paarthale paravasam is a 2001 tamil drama film directed by k. balachander , who with the project completed one hundred feature films .

the film produced by balachander 's home banner kavithalayaa productions featured madhavan and simran in the leading roles with lawrence raghavendra and sneha playing other key roles .

the film 's music is composed by a. r. rahman whilst a. venkatesh was cinematographer .

paarthale paravasam tells the story of a couple going through a breakup after the husband is exposed for having a child from a juvenile relationship .

it also shows the introduction of love interests for the couple , and if they reconcile forms the crux of the plot .

the film released on 14 november 2001 to mixed reviews and became a commercial failure .

paarthale paravasam

paarthale paravasam ( 2001 ) - ar . rahman - listen to paarthale paravasam songs / music online - musicindiaonline
paarthale paravasam ( 2001 ) directed by k . balachander • film + cast • letterboxd
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paarthale paravasam - manma . . .
the youtube account associated with this video has been terminated due to multiple third - party notifications of copyright infringement .
paarthale paravasam / title song , featuring madhavan , simran and sneha on mango music tamil . music by ar rahman , directed by k balachander from paa… | pinteres…
urltoken - paarthalae paravasam review . madhavan , simran , vivek , sneha , manivannan
madhava ' s old girlfriend . . . aka paravasam - india : telugu title : dubbed version
interestingly , the 100th film of k . balachander happens to be the first film for samuthirakani in the big screen . yes , paarthale paravasam featured samuthirakani in a brief role as a patient in a hospital .
paarthale paravasam is a 2001 tamil action - romance film , directed by k . balachander and produced by kavithalayaa productions . this film stars madhavan , simran , lawrence raghavendra , sneha , vivek in the lead role . the films soundtrack and background score were composed by a . r . rahman with lyrics by vaali , vairamuthu , na . muthukumar .
sneha was touted as a strong contender for the top slot after she got noticed in films such as
punnagai desam
and
pammal k sambandam
. but lady luck did not favour her , as films such as
paarthale paravasam
, ` yeh nee romba azhaga irrukey
and
king
did not do too well at the box - office .
listen to the hit song love check sung by sri ram and sivamani from the super hit film paarthale paravasam . cast : madhavan , simran , sneha music : ar rahman lyrics : vaalee director : k balachander producer : pushpa kandaswamy release : november 14 , 2001 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
parthale paravasam starring by madhavan and simran . madhava ( madhavan ) is a doctor but a single appearance as hero in a film has also made him the heartthrob . . .
plot of paarthale paravasam madhava ( madhavan ) is a doctor , and a single appearance as hero in a film has made him the heartthrob of thousands of girls . he marries simi ( simran ) , but a revelation about his past separates them and takes them as far as divorce . they remain friends though , even going so far as to fix up each others second marriages .
listen to ar rahman ' s hit melody song adhisaya thirumanam sung by kalyani menon , sujatha , sriram narayan and sriram parthasarathy from the super hit film paarthale paravasam . cast : madhavan , simran , sneha music : ar rahman lyrics : vaalee director : k balachander producer : pushpa kandaswamy release : november 14 , 2001 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
this page hosts a weekly slideshow related to tamil movies . each slide includes a picture and some description about that picture . all the slides will have a recurring theme . people looking for actress stills , actress images , actor stills , actor images , movie stills , movie images , and other interesting topics , relevant issues in tamil cinema will find this page useful . samuthirakani - paarthale paravasam | 10 cameos that might take you by surprise .
watch tamil superhit song - idhu manmadha maasam from the blockbuster movie , paarthale paravasam . starring : madhavan , simran , lawrence raghavendra , sneha , vivek , vaali . singers : palghat sriram . music : a . r . rahman . director : k . balachander . to watch more videos , click urltoken subscribe now for more updates urltoken join & like our facebook rajshritamil fan page urltoken join us on google + urltoken follow us on twitter urltoken
watch tamil superhit love song - moondru yezhuthu from the blockbuster movie , paarthale paravasam . starring : madhavan , simran , lawrence raghavendra , sneha , vivek , vaali . singers : harini , karthik . music : a . r . rahman . director : k . balachander . to watch more videos , click urltoken subscribe now for more updates urltoken join & like our facebook rajshritamil fan page urltoken join us on google + urltoken follow us on twitter urltoken
maddy is known to consider kamal haasan as his mentor and has appeared alongside him in ‘nala damayanthi’ , ‘anbe sivam’ , ‘paarthale paravasam’ and ‘manmadhan ambu’ . many times he has asserted that he will work with the ulaganayagan any time he calls him . however in a recent interview a scribe posed the question whether maddy would take part in the television reality show bigg boss hosted by kamal in tamil to which his prompt reply was the show is not his cup of tea and he is not interested in participating .
kamal has said ' yes ' to act in balachander ' s film , ' paarththaale paravasam ' as the director himself had gone in person to request him to do so . he is going to don a comedy - role which would be an added advantage to the picture which is a highlight as balachander ' s one - hundredth movie .
' parthale paravasam ' is slated for a deepavali release . balachander is one director who has kept up with the changing times and trends in the industry , and despite being around for decades , never fails to throw a surprise . not surprising then if this film is one of the most anticipated ones among the releases being readied for the festival .
the shooting of ' parthale paravasam ' is almost over . a much anticipated film , it being the 100th film of ace director k . balachander and comes after a long gap after his ' kalki ' . the film has madhavan - simran - sneha in the lead and the supporting cast has vivek , manivannan , lyricist vaali , damu , charlie , nizhalgal ravi , seema , radhika choudhary , and dance master raghavendra lawrence .
listen to the romantic hit song nee thaan en desiya geetham sung by ks chithra and balram from the super hit film paarthale paravasam . cast : madhavan , simran music : ar rahman lyrics : vaalee director : k balachander producer : pushpa kandaswamy release : november 14 , 2001 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken follow us on : urltoken visit our website : urltoken lyrics - nee thaan en desiya geetham ranjana ranjana . . ranjana ranjana . . nee thaan en desiya geetham ranjana ranjana . . ranjana ranjana . . en orae paadalae . . uyir kaathalae . . en mariyaathaikku uriyavalae . . manathirkku iniyavalae . . kaalaiyum neeyae . . maalaiyum neeyae . . kanavilum neeyae . . kanavilum neeyae . . nee thaan en desiya geetham ranjana ranjana . . ranjana ranjana . . en piravaa mazhalaigalai un vizhiyil paarkiraen en piravaa mazhalaigalai vizhiyil paarkiraen . . naan ezhuthaa kavithaigalai mozhiyil kaetkiraen . . un mozhiyil kaetkiraen . . naan vaendiya varangalai varavil paarkiraen . . un varavil paarkkiraen en vidiyaa iravugalai . . en vidiyaa iravugalai . . un uravil paarkiraen . . un uravil paarkiraen . . kaathalae jayam . . kaathalae jayam . . kaanbathunmayam en mariyaathaikku uriyavalae . . manathirkku iniyavalae . . nee thaan èn desiya geetham ranjana ranjana . . èn orae paadalae . . udalaal varum šugathai othara paarkiraen . . verum udalaal varum šugathai , othara paarkiraen . . naam iranthum iravaanilai èthirpaarkiraen . . èthirpaarkiraen . . èllaam èzhuthukkum uyir thødakkam . . uyir thødakkam . . èn èllaa unarvukkum . . èn èllaa unarvukkum nee thødakkam . . nee thødakkam . . kaathalae jayam . . kaathalae jayam . . athu kadavulin gunam . . èn mariyaathaikku uriyavalae manathirkku iniyavalae . . kaalaiyum neeyae . . maalaiyum neeyae . . kanavilum neeyae . . kanavilum neeyae . . nee thaan èn desiya geetham . . un orae paadalae . . uyir kaathalae . . èn mariyaathaikku uriyavane . . intha mannilum periyavane . . kaalaiyum neeyae . . maalaiyum neeyae . . kanavilum neeyae . . nanavilum neeyae . . nee thaan èn desiya geetham ranjana ranjana . . ranjana ranjana . .
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news was around sometime back that vijay would be starring in the new film of a . v . m productions . further details about the film were kept in the dark . now things have come to light .
suresh krishna , who is directing the film did not narrate the film ' s story to vijay . instead , he gave him a video cassette of the film and told him that they have planned to remake the film . vijay presumed that it would be an english film and elated to act in its remake .
