eyewitness is a 1999 american short documentary film directed by bert van bork .

it was nominated for an academy award for best documentary short .

the explored the lives of three artists forced to work in secret while living in nazi death camps : jan komski , dinah gottliebova and felix nussbaum , and who witnessed and painted the horrors of the holocaust .

eyewitness ( 1999 film )

‘the eyewitness in human rights film practices’ , eyewitness , the documentary turn in legal and visual cultures , school of law , birkbeck , march 2008 .
‘writing television history’ iamhist ( international association of media historians ) leeds university , 1999 .
oct 4 | eyewitness ( 1999 ) this academy award–nominated short film documents the hidden art and lives of artists in the concentration camps during the holocaust . talkback with ruth schwertfeger , professor of german , university of wisconsin–milwaukee .
‘archive special : british colonial film : silent ethnographic film in africa’ , national film theatre , may 2001 .
sao paulo jewish film festival jerusalem film festival new york jewish film festival docs for sale , amsterdam docaviv international film festival the international human rights film festival internationale filmfestspiele berlin ( market ) san francisco jewish film festival sao paulo jewish film festival taiwan international documentary film festival united nations association film festival festival de cinema de girona washington dc jewish film festival jewishfilm . 2000 festival of jewish cinema , australia
browse television , film , short film , music video , web series , documentary , drama and more categories .
‘british empire and colonial film’ , co - op film society event , renoir cinema , london , january 2006 ( invited ) .
‘colonial film : moving images of the british empire’ , 11 th royal anthropological institute ( rai ) international festival of ethnographic film , leeds , june 2009 .
every film that has ever been nominated for an academy award in any category . enjoy !
women and silent britain , national film theatre , 11 november 2006 [ co - organiser ] .
introduction to a series of screenings for the law and film season , nft , october 2000 .
director jon avnet ' s crime thriller and buddy cop film was only the second film ( following heat ( 1995 ) ) ever made to co - star robert de niro and al pacino , two powerhouse actors , who were on - screen together for a significant amount of time . the film ' s tagline was :
most people respect the badge . everybody respects the gun .
the formulaic film opened with a trick sequence and red herring - the key to the entire film . it was a b / w videotaped recording of
turk
admitting to being the serial killer . in actual fact , he was reading ( at gunpoint ) the notebook - confessional of his partner
rooster .
[ the complete scene was replayed in the film ' s conclusion . ]
there was a simple twist ending to this famous schlocky 3d science fiction film , often considered one of the worst films ever made .
‘colonial documentary film : a project on moving images of the british empire’ visible evidence xv1 , university of southern california , los angeles , august 2009 .
in 1996 tony sutorius got his hands on a new digital video camera , days before the start of an election campaign in wellington central . made on the proverbial shoestring , this feature - length documentary chronicles five of those battling for the crown as a new political age — mmp — dawns . richard prebble joins a new party called act , the national candidate joins united new zealand… and one of the five will be sacrificed by their own party . sutorius sat through 55 hours of footage to forge the result , which won enthused , sellout audiences at the 1999 nz film festival .
this exhilarating film followed three breathtaking and frenetic attempts ( all
what - if
scenarios of reliving the past ) , largely shot in real time .
‘african spectatorship : the boy kumasenu and the gold coast film unit’ , re - modernisation conference , university of legon , accra , ghana , july 2009 .
‘projecting african life : from the ethnographic exhibitions to early documentary’ , fiaf 2001 ( international federation of film archives ) conference on colonial archive , morocco , 2001 .
dec 6 | the train ( 1964 ) the train is set in 1944 , when a german colonel loads a train with french art treasures to send to germany , and the resistance must stop it without damaging the cargo . talkback with carl bogner , senior film lecturer , university of wisconsin–milwaukee , and director of milwaukee’s lgbt film & video festival .
dan geva graduated the jerusalem film and television school 1994 . his wife and film - partner , noit geva received her master degree in communications at the hebrew university jerusalem in 1989 . they both teach documentary film theory and practice at haifa university , the open university tel - aviv , and beit - berl art college . they worked together on several awarded documentaries : jerusalem , rhythms of a distant city , alaska the 7th year , my mother’s 1st olympics , take now your son , routine and what i saw in hebron .
‘colonial film : moving images of the british empire’ , africa and the moving image : the role of libraries and archives conference , standing conference on library materials on africa ( scolma ) , university of cambridge , june 2009 .
‘the history of human rights cinema’ , european inter - university consortium ( eiuc ) cinema and human rights summer school in collaboration with the venice film festival , two - day taught programme , august 2005 , 2006 , 2007 , 2008 .
“the 1929 massacre of sepharadic jews by their arab neighbors is remembered in what i saw in hebron from israeli husband - and - wife team dan and noit geva… . after the birth of her first child , noit geva ' s father gave her a distinctive gift : her late grandmother ' s eyewitness account of the massacre of jewish villagers in 1929 hebron , written the day afterward by the then 16 - year - old zemira . in pic ' s powerful first half , that testimony , read in voiceover , is abetted by those of surviving peers , contemporary footage of the pogrom ' s grisly aftermath and creepy latterday prowls through the disaster ' s little - changed sites .
by film ' s end , it was clearly revealed that
rooster
was the actual
poetry boy
killer , who had committed the series of
righteous kills
and taken justice into his own hands against criminals who were released due to lack of evidence or other technicalities .
learn about the plight of art in the era of nazi germany , through the films in this series held in conjunction with the grete marks : when modern was degenerate exhibition . each film is presented with a talkback in collaboration with the sam & helen stahl center for jewish studies , university of wisconsin–milwaukee .
in the plot premise of this remake of the original japanese film , ringu ( 1998 , jp . ) , if a person watched a cursed videotape , they would receive a fatalistic phone call warning them that they only had seven days to live . it was at first thought that simply viewing the videotape would soon cause inevitable death .
in this film ' s shocking twist ending , rosemary woodhouse ( mia farrow ) snuck into the neighboring castevet ' s apartment through the closet passageway - with a kitchen knife upraised in her hand . there she found a coven of satanists including her husband guy ( john cassavetes ) , surrounding a black - draped baby cradle to pay their respects .
rachel realized that she had been spared from being killed because she passed the curse on by simply making a copy of the videotape and giving it to someone else to watch . she also helped aidan to make a copy of the tape to show someone else , so he would survive . but he asked the inevitable question in the film ' s final line :
he began by stating , in the words of the diary , that his name was detective david fisk and later , he also reaffirmed :
my name is david fisk , detective first grade .
however , the ' real ' fisk had forced his 30 year partner
turk
to read his own diary confessional ( on - camera ) , admitting that he was the
poetry boy
killer . it was confusing for the remainder of the film to hear
turk
' s voice - over as the narrator for the film ' s story , offering an interior monologue of the killer ' s guilt - ridden conscience about his murderous exploits . at first , the script deliberately made it confusing by only using the cops ' nicknames , not their real names .
the epilogue was conveyed by the same voice - over from the film ' s opening ( from the feral kid ) . the helicopter / autogyro pilot gyro captain ( bruce spence ) went north with the settlers as their new leader , and the feral kid ( emil minty ) ( the narrator , voice by harold baigent ) with a bladed boomerang eventually became the chief of the great northern tribe , when gyro captain died :
in one of the film ' s scariest scenes set in the apartment of rachel ' s ex - boyfriend noah clay ( martin henderson ) , aidan ' s father , his tv turned on by itself with the frightening and haunting image of the undead , partially - decomposed samara emerging out of her watery well grave , walking toward the screen , and then literally crawling out of the tv set - - before killing noah with her lethal stare and fulfilling the curse .
in the film ' s exhilarating chase finale , it was revealed that the mack tanker truck allegedly filled with refined petroleum fuel (
precious juice
) that was driven by max in a breakout drive toward the coast had been a decoy as a diversionary tactic . unbeknownst to him , his fuel tanker was filled with sand . when max lost control of the mack tanker truck and it crashed and rolled onto its side , it began leaking its cargo - sand . ( max held out his hand to catch some of the sand . )
in the conclusion ,
rooster ' s
final vigilante kill was the shooting of drug dealer and harlem club 404 owner marcus
spider
smith ( rap star curtis
50 cent
jackson ) in the head at point - blank range .
turk
witnessed the execution , and then was forced to read outloud from
rooster ' s
little notebook , as his cop - friend explained :
everything you want to know is in there . so go ahead . out loud . for the record .
turk
began reading - - restating what was in the film ' s opening :
in this alien - invasion film , an evil moon robot , alien ro - man extension xj - 2 ( george barrows , voice of john brown ) - a seven foot tall , alien race robot , resembled a man wearing a gorilla suit / outfit with an antique diving helmet . he was equipped with a deadly weapon called a calcinator death ray and was sent to earth from the moon . he was responsible for the entire pre - emptive conquest of the earth and destruction of humanity , before an impending invasion . he was being directed by his creator and alien leader the great guidance ( george barrows again ) to destroy earth ' s inhabitants .
