zanjeer ( english : chains ) is a 1973 indian action film , directed and produced by prakash mehra , written by salim-javed , and starring amitabh bachchan , jaya bachchan , pran , ajit and bindu .

the movie changed the trend from romantic films to action films and pioneered amitabh 's new image of a brooding but explosive person who fights back when cornered .

he was now known as " the angry young man . "

the film started a new wave in hindi cinema .

at a time , when india was suffering from corruption and low economic growth , and the common man was left with frustration and anger over the system , hindi cinema turned violent and aggressive .

reflecting the anger of the masses , amitabh bachchan became the new hero , who had the courage to fight against the wrong and maintaining moral values at the same time .

this film also ended the struggling period for amitabh and turned him into a rising star .

zanjeer thus remains an important film in the history of indian cinema and is regarded as a classic today .

zanjeer ( 1973 film )

zanjeer ( 1973 ) - - ( movie clip ) get your . . .
zanjeer ( 1973 ) - - ( movie clip ) get your knives . . .
priyanka chopra will begin shooting her scenes for the remake of the 1973 film zanjeer this month in hyderabad . gareth cattermole / getty images
not all films should be remade ! the remake of 1973 classic zanjeer was not only severely criticised by film reviewers , it was outrightly rejected by the audiences . we have a list of ten remake movies that should have never been attempted . original : zanjeer ( 1973 ) remake : zanjeer ( 2013 )
zanjeer 1973 is an action film , directed and produced by prakash mehra , written by salim - javed , and starring amitabh bachchan , jaya bachchan .
in fact , a similar film yaadon ki baraat , written by salim - javed and released during the same year 1973 as zanjeer , was far superior .
zanjeer is a 1973 indian action film directed and produced by prakash mehra . the movie stars amitabh bachchan , jaya bachchan and pran in lead roles . . . .
apoorva lakhia directed this movie simultaneously in hindi ( zanjeer ) and telugu . the film marks the bollywood debut of ram charan . it is a remake of the 1973 hindi film of the same name .
the film was released on may 20 , 1973 . though the film clicked in calcutta , it did not do well for the first four days in bombay . i thought then that the film would flop .
or any other film , the film - maker ' s convictions are very important .
zanjeer 1973 s . . .
the youtube account associated with this video has been terminated due to multiple third - party notifications of copyright infringement .
amitabh bachchan ’s 1973 blockbuster ‘zanjeer , ’ starring his wife jaya bachchan has clocked 43 years today and the fans of veteran actor are celebrating it on the social media .
amitabh bachchan ' s 1973 blockbuster ' zanjeer , ' starring his wife jaya bachchan has clocked 43 years today and the fans of veteran actor are celebrating it on the social media .
not all films should be remade ! the remake of 1973 classic zanjeer was not only severely criticised by film reviewers , it was outrightly rejected by the audiences . we have a list of ten remake movies that should have never been attempted .
and liked it . i thought a change of image could make this film a landmark film for him .
also , amitabh bachchan had atleast 1 hit a year for 14 straight years ( 1973 - 86 ) .
she won her first filmfare award for best actress in 1973 for her performance in the marital drama abhimaan .
throughout the film , we sense the director’s immense affection for the original “zanjeer” , a reverence that never clouds his judgement . ( ians )
song
tere mere milan ki yeh raina
was listed at no . 16 on binaca geetmala annual list 1973
song
meet na mila re man ka
was listed at no . 23 on binaca geetmala annual list 1973
abhimaan 1973 is a musical drama film starring amitabh bachchan ; his real - life wife , jaya bachchan ; asrani ; and bindu . it was directed by hrishikesh mukherjee .
abhimaan ( translation : pride ) is a 1973 indian hindi musical drama film starring amitabh bachchan , jaya bachchan , asrani and bindu . it was directed by hrishikesh mukherjee .
southern superstar ram charan teja will bring alive the young and angry cop vijay in apoorva lakhia ' s zanjeer . it is a remake of 1973 film of the same name , which proved to be a turning point in megastar amitabh bachchan ' s acting career .
actually , wasn ' t my film . the film was bought over by dharmendra from the writers salim - javed . dharmendra came to know that i was planning to make a film called
amitabh ' s first blockbuster . . . a 1973 movie . cast : amitabh bachchan , jaya bhaduri , puran . . .
with apoorva lakhia’s highly publicised remake of amitabh bachchan’s 1973 hit film zanjeer soon hitting theatres , bollywood is all set to unleash almost a dozen remakes in the near future . we take a look at some highly anticipated new versions of classics that are under production but have b - town excited !
amitabh bachchan fans shared a collage of pictures from the movie on big b’s twitter handle , writing , “ @ srbachchan # 43yearsofzanjeer congratulations 43 years film zanjeer . ”
the film that made amitabh bachchan a film legend and re - defined bollywood cinema , this 1973 gem has it all : colourful 70s clothes , crazy car chases and amazing dance numbers . the plot sees vijay khanna ( bachchan ) released from false imprisonment to track down his family’s underworld killers and take his revenge . if you’re new to bollywood then zanjeer is a great starting point .
when i made the film , i knew it would either be a washout or a trend - setter . there is no romance in the film . the hero never smiles in the film , except during the song
rishi kapoor , whose biography “khullam khulla” will release soon , mentioned during an interview with ht that he had bought the best actor award way back in 1973 . the 62 - year - old actor was referring to his film bobby , when he was competing with amitabh bachchan , who was nominated for zanjeer the same year .
filmmaker sajid khan is set to entertain audiences with himmatwala , a remake of the 1983 film of the same name . while the original film featured jeetendra and sridevi , the new film has ajay devgn and southern actress tamannaah .
the film was also a turning point for bindu , who , for the first time , played a sympathetic character . previously , she was known for playing vamps / cabaret dancers , such as in amitabh ' s star - making hit zanjeer ( 1973 ) . [ 6 ] this film was very popular in sri lanka more than in india and was screened continuously for 590 days in the same cinema , empire , colombo .
after half that film was over . but , i had decided to finish the film within six months with dharmendra because he was the top actor then .
in some ways a seminal moment , star amitabh bachchan ' s first appearance waking from a childhood nightmare , then jaya badhuri as
mala ,
his future girlfriend , launches the first musical number in director prakash mehra ' s pioneering bollywood
masala
blockbuster zanjeer , 1973 .
he would be a co - producer for the film . he readily agreed .
in some ways a seminal moment , star amitabh bachchan ' s first appearance waking from a childhood nightmare , then jaya badhuri as
mala ,
his future girlfriend , launches the first musical number in director prakash mehra ' s pioneering bollywood
masala
blockbuster zanjeer , 1973 . >
zanjeer , film that marked the making of a legend was offered to superstars like raaj kumar , rajesh khanna , dharmendra and dev anand . it eventually went to a newcomer who we now know as big b .
after seeing the film , my gut feeling said that he was a future star .
reviewer ' s take : not available . did anybody bother to review the film ?
remake comes along , we get gooey - eyed and nostalgic about the original . the zanjeer remake gets it right . dead right .
maybe not the best english subtitles ever , but the meaning clear enough , actors m . rajan and purnima appearing as the father and mother of the boy who will grow up to be superstar amitabh bachchan , in the prologue from prakash mehra ' s landmark bollywood
masala
pulp musical zanjeer , 1973 .
maybe not the best english subtitles ever , but the meaning clear enough , actors m . rajan and purnima appearing as the father and mother of the boy who will grow up to be superstar amitabh bachchan , in the prologue from prakash mehra ' s landmark bollywood
masala
pulp musical zanjeer , 1973 . >
zanjeer , film that marked the making of a legend was offered to superstars like raaj kumar , rajesh khanna , dharmendra and dev anand . it eventually went to a newcomer who we now know as big b . < br >
the film ' s producer and director , discusses his experiences while making the landmark movie .
‘ zanjeer’ which also starred actress bindu , pran and om prakash , was a super - hit collecting rs 60 million at the box office .
reviewer ' s take :
that zanjeer was a classic . this remake is wrong on so many levels that i don’t know where to begin . this isn’t a film . it’s sacrilege ,
wrote anupama chopra in her ht review .
everyone criticised me when i selected him . they came back when o p ralhan ' s film
one person i can never forget is pran . had it not been for him , the film wouldn ' t have been completed . though manoj kumar gave him a new role in the film
( 1978 ) , a film that had the most basic
black or white
characters .
while zanjeer built bachchan’s career , it nearly destroyed rishi kapoor’s . rishi survived the onslaught purely on the strength of his chocolate boy charm and talent . although bobby was a bigger blockbuster in 1973 , making raj kapoor ’s son an overnight sensation , there’s no doubt that the decade belonged to bachchan and his brand of brooding , rebellious films .
dharmendra had already paid the initial amount for the film and he was to play the hero . but he told me that he wanted to start a film for his own brother and would shoot for
among those i should give credit is manoj kumar , who inspired me to start my own production . he told me that if i give a flop film as director , i would be jobless . which is why i made my own film . and some distributors picked the film because they hazarded that since i had given three hits earlier , there were chances this film too could do well .
fire – 1998 often regarded as the first film addressing the issue of same - sex love in india , this film directed by deepa mehta encountered significant controversy both in india and the united states .
rishi kapoor in his biography
khullam khulla
says he is guilty of winning the award the wrong way from amitabh bachchan who was nominated for zanjeer .
when pran makes him smile . but my inner feeling was : this film will do something miraculous .
lagaan – 2001 this film brings together cricket and colonialism , and was india’s entry to the oscars .
zanjeer is an action oriented movie with oil mafia backdrop where ramcharan playing a role of powerfull cop acp vijay khanna along with priyanka chopra in the female lead .
bollywood actor amitabh bachchan is known for his roles in action movies like zanjeer , and for hosting the indian version of who wants to be a millionaire ? .
