buud yam is a 1997 burkinabé historical drama film written and directed by gaston kaboré .

it is the sequel to the film wend kuuni .

as of 2001 , it was the most popular african film ever in burkina faso .

buud yam

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pa kpop dance ft . yam ah mee & lim boon heng 29 - 5 - 2011
films shown in aff , inc . programs : wend kuuni / god’s gift ( 1994 ) ; zan boko ( 1993 ) ; rabi ( 1993 ) ; buud yam ( 2008 ) .
download and stream the full movie at urltoken buud yam is the story of a young man who lost his mother and father as a small child . in spite of his adoptive family ' s profound affection he lives a distressing tragedy .
i tend to miss films that are told with heart . the massive knowledge and showing off isn ' t always needed when venturing into making of a film . buud yam is very simplistic but as many times with african cinema , brings out deeper colors of the content ' s state . the key in buud yam is the protagonist going to a journey and finding himself , accepting his state in order to grow as a human being . i ' m not familiar with wend kuuni to which buud yam is a relative or even sequel but perhaps seeing these two films back to back could reveal their colors better . nevertheless the magical feeling and mysticism that the film conveys likely pays tribute to the history and roots…
in 1997 , buud yam was shown at the cannes film festival during directors fortnight and had its north american premiere at the toronto international film festival . it won the etalon de yennega ( the grand prize ) at the 15th ouagadougou panafrican film and television festival .
in 1997 , buud yam was shown at the cannes film festival during directors fortnight and had its north american premiere at the toronto international film festival . [ 1 ] it won the etalon de yennega ( the grand prize ) at the 15th ouagadougou panafrican film and television festival . [ 7 ]
gaston graduated in history and cinema in paris . he became worldly famous thanks to his features wend kuuni ( french cesar for best francophone film 1985 ) , zan boko ( silver tanit , carthage film festival 1988 ) , rabi ( special jury prize , carthage film festival 1992 ) and buud yam ( etalon de yennenga , fespaco 1997 ) .
in 2005 , director gaston kaboré , who won the top prize at fespaco in 1997 for his film buud yam , opened a training school for new filmmakers in ouagadougou . the school , named imagine , was built with millions of cfa of kaboré ' s own money and opened its doors for the panafrican film and television festival of ouagadougou 2005 .
my issues with buud yam are pretty similar to my issues with its predecessor , wend kuuni : both films feel pretty staged and actorly , and though i have no vendetta against apparent artifice in cinema , this has the effect , for me , of scratching out anything that might come out between the lines . i prefer this one a smidge due to the occasionally long shots depicting some element of life in burkina faso , though these intermittent scenes rarely seem to be used for much outside of spatial establishment and narrative contextualization .
filmography : regard sur le vie fespaco ( 1979 ) ; wend kuuni / god’s gift ( 1982 ) ; zan boko ( 1988 ) ; rabi ( 1991 ) ; la vie en fumée ( 1992 ) ; madame hado ( 1992 ) ; un arbre appelé karité ( 1993 ) ; chronique d’un échec annoncé ( 1993 ) ; roger le fonctionnaire ( 1993 ) ; lumière et compagnie ( 1995 ) ; buud yam ( 1997 ) ; le loup et la cigogne ( 2007 ) ; l’afrique vue par… [ africa seen by… ] – deux mille générations d’africains ( 2009 ) .
i ' m discovering a gentle calm about african cinema , not to mention a certain primal offering that doesnt feel manipulated and focus grouped to death . buud yam encompasses this idea freely . it moves at it ' s own pace in it ' s own methods . following the story of a young man in search of a healer for his sick sister . it ' s simple like a classic fable but deeply resonant in terms of it ' s universality of trying to help someone you care about . it ' s not exactly polished but that sort of adds to the charm . african cinema tends to be so steeped in culture and history that some things probably go straight over my head , yet it ' s these moments of purity that brings something special to the cinema we tend to lack here in america .
many of the african films that reach western audiences are produced in senegal . in fact , senegalese cinema enjoys a renown and longevity unknown in other countries south of the sahara , due , in part , to the pioneering efforts of ousmane sembène and paulin soumanou vieyra . senegal gained independence from france on 4 april 1960 , but it was not until the early 1970s that the newly independent state created a national infrastructure for the development and promotion of senegalese cinema : in 1974 the société d ' importation , distribution , et exploitation cinématographique ( sidec ) and the now defunct société nationale du cinéma ( snc ) ; and finally in 1984 , the société nationale de promotion du cinéma ( snpc ) , whose goal was to take over all functions of the snc and to assist the initiatives of sidec .
nigeria , with 120 million inhabitants , is the most populous country on the continent , and shares with ghana the phenomenon of a burgeoning video economy . although nigeria gained independence in 1960 , indigenous feature filmmaking did not begin until 1970 with the lebanese coproduction
by the african american ossie davis ( 1917–2005 ) . during the early 1970s , three or four features were produced every year , and until the early 1980s there was a trend toward higher quality films , including 35 mm production . the nigerian film corporation was established in 1979 with the mandate of encouraging local film production . ola balogun ( b . 1945 ) , a novelist and playwright who was trained in cinematography at l ' institut des hautes études cinématographiques ( idhec ) in paris , is nigeria ' s most prominent filmmaker , known for directing comedies and musicals . he has produced or directed at least one feature every year since 1972 , the year he directed
( 1975 ) is sub - saharan africa ' s first musical ; it spurred a series of films incorporating yoruba popular theater on film . other notable films include
( 1983 ) were largely inspired by current events . by the end of the 1970s , and as lagos became more dangerous at night , many middle - class homeowners turned to videocassette players so they could watch video movies in the safety of their homes . video film production is an important industry in nigeria and is practiced as a solution to film distribution bureaucracy . although some criticize their technical shortcomings , the impact of video films as an expression of cultural identity cannot be denied .
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in an early 19th century african village , wend kuuni - a young man , lives with his adopted family after his mother was killed as a witch . when pughneere - his adopted sister - becomes ill , . . . see full summary »
trippy indie madeline ' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
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in an early 19th century african village , wend kuuni - a young man , lives with his adopted family after his mother was killed as a witch . when pughneere - his adopted sister - becomes ill , the villagers suspect wend kuuni . in order to save pughneere ' s life ( and his own ) he must set out on a journey to find a healer . his quest brings him in contact with people around him and is a journey of self - discovery .
