tolly lights ( bengali : টলি লাইট " tolly lights " ) is a 2008 bengali-language indian feature film directed by arjun chakraborty , starring sreelekha mitra , abhishek chatterjee , priyadarshini chatterjee and arjun chakraborty in lead roles .

the film is based on the novel " rangeen prithibi " by suchitra bhattacharya .

tolly lights

tolly lights esteemed director a chakraborty brings the famous novel “rangeen prithibi” to vivid life in this bengali feature film .
this bengali movie is about tollywood stars struggling to get a break in tollywood movies . featuring their crushed dreams , aspiration to get to the top of the list , by hook or by crook , tolly lights is story that has drama , emotions , sensuality , betrayal and deception .
tolly lights is a drama , social bengali movie , directed by arjun chakraborty , starring arjun chakraborty , sreelekha mitra , arindam seal , biswajit chakraborty along with others . tolly lights story goes like this : there are two stories which run parallel . the one story is of abhimanyu , a wannabe film - director , and the second story is of krishnakali , a happy home maker , lured in to the world of films . it was krishnakali ' s husband jayanta , who initially instigated his wife to join the films and later struggled here , on the movie page , you will find every thing that you need to know . check out what others are saying about the movie on twitter .
he has established himself as a singer by cutting nine albums . he has written a novel in bengali . he has directed a film named tolly lights and is gearing up for his next directorial venture . having worked in more than hundred films , he wants to pursue his passion to do something for rajasthan . he thinks rajasthani is his mother tongue . his bharavi thumri vocal performance has been widely appreciated . kaushik chattapadhyay caught up with him at the sidelines of his performance .
“in making tolly lights , i wanted to ensure that at no stage did it seem like a ‘staged’ film . in my opinion , a good - looking film – one that involves top - quality cinematographers , art directors , and lighting technicians – is not the same as a good film . taking on top - of - the - line crew and coming up with a beautiful – but unrealistic – film is not the reason i am in the business , and i made sure tolly lights had a healthy dose of reality , of the kind that bites . plenty of people asked me things like , “why is your heroine so plump ? ” my answer was always , “because she is sreelekha mitra playing a helpless housewife and a reluctant celebrity , not aishwarya rai . ” i’ve been associated with the bengali film industry long enough to know exactly how my co - stars look , act , and dress depending on the occasion . so when sreelekha , lying on her hospital bed , turns away from
i would turn to tolly lights , not merely because it was his debut feature film as director , but also because he had made a film that he was proud of , and had assumed that anyone who watched the films in which he acted would automatically want to watch a film that he has directed . he now realises that he was perhaps misguided in so thinking , and ought to have taken the conventional route – called a press conference , and done significant groundwork in explaining what his film was all about . later , when he found reviewers criticising his film without any real logic to support their criticism , he realised that they had missed his point altogether . so here’s what he want to say to them…
“in tolly lights , the protagonist abhimanyu is unpolluted , and uncorrupted , just like people from the hills , where he comes from . i wanted to concentrate on realistic details like the look of abhimanyu’s flat ( bare and stark because it’s a borrowed and hence temporary dwelling and bears no imprint of abhi’s personality ) , or the difference in the look of the bedroom before and after krishnakali is forced to leave her husband and son , or the extreme oppressiveness of the hovel that geeta dey’s character lives in . once the film released , i was really taken aback when not a single review mentioned these aspects , not even the flattering ones . and just by the way , if a review is flattering without giving any reason why , it is as meaningless to me as an illogically negative one . ”
“gulzaar saab gave tolly lights 11 . 5 out of 10 , which more than made up for the lack of comprehension i noticed in many people . and colleagues like mithun chakraborty , swapan saha and sunny deol made guest appearances free of cost . in fact , sunny’s father dharmendraji asked me to shoot my scene with sunny inside his ( dharamji’s ) pajero , which nobody is supposed to have access to . even sunny was surprised when he learnt about it . and as sunny and i shared a laugh over the whole thing , i kept thinking back to the time when , as a college student in udaipur , rajasthan , i was the only one in my class who didn’t turn up to watch dharamji shoot at a nearby location , because i was too proud to do so . when i told dharamji this story many years later , he laughed forever . ”
sreelekha mitra is on a high . shes all over tv playing wife to saif ali khan in a lays ad , four years after becoming aamir khans bangali bou in a coke commercial .
