taxidermia is a 2006 hungarian/austrian surrealist comedy-drama horror film directed by györgy pálfi .

the film is a metaphorical socio-political retelling of hungary 's history from the second world war to the present day .

the story is told by means of three generations of men from hungary , beginning with a military orderly during the second world war , moving on to an aspiring speed-eater during the cold war , and concluding with a taxidermist during modern times .

the film has elements of dark comedy and body horror .

taxidermia

simon says ( how original . . . ) : taxidermia - soundtrack by amon tobin
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taxidermia at cinematic intelligence agency – some humorous comments , links and stills from the australian “cinematic intelligence agency . ”
taxidermia was directred by györgy pálfi . the script is based on some stories of the popular contemporary hungarian writer , parti nagy lajos .
i can ' t wait to see taxidermia by györgy pálfi . the soundtrack is by amon tobin . here ' s a link to the official site : urltoken
and now a word of advice from your friendly film critic : if you go to see the hungarian black comedy taxidermia , don ' t plan to eat afterward .
amon tobin composed the music for the hungarian movie taxidermia . he is credited (
original music by amon tobin
) by imdb . three movie clips are available .
soundtrack from the 2006 hungarian original motion picture film , taxidermia . i do not own the soundtrack , i just own the upload . all credit goes to their rightful owners of the film . thanks !
taxidermia is a brilliant , often grotesquely bizarre allegory on life in hungary from world war ii to the present , a surrealist fantasy exploring the limits of the body and its desires and altogether a darkly funny comedy .
taxidermia is a breathtakingly artistic feast of visual insanity . this one may not be strictly horror , but some of the sequences in it are harder to watch , gorier , and more deranged than most actual horror .
the first and third parts of the film , particularly marc bischoff’s performance , are the best parts of taxidermia . bischoff’s lajoska is easily the most identifiable of the characters in taxidermia , making you truly feel for his lot in life and hate his father , hoping he will grow beyond them into something greater . meanwhile , the first segment is filmed so beautifully that , while you’re seeing things that cannot possibly be real , they still have meaning and make sense in the story . taxidermia’s weak point is its second segment . many of the characters in it look very similar so it was quite hard to distinguish between the two rivals for a fair amount of the sequence .
taxidermia – the original hungarian site ( in english ) . do yourself a favor and poke around the flash section , where there’s an immense wealth of multimedia information about taxidermy , vintage pornography , hungarian history and other topics hidden about like easter eggs
rotund romps aside , even those who have special capacities for non - redeeming grossness , such as film critics , will be likely sickened by some of taxidermia ' s excremental excesses . narratively , screenwriter zsófia ruttkay seems to have shot his thematic wad just past midsection , as the barn - yarn oozes downward into a bloated and juvenile heap . for a film so pessimistic about mankind , taxidermia erupts with some lighthearted technical inspiration : cinematographer gergely pohárnok ' s compositions are wickedly hilarious , while production designer adrien asztalos ' concoctions are peculiarly gross .
urltoken taxidermia : csaba czene , gergely trcsnyi , marc bischoff , istvn gyuricza , piroska molnr , gbor mt , gza hegeds d . , zoltn koppny , erwin leder , adl stanczel , va kuli , lajos parti nagy , gyrgy plfi , zsfia ruttkay : movies & tv
yet , in its crudity there are brainy bursts . with a brazil - like midsection that lampoons the brutish culture of the former communist bloc , taxidermia churns with some delicious dollops of social and psychological satire . there ' s some shrewd monty pythonish satire , with scads of mordantly nutty images .
gyorgy palfi ' s new picture , taxidermia , started out as a straight family saga . it quickly warped into a grotesque parable of central europe , complete with fiery ejaculations and curly pig ' s tails .
the film had a life of its own ,
he tells phil hoad .
cineastes will conjure up recollections of early buñuel and wertmuller : bloodied slabs of meat and huge flabs of female buttocks . such is the visual poetry of the pungently graphic assault on the viewing senses in taxidermia , which is likely to be viewed in its bloody entirety by only thoracic surgeons and maniacs .
while working on taxidermia , pálfi won the 2004 sundance / nhk international filmmakers award , a $ 10 , 000 grant intended to be used to help the filmmaker create his next project . the grant includes a promise for japanese distribution for the completed film ( estimated value : $ 90 , 000 ) .
taxidermia is a hungarian film that is , at its core , simply the story of three generations of hungarian men and the events that shape their lives ( based off short stories by lajos parti nagy ) . it’s what’s in their lives that’s so bizarre , so taboo , and what makes this film the kind the viewer remembers forever .
taxidermia is an art film for horror fans . it won’t scare you but it will visually shock you and blow your mind . i really wish i’d been at cannes in 2006 so i could have seen the looks on the intelligencia’s , both horror and otherwise’s , faces when this pure , unadulterated slice of artistic insanity unspooled before their eyes .
there is obvious intelligence , imagination and craft in taxidermia . that makes it a bit disappointing when we experience the movie’s the apparent lack of purpose . it does not even seem to be about purposelessness ; it plays instead like a collection of scenes that intend to shock us with their repulsiveness , novelty and weirdness , which are redeemed by the director’s skillful ability to weave these threads into a strange kind of beauty . it’s curiously empty , and seems to have even less heart than it’s final exhibit . is the movie recommended ? those with strong stomachs , who want to see sights that they have never seen before , have already made up their minds long before they’ve reached this point . those hoping for an encounter with something deep , existentially resonant and mysterious are likely to be disappointed , and view taxidermia as little more than a well - staged geek show . the best thing that can be said for taxidermia , i think , is that the thrill of the strange , forbidden sights pálfi delivers might ignite a lifelong obsession with weird cinema .
taxidermia is a grotesque triptych following three generations of a hungarian family . a sex - starved second world war orderly hallucinates fiery ejaculations . his illegitimate son , sans tail , goes on to become a champion speed eater under the communist regime . finally , his grandson , an ascetic taxidermist looks of a piece with his own specimens in present - day budapest .
if you wanted to sum up this film , you’re best bet would be the the “little match girl” scene . in that scene , our “hero” imagines himself into a stunningly rendered pop - up book set - piece that tim burton probably wishes he could still pull off . the scene then immediately devolves into an uncomfortable pedophilic fantasy . that’s taxidermia in a nutshell .
grotesque . absurd . profane . hilarious . revolting . when searching for words to describe hungarian director gyorgy palfi ' s hyper - bizarre follow - up to his award - winning 2002 feature debut , hukkle , these are just a few of the colorful adjectives that spring immediately to mind . as difficult as taxidermia may be to review , however , to give the impression . . . read more
taxidermia is an art house movie , released in february 2006 . it is a story about a family .
the literary definition refers to the kind of story of a family which thomas mann created : three generations - grandfather , father , son - integrate the world . the grandfather bases the family , he starts the world ( progenitor ) . his son , the father takes the family to the top so that the son would waste the values obtained with difficulties while he puts down the past , makes it a whole , raises it to a level of different value . in taxidermia the son ' s scale of values , this very strong subjectivity turns the classical story of a family upside down and adds some wonders to it making the stories straight with the not everyday position of the perspective .
