redwood highway is a 2013 american independent drama film directed by gary lundgren , produced by james twyman , and written by lundgren and twyman .

the film stars shirley knight and tom skerritt .

redwood highway ( film )

redwood highway is an indie film starring shirley knight as an intrepid grandmother who walks 60 + miles along the redwood highway to get from her retirement home to her granddaughter’s wedding on the oregon coast .
tom skerritt and shirley knight with director gary lundgren on the set of redwood highway .
redwood highway is a delightful and inspiring film . i completely recommend it . it’s available on netflix and amazon prime .
director gary lundgren with actresses michelle lombardo and shirley knight on the set of redwood highway .
and i began the long journey toward bringing redwood highway to life . looking back , it was
exactly five years ago , our cast and crew was running all over southern oregon together shooting redwood highway . thanks for the memories .
friday , may 23rd , 2014 meet the crew of redwood highway * location : varsity theater , 166 e . main st . , ashland < map >
monterey media announced today the acquisition of u . s . and canada rights to “no god , no master , ” “redwood highway” and “a farewell to fools . ”
monday , may 26th , 2014 meet the local cast of redwood highway * * location : varsity theater , 166 e . main st . , ashland < map >
made in southern oregon and starring two - time academy award nominee shirley knight and screen legend tom skerritt , redwood highway is receiving positive reviews from variety , the hollywood reporter , and others , confirming what festival audiences experienced during its award - winning festival run over the past year : redwood highway is a solid piece of filmmaking with strong performances , writing and direction .
“redwood highway” starring oscar nominee shirley knight and tom skerritt is a family - themed tale on seventy - five year old marie’s ( knight ) decision to walk the 100 mile highway - long trip to her granddaughter’s wedding that along way forces her to confront physical obstacles as well as the lingering troubles of her past . “red wood highway” will release theatrically in april 2014 .
several years ago gary lundgren and i began the long journey toward bringing redwood highway to life . looking back , it was one of the best experiences of my life . i wrote this song to be the end credit roll for the film , and though it was later recorded by the amazing laura veers , it ' s still worth sharing . to everyone who made redwood highway such a great movie , thanks for the memories . including jeff pevar for producing the song .
after winning several best film awards at indie festivals , “redwood highway” is getting its share of attention in hollywood , and the director and producers of the film have strong reason to believe their film might start a whole movement , as it focuses attention on the largest , most underserved audience in the world – people over 50 . for decades boomers and senior citizens have been largely ignored by the film industry , but now that they represent the largest demographic in the country , their time has finally come .
“i saw “redwood highway” at a film festival and i think it’s an important film for everyone to see , in every generation , ” ashland resident jan sneider - brown , 76 , said . “it’s a film about a strong senior protagonist who overcomes great odds to heal her life , and a journey familiar to what many seniors encounter in their own quest to heal . it’s about the human journey more than just one person . ”
sofat and the southern oregon industry hope that 2012 is merely the start of another busy decade of filmmaking , and is already working hard to springboard the results and ramifications of night moves and redwood highway into future filmmaking activity .
solid acting overcomes a lack of dynamic tension in this family - friendly film .
bringing together the creative streams of film , television , and media in oregon .
get an insider’s view of the documentary film process and hear from two inspiring documentary filmmakers who have been challenging ideas and opening minds through the power of film .
gary kout is the founder and executive director of southern oregon film and television and a producer on redwood highway , as well as having worked on four other feature films in southern oregon . he was the production supervisor on the 2011 academy award - winning animated feature rango , starring johnny depp , and has line - produced over 100 national commercials .
one of the best experiences of my life . i wrote this song to be the end credit roll for the film , and though it was later recorded by the amazing laura veers , it ' s still worth sharing . to everyone who made redwood highway such a great movie , thanks for the memories . including jeff pevar for producing the song .
night moves stars jesse eisenberg , dakota fanning and peter sarsgaard and was shot entirely in southern oregon in the late fall of 2012 . the film won the grand prix at the deauville film festival and was nominated for a golden lion at the venice film festival .
this suspenseful and character - driven , slow - burn thriller is written and directed by gary lundgren ( calvin marshall , redwood highway ) , and was beautifully shot on the majestic oregon coast by award - winning cinematographer patrick neary . michelle lombardo and danforth comins co - star .
“it’s hard to believe that 45 % of the population would be ignored at the box office , ” james twyman , the producer and co - screenwriter of “redwood highway” said . “today most films are made for people under twenty - five . interest in storydriven films with a protagonist over the age of sixty are rare . the reason is simple – the executives who are making decisions don’t believe older people go to the movies in big enough numbers . we intend to change that with “redwood highway” . ” twyman has launched ageless cinema to make films specifically to meet that need .
“calvin marshall” was filmed entirely in southern oregon in the winter of 2007 . the filmmakers took full advantage of the strong crew and cast available in the region . many sofam members were employed on the film . the film enjoyed a successful festival run , premiering at the austin film festival in october , 2009 , and ending with a sold - out showing at the ashland independent film festival in april 2010 . the film is now being released in select theaters across the country .
most impressive is the lead performance of knight , as noted by stephen farber in his review in the hollywood reporter : “it is always satisfying when a fine actor gets a chance to be rediscovered . [ shirley knight ] relishes her return to the limelight in “redwood highway” , and audiences will be delighted by her warm , stirring performance . ”
a perfectly fine walkabout through the scenic roadways and nearby woods of southern oregon , “redwood highway” delivers in high spirits and fine thesping what it lacks in dynamic tension and narrative consistency . anchored by a warm , full - bodied turn by septuagenarian shirley knight as a spunky but troubled retirement - home resident , and backed by fine support from [ … ]
“redwood highway was a thrill to make and so we’re excited for audiences to experience the beauty of southern oregon and fall in love with these characters , ” gary lundgren , the director and co - screenwriter said . “our entire cast and crew is proud to have a theatrical release around the country and we’re grateful for the enthusiastic responses so far . ”
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a week of special screenings of “calvin marshall” followed by a discussion and q & a with the film’s local cast and crew .
for more information on the film , including trailers , behind - the - scenes footage , and a theatrical dates , please visit urltoken .
a distant distaff cousin to such oldster - on - a - mission road movies as the straight story and nebraska , gary lundgren ' s redwood highway offers shirley knight as a woman determined to walk the 80 miles to her estranged granddaughter ' s seaside wedding . sincere and bolstered by lovely oregon scenery but often rather dull , the picture would do well to secure a family - cable berth after what is sure to be a quick theatrical run .
the sofam film insider screenings are recurring events bringing professional filmmakers together with local audiences and filmmakers to explore what it takes to make a movie .
the film features an all - star cast : george clooney , matt damon , cate blanchett , bill murray , john goodman , bob balaban .
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
bennett left the franchise before the sixth film and finished his long and distinguished career back in media . he is now a resident of ashland , oregon .
once veera and mahabir are in love , the film suddenly finds itself without apparent options , and its metaphorical highway becomes something of a dirt road through the woods on a foggy evening . the ultimate resolution becomes fairly inevitable at a certain point , however much one might wish it to not happen . the last few minutes of
highway
are very awkward , especially in contrast to the lyrical sweep of the previous hour and a half or so , and lead to an extremely muddled final image , which suffers in contrast to the clarity of the rest of the piece . and so it ends , and too bad .
© 2008 - southern oregon film and media | po box 1265 , ashland , or 97520 | ( 877 ) 434 - 5676 ( i film so ) | sofam @ urltoken sofam is not responsible for the content on websites that are linked to from this site . some content might be considered offensive or not be age appropriate .
get an insider’s view of how an independent movie gets made , how you can attract recognizable talent , and how to make a high - quality film on an indie budget .
there ' s rarely a way to compliment a director for trying without it seeming both condescending and like foreshadowing a lengthy exegesis of their film ' s failure . but it is important to note that imtiaz ali is not some run - of - the - mill hack , and that when he goes awry , it ' s from having tried something interesting that didn ' t work , rather than trotting out shopworn banalities . there ' s a lot to like in ali ' s latest ,
highway ,
which is a gorgeously assembled , ambitious piece of work , although it doesn ' t coalesce into a holistically successful film .
