sacred and profane love is a 1921 american silent drama film produced by famous players-lasky and distributed by paramount pictures .

this film was directed by william desmond taylor and starred elsie ferguson with conrad nagel .

it is based on a book the book of carlotta by arnold bennett and was turned into a 1920 broadway play which also starred elsie ferguson .

writer/director julia crawford ivers adapted the book and play to the screen while her son james van trees served as one of the film 's cinematographers .

all known copies of this film are lost .

sacred and profane love ( film )

the sacred and profane love : a visual analysis . the definitive precursor to understanding the sacred and profane love ' s complexity .
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we’d love your help . let us know what’s wrong with this preview of the sacred and profane love machine by iris murdoch .
this article is about the painting by titian . for the 1921 film , see sacred and profane love ( film ) . for the novel , see arnold bennett .
nadia gaus notes that while the title might at first lead one to view the left hand woman as the sacred one , further thought leads to the opposite interpretation : the well dressed woman is profane love while the nude woman is sacred love .
sacred and profane love . a man with 2 families - his
sacred
, or legitimate family comprised of his wife and son david , and his
profane
comprised of his mistress and son luca . these families slowly start to unravel and take the participants down with them . exploration of the meaning of love and neverending quest for the heart ' s satisfaction .
swinging between his wife and his mistress in the sacred and profane love machine and between the charms of morality and the excitements of sin , the psychotherapist , blaise gavender , sometimes wishes he could divide himself in two . instead , he lets loose misery and confusion and—for the spectators at any rate—a morality play , rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love .
swinging between his wife and his mistress in the sacred and profane love machine and between the charms of morality and the excitements of sin , the psychotherapist , blaise gavender , sometimes wishes he could divide himself in two . instead , he lets loose misery and confusion and - - for the spectators at any rate - - a morality play , rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love .
the company’s current season at the joyce theater is titled “sacred and profane , ” and one program that i saw was preceded by a film of that name created by former graham company member peter sparling . in it , images of graham in her great 1931 primitive mysteries swim through those of an unfurling golden blossom ( perhaps a night - blooming cereus ) and multiple ones of the back of a naked seated dancer . figuring out what’s sacred and what’s profane in what occurs onstage is not always simple ( or desirable , given that your sacred may be my profane and vice versa ) .
2 the film won the palme d ' or at the 1960 cannes film festival .
hikari mitsushima , left , and takahiro nishijima in “love exposure , ” a tangled love story directed by sion sono .
, issued in connection with an exhibition held nov . 11 , 2008 - feb . 16 , 2009 , metropolitan museum of art , new york ( see picturing the perfect marriage : the equilibrium of sense and sensibility in titian ' s sacred and profane love
while reading the sacred and profane love machine i could not contain my mind from whispering zelda fitzgerald’s quote : “nobody has ever measured , not even poets , how much the heart can hold . ” . iris mudoch explores through her characters a world of pain and agony in contrast with inocence , each emotion being closely supervised by each one’s conscience . . . child or adult , gullible or cynicle , characters choose to lie or to accept lies in order to maintain an ordinary life ; until the unconceivable happens and the war between sacred and profane love starts .
perverts prowl and women’s panties tremble in “love exposure , ” a tangled , tumultuous love story from the teeming mind of sion sono .
in the novel
the sacred and profane love machine
is a philosophical battle between two question ; are we able to live without god ? if so how will be our behaviour ? and it will follow what is honesty ? is it the feminine universe better than the masculine ? in other words this novel is a portrait of insignificant people but extremely able to inflict suffering to their similar . reading the sacred and profane you will be surprised about the characteristics of blaise gavender he is proud of having a do
i love murdoch for her wonderful brain and the way she is able to intersperse a philosophy of life and love and happiness in the beautiful prose of her stories .
swinging between his wife and his mistress in the sacred and profane love machine and between the charms of morality and the excitements of sin , the psychotherapist , blaise gavender , sometimes wishes he could divide himself in two . instead , he lets loose misery and confusion and—for the spectators at any rate—a morality play , rich in reflections upon the paradoxes of human
pack your beach blanket for a bittersweet tale of love and summer ' s magic .
merging the sacred and the profane , the bloody and the batty , “love exposure” tunnels into serious topics — warped parenting , sexual intolerance and the way religious cults enslave damaged souls — with a hilariously blasphemous shovel . exhibiting astonishing dexterity , mr . sono shapes all this trauma into a narrative that’s completely coherent and surprisingly touching , never more so than in yu’s struggle toward sexual maturity .
taken as a modern parable , the brazilian drama “the priest and the girl , ” which arrived at the quad cinema recently , is as mildly disturbing and fascinating as a faintly remembered legend . but it is a good deal more effective in its sharp focus on a distant but picturesque area and its depressed , littleknown simple people than in its thematic clashes between sacred and profane love , temptation and native mores .
in pictures - the story of love and romance : from adam and eve to tinder and chemsex . compiled by martin chilton
ortega y gasset projects is pleased to present the sacred and profane love machine , an exhibition organized by karla wozniak comprising artworks by susan bee , lucy kim , brian scott campbell , pat mcelnea , and emily janowick . the exhibition is inspired by the iris murdoch novel of the same name—a psychologically rich tale of characters caught in a complex web of emotional and sexual experiences . similarly , the artworks in this exhibition negotiate intimate , charged situations . the pieces tell stories of love , heartache , and orgiastic ecstasy .
brock was also intrigued by the triangular love story . ' the essence of it , for me , is the very singular love story between charles , the outsider , and two incredibly vivid young people - beautiful , tortured , wonderful people , julia and sebastian - whom he falls in love with . '
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the film daily ( jan - jun 1921 ) : new york , wid ' s films and film folk , inc . : free download , borrow , and streaming : internet archive
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
a poignant story of forbidden love and the loss of innocence set in england prior to the second world war .
lorenzo pagano and xin ying in annie - b parson’s i used to love you . photo : brigid pierce .
“you know what . you ' ve killed me and sent me to hell , and you must descend to the underworld to find me and make me live again . if you don ' t come for me , i ' ll become a demon and drag you down into the dark . ” ― iris murdoch , the sacred and profane love machine now , that’s the kind of love than is a joy to read about , if not to experience . about two pages into this novel , i was ready to propose to this ingenious piece of writing . let ' s for the purpose of this metaphor imagine i really went searchin
while reading the sacred and profane love machine i could not contain my mind from whispering zelda fitzgerald’s quote : “nobody has ever measured , not even poets , how much the heart can hold . ” . iris mudoch explores through her characters a world of pain and agony in contrast with inocence , each emotion being closely supervised by each one’s conscience . . . child or adult , gullible or cynicle , characters choose to lie or to accept lies in order to maintain an ordinary life ; until the unconceivable
founded in 1999 , senses of cinema is one of the first online film journals of its kind and has set the standard for professional , high quality film - related content on the internet .
what marks irish murdoch ' s novels is her benevolence . the main theme of the novels is love , love requited and unrequited , normal and abnormal . terrible things may occur in her novels or be related by one of her characters but there is no indulgence in evil no presentation of it with malicious intent using realism or plot as a pretext for something unwholesome . the driving ambition of her characters is often victory in love . defeat is frequent and harrowing but ultimately her faith in love prevai
this week’s adorer is rich haridy , known to film buffs and twitterati alike as rich on film , which is his terrific website chock - full of film reviews , opinion pieces and ace videos from around the interwebs . today , rich will lay down his love for one of the more controversial , hard - hitting motion pictures of the last decade — but helpfully , has written it forwards , rather than backwards…
i just looked it up in our wonderful wikipaedia and found that iris murdoch wrote 27 novels , the rest of her writings philosophy , plays and poetry . i haven ' t read them all , but by comparison the sacred and profane love machine stands out from the rest which is also excellent , of course . well , what can i say about iris murdoch that hasn ' t been said before - and better . what is so very enjoyable in any book by iris murdoch is how she uses her vast knowledge , studies , readings - in short her knowle
i’m not sure how i feel about this one . . . is it 3 stars or 4 ? love or hate ?
this collection helps us see von stroheim in all of his glory - - how he provided a crucial filmmaking bridge between d . w . griffith ( who cast von stroheim in bits parts in his films ) and billy wilder ( whose casting of von stroheim in sunset boulevard remains a curiosity to this day ) . the movies show von stroheim ' s obsession with a young america vs . an old europe , temptation and seduction , the sacred and the profane .
2 women in love ( ken russell , 1969 ) fellini once proudly claimed that in his home country ' they call me the italian ken russell ! ' certainly these two untameable mavericks share a common sensibility , the edgy european vibrancy , anarchic musicality , and recurrent blend of the sacred and the profane marking them out as rebellious auteurs . women in love is russell ' s most celebrated work , and ( like all his movies ) owes a debt to the italian maestro ' s enduring legacy . ' we are not afraid to be operatic , ' says russell of the connection between himself and fellini . ' in terms of cinema , we cherish that quality - which is often considered to be a dirty word here in england . '
annie - b parson’s i used to love you . xin ying getting riled up . lorenzo pagano napping . photo : brigid pierce
loving all the christmas trees , tinsel , coloured lights and glistening presents surrounding us at the moment , but what we love most of all at why i adore… hq is the feeling of goodwill and love to one’s fellow peeps . ‘cause , y’know , that’s what we’re all about here at love and adoration central . so i wish all our readers a massively merry christmas , happy festive season and a stupidly kick - ass / arse new year ! ! !
in the novel
the sacred and profane love machine
is a philosophical battle between two question ; are we able to live without god ? if so how will be our behaviour ? and it will follow what is honesty ? is it the feminine universe better than the masculine ? in other words this novel is a portrait of insignificant people but extremely able to inflict suffering to their similar . reading the sacred and profane you will be surprised about the characteristics of blaise gavender he is proud of having a double life with two women , a supporter of betrayal and able to lie to these women . harriet , the wife of blaise , will pronounce a central phrase or better a summary of her suffering ' i am not the good person i used to think i was ? why she pronounced this phrase is it due to her personality or a reaction to the betrayal of blaise ? or due to the local society ? in conclusion this is a perfect and true portrait of our society where there is a lack of morality and justice , everything is leaded by our interests and an erroneous interpretation of our free will ?
for the television series the writers john mortimer and derek granger dramatised evelyn waugh ' s classic novel - the story of a middle - class outsider , charles ryder , and his relationship with a doomed aristocratic catholic family - almost word for word . they got around the novel ' s first - person narrative - it is presented as ' the sacred and profane memories of captain charles ryder ' - by having jeremy irons , who played ryder , recite great chunks of original prose in voiceover .
this is wonderful writing deborah and i hope “i used to love you” is on the program when the graham company comes to portland later in the spring .
an interview with writer / director boots riley about his incendiary new film ,
sorry to bother you .
i saw someone reviewed this novel as
a british love pentagon
and i thought , hey , that was my life back in the day so why not re - live a little ptsd ( yes , i did experience nightmares of british men with gapped teeth , considerable noses , and patchy facial hair while reading this ) . i was not disappointed , either . i mean the incest was a little much , but i get all the freudian sexual , mother - son , theories , i get it , really . i just wish there was a little more homosexuality , but this isn ' t my autobiography . anyway , reasons worth reading : 1 . freudian psychoanalysis in narrative format ( if you ' re into that ) 2 . philosophical underlyings 3 . complex relationships - - british love pentagon 4 . there ' s a character named monty 5 . beautifully written 6 . there ' s masturbation 7 . the sacred and profane love machine is the male gentalia that women must ultimately get on their knees and worship ( quite literally )