when he pressed the ' play ' button of the video player with high spirits he was in for a disappointment as the film was not an english film , but actually an m . g . r starrer , ' mattukara velan ' !
vijay has a dual role to play in the proposed film because there are two m . g . rs in the original film . one m . g . r hails from a village and the other belongs to a town . so we would be seeing a rustic vijay as well as a sophisticated vijay in the film to be remade .
vijay is not fully satisfied with the old film to be remade now . yet , he has agreed to act in the remake film reposing his confidence with the two titans , a . v . m and suresh krishna .
lets hope that the film to take shape would not earn a black spot as ' bhadri ' has done .
k . balachander , wanted to give a facelift to his one hundredth film , so he approached kamalhasan and asked him to act in a guest role in that film .
but kamal and balachander are not the best of friends . they have not seen ' eye to eye ' in several matters for quite a few years . the director has failed to turn up for the inauguration of the shoots for kamal ' s dream picture , ' marudanaayagam ! kamal is not happy over that .
but the differences have sunk now . the titans are joining hands once again to offer a feast for the eyes of the moviegoers .
in the mean time , many attempts are being made to feature rajinikanth also in the cast list for this film .
suvalakshmi who has studied law had donned respectable characters alone right from her debut film ' aasai ' to this date . unable to hold herself in the glamour - based celluloid world she planned to jump over to the position of a director . but it was not to be . she could not surmount the stumbling blocks placed on her path . her directional dreams were not be realized . now she has turned her eyes to the small screen . soon she would be vying for honors with television actresses like banupriya , radhika and monika .
presently , she is playing the main character in the t . v serial , ' soolam ' . she is not giving importance to roles shedding tears , but she has decided to give priority to roles having scope for majestic and confident traits .
suva ! ensure your position and carve a niche for yourself in these roles at least .
with the release of the audio cassette of ' star ' , the tamil film world expects that the masses would become crazy for the songs because the music has been scored by a . r . rahman .
today the songs of ' citizen ' have swayed over the psyche of the covers of film music , so to say . the song , ' i like you ' has captivated the attention of many like ' vasegara ' . today , ' i like you ' is here , there and everywhere from the famous t . v channel ' s to the tea - shops in the street corners .
but it has been copied from the ' i feel lonely ' of the famous english music director shasha . eventhough deva is a master at copying tunes , none can beat him at making the songs a super - hit .
when you have ramba in the cast list of a film , the producers can rest assured of the triumph of glamour in their film . her thighs alone can do the trick . she easily scores as a glamour queen .
' maams ' , the film in which she is acting alongside prabhu was about to be kept in abeyance because of financial stringency . but ramba has stepped in to resource the film by dragging out the mire of pecuniary hardship . she has given the clarion call :
wait , wait . do not panic . hereafter , i shall take care of the film !
the alarm is over now .
what has made ramba turn into a producer ? why this sudden desire ? maybe , she is following the foots steps of jyothika , ramya krishnan and meena . when all these established actresses themselves are making their own films , will ramba who is standing on the edge of the cine field lag behind ? is it a quest of survival . . . or is it a comeback bid ?
failure is not new to t . rajendar . push him into the deep sea and he will emerge safe soon out of the shallow waters , unhurt .
he released his film ' sonnaldhan kadhala ' immediately after his failure in the polls . the film cannot be termed a super hit . but the statistics of the commercial circles say that it is one of his successful films . no doubt , the profit is there .
t . r has been grooming his son silambarasan from his childhood days , by training him to blossom into a full - fledged hero in due course . the two dance numbers rendered by silambarasan in ' sonnaldhan kadhala ' have received rave reviews from all the film - goers . the son has brought laurels to his father . he has made him proud . silambarasan has arrived for certain . t . rajendhar has decided to introduce his son as the hero in his next film , ' kadhal azhivathillai ' .
he is on the look out for the right pair for his son . his table is now replete with the photographs of many models of mumbai .
shortly , you can see shakeela of south india ( ! ) on either b . b . c or star t . v ( ! ! )
an entertainment company , ' xy t . v ' of england is going to make a documentary film with the title ,
in the subject of the films which have degenerated the virtues of indian society
, they are going to show the clippings of shakeela as proof of the the degeneration of the society . for this , xy t . v is gathering the details about shakeela through a team of investigators . after finishing with its through research ' xy t . v ' would be selling the clippings to b . b . c or star t . v .
by the quirk of fate , despite all this fame , shakeela could not ensure a firm place for her in tamil films . what attraction mumtaj has , more than shakeela , one wonders ! !
those who are in the race for the title are shyam of ' 12b ' , srikanth of ' rojakoottam ' and richard of ' kadhal virus ' .
as srikanth is sharing the screen with bhoomika , richard is featured alongside sridevi vijayakumar and shyam with simran and jyothika .
shyam is a lucky lad . he has hit a jackpot in his very first film . the director is very famous . nothing is to be said about the heroines ( simran , jyothika ) . the subject is about the youth . the talk of kodambakkam today is that shyam would be the ' snehithan ' and ' vaseegara ' in the near future for our womenfolk .
madhavan has become the favorite actor of manirathnam ( formerly it was arvind samy ! ) . he has now been booked to act in the next venture of madras talkies . the name of the film is ' pepsi ' .
susi ganesan of ' virumbukiren ' has been signed to direct ' pepsi ' . ' virumbukiren ' is a long drag . it is tattering for the past two years to find its way . susi ganesan is in low spirits as the film is groping in the dark . now that he is going to make a film for his alma mater he can heave a sign of relief .
i have been pleading with people to recognize my acting skills and also i have requested them to give me ample chances to prove my mettle . now i have got the required break . until now i was branded as a glamour queen . from here onwards , i will earn titles like ' action storm ' and ' acting star ' . i can surely do so .
director
sethu
bala is a hard worker . he will work his way to the finish and see the talk undertaken fulfilled . therefore i like him very much .
sathyaraj is going to reel out another film like ' ennamma kannu ' . the name of the movie is ' sound party ' .
now murali has been booked to act in the role originally allotted to karthik in the film , ' alli thantha vaanam ' .
it is mumtaj who is acting in more films than others in the current season ? she has a dozen films to her credit .
in ' narasimma ' , vijayakanth would be fighting against four stunt masters instead of the usual stuntmen .
p . suseela had left the tamil film world in the lurch by announcing that she won ' t sing again . now she is going to act some scenes in the film ' manadhai thirudi vittaai ' .
once the ajay - malavika pair was creating a sensation by acting together . now the pair has parted . at present , they are acting separately in tamil films .
r . b . chowdhry is going to give a new lease of life to the movie , ' kamarasu ' which was shelved some two years back .
he story of simran is getting curiouser and , to quote alice , curiouser .
( costarring ajith ) . and word was out that she was tamil nadu cinema ' s new queen bee .
then came the buzz about her romantic liaison with ace choreographer raju sundaram . simran , while acknowledging the relationship , indicated that wedding bells were not imminent - - but the industry buzz was that she was cutting down on her assignments .
seemingly , without tripping over the svelte star . and her assignments seem to be getting more and more high profile with every passing day .
in this film , jeeva , in fact , pulls off a casting coup , getting tn ' s two top heroines jyotika and simran back together in one frame .
- - the 100th directorial venture of k balachander , doyen of tamil film directors . this one , incidentally , will see her sharing screen space with , among others , her very own raju sundaram .
the film , incidentally , has madhavan playing the father of two kids . and , again , mani ratnam , with an eye to scoring talking points , has cast malavika , daughter of ace carnatic singer sudha raghunathan and keerthana , daughter of matinee star parthiban and his wife , the erstwhile actress sita , in the two child roles .