“redwood highway” follows the character of marie vaughn ( shirley knight ) who decides to sneak away from the senior community where she lives in grants pass , and walk over 80 miles to the coast to attend her granddaughter’s wedding . along the way she must confront the demons of her past , including haunting memories of her former husband . marie meets characters like a kind woodworker expertly played by tom skerritt , and a helpful bar owner played by michelle lombardo . overcoming both odds and blisters , marie proves that you’re never too old to have a great adventure , and heal your life .
redwood highway follows the character of marie vaughn ( shirley knight ) who decides to sneak away from the senior community where she lives in grants pass , and walk over 80 miles to the coast to attend her granddaughter’s wedding . along the way she must confront the demons of her past , including haunting memories of her former husband . marie meets characters like a kind woodworker expertly played by tom skerritt , and a helpful bar owner played by michelle lombardo . overcoming both odds and blisters , marie proves that you’re never too old to have a great adventure , and heal your life .
the mission of sofam is to promote and strengthen the development of film , video , and multimedia production in southern oregon and to serve as the voice of those industries in the region .
for , whatever else can be said about it in terms of it working or not working ,
highway
is a kind of film there should be more of : an impeccable display of craft , with both a brain and heart , that tries something new . its peaks are wonderful ; the one among which not yet mentioned being
pataka gudhi ,
the song immediately post - interval , the proverbial
good a . r . rahman song ,
which textually coincides perfectly with veera ' s first realization of her complete freedom from her stultifying home life . if not for the film ' s tendency to drift off into the ether to the complete loss of all its momentum and purpose , and for the horribly awkward conclusion ,
highway
might be a very good movie indeed . instead , it ' s an inconsistent , if intermittently splendorous , work . there are , to be perfectly clear , far worse things in life .
southern oregon film and television ( or sofat for short ) , the membership - based local professional association and de - facto film commission for the region , assisted both productions . sofat provided strong recommendations about the filmmakers to local public agencies and private businesses , which helped to acquire locations , smooth the various permit processes , and perpetuate the already pro - filming attitude in southern oregon .
with crashing waves along the coast and soaring redwood trees blanketing miles of uncrowded parkland , this is one of california’s most spectacular regions . the largest city , eureka , is roughly a 5 - hour drive north of san francisco—but what a drive : see lush wine country , charming hamlets , spouting whales , and breathtaking sunsets .
he was asked to help reboot the star trek feature film franchise after the first film met with some dissatisfaction at paramount studios . after reviewing all of the original series shows , he conceived of the continuation of the “space seed” episode , an idea which became star trek ii : the wrath of khan . following the critical and box - office success of that film , bennett stayed at the producing helm for the next 4 films . he also wrote star trek iii , co - wrote star trek iv and star trek v . as sharp eye will also spot him among the cast in iii and v .
the fourth feature film based on the star trek science fiction media series , it completes the story begun in star trek ii : the wrath of khan and continued in star trek iii : the search for spock . leonard nimoy directed the film . nicholas meyer , writer and director of the wrath of khan , and harve bennett wrote the final version of the script . principal photography started on february 24 , 1986 , with many real locations used as stand - ins for locations around san francisco . effects house industrial light & magic assisted in postproduction chores , including the creation of animatronic whales . composer leonard rosenman wrote the film’s score .
the american riviera rolls out the red carpet for this glittering event , which brings a - list actors , directors , producers , and others from the film industry to this beautiful central coast city . . . .
marie is my kind of woman . fit , bold , and not in need of anybody’s permission . marie may a bit too mad at the world as the film begins , but she isn’t too rigid to change .
here’s a film festival with an entertaining twist—it’s got music videos too . this long - running weeklong event , presented at downtown’s nokia theatre / l . a . live complex , includes a diverse mix of . . .
night moves , the latest film from critically - acclaimed director kelly reichardt , was the first film to roll cameras . reichardt’s last two films , wendy and lucy and meek’s cutoff , were both multiple award nominees and winners at major festivals . continuing her preference for filming in oregon thanks to its wide range of locations , film - friendly environment , experienced crews , and competitive incentives , reichardt and longtime screenwriting partner jonathan raymond set their latest story of eco - terrorism in the small communities and beautiful landscapes of southern oregon . the movie stars jesse eisenberg ( the social network ) , dakota fanning ( the twilight series ) and peter sarsgaard ( an education ) .
gary kout , a producer on the film and the executive director of southern oregon film and television , is very proud of the level of work coming out of southern oregon . “the high - level skills of the local crew , the brilliance of our local actors , the beauty of our locations and the film - friendly attitude in southern oregon , all contribute to a robust and growing environment for making all types of media , not the least of which are theatrical quality feature films . ” in fact , those attributes of the local industry helped propel ashland to the # 2 top town spot on moviemaker magazine’s best places to live and work as a moviemaker 2014 list .
in this narrow strip of coastal hills and valleys , discover romantic towns , including carmel by the sea , historic monterey , and elegant santa barbara , nicknamed ' the american riviera . ' the region’s classic drive along highway one , linking san francisco to los angeles , visits big sur , hearst castle , wine country , and kick back surf towns .
tom skerritt is a favorite of mine . i’ve loved him since way back in the days of picket fences , an unforgettable show with an unforgettable cast . he has a small part in this film , but it’s nice to see him .
thanks to our familiarity with the local industry , director gary lundgren , my fellow producer james twyman , and i cast several local actors , many of whom perform with the acclaimed oregon shakespeare festival and have strong hollywood film and tv credits .
i suppose i didn’t really need to point out that this 2014 film was an indie production . can you imagine that a hollywood production would star shirley knight in a leading role ( despite the fact that she absolutely kills in this part ) ?
i love tom skerritt . i wish he ' d had a larger roll in the film . the main character reminded me of my mother , a little lost with her roll in life now that she ' s older in age and . . .
the voyage home’s humor and unconventional story was well received by critics , fans of the series and the general audience . it was financially successful , earning $ 133 million worldwide . the film earned four academy award nominations , for best cinematography , best effects , best music and best sound .
to leave off on a higher note than the film itself does ,
highway
has a number of virtues . anil mehta ' s cinematography is absolutely gorgeous , with some sublime panoramic shots once veera and mahabir get to himachal pradesh in northern india . and , as for veera and mahabir , alia bhatt and randeep hooda give passionate if slightly raw ( especially in bhatt ' s case ) performances . their chemistry is terrific , even if the continuity from scene to scene flags a bit in places . when they ' re at their best , though , the two leads are a delight to watch , and bhatt in particular should have a long career ahead of her if she continues to get good parts in interesting films .
the film industry has always been a tough nut to crack , but this seemed like a new strain of disillusionment . as their professor , i felt powerless in my ability to encourage them about an industry that had imploded . but then i discovered from my academic colleagues that the problem was much more widespread and not restricted to filmmaking or the arts . we’re talking about a generation that experienced the trauma of 9 / 11 as children . this and other injustices had seemed to give them an innate sense of mistrust when it came to the adults running our country , let alone the film industry .
david raines is a film sound designer and re - recording mixer based in los angles . mr raines has recently contributed to the sound of patriots day ( peter berg ) , the november man ( roger donaldson ) , stonehearst asylum ( brad anderson ) as well as bythe sea and unbroken ( angelina jolie ) .
harve bennett began his involvement with entertainment in radio and transitioned to film through a degree at the ucla films school . his first many years were as a tv executive for abc and screen gems , where he was involved with such productions as “the mod squad” , “the seix million dollar man” and “the bionic woman . ”
black road is also a genre film that is meant to be as entertaining as it is unsettling . and i hope that in its own small way it shows that an ideal government would go out of its way to meet its people in the trenches and work tirelessly to foster financial stability and meaningful work in their communities .
other veteran actors , like tom skerritt and james le gros ( “drugstore cowboy” , “justice” ) , received similar high praise in this and other reviews and fill in the spaces wonderfully , while newer faces like zena grey ( “house” ) and michelle lombardo ( “californication” ) bring nuanced performances and texture that helps the film turn the corner from fun to profound .
the film offers frequent flashbacks to marie ' s own wedding day and visions of her long - dead husband , suggesting she is carrying a weight of nostalgia that needs to be left somewhere along the road . but the script does little with the theme and lundgren ' s execution is clumsy , failing to support what is clearly meant to be a showcase role for knight .
after world war ii , film noir came along with its jaded protagonists trying to survive in a dark world . black road was inspired by a similar kind of desperation . for too many in this country , the american dream is an oasis that fades away as we race towards it . as an ex - military cyborg , dylan has all the potential in the world , but he ends up an outcast scrambling to survive in a new society that over - promises and under - delivers .
southern oregon has been the backdrop for many feature films , starting all the way back in 1914 with grace’s visit to the rogue valley . though generally an uncommon event , a strong flurry of filming began in 2000 with at least one independent film being shot every year in the area . then in 2010 , filmmaking came to a screeching halt with no films being made , and in 2011 there were only two micro - indies with budgets in the $ 100 , 000 range or less .
song of the new earth is a lyrical documentary about one man’s quest to integrate modern science and ancient mysticism through the transformative power of music and sound . the film , from director ward serrill ( the heart of the game ) , editor eric frith ( eden ) , producers betsy chasse ( what the bleep do we know ! ? ) and sophie jane mortimer , features the life journey of renowned sound healer , psychotherapist and modern day mystic tom kenyon from a young aspiring nashville musician to an internationally revered sound alchemist .