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a compelling examination of the lives of three artists forced to work in secret while living in nazi death camps during wwii : jan komski , dinah gottliebova and felix nussbaum , who more than fifty years ago witnessed and painted the horrors of the holocaust .
university / college $ 169 . 00 usd jcc / organizations $ 79 . 00 usd high schools / public libraries $ 49 . 00 usd
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copyright © world library foundation . all rights reserved . ebooks from project gutenberg are sponsored by the world library foundation , a 501c ( 4 ) member ' s support non - profit organization , and is not affiliated with any governmental agency or department .
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fascinating is the refreshing candour of the candidates , particularly those who suspect they won ' t make it ; so different from the guarded politicking of those hardened by their experience in the spotlight , and reluctant ever to leave it .
opening track ' perhaps , perhaps , perhaps ' performed by cake . closing track ' we don ' t konw how lucky we are ' by fred dagg ( john clarke )
biographies , screentalk interviews and details of cast and crew from the nz screen industry .
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however , in a few cases , it was clear that
rooster
was the killer and that he had written the monologue .
turk
spoke on the tape :
tom cowan ' s been my partner for almost 30 years . he ' s the best cop i ' ve ever seen . . . he was my role model . the day i stopped trying to be tom cowan was the greatest day of my life .
the pivotal event that set
rooster
off to being a ' bad cop ' was the
unacceptable
acquittal of child molester and murderer charles randall ( frank john hughes ) - after which his idol and partner
turk
planted a gun at randall ' s house to guarantee his conviction (
for the crime he didn ' t commit
) .
the cop - poet serial killer was a suspect in a series of ultimately 14 vigilante murders ( of murderers , scumbags , degenerates , rapists , drug lords , and pimps ) committed over a number of years . all victims were found with a 4 - lined rhyming poem and gun next to their bodies . the investigation of the series of murders was conducted by :
they were convinced that the killer was a cop - with all signs pointing at
turk .
my name is david fisk , detective first grade . i ' ve been a cop in the nypd for nearly 30 years . in that time , i ' ve killed 14 people .
( you ) let me down . i lost my faith . that ' s when it all started . and once it did , i couldn ' t stop . finally , i didn ' t want to . so i did my own thing . and you know what ? in the end , it got done . the scum went down . and that ' s it . that ' s that .
turk
responded that he would have to hold
rooster
accountable for the murders :
at some point , i gotta call it in .
turk
wouldn ' t allow his partner fisk escape . during a stand - off ,
turk
was goaded into shooting
rooster
after a short chase in a nearby construction site and warehouse .
rooster
was left to die there ( after he asked to have the ambulance cancelled ) .
rooster ' s
final words were :
you ' re a good man , tom . you ' re a good man . i wish you - i wish you continued success .
the final scene was of
turk
and his superior officers watching the video of him reading
rooster ' s
notebook confessing to all of the
poetry boy
murders , and clearing
turk
of any suspicion . it also appeared that
rooster ' s
crime wouldn ' t be further exposed or prosecuted .
turk
would choose to continue being a
good
cop .
detective
turk
cowan ' s b / w videotaped ' confession ' :
my name is david fisk . . .
the two detectives the real fisk :
my name is david fisk .
turk
shooting
rooster
to death
the enigmatic tape displayed bizarre grainy images , and led investigative reporter / journalist rachel keller ( naomi watts ) in a race against time to learn about a murdered girl named samara morgan ( daveigh chase ) . the girl had been murdered by her adoptive parents when they dumped her into a water well on a horse farm . the ' ring ' was the last thing that samara saw deep down in the well - it was a corona of daylight as anna morgan placed a stone cover - lid on top of the well .
the videotape was created , reportedly by samara ' s ability to imprint thermographic images on things , including recording tape . the killing spirit of samara wished to have as many people suffer as possible , as she did . rachel thought that the discovery of how samara died , and the proper burial of her body would end the troubling curse , but she was wrong . her psychic 9 year - old son aidan ( david dorfman ) warned :
she never sleeps .
it ' s going to keep going , isn ' t it ? she ' ll never stop . . . what about the person we show it to ? what happens to them ?
the road warrior ( 1981 , aust . ) ( aka mad max 2 , or mad max 2 : the road warrior )
george miller ' s action - adventure thriller ( a sequel ) was set in the post - apocalyptic , lawless wasteland of the outback of australia . fuel was very scarce and fought over by gangs . its main protagonist was an ex - australian cop known as the
road warrior
- or mad max rockatanksy ( mel gibson ) .
my life fades , the vision dims . all that remains are memories . i remember a time of chaos , ruined dreams , this wasted land . but most of all , i remember the road warrior , the man we called max . to understand who he was , you have to go back to another time when the world was powered by the black fuel and the deserts sprouted great cities of pipe and steel . gone now , swept away . for reasons long forgotten , two mighty warrior tribes went to war and touched off a blaze which engulfed them all . without fuel they were nothing . they ' d built a house of straw . the thundering machines sputtered and stopped . their leaders talked and talked and talked , but nothing could stem the avalanche . their world crumbled , the cities exploded . a whirlwind of looting , a firestorm of fear . men began to feed on men . on the roads , it was a white - line nightmare . only those mobile enough to scavenge , brutal enough to pillage , would survive . the gangs took over the highways , ready to wage war for a tank of juice . and in this maelstrom of decay , ordinary men were battered and smashed . men like max , the warrior max . in the roar of an engine , he lost everything , and became a shell of a man , a burnt out , desolate man , a man haunted by the demons of his past . a man who wandered out into the wasteland . and it was here in this blighted place that he learned to live again .
max assisted a small band of decent - living survivors to defend a remote oil refinery under siege from evil barbarian warriors . their petrol was a very precious commodity . attacks were coming from a nomadic terrorizing , marauding horde led by warlord ' humungus ' ( kjell nilsson ) wearing a mask to cover his disfigured face , and his maniacal mohawk - wearing chief enforcer wez ( vernon wells ) .
the gasoline had been hidden in large drums stored in a school bus ( and possibly other vehicles ) , allowing the small band of settlers to escape to the coast in a convoy .
and so began the journey north to safety to our place in the sun . among us we found a new leader . the man who came from the sky - the gyro captain . and just as pappagallo had planned , we traveled far beyond the reach of men on machines . the juice , the precious juice , was hidden in the vehicles . as for me , i grew to manhood . in the fullness of time , i became the leader , the chief of the great northern tribe . and the road warrior ? that was the last we ever saw of him . he lives now , only in my memories .
after committing mass genocide of the entire human race , there were only eight surviving humans who were immune to the ray due to an antibiotic serum that they were given . they included one scientist , a family of five , and two of the scientist ' s unseen assistants :
many of these earthbound survivors were destroyed when ro - man unleashed his calcinator on their rocketship bound for an orbiting space station , and he was killing the remainder , one - by - one . he first killed the two pilots , then strangled carla , and threw roy ( newly married to alice ) off a cliff to his death . but he had fallen - illogically - in love with alice and tried to abduct her . ro - man wanted to be hu - man , and his desires for alice caused conflict with the great guidance who had other plans :
fact : you have captured the girl and not destroyed her . fact : you have delayed accepting the surrender of the others . this verges on failure .