reportedly , zanjeer became a hit in calcutta but didn’t pick up pace in bombay until a week later . amitabh bachchan was in a trauma , as the same year his other film bandhe haath had flopped . poet harivansh rai bachchan’s elder son , once dismissed by producers as “too thin and too tall to be a hero” was in desperate need of a hit . according to mehra’s past interviews , bachchan was down with fever the week zanjeer had released . when the film gradually became a hit in bombay after a slow start , the leading man couldn’t believe his luck and the shock of his newfound stardom caused his fever to worsen . finally after the hysteria over zanjeer settled down bachchan recovered . but hindi cinema and its audiences never fully recovered from the after - effects of amitabh bachchan and zanjeer . for , this relatively small film not only introduced a brand new beast called the angry young man but also confirmed the arrival of a new bollywood hero .
his fans have flooded the social media with stills from the movie and one of his fans tweeted , “11 may 1973 # zanjeercompletes43years … @ srbachchan with sher khan pran ji . beautiful friendship on n off screen…”
the first look of director apoorva lakhia’s zanjeer remake has been launched and the director says he is missing jailed actor sanjay dutt , who is essaying the role that was played by veteran actor pran in the 1973 film . sanjay is currently serving his three - and - a - half - year jail term in the 1993 mumbai blast case . ‘we are missing him a lot . my film zanje er promotions have also started . i am heartbroken that sanju sir is not here . policegiri is also a very big film for him and we are missing him a lot , ’ lakhia told reporters at the preview of the sanjay - starrer policegir i thursday . he added : ‘everybody is writing letters to him . . . what else can we do ? ’ lakhia admits that sanjay’s absence during promotional activities is seen as a loss . zanjeer is slated to release 6 september .
amitabh bachchan’s zanjeer not only introduced a new hero to bollywood ( displacing reigning king rajesh khanna ) but also brought with it a new phenomenon called the angry young man . the film , directed by prakash mehra , also starred pran , jaya bachchan , om prakash and ajit .
luckily , i was working with jaya bhaduri on another film . amitabh told jaya that no heroine was willing to work with him . and she told him that i had approached her to play the heroine in the film .
the hindi version of the film is to be dubbed in chinese as chialo kaxlaug . the telugu version of the film is to be dubbed in tamil and malayalam . the release date is scheduled for september 6 , 2013 .
monsoon wedding directed by mira nair , this beautiful film is a wonderful account of arranged marriage in urban india .
bachchan married movie actress jaya bhaduri in 1973 . the couple have two children , a daughter and a son . their daughter , shweta bachchan nanda , is married to industrialist nikhil nanda , whose grandfather was the film director raj kapoor . bachchan and bhaduri’s son , abhishek bachchan , is also an actor and is married to actress aishwarya rai .
the third film in ram gopal varma ' s sarkar trilogy , which chronicles the exploits of a powerful political figure .
providentially , lakhia’s zanjeer is neither slavishly reverent to the original material nor does it take off into weird wild and wacky tangents — like the rohit shetty’s recent remake of hrishikesh mukherjee’s golmaal .
since zanjeer , and its more serious - toned country - cousin ardh satya , numerous cops have vented their cinematic spleen in films as far - ranging in quality as singham and policegiri .
after that i went to raaj kumar who was already working with mumtaz for a film in madras . he liked the film . he felt it was a terrific subject , and that he would like to shoot from the very next day . but he wanted me to go south to shoot the film since he had given bulk dates to a producer in madras .
in which she had acted opposite amitabh . i guess she did not wanted to take one more risk with this film .
agneepath 1990 is an action drama film directed by mukul anand . it stars amitabh bachchan as the protagonist vijay deenanath chauhan .
also can be said that modes of promotions has also increased by leaps and bounds . but leaving the above behind , and going movie to movie , amitabh bachchan hit an extreme purple patch for almost 15 - 16 years between 1973 - 88 .
their success and hallowed stature notwithstanding , salim - javed have faced regular criticism about the path or means chosen by their hero . in film after film , the duo emphasised and even justified their protagonist’s foray into anti - social activities such as smuggling .
and so , amitabh bachchan , the last man standing and the last choice , was fatefully cast in zanjeer . luckily , it seems the lanky struggler not only had salim - javed’s professional endorsement but also colleagues pran , om prakash and ajit rooting for him . zanjeer would become a foundation stone film for bachchan . talking about it , big b has often pointed out that salim - javed were close to rajesh khanna in the 70s and could have easily persuaded the king of romance for zanjeer . but salim - javed , more than betting their money on amitabh bachchan , were simply committed to the cause of their script . “we strongly felt that amitabh was the ideal casting for zanjeer , ” salim khan has repeatedly maintained in various interviews . he went on to add , “even in deewaar , rajesh khanna was signed by gulshan rai ( producer ) , but we felt amitabh was perfect for it . we insisted on him . ”
i was especially impressed by the fight scene between amitabh and shatrughan sinha in the film . i selected amitabh because of the emotions his eyes could generate . i thought i should give this man a break in my film even though his earlier films had flopped .
unlike ram gopal varma’s remake of sholay , which was purely misguided , and karan malhotra’s agneepath , which was unnecessarily brutal , zanjeer is just what a remake should be . it’s respectful to the original material which , let me hasten to add , was no masterpiece , and suspiciously similar to a 1967 film called death rides a horse .
the most tongue - in - cheek homage i’ve seen in a remake occurs in this film when we see the new teja - mona pair watching actor ajit and bindu in the original zanjeer on a dvd . the sequence is irreverent without appearing to belittle the original . it reminds us of the renewed cycle of art and individual talent .
75 years is a long time . amitabh bachchan has spent a good 40 of those 75 years giving performances to cherish . so consistently outstanding is his output that we forget his earlier performances . some of the work he did before zanjeer and overnight superstardom was absolutely stunning , but largely unrecognized . here’s looking at the 10read more the post 10 unsung performances by amitabh bachchan before zanjeer appeared first on bollywood hungama .
srihari , prakash raj , ankur bhatia and tanikella bharani in lead roles . mahi gill plays the role mona darling in the film .
saheb , biwi , aur ghulam ( “the master , mistress , and the servant” ) – 1962 based on a novel by the bengal author bimal mitra this is an extraordinary film about the decline of a feudal gentry during the colonial period . again featuring guru dutt and waheeda rahman the film’s real treat however is meena kumari as the youngest bride of the household . this film has a phenomenal soundtrack .
dilwale dulhaniya le jayenge students used to love this film because it brought back good , old - fashioned love in a diaspora setting .
but the only thing which bugged dev anand was that there were no songs in the film . he told me to put three - four songs in the film . but i said i wouldn ' t do that . he then offered me whatever money i wanted for the film if i did it for nav ketan , his home production . i refused . and so even he was ruled out as a hero .
don 1978 is an action film produced by nariman irani and directed by chandra barot , with music by kalyanji anandji and lyrics by anjaan .
the actress priyanka chopra , who plays a leading role in the forthcoming remake of zanjeer , will join the cast and crew this month in hyderabad to begin shooting her scenes . the movie ' s director , apoorva lakhia , says they are
lucky to have signed on a star like priyanka
. he added :
we have planned for a 25 - day schedule in hyderabad . we will be going to hyderabad this week and will be back to shoot more scenes in mumbai in december .
amit mehra is producing the film ; the original was directed by his father prakash mehra in 1973 with amitabh bachchan as the lead . for the remake , the actor ram charan teja steps into bachchan ' s shoes . the film also stars sanjay dutt . - ians
teenage romance kuch kuch hota hai , was in trouble even before it began . karan johar was shown door by almost every heroine over tina ' s role in the film . little did the girls know , the film would turn their fortune , like it did for rani mukerji .
inspired by a true mining tragedy the film is about people from all walks of life showing courage and character to fight the forces of nature .
deewaar 1975 is a crime drama film , directed by yash chopra , written by salim - javed , and starring amitabh bachchan and shashi kapoor .
namak halaal 1982 is a hindi - language action comedy film , directed by prakash mehra . music is by bappi lahiri and lyrics by anjaan .
this period is the start of the career of big b , he mostly struggled around for few years before breaking big time in zanjeer . the notable movies of this time are saat hindustani , anand and bombay to goa .
mumbai on sunday morning . suffering from pneumonia and multiple organ failure , mehra passed away around 7 am , said a spokesperson of the kokilaben ambani hospital , where he was admitted . he was 70 and is survived by sons sumeet and puneet . his funeral will take place on monday afternoon after sumeet returns to mumbai . born in bijnor in 1939 , mehra started his film career as a production controller and directed his first film haseena maan jayegi in 1968 , starring shashi kapoor . he then went to direct all the top actors , including vinod khanna ( haath ki safai ) and feroz khan ( mela ) , but his career graph soared after he teamed up with amitabh for zanjeer ( 1973 ) . what followed was one of the most fruitful actor - director associations in bollywood . the duo gave blockbuster
salim - javed had seen bachchan in bombay to goa , in which the future superstar was rubbing shoulders with more established names like shatrughan sinha , mehmood , aruna irani and kishore kumar . years later , bachchan recalled the fight sequence in bombay to goa that landed him zanjeer . “salim - javed saw a fight sequence in bombay to goa where i was chewing gum throughout the fight , as an indicator that i would be the right choice for zanjeer . ”
over the last two months , much brouhaha has been sparked by salim - javed , the original scriptwriters of the iconic amitabh bachchan revenge drama zanjeer ( 1973 ) . they have demanded a blockade of its remake , tentatively titled toofan , although it is being produced by the sons of prakash mehra , the creator of the original . curiously , there were no contentious murmurs vis - à - vis the salim - javed authored don , which was updated by javed’s son farhan akhtar , not once but in a sequel as well .
