familia rodante ( english : rolling family ) is a 2004 comedy drama film , written and directed by pablo trapero , and produced by various countries , including argentina .

the film 's executive producers were hugo castro fau and martina gusman , and it was produced by pablo trapero , robert bevan , and donald ranvaud .

the picture is about a large argentine family that takes a northern 1000 plus kilometer road trip in an old cramped motor-home to attend a wedding .

the family takes part in many adventures along their way to the wedding .

familia rodante

rolling family ( familia rodante ) | st . louis news and events | riverfront times
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familia rodante - spanish film with near - damn the same plot from little miss sunshine and some grossly boring cinematography , acting and pacing . and after earth is hilarious , shut up .
familia rodante introduces us to grandma emilia on the day of her 84th birthday when her eclectic family comes together to pay their respects to the family matriarch . emilia informs everyone that she’s to be the matron of honour at a wedding thousands of kilometres away . familia rodante is a heart - warming road movie with both a dry sense of humour and a keen understanding of family dynamics .
mi familia
- - con las canciones ,
soñando con p . r . y
patria
a ' family guy ' , trapero always used members of his own ' familia ' in his movies , most famously his grandmother , graciela chironi , a main character in crane world and familia rodante . the same can be said about the structure of his company and his crew : a group of friends and collaborators who have been working together for more than a decade creating that same sense of ' home ' their films have .
“films need to be made so that people go to see them . it is a strategy of matching the product with the point of sale , ” says goldbart , who will make his directing debut with “visitor” after picking up experience as an editor on berlin - laureled “el custodio” ( the bodyguard ) , pablo trapero’s “familia rodante” ( rolling family ) and “el bonaerense . ”
after forming the production company , matanza cine , and starting to work with martina gusman , trapero continued to direct films that showed different facets of his cinematic personality : from the low key comedy of rolling family ( familia rodante , 2004 ) to the tough family drama born and bred ( nacido y criado , 2006 ) , a film in which his wife ( a professional actress ) also started appearing in front of the camera .
another low - budget gem from the new argentine cinema , this vibrant , bitter - sweet film crams four generations of a buenos aires family into an ageing camper van for a 1000 km trip up to the border with brazil . the cramped , stifling conditions and assorted mechanical failures bring domestic tensions and romantic conflicts to the surface . but familia rodante is generous in its sympathies , and is buoyed by the spirited central performance of the filmmaker ' s real - life grandmother , the non - professional actress graciana chironi .
surveying the online reviews of pablo trapero ' s
familia rodante
, there seem to be two dominant views . some herald it as a masterpiece of rich emotion and imagery . others see it as a cloying and manipulative dramedy ; an argentinean
l ittle miss sunshine
. as often is the case , my own opinion lies in the middle . while there was some humor and character development that i found grating , there was fortunately enough to keep me entertained in the film . for every moment of
little miss sunshine
- esque disingenuousness or cornball humor , there was enough real emotion or gorgeous cinematography to make the viewing worthwhile . the image here is one of strongest yet that i ' ve come across from artificial eye . the non - anamorphic widescreen presentation of the film preserves its original aspect ratio of 1 . 66 : 1 . the detail is very strong in the images , with all colors looking quite sharp . what ' s more , there ' s no indication anywhere here of damage or manipulation . overall it ' s quite impressive despite not being 16x9 enhanced .
in a land where crusading investigative journalists⸻especially those who concern themselves with the dodgy doings of local and national politicians⸻seem so often to be tragically “accident - prone , ” it’s perhaps surprising , but also encouraging , that many filmmakers unflinchingly detail the grim dysfunctions that have come to define their post - communist , gangster - capitalist world .
the hircine duo trundle slowly out of their hiding - place facing forward , then swivel to confront each other and perform their ceremonial dozenfold butting of heads , before withdrawing back behind closed doors to rest for another 23 hours and 55 minutes .
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a wedding invite from an estranged sibiling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan .
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
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a young locksmith is forced to leave his home and family to join the buenos aires police force .
in argentina over 8 , 000 people die in traffic accidents every year . behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes . sosa is a . . . see full summary »
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the true story of the puccio clan , a family who kidnapped and killed people in the 80s .
a small incident over two neighbors common wall sparks a conflict which affects the intimacy of the view over the chimney ; the protagonist sparks a conflict and with paranoiac obsession destroys everyday life .
the life of two women and their families in a small provincial town of salta , argentina .
a woman in her late - twenties called silvia prieto wants to improve herself . her discovery of a second person also called silvia prieto will change her life forever . maybe not the changes she hoped for .
ras is a construction worker and graffiti artist in his neighborhood of east cali , colombia . after he loses his job he sets off on a journey across the city to find another graffiti artist .
alejandro is a taxi driver about thirty - five years is suddenly in the midst of separations , violent weather changes , sudden wealth and characters who want to return to argentina .
on her 84th birthday , emilia gets a call from her sister in misiones inviting her to be matron of honor at a family wedding . emilia tells her family that all of them are making the trip . her two daughters , their husbands and children , one great - grandchild , and one child ' s friend jam into a camper van atop an old chevy pickup . they leave from buenos aires . engine trouble , a toothache , a stray dog , mosquitoes , and the heat complicate the journey . cousins kiss , a melancholy brother - in - law tries to re - kindle an old flame , and the infant ' s father shows up uninvited . the screen is full of close ups .
well , that ' s life ,
says emilia .
graciana chironi , the woman who plays emilia ' s character , is not an actress , is real life ' s mother of the director pablo trapero .
its bad , sorry ' naturalistic ' . a bunch of unlikeable people go on a road trip and you don ' t find out anything about them . or maybe you do , its just that we decided we couldn ' t last longer than about 45 minutes into the film . we ' d have lasted a lot longer if it had just been a film taken by someone poking a camera out of a car window for an hour , because some of the scenery could have looked lovely , and there would certainly have been more action . i had wondered if it was a cultural thing , if it was a problem with the humour not being translated well into the subtitles , but to be honest i really think it really is that dull . there is an issue with the style of movie and the subtitles , in that its often hard to work out which of the characters mumbling in the background the subtitles actually refer to . there have been some comparisons with little miss sunshine but there is no comparison . one has interesting characters well developed in a very economical way , poignant moments and some real humour , the other has a guy swearing at toll booths every few minutes .
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indeed it ' s chironi ' s 84 - year - old matriarch emilia who kick - starts the story by insisting that her children , grandchildren and great - grandchildren all accompany her to a wedding in her hometown where she has been asked to be a maid of honour . trapero doesn ' t provide us with much information about his ensemble cast - we never learn for example about their jobs in the city and we don ' t particularly get to know any one individual . the focus is on the present , and how they all cope with the arduous conditions on the journey , and the restless , handheld camerawork and tight framing reflect their collective discomfort .
trapero provides us with various glimpses of rural argentina : the landscapes grow more verdant the further north the family drives , cowboys roam the roads , and a small town is decked out in blue - and - white national flags to celebrate a holiday . and amidst the bickering and disagreements amongst emilia ' s relatives - one son - in - law makes a romantic play for his sister - in - law - the film pays tribute to the practical resourcefulness of its characters in the face of numerous obstacles . the rolling family of the title becomes a metaphor for argentinean society as a whole , struggling along but sticking together despite the country ' s economic crises .
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an 84 - year - old matriarch ( graciana chironi ) gathers four generations of her family together for a road trip across argentina to attend a relative ' s wedding . traveling in a rickety camper van , they hit a number of bumps in the road as they travel toward their ultimate destination .
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summary : a family drama unfolds as four generations set off on a long road trip in a decrepit campervan to a wedding .
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you suck the blood of the afflicted . those lacking imagination take refuge in reality .
invincible ( tv movie not the mark wahlberg movie ) starring billy zane , the guy who played lincoln on prison break , some chick and the black cop on true detective that isn ' t brother mouzone from the wire . its so bad its not awesome , but its awesomely bad . must be seen .
probably because it ' s fresh in my mind . street fighter the legend of chun li . was flipping channels the other night and watched the last 40 minutes of it . just awful .
leprechaun in the hood ( horror ) freddy got fingered ( comedy ) catwoman ( action ) titanic : the legend goes on . . ( animation ) the roller blade seven ( science - fiction ) bloodrayne ii : deliverance ( western ) kony 2012 ( documentary )
this chapter claims that inés de oliveira cézar’s cassandra ( argentina , 2012 ) inscribes and subverts the generic conventions of the road movie , the female bildungsroman , and even neorealism . while the road trip favors character development and female independence , the protagonist , a journalist whose job is to denounce the deforestation that deprives indigenous peoples of their ancestral lands in the argentine northeast , does not turn out to be a successful journalist , since she becomes extremely aware of the limitations of language and representation . in this film , cultural critique is represented narratively and the deictic pointers typical of neorealism are ambiguous . instead of the expected overt political messages denouncing the plight of indigenous peoples , cassandra makes us to reflect upon the limitations of objective representation as well as the unfeasibility of speaking for the subaltern .
