lorella de luca ( 17 september 1940 – 9 january 2014 ) was an italian film , television , and voice actress .

one of the most recognized ingenues of italian cinema during the mid-to-late 1950s , she is best known for having played naive young girls in dramas and comedies .

she was born in florence , italy and , following her " discovery " at age 14 , made her acting debut in the federico fellini film il bidone ( 1955 ) .

de luca 's breakout role , however , came a year later following her performance in dino risi 's comedy poor , but beautiful ( 1956 ) and continued on in the genre , with appearances in mario monicelli films a tailor 's maid ( 1957 ) and doctor and the healer ( 1957 ) , as well as in duccio tessari 's spaghetti westerns a pistol for ringo ( 1965 ) and its sequel the return of ringo ( 1965 ) with giuliano gemma .

lorella de luca

0 % of the voters think that lorella de luca does do drugs regularly , 0 % assume that lorella de luca does take drugs recreationally and 0 % are convinced that lorella de luca has never tried drugs before .
lorella de luca retired in 1984 , which is more than 34 years ago .
italian actor and director vittorio de sica looking at italian actress lorella de . . .
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italian actor and director vittorio de sica looking at italian actress lorella de luca in a tailor ' s maid . 1957 .
lorella de luca ' s career started in 1955 . that is more than 63 years ago .
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i thought you might like to see a memorial for lorella de luca i found on findagrave . com .
, which was a tuesday . lorella de luca will be turning 78 in only 69 days from today .
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lorella de luca opens fire in a scene from the film ' a pistol for ringo ' , 1965 .
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yes , according to our best knowledge , lorella de luca is still alive . and no , we are not aware of any death rumors . however , we don ' t know much about lorella de luca ' s health situation .
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duccio tessari and lorella de luca were married for 22 years before duccio tessari died , leaving behind his partner and 2 children .
according to various sources , lorella de luca ' s net worth has grown significantly in 2018 . however , the numbers vary depending on the source . if you have current knowledge about lorella de luca ' s net worth , please feel free to share the information below .
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lorella de luca is 77 years old . to be more precise ( and nerdy ) , the current age as of right now is 28127 days or ( even more geeky ) 675048 hours . that ' s a lot of hours !
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italian actress lorella de luca was born on 17th september , 1940 in florence , italy and passed away on 9th jan 2014 rome , italy aged 73 . she is most remembered for beauty on the beach . her zodiac sign is virgo .
many people enjoy sharing rumors about the sexuality and sexual orientation of celebrities . we don ' t know for a fact whether lorella de luca is gay , bisexual or straight . however , feel free to tell us what you think ! vote by clicking below .
the ruling planet of virgo is mercury . therefore , lucky days are wednesdays and lucky numbers are : 5 , 14 , 23 , 32 , 41 , 50 . orange , white , grey and yellow are lorella de luca ' s lucky colors . typical positive character traits of virgo include : perfection , meticulousness and coherence of thoughts . negative character traits could be : stormy aggression and fastidiousness .
lorella de luca ( born september 17 1940 ) is a retired italian film television and voice actress . one of the most recognized ingenues of italian cinema during the mid - to - late 1950s she is best known for playing naive young girls in dramas and comedies . she was born in florence italy and following her discovery at age 14 made her acting debut in the federico fellini film il bidone ( 1955 ) .
ilias has been dreaming of becoming a doctor since he was a child , and is now in the final stage of his studies . he is a true altruist , who wants to help his fellow man and combat tuberculosis . his girlfriend eleni ( lorella de luca ) , who has always stood by his side , won’t follow him to the provinces , however , thus allowing him to devote himself to his struggle against the disease . ilias , before the completion of his work , chooses to sacrifice his personal happiness as well .
actress . she made her film debut at the age of fifteen in the federico fellini ' s film ' il bidone ' ( 1955 ) . later , she attended the centro sperimentale di cinematografia in rome . in 1952 , he obtained a role in dino risi ' s film ' povera ma bella ' . the film ' s success , made her one of the most popular actresses in the italian film industry . after achieving success , lorella often played roles as young naive girl , playing this part in a successful comedies series including notably in films such as ' il medico e lo stregone ' ( 1957 ) by mario monicelli starring vittorio de sica and marcello mastroianni , ' domenica è sempre domenica ' ( 1958 ) by camillo mastrocinque , ' primo amore ' ( 1958 ) by mario camerini and many others . in 1965 , she starred in ' una pistola per ringo ' by duccio tessari who later became her husband and with whom she had three daughters . in later years , she appeared in several films directed by her husband , including ' il ritorno di ringo ' ( 1965 ) , ' kiss kiss . . . bang bang ' ( 1966 ) , ' uomini duri ' ( 1974 ) , starring lino ventura and ' safari express ' ( 1976 ) . she died at age seventy - three after a long illness that made her blind .