servant ro - man , who would not destroy the girl or the family , approached johnny and grabbed him by the neck . at the same time , ro - man was zapped for his disobedience by the great guidance and he fell to the ground . then , the great guidance teleported himself to earth to finish the job with deadly q - rays (
psychotronic vibrations
) . the great guidance released prehistoric reptiles ( to devour any remains of life ) ( mostly recycled footage from one million b . c . ( 1940 ) ) and a massive earthquake that split the earth open .
bratty johnny , the youngest member of the family , awoke during the destruction of earth - and it was revealed that everything that had occurred was from his mind . he was on a picnic with his widowed mother and sister alice when he came upon a pair of archaeologists , the professor and roy exploring a cave . he thought he had taken a nap , but he had fallen down and hit his forehead on a rock - with the characters taking various roles in his nightmare . once he was revived , he realized what had happened to him :
as they were about to leave the cave area , alice cautioned johnny that he should stop overdoing it with his belief in space - robots :
you ' re overdoing this space - man act . there simply aren ' t any such things .
but then , the
dream
started again ( reminiscent of the plotline of the similar invaders from mars ( 1953 ) ) . the camera panned right to the dark entrance of the cave , where a series of electrical flashes revealed the ghostly apparition of ro - man , who lumbered menacingly out of a cave towards the camera - - repeated three times !
apollo won by a split decision , although rocky , with a bloody face and swollen eyes , had gone the distance .
the importance of the actual outcome of the fight was deliberately muted , minimized , and in the background , emphasizing the profundity of the moral victory rocky achieved by
going the distance
against overwhelming odds .
he was lovingly embraced by adrian ( talia shire ) in the ring following the decision as they proclaimed their love for each other .
the self - respecting rocky proved that he was more than a born loser and
another bum .
this sexually - graphic , unrated drama import from daring french filmmaker catherine breillat told about a sexually - frustrated , self - reflective , semi - depressed parisian elementary school teacher named marie ( caroline ducey ) . she was paired with an unresponsive , unloving male partner and model named paul ( sagamore stevenin ) . he no longer touched her or agreed to intercourse , although she still clung to him .
feeling dishonored , she began to contemplate finding unbridled sexual gratification and lustful fulfillment through various ' no - strings - attached , ' explicit sexual encounters with others , including an italian stranger , named paolo ( italian porn star actor rocco sefredi ) . she also associated with her older boss robert ( francois berleand ) , a
prince of seducers ,
who claimed he had enjoyed 10 , 000 women ( with a record of his conquests ) . he promoted her potential for s & m masochism , degradation and bondage .
when she began pulling away from paul , she became pregnant with his child during one rare act of sexual contact ( through a drop of his seminal fluid without ejaculation ) . after nine months of drifting further apart from paul , she left his apartment to deliver her baby , accompanied by robert . paul was left passed out from booze in his apartment ' s bed , with the gas stove turned on - so that he would die in the subsequent explosion .
i gave my son his father ' s name . if someone up there counts souls , then we ' re even .
she approached the black bassinet , with a knife in her hand , expecting to see her own human child . but when she pulled back the black drape , her eyes widened . she discovered that her anti - christ child had inhuman eyes (
what have you done to it ? what have you done to its eyes ?
lead satanist roman castevet ( sidney blackmer ) calmly responded :
he has his father ' s eyes !
roman : satan is his father , not guy . he came up from hell and begat a son of mortal woman . ( coven members cheered ' hail , satan ! ' ) satan is his father and his name is adrian . he shall overthrow the mighty and lay waste their temples . he shall redeem the despised and wreak vengeance in the name of the burned and the tortured . hail , adrian ! hail , satan ! ( others in the room repeated the incantation . ) hail , satan ! minnie : he chose you out of all the world - out of all the women in the whole world , he chose you . he arranged things , because he wanted you to be the mother of his only living son . roman : his power is stronger than stronger ! his might shall last longer than longer .
rosemary realized that she had been impregnated by the devil ( not her husband guy ) and the baby was the offspring of satan and rose - mary ( a variant on the name mary in the biblical story ) .
although rosemary rejected the devil - worshipping coven , she accepted the reality of the situation and showed an instinctive mothering role and maternally affectionate instinct towards her satan - spawned baby adrian in the final scene - she gently rocked the crying child to sleep .
in each scenario , tattooed , short red - haired lola ( franke potente ) raced to acquire 100 , 000 deutschmarks needed to save the life of her dependent , drug - dealing boyfriend manni ( moritz bleibtreau ) . he was panicking at a phone booth in berlin , where he was to meet his boss ronnie ( heino ferch ) at noon ( in about 20 minutes ) with the cash . however , he had inadvertently left the bag of cash on the subway car , where it was picked up by a homeless bum .
lola ' s task was to acquire the replacement cash and get it to manni before he robbed a grocery store to get the cash he needed to pay off the debt .
did you run here ? don ' t worry . everything ' s okay . come on .
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for centuries jews and arabs lived side by side in hebron . by the late 1920s , 800 jews were settled peaceably with tens of thousands of arab neighbors . this equilibrium was shattered with three days of violence in august 1929 which left 67 jews dead . directors dan and noit geva’s gripping documentary locates 13 people who survived the massacre , including noit’s grandmother , 16 - years - old at the time of the massacre .
noit ' s grandmother , zemira mani , the granddaughter of hebron ' s sephardic chief rabbi , eliyahu mani , survived the massacre because an arab neighbor saved her . noit was 33 years old before she learned the details of the enormous trauma that had darkened her grandmother ' s life .
“only after my eldest daughter was born did my father decide to let me read what grandmother had written , ” explains director noit geva , “once i started , i was unable to stop reading…since i read my grandmother zmira’s testimony , i discovered , to my disbelief , that this story had never been told . i located another 12 survivors who present their testimony here for the first and perhaps the last time . today , some of them forgive , others don’t , but all of them want to believe that… we might see better days , like ones they remember 70 years ago , when jews and arabs lived together . ”
today , some of the survivors forgive , others do not . but all of them want to believe that we might see better days like ones they remember more than 70 years ago , when jews and arabs lived together .
“for decades , even centuries , jews and arabs had co - existed peaceably in the region . but the arrival of zionist immigrants stoked paranoia , which was then set aflame by planted rumors of anti - muslim violence in jerusalem . women , infants , clergy , friends and neighbors weren ' t spared in a two - hour melee that left 67 dead , many more raped or wounded . several level - headed arabs did help hide or protect jews ( including the grandmother herself ) . but others gave themselves over to a collective , feverish brutality - - - far from cold - blooded executions , the attacks were often grotesquely sadistic , their memory all the more disturbing for being witnessed and recalled by ( now - elderly ) children…” - dennis harvey , variety ( aug 14 - 20 , 2000 )
law’s moving image conference , birkbeck college school of law and tate britain , 2001 [ co - organiser ] .
the projection of britain : place and identity in gpo films 1933 - 1945 , chair of ‘imperial visions’ panel , university of manchester , september 2009 .
‘cinema and empire : the prince of wales tour 1925’ , visual empires , visual delights iv conference , university of sheffield , july 2009 .
‘experimental television at alexandra palace : the bbc and its light entertainment programming’ , television , the experimental moment : from invention to institution 1935 - 1955 conference , institut national de l’audiovisuel ( ina ) and université de paris 8 , may 2009 .
‘is there a history of human rights cinema ? ’ ma seminar series , university of liverpool , october 2006 ( invited ) .
‘the aesthetics of entertainment in early television in britain’ , screen conference , university of glasgow , july 2006 .
‘preserving a heritage ? ’ , university of cape town , history department seminar march 2006 ( invited ) .
‘preserving a heritage ? ’ , visible evidence x11 , concordia university , montreal , canada , august 2005 .
panel respondent on ‘law’s moving image’ panel , law , culture and the humanities conference , university of connecticut , hartford , march 2004 - organised and chaired the panel .
‘memories of television : oral history methodologies in media history’ , television history conference , reading university , january 2004 .