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. trans . rushworth kennard davis . oxford : b . h . blackwell . print .
aranda , darío . 2015 . los desmontes de la soja ( soybean deforestation ) .
bernardes , horacio , diego lerer , and sergio wolf . 2002 . from industry to independent cinema : are there ‘industry auteurs’ . in
, ed . horacio bernardes , diego lerer , and sergio wolf , 119–131 . buenos aires : ediciones tatanka , fibresci . print .
. 2012 . dir . inés de oliveira cézar . argentina : morocha films , dvd .
. 2005 . dir . inés oliveira cézar . argentina : barakacine & morocha films , dvd .
. trans . hugh tomlinson and barbara habberjam . minneapolis : university of minnesota press . print .
trans . hugh tomlinson and robert galeta , 7th ed . minneapolis : university of minnesota press . print .
. 2004 . dir . walter salles . brazil : film four , dvd .
2007 . dir . inés de oliveira cézar . argentina : morocha films , dvd .
gordillo , gastón , and silvia hirsch . 2003 . indigenous struggles and contested identities in argentina : histories of invisibilization and reemergence .
joensen , lilian , and stealla semino . 2004 . argentina’s torrid love affair with the soybean .
. ed . paulo gurgel valente . rio de janeiro : editora rocco . print .
2003 . dir . albertina carri . argentina : primer plano film group , dvd .
2003 . dir . vicente amorim . brazil : luiz carlos barreto produções cinematográficas , dvd .
pengue , walter . 2005 . transgenic crops in argentina : the ecological and social debt .
qaim , matin , and greg trexler . 2005 . roundup ready soybeans in argentina : farm level and aggregate welfare effects .
. 2010 . dir . inés de oliveira cézar . buenos aires , argentina . ajimolido films , dvd .
rodríguez mir , javier . 2009 . la apropiación simbólica como forma de poder : la necesaria y temida alteridad entre los wichí del chaco argentino .
, ed . cary nelson and lawrence grossberg , 271–312 . urbana / chicago : university of illinois press . print .
. 2001 . dir . fito páez . buenos aires : circo beat , dvd .
. 2001 . dir . alfonso cuarón . mexico : anhelo producciones , dvd .
( 2012 ) . in : garibotto v . , pérez j . ( eds ) the latin american road movie . global cinema . palgrave macmillan , new york
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the opening close - ups of gabbling caged birds prove all too apt here : charting an extended family’s cross - country odyssey to a distant relative’s wedding , pablo trapero ’s road movie - cum - domestic saga can feel a bit like being trapped in a cramped , sweaty trailer with an exotic menagerie . under grandma’s matriarchal eye , various siblings and their partners squabble , flirt and bond while the grandkids range from rock chick romantic refugee to horny adolescent to junior dog - lover . keeping track of the myriad ( somewhat soapy ) plotlines is a challenge but trapero is adept at realising moments of simmering irritation or sexual tension and , despite the often confined quarters , keeps his shots mobile and filled with colour .
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an argentinian family , led by the 80 - something grandmother emilia , set out on a two day trip by camper van to attend a family wedding on the other side of the country . family drama ensues .
director pablo trapero apparently hoped this trans - argentinian odyssey would show both how today ' s happenstances become tomorrow ' s memories , and how differently the young and the old approach life . however , these laudable intentions have slipped somewhere between his mission statement and the screen – what remains is an overly familiar collection of domestic crises crammed together in a rickety camper van .
even worse , this record of the misadventures of octogenarian graciana chironi and her family en route to a wedding on the brazilian border encompasses so many viewpoints that it ' s impossible to get to know the sketchy characters - and when your film is essentially a character study , that ' s disappointing .
the cast is as spiritedly naturalistic as guillermo nieto ' s cinematography , but there ' s no sense of place ( let alone insight ) , and for a road movie that ' s a fatal flaw .
the moving road movie by argentinian director pablo trapero is an excruciating yet hilarious depiction of family politics .
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select an author simon abrams melissa anderson michael atkinson laura beck sherilyn connelly serena donadoni inkoo kang karina longworth violet lucca calum marsh amy nicholson michael nordine john oursler chris packham nick pinkerton nick schager andrew schenker alan scherstuhl luke y . thompson zachary wigon robert wilonsky chuck wilson stephanie zacharek
the grandmother of a large , extended family is invited to become the matron of honor at her niece ' s wedding in her far away , native hometown . and so , the adventure begins as the whole clan hits the road in a mobile home .
synopsis twelve family members travel to a wedding cross country argentina , a land stained in an intense economical and social crisis . the different generations that compose the family will be forced to coexist for a considerable amount of time in an old vehicle that can barely transport that many people .
colour s - 16mm blow up to 35mm 1 : 1 . 85 dolby digital
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an eighty - four year - old grandmother has been asked to be the matron of honour at a wedding being held in her old home town . wanting to share the thrill of having been chosen , she invites her entire family to accompany her on the trip from buenos aires to a small country town near the brazilian border .
max , a macho , solitary rottweiler police dog is ordered to go undercover as a primped show dog in a prestigious dog show , along with his human partner , to avert a disaster from happening .
tamara is separated of diego since two years . she leaves finally the nest to live the student adventure in paris with his girlfriend sam . in galley apartment , they accept a cohabit with wagner . problem : diego is part of the lot , he is no more single .
dany versavel has problems with his son sullivan , who is on the 15 - year - old age is who wants no father more which the tough hero hang out behind the bars . for dany is his
ket
his life , he would not , under any circumstances to lose him , and so he decided early to escape from prison .
michel has lost the stuffed animal of his daughter at the airport of roissy . he distributed a notice of research with a reward . sofiane , employee at the airport , sees the opportunity to make a little money and claims to have found the teddy bear . the lie revealed , michel and sofiane launch despite . . . read more . . .
four lifelong friends have their lives forever changed after reading 50 shades of grey in their monthly book club .
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den of thieves ; suicide mission ; ¡qué gozada de divorcio ! ; dom ; race for glory ; scores to settle ; died wretched ; karishika ; dzidzio contrabass ; keitai kareshi ; operation moscow ; the motel life ; tada - kun wa koi wo shinai ; dr . psycho - die bösen , die bullen , meine frau und ich ; bull durham ; ( mehr . . . )
completely and totally wrong . like and also argentina , just made the sedan and five - door hatchback . none coupé , cabrio or sw versions .
in a wagon version , can be possible . . . not a funeral car , it ' s the wagon version . and few imported in colombia , not made .
it ' s correct . all ( or something similar ) the cars sold in south america have the amber turn signals .
elsaxo wrote in argentina the weather information are always shown in the bottom of every television broadcast ? seems to be really annoying . . . no , not at all . for the volver movies , and others , i edited several times this info ( and few times , the logo of the channel ) .
i saw this movie today . . . looks in the north of south america , but isn ' t
real
at all . maybe the north of colombia ( la guajira ) and some areas of venezuela was the most exactly south american set ( desertic with petrol ) .
if . . . you put en google the title of the movie , appears only 1963 . no other matches . here not really used the next year ( 1964 for a 1963 car ) for any model like in usa or europe .
no way , cl82 . this is the same , dsl . for me , it ' s a isard t 700 - > urltoken ( goggomobil made under license here )
no , fissore ( or any similar ) maybe correct , but it ' s an anachronism if it ' s true .
electra225 wrote none of the two : i think a . ika renault by the side style . you ' re kidding , drunk ? ? ? serious ?
made in canada / search . php ? resultsstyle = aslist & sortby = 0 & make = ford & model = edge
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if it ' s correct : the enquiry is complete . the vehicle details for a370 wwo are : date of liability 01 03 1996 date of first registration 01 02 1984 year of manufacture 1984 cylinder capacity ( cc ) 1296cc co2 emissions not available fuel type petrol export marker n vehicle status unlicensed vehicle colour blue
rather germany , not italy , like the rest - > / vehicles _ make - bmw _ model - isetta . html
okay , many thanks . not confirmed the russian - production for the 408 ?
actually , it ' s completely chinese origin ? the other 408 ( made here ) was posted with french origin .
die bilder unterliegen dem urheberschutz und sind eigentum der filmgesellschaften oder besitzer der filme . kommentare sind eigentum der jeweiligen autoren .
festival favourite from pablo trapero , the semi - autobiographical rolling family stars trapero’s own grandmother , who won awards for her performance as the family matriarch .
octogenarian grandmother emilia ( graciana chironi ) squeezes her extended family into a dilapidated motor home for a cross - country road trip teeming with domestic discord in this argentinean comedy . as they travel toward the brazilian border to attend a family wedding , relationships blossom and fall apart , old feuds reignite , and other thorny issues crop up in the camper’s stifling close quarters .
