moondru per moondru kaadhal ( english : three people , three loves ) is a 2013 tamil romance film co edited , co written and directed by vasanth .

the film features musical score by yuvan shankar raja .

it released on 1 may 2013 worldwide and opened with mixed reviews .

it was a failure at the box office .

moondru per moondru kadal

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director vasanth returned with ' moondru per moondru kadal ' , which was a moderate s . .
moondru per moondru kadal movie | muktha and cheran introduction . moondru per moondru kaadhal ( english : three people , three loves ) is a 2013 tamil . . .
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aaha kaadhal konji pesudhe song | moondru per moondru kaadhal | cheran | arjun | vimal .
moondru per moondru kaadhal - stop the paatu video by radha . s . krishnan & team
movie : moondru per moondru kaadhal ( u ) cast : arjun sarja , cheran , vimal , bhanu , surthi , thambi ramiah , appu kutty director : vasanth producer : mahendra talkies . watch moondru per moondru kaadhal movie online full hd version directly from your pc or tablet in best quality , stream moondru per moondru kaadhal movie in best . get more information about moondru per moondru kaadhal on tmdb . a story about love featuring three couples . moondru per moondru kaadhal ( 2013 ) user score . listen and download songs from tamil movie moondru per moondru kadhal released in 2013 . moondru per moondru kadhal , 2013 . kaadhal endhan kaadhal : 05 : 04 mins .
director vasanth ' s
moondru per moondru kaadhal
has received mixed reviews from film critics .
svarg productions brings you the promo for a music video for the song padapadakuthe maname , from the upcoming tamil movie , moondru per moondru kadal . . .
kadhal endhan kadhal | moondru per moondru kadhal hd video song + 51 audio | cheranbhanu | yuvan . mp3
the music by yuvan shankar raja is the saving grace of ‘moondru per moondru kadal’ . the beautiful lyrics of songs such as ‘kadal endan kadal’ , ‘aaha kadal’ and ‘mazhai mazhai’ work wonders and keep you engaged in movie . the movie is otherwise slowly paced and the manner in which the songs are picturized leaves a lot to be desired .
aaha kaadhal | moondru per moondru kadhal hd video song + 51 audio | cheranbhanu | yuvan shankar raja . mp3
review and rating of moondru per moondru kadal movie and its song rating as follows . moondru per moondru kadal is romance movie directed by vasanth . the film features arjun in the leading role , while yuvan shankar raja composes the film ' s music . release date of this movie is 01 - 05 - 2013 . mpmk - 2013 fdfs review .
aaha kaadhal | moondru per moondru kadhal hd video song + 5 . 1 audio | cheran , bhanu | yuvan shankar raja
now awaiting the release of her debut film in tamil moondru per moondru kaadhal in which she has a co - starring role .
moondru per moondru kaadhal ( 2012 ) tamil movie cd - rip 320kbps mp3 songs music by yuvan shankar raja - starmusiq . com
the music in
moondru per moondru kaadhal ' s
is composed by yuvan shankar raja and the songs have already been chartbusters .
svarg productions brings you the promo for a music video for the song padapadakuthe maname , from the upcoming tamil movie , moondru per moondru kadal ( s . m vasanth ) , a yuvan shankar raja musical .
s saraswathi says moondru per moondru kadhal lacks the intensity expected of a vasanth film , but makes up for it with its exceptional music .
moondru per moondru kadhal ( mpmk ) is written and directed by national award winning director vasanth , whose penchant for love stories is well known .
vasanth’s moondru per moondru kadal follows the story of three couples in a non - linear form . arjun , cheran , vimal play lead roles in the movie that has vasanth’s urban , classy , romance touch all over it .
bringing an exciting development on vasanth ' s forthcoming film ' moondru per moondru kadal ' ( mpmk ) , zee tv , one of the premium banners in the industry , reported to have bought the satellite rights of the film .
follow us on facebook : urltoken official trailer of moondru per moondru kadal ( mpmk ) starring arjun , cheran and vemal . music by yuvan shankar raja . directed by sm vasanth like us on facebook : urltoken visit our website : urltoken
here is a mash up teaser of
padapadakkuthu maname
a beautiful song from the movie
moondru per moondru kadhal
which is directed by sm vasanth .
per is a latin preposition which means
through
or
for each
, as in per capita .
it is a big may day release for tamil films on labour day weekend . there are three tamil films releasing – ethir neechal , moondru per moondru kathal and soodhu kavvum .
this page hosts latest trailers of films from india and around the world . people looking for information about films , trailers , actors , actresses , directors , music directors , cameramen and other technicians will find this page useful . moondru per moondru kadal - stop the paattu song .
toting up , vasanth’s moondru per moondru kadhal , although eulogizes love , works in parts with music and camera helping the story but his style has not been felt powerfully in the film .
the passionate intensity that characterised his earlier films seems to be missing . though vasanth fails to recreate the old magic , moondru per moondru kadhal is undoubtedly a beautiful gift for music lovers .
vasanth and producers mahendra talkies held a well - attended and stylish audio launch for their moondru per moondru kaathal ( mpmk ) on saturday ( december 1 ) evening at hotel park sheraton in chennai .
one time popular director vasanth , who made romantic movies is back ith his new love story - moondru paer moondru kathal ( mpmk ) .
jyothika and simran versions 2 . 0 - jyothika - simran - suriya - ramesh arvindh - vasanth - moondru per moondru kadhal - cheran - arjun - vimal - surveen - lasini - tamil movie news - urltoken
romance has always been a strong point in s m vasanth’s films and the director is now ready with mahendra talkies’ moondru per moondru kadal ( mpmk ) , which is woven around not one but three love stories . arjun , cheran and vemal play the protagonists while muktha banu and debutants surveen and lasini play their love interests .
на сайте urltoken вы можете скачать moondru per moondru kaathal songs . 1 ) - найдите песню , используя поиск . 2 ) - выберете и нажмите на кнопку скачать . 3 ) - следуйте инструкции и скачивание начнется .
every song has its own unique flavour and is incredible . moondru per moondru kadhal was released on 1 may 2 . ethir neechal and soodhu kavvum . chennai , india : thehindu . chennai , india : thehindu .
' yuvan is at his absolute best . ' - yuvan shankar raja - k balachandar - vasanth - moondru per moondru kaadhal - cheran - vimal - arjun - muktha banu - lasini - surveen - tamil movie news - urltoken
moondru per moondru kadhal ( mpmk ) is written and directed by national award winning director vasanth , whose penchant for love stories is well known . moondru per moondru kadhal is a melody of love , the lyrics of the songs are ticklish in nature . the area focused in hilly stations are quit natural . its shows the value of the admiration . every song has its own unique flavor and is incredible . its a picturesque of three authentic lovers which has been showcased in a pragmatic manner .
this page hosts the top ten tamil songs of that particular fortnight . it also includes details about each song like its name , the singers ' names , the lyricist ' s name and also a brief review of each song . people looking for current top ten songs , top ten songs countdown , music review , songs review , music rating , songs rating , audio review , songs download and mp3 download will find this page useful . moondru per moondru kadhal aaha kaadhal konji pesudhe moondru per moondru kaadhal .
banu of ' thamirabarani ' and ' sattapadi kuttram ' fame will be called by her original name muktha banu henceforth . the change will be effected from the vasanth - directed ' moondru per moondru kadhal ' , which has arjun and cheran in lead roles .
after a brief hiatus , director vasanth ( last film was
satham podadhe
in 2007 ) is back with not just one but three different breezy love stories in his latest film
moondru per moondru kaadhal
( three people , three love stories ) .
the film ' s shooting is currently taking place in nagerkoil and buzz is that vasanth would introduce his son as an actor with ' moondru per moondru kadhal ' . there are three protagonists and they are arjun , cheran and vasanth ' s son , say sources .
fazil . vasanth . productioncompany . mahendra talkies . release date . country . india . language . tamil . moondru per moondru kaadhal ( english : three people , three loves ) is a 2 . tamil romance film co edited , co written and directed by vasanth .
mahendra talkies sm vasanth’s moondru per moondru kathal starring arjun , cheran , vimal and lasiya is said to be a beautiful romantic story with peppy music by yuvan shankar raja . the film with a u certificate is releasing with a lot of expectation as vasanth is a good storyteller .
the movie attempts at a mature take on the three relationships but unfortunately is far from convincing . the movie begins with vemal and lasini , who sadly don’t endow it with enough meat to make it interesting . also to blame is the editing , as little has been done to clip out several long and tiring segments that add to the length of the movie . note : moondru per moondru kadal has little charm , unlike its songs .
suriya , jyothika , simran are the few top class actors introduced by director vasanth . the director is making his next film , moondru per moondru kadhal ( mpmk ) , with cheran , arjun and vimal in the lead . the film is about the lives of three couples and what happens when they come together .
