cinema is everywhere is a 2011 documentary film by writer , director and cinematographer teal greyhavens that weaves together three stories from india , scotland and tunisia , each featuring personal perspectives on the effects of local , regional and international cinema on people 's lives .

it is based around the idea that cinema is a universal visual language that people of almost any culture can enjoy and even create regardless of where they are , who they know or how much money they have .

it has been called " the global story of cinema and how it affects our everyday lives . "

the documentary was filmed by greyhavens in 2009 while he traveled on a thomas j. watson fellowship .

cinema is everywhere

it is the fourth screening program for cinema everywhere initiative “cinema fi kol . . .
it is the screening program of cinema everywhere initiative “cinema fi kol makan”with . . .
an independent films screening program which is the latest screening program in cinema everywhere . . .
new queer cinema 2 . 0 : lgbt movies for everyone . everywhere . - afterellen
' cinema is everywhere ' celebrates the global influence of movies - film slate is a resource for tips on screenwriting and the appreciation of film and television storytelling .
these stories are wed with scenes of video stores , projection booths and their inner mechanics , film studios , cinemas , and city slums around the world . “cinema is everywhere” is a moving tapestry attempting to demonstrate the power of cinema to shape and influence the planet .
“cinema is everywhere” is a documentary celebrating the global influence of movies . it is structured with four narratives ( from india , china , scotland , and tunisia ) . these four stories include commentary and dialogue from filmmakers and ordinary moviegoers illustrating the vast reach of celluloid .
cinema is the ultimate out - of - body experience . it can reach across borders and oceans and create empathy through the vivid telling of stories from everywhere—and there has never been a more important time to step into the shoes of people from other cultures . cinema is everywhere captures the state of the world ' s most popular art form today by tying four narratives from around the globe together with insights from venerable filmmakers and ordinary moviegoers .
panikkar carries a handycam everywhere , shoots whatever catches his fancy and edits it on his laptop . paru is musically talented and composes jingles for a living .
at the same time as i was filming “cinema , ” the great mark cousins was making his epic “the story of film , ” which takes a more historical look at world cinema and is 15 hours long ! it’s making the festival rounds now and i’m desperate to catch it… that wasn’t an inspiration per se but i’ve gotta give it a plug . lola rennt was my favorite film growing up . it pretty much has no resemblance to “cinema is everywhere . ”
ngangura , mweze . “african cinema—militancy or entertainment ? ” in african experiences of cinema , edited by imruh bakari and mbye cham , 60 - 64 . london : bfi , 1996 .
ukadike , frank nwachukwu . black african cinema . berkeley : university of california press , 1994 .
it’s a screening program aims to introduce french cinema to new sectors of the egyptian audiences . . .
diawara , manthia . african cinema : politics & culture . bloomington : indiana university press , 1992 .
we have the four main departments of filmmaking covered . the characters are convincing individually ; what needed to be worked on is their friendship and their common passion for cinema .
written by leading academic commentators that have followed the fortunes of world cinema closely and passionately , as well as experienced hands close to the fluctuating fortunes of the industry , digital disruption : cinema moves on - line is an indispensable guide to great changes in film and its audiences .
cult movie research : welcome . hot , cool or cult ? the global reception of contemporary cult cinema .
shaka , femi okiremuete . modernity and the african cinema . trenton , nj : africa world press , 2004 .
why he’s on our radar : greyhavens recently saw the u . s . premiere of his ambitious “quasi - academic project” ( as he describes it ) , “cinema is everywhere , ” at the austin film festival , where it was very well received ( austin 360 called it “a love letter to the joy , beauty , pain and importance of a tool and art form” ) .
i think the part of “cinema is everywhere” that’s important is the “everywhere . ” cinema really is everywhere on the planet , including a lot of places that don’t get much attention . we know hollywood makes movies , and a lot of people know about european art - house cinema . but what about cinema from places like india , iran , egypt , japan , senegal ? there are iranian children’s films that are as accessible and magical as most disney movies . there’s a movie from belarus called “come and see” about wwii that’s as powerful as “schindler’s list , ” but it hardly ever gets talked about because it wasn’t directed by steven spielberg . you have to be open - minded to watch a movie made in algeria , definitely , but there really are some amazing things out there , and not in the art - house - snobs - only kind of way – in a straightforward , entertaining , fun - for - the - whole - family kind of way . and the thing that you get from watching those films is not just a good time or a moving story , but a glimpse into another culture and another life . i think the value of a kid not only having a great time watching a movie , but at the same time getting to see what it’s like to grow up in , say , iran , is… it’s tremendous . that’s what cinema can do , if we give it the chance . it can connect us with people and worlds whom we would otherwise have nothing to do with .
harrow , kenneth . postcolonial african cinema : from political engagement to postmodernism . bloomington : indiana university press , 2007 .
spinning plates is the story of three extraordinary restaurants and the incredible people who make them what they are . the first is a . . .
synopsis : bob parr ( mr . incredible ) is left to care for jack - jack while helen ( elastigirl ) is out saving the world .
“cinema is everywhere” was born not as a film but as a research project i did after university . i was lucky to be given a thomas j . watson fellowship , which is a totally magical grant that lets you travel the world for a year to basically explore the thing that you love most . so i came up with this project where i would ask what it means to “go to the movies” in countries all over the world , and why the dream of being part of cinema is so strong everywhere you go . and as it happens , along the way , through some totally absurd serendipity and a lot of help from a lot of wonderful people , i wound up connecting with folks like mark cousins , shyam benegal , and stanley kwan – brilliant thinkers and filmmakers whom i was totally gaga to speak with – and found that i had the workings of a potentially exciting film .
finally , having asserted a profound division between african cinema and the videos , it is time to ask whether there are not convergences between the two traditions , or similarities based on their common african origins .
welcome to nollywood . 2007 . dir . jamie meltzer . english . national black programming consortium / cinema guild . united states .
boughedir , ferid . “les grandes tendances du cinema en afrique noire . ” cinémaction 26 ( 1983 ) : 48 - 57 .
axel scoffier , ' repenser l’industrie du cinéma à l’ère numérique . cinema moves online ' , ina global , 17th december 2012 .
the 3h11 cinematic version is the original work directed by yann arthus - bertrand .
goodplanet is behind all the initiatives – educations , web - based , books , etc . – which accompany human , and is coordinating the film’s distribution strategy .
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kinja is in read - only mode . we are working to restore service .
you have arrived at a gathering place . this is a place for nomads and wanderers , surfers and sages , snobs and neophytes . cinemagoing is the ultimate out - of - body experience , and this site is about sharing that experience .
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the thematic prisms through which we view films also magnify the sense of difference . african cinema tends to be immediately described rather abstractly in terms of its social topics or ideological approaches , whereas the videos are normally described in terms of manifest content : story lines , settings , genre . the videos are routinely seen through the interpretative categories of african cinema and found wanting . what would happen if we read african cinema through nollywood ?
meyer , birgit . “popular ghanaian cinema and “african heritage” . ” africa today 46 , no . 2 ( 1999 ) : 93 - 114 .
available everywhere and to everyone , human is more than an experience . this project is a baton that the citizens of the world can pass on as a symbol of their commitment to greater solidarity . this is a sizeable challenge , given the scope of the project , and it is only possible with the participation of all : men and women active in the charity , cultural and solidarity sectors , as well as simple citizens who want to get involved and help us launch this movement and become ambassadors of the living together initiative by organizing screenings and sharing the experience on social networks with the hashtags :
‘hot , cool or cult ? ’ is a research project , funded by the social sciences and humanities research council of canada , and executed by the centre for cinema studies of the department of theatre and film at the university of british columbia .