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responsibility distribution company s . a . argentina presenta ; buena onda films presenta ; una producción de matanza cine ; guión y dirección , pablo trapero ; productores , pablo trapero , donald ranvaud , robert bevan . language spanish , english , french . in spanish with optional english , french or spanish subtitles . edition widescreen version . imprint san luis [ argentina ] : avh , c2005 . physical description 2 videodiscs ( 103 min . ) : sd . , col . ; 4 3 / 4 in .
contributor trapero , pablo , 1971 - ranvaud , donald . bevan , robert . chironi , graciana . buena onda films . matanza cine ( argentina ) avh ( firm )
a wedding invitation from an estranged sibling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan .
subject extended families > argentina > drama . families > drama . grandmothers > drama . older women > drama . motor homes > drama . weddings > drama . motion pictures > argentina . genre road films . feature films .
release date 2005 production date 2004 note bonus features : theatrical trailer , synopsis , interview with the director , photo gallery , deleted scenes . originally produced as a motion picture in 2004 . production credits cinematography , guillermo nieto ; editing , nicolás goldbart ; music , león gieco , hugo díaz , juajo soza . participant graciana chironi , liliana capuro , ruth dobel , federico esquerro , bernardo forteza , laura glave , leila gomez , nicolás lópez , marianela pedano , carlos resta , raúl viñales . format dvd ( region 4 ) . publisher number dv2081 avh
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1 . 66 : 1 original aspect ratio average bitrate : 6 . 5 mb / s pal 720x576 25 . 00 f / s
note : the vertical axis represents the bits transferred per second . the horizontal is the time in minutes .
the sound is similarly good . presented in dolby digital 2 . 0 , the audio here makes full use of the best that mono has to offer , with the dialogue and music always sounding crisp and clear . the subtitles are large and white , but never prove obtrusive toward the image . aside from the director ' s biography and a short theatrical trailer , the only extra here is a
making of . . .
documentary , that blends talking heads with footage from the set . those who enjoyed the film will likely find this to be a worthwhile viewing experience as well . my overall impression of this release is that it ' s an impressive package from one of the most important studios operating today , of a decent film . that sounds like a recommendation to me .
on her 84th birthday , emilia gets a call from her sister in misiones inviting her to be matron of honor at a family wedding . emilia tells her family that all of them are making the trip . her two daughters , their husbands and children , one great - grandchild , and one child ' s friend jam into a camper van atop an old chevy pickup . they leave from buenos aires . engine trouble , a toothache , a stray dog , mosquitoes , and the heat complicate the journey . cousins kiss , a melancholy brother - in - law tries to re - kindle an old flame , and the infant ' s father shows up uninvited . the screen is full of close ups .
well , that ' s life ,
says emilia . written by
graciana chironi , the woman who plays emilia ' s character , is not an actress , is real life ' s mother of the director pablo trapero . see more »
buenos aires — in the quest for stronger sales , argentine production house aeroplano has broken away from the director - driven movement to take on a black comedy .
nicolas goldbart will helm the $ 1 million laffer “visitor” about an argentinean who is detained by u . s . immigration and thrown in jail by airport officers who suspect him of criminal activity .
daniel hendler of hits like berlin - laureled “lost embrace” and “family law” will star .
the move is aimed at securing wide distribution in argentina , where multinational chains dominate exhibition and hollywood imports command 85 % of ticket sales . most homespun pics — argentina produces 60 - 70 features a year , the most in latin america — fail to break even at the box office .
now , more directors and producers are working closer together on genre films and other projects that may grow admissions .
audiences in argentina hunger for homemade films with strong and entertaining stories , says aeroplano’s sebastian aloi .
pampa films is producing car - racing comedy “la leyenda” ( the legend ) and disney - backed patagonik film group is doing an adaptation of “high school musical” and the horror pic “white coffin . ”
k & s films , another top producer , is prepping “cimarron , ” a horror film directed and written by israel adrian caetano , who wrote and directed 2006 cannes entry “cronica de una fuga” ( buenos aires 1977 ) ; as well as the sci - fi thriller “el extranjero” directed by damian szifron ( “on probation” ) ; and alien - invader action pic “el eternauta” helmed by lucrecia martel ( cannes entry “the woman without a head” ) .
aeroplano has raised financing from private investors and the argentine state film institute incaa . it’s planning to start lensing in december and january for a third quarter 2009 release of “visitor . ”
buenos aires — in the quest for stronger sales , argentine production house aeroplano has broken away from the director - driven movement to take on a black comedy . and it’s not the only production house in search of commercial hits . nicolas goldbart will helm the $ 1 million laffer “visitor” about an argentinean who is detained by u . s . [ … ]
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alvaray , luisela . 2008 . national , regional , and global : new waves of latin american cinema .
alvaray , luisela . 2013 . hybridity and genre in transnational latin american cinemas .
andermann , jens . 2014 . exhausted landscapes : reframing the rural in recent argentine and brazilian cinema .
blanco , fernando , and john petrus . 2011 . argentinian queer mater . del “bildungsroman” urbano a la “road movie” rural : infancia y juventud post - corralito en la obra de lucía puenzo .
, ed . sara brandellero , xix–xxxi . cardiff : university of wales press . print .
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. 2008 . dir . juan carlos martín . mexico : catatonia films , dvd .
. 2014 . dir . héctor valdez . r . dominicana : ingenio lateral and larimar films house , dvd .
. 2008 . dir . esteban larraín . chile : piranha films , dvd .
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. 1995 . dir . herbert ross . usa - france : alcor films , canal + , hera productions , dvd .
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. 1998 . dir . walter salles . brazil - france : arthur cohn productions , dvd .
2003 . dir . eduardo mignona . arg . - spain : alquimia cinema , patagonik film group , telefe , dvd .
. 2006 . dir . alejandro landes . arg . - bolivia : canana films , dvd .
. 2007 . dir . shawn garry . chile : creative content , dvd .
. 2010 . dir . flávia castro . brazil - france : les films du poisson and tambellini filmes , dvd .
. 2004 . dir . walter salles . arg . - br . - usa : filmfour , south fork pictures and tu vas voir productions , dvd .
2005 . dir . breno silveira . brazil : conspiração filmes et al . , dvd .
. 1969 . dir . denis hopper . usa : pando company and raybert productions , dvd .
. 2006 . dir . carlos sorín . argentina : guacamole films and k & s films , dvd .
2004 . dir . maría victoria menis . arg . - france : todo cine and sophie dulac prod . , dvd .
. 2006 . dirs . pedro adorno and emilio rodríguez . puerto rico : ciné sato , dvd .
. 2009 . dir . lucía puenzo . arg . - fr . - spa . : hist . cinematográficas , wanda visión and mk2 , dvd .
. 1983 . dir . gregory nava . uk - usa : independent prod . and american playhouse , dvd .
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. 2009 . dir . alfonso corona . mexico : triana films and fidecine , dvd .
. 2004 . dir . pablo trapero . arg . - br . - fr . - ger . - spa . - uk : lumina , paradis and pandora filmproduktion , dvd .
. 1995 . dirs . tomás gutiérrez alea and juan carlos tabío . cuba - spa . - ger . : tornasol films et al . , dvd .
2011 . dir . maría paz gonzález . chile : flor rubina , francisco hervé and m . p . gonzález , dvd .
. 2002 . dir . carlos sorín . arg . - spain : guacamole films and wanda visión , dvd .
2009 . dir . alejandro fernández almendras . chile : jirafa films , dvd .
. 1975 . dirs . jorge bodansky and orlando senna . brazil : stop film , dvd .
2013 . dir . diego quemada - díez . mex . - spa . - usa : machete producciones , dvd .
. 1992 . dir . edward zwick . usa : mirage entertainment and universal pictures , dvd .
. 2000 . dir . juan carlos tabío . cuba - spa . - fr . - mex . - ger . : tornasol films et al . , dvd .
2008 . dir . lisandro alonso . arg . - fr . - neth . - ger . - spa . : 4l , fortuna films et al . , dvd .