teenage romance kuch kuch hota hai , was in trouble even before it began . karan johar was shown door by almost every heroine over tina ' s role in the film . little did the girls know , the film would turn their fortune , like it did for rani mukerji . < br >
. by contrast , the mere mention of any film scripted by salim - javed can make people rattle off their classic lines . lines such as “
this is the film that made amitabh bachchan a superstar and started the series of
angry - young - man - films
. see more »
a sleazy film director ' s decision to shoot his latest erotic horror movie in a notorious haunted house angers the vengeful spirit of its past inhabitant .
i am personally a huge fan of the ‘70s , so listing films from this decade is a challenge . let me just say that this was the decade that gave india its most famous star , amitabh bachchan , who became the personification of “the angry young man . ” the angry young man , many argue , arose as a response to massive failures of the postcolonial state . some of bachchan’s most important films include sholay ( 1975 ) , which is one of the best known indian films of all times and is structured much like an american western film . other favorites from this era include zanjeer ( 1973 , “shackles” ) , and amar , akbar , anthony ( 1977 ) .
baghban 2003 is one of the best hindi drama film directed by ravi chopra , featuring amitabh bachchan , salman khan , and hema malini in lead roles .
by the end of the 1970s , bachchan had appeared in more than 35 films and was regarded as india’s top film star . his popularity was such that he became something of a cultural phenomenon , drawing large crowds of screaming fans wherever he went . a near - fatal accident on the set of his film
raj kapoor was an indian film director and producer of hindi - language films . he is best known as the
charlie chaplin of indian cinema .
what makes vijay khanna in the new zanjeer special is the plot - mechanics which put him in time - worn situations , but subject him to dramatic dynamics that give the prototypical angry cop a renewed riveting life of violent score - settling .
original : umrao jaan ( 1981 ) remake : umrao jaan ( 2006 ) what went wrong : directed by muzaffar ali , the original film starred rekha and farooq shaikh in the lead . the film though not a box office hit was a classic and turned a new leaf in rekha ' s career . the lady looked ethereal in the film . aishwarya rai on the other hand , apparently could not live up to the expectations in the remake version by jp dutta .
it has happened so often that key themes , plots or storylines of a successful movie has been suitably incorporated in subsequent movies to mirror the box office performance of the first one . what is even more intriguing is the repeat success of the above method on many occasions attaining the status of a formula at times . back in the 70s , megastar amitabh bachchan ’s “angry young man” image in the initial days was started by the super - hit run of zanjeer ( 1973 ) which ran all the way till vigilante film shahenshah in 1988 . the action blended with drama in movies in the 1970s had ‘deteriorated’ to violence in late 1980s thus keeping the family audience away from theaters at the height of home video and film piracy . this is evident from the box office results of that era which had peaked at 15 crores ( sholay ) in 1975 itself but remained stagnant for the coming two
black 2005 is a drama film directed by sanjay leela bhansali and starred by rani mukerji and amitabh bachchan . black revolves around a deafblind girl and her teacher .
the film is perhaps best remembered for its songs , composed and arranged by the late s . d . burman , written by majrooh sultanpuri , and sung by playback singers mohammed rafi , lata mangeshkar , and kishore kumar . film did above average business at box office as per the bollywood trade magazine published at that time . [ 2 ] jaya bachchan won the filmfare best actress award for abhimaan . [ 3 ] according to aalif surti film is based on troublesome marriage between two sitar maestros ravi sankar and annapurna devi . [ 4 ] also according to author raju bharatan , hrishikesh mukherjee based the film ' s story on the life of singer kishore kumar and his first wife , ruma ghosh . [ 5 ] this film was remade in tamil as nejamellam neeye with mohan , radha and poornima jeyaram
the making of the film
zanjeer
was beset with problems . pran who played the pathan was reluctant to sing or dance . on the very first day he threatened to walk out of the floor . mehhra had to rush to pran ' s house to plead with him , saying without him the film would not work as amitabh as a hero was not a bankable box office proposition . finally song was shot and pran gave one one of the best performances of his career .
yari hai iman mera yaar meri zindagi
lipped by pran made a history .
was looking for a hero for zanjeer and chanced upon amitabh only after dev anand rejected the role ; amitabh’s wife , jaya bachchan , in fact , thanked anand in jest at the release of the latter’s book ( romancing with life ) for rejecting the film . the rest , as they say , was history . mehra’s film—propelled by a powerful yet understated performance of the type rarely seen in hindi films before and dialogues ( penned by salim - javed ) that people repeated throughout the 1970s and later—went on to become a superhit and created the persona of the ‘angry young man’ , who
he told me to give that subject to his godfather in the film industry , arjun hingorani . in return he said he would give me full co - operation for
director abhishek kapoor , who rocked the nation with the 2008 film rock on , is set to release kai po che , a big screen adaptation of chetan bhagat ' s bestseller the 3 mistakes of my life . the film features amit sadh , raj kumar yadav and amrita puri and marks the bollywood debut of popular tv actor sushant singh rajput .
( 1973 ) that breathed fire and brimstone . the original film earned amitabh bachchan the epithet ' angry young man ' and made him world - famous . the 2013 action thriller brings andhra icon chiranjeevi ' s son , ram charan ( also an andhra superstar ) to bollywood . it retains the key plot points and the main characters are rechristened vijay ( ram charan ) , mala ( priyanka chopra ) , sher khan ( sanjay dutt ) , teja ( prakash raj ) and mona ( mahie gill ) just like the original .
sharaabi 1984 is a hindi drama film produced and directed by prakash mehra . dialogues of kader khan are so well written and wonderfully delivered . screenplay by lakshmikant sharma is so mesmerizing .
bachchan followed his true calling and returned to the silver screen in 1997 with the film mrityudaata , produced by abcl . in 2000 , he also started hosting the indian version of the television game show who wants to be a millionaire ? . despite a few box - office failures in the 1990s , in the 2000s , bachchan climbed his way back up to stardom as a film actor , earning additional filmfare and international film award nominations for his work on films like baghban ( 2003 ) , khakee ( 2004 ) and paa ( 2009 ) .
i told him the film was based in bombay and that there was no way that i could shoot in madras . he told me to reconsider my decision . i didn ' t .
pyaasa ( “the thirsty one” ) – 1957 directed by guru dutt , who is often compared with orson welles for his melodramatic style . a great film featuring the spectacularly beautiful waheeda rahman .
black friday is a film about the investigations following the 1993 serial bombay bomb blasts , told through the different stories of the people involved - - police , conspirators , victims , middlemen .
that this time the angry cop , who was played with such compelling candidness by amitabh bachchan in the original “zanjeer” , is played by ram charan teja is just a huge stroke of luck for the remake . ram charan brings in an entirely unique brand of silent satyagraha to his character . when we first see him on screen , he wallops a goonda - politician on a busy road of hyderabad as a hoarding of ram charan’s father chiranjeevi’s film looks down on the chaotic scene .
saara shaher mujhe loin ke naam se jaanta hai ,
roared ajit , the numero uno villain of the early 70s in subhash ghai ' s hit film kalicharan . for the younger generation who do not recognize him can identify the stylish villain in amitabh bachchan starrer zanjeer ( who played dindayal teja ) and in dharmendra ' s hit film yaadon ki baaraat ( as shakal ) . his other hit films include dharma , jugnu , khote sikkay , warrant , mr . natwarlal , etc ajit ' s biggest contribution to cinema is his revolutionary , savvy gentleman style that he imparted to villainy , which for long had been typecast as loud and wild . ajit ' s unique style became so popular that it became his trademark style till he breathed his last . how ajit invented this style is an interesting tale . in an interview , ajit had revealed ,
the character of dindayal teja which i portrayed in zanjeer was actually inspired from a real - life personality .
plus salman khan to appear in atul agnihortri ' s next movie , karan malhotra ' s second film in the works , shivan - narresh make hollywood debut and shahneoyaj kakoli admires ritwik ghatak .
rather , the new zanjeer opens up the original plot , weeds out the humbug and preserves the core of the revenge saga of an angry cop whose ire grows progressively higher as the plot moves through a series of cleverly conceived conflicts that accentuate his alienation from his khaki - coloured line of duty .
it all began in 2005 with sarkar , the superhit film directed by ram gopal varma and starring amitabh bachchan in the titular role . the story continued in sarkar raj ( 2008 ) , which once again saw the mr . bachchan reprise his role as the mafia boss . the film once again hit big box office numbers . now ram gopal varma has sarkar 3 in the works and according to the director this will bring the angry bachchan back to the big screen . to give us more insight into what we can expect from the new film , ram gopal varma has released a note about sarkar 3 . “ sarkar 3 – return of the angry man ever since people first saw zanjeer , the emotion of anger has been synonymous with the name amitabh bachchan . anger against injustice , anger against suppression and anger against exploitation were hallmarks of the various characters he played , which collectively made him india’s biggest superstar .
but i didn ' t find it fun waiting so long . one fine day , both of us amicably settled the matter with dharam agreeing not to work in the film because of his busy schedule .
now i was getting tense . then one day , pran , who played the pathan ' s role in the film , told me to consider amitabh bachchan . he told me to see amitabh ' s
as long as there have been films , there have been writers . while one can probably imagine a hindi film without songs , it’s perhaps impossible to imagine great films without their mesmerising dialogue . try conceiving
