steam trek : the moving picture is a 1994 fan film that was made by fans of original star trek .

it was directed by dennis sisterson and written by dennis sisterson and ashley levy .

it parodies the television show as a silent film .

steam trek : the moving picture

steam trek : the moving picture was made in 1994 by the ad hoc film society . the idea originated from a story outline by ashley levy entitled star trek - the silent generation . filming was done with super 8 mm film .
picture exclusive : a wintour wedding ! vogue editor - in - chief anna ' s daughter bee shaffer is the picture of . . .
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vulcan was intended to serve as the primary location of an ultimately undeveloped star trek series that would have been centered around spock and was , shortly after the cancellation of the original star trek series , proposed to gene roddenberry by paramount . ( the making of star trek : the motion picture , p . 18 )
steam trek was made in 1994 by the ad hoc film society , an offshoot of the ' endeavour ' star trek fan club founded by , among others , writer jim swallow and future president of the uk mars society , bo maxwell .
to use the spanish subtitles in infra , the language of steam must be set to spanish . this can be done by selecting
steam
,
settings
,
interface
and then spanish from the drop - down menu .
to change the subtitle language in infra , you ' ll need to change the interface language for steam . this language can be changed by selecting
steam
,
settings
,
interface
and then the language from the drop - down menu .
june 4th , 1982 was the release date of what many feel to be the best of the trek movies ,
the wrath of khan .
here is a link to view all the articles , clippings and photos on this site related to this exciting and moving film :
poll results : who ' s the best captain in
star trek . . .
fluorescent orange screens were one of the key advances made on star trek : the next generation .
in notes that costume designer robert fletcher wrote about the aliens in star trek : the motion picture , he proceeded from an hypothesis that vulcan was
a ruby planet ,
which he gave as evidence for the presence of
the red - booted giant figure
as well as ruby jewelry in the film ' s vulcan scene . ( the making of star trek : the motion picture , p . 133 ) fletcher based the vulcan clothing in star trek iii on a similar concept related to the planet .
the concept i generated ,
he said ,
was that vulcan is a planet of precious minerals .
( the making of the trek films , 3rd ed . , p . 51 )
ben affleck ' s $ 19m la mansion is surrounded by moving trucks . . . as it ' s revealed girlfriend lindsay shookus plans to spend more time on west coast
the morning of may 3 found me dressed in leather riding trousers , short raincoat and a khaki shirt , while i had a special canteen made to hold a gallon of water to help me across the desert . at 9 a . m . pacific time , i made my start before a battery of cameras and moving - picture machines .
there i spent four hours , having dinner and then resting up from the exertion of pushing my machine through the deep sand in the intense heat . i was so exhausted when i reached the spring house that someone suggested pouring ice - cold water right down my spine , which certainly did revive me . i was fortunate in hitting this spring house , because they had a little ice machine there and i think if it hadn ' t been for that ice machine i would never have seen the bright lights of broadway . if i could have got a moving picture man to take pictures of the things i saw on that desert in my imagination after the heat hit me , they sure would have some moving picture stunt .
stern challenge - in this mode , users must hit a target score on each of the tables to earn challenge points before moving on to the next table - a full game experience in itself .
to use the spanish textures in infra , you can right - click infra on steam , select
language
and then spanish from the drop - down menu .
visual effects associate eric alba poses with a spaceship model from star trek : voyager .
the 1965 television series the wild wild west , as well as the eponymous 1999 film , featured many of the elements of advanced steam - powered technology set in the wild west time period of the united states .
, the new
enterprise
captain in
star trek : the motion picture ,
is now on the longest - running family drama on tv ,
7th heaven
( wb ) . his co - star in it ( as his wife ) is catherine hicks , the guest star in
star trek 4 : the voyage home .
before that , collins starred in the tv - series
statues that appear on vulcan in the first shot from the teaser of
the forge
were based on computer - generated views of vulcan in the director ' s edition of star trek : the motion picture and the episode
home
. (
the forge
text commentary , ent season 4 dvd & blu - ray )
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in - engine cutscenes have dramatically improved star trek online ' s storytelling over the past five years .
this is what star trek would have looked if it had been shot back in 1899 by georges méliès . worth watching just for the star trek theme , rendered on a piano . stunning .
was charged with devising a way to realistically recreate the look of pools of steaming milky water that had been at the location . he concocted similar liquid with evaporated milk and white poster paint , mixed with water and poured into the set ' s pools . steam bubbling to the top was created with dry ice and steam machines , passed into the water via hidden tubing . (
there have been a lot of star trek spoofs and pseudo - documentaries over the years , but the best i ' ve seen doesn ' t even have star trek in the title . it ' s called galaxy quest
you can use this widget - maker to generate a bit of html that can be embedded in your website to easily allow customers to purchase this game on steam .
( a sci - fi writer who also novelized all the star trek animated episodes ) . special effects by doug trumbull .
during the months of pre - production on the motion picture , director robert wise and production illustrator maurice zuberano – interested in finding a location to represent vulcan – searched through numerous books depicting distant natural wonders and / or ruins , at sites such as afghanistan , tibet , and turkey . ancient temple ruins in a remote area of turkey were at one time seriously considered for use as vulcan . a venture to such exotic locales was considered to be too expensive , though , so this idea was scrapped . ( the making of star trek : the motion picture , p . 172 )
prior to gene roddenberry ' s 1991 announcement that the planet vulcan was in 40 eridani , the suggestion was proposed in not only 1980 ' s star trek maps but also in 1968 ' s star trek 2 , by james blish . [ 16 ]
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five years after a troubled launch , star trek online has finally started to realize some of its original potential .
accounting for the decision to show vulcan in the fourth season of enterprise , executive producer manny coto noted ,
if you really look at the star trek universe we ' ve spent very little time there .
( star trek magazine issue 118 , p . 22 )
if you wish to continue using english subtitles in infra , you can right - click infra on steam , select
set launch options . . .
and type in
- language english
.
paramount owned the engine and cars . they purchased no . 22 back in 1937 . paramount also owned no . 18 , another virginia & truckee steam locomotive . both engines were sold to the state of nevada in 1974 .
a gem among the growing number of trek - themed blogs ; deserves praise for the quality of the content as well as of the presentation .
- ex astris excellentia
an early trek film boasts a sequence that is one of the most significant in digital visual effects and computer graphics lore . the terraforming planet sequence , known as the genesis demo , in star trek ii : wrath of khan holds the reputation as the first major use of computer graphics in a feature film .
if you wish to continue using english subtitles and textures in infra , you can right - click infra on steam , select
set launch options . . .
and type in
- language english
.
no star trek online isn ' t nowhere close to the spirit of star trek . there is no exploration , puzzles , mysteries , or real endgame content . this is a shoot em up , blow them up game pure and simple . if they could take the essence of star trek 25th anniversary , and judgement rites games which gave us all tasks to complete rather than the current , hold z , pick any options until you run out of options , shoot something , hold z , etc . . . sto would be cool . we can ' t even really do anything aboard our own ships . and in the trek universe , 99 percent of star trek was onboard the ships interior . star trek was never originated as a war story , but a story of people coming together and working together in exploration and community . yes they had to defend thenselves and others , but the current mmo is not the essence of star trek . . . period .
the star trek encyclopedia ( 4th ed . , vol . 2 , p . 44 ) classified vulcan as a minshara - class planet .
the idea for what became steam trek was first pitched at a meeting at the national film theatre by ashley levy , who read out a story outline entitled ' star trek - the silent generation ' . the group loved the idea - i liked it so much i asked to direct it - and i joined forces with ashley to complete the script . after much discussion we agreed to shoot the film on super - 8 rather than video . although this would be more expensive , we hoped there would be few out - takes , since there would be no lines to fluff !
the idea for what became steam trek was first pitched at a meeting at the national film theatre by ashley levy , who read out a story outline entitled ' star trek - the silent generation ' . the group loved the idea - i liked it so much i asked to direct it - and i joined forces with ashley to complete the script . after much discussion we agreed to shoot the film on super - 8 rather than video . although this would be more expensive , we hoped there would be few out - takes , since there would be no lines to fluff !
lens flares , a trademark of j . j . abrams’ star trek , were achieved both in - camera and with the help of visual effects
since delta rising , the sto crowd , not just in pvp , but pve have become so discontented with the game that they are mocking the developers now . look at the forum signatures as an example .
delta rising is the best expansion ever , and the players love it
slogan is usually attached with a parody picture .
well , the results are in for our poll on the best captain in the star trek series . not surprisingly , it was mainly a race between captain p . . .
at the start of star trek : enterprise , rick berman and brannon braga established that vulcan had an antagonistic relationship with earth . this idea extremely appealed to married writing couple garfield and judith reeves - stevens . ( star trek : the official starships collection , issue 55 , p . 15 )
it is a star trek history buff ' s dream website , excellent in both content and quality .
