buffalo girls is a 1995 miniseries adapted from the 1990 novel of the same name by larry mcmurtry .

directed by rod hardy , the miniseries starred anjelica huston and melanie griffith , with gabriel byrne and peter coyote .

it was nominated for two golden globe and several emmy awards , and won one for sound mixing .

this miniseries was first aired on the cbs network over two consecutive nights during the spring of 1995 .

buffalo girls ( 1995 film )

character portrayed in tombstone : virgil earp born : august 9 , 1944 ; sacramento , california notable awards and nominations : emmy awards : - 1995 best supp . actor in a miniseries nomination for buffalo girls golden globes : - 1991 best supp . actor in a telefilm nomination for conagher - 1995 best supp . actor in a miniseries nomination for buffalo girls
featured in the 47th annual primetime emmy awards ( 1995 ) . see more »
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i first saw buffalo girls when it was on tv back in 1995 , and i enjoyed it then . the story line is good . there is some good acting , especially from sam elliot , jack palance , and anjelica houston . i can therefore recommend the dvd for all western fans .
i ' m a big fan of larry mcmurtry ' s lonesome dove and had high hopes that buffalo girls would be equally good , though i have to say i was really disappointed .
medium : television program : the national magazine broadcast date : sept . 11 , 1995 guest : ovide mercredi host : hana gartner duration : 6 : 46
* miniseries :
buffalo girls ,
cbs ;
children of the dust ,
cbs ;
joseph ,
tnt ;
martin chuzzlewit ,
pbs ;
a woman of independent means ,
nbc .
wild . untamed . legendary . buffalo girls celebrates the bold escapades of tough - talking calamity jane canary and her illustrious cohorts . it ' s the waning days of the wild west and jane , the . . . see more »
wild . untamed . legendary . buffalo girls celebrates the bold escapades of tough - talking calamity jane canary and her illustrious cohorts . it ' s the waning days of the wild west and jane , the . . . see full summary »
anjelica huston ' s connection to the cbs mini - series
buffalo girls
started long before the producers bought the rights to larry mcmurtry ' s 1990 best - selling novel . in fact , it started even before the book was published .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
i saw this film years ago and thought what a good film it was now i have a great dvd and can watch it any time i please and at a great price too .
newson , janice a .
outstanding contribution award 1994 : alanis obomsawin .
society : société . vol . 19 , no . 2 ( may 1995 ) , p . 37 - 39 .
* supporting actor , miniseries or special : jeffery de munn ,
citizen x ,
hbo ; sam elliott ,
buffalo girls ,
cbs ; ben kingsley ,
joseph ,
tnt ; edward james olmos ,
the burning season ,
hbo ; donald sutherland ,
citizen x ,
hbo .
in 1971 , alanis completed her first film , christmas at moose factory , a film that reflects her attachment to the children of this remote cree village on james bay . she did this by presenting the drawings and paintings of the children and by giving them the opportunity to talk about these images and daily events in their community . her second film , mother of many children ( 1977 ) was a project alanis felt very strongly about from the beginning . in this film ,
* actress , miniseries or special : glenn close ,
serving in silence : the margarethe cammermeyer story ,
nbc ; sally field ,
a woman of independent means ,
nbc ; anjelica huston ,
buffalo girls ,
cbs ; diane keaton ,
amelia earhart : the final flight ,
tnt ; alfre woodward ,
the piano lesson ,
cbs .
it ' s not a sure thing that she knew buffalo bill ,
ms . huston said .
she definitely knew hickok and asked to be buried next to him .
because she is identified with what she called
sophisticated parts ,
the physical challenge of
buffalo girls
was additionally appealing .
i ' ve heard people say that this was an unusual role for me , that it must be a very big jump ,
ms . huston said .
but in a way it was more natural for me than a lot of other roles i ' ve played .
when she finally returned to acting , she did only one small film before she was once again paired with john huston on
prizzi ' s honor .
having watched part of this film on tv and missed the last part i decided to buy the dvd and watch it complete . so glad i did . really enjoyed the film and it came only after a few days of ordering . it does make a change to see how the women lived and worked in the old west .
she also made the film for other children :
i want people who look at the film to have a different attitude next time they meet what is called a ' problem child ' , and develop some love and some relationship to the child — instead of alienating him .
( alioff and schouten levine , p . 12 )
for the record los angeles times saturday july 22 , 1995 home edition calendar part f page 2 entertainment desk 1 inches ; 32 words type of material : correction another nominee - - the listing of emmy award nominations on friday omitted a sixth nominee for best informational special . also nominated was
the united states holocaust memorial museum presents : one survivor remembers ,
hbo .
the cast includes melanie griffith as jane ' s best friend , dora dufran , a madam with a strong romantic bent ; jack palance as calamity ' s seedy trail partner , bartle bone ; sam elliott as hickok , and peter coyote as buffalo bill .
wild . untamed . legendary . buffalo girls celebrates the bold escapades of tough - talking calamity jane canary and her illustrious cohorts . it ' s the waning days of the wild west and jane , the rough ' n ' rugged cowgirl , is searching not only for her long - lost daughter , but the wild west she once knew . jane traverses plains , mountains and continents until she finally discovers the answer to her problems : dora , the vivacious , gold - hearted madam who ' s been her one true friend all along .
steven , peter .
interviews : alanis obomsawin .
in brink of reality : new canadian documentary film and video . toronto : between the lines , 1993 , p . 176 - 186 .
i was very pleased when the alberta government bought the rights to the film . many social workers in different departments see it now . one time i was in edmonton . . . and a man who had been the provincial ombudsman presented me with two new reports , saying that the richard cardinal film had helped force new policies and laws in alberta . young people in the audience said to him , ' why do you need a film to be made before you change the law ? ' he quickly replied , ' well , sometimes the government waits for the public to make a move , to push , otherwise they don ' t know . ' it was incredible . i was shocked but happy that the film was able to do that . but primarily , i made it for richard .
wild . untamed . legendary . buffalo girls celebrates the bold escapades of tough - talking calamity jane canary and her illustrious cohorts . it ' s the waning days of the wild west and jane , the rough ' n ' rugged cowgirl , is searching not only for her long - lost daughter , but the wild west she once knew . jane traverses plains , mountains and continents until she finally discovers the answer to her problems : dora , the vivacious , gold - hearted madam who ' s been her one true friend all along . written by echo bridge home entertainment
monk , katherine .
first takes : our home and native land .
in weird sex & snowshoes : and other canadian film phenomena . vancouver : raincoast books , ©2001 , p . 45 - 62 .
wild . untamed . legendary . in this made - for - tv movie , buffalo girls celebrates the bold escapades of tough - talking calamity jane canary and her illustrious cohorts . it ' s the waning days of the wild west and jane , the rough ' n ' rugged cowgirl , is searching not only for her long - lost daughter , but the wild west she once knew . jane traverses plains , mountains and continents until she finally discovers the answer to her problems : dora , the vivacious , gold - hearted madam who ' s been her one true friend all along .
she had difficulty convincing others to fund the film . the topic was not of interest to the film board , nor did it garner the support of the department of indian affairs ( which had partially financed other films ) . alanis received letters telling her to
forget it
. at one point , she gave up but then reconsidered because of all the energy she had already invested into it . she went to ottawa and started knocking on doors until she came back with funding from the secretary of state . it was necessary for her to do one segment at a time and then go looking for more funding . when the film was finally finished , she received a letter from the secretary of state saying they had
never invested their money in a better way in any film up to that time .
