dhaasippen also spelled as daasippenn ( tamil : தாசிப்பெண் english : dancing girl ) is a 1943 tamil film directed by ellis r. dungan and produced by bhuvaneswai pictures .

starring t. r. mahalingam and m. g. ramachandran .

music by lalitha venkatraman and s. rajeswara rao assets to the movie .

interestingly the film based on a folk tale about a devadasis dedicating her life to workship of lord shiva and refusing to the follow the traditional family profession of entertainment men .

the film had three titles dasi penn , jyothi malar and thumbhai mahatmayam .

desi penn performed fairly well at box-office .

dhaasippen

cast : t . r . mahalingam , m . r . santhanalakshmi , m . g . ramachandran , n . s . krishnan , t . a . madhuram , r . balasaraswathi devi , krishnamurthy , v . k . das director : ellis r . dungan year released : 1943 tags : watch dhaasippen or jothi malar tamil movie online , watch dhaasippen or jothi malar movie 1943 online high quality hq , watch dhaasippen or jothi malar 1943 tamil full movie online , dhaasippen or jothi malar movie watch online high definition hd , dhaasippen or jothi malar , dhaasippen or jothi malar tamil movie free download , dhaasippen or jothi malar movie , youtube tamil full movie dhaasippen or jothi malar watch online , dhaasippen or jothi malar 1943 , dhaasippen or jothi malar tamil movie online , dhaasippen or jothi malar movie online watch free , dhaasippen or jothi malar tamil full movie free download , watch dhaasippen or jothi malar 1943 tamil full movie dvd vcd dvd - screener dvdscr dvdrip r5 cam ts tc camrip online , dhaasippen or jothi malar tamil full movie .
dhaasippen ( 1943 ) directed by ellis r . dungan • film + cast • letterboxd
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is a tamil history movie , directed by ellis dungan . the cast of dhaasippen includes t . r . mahalingam , r . bala saraswathi .
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dhaasippen also spelled as daasippenn ( tamil : தாசிப்பெண் ) is a 1943 tamil film directed by ellis r . dungan and starring t . r . mahalingam and m . g . ramachandran . the film was also had an alternate title - jothi malar ( tamil : ஜோதி மலர் ) . [ 1 ] [ 2 ] [ 3 ]
dhaasippen ( lit . dancing girl or prostitute ) was based on a play of the same name written by pammal sambandha mudaliar . it was produced by buvaneshwari pictures and directed by ellis dungan . t . r . mahalingam played the lead role and m . g . ramachandran ( later chief minister of tamil nadu ) was cast in a supporting role . comic relief was provided by the husband and wife comedy duo of n . s . krishnan - t . a . madhuram . this film was short ( 13 , 623 feet ) when compared to the tamil films of 1930s due to the shortage of film negatives during world war ii . it was released on 3 march 1943 in tandem with another film - kizhattu mappilai ( tamil : கிழட்டு மாப்பிள்ளை ) .
t . r . mahalingam , r . balasaraswathi , m . g . ramachandran , m . r . santhanalakshmi , n . s . krishnan , t . a . mathuram , ‘pulimoottai ' ramaswami and v . k . das
interestingly , this film based on a folk tale about a devadasi dedicating her life to the worship of lord shiva and refusing to follow the traditional family profession of entertaining men , had three titles , dasi penn , jyothi malar and thumbhai mahatmyam .
the young devadasi ( balasaraswathi of the ‘malligai poomalai rojaa ' fame ) is forced by her family to yield to the lustful zamindar ( das ) but she refuses for , she is devoted to lord shiva ( mgr ) . she wishes to marry her lover ( mahalingam ) , but there are a lot of hurdles . the zamindar attempts to kidnap the woman to make her his mistress . but his attempts fail thanks to the intervention of shiva and his consort parvathi ( santhanalakshmi ) .
produced by bhuvaneswari pictures , this film was directed by the iconic american tamil filmmaker ellis r dungan and the talented editor r . s . mani , and was shot at minerva movietone in bombay and newtone studios in madras ( now chennai ) .
there were nearly 30 songs rendered mostly by balasaraswathi , an excellent singer , and mahalingam who also sang duets with her . in such duets , mahalingam vanishes and mgr as shiva dances with balasaraswathi much to her delight . it was one of mgr ' s early movies — he played divine roles in some , looking impressive .
the music was composed by saluru rajeswara rao and lalitha venkataraman , noted singer of the day who sang and also played the veena . a mylaporean who started a music school in that area , she later relocated to bombay after marriage , and created history by being the first female in tamil cinema to sing off - screen ( playback ) for the avm film , nandakumar ( 1938 ) .
a parallel story in the film is about a married sister ( mathuram ) who carries on an affair with a travelling sari salesman ( nsk ) and their illicit romance is always thwarted by the appearance of a fierce - looking giant ( ramaswami ) .
mani began his career as an editor and worked with dungan on kalamegham , and later became a successful filmmaker with hits such as kannagi , kubera kuchela and krishna bhakthi . he produced the hit film maaman magal . later he turned religious and forgot all about films for the rest of his life .
dungan made several cult films based mostly on mythology and folk tales without knowing a word of tamil ( except for saying ‘payyaa , brandy kondaaa ' ! ) . however , he created film history with his superb onscreen narration and technical finesse and made classics such as sathi leelavathi , sakunthalai , meera , kalamegham and manthirikumari ( in which he shared credit with its producer t . r . sundaram . )
coming back to the storyline , the devadasi is tired of life . answering her prayers , shiva transforms her into a ‘thumbhai ' plant . even today , its flowers are offered to lord shiva during worship in many places . hence , the film also had the title thumbhai mahatmyam .
dasi penn performed fairly well at the box office , but sadly no print of this film exists today .
remembered for : the melodious songs and dances of balasaraswathi and mgr , and excellent onscreen narration .
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and refusing to follow the traditional family profession of entertaining men . dasi penn performed fairly well at the box - office .
as shiva , with balasaraswathi as devadasi , much to her delight it was one of mgr early movies , he played the divine role in some and looked impressive . the melodious songs and dances of balasaraswathi and mgr are excellent on the screen .
