kalavathi ( tamil : கலாவதி ) is a 1951 indian tamil film directed by l. s. ramachandran and written by sundara vathiyar and chidambaram natarajan .

the film stars t. s. durairaj , t. a. jayalakshmi and e. r. sahadevan in the lead roles .

kalavathi

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address of subramanian kalavathi - one of the registered mca director is xxxxxxxxxxxxxx . this address is according to mca records . this address might of office address of subramanian kalavathi and also it can be residential address of subramanian kalavathi .
kalavathi ( original motion picture soundtrack ) by g . k . venkatesh on spotify
ans : residential address of subramanian kalavathi might be the registered address which is xxxxxxxxxxxxxx .
kalavathi official trailer | sundar . c | siddharth | trisha | hansika motwani | hiphop tamizha
another weekend dominated by sankranthi blockbuster # soggadechinninayana . # kalavathi decent for the low costs .
are you looking for all the details about all the companies that subramanian kalavathi is associated or affiliated with ? as per mca , subramanian kalavathi is a director of 1 companies till date . the 4 companies where subramanian kalavathi is a director are empire chemicals , . to know more about the exact details of subramanian kalavathi in these companies , refer the below details .
ans : empire chemicals , are the companies where subramanian kalavathi is working as a director .
the company named empire chemicals is associated with subramanian kalavathi which is registered with the cin u24114py1991ptc000728 . subramanian kalavathi was designated as one of the director of the empire chemicals . subramanian kalavathi was appointed as director of empire chemicals on 11 / 1 / 1991 . the crld of subramanian kalavathi is 0 and crld date is 2017 - 05 - 09 13 : 33 : 08
ans : subramanian kalavathi was appointed as director of empire chemicals on 11 / 1 / 1991 .
subramanian kalavathi is a registered director as per the mca ( ministry of corporate affairs ) . the registered director identification number ( din ) of subramanian kalavathi is 1300705 . subramanian kalavathi has served many corporate companies throughout the career . every director registered with mca has a din no their unique identification number .
kalavathi official trailer | sundar . c | siddharth | trisha | hansika motwani | hiphop tamizha - youtube
ans : a total of 1 companies are there where subramanian kalavathi is appointed as director level position .
premier time ! ! good cinema group ' s # kalavathi . best wishes to the whole team : )
me ( balu ) starring with @ trishtrashers and @ ihansika in # kalavathi she is alive ! ! catch u soon in theatres . urltoken
krishna dist # kalavathi 3rd day share 3 , 71 , 196 / - . total 3 days share 9 , 05 , 851 / -
experience the spine chilling moments with # siddharth , # trisha & hansika . # kalavathi is coming back @ 2 : 30 pm on # geminitv urltoken
we caught up with ashok kalavathi at the aston university international scholarship reception 2017 hosted at aston villa fc , to find out about his experience at aston so far .
to their surprise , they find out that the ghost in the footage is none other than murali’s own sister kalavathi ( hansika ) . what is the actual back story behind kalavathi ? and why is she after every one in the house ? to know answers to these questions , you need to watch the film on the big screen .
watch horror blockbuster movie of 2016 - @ actor _ siddharth , @ ihansika @ trishtrashers @ khushsundar ' s # kalavathi , sunday @ 5 . 30pm on @ geminitv urltoken
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title : kalavathi ( 2016 ) star cast : siddharth , hansika , trisha director : c . sundar producer : good cinema group music : hip hop thamizha releasing on : 29…
kalavathi kalyana mantapa ( marriage halls , kalyanamandapams , reception halls ) - no . 615 , 4th stage , 80 feet road , vinayaka layout , nagarbhavi , bangalore , karnataka - 560072
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kandukur : # npt 19 days share 12 . 70l ( 12 . 50 ) # scn 17 days share 11 . 50l ( 4 . 50 ) # er 18 days share 2 . 50l # kalavathi day 1 share 16k ( 60k )
sundar c is back with the second installment of his hit film chandrakala . titled kalavathi , this film has trisha , hansika and siddharth as the main leads and has hit the screens today . let’s see how it turns out to be .