moondru mudichu tamil movie songs | vasantha kaala video song | kamal | rajini | sridevi | msv . mp3
vasanth s moondru per moondru kadhal as the title suggests the film is about love that blossoms between three couples and after some twists and turn , how it culminates . the film depicts their knotty love stories over three landscapes : the sea , the hills , and the flat terrains of a city . what is that one thing that brings all of them together is the interesting part of the story . the film is nothing like the tamil cinema we see today . the characters sip iced tea . they play squash and use macbooks . vasanth sent across a message not only about love but also about the society in large . the music by yuvan shankar raja is the grace of ' moondru per moondru kadal ' . the beautiful lyrics of songs such as ' kadal , ' aaha ' and ' mazhai ' work wonders and keep you engaged in movie . nice romantic drama , starts off slowly but ends in a high note . a must watch for those who love movies with substance
moondru per moondru kaadhal is a 2012 tamil action - romance film , directed by vasanth and produced by mahendra talkies . this film stars arjun , cheran , vimal , muktha bhanu , surveen chawla , lasini in the lead role . the films soundtrack and background score were composed by yuvan shankar raja with lyrics by na . muthukumar .
it is not something new that vasanth ' s films are clean and are devoid of glamour or double entendres . moondru per moondru kadhal also follows the same path . narration follows a very languorous path and hence the engaging factor fluctuates quite steeply . arjun ' s segment is the best followed by cheran and vemal . dialogues sparkle on and off .
this page hosts the chennai box office collection of movies . it also includes movie analysis , trade analysis and public reaction to the movie . people looking for current top ten movies , chennai box office , movies online , movie reviews , movie analysis , public response for a movie , will find this page useful . moondru per moondru kadhal box office collection .
the three couples in s . m . vasanth’s moondru per moondru kadal are varun ( vemal ) and anjana ( lasini ) , guna ( cheran ) and mallika ( muktha bhanu ) , and harris ( arjun ) and divya ( surveen chawla ) — and the film depicts their knotty love stories over three landscapes : the sea , the hills , and the flat terrains of a city . the film is nothing like the tamil cinema we see today . the characters sip iced tea instead of loading up on sarakku . they play squash and use macbooks .
according to s . saraswathi of urltoken ,
' come and fall in love ' invites the trailer of director vasanth ' s ' moondru per moondru kadhal ' . and watching it on the big screen , you do fall in love , but not with the story or the characters , you fall in love with the beautiful lyrics , the memorable songs and the breathtaking visuals .
it is all about love . it has always been about love . a story without that mushy sentiment just wont make the cut . but for a director like vasanth , love is what defines the tales he puts on celluloid . from keladi kanmani to his soon to release moondru per moondru kadhal , he’s moved us to tears and he is also made us stand up and cheer with his simple love stories . as the name suggests moondru per moondru kadhal is based on love . it is a very contemporary i mean business sort of love story . when you watch it , you will identify or relate to someone or something in the plot . because after all , love is a part of all of us , says vasanth the director of the film .
moondru per moondru kadhal is a story about love featuring three couples , set in the backdrop of different landscapes , by the seaside , in the mountains and on the plains . the film opens in the year 2016 , with actor vemal narrating incidents that occurred in the lives of these couples over the last few years . thus the entire film is in the form of a narration .
director vasanth is back with yet another sensitive film and this time , it is love that he wants to talk about . moondru per moondru kadal ( mpmk ) , as its title suggests , is about the love stories of three persons . the film , which stars arjun , cheran and vemal in the lead with muktha banu , surveen and lasini , takes place in three different landscapes and the director says that each reflects the characters . ���the three landscapes are very integral to the film as i feel landscapes are also mindscapes . they reflect and enhance the character , ��� says vasanth .
three lead pairs , a director making a return and yuvan himself saying this could be his best from recent times - all of these make us give special attention to the moondru per moondru kadhal album . before we start judging the tracks , it is to be noted that the composer has almost hit 100 films and has taken this album very seriously . the results might still go anyway though .
director vasanth has always been a trendsetter with his heartwarming stories of love and romance . be it keladi kanmani , aasai , or rhythm , he has never followed conventional standards . he is known for exploring the different facets of love through his films . in moondru per moondru kadhal , he has attempted to highlight the fact that sacrifice is greater than love . and love is all about giving .
director vasanth has a special place in tamil cinema for his films have always dealt with human relationships in a sensitive manner and have struck a chord with the audience . after his satham podadhe in 2007 , he is back with moondru per moondru kadhal with arjun , cheran and vemal . very true to the title , mpmk is about the love stories of three sets of people with three different landscapes .
a tasteful stage was setup for the audio launch of director vasanth’s latest love story titled ‘moondru per moondru kadhal’ . despite the delayed start , the entire evening was thoroughly enjoyable with lots of humor laced moments that were extracted by the masters of ceremony ma ka pa anand and divyadarshini ( dd ) . the evening , was in many ways a in character of the film’s director vasanth itself , with its pleasant undercurrents .
to start off , easily the pick of the lot would be arjun & surveen ' s part . both of them cave in easily into their roles and some excellent casting with a feel of love . the actor ' s chemistry with surveen chawla works big time . cheran and muktha banu ' s roles are good . vasanth is known for exploring the different facets of love through his films . in moondru per moondru kadhal , he has attempted to highlight the fact that sacrifice is greater than love . and love is all about giving . come and fall in love ' invites the trailer of director vasanth ' s ' moondru per moondru kadhal ' . and watching it on the big screen , you do fall in love with the beautiful lyrics , the memorable songs and the breathtaking visuals . every song has its own unique flavor and it is incredible . aaha kaadhal konji pesudhe - excellent song
moondru per moondru kaadhal ( u ) tamil - - - - - - - - - - my rating : ★★½ cheran saves the movie strengths : - * cheran ' s episode : was very good . . . . . . * story : was fine but not well executed . . . . . weaknesses : - * length of the movie : very slow screenplay . . . . . * actresses : were not special . . . . . * songs : were boring . . . . . but some bgm were superb . . . . final verdict : - overall . . . it is hard to watch . . . but for cheran u can watch this once . . . . moondru per moondru kaadhal is an upcoming tamil romance film written and directed by vasanth . it stars arjun , cheran , vimal , muktha bhanu and newcomers surveen chawla and lasini . arjun , cheran , vimal .
he hands me a matte - finish photo album that’s as big as a medium - size painting . it contains stills from his new film moondru per moondru kaadhal . “the film is about . . . , ” he begins . he stops . “the title is self - explanatory , ” he laughs . the three men enmeshed in these three love stories are played by arjun , cheran and vimal , and these stories play out in three landscapes . by the seaside . in the mountains . on the plains .
director vasanth is getting back to directing after a hiatus . the director who is popular for his films like ' keladi kanmani , ' ' aasai , ' ' rhythm ' etc . slowly diverged in to the small screen and stayed there for a while . the director is now getting back to silver screen with ' moondru paer moondru kadhal ' ( mpmk ) . the film , sources reveal , would depict the lives of three men .
felt like at last the yuvan that i used to know from the days of selvaraghavan ! have to key my words before i drown in kadal . aha kadhal is a gorgeous song from start to end . has that illayaraja effect throughout . only complain is that it starts abruptly but yuvan & vasanth know whats better . once again a brilliant song .
and he concedes that , for most of his songs , the music was composed before the lyrics were written . among the rare instances where the lyrics came first , he points to ‘endha kudhirayil varuvaan’ ( saththam podaathey ) , and ‘vidu vidu’ in this new soundtrack for moondru per moondru kaadhal . “the opening lines were written so that we could get a hold of the concept , ” he says . “a song does something to you . in the 1980s , i was mad about ilaiyaraja’s songs . ‘andhi mazhai . ’ ‘pothi vacha malligai mottu . ’ ‘siru ponmani . ’ you can’t stop singing them . ” hence the refrain in this number : “stop the paattu . ”
director vasanth is back after a brief hiatus , after ' satham podadhe ' in 2007 he comes out with a breezy trio love story in ' moondru per moondru kadhal ' . the leading threesome casts are arjun and surveen chawla , vimal and anjana , cheran and muktha bhanu . production has been taken care by mahendra talkies and music is by our yuvan shankar raja which is already a sensational hit . vasanth has always been the mastermind behind projecting sensitive relationships and showcasing them . mpmk will have much to offer for his fans with each of the stories set in a different milieu . has he given the right balance in gluing the audiences here ? let ' s take a closer look . love in parts :
he has waited with the script for three years to get the right actors . finally director vasanth has zeroed in on them — arjun , cheran and vimal . his moondru per moondru kadhal ( mpmk ) is half way through and vasanth says that he will create new personalities out of his three actors . “i turned ‘action king ' ( arjun ) into an ‘acting king ' in rhythm . by the time mpmk is complete you will see a new cheran and vimal , ” assures vasanth . the female roles have gone to two new faces from mumbai — sruti and surveen while mukta banu plays the third heroine . “it is a love story and the highlight of the film will be the outstanding score by yuvan shankar raja , ” says vasanth .