——— . a history of african popular video : ghanaian cinema , grassroots globalization , and cosmopolitan desires . athens , oh : ohio university press , forthcoming .
film slate is a resource for tips on screenwriting and the appreciation of film and television storytelling .
what is a r rahman doing at a dubai mall ? reader talib sends us a picture .
but there is an implicit hollowing out of the claims by filmmakers , impresarios , and critics that the celluloid filmmaking tradition that has been constituted as african cinema is the authentic voice of the continent when it is dwarfed by this other , much more popular formation . ferid boughedir wrote in the 1980s that the political tendency was “the royal road” of african cinema ( boughedir ) ; while this is much less true now , the political tendency is still the horizon of most african cinema criticism . in nollywood it is very hard—or , to be frank , impossible—to find anything as immediately satisfying to a critic coming from this direction as bamako ’s passionate intelligence and aesthetic sophistication as it tackles the devastating but intangible problem of africa’s insertion into the world economy and polity . but if we pretend to be concerned with the african masses , we should take them seriously enough to listen to them , trying to understand their mentalities and desires ( barber , “popular arts in africa” ) . it would of course be naïve to suppose the subaltern is speaking directly through the video films ; but it would also be perverse to ignore what we can learn from this largest and most articulate of all expressions of african popular culture .
haynes , jonathan , 2011 , “african cinema and nollywood” , situations : project of the radical imagination , vol . 4 , no . 1 , 67 - 90 .
in every country on earth there are people striving to speak through movies . this is their story .
this is not to say that cinema studies has not or should not be brought to bear on the videos ( haynes , “what is to be done ? ” ) . but there are practical obstacles , such as obtaining a set of canonical films , which is a necessary precondition for discussing the videos as an artistic tradition as opposed to describing them as a phenomenon with examples picked more or less at random . scholars coming from african cinema need to learn to deal with some unfamiliar topics , such as genre films or the roles of a star system and powerful producer / marketers , which , given the nature of african celluloid cinema , have been given little attention in their studies . there are theoretical and methodological issues to be sorted out , such as the usefulness and limits of interpretative strategies like auteurism and textual close reading in dealing with an art form that is produced and consumed in a flood . 7
this filthy world is john waters’ one - man show ; a “vaudeville” act that celebrates the film career and obsessive tastes of the man william burroughs once called “the pope of trash . ” focusing in on waters’ early negative artistic influences and his fascination with true crime , exploitation films , fashion lunacy , and the extremes of sexual politics , this joyously devious and continuously updated monologue is a rally cry against the tyranny of good taste and serves as a call to arms for filth followers everywhere .
——— . “‘praise the lord’ : popular cinema and pentecostalite style in ghana’s new public sphere . ” american ethnologist 31 , no . 1 ( 2004 ) : 92 - 110 .
——— . “what is to be done ? film studies and nigerian and ghanaian videos . ” in viewing african cinema in the twenty - first century : fespaco art films and the nollywood video revolution , edited by ralph austen and mahir saul . athens , oh : ohio university press , forthcoming .
“we’re turning the website into an international gathering place where people from everywhere can share stories about how movies have affected their lives and their countries , plan projects , find resources , and continue the cultural exchange that cinema inspires – i’m very excited about that , ” he said . “on my end of things , i’m soliciting investors for a quasi - documentary film expedition to the mountains of china , and a low - budget claustrophobic thriller alongside about a dozen other things in the pot . ”
mr . sze and other hong kong critics are reluctant to be overly harsh about ' ' crouching tiger . ' ' they recognize that whatever its reception among local audiences , the film is destined to be a milestone in asian cinema , the first chinese - language film to become a worldwide blockbuster .
groups of 10 or more receive $ 2 off each ticket ! call ( 877 ) 234 - 8425 to book your group tickets today ! group tickets not available at cinema box office .
from june 27 to 29 , 2013 , the university institute of lisbon ( iscte - iul ) will hold the 5th european conference on african studies ( ecas 2013 ) . in parallel to the academic panels , there will be a film festival , the ecascreenings , and a roundtable , the state of the art : african contemporary cinema in focus . buala is a partner of ecascreenings in the publication of articles focused on cinema related to africa . the articles are selected by pedro osório graça .
‘nobody knows anything’ , said william goldman of studio filmmaking . the rule is ever more apt as we survey the radical changes that digital distribution , along with the digitisation of production and exhibition , is wreaking on global film circulation .
the 2h43 version is the short cinematic version of the original work directed by yann arthus - bertrand ( 2016 ) .
african celluloid filmmaking is an auteurist cinema : it usually takes a nearly lunatic commitment on the part of an individual to get a film made , the filmmaker playing many roles from scriptwriter to distributor ; there are no supporting , let alone competing structures , no standing machinery of production . in nollywood , most often the producer / marketers call the shots , sometimes including providing the story and making casting decisions . and it is primarily the actors—the stars—who sell the films .
it’s worth a peek . if you love movies , you’ll get something out of this documentary . unfortunately , something is curiously awry . the documentary is flimsy . the film’s strongest thread is swinton and cousins with their passion project–a truly unconventional film festival stripped of monetary preoccupations . swinton and cousins drive their unique enterprise with a passion unmatched by the other three narrative threads in this film .
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these dire determinations have produced two responses that could hardly be more radically different . the first is an intellectual’s cinema—not so in intention , certainly , but largely so in effect—locked in a painful contradiction between , on the one hand , its passionate desire for an african expression of cinematic culture and its often politically and socially radical purposes , and , on the other hand , the reality of neocolonial dependency . this cinema has never approached commercial viability , the form of a real industry that produces on the basis of profits from previous production ; instead , it depends on the drip of grants from foreign sources , administered intravenously . it has established a small but respected niche for itself in the contexts of international cinema , but has reached audiences in africa only sporadically and fleetingly .
thanks to the engagement of cinema operators and our partners , france 2 , google , and the association of the mayors of france ( aimf ) , human enjoyed a unique launch in france in its various formats .
almost from the moment of cinema’s invention , africa has been inserted into its global system , but on the most unfavorable terms : it has been the dumping ground for second - run “b” movies from hollywood , bollywood and hong kong , films that are often racist and always estranged from african realities and purposes , while the formidable technical , infrastructural , and capital requirements of making and distributing films made it nearly impossible for africans to respond in kind with their own films . because of these steep infrastructural and capital requirements , cinema everywhere depends on state support , and postcolonial african states have proved indifferent , timorous , corrupt , and inept at providing it ; the postcolonial african elite has been as philistine as fanon predicted , without the power or interest to invest in culture ( fanon ) .
austen , ralph a . , and mahir saul , eds . viewing african cinema in the twenty - first century : fespaco art films and the nollywood video revolution . athens , oh : ohio university press , forthcoming .
the divisions between african cinema and the video films , in every dimension , are so deeply rooted that they will surely persist . viewed from the perspective of what africans are watching , african cinema seems more marginal than ever , but there is no reason for it to die—unless its funding dries up . ( the funding , and therefore the rate of production , is currently in a moment of crisis , as the french government has handed off primary responsibility for supporting african filmmaking to the european union , which has been slow to pick up the ball . ) the motivations and tastes that have created and sustained african cinema remain ; there will always be audiences who will prefer abderrahmane sissako’s bamako to all two thousand of the nigerian videos produced in the same year ( 2006 ) . african fine arts and literatures , after all , have gone on for years without broad popular or african governmental support , depending in large part on foreign networks .
v . p . - b . : it was really a first - run theater , so we included the reissue releases as part of the day - to - day of the cinema , as well as new releases .
for example , because we’ll talk about out 1 , out 1 is being released at bam in brooklyn for a two - week run , but it will be only at cinefamily for one weekend . at the same time , it could go afterwards to other districts , other places , but it’s really split . it’s a different way , consuming cinema in la .
from the beginning , to speak or write about african cinema has been to complain about its structural dependency . the most recent book on the subject describes a situation in which strategies to radically change this structure seem to have collapsed ; the new generation of filmmakers has moved on to more individual and psychological themes , borrowing eclectically from the aesthetics of world cinema without worrying about african authenticity ( diawara , african film : new forms of aesthetics and politics ) .
alive inside is a joyous cinematic exploration of music ' s capability to reawaken our souls and uncover the deepest parts of our . . .