combine the glitz of hollywood , top movies from around the world , and some of the best celebrity spotting anywhere , and it’s easy to understand why california’s film festivals draw serious cinefiles and casual fans alike . some of california’s festivals let you get a jump on the pre - oscar buzz with premieres and screenings of soon - to - be contending films—plus appearances by stars and leading directors . plus they’re set in star locations , like palm springs and santa barbara , so there’s plenty to do before and after you go to the movies .
this is an interesting film that illustrates a growing problem in america between children and parents . the challenging question is : is it too soon for mother to give up her independence , even if she may not be as safe at home ? the director touchingly proves that the elderly can continue to make a contribution to society , and they often understand youth more than their children do . it does move a bit slowly at some points , but never so much that i was tempted not to watch . a 4 . 5 would be a more fair rating than a 4 .
producer sophie jane mortimer worked in the world of non - profit marketing and communications in the uk before joining woody creek pictures as a producer . she co - produced something in the water , a short film about the seattle music scene which was aired nationally on pbs and idea man , for vulcan productions , a series of short films to promote paul allen’s memoir . she is currently producing catching fire , a documentary about fuel efficient cookstoves that are saving lives and forests in africa and treestory , a documentary about humanity’s relationship to trees . song of the new earth is her first feature documentary .
get an insider’s view of the independent film process from one of the indie world’s most prolific and creatively successful producers . neil kopp has produced all manner of content from music videos to commercials to features , including all of the critically acclaimed films by kelly reichardt : old joy , wendy and lucy , and meek’s cutoff . he also was a producer on paranoid park directed by gus van sant . and he’s an oregonian ! neil and his fellow producers were nominated for the cassavettes award at the 2007 independent spirit awards for old joy , and was also awarded the producers award at the 2008 independent spirit awards .
kelly is a senior at southern oregon university and will graduate with a degree in emerging media and digital arts , with an emphasis in video production . she is very interested in all the encompassing arts as well , including drawing , photography and even dance . over the past few years , she has been writing , directing and producing her own short films for various classes and having a great fun focusing on satirical shorts . she is in charge of “transcribing” in which she gets to sort through all the important audio for the film . she will also help with initial editing as well as being a camera assistant to our two cinematographers . she’s ecstatic to be working with some amazingly talented people on the 5 women : 4 season’s crew .
oneal latimore has a passion for understanding and documenting complex and esoteric subject matter , to bring experiences to a wider audience . so naturally , when he heard about this project he had an immediate interest both academically and personally . this film allows him to utilize the diverse array of studies that have been a part of his academic journey ; and also fulfills his need for wild environments for his ongoing spiritual journey . oneal completed his undergraduate degrees from southern oregon university ; graduating with honors ( cum laude , ) in anthropology and emerging media and digital arts , as well as a minor in education . his academic background has provided him with a unique foundation and perspective that continually contributes to his growth as a visual anthropologist , cinematographer , and educator .
about jana carole jana carole is currently a staff screen story analyst for columbia pictures , a division of sony pictures , and has analyzed thousands of scripts in her near 3 decade career . she started in the theater industry as a stage manager at the oregon shakespeare festival before moving down to hollywood . she worked as a producer’s assistant for tv movies , as development assistant and story analyst for guber - peters entertainment , and as a researcher and story editor for columbia pictures . she taught story development and criticism at ucla and been president of the story analysts union . she also works as a professional photographer . in between all of that , she has been active in non - profits as chair of the ashland schools foundation and ashland high arts advocates , and screens films for the ashland independent film festival .
that’s really all there is to the story . michael and the family send out the police to try to find the wanderer , but she manages to elude them on back roads . along the way , marie encounters a variety of people who supply some diversion . the most engaging episode recounts her flirtation with a widower , played expertly by tom skerritt . she also receives aid from a bartender ( michelle lombardo ) , and gets to enjoy some female solidarity with the other patrons . when she stops at the desolate motel where she spent her honeymoon , she runs into a threat from some menacing druggies , but this melodramatic episode is out of keeping with the rest of the film . in addition , a few dreamy flashbacks to marie’s early life are a little too truncated and cryptic to add much heft to the present - day story .
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“no god , no master” starring oscar nominee david strathairn , follows u . s . bureau of investigation agent william flynn ( starthairn ) as he investigates a 1919 anti - democratic anarchist bombing campaign against prominent politicians and businessmen . “no god , no master” is set to debut theatrically spring 2014 .
“a farewell to fools” starring oscar nominees gerard depardieu and harvey keitel follows the unique story of a world war ii - era romanian village as it collectively endeavors to pressure a village madman ipu ( depardieu ) into claiming responsibility for the death of a german soldier in order to avoid a village - wide massacre by the nazis . shoreline and monterey have planned to assemble a spring 2014 theatrical release .
eric kohn and anne thompson discuss their favorite films of the year so far . they also debate several new releases and share some streaming recommendations .
in an episode dedicated to the show within the show , “glow” illustrates its grand capacity for storytelling , and the very good tv podcast breaks down how .
rules weren’t meant to be broken when it comes to tv episode lengths , but these 10 examples — introduced on the very good tv podcast — are clear exceptions .
after studying under cinematographer ed lachman , shevaun mizrahi forged her own unique filmmaking path with its own set of rules .
the actress and director both love the genre , but as they told indiewire , they also knew it needed to be retrofitted to tell the true story of catherine weldon and sitting bull .
lane and schoenbrun discuss how her interest in morgellons disease patients ( “the pain of others” ) and his exploration of the slenderman myth ( “a self - induced hallucination” ) led them to make archival films from youtubes .
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screen veteran shirley knight sinks her teeth into one of the best roles of her career . twitter
fortunately , knight is always front and center , and she manages to be alternately feisty , astringent , stubborn and wonderfully open to experience . although the actress may have lost the youthful radiance that enhanced her performances in sweet bird of youth , the group and the rain people , she still exudes charisma . le gros is another underused , undervalued actor who delivers a subtle , multifaceted portrayal . in fact , almost all of the performances achieve perfect pitch . this is a tribute to lundgren’s direction , and he also makes excellent use of the serene oregon locations . one scene in which a deer wanders into marie’s makeshift camp is particularly delicate and haunting . the musical score by john morgan askew works smoothly without ever overpowering the story .
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marie vaughn ( shirley knight ) hates living in her retirement home . she fights with her son michael ( james le gros ) about it constantly . when her granddaughter naomi ( zena grey ) uninvites her to her wedding because she’s such a negative old biddy , marie decides to go to the wedding to spite everyone . and she’s going to get there on her own two legs .
she starts trekking across oregon’s beautiful countryside and along the way meets people who treat her like an old friend such as pete ( tom skerritt ) and stacia ( michelle lombardo ) . they help her with first aid , places to sleep and offers of rides . she refuses the rides .
marie spends several nights camping in the woods , one night sleeping in a treehouse pete built , and one night sleeping in stacia’s house after beating everyone at pool in stacia’s bar .
her son has every cop in oregon out scouring the country looking for her . she eludes them all without even trying .
in addition to the friendly folks who encourage her along the way , she also runs afoul of a couple of meth heads who want to steal all her money . that scene was the only scary moment in the trek to the coast .
through it all she’s dealing with memories of a lost love from long ago , a sailor named tommy . there are parallels between her relationship with tommy and her granddaughter’s upcoming wedding on the beach . marie thinks she sees her tommy several times and even has imaginary conversations with him .
she makes it , of course , that’s completely predictable , but she does it with panache , and comes out at the end a wiser woman .
you ' ll find lots of stories there that aren ' t on this blog ! come visit .
with : shirley knight , james le gros , zena grey , michelle lombardo , sam daly , barret o’brien , danforth comins , catherine e . coulson , j . p . phillips , geoff whitman , douglas rowe , tom skerritt .
we meet marie ( knight ) in motion , perambulating through the opening credits roll . she’s trying to avoid her son ( le gros , “justified , ” “scotland , pa . ” ) , who’s visiting the facility to which he’s engineered her relocation ( though given her feistiness and his mellow vibe , it’s a bit unclear how he managed the feat ) . he’s intent on convincing her to attend the wedding of her granddaughter , naomi ( zena gray , “house” ) , which she opposes , haunted by a history she doesn’t want visited on the kid . still , considering her misgivings seem to revolve around having been the young bride of a doomed soldier , and that naomi’s intended is the drummer in a band , it’s tough to follow the throughline . but no matter : marie’s shoes are made for walking , and knight accomplishes this with verve and empathy .
deciding to attend the wedding on her own terms , she sneaks out the front door of the retirement home , determined to face her demons while retracing her steps 80 miles to the same windswept beach where her past and naomi’s future seem destined to collide , depending on your tolerance for extended symbolism . at various stages in her days - long journey , marie discovers she needs the help of strangers , including a kindly sheriff ( barret o’brien ) , a kindly crafts shop owner ( skerritt ) and a kindly barmaid ( michelle lombardo ) . luckily , most of those she meets are fairly well versed in medicine .