a young devadasi ( r . balasaraswathi ) is forced by her family to yield to lustful zamindar ( v . k . dass ) . the devadasi refuses this because she is devoted to lord shiva ( m . g . ramachandran and she wishes to marry her lover ( t . r . mahalingam ) . there are lots of hurdles involved in this . firstly , the zamindar attempts to kidnap the women to make her his mistress . however , his attempts fail thanks to the intervention of shiva and his consort , parvathi ( m . r . santhanalakshmi ) . there is a parallel story in the film about a married sister ( t . a . madhuram ) who carries on an affair with a travelling sari salesman ( n . s . krishnan ) . their illicit romance is always thwarted by the appearance of a fierce - looking giant ( pulimooti ramasamy ) . the devadasi grows tired of her life . answering her prayers , shiva transformed her into thumbhai plant . even today , the flowers of thumbhai plant are offered to lord shiva during worship . hence the film also had the title thumbhai mahatmayam . [ 4 ]
it was produced by buvaneshwari pictures and directed by ellis dungan . t . r . mahalingam played the lead role and m . g . ramachandran ( later chief minister of
) was cast in a supporting role . comic relief was provided by the husband and wife comedy duo of
. this film was short ( 13 , 623 feet ) when compared to the tamil films of the 1930s , due to the shortage of film negatives during world war ii . it was released on march 3rd , 1943 in tandem with another film -
it was shot at minerva movie tone in bombay and newtone studios in madras ( now chennai ) and edited by r . s . mani . mani who began his career as an editor and worked with dungan on kalamegam . he later becomes a successful filmmaker with hits such as kannagi , kubera kuchela and krishna bakthi . he produced hit film maaman magal . later , he became religious and left the filmmaking industry . [ 4 ] dugan made several culture films based mostly on mythology folk tales without knowing tamil . dugan has also created other classic films such as sathi leelavathi , sakuntalai , meera , kalamegam and manthiri kumari ( in which he shared credit with its producer t . r . sundaram ) . [ 4 ]
music was composed by lalitha venkatraman and s . rajeswara rao . there were nearly 30 songs including duets . lalitha venkatraman , a noted singer of the day , also played veena in the movie . she later relocated to bombay after marriage and made history by being the first female in tamil cinema to sing off - screen in the avm film nandakumar ( 1938 ) . [ 4 ]
( in tamil ) . chennai : sivagami publications . pp . 28 : 33 .
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m . g . ramachandran as shiva as shiva dancer with balasaraswathi much to her delights . it was one of mgr early movies , he played divine role in some , looked impressive . the melodious song , dances of balasaraswathi and mgr and excellent on screen . 02 !
this is about a real hero . he still lives in the heart of people
iru sahodarargal ( lit . two brothers ) was produced by parameshwaran chettiar of coimbatore under the banner of parameshwar sound pictures
inspired by namakkal v . ramalingam’s novel . produced in 6 languages viz . tamil , malayalam , telugu , kannada , hindi and sinhalese . won president award
a film in which bhagyaraj uses an old unfinished mgr movie as a flashback in the plot .
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i would like to introduce myself as - s . selva kumar , a staunch mgr devotee and an admirer of his movies , since 1968 when i was only 12 years of age . because of him , i have come up in my life and attained the current status of professor , in the society . as he was considered as ‘vathiyiaar’ , the interest towards teaching had arisen within me , to guide the students in a right direction , resulted in leaving my public sector undertaking job , after 26 years of valuable service . his stressing the need for righteousness , justice , and affection towards parents , respect to the elders and to do good things for the development of community , rendering possible assistance to others , through his films really attracted me like magnet . i consider him as god in view of his laudable hard efforts made for the upliftment of down - trodden people , when he was film personality and also a charismatic chief minister . not only the people of tamil nadu but the tamilians wherever live in the world , always remember him and express their gratitude for his implementation of people oriented schemes that derived benefits for the needy . he is the one , incomparable with other leaders by virtue of his protecting the interest of tamilians and tamil nadu . i request the thread users to post the comments related to our ponmanachemmal mgr only . i also request that posting the comments , should not in any way hurt the feelings of others , as we are all aware that our m . g . r . is an incomparable human being with anybody else . that is why people still remember him even after his death of 25 years elapsed . to go in deep , many worship him as god . i seek the co - operation and support from all concerned and welcome the comments . s . selvakumar
the following is a complete list of all the films , our beloved ponmanachemmal m . g . r . acted in
i am happy to present the details of each film in a desired manner .
மக்கள் திலகம் அவர்களின் புகழுக்கு இன்னுமொரு புதிய திரி - பேராசிரியர் செல்வகுமார் அவர்களால் இன்று பொன்மனச்செம்மல் mgr filimography news and events என்ற தலைப்பில் துவங்கியுள்ளது மிகவும் மகிழ்ச்சியான செய்தியாகும் . மக்கள் திலகம் நடித்த 134 படங்களின் முழு விவரங்களோடு எல்லா தகவல்களையும் இங்கு நாம் கருத்துக்களை பதிவு செய்யலாம் . இந்த திரி துவங்க முழு ஆதரவு தந்த திரு ராகவேந்திரன் அவர்களுக்கு நன்றி . நட்புடன் esvee
great work professor selvakumar sir . i will try to provide as much information i hold to this thread .
sathi leelavathi the first movie that our beloved leader puratchi thalaivar had appeared . first he was chosen for the role of a detective the character comes along with the whole movie . but unfortunately he was given inspector rangaiah naidu . as per the information our mgr role is very small and that his scenes lasted not more than 6 minutes .
the above image is the advertisement of sathi leelavathi taken from internet . real uploader not known .
here is another ad which is in colour and fortunate for us we can see the back side of mgr , sitting right to the lawyer .
( lit . devotion to the husband ) written by a . krishnaswami pavalar and starring k . p . kesavan . it was staged by the madurai original boys company . m . kandasamy mudaliar wanted to make a film based on the play . production started but soon stalled due to differences and k . p . kesavan canceled his contract . mudaliar walked out of the production and started a new film titled
. mudaliar ' s son m . k . radha was cast as hero and an unknown ( then ) 19 year old m . g . ramachandran was cast as police inspector rangayya naidu . the film was produced by marudachalam chettiar of coimbatore . chettiar wanted manik lal tandon to direct the movie and went to calcutta to hire him . tandon who was busy directing
, introduced chettiar to dungan and recommended dungan be given the chance instead . dungan was hired as director and the film was made . some scenes were shot in location at ceylon . the completed film was 18 , 000 feet in length .
dealt with the evils of alcoholism and promoted prohibition . it also depicted the plight of plantation workers in ceylon . it is the story of a young man who becomes an alcoholic and runs away to ceylon and the difficulties he faces there .
