the film features sarathkumar and kushboo in lead roles whilst anandaraj , kanaka and manivannan play supporting roles .

the film was one among 1998 deepavali releases .

simmarasi

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movie name : simmarasi featuring : sarathkumar , kushboo , anandaraj , manivannan , r . sundarrajan , vineeth , easwari rao directed by : erode soundar
simmarasi is a 1998 tamil language film directed and written by erode soundar . the film features sarathkumar and kushboo in lead roles whilst anandaraj , kana . . .
vanathu nilaveduthu video song from the simmarasi tamil movie , featuring sarathkumar and khushboo in lead roles . directed by erode soundar , produced by r . b . . . .
simmarasi is a tamil film directed by erode soundar & produced by super good films . this film stars sarathkumar , kushboo , anandaraj , manivannan , r . sundarrajan , vineeth , easwari rao the lead role . the film ' s soundtrack and background score were composed by s . a . rajkumar with lyrics by mu . metha , kalai kumar , vasan
simmarasi is a 1998 tamil comedy , drama film , directed by erode soundar and produced by super good films . this film stars sarathkumar , kushboo , anandaraj , manivannan , r . sundarrajan , vineeth , easwari rao in the lead role . the films soundtrack and background score were composed by s . a . rajkumar with lyrics by mu . metha , kalai kumar , vasan .
movie title - - - simmarasi unbelievable - - - director erode soundar directs actor r . sarathkumar for 1st time . director erode soundar directs actor r . sarathkumar for 1st time . director erode soundar and music director s . a . rajkumar joins for 1st time . cast - - sarathkumar as manickavasagam thalaivasal vijay vineeth in a special appearance below actors passed away - - manivannan died on 15 - jun - 2013 gopishantha manorama died on 10 - oct - 2015 movie details - - budget - 10 lakhs directed by - erode soundar music by - s . a . rajkumar produced by - r . b . choudary
pacha manna thottu video song from the simmarasi tamil movie , featuring sarathkumar and khushboo in lead roles . directed by erode soundar , produced by r . b . choudary , music composed by sa rajkumar . song : pacha manna thottu singer : mano , sujatha music : sa rajkumar star cast : sarathkumar , kushboo , anandaraj , manivannan , r . sundarrajan director : erode soundar producer : r . b . choudary click here to watch : jilla tamil movie video songs - urltoken kadhal sugamanathu tamil movie video songs - urltoken malaikottai tamil movie video songs hd - urltoken for more updates about star music india : subscribe - urltoken like - urltoken follow - urltoken
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meena is trying to act costly these days . earlier she had signed a movie called
vandaanga jeyichanga
directed by guru dhanapal . initially she easily spared a huge chunk of her dates for this satyaraj starrer . but all in a sudden , she stopped cooperating , with a firm demand to hike her rate . she argued that she has been giving consistent hits in tamil and so she would not settle for anything less than rs . 21 lakhs . but as a result of her stand , finally meena is out of
vandaanga jeyichanga
.
besides , in her interviews meena always expresses her desire to act with vijay , the most successful tamil hero of today . but when she was approached to act with vijay in
priyamudan
, meena declined the offer for some unknown reasons . similarly due to unavailability of dates , meena had to lose
yendrentrum kaathal
, another vijay - starrer too .
in her losing spree of movies ,
maavilakku
is another one .
maavilakku
had both meena and jayaram as the leads . but when jayaram lost his popularity in a short time , he was promptly replaced by ajeet . as soon as he became the hero of the movie , ajeet demanded and got meena out of
maavilaku
. the inside story is , during a stage - performance in singapore , ajeet did make some unwanted passes at meena . but infuriated mother of the actress , scolded ajeet in front of everyone .
while she is ready to lose movies after movies in tamil , meenas telugu market seems to be promising again . meena once popular in telugu , soon lost her place to ramyas and soundaryas . but her new movie in telugu with venkatesh , the remake of tamil
suriyavamsam
, is declared to be a box - office hit . with this success in hand , meena is trying to stage a come back in telugu . in the process , she probably does not mind losing a movie or two in tamil , where star compensation is said to be much lower than telugu .
tamil movie industry is in dire straits . in 1997 , some 70 movies were released . this year it looks like this number wont cross 50 even . there are 25 movies on the floor and out of them only 8 are said to be actively under - production .
gemini color lab has declared a 3 day a week schedule , because they do not have enough work . a dubbing theater , which used to gross rs 3 lakhs a month , got only rs 1 , 000 in june . four major preview theaters in chennai , which used to make over 60 shows a month , did not have even 30 in june . prasad studios did not have a single film unit working there , except for an odd tv commercial maker . obviously , the industry that entertain millions is in deep trouble . hope it is just a passing phase and the industry will be resilient enough to recover from this ugly predicament .
soundarya is the numero uno actress in telugu . she is the one lady who debunked the telugu industrys norm of expose - and - succeed , a rare feet which could make even sridevi envy . this fully clad beauty is said to demand a cool rs 25 lakh per film and that too without any hitch !
subsequent to
arunachlam
and
kadhala kadhala
, there is a great demand for her in tamil too . but the busiest lady in telugu does not accept any tamil projects for the lack of time .
recently soundaraya is keen on entering the national market with a new hindi movie , a remake of the tamil original
suriyavamasm
. in the hindi version , soundarya is doing devayanis role and she is paired with abishek bachan , the big bs son .
simran is the heroine of the new movie
kannedire thondrinaal
produced by shiva shakti pandian . pandians earlier movies
vaanmathi
,
kaadal kottai
,
kallamellam kadal vazga
and
kaadale nimati
, were all family - oriented movies with no scope for glamour or titillation . on the contrary the heroine of his current project is non other than the
kavarchi - pooyal
( translated roughly as glamour - cyclone ) simran herself .
no way . .
says pandian . he maintains , like his other movies even
kannedire thondrinaal
will also be a family entertainer with very little scope for glamour or exposing . may be she would appear in modern dresses , but nothing more than that !
but the next question we have is , why simran . . . why not devayani or suva luxmi kind of heroines ? this apparently looks like a total misuse of simrans talents ! with simran fully clad for
kannedire thondrinaal
, no wonder prashant the aiswarya - stuck hero of the movie , is reported to be voraciously reading
mahabharat
in the sets !
ramki , a hero of several low - budget movies , has finally come out open on his clandestine affair with nirosha . though there were several stories published in many magazines , he never bothered to accept or deny his relationship with her . for late - comers , nirosha is a tamil heroine of late eighties and character actress radhikas sister . among her movies , notable ones are agninakchatrum , surasamhaaram and mainthan .
responding to a report about their alleged secret marriage , published in a local daily , ramki maintained that there is no truth in that story . however , he revealed that their marriage is definitely on the cards , probably sometime next year . since both his family and niroshas family approve of their marriage , ramki asserts that there is no need for them to go for a secret marriage .
meanwhile it is reported that nirosha is already staying in one of the houses owned by ramki . but when a reporter from a tamil daily , tried to contact her at that house , nirosha was indifferent and curtly drove the reporter away !
during the making of the movie
engineer
at kaaraikudi , looks like madhuri dixt , the heroine of the movie , had special privileges like a room with air - conditioner , attached bath - room etc . when there was a question about such special treatment for the heroine only but not for the hero aravindswamy , soon he too got all those amenities for himself . but the pity is aravinds salary in engineer is much less than what is paid to madhuri , the ex - queen bee of bollywood . well , this time . . . it is going to be difficult for aravindswamy to claim parity with la dixit , when it comes to his salary .
after a dull start of
jeans
, people predicted prashanth would have no future in tamil movies . even sivashakthi film wanted to fire prashant out of their project
kannedire thondirinaal
. but prashanth soon responded and reduced his compensation to retain his role . currently ,
kannedire thondirinal
is rapidly progressing . also , as soon as he got some positive feedback on the box - office performance of
jeans
, ashok amirthraj has decided to retain prashanth for their next venture too . besides , agathiyan , kavithalaya and
chinna vadiyar
fame tns are the other people who have signed prashanth for their next movies . after his long absence from tamil movies due to
jeans
, finally prashant seems to enjoy the fruits of his patience .