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with : wend kuuni . . . . . serge yanogo pughneere . . . . . amssatou maiga komkieta . . . . . severine oueddouda
to avoid his mother’s fate and save his sister , the youth sets forth on horseback on an arduous quest that will take him through forests and across deserts . at last , nearly dead himself , he stumbles onto a wise old healer whose potions cure pughneere . with heartfelt apologies and much rejoicing , the villagers reinstate wend kuuni as a member in good standing of the community .
on one level , the story is similar to western and eastern myths about the hero and his quest for a lost grail , or , in this case , a magical medicine . not only does it restore health to the sick girl , but it dissipates the clouds of superstition , intolerance and suspicion that hang over the otherwise happy village . kabore’s message , arising out of the story itself , is that we must be tolerant of people different from ourselves .
as wend kuuni , yanogo is a dignified young horseman with a faraway look in his eyes , who knows he is set apart from his native - born companions . it is easy to see why the two graceful teenage girls , pughneere and her friend komkieta ( severine oueddouda ) , adore him . last scene sets the stage for a third round of wend kuuni stories , as the young hero asks himself who his real father is .
kabore is a masterful raconteur able to hold the viewer’s attention despite the typical slow pace of african films . he tells his story in exceptionally clear , simple images that are restful to look at , aided by jean - noel ferragut’s sharp - edged cinematography . composer michel portal adds an unexpected modern note to the timeless story through his musical commentary , combining native instruments with a soft jazz sound .
production : ( burkina faso ) a cinecom ( burkina faso ) / caroline ( france ) co - production . ( international sales : caroline . ) produced , directed , written by gaston jean - marie kabore .
crew : camera ( kodak color ) , jean - noel ferragut ; editor , didier ranz ; music , michel portal ; art direction , joseph kpobly ; sound ( dolby stereo ) , daniel olivier . reviewed at cannes film festival ( directors fortnight ) , may 10 , 1997 . running time : 97 min .
with : wend kuuni . . . . . serge yanogo pughneere . . . . . amssatou maiga komkieta . . . . . severine oueddouda
to avoid his mother’s fate and save his sister , the youth sets forth on horseback on an arduous quest that will take him through forests and across deserts . at last , nearly dead himself , he stumbles onto a wise old healer whose potions cure pughneere . with heartfelt apologies and much rejoicing , the villagers reinstate wend kuuni [ … ]
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set in the haunting landscapes of burkina faso , a man’s hunt for a traditional healer to help his ill sister leads him to confront his own inner being .
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one of the most impressive african films i have ever seen . a fascinating journey which reminds of another film called yeelen . these are myths to live by , and the most traditional forms of oral story - telling get passed on through cinema .
a great example of a film where a very simple and straightforward story , through serene and focused determination , is elevated to something truly beautiful . spirituality and supernatural forces connect and intermingle with the raw forces of nature and life in general , manifesting itself through one man ' s journey of burkina faso ' s incredible landscape . the acting feels natural and portal ' s music fits perfectly .
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this page may by only partially complete . for additional information about this film , view the original entry on our archived site .
director : gaston kaboré country : burkina faso year : 1997 running time : 99 min . language : moré
set in a nineteenth century village , it follows a group of characters from kaboré’s debut film wend kuuni . wend kuuni is a young man who is suspected of being responsible , through the use of sorcery , for his adopted sister’s ill health . to help his sister , and clear his name , he tries to find a healer who uses the legendary “lion’s herbs” . he also searches for his own roots .
( source : through african eyes – dialogues with the directors , bonetti mahen and reddy prerana ( editors ) , 2003 , african film festival , inc . and printinfo jv llc , yerevan , armenia , p . 26 )
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the film draws on the african oral tradition . set in a nineteenth century village , it follows a group of characters from kaboré ' s debut film wend kuuni . wend kuuni ( serge yanogo ) is a young man who is suspected of being responsible , through the use of sorcery , for his adopted sister ' s ill health . to help his sister , and clear his name , he tries to find a healer who uses the legendary
lion ' s herbs
. he also searches for his own roots .
the film draws on the african oral tradition . [ 4 ] set in a nineteenth century village , it follows a group of characters from kaboré ' s debut film wend kuuni . [ 5 ] wend kuuni ( serge yanogo ) is a young man who is suspected of being responsible , through the use of sorcery , for his adopted sister ' s ill health . to help his sister , and clear his name , he tries to find a healer who uses the legendary
lion ' s herbs
. he also searches for his own roots . [ 5 ] [ 6 ]
eke , maureen n . ; kenneth w . harrow ; emmanuel yewah ( 2000 ) .
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juan andrés arango is a colombian - canadian director , screenwriter and director of photography . he has worked as a screenwriter and director in his native colombia as well as in canada , where he traveled after attending concordia university’s exchange program during his studies at the film and television school of the universidad nacional de colombia . in 2003 , he started his master studies in cinematography at the university of barcelona ( escac ) and went on to practice his craft in amsterdam . during this period he began working on his first feature film
. the film had its world premiere at un certain regard in cannes , in 2012 . it has since played in more than 80 festivals around the world and has won several awards . it was selected to represent colombia at the oscars in 2014 . his second feature ,
2016 and its international premiere at san sebastian . it has since traveled to more than 50 festivals and has won several awards . juan is currently writing and developing « light of ungava » , his third feature .
yanick létourneau is the owner and cofounder of peripheria , a film production company founded 17 years ago with a mission to produce director - driven stories for local and international audiences .
he’s currently producing “lemonade” , a drama shot in montreal by romanian director ioana uricaru , in coproduction with cristian mungiu from mobra films ( romania ) , 42films ( germany ) and filmgate from sweden . yanick recently produced juan andrés arango’s “x quinientos” ( 2016 ) in coproduction with septima films in colombia and machete in mexico . the film premiered at tiff and had its international premiere at san sebastian . it since traveled to more than 50 festivals and has won 4 prizes . yanick also recently produced erik cimon’s documentary “montreal new wave” ( nominated for three gemini awards ) as well as zayne akyol’s feature documentary “gulistan , land of roses” , in coproduction with the nfb and mitosfilm in germany . the film had its world premiere at vision du réel and hot docs and has since been a critical success in the festival circuit winning several prizes including the prestigious doc alliance award . yanick is currently developing several feature film projects such as the dramatic comedy “passover” by daniel schachter ; martin laroche’s comedy “12 images / seconde” ; ariel nasr comedy set in afghanistan “the key” and meryam joobeur first feature , “roman ruins” .
yanick is a member of ace , and alumni of the cannes producers network , rotterdam lab , transatlantic partner , ifp , tiff producer lab and tiff talent lab .
idrissa ouédraogo ( born 21 january 1954 in banfora , burkina faso ) is a film director from burkina faso who creates films set within africa , often exploring the conflict between rural and city and tradition and modernity . he is best known for his feature film tilaï , which won the grand prix at the 1990 cannes film festival and samba traoré ( 1993 ) , which was nominated for the silver bear award at the 43rd berlin international film festival .
steven markovitz has over 20 years’ experience on feature films , documentaries , short films , distribution and festivals . steven co - founded the production company big world cinema in 1994 as well as encounters south african international documentary festival in 1999 . he recently established electric south which produces virtual reality and a distribution arm african screen network .
steven has produced , executive - and co - produced many short films , including inja / dog ( oscar nomination 2003 ) , and husk , ( premiered in competition , cannes film festival 1999 ) . steven markovitz was executive producer of latitude , a series of nine fiction films from eight african countries including wanuri kahiu’s award - winning kenyan science fiction short pumzi ( sundance 2010 ) , and the shorts omnibus african metropolis , which has screened at over 50 festivals . steven also executive - produced beyond freedom ( berlinale competition 2006 ) .