sm vasanth movies are popular to songs and picturaisation . this movie was fulfill the expectation . yuvan music was superb . editing and camera angles was good . especially
kadhal yenthan kadhal
song suituation is very nice . vasanth stories are always different i like the way of story telling . in this film also based on a true story ( cheran ' s character ) . hats off to the lady . all the other are playing very well in this movie . i just fall in love with the beautiful lyrics , the memorable songs and the breathtaking visuals . totally this moondru per moondru kadhal is a visual treat for audience . i enjoyed the movie lot . particularly the climax was heart touching . i liked the dialogue
kadhalndrathu vangarathu kidayathu kudukarathu
. finally congrats to vasanth and team .
nice one . i thoroughly enjoyed the movie and thought the music was handled very well . both the songs and bg ( raja chose classic style of enough pauses , highlighting only when it is needed , may be intentionally of as per gautam’s request not sure . ) brilliant acting by the lead cast especially samantha . on the whole , to me it is a classic but i wont be surprised if people call it trash . my review – urltoken
this movie very nice and heroin very smart . songs very beautiful . love is film . super acting . super location . very good direction . movie is the three a love story . and comedy super . director and cameraman super work . music very nice and all those things . . . . . . and very nice movie camera location very super . action not movie so family spend in the time a movie . music very super . stop the first stop the first songs very super . to the movie young sense from movie . normally be movie very good news per very nice great action very lovely movie movie the film good nice by looking very smart movie hero very nice character in the movie the and all those lovely movie so good
the romantic film , which was released on 1 may , has received mixed reviews from film critics .
the leading stars in the film include arjun , cheran and vemal and they have been paired with surveen chawla , muktha bhanu and lasini . their stories have been set in three different landscapes - seashore , hilly region and the beautiful plains .
the story starts in 2016 and goes back to 2012 , with vemal narrating incidents that occured in the lives of the three couples throughout these years . the first couple ' s - varun ( vemal ) and anjana ( lasini ) - love story is set in a serene hill station . varun is a chartered accountant who falls in love with anjana , who in turn is in love with another person and is engaged .
the second couple ' s - guna ( cheran ) and malliga ( muktha bhanu ) - love story is set in the seashore . guna is a social worker who helps ex - convicts to start a new life . he does not have time to fall in love or get married , but malliga falls in love in with him .
the location for the third couple ' s - harris ( arjun ) and divya ( surveen chawla ) - love story is the plain lands . harris is a swimming coach who trains his student divya . they both fall in love with each other , but there is some twist in their story which is unfolded as the film ' s story progresses .
of all the three leading heroes , arjun gets a wonderful role and the actor has performed well . his chemistry with the new comer survenn chawla has won accolades . the other two couples aptly fit in their roles .
according to behindwoods review board ,
vasanth has made the film in his usual style but a tepid pace works against mpmk . the styles of film making have changed and so do the sensibilities of the audience . for the current crop of audience who is low on patience and is restless to slow unfurling of the plot , mpmk may not work . that said , the plot is quite succulent and lofty which has a lot of positivity going with it .
according to urltoken ,
to start off , easily the pick of the lot would be arjun & surveen ' s part . both of them cave in easily into their roles and some excellent casting with a touche tale has paid off well for this pair . cheran is apt for the role of a good lad and muktha impresses in the second half .
a big letdown would be vemal and lasini as both of them are not up to their mark performance wise . it appears that vemal should either give some big time concentration on his body languages or stick to his strengths like roles in ' kedi billa killadi ranga ' , ' kallavani ' etc . his tryst with urbanity doesn ' t seem to click for one moment .
music by yuvan shankar raja is the only saving grace of an otherwise ordinary film . every song has its own unique flavour and is incredible .
ramchander of oneindia said ,
the length of the film is a worrying factor . had the editor mercilessly chopped unnecessary scenes , the film would have got a better look . well , the other positive of the film is dialogues , which are excellent at parts and inspiring .
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the emotion called love is ubiquitous and it touches people at different frequencies and at different dimensions . what this wonderful feeling does to its lead characters and its effect in the trajectory of life is what mpmk all about . while mountainous terrain is the backdrop for vemal and lasini’s love , it’s the coastal belt for cheran and muktha bhanu and its plains for arjun and surveen chawla .
vasanth has made the film in his usual style but a tepid pace works against mpmk . the styles of film making have changed and so do the sensibilities of the audience . for the current crop of audience who is low on patience and is restless to slow unfurling of the plot , mpmk may not work . that said , the plot is quite succulent and lofty which has a lot of positivity going with it .
we generally don’t find ‘cinematic’ family in vasanth’s films and mpmk is no exception either . be it vemal’s parents ( my family is such a happy one that we even laugh at the mention of the word ‘joke’ ) or cheran’s parents ( a father who is so happy helping mom and a mom who is so sensitive to son’s feelings ) or surveen’s practical father .
it is not something new that vasanth’s films are clean and are devoid of glamour or double entendres .
narration follows a very languorous path and hence the engaging factor fluctuates quite steeply . arjun’s segment is the best followed by cheran and vemal . dialogues sparkle on and off .
in the performance section , it is arjun who scores over others and is aptly cast as a swimming coach . cheran and vemal are their usual self and there is not much for them to showcase their histrionics . among the lady members , it is muktha bhanu who delivers perfectly as the love struck mallika and she fits the role perfectly . surveen who looks like a mix of amala akkineni and kiran is adequate and her shots are well captured . thambi ramaiah , john vijay , appukutty , shanthi williams and sathyan round out the supporting cast .
the songs of yuvan shankar raja are already popular and gel quite well with the narration . even though aaha kaadhal has been filmed fairly well , the power that the lyrics and the music had created has not been totally translated visually . mazhai mazhai number comes out trumps with cinematographer and music director having a field day with their respective departments . that apart , ritwik vasanth appears for ‘stop the paattu’ number and shows his dancing prowess . bhojan k dinesh is in charge of camera and resplendently captures the moods of the different terrains .
this page hosts the reviews of the latest tamil and hindi movies . it also includes a verdict about the movie and a final star rating . people looking for film reviews , movie reviews , movie rating , movie verdict , movie analysis , movie cast and crew will find this page useful .
december 1 is the beginning of the margazhi , the music season in chennai . and vasanth was very particular to hold the audio launch of his mpmk on that particular day . the film has peppy melodies composed by yuvan shankar raja , which is sure to become a rage .
the guest of honour at the event was vasanth’s guru k balachandar along with special invitees k bhagyaraj , ks ravikumar , lingusami , prakash raj and kushboo .
the hero of the evening was music director yuvan shankar raja . all singers who sang in the film like neha bhasin , krish , karthik , shwetha mohan , priya , ramesh vinayagam and blaazee performed live on stage . the entire cast and crew of the film arjun , cheran , vimal , bhanu , lasini , surveen chawla were also present
each song was introduced by a guest and rendered by the respective singers . yuvan himself had said that mpmk is one of his best albums . the album is peppy , melodious and catchy the number “stop the paatu” sung by ramesh vinayagam is an instant hit while “mazhai mazhai” is melodious . the lyrics of na muthukumar are another highlight of this album distributed by gemini music .
mpmk audio launch was one of the best in recent times which was packaged well to provide maximum entertainment and fun to the select audiences . one of the major highlights of the evening was the anchors of the show makapa anand and divya darsini ( dd ) , who made it hilarious with their one - liners and punch lines .