being jinxed in tamil , ramya shifted to telugu movies to become one of the most successful actresses of that industry with her oomph , generous exposures and not to mention about her erstwhile mentor raghavendra roa . once her competition in telugu has become stiff with the new arrivals like soundarya , saakchi and raasi ( manthra ) , ramya tried to get an entry into bollywood with her david dawan connection . but when her
banarasi babu
with govinda turned out to be a damp squib at the box - office , there are no takers for ramya in hindi too .
so now this tamil girl is trying to come back home with the new tamil movie
athai mahan
. ramya will be one of the heroines of
athai mahan
a karthik statter with the other heroine being swathi .
while working for his recent release
priyamudan
, vijay had an accident and hurt his spine . later he and his parents ( s . a . chandrasekar and shoba ) visited uk to treat his ailment . in the process they have also found a girl for vijay now !
on june 22 , vijay was celebrating his birthday in london . during this occasion , chokalingam an industrialist was visiting them with his wife and daughter sangeeta . when vijays parents saw sangeeta , they were very impressed with the way she carried herself and instantly decided that she alone would be the future bride for their son .
like an obedient son , vijay has also agreed to marry sangeeta , but after two years . because he is currently concentrating more on his career .
incidentally sangeeta , a student of medicine , is a srilankan tamil , whose parents migrated to uk long back .
it is a well known fact that maestro illaya raja and kaviyarasu vairamuthu cannot stand each other and won ' t work for any film together . recently director cheran had a song for his
desiya geetham
written by vairamuthu . but when raja came to know about it , he was upset and said he wont work in the project , provided vairamuthus song won ' t make into the movie . subsequently the disputed song was dropped and raja had his own way !
ramba always denied that simrans arrival has not hurt her career even a bit . however at the moment , she seems to have lost the race to simran with not that many tamil projects in her hand . also with her telugu market less promising , she is slowly expediting the possibilities of entering into malaylam movies . it is to be noted here that ramba made her debut as an actress first in a malayalam movie .
knowing that her glamour would not fly in malayalam , this sexy siren is already concentrating on her acting skills rather than her diminishing costumes .
incidentally , ramba counts largely on her new hindi movie ,
gharwali , bhaharwali
. in this anil kappor - raveena starrer , ramba is the second heroine and if it succeeds it could enhance the prospects of rambas sagging bollywood career .
initially the mega budget movie
jeans
from shanker was thought to be a fiasco . many blamed prasanth for its believed failure . so much so , a gang of people stormed into prasanths home with rotten eggs and tomatoes to show their disapproval !
now the scene has completely changed with the movie fast approaching towards its hundredth day and shanker seems to have gone beyond his hat trick with a clean double double .
interestingly , the dubbed hindi version of
jeans
went belly up . hardly within few days after its release , the movie was taken out of the bollywood circuit . in this connection , here is a comical reference to its failure , quoted from a popular bollywood magazine :
even aishwaryas finely rounded bottom could not save the film (
jeans
) from ripping at the seams . people just were not interested in the film . may be it has got to do with the new swadeshi movement in the country . may be the film should have had an indian name . how about langoti , khadi , dhoti , chaddi , lungi , etc . ? sounds as good as any ol jeans !
jokes apart , basically the audience in the north failed to recognize anyone else in the movie other than ash . bad dubbing , confusing double roles and flaky story line are the other attributes for its failure in hindi . nonetheless , financially it was not a great loss because the hindi version of this film , costing over rs 20 crores was sold only for a meager rs 80 lakhs !
also , with
jeans
songs in hindi losing ground , it is yet another set - back to a . r . rahman in bollywood . it is to be remembered that he was not that successful with his earlier hindi movie
duad
too .
as for aishwarya , it is her second consecutive flop in hindi since her debut in
aur pyar ho gaya
and this has made her rivals like manisha gleeful .
currently , both manisha and aishwarya are not in talking terms , because eariler aishwarya had stolen many good projects that were specially slated for manisha . but after the failure of
jeans
, it is manisha who is having the last laugh ! she openly goes around telling that her jeans are not washed out . also manisha believes that all her directors would realize her worth only after they have worked with other girls . probably , director shankar could be one of them , who had worked with manisha in ' hindustani ' but did not repeat her in his next film . may be he too would realize her value by now , like mani ratnam who took her again in ' dil se ' after his close encounter with ash in ' iruvar ' .
the glamour wave created by simran has a definite impact on many tamil heroines . from meena to less known
karuthama
rajasri , everyone in the industry is ready to bare their heart and soul . rajasri particularly is all out to wipe out her village girl image , with her exciting photo sessions filled with liberal exposures .
another one who is desperate to expose for success is easwari roa , the
raman abdulla
girl . in her forthcoming movie
guru paarvai
, easwari appears in a titillating bathing scene under a water fall , clad in a transparent sari with nothing else to cover her top . well , dont have too much hope on this scene guys , because it is doubtful it could escape the hungry pair of scissors from the censor board !
recently a popular tamil weekly , exposed sarath kumar and a famous movie couple about their attempts to threaten and coerce nagama to marry sarath .
but nagma managed to get out this predicament with the help of a high level political source in tamil nadu and moved back to her original head quarters , mumbai . from mumbai nagama is now on an interview spree to bollywood magazines , talking a lot about her broken relationship with sarath .
incidentally its nagamas second failure in her relationships , with the earlier one being with rajeev kapoor son of the greatest showman raj kapoor .
as an aftermath of their split , nagma is replaced by kanaga in saraths new movie
simma rasi
.
simma rasi
is directed by erode sounder and it also has kushbu , vineeth , manivannan , ananda raj , r . sundar rajan , manorama , ' thalai vaasal ' vijai and others . music for the movie is scored by s . a . raj kumar .
last month actress gowthami got married to sandeep bhatia an industrialist from mumbai , under thrilling circumstances . like it happens in movies , while gouthami was eagerly looking forward to sandeep for the muhurat , the johnny - come - lately groom showed up pretty late , guess what ? . . during
yemagandam
, an inauspicious hour !
looks like bhanupriya too is married now ! . recently , bhanu was in the us to visit her sister nishanti ( remember her in
enga oru pattukkaran
? ) .
as it turned out to be , she met this handsome six - foote , adarsh keshav and got attracted to him . subsequently , the couple got married at the sri venkateswara temple in malibu california on june 14 .
right now , bhanu is in the usa with her husband adarsh , who is a hyderabadi , settled in the united states as a computer digital graphics engineer .
besides bhanus mother , her sister nishanti , her husband and a handful of the groomss relatives , nobody else was present during this wedding .
young actress , revealing her behind the screen ordeals and adventures . with each episode turning cruder than other , the story of this actress is nothing but a soft - porn , exposing various popular movie personalities and their bedroom secrets .
these days sivakumar willingly agrees to play fatherly roles in movies , but with a restriction - he does not want to play father for surya ( his real son ) in movies ! recently he refused one such role in
sandipoma
, leaving prakash raj to play that role . sandipoma ' s heroine
is preetha vijayakumar , who is causing ulcers to many of her rivals by grabbing prestigious projects with many leading men like vijayakanth and sathyaraj .
monishas lead girl mumtaj has started speaking in tamil , thanks to t . rajendar . how did he managed to do that ?
hey . . . i have made even amala to speak tamil in my movies . making this girl speak tamil is a peice of cake
says t . rajendar .
in monisha t . rajendar appears in a character called
kaadal dasan .
for this role , his job is to sing an eve - teasing song on a college beauty queen sneka , along with other students .
interestingly , the versatile t . r writes story , screenplay and dialogue for this film . besides , he also takes care of the cinematography !
to make this venture a family affair , usha rajender works as the costume designer and for the first time silambarasan composes music for some of its songs .
most of the starcast of
monisha
are fresh faces with names like rahul saxena , mumtaj , sneha , ravi kishan , swathi paudekar and kunega .
recently tamil nadu government has announced
kalai maamani
award to seventy five people from the tamil movie industry . prominent among them are napoleon , vijay , prasant , meena , roja , manivannan , naazar , raghuvaran , director agathiyan and lyricist palani bharathi .
right from padmani days there were always star sisters invading the tamil cinema . we had ambika - radha and radhika - nirosha in eighties and now the trios nagma , roshini and jothika .
the latest addition to such star sibblings are simran and her sister monal . but for her nose , monal is said to be a look alike of simran .
initially monal had no interest in acting in movies . however when she was visiting her sister simran from mumbai , she has landed into a tamil movie pairing her with none other than prasanth !