the film was reportedly controversial in brazil . but an american viewer finds it difficult to relate to the tragedy except on its obvious terms . one can see that the priest , played in properly anguished style by paulo jose , is torn between his churchly mission to love all mankind and the physical love literally thrust upon him . but the affection demanded bi the girl , portrayed feelingly , if naively , by helena ignez , is only vaguely realized .
this week’s adorer is writer martyn pedler , who is the comic book columnist for bookslut , film critic for triple j magazine , currently in the midst of a ph . d on superhero stories and screenwriter of the upcoming feature film exit . find his thoughts and reviews at his website or his ever - eloquent and interesting tweets over at twitter . the film he chooses to adore today marked the feature debut of one of the world’s finest writer / directors of animation , and gave one of the last decade’s most famous action film stars his greatest role… albeit , off - screen…
in fact , the whole final act of the film is a remarkable achievement . noe climaxes his film with one of the most beautiful love scenes i have ever seen . the sequence with cassell and belucci wandering around their apartment , playing music , and simply being in love is as powerful as anything noe has shown us . it is in these moments that the trauma of the earlier sequences pay off . the violence and rape we had previously experienced needed to be as strong as it was in order to reverberate through to these closing sequences . the emotional complexity that we , the audience , feel as we balance the physical trauma from earlier in the film with these later scenes of abject beauty is where irreversible begins to soar as a total experience .
carlotta fonzi kliemann is professor of film studies , dept . of humanities , social sciences & business , syracuse university in florence .
this blog acknowledges my appetite for devouring dancing and spitting out responses to it . criticism that i love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing , … [ read more . . . ]
hello and welcome back to the plush surrounds of why i adore , where no movie love is too arcane , ridiculous or predictable – all are welcome here ! i absolutely love it when someone adores something that isn’t roundly championed , or acclaimed , or , well , even thought of by most people . see , i have a theory that every single film ever made – well , okay , say , 95 % of films ever made – is somebody’s favourite movie . further to this , i believe that , yes , every feature film ever made is adored by someone . so why am i going on about this ?
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
one is inclined to wonder at the truth of her plea for love and protection when she sobbingly says to the confused young priest , “i love only you . ” their ensuing flight from the village , her seduction of the priest ( artistically underplayed ) , their return home and their expulsion and pursuit by the villagers are , one supposes , meant to be meaningful , but the impact is only slight .
one year and one day ago , we started this site to combat the culture of complete negativity and quick - draw snark that rules the internet , and create a small but defiant corner of the web devoted to why we’re all interested in the audiovisual medium of film in the first place : love . we all fell at some point . and you know what ? we all will again .
after a lengthy hiatus , we’re back to share the film and television loves of people far and wide , to bring some pop culture positivity back to the internet ! and , also… it’s our birthday .
1 most of the film was shot in a studio . over 80 sets were made including the dome of st peter ' s basilica .
noe then reveals his ultimate gut - punch , that belucci was pregnant , and culminates his film with the most gorgeous 5 minutes of cinema i have ever seen .
yesterday was the first anniversary of when we launched the site ! in the year why i adore has been running , we’ve had contributors from australia and england – actors , writers , film critics , filmmakers , a tv host , a literary editor and a film distribution exec have all contributed . fourteen fond , funny and fabulous valentines to cinema , tv , actors , filmmakers and shots . and , now…
one of the acknowledged masters of the short story gives readers a gripping ride through narratives that shock , compel , and always entertain . few authors in america write with such sheer love of language and imagination as t . c . boyle , and . . .
the same literary quality can be found in the film’s screenplay . sorrentino has stated , in a number of interviews , that “working with words” is much more complex than shooting a film . his fascination with literature has produced two novels : hanno tutti ragione ( 2010 ) and tony pagada e i suoi amici ( 2012 ) .
time destroys everything indeed . a nihilistic philosophy ? maybe . but never has a philosophical precept been so well conveyed experientially as noe does with irreversible ( the other film in recent memory that works in similar ways is jim jarmusch’s broken flowers . jarmusch uses repetition and cycles in his film to experientially convey the zen themes underlying his film , but that is a whole other essay ) . in many ways , i consider noe to be a spiritual successor to stanley kubrick ( noe’s own personal obsession with kubrick cannot go unnoticed and his most recent film , enter the void , has been compared to 2001 frequently ) . they are both filmmakers who have a fascination with pushing the technological limits of film and they are unafraid to polarise their audience for the sake of a reaction ( see full metal jacket for kubrick’s most powerful attempt at alienating his audience ) .
now all this in and of itself isn’t what makes irreversible a great film . sure , it’s provocative stuff , but it’s not merely a superficial formal exercise . noe uses these formal elements in irreversible with sharp precision for a reason . much like memento , the other big reverse chronology film from the last decade , irreversible uses audacious formal devices to service and enhance its narrative and thematic concerns .
dill leaves mary standing at the altar in order to marry his old flame , connie , instead . knowing that mary still has feelings for dill , jeff keeps quiet about his own love for her .
that’s exactly what the giant does . it doesn’t say much during the film , but i’ll never forget how , hurt and proud in equal measure , it announces : “i am not a gun” .
irreversible is not only my favourite film from the last decade , but it is one of the most amazingly transcendent cinematic experiences i have ever had and i completely adore gaspar noe for creating it .
later , sebastian catches julia and charles kissing , triggering a thudding sense of betrayal that contributes to his outburst at julia ' s 21st birthday party - ' you don ' t care about me ! all you ever wanted was to f * * * my sister ! ' - and his subsequent decline . ( in the novel , by the time julia and charles sleep together , sebastian has long disappeared to fez . ) it is easy to see why the message boards on internet film sites are humming with accusations from waugh fans that their sacred text has been turned into a ' cheap romantic farce ' .
but why this film ? because i can watch it a million times over and not be bored with it , i still laugh at the jokes and i adore screening it to unsuspecting friends who haven’t seen it , with giddy delight .
there’s probably some psychological reason why i hold this film so dear to my heart , but i find it more hilarious than heart - warming which eases my perhaps unstable mind .
members of the martha graham dance company in annie - b parson’s i used to love you . ( l to r ) : anne o’donnell , leslie andrea williams , laurel dalley smith , and xin ying . onscreen : martha graham as jocasta and the set for her punch and the judy . photo : brigid pierce .
6 the film received 20 minutes of applause when a rough edit was shown , but at its premiere in milan people booed and protested during the film . a woman approached fellini as he left the cinema , saying , ' you are putting italy into the hands of the bolsheviks ' , while a man spat on him . fellini received 400 telegrams accusing him of atheism , communism and treason within a day of the milan showing .
so why a film ? ' it ' s never been a movie , ' the producer kevin loader points out . ' it ' s one of the great english novels which has never been filmed . ' mgm tried to make a film in the late 1940s , but it was dropped after waugh raised objections to hollywood treating brideshead revisited ' purely as a love story . ' soon after , graham greene ( a catholic convert , like waugh ) was signed up to write a screenplay , but that too never made it into production . which is strange : with its ravishing settings and vivid atmospherics , brideshead lends itself to the big - screen treatment .
hope you’re enjoying this second season of pieces as much as i’ve dug receiving and reading them ! i just love hearing people’s passion for filmed works – and practitioners thereof – that inspire , enrich or just flat - out entertain them . speaking of which , why don’t you get yourself a drink , pull up a couch and get ready for…
i had to think long and hard about what to write about for the esteemed why i adore forum , and though such things as the mysterious cities of gold and the princess bride or hercules returns spring from my childhood , a film that i absolutely adore today is edgar wright’s hot fuzz , with simon pegg and nick frost .
great cinema for me is cinema that makes me feel something . it’s cinema that disturbs me , excites me , disorientates me . it burrows into the backwoods of my mind and takes up permanent residence . days , weeks , months , or even sometimes years later , it still sits there and makes itself known anytime someone mentions its title . irreversible changed me on a cellular level . i had never been so physically affected by a film before . the blunt force of the formal elements in this film hit me very hard . this wasn’t a feeling of anger or mere offence , but rather the totality of the experience that this film offered me was unprecedented .
there is a massive number of characters in the film , played by numerous cameos ; hell , i even saw cate blanchett in there , perhaps because i’m aussie and can recognise her voice and her eyes ( because that’s all you get to pick her by , and yes , i fell in love with them as much as peter jackson did in lotr ) . the head of the nwa is edward woodward , who played breaker morant , and they’ve got one of my favourite 007’s , timothy dalton ! ( he even said that he had more fun filming hot fuzz than 007 ! )
welcome back to why i adore ! been receiving some brilliant submissions this week , which we’ll have in store for you soon , so please keep ’em coming ! send your love letter to any filmic or televisual objet j’adore to whyiadore @ gmail . com !
jean - luc godard said that all you need is a girl and a gun . most of the time , i’m convinced movies only really require the latter . i love peckinpah stand - offs and john woo double - handed slow motion firefights and the early explosions of michael bay – and yet one of my all - time favourite films thinks there’s nothing more insulting than being called a gun .
to bring an end to all the crazy long layoffs , why i adore will now be posted in six - part “seasons” . this means we’ll at least get a month and a half of consistent weekly articles , and gives the site a structure it has previously lacked . so , if you’re interested in shouting your love of something , anything , about film and tv from the interwebby rooftops , please write it up ( no longer than 1500 words , please ) and email it to whyiadore @ urltoken – you can even suggest any pictures and clips you’d like to see added . ( see the about page for more info . )
the company is offering two world premieres during its two - week joyce season : i used to love you by annie - b parson ( her second work for the company ) , and mosaic by sidi larbi cherkaoui . pontus lidberg’s woodland is new to new york , although his work is familiar ( new york city ballet premiered his the shimmering asphalt just this past january ) . of the three works , i used to love you is the most complex and the most audacious—both in terms of its subject and the ways in which it challenges the performers . parson has reassembled characters and bits of choreography from graham’s satirical 1941 punch and the judy ( a clip from a 1940s silent film of it has been playing while the audience enters the theater ) . furthermore , the ingenious video by jeff larson that plays on a medium - sized , home - movie screen whirls and fragments images of that cast , amid advisory titles and intermittent blips , squiggles , and other effects . tei blow’s music emphasizes the strange connections between past history and present innovation .
simon van der spoel is a queensland filmmaker who has been working around the traps of tv newsrooms as a cameraman and as an independent filmmaker for nearly a decade . his first film , the wwii aircraft documentary spitfire guardians , was screened on foxtel’s history channel , and he’s currently writing and developing the independent sas action feature redeemed . you can find out more about simon’s career at his blog , right here . so , what does an action film loving director like simon adore… well , if you run out and get him a cornetto , he might tell you…
when cunningham - as - pegasus might make an entry , he doesn’t . no , no , we’re told in projected words , no we can’t see that . however ben schultz enters , and he and pagano , sitting on the upstage bed , remove their shirts , and after a couple of suggestive poses , lie stiffly side - by - side , while doomy music sounds , and ying’s face appears in close - up on the screen and vibrates . the “fates , ” who have been dozing , wake up , and lines like “she must have known ! ” can be heard . they also mention her hurt feelings , that’s putting it mildly . ying goes crazy , whipping and throwing around one of the men’s discarded tee - shirts . graham’s judy , as a small figure in the film , looks as if she were trying to make sense of punch’s peccadilloes ; ying looks as if she has murder on her mind , and the three women sit on the floor and pull their bright - colored skirts over their heads while she rages . a huge projected , barren globe moves closer and closer and sinks below the stage . finally she collapses , and everyone hovers around her ; schultz feels her pulse . a close - up of graham as jocasta ( another enraged wife ) in her night journey ripples onto the screen , and the three women tells us that nick hung’s lighting will “gently fade . ” instead , it can’t wait to bring on the darkness . sacred ? profane ? you tell me . either way , vastly entertaining .