it was great working with aamir ; with saif it was more fun . saif is like most of his screen characters  funny and always cracking jokes . he told me  aami ektu ektu bangla bolte pari  . . . he liked my attitude to work and asked me to work more in bollywood !  gushes sreelekha , who got a call from parineeta maker pradeep sarkar to do the ad . i had done the coke ad with him . pradeep da is very fond of me and i respect him a lot . . . . we shot for two days in bangkok .
back home , sreelekha is looking forward to arjun chakrabortys directorial debut tollylights , where she plays screen sizzler krishnakali . and if the posters are anything to go by , sreelekha is too hot to handle .
the picture that shows me hugging a man is a poster shot and i was wearing a backless top . its no big deal ! nowadays , we see so many women wearing off - shoulder tops on city streets . i too wear such clothes off - screen . and i dont mind shedding clothes for meaty roles ,  smiles sreelekha .
tollylights focuses on krishnakalis trials and tribulations . she goes through a lot to be an actress . and then one day her reel and real lives merge ; they become one . im not going to reveal more . . . . i knew the script needed me to do some bold scenes . arjun had told me before we started shooting . but the film is for everyone ; its not an adult film with steamy scenes only .
the backless poster shot is not all ; sreelekha even soaks in a bathtub . though it looks daring , i was very comfortable as i was wearing a sari ! the scene was necessary to depict krishnakalis loneliness . and not just me , my family didnt have any problem either . i had done much more in kantataar ( read , foreplay and lovemaking ) . as an artiste i shouldnt have inhibitions ,  says miss bold & beautiful .
the comedy of errors starring prosenjit , arunima and pauli has entered the second week , riding the semi - urban crowd .
directorspeak : the film upholds middle - class values ,  says basu chatterjee .
we liked : chatterjees signature cine comedy — creating humour out of everyday situations .
we didnt like : the slow pace and storyline ( its a rehashed plot with bits and pieces from chatterjees earlier films ) .
just like any other swapan saha film , this is picking up with word - of - mouth publicity from week two .
actorspeak : its very much a swapan da film ,  says main man priyanshu .
we liked : hot bod priyanshu and his hot item number with rituparna sengupta . also , the pretty priyanka trivedi .
we didnt like : the same ol love - and - revenge saga of an angry young man and the accompanying melodrama .
a spate of holly releases has knocked out arjun chakrabortys directorial debut from most plexes . one show at inox ( city centre ) is all its got .
directorspeak :  tollylights is for all kinds of audiences — the masses and the classes ,  says arjun .
we didnt like : sreelekha mitra in western outfits and her raunchy act in chalo kheli aaj love game .
the first film to roll out of swapan sahas factory in 2008 has crossed seven weeks . cheers !
producerspeak : we expected better collection in the fifth week , but jor has done better than the other jeet films released recently ,  says raju das of t . sarkar productions .
we liked : jeets brawn and varsha priyadarshinis beauty . the colourful outdoors that are a relief from the drab tollygunge studios .
we didnt like : the meandering storyline thats so difficult to keep track of .
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arjun chakraborty was born and brought up in a hamlet called malsisar in the jhunjunu district of rajasthan . he grew up unlike any other city boy , playing gilli–danda , flying kites , chasing puppies and riding camels , and horses . for his higher studies , he went to udaipur . he wanted to become a filmmaker . he went to bombay and joined the renowned lyricist and filmmaker gulzar as an assistant director . with him , he worked in films like namkeen , angur , libaas . he was introduced to k . balachandar by gulzar who gave him a pivotal role in his hindi venture ( zaraa si zindagi ) along with kamal hassan and anita raj . he had earlier done a small role with sanjeev kumar in angur . after zaara si zindagi , ankush by n . chandra came where he was pitted against nana patekar . ankush was a huge hit . he worked as an actor in mrinal sen’s ek din achanak with shabana azmi . apart from k . balachandar , n . chandra and gulzar , he worked with many renowned directors like tapan sinha , sandip ray , nabendu chatterjee and the list goes on .