. 2004 . dir . lisandro alonso . argentina : 4l , fortuna films and slot machine , dvd .
. 1997 . dir . david lynch . usa - france : october films , ciby 2000 and asymmetrical , dvd .
. 2008 . dir . ricardo de montreuil . perú - spain : napoli films and hispafilms , 2008 . dvd .
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2001 . dir . humberto solás . cuba : el paso prod . cinematográficas and icaic , dvd .
. 2006 . dir . pablo trapero . arg . - italy - uk . : matanza cine , sintra et al . , dvd .
. 2003 . dir . vicente amorim . brazil : l . c . barreto , miravista and globo filmes , dvd .
. 2006 . dir . karim aïnouz . brazil : videofilmes , celluloid dreams and shotgun pictures , dvd .
. 2000 . dir . juan carlos de llaca . mexico : altavista films , dvd .
. 2006 . dir . tania hermida . ecuador : corp . ecuador para largo , dvd .
. 2001 . dir . maría novaro . mexico - spain : tabasco films , altavista films and tornasol films , dvd .
2009 . dir . cary fukunaga . usa - mexico : canana films and primary productions , dvd .
. 2006 . dir . carlos bolado . mex . - brazil : sincronía films , dezenove som e imagens et al . dvd .
. 2002 . dir . diego lerman . argentina : lita stantic prod . and nylon cine , dvd .
. 2008 . dir . susana barriga . cuba : escuela internacional de cine y televisión ( eictv ) , dvd .
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. 2009 . dirs . karim aïnouz and marcelo gomes . brazil : rec produtores associados , dvd .
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2005 . dir . juan carlos cremata malberti . cuba - france : quad productions , tvc casa productora and la colmenita , dvd .
. 1953 . dir . jorge ruiz . bolivia : bolivia films and instituto indigenista boliviano , dvd .
. 2004 . dirs . juan pablo rebella and pablo stoll . urug . - arg . - ger . - spa . : control zeta films , rizoma films and pandora filmproduktion , dvd .
garibotto v . , pérez j . ( 2016 ) introduction : reconfiguring precarious landscapes : the road movie in latin america . in : garibotto v . , pérez j . ( eds ) the latin american road movie . global cinema . palgrave macmillan , new york
a wedding invite from an estranged sibling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan .
this film is not currently playing on mubi but 30 other great films are . see what’s now showing
well done slice of life . why is it always the uncles who are the jerks ? certainly true in my family .
a family drama heightened by close quarters as the family of the title travels to a wedding in a rather old rv ( it looks like it ' s from the 1950s or 1960s ) . why is this important ? because the creaky , rattling , stifling vehicle is a metaphor for the dynamics of the family . they experience multiple mishaps , and a crisis or two , but in the end they persevere together . more or less . no special effects , just human drama .
this was actually one of my favorites on mubi so far . i found it be hilarious and at the same time beautiful . the film captures the strong - standing relationship latino families share for one another . the director pablo trapero is known for his family orientated work and gorgeous scenes that give justice to the beauty of his nation . the film is a must - see in my opinion .
while the camera work nicely depicted the feeling of a real road trip , and the background music was nice for the atmosphere , that ' s about where the praises stop . this movie encounters the same problem that most other family - central movies do where it mostly depicts the characters encountering mundane problems and people complaining about either the problems or each other . it makes the film noisy and grating to watch .
loved this movie ! not a fast paced movie but it really made you feel as if you were on a long road trip with family . the actors were so good at their job it made me feel as if they were my own family . lets not forget the scenery . great locations to film the landscapes were very nice . very interesting movie , the director really knew what he was doing . great at explaining things without going into the boring zone .
a manic south american road movie . trapero stuffs a lifetime of experiences into a rattling claptrap of a truck / camper . love . lust . jealousy . rage . the longing for a past that can never return and perhaps never really existed . discovery . realization . acceptance . at the end you want to take the trip back .
beautiful family portrait - road - trip . it ' s just bumpy enough to rattle loose all sorts of skeletons and sexuality . at the heart of it , the matron who has an enigmatic agenda we learn in the last moments .
nice camera work , with a lot of close - ups . great movie !
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pablo trapero is not yet 40 years old but has already directed six films and produced even more , an unusual feat not only in argentina , where he lives and works with his wife - actress and coproducer martina gusman - , but worldwide .
since the beginning of his career and , later , when he started working with gusman , trapero showed a particular talent for making personal films , filled with his own themes and obsessions , that also had commercial appeal . carancho , his latest film , was the most successful of his career and is , from beginning to end , a rough and tough ' trapero ' film , with no concessions to the so - called ' market ' , even when the main actor is argentina ' s top star ricardo darín .
as the official story already goes , trapero was a big part of the seismic generation change that took place in argentine cinema during the second part of the 90 ' s . his first movie , crane world ( mundo grúa ) , gave him international visibility , winning awards in venice , rotterdam and havana , among many others . crane world , a small film shot over weekends with friends , was also a surprise commercial hit in argentina , allowing him to create a bigger , more dense , story about police corruption in el bonaerense ( 2002 ) , a film that was shown in cannes .
with lion ' s den ( leonera , 2008 ) and carancho ( 2010 ) , trapero reconfirmed his place as one of latin america ' s top filmmakers . both were very well received in cannes — lion ' s den was his first in competition for the palme d ' or — and became hugely successful at home . and both , of course , showed the considerable strength and talent of gusman as a lead actress , confirming the great instinct of trapero with his characteristically unusual choice of actors . her performance in lions ' den has been bestowed the high accolade as one of the greatest in the history of argentine cinema .
carancho marked a new level of risk and exposition for trapero : working with a well known star ( with very few exceptions , his films always used little - known or non professional actors ) such as darín . and he handled it very well , creating a film that can be watched as a companion piece to el bonaerense : another incursion into the dark world of crime in the buenos aires province . carancho is a film noir with a realistic streak . and , as lion ' s den before it , a story about the pursuit of love even in the most difficult circumstances . you can say the same about all his movies . as different as they may look from the outside , at the core there are films about fighting moral corruption and finding a place in a tough world , with the help of the very few people who you trust and love .
pablo trapero and martina gusman are one of the biggest creative forces of the last decade in argentine cinema and will doubtless be a great inspiration for future generations of latin american directors and producers .
rulo , a 50 - year - old bass player in a famous rock group of the seventies , finds work as a crane operator at a building site . but before he actually gets the job , he has to pass a number of tests . meanwhile , he embarks on a love affair with adriana , the owner of a kiosk , and along with her we learn of the tumultuous past of rulo and his band . rulo has to provide for his mother and 19 - year - old son claudio , who wants to follow in his fatherís footsteps and form a band of his own . then one day , a crane operator appears and takes ruloís job , who is forced to leave buenos aires for a secure job and steady pay 2 , 000 kilometers away . however , after a long period of adjustment , work on the new building site stops , and rulo returns home , to start all over again . the film was a competition entry at the 40th thessaloniki international film festival and received numerous awards at international film festivals , including the tiger and fipresci awards at the rotterdam film festival 2000 .


the place beyond the pines is a 2012 american crime drama film directed by derek cianfrance and written by cianfrance , ben coccio , and darius marder .

it stars ryan gosling , bradley cooper , eva mendes , emory cohen and dane dehaan , with ben mendelsohn , rose byrne , mahershala ali , bruce greenwood , harris yulin , and ray liotta in supporting roles .

the film reunites cianfrance and gosling , who worked together on 2010 's blue valentine .

the film was scored by mike patton and also featured previously written music by estonian composer arvo pärt .

the title is the english meaning of the city of schenectady , new york , which is derived loosely from a mohawk word for " place beyond the pine plains . "

the place beyond the pines

the place beyond the pines
is the type of movie that makes people decry the fact that hollywood doesn ' t make movies like
the place beyond the pines
anymore .
the place beyond the pines is hackneyed and dull : not a single moment rings true .
i highly recommend you get lost in the place beyond the pines ‘ inevitable brand of storytelling .
“place beyond the pines” this weekend became the first independent movie to cross $ 20 million this year .
focus features picks up u . s . rights to toronto favorite , ‘the place beyond the pines’ ( exclusive )
- a vintage schenectady police car races up brandywine avenue while filming
the place beyond the pines
today .
if you want to answer the questions ,
who starred in the movie the place beyond the pines ?
and
what is the full cast list of the place beyond the pines ?
then this page has got you covered .
- fans gather outside city hall in schenectady to watching filming of
the place beyond the pines
on friday .
this cast list of who was in the place beyond the pines includes both lead and minor roles . ( 11 items )
- director derek cianfrance stands outside city hall in schenectady during filming of
the place beyond the pines
on friday .