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thillana mohanambal english the dance queen mohanambal is a 1968 indian tamil musicaldrama film written , directed , distributed and produced by a . p . nagarajan . the film stars sivaji ganesan , padmini and t . s . balaiah in the lead roles , with a . v . m . rajan , nagesh and manorama in supporting roles . it tells the story of about shanmugasundaram , a nadaswaram b player who falls in love with mohanambal , a bharatanatyam dancer who reciprocates his feelings , but unfortunate circumstances and their egoistic nature prevents them from confessing their love for one another . how they overcome their selfcreated obstacles and those created by the people around them forms the rest of the story . source : wikipedia
anbe vaa english come , my love is a 1966 indian tamil romantic comedy film written and directed by a . c . tirulokchandar . the film features m . g . ramachandran and b . saroja devi in the lead roles , while s . a . ashokan , nagesh , manorama , t . r . ramachandran and p . d . sambandam play supporting roles . broadly based on the 1961 american film come september directed by robert mulligan , anbe vaa was produced and distributed by avm productions . the soundtrack and background music were composed by m . s . viswanathan while the lyrics for the tracks were written by vaali . source : wikipedia
vazhkai tamil english life is a 1949 indian tamil social guidance film produced and directed by a . v . meiyappan with his company avm productions . the film starred vyjayanthimala in her screen debut with m . s . draupadi , t . r . ramachandran and s . v . sahasranamam forms an ensemble cast along with many actors appearing in other significant role . source : wikipedia
vanambadi english nightingale or skylark is a 1963 blackandwhite tamil language suspense film was directed by g . r . nathan and produced by k . murugesan . the film script were written by valampuri somanathan . music by k . v . mahadevan assets to the movie . it stars s . s . rajendran and devika in the lead roles with r . muthuraman , s . v . sahasranamam , t . r . rajakumari , t . r . ramachandran , r . s . manohar , pushpalatha and sheela in supporting roles . kamal haasan appears as a child artist in the film . the film was adaptation from sheesparish bengali novel . 1 source : wikipedia
nam iruvar english we two is a 1947 indian tamil film directed and produced by a . v . meiyappan . source : wikipedia
sabapathy tamil is a 1941 tamil comedy film directed and produced by a . v . meiyappan and a . t . krishnaswamy , starring t . r . ramachandran , kali n . rathnam , c . t . rajakantham and k . sarangapani . 1 the film is regarded as tamil cinemas first fulllength feature comedy film . source : wikipedia
arivaali tamil is a 1963 tamil language drama film written , produced and directed by a . t . krishnaswami . the film features sivaji ganesan and p . bhanumathi in lead roles . the film , had musical score by s . v . venkatraman and was released on 1 march 1963 . 2 source : wikipedia
kalvanin kadhali tamil is a tamil film that starring sivaji ganesan and p . bhanumathi in the lead roles . this is the first film that both of them acted together . the film was released in 1956 along with movie kotteeswaran by sivaji ganesan . this was the first movie released in five theatres in chennai and ran more than 80 days in five theatresequal to 100 days in four theatres and at the same time kotteeswaran was also running . this sort of success could be done and enjoyed many times by only one actor who was having confidence in acting . thats why he was aptly called nadigar thilagam the movie was directed by v . s . raghavan , who also directed sarangadhara . source : wikipedia
baghdad thirudan tamil english the thief of bagdad is a 1960 blackandwhite swashbuckler tamil film produced and directed by t . p . sundaram . the film starred m . g . ramachandran and vyjayanthimala in the lead with m . n . nambiar , t . s . balaiah , t . r . ramachandran , s . a . ashokan , m . n . rajam , a . sandhya and s . n . lakshmi forms an ensemble cast . 2 the film was a remake of 1924 silent film the thief of bagdad and was inspired by 1951 tony curtisstarrer , the prince who was a thief . 3 source : wikipedia
padikkadha medhai english uneducated genius is a tamil language film starring sivaji ganesan and sowcar janaki in the lead roles . the film , directed by a . bhimsingh , had musical score by k . v . mahadevan and was released on 25 june 1960 . the film was remade in telugu as aathmabandhuvu and in kannada as baala bandana . source : wikipedia
thangamalai ragasiyam tamil is a tamil language mystery adventure fantasy film starring sivaji ganesan , t . r . rajakumari and jamuna in the lead roles . the film was released in 1957 . b . r . panthulu , famous kannada actor debuted as director in this film and simultaneously made in kannada language and released as rathnagiri rahasya . 1 the song ihalogame was shot in color . source : wikipedia
rathnagiri rahasya kannada is a 1957 kannada language mystery adventure fantasy film directed and produced by b . r . panthulu and starring udaykumar and jamuna in the lead roles . 1 the film was made simultaneously in tamil language as thangamalai ragasiyam 2 bettersourceneeded released in the same year with sivaji ganesan in the lead along with jamuna reprising her role . most of the technical crew remained the same for both tamil and kannada versions . it was also dubbed into telugu as rathnagiri rahasyam . future acclaimed director puttanna kanagal made his debut as an assistant director in this film 3 this film screened at iffi 1992 b r panthalu homage section . source : wikipedia
adutha veettu penn english the girl next door 1 is a 1960 indian tamil comedy film , directed by vedantam raghavaiah . the film stars anjali devi , t . r . ramachandran and k . a . thangavelu in the lead . the plot is based on the short story pasher bari by arun chowdhury . the film was a remake of 1953 telugu film pakkinti ammayi . successive remakes of the film include padosan 1969 , hindi , pakkinti ammayi 1981 , telugu and pakkadmane hudugi kannada . 2 source : wikipedia
ponvayal tamil english golden farm was a 1954 tamil film produced and directed by a . t . krishnaswamy , who also wrote the screenplay and dialogues . it stars t . r . ramachandran , anjali devi and r . s . manohar in the lead roles , while other actors like k . a . thangavelu and v . k . ramasamy play supporting roles . the film is currently lost . 1 source : wikipedia
manamagan thevai tamil is a comedydrama tamil film starring sivaji ganesan and p . bhanumathi as the main cast . simultaneously made as varudu kavaali in telugu with k . jaggaiah and p . bhanumathi . the film was released in the year 1957 . source : wikipedia
prahalada tamil is a 1939 tamil film directed by b . n . rao . 1 it deals with the story of prahlada and his devotion to lord vishnu . the film was made 20 times in numerous languages , with the remakes generally being successful at the box office . 2 the languages include hindi , gujarati , tamil , telugu , malayalam , kannada , bengali and assamese . it is also the only story which has been made so many times , generally to boxoffice success . the films story is based on the story of narasimha and prahlada . it features m . g . ramachandran as lord indra 3 this was the sixth film of ramachandran who later became one of the popular actors of the tamil film industry . the film also featured a sword fight sequence between m . g . ramachandran and santhanalakshmi . 2 source : wikipedia
gomathiyin kaadhalan tamil is a tamil language film starring t . r . ramachandran and k . savithri . the film was released in 1955 . source : wikipedia
paasam is a tamil language directed by t . r . ramanna . 2 the film features m . g . ramachandran , m . r . radha , b . saroja devi and t . r . rajakumari in lead roles . the film , produced by r . r . pictures , had musical score by viswanathanramamoorthy and was released on 31 august 1962 . 3 the film only ran for 80 days and flopped at boxoffice . 4 source : wikipedia
maappillai tamil son in law is a 1952 indian tamil film directed by t . r . raghunath under the banner of national productions . the film features an ensemble cast consisting of t . r . ramachandran , p . k . saraswathi , t . k . ramachandran , p . v . narasimha bharathi , p . s . veerappa , m . n . rajam , m . lakshmiprabha , v . k . ramasamy , k . a . thangavelu , m . saroja , m . s . s . bhagyam , k . lakshmikantham , ragini , kaka radhakrishnan , c . s . pandian , r . balasubramaniam and t . k . pushpavalli . source : wikipedia
saalivaahanan tamil is a tamil language film starring ranjan , t . r . rajakumari , m . g . ramachandran and k . l . v . vasantha . the film was released in the 1945 . source : wikipedia
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complete list of tamil movies in 1943 along with cast & crew , trailers , songs , lyrics , gallery & videos is available here . click on the movie name or celebrity name to view their complete details
artist : m . l . tandon , honnappa bhagavathar , v . r . jeevarathnam
artist : v . n . janaki , honnappa bhagavathar , v . r . jeevarathnam
artist : tr . mahalingam , mgr , n . s . krishnan , t . a . mathuram
artist : mgr , p . u . chinnappa , p . kannamba , lakshmi bai
artist : mkt , t . r . rajakumari , n . s . krishnan , t . a . mathuram
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kubera kusela ( தமிழ் : குபேர குசேலா ) is a 1943 indian tamil - language hindu mythology film directed by r . s . mani and written by b . s . ramaiah . the soundtrack was kunnakudi venkatarama iyer and background music by s . v . venkat raman . the film stars p . u . chinnappa t . r . rajakumari , d . balasubramaniam and p . s . govindan in the lead roles with r . balasubramaniam , s . r . jankai , and n . s . krishnan , t . a . mathuram and t . s . durairaj providing comic relief .