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the production of feature films on video emerged as something fundamentally new and different . the case of ghana , where video films began to be made in the late 1980s ( just before the first nigerian ones ) , is a particularly dramatic example of an entirely fresh start , a new form invented by newcomers , few of whom had any connection with the celluloid filmmaking which had existed in ghana . ( the two pioneers were william akuffo , a film projectionist , and socrate safo , who had been training as an auto mechanic . ) the new form was based in new conditions of possibility : a newly liberalized media environment and cheap and easily - operated video technology that permitted films to be made on sheer enthusiasm and negligible budgets , grassroots initiatives that met with immediate grassroots success ( meyer , “popular ghanaian cinema and ‘african heritage’” ; meyer , “state film policies vs . popular video - movies in ghana : discourses and clashes” ; garritano , “contesting authenticities : the emergence of local video production in ghana” ; garritano , a history of african popular video ) . these conditions exist everywhere , and video production has begun to happen everywhere .
starless dreams plunges us into the lives of young teenage girls sharing temporary quarters at a juvenile detention center on the outskirts of tehran . director mehrdad oskouei , one of iran ' s most prominent filmmakers , spent seven years securing access to this all - female facility . as the new year approaches , the girls bond , and reveal—with playfully disarming honesty—the circumstances and acts that resulted in their incarceration . they have killed their father , robbed a bank , or were arrested for carrying 651 grams of cocaine . outside the prison walls , danger is everywhere , even within their own families . with startling frankness and “the conceptual rigor and emotional directness associated with the best of iranian cinema” ( variety ) , starless dreams delivers an unforgettable portrayal of innocence lost and found .
narrated by walter cronkite , this 2008 documentary is a behind - the - scenes look at the lasting impact of the 1940 documentary . . .
to dovetail the theatrical release with dvd , broadcast and digital distribution , the human team is coordinating the international sales strategy with france télévision distribution .
synopsis : after the family matriarch passes away , a grieving family is haunted by tragic and disturbing occurrences , and begin to unravel dark secrets .
although ' ' crouching tiger ' ' is classified as a taiwanese film for the purposes of the academy awards , it has been a powerful shot in the arm , at least in terms of prestige , for hong kong ' s film industry , which is recovering from a deep slump .
providing global access to lgbt images is such an exciting thing — for filmmakers and for audiences — it’s so vitally important for us to see images of ourselves reflected on screen . the significance of this is enormous in terms of its impact on the personal lives of lgbt people around the world .
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jean - pierre & luc dardenne ' s ' the kid with a bike , ' is a perfect exploration into the art of sto . . .
john is also an accomplished writer , photographer and visual artist . he has published multiple volumes of his journalistic exploits , screenplay collections , and artwork .
that is a stupefying feat for a period film set in ancient china with characters who speak in mandarin and fly rather improbably over trees and rooftops .
in watching films , an international cast of contributors correct this problem with a comprehensive investigation of movie going , cinema exhibition , and film reception around the world . with a focus on the social , economic , and cultural factors that influence how we watch and think about movies , this volume centers its investigations on four areas of inquiry : who watches films ? under what circumstances ? what consequences and affects follow ? and what do these acts of consumption mean ? responding to these questions , the contributors provide both historical perspective and fresh insights about the ways in which new viewing arrangements and technologies influence how films get watched everywhere from canada to china to ireland .
it’s hard to overstate the importance of this collection of essays . ever since digital technology began to transform the media landscape , various self - appointed pundits – myself included – have been predicting the final outcome , with results that have ranged from a utopian belief that film is finally being democratised to various versions of the end - of - the - cinema - as - we - know - it scenario . now , at last , we have what we needed : some rigorous academic thinking on the subject combined with detailed analysis of what exactly is going on in the fast - developing world of downloads , streaming video and swedish pirates . the people who really need to read this book – the hollywood studios – probably won’t . but anyone else remotely interested in the future of cinema should do so .
the scenery and photography are nice and the intention is obviously genuine–but the flick feels a tad forced . the other three stories are simply not powerful enough to sustain the momentum the doc deserves ( the mumbai girl seeking stardom is basically reality tv and the hong kong youths making their film are mercilessly dull ) . the result is a doc that must have been sincere in its motives - but comes off as randomly executed , surprisingly repetitive and relatively un - inspired .
the products of the nollywood system , geared to make films so quickly and cheaply and in such large numbers , are fundamentally different from african celluloid films . nollywood films are made to fit the small screens on which they are normally seen . the video cameras now in use are mostly of pretty high quality , but the sound recording quality is seldom good enough to stand up to theatrical presentation . the contrast in the investment of time is more important that the technical differences or even the budgets ( african celluloid film budgets are very low by world standards , though much higher than for nollywood videos ) . normally it takes years to assemble the funding for a celluloid film , and a script is the primary tool for conjuring up the money ; the script therefore is written and rewritten , reviewed and judged for a long time , during which it is the major landmark in the life of the director , who is in many cases the writer .
a dcp is like a hard drive… before you had a print , whatever the format , but now everything is in this hard drive , and you can put your entire movie , and also other versions , versions with different subtitles , everything on a small hard drive that can be compared to an iphone , or something like that . you have to connect it to the provider in the projection booth in the cinema ; they upload all the files that are on the hard drive . and with the digital equipment , you can then project it on your screen in your theater .
in every country on earth there are people striving to speak through movies . this is their story . learn more and buy the dvd on amazon today at urltoken
is it possible for an artist to break ? following on - the - verge artist will gray through the recording of his debut album ( feat . . .
“loving” celebrates the real - life courage and commitment of an interracial couple , richard and mildred loving , who married and then spent the next nine years fighting for the right to live as a family in their hometown . their civil rights case , loving v . virginia , went all the way to the supreme court , which in 1967 reaffirmed the very foundation of the right to marry – making their love story an inspiration to couples everywhere .
the goodplanet foundation is a non - profit created in 2005 . it is presided over by yann arthus - bertrand , and seeks to raise awareness among the general public about environmental issues . it offers realistic and optimistic solutions drawing on a series of programs destined to put ecology and living in harmony at the heart of our thinking .
of course , he is most well known for breaking boundaries of acceptable filmmaking . drugs , queers , abortion , religion - nothing is sacred in his field of vision . when asked about it , he says
secretly i think that all my films are politically correct , though they appear not to be . that ' s because they ' re made with a sense of joy .
and perhaps that is why so many people from all around the world take such joy in his movies .
law kar , a historian at the hong kong film archive , noted that the first fight in ' ' crouching tiger ' ' does not break out for nearly 15 minutes . and when it does , it is a balletic nighttime chase played out over the roofs of old beijing . there is not an automatic weapon in sight .
v . p . - b . : no , they’re different formats . the us is really in advance compared to france regarding the potential and visibility of vod . talking of france , which is nevertheless the country i know the best , vod is really difficult . there are different formats between itunes and other platforms ; and amazon doesn’t have a vod service in france… depending on the platform , you have to provide the format they require . the situation between france and the us seems completely different .
maybe the most well - known arthouse theater in the us for new movies and revivals in new york is film forum ; you don’t have the equivalent of film forum in la . it doesn’t exist . at the same time , the cinefamily is something unique , and you don’t have a cinefamily in new york . it’s quite interesting .
human is an invitation addressed to the greatest number of people – an invitation to reflect on the meaning we give to life , one’s choices , and one’s deepest beliefs .
——— . “nollywood goes east : the localization of nigerian video films in tanzania . ” in viewing african cinema in the twenty - first century : fespaco art films and the nollywood video revolution , edited by ralph austen and mahir saul . athens , oh : ohio university press , forthcoming .
bringing high quality lgbt feature films to global audiences has been a longtime personal dream of mine and i hope everyone will agree that urltoken is a considerable achievement on this front .
since 2012 , the team working on human has gathered an exceptional wealth of content . drawing on this unrivaled library of footage , yann arthus - bertrand has created a galaxy of works adapted to all platforms and every use : cinema , tv , the digital platforms , and major public events .
human is a collection of stories and images of our world , offering an immersion to the core of what it means to be human . through these stories full of love and happiness , as well as hatred and violence , human brings us face to face with the other , making us reflect on our lives . from stories of everyday experiences to accounts of the most unbelievable lives , these poignant encounters share a rare sincerity and underline who we are – our darker side , but also what is most noble in us , and what is universal . our earth is shown at its most sublime through never - before - seen aerial images accompanied by soaring music , resulting in an ode to the beauty of the world , providing a moment to draw breath and for introspection . human is a politically engaged work which allows us to embrace the human condition and to reflect on the meaning of our existence .
this international documentary weaves three stories from around the world together with insights from venerable filmmakers and ordinary moviegoers . an aspiring actress in mumbai tries to break into bollywood ; two friends in scotland create a film festival unlike any other ; and a young tunisian director awaits the premiere of his controversial film . these personal journeys are woven together with archival footage , interviews , and vignettes set everywhere from projection booths to slums , forming a vivid meditation on the power of movies to shape our world .
we’d like to give you some more information about the project , about the context within which it is situated , and about the background of the research team , and its antecedents .
