to appear in a handful of films and tv serials until 2010 , by which time he had been credited in more than 150 titles . twinkle , his elder daughter , is married to the indian film star akshay kuma .
for a long time he was trying to be relevant . he became friendly with non - film people . he joined politics in 1990 and was in mp from 1991 to 1996 . and he spent a lot of time in delhi .
sachcha jhootha ( 1970 ) by manmohan desai kaka plays a village bumpkin who happens to have a crooked lookalike . the film also stars mumtaz and vinod khanna . of the tracks , dil sachaa aur chehra jhutharendered by kishore kumar is quite memorable .
mehboob ki mehndi ( 1971 ) by h s rawail kaka plays the son of a wealthy businessman and romances leena chandavarkar who portrays his nephew’s new tutor . an unforgettable tune from the film is mere diwanepan ki bhi dawa nahinsung by kishore kumar .
i liked anand . you would have to be very insensitive not to be moved by the film . but for me when i think of rajesh khanna the images that come to my mind are amar prem , namak haram and aap ki kasam .
( 1941 ) , the film’s composer ghulam haider became something of an overnight celebrity for composing a soundtrack that merged punjabi folk with classical raagas . since then , composers like c ramchandra , naushad , sd burman , laxmikant - pyarelal and ar rahman have determined the fortunes of many a film . shankar - jaikishan were very much the dominant composer duo of the 1950s and 1960s , and it is hard , in particular , to look at raj kapoor’s legacy without their compositions for his films .
i don ' t understand the praises one gets from a duplicated idea . . . . i would however understand a truthful acknowlegement from the filmakers that the story is based on an original version and place a footnote in the titles saying so . . . . due credit should be received for one ' s original work . in this case aradhana only become a success because of it ' s storyline , and of course the actors .
s amanta was keen on madhubala for howrah bridge but he didn ' t know her personally . so , he told ashok kumar to put in a word . samanta went to meet her with rs 20 , 000 as a signing amount ( she used to charge rs 75 , 000 those days ) .
dad started the narration with her character , that of a christian girl who speaks like , ' humko tumse pyaar maangta hai . ' when madhubala heard that , she burst out laughing and agreed to do the film without actually hearing the story .
she even refused to accept any payment before the film ' s shooting .
she asked dad for one rupee as a signing amount and said the rest he can pay after the film is complete .
the contention here is that if the tamil films - subtitled in sinhala - were telecast the tamil audience too can watch , while those who can ' t understand tamil can follow the subtitles . they can ' t understand hindi anyway . hence it won ' t make any difference whether it is a tamil film or hindi film . but it does make a difference to the tamil audience . when hindi films telecast with subtitles in sinhala the tamil audience is kept out . they can read neither hindi nor sinhala .
actor shammi kapoor is perhaps one of those greats in the hindi film industry who is known and loved entirely through his songs . the ‘rock - n - roll’ , bon vivant image that the actor enjoyed was shaped by innumerable memorable hit numbers , including ‘
safar ( 1970 ) by asit sen kaka and sharmila tagore play medical students . the tenth top - grossing production of the year , the film won two filmfare awards . of the songs , the track zindagi ka safar sung by kishore kumar deserves special mention .
and i read that you then had to leave school because at that time being a film actress and then in hindi films was really looked down upon , so you actually left school ? and then you went on to hindi films and then ' evening in paris ' , which then created a sensation of a completely different kind . were you in two minds at all about taking on that role , especially because you came from very illustrious family , satyajit ray film heroine and then a very different kind of a role completely ?
admittedly , films that have a specific timeline and encompass historical events in their narrative are the ones that are more authentic in portraying different time spans . i’m guessing that in the workaday 20 - year leaps — the aradhana kinds — authenticity would actually be undesirable . for instance , sharmila tagore would probably have to dress in staid khadi and refrain from openly romancing her iaf officer among other things . too inconvenient all this for a movie whose main aim is to entertain .
and madhusudan kalelkar visited his office . upon hearing the issue , it was gulshan nanda who suggested to have a double role of father and son in the film . originally the first hero was to die by the interval and a new hero was to step in .
his 17 hits from the early period follow an interesting template . in every film he does not overshadow his co - star . the women have neatly etched roles - - in films like kati patang and amar prem . also , those films had great supporting actors .
what ' s in a name ? rajesh khanna ' s original name was jatin khanna , while his friends and family members called him kaka at home . the name ‘rajesh khanna’ was given to him by his uncle kk talwar after his decision to join the film industry .
fuelling this addiction was the stint at film institute , pune , where tom received an offer from satyajit ray , who signed him up for shatranj ke khiladi . for those who typecast tom in the foreigner villain’s role , it’s important to know that ray chose him for his mastery over urdu . recalls tom , “the most challenging scene in the film has me playing the interpreter between richard attenborough and the mother of wajid ali shah . i am translating urdu into english and vice versa . that scene is the loveliest scene i’ve ever shot . ”
the film is on youtube and worth watching . he has long scenes with padmini who was a throwback to ' 50s cinema . she is very theatrical and rolling her eyes . but you should watch it muted and see how comfortable rajesh khanna is in those emotional scenes .
the early hindi film - music of the 1930s and 40s had a distinct identity . it mostly relied on hindustani classical and folk - tunes ; had sparse orchestration and had a surplus of sentimental melancholic songs . kundanlalsaigal’snasal tinged voice was undoubtedly the star voice of that era .
number one was a commercial failure , but critical reaction was mixed . the film , and particularly heston ' s performance , did earn a rave review from howard thompson of the new york times , who called the
consistently engrossing
film ,
. . . a succinct , stinging and often strong gridiron drama . . . .
thompson described heston ' s performance as
a brooding , scorching and beautifully disciplined tour de force for the actor . . . . if heston could have been better , we don ' t know how .