kuchela ( papanasam sivan ) , lord krishna ' s ( p . s . govindan ) boyhood friend acquires wealth , which goes to his dead . driven by grad and ambition . kuchela transforms himself into kubera ( p . u . chinnappa ) . in the film , there are three kuberas - kubera the lord of wealth ( d . balasubramaniam ) , kuchela who transformed himself into kubera ( p . u . chinnappa ) and the third one , a demon transformed into kubera ( p . u . chinnappa again ) . mean while , lord krishna , creates a lovely women ( t . r . rajakumari ) out of a flower . complications ensue with more than one kubera falling love for her . the
original
kubera steps into establish his supremacy and more complications arise . however , the lord krishna has his own bag of tricks and settles the confusion bringing the lovers ( p . u . chinnappa and t . r . rajakumari ) together . the comic relief was provided as usual by n . s . krishnan , t . a . mathuram and t . s . durairaj . in one comic song n . s . krishnan plays a female role . while mathuram plays krishnan .
a little fact about the history of madras city - the film was released during the height of the second world war , when soldiers were milling around the city on motor bikes , heavy army trucks and cars . to attract them , the producers came up with an innovative posters , a first of its kind a horizontal strip which contained the lines only in english - who is rich ? kubera or kuchela ? watch the movie .
music composed by kunnakudi venkatarama iyer and s . v . venkatraman composed background music . the lyrics were written by papanasam sivan and udumalai narayana kavi . the film had 17 song tracks including comic one . nadaiyalangaram kanden . . . ( sung by p . u . chinnappa and lyrics udumalai narayana kavi ) composed in raga karaharapriya , become a super hit . the other song that become popular were maalai chooda vandhen mallika . . ( voice p . u . chinnappa ) composed in raga khamass and ennai vittu engey sentreer ( voice t . r . rajakumari ) and composed in raga harikambothi . papanasam sivan composed as kuchela sang a song which he composed himself kanna kanna kanna in raga kappi . but no gramophone disc of this rare song by the icon was recorded . the dance were choreographed by the bharathanatyam guru vazhuvoor b . ramaiah pillai .
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national affairs : days of observation : sustainable gastronomy day 18 june emphasizes the need to focus the world’s attention on the role that sustainable gastronomy can play . it also reaffirms that all cultures and civilizations are contributors and crucial enablers of sustainable development . sustainable gastronomy can play a role due to its interlinkages with the three dimensions…
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indian affairs : president : president ram nath kovind has said india is the fastest growing economy in the world . addressing india diaspora at athens , the president asserted that india will become a five trillion dollar economy by the year 2025 . earlier , the president , who is in greece on the 1st leg of his three nation tour , visited…
indian events : day of observation / national science day - 2019 : lovely professional university ( lpu ) , jalandhar has been slated to host world’s biggest science event ‘106th indian science congress’ , which is to be inaugurated by hon’ble prime minister of india narendra modi , as per precedence . going to be held from 3rd to 7th january 2019 at lpu campus , this…
indian affairs : day of observation : the world elder abuse awareness day is being observed across the globe on 15th june every year . it represents the one day in the year when the entire world voices its opposition to the abuse and suffering inflicted to some of our older generations . elder abuse is a global social issue…
dear students , please find the time table with best wishes oursmclibrary 2 sem reg & bcklog : 30 . 06 . 2018 ( sat ) 9 . 30 am to 12 . 30 pm 4 sem reg : 30 . 06 . 2018 ( sat ) 2 . 00 am to 5 . 00 pm 1 sem supplementary : 29 . 06 . 2018 ( fri ) 9 . 30 am to 12 . 30 pm 3 sem supplementary : 29 . 06 . 2018 ( fri ) 2 . 00 am to 5 . 00 pm…
indian affairs : indian affairs : prime minister : the prime minister , shri narendra modi , visited chhattisgarh . he inaugurated the integrated command and control centre at naya raipur smart city . he was briefed on various aspects of the command and control centre . he later visited blast furnace - 8 at the bhilai steel plant , and was briefed on various aspects of the plant . at a…
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salur rajeswara rao ( telugu : సాలూరు రాజేశ్వరరావు ) ( 11 october 1922 – 25 october 1999 ) was an indian composer , multi instrumentalist , conductor singer - songwriter , actor , music producer , and musician known for his works predominantly in south indian cinema . regarded as one of the finest music composers , rao ' s works are noted for integrating indian classical music in telugu cinema for over half a century . in his recordings , rao pioneered the use of light music in telugu cinema ;
thummeda oka saari
,
kopamela radha
,
podarintilona
,
rave rave koyila
,
challa gaalilo
and
paata paduma krishna
were all written by his father . rao ' s most rewarding assignments came from gemini studios , which he joined in 1940 and with which he remained for a decade . after leaving gemini , he received an offer to provide music for b . n . reddy ' s
malleeswari
in 1950 ; the song was a hit .
vipranarayana
,
missamma
and a host of other musical hits – more than a hundred in telugu most of which won the national film awards for best film ( s ) , and tamil and a few in kannada – followed . when vijaya ' s missamma ( originally a telugu film ) was remade as miss mary in bollywood , the film ' s soundtrack retained one of rao ' s compositions .


maya memsaab ( hindi : माया मेमसाब ) , also known as maya and maya : the enchanting illusion in english ) is a 1993 indian hindi film directed by ketan mehta .

the film is based on gustave flaubert 's novel madame bovary .