coming to zanjeer , the film opens on a happy diwali night . tragedy strikes when vijay’s father , who has just turned his back on the world of crime , is killed by the mafia boss teja ( ajit ) . the young vijay grows up craving for revenge . nightmares of his father’s killer torments him . he hates crime and can go to any extent to weed it out . he tells sher khan ( pran ) if he wants his hand of friendship , he will have to quit his crime business .
from the ganpati viasarjan to the moharram , lakhia’s interpretation of zanjeer traverses a mammoth canvas of rapid - fire images . gururaj jois’s camera moves dexterously , but never to divert our attention from the central conflict . and chintan gandhi’s dialogues use one - liners judiciously , never over - doing the smart - alec retorts .
bachchan , the son of the renowned hindi poet harivansh rai bachchan , attended sherwood college in nainital and the university of delhi . he worked as a business executive in calcutta ( kolkata ) and performed in theatre before embarking on a film career . bachchan made his big - screen debut in saat hindustani ( 1969 ; “seven indians” ) and achieved his first success with zanjeer ( 1973 ; “chain” ) . a string of action films followed , including deewar ( 1975 ; “wall” ) , sholay ( 1975 ; “embers” ) , and don ( 1978 ) . nicknamed “big b , ” bachchan personified a new type of action star in indian films , that of the “angry young man , ” rather than the romantic hero . he was often compared to clint eastwood —although , unlike eastwood and other american action stars , bachchan was renowned for his versatility , and many of his roles showcased his talents at singing , dancing , and comedy .
after his hit directorial debut , agneepath , karan malhotra says he is busy writing his second film and reveals it will be an original story .
me and my wife ekta are writing the film and hope to finish it as soon as possible ,
he said .
we ' ve not even finalised the star cast . all i can say is this will not be a remake .
agneepath , a remake of amitabh bachchan ' s 1990 film , features hrithik roshan , priyanka chopra and sanjay dutt and broke the highest opening - day collection record in india when it released last november . - ians
in which amitabh acted flopped . there was no way my film could do well , they said , because , in those days , o p ralhan ' s name was bigger than prakash mehra ' s .
financially too , the hindi film industry seems to be entering a positive year , with trade experts predicting that there will be movies which could end up spinning rs . 200 crore each at the box office .
what went wrong : amitabh bachchan was reborn as angry young man in this film . he swayed the audiences off their feet with his power - packed performance and established new rules for his contemporaries . the original film had well - eteched out characters like sher khan ( pran ) , mala ( jaya bhaduri ) and mona darling ( bindu ) . the remake unfortunately didn ' t do justice to the characters at all .
since 1997 amitabh bachchan has starred and been successfull in uncountable number of movies , though most have been in character role capacity thus cant be counted ( in this context that is ) , though he has again had pivotal roles in movies like paa , black , cheeni kum and khakee but such movies wont be 10 % of his movies since 2000 and definitely dont echo back at the glorious run of 1973 - 88 .
luck , of course , was in favour of the gum - chewing dark horse . when mumtaz opted out , jaya bhaduri agreed to play a small but crucial role as big b’s love interest . they were dating at the time and she said yes instantly for the sake of her future husband . the story of zanjeer , in some ways , is also the story of amitabh and jaya bachchan . as in the film , she became his acerbic - tongued , knife - sharpened ( pun intended ) life partner who speaks her mind freely . like in the film , she remained firmly in the shadows of bachchan while the star conquered one milestone after another . like her screen character mala , jaya has retained her sharp edge and original feisty voice .
in 1969 , bachchan made his film debut in saat hindustani . although the movie tanked at the box office , bachchan still managed to capture the attention of directors . soon enough , the offers started rolling in .
scored , it has much to do with the suppressed rage portrayed by the protagonist , played by amitabh bachchan , who was preparing to pack up his bags and return to his native allahabad if this film also failed .
sholay 1975 is an action - adventure film , directed by ramesh sippy and which screenwriter pair salim - javed and produced by ramesh sippy’s father . g . p . sippy . the movie broke all box - office records .
amitabh bachchan corporation ltd . , an entertainment venture that specialized in film production and event management . the business was plagued by financial difficulties , however , and bachchan eventually returned to performing . his later movies include the crime drama
an honest cop named sadhu agashe makes a name for himself by killing criminals in sting operations instead of locking them up in prison . the film follows his method of working , gives an . . . see full summary »
at present , there are almost a dozen remakes of classics under various stages of production – zanjeer 2 . 0 ( releasing september 6 if the court case is solved ) , hero , seeta aur geeta , khoobsurat , masoom , chupke chupke , do aur do paanch , angoor , mere apne , dil hai ke manta nahin and reportedly even awara .
was not a violent movie . if you see the film , you will find out that it is the inner conflict of a person who is suffocating and wants to fight against the system . and he cannot do it alone .
if it was not for the success of mehmood ' s film bombay to goa , amitabh bachchan would not have got zanjeer because it was writer duo salim - javed , who were impressed by amitabh bachchan ' s action scenes in the movie and requested filmmaker prakash mehra to give bachchan an opportunity in zanjeer . and rest is history . but how did amitabh bachchan got bombay to goa is itself an interesting story . read on . . . . during the making of saat hindustani , amitabh bachchan came very close to anwar ali , brother of celebrated comedian and filmmaker mehmood . in bombay to goa , anwar ali played the key role of bus driver . amitabh bachchan and anwar used to spend time together . once bachchan was at anwar ali ' s house spending quality time when mehmood entered . watching mehmood , bachchan immediately stood up obediently and touched his feet . mehmood was impressed by the young man ' s ethics and went inside his room ,
black and white classic naya daur originally had lovebirds dilip kumar and madhubala in the lead . madhubala ' s contemporary vaijayanti mala was roped in after she had to let go of the film as her father did not permit outdoor shoot .
yet , this film should be judged as a stand - alone offering because attempts to compare the two versions will find the current one falling short , especially in the dialogue and music departments . nostalgia happens when some original dialogue like '
i don ' t know what will happen to my future after this film . ' i used to tell him not to be selfish and think about me . because it was i who stood to lose every pie if something went wrong .
pattabhi rama reddy : samskara an extraordinary film based on u . r . ananthamurthy’s novel samskara meaning “funeral rites . ” it has a uchicago connection because the protagonist , girish karnad , has often lectured to our students in study abroad program .
people laughed at me because they felt that after making three jubilees , prakash has gone senile . how can this man pair amitabh and jaya together ? they used to say , ' prakash is making an art film . ' i think in making
what went wrong : hitler was the highest grossing malayalam movie of the year . directed by siddique , it starred mammootty and mukesh in lead roles . the movie is about the life of madhavankutty ( locally known as hitler ) , a bachelor protective brother of five younger sisters . while the original film was a mega - grosser , the hindi version , titled as krodh was a mega - disaster . starring suniel shetty and rambha , the film could not appeal to the sensibilities of hindi audiences .
talking about being a troublemaker on the sets kapoor & sons , the actor continued “my only concern was when he ( shakun ) used to film one scene from every angle — repeating emotions is very difficult . i had make - up done six hours before the shoot , so i was stuck in that , and doing the scene , again and again , tired me , and made me irritable . but today , i am winning awards for the film , so i am thankful to shakun batra . ”
mughal - e - azam – 1960 this is an historical film , which i’ve included just for its sheer opulence . it gives you a taste of what original bollywood moguls wanted to accomplish in the 1960s . if you can sit through it , watch it !
( 1971 ) , where his character barely had 10 minutes of screen time and yet ended up being prominently etched in the hearts and minds of viewers , actor rajesh khanna offered salim and javed not just more money than what they were making at sippy films but also the one thing that eluded them . khanna told them to come up with a screenplay that would be worth his stature for a film that was to feature him and a herd of elephants and for which he had already taken a large fee . the film was
i must congratulate you , because there are very mistakes . manzil of 1979 was place in flop category where as jurmana was placed in semi - hit , above averege category by trade journals . remember hrishikesh mukherjee ' s bo success record was amazing . thats why he was always blue - eyed boy of distributors . even zanjeer was not blockbuster but it was big hit . trade publications introduced a11 i . e . blockbuster category from bobby i . e . same year . roti kapda aur makaan was a11 i . e . blockbuster , but you have placed both zanjeer and roti kapda aur makaan in same category . unfortunately trade publications placed even sholay in just a11 category . on which 1 trade pundit remarked that sholay should have been a several times 1 because it was biggest hit even in the history of indian cinema
after f . a . l . t . u . , choreographer - turned - director remo d ' souza will present his first 3d dance film abcd : anybody can dance with prabhudheva in the lead . promotions for the movie will begin full swing in january .
apu trilogy : days and nights in the forest ; the big city ; the lonely wife the apu trilogy by filmmaker satyajit ray ( ray is regarded as the pioneer of indian art cinema ) is very poignant and may leave a lump in your throat . the trilology includes days and nights in the forest ( a brilliant film about a group of kolkata youth who go for a vacation to a tribal region ) ; the big city ( a superb early feminist film ) ; and charulata : the lonely wife ( my personal favorite ) .
the film’s action , by javed - ejaz , feels and looks right . the attention paid to getting the action sequences right is highly commendable . there is an elaborately staged multiple - explosion sequence in a huge dharavi - like slum which belongs to a vin diesel - starrer .
i think the industry is only growing with each passing year and there will be no downfall as far as the film industry is concerned . the year 2013 will be better than 2012 and there are some wonderful films lined up ,
balkishan shroff of shringar films told ians .