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sarathkumar , kushboo , anandaraj , manivannan , r . sundarrajan , vineeth , easwari rao
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ramanaa tamil full movie | vijayakanth | simran | a . r . murugadoss | ilaiyaraja
மஞ்சள் பூசும் மஞ்சள் பூசும் வஞ்சி பூங்கொடி | manjal poosum manjal poosum vanji poongodi . . melody
pottu mela pottu vachu | | பொட்டு மேல பொட்டு வச்சு | | s . p . b , anuradha sriram love duet h d song
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wedding pullav is an indian romantic comedy film , directed by binod pradhan and produced by shashi ranjan and anu ranjan .

the film stars debutants kannada actor diganth , anushka ranjan and sonalli sehgall in lead roles .

the film was released on 16 october 2015 .

wedding pullav

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wedding pullav ( 2015 ) – downloadming . se ( 320 kbps ) . zip
' wedding pullav ' has no similarities to ' mere yaar ki s . . .
verdict : wedding pullav is badly cooked . dig into it at your own risk .
wedding pullav
cast graced the 11th edition of glitter 2015 , a bridal lifestyle exhibition .
anushka ranjan wedding pullav 2015 movie full star cast & crew - mt wiki providing latest update wedding pullav film story , release date , budget , actress , actress , songs list , poster info .
home > movies > movie reviews > wedding pullav movie review : not only banal but tiresomely . . .
wedding pullav is a dish that is best avoided as it is bound to leave a bad taste . . .
“wedding pullav” actors anushka rajan , diganth manchale and karan grover graced the 11th edition of glitter 2015 , a bridal lifestyle exhibition .
wedding pullav is an indian romantic comedy film of 2015 , directed by binod pradhan and produced by shashi ranjan , anu ranjan .
wedding pullav movie budget , collection , profit , loss and status hit or flop report ? . mt wiki providing latest hindi film wedding pullav box office collection with its cost box office verdict ( hit or flop ) , record breaking , highest opening of 2015 .
@ _ karanmehra @ karanvgrover22 @ anushkaranjan all the best karan grover and anushka ranjan for your movie
wedding pullav
good luck .
“wedding pullav” actors anushka rajan , diganth manchale and karan grover graced the 11th edition of glitter 2015 , a bridal lifestyle exhibition , here .
it was only after considering a couple of ideas that anushka and ranjan settled on wedding pullav , which was earlier titled as a love story .
wedding pullav seems like a never - ending wedding video of an acquaintance , you feel nothing for . it ' s loaded with mandatory party / wedding songs , honeymoon jokes , friendly banter , mummiji ' s drama , et al . what the film lacks is heart and scrumptious food !
wedding pullav shows the story of two best friends diganth and anushka ranjan who are in love but they themselves are unaware of it . when anushka is invited to attend the wedding of diganth . . . see full summary »
young people in love , their mulitple confusions , lifelong friendships , family ties , indian values – all this is integral to wedding pullav , added ranjan .
@ _ karanmehra @ karanvgrover22 @ anushkaranjan aww pic all the bst fr the wedding pullav wish the film goes supr hit gud luck . . . ) )
if you are expecting novelty , go to the next screen . with ' wedding pullav ' , all you get is predictability mixed with unpalatable execution . with no distinct taste or flavour , this film makes for a huge disappointment - an indigestible pullav
‘my best friend’s wedding’ . ‘mere yaar ki shaadi hai’ . and the many other variants of this old , old theme—old pals discovering non - platonic feelings for each other at their wedding – flash through your head as you sit through this ‘pullav’ .
check out the title track of wedding pullav starring anushka ranjan , diganth manchale , karan grover & sonalli sehgall . music - salim - sulaiman singers - arijit singh & salim merchant lyricist - irfan siddiqui music is available on urltoken to catch more of wedding pullav , subscribe to zee music company by clicking the link below urltoken zee music company
, this new addition to b - town wedding kit doesn ' t fit .
plot thingie where best buddies discover special feelings for each other at their wedding .
wedding pulav is unappetizing . old ideas badly executed leads to this banal fare !
wedding pullav movie review : rishi kapoor , who can be relied upon to save sinking ships , has not one ounce of spark or novelty . everything is predictable in the movie .
while anushka and karan make their debut with wedding pullav , diganth is a star down south with quite a number of kannada films in his kitty . “mainstream bollywood was always on my mind and i decided to give it a shot after signing this film , ” said diganth , who will be essaying the role of a delhi guy and superbike designer in wedding pullav .
va - wedding pullav flac artist . . . . . . . . . . . . . . . : various artists album . . . . . . . . . . . . . . . . : wedding pullav flac genre . . . . . . . . . . . . . . . . : soundtrack source . … | pinteres…
wedding pullav couldn’t grow at all on saturday . with first day being disastrous , the second day wasn’t any better . the film has managed less than 50 lakhs in its first two days .
in chandigarh to promote his latest film as a producer , wedding pullav , shashi ranjan was accompanied by his daughter anushka ( who debuts in the film ) and actors diganth manchale and karan grover .
two best friends decide to get married but not to each other ! moreover , their wedding destination happens to be the same . friendship gets confusing and love gets complicated at this one destination wedding !
the writers shashi ranjan , pooja verma and rahul patel ' s adamant refusal to innovation , proper characterization and treatment to story that urgently demands an icu turn wedding pullav ( whose title is this ) into a misery .
“somehow , wedding pullav had a more quirky and fun vibe to it and so we registered that , ” said anushka , who will be seen as a tomboy marking her attendence at her best friend karan’s ( diganth ) marriage .
last weekend saw release of ' ' wedding pullav ' ' which marked debut of anushka ranjan along with star from south dignath . film also marked directorial debut of ace cinematographer binod pradhan . film was released by eros international and produced by shashi ranjan .
wedding pullav is an upcoming bollywood movie in 2015 , it is romance film and anushka ranjan , rishi kapoor , satish kaushik in lead roles . this film is directed by binod pradhan and produced by shashi ranjan . it is made under the banner of gr8 entertainment .
with pyaar ka punchnama 2 ruling the box office , it has been pretty much a one horse race in theaters . combined collections of another new release wedding pullav and holdover releases jazbaa , singh is bliing and talvar is just around 2 crore which pretty much tells the tale .
wedding pullav movie review : everything is predictable . these are new faces , and yet everything they do smacks of staleness . overused themes can be infused with freshness only if the treatment is right : here , all elements are borrowed from older films and used so clunkily as to extinguish all freshness .
wedding pullav shows the story of two best friends diganth and anushka ranjan who are in love but they themselves are unaware of it . when anushka is invited to attend the wedding of diganth this love confusion further increases . on one hand diganth is jealous with anushkas boyfriend while on other side anushka do not like diganth to marry another girl whom she initially praises . the story then moves to a stage where they know their feelings but not sure what to do next .
wedding pullav shows the story of two best friends diganth and anushka ranjan who are in love but they themselves are unaware of it . when anushka is invited to attend the wedding of diganth this love confusion further increases . on one hand diganth is jealous with anushka ' s boyfriend while on other side anushka does not like diganth marrying another girl whom she initially praises . the story then moves to a stage where they know their feelings but not sure what to do next .
watching wedding pullav is an experience so traumatising that it’s likely to keep the viewer off weddings and pullavs for months after leaving the theatre . the film’s essentially my best friend’s wedding meets jaane tu… ya jaane na — a tale of two best friends discovering their love for each other , almost when they’re married to other people — but told so amateurishly that one wonders how the cinematographer of films like rang de basanti , devdas and munna bhai m . b . b . s could have made such a film .
the exhibition will have some of the leading jewellery and fashion brands showcasing an exquisite range of designed wedding , cocktail and contemporary jewellery design and couture , all under one roof .
revamped , this pulav is probably the most stale wedding dish you ' ll have ever . the film follows the standard punjabi wedding film template to the t , then giving it the cliched ' pyaar dosti hai ' twist to infuse novelty . the end result is so bland , predictable and juvenile that you ' ll probably hate the joy of weddings or the concept of love altogether .