it ' s simran ' s entry into the cast , though , that ' s got the industry buzzing .
it ' s simran , though , who ' s gone and landed the project - - and for a star supposedly cutting down on her engagements , she seems to have acquired a pretty full hand .
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urltoken
actress sonali bendre says she has been diagnosed with a
high - grade cancer
and she is undergoing treatment in new york . the actress on wednesday took to twitter and instagram to share the news about her health . she has thanked her family and . . .
debutant director anand balki ' s comedy film with santhanam , which was titled server sundaram has postponed the release date again . the movie was planned to release on july 6th and now its postponed due to unknown reason . the director apologies to . . .
nayanthara ' s kolamaavu kokila finalized the release date of audio launch and the trailer . the production company of the film lyca productions announced the news that the audio launch and the trailer of this black comedy film will be on july 5th ( . . .
business wire indiaveteran actor manmeet singh’s song , asli sardarji , celebrates the real spirit of sikhismveteran . . .
actress sonali bendre says she has been diagnosed with a
high - grade cancer
and she is undergoing treatment in new . . .
debutant director anand balki ' s comedy film with santhanam , which was titled server sundaram has postponed the . . .
nayanthara ' s kolamaavu kokila finalized the release date of audio launch and the trailer . the production company of . . .
the team saamy square added actress aishwarya rajesh for the role of trisha who played as the wife of aarusaamy in . . .
latha rajnikanth , the wife of superstar rajnikanth was pulled up by sc for non - payment of dues .
we do not like . . .
hey call him the eiyarkunar sigaram - - ' peak of directors ' , in loose translation .
long - time viewers of tamil films would make a case that k balachander deserves this somewhat florid title .
in his time , kb made some landmark films and also introduced to the tamil screen a host of talents including kamal hassan , rajnikanth and sridevi .
in course of a career that has spanned one hundred offerings , earned a name for the boldness of his themes , the sharpness with which he etches his characters , and a drive for perfectionism coupled with a fiery temper , he has earned the reputation of a martinet .
deals with madhavan , a doctor who acts in a film and becomes a superstar , overnight .
( played by seema ) and agrees to marry any girl of her choice .
simran is the chosen one , and the two get married and settle down quite happily .
till the fly in the ointment happens along , in the form of radhika choudhury .
she stops by the madhavan residence , young son in tow , en route to the airport to take a flight to london - - and lo , the truth tumbles out , that the child is actually the product of a brief liason between choudhury and madhavan , during their college days .
choudhury takes great pains to point out that she is the one who didn ' t want to get married , and that she is happy as a single mom - - but simran , feeling betrayed , walks out on the marriage and demands a divorce .
the story and more importantly , the characterisation , stumbles badly at this point .
she is wearing , on her way out the door , is one he had given her , she rips it off and flings that in her hubby ' s face as well .
which would have been fine enough in a way . yet shortly thereafter , simran finds herself in financial trouble and accepts her by - then - ex husband ' s offer of funds .
meanwhile , the story moves on . to stage dancer lawrence raghavender , who likes simran . and to the nurse , sneha , who likes madhavan .
simran , after her initial eruption , finds all the old love returning , but for some reason never reveals it .
simran pushes madhavan into marrying the nurse , madhavan reciprocates by taking it on himself to get the dancer ' s parents to accept a divorcee as their daughter - in - law .
from here on , the movie descends into uncontrolled chaos , against the backdrop of a double - wedding .
it all ends with madhavan and simran being reunited , and assorted people learning assorted lessons .
alas , by then , you get to a point where you care two hoots .
being just one example of many ) . here , however , kb fails to convince .
you get the feeling while watching that kb , now into his 70s , is keen to prove that he can make contemporary cinema , about characters who are modern in their mindset and attitudes .
) , his best friends would probably wish that he reverted to a more mature brand of film - making .
when reviewing his ouevre , one needs to remember that kb started off as a stage director . in his early black and white movies , that influence showed . films such as
but for a while now , kb has been focussing on the small screen . in fact ,
the small screen influence shows here , with the screenplay having an episodic feel to it as opposed to the smooth narrative you expect in a feature film .
the small screen feel is underlined inadvertently by the fact that kb packs the cast with artistes who are regulars in his various recent serials .
what a pity , considering the film has a lot of things going for it .
but good music , in this case , fails to give the movie legs at the box office .
it is apparent that he has inherited the loose - limbed dancing style of prabhu deva . and some influences of his mentor show in his acting as well , as he turns in a competent performance .
for most of the part , madhavan looks bored . the accomplished simran on other hand contorts her face . that ' s kb for you .
the director for some reason likes to have his female stars make faces in close - up .
kamal hassan , who owes his celluloid introduction to kb , steals the show in brief cameo where his gift for comedy is used to very good effect .
star comedian vivek ( another kb discovery ) bags a few laugh lines , but never really brings the house down .
as an aside , while this film was on the floors , lyricist vaalee was being roped in to play a role which he did , in a small cameo .
at the end of it all , you get the feeling that the director failed to keep control of his storyline .
which is very sad , considering the director was known to be a control freak , and his trademark was a gift for intense , gripping storytelling .
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cast : madhavan , simran , vivek , sneha , manivannan language : tamil banner : kavithalayaa director : k . balachander producer : pushpa kandasamy camera : venkatesh story : k . balachander screenplay : k . balachander dialogue : k . balachander lyrics : vairamuthu , vaali music : a . r . rahman year : 2001
in the film madhavan and simran come as doctors . it is a love triangle with madhavan and simran ' s love messed up by the entry of sneha with whom madhavan has an affair . the film has music by a . r . rehman with lyrics by vaali and vairamuthu . cinematography is by a . venkatesh and raghunath reddy . k . balachander apart from directing the film also pens its story and screenplay , while the dialogue is written by gopu - bapu . the director ' s home production , the film is produced by his daughter pushpa kandasamy for their banner ' kavithalaya ' .
editing is by suresh urs , artwork by maniraj , and dance choreography by brinda and lawrence . five songs were picturised recently at exotic locations . one of the songs was shot at the picturesque fort of kasargod , kannur , in kerala . simran and madhavan took part in the song sequence . while venkatesh cranked the camera , it took five days to shoot the song . yet another song ' nee thane enn desiya geetham . . . ' , was picturised on madhavan and sneha . yet another lavish set was erected to shoot a song on lawrence and simran .
damu appears as ' chinna annamalai ' - a take off on the superstar ' s role in annamalai , and his scenes are expected to keep the audience in splits .
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movie revolves around a couple , their break - up after a dirty secret of one of them uncovers and its aftermath .
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a boy raised in a cemetery grows up with no social skills , and leads a turbulent life readjusting once he moves out of the cemetery .
thirumalai , a mechanic , falls in love with sweta . however , her father , the owner of a tv channel , is unhappy with their relationship . he takes arasu help to create differences between the couple .
balachander has totally lost touch ! his movies were always contrived but atleast there was an intelligence behind it . but they have crossed all limits of believability and have become stupid and silly these days ! avoid like a plague ! p . s : simran and madhavan turn in wonderful performances that are totally lost in the idiotic script ! what a predicament it must have been for them - to act in such a stupid movie by such a well - known and once - great director ! good luck guys !
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varaha nadikkarai oram - sangamam - a . r rahman tamil song - rehman & vindhya
singer ( s ) : a . r . reihana , ganga , febi mani , kanchana