guru ( marathi : गुरू ) is a 2016 marathi language action film directed by sanjay jadhav and produced by sunil lulla , deepak pandurang rane and bagpiper soda .

the film stars ankush choudhary and urmila kanitkar in lead roles .

film marks the fourth collaboration of actor-director duo ankush choudhary and sanjay jadhav and first after their blockbuster outing duniyadari .

film has a planned release of 22 january 2016 .

film is a one of a kind content partnership between united spirits ’ bagpiper soda and eros international .

through a unique association , bagpiper soda will be an integrated partner across the film ’s content , promotions and performance .

official teaser of the film is released on 18 november 2015 .

first official poster of the film designed by sachin gurav was unveiled in an event while official trailer went online on 30 december .

guru ( 2016 film )

is also getting ready to release his film ���guru��� , which is presented by eros international , during january 2016 . so , after diwali dhamaka , we hope to see new year bash too , with ���guru��� declaring its release during january 2016 .
book release :
guru dutt - mooru . . . - bengaluru international film festival | facebook
“surely the most beautiful film at cannes 2016 . ” — jonathan romney , sight and sound
tony robbins in action in “tony robbins : i am not your guru . ”
reviewed at sxsw film festival ( headliners ) , march 14 , 2016 . running time : 115 min .
tony robbins isn ' t a guru ; he just plays one in your mind .
guru… . . aata countdown suru ! the superstar of marathi cinema , ankush chaudhari is back ! he’s the heartthrob of the masses , the master of mischief and the guru of swag .
never miss a story from movie time guru , when you sign up for medium . learn more
watch the epic teaser of eros international’s upcoming marathi movie ‘guru’ starring ankush chaudhari & urmila kanetkar kothare .
2016 , albert serra , france , 115 min . with jean - pierre léaud .
a young man leaves india to find fame and fortune in america where he unexpectedly becomes a sex guru .
tony robbins : i am not your guru , a feature documentary film about internationally renowned life and business strategist tony robbins , is a revelatory cinéma vérité film that goes behind . . . see full summary »
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2016 , danièle thompson , france , 114 min . with guillaume canet , guillaume gallienne .
2016 , zoltán kamondi , hungary , 105 min . with adél kováts , eszter ónodi .
2016 , gianfranco cabiddu , italy , 99 min . with sergio rubini , ennio fantastichini .
2016 , stergios paschos , greece , 94 min . with iro bezou , haris fragoulis .
2016 , snježana tribuson , croatia , 102 min . with ksenija marinković , renata pokupić .
2016 , doris dörrie , germany , 108 min . with rosalie thomass , kaori momoi .
2016 , thomas lilti , france , 99 min . with françois cluzet , marianne denicourt .
2016 , françois ozon , france , 113 min . with paula beer , pierre niney .
2016 , eugène green , france , 113 min . with victor ezenfis , mathieu amalric .
2016 , tassos boulmetis , greece , 99 min . with yiannis niarros , themis panou .
2016 , zrinko ogresta , croatia , 85 min . with ksenija marinković , lazar ristovski .
2016 , kevin meul , belgium , 82 min . with aaron roggeman , romy lauwers .
the team which made ‘duniyadari’ is back with director sanjay jadhav . guru will lock horns with swapnil joshi starrer ‘friends’ .
2016 , jameson cucciardi , malta , 80 min . with maria pia meli , aldo zammit .
2016 , ivan cotroneo , italy , 102 min . with rimau ritzberger grillo , valentina romani .
2016 , ali abbasi , denmark , 93 min . with ellen dorrit petersen , cosmina stratan .
ankush chaudhari is the king of action for some time now in marathi film industry and if that gets mixed with fun , comedy and style , then it becomes an entertainer called as ‘guru’ . sanjay jadhav brings yet another stylish movie titled ‘guru’ . the official trailer for the movie is out now .
2016 , olivier assayas , france / germany , 105 min . with kristen stewart , lars eidinger .
2016 , adrian sitaru , romania / france , 100 min . with sorin cocis , andrei gajzago .
2016 , maria schrader , austria / germany , 106 min . with josef hader , barbara sukowa .
2016 , joachim lafosse , belgium / france , 100 min . with bérénice bejo , cédric kahn .
2016 , szabolcs hajdu , hungary , 81 min . with orsolya török - illyés , szabolcs hajdu .
2016 , argyris papadimitropoulos , greece / germany , 104 min . with makis papadimitriou , elli tringou .
2016 , icíar bollaín , spain / germany , 99 min . with anna castillo , javier gutiérrez .
2016 , paula van der oest , netherlands , 100 min . with pierre bokma , rifka lodeizen .
2016 , dieter berner , austria / luxembourg , 110 min . with noah saavedra , maresi riegner .
2016 , marko sosič , slovenia / italy , 75 min . with marjuta slamic , ivo barisic .
2016 , roger mainwood , uk , 94 min . with jim broadbent , brenda blethyn , luke treadaway .
2016 , paul negoescu , romania , 86 min . with dorian boguţă , dragoș bucur , alexandru papadopol .
2016 , john butler , ireland , 95 min . with fionn o’shea , nicholas galitzine , andrew scott .
2016 , joão pedro rodrigues , portugal / france , 117 min . with paul hamy , chan suan .
after duniyadari the dhamakebaaz performance is coming to entertain the audience . ‘ guru ‘ will give you the best and hatke start of the new year because this movie has planned to release in new 2016 year on 22nd january all over maharashtra .
despite the film ' s titular claim , robbins is very much allowed to play the guru for the full 116 minutes , with no one willing to separate the sage advice from the snake oil .
i wrote a column on the songs of pyaasa as it’s the hindi film i keep rewatching . it remains an extraordinary film .
“easily the most gripping film i saw in melbourne…much as certain novels can be described as page - turners , this film is incontestably a frame - turner . ” — jonathan rosenbaum , film comment
“a dreamlike film that skillfully mixes apocalyptic and mystical elements…a blasphemous , reinvigorating and necessary film . ” — muriel del don , cineuropa
verdict : a funny action movie with a heart sanjay jadhav and ankush chaudhari strike again ! after checkmate and duniyadari , comes guru . guru is a feel - good action entertainer , with super comic - timing , and its heart at the right place . sanjay jadhav is really good at making movies that look great . guru is an out - and - out entertainer , that albeit [ ] . . .
2016 , pernilla august , sweden , 115 min . with karin franz körlof , sverrir gudnason , michael nyqvist .
2016 , bruno dumont , france , 122 min . with juliette binoche , fabrice luchini , valeria bruni tedeschi .
2016 , ralitza petrova , bulgaria / denmark / france , 99 min . with irena ivanova , ventzislav konstantinov .
2016 , amanda kernell , sweden / norway / denmark , 110 min . with hanna alström , anders berg .
2016 , jean - françois laguionie , france , 75 min . with dominique frot , jean - françois laguionie .
“this film and its director are going places…the film belongs to vásáryová as her strong performance commands virtually every frame . ” — pat mullen , cinemablographer
first image of ankush chaudhari and sanjay jadhav make people crazy about their coming project and everyone excited to see duniyadaari’s actor - director jodi again in ‘guru’ .
eros international company planning to produce marathi movie again . eros international coming with marathi movie ‘guru’ directed by sanjay jadhav based on a script by ashish parte .
2016 , jean - pierre dardenne and luc dardenne , belgium / france , 113 min . with adèle haenel , olivier bonnaud .
this new year ankush chaudhari is coming back with new movie ‘guru’ directed by sanjay jadhav . with ankush , actress urmila kanetkar will be seen in lead role .
venkatesh guru release date confirmed ? . # guru film ft . venkatesh and ritika singh . guru telugu movie movie is directed by sudha kp . music composed by santhosh narayanan and produced by sashikanth on y not studios . stay tuned to telugu adda for more latest telugu movie news & updates - urltoken guru telugu movie is the remake of tamil movie irudhi suttru starring r madhavan and ritika singh . this movie was simultaneously directed in hindi as saala khadoos . click here to watch : ▶ ram charan ' s invitation for khaidi no 150 pre release function - urltoken ▶ pawan kalyan examines new 500 & 2000 notes - urltoken ▶ rajamouli mahabharata characters - urltoken stay tuned to telugu adda for more latest telugu movie news & updates - urltoken
i limited myself to movies with 2016 timestamps , thus eliminating titles such as knight of cups , cemetery of splendour and cosmos ( all 2015 ) . the lodge kerrigan - amy seimetz television series the girlfriend experience ( 2016 ) also deserves consideration alongside anything released theatrically .
the best film i saw in cannes this year . kirill serebrennikov’s film creates theatre within cinema , while touching boldly on many of the issues of contemporary russia .
“a spirited coming - of - age story…a stylish and assured film about self - discovery as an on - going adventure . ” — toronto international film festival program
“an insightful teen drama that adroitly tackles a whole slew of issues such as homophobia , bullying and date - rape sex . ” — roger walker - dack , queer guru
2016 , peter brosens and jessica woodworth , belgium / netherlands / bulgaria , 94 min . with peter van den begin , lucie debay .
the most awaited moment in just one click . yes ! here is the first teaser trailer of guru and our ankush chaudhari is back in the brand new movie . guru is the upcoming marathi movie directed by sanjay jadhav and produced by eros international company . along with ankush chaudhari actress urmila kanetkar will be seem in lead role in this movie .
the film crew taken the next level of advertising by asking the viewers who watch the film by pirated copies to pay the amount to particular bank account number kindly .
2016 has been roundly terrible . even vine , one of the greatest sources of creative expression for young ( black ) talent , didn’t survive .
anthony hopkins really is a prime example of that rare breed of actor whose magnetic presence can lift a film a few notches . with colin farrell also on board , the film boasts a strong cast that makes you wonder why the film bypassed cinemas here .
sxsw conferences offer the unique convergence of original music , film , and emerging technologies .
on july 15 , netflix will release the premiere of “ tony robbins : i am not your guru . ” the feature documentary is the 12th film from joe berlinger ( “brother’s keeper” ) and is about the acclaimed motivational speaker , best - selling author and personal finance strategist . it will receive its worldwide debut at the sxsw film festival on march 14 .
, who is presently in great form , with two successive hits , in the form of ���double seat��� and ���dagadi chawl��� . ankush too wants to make it a hat trick with this film , as a successful solo hero . by the way , ���guru��� stars ankush along with
i would have liked to have seen la la land for 2016 , but it won’t be released til december in india , where i currently am .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
director , international film festival and awards macao s . a . r . macao , china