——— . “state film policies vs . popular video - movies in ghana : discourses and clashes . ” in viewing african cinema in the twenty - first century : fespaco art films and the nollywood video revolution , edited by ralph austen and mahir saul . athens , oh ohio university press , forthcoming .
i am one man among seven billion others . for the past 40 years , i have been photographing our planet and its human diversity , and i have the feeling that humanity is not making any progress . we can’t always manage to live together . why is that ? i didn’t look for an answer in statistics or analysis , but in man himself .
v . p . - b . : » , in a way . you can watch a movie in so many different ways . first , and the original one , is in the cinema , in the theater , and will stay forever , i believe , because even with all the media and all the possible ways to see movies , and with all the cinemas nowadays , people are going more than ever to see movies in theaters . of course there’s more and more disparity — it means that a new film or even a re - release could work more , but there are more and more movies that are doing less and less . this is today’s society .
hues of blue were everywhere at their pier wisconsin wedding and reception in the stately pilot house that offers one of the grandest views of milwaukee’s lakefront and of the lake . deep blues of the water and sky contrasted beautifully with dozens of white sales and hulls bobbing on the lake below . the couple embraced those colors in their elegant decor and even in their beautiful wedding cake by simma’s bakery that had bold swaths of blue and white raking across its surface , mimicking the always changing colors of the water below .
moreover , there was the problem of distribution . the cinemas across africa were supplied by a duopoly of foreign distributors who required block booking contracts , excluding the cinemas from showing anything but their second - run american “b” movies , supplemented from the 1960s on by bollywood productions and then , later , hong kong martial arts films . even if the cinema owners were willing or able to get out of these exclusive contracts , an african film that needed to recover its production costs could not compete on price with the films being dumped by the world’s largest film industries , so there was no commercial incentive for the cinemas to show local films . this structural problem has kept the cinema distribution system closed to african films up to the present . in the wake of the structural adjustment programs of the 1980s , which devastated economies across africa , and then the advent of digital technologies , many cinema houses have closed , disappearing altogether in some places .
was adapted quite honourably to the screen by both pelley and mark hoffe , and so not a lot gets lost in translation . jason priestley and shawn doyle play the ( exceptionally handsome ) brothers at the core of this drama . owen is a writer who emerges from rehab to spend time with his estranged brother alex . at the centre of almost every tragedy is a woman , that
google made sure the film and the project were accessible to the widest possible audience everywhere on the planet thanks to the technology of the web . from the 12th of september 2015 , web users worldwide could watch the film for free on youtube and google play . seven youtube channels were created to distribute three 90 - minute films in seven language versions : english , french , russian , spanish , arabic , italian and portuguese . for an immersion into the heart of the human project , online audiences can visit the platform of the google cultural institute : urltoken .
paul sells insurance but secretly wishes to be an actor . fazal is a writer who leads a double life , writing saleable stuff on the one hand and something more substantial for his personal satisfaction on the other .
in paris , you have so many arthouse theaters in the quartier latin . a lot of them are doing revivals almost all over the year , which is unique . you have something like maybe six or seven theaters that are showing new releases of revivals . one new cinema , maybe you’ve heard about it , owned by pathé , just opened : they’ve opened the first revival multiplex , called les fauvettes . it’s a brand new theater with five screens , and their goal is to specialize in reissues and revivals as a multiplex , as a non - independent company because it’s pathé , and in a district [ the 13th arrondissement ] where there are cinemas , but it’s not really a cinephile district . so it’s interesting , and let’s see how it will go , it’s only just starting .
detailing four narratives from china , india , scotland , and tunisia – including insights from venerable filmmakers and ordinary moviegoers – that combine to ( as the austin film festival describes ) “tell the global story of cinema and how it affects our everyday lives . ” the film was picked up earlier this year for distribution in all territories by tricoast worldwide in los angeles .
“this collection of essays offers not only an in - depth study of where modes of reception are situated within the contemporary context , but also a detailed trajectory of the digital innovation that has already taken place – an aspect often sidelined by theoretical projection . in removing futuristic speculation from the discussion and replacing it with an interrogation predicated on empirical research to date , digital disruption : cinema moves online provides the global context and situational thinking that has , until now , largely been absent in broader debates surrounding audience viewing practices and dominant or progressive modes of cinema reception . in highlighting a cyclical chain of supply and demand , digital disruption examines the relationship between conglomerates and individuals , revealing a fluidity between the two that dispels myths of tension . ”
human is a universal project that sets out to reach the widest possible number of spectators . more than just a film , human strengthens our social ties by promoting values such as living together , love , tolerance , and resilience . through its multicultural nature , human is ideally positioned to roll out in every country , in both commercial and non - commercial circuits . after the success of its global launch at the un general assembly in new york and the venice film festival in september 2015 , human has been screened in over 60 countries on five continents . contact : lara @ urltoken the goodplanet teams is devoted to effectively coordinate non - commercial events and partners with local distributors .
v . p . - b . : france is really a unique market , in the way that you can release certain movies in the theater — maybe too many nowadays because of too many releases and too many distributors ; we could release different titles in the theater that would never be released in the us or the uk . because i do believe there is a more important audience you could reach , so the main difficulty nowadays is to reach it , but there is at the outset a larger potential audience , and certainly more theaters also , not only in paris but also in all the rest of france , in small , medium , or big cities that will be able to show a re - release , a revival , among their weekly program , beside new titles . i know the uk less — i haven’t had experience there — but for the us , there is a cinephilia and possibility , but for sure there are less places you can go . the two main cities are new york and la , and i would say new york first . after , despite the fact that almost each important city in the us has its own arthouse theater , it means you can show from time to time more revival films ; nevertheless , in the long term there are less possibilities for showing revival titles . but there is a market , nevertheless .
this is it ! the marquee event of the camp , trash , filth – john waters visits regina . join us at westminster united church for an evening of pure trashy delight as we start with a cocktail hour in the pink flamingo lounge , followed by big organ recital of top 40 hits – all of which is meant to loosen you up and get you in the mood for this filthy world presentation by our guest of honour , john waters !
huge losses are involved in this abandonment of cultural identity , losses that are themselves the result of all the economic and political failures of postcolonial nigeria . when the younger generation imagines the good life , they import the forms . characters in these films do a good deal of coming from and going to america and europe . but the situation is not as bleak or as clear as this description suggests . an older , colonial sense of inferiority never appears : it is a multicultural world to which the characters assimilate , african - american culture rather than american culture being the standard point of reference and bridge ; signifiers of african pride and identity come frequently and naturally amidst the gucci sunglasses and suvs . the viewers are preferring to watch a nigerian film rather than an american one , after all , just as the hip hop music on the radio is predominantly by nigerian bands , in nigerian pidgin , and standup comedy ( another popular contemporary form ) is american in format but pidgin in expression . there is enormous poverty in nigeria , but also enormous wealth—plenty of resources with which to construct a walled - off personal happiness , or so the videos imagine .
mr . schamus disputes the contention that the film is not a hit with asian audiences . ' ' it would have been massively profitable and successful even if it had never been released in the west , ' ' he said .
c . k . : limited editions do spur people to investigate the release . for example , when masters of cinema did the late mizoguchi box set with the final eight films ( or almost final eight ; we didn’t have musashino - fujin or shin hei - ke monogatari ) , there were 3000 units , with the 300 - page book , and it sold out quickly .
nollywood films occasionally get screened in theaters abroad on special occasions organized by the filmmaker in conjunction with an african expatriate community , but they never get into the regular theatrical distribution system . the only nollywood film available on dvd in the united states from one of the companies that specialize in african cinema is kelani’s thunderbolt , from california newsreel . there is no mechanism for a library to acquire a study collection of nollywood films . meanwhile , in a separate dimension , an enormous system exits to distribute nollywood and ghanaian films in the us : hundreds of shops , dozens of internet sites that sell or stream them , thousands of films posted to youtube by fans . most of the films moving through this system are pirated ; in some cases , the producer will sell the rights to an american distributor for a small sum , for lack of a better alternative .
v . p . - b . : i do believe so . there’s already a lot of theaters in la , but according to the fact that the city is so huge , not all the potential districts have an arthouse theater . everything is split all over la , but i do believe there could be places for more arthouse and revival theaters in some districts , because i believe you don’t have the equivalent of new york’s film forum in la , for example .
digital disruption : cinema moves on - line helps to make sense of what has happened in the short but turbulent history of on - line distribution . it provides a realistic assessment of the genuine and not - so - promising methods that have been tried to address the disruptions that moving from ‘analogue dollars’ to ‘digital cents’ has provoked in the film industry . paying close attention to how the majors have dealt with the challenges – often unsuccessfully – it focuses as much attention on innovations and practices outside the mainstream . throughout , it is alive to , and showcases , important entrepreneurial innovations such as mubi , jaman , withoutabox and imdb .