he has produced and co - produced over 50 documentaries , many of which have screened at festivals such as sundance , berlin , tribeca , idfa , hotdocs , tribeca and have sold to television worldwide , including beats of the antonov by hajooj kuka which won the audience award , toronto international film festival , 2014 , and congo in four acts which premiered at the berlinale forum . most recently , he coproduced winnie which won best director , world documentary competition at sundance 2017 and has been sold to netflix .
khalo matabane is a south african filmmaker who directs documentaries , fiction and tv drama series . he is currently in post production with his feature film ”the number” a prison gang movie . his last production was a feature doc ”nelson mandela the myth and me” which won the jury prize at idfa ( international documentary film festival of amsterdam ) and was screened on bbc , arte , nhk ( japan ) , yle ( finland ) , ( sabc ) south african broadcasting corporation and dr ( denmark ) . he has also directed ”conversations on a sunday afternoon” which was screened in berlin and toronto film festivals . his tv drama series ”when we were black” a coming of age story set against students uprisings in soweto , was nominated for 12 awards at the south african film and tv awards and went on to win 7 including best director and tv drama series of the year . khalo has also served as a jury member at the sydney international film festival in australia and the african asian film festival in milan . he has also participated in workshops and been resident director at brown and berkeley universities in the usa .
stefano was born in johannesburg and studied in italy where he co - founded stefilm . since 1988 , he has produced several documentaries , such as “vinylmania” ( goteburg iff , chicago int . movies and music festival , rotterdam iff… ) , “char , no man’s island” ( golden kapok guangzhou , special mention diff - dubai , berlinale forum 2013 ) , “the queen of silence” ( idfa 2014 ; doc point – helsinki 2015 ; silver horn best doc at krakow iff 2015 ; golden nanook – grand prix best doc flahertiana idf perm 2015 ; best doc let’s cee iff vienna 2015 ) .
founder member of fert ( filming with a european regard in turin ) , he directed 17 editions of the annual workshop documentary in europe . he chaired european documentary network and he is national coordinator for input , television in the public interest . he tutors on film production and pitching for organizations such as venice biennale , cannes film festival , durban film mart , eave , festival des 3 continents , torino film lab…
he directed the publication “africa and the centenary of cinema” ( fepaci / présence africaine ) , and always organized professionals training sessions in africa . he was also jury member of international film festival ( locarno , venise , cannes , rotterdam , berlin , ouagadougou ) .
thanks to his desire to transmit , gaston founded in 2003 the institute imagine that he actually manages .
balufu bakupa - kanyinda was born on 30 october 1957 in kinshasa . he studied sociology , history and philosophy in belgium . he took courses in filmmaking in france , the uk and the usa .
from 1979 to 1981 he was an instructor in the french cultural centre in lubumbashi . in 1991 he made his first documentary , dix mille ans de cinéma , and in 1993 released a second documentary on thomas sankara . his first fiction film was le damier – papa national oyé ! ( the draughtsmen clash ) made in 1996 .
he was a member of the board of short films at cnc in france from 1999 to 2001 . balufu was a member of the input 2000 ( international public television ) in cape town , south africa and a member of creatv , unesco’s program for televisions in the south between 2000 and 2003 .
article 15 bis ( 1999 ) was awarded at the film festival of clermont - ferrand ; namur and carthage . afro @ digital gained a jury mention at the zimbabwe international film festival .
dora bouchoucha has produced and co - produced numerous tunisian and foreign feature films , short films and documentaries with her company nomadis images , including the africa dreaming series by abderrahmen sissako , moufida tlatli’s la saison des hommes , baraket by jamila sahraoui , red satin , les secrets , a tunisian spring and foreign body by raja amari and inhebbek hedi ( award for best first film and silver bear of best actor – berlinale 2016 ) by mohamed ben attia . all her films have been selected in venice , cannes and berlin film festivals .
dora bouchoucha created the carthage film festival workshop in 1992 , takmil in 2014 and the scriptwriting development workshop sud ecriture in 1997 . for more than ten years she was a member of the cinemart - rotterdam film festival’s expert committee and was a consultant for the venice film festival to select arab and african films from 2007 to 2011 .
she has been responsible for the pedagogical committee of several training programs for arab producers and screenwriters , including med film development ( mfd ) and med film factory ( mff ) , funded by euromed audiovisuel .
in 2010 , she chaired the fonds sud and in 2012 , the aide aux cinémas du monde ( cnc ) .
she was director of the journées cinématographiques de carthage in 2008 , 2010 and 2014 . at cannes , in 2015 , she was awarded the order of arts and letters by the french minister of culture .
in 2017 , she was a member of the international jury of the berlinale .
jihan el tahri is an award winning director , writer , producer and visual artist . she is an egyptian and french national . in 1990 she began directing and producing documentaries for the bbc , pbs , arte and other international broadcasters . her most recent is “nasser” part of this year’s official selection at toronto international festival . she teaches documentary production at various international institutions . she served as treasurer of the guild of african filmmakers in the diaspora , regional secretary of the federation of pan african cinema , advisor on focus feature’s africa first program . she is also a mentor at the documentary campus .
with a history that spans several decades and includes the production of many award - winning films .
burkina ' s contribution to african cinema started with the establishment of the film festival fespaco ( festival panafricain du cinéma et de la télévision de ouagadougou ) , which was launched as a film week in 1969 and gained government support and permanent structures in 1972 . it is the largest film exhibition venue in sub - saharan africa , with more than half a million attendants , and takes place in odd numbered years in march . burkina is also one of the countries producing the most feature films in africa . many of the nation ' s filmmakers are known internationally and have won international prizes . for many years the headquarters of the federation of panafrican filmmakers ( fepaci ) was in
, rescued in 1983 from a period of moribund inactivity by the enthusiastic support and funding of president sankara ( in 2006 the secretariat of fepaci moved to south africa but the headquarters of the organization is still in ouagaoudougou ) . between 1977 and 1987 burkina faso housed a regional film school , institut d ' education cinématographique de ouagadougou ( inafec ) , which was instigated by fepaci and funded in part by unesco , but eighty percent of its funding came from the government of burkina faso ( no other african country participated in its funding and few sent students ) .
in the late 1990s , local private production companies began to proliferate and digital production became increasingly prevalent . by 2002 over twenty - five small production companies existed in the country , many pooling their resources and expertise in order to produce . the best known directors from burkina faso are : mamadou djim kola ,
, kollo daniel sanou , paul zoumbara , emmanuel kalifa sanon , pierre s . yameogo ,
burkina also produces popular television series such as bobodjiouf . the internationally known filmmakers such as ouedraogo , kabore , yameogo , and kouyate make also popular television series .
many films shot in burkina faso by local directors have found distribution in francophone europe and several have received assistance from the french ministry of co - operation . however , while these films have won awards in europe and are regularly featured in african studies courses , in africa itself they are little known outside of academic circles .
burkina faso hosts the panafrican film and television festival of ouagadougou ( fespaco ) every two years in ouagadougou , burkina faso ' s capital .
delwende (
get up and walk
) ( 2005 ) , directed by s . pierre yameogo .