academy award® - nominated filmmaker and leading voice in nonfiction film and television for two decades .
i don’t think that 2016 was a great year for film – or anything else , for that matter – but here are the ones i most enjoyed , a - z . i’m happy that my list includes two female directors , an old favourite back on form , a ( mostly ) b & w subtitled film and a healthy dose of horror .
a netflix original documentary film about life coach tony robbins , i am not your guru follows robbins and his team for six days . joe berlinger and his film crew go behind the scenes of robbins’s annual seminar in boca raton , fla . , to examine the event — from its production to its impact . in addition to helping the seminar’s 2 , 500 attendees , robbins counsels more than 200 , 000 people a year . the film captures his methods and his approach to achieving success .
“expertly crafted…meticulous…it’s the class struggle in a nutshell . ” — giovanni marchini camia , the film stage
“a film swimming in symbolism , transgressive eroticism and perplexing detail . ” — ben nicholson , cinevue
arnold’s film perhaps most expressly gives vibrant voice to the socially disenfranchised , yet in magnifying and caressing the everyday plight of a middle - aged woman most storytellers would relegate to the sidelines , hansen - løve’s exquisite starting - over study – my favourite film of 2016 , though i’m not inclined to rank any further – feels just as pointed and gracefully subversive .
for the year 2015 , sanjay jadhav didn���t have a good time , as both his films ���pyaarwali love story��� and ���tu hi re��� not achieving expected success . so , for sanjay , it is very necessary to begin the new year with a bang , as he has two more big projects , to handle during 2016 . luckily , for ���guru��� he has his ���duniyadari��� lucky star
watch indian girl telugu short film from the director guru prasad vardham setti . # newtelugushortfilms2016 . short film : indian girl cast : jhansi rathod , sushma , anand , karthikesh , vijay , siva teja , pavan , deekshit , nagaraj . production manager : siva aavula music : sri venkat cameraman : vineel , sudheer keerthi story - screenplay - dialogues - producer & direction : guru prasad vardham setti . subscribe for updates - urltoken short films - urltoken full length movies - urltoken daily schedule - urltoken spoof videos - urltoken comedy videos - urltoken and urltoken video juke box - urltoken kids videos - urltoken radio - urltoken devotional - urltoken
also below , the best films from britain , europe , the usa , latin america and asia , those by female directors and those released in the uk in 2016 .
another essential viewing for 2016 . beyond his striking and visceral visual accomplishments , director zhao liang tackles the dynamics of exploitation , triggering much - needed wider discussions about sustainability .
the fact that the ' 84 version became a phenom is as strange , really , as the 2016 version becoming a war between idiot men and all kinds of women .
if you like sanjay jadhav films post duniyadari , commercial south indian cinema , rohit shetty films and the trailer of guru , this film is exactly what you expect it to be , and you will probably love it . also , you can stop reading here . for the rest of you , there is more .
“a wonderful , refreshing film driven by a pair of excellent performances . ” — pat mullen , cinemablographer
“tony robbins : i am not your guru” opens wednesday at ifc center in manhattan ; on friday it begins streaming on netflix and opens in theaters nationally . it is not rated . running time : 1 hour 54 minutes .
a big heart conman guru witness a murder and falls into a scandal . he decides to return to his village to avoid the scandal where he notices his village is under the threat of being . . . see full summary »
one of my most significant film experiences this year was watching ghostbusters , not because it was an exceptionally good film ( it wasn’t ) , but because it was thrillingly groundbreaking : a mainstream non - romantic comedy sci - fi starring women . growing up in the 80s my movie heroes were the male ghostbusters , marty mcfly , ferris bueller ; i’m pleased that the kids of 2016 have more diverse options .
a great year for cinema , and i still haven’t seen albert serra’s new film . in no particular order :
another is eduardo williams’ truly radical and new the human surge , another undistributable film in the most honorable sense .
“continually revealing in its bevy of details…a beautiful , transcendent viewing experience . ” — nick newman , the film stage
while entering the cinema hall to watch guru , one is bound to have apprehensions about the film ; firstly because it sees ankush chaudhary and sanjay jadhav collaborating again and more importantly because jadhav ` s earlier films have been panned for being repetitive . thankfully , this one isn ` t like that although it borrows some trademarks of the director ` s style .
running simultaneously with sxsw interactive and sxsw music , film festival attendees have the opportunity to connect with tech and music industry experts , making the sxsw film festival an unparalleled experience at the forefront of discovery , creativity , and innovation .
please note : this trailer does not have english subtitles . our screenings of the film will be subtitled in english .
tony robbins : i am not your guru a feature documentary film about internationally renowned life and business strategist tony robbins , is a revelatory cinema - verite film that goes behind the scene of his mammoth seminar date with destiny , attended by over 2 , 500 people in boca raton , florida each year , to give an insider look at how one man can affect millions . granted never before seen access to the behind the scenes machinations of this mega - event , this film captures both the immense effort of producing this live seminar as well as the life changing transformations of the participants in real time .
bafta guru is bafta’s content hub for career starters packed full of inspirational videos , podcasts and interviews . whether you’ve taken your first steps in the industry or are just starting out , you’ll find plenty here to motivate and help you along the way .
this is us ( nbc , 2016 ) is the kind of smart , moving , adult drama that used to be found in us independent cinema but has now found a happy home on network tv .
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the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
making films in 2016 helped quench my ongoing thirst for cinema . i was so busy working that i missed arabian nights , son of saul and fire at sea , but i’ll see them some tuesday afternoon in 2019 .
2016 felt like a solid year , especially since my hope at the beginning of each year is to be inundated by films that are both able to inspire and to take a risk or and to challenge mainstream cinematic languages .
though it premiered in 2015 , roberto minervini’s the other side ( which appears to have only had theatrical runs starting in 2016 ) is both startlingly formally accomplished and a rarely insightful film on angry , economically dispossessed white americans at the nexus of severe drug abuse , racism and anti - government paranoia – it’s essential , explanatory viewing for the vile trump era .
oh yeah they were also all made by women , first feature or first mid length film . but first they are great films .
my preferred films from 2016 are all great essay films ( of one kind or another ) . these days i’m not remotely systematic when it comes to contemporary film viewing generally . but i do keep a relatively close cinephile eye on new essay film production , perhaps especially as someone interested in the essayistic forms of audiovisual expression increasingly being produced in and around academia . i particularly loved the illinois parables , a brilliantly made work by experimental documentarian deborah stratman , who is also associate professor in the school of art
we all know ankush chaudhari for his versatile acting and in this film also audience will get treat of his different look and new dialogues .
it was announced a few weeks ago that srk and rohit shetty are producing a marathi film to be helmed by sanjay jadhav . after watching
tony robbins ' clients swear by his unorthodox life coaching methods . a revealing film goes behind the curtain at his annual mega - event .
the odd one out in the women - themed group is la la land , arguably the most dazzling film of the year . accomplished in every aspect , it’s both a homage to and a rewriting of hollywood’s classic musicals . while in whiplash damien chazelle explored the dark side of artistic virtue , in his second film he denies his characters a conventional happy ending . only the harshest cynics will resist this film’s bittersweet charm .
constantly impressive in its ability to seamlessly weave footage exposing views of the political spectrum , a german youth offers perhaps the strongest narrative experience of the entire [ 2016 art of the real ] festival .
— eric barroso , mubi notebook
napoleon’s digital reincarnation was undoubtedly the archive film event of the year , followed by a new box set of films by african - american cinema pioneers . as a silent film advocate , i am intrigued to hear reports that hollywood blockbusters are cutting back on dialogue . the execs over there should look to studio ghibli’s the red turtle as an example of how to make a modern , and excellent , film without speech at all .
the trailer is filled with lots of fun , comedy , style , music , dance and action . guru played by ankush is a conman , earning his livelihood by manipulating rich people but is also the king of hearts in his neighbourhood along with his lady love mango dolly aka urmila kanitkar - kothare .
for here or to go ? movie review : ali fazal and omi vaidya ' s film has potential to touch a nerve but . . .
2016 was the year of the woman and so on this occasion it was important for me to focus in on five outstanding films made by female filmmakers at various stages of their careers . an honourable queer mention must go to cemetery of splendour by apichatpong weerasethakul . my festival highlights were listening to lizzie borden tells us about the making of born in flames at the london film festival and donna deitch present desert hearts at bfi flare . my film season highlights were dissent and disruption : the complete alan clarke at the bfi and laura mulvey
spielberg’s the bfg may be the funniest , spookiest , most exquisitely crafted children’s film since the wizard of oz . even its farting scenes are witty .
this outstanding icelandic debut feature film is a coming - of - age / family drama work that excels in its narrative arch , acting and cinematography .
it aims to be a good family film for the summer movie season , and it fits right in with the buttery popcorn i ate while watching it .
special events live soundtracks , cult re - issues & much more . our special events section offers unusual , unexpected & unique one - off film events .