ara nazhika neram ( half an hour only ) is a 1970 malayalam film directed by k. s. sethumadhavan and written by parappurath based on his own novel of the same name .

parappurath also played a minor role in the film .

the story of the film revolves around an orthodox christian family headed by kunjenachan ( kottarakkara sreedharan nair ) , a ninety-year-old patriarch who lives his life by the book .

the film also features prem nazir , sathyan , ragini , sheela , k. p. ummer , adoor bhasi and ambika sukumaran .

aranazhika neram

aranazhika neram ( 1970 ) - kj . yesudas - listen to aranazhika neram songs / music online - musicindiaonline
aranazhika neram movie rating is na / 100 based on reviews submitted by 0 users .
best actor : murali ( for his role in aranazhika neram ) ; second best actor : m . r . gopakumar ( aranazhika neram ) ; best actor : lena ( aranazhika neram ) and rimina ( second best actress for the mother ) ; best child artistes : akhil viswanath and arun viswanath ( jointly , for their role in mangandi ) .
kaadu pookkunna neram . starring : indrajith sukumaran , rima kallingal , prakash bare .
best cameraman : s . anpumani ( telefilm mukhamukham telecast by soorya tv ) ; best editor : shibeesh k . chandran ( the mother ) ; best music direction : anil pappanancode ( aranazhika neram ) ; best sound recordist : suresh mylakkad ( athirukal thedunnavar telecast by city channel ) ; best art direction : saji kilimanur ( aranazhika neram ) .
anthikadapurathu - chamayam - 1 . anthiponvettam - vandanam - 1 . anupame azhake - aranazhika neram - 1 . anuraagagaanam pole - udyogastha - 1 . anuragakalariyil angathinu vannavale - thacholi ambu - 1 .
thiruvananthapuram : aranazhika neram telecast by armita tv has bagged the state government’s award for the best tele - serial and hijra telecast by jeevan tv won the prize for the best documentary programme of 2008 .
the 64th national film awards saw the best of indian cinema being honoured . this year , the top awards were bagged by akshay kumar , who won the best actor award . 2016 movies list ; 2017 malayalam movies list . check out the complete list of malayalam movies released in 2017 along with cast , crew , director , music director , songs . online ticket booking in kerala . > > kaadu pookkunna neram : veedu . sonam kapoor - starrer ' neerja ' , which was directed by ram .
ara nazikha neram ( english : only half hour ) was a tv show in malayalam . it was aired on amrita tv . the show was a television adaptation of a novel of the same name by parappuram . the show was critically acclaimed and won multiple state television awards during its run . the plot was inspired by the novel by parappuram . parappuram is often regarded as one of the giants of malayalam literature . his work has been critically acclaimed and widely appreciated including the sahitya akademi award . the show adapted the story for television , for its run of 40 episodes . the show revolves around an orthodox christian family in kerala .
kottarakara sreedharan nair , sathyan , prem nazir , k . p . ummer , sankaradi , adoor bhasi , ragini , sheela , ambika etc .
‘aranazhikaneram ' is widely considered as one of the best malayalam films with a christian family background . the film was true adaptation of the novel of the same title by k e mathai , popularly known as parappurath . the novel was a bestseller and bagged several awards . the screen version of the novel also was a huge hit .
to add to the spirit and ambience the film was released on the christmas day . it is considered as one of the best works of director k . s . sethumadhavan . the multi - starrer had leading stars like kottarakkara sreedharan nair , sathyan , prem nazir , k . p . ummer , adoor bhasi , ragini , sheela , ambika cast in important roles .
the dialogues were written by parappurath , who also played a minor role in the film . another feature of the film was that popular comic stars like adoor bhasi , bahadur and sankaradi were cast in important character roles .
the film went to win laurels at the kerala state film awards , like best actor ( kottarakkara ) , best story ( parappurath ) and best director ( sethumadhavan ) .
the story revolved round an orthodox christian family headed by the octogenarian kunjonachan ( kottarakkara ) who lives his life by the book . kunjonachan stays with his son mathukutty ( sathyan ) , a politician . mathukutty ' s son rajan ( prem nazir ) by his first wife is in military service and the family survive on the money he sends . mathukutty ' s second wife deenamma ( ragini ) nurses and takes care of kunjonachan and the old man in extremely fond of her .
kunjonachan ' s other children are geevarghese ( sankaradi ) , a small - time businessman who always complains of being neglected by his father , kunju cherukkan ( bahadur ) a farmerwho lives in utter poverty and survives on what his son who works in bombay sends him and philippose ( govindankutty ) a wealthy estate owner who lives in the same village but offers no help to his brothers .
rajan comes on his annual leave . he meets and falls in love with santhamma ( sheela ) . the family oppose the marriage citing scandals about santhamma ' s widowed mother . but rajan is firm and the marriage takes place with the blessings of kunjonachan . meanwhile , geevarghese is reluctant to marry off his daughter kuttiamma ( ambika ) , a teacher in the village school ; because he fears that he will lose the money she gives him every month . kuttiamma is in love with thomas ( ummer ) , her colleague . kunjonachan conducts their marriage .
rajan dies in an accident at the military camp . the family go through a string of setbacks . philippose ' s son johnykutty ( prem prakash ) marries a labourer in the estate , philippose ' s wife annamma ( meena ) turns mad , kunju cherukkan ' s son danny ( jessey ) is arrested on charges of smuggling and kunjonachan , who believes that the death is ‘only half an hour away ' suffers a heart attack and is bedridden . the doctor advises him not to stop his habit of consuming opium all of a sudden . the opium is brought by sivarama kurup ( adoor bhasi ) , a regular to kunjonachan ' s house .