- trekmovie . com
in the latest incarnation , justin lin’s star trek : beyond , the warp speed effect evolved even further when the film’s visual effects supervisor peter chiang suggested the idea of showcasing a more scientific approach .
those strengths were in utilizing fractals , particle systems , texture mapping , bump mapping , digital painting and a moving camera ( aimed at mimicking a typical planetary flyby that had become popular then on television ) . they were all computer graphics techniques in their early days , but the project had the benefit of having some of the brightest minds at lucasfilm on the job .
star trek : the next generation ( 1987 ) - commander william riker ( jonathan frakes ) , deanna troi ( marina sirtis ) one of the most memorab . . .
the star trek : deep space nine writers toyed with making vulcan the planet that was conquered by the dominion in
in the pale moonlight
. however , they decided to go with betazed , as vulcan carried
too much weight ,
in the words of ronald d . moore . ( star trek : deep space nine companion , p . 557 )
star trek filmed on stages rko / desilu stages 9 and 10 , which are today numbered as paramount stages 31 and 32 respectively . for star trek , stage 9 housed the permanent interior sets of the u . s . s . enterprise , and stage 10 was used for temporary sets , including planet
exteriors .
stern pinball arcade features widely popular and interactive titles such as ac / dc® , star trek™ , and mustang™ with many more available through the in - game store .
back in 1994 , a group of amateur filmmakers asked themselves an important question : what if star trek had been made in the silent movie era ? . . .
, the scenes on vulcan are said to be set during daytime , yet the theatrical cut of the film consistently shows the planet with black , starry skies . as scripted , the planet was to have been introduced with the camera moving through thick , steamy clouds before the planet ' s surface would have been shown . the script details the mountainous vulcan landscape as having
harsh , strange angular peaks and rock formations ,
and the planet itself as being
barren
as well as
legendary
. although the film itself shows spock moving between two different areas , this does not happen in the shooting script , which instead describes only one location ; spock was to have been located atop a stone platform or ledge amid ruins ,
facing a semi - circle of three similar platforms
( for the trio of vulcan masters ) , with
gigantic ancient vulcan statues and ruins
in the background .
these past few years have been a strange and at times infuriating ride as i ' ve dealt with the reality of bugs , content gaps , and lockboxes ; but looking at star trek online in its totality , i ' m impressed by what cryptic has accomplished . from a dismal launch , they ' ve managed to make an mmo that comes closer than i might have thought possible to capturing the spirit of trek , with more to come . as they say at the end of star trek iii :
the adventure continues .
at the end of the day , it ' s a fun system especially if your a fan of star trek that costs nothing to play . after 50 , well , open your wallet .
coincidentally , at around the same time star trek was establishing vulcan in late 1966 , the british series doctor who featured a story arc , entitled the power of the daleks , which featured a planet named vulcan as a setting .
the morning of may 3 found me dressed in leather riding trousers , short raincoad and khaki shirt , while i had a special canteen made to hold a gallon of water to help me across the desert . at 9 a . m . pacific time , i made my start before a battery of cameras and moving - picture machines . thirty miles out from san diego , in the cottonwood mountains , the sun came out in all its glory , together with a strong wind . i stopped for dinner at mountain springs , at the mouth of devil ' s canon . the dinner was served at a slab - boarded shanty , where i had a handout of sour - belly beans and a cup of coffee , for which i paid liberally .
eric alba was a visual effects associate on last two seasons of tng , two seasons of ds9 and one season of star trek : voyager , and contributed to the film star trek : generations . which means he was there during all of this transition in the tv and film effects world , and says that it “forever influenced the way vfx were made for television . ”
the 1986 japanese film by hayao miyazaki castle in the sky , was heavily influenced by steampunk culture , featuring various air ships and steam - powered contraptions as well as the story line centering on a mysterious island which floats through the sky . this is accomplished not through magic as most stories would resort to but instead relies on massive propellers as is fitting for the victorian motif .
i also reviewed star trek online when it first arrived in 2010 , and while my own review has since vanished into the ether , my recollections are much the same . cryptic had done their best , but star trek online was a mess ; and once you hit the level cap , there was almost nothing to do . as a result , interest dropped sharply not long after .
star trek first aired in 1967 , the first pilot episode having been shelved in 1966 (
the cage
was later used in a 2 - part episode , the only two - parter in the series ) . it was on the desilu lot next to
general service studios was important to desilu because by the 2nd season of i love lucy they had rented the entire facility . but because of it ' s small size , they moved to motion picture center . not sure how long they rented gss for or if they still had a presence after i love lucy and our miss brooks moved .
star trek online has existed in one form or another since at least 2004 , when perpetual entertainment commenced work on an mmorpg set in gene roddenberry ' s universe .
cbs entertainment | this site and its contents ™ & © 2018 cbs studios inc all rights reserved . star trek and related marks are trademarks of cbs studios inc .
naturally , ricossa is confident the team will find more material . star trek , after all , has been around for a very long time .
there are still significant portions of the delta quadrant that we haven ' t touched , and the entire gamma quadrant is available to us . what we like to do is take inspiration from a star trek episode or movie , and then expand on it in our own way . you can find some nugget of trek lore in pretty much every episode we’ve released , which is really exciting for us and for the players .
ahead of the release of no man ' s sky , it was unclear if it would be possible to hack the game ' s code to add visual and audio tweaks—and possibly even more significant changes to how the game works—but , within hours of the game being released for pc through the steam platform , modders had ripped the game ' s code apart and set about bringing murray ' s nightmares to life .
being unemployed at the time and with not much else to do , i dove headfirst into star trek online ' s content , eventually racking up more than 200 hours of playtime . along the way , i was dragged into the still - limited pvp , where i met a friendly clan known as the
sad pandas
and began to discover just how deep star trek online ' s rabbit hole really went .
i brought sto for £2 off steam thought £2 was good for 30 days ( this was before f2p ) , really boring . was playing the star trek armada 3 mod for sins of a solar empire and thought , you know what i ' ve gotten all star trek focused now , let me try sto again . massive improvement , everything is vastly different to what i remember and looking at this article i can see it changed everything when it went f2p ? lots to get my head round , can ' t understand the currency or item system yet but getting myself through what i believe is the klingon war missions , once i finish them i ' ll probably have some currency to explore with .
two years later and while no man ' s sky has been released , there is no sign of official modding tools . murray and his tiny team at uk - based hello games have bigger issues to deal with at the moment , such as fixing the long list of problems already reported on the pc version of the game—something which has led to very average reviews for the game on distribution platform steam .
modding is a long established practice in the video game world , where dedicated fans take apart a game ' s code before adding their own tweaks and making them available for everyone to use—sometimes for a price . mods range in scope from replacing an in - game avatar with a picture of oneself to entirely reimagining the original game , as was the case with black mesa , the remake of half - life .
in gene roddenberry ' s novelization of the motion picture , he indicated that nine vulcan seasons were equal to 2 . 8 earth years . this would make vulcan ' s year 456 ± 33 earth days long . the same novelization also places the narrative ' s scenes of vulcan as being in gol . despite specifying that vulcan had multiple suns , the book makes no reference to any moons or additional planets in the vulcan system .
what it might have looked like if star trek was made a 100 years ago by george melies . view the full version of this brilliant at urltoken . link [ youtube ] - urltoken via fanboy
i read somewhere that the second pilot for star trek was shot on stage 15 at desilu - culver . it seems there was a nest of hornets up in the rafters that the production disturbed . several people were stung including shatner .
this lost silent movie from the 1890s is set in the far - off future year of 1980 , with the uss isambard taking the place of the enterprise . a popular film on the sci - fi and star trek convention circuit , it was only recently posted to youtube . here is how it came about :
hey ! didja think that
generations
( the 7th star trek movie ) was the best one in the series ? me neither . here ' s the urltoken official generations review , including comments from that guy stuck in space with two robots on mystery science theater 3000
star trek : enterprise - t ' pol ( jolene blalock ) - image source : e online here are some things you didn ' t know about t ' pol . . . .
the short - lived 1995 tv show legend on upn , set in 1876 arizona , featured such classic inventions as a steam - driven
quadrovelocipede
and night - vision goggles , and starred john de lancie as a thinly disguised nikola tesla . alan moore ' s and kevin o ' neill ' s 1999 the league of extraordinary gentlemen graphic novel series ( and the subsequent 2003 film adaption ) greatly popularised the steampunk genre .