' kalavathi ' is a case of the genre overtaking the story . in his attempt to make a horror - comedy , sundar c is too faithful to a fault ! that said , the film has its moments , especially the heart - wrenching flashback .
sundar ` s horror comedy aranmanai was a huge hit in tamil nadu and did fairly well in telugu as chandrakala . now he comes up with a sequel to it . in tamil it was titled aranmanai 2 but in telugu makers have gone for a new name , kalavathi . sundar tries to sell this off as a new film with new premise , but nothing has changed except for few actors and the packaging .
the makers of kalavathi have stayed true to the genre and did not experiment much . they have played it safe and added enough elements which will entertain everyone . the film lacks novelty and also does not have any spine chilling moments . however , a decent second half filled with enough mas elements makes things work . finally , if you manage to sit through the very ordinary first half , you can easily enjoy this decent suspense thriller .
kalavathi is a folk tale about a dispute between two goddesses , lakshmi and saraswathi . who is superior — the goddess of wealth or learning ? to find out , the two pick an illiterate and stupid farmer ( durairaj ) and begin trying their powers on him . while tilling the land , the farmer finds blocks of gold about which he knows nothing and throws them back into the field ! now , saraswathi bestows on him the knowledge to recognise gold and he begins to collect gold every day . an evil minister ( sahadevan ) who watches him throwing the gold blocks takes him to his kingdom to exploit his powers . the princess ( jayalakshmi ) falls in love with him , but the minister lusts after her . knowing his rare powers , the king makes him sit on the throne and the evil genius tries his best to exploit him . kalavathi is shocked by her lover being stupid and clever by turns ! however , the problems are solved and the couple is blessed with both riches and intelligence !
before the madurai bench of madras high court dated : 19 . 10 . 2016 coram the honourable mr . justice v . bharathidasan writ petition ( md ) no . 19902 of 2016 k . kalavathi . . . petitioner vs . 1 . the district collector , collector ' s office , trichirappalli , trichirappalli district . 2 . the tahsildar , office of the tahsildar , thiruverumpoor , thiruchirappalli district . 3 . the taluk surveyor , office of the tahsildar , thiruverumpoor taluk , thiruchirappalli district . . . . respondents prayer : writ petition is filed under
watch kalavathi telugu movie theatrical trailer . starring siddharth , trisha , hansika , soori , kovai sarala . director by sundar c , produced by good friends , under the banner of sharvanth ram creations . ► follow us on twitter : urltoken ► like us on facebook : urltoken ► for celebrity interviews : urltoken ► for telugu movie reviews : urltoken ► for latest movie trailers : urltoken ► for telugu film news : urltoken ► for celebrities special and rare videos : urltoken ► subscribe to watch exclusive telugu cinema star interviews , events , gossips etc @ urltoken
trisha looks fit , her glam - quotient gets a wide showcase and she makes a welcome entry into the horror space . her chemistry with siddharth is more awkward than nostalgic . siddharth looks jaded and trapped in an arena demanding him to be more pro - active . hansika’s screen presence strikes the right chord while khushboo’s song appearance ( she’s also produced the tamil version ) is indulgence over necessity . it’s high time sundar c realises that his strength lies behind the camera . kalavathi is strictly for horror - film lovers , and underwhelms as a sequel scoring more on stereotypes and less on novelty .
it’s been more than a decade since chandramukhi that had left behind a commercially secure recipe for filmmakers to reap gold and kalavathi , complete with a rap - number that references the former film , is a bid to prove we’re yet to outgrow it . director sundar c , pitching the film as a sequel to the 2014 hit chandrakala , fashions a dated narrative , with intermittent comedy stretches , loud melodrama and a proven template to please his target audience . here are actors past their best , trisha , siddharth , poonam bajwa and kovai sarala , ( but for hansika ) , on a pursuit to re - assert their persona .
it ` s been more than a decade since chandramukhi that had left behind a commercially secure recipe for filmmakers to reap gold and kalavathi , complete with a rap - number that references the former film , is a bid to prove we ` re yet to outgrow it . director sundar c , pitching the film as a sequel to the 2014 hit chandrakala , fashions a dated narrative , with intermittent comedy stretches , loud melodrama and a proven template to please his target audience . here are actors past their best , trisha , siddharth , poonam bajwa and kovai sarala , ( but for hansika ) , on a pursuit to re - assert their persona .