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the evening began with a brief press conference where the film’s cast was introduced . the notable members on the dias apart from vasanth were cheran , vimal , muktha banu and lasini . the other cast members arjun and surveen were guilty of being late .
many of the speakers on stage quipped that the director never told them the story even once . towards the end this was revealed to be said as a tongue - in - cheek manner . regarding the movie , it is learned that this first project from the stables of mahendra talkies has three stories in the film but the pairings were not disclosed . neither was the fact whether the three heroes will ever share the same frame atleast once in the film . this would be one of the suspense elements in the film . the director asserted that this film is not about lovers , but about love .
cheran said that he agreed to this project almost instantly . vimal was asked to speak a couple of words and he spoke exactly that much , saying that he was thankful for the experience . arjun said that his earlier film with the director ‘rhythm’ would rank in the top 5 favorite films of his career . director vasanth topped it off by saying that this film was the most satisfying film he’s made till date , and that was possible only because of the full cooperation of the producers .
the audio launch function saw many notable industry personnel such as k . balachander , k . bhagyaraj , k . s ravikumar , kushboo , lingusamy , prakash raj , director sasi , dharan , shantanoo bhagyaraj and kazhagu krishna . each of them took turns to congratulate yuvan for his music and wished the film’s team all the success .
during the event , vasanth provided the fact that yuvan shankar raja was in class x when he composed for his film poovellam kettu paar and believes he’s got the best out of yuvan this time around too . the music director himself was quoted as saying that this was probably his best album till date . with regard to the song selection and recording process yuvan said that he didn’t compose a single new tune for the film . the chosen songs were all stock songs he had earlier recorded and vasanth merely picked the best ones from the lot .
the stage then welcomed the legendary k . balachander in whose presence the audio cds were released . k . b confidently spoke that yuvan shankar raja is at his absolute best in this film and that he was suure that vasanth too will be at his best . he said that he was not only proud of vasanth as a director , but sometimes even jealous .
the evening’s entertainment affairs were in top flight with a beautiful medley of vasanth’s favorite tamil songs performed by krish and priya hemesh with great soul . the other performances from the evening were by neha bhasin and sathyan who performed tracks from the album . both being very impressive tunes .
director vasanth was extremely thoughtful of the strong support shown by the press with their attendance in the evening . eventhough he spoke very little about the film revealing almost nothing , it was as if the music spoke about it on his behalf .
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the album opens with ` aaha kadhal ' and might just become one of it ' s best . it represents a class of music that ' s very indifferent among yuvan ' s compositions . the singer ' s carnatic touches throughout the song and the piano backing make it one of a kind . it packs a lot of soul throughout and raises expectations right away . thumbs up , yuvan .
nandini srikar deserves a good amount of credit for the success of this track and is one of the reasons it has so much soul left even with all the modern mixing taking up room . her voice is new and refreshing and fits the bill well . na muthukumar ' s poetic , yet appeals to the listener by being straightforward . job well done , overall .
kaadhal endhan kaadhal is the most emphatic song in the album , which follows very dark and enigmatic in most parts . peculiarly , yuvan goes ahead and uses the piano once more and adds to the already large number of instruments in the orchestration . the interludes and the initial pieces of this number including more southern music stand out . about all , the vocals are giving more prominence in general .
neha basin is known to have a powerful voice , but the added assistance in yuvan ' s music helps her be more dramatic and connect . although the track appears to be on the lines of mudhal murai , from his father ' s recent nep , the track is slower and grows on you with each listen .
half way through the album in it ' s third track , the film finally get it ' s first male lead and a duet . yuvan falls back to his usual and the percussion and flute mark the return of his usual bag of tricks . the charanams show off an interesting q & a ; form of music , with different pitches that blend in with the strings . however , the romance in the song becomes a bit downplayed by the end .
karthik is welcome addition to the song , but the actual duet part with sweta menon lacks something special to keep us tuned . lyrics that flow with strings are
daily tasks for na muthukumar , and that ' s perhaps why the lines don ' t stand out particularly . the charanams do post a challenge for our man but the second time becomes familiar too quickly .
a song that has touches of intentional retro - ish music and modern bass - filled beats , unakkaagave is another emphatic number that is blended with rap . the flanges appear unnecessary . the piano is featured again and is especially prominent in the opening part of the song . the blend of music throughout is very interesting and stands out from the rest of the album .
krish ' s effectiveness with high - pitched notes are proven once again with padappadakkudhu and are accompanied with straightforward hit - hard lyrics . meanwhile , blaaze glides through the low notes without breaking a sweat and also takes all the heavy percussion with him . the interesting mash - up is another track you should watch out for .
a sad and highly emotional song is here . guess who has got their name on it - yuvan . he has his usual buddies giving him company , the bass - heavy percussion and very prominent chords through which only his high - pitched tones can get through . on a serious note , the beats and techno is impressive and almost take your attention from the lyrics . some of the video - gamey beats are actually interesting . and to be fair , the piano is seen again .
yuvan finds his rhythm for delivering soulful songs after a particularly hateful outing in nep . he is smooth on the lows and goes all out on the highs , the usual way and helps add value to the song . to be fair , na muthukumar ' s words are actually better for this one , but let ' s see how long you are going to remember that .
and the end is here . the album impresses overall to put it short and sweet . it provides for everyone , the romantic , the ones who seek a powerful message and some very classy music lovers who aren ' t fond of anything else . when put together , the tracks make up a great album that ' s both similar and different from what yuvan has shown us over the last few years . it deserves several shoutouts and will soon start appearing everywhere .
verdict - a good collection of songs at the end of the year , almost appears as if it has been picked out of good songs .
justin bieber wore hotel bathroom slippers on nyc streets and it’s a complete . . .
viral : ajay devgn - rakul preet singh ' s on - location still from luv ranjan ' s dede pyaar . . .
today , there is a strong possibility that you may face unexpected job changes . . .
shah rukh khan ' s g . one from ra . one could come . . .
to start off , easily the pick of the lot would be arjun & surveen ' s part . both of them cave in easily into their roles and some excellent casting with a touche tale has paid off well for this pair . cheran is apt for the role of a good lad and muktha impresses in the second half . a big letdown would be vemal and lasini as both of them are not up to their mark performance wise . it appears that vemal should either give some big time concentration on his body languages or stick to his strengths like roles in ' kedi billa killadi ranga ' , ' kallavani ' etc . his tryst with urbanity doesn ' t seem to click for one moment . usually vasanth ' s movie is melodiously captured and also harmonic in the background as well , and this movie is no different . some pleasing camera work by dinesh is worth a mention . as for the songs , yuvan has given what vasanth would have asked for , but the visuals jarring a few do not live up to the audio ' s class . editing except for the initial half hour is fair and praiseworthy . vasanth is synonymous for highlighting relationships beyond their meticulous nature and what is hidden in each of them . shelving three stories in one umbrella he brings a twist in the tale that will merge the stories together , now that ' s the interesting part . apart from a honest attempt to reveal his intentions , the movie gets yawningly long , as the movie unveils at a relatively slow pace . with some amicable reputation he tries a narration that doesn ' t sync up as a whole rather works in places . to sum up , the director ' s usual foray is missing and might work in bits with the help of some breezy music , help from the cast and some good cinematography . verdict : a sensitive movie full of lows and highs at places .
it is a competitive world out there and cinema is no different . with an avalanche of heroines descending on k - town , getting to sign the right kind of movie is as difficult as bagging a good role . a debut film can make or break one ' s career , but fortunately for janani iyer , her introduction in avan ivan was noticed , helping her sign on for the heroine ' s role in director aslam ' s paagan , opposite srikanth . how does she plan to be different and stand out among the plethora of heroines ? says janani , “first of all , i never planned to be in movies ; it just happened . having done one film , i was keen on doing a role that was different and challenging . paagan gives me that opportunity . i am not in the rat race . i am patient enough to look for that one good role that will give me and the audience total satisfaction . ”
despite impressive performances in abhiyum naanum , unnai pol oruvan and kandahar , ganesh venkatraman is yet to get that one meaty hero role that will take him to the starry galaxy . goes to prove that good looks , great physique and talent alone would not do in k - town . ganesh now hopes to make it with pani thuli . “i have no reservations about doing any role . i always look at my work from the audience point of view . it should have a connect and add value to the story , ” says ganesh .
after commendable performances in several international bike races dilip rogger makes his acting debut in udumban . how difficult was it to face the camera ? “i had to undergo training in dance and fighting . and , to get into the skin of the character , i spent a lot of time in the village where the movie was shot . i am happy with the outcome and hope to better my performance in my next film , ” says dilip .
his vamsam led to mounaguru which now completes 50 days of its release and arulnidhi is ecstatic about the way his career is shaping up . he is getting to work with good directors . he will be part of karu pazhaniappan ' s next that is getting ready to roll . “we plan to announce it on february 3 when mounaguru completes its 50th day . the heroine and the title will be announced then . but , i am excited about my performance - oriented role in this romantic family drama . this will be followed by a film i will be doing for director samudirakani , which he will start after he completes his present assignments , ” says arulnidhi whose stars are clearly on the ascent .
. and watching it on the big screen , you do fall in love , but not with the story or the characters , you fall in love with the beautiful lyrics , the memorable songs and the breathtaking visuals .
the film stars arjun , cheran , vemal , and muktha bhanu along with newcomers surveen chawla and lasini in the lead roles . director vasanth ' s son ritvik plays a cameo role , supported by apppukutty , sathyan , thambi ramaiah and john vijay . bhojan k dinesh handles the cinematography and editing is by s n fazil .
we are introduced to the first couple , varun ( vemal ) and anjana ( lasini ) in a beautiful hill station . varun , who is a chartered accountant , meets and falls in love with anjana , who is also a ca working in his father’s office . unfortunately , she is in love with someone else and is already engaged .
the story of the second couple guna ( cheran ) and malliga ( muktha bhanu ) is set in a small town by the seaside . guna is a social activist who runs an organisation that helps ex - convicts to start a new life . his dedication and sincerity for his work leaves him no time for love or marriage , thus shattering the dreams of poor malliga who is in love with him .
the last couple , harris ( arjun ) and divya ( surveen chawla ) , lives in the plains . harris is a reputed swimming coach , who is training his star pupil , divya to win an olympic gold medal . they are madly in love with each other , so what is the twist in their story ? we learn this and more as the story progresses .