st4 and st6 are among most fan ' s favorites , and are often run back to back on the scifi channel ( i guess they want us to forget about star trek v ) . [ to be continued ]
since i last played in 2012 , cryptic has produced hours of content like this , each one a self - contained mini - episode of star trek with multiple objectives . even now it pales in comparison to the likes of world of warcraft ; but at this point , star trek online has enough pure story content covering almost every series and movie to last at least 80 hours , all of it for free .
the small european village [ used in star trek and hogan ' s heroes ] was right behind the nickodell restaurant and catty - cornered to the khj broadcast building on melrose . the restaurant was leveled to make way for more parking on the paramount lot . also removed [ in 1979 ] were the european village and the western street used in bonanza .
this lost silent movie from the 1890s is set in the far - off future year of 1980 , with the uss isambard taking the place of the enterprise . a popular film on the sci - fi and star trek convention circuit for over a decade , it was only recently posted online . click here to see video and complete info on
last week , i dusted off my star trek online account and logged in for the first time in three years , where i found myself confronted by a harsh reality : i barely had any idea what i was doing .
e . t . the extra - terrestrial
( 1982 ) , in which one of the little kids says ,
this is real , not some fantasy like star trek .
every st fan who had seen e . t . got the joke in st3 .
sto had so much potential , but cryptic just squandered it for short term gains . pwe , their parent company isn ' t fairing well as well . steam statistics are pointing to a decline as well . cryptic response to this was less than desirable .
we dont really care about those stats , they mean nothing
was the reponse in a q & a ; session .
smith says the sequence was “the first use of computer graphics in a successful motion picture” and that he is still incredibly proud of the work . he notes that if you watch closely , there’s a section where the spacecraft hit the fractal mountains on one frame , owing to the random heights . so one artist , loren carpenter , who was behind the fractal graphics , went into the database of imagery , by hand , and “found the offending frame and carved a notch in the mountain at the right place for that one frame . if you watch for that frame , it’s rather obvious and gets a guaranteed chuckle out of an audience who has been told about the fix beforehand . ”
in the mid - 1960s , special effects in films and tv were the domain of miniatures , matte paintings on glass and optical compositing – all on real film . the effects in star trek : the original series were no different , but the sheer number of shots made for the show , and the need for them to be of “film quality , ” required some neat innovation .
while i was going to college in orlando , i was a cast member at walt disney world . i was a ferryboat pilot , a jungle cruise skipper , a steam train conductor , and an omnibus driver among other roles . while working inside the magic kingdom i remember evenings after the guests had cleared the park and i ' d walk alone down main street usa . the music would still be playing , the store windows were aglow , and cinderella castle sparkled in a soft blue light .
when the story for
the forge
was first thought up , judith and garfield reeves - stevens wrote the area of vulcan where archer and t ' pol met syrran as simply
somewhere off in the wild on vulcan
; it was only later that the specific areas of the planet which are used in the story were named . ( star trek : the official starships collection , issue 55 , p . 16 )
steampunk has begun to attract notice from
mainstream
american sources as well . for example , the episode of the tv series castle entitled
punked
( which aired on october 11 , 2010 ) prominently featured the steampunk subculture and used los angeles - area steampunks ( such as the league of steam ) as extras . the gsn reality television game show steampunk ' d features a competition to create steampunk - inspired art and designs which are judged by notable steampunks thomas willeford , kato , and matt king .
according to michael okuda in the book ships of the line ( p . 22 ) , the planet was devastated during the time of the awakening . the shirkahr highlands were once green with meadows and soaring coniferous trees . during the time of the awakening , the highlands were destroyed by nuclear warfare , and the meadows changed into deserts . this process of destruction was repeated all over the planet , resulting in global climate change . okuda detailed similar accounts of nuclear devastation in the text commentary for ent :
the forge
and in the book star trek : the original series 365 ( p . 176 ) .
if there’s one kind of visual effect that has evolved with the trek tv and film franchise , it’s warp speed . advances in design , computer graphics and compositing techniques have allowed warp speed to become a more visceral , immersive , and impressive visual effect over the years .
suffice it to say , that did not happen . instead , perpetual disintegrated in 2007 and the rights to star trek online went to cryptic , who had earned praise for their work on the popular superhero mmo city of heroes . comparatively little is known about perpetual ' s plans for star trek online , but there was talk of large starships like the enterprise - e serving as hubs , with players controlling small ships and shuttles . a few months ago , massively posted an article detailing the rise and fall of perpetual , which goes into more detail .
given all of that , it ' s fair to say that star trek online has survived and even thrived to a degree outside of the public eye . but unfairly or not , star trek online ' s improvements have gone mostly unnoticed , overshadowed by its poor reputation and other , more popular mmorpgs . after all these years , though , there ' s still not a lot like it . and that ' s why i ' m back in for the first time since 2012 , feeling like scotty aboard the enterprise - d .
howard anderson also devised an effect that would pervade the trek series for years to come : the transporter , in which crew members were beamed from ship to planet or just about anywhere else . the futuristic effect was achieved in a surprisingly low - tech way for the original series , with aluminum powder and old - school optical compositing .
while i was going to college in orlando , i was a cast member at walt disney world . i was a ferryboat pilot , a jungle cruise skipper , a steam train conductor , and an omnibus driver among other roles . while working inside the magic kingdom i remember evenings after the guests had cleared the park and i ' d walk alone down main street usa . the music would still be playing , the store windows were aglow , and cinderella castle sparkled in a soft blue light . i was alone in the world ' s most popular theme park .
we premiered the film at archon , the biggest star trek convention of the year , which took place at a hotel at heathrow airport in august 1994 . ( a memorable line - up of guests included dave prowse , jon pertwee , patrick stewart and arthur c clarke ) , and it did the rounds of conventions for a while afterwards .
as will happen with pretty much any mmorpg , i eventually hit the content wall with star trek online . i had most of the best gear and a stable of high - quality ships , and i had finished all of the missions . i drifted away , resolving to come back once there was more content .
i played star trek online briefly when it first launched and didn ' t get very far before losing interest . i ' ve heard time and again that it ' s gotten better and better over the years , but i still haven ' t gone back .
prior to lunch , there was a ceremony of sorts as don brought out a picture of cannon ball shortly after his arrival in new york on may 14 , 1914 . for don and joe and ride sponsors , as well as the riders that traveled coast to coast to honor baker and replicate his feat , it was a special moment . less than two weeks earlier , we were in southern california where yachts were the focal point of san diego harbor . having crossed a continent , before us the statue of liberty was the focal point of new york harbor .
dennis sisterson directed this super 8 steampunk send - up on a bank holiday weekend in 1994 , based upon ashley levy ' s brilliant idea of remaking star trek as if it had been created by george melies . the film made the rounds on the sci - fi circuit for years before being re - edited in 2007 .
vulcan ' s characteristics of a higher gravity but thinner atmosphere than earth were inspired by the fact that spock was already established as having both greater strength and keener hearing than a typical human . ( star trek - where no one has gone before , p . 35 )
the worlds of the federation ( p . 18 ) gives t ' khasi as vulcan ' s indigenous name and states that terran astronomers , taking inspiration from terran mythology , provided the planet with its name of vulcan , which the vulcans gracefully accepted as the planet ' s official federation designation . both the worlds of the federation ( p . 18 ) and star trek maps ( p . 26 ) characterize vulcan as having
several large port cities ,
with the former stating that eighty - six percent of the planet ' s surface is landmass . the latter source describes the planet as relatively large .
rko hollywood studios at n . gower and melrose ( became desilu - gower in 1957 ) aerial view of former desilu - gower facilities ( now the western quarter of the paramount lot ) ( bing maps ) desilu - gower ' s soundstage new york street in the untouchables filming star trek on stage 9 at desilu - gower ( courtesy
birdofthegalaxy
)
which is not to say that star trek online avoids in - game purchases entirely . there ' s quite a large selection of ships to choose from in the cryptic store , most of them very powerful . i ' ll admit that i ended up spending a money on an odyssey cruiser , rationalizing the purchase by telling myself that had gotten more than my money ' s worth out of the free content . cryptic also sells in - game items , uniforms , increased inventory space , and a variety of other knick - knacks , the majority of which don ' t have a large impact on the game . it is entirely possible to enjoy star trek online without spending a dime .
i heard many variations on that theme through 2011 . crytic had worked hard to address many of star trek online ' s quality of life issues , revamping the the ui , releasing new content for the klingon faction , and introducing elite loot sets . my interest was piqued , but i mostly filed it away as something to check out at a later date .