the film follows the mantra that as long as there is wedding shedding , naach - gaana and love shuv in the movie , it doesn ' t matter if the story is utterly predictable and done - to - death .
wedding pullav is not only banal but it ' s tiresomely boring cause it fails to get the audience to identify , like , sympathize with the lead characters aadi ( diganth manchale ) who is getting married to rhea ( sonalli sehgall ) . his best friend anushka ( anushka ranjan ) is going steady with london based painter jay ( karan grover ) . a decision to get anushka married with jay along with aadi and rhea lands jay in thailand and the woes of the audience never ends .
it is a misnomer , though . ‘pullav’ , a well - made one at any rate , is meant to be seasoned with the right condiments and presented with every rice grain separate , fluffy and aromatic . this one is more like an overcooked ‘khhichdi’ , where everything slops into each other . the result is most unappetizing .
click to subscribe : urltoken show - ptc showcase guest - anushka ranjan , diganth , karan v . grover and shashi ranjan ( producer ) interview with anushka ranjan , diganth and karan v . grover in regards to the upcoming film “wedding pullav” . anushka ranjan , diganth and karan v . grover is talking about their experince in bollywood film . anushka ranjan , diganth and karan v . grover speaks about their experience during film shooting , about film music . talking about film direction , film script n dialogues and shashi ranjan ( producer ) is talking about different film subject in bollywood and talking about co - stars in film .
while at the outset , wedding pullav seems like a mere yaar ki shaadi hai déjà vu , ranjan said it has its share of twists and turns . “one may compare and be critical too , but the reason i chose to produce a love story is because bollywood needs one . in the recent years , all we’ve got is action masala flicks with set formulas and item numbers in the name of music . one misses the shayari , the poetry , the range of emotions a love story provides . for instance , kuch kuch hota hai was a simple romantic film , but it was the treatment and the music that set it apart , ” said ranjan .
how about going a little deeper into the minds of the people they seem to be trampling over ? how about a backstory of how they became such good friends ? how about a few jokes to make the proceedings a bit more bearable ? it’s sad to see all these young actors in a film with so little inventiveness . in its present state , i would prefer hunger to this pullav .
so , what was to be the story of the wedding of aditya and ria also becomes about anushka and her painter boyfriend ‘j’ , when aditya suggests that both couples get married together in thailand . as the film meanders through one wedding function to another ( they even manage to weave in karva chauth into this ) , it becomes clear to aditya and anushka that they are more than just friends ; and yet , they never seem to open up about it and let us go home soon . at this point , their love story becomes obvious to their friends , parents , relatives , the hotel’s general manager and perhaps even matt damon sitting on mars . yet they keep dragging it , so anushka gets a chance to use up her wardrobe budget and wear a dress in every colour .
dimpled groom ( diganth manchale ) and pretty bride ( sonnalli seygall ) and their families - and - friends go off to a thai resort for a destination engagement - karvachauth - sangeet - wedding . manchale’s best friend , played by anushka rajan , is along . so is her fiancé ( karan grover ) . passion is kindled . tears are shed . confusion is confounded . and the two meant for each other are united .
shot in picturesque thailand , we wish the film had a stronger content and some substance . you don ' t relate to or feel for any character or their dilemmas . when friends fight , they randomly take off to london . also , while everybody keeps harping on love and friendship , they fail to evoke any form of emotion . all you see is actors with zero chemistry and acting skills singing songs , dancing , strolling on the beach , flaunting fancy wedding clothes and bikinis , flashing dimples and spouting gyaan on marriage .
shashi ranjan , who founded the indian television academy with his wife anu , made shows like guftagoo and jeena isi ka naam hai .
shashi ranjan said : “binod and i have been together at ftii . not many know , but three of the haryanvi films that i had made back in the eighties , had binod as the cameraman . ” ( express photo by sahil walia )
romeo - juliet , shirin - farhad , sohni - mahiwal… all love stories are the same . the lovers meet , separate and finally unite . its what happens in between , the situations that cause the tension , the chronology of events that weave these three stages makes one love story different from another , ” said ranjan .
ranjan , who founded the indian television academy with his wife anu , made shows like guftagoo , jeena isi ka naam hai and others and films like siyasat .
anushka added that it was her bestie , alia bhatt , who has been pushing her to act and continue with the ‘nautanki’ .
anushka was joined by her ‘fiance’ jay ( grover ) . “an artist who paints nude forms is madly in love with anushka and is intense and fun loving at the same time , ” said grover , who makes his film debut after reigning the small screen for the past 10 years .
the filmmaker along with satish kaushik will soon announce two haryanvi films . these films will be made in bollywood style , said ranjan , who has made four haryanvi films , including bahu rani starring actress bhumi pednekar’s mother , sumitra hooda . “haryanvi cinema is missing government support , tax exemption and assured shows in cinemas . haryanvi films will flourish in the true sense only if these issues are addressed . we will also talk to the government . but in either case , we will make films with or without its support , ” said ranjan .
jaskiran kapoor jaskiran kapoor is a columnist with the indian express . . . . read more
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hai . . thanks to the treatment which borrows from every hook and corners of bollywood . hud hud .
even a cliched set up if given an innovative treatment works . the makers should refer to examples set by mr . imtiaz ali who has rekindled his love sagas with desired effects .
veteran binod pradhan should come with a better script with a title that justifies and explains the story line to showcase his directorial talents .
even the performance by lead dignath , including the debutant anushka , sonalli sehgall , karan grover are uninspiring .
veterans satish kaushik , parmeet sethi , kitu gidwani and himani shivpuri all are wasted . salim - sulaiman ' s music has nothing to take home .
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chef movie review saif is perfect in a tailor made role and does full justice while chef helmed by raja krishna menon . . .
secret superstar is a sweet little song of dream , hope , love and humanity . powered by winning acts b . . .
aimed as a back - slapping tribute to the crime dark comedies genre set in small towns , unfortunately . . .
jazbaa stayed brought in around 95 lakhs on saturday . the film has so far collected 23 . 3 crore .
talvar added another 70 lacs to its kitty and stands at 27 . 15 crore currently .
singh is bliing is almost through with its theatrical run . with minimal collections on friday and saturday ( around 75 lakhs ) , the film stands at 90 . 25 crore
if one discounts pyaar ka punchnama 2 then by and large it has been a very poor weekend at the box office . daily capacity in theaters screening hindi films is over 50 crore and to have just around 10 crore come in ( from films playing currently ) pretty much conveys that overall occupancy is just 20 % .
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rahul rawail was to direct the film . on that basis rishi kapoor signed the film . rahul then had a huge fight with the producers and left the film . binod pradhan was then signed to direct the film . rishi kapoor also wanted to leave the film since his friend rahil rawail was now not doing the film . the producers pleaded with rishi to stay in the film .
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anushka aka lambu ( anushka ranjan ) and aditya ( diganth manchale ) are ' best friends ' ( think shah rukh - kajol in kkhh or julia roberts and dermot mulroney in mbfw ) . they ' ve always loved each other but realise that they are in love with each other when they are on the verge of getting married to other people . anushka gets engaged to jai ( karan grover ) and aditya to ria ( sonalli sehgall ) . can the two make up their minds for good before things get too far ?
character . he doubles up as the hotel manager / love guru / agony aunt , who only makes an appearance to give unsolicited advice . he is still the only bearable aspect of this shaadi .
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everything is predictable . these are new faces , and yet everything they do smacks of staleness . overused themes can be infused with freshness only if the treatment is right : here , all elements are borrowed from older films and used so clunkily as to extinguish all freshness .
and rishi kapoor , who can be relied upon to save sinking ships , shows up as the resident love guru , and is made to play it just like the film : with not one ounce of spark or novelty .
shubhra gupta shubhra gupta is film critic and senior columnist with the indian expr . . . read more
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awesome movie . . . awesome starcast . . hats off to anushka ranjan ji . . . keep smiling always
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@ _ karanmehra @ karanvgrover22 @ anushkaranjan karan . . u looking perfectly perfect as always
@ _ karanmehra @ nisharawal gud nght to my cutst couple karnish swwt drmz . . . sleep well n tight hugs to u bth luv u karnish
@ _ karanmehra @ karanvgrover22 @ anushkaranjan bestest luck team # weddingpullav . u guys get grt success n good wishes !