( alioff & schouten levine , p . 14 )
the film is weaved in the west , and the period , but it is not swallowed up by it which is too oft ' the case . * doffs hat * to the production team and writers for that .
a good tv film . the main characteristic is typical of tv films or mini - series . it is slightly too slow and it concentrates too much on close up shots of characters or faces , and . . .
later , her films covered more political and social issues , beginning with incident at restigouche ( 1984 ) , a film about the two controversial raids by a battalion of 550 quebec provincial police of a small mi ' kmaq reserve on the restigouche river . the reason given for the raids was that the quebec ministry of fisheries needed to investigate alleged salmon overfishing on the reserve . this film was an important one for alanis because it was one of the first to demonstrate her strength of character . gittings calls alanis ' confrontation of the then quebec minister of fisheries , lucien lessard , one of the
strongest scenes
of any documentary film because she points out the
hypocrisy and short - sightedness of his position on national sovereignty
:
obomsawin traces the cycle of life from birth to childhood , puberty , young adulthood , maturity , and old age , through introducing the viewer to girls and women from many different first nations across the country . it is a family album of native womanhood , portraying a matriarchal society which has been pressured for centuries into adopting different standards and customs . . .
alanis obomsawin is the best known of many aboriginal canadian documentary filmmakers , perhaps because she is one of the first , having started with the national film board ( nfb ) in the 1960s . however , she is also well known because of her monumental undertaking of creating an educational film that delves into the complex and historical circumstances surrounding the
oka crisis
in the summer of 1990 . this film , entitled kahnesatake : 270 years of resistance , has been shown at many film festivals and other venues and is studied at schools and universities across the country . it is effective not only because of her style — using interviews that render a sense of subjective sensitivity and integrity — but also because alanis was the only filmmaker allowed
behind the scenes
and able to provide the point of view of the mohawk people . her reputation as an advocate for social justice for native people in canada through her filmmaking certainly garnered the trust necessary to enter into this sensitive and dangerous situation , yet she is much more than a filmmaker or an activist .
yet it was not just the minister of fisheries that alanis took it upon herself to confront . it was also necessary for her to challenge certain people at the film board , who thought she shouldn ' t be interviewing
whites
. she responded to these individuals :
the first time the film showed in edmonton . . . i saw many people i assumed were social workers . their faces were severe and some took notes . they looked very unfriendly . i understood . i knew how they felt . after the film , i ' ll tell you , it was dead silence . but when i started to talk the atmosphere changed totally . i said to them , ' i know some of you think i ' ve made this film to point the finger at you . i didn ' t do that . i want all of us to look at what has happened to this child . i want to force the government to change the rules — to find better foster places for these children . ' . . . i wanted the feeling that this must not happen again .
where are those parts ?
she asked . she was referring specifically to characters like maerose prizzi , the mafia princess of the 1985 film
prizzi ' s honor ,
and lilly dillon , the scheming and ultimately tragic gambler and gangster of
the grifters .
gittings adds that
by the end of the interview and the end of the film , lessard makes a personal apology for any problems his actions may have caused .
( gittings , p . 218 ) this is one of the prime examples of alanis
fighting back
in her adult life .
* variety , music or comedy special :
the 67th annual academy awards ,
abc ;
american film institute salute to steven spielberg ,
nbc ;
barbra streisand the concert ,
hbo ;
a comedy salute to andy kaufman ,
nbc ;
eagles hell freezes over ,
mtv .
emmy - winning , star - studded television movie looking at the legend of calamity jane ( anjelica huston ) , the hard - living , bull - whip cracking heorine of the american west . she teamed up with some of the great female legends of the west as well as starred in buffalo bill ' s ( peter coyote ) wild west show and became the lover of wild bill hickock ( sam elliott ) .
one reason , she said , is her background . not her famous show - business background as the daughter of the great film director john huston and granddaughter of the actor walter huston . ( in truth , she said ,
my father did not direct many westerns ; they were not his signature stuff .
)
alanis obomsawin is a woman of complexity . her native culture is rooted in the beauty of her early childhood on the odanak reserve and the fight against discrimination and injustice of her teenage years . as a young adult , she became a singer , educator and activist . her work with the national film board , though not without its challenges to a woman and aboriginal filmmaker , has allowed her to further her role , through film , as an educator and advocate for social change , thus living up to her name as a
pathfinder
. she is a fighter who resonates with compassion and an understanding of the imperfection that underscores what it means to be human :
obomsawin calls film a ' place ' where native people can talk to each other about their losses , their memories of injustice , their desire to share what is good about their way of life , and with that sharing as viewers of her documentaries perhaps arrive at a better appreciation of how the dispossessed , dislocated , and disoriented try to come out of the abyss . this social realism is what makes obomsawin narratives potent and cathartic ; they are like the axiom which says one has to deal with the poison before a process of healing can begin . to her as director / producer / writer , film must attempt to transform people and society ; it must be an artifice of social reform .
on sep . 11 , 1995 , members of the kettle and stony point band bury anthony dudley george . the 38 - year - old chippewa man was shot and killed during a confrontation between police and a group of indigenous protesters at camp ipperwash . first nations leader ovide mercredi has just attended george ' s funeral . in this television clip , he speaks to cbc ' s hana gartner about how to resolve land claims . mercredi says the events at ipperwash and gustafsen lake made him realize indigenous people have to resolve land claim issues differently .
we don ' t want to walk any more of those distances up the hills to bury our dead ,
he explains .
this film follows the aftermath of the oka crisis , which brought indigenous rights into sharp focus . after the barricades came down , the royal commission on aboriginal peoples was created , and travelled to more than 100 communities and heard from more than 1 , 000 representatives . for two - and - a - half years , teams of indigenous filmmakers followed the commission on its journey .
from this film , obomsawin went on to create another important work , richard cardinal : cry from a diary of a métis child ( 1986 ) , a poignant look at the short life of a métis adolescent who committed suicide after having been shuffled in and out of 28 foster homes and institutions . alanis felt very strongly about what happened to richard , saying ,
i tell the kids to look at the loss that we have , what a poet he was . he ' s gone . it ' s too bad nobody realized , what happened , how he got there .
( steven , p . 182 ) the film also provided a penetrating look at the child welfare system in alberta at the time , and it brought about change . says alanis :
it is this combination of strength and courage to challenge intermingled with compassion that define her as a filmmaker of substance and integrity . similarly , alanis has never wanted to publicize her own challenges as an aboriginal woman filmmaker in the male world of film . rather than speak out on her personal struggles , her priority is to advocate for social change and to bring the voices of aboriginal peoples to the forefront :
ms . huston wanted to be an actress .
i always wanted that , from the time i was really small . i wasn ' t particularly encouraged .
still , when she was just 15 , her father took the risky step ( for both of them , as it turned out ) of casting her in the lead role in a 1968 film called
a walk with love and death .
since then , alanis has made several other films , including one on an addictions recovery center near edmonton , one on homeless people in montréal , and a film about a day care center in montréal — all about aboriginal institutions serving aboriginal people . then came the events at oka , and the series of films that evolved from behind - the - scenes film footage , including the arrest of one of the individuals involved in the stand - off and a personal look at one of the
warriors
, an iron worker who had worked on high rises in new york city . more recent films include is the crown at war with us ? ( 2002 ) , which depicts the violence and racial tension evident in the political events concerning the new brunswick fisheries near the mi ' kmaq community of esgenoopetitj ( burnt church ) .
this western is my favourite western of all time . an epic and loosely based on facts , this entertaining trip through the chnging of the west is just fantastic . all of the actors fit the characters perfectly . anjelica huston and melanie griffiths are superb . . . and reba mcintyre as fantastic . and you would never know that gabriel byrne was irish . the american accent is spot on . and the bonus is buffalo bill cody . this is a must for anyone who enjoys a good western . ( or just for the time capsule )
obomsawin ' s films represent a corrective to the historical exclusion of native image in film , the vast majority of it has been created without the consent and most often without the control of the native person whose image is being taken and utilized in media . i really believe alanis is using a medium to provide a voice and a story for a lot of people who historically have not had that opportunity .
over four hours and locations ranging from santa fe , n . m . , to bath , england , ms . huston takes calam , as she calls her , through a near miss with the doomed command of gen . george armstrong custer , through an equally doomed romance with wild bill hickok , to a painful parting with a baby daughter she felt she could not care for , to adventures with mythic western figures like buffalo bill cody , sitting bull and annie oakley , and finally to a trip to england with cody ' s famous wild west show to perform for queen victoria .
alanis continues to work for the national film board and has also continued singing and visiting schools , prisons and communities . her best - known recording , bush lady , was released in 1988 . on a more personal note , she has raised her daughter , kisos , who is now in her thirties . she also does etchings , some of which she exhibits publicly from time to time , to help de - stress from the work of the day .
in 1965 , the canadian broadcasting corporation ( cbc ) made a documentary on her performances and her social activism for their telescope program , which brought her to the attention of two national film board producers , wolf koenig and bob verrall . they were working on a documentary on activists and invited her to consult on this and several other projects . by 1967 , she was working on her own projects , including multimedia educational kits for the manowan and l ' hawat tribes .