reviews were accordingly unforgiving . reviewing star trek online for eurogamer , oli welsh wrote at the time ,
players are miserable , and klingon chat channels are among the most dispiriting places to hang out on the internet right now . this faction will need to get some serious love if it ' s to foster a community healthy enough to provide the happy hordes of starfleet with proper competition .
number of refugees accepted into the u . s . falls below the rest of the world combined for the first time since 1980
the mods created so far for no man ' s sky are not quite on the same level as black mesa , however . among the 60 or so mods available for anyone to download are ones to change the look of your ship , add the ability to switch the heads - up display on and off without having to go into the menu , replace the system font with one from star trek , disable annoying audio warnings , and replace a
units received
alert with
the rick ' wubba lubba dub dub ' soundbyte from rick and morty .
in early 2012 , star trek online went free - to - play , and i used the opportunity to jump in to see what had changed . the answer : pretty much everything . the graphics had been improved , there were far more missions to play , and the design was much cleaner ; but the crown jewel was the duty officer system . reminiscent of a similar mechanic in assassin ' s creed brotherhood , it made it possible to collect crewmembers with varying skillsets and send them on missions , the completion of which brought in money and experience . it wasn ' t quite a replacement for
exploring strange new worlds ,
but its inclusion at least made it feel as if there was more to star trek online than phasers , torpedoes , and more phasers .
william shatner described the culver stages as being in extremely poor condition . he also talked about the sets being very limited in how they could be filmed as they were built for specific shots instead of the walls being able to be moved around easily . when they [ star trek ] were moved to gower parts of them were rebuilt to be easier to use .
each of the cast managed their own costumes , while i constructed the props and painted the backdrops . the coal sack came from the london underground mail room where i was working at the time .
at the time , the sad pandas were one the game ' s best pvp clans . flying in their tricked out ships , they would queue up together for the arenas and annihilate unsuspecting pickup groups or
pugs ,
which is how i ran into them for the first time . along with the rest of star trek online ' s clans , they had managed to decode the game ' s rather arcane systems and maximize their damage output , enabling them to rip through lesser ships like tissue paper .
number of refugees accepted into the u . s . falls below the rest of the world combined for the first time . . .
there would also be a move during the making of tng and ds9 to incorporate fully cg versions of the spacecraft and other elements that would normally have been done by miniatures . although other shows like babylon 5 and dsv had also pioneered digital effects for television , it was these star trek series that perhaps gave cg on tv its greatest exposure .
with only two years to push a full - formed star trek mmorpg onto the market , cryptic went into overdrive . perpetual ' s plans were scrapped , with cryptic deciding instead to make every player a starship captain ; a decision derided by some critics and praised by others . they also shifted the balance away from exploration and diplomacy and more toward action by putting the klingons and the federation at odds once again .
cops looking for the guy in the red hoodie . guy in red hoodie peaks around the corner .
well , it ' s been 25 years since
star trek 5 : the final frontier
opened on june 9th , 1989 , and the pain is still there ; sybok could do little to relieve it . ( who , by the way , could have made a killing as a psychotherapist on earth , and done much better than chasing a non - existent sean connery . )
i spent the next few days shooting the titles and the scenes of the
uss isambard
on an improvised rostrum at my flat .
nbc originally planned to relocate the tonight show from the burbank studios to universal , but in the aftermath of the jay leno / conan o ' brian debacle , and after leno insisted on the show returning to the burbank lot , nbc - universal is now renting the burbank studios from the investment group to which the company recently sold the property .
, was the first time a room on the planet was shown without the exterior of the planet ' s surface being depicted too .
. the designs for the area reflected the fact that the character was intended to be a high - ranking but somewhat rebellious woman .
, and leonard nimoy would later join the imf ( impossible missions force ) when star trek was cancelled . though he co - wrote / produced a marginally successful sci - fi series in recent years , william shatner would not star in another sci - fi series , though he did play himself ( as capt . kirk ) in a cameo on the tv series
so , like previous films before it , star trek : beyond offers a new chance to show phenomena seen before . and soon filmmakers and effects artists will have another opportunity to continue boldly going where they haven’t gone before with a brand new tv series set to air in january of 2017 .
the screening room was right behind commissioner gordon ' s office from the tv version of batman . remember how the batmobile would park right in front of the building and batman and robin would bound up the stairs ? on the other side of the facade was probably the producers watching the julie newmar in her cat suit from the day before .
i don ' t have anything better to blog about right now ( i ' m in the middle of reviews and designs ) , so i thought i would share a bit of whimsy - notably , this steampunk version of star trek . if you ' re familiar with a trip to the moon , you will find this deeply funny . hat tip to bt .
mr . spock , remind me to keep the temperature down on the bridge in the future .
born in the late 50 ' s , a kid in the 60 ' s , a teen in the 70 ' s , i ' m
forever - fourteen .
monsters , spooky stuff , sci - fi and star trek captured my imagination as a youth and the memories made will never fade . the profile photo symbolizes the efforts of my stepdad to rid me of my
childish
interests , as he called them ; at which , not being a man of strong imagination , he failed .
of course , no discussion of a free - to - play mmorpg is complete without a look at the microtransactions underpinning its business model . mercifully , all of star trek online ' s core content is free , and the basic ships ( which include vessels in the class of the enterprise - d , enterprise - e , voyager , and defiant ) are all capable of holding their own . with the right gear , the assault cruiser can even be quite powerful , though your mileage will vary on the design ( i ' ve never been a big fan of the enterprise - e ) .
anyway , the good guys win and “the needs of the many outweigh the needs of the one” when spock enters a radioactive chamber to bring the enterprise warp drive back online just in time to escape the genesis device exploding a solar system , then dies .
while murray and hello games are clearly worried about the impact mods will have on the experience of all gamers , the modding community believes the possibility of parallel universes and the ability to affect the way the game is played by everyone is not really feasible .
star trek online is becoming nothing but a hastle . it is not fun anymore . the technical and ingame issues are constant ! they cannot fix all the problems the game has . ( not being able to log in , game not responding , glitches , cheats , etc . ) the problems are enormous and constant and now these same problems are being blamed on
attacks .
unless you need you star trek fix and reruns are not doing it for you , don ' t bother . other pc games don ' t have so many of these issues . don ' t spend your money . i ' m giving them a couple more weeks , and if these problems persist , then that ' s it . i hope im not risking my computer playing .
of course , many of star trek ’s scenes were not capable of being shot for real — they were digital creations by industrial light & magic , which had to replicate the live action look of lens flare aberrations to abrams’s taste . in doing so , compositors at the visual effects studio analyzed the way light flared in anamorphic lenses and replicated that in digital form , even creating a tool called sunspot to achieve it .
blondie street and park blvd . , as seen in the partridge family ( house to the left was the reed family home in the donna reed show , and also used as the mitchell family home in dennis the menace )
i refuse to look at the camera until bill says i ' m the star of the show .
mesmerising maps reveal record - breaking temperatures across the world as the earth experiences ' one of the . . .
this was a sad and interesting place . there wasn ' t much to see , really , yet i was there for a while taking pictures and taking notes and taking into account that there was no town here anymore - but there had been once . i tried to picture local farmers and ranchers and townspeople coming here for gas and groceries and soda pop or simply hoping to meet with friends and ease their loneliness . and then i looked at where the pumps used to be and i spied two weatherworn outhouses and i kicked at chips of stucco and concrete that had fallen around the building and i wondered about those people until it was time to ride again .
since around 1971 , when i was first bitten by the star trek bug , i have been collecting all sorts of items for my scrapbooks ; photos , articles , ads , and more . i hope you join me often on this fun and nostalgic look back , as i share them with you , one at a time . it ' s a
phaser blast from the past !
when the original piece of film was combined with the mask ( which is like a hole in the piece of film ) and the glitter element , the glitter effect showed up only over the outline of the figures . the image of the figures from the original piece of film was faded out , or in , to finally reveal the materialization / dematerialization effect , and this was all achieved with film cameras and optical printing .
the views expressed in the contents above are those of our users and do not necessarily reflect the views of mailonline .


f for fake ( french : vérités et mensonges , " truths and lies " ) is the last major film completed by orson welles , who directed , co-wrote , and starred in the film .

initially released in 1974 , it focuses on elmyr de hory 's recounting of his career as a professional art forger ; de hory 's story serves as the backdrop for a fast-paced , meandering investigation of the natures of authorship and authenticity , as well as the basis of the value of art . loosely a documentary , the film operates in several different genres and has been described as a kind of film essay .

far from serving as a traditional documentary on elmyr de hory , the film also incorporates welles 's companion oja kodar , notorious " hoax-biographer " clifford irving , and orson welles as himself .