one day kunjonachan finds his daughter - in - law deenamma and kurup in a compromising position . kunjonachan is shocked , he falls down and loses his power of speech . in his fear that kunjonachan will spill the beans on their illicit affair , kurup mixes poison in the opium served to kunjonachan . the kind - hearted old man dies . in an act of repentance deenamma also consumes the poisoned opium and dies bringing the film to a tragic end .
kottarakkara excelled in the role of kunjonachan . film critics consider this performance as more impressive than his much acclaimed chembankunju in ‘chemmeen ' . all other artistes impressed . special mention must be made of adoor bhasi who was outstanding in the negative role .
the excellent music , composed by g . devarajan and the five songs penned by vayalar rama varma was a highpoint of the film . all the songs became instant hits . a prayer song , ‘samayamam rathathil njaan … ' ( p . leela - madhuri ) gained much importance . it is now widely used as a dirge . this song has an interesting story behind it . the song was written by a german missionary , rev . fr volbrecht nagel in 1904 while he was a parish priest in malabar region . vayalar modified the song by changing a few words , but keeping the feel and idea of the original intact . the original song written by fr . nagel is said to have been inspired by an old spiritual written by wallace willis in the 1860s , ‘swing low sweet chariot . . . ' and another interesting fact is that the tune of the malayalam song from the film resembled the american western folk ballad ‘oh my darling clementine . . . ' fr . nagel ' s prayer must have been in circulation much before its was included in ‘aranazhikaneram . ' but it gained popularity as a dirge only after it was included in the film .
other hits from the film include ‘swarangale saptaswarangale . . . ' ( p . leela ) , ‘anupame azhage . . . ' ( k . j . yesudas ) , ‘chippi chippi muthu chippi . . . ' ( c . o . anto - latha raju ) , and ‘deivaputhranu veedhi orukkuvan . . . ' ( p . susheela ) .
will be remembered : for the brilliant acting by kottarakkara , for the music , especially for the dirge ‘samayamam rathathil . . . ' and as a film that swept the state awards in 1970 .
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e . mathai , better known by his nom de plume parappurath ( 1924–1981 ) , was a novelist and short story writer from kerala , india . he was born on november 14 , 1924 in mavelikkara in alappuzha district . after his high school education , he joined the indian army in 1944 and served there for 21 years . many of his subjects and characters were drawn from this background .
he has functioned as the president of sahithya pravarthaka co - operative society ( spcs ) , the world’s largest writers’ publishing cooperative . he has won the kerala sahitya akademi award , m . p . paul prize and sahithya pravarthaka sahakarana sangham award . he has 20 novels , 13 collections of stories and one play to his credit . many of his novels have been made into films . he died on december 30 , 1981 .
kunchenachan is . a 90 year orthodox christian who lives his life by the book . he has 4 children . mathukutty , gheevergeese and kunju cherukkan and phillipose .
mathukutty’s son rajan , by his first wife is in the army and the family is run by the money he sends . his second wife deenamma is a very kind hearted caring woman who takes care of all the needs of kunchanachan and the old man is very fond of her . mathukutty and deenamma are sharing quite warm relationship but mathukutty never has time for her feelings and very rarely they spent time together and she feels lonely at times .
geevergeese is a small time businessman . he is never happy with his life . always has complains to make and feels he is neglected by everyone . he has a daughter named kuttiamma who is very simple and caring and the grandfather likes her so much . she is a teacher in a village school . geevarghese is reluctant to get her married because he feels he will lose her salary . she is in love with her colleague thomas . thomas is catholic which is not acceptable by geevarghese . she always meets her grandfather and pours her feelings and the old man always consoles her .
kunjucherukkan is not well off like others and he lives in utter poverty . he survives by the money sent by his son who lives in bombay . phillipose is the wealthiest of all but never cares for his family . phillipose ‘ wife annamma is from a rich family has all comforts but her husband is a womaniser . she suffers silently and she fees like committing suicide at times . she too shares her feelings with the old man .
during his annual leave rajan makes it a point to viisit his family . he meets santhamma and has fallen in love with her . but the family is not happy about this as they have some issue with her widowed mother who is not having good reputation in the neighborhood . but rajan ignores the gossip and his grandfather has given him green signal .
kunchenachan has a bosom friend sivaraman kurup who is a hindu . they discuss about their own religious faith often but it was always a heathy discussion . sometimes achan from the church too join them . according to achan only jesus is the saviour . but they always agree to disagree and kurup brings some opium to the old man who need it for his sleep . his friend knows , with all his family problems he will never have a good night sleep . mathukutty repeatedly warned the old man not to let kurup inside . but he tells him that can happen only after his death .
all these things make kunchanachan a very frustrated , helpless , angry and lonely human being . except his granddaughter no one talks to him . even she is not able to understand his mood swings at times .
in the opening scene we see the old man walking alone in a god forsaken place and he hears the voice of abraham . the voice tells him” now your life is in my hands . you have only half an hour to live ” he gets panicky . actually this a dream he gets often . this disturbs him a lot . he feels that his family is highly dysfunctional and wants to set things right before he dies which gives him a very insecure feeling ! dheenamma knows about it but she feels helpless .
during one visit rajan decided to marry shanthamma . the old man told him to go ahead inspite off all opposition and they got married . no one welcomed her in the house except kunchanachan and dheenamma . rajan had to leave immediately as there is no vacation for him . sometimes shanthamma had to suffer silently .
kuttiamma came oneday and told the old man that she wants to runaway from the house as no one understands her feelings . she with the blessings of the old man married thomas secretary and came home for his blessings .