. . . nobody is going to tell me who to interview or not interview . and if you feel that i , as a native person , cannot interview white people , we ' ll go through everything the film board has done with native people , and see who interviewed them . and i ' ll tell you something else , not you , nor any other person could have faced the minister the way i did . you ' ve got a long walk to do before you can do that .
obomsawin has said that the most important part of her making kahnesatake was that ' there had to be a document that came from us . . . that was crucial . ' less than an attempt to be the definitive voice , kahnesatake was a distinct voice , one among many , and one that , finally , would allow the people under siege and their compatriots to give their side of the story . going so far as to call the film ' s approach demagogic shows a lack of clear understanding of the uses to which obomsawin ' s subjective voice is put .
this movie pulls out the two sides of me . on one hand it is entertaining . on the other hand , it is nearly completely historically inaccurate . wild bill , calamity jane , dora dufran , buffalo bill cody , annie oakley and sitting bull were all real people . there are some portions of this movie that are as close to historically truthful as they can be . if i am being honest , no one really knows the whole truth about these famous people . my love for stories of the old west and the people in them makes this an entertaining show to me . the acting is very good and the sets interesting if again , looking nothing like the actual deadwood and black hills . if you are going to watch this show , watch it for the love of westerns and a decent story , not for the history that you can learn . enjoy it purely for enjoyments sake .
[ she also ] went to see the worst place richard had been and i met the foster father there . the man was very upset and angry and wouldn ' t cooperate . i told him that i was going to make the film anyway . richard ' s diary had already been seen publicly . he said that it ' s all lies . but i also saw that man as human , for who was to know back then when he had richard what would happen ? many native children and white children were in bad situations . then you expose that situation twenty years later . some of these people just didn ' t think . so much has gone on unknown to the public .
three years after alanis arrived in trois - rivières , her father died and she began to rebel against the prejudice and racism :
my life changed when i was 12 . . . my father died and i decided i wasn ' t going to get beat up at school every day by the other girls in the classroom . it was just a decision — just like that i said , ' no more ' . and that ' s all there was to it . it stopped the next day
( monk , p . 60 ) . she also fought against the
indian
stereotype :
i never believed what i was told i was . i knew that there was a lot of wrong there . every time i tried to do something they would tell me , ' oh you can ' t do this , you ' re an indian ! ' the more they said that to me , the more i said , ' well i am going to do that anyway ' . i was just a fighter . i just wanted to make changes .
( harewood , p . 14 )
[ . . . ] the white imagination of hollywood has come to see the american indian as a social victim in much the same way as canadian literature did decades ago . from the cardboard villainy of indians in old westerns from the fifties , to the noble martyrdom of a socially minded effort like little big man , and more recently to such homages as dances with wolves and geronimo , we can see hints of revisionism taking hold , nudging americans into a less divisive and slightly more humble perception of national self vis - à - vis the native peoples who were destroyed in its creation . . . . the most obvious — and most important — improvement is that we now have a body of film work created by aboriginals , instead of white people telling aboriginal stories , in the context of the identity process , this development cannot be undervalued because it puts the power of creation back in the hands of those who are being represented . . .
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based on the novel by larry mcmurtry . hard - drinking frontier free spirit calamity jane and her best friend brothel proprietor dora dufran face adventures and romance in the rugged dakota territory of the 1870s .
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artistic license anomalies : deadwood is in the black hills , a long way from the rocky ( or any ) mountains , and dora dufran died thirty years after calamity jane did .
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i heard he was doing a book about calamity jane ,
ms . huston said .
i was instantly interested .
how could she not be ? ms . huston added . after all , mr . mcmurtry had written
lonesome dove ,
the book that became the most successful television mini - series in recent years , and she considered it
a real coup in my career
to have been included in its cast .
but this opportunity seemed , if anything , even better .
i mean , calamity jane !
ms . huston said .
i thought , this is right up my alley . i love to ride ; i love the outdoors ; i love westerns .
the result , to be seen on sunday and monday nights , is an epic of the last days of the american west , in which ms . huston plays calamity jane , the legendary army scout , bullwhacker , mule - skinner and wild west show performer .
calamity jane is precisely the kind of huge , dense , demanding , interesting starring role that ms . huston said she and other experienced actresses of her generation almost never encounter in theatrical films anymore .
lilly remains , quite literally , close to ms . huston ' s heart on a cloudy april afternoon in the beverly hills office of her publicist . ms . huston , tall and striking in a way that attests to her earlier career as a model , is wearing faded jeans perfectly matched with a jeans jacket that bears the name lilly in red script right over her heart . on the back of the jacket in much larger letters is
the grifters .
she ' s also wearing what look like snakeskin cowboy boots , much fancier than anything calamity jane would have come by , even if she could have plugged a rattler on the prairie - - which would have been unlikely .
she wasn ' t much of a shot ,
ms . huston said .
she swore and drank like a fish and pretty much lived like a man .
nor does the resemblance stop there , said mr . mcmurtry , who reported that the real calamity jane may have been a hermaphrodite . he gleaned that morsel from an unusual source : sen . alan k . simpson , republican of wyoming , who once wrote a college paper on calamity .
she was certainly very odd - looking ,
mr . mcmurtry agreed .
mr . mcmurtry is an unabashed admirer of ms . huston .
i think she ' s just wonderful in the role ,
he said in a telephone interview .
she basically carries the picture .
ms . huston researched the real calamity jane but was able to discover far less than mr . mcmurtry was able to imagine .
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ms . huston almost did not get a chance to play the role . suzanne de passe , the show ' s executive producer , always wanted her for the part , but when production was due to begin , ms . huston was not available . a delay cleared up that problem , and now ms . de passe says :
anjelica was born to play this role . when you think of her size , her horsemanship , her sense of humor , this role employs the full range of anjelica ' s talent .
rather , she was referring to her upbringing in the west of ireland , a place , she said , that
has a soft spot for the american west .
indeed , she added ,
every boy who grew up there wanted to be a cowboy .
it was hellish to work with my father ,
ms . huston recalled .
a horrible experience . i didn ' t like the script . i didn ' t like the movie .
the movie was not successful , and both of them were excoriated by critics charging nepotism .
ms . huston was put off movies for more than a decade . instead , she modeled .
i don ' t know why it was necessary to be in the public eye physically , but it was ,
she said .
maybe i needed to prove something .
it was very intimidating to come back and work with my father ,
she said .
i was not only working with him ; i was working with jack nicholson , who i was living with at the time . i was very daunted and very afraid .
but the role made her a movie star . she won the academy award for best supporting actress .
after numerous other films , including woody allen ' s
crimes and misdemeanors
and two trips with the
addams family ,
ms . huston said the well of intriguing scripts has grown appallingly dry .
there were maybe four female parts all last year ,
ms . huston said . one was
death and the maiden ,
which she said she considered . but other choices simply weren ' t there .
meg ryan is adorable , but she ' s not the only actress working in america ,
ms . huston said .
i mean , this is the year when meryl streep had to do ' the river wild . ' they ' re trying to make meryl streep an action hero ? she ' s a great actress .
the source of the problem is not hard to identify , ms . huston said .
there ' s not a lot of the human factor in movies anymore ,
she explained .
it ' s all explosions - - and mostly male explosions . most of what i read now is repeats of past successes . things out of the italian - american genre of ' prizzi . ' maybe it ' s happening because we don ' t have enough female writers , or men aren ' t writing for women , or no one ' s interested in writing anymore .
she qualified those points : no one in movies .
television is much better to women than movies ,
ms . huston said . and that is the reason she had no hesitation about returning to television for a second journey with larry mcmurtry .
will she be back on television ? most likely , she said ,
and i think you ' ll see other actresses turning to television as well .
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with the headline : anjelica huston savors an adventurous part she was ' born to play ' .
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would gabriel byrne ' s agent please get him one role that is not wrist - slittingly depressing for the love of god ! ? his ol ' broken cowboy , teddy blue , and his put - on american accent is endearing nonetheless .
angelica houston and melanie griffith give a beautiful performance as two honest good - hearted friends .
every miniseries , made - for - television movie , special , or documentary ever nominated for an emmy award in any category .
this list was compiled to inspire games of deadlands , the best weird west rpg .
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this short documentary offers a portrait of a group of women who led their community , the largest reserve in canada , six nations of the grand river reserve , in an historic blockade to protect their land .
on february 28 , 2006 , members of the iroquois confederacy blockaded a highway near caledonia , ontario to prevent a housing development on land that falls within their traditional territories . the ensuing confrontation made national headlines for months . less well - known is the crucial role of the clan mothers of the community who set the rules for conduct . when the community ' s chiefs ask people to abandon the barricades , it is the clan mothers who overrule them , leading a cultural reawakening in their traditionally matriarchal community .