maya memsaab won the national film award - special jury award / special mention ( feature film ) in the year 1993 .

the rights of this film are now owned by shah rukh khan 's red chillies entertainment .

maya memsaab

maya memsaab is based on gustave flaubert ' s novel madame bovary . . . .
watch khud se baatein from maya memsaab featuring shah rukh khan , deepa sahi & farooq sheikh in the lead roles . khud se baatein is sung by lata mangeshkar . film : maya memsaab song : khud se baatein singer : lata mangeshkar for more updates on maya memsaab , click on the links below : urltoken urltoken urltoken
listen free to pt . hridaynath mangeshkar - maya memsaab ( original motion picture soundtrack ) radio on iheartradio | iheartradio
maya memsaab ( hindi : माया मेमसाब , urdu : مایا میم صاحب ) , also known as maya and maya : the enchanting illusion in english ) is a 1993 hindi film directed by ketan mehta . the film is based on gustave flaubert ' s novel madame bovary .
shah rukh khan made me a promise 20 years ago when he appeared in ' maya memsaab ' and i intend to hold him to that today .
urltoken like : urltoken check out the romanctic scene of shahrukh khan from his movie maya memsaab . subscribe for more videos . # shahrukhkhan # mayamemsaab # lovescene # romance
deepa sahi plays maya showing the extreme madness of maya ' s character with charm . she haunts through out the movie with her natural grace .
“maya” – a hindi word for “illusions” . maya memsaab is a story about illusions that attract a human being . these illusions are pretty attractive for anyone . but when we go close , we find it was all just our own imaginations and expectations . nothing else .
the elephant whisperer and maya memsaab is an amazing story of debu and his incredible connection with the animal , as well as his life - long fascination for the leader of the largest herd of 40 wild elephants in kaziranga , maya . through debu , the film enters the world of maya and the elephant society , and follows them through spring , summer and monsoon .
maya derives her goals in life from the romantic novels she has read . maya lives her life in illusions and dies in the same fictious fashion as she had lived her life .
farooque sheikh plays maya ' s husband by fine tuning his screen image of a confused innocent man .
deepa sahi wanders around her palatial house singing to herself while being secretly followed by farooque shaikh . maya memsaab ' s soundtrack is composed by pandit hridaynath mangeshkar with lyrics by gulzar . maya memsaab ( loosely based on gustave flaubert ' s madame bovary ) is directed by ketan mehta and stars his wife deepa sahi in the title role , supported by farooque shaikh , raj babbar and shah rukh khan . song name - khud se batein movie - maya memsaab singer - lata mangeshkar composer - pandit hridaynath mangeshkar lyricists - gulzar music label - sony music entertainment india pvt . ltd . © 1993 sony music entertainment india pvt . ltd . subscribe : vevo - urltoken like us : facebook : urltoken follow us : twitter : urltoken g + : urltoken
deepa sahi wanders around her palatial house singing to herself while being secretly followed by farooque shaikh . maya memsaab ' s soundtrack is composed by pandit hridaynath mangeshkar with lyrics by gulzar . maya memsaab ( loosely based on gustave flaubert ' s madame bovary ) is directed by ketan mehta and stars his wife deepa sahi in the title role , supported by farooque shaikh , raj babbar and shah rukh khan . song name - o dil banjare movie - maya memsaab singer - lata mangeshkar composer - pandit hridaynath mangeshkar lyricists - gulzar music label - sony music entertainment india pvt . ltd . © 1993 sony music entertainment india pvt . ltd . subscribe : vevo - urltoken like us : facebook : urltoken follow us : twitter : urltoken g + : urltoken
ek haseen nigah ka is ably sung by kumar sanu while farooque shaikh serenades his on screen wife deepa sahi . maya memsaab ' s soundtrack is composed by pandit hridaynath mangeshkar with lyrics by gulzar . maya memsaab ( loosely based on gustave flaubert ' s madame bovary ) is directed by ketan mehta and stars his wife deepa sahi in the title role , supported by farooque shaikh , raj babbar and shah rukh khan . song name - ek haseen nigah ka movie - maya memsaab singer - kumar sanu composer - pandit hridaynath mangeshkar lyricists - gulzar music label - sony music entertainment india pvt . ltd . © 1993 sony music entertainment india pvt . ltd . subscribe : vevo - urltoken like us : facebook : urltoken follow us : twitter : urltoken g + : urltoken
here , lata mangeshkhar ' s beautiful voice lends itself to the somewhat philosophical lyrics , picturised largely on deepa sahi and shah rukh khan . maya memsaab ' s soundtrack is composed by pandit hridaynath mangeshkar with lyrics by gulzar . maya memsaab ( loosely based on gustave flaubert ' s madame bovary ) is directed by ketan mehta and stars his wife deepa sahi in the title role , supported by farooque shaikh , raj babbar and shah rukh khan . song name - ye shahar bada movie - maya memsaab singer - lata mangeshkar composer - pandit hridaynath mangeshkar lyricists - gulzar music label - sony music entertainment india pvt . ltd . © 1993 sony music entertainment india pvt . ltd . subscribe : vevo - urltoken like us : facebook : urltoken follow us : twitter : urltoken g + : urltoken
ashish lakhia , one of the most talented art directors known for his work in mirch masala and maya memsaab , passed away in ahmedabad sunday of multiple organ failure that began with his lung giving way . other complications followed . he was 49 . he worked with his mother meera lakhia . his brother aditya lakhia , known for playing kachra in lagaan , [ … ]
beautiful young maya ( deepa sahi ) has a mind full of dreams and a body full of desires . one day , her father falls down the stairs and breaks his leg . a young country doctor ( farooque shaikh ) comes to treat him . love blossoms between the gentle doctor and maya and they get married .
the acting is restrained and naturalistic , with maya frequently expressing herself through internal monologues ( which are , sadly , often not subtitled . ) even the cinematography is different ; the entire film is suffused with a pale white light , which bleaches the color out of everything , adding to the languid and dreamlike atmosphere . more surprisingly , maya and lalit have a lengthy sex scene . by western standards , the scene is fairly tame , but it’s quite explicit for an indian film , including a lingering shot of maya’s naked breast as viewed from the side .
casting shahrukh was a remarkable stroke of luck . he wasn’t a big star at the time , and the producers had no way of knowing that he’d rise to become the king of bollywood through just the sort of frothy romances that maya is so enthralled by . it’s certainly not intentional , but his future career ads an extra element to the performance . ( and even though his role in maya memsaab is a supporting one , and he’s among the last of the actors to be named in the credits , the dvd box features a huge picture of him , proudly announces “starring shahrukh khan” , and does not mention anyone else in the cast . )
the story is narrated in flashback as a reconstruction of the life of maya . the film ends very tragically when her house is auctioned and she appears to be engulfed by her fantasy life .