@ _ karanmehra wl v gt 2 see any naksh romnce on cmng rasms of wdng ya sirf ye disgustng drama hoga ? v don ' t lyk thz at all .
@ _ karanmehra @ karanvgrover22 two handsome & charming karan & beautiful @ anushkaranjan . . good luck for # weddingpullav
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film had huge cost of around 10 - 12 cr and all that will be washout as it will fail to recover even print cost . epic disaster !
film had decent cast including rishi kapoor , himani shivpuri and good release but film was non starter . film was released in 200 screens but it collected poor 7 lakhs nett on day one and 21 lakhs nett in 1st weekend . film collected 47 lakhs nett over weekend and will finish with 50 lakhs nett lifetime total .
' with his budget , profit and hit or flop status at mtwiki . blogspot . com . also including of the film lead star cast : - anushka ranjan , diganth manchale , karan grover , rishi kapoor .
synopsis : it is releasing on nearly 2500 screens in india , film is released on 16th october , 2015 .
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jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
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goyenda gogol ( or goenda gogol ; english : detective gogol , bengali : গোয়েন্দা গোগোল ) is a 2013 indian bengali suspense film , directed by arindam dey and produced by supratik ghosh under the banner of ishani films .

based on the story sonali parer rahashya by samaresh basu , the film features child actor ahijit ghosh and indraneil sengupta in the lead roles .

it boasts of being the first film to feature a tattooed bengali private detective ( indraneil sengupta ) .

saheb chatterjee and rachana banerjee also play parents for the first time in this film .

the film was released on 24 may 2013 .

goyenda gogol

goyenda gogol ( or goenda gogol ; english : detective gogol , bengali : গোয়েন্দা গোগোল ) is a 2013 indian bengali suspense film , directed . . .
goyenda gogol ( or goenda gogol ; english : detective gogol , bengali : গোয়েন্দা গোগোল ) is a 2013 indian bengali suspense film , directed by . . .
its better not to think or even compare goyenda gogol with feluda or bomkesh . but the sheer joy of a good children sleuth film makes goyenda gogol earn those extra points . definitely a good holiday watch .
a sequel of the 2013 released film goyenda gogol “gogoler kirti” is the new adventure story of gogol . the music launch of this film took place in the presence of eminent musicians like usha uthup .
vidmate is a leading downloader that focuses on free gogol x com videos download , free gogol x com movies download , free gogol x com songs download and gogol x com tv show download . you can find massive amount of gogol x com videos , gogol x com mp3 songs , gogol x com movies and gogol x com tv shows to download for free . vidmate video downloader is your best choice for downloading gogol x com videos on android !
a sequel of the 2013 released film goyenda gogol “gogoler kirti” is the new adventure story of gogol . the music launch of this film took place recently in the presence of the star cast and the musicians at princeton club .
produced by ishanee films gogoler kirti is the debut work by director pompi ghosh mukherjee . it is a sequel to goyenda gogol , a thriller based on two stories from samaresh basu ' s gogol series - mahish mardini uddhar and rai raja uddhar .
teenager ahijit ghosh is all set to make his acting debut in the role of a young detective in the upcoming film goyenda gogol . the film is based on a story by samaresh basu .
goyenda gogol is a suspense , children bengali movie , directed by arindam dey , starring ahijit ghosh , payel , saheb chattopadhyay , rachana banerjee along with others . goyenda gogol story goes like this : gogol is no ordinary sleuth . he carries the ‘what not bag’ which includes things like compass , magnifying glass , a tab and other things which come in handy when he goes to solve cases . he is also an expert in karate . though the story was initially written in the 70s , yet it has been ' modernized here , on the movie page , you will find every thing that you need to know . get the up - to - date news updates of goyenda gogol , as it happens . then you can see some movie stills and other images too . check out what others are saying about the movie on twitter . check out the goyenda gogol movie review posted by the movie buffs .
goyenda : ( colloquial bengali ) detective ; gumshoe ; private investigator ; sleuth ; one who collects evidence of crimes and usually finds the perpetrator .
enter , the youngest sleuth of tollywood — goenda gogol . a t2 chat with director arindam dey who also revisits his own childhood through goenda gogol . . .
goenda gogol ( bengali ) movie ( 2013 ) | reviews , cast . . .
saheb chatterjee ( gogol’s father ) , locket chatterjee ( gogol’s mother ) , indraneil sengupta , vikram chatterjee , bhaswar chatterjee will be seen in pivotal roles in the film .
critic reviews for the latest bengali movie goenda gogol ( bengali ) released in 2013 on bookmyshow .
actors locket chatterje , saheb chatterjee , subhashish mukherjee , mousumi bhattacharya and ahijit ghosh interacted with the media over their upcoming film “gogoler kirti” in kolkata on monday ( sept 1 , 2014 ) . gogoler kirti is a sequel to goyenda gogol , a thriller based on two stories from from samaresh basu’s gogol series - mahish mardini uddhar and rai raja uddhar . images by avishek mitra / ibns
goenda gogol movie review : critics rating : 3 stars , click to give your rating / review , a perfect film for summer holidays , kids can use this opportunity to join gogol . . .
a perfect film for summer holidays , kids can use this opportunity to join gogol on his adventure .
enter , the youngest sleuth of tollywood — goenda gogol . a t2 chat with director arindam dey who also revisits his own childhood through goenda gogol , a film based on samaresh basu’s young sleuth , which releases today .
gogol by samaresh basu geeky child detective gogol dreams of martial arts but uses his brains to solve crimes . gogol is always to be found with a magnifying glass and compass ( which i guess are redundant in the world of smart phones ) . the stories are charming . two film adaptations have been made starring young actor ahijit ghosh .
gogol and his parents set out on a holiday to puri . gogol curious as always stumbles upon an isolated house
basubari
infamous as a ghost hunting ground . thereby starts the story and gogol ' s search for the real reason of its abandonment . ashoke thakur is also looking for a clue in the plot to solve a case . both delve deeper with time to solve the mystery .
gogol was introduced by the renowned bengali author samaresh basu in 1978 ( sarodiya anandamela ) ‘goa i gogoler prathom kirti’after ‘goa i gogoler prathom kirti’ he wrote gogol amanibus to fulfill the demand of children audience . gogol amanibus is one of his major thrillers that has many series to it . this film will mainly concentrate the stories mahish mardini udhhar & rai raja udhhar . an adventure story based on popular scenic locales of the bengal village side . a venture of ishanee films producer : supratik ghosh director : pompy ghosh mukherjee script : smaranjit chakraborty / pompy ghosh mukherjee dialogue : smaranjit chakraborty cinematography : shasanka palit cast list gogol : ahijit ghosh gogol’s father : saheb chatterjee gogol’s mother : locket chatterjee ashoke thakur : indraneil sengupta jadab / madhab purut ( double role ) : subhashish mukherjee joy / magic dada : vikram chatterjee rai raja’s son : bhaswar chatterjee
yes , that’s also one of the reasons why i made goenda gogol ! it’s the trend now , every director is making a detective film . be it bomkesh or arjun or kakababu . i also wanted to make gogol because he is my favourite character . as a kid i have grown up reading samaresh basu’s books on gogol . that’s why i was so nostalgic shooting it . . . . it reminded me of my childhood .
rachana banerjee and shaheb chatterjee play gogol’s parents . indraneil sengupta and debdut ghosh play very interesting characters but revealing it will give away the story .
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move over three investigators and the famous five , our very own gogol is here to take on any challenge that comes his way . arindam de’s goenda gogol is an interesting take on samaresh basu’s sonali parer rahashya . the story , written decades ago , has been rendered a contemporary touch for today’s viewers . now gogol , the bespectacled kid , is a student of class vi and happens to be a gadget freak . he carries his entire world inside his backpack — a compass , a magnifying glass and even a tab , which his father had got him from the us . gogol likes to daydream and in his dreams , he kicks the hell out of everyone with his karate moves .