‘designers talking about their memories of working in early television’ , plenary , screen conference , university of glasgow , july 2003 ( invited ) .
‘british domestic colonial photography’ , joint paper with pat holland , post - imperial conference , institute of historical research , university of london , july 2002 .
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nov 1 | the rape of europa ( 2006 ) a documentary that examines nazi germany’s plundering of europe’s great works of art during world war ii , and allied efforts to minimize the damage . talkback with winson chu , assistant professor of history , university of wisconsin–milwaukee .


honeymoon travels ltd. is a 2007 indian comedy drama film .

it was produced by farhan akhtar and ritesh sidhwani through excel entertainment and marked the debut of reema kagti as a director .

the movie has six different parts in it .

honeymoon travels pvt . ltd .

honeymoon travels pvt . ltd . cast list : actors and actresses from honeymoon travels pvt . ltd .
honeymoon travels pvt . ltd . – movie reviews , story , trailers , cast , songs & latest news on honeymoon travels pvt . ltd . at urltoken
om shanti om , mangal pandey : the rising , honeymoon travels pvt . ltd .
life in a . . . metro , honeymoon travels pvt . ltd . , sarkar
don – the chase begins again » honeymoon travels pvt ltd . trailer with don ?
t o recap , honeymoon travels pvt ltd is the story of six couples off to goa on their honeymoon .
. . so they dance ! : honeymoon travels pvt ltd - fluff and then some .
review - honeymoon travels pvt . ltd . : comedy disturbed because they couldn’t resist having a story
dev . d , you don ' t get life a second time , honeymoon travels pvt . ltd .
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this cast list of who was in honeymoon travels pvt . ltd . includes both lead and minor roles . ( 17 items )
honeymoon travels pvt . ltd . cast list , listed alphabetically with photos when available . this list of honeymoon travels pvt . ltd . actors includes any honeymoon travels pvt . ltd . actresses and all other actors from the film . you can view additional information about each honeymoon travels pvt . ltd . actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of honeymoon travels pvt . ltd . have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
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twelve newly - weds have booked their first trip as a married couple to goa through honeymoon travels pvt . ltd . their individual stories , the romance and sometimes the lack thereof is all handled mostly in the lighter vein .
s he is javed akhtar ' s daughter , farhan akhtar ' s sister and a writer herself . inspite of being a creative person as the core zoya akhtar dons the mantle of a producer for the honeymoon travels pvt ltd .
catering to the changing tastes of the audience , movies such as honeymoon travels pvt ltd , bheja fry , life in a . . . metro , that banked upon a good script , good performances and fresh treatment , found favour with the audience .
what is honeymoon travels about ? it is about a package honeymoon to goa . there are 6 couples going for that honeymoon . it basically talks about the different relationships 2 people can have and about how one should never be judgemental about why people are together .
honeymoon travels pvt . ltd . is about married couples on a package honeymoon to goa . exciting and cheerful , this vacation is a subsidized option for a lot of dreamers on the brink of their new life . the film opens with six couples , a guide , a driver and a handyman riding in a bus from bombay to goa . the n read more
the honeymoon travels pvt . ltd . actor and hotel heir was arrested in florida for possession of drugs but is out on bail nowindian - american hotel owner and actor vikram chatwal , who’s reportedly been close to american actor lindsay lohan since 2011 , was arrested in florida on drug charges , according to a media report . he has been [ … ]
watch aamir khan , rani mukerji and kareena kapoor in the first teaser of talaashthree of bollywood’s biggest stars , aamir khan , rani mukerji and kareena kapoor star in psycho thriller talaash . the film , khan’s much awaited home production , is directed by reema kagti of honeymoon travels pvt . ltd . fame and co - produced by farhan akhtar and ritesh [ … ]
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kumar taurani , managing director of tips industries ltd , is not averse to big names but agrees that the script plays a pivotal role in the success of a film .
this is a story of six newly wed couples who go on a subsidized honeymoon trip together . the story unfolds the seven different stories of love and human relationships during their journey .
before , and i have to say , honeymoon travels has a definite
close but not cigar
moment with this . the gay storyline is nothing amazing , but it ' s pretty believable and not all that badly written . the problem ? the actors involved absolutely suck . i mean , goodness gracious . okay , in a cast with boman , kay kay and shabana , it ' s not easy to come out on top , but when ameesha patel and even diya mirza out - act you , you ' re not cut out for the job .
six couples travel to goa for a group trip honeymoon . the couples are all young , with the exception of naheed ( shabana azmi ) and oscar ( boman irani ) , who are in the
second inning
( wahey cricket terminology ! ) of their lives .
story six newly married couples are on their honeymoon to goa . exciting & cheerful , this vacation is a subsidized option for a lot of dreamers on the brink of their new life . the film is woven around these couples , a guide , a driver & a handyman riding in a bus from bombay to goa .
but this cleverness doesnât help when azmi cries in the shower â you donât know why until you see her back - story â or when a gay angle crops up or when a wayward daughter appears out of nowhere or when you see that , after marriage , things seem to have changed between kay kay menon and raima sen . the minute the script turns serious , honeymoon falls flat . ( maybe they should have taken a hint from one of the songs and kept things… halke halke . ) the huge ( and very appealing ) cast makes sure that the film is never less than watchable , but thatâs about all honeymoon is . azmi and irani get a moving moment when they are asked how they got together and they string up some wild take about being in planes flying near one another and floating down in a parachute . ( theyâve been brought together by a tragic series of events , and they understandably have no wish to share all of this with a complete stranger , and so they invent this fantasy . ) the scene is played for a laugh , but thereâs also romance in the air , thanks to the soaring french music in the background . for a minute here , the film stops trying to be clever , which is probably why the emotion comes across so strongly . sometimes , love stories are better made from the heart rather than the head .
the first half of this movie is really funny . acting is super . i had a few problems with the characterisation . would have been better , if there wasn ' t a forced story for every couple .
the first half is hil - larious ! there are really funny lines and situations in the second half too , but the compulsion to have a story breaks the flow . nevertheless , all the laughs were the perfect medicine for my horrible cold . yeah - yeah , i know my illness was not on their mind when they were making the movie , just thought i’d let you know because i felt like it . just like , the writer threw in special effects , or her stand on social issues .
comedies like these bring out the dependencies between the dialogues and the comic timing . the great performances wouldn’t mean anything without the witty lines . and as always , funny lines cannot tickle you if they are not delivered right . someone please tell me , why don’t real radio jockeys speak this sensibly ? it’s the serious parts ( mostly in the first half hour after interval ) where things drag . they do not gel with the general tone at all . the side - side story of the driver is out of place too . and the preachy tone in the end – why ? why ? ? why ? ? ? also , why does the screenplay slacken in the second half .
acting by one and all is exactly what their characters demand . yes , even amisha patel ! when i first heard that she was playing a loud character , i was dreading the time i would see this movie . but , her restraint comes as a pleasant surprise . there are too many artistes to name them all here , but everyone has done their roles full justice . and so have the costumes of at least some of the people . i was really kicked by how the geek was almost always dressed in a solid - colored collared t - shirt .
most of the characters and their idiosyncrasies were dealt a fair hand . i especially liked how the sexual orientation of some of the characters was handled sans the usual snickers associated with such issues in hindi movies . a whole range of honeymooners is covered here , from the chauvinist who is more interested in photography than his wife to the couple who had no use for a camera , from the arranged marriage to the love marriages . while most characters are consistent , there are a few that leave you with questions . since , discussing these would give out a little more than i like , check out the details section ( spoilers there ! ) .
the songs look better than they sound . they are the kind that grow on you because you have seen them . the choreography of “pyar ki ek kahaani” is absolutely breathtaking .
this movie has a very hrishikesh mukherjee feel to it . and that says a lot coming from a huge hrishi - da fan . this is certainly the kind of light movie we needed after a series of serious movies we have seen in the last four weeks . if only , reema kagti had not worried so much about trying to squeeze in an actual story for every couple .
warning : clicking on
full review
will take you to an external website that could contain spoilers .