does the world really need another brideshead ? ' at first , i thought not - and not just because of the tv series , ' says jarrold , who has had recent experience of taking on a national treasure , having directed becoming jane , last year ' s film about jane austen ' s love affair . ' i thought , is there anything relevant or resonant about a book that ' s just full of nostalgia for the disappearance of the aristocracy and a way of life . ' but that was before jeremy brock ' s screenplay reeled him in .
clearly this is as cheap and tacky as holiday movies come , but if you’re the sort of film lover who embraces the occasional serving of cheese this has to be in your pile of movies to watch these holidays . it has everything needed for a truly “dramatic” film ; a young girl grows up without a mother , has a workaholic father ( aren’t they always ) , is unpopular with the other kids because she’s “weird” and wishes for a mannequin to come to life to be her mum ( mom ) – wild antics and adventures ensue .
by then , von stroheim ' s reputation for going over budget and schedule were becoming legendary . foolish wives was being hailed , unfortunately , as
the first million - dollar film ,
due to von stroheim ' s insistence on recreating monte carlo near the san francisco bay and extravagances such as using real caviar in a scene that required countless takes . von stroheim didn ' t see the problem , in more ways than one , and it would later doom him . ( the dvd version was restored by the american film institute . )
obviously , having watched this as a kid , i can appreciate that many ( okay , most ) adults won’t watch this film or , if they do , they won’t enjoy it . but it’s a delightful mix of nostalgia and classic christmas cheese that keeps bringing me back . sure , it’s a wonderful life is a true christmas classic , and will be more widely received by your family on christmas night , but with enough christmas “spirit” ( i . e . alcohol ) , a mom for christmas will remind you what christmas is really about… mannequins learning to love .
daniel is an impatient and in some ways petty man . he barely tolerates his daughter ' s love for hagen , and is deeply uncomfortable with letting the animal live with them in an apartment building that forbids unregistered street pets . ( hagen is a mixed - breed street dog who can ' t be kept legally anyway , unless daniel pays a tax and gets a proper license . ) when a nosy neighbor reports hagen to animal control ,
white god
turns into a harrowing tale of separation and reconciliation—a love story of sorts that explicitly invokes richard wagner ' s opera
tannhäuser
in scenes where lili plays trumpet in a high school orchestra overseen by an arrogant teacher - conductor . over the course of the film , hagen wanders the streets alone , dodges cars and forages for food , and eventually ends up being captured and brutally conditioned as a fighting dog before escaping to try to find his way back to his human friend ( calling lili an
owner
seems at odds with the movie ' s spirit ) .
in foolish wives , for instance , von stroheim reached for a complex , epic tale in which he would contrast american and european society , making the nouveau - riche americans look unsophisticated but ultimately unpretentious and sincere , whereas europeans would seem sophisticated but ultimately devoid of moral values . ( again , he plays a cad , a fraudulent russian count , who with his two
cousins ,
seeks to seduce an american wife and swindle her diplomat husband . the film is loaded with juxtapositions of religious iconography and sexual imagery . ) he might have succeeded with his first cut of the film , which checked in at a whopping seven hours . the critics , who were given an intermission at the screening , loved it , but universal ' s irving thalberg couldn ' t imagine a seven - hour film and eventually cut it down to less than two hours .
as a group , the works brought together in this show deliver a potent cocktail of emotion and sexuality . one can think of art as a love triangle—a three - way relationship between artist , art object , and viewer . each corner of the triangle is strong willed , yet precarious . the artworks in this show revel in this confusing terrain , which exists between cerebral , emotional , and physical experience .
10 many films make reference to la dolce vita including good bye lenin ! ( in which a statue is flown by helicopter ) , lost in translation and pulp fiction . woody allen ' s celebrity is a reworking of the film , set in new york katie toms
( # 46 in my year of reading women ) why do i always find iris murdoch so frustrating . i feel that i should enjoy her work far more than i actually do . this is a middling work , and there is a lot to intrigue me as a reader : murdoch takes what looks to be a
happy
marriage and proceeds to tear it apart . the
love machine
in the title is , unfortunately , nothing like as salacious as you might like it to be - it ' s more ( i think , but i ' m not certain ) that the
machine
is about how love , in both its sa
parson has given pagano some of the big , swaggering , leg - swinging moves that graham created for hawkins , and so young an duplicates part of a solo performed by the pair’s daughter in the original silent film ( nina fonaroff ) ; it’s an extremely funny take on puppet - like stiffness and awkwardness , and she looks far too big a girl to sit on her mother’s knee , which she does , with her father patting her head , until the trio of women collapses the tender family picture . near the end of i used to love you , tiny multiple images of fonaroff in the daughter role dance all over the screen .
and on the jingle of christmas bells rides in our latest adorer is jess lomas , editor of books , reviewer of movies ( on her blog , for quickflix and for watchoutfor ) and purveyor of popular culture ! the object of her adoration is largely ignored and kind of obscure — qualities i always love to see — and , befitting the season , ultra - christmassy . so , sit back , pour some wine or eggnog , break a christmas cracker / bon - bon and put on your paper crown as jess gives us…
as i’ve said , the way it’s been cut , it’s a camera operator / editor’s wet dream of technical skill , snap zooms , flash frames , whip pans , forced perspective and just an orgasm of guns , colour , speed and comedy . it’s precisely why i adore it , the sharp script , the “in” jokes ( there’s even a nod to croc dundee’s way of catching crims ) – the whole film is an homage to action films ! the one - liners and the ironic awareness of its need for one - liners are some of my favourite parts of the film .
7 it was a massive box - office hit , making $ 10m in its first year , and then a further $ 8m in america - more than any other foreign film before it . only 26 foreign - language films have ever grossed more than $ 10m in america .
madonna and child with saints luke and catherine of alexandria ( c . 1560 )
save on classic and contemporary films online and in store through 8 / 6 .
editor ' s note : a look at the works of erich von stroheim begins a five - week online - only series ,
revisiting the masters ,
a look at dvd gift sets of some of film ' s great directors .
i promised paul back in july that i would write something for why i adore … then the melbourne international film festival happened , then i attempted to write my entry , changing films every few weeks until here we are – the week of christmas . so it only seems fitting to spread some christmas cheer and share a classic ( yes , classic ! ) christmas film from the golden age of cinema – the 1990s . in full disclosure , a mom for christmas was a tv movie but it’s still 100 % certified awesome !
clocking in at a hair under four hours , the teenage romance of yu ( takahiro nishijima ) and yoko ( hikari mitsushima ) is an unexpectedly involving and relentlessly entertaining collision of contradictions . he is a tormented christian with a talent for snapping candid shots of the skivvies of unsuspecting ladies . she is a man - hating hottie who is drawn to her true love only when he’s in drag .
the city we are watching is an imaginary rome , breathtakingly beautiful and impassive , unscathed by its actual urban decay , its ugliness , by the corruption of a large part of its political class , and the despondency of the civic society ; the camera lingers on its historical facades , bridges , squares , from the most famous sites to the most secluded ones , infusing its gaze with a magical sense of wonder . no small achievement , considering that the eternal city , with its unique combination of sacred and profane , laden with stratified symbolic meanings , is one of the most favourite cinematic locations . jep as a modern virgil takes us to sumptuous palaces inhabited by well - educated , decrepit aristocrats – some , who have lost all of their fortune , sell their name and elegant company at dinner - parties for a modest price . we watch well - known sites with new eyes , as the camera caresses the stones , the plasters , the marble through unusual angles and perspectives ( like the tiny roman temple san pietro in vincoli ) . we enter places we always longed to enter , like the palace of the maltese knights , or the palazzi spada , odescalchi , and barberini ( with its extraordinary la fornarina painted by raphael ) , and catch a glimpse of the splendours of their marble staircases , paintings , tapestries , and other countless riches .
this pattern , with a few variations , will be repeated throughout the whole picture . nothing much happens , really , but at the same time a lot happens , in terms of virtuoso formal meanderings and thematic variations . the director applies the fellinian principle of accumulation , adding meanings rather than facts , inserting new characters while abandoning familiar ones , positing dichotomies and juxtapositions that will be progressively diluted into one magmatic fresco . sorrentino claims that his film is not “about” rome , but that it encompasses it . it is , mostly , about human frailty and alienation – from oneself and from others – and it is about a country’s malaise . it is , lastly , about the means used to convey this malaise : art , music , personal and collective memory , friendship , and love . death looks on , ready to wipe out humans and leave the immemorial beauty ( or ugliness ) of things .
“become erect with your heart , ” a crotch - shot guru suggests when yu remains unstirred by his hard - earned handiwork , exemplifying the sweetness beneath the film’s satire . as far as romantic advice goes , we could all do a lot worse .
marlow - mann a . , “character engagement and alienation in the cinema of paolo sorrentino” , 161 - 174 , in hope , w . ( ed . ) , italian film directors in the new millennium , newcastle upon tyne , uk , cambridge scholars publishing , 2010 , p . 163 .
la dolce vita won the palme d ' or in 1960 , was condemned by the vatican and was subject to widespread censorship . the ban in spain was not lifted until after the death of franco in 1975 . the film has probably lost much of its ability to shock , and the orgies are tame by present standards . but it has not lost the power to fascinate , stimulate and provoke , and it remains a work of moral force and a visual delight .
having dispatched the sea beast by blowing up the argonautica , finnegan , trillian and pantucci find themselves washed ashore on an uncharted tropical island . all seems well until they hear a mighty roar , and the camera pulls back to reveal something huge and hostile crashing through the jungle towards them . the last line of the film ? finnegan’s catchphrase : a world - weary “now what ? ”
while all the voice acting is fantastic – from eli marienthal , harry connick jr . , christopher mcdonald , and jennifer aniston – remember that it’s vin diesel who provides the reluctant voice of the giant . feel free to point it out whenever someone says he’s never been in a decent film . ( well , this and his cameo in fast and the furious : tokyo drift , anyway . )
when 11 - year - old jessica receives a free wish , she gets what she asks for–a mom for christmas ! beautiful amy ( olivia newton - john ) shows up at her door bringing life and laughter back into jessica’s family . the trouble is amy isn’t real and can only stay until christmas eve . but now that amy has brought new meaning in their lives , jessica and her dad don’t want to lose her . you’ll love this christmas wish come true .
beauty is youth , when you see beauty everywhere , the sense of wonder of the best years : in nature , in sensations , in the sharing of them . this is for me the meaning of the film , particularly at the end . today everything is made opaque by the lack of collective memory , by bad teachers who have obscured the past and live in the present without direction . there is no time left for contemplation . if the film can help us understand the world around us , we must hasten to take care of an ailing body . ( 8 )
pegg is masterful in his deadpan delivery whilst surrounded by comedic insanity ; it just sets up the tone for the film , a testament to the comedic strength of the script , characters , direction and camera work . it sucks me in every time , and the parade of cameos like martin freeman , steve coogan , and bill nighy in the beginning are heralding the coming feast of talent further on .
he threw it all away . at 29 , he fell in love with ann more , lady egerton ' s niece , and secretly married her . it was the end of his prospects : upon discovery , he was sacked , briefly imprisoned , and spent the next 14 years of his life trying desperately to scrounge a living for himself , his wife , and the seven surviving children of the 12 she bore him .
john donne , ann donne , un - done
, in his bitter joke . but was he undone by passion or ( mis ) calculation ? did he sacrifice his career for true love , as edwards claims , or seduce an upper - class girl in the belief that her rich father could be won round , as the critic john carey suggests in his study of the poet ?
cramming two love stories into two hours and 20 minutes required some dramatic changes . julia is quietly transplanted from england to venice , where she joins charles and sebastian in the back of a speedboat , taking in the doge ' s palace . ' my dear girl ! ' lord marchmain cries , echoing the surprise many brideshead devotees will feel , as julia walks into the palazzo he shares with his mistress cara ( greta scacchi ) .
like any good cop , nicholas angel follows the right way of approaching crime , thorough investigation and logic , but of course – like any good action film – violence is the only way of bringing the crims to justice . a glorious , bullet chewing , muzzle flashing , ricochet whining , joyful barrage of justice .