kalavathi is an upcoming telugu horror comedy film written and directed by sundar c . the film stars siddharth , trisha and hansika motwani in the leading roles , while soori , kovai sarala and manobala will be seen in supporting roles . a sequel to the successful 2014 film aranmanai . star cast : sundar c , siddharth , trisha & hansika motwani directed by : sundar c produced by : good friends music by : hiphop tamizha banner : sarvanth ram creations & good cinema group audio label : think music for all latest updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken follow us on : urltoken buy music : urltoken
along with dr . prasad thotakura family members – mrs . swarupa , mr . sai sathish , dr . prasanthi , mrs . kalavathi , mr . rao kalvala , mr . murali vennam , mr . chalapathi kondrakunta , dr . c . r . rao , mrs . kalpana & mr . ramesh bhatia , mr . arun agarwal , dr . tarakumar reddy , mr . ramasurya reddy , mr . venkat potturu , mrs . grace & mr . suresh vuluvala , dr . ritu & mr . pankaj khanduri , mr . balu , mr . srinivas suddala , mr . venkat , mrs . uma yalamanchi , dr . sat gupta and mr . sunil felicitated congresswoman tulsi gabbard for her dedicated service to the nation .
kalavathi is a telugu horror comedy film written and directed by sundar c . the film stars siddharth , trisha and hansika motwani in the leading roles , while soori , kovai sarala and manobala will be seen in supporting roles . a sequel to the successful 2014 film aranmanai . song name : kalaa oho kala singer : nivas , padmalatha lyrics : chandrabose composer : hiphop tamizha star cast : sundar c , siddharth , trisha & hansika motwani directed by : sundar c produced by : good friends music by : hiphop tamizha banner : sarvanth ram creations & good cinema group audio label : think music for all latest updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken follow us on : urltoken buy music : urltoken
the 80s setting arrives in the latter hour , but there’s hardly any life in the frames . the styling is neat though it’s a wasted backdrop . sai karthik’s background score is one of the better aspects of nayaki despite him playing to the book . widely marketed as a trisha starrer , it’s sushma raj and sathyam rajesh who get meatier parts . trisha’s role is similar to what hansika had to offer in kalavathi and chandrakala . the actress , beyond wearing costumes that depict old - world charm , has no bite to her role . the song ‘bhayam’ sung by her , during the credits portions comes as a minor relief . brahmanandam makes a small appearance too , but is too late to undo damage . poonam and nara rohith make interesting blink - and - a - miss appearances . it’s the lack of a clear mind and a haywire screenplay that hurts nayaki more than anything else .
t . s . durairaj , t . a . jayalakshmi , e . r . sahadevan , c . t . rajakantham , sriram , k . s . rajam , k . s . chandra and m . k . madhavan
t . s . durairaj was a talented comedian of tamil cinema , who , however , did not receive the recognition he richly deserved . the main reason was he was a contemporary of master comedian n . s . krishnan with whom he was often teamed , the most famous film being ellis . r . dungan ' s sakunthalai . it was only after the temporary absence of nsk from the industry following the lakshmikantham murder case that durairaj came into his own in films such as meera . at first , nsk and his wife mathuram along with durairaj were cast in meera . but after the sensational case , nsk was in prison for 30 long months . with the couple dropped from the film , durairaj got to play the main comedy role in meera .
written by sundara vathiyar and chidambaram natarajan , this film was directed by l . s . ramachandran , an editor - turned - director . it was produced by windsor productions at star combines studio , the first studio to be built in kodambakkam . it was situated at the present site of the kodambakkam bus terminus .
the music was by m . s . gnanamani . the cast included sivasuriyan , m . e . madhavan , sayeeram , m . r . santhanam and stunt raju , who were actively playing supportive roles in the bygone era .
remembered for the interesting storyline and good performances by durairaj , jayalakshmi and sahadevan .
amma video song ( amman song ) ft . kushboo | aranmanai 2 | siddharth , trisha , hansika | hiphop tamizha
theri songs | chella kutti official video song | vijay , samantha | atlee | g . v . prakash kumar
the story of the film , as you would expect , retains the core of chandrakala . you’re introduced to a haunted house in a village where a scary series of occurrences unveil the dark - past of a ghost and its need to avenge the culprits . the first hour has a reasonably haunting introductory sketch for a genre such as this , which later makes way for a yawn - inducing comedy triangle between soori , kovai sarala and poonam . the horror element is relatively controlled here , in comparison to what greets you later . despite the dollop of clichés , you expect a better second hour . you’re partially right .
apart from a nerveless flashback featuring keshav and hansika , the characters and their quirks start growing on you . the director sundar c is in better form over the actor sundar c , who also enacts the role of a detective - at - heart photographer , making the most of his comedy roots . the sequences of the family outing in a van , kovai sarala’s reactions , unaware of the ghost’s true identity , soori complementing it ably , work like a dream .
however , this only ensures a melodramatic culmination , a loud background score making matters worse , with a thread surrounding a temple , durga idol and long - bearded swamijis giving advice in malayalam . the inherent tamil flavour’s a deterrent , cinematography’s a disaster at most instances - a tv soap would fare better in comparison - , there are logical loopholes all around , the music’s a real farce and yet the bigger folly seems the juiceless script . if you’d be forced to label anything marginally innovative here , it’s the insertion of spy - cameras to catch hold of the ghost .