the plot is predictable and ill formed , even as traveling with marie is a delight . and the second unit certainly makes the most of her journey , highlighting the autumnal glory of the titular oregon landscape and the rugged beauty of the pacific coast .
knight manages to run the gamut of marie’s emotions , often with the slightest of changes in expression : the momentary hurt of being old and invisible to the young ; the frustration at needing the help of others ; the joy of her surroundings ; the realization of her greatest mistake and of her chance for deliverance . skerritt is a calming influence in a role he can play practically in his sleep ( and the sculptures in his crafts shop , credited to kevin christman , are pretty cool ) . lombardo ( “californication” ) , in a less vampy part , is luminous just the same . as the lone unsavory character marie meets , sam daly is quickly dispatched to allow for more walking .
reviewed online , los angeles , april 14 , 2014 . mpaa rating : pg - 13 . running time : 90 min .
production : a monterey media release of an ageless cinema presentation of a james twyman production in association with elsewhere films and joma films . produced by twyman , gary kout . executive producers , guy mommaerts , chiyo mommaerts , karen kozleski . co - producer , anne lundgren .
crew : directed , edited by gary lundgren . screenplay , lundgren , james twyman . camera ( color , hd ) , patrick neary ; music , john morgan askew ; production designer , dave marshall ; costume designer , claudia everett ; sound , kent romney ; re - recording mixers , jim fitzpatrick , david raines ; associate producer , shelly heyward ; casting , christine sheaks
with : shirley knight , james le gros , zena grey , michelle lombardo , sam daly , barret o’brien , danforth comins , catherine e . coulson , j . p . phillips , geoff whitman , douglas rowe , tom skerritt .
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basically the story of a man forced to finally see the injustice around him . riley’s movie is designed to do the same thing to you . …
roger ebert ' s speech on empathy for the
11th hour
series on april 9th , 1994 , being republished here in honor of his birthday june 18 .
roger ebert was born on this day in 1942 , and died a little over five years ago . i owe a good part of my success…
a look back at robert zemeckis ' half - animated classic , who framed roger rabbit , on its 30 - year anniversary .
a tribute to the late tab hunter , a gay matinee idol and hollywood trailblazer .
it opens with veera ( alia bhatt ) , convincing her fiancé to take her for a drive to escape their all - consuming wedding preparations . the fiancé , under duress , complies , and per his fears about straying too far from the house at night , when they stop at a gas station , veera is abducted by masked bandits making an escape . when her abductors find out who she is—the daughter of an extremely rich and influential man—the leader of the group panics and mahabir ( randeep hooda ) , veera ' s initial abductor , takes her and sets out on his own to ransom her , seething with anger at the ruling classes . and yet , from this decidedly unpromising starting point , romance first buds and then flowers between veera and mahabir .
it ' s to ali ' s credit that he controls the tone and pace to such a degree that the romance feels organic , rather than a screenwriter ' s contrivance . veera finds , in fairly short order , that being held hostage by a band of quasi - radical bandits is actually less constricting than upper - class bourgeois life . her ease with the bandits throws them all for a bit of a loop , and gradually chips away at mahabir ' s monolithic , humorless exterior and before he knows it , he ' s taken with her incongruous pleasantness , and he begins to see her as a young woman rather than a symbol of the hated plutocracy .
an interview with terry gilliam , director of
the man who killed don quixote .
the ebert club is our hand - picked selection of content for ebert fans . you will receive a weekly newsletter full of movie - related tidbits , articles , trailers , even the occasional streamable movie . club members also get access to our members - only section on urltoken
set in the autonomous , rebel state of jefferson in 2029 , this futuristic thriller stars sam daly ( the office , daly show ) as cyborg drifter dylan grant – a failed military experiment . he’s 100 % human but is assisted by his artificial intelligence implant , “clyde” ( voiced by andrew wilson ) . aimless and broke , dylan urges clyde to help him find work and a new beginning on the reckless but “free” jefferson coast .
after saving a mysterious woman’s life outside a night club , dylan is sucked into her dark world becoming her lover and accomplice . going against clyde’s wishes , dylan and lisa ( leilani sarelle ) plot to negotiate a financial settlement with her maniacal ex - husband sterling ( simon templeman ) – a tech tycoon who’s developing unregulated warfare technologies and testing ( on unsuspecting subjects ) the hypnotic , addictive properties of the black root plant he grows on his private compound . if only dylan can keep lisa and sterling from killing each other , he may just walk away with a small fortune and a new life – with or without clyde’s help .
in the fall of 2013 , i wrote the first draft of black road while teaching a screenwriting course in the evenings . the idea was that such an arrangement might improve both disciplines . the writing turned out to be as difficult as ever , and the students’ frustration over their career of choice was especially palpable that term . i imagined their filmmaking future looming ahead like an endless , black road . they were upset about the economy and the job market – and they craved assurance that they would land on their feet .
it was this kind of wariness that my story’s main character gradually inhabited in my writing process . dylan was already a cast - off drifter , but now he was charged with something more potent than apathy . he was anxious and bursting with pent - up anger . and he was determined to finally seize control and make something of his life .
black road is a character driven mash up of classical noir conventions in a futuristic land of opportunity . if the libertarians ever get a petri dish like the state of jefferson , i have to wonder if their ideological fantasies will inadvertently create a kind of paradise for some and new lows of evil and abuse for others . like founding father james madison once said , “if men were angels , no government would be necessary . ”
living in a retirement community , estranged from her family , marie decides to journey 80 miles on foot to attend her granddaughter ' s wedding . along the way , she discovers that you ' re never too old to learn something about life & yourself .
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a woman in an assisted living center likes taking very long walks . after a terrible argument with her son and granddaughter , over her granddaughter ' s decision to marry young , the old gal finds herself estranged . she swears that she will take revenge on her daughter by refusing to attend the wedding . she regrets the ultimatum and , in an impulsive move , she loads up a backpack and begins a long walk to the wedding . its a couple days ' worth of walking and she is never far from her own first love . like an odyssey , each experience she has enlightens her , and the viewer . to understand that junction between the fear that one ' s own experience will be repeated , and the hope that one ' s granddaughter will enjoy the happiness in an early marriage that her grandmother was denied , that is the internal walk this old woman takes . plus she spends the night in a tree house with tom skerritt . lovely scenery , a simple story , and a nice way to spend 90 minutes .
this movie is charming and very well done as well as a feel good story . shirley knight is perfect as the displaced senior moved from all her familiar places and friends into an assisted living environment where she didn ' t want to be . her family lived a good distance from her home and moved her to be closer and more able to help her when needed . good intentions can be the road to ruin . when she runs away from the assisted living development the real story begins . the area where this movie was filmed is some of the most beautiful country in oregon . the movie is worth seeing for the scenery alone . i loved the area and the story was very sweet . don ' t miss this movie if you like a good story with very good people in it .
nice movie . i ' ve experienced people wanting to help me when i ' ve been in awkward spots so i know these moments can happen . i ' ve been privileged to see some lovely country but never any of oregon so this movie is as close as i ' ll ever be and i ' m happy the cinematography was so brilliant . the movie does start a bit slow so be patient , but the pace is nice . any faster and the self - discovery couldn ' t have occurred as the journey turns out to be not only geographic but of herself .
this was a thoughtful in depth and beautiful movie for the solitude mind of growing mature ! thinking of the memories , that keep you pushing forward only to pull strength from them . marie was bamboozled by her son to move away from her loving surroundings of bend , oregon , to be closer to him because it was time - consuming to visit her , marie walked daily keeping her strength and endurance up , trying to take her mind off where she was stabled . her granddaughter is to wed an older man in the brookings , oregon area and marie was a tad ticked off . . . . in apology and spite this incredible and spirited woman ties up those hiking boots ( keen , more than likely ) and takes off on an 80 mile glorious scenic journey of the oregon coast , new friendships , and beautiful haunting memories ~ grand movie for all ages of maturity !
this was a feel good movie that was a light and easy way to spend an evening . the plot is pretty simple , and a lot of it is left up to your imagination of what is going on in her thoughts and what exactly is happening with the visions of ' thomas , ' who i believe was her husband that had passed on many years ago . the story was uplifting to see all the good people she meets along the way - and it was great the way she dealt the the scary meth head druggie guy that was trying to rob her ! i can see the allure of a long walk to help you think about life , especially since marie ' s has changed so much in recent years with her being moved from her hometown to the retirement community ( which most of us would happily move into with the pool , breakfast buffet , fireplaces in the rooms , and hot tub ! ) overall , it was a nice movie that was clean and entertaining . while it would be safe for the whole family , i think the movie is more aimed toward adults , as some of the issues are deep and i am not sure a child would really understand . the movie also had a lot of beautiful scenery of oregon , so that ' s a plus as well .