the family had to go through lots of misfortune all of a sudden . rajan dies in an accident at the military camp . philippose’s son johnykutty marries a labourer in the estate , philippose’s wife annamma lost her mental balance because of her husband’s behavior . kunju cherukkan’s son danny is arrested on charges of smuggling and kunjonachan , who believes that the death is ‘only half an hour away’ suffers a heart attack and is bedridden . the doctor advises him not to stop his habit of consuming opium all of a sudden . the opium is brought by sivarama kurup ( adoor bhasi ) , a regular to kunjonachan’s house .
one day kunjonachan finds his daughter - in - law deenamma and kurup in a compromising position . kunjonachan is shocked , he falls down and became dumbstruck . kurup and dheenamma got scared . they thought this news will spread everywhere . in order to silence the old man they mixed poison in opium which he takes regularly and the kind - hearted old man dies . in an act of repentance deenamma also consumes the poisoned opium and dies . it was tragic to see the two good souls in the house dying at the end . though we feel sorry for the cruel death of kunchanachan he lived by the book till the end of his life .
the music of this movie needs special mention . there is a beautiful article by b . vijayakumar in hindu metroplus about the song ” samayamam rathathil” .
the excellent music , composed by g . devarajan and the five songs penned by vayalar rama varma was a highpoint of the film . all the songs became instant hits . a prayer song , ‘samayamam rathathil njaan …’ ( p . leela - madhuri ) gained much importance . it is now widely used as a dirge . this song has an interesting story behind it . the song was written by a german missionary , rev . fr volbrecht nagel in 1904 while he was a parish priest in malabar region . vayalar modified the song by changing a few words , but keeping the feel and idea of the original intact . the original song written by fr . nagel is said to have been inspired by an old spiritual written by wallace willis in the 1860s , ‘swing low sweet chariot…’ and another interesting fact is that the tune of the malayalam song from the film resembled the american western folk ballad ‘oh my darling clementine…’ fr . nagel’s prayer must have been in circulation much before its was included in ‘aranazhikaneram . ’ but it gained popularity as a dirge only after it was included in the film .
kottarakara’s acting surpasses everyone . infact many people consider it par above even his own in chemmeen . ofcourse ragini , sheela and adoor basi have made this movie one of the memorable movies in malayalam cinema .
i think im blessed , so far no complaints , and want to take things as it comes . love malayalam literature and want my friends too enjoy a bit of it . live for the moment is my motto
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this film explores the disillusionment and worries of of an elderly man living in kerala , and as his family members and friends are shown is selfish ways , he finds himself repeatedly . . . see full synopsis »
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an old man spends his life in solitude awaiting his grandson to come for vacation after 6 years . he thought he was the most happiest man in the world until he found out that fate has something unpredictable for him .
a satire on contemporary kerala politics where brothers turn local leaders of rival parties , leading to distress for their aged and once - proud parents .
a school teacher living in a village belongs to a family with a history of lunatic males , and soon he falls prey despite being normal due to society misinterpreting his actions .
rajeev , an orphan eccentric millionaire , has his own strange taste towards everything . with less knowledge about family relationships , he struggles hard to achieve his aim to become a father without marrying .
karutthamma , the daughter of a hindu fisherman , falls in love with a muslim fish trader . however , social prejudices seem to ruin their love life and invite the wrath of their communities . . . . see full summary »
a man tries to do good for the community but is thwarted by the corruption of the local government .
a man falls in love with his new neighbor but then finds that her family life is difficult .
three unemployed men find answers to all their financial problems when they decide to get involved in a kidnapping scheme .
sadayam follows the final days of a condemned prisoner , for murdering two little girls .
this film explores the disillusionment and worries of of an elderly man living in kerala , and as his family members and friends are shown is selfish ways , he finds himself repeatedly affected by worries and struggles that finally expose his worst fears . he slowly comes to realise that the choices people around him makes and circumstances people are put into is what defines life ' s outcomes . life is a struggle , period .
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director : k . s . sethumadhavan ; writer : parappuram , from his novel ; producer : m . o . joseph ; cinematographer : mehli irani ; cast : kottarakkara sridharan nair , sathyan , prem nazir , adoor bhasi , ragini , k . p . oomer , sheela , ambika , meena , bahadur , shankaradi , bharathan , muthukulam raghavan pillai , govindan kutty , jose prakash , santosh kumar , p . r . menon
duration : 02 : 28 : 55 ; aspect ratio : 1 . 739 : 1 ; hue : 75 . 335 ; saturation : 0 . 002 ; lightness : 0 . 142 ; volume : 0 . 203 ; cuts per minute : 4 . 600
music director devarajan singer kj . yesudas actors kottarakkara sridharan nair , prem nazir , ragini , sankaradi , sathyan , sheela lyricist vayalr rama varma director sethumadhavan ks
the film has been directed by ks sethumadhavan and has in the cast prem nazir , ragini , sathyan and sheela . devarajan brings edgy and upfront songs for the film .
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directed by r . unnikrishnan which is most popular in gulf countries . the actors and actress of uppum mulakum are now popular among malayalam audience . flowers tv is the official broadcaster of the serial . it’s already completed 420 episodes now which runs around 18 - 25 minutes of each episode .
the serial depicts a life of a family and four kids . biju sopanam , nisha sarangh , rishi s kumar , juhi rustagi , al sabith and shivani are the playing as the main roles in the serial . we have full cast and crew below . let’s check out below .
so you all are searching a for real life of uppum mulakum family . let’s check out below .
biju sopanam , a natural actor started his career as a theatre artist from 1995 . he became famous in uppum mulakum serial which is successfully running in amrita tv . his famous drama ‘natyashasthra’ is widely accepted by malayalees .
nisha sarangh is a famous serial / film actress who is playing as neelu in uppum mulakum serial . she is popular among malayalam family audience as neelu in uppum mulakum . she started her career as film actress in agnisakshi directed by shyamaprasad .