as a teenager , sexcapades that questioned the sanctity of marriage weren ' t exactly on the top of my parents ' list of what they would allow me to watch at home and in the supervised and scarce trips to the cinema hall . so when i finally caught up with maya memsaab , ketan mehta ' s colonized interpretation of gustave flaubert ' s emma bovary , the pigeon - chested actor who made uninhibited love to the sultry deepa sahi immediately had my attention .
new delhi : i ' ll be honest . i have never liked shah rukh khan ' s acting . i have never been a fan of the hamming the actor has now nurtured into an art form . my bias should disqualify me from writing a balanced opinion on a man who has evidently lived a dream for 23 years . but khan made me a promise twenty years ago when he appeared in the film maya memsaab and i intend to hold him to that today .
spoiler to anyone who hasn ' t seen maya yet well , in the end , i guess maya died because she drank that potion thing . and like the seller guy said ,
anyone who has a bit of evil in their hearts will have unthinkable consequences
. so , it ' s a bit magical in a way , i guess . the message ? uhmmm , maybe do good ? not quite sure of the message myself .
early in the film , a street vendor is hawking assorted mystical potions outside of maya’s house . one of the things he’s selling is an “elixir of wishes” ; if someone with a pure heart drinks from it , he will get his wish , but of the heart isn’t pure he will recieve a terrible curse . when the vendor is arrested , the pharmacist takes the elixir , and it’s not too much of a spoiler to say that in the end it’s maya who drinks . the film tries to create a little ambiguity about whether maya’s heart is pure or not ; by the end of the film she’s wishing to escape er life entirely , and that’s what she seems to get ( though the narrator at the end is a bit unreliable . ) still , maya betrays and financially ruins her husband ( the only man who truly mourns her death ) simply because her life doesn’t measure up to her fantasies .
what sexual awakening was to thousands of teenagers in the optimistic 90s , shah rukh was to indian cinema . he was yet to discover his best camera profile and the scope of his dimples . he has , since then , scaled buildings , detonated bombs and brought roses to his sweetheart at midnight , but his super stardom has taken its bloody toll . he has lost the nerve he once showed in revealing his imperfect body in maya memsaab and reneged on the promise he made to his converts in the 90s to always select good cinema over money .
the only really “filmi” thing about maya memsaab is shahrukh’s performance . as lalit , he displays most of the usual srk quirks , but within the naturalistic world of the film , the effect is quite different . lalit is just as passionate and devoted as the usual srk romantic hero , but with one key difference : lalit doesn’t worry about the ‘proper way” to get what he wants . he doesn’t balk for a second at romancing a married woman , and he’s certainly not the type to put off the conclusion of a romance until he can receive his beloved from the hand of her own father . lalit just wants maya , and he doesn’t care how he gets her . now , this doesn’t make him an evil person , but it certainly doesn’t make him a hero , either ; he’s careless , and that makes him dangerous .
as the film opens , maya ( deepa sahi ) is dead , and her story unfolds in a series of flashbacks as the police interview the various men in her life . maya grew up in a crumbling mansion with only her father and her books for company . when she marries the recently widowed dr . charu das ( farooq shaikh ) , she’s happy at first , but grows steadily more disenchanted when her new life fails to live up to her romantic fantasies ; she’s especially disappointed when , after faking her own grisly demise , charu’s first instinct is to phone the police rather than to promptly attempt suicide .
maya ( deepa sahj ) says she has everything she could possibly want , with a decent but awkward professional man as a husband , and two lovely daughters . however , she is just as attracted to men as they are to her , and she falls into and out of any number of disastrous sexual liaisons . indeed , she eventually cuts such a swath through society that the police are looking for some way to remove her from circulation , and concoct something called
the maya scandal
to permit them to put her away . this tragic melodrama is based on madame bovary by gustave flaubert . ~ clarke fountain , all movie guide .
here in the movie , we see maya making a choice of walking out of her house to fulfill her dreams . she makes changes to her own life which adversely affect her innocent husband . now he is left with nothing else but a bunch of questions for his wife which will be answered only when nature takes him to her .
director ketan mehta , who was involved in the 3d conversion of 1975 film sholay , said revisiting the classic with the new technology was challengingproducer gp sippy’s grandsons approached ketan mehta for the 3d conversion of the amitabh bachchan - dharmendra starrer through his maya digital studios . the film is being released in 3d on january 3 , 2014 [ … ]
well , in the end , i guess maya died because she drank that potion thing . and like the seller guy said ,
anyone who has a bit of evil in their hearts will have unthinkable consequences
. so , it ' s a bit magical in a way , i guess . the message ? uhmmm , maybe do good ? not quite sure of the message myself .
subscribe @ urltoken like : urltoken with shahrukh khan ' s happy new year coming up lets have a look at the bold side of our very old shahrukh . he has done some mind blowing roles and one of his astonishing roles was that in maya memsahab where he had a lots of raunchy bed scenes with his co actors . check out some of his hot bed scenes with hot then deepa sahi
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urltoken
a beautiful , wealthy woman’s insatiable appetite for romance leads to tragedy and a police investigation .
a dysfunctional family of superheroes comes together to solve the mystery of their father ' s death , the threat of the apocalypse and more .
a writer bonds with the eccentric residents of guernsey when she decides to write about the book club they formed during the wwii german occupation .
memories in a bowl of steaming noodles , a fading beauty finding her way and a bittersweet first love - - all in these stories of city life in china .
after her husband disappears , meek maria luiza turns his property into a bossa nova club and begins to come into her own as an independent woman .
after scientists discover a mysterious substance that can influence human minds , two factions wage an all - out battle to control its awesome power .
in 1969 , l . a . ' s newly formed swat team attempts to raid the black panther party headquarters , resulting in an intense face - off that lasts for hours .
inspired by a true story , this series follows a group of roman teenagers as they defy society in their search for identity and independence .
a year after helping richard secure the crown , amber’s getting ready to walk down the aisle with him . but she’s not so sure she’s cut out to be queen .
jio institute picked as an ' institute of eminence ' . selection panel head explains why
who is this scrawny guy , who wears the sexy nail marks on his back like a badge of honour ?
i remember thinking .
yes , in that way , i have had a falling out with him . while he has moved on , i haven ' t .
as a revisionist hero , shah rukh was the spiritual head of the new order he established in the early 90s and sustained for the next 10 years paring competition from two other emerging stars - aamir and salman - both intense and utterly focussed on using the consumerist audiences of the age of liberalization to their advantage .
like an ageing rockstar who remembers the heady aphrodisiac of a stadium full of screaming girls , shah rukh keeps trying to recreate the magnetic hold he had on his audience 10 years ago as a monument to his ego in films such as ra . one . his is a career well lived . he is wealthy beyond all comparison and has established a fan base that few actors can emulate .
my life may seem glamorous from the outside but off screen it ' s as ordinary as anyone else ' s . i want people to know that movie stars live a normal , middle - class life ,
he told the bbc at the time of releasing the documentaries by filmmaker nasreen muni kabir on his outer and inner worlds .