. . . nonethless reema kagti ' s first directorial venture does manage to make a mark as an above average film which is fairly entertaining . . .
. . . sans a single dull moment , the dialogues by anurag kashyap too keep the momentum going . . .
. . . it won’t reveal the meaning of life , but it’s a fun escape . . .
. . . kudos to the director for leaving no loopholes as far as groping for identification of characters is concerned . . .
. . . debutante director reema kagti manages what nikhil advani could not in his six - couples romantic film , salaam - e - ishq . . .
. . . the film spends a lot of time spoofing hindi film conventions . . .
. . . the story tells about the contrasts and colors of a married relationship and puts the couples in different scenarios and backdrops . . .
. . . the screenplay is intelligently innovative though at instances it even resorts to some cinematic clichés . . .
. . . my thought process is broken by a huge laughter wave that starts from the front row . . . they are enjoying every scene of the film . . . .
. . . everything goes well in the first half , infact first half was simply superb , hilarious . . .
. . . i think the director started off on the right note but didn ' t know how to tie it all up . . . .
. . . but after the introductions , and a few predictable twists in the middle , the story just does not move forward . . . .
. . . it only tries to put its foot in many shoes at the same time . . .
. . . this film must have looked way more appealing in the script than it ever manages to do during its entire running time . . .
. . . the director can ' t seem to decide whether she wants the film to be slice of life reality or comic book absurd . . .
this page has additional observations , other than the ones noted in the main review .
warning : this section has some details that could distort your experience while watching the movie . i strongly recommend reading this only after you have seen the movie or if you have decided not to see it .
radio mirchi ' s announcer - since it is laced with good dialogue , it doesn ' t annoy like most product placement does .
the situation in which aspi ( abhay deol ) and zara ( minissha lamba ) meet . the way it is narrated is very comical .
the whole nahid ( shabana azmi ) - oscar ( boman irani ) track . it was a
sooo sweeeet
realtionship .
the scene in which partho ( kay kay menon ) gets drunk . real and funny .
pinky ( amisha patel ) and her annoying blabber - mouth . and the reactions people listening to her had . some of her lines kept me in splits for some time after the movie was over .
note : this section simply lists the things that i did not like in this movie . this is not the overall impression about this movie . please read the full review here
just because this list is long doesn ' t mean i have to hate the movie . my overall rating indicates the general feeling i have while leaving the theatre . there can still be things that i did not like .
the character inconsistency in madhu ' s character played by sandhya mridul . what exactly made her change from a simple girl - next - door to a girl who dresses and behaves liberally ? also why exactly did she not want a divorce , what was in it for her ?
also partho and milly ( raima sen ) somehow don ' t seem real . if partho is conservative he could never have let milly get away with whatever she was doing . and if milly was really so free - spirited , she could never have been dominated . i won ' t talk about how . i don ' t think they could be attracted to each other given their base characters because what attracts one person to the other is i think not definable . ok , enough philosophy !
the stand on why women should not be forced to wear a sari and how it is okay to elope when you are in love . this was not the right forum .
the driver ' s dark character . please don ' t tell me his character existed only so nahid ( shabana azmi ) could give a speech .
shilpa ' s ( dia mirza ) reappearance - absolutely unnecessary . again , i suspect it was to drill in the point that lovers should not be forced apart .
this section lists things that i think are not important to the overall impact of the movie . in most cases , it could be explained away by something like ,
we noticed the glitch after the scene was shot and there were schedule / budget issues and thus we could not re - shoot it
. i like giving the makers the benefit of doubt , but i am amused nevertheless . hopefully , they will tickle you too .
mehak , i loved the part that it had no particular story in mind . in fact , i did not like the bit where they tried to put a story in forcibly for each couple . addi , yeah , the climax was a let down considering they kept it lively throughout the movie . oh well . . .
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six newly - married , diverse , honeymooning couples face marital bliss and discord , finding out more about themselves , their significant others and life in this happy - go - lucky , quirky drama .
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for a fee of rs . 200 / - ankush ramdev acted as one among four witnesses to couples who come to register their marriages at the registrar of marriages in dariyaganj , delhi . one day he comes . . . see full summary »
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abhay deol and minissha lamba became very good friends during the shoot of . there were rumors that he had a crush on her , but both of them dismissed the allegation laughingly . but abhay admitted ,
minissha is such a lightweight that made it easier for me to do the tango song ( pyaar ki ek kahani . . . ) with her in the film .
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there ' s oscar and nahid ( boman irani and shabana azmi ) , the senior citizens in the sextet , both married for the second time and the ones with the most gravitas . there ' s the delhi couple of pinky and vicky ( amisha patel and karan khanna ) where she ' s the talkative north indian girl who believes her life is a fairy tale while her husband harbours a secret that makes the trip a chore for him .
partho and milly ( kay kay menon and raima sen ) are the bengali couple where he is the tightly wound husband and she is his aching - to - be - free - spirited wife . hitesh and shilpa ( ranvir shorey and dia mirza ) are a couple from surat , theirs is an arranged marriage and she will not let him get anywhere near her when they are alone .
aspi and zara ( abhay deol and minissha lamba ) are the unbelievably happy parsi couple who have known each other 16 years and never had so much as a disagreement . and finally , there ' s bunty and madhu ( vikram chatwal and sandhya mridul ) playing the expat and his new brideā - - the circumstances of their meeting and marrying are unconventional , to say the least , so naturally both have secrets from each other . add to this the mysterious man on a motorcycle who is trailing the bus on its journey from mumbai to goa and this seems like a film with the promise of a lot of fun and entertainment , right ?
this film must have looked way more appealing in the script than it ever manages to do during its entire running time . most of the above - stated characteristics of the couples are pretty much the only characteristics exhibited during the entire film . no major character development is achieved that could help the audience fall in love with any of them .
the secrets , as and when they are revealed , do very little to further the plot or the action . everything happens , nothing evolves . there is a fantasy element to one of the couple ' s stories that comes off as so far - fetched that it makes the whole exercise laughable rather than genuinely funny . with the marked exception of kay kay , none of the other cast members are playing against type and it shows in the fact that the audience will be left feeling like they ' ve seen it all before , and done better .
the pacing of the film as well as the delivery of the multi - strand storyline seems to have been developed along the ' oh we haven ' t seen that couple in so many minutes so let ' s drop in one of their sequences here ' line of reasoning . even the setting , goa , is made to look as unappealing as it did in bride & prejudice .
beyond giving various characters phrases to define their ethnicity , little has been done to authentically place them in the skin of their characters . neither deol nor lamba come off as parsi , patel does not feel punjabi , neither shorey nor mirza are convincing as gujaratis and the less said about irani ' s senior catholic citizen the better ( in fact it would be wonderful to have to watch a film where the man is not required to emote in a bad wig ) .
as a debutante it must be wonderful for director reema kagti to have the backing of major industry players like farhan akhtar and ritesh sidhwani . nothing about the film serves as proof of that faith .
the score by vishal - shekhar is forgettable , the surprise cameo is neither surprising nor welcome and the movie ends as it began .
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i love a good film with a big cast , but it ' s often sad to admit that the bigger the gallery of characters , the tougher it is to keep the film solid in every aspect . i liked
but there were definitely problems with some of the characters not getting their story properly told , or some characters feeling a bit redundant . with
, you can see a lot of care was put into the script and the story , making all of the couples stand out in their own way , their stories told very neatly . unfortunately , some of the performances are lacking .
not all couples are happily in love . hitesh ( ranvir shorey ) and shilpa ( diya mirza ) were arranged , and especially shilpa has a tough time adjusting to married life .
others couldn ' t be happier , like partho ( kay kay menon ) and milly ( raima sen ) , a more traditional couple , or . . .
