tremors 4 : the legend begins ( previously known as tremors : original showdown and also known as tremors 4 or tremors : the legend begins ) is a 2004 direct-to-video western monster film directed by s. s. wilson and written by brent maddock , nancy roberts , and wilson .

it is the fourth film in the tremors series of films and released on dvd on january 2 , 2004 .

as a prequel to the earlier films and television series , it depicts the town of rejection , which is the location that would later be renamed perfection , the main setting for the first tremors film .

it stars michael gross as hiram gummer , the great grandfather of the character burt gummer , whom gross portrayed in every other tremors film .

tremors 4 : the legend begins

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tremors 3 : back to perfection ; tremors 4 : the legend begins ( dvd video , 2016 ) [ worldcat . org ]
tremors 4 : the legend begins is the fourth film in the tremors series of monster films . it is a prequel to the earlier movies .
there are no critic reviews yet for tremors 4 - the legend begins . keep checking rotten tomatoes for updates !
deleted scenes ; hilarious outtakes ; special effects featurette : dirt dragons ; you ' re on the set of tremors 4 : the legend begins ; the tremors 4 : the legend begins miniatures ; feature commentary with director s . s . wilson
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who starred in the movie tremors 4 : the legend begins ?
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deleted scenes ; outtakes ; special - effects featurette :
dirt dragons
; you ' re on the set of tremors 4 : the legend begins ; the tremors 4 : the legend begins miniatures ; feature commentary with director s . s . wilson
tremors 4 : the legend begins by s . s . wilson | michael gross | 25192316326 | dvd | barnes & noble®
this cast list of who was in tremors 4 : the legend begins includes both lead and minor roles . ( 19 items )
tremors 4 : the legend begins director s . s . wilson and actor michael gross ( hiram gummer ) holding the punt gun used in the film .
tremors 4 : the legend begins cast list , listed alphabetically with photos when available . this list of tremors 4 : the legend begins actors includes any tremors 4 : the legend begins actresses and all other actors from the film . you can view additional information about each tremors 4 : the legend begins actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of tremors 4 : the legend begins have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
you cannot see tremors 4 until you see tremors 3 and don ' t see tremors 5 until you , of course , see tremors 4 . and so on . . . .
you must see tremors 4 because you saw tremors 3 the last time . that ' s the order of things
tremors 4 : the legend begins blu - ray 2004 region free : urltoken michael gross , sara botsford , billy drago , s . s . wilson : dvd & blu - ray
special features : spotlight on location ; trailers ; production notes ; cast and filmmakers ; you ' re on the set of tremors 4 : the legend begins ; feature commentary with director s . s . wilson .
1 videodisc ( 206 min . ) : sound , color ; 4 3 / 4 in .
1 videodisc ( 206 min . ) : sound , colour ; 4 3 / 4 in .
tremors 6 is set to arrive on january 30 , 2018 . the tremors franchise is pretty fun across the board , but the low point was probably 2004’s tremors 4 : . . .
tremors 4 : the legend begins is a 2004 direct - to - video western monster film , that premiered january 2 , 2004 on the sci - fi channel . it is the fourth and final film in the tremors series of monster films . it is a prequel to the earlier movies .
michael gross was the only person to appear in all five
tremors
movies . in tremors ( 1990 ) , tremors ii : aftershocks ( 1996 ) , tremors 3 : back to perfection ( 2001 ) and tremors 5 : bloodlines ( 2015 ) , he played burt gummer . in tremors 4 : the legend begins ( 2004 ) , he played hiram gummer , an ancestor of burt gummer . see more »
title from container . special features : spotlight on location ; trailers ; production notes ; cast and filmmakers ; you ' re on the set of tremors 4 : the legend begins ; feature commentary with director s . s . wilson .
tremors / tremors 4 by ron underwood , s . s . wilson | kevin bacon | 25192454424 | dvd | barnes & noble®
tremors 2 : back to perfection ( 2001 ) / produced by nancy roberts ; screenplay by john whelpley ; directed by brent maddock - - tremors 4 : the legend begins ( 2003 ) / produced by nancy roberts ; screenplay by scott buck ; directed by s . s . wilson .
tremors 3 : burt gummer returns to perfection , nevada to find the graboids are mutating into something far more lethal than shriekers . tremors 4 : witne
tremors 3 : back to perfection ; tremors 4 : the legend begins : buck , scott ( scott r . ) , maddock , brent , 1950 - , roberts , nancy , whelpley , john , wilson , s . s . ( steven s . ) : dvd : toronto public library
this two - disc set from universal studios home video contains the 2004 straight - to - video prequel tremors 4 : the legend begins and the original 1990 comedy - horror film tremors . each film is presented with an anamorphic widescreen transfer and dolby digital surround sound . each disc contains a french - dubbed soundtrack and optional spanish subtitles . also included are outtakes , trailers , production notes , and the featurette
the making of tremors .
director s . s . wilson provides a feature - length audio commentary track for tremors 4 . other featurettes include
you ' re on the set of tremors 4 : the legend begins ,
dirt dragons ,
and
miniatures production .
this release also contains outtakes and wilson ' s student film .
after three films and a short - lived ( yet brilliant ) television series you would be excused if you felt that the tremors stories had run out of steam . certainly tremors 3 while very entertaining wasn ' t quite as good as the excellent first film or the good follow up . also what ' s left to tell ? we practically know the whole tremors life cycle , from giant worm to flying ass - blaster . well the series has done a george lucas ( no not ruined the franchise ) and opted for a prequel . so welcome to tremors 4 : the legend begins , or alternatively tremors verses the cowboys .
tremors 4 : the legend begins is one of the best prequels you are likely to see . it tidies up the few unanswered questions regarding the tremors background , and builds the perfect history for the town and residents of perfection . beyond that it is a funny action packed experience of man verses worm , just how the series originally began . without a fundamental change it would be difficult to see where any future sequels could go , but if this is it then it is a fine way for the series to end , or is that begin .
kettlercise lean in 14 , 4 disc dvd collection - new kettlebell transformation progr . . .
tremors 3 : burt gummer returns to perfection , nevada to find the graboids are mutating into something far more lethal than shriekers . tremors 4 : witness the beginning of the creatures that terrorize nevada when workers in a remote 1800s nevada mining town fall victim to an unseen predator .
urltoken tremors 4 - the legend begins / tremors : kevin bacon , michael gross , fred ward , sara botsford , finn carter , brent roam , billy drago , reba mcentire , august schellenberg , victor wong , j . e . freeman , bobby jacoby , ming lo , ariana richards , lydia look , charlotte stewart , tony genaro , richard marcus , s . s . wilson , ron underwood , nancy roberts , brent maddock , gale anne hurd , scott buck : movies & tv
get ready to be shaken to your core by the all - new prequel to the original
tremors
! when workers in a remote mining town of rejection , nevada , fall prey to an unseen creature , the mine ' s owner , hiram gummer ( michael gross ) , great - grandfather to tremors ' burt gummer , hires a mercenary to destroy the carnivorous creatures before they swallow up his profits . what follows is an all - out assault that takes the battleground from deep in the earth to a suspense - filled showdown on the streets of rejection !
tremors 4 : the legend begins
will thrill you with incredible action sequences , awesome bonus features and earth - shaking special effects created by the award - winning team behind the original box - office hit ,
tremors
.
in 1892 and rejection nevada is a small frontier town based around a silver mine . however the town is in trouble because subterranean monsters have killed all but one of miners . desperate for help the few remaining towns folk send for the mine ' s owner hiram gummer . will he be able to save the town against the underground threat ? they may be in for a surprise as this is where the tremors legend begins .
tremors 4 - the legend begins [ dvd ] : urltoken michael gross , sara botsford , billy drago , brent roam , august schellenberg , j . e . freeman , ming lo , lydia look , sam ly , neil kopit , sean moran , matthew seth wilson , john dixon ( iii ) , dan lemieux , don ruffin , lou carlucci , andrew van hise , kai taschner , s . s . wilson : dvd & blu - ray
side # 1 - - tremors 4 : the legend begins scenes bonus materials feature commentary with director s . s . wilson you ' re on the set of tremors 4 : the legend begins dirt dragons deleted scenes outtakes miniatures production s . s . wilson ' s student film :
recorded live
languages spoken language : english 5 . 1 spoken language : español 5 . 1 spoken language : français 5 . 1 feature commentary with director s . s . wilson captioned fof the hearing impaired : english subtitles : español subtitles : français subtitles : none play side # 2 - - tremors : collector ' s edition chapter list bonus materials the making of tremors play chapter list languages spoken language : english only captioned for the hearing impaired : english subtitles : français subtitles : español subtitles : none outtakes featurette production notes cast & filmmakers valentine mckee - kevin bacon earl bassett - fred ward rhonda lebeck - finn carter burt gummer - michael gross heather gummer - reba mcentire directed by ron underwood theatrical trailers kevin bacon profile michael gross profile reba mcentire profile production photographs tremors 2 : aftershocks trailer language selection spoken language english français español captions & subtitles captioned for the hearing impaired : english subtitles : español subtitles : none play
the legend begins . get ready to be shaken to your core by the all - new prequel to the original tremors ! when workers in the remote mining town of rejection , nevada , fall victim to an unseen predator , the mine ' s owner , hiram gummer ( michael gross ) , great - grandfather to tremors ' burt gummer , hires a mercenary to destroy the carnivorous creatures before they swallow up his profits . what follows is an all - out assault that takes the battleground from deep in the earth to a suspensefilled showdown on the streets of rejection !
i happen to like the tremors movies so this movie was somewhat interesting to me . however , my wife who is not a tremors fan , thought it was stupid .