so you all heard about lachu in uppum mulakum . juhi rustagi play as lakshmi ( lachu nick name ) in uppum mulakum serial . she is popular among malyalee audience as lachu . she is an experienced classical dancer from kerala kalamandalam .
one of my favourite character of uppum mulaku serial is keshu . his natural way of acting gives a unique identity for this child artist . keshu alread got huge fans in social medias . al sabith also appeared in ‘kuttikalavara’ , ‘comedy super nite’ and ‘malayali durbar’ as a guest .
shivani menon is a famous child artist playing the role as shiva in uppum mulakum serial . she anchored a phone in a program called ‘kilukkampetty’ . let’s check out her full profile below .
another famous actor of uppum mulakum serial is rishi s kumar who is nicknamed as mudiyan in the serial . rishi also appeared in memorable shows like ‘d4 dance’ , ‘comedy super nite’ and ‘sreekandan nair show’ . he is a trained dancer from kochi . let’s check out his profile below .
director by : r . unnikrishnan writers : shihab karunagappally , jiyo baby , suresh babu etc camera : pradeep madhavan , aji pushkar editor : abhilash viswanath and satheesh kumar b costume : rana prathap
fans and viewers from any parts of the world can watch uppum mulakum serial latest episodes through the official youtube channel of flowers tv .
vijay tv super singer 6 grand finale winner , finalists and more . . .
lead actors , supporting roles > nedumudi venu , aju varghese , vinay forrt , lena , mamukkoya , vk sreeraman , sunil sukhada , joju george , bhagath manuel , sasi kalinga , vinod kovoor , pradeep kottayam , surabhi lakshmi , noby marcose , appunni sasi .
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pora ! was inspired and partly trained by members of the serbian otpor movement which helped bring down president slobodan milošević , and is also allied to related movements throughout eastern europe , including kmara in the republic of georgia ( itself partly responsible for the downfall of president eduard shevardnadze ) , zubr in belarus ( opposing president alexander lukashenko ) , oborona in russia , and mjaft ! in albania .
the teaser ( 1925 film ) , directed by william a . seiter and starring laura la plante and pat o ' malley
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this is not a catalog . this is a discographical tool for researchers . i have no idea how to obtain these records .
this list is maintained by munawar ali , suman bichu , steve cormier , rajkumar kalliat , karl - michael schneider and steve yarmie .
contributions : adel , anantha aiyyer , munawar ali , adam allett , rob baker , geoffrey bellringer , suman bichu , surajit bose , edo bouman , harjinder singh brar , emiel buis , l . g . cool , steve cormier , pankaj dwivedi , per - christian hille , ken hunt , tyler jive , rajkumar kalliat , tony klein , johnny lubber , rafael , j . d . roberts , julianna siegrist , jai singh , dr . varteresz tamas , bruce tutcher , steve yarmie .
minister for cultural affairs m . a . baby announced the state television awards at a press conference here on wednesday .
second - best teleserial — visuddha alphonsamma ( shalon tv ) ; producer sister cilia and director sibi yogyaveedan . best telefilm — ‘the mother’ ( asianet news ) ; producer sreekumar eruvatty , director and script writer jithu kolayad and story writer vincent pereppadan .
best television show — pranamam : mohammed rafi ; producer asianet ; devi ( best dubbing artiste ) .
best short film for children : mangandi ( jeevan tv ) ; producer jeevan varghese and director and scriptwriter ratheesh .
producer of best documentary : millennium communications ( hijra ) , m . vineesh and prabheesh mukundan ( directors of the same documentary ) .
best science and environment documentary : kanam — life story of a midland hill ; producer society for ecology and arts and director babu kambrath ; best biographical documentary : sabdangal telecast by victors’ channel ; its producers information and public relations department and the centre for development of imaging technology and its director m . r . sasidharan .
best documentary of womwn and children : kanneerinte gandham ; its producer asianet communications ltd . and director shamnath puthusserry .
best director of documentary : suneesh surendran ( day three telecast by rosebowl ) ; best news cameraman : v . r . rajesh ( koodalmanikya shethrathile aana telecast by manorama news ) ; best news presenter : m . v . nikesh kumar ( news night telecast by indiavision ) ; best anchor : a . sahadevan ( 24 frames on indiavision ) ; best commentator : nishad rawther ( thokatha india telecast by jai hind tv ) ; and best interviewer : john brittas ( crossfire and question time telecast by kairali tv ) .
best investigative journalist : lebi sajeendran ( bull story telecast by manorama news ) ; best current affairs programme : citizen journalist ( amrita tv ) .
best children’s programme : kuttikalude vartha , its producer jai hind tv and directors simi babu and aparna namboothiri .
special jury awards were won by c . rahim ( for his programme kilivathil , prakrithiyude sabdam telecast by kairali tv and p . k . shyamkrishnan ( oru samarathinte ormakal telecast by asianet news . ) .
at the kerala state television awards 2008 , announced by mr m . a . baby , minister of education & culture , amrita tv got 11 awards : the maximum number of awards among all malayalam channels .
amrita tv is the only television channel in india to have won 40 state awards for excellence in television in just four years since inception .