[ source urltoken ]
as such , those who reveled in such cinematic synapses as the eyeball being slit in un chien andalou will gravitate toward this outrageous , and frequently hilarious , piece de film . similarly , those whose delectations run toward defecation will be perversely tantalized by its aberrant abstractions . it will be hardly anyone ' s cup of tea , but for those with a cinematic stomach for huge bowls of vomit and innards , taxidermia should sate the aesthetic appetite .
of course , palfi - the son of a taxi driver and a secretary - is a part of this history himself . in this respect , he shares something with the last link in taxidermia ' s chain .
the third one denies everything that went before . but he transforms everything into a story and a gesture that the whole world can understand . by some sort of artistic creation , the family is put under the spotlight .
the themes of copulation , consumption and preservation are studied in perverse , visceral and controversial detail in one of the most outlandish and exceptional tales of a family’s history ever to grace the screen . this is no fanny and alexander , although , magic realism does intervene from time to time , taxidermia is a much darker and more desperate , yet is infused with an elusive lightness of being , an otherworldly zest for life , even at its grimmest .
gyorgy palfi ' s taxidermia tells the stories of three generations of hungarian men ( one a sexually frustrated , low - life , peeping - tom soldier , his son who is an obese communist champion speed eater , and the grandson , a twisted taxidermist who is trying to invent a machine so he can embalm himself ) while at the same time satirically mocking hungary ' s struggles as it passes from imperial servitude , through soviet authority , to independent lethargy .
to spare our gentle and highly desirable reading demographic from the tawdry minutiae of the plot ( such that it is ) , suffice it to say that taxidermia bursts along via a series of bodily functions : rutting , vomiting , slogging , farting , copulating and every other
ing
too impolitic to print . after a while , you tend to get the feeling that filmmaker györgy pálfi views mankind with the same level of regard he holds for barnyard animals .
sports fantastic production design , costume , and special effects , the performances are brave and compelling , and the camera work and mise - en - scene is frequently brilliant ; taxidermia has to be seen to be believed . think hans christian anderson , gael garcia marquez , david lynch , dusan makavejev , jan svankmajer and david cronenberg all in the same dark room listening to each other’s strange and sordid secrets and finding ways to make each other chuckle and gross each other out .
györgy pálfi was interested in taking the shock tactics of porn and horror , and incorporating them into a dramatic , blackly comic narrative so they become less about the self - serving machinations audiences are used to perceiving them as , and become integral parts of a real world , albeit one that still appears surreal and fantastical to a cinema audience . taxidermia is hard to categorise , which makes it all the more intriguing ; it’s essentially a tenebrous comedy , black as midnight on a moonless might .
after seeing clips of taxidermia on youtube , i thought i had found a really powerful ( if somewhat tasteless ) movie . unfortunately , it turns out that most of the best parts were those clips . the story of three generations starts out strong enough ( think wozzeck ) , but quickly deteriorates ; the ending is a unsuccessful attempt to be shocking for the sake of being shocking . rent , but don ' t buy . the soundtrack ( by amon tobin ) is another matter entirely : excellent !
but with his fabulist ' s flair , palfi has more obvious attractions for hollywood than the grime - smeared mittel - european naturalists . he admits that taxidermia , after the quirky bucolic rhythms of his graduation feature hukkle , was an attempt to prove he could handle dialogue and broaden his scope . his next project , a fairy - tale , is building in the same direction . if he is being squeezed along his own predestined passage towards los angeles , here ' s hoping that his inner pervert stows along , too .
the score takes an old school approach to music for cinema with recurring themes set in various contexts guided by the narrative . a musical depiction of some truly bizarre imagery , this album includes previously unreleased full - length versions of music from the film alongside short pieces made for specific scenes . as a bonus , we included the epic ' here comes the moon man ' heard here in its original context . the music for taxidermia was written during the making of foley room and shares elements from the albums lovingly crafted source material .
there are four erect penises in the first thirty minutes of taxidermia ( possibly five ; i’m not going back to check ) . that’s probably more erect penises than you’ve seen in the last five movies you’ve watched , unless you have hair on your palms . it’s two and a half times as many erect penises as in the entire 109 minutes of lars von trier’s controversial antichrist ( 2009 ) . among movie nudity taboos , the erect penis is the gold standard ( the sequence goes buttocks , breasts , pubic hair , flaccid penis , erect penis ) . not only do taxidermia ‘s viewers get to see an erect penis , they see it in live rutting action ! even more novel is a magical realist , computer generated ejaculation . due to flagging censorship , it’s only been possible to slip an erect penis into even the most daring of art films in the last decade , and pálfi plays with the image of the erect penis as if he’s found a new cinematic toy . but they’re really slipped into the narrative quite naturally , so you hardly notice them at all .
taxidermia is continually squalid , but also shot through with the salty humour palfi displayed in his acclaimed debut feature , hukkle . plus there is a kind of queasy release in watching the three characters giving way to each other and to time , squeezed out by the peristalsis of history . oreg , the speed eater , embodies the crude gigantism of communist ambitions . his son balatony , forced to care for his blob of a dad , is emaciated by way of reply , but - hyper - restrained - can ' t participate in the pleasures of capitalist living .
the heroes of taxidermia are three men . three generations of a family , who happen to live in eastern europe , in hungary . the story of the grandfather , the awkward batman of a ruthless captain in the 2nd world war ; the father , who is a professional sports man , a competitive eater during the socialist era ; and the story of his son , who is a taxidermist , the sculptor of organic material , is told by the youngest member of the family . surrealism and historical facts get mixed up in his imagination , creating a kind of
fairy realism
.
in this sense , the separate generations of the family in taxidermia perform their belonging to the group and their relations to the historical forces they have no control over by caricaturized incorporate gestures . in the following , i will try to show what “master narrative” is practiced by the characters across the various political systems of twentieth - century hungary . ultimately , by connecting these different performative rites through the classical novelistic grandfather - father - son structure , the film turns the progression of the male bloodline ( here represented as history ) into a comedy that ironically revisits and criticises the idea of causative historical progress .
overall , structurally , this is a big mac of a film : a bloated glutinous middle dwarves the two ends of an undercooked bun . i could go on , but i don’t want to give too much away . the film is certainly well worth seeing for the good bits . pí¡lfi has lots of flair , but i hope he works out what is really important to him next time . taxidermia has been lavishly praised elsewhere , but art - house directors with an eye to cinematic trickery are especially ill - served by an over - grateful , uncritical response that potentially allows them to slip into mannerism .
movies break & csekk ii ( 1994 , short ) a hal ( 1997 , short ) valaki kopog – hetedik szoba : ördöglakat ( 1998 , short , cottbus 1998 ) körbe ( 1999 , short , cottbus 1999 ) hukkle ( 2002 , audience award , special prize , best debut film , cottbus 2002 / 2005 ) taltosember vs . ikarus ( 2002 , short , cottbus 2003 ) taxidermia ( 2005 , cottbus 2006 ) nem leszek a barátod ( 2009 , doc , short ) nem vagyok a barátod ( 2009 , cottbus 2009 ) magyarország 2011 ( 2012 , segment ) final cut – hölgyeim és uraim ( 2013 , cottbus 2012 )
pálfi ' s universe is multifaceted , mysterious and disregards logic behind just as willingly as one might abandon an old pair of shoes . his camera , often close up to his protagonists , makes visible the traces of time ; whether these are a reflection of a life well lived is left for the viewer to decide . the latest production from the director of taxidermia , whose final cut opened the filmfestival cottbus in 2012 , provides renewed evidence of pálfi ' s ability to devise absurd reflections of everyday existence . the visual experience is one you won ' t forget in a hurry , neither on the way home , nor within the safety of your own four walls .
he genre known as body horror has largely fallen out of favour with film - makers since the century turned - overtaken by such upfront , extrovert threats as terrorism or pending environmental meltdown . yet all that may be about to change with the release of taxidermia by the 33 - year - old hungarian director gyorgy palfi . the film ' s first chapter features a sour - faced snipping a curly pig ' s tail off his newborn son , and that ' s just for starters . by the time the last section wraps up with a mighty act of surgical self - destruction , you know you ' re in the grip of a full - blown cronenbergian imagination .
this €2m - budget movie is produced by eurofilm studio ( hungary ) for 50 % , by memento films ( france ) for 25 % , and by amour fou filmproduktion ( austria ) for 25 % . taxidermia also received 200 , 000 euros from the european fund eurimages , as well as the support of arte france cinéma , not to mention the prize won at the sundance film festival . the reason why the film got so much support from all these different sources is that györgy palfy proved very talented with his first film hic ( from crime to crime ) which won several prizes such as european discovery at the 2002 european film awards en 2002 , and a special distinction as best young director in san sebastian .
taxidermia
contains three generational stories , about a grandfather , a father , and a son , linked together by recurring motifs . the dim grandfather , an orderly during world war two , lives in his bizarre fantasies ; he desires love . the huge father seeks success as a top athlete — a speed eater — in the post - war pro - soviet era . the grandson , a meek , small - boned taxidermist , yearns for something greater : immortality . he wants to create the most perfect work of art of all time by stuffing his own torso . historical facts and surrealism become intertwined as magical realism , like in the works of gabriel garcía marquez or the hungarian writer lajos parti nagy ; the script is based on two of the latter ' s stories . palfi added the third story , that of the grandson the taxidermist .