- a film crew sets up outside city hall in schenectady for filming of
the place beyond the pines
on friday .
- the crew filming for
the place beyond the pines
on gower road in glenville on thursday , july 28 , 2011 .
- ryan gosling and eva mendes film a scene from
the place beyond the pines
at dairy circus in scotia on thursday .
also read : focus features picks up u . s . rights to toronto favorite , ' the place beyond the pines ' ( exclusive )
- actress rose byrne walks to her trailer outside city hall in schenectady during filming of
the place beyond the pines
on friday .
- people watching the film crews for
the place beyond the pines
on route 5 in glenville on thursday , july 28 , 2011 .
the place beyond the pines cast list , listed alphabetically with photos when available . this list of the place beyond the pines actors includes any the place beyond the pines actresses and all other actors from the film . you can view additional information about each the place beyond the pines actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of the place beyond the pines have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
the place beyond the pines is a film about actions and consequences ; it ' s also a film about fatherhood , fate and second chances .
- actor bradley cooper waves to fans outside city hall in schenectady before filming of
the place beyond the pines
on aug . 11 .
- actor bradley cooper walks outside city hall in schenectady during filming of
the place beyond the pines
on aug . 11 , 2011 .
- a member of the crew for
the place beyond the pines
off of route 5 in glenville on thursday , july 28 , 2011 .
- the truck carrying the film crew filming for
the place beyond the pines
on route 5 in glenville on thursday , july 28 , 2011 .
this article is related to : box office and tagged box office , g . i . joe : retaliation , the croods , the place beyond the pines
the daring new movie from the director of blue valentine , the place beyond the pines is a sweeping emotional drama powerfully exploring the unbreakable bond between fathers and sons .
- the crowd gathers outside the scotia fire department on mohawk avenue to watch filming of
the place beyond the pines
at the 1st national bank of scotia .
over the past few weeks , den of geek writers have been voting for their favourite films of the year . democracy dictated that in the ninth place was this one : the place beyond the pines . . .
- the film crew in the parking lot of the 1st national bank of scotia filming for the movie
the place beyond the pines
on friday , july 29 , 2011 .
hoping for another slow - burn win to break its box - office slump , focus features is playing the long game again with “the place beyond the pines . ”
- actor ryan gosling , right , walking on the set for
the place beyond the pines
on gower road in glenville on thursday , july 28 , 2011 .
box office : ' g . i . joe ' delivers very good friday ; ' place beyond the pines ' has excellent limited opening ; ' the host ' disappoints
our top ten list of favourite films continues with the place beyond the pines . ryan explains why it ' s one of 2013 ' s absolute finest . . .
- actor ryan gosling , blonde hair , on set for
the place beyond the pines
off of route 5 in glenville on thursday , july 28 , 2011 .
- actor ryan gosling , left , on a motorcycle filming for
the place beyond the pines
on gower road in glenville on thursday , july 28 , 2011 .
- crowds gather in front of the scotia fire dept . to watch for any action being made on the movie
the place beyond the pines
at the 1st national bank of scotia .
- a hollywood stunt rider circles the rear of the 1st national bank of scotia while filming
the place beyond the pines
on friday morning . set production assistant , brett lambie at right .
- actor ryan gosling , center , getting prepared for a scene outside the 1st national bank of scotia for the movie
the place beyond the pines
on friday , july 29 , 2011 .
- film crews around the motorcycle ryan gosling was using during a chase scene for
the place beyond the pines
off of route 5 in glenville on thursday , july 28 , 2011 .
at a time where directors are increasingly turning to television to tell adult stories , cianfrance ' s the place beyond the pines emerges as one of the year ' s most moving and relevant dramas .
- actor ryan gosling , center , preparing for a scene in the parking lot of the 1st national bank of scotia for the movie
the place beyond the pines
on friday , july 29 , 2011 .
- film crews for the movie that will be made in the area ,
the place beyond the pines
, start to set up at the old gay valley airport located route 5 july 26 , 2011 .
- actor ryan gosling , center , after filming a motorcycle chase scene down route 5 for
the place beyond the pines
on gower road in glenville on thursday , july 28 , 2011 .
- actor ryan gosling , center , walking away after filming a scene driving up to the 1st national bank of scotia for the movie
the place beyond the pines
on friday , july 29 , 2011 .
= the river that flows without ( or beyond
the cabin .
)
the cast of
the place beyond the pines
also includes rose byrne , mahershala ali , emory cohen , dane dehaan , gabe fazio , bruce greenwood , ray liotta , ben mendelsohn , and harris yulin .
the bottom line : if you like movies with good character development and acting , and can handle some slow pacing and wandering , “the place beyond the pines” is unique and powerful film that might just surprise you .
- production assistant , brett lambie tells crowds to stay on the sidewalk in front of the scotia fire dept . while watching action being made on the movie
the place beyond the pines
at the 1st national bank of scotia .
- a film crew follows a motorcycle behind the trustco bank at state street and brandywine avenue as filming for the indie film
the place beyond the pines
continues today . actor ryan gosling appeared to be driving the cycle .
derek cianfrance got a good idea of how well “the place beyond the pines” was doing when he heard the sound of actor bradley cooper’s voice booming from a trio of illuminated billboards beaming down on a bustling tokyo street last summer .
set in schenectady , new york ( the iroquois word translates to
place beyond the pines
) ,
the place beyond the pines
focuses on luke ( ryan gosling ) , a stunt motorcycle driver who takes to a life of bank robbing in an attempt to support his infant son . bradley cooper , who doesn ' t appear until almost an hour into the film , plays a local police officer who attempts to bring luke to justice .
- film crews filming a scene as ryan gosling , in the passenger seat , and a co - star drive up to the 1st national bank of scotia for the movie
the place beyond the pines
on friday , july 29 , 2011 .
- christos limniatis , of albany , a camera assistant intern , wheeling a cart of production tools to the set outside the 1st national bank of scotia for filming of
the place beyond the pines
on friday , july 29 , 2011 .
ultimately , “the place beyond the pines” is a very well done movie that highlights the struggles of fatherhood and how those challenges are felt by the children themselves . the pacing is bothersome , but it is quickly overshadowed by fantastic performances by the two lead roles .
one of my favorite movie swerves in recent memory comes from the place beyond the pines , a 2012 film that is , ostensibly , a film about cops and criminals , but is really about dads—just not in the way you might think .
with “the place beyond the pines” derek cianfrance has now placed himself in the canon of great , contemporary american filmmakers like james gray , paul thomas anderson and the coen brothers . this is a film that desires to say something about how we relate to each other , and how the often overlooked consequences of our actions can refract down avenues we could never expect . a brilliant , towering picture , “the place beyond the pines” is a cinematic accomplishment of extraordinary grace and insight . [ a ]
“the place beyond the pines” , may seem like a classic crime movie , but at its heart , it explores much deeper themes . overall , the film addresses the connection between father and son , and how someone‘s choices can affect those around them .
perhaps gosling as raving psycho was too much to sustain for the full trip , but it ' s a shame that this putters out so abruptly . the place beyond the pines needed a foot on the gas , instead there ' s sugar in the tank .
place beyond the pines
tells the story of a motorcycle stunt rider - turned - bank robber who turns to crime to try to feed his family . derek cianfrance directs from a script he wrote with ben coccio and darius marder .
with
the place beyond the pines
out on dvd and blu - ray on aug . 6 , huffpost entertainment spoke to cooper about the well - reviewed drama , why he feared even signing on for the project and what he loved about ryan gosling .
- actor ryan gosling , center , helping production people unload a motorcycle that he just rode into the back of a truck during a chase scene for
the place beyond the pines
on gower road in glenville on thursday , july 28 , 2011 .
when the place beyond the pines was released back in 2012 , it was then most notable for being the next film from derek cianfrance , who directed the searing un - love story blue valentine . like that movie , the place beyond the pines puts a tremendous amount of work into texture , giving every scene an air of melancholy that & apos ; s strangely hypnotic . a big part of what sells it is the film & apos ; s haunting , ethereal score by alt - metal band faith no more frontman mike patton .
- mary mclear , right , of rotterdam , with her 12 - year - old niece kaycee mclear , of cobleskill , watching the film crew off of route 5 in glenville for the
the place beyond the pines
filming on thursday , july 28 , 2011 .