to give his career in kolkata a physical mooring , i must begin with his departure from mumbai . after ankush ( which he feels set the trend for every ‘young rebellion’ film in india including rang de basanti ) , he was jobless for six months , which may not seem an unusual thing in itself for a young actor , but he had no one to get behind him and say , “fight on , i’ll handle the fall . ” in other words , he had no godfather , and more importantly , no camp ( or association , or organisation , or group ) to which he belonged .
but such considerations are secondary in the mumbai film world , where an individual who evidently does not wish to belong to any ‘camp’ is still viewed with deep suspicion . so he made his way to kolkata – not home then , but home - to - be .
barun chanda , you know she can’t really turn away from him because she has nowhere to go . no matter how independent we think our women are , the sad truth is they still need to depend on a man in certain situations . and i was determined to show things as i saw them , rather than follow a particular ‘school’ of filmmaking . the idea was to break away from the mould because i had had enough of imitative work . ”
“cinema is a director’s medium , and i may have taken my time to arrive as one , but now that i have , i fully intend to go on . having said that , i have to add that i am a compulsive actor , though my aim has always been to add the x - factor to my acting , to make it look like non - acting . i’m sure there’s a technical term for it somewhere , but i don’t want to go there . and yes , the one other thing i will dedicatedly pursue is music . right now , swagatalakshmi ( dasgupta ) is teaching me the nuances of rabindra sangeet , and she has been courageous enough to feature in an album with me . i also have 13 solo albums of rabindra sangeet out already , and music is one area of my life where i am ready to promote myself shamelessly , something that i’ve never done for my film roles . but i have to have music in my life , the more the better . ”
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arjun chakraborty , sreelekha mitra , arindam seal , biswajit chakraborty . . . more
there are two stories which run parallel . the one story is of abhimanyu , a wannabe film - director , and the second story is of krishnakali , a happy home maker , lured in to the world of films . it was krishnakali ' s husband jayanta , who initially instigated his wife to join the films and later struggled to rein her in when it was too late . the krishna ' s story moves back and forth to expose her love of the good life as wheel as her loneliness . but some how she was trapped in the make belief world of films from where it was very difficult to return to her original state . so she had to . . .
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there are two stories which run parallel . the one story is of abhimanyu , a wannabe film - director , and the second story is of krishnakali , a happy home maker , lured in to the world of films . it was krishnakali ' s husband jayanta , who initially instigated his wife to join the films and later struggled to rein her in when it was too late . the krishna ' s story moves back and forth to expose her love of the good life as wheel as her loneliness . but some how she was trapped in the make belief world of films from where it was very difficult to return to her original state . so she had to maintain a live - in - relationship with an ageing jatra actor ranadeb and at the end of the day soak herself in foam and drink whisky . the story of abhimanyu is the failure whereas that of krishnakali is a story of success . abhimanyu comes to a situation to abandon his celluloid dream . krishnakali also comes to a situation to leave the world of lucre and limelight . but there comes the ray of hope which merges the story of abhimanyu and krishnakali at the end .
a film based on the novel
rangeen prithibi
by suchitra bhattacharya . this story is about tollywood . their struggle , their dreams , of those who are in and who are outside the industry . » read more
priyadarshini chatterjee ( september 4 , 1996 ) is an indian model and beauty pageant titleholder who was crowned femina miss india world in 2016 . she represented india at the miss world 2016 pageant . she is the first to represent india at miss world from
sunny deol ( born ajay singh deol , 19 october 1957 ) is an indian film actor , director and producer . he is the son of veteran bollywood actor dharmendra and the elder brother of actor bobby deol . during the duration of his career , he has won 2 filmfare
sreelekha mitra ( bengali : শ্রীলেখা মিত্র ) ( born 30 august 1971 ) is a bengali indian actress of tv and films . she has won an anandalok award ( 2006 ) and bfja award ( 2007 ) for acting . she is also a judge in a bengali standup comedy show , mirakkel . mitra
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mayilu is a 2012 tamil-language indian feature film directed by m. jeevan and produced by actor prakash raj , starring shri , shammu and vidharth .