yet he rarely ever chooses scripts that do not revolve around the central theme of ' shah rukh khan ' . he rarely ever shares screen space , except in his early years , with some one who is his true competition . in shimit amin ' s chak de india shah rukh gave a stellar performance due to the strong ensemble cast and the fact that the focus was evenly shared by a team of good actors .
shah rukh has been told , over and over again , by the men he trusted his career , and by default his life with , he looked cute when he nodded his head a certain way or like a devil - may - care cary grant when his hair was brushed away from his forehead . nobody would ever dispute his contribution to cinema . he is the single most important face a billion people the world over identify indian cinema , its culture and the masculinity and fabulous wealth of its men with . i will not waste your time running you through a laundry list of his films and achievements , his endorsements and the sheer discipline with which he has built himself an empire in mumbai .
i see him as a middle - aged realist with sharp intelligence but too entrapped in his super stardom to realize the message his changing audiences are sending him in his friday outings at the box office . yes , ra . one made money , and so has don 2 . but the man on the street , which he himself once was at the time of circus and dil dariya , is losing interest in the hamming , in the lined forehead and the body tortured in the gym to keep the tapering waist even in his middle age .
would you , shah rukh khan , see your own films , if they were showed to you back in 1988 when you valued character - driven performance ? how would you rate your acting ? i doubt if he would answer those questions .
if they were to put up a statue of him at bandra it would have its arms outstretched and head tilted back - a pose his fans interpret as welcoming both the malice and the love he has received over 20 years . which is not inconsiderable . he is the first hero to give back to his fans as much as he got , welcoming them into his drawing room . if only he knew when to stop .
at the height of his success , shah rukh , with good humour and the shrewd derision he often directed at himself , said he has learnt to live with the burden of his fame . in a candid interview with his friend and filmmaker karan johar , he said he would always be king khan in his mind and amongst the people who love him . the first cracks in the good humour have started to show now .
despite protestations that opinion of film critics do not matter , the stress is showing after repeated thrashing from opinion makers across the board on two of his last films , ra . one and don 2 , which were almost his children in the amount of love and attention he had bestowed on them . he had exhausted himself promoting ra . one on a scale that has never happened before and previously thought impossible .
the sulking star is now in the news for slapping filmmaker farah khan ' s husband shirish kunder , a lightweight in the pecking order of the industry . he is taken to making potshots at rivals , dressing in drag at major award shows and masquerading a barely concealed jealousy at the success of a hugely successful risque film under the garb of genial humour .
i mean it the kindest way , but it ' s time to say goodbye . shah rukh will not be able to keep up with the formidable crowd forming at bollywood ' s second rung every day , neither will he be able to accept a character role that is not an ode to his super stardom . for as long as his friends in the industry keep shaping his career he will find a hit or the other . but now is a good a time as any for a dignified exit from playing the romantic hero opposite heroines half his age and choose scripts that will do justice to his talent .
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katra katra milti hai katra katra jeene do | asha bhosle | ijaazat 1987 songs | r . d . burman | rekha
aaina mujhse meri pehli si soorat maange . . . talat aziz ( daddy )
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initially , the excitement of beginning a new life , of redecorating the house and discovering togetherness , gives her a feeling of euphoria . but gradually the monotony of marriage starts setting in . the boredom of a small - town , middle - class existence starts becoming oppressive , and she finds escape in a series of extramarital affairs . at the same time , her craving for a more glamorous life leads her to the fantasies of romance and passion . she seeks refuge in the extravagant , hoping that possessing symbols of luxury will provide her some satisfaction , but it only leads her to duplicity , debt and despair .
even her extramarital relationships , at first platonic , then passionate , end up as pathetically possessive , making her realize that adultery can become as banal as marriage . the more she gets disillusioned with reality , the further she slips into her fantasy world . and she keeps chasing her self - created mirages till her tragic , comic , heroic and magical end .
johann jakob griesbach - gospel synopsis 1776 griesbach published his greek gospel synopsis of matthew , mark and luke as a volume separate from his critical edition of the new testament ( cf . . . above ) , of which it had previously been a part , and thereby established the tool of a synopsis as an essential research aid in new testament studies . . .
why we fight - description of films . . . capra ' s synopsis
showing the gallant and victorious defense of britain by royal air force , at a time when shattered but unbeaten british were only people fighting nazis .
the battle of . . . capra ' s synopsis
history of russia people , size , resources , wars . . . capra ' s synopsis
japan ' s warlords commit total effort to conquest of china . . .
the sword of truth - synopsis - journey through the old world . . . in the eighth novel , naked empire , richard and kahlan are interrupted from their journey home to the new world to help free the bandakar empire , deep in the old world , from the imperial order . . . they learn that the people of bandakar are pristinely ungifted like jennsen and oba , and have been overrun by the order because they have shunned all forms of violence , refusing to fight for their own lives . . .
henry iv , part 1 - synopsis . . . adding to king henry ' s troubles is the behaviour of his son and heir , the prince of wales . . . hal ( the future henry v ) has forsaken the royal court to waste his time in taverns with low companions . . .
the adventures of brisco county , jr . - plot - synopsis . . . in the pilot episode , brisco tracks john bly ' s second - in - command , big smith ( m . c . . . gainey ) . . .
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because of this disenchantment , she first becomes depressed , and then drifts into adultery , first with thakur rudra pratap singh ( raj babbar ) and then with lalit ( shahrukh khan ) , nephew of the local pharmacist . all the while , she’s also buying luxuries on credit from lalloji ( paresh rawal ) , not giving a thought as to what will happen when payment becomes due .
lol . . . luv the pic my friend sent me the link to this
scene
. . .
this reminds me i must go for away for a few minutes to watch this scene again . i will use the slow play and the zoom ! ! ! ! !
) . but i did not quite understand the end and the message that this movie wanted to give the audience .
the very
interesting
scenes with shahrukh apart , did anyone understand the subject of the movie ? of course , it was not a typical indian movie and the nude scenes were quite daring ( i cannot imagine that shahrukh would do this kind of movie again ) . but i did not quite understand the end and the message that this movie wanted to give the audience .
i havn ' t seen the movie , only these
special scenes
and i don ' t know but i don ' t think it ' s really exciting . it ' s not that i ' m not used to see him in such scenes ( also i think some normal
erotic
scenes suits him better ) , it ' s more that it looks not real .
i ' m not sure if i have this impression , because the video wasn ' t good or if it is the same way in the movie .