disgusting at times but also beautiful in the way it is presented . a great visual style , wonderful lighting and an imaginative series of events leads to a film unlike most others . one scene involves a pop - up book come to life . a whole film should be shot this way as that single moment was fantastic . another great thing about this film is that you will see things you will never see anywhere else , such as a man shooting fire from his penis and a man having sex with a pig ' s carcass . this will be hard to stomach for some , and keeps it ' s comments on humanity buried beneth the surface . if you want to see some great vomiting sequences i suggest you watch taxidermia . foul , gross and weird , just like life . well maybe a bit fouler , grosser and weirder than life .
in my analysis of the individuals’ strategies to deal with the historical totality surrounding them , i will rely on henri lefebvre’s notions of the quotidian and the festival . the dialectical interplay between connerton’s framework of collective remembering and identity formation , and lefebvre’s descriptions about the function of the festival allows me to approach taxidermia as a meta - historical text . through a symptomatic - thematic reading , i will try to reconstruct another text that lies at the bottom of pálfi’s film , which appears to be criticizing the idea that we can explain the present by pointing out its historical causes in the past . the question about the linearity or causality between the past and the present has significant political implications , and the pro - and contra arguments are part of the rhetoric of different political platforms that surround many important ideological questions in contemporary hungary about race , sexuality or class issues .
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three generations of men , including a pervert that constantly seeks for new kinds of satisfaction , an obese speed eater and a passionate embalmer .
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top 100 most anticipated foreign films of 2016 : # 52 . györgy pálfi’s mindörökké ( for ever )
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a simple yet timeless love story between a man and a woman , told using scenes edited together from hundreds of other films .
three handicapped losers who form a band ask famous writer dries to be their drummer . he joins the band and starts manipulating them .
three stories . three generations . three men . one bizarre and shocking universe .
( 2006 ) was in pre - production . the other two projects that won in 2004 :
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is , at times , graphic and difficult to watch , but creatively touches on disturbing subjects with imagination and wit .
taxideremia
contains three generational stories , about a grandfather , a father , and a son , linked together by recurring motifs . the dim grandfather , an orderly during world war two , lives in his bizarre fantasies ; he desires love . the huge father seeks success as a top athlete - - a speed eater - - in the post - war pro - soviet era . the grandson , a meek , small - boned taxidermist , yearns for something greater : immortality . he wants to create the most perfect work of art of all time by stuffing his own torso . historical facts and surrealism become intertwined as magical realism , like in the works of gabriel garcía marquez or the hungarian writer lajos parti nagy ; the script is based on two of the latter ' s stories . palfi added the third story , that of the grandson the taxidermist .
all this helps to shape pálfi ' s crudely bombastic but impressive philosophical view of the body as landscape and art , a source of personal discovery , wonder , and annihilation .
mr . pálfi ' s grandiose vision and technical bravado are nothing short of mesmerizing , yet there are also plenty of tender moments amid the go - for - broke follies .
surreal , grotesque and bitterly funny hungarian art horror film . . . aspires not to cult status as a torture porn totem but to the highest cinematic art . ( it ' s not that , but give it points for trying . )
for those who can handle it , a viewing is an experience not soon forgotten .
an interesting film that may be too repulsive but still we never look away . with a memorable direction and camera work , it tells a cynical ( and often hilarious ) story about three generations of deviant men who are a reflection of hungary ' s history since wwii .
a surrealist take on three generations of bizarre and perverted hungarians : a horny army soldier ( whose penis spouts fire ) , a competitive eater , and a taxidermist . it ' s technically well done and ranks high on the
i ' ve never seen that before
weird grossout scale , but it lacks a point and , just like its final exhibit , a heart .
bizarre visceral story of three ages of man which has some wonderful visual flourishes backed up with great sound . the middle story is laced with a dark humour but i ' m not quite sure of the point of it all .
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one of the best / strangest and mentally scarring films i ' ve ever seen . rivaled only by
ichi the killer
.
one of the strangest films i ' ve seen in a long while and i ' ve seen many ! the sequence of life in the bathtub is remarkable and the visuals overall are superb . not for everyone but for people like me who like their films strange and sometimes horrific , this one rocks !
a couple different stories that meld together nicely . very strange and worth watching . if you like really strange movies then this one is for you . i ' m happy to add this one to my collection .
the truth is , you can ' t love the human body without at some point embracing the yucky stuff . this movie is all about the yucky stuff .
what do you get when you put together an orderly during wwii , a professional eater , and a taxidermist ? well , i ' ll tell you .
this is a mordant , darkly comic tale of obsession spanning three generations . captivating in its grossness , this is definitely not one for the squeamish .
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a son , father , and grandfather are linked and connected together through their imaginative ideas . the grandfather dreams of love and lives in a world of bizarre fantasies while in world war two . the father reaches for success by being a top athlete “speed eater” in the post - war pro - soviet era . the son , being a meek taxidermist , longs for immortality . he dreams of creating an enduring work of art by stuffing his own torso .
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: three short stories exploring three perverted generations , beginning with an extremely horny soldier in the private service of a lieutenant . his illegitimate child grows up to become a sport eater on the hungarian national squad . the grandchild is a socially inept taxidermist who cares for his grumpy , obese father and his caged cats .
this was pálfi’s second movie , after the just - as - weird but much gentler hukkle .
the first two segments of the film are based on short stories by writer lajos parti nagy . pálfi wrote the third episode himself .
: a man ejaculating a torrent of flame . ( don’t worry , you won’t have to watch long to catch this sight ) .
concerning the competitive eater with olympic dreams—would have made a decidedly odd movie . flank that tale with stories of a wwii soldier with a hallucinatory libido and a taxidermist with demented aesthetics , stir with surrealism and garnish with grotesquerie , and you have one of the 366 weirdest movies of all time .
in a movie” meter . a man ejaculating fire . a 360 degree pan of athletes vomiting into a trough . an old man as obese and immobile as jabba the hut , who keeps his growling pet kittens caged and fattens them up with lard . and those are just the main highlights . there’s also a beautifully shot scene with an impossibly rotating wooden tub that turns from a bath to a coffin to a cradle , a romantic montage parody featuring two fatties who pause to yak up their guts , and a man who commissions a keychain to be made from a fetus . i should stop now , before i ruin the film ( not that there aren’t many more strange and often repulsive surprises in the movie to enjoy or to flinch at ) . i recite these incidents largely to stress the point that
functions , more than anything , as a collection of individual images , some of which are beautifully weird , but most of which are aggressively thrust in our faces in an attempt to get a rise out of us .
the movie is held together by a plot , of sorts , involving three generations of hungarian men . the first is morosgoványi , a lowly soldier with a harelip in indentured servitude to a lieutenant , his fat wife , and his two lovely daughters in some bleak country locked in an eternal winter . morosgoványi is insanely horny , to the point that lust totally deranges his senses . he is able to make love to a candle , and to enter into a children’s pop - up book . finally , after months of self - imposed suffering , watching the daughters cavort in the hills while trying to pleasure himself in a knothole greased with lard ( with disastrous results ) , he finds and seizes the opportunity to plant his pent - up seed , thus founding a dynasty insuring the perpetuation of his dna through the generations . or does he ? his triumphant copulation scene is a mixed - up blend of crude sexual fantasy and uncertain reality , and although his superior takes vengeance on him for the tryst , the ambiguous shots suggest it’s as possible he was punished for ruining a feast as for despoiling one of the lieutenant’s women .
kálmán returns for the third segment , only now he’s grown into an immobile blob who spends his days watching sports eating on television , fattening his cats , and berating his rail - thin son , lajoska . the third generation is a cadaverous taxidermist . lajoska looks like a walking corpse with thinning wisps of blond hair , and he’s especially repulsive in the harsh artificial light of the grocery store , where he understandably grosses out the female cashier as he tries vainly to flirt with her . he and his obscene father have a domestic squabbles , but lajoska has a secret plan to escape this world , embodied in an elaborate contraption in the basement of the taxidermy shop . the clinical portraits of meat and organs in this final segment seem tame compared to the perversion and vomit that has come before .