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enter your email address to subscribe to urltoken and receive latest news and updates of all the malayalam television channels . you can follow kerala tv on google plus , facebook and twitter etc . you can unsubscribe to these services at any time .
bigg boss malayalam ratings - launch episode ( 24 june 2018 ) earned 10 . 33 points
urltoken is a website dedicated for news about malayalam television channels . we are carrying news about malayalam tv shows , serials , reality shows , comedy shows etc . you can get latest malayalam satellite rights , program schedule , serial cat and crew , actress profile etc . we are not streaming or embedding any video content here . we are getting info through official sources , there is facebook page , twitter , google plus and other social media profiles run by kerala tv for instant updates . readers can also follow these social media pages and subscribe to us for all news .
malayalam version of bigg brother reality show launching on asianet cahnnel from 24th june 2018 . mohanlal is the host of the show and there will be 16 contestants .
we are updating latest malayalam film telecast rights purchased by asianet , amrita tv , surya tv , mazhavil manorama , kairali tv , zee malayalam etc .
here is the info about latest malayalam television channels . zee network channel , colors malayalam , surya life , 24 news channel etc are coming soon .
malayalam television channels information online website owned and maintained by anish k . s 9th july 2018
the protagonist of the show is kunchenachan , a patriarch , and head of the family . the show chronicles the last few hours of his life as he remembers it . through the eyes of this aged man , the show tries to show the emotional turmoil a man has to go through . the show revolves around kunchenachan , his four sons - mathukutty , gheevergeese and kunju cherukkan and phillipose and their respective families . the family has a lot of problems that they face regularly . each member of the family has their own set of problems and turmoil that they go through . kunchenachan finds this hard and is often unable to cope up .
he mostly is frustrated and often faces mood swings that are difficult for his family to handle . in order to keep up with the problems and the stress , he finds solace with his friend – kurup , who is a hindu . they both have passionate and lengthy discussions about various things , especially religion . kunchenachan finds this friendship comforting and helpful to cope with the stress . kurup know the stress that his friend is undergoing and provides him opium regularly , in order for him to get a good sleep . things change drastically when kunchenachan starts seeing abraham in his dreams , who proclaims that he only has half an hour to live .
kunchenachan takes this a sign and vows to set things right before his death . the opium he takes regularly bites him back and he suffers a heart attack leaving him bedridden . the doctor advises kunchenachan to avoid opium in order to live , which he finds hard to follow . after suffering a heart attack and recovering , kunchenachan finds his daughter - in - law , denamma with kurup in a compromising situation . this leaves him in a shock and in the process he falls down . being spotted scares both kurup and denamma and they both hatch a plan to kill kunchenachan to save themselves .
they mix poison in the opium he regularly takes which kills kunchenacha . denamma is unable to live with the guilt and takes the poison herself and dies . the show beautifully chronicles the relationship between action and consequences . the various members of the family have a lot of bearing on kunchenachan’s life . their actions affected him drastically , which eventually led to his death . it only strengthens the belief that everyone must pay for their actions . sometimes , good people get caught in the process and then have to suffer the consequences . denamma’s weakness led to the death of a simple man , who always lived by the books .
script writing is something very important to a film ; it’s also instrume . .
malayalam films have a unique way of storytelling which is liked by the audie . .
dileep is a famous malayalam actor who is popular for his stint with comedy . . .
the movie is about the life of people in and around a small temple in kerala . it won best movie award of state after a bitter controversy .
m . g . radhakrishnan march 15 , 1996 | once every year kerala’s motion - picture fraternity is involved in a heated war of words – when the state government announces the annual film awards . last year , when noted filmmaker adoor gopalakrishnan’s art film vidheyan nudged out the box - office hit manichitrathazhu to win the best film award , the issue was endlessly debated in the front pages of malayalam newspapers . this year , it was no different . last fortnight , kazhakam , a low - budget film on the plight of temple workers scored over kaalapaani – at rs 5 crore , the costliest malayalam movie ever made – to win the best film award .
sparks began to fly as soon as state culture minister t . m . jacob announced the awards on february 16 . seema sasi , a former malayalam film star and a member of the jury , told journalists that kazhakam did not deserve the award . “it is a stupid movie . these bearded arty guys can never compose a frame comparable to the spectacular kaalapaani . ” sasi alleged that it had won the award only because v . r . gopinath , an “art ” film director and member of the jury , had threatened to resign . malayalam superstar mohanlal , a co - producer of kaalapaani , declined the award for the second best film . “i believe kaalapaani is the first international - standard malayalam film and deserves encouragement , ” he said . the film’s technical team , which worked two years to complete kerala’s first multilingual mega - starrer , was also unhappy although kaalapaani won six awards , including the best actor for mohanlal . says the film’s director s . priyadarshan : “much research , money and effort went into the film’s making . i wish the committee had been made of knowledgeable people . ” many kerala’s top filmmakers too supported kaalapaani’s producers .
despite the flak , the jury stuck to its guns . says gopinath : “the best film award is not decided on the production cost , cast or special effects of a film , but on its total artistic merit . kazhakam stands out in all aspects . ” m . p . sukumaran nair , the 36 - year - old director of kazhakam , too defended his film . “my film is actually a simple work . ”
other ‘art’ filmmakers backed nair . says director t . v . chandran : “though my film did not win the award , i am happy it has gone to kazhakam . ” in 1990 , nair’s debut venture aparahnam won the stat e award for the second - best film and also won a special mention at the mannheim film festival in germany . sadly , both films are yet to find a distributor in kerala , thus burdening him with a rs 16 lakh debt .
eminent writer and chairman of the jury malayatoor ramakrishnan , however , felt that the whole controversy was simply uncalled for . “all the decisions taken by the jury were unanimous . there was never any pressure exerted on us , ” he said .
though the movie shows the life of people who earn their living by doing service in the temple , it particularly revolves around radha a young and innocent girl who has given her entire life in doing services to god . she lives with her aged mother who lost her son narayanan kutty in an accident and lives in his memory . sometimes she feels he is alive and has hallucinations about him . radha is so kind and patient and attends all her needs . she makes garlands for lord krishna and milks the cows and give the milk to the society .