i have smuggled on to the list one film revived from the past : the brick and the mirror ( 1965 ) , which is by far the most stylistically daring film i have revisited ( and occasionally presented and screened ) in 2016 . golestan’s bleak masterpiece , arguably the best of iranian pre - revolutionary cinema , captures an atmosphere of political anxiety and paranoia and transforms it into a timeless image of any society governed and manipulated on the basis of fear of the other – more or less a mirror held in front of us at this troubled moment in the 21st century .
honourable mentions : in television , orange is the new black and louis c . k . ’s web - series horace + pete . on film , lemonade !
the film plays a lot like too - little - too - late , a sometimes - clever thriller with a couple of performances that rise above the material .
the sxsw film festival celebrates raw innovation and emerging talent from both behind and in front of the camera . featuring provocative dramas , documentaries , comedies , genre standouts , and more , the festival has become known for the high caliber and diversity of films presented , and for its smart , enthusiastic audiences . submit your film
headliners big names , big talent : headliners bring star power to sxsw , featuring red carpet premieres and gala film events with major & rising names in cinema .
a big heart conman guru witness a murder and falls into a scandal . he decides to return to his village to avoid the scandal where he notices his village is under the threat of being forcefully evicted to make way for a ' mega city . the murder he witnessed is part of a big conspiracy and has connection to his village .
anyone who’s wanted to take a plunge into motivational speaking superstar tony robbins’ “life performance coaching” without surrendering a larger chunk of time or cash now have the option of watching “tony robbins : i am not your guru , ” which condenses one of his trademark seminars down to two - hour form . those expecting insight into robbins’ life [ … ]
serra’s film doesn’t mock or make heavy weather of the notorious layers upon layers of ritual and protocol that distinguished the royal court at versailles . but throughout we are sharply aware of the stark dichotomy between the corporeal presence of the king – a dying , rotting body which will be dissected and dismantled by royal surgeons at the end of the film – and the idealised nature of the ‘royal body’ as pure symbol… for his latest ‘sacred monster’ study , serra has made a film in a somewhat classic mode – ‘classic’ in the sense of contained , stately , solemn – and a film that is extremely beautiful and even moving , in a rigorously detached way .
toni erdmann is another film that takes genre and drags it , kicking and screaming , somewhere else . its ‘flaws’ , or rather , foibles , are what gives it some kick . seeing that in a packed 1 , 600 - seat house at the vancouver international film festival was a highlight of the year , no question .
the film event of the year was the complete retrospective of the films of jean - marie straub and danièle huillet at the museum of modern art , new york .
all lists are provisional , but this one includes variety at least . the albert serra film shown at the london film festival was an incredible delight , an unexpected and inventive response to constraint , and a chance for actors to show what they could do with not much at all , and what they could do was very good .
warm human drama . . . gay shows that it ' s possible to entertain a crowd and say something significant .
— amber wilkinson , eye for film
my selection of five films is more of a cake slice than a ‘best of 2016’ . it shows the dense abundance of reality that we occupy as a narrative source , from data to diaries , and the pictorial and temporal frames through which these layered sources can be represented on screen .
and finally cameraperson… kirsten johnson discovers a profound , personal and political nonfiction cinema in discarded and unwanted images , odds and ends , widows and orphans . if i had to shoot one movie into space to sum up this crazy , chaotic , hurting world in 2016 it would be this one .
a buoyant , summery tale . . . green is a master , and this may be his most pleasurable film to date .
— kieron corless , sight and sound
for nine days in march , creatives of all stripes gather for the acclaimed sxsw film program to celebrate raw innovation and emerging talent both behind and in front of the camera .
one of my other choices here stands for the two lav diaz films i saw in 2016 , the other being the flawed , wayward a lullaby to the sorrowful mystery , but my vote for his venice prize - winner is also a vote for an exemplary continuing adventure in filmmaking as passionate mission . other films that made 2016 for me included : the untamed , the son of joseph , personal shopper , elle , fire at sea , paterson , ivo ferreira’s underrated letters from war , nele wohlatz’s joyously deadpan comedy about language the future perfect , bertrand bonello’s dazzling if contentious nocturama , and the first marvel film i’ve cared about in a long time , doctor strange – which , like jeff nichols’s midnight special , represented a vote of faith in the screen possibilities of the digital sublime .
no film this year was more formally enlivening than fraud . once its central characters began to set fire to their own house , i had absolutely no idea what i was watching .
finely chiseled and superbly played . . . the film bristles with humor , mostly drawn from life , and illuminating moments of irony .
— boyd van hoeij , hollywood reporter
these were the films i saw in 2016 that made my heart beat faster ( in a good way ) than any of the others i saw . these films made me come away from the cinema with my head buzzing , offering the cinefile’s favourite sensation of having seen a film that gives you food for thought for days afterwards . craft and hard graft . yep . ambitious texturing and layering . yep . editing ellipsis to create story . yep . gripping to the last frame . totally .
most of the film is bits of action cut together in flashy fashion . it was clear the filmmakers got scared of the lack of success of batman v superman and started cutting and re - shooting , turning this film is something completely different from what it should have been . character depth and story got lost to make way for pretty action and forced comic relief .
the hateful eight would have been no 6 – a major admission from a tarantinophobe like me . elsewhere , the barrier between film and television seems increasingly arbitrary , and not just because of the big netflix originals : a four - parter such as c4’s national treasure is a film in all respects – script , direction , camerawork , performances – except means of delivery .
i’ve restricted my five to 2016 , and there are a lot i haven’t yet seen . revelations from the past were two silent films by frank borzage : back pay and the pride of palomar ( both 1922 ) . they make you understand once again why those who’d known only silent cinema resisted the coming of sound .
other than being completely predictable , there is no major fault with the graph of the film . in fact , it could have been enjoyable for a larger audience bracket if presented on a lower key . but that’s not the directorial intent . the film is designed to imitate the current crop of south indian ( action - comedy - masala ) films , or their bollywood counterparts like
an examination of the ethics of nonfiction filmmaking by way of a first - person diary film , featuring outtakes from 25 years’ worth of documentaries shot by fahrenheit 9 / 11 cinematographer kirsten johnson .
wilder and freer than the more classical stranger by the lake , the film literally reinvents itself from scene to scene , and yet somehow feels all of a piece . brilliantly , blackly comic .
“confident , unflinching filmmaking…secures a place for papadimitropoulos alongside yorgos lanthimos , alexandros avranas , and athina rachel tsangari on the list of emerging film talent from greece . ” — wendy ide , screen daily
tony robbins : i am not your guru , a feature documentary film about internationally renowned life and business strategist tony robbins , is a revelatory cinéma vérité film that goes behind the scenes of his mammoth seminar
date with destiny ,
attended by over 2 , 500 people in boca raton , florida , each year , to give an insider look at how one man can affect millions . granted never before seen access to the behind the scenes modus operandi of this enormous event , this film captures both the immense effort of producing this live seminar , as well as the life - changing transformations of the participants in real time . embedding with tony robbins and his team over the course of six days , academy award nominated filmmaker joe berlinger turns an unflinching eye on tony robbins ' powerful and uncompromising approach to achieving success , ensuring the attendees leave
date with destiny
with new perspective on the forces , thoughts , and feelings that motivate their behavior and help them take . . .
tony robbins : i am not your guru , a feature documentary film about internationally renowned life and business strategist tony robbins , is a revelatory cinéma vérité film that goes behind the scenes of his mammoth seminar
date with destiny ,
attended by over 2 , 500 people in boca raton , florida , each year , to give an insider look at how one man can affect millions . granted never before seen access to the behind the scenes modus operandi of this enormous event , this film captures both the immense effort of producing this live seminar , as well as the life - changing transformations of the participants in real time . embedding with tony robbins and his team over the course of six days , academy award nominated filmmaker joe berlinger turns an unflinching eye on tony robbins ' powerful and uncompromising approach to achieving success , ensuring the attendees leave
date with destiny
with new perspective on the forces , thoughts , and feelings that motivate their behavior and help them take control of their lives . pulling back the curtain on tony robbins , a man that traverses the globe and counsels over 200 , 000 people annually , including world leaders , pundits , entrepreneurs , ceos , athletes and celebrities , through interviews and unprecedented access , tony robbins : i am not your guru is an emotional tour de force that unveils the inner - workings of this mega event , the zealous participants and the man himself .
those are topics for another film to pursue , however — definitely not the one berlinger is making here . the occasional questions he asks robbins during seminar breaks , or at the subject’s palm beach home , are pointed enough but lack depth or follow - through . near the end , robbins himself shrugs that no one would be interested in a movie about him — i . e . , his life and career off the podium . that may well be a faux - humble evasion , and is wrong besides . but it deftly acquits “i am not your guru” of any responsibility in peeking behind the wizard’s curtain .
, this film is exactly what you expect it to be , and you will probably love it . also , you can stop reading here . for the rest of you , there is more .
at best , the film is a rorschach testimonial , lionizing its subject while offering enough objectivity to allow non - believers to opt out . at worst , it ' s a very long infomercial .