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madhava ( madhavan ) is a doctor , and a single appearance as hero in a film has made him the heartthrob of thousands of girls . he marries simi ( simran ) , but a revelation about his past separates them and takes them as far as divorce . they remain friends though , even going so far as to fix up each other ' s second marriages .
simi decides to get madhava married to chella ( sneha ) , a nurse at his hospital , while he tries to fix up her marriage with a dancer , azhagu ( lawrence raghavendra ) . in the end , madhava ' s and chella ' s wedding and simi ' s and azhagu ' s wedding are on the same date . unfortunately azhagu then marries his housemaid due to his father ' s greed for wealth . chella ' s parents find out about madhava ' s past and call off the wedding . in the end madhava and simi remarry . chella marries vivek , madava ' s colleague , who was interested in her ever since he became madhava ' s disciple in the hospital .
q - q plot - interpretation . . . the points plotted in a q–q plot are always non - decreasing when viewed from left to right . . . if the two distributions being compared are identical , the q–q plot follows the 45° line y = x . . . transforming the values in one of the distributions , then the q–q plot follows some line , but not necessarily the line y = x . . .
zoltan , hound of dracula ( film ) - plot . . . zoltan opens another coffin shaken loose from the crypt , this one holding the body of an innkeeper , nalder , who once owned the crypt . . . zoltan removes the stake from the innkeeper ' s chest , reanimating the innkeeper . . .
les misérables - plot - volume ii – cosette . . . valjean arrives at montfermeil on christmas eve . . . he finds cosette fetching water in the woods alone and walks with her to the inn . . .
bresenham ' s line algorithm - derivation - algorithm . . . plot ( x0 , y0 , x1 , y1 ) dx = x1 - x0 dy = y1 - y0 d = 2 * dy - dx plot ( x0 , y0 ) y = y0 for x from x0 + 1 to x1 if d > 0 y = y + 1 plot ( x , y ) d = d + ( 2 * dy - 2 * dx ) else plot ( x , y . . .
babington plot - mary ' s imprisonment . . . after her abdication from the throne of scotland in 1567 , she became the focus of numerous plots and intrigues to restore england to the catholic fold . . . against the queen , even if the claimant were ignorant of the plot , would be excluded from the line and executed . . . for the execution of anyone who would benefit from the death of the queen if a plot against her was discovered . . .
in shimmering detail with such delicacy of treatment and such fine aloofnessthat is , reluctance to engage in any direct grappling with what , in the play or story , had actually taken placemthat his listeners often did not , in the end , know what had , to put it in another way , gone on .
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simi decides to get madhava married to chella ( sneha ) , a nurse at his hospital , while he tries to fix up her marriage with a dancer , azhagu ( lawrence raghavendra ) . in the end , madhavas and chellas wedding and simis and azhagus wedding are on the same date . unfortunately azhagu then marries his cousin due to his fathers greed for wealth . chellas parents find out about madhavas past and call off the wedding . in the end madhava and simi remarry . chella marries vivek , madavas colleague , who was interested in her ever since he became madhavas understudy in the hospital .
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madhava ( madhavan ) is a doctor , and a single appearance as hero in a film has made him the heartthrob of thousands of girls . he marries simi ( simran ) , but a revelation about his past separates them and takes them as far as divorce . they remain friends though , even going so far as to fix up each other ' s second marriages . simi decides to get madhava married to chella ( sneha ) , a nurse at his hospital , while he tries to fix up her marriage with a dancer , azhagu ( lawrence raghavendra ) . in the end , madhava ' s and chella ' s wedding and simi ' s and azhagu ' s wedding are on the same date . unfortunately azhagu then marries his cousin due to his father ' s greed for wealth . chella ' s parents find out about madhava ' s past and call off the wedding . in the end madhava and simi remarry . chella marries vivek , madava ' s colleague , who was interested in her ever since he became madhava ' s understudy in the hospital .
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dr . madhav is a doctor - turned - movie star , who becomes everyone ' s blue eyed boy with his first film . however , he hardly wants all the fame as his bigger motive in life is to serve the needy .
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amrutha telugu full length movie | | madhvan , simran , j . d . chakravarthy , nandita das
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two years ago . the comfort level on the sets is very high . the two gab incessantly in tamil though madhavan is nervous about his second hindi film .
but there ' s hardly any time to entertain the butterflies in the stomach . maddy , as he ' s more commonly known , settles down to answer
something really beautiful , that much i can tell you . the script is conceptualised as a tribute to the songs of rahul dev burman . all of us have beautiful roles . i ' m paired opposite namrata shirodkar ( who replaces mahima chaudhry ) . i was amazed at how beautifully she performs before the camera . our roles are similar to the ones amitabh and jaya bachchan essayed in
and called me . simran and i commenced shooting in january and completed the film in april . we then waited for a r rahman ' s music and the film finally hit the road on november 14 .
when a film is a no - show at the bo it has to be salvaged in any way possible . i just wish my hindi debut was as strong as my tamil debut ,
' s producer ) would do another hindi film with me . but , i don ' t want to push him into it .
like him , i want to be a self made man . i consider bhagnani to be the king of the selfmade clan . he ' s so successful and yet so down - to - earth .
sounds like mani rathnam . how ' s it doing a third film with him ?
believe me my role in this new mani rathnam film is to die for . i play a mature working - class man for the first time . simran is my heroine this time round again . i don ' t want to create the wrong hype by saying too much about it .
i ' ve done two films with jyothika and two with simran . now , i desperately need a new heroine . do you have anyone in mind ? it isn ' t as though i mind working with either . they ' re both wonderful co - stars . but after bonding intensely with them over two films , it ' s hard to move on to other characters .
the k balachander and mani rathnam films that simran and i did , featured us in radically removed roles . they are bound to be highpoints of our careers . now , if we ' re offered anything else together it would be difficult to move ahead .
touch wood , it couldn ' t be better . i don ' t know how the new mani rathnam film will fare . but it ' s a dream opportunity for both simran and me .
the director shaad , probably wanted an entire change of mood , scenario and flavour in hindi . i think we should all give vivek oberoi a chance . i ' m not saying he ' d do better . but let ' s be fair to him .
really ? ! i ' m quite a duffer in these matter . though i ' m good with mani i ' m not very good with money . * laughs *
to me , the script is the biggest fortune . i wish there were more scriptwriters writing sensible stuff .
i think i have a long way to go before i ' m seen anywhere near the oscars .
was selected . if it had been any other film , it would ' ve been ridiculous . i ' m dying to do a film with aamir .
i ' m proud of almost everything i ' ve done on the small screen . i particularly liked a one - hour telefilm for zee about a self - styled casanova who comes to terms with his waywardness when he discovers he has a son . that was one of my best works .
television has an amazing ability to reinvent itself . at one time home viewers freaked out on costume dramas like
i might have been among the actors in my age - group . but otherwise , i think guys like satish shah , shekhar suman and farookh sheikh earned a lot more . but , the one television product i really like is manoj bajpai .
wow ! that completes the circle . i ' ve been called the hrithik roshan of television ; the shah rukh khan of the south . now it ' s rajesh khanna . i couldn ' t have asked for more .
the dancing . it ' s tortuous ! i ' ve got two left feet . i was uncomfortable doing the beach song in
. but we can ' t forget the ' b ' and ' c ' centre audiences . if we spend rs 40 million , half that amount comes in from those areas . the unfortunate thing about that beach song , which neither rathnam nor i was comfortable with , was that it brought the audiences into the theatre in droves .
i never want to overreach . i don ' t care if people say i ' m a bad actor . i know i can manage to act well . but i don ' t ever want them to say stardom has gone to my head . that ' s why i ' m proceeding with extreme caution .
yes , it ' s a dream come true . the dates are being worked out . and it does look like i will do the film .