. . the absolute adorable aspi ( abhay deol ) and zara ( minissha lamba ) , who are in harmony with one another to the point of the absurd .
it took me a long while to watch this movie . i always meant to , as it looked like a servicable little film , the cast was interesting enough ( no huge favourites but people i always enjoy seeing more of ) , and
. when i finally watched it , i was glad . it ' s definitely a lovely film , flaws and all . it has those edges of realism , and of fantasy , and overall it ' s a fluffy , yet grounded film about love . sometimes i have a hard time pinning down what a director was attempting to do with a film - here , i think i completely understood director reema kagti ' s vision ( yes , female director ; not something you see every day ) .
the soundtrack is nothing too memorable but very nice all the same , and i really warmed toward some of the characters . they all get their story told , and i really appreciated that . in fact , i was disappointed when the film ended . i would ' ve gladly watched about 30 , 40 or even 50 minutes of their escapades in love and life .
yes , ameesha is actually good in this . she plays the bubbly , spoiled , oblivious pinky to perfection , actually making the character very likable .
but watching this movie , and this dreadfully acted gay storyline , i couldn ' t help but wonder if it was a simple case of stigma being too great to get somebody of actual talent . like the moment you mention that the role is not 100 % heterosexual , the pool of talent slims down to almost nothing , you take your pick , and end up with nothing as good as you might ' ve hoped .
my favourite couple is without a doubt partho and milly , because their journey is interesting and heart - warming , and because i unabashedly girlcrush raima sen . the other stand - outs are naheed and oscar ( with her teaching him urdu , and their memorable backstory ) and aspi and zara ( with their cutesyness and secrets ) .
would i recommend it ? absolutely . it ' s fluff , but it ' s also a bit more , and i ' m willing to forgive its flaws for the sheer watchability . sometimes the films you find yourself wanting to rewatch are far , far from perfect . this is one of those cases .
this was such a perfect ensemble piece and all the characters were fairly believable stereotypes . like you , my favorite couple was partha and mili . they were such a realistic couple , and reminded me so much of some of my own friends ! and of course shabana and boman irani were great , though the same cant be said of boman ' s wig .
when ameesha patel and even diya mirza out - act you
unfair to diya mirza ! i thought she was pretty good in dus kahaniyan and tehzeeb .
my apologies ! i clearly haven ' t seen very much with diya , but the little i ' ve seen were just kind of . . blah . no , wait , actually i quite liked her in lage raho munnabhai . what ' s with my judgmentalness these days ? oh dear . aww , boman ' s wig . i agree , not a good decision . he looks quite fine without it .
a hindi movie buff from finland nice ! me myself discovered hindi film with a little help from cheap airfare from finnair . how did you happen to come across the wonderfull world of song and dance when living so far away from the holy ganga or anything else hindi related ? dink from denmark
btw considering you taste in movies you should watch
sorry bhai
. i couldn ' t find it on your review list and i think you would like it .
ohhh , it ' s been so long since i ' ve seen this movie , but i remember having a very similar reaction as you did . i thought it was sweet , cute , fluffy and not half - bad , but i thought it ended a little too abruptly for my liking . obviously all of the stories weren ' t going to be tied up in a nice little package . . . but i wanted just a bit more ! i should give it a re - watch sometime soon . : )
dink - long version here : urltoken short version : music class in senior high school . thanks for the rec ! anita - it ' s pretty rare that i feel like an indian movie ends too soon but this was definitely one of those cases .
i really liked this film . and i found that statement more unfair to amisha , she is very underrated as an actress . she has delivered some flawed performances but she has also given solid performances in films such as gadar , humraaz , and ankahee ( which i beleive is her most understated performance to date ) . i wish she gets to do something beyond that , i find her face very beautiful and amongst one of the most beautiful that has graced in bollywood . other girls i find beautiful are rani mukerji , kareena kapoor and dia mirza . don ' t really bother about the rest , most of them are plastic .
a blog on indian cinema by a 20 - something finnish lady . i have the following objects of filmi fondness ; dishoom - dishoom , awesome ladies , meta - gags , 70 ' s masala , lavish sets , comedy , bickering couples , actors singing themselves , classical dancing , filmi rock and pensiveness . : : about this blog : : : : film review index : :
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the tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and tv programming quality for millions of moviegoers . it represents the percentage of professional critic reviews that are positive for a given film or television show .
movies and tv shows are certified fresh with a steady tomatometer of 75 % or higher after a set amount of reviews ( 80 for wide - release movies , 40 for limited - release movies , 20 for tv shows ) , including 5 reviews from top critics .
i loved this movie , the bad acting , the weird plot twists , the terrible english spoken in such plummy accents and the dancing and music is just brilliant ! ! good for a girls night in .
a movie that had to be made better . . . spoiled as a typical bollywood movie . . .
i didn ' t hate the movie that ' s for sure i even bought a copy of it ( on sale of course ) . it ' s a simple movie , exploring every possible disastrous relationship with a twisted fun . it ' s actually kinda cute in a very silly way . : )
this is one of my most favourite movies , because in recent times i haven ' t seen such well defined characters . i love it - and its not just a funny movie - its a really really good script . the director ( reema ) has portrayed the characters in such a great way . . each story has something special abt it and ( almost all ) the performances are great . . it is one of the most enoyable movies i have ever seen . . always puts a grin on my face
an interesting concept , , but i wish the end product cud ve been more interesting , , yes it addresses a few imp things but doesnt hold much to keep the audience glued , , inconsistent at times .
reema kagti ( director ) , please dont make your second movie . . . . get a new vocation . . . . puhleezz
this flick is easliy one of the best movies made for the lighthearted viewer . a very low - budget movie , considering there are nobig stars and no big sets involved , its a through and through comic act with its own share of emotional moments . boman and shabana rock as the old age couple , and sandhya mridul and minishha lamba were presented quite nicely ! overall , a great entertaining watch !
saw a bit . . abhay deol was like ssshhhiitt . . .
never seen before
type of film , sure it has couples , but it delves into the strengths and weaknesses of these relations , where as other multi - starers such as salaam - e - ishq only focused only on the problems of each character throughout the movie and made sure that in the end love conquered all
the script is another of
no smoking
director anurag kashyap ' s postmodern hotchpotches , full of baffling diversions ( two of the characters turn out to have superpowers ) , dead - ends ( the couple in the arranged marriage - the film ' s sole source of dramatic conflict - disappear after a half - hour , and the unifying idea of the coach trip shortly thereafter ) and signs of evident desperation in the scene where the male half of the square couple ( kay kay menon ) unknowingly ingests hallucinogenics .
two songs are superlative but otherwise movie is bad and pretentious . a few good moments . boman irani is one of them - he rarely if at all disappoints . the script attempts something different but loses its way in many places . some threads go nowhere . the tango song pyar ki ik kahani is one element of this song that aims to be different from typical bollywood and succeeds resoundingly . it is composed , sung and danced on with panache . world class . the vari vari song exudes an infectious energy . in both javed akhtar reiterates his position as a true songwriter of class . cant fault any of the actors or director . screenplay was conceived out of inspiration but looks like completed without it . its worth a watch but dont kill yourself getting to it . if you do get around to seeing it , the two songs and a few stray moments will make it worth it .
pretty entertaining and quirky take on relationships . i liked how all ( well , most of ) the characters were so free - spirited . it ' s a fun date flick .
i couldn ' t understand 95 % of the words they said but the movie was pretty entertaining and easy to follow .
a fun movie following a bunch of package - tour honeymooners . some bad acting is made up for by some serious subject matter . jovial and off - the - wall with a dark edge .
not bad , something different from the usual predictable bolly fare . some really believable acting . would recommend it , even if arjun rampal wasn ' t in it : )
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the bachna ae haseeno actress said her decision to enter the house wasn’t very difficult to makebollywood actress minissha lamba says she won’t be using fake drama to bring in viewers on bigg boss 8 .
cineswami takes a closer look at bollywood’s reel and real gay love storieswe live in liberal times . 2014 is almost upon us and we like to believe that we are free of prejudice . which is why we applaud fearlessly and openly a gay love story that we witnessed with our own eyes at the
the race 2 babe is using every possible trick in the pr book to stay in the business of movies . but will it work ? we wonder…you don’t mention ameesha patel and successful films in the same breath , do you ? even though her debut film kaho naa . . . pyaar hai was a sensational hit and we all [ … ]
the actor insists she never left the industry and that race 2 does not signal a return for her . she also sheds light on her new role as a producer“comebacks are for the actresses who get married and have kids and then plan to come back . i never left this industry . i have always been [ … ]
the pretty lady turns 28 years old today . wanna know what her plans are ? read on…minissha lamba was born on january 18 , 1985 .
