whale rider is a 2002 new zealand-german family drama film directed by niki caro , based on the novel of the same name by witi ihimaera .

the film stars keisha castle-hughes as kahu paikea apirana , a twelve-year-old māori girl who wants to become the chief of the tribe .

her grandfather koro believes that this is a role reserved for males only .

the film was a coproduction between new zealand and germany .

it was shot on location in whangara , the setting of the novel .

the world premiere was on 9 september 2002 , at the toronto international film festival .

the film received critical acclaim upon its release .

at age 13 , keisha castle-hughes became the youngest nominee for the academy award for best actress before she was surpassed by quvenzhané wallis , at age 9 , for beasts of the southern wild less than a decade later .

the film earned $ 41.4 million on a nz$ 9,235,000 budget .

whale rider

12 . paikea ' s whale album : whale rider music by : lisa gerrard whale rider ( 2002 ) a contemporary story of love , rejection and triumph as a young girl fights to fulfill her destiny .
the kahurangi tribal dancer during ' whale rider ' - premiere after party at . . .
rawiri paratene and keisha castle hughes during ' whale rider ' - premiere after . . .
cliff curtis and steve buscemi during ' whale rider ' - premiere after party at . . .
01 . paikea legend album : whale rider music by : lisa gerrard whale rider ( 2002 ) a contemporary story of love , rejection and triumph as a young girl fights to fulfill her destiny .
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emma gibbs and helen klisser during during ' whale rider ' - premiere after party at . . .
grant roa and keisha castle hughes during ' whale rider ' - premiere after party at . . .
rawiri paratene and keisha castle hughes during ' whale rider ' - premiere , new york . . .
if you want to answer the questions ,
who starred in the movie whale rider ?
and
what is the full cast list of whale rider ?
then this page has got you covered .
this cast list of who was in whale rider includes both lead and minor roles . ( 19 items )
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whale rider , new zealand’s latest film sensation , premiered last night in tokyo to an influential japanese audience .
keisha castle hughes during ' whale rider ' - premiere after party at guastavino ' s in . . .
keisha castle hughes during ' whale rider ' - premiere , new york city at city cinema . . .
cliff curtis , big vic and emma gibbs during ' whale rider ' - premiere after party at . . .
steve buscemi during ' whale rider ' - premiere , new york city at city cinema 1 in . . .
rawiri paratene during ' whale rider ' - premiere , new york city at city cinema 1 in . . .
cebeci , ali . suduiko , aaron ed .
the whale rider summary
. gradesaver , 6 april 2015 web .
whale rider cast list , listed alphabetically with photos when available . this list of whale rider actors includes any whale rider actresses and all other actors from the film . you can view additional information about each whale rider actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of whale rider have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
the 2002 film whale rider , directed by niki caro , is an adaptation of witi ihimaera ' s 1987 novel the whale rider , itself based on the māori legend of paikea , or kahutia te rangi , who rode from the ancestral home of hawaiki to new zealand ' s east coast on the back of a whale .
the question and answer section for the whale rider is a great resource to ask questions , find answers , and discuss the novel .
my name is paikea apirana , and i come from a long line of chiefs stretching all the way back to the whale rider .
keisha castle hughes during ' whale rider ' - premiere after party at guastavino ' s in new york city , new york , united states .
tv presenter phillip schofield and his wife stephanie arriving for the uk premiere of whale rider , at the ugc cinema in haymarket , central london .
the whale rider starts a thousand years ago , with a pod of whales . the biggest whale , the founder of maori culture , has a special relationship with the whale rider , a young man who sits upon its back . the book ' s narrator , kahu ' s uncle rawiri , then explains that the tribe ' s first chief and ancestor , kahutia te rangi , who is also called paikea , came to their land on the back of a whale , making him the whale rider . he gave them gifts , including the ability to communicate with animals and nature .
the kahurangi tribal dancer during ' whale rider ' - premiere after party at guastavino ' s in new york city , new york , united states .
steve buscemi during ' whale rider ' - premiere , new york city at city cinema 1 in new york city , new york , united states .
rawiri paratene during ' whale rider ' - premiere , new york city at city cinema 1 in new york city , new york , united states .
cliff curtis and steve buscemi during ' whale rider ' - premiere after party at guastavino ' s in new york city , new york , united states .
keisha castle hughes during ' whale rider ' - premiere , new york city at city cinema 1 in new york city , new york , united states .
whale rider is not only a great picture it has a great message two . should be rated pg - 13 but not a very intense pg - 13 .
emma gibbs and helen klisser during during ' whale rider ' - premiere after party at guastavino ' s in new york city , new york , united states .
grant roa and keisha castle hughes during ' whale rider ' - premiere after party at guastavino ' s in new york city , new york , united states .
rawiri paratene and keisha castle hughes during ' whale rider ' - premiere after party at guastavino ' s in new york city , new york , united states .
as expected , local film phenomenon whale rider took away the bulk of the prizes at this year ' s new zealand film awards held in auckland last night .
i ' m not really a big fan of the film
whale rider
. i have tried watching it but the film never really appealed to me .
the whale rider study guide contains a biography of author witi ihimaera , literature essays , quiz questions , major themes , characters , and a full summary and analysis .
' ' whale rider ' ' is rated pg - 13 ( parents strongly cautioned ) for scenes of emotional cruelty that may be a little upsetting for younger viewers .
cliff curtis , big vic and emma gibbs during ' whale rider ' - premiere after party at guastavino ' s in new york city , new york , united states .
rawiri paratene and keisha castle hughes during ' whale rider ' - premiere , new york city at city cinema 1 in new york city , new york , united states .
analysis of witi ihimaeras ' the whale rider ' on the basis of . . . | publish your master ' s thesis , bachelor ' s thesis , essay or term paper
stream whale rider by lisa gerrard and tens of millions of songs on all your devices with amazon music unlimited . exclusively for prime members . new subscribers only . terms apply .
each part of the novel begins from the perspective of the whale herd . there is one old bull whale among them that remembers the days of the whale rider and thinks longingly about them , even though those days are long past . the older female whales worry about his growing nostalgia , because they know that heading back to the islands would be dangerous , but after they attempt to return to an underwater trench that is homelike to them , they find the trench toxic and inhospitable . all the while the bull whale fondly remembers communicating with the human whale rider and eventually leads the herd to new zealand .
movie review : a whale of a tale ( by c . a . wolski )
“from the animated and enthusiastic discussions that followed the screening , there can be no doubt that whale rider is going to generate further interest and awareness of new zealand as a destination .
audio commentary by writer / director niki caro - a mellow caro broaches various aspects of the filmmaking process and how she brought whale rider to the screen . in english , not subtitled .
poster art and photo gallery ( 1 : 58 , 1080p ) - a short slide show consisting of five us / international posters for whale rider and sixteen high - res color photographs .
studio : newmarket ( released june 6 ) category : adapted source material : “whale rider , ” a novel by witi ihimaera storyline : in a new zealand village , where the maori people are descended from paikea , the whale rider , the chief’s male heir automatically becomes the tribe’s next leader . since the current chief has no male heir , his granddaughter , pai [ … ]
families can talk about the traditions in whale rider and the traditions of their own cultures . which ones do you think are important to pass down ? which do you think need to evolve ?
: and he came on the back of a whale . a man to lead a new people . our ancestor , paikea . but now we were waiting for the firstborn of the new generation , for the descendant of the whale rider . for the boy who would be chief .
good plot . i like the fact that they put a really whale in this film .
set at the east coast town of whāngārā , whale rider tells the tale of a young māori girl , pai ( keisha castle - hughes ) , who challenges tradition and embraces the past in order to find the strength to lead her people forward . niki caro ' s second feature is based on witi ihimaera ' s novel the whale rider . coupling a specific sense of place and culture with a universal coming - of - age story , whale rider met with sizeable success worldwide , winning audience choice awards at sundance and toronto and its young star was nominated for an academy award
also joining the festivities were “whale rider” producer linda goldstein knowlton , cast member cliff curtis , newmarket films head bob berney and peering from the side , director darren aronofsky ( “requiem for a dream” ) .
[ 2 ] mottesheard , ryan ( june 6 , 2003 ) : girl power : new zealand writer / director niki caro talks about ` whale rider´ . interview with niki caro . urltoken p . 1
set in the east coast town of whāngārā , whale rider tells the tale of a young māori girl , pai ( keisha castle - hughes ) , who challenges tradition and embraces the past in order to find the strength to lead her people forward . directed and written by niki caro , the film is based on witi ihimaera ' s novel the whale rider . coupling a specific sense of place and culture with a universal coming - of - age story , whale rider became one of the most successful and acclaimed new zealand films released internationally . it also won audience choice awards at the sundance and toronto film festivals .
iervolino and bacardi said on monday they were committed to supporting each release with marketing , advertising and publicity akin to a new platform release . whale rider will launch in november in both restored digital and 35mm formats .
the story begins with a focus on the ancient days , when nature and all wildlife were excitedly waiting for the coming of man . then man arrived from the east , and the relationship between nature and man throve . one relationship in particular - - that between the whale rider and his giant whale - - was exemplary of a symbiotic connection . this whale rider casts spears as life - giving objects to the islands , but one spear he casts 1000 years into the future , which is the time of the story’s young heroine kahu .