- crowds gather in front of the scotia fire dept . to watch for any action being made on the movie
the place beyond the pines
at the 1st national bank of scotia . here jim deangelo , of scotia holds his sleeping daughter , bailey deangelo on friday morning .
there’s a cold , desolate beauty in derek cianfrance’s the place beyond the pines , a drama about motorcycle riders and seemingly unbreakable cycles of violence . impeccably acted and unusual in structure , it daringly stretches its story across multiple generations and a gulf of 15 years .
the place beyond the pines received positive reviews from critics and has a
certified fresh
score of 80 % on rotten tomatoes based on 196 reviews , with an average score of 7 . 3 out of 10 . the critical consensus states :
ambitious to a fault , the place beyond the pines finds writer / director derek cianfrance reaching for—and often grasping—thorny themes of family , fatherhood , and fate .
the film also has a score of 68 out of 100 on metacritic based on 42 critics indicating
generally favorable reviews
. ( wikipedia )
( albany ) , signified the place the natives of the iroquois arrived at by traveling through the pine trees .
(
usually in films when the protagonist alters halfway through the story , we become distanced to these characters . however , the story in the place beyond the pines flows well ; we remain engaged by each central character . the gloomy tone of blue valentine is again captured here through the rough realism reminiscent of a ken loach film .
in her new film , the place beyond the pines , she ditches glam , playing a hard - grafting waitress opposite real - life partner ryan gosling . she talks to catherine shoard about how the role mirrors her upbringing and , er , why her dog ' s face should be pixellated
there & apos ; s a lot going on in the place beyond the pines , but it mostly seems concerned with pervasive ideas about fatherhood and whether or not sons can escape their orbit . in pop culture , fatherhood can seem like a paradox . it & apos ; s obsessed over endlessly while also somehow seemingly easy— just show up is often the moral of stories about dads . the place beyond the pines is a little more complicated , suggesting that the mythological status we place on fatherhood is both powerful and overblown , a blessing or a curse—and fathers don & apos ; t get to know which . their children , however , know it all too well .
rode the best reviews of the week to second place with $ 28 , 649 in its lone theater .
similarly the present town of schenectady took the name when referred to at albany , as
beyond the pine plains .
although the unusual structure of cianfrance’s film affects its pacing in places , the story’s two parts create a mirror effect , where the actions of one generation ripple and disturb the fates of the characters in the next . relevant and brave in terms of subject and almost flawless in execution , the place beyond the pines is among 2013‘s best american dramas .
, which not only opened in first place on the overall chart , but also earned first place on the per theater average chart with an average of $ 9 , 153 . the best limited release of the week was
this is not a movie about robbing banks or cops chasing down criminals . at its core , “beyond the pines” is about decisions and how they affect the characters not only in the present but also in later generations .
though it tries very hard to present itself as a capital - m major work , “the place beyond the pines” is , frankly , a stupid film , not just clumsily designed and poorly executed but fundamentally ill - conceived . that it’s being hailed by so many and with such resounding enthusiasm is baffling .
of all the films arriving at tiff this year , few are premiering under such an air of mystery as derek cianfrance ‘s “ the place beyond the pines . ” with only a couple of official images , but no posters or trailers , the tone and scope of the movie remained under wraps . following “ blue valentine , ” would the film be a similarly intimate and narrowly focused story or something completely different ? the answer is that “the place beyond the pines” is an ambitious epic that is cut from some of the same thematic tissue as cianfrance’s previous film , but expands the scope into a wondrously widescreen tale of fathers , sons and the legacy of sins that are passed down through the generations .
but focus features’ the place beyond the pines topped absolute numbers among the specialties this weekend and easily showed itself as the box office star . the feature , starring ryan gosling , eva mendes and bradley cooper grossed just under $ 4 . 1 million in its third weekend . last weekend , it averaged $ 23 , 168 in 30 theaters .
the film as a whole agrees with the theory that our early nurture ( or the lack of it ) determines how we will end up in the future , that we are more or less destined to follow in our father’s footsteps . the place beyond the pines is an artistic endeavor that will be enjoyed by those who are interested in the ‘sins of our fathers’ philosophy .
few if any leading men in hollywood have hotter careers right now than ryan gosling and bradley cooper , but
the place beyond the pines
is anything but a slick , dual - star vehicle . an outstanding supporting cast and an immensely talented creative team join cooper and gosling to put together a film that touches greatness .
- stephanie winkler , front , calls her sister and mother with her friend deanna kremzier , both 17 - years - old and from scotia , after seeing and getting a wave from ryan gosling on a motorcycle filming for
the place beyond the pines
on gower road in glenville on thursday , july 28 , 2011 .
i wouldn ' t have thought this was a renewable anthology format , but welcome to wayward pines .
- production assistant joe l . salters , of brooklyn , right , showing jeff bielawksi and his 6 - year - old son coby the movie set where actor ryan gosling was filming a chase scene for
the place beyond the pines
on gower road in glenville on thursday , july 28 , 2011 . jeff and coby live in a neighboring house .
exclusive : after working together selectively on the indie film hits half nelson , blue valentine and the recently wrapped the place beyond the pines while separately making 20 films over the past seven years , producers lynette howell and jamie patricof have partnered in a new company . they’ve launched electric city entertainment , and say they have raised several million dollars in money to option and develop material . they aim to continue finding emerging independent filmmakers , like half nelson ‘s ryan fleck and anna boden , and blue valentine ‘s derek cianfrance , who helmed the place beyond the pines . but they also want to work on larger - scale independent films in the $ 10 million - $ 30 million range , and have the chance to grow with those filmmakers as they take on more ambitious fare .
with this one simple plot we already have a substantial enough story that could last the duration of the film . however , the place beyond the pines is from the mind of derek cianfrance ; the director who left an everlasting impression upon us through his interpretation of a doomed love story in blue valentine . again , cianfrance has prevailed in his provocative storytelling through illustrating three connected tales enlightened by fully - round characters .
“derek cianfrance’s morality play is a brooding , immersive experience with some of the best acting you will see all year , ” he wrote . “the triptych format is unique , unsettling and brilliant as three seemingly unrelated stories unfold over two generations of characters . packed with nail - biting suspense and strong , layered and morally ambiguous characters , ‘the place beyond the pines’ is a phenomenal crime drama . ”
the backroads are treacherous in upstate new york : long , thin ribbons of tarmac that twist through knotted forests and past rushing rivers on their way to destinations unknown . the place beyond the pines , derek cianfrance’s ambitious and brilliant crime drama , is about four men whose lives are lived on roads like these , and each of them is hurtling towards whatever it is that lies just beyond the brow of the hill . there are no forks or turnings , just two options to choose from : keep riding onwards , or crash .
i went to see
the place beyond the pines
with high hopes , since i was so impressed with
blue valentine ,
the previous effort from derek cianfrance .
valentine
was a film that felt as if it had was personally addressing me in many respects . the eerie thing about it is that
the place beyond the pines
did it again , even though the subject matter is very different . in
blue valentine
we looked at a doomed relationship and after the fact , we know it couldn ' t have gone any other way . we also know why , because a lot of times people fall in love and have no idea who is joining them on that journey . the best of intentions make little difference when it comes to keeping a relationship composed of the incompatible together .
it’s been a week since i saw writer / director derek cianfrance’s the place beyond the pines , and i’ve been puzzling out how he created such an immersive film ever since . with my notebook and constant ( over ) analysis , i tend to watch and deconstruct movies at the same time . but this film pulled me under fast , leaving me to figure out why after the lights came up .
pines
is hardy stuff , but it ' s at its toughest when gosling ' s on screen .
he does not quote his authorities , but beyond the opening was probably as near to beyond or
without the door
as the limited vocabulary of the indians could be expected to go . what he means by
retained on the division
is not clear , as the division of schenectady from albany occurred in this century .
and his co - writers for creating a movie that announces its ambitions from that opening sequence . the music , the cinematography , the acting choices , the daring plot leaps — not a single element is timid or safe . there are small coincidences with huge consequences , as characters struggle to escape their past , to change their seemingly inevitable fates .
the place beyond the pines
earns every second of its 140 - minute running time .
there’s a curiosity that accompanies seeing a movie that takes place where you live , none so poignant as how true to life that movie represents the place you call home . i’ve always felt “good will hunting” represents the feeling of boston well ( having been there several times but never calling the place home ) , in the same way that edward burns’ “sidewalks of new york” represents manhattan better than a hundred star - studded rom coms could ever hope to . with director derek cianfrance’s 2013 effort “the place beyond the pines” – filmed in and around schenectedy , ny ( a mere 20 minutes from my home of albany ) , we introduced to a bizarre and oftentimes captivating tale that feels more independent film than hollywood production , looking at crime , corruption , small towns , and how far even the most seemingly vile will go to protect their own .