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many journalists and other writers have attempted to capture the spirit of this well - respected filmmaker . an article in take one presents a captivating description of the enigma that is alanis :
the 70 - year - old writer , director and member of the abenaki nation is considered one of the country ' s most distinguished filmmakers . a pioneering artist , singer , educator , community activist , member [ now officer ] of the order of canada , obomsawin is to her legion of admirers a legend in her own time . obomsawin — one of only three remaining staff documentary filmmakers at the nfb — has moved from the margins to the center of institutional power in canada . while her work is now officially embraced by the repressive state that she lombasts [ sic ] , obomsawin has retained the instincts , sensibility and posture of the eternally alienated outsider . . . . in person , obomsawin is the epitome of dignity , grace and fine manners . she is humble and without affectation . . . . as an interlocutor she can be mischievous , playful and wildly funny . belying her gentle , nurturing nature , she is a formidable force when challenged . able to shift her mood at a whim , she possesses a wholly unique quality that allows her to disarm and charm at the same time . her piercing dark brown eyes host a swirling sea of emotion , at times compassionate , inquisitive , earnest , defiant and wise .
later , when she was nine years old , she moved with her mother and father to trois - rivières , located only 48 kilometres from the odanak reserve . this proved to be a difficult adjustment , as she was the only native child at school and was not fluent in french or english . as well , she experienced prejudice and racism on a daily basis and was regularly beaten up by her schoolmates . in history classes she was forced to listen to
teachings
about
martyred priests being tortured to death by indians .
( alioff and schouten levine , p . 10 ) people often looked down on her and her family . her parents , however , remained true to their native traditions and spiritual beliefs , and often even treated many of their neighbours with traditional herbal medicines .
this fighting spirit is something she brings to her work although she uses more strategy now , which comes with maturation . it was because of her experiences at school that she has become active for social change :
that was my fight from the very beginning , to fight for changes in the educational system concerning our people , and i wanted to see our history being taught and to try and do our own programs and get it in there as part of the curriculum .
( tallon , p . 12 )
alanis left trois - rivières at the age of 22 and , after having learned to speak english in florida , moved to montréal in the late 1950s , where she became part of a circle of artists . soon after , she emerged as a singer ( often traveling the folk music festival circuit but also performing in schools , museums and prisons ) and a storyteller , primarily to help instill a pride in native oral histories and hence a sense of self - esteem in native children .
obomsawin ' s first love centres on aboriginal youth .
( steven , p . 176 )
when you came to restigouche , i was outraged by what you said to the band council . it was dreadful . the chief said ,
you french canadians are asking for sovereignty here in quebec . you are saying it ' s your country and you want to be independent in your country . we are surprised that you don ' t understand us indian people and our sovereignty on our land .
and you answered ,
you cannot ask for sovereignty because to have sovereignty one must have one ' s own culture , language and land .
incident at restigouche also gave the people of the reserve a sense of dignity and a chance to express themselves . it also created a better understanding between members of the community .
for alanis , it was one of the most painful films she has made . she travelled to richard ' s home town of fort chipewyan and visited the cemetery where he was buried .
it is easy to see alanis ' compassion for others , including the foster parents . it wasn ' t her intention to point fingers at people who were struggling , such as social workers , but more to change an ineffective system :
i attended the inquiry into richard ' s death and by the time the last social worker came into the box , i began to feel for him too . he told the judge he had a hundred cases and had to travel two hundred miles . the rule was that they had to see each placement once a month . now , nobody can do a good job with that . . . the government ' s whole system was so bad . but when you look at the immediate situation you blame the first person you can . i didn ' t want to do that .
several writers have offered the analyses of alanis ' distinctive filmmaking style . one strong element is the issue of the authenticity of voice , or the need for aboriginal people to tell their own stories :
the interview , used to shape point of view , becomes a valuable instrument to validate individual biography , make intelligible the ongoing struggles for native self - definition , and contest eurocentric narratives of first nations history . . . . her work subverts the objectifying tendencies of the social documentary by revealing a heartfelt respect for the past and present of the people she has filmed .
her work displays little in the way of stylistic flourish or excess , and usually features explanatory voice - overs . . . however , this apparently simple aesthetic is peppered with a pronounced subjectivity . further , obomsawin ' s work displays a tendency towards lyricism and massive narrative digressions . . . describing her style , obomsawin has said that ' i like to make it as plain as possible , so that the attention has to be on the work and what the people are saying . . . i don ' t like to do fancy things where your attention is on other things ' . . . even though she draws on a semi - minimalist form , obomsawin ' s films are extremely subjective . this subjectivity is most clearly expressed by her own voice . . . the voice - over is far from the voice - of - god variety . . . ; instead , it has the effect of identifying whose eyes are seeing the action .
although alanis has been taken to task for her subjective stance , in general , these criticisms have demonstrated a lack of understanding in what she is trying to do . white further explains :
these passages indicate that alanis has developed her own style , using the interview format and subjectivity in a powerful way to accomplish her role as an advocate for social justice for aboriginal peoples .
i would never even stop going to prisons , and skid row , where you find a high percentage of our people . you watch the drinking , the people sleeping on the sidewalks , being abused , and you hear terrible language . it ' s a snake pit . but i cannot divorce myself from them . there was a time when i was told that ' s where i should be . i fought back and fought back . that ' s why i understand and love all the people down there . they ' re not separate from me . . . . there ' s lots of people that somehow have managed to be strong and do something . i don ' t mean to say that the people who are down there on the street are not strong . but how much can you take and how long do you go on until you finally believe what they ' re telling you : that you ' re no good , . . . that you don ' t have a culture that you don ' t belong . you see your parents who are drinking , who are in a terrible state . and you look in the mirror , and you don ' t like what you see , so you end up fighting your own people . . . and it took me many , many years before i could understand that .
the basic purpose is for our people to have a voice . to be heard is the important thing , no matter what it is that we ' re talking about — whether it has to do with having our existence recognized , or whether it has to do with speaking about our values , our survival , our beliefs , that we belong to something that is beautiful , that it ' s o . k . to be an indian , to be a native person of this country .
alanis obomsawin .
national gathering on aboriginal artistic expression . ottawa : canadian heritage conference june 17 - 19 , 2002 . urltoken ( accessed september 8 , 2004 ) .
allioff , maurie , and susan schouten levine .
interview : the long walk of alanis obomsawin .
cinema canada . no . 142 ( june 1987 ) , p . 10 - 15 .


sathuranga vettai ( chess hunt ) is a 2014 tamil-language heist-thriller film written and directed by debutant h. vinoth , starring natarajan subramaniam and ishaara nair .

produced by manobala , it features music by sean roldan and cinematography by k. g. venkatesh .

the film , touted to be an " indianized con movie " , was released by thiruppathi brothers film media on 18 july 2014 and received positive reviews from critics .

a sequel is currently under development titled sathuranga vettai 2 starring arvind swamy and trisha krishnan .

it is being remade in kannada as jagath khiladi .

sathuranga vettai

arvind swami is working for the first time with trisha in sathuranga vettai 2 .
sathuranga vettai is left with just a handful of shows after the anjaan storm .
trisha wraps up shoot for three movies – sathuranga vettai , mohini and garjanai .
the teaser for sathuranga vettai 2 is out and aravind swamy is stealing the show .
sathuranga vettai
, starring cinematographer - actor natraj , receives positive reviews from critics .
sathuranga vettai has pleased all corners with its outcome and performance at the box - office .
my next movie sathuranga vettai 2 motion poster release on june 30th 6p . m . urltoken
sathuranga vettai
is a con film , which focuses on the anger of common man .
sathuranga vettai 2 ( aka ) sadhuranga vettai 2 is a tamil movie with production by manobala picture house , direction by nv nirmal kumar , cinematography by kg venkatesh , editing by sp raja sethupathy . the cast of sathuranga vettai 2 ( aka ) sadhuranga vettai 2 includes arvind swamy , trisha .
sathuranga vettai is releasing big in tn in over 200 screens as thirrupathi brothers are aggressively promoting it .
sathuranga vettai
, starring cinematographer - actor natraj , has been receiving positive reviews from critics .
director vinoth has explored this weakness in his debut venture , sathuranga vettai , released by thirrupathi brothers .
sathuranga vettai aka sathuranka vettai is a tamil movie with production by mano bala , sanjay rawal , subhash chandra bose , direction by h vinoth , cinematography by kg venkatesh , editing by sp raja sethupathy . the cast of sathuranga vettai aka sathuranka vettai includes dharani , ilavarasu , ishara , natty , ponvannan .
looking for movie tickets ? enter your location to see which movie theaters are playing sathuranga vettai near you .
character actor and director manobala’s maiden production venture sathuranga vettai audio was launched with lot of fanfare yesterday in chennai .
due to the lack of any quality new releases this past weekend , sathuranga vettai continues to hold on well .