dasavatharam ( தமிழ் : தசாவதாரம் , english : the ten avatars ) is a 1976 tamil hindu - devotional mythology film was directed and script were written by k. s. gopalakrishnan .

music by s. rajeswara rao assets to the film .

it stars ravikumar played titular role with sirkazhi govindarajan , jayachitra , gemini ganesan , m. r. radha , p. s. veerappa , sowcar janaki and k. r. vijaya other actor and actress played portraying supporting role .

dasavatharam ( film )

dasavatharam ( 2008 ) directed by k . s . ravikumar • reviews , film + cast • letterboxd
to be helmed by rajeev kumar , the film is the spin - off of popular character balram naidu from haasan ' s 2010 tamil film dasavatharam .
film , remembered mbs with gratitude and entrusted him with the films music . the
may be dasavatharam did not satisfy you … but not all of his movies .
kamal haasan featuring dasavatharam in ten different roles is making waves and also getting mixed reviews around the world . ( check our comments section on dasavatharam review and here )
dasavatharam , literally meaning 10 incarnations sees renowned actor kamal haasan playing 10 different characters .
that area was aadhi parasakthi - 1971 , which was a runaway hit . dasavatharam - 1976
# dasavatharam audio launch . . . most . . . - kamal haasan - kamalism forever
if you want to answer the questions ,
who starred in the movie dasavatharam ?
and
what is the full cast list of dasavatharam ?
then this page has got you covered .
the story of dasavatharam is all about a man who takes ten avatars to rescue the sunken deity .
this cast list of who was in dasavatharam includes both lead and minor roles . ( 21 items )
looking for movie tickets ? enter your location to see which movie theaters are playing dasavatharam near you .
a film that has a running time of close to 3 hours , dasavatharam took close to 3 years to reach the finishing line . one of the highlights of film was the much - hyped soundtrack composed by himesh reshammiya .
have a fact about dasavatharam ( soundtrack ) ? write it here to share it with the entire community .
have a definition for dasavatharam ( soundtrack ) ? write it here to share it with the entire community .
dasavatharam cast list , listed alphabetically with photos when available . this list of dasavatharam actors includes any dasavatharam actresses and all other actors from the film . you can view additional information about each dasavatharam actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of dasavatharam have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
dasavatharam would appeal to you , of all people because in my mind , it is the kind of film you might have written , with its free association and loaded symbolic references .
its also the kind of film people will easily mistake for an intellectual film , which is more the pity because its unadultrated tripe .
this film is impressive . although its been directed in the south indian style of film making it does not take away from the interesting story and screenplay of the film written by dr . kamal hassan .
a tamil romantic film which won the national film award for best feature film in tamil . the background score was composed by ilaiyaraaja and the movie was remade in hindi as tere naam starring salman khan .
i agree that many important subjects were tackled in the film , but the treatment made it impossible for me to take the film seriously .
directed by ks ravikumar , dasavatharam is said to release with a maximum of 1000 prints in three languages - tamil , telugu and hindi - the largest for any tamil film to date . but in uk cinemas , the film will be available in tamil only .
my first time reading your dasavatharam review . why read it now ? well , i re - watched dasavatharam on sunday that’s why ( actually did an almost back - to - back of dasa and virumaandi coz it was a combo dvd ) .
kamal haasan will revive the popular character balram naidu , a raw operative from 2008 tamil action - comedy
dasavatharam
.
the film dashavatharam is said to be taken in a budget of 1 . 5 billion rupeess which is the highest spent film in indian history .
beautiful bollywood actress mallika sherawat makes a foray into tamil cinema in dasavatharam , said to have taken three years in the making .
veteran telugu comedian brahmanandam will play the character appa rao , kamal’s sidekick , which was played by late choreographer raghuram in “dasavatharam” .
now it is official . kamal hassan himself is writing the dialogues for dasavatharam along with crazy mohan as has been said before .
a kamal haasan comedy is always something to look forward to and this one has him reprising the role of the hilarious balram naidu from dasavatharam . the film will also star ramya krishnan and shruti haasan .
a telugu film directed by ss rajamouli ( of baahubali fame ) , the film centers around the reincarnation of a princess . the film was later dubbed into tamil and malayalam , and also remade in bengali , as yoddha .
although dasavatharam is a tamil film , it will subsequently be dubbed in hindi , telugu , malayalam , kannada , bhojpuri and bengali . the film’s soundtrack has been composed by himesh reshammiya . at present , the film is still being shot in various locations in india and abroad . the movie is set for a diwali release , on november 7 , 2007 .
there are no featured audience reviews yet . click the link below to see what others say about dasavatharam ( the ten avatars ) !
balakrishna ' s 100th film , this one is an epic historical action film that also stars hema malini and shriya saran . the film is supposed to be based on a real life historical king who ruled in the 2nd century ad .
fantastic and mindblowing…neat explanation of the entire dasavatharam plot , where karma , butterfly effect and chaos theory bound together…wow , am amazed…puzzles are solved .
in a retrospective of indian films in the locarno film festival in august 2002 .
100th film nayakkarin magal . ksg was the man behind the story / screenplay of
outright by the public . ksgs last film was abhavanans kaviya thalaivan - 1992 ,
account of himself . his next film was annapparavai - 1980 . annapparavai had that
which doesnt seem to have been released . the film had some good songs like
dasavatharam is a tamil feature film directed by k . s . ravikumar , who with dasavatharam , is teaming up with kamal haasan for the fourth time . haasan acts in ten different roles , breaking the record for an actor ' s portrayal of the most different characters whilst asin thottumkal in a dual role and mallika sherawat also play lead roles in the film . the film , which has been under production since mid - 2005 , has himesh reshammiya as the music composer and oscar ravichandran as the main producer .
shot on a grand scale and costing 1 . 4 billion rupees , dasavatharam is the latest tamil epic - releasing in uk cinemas this month .
varalakshmi . i have not seen the film - so no clue about the proceedings .
a tamil film produced by dhanush , which was later remade in marathi , and went on to win the national film awards for best children’s film and best child artist . the story revolves around two slum children , and their desire to eat pizza . the film was critically acclaimed for its brilliant take on consumerism and became a commercial success .
the source adds , “being a perfectionist , kamal spent hours till he got under the skin of all the characters that he plays in dasavatharam . ”
the poster for this film created quite a sensation on social media . once again starring nivin pauly , the film also has aishwarya rajesh of kaaka muttai fame as part of the cast . the film , directed by sidhartha siva , is supposedly a political thriller .
we argued that it ' s only normal that it ' s a film that would appeal the most viewers who ' re more culturally aware of the film ' s background .
6 . john abrahams agragarathil kazhuthai - 1977 . the film had no songs , but had
mbs was not content to rest his laurels in film music . through music , he wanted
magnum opus , dasavatharam is set to break box office records thanks to kamal haasan ' s portrayal of 10 characters , a first in tamil and indian cinema .
“most of the film will be shot in the us . the makers have hired international make - up crew to take care of kamal’s look in the film , ” the source added .
dasavatharam - kamal playing the role of balram naidu , a raw officer . | ajith kumar & kamal haasan | pinterest | walt disney pictures , pink panthers and soundt…
ksg made his debut as a director in saradha - 1962 . the film , with a hitherto
but i have listened to some of his non - film works . many of the ramakrishna math
in the film , shruti will play haasan ' s daughter while akshara will assist rajeev kumar .
the major let down of the film seems to be the technology / budget . haasan played 6 different characters that i ' ve seen in the film before i walked out , these included :
the director k s ravikumar says that the film will take his career to a new dimension .
oscar ravichandran is leaving no stone unturned to make the film get that rich and regal feel .
vincent poovaragan : the black indian low caste leader is the political statement of the movie and a believable essay is caught in the tsunami of bad taste that is dasavatharam .
in short , with unexpected twists and turns missing in the film , dasavatharam is a make - up magic show that disappoints as drama and satisfies as a technical showpiece . atheist kamal seems to be indirectly affirming the existence of god here . verdict : watch for kamal !
the hero in the film dasavatharam grows in a agraharam where he loves asin who is a neighbour ( who is also a wife in his past life ) in agraharam . kamal plays the role of asin ' s grandma who strongly objects the marriage between kamal and asin .
im a broken man now . i thought life had served me every possible doozie . dasavatharam , i was completely unprepared for . but no one really prepares for the tsunami .
5 . nvr pictures madhana maaligai - 1976 - directed , again , by k vijayan . the film
mbs gave his best to all his films - be it any language . the first film in baduga
2016 ended on a sober note but 2017 promises to be an exciting year for film - goers .
an excited hassan , who plays george bush in k s ravikumar’s film , confirms the news and says , “it is true that i am playing george bush’s character in dasavatharam . in fact , the part where i play george bush has turned out to be exceptionally good . ” a huge set , which replicates the white house in washington , has been built in chennai’s film city .
kamal hassan in his film dashavatharam ( dasavatharam ) has acted in 10 roles . the first role is preist , hero ( lover of asin ) , bush , african , grandma ( asin ' s grandma ) , aborgine , singh , chinese , red indian and as a detective .
in his latest offering ' dasavatharam ' , to be released tomorrow after clearing a few unsettling legal wrangles , he is all set to regale his fans playing a record ten roles , including that of us president george bush , who would see the film later when he is free .