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i totally agree . . . was into splits the whole of second half . . . . laughed so much after a long time ! ! !
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murali ( siddharth ) heads back to his native place along with his fiance anitha ( trisha ) after knowing that his father is in last stages of his life . as soon as the couple land there , some weird things start happening in their house .
this is also the time when anita’s bother ( sundar c ) enters the scene and takes things in control . he installs cameras all over the bungalow and records every thing whats going on . after a terrible incident involving murali’s brother , everyone decides to look at the recorded footage .
one of the biggest plus points of the film is that director sundar has cleverly played it to the galleries . he has added enough comedy , thrill and intense moments which elevate the film well .
trisha looks gorgeous and is superb in her role . the way she has performed in the horror episodes is pretty good . while she impressed with her beauty in the first half , she gets scary during the second .
hansika is the heart and soul of the franchise and has done her job well . even though she has limited screen space , she causes good effect to the proceedings with her emotional avatar .
kovai sarala’s comedy elevates the second half to a decent level . all her scenes with comedian suri evoke good laughs . siddharth plays his supporting role well and goes with the flow of the film . second half is a major plus as the tempo of the film raises big time .
first half of the film is a huge drawback . the film has traces of chandrakala as the look , thrills and performances instantly remind you of that film . the makers could have removed at least two songs to make the film a bit breezy . there is nothing much new or interesting that is happening during the first half .
what’s more frustrating is that sundar c had a lot of scope to scare the audience but he did not make proper use of it . all the thrills , comedy and family emotions that are shown during the first half are routine . there are certain logics which have been overlooked and they are clearly visible .
visual effects of the film are pretty good and create a good impact on the audience . music by hip hop thamiza is below par as none of the songs register . background score is good during the climax but is below average for rest of the film . editing is ok and so were the dialogues . camera work is impressive as all the thrills were captured effectively .
coming to the director sundar c , he has done a pretty decent job . he has made sure that there is enough glamour , thrill and comedy and does not go overboard with the proceedings . had he narrated the first half with enough emotions and some interesting horror elements , the effect would have been far better .
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siddarth , hansika motwani , trisha , poonam bajwa , soori , sundar . c
set in a village , the film begins with conveying the spiritual significance of installing a huge idol of a goddess and even as the spiritual quotient gives way to a pause , the horror element makes its entry , scaring the daylights out of the zamindar ( played by radha ravi ) . he is hospitalized and in come his son siddharth and his fiance trisha . the mysterious happenings in the palatial house confound sid and he eventually is taken into custody for a crime he did not do . enter sundar c , trisha ' s brother , at the behest of sid to crack the mystery . apparently , the family is haunted . the rest of the film is about why kala is seething with rage and how she is tamed .
a done - to - death story line yes , but it could have been evolved into an entirely different film . the flashback presents an interesting plot , a strong emotional core . it should have been siddharth getting a lion ' s share in averting the existential threat and the character of sundar could have been totally avoided . the element of brother - sister sentiment should have been leveraged fully rather than resorting to the same old formula of ' mantriks ' deployed for the sake of the climax ! that sid ' s fiance becomes an instrument could have made this an even more interesting proposition .
nevertheless , the second half is fairly interesting . hansika motwani walks away with honours . she is very realistic in her performance for the time that she is there . the next big stars have to be kovai sarala , soori , and manobala . except for soori , the other two hold good appeal for the telugu audience . the comedy track gets meaty in the second half because it is here that the spirit is engaged with the quirky characters !
one feels greater amount of attention could have been given to the sid - trisha pairing . the chemistry is sketchy and one has to do with a half - hearted number that comes immediately after a scare show .
poonam bajwa ' s presence is a plus and her characterization reminds one of nayanatara ' s from ' chandramukhi ' . subbu panchu ' s character is another surprise .