the toronto film festival is widely considered to be the place where a majority of the buzz for so - called “awards films” begins , and this year one of the biggest surprises was derek cianfrance ’s ( blue valentine ) crime drama the place beyond the pines . the pic stars ryan gosling and bradley cooper and centers on the intense feud between a professional motorcycle rider turned bank robber ( gosling ) and a rookie police officer ( cooper ) . the film premiered to an enthusiastically positive response at tiff , with heavy praise given to the film’s scope and impact ; our own matt goldberg called it an “epic family saga” in his positive review .
toronto – its mesmerizing balance of steaminess and melancholy made blue valentine one of the most distinctively intense american indies of the past few years . while derek cianfrance ’s third feature , the place beyond the pines , is far more diffuse and can’t match its predecessor’s extraordinarily raw intimacy , this drama about morality , guilt and the long - range reverberations of the sins of the fathers packs moments of searing power . the film’s somber tone and choppy narrative will make it a challenging entry in the marketplace , but the name cast will help .
they decided to formalize the relationship after producing the place beyond the pines , their follow - up with blue valentine helmer cianfrance that stars ryan gosling , bradley cooper , eva mendes , rose byrne and ray liotta . at a $ 15 million budget , the film dwarfs the $ 4 million cianfrance spent on blue valentine , but howell and patricof see a niche for films studios aren’t making , with pedigreed filmmakers and strong casts , and a shot at crossover business .
, which is projected to end in second place with $ 15 . 15 million . that ' s well behind previous outings for the franchise ,
shaking up the cinematic doldrums of early spring , here comes
the place beyond the pines ,
a self - confident , self - aware , almost cocky piece of filmmaking from the immensely gifted derek cianfrance . it is an epic film centered on pivotal moments in the lives of working - class and fringe - society types who wake up every morning and go to bed each night with the same question hanging over their heads : how are they going to make ends meet ?
it ' s kind of a mixed week when it comes to limited releases . there are quite a few of them , but not many that have good reviews and strong buzz . the best of these is blancanieves , which i thought opened previously . there are some with good reviews and some with buzz , but not a lot that scream hit . the place beyond the pines probably has the best chance at hitting major milestones . more . . .
“the place beyond the pines” trades in affectations of the warped and unseemly , its broad - stroke class slumming nothing more than a noxious game of dress - up for the american cinema’s most pretentious would - be artiste . its very particular vision of the nation’s working class—one it sustains through the bulk of its languorous 140 minute running time—seems not so much based on lived experience than inspired by bad tv , the milieu crudely sketched as a ( literal ) circus show of tattooed ruffians and exhausted single mothers .
also impressive was the opening day for “ the place beyond the pines ” ( focus ) , boosted by stars bradley cooper and ryan gosling , which grossed around $ 95 , 000 in four theaters , equaling in gross and falling just a little short of the initial strong opening for “spring breakers” two weeks ago . this is the biggest opening for a focus limited release since “moonrise kingdom” last may ( which did $ 172 , 000 in four theaters its first day ) .
file - in this march 28 , 2013 file photo , actor bradley cooper attends the premiere of focus features '
the place beyond the pines
at the landmark sunshine theater in new york . steven spielberg has his sights set on his next film . a spokeswoman for dreamworks studios said thursday , may 2 , 2013 , the filmmaker plans to direct bradley cooper in an adaptation of the best - selling book
american sniper .
( photo : evan agostini / invision / ap , file )
“i never liked guns , man ,
intones a backwater mechanic faux - sagely . “they’re vulgar . ” indeed , everything in “the place beyond the pines” is defined by its vulgarity , from handguns to motorbikes to hapless protagonists , but cianfrance likes it all very much . he likes vulgarity as a surface to embellish and revel in , coating his picture in a thick layer of filth and grime more conducive to tracking shots and mood lighting .
focus features acquired the film for 2013 distribution , and many figured the drama would be poised for an awards season release sometime in the fall . now box office mojo reports that we’ll see the pic much sooner than expected , as the place beyond the pines has been dated for a limited release on march 29th , 2013 . this is great news for those of us eager to see what everyone was buzzing about back at tiff , but it’s a little surprising that focus is dropping this one so early in the year .
speaking of collaborations , you only have one scene with ryan in
the place beyond the pines .
what was that experience like ? he far surpassed what i had hoped for . it felt like i was getting in the ring with a real motherfucker . he ' s generous and sweet and no - bullshit and he had no weird antics - - he just works the way i like to work , too . i thought ,
this just feels like home .
appears to have been applied , at a later period to the village at the same place .
* * * *
it does not appear from any author that
that film was a two - hander , and a chamber piece more or less . the place beyond the pines starts out like a small - scale independent drama before revealing itself as a more ambitious project , a triptych that ranges ( and rages ) over manhood , fatherhood , responsibility , remorse and the strange workings of destiny . it goes on too long , and it falters in its endgame , but by this point we can ' t help being on its side .
there are things wayward pines continues to excel at , particularly getting damp , murky atmosphere out of the british columbia locations . the show also has a gleeful viciousness when it comes to offing important characters , which remains unabated with even more wayward pines residents available and disposable . unfortunately , the most disposable character is the one who isn ' t likely to be touched for a while : the hero , whose journey is one that we ' ve already been on . wayward pines is a weird place to wake up in . nobody ' s doubting that . it remains to be seen , however , what else this season has to explore .
, as it earned first place on the per theater chart with an average of $ 32 , 786 in four theaters . this is not quite as good as
the place beyond the pines is ambitious and epic , perhaps to a fault . it ' s a long , slow watch in the final act , a detour into the next generation that sees the sons of luke and avery pick away at their daddy issues together . cianfrance signposts the ripple effects of crime with giant motorway billboards , then pootles along , following a storyline that drops off mendes and byrne before winding on to its obvious conclusion . the remarkable opening , featuring a tracking shot through the flashing lights of the fair right into the cage of death , seems a very long way away .
i started watching the place beyond the pines without knowing much about it , and i wish you could , too . its daring switches of tempo and character took me by surprise , as did one time jump that seems at first so outrageous that the film can ' t possibly get away with it . the writer - director derek cianfrance gave notice of his talent in the marital tragedy blue valentine ( 2011 ) , which also worked a provocative time trick by eliding scenes from a couple ' s early courtship with scenes from their breakdown .
again earned first place on the per theater chart , but this time it was closer with an average of $ 17 , 053 . the second best film on the per theater chart was the second best film on the overall chart ,
“pines” was named in top 10 lists compiled by the denver post , the san jose mercury news and the newark star - ledger newspapers . the film also received the praise of justin craig , a critic writing on foxnews . com .
but it demonstrated some of the acclaim “pines” received after it hit theaters in april . now , nearly nine months after the film debuted in new york city and more than two years after it was shot almost exclusively in schenectady , “pines” is receiving a new round of accolades from film critics — some who consider it among their top 10 films of the year .
cilogy wrote : granted , i was also a little worried i wouldn ' t get my money ' s worth when i went to see pines , .
although not without its glimmers of light among all the shade - not least gosling’s hideous 90s dress sense and the unforgettable scene where he dances with a dog to bruce springsteen - the place beyond the pines is a difficult , bleak movie , but also a rewarding one . cinema often deals with crime and punishment , but more commonly glosses over the social and economic reasons why these crimes happen . cianfrance’s film tackles the subject head on , and does so with charisma and grace , thanks to some great writing and a superb cast , which also includes eva mendez , rose byrne and bruce greenwood .
the beginning of the film takes place in the 1990s . the general electric sign is shown with red and blue lights . during this time , however , white lights were the usual color of the general electric sign . since september 11 , 2001 , the lights have been red and blue for the majority of the year .
when the place beyond the pines premiered at last year’s toronto film festival , some early notices lamented this lower - key and largely unstarry final act . in fact , it’s the key to deciphering the entire film , and cianfrance ties it up with a shot so subtly ambiguous , you could quite easily mistake it for a happy ending . the cast are uniformly excellent — look for rose byrne and mahershala ali , from the television series house of cards , in small but crucial roles . gosling and mendes , meanwhile , have crackling chemistry , while mike patton’s plangent score lends these intimate dramas an epic sweep .
“the place beyond the pines” is an actor - driven film , which is both its strongest asset and its weakest link . the film’s first act , centering on luke’s bank - robbing escapades , his relationship with co - conspirator robin , and his clear love of his son and romina , is nothing short of powerful , made so by slow pacing and the exceptional acting that gosling brings to the table . i’ve liked gosling ever since “the ides of march , ” and here he paints a forlorn and almost hopeless character we sympathize with due to his dire circumstances and the ties of his low caste he tries all the wrong ways to shed .