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story : based on gustave flaubert ' s ' ' madame bovary ' ' .
cast : deepa sahi , farooque sheikh , raj babbar , shah rukh khan , paresh rawal and dr . sreeram lagoo
the cops are investigating a mysterious death . they are asking my husband different types of questions . he is telling them what ever he knows . the cops now go places visiting many people asking them questions regarding the death . everyone tells what they know about the one who is dead . but no one seems to know everything about the dead woman . who is the right person to ask ? obviously me . i am the one who knows everything that happened with me . so what are these cops doing asking a bunch of fools who know bits n ' ' pieces of the story ? they are just trying to gather everything they can get and stitch it together to make up a conclusion for themselves .
a thin ductile line that passes between fiction n ' ' reality . which side of the line do we choose to live in ? are we happy with the reality or do we cross the thin line to choose fiction instead ? i don ' ' t know about the others , but i chose fiction for myself .
it rained heavily that very day . it seemed beautiful as never before as the drops of water touched the earth . as usual i was in the world of my romantic novels . just then , something went crashing . to my bewilderment , i found dad painfully sitting on the floor with a broken leg . i lifted him up and helped him to his bed . then i called a doctor . he came in straight from the door into my heart . he had got wet in the rains . he had that cute lill ' ' not so perfect attitude . but that was what i fall in love with . soon i found a new life waiting for me with open arms . marriage changed everything for me . it gave me a way to accomplish my dreams . nothing has been so beautiful . a house of my own which i can decorate as i want , a loving husband , freedom . . . . . and beauty ; i can feel it as it comes upon me with each passing day . days passed by and these beauty , dreams , house decorations , my husband ' ' s love all seemed to grow into a casual activity .
where were my dreams to lead my life in fiction ? they were still not accomplished and they don ' ' t even care to get accomplished in a middle class environment . i had to chase them badly . i needed to reach extremities of love , passion , wealth . . . . i needed it all for myself . i wanted to see men drinking out of my hands . but my husband seems to be a satisfied human being in all respects . no spark ignites the madness that i want to see in my partner . he thinks these are just my fantasies . and if they are fantasies , i want them right here in my life . that ' ' s it . i thought it all for myself .
one fine day i walked out of my house as if i was never there . don ' ' t know what my husband must have thought of me then . but then who cares . i had to live my dreams , my passions , my fantasies . . . .
i wanted to lead a life with all the riches . i wanted to buy love . i wanted sources of money for all these dreams . my journey of fantasies saw many men in n ' ' out of my life as i wanted them to . but nothing seemed to quench my thirst for my fantasies . i was enjoying the bliss of making men dance on my finger tips . but my affairs soon became as boring as my marriage was . the money i had borrowed too had finished . i had to repay it . but how ? everything has come to an end . my house will be auctioned and gone for ever . i tried all my sources to repay the debt , but all men turned out to be bloody hypocrites and cowards . i couldn ' ' t see a way out .
i returned home . my husband was enthralled to see me back . he kept asking questions . i payed no heed to them . i sat on my chair thinking of where my fantasies had taken me to . then something wierd happened . something magical . very much like my fantasies . as i wanted life to be , it ended in the same way . i drank a magical potion which saw me making my way out of this middle class environment to a world where i still search my life full of fantasies . when will this journey end ? when will i conquer all my passions and fantasies ? i still wait desperately for the day to come .
it had to happen the day i walked out of my house hunting for my dreams . but nothing won in satisfieing me . the fact being that i didn ' ' t exactly know what i was chasing . it was just a faint idea to be free . but did i commit a mistake ? is chasing one ' ' s dreams a sin ? i did whatever i felt like doing . no boundaries were meant for me . i broke free from all the clutches of my society . i had crossed that line between reality and fiction . but if i had really crossed that line why wasn ' ' t i able to continue the way i was living ? where did this money factor come in between my path ? isn ' ' t money just a part of the fictious life ? but the reality is that even my fictious life was based on dirty money itself . so i was just fooling myself thinking that i was living it my way . i was still living in the same reality . fiction was just virtual . it was me who had created this virtual world for myself . with the fact that it was based on real money , reality caught hold of me , as soon as this money was drained in the labour towards completion of my dreams .
i don ' t know if i ever crossed the thin line between reality and fiction , but yes , i did cross the thin line of my limits . the limits of every human being which were transparent to me .
the others , raj babbar , shah rukh khan , paresh rawal and dr . sreeram lagoo lend support with their commendable performances .
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a frustrated housewife whose marriage to an average man does not meet her expectations enters into an affair with a younger man . of course , there are no easy escapes from reality .
this film is not currently playing on mubi but 30 other great films are . see what’s now showing
an unsatisfied housewife finds solace in her extra marital relationship with a much younger boy . but things like these come with an expiry date and so did this one .
sorry ! none of the critics have had a chance to review this movie yet .
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the crew of this film were busy filming a herd of wild elephants when a young one decided to give them a charge . trapped in their car in between tall elephant grass on either side and a mammoth female elephant blocking the passage ahead , the crew had few options of escape . then , when the female elephant came charging , all on the vehicle froze , fearing the worst .
it was at this moment that debeshwar appeared ! the young forester lunged forward from the jeep , one hand holding the vehicle and other outstretched towards the charging elephant .
go , mother , go !
, he urged the elephant .
incredibly , she listened to him and turned away . debeshwar , the smiling forester with a diminutive frame , became ' debu ' that day .
during the three seasons that the crew spent in india ' s kaziranga national park , filming a television series on rhinos , there were at least four occasions when they were attacked by wild elephants ( and 6 incidents of rhino charges ) . on every occasion , debu held them back with the same chant ,
go , mother , go !
. after the first incident , none of the crew feared wild elephants . . . as long as debu was around !
the ek tha tiger actor has been approached by the veteran filmmaker to play the leading lady in his next biopickatrina kaif seems to be at an enviable space as far as her acting career is concerned . not just item numbers or rs 100 crore films , she is now also being offered roles where she [ … ]
after being loyal to his wife for 20 years , shahrukh khan is reportedly seeing his don 2 co - star priyanka chopra and they are quite an itemshahrukh khan has always maintained a very ‘loyal to my wife’ image in tinseltown , even as he romanced so many beauties on the big screen . seeing pictures of gauri and [ … ]
here’s a treat for the ladies – while it’s always been the women who strip down to bare nothingness in bollywood , the trend changed when b - town hunks like ranbir kapoor and john abraham showed off their assets on the big screen . skin show in bollywood never fails to garner attention , be it male or female . [ … ]
deepa sahi trained from national school of drama and started off with plays . her debut film was govind nihalani’s party ,
farooq sheikh or farooque sheikh ( born 25 march 1948 ) is an indian actor , philanthropist and a popular television presenter .
shah rukh was born on 2 november 1965 in new delhi to meer taj mohammed khan and lateef fatima . his grandmother wanted to
shahrukh khan often credited as shah rukh khan and informally referred to as srk is a famous indian actor . called the
dissatisfied with her life , a married woman embarks on a series of affairs that always end in disaster .
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mujhe khabar thi wo mera nahi | romantic song ft . lata mangeshkar , mona singh ( saadgi )
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