' tremors 4 ' is the prequal to the original ' tremors ' . when workers in the remote mining town of rejection , nevada , fall victim to an unseen predator , the mine ' s owner , hiram gummer ( michael gross ) , hires a mercenary to destroy the carnivorous creatures before they swallow his profits . this results in the battleground moving from deep in the earth to the streets of rejection .
this one is not as good as tremors , but can be seen once .
this is the fourth entalshment in series . in you loved tremors true this sequel combines scifi with a western .
a prequel to tremors , this movie tells us about the founders of rejection valley and how they defended it against the dirt dragons aka graboids .
i am a big fan of the tremors movies and i thought this one was just as good as all the others . the movies are low budget but definitely entertaining .
this film is very underrated . it was a pleasant film to watch , and is sure to appeal to every tremors fan who ' ve watched the first three . i think that this film is better than the weaker back to perfection . i think the reason that this film succeeds so much is because it returns to the witty , more comical elements than the first two , instead of the irritating elements of the third . i just the concept of a tremors film in old west , the only thing missing would be henry fonda and clint eastwood in the film to make it more awesome . the film is a nonstop laugh fest with horror and thrills all rolled in to one . the cast is also a very good one , and they give splendid performances , the legend begins , is a great way to end this fun little series .
side # 1 - - scenes languages spoken language : english 5 . 1 dolby digital spoken language : español 5 . 1 dolby digital spoken language : français 5 . 1 dolby digital spoken language : feature commentary with director s . s . wilson captioned for the hearing impaired : english subtitles : español subtitles : français subtitles : none bonus materials feature commentary with director s . s . wilson feature commentary with director s . s . wilson : on feature commentary with director s . s . wilson : off you ' re on the set of tremors 4 : the legend begins dirt dragons deleted scenes outtakes miniatures production s . s . wilson ' s student film
recorded live
play
the movie described how it all began and brought in some new characters . it was actioned packed and i had no hard time learning about the story of tremors .
a television reboot of the film ' tremors ' in which a small town is gripped with fear over giant underground worms living beneath them .
s . s . wilson - who co - wrote the original’s screenplay with brent maddock - stayed on for the sequels in various capacities , either writing or directing , until the fifth instalment . his continuing involvement brings an innate authenticity and charm to tremors 2 - 4 that they may not have had in other hands . you can practically hear the conversations taking place behind the camera while you’re watching – “yeah , but that’s not canon in the tremors - verse” , “burt would never say that” – so , however small the budget and restrictive the special effects might be , you never feel far removed from the original’s atmosphere .
there are few working punt guns in existence so the one used in tremors 4 was custom built for the show . it had a two inch bore which according to the gun barrel proof act of 1868 is calcified as an , “a gauge” , the largest size on record . prop master bill davis had our gun designed around a real h & r 12 gage shotgun . the entire trigger assembly of the punt gun dropped down to allow the loading of the internal shotgun with triple load 12 gauge black powder blanks . this design made the gun much simpler and safer to use on the set than a real muzzle loader . the total weight of the gun is 94 pounds and the overall length is 8 feet 4 inches . for more authenticity , wd - 40 was sprayed into the barrel before firing to create extra smoke .
side # 1 - - 1 . nevada 1889 [ 2 : 57 ] 2 . rejection ( main titles ) [ 3 : 58 ] 3 . the great conqueror [ 8 : 21 ] 4 . he ' s our only chance [ 5 : 30 ] 5 . night attack [ 7 : 05 ] 6 . gun fighter wanted [ 5 : 23 ] 7 . waiting [ 3 : 49 ] 8 . black hand kelly [ 5 : 42 ] 9 . playing me for a fool [ 4 : 40 ] 10 . old fred ' s head [ 4 : 22 ] 11 . holed up in the muling station [ 6 : 39 ] 12 .
let your lead fly
[ 6 : 41 ] 13 .
please don ' t leave us
[ : 35 ] 14 . they ' re coming [ 4 : 33 ] 15 . take a stand [ 4 : 27 ] 16 .
shall we begin ?
[ 5 : 06 ] 17 .
two more to go
[ 4 : 43 ] 18 . worm wrangling [ 4 : 40 ] 19 . perfection [ 5 : 20 ] 20 . end titles [ 3 : 13 ]
you’d be hard - pressed to find someone who hates tremors . in fact , while i was watching these sequels i ran a quick poll online asking people to choose their favourite 90s monster movie and tremors won in an absolute landslide – leaving even the much - beloved gremlins 2 in the dust .
this fourth installment in the tremors series was released straight to video and dvd , and first premiered on the sci - fi network . the second and third installments were also released straight to video and dvd .
plot is set in the 1800s , and they still never tell us where these things came from . another ' tremors ' movie that nobody asked for .
great transfer epecially the sound , and an interesting bunch of extras . best of all though is that this film comes with the original tremors disc for free , making it unbeatable value .
picking up the dvd of the fourth film in the tremors franchise , i actually found myself staring agape at the front cover . yes , in this film we’re going back to the future ( 3 ) and catching up with perfection’s original settlers and mine workers in a prequel .
the film , which was originally supposed to be filmed in australia on a $ 17 million budget , saw its budget slashed to just $ 4 million after the studio lost interest and cast and crew took massive pay cuts to bring the resulting footage straight to dvd .
a prequel to tremors ( 1990 ) , this movie tells us about how the town of perfection , nevada became founded and how they defended it against the graboids with the help of burt gummer ' s ancestor , hiram .
a prequel to tremors ( 1990 ) , this movie tells us about how the town of perfection , nevada became founded and how they defended it against the graboids with the help of burt gummer ' s ancestor , hiram .
all in all , the second film is a fairly disappointing follow up to the original , but it does a decent job of continuing the tremors mythology . we now know that the graboids are evolving and aren’t endemic to perfection , which gives the franchise free rein to change the location up whenever the script calls for it , but the initial response can’t have been overly positive because the third film is called . . . .
gun maker christian sharps patented the basic design for the sharps pepperbox in 1859 . it used 4 barrels arranged in a square pattern . the barrels slid forward on the frame for loading and were then locked into place for firing . the gun is unusual in that the barrels did not rotate . instead , the firing pin on the hammer face was rotates by the use of a pawl on the side of the hammer , firing a different barrel each time the gun is cocked . . this design was somewhat more reliable than conventional revolvers of the era and gave rise to many imitations . hiram fires the smallest sharps , a . 22 caliber , in the muling station sequence .
a prequel to tremors ( 1990 ) , this movie tells us about how the town of perfection , nevada became founded and how they defended it against the graboids with the help of burt gummer ' s . . . see more »
michael gross is back to play his own great - grandfather , hiram gummer , and the main joke in play is that he is nothing like his great - grandson . hiram is incredibly prim and proper - not to mention manipulative and careless - and doesn’t even know how to fire a gun . the character’s arc , whilst inevitably helping the poor residents of perfection to fend off some original graboids , is purely to get to the final scene where he enjoys target practice with an old school gatling gun . i honestly didn’t think the gun stuff could get any weirder , but s . s . wilson , who bowed out of the franchise after directing the legend begins , had to go and surprise me .
naturally , we ' ll update this article when tremors 6 turns up . in the meantime , i ' m watching all the bring it on sequels next . expect that article in due course . . .
it really comes across like the studio said “ok , we’ll sign off on another tremors sequel , if you sharknado it up a little” and if your response to that is “well , i love the sharknado films actually” then tremors 5 ( and 6 ) could be exactly what you’re after , but if you find the charm of the first four films in any way endearing , they might leave a bitter taste in your mouth .
when hiram was sending the telegraph he said to send the message to the denver post . the movie is based in 1889 and the denver post was not founded until 1892 .
brent maddock , the co - writer of the first two films , directs this third instalment of the tremors franchise , which sees a return to the small mining settlement of perfection , nevada . the tiny town has become a kind of crap tourist trap celebrating the events of the first film , and even though it’s been 11 years since the last sighting of a graboid , that’s “no reason to lower your guard , ” says burt gummer - who is very much now the star of the show .
a great deal of effort went into selecting the correct weapons for the people of rejection nevada to use in their 1889 struggle against dirt dragons . in making one of the few monster movie westerns we had a unique opportunity to showcase the legendary weapons of the old west in a new and exciting way . we went for historical accuracy and you’ll see it followed through when you play our exciting tremors 4 game dirt dragons . we made every effort to correctly represent the actual effective ranges and reload times of the weapons so you can really get a feel for what it would be like to face off against dirt dragons in the old west .