slated to release on december 1 in all the three languages , the film has music by maestro ilayaraja .
one of our most versatile actors , kamal hassan , is , at present , busy studying george bush’s mannerisms by watching all the tapes of the us president’s speeches and meetings . the actor is spending hours trying to emulate bush’s body language as a part of his homework for his next film dasavatharam .
some guys have claimed they haven’t understood chaos theory which plays such an important part in the film . as a physics student , i’ve decided to explain it a bit so that people can appreciate the brilliance of the film .
i think this is because they started making this film six years ago , and it changed hands many times .
actress ramya krishnan will play kamal’s wife in the film , which will also star shruti haasan as their daughter .
dasavatharam is a brilliant and bold effort which talks about the physics of karma , chaos theory and cycle of life . i came across across dr . kamal hassan’s words about dasa on the internet :
dasavathaaram is a 2008 tamil action - romance film , directed by k . s . ravikumar and produced by aascar film pvt . ltd . this film stars kamal haasan , asin , mallika sherawat , jayaprada , napoleon , nagesh in the lead role . the films soundtrack and background score were composed by himesh reshammiya with lyrics by vaali , vairamuthu .
the film , which was in the making for more than two years , first faced a legal wrangle over the title ' dasavatharam ' which refers to the ten incarnations of lord vishnu in hindu mythology and later over its content showing a clash between the two hindu sects of vaishnavites and shaivites in the 12th century . kamal ' s plot in this film takes off from this point and zeroes in on modern times , touching on sensitive issues .
a spy - thriller , bilingual film ( tamil and hindi ) , directed and co - produced by kamal haasan , starring rahul bose and kamal haasan himself . the film attained huge success at the box office and went on to become the second highest - grossing tamil film of all time , at the time of its release . it also received the national awards for best art direction and best choreography . a sequel to the film is due by the end of 2017 .
one should understand the basic concept of the dasavatharam storyline — chaos theory , butterfly effect . chaos theory or “butterfly effect” has been shown in movies like “it ? s a wonderful life” , “the jurassic park” etc…
the remake of the tamil ajith - starrer veeram , the telugu film will feature pawan kalyan and shruti haasan . veeram was an action film and though the dubbed version was released in telugu , it has still been considered eligible for a remake .
the film , which is being produced by raaj kamal international , will be simultaneously shot in tamil , telugu and hindi .
kichcha sudeep ' s next will also mark the kannada debut of amala paul . this kannada action film directed by s krishna has been shot in various places including jammu and kashmir , and iceland . the film is expected to release later this month .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
the film was shot in many high - security labs in the us . normally , permission to even enter these portals are denied . but the film crew got special permission to shoot there which in itself , kindles a fair amount of curiosity about the movie .
a telugu rom - com , starring siddharth and genelia d’souza , the film beautifully portrays the conflict between indian parents and their grown up children . the film received huge box office success , rave reviews and was later remade in tamil , oriya , and bengali .
yes , the film is hugely flawed , but it is still worth a look for its overall packaging and richness in production value .
in the film , asin plays the characters of kothai radha and andaal , opposite kamal hassan from the 12th and 21st century respectively .
actor - filmmaker kamal haasan will revive the popular character balram naidu , a raw operative from 2008 tamil action - comedy “dasavatharam” , in his upcoming yet - untitled trilingual comedy . it is slated to go on the floors in may .
the tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and tv programming quality for millions of moviegoers . it represents the percentage of professional critic reviews that are positive for a given film or television show .
shankar ' s sequel to enthiran is expected to release in october this year . a science fiction thriller starring rajinikanth , akshay kumar and amy jackson , the first look of the film which was released late last year has already generated a buzz among rajini fans . with ar rahman ' s music and the expectations set high by the first film , 2 . 0 looks every bit a cracker of a film .
the reason why the movie ‘butterfly effect’ scores is primarily because of showcasing all the possible permutations of incidents that could and could not have happened . but still the end that nature intended , neverthless happens . dasavatharam fails for the same reason .
ok , so does the film talk about theism or atheism ? neither . it talks about how humans drive the destiny of the world .
also starring brahmanandam , saurabh shukla , roger narayanan and ramya krishnan , the film will be simultaneously shot in tamil , telugu and hindi .
balram naidu : the indian intelligence official from andhra must be the funniest role kamalhasan has ever played . why didn’t he show up in the film earlier ? this is one reason i believe that this film is really the revenge of kamalahasan on his audiences in the world at large .
dasavatharam , which was under production for almost two years , has finally hit the marquee and in style . kamal and the marvel of technology rule this venture of aascar films directed by k s ravikumar who has packaged kamal ' s dream with aplomb .
in this film , with a record 1 , 000 prints in the history of tamil cinema , kamal would be surpassing the existing record of tamil cinema ' s thespian of yesteryears late sivaji ganesan , who had played nine roles in a film in the 60s ( ' navaraatri ' ) , and hollywood actor late alec guiness who had portrayed eight roles in a film in the late 40s , in ' kind hearts and coronets ' .
now with so many facts about the film revealed , it looks like kamal hassan ' s fans can look forward to a celebration of sorts .
will the lion roar this year at last ? suriya ' s s3 has been postponed multiple times and is now expected to release on january 26 . the third film in director hari ' s singam series which is about a police officer , the film also stars anushka shetty and shruti haasan .
prithviraj ' s horror thriller was supposed to release in december but was delayed . directed by jay k , the trailer of the film has excited fans of the actor . prithviraj ' s last film , oozham , was disappointing and the actor must be looking forward to up his game once again .
according to hindu philosphy , god in kaliyugam ( present yuga ) would take the 10th form that is the dasavatharam . it has also claimed that the avatar would emerge from the oceans , which is also mentioned in the song which asin sings with the patti .
the other thing i noticed in the film is that some sequences were very slick and other sequences looked like old chinese martial arts films version of history .
the pace of the film was too fast for my comfort and i believe this and average acting made a big dent in the overall experience of the movie .
2 - as our fellow film goers arrived at the same screen ( we had to wait outside ) , we noticed an ethnic exclusivity to everyone around us .
a press handout from oscar films , the producers of the film , has kamal ' s name appearing opposite the credit line of story , screenplay and dialogues .
interestingly , asin essays a double role in the film . she plays a woman from both the 12th century as well as the 21st century . incidentally , in both the roles , she plays a brahmin . the film ' s usp is kamal hassan who plays 10 different roles . another female lead is mallika sherawat .
the seagull , in his many many years of film watching has never seen a film fail in so many of its conceits as this one has . the sfx - terrible . the make up - like paper mache masks oldfashioned movie making skills - absent . a sense of history ( essential for a historical film ) missing . basic consideration for the viewer – absent . kamal’s interpretations of the ten charecters - sub intelligent . sociopolitical theory - like an old village communist “comrade”‘s drunken rant .
a remake of the tamil vijay - starrer kaththi , this action film will see chiranjeevi in a dual role . the telugu superstar will be making a comeback to the big screen after 10 years and what ' s more , this will also be his 150th film ! shriya saran and kajal aggarwal will play the female leads .
krishnaveni patti : this is one of the three real acting roles in the film although its drowned out by the shrieking and sqeaking in fifty different sharps and flats .
in malaysia too , the film has been shot in many unique locations . further , the shots of kamal in a 747 jet is said to be very extraordinary .
for eg : when you want to incorporate the chaos theory or its subset , the butterfly effect , the only way you can do it is by showing the 2 sides of what if incident a had happened and also what if incident a had not happened . but in the case of dasavatharam , he has shown only the first scenario . so what it does is that , it showcases only a series of co - incidences just like any other film .
after reading your analysis it has given clarity on the whole theories involved in the film , kamal is one who researches in depth before making it , no wonder his movies are expensive to start with , whereas the results are nothing less than brilliance . he is one of the few film makers who does not make cinema just for entertainment .
a tight & constant paced script was the highlight of the film . the use of chaos theory was good too . too bad i had to see this in hindi .
the second half of 2016 was a difficult period for the south indian film industries . what with the cauvery issue , demonetisation , natural disasters , the death of tamil nadu cm jayalalithaa and problems between producers and film exhibitors , the year came to a sober end . but 2017 is here and there ' s reason for cinephiles to cheer .
shivarajkumar ' s action entertainer , directed by suri , also stars manvitha . suri and shivarajkumar are getting together once again after their 2013 film kaddipudi , a crime thriller .
thala fans are waiting eagerly for ajith ' s next which will also feature kajal aggarwal and akshara haasan . directed by siva , the film is expected to release in april .
maestro ilayaraja , who has been roped in to compose the tunes , chose the title for the film’s tamil version which will be officially unveiled on friday ( april 29 ) .