tombs of the blind dead is a 1972 spanish-portuguese horror film written and directed by amando de ossorio .

its original spanish title is la noche del terror ciego , which means " the night of the blind terror " .

the film was the first in ossorio 's " blind dead " series , spawning three official sequels : return of the blind dead ( 1973 ) , the ghost galleon ( 1974 ) and night of the seagulls ( 1975 ) .

ossorio has stated that gustavo adolfo bécquer 's gothic horror legend el monte de las ánimas ( 1862 ) and george romero 's night of the living dead ( 1968 ) both influenced the creation of his film .

tombs of the blind dead

legendary spanish horror actress lone fleming on her role in tombs of the blind dead and its sequel attack of the blind dead .
unfortunately , the soundtrack to ‘tombs of the blind dead’ has never had a proper release .
tombs of the blind dead ( 1971 ) aka night of the blind dead . knights templar zombies . director - amando de ossario . moria - the science - fiction , horror and fantasy film review .
looking for movie tickets ? enter your location to see which movie theaters are playing tombs of the blind dead near you .
forget don ' t breathe . . . here ' s the blind dead !
tombs of the blind dead is a spanish horror film directed by amando de ossorio – its spanish title is la noche del terror ciego .
tombs of the blind dead is a fantastically atmospheric film and the soundtrack does a wonderful job of heightening the feelings of suspense and terror created by the environments and cinematography that is used in the film .
tombs of the blind dead is a 1972 spanish - portuguese horror film written and directed by amando de ossorio . its original spanish title is la noche del terror ciego , which means
the night of the blind terror
.
is probably the most difficult movie of the blind dead series to find . it was available on us video as
shock : so you were in the second blind dead film – attack of the blind dead – which is not as good as the first , but still an interesting , fun film and a great templar picture .
tombs of the blind dead
is a classic of its genre and also one of ossorio ' s best films . the gloomy atmosphere and the well fitting music easily make up for minor plot flaws .
what we do know for certain is that tombs of the blind dead a damn fine horror film that should be tracked down by any fan of the genre , whether a devotee of ‘eurohorror’ or not .
fog plumes across the ruins of a desolate medieval town… a skeletal hand claws forth from under a stone crypt… a horde of hideous cloaked corpses rise from their tombs… these are some of the quintessential images that elevate amando de ossorio’s grisly zombie film quartet of tombs of the blind dead , return of the evil dead , the ghost galleon and night of the seagulls to the upper - echelons of the euro - horror canon .
it is noteworthy that the us version shows the scene with the sacrifice of the virgin at the beginning of the film ( analogous to the sequel
return of the blind dead
) .
in 2015 , emma dark and merlyn roberts co - directed an unofficial short film sequel , island of the blind dead .
ossorios signature magnum macabre opus would spawn three more templar companion films  1973s attack of the blind dead ( aka return of the evil dead ) , 1974s the ghost galleon ( aka horror of the zombies ) and 1975s night of the seagulls  but none would reach the heights of fright that tombs offers in its finest hour .
shock : he was creating a new mythology with that film , whether he knew it at the time or not . was tombs of the blind dead a big hit in spain when it came out ?
the film was the first in ossorio ' s
blind dead
series , spawning three official sequels : return of the blind dead ( 1973 ) , the ghost galleon ( 1974 ) and night of the seagulls ( 1975 ) . its success helped kickstart the spanish horror film boom of the early 1970s .
this album is a reinterpretation and a homage to the blind dead films by amando de ossorio . rather than being straight covers of the tracks from the movies , this album is a new piece of work , that kind of acts as a modern soundtrack for the four films in the blind dead series .
at the center of tombs of the blind deads humanity is a compelling turn by actress lone fleming as betty , a strong woman whose love for her murdered friend spurs her on to solve the mystery of the blind monsters . and fleming is no stranger to horror . along with tombs , she would star in ossorios attack of the blind dead and his 1975 exorcist clone , demon witch child as well other shockers like mario sicilanos black candles and 1973s it happened at nightmare inn directed by her husband of many years , horror express legend eugenio martin .
the film became the first in a series that became known as ‘the blind dead’ films , and the soundtrack was created by antón garcía abril .
the soundtrack has however has been influential on other musicians and a band called ‘zoltan’ , which is comprised of andy thompson , matt thompson , and andrew prestidge , have released a mini - album called ‘ tombs of the blind dead ‘ .
the blind dead ( knights templar ) villains were unofficially resurrected in the 1975 entry la cruz del diablo , directed by john gilling .
the blind dead films feature the knights templar as the zombies in the film – their corpses are rotten and eyeless , and they hunt by sound .
vol . 15 : n . de g . davies , the rock tombs of el amarna , part iii : the tombs of huya and ahmes , london , 1905 , 41 pp . , 39 pls
in director amando de ossorio’s beloved 1972 cult zombie horror film tombs of the blind dead ( aka the blind dead ) , unlucky wanderers end up in a crumbling templar crypt , only to awake the moldering , skeletal and blind ghouls that sleep within . armed with swords and riding spectral horses , this horde of horrible , bearded and blinded monsters stalk their victims , following the rasp of their breathing and the pitch of their screams , then cut them to pieces and drink their blood .
few horror series make it as far as the third installment without a significant decline in quality . the blind dead series was no exception .
often dismissed as a latin redux of george a . romero’s groundbreaking zombie shocker night of the living dead , tombs of the blind dead is something richer , darker and ripe with atmosphere . ossorio’s signature opus would spawn three more templar companion films : 1973’s return of the evil dead ( aka attack of the blind dea d ) , 1974’s the ghost galleon ( aka horror of the zombies ) and 1975’s night of the seagulls . this unholy quartet were anomalies at the time , due to their loose mythology stemming from the real life templar knights and the fact that the track their victims audibly .
an excellent review franco , and an excellent little film . tombs of the blind dead has a genuine atmosphere of evil , the sexploitation elements and soft focus photography at times undermine the sense of dread , but this film figures prominently in any history of spanish - the rest in the series are forgettable dross though .
the child is holding on to his dead mother while one of the templars is approaching .
antón garcía abril’s background in chamber and vocal music is apparent in the soundtrack for ‘ tombs of the blind dead ‘ – the main theme throughout the film features haunting gregorian chants , all dark vocals with a twang of echo . it is genuinely disturbing and really fits with the overall atmosphere of the film .
in 1979 , and ossorio with his
blind dead
tetralogy ( 1971 - 75 ) . yet i think it ' s highly unlikely that ossosio will ever achieve the posthumous regard that fulci has been given , in spite of the obvious talent he displayed in the
blind dead
series .
vol . 16 : n . de g . davies , the rock tombs of el amarna , part iv : tombs of penthu , mahu , and others , london , 1906 , 36 pp . , 45 pls
vol . 18 : n . de g . davies , the rock tombs of el amarna , part vi : tombs of parennefer , tutu , and aÿ , london , 1908 , 44 pp . , 44 pls
this week at the b - movie clubhouse we have a special guest . it’s rod barnett from the bloody pit and naschy cast podcasts ! rod’s pick this week is a spanish horror film tombs of the blind dead from 1972 . the film was directed by amando de ossorio .
, it seemed as though the blind dead series had nowhere else to go . that ' s why it ' s such a pleasant surprise that the last film of the series ,
fleming : exactly . i loved that . amando said to me , lone i would very much like you to do this but of course its not as big a role as tombs of the blind dead . i said dont worry  i would love to do it .
vol . 14 : n . de g . davies , the rock tombs of el amarna , part i : the tomb of meryra - part ii : the tombs of panehesy and merira ii , london , 1905 . viii , 48 pp . , 47 pls
atmospherically directed by amando de ossorio , tombs of the blind dead is chilling , down to the bone . the beautiful shots of the templars slowly galloping across the portuguese plains are terrifying in their simplicity . these guys are coming for you , and there ' s nothing you can do about it . i ' m encouraged to seek out ossorio ' s other work , including all 3 sequels to tombs .
the short comic story
ascension of the blind dead
appeared in the 2010 asylum press graphic novel zombie terrors volume 1 , , written by david zuzelo with artwork by william skaar .
vol . 17 : n . de g . davies , the rock tombs of el amarna , part v : smaller tombs and boundary stelae , london , 1908 , 37 pp . , 1 frontispiece , 44 pls
kemp barry :
the rock tombs of amarna
, , 19 , 2 , p . 8 - 17 , 2013
outside , there ' s movement in the nearby cemetery . the dead begin to slowly rise out of the graves and tombs . virginia is oblivious as the hooded , skeletal figures make their way towards her on horseback .
the film was an influence on mansion of the living dead , a 1982 film directed by jesús franco .