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gogoler kirti ( or gogol - er kirti ; bengali : গোগোল - এর কীর্তি ) is a 2014 indian bengali film , directed by pompy ghosh mukherjee and produced by . . .
ahijit ghosh who plays the role of gogol in the film was visibly excited about featuring in the sequel . the young actor said that he had a great time shooting for the film .
gogol is a student of class vi and happens to be a gadget freak . he carries the ' what not bag ' which includes things like compass , magnifying glass , a tab and other things which prove useful when he goes to solve cases . he is also an expert in karate . gogol likes to daydream and in his dreams , he kicks the hell out of everyone with his karate moves .
goenda gogol ( bengali ) ( 2013 ) , released in bengali language in theatre near you in kolkata . know about film reviews , lead cast & crew , photos & video gallery on . . .
ahijit and payel during the premiere of goenda gogol , held at priya cinema , in kolkata . ( bccl ) see more of : payel , ahijit payel , ahijit ahijit and payel during the . . .
teenager ahijit ghosh is all set to make his acting debut in the role of a young detective in the upcoming film goyenda gogol . the film is based on a story by samaresh basu . the film has been directed by arindam dey and has been produced by ishani productions . “i was chosen after going through auditions and then i had a mentor , jeet sir who helped me out for this role , ” ghosh stated . “i am excited to be a part of a film for the first time because it is something new for me and even my classmates , some of whom have appeared with me in this film are eagerly waiting to see their classmate play a young detective on screen , ” he further added . ahijit was present at the press meet of the film which was held on saturday at princeton . besides ahijit , the film also stars saheb chatterjee , rachana banerjee , sumit sammadar , debdoot ghosh , mousumi bhattacharya , ankita , indraneil sengupta and child artist payel . the background score is by indradip dasgupta while the only song of the film has been sung by shilajit . bodhaditya banerjee is the editor while sirsha ray is the cinematographer . noted singer parama banerjee was the anchor at the press meet . goyenda gogol is slated to release on 24th may .
well , i would like to say that goenda gogol is an adventure film for children with a detective angle . based on samaresh basu’s sonali paarer rahasya , it’s a simple , sweet story that both children and adults can relate to . of course there’s a mystery that gogol ( ahijit ghosh ) solves in the end , so it’s not really an edge - of - the - seat whodunit . it’s an entertaining film and a travelogue . we shot the film in puri , a very identifiable place for bengalis .
true . detective stories are the most difficult to shoot . it took me eight months to shoot goenda gogol . shooting got stalled many times . sonali paarer rahasya is a three - page story , so i had to build on it . i incorporated a train sequence . i have also modernised gogol , given him specs and a tab . there are long chase sequences in the jungles . plus , the haunted house around which gogol’s adventures take place had to be built on the puri beach . puri has changed a lot since the time samaresh basu wrote the story . i couldn’t find a single house which looked old and worn - out . we were supposed to shoot in konark but couldn’t because of the rains and then i didn’t get the permission , so we had to shoot the konark portions in udayagiri .
this is the most important side . to connect , you need to identify . i have seen i can identify a lot with gogol despite we two apparently belonging to different time zones - 80s and now ,
the 11 - year old boy with matured talks despite his age , reasoned .
gogol is no ordinary sleuth . he carries the ‘what not bag’ which includes things like compass , magnifying glass , a tab and other things which come in handy when he goes to solve cases . he is also an expert in karate . though the story was initially written in the 70s , yet it has been ' modernized ' to make it more contemporary and appealing to the younger generation . this time gogol goes to puri to spend summer holidays with his mother and u . s returned father and come across mandar villa or ‘hanabari’ as it is better known , a deserted and haunted house which catches . . .
having idolised feluda aka sabyasachi chakraborty and roger moore and daniel cliff as james bond respectively , child artist ahijit ghosh feels upset for not squeezing enough time to read gogol ' s exploits in books before enacting the ace kid - sleuth , samaresh bose ' s most popular child hero in bengali children ' s literature .
the summer holidays are here and here is a film for all kids to enjoy . it is not byomkesh , feluda or the others , but the kid sleuth , gogol ( a character created by samaresh basu ) who is here to entertain you and all the children during this holidays . this film has been released during this time since this is the best time for kids to enjoy such a film when they will be free . gogol is no ordinary sleuth . he carries the ‘what not bag’ which includes things like compass , magnifying glass , a tab and other things which come in handy when he goes to solve cases . he is . . .
while indraneil as ashoke lends credibility to his character — that of an undercover cop — with his personality and body language , shaheb and rachna do a good job as gogol’s ( child artiste ahijit ) parents . the two kids , ahijit and payel , appear convincing for their age . the bad man , debdoot as professor neel , is suitably dislikable and gives an impressive performance .
goenda gogol is a bengali children ` s movie . the film is written by arindam dey and produced by supratik ghosh and is an adaptation of samaresh basu ` s
sonali parer rahashya
. the film has been shot in kolkata , tajpur , udaigiri and khandagiri . the central character of movie is being played child artiste , ahijit ghosh . the film also stars indranil sengupta who is playing a negative role .
goenda gogol is a bengali children ` s movie . the film is written by arindam dey and produced by supratik ghosh and is an adaptation of samaresh basu ` s ` ` sonali parer rahashya ` ` . the film has been shot in kolkata , tajpur , udaigiri and khandagiri . the central character of movie is being played child artiste , ahijit ghosh . the film also stars indranil sengupta who is playing a negative role .
the film unfolds in a village in bengal . all the members of a once royal family assemble during the durga puja celebrations . series of events take place and gogol with his presence of mind solves them effectively . “the film will take many of us back to the times when joint families were a way of life . moreover the durga puja in the background will also appeal to the children and their parents alike as the durga puja 2014 is just around the corner” said director pompy ghosh mukherjee .
gogoler kirti is a film which is aimed to bring back the old flavor of durga puja , puja special food and adda and also about family bonding . the music of the film has been composed by surojit chatterjee who said that the music has been composed keeping in mind the fact that this is essentially a film for the children . this is also the first time that the music director will be making usha uthup sing the theme song of the film go gogol go . he had earlier worked with usha uthup for small screen shows . sriradha bandopadhyay , usha uthup , rupankar and surojit o bondhura have lent their voices to the songs in the film .
like all other directors , i too want to make films on various subjects . ajob prem ebong . . . was a very serious film about an accident , so i had decided that my second film would have a subject that i should be comfortable with and people should enjoy watching . gogol is a character that every child is familiar with and to watch their favourite character on screen would be a lot of fun . my next film chaya manush is about a writer ( parambrata chattopadhyay ) and a recluse ( raima sen ) . my fourth film will be a biopic on the singer geeta dutt , starring paoli dam . variety is the spice of life , after all .
justin bieber wore hotel bathroom slippers on nyc streets and it’s a complete . . .
viral : ajay devgn - rakul preet singh ' s on - location still from luv ranjan ' s dede pyaar . . .
today , there is a strong possibility that you may face unexpected job changes . . .
shah rukh khan ' s g . one from ra . one could come . . .
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sleuth stories seem to be the flavour of the season in tollywood . . .
detective stories aren’t easy to make . what kind research did you do before shooting ?
your last film ajob prem ebong . . . was a relationship tale . why this sudden turn to children’s film ?
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the times of india , tnn , updated : may 17 , 2016 , 04 . 51 pm ist
primarily targeted at children , the introductory scene of the film has been smartly packaged , which sets the ball rolling . for a change , the haunted house really seems scary ! the director has used all the necessary ingredients — from sound effects to visuals — to shape this into a proper adventure flick . however , with the entry of too many characters , the plot loses its grip in the second half . the chase sequence where ashoke tries to catch the villains on his bike is a tad comical ; the poor special effect diluting the impact .