in addition to the 88-minute film , in 1976 welles also shot and edited a self-contained 9-minute short film as a " trailer " , almost entirely composed of original material not found in the main film itself .

f for fake

f for fake literature essays are academic essays for citation . these papers were written primarily by students and provide critical analysis of f for fake .
f for fake ( the criterion . . . has been added to your cart
f for fake : all’s well that ends with welles . . . | bfi
f for fake is at the bfi southbank and on limited release from today .
this piece originally appeared in the criterion collection’s 2005 dvd edition of f for fake .
looking for movie tickets ? enter your location to see which movie theaters are playing f for fake near you .
sexton , timothy .
f for fake summary
. gradesaver , 10 september 2016 web .
fake news
by steve f - 6 . 13 . 17 ~ intel
elmyr de hory
f for fake
original orson welles 1976 u . s . release art trailer
every big weather event , fake news , fake photos , fake video abounds . here are a few of our favorites to look out for .
the question and answer section for f for fake is a great resource to ask questions , find answers , and discuss the novel .
so first - time viewers familiar with welles’s travails may be stunned at how downright ebullient f for fake is .
*
f for fake
is available in video stores or by calling ( 800 ) 826 - 3456 .
elmyr de hory
f for fake
original orson welles 1976 u . s . release art trailer - youtube
orson welles ' s
f for fake
has languished ever since its release and remains unappreciated by the most heterogeneous audience .
claudia thieme , f for fake : and the growth in complexity of orson welles ' documentary form ( peter lang pub . , 1997 ) 174pp .
a library for generating fake data such as names , addresses , and phone numbers .
sound critics’ poll , geoff andrew champions welles’s final , lesser - known masterpiece , the dazzling ‘essay film’ f for fake , as it is rereleased nationwide .
f for fake was not enjoyable . i would not consider it a good film . however , the context of which the film was made — and the person behind the film — makes f for fake and incredibly interesting look at filmmaking . ( i’m going to do my best to break this down ) .
if that fake agreement is still in existence , i ' ll get it for you .
f for fake study guide contains a biography of orson welles , literature essays , quiz questions , major themes , characters , and a full summary and analysis .
f is for phony provides stimulating thought , if not answers , about fakery and truth in documentaries .
[ … ] have called f for fake welles’ “ultimate mirror” , and mirrors figure vigorously in welles’ films . first , kane walks between two mirrors in a [ … ]
f for fake is arguably orson welles ' s greatest film work . just as citizen kane was exemplary of baroque art , f for fake is the celluloid version of a picasso painting . and in the modern world where truth is relative , and art is subjective , welles forces us to ask - -
when the authority says fake is real , what is real and what is fake ?
this film works on many , many levels . pure , unadulterated genius .
, and benjamin sampson’s “layers of paradox in f for fake . ” i’ve selected sampson’s piece for this debut issue for two reasons . first , the subject of his visual essay is a prototype of the visual essay ( along with the work of
while making the fake cast at home is more fun , you can always order a fake cast online as they are quite inexpensive .
the rumors are that these scenes were shot by francois reichenbach , one of the first practitioners of cinema verite , who himself shows up throughout “f for fake , ” for which he receives credit as the production coordinator . “f for fake” is so stylish in all its parts , in its editing and particularly in a final fiction se ' suence that , if it is a fake , it ' s a marvelous one , and to hell with the signature on it .
it has been suggested that
f for fake
was , in part , welles ' answer to pauline kael ' s controversial article in which she challenged his contributions to the
citizen kane
screenplay . ironically , rosenbaum noted ,
f for fake
is the only other film besides
kane
in which welles enjoyed complete creative control without any outside interference .
commissioned and published for the voyager laserdisc of f for fake in 1995 . my thanks to marcio sattin in são paulo for giving me a printout of this untitled “lost” essay in spring 2015 , which i’ve slightly re - edited . - – j . r .
as a measure of how brilliant welles’s editing is in f for fake , compare it to the staid if informative “almost true : the noble art of forgery” included on the criterion collection’s top - notch release of f for fake . there’s nothing wrong with this 52 - minute documentary about de hory ( it was released in 1997 ) . it simply wilts next to welles’s frenetic genius .
the essays in f is for phony discuss a broad scope of works and explore issues raised by “fake docs” such as the fiction / documentary divide and the ethics of reality - based manipulation .
f for fake remains one of welles’ most controversial works . for many spectators , it’s not really a “welles film” at all . by refusing to include “typical wellesian” shots – - a deliberate ploy , one learns from a 1982 interview – some viewers may feel they’ve been sold a bill of good . for many people , the welles legend has much more potency than the reality ; f for fake seems to be both inspired by this paradox and structured around it .
ironically , while welles lived another 13 years , f for fake was his last completed feature . he stayed busy with commercials and various appearances on tv as well as in other people’s films , but he never managed to bring another film of his own to closure . footage from some of his unfinished projects is included on the criterion release of f for fake , and judging it based on snippets , none of it seems worthy of the director of citizen kane and touch of evil – or f for fake , for that matter . the budgets are clearly threadbare , so the technical elements suffer , and sometimes the drama seems woefully slow and ponderous .
github - stympy / faker : a library for generating fake data such as names , addresses , and phone numbers .
reality ? it is the toothbrush waiting at home for you in its glass , a bus ticket , a paycheck and the grave , ” says orson welles in one of the final sequences of f for fake . the cinematic enfant terrible has never cared much for it . reality , that is .
video : ' f for fake ' joins orson welles rarities : the mischievous ' 70s documentary is new to home viewers , as is the uncut ' third man ' and his turn in ' three cases of murder . '
“f for fake” is a documentary compounded of tricks , reversals , interviews with real forgers and re‐creations of events that never happened . it ' s as much magic show as movie , a lark that is great fun even when one wishes the magician would take off his black slouch hat and his magician ' s cape and get back to making real movies . but did he really make this one ? and is “f for fake” not a real movie ?
this is the beginning of mr . weiles ' s latest film , “f for fake , ” a charming , witty meditation upon fakery , forgery , swindling and art , a movie that may itself be its own exhibit a .
video : ' f for fake ' joins orson welles rarities : the mischievous ' 70s documentary is new to home viewers , as is the uncut ' third man ' and his turn in ' three cases of murder . ' - latimes
also worth pondering , he said , is the dialectic between the titles :
it ' s all true ,
produced at the beginning of welles ' career , and
f for fake ,
one of his last completed projects .
the film image is only an image , and on this subtly unobvious premise welles frames f for fake and validates the fakery of film artistry by evincing the fakery of life / people , suggesting that movies have become the art of the 20th century precisely because of this innate mechanism to handle the unreal , the fake ( again , gabler rightly shows that the preponderance of movie fakery has been uncritically accepted by americans ; whereas artistic fakery might well be the antidote ) . the structure of f for fake also plays out the meaning of the mirror imagery from his earlier films .
obama is a fake . we all know that , the issue is not in question .
this video of “hurricane irma” blasting barbuda is exploding online . only problem ? it’s fake !
fake gps location fakes / changes your location . fast , instant , and easy to use
which is one of the things that “f for fake” is all about . midway through the film , after we ' ve listened to stories that may or may not be true about mr . de hory ' s sucess in supplying the art world with fake matisses , picassos and modiglianis , mr . welles reminds us that there are no signatures on the cathedral at chartres . chartres needs no “experts” to authenticate its grandeur , he says . “experts” are the villans of “f for fake”—people who must tell us whether we should swoon when looking at a particular painting or turn up our noses in disgust .
fake documentaries mimic documentary genre expectations , unraveling the documentary’s authority and dismantling understandings of identity , history , and nation . the interdisciplinary essays in f is for phony discuss a broad scope of works and explore issues raised by “fake docs” such as the fiction / documentary divide , the ethics of reality - based manipulation , and whether documentariness derives from form or reception .
f for fake
is minor welles , the master idly tuning his instrument while the concert seems never to start again . but it ' s engaging and fun , and it ' s astonishing how easily welles spins a movie out of next to nothing . for many years , he was reported to have
don quixote
as a work in progress . now , according to the program notes , the working title has been changed to
when are you finishing don quixote ?
does it matter , when
f for fake
has such a sufficiency of windmills ?
the gauze comes in a wide variety of colors , so you can easily fake a colored cast .
this gem is a port of perl ' s data : : faker library that generates fake data .
whether you want to play a prank on a friend or create a prop for a home movie , making a fake cast for your arm or leg is a fun way to create the illusion of a broken limb . with very few materials , you can make a fake cast at home in just minutes !