but the market is difficult to compare . because as i was saying previously , in france you have three to four re - releases every week , plus all the cinémathèques , the festivals , and so on , so it’s a lot .
the critical issue , then , is thrown back from the familiar paranoid analysis of the influence of foreigners on african film production to the question of what nigerians want to see and why . unless we simply buy into the notion of “false consciousness , ” this is complicated . clearly one can find abundant evidence of the power over nollywood’s imagination of the globally hegemonic american mass media imagery , even when detached from structures of command and control—the situation is a nice illustration , in fact , of gramsci’s distinction between hegemony and domination . but things may not be as straightforward as they seem : for instance , foreign commodities , behaviors , and accents function as trophies within deeply rooted african traditions of status assertion and in longstanding “strategies of extraversion” ( bayart ) .
c . k . : i’d like to talk a bit about la : the topography of los angeles , the logistics of getting from one theater to another in terms of how spread out the city is , the flavor of the neighborhoods , etc .
the four newcomers who hog most of the screen time look earnest and fresh . at least a couple of them will be in the big league if they are consistent enough . basil is one of them . sanjeev has an uncanny resemblance to siddharth bharathan .
one point : as vod is more developed in the us , compared to france — even though there are a lot of things happening in france , and netflix arrived one year ago , for example , and they’re announcing projects — “main vod” ( which is buying or renting a movie ) is really almost nothing for arthouse movies and , more especially , revivals . it looks to me that we’re more [ involved currently in vod with the aspects of ] a rental business , when the rental of movies was big , whether in france or the us , and it looks almost essentially like the same kind of movies that were being rented then as are being rented nowadays on vod . and revivals and classics , unless very specific titles , very few of them , were not working as rentals…


kiss the girls : make them cry is a 1979 video art piece by dara birnbaum .

the piece is constructed of footage recorded from the television game show hollywood squares .

the bulk of the piece is made up from recorded introductory gestures of female celebrities participating in that game show , which are synced to then-contemporary disco songs .

kiss the girls : make them cry

kiss the girls , make them cry ( dvd video , 2000s ) [ worldcat . org ]
provided to youtube by tunecore kiss the girls & make them cry · jimgalloway higherground ℗ 2015 jimgalloway released on : 2015 - 02 - 09 auto - generated by youtube .
kiss the girls , make them cry / dara birnbaum ; electronic arts intermix ( organization ) ; ; new york , n . y . : electronic arts intermix , [ 200 - ? ]
georgy porgy
. . . ♡ written by david paich by toto steve lukather - lead vocals cheryl lynn - female back up vocals it ' s not your situation i just need contemplation over you i ' m not so systematic it ' s just that i ' m an addict for your love not the only one that holds you i never ever should have told you you ' re my only girl i ' m not the only one that holds you i never ever should have told you you ' re my only world just think how long i ' ve known you it ' s wrong for me to own you , and lock the key it ' s really not confusing i ' m just the young illusion , can ' t you see i ' m not the only one that holds you i never ever should have told you you ' re my only girl i ' m not the only one that holds you i never ever should have told you you ' re my only world georgy porgy , pudding pie kissed the girls and made them cry georgy porgy , pudding pie kissed the girls and made them cry georgy porgy , pudding pie kissed the girls and made them cry kissed the girls and made them cry kissed the girls and made them cry it ' s not your situation i just need contemplation over you i ' m not so systematic it ' s just that i ' m an addict for your love not the only one that holds you i never ever should have told you you ' re my only girl i ' m not the only one that holds you i never ever should have told you you ' re my only world georgy porgy , pudding pie kissed the girls and made them cry georgy porgy , pudding pie kissed the girls and made them cry georgy porgy , pudding pie kissed the girls and made them cry georgy porgy , pudding pie kissed the girls and made them cry georgy porgy , pudding pie kissed the girls and made them cry kissed the girls and made them cry kissed the girls and made them cry georgy porgy , pudding pie kissed the girls and made them cry kissed the girls and made them cry kissed the girls and made them high georgy porgy kissed the girls and made them cry kissed the girls and made them high georgy porgy kissed the girls and made them cry kissed the girls and made them cry . . . love you always my twin . . . jc
the girls are attentive to the instructions of their mother and follow them with haste .
i thought you might be interested in this item at urltoken title : kiss the girls , make them cry author : dara birnbaum ; electronic arts intermix ( organization ) publisher : new york , n . y . : electronic arts intermix , [ 200 - ? ] oclc : 191091629
“as a result of the precision with which birnbaum employs these allegorical procedures , we discover with unprecedented clarity to what degree the theater of professional close - ups on the television screen has become the new historical site of the domination of human behavior by ideology . physiognomic detail and its meaning speak off… in the tape kiss the girls : make them cry . ”
she declares the kiss as the “greatest adventure of all” and states that it “belongs to” someone else .
make no mistake , boys don’t have it much easier . boys don’t cry . small wonder boys grow up into men who can’t express themselves .
gender roles to our children . certainly , all girls don’t love princesses and all girls don’t love pink . in fact , i always hated princesses and pink for that matter . by saying “all girls” , marketing agencies are really embracing
good response : “you have no idea , i’m totally going to cry myself to sleep for the next three days . ” ( exaggerating ) “yeah , i’m so heartbroken . i think you need to hold me and kiss me and make me feel all better . ” ( owning it )
- catholic girls is a surprise debut album that is definitely witty and fun . someone new , a boy for me , and boys can cry could be - should be - classics .
the book goes out of its way to make fun of all educational writing .
afterward , she declares wendy as having possession of a “woman’s chin” and a “hidden kiss” on the corner of her mouth .
they end up staying however , and the ants come up with a plan to keep away the grasshoppers—they make a bird to scare them .
this does not deter the girls from their kind - heartedness and helping anyone in need .
the catholic girls – “rock ‘n ‘america” / ”summer vacation” ( www . thecatholicgirls . net )
one of the most disturbing ways that the tree tries to make the boy happy is when it tells him to cut it down so he can make a boat out of it .
help them take calculated risks . talk it over with them , but let them do it . your primary job is to prepare your child for how the world really works .
, lead the three of them to the last known location of the cauldron .
it became clear that the point of the whole exercise was for him to divide the room between girls he personally found attractive and those he did not . many of the girls found the exercise humiliating . some of the girls were sobbing backstage after he left , devastated to have failed even before the competition really began to impress “the donald . ”
bad response : “i didn’t mean to make you feel uncomfortable . ” ( apologizing )
i never want to intentionally embarrass anyone . but sometimes it’s useful to make them someone self - aware of how inappropriate they’re acting . i’ve called out women before for being rude and immediately had them apologizing .
it is something used to make the readers rethink how they are conditioned to react to books .
aunt millicent clearly thinks that wendy will believe that possessing woman - like qualities will make her want to act more grown up and that possessing a hidden kiss that belongs to someone else will begin wendy’s search for a respectable husband .
entertainment weekly : well , first we have to talk about the kiss ! i saw clarke and lexa were trending on twitter right after it aired .
this shows that , without their mother’s advice , the girls continued to rescue the dwarf and treat him with kindness .
“no colored barber shall serve as a barber to white women or girls . ” ( pg 173 )
mr . trump disputes this , saying he is reluctant to kiss strangers on the lips . but ms . taggart said it was not an isolated incident .
“the girls were accustomed to his ingratitude , and went on their way and did their business in town . ”
as mahatma gandhi famously said , “an eye for an eye will make the whole world blind . ”
and they divided the great treasure the dwarf had collected in his cave between them .
” love this movie , and even claim that it will make their lives “complete . ” the idea of
i would especially encourage you to notice that most of them don’t have obvious organization ; most of them let their ideas develop and wander .
those girls were my sisters and the experiences they went through seemed to always be exactly what i was feeling as well .
mary gave them chances to be their own judge but she was always there to pull them back and take over when things were out of hand .
don’t let your guilt get in the way of leading well . your job is not to make yourself feel good by giving kids what makes them or you feel better when you give it .
the thought of growing up is not an appealing one for them at this point .
they show kindness to the dwarf throughout the story even though he was not nice to them .
you have torn my thin little coat all to shreds , useless , awkward hussies that you are ! ’” the girls have saved his life three times and yet the dwarf can only be ungrateful and mean to them .
this is to say that girls could not know anything about swords because they are something that only boys would know about .
this month we were very lucky . we were privileged to have the catholic girls represent gogirlsmusic . com , and headline our show !
he not only had the courage to secretly plot against them , but also managed to trick them into believing he was just a childish boy fantasizing about his cat .
parent - made projects are a great example of one of the mistakes parents make too often today . thanks for sharing !