“the place beyond the pines” is a good film , and , while suffering mildly from some pacing issues and being slightly over long ( the film clocks in at 140 minutes ) , still manages to make a statement and stay on your mind long after you leave the theatre . acting from all involved is exceptional , and even with the muddled second half offers a unique look into the lives of desperate people and the consequences of their half - thought actions . it’s bittersweet ending , scored by the haunting “the wolves ( act 1 & 2 ) ” by indie folk artist bon iver is a perfect wrap up to a movie about searching for answers by taking chances .
the distributor also compared pines ‘ performance with trance : “the film had modest drops in theaters in their 2nd and 3rd weeks ( and in some cases , box office actually increased over their respective results of last friday and saturday – indicating that positive word - of - mouth is at play ) . of particular note was the entry into the market of a direct competitor with an almost identical release strategy as pines – trance . pines ‘ estimated weekend gross will be well over three times that for trance . ” the pic will be in 1000 - plus theaters next weekend .
gosling continues his form of choosing challenging and unusual roles , and while the place beyond the pines ’ opening shot might imply that gosling’s channelling the spirit of bike - riding outsiders like marlon brando here , neither he nor cianfrance romanticise his ill - educated and angry character . gosling’s luke is the direct opposite of avery’s young son , aj , who grows up in a big house with flags in the front garden , and plays out a fantasy of being a slick - haired outsider ; luke breaks the law because he can see no other means of earning money , while for aj , crime and violence are an affectation .
, slipped to second place with $ 14 , 201 in 79 theaters . its theater count tripled and this average suggests it will expand a lot more before it is done .
derek cianfrance , despite being a patently awful filmmaker , has been fortunate enough to develop a reputation of some esteem . his latest film , the working - class epic “ the place beyond the pines ,
has thus far benefited from the same unduly warm reception which greeted his similarly overdetermined actors’ showcase “blue valentine” , with critics lauding the film’s repugnant poverty - porn histrionics without bothering to consider the implications . cianfrance’s critical renown begins and ends with his veneer of stylized self - seriousness , his flair for formal pomposity and acting - workshop theatricality a favored shortcut to arthouse credibility , but , like most dazzling showmen , his illusions fall apart under scrutiny .
because the place beyond the pines isn & apos ; t really a crime drama , at least not entirely . it & apos ; s a family one , about fathers and how they spill into their sons . although he receives top billing , glanton is only in the film & apos ; s first third , dying in a confrontation with cross . the second third follows cross in the fallout as he & apos ; s forced to either confront or look away from the corruption in his precinct , and the final third follows both glanton and luke & apos ; s sons , now teenagers , as they befriend each other and slowly realize the horrifying way they & apos ; re connected .
finally , the place beyond the pines mesmerizes with its story’s proportionate consequences . in contrast to hollywood’s preponderance of reaction - less actions , this film has a believable sense of moral physics . the story watches luke , avery and , finally , aj and jason make the most important decisions of their lives . luke and avery both long to do the right thing , but struggle to keep that impulse pure . the results of the characters’ choices feel real and inarguable…and they propel the film forward . yes , forward . while it would have been fashionable to tell this multi - generational story out of order , cianfrance’s linear narrative makes wrong - choice penalties feel rightly inescapable…and motion toward redemption that much more hopeful .
consider the strange semantic path of fox ' s wayward pines . initially designed as a limited series , with chad hodge milking the entirety of blake crouch ' s book trilogy over one 10 - episode season , wayward pines sat on fox ' s shelf for a while and then premiered last summer promoted on the back of empire , a hit terrence howard filmed many months later . then wayward pines proved a surprisingly successful and effective summertime diversion , and fox decided it was actually an ongoing series and renewed it . the second season of wayward pines premieres wednesday , with mark friedman as the new showrunner , and in a twist i didn ' t see coming , this limited series turned regular series actually appears to be an anthology in which each year a different chiseled ' 80s heartthrob with a previous resistance to television finds himself in the mysterious town of wayward pines , interacts awkwardly with a largely new group of residents , gets indignant about following the rules and jeopardizes what may be the last community of humans still alive on earth .
reviews for the place beyond the pines have been kind of mixed so far , with most reviewers of the opinion that it is very ambitious , but the difference of opinions coming with how well it lives up to its ambitions . it feels like it’s taking on a momentous story , crossing two generations and two families over a period of at least fifteen years . however , it remains grounded in one place for the whole thing . the people transition but the relationships remain the same : friend to friend , father and son . i thought it was a pretty compelling movie on a lot of fronts , but it also had a few issues holding it back from complete and total greatness . which is nothing to be ashamed of ; it’s still a very good movie that i was absorbed in the whole time and i could analyize it . all in all it was a good movie , especially for this time of year .
in a note to gowan ' s edition of miller ' s description of the province of new york , the editor , hon . john gilmary shea , says :
scanectade ( schenectady ) is the mohawk . the name means , beyond the openings . it was given by the tribe to albany , and retained on the division by the present town .
and that’s all we can tell you about the plot because a major narrative twist at the end first act is best left unspoiled , but this shift raises the stakes and reorients the story so dramatically that ‘pines’ begins to take on a scale few films attempt , let alone achieve . in some ways , one could look at ‘pines’ as a spiritual sequel to “blue valentine . ” if the latter film chronicled in raw , intimate detail the fracture of a relationship , it’s in ‘pines’ that cianfrance follows what the fallout would be . this is a film that is very much about how the actions of the father , directly and indirectly pass on to the son . or how the fissures and mistakes of the previous generation , have ramifications both practical and emotional months , years and decades later .
this kind of hackneyed writing , from eye - rollingly simplistic characterisations to audience - pandering giveaways , is entirely typical of cianfrance’s filmmaking sensibility , which treats form as a framework for an inflated sense of self - importance and story as a venue for big ideas he clearly doesn’t have . by virtue of its scope and overall grandiosity , “the place beyond the pines” gives the impression of an almost novelistic substance , its protracted narrative spanning three interconnected generations with an eye on poignant butterfly effects and unexpected long - term consequences . but as an epic the film is merely posturing , straining to ever - expand its conceptual breadth without any concern for actual depth .
usa today film critic claudia puig called “pines” a “sweeping look at fateful decisions and their lasting reverberations . ” she credits cianfrance for assembling a star - studded cast and taking the narrative in unexpected directions .
openings : the biggest story of the weekend took place off american shores , as iron man 3 ( disney ) topped all expectations to open with a fantastic $ 195 . 3m in 42 territories ( china and russia are the notable ones still . . .
the chaotic finale to the first wayward pines season saw matt dillon ' s ethan burke killed in the aftermath of an attack by vicious , hideously evolved abnormals —
abbies
if you prefer — in 4028 , an attack that destroyed the wayward pines infrastructure and which was completely ethan ' s fault for poking around and ruining a perfectly good thing . mopey son ben ( charlie tahan ) , who pouted through most of the season before witnessing his father ' s death and getting hit in the head by some bad cg , emerged three years later and the first generation of wayward pines had taken over , turning it into a fascist community run , bugsy malone - style , by a group of youngsters unprepared for the responsibility .
we end the movie with another young man on another motorbike , racing to avoid his fate , blissfully unaware the path he has chosen is most likely to take him to the very place he wants to avoid . it is a final shot of heartbreaking perfection .
the bold credits above the line are the
above - the - line
credits , the other the
below - the - line
credits .
that said , i ' m totally amending my top 10 list . it ' s been less than 24 hours , and i ' m claiming it as my right to make one change . one . if i see xavier dolan ' s laurence anyways tonight ( which i am ) and it suddenly becomes my # 1 movie of the year , well , that ' ll be on me . the act of killing will end up bumping the place beyond the pines down to an honorable mention which , judging by some of the reactions to the piece , will be a welcome change for some . i ' ll stand behind that behemoth of an ode to dudes , however . but the act of killing earned its spot , even a day late .
the place beyond the pines does have some problems though , and the main one is that it’s too long . i wasn’t really bored , i was more just aware of the fact that the movie was long . this criticism is halfway between a compliment and complaint ; it could have been worse in terms of length but it also could have been better . also i liked how the story shifted directions into different people’s lives , but for some reason i can’t quite out my finger on , the first two were better than the third . maybe it was just because i had already been sitting there for awhile and yet another story was just starting . with teenager nonetheless ; it seems like we’re going backwards here . however , the pros of this film far outweigh the cons , and i’m really glad i got the chance to see it .