tv spots ( 2 : 38 , upconverted to 1080i ) - five us tv spots promoting whale rider with voice - over and critics ' quotes . the spots are shown in letterbox . in english , not subtitled .
you ' ve reached the
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for any and all dramatica analysis of whale rider . in addition to the storyform , you ' ll also find any additional analysis or media related to the story in question .
“whale rider” star keisha castle - hughes sparkled at the after party for the film’s premiere at the cavernous guastavino restaurant under the queensboro bridge along the east river in midtown manhattan . the film , by niki caro opens in ny friday .
caro is in the united states . her best screenplay award was accepted on her behalf by whale rider author witi ihimaera , while the best director award was accepted by hone taumaunu , the kaumatua of whangara where the movie was set and filmed .
soon after , there is another mass group of beached whales . this time , while no one is looking , kahu jumps into the water and talks to the whales . she climbs on the back of the ancient bull whale as it dives deep into the sea . her family thought she would die , but they soon realize that she is the whale rider .
the partners have hired larry greenberg to oversee the unit , kicking off with niko caro’s 2002 multiple award - winner whale rider ( pictured ) . the executive recently served as vice - president of acquisitions and theatrical distribution for momentum pictures and phase 4 films .
us theatrical trailers ( 2 : 57 , 1080p ) - an awards season trailer followed by whale rider ' s official theatrical trailer . they ' re presented in anamorphic widescreen and while in good shape , they contain some dirt . in english , not subtitled .
' the whale rider ' is a story about a maori girl named kahu , who dreams of being the chief of her tribe . however , in maori culture , only men can be chief . the story shifts between the present day and a thousand years ago .
whale rider ( 2002 ) , a film by new zealand director niki caro , is based on the novel of the same name by witi ihimaera . the novel in turn uses the traditional tale of paikea , who came to new zealand on the back of a whale . whale rider enjoyed extraordinary international success and made the young māori actress keisha castle - hughes , who played a young , female paikea , one of new zealand’s most recognised faces . in this scene the wit and irreverence of māori humour is shown in the interaction between two generations of māori women . also featured are paikea’s grandmother flowers ( vicky haughton ) and friends maka ( mabel wharekawa - burt ) and miro ( rawinia clarke ) .
supersummary , a modern alternative to sparknotes and cliffsnotes , offers high - quality study guides that feature detailed chapter summaries and analysis of major themes , characters , quotes , and essay topics . this one - page guide includes a plot summary and brief analysis of whale rider by witi ihimaera .
her instinctive underplaying gives ' ' whale rider ' ' an added gravity , with the lush remoteness of the landscape serving as an entrancing contrast to the sugar - rush , you - go - girl empowerment of programmed pandering like ' ' the lizzie mcguire movie , ' ' whose tweener heroine flails her arms and bats her eyes as if she were sending distress signals . the director demonstrates a class and tact that brand ' ' whale rider , ' ' which opens today in new york and los angeles , as more than a time - filler for young moviegoers or an ironman competition for adults accompanying them .
u . s . label shout factory has officially announced and detailed its upcoming 15th anniversary blu - ray edition of director niki caro ' s film whale rider ( 2002 ) . the release , which will be part of the label ' s recently launched shout select line , will be available for . . .
rather than inflate this story ( from a novel by witi ihimaera ) with artificial sentiment , writer - director niki caro develops very real and turbulent family relationships , intimate and yet torn by a collision between stubborn tradition and changing attitudes . the mythic whale rider - - the ultimate symbol of maori connection to nature - - is also the harbinger of pai ' s destiny , and the appealing castle - hughes gives a luminous , astonishingly powerful performance that won ' t leave a dry eye in the house . with its fresh take on a familiar tale , whale rider is definitely one from the heart . - - jeff shannon
ms . caro ' s attempt to fight the mawkishness inherent in the film ' s opening by setting a tone of emotional tidiness makes the rest of ' ' whale rider ' ' distinctively efficient ; this gamble makes the first section seem distended and a little drab . still , there aren ' t many filmmakers who would have fought that initial heightening of heartbreak . too flamboyant an opening would have left the movie with no place to go and embarrassed us with so early a claim on our sentiments . bear with ' ' whale rider ' ' : once the picture kicks into gear , it has the inspiring resonance of found art .
in the whale rider , kahu is a young maori girl who wants to be the chief of her tribe , but cannot be because in her culture that role is only for men . she uses her gifts of communicating with nature to save a beached pod of whales , and because of that she is finally accepted .
the focus shifts to a herd of whales . the whale mothers look over their young while the single leader whale—the bull whale—reminisces about his own youth so long ago , and the precious time he spent with the whale rider . now , so many years after their separation , the nostalgia for their time spent together cuts away at the old bull whale . but then the story shifts to kahu . the narrator of this time period is rawiri , her uncle . when she is born , her great - grandfather expresses great disdain that she is a girl . he is looking for a suitable successor , which according to local culture ought to be passed from eldest child to eldest child . porourangi , the girl’s father , is his eldest grandson so he is the successor for that generation . the problem in koro’s mind , however , is that porourangi’s eldest child is now kahu , who—because she is female—is not fit to lead according to koro .
if a picture tells a thousand words , a movie runs at 24 pictures per second , and a 105 minute film is comprised of 151 , 200 frames , then a piece of celluloid should tell a story worthy of 151 . 2 million words . whale rider is the first movie i have ever seen that achieves this mark .
i could gush on for much longer but there is little point . when push comes to shove , all that i need to say about whale rider is that it is the best film i have seen in a movie theater since almost famous ; moreover , the twin performances of rawiri paratene as koro and keisha castle - hughes as pai are as good as any in recent cinema . stating the obvious , whale rider is one of the best movie experiences of my life and i strongly urge you to see it as soon as you possibly can . and bring a lot of tissue paper just in case . our movie theater was niagara falls during several key moments .
“the premiere of whale rider was an ideal way to start my visit . the film has already proved to be a superb vehicle for promoting new zealand to discerning audiences around the world . opening night in tokyo left the audience moved and impressed with the film , its story , and the new insights it gave them into new zealand .
all of these elements are creatively combined for a very unique film in the world of cinema today . by the time whale rider arrives at a fairly unorthodox and surprisingly suspenseful ending , the viewer will be so in love with the characters that the emotional impact is almost unsettling . something this special is an absolute must - see and is recommended for the entire family .
a different herd of whales washes up on the beaches of whangara , and though most of the locals attempt to save them , the whales all perish . koro interprets this as a sign of what is happening to the maori . however , the following night the herd of whales the novel has been following arrives in whangara . the bull whale beaches himself , apparently waiting to die . kahu communicates with the bull whale , who is overjoyed at the return of the whale rider and swims back out to sea with kahu still on his back . kahu sacrifices herself so that her people may continue to thrive and decides that she will remain with the herd ; however , one of the elderly female whales convinces the bull whale to take kahu back to shore . koro realizes that he has been blind to kahu’s talents and her leadership and finally tells his great - granddaughter that he loves her .
in desperation , kahu swims out to the whale and climbs up its back after communicating with it . the whale mistakes kahu for its old master—kahu’s ancient ancestor , kahutia te rangi . overjoyed , the whale returns to sea and it descends back into the water with the rest of the herd and kahu in tow . kahu agrees to come with the herd in the hopes that she will thus save them and save her own people . she thinks that this will be the last time she will ever see her home and family and that accompanying the herd means losing all that she holds dear , but she sacrifices herself nonetheless and chooses to remain as the whale rider . back on the shore , koro finally realizes kahu’s special status and her suitability to lead . his anguish is now doubled as he must accept that he has been so harsh to the very person he needed so badly this whole time .
based on the witi ihimaera children ' s novel , whale rider tells the story of maori people living in new zealand who are struggling to survive in the modern world . like many spiritual people , they are caught between the beliefs that have been passed down for many generations from their ancestors and a world which appears to offer no safe harbor to even the truest of believers .
weaving family life , cultural tradition , and an ancient myth into a contemporary story , whale rider is a tender tale . as pai , first - time actress castle - hughes is a small but impressive warrior , perfectly balancing kid naivety with adult bravery . the traditional costumes , language , chants , and personality of the maori people come through well , while the tale is clearly a modern fiction , based on a novel by witi ihimaera . beautiful and dramatic new zealand landscapes and dreamy underwater whale photography cement the formula of the film and add to its magic .
koro recognizes in this event a spiritual warning to him and his people ; their test is to return this ancient whale back to sea because they are so connected to this supernatural whale herd that if it lives they live and f it dies they die . koro calls a meeting of the local maori people and impresses upon them the spiritual significance of this event . their way of life is being put to the test : they can either save the whale or fail and fall into ruin . they organize all available vehicles and manpower down on the beach and attempt all sorts of measures to get the bull whale back to sea , but the giant creature stubbornly resists and continues to wait for itself to die on the shore .