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theater actress and native italian voice talent ( adap association ) , she has extensive experience doing tv and radio commercials , documetaries , movies , cartoons , video games , business presentations and other for the biggest networks and companies in italy and over the world via the high level online service . with a diploma of one of the most important theater school in milan and a literature degree , she has been working as actress since many years for different acting companies . she is also a dictioning / pronunciation and acting teacher .
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( 28 january 1972 - 6 september 1994 ) ( his death ) ( 2 children ) federica tessari and fiorenza tessari october 21 , 1968 .
actress . she made her film debut at the age of fifteen in the . . .
a pianetta manca il medico condotto ; questo fino all ' arrivo del dottor marchetti . in paese però il medico trova già installato don antonio , il guaritore locale che con un po ' di psicologia , . . . see full summary »
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antares is a 2004 austrian film directed by götz spielmann .

it was austria 's submission to the 77th academy awards for the academy award for best foreign language film , but was not accepted as a nominee .

the movie is a sexual drama that focuses on adultery , abusive relationships , and sexual frustration .

critics claim that the film also explores the relationship between austria and its former empire through immigration .

antares ( film )

antares , a film that is as much about sex as it is about marriage and relationships and sadness , is the rare film that explores this elusive terrain with clarity and dignity .
production : a lotus film , team film production . ( international sales : austrian film commission , vienna . ) produced by erich lackner , wulf flemming . directed , written by goetz spielmann .
antares was poorly received by critics ; it has a 0 % rating on rotten tomatoes .
based in part on a blog entry written from the toronto international film festival .
sports hall
gdynia
- kazimierza górskiego 8 str . , 4km from the hotel antares .
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the antares musicians were the perfect addition to my elegant wedding at the dar . their sound was wonderful and working with them to prepare for my special day was a breeze ! i strongly recommend antares .
for an even more far out experience , try his early film “zentropa” . very haunting .
was surrounded by some consternation at the cannes film festival . von trier ' s jokes about
screen’s chief film critic on why the festival found itself looking behind the times this year .
austria ' s oscar selection for best foreign film , antares cunningly interweaves the erotic stories of 3 couples at crossroads in their relationships . over 3 momentous days in an apartment complex , each couple searches for love , intimacy & passionate romance . antares features explicit sexual content and mature themes in portraying these modern relationships .
world limited to the plot : unusually for a disaster film ; the film focuses solely on justine , her family , and guests , and shows none of the outside world ' s reactions to melancholia .
antares musicians were professional easy to deal with and flexible including with a last minute venue change . plus they sounded great .
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the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
caution : this post is a bit of a plot spoiler for people who haven’t seen the film . however , knowing the plot was no hindrance to my second viewing of the film , at all . i was even more impressed and awed , the next time around .
hi david , having read your summary and kathy´s recommendation , i´m definitely going to haunt this film and going to see it . thanks !
art shift : the opening montage is shot in extreme slow motion , with extremely stylized imagery . the rest of the film is photographed normally .
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
we hired a string trio from antares musicians for our may 1st wedding . our trio played during our ceremony and reception and they were incredible - our guests are still talking about how beautiful the music was . our contact was tammy . from start to finish tammy was amazing . i picked two songs for our processional and recessional that weren’t in their music library and tammy worked with me to find the arrangements online so i wouldn’t have to pay the $ 50 fee for antares to arrange the piece . at our reception , my mother requested a song and our trio found the song online and played it for her , all within minutes ! we are completely satisfied with antares - not only were they wonderful musicians but were also lovely people . thank you so much antares for making our wedding so beautiful ! - emily and steven 05 / 01 / 16
the antares musicians were amazing . they played every song we selected and sounded amazing . they made our ceremony and cocktail hour even better . it was definitely worth it and one of our favorite memories from the wedding .
in the end , though , it’s a bit trite . antares stumbles so badly in its first story that it’s difficult to ascertain when it regains its footing . that’s likely because the film never fully recovers , and what comes through clearly , a meticulously shot examination of sex and social status , never feels particularly urgent . when the final shots light up the screen , they are closer to vacuous than revelatory .
part two of the film is called “claire . ” justine has now become so depressed that she can not even walk to the bath under her own power , or perform the simplest activities .
the antares musicians were a delight to word with and truly professional . it made for a very smooth flow to the wedding ceremony and cocktail hour . i would definitely refer them to other clients . anne berman special event & wedding consultant
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antares did a great job providing our ceremony and cocktail hour music . they are really talented and have an awesome music selection . they are also really organized and made planning the ceremony / cocktail hour music portion of our wedding a breeze . they provided us with a detailed questionnaire which we completed . from there antares had all of the information they needed . they prepared a cue sheet which they shared with us , and on the wedding day everything went off without a hitch .