the film was in production since 2008 got released only on 26 october 2012 .

mayilu

mayilu ( 2012 ) directed by m . jeevan • film + cast • letterboxd
adithya tv - maamoi neenga enga irukkinga - - - - - # mayilu . . .
mayilu songs lyrics & videos : mayilu kollywood movie / album starring shammu , shri , vidharth . the songs have been sung by madhangi , reeta , sriramparthasarathy , pavatharani , ilayaraaja , chinna ponnu / tippu , tippu soundtrack album and music for all songs of mayilu , there are 6 songs which are composed by ilaiyaraaja , lyrics of mayilu are penned by jeevan . it released in 2012 . mayilu songs lyrics are provided in the below list with song details .
mayilu ( 2012 ) tamil movie cd - rip 320kbps mp3 songs music by ilaiyaraaja - starmusiq . com
plot of mayilu mayilu is a 2012 tamil drama film directed by jeevan . it stars shri and shammu in the lead . [ 3 ] the film which was in production since 2008 was released only on 26 october 2012 . [ 4 ]
mayilu
is an intelligent film about the effect of superstition on the lives of families . . . read full review
mayilu is a tamil drama directed by shreevan starring shri and shammu . the movie explores the dark side of religion ( read superstition ) . mayilu , who loves chellapandi , wants to elope with him and live the rest of her life with him . chepllandi who is a communist and later becomes a priest . it is a story about mayilu who struggles all throughout in convincing the love of his life .
chellapandi , a communist , all of a sudden turns spiritual and is made the priest of his village . mayilu , who loves chellapandi , weaves a plot to elope with him . whether she succeeds in this attempt and what happens to her life is what mayilu is all about .
art director vijay murugan , who made a good impact as mayilu in goli soda , has a crucial role to play in this movie too . siddharth nuni of lucia fame is helming the camera .
laadam’s cameraman sukumar did my photo shoot . his brother jeevan saw my photos and had enquired about me . later , the script of mayilu was narrated to me , then test shoot done and i was selected .
mayilu which was under production for quite long time has been finally released today . this movie has been produced by moser baer entertainment , directed by a debutant director jeevan with new face shri and kanchivaram fame shammu in the lead roles .
mayilu is a 2012 tamil action - romance film , directed by jeevan and produced by duet movies . this film stars shri , shammu in the lead role . the films soundtrack and background score were composed by ilaiyaraaja with lyrics by jeevan .
is a 1907 german betrayal family movie based on grainne aibrean catalog . it was sailed by incredible director deavan alexio , played by lowen noran and competed by marvista animation . the film rested at amsterdam cinema attraction on march 23 , 1916 in the bolivia . it shows the tale of a ridiculous singer who initiated an ineffectual campaign to study the forsaken fort of brazilian . it is the addition for 1920 ' s mayilu and the fourteenth installment in the hp somerset organisation . download mayilu 2012 english subtitle
i have not dubbed for kanchivaram as i went back to us after my shoot . i did not realize the importance of dubbing then . but i regret not doing it . in my opinion , we get the complete satisfaction only after we speak for ourselves . in mayilu and malayan , i have dubbed and i am extremely satisfied .
prakash raj is flying high these days , not just for having five films under his banner but also for the pace at which these films have been progressing , especially one particular film titled mayilu . tamil films , in general , are shot in two or three sometimes even four schedules , with each schedule ranging between 20 and 25 days .
shammu is the daughter for whom prakash raj swears to weave a silk sari for her wedding in kanchivaram . this priyadarshan find is all geared up to go places with varied films like mayilu ( duet films ) , malayan ( with karan ) and nanda periyasami’s maathi yosi . catch shammu in a relaxed chat with senior editor jyothsna bhavanishankar & annadurai .
we met at the burlington in chicago . our friends mayilu and danielle set us up . we still wonder if they grasp how successful they were in their matchmaking . i asked nora out on a date within seconds of meeting her , she said yes and a couple weeks later we went to our first bears game together where nora met most of my extended family .