right now i’m playing catch up with all these european horror films i never got around to seeing , and it’s been an interesting journey ! i recently had a chance to check out burial ground : nights of terror ( 1980 ) ( which by the way had zombie monks in it as well ! ) and some of the coffin joe movies which i will be reviewing in the coming weeks . but with tombs of the blind dead i got my first taste at the “blind dead” series of films . this zombie franchise from the 70’s consists of the following films :
it was in the month of april , april 10 , 1972 to be exact , when writer and director amando de ossorio introduced the world to the creation that made him famous . this would of course be the blind dead .
were pushing at them from below . stone slabs and the heavy lids of great sarcophagi begin to shift , and from outside the cemetery comes the echoing sound of hoof - beats . the blind dead have awakened from their graves !
there ' s also a ten minute interview with the director titled
unearthing the blind dead
, which is prefaced by a disclaimer about the poor sound quality . since the interview is in spanish and is helpfully subtitled , that ' s really not a concern . he discusses the course of his career , the economics of having to shoot a movie in 4 weeks , each of the blind dead movies ( going into the most detail for
the
blind dead
series are among the best and most famous spanish horror films of their time . they are surprisingly well - made , and in spite of some major shortcomings , have aged better than many of the other spanish movies of the period . the best feature of the films is their title menace : the blind dead , withered cadavers which rise from their graves to drink the blood of their victims . part zombie and part vampire , they are brought to un - life by a combination of very convincing costumes and puppetry . unlike other movie monsters , particularly monsters that travel in groups , the blind dead never seem to be merely extras in suits . they look
it’s while they’re making short work of our main characters that we see the first sign of the blind dead actually being… well… blind . they enter into a room and only realize a potential victim is there when she screams at the top of her lungs . we also see them locate a smarter victim by tracking her heartbeat .
' the tombs of the blind dead ' is not strictly a zombie movie , but involves the resurrected dead ( in this case blind heretics from the 13th century ) . while not as explicit as romero or fulci it should appeal to fans of the living dead genre . the movie is strong on atmosphere and style , similar in some ways to jean rollin , but without the sex or pretension . the
blind dead
themselves are one of the creepiest and most effective concepts in any horror movie . slow moving , relentless and deadly , with a penchant for flesh eating . the scenes where the dead ride horses to hunt their prey are classic horror . my only small criticism of this movie is that there were so few scenes of them . modern horror fans who require wall to wall fx and a killing every 15 minutes will probably find this slow going , but true buffs will be mesmerized . highly recommended .
awkward lovers - - betty and virginia unexpectedly bump into one another again . virginia introduces bet to her friend roger , and the ensuing love triangle boils over during a train ride , compelling virginia to leap off the slow - moving locomotive and spend the night in the abandoned village of berzano . this being a movie titled
tombs of the blind dead
and all , i ' ll leave it up to you to guess what happens next . after a morning of ominous inquiries , roger and bet set out to find their friend , stumbling upon a police investigation at the ruins . after learning of her murder , roger and bet enlist the help of a local smuggler and his moll , and the four of them find the grisly answers to their questions among the tombs of the blind dead .
an elegiac counter - vision that is much more fanciful than night of the living dead dand wholly continental .
oh , it ' s not perfect . there are a few things that bug me . for example , where do the templars get their horses ? is there a horse graveyard somewhere ? also , the whole bit where the dead girl comes back to life . it ' s wonderfully creepy , but it feels like padding . but these things are minor in comparison with everything that works in tombs of the blind dead .
there are aactually several different
blind dead
films to enjoy , this is the first one that i saw . the actual
blind dead
creatures are kinda cool and very creepy ( in an old school sort of way ) the other eliments of these films are just horrible . several minutes of woman screaming as the creature slowly approach . . . bad dubbing . . . i could go on . but a fun late night film none the less .
and it wasn’t just goblin that had their worked used without permission for ‘ hell of the living dead ‘ .
legend has that in the abandoned medieval town of berzano , at the border between spain and portugal , the knights templar ( a fictionalized version of the real - life order that was dissolved in the 14th century following charges of witchcraft and heresy ) leave their tombs at night and come back from the dead as revenants . the reanimated corpses are blind , because their eyes were pecked out by birds while their hanged bodies rotted on the gallows .
while nearly all of the italian zombie films were one shade of awful or another , tombs is a good film , even a great one : one of the highlights of 1970s spanish cinema and among the very best examples of its oft - indefensible genre .
- - a fairly lengthy examination of the blind dead movies and the story of the knights templar - - can also be found inside the coffin - shaped box . a large number of black and white stills are interspersed throughout the forty - page booklet along with burrell ' s detailed synopses and reviews .
this film has it all ! pervy templar knights killed for dodgy acts return as the blind dead , who unsurprisingly hunt by sound . the best thing is that they can hear their victims ' heart beating , so there is no escape . i am not sure whether the blind dead are really zombies or vampires , as they tend to suck their victims rather than eat them , but the victims come back to life to continue the good work . the blind dead have horses and swords , so they are very hard to escape from , however how they have the strength to ride or hold a sword with their withered , spindly arms is amazing ! the film , as well as having some quite nice creepy scenes , has the obligatory 70s lesbian sequence which fits perfectly with the rest of the action . i suppose a film maker can only do his best to please all of his viewers . the blind dead are nicely made up , there is some gore , one of the characters , pedro , has the sweatiest armpits in film history and makes the mistake of taking on a whole army of the blind dead with a small knife . the end sequence is really good , as the zombie / vampire knights take on a train full of passengers , and literally suck the life out of them ! very highly recommended to 70s horror fans , but please don ' t answer any history exam questions with any of the films ' plot . i intend to enjoy the next episode in the blind dead saga asap .
‘ hell of the living dead ‘ is a low - budget italian zombie movie that was directed by bruno mattei .
in this final installment of the blind dead series , a doctor and his wife move to a small inhospitable coastal village where he plans to start a practice only to discover that undead demon - worshiping templar knights haunt the place .
in the middle of that wild wave came spanish director amando de ossorios terrifying and surreal 1971 shocker la noche del terror ciego or as it was known in the us and other english language territories , tombs of the blind dead ( or in the truncated aip version , simply the blind dead ) . often dismissed as a latin redux of romeros groundbreaking zombie shocker night of the living dead , tombs is something richer , darker and ripe with mythology . in it , three friends – macho roger , his girlfriend virginia and her college friend betty – go for a pleasant train ride into the portuguese countryside . however , as the ride progresses , we learn in flashback that virginia and betty had a lesbian relationship in school and now , as roger and betty appear to be getting a little chummier that shed like , virginia has a momentary breakdown , jumps from the moving train and wanders to the ruined nearby abbey nestled at the foot of the hill .
the rest of the soundtrack is a suffocating and jarring score , lots of droning sounds , punctuated with bangs and clanks , and the odd scream . it is very effective and totally unlike many of the other horror soundtracks from the same era . the soundtrack really managed to give a distinctive ‘sonic - signature’ to the blind dead films .
shock : lets flash back to tombs of the blind dead , to that scene , the flashback love scene between you and virginia ( played by actress maria elena arpon ) . its not an explicit scene at all , its very romantic and gentle , but its still a very early lesbian scene in a horror film . can you talk about that ?
. the plot is fairly simple , with a trio of young thrill seekers going camping . when one of their number turns up dead after a huge argument , the other two go off to investigate who could have done it . spoilers : it was the blind dead , a group of 14th century knights templar executed for witchcraft and now risen from the grave on horseback to seek their revenge .
a reporter and a psychic race to close the gates of hell after the suicide of a clergyman caused them to open , allowing the dead to rise from their graves .
the blind dead are never referred to as
templar knights
or
caballeros templarios
in the original spanish language version . they are referred to as
los guerreros de oriente
(
the warriors from the orient
) .
captures at least a little of the apocalyptic horror of the original . we ' re left with the uncomfortable knowledge that the blind dead are no longer in their own , otherworldly dimension - - they ' re here , in broad daylight , and nothing will stop them now . . .
out of night of the living dead ) . after a strong opening , the script collapses into tired convention : it holes everybody up in a building , again
amando de ossorio ' s series of films about the
blind dead
has finally gotten the deluxe package that cult movie fans have been waiting for , thanks to blue underground . this lavish package presents all four of these films letterboxed in their original theatrical ratios . tombs of the blind dead and return of the evil dead also offer the viewer the option of watching the film in their full - length european cuts or the shortened , dubbed american versions . the other two titles , the ghost galleon and night of the seagulls , are uncut and offer viewers the option of english or spanish soundtracks ( the latter tracks featuring english subtitles ) . each disc features mono soundtracks , all of them in nice condition regardless of which language option is chosen . the film discs are rounded out by trailers as well as ad and still galleries . tombs of the blind dead also offers an amusing bonus called
revenge of planet ape ,
which is an alternative title sequence that tries to pitch the film as a sequel to the planet of the apes . also included is a fifth disc that pays tribute to the deceased de ossorio . it includes a featurette about the director ' s career , a short interview with de ossorio , and a text piece that is accessible via a dvd - rom drive . the package is rounded out by knights of terror , a short but content - rich digest - sized magazine that synopsizes and reviews each film . the final touch is provided by amusing packaging , which houses the discs and booklet in an oblong black leather coffin - shaped carrying case . all in all , the blind dead collection is an excellent package , both in terms of transfers and extras , and a must for euro - horror buffs .