sundar c ' s audience look up to him as a director who gets quirky characters on board in telling a serious - minded story . the series of spine chilling murders and scary images that torment the inmates were more imaginative in ' chandrakala ' and such elements do not go the whole hog here . with the visuals not being first - rate , one waits for a good dose of emotional coaster , only to be left in the lurch .
a huge palace , a couple of glamorous ladies , an unusual family - they are all there . as for the palace , the art work and the cinematography could have been better ; sometimes , some scenes seem to have been shot at the same place within the building ! a not - so - evil spirited mindset of chandrakala has been transformed into an unforgiving one here .
as for the performances , most of them pass the muster , barring hansika and kovai sarala who are on a higher pedeastal . siddharth is a capable actor who is too understated to the point of coming across as deadpan . after a heart - searing flashback , all that he does is emote like a boy friend who just had a tiff with his girl friend ! trisha has some moments with the comedienne . poonam is to be watched out for . soori is no santhanam , but he is okay .
the technical departments could have been better . hiphop tamizha ' s music could have been less loud to suit the telugu nativity better . senthil kumar ' s cinematography passes muster , but the lighting is not flawless . the run - time is alright !
verdict : a horror - comedy with its share of light - veined moments , a good flashback , and a fairly engaging second half .
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murali returns to his ancestral palace along with his fiancee as his father lands in a coma under mysterious circumstances . however , his life takes a turn when he uncovers dark secrets of his family .
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' aranmanai 2 ' team created a huge 103 feet statue of goddess for a song sequence .
the film is not good at all . the sequel of aranmanai is aranmanai 2 but aranmanai 2 is not good but aranmanai was good . the good thing in this movie was songs and bgm .
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the trisha - starrer has hardly anything going for it in terms of performances or execution .
nayaki is another horror comedy hitting screens this weekend but the only thing original about it is its title . it’s a film by a one - film old director govi who’s at a loss of ideas in executing the plot that sounds interesting on paper . despite capable actors at the helm , from trisha to ganesh venkatraman to sathyam rajesh and jayaprakash , all he gives them are poorly etched characters that can’t lift an indifferent execution .
the film’s set largely in a haunted house in a deserted area of dundigal . a series of circumstances brings a young unmarried couple , played by satyam rajesh and sushma raj , to a palatial house . here they discover unheard truths about the place , including the presence of a female ghost and her father who uncompromisingly rip apart men who cheat on women . there’s a painful drag of a backstory on display , followed by a predictable climactic stretch where the ghost’s quest is fulfilled , but not the viewer’s .
it isn’t a hard bargain to expect more comedy than horror in such a backdrop . and , here there are opportunities aplenty to create an interesting mix . the ideas of the ghost being visible only on a camera , her mood changing every friday just because she’s an aspirant heroine all sound nice . what you get though are a bunch of scenes full of over - stretched ideas . by the interval bang , you still have no clear reason behind the horror element beyond the ghost brushing her teeth , regularly singing ‘sirimalle puvva’ amidst posters of geeta dutt , savitri and sarada all over the house .
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of the constitution of india praying for the issuance of a writ of mandamus directing the tahsildar of thiruverumpoor taluk , trichirappalli district , the second respondent herein to instruct the taluk surveyor of thiruverumpoor taluk , trichirappalli district , third respondent herein , to conduct the survey of lands in cholamadevi village in survey no . 288 / 2 a in thiruverumpoor taluk and demarcate the housing plot no . 284 assigned in favour of the petitioner as mentioned in the petitioner ' s representation dated 19 . 09 . 2016 . ! for petitioner : mr . a . hariharan for respondents : mr . k . p . krishnadoss government advocate : order
the petitioner has filed this writ petition seeking a direction , directing the second respondent herein to instruct the third respondent herein , to conduct the survey of lands in survey no . 288 / 2 a of cholamadevi village in thiruverumpoor taluk and demarcate the housing plot no . 284 assigned in favour of the petitioner as mentioned in the petitioner ' s representation dated 19 . 09 . 2016 .
2 . according to the petitioner , he filed an application before the second respondent / tahsildar , on 16 . 06 . 2016 to survey his land and demarcate the boundaries and he has also paid necessary fees for the same . sofar , no action has been taken by the second respondent . hence , the writ petition .
3 . heard the submissions made on either side and perused the documents carefully .
