gandu is a 2010 black-and-white indian film , in the bengali language , directed by qaushiq mukherjee .

it features anubrata , joyraj , kamalika , silajit , and rii in the lead roles .

the film 's music is by the alternative rock band five little indians .

gandu previewed at yale university before making its international premiere on 29 october 2010 at the 2010 south asian international film festival in new york city .

gandu was an official selection at the 2011 berlin international film festival and was also screened at the slamdance film festival .

gandu has received mainly positive reviews from critics .

john reis called it " a stunning visual and narrative feast " while variety said it is " a happily transgressive rhyme-fueled romp " .

gandu has caused some controversy because of language and scenes of nudity and sex .

audiences have left during sex scenes .

because of the controversy the film did not have its first public screening in india until 2012 at the osian film festival .

the main star anubrata basu is shown with his penis fully erect in a love scene .

gandu ( film )

gandu - bengali movie trailer ( film promo ) . flv . flv - youtube
gandu circus — a punk rock act that evolved from the film gandu — is back home after a rockin’ europe tour . hear it from
lithuanian film center / news / lithuanian sci - fi film gets u . s . distribution
q ' s much - talked about film , gandu , has won the best film , best director , best critics ' choice awards at the south asian international film festival in new york .
q ' s much - talked about film , gandu , has won the best film , best director , best critics ' choice awards at the south asian international film festival in new york .
the hungry premiered at toronto international film festival , with its european premiere at bfi london film festival and asian premiere at mumbai film festival .
q ' s much - talked about film , gandu , has won the best film , best director , best critics ' choice awards at the south asian international film festival in new york . - times of india
q ( qaushik mukherjee , as he does not like to be called ) is just back from poland and romania where he and neel were touring with his film gandu and and also performing as gandu circus . weve created music outside the context of the film . gandu the rapper is finally free of the clutches of the film ,  says the filmmaker .
gandu ,
an independent bengali film , has been raking in the reviews and awards at film fests internationally , while few in india could claim to have seen it .
the film was received well and declared superhit at the box - office . the film ' s music was composed by
this could be seen as a metaphor for how q feels about indian cinema . making a film like this in a country like india takes balls . certainly q understood that the film would most likely never get public release , but this was his film , the film he had to make . this film is almost like a political statement , a revolution in south asian film . everything that mainstream south asian film is ,
the film was widely appreciated for its songs and lead actors performances upon release . ambareesh got the film ' s title name as a colloquial name tagged with him after the film released .
anurag kashyap recently said he thinks
gandu” , in times to come , will be defined as the most seminal film of our times .
gandu
is an indian film , but it as about as far from bollywood as you can get . this is a fresh and transgressive film that america would not have the guts to make .
gandu is repulsive yet immensely hallucinating . a film that has a structure that none of the indian films have the balls to follow up on .
after nihilistic rapper gandu steals from his mother ' s lover , he embarks on a drug - fueled rampage with a rickshaw puller in this abstract film .
new distributor , artsploitation films , hits the ground running with gandu dec . 11 !
the mumbai screening of
gandu
is organized by the taj enlighten film society at the naya cinema film festival . as of now 1 , 642 facebook members are attending . that ' s probably half the filmmakers in this town .
bengali indie film “ gandu ” ( asshole ) directed by q ( formerly known as kaushik mukherjee ) has taken the world by storm since its award - winning international premiere at new york’s south asian international film festival in 2010 , yet managed a public screening in india only last year at the osian film festival .
gandu urges rickshaw to ' take him away ' ricksha and gandu then go off to consume dhatura seeds which causes them both to go on a strange and extremely intense trip . when they come to their senses they find they have no money . in a meta narrativistic scene the director q himself drives into the scene and gandu is told by ricksha how gandu is a character in a movie being shot by q . gandu cannot quite comprehend this .
“gandu seems guaranteed to win over fans exhausted with the tried and true . ” – variety
an editor , assistant director , play writer , theatre director and guest faculty of the department of film film studies , jadavpur university . he edited nabarun ( a doc by q ) and ludo ( a film by nikon and q ) .
best short film :
the fantastic flying books of mr . morris lessmore
gandu hates his life . he hates his mother . gandu raps out his hate , anger , dirt and filth of his existence . he and his rickshawpuller friend enter the world of smack , rap , porn and horror . reality and fiction , surreal and bizarre come together . can gandu survive ?
this is the first regional film kashyap will be producing . q is the most courageous and unique voice in indian cinema at the moment . and gandu in time will be talked about as the most seminal film of our generation . he is to india what gaspar noe is to the west and we are proud to be on board his next film ,  says kashyap .
there are no featured audience reviews yet . click the link below to see what others say about gandu !
now
gandu
has its first local screening in mumbai on saturday july 30 in andheri ( w ) .
anjada gandu is a remake of the tamil film , manam kothi paravai . this laugh riot is a sentimental family film and is set in a village . the film ` s story revolves around a love story where the guy falls in love with a girl who is daughter of a goon . to save his love from arrange marriage he kidnaps her . but the girl doesn ` t love the guy . what will be the repercussions of this act , forms the story of the film .
if you were one of the terribly disappointed viewers at mumbai’s naya cinema festival last july when the film’s slot at a preview theatre exempted from censorship was cancelled because the screening was denied police protection ; or have been part of the frequent conversations starting with “how do i get my hands on gandu ? , ” or are embittered that the closest you’ve come to the film is watching q rap with the film’s spinoff band gandu circus , rejoice and head over to icinema , which now has the movie up for download .
movie gandu s song naara best bengali rap i ever heard . though words are not for all to adopt . 144137
qs unfazed by the strong reactions to gandu . the voyeuristic nature in gandu is a reflection of the repression in society . but the subconscious will accept the other layers of information and will affect the viewing to a large extent .
he is even optimistic about the release of gandu in india . he points out how love in india was let off by the censor board with minimal cuts . the narrative proceeds through these risqué sexual jokes where the worst part is the last line . they wanted to take out the punch lines . but finally didnt ,  he smiles . the film won a rajat kamal ( silver lotus ) for the best film on family values in the non - feature film category of the 58th national film awards in 2010 .
however , there are as many who have been offended by the film ' s explicit sex scenes .
up to date as of july 7th , 2018 ( give or take a film or three ) .
warning : this film contains graphic content and may be upsetting and / or offensive to some people .
the music of the film was composed by upendra kumar with lyrics written by r . n . jayagopal . the album consists of five soundtracks . [ 5 ] the title track
mandyada gandu
was received extremely well .
the first day of the tour found us at the london premiere of gangs of wasseypur . anurag kashyap had a very interesting q & a after the film . the london indian film festival was using an image from gandu for the backdrop of all their posters and leaflets . that drew our attention . so , we stood in attention !
a film editor coming from a theatre background , has been part of oddjoint for 5 years now and has been part of films like gandu , tasher desh and b naman . a junk food addict , vegetarian and a chain passive smoker .
ok , so indian audiences wont get to see it just yet because its still to go to the film censor board . in india , its going to be a long road what with censors , distributors etc ,  says a seemingly unperturbed q . nevertheless , gandu s picked up accolades on the festival circuit . it had five sold - out screenings at the 61st berlinale this year , preceded by a screening at the slamdance international film festival in utah . the film won the best director and jury prize awards at the 2010 south asian international film festival in new york and , more recently , won q the grand jury prize for best director at the 37th seattle international film festival .
artsy fartsy . yes , the club was actually called that ! the club in cologne is really small and normally doubles as an art gallery . there was a screening of gandu , followed by the performance . some film buffs who had seen gandu earlier drove 200km to watch the gig . we were deeply flattered and alarmed to learn this after the gig , only to find out that it’s a way of life for some people . god bless the bildstorung guys for releasing the dvd of gandu in germany .
when most of us think of indian cinema , the first thing that springs to mind are the bright , festive films of typically associated with bollywood . this is a good starting place to approach gandu , from renegade director q , because in most ways it is an anti - bollywood film , a dark response to that segment of the indian film industry .
it is hard not to be excited by this fiercely idiosyncratic approach to protest filmmaking and gandu gleefully tramples all expectations of indian culture .
an
anti - bollywood
assault , gandu is the adrenaline - fueled story of an aspiring rapper and full - time slacker .
the film has been picked up by brand - new philadelphia - based u . s . distributor artsploitation films , which had its first release in november 2012 — the indian film gandu . artsploitation released vanishing waves on march 15 in new york . it opened in chicago on march 29 and will be screened on april 19 at the cinedelphia film festival in philadelphia and the calgary underground festival in calgary , alberta . its north american dvd / vod release date is june 18 .