in 1860 winchester plant superintendent benjamin tyler henry patented this lever - action rifle which used self - contained metallic cartridges of his design . the tubular magazine mounted under the 24 inch barrel held fifteen cartridges but if a round was chambered before loading the magazine the henry held 16 rounds and was aptly referred to with its common nickname of “sixteen - shooter” . in practiced hands the henry could fire one shot per second because working the lever loaded a fresh cartridge and cocked the rifle in one operation . the henry was viewed as being difficult to load under battle conditions and susceptible to chambering problems when dirt got into the mechanism . if the user needed more than 15 shots quickly , other weapons were often recommended . in tremors 4 christine uses this weapon in the final battle .
when hiram was sending the telegraph he said to send the message to the denver post . the movie is based in 1889 and the denver post was not founded until 1892 . see more »
market waterfowling quickly depleted bird populations in the united states and many states banned the practice by the late 1860’s . public outcry and the persistence of the audubon society led to the ratification of the lacey act in 1889 which prohibited the shipment of wild game or feathers across state lines . the federal government eventually stepped in with another series of laws to completely outlaw market hunting in 1918 .
this is one of the worst films that i have ever seen . it does not even come close to the class of the 3rd one , never mind the 1st .
the graboid is reeled in and slammed against the engine with such force that its head is crushed on impact . with the creatures dead , the town decides to keep the creatures secret out of fear no one would settle in the area if it was known and use the proceeds from the mine to pay for things for the people of the town , proper walls for the market and hotel and a statue of tecopa ( who claimed the cigar store indian that stood in front of the hotel was a statue of him ) . hiram settles in rejection ( renamed perfection ) , building his home in the same place burt gummer builds his house .
tremors fans will be in seventh heaven as they get to play spot the characters ancestors , and the series catch phrases . it ' s all here , from old fred , to the wooden indian . this doesn ' t mean there isn ' t much for those new to the series , as after an initially slow start there is plenty crackingly funny giant worm shenanigans to entertain anyone . this must be due to the fact that it is penned once again by steve wilson and brent maddock ( with the now customary help of nancy roberts ) . it is this continuity of backroom talent that has ensured that unlike many film series tremors has maintained such high standards .
this handgun was first issued to the u . s . cavalry in 1873 with a 7 . 5″ barrel chambered for a 45 caliber cartage . the civilian version of the weapon was released in the mid 1870’s as the peacemaker and quickly became the sidearm of choice in the west . the cylinder held six rounds but one chamber was typically left empty because there was no safety . if the gun were dropped , or anything ( like a tree branch ) accidentally struck the hammer , the pistol easily could go off , even in its holster ! leaving an empty chamber under the hammer was the safest alternative .
we live around the lone pine area where some of the film was shot in the alabama hills . the line pine film history museum still has a tremors display to date which my girlfriend and i visited not long back . very fitting seeing as how both of us are tremors movie fans . the museum in lone pine also gives tours of filming locations that you will recognize from the movie . if your on vacation through this area take a stop in . neither of us where disappointed even though we maybe be bias toward loving the films . there is so much more to the museum and my only regret is that i didn ' t have time to go through and read as much as i would have liked on the movies that where filmed out here . this is why i have a plan to go back and visit .
the town readies itself for a final showdown with the graboids . hiram uses a punt gun to blow a hole in one of the graboid ' s heads , killing it instantly , but a second one pulls the gun underground . tecopa then attracts one of the graboids by sticking a saw into the ground and banging on it . when the graboid rushes to eat him , it impales itself on the saw . the third and final graboid grows smarter , however , and avoids all their traps . hiram tricks it into coming to the surface and then attaches it by the tail to the wheel of the town ' s traction engine .
the now famous burt gummer returns to his hometown of perfection , nevada for the first time in years , but the deadliest graboid evolution yet forces him to save the town he swore to protect .
very funny and brilliant story , going back to the ancestors of the original gcast . excellent entertainment with some surprising twists in the plot and characters .
a budget cut from 3 but not quite as low as 2 , the fourth film plays with more of the creature effects from the original and does fairly well with them visually , but the story itself is lacklustre and we don’t get much out of it , mythology - wise , other than that the graboids have been around for a while . this is reflected in my notes from watching the film , where i’ve simply written “old burt learns how to use a gun” and then written “next : tremors 5 , the one with jamie kennedy from scream” underneath .
the absence of bacon weighs heavily on the first half of aftershocks and ward himself doesn’t seem entirely happy with reprising the role of basset , but the tone of the film – unevenly vacillating between wacky and too wacky – improves massively upon the reintroduction of michael gross’ gun - crazy burt gummer , and it’s easy to see why he took over the franchise completely after the second film , even if the character tends to work better as a supporting role .
the harrington and richards single shot shotgun is lu wan’s behind - the - counter gun . it is also seen when fu yien runs out of the store carrying it , hoping to join the battle .
in the fourth outing of the tremors franchise , viewers are transported back in time to the old west , where gun - shy hiram gummer comes across a 19th century brood of the man - eating titular beasts . the film has been released straight - to - dvd with a widescreen transfer and dolby digital 5 . 1 surround sound for the original english soundtrack as well as the dubbed french and spanish tracks . french and spanish subtitles are also included . along with the film , the disc boasts an extensive selection of bonus material . there are three documentary featurettes that offer different perspectives of the making of the film . additionally , there is a blooper reel , a selection of deleted scenes , and a feature - length audio - commentary track by director s . s . wilson .
as if the tremors movies had any self - respect left after part 3 and then the god awful tv series they make another sequel , oh wait excuse me , a prequel . oh well at least unlike part 3 they tried something different this time around by making it a but alas it didn ' t much help since its the worst of the series . still it does get a point or two for not having the graboids evolve into anything else this time around .
when a wealth of silver is discovered in the vast nevada desert , the small but almost immediately prosperous boomtown of rejection is quickly established in order to support the bottom dollar mine . despite the riches beneath their feet that promise to put rejection on the map and deliver wealth and prosperity to the small community , the fate of the town takes an ominous turn when 17 miners are mysteriously killed . as the fearful residents abandon the mines and flee the town , mine owner hiram gummer ( series regular michael gross ) takes matters into his own hands by leading the few remaining residents in a hunt to solve the mystery of the miners ' deaths - - only to discover that the unearthly underground killer is a more powerful force than he may have ever imagined . ~ jason buchanan , rovi
six years after the release of the first film , a kevin bacon - less fred ward is back in the s . s . wilson - directed tremors 2 and he’s headed to mexico , where graboids have been spotted gobbling up employees underneath an oil field . having squandered the cash he earned from his fame in the original film , ward’s earl basset is keen to collect on the $ 50 , 000 - a - head graboid bounty offered by the oil refinery boss – so keen that he’s even willing to take on a new young partner in the form of true blood ’s chris gartin ( a substandard replacement for bacon ; a facon , if you will ) .
in true back to the future 3 style we travel back in time to when perfection is known as rejection , and it is populated with the ancestors of all of the characters that inhabit to valley in the later movies . so which way does this go ? is it a disaster of phantom menace proportions , or the success of back to the future 3 ? thankfully it is most definitely the later , with this being the best film in the series since the original . this has been achieved by using the original ' s formula of big worm action and humor , but giving it some nice twists .
the winchester 1873 is perhaps the most popular lever action rifle of the era . over 720 , 000 were manufactured over a period of 50 years in a range of calibers and barrel lengths . the standard 24″ barrel made the 1873 a very popular saddle gun for cowboys . this weapon was immortalized by james stewart in the film “winchester ’73” . big horse johnson fires a . 44 caliber winchester 1873 at the mini - graboids in the camp scene .
the worstr of them all ! it left out allot of information about the best an i dont like that . it wasent the worst movie a have seen . . .