the film is a rich feast visually . kirstin dunst won the award at cannes for best actress , and charlotte gainsbourg is every bit as good . although the subject matter of melancholia is certainly unusual , the film itself is probably the most traditional lars von trier has ever done . he has said that , ” a film should be like a stone in your shoe . ” i , however , did not feel the slightest rub in my shoes . the film’s stylistic accessibility gives it a universality , and promotes a sympathetic identification with the characters , that is not always the case in von trier’s oeuvre . melancholia has a deeper continuing resonance , for me , than any of his other films . it totally absorbs you and compels rumination about the deepest questions in life . parts of the film that von trier considered a parody of superficial , upper middle - class life , actually , ( as in the way ingmar bergman often used the same milieu , ) open up many touchstones with everyone’s emotional experiences . families are families in the end , and how they deal with the messy stuff of life , offers much that compels and preoccupies us all . melancholia is a film that washes over you and through you and leaves you deeply moved and thrilled . the experience of it is more like viewing and inhabiting a piece of art , than merely watching a movie .
with all the raw , animalistic rutting that opens
antares
( followed by fits of jealousy , betrayal , bigotry , screaming , lying , cursing , attempted suicide , vehicular mayhem , and physical and emotional bullying ) , there is something eerily calm about this strangely compelling film . perhaps
calm
is not so much the word as
deadpan .
it is the tension , in fact , between matter - of - fact presentation and volcanic emotional content that creates its perverse appeal .
a string trio from antares played for our ceremony and cocktail hour , and they were wonderful . tammy was our point person before the wedding , and she was incredibly responsive and helpful with picking out our processional and recessional music , and she was also really communicative with our day of coordinator about cueing the ceremony . it’s very clear that antares musicians have a ton of experience with weddings . i didn’t get to hear much of the pre ceremony or cocktail hour music , but i received so many compliments about the fun music they played . we asked them to play more contemporary music , and our guests loved hearing instrumental versions of many songs , especially the game of thrones theme song ! i highly recommend antares – they’re incredibly professional and experienced , and of course , their music was top notch .
this is from the film movement club , a club that puts out a film every month to its members and i have yet to see a bad one . this movie is from austria , and what we have is moments in the life of 3 women who live in an apartment complex , one women a nurse cheating on her husband , one women who is lying to her boyfriend that she is pregnant . and the other women trying to get rid of her husband . all three stores intersect with each other . i found it enjoyable . and if you get the chance for a quiet night alone , this is a good film . 4 1 / 2 stars put it in the collection .
u7 centre - go bowling ! the u7 centre encourages active leisure . for our guests there is a 15 % discount on bowling and pool . to get your discount , just show a stamped antares hotel business card . for more information , ask at the hotel reception desk . urltoken
if you ' d like to feel like an absolute dream on your wedding day , please choose antares musicians . on our wedding day , antares did our ceremony music . it was absolutely beautiful . they were sooo easy to work with and started and ended all of the ceremony music with excellent precision . there is definitely a difference between the songs they played so beautifully themselves versus music coming from a speaker ( not saying that ' s bad at all ) . but if you ' ve got an ear for clear , beautiful music - i would highly suggest them !
götz spielmann ' s antares is one of those films that weaves together a triptych of largely unrelated stories featuring largely unrelated characters , so naturally , it begins with a car crash . the whole short cuts / magnolia / amores perros genre relies on the idea that lives only have meaning inasmuch as they ' re like other lives , and the quickest way to show how everyone ' s the same is to inflict a shared injury , via natural disaster or man - made one . antares ' protagonists span the social classes , from schubert - loving medical professionals to shopgirls who listen to russian pop songs , but the characters all live in the same blocky viennese apartments , and by the end of the film , they ' ve been bonded by a metal - on - metal collision and a none - too - tragic fatality .
in melancholia , he strikes an elegiac tone , shot through with mystery and nameless loss . the film is quite strange , and was about half an hour too long , but on the whole it was compelling , and hard to look away from .
morzé ' s trysts are depicted explicitly , and the intense eroticism of those early sex scenes pretty much derails antares . in the first story , spielmann makes the irrationality of desire almost tactile , fogging the fact that little else is really going on . stories two and three contain far more plot , but the respective lack of sensationalism produces diminishing returns . all that ' s left to ponder are minor details , like whether the title—which refers to the name of a double star on the verge of supernova—is meant to have any relation to the way so many of the characters in antares look alike . and spielmann seems to be making a point about how in the modern age , cell phones offer a mistaken illusion of connection . for the most part , though , antares is uneven and piddling , and suffers from the affliction that it depicts : a terminal case of bad timing .
i agree with you about all . this film really sticks in my mind , in terms of visual images , characters , plot . i just replay so many of the scenes in my head . it’s bizzareness and awkwardness some how work to it’s benefit .