spaas , lieve ,
burkina faso ,
in the francophone film : a struggle for identity , pp . 232 - 246 . manchester : manchester university press , 2000
turégano , teresa hoefert , african cinema and europe : close - up on burkina faso , florence : european press academic , 2005 .
mahir şaul and ralph austen , eds . viewing african cinema in the twenty - first century : art films and the nollywood video revolution , ohio university press , 2010 , isbn 978 - 0 - 8214 - 1931 - 1
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film school is making me watch films that otherwise i wouldn ' t know of it ' s existence . this is the second african film they make me watch , and i have 0 knowleage of what kind of cinema they make there . i now want to explore it a lot more .
a fun epic adventure that has nothing to envy from a hollywood movie . it ' s filmed in a surprisingly classical way , full of shot - reverse shot , narrations , flashbacks , and so . . .
this list collects every film from the starting list that became they shoot pictures don ' t they ' s 1000 greatest films . this…


prem pinda ( nepali : प्रेम पिन्ड ) is a breakthrough , first historic 1995 nepali film directed by yadav kharel and produced by actor neer shah .

prem pinda , is an adaptation of popular play by balkrishna sama .

sama was considered as ‘ shakespeare ’ of nepal with his evergreen plays like “ mutuko byatha , ” “ mukunda indira , ” “ bhater , ” “ birami ra kuruwa , ” “ boksi , ” and “ andhabeg ” .

the movie was depiction of eternal love .

the evergreen music by sanbhujeet baskota with some songs rendered by asha bhosle ( gairi khet ko ) & abhijeet ( ke bhanu ) propelled it to classic of nepali cinema .

prem pinda

now you can watch songs from prem pinda - a nepali movie back to 1995 .
the cinematic rendition of dramatist bal krishna samha’s great tragic play , prem pinda . < br >
prem pinda is a historical love story based on a real life of general aidwin during rana regime .
if you think that mainstream nepali films lack audacious story , prem pinda is not to be missed . based on the powerful play about the infatuation of the then rana general with one of his maids , prem pinda has been able to visualize the contemporary scenario of extravagant rana culture .
prem pinda song gai . . .
the youtube account associated with this video has been terminated due to multiple third - party notifications of copyright infringement .
viraj brainers , coaching and tuitions , ahmedabad | pinda . in - find address
director and producer nir shah has been quite fond of recreating popular books into movies . he is credited for the production of ‘masan’ , ‘seto bagh’ , ‘basanti’ , ‘prem pinda’ etc .
abacus academy tutorial pvt . ltd . , coaching and tuitions , ahmedabad | pinda . in - find address
krishansu p . ltd . presents historical nepali movie ‘prem pinda’ . the movie is made on the story ( play ) written by well known literary figure balkrishna sama . the movie was a hit movie of the time .
nepali movie – prem pinda starring – saroj khanal , sunny rauniyar , nir shah , harihar sharma , sushila rayamajhi , melina manandhar , nisha sharma , rajpal thapa , rajaram poudel , narendra thapa etc . story , lyrics – yadav kharel director – nir shah
directed by yadav kharel , the nepali movie prem pinda stars saroj khanal , sunny rouniyar and nir shah in the lead roles with bhuwan chand and melina manandhar as the supporting casts . the movie is the historical descriptions and a love emerging amidst boundaries and restrictions .
all is not hopeless in kollywood . this industry is known to make gems like “balidan , ” “prem pinda , ” “lahure , ” “saino , ” and many more . these shining stars show that good movies can be made in nepal if we strive to .
oh jogi songs bardiddu malavalli sai krishna naaaa . . . . naan aavatte ankonde . . prem henge ee level songs bareetaane antaaa .
even i have read thet prem will not to all the work . . so u will know the fact by his real acting in pybm
govinda wrote : oh jogi songs bardiddu malavalli sai krishna naaaa . . . . naan aavatte ankonde . . prem henge ee level songs bareetaane antaaa .
now you can watch songs from prem pinda - a nepali movie back to 1995 . director : yadav kharel writer : bal krishna sama ( play ) cast : neer bikram shah ( as neer shah ) we are sorry ! ! ! this video is not available right now ! … read more . . .
abraham , abrim , bireme , brahmo , breme , brummie , prem , premier , première , prim , prime , primer , primo , promo , purum .
the movie is quite interesting and also useful as it depicts the tyranny of the ranas . considering that the movie is more than a decade old , it is wonderful in terms of presentation as well as acting on the actors’ part . the songs of the movie were super hits during that time and stills rules the heart of many music lovers . prem pinda , thus , is worth a watch .
poet , lyricist and filmmaker yadav kharel was also felicitated with the ‘lifetime achievement award’ . lyricist of masterpieces like ‘yesto pani hudo raichha’ and ‘yestai rahechha yahanko chalan’ , and directing films like ‘chelibeti’ , lobhi papi’ and ‘prem - pinda’ , kharel said that he couldn’t express his feeling in words to have received the award . ‘the award has given us the message that creativity never dies , ’ kharel said in his acceptance speech .
no no appu did not acted in rishi . . he only singed for one song . . bandal oora banta rella bandu keli baangda danda pinda yaaru illa namma sangada heyyyyy . . . tin tin tint itnt . .
a love triangle , prem pinda is depicts the tragedy in the lives of the protagonists . said to be based on the real life story of rana general aidwin , the movie is set on the time when the ranas ruled nepal . the movie starts with the video of the palace of the general , the real palace , where most part of the story is based , in fact , except the ending , the entire movie is set inside the palace .
though some of the actors were unable to justify their role , neer shah deserves applause for his presentation . he has richly demonstrated the emotions of an aristocratic general . the movie has some best nepali songs too . the major problem with the movie lies in direction . ill - direction has plagued the nepali movie industry since a long time and prem pinda could have been better with more concentrated direction . nevertheless , this movie has set a milestone in nepalese film industry during a time when media technology was still very crude .
kollywood , which has hardly opened its avenues in terms of adapted movie - making based on historical subjects , boksi was one of those few movies for me which became a must see . other films that were based on history and literature like badlindo aakash , kumari , bhanubhakta and prem pinda did succeed commercially to certain extents but also raised different controversies as critics said these movies did not do justice to what the history said . boksi became a must see for me for this was the first one - act play of nepali literature written by bal krishna sama in the late 1930s .
does anyone know where i can get the lyrics ( preferably written in nepali ) for
chaita masa ,
a soundtrack from the nepali movie
prem pinda
. this song really makes me
homesick
and i can ' t listen it enough . i can catch most of the words of the song but not all , that ' s why i need the full lyrics . needless to say , i googled but couldn ' t find anything . if you want to e - mail me , please do so at
gaule _ hero @ urltoken
. thanks .
the fourth grand division , beginning from above , is called pinda . it is the gross material or physical universe . here coarse matter predominates , there being but a small percentage of mind and a still smaller amount of spirit . our earth is a small and insignificant member of pinda . it embraces all the suns and their planets known or unknown , to astronomy . it extends out into space far beyond the reach of any telescope . astronomers have never been able to count these worlds ; although as their instruments become more perfect , the range of their observations is extended . who shall set limits or indicate bound to those starry depths ? who can number the numberless ? who can circumscribe the boundless ? to the farthest extent of space wherever there is a material sun or a speck of dust they are all included in this fourth grand division which the masters call pinda .