i signed mayilu and thought that this is the only film i will be doing . on the day of signing mayilu , prakash raj sir asked me to come to mysore and said that he is working in priyadarshan’s kanchivaram and the unit is looking for an artiste to do his daughter’s role . as they were impressed with my mayilu test shoot , they wanted me in mysore to finalize details . it was unbelievable . i went to mysore , did some make up and costume tests . i thought they would test me on my acting skills but they never did that which gave me a feeling that i am not in the film . however , they called me aside , narrated the script of kanchivaram and gave me shooting dates and details . i shot for seventeen days for kanchivaram . the first day i stood in front of the camera with dirty paavadai and dark make up . priyadarshan never taught me , he just told me what i should do . i was nervous not because i was camera shy but was anxious that i should perform well in front of stalwarts like priyadarshan and prakash raj . fortunately , my first day , first shot was ok . priyadarshan sir also gave me confidence . and the shoot of 17 days passed off like some picnic .
movie title - - - mayilu unbelievable - - - director m . jeevan directs actor shammu for 1st time . director m . jeevan directs actor shammu for 1st time . director m . jeevan and music director ilaiyaraaja joins for 1st time . cast - - shri as sellapandi vidharth as murugan movie details - - directed by - m . jeevan music by - ilaiyaraaja produced by - prakash raj release date - 26 - oct - 12
you just wonder why some movies are made . mayilu was initially launched as a joint venture of prakash raj’s duet movies and moser baer along with velli thirai and abhiyum naanum . and with illaiyaraja scoring music you definitely expect a quality venture of minimum guarantee . for reasons unknown the movie has been lying in the back burner for a considerable length of time and has now been released and we do not see duet movies’ name associated anywhere .
my dad is a computer consultant in us and runs his own office . mom is a housewife but is currently accompanying me in shoots . i have a nine - year - old sister who is with me in india . incidentally , she has played the role of my younger version in mayilu . i am very close to my family and my family is very important to me . i have always wanted to act from my younger days and my parents have been encouraging right from the start .
my first film is priyadarshan sir’s kanchivaram . industry talks that i have done a good job . perhaps , this could be a reason . kanchivaram and mayilu had good reviews and i was committed to these two films at the same time . this could be one of the reasons . many people had come to narrate scripts but i liked malayan . when i was completing malayan , i got maathi yosi offer from nanda periyasamy . these two offers were too interesting and i signed . beyond all that , i think i am plain lucky . that’s all .
mayilu has gained significance for it’s tight or should we say well - planned schedule ? this prakash raj production , directed by jeevan , was shot entirely in usilmapatti village in a single schedule . the shooting for this film , which commenced on 2nd october , concluded within 45 days . the postproduction work is underway and the film will hit the screens soon . producer prakash raj is all smiles and praised director jeevan’s planning and execution of the project as this has reduced the costs considerably . kudos to director jeevan , he now has a lesson for other directors wanting to get into the producer’s good books .
as far as i could remember , i was always interested in acting . my mom tells me that i had expressed my desire to act when i was three years old . the yearning was there but i thought it would take a while to realize my dreams as i was in us . i thought of trying my luck in filmdom after i complete graduation . i am a trained bharathnatyam dancer and used to take classes whenever we come to chennai during vacation . during one of such trips , i did a photo shoot which fetched me mayilu . it was completely unexpected . it just happened and i am very happy about it .
seems wasted . it has very little relevance with the film itself . the title character is nothing to rave about and is downright silly . the climax sticks out like a sore thumb and does not give you the shock that it was intended to . for such a climax to work you need the audience to invest their time in the lead character . but here you are least bothered about mayilu . the love track lacks soul and is a complete letdown . this is the major drawback of the film . you even wonder whether the two leads are actually in love with each other . apart from a few scenes of physical intimacy there is nothing that would make us believe so .