witi ihimaera is one of these maori writers who was born in 1944 . his work includes novels , short stories , and anthropological works . central to ihimaera’s fiction is the examination of the concerns of the maori culture and the return to traditional values . therefor he sensitivly captures the particular nuances contained within maori society . in 1987 ihimaera wrote the novel the whale rider which was turned into a movie in 2003 by niki caro and opened a huge acclaim and interest to maori culture throughout the world . ihimaera himself said his novel to be a “a modern retelling of a maori legend” creating the central figure as a female “in response to his daughter ' s complaining about the boy always being the hero” [ 2 ] . the whale rider novel appears somehow like a modern tale .
storyline : in a new zealand village , where the maori people are descended from paikea , the whale rider , the chief’s male heir automatically becomes the tribe’s next leader . since the current chief has no male heir , his granddaughter , pai ( keisha castle - hughes ) , fights generations of tradition in an attempt to succeed him , an honor for which she believes she is destined .
whale rider is a story of the quest for the new leader of an indigenous maori tribe living on an island off the coast of new zealand . often this type of film ends up making a caricature of the people , accentuating their quaint customs and idiosyncratic behaviors and causing us to smile condescendingly at their ignorance and stunted development . whale rider does nothing of the kind . director niki caro treats her subject matter with profound respect , genuine curiosity and effortless grace , while refusing to ignore the signs of cultural disintegration . it is as if we are invited into the whangara community , and are free to observe comfortably , without fear or embellishment . the 11 - year - old first - time actor keisha castle - hughes gives the most astonishing performance by a child that i have ever witnessed , and lifts the movie from being just plain good to a profoundly moving experience . whale rider is a tale of the evolution of a culture , wrapped in humor and hope . it is a story of an indomitable spirit . it is a movie about love and change , about the grim realities of life and the marvelous miracles of faith . if you have a chance to see this film , do not miss it !
the stoic mysticism of niki caro ' s cool - handed charmer ' ' whale rider ' ' - - in which the young pai must overcome resistance as she tries to assume her destiny as the leader of a tribe on the new zealand coast - - is wickedly absorbing . much of the film ' s power comes from the delicate charisma of keisha castle - hughes , making her acting debut as pai .
and also included the keisha castle - hughes screen tests that appeared on the european editions . shout ! ' s still gallery varies from the pictures displayed on the region 1 ' s gallery . the forty - five minute
riding the wave : the whale rider story
that is on the r2 swiss ascot elite disc seems to be a longer version of the making - of that shout ! licensed from sony .
the whales are a symbol of kahu ' s tribe : when the whales are safe , the tribe is safe . the old whale serves as a comparison to koro . when the whale accepts kahu as a leader , koro does as well . the whales also are a symbol of the relationship between man and nature . the whales are safe again once man respects nature and the ocean again .
part i begins by refocusing on the herd of whales . the bull whale leads his herd away from their most - feared predator : mankind . the old whale remembers the days when man and animal were united and in communication , but those are long past . however , he is unable to let go , and thoughts of returning to the place of his youth at whatever cost gnaw at his heart .
climbs onto the largest whale ' s back and coaxes it back into the ocean , causing the other beached whales to follow , saving them all . pai nearly drowns as a result , though she ultimately survives
ever since the time of the whale rider , kahu ' s tribe has been ruled by a male chief . kahu ' s great - grandfather koro is chief of the tribe , but because of his old age he is worried about who will be his heir . koro was very upset when kahu was born because she was a girl , and since then has ignored her , even though she loves him very much and wants his affection .
in whale rider , there are no big - name stars , the director is unknown , and the story is far from being mainstream , yet it’s not quirky or strange , either . the movie is a simple celebration of spirit and courage with an emotional power unlike anything since the iron giant . it celebrates cultural mores even as it deconstructs them , using impacting performances , cinematography , music and themes to draw the viewer into its singular universe .
whale rider
arrives in theaters already proven as one of the great audience - grabbers of recent years . it won the audience awards as the most popular film at both the toronto and sundance film festivals , played to standing ovations , left audiences in tears . i recite these facts right at the top of this review because i fear you might make a hasty judgment that you don ' t want to see a movie about a 12 - year - old maori girl who dreams of becoming the chief of her people . sounds too ethnic , uplifting and feminist , right ? the genius of the movie is the way is sidesteps all of the obvious cliches of the underlying story and makes itself fresh , observant , tough and genuinely moving . there is a vast difference between movies for 12 - year - old girls , and movies about 12 - year - old girls , and
whale rider
proves it .
the tribe founded by paikea has always been led by the previous chief ' s firstborn son , in a line of descent stretching back to the whale rider himself . however , in the late 20th century , a daughter , paikea apirana
pai
, is born , and the death of her mother makes her the only child in the line of succession . the story follows her as she challenges the traditions of her people and struggles for recognition and acceptance .
with such a character - driven story , near - perfect casting was required for whale rider to be truly moving and heartfelt . keisha castle - hughes gives the year’s best acting performance as the teenager pai , infusing the character with a self - possessed composure that belies her youthful vulnerability . one of the most beautiful little girls i’ve ever seen , castle - hughes is resilient and almost majestic . her quiet confidence is most impressive for a girl of her age .
it ' s not until
biking home
that you might even recognise gerrard ' s voice in this quietly joyful mood piece . she only gives herself full , if understated , voice on the symphonic closing track
go forward
which echoes gladiator ' s
now we are free
, but with maori chanting . though there is some compelling music on whale rider , much of it sounds bereft without the accompanying images . - - john diliberto , urltoken
those who are familiar with lisa gerrard ' s solo career (
the mirror pool
,
duality
and
immortal memory
) and her dead can dance days will almost certainly nurse a sense of loss at hearing this most poignant of soundtracks . for a start lisa doesn ' t provide any of the vocals , and the music itself is not an epic creation in the manner of the
gladiator
soundtrack . still , don ' t dismiss it on these grounds ! the music for
whale rider
is just as intimate and enveloping as her previous work . shot through with a wonderful homogenity it moves through some delicious native maori chanting to haunting melodies fully evocative of an ancient relationship with the sea and the whales . those who have seen the film , which i also recommend highly , will know the vital importance of gerrard ' s music in its context , and might well be surprised by how well it transfers to a simpler auditory experience . lisa gerrard has referred to the
whale rider
project as
one of the most intimate of my artistic life . . . because it reminded me intrinsically that we live in a world full of fragile complexity .
fragile , complex and intimate - all words which encapsulate the experience of the
whale rider
soundtrack and make it well worth purchasing , as a fan of the film or a fan of lisa gerrard .
if you are interested in other cultures , and particularly if you are interested in the traditional attitudes to girls ' roles in society , this film is for you . the girl is the natural heir to the headship of the village , except that she is a girl . it takes a series of startling events and adventures before the village elder , her grandfather , finally realises that she really is the reincarnation of the first maori , the
whale rider
of the title .
niki caro’s “whale rider” had its new york premiere monday night , followed by an after party under the queensboro bridge at the magnificent guastavino restaurant , a unique , yet fitting location for the soiree . among the crowd were newmarket chief bob berney and rogers and cowan’s jeanne berney . also there , the film’s star keisha castle - hughes along with fellow star , cliff curtis . polynesian culture also made its way to manhattan for the occasion , with a rousing performance by the kahurangi maori dancers .
based on the novel by maori author witi ihimaera and adapted by director niki caro , whale rider is part saga and part fairy tale , part kids ' adventure tale and part poignant coming of age story , part , part girl power drama and part adult life lesson . it ' s all these things , as well as a rousing good time - - with beautiful beachscapes and stunning whales a - swimming imagery by cinematographer leon narbey , and yet maintains an elegant , simple - seeming narrative structure .
but you will have surrendered to ' ' whale rider ' ' long before then . the film shows strength by tightening the rhythms of the scenes ; be warned that the longueurs that surface in the first 10 minutes or so may make demands on your patience . ms . caro and her editor , david coulson , obviously wanted to dissipate any feeling of forced pathos that might accompany the intense tragedy experienced by pai ' s family . it ' s a welcome exercise of taste on the director ' s part .
synopsis in a small new zealand coastal village , maori claim descent from paikea , the whale rider . in every generation for over 1000 years , a male heir born to the chief succeeds to the title . the time is now . the chief ' s eldest son , porourangi , fathers twins - a boy and a girl . but the boy and his mother die in childbirth . the surviving girl is named pai . . . a contemporary story of love and rejection as a young girl fights to fulfil her destiny .
i did not like this film very much . this movie seemed to force a gender issue , where there was not a real need for one . i liked the concept of the whale rider , and how the grandfather would raise the youth of the area into a whale rider . i thought the grandfather not allowing his daughter to train and practically banishing her was excessive . the grandfather was quick tempered and only wanted a grandson , so the entire movie was based around the grandfather ' s disliking of his daughter . in my opinion , this movie was too focused on the subject of the daughter not being the person that her grandfather wanted her to be , rather than it focusing on what she wanted . some people could view this movie as a break from social and gender norms , but i saw it as a girl that couldn ' t do anything to break her gender norms until she risked her life to save the whales . overall , this movie was not very enjoyable for me , mainly because of the dull plot and sub - par acting .