banking on dev anand’s popularity , this festival will showcase his best work . be it his style with substance performance in guide or romantic act in prem pujari , his movies oozed style and raised issues . remember the glamourous zeenat amaan smoking away to glory in hare rama hare krishna or the beautiful tina munim in des pardes .
as for gurdas maan’s work , it has always been par excellence . whether , it is an album or a film like waris shah , the man with a soulful voice has treated every project like the first and excelled . with mini punjab , he plans to do the same . gurdas maan plays prem singh in the movie , a kind of messiah who walks into people’s life to make it better .
and it does for manjeet maan who dons the director’s cap for the first time with sukhmani – hope for life with maan in the lead . “we had discussed this project even before waris shah . the cast and crew will be the same save for manoj and sooraj ji , ” she adds with a heavy heart . as for maan , he is doing another flick with simarjeet ( manoj punj’s assistant ) pinda vicho pind sunida .
yep . . . . that was grave mistake from singh babu in putting name of konga ramani in kothigaalu saar kothigaalu and kurigaalu saar kurigaalu othwise this guy would have shined and establisedmore . even prem has cheated malvali saikrishna in putting his name for
jogi
songs . this guy is good in comedy acting with explicit timing hope he provided realy good entertaing storyline in this movie where his name being exposed after working several movies in back .
abraham , bairam , barium , bireme , bouts rimés , brahma , brahmi , brahmo , bream , brim , brimmer , brome , bromo , broom , brougham , brum , brumaire , brume , brummie , by - room , eprom , herbarium , hyperaemia , paramo , paramour , paroemia , pram , preemie , prem , premie , premier , première , premio , prim , prima , prime , primer , primo , proem , prom , promo , purim , purum .
one enigmatic incident relating to the
distance
or relationship of sach khand to the earth plane ( pinda ) is illustrated by the following . sawan singh , when asked how long it took him to go to sach khand , closed his eyes for a second and then reopened them , saying that that was how long . in the yoga sutras , however , it is said that for concentration to mature into absorptive samadhi takes two and a half minutes . how is this discrepency reconciled ? i can think of two answers . either the sants , as sometimes is said , do not let their attention descend below the throat center , a yogic process called
abernethy , abnet , arpent , band , bandar , bandeau , bander , bandore , bandy , bannat , banter , bantu , barnardo , barnet , barnyard , bayonet , been - to , behind , bend , bender , benet , bénitier , bennet , bent , beyond , bind , binder , bindi - eye , binit , bint , bonaght , bond , bonder , bonito , bonnet , bornite , bound , bounder , bounty , bowenite , bund , bunder , bundu , bunt , bunter , bunter , burnet , by - end , ebionite , ebonite , paint , painter , panada , pand , panda , pander , pandore , pandour , pandy , pandy , paneity , paneth , pant , panter , panther , pantie , panto , parnate , peanut , peent , peineta , penaeid , pend , penide , pennet , pennyworth , pent , pernettya , pianette , piannet , piñata , pinate , pinda , pindar , pinder , piney wood , pinhead , pinite , pinnet , pinnothere , pint , pinta , pinto , poind , point , pointer , pond , ponder , pondo , poniard , pont , pound , pounder , powindah , punnet , punt , punter , punto , punty , urbanity , warpaint .
in this division , coarse material predominates . permeating this coarse material are many finer substances , including mind , and last of all there is a modicum of spirit to give life to all the rest . in this lowest of all divisions of creation there is but little light and a very low grade of life when compared with brahmanda . but if compared with sat desh , this world is pitch darkness and the life here , in comparison to that , is scarcely cognizable at all . its substance is coarse , clumsy , inert , and full of all manner of imperfections . these imperfections , as said before , are due to the paucity of spirit at this pole . this condition of negativity is the soil out of which all evil grows . however real it may seem to us , negativity is the absence of reality , and the absence of reality is the absence of spirit . food is a reality to us , but hunger is also a real condition to our consciousness . but hunger is due to the absence of food . in its last analysis , all pain , longing , all desire is only a cry of the mind and soul for more light , more spirit . in like manner , evil is due to , the absence of spirit . and the reason we have so small a percentage of spirit substance at this end of creation is because this is the negative pole of all creation . pinda is the extreme negative pole . it is consequently so far depleted of spirit that it lies in a state of semi - death , a condition of heavy inertia over which broods deep shadow .
the story of the movie goes somewhat like this , a brother comes to palace with his sister to leave her there as a maid and receives rs . sixty for that . the girl in her late teens is innocent and big mouthed who doesn’t know the manner of the palace very well . she is handed over under the guidance of a woman named kesari , who takes care of her like her own child . the girl , sabita , as she is named by the general , is a fast learner and impressed with the lifestyles of the palace , does her best in everything getting reward from the general each time . she develops feelings for a servant boy working there named nakul , and this love at first sight is a two way thing . however , the general having his eyes set on her would never allow that to happen and sensing the romance blooming between them , he tries everything to separate them forever . they , however , could not publicize their relationship , as the general would get nakul killed in front of everyone , getting him beaten to death . amidst the thorns and adverse hatred , blooms their love , however , the general sends nakul away to another part of the country and keeps sabita inside the palace under house arrests .
despite his attempts , will the general be able to win her heart ? is the love shared between nakul and sabita a true epic love ? to find answer to these questions , the viewers need to watch the movie by themselves .
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the story starts in a aristocratic setting where the general takes a girl in as maid and assigns her to one of the jobs available in the palace . blessed with unnatural beauty , the general falls for the maid , who falls in love with one of the valet at the palace . but the problem with this love is the general doesn’t allow any of the workers to love within the palace premises . the general slowly discovers that there is something going on between these two lovers .
the general then tries to lure the girl into sleeping with him by giving her privileges only his wife could have entertained . then comes the worst part of the movie as it turn out to be too righteous . the girl sticks to her stand that love is the greatest thing , that she has already “given her heart to someone else” and all . i believe that this part would have been great if the “hero and heroine” of the movie had let themselves loose during the act .
so , the general fails and decides to send the “hero” to one of his palace that could have been anywhere in the country . the hero unable to restrain himself of the love of the girl falls sick because of some contemporary pandemic . the girl finds out that the hero is dying and tries to escape the palace . then there is one intense scene where the general accepts his failure and lets the girl go . she leaves with her brother . she is filled with both excitement and fear as she sets out to meet her lover . but when she reaches , her lover is taking his last breath . he dies finally and she unable to hold herself without her lover , jumps off the cliff to give her life away .