4 . since the petitioner filed necessary application , dated 16 . 06 . 2016 along with necessary fee and that is pending , the second respondent / tahsildar , thiruverumpoor , tiruchirappali district , is directed to conduct survey of petitioner ' s land in survey no . 288 / 2 a of cholamadevi village , thiruverumpoor taluk and demarcate the housing plot no . 284 and pass orders , after issuing notice to the petitioner as well as rival claimants , if any , within a period of 12 weeks from the date of receipt of a copy of this order .
5 . with the above direction , this writ petition is disposed of . there shall be no order as to costs .
1 . the district collector , collecor ' s office , trichirappalli , trichirappalli district .
2 . the tahsildar , office of the tahsildar , thiruverumpoor , thiruchirappalli district .
3 . the taluk surveyor , office of the tahsildar , thiruverumpoor taluk , thiruchirappalli district . .
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murali ( siddharth ) heads back to his native place along with his fiance anitha ( trisha ) after knowing that his father is in the last stages of his life . as soon as the couple lands there , some strange things start happening in their house .
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the unique thing about ravi kumar is that he makes a guest appearance in any film he directs .
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hon . us congresswoman tulsi gabbard attended as a chief guest of honor at a family and friends get together hosted by dr . prasad thotakura in dallas . congresswoman tulsi appreciated the kindness of dr . prasad thotakura in inviting her for the first time to dallas when she was running for us congress four years ago , introducing her to the local nri community and supporting her in a big way that led to her victory . mrs . gabbard specially thanked dr . thotakura for his efforts and the leadership in building the largest mahatma gandhi memorial in the usa in irving , tx . tulsi requested all indian americans to participate enthusiastically in the mainstream election process since it is everyone’s civic responsibility to choose right leaders to lead the country .
mr . and mrs . swaupa & prasad thotakura celebrated the marriage of their son in dallas at southfork ranch in september . best wishes to the happy couple , deepthi and sudhir thotakura . ( wedding reception photo by eric anugraham )
dr . thotakura introducing , tulsi gabbard , the first and only hindu congressmember in us , mentioned that people admire her because of her simplicity , clarity of thoughts , openness and accessibility . she created history twice – once getting elected to hawaii state legislature at the tender age of 21 by becoming the youngest legislature in the county and the second time getting elected as the first hindu congressmember in the us house of representatives . tulsi also served as a captain with fellow soldiers in iraq war on two deployments in the middle east . tulsi was sworn in to the us congress , taking her oath on the bhagavad gita , a historical event . tulsi currently serves on the committee on armed services , the committee on foreign affairs , and she is the vice chairman of the democratic national committee . tulsi is a strict vegetarian , doesn’t drink alcohol , and practices hinduism with prayers , kirtan and mala . she has met with prime minister modi thrice .
dr . thotakura urged congresswoman gabbard’s help and support in releasing bhagavad gita by us president obama , a multimedia presentation with all 700 slokhas narrated in english and recited by the famous singer mr . gangadhar sastry , india to which she responded positively .


mathai kuzhappakkaranalla is a 2014 malayalam family film directed by akku akbar , produced by anto joseph .

it stars jayasurya in the lead roles while bhama and lakshmi gopalaswamy play notable supporting roles .

mathai kuzhappakkaranalla

mathai kuzhappakkaranalla malayalam movie preview , synopsis - malayalam movie mathai kuzhappakkaranalla preview , synopsis .
akku’s mathai kuzhappakkaranalla – puthiyacinema . com | bhama and jayasurya playing lead role in mathai kuzhappakkaranalla .
mathai kuzhappakkaranalla full movie | latest malayalam full movie full . . . | movies | pinterest | movie and youtube
akku akbar’s mathai kuzhappakkaranalla is a tale of a marital relationship gone sour , which a do - gooder tries to resolve .
akku akbars mathai kuzhappakkaranalla is a tale of a marital relationship gone sour , which a do - gooder tries to resolve .
mathai kuzhappakkaranalla 2 . . .