paikea ' s whale performed by , vocal by ' keriana thomson ' , ' the wananga boys ' music composed by , arranged by lisa gerrard copyright owned by 4ad ltd under license from south pacific pictures ltd . © ( p ) 2003 4ad ltd
the novel begins with a traditional legend of the maori tribe which tells of the arrival of man from the east , and his relationship with all the animals . in particular , this story is about paikea , the first whale rider who uses spears to create life on the island . one of his spears is cast one thousand years into the future , and is understood to give life to kahu , who will become the novel’s protagonist . the narrator of the modern sections of the novel is rawiri , kahu’s uncle . the maori are a tribe from a small coastal village in whangara , new zealand , who trace their lineage back to the first whale rider through male descendants . koro , the aging leader of the tribe , tries to ensure his line of succession , but when his first great - grandchild is born and she is female koro feels he must search the community for a new heir since in his mind , women cannot be tribal leaders . koro rejects kahu throughout much of the novel , and tries to preserve traditional maori culture in the face of spreading modernity .
the story is about a young maori girl called kahu who is the granddaughter of koro apirana , chief of a maori tribe . while koro is desperate about not having a male grandchild he starts to look for a male successor amongst his tribe , unaware that kahu has the aptitudes which a chief requires . because of his blindness and frustration koro abandons kahu . for the action the story of the whales plays an important role . the whales are strongly connected with koro´s maori tribe by his ancestor and whale rider paikea . a herd of whales which is leaded by the ancient whale which paikea rode is heading towards new zealand troubled by changes in their environment . they stranded on the beach in front of the maori village and the people tried to get the whales out to the sea again but they fail . kahu manages to lead them back to the sea by riding the ancient bull whale . koro now realizes that kahu is the true successor with the right characteristics to be a leader , regardless of age and gender and ensures the salvation of her village .
based on a novel by transplanted new zealander witi ihimaera , whale rider is the story of a 12 - year - old girl named pai , short for paikea , a child of the whangara tribe which habituates the maori east coast of new zealand . when pai is born , her mother and twin brother die , a tragedy that also causes a very difficult and unfortunate situation . the whangara people believe that their presence on the island results from the arrival of a single ancestor thousands of years earlier . that man , like our heroine , was named paikea and he escaped death when his canoe capsized by riding to the distant shore on the back of a whale . after this historic event , the whangara chiefs , who are considered to be the legendary figure’s direct descendants , are always the first - born and always male .
the whale rider novel is a positive and sensitive representation of maori culture and several terms from the postcolonial theory can be determined within the novel . that is why it appears to me worth analysing this text in the context of postcolonial literary studies which is the purpose of this term paper . in chapter 1 i will give a short summary about the colonial and postcolonial history of new zealand and its postcolonial literature tradition . chapter 2 deals with the novel´s main characters and the narrative structure while chapter 3 detects the features of postcolonial theory which are embedded in the story .
writer - director niki coro perfectly suits the style to the story . the modest buildings in the midst of the starkly beautiful setting convey the contrast between the timeless culture of the maori and the ephemeral artifacts of the modern age . pai ' s perceptiveness and quiet persistence are always evident , but when she finally speaks from her heart , standing on stage in a school production , wearing traditional garb , she is purely luminous . whale rider is not only genuinely lyrical , but , even harder to manage , it is lyrically genuine . a must - see for families of tweens and up .
the next evening an even bigger event occurs , this time witnessed not by everyone but just by the small maori community within the town . during the night , rawiri , koro , kahu and nanny hear a booming sound coming from the sea , as if a great door has just opened , and then they witness a large group of huge whales emerge from the bottom of the sea . at their head is a great bull whale with an ancient sacred maori tattoo . the bull whale pulls itself onto shore and strands itself there , waiting for its death .
tradition dictates that the first - born grandson step into the role of chief , but pai - - named paikea by her father , after the tribe ' s ancient ancestor , who legend says arrived in the village on the back of a whale - - is all the family has .
the epilogue narrates that the oldest mother whale notices kahu and realizes that her husband , the bull whale , has mistaken this little girl for her ancestor . she leads to him the conclusion that she is kahutia’s descendent , and she is the spear he cast into the future and thus she must be returned to her people so she can bring them life - giving benefit and guide them through these troubled times . the bull whale eventually agrees and they return kahu , now unconscious , to whangara . when found by humans , kahu is brought to the hospital to recover and there she is near to nanny , who collapsed in shock after her dear great - granddaughter left with the whale her three days have passed since then and koro and rawiri have been taking care of the two of them . when nanny awakens , koro admits to her that this is entirely his fault , and that he has been stubborn and blind in the matter of kahu . later when kahu also awakens , he tells her for the first time that he loves her . then the story ends with kahu telling her dear great - grandfather that she can still hear the singing of the whales .
part 3 begins , as usual , by focusing on the whale herd . the bull whale is leading his herd through the frozen waters of antarctica . a collapsing of the ice there and the life - threatening nature of this collapse forces him to make a snap decision in guiding his herd . he chooses to take them down the paths leading back to the seas of his youth , a decision that causes dismay among the elder mothers because they know his nostalgia for the past is clouding his present judgment . but he leads them on anyway to what they know will be their final journey .
there was no gladness when i was born .
whale rider begins with tragedy . noisy tragedy . a woman gives birth to two children , one stillborn . as her husband , porourangi ( cliff curtis ) , watches helplessly , she dies in the process , leaving him bereft , angry , and confronted by his own father , koro ( rawiri paratene ) , ready to blame the surviving child , a daughter , for the death of the male child . porourangi storms off , leaving the baby to the care of his mother , nanny flowers ( vicky haughton ) . fortunately , she knows how to handle her husband in ways that even he doesn ' t imagine .
part ii begins with another short focus on the whale herd . they head towards a sea trench that used to provide them bounty and shelter but they find there an inhospitable and radioactive place . they are forced to travel to other havens as this long - time home for them has become too inhospitable to live in .
behind the scenes of whale rider
( 27 : 03 , upconverted to 1080p ) - a traditional epk making - of with voice - over ( by barry jenkin ) and talking - head interviews with niki caro , producers john barnett and tim sanders , composer lisa gerrard , as well as actors keisha castle - hughes , cliff curtis , vicky haughton , witi ihimaera , and rawiri paratene . unfortunately , the piece seems truncated from south pacific pictures ' original sixty - minute program that aired in new zealand . sony probably had to make cuts in order to fit it on the dvd . the 1 . 78 : 1 presentation appears windowboxed . in english , not subtitled .
this ex - dead can dance member imparts her own mixture of the ethereal , the worldly , the emotionally abstract , and the purely beautiful to all of her projects . she ' s been universally recognized and acclaimed for her body of work : she received a golden globe and was oscar - nominated for the
gladiator
soundtrack . she has also worked on such high profile movies as
ali
and
the insider
. this release is a soundtrack for the new zealand indie film
whale rider
, already the biggest grossing film in new zealand ever . gerrard ' s music , combined with the motion picture , provides an experience of profound power and spiritual enlightenment .
a young girl might fulfill a prophecy in an indigenous new zealand community . though the film brims with authenticity , it is almost too authentic . there are voice overs explaining the culture in which the film is set , but i spent some of the film lost about the relationship between the protagonist and the legend she ' s supposed to fulfill . the patriarchal structure of the family provides grounding to the story , and the interactions between the characters are interesting , but the grand metaphysical puzzle that dominates this film isn ' t clear to one who is unfamiliar with the film ' s cultural backdrop . overall , i liked whale rider , but i don ' t think i fully got it .
linda goldstein knowlton co - directed and co - produced the feature - length documentary , the world according to sesame street . the film examines sesame street ' s international co - productions , made primarily in some of the world ' s political hotspots , including kosovo , bangladesh , and south africa . the film made its world premiere in competition at the 2006 sundance film festival as an official selection in the u . s . documentary category . the film was selected and screened at the hot docs film festival in toronto , the seattle film festival , and other festivals including boston , dubrovnik , new zealand , melbourne , and zurich . previously , goldstein knowlton produced the new zealand film whale rider ( 2002 ) , directed by niki caro , which was the winner of the audience awards at toronto , sundance , rotterdam , seattle , san francisco , and maui film festivals . goldstein knowlton became involved with whale rider in 1992 , a decade before its theatrical release , after reading the novella upon which the film is based . prior to that , she initiated the development of the shipping news after reading the novel in galley form in 1993 , and then produced the 2001 - released film , directed by lasse hallstrom . she made her feature - film producing debut in 1999 with both mumford , written and directed by lawrence kasdan , and crazy in alabama , directed by antonio banderas . she is currently developing both fiction and documentary films .