the film is a psychedelic and intense rendition of nobel laureate rabindranath tagore ’s dance - drama of the same name , or in the words of q himself , it is “tagore on an acid trip” . co - produced by bollywood filmmaker anurag kashyap , the film stars anubrata basu who was also the lead actor in “gandu” , rituparna sen who had previously worked on the costumes for “gandu” , and soumyak kanti de biswas who had played the character of pablo in anjan dutt ’s “madly bengali” . besides , the film also casts naseeruddin shah ’s son , imaad shah of “dil dosti etc” fame in an important role .
bengali indie filmmaker kaushik mukherjee , better known as q , shot to fame and recognition after his highly controversial film “gandu” received great critical acclaim and bagged awards at major international film festivals in 2010 ( though it has yet to make it past the censor board on home turf ) . now , the progressive , enfant terrible director - producer is set to achieve another feat –competing in the cinema xxi section of the rome film festival ( rff ) with his latest production “tasher desh” .
gandu is an angry young man who raps about his hatred of life , and of his mother . he and his rickshaw - puller friend enter the world of smack , rap , porn and horror . reality and fiction , surreal and bizarre come together . can gandu survive ?
the narrative feature
gandu
and the documentary
hot coffee
won the top jury prizes at the seattle international film festival , which celebrated the winning films on sunday at the golden space needle awards ceremony and brunch at seattle ' s space needle .
title track বেশ করেছি প্রেম করেছি jeet koel raja chanda jeet gannguli 2015 celebrate love with the peppiest track besh korechi prem korechi from the film besh korechi prem korechi that stars jeet and koel . film besh korechi prem . . . 270457
gandu is a bengali movie directed by qaushiq mukherjee . the film has caused some controversy because of language and scenes of nudity and sex . audiences have left during sex scenes , especially when the main star anubrata basu shows his erect penis in a love scene .
the lena sharpe award for persistence of vision , which was presented by women in film / seattle to the film that received the largest number of awards in public voting , went to
being elmo : a puppeteer ' s journey .
' gandu ' , director q ' s bold and artistic dive into the world of surrealism , is quite an interesting experimental film . q describes his film as a ' rap musical ' which , in a way , is an agreeable term to describe it . the background score by the alternative rock band ' five little indians ' goes quite well with the tone of the movie .
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one day , gandu runs into a rickshaw driver and bruce lee - obsessed punk named ricksha ( joyraj ) . the two become friends and gandu finally has someone to discuss his rap ambitions with . they also begin to take drugs , which leads to some hallucinations . gandu also finds himself increasingly fascinated with a girl ( rii ) , who shows up in various forms as a girl in the internet café and as an apparent prostitute .
and thirdly , where a drug induced haze , clouds and blurs reality and immerses gandu in a sexually charged , almost meta ( there ' s a segment where the director shows up filming the film itself ) state where vulnerability and hope collide and the results are baffling .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
known for socio - politically charged films and rap music , q is currently based out of goa and kolkata . his film gandu was an official selection at the berlinale and it travelled to more than 60 film festivals worldwide , becoming an instant indie cult phenomenon . brahman naman had its world premiere at sundance and was picked up by netflix as its launch film for india . q’s tasher desh , ludo and love in india travelled across the globe , winning several national and international awards . 7 years post gandu , q’s new feature ‘garbage’ recently saw world premiere at the berlinale , 2018 and was nominated for the teddy awards . q’s rapper identity is doktorgandu and he prefers his humor black .
the trouble doesn’t lie in its excesses or even its transgressions ; the problem lies in determining whether or not gandu is a good movie . q seems to use the 2010 flick as an experiment , stating a desire “to make a film without the boundaries of morality that my society has built around us…i wanted to make a punk film - pungent , noisy and dirty , something that is prohibited in indian society . ”
q says he isn ' t afraid of the film being remembered for just its sexual content , including nudity , fellatio and masturbation .
tackling sexuality and taboo is the most important thing about gandu . if the people don ' t remember that , then what have i done ?
gandu is also apparently quite lonely . his choice of hairstyle ( shaved nearly bald ) and general proclivity to drugs and rap makes him an object of ridicule in front of most of his peers , who mock him as ' an egglike gandu ' . his loneliness is dispelled when he literally bumps into ricksha ( joyraj bhattacharjee ) , a cycle rickshaw driver , who slaps gandu and then scares him off by a bizarre show of kung fu ( it is later revealed that ricksha literally worships bruce lee and models himself on his idol ) that night gandu has a dream of himself and ricksha in a near naked embrace ( this has led to the common perception that gandu and ricksha share a homosexual relationship but the movie itself never shows this explicitly and it maybe a more symbolic element )
q overlays lyrics , beats , images and graphics to create a singular , often high - velocity pace , especially after gandu meets the rickshaw - puller named , oddly enough , ricksha ( joyraj ) , a bruce lee acolyte with whom gandu starts down a road of drugs , debauchery and eventually sex . predominantly shot in black - and - white , “gandu” shifts , “oz” - like , into color during the title subject’s elaborate deflowering by a hooker ( rii ) who displays no inhibitions at all . neither does q , for that matter , and his “gandu” seems guaranteed to win over fans exhausted with the tried and true .
lena sharpe award for persistence of vision , presented by women in film / seattle this award is presented to the female director whose feature film receives the highest number of audience ballots . being elmo : a puppeteer’s journey , directed by constance marks ( usa , 2011 )
the dvd by artsploitation is a worthy package for such a unique , unusual film . first it comes with a well packaged , 12 - page booklet . it contains an introduction from q , as well as a lengthy essay from film critic travis crawford , that dives into the meat of the film , including distinguishing gandu from what is traditionally considered “bollywood” . both parties , q and crawford , come together for an interview the touches on the origins of the story , the influence of music , what project q has lined up next , and much more .
and if indians have been vigorously complaining about gandu — some say it ' s
damaging to the country
— others too have been walking out of the film ' s screenings , disturbed by its relentless emphasis on sex , even as the director tends to dub it
sexuality .
a 33 - minute documentary takes you behind the scenes of the film in almost every conceivable way . in a series of archival footage and interviews , q talks about how the story is heavily improvised and sprung forth from a musical collaboration . you follow the cast and crew around the world as they show the film at festivals like the berlin international film festival , and slamdance in park city . one especially interesting segment deals with the explicit sexual content in the film , from the mechanics of filming the scenes , to the thematic implications .
on one of his stealing missions , gandu ' s mother sees him and hides him from dasbabu and seemingly laughs in complicity . this causes gandu great anguish and he curses in frustration . his mother comes naked and then knocks on his door . he is late in responding and she slaps him angrily and walks away .
everyone did everything in the film , like we do in overdose ,  recalls rii , qs girlfriend who played three roles in the film . we act , we ideate , run errands . all the food shot in his films is cooked by me !  she says .
best short film golden space needle award the fantastic flying books of mr . morris lessmore , directed by william joyce ( usa , 2011 )
this all begins to change when he finds a friend in a bruce lee worshiping rickshaw driver , whom gandu appropriately refers to as
rickshaw - walla
,
walla
being the indian suffix for any position of manual labor .
walla
at the end of someones name not only denotes what they do , it kind of denotes caste , in a country where caste still plays some part . gandu doesn ' t even have a caste , though we can assume through his motivations that he is looking to rise . as gandu and rickshaw - walla ricochet between fantasy and reality , gandu starts to realize that he is what stands in his way , and he needs an epiphany . soon enough , the gods take pity and his daily lottery pays off , which sends gandu on a journey of self - realization .
the movie is set on the life of an unnamed protagonist saneesh ( anubrata basu ) who is called gandu by most who address him in the movie ( an indian slang / swear word that would literally translate to ' of the ass ' , the english translation running in the subtitle translates it to the english ' asshole ' ) . gandu is portrayed as a frustrated teenager whose state of mind is shown by intercuts of him rapping in bengali ( it is later revealed in the movie that the protagonist is a member of a rap band ) . gandu ' s mother ( kamalika banerjee ) seemingly supports the family through the magnanimity of her ' lover ' dasbabu ( an unvoiced character who appears frequently ) gandu ' s mother and dasbabu ( silajit majumder ) are shown having graphic sex a number of times . gandu himself is shown repeatedly sneaking into the room of the copulating couple to steal money from dasbabu ' s wallet . gandu seemingly has complex emotions regarding this stealing and takes care to hide from his mother .
sins had frontal nudity which lead to the catholic secular forum file a public interest litigation to stall its release but the court cleared the film .
the first look of “tasher desh” was revealed at cannes this year and it has been described as a cross between classic bengali work and “the rocky horror picture show” . the film is also known to have explored sexuality in a way different from “gandu” whose explicit sexual content forbade it from being released in indian theatres .
the film had its world premiere at the 2012 karlovy vary international film festival . it received a special mention award in karlovy vary’s east of the west competition , so it was invited to other festivals . it won several more awards , including awards at festivals in the european fantastic film festivals federation and the fantastic fest in austin , texas , an effff supporting member . it won the silver and gold melies awards at lund , sweden and sitges , spain , respectively , and the four main awards in austin ( best director , best screenplay , best film , best actress ) .
a writer , director , filmmaker divides her time between brooklyn and calcutta . her debut film let’s be out , the sun is shining premiered at the 2012 new york indian film festival . has collaborated with oddjoint on projects like nuclear hearts as a director and ludo as the chief assistant director .