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���i always wanted to be part of a detective film as that gives you enough scope to play around with the background score . there will also be a couple of songs . the best part is that the makers have chosen my surajit o bondhura number
for the film . in the movie , the song is featured on me . it���s a
sequence , where i perform the song as surajit . we had a lovely time shooting in baruipur , recently . ���
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the bengali detective is box office manna in kolkata , and producers are snapping up rights for some of the most memorable characters .
winter is open season for detective movies in kolkata . the mandatory feluda or byomkesh christmas flick is now synonymous with a nip in the air , snaking queues outside flury’s at breakfast and that inexplicable feeling of buoyancy that comes with the advent of christmas . it is time to believe in fairy tales once again , or in their modern counterpart , the detective story – where we are assured that justice will prevail , if only on celluloid .
as the mercury dips , i spy an array of bengali thrillers lined up for the holidays – antarleen , a murder mystery set in kasauli ; double feluda by sandip ray , a twinning of ray’s shorter feluda mysteries samaddarer chaabi ( the key ) and golokdham rahasya ( the mystery at golokdham ) and arindam sil’s byomkesh pawrbo , an adaptation of amriter mrityu ( the death of amrito ) .
the bengali detective is box office manna in kolkata today . not surprisingly , producers are snapping up rights for some of the most memorable characters .
feluda by satyajit ray fifty years since the first stories made an appearance in print , the translations have ensured feluda’s popularity in the rest of india and the world . released in 1974 , satyajit ray’s sonar kella brought to life rajasthan’s medieval architecture , a six feet - tall handsome young detective with a teenage sidekick , hypnotism and reincarnation in one magical package . in sonar kella , as well as in joi baba felunath , ray introduced the audience to the villains early on , making for a snappier climax and a shorter denouement , which typically slows the genre down in its final stages . many actors have played feluda , including shashi kapoor in a doordarshan series , but soumitra chatterjee retains an iron grip on everyone’s imagination till this day .
feluda’s quirks include writing in the greek alphabet in his notebook and a working knowledge of most trivia that could take surprising twists and turns – from hindustani classical music to renaissance art to elliptical curves . his monastic existence in the stories , which do not feature women in pivotal roles , demand a foil in the enchantment of trivia . ray’s feluda films are the richer for the way in which he brought in little nuggets of information into the script , seemingly with a careless sleight of hand . surprisingly , this light touch has been lacking so far in the later adaptations , which choose to focus on telling the story straight – but the plot of samaddarer chaabi is nothing but a riff on trivia , and i confess i am looking forward to the film .
byomkesh bakshi by saradindu bandyopadhyay in spite of making his film debut under ray’s direction way back in 1967 , byomkesh owes his blockbuster status and universal acceptance in a large part to basu chatterjee’s tv adaptation with rajit kapur in the lead . kapur seemed to own the role of byomkesh bakshi more than any other actor ; there was something in the natural sharpness of his face matched with the familiar middle class appeal of his persona that summed up the professional detective solving cases for a living .
byomkesh has been played by many actors , notably uttam kumar , but none of them have the cult status that rajit kapur commands . the bengali adaptations have got the period details right but have yet to find the perfect byomkesh , in my opinion .
dibakar banerjee’s detective byomkesh bakshy ! spiffed up the character and brought a fresh narrative style to the film , byomkesh on acid , if you will . many people were uncomfortable with the treatment . i enjoyed it thoroughly and am eagerly waiting for a sequel .
kakababu and shontu by sunil gangopadhyay srijit mukherji’s note perfect casting of prosenjit chatterjee as kakababu is as close to a coup as we will ever get in bengal . historian ; bachelor ; crippled in an accident ; ex - director of the archaeological survey of india and frequently sought after by indian intelligence – kakababu’s real name is raja ray chowdhury . shontu is his nephew ( hence the kakababu ) and the narrator . refreshingly , the kakababu series have girls as major characters , both as shontu’s friends and collaborators .
the first kakababu adventure to be filmed was shobuj dwiper raja ( the king of the emerald isle ) by tapan sinha . there have been a few tv adaptations , but srijit mukherji’s recent kakababu film , mishawr rohosyo ( the egyptian mystery ) , starring prosenjit chatterjee in the lead , is a far superior attempt to bring the crippled adventurer to life . like rajit kapur , prosenjit owns the role , which is half the battle won in this genre . there are 39 kakababu adventures in all , so i wish the srijit mukherji - prosenjit chatterjee duo a long innings .
kiriti roy by nihar ranjan gupta nihar ranjan gupta had quite a few film adaptations under his belt – meri surat teri aankhen , mamta , do anjaane and uttar phalguni . therefore , it comes as a bit of a surprise that his most popular character , the dapper detective kiriti roy , debuted only in 2016 on bengali screens in an adaptation of his book , kalo bhromor ( the black wasp ) . a second kiriti film has just been released , based on the story setarer sur ( the sitar’s melody ) .
kiriti’s character was etched on holmesian lines – he smoked a pipe , carried a magnifying glass , preferred a kimono and tatami slippers over the standard pyjama kurta at home – but the plots were often rather simple . his stories remind me of the fu manchu series instead – fantastical , enjoyable , fast pulp . i did feel the first film needed more noir and pace in its style to work . anglophile kiriti ray needs to come into his own as a unique character on celluloid and not as a clone of his more popular counterparts on film to succeed .
shabor dasgupta by shirshendu mukhopadhyay police officer , not a private eye . honest . loner . shabor brings a touch of realism to the genre and is definitely not a detective series for children . the films feature saswata chatterjee in the lead . the stories are murkier , the lines between right and wrong can be blurred , but shabor dasgupta is a refreshing change . he is a contemporary detective devoid of nostalgia .
arjun by samaresh majumdar a single arjun film ( kalimpong e sitaharan ) made its unremarkable debut in 2013 , but arjun and his mentor inspector amol shome are distinctly different from many fictional detectives and ripe for a re - imagination . arjun is a young adult who is the adventurer - detective hero and not a sidekick of the older detective , for one thing . secondly , he is a small town boy from north bengal . as the series evolves , arjun matures , unlike adult detectives who are already evolved . however , as a relatively less known character , especially when compared to byomkesh and feluda , arjun would fare better on television , until he is familiar enough to audiences to take the leap onto the big screen .
colonel niladri sanyal by syed mustafa siraj the raja sen - directed colonel , starring chiranjeet chatterjee in the eponymous role , released in 2013 . his lazy sidekick , jayanta , was played by actor shaheb chatterjee . the ex - colonel is bearded , jovial , an ornithologist , butterfly collector and sleuth and follows a large fan following among the older generation . but the colonel might need to be reintroduced to younger audiences via television first – he has yet to reach the wide recognition that feluda and byomkesh enjoy . these two series have been filmed since 1974 and 1967 respectively , and have decades of viewing behind their mass appeal .
prasanna kumar basu by narayan sanyal around the time ray introduced feluda , there was also narayan sanyal’s lawyer detective – pk basu , an indian perry mason , who debuted on film . the first pk basu novel , nagchampa , was published in 1968 and made into a film in 1974 called jodi jantem ( if only i knew ) starring uttam kumar as pk basu . the stories were “inspired closely” by agatha christie and erle stanley gardener , which is probably why adaptations were not considered a possibility .
bengali detective fiction could be a lonely place if you wanted women , except for a few notable exceptions , who have yet to make their way to the screen . rituparno ghosh famously had to reinvent miss marple as an inquisitive aunt in shubho muhurat ( if you haven’t seen it , please do – one of rakhee’s best performances ) . but for home - grown talent , i would recommend two – mitin mashi series and the lu quartet .
mitin mashi by suchitra bhattacharya mitin mashi , aka pragyaparamita mukhopadhyay , is a personal favourite . a resident of south calcutta , mitin is known by her nickname ( which bengali isn’t ? ) she is a smart , contemporary bengali woman , a wife , a mother , an aunt ( mashi ) to her niece tupur and also a consulting detective . the series has a view of calcutta as a multicultural , constantly evolving city and mitin mashi navigates her adventures and mysteries in this milieu with great aplomb . there was some talk of a film adaptation with rituparna sengupta , but nothing has been announced so far . a tv series would be a fun watch too .
the lu quartet by nalini das way back in the ’80s when i was a scrawny schoolgirl , i used to devour nalini das’s adventures featuring kalu , malu , bulu and tulu as middle - school students from the same hostel who would bust gangs and solve mysteries with aplomb . every time i read a nancy drew and felt a pang about there not being enough girls in detective stories , the lu quartet brought a smile to my face . i cannot recommend the books enough for a screen adaptation , although television would be the best medium , in my opinion . disney has had its moana moment ; so can our detective films .
jayanta manik by hemendra kumar roy hemendra kumar roy’s detective jayanta and his friend manik are supported by the comic police inspector , sundarbabu . hemendra kumar roy’s oeuvre merits an entire article . suffice it to say that jayanta - manik firmly established the very indian contemporary detective operating in an indian milieu for the first time in bengali fiction . they were modern , nationalistic , scientific in temperament and distinct in their indigenousness . it is a great pity that we have not yet had the pleasure of seeing the trio on screen .