pudhumai pithan is a tamil language film starring m. g. ramachandran , t. r. rajakumari and b. s. saroja in the lead role .

the film was released on 2 august 1957 .

the film was a failure .

even randor guy says it is not a success in blast from the past in the hindu .

pudhumai pithan ( 1957 film )

pudhumai pithan ( 1957 ) directed by tr . ramana • film + cast • letterboxd
have a fact about pudhumai pithan ( 1957 film ) ? write it here to share it with the entire community .
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pudhumai pithan tamil is a tamil language film starring m . g . ramachandran , t . r . rajakumari and b . s . saroja in the lead role . the film was released onaugust 1957 . the film was super hit and ran for 125 days in theatres .
pudhumai pithan ( புதுமை பித்தன் ) is a tamil language film starring m . g . ramachandran , t . r . rajakumari and b . s . saroja in the lead role .
and b . s . saroja in the lead role . the film was released in the 1957 .
unlike t . r . ramanna who made a successful tamil movie ( pudhumai pithan ) out of a similar subject , b . n . did not wear his heart on his sleeve .
kedarnath bhattacharya , better known as kumar sanu ( born 20 october 1957 ) , is an indian singer .
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thodi kodallu ( english : co - sisters ) is a 1957 telugu film directed by adurthi subba rao and produced by d . madhusudhana rao of annapurna pictures .
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the national film award – special jury award / special mention ( feature film ) is one of the national film awards presented annually by the directorate of film festivals , the organisation set up by ministry of information and broadcasting , india .
nithin kumar reddy , also known as nithiin , is an indian film actor who works in the telugu film industry .
silambarasan is an indian film actor , director , producer , playback singer , who works in the tamil film industry .
meena kapoor was a playback singer in hindi cinema , during the 1940s and 1950s , singing hits such as
rasiya re man basiya re
from ' ' pardesi ' ' ( 1957 ) and ‘kachhi hai umariya’ picturised on meena kumari in char dil char rahen ( 1959 ) .
jency anthony is a popular south indian film playback singer who has worked with the film composers like ilayaraaja in tamil films .
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i am happy to present the details of each film in a desired manner .
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susarla dakshinamurthi or s . dakshinamurthi was an indian film music director , playback singer , producer and an eminent carnatic musician , known for his works in south indian film industry .
the soundtrack of the film was composed by t . r . pappa . [ 1 ]
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singing actors and actresses in indian cinema are indian film actors who do their own singing .
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rahul dev burman ( 27 june 1939 – 4 january 1994 ) was an indian film score composer , who is considered one of the seminal music directors of the indian film industry .
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sarkari mehmaan is a 1979 bollywood crime film drama directed by n . d . kothari .
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velaikaari ( the maid ) is a 1949 indian tamil drama film produced by jupiter pictures .
a film in which bhagyaraj uses an old unfinished mgr movie as a flashback in the plot .
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senthamarai ( tamil : செந்தாமரை ) is a 1962 indian tamil film , directed by a . bhimsingh .
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vidivelli is a 1960 indian tamil language film , written and directed by c . v . sridhar .
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ziddi ( ज़िद्दी . ,
stubborn
) is a 1948 hindi film directed by shaheed latif .
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mahathi ( tamil : மஹதி ) is a carnatic musician and playback singer for film songs in several indian languages .
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my name is anthony gonsalves
is a popular comic song from the 1977 bollywood film amar akbar anthony .
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the filmfare best male playback singer award is given by indian film magazine filmfare as a part of its annual filmfare awards for hindi films , to recognise a male playback singer who has delivered an outstanding performance in a film song .
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anjaan ( fearless ) is the soundtrack composed by yuvan shankar raja for the 2014 tamil film of the same name .
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galliyan
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gangai amaran is a music director , singer , lyricist , script writer , film director and actor in tamil films .
kanchi thalaivan ( காஞ்சி தலைவன் ) is a 1963 tamil language historical fiction action drama film directed by a . kasilingam .
kalai arasi ( - ta ) is a 1963 tamil language science fiction action drama film directed by a . kasilingam .
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pudhaiyal ( புதையல் ) is a comedy - drama tamil film that starring sivaji ganesan and padmini in the lead roles .
raja rani ( king , queen ) is a tamil film that starring sivaji ganesan and padmini in the lead roles .
rangoon radha ( ரங்கூன் ராதா ) is a tamil film about a man trying to steal his wife ' s fortune .
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vandana srinivasan is an indian playback singer , working mainly as an independent singer and for the south indian film industry .
, introduced chettiar to dungan and recommended dungan be given the chance instead . dungan was hired as director and the film was made . some scenes were shot in location at ceylon . the completed film was 18 , 000 feet in length .
film , gandi mander , , may badal kay badlay rum jum barsson , , balber , , umadevi . , shankardas gupta
amado mio
is a song from the classic 1946 film noir gilda , written by doris fisher and allan roberts .
arivaali ( அறிவாளி ) is a 1963 tamil language drama film written , produced and directed by a . t . krishnaswami .
chenchu lakshmi ( செஞ்சு லட்சுமி ) is a 1958 bilingual telugu and tamil film directed by b . a . subba rao .
gomathiyin kaadhalan ( கோமதியின் காதலன் . ) is a tamil language film starring t . r . ramachandran and k . savithri .
ilaiyaraaja ( born gnanadesikan ) is an indian film composer who works predominantly in the south indian cinema since the late 1970s .
illara jyothi ( tamil : இல்லற ஜோதி ) is a 1954 indian tamil film , directed by g . r . rao .
kaash ( if only ) is an indian bollywood domestic drama film directed by mahesh bhatt , released on 4 september 1987 .
kalvanin kadhali ( கள்வனின் காதலி ) is a tamil film that starring sivaji ganesan and p . bhanumathi in the lead roles .
manaalane mangaiyin baakkiyam ( மணாளனே மங்கையின் பாக்கியம் ) is a tamil film starring gemini ganesan , anjali devi , rajasulochana and girija .
the following is a list of winners of the national film award ( silver lotus award ) for best male playback singer .
raja narayan deb ( bengali : রাজা নারায়ণ দেব ) is an indian composer working in the bollywood and bengali film industries .
saindhavi ( born 3 january 1989 ) is a carnatic music singer and an indian ( mainly tamil ) film playback singer .
this is a filmography for vijay , an indian actor , playback singer and producer who works in the tamil film industry .
this was the first film to surpass 100 days for the second time re - release in the same theatre . thiruvannamalai krishna .
anu anand ( tamil : அனு ஆனந்த் ) is an indian actress and playback singer . she works mainly in tamil film industry .
anusha mani is an indian female playback singer who works actively in bollywood film industry . she is now married to sangeet haldipur .
arasilangkumari ( அரசிளங்குமரி ) is a tamil language film starring m . g . ramachandran , padmini and rajasulochana in the lead roles .
en thangai ( tamil : என் தங்கை ) is a tamil language film starring m . g . ramachandran in the lead role .
k . j . yesudas is a multilingual singer , singing indian classical music , devotional , light music , and film songs .
makkalai petra magarasi ( மக்களை பெற்ற மகராசி ) is a tamil film starring sivaji ganesan and p . bhanumathi in the lead roles .
nirmala is a 1948 indian malayalam film directed by p . v . krishna iyer and produced by p . j . cherian .
rani lalithangi ( ராணி லலிதாங்கி ) is a tamil language folklore film starring sivaji ganesan and p . bhanumathi in the lead roles .
shammi kapoor ( born shamsher raj kapoor ; 21 october 1931 – 14 august 2011 ) was an indian film actor and director .
siddharth ( born 17 april 1979 ) is an indian film actor who has appeared in tamil , telugu and hindi language films .
suresh gopinathan , commonly known as suresh gopi , is an indian film actor who has starred in more than 200 malayalam films .
tenali ramakrishna is a 1956 indian bilingual historical drama film primarily shot in telugu , and directed by b . s . ranga .
vikramaadhithan ( விக்ரமாதித்தன் ) is a tamil language film starring m . g . ramachandran , padmini and sriranjini in the lead roles .
ambikapathy ( also spelled as ambikapathi ; அம்பிகாபதி ) is a tamil film starring sivaji ganesan and p . bhanumathi as the main cast .
anbu ( அன்பு ) is a tamil language film starring sivaji ganesan , padmini and t . r . rajakumari in the lead roles .