cosmic sex is a 2014 art - house independent bengali film written and directed by amitabh chakraborty and produced by putul mahmood . the film is the story of a young man kripa who is on the run from sex and violence one night in kolkata when he meets a woman sadhavi who strangely resembles his dead mother . she gives him shelter and teaches him to travel inwards through sex . the sex is supposed to be unsimulated in the film .
2 . the movie is in the bengali language ; the word
gandu
basically means
asshole
. so the name of this movie is actually
asshole
.
in fact gandu circus , the band behind the soundtrack with their sonic punk aesthetic and mc rapping in bengali , will play live on july 30 at 8 : 30 p . m . at mumbai times café off linking road in bandra as part of the film ' s mumbai tour . download the title track , here .
the seattle international film festival completed its 37th year with an awards ceremony at the space needle this morning , where it announced the competition and golden space needle audience awards . top winners included “q” kaushik mukherjee’s “gandu , ” from india , which won the grand jury prize for best new director . the film premiered earlier this year at the slamdance film festival . susan saladoff’s sundance entry “hot coffee” won the grand jury prize for best documentary , while the high school poetry slam documentary “to be heard” and the fishing industry exposé “sushi : the global catch” won special jury prizes . spanish director emilio aragón won the best film golden space needle award for “paper birds , ” while the filmmakers and subjects of “to be heard” won a second prize for best documentary golden space needle award .
this is where the film bursts from its conventions and starts to really shine . at the suggestion of his friend , and following the ingestion of some potent drugs , gandu surges out to seize his day . this leads to a remarkably colorful , sensual , sleazy , gritty , and real encounter with a woman , a prostitute perhaps , which helps gandu find his groove . the sex scene is extended and graphic and is probably meant as much to challenge the viewer as it is to push the story forward . no punches are pulled , and nothing is hidden . following this encounter all of gandu ' s fantasies begin to coalesce and turn , bit by bit , to reality . the style changes , in fact , a whole new set of opening credits appears halfway through the film , marking the division . this is very daring stuff .
just when his life seems to have hit the most hopeless low , things take a drastic turn . gandu and rickshaw go on a metaphysical road trip , and after their drug - addled , spiritual journey , gandu winds the lotto jackpot , records a demo , finally finds a hot girl willing to have sex with him , and starts down the road to fame . the only portion of the film shot in quick blasts of color , all of this may very well be nothing more than another vivid hallucination .
the vision of director q , whose real name is quashik mukherjee ,
gandu
follows a slum youth who is disgusted with his mother and teams up with his rickshawallah pal .
the only place where gandu feels like a success is in his own words . he is a rapper , and a good one at that . in fact , the only words we hear from his mouth for the first third of the film are his rhymes as he will break into a scene with bombastic lyrics set to guitar and bass - fuzz driven beats . gandu has no need to talk to the people around him , we can tell through his poetry that he sees no need for them , and despises most of them . we , the audience , see what gandu is capable of , but no one else in the film does . he lives within his own mind , and he feels very little impetus to move outside of that small place , because he looks around and sees that success is not something that happens to people in his world .
he visited india in 2002 ( he moved back here only in 2006 ) and , flush with film fever , started making tepantorer maathe , a dogma film ( a genre where films are made without the use of elaborate special effects or technology and concentrates on the story and acting instead ) about reality and illusion .
it may be loose on story , and officially made without a script , but gandu ( a curse word ) has become one of the most talked about films at the berlinale here .
( hindi slang for asshole ) is a deliriously frantic , music - infused look at one poor young man and his dreams of becoming a rap star . excitable gandu lives in kolkata . poor , he survives by stealing spare change from his mother’s sleazy lover . gandu’s lives to a rapper , and finds a comrade - in - song with another young man , the bruce lee - loving rickshaw . together they sing , drink , do drugs , wander the city and collectively dream of success . when gandu wins big in the lottery all his dreams seem to come true . or do they ? told in fragmented scenes with pulsating music , the film is surreal , wild , weird , unpredictable , and sexually graphic ,
like many of the best comedies and tragedies , this weimar - era silent film understands how each mode is often a hair ' s breadth from the other .
satyajit ray had not planned to make a sequel to pather panchali , but after the film ' s international success , he decided to continue apu ' s narrative . aparajito picks up where the first film leaves off , with apu ( smaran ghosal ) and his family having moved away from the country to live in the…
was the decision to shoot in black and white . more than just an aesthetic choice , his vision allows the viewer to experience this film and its characters free from prejudice . india is a very colorful country , even in its poorest parts , and allowing those colors to intrude onto what is a very personal story would have lessened its impact . the choice to remove color from the equation is critical in getting q ' s film to work . we have to see these characters in their own world , how they see it , and to me , it doesn ' t seem all that colorful . the editing of the film is really very jarring most of the time , but in a very effective way . the film cuts back and forth across characters , often with no regard for story or plot , but that really isn ' t what the film is about . we feel off - kilter , just like gandu , his world is small and he tries to make it bigger .
music videos , trailers , additional featurettes , and more round out the more than 58 - minutes of extra material on this home release . while gandu the film is definitely the draw , and the main reason why you should check this out , the bonus features certainly add to the package , and add a great deal to the movie watching experience .
gandu introduces us to the title character ( anubrata basu ) , an aspiring rapper in a poor neighbourhood in kolkata . he lives with his mother ( kamalika ) , who is banging dasbabu ( silajit ) and suffers under the weight of economic difficulty and an ostensibly lazy son . because of difficulties at home , gandu spends most of his life between an internet café and the streets .
producer . composer . performer . singer . songwriter . has scored original music for several films and series . he performs with gandu circus , neel and the lightbulbs , and neel and zico .
, or any of the litany of
kids gone bad
films we have seen . in fact , the characters in this film wouldn ' t even be given any lines in a typical , or even an atypical indian studio film . these are real people , poor people , desperate people ; people living lives completely within themselves and apart from their surroundings . gandu , the title character , is one of these people . he spends his days following a routine : breakfast with mom , wait for mom and her boyfriend to get down to business and steal from boyfriend ' s wallet , use proceeds to gamble daily , visit internet cafe ; lather , rinse , repeat . however , beneath the facade of routine , gandu seethes .
q is a cool guy . almost a satire of himself ,  laughs anubrata , adding i think i wouldve wanted to be part of gandu even if i was asked to just hold the camera .
released on dvd by the good people at artsploitation films , gandu is at times a bold vision of life on the streets . the music , delivered by alternative rock band five little indians , is the driving engine of the film and lies very close to q’s heart . scenes are broken up by musical interludes , allowing basu’s character to run through his personal feelings with ferocity and skill .
the rough cut screening caused many heart attacks and the film was shelved ,  says q . ( he still hasnt given up on it though . i will keep making this film again and again , every 10 years , till its time .  ) but q had about rs 30 , 000 remaining and wanted to do something worthwhile before he left .
the documentary jury was comprised of : krysanne katsoolis , cactus three ; richard lorber , kino lorber inc . ; and katherine tulich , hollywood foreign press and international federation of film critics .
in q ' s film you aren ' t the judge , you are a mere spectator , a witness of someone ' s life unfolding on screen , a character study . the camera explores everything that happens in gandu ' s life , in detail , for which the film has earned popularity around the internet , i think , but there ' s more to gandu than its overly explicit sequences . its stage isn ' t set up in fantastical land , its sphere casts poor people , desperate people who ' s desires quench for something over an inch of survival , even if it ' s mere illusion . q develops a great strategy , his courageous attempt that is an outcast to indian cinema paints a black and white kolkata having ordinary day to day people . amongst them is a frustrated , wasted , overlooked…
directed by q ( qaushiq mukherjee ) , gandu is an interesting but not entirely convincing bengali film . it arrives packed with danger , having been “banned in india” and received a number of transgressive descriptors . indeed , the motion picture may well blast away the boundaries of the sort of mainline cinema most are used to when it comes to india . it may even be “anti - bollywood , ” as advertised .
20 year old aspiring rapper gandu ( bengali slang for
asshole
) steals cash from his prostitute mother ' s regular client , and gets his big shot at stardom after crossing paths with a bruce lee - obsessed rickshaw driver who plies him with hard drugs . as the pair flees their lives to pursue a career in hip - hop , gandu loses his virginity to an uninhibited prostitute while lost in a surreal haze of sex and drugs .
the movie revolves around a not - so - bright jobless adolescent named gandu ( meaning moron ) . he has his simple life with dreams and fantasies , getting by on the money he steals from the guy screwing his mom . he befriends a rickshaw - walla named ricksha ( ironically ) , and both spend most of their time in a heroin - induced haze , filled with adventures , porn , and sex . gandu gets music deals , wins…
berlin – kristina buozyte’s erotic sci - fi drama vanishing waves ( a . k . a . aurora ) is lithuania’s little film that could . the 1 . 175 - million - euro ( $ 1 . 5 million ) lithuanian - french - belgian co - production has made waves on the festival circuit in both hemispheres , including high - profile sci - fi film fests .