radha’s day starts by lighting the temple lamps and she does not have a minute to spare . she is liked by everyone in the temple . when ever some bhajan groups come she accommodates them in the temple . once there were a group of three people , an old couple with the young girl called saradha . she is childless and seems to be suffering from some mental problem . the father leaves them and comes and visits them when he has time . saradha was hysterical and sometimes has nightmares . she feels as though some creatures are creeping all over her body and suddenly starts bleeding . radha calms her down and sleep with her .
saradha’s husband is in gulf . she never got a chance to see him after marriage , that is almost 3 years now . she felt so secure in radha’s company . they left after a week . kalyani , radha’s friend has a very bad opinion about saradha’s character . but radha never gives room for gossips . the gaurdian of the temple sometimes read romantic novels and smokes too . the other guardian thirumeni is too takes drinks once in a way when he travels . but they do all rituals in the temple with so much devotion . radha’s mother fell down while plucking flowers and she has to be nursed for few days .
radha has another guest now . rahavan master a school teacher wants radha to accommodate another guest , a new appointee nandini who is joining the school and has no place to stay . she is married to a postman and posted in rahavan master’s school . she has a baby and her husband could not join her . she found radha’s place safe and secure and her husband visits her during weekends . radha is so attached to the baby .
sometimes her husband visits her and radha feels lonely and thinks that she lost some good things in life after seeing them intimate . but she tells herself that she is dedicating her life only to lord krishna , though she had a crush on her brother’s friend once . but nothing materialized . nandini was pregnant with her second baby . she could not spend much time with kannan . kannan spends most of his time with radha .
one day kannan fell sick . he was running high temperature . radha tried all home remedies but nothing worked . they took him to the local vaidhyar who said it is a serious illness and gave some medicine . still he wasn’t alright . they have to rush to the town hospital and he was given drips . everyone was very anxious . radha never left him even for a minute .
in spite of good medical treatment kannan succumbed to the illness . more than his parents radha got affected by his death . he started behaving in a strange manner . she believed kannan is alive and started playing with him , feeding him and sleeping with him . she started performing the last rites for him . thirumeni and others tried to stop her from behaving like this . but she was adamant . she says it is actually krishna himself chose to live with her for few days and she has to do her duty as a mother . she asked the temple guardian to give free meals to all those who visit the temple on that day . thirumeni was so sure that she has lost her mental balance .
oneday she took all the toys kannan used to play with , in a cloth , removed all her jewelry and made it as a bundle . she went to the pond nearby and just immersed herself with the bundle . probably she couldn’t continue living without kannan .
urvasi has given a stellar performance and she didn’t take a single penny for her role .
super hit malayalam songs from 1 . thanks a lot pradeep for sharing this list , this is just awesome selection . great work buddy . aaayiram kannumaay - nokkethadoorath kannumnattu - 1 . aadivaakatte padivakatte - koodevide - 1 . aadyamay kandanaal - thooval kottaram - 1 . aadyasamagama lajjayilathira - ulsavam - 1 .
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aadyavasanthame - vishnulokam - 1 . aakash poikayil undoru ponnin thoni - pattuthoovala - 1 . aakasha gangayude karayil - omanakuttan - 1 . aakashadeepam ennum unarumidamayo - kshanakathu - 1 . aakashamake kanimalar - namukkuparkkan munthirithoppukal - 1 . aalapanam thedum thaimanam - ente sooryaputhrikku - 1 . aalapanam - ganam - 1 .
aalilakanna ninte - vasanthiyum lakshmiyum pinne njanum - 1 . aalilamanjalil neeyadumbol - suryagayathri - 1 . aalipazham perukkaan - my dear kuttichathan - 1 . aalola neela vilochanangal - veendum prabhatham - 1 .
aalorungi arangorungi - ente mamattikuttiyammakku - 1 . aambal poove - kavalam chundan - 1 . aamballoor ambalathil - mayamayooram - 1 . aamukham kandanaal - yuvajanolsavam - 1 . aanimishathinte nirvrithiyil - chandrakantham - 1 . aaraagam madhumayamam - kshanakathu - 1 .
complete winners list of 64th national film awards 2017 feature films awards . best actor - akshay kumar ( rustom ) best actress - surabhi lakshmi ( minnaminungu ) .
aaraathri manjupoyi - panjagni - 1 . aarattinanakal ezhunnalli - shasthram jayichu manushyan thottu - 1 . aarattukadavil arakkoppam vellathil - vengalam - 1 .
aareyum bhavagayakanakkum - nakhakshathangal - 1 . aaro viralmeetti - pranayavarnangal - 1 . aarodum mindathe - chinthavishtayaya shyamala - 1 . aaru nee vinmakale peru chollamo - gazal - 1 . aascharya choodaamani - theekkanal - 1 . aashada meghangal nizhalukal erinju - ente mohangal poovaninju - 1 .
aashadam mayangi - sathyavaan savithri - 1 . aashadamasam athmavilmoham - yudhabhumi - 1 . aathira ravile ambiliyo - adhyapika - 1 . aathma vidyalayame - harichandra - 1 . aattinakkareyakkare aarano - ummachu - 1 .
aattirambile kombile - kalapani - 1 . aavani ponpulari - panchathanthram - 1 . aayiram ajantha chithrangalil - shangupushpam - 1 . aayiram maathala pookkal - anupallavi - 1 .
aayiram padasarangal kilungi - nadhi - 1 . aayiram villodinju - akkarapacha - 1 . aazhi alayazhi - dathuputhran - 1 . aazhithiramalakal - mukkuvane snehicha bhootham - 1 .
agniparvatham pukanju - anubhavangal palichakal - 1 . ajnatha sakhi athmasakhi - ollatumathi - 1 . akale akale neelakasam - midumidukki - 1 . akkare ikkare ninnalengane - itha oru theeraml - 1 .