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2 . 5 out of 5 tandav starts like one of sergio leone’s westerns . there is a small shack nearby the nepal - india
1 . 5 out of 5 the initial rating for this film was two out of five . the only thing one could
these are ten more films in random order , mostly indie low - budget features . to read the first part of this post
it is not a new thing that music can set your mood . when a music is being played , the artists
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a meeting of top leaders of the three major political parties – ucpn ( maoist ) , nepali congress and cpn - uml – held at the prime minister’s official residence at baluwatar on thursday also ended inconclusively as the parties continued to disagree on the handover of maoist weapons .
the leaders have , however , agreed to meet yet again on friday to try to explore common ground on weapons handover and extension of the ca term that expires on may 28 , saturday .
at today’s six - hour - long meeting , uml leaders floated a proposal to amass all the maoist arms , put them in containers at the shaktikhor cantonment and hand over the keys to the special committee . [ more ]
a top chinese expert on tibetology urged nepal not to entertain
illegal migrants
from tibet autonomous region ( tar ) sneaking into its territory through porous nepal - china border .
speaking at an interaction with media persons at the chinese embassy in kathmandu on thursday , visiting chinese expert wei gang , who is the director of the state - funded contemporary tibetan studies institute affiliated to the china tibetology research center , indirectly asked nepal to take legal action as per the existing laws to tibetans illegally sneaking into nepal . “we respect the sovereignty of nepal . but we do not support illegal migration of tibetans to nepal , ” he said . [ more ]
a meeting of top bureaucrats held at the prime minister´s office ( pmo ) and chaired by chief secretary madhav prasad ghimire has decided to crack down on
middlemen
at kalimati fruits and vegitable market to curtail artificial price hikes in fruits and vegetables .
the meeting attended by various government secretaries directed ministry of commerce and supplies ( mocs ) officials to immediately crack down on unscrupulous middlemen at kalimati vegetable market who are allegedly charging exorbitant prices for vegetables and profiteering . [ more ]
: public prosecutors on thursday filed a murder case against armed police force dig ranjan koirala and his “mistress” tara regmi at kathmandu district court seeking a life sentence for koirala and up to 15 years of imprisonment for regmi for their alleged role in the murder of gita dhakal .
public prosecutors have accused koirala of murdering his own wife dhakal in a “planned” manner and burning her dead body . [ more ]
all through the week , children from schools across the valley decided on a favorite spot . some were there as participants , some came to cheer their friends while the others just to relish the theatre .
the children’s theatre festival organized by the shailee group that began from february 15 had a total of 10 productions to be staged . the participating colleges not only acted out but also conceptualized and directed their plays . [ more ]
national sports council ( nsc ) has said the construction of infrastructure for the sixth national games will finish within four days .
athletics track , playground , parapet and all other infrastructure will be ready in four days ,
said arun upadhyaya , chief of construction and maintenance department of nsc . [ more ]
: a maldives court issued an arrest warrant thursday for former president mohamed nasheed , who resigned this week but later insisted he had been ousted by coup plotters in a political dispute that sparked rioting .
police spokesman abdul mannan yusuf refused to disclose the grounds for the criminal court´s warrant , or say when nasheed — who is living at his male home , surrounded by supporters — would be arrested . [ more ]
half empty while releasing the review of 2011 / 12 monetary policy on friday , nepal rastra bank ( nrb ) blew the same trumpet that mini . . .
politics of ' others ' those in favor of institutional exclusion and denial of identity of the single largest ethnic group of the nation , khas & . . .
seeds of change agriculture remains the mainstay of nepali economy , though with a declining share in the gross domestic product ( gdp ) . o . . .
citizenship furor deputy prime minister and home minister bijaya kumar gachchhadar’s recent circular on citizenship sent to the dist . . .
gundree bazaar comes from two words – gundree ( nepali ) means a blanket made of rough wool . bazaar ( persian ) means a market place . gundree was the quintessential all purpose cloth for the gorkhas . they used it as a bedsheet which could be laid over the bed during summer and worn over during winter . interestingly , the gorkhas flocked to small towns and cross - roads during the specific day of the week to sell their products . these were known as haat bazaars . many such places developed into small towns and came to be known by the day of the week in which the haat bazaars were organised such as sombaria , ( monday ) manglabaria ( tuesday ) etc .
gundree bazaar is at the core of the gorkha heritage . the himalayan beacon besides engaging in its journalistic duties have now setup an online shopping network called gundree bazaar within its network ( www . thehimalayanbeacon . com ) to promote authors , artisans , entrepreneurs and everyone else from darjeeling hills and sikkim who wants to place their products before the world .
“bimal gurung is living in kathmandu in a house whose rent is 1 . 5 lakh per month ; he lived in baba ramdev’s house for 1 month” binay tamang
nepali sahitya adhyan samiti declares rajan moktan and basudev pulami as this year’s awardee . rajan moktan wins in prose category for his book ‘chakraview’ and basudev pulami in poetry category for his book ‘ujaleko akhaharu’
: ah…what a relief it was ! i finally got to see something new and worth appreciating from the nepali film industry after quite a long time . directed by gopal chandra lamichhane and produced by shakti badlab ghorashaini , “boksi” is such a relief from all those overrated dhisum dhisum and ghintang ghintang . adapted from bal krishna sama’s play , this one and a half hour is a stressbuster from ‘mainstream’ movies released in recent times .
having heard about the film , i was fascinated by the title - boksi or witch . i came up with a lot of speculations as this title suggested to me various predictions about the film . as i had hardly heard the names of the director and producer of the film , at first i thought that the film had something to do with witchcraft and made for children , something like bollywood movie bhootnath . some said that this is second - grade movie and that is why it has not been screened in the cinema halls around the town . this filled me with more curiosity . after i came to learn that this movie is an adaptation of bal krishna sama’s one - act play , i made sure that i have to have my own say about the film .
thanks to avinash shrestha , the extra dialogue writer and the man behind the screenplay for not destroying the beauty of the play as written by sama . indeed a movie needs some commercial touch for it has to recover its investment , but when it is made relating to some historical aspects , it also must make sure that the masalas should not overshadow what the movie is actually made to depict . boksi strikes this balance well as there is hardly any such ‘formula’ in the film that would make it seem overly done .
the story that often revolves around the four clay walls in a village setting is more than enough in the movie to show what sama tried to say through his play . for a while i felt like i was watching hollywood director mikael hafstrom’s suspense thriller 1408 , which starts and ends in a hotel room describing how hallucinations can cause major problems into human psychology . indeed , boksi proves the fact that it is not always the sophisticated sets , macho actors and cheesy songs that are required to make a movie going . the movie can speak a lot within one and a half hours if the approach is well .
like screenplay writer avinash shrestha says , it is true that these sorts of movies should not be made for mass but for class . the three year long project of producer ghorashaini and director lamichhane has paid them off with the completion of boksi , which ironically awaits its turn to get released in the cinema halls around the capital city of kathmandu and elsewhere . as the film development board ( fdb ) already has a clause that reads “special films made under special purposes need not follow queue system regulated by the board and will get permission for special screening” , this movie should not be barred from screening as it unfolds the historical myths people had in practicing witchcraft .