yea yea , purposeless life , meaningless existence , emptiness engulfing him . life for this guy - gandu sucks real bad . but the movie does not need to suffer from emptiness also . period . the movie has a weird sorta nihilism all the way . a movie like salo by pasolini with probably the same intentions as q ' s gandu turned out so much better than this . sex used to add shock value , weird characters , irritating lyrics , dirty bleak world of gandu , close and jerky camera shots , no story , whore mommy with no explanation of her intentions , weird bruce lee sorta friend / rickshaw puller - makes for a good headache in the end .
the very title , gandu , is hindi slang for asshole , so right out of the gate , the film sets itself up as abrasive and confrontational . in fact the movie is so controversial that it is banned in india . filmed primarily in gritty black and white , the story is grim , bleak , and hallucinatory , garnering apt comparisons to filmmakers like gaspar noe ( enter the void , irreversible ) and wong kar wai ( chunking express ) . explicitly sexual , the film features multiple instances of non - simulated oral sex , and one extended look at the lead player masturbating as he watches porn .
q continually walks the line between gratuitous and arty , sometimes plodding along with one foot in each . it’s hard to discount the sex scene as anything less than explicit and needless , but it’s also impossible to question the filmmaker’s idea of wanting to blast away the status quo . in that gandu is a film made “purely out of frustration , ” it makes sense that its assiduously bold desires would land as they do .
according to him , this is the reason he has so many scenes of the mother and her lover , even though it is established early on that it is one of the main reasons for the frustrations of the boy gandu .
mag für die indische filmindustrie als tabubrecher bedeutender sein , als er einem abgeklärten deutschen zuseher erscheinen mag . gandu hat auf der provokanzebene nicht wirklich neues zu bieten , doch mag die wilde aus sex , drugs und rap durchaus zu unterhalten .
gandu ( probably untranslate - able in a family magazine ) which released a few months ago on the global festival circuit has created a predictable enough storm with its explicit content ( read expletives , frontal nudity , sex , masturbation ) .
crew : camera ( b & w / color , widescreen ) ; q ; editors , manas mittal , q ; music , five little indians ; sound , dipankar chaki , anirban sengupta ; animation fx , blowfish fx . reviewed at slamdance film festival ( special screenings ) , jan . 22 , 2011 . ( also in berlin film festival - - panorama . ) running time : 85 min .
q , whose repertoire includes documentaries like le pocha and love in india and features like tepantorer maathe ( unrele - ased ) , bishh and gandu , has exciting plans for the future . he will start shooting a musical based on rabindranath tagores tasher desh ( the land of cards ) later this year . and this time hell have backing from bollywood director - producer anurag kashyap , wholl co - produce the film with qs company overdose .
gandu has a definite diy punk rock feel and aesthetic . fueled by fast paced rhymes and raw music , his dark dreams of sex , drugs , and fame plays out like a fever dream , and his lyrics are full of anger , angst , and directionless rebellion . he has no hope for the future , no prospects , and the constant pulsing , reckless tunes serve as a narrative device , driving the pace , plot , and film forward .
a truly independent film of integrity and offhand grace , zero bridge tells the deeply affecting tale of a student and small - time criminal in kashmir who develops a crush on an older , college educated woman .
ei aashiqui ankush nusraat faria mohammed irfan akriti kakar aashiqui bengali movie 2015 film aashiqui song ei aashiqui starring ankush nusraat faria directed by ashok pati abdul aziz produced and distributed by jaaz multimedia singer . . . 299799
i was completely blown over by it , more so , by q’s rap ,
said kashyap .
q is the most courageous and original film - maker i have known in this country .
the short film jury was comprised of : kellie ann benz , the shorts report ; bill murray , northwest screenwriters guild ; jason plourde , three dollar bill cinema and tom skerritt , actor and founder , thefilmschool .
the scene : the rondo sztuki art centre at katowice , poland . onstage filmmaker q and singer - songwriter neel adhikari are belting out the title song from gandu to a wild audience . backing them are six polish men screaming a bengali expletive in chorus .
a frenetic velocity and energy infuses every frame of the film . split screens , frantic edits , and an urgent visual style grabs you and propel you forward into the void with all of the infectious power and force of an adrenaline - filled club anthem . thematically dense , dealing with identity , morality , sex , drugs , hope , gandu is dark , pessimistic , and divisive . it’s also a fantastic , fun , frenzied slice of finding hope in a hopeless life .
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gandu is an angry young man who raps about his hatred of life , and of his mother . he and his rickshaw - puller friend enter the world of smack , rap , porn and horror . reality and fiction , . . . see full summary »
is the kind of film that is unlikely to see any kind of wide release , and he is right . it certainly won ' t see release in india , and even its value on the art film market is limited by a number of factors . none of these likelihoods make it any less worthy of viewing . if you are in the area , definitely check this one out , it will give you a new perspective on what indian film is capable of . this kind of boundary pushing work deserves support , if for no other reason that to support the free speech and clarity of artistic vision that some people still have to leave their homelands to exhibit .
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pursued by a camera that seems to be suffering attention deficit disorder , gandu saturates the audio with a torrent of ire - inspired rap ( “you will be a balloon / and i will be the pin” ) as the english translations fill the screen in block typography and the cutting maintains a jackrabbit pace . any connection to traditional screen storytelling is pretty well severed , as is gandu’s connection to the world around him by the small outrages and disappointments he suffers within his opportunity - free indian environment — and his ongoing emasculation via his mother’s lover .
suddenly he ' s getting action from a sexy young woman and living the dream of a hip hop star . where does fantasy end and reality begin in this new transformation ? gandu is a punk odyssey told with energy from real streets where imagination is the only escape .
gandu ( anubrata basu ) lives in the slums of kolkata ( formerly calcutta ) with his mother , getting by lifting bills out of her cheesy lover’s ( he wears aviator shades during sex ) wallet while they go to town on each other . his existence is haze of drugs , games of chance , hanging out with his bruce lee - fixated buddy rickshaw ( joyraj bhattacharya ) , who just happens to drive a rickshaw , freebasing by the train tracks . a slacker and graffiti artist in his spare time , gandu dreams of becoming a rapper .
british film institute , london . this was the first gig of our tour and the circus shook the bfi . susheela raman and sam mills joined us for the song dhuan from the soundtrack of gandu . we had one round of informal practice at the breakfast table with acoustic guitars and she picked up the bangla chorus in no time . susheela opened the set with a bangla song . the rajasthani folk dons kutle khan on kartal and nathu solanki on nagara joined them on stage . they jammed with us on a couple of tracks . the show went completely berserk when steve savale from asian dub foundation played gandu with us . susheela is amazing and sam is a guru and both sustained the madness ending with raise up your hands . yes , all of us bounced together on stage !
as far i ' ve seen bengali films , i think this is the 1st ever attempt by a bengali filmmaker to enroll the ' bangla cinema ' into the exploitation genre of movies that has passed its golden era in european , american & asian ( japanese ) film - circle between late 60s to 70s . the abusive & raw nature in dialogs or character attributes with the backdrop of a gritty lifestyle or dark realism as well as use of explicit sex & violence to manipulate / force or more precisely exploit the viewers to ' taste & feel ' the vicious & darkest corner of life . . . are some basic features in any exploitation movie . and on that ground , gandu succeeds moderately , imo . the problem is gandu is a little exploitation drama that comes with an art house…
the film moves around two old school friends , jeet ( parambrata chattopadhyay ) and raj ( rudranil ghosh ) who coincidentally came across each after a quite a while . while jeet , a associate in . . . see full summary »
is not . it is not colorful , it is not polite , it is not fantastical , it is not modest in any way . the film has its faults , but even those can plausibly be chalked up to stylistic choices .
rimjhim e dhara te premer kahini dev koel jeet gannguli 2008 enjoy the most romantic song for monsoon rimjhim e dhara te from the movie premer kahini . film premer kahini starring dev , koel , jisshu sengupta , ranjit . . . 183713
feels real , which is not a characteristic of many big indian films . it is a very intense and kinetic story . there are times in the film when it feels as though style takes precedence over substance , but it all comes together in the end . the style is the substance , each editorial decision is made to provide further context for the actions in the film . if something appears to be random , i assure you , it is not , it perhaps hasn ' t drilled its way through your brain yet . i ' m certainly not ashamed to say that it has taken me several days to begin processing this film , and i still don ' t think i am completely through with it .
debo toke debo sholoana full song ষোলোআনা nabab movie নবাব shakib khan subhashree first official song launch of much awaited film , nabab . sholoana is a peppy number starring the superstar of bangladesh , shakib khan and the glam doll . . . 615107
first of all , all praise for quashiq mukherjee for bringing a movie that is almost considered taboo on the screen . gandu is never trying to become something classy or an art film per say , but it becomes eventually . a movie which is revelation in it ' s own league in asia , punk rock attitude and what not ? gandu id portrayed as a frustrated teenager whose state of mind is shown by intercuts of him rapping in bengali ( it is later revealed in the movie that the protagonist is a member of a rap band ) . the movie got hugely criticized for it ' s use of sex , taboo relationships and portraying nihilistic approach of a young teenager in such raw shape ! it ' s tottaly shot in black and white to increase the uneasiness . it ' s a
raw truth
.