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mathai kuzhappakkaranalla is a romantic comedy movie directed by akku akbar , movie portrays the problems in the life of a young couple . script work of the movie is handled by the director itself .
malayalam movie
mathai kuzhappakkaranalla
which hit theatres on 28 november has opened to poor reviews . the film starring jayasurya , bhama , mukhesh and lakshmi gopalaswami in the lead is written and directed by akku akbar .
akku himself has written the script . “i have noticed that quarrels between couples often begin over trivial issues . perhaps it’s because they do not communicate with each other enough . it was from this observation that i got the plot of mathai kuzhappakkaranalla , ” he says .
the cinematography of
mathai kuzhappakkaranalla
is done by pradeep nair and is edited by lijo paul . the music is composed by anand madhusoodanan . the film is produced by anto joseph under the banner of anto joseph film company and is distributed by aan mega media .
besides , mathai kuzhappakaranalla will also have jayasurya speaking in thrissur accent . however , the director says he wanted mathai speaking pure thrissur slang because the accent has a innocence to it . “i wanted mathai to be a youngster who is naive and humorous and the thrissur slang can give this , ” says akku akbar .
akku akbar will direct a new film titled mathai kuzhappakkaranalla . jaya surya and bhama will play the lead roles . earlier there were news that the film was titled as mathaiyude suvisheshangal . akku akbar told manorama online that he does not know who was spreading the fake news on social networking sites and he does not know from where it came from .
the plot thickens when mathai , an autorickshaw driver from thrissur , lands up in their town . “jayasurya has performed brilliantly as mathai . he is an old acquaintance of nandagopan . when nandagopan takes him home , mathai senses that there is trouble in the house and believes he can solve it . but , he only manages to create more troubles , ” elaborates akku .
the plot thickens when mathai , an autorickshaw driver from thrissur , lands up in their town . jayasurya has performed brilliantly as mathai . he is an old acquaintance of nandagopan . when nandagopan takes him home , mathai senses that there is trouble in the house and believes he can solve it . but , he only manages to create more troubles ,  elaborates akku .
the story of the film revolves around mathai , an innocent auto driver from thrissur , who has a of getting involved in other ' s issues and often ends up in trouble . bhama plays the character of mathai ' s fiancée and a nurse . the film takes a turn when mathai enters life of nandakumar ( mukhesh ) and his wife geetha ( lakshmi gopalaswami ) who lead a disturbed married life .
“it is my most ambitious work yet . although mathai kuzhappakkaranalla is a mainstream film , i haven’t used typical commercial ingredients such as songs . and much of the action in the film takes place over telephonic conversations . there is only one costume change for the actors and the entire action unfolds within a day , ” says the director of films such as sadanante samayam and vellaripravinte changathi .
it is my most ambitious work yet . although mathai kuzhappakkaranalla is a mainstream film , i havent used typical commercial ingredients such as songs . and much of the action in the film takes place over telephonic conversations . there is only one costume change for the actors and the entire action unfolds within a day ,  says the director of films such as sadanante samayam and vellaripravinte changathi .
bhama plays jayasurya’s heroine , anna . “mathai and anna are in love and decide to elope . it is to meet anna , who is staying at a hostel , that mathai has come to town , ” says the director . “jayasurya provides a lot of humour , especially with his deft handling of the thrissur slang . it was after watching him in punyalan agarbattis that i decided to cast him as mathai , ” he adds .
bhama plays jayasuryas heroine , anna . mathai and anna are in love and decide to elope . it is to meet anna , who is staying at a hostel , that mathai has come to town ,  says the director . jayasurya provides a lot of humour , especially with his deft handling of the thrissur slang . it was after watching him in punyalan agarbattis that i decided to cast him as mathai ,  he adds .
goody two - shoes mathai is an auto driver who loves to solve others ' problems . on the day of a strike , mathai goes to visit his fiancée , annama and unwittingly gets involved in solving the marital issues of dr . nandakumar and his wife , geeta , leading to a trail of incidents .
says akku akbar : “mathai kuzhappakaranalla is a pure family story but it is treated humorously . it is the tale of nandagopan , a doctor played by mukesh , and his wife who lives separately following difference in opinion . it is then that mathai , an autodriver , runs into their lives . he tries to solve the rift between the couple and mathai does that with the aid of anna , a staff at the family court . bhama plays anna in the movie . ”
mathai ( jayasurya ) , a native of thrissur , is an auto driver . he is very innocent and is always ready to help others in their needs .
lakshmi gopalaswamy plays the wife of dr nandagopan . she is someone who was born in a rich family . she struggles to get along with her husband who is a dedicated doctor . the difference in their class and thoughts draw them apart . this is when mathai enters the scene . through his tactical interference , mathai manages to bring them together .