the entire film ' s actually dubbed over . majority of the story ( of what i saw ) were set in america , and really , it ' s almost like an american film that happens to involve indian characters . anyway , there ' re a fair bit of english , and they ' re still dubbed , in english , by other characters .
really helped asin ' s standing in the industry .
she gained a lot from the film since her performance was appreciated on a scale similar to that of the tamil version of
great movie with a great actor , it may seem confusing at first but it all makes as you go along with the film , which is always good . i would recommend this !
a tamil sci - fi , starring kamal haasan in ten different roles , a record in itself . the film received mixed reviews and released a hindi - dubbed version a year later .
rangarajan nambi ( the 12 th century priest ) is a cardboard cutout fist banger with a brahmin priest’s getup . i never thought i’d see a film where a person dressed like a temple priest is introduced in the inner sanctum of a temple bashing the heads of bad guys ( squirting blood ) against the large stone idol of vishnu . a first of sorts in world film .
i hope its the worst among all the indian film that too spending too much . kamal sud understand that spending too much or creating some story like he did for dasavatarm is not goin to attract audience of tamilnadu . its a total waste . for this dubakur movie he spent in crores and took so much of time and called jackie chan for audio release . film like kadal n many more had not spent too much but did well in theatres . first he sud understand mind of tamilnadu audiences . then he sud make film accordingly . and truly the makeups were not upto mark .
so what went wrong ? it had absolutely no story to speak of , and the twists and turns were predictable . in the end , it turned out to be a routine film rendered more aggravating by its incessant near - miss plot structure . you desperately want to like the film for its maddeningly zany characters played out by kamal hassan . alas ! there ' s only so much life an actor can pump into a moribund script . it once again proves the old theory that , without a proper story and script , no film , however big the actors are , can succeed .
actor - filmmaker kamal haasan left for los angeles , us , on tuesday to start regular shooting of his upcoming trilingual film sabash naidu , which also features his daughters shruti haasan and akshara haasan .
everyone has their own opinions . i do agree with it . but please don’t compare dasavatharam with a pretty usual love story like kadhal . kadhal is be nothing more than a day - to - day entertainer movie . and such movies cost little unless u wish to blow up bmw’s with the each step covered by the hero . dasavatharam is in a different class . inorder to understand the movie completely , u have to think abt it after watching the movie . the chaos theory is portrayed in the best possible manner which even the movie “butterfly effect” was unable to do . butterfly effect is the result of subtle and non - apparent interventions in our life creating much greater consequences in the destiny of the mankind . and those who cry abt spending lavishly should first oppose the likes of useless masalas like “shivaji” . a movie with the grandeour of dasavatharam needs such amout of money to be spent . the music sextion was a let down and the second half was a bit lag . overall a great theme made out in a great manner .
yes opinions differ , and i think those who don’t understand the movie only recent it . the best part i liked about the movie is the layers that lie beneath . yes most of the audience have explained the scientific aspect of it , which is the choas theory , but there is also a religious side to it which is the dasavatharam .
story - screenplay - direction : the basic story line of the film is about how a scientist saved the lives of millions of people by securing the bio - weapon as a hit - man summoned by terrorists chases him . the hit man and the scientist roles are played by kamal himself and in the process hero meets seven more characters played by the actor . since all these characters are played by kamal , these characters are given more footage and much importance than usual . hence , the story of the film takes the back seat to highlight kamal’s dasavatarams . direction is not satisfactory . screenplay is little confusing . the 12th century episode is well - shot . the connection between the 12th century episode intro and the climax is not clearly explained . another flaw in the film is that the hero would be tossing around the idol of god throughout the film on the pretext of saving the world . the story writer incorporated majority of indian religions ( hindu , muslim , christian and sikh ) in the film .
manoranjan , a superstar , is counting his last days due to brain tumor . how he goes about his final wish of doing a comedy film with his mentor margadarsi forms the crux of the story .
it is a tamil psycho thriller , about a lawyer suffering from multiple personality disorder . the film was dubbed in telugu , hindi , and french and won the national awards in the special effects category .
other departments : music by himesh reshmiyya is just average . the popular song – loka nayakuda – comes only during the end credits of the film . mukunda mukunda song is good . background music by devi sri prasad is adequate . cinematography is good . make - up department deserves a special mention for its extraordinary work . editing is alright . dialogues are just ok . graphic work and special effects in certain scenes should have been better . the production values are extraordinary . analysis : the movie starts with an interesting episode set in the 12th century backdrop . then the movie ' s tempo goes down till the character of cop enters . from then , the movie is interesting till the interval . the second half is not good . the climax is little interesting . the plus point of the film is kamal hassan . the minus point of the film is about diluting the story to give importance to all ten characters in the film . people go to a movie to watch kamal hassan . half of the characters donned by him do not look like kamal hassan at all . then why does he have to don those characters ? on a whole , dasavatharam disappoints a bit !
the hero of the film without an iota of doubt is dr . kamal hassan . what a performer . i think the only person who can come close to him in acting in india is pankaj kapoor .
but the film , made in box office oriented commercial format , comments on contemporary issues like the dawn of biosynthetic weapon and packs action , humour and romance , as kamal himself revealed the plot in a nutshell recently .
this telugu remake of sudha kongara ' s irudhi suttru about a female boxer and her difficult coach will feature daggubatti venkatesh and ritika singh . the film marks venkatesh ' s 75 and is expected to release towards end january .
kaifullah khan : the 7 foot tall muslim cariciature ( a tamil film equivalent of blackface ) sounds retarded and catactonic . his character feels vaguely offensive , the way a “white person from west virginia” sketch might be essayed incestuously .
the film seems to want me to take it seriously , bar the comedy scenes , but you simply can ' t see pass how stupid the plot is , and the massive masks ! the acting reminded me of my sunday school theatre productions when i was 12 , and i could almost detect laughter from the camera crew of how silly the film was , except they didn ' t make it to the final cut due to the dubbing . #
a cyclone in usa . ( mark the word could . ) a highly dumbed down explanation of the butterfly effect is in the film anniyan , where vikram’s sister dies because a liquor shop owner sells liquor on a dry day .
it is not as though kamal does not know how to make movies . this is kamal acting out his creative erectile disfunction . the film is a fast talking con . god we miss a real sci fi drama from india .
okay , i realised breaking down the roles of the actor wasn ' t the best way to analyse where the film failed , i seem to be just wittering on . but my point is - the film has no real plot - it ' s basically a bit like the fugitive where our protagonist is stacked against imsurmountable odds without any means of fighting back , except the plot that propells our hero into the action were as convincing as bedtime stories for 3 years olds .
directed by santosh ananddram , this romcom featuring puneeth rajkumar and priya anand in the lead roles is expected to hit screens early this year . the teaser of the film opened to positive reviews on social media and has generated interest among fans .
after thani oruvan , jayam ravi and arvind swami will be seen on screen together again in this action comedy directed by lakshman . expected to release early this year , the film also has hansika and akshara gowda as part of the cast .
the film is an 1980’s style con job on the distributors to scam up as much money as possible on a premise ( actor casts himself in ten roles ) and deliver a stinking dud knowing the short memories of the bollywood filmmaking market .
i remember saying to stagulu ( yes , during one of those now - infamous oneway conversations back when ) that dasavatharam has really grown on me . i’m nearly oblivious to its flaws . in fact , each time i come across it , i discover something new…some facet of it that i ( hated or ) overlooked earlier reveals itself to me . also ( don’t laugh now ) i feel that the distractions of makeup - that - melts - in - the - madras - sun apart , the film does warrant kamal playing all 10 roles . watch it several times ( to overcome your initial shock / distraction from the rank - bad treatment ) and you’ll see why .
mohanlal ' s family drama directed by jibu jacob will probably release early this year once the indefinite strike in kerala gets resolved . the film is based on a short story and also stars meena who acted with mohanlal in the highly acclaimed drishyam .
sorry it turned into a bit of a rant here . but please , unless you ' re a fan of indian cinema or the director / actors involved , save yourself the effort to try and explore this particular film in the foreign genre .
a telugu musical , about life in an engineering college . the film which was later remade in tamil , kannada , and hindi . it became immensely popular among engineering students and became one of the highest - grossing films in kerala that year .
the highlights of the film were the name of the production house ' aaskaar films ' ( haha ! ) and some of the lame dialogue . i can see why it ' s a hit though - good movies are generally never hits in india .
the darshan starrer directed by chinthan was supposed to release last year but was delayed . said to be an action thriller , deepa sannidhi plays the heroine . the film is expected to release in february , which is also the birthday month of darshan .
vijay ' s next will release on january 12 . bairavaa , directed by bharathan , is expected to have all the
mass
elements that vijay is known for . the film also stars keerthy suresh who is currently enjoying a good run in kollywood .