“‘in too deep’ is the most moving pop song of the 1980s , about monogamy and commitment . the song is extremely uplifting . their lyrics are as positive . . .
the original cost a rather humble $ 11 million to make and made $ 5 million profit at the box office . not a huge amount , but its subsequent popularity on home release and tv means that , 26 years later , we’ve just received word that a sixth instalment has gone into production . it seems the tremors love is still very much alive and kicking ( or should that be ‘squirming’ ? ) .
the worms are back but this time in a prequel , set in 1889 nevada as silver mines inspector hiram gummer , the great - grandfather of burt gummer , arrives in the small settlement of rejection valley and faces off against the so - called graboid worm monsters devouring the local inhabitants .
the remington rolling block was made to compete with the likes of the sharps 1874 . this rifle came in several different calibers and configurations including sporting no 1 . ( pictured ) , long range creedmoor and mid - range target . this is the gun pyong chang fires from the back of the steam traction engine during the final battle . it fired 45 - 70 blanks , but we called it a 45 - 120 in the film , which was another western era big bore cartridge for which the rifle could have been made .
this prequel , starring michael gross from the first 3 ( but wasn ' t he surprised by the worms in the first , aha read on ) focuses around burt ' s ( michael gross in the first 3 ) great grandfather ( played by michael gross in this one ) and a band of people fighting the worms in the town of rejection .
before the advent of the sharps rifle , buffalo hunting often meant riding along side a running buffalo and firing repeatedly at the animal until it dropped . this was not only dangerous but also stampeded the herd , which greatly limited the number of kills . the great accuracy and stopping power of the sharps allowed hunters to quietly drop buffalo at a distance of hundreds of yards without alarming the herd . skilled hunters could often kill 50 or more animals before wounding one and causing a stampede .
just in time for the halloween season , the texas chainsaw massacre series has returned with leatherface . however , like it has once before , the series is jumping back in . . .
the first gatling gun was invented and built by r . j . gatling in 1862 and patented in 1865 . colt’s armory in hartford , connecticut then produced the weapon for the military . the gun has 10 barrels which revolve inside of a supporting frame . as the barrels revolve , an ingenious mechanism automatically loads cartridges , cocks the hammers , fires each barrel in turn , and ejects the empty shells in one continuous motion , all powered by simple hand - crank turned by the gunner . the gatling gun used in the film was a genuine antique 45 - 70 caliber colt made before 1900 — and it worked flawlessly .
sharps 1874 buffalo gun unofficially accounted for more one - shot kills than any other weapon known . buffalo and other large game hunters routinely reported nearly a 100 % kill rate per cartridge fired . many gunfighters were former buffalo hunters and carried this weapon for their long range needs . buffalo hunter billy dixon made a famous 1500 yard shot which wounded an attacking indian at the battle of adobe walls using a . 50 caliber sharps . the weapon became known as “old reliable” and the company itself began stamping the barrels with this popular nickname . the sharps is a single shot breach loader . opening the breach would eject the spent shell in preparation for the next round . the sharps also had a double set trigger . pulling the rear trigger set the front “hair” trigger to discharge the weapon at the slightest touch , an advantage when holding the rifle steady for a long - distance shot .
many of the most famous / infamous characters of the era used the colt sa , including wyatt earp , doc holliday and the dalton gang . later issues of the gun offered different barrel lengths and several smaller calibers . the single action design of this gun limited the firing speed compared to some other weapons of the era but it delivered rounds with deadly accuracy and a hefty punch . otherwise referred to as a “frontier , ” “equalizer” , “six shooter , ” or “hogleg” this weapon is arguably the most popular handgun ever made . in our movie , it’s black hand kelly’s weapon of choice , and he gives one to hiram for target practice . juan also packs the peacemaker in the film .
old fred’s handgun is the smith and wesson top break . 44 caliber single action revolver most commonly known as first model american . it was called a top break because it had a latch just in front of the hammer . when the latch is released the barrel and cylinder tip down and an automatic extractor expels the shells . this makes the weapon fast to load but wasteful if all rounds were not fired since any unspent shells are ejected along with the used ones , which one would then have to pick up and dust off . this is the main reason the us army picked the slower loading colt single action army as their primary weapon . buffalo bill cody purchased an american in 1874 and wyatt earp was said to carry one at the shootout at the o . k . corral . smith and wesson also made the top break in . 45 caliber schofield . this handgun was considered to be one of the most accurate target pistols of the 19th century .
the first hour goes by and nothing happens but bickering among the characters about this and that and where to camp . . .
the 19th - century community of rejection faces certain doom when giant man - eating worms hatch from eggs found lying in a nearby mine and begin to prey on the populace . the owner of the mine is determined to save the town , and joins forces with a feared gunslinger to fight off the monsters . action comedy prequel , starring michael gross , sara botsford and billy drago .
i am very impressed with tremors 4 . most prequels have flaws , but this one has legitimate explanations for everything , such as why there is no mention of these incidents in the previous three movies . and michael gross is outstanding as hiram gummer , great - grandfather to burt gummer . same actor , different character , but equally well - played . i think it ' s obvious now that if gross were to ever leave the franchise , there probably wouldn ' t be anymore sequels / prequels made . he ' s made himself too important , and that ' s all the better for these movies . one thing that i was truly impressed with in this movie is that there is way less cgi than there was in the previous two movies . they ' ve gone back mainly to puppetry and animatronics , just the way we like our special effects . real . it helps us believe what we ' re seeing . for example , there is one moment where a graboid comes through the floor and a guy is lifted on its back .
it’s an extremely simple story that becomes a lot more fun when you add the other residents of perfection into the mix . there’s the annoying teenager who’s never happier than when he’s pranking people out of sheer boredom , the cute graduate student who just happens to be conducting tests in the area and who repeatedly , but earnestly , puts val in his place , and of course burt gummer ( michael gross ) – the paranoid , moustachioed survivalist whose house happens to be stocked to the gills with all the guns and ammo they’ll need to defeat the encroaching , man - eating , underground threat .
the creators keep this one going and set it in the 1800s and it was done well and has some funny stuff in it .
in 1889 , the site that will become perfection valley is home to the town of rejection valley . the inhabitants are completely dependent on a nearby silver mine for its income , and when a hot spring causes graboid eggs to hatch the mine becomes too dangerous to work in . its owner is hiram gummer , great - grandfather of burt . he arrives in town to fix the problem , but finds he is in way over his head dealing with the monsters . as hiram picks up the lessons that will one day be imparted to burt , the town readies itself for a final showdown with the graboids .
the best thing about the more recent films has been the character of gun toting survival nut burt gummer . well fans of the character are in for a big shock . his great , great , etc grandfather isn ' t the man burt is , in fact he doesn ' t even own a gun ! this single change really makes the film , as it gives the excellent michael gross a brand new character to play with . there is fun to be had as we watch dapper city gent hiram slowly become burt ( just wait until you see the gun he eventually ends up with ) . of the new characters the most impressive is billy drago ' s gunfighter blank hand kelly . drago puts in a great turn as the meanest gun in the west , and hiram ' s trainer . he is obviously having great fun with the role and it comes across on screen .
trippy indie madeline ' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
this is a prequel to the entire series , taking place in the 1800 ' s with michael gross ' early ancestors have to deal with the entire graboid problem . not as funny as the others but still worth watching just for the hell of it . the other thing is that this seems to channel a bit of stephen king ' s story desperation , but i ' m sure it ' s just a coincidence .
it ' s not the best b movie in this series , but it ' s watchable . i rewatch the rest of the series from time to time , but i really like good b movies late at night .
aftershocks introduces a new species of graboid to the franchise ( ‘shriekers’ ) who can walk around on land ; a sort of half - velociraptor with a graboid upper half . however , due to the aforementioned budget constraints , the animatronic puppets the filmmakers could afford do very little else but waddle in place menacingly and it’s up to the editing to make it appear as though they’re any kind of advancing threat to the cast – with varying results .
this came out or was made in 2003 , strange i have no recollection of seeing this version on tv . it sets the scene for worms from the late 1800 ' s america using the same actors as in the first version , except no kevin bacon . so you knew roughly the story that was coming . body count was quite high in first part of film .
this is the rifle juan uses in the final battle . in reality it was 45 - 70 caliber but we called it . 52 caliber in the film because it sounded cooler , and could still have been a custom loading .
as silly as it looks , the 2 inch bore giant shot gun was a real thing . it was used to shoot entire flocks of ducks at once . you would mount the gun on a flat bottomed boat ( a punt ) aim at the side of the lake where a flock was feeding and fire .
hiram calls for a gunfighter , black hand kelly . he promises kelly all the silver he can carry once the mine is reopened , but has to give him his diamond cuff links and double eagle watch fob as a down payment for his services . while setting a trap , they find the severed head of old fred , the freight driver who had not been seen in weeks . the two do not get along well , and eventually kelly is eaten alive but not before discovering there are four of the creatures that hatched and that they are a lot bigger than when juan killed one . hiram decides to abandon the town and leave the townsfolk to their fate , but they force him to give them the silver mine , threatening to alert potential buyers to the danger if he sells it out from under them .
well i was expecting bad things and i got it , however what i will say about this besides the reversal of character for michael grossm is that ot does set up the original film rather well , at the expense of the original b movie horror it started with . yes this is a series centred around fun , but the first film did make me jump and i was scared of the graboids , or mother - humpers depending on your fancy . kevin bacon in teh first was brillaint and so even was fred ward . however this fourth installment was a farce . it was entertaining but lacked the charisma of the series due to the poor characters . it had to be a prequel though . another sequel would have been below awful .
in 1889 , the site that will become perfection is home to the town of rejection . the inhabitants are completely dependent on the income from a nearby silver mine , and when a hot spring causes graboid eggs to hatch , the mine becomes too dangerous to work in . the mine ' s owner is hiram gummer , great - grandfather of burt gummer . he arrives in town to fix the problem , but finds he is in way over his head dealing with the monsters , which they have dubbed
dirt dragons
, when they attack his camp one night . one of his companions , juan , kills one with a pickaxe and they barely get away .