the actor who insists that she is too young for a comeback will be seen playing the role of a desi blonde in race 2 . why her , we wonder…ameesha patel started her bollywood career as sonia saxena in kaho naa…pyaar hai opposite hrithik roshan . and a walk down the memory lane reminds us how the [ … ]
the sexy bollywood actor turns 38 todayborn on june 9 , 1975 , ameesha patel , after studying economics at tufts university in the us , joined noted theatre director satyadev dubey’s group in mumbai . the sexy siren acted in a few plays and modeled for leading brands before getting into bollywood with kaho naa… pyaar hain opposite hrithik [ … ]
madha gaja raja is an upcoming tamil masala film directed by sundar c . it stars vishal krishna , anjali and varalaxmi
vaalu ( english : naughty ) is an upcoming tamil action comedy film directed by debutant director vijay chander . the film will
ameesha patel had a dream debut opposite hrithik roshan in kaho naa . . . pyaar hai . she is originally from mumbai and hails
raima sen has acted predominantly in bengali films . sen made her debut in the film godmother , which was a critically
kay kay menon ( born , 2 october 1966 ) is an indian film actor who works in hindi cinema . he is considered to be one of the
ranvir shorey is an indian actor and former vj . since making his debut in ek chhotisi love story ( 2002 ) , he has starred in a
minnisha lamba is an indian actress who has worked in many famous films . she is an upcoming actress in bollywood film
dia mirza was born dia handrich and she is a model , actor and producer . after winning the miss asia pacific international
a film and theatre actor , a voice artist and a photographer , boman irani is the beloved dr j . asthana from munnabhai mbbs .
sayyida shaban azmi is a well - known film and theatre personality as well as a social activist . she is an alumnus of the film
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a lot of these young ideas do work . i loved the cheeky cut from a full - bladdered ranveer shorey unzipping in front of a urinal to wine being poured out of a bottle . and delhi - ites are probably going to hate the stereotyping , but the filmâs most hilarious creation is the barbie doll - incarnate from the capital city , played by amisha patel . ( sheâs dressed perpetually in bubblegum pink and she calls her husband âlollypopâ ? . ) the abhay deol - minissha lamba track too works wonderfully . ( they look so wholesome and freshly scrubbed , itâs as if weâre watching a pair of the bobbsey twins all grown up . ) thereâs a scene where he puckers his lips and blows lightly at her , and flowers from an overhead branch drop down on her ; itâs only later that you see the reason this happens , and that revelation is kagtiâs sweetest , nuttiest conceit . theyâre made for each other , these two , and when weâre shown their flashback , tum aa gaye ho plays in the background . thatâs a running gag , that each of these couples gets a flashback underlined by one old film song that best sums up the situation . the only exception is in the story of shabana azmi and boman irani , who marry late , and the song that they get is part of their present , not their past . theirs is a strange tale , and what better number to highlight this than ajeeb dastaan hai yeh â sung on a boat no less ! ( a big salute to kagti for acknowledging these tracks â and their composers / songwriters â during the closing credits . )
ah ! after all the heavy - duty discussions following ns , oso , and slb , we pick up the “light romance” thread where we left off — at jwm . i think the “transportational” transition is spot on — from a railroad romance , we cruise lightly into romance on four wheels !
such silly observations aside , “that one - dimensional chauvinist - pig of a fiancé”…you mean that perfectionist guy who rolled off the bmw assembly - line ? ok , ok , i’ll stop . 🙂
i haven’t seen this one yet , but going back to heavy - dutiness for a second , “ . . we’re actually asked to swallow a big , fact lecture about , yes , the nature of love” reminded me of a similar heavy - dutiness you’d cringed over in an earlier review : om puri in mangal pandey “threaten [ ing ] to transform the film from historical fiction to the history channel . ”
now , mangal ostensibly wasn’t “light” in any way , shape , or form ( ok , except factual accuracy ) , so let’s put it aside for a moment as we pick up where we left off , with “light romances” . i too have often wondered — given the audience’s collective readiness to lap up light romances , formula and all — why wind them down with such “clever” heavy - dutiness ? so i’m right on board the bus with you to mandate ( oh if only we could ! ) that all moviemakers treat eschewing such make - you - fall - flat - on - your - face - just - as - you’re - merrily - cruising - along heavy - dutiness as the sine qua non of light romances .
> > ”sometimes , love stories are better made from the heart rather than the head . ” touche !
p . s : > > ”they’ve been brought together by a tragic series of events , and they understandably have no wish to share all of this with a complete stranger , and so they invent this fantasy . ” it’s the kind of stuff that , to me , makes formulaic light romances ring true . a movie that this reference promptly dredged up from long - term memory is “rhythm” ( the vasanth flick from 2000 with some to - die - for tunes by ar rahman ) . that movie is the antithesis to the “bogus moment” you refer to in mangal ( and , by extension , most movie romances ) : “they’ve had one song , two bits of dialogue – suddenly they’re soul mates ! ”
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just before her film ' s release , zoya talks to komal mehta about the film , her writing and future plans for their production house , excel .
why did you decide to produce the movie instead of directing it ? firstly , because i ' ve known reema for sometime . she has also worked with farhan . she is my best friend and i ' ve been with her on this movie since the scripting stage . so it was a good script and we decided to produce it . also i ' ve never really directed anything myself .
was it tough handling such a large cast ? no it wasn ' t . actually , managing huge starcasts is always tough , but we were very lucky that we didn ' t really have any problems . we had the coolest cast , who were happy to be with each other . i think everyone knew it was a small film and didn ' t really have issues of any sort . they were all like a part of the crew .
what is the worst part about being the producer of a movie ? well , it ' s a thankless job . no matter how many things / problems you solve there are more just waiting to be addressed . also ours is a low budget film , and we didn ' t really have money to throw at a problem , so it was tough .


do dilon ki dastaan is a 1985 indian bollywood film directed by a. c. tirulokchandar .

it stars sanjay dutt and padmini kolhapure in pivotal roles .

do dilon ki dastaan ( 1985 film )

hum rahi me movie do dilon ki dastaan 1080p full hd song . ! - youtube
mix - hum rahi me movie do dilon ki dastaan 1080p full hd song . !
humrahi mere humrahi - - high bass digital audio - lata - suresh - do dilon ki dastan .
super hit movie do dilon ki dastaan 1985 . song : hum rahi mere hum rahi o hum rahi mere hum rahi . singer : suresh wadkar , lata mangeshkar . music directors : laxmikant pyarelal , pyarelal ramprasad sharma , laxmikant shantaram kudalkar . lyrics : anjaan . starcast : sanjay dutt , padmini kolhapure , arun govil , shakti kapoor , kader khan , kajal kiran , om prakash , pinchoo kapoor , shobha khote , asit sen . genre : drama , love , family action story . director : a . c . tirulokchandar . initial release : february 15 , 1985 india . watch super hit bollywood classic movie do dilon ki dastaan song . presents by : naeem ahmed khakhrani .
right now , do dilon ki dastaan is not available with subs * , but on the other hand : even with subs this film might be interesting just for sanjay fans who can’t get enough of him and even consume his early films in which he – sorry , sanju , but you surely know it yourself – simply was not as good yet as he was to become later . and the film is nothing special either . it has its moments , no doubt about that , e . g . young sanju in a bubble bath tube . but what on earth about the one - two - three song with some dozens of neatly dressed girls dancing ring - a - ring - of - roses ? und do you really regain your sight when your backhead is slummed against a rock several times ? no , do dilon ki dastaan is no must - see , neither with nor without subs . not more than because of the bath tube .
the film is solely and exclusively owned by rkd studios now , who bought the rights of same in 2008 .