- the pope probably didn ' t give his approval , yet it was bound to happen . the catholic girls are four young lasses from the east coast who are yearning for romance… they score with their plain , infectious production… the catholic girls should have a bright future . amen to that .
“ever morning , until you dead in the ground , you gone have to make this decision . you gone have to ask yourself , “am i gone believe what them fools say about me today ? ”
the text does not wish for children to challenge the things that their mother tells them to do .
alycia debnam - carey , who plays lexa , talked to ew about the impact of the kiss , where her character will go from here , and what we can expect in tonight’s all new episode .
the book does have an emotionally powerful story that shows a tree sacrificing itself over the years to make the boy happy . in many ways the tree is like the boys mother , who would sacrifice anything for their child just to bring them happiness .
want to have a happy and stable marriage ? make your commitment to your partner stronger than your commitment to winning .
even though this was a small detail of the movie it still displays what girls and boys should be like and what colors they should wear .
moment in the movie lets the audience in on the upcoming events as if it were a secret between them and the narrator .
“mother , i want to be with girls as much as you’d like to be with … jameso . ” skeeter ( pg 75 )
the main problem is that through trying to make things better for the colony , he brings in new ideas that the colony is not willing to accept .
this shows their obedience because the children did what their mother told them without hesitation or argument .
“i’m going to have them , ” wendy says , “they’ll be perfectly thrilling . ”
unfortunately , over - protecting our young people has had an adverse effect on them .
bottom line ? your child does not have to love you every minute . he’ll get over the disappointment of failure but he won’t get over the effects of being spoiled . so let them fail , let them fall , and let them fight for what they really value . if we treat our kids as fragile , they will surely grow up to be fragile adults . we must prepare them for the world that awaits them . our world needs resilient adults not fragile ones .
also realizes this after being used by the heartless , and therefore he also gains the ability to fight them .
“unfortunately , over - protecting our young people has had an adverse effect on them . ”
but they are aware of these things from interacting with the adults in their life , just not able to fully comprehend the need for such grown up things . a child could most likely understand the tree and its need to make the boy happy since many children would do anything to make their parents happy .
my parents were the meanest parents in the world and they taught me to be the same . i can’t thank them enough .
and when conflict happens , the key is to listen intently to your partner’s point of view , to let them know that you understand them , to ask them what they need , and to be willing to compromise . one way to do this is for each of you to identify your core needs and search , together , for where those needs overlap . then you can find common ground upon which to make decisions together .
they are very much concerned with what the neighbors will think of them and their proper place in society .
i was about to cry in that moment with all the cameras there . i said , “ i don’t want to do this , mr . trump . ” he said , “ i don’t care . ”
they have big bulging muscles that can aid them to rescue mermaids if they get into trouble .
i would recommend to any new musician ( female or male ) , pick up the new catholic girls cd . these songs are penetrating , direct examples of classic songwriting .
the book is doing something , whether it is a quote , picture , etc . , to draw attention to itself as an artifact and make the reader think about the content .
in addition , they have the power to find their way through the woods at the end of the story with no pebbles or bread to guide them .
gender roles and using them to try and sell their product , which often works ( unfortunately ) .
she allowed agency to be taken when there was a lesson to be taught in letting them go .
help . while her experiences in the past make her more self - reliant , however , she is forced to become more mature much faster than normally . during her brief returns to the present to make up for her absences in school , viewers get to see kagome interacting with her friends . at first , kagome is still as boy crazy as her girlfriends are , and often comes to them for relationship advice when she and
this generation of young people has not developed some of the life skills kids did thirty years ago because adults swoop in and take care of problems for them . we remove the need for them to navigate hardships . may i illustrate ?
hobbies and interests . when you confess that you read comics or that bojack horseman is your favorite tv show , girls might give you shit for your “nerdy” taste .
ultimately accepts them , but at the end of the game , it is clear to the player that he is still given the choice of acknowledging them or not . finally , there is the question of what the heartless truly represent . there is no doubt that the heartless are pure evil - they corrupt everything they touch and bring out the very worst in anyone who deals with them . by looking at the heartless as an adult -
this movie causes great controversy between the children and parents , because its only purpose is to , make fun of bodily functions , and curse as much as possible .
with or without the
production
, what the catholic girls have is some unconditionally integral rock and roll . this band kick - ass . they are a classic band with classic original songs .
as they grew , children take these images of “good” and “evil” and adopt them as their own beliefs .
heather , miss hilly’s girl , she pretty cute . heather got dark , shiny curls all over her head and some little freckles , and she real talkative . one thing i got to say about miss hilly , she love her children . about every five minutes , she kiss will on the head . or she ask heather , is she having fun ? or come here and give mama a hug . always telling her she the most beautiful girl in the world . and heather love her momma too . she look at miss hilly like she looking up at the statue a liberty . that kind a love always make me want a cry . even when it going to miss hilly . cause it make me think about treeloree , how much he love me . i appreciate a child adoring they mama . ( pg 184 )
and how a didactic book strongly pushes a lesson onto the reader , telling them that they should believe this or that .
, who leads her and hopper ( who is following them ) to a bird’s nest , and the bird eats hopper .
are a far cry from the knowledgeable , caring , strong individuals typically found in adult - centered texts . the first major group of adults consists of the villains from various disney movies who are working together with the heartless to take over their worlds . this group includes such characters as
discuss how they must learn to make choices . they must prepare to both win and lose , not get all they want and to face the consequences of their decisions .
fabulous article – well received on facebook too … within ten minutes of sharing it , three others had shared it . favourite part : “your child does not have to love you every minute . he’ll get over the disappointment of failure but he won’t get over the effects of being spoiled . so let them fail , let them fall , and let them fight for what they really value . if we treat our kids as fragile , they will surely grow up to be fragile adults . we must prepare them for the world that awaits them . our world needs resilient adults not fragile ones” .
this factor does make the book more appealing to children by appealing to the imagination but uses this to bring about more serious themes which many wouldn’t assume to be in a children’s book .
get defensive or angry . going on the offensive is never the answer . especially if she was flirting with you , attacking her will instantly make her regret even joking with you . it will also scare her into thinking you’re a guy who’s going to flip out whenever you’re challenged . there’s nothing like insulting a woman to make her dry up .
they ] kept their mother’s cottage so beautifully clean and neat that it was a pleasure to go into it…the mother sent the children into the wood to collect fagots…the mother sent the two girls to the town to buy needles , thread , laces , and ribbons . ”
by the time the three of them were having dinner at the oak room of the plaza hotel the next night , mr . trump’s advances had turned physical , ms . harth said in the deposition .
he usually gets pretty angry when this happens , and tries to inform the other bugs that he is a male and being a ladybug does not necessarily make him a lady .
the fish , who sounds a lot like an adult , is always there to warn them , and in the end everything gets cleaned up .
adults in the series are typically absent or used as comic relief , and very few of them have a positive impact on the teenaged characters .
the text ends with the mother being correct when the bear’s “skin suddenly fell off , and a beautiful man stood beside them , all dressed in gold . ”
tells andy that she may want to hold his hand because it was dark up ahead and it may be dangerous . this is another example of the girls and the guys being put into common roles that society has created for them . as we have been told since we were young children through fairy tales and everyday life , men are supposed to take care of females and be there to protect them . another example of interpellation is when brent ,
repeatedly , he disrupts his parents from making love in order to stop them from creating another baby . in one scene
the author is not challenging children to do anything ; but rather teaching them that if they are obedient then they will be happy .
things seem to all fall into the stereotypical place that society likes for them to be in both in terms of agency and interpellation .
the two children truly have an enormous amount of agency as they not only can outsmart the adults , but also can manipulate nature to help them .
it started at the new york military academy , a small , severe boarding school 90 minutes’ drive north of new york city . strictly enforced rules prohibited girls from setting foot on the all - boys campus unless it was a special occasion . and on those special occasions , young donald trump paid careful mind to the kind of girls he brought to school . they had to be gorgeous — 10s , in his future parlance .