demolition is a 2015 american drama film directed by jean-marc vallée and written by bryan sipe .

the film stars jake gyllenhaal , naomi watts , chris cooper , and judah lewis .

the film opened the 2015 toronto international film festival and was theatrically released on april 8 , 2016 , by fox searchlight pictures .

demolition ( 2015 film )

jake gyllenhaal in
demolition ,
selected as the opening - night film for the 2015 toronto international film festival .
quebec director jean - marc vallee ' s film demolition , starring jake gyllenhaal will open tiff 2015 . an outer space thriller starring matt damon and a gangster film topped by johnny depp are among the other buzz worthy films heading to the toronto international film festival this september .
jake gyllenhaal attends an official academy screening of southpaw on july 21 , 2015 in new york city . gyllenhaal stars in the jean - marc vallée ' s demolition which will open the 2015 toronto international film festival . ( robin marchant / getty / academy of motion picture arts and sciences )
opening september 26 2015 through 28 february 2016 at the vitra design museum , weil am rhein .
reviewed at toronto film festival ( opener ) , sept . 10 , 2015 . mpaa rating : r . running time : 101 min .
vancouver was host to an extraordinary amount of filming activity in 2015 : 353 productions filmed in vancouver for a total of 1 , 518 film days in 2015—up from 235 productions in 2014 . this earned vancouver $ 710 , 000 in revenue for film and street - use permits alone .
still from the film
6
. a experimental film on the deconstruction of los angeles 6th street viaduct demolition featured on the creators project .
christopher schobert guest - edited spree’s april 2015 film issue . he is a film critic for the buffalo news and frequent contributor to a number of online outlets . he blogs at urltoken .
we continue to establish our city as a premier destination for film and tv production with 2015 proving to be a record setting year . film activity increased by over 40 % in comparison to 2014 .
a full list of film premieres announced on thursday is available on the toronto film festival website .
gyllenhaal stars in demolition , vallée ' s first movie since the oscar - nominated wild . the film will open the festival .
starring jake gyllenhaal , naomi watts , chris cooper , judah lewis and heather lind . directed by jean - marc vallée . opening night gala film at tiff 2015 . 100 minutes . stc
look out for jake gyllenhaal filming ‘demolition’ in new york city this . . .
jake gyllenhaal stars in demolition as a man who has just lost his wife .
10 june 2015 our film fortress of solitude will be screened at the barbican on 25 june as part of the architecture foundation’s architecture on film series . the screening will be followed by a conversation between simone niquille , joseph grima and bruce sterling .
r for language , some sexual references , drug use and disturbing behavior . ( rating bulletin 2376 , 6 / 3 / 2015 )
our film 99 dom - ino will be the opening film at arquiteturas film festival in lisbon on 30 september 2015 . the screening will be preceded by a presentation by nick dunn , professor of urban design at lancaster university , entitled lost futures : framing critical utopias between film and architecture . after the film , sofia mourato , founder and director of the festival , will be in conversation with martina muzi of space caviar .
los angeles — jean - marc vallée’s “demolition , ” from the oscar powerhouse fox searchlight pictures , edged toward the award season spotlight as the opening - night film at the toronto international film festival .
arquiteturas film festival , lisbon 19 . 30 lost futures , presentation by nick dunn / 21 . 30 99 dom - ino / q & a with martina muzi ( space caviar ) 30 september 2015 forum lisboa
architecture on film : the machine stops + fortress of solitude ( u * ) 6 . 30pm / + screentalk with joseph grima , simone niquille ( space caviar ) and bruce sterling 23 june 2015 cinema 1
will be part of “making africa : a continent of contemporary design” , an exhibition at vitra design museum from 14 march to 13 september 2015 . curated by
oscar winner chris cooper and two - time oscar nominee naomi watts will also star in demolition .
still from nike skate park documentary in williamsburg , brooklyn
last ride
before the demolition .
the donnie darko actor also plays real - life mountaineer scott fischer in everest - due out september 2015 - with josh brolin , jason clarke , and john hawkes .
domestic ticket sales for 2015 currently sit at $ 8 . 5 billion , up 0 . 7 % from where 2013 was at this point in its record run .
looking for movie tickets ? enter your location to see which movie theaters are playing demolition near you .
and jake gyllenhaal looked dreamy as ever in his tartan blazer while filming demolition at jfk airport on wednesday .
demolition is what this movie does to a movie fan ' s hopes for two hours of quality entertainment .
fox searchlight has opted to keep jake gyllenhaal - naomi watts drama “ demolition ” out of this year’s awards season , dating the film for an april 8 , 2016 , release .
it continues to be a substantial contributor to our economy . payroll data based on city postal codes show that over $ 143 million was paid in wages to vancouver residents in 2015 .
jake - born jacob - sported a bit of stubble for the 2015 drama , which is being helmed by director jean - marc vallée ( wild , dallas buyer ' s club ) .
the film is listed as being a north american premiere , which suggests it will have its world premiere at the venice film festival at the beginning of september .
if you ' ve seen the film , please rate it at this poll .
caa is representing u . s . rights to the film . mr . mudd was the original producer on demolition , with caa helping to bring aboard black label media and sidney kimmel to finance .
we are also collaborating with the film industry to support location sustainability as well as building vancouver ' s brand as a
film city
; this initiative will highlight the fact that vancouver is the third largest film production centre in north america .
thank god for jake gyllenhaal . absent his performance , demolition would have been a more unbearable slog than it is .
i also like how demolition doesn’t explain anything clearly , but everything that happens needs an interpretation of davis’ emotional state .
“postmodern” is often defined as breaking down what came before . demolition literally hammers into that wild head and heart space .
another masterpiece by gyllenhaal . . . he always exceeds my expectations with every new film
earlier today , jake gyllenhaal was spotted filming his next movie , demolition , at 250 greenwich st in new york city .
demolition ( fsl ) , 854 theaters / $ 363k fri / 3 - day cume : $ 1 . 1m / wk 1
if you spot demolition filming in new york city this fall , let us know about it at olv @ onlocationvacations . com !
the way this film gets into gyllenhaal ' s character and in his head is spectacular .
™ and © twentieth century fox film corporation . all rights reserved . property of fox .
office punditry when the time comes actually to review the film . so yeah , sony ,
“while the box office is notoriously difficult to predict , we believe a common - sense base case forecast should assume a flat to modestly down ’16 box following a record slate in 2015 , ” the report’s authors write .
jake gyllenhaal is in talks to star in “the dallas buyers club” helmer jean - marc vallee ’s next pic , “ demolition . ”
‘the unlikely script is hampered with failed attempts at magical realism and leaden metaphors’ . . . jake gyllenhaal in demolition . photograph : pr
johnny depp film black mass , jason bateman ' s second directorial effort the family fang , western forsaken - starring donald and kiefer sutherland - and afghan war film hyena road will also premiere .
no , it’s not . ‘demolition’ wraps november 5th . but jake will have some time off from shooting to promote his upcoming movie ‘nightcrawler’ .
demolition is the latest work helmed by acclaimed dallas buyers club director jean - marc vallee and also stars academy award winning actor chris cooper .
. and now demolition . jake gyllenhaal certainly springs for a single - word title promising danger , melodrama , and dirt under his fingernails .
“everything has become a metaphor , ” a character observes and demolition illustrates to excess , as davis becomes a one - man wrecking crew .
love is a many splintered thing in demolition , as jake gyllenhaal’s emotional wreck of a romeo swings a sledgehammer rather than a bouquet of roses .
two - time oscar nominee naomi watts is in negotiations to star opposite jake gyllenhaal in “demolition , ” which is slated to be the next film from “dallas buyers club” director jean - marc vallee , an individual familiar with the project has told thewrap .
and naomi watts will surely be left feeling a little flattened by demolition , a frustratingly aimless soul - search that veers uncomfortably between quirk and melancholy .
was the only film in the $ 10 , 000 club with an opening of $ 13 , 244 over the weekend in one theater . from wednesday through sunday , the film pulled in $ 18 , 468 .
we ' re going to make a lot of noise tonight ,
vallee said as he took the stage before the film ' s world premiere at the opening night of the toronto international film festival on thursday .
it ' s probably the most rock ' n ' roll film i ' ve made .
is a rare 007 film that charts no new ground but instead just swipes from its own storied legacy .
fox searchlight has decided to open
demolition ,
starring jake gyllenhaal , in april , well outside the cutthroat and crowded fall . ( amf photography )
the toronto international film festival is a longtime launchpad for awards campaigns , but its choices for opening - night films are sometimes above the fray , like thursday night’s “demolition , ’’ starring jake gyllenhaal as a man who is unable to grieve after his wife’s sudden death .
demolition is a movie starring jake gyllenhaal , naomi watts , and chris cooper . a successful investment banker struggles after losing his wife in a tragic car crash . with the help of a customer service rep and her young son , he starts to rebuild , beginning with the demolition of the life he once knew .