the revolution will not be televised ( spanish : la revolución no será transmitida ) , also known as chávez : inside the coup , is a 2003 documentary focusing on events in venezuela leading up to and during the april 2002 coup d'état attempt , which saw president hugo chávez removed from office for two days .

with particular emphasis on the role played by venezuela 's private media , the film examines several key incidents : the protest march and subsequent violence that provided the impetus for chávez 's ousting ; the opposition 's formation of an interim government headed by business leader pedro carmona ; and the carmona administration 's collapse , which paved the way for chávez 's return .

given direct access to chávez , the filmmakers intended to make a fly-on-the-wall biography of the president .

they spent seven months filming in venezuela , following chávez and his staff and interviewing ordinary citizens .

as the coup unfolded on 11 april , bartley and ó briain filmed on the streets of the capital , caracas , capturing footage of protesters and the erupting violence .

later , they filmed many of the political upheavals inside miraflores , the presidential palace .

bartley and ó briain conceived of the film after bartley returned from documenting the aftermath of the 1999 vargas mudslides for an irish charity .

following a visit to venezuela to determine the feasibility of a film project , the pair formed a production company and applied to ireland 's film board , bord scannán na héireann ( bsé ) , for a development grant .

at bsé 's request , the filmmakers partnered with a more experienced producer and shot a short pilot to show to potential investors .

funding for the € 200,000 production was provided by bsé and several european broadcasters .

bartley and ó briain shot more than 200 hours of material ; editing focused on identifying footage that would make the film entertaining and drive the plot .

it was at this stage that the film 's coverage narrowed to concentrate more on the coup attempt .

reviewers cited the filmmakers ' unprecedented proximity to key events and praised the film for its " riveting narrative " ; criticism focused on its lack of context and pro-chávez bias .

independent activists held unofficial screenings , and venezuelan government officials encouraged its circulation to build support for chávez 's administration .

the film is regularly shown on venezuelan television , and in the capital it is often broadcast during " contentious political conjunctures " .

the revolution will not be televised paints chávez in a favorable light , which has led to disputes over its neutrality and accuracy ; particular attention is paid to its framing of the violence of 11 – 13 april , the filmmakers ' editing of the timeline , and the alleged omission of incidents and personnel .

the revolution will not be televised ( film )