this dulquer salmaan starrer was supposed to release for christmas but did not due to the ongoing crisis between theatre owners and producers in kerala . directed by sathyan anthikkad , the film is supposed to be a family drama . anupama parameswaran plays the female lead .
others : who will be left in the star cast of the film if kamal does 10 characters , except for the female leads ? asin is good as brahmin devotee who accompanies the hero for the sake of perumal ' s idol . mallika sherawat is alright as the telugu translator to the villain . jayaprada did the role of punjabi singer ' s wife and has no significant role to play . napoleon is terrific in the role as shiva’s devotee . director p vasu also did a guest role in the film .
with its rugged blue body , its name ( thamizhla naamam ) painted on in red , the boat is an effective backdrop for — and a silent observer of — the three kamals ( fletcher , govind , shingsen ) sparring on the shores . and when the big wave suddenly comes , the boat becomes noah’s ark , rescuing / sheltering the govind - andal duo . ultimately , dasavatharam is an unlikely love story ( note the kamal - asin bookends ) .
a tamil romantic thriller , with the soundtrack composed by ar rahman , the story deals with a disabled bodybuilder - cum - supermodel , who seeks revenge . despite the movie’s extreme long duration ( 188 mins ) , it became the fourth - highest grossing tamil film worldwide .
in the above links u can see that butterfly’s wings might create tiny changes in the atmosphere that may ultimately alter the path of a tornado or delay , accelerate or even prevent the occurrence of a tornado in a certain location . so in dasavatharam that idol thrown into sea in 12th century is the cause for tsunami… . so everything is interlinked . the wiki entry also says that chaos could play an important role in plate techtonics . which means even the 12th century incident is connected .
hey guys . . now , what is the issue here ? kamal or the movie or chaos theory . . i must admit im not a big fan of kamal but i must agree that dasavatharam is a superb and brilliant movie . . it incorporates science and religion in a very basic manner . i dun understand y that is so hard to understand . . maybe its a typical “kamal movie” , but its a masterpiece . . watch it again with a more open mind . .
ramesh aravind ' s 100th , directed by s ravindranath , is the remake of a korean film miracle in cell no . 7 . the korean original is a comedy about a mentally challenged man who is wrongfully imprisoned for murder . bollywood actor juhi chawla will be seen in a cameo .
“kamal will play balram naidu in his new film . audiences will be introduced to his family for the first time . it’s an out - and - out comedy flick interspersed with sporadic action sequences . the regular shooting will start from the second week of may , ” a source said .
a tamil political drama directed by mani ratnam , and soundtrack composed by ar rahman , was later dubbed in malayalam and telugu . the film stars aishwarya rai along with others and is said to be a biographical reference of m . karunanidhi , m . g . ramachandran and j jayalalithaa .
dasavatharam tells ten avatars spell - bounding story about how far you can get with lord vishnu ' s grace . the ten avatars named followed by matsya ( the fish ) , kurma ( the tortoise ) , varaha ( the boar ) , narasimha ( the halfman / half lion ) , vamana ( a dwarf ) , parashurama ( warrior with the axe ) , rama ( prince of ayodhya ) , krishna ( prince of mathura ) , balarama ( avatar of adhisheshan ) , and kalki ( eternity ) .
“kamal will play balram naidu in his new film . audiences will be introduced to his family for the first time . it’s an out - and - out comedy flick interspersed with sporadic action sequences . the regular shooting will start from the second week of may , ” a source told ians .
had stolen his script . on the basis of this complaint , the chennai police questioned the actor and later the high court sent notices to haasan and ravichandran announcing an interim stay on the release of the film . in september 2007 , the court dismissed kumar ' s petition , clearing the legal hurdle .
kamal hassan plays 10 different characters in the film . besides playing bush , hassan is also likely to play the roles of a brahmin priest , a dwarf , a scientist , a fighter , a black man , a tourist guide , an old woman , a beggar , a young lady and an emperor .
stay tuned to this space for more rudramadevi making videos , rudhrmadevi teaser , rudramadevi theatrical trailer , rudhramadevi songs , rudramadevi audio launch live and for all the latest updates of the movie . vanitha tvrudramadevi upcoming indian 3d historic film , in telugu and tamil . the film is directed by gunasekhar cast including anushka shetty , allu arjun , krishnam raju , rana daggubati , prakash raj , adithya menon , nithya menon , baba sehgal and catherine tresa , anushka will play the role of rudrama devi , a 13th - century queen of kakatiya dynasty , the film ' s soundtrack and background score were composed by ilaiyaraaja and the art direction is handled by thotta tharani , neeta lulla is designing the costumes , german technicians to work for rudrama devi , stereoscopic 3d , stereoscopic , for more latest updates : * watch vanitha tv live : urltoken * subscribe to vanitha tv channel : urltoken * like us on facebook : urltoken * follow us on twitter at : urltoken
the housefull midnight audience were pummeled into a stunned silence from bad visuals unkind make up , garishly fake computer animation , pukey falsettos and a basic lack of consideration for the audience . i ended up feeling sorry for trashing tashan . this is a few levels worse . it’s a throwback to the bad old days of a desperate “make movies cuz our film crew needs work” times in the 80’s . there are no redeeming features . the rest of this review is me working out my frustration at the wasted opportunity and time . stop reading now if you get the picture . stay away from this film , if it’s not too late already .
finally , dasavatharam says life is nothing but a cycle . you are bound to experience the effects of your actions either now , or in the future , or in your next birth . you are provided with the free will to do what you want with your current life . but your actions will not only affect you but also the peolpe around you resulting in a buttefly effect which might lead to unbelievable consequences in some part of the world . you have to experience the effects for what you have caused . until then life keeps repeating like a cycle .
kamal is missing something basic here . the whole purpose of special effects generated on the computer is that they look real . these look like they are computer generated painted cardboard props . the whole purpose of make up is that the “made up” person looks real . these look like some horror film masks melted in the madras sun .
' dasavatharam ' , the most expected movie of the year 2007 , features kamal haasan and asin in the lead roles . planned for release sometime in the middle of the year , ' dasavatharam ' is a class in itself . for it features kamal in ten different roles . k s ravikumar is directing this mega budget movie for oscar ravichandran . himesh reshammiya from bollywood is scoring the music . this is his debut in kollywood . kamal , always known in the industry for trying out something new , is handling ten different roles in this movie . it looks like he is trying to break the record of sivaji ganesan ' s nine roles in ' navaratri ' . the movie is being shot in different locations in india , malaysia and the us . when the hero does something , should not the heroine follow ? kamal ' s ten roles are countered by asin ' s dual role in the movie . this is the first time in her career asin is playing dual role . mallika sherawat dons an altogether different cap in this movie . she appears as a cia agent while jayapradha , the well - known character artiste , plays another important role in the movie .
the movie dasavatharam starts with a flashback which dates back to 1500 - 1600 ad . during this period the pandyan king who is the ruler of the southern part of india orders all his subjects to turn to vahinavites from other religions . his subjects are mainly shaivars and one man ( kamal hassan ) and his family objects to convert . he is the priest of the temple of shaivars and he opposes to the king ' s ( actor napolean ) wish and this makes the king very angry and he orders his army to destroy the temple and kill the people those who opposes his wish .
okay , this is slightly outside the chaotic system driving the film as a whole . from what i could gather he says that this story is about ideologies like god , the madness surrounding such ideologies and decides to tell the story of the shaivite - vaishnavite conflict to show how people go crazy in the name of god as an example .
as a loose end , it gets tied up in the end , when the ranganathar idol is thrown out of the sea due to the tsunami which highlights the cyclic nature of life . actually the nambi character highlights both chaos and karma which i explained . that is the brilliance of this film , there is so much to see and understand .
what a moving , stark story - i believe jayakanthan had expanded it into full - length evocative black & white film - - - but could no find no distributors . i can only sigh in helpless frustration , when i realize that jagan mohini ran to packed houses in the same year in which a masterpiece like puthu cheruppu kadikkum slept in the cans
the trouble with the format is that far too many characters of the actor criss - cross without any reason ? or they don ? t make any difference to the story . it is obvious that characters like the punjabi pop singer avatar singh , the tall khalifullah khan , the japanese martial arts expert , etc . , are unnecessarily stitched together to make it a perfect 10 . the real crisis point in the film is nebulous . the film also coasts along at a doleful pace ? 185 minutes . kamal ? s prosthetic makeup , especially as george bush , fletcher and khan , is a bit of a dampener . but brian jennings ? special effects , mainly of the climax tsunami scene , are top class by indian standards .
i was pretty disappointed with this . i was expecting a much better film . the plot was reasonably interesting but i didn ' t see the need for kh to play all those roles . i think after indian , he probably got hooked on the whole makeup thing . maybe he should team up with eddie murphy . i shudder to think of the end product !
kamal throughout his film career has been confused . he watches and admires movies that are made for a higher level of intelligentia , but when it comes to making his own movies , he makes it for a lower strata of intellectuals . he is always confused whether or not to make movies that are understandable and appreciatable by both . so he always makes a mixture that reaches neither .