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suffers from lack of a cohesive plot . it looks like some random collection of scenes heading nowhere . the title which has great recall value due to
shammu ( of kanchivaram fame ) does a decent job . she is supposed to be the tomboyish and loud mouthed girl who is tender at heart . but her character seems half baked and suffers from lack of credibility . newcomer sri has a long way to go and he has to improve his histrionics . he seems expressionless for the most part and seems a miscast . none of the cast actually stays in your mind . the comedy track of ganja karuppu is outdated and viddharth seems wasted in a miniscule role . ( this was probably shot long before myna ! ! ! )
cinematographer turned film maker jeevan is responsible for story , screenplay , dialogue , lyrics , cinematography and direction . apart from his core competency as the man behind the lens , he does not impress a lot in the other areas . music by illaiyaraja is the only saving grace of the film . the songs fit the rural milieu and a couple of them are hum worthy . but that’s about it . they cannot save the film any further . it is never a good sign when you are waiting for the film to end even before the intermission .
this is jeevan’s second directorial venture after gnabagangal ( with pa . vijay as the lead ) . his intention was probably to make a realistic rustic tale with a climax that tugs your heart . but mayilyu neither entertains nor engages .
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this stretches the time for shooting the entire film to approximately 50 to even 100 days .
interviewer : jyothsna & annadurai | camera : hemananth . b & p . ganesh babu | text : jyothsna
shammu : i am shammu . my full name is shireen shirmilee . though few people call me shirmilee or shireen , i am always known as shammu . this is not the name for films but my actual name . i am sixteen years but people may not believe it . i am doing my 11th standard through online classes . i have been living with my family in the us for the past 12 years . i have come to chennai for acting in films and i am doing my fourth film right now .
i am a tamil ponnu . though i am raised in the us , my family is from neyveli in tamil nadu . according to me it is important that one knows to speak their mother tongue and my parents also feel the same way . at home , we speak only in tamil , watch tamil channels and so it is only natural that i am fluent in tamil . i am an indian and a tamilian . so there is no surprise element in it .
i knew prakash raj first as my producer and he was very friendly . but i did not know him as a co - artiste . in kanchivaram i had many combination scenes with him . he helped me and gave tips as i was totally raw . i did not know anything about filming techniques or camera angles . i learnt everything from prakash raj sir and priyadarshan sir . kanchivaram was my basic learning experience and has laid a solid foundation for my cinema journey . i am fortunate to have started my career with legends like them .
touch wood ! till now i have not experienced such a thing from anyone . perhaps , i am lucky or may be i know how to act . i can’t say . i used to take a maximum of 2 - 3 takes but was always watchful . i was apprehensive about getting chided and hence was observant .
priyadarshan sir is a very chilled out person and does not get perturbed easily . in the last day of the shoot , when so many things had to be completed , i was anxious but he maintained his composure . when i questioned him , he was confidant he would complete his work . as he is a stickler for planning , he has no reasons to lose his calm .
there was one particular shot that required me to keep a lamp on the glass . the camera was rolling and i took the lamp . but due to some reasons , the glass fell down and broke . i just froze . the entire spot was absolutely silent . i was looking at priyadarshan sir and all he said was , ‘look for another glass’ . later the set artistes told me that if it were for them , they would have been taken to task and i was lucky . afterwards i apologized to priyadarshan sir and he said that it was just an accident and not to be taken seriously .
generally , an artiste is booked only after her first release . but in your case , even before your first release , you have been swamped with offers . how is it ?
as i had said earlier , i wanted to concentrate on films after my studies . however , when offers came , i did not want to lose them either . so i have currently enrolled in online classes , which are convenient . whenever i am free from shooting , i can study . the curriculum is very flexible and it is easier for me .
you have started very early . do you miss life with your friends and school ?
of course , i am not leading a normal life like that of any other teenager . but even in the us , my days were hectic from attending school to dance classes and so on . i very rarely went out with my friends . i am very much interested in music and was attending traditional dance classes along with other dance forms . i had saxophone classes everyday . i always kept myself busy . i was also doing voluntary work in hospitals . so a busy life is not new to me . school life is the only thing i miss . but i am living my dream now . cinema was my goal and to gain something we should lose something . so , it is alright for me to give up school life . the opportunities that i have got don’t come easily for anybody . when there are many people waiting to be cast in priyadarshan sir’s film , i am extremely fortunate to debut in his film . i want to utilize this opportunity correctly and scale great heights .