tezz ( lit . fast or speed ) is a 2012 indian hindi crime thriller film directed by priyadarshan .

it stars anil kapoor , kangana ranaut , zayed khan , mallika sherawat , sameera reddy , boman irani and ajay devgn who plays the antagonist .

mohanlal has a cameo role .

the stunt choreographer chosen for the movie was gareth milne , the stunt co-ordinator of fantastic 4 : rise of the silver surfer and national treasure : book of secrets .

tezz was earlier titled bullet train " the official trailer was released on 4 january 2012 .

the movie was released on 27 april 2012 on 2000 screens .

shooting began in beginning of 2011 in scotland and wrapping up in mumbai .

upon release the film received mixed reviews from critics and was an average performer at the box office , despite having a stellar cast and a large cinematic release .

the movie is based on the 1975 japanese movie the bullet train .

tezz

tezz b2b torsten schawag - livemitschnitt technowave afterparty 09 . 07 . 2016 @ kammer
the splitwire ' s color and tezz ' s suit have a copper color .
' tezz ' is an action thriller being released on april 27 , 2012 .
ajay - anil ' s tezz collects rs 1 . 57 cr at overseas box office
@ tezz @ thedestroyer - look at the hand , its like the fig . is doing some magic act or so . . anyway @ tezz - interesting find : )
@ tezz as sanskrit is one of oldest languages , this method is working perfectly .
@ tezz - ha ha ha like either not accepting nor deny . like that : )
@ tezz some words are derived from greek and latin . english is mix of many languages .
if you want to answer the questions ,
who starred in the movie tezz ?
and
what is the full cast list of tezz ?
then this page has got you covered .
looking for movie tickets ? enter your location to see which movie theaters are playing tezz near you .
this cast list of who was in tezz includes both lead and minor roles . ( 14 items )
@ tezz yeah . only only iswara or saguna brahman has power of creation , preservation and destruction .
there are no featured audience reviews yet . click the link below to see what others say about tezz !
red sentient moon ) - - among good qualities , such as tezz ' s intelligence & sense of duty .
@ tezz i just checked shiva purana . he didn ' t open his 3rd eye during daksha ' s yagna
@ tezz if you say aithreya brahmana is eternal , you know the person will become elevated to satya loka .
@ tezz well , the happiness he feels is equal to happiness one enjoy in highest regime of material world .
as expected , when tezz get postponed to 27apl i saw on tv at that time i said tezz will be disaster because of urltoken ajay is mad competing with srk in diwali , it will bring 1 more disaster to him .
tezz has many of the ingredients for an engaging thriller . what it needed was a director to assemble its parts .
@ tezz yeah . i feel people on deviant art and other artist are not depicting naga snakes on shiva paintings .
@ tezz he will feel happy as his language is older , in south india , many people die for language .
tezz cast list , listed alphabetically with photos when available . this list of tezz actors includes any tezz actresses and all other actors from the film . you can view additional information about each tezz actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of tezz have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
@ tezz why me , you , her , him , it ? everything is maya . we are all nirguna brahman : p
@ tezz this article might be written by a hardcore telugu language lover as you can observe it from his words and sentences .
@ tezz all hindus have same contents in vedas ? critical edition is agglomerate of different versions and it includes all possible authentic stories .
tezz ' s own arrogance gets stanford ' s nerves , and the two tend to argue , but they ' re still a team .
stylishly shot across england with action sequences like none other , tezz also features kangnaranaut , bomanirani , zayed khan , sameera reddy and mohanlal .
@ tezz @ thedestroyer according to the purva mimamsa sutras , words do not denote individual objects , they denote categories or classes of objects .
on the whole , tezz is a taut , entertaining action spectacle . those with an appetite for well - made thrillers should lap it up !
tezz volitov ( voiced by noel johansen ) is the seventh member of battle force 5 and was made a member in the power of resistance .
hahhhaahah as expected agent vinod and tezz both bumbed . . its tym of comedy guyss . . and singham was a hit coz of its storey
times of india - gaurav malani’s rating : 3 tezz is fast enough for you to keep track of its inconsistencies and manages to reach its target .
@ tezz ok . i think this is same for all languages , thought they devised proper names to identify things , as every name has meaning .
have a look at the most popular movies of filmmaker priyadarshan . his next film ' tezz ' will hit the screens on april 27 , 2012 .
@ swiftpushkar @ tezz i think only naga snakes are helpful to devas not all snakes . that ' s the reason we only pray to naga snakes .
@ tezz ok . so , all hindus must have same aithreya brahmana . but why do they claim that ? i ' m actually doubting their claim now .
finally the film is out of cinemas after struggling for three weeks but “tezz” barely able to collect anything in last two weeks but less than 2 cr nett .
riveting action movies are a rarity in bollywood . action movies that stand out come along once every few years . tezz , helmed by priyadarshan , is one of them .
@ tezz yeah it is eternal . i ' m not sure whether telugu is mentioned or not . i will see in telugu language or other edition of aithreya brahmana .
tracklistings come from musicbrainz . you can add or edit information about tezz at urltoken . find out more about our use of this data , and also our policy on profanity
the best thing about tezz is its length — mercifully short — and the action , choreographed by gareth milne ( bourne identity , bourne ultimatum ) and coordinated by peter pedrero .
bollywood hungama - taran adarsh’s rating : 3 . 5 tezz is a taut , entertaining action spectacle . those with an appetite for well - made thrillers should lap it up !
@ tezz concerning aranyakas , i ' ve also argued with brahma jijnasa about this . he thinks all scriptures , including all shrutis and smritis , are eternal word for word .
tezz is a hard - working scientific genius ; often leading him to talk down on others and makes him somewhat of an arrogant person . he prides in his intelligence . as a result it is difficult for him to admit his faults , express his feelings and work with others . he has lived alone for too long , making him a loner and dependent on his own abilities . tezz has had no human contact from earth or the sentient moon , so he does not understand simple things like emotion and feelings . tezz does care about them as a family and when the going gets tough he will fight for them or for anyone in need . tezz is learning how to be a team player , and also learning about himself .
dude , go cycling . my tezz is lvl 49 and i can beat nicol bolas in the rotgp event . drake haven combined with cartouche of ambitions means you fully healing every hit .
now , priyadarshan is gearing up for the release of ' tezz ' . it has ajay devgn , anil kapoor , kangna ranaut , sameera reddy and zayed khan in the star cast .
i am a mathematician , not a clairvoyant . i do not have hunches .
( lord of the kharamano s , when vert said that they should investigate tezz ' s hunch )
tezz is an unapologetic , unacknowledged copy of the 1975 japanese film the bullet train . director priyadarshan and writer robin bhatt liberally lift the plot and entire sequences from the film , writes anupama chopra .
when krytus goes in to attack him , tezz thinks quickly and uses the door of the splitwire to knock krytus off the cliff . after the battle , he ' s made an official member .
tezz opened to a disappointing response at the box - office on friday , as the occupancy was as low as 20 % at multiplexes . at single - screens , the response was slightly better .
dna - blessy chettiar’s rating : 1 . 5 may be priyadarshan should stick to mindless comedies , so we can be sure we’re in safe territory . you won’t be missing much if you skipped tezz .
cnn ibn - rajeev masand’s rating : 1 . 5 tezz has many of the ingredients for an engaging , fast - paced thriller . what it needed was a director to assemble its parts and make them work . alas , priyadarshan is content with merely filming . i ' m going with one - and - a - half out of five for tezz , awfully boring for a film that promises speed and thrills .
tezz ' s vehicle is the splitwire , a copper muscle car . through electromagnetism , it can levitate and adhere to metal surfaces . it can also fire electricity from a cannon for long - ranged attacks .
rediff - shaikh ayaz’s rating : 2 . 5 tezz is fast and lives up to its title , but it is also its title that gives away its source - jan de bont ' s 1994 thriller speed . that was an excellent film and though tezz may not be as good as that , it doesn ' t make too many demands on your time . and that ' s not such a bad thing at all .
@ tezz - but if we look carefully khagesh means lord of flying ones as eagle is often called or represented as powerful
ish
khaga plus ish , what u think ? like gana dhe ish . .