nee thanda kanike ( kannada : ನೀ ತಂದ ಕಾಣಿಕೆ ) is a 1985 indian kannada film , directed by dwarakish and produced by dwarakish .

the film stars vishnuvardhan , girish karnad , jayasudha and c. r. simha in lead roles .

the film had musical score by vijayanand .

it is a remake of the hindi hit film sharaabi ( 1984 ) starring amitabh bachchan and jayaprada which itself was loosely based on the 1981 american movie arthur .

nee thanda kanike

nee thanda kanike 1985 | full length kannada movie | feat . vishnuvardhan , jayasudha
nee thanda kanike 1985 | feat . vishnuvardhan , jayasudha | full kannada movie - youtube
nee thanda kanike 1985 | full length kannada movie | feat . vishnuvardhan , jayasudha - youtube
nee thanda kanike ( 1985 ) | | feat . vishnuvardhan , jayasudha | | superhit kannada movie
nee thanda kanike ( 1985 ) | | feat . vishnuvardhan , jayasudha | | superhit kannada movie - youtube
the song
nee thanda kanike
was received extremely well and considered as one of the evergreen duet songs .
is a kannada family movie , directed by dwarakish . the cast of nee thanda kanike includes vishnuvardhan , girish karnad .
watch full length kannada movie nee thanda kanike release in year 1985 . directed by dwarakish , and starring vishnuvardhan , girish karnad . subscribe us : urltoken like us on facebook : urltoken follow us on twitter : urltoken
kannada movies full | sose thanda sowbhagyya kannada full movie | kannada movies | dr . vishnuvardhan
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ravi the son of a well known businessman is well known for his alcoholic behavior . young ravi is all head over heals for meena a well known dancer in town
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the film was part black - and - white and part color , thus making it a partial color film .
scored the music and the story was written by h . n . muddukrishna .
the film , upon release , was critically acclaimed and went on to win the karnataka state award for fourth best film for the year 1972 - 73 .
role in this movie . strangely , it is usually not considered among the movies in which he played a dual role as the second character
appears after one hour and 56 minutes ( 116th minute ) into the movie and dies within 3 minutes . however , the second character is a necessary plot twist in the movie as the lead character
this article is issued from wikipedia - version of the 8 / 3 / 2016 . the text is available under the creative commons attribution / share alike but additional terms may apply for the media files .