“…pálfi’s followup to the startlingly original ‘hukkle , ’ this widescreen exercise in the confrontational continues his fascination with the mysteries of nature but substitutes an oddly skewed sense of wonder with a full frontal sensory assault… the total is much less than the sum of its parts . rather , the pic is more like a bigscreen equivalent of children pulling wings off live flies . ”–eddie cockrell , variety ( contemporaneous )
“…only for fans of the bizarre and certainly not for those with even a faintly weak stomach . but for those meeting both qualifications : welcome to a devious little nightmare . ”–matthew sorrento , film threat ( contemporaneous )
“…a brilliant , often grotesquely bizarre allegory on life in hungary from world war ii to the present , a surrealist fantasy exploring the limits of the body and its desires and altogether a darkly funny comedy on the human condition in extremis . ”–kevin thomas , the los angeles times ( contemporaneous )
( this movie was nominated for review by reader “rob . ” suggest a weird movie of your own here . )
a bizarre and aggressively unpleasant film . i think my brother best summed it up when he turned to me halfway through the film and said , “this has been bugging me for a while , but what the hell is this ? ”
as horrid as this film is , you never really get away from the fact that there is a genuine artistic sensibility at work here . a demented sensibility ( pálfi and william s . burroughs would probably have a lot to talk about ) , but an artistic vision nonetheless . the bathtub sequence mentioned was beautifully filmed .
pálfi is working at something here , i just have no idea what it is . as it is , he’s made one of the most admirably perverted films ever made .
i think there’s an untapped film reservoir at work in eastern europe . certainly a part of the world to pay more attention to .
( oops . i just reiterated all your review points in my post . i’d fix it up , but… eh . )
i came for the beautiful naked man on the cover……… didn’t get it until the final 1 / 2 hour of the movie… this movie wasn’t even ( mainly ) about taxidermy , it’s a movie about ‘eating disorders’ .
to describe this movie in 3 sentences : “misleading title , misleading cover art , misleading movie description . ” ( the description i read at the time , that is )
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the press - kit at the hong kong film festival : a chunk of meat .
restorative visions of the history : honfoglalás creates a heroic image of the nation .
szabadság , szerelem depicts to the 1956 revolution within the romantic action - genre .
“the meaning of the fable then lies not in making a stab at interpretation , but ( … ) in locating and hypothesizing that feature of national culture and the national experience to which this peculiar interpretive dilemma can be said to be relevant . ” — frederic jameson on days of eclisse ( aleksandr sokurov , 1988 ) [ 1 ] [ open endnotes in new window ]
on the other hand , reflective nostalgia is interested in memories that shed light on what is fragmentary or changing , unstable and discontinuous in history . films that realise this seconds type of nostalgic memory explore contradictions or fissures , and often focus on the quotidian as opposed to the extraordinary . among many others , significantly different films like a részleg ( péter gothár , 1995 ) , csinibaba ( péter tímár , 1997 ) , sunshine ( napfény ize , istván szabó 1999 ) , helyfoglalás , avagy a mogyorók bejövetele ( andrás szõke , 2000 ) and fateless ( sorstalanság , lajos koltai 2005 ) attempt to depict a less homogenous and straightforward image of the past to shed light on what is underrepresented or problematic , changing or malleable . their aim is not the accurate reconstruction of historical events , but much rather to speak of the multiple ways the past can be understood , used or represented . asides from these explicitly historical themes in various films , there are several motion pictures produced in hungary after 1989 that refer to history less directly but use formative events as a backdrop to the story with a not explicitly historical focus . [ 5 ]
the first generation in the pre - socialist era : morosgoványi , the orderly .
the second generation in the socialist era : kálmán , the speed - eater .
according to connerton , one way of creating group identity is by producing social habit - memories , which are different from personal and cognitive memories . habit memories are “accumulative practices of the same , ” [ 8 ] where ‘same’ refers to the recurring activities “within the mental and material spaces of the group . ” [ 9 ] the continuity of identity , i . e . the belonging of the individual to the group can be understood as a formalized and performative re - enactment of a prototypical event that forms a core experience , or a “master narrative” for the given community . connerton argues that this performative memory is located in gestural or bodily activities .
“bodily practices of a culturally specific kind entail a combination of cognitive and habit - memory” [ and ] “it is precisely because what is performed is something to which the performers are habituated that the cognitive content of what the group remembers in common exercises such persuasive and persistent force . ” [ 10 ]
“diagnostic revelation of terms or nodal points implicit in the ideological system which have , however , remained unrealized in the surface of the text . ” [ 11 ]
this work is licensed under a creative commons attribution - noncommercial - noderivs 2 . 5 license .
ghost stories ( 2018 ) review demon house ( 2018 ) review still / born ( 2018 ) review like . share . follow . ( 2017 ) review cannibals and carpet fitters ( 2017 ) review
first , we meet morosgoványi ( czene ) , a hungarian soldier in world war ii with a harelip . morosgoványi is many things . first and foremost though , he is a man with an active imagination . most of his mental journeys revolve around sexual pleasure . he fantasizes about the pretty women in the barracks and the rather large older woman who also lives there . much of his life is predicated around sex , whether it be peeping at women bathing , imagining himself transported into the fairy tale “the little match girl” and using it to masturbate , and , the first thing one sees in the movie , imagining that his penis can shoot fire .
through one of the more bizarre sequences in the movie ( that simultaneously touches on a form of bestiality in addition to general sex ) , morosgoványi manages to impregnate the older woman , seemingly immaculately . the woman then gives birth to a happy boy…with a pig’s tail . after the tail is removed , the boy grows up and we enter the film’s second act , following kálmán ( trócsányi ) , who has grown up to become a rather large man and a competitive speed eater . in this movie’s reality , competitive speed eating has become a worldwide pastime and sport , watched by large crowds of cheering fans who revere the competitors like gods . the “sport” includes both the eating of vast quantities of food…and the profuse vomiting of said food back up ( usually during scenes that also feature regular dialogue in between the puking ) . kálmán falls in love with an equally large woman , also a speed eater , and elopes with her in the middle of what was to be a rival eater’s wedding to her . they have a child as well .
in the third act , this child of two very large people has grown up into lajoska ( bischoff ) , a scrawny , thin , near - albino man who has quite the talent for taxidermy . in addition to his daily renowned life in that field , lajoska also takes care of his father’s cats ( who are being “trained” to be speed eaters ) and his father…who has reached a level of obesity that makes jabba the hutt look like richard simmons . kálmán is perpetually disappointed with and disgusted by his thin son and was left by his wife who went to coach the hungarian national team in olympic speed eating . lajoska is growing rapidly disenchanted being continually insulted by the man who he has devoted his whole life to caring for and has an angry falling out with his father . while he relents later , it may be too late to rebuild the bridge .
doesn’t sound like horror , does it ? that would be because , rather than being a “strict” horror film , this is actually more of a…deeply insane artistic vision . we are talking about a film that in some way or form covers : sex addiction , masturbation , pedophilia , bestiality , suicide , obesity , overeating , vomiting , celebrity culture , taxidermy , and…art . somehow , undeniably , this film is a work of art . whether it be the sequence where morosgoványi thinks about all the people who have used a bathtub ( and the film shows each person in it , flipping the screen up down and around ) or the final sequence of the film , which i won’t spoil , but which takes an idea that could be done in any gory horror movie and turns it into a true work of art in more ways than one , this film shows how to take some of the most disturbing , taboo , and even disgusting visuals and make them beautiful .


anderson lawler ( may 5 , 1902 – april 6 , 1959 ) was an american film and stage actor and producer , who had a career lasting from the 1920s through the 1950s .

he began on broadway , before moving to featured and supporting roles in hollywood over a ten-year career at the very beginning of the talking picture era .

after the end of his acting career , lawler would move to the production end of the film industry , as well as becoming a producer of legitimate theater in the late 1940s and 1950s .

anderson lawler

urltoken , lawler , anderson , 1902 - 1959 . anderson lawler correspondence , 1927 - 1959 .
anderson lawler was buried at spring hill cemetery in lynchburg city , virginia . anderson ' s mother lived in lynchberg ,
anderson lawler died of a heart attack on 6 apr 1959 in new york city . the
connect any celebrity with anderson lawler to see how closely they are linked . . . romantically !
i thought you might like to see a memorial for anderson lawler i found on findagrave . com .