the revolution will not be televised , will not be televised , will not be televised , will not be televised . the revolution will be no re - run brothers ; the revolution will be live .
the revolution will not be televised . . . but it will be livestreamed | huffpost
for other uses , see the revolution will not be televised ( disambiguation ) .
the revolution will not be televised . . . .
— google arts & culture
politician to the people . a review of the documentary
the revolution will not be televised
selected the revolution will not be televised for his top ten classics from the history of documentary .
the revolution will not be televised was directed by irish filmmakers kim bartley and donnacha ó briain .
the future will be better : if you believe in the revolution , it will be .
the title of this article is a pun on the revolution will not be televised by gil scott heron .
sydney film festival : gil scott heron famously said in ’71 that the ' revolution will not be televised .
 well , it appears the devolution will be .
the track “the revolution has not been televised” has been edited for the promo .
the revolution will not be televised | st . patrick’s festival 2018 . 15th - 19th march . dublin , ireland
there will be no highlights on the 11 o ' clock news and no pictures of hairy - armed women liberationists ,
mr . scott - heron rapped ,
the revolution will not be televised / the revolution will not give your mouth sex appeal / the revolution will not make you look five pounds thinner / the revolution will be no re - run , brothers ; the revolution will be live .
tape : “the revolution will not be televised” — excerpts of the new documentary about the unsuccessful 2002 coup in venezuela .
^ scheck , frank . the revolution will not be televised . the hollywood reporter , 4 / / 1 / 2003
so , the revolution probably won ' t be televised , but can it be . . .
the revolution will not be televised by gil scott heron , announces a revolution in a cool , but self - assured way that makes the listener believe that it will be a just event .
the revolution will not be televised has been widely debated among both supporters and critics of venezuelan president hugo chávez . frank scheck , for the hollywood reporter , says about the revolution will not be televised , a . k . a chávez : inside the coup :
the revolution will not be civilized : scott - heron predicts that the revolution will not be broadcast on tv for you to enjoy from your lazy seat , but it will indeed be a real society changing revolt that not to be underestimated and taken lightly .
this documentary is a tribute to the courage of hugo chavez , the poor people of venezuela , and the irish crew who filmed it . the revolution will not be televised does not need to be televised to be effective .
the revolution will not go better with coke ( reference to coca cola ) .
as a bonus feature , the revolution will not be televised also examines the role of mass media , especially television , in modern political affairs .
the revolution will not be vilified : scott - heron announces a revolution in a cool , but self - assured way that makes the listener believe that it will be a just event .
pop cultural osmosis : the phrase the revolution will not be televised is more famous than the album itself , which not many people have ever listened to or are familiar with .
further screenings : thu 18 / 02 - 16 : 15 delphi fri 19 / 02 - 22 : 00 cinestar 8 sat 20 / 02 - 21 : 30 arsenal 1 “the revolution will not be televised , the revolution will be live . ”
the revolution will not be televised remains a must - see documentary for progressive thinkers interested in political change . the film is not for sale in the u . s . but can be downloaded from the internet or obtained from venezuelan consulates .
thanks to our friends at exile on moan street for locating this really high quality youtube upload of the gil scott - heron documentary the revolution will not be televised .
i’m amy goodman with juan gonzalez . as we talk about the pulling of the film “the revolution will not be televised” from the canada international film festival in vancouver , on the line with us is the organizer of that event , don wright in canada .
urltoken - website distributing the three films : llaguno bridge , keys to a massacre ; people and the struggle in the fourth world war ; and the revolution will not be televised .
the golden age of hip hop : despite not being hiphop scott - heron and the last poets were both important influences on the development of rapping . thus the revolution will not be televised is considered to be a predecessor of hiphop .
the film won twelve awards at film festivals and was nominated for another four .
gil scott - heron’s 1970 poem , “the revolution will not be televised , ” offered a humorous but pointed critique of the relationship between the media and the reality of change and revolution taking place in the streets and on the campuses of america .
scott - heron , gil . “”the revolution will not be televised”” poetry genius . n . p . , n . d . web . 25 mar . 2014 . < urltoken ; .
during the events in iran this summer ( 2009 ) , i saw a young person wearing a t - shirt featuring the old gil scott - heron line : “ the revolution will not be televised ” ( 1971 ) . the couplet concludes : “the revolution will be live . ” or on youtube .
the videographers entitled their gripping documentary the revolution will not be televised . the title of the film turns out to have several layers of meaning — not only were the true events of the coup never televised , but , more significantly , the essential nature of the political revolution in venezuela that gave rise to the coup has never been presented in the public media of north america .
the bbc have made it clear where they stand . this will not be forgotten .
you watch too much x : the title track informs listeners that the revolution will not be shown on tv to be enjoyed from the comfort of your own home .
the revolution will not be televised ( a . k . a . chavez : inside the coup ) is a 2002 documentary about the april 2002 venezuelan coup attempt which briefly deposed venezuelan president hugo chávez .
x - ray of a lie ( spanish : radiografía de una mentira ) is a 2004 documentary film examining another film , the revolution will not be televised about the events of the 2002 venezuelan coup d ' état attempt . the x - ray documentary , directed by wolfgang schalk and written by schalk and thaelman urguelles , accuses kim bartley and donacha o ' briain of
omissions and distortion
in the revolution will not be televised . it premiered on dvd in venezuela in july 2004 .
eva golinger - moncada , executive director of the venezuela solidarity committee in new york . she has come out strongly against the amnesty film festival in vancouver’s decision to take the award - winning documentary “the revolution will not be televised” off their screening list .
“the revolution will not be televised by gil scott - heron | song stories . ” rolling stone . n . p . , n . d . web . 25 mar . 2014 . < urltoken ;
the film , the revolution will not be televised , was made by two irish film makers , kim bartley and donnacha o ' briain . they were preparing a documentary about mr chavez , with his cooperation , before the coup and were inside the presidential palace in april 2002 when the events unfolded .
burnett , bob . “the revolution will not be televised ( 2014 ) . ” the huffington post . thehuffingtonpost . com , 21 feb . 2014 . web . 25 mar . 2014 . < urltoken ; .
and there you have an excerpt of “the revolution will not be televised” — and it won’t be shown at this year’s film festival of amnesty international . we are joined right now by don wright , who organized the amnesty international’s film festival in vancouver , canada . can you talk about amnesty’s decision to , first , show this film , and then , pull it ?
to viewers with knowledge of this history , the revolution will not be televised is a political cliff - hanger . the fact that chavez did survive the coup is nothing short of miraculous and must be credited to the mobilization of the masses of venezuela .
click here to read to full transcript today we take a look at a controversial new documentary about the unsuccessful 2002 coup in venezuela . the film titled , “the revolution will not be televised” received a rave review from the new york times but the organizers of the amnesty international film festival in vancouver have canceled a planned screening of the film that was scheduled to open today .
in its original form , “the revolution will not be televised” is a meme that captures the idea that power concentrated in the hands of a small group of media executives and their corporate sponsors determines not only how to report the news , but what is newsworthy .
a terrific film . tremendously moving .
- - henry sheehan , npr , film week
44 . in a fortuitous turn of events , irish filmmakers kim bartley and donnacha ó briain , who happened to be in caracas making a documentary about something else , caught the whole thing on tape , resulting in their award - winning film , the revolution will not be televised . the film includes footage from inside the presidential palace during the days of the coup .
both titles were presentedby hbo / cinemax documentary films , while balseros is distributed theatrically in the us throughseventh art releasing and the revolution will not be televised is distributed through vitagraph films . both titlesand the remaining roster of winners will be honoured at the ida ' s upcomingawards ceremony on dec 12 in los angeles .
the revolution will not be televised
was added to the national recording registry in 2005 for being
historically , culturally and aesthetically important
. time magazine also included it in their 2006 list of timeless and essential music albums .
3 . consequently not having to make promises that would be broken such as ' we will not cut housing benefit ' .
rohter also decides to draw attention to an ongoing dispute over the responsibility of the deaths of 19 people during the washington - backed coup in venezuela in 2002 . he pits an anti - chavez film x - ray of a lie against stone ' s assertions which borrow from a film sympathetic to chavez called the revolution will not be televised .
it turns out it ' s heydon prowse of bbc three ' s the revolution will be televised fame . or at least it was , until he changed his name in order to stand as michael green .
film withdrawn from amnesty international film festival because of fears for the safety of ai members in caracas . statement by the makers of the film regarding this decision .
prime leader : this is revolution ! traximus : revolution is usually what happens . . . when the world needs to change .
i ' m not a ' conspiracy theorist ' , as damning as that statement can be . i have no theory of conspiracy , only questions . some questions you will not answer some you will not ask .
please come to your senses now . this will not go away - it will get much louder and far more strident .
the title of gil scott - heron’s best - known song , the revolution will not be televised , has entered the language . when it was released in 1971 , it was a sardonic commentary on the fate of black american radicalism : “you will not be able to stay home , brother . you will not be able to plug in , turn on and cop out . you will not be able to lose yourself on skag and skip out for beer during commercials , because the revolution will not be televised . ” now , it can be seen as the beginning of rap , a style of music which today dominates the charts in the us , the uk – indeed , the world . the musical movement begun by scott - heron , who died on friday aged 62 , took black culture squarely into the mainstream , and could be said to have ultimately paved the way for barack obama to become president of the united states .
in the studio , alexandra beech , venezuelan - american who writes for the “international daily review of venezuela , ” which is posted on many chavez opposition websites and eva golinger - moncada , the executive director of the venezuela solidarity committee in new york . you’ve come out strongly against the pulling of this film “the revolution will not be televised” from the amnesty film festival . why ?
and that’s why when you say everything was televised , everything was televised except perhaps the most important day of the events which was the day of the coup itself .
one of the first films was for “now and then” , a collection of gil scott - heron’s poems which peter was editing at the time . there was only one option as to which poem to chose – gil’s masterpiece , the revolution will not be televised .
smith , ian k . “top 20 political songs : the revolution will not be televised | gil scott - heron | 1971 . ” new statesman . n . p . , n . d . web . 25 mar . 2014 . < urltoken ; .
the revolution , according to gil scott - heron , won’t be dictated by the government or by corporations . to make that point clear , he ridicules various government officials : “the revolution will not show you pictures of nixon / blowing a bugle and leading a charge by john mitchell , general abrams and spiro agnew to eat / hog maws confiscated from a harlem sanctuary . ” mocking the claims made in advertisements , gil scott - heron notes that the revolution ( unlike ultra brite , schick , and other brands ) “will not give your mouth sex appeal / the revolution will not get rid of the nubs / the revolution will not make you look five pounds thinner , because the revolution will not be televised , brother . ” denouncing popular television shows of the time , scott - heron says in the song : “ green acres , the beverly hillbillies , and hooterville junction will no longer be so goddamn relevant , and women will not care if dick finally screwed jane on search for tomorrow because black people will be in the street looking for a brighter day . ” despite the song’s outdated allusions , the new yorker called it a “classic that sounds as subversive and intelligent now as it did when it was new” ( wilkinson ) .
you can easily fin it in google . . type
the revolution will not be televised lies
. . . it will come up . it ' s in spanish but with english subtitles . i am sorry to disappoint the ones that believe this was an extraordinary documentary but the truth is that this is not more than a lot of rubbish
11 . 15am – introduction : the revolution will not be televised ( gil scott - heron / amanda coogan film dance performance ) 11 . 30am – 12 . 15pm : framing the nation – considering our sense of commemoration of revolution – where have we been , and where are we now ? what is our relationship to revolution like at present ? with louise lowe of anu productions , sam mcguinness of the simon community , and deirdre mcparland of the esb archives .