fox searchlight is closing in on a deal to buy u . s . rights to demolition , reuniting the specialty division with wild director jean - marc vallee .
if you haven ' t seen the film but would like to see the result of the poll click here .
working with you on all stages of the project , from the initial ideas right through to the finished film .
exclusive : chris cooper has just been set to star alongside jake gyllenhaal and naomi watts in demolition , the next film by dallas buyers club helmer jean - marc vallee , whose new film wild with reese witherspoon debuted at toronto . deadline revealed back in june that gyllenhaal would star in and vallee would helm demolition , based on the black list script by bryan sipe about a young investment banker struggling to understand his emotional unraveling after the tragic death of his wife , when , suddenly a woman he meets in a chance encounter changes his life forever .
and we ' re off ! the toronto international film festival began in earnest on thursday , and entertainment editors erin whitney and matthew jacobs have already taken in several movies . the crowded premiere of opening - night gala selection
demolition
was our first canadian screening , capping off a handful of titles we caught before even touching down at tiff . we ' ll be bringing you lengthier takes on the festival ' s happenings in the days to come , but here are quick reactions to the first few films that comprised our 2015 toronto experience .
looking forward , our film branch staff will be working closely with the film industry to look for ways to recognize and support the local neighbourhoods , businesses , and residents that enable successful film production . in the last two years , the industry has contributed over $ 200 , 000 in cash and donations to local vancouver charities and social organizations .
online streaming solutions ; we will use our social media to help get your film out to the world once completed .
quebec director ' s jean - marc vallée ' s collaboration with jake gyllenhaal , an outer space thriller starring matt damon and a gangster film topped by johnny depp are among the films heading to the toronto international film festival this september .
it ' s not cliché or forcibly heartfelt , it ' s a simple film , but complex at the same time .
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demolition is all about feeling : something , anything , even if you have to bust through walls to find it . heart’s “crazy on you” makes for a fitting soundtrack addition .
fox searchlight has last fall’s toronto international film festival opener , demolition , about a husband who truly unwinds following his wife’s death . the drama starring jake gyllenhaal is looking to pull in $ 2m - $ 3m at 854 locations . critics are also divided on the title with a 53 % rotten score .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
vallee directed “dallas buyers club” and “wild . ” fox searchlight bought the u . s . rights to “ demolition ” while it was still in production in new york last october .
the director , who brings his third film in three years to tiff , on going back to basics and avoiding fake beards .
some russians have been watching pirated versions of the film online in order to see it in its original . the film’s producers say they will not take action against anyone who watches it illegally , but suggested viewers should make a charitable donation after doing so .
we see firsthand the enormous positive impact of film and tv productions on our city every day , ” said mayor gregor robertson . “as one of vancouver’s high - growth industries , film is a big contributor to our nation - leading economic growth . vancouver is home to world - leading talent in the film industry and the city is committed to supporting all levels and aspects of production . ”
demolition , scripted by bryan sipe , can only appeal to those so besotted with jake gyllenhaal they hardly mind what he does , possibly a substantial constituency , admittedly . he plays a bored investment banker , davis , who , in the film’s opening scene , survives a car crash that kills his wife but leaves him physically unscathed .
stuffed with so many strenuous editing ideas you suspect the influence of something illegal , demolition is mainly casting about for a point , when it doesn’t feel like a wrecking ball aimed squarely at itself .
i * know * that art gets worse than demolition , but as i sat on my flight today and tried to make sense of what i just watched , i couldn ' t imagine how .
yeh their relationship was a highlight of the film for me . i also liked the way they incorporated flashbacks and visions of his wife .
fortress of solitude : the militarization of the home will be part of the exhibition art eco at museum cultuur strombeek gent , opening 27 . 02 . 2015 . the exhibition will be on show until 26 . 03 . 2015 . the exhibition will presents a reflection on architecture and how architects relate to ecology , but also a broader reflection on alternative social organisation , and borders , and includes works by bernd & hilla becher , luk berghe , michiel de cleene , luc deleu , jimmie durham , space caviar , yona friedman , tadashi kawamata , lucien kroll , sol lewitt , oma , dennis oppenheim , rotor , lois weinberger , lawrence weiner , fischli & weiss .
working from a screenplay by bryan sipe , vallée ( wild , dallas buyers club ) intentionally leaves character motivations vague so as to emphasise the strangeness of davis’s actions and , later , karen’s inexplicit fascination with him . just as demolition isn’t exactly a love story — the main characters never even kiss — the film eschews easy categorisation , content to follow davis along as he sets aside his wall street lifestyle and instead becomes obsessed with taking things apart like grandfather clocks and bathroom stalls , eventually working his way up to volunteering for house demolition crews .
oscar - winning actors eddie redmayne and julianne moore will launch their effort to become double oscar winners at this year ' s toronto film festival .
moore also has a second film premiering at the festival - maggie ' s plan - a romantic comedy also starring greta gerwig and ethan hawke .
we are very pleased to announce that our film 99 dom - ino will be screened at the schermo dell’arte film festival in florence on november 14 at le murate . the screening will be followed by a discussion with joseph grima , martina muzi and giacomo pirazzoli at 3 : 45 pm .
is recognized as a romantic film , what i truly appreciate is the surprising focus on the father - son relationship that develops between davis and karen’s son chris rather than the apparent chemistry between davis and karen . thus , another iconic film genre , the coming of age story , is introduced .
theater owners and studios should brace for a box office slide next year , warns morgan stanley . in a note , the investment firm predicts that ticket sales in 2015 will hit record levels , eclipsing the previous high established in 2013 by 2 % . thanks the success of blockbusters like “jurassic world” and “furious 7 , ” revenue will likely [ … ]
but while “wild” built up its emotional currency to a satisfying — and relatively small — conclusion , “demolition” spends its goodwill early on , eventually giving itself over to cheap - feeling twists and a problematic final act .
tom hardy film legend , in which he plays the notorious kray twins , will also receive its international premiere following its uk premiere on 9 september .
“as one of vancouver’s high - growth industries , film is a big contributor to our nation - leading economic growth ,
said mayor gregor robertson .
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
the screenplay for this film was featured in the 2007 blacklist ; a list of the
most liked
unmade scripts of the year . see more »
fomo will be presented at “what is luxury ? ” , an exhibition by the v & a and the crafts council . the project is part of the section “a future for luxury” , in which “speculations address the fundamental relationship between luxury and value . ” the exhibition will be open to the public at the v & a from 25 april to 27 september 2015 .
after a series of punishing lead roles where he embodied the personae of a masochistic boxer ( southpaw ) , a travis bickle - style newshound ( nightcrawler ) and a pair of tormented dopplegangers ( enemy ) , jake gyllenhaal changes gears for demolition – a film that once again puts his character through the wringer , though in ways that are offbeat , exuberant and occasionally quite hilarious .
i went to a press screening for this film a couple of weeks ago and somebody in the audience mentioned that before it played at the toronto international film festival everybody loved it , but once it had its first public screening it was like every critic all of a sudden changed their mind and started hating it .
“the ideas at the heart of it are relevant everywhere , ” zvyagintsev told the guardian . “but of course it’s a film about russia . it’s a very russian film … we live in a feudal system when everything is in the hands of one person , and everyone else is in a vertical of subordination . ”
also up is demolition the black comedy / love story from dallas buyers club and wild filmmaker jean - marc vallee and starring jake gyllenhaal . this r - rated film is debuting from fox searchlight in a moderate run this weekend in about 800 theater ( or more ) and may end up pulling up $ 2 . 5m to $ 3m + . previews will start at 7 pm .
director jean - marc vallee is literally in familiar territory with his “ demolition , ” as the french - canadian filmmaker again returns to the toronto international film festival , home to last year’s reese witherspoon - starring “wild , ” to debut his latest cinematic excursion into the unique emotional excess that so often defines stories about grief . starring jake gyllenhaal as the shell - shocked davis mitchell , “demolition” employs many of the same techniques that made “wild” so striking ( and so special ) , particularly vallee’s own snappy and smart editing , along with an ability to extract impressive and not at all showy performances from his actors .
gyllenhaal is currently training for the boxing pic “southpaw , ” which goes into production next month and is still weighing his options on this film but if he decides to do the film , it would mark another strong dramatic turn for the actor who has been very decisive on his choices over the last couple of years .
this film also had a lot of five o ' clock shadow gyllenhaal in suits and raybans . as a lady , i was quite pleased . solid b .
i ' m thrilled and excited to be back in business with fox searchlight ,
vallee told the hollywood reporter .
they have been wonderful , creative partners on wild . i look forward to collaborating again on demolition .
a successful investment banker struggles after losing his wife in a tragic car crash . with the help of a customer service rep and her young son , he starts to rebuild , beginning with the demolition of the life he once knew .
sources say that fox will also distribute the film in the uk , australia , france and germany . sierra / affinity will be selling the balance of the territories .
ram house will be presented as part of atelier clerici , a collective exhibition platform taking place during the salone del mobile 2015 at palazzo clerici . the house , a collaboration between space caviar and prokoss , questions the default settings on our relationship with technology and allows the house to adopt different permeabilities to electromagnetic radiation , thus controlling the entry and exit of wifi , cellular signals , and other radio waves .
gyllenhaal has changed his appearance dramatically in such recent films as nightcrawler and southpaw . did you sit down with him at the beginning to discuss his look in this film ?
i’m hoping to do a film about janis joplin with amy adams . it’s not done yet . there are some legal issues , but that’s the project that’s in my heart . i’d like to do a rock ’n’ roll film with lots of music . i like to use music to frame stories . so i hope it’s going to work .