sathuranga vettai has held on admirably . have to see if it can achieve the hit status in the coming weeks .
the teaser of arvind swami and trisha starring sathuranga vettai 2 was released today . the film is directed by nirmal kumar and is the sequel to sathuranga vettai that had natty in the lead . the teaser was released by none other than sivakarthikeyan .
arvind swamy , sathuranga vettai 2 2018 tamil movie full star cast & crew - mt wiki providing latest update sathuranga vettai 2 film story , release date , budget , actress trisha , actors , songs list , poster , producer , director info .
asvamitra on twitter :
my next movie sathuranga vettai 2 motion poster release on june 30th 6p . m . …
sathuranga vettai
, which releases july 18 , features nataraj , ishra , ponvannan , illavarasu and piraisudan in important roles .
sathuranga vettai is an action - thriller directed by new comer vinoth h . cameraman turned action hero natraj is playing the lead role .
a sequel to sathuranga vettai , about scams in rural areas , will centre on high - profiled crimes that are committed using technology .
hello malaysia ! shooting for sathuranga vettai 2 is almost complete and we shift to kl for the next few days . look forward .
sathuranga vettai . sean roldan continues confidently along that promising film composing journey he embarked on with vaayai moodi pesavum / samsaaram aarogyathinu haanikaram .
trisha has also completed the shoot for her horror film mohini directed by ramana madhesh , and sathuranga vettai 2 also starring arvind swami and daniel balaji in important roles . directed by nv nirmal kumar , this film is the sequel to the 2014 sleeper hit film sathuranga vettai .
character actor and director manobala ` s maiden production venture is titled - sathuranga vettai . the audio was launched with a lot of fanfare .
with glowing reviews and thirrupathi brothers ' clout , sathuranga vettai is holding on admirably . we have to see how it fares next week .
among various tamil films , jsk films kuttram kadithal has been selected as the best feature film while sathuranga vettai comes as the second best feature film .
sathuranga vettai has earned some glowing reviews and has the potential to emerge as a sleeper hit , despite the super - strong vip by its side .
vinoth , who directed sathuranga vettai , has written the dialogues for this film . sathuranga vettai was about a con artist who outsmarts a group of gangsters before realising his priorities . though the film , starring natarajan subramaniam and ishara nair , opened to lukewarm response , word - of - mouth publicity turned it into a hit .
sathuranga vettai
received the award for the best film this year ; dhanush bagged the award for best actor for his performance in the movie
vip
.
director vinoth’s sathuranga vettai is a relevant and intellectually stimulating film . watch it to learn how our vulnerability is easily exploited by clever con artists preying on our desires .
electrifying and featuring cinematography for sathuranga vettai is done by k . g . venkatesh and foot - tapping music composed by sean roldan . . . | pinterest | sean …
sathuranga vettai is a tamil action drama starring natarajan subramaniam , ishaara nair and directed by h . vinoth . conman gandhi babu has no qualms in cheating people because that is what politicians do , he believes . he is all for money and even betrays his love banu for it . watch sathuranga vettai , the full movie online , only on hotstar .
sathuranga vettai
had enjoyed positive pre - release buzz and has also received some encouraging reviews from critics . it remains to be seen if the film will impress the audience .
film :
sathuranga vettai
; cast : natraj subramaniam , ishara nair , ponvannan , illavarasu , vallavan and dharani ; director : h . vinoth ; rating : * * *
sean roldan who has done music for vaayai moodi pesava and for mundasu patti is the music director for sathuranga vettai . two songs and the trailer were shown during the audio launch .
with the premise that life is like a game of chess , first - time director vinod has set out to make sathuranga vettai . the underlying message is one should not get blinded by offers that promise to double one’s investments , without checking the authenticity of such deals . “ sathuranga vettai is a con movie that shows every relationship , be it between brothers , friends or associates , is purely based on money . there is no value for people , or their integrity , ” says vinod . sathuranga vettai stars natarajan ‘natty’ subramaniam and ishara .
arvind swami on sunday said he has completed shooting his portion in upcoming tamil crime thriller sathuranga vettai 2 . the film’s shooting has been going in malaysia over the last couple of weeks .
trisha who dazzled in kodi with her negative shade seems pumped to pull off performance oriented roles . she has started signing offbeat films and sathuranga vettai 2 seems to be one of them .
sathuranga vettai is a relevant , thought - provoking film revolving around a sharp con artist who cleverly exploits our secret desire to make easy money through the most fantastic scams , says s saraswathi .
music director sean roldan who made an impressive debut with vaayai moodi pesavum doesn ' t disappoint in his second outing , sathuranga vettai . his music and bgm is said to have made it better .
sathuranga vettai 2 (
chess hunt 2
) is an upcoming indian tamil - language thriller film directed by nirmal kumar and written by h . vinoth . a spiritual successor to vinoth ' s sathuranga vettai ( 2014 ) , the film features arvind swamy and trisha in the lead roles , with vamsi krishna and amit bhargav in supporting roles . produced by manobala , the venture began production in october 2016
in lead roles . this film is directed by nv nirmal kumar and produced by manobala . it is made under the banner of manobala picture house . sathuranga vettai 2 is scheduled to release in february 28 , 2018 .
there is a terrific buzz in the industry about thirrupathi brothers and manobala produced sathuranga vettai . the action - thriller is directed by debutant vinoth h and movie is being produced by actor manobala , with n lingusamy presenting it .
the sathuranga vettai review is a silverscreen original article . it was not paid for or commissioned by anyone associated with the movie . urltoken and its writers do not have an advertising relationship with movies that are reviewed on the site .
[ quote align = ’left’ ] there’s something fascinating about a movie that comes packaged in chapters . there’s always a new beginning , and the hope of a fascinating ending . sathuranga vettai offers all that and much more . [ / quote ]
an interesting thing to note here is that sathuranga vettai 2 will have a linear storyline with focus on one core plot unlike the first part which had various sub - plots . major portions are to be shot in and around chennai city .
sathuranga vettai 2 is a tamil movie starring arvind swamy and trisha krishnan in prominent roles . the cast also includes nassar and radha ravi . it is a crime drama thriller movie directed by h . vinoth , forming part of the crew .
the actor is currently shooting for ' sathuranga vettai 2 ' the sequel to the 2014 super hit and ' vanangamudi ' directed by selva , he will also be seen in the tamil remake of malayalam super hit comedy ' bhaskar the rascal ' .
sathuranga vettai is a movie about six phases of the life of natraj , a street smart conman and a smooth talker ! he thinks of nothing else but money and money only ! the reason behind his crave for money is narrated in the movie climax .
debutant director vinoth says that had it not been for tamil filmmaker nalan kumaraswamy ' s mother , he couldn ' t have found a producer for his forthcoming tamil con thriller
sathuranga vettai
. he says he ' s
extremely thankful to her
.
forget the kollywood heartthrob from the 90s , aravind swamy can soon become the industry’s favourite anti - hero . with sathuranga vettai 2 , the handsome actor is back playing the suave , intelligent , bad guy – inching his way to become the villain kollywood needs .
the shoot of sathuranga vettai 2 , being directed by nirmal kumar of salim fame , is wrapped up , and post - production is proceeding at a brisk pace . major portions of this sequel , starring arvind swamy and trisha , have been shot in malaysia .
now it is more or less confirmed that arvind swamy will play the lead role in ‘sathuranga vettai 2’ directed by vinod and produced by manobala’s picture house . the film will begin once the director completes his karthi starrer which is all set to start filming later this month .
the teaser of the sequel to the 2014 sleeper hit , was launched by actor sivakarthikeyan on twitter . sathuranga vettai 2 also stars trisha and prakash raj and is directed by nirmal kumar . the movie is written by h . vinodh and is bankrolled by manobala’s production house .
in an early scene in h . vinoth’s sathuranga vettai , gandhi babu ( natraj , who’s quite good ) sells a businessman a snake . what he’s really selling , though , is snake oil . he’s a conman , and the film — inspired by true events , we’re told at the beginning — is a series of cons .
actor - director manobala’s maiden production venture ‘sathuranga vettai’ directed by vinod and starring natty natraj and ishaara nair went on to become a sleeper hit in 2014 and ever since that , a sequel has been in the works with suriya or ajith penciled in to star as the protagonist . things however did not work out with the two mass heroes .
debutant vinod definitely knows a thing or two about building tension among his audience , and his film sathuranga vettai is the evidence to this . the filmmaker builds in drama and suspense by highlighting the story of a con - man , and how he aides a group of goons commit a heist . early on in the film , you . . .