- catholic girls come by their name and their stage togs - private school - issue navy jumpers , scuffed saddle shoes and rosaries - legitimately ; for all are catholic and attended private schools .
do not get along very well , but their arguments are small and childish , and they usually make amends shortly after . goofy tries hard to be the mediator between the two , but he usually ends up doing what donald tells him to avoid causing more trouble . both characters display a large amount of agency late in the game when they are forced to make a difficult decision regarding being with
as to the the assertion that people that aren’t as smart are more risk averse : in my experience the dumber a person is the bigger risks that person will take . probably due to the fact that they are less likely to make realistic risk assessments .
already holds that title . in result , a battle breaks out between them , as they struggle to gain the title of the “nicest guy in town” .
interpellation affects how individuals view gender , race , and social or class status of themselves as well as those around them .
staff from four universities recently told me they encountered students who had never filled out a form or an application in their life . desiring to care for their kids , and not disadvantage them , parents or teachers had always done it for them .
one to track on the internet this , as it comes from a small operation in the catholic girls’ new jersey backyard . a tribute to joey ramone , this is the girls’ first significant output since their one mca album back in the 80’s , though you can still see them on vh1 classic . it’s that classic tag that counts , ‘summer vacation’ riffs on the pat benatar template and kicks it up the ass , while ‘rock’n america’ is a close , rock ‘n’ roll cousin to hazel o’connor’s work on the ‘breaking glass’ soundtrack , complete with ramones - approved “hey - ho , let’s go” chorus . those lucky enough to own joey ramone’s final album , 2002’s ‘don’t worry about me’ , will know what to expect , and this from four girls old enough to be your mother . they should know better , thank god they don’t .
- parochial education not withstanding , it ' s obvious that these catholic girls went to school on lesley gore and the chiffons . the musical arrangement is sparser here than on the classic girl group recordings of the early sixties , but the reedy vocals on this uptempo plea compare favorably with the finest of the genre .
an underground band that made waves in the 80 ' s has reformed , and is back to make more waves . their brand all - girl power pop is infused with more intelligence and maturity than this genre normally sees . the title track to their new cd
make me believe
is a response to the columbine tragedy and is just a really fine song . i predict a hit . ” –
when parents reconnect with a lost child , they often wonder why he or she picks that time to cry , now that the danger is past . they frequently say something like , “i’m here now ; why are you crying ? ” or worse yet , “you’d better stop crying right this minute , or i’ll give you something to cry about ! ” however , the child’s physiological reaction is entirely appropriate : wide - eyed scanning in phase one , copious tears in phase two . parents ought to be pleased , because the crying indicates that the child is comforted by their presence .
goes out to investigate and tells anastasia to stay where it is safe . this is saying that it is the male’s job to protect the female and make sure she is safe . there are two events in which
the original catholic girls album was released on mca in 1982 . few were prepared for their aggressive songs , gail petersen ' s quivering voice or especially her assertion that god is a female . religious leaders took offense to that idea as well as the obvious sacrilege that a quartet of girls were singing bluntly about love and sex while performing in catholic school uniforms . what was overlooked , however , were the well - crafted songs and the group ' s fine musicianship .
- the catholic girls will inevitably be compared to the go - gos , which is unfortunate since this is an all female band with considerably more ability . there ' s a great deal of wit and verve to be heard here .
“books shall not be interchangeable between the white and colored schools , but shall continue to be used by the race first using them . ” ( pg 173 )
share your own “risky” experiences from your teen years . interpret them . because we’re not the only influence on these kids , we must be the best influence .
- catholic girls are consistently entertaining . . . what makes catholic girls so much more satisfying is the guitar interplay between gail petersen and lead guitarist roxy andersen , interplay reminiscent of the chemistry that existed between pretenders ' hynde and the late james honeyman scott . then too , there ' s petersen ' s distinctive quivering vocals and her uncanny ability to devise both vocal and instrumental hooks . catholic girls don ' t have to rely on the visuals to get by - they can back it up on record . the band can really play , and nowhere is this more apparent than on their hard - driving nin - minute romantic epic , god made you for me , which includes some riveting instrumental passages .
, molly’s parents and brother refer to her messy behavior in a way that shows their personal disapproval of it , but they never ask her to make a change or clean her room .
she believed that they could never locate their way out of the woods because they were mere children , and would have no adult to guide them .
watching throughout the entire movie the audience is thinking that they have been taken back in time , until the very end when cop cars pull up to the actors , get out and start arresting them .
that’s encouraging , jerry ! gaining trust is such a critical part of the educational process . it’s exciting to hear that you are able to connect with your students – that truly does make it all worthwhile !
after seeing this new series of “scary movies” i got together with a group of friends to actually watch the real scream series , and we could barely make it through the first half of the first movie before we were laughing our heads off .
doesn’t even appear to miss them . mickey mouse is the closest thing to a central authority figure the game has because he is the main reason why donald and goofy are exploring the worlds , and thus , the reason why
and no clear “good path” to take . the children succeed because they are different from the adults , not because they have been assimilated into miniature versions of them . typically this sort of writing makes some parents nervous that their children will learn to be rebellious , but really the author is depicting these children’s mental autonomy and ability to make their own decisions and forge their own path .
i also raised my six children this way . i am very proud of the well mannered , responsible adults they have become . i too , have received thanks from all of them for their upbringing but the greatest thank you is watching them raise their own children in the same manner . i was proud to be known as the “meanest mom on the block” !
years ago , a client was involved in an auto accident . as soon as she realized she hadn’t been seriously injured , she got out of her car , coolly assessed the situation , and proceeded to assist the other passengers . shortly after the ambulance arrived , she sat down on a nearby curb and began to weep . onlookers feared that she was experiencing some sort of delayed traumatic reaction , but they needn’t have worried . the arrival of the ambulance workers simply permitted her to move to the sidelines and relax enough to have “a good cry . ” by the way , the pleasure of a good cry has virtually nothing to do with the number of tears shed . it’s the parasympathetic changes associated with the recovery phase that both feel good and are restorative for the system .
that’s absurd for a mom to call a university official to make sure her son wears a sweater… ? ? wow . that isn’t hardly the college staffs responsibility . i wouldve lmao if i wouldve been asked that .
becomes either nervous around anastasia , gives her a compliment or is total shock at her beauty . this tells little girls that it is ok to use your body to get a man’s attention instead of using your intelligence .
i noticed that while there is a distinction between the classes of the main characters , none of them seem to have a problem with the fact that they are from different levels of society .
gave me an opportunity to play with and enjoy reading at a level i was comfortable with at that time . it also encouraged me to try and make up my own rhymes and fantastic creatures .
he wasn’t bringing the same girl . he had a variety of girls coming up . donald was bringing in very pretty women , very sophisticated women and very well - dressed women . you could always tell they were of a higher class .
he kissed me directly on the lips . i thought , “oh my god , gross . ” he was married to marla maples at the time . i think there were a few other girls that he kissed on the mouth . i was like “wow , that’s inappropriate . ”
of 130 newlywed couples , we discovered that men who allow their wives to influence them have happier marriages and are less likely to divorce .
i love this article ! ! i see way too many parents who believe they need to fill their kids full of esteem so no one can knock them down… . but really a child who can’t make a single move without looking for praise is horrible ! i see this all too often . my children are learning to do things for themselves , no matter what it is . i was raised the old way , my children will be also . no way will i have snotty back talking , rude , selfish , immature children running around who believe it is my job to get them through the day . i am a mother , i am not looking to make friends , i’m not looking to have “happy” children , i am looking to have my children grow up into happy , prepared adults , who i’ll be able to talk to and be around , and not bailing them out of trouble . i love my kids too much to allow them to go down the smae path many parents are following .
we can take him . ” these stereotypes relate to the ones discussed in class , characterizing children as innocent and not yet civilized . the perception that children do not know anything is clearly demolished by kevin , because he is able to exceed the burglar’s expectations and not only deliver them to the police , but send them through many traps and painful excursions along the way .
emptied her pinafore until pearls and precious stones ran about the room , and hansel threw one handful after another out of his pocket to add to them . ”
are fighters and not easily defeated . and rather than struggling against a dragon or monster , they fight against the adults who try to take advantage of them .
were killed but it was not because rasputin but a curse on them . rasputin did not have magical powers but was with the romanov because of his influence over
instead of tangible rewards , how about spending some time together ? be careful you aren’t teaching them that emotions can be healed by a trip to the mall .
there are simply some differences in how men and women experience conflict ( for example , men are more prone to stonewalling , and 85 % of stonewallers in our research were men ) . it takes two to make a marriage work and it is vital for all couples to make honor and respect central tenets of their relationships . but our research indicates that a majority of wives—even in unhappy marriages—already do this .