annaiyin aanai ( அன்னையின் ஆணை ) is a tamil language drama film starring sivaji ganesan , savitri and pandari bai in the lead roles .
ganga addara ( english : beside the river ) was a 1980 sinhalese language film directed by sumitra peiris and produced by sumathi films .
kappalottiya thamizhan ( the tamilian who launched a ship ) is a 1961 indian tamil drama film directed by b . r . panthulu .
latha rajinikanth ( born latha rangachari ) is an indian philanthropist , film producer , playback singer , and the wife of actor rajinikanth .
manamagan thevai ( மணமகன் தேவை ) is a comedy - drama tamil film starring sivaji ganesan and p . bhanumathi as the main cast .
naan petra selvam ( நான் பெற்ற செல்வம் ) is a tamil language film starring sivaji ganesan and g . varalakshmi in the lead roles .
pudhukottaiyilirundhu saravanan ( saravanan from pudukottai . ) is a 2004 tamil action romance film written and directed by s . s . stanley .
raja rajan ( ராஜராஜன் ) is a tamil language film starring m . g . ramachandran , padmini and lalitha in the lead roles .
sreerama chandra mynampati is a professional singer and 2010 indian idol winner from hyderabad who debuted his playback career in the telugu film industry .
the sound of music is a 1965 american musical drama film produced and directed by robert wise and starring julie andrews and christopher plummer .
v . kumar ( வி . குமார் ) , known as melody king , was introduced to tamil film music by k . balachander .
vijay ( born joseph vijay chandrasekhar ) is an indian actor , playback singer and producer , who works in the tamil film industry .
all the actors and actress who participated in the film gave a memento , 6 feet silver cup which is now in mgr memorial house .
aditya dhar ( born new delhi , 12 march 1983 ) is an indian lyricist , dialogue writer , film director , and playback singer .
alam ara ( आलम आरा , عالم آراء , translation : the ornament of the world ) is a 1931 film directed by ardeshir irani .
avasara police 100 is a tamil language film starring and directed by k . bhagyaraj with m . g . ramachandran in the lead role .
bhaaga pirivinai is a tamil language film starring sivaji ganesan , m . r . radha and b . saroja devi in the lead roles .
jassie gift is an indian film music composer and playback singer who primarily works in all south indian languages and hails from thiruvananthapuram , india .
panam ( tamil : பணம் ) ( english : money ) is a 1952 indian tamil film , directed by n . s . krishnan .
shiva rajkumar is an indian film actor , producer , playback singer , philanthropist and television presenter best known for his work in kannada cinema .
shruti pathak ( born october 27 , 1982 ) is a filmfare award - nominated indian playback singer and lyricist working in hindi film industry .
vishvesh parmar is an indian playback singer and music composer , known for his composition pankhida for the urban gujarati film , kevi rite jaish .
nadodi mannan which was released in salem town is the only film which reached 25 weeks this record was unbroken until mgr became the chief minister .
abhishek bachchan ( born 5 february 1976 ) is an indian film actor , producer and playback singer best known for his work in hindi films .
donga ramudu ( telugu : దొంగ రాముడు ) is a 1955 telugu drama film directed by kadiri venkata reddy and produced by d . madhusudhana rao .
mohammed aziz ( মোহাম্মদ আজিজ ) ( born 2 july 1954 ) is an indian playback singer in the bollywood , oriya and bengali film industries .
mujeeb aalam ( february 4 , 1948 & ndash ; june 2 , 2004 ) was a pakistani playback singer who had a short film career .
priyanka chopra ( born 18 july 1982 ) is an indian film actress and singer , and the winner of the miss world pageant of 2000 .
the film records in madurai : source sarithiram padaitha makkal thilgam mgr , special edition – released as kalaiventhan mgr bakthargal trust silver jubilee year issue 2006 .
bhupen hazarika ( assamese : ভূপেন হাজৰিকা ) ( 1926–2011 ) was an indian lyricist , musician , singer , poet and film - maker from assam .
kadan vaangi kalyaanam ( கடன் வாங்கி கல்யாணம் ) is a tamil film starring gemini ganesan , k . savithri , t . r . ramachandran and jamuna .
mughal - e - azam ( the emperor of the mughals ) is a 1960 indian film directed by k . asif and produced by shapoorji pallonji .
nadirshah is a well - known indian mimicry artist , comedian , television host , singer , lyricist , composer , actor and film director in kerala .
sarangadhara ( tamil : சாரங்கதாரா ) is released on 15 august 1958 tamil film directed by v . s . raghavan of revathi studios for minerva pictures .
the film questions why destiny plays games with people ' s lives . its title yaen , meaning
why
, refers to this . [ 1 ]
venkatesh prabhu kasthuri raja ( born 28 july 1982 ) is an indian film actor , producer , lyricist and playback singer who works predominantly in tamil cinema .
mohammed rafi ( 24 december 1924 – 31 july 1980 ) was an indian playback singer and one of the most popular singers of the hindi film industry .
rajan babu ( born chennai , india , 31 may 1975 ) is an indian film director , screenwriter , working predominantly in tamil cinema based in chennai .
sahaya sheelan ( ಸಹಾಯ ಶೀಲನ್ ) known by his screen name sadhu kokila , is an indian actor , director and music director in the kannada film industry .
shah rukh khan ( born shahrukh khan , 2 november 1965 ) , also known as srk , is an indian film actor , producer and television personality .
thaaikkuppin thaaram ( the mother before the wife ) ( தாய்க்குப்பின் தாரம் ) is a tamil language film starring m . g . ramachandran in the lead role .
vazhkai ( வாழ்கை ; life ) is a 1949 indian tamil social guidance film produced and directed by a . v . meiyappan with his company avm productions .
anu malik ( born 2 november 1960 ) , born anwar sardaar malik , is an indian music director and singer who primarily works in the hindi film industry .
chakravarthi thirumagal ( சக்ரவர்த்தி திருமகள் ) is a tamil language folklore film starring m . g . ramachandran , anjali devi and s . varalakshmi in the lead roles .
edison awards is grand annual award presenting ceremony for people in tamil film industry , who have made landmarks and milestones for the history of tamil cinema since 2009 .
madurai veeran ( மதுரை வீரன் ) is a 1956 tamil film directed by d . yoganand , starring m . g . ramachandran , p . bhanumathi and padmini .
vikram ( often credited chiyaan vikram ) is an indian film actor , producer , playback singer and former dubbing artiste known for his work in tamil language films .
lathika ( ലതിക ) , is an indian playback singer whose voice held sway over the music charts in the late 1980s - early 1990s in the malayalam film industry .
vasudevan nair ( 15 june 1944 & ndash ; 20 february 2011 ) , known as malaysia vasudevan was a tamil playback singer and actor in the tamil film industry .
marutha nattu veeran ( tamil : மருத நாட்டு வீரன் ) is a 1961 indian tamil film , directed by t . r . raghunath and produced by b . radhakrishna .
nadodi mannan ( நாடோடி மன்னன் ; the vagabond king ) is a tamil language adventure film directed , produced and starring by m . g . ramachandran in dual role .
nisar bazmi ( urdu : نثار بزمی ; december 1 , 1924 – march 22 , 2007 ) was a composer and music director of indian and pakistan film industry .
yuvan shankar raja ( born 31 august 1979 ) is an indian singer - songwriter , film score and soundtrack composer , and occasional lyricist from chennai , tamil nadu .
baghdad thirudan ( பாக்தாத் திருடன் ; the thief of bagdad ) is a 1960 black - and - white swashbuckler tamil film produced and directed by t . p . sundaram .
naan sollum ragasiyam ( tamil : நான் சொல்லும் ரகசியம் ) is a 1959 indian tamil film , directed by p . sridhar rao and produced by v . c . subburaman .
thangamalai ragasiyam ( தங்கமலை ரகசியம் ) is a tamil language mystery - adventure - fantasy film starring sivaji ganesan , t . r . rajakumari and jamuna in the lead roles .
unnai charanadaindhen is a 2003 indian tamil romantic drama film directed by samuthirakani , featuring venkat prabhu , s . p . b . charan and meera vasudevan in lead roles .
velmurugan is a south indian film playback singer , who shot to fame with folk songs like madura in subramaniapuram and aadungada in naadodigal and the recent otha sollala in aadukalam .
naseem nazli ( مالا ; november 9 , 1939 – march 6 , 1990 ) , popularly called mala , was a pakistani playback singer of urdu and punjabi films . in the 1960s , mala was a ' hit pair for singing duet film songs ' with famous playback singer ahmed rushdi and they gave numerous hits to pakistan film industry . she sang many super hit songs in almost two decades singing career in the 1960s and 1970s . mala ' s career suffered with the arrival of runa laila in the film industry .