lingusamy & apos ; s recent acquisitions have turned out to be smart choices . will his latest movie is sathuranga vettai become a hit ? let & apos ; s wait and see . well , the tamil movie features natraj subramaniam , ishara nair , ponvannan , illavarasu and others in the cast . it is a heist flick , which has sean roldan & apos ; s music , kg venkatesh & apos ; s cinematography and raja sethupathi & apos ; s editing . sathuranga vettai is directed by newcomer h vinoth . he adopts a scene from a wild life channel to show how a cheetah catches its prey . it is a symbolic scene to give a glimpse of what to expect from this flick .
the comedy heist film has been directed by debutant h . vinoth . the film has ishara nair , ponvannan and ilavarasu among others .
sathuranga vettai
is produced by manobala and sanjay rawal , and the film is distributed by thirrupathi brothers , who are riding high on hat - trick hits post the success of
golisoda
and
manjapai .
the shoot of sathuranga vettai 2 that has a unique combination of arvind swamy and trisha in the leads is set to start on november 14 which happens to be children’s day . the film directed by nirmal kumar has screenplay and dialogues by h . vinoth who directed the first part . the recent photoshoot pictures stormed social media and has created a buzz for the film .
the witty and impressive dialogues in the film are one of the major highlights of
sathuranga vettai .
the film ' s biggest strength is its dialogues , each and every dialogue are intelligent , witty and sometimes extra - ordinary . after manivannan ' s amaidhipadai , the satire dialogue writing comes naturally to vinoth , brilliant show young man !
said rajasekar s . of cinemalead .
talking to silverscreen , nirmal kumar , says , “this sequel to sathuranga vettai will be about hi - tech swindling done using advanced technology . arvind swamy plays a con man and trisha a con girl . they will be seen in multiple looks through the film ; in some places , it might appear like they’ve done dual roles . as this film is a different genre for both of them , they were kicked about their characters . ”
director vinoth of sathuranga vettai fame received accolades from critics , filmbuffs and celebrities for his directorial debut which was an entertaining con comedy . later , he narrated a script to suriya and got his nod for the project too . but suriya moved on to vikram kumar’s 24 and now he will start singham 3 with director hari from the 2nd of december . visit our infotainment partner : urltoken subscribe for more videos : urltoken like us : urltoken
the reason newcomer vinoth ' s
sathuranga vettai
is an almost flawless film in the genre is because it succeeds in managing to con the audiences as well , more than once . revolving around six episodes based on true incidents , the film reminds us of the times we ' ve got conned in real life . it ' s not a film about people who con but one about those who get conned , why they get conned and how they get conned .
download lehren app & stay updated ► urltoken actor - - director manobala ' s production venture sathuranga vettai has been receiving good reviews from filmmakers and audiences alike . the teaser ' s message is full and loud . it ' s a comedy thriller . the movie stars natty , ishara , ponvannan , illavarasu and others . take a look . for daily dose of entertainment news log on to urltoken subscribe & stay connected urltoken like our updates : urltoken follow our tweets : urltoken
critics have applauded director vinoth ' s interesting screenplay and the way he has presented the film .
with terrific screenplay , racy narration and out - of - the - box presentation , new boy h . vinoth ' s sathuranga vettai is a surprisingly fresh film that works big time . right from scene - one when we are shown on a wild life channel a cheetah hunting an ostrich in a cunning manner , we know that this is not your usual commercial potboiler ,
said sify .
sathuranga vettai part 2 is very different in terms of its structure . he ( the lead character ) is a conman . it is ( a story of ) one big heist it has been written by the same director ( h . vinoth ) and directed by nirmal kumar ( of ' salim ' fame ) . its got lost of twists and turns . the audience are in for a lot of surprises . its 60 - 70 % over . the film probably will release in may .
the film is good but lacks consistency , especially in the second half . there are moments that are extremely brilliant as well as dumb . since it is promoted as an indianised con film , it is forced to take the path of commercial cinema . if it had stayed loyal to its genre , unarguably , it would ' ve been a cult film , next to
soodhu kavvum
. the romance in
sathuranga vettai
is cliched and extremely melodramatic , which makes the story seem very predictable .
actor niranjan shetty is back with a new film after ' paipoti ' . this time the actor will be seen in the remake of tamil hit ' sathuranga vettai ' . the kannada version is titled as ' jagath khiladi ' and will be launched in the month end . ' jagath khiladi ' is being directed by dheerendra and sadhithan and is being produced by ramesh babu . rangayana raghu will be playing a prominent role along with niranjan in this film . the film has camera work by cinetech soori and music by giridhar diwan .
natarajan subramaniam ( natty ) who earned accolades for his performance in sathuranga vettai has apparently adorned a new cap . already being an actor - cinematographer , natty has also crooned for a track in his upcoming venture engitta modhadhae ( em ) . reports suggest that natty adorns the role of a rajinikanth fan in em and that the entire film is set in the backdrop of 80s . it is also rumored that the venture will be shot in and around tirunelveli and primarily focus on the battle of fanaticism between superstar rajinikanth and kamal haasan’s fans . more details awaited !
sathuranga vettai isn’t without the story of a grisly past though . of a brutal childhood in the slums , and of being orphaned at a tender age . a grim justification follows . and that irks . why can’t gandhi babu have a full wallet and still do what he does ? then , there’s also bhanu ( ishara nair ) ; she’s extremely naïve ( sometimes exasperatingly so ) ; falls in love with gandhi babu , and tries to turns him around for the better . she’s the pivot in the second half , and , it’s nedunchalai all over again – but for the ‘sophisticated’ con .
what surprised us most about sathuranga vettai was that this was a debut - flick with an inexperienced & not - so - attractive protagonist mouthing dialogues , profound in meaning , rooted deeply in philosophy , and moreover , the captain of the ship , vinoth , is just in his 30s . his faith in his script has allowed him to pitch it first to manobala , a veteran of the tamil industry , who was convinced that this should the launch pad for his production house , and then to thirupathi brothers who possess an enviable track record in film distribution . the cult following of such films certainly proves that the tamil audience is indeed one of the best in indian cinema in welcoming offbeat ventures .
the crispness , the crackle is lost when you filter certain hollywood genres through tamil - film sensibilities . sathuranga vettai is filled with talk . there are some funny , clever lines , like the one that goes “ kuttra unarchi illaama pannradhu edhuvume thappu illai . ” ( “if you don’t feel guilty while doing something , then it isn’t wrong . ” ) but a lot of the time , the characters seem to be speaking to us , the audience — they keep feeding us existentialist punch lines . then there’s all the sentiment . changes of heart occur too conveniently and by the time we see a character turn into a labourer , it’s downright laughable . we need to be eased into these developments , not pushed into them .
heist / caper movies as in films which showcase in detail one or more crimes ( especially thefts , swindles , or occasionally kidnappings ) perpetrated by the main character / s with less focus on the actions of police or detectives attempting to prevent or solve the crimes are a rarity in indian cinema . sometimes even when they do appear , they pale out in comparison to ‘commercial’ movies because of some uninspired juvenile treatment or in other cases , lack of a tight script . last year we saw nalan kumarasamy literally nailing the genre with ‘soodhu kavvum’ attaining cult status . now debutante director h . vinoth comes out with his version of the chess game - hunt or sathuranga vettai , which proves to be the dark house of this year .
and gandhi babu ( natarajan subramaian ) is an irresistible reminder of frank abagnale jr . no , not leonardo dicaprio . the one in the book . and also , perhaps by extension , the real frank abagnale himself . remember the instance when he pilots a passenger jet without a clue about its controls ? sathuranga vettai is filled with moments like those . so much so that even the judge who listens to gandhi babu’s crimes can’t help chuckling himself . there’s also a carl hanratty - like cop who comes with a friendly warning . [ quote align = ’right’ ] gandhi babu sells a snake to him for an exorbitant amount of money , convinces him that the reptile ( codenamed ilayathalapathi vijay ) can understand several languages , and that its flesh is highly - valued for its libido - boosting properties . [ / quote ]
in an early scene in h vinoth’s sathuranga vettai , gandhi babu ( natraj , who’s quite good ) sells a businessman a snake . what he’s really selling , though , is snake oil . he’s a conman , and the film – inspired by true events , we’re told at the beginning – is a series of cons . vinoth employs a series of tricks to amp up his narrative , to make us feel we’re watching a really cool movie . he breaks the film into chapters and slaps a tongue - in - cheek title on each one . he uses animation to narrate a flashback . there’s a goon who , when he feels like it , speaks in pure tamil . there’s a cobra that’s christened “ilaya thalapathy” vijay . and there’s a lot of jittery editing , always in a rush to drag us to the next scene . what we don’t get is the pleasure of being conned .