in film , while nearly all his work was highly inventive – and most of it quite dazzlingly so – citizen kane and f for fake stand out as particularly successful attempts to transform the very nature of cinema . just as kane was probably the first film in which the final scene was more or less explicitly intended to make viewers feel they should watch the film again in order to get a better grasp of its meaning , so f for fake was probably the first film to question , from start to finish , the veracity of everything it deals with .
f . . . in this case there is an f after the dash which stands for factory , meaning the bag was bought / sold at a coach factory outlet not from a coach store or a macy ' s , nordstrom , etc . . but nonetheless they are still very much authentic .
i ' ve stolen more ideas from this film than from any other ,
he admits at the beginning of his tribute to f for fake .
everything i know about editing
— and he knows a lot —
i ' ve learned from this film .
halfway between showman and swindler , welles narrates this playful film essay about fakery , authenticity and authorship . looking initially at the lives of art forger elmyr de hory and hoaxer clifford irving , f for fake ultimately serves to ask several intriguing questions about the relationship of fakery to film .
fake and crucially claims that to get his very first break in the theatre , he had to pretend to be a broadway big - shot : his whole career started with a fake . the film ' s most powerful moment is his meditation on the glories of chartres cathedral , an achievement that doesn ' t need a dispute about authorship . f for fake is a minor work in some ways , but there is fascination and poignancy in seeing welles ' s elegant retreat into this hall of mirrors .
a mixture of documentary footage shot by others ( some of it featuring welles himself ) , archive footage , photos , and footage welles shot specifically for the film , f for fake offers as its ostensible subject a scandalous case concerning dubious authorship : clifford irving’s allegedly bogus biography of his friend elmyr de hory , himself best known as a forger reputedly responsible for many of the world’s most prestigious paintings .
much of
f for fake
' consists of footage originally shot in 1968 by francois reichenbach for a documentary about de hory . after irving ' s hoax was exposed , welles bought reichenbach ' s footage and re - edited it with new scenes he directed . it reportedly took a year working seven days a week to edit the film .
if citizen kane was just slightly ahead of its time in 1940 , f for fake , which came out in 1973 , now looks more than three decades ahead of the curve . nobody knows that better than tony zhou , creator of the popular cinema - focused video essay series every frame a painting .
purchasing reichenbach’s outtakes , welles set out to create an essay film that dealt with all of these questions , and it’s small wonder that the resulting work raises questions of its own . f for fake is every bit as much a “welles film” as citizen kane ; it’s also equally , in terms of script and title , a coauthored one : just as the title of kane came from the film’s producer , george schaefer , and much of its script was by mankiewicz , the final title of f for fake was supplied by its lead actress , oja kodar – - welles’ companion and major artistic collaborator for the last quarter - century of his life – - who also wrote a story that supplied the basis for the film’s “picasso episode” .
as finnegans wake was for joyce , f for fake was for welles a playful repository of public history intertwined with private in - jokes as well as duplicitous meanings , an elaborate blend of sense and nonsense that carries us along regardless of what’s actually being said . for someone whose public and private identities became so separate that they wound up operating routinely in separate households and occasionally on separate continents , exposure and concealment sometimes figured as reverse sides of the same coin , and welles’s desire to hide inside his own text here becomes a special kind of narcissism . when welles made his never - released nine - minute f for fake trailer three years later , he even avoided having his name spoken or seen ( “modesty forbids” ) —except for when gary graver , his cinematographer and partial stand - in as host , prompts him with , “ten seconds more , orson . ”
orson welles’ two major documentary forays stand roughly at opposite ends of his film career : it’s all true ( 1942 ) and f for fake ( 1973 ) , and together the two projects’ very titles express a dialectical relationship to the documentary . both belong to a form of documentary known as the essay film that interested welles throughout his career . notwithstanding some wellesian hyperbole , it seems safe to say that both titles accurately convey the overall essence of their respectiive projects : most of the never - completed it’s all true , as welles conceived and shot it , was true ; most of f for fake is fake - – a fake documentary about fakery , with particular attention devoted to art forger elmyr de hory , to author clifford irving , and to welles himself . as welles put it in a 1983 interview , “in f for fake i said i was a charlatan and didn’t mean it . . . because i didn’t want to sound superior to elmyr , so i emphasized that i was a magician and called it a charlatan , which isn’t the same thing . and so i was faking even then . everything was a lie . there wasn’t anything that wasn’t . ”
there are amused rumors to the effect that mr . welles did not actually direct a large part of “f for fake . ” this part is an extended se ' suence set in ibiza involving interviews with elmyr de hory , the well‐publicized art forger , and clifford irving , who wrote mr . de hory ' s biography ( “fake” ) and later went on to make his own name by attaching it to howard hughes ' s .
now comes welles ' latest work , forthrightly titled
f for fake .
it ' s a film about fakes and frauds , including the art forger elmyr de hory , the biography forger clifford irving , the mystery man howard hughes and even the young orson welles of the famous
war of the worlds
hoax .
the criterion collection is a distribution company that specializes in “important” classic and contemporary films . through hulu , many of these films are made available to stream . once a week , i like to illuminate a criterion movie — to deepen one’s understanding of filmmaking and film history . this week’s movie : “f for fake” ( 1975 )
for an ankle cast , this will be around your shin ; for a wrist cast , this will be around your forearm .
* * * next will always be a dash . . . after the dash you will sometimes see an
f
( see below )
trickery . deceit . magic . in f for fake , a free - form sort - of documentary by orson welles , the legendary filmmaker ( and self - described charlatan ) gleefully reengages with the central preoccupation of his career : the tenuous lines between illusion and truth , art and lies . beginning with portraits of the world - renowned art forger elmyr de hory and his equally devious biographer , clifford irving , welles embarks on a dizzying journey that simultaneously exposes and revels in fakery and fakers of all stripes—not the least of whom is welles himself . charming and inventive , f for fake is an inspired prank and a clever examination of the essential duplicity of cinema .
f for fake
is also notable , he said , as the only film for which oja kodar is known . as the co - writer of
the other side of the wind
and other unfinished and unreleased projects , she was one of welles ' closest collaborators in the last 25 years of his life . she is currently working on a compilation film comprising excerpts from these projects .
all of which brings us to f for fake , the last feature film welles would ever complete , and one that is quite unlike any other film he ever made . its genesis was serendipitous , but the circumstances that saw this multilayered tale of fakery fall into welles’ lap offered him his first chance to make a real break for freedom since citizen kane . with f for fake , welles set out to make something entirely new , and while many fans of the director were ultimately disconcerted by how little this felt like “an orson welles picture” , that was all part of his design . as he told cahiers du cinema in an interview after the film’s release , he deliberately avoided any shots that might be regarded as “typically wellesian . ” for a director who still had the bitter taste of failure and rejection in his mouth , this was an opportunity for complete reinvention .
welles’ delight in getting one over on the audience with his final twist is evident , and perhaps the most valuable thing f for fake offers us almost forty years on is simply orson welles himself , a great artist and born storyteller who is in his element here . his sheer force of personality is the anchor that holds the movie in place . he guides us through a complicated web of deceit with that inimitable voice – charming , authoritative , humorous and wistful by turn – and he pops up on screen every few minutes with a glint in his eye and a smile on his face , as if to say , “are you really buying this ? ” welles was happy when he made f for fake , his creative juices were flowing once more , and he felt confident that he was standing on the verge of exciting new possibilities ; that the success of his experiment would open doors for him in the twilight years of his career . “i know he wanted to do a whole bunch of new essay documentaries , a new form” his friend and collaborator peter bogdanovich recalled , but the failure of this film soon killed that notion . sadly for welles , and for all of us , the bright future he envisioned for himself after f for fake turned out to be just another illusion .
apollo 15 astronauts went up to those mountains and walked on hadley delta . how could they enter a fake backdrop ?
the video release of
f for fake
makes accessible this mischievous film , which like much of welles ' work has a spotty distribution history . it was completed in 1973 and premiered at the san sebastian and new york film festivals . it was released in europe before it received limited art - house play in the united states in 1977 .
there are interviews with people in the know with elmyr de hory’s work that are standard documentary scenes . however , welles cuts between the interviewer and himself — in a separate room addressing the camera — with “witty” responses to the information . one can see the roots of michael moore’s documentary style in f for fake . perhaps moore was a fan ?
for a filmmaker who studiously avoided repeating himself and sought always to remain a few steps ahead of his audience’s expectations , thereby rejecting any obvious ways of commodifying his status as an auteur , welles arguably found a way in f for fake to contextualize large portions of his career while undermining many cherished beliefs about authorship and the means by which “experts , ” “god’s own gift to the fakers , ” validate such notions .