) , memorial page for anderson lawler ( 5 may 1902–6 apr 1959 ) , find a grave memorial no .
anderson lawler was born on may 5 , 1902 in russellville , alabama , usa . he was an actor and producer , known for
anderson lawler produced
somewhere in the night
( 1946 ) , directed by joseph l . mankiewicz and starring john hodiak and nancy guild .
help us build our profile of anderson lawler ! login to add information , pictures and relationships , join in discussions and get credit for your contributions .
this is the only known comprehensive biography of anderson lawler in existence . all other biographies of anderson lawler are either quite tiny , or just snippets of his impact on others at some particular point in their lives , without giving a comprehensive view of his life . this biography i hope will correct that .
. one of the plays which anderson lawler produced ,
oh men , oh women
, was later made into a movie by 20th century - fox . this play was advertised on
, is reporting that :
anderson lawler and lee strasberg have joined twentieth century - fox ' s talent department in new york . lawler recently produced
somewhere in the night
with john hodiak . strasberg is a former director of the group theatre and the theatre guild .
the social consciousness : tom lawler’s work in prisons , which i heard about decades later .
the only detailed biography of anderson lawler , recently most well - known as the lover of gary cooper . anderson lawler , a stage actor , was put under contract and he appeared in bit parts in many movies . later he became a manager , talent scout , and then a producer . he was transferred to new york city along with lee strasberg in the late 40s producing some plays .
starring ronald reagan , sheila bromely , and anderson lawler called
accidents will happen
. in this film ronald reagan plays an insurance adjuster hounded by his shrewish wife ( bromley ) and a corrupt claims investigator played by lawler . the movie
back in circulation
was also released in 1937 and a
, in discussing the departure of kay francis for a trip to france , mentions that her manager is
anderson lawler
. evidently he accompanied her on her trip which is mentioned with annotations in her biography by
in mar 1931 , the new york times is reporting that
anderson lawler
will be in the cast of the play
desperate measures
which will begin a tryout opening in jackson heights , [ new york ] .
in may 1947 , the new york times in reporting fitzroy davis working on the dramatization of ursula parrott ' s novel
for all our lives
, mentions that the rights are owned by anderson lawler and lee strasberg .
states :
you have anderson lawler ' s promise that he is shooting for an august rehearsal date with the musical comedy ,
great to be alive ,
which came into his possession only a fortnight ago
.
. in feb 1932 , the nyt is reporting that the play
shining blackness
will open at the mason theater in los angeles and anderson lawler will be in the cast . in aug 1932 , in louella parson ' s syndicated column we find this :
polly moran , who owns the show place of hollywood film colony there [ laguna beach ] , entertained anderson lawler , bill haines and a group of other friends on a week - end party
.
, ann warner , richard barthelmess , marlene dietrich , eric remarque , lili damiti , the raoul walshes , ria gable , reginald gardiner , the milton brens , anderson lawler . . . .
ria gable was the prior wife of
:
each of the three producers - - vinton freedley , anderson lawler and russel markert - - has agreed to contribute one - third of the $ 175 , 000 capitalization , for which there will be no over - call .
with a bibliography of his sources on the cooper - lawler affair . and gives us a documentation clue when he states there that
lawler frequently stayed at the cooper house at 7511 franklin avenue while cooper ' s parents were away .
uk incoming passenger lists , 1878 - 1960 , departed new york city , arriving southampton on the
queen mary
, 11 oct 1938 :
anderson lawler , age 36 , actor
. a few lines down we see jack and ann warner [ of warner brothers ]
lupe supposedly unzipped cooper ' s pants at social gatherings to sniff at his crotch , claiming that she smelled lawler ' s cologne .
lawler then became an associate producer for 20th century - fox . in 1945 , he was promoted to producer , he is mentioned as such
:
mr [ william r ] katzell has agreed to co - sponsor
great to be alive
with anderson lawler . to cost $ 200 , 000 , the sylvia regan - walter bullock - abe ellstein musical is slated to go into rehersal in august and open here in mid - october .
:
. . . mr [ vinton ] freedley ' s newest musical venture is to be
great to be alive .
his associates in the project will be anderson lawler and russel markert . . . [ who ] apparently decided to let an experienced hand like mr freedley serve as pilot .
creator lawler , anderson , 1902 - 1959 call number * t - mss 2001 - 034 physical description . 1 linear feet . ( 1 portfolio ) preferred citation anderson lawler correspondence , billy rose theatre division , the new york public library repository billy rose theatre division access to materials some collections held by the dance , music , recorded sound , and theatre divisions at the new york public library for the performing arts are held off - site and must be requested in advance . please check the collection records in the nypl ' s online catalog for detailed location information . for general guidance about requesting offsite materials , please consult : urltoken
doris was predeceased by her parents , siblings—mavis foster , mary evelyn adams , nanette crow , ewell ( bud ) smith , johnny smith—and her loving husband of almost sixty years . those who are left to celebrate her life and her going to our heavenly home are daughters , donna carrol lawler and husband , jimmy lawler ; vivian nan themer and husband , donald themer—grandchildren , william themer and wife , holley ; matthew lawler and wife , ladonna ; waylon themer and wife , mary anne ; rachel calvery and husband , scott ; weston themer—great - grandchildren , rylie lawler , kherington themer , guyton calvery , kambrie lawler , ella themer , bellami calvery , and luke themer . she also leaves many nieces , nephews , and friends who love her dearly .
on sep 1935 , the new york times reports that ina claire opened at the belasco theater in
ode to liberty
and in the cast was anderson lawler . nov 1935 as anderson
lawlor
[ sic ] he was added to the play
the ragged edge
. in jul 1937 ( in the nyt ) , he is listed in the cast in an advertisement for the comedy - drama
fly away baby ( 1937 )
, starring glenda farrell , and barton maclane . also
anderson lawler was born on may 5 , 1902 in russellville , alabama , usa . he was an actor and producer , known for the river of romance ( 1929 ) , somewhere in the night ( 1946 ) and accidents will happen ( 1938 ) . he died on april 6 , 1959 in new york city , new york , usa .
lawler also worked as a talent scout , first for warner brothers until 1938 , then with the sam jaffe agency . his last movie credit was in 1939 as allan fitzhugh in
:
anderson lawler announced yesterday that he has formed a partnership with russel markert to produce
here come the brides ,
the musical comedy which has a book by walter bullock and sylvia regan and music by abe ellstein . plans call for rehersals to start in december preparatory to a new york opening in march . this is the same opus that was once called
great to be alive
. mr lawler obtained an option on the musical last spring , and during the summer the authors have been polishing it up and adding new songs .
in feb 1946 :
anderson lawler producer of somewhere in the night wanted nancy for the picture as soon as he saw the test . ' after seeing it , nancy ' s lack of experience didn ' t matter , ' explained lawler , who was once tallulah bankhead ' s leading man and who ought to know talent . ' nancy has that god - given quality the greatest actresses strive for years to attain - - her face is a mirror of her mind . whatever she ' s thinking is reflected in her face as though it were a kaleidoscopic camera . '
. while on the trip , anderson claims that kay showed up at his door , drunk and completely naked , and screamed , “i am not a star . i am a woman , and i want to get fucked ! ” the story turned legendary , though it never happened . not only was kay in love with del , but anderson was also gay , who more than likely made up the rumor to protect himself .
tom lawler flipped my brain , saved my love life , inspired a career and provided an after - burn of lessons in competence and social consciousness . he may be responsible for where i live .
in jan 1933 , the nyt reports :
the settings for the new play , ' forsaking all others , ' in which tallulah bankhead will appear will be designed by donald oenslager . anderson lawler , helen flint and hale norcross have been added to the cast of the play , which will begin its tryout tour in wilmington on feb 3 . thence it will go to washington and boston before opening on broadway .
lawler was the godfather of susan strasberg , probably due to his business involvement with her father . it is then perhaps a bit odd that she mentions him exactly once , in her autobiography , and that , in passing . (
bittersweet
, page 71 hardback version ) . susan states that after her appearance ( perhaps her premier ) on broadway , anderson had given her a piece of family heirloom jewelry as a gift .