the battleship potemkin and any other soviet depiction of the russian revolution . for obvious reasons , western depictions ( which are quite rare ) will usually portray it as a full - circle revolution .
gil scott - heron’s “the revolution will not be televised” has been elevated to legendary status over the years . born out of the civil rights movement and the black power movement , the spoken - word poem has been sampled , alluded to and referred to by many hip - hop artists , including kanye west , queen latifah , jay electronica , common , lupe fiasco and more . in this essay , i will first examine gil scott - heron and his personal history , then analyze “the revolution will not be televised” and its historical context , before examining its impact on culture and then concluding .
it ' s time to come clean , while you admissions will still be accepted .
what seems ultimately incontestable , however , is that the film captures – and from the eye of the storm – the attempted military overthrow of a democratically elected government , and its reversal by a popular uprising . and it is this – a familiar story with a less - familiar ending – that gives the revolution will not be televised its awesome emotional pull , late night or not .
and kate russell ' s film about alan turing can still be viewed at the bcs website .
last week , the film was due to be shown at the ai film festival in vancouver . the organising committee came under pressure from chavez opponents in venezuela and eventually decided not to show it .
does the film industry really contribute £1 . 9m to british tourism , as a report for the uk film council claims ? the bbc ' s arts editor will gompertz expresses doubts .
cut government spending on keeping the economy running and unemployment will grow and the burden on the state will increase .
it can be tough for politicians because it is unpredictable , and unexpected – tonight’s question time will be exciting and a challenge .
called “one of the most important films of the year” by la weekly , “girlhood” won audience awards at both the south by southwest film festival and the nantucket film festival . it also won the jury award at the atlanta film festival and will open theatrically in october of 2003 . “girlhood” will air on tlc in 2004 .
neither you , nor the coeditors you shared it with will be able to recover it again .
if it does not . . . the bbc and all its well - earned prestige of decades will be scorned and reviled forever .
both the cuban and venezuelan revolutions show that there are viable alternatives to the burden of imperialism for nations of the hemispheric south . in line with prevailing political censorship practices , these revolutions have not been , and will not be , televised where reactionary capitalism controls the media .
• the iphone version 4 may not be available until later in the week but already the criticism of the engine that will drive it is mounting .
private owned tv - stations supported the coup . the media is in the focus of attention in this film : the way news was spun for the people of venezuela as well as the world press . what happens , when the revolution , indeed , is televised ?
the film was positively received by mainstream film critics and won several awards . reviewers cited the filmmakers’ unprecedented proximity to key events and praised the film for its “riveting narrative” ; [ 1 ] criticism focused on its lack of context and pro - chávez bias . first shown on television in europe and venezuela in 2003 , the revolution will not be televised later appeared at film festivals and secured a limited theatrical release on the art house circuit . independent activists held unofficial screenings , and venezuelan government officials encouraged its circulation to build support for chávez’s administration . the film is regularly shown on venezuelan television , and in the capital it is often broadcast during “contentious political conjunctures” . [ 2 ] the revolution will not be televised paints chávez in a favorable light , which has led to disputes over its neutrality and accuracy ; particular attention is paid to its framing of the violence of 11–13 april , the filmmakers’ editing of the timeline , and the alleged omission of incidents and personnel . the film is variously cited as an accurate portrayal or a misrepresentation of the events of april 2002 .
the revolution will not be televised is a powerful film about the charismatic and controversial venezuelan president hugo chavez . it charts the attempt to overthrow him in april 2002 and provides an eyewitness account of his extraordinary return to power some forty - eight hours later . this book , which includes a dvd of this electrifying documentary , not only sheds light on contemporary politics in latin america but also focuses on important issues in documentary filmmaking .
the coup was accomplished under the cover of right - wing propaganda , and not reversed until the state television was restored and the forces of the revolution recalled . this is the main strategic lesson of the film .
product placement : inverted and possibly parodied , since scott - heron includes many brand names and product slogans in the revolution will not be televised ( the poem itself ) , but does so to criticize their triviality and the blind , self - centred consumer culture of america that prevents its people from perceiving real threats to society .
shows that any rebel who sells out his comrades will be killed by the militia in short order , and the rebels will generally not have any sympathy for any member of the militia , former or otherwise .
the revolution they seek may or may not ( in gil scott - heron ' s immortal phrase ) be televised — thiaw includes extracts from numerous tube - broadcasts — but it will most certainly be anticipated , described and glorified in their lyrics . articulate and forceful , they
rage against injustice and fight with words ,
providing the most visible and vocal resistance to the powers - that - be .
as i don’t speak farsi and i am in no sense an expert on iran , i will refrain from comment as to whether this was a new revolution , the continuation of a debate about the meaning of iran’s 1979 revolution , or a counter - revolution . perhaps that multiplicity of options defines a revolutionary moment .
project canvas , the broadcasters ' joint venture which will connect internet video to the tv set , will not launch until next year , after delays in the regulatory process .
it is not clear whether the new feature , which will appear above the followers box on the right hand nav on the twitter website will only be available to twitter website users or be added to the vast array of api options available to developers .
the revolution that won’t be televised in the north is chavez’s bolivarian revolution , a grand plan to establish a regional power bloc to counter u . s . imperialism in south america . chavez’s plan has , in the words of the wall street journal , made venezuela “washington’s biggest latin america headache after the old standby , cuba . ”
so , 40 years after scott - heron’s call for action , and on the eve of martin luther king day 2014 , we can be pretty sure he was right : the revolution will indeed not be televised . it will , however , be streamed . two recent examples of the role of streaming in coverage of “revolutions” include a digital version of occupy wall street , called occupystreams , and the coverage of the arab spring , where citizen video - journalism was often the only media outlet available .
but you only get one review in the new york times and los angeles times , so don ' t waste it on a one - shot screening , especially if the film will open theatrically . you will need this press for the theatrical run . be sure your film is included in festival previews and wrap - ups in these major print outlets instead . then the reviewers will know you and your film when it ' s time to review it .
• for any football spectators who might be irritated by the world cup vuvuzelas , this news spot from computer weekly will be music to their ears .
only the truth will set you free ! not the bbc . . . .
apparently
. . .
this digital exhibition was supported by a grant from the patrick f . taylor foundation . it is an expansion of the exhibition “the revolution will not be . . . : print culture of the civil rights movement” held at the amistad research center in 2011 .
the revolution will not be televised
is spoken word in music . scott - heron recites poetry , while a conga and bongo percussionist plays in the background . despite this it is still classified as a music album , usually as jazz and beat poetry .
the revolution will not be televised
has become an iconic slogan and the album itself has been praised for its political and social commentary . it ' s a cult classic within the black consciousness movement , but also very popular in hiphop , as scott - heron ' s socially conscious and catchy vocal delivery is considered to be a predecessor of the genre , along with the last poets . especially in conscious hip hop and political rap quotes from this record have been frequently sampled up .
what gives the film its real power is that the crew happened to be filming in the presidential palace when venezuela ' s oligarchs launched a coup attempt against the populist mr . chavez . if you ever wanted a primer on the interplay between u . s . foreign policy , oil and the war on terrorism , this is as good a place as any to start . the film is also known as the revolution will not be televised - - tipping a nod to poet and musician gil scott - heron ' s famous paean against the soporific qualities of television .
whatever the future holds , we can be sure that violent extremists will also exploit new media technology whenever it becomes available . it may not be long before an individual attacker , or a terrorist group , produces a live stream of an attack , with images broadcast from the point of view of the killer . the technology already exists . when it happens we will be forced to decide whether or not we will watch .
mr . stone’s film includes some new footage from the confrontation at the bridge , but its basic argument hews closely to that of “the revolution will not be televised , ” a film the chávez camp has endorsed . that documentary , however , has been subject to rebuttal by another , called “x - ray of a lie , ” and by brian a . nelson’s book “the silence and the scorpion : the coup against chávez and the making of modern venezuela” ( nation books ) , neither of which mr . stone mentions .
mr tackaberry said the withdrawal was not to do with the film ' s quality or its politics , as amnesty did not endorse any of the films at its festivals .
when , in 1970 , gil scott - heron — often considered the grandfather of rap , and a renowned poet , musician , and civil - rights activist — released his now - famous single , “ the revolution will not be televised , ” he couldn’t have known that halfway around the world in japan that same year , sony was laying the foundations for another type of revolution with the release of the u - matic system , the first commercially viable vcr .
are at least 58 moving image works from 18 countries that will be shown in eleven curated screening programmes . the
• from the
this will not end well
department comes the story of david perez who will spend the next week doing everything his twitter followers tell him . well , almost .
you say you want a revolution . well you know , art can cure you of that
the culture secretary jeremy hunt will make his first speech on media policy this week . plans to abolish the bbc trust are not an immediate priority . broadband rollout and the reform of local media will be highlighted according to the telegraph .
not the freelance photographers filing for the new york times , huffington post or npr . not the journalist from vice . not the journalist from the intercept . not the journalist from b uzzfeed . not the journalist from indigenous rising media . not the journalist from fusion . not the journalist from mic . not the journalist from digital smoke signals . not the journalists from independent papers , on - line magazines or foreign news outlets . not freelance journalists . not citizen journalists . not from ruptly and sipa , usa ( with whom i was reporting ) , among others .
now i know you have one legal case pending , and when edmonds eventually speaks ( those who have heard her evidence say it makes the pentagon papers look insignificant ) and gives her testimony the amount of questions it will throw up and the amount you will be expected to answer will be massive .
an online petition was organised to complain about the film , which mr schalk said did not meet the ethical standards of the bbc .
in the doctors of the cat family the leader of the revolution is ok with thomas healing their captured enemies .
while zoellner examines the production pressures and factors that shape the focus and form of documentary film , temple university anthropologist naomi schiller in her study considers how political and social context influence the perceived legitimacy of a documentary . schiller considers the case of the revolution will not be televised , a film that challenged major news media accounts of the 2002 venezuelan coup d ' état attempt against hugo chavez . in her research , schiller traces revolution ' s release and subsequent reception in new york and caracas , detailing the frame contest among activists , critics , and other political actors to define the film as either an important dissident perspective or a work of pro - chavez propaganda . as she observes :
the meaning of a film is shaped not only by its composition but by who is responsible for its circulation , when and where the film is screened , and the contextual information provided to the audience .
zoellner ' s conclusion is as relevant to understanding the perception of revolution as it is to more recent debates over major releases such as an inconvenient truth and sicko .
sure . i think i needed to clarify that the decision to include the film and then to not include the film was very much a local decision that we didn’t feel we had the capacity to properly put the film in context and properly examine and respond to the film itself . we feel that it was an error for us to consider that film based on the lack of information that we had about the circumstances of the film . so that was very much a local decision by a small group of amnesty members that are part of our planning committee .
a venezuelan tv producer and engineer , wolfgang schalk , is leading the campaign against the film . he said yesterday , in an email , that the film presented a distorted version of events . mr schalk said he had spent five months investigating the film .