. i was pleasantly surprised to find that i shared the same realization with film critic roger ebert who described the overplayed genre as “yuppie - finding - his - soul” .
obviously , “demolition” is a movie about how we deal with grief and , yes , davis will eventually find himself on a better path . thanks to gyllenhaal”s incredible efforts , though , it”s a more emotional and relatable journey than you might expect .
directors of the festival , which runs sept . 10 - 20 , announced on tuesday the inclusion of “demolition” as a world premiere , one of 49 galas and special presentations on a slate that will eventually include several hundred films and television shows .
yeah , that’s why this year , i’m so happy i’m not shooting this fall . otherwise , i would explode . i got out of my comfort zone doing this . normally , i direct every three years or so . i was supposed to shoot demolition after dallas , and then wild appeared between the two , and so i did it and then demolition . so i’m glad i’m resting . i’m not doing another film this year . but it happened , and that was ok , too . you find a new strength and find some adrenaline going from one project to another and just do it . being active , being creative on the spot is what’s challenging .
also , watts felt really underused in this film . she is a big time actress . oscar nominated , but her character didn ' t do a whole lot for me .
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so this is a film about dealing with shock and grief by acting out , in a way that never really makes any sense or builds into a narrative worth following . it’s not just kooky , it’s exasperating . given the brilliance gyllenhaal has demonstrated in films like end of watch and night crawler , demolition demolishes expectations . no oscar certs yet then , this festival season . but toronto often starts with a dip before hitting the heights .
i also just finished watching it and agree with what you ' re saying . i must say that i really enjoyed watching davis ' progression through the film and liked it overall .
you don’t have to be a four - decade attendee to see that the toronto international film festival has evolved dramatically . it’s changed since last year , for example , in ways both interesting and odd . the 2014 festival was , memorably , the installment that saw tiff brass allow only films making their world or north american premieres to screen during the first four days . this was a calculated response to the increased prominence of the earlier fall festivals in venice and telluride , both of which have stolen some of toronto’s oscar - tastemaker thunder in recent years . for attendees and media , this meant that tiff’s opening weekend did not feature some of the year’s biggest films . however , the approach was softened for 2015 , likely a response to the bad press and film critic grumbling the move received .
for barry grant , who set up his video camera on the perfect hilltop in the hope of filming the demolition of glasgow ' s red road flats — then ended up completely missing the key moment — the problem came in the form of a single wasp .
demolition
is the story about an offbeat expression of guilt through destruction . when the young wife of a successful money manager dies in a car crash , her husband ( jake gyllenhaal ) deals with his lack of grief by joining a demolition crew tearing down a house . pressured by his wealthy father - in - law ( chris cooper ) and suffocated by his minimalist lifestyle , he forms a friendship with a vending machine customer service rep ( naomi watts ) and her troubled fifteen year old son ( judah lewis ) . through their mutual honesty with each other , he finds the deep love he felt for his wife and commemorates her death in a warm and compassionate manner .
demolition
is another great movie starring jake gyllenhaal . a well deserved nine out of ten .
chris hemsworth kicks off filming for the star - studded men in black spin - off as he cuts a sharp figure in london . . . 21 years after the first film hit screens
despite gyllenhaal ' s praiseworthy performance , this is an unremarkable film that will hardly be remembered in the future as one of vallée ' s finest works . full review on filmotrope . com
the film is directed by jean - marc vallee from a screenplay by bryan sipe . producers are lianne halfon , russ smith , molly smith , trent luckinbill , sidney kimmel and vallee .
at a theater near you this thursday night . the film has been in release in the united kingdom since last monday night and had already earned $ 80 million in six territories as of sunday . the film cost $ 240 million to produce and comes as the franchise is at yet another crossroad . daniel craig can ' t make up his mind about wanting to return , and
atelier clerici is jointly organised by space caviar and z33 and will be open from 14 to 19 april 2015 , with installations and events by proofflab magazine , chp… ? , bio ljubljana , opendesk , macguffin , maniera , design academy eindhoven , synopsis , vincent tarisien , jesse howard , leonardo amico , kirschner3d , coralie gourguechon , unfold , minale - maeda , vitra design museum , konstfack , pin - up magazine , dirty furniture , and domus academy .
it’s gyllenhaal’s charm that keeps “demolition” ticking along as well as it does for as long as it does , as he whole - heartedly embraces davis’ “thing” of being honest all the time ( even davis has the good sense to sneer at the claim that truth - telling is his calling card ) , mostly by way of amusingly off - kilter voiceovers and plain - faced statements that , while always true , are also keenly observational and almost painfully on the mark . in “demolition , ” the whole adage is true , it’s funny because it’s true .
shot documentary - style , this film follows the daily grind of two young police officers in la who are partners and friends , and what happens when they meet criminal forces greater than themselves .
leviathan may have been the first russian film to win a golden globe since war and peace in 1969 , it may have been nominated for an oscar and received five - star reviews in many western publications , but back in the motherland all this counts for little . the director , andrei zvyagintsev , is being given the cold shoulder due to his film’s uncompromising take on contemporary russian society .
, but it is a foreign - language film , so that limits its chances . the rest of the films are not earning strong enough reviews to suggest they will do well in limited release .
in short : i love it . it ' s smart . it ' s trying something fresh . it feels very real . the performances are fantastic . it ' s interesting . it is a must see . many think this is just average but i think they should pay more attention to detail . which . . . if you watched the film is pretty much what the film is about .
“go through hell and look cool doing it . ” that’s the vibe i got from the poster for
demolition ,
which uses a neatly quartered ( with one segment slightly askew ) portrait of its male lead , jake gyllenhaal , sporting expensive shades and wearing expensive headphones . is that an overly simplistic reading of the actual film ? yes . but it’s also true that the movie , costarring naomi watts and directed by jean - marc vallée , doesn’t exactly shy away from those semiotics .
the film is constantly trying to take a path less travelled ; unfortunately it ' s not the right path . in the process of being different , the movie becomes incoherent and eventually ends up being commonplace .
so much of this film plays out like a terrence malick film . old malick . like a
days of heaven
prime malick . more narrative - driven malick . yet also very new - malick as well . the use of voiceover over the choppy , sporadic imagery . like a broken fairy tale or dream . a bunch of pieces falling downwards , hoping they can stay intact once they hit rock bottom .
one of my favourite of jake ' s films . . . he ' s mesmorising in this , and greatly portrays the emotions of his character , creating an upbeat sense to the sombre sense of the film
this is an intelligent film that expertly explores the human emotions and personal growth , and it funny at the same time . high praise to vallée for the directing and for gyllenhaal and watts for the acting .
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stx entertainment’s first - person shooter hardcore henry is looking at $ 2 . 4m for today , coming in closer to the lower end of its projections with $ 7m . fox searchlight’s demolition isn’t set to wow with a $ 1m - $ 1 . 5m opening for the weekend . more later .
vallee has previously described “demolition” as “a powerful and touching story , written with a strong and sincere desire to try to understand the human psyche , what makes us so unique , so special , what makes us love . this is a script of a rare quality , of a beautiful humanity . ”
in a sense , it’s a familiar story . and as a character study , “demolition” is flat . davis’ moves exist in service of the script’s blunt metaphors , which don’t offer a ton of payoff . but vallée keeps things moving by channeling a more grown - up “silver linings playbook . ” the movie also makes for a nice companion piece with gyllenhaal’s “nightcrawler” performance - - he was more manic there , but both roles are all id in reluctant search for a super - ego . if “demolition” didn’t batter you with what it all means , it could be a great movie . - - mj
that said , all of davis ' changes of course do not sit well with his former father - in - law phil ( chris cooper ) . davis ' behavior reads , understandably , as insensitivity to the grieving man , and one of the film ' s subtle pleasures is that you never know if you ' re supposed to root for davis or be appalled by him . modern culture and oprah tell us to be our best selves , but what if our best self also happens to act like a real jerk ? in an interview , vallee explained he saw the film as a human road - map of sorts .
davis made choices because it was easy , and what happens when you have a loss and you ask why you ' ve been making that choice ? then you have to do deconstruction and demolition to break that down ,
vallee said of the film , which will be released commercially in april .