manjil virinja pookkal ( english : flowers that bloomed in the mist ) is a 1980 indian malayalam musical romantic thriller film produced by navodaya appachan , written and directed by fazil .

it stars mohanlal , shankar , poornima jayaram .

the original soundtrack was composed by jerry amaldev and cinematography was done by ashok kumar .

prem kishan ( shankar ) comes to kodaikanal , where he falls in love with a girl , prabha ( poornima ) .

but later it is revealed to kishan that prabha was already married to narendran ( mohanlal ) , a sadistic youngster .

their relationship gets into trouble when narendran finds out about their affair .

the film marked several debuts — directorial debut of fazil , onscreen debut of mohanlal who would later become one of the biggest superstars of indian cinema and poornima , shankar 's debut in malayalam cinema , and amaldev as music director .

manjil virinja pookkal released in theatres on 25 december 1980 on christmas day .

the film was shot mainly in and around kodaikanal , tamil nadu .

made on a cost of ₹ 7 lakh , the film grossed ₹ 98 lakh at the box office .

it was one of the highest-grossing malayalam films of the year and was a major landmark in the career of fazil .

manjil virinja pookkal received six kerala state film awards , including the best film with popular appeal and aesthetic value .

manjil virinja pookkal

manjil virinja pookkal by s . janaki , k . j . yesudas , vani jairam on spotify
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film director fazil ' s maiden film , ` manjil virinja pookkal ' , was released on a christmas day 25 years ago .
listen to sithara singing mizhiyoram nananjozhukum from the film manjil virinja pookkal . the popular playback singer beautifully mixes it with mohammed . . .
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manjil virinja pookkal might always be remembered mostly as the film that introduced mohanlal to malayalam cnema . more serious students of cinema would also remember it as director fazil’s debut .
but let’s finish that first story of manjil virinja pookkal . it started with lyricist bichu thirumala going for a walk in the morning in alappuzha . coming back , he told director fazil he saw a flower bloomed in the snow . in malayalam , that translates to manjil virinja poovu .
the past is a candle at great distance : too close to let you quit , too far to comfort you . movie : manjil virinja pookkal vocal : mrithul . . .
unni menon sings
mizhiyoram nananjozhukum
from the movie
manjil virinja pookal
onb the mementos show on rosebowl .
a renowned music composer who has composed around 300 songs in 70 malayalam films . he entered the film industry with the movie “manjil virinja pookkal” and bagged the state film award for composing film scores thrice .
no song movie music 1 paadam namukku padam yuvajanothsavam 2 pramada vanam veeendum don \ ' t know 3 kannan tumbi poramo kakkothikkavilae appoppanthadikal 4 unarumee ganam moonam pakkam 5 manjil virinja poove parayoo manjil virinja . listen to and enjoy the evergreen hit songs from manjil virinja pookkal . cast : mohanlal , poornima jayaram , shankar , nedumudi venu music : jerry amaldev lyrici . aa nimishathinte - chandrakantham aadivaakatte padivakatte - koodevide aakash poikayil - pattuthoovala aakasha gangayude karayil - omanakuttan aakashadeepam - kshanakathu aalippazham perukkan - my dear kuttichathan aambal poove .
watch the evergreen melody mizhiyoram nananjozhukum sung by kj yesudas from the box office hit film manjil virinja pookal . cast : sankar , poornima . . .
the collaboration only confirms that 36 years after the release of his first film ' manjil virinja pookkal ' and several national and state awards later , mohanlal is looking to experiment . his choice of projects in 2016 is a clear indication .
film debut : manjil virinja pookkal ( malayalam , 1980 ) , company ( bollywood , 2002 ) , chandramukhi ( tamil , 2005 ) production debut : bharatham ( malayalam , 1991 ) singing debut : sindooramegham shringaarakaavyam . . . ( malayalam , 1985 )
to be very frank , when i saw manjil virinja pookkal back in 1980 , i did not notice mohanlal . to me he was just a newcomer . i started noticing mohanlal when he , along with srinivasan , began making . . . . . .
watch the evergreen melody mizhiyoram sung by s janaki from the box office hit film manjil virinja pookal . cast : sankar , poornima jayaram , mohanlal lyrics : . . .
after thiranottam , the friends — impressed by the talent that he had shown in school and college plays — sent his pictures to the producers of manjil virinja pookkal , who were looking for fresh faces . he got the offer — and mohanlal became a name .
“i had no idea who jerry was , but was impressed when jijo told me that he had assisted legendary composer naushad in mumbai . i decided to try him for my debut film , and that was how he became the music director of manjil virinja pookkal . ”
but , of course the magnitude of the success of ‘manjil virinja pookkal ' was something i could not have prepared myself for ; it remains one of the biggest ever malayalam hits . my tamil film ‘oru thalai ragam ' was already released and it was a huge hit too ; it ran for 365 days .
i was just 20 , and barely out of the south indian film chamber school of acting ( which also produced rajnikanth and sreenivasan ) , when i did fazil ' s ‘manjil virinja pookkal . ' on its release , i watched the movie at a cinema theatre in thrissur . it didn ' t look like the film was going to be a hit then . so i was surprised when i was mobbed by people a few days later at bangalore airport . they told me that they liked me in ‘manjil virinja pookkal . ' it was then that it occurred to me that the film was probably doing well in kerala .
manjil virinja pookkal was mohanlal ' s first release . [ 1 ] his first film thiranottam was never released in theaters . the film was shot mainly from kodaikanal , tamil nadu . the first dialogue of mohanlal , which begins as
i am narendran
was shot from the astoria hotel , near kodaikanal busstand . [ 3 ]
what & apos ; s surprising , of course , is that mohanlal is not your archetypal hero — he is plump , has chubby cheeks and a rueful look . no one really thought that the man who first appeared as an anti - hero in the critically acclaimed manjil virinja pookkal in 1980 would rise to become a superstar .
he is a commercial film maker who dares to experiment .
this is how mammootty describes filmmaker fazil , who has been in the film industry for 25 years . it was on christmas day , a quarter of a century ago , that director fazil ' s first movie , ` manjil virinja pookkal ' was released . it created a flutter and gave the malayalam film world an actor with an elastic range - mohanlal .
with 18 malayalam films , 10 in tamil , and one in telugu under his belt , fazil has won the maximum number of state awards for the best film with popular appeal and aesthetic value . four of his films to be awarded in this category are ` manjil virinja pookkal , ' ` nokketha doorathu kannum nattu , ' ` ennenum kannettante ' and ` manichitrathazhu . ' though 10 of his malayalam movies were hits , his flops haunt him .
manjil virinja pookkal movie is about prem kishan ( shankar ) who is falling in love with prabha ( poornima jayaram ) whom he knows very little about . later on he realises that she was already married when her husband , narendran ( mohanlal ) who comes into the picture . the film ends on a sad note , with prem kishan committing suicide after killing narendran , saddened by the loss of prabha , who was killed by the same narendran .
besides introducing state - of - the - art technology in malayalam , appachan also enjoyed the credit of moulding the careers of some of the best talent in the malayalam film industry . the popular names include the directors fazil , sibi malayil , priyadarsan , t . k . rajeevkumar and jijo ; the music directors jerry amaldev and mohan sithara ; and the actors mohanlal , sankar , poornima ( manjil virinja pookkal ) and baby shalini ( ente mammattikuttiammayku ) .
nobody called him a superstar , but he was one . shankar was not called a superstar because that word had not gained currency in malayalam when he made a sensational debut in ‘manjil virinja pookkal ' and followed it up with several successive box office hits in malayalam and tamil too . shortly before the emergence of the reigning superstars mammootty and mohanlal in the 1980 ' s , it was shankar who reigned supreme in malayalam cinema . but shankar could not reign for long .
there is perhaps no better way to start this story than simply asking , do you know how manjil virinja pookkal got its name . those old enough to remember the early 1980s would talk about this film as one that brought a lot of new ideas to malayalam cinema — the way it was taken , the new actors , the new director and the music composer . now decades later , people still talk of this film , mostly because it is mohanlal’s first release .
my films don’t have any great messages to convey or any political statements to make . they only have entertainment value . natholi oru cheriya meenalla is an experiment where i have tried my best to entertain viewers . the film is about the interaction between a writer named prem and narendran , a character that he creates . at certain points the film is also a tribute to manjil virinja pookkal , which is perhaps evident from the names of the characters . i found it an interesting and different concept .
mohanlal was a professional wrestler and he had won many accolades in this field . no wonder why this flexible actor performs so well in action scenes in films . he was also selected for the national championship which was to be held at new delhi . but he missed it as he was called for an audition for his debut film manjil virinja pookkal , which was directed by fazil . thus , mohanlal went on to become one of the best actors of india and did not pursue wrestling as a profession .
that ' s when mcp started his production - cum - distribution house , navodaya movietone . he went on to produce films such as ‘mamangam , ' ( 1979 ) , ‘theekadal , ' ( 1980 ) and ‘manjil virinja pookkal ' ( 1980 ) , in which mcp introduced mohanlal and poornima jayaram . the u . s . - based jerry amaldev was the music director while the story , screenplay , dialogue and direction were by fazil . another star was born when mcp produced ‘yente maamaatukkutiamma , ' directed by fazil - - baby shalini .