was a tamil film actor whose career spanned from the late 1930s through late 1950s . he was well known for his role in mythological films and later switched to character roles .
aamir khan ( born mohammed aamir hussain khan on 14 march 1965 ) is an indian film actor , director , producer , television personality , social worker , screenwriter and philanthropist .
kishore kumar ( 4 august 1929 – 13 october 1987 ) was an indian film playback singer , actor , lyricist , composer , producer , director , screenplay writer and scriptwriter .
mahal ( hindi : महल ; urdu : محل ; english translation : the mansion ) is a 1949 indian hindi film directed by kamal amrohi and starring ashok kumar and madhubala .
nithyasree mahadevan , ( born 25 august 1973 ) also referred to as s . nithyashri , is an eminent carnatic musician and playback singer for film songs in many indian languages .
paap ( sin ) is a 2003 bollywood film , directed by pooja bhatt in her directorial debut , and features john abraham , udita goswami , gulshan grover and mohan agashe .
the raghupati venkaiah award is telugu cinema ' s highest award in cinema , an annual award introduced to recognize people for their lifetime achievements and contributions to the telugu film industry .
raja bakthi ( ராஜ பக்தி ; loyalty to crown ) is a 1960 tamil historical fiction epic film written by v . c . gopal rathnam and directed by k . vembu .
damal krishnaswamy pattammal ( தாமல் கிருஷ்ணசுவாமி பட்டம்மாள் ) ( 28 march 1919 – 16 july 2009 ) was a prominent carnatic musician and a playback singer for film songs in many indian languages .
devan ekambaram ( தேவன் ஏகாம்பரம் , born 25 december in freehold township , new jersey ) , or devan , is an indian / american playback singer , actor and a film composer .
kalyanam panniyum brammachari ( கல்யாணம் பண்ணியும் பிரமச்சாரி ; bachelor even after marriage ) is a 1954 indian tamil film , directed by p . neelakantan and produced by b . r . panthulu .
kodeeswaran ( tamil : கோடீஸ்வரன் ) ( english : millionaire ) is a 1955 indian tamil film , directed by sundar rao nadkarni and produced by sundar rao nadkarni and b . radhakrishna .
lohith ( born 17 march 1975 ) , known by his screen name puneeth rajkumar , is an indian film actor , playback singer and television presenter who mostly works in kannada cinema .
satya ( lit .
truth
) is a 1998 indian hindi crime film written and directed by ram gopal varma , with screenplay - dialogues by saurabh shukla and anurag kashyap .
alyssa mendonsa ( born c . 1990 in delhi ) is an indian playback singer who has made her debut in the film karthik calling karthik with the song
uff teri adaa
.
sudeep sanjeev ( born 2 september 1973 ) , known mononymously as sudeep , is an indian film actor , director , producer , screenwriter , playback singer who works primarily in kannada cinema .
vishal bhardwaj ( born 4 august 1965 ) is an indian film director , writer , screenwriter , producer , music composer and playback singer , known for his works in modern hindi cinema .
anupama deshapande is a bollywood playback singer who has won the filmfare award for best female playback singer for her folk song
sohni chinab di
in the film sohni mahiwal ( 1984 ) .
god help the outcasts
is a song written by composer alan menken and lyricist stephen schwartz for walt disney pictures ' 34th animated feature film the hunchback of notre dame ( 1996 ) .
marma veeran ( மர்ம வீரன் ; mysterious warrior ) is a 1956 tamil film written by a . l . narayanan and directed by t . r . raghunath and was produced by actor sriram .
sripathi panditharadhyula balasubrahmanyam charan , popularly known as s . p . b . charan , is an indian film playback singer , actor , and producer known for his works primarily in tamil cinema .
suraiya jamaal sheikh ( 15 june 1929 – 31 january 2004 ) ( ثریا جمال شیخ , सुरैया जमाल शेख़ ) was a film playback singer and actress in bollywood in the 1940s and 1950s .
mgr was very sentimental about madurai . his first 25 weeks film was madurai veeran and his last acted movie was madurai meeta sundarapandian . many of the titles also came from madurai some are kaliyuga pari and kalai sudar . mgr contested from madurai west constituency in 1980 and won by substantial vote difference . madurai was said to be mgr’s fort as far as the film and political life are concerned .
i ' ll make a man out of you
is a song written by composer matthew wilder and lyricist david zippel for walt disney pictures ' 36th animated feature film mulan ( 1998 ) .
manthiri kumari ( the minister ' s daughter ) is a 1950 indian tamil historical fiction film directed by ellis r . dungan and starring m . g . ramachandran and m . n . nambiar .
thuli visham ( tamil : துளி விஷம் ) is a 1954 indian tamil film , directed by a . s . a . samy and produced by v . l . narasu under narasu studios banner .
( lit . devotion to the husband ) written by a . krishnaswami pavalar and starring k . p . kesavan . it was staged by the madurai original boys company . m . kandasamy mudaliar wanted to make a film based on the play . production started but soon stalled due to differences and k . p . kesavan canceled his contract . mudaliar walked out of the production and started a new film titled
ahmed rushdi , si , pp ( احمد رشدی ; april 24 , 1934 – april 11 , 1983 ) was a versatile pakistani playback singer who worked in film music and was
an important contributor to the golden age of pakistani film music .
rushdi is acclaimed as one of the greatest singers ever lived in south asia and was a natural baritone , yet could sing high tenor notes with ease .
the filmfare best female playback award is given by filmfare as part of its annual filmfare awards for hindi films , to recognise a female playback singer who has delivered an outstanding performance in a film song .
maragadham ( tamil : மரகதம் ) is a 1959 indian tamil crime - thriller film , directed by s . m . sriramulu naidu and produced by k . r . seenivasan and n . naga subramaniyam .
pennin perumai ( பெண்ணின் பெருமை ; english : woman ' s pride ) is a 1956 tamil language film starring sivaji ganesan , gemini ganesan , savithri and m . n . rajam in the lead roles .
biriyani is the soundtrack album , composed by yuvan shankar raja , to the 2013 black comedy film of the same name , directed by venkat prabhu starring karthi , hansika motwani , premgi amaren and mandy takhar .
dharam devdutt pishorimal anand ( 26 september 1923 – 3 december 2011 ) , better known as dev anand , was an indian film actor , writer , director and producer known for his work in hindi cinema .
sarvadhikari ( சர்வாதிகாரி ) ( english title : dictator ) is a tamil language musical film starring m . g . ramachandran and anjali devi in the lead roles and m . n . nambiar as the villain .
vijaya gurunatha sethupathi ( விஜய குருநாத சேதுபதி ; born 16 january 1978 ) , known as vijay sethupathi ( விஜய் சேதுபதி ) , is an indian film actor , lyricist , dialogue writer who appears in tamil films .
koondukkili ( கூண்டுக்கிளி ; the caged parrot ) , also spelled as goondukili , is a 1954 tamil language film starring m . g . ramachandran , sivaji ganesan and b . s . saroja in the lead roles .
madras lalitangi vasanthakumari ( மெட்ராஸ் லலிதாங்கி வசந்தகுமாரி ) ( popularly referred to as mlv ) ( 3 july 1928 – 31 october 1990 ) , was a carnatic musician and playback singer for film songs in many indian languages .
padhi bakthi or pathi bakthi ( பதி பக்தி , english : devotion to husband ) is a tamil language drama film starring sivaji ganesan , gemini ganesan , savitri and m . n . rajam in the lead roles .
vanasundari ( வனசுந்தரி ) is a 1951 tamil film directed by t . r . raghunath , starring p . u . chinnappa , t . r . rajakumari , t . s . balaiah and s . varalakshmi .
producer , distributor and an ardent fan of ntr , kommineni venkateswara rao ( sri lalitha film distributors , guntur ) re - released ‘rajamakutam’ in 1996 with the huge 24 sheet posters , a talk of the town then .
luís remo de maria bernardo fernandes , more popularly known as remo fernandes ( born 8 may 1953 ) , is a pop / rock / indian fusion artist and film playback singer from the state of goa , india .
sunidhi chauhan ( सुनिधि चौहान ) ( born nidhi chauhan , 14 august 1983 ) is one of the most popular indian playback singers and performers today , best known for her punjabi songs and hindi film songs in bollywood .
thirumbi paar ( திரும்பிப் பார் ; english : look back ! ) is a 1953 tamil language film starring sivaji ganesan , p . v . narasimha bharathi , pandari bai , krishna kumari and girija in the lead roles .
in 1938 m . k . thyagaraja bhagavathar produced sathyaseelan in bombay and gr became the music director for that film which followed by the vipranarayana ( old ) . the first film to be produced in madras with gr as the music director was poogailas , followed by parasuraman and boologa rambai ( old ) . gr was a resident music director for the modern theatres since the beginning except a few which were done by k . v . mahadevan .