it is through vert that tezz begins to learn compassion , some sense of humility , and to be more of a team player . he even acknowledged him as the
superior warrior
in lord of the kharamanos .
@ thedestroyer @ tezz - actually he might not be knowing abt rule , lets just inform him abt that first , even in the begining i also unknowingly copied from blogs . but instantly corrected after getting the rule .
@ tezz btw , in brahma purana , shiva doesn ' t open his 3rd eye . pippalada sees shiva ' s 3rd eye in mediation and after seeing his 3rd eye , he was able to create a demon .
patrik & tezz guesthouse is a swedish managed guesthouse in coron . we are located a 3min walk from town center . the guesthouse is built on stilts over the water . we only have 6 rooms in total to make your
@ tezz yes . that is correct . only shiva can annihilate using 3rd eye . even jeevanmukta can ' t . ohh wait , what if kapila wasn ' t incarnation of vishnu . could he able to burn sagara sons to ashes ?
@ tezz i think the person who wrote article ' s intention is not to put aithreya brahmana to 700 - 800bce old but his intention is to say telugu is 700 - 800 bc years old to popular claims of 300 bc years old .
glamsham - martin d ' souza’s rating : 3 . 5 there ' s a bit of the keanu reeves starrer speed and the bruce willis starrer die hard in tezz . the three star rating is purely for the gripping , hollywood - like action .
@ tezz - looking at head gear of the image , it seems like , this is some kind of dancing apsara , and of southeast asia style , maybe related to apsara dance from cambodia or so . . . nor sure but searched : )
a nameplate on the wall at
patrik & tezz
says ,
arrive as a guest , leave as a friend
. a great guesthouse for the economy traveller - comfortable , safe and secure . friendly , helpful staff were genuinely friendly and helpful .
tezz ( english : fast / speed ) is a 2012 hindi action thriller film directed by priyadarshan . the film stars anil kapoor , kangna ranaut , zayed khan , mallika sherawat , sameera reddy , boman irani and ajay devgn who plays the antagonist of the film . mohanlal has a cameo role in the film . the stunt choreographer chosen for the movie was gareth milne , the stunt co - ordinator of fantastic 4 : rise of the silver surfer and national treasure : book of secrets . tezz was earlier titled
bullet train
.
india today - kaveree bamzai’s rating : 2 tezz has taught me the following things . only indians wear dark glasses in london . anil kapoor will always speak english in a slumdog millionaire accent . and indians can always be found because they abuse other people ' s mothers .
mashing up the key plot points of hollywood hits speed and the taking of pelham 123 may have seemed like a good idea for a ' bolly - buster ' , but director priyadarshan ' s tezz goes right off the rails very early on and never gets back on track .
daily baskar ’s rating : 2 . 5 fascinating first half , power - packed performances , classy cinematography and vfx , hard - hitting dialogues , direction are strong points . weak storyline , music , editing are the drawbacks . overall , tezz deserves a one - time watch as it doesn’t disappoint .
a . j . ' s enthusiastic attitude seems to annoy tezz , as seen in mouth of the dragon . but in later episodes ( such as unite and strike ! ) he seems to have warmed up to a . j . ( such as agreeing with him and accepting a high - five )
@ tezz @ thedestroyer - can you people spot some unusual pattern of getting point in this as it looks that user has got lot of upvotes during short time urltoken , this is just , the thing i saw , and not that serious , but regarding to our previous discussion about ref . of quora
copper , bring a shade of brown , can symbolize reliability and endurance , this is proven in tezz ' s focus on his work , and his willingness to rescue his friends . since copper is a darker shade of brown , the darkness in it can very well also symbolize darker traits - - like brooding & loneliness ,
shot across england with action sequences like none other , one scarcely pauses to take a breath . if you’ve ever travelled on the lightning fast bullet train , you know how terrifying the thought of an accident is . if you enjoy panic movies with ultimate action and edgy thriller suspense , then tezz should do the trick for you .
after doing films like rascals and tezz , the actor is back in a female - oriented film titled revolver raniactor kangna ranaut‘s next is a female - centric film with a quirky title – revolver rani . directed by sai kabir and co - produced by tigmanshu dhulia and rahul mittra , the film will go on the floors in march .
the tezz actor is gearing up for the indian version of the american action series . but this time it involves way too much sweat… . . literallyafter playing the president of pakistan in an episode of the american version of 24 , anil kapoor is now gearing up to play the ‘hero’ in the indian adaption of the television [ … ]
koimoi - mrigank dhaniwala’s rating : 2 . 5 tezz is an average entertainer at best . ajay devgn and anil kapoor’s performances and a few action sequences are its main attractions , while the ineffective drama in the first half , the lack of emotional connect between the characters in the film , the below - average visual effects its minus points .
happy to comeback here after a time salman ajay both have same kind of audience the fact is movies like tezz needs multiplex audience too salman and ajay are single theatre actors thats mine point . we , the multiplex audience will never like the people who give dabbang or singham only hritik akshay amir rocks in multiplexes king khan is the undisputed king in multiplexes
mohit chauhan lends his velvet tones to main hoon shab , the second love ballad of the album . again , like rahat , he is let down by mediocre lyrics and a half - hearted qawwali - inspired composition . the end result , for this song , and tezz in general , is a plain and forgettable affair that falls short of expectations .
the pilot project has launched on december 25 in lahore and karachi . initially the service will be available to limited number of users at a base rate of only rs . 60 and a lowest charge of rs . 75 . the company expressed its willingness to expand ‘tezz rickshaws’ project in order to increase the fleet size and to cope with the growing demand .
for b / b tezz i keep on forgetting that there is any energize effect . i instead focus on making the play area a minefield with the second then third ability . put in a bunch of cheap supports that you wouldn ' t mind getting destroyed and watch the ai kill itself , or the game hang on a cascade , i have had both happen .
alas , this may not be the case for tezz ( which translates as
fast
) , priyadarshan’s action - packed thriller starring slumdog millionaire actor anil kapoor amongst other a - listers . filmed in the uk and mainly set on board an out - of - control train set on a path of destruction , you’d be forgiven for expecting a tense and dramatic score .
as the regular visitors of this place know already , we had shared with you guys in november the speculations that careem was planing to launch a rickshaw service . the dubai - based ride - hailing service has finally , now , confirmed the plans to launch ‘tezz rickshaws’ in lahore and karachi . the company sees the auto - rickshaw sector as an important contributor to future growth .
he meets the battle force 5 when they pick up a message sent by zemerik . tezz at first , believes they are enemies , even doubting stanford when he says he can take him back to earth . but after getting back , he starts to form trust between his future teammate . he recieves his suit and vehicle upgrade and heads back to the red sentient moon to help them .
@ tezz well , i don ' t think he believes that , because he has also told me that he thinks that different chapters of the mahabharata may take place in different kalpas . like he thinks previous kalpas ' mahabharatas have been mixed with the text of our current kalpas ' mahabharata . that is how he resolves the problem of contradictions , because he refuses to accept that anything is an interpolation .
does the plot sound familiar ? yes , i am sure , it sounds recognizable . but a vital clarification , before i proceed further . it’s widely discussed that tezz is generously inspired or a replica of the 1994 keanu reeves starrer speed . it’s also said that speed was a recreation of the japanese thriller shikansen daibakuha [ 1975 ] , which was also known as the bullet train . reportedly , even the thai film industry got inspired by the japanese movie in 1977 and made a movie called 1 2 3 monster express . while the japanese movie had the plot set on a high - speed train , speed was on board a bus . without giving the plot away , i’d like to say that tezz does seek inspiration from the above - mentioned films , but is no replica or a duplication of the above - mentioned movies .
hindustan times - anupama chopra’s rating : 2 tezz is an unapologetic , unacknowledged copy of the 1975 japanese film the bullet train . director priyadarshan and writer robin bhatt liberally lift the plot and entire sequences from the film . so here too , we have a bomb on a train that will blow up if the train slows down . but protagonists in hindi cinema who indulge in criminal activities must be accessorised with a suitably tragic backstory .