said :
the sudden death of anderson lawler , an occasional broadway producer at flower - fifth ave . hospital the other day grieved his friends - - and surprised them , too . there was no chance to pay their respects ; his body was taken to lynchburg , va . for burial , accompanied by a daughter they never knew he had .
it ' s possible this
daughter
was susan strasberg who would have been 20 or 21 at this time .
g ' which also starred my favorite male actor of all time : gary cooper . they dated together , even though cooper ' s mother rejected the relationship from the beginning . she thought of lupe as vulgar and tasteless . lupe was indeed a hot mess . she loved to act low - class characters and give parties with
stag films
. lupe was extremely jealous by nature and was especially angry over gary cooper ' s friendship with anderson lawler who was known as a swisher
a guest lecturer at boston university and boston college on internet strategy and e - business , tom anderson is vice president for corporate communications at millipore , a bioscience / biotech multinational company . he resides in needham , mass . , with his wife , janice .
and does not mention lawler , she also states that she was
eight years an exile
when she returned to new york in 1931 . however lobenthal ' s biography of tallulah does mention that lawler ,
. . . who had been playing a small role , now replaced douglas gilmore as tallulah ' s errant fiance . . . . ' very funny and very dirty ' , sam jaffe recalled . ' he and bankhead were marvelous friends . '
(
. in dec 1939 we find that :
anderson lawler accompanied the jack warner ' s to new york for a holiday .
evidently he accompanied them on other occasions as well , as i find , in oct 1938 , all three arriving in southampton on the
queen mary
. in feb 1940 we see that :
countess dorothy di frasso celebrated her birthday with a buffet dinner at her beverly home .
some of the guests listed there were :
. . . jack warner ,
i remember tom lawler was always prepared and enthusiastic about class and encouraging , a model for anyone doing anything at any time . he knew his subject excessively well , and he made it come alive . he had a big impact . i had great
when cooper eventually took his own apartment on argyle avenue , anderson casually moved in . . . . pn [ patricia neal - wj ] confirmed in conversation with sms [ the author - wj ] that she knew of this relationship .
apparently 1929 is the crucial year here in figuring out the exact detailed timeline to see if it ' s possible that the reports of lawler ' s involvement with cooper have any evidence . certainly we ' ve seen that they hung - out together at least once , since dorothy herzog reported them together , as i ' ve already reported above .
on oct 1957 , the new york times is running the advertisement ,
lyn austin and thomas noyes , in association with anderson lawler , present nancy walker , in a new musical comedy copper and brass
at the martin beck theatre . critic brooks atkinson , destroys it , in a column a week later ,
unfunny . . . uninteresting . . . unlovely . . . banal and routine .
he gives a nod however to alice pearce as
an amusing school principal
. ( you will recognize the name alice pearce as the first mrs . cravitz from the television series
cooper was still carrying on with lupe velez — he wanted to marry her , but cooper’s mom ( recall , she was right there in l . a . ) thought her too “vulgar” and “tasteless . ” we might attribute her verdict to good ol’ fashioned racism , but lupe was a bit of a hot mess . or at least that’s how the press chose to portray her , most likely in keeping with her onscreen image as a fiery latina . she loved acting “low - class , ” and threw parties with cock fights and “stag films , ” a . k . a . thinly veiled porn . she got in fights , especially over men , and was prone to extreme jealousy . to wit : angry over cooper’s close friendship with anderson lawler , known , in the time’s parlance , as a “swisher , ” or flamboyant homosexual , velez supposedly “unzipped cooper’s fly at a social gathering and started sniffing his crotch , claiming to smell lawler’s cologne . ”
mann shows surprising tact in all of this . he confesses to finding nothing
queer
to report about the lives of judith anderson , agnes moorehead and barbara stanwyck . but , the lesser - known ( though in many ways just as fascinating ) ona munson , margaret lindsay and lilyan tashman are accounted for . mann is also excellent on the deeply
circumspect
claudette colbert - - who the irrepressibly cheeky bachardy refers to as
uncle claude .
colbert , mann tells us ,
may have never actually used the term ' lesbian . '
and as every gay and lesbian individual knows , that ' s all the difference in the world - - both personally and publicly . dietrich and garbo , whose sapphic dealings are far better - known , didn ' t use it either . ultra - butch director dorothy arzner ( who , mann tells us , once had a fling with billie burke ) took grave exception to it . and when he was living with character actor anderson lawler , gary cooper would doubtless have been shocked to have been referred to as
bi .
teachers before and after : rev . william healy , s . j . , john mayer ; stephen teichgraeber , john dorenkamp , and others . but tom lawler was a trigger , and he catalyzed a radical change in my direction , thinking and writing . he had career advice and back - up career advice , which came later when i was a senior , advice which helped me adapt and survive the fat belly of the baby boom .
. in jan 1934 , lawler is mentioned in the cast of the acclaimed film
beloved
which is there called
a remarkable demonstration of the flexibility of the motion picture
. in aug 1934 , he is mentioned in the cast of
let ' s fall in love ( 1934 )
starring ann southern . in mar 1935 , he is mentioned in the cast of
let ' s talk it over
starring chester morris , mae clarke and frank craven .
in oct 1931 , we see lawler ' s mention in the cast of george cukor ' s
girls about town
( 1931 ) :
the paramount expose of big - time gold - digging among the haute monde of new york .
in this film he plays the husband of kay francis who is on the verge of cuckolding him with joel mccrea . i ' ve just discovered that the film
girls about town
exists in full - length on youtube , so i ' ll be compiling it soon into my article
actor , producer . appeared as a stage actor throughout the 1920s , entering in the motion picture business in 1929 and appeared in about 35 films . his last film appearance was 1939 . he was a talent scout first for warner brothers until 1938 , then with the sam jaffe agency before going with 20th century - fox as an associate producer . in 1945 , he was promoted to producer and produced the film , ' somewhere in the night ' with john hodiak and nancy guild . he was transferred to the new your office in late 1946 and remained there until the late 1940s . during the 1950s , he produced a number of plays , including ' oh men , oh women
, which was later made a movie by 20th century - fox . he was thr godfather of susan strasberg .
, citing spring hill cemetery , lynchburg , lynchburg city , virginia , usa ; maintained by find a grave .
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nora bayes theatre , ( 8 / 22 / 1927 - circa . 12 / 1927 )
setting : the living room of the maxon ' s summer place in connecticut .
theatre owned / operated by messrs . shubert ( lee and j . j . )
general manager : henry b . forbes ; business manager : leon f . jensen
( 1938 ) . he died on april 6 , 1959 in new york city , new york , usa .
are you ready for skyscraper ? we are ! see which other movies and tv shows we ' re excited about .
stage : appeared ( as
brian cutler
) in
her first affaire
on broadway . comedy . written by
. produced and directed by gustav blum . nora bayes theatre : 22 aug 1927 - dec 1927 ( closing date unknown / 136 performances ) . cast :
with jurassic world : fallen kingdom now in cinemas , we take a look at how imdb users rated the films of the franchise . plus , browse exclusive lego® jurassic world playsets , presented by lego .