like amores perros and 21 grams before it ( and crash just a month after it ) , antares is a film about interconnectedness that relies heavily on a car accident . antares begins with its crash and then takes us to a time before it where eva ( petra morzé ) , a content nurse with a husband and daughter , begins an affair with the victim from the opening scene . after telling the story from her point of view , the story shifts to sonja ( susanne wuest ) , who has been falsely telling her boyfriend marco ( dennis cubic ) that she is pregnant and suspects him of cheating ( she is eventually proven correct ) . the final tale is alex ( andreas kiendl ) , a cruel realtor who stood up the eva and her husband and also the father of the child of the woman with whom marco is cheating .
crew : camera ( color ) , martin gschlacht ; editor , karina ressler ; music , walter w . cikan , marnix veenenbos ; art director , katharina woeppermann ; costume designer , thomas olah ; sound ( dolby srd ) , ekkehart baumung ; sound designer , andreas kopriva ; assistant director , katharina biro ; casting , rita waszilovics . reviewed at locarno film festival ( competing ) , aug . 4 , 2004 . ( also in toronto film festival - - contemporary world cinema . ) running time : 120 min .
the first section of the film is entitled “justine , ” after the kirsten dunst character , and chronicles her wedding at the opulent , castle home of her sister , claire , played by charlotte gainsbourg , and her wealthy husband , john , played by keiffer sutherland .
the antares musicians completely delivered on our wedding day . they performed both at the ceremony and during the cocktail hour . several of our guests ( and our photographer ) noted that it was the best music they ' d heard at a wedding . in the weeks leading up to the big day , their coordinator ( jill ) was highly organized and communicative , making sure we understood our options for the playlist and giving informed suggestions where we needed help . if you ' re looking for a string quartet , especially one that can play the beatles and beach boys with the same skill as classical tunes , antares is a great choice .
the film presents the only danger melancholia poses to earth is by direct collision . however , even a flyby could potentially be disastrous . it might
slingshot
the earth out of orbit , and the tidal forces could also wreak havoc , depending on melancholia ' s mass .
i had the same fear going in , and my reaction was just like yours , as well . it’s amazing that someone can do a movie about the end of the world and have it not be depressing . it’s part of what makes melancholia such a unique and original film .
fan disservice : given what her character ' s going through and also the tone of the film , kirsten dunst ' s nude scenes are not supposed to be sexy . you have to give credit for kirsten going further than she ' s ever been in her career , though .
we hired the antares musician ' s 3 piece flute and strings trio for our september 12th wedding . my family originally wanted us to hire a band for the reception which can be very costly , so our happy medium was live music for our ceremony and cocktail hour . my husband and i were very pleased with the quality of service and professionalism we received from start to finish . my emails and phone calls were always returned in a timely matter , and the music that was played throughout was absolutely beautiful . we received many compliments from guests afterwards . i would definitely recommend the antares musicians to future brides looking to incorporate live music into their wedding day .
i appreciate your comment about the plot spoiling . i thought long and hard about it , and even disagreed with my in house editor - my wife - about it . it felt natural in trying to express my reactions to the film , but i’m having second thoughts… i might revise .
screening some of the most highly anticipated films of the season , along with special programs and series focusing on directors and avant - garde work , the 49th new york film festival starts on september 30 and runs to october 16 . take a look at the schedule and purchase tickets here .
antares did such an amazing job at my wedding . they played all of our musical selections beautifully , we got tons of compliments all night . jill was a pleasure to work with and answered all of my questions in a timely manner . if i had to plan my wedding over again they would still be one of the fist vendors i booked !
we used the antares musicians for our ceremony and they were an amazing addition to our wedding . they provided beautiful music and were so easy to work with ! they are responsive , detail oriented and professional . we couldn ' t have asked for anything more ! ( side note : guests could not stop talking about how much they enjoyed the music )
viennese director goetz spielmann , who helmed the impressively noirish “the stranger” ( 2000 ) , brings the same coolly analytical gaze to more complex , subtly interlocking material in “antares . ” centered on the love lives of three different women in an anonymous housing project , and fanning out into a group portrait of sexual and emotional follies , cleverly constructed script [ … ]
the antares trio created a perfect musical performance for our wedding and the reception and dinner that followed the ceremony . accomplished professionals and highly talented performers , these musicians provided the elegance of classical pieces to underscore the formal commitment of bride and groom to each other and then provided a robust repertoire of show tunes and popular music to animate the revelry after the ceremony .
the film begins with this gorgeous , slow motion , cinematic ballet of cosmic death , choreographed to wagner’s tristan and isolde . as viewed from outer space , this cosmic dance of death is almost sensual , and certainly as lyrical as anything in kubrick’s “2001 . ” it’s both a prelude to the main body of the film , and a documentation of the end . before the first character comes on screen , we have already seen their eventual fate . that first introduction of characters is similarly done in an expressionistic , slow motion scene that visually weaves the fate of the main character to the planet’s own inevtiable attraction to a gravitational field bigger than its own .
we couldn ' t have been happier with antares musicians . we initially booked them for our ceremony for our black - tie wedding . they not only learned our favorite songs for our processional and recessional , they played our cocktail hour as well with very little notice ! very professional , fantastic song selections , we were just thrilled . added fantastic atmosphere and made our ceremony unforgettable .