do dilon ki dastaan – a story of two hearts is one of sanjay’s early films from that time when he still was searching for his identity in front of the camera . since his debut film rocky , i conceive suspicion that originally he was to become the direct successor to young amitabh bachchan ( with option on the
angry young man
) ; the tall and lanky stature was there , the hair - style was adjusted , and even sanjay’s dance movements sometimes remind of amitabh’s . but fortunately , only shortly thereafter sanjay broke loose from this strangling and , at the latest since naam , developed his own film identity instead of becoming just some copy . ( thank heaven for that . )
check out this lovely romantic title song of the superhit bollywood romantic movie ' do dilon ki dastaan ' where sanjay dutt and padmini kolhapure are expressing their feelings . cast : sanjay dutt & padmini kolhapure music : laxmikant pyarelal singer : asha bhosle , shabbir kumar producer : m . m . malhotra , baldev pushkarna director : a . c trilog chander subscribe and stay tuned - urltoken find us on google plus : urltoken follow us on pinterest : urltoken like and share your favorite videos on facebook : urltoken follow us on twitter : urltoken
familie biographie filme ( alphabetisch ) filme ( chronologisch ) hörbücher / film - trivia news / ( film - ) projekte produktionen sänger / rockstar awards / ehrungen persönliches / religiosität the golden heart sanjay - effekt tattoos interessen lifestyle werbung / business zitate von sanjay dutt zitate über sanju ( bis 1999 ) zitate über sanju ( 2000 - 2006 ) zitate über sanju ( 2007 - 2008 ) zitate über sanju ( ab 2009 ) der tada - fall artikel / publikationen interviews tv - und live - auftritte diwali goes sanju twitter / links ( u . a . forum ) impressum information in english
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teen love story where vijay ( sanjay dutt ) , grandson of a rich man brijmohan saxena ( om prakash ) who doesnt want to settle down in life and therefore he runs away from home and reaches kashmir . he meets tourist guide , sona mathur [ padmini kolhapure ] , and both fall in love in the valleys of kashmir . shekhar [ shakti kapoor ] , is one man who has bad intentions . shekhar is a homicidal and sexual maniac . he tries to rape sona couple of times but could not succeed due to intervention by vijay . on one night , a very frustrated shekhar plants a bomb in vijay ' s car , but vijay and sona escape . in this accident sona loses her eyesight and decides to stay away from vijay which shatters him . will vijay come to know sona ' s sacrifice ? subscribe to rajshri - urltoken follow us on g + urltoken like us on facebook - urltoken follow us on twitter - urltoken follow us on pinterest - urltoken visit rajshri ' s website - urltoken
zameen aasmaan hindi movie | | full action and drama movie | | feat . sanjay dutt , rekha ,
kareeb movie - such a beautiful love story ever - please 🙏🙏🙏subscribe my channel i . e . ( thetomar )
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about the story : the millionaire saxena ( om prakash ) plans to force his grandson vijay ( sanjay dutt ) into a marriage with aarti ( kajal kiran ) . to evade this marriage , vijay escapes to kashmir where he falls in love with the beautiful sona ( padmini kolhapure ) . unfortunately , even the rapist shekhar ( shakti kapoor ) casts an eye at sona , and as vijay puts paid to his plans , shekhar becomes his enemy . with a bomb attack on his car , vijay gets seriously injured , and sona loses her sight . so that she as a blind will not become a burden for vijay , sona pretends to be in love with vijay’s friend kamal ( arun govil ) and leaves the hospital together with him . vijay cannot cope with this obvious treason and starts drinking . when one fine morning he wakes up besides aarti and the latter accuses him of having raped her , vijay is not able to defend himself because due to his alcohole consume , he has no memories about that night . now his marriage to aarti seems unevitable . . .
porduced by baldev pushkarna and m . m . malhotra ; directed by a . c . trilokachander
meri aan ( 1993 ; special appearance ) - review in en . . .
the times of india , 4 . 8 . 2007 : interview mit rhea p . . .
mid - day 2 . 8 . 2007 :
is it wrong to trust a friend ?
. . .
this article is issued from wikipedia - version of the 7 / 24 / 2016 . the text is available under the creative commons attribution / share alike but additional terms may apply for the media files .
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while multi - millionaire mr . saxena is busy announcing the engagement of vijay , his grandson , he , himself , is busy driving a horse - carriage , and getting into fisticuffs with hoodlums . vijay . . . see full summary »
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a girl is saved by a young man this experience brings them together . their union faces obstacles in the future .
after the death of his wife , savitri , former bandit , suraj singh , decides to go straight , and with the help of a catholic priest , father john , goes to work in a small hillside community . . . see full summary »
the college students shyam ( sanjay dutt ) and pradeep ( mohnish bahl ) are close friends . when shyam falls in love with beautiful sundari ( padmini kolhapure ) , pradeep arranges for the two to . . . see full summary »
follows the story of vicky , who gets entrapped in a criminal plot after he leaves his country for work .
when a police inspector is killed by a band of thugs , his grieving father samsher singh seeks justice . pratap singh has left behind a pregnant widow , who dies in chidbirth , leaving samsher . . . see full summary »
shamlal is an educated young man who is employed in the construction business by ratanlal . shamlal is also the union leader , and would like ratanlal to enforce measures for workers ' safety . . . . see full summary »
ballu ( sanjay dutt ) , a notorious , cunning , and unscrupulous criminal who ' s wanted by the police for a plethora of murders and thefts . bright and ambitious inspector ram ( jackie shroff ) . . . see full summary »
a taxi drivers falls in love with a woman forced into prostitution and battles with her pimp in order to free her .
aristocratic amar singh is the heir to his princely estate , left behind by late father , who had re - married a cruel and calculating woman , ranimaa , and has been mismanaging the estate for . . . see full summary »
jeevan , who wants to be a police officer , becomes a dacoit called jeeva after his parents die .
a businessman faces challenges when he unknowingly permits his daughter to get engaged to the son of the man who betrayed him .
raj saxena is in love with fellow collegian , rati verma , and both want to get married . rati introduces raj to her father , major verma , who , after finding out about raj ' s background , decides . . . see full summary »
while multi - millionaire mr . saxena is busy announcing the engagement of vijay , his grandson , he , himself , is busy driving a horse - carriage , and getting into fisticuffs with hoodlums . vijay is quite unhappy with his grandpa about his engagement with hong kong returned aarti verma , the only daughter of wealthy magnate roshanlal verma . for vijay is in love with an unknown young woman he saw at the airport . unable to get her out of his mind , he is thrilled when he gets to meet her again in srinagar and finally finds out that she is his tour guide , sona mathur . after a few misunderstandings , sona too falls in love with him . then things change unexpectedly after they meet with an accident , whereby vijay temporarily loses the use of his legs . when he limps over to sona ' s room , he is told that she has been discharged . and the person she has been discharged with is a young man by the name of kamal - who is also in love with sona . vijay must now find out why sona has deserted him , and if at all . . .
check out the indian movies with the highest ratings from imdb users , as well as the movies that are trending in real time .
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while multi - millionaire mr . saxena is busy announcing the engagement of vijay , his grandson , he , himself , is busy driving a horse - carriage , and getting into fisticuffs with hoodlums . vijay . . . see more »
while multi - millionaire mr . saxena is busy announcing the engagement of vijay , his grandson , he , himself , is busy driving a horse - carriage , and getting into fisticuffs with hoodlums . vijay is quite unhappy with his grandpa about his engagement with hong kong returned aarti verma , the only daughter of wealthy magnate roshanlal verma . for vijay is in love with an unknown young woman he saw at the airport . unable to get her out of his mind , he is thrilled when he gets to meet her again in srinagar and finally finds out that she is his tour guide , sona mathur . after a few misunderstandings , sona too falls in love with him . then things change unexpectedly after they meet with an accident , whereby vijay temporarily loses the use of his legs . when he limps over to sona ' s room , he is told that she has been discharged . and the person she has been discharged with is a young man by the name of kamal - who is also in love with sona . vijay must now find out why sona has deserted him , and if at all kamal is the reason behind this desertion . written by rajoo ( gunwanti @ hotmail . com )
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