stands as one of the strongest testaments the genre has to the strength of originality .
i absolutely love love love these seventies eurohorror - flicks ! and amando de ossorio ' s tomb of the blind dead is one of the purest efforts this sub - genre brought forward you may expect foxy ladies , raw cinematography , creepy musical guidance and some slightly perverted undertones . the basic plot involves a creepy spanish myth of devil - worshiping templars who leave their tombs at night and dwell around the ruins of a deserted ghost town . the zombies look very filthy and they move in terrifying slow motion ! the few sequences in which the blind dead ( blind because their eyes were pecked out by crows ) chase their victims on their doomed horses are brilliant and some of the most effective horror ever shown . prepare yourself for a genuinely apocalyptic ending as well , one that ' ll leave you speechless ! of course , the film is filled with improbabilities and some immense structure holes , but de ossorio ' s ingenious visions are so surprising that you easily forgive him for this . highly recommended ! ! tombs of the blind dead may very well the best exploitation film i ' ve seen so far , along with ` mark of the devil ' ( german ) and ` cannibal man ' ( spanish as well ) . three sequels followed , but so far i haven ' t had the luck of tracking them down
this film is worth watching for the fantastic scenes of the blind dead riding about the spainish countryside on horseback dressed in their long , totally black robes . the seqeuences are all slowed right down and set to weird choral music giving a very effective gothic touch that makes the rest of the film look a bit pants .
london based zoltan capture the eerie spine - chiiling terror of the decomposed ghoulish knights templar with this four track ep , by paying homage to the tombs of the blind dead series of movies created by spanish director amando d’ossorio . each track relates to one of the four movies from this cult underground series , which are regarded by many as absolute highlights of the euro horror underground horror scene of the early 70’s . slow motion doomed imagery comes to life in full analogue glory , making this a must for any dark minded music lovers and soundtrack collectors out there .
london based zoltan capture the eerie spine - chiiling terror of the decomposed ghoulish knights templar with this four track ep , by paying homage to the tombs of the blind dead series of movies created by spanish director amando d’ossorio . . each track relates to one of the four movies from this cult underground series , which are regarded by many as absolute highlights of the euro horror underground horror scene of the early 70’s . slow motion doomed imagery comes to life in full analogue glory , making this a must for any dark minded music lovers and soundtrack collectors out there .
let’s look at ossorio’s wonderful blind dead films and pay respect to the sound - driven killers that arrived a good 45 years before stephen lang used his ears to help enable harm those that dare cross his path .
a young woman stumbles upon an abandoned monastery and thinks it might make a good place to spend the night . she settles herself in beside a fireplace and gets ready for bed . but a strange noise keeps her from sleeping . unknown to her , the graves in the monastery ' s courtyard are rumbling . the templars have risen from their long sleep to find another blood sacrifice . can the girl escape from the tombs of the blind dead ?
i thinks that ' s all the specifics i need to reveal about the story . the rest you ' ll have to see yourself . i will , however , spend a little time on the back story of the blind dead , and some of their powers and attributes as they ' re shown in this film .
the dead are the vengeful corpses of the knights templar , who returned from the crusades with forbidden knowledge from the east . thay had discovered secret rites to keep them alive forever - - rites which involved drinking the blood of innocent victims . then ( anachronistically ) , the local peasantry of berzano rebelled against the templars , and killed them all . after the rebellion , crows came and pecked out the eyes of the dead knights .
although cheekily repurposing resurrection footage from tombs and slightly lacking that film’s brooding atmosphere , return’s moredirect , action - horror style offers a faster pace , more gore and better performances than its forebear . the blind dead are far more numerous in this film , enjoying more screen time and looking just as imposing , especially in the accomplished village massacre sequence and the film’s climactic church siege .
tombs of the blind dead was the first one , and it’s about a threesome of friends who are going out on a pleasure trip . the threesome consists of two girls named virginia and betty and a dude named roger . roger invites both girls on a train ride to the country for some r & r . smart dude ! two girls for one guy , that’s a sweet deal any way you look at it . everyone is having fun and having a great time when suddenly , disaster strikes ! one of the girls turns jealous when roger pays more attention to the other . the jealous girl decides she doesn’t want to play fifth wheel so she jumps off the train in the middle of nowhere ! she begins to wonder through the countryside until she stumbles upon an ancient citadel . what she doesn’t know is that these ruins are inhabited by the blind dead ! these undead blood drinkers pop out of their graves and suck her blood ! it isn’t long before her friends decide to the ancient ruins to try and find her . will they find their friend ? will they escape the terror of the blind dead ?
located at the end of the royal wadi , 6 km in the desert east of the city , it has five tombs , all unfinished . the tomb of akhenaten is the only one decorated . the king , his mother tyi and three of his daughters were buried there . we will devote a special study to it : .
this is a good thing too . amando de ossorio was a very visual director . he had a flair for creating stylized imagery on film , and he does that here in spades . the blind dead themselves are an amazingly creepy creation – looking like death not quite warmed over and just crawled out of the grave after a 100 - year dirt nap – and ossorio finds ways to film them to create beautiful , haunting visuals . the scenes of the blind dead riding undead horses through the swirling mist of the night are almost worth the price of the film alone . these scenes are also helped greatly by the genuinely creepy soundtrack .
you can still find tombs of the blind dead / la noche del terror ciego in specialty outlets , but your best bet is the internet . at the time of this writing the dvd can be found on amazon for around $ 8 new as a single disc or in the still available box set containing all four films plus a bonus features disc for around $ 30 . there’s also a 4 disc collection ( minus the bonus disc ) for the same price as their more recent release .
the big draw with this movie is of course seeing the blind dead , which were a treat to look at in my book . we actually get to see a flashback as to who these templar knights used to be when they were alive . we get to see them performing a satanic ritual that involves whipping a young girl until she starts to bleed so they could feed on said girls blood and live forever ! these creatures are deadly in numbers , and if they manage to corner you , you are screwed , as one of the girls in the film discovers . there is this awesome sequence in which the blind dead manage to corner a girl in a room . she realizes that the zombies are blind , so she tries to keep her mouth shut and the noise she makes to a minimum as she hides in a corner . problem comes when the blind dead zero in on the beating of her heart ! so during the scene , while she is trying to be as quiet as possible , we hear her heart beating ! boom boom , boom boom , boom boom ! the camara zooms in and out with every one of her heartbeats as the blind dead slowly creep up towards her . great sequence !
the aten is the creator of all things in the universe and provides for the needs of his creation .
from the onset of the attack on the train to the almost night of the living dead styled still frame sequence as the film ends ; this is another sequence where you see a lot of differences in the two cuts of the film . again , the spanish cut is noticeably more violent and extreme with its depictions of the slaughter on the train as well as with showing just who some of the victims are .
there ' s only one reason to watch tombs of the blind dead : zombies on horseback in slow - motion . . . look cool as hell ! ! the make - up department made the templar ' s the scariest looking zombies i ' ve seen in a while . other than that , we ' ve got an overrated spanish bore . the pacing is slower than the blind dead themselves . if you ' re going to have a slow movie , you have to make it interesting . there are times in the movie when nothing is said or happens for 7 minutes at a time . there are some serious believability issues as well . i mean , for a bunch of slow , blind dead guys , they sure are hard to get away from . all in all , tombs is not half as bad as i remember it being . i believe the dvd transfer can be thanked for that though . a clear , crisp picture can make any flick better . this film has a large cult following , however , there ' s just not enough action to keep me satisfied .
in the tombs of huya and meryre ii a depiction is known as the scene of receiving tributes , or hosting foreign people , which took place in year 12 , second month of peret , day 8 , a date that can be considered as the apogee of the reign of akhenaten . the scene was grandiose and brought together three distinct protagonists .
those of you expecting a fast paced splatter fest of a zombie movie should be warned , this is not that kind of a movie . tombs of the blind dead is a film that gives more importance to suspense and atmosphere than fast paced thrills or the ever popular gore . the blind dead themselves are extremely slow moving , and you almost get the idea that you could simply run past them and you’d be alright . but still , there is something spooky and haunting about these knights . the image of these walking skeletons , with their black hole eyes and their rotting beards is quite striking , seeing them move in the night , with the wind blowing in their beards and cloaks makes for some truly satasfying atmospheric imagery . even those scenes shot in the day time have this spooky vibe to them because the localizations were so lonely .