i have never seen a film that left such a long lasting impression on all my senses as melancholia . and , in spite of my trepidation that it was going to be an immensely depressing movie , somehow it’s not . as you pointed out , so much more than a movie – a real lasting work of true art .
either way , what saves antares is precisely who is connected . our characters range from store clerks to realtors to nurses who don’t have to think twice before looking for another apartment , and whether they are austrian or yugoslavian , they can be both sexually frustrated or unfaithful . furthermore , these characters tend to look a great deal alike—the women are very blonde , and the men are neither tall , clean - shaven and combed or scraggly with facial hair—and it’s an effective way of literalizing their commonalities . regardless of social status , antares ’ cast are grappling with the same issues and playing roles , however small , in the lives of each other . spielmann may not do any more than say we are all connected , but he makes sure to be inclusive about it .
but spielmann’s other emphatic mark , his fascination with sexual betrayal and satisfaction , actually bogs down the film’s inclusive nature . eva’s story is largely without plot and spends much of its time with extremely graphic sex scenes , a decision which paradoxically disconnects eva from the following two stories . after emphatically declaring that the film will be no frills when it comes to portrayal of sex , it doesn’t take long to backpedal , and the unintended elephant in the room is what makes sex between these two so special ? is it supposed to be more honest or is it supposed to be more disturbing ? why ? certainly , or at least hopefully , it is not because of class .
as unceremoniously as he arrived , tomasz departs , precipitating a not entirely unexpected change in eva ' s relationship with her family . spielmann ' s film , at this point , picks up its second thread , one concerning a grocery clerk named sonja ( susanne wuest ) and her philandering , immigrant husband , marco ( dennis cubic ) . while the director has spoken of how
antares
is about
people trying to break out of their loneliness ,
here that effort manifests itself in sonja ' s pretending to be pregnant to hang onto her man . it ' s not enough , of course - - how could it be ? - - but what turns out to be enough , in the end , may surprise you .
not even bothering with the accent : everyone in the film uses their natural accent , so it ' s not clear where the film takes place . claire and justine are sisters with british parents , but dunst as justine uses her american accent . she works for a swedish man who has a nephew with an american accent . the resort ' s butler is danish and the wedding has a german planner . claire is married to an american man and their child has an american accent , while gainsbourg as claire herself doesn ' t hide the fact that she ' s of mixed anglo - french origin , speaking in a bit of a ( hardly discernible ) french accent every now and then .
it captures the tragic - romantic - depressive mood that permeates the movie . in fact , the idea for the film was generated by a therapist’s suggestion to von trier , ( who famously suffers from depression and anxiety disorders , ) that depressed people often remain calm in highly stressful situations . it doesn’t get more stressful than the literal end of the world .
the antares musicians were absolutely my favorite aspect of my wedding . the string trio was perfect and were such an elegant touch for our big day . from performing all you need is love at the end of our ceremony to playing fun songs like sweet caroline and the game of thrones theme song during cocktail hour , everything was just perfect . i ' m still hearing compliments about the music from friends and family .
götz spielmann ( b . 1961 , wels ) grew up in vienna , studying screenwriting and directing there . his films include erwin and julia ( 1990 ) , the neighbor ( 1991 ) , this naïve desire ( 1993 ) , fear of the idyll ( 1994 ) , the stranger ( 1999 ) , daybreak ( 2001 ) and antares ( 2004 ) . he has also recently written and directed for the stage .
she comes to the castle to live with claire , john , and leo . gradually with claire’s nursing she becomes better . the focus now shifts to what was thought previously to be the star , antares , and is now revealed as a huge planet on a rogue orbit through the galaxy , called melancholia , because of it’s blue color . as it becomes clearly visible on its own , everyone flock’s to john’s telescope .
the second part of melancholia belongs to claire ( charlotte gainsbourg ) . justine has come to live with claire and john following her wedding , and she has disintegrated so precipitously that she needs help undressing and bathing . claire is worried . john is too , but he is more taken up by a celestial event that seems to be happening , an event that justine had already noticed on her own . she had glanced up at the dawn sky and saw that a star is suddenly missing from scorpio . antares , the brightest star in the constellation , is no longer there . apparently , a planet is now blocking antares , a planet no one had heard of before . it is named melancholia , and the scientists predict that its trajectory may very well end up interfering with the earth , although it may well miss the earth , too . no one is sure what will happen .
above , the couple arriving two hours late for their wedding party , and , above , right , pausing to stare at a strange celestial object , with claire and john , the evening’s hosts . while everyone else seems transfixed , claire stares away , tensely and with , as it turns out , appropriately ominous , premonition . john , an amateur astronomer , explains that the object is the star antares , hidden by the sun , and harmless .