sooo in the end i did buy b / b tezz . . . . and have to say i am a bit disappointed till now . the gideon of trials i recently bought is doing much more work and hes 20 levels lower . . . but anyways im sure its because i failed to make a good tezz deck . i dont have a lot of kaladesh cards tbh so doing an overload energize mechanic is out of my league . problem is im also low on hod cards . i cant seem to find a good deck synergy with the cards i have . would be quite long to post all the cards that i have available for him , so im gonna ask for some help from you guys . please dont post me decks with tons of mythics and masterworks ( got no masterworks ) , i dont have the cards for it . thank you people !
as tezz was growing up , he had become a very intelligent individual ( even at nine years old ) , and eventually began studying particle physics and electromagnetism . during one of his experiments , the velocity and output his engine gave created a portal , trapping him on a red sentient moon . when the red sentient 5 was freed , he fought back against the red sark as the sole rebel there , learning of sentient culture through artifacts and hieroglyphs .
being a backup member , tezz is usually helping in the hub with technical and strategical support ( the blue tide , full throttle , and mouth of the dragon being a few examples ) . though when he is sent into the field , he not only proves himself a capable opponent , but also learns a few things as well . after rescuing the kharamanos and liberating them with vert ' s help , he begins to learn some compassion and begins to accept his new teammates .
taking the film’s title quite literally , tezz races along at top velocity and volume , leaving little time for sunidhi chuahan to inject any vocal nuances into the film’s main theme . while the perfect choice for this bold number , she belts out jalees sherwani’s lyrics as if her life depended on it . meanwhile in the background , sajid - wajid pump it like the black eyed peas , also taking inspiration from dick dale and his del - tones ’ misirlou , made famous by quentin tarantino’s pulp fiction .
tezz is created by priyadarshan who has only failed after awesome movies like hera pheri , hungama de dana dan was his last good movie from the year 2009 . even aakrosh wasn ' t that bad but it flopped . however , tezz is an example of a third rate film and me calling it good was a big mistake . it copies so many ingredients from hollywood films like the taking of pelham 123 , unstoppable , and bullet train . the anil trying to hunt down ajay track was something seen from the 90s akshay kumar and sunil shetty movies where akki is chasing sunil . but , the few good things for the movie was the chases , the 1 or 2 action sequences , and a few dialogs . however , the script lets the whole film down , robin bhatt is a horrible story writer . i can ' t believe ajay devgan would act in a film like this . he handles his part well , he knows how to act because even in rascals he was the only thing that stood out . anil kapoor is ok , he bores when he shouts , that goes the same for boman irani . the heroines are stupid , no screen time for them . only 1 - 2 scenes were good and the laila song came out of nowhere which was another cliché . on the whole , tezz is a bad film with 1 or 2 good things and several bad things . ajay devgan needs to choose better films , he is falling down as his last hit was singham which was way before rascals .
tezz is a good looking thriller filmed with expertise . loaded with an ingenious premise , thrilling moments and action , priyadarshan has curved it into a tremendously well - executed motion picture . the film’s sole objective is to keep moving at a feverish pace , keeping the spectator completely immersed and entertained with the on - screen occurrences . sure , there are some unwarranted moments [ more on that later ! ] , but the pacing is so breakneck and the cinematography so superior that it’s easy to overlook the few unreasonable moments .
director priyadarshan ’s latest movie tezz is a fast - paced action thriller and it stars ajay devgn , anil kapoor , kangna ranaut , sameera reddy , esha gupta , zayed khan , mohanlal and mallika sherawat in the leads . it has received average reviews from film critics . lead actors’ power - packed performances , superb picturisation and amazing special effects work and hard - hitting dialogues are the major highlights of the film , while weak storyline , music and editing are its drawbacks . the movie has been rated 2 . 45 out of 5 . continue to read film critics verdict .
so nothing guys . ive had tezz for 3 weeks now , he is at 54 . im so very disappointed . useless abilities and almost no synergy without drake haven and really specific cards . the second ability is almost always countered as its a just a creature that dies . third ability never worth to activate , and the first one doesnt resolve any dire situation unlike many other pws first abilities . cant seem to win without sweating all my clothes every game . could be me not playing well but i never had this problem with any pw . wasted my gems in my opinion
the story of tezz is uncomplicatedâ€¦ a team of asians place a bomb on a high - speed train . the authorities receive an anonymous threat that a triggered bomb has been planted on a bullet train operating between london and glasgow . if the train decelerates or loses speed below a certain tempo , it will be destroyed along with its many passengers , unless a ransom is paid . the police want to stop the bombs from exploding , while the railway authorities want to save the lives of the passengers and they soon find themselves in a disagreement under the frantic pace set by these dramatic circumstances .
there’s an interesting parkour - inspired chase sequence and even sameera reddy , playing one of aakash’s helpers , gets to do some nifty moves on a motorbike . but , for a film with a speeding vehicle at its centre , tezz is curiously inert . i felt most sorry for mohanlal , one of our country’s finest actors , here doing a cameo as a cop on the train . at one point , he is straddled between two trains , helping passengers shift from the one with the bomb to one without , as both move at deathly speeds . can bollywood please offer him a better role ?
last week in this very column it was predicted that the opening day of drishyam would be in the range of 8 - 10 crore . the prediction came true to the t as friday collections read 8 crore . in fact one adds the paid preview collections , the numbers came to 8 . 5 crore . of course these were the lowest numbers for ajay devgn since ( delayed ) tezz as each of his films in the recent past had collected in the double digit range on the opening day with son of sardaar being the lowest at 10 . 5 crore ( courtesy , its clash with jab tak hai jaan ) .
' tezz ' hasn ' t done well at the box office . it found obstacles from all quarters and eventually failed to gather any speed whatsoever . though one did expect an opening in the range of 40 % - 50 % , even that was not the case to be as the footfalls were far lesser , especially in multiplexes where ' avengers ' and ' vicky donor ' ( in it ' s second week ) turned out to be the preferred choice . with hardly any escalation over the weekend ( which fetched around 11 crores ) and even weekdays not quite showing any improvement , the film has turned out to be a box office disappointment .
tere bina is wonderful blind - beggar - in - mumbai - local material ; ranks right along dil deewana na jaane kab kho gaya from daag the fire – pedestrian . the title song extends the already overused misirlou to ridiculous lengths , unimaginatively and heads nowhere . mohit chauhan does some damage control in main hoon shab – strictly a functional melody , if you move past the fact that it has a largely templatized tune . laila is completely insipid ; except for sunidhi’s spirited vocals and some catchy background music , it is ruined by its outdated tune . sajid - wajid seem to have created tezz’s soundtrack from their sad tune bank – and it shows .
tezz is an unapologetic , unacknowledged copy of the 1975 japanese film the bullet train . director priyadarshan and writer robin bhatt liberally lift the plot and entire sequences from the film . so here too , we have a bomb on a train that will blow up if the train slows down . but protagonists in hindi cinema who indulge in criminal activities must be accessorised with a suitably tragic backstory . so the mastermind behind this heinous deed — aakash , played by ajay devgn — is an illegal immigrant who is rudely evicted from the uk and separated from his pregnant wife . he joins hands with two other illegal immigrants and decides to teach the authorities a lesson !
is that the motive behind the entire train takeover seems too weak . it’s not a terrorist operation but a man’s vengeance against a country . a country that deported him for being an illegal immigrant and working without permit ! tezz tries to set its entire train - seize drama on such trivial grounds . with ajay devgn being the main lead , the antagonist is still the hero of the film and so he is not defined as a professional criminal but is doing the one - off operation for seeking revenge . now that’s like having one’s cake and eating it too . the director wants you to sympathize with the antagonist and yet maintain that his method is wrong . supporting characters (