produced in not more than rs 1 , 500 , 000 , boksi has only five characters . bhune ( raj acharya ) steals the show with his surprising role . for those who know little about raj acharya , he is the same teenager that many have been admiring for his comic role in tito satya teleserial where he plays the son of dipak raj giri and deepa shree niroula . raj as bhune in boksi gives a pleasant surprise with his drop dead serious acting . he is troubled of a scary recurring dream . he sees the same dream every night and feels safe only with uncle chabi ( shankar lamichhane ) . surprisingly he even dislikes the company of his own mother rukumuni ( subechhya thapa ) , a widow , and shouts at her to leave him alone whenever she tries to shower her love . the troubled mother requests a baidya ( an ayurvedic doctor ) to cure her child . later she finds out that bhune was not facing any medical problems . in fact he was troubled psychologically . upon requesting enough , rukumuni shatters into pieces when bhune , the only reason for her to live accuses her of being a witch and is afraid that she would eat him up .
without much melodrama , the movie deals properly with child psychology . it makes it clear how negative influence can make deep cut in children’s minds and even cause them to hallucinate them till death . the negative role of naina aama played by saru baral is another appeal in the movie . deepak bajracharya’s cinematography in digital format is what makes this movie close to art cinema . bikash gurung’s background score is as much as the movie requires . however , a few scenes of grief could have been edited more to shorten the movie . it’s only in the end that you realize some commercial touch and add ups but this also goes well for it ends with a social message especially for children who can take this movie otherwise . the movie ends superbly and does not go as you predict .
though this movie may not prove out to be a blockbuster in kollywood’s way of defining a good movie , i would not however mind to rate it 3 . 5 out of 5 .
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a movie is said to be successful if it is loved by the audience and also make money . people love movie for its script , presentation and also the actors involved . no matter if the movie is heavy budgeted or not , if the audiences love it and if it makes money , it is said to be successful . based on the earnings and the love from the audience , the top ten biggest hits of all time are as follows are listed below .
the most successful nepali movie till present ( 2012 ) is considered to be loot . a directorial debut by nischal basnet has earned more than 2 crores and broke all the records of the successful movies so far . it is based on a simple storyline of a poor guy named haku kale who has big dreams and to be rich , he plans to rob a bank . the presentation of the movie is good and it is a must see movie for the nepali movie audience .
the number one position goes to the musical love story kusume rumal directed by tulsi ghimire . it was one of the first movies to celebrate silver jubilee or twenty five days screening at a cinema hall . it was later remade by uddhav poudel with different star casts and storyline . it is also considered as one of the best romantic movie in nepali cinema industry .
this movie was also directed by tulsi ghimire . it was an offbeat movie that was based on the ideals of revolution and democracy .
it was a bitter - sweet love triangle that won over the young generations . this movie became the third biggest hit again directed by tulsi ghimire . it presented the love story between the college students where two best friends happen to fall in love with the same girl .
tulsi ghimire got the recognition of one of the best director of nepali movies with his movie chino being the fourth biggest hit of all time . it also celebrated twenty five days of screening at a cinema hall , which was not common back then .
the movie directed by dipak rayamajhi was a debut by the legendary actor of nepali cinema , rajesh hamal . his acting skills and charms earned him huge fan following making the movie fifth biggest hit of all time .
it was made out of a historical setting and it had a good earning as well . the movie directed by yadav kharel featured soni rauniyar and neer shah as the lead characters .
the movie thul dai featuring shiva shrestha and jal shah earned a big fan following . although the plot was not new , its presentation brought the audience to the theatre .
this movie was produced by bhuwan k . c . the story and the presentation of the movie was the reason behind its success .
the last directorial venture of prakash thapa , this movie earned success as well as the best film of the year title in 2008 .
the last movie in the list is parkhi base which is one of the recent films . the filmed not only earned success but also became lucky for the debut actor and actress .
established in the year 2011 , nikko japanese language school is affiliated with japanese language school association of nepal ( jalsan ) . the…
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swa lise swaye maga . . hissi . . guli bahla . . . nepal / nepali / nepalese language song
saili | hemant rana | lyrical video | nepali song | feat . gaurav pahari & menuka pradhan
new nepali lok song 2017 / 2073 | tarkali wali - balu bc | ft . sarika kc & db
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the 4 gang members , who were framed in the bank robbery , now escape from the prison . while they look for revenge with haku kale , haku has his own plan of robbing next bank .
a girl falls in love with her classmate . while everything seems right , a worker starts dreaming of marrying her and another classmate tries the same by force .
tulké is a day - laborer in a nepalese mountain village . he struggles to reclaim his lost aristocratic identity , while a violent revolution disrupts every aspect of village life .
after releasing from prison a criminal ( sunil thapa ) looks for revenge on a women who he had a crush on but than he hears the news about she been married for 10 years and had two children than he does everything to kill her family .
the film highlights the changing lives and ways of the limbu people , an ethnic minority residing in rural eastern nepal . it is a story of a young limbu girl ' s struggle with cultural . . . see full summary »
ravi and reetu are good chat friends but they have got no idea that they hate each other in the real life situation .
the film tells the story of three childhood friends . the trio all had dreams to fulfill ' when they grew up ' , but time and destiny seem to have other plans for them . a difficult life is . . . see full summary »
an innocent , poor and hardworking man phadindra timsina ( bipin karki ) finds a sack full of 3 crores nepalese rupees stolen from a bank . he then consults with his 2 friends jayas ( rabindra . . . see full summary »
when a man named pashuati comes to kathmandu to pay his father loans while in kathmandu he discovers pashupatinath where he fights the danger of kathmandu .
a girl who was born in pokhara was sent to jail for 11 years but she didn ' t want to go out of the jail than police officer calls a deceive doctor than she tells her story about her self .
aayush falls in love with sheetal at first sight , unaware that fate already had them together somewhere in the past .
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editor anand nepal phone + 1 - 289 - 634 6474 email ad [ at ] xnepali . com
this is a deconstructive experimental writing . this books construction is very idiosyncratic in context of traditional writings . it is a collection of 126 short stories as well as a complete novel too . this book will be liked by nepali literature lovers .
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puneeth sings rap song for shivaraj in
lavakusha
- hot maga sakkat hot maga . the movie seems to be entertainer without usual family elements .
last edited by hoysalaratna on sun nov 18 , 2007 10 : 35 am , edited 2 times in total .
i think sai parkaaaashuuu is the director . . i saw jenny kothwal dancing with shivanna . . last time appu - guru - shivanna rocked like anytihing with rishi song . . . this time . . .
[ quote =
govinda
] i think sai parkaaaashuuu is the director . . i saw jenny kothwal dancing with shivanna . . last time appu - guru - shivanna rocked like anytihing with rishi song . . . this time . . . [ / quote did appu acted in rishi
[ quote =
govinda
] i think sai parkaaaashuuu is the director . . but one person who have worked for rajendrasingh ' s comedy series is writer of story , screenplay and dialogues . he is also know for comedy acting too .
the star cast includes shivarajkumar , jenniferkotwal , upendra , charmi , girishkarnad , sayyajishinde ( veerakannadiga villian ) , satyajit , rutika , kashi , chidhanand , bank janardhan , mandyaramesh , panda , etc .
yesterday they were showing song recording in e tv . . shivanna , puneeth , guru and producer talked about song .