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behind the screen how gays and lesbians shaped hollywood , 1910 - 1969 by william j . mann viking : 432 pp . , $ 29 . 95
although by today ' s standards director george cukor would be considered closeted , in the hollywood of his 1930s to 1950s heyday he was quite overt . the integrated lives of today ' s gay celebrities weren ' t possible back then . but , being successful , respected and well - liked among his peers , cukor was able to navigate a
private life
the average gay or lesbian of that era would deem unparalleled in its freedom . he stands in marked contrast to charles brackett , the screenwriter , producer and writing partner with billy wilder of such classics as
the lost weekend
and
sunset boulevard .
wilder described him as
a right - wing republican conservative , a formal man , always impeccably dressed , who made entries in his diary every evening .
there probably weren ' t any diary entries about brackett ' s lover , a young assistant named james larmore , whom the older married man arranged to have his daughter alexandra marry .
if
behind the screen
has a bombshell , this may - december alliance - - which , in the words of portraitist don bachardy ,
one just knew
- - is it . but mann , despite a sometimes annoying habit of grandly announcing that information he ' s about to supply is being offered
for the first time ,
doesn ' t overplay his hand when it comes to
outing
the past . we learn of both obscure silent cowboy star j . warren kerrigan ( who would have been more at home in the astor bar than on the lone
prairee
) , and that world - famous unsolved hollywood murder victim william desmond taylor . but he also tells us about george james hopkins , the stylist who engineered the transformation of theodosia goodman into
vamp
supreme theda bara . and then there ' s
i remember mama ,
george stevens ' incredibly moving tribute to
family values
produced by louella parsons ' lesbian daughter , harriet , and written by dewitt bodeen - - a brilliant gay screenwriter whose credits include
cat people .
clearly there were professions within the industry that were more
gay friendly
than others . mann tells much about the careers of set decorators henry grace , hopkins ( whose credits include
a streetcar named desire
) and howard bristol (
rope
) taking into account a gay - bashing incident the latter suffered . but the most generous portion of the book covers hollywood ' s top gay costume designers : adrian , travis banton , walter plunkett and orry - kelly . the first two , though wildly flamboyant and
obviously
gay , went so far as to marry . mann notes that the decidedly macho kelly , who once kept company with the young ( pre - randolph scott ) cary grant , never married .
this of course connects to the perennial problem presented by gay
visibility .
the
obvious
gayness of edward everett horton , franklin pangborn is one thing . the turban - and - make - up - besotted vincente minnelli - - who had alliances with women other than judy garland - - is quite another . mann is most amusing in noting the
gay markers
of clifton webb , yet he ' s as at a loss for words in explaining how and why he became - - at a very advanced age - - a major
mainstream
movie star . ( who can forget dolores gray in
it ' s always fair weather
singing the lyric
but i ' ve got a guy who ' s clifton webb and marlon brando combined
? ) clearly the same sort of willful mass audience blindness that placed liberace on this
family entertainer
pedestal is the key . but a better answer would require a study of the mass psychology of
denial
that so far no one has attempted .
shock , needless to say , persists in the public mind as central to gay hollywood . are careers truly
at risk
if
the truth were to come out
about actor ' s off - screen lives ? that ' s the $ 64 , 000 question . the answer will doubtless be argued until that happy day ( which may be arriving sooner than many imagine ) when interest in things gay won ' t be considered scandalous at all .
david ehrenstein is the author of
open secret : gay hollywood 1928 - 2000 .
did louganis act properly ? : diving : some wonder whether he should have revealed he was hiv - positive during ' 88 games .
it ' s odd that you posted this , op . i saw this quote in one of my favorite old movie blogs ( self - styled siren ) earlier this week . she ' s quoting from david shipman ' s
the great movie stars : the golden years :
the strange thing is that cooper ( as his tv interviews showed ) had in life a number of rather effeminate mannerism . however , on screen he was virility personified , all that was required of a hero : honest , courageous and determined - - determined to do what must be done at whatever the cost .

all reports i ' ve read say cooper was pretty well hung . at least 8 n thick .
if anyone would like a glimpse of the real , uncensored and unscripted gary cooper , please have a look at the youtube clip of him on what ' s my line ? as the mystery guest in a 1959 episode .
he is incredibly shy and reticent , practically inarticulate . . . . but totally charming and charismatic . young tony perkins , who played his son in friendly persuasion , is a guest panelist .
[ quote ] all reports i ' ve read say cooper was pretty well hung . at least 8 n thick .
i guess he was pretty for his day , but cooper probably liked him best for his then - discretion .
my uncle worked in hollywood and said cooper was one of the nicest guys ever . in real life , he was very quiet , almost shy . supposedly , cooper was a virgin when he came to hollywood and clara bow was the lucky girl to take his virginity .
when gary cooper went into ya ' , he kept going into ya ' . if ya ' know what i mean . . .
ps clara bow saw it and ran screaming . i just propped an extra pillow down there and relaxed .
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) if so , it ' s remarkable that tallulah herself does not even mention him .
. they also mention that andy has a way of exaggerating his own importance and also telling tales that weren ' t exactly true . they also mention in passing , that
, he lived on east 52nd street . author michael sragow , in his biography of victor fleming also has george cukor
, where he is apparently working on a picture called there
lonely journey
:
andy tells me . . . [ it ] is the story of a soldier suffering from amnesia .
the name was later changed to
somewhere in the night
. lower and palmer in their biography of mankiewicz discuss the
. . . robert milford has been appointed general manager . . . .
:
vinton freedley has commissioned stewart chaney to design the scenery and costumes . . .
and then a few days later :
mary hunter , who had been announced as the director of
peter pan
. . . [ will ] handle the staging of
great to be alive
. . . . a copy of the script has been sent to jack haley .
( jack haley is of course , most well - known today , as the tin woodsman in the
the play
protective custody
, which began in pre - broadway tryouts in philadelphia and washington , d . c . it was scheduled to open at the belasco on broadway , but it ' s closing announcement was made after just one month traveling . a week or so later , it was announced that friends of the star faye emerson , had raised their own money to see the play open at the ambassador . it was a short run , after only three performances , it ' s closing was again announced .
, so probably this is why this particular place was chosen , and she may in fact be buried next to him . i don ' t yet know .
new york public library for the performing arts , dorothy and lewis b . cullman center
some collections held by the dance , music , recorded sound , and theatre divisions at the new york public library for the performing arts are held off - site and must be requested in advance . please check the collection records in
for detailed location information . for general guidance about requesting offsite materials , please consult :
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a review of seeing things politically : interviews with benedicte delorme - montini by pierre manent , ralph c . hancock , daniel j . mahoney
our friends at the new criterion have graciously allowed us this preview of a complementary article from their november issue . we hope you enjoy it .
ver the past three decades , the french philosopher pierre manent has published a series of works on the destiny of the west and our modern political condition that are both profound and—atypical of parisian intellectuals—expressed in luminous prose . in books that include
( 2010 ) , manent engages with the west’s greatest political minds , from aristotle and cicero to machiavelli and montesquieu and beyond . these thinkers aren’t prisoners of time , manent insists ; if studied attentively , they speak truths—often explosive truths—across the ages .
most of manent’s major books are now available in english translation . until now , though , no single - volume introduction to his thought has been available to englishspeaking readers . seeing things politically , a series of interviews with manent , conducted by bénédicte delorme - montini , covering his major influences , spiritual life , and intellectual career , solves that problem . ably translated by ralph c . hancock ( the french original appeared in 2010 , to accompany the metamorphoses of the city ) , with a helpful introduction by daniel j . mahoney , the book can be read in one or two sittings . it is a small masterpiece .
manent makes his ambition clear to his interlocutor in his very first responses . since he reached adulthood , he tells delorme - montini , he hasn’t been attracted to the left , which pursues fantasies—new political and moral orders that it can conjure and create . “what i want instead , ” manent says , “is to understand” : society as it is , he maintains , is more interesting than any utopian dream . and the focus of his research has been on politics or political things , which give “human life its form . ”
for samuel goldwyn after he rejects the idea of having bette davis play the part . kay has only a small , but second billed , role in what is really a ronald colman feature .
kay travels by train to new orleans to see katty . unfortunately , their lesbian love affair ends and kay goes back west .
june 28 . after attending a preview of a notorious affair , w . e . oliver of the los angeles evening herald hails kay’s performance as “hollywood’s most disturbing portrayal since hell’s angels . ”
july . kay makes her first appearance on a movie magazine cover for the july issue of modern screen .
kay starts getting serious with kenneth , who seems to be taking up much of her social life . she writes in her diary on this day , “ken worked until 6 a . m . and then came and fucked me ! god , i really do love him . ”
despite kay’s success in hollywood and fun with ken , she still battles with depression and boredom . she writes in her diary , “i guess i should be very happy . ”
kay signs her first contract with warner bros , , which pays her $ 2 , 000 a week ( at paramount , kay received $ 750 weekly ) . rumors begin circulating that paramount starts giving kay films of lesser quality for revenge . although she indeed signed the contract for warner bros . in 1931 , her employment at the studio was not to start for another year .