parashar barma by premendra mitra a detective and a poet , most often compared to hercule poirot , parashar barma is possibly the most underrated of all the goyendas on my list . his methods are lackadaisical , whimsical even , and cause his friend and chronicler , krittibas , much agony – until they make sense in the end and reveal parashar’s genius with a flourish . but the beauty of the series is in its writing . the books are a joy for any reader of the language . perhaps it is just as well that parashar is still waiting in the wings . a great detective film needs a nuanced treatment of the character and in barma’s case , also a delicate touch with language . parashar barma needs a director who is also a poet .
this was my list for those who would like to dip a toe into the genre . but it comes with a statutory warning : many of the adaptations aren’t great films as such , usually tripping in the second half when they fail to sustain the pace of the plot . quite a few have shoddy production values . a few shine . but then , if you are obsessive about the genre , as i am , you know you will watch them all , pulp , noir , classic crime , slick or shoddy . you will appreciate a few , long after the film has ended , and some will make you weep with frustration .
jash sen writes and thinks about detective fiction whenever she has a moment . she is the author of the young adult fantasy adventures the wordkeepers and its sequel , skyserpents . she swears she is working on the third book , soul army .
brand reality and brand values have never been more important for the bottom line .
on a typical saturday morning , roaming the isles of your regular grocery store , you pick up a bottle of , let’s say , fresh juice from the refrigerated section . without a second look , you place it in the shopping cart , like you do every week , making that particular cold - pressed juice an essential part of your diet . that confidence in a product comes from knowing exactly how it’s made and what it’s made up of . in other words , that confidence comes from a transparent brand .
several brands across industries have initiated transparency programs that give consumers depth of information , from brand communication and product description to production methods and company policies . for instance , maiyet , a new - york based luxury brand , weaves stories about its collaboration with artisans in varanasi , india and shares them with its loyal customers through its communication channels . waleda , a 93 - year old beauty firm , shares information on its commitment to fair trade , wages guidelines and a list of environmental standards on its website . these brands were featured as the top 10 brands in refinery29’s transparency awards that looked at various transparency criteria - like sharing information with employees and the public and consistently improving transparency practices .
an example closer to home can be seen in maggi . the brand has shared the entire production process of maggi masala noodles , from making the noodles to sourcing ingredients for the tastemaker , in a two - part video series . the first video , shot in the tahliwal nestle factory in himachal pradesh , breaks down the production process of the noodles , covering details such as how the grains are sourced , how they are kneaded into dough and then cut into thin noodles . the second video focuses entirely on the fresh ingredients that go into making the maggi masala tastemaker . this is a crucial step taken by the brand to increase its transparency .
so , why are brands trying to be more transparent ? as customers make more informed purchase decisions , they increasingly want to know more about the brands they buy . according to hbr , “by giving people a window into its workings , a company can show it has a sound process it’s adhering to . it can avoid asking customers to have faith in a black box . the greater the transparency , in other words , the greater the trust . ” this trust gained from consumers can also have an impact on the bottom - line . as per this study in brand transparency , up to 94 % of customers surveyed were more likely to be loyal to a brand that offers transparency , while 73 % said that they are willing to pay more for a product that offers complete transparency .
people’s distrust in companies has grown in line with the rise of social media , rating and review sites and the online market . the demand for transparency was further escalated by a few events that had a global impact . the rana plaza tragedy in 2013 exposed the ugly truth behind the fast - fashion industry . 5 years hence , big fashion brands have pledged to adopt good industry practices and be transparent by publishing their supplier list and the type of products made in the facility . more recently , a slew of large data scams brought the world’s attention to the misuse of personal information shared on social media accounts . the resulting outrage pushed social media behemoths to share transparency reports with the public at regular intervals .
moreover , an entire generation of evolved , sophisticated and discerning consumers , known as gen y or more popularly as millennials , pushed companies to realise the importance of building trust through transparency . millennials , being digital natives , don’t go by the traditional path to purchase but consider various other aspects before making a decision . kira karapetian , vp of marketing for label insight , in an article written for forbes points out that “when millennials make purchasing decisions , they’re considering more than the traditional drivers of taste , price and convenience . ” she goes on to explain the millennial tenets of self , society and planet : “how is the food i’m buying enhancing the quality of life for my family and myself ? ” and “how are brands adding good to the world in which we live . ”
like in any relationship , building trust can take years . by adopting transparent communication and practices , brands can deepen their connection with their customers , building brand loyalty and love . despite its presence across indian homes , dorm rooms and even the highest mountain peaks , maggi has entrusted its loyal consumers with information about their production , packaging and ingredients , showing them that the reality of the brand matches its promise . the brand teamed up with the highway on my plate duo , rocky and mayur , for the videos that give us a how - it’s - made glimpse of our favourite maggi .
this article was produced by the scroll marketing team on behalf of maggi and not by the scroll editorial team .
directed : arindam dey written by : samaresh basu cast : ahijit ghosh , indraneil sengupta , rachana banarjee run time : 111 minutes strength : child actors weakness : not for adults star showbiz rating : 1 / 5 plot : during the holiday , a child sleuth comes across a haunted house . he comes to know that people , once they go inside the house , disappear mysteriously . the curious kid sets out on a mission to seek the real story . review : giving a thought of apprehension , the movie kicks off with a family ' s visit to puri ' s beach , where the raging wind compels their pestilent entrance to a house known to the locals as the hana bari . ultimately , they consecutively disappear within the house . this haunted effect runs over the veins of the movie . the enactment of an adolescent detective was alluring and the charismatic depiction of the detective connected us to the character further . all through the movie , the kid had the anxious excitement of comprehending unresolved situations . it might seem a bit unnerving seeing the kid eyeing on the hana bari and his chase of exploring it . this could be interesting to some , while others might seek for maturity in this conscious role . swinging with the flow of the movie , the antagonist couldn ' t really throw the vicious effect in comparison to the child , who spawned the suspense at every sequence . there were characters that drifted their existence in almost every sequence , which wasn ' t a treat to the eye . the protagonist and the antagonist had many scenes together , which gave a feeling of instant revealing of suspense . the torch being the instrument and the child being the victim , carrying it all through made the movie somewhat thought - provoking . science fiction , detective books have always been a geek ' s passion , which brought a geeky child into the role . this movie will definitely enchant kids , but it might be interesting to elderly people who maintain interests for children ' s movies at heart .
directed by : joseph gordon - levitt written by : joseph gordon - levitt cast : joseph gordon - levitt , scarlett johansson , julianne moore run time : 90 minutes strength : strong acting , bold expressions , engaging storytelling weakness : centred around addiction to pornographic films ; only for adults and not a family movie star showbiz rating : 3 . 5 / 5 plot : jon martello ( joseph gordon - levitt ) is a strong , handsome , good old fashioned guy . his buddies call him don jon due to his ability to
pull
a different woman every weekend , but even the finest fling doesn ' t compare to the bliss he finds alone in front of the computer watching pornography . wrestling with good old fashioned expectations of the opposite sex , jon against a media culture full of false fantasies to try and find true intimacy in this unexpected romantic comedy . review : no longer a taboo , the subject of sex / porn addiction has provided the driving force for a diverse array of movies recently . gordon - levitt plays jon , who has his life and his priorities neatly figured out , one of which is his daily obsession of watching pornographic films . when he finally meets the girl of his dreams ( scarlett johansson ) , he promises to put aside the porn , but can ' t do so any more than she can renounce the dopey hollywood love stories that fuel her own self - centred dreams . only when he starts to connect with a night - school classmate ( julianne moore ) who has experienced both the pleasure and pain of genuine human interaction does jon begin to understand what it means to lose yourself in someone else . refreshingly frank about the perils of commodification and objectification , don jon is a snappily directed affair that benefits hugely from moore ' s terrifically grounding presence . in other hands , her crucial role could be as trite and cliched as the macho rituals that define the first act . in the end , the movie is a heartwarming tale about twenty - something guy lost in sex , who is finally awakening to the feelings of true love for the first time in life .
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