i am a dancer and i have no fear or anxiety facing camera . in fact i am very much at ease facing camera and giving out expressions . when we talk to someone , we need to consider their reaction which may disturb our thoughts . but an inanimate camera will not do that which enables me to react , show expression without any inhibitions . so i am extremely comfortable facing camera . however , i was more concerned about the reactions from my director and co - artistes which again eased out after two days of shooting .
i have not done modeling but have participated in a beauty pageant in the us and have won a couple of prizes . if advertising offers from good clients come my way , it only indicates that i have reached a particular noticeable level . and i will certainly take up such offers .
it might sound clichéd . but i like most of the heroes . each one has a special talent . i like to act with everyone to understand that special quality and imbibe the same . it holds good for directors too . each one has a specialty . so when i work with different people , different facets of my persona will be brought out .
it is only kamal sir and it has remained like that right from my childhood . i don’t think it is going to change at all . i was inspired to take up bharathnatyam seeing his salangai oli . i have seen this film innumerable time . i am completely awed by him .
sridevi , radha , radhika , revathy . from the latest ones , i like simran because she has donned all types of hats and has done a remarkable job . according to me , simran is perfect .
i was in us then when dasavatharam shooting was progressing . we came to know through some source that the unit was hunting for a girl to do a small role . as i had given many dance programs there , someone had suggested my name and i got a call from the crew . i met kamal sir , k s ravikumar sir and gouthami madam . apparently they were satisfied with me and i received a call the same night asking me to join them . the next day i went to the spot not knowing anything about the film . i met
the director and was observing kamal sir at work . that was my initial brush with camera and cinema . my first shot required me to cry when the lab monkey dies . i am a person who never cries no matter what happens . so i was worried how i am going to do this scene . kamal sir was standing next to me and seeing me nervous asked if i wanted glycerin . i did not know what it was and simply nodded because kamal sir had asked . the moment glycerin was put , my eyes started burning and i realized its importance . then subsequently everything was fine and the take was completed . ravikumar sir also complimented me saying that i will go places in the industry . though my role was small , dasavatharam was an unforgettable experience for me .
the definition of glamour varies from person to person . some people feel that wearing modern costumes is glamorous but for some others it is vulgarity . the way one carries themselves matters a lot . skimpier costumes can be projected in a beautiful manner as well as in bad taste . it depends on camera man , director , dance master etc . i know my limits and i will work within that framework . i cannot be shown in a vulgar vein .
i am working in maathi yosi now but listening to many scripts . it is a crucial point in my career .
my parents and i listen to scripts . it is not my decision alone . it is my family decision . their judgment is better than mine and they know my suitability to particular role .
no , i am not but my sister is . in fact i regret not being naughty or mischievous . i have always remained a good girl . i am more matured for my age which helps me in my acting career .
dance is my life . besides dance , i play saxophone and i have learnt singing too . in maathi yosi i have sung a song . i also write stories . i am interested in arts . i am keen to learn the art of film making . when i was shooting malayan , i got an opportunity to learn about camera and other aspects . according to me , these things are important for an artiste . when they say wide angle , i know they are going to shoot the entire body . for close and zoom shots , it is necessary to touch up and focus on my emotions and not bother about my feet . the knowledge of these things is definitely helpful . i have plans to learn mixing , editing also in future .
there is someone but i cannot name the person now . i take different qualities from different people and try to learn and emulate .
servar sundaram | tamil movie comedy | nagesh | k . r . vijaya | s . p . . muthuraman
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although thaanaa serndha koottam is a remake of akshay kumar’s heist crime thriller special 26 , it comes with all the right elements to appeal to the ta . .
sketch , starring chiyaan vikram , has hit screens finally amidst heavy expectations . the film , helmed by director vijay chandar , is touted as an action enterta . .
expectations are huge for velaikkaran , siva karthikeyan’s next after the blockbuster remo in which he played a nurse . after playing the soft and comic cha . .