this was the university where i learnt filmmaking . i watched him make the whole movie and learnt the craft . i contributed to the discussions of new movies at the studio . ` theekkanal ' was made with big budget stars , like madhu and nazir . it was a success . when they discussed the next film , i suggested that a small budget movie be made , with new faces . i was given the job of director for ` manjil virinja pookkal . ' jijo was always a great source of encouragement to me ,
fazil sums up his early days .
watch the evergreen melody mizhiyoram sung by s janaki from the box office hit film manjil virinja pookal . cast : sankar , poornima jayaram , mohanlal lyrics : bichu thirumala music : jerry amaldev genre : sad director : fazil producer : navodaya appachan release : december 25 , 1980 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
fazil was one of the members in the creative team of udaya studio ' s story discussions for their productions . the discussion for manjil virinja pookkal began right after the success of studio ' s big - budget film theekkanal starring high - profile actor like madhu and prem nazir . during their discussion , fazil suggested a low budget film featuring newcomers . the project was greenlit and they hired fazil himself as the director . [ 2 ] ashok kumar was selected as the film ' s cinematographer ; his name was suggested by a friend of fazil . [ 3 ] the title
manjil virinja pookkal
was given by fazil . he got it from a conversation he had with the film ' s songs lyricist bichu thirumala when they were in alappuzha ; when thirumala came back after a morning walk he said that he saw a flowers bloom in the snow . it struck fazil , he thought that to be against the laws of nature for flowers to bloom in the snow , that would prevent spring from coming . he realised that his main characters prabha and prem kishan too suffer the same fate – because spring does not come to their lives , and their love cannot bloom . [ 4 ]
watch the evergreen romantic song manjad kunnil sung by kj yesudas and vani jairam from the box office hit film manjil virinja pookal . cast : sankar , poornima jayaram , mohanlal lyrics : bichu thirumala music : jerry amaldev director : fazil producer : navodaya appachan release : december 25 , 1980 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
watch the evergreen romantic song manjaadi kunnil sung by kj yesudas and vani jairam from the box office hit film manjil virinja pookal . cast : sankar , poornima jayaram , mohanlal lyrics : bichu thirumala music : jerry amaldev genre : love director : fazil producer : navodaya appachan release : december 25 , 1980 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
rangachetana is a theatre school in kerala , based in thrissur . from children ' s summer production ' vidaraan madikkunna pookkal ' written by dr ; vayala vasudevan pillai , directed by k v ganesh , prodused by et varghese .
' manjil virinja pookkal ' is the story of prem krishnan ( shankar ) , prabha ( poornima jayaram ) and narendran ( mohanlal ) . the story starts with prem ' s visit to kodaikkanal . he finds the girl prabha and falls in love with her . but she was married once . prem do not know this and she never told this fact to him . the story moves to a new turn after the introduction of prabha ' s husband , narendran . narendran wants his girl back . he was a handsome but cruel villain . the story gets a sad ending by the suicide of the here , prem , after killing narendran who was behind the murder of his wife prabha .
the hollywood thriller sleeping with the enemy released in 1991 which was based on the novel sleeping with the enemy published in 1987 had the same storyline as manjil virinja pookkal . sleeping with the enemy was later remade into hindi four times as yaraana ( 1995 ) , daraar ( 1996 ) , agni sakshi ( 1996 ) , koi mere dil se poochhe ( 2002 ) ; into tamil as aval varuvala ( 1998 ) ; into telugu as pelli ( 1997 ) ; into kannada as maduve ( 1997 ) ; twice in oriya mu sapanara soudagar ( 2008 ) , luchakali ( 2012 ) ; twice in bangla as sagorika ( 1997 ) and ranga bou and into a pakistani movie khilona ( 1997 ) .
' manjil virinja pookkal ' is one of the evergreen blockbuster film in malayalam . it was a breakthrough to the young director fazil . moreover , this was the first release mohanlal . this film hit the box office and bagged the best film award in the year 1980 . although , the hero was shankar , the noticed appreciated one was none other than mohanlal . his villain as narendran was a new face of the villain in malayalam films . the songs of the film are evergreen and the music director was appreciated much by the public . this film was a venture of many of present famous artists in malayalam films . the list includes the director fazil , assistant director sibi malayil , mohanlal , shankar and yesudas .
shankar ' s symbolism before kissing , that is , moving his index finger from left chin to his upper lip and then downwards , was a rage among the youth . in the 2013 film natholi oru cheriya meenalla , throughout the film , fahadh faasil ' s character prem interacts with the character narendran in a virtual world . [ 14 ] the american thriller sleeping with the enemy released in 1991 which was based on the novel sleeping with the enemy published in 1987 had the same story - line as manjil virinja pookkal . sleeping with the enemy was later remade into hindi four times— agni sakshi ( 1996 ) , daraar ( 1996 ) , yaraana ( 1995 ) , and koi mere dil se poochhe ( 2002 ) . apparently , bollywood film hamari adhuri kahani released in 2015 also discuss the same story - line . [ 15 ]
mohanlal height , weight , age , wiki , wife , family , biography , profile . mohanlal viswanathan nair also known as mohanlal is an indian film actor , producer and singer . he was born on 21 may 1960 in elanthoor , kerala , india . mohanlal mainly works in malayalam film industry and established himself as most popular & highest - paid actor . his net worth not known and salary 2 to 3 crore per movie . mohanlal was made his on - screen debut with the film thiranottam ( 1978 ) and his first box office successful film manjil virinja pookkal ( 1980 ) . he has received twice national film award , special jury awards , many filmfare awards with nominations for best actor performance . mohanlal best known for films such as iruvar , company , midhunam , no . 20 madras mail , kilukkam , bharatham etc .
the studio hired the united states - based jerry amaldev as the music composer , who debuted with it . [ 7 ] amaldev was suggested to fazil by punnoose , fazil recall that ,
jijo of navodaya had made me listen to a song tuned by a new composer and i immediately liked its orchestration , . . . i had no idea who jerry was , but was impressed when jijo told me that he had assisted legendary composer naushad in mumbai . i decided to try him for my debut film , and that was how he became the music director of manjil virinja pookkal
. [ 8 ] on the thought that
a movie that introduces a new face should be shot using a new camera
, appachan travelled to germany for buying the
best camera available
at that time . the film was shot using the arriflex 35 iic camera . [ 9 ] the filming took place mainly in and around kodaikanal , tamil nadu . the first dialogue of mohanlal , which begins as
good evening mrs . prabha narendran
was shot close to the astoria hotel , near kodaikanal bus - stand . [ 10 ]
new avatar : shankar . photo : k . ragesh | photo credit : k . ragesh
he explains why in this interview with friday review in kozhikode . he talks about life after superstardom and his plans to direct mohanlal , who played the villain in his debut film . excerpts…
before i knew what was happening , i was a star in tamil and malayalam , with films such as ‘ente mohangal poovaninju , ' ‘engane nee marakkum ' and ‘poochakkoru mookuthi ' becoming hits . i did as many as 29 films in 1984 .
you have been accused of not trying to change your image as a romantic hero .
i did try , but the industry and the audience did not allow me to do anything different .
yes , it is one of the two things i regret in my career as an actor . the other mistake i made was not concentrating on my career in tamil .
mohanlal and you started with the same film , so comparisons are inevitable . he is still a superstar but you have had to play second fiddle in films like ‘ividam swargamanu . '
i don ' t grudge his success at all ; he deserves every bit of it and he is exceptionally gifted . while working with him in ‘ente mohangal poovaninju , ' i felt he had exceptional skills in enacting comedy .
i did ‘ividam swargamanu ' because i was persuaded to work in it by its director rosshan andrews . i will be starring with mohanlal in rosshan ' s ‘casanova . '
not at all . i believe life is like a circle . there will be good times and bad times . i have had so much success at such a young age ; i have no room for complaint .
you made your debut as a director with ‘keralotsavam ' recently . is direction something you are keen on ?
yes , very much . ‘keralotsvam ' wasn ' t noticed because it was a small film that was released at the same time as ‘avatar ' and ‘3 idiots . '
prior to ‘keralotsavam , ' i had directed a couple of short films . of them , one , ‘virus , ' has been screened abroad and was well received . i have had a few offers from producers overseas and i am planning to direct a film in english later this year . i would like to cast mohanlal in my next malayalam film . i have already spoken to him and he too is interested .
the film also marked the debut of a composer , whose music was so refreshingly different from anything that was heard in malayalam films at that time that ‘mizhiyoram nananjozhukum…’ conquered the malayali heart in no time .
the man who tuned that classic , jerry amaldev , turns 75 on tuesday . ‘manjadikkunnil…’ and ‘manjanikkombil… , ’ the other songs in the film , too were hits .
fazil had stumbled upon jerry . “jijo of navodaya had made me listen to a song tuned by a new composer and i immediately liked its orchestration , ” says the veteran director .
jerry went on to create outstanding melodies through the 1980’s and ‘90s . songs such as ‘aayiram kannumayi…’ ( nokketha doorathu kannum nattu ) , ‘aalorungi arangorungi…’ ( ente mamattikuttiyammakku ) , ‘penninte chenchundil…’ ( guruji oru vakku ) , ‘athappoovum nulli…’ ( punnaram cholli cholli ) , ‘poovalla poonthaliralla…’ ( kattupoth ) , ‘mele mele maanam…’ ( no . 1 snehatheeram , bangalore north ) , ‘iniyumethu theeram…’ ( pooviriyum pulari ) , ‘prakashanalam…’ ( oru vilippadakale ) , ‘devadundubhi…’ ( ennennum kannettante ) and ‘illillam kavil…’ ( adhyayam onnu muthal ) all became hits .
there were also some lovely compositions that did not top the charts , such as ‘ravinte tholil…’ ( adukkanentheluppam ) . it is a hauntingly melodious lullaby , sung by yesudas and chithra .