for more bollywood blockbuster superhit movies : urltoken best bollywood romantic movies : urltoken for best action packed bollywood movies : urltoken enjot the short versions bollywood films : urltoken sunil pal ke joke pal - comedy gags : urltoken movie : tezz director : priyadarshan producer : ratan jain music : sajid wajid star cast : anil kapoor , ajay devgan , kangana ranaut , zayed khan , boman irani , sameera reddy & others . writer : robin bhatt banner : united 7 entertainment ltd tezz is the story of one man , who is out to get back what was unjustly taken away from him . . . the other is willing to do whatever it takes to stop him in order to serve justice ; both are pitted against each other . . and both are pitted against time . lives have already been destroyed and more lives are about to be devastated as a train speeding from glasgow to london holds the fate of aakash rana ( ajay devgan ) and counter terrorism command arjun khanna ( anil kapoor ) , and only one of them will succeed . for more updates , subscribe to ; for hit & latest music : urltoken for blockbuster movies urltoken for movies & music in regional languages : urltoken reg . . . for heavenly & peaceful devotional music : urltoken dev . . . also you can : ' like ' us on facebook : urltoken ' follow ' us on twitter : urltoken ' circle ' us on google + : urltoken
directed by priyardarshan and starring the killer cast of anil kapoor , ajay devgn , mohanlal , kangna ranaut , zayed khan , sameera reddy and boman irani , tezz is an action drama getting ready to thrill audiences on april 27th . it follows the story of one man who is out to get back what was unjustly taken away from him… the other is willing to do whatever it takes to stop him in order to serve justice ; both are pitted against each other…and both are pitted against time . lives have already been destroyed and more lives are about to be devastated as a train speeding from glasgow to london holds the fate of aakashrana ( ajay devgn ) and counter terrorism command arjun khanna ( anil kapoor ) , and only one of them will succeed .
even if you can get past the foolishness of this premise , tezz has little to offer . once the situation is set up , all the characters start to snarl orders . so the head traffic controller , played with minimal finesse by boman irani , rages at his counterpart from the counter - terrorism unit , arjun khanna played by anil kapoor ( yes , all the key jobs in the uk have been taken by indians ) . to up the emotional stakes , the traffic controller’s daughter is on the train , but this narrative thread goes nowhere ( in the second half , the film becomes the chase - for - aakash and the train and its passengers are almost forgotten ) . meanwhile , aakash makes ransom demands but also finds time to mope about london reminiscing about his wife . there’s even an item number in a place called desi club , where london indians gather to watch mallika sherawat shimmy about , surrounded by dancers dressed as vampires .
many words come to mind when describing this film . implausible , contrived , dire , pointless . . . . but i digress . this is the film industry at it ' s worst . trying to put two eminently attractive people in leading roles into a film whose plot has more holes than 100 golf courses . i mean , what was the point ? i ought to sue -
i maintain that the producers and distribution company did willingly deprive me of two hours of my life which i could have more usefully spent inspecting my navel . ajay devgan and kangana renaut may indeed be cute but they hardly rank highly in the acting stakes . same goes with boman irani ( who just played a joker in houseful 2 ) . anil kapoor , however , tries to give his best and fails because of the weak plot . may be priyadarshan should stick to mindless comedies , so we can be sure we ' re in safe territory . you won ' t be missing much if you skipped tezz , it is avoidable at all costs . watch speed and other hollywood action movies instead .
pryadarshan and his entire team worked meticulously to keep the movie free of any possible anachronisms . this movie is strong , good script , great casting , excellent acting , and over the top directing . even if the viewer does not like action type of movies , he or she will watch the entire film , the audiences is glued to what will happen next as the film progresses . its about , loyalty , greed , relationships , and real life . this is a great mix , and the soundtrack makes it even better . the film - making is excellent and very suspenseful at times . its great if you actually listen and pay attention because the whole time they are building up to the end . it is the most fantastic ending i ' ve seen in a while . after his power packed performance in once upon a time in mumbai , singham and now tezz , ajay proves himself better than today ' s over rated khans . anil kapoor fits perfectly in his role . boman iraani does a great job too . i liked kangana for the first time after watching this movie and zaheer khan was also a delight to watch .
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jio institute picked as an ' institute of eminence ' . selection panel head explains why
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srijana mitra das , tnn , updated : apr 28 , 2016 , 07 . 36 pm ist
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on the flip side , the back story of zayed and sameera vis - ã - vis their camaraderie and solidarity with ajay could have been more persuasive and better elucidated for a stronger impact . only then would the episodes involving zayed and sameera and what prompts them to risk their lives to support ajay in implementing his plans appear compelling . similarly , the portions involving ajay and kangna , towards the latter half , appear synthetic . the eagerness and zest of a couple uniting after five years is evidently amiss . ditto for the final moments . the hand to hand combat scenes between anil and ajay adds value , but appear unwarranted and only stretch the narrative inanely . besides , the visual effects could have been a wee bit superior .
but these are trifling discolorations . the plus points effortlessly prevail over and outnumber the deficiencies here . though there are ample thrilling moments in the enterprise , i’d like to single out two chase sequences that are simply outstanding — the first involving sameera and the second featuring zayed . besides , the film lives up to its title , with the plot unraveling at a feverish pace . last but not the least , the performances by the principal cast is a big plus .
action choreographers gareth milne and peter pedrero , who previously worked on several international films , pool resources with priyadarshan for high - quality action on screen . they do a remarkable job . tirru’s cinematography deserves special mention . this must’ve been an intricate film to shoot , but the outcome is at par with any international film . the car stunts , the chase sequences and of course , the sequences in a moving train are filmed with precision . sajid - wajid’s musical score is satisfactory . the mallika sherawat track at the very outset sets the ball rolling , while the romantic track between ajay and kangna is smartly interwoven in the narrative .
it’s a treat watching anil kapoor on screen . though the actor has been an integral part of so many movies in the past , you can never accuse him of repeating himself . besides , he may be in his early 50s , but that hasn’t deterred anil from performing the high - octane action stunts with flourish . ajay devgn excels yet again . the actor has the perfect demeanor , attitude and physical appearance for the character he portrays . also , those who felt that ajay had cut down on action roles of late are in for a treat . ajay’s character has an emotional side , but it’s the action portions , which he handles like a complete pro , that makes his character even more appealing .
kangna is an integral part of the film , but the screen time is limited . nonetheless , her sequence with anil towards the final moments catches your attention . zayed doesn’t get ample scope , but he’s fantastic in the chase sequence towards the second hour . sameera gets to do some daredevil stunts and also gets a couple of interesting sequences to leave a mark and she clutches the opportunity with both the hands . mohanlal , an actor par excellence , gets minimal scope . boman irani is fantastic . one can easily rate it amongst his best works . mallika sherawat sizzles in the ‘laila’ track .
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to revenge his past , aakash rana plants bomb in a train endangering lives of 500 passengers .
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the music is composed by the great sajid - wajid and if the the first song they have released , ‘tere bina’ , is anything to go by we have a real treat in store for us when the cd hits shelves .
a grand music launch for the film was held in delhi on march 30th , which was attended by ajay devgn , anil kapoor , kangna ranaut , sameera reddy , ratan jain and sajid - wajid . check out these cool pictures !
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