as powerful an experience as the theatrical version of notes on blindness was , the virtual reality experience was doubly so . whether 2016 stands as ‘the year that vr broke’ ( however you wish to interpret this ) or not , here is a project that lays down a real marker for its potential to tell meaningful stories – including documentary ones .
i don’t like to take an elitist position , and firmly believe that a fair review must consider the target audience the film is made for . every reader who bothers to read the review is a potential audience member and expects the reviewer to clue him in about the experience . to achieve this , one needs to keep a clear mind and a neutral point of view when watching anything . with a film like
for its rich layers and hypnotic sensuousness . based on a deeply personal play by tarell alvin mccraney , barry jenkins’ film is a brilliant exploration of the relationships that have a profound impact on protagonist chiron’s destiny .
dog eat dog and elle were the most flagrant , entertaining films of the year . both elle and things to come proved that all you need to make a great film are isabelle huppert and a cat .
a thought - provoking film that plays with its storytelling tools to delve into human psychology , the aftermath of disaster , and how we can survive through small everyday ways .
— sarah jilani , filmdoo
my favourite film of the year contained many such moments , not least its lightning - in - a - bottle opening title sequence , in which the entirety of human existence seemed effortlessly distilled into a single sneeze .
finally , the moment laurent lafitte pulled isabelle huppert from a totalled car in elle , paul verhoeven declared himself ready to answer the questions laid out in his most unfairly maligned film , the enduringly provocative hollow man .
a lovely portrait of the past . . . ritesh batra ' s second film finds the simple beauty in julian barnes ' novel , with the help of a stellar cast .
— steve greene , indiewire
“tony robbins : i am not your guru” goes behind the scenes of tony robbins’ annual seminar , date with destiny . every year in florida , over 2 , 500 people attend robbins’ most intimate and intensive event , which last six days and nights . robbins gave the crew access to the event itself , as well as its production , daily regimen and the inner workings of the creative team . berlinger stated that his goal “was to share a profound experience that i myself underwent . while the event itself may not be for everyone , i hope my approach will help audiences think about the nature of their own lives as they witness the transformations of the characters in the film . ”
the accountant should be a straight - ahead thriller , but the film keeps tripping over its own incompetent feet . maybe it was made for adults , but it sure doesn ' t feel like it was made by them .
the first edge - of - my - seat western i’d seen since the 1970s – literate , harrowing , masterfully melding puckish humour and scalding horror ; a film , like deliverance , that one leaves feeling like a survivor .
very enjoyable . . . this film is not just for foodies ( although it’s totally for them ) , but also for those who just enjoy watching people do what they love .
— adelaide blair , the macguffin
tony robbins is a # 1 new york times best - selling author , entrepreneur , and philanthropist . for more than 38 years , mr . robbins has empowered more than 50 million people from 100 countries through his life training programs and live events , like date with destiny , as featured in the film tony robbins : i am not your guru . he created the # 1 personal and professional development program of all time , and more than 4 million people have attended his live seminars . as the nation ' s # 1 life and business strategist , his expertise has been called upon by some of the world ' s finest athletes , entertainers , fortune 500 ceos , and even presidents of nations .
the hero is autistic , a wizard at math , an expert at martial arts and an ultra - skilled sniper who is leading a double life . but all this is not enough to make the accountant a film worth seeing .
my two favourite film events of the year both happened in the first week of november : john carpenter playing his scores live at the troxy and carl davis conducting the bfi’s digital restoration of napoleon live at the royal festival hall .
so we have a couple of highly inventive , beautiful documentaries ; sarah pucill’s second adaptation of claude cahun’s writings , capturing the fragmented poetry of its source ; and tscherkassky’s exquisite corpus , which ( like morrison’s ) is a film about film , using archive material . i don’t know if i can conclude from this that conventional narrative is , at this point , one of the least interesting approaches , or if it’s just one of the least interesting to me .
two sights in christine epitomised that film’s examination of the precarious ties that bind us to this world : the anguish on rebecca hall’s face mid - argument , and the loneliness of maria dizzia’s final singalong in the face of death .
among the other highlights of my cinema - going year was a season of ozu films at flagey cinematek in brussels : calm , humane and exquisitely crafted – just the thing to offset the horrors of 2016 and remind one of the better , more civilised world that does still exist , even if it’s only on the screen . if anyone needs me , i’ll be drinking kirin in the luna bar .
all’s well that ends well in this good - hearted romantic comedy that kicks off malta’s current tenure in the presidency of the european union . when sophie ( meli ) , a career woman focused on making her fledgling pr firm thrive , gives her gold - digger fiancé the boot , her imperious granny , who holds the wealthy family’s purse strings , sets the 30 - year - old a deadline to get married or forfeit her inheritance . it’s a rollicking plot that mixes it up with a gardener with a secret plan , a cheating bombshell of a sister , a weak - willed dad , and a bumbling matchmaker priest . the film represents an early step in fostering an indigenous maltese film industry ; it was produced through a training program initiated by the malta film commission and made possible through funds awarded by the european social fund . in english and maltese with english subtitles . courtesy of the malta film commission . dcp digital . ( bs )
it ' s all about father and son . a father who nurtures his son and makes him a good man in this society . he teaches many fathers about fatherhood and their responsibilities . this film shows . . . see full summary »
tom ford’s second film , based on the book tony and susan by austin wright , follows a los angeles gallery owner who is shaken by the arrival of a novel by her ex that imagines a couple who come to a violent end .
sadly , however , the year’s most memorable event was the shocking , perhaps wholly avoidable death of abbas kiarostami , for me and many others the greatest artist working in film over the last few decades . what a terrible loss to cinema .
an award - winning film that has been called
a must watch
by nobel laureate muhammad yunus and director of the hunger games , gary ross . living on one dollar follows the journey of four . . . see full summary »
similarities and connections are one thing , but solace seems to grasp at straws and force - link everything when it isn ' t necessary . solace is this damaged and lackluster film that sometimes tip - toes in the category of a beautiful disaster .
manchester by the sea is as flat and grey as boston – the palette of grief is unchangingly colourless . yet no matter how it looks from the outside , lonergan takes care to show the many shades of emotion that bereavement encompasses… the way affleck , hedges and williams inhabit his characters in all of their complicated , uncomfortable sadness is the film’s strength , making the time spent with them an exercise in human grace – and as pleasurable a viewing experience as a film about death could hope to be .
and how’s this for a magic moment : i watched chimes at midnight in welles’s daughter’s house , then she made me leftovers frittata . as justice shallow says in the first line of the film , “jesus , the days that we have seen . ”
my most cinematic moment of the year has to be a restoration of the 1922 version of nosferatu accompanied by its original score played by the regional symphonic orchestra of the city i was born in , during the local film festival of seminci . haunting .
“the charming , rousing wwii romance their finest is a film that openly stumps for two causes : the value of women in the workplace , and the power of cinema to tell stories that people need to hear . ” — noel murray , the playlist
2016 : year of the unedifying spectacle . brexit in the uk , trumpism in the us , turkey’s dissent - crackdown , brazil’s five - ring circus of vicious inequality , russia’s hydra - headed poisoning of the global body - politic… and lav diaz landing main - jury prizes at both berlin and venice . diaz’s trophies – small beer in the wider scheme of things , of course – consecrate artistic narrative cinema’s blind dance into moribundity .
the accountant is bolstered by its intricate character played by affleck as well as its sophisticated tropes and reveals . while its plot may be a bit too extensive and prolong the film still supplies the drama and efforts of being more than solid . 4 / 5
in “tony robbins : i am not your guru , ” an immersive look at his 2014 seminar in boca raton , fla . , so much is lobbed that this almost fawning documentary plays at times like a horror movie . there is something almost vampiric about this public siphoning of hurt , from the self - loathing of a suicidal young man to the devastating anguish of a woman who survived a childhood of sex slavery . is she on the road to being healed , we wonder , or has she just exchanged one possible cult for another ?
also to note for 2016 is the red spider ( marcin koszałka ) , an impressive story of a young man fascinated by the impulse of evil . curumim ( marcos prado ) is a shocking documentary about champion paraglider and drug dealer marco ‘curumim’ archer . in the last days of the city ( tamer el said ) beautifully captures the mood of a city , cairo , and of its people during such a troubled historical period for egypt .
jarmusch’s taste for ordinary vibrant things – such as a perfect box of matches – is here the launchpad for a droll and lovely diary film that captures a week in the life of our couple . it’s an exquisitely modest , heartfelt film with a quietly moving way with gags – pure jarmusch , yet reminiscent too of aki kaurismäki’s tributes to working stiffs . if there’s more than a hint of manic pixie dream girl about laura , it’s offset by her growling english bulldog marvin , to whom paterson is just as much married .
the more i think about it the more i admire the surprise winner of the golden lion at venice . the woman who left is a film that lives in the memory as a moral , political and cultural statement as well as a fine piece of filmmaking .
at date with destiny , tony robbins spends six days tearing down peoples ' walls in order to build them up again into their authentic selves . witness the first - ever inside look at this monster event , the methodology behind the workshop , and the life changing , transformational experiences the attendees have under tony ' s guidance in netflix ' s i am not your guru .
giants
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