indeed , the first time that i saw f for fake - – at a private screening in paris in 1973 – the cryptic press materials at the time identified the film as ? , listed welles and reichenbach as co - directors , and assigned the script to olga palinkas ( kodar’s given name ) . the previous year , when i had been fortunate enough to have interviewed welles while he was still editing the film , he told me that the title was hoax and that the film was “not a documentary” but “a new kind of film” . the irrelevance of labels and assigned credits to most works of art is , after all , largely what f for fake is about . - – jonathan rosenbaum
some call what we do experiential marketing or event marketing , others interactive design or new media art . we call it fake love .
when we get to a late film in welles’ career , the documentary f for fake ( 1976 ) , he formulates his most explicit statement about contemporary reality , leaving little room for greatness , let alone tragedy . and if f for fake seems a superficial film , we will then have experienced the first lesson of postmodernism : playfulness , conscious illusions , and an undisguised reflexiveness about making movies . put another way , what is seen in the film that seems real is not as real as it appears — but most especially we can’t trust the filmmaker welles himself , he will lie to us and deceive us , if only to get at the heart of the movie’s main contention : you cannot trust anyone , especially anyone who asserts his or her authority without any basis or proof .
as fun as it can be to float along welles’s stream of consciousness , it’s the film’s editing that will amaze you . its rhythm is fast and unexpected , and it’s an altogether refreshing experience to watch welles work so buoyantly . ( for all its apparent breeziness , the editing process was intense and extended . in an interview that appeared in dominique villain’s le montage au cinema , f for fake ’s chief editor reported that welles worked on editing the film seven days a week for a year . )
f for fake
joins on video other recently rediscovered welles rarities , including his uncompleted documentary
it ' s all true
( paramount home video ) ,
orson welles ' ghost story
( the retitled oscar - nominated short subject
return to glennascaul ,
available on mpi home video ) and
othello
( currently on moratorium ) .
f for fake is the from the man who brought us one of the biggest live events in history and , arguably , the greatest technical film ever made : orson welles . ( the film , of course , is citizen kane ) . welles starred , co - wrote and directed the film , which is his last . it was made in 1974 — released in 1975 .
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if you want to make video essays , there’s no better film to study than orson welles’ 1973 masterpiece , f for fake . there are a million lessons to take away from it , but today , let’s see what it has to teach us about structure . no spoilers . for educational purposes only . you can donate to support the channel at patreon : urltoken and follow me here : twitter : urltoken facebook : urltoken music : duke ellington , charles mingus & max roach - very special michel legrand - f for fake ( cinéma ) a tribe called quest - oh my god ( instrumental ) michel legrand - orson’s theme ( after the rain version ) a tribe called quest - oh my god interview clips : trey parker & matt stone at nyu : urltoken john sturges ' legendary audio commentary : urltoken help us caption & translate this video ! urltoken
orson welles is up to his old tricks in
f for fake ,
available for the first time tuesday on home vision cinema , an independent , chicago - based fine arts label . welles also figures prominently in a companion home vision release ,
three cases of murder ,
a lesser - known 1954 british anthology film that features welles as the title figure in
lord mountdrago ,
a segment based on a somerset maugham story about a guilt - ridden politician driven mad by conscience . both retail for $ 38 . 95 .
but if welles was creating something new here , what exactly was it ? f for fake is most frequently described as an “essay film” , but that term risks making it sound a lot drier and more academic than it actually is . welles sets the playful tone immediately by performing some sleight of hand on a railway station to a transfixed young boy . “i’m a charlatan , ” he cheerfully admits , before he adopts a graver manner and makes his audience a solemn promise – “during the next hour , everything you hear from us is really true and based on solid fact . ” from this statement we can surmise that f for fake will be a documentary and will present its subject to us in a straightforward and honest manner , which is exactly what welles does…up to a point .
entry submitted by steve f at 9 : 16 pm edt on june 13 , 2017 re : electricity / israel approves palestinian move to pressure hamas with electricity cuts .
electricity
- gcr / rv thought - june 13 , 2017 israel has approved a request by palestinian authority president mahmoud abbas to cut by roughly a third the electricity it provides to the gaza strip . the move is aimed at undermining the islamic militant group hamas , which has controlled gaza for the last decade . israel and egypt have been tightly controlling access to the gaza strip for years to weaken hamas . the palestinian authority has moved to further isolate the militant group . in addition to funding for electricity , abbas has also cut salaries for civil servants . everything else posted is fake news , yosef . . . steve f
orson welles reinvented the cinema with “citizen kane , ” and then kept going , though the industry itself hardly helped : most of the movies he made thereafter were the work of an outsider who scrounged financing where he could—including , sometimes , his own earnings as an actor . many of his films remain unfinished . with “f for fake , ” from 1973 , which i discuss in this clip , welles made a film seemingly out of the uncollected fragments of his life and his work . one of the many distinctions of “citizen kane” is its editing—welles was fanatical about it , which renders all the more poignant the numerous instances of studios recutting his films . “f for fake” is a masterwork of montage , a breathlessly frenzied collage of disparate sources that conjure the unholy tempest of a great man and a great mind at full gallop . it’s also a film that highlights the artifice of performance even as it affirms the sometimes tragic , sometimes tawdry authenticity of a life devoted to it . the movie is a love story , a crime story , a comedy , a picaresque travelogue , and a paean to art . in short , “f for fake” is as grand , multitudinous , and original as welles himself .
as much as welles’ is revered in the film and entertainment world , he comes off unlikeable in f for fake . he is the all - knowing , pedestal sitting man who has come to “tell” this story . except , he does not really tell anything at all . i feel he is trying to trick us , to help solidify his point : what is made - up and what is not ? his point hits right on the nose . f for fake has you guessing what is real and made up — from hory’s world and beyond . welles does not hide that fact , which makes the film incredibly frustrating to watch . basically , welles wants us to think : yeah , i’m going to watch and enjoy your movie , even though i know you are going to lie to me .
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i do not like this movie . though , understanding what welles was trying to do and the film being his last hurrah , elevates the film to a level it does not deserve . it is incredibly experimental . f for fake will leave you empty and wanting a whole lot more . thankfully , it is only 88 minutes . sometimes you have to put up with a challenge to enjoy the beautiful things in life .
but welles being welles , for whom form and content were always closely connected , the subject is also orson himself , and his own controversial history as an artist and / or charlatan . with its wholly fresh approach to the role played by editing in the building of a narrative , and a sly , quizzical attitude that anticipates abbas kiarostami ’s claim that in order to get at the truth an artist has to tell lies , f for fake is as exhilaratingly witty , mischievous and imaginative as it is philosophically profound .
alas , welles revealed f for fake in 1974 to an unready world : audiences didn ' t quite understand it , and what distributors showed interest in buying it didn ' t quite offer enough money . the feature finally came out in america in 1976 , and for the occasion welles put together the nine - minute
trailer ,
never actually screened in a theater , at the top of the post , a short essay film in and of itself possessed of a similar style to but consisting of no footage from the full - length f for fake . as with the picture to which it ostensibly offers a preview , welles made it in collaboration with b - movie cinematographer gary graver and his girlfriend oja kodar — the one you see posing with the tiger — hoping to tantalize with a suggestion of the dance of truth and falsity the film does around such storied figures as pablo picasso , howard hughes , and infamous art forger elmyr de hory .
10 the artifice of realism and the lure of the “real” in orson welles’s f for fake and other t ( r ) eas ( u ) er ( e ) s catherine l . benamou 11 forgotten silver : a new zealand television hoax and its audience craig hight and jane roscoe 12 the truth about no lies ( if you can believe it ) mitchell w . block 13 screen memories : fakeness in asian american media practice eve oishi
although intended to be a documentary , f for fake is considered a “film essay” . the film attempts to delve into the word of fakes and forgery — specifically art forgery . at the heart of this film is the story of elmyr de hory’s history as an art forger . sadly , as a viewer , the film deviates from that premise on multiple occasions . there is a lot of welles monologue and speedy cuts to different scenes .