“since the film did not do well , the song never got the recognition it deserved , ” says jerry . “and that happened to me just too often . some of my finest compositions were for films that were not released , like kattupoth and jalakathile pakshi . ”
jerry also composed one of the finest non - film albums in malayalam ever , ganolsavam , released by tharangini records in 1984 . the songs , which were sheer poetry , were written by onv kurup .
the album contained some absolute gems such as ‘shravana chandrika pushpam…’ the lines and the tune , aided by the immaculate rendering by yesudas , bring the beauty and irresistible charms of night right before you .
jerry composed one more album for tharangini , ardrageethangal , whose lyrics were written by k . jayakumar . that album too had unforgettable melodies such as ‘janmasagara seemayil… , ’ ‘annu sandhyakku…’ and ‘chillitta vathilil…’
those songs are still popular , but jerry has not got the recognition he deserves . “jerry should have been celebrated more , given the quality of his music , ” says kaithapram damodaran namboodiri , whose lyrics jerry had composed for ennennum kannettante . “his contribution has not been acknowledged properly . ”
jerry does not mind that . “i have no problem with that , ” he says . “but i wish i had more opportunities to compose . ”
maverick : navodaya appachan with wife baby posing against the backdrop of the trophies and accolades which he earned over the years . photo : k . k . mustafah
to appachan , who brought 3 - d to the indian film industry way back in 1984 .
when ‘my dear kuttichathan ' was released in 1984 , it created quite a buzz . as india ' s first 3 - d film , it caught the imagination of children and adults alike . the man behind this milestone in indian cinema was maliampurackal chacko punnoose ( mcp ) , popularly referred to as navodaya appachan . when he passed away a couple weeks ago , indian cinema lost a pioneer .
mcp was born in pulincunoo village of alappuzha , kerala , in 1924 . just when he was contemplating the life of a missionary , his elder brother m . kunchacko , a film producer who established the first film studio , udaya , in 1948 in kerala with k . v . koshy , put him in charge of the studio ' s administration . after that , there was no looking back for appachan…
the brothers jointly produced four films every year and when kunchacko passed away , mcp handed over the reins to his only nephew bobachan .
he started afresh , and directed the first malayalam cinemascope film , ‘thacholi ambu , ' starring sivaji ganesan , prem nazir and k . r . vijaya . the film was a huge hit .
in 1982 , mcp produced and directed ‘padayottam , ' the first 70mm film completely shot , processed and printed in india , with prem nazir and mammootty . its collection hit an all - time record . ( although ‘sholay ' and later ‘shaan ' , ‘alibaba ' and ‘kranti ' were shot in india in 70mm , their final prints were developed in england , russia and japan , respectively , due to non - availability of infrastructure ) .
though mcp ' s first son jijo was the technical brain behind his father ' s first 70mm film , it was appachan who directed ‘my dear kuttichathan , ' made at navodaya studios . except in kannada ( due to an official ban ) , the film was dubbed in all the indian languages and created box - office records . mcp ' s second son jose has inherited his father ' s superb administrative skills and capabilities and is today in full control of all their administrative setup .
mcp introduced script - writer reghunath palaeri in his ‘onnu mudhal pujyam varae . ' among others he introduced to the industry included mohan sithara as music director , playback singer g . venugopal , artist sankar , and actor geetu mohandoss .
to his credit goes the tamil film , ‘poove poochooda vaa ' in which he introduced the bubbly nadia moidu . but more interesting is that fact that he brought yesteryear star padmini ( then settled in the u . s . ) back to the silver screen . k . s . chitra sang her first tamil song , ‘chinna kuyil , ' in that film , which earned her the sobriquet ‘chinna kuyil . ' in 1989 , mcp produced his last blockbuster , ‘chanakyan , ' starring kamal hassan and jayaram . a bank employee t . k . rajeev kumar made his directorial debut in that film .
skyrocketing salaries of stars , among other reasons , forced mcp to retire . but he still came up with a 16 - mm film on the bible in malayalam . he converted it into digital video format and serialised it in hindi as ‘bible ki kahaniya , ' which proved to be a success .
on a personal note , mcp helped this writer on several occasions . he spared the services of his editor t . r . sekar for this writer ' s film ‘mizhineer poovukal , ' starring mohanlal , lissy priyadarshan and oorvasi , and let him shoot at his navodaya studios free of cost in 1986 . he provided free rights to a black and white print of his one of his old film hits , ‘vellae thamarai mottu polae , ' for this writer ' s film , ‘pradesika varthakal , ' starring jayaram and parvathi .
mcp was the president of kerala film chamber of commerce ( 1973–78 , 1979 - 81 ) and was president of the south indian film chamber of commerce in 1990 - 91 . it was heart - rending to see his mortal remains being placed for public homage at the ernakulam town hall , where he had participated in many functions . mcp who had connections with madras for over six decades , passed away in kerala . he was buried in the assumption church cemetery at darkas village near tambaram on april 25 .
t . r . sekar ( 75 years and settled in tiruchi ) who had worked with udhaya as assistant to g . venkatraman from the 1960s and became chief editor in 1973 in udhaya ' s thenaruvi and had worked for all navodaya movietone ' s films ( except ‘chanakyan ' ) says : “mcp was a disciplined and punctual person . when ‘thacholi ambu ' ' s final editing work was going on round the clock , he would drop me off at my house at 6 a . m . , wait for me and then take me back . noticing the poor conditions in which i lived , he offered to buy me a house , a request i politely turned down .
“he was simple and never flaunted his wealth . can you imagine a person who was worth hundreds of crores of rupees , travelling by train from kodambakkam ( he lived in mahalingapuram ) to tambaram daily , using his car only from there to kishkintha . such was the man ! ”
fahadh faasil gives us a taste of the unconventional yet again with his new flick natholi oru cheriya meenalla .
a decade after he made his debut , fahadh faasil is the flavour of the season in mollywood . in his second coming in the industry , the young actor has given some well - appreciated , author backed - performances in movies as varied as cocktail , 22 female kottayam , diamond necklace and , annayum rasoolum , earning for his choice roles , the monikers ‘new generation hero’ and ‘thinking man’s hero . ’ fahadh , though , seems pretty nonchalant and a tad reticent about his success , preferring to be rooted to reality and letting his characters speak for themselves . now , the actor continues his unconventional run on the big screen with director v . k . prakash’s natholi oru cheriya meenalla , scripted by shankar ramakrishnan , which releases today . akam , one of the films that fetched him the state award for the second best actor last year , is expected to release soon , and amen , red wine and emmanuel also are in various stages of completion . he will shortly begin work on anwar rasheed’s episode in the five - film project anju sundarikal . in an interview with fridayreview , fahadh talks about his life has changed during in recent times . excerpts…
i don’t think people expect anything of the sort . on that note , i want to experiment . i like getting into the skin of the characters . when you watch an actor who lives in another part of the world on screen , you can relate to his / her emotions here in kerala . this is the inherent magic of cinema . i am quite thrilled to explore such possibilities .
i don’t know what my style is but i believe that any actor who acts from the heart has a style . after all the highs and lows that i’ve had , i have decided that from now on i will only do things from my heart .
acting requires a lot of mental preparation . you have to tune your body into the character and it is a tiresome process . in annayum rasoolum , for example , i actually tried method acting for the first time . i stayed in fort kochi , interacted with locals there and even wore their clothes . the people of fort kochi are often portrayed on screen as colourful and loud . i wanted rasool to be just the opposite . it was a challenge to do it differently and it was tremendously exciting too . rasool is a person who has more negatives than positives in his life . yet , he is always well - groomed , pleasant , and has a positive outlook . it is the most satisfying role that i have done till date . now , i am looking forward to the reactions of the viewers to natholi oru cheriya meenalla .
there have been various opinions about the duration and pace of your recent release annayum rasoolum . what is your take on the issue ?
it’s perhaps the film that is closest to my heart . honestly , i wouldn’t have taken off even a second from the film . it is the love story of anna and rasool . although we have seen several love stories in the past , this is also the story of a township and two different cultures in a little corner of the world . it is so realistic a film that even a bystander in a frame has a story to tell . the film was shot using sync sound and so it’s natural that there will be a bit of a lag . it’s a new style of filmmaking in mollywood . i feel that all this debate is about people getting used to it .
not really . i respect the audience . i am doing the kind of films that i want to be part of . if those kind of films guarantee their producers returns on investments , then there’s nothing stopping me from doing such films . luckily , that has happened with all my films . that’s why , at the moment , i am chilled out and happy .
at least , there has been no such move on my part ( smiles ) .
if my movies work , then it is more than enough for me . i am fascinated by the malayalam movies of the 1980s such as innale , thoovanathumbikal , namukku paarkkaan munthirithoppukal and so on , which are the actual new - generation films . i am not a person who is very much influenced by foreign films – my favourite foreign film is giuseppe tornatore’s cinema paradiso , which , incidentally , is almost like a malayalam film ( laughs ) . i think i am very rooted and i believe that there is nothing called ‘new generation’ cinema .