commentators dissect the budget and predict how it will affect the next four years .
it turns out ' network ' was more a documentary than a fictional film .
ozon ' s provocative film can do much to improve attitudes towards lgbti people .
if stone had chopped much of the venezuela section on the cutting room floor , which in any case relies on footage from an earlier and more gripping documentary entitled the revolution will not be televised , stone would have freed up valuable time to explore diverse countries dealt with in the film . stone could have then included his interviews with south american leaders but also spoken with other less important people . sometimes , it is the random , unscripted and colorful vignettes which yield the most levity .
all resistances are against the empire . only evil governments provoke rebellion . no matter their hold over information , striking against the authority will never be wrong . in the land of tropes , the revolution will not be vilified . it is always a force for the good , freedom , equality , freedom , justice , freedom , and democracy . and freedom . ( for great justice , of course . )
just by ignoring this story it will not go away . . . which is obviously what the authorities are hoping for .
by the time you do not post this message with my other comments , we in aussie will have had an election .
people will consider that they are either being reckless or deceiful , reckless because they do not know , deceitful because they do know and they ' re not telling .
to make a film about this charismatic and unorthodox world leader . they met with chavez and secured his permission to have full access to film , what was to be , an up close and personal profile . it turned out to be something completely different .
today , many of the social movements that laid the groundwork for the egyptian revolution are calling for a second revolution . this twitter announcement of 22 may from journalist reem abdellatif encapsulates the call :
next friday , # may27 # egyptians plan not to leave # tahrir or any other square in # egypt until all of the revolution ' s demands are met .
screenwest is the charge of the galway film centre . should you need any further assistance with prospective or current av projects , contact the galway film centre for advice and guidance .
in conclusion , “the revolution will not be televised” helped gil scott - heron cement his title as “the godfather of rap” and the “inventor of rap” ( the nation , new statesman ) . according to legendary public enemy member chuck d , scott - heron laid the groundwork for hip - hop mcs to “do what we do and how we do” ( “the” ) . scott - heron’s “unique proto - rap vocal style” over “bare - bones arrangements featuring pounding basslines and stripped - down drumbeats” heavily influenced the culture of hip - hop and “set the stage for rap as a form of sociopolitical expression for the masses” ( azpiri ) ( macarthur ) . aided by the use of slang , allusions , humor , and repetition , gil scott - heron’s “the revolution will not be televised” not only captured the feelings of a specific time in history , but helped forged the future as well .
my guess is with the likes of you and me kevin will see more of out liberties erode whilst the bbc and co will see there loyalty rewarded .
film producer and bbc - trained engineer wolfgang schalk studied frame by frame kim bartley ' s and donnacha o ' brien ' s propaganda film
the revolution will not be televised .
x - ray of a lie
is schalk ' s definite deconstruction of a film that has wrongly been portrayed as the ultimate truth of the coup d ' etat that took place on 11 april 2002 , when chavez was temporarily removed from power . by factually demonstrating edits that altered chronology of events , schalk exposes bartley ' s , o ' brien ' s and their producers ' ( bbc included ) dishonesty in fabricating a story to dupe viewers worldwide .
you say you want a revolution . well you know , art can cure you of that | huffpost
eastenders , the apprentice and other bbc one shows will be made in high definition by the end of the year , and more will follow , reports the guardian . a bbc one hd channel is to be launched in the autumn , alongside the existing bbc hd channel .
' ' the revolution will not be televised , ' ' a riveting documentary , is not the movie that the irish filmmakers kim bartley and donnacha o ' briain envisioned when they traveled to venezuela to film a portrait of hugo chávez , that country ' s left - wing president . a volatile force in latin american politics , mr . chávez , who was elected president by a landslide in 1998 , was shaking up the status quo , having vowed to take control of venezuela ' s oil industry and redirect its wealth to benefit the poor .
i am not sure why the beeb is not allowing any responses to these conspiracists . i have submitted a number and not had any responses - yet the conspiracists seem to be having as field day .
feel your solidarity with the left political art of the 1960s and 1970s . view it to the beatles ' revolution .
if that relationship was to thrive , he argued , a new frankness would be required , because ' your long - standing friend will tell you the truth , confident that the friendship will survive ' .
senior managers at the bbc will be paid at least 10 % less than their equivalents in the commercial sector , according to the telegraph .
8 ) hand out postcards . they contain all the info about your film in a digestible format . be sure to include contact information .
repetition is probably the most obvious and arguably the strongest rhetorical device that scott - heron used the most in the poem . perhaps ironically , in the same way that advertisements constantly emphasize a single slogan , gil scott - heron repeats the song’s title – “the revolution will not be televised” – throughout the song . while many of his allusions act as denunciations , that specific line , as scott - heron has explained in interviews , captures the song’s message : “you have to change your mind before you change the way you live and the way you move… the thing that’s going to change people is something that no one will ever be able to capture on film . it will just be something you see and all of a sudden you realize , ‘i’m on the wrong page’” ( rap genius ) .
venezuelan economist luis salas examines the economic crisis in the caribbean nation and contends that the people will only be saved from the catastrophe . . .
so people like me will continue to ask questions until we get answers . you can avoid the questions as long as you wish but the truth will out .
they told colleagues that , even if amnesty ran a standard disclaimer , the organisation would be associated with the film , thus endangering its staff .
evanston , illinois : hey ofra , i saw a lot of your documentary last night and it was pretty good . a few years ago i saw an extremely riveting documentary called
the revolution will not be televised .
it was about the coup and had unbelievable inside footage of the entire thing . i would recommend it as must viewing for anyone who is interested in your work . have you seen it ?
this is a great film . very proud of my irish brothers who made it .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
sxsw is known for its documentaries , having screened the world premiere of spellbound in 2002 and the north american premiere of the revolution will not be televised in 2003 . festival coordinator cathy ross makes herself totally available to filmmakers , from when they ' re accepted until when they ' re happily flying home . she says it depends on how much the filmmaker wants to be involved . the more the filmmaker does around the festival to promote and be available , the more the festival can help them by introducing them to distributors and press , for example .
use this guide to facilitate dialogue and deepen understanding of the complex topics explored in the film .
as it turned out , the entire program consisted of local poets , authors , and other writers reading excerpts of famous poems and speeches to the 225 - seat theater’s standing - room - only crowd . the first writer to speak was poet marissa johnson - valenzuela , who recited an inspired interpretation of gil scott - heron’s “ the revolution will not be televised . ” her delivery was spot on ; the audience was with her .
i first saw kim bartley and donnacha ó briain’s the revolution will not be televised about six years back , the day after a very late night , “heroically” hauling myself out of bed and dragging myself up the road to the local cinema before sinking deep into a generously cushioned chair for the afternoon screening . if my viewing neighbors were delighted to be watching a film alongside what must have smelled something like a six - foot tall bottle of booze , their joy can only have redoubled when – approximately thirty - five seconds into the screening – this rancid alcohol - human hybrid ( talking about myself , here ) burst into tequila tinged sobs that rang out for the entire film…
it will be hard for the white house to get past this since the remarks appear to amount to some level of insubordination .
we then finally lose our grip completely and fall into a pit of internet addiction , where everyone ' s attention span is so diminished that we demand an ever shorter series of blipverts . this vision is then cemented by a parade of narcissistic youth carrying video cameras , many of them pointed at themselves . the revolution will not be televised , because it won ' t happen ; we ' ll all be too busy updating our facebook pages . damon peacock leyland , lancashire
the freedom fighters from sonic sat am are a strictly heroic group that is trying to overthrow the evil dr . robotnik . technically however this is a counter - revolution , as they are lead by a princess who happens to be the daughter of the king robotnik deposed in his revolution .
so go on dave explain the molten metal at the base of the three collapsed buildings that was still there months later . it should be easuy for you it will be in the nist report no doubt
many people out there are being deceived but not everyone . the group of people who are questioning the 9 / 11
official
accounts are growing - we will not stand for the lies !
/ u / leonidaspower can toggle ^ nsfw or ^ delete . will also delete on comment score of - 1 or ^ less . | faqs | ^ mods | magic ^ words | [ flag a glitch ] ( urltoken comment report & message = what seems wrong : ( optional description goes here ) % 0a % 0a - - - % 0a % 0areply no . urltoken r / documentaries / comments / 1xtvnc / the _ revolution _ will _ not _ be _ televised _ chávez / cff3zw7 )
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i trust that maybe on the fly the bbc will do so much better next time .
without renewed trust between leaders and members , all talk of reinvigorating local democracy will be sound and fury , signifying nothing .
main opposition parties in venezuela organized a petition against the film and garnered 7 , 000 signatures .
transferred to 16mm , “another girl another planet” ( 56 minutes , 1992 ) screened at film festivals throughout the world , was awarded a golden gate award at the san francisco international film festival and cited by the national society of film critics for “expanding the possibilities of experimental film . ” writing in the village voice , amy taubin called it “the best downtown love story since ‘stranger than paradise . ’”
the film makers are angry that attempts are being made to stop the film from being shown and defend its accuracy .
our film presents a perspective on the events of april 2002 which is different to the one presented by the privately owned media in venezuela ,
they said in a statement .
demme’s creative talents have also lured him into the musical domain . he directed the robyn hitchcock concert film
contrast with the remnant and the dark messiah . see also the related and often confused trope of la résistance . when the rebels are generally good but hampered by infighting , it ' s we are struggling together . for the opposite , when the rebels are anti - heroes or outright villains , see the revolution will not be civilized . for the case where the whole conflict really was
civilized
( for better or worse ) , see velvet revolution .
mr . stone suggests that president hugo chávez of venezuela , above , is heading a continentwide “bolivarian revolution . ”
lost the tapes ? dude , way not just say the dog ate your homework , that would be more credible .
barak has caused a worldwide public disaster , perhaps israel ' s worst . only time will tell what damage to the state he has caused . he has handed a propaganda gift on a silver platter to hamas and all the hostile world media . will barak now resign ? will he be fired ?
if commentators are only talking about pain when mr osborne sits down on tuesday he will have failed . if we are also talking about reform and a new economy he will be on the path to success . . .
by harun farocki and andrei ujica ( 1992 ) . ” the reason ? “how to make a revolution with television . good example of possible uses of the web . best moment in the film : ceausescu’s face captured by the official
/ u / chuck _ testa _ nope can toggle ^ nsfw or ^ delete . will also delete on comment score of - 1 or ^ less . | faqs | ^ mods | magic ^ words | [ flag a glitch ] ( urltoken comment report & message = what seems wrong : ( optional description goes here ) % 0a % 0a - - - % 0a % 0areply no . urltoken r / documentaries / comments / 1xtvnc / the _ revolution _ will _ not _ be _ televised _ chávez / cfeoq83 )
the key art : not always necessary , but can be an eye - catching addition . this is art that is representative of the film , and is often printed on a post card or one - sheet .
this will be forced into the limelight eventually . the sooner the bbc comes clean , the better . the longer it is left , the more implicated does the bbc become .
this should be a reforming budget that - over time - will deliver a smaller state and lower , simpler , fairer taxes .
there are problems , the truth movement is not going anywhere , and the perpetrators i would imagine will stop at nothing to prevent themselves getting caught .
at last , a story to encourage the rest of humanity . . . but the venezuelan miracle of people power , will be short lived . it has to be , else we ' ll all be running about the place believing
we can do it
.
( see urltoken for instructive essays on the politics of oil and neo - liberalism in latin america and the bolivarian revolution . )
the olympic rings are assembled in danny boyle ' s opening ceremony remembering the industrial revolution . photograph : shaun botterill / getty images
watch this film and you may truly for the first time in your life understand the term media bias .