“we’ve been coming to tiff for all forty years , ” says the husband of a truly lovely couple at the 2015 toronto international film festival . “it’s changed , for sure . remember ? the uptown , the cumberland …” i nod and smile , not admitting that those venues were long gone by 2007 , when i started attending the annual september extravaganza . the wife talks of having vouchers the first few years , with no movie titles on the tickets , and lining up for hours to gain entry . while there is clear nostalgia for the days when the likes of henry winkler were considered the festival’s top celebrity guests , they are not critical of the eleven - day , nearly 300 - feature tiff of today .
naomi watts have been set to star opposite jake gyllenhaal in demolition , the romantic drama to be directed by dallas buyers club helmer jean - marc vallee . black label media and sidney kimmel entertainment will finance and produce , and mr . mudd will produce after developing the project and bringing it to black label .
one interesting thing sipe said was that when he was 18 - 21 years old he worked for a demolition / construction team . he hated it , he said , and the best part of his day was standing in the shower at night watching all the dirt and soot from the day wash off him and turn the bottom of the shower black . he recalls feeling such a sense of apathy at this point in his life . thought that was really interesting as lot of that feeling / imagery made its way into the film .
modern film is well versed in the man - upended story . over the years on screen , a life - changing event has caused many to find redemption , and plenty of others to come unglued . but it ' s rare - - even odds - defying - - to encounter someone who seems to be doing both at once . that ' s the character conceit of
demolition ,
a new film that sees jake gyllenhaal in some of the same dark comic waters he swam last year as an off - kilter man in
nightcrawler ,
and also has director jean - marc vallee (
dallas buyers club ,
wild
) once again exploring the power and limits of personal transformation , though this time more wittily and outrageously .
it came to me 3 1 / 2 years ago from [ production company ] mr . mudd , and then we got black label media as a partner . when they saw my film cafe de flore at tiff [ in 2011 ] , there was some sort of link between cafe de flore and demolition , and so they sent me the script and i said ,
wow , it is so rare to read a script with that kind of quality . when you turn the pages , you don’t know at all where it’s going , but you’re involved . you’re emotional .
so i said ,
whoa , i want to direct this .
it looks like it’s a meditation , a reflection on grief , but the film celebrates life , love .
his director , jean - marc vallée , has been an award - season fixture of late with wild and dallas buyers club , both of which sprung off the festival blocks with a great deal of acclaim for the acting . demolition flinched at the starter pistol last year , and all but sits down failing to budge .
in a note , the investment firm predicts that ticket sales in 2015 will hit record levels , eclipsing the previous high established in 2013 by 2 % . thanks the success of blockbusters like “ jurassic world ” and “ furious 7 , ” revenue will likely outstrip last year’s figures by 8 % . many analysts believe that with pictures like “star wars : the force awakens” and “the hunger games : mockingjay – part 2” still awaiting release this winter , this is the first year that the domestic box office will top $ 11 billion .
while the “demolition’’ script strains to achieve the zaniness of david o . russell’s “silver linings playbook , ’’ it comes a lot closer to mike binder’s 9 / 11 dramedies “the upside of anger’’ and “reign over me , ’’ which failed to deliver sought - after oscar nods for its respective stars , kevin costner and adam sandler .
full financial estimates for this film , including domestic and international box office , video sales , video rentals , tv and ancillary revenue are available through our research services . for more information , please contact us at research @ urltoken .
there is much to savor here , especially the unforced performance of judah lewis - - one more recruit to the terrific roster of younger actors who are streaming into the movies . yet the film lacks the courage of its affliction .
while zvyagintsev has a history of making films with almost biblical plots and a deep vein of personal spirituality , his treatment of the organised orthodox church is vicious , and the film has been given a very icy reception by its supporters .
30 january 2014 space caviar is always interested in receiving proposals or introductions from diverse practitioners from the spheres of design , architecture , technology , politics , journalism , and film - making . we also welcome applications for internships in genoa .
a husband grieves for his dead wife in unconventional — and unconvincing — ways in demolition , a self - consciously quirky comedy - drama that badly overestimates how captivating its damaged , searching characters are . jake gyllenhaal creates some empathy as a man in spiritual free fall , but director jean - marc vallée never grounds his protagonist’s peculiar mourning process in any sort of believable human behaviour , and so consequently the film grows more and more irksome , mistaking clanging emotional crescendos for some sort of grand truth about the need to go crazy every once in a while in order to stay sane .
while the plot sounds like a mawkish melodrama , aping the plots of films such as things we lost in the fire , demolition sets out to defy expectation at the outset . gyllenhaal’s lead is unable to grieve for his wife , struggling to emote and mourn her loss , even questioning his love for her entirely . it’s an angle which could have led to some interestingly dark territory but as edgy as bryan sipe’s script clearly wants to be , this is a boringly safe film , focused on pushing our confused character into the family unit he so clearly needs to be a part of .
cooper comes away with the most credit , perhaps because it’s hard not to empathise with his increasingly thunderous air of grievance : he wants davis to get his whole act together , just as we want the film to shape up and mean something .
the film had a nice balance of comedy and drama . i teared up a bit near the end , but my baby rode her first carousel literally a week ago , so it affected me . i also teared up when davis finally cried .
the film is obsessed almost exclusively with its retconned revelations and little else since . and yet since we are needlessly kept in the dark waiting patiently for revelations that end up having little impact , the end result is a shockingly dull 007 adventure .
in order to make sense of his life , a white - collar widower decides he has to tear it all down in “demolition , ” dismantling appliances , smashing furniture and even going so far as to bulldoze his own house in search of a catharsis that never comes . it all could have gone horribly awry , were it not for [ … ]
“demolition” stars jake gyllenhaal , naomi watts and chris cooper in a story about the disintegrating emotional life of an investment banker . fox searchlight released the winner of this year’s best picture oscar , “birdman , ” as well as “wild , ” which was directed by mr . vallée and received oscar nominations for two of its stars , reese witherspoon and laura dern .
the unlikely script is hampered with failed attempts at magical realism and leaden metaphors . gyllenhaal’s character becomes obsessed with deconstructing objects and demolishing buildings , leading to the film’s title . but , you guessed it , all this means something deeper about his life …
canadian director jean - marc vallée had seemed on a roll with his last two films , dallas buyers club and wild . last night , at the gala premiere opening this year’s 40th toronto international film festival , that roll ran off a cliff edge .
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john j . kelly , executive producer , deadpool , 20th century fox :
having just had the most successful box office weekend of my career as well as that of 20th century fox , i would like to say ' thank you ' to the city who made this all happen - vancouver . when originally looking for a city to shoot this film , vancouver had the most attractive elements including an active and supportive film - friendly city staff , amazing locations , and well - experienced local crew .
jake gyllenhaal is in talks to star in “the dallas buyers club” helmer jean - marc vallee’s next pic , “demolition . ” the drama is a co - production between black label media and mr . mudd with john malkovich and lianne halfon producing for their mr . mudd banner and thad and trent luckinbill and molly smith producing for black label media . [ … ]
“demolition’’ isn’t scheduled to open in the us until april , which seems like a tacit admission by fox searchlight that this screwball comedy - drama is in some ways even more out - there and potentially alienating to audiences ( but probably not to some critics ) than “nightcrawler , ’’ the gyllenhaal vehicle whose oscar push netted a sole nomination for director dan gilroy’s screenplay .
jake and naomi responded to demolition just the way i did , so that was an easy choice . we didn’t want to do a romance . it’s not about romance , yet there’s a slight romance in the film . these two have some sort of attraction for each other , but there’s nothing sexual . i loved the difference of age between the two , and it shows , and that’s why we went there with naomi and jake . there’s a 10 - year difference . she meets him , and they’re curious about each other , but they know it’s probably an impossible relationship , but that’s the fun part also .
those adventures , ill - advised and seemingly engineered just to be strange , ultimately lead straight into a third act that relies on obvious twists and undercooked personality twitches to drive home the same point that has been repeated throughout the film’s runtime : you have to rip things down to start over again . when gyllenhaal ( who again turns in another wonderful and nuanced performance , continuing the pattern he set with other tiff picks like “nightcrawler” and “enemy” ) rips things down to the studs , there’s glory in the action , freshness and revitalization , but once vallee tasks him with building everything back up , “demolition” collapses under its own ambitious weight .
i went into watching this movie with no expectations , without even seeing the trailer and trust me that ' s the best way of seeing this film . demolition shocks you in the beginning and then you can follow a numb recovery mixed with dark humour , where someone has to deal with losing a person closest to them . while trying to move forward the davis also has to look back into his life and relationship to make sense of it all . the acting is superb especially on the part of jake gyllenhaal and it engulfs you in a sea of varying emotions where sometimes you ' re laughing and then you might be crying .
the r - rated low - budget film featured a very ethnically diverse cast and the turnout reflected that with two thirds of the crowd being non - white . other demos showed it to play 54 % male and 51 % under 25 . reviews were mixed , but not too important to the box office performance on this one . the b - cinemascore grade was pretty good for a fright film . the four - part purge series has now grossed over $ 362m worldwide but cost less than $ 40m combined to produce .