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recently , a crop of nepali short movies have appeared on facebook , youtube and other social networking sites . the topics range everything from patriotism and music to comedy and humor . besides their obvious entertainment value , these short movies also highlight an important aspect . they are giving the kollywood , kathmandu - based movie industry , a run for their money .
mostly based in foreign countries like united states , united kingdom and australia , these young and talented movie makers are proving that nepalese too can produce quality movies . movie professionals in kathmandu should watch these short movies and take note on how new techniques can be utilized to produce movies that not only entertain but also enlighten .
“k chha kasto chha ? ” is one such piece . this documentary - style short movie provides the audience with a glimpse of lives of nepali students in oregan , united states . i am not a movie professional or technician by any means , but i could identify the excellent uses of sounds , lights and varying camera techniques that provided a natural feel to this short movie . the conversations are edited in such a way that one conversation naturally flows to another .
the use of different camera angles and natural sounds make “passion , ” another short movie , worthy - to - watch .
a thought - provoking short movie “unhappen” stirs more patriotic sentiments than any full - length movie in kollywood .
it is said that 90 percent of kollywood movies are “inspired by” bollywood . everything from dialogues and costumes to storyline and actions are copy cat of some hit hindi movie . but even then , kollywood movie makers have failed to make the movies interesting and worth watching .
the “om shanti om” parody video , as the name suggests , is based on a bollywood movie by the same name . despite having similar dialogues and actions , this short movie does something that most kollywood movies have failed to do so far . it actually entertains us . anybody who watches this parody is sure to laugh at the antics of the main character . somehow , the characters don’t seem silly and provide their own interesting interpretations of the original characters .
most of these short movies are made by young people , who are studying and working at the same time . i wonder why kollywood professionals , whose entire job is to make movies , are unable to do similar things in nepal .
a handful of movie makers in nepal have tried to move away from the traditional style , but kollywood still has a long way to go .
an argument defending kollywood could point out that the industry makes the movies based on the level of their audience . i say , by making dumb movies they are making the audience dumber .
also , movie makers complain that the quality of their movies cannot increase until their production budget increases . and they say , this can only happen when nepalese head to theatres to watch nepali movies instead of bollywood or hollywood movies .
what i don’t understand is how nepali movie makers are producing one crappy movie after another when budget is an issue . this is evident due to the fact that nepali movies have to wait months for their turn to be shown at the theatres . a movie rarely goes beyond a few weeks and another movie happily takes its place in the theatre .
why not focus on one good movie project , instead of running around making dozens of bad ones .
one is the invincible sartaaj of punjabi music industry and the other is the doe - eyed guy of hindi television . and now , you will see them create magic on the big screen . gurdas maan and manav vij have come together once again after the success of des hoya pardesh . this time for a film called mini punjab , which is being directed by choreographer - turned - director duo rimpy - prince .
sounds like an interesting prospect . especially , for the guy from ferozepur , manav , who has made it big with serials like kyunki saas bhi kabhi bahuthi . known to be a lucky mascot for maan , he is more than excited to be sharing screen space with the man he considers his mentor .
gurdas maan has produced over 27 albums and has written over 200 songs . he also wrote and directed tv programmes like pop time for doordarshan , delhi . when gurdas maan started his career as a performer , there was no market for solo singers , as the market was dominated by the duets . he declined many offers to performin a duet as he was confident of becoming successful as a solo artist .
he starred in the hit filmshaheed udham singh , where his true personality was highlighted as a sikh man with no prejudices based on religion , caste or creed . as a singer gurdas maan has worked with music directors like laxmikant pyarelal , bappi lahiri , anu malik , nadeem sharvan , amar haidipur , charanjeet ahuja , jaswant bhanyra to mention but a few .
aside from singing in punjabi , he is fluent in hindi , bengali , tamil , haryanvi and rajasthani . as an actor he has performed in punjabi , hindi and tamil movies .
i always wanted to work with gurdas maan for the very fact that he is a powerhouse of energy and talent , ” says manav . “each day is a learning experience with him . so much so , i feel that he has changed my life completely . even people have noticed a positive change in me . ”
manav plays jeet , a boxer in mini punjab , which also stars gufi paintal , vivek shauqk to name a few .
“the audience wanted to see us together on screen , ” offers manav , who has done a cameo in ekta kapoor’s mahabharat . “the film has a strong storyline and i am sure it will be a big success . ”
ask him about his relationship with his mentor and you get all his attention . “as i told you earlier , gurdas maan is a director’s delight . you don’t have to tell him how to do a scene . after every scene he would sit behind the camera and tell me how i had performed . ”
says manjeet maan , gurdas maan’s wife and producer of most gurdas maan films , “every director has a vision and the actor has to work accordingly . i don’t know about this project as it is completely new . it is impossible to create the magic of des hoya… , but who knows what’s in store ! ”
and we can feel the absence of manoj punj . she feels that too , “working as a team with manoj was a totally different experience . he would treat his subject with finesse and delicacy and the results are there for you to see . ” indeed .
but such is life , it has to roll on . and so does work . sai productions will always miss punj , the man who created magic on screen . but at the same time , as they say , the show must go on .
paisley prints , dull pinks , purple stripes , subtle floral — no , we are not talking about a new women’s boutique that has come up on the block but about the trend in men’s wear . surprised ? surely you can’t be . by now you must have seen men in various prints and colours .
no more boring greys or blues , guys ! we just told you that pink were the new blue in the corporate dressing . but to be doubly sure , we go on a city tour scouting for what rules the men’s wardrobe these days and come back with this conclusion that there is no colour exclusive to woman any more . men have stolen almost all colours from female wardrobes !
whether formal , semi formal or casual — experimentation is the key word . or what else would explain the pinks , lime greens , yellows and maroons in their closets ? make a trip to van heusen . here , one can find a wide range of floral prints apart from the universal stripes and checks . in fact , the variety in colours and prints is nothing short of kaleidoscopic view ! and pink is really in the pink of health . as store manager manoj kaushik says , “pink is accepted by one and all . in fact , i would say pinks and blues come in the same league now . it contributes well to our sales . ”
‘your business has only one chance to make that important first impression . make sure it’s the right one’ . in this statement lies the power of power dressing . the term power dressing was coined in the late 70s and is associated with clothing styles meant to spell assertiveness in business and politics . the term has come to be used for both men and women alike . and what has changed is the concept of power dressing . while , earlier , it was just the blues and blacks for men , now even turquoise fits into the definition of power dressing .
now , we are not running down the whites , blues and the blacks . they are the staples everywhere but a change is always welcome . at allen solly one can find a huge variety of conservative stripes and plains , but again they come in colours too . if you want to experiment with caution , then this is the place to head .
at wills lifestyle , you can find a refreshing combination of colours that comes in stripes . so expect to find two shades in the same shirt but blending effortlessly with each other . showroom host vipasha laroiya says , “talking about pink , it is popular but only the dull pink . ” here you can also choose various colours and prints in ties . apart from the plain silk and satin ties , you can find paisley - print ties in seagreen , violet and also in checks and squares .