, a film to be directed by rouben mamoulian . kay is replaced with sylvia sidney .
kay breaks up a fight between her dog and another , dropping her purse . when she breaks the dogs apart , she realizes that several pieces of jewelry are missing from her purse , including her wedding ring . kay also attends a party at gloria swanson’s . her drinking causes problems and kay apologizes the next morning .
kay begins to doubt her marriage to ken . “i wonder if ken and i will be together a year from now ? ” she writes in her diary .
kay attends a party at edmund goulding’s , her former sex buddy back in new york . kay comes close to having sex with edith head after tallulah bankhead calls her [ kay ] a lesbian .
as kay’s first warner bros . feature . the film is later re - titled
ken is fired by fox , and a few days later gets into an explosive fight with kay , hitting her out of rage .
starts filming . kay gets annoyed that miriam hopkins receives top billing , though kay has the highest salary of any actor in the film , $ 4 , 000 weekly .
, and her recent casting in an ernst lubitsch picture , kay still battles depression and boredom . “did something and had a good time but can’t remember , ” she writes in her diary .
. unfortunately , because her contract was set to expire , kay loses the part to bebe daniels .
kay goes back to new york , reuniting with juliana cutting , neysa mcmein , dwight francis , and kay johnson , among others . she returns home by the end of the year .
kay signs a new contract with warner bros . she spends the rest of the day in bed getting drunk .
kay arrives in new york on the 20th century . she attends the opening of
. she enjoys the play but hears that paramount purchased the rights for miriam hopkins . kay , dissatisfied with her recent warner bros . assignments , begins to regret her decision to switch studios .
kay and ken get into an explosive argument , she spends the night at julia hoyt’s .
kay begins a brief flirtation with gary cooper , having sex with him at least once , though nothing really ever developed between the two .
after an explosive fight with ken , kay indicates in her diary that she wants a divorce , though they made up a few days later .
. luckily , kay is replaced with dolores del rio . the film becomes a major flop with critics and audiences , bringing an end to del rio’s career in america .
, ruth chatterton’s last movie for warner bros . is released . she leaves warner bros . because of a slip in popularity after ridiculous film offers from the studio . kay becomes the queen of the lot , though her title is not official until a new contract offer at the end of 1935 .
kay writes in her diary , “had merciless afternoon with maurice – four times in 2 hours . ”
still fighting depression and boredom , kay attempts suicide by cutting the artery in her right wrist . loosing two quarts of blood , she nearly dies , but is saved possibly by her maid .
in an effort to spice up their sex life , maurice begins suggesting new ideas to kay . she writes in her diary , “swell evening – very exciting , discussing about lesbians and a threesome . not practical , i’m afraid . ”
maurice returns to europe , leaving kay more depressed than ever . as a result , kay travels to new york .
kay , accompanied by mr . and mrs . richard barthelmess , boards the rex , an italian cruise liner . she goes on a second european romp .
a paris doctor confirms that kay is again pregnant . she has an abortion again soon after .
kay returns to new york , being mobbed by press and fans . kay also informs reporters that there is no truth to the rumors about her wedding plans with maurice chevalier .
kay returns to hollywood . suffering from complications from an abortion , kay spends the next few days in bed .
kay is hospitalized due to ignoring the advice for bed rest from her physician ( she attended a party at pickfair despite doctor’s orders ) .
, kay names her favorite male movie stars – jackie cooper , john barrymore , lionel barrymore , richard barthelmess , james cagney , ronald colman , gary cooper , clark gable , william powell , and maurice .
kay celebrates christmas with mr . and mrs . richard barthelmess , then heads over to samuel goldwyn’s for a party . she then parties into the morning with ruth chatterton and jessica barthelmess ( richard’s wife ) .
kay celebrates the new year with maurice , attending parties at both charles boyer’s and tim mccoy’s .
with george brent , kay has a one night stand with her leading man . she writes , “he told me afterwards that i had helped him tremendously and that he appreciated that . big fucking ! and he got the jitters . ”
maurice returns to europe after a series of fights with kay . a few days later , she finds a new lover in delmer daves after meeting him at a party hosted by frank borzage .
del leaves kay to vacation in annapolis . kay starts to realize that she’s fallen in love with him and out of love with maurice .
kay helps open the house of westmore , a salon established by perc westmore . myrna loy , clara bow , marlene dietrich , carole lombard , and claudette colbert also attended .
while in london , kay has a successful operation to remove her salivary gland .
kay meets with maurice to break the news to him about del . he takes it good and they settle for a friendship .
del brings kay to lake louise in canada . at the time still barren , the location is still breathtaking . kay describes the vacation as being like an unofficial honeymoon .
kay’s physician , bill branch , informs her that there are rumors going around hollywood that she had syphilis . surprisingly , the rumors of kay francis having an std were false .
jack warner offers kay a new contract , one which gets her the queen of warner bros . title .
. unfortunately , warner bros . refuses to lend kay’s services . the part goes to her friend and former warner bros . star , ruth chatterton .
kay writes in her diary about her trip to del’s cabin in lake arrowhead , describing how happy she was .
kay writes in her diary , “beginning the new year with my lover . may he be in the same bed with me next year this time . ”
kay is seriously disappointed when warner bros . sends her her new assignment , a biopic about florence nightingale titled
kay signs the new contract with warner bros . presented to her in november . her salary is raised to $ 5 , 250 a week . the contract is to end in 1942 , by which she is to be earning $ 7 , 000 a week .
kay’s home is surrounded by police when a young woman named carol lawrence delivers a note to kay’s residence which reveals a death plot . james crawford explained that he “had it in for k . francis . ” “k . francis” turned out to be kathleen francis , a hollywood extra .
. she names constance bennett , claudette colbert , marlene dietrich , carole lombard , and myrna loy .
kay undergoes another abortion . “jesus , it’s awful , ” she writes . “who do i always get caught and have so little fun . ”
george cukor tells kay that he could see her as scarlett o’hara . the project drops when selznick and cukor change their minds for norma shearer .
kay’s neighbor , david niven , kisses her on her doorstep . del catches them , leaving kay for the night .
while still in europe , kay spends the holiday sick in bed with a cold .
kay celebrates the new year by watching a skiing competition , then drinking the night away while fighting with del .
because of her sickness , which doesn’t seem to be getting any better , kay is rushed to the hospital .
ginger rogers throws a roller - skating party at rollerdome . kay attends with joan crawford . despite ginger’s claim that her party was the best ever thrown , kay complained in her diary that the party was dull .
. despite her success and fortunes , kay , while knitting during the interview , claims that her life has been “singularly uneventful . ”
completes production . the crew presents kay with a box filled with gardenias , and an eighteenth century snuff box .
kay writes in her diary of del , “i am sick of his superiority . ”
kay meets erik barnekow at a party thrown by dorothy di frasso , who replaces del in kay’s life .
a final agreement is made between lawyers , kay’s contract would expire september 28 , 1938 .
kay asks erik to spend christmas at her house . she writes , “we baptized the library floor . good fucking . ”
sent to hal wallis reads , “i think you would have a good kay francis picture in a reasonably short time and one that would not cost a fortune to make . moreover , kay herself is , i understand , very much in favor of it . ”
starts . the film is completed in mid - march . for unknown reasons , the film is shelved and released later in the year as
kay loans erik $ 1 , 000 . “i wonder if i will ever get it back ? ” she writes in her diary .
, kay is listed , along with joan crawford , katharine hepburn , and garbo ( among others ) , as “box office poison . ” the article reads that “kay francis , still receiving many thousands a week , is now making b pictures . ”
) . miriam hopkins takes over , gets sick , and kay is forced into one of the most ridiculous movies of her career .
“oh my god , ” kay writes in her diary . “what am i getting into , i have no idea ! pray that it will come out alright , that’s all ! ”
begins . this is kay’s last movie on her warner brothers contract . during the filming , kay gives an interview to
that turns out to be her most remembered . the title of the article was a direct quote from kay , “i can’t wait to be forgotten . ”
are filmed . it’s unknown if kay was called back for retakes by a studio so desperate to ditch her .
, a critic comes to kay’s defense about her latest backlash from warner brothers . “…considering the plot and everything it is our settled conviction that meaner advantage was never taken of a lady . ”
( 1939 ) . the film starred carole lombard , cary grant , and kay , who was equally billed to lombard and grant , proving her stature as late as 1939 .