he was dismissive . it was always , “hon , ” “dear . ” things he wouldn’t have said to a man . it was designed to make you feel small . and he did that repeatedly .
after she told her plan of leaving the children off in the woods alone to the father , the wife maliciously stated , “they will not find their way home again , and we shall be rid of them . ”
when mary , bert and the children jumped into the picture they were able to go out on their own for awhile without supervision but that would be the person with the agency allowing them to have a little leeway .
tease or return the challenge . give her back a taste of her own medicine with a smirk . you demonstrate that you can play the game and in fact , you’re enjoying it . it’s like kids on a playground back in the day . girls and boys generally teased the people they secretly liked .
this article is everything i see with parents now adays , and it frustrates me . these kids are never gonna grow up to be productive citizens because they can hardly function and make decisions on their own .
furthermore , wendy’s brothers and the lost boys all realize that they want to have parents who will care for them and that growing up is not all that bad .
affirm smart risk - taking and hard work wisely . help them see the advantage of both of these , and that stepping out a comfort zone usually pays off .
love it ! i am often told by helicopter parents that i should be at the park , get my kid out of the tree or off of the top bar of the swing set . i am told i should fix their problems , and that i shouldn’t let them have such freedoms . it is nice to read an article that says to let my kids have these freedoms and risks . i love my kids but lets be real my job is to equip them for adulthood and then release them on the world , not to hold their hand and do everything for them . i read an article when my 11 yr old was 2 that said we are abusing our children by over protecting them and i agreed . but i have not seen anything as direct or pointed towards letting go as htis article since then . thanks .
in the japanese martial art of aikido , there’s a central principle called yield to win , which is a method of using your opponent’s energy and actions against them to win a fight , rather than strong - arming them into submission . it allows you to conserve energy and choose much more effective and efficient tactics .
i just read your article and agree with you 100 % . my 3 girls are in their 30’s and have families of their own . my children grew up with no cell phones , ipods etc . and for 5 years we did not have tv . they went outside to play , read books , rode their bikes and used their imagination . rode the bus to school so they had to make sure they got up in the morning to catch . they were in figure skating and hockey . learned how to get along with other kids and adults . they did their own homework ; when they needed help wed would help not do it . they had chores to do around the house . some parents need their kids to be kids . lots of time to growup . i worried about my girls ( i still do and my grandchldren ) like every parent should but you have to let them accept responsibility , learn from their mistakes and guide them along the way . great article . should be sent to all the schools and copies given to each child . thank you .
family is portrayed as poor and unhappy . nothing seems to go right for them , mainly because of the fact that they don’t have any material wealth . the rich family holds the happiness of the poor family in its hands . the rich family has
several women who have held positions of power within the trump organization in recent years said they had never known mr . trump to objectify women or treat them with disrespect .
- the catholic girls are frighteningly good and threat to everything held sacred by tight - assed moralists . this is woman rock without little - girl cuteness or cliched sex - bomb posturing . good aggressive pop music that can go toe - to toe with anything on the current market .
great article ! have to say i enjoyed the fact that you explained everything in a warm non judgemental way . i am extremely familiar with seeing the results of children who live a life of instant gratification . i understand that most parents would like to give their children everything they did not have . in the long run though it causes the parent financial hardships and the children no work ethic with little to no appretiation . truth of the matter your 7 year old does not need a $ 500 tablet to make them happy . teaching them that they have to work and save to buy elaborate things is more beneficial to them . one day they will have to pay bills teach , them about money now and they won’t be bankrupting your retirement . also it is ok to say no to them sometimes just to say no . let your children understand that they can not always get what they want , and that there is not always a reason they can’t have it . if your child is yelling or throwing a fit because they want something you are the problem . thank you so much for shedding light on some of the largest issues of parenting !
he is able to use this stereotype about children against his parents , ultimately tricking them into thinking he is incapable of “adult like” complex thinking and planning .
to build his business , mr . trump turned to women for a simple reason : they worked hard — often harder than men , he told them .
is awesome ! just great ! i haven ' t been this excited to hear a song since
free as a bird
. boy , i sure was not disappointed . it was well worth the wait . everyone who loved the catholic girls before are going to love this . people who aren ' t familiar with your past are going to dig it too . it ' s everything a cg fan would want in a new single . the harmonies gave me chills . a lot of artists after many years loose their muse sort to speak but this shows that time has taken nothing away from you guys . the gogos really have nothing artistically over you guys . they just got the whole record company machine behind them . but they suck now . they sound horrible live . what new cuts i heard from them sound recycled , unlike
make me believe
.
make me believe
sounds familiar yet original . as a songwriter myself it makes me think ,
damn , i wish i wrote that
. seriously , i really enjoyed hearing it . thanks for the sneak peek . can ' t wait for the cd .
while i applaud the engagement of this generation of parents and teachers , it’s important to recognize the unintended consequences of our engagement . we want the best for our students , but research now shows that our “over - protection , over - connection” style has damaged them . let me suggest three huge mistakes we’ve made leading this generation of kids and how we must correct them .
this article should be printed and given to every mother and father when they leave the hospital after their child’s birth . parents need to learn to let their children grow and learn by their own experiences , with their parents support and guidance . also , parents need to be on the same level with teachers , not take authority away from them ; there are teachers who are being kicked and insulted by some of their students and a lot of parents always find some ridiculous excuses for their children’s behavior . when the parents show respect for the teacher and consistency in way they discipline the child , only then will the students learn to respect and appreciate their teachers . let them fail a test if that is what they deserve , let them fail a grade if that is what they need , maybe the only thing they might need is a little more time to mature . get them extra help in the areas they are lacking . make sure they do their home work , this is a parent’s responsibility , and above all make sure they do it themselves ! with your input and support , yes , but it must be “their” homework . children need to learn to fall but also they need to learn to get up . excellent article !
certainly avoid the temptation—generated by your own anxiety—to delegitimize the person’s tears ( “there’s no need to cry about it ! ” ) or to issue false reassurances ( “everything will be fine ! ” ) . even professionals , who ought to know better , sometimes feel an urge to stop the person from crying , as if stopping the tears would eliminate the problem . this is a bit like trying to fix a car by disconnecting the “check engine” light .
this two song cd sampler that includes a special interview clip is in advance of the catholic girl ' s upcoming full - length release . the four girls blend rock , pop and indie punk to create their own unique , hard driving sound , which is heavy on guitars . three of the four members sing thus harmonizing vocals are also part of their energized mix . the catholic girls have toured with r . e . m . , the clash , tom petty and many others . they have also appeared on mtv . the catholic girls are busy playing club gigs and finishing up their third album . summer vacation , rock ' n america is a tribute to joey ramone . the first track is an up - tempo melodic song with harmonizing vocals and edgy guitar leads . the second track has a punk attitude and subtle incorporation of a ramones hook line . these two singles indicate that their next cd will be at the head of its class !
men may experience “face loss” when they cry in therapy for the first time and their embarrassment is sometimes sufficient to keep them from returning for further sessions . to preempt such reactions , we typically warn men that they may feel “funny” about having cried , but that tears in therapy are a good sign , indicating courage and strength , rather than weakness . unsurprisingly , female politicians , such as hillary clinton , are still obliged to avoid welling up in public if they expect to be perceived as strong leaders .
sounds to me like you are a helicopter parent yourself and don’t want to admit that the course of action you are taking in the raising your children will result in them being 30 year old adolescents .
“the interpellation of society’s view of typical female and male roles is very obvious in this movie . the boys seem to be portrayed in the usual ways , as being mischievous and thrill seeking , while the girls are shown as weak and scared . the oldest girl , andy , seems more concerned with her crush throughout the movie then she does with finding the gold and taking an active role in the adventure . there is a point in the movie where
older brother , brent . the developers son is driving a convertible and wearing his letter jacket and has two girls in his car , while brent is wearing ratty old sweats and is riding his little brothers bike . interpellation is shown in the idea that the rich kids are cool and popular , while the poor kids are unpopular and outcasts . ”
if you’re like most of our readers , you’re committed to preparing the emerging generation for real - life opportunities and challenges . but the truth is , you struggle with finding an effective way to instill the leadership and life skills that make this possible . that’s exactly why i created our new ebook .
another example when the children listen to the knowledge from their mother is when the mother tells them , “‘rose - red , open the door quickly ; it must be some traveler seeking shelter . ’ rose - red hastened to unbar the door… ‘snow - white and rose -