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citizen kane ,
for example , is a film so brilliantly packed full of special effects , deceptive shots , double exposures , trick lighting , background animation and back projection that perhaps only a third of the film actually records what we think we ' re seeing . in
f for fake
, welles plays with the film more obviously , presiding over a ghostly editing room , running shots back and forth in the movieola as he invites us to take a closer look ( pick a look , any look… ) .
this image of welles as the baroque storyteller is apparent in both his fiction and non - fiction films , although even that distinction would seem a bit misleading as the director’s fiction works are filled with many emotional truths and his non - fiction works—of particular note the fragments of it’s all true , the series of documentary shorts he made for british television in the 1950s , and f for fake , a portrait of master art forger elmyr de hory—are composed , in part , of artfully elaborated and sculpted “facts . ” f for fake is one of the more wistfully humorous of welles’s wrestlings with reality . roguishly comic yet profoundly bittersweet and edited in seizures with a deliberate , manic grace , the film represents the most flamboyant of its director’s magical acts , with welles himself acting on screen as the narrator / conjuror , pulling the curtain back again and again , each time only to reveal another stage and another curtain in a series of dizzyingly self - reflexive meditations on fakery .
no f . . . if there is no f after the dash , you will just see 5 numbers ( some of the older styles will only have 4 # ' s ) . this set of numbers are considered the style # . meaning every coach bag with this number will look the same . . . maybe a different color , but always the same design and style .
halfway into the film , french director françois reichenbach , whose documentary footage on de hory and his biographer philip irving was used by welles , tells a story that coincidentally sums up the deceptive nature of f for fake . de hory had , supposedly , sold reichenbach a few fake modigliani’s , which the latter then sold for double the price . unaware of that , hory offered to reimburse the director with a check that turned out to be false . “a false check for a false painting , ” adds welles amusedly . deliberately deceiving and drawing our attention to one aspect of the narrative while planting in our minds , like a cuckoo’s egg , another , perhaps more profound one , welles builds his hall of mirrors in which concepts of fakery and originality bounce off one another as reflections .
the film : though considered something of a personal folly upon its limited release in 1973 , “f for fake” seems now to be perhaps welles’s crowning achievement , his most fully realized late - career work at a time when he could hardly get one finished and released . it’s heady , dense , and unabashedly intellectual , but part of welles’s sophistication as a thinker and stylist is in how smoothly he works his ideas into the fabric of his entertainments .
it would be comforting to say my early appreciation of f for fake included an adequate understanding of just how subversive it was ( and is ) . but leaving aside the critique of the art world and its commodification via “experts”—which is far more radical in its implications than the critique of william randolph hearst in citizen kane ( 1941 ) —it has been only in recent years , with the rewind and stop - frame capacities of video , that the sheer effrontery of many of welles’s more important tricks can be recognized , making this film more home - video - friendly than any of his others . it has also taken some time for us to realize that his methodology in putting this film together gave him a kind of freedom with his materials that he’d never had before or would again . for a filmmaker who often avowed that the art of cinema resided in editing , f for fake must have represented his most extended effort . according to dominique villain , who interviewed the film’s chief editor for her 1991 book le montage au cine ? ma , the editing took welles a solid year , working seven days a week—a routine suspended only for the length of time that it took michel legrand to compose the score—and required the use of three separate editing rooms .
f for fake is not a documentary . this “new kind of film” escapes definitions by mixing fiction , duplicitous meanings , self - referentiality , historical background and elaborate visual trickery . francois truffaut believed welles made the film as a “reposte” to the controversy created by film critic pauline kael , whose claims that welles had not written a single line of citizen cane have later been proven untrue ( the entirety of the script was supposedly written by his co - writer mankiewicz ) . welles gives a somewhat reconciliatory final note on his turbulent career as a film director – an epitaph celebrating art in its anonymity . nevertheless , welles’ off - screen and on - screen persona permeates all his work . in f for fake he exposes himself as a charlatan , a faker , but we can’t avoid feeling that the true orson welles is hiding and probably does so in a typically mischievous wellesian way , in plain sight .
i have some minor reservations about “f for fake . ” i don ' t share mr . welles ' s affection for either mr . de hory or mr . irving . unlike the generous mr . welles , they are small potatoes . when mr . welles asks , “doesn ' t it say something about our time that cliff [ irving ] could only make it through trickery ? , ” my answer is no . it says more about mr . irving , who as far as i can tell , hasn ' t made it at all .
looking for any more historic pictures . seems camp obama released scarce few to begin with .
must be a popular bench there on the edge of central park , ny for commies .
don ' t cover your fingers for w wrist cast . just wrap around the palm .
thanks to all authors for creating a page that has been read 104 , 822 times .
if you prefer to pay for your phone in cash at the time of purchase , you can buy an iphone for $ 650 . apple makes money when you buy your phone .
if you want to give your fake cast the proper thickness , you can cut two or three socks to the same size and layer them to give it the proper bulk .
he ' s not saying hey i ' m gonna try and fake a half dozen satellites using a swarm drones or something hovering around him and his phone . . . .
fake documentaries mimic documentary genre expectations , unraveling the documentary’s authority and dismantling understandings of identity , history , and nation . the interdisciplinary essays in f is for phony discuss a broad scope of works and explore issues raised by “fake docs” such as the fiction / documentary divide , the ethics of reality - based manipulation , and whether documentariness derives from form or reception . defining the borderline between fact and fiction , the contributors reveal what fake documentaries imply and usually make explicit : that many documentaries lie to tell the truth , and that the truth is relative . contributors : steve anderson , catherine l . benamou , mitchell w . block , luis buñuel , marlon fuentes , craig hight , charlie keil , alisa lebow , eve oishi , robert f . reid - pharr , gregorio c . rocha , jane roscoe , catherine russell , elisabeth subrin . alexandra juhasz is professor of media studies at pitzer college . she is author of women of vision : histories in feminist film and video ( minnesota , 2001 ) . jesse lerner is associate professor of media studies at pitzer college .
berlin film journal is a platform for dynamic film journalism , founded by the berlin film society .
for a leg or ankle “cast , ” consider adding a pair of crutches to the costume . you can usually find old crutches at a yard sale or secondhand store for a reasonable price .
no , that photo on the left doesn ' t depict an unguarded moment of affection between president john f . kennedy and actress marilyn monroe . it ' s the work of artist alison jackson , who ' s known for her photos using lookalikes of famous people . and it ' s a damn good lookalike .
p erhaps the most startling thing about orson welles’s f for fake is its youthful energy . by the time it premiered in 1972 , welles was 57 years old , and he knew intimately what it felt like to work on a film and never see its release . even the ones that he finished could take forever : he worked on othello for nearly four years , and he occasionally had to replace its actors in the middle of shooting . and some favorite projects – like don quixote and his last work , the other side of the wind – never made it onto the big screen at all .
mr . welles , the master of ceremonies , the credited director and writer as well as star of “f for fake , ” welcomes us with some sleight of hand , turning a small boy ' s key into a coin and back again . “the key , ” says the charlatan , “is not symbolic of anything . ” the warnings keep coming and you may he reminded of the late old gold slogan : “it ' s fun to be fooled , but more fun to know . ” perhaps sometimes .
it comes in very handy for taking screenshots ( taking screenshots for my project , catch the best was the original impetus for the creation of this gem ) , having real - looking test data , and having your database populated with more than one or two records while you ' re doing development .
defining the borderline between fact and fiction , the contributors reveal what fake documentaries imply and usually make explicit : that many documentaries lie to tell the truth , and that the truth is relative .
for an ankle cast , the mark should be approximately where your foot ends and your toes begin .
f for fake , directed and written by orson welles ; directors of photography , christian odasso and gary graver ; production coordinator , francois reicheuinch , editors , marie‐soohie dubus and domini ' sue engerer ; music , michel legrand ; a s . a . c . i . production by janus film ( frankfurt ) and les films de l ' astrophore ( paris ) . running time : 90 minutes . at the new york film festival , alice tully hall , broadway at 65th street . this film has not been rated .
of the orson welles films i have seen , this has to be the most fun to watch .
f for fake
is about an art forgerer and his biographer who was a forgerer himself . ( he faked a biography about howard hughes . ) what ' s great about the film is that welles constantly keeps you guessing at what ' s real and what ' s fake and why at all that might be important . i also give welles credit for pulling the greatest plot twist i have ever not seen coming . and this is a documentary ! there ' s not supposed to be a plot , is there ? ( wink , wink ) giving the surprise away would ruin all of the fun . what i can say is that you should find this somewhat rare film and watch it with a clock close by .
orson welles ' s final completed movie deals with fakery , and in particular with two of the most notorious forgers of the twentieth century .
f is for fakes
( also called
f for fake
) is not really a movie or documentary as much as a look at how we interpret art , and what we want to interpret about anything that is essentially fake . welles proudly calls himself a charlatan while performing magic tricks and coming up with all sorts of ways to play with the audience . i personally had never heard of elmyr de hory until watching this , but welles turns him into a very interesting person . all in all , the director known as a boy genius had a fine end to his career . welles created a truly mind - bending look at the concept of art . the fact that the movie came out around the time that clifford irving ' s scandal broke ( he wrote a forged biography of howard hughes ) certainly adds to the documentary ' s quality . can there truly be any more definite reality left in the world ?