keeping the creative mind open is important , to come up with simple yet powerful output . this video proves it . sathuraga vettai production team gave us the task to come up with an animation story line to be used as an insertion in the flashback footage . it is a 5 min long footage , that has characters playing against the backdrop of 1980’s . in the silver screen , our novel tones and graphics were well appreciated . it has become a trendsetter in film - making and has got a wide - spread media coverage .
the crispness , the crackle is lost when you filter certain hollywood genres through tamil - film sensibilities . sathuranga vettai is filled with talk . there are some funny , clever lines , like the one that goes “ kuttra unarchi illaama pannradhu edhuvume thappu illai . ” ( “if you don’t feel guilty while doing something , then it isn’t wrong . ” ) but a lot of the time , the characters seem to be speaking to us , the audience – they keep feeding us existentialist punch lines . then there’s all the sentiment . changes of heart occur too conveniently and by the time we see a character turn into a labourer , it’s downright laughable . we need to be eased into these developments , not pushed into them . and why the moralistic streak ? why should the hero ( even when played by someone who’s not a big star ) always have a tragic backstory , a reason for why he became who he is ? by the time the love angle begins to play out ( the heroine is ishaara ) , the sandpaper - rough protagonist has all the toughness of butter . i suppose this was done to create sympathy for the leading man , but how about some sympathy for the genre ?
cinematographer natraj is doing lead role in this movie , which has got a lot of pre - release hype . manobala had held a couple of sneak previews of the film for industry people . everybody who saw the film say it is a well - made thriller .
plot : gandhi babu ( natraj ) is a conman who dupes people of their money using fraudulent means like the emu scam , multi level marketing ( mlm ) companies scam and so on . the film deals with six interesting episodes in his life .
natraj ' s performance as a conman has also won accolades from the critics .
natraj has transformed himself to gandhi babu who plots deceptive plans to make easy money from various fraudulent activities . his displayed a majestic body language and a classy dialogue delivery throughout the movie ,
said indiaglitz .
music is scored by the latest sensation sean roldan and his background score is a huge advantage for the film . while his score in the first half is racy , the second half requires him to be on the melodramatic side , and he obliges gleefully ,
said sai shyam g . of urltoken regarding the technical aspects of the film .
cinematography by venkatesh is functional , while raja sethupathi has kept the movie mostly engaging , barring few initial scenes in the second half . with a running time of less than 2 . 5 hours , the movie does not lag much ,
shyam added .
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in one of the scenes , the hero tells the police ( while being interrogated ) that people come to him to get conned and he only makes use of the opportunity , cashes in on their weakness and he ' s extremely right about it . when he woos customers in a gold scam , you realize that he only made use of their weakness .
who doesn ' t like gold at a discounted price ? he cashes in on this weakness , fools people into believing that a certain jeweller is offering gold at a flat 50 percent discount and swindles the money collected from it .
in another scene , he says that to successfully con , one ought to lie with some percentage of truth in it . this explains why he ' s named ' gandhi ' babu ( since he ' s named after mahatma gandhi , and the world expects him to be truthful ) . at this juncture , you ' re reminded that the hero is no different from those with similar names in real life . the director ' s intention was to bring to our notice similar characters in real lives such as the high profile people who con on a very different level .
each con episode is funnier than the previous one . from how a company ( mlm - stands for multi level marketing , indirectly points at products that are sold by amway ) sells tap water as mineral water that can cure cancer , to the gold scam - each minute leaves you rolling with laughter . it is backed by equally funny and powerful dialogues that add a lot of weight to the film .
thankfully , the lead performances keep us hooked . cinematographer - actor natraj ' s effortless performance as a conman is far better than many leading heroes of tamil filmdom . when he delivers a two - minute dialogue with ease and confidence towards the end , you ' re dazzled by his talent . while he may not be cut out for romance ( which is evident in the film ) , he ' s unmatchable when it comes to being comical even in a serious role .
newcomer vinoth is here for the long haul . some of his dialogues when dissected have extremely strong references to several burning issues in the country . he has also managed to extract some fine acting from a bunch of newcomers and relatively new actors .
the music and score by sean roldan will register deep within . his pick of instruments to differentiate the timeline of the story stands out , while cinematographer k . g . venkatesh fittingly captures the mood of the film through his lens .
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is an action - thriller directed by debutant vinoth h and movie is being produced by actor cum director manobala . cameraman turned action hero natraj is doing lead role in this movie .
manobala has directed several hit movies in the 80s and 90’s and then turned comedian . so all his producers and colleagues came to wish him among those who came to wish him included bhagyaraj , vairamuthu , suhasini , ambika , poornima bhagyaraj , radhika sarathkumar , lissy priyadharshan , rekha , rohini , kutti padmini , sp muthuraman and several others .
at the last day of chennai international film festival , the organizers honored film makers and films which are excelled in 2014 .
among directors , karthik subbaraj has been awarded with ‘amitabh bachchan youth icon award’ , last year the award was given to anirudh ravichander .
karthik subbaraj tweeted “very happy to recieve amitabh bachchan - youth icon award in ciff 2014 . thanks to jury and big thanks to my # pizza and # jigarthanda team ! ! : ) ” .
the jury award has been given to ‘poovarasam pee pee’ and parthieban’s ‘ kadhai thiraikadhai vasanam iyakkam’ .
vikatan awards for the year 2014 have been announced . the awards , which recognise and celebrate the best talent in cinema , television and radio , are considered as one the most prestigious awards in tamil nadu entertainment industry .
malavika won the best actress award for her impeccable performance in the movie and
madras
director ranjith walked away with the award for the best director of the year .
coming to debutants , malayalam star and superstar mammootty ' s son dulquer salmaan has set his foot strong by winning the award for best debutant actor for his performance in
vayi moodi pesavum
.
katherine theresa proved that she is here to stay , by winning the award for best debutant actress for the film
madras
and ramkumar , the director of
mandasupatti ' won the award for best debutant director .
actors dhanush and dulquer salmaan appeared thrilled after winning the awards and shared their joy through twitter . dhanush thanked his fans and said that he is dedicating the award to all engineering students .
sincere thanks 2 ananda vikatan team 4 giving me best actor award for vip . i dedicate it 2 all engineering students urltoken
is a surprisingly fresh film that works big time . right from scene - one when we are shown on a wild life channel a cheetah hunting an ostrich in a cunning manner , we know that this is not your usual commercial potboiler .
the film rests on intelligent writing peppered with smart dialogues and the fresh appeal of its lead actors . vinoth ? s characterisation is excellent and he chose the right actors which make the story on a con - artist look realistic on screen . it is perfect casting whether it is natraj who is nothing short of terrific , new girl ishara and supporting cast .
well , he has a reason for that , which is told crisply and smartly with graphics in between ( in the scene he tells the heroine his life story is clich ? d ) . the film has nice message that money alone cannot bring happiness and security .
the film has sourced real life get rich quick schemes , widely reported in local media like emu chicken con , multi level marketing ( mlm ) companies scam , temple heists etc . vinoth ? s brilliant script and narration makes the film connect with the audiences .
natraj is brilliant as gandhi babu . he does his part with relish using his brains more than brawn with expressive body and eye language . ishaara suits the character to a t and makes a smashing debut . the supporting cast of ilavarasu , ponvannan , dharani are perfect choices , that makes film work big time .
technically the film is chic with top class camera work by debutant venkatesh . his camera angles tell the story and the top angle shot in the end is fantastic . raja sethupathy ? s editing makes the film tick , but could have made it shorter . music of sean rolden is in sync with the mood of the film and his bgm heightens the tension in the narrative .
h vinoth is definitely one of the great new finds of tamil cinema and scores for his near perfect script , narration and packaging . producer manobala and thirrupathy brothers can be proud of
. here is superior quality cinema perfect for a night out at the movies .
producer bhairav has ventured into a unique film where the protagonist , played by him , falls in love with two girls at the same time . while the girls are unaware of the situation , the hero gets ensnared in the grip of one and has to , willy - nilly , ignore the other . but , his roving eye attracts the attention of a third girl , creating more chaos in his life . “i have always been passionate about the movie industry . a few of my friends and relatives pitched in to produce this film , kannan 1 kadhali 2 . director a . gopalaswamy has scripted this hilarious as well as message - driven flick . monika and bhargavi play the two heroines , ” says bhairav .
after entering the industry as a child artiste , playing junior to heroes such as jiiva , s . p . charan , raghuvaran and vikram ( in anniyan ) , viraj now graduates to his first adult role under the direction of s . gopalakrishnan in mozhivathu yathenil ( my ) . “my character in my is such that every time a serious situation arises , the scenario turns comical . it is a story of friendship and sacrifice , and in the last 20 minutes of the film , the strong bond between my character and that played by rajan will be the highlight , ” says viraj .