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sreejith went on to director after director , finding stories behind titles of many malayalam classics .
exploring the stories behind the names of malayalam movies , journalist sreejith perunthachan has brought out a book ‘peraya ninne iha’ that reveals many interesting tales .
beyond that , a man called sreejith perunthachan was intrigued by how the film got its name . he asked director fazil . and fazil told him stories of films he took . from there , sreejith went on to director after director , finding stories behind titles of many malayalam classics , till he had a book full of them to release — peraya ninne iha .
“fazil found out that it is against the laws of nature for flowers to bloom in the snow , because that would prevent spring from coming . he realised that his main characters prabha and preman too suffer the same fate – because spring does not come to their lives , and their love cannot bloom , ” says sreejith , referring to his book as he talks .
a journalist for many years , names had always intrigued sreejith . before this book , he had written another on famous malayalam books getting their names – ‘peredutha kathakal . ’ “i am not sure where it begins , but i am curious whenever i hear a name . like i have heard soorya krishnamoorthy got ‘soorya’ after his daughter called him that once . till then , he was just krishnamoorthy , ” sreejith says .
so obviously , film names interested him to the extent he started calling or meeting directors to learn the stories . “they were all happy to tell me . priyadarshan told me about kilukkam . how the name came because revathy’s character is introduced with the clink of her anglets when she jumps off the train and also because she’s all perky like a kilukkampetti . ” but what’s more interesting is how he once went into the sets of fazil’s manichitrathazhu and got the name for his next film . “they were good friends and fazil let priyan shoot a song – varuvanillarum – in the film . in between the lines of the song there are the words ‘thenmavin kombathu’ which priyadarshan used as the title of his next film ! ” there’s more . priyan’s thalavattom was originally a name that padmarajan was going to use for a film , but that had not taken off . so he asked for the rights and got it .
“there is a story behind padmarajan’s nombarathipoovu too . priyan asked him if there really was a word like that . and padmarajan said , ‘let it be my contribution to the malayalam language’ . ” sreejith then skimps his pages again till he reaches director kamal’s stories . “he was once carrying a script on a bus . and there were all these children who’d keep falling over his shoulders whenever the bus braked at the curves . they were also talking about the story of a mohanlal film . so kamal thought , ‘i should be telling these kids a story’ . and that became unnikale oru katha parayam . ”
shaji kailas is the next director . and obviously , we hear the story of aaram thampuran . “ranjith who wrote the script and shaji kailas had gone to the poomully mana where the film was going to be shot . there , the caretaker told them that the ‘aaram thampuran’ would come to see them . they liked that and ranjith went back to change the script to put mohanlal down as aaram thampuran ( 6th generation lord ) . six is what shaji kailas considers his lucky number . he’d always stay at room no : 204 at hotel maharani in kozhikode . ” shaji kailas also told him about commissioner * * * ’ , the suresh gopi film that people still quote a lot from . “scriptwriter renji panicker told him that people would think it is the transport commissioner if he named the film like that . so then they put three stars at the end of the title . ”
with i . v . sasi , his obsession for names beginning with ‘a’ has always been pretty famous . “he was so obsessed that he would keep noting down interesting words with a that he came upon , on a piece of paper ! ” the ‘a’s had become ‘aa’s and then ‘e’ and ‘ees’ . “he had also experimented by naming a film varnapakittu , because the hindi flick rangeela has been a major hit back then . so he used a malayalam equivalent . ”
for director blessy , the first film kazhcha came out of a personal reason . “once he had fallen ill and the doctors feared he would lose sight . that’s when he knew the value of eyes the most and named his film kazhcha , meaning sight . ” there are many more stories . how lal jose’s oye madhavoi became meesha madhavan , how siddique lal’s nombarangale sul sul became ramji rao speaking , and so on . but the space ends here , and there’s always the book to tell it all . as for sreejith , he has more names to go after .
dream merchant : fazil has made some memorable films in malayalam and other languages . photo : johney thomas
mohanlal reminisces how he was selected for the movie . a panel of well - known directors was to select the actor for the role that mohanlal eventually essayed . two directors gave him five and seven marks out of 100 , but fazil gave him 90 and jijo , producer appachan ' s son , 95 . thus he became the new villain , who stepped into the hero ' s shoes later . in his 25th year in movies , fazil is planning two films . he is working on the script for one , and the next project will have mammootty in the lead , he says .
fazil has a knack for spotting talent , he has introduced some of the biggest names in films in south india . apart from mohanlal , nadia moidu in ` nokketha doorathu kannum nattu , ' baby shalini in ` ente mamattukkuttiyammakku , ' and kunchacko boban , all had their first acting stints under the baton of fazil . nagma was introduced to the south in fazil ' s ` killer ' ( telugu ) while khushboo started her southbound journey with his ` varusham 16 . '
my film ` ennennum kannettante ' was a failure at the box office , ironically it got the award for the best film with popular appeal . i still feel that the movie was good ,
he reminisces . but of his flops , he has only this to say :
the creator can make a mistake , but the people cannot make a mistake .
he does a painstaking post - mortem of his movies that bite the dust , so that the mistakes are not repeated .
there may not be many in the field with such big hits and flops , equally big . he takes it all in his stride . fazil turned producer a couple of times with mixed luck . he does not feel the emotional need to work all the year round . he lays off for long periods at times before starting on his next movie .
i work only under pressure , that ' s my problem ,
he explains . what keeps him happy in his job is his relationships with people .
i am sure i am one of the few people who have no enemies in the field ,
he says . his friends have always stood by him , through thick and thin .
to sathyan anthikkad , he is a ` close friend . '
he has introduced so many people to cinema , but he never talks about that to anybody , a quality that i have imbibed . he has several humane qualities . however big a film you do , the next film is what people will judge you by , he always says . if you ask him to help you when you are stuck with a story , he will do it sincerely and involve himself constructively in the discussion . he looks at a new film just like a novice , willing to learn , willing to listen . he is like a textbook on cinema to me ,
says anthikkad .
says joshiy , director ,
fazil is the only star among us . even if he does not make a movie for five years , he is still a star director . very few know that he is a very good actor . he acts out everything for the artiste to follow .
the only movie in which he has done a small role is in ` nokketha doorathu kannum nattu . ' mammooty also says that fazil takes a lot of effort and ` is an actor ' s delight . '
landmark movies like ` ente mamattukkuttiyammakku ' are still fresh in fazil ' s mind .
it took just 30 days to make the film . the story was written , the cast finalised , the music made and the movie shot , all in 30 days flat ,
he remembers . for the film , he was awarded the state award for the best director , the best film and baby shalini , the super child star was born . it was remade in tamil , telugu and kannada .
when people took a train to chennai and made kodambakkam their home to enter cinema , fazil made his name , right here in kerala , in alappuzha , where he lives .
his father wanted his son to be a doctor , but in school and college , extra curricular activities engulfed him . he wrote plays , enacted them with his friends ( nedumudi venu was his college mate while in sd college ) and this group was perhaps the first mimicry team that entertained crowds .
i used to mimic stars like sathyan , sivaji ganesan and govindankutty . i learnt later that mammootty , siddique and lal had seen our programmes in kochi ,
fazil laughs . he completed his post - graduation in economics with a high second class , however .
it was at this point that boban kunchacko called him for a story discussion . he also got a chance to watch veteran vincent at udaya studios , making a movie , ` acharam ammini , osaram omana . '
` nokketha doorathu kannum nattu , ' was again , significant , in which padmini , the dancing star of yesteryear came back in the role of ` ammachi ' and where nadia moidu was introduced . it was a women oriented movie besides . fazil has been seriously thinking about a sequel to ` nokketha doorathu kannum nattu , ' for the movie ended on such a note , quiet and with hope .
` poovinu puthiya poonthennal ' had mammootty in the lead and the crime thriller was remade in tamil too . fazil feels free to take on any subject , be it romance , crime , suspense , family or fantasy . athough people feel it is fantasy that he excels in , like ` manichitrathazhu , ' which is closest to his heart , he admits .
he intends to get cracking again soon with the two projects he has in mind , as his last movie , the tamil , ` oru naal oru kanavu ' was released in august this year .
music : jerry amaldev singer : s . janaki starring : mohanlal , shankar , poornima jayaram direction : fazil
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a man tries to do good for the community but is thwarted by the corruption of the local government .
hero who is a military manb wants to take revenge for the murder of his family . he comes to his native place for a holiday and some funny incidents at that time adds sweet to the story .
situations turn a man who believes in secularism into an extremist . he plots to bomb a monastery where the survivors of a riot take refuge .
a man comes to an isolated valley to take revenge on his friend who murdered his wife .
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