allimalarkavil pooram kanan - midhunam - 1 . alliyambal kadavilannarakku vellam - rosi - 1 . alliyilam poovo - mangalam nerunnu - 1 . ambadi payukal - chandranudikkunna dhikkil - 1 . ambala parambile aaramathile - ningalenne communistakki - 1 .
ambalakulangare kulikkanchennappol - odayilninnu - 1 . ambalapuzha velakandu njan - kakkathamburatti - 1 . ambalapuzhe unnikannanodu nee - adwaidam - 1 . ambili ammava thamara kumbilil enthundu - nadakaganangal anakha sangalpa gayike - aniyara - 1 .
anchuswarangalum porathe manmadan - parinayam - 1 . andhiveyil ponnuthirum - ulladakkam - 1 .
andholanam - sargam - 1 . anganamaar moule - angathattu - 1 . anjana kannezhuthi - thacholi othenan - 1 . annaloonjal ponmadiyil - purappadu - 1 . annu ninne kandathil pinne - unniyarcha - 1 . annu ninte nunakkuzhi thelinjittilla - pareeksha - 1 .
anuragalola gathri varavayi neela rathri - dhwani - 1 . anuragini ithanin - oru kudakkeezhil - 1 . anuvaadamillathe akathuvannu - puzha - 1 . anuvadikku devi anuvadikku - theerthayathra - 1 . arabikadaloru manavatti - bhargavinilayam - 1 . arabikkadale arabikkadale chodichotte - surumayitta kannukal - 1 . aradhyam parayum - mazha - 2 .
araliyum kadhaliyum - jathakam - 1 . arayannakiliyonnen manasathil - manyamahajanangale - 1 . arayarayarayo kinginiyo - punnaram cholli cholli - 1 . arayil otta mundudutha penne - oru sundariyude kadha - 1 . ariyaatha doorathilengu ninno - oru sayandanathinte swapnam - 1 . ariyathe ariyathe ennile ennilnjan - orukadha oru nunakadha - 1 . arukil nee undayirunnengil - neeyethra dhanya - 1 .
ashadhum padumbol - mazha - 2 . ashokapoornima vidarum vanam - marunattil oru malayali - 1 . ashtamudi kayalile annanada thoniyile - manavatti - 1 . ashtapadiyile nayike - jeevikkan marannupoya sthree - 1 . aswathi nakshatrame - danger biscut - 1 .
athapoovum nulli - punnaram cholli cholli - 1 . athmavil muttivilichathupole - aranyakam - 1 . athmavin pusthakathalil - mazhayethum munpe - 1 . aval chirichal muthupozhiyum - vilakku vangiya veena - 1 . avidunnen ganam kelkkan - pareeksha - 1 . azhake - amaram - 1 . balikudeerangale - nadakaganangal bhoomithan sangeetham nee - anthiveyilile ponnu - 1 .
brhmakamalam sreelakamakiya - savidham - 1 . chaithanilavinte ponpeeliyil - oral mathram - 1 . chaithram chayam chalichu - chillu - 1 . chakravarthini ninakku njanente - chembarathi - 1 .
chalanam chalanam - vazhvemayam - 1 . chandana kuriyumai sukruthavaniyil - oru nokku kanan - 1 . chandana manivathil paathi chari - marikkunnilla njan - 1 . chandanacholayil mungineeradumee - sallapam - 1 . chandanalepasugandam - oru vadakkan veeragatha - 1 . chandanam manakkunna - achuvettante veedu - 1 . chandanathil kadanjeduthoru - shasthram jayichu manushyan thottu - 1 .
chandrabimbam nenjilettum - pullimaan - 1 . chandrakalabham charthiyurangum - kottaram vilkkanundu - 1 .
chandrakkala manathu - picnic - 1 . chandranudikkunna dhikkil - othenante makan - 1 . chandrapalungu manimala - kanyakumari - 1 . chandrika charchithamam rathriyodo - puthrakameshti - 1 .
chandrikayil aliyunnu chandrakantham - bharyamar sookshikkuka - 1 . charulathe chandrika kayil kalabham nalkiya - romeo - 1 . cheerapoovukalkkummakodukkana - dhanam - 1 . chellacheru veedutharam - nyayavidhi - 1 . chellakattin pallitheril - mimics parade - 1 .
chellam chellam sindhooram - chambakkulam thachan - 1 . chembaka pushpa suvasitha yamam - yavanika - 1 . chembakapoo mottinullil - ennu swantham janakikutty - 1 . chembakapoomkavanathile poomarachottil - aabhijathyam - 1 . chembakathaikal pootha - kathirunna nimisham - 1 .
chembarathipoove chollu devane nee kando - shyama - 1 . chempoove poove nira marathe - kalapani - 1 . cheppukilukkana chengathi ninte - nadakaganangal chethi mandaram thulasi - adimakal - 1 .
chetti kulangara - sindhu - 1 . chingavana thazhathe kulirumkonde - nirakudam - 1 . chinnum ven tharathin - jeevitha samaram - 1 . chirikkumbol koode chirikkan - kadal - 1 . chirikkumbol neeyoru sooryakanthi - chandrakantham - 1 .
chiriyil njan kettu geetham sangeetham - manasse ninakku mangalam - 1 . chiriyo chiri - kaduvaye pidicha kiduva - 1 . chithira thoniyil akkarepokan - kayalum kayarum - 1 . chithrakanyake ninmukham kanumbol - chirikudukka - 1 .
chithrashilapalikal kondoru - brahmachari - 1 . chithravarna pushpajalam - ayalathe sundari - 1 . chotta mudhal chudalavare - pazhassiraaja - 1 . daivam thanna veedu - aval oru thudarkatha - 1 .