. this five - track album has a fair mix of every genre , and of course with a touch of sean���s guitar techniques that you cannot miss out .
starts with a film dialogue and ends with one too . the highlight of this song , sung by sean himself , is the music arrangements he���s made for the heavy lyrics .
, the lone romantic and melodious song in the album , has kalayani nair doing a neat job with the vocals .
crooned by sean is a peppy number that is sure to enter the charts . the music arrangements make this tamil song sound more western .
sung by sathya prakash is a slow track that makes for a good listen . lyricist karky has done a good job with the lines , and the flute work needs a mention too .
is a fun number sung anthony daasan . what makes this song stand out is the voice modulation by the singer . not to miss , the funny lyrics and dialogues in the song that add more cheer to the song .
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ever since the veteran actor cum director , manobala said he is producing a movie with newbies , this project got some attention going . with sean roldan , who has already delivered a intriguing ost ( vaayai moodi pesavum ) this one got its own weightage . sean is definitely here to stay for a long time . hope his experiments continue for a long time .
sean packs a heavy punch with his thunderous voice with gkb ' s hard hitting lyrics . the electric guitars rule this short track . the prelude dialogue reminds us of the great , m . r . radha , taking a dig at mindless people . this could well be the showpiece tune of the movie , given the glimpse of story line from the trailer .
an ambient melody where guitars take centre stage once again . vairamuthu pens his magic to this lovely tune . though other instruments gels well ( especially tabla ) with the guitar , the composer maintains the free flow of guitar throughout . kalyani utters vairamuthu ' s tamizh brilliantly without any pronunciation error .
this is a song which preaches the importance of earning money . once again , sean has used guitars in a brilliant fashion which makes us feel that he is quite attached to it . like , yaemarum janame , sean ' s energy lifts the song . to match the current trend , the song ends within 200 seconds . a very good listen for its mixing alone .
one of the splendid find from the much celebrated music competition , satya prakash does complete justice to this , violin based number . sean has got an excellent team which handles every instrument with utmost finesse . the flute which revolves around the tune is absolutely mesmerizing .
sean somehow finds a perfect tune for anthonry in his every outing . with his previous experiments with folk based kuthu , anthoney delivers another winner here . sean tried to mix kuthu & electronic sounds , and makes an interesting combo .
pick ( s ) from the album - yeamarum janame , kaadhala kaadhala , munne en munne .
manobala has directed several hit movies in the 80s and 90s and then turned comedian . sean roldan is the music director .
initially , i was turned down by several producers . i met nalan through a common friend and handed over my film ' s script to him . he left it in his house and went to trichy on a personal trip . nalan ' s mother found the script and read it . she loved it and asked nalan to read it too ,
vinoth told ians .
after returning from trichy , nalan read the script and he really liked it . he called me and said that he would help me find a producer . that ' s when actor manobala asked nalan to find some good stories for his new production house . when manobala read my script , he instantly agreed to produce it ,
he added .
my film is about the pace at which we all want to make money in our lives . it ' s about the anger of common man who thinks money is the solution to all his problems . when there ' s imbalance in nature , we experience tsunami and earthquake . likewise , my story is about the imbalance in the social morals of a common man ,
he said .
to keep audiences entertained , vinoth has made the film as funny as possible .
the story revolves around six episodes and it has been narrated with a lot of fun , satire and dark humour . audiences will also get to find answers to important questions about how most of us are making money ,
he added .
i think every debut director should realise that it ' s not easy to gauge the pulse of the audience . you can ' t anticipate what they will like in a film . secondly , every first - time director should find a producer and a team who ' d believe in his or her film ,
he said .
only when you convince everybody working with you that you can succeed as a team , will they believe in your film and give their best . one should also learn how to make a film on a low - budget because that happens to be the latest trend ,
he added .
has several little stories . tiny snippets , all of them , neatly enclosed in different episodes . it is almost like rifling through a newspaper . or reading a fast - paced book that cannot be put - down . there’s something fascinating about a movie that comes packaged in chapters .
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it’s a con movie of the highest order . it could also be a book . there’s intrigue , there’s laughter , there’s conspiracy , and more laughter . one moment , there’s feverish excitement , and the next , we slap our forehead in exasperation . it also makes us whistle .
gandhi babu is quite clever , even for a con - man . he has a smart mouth , and can talk his way into everything and out of anything . towards the end of the movie , he manages to pull off a heist with such apparent ease that it deserves applause . especially during the moment when he convinces an outwardly pious politician about the mystic magnetic powers of a temple’s kalasam . but to gandhi babu’s credit , he is methodical to a fault . he reads kumudham jothidam and bhakti vikatan ; arms himself with some key terms and launches into a spiritual discourse of such vehemence that the politician’s skin erupts in goose - flesh ( also , perhaps , thanks to sean roldan’s rising tempo ) . he also never panics . his heavily pregnant wife is at home , at the mercy of a goon while he plans the heist . under immense duress .
a chase that seeks to justify the title , and also perhaps , to drive home the point . it’s a hunt in the literal sense . a family of cheetahs prey on an ostrich . gandhi babu is savouring this hunt on television when he receives a call from a businessman . he’s a potential client . gandhi babu sells a snake to him for an exorbitant amount of money , convinces him that the reptile ( codenamed ilayathalapathi vijay ) can understand several languages , and that its flesh is highly - valued for its libido - boosting properties . until mr . chettiyar’s tech - savvy son arrives and dispels the story with a flick of his screen . but gandhi babu doesn’t twitch a muscle . he coolly asks the driver to turn around , flings his cell - phone out of the window , and starts hunting a new prey . the next time though , he would no longer deal with snakes . he would sell sparkling ( tap ) water that can cure cancer and aids .
gandhi babu slips in and out of his different skins with admirable ease . more charming is his cool swagger when he escapes unscathed from encounters . and in a hilarious instance – when he finally ends up at the police station , the constable who tries to make a file of his crimes , runs of out paper . the cop then mops up his sweat and glances at him reverentially . with eyes full of worship , he walks up to him and says , “sir ? ”
in the final few moments , gandhi babu manages to send a message to the cop whose friendly warning he hadn’t apparently forgotten . gandhi babu has a baby now . and even though he manages to escape unscathed from that final heist , it’s the cop who has the last word .
vinoth employs a series of tricks to amp up his narrative , to make us feel we’re watching a really cool movie . he breaks the film into chapters and slaps a tongue - in - cheek title on each one . he uses animation to narrate a flashback . there’s a goon who , when he feels like it , speaks in pure tamil . there’s a cobra that’s christened ‘ilaya thalapathy’ vijay . and there’s a lot of jittery editing , always in a rush to drag us to the next scene . what we don’t get is the pleasure of being conned .
genre : con thriller director : h . vinoth cast : natraj , ishaara , ponvannan . storyline : the story of a conman who falls in love . bottomline : not bad , but too much talk and too few thrills
the con movie is a curious genre . we’d hate to be in the victims’ shoes in real life , but on screen , we want the conmen to perpetrate the most elaborate frauds and get away with it . it’s vicarious wish - fulfilment for the id . we don’t see too many of these films in tamil , so the newness keeps us watching ( this is one of those not - bad - for - a - first - film films ) — but the cons aren’t shaped well . they seem too easy ( except for the last one ) and the victims seem too dumb .
and the director makes at least one very odd choice . when gandhi babu is apprehended by the police , we see that he’s used a variety of disguises — but when the first two cons play out , he looks the same . we want to see him in those disguises . we want some panache . we want those slo - mo shots of a beard coming off , a mask being ripped off . and we want some tension . we’re constantly aware of the nuts and bolts of the con , so we’re two steps ahead of the victims . we never watch these episodes wondering how something was pulled off ; we just watch events reach their logical conclusion . predictability is not something you want in a con movie .
and why the moralistic streak ? why should the hero ( even when played by someone who’s not a big star ) always have a tragic backstory , a reason for why he became who he is ? by the time the love angle begins to play out ( the heroine is ishaara ) , the sandpaper - rough protagonist has all the toughness of butter . i suppose this was done to create sympathy for the leading man , but how about some sympathy for the genre ?
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ace conman gandhi effortlessly thinks up schemes to swindle gullible and greedy folks . however on a rare occasion , things don ' t go according to plan and he ends up in the clutches of a ruthless gang who demand schemes from him for money .