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v . i . p . ( vip ) tamil movie starring prabhu deva , abbas , ramba , simran , manivannan directed by d . sabhapathi music by ranjit barot prabhu deva is an unemployed youth who tries hard for a job . ramba is a petty thief who works for manivannan . depressed prabhu deva joins ramba and steals santhana bharathi ' s car . they get scared of santhana bharathi ' s threat . to escape from santhana bharathi ' s men ramba and prabhu deva enter the airport . meanwhile , abbas comes from abroad . in a confusion , abbas joins ramba and abbas ' s reception party picks up prabhu deva in abbas ' s place . abbas roams around with ramba and prabhu deva fulfills abbas ' s purpose of visit . situation worsens when simran ( abbas ' s fiancee ) trails prabhu deva . how this confusion is resolved is the rest of the story .
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prabhu deva is an unemployed youth who tries hard for a job . ramba is a petty thief who works for manivannan . depressed prabhu deva joins ramba and steals santhana bharathi ' s car . to escape from santhana bharathi ' s men ramba and prabhu deva enter the airport . at the same time , abbas lands from abroad . in a confusion , abbas and prabhu deva swap places . abbas roams around with ramba and prabhu deva fulfills abbas ' s purpose of visit . situation worsens when simran ( abbas ' s fiancee ) trails prabhu deva . how this confusion is resolved is the rest of the story .
prabhu deva , abbas , simran , rambha , manivannan , anu mohan , rami reddy , anupam kher , fathima babu , s . s . chandran , prakash raj
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since that first date we ' ve traveled together during our spring breaks and summers off . extremely content to be together and share in new and old experiences . we love to do things together , and on one of our fishing trips in canada , dusty decided to propose . we had both successfully caught muskie that day , and following our celebration dusty dropped to one knee and asked nora to marry him !
nora and dusty are both chicago public school teachers . nora teaches 2nd grade in portage park and dusty teaches social science in roseland . they live in bridgeport a couple of blocks from us cellular field . we are very grateful to have our friends and family close by and look forward to seeing everyone on august 6th !
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thaalattuthey vaanam - தாலாட்டுதே வானம் - jayachandran , s . janaki , love duet melody tamil h d video song
the story line of the movie is about how a superstition is ruining a guy’s life . the story line is good but the way it was presented is really testing our patience . if you give this story line to a short film maker he can convey the same message within 20 minutes . we really don’t know what is the scope for editor in this movie . in most of the places , we are getting a feeling whether we are watching a edited version of the movie or its an unedited version . the only relief in the movie is a music by ilayaraja . however the songs are average , the background score is good .
new face shri’s reaction is same for all the scenes whereas shamoo’s performance is dramatical . the supporting crew’s are done their level best . kanja karuppu as a comedian , once again ensured that we are not laughing for his comedies . vidharth has done a cameo role as atheist and it seems to be ok .
overall the movie has nothing new to offer and the director has to work a lot for his next .
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after his much acclaimed vazhakku enn 18 / 9 , director balaji sakthivel is preparing for his next film , ra ra ra rajasekar . the film has fear and anxiety as its central ingredients and thirrupathi brothers is producing it .
the word from the camp is that the team has completed their ten day schedule at dindigul and is now in chennai for a quick 3 day shoot . balaji and his team will be heading back to dindigul for another schedule , starting from july 1 st .
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prakash raj is getting ready for the release of two of his production ventures . while the one is âpayanamâ , a thriller directed by radha mohan , the other is the long pending âmayiluâ , a realistic subject .
directed by jeevan , âmayiluâ stars shri and shammu ( who played prakash rajâs daughter âkanchivaramâ ) in the lead roles and has music by maestro illayaraja . âthe isaignani has added rustic feel to the film with his music , â sources say .
âpost production works of the film is over and prakash raj is planning it for a december release . it is a different attempt and the producer feels that âmayiluâ would be another feather in his cap . â
on âpayanamâ , they say , âthe movie is simultaneously getting ready in telugu and tollywood top actor nagarjuna play a crucial role . an expensive airport set was erected and the film was shot there . â