the musician at my church dropped the ball and i had to book ceremony musicians less than a month before my wedding , so understandably i was a little frantic . after sending around tons of inquiries , jill responded within a few hours , we had a phone call that evening , and i booked the antares musicians within a few days . we had a trio - violin , flute , and cello - and jill helped me pick the music , as well .
this was truly a great investment . i hadn ' t seen musicians play at any other wedding i ' ve been to , but i am beyond happy that my husband and i chose to have them at our wedding . they were absolutely perfect and also a phenomenal value . so many aspects of planning a wedding seem overpriced , but the antares musicians were not only reasonably priced , but they were worth so much more and were a perfect fit for our wedding .
when i began the wedding planning process , i had never thought about having musicians at my wedding . the antares musicians appeared on a recommended vendor list from our venue , so my husband and i decided to check out their website . we were instantly delighted listening to their clips , as there was not only classical music but more contemporary songs as well , like from the beatles . we decided to go for it and hired them to perform our reception and cocktail hour .
the antares musicians played for our wedding ceremony and a 1 - hour cocktail reception . they were outstanding ! ! ! the live music added something special to our wedding . they added a personal touch to the ceremony that wouldn ' t have been present with a dj . the musicians were wonderful and accommodated our special requests for a couple of tunes that we both liked . we highly recommend these musicians - - - - - our ceremony was beautiful and we loved the music .
this 2 - kilometre long route starts from kościuszko square and leads to the foot of kamienna góra . you can continue walking along the beach to the cliff in redłowo , the pier in orłowo or even as far as the neighbouring resort of sopot . gdynia is also associated with the polish film festival , becoming a polish cannes each year in spring . the audience can attend festival shows and meetings with visiting movie stars .
if you’re lars von trier , the world ends in total destruction , as it both implodes and explodes , in the opening sequence of his new film , melancholia . the earth’s atmosphere is ripped away by the gravitational pull of a wandering , giant blue planet , named melancholia , which literally consumes the earth , as it draws our planet in to the point of implosion / explosion , and burns it up . point , fire .
in a way , the bang ( which is , at the same time , a whimper ) that closes this episode brings the film full circle , tying up its disparate elements - - fear , anger , sadness , hurt , lust , jealousy - - in a single , if not especially tidy bundle . it may not offer any profound insights into human misery except this one : we all , at one point or another , are touched by it .
the film is divided into two halves , titled
justine
and
claire .
it appears that the two sisters exchange personalities , but to no great effect . maybe the approach of an overwhelming event has dissolved the membranes of personalities . notice how jack , the ad man , continues to place importance on his ad slogan . and how gaby lashes out at the very notion of a wedding or a party . there is displacement here that is frightening .
sliding scale of idealism versus cynicism : pretty much breaks the scale on the cynicism side . it doesn ' t really matter that the world is going to end and possibly all life in the universe will be extinguished ; life is so shitty and devoid of meaning that it ' s a good , perhaps even beautiful thing . sort of justified , in that the whole scenario is a metaphor for depression , except that the director is pretty much romanticizing it with this film .
viennese director goetz spielmann , who helmed the impressively noirish “the stranger” ( 2000 ) , brings the same coolly analytical gaze to more complex , subtly interlocking material in “antares . ” centered on the love lives of three different women in an anonymous housing project , and fanning out into a group portrait of sexual and emotional follies , cleverly constructed script overstays its welcome in an unnecessary coda but for most of the going is involving drama , with fine performances from the ensemble cast . strong fest item could secure some european arthouse exposure , followed by specialized tube sales .
the grittiness of the special effects portraying the approach of melancholia adds to the dazzling look of the film , and to a sense of intensifying horror and doom . the sound drops out of the picture in the second half , and the air is filled with a barely concealed dull roar , the roar of the planet ' s approach . it ' s very eerie . claire weeps for the inevitable destruction of the planet earth , weeping for herself , for her son , for the end of everything .
the final chapter spins off sonja and marco ' s dysfunctional relationship into the sick dynamic between the woman marco has been having an affair with ( martina zinner ) and her real estate agent ex - husband , alex ( andreas kiendl ) , a package of damaged goods if ever there was one . angry with the world ( immigrants , his ex , his clients , himself ) , he ' s a walking time bomb , or , to pick up the metaphor suggested by the film ' s title , a star destined to explode as a supernova .
melancholia is a 2011 speculative fiction film written and directed by lars von trier . it mainly focuses on the relationship between the two sisters justine and claire , played by kirsten dunst and charlotte gainsbourg . the movie is divided into two parts , the first about justine ' s wedding , the second about the upcoming fly - by of the rogue planet melancholia that ' s drifting through the solar system . the focus lies on how the characters relate to the events surrounding them , from the mundane event of a wedding to the possibility of a planetary collision .