ghulam ahmed chishti ( often abbreviated to g . a . chishti ) ( 17 august 1905 – 25 december 1994 ) was an indian / pakistani music composer , attributed as being one of the founders of pakistani film music .
the gima best female playback singer award is given by global indian music academy as a part of its annual global indian music academy awards to recognise a female playback singer who has delivered an outstanding performance in a film song .
uttam kumar ( 3 september 1926 – 24 july 1980 ) ( born as arun kumar chatterjee ) was an indian film actor , director , producer , singer and music composer , playback singer who predominantly worked in indian cinema .
hemanta kumar mukhopadhyay , also hemanta mukherjee , ( 16 june 1920 & ndash ; 26 september 1989 ) was an indian singer , composer / music director and film producer , who sang in bengali , hindi and other indian languages .
joseph panimayadas chandrababu rodriguez ( 1927–1974 ) was a tamil film comedian , actor , director , singer and dancer , whose chaplinesque style on - screen movements and singing style made him popular from the late 1940s to the early 1970s .
this is a list of awards and nominations received by mohanlal viswanathan nair , better known as mohanlal , an indian film actor , producer , writer and playback singer who predominantly works in malayalam cinema and has acted over 320 films .
sabaash meena ( tamil : சபாஷ் மீனா ) is a tamil language comedy drama film directed by b . r . panthulu and starring sivaji ganesan , j . p . chandrababu , malini and b . saroja devi in the lead roles .
putta swamy , known by his screen name shiva rajkumar ( ಶಿವ ರಾಜ್‌ಕುಮಾರ್ ) ( born 12 july 1962 ) , is an indian film actor , producer , playback singer , and television presenter best known for his work in kannada cinema .
sedapatti suryanarayana devar rajendran , commonly known by his stage name s . s . rajendran ( ssr ) , ( ் . ; january 1928 & ndash ; 24 october 2014 ) was an indian film actor , director , producer and politician .
thesingu rajendar ( credited as ' t . rajhenderr ' ) ( born may 9 , 1955 ) , is a tamil film actor , director , composer , screenwriter , cinematographer , producer , singer , playback singer , and constitutional law expert .
telugu cinema , also known by its sobriquet tollywood , is a part of indian cinema producing films in the telugu language , and is centered in the indian states of andhra pradesh and telangana , particularly in the hyderabad neighbourhood of film nagar .
avichi meiyappa chettiar ( அவிச்சி மெய்யப்ப செட்டியார் ; 28 july 1907 – 12 august 1979 ) , also known as a . v . meiyappan or avm , was an indian film producer , director and philanthropist who established avm productions in vadapalani , chennai .
the gima best male playback singer award is given by global indian music academy as a part of its annual global indian music academy awards for hindi films , to recognise a male playback singer who has delivered an outstanding performance in a film song .
aag ka dariya ( river of fire ) is 1953 hindi language black - and - white film directed by roop k . shorey and starring karan dewan , prithviraj kapoor , meena shorey , shammi , uma dutt , johnny walker , manju , cecil .
mera joota hai japani ( मेरा जूता है जापानी ; میرا جوتا ہے جاپانى ala - lc : lit . my shoes are japanese ) is a hindi song with music by shankar jaikishan and lyrics by shailendra , written for the 1955 bollywood film shree 420 .
allah rakhi wasai ( 21 september 1926 – 23 december 2000 ) better known by her stage name noor jehan or noor jahanashish rajadhyaksha and paul willemen , encyclopaedia of indian cinema , british film institute , oxford university press , new delhi , 2002 , pp .
mgr movie ithayakani was the block buster film for the year 1975 . entertainment tax was raised from 1973 and tamil cinema found difficulties . here is an example , laudatory from one of the tamil movie producer muktha srinivasan on the achievement made by mgr films in 1975 .
shamshad begum ( शमशाद बेगम , ਸ਼ਮਸ਼ਾਦ ਬੇਗਮ , شمشاد بیگم , śamśād bēgam ; 14 april 1919 – 23 april 2013 ) india post , south asia bureau , august 1998 was an indian singer who was one of the first playback singers in the hindi film industry .
thaai magalukku kattiya thaali ( தாய் மகளுக்கு கட்டிய தாலி ) is a tamil language film starring m . g . ramachandran , jamuna and p . kannamba in the lead roles and directed by r . r . chandiran who also was a well known cinematographer in his time .
yaen was commercially successful , running for over ten weeks in theatres . film historian randor guy said it would be remembered for
the unusual story , good performances by lakshmi , avm rajan , sr veeraraghavan , vs raghavan , the young actor audhinarayanan and others .
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sozhavanthan varadharajan ( s . v . ) ganesh jamunavenkatraman ( tamil : சோழவந்தான் வரதராஜன் வெங்கட்ராமன் ) ( 25 april 1911 – 7 april 1998 ) , also known as svv , was an actor , singer , and music director , who was active in the indian film industry from 1938 to the 1970s .
meenakshi theatre first film screened was oli vilaku , and mgr has attended various functions in meenakshi theatre particularly on the 100th day function for nam nadu , 175th day function in chinthamani theatre , 175th day function in central theatre for enga vetu pillai . and grand function for nadodi mannan in thamukam grounds in 1958 .
kundan lal saigal often abbreviated as k . l . saigal ( 11 april 1904 & ndash ; 18 january 1947 ) was an indian singer and actor who is considered the first superstar of the hindi film industry , which was centered in kolkata during saigal ' s time , but is currently centered in mumbai .
he joined the baratha gana saba , a drama troupe and played harmonium at the age of 18 . then he joined the v . a . chellappa drama company , and sang playback and played harmonium . in 1932 , he first played musical instrument for a tamil film called kalavarishi which was produced in calcutta .
pankaj mullick , also known as pankaj kumar mullick ( pôngkoj kumar mollik ; 10 may 1905 – 19 february 1978 ) was a bengali indian music director , who was a pioneer of film music in bengali cinema and hindi cinema at the advent of playback singing , as well as an early exponent of rabindra sangeet .
mankatha is the soundtrack album , composed by yuvan shankar raja , to the 2011 action thriller film of the same name , directed by venkat prabhu that stars ajith kumar in the lead role along with an ensemble cast including arjun , trisha krishnan , vaibhav reddy , lakshmi rai , andrea jeremiah , premji amaren and anjali .
anil krishna biswas ( अनिल कृष्ण विश्वास / अनिल बिस्वास ; 7 july 1914 – 31 may 2003 ) was an indian film music composer from 1935 to 1965 , who apart from being one of pioneers of playback singing , is also credited for the first indian orchestra of twelve pieces and introducing orchestral music and full - blooded choral effects , into indian cinema .
. mudaliar ' s son m . k . radha was cast as hero and an unknown ( then ) 19 year old m . g . ramachandran was cast as police inspector rangayya naidu . the film was produced by marudachalam chettiar of coimbatore . chettiar wanted manik lal tandon to direct the movie and went to calcutta to hire him . tandon who was busy directing
lip sync , lip - sync , lip - synch ( short for lip synchronization ) is a technical term for matching lip movements with pre - recorded sung or spoken vocals that the listeners hear through speakers , either through pa system speakers in a
live
performance or television or cinema speakers in the case of a lip - synced tv show or film performance .
gr would strive the singers to the excellence . t . m . soundararajan said that if one could sing to the satisfaction and the tune of gr you could easily sing for the tune of any music director in any part of the world . gr would sing out the songs before recording to guide the singers . his greatest talent was that he was able to compose tunes suiting the storyline as well as the period of production of the films . he produced a film pudhu yugam under sree saai gaanaamirudha pictures in 1954 .
he has a liking for the voices of g . n . balasubramaniam , m . l . vasanthakumari , maharajapuram viswanatha iyer , and the hindi film music director naushad and his favourite singers in his compositions were s . varalakshmi , p . susheela and jikki . of all the voices , he is a great lover of m . k . thyagaraja bhagavathar . gr believes that only mkt could deliver what was expected of any singer . gr was also an excellent singer and had sung in his own compositions in ponmudi and also under k . v . mahadevan ' s composition for alli petra pillai .
during this phase , bosses of vauhini productions led by brij mohan das were looking for a surefire box office script to offset the losses incurred after the dismal fare of bangarupapa . fresh from the success of bhagyarekha which he had directed for an outside banner , b . n . reddi wished to make a light banter movie for vauhini’s next production and commissioned d . v . narasaraju to write such script . but the partners insisted on a folklore subject as it was considered a safe bet . b . n . was in a dilemma , ‘to do or not to do’ as he was never comfortable with the genre that k . v . reddi had perfected with such success . finally he was forced to do a folklore film bowing to majority opinion . narasaraju came up with a taut script . however he was disheartened when b . n . , who abhorred fight sequences , asked him to tone down the action blocks which were the main draw for a folklore movie .