‘ hell of the living dead ‘ did not get a good reception , and the entire film basically borrows as much as it can from ‘ dawn of the dead ‘ and ‘ zombie 2 ‘ . the plot revolves around a group of soldiers who are sent to investigate a chemical leak at a lab that is causing an outbreak of zombies , the soldiers subsequently team up with a group of journalists to try and get to the source of the chaos .
‘ hell of the living dead ‘ was also released under the alternative titles : ‘ virus – l’inferno dei morti viventi ‘ , ‘ zombie creeping flesh ‘ and ‘ night of the zombies ‘ .
johnson george b :
norman de garis davies and the rock tombs of el - amarna
, amarna letters , vol 2 , p . 56 - 69 , kmt communications , 1992
the choir of blind men , clapping their hands and accompanied by a drum is only found in the amarna period . only akhenaten had the right to communicate with the aten , but these musicians can participate in the ritual because they are blind naturally or because they are blindfolded . women musicians , on the other hand , on the model of nefertiti , were allowed to see the king and sing for him .
yet another example of the perception of a film being superior to the reality of actually sitting and watching it . there is no argument from me that the blind dead ( the templar knights ) are fantastic creations and director / writer amando de ossorio is to be revered for their birth . the scenes of the templars stalking their victims and chasing them on horseback are striking and haunting and now occupy a special place in the pantheon of fantastique cinema . unfortunately ,
tombs of the blind dead
is also a slow , boring , illogical mess . the performances are terrible , the
suspense
scenes are hit - and - miss , and the day - for - night photography , though effective in parts , is not believable . the film ' s bloody climax is a good one and the final freeze frame has some power , but it ' s sad to see such a wonderful concept handicapped by mediocre scripting and appalling acting . still , there are defining moments of horror within the frames of this spanish potboiler .
in 1971 , director amando de ossorio created what horror fans worldwide consider to be spain ' s night of the living dead . in ossorio ' s nightmare vision , a legion of knights templar - executed horsemen whose eyes had been pecked out by crows - rise rotting from their graves , hunting only by sound in a quest for human flesh . the blind dead saga begins here , as a modern - day tourist trip to the ruins of the templar monastery unleashes a frenzy of lesbian desire , sexual violence and the unholy onslaught of the eyeless undead !
at dawn , the rays of the aten , the uncreated creator , fill the earth , animate beings and manifest the sovereignty of the god .
it would be a mistake to disregard the importance of de ossorio ' s distinctive zombies themselves , however . the blind dead are some of the most intimidating zombies in the business . part of it is their unique character design , realized by an unexpected combination of extras in full - face masks and simple but impressive puppetry . because the undead templars are portrayed as desiccated and mummified , the immobility and awkwardness imparted to the zombies by the use of masks and puppets actually makes them more believable than would probably have been the case had more conventional makeup been used . but beyond all of that , it is the mythos behind them that enables the blind dead to stand out from the hordes of interchangeable gut - munching corpses that populate most zombie films . and somehow it’s the smallest detail— their blindness— that is the most disturbing thing about them . knowing that the templars wouldn’t be able to find their prey if it would just shut the fuck up ought to make the zombies less scary , and yet it does just the opposite by allowing the undead knights’ victims an advantage that isn’t worth nearly as much as it might seem . after all , there are some sounds a person can’t control— the frantic beating of a terror - stricken heart , for example . it’s no wonder that de ossorio would direct three sequels to tombs of the blind dead over the following four years . what’s surprising is that the templar series didn’t spawn a plague of knockoffs the way romero’s movies did .
the discs in blue underground’s blind dead releases are pretty barren when it comes to bonus features . the first film has no commentary tracks , has no looking back on features or making of features . it does however include the alternate opening ( with explanation ) created by a fly by night distributor as a part of a campaign to fool movie goers into believing the film was connected to the planet of the apes film series . if you’re both scratching your head at that last bit and you missed the decades of horror podcast devoted to the blind dead , go back and give it a listen . we covered that . there’s also a poster and photo stills gallery as well as the original theatrical trailer .
few films in the wildly variable annals of eurohorror enjoy a cult following quite like amando de ossorio’s inaugural blind dead offering . aside from getting three sequels of their own , the sinister , visually - impaired knights templar have been the subject of a number of unofficial low - budget sequels , homages , and comic books , and live on as the malefic mascots of doom metal bands the world over . but does the film itself warrant this ? indeed it does .
are so soft and grainy that they look like they were shot through gauze , although the interiors in this 1 . 85 : 1 anamorphic widescreen presentation are generally sharper and better defined . colors tend to be lifeless throughout . this all could be a factor of the original photography , but this is visually the weakest of the four blind dead films .
the year was 1971 , the country was spain , the film , “tombs of the blind dead” . writer / director amando de ossorio’s first in a series of “blind dead” films is flying towards my face , eyes and nose out of a portable dvd player , and all thanks to another lovely release from blue underground . i am faced with the decision of whether i want to watch it in english , or in spanish . lovelock hates to read , but everyone unanimously hates bad dubbing , except for special cases like “aces go places” a . k . a . “mad mission” . but that ' s a whole other discussion . from what i understand , there are huge differences between the english and spanish versions , more than just language . since we’re purists , let’s go original . moving right along , let’s get this show on the road .
this theme is always in the first room , in the tombs of meryre , huya , ahmose , and of pentu . until the reign of akhenaten , the deceased , sometimes with his wife , is represented rigid and static before a table of offerings , but he never consumes it . during the amarna period , everything changes : on the walls of tombs , the king is shown - and sometimes members of the royal family - seated or standing , eating and drinking . the seemingly trivial nature of these scenes should not mislead one : akhenaten eating is akhenaten making an offering to the aten ! as for the dead person , if he participates in these scenes it is as a servant , and is represented on a very small scale compared to members of the royal family . thus , in the tomb of huya there are two representations of the royal couple eating and drinking with the queen mother tiy ; huya is represented as miniscule by the feet of akhenaten ( see opposite ) .
to provide the blind dead with their nifty new location , ossorio had to scramble . the back story of the blind dead puts their execution somewhere in the late 1400 ' s ( though actually , the order of the templars was dissolved in 1312 ) ; it ' s never really explained what they ' re doing on a late 16th century galleon . but the explanation for the galleon itself , and its otherworldly fog , is hooey of the highest order . we have a meteorologist , a scientist so credulous he makes fox mulder seem like thomas huxley , tell us that the ship isn ' t real ; that it exists in another dimension , and that once aboard , our characters too have ceased to exist .
damned good . the audio track doesn’t have a lot of bells and whistles options for your sound system settings , but both the original spanish and the english dub are clear with no moments of sound fading or of having the volume bounce from low to high and back again . the music , from incidental bits to the theme used for the blind dead’s best moments on film , is crisp and clean with no noticeable pops or glitches .
parts of the soundtrack are directly stolen from goblin’s score for george a . romero’s ‘ dawn of the dead ‘ and also from a soundtrack that they did for a film called ‘ alien contagion ‘ .
underneath that ground and soon to emerge from their tombs are the knights , who appear as a dank , rotted zombie , but probably could be more succinctly described as mummies . they wear cloaks and hoods that have absorbed hundreds of years worth of filth and have sunken in , skeletal features with facial hair , but are strong enough to move the stone covers of their own tombs . they move slowly like a zombie horde but unlike the typical living dead , they use ancient horses as a method of transportation , cloaked in the same dingy clothing that covers their bodies , much like in f . w . murnau’s
in return of the blind dead , a village celebrates a centuries old centennial of the templars destruction ( 100 years , 500 years , i forget ) . they show up to crash the party . at one point , the templars even knock loudly on the door of potential victims . in horror of the zombies , the templars travel around in a ghost ship enshrouded in a supernatural fog . whether carpenter saw the movies , or not , the similarities are to obvious to ignore , at least for me .
in an interview segment appended to the nifty - as - usual severin dvd of mansion of the living dead , jesus franco describes this movie as a freeform meditation on themes drawn from the work of poet and novelist gustavo adolfo bécquer . bécquer isn’t an author i’ve read , and i know almost nothing about him beyond that he lived during the 19th century and that he’s greatly respected in his native spain— the kind of writer whom you can’t escape from the spanish school system without encountering at least once . my ignorance of bécquer and his writing means that i can’t confidently guess what franco might have had in mind by linking him to mansion of the living dead . just the same , though , i also can’t shake the suspicion that he was having us on at least a little , because for a film supposedly rooted in the classics of 19th - century literature , mansion of the living dead sure does look like a shitty rip - off of tombs of the blind dead and its sequels . i mean , i guess it can be both— and if anybody was going to pull a stunt that ridiculous , jesus franco would be the one . even if it’s true , though , i’m not sure the highbrow connection adds much to the sometimes hilarious , often excruciating , and always baffling experience of watching this film .