in any film involving the destruction of the globe , we know that , if it is not to be saved , there must be a
money shot
depicting the actual cataclysm . i doubt any could do better than von trier does here . there are no tidal waves . no animals fleeing through burning forests . no skyscrapers falling . none of that easy stuff . no , there is simply a character standing on a hill and staring straight at the impending doom , as von trier shows it happening in what logically must be slow motion , with a fearsome preliminary merging of planetary atmospheres .
the opening of lars von trier ' s melancholia is magnificent , reminiscent of a high - concept couture spread in vogue italia , with excruciating slo - mo and a parade of surrealistic tableaux , all to the bombastic accompaniment of wagner ' s
tristan and isolde .
there is an intensifying burn as the film builds to its apocalyptic second half , a powerful and dreamy statement of the inevitability of disintegration and destruction , as seen through the deadened - by - sorrow eyes of kirsten dunst as justine , whose wedding sparks a cloud of despair in her so deep that she cannot be reached .
this is the first time we see justine ( kirsten dunst . ) she seems to both strain against and also be pulled toward an invisble force , just like the earth is , in the heavens above . the first part of the movie is the story of justine’s wedding . her mental illness , more than just normal depression is on display early , and in fact the wedding night ends with the marriage and justine’s career in tatters . this beautiful image , left , is part of an early montage that reflects a sense of the morbid fairy tale that is about to unfold . the film’s visual style is ” a clash between what is romantic and grand and stylized , and then some form of reality , ” according to von trier . yet the melding of styles of kubrick’s sensual , fluid , visual imagery and bergman’s intense , elegiac , naturalistic acting ( enhanced by a lot of hand held camera shots ) blend quite effectively throughout the film . the mood and composition of the shot above is certainly a reference to the well known pre - raphaelite masterpiece by john millais , called , ophelia , below . it was painted in 1852 , and is an illustration of the death of ophelia from shakespeare’s hamlet .
working with the antares musicians was such a breeze ! the value for the service they provided was phenomenal . i wish i had an excuse to have another event because i would hire them again in a heartbeat ! jill was very responsive through email and offered suggestions when i did not know the best course of action . tammy , shane , and the third violinist ( i can ' t remember his name ! ! ) were so friendly and kind . my wedding guests commented on how lovely they sounded , and how classy they made the wedding feel . i cannot thank them all enough for their professionalism , talent , and the skill they brought to our wedding day . thank you ! ! !
constructed as three interlocking stories featuring the residents of an austrian apartment complex - - in which minor characters from one vignette turn up later as major characters in another and vice versa - - writer - director gotz spielmann ' s drama begins with a kind of muted bang , in more ways than one . after a short prologue that ends abruptly when a car slams into a taxicab carrying a man flipping through some dirty photos ,
antares
begins with the tale of eva ( petra morze ) , a married nurse who , while heading home to her family after working the night shift , encounters a taciturn man ( andreas patton ) she may or may not know from somewhere - - although we recognize him from the cab - - waiting for her in the hospital lobby .
this film tells three intertwined stories of the residents of an apartment building . this style of filmmaking has become popular of late , following the early success of robert altman (
nashville
and
short cuts
) and alejandro inarritu (
amores perros
and
babel
) . this one , however , falls far short of those films . of the three episodes , the first one is the most interesting , featuring a nurse in a loveless marriage having a brief affair . the other two episodes concern low - lifes making each other ' s lives miserable . neither the characters nor the stories are particularly interesting . of course everything comes together in a predictable finish .
as justine has improved , claire has become increasingly agitated and fearful that the world is coming to an end . she has started obsessively doing internet research and finds data that shows melancholia is on a collision course with the earth , and that john’s analysis is wrong . at first , the collision theory is portrayed as a kook conspiracy notion , but eventually , is proven to be true . the characters reactions to this reality and their varying levels of acceptance of it , takes up the last third of the film . john pretends it’s not true . claire’s agitation and fear keep mounting for herself and her child , while justine becomes almost calmly philosophical and accepting , even as the climate changes and strange precipitation falls from the sky
dunst , whose persona on film has often been effervescent and humorous , is a revelation in melancholia . her depression is tangible , seen in the dark shadows in her eyes , the flatness of her affect . she portrays a woman in the grip of something she cannot even name . in one scene , she goes into john ' s study , where there are art books on display along the shelves . the pages are all open to colorful abstract paintings , cheerful blocks of reds and blues . in the grip of melancholia , she flips through all of the books , looking for paintings that more accurately reflect her mindset , dark disturbing images of death and torture . dunst goes very deep in melancholia , and her performance is mysterious , compelling , and emotional . it is her best work yet .
if i were choosing a director to make a film about the end of the world , von trier the gloomy dane might be my first choice . the only other name that comes to mind is werner herzog ' s . both understand that at such a time silly little romantic subplots take on a vast irrelevance . doctor johnson told boswell :
depend upon it , sir , when a man knows he is to be hanged in a fortnight , it concentrates his mind wonderfully .
in the cast of von trier ' s characters , impending doom seems to have created a mental state of dazed detachment . they continue to act as if their personal concerns have the slightest relevance . von trier has never made a more realistic domestic drama , depicting a family that is dysfunctional not in crazy ways but in ways showing a defiant streak of intelligent individualism .
a devastating car accident forces a nurse , a supermarket checkout girl , and a high - strung real - estate agent to come to terms with their true longings and needs while searching for love and human contact in austrian filmmaker götz spielmann ' s stark and sexual drama . though their lives couldn ' t be more different , it only takes one act of sudden and unexpected tragedy to bring three lost souls into contact and forever alter the course of their lives . over the next three days , each of these previously unconnected individuals will learn not only the value of time , but the true motivations that drive them and the effects that their actions can have even on those they might have never considered . lives that intersect at critical moments , skillfully woven into a film about the obsessions of love , the search for closeness , and the hope for happiness . about fear , loneliness , and courage .
movies and tv shows are certified fresh with a steady tomatometer of 75 % or higher after a set amount of reviews ( 80 for wide - release movies , 40 for limited - release movies , 20 for tv shows ) , including 5 reviews from top critics .
a devastating car accident forces a nurse ( petra morzé ) , a supermarket checkout girl ( susanne wuest ) , and a high - strung real - estate agent ( andreas kiendl ) to come to terms with their true longings and needs while searching for love and human contact in austrian filmmaker götz spielmann ' s stark and sexual drama . though their lives couldn ' t be more different , it only takes one act of sudden and unexpected tragedy to bring three lost souls into contact and forever alter the course of their lives . over the next three days , each of these previously unconnected individuals will learn not only the value of time , but the true motivations that drive them and the effects that their actions can have even on those they might have never considered . ~ jason buchanan , rovi
brendan connell , jr . appointed chief operating officer of the academy museum of motion pictures
the academy’s board of governors awards an oscar® to alejandro g . iñárritu’s “carne y arena” virtual reality installation
the academy continues residency at the metrograph theater in new york with “the ballad of gregorio cortez” and tribute to george a . romero
academy rescinds sound mixing nomination for greg p . russell on “13 hours : the secret soldiers of benghazi”
jennifer aniston , jason bateman , warren beatty , sofia boutella , matt damon , faye dunaway , michael j . fox , ryan gosling , salma hayek , taraji p . henson , dev patel , seth rogen , octavia spencer , meryl streep and vince vaughn announced as presenters
halle berry , jamie dornan , chris evans , gael garcía bernal , samuel l . jackson , scarlett johansson , dakota johnson , kate mckinnon , shirley maclaine , hailee steinfeld will be presenters on oscars® stage
jackie chan , anne v . coates , lynn stalmaster and frederick wiseman to receive academy’s 2016 governors awards
oscar winners morgan freeman and john legend added as presenters along with j . j . abrams , sacha baron cohen and henry cavill dave grohl will give a special performance
kathy baker , o’shea jackson jr . , freida pinto and jimmy smits to perform at academy nicholl fellowships live read
kristen bell and michael b . jordan to host academy ' s sci - tech awards
lacma and the academy co - present a major u . s . exhibition highlighting the prolific career of mexican cinematographer gabriel figueroa
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a deadly car crash sets off three parallel stories of women at crisis points , faltering behind the doors of the same , plain vienna apartment block . a bored nurse with a stable , comfortable . . . see full summary »
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angela an illegal immigrant living in los angeles stumbles across bill , a disgraced banker on the run . through sex , conversation ranging from politics to philosophy , and other worldly pleasures , angela introduces bill to another worldview .
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a chronicle of the life of a middle - class french girl ' s sexual adventures , her then fall into prostitution , and her ultimate redemption .
a deadly car crash sets off three parallel stories of women at crisis points , faltering behind the doors of the same , plain vienna apartment block . a bored nurse with a stable , comfortable family life has a wild but almost - wordless extramarital affair with a fashion - conscious traveling salesman , who ' s obsessed with sex photos . an unstable young austrian grocery checker lies to hold on to her philandering yugoslavian boyfriend , claiming she ' s pregnant . finally , a recent divorcée whose violent , ex - husband is a king of denial intent on getting her back . will the residents ' fibs and moral failures save or destroy them ? can the women safely express their fears ?
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with jurassic world : fallen kingdom now in cinemas , we take a look at how imdb users rated the films of the franchise . plus , browse exclusive lego® jurassic world playsets , presented by lego .
viennese director goetz spielmann brings coolly analytical gaze to complex , subtly interlocking material . centered on the love lives of three different women in an anonymous housing project , script is cleverly constructed , with fine performances from the ensemble cast . strong fest item could secure some european arthouse exposure .
with : with : petra morze , andreas patton , hary prinz , susanne wuest , dennis cubic , martina zinner , andreas kiendl , xenia ferchner , angelika nidetzky , hannes thanheiser , reinhard nowak , gisella salcher , monika tajmar , wolfram schmidt , barca baxant .