mathai ( jayasurya ) , a native of thrissur , is an auto driver . he is very innocent and is always ready to help others in their needs . he interferes in the matters of others necessarily and unnecessarily with the intention to help them . but contrary to his expectations , usually he and others get into trouble . the life of dr nandakumar ( mukesh ) and his wife geeta ( lakshmi gopalaswamy ) turns topsy - turvy with mathai ` s influence . the resulting events are plotted hilariously in ` mathai kuzhappakaranalla ` .
mathai ( jayasurya ) is an innocent auto driver who unnecessarily interferes into the problems of others with a good intention of solving them . the story is happening on a strike day , when mathai came to meet his fiancée bhama . the story revolves around a series of incidents when he tries to solve the problems between dr . nandakumar ( mukesh ) and his wife geeta ( lakshmi gopalaswamy )
mathai ( jayasurya ) is an innocent auto driver who unnecessarily interferes into the problems of others with a good intention of solving them . [ 2 ] the story is happening on a harthal day , when mathai came to meet his fiancée bhama . the story revolves around a series of incidents when he tries to solve the problems between dr . nandakumar ( mukesh ) and his wife geeta ( lakshmi gopalaswamy ) .
mathai ( jayasurya ) is an innocent auto driver who unnecessarily interferes into the problems of others with a good intention of solving them . the story is happening on a strike day , when . . . see more »
mathai is an innocent auto driver who is a native of thrissur district . he is a kind hearted man and he has a tendency to interfere in others life either deliberately or some timesunknowingly . he actually interferes in other’s life with best interests and to help them . but most of the times things go wrong and he gets into problems . bhama plays the role of a nurse , and she is mathai’s fiancé too . this time mathai enters into the life of dr . nandakumar , played by mukesh and his wife geetha played by lakshmi gopalaswamy and there by causing a lot of problems in their family life . this turn of events leads the story to some hilarious situations .
jayasurya delivers his natural best as mathai and gave the comical part of the film a boost with his thrissur dialect . mukesh plays the character of dr . nandakumar once again showed to us why he is one of the best in comedy in mollywood . bhama playsthe character of mathai’s fiance , was aptly casted for this role and gave a mature performance lakshmi gopalaswamy , who did the role of nandakumar’s wife geetha was also at her best . sreejith ravi who portrayed the role of a dance master stealed the show with his superb skills and got tremendous applause from the audience .
akku akbar , the man behind several hit family subjects , is in no mood to deviate from his favourite genre . akku’s next venture mathai kuzhapakaranalla , will hit the screens next week . it is a serious family story told in a humorous vein . jayasurya will play the lead in the movie along with mukesh , lakshmi gopalaswami and bhama .
coming to performances , it is jayasurya who needs a great applause . the versatile one , who is using thrissur slang once again after ranjith shankar ' s ' punyalan agarbatties ' ; suited mathai well . after the negative role in iyobinte pusthakam , the actor shows his talent once again ; portraying a character with a feeling of a man next to door . bhama , who is portraying annamma ; seems a nice match to jayasurya , as the duo joining after hits like ivar vivahitharayal , oru black and white kudumbam , janapriyan and husbands in goa .
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if only akku akbar ' s cinematic misadventure was half interesting as its title ! wanting in originality and gormless to the core , here is one mathayi who could spell big trouble for your weekend .
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malayalam full movie | shakespeare m . a . malayalam | comedy movie | jayasurya , roma
janapriyan | malayalam film part 3 of 6 | jayasurya , manoj k . jayan , bhama
malayalam comedy movie | chanjattam [ hd ] | full movie | ft . jayaram , urvasi , jagathi
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the film has a handful of characters . “it is a simple tale about a couple who are finding it difficult to adjust to each other and are on the brink of a divorce . mukesh plays dr . nandagopan and lakshmi gopalaswamy is his wife , geeth . when the film begins , they are living separately , ” says akku .
sreejith ravi , in the role of an effeminate dance teacher , could spring a surprise for the audience , says the director . tamil actress kuyili plays the other main character , that of lakshmi’s mother .
script and direction was really let the film down as it was never let the audience to move forward with the story . script and direction was done by akku akbar and he gave nothing new to the audience . the story is told many times before and it was so boring for the spectators to watch it again and again . the performance of the actors like jayasurya and mukesh is the only saving factor of the movie . pradeep nair’s dop and lijopaul’s editing was just average and the music and background score byanand madhusoodanan also remained in the average levels . totally the film is an average or below average affair that we will not recommend for you all .
the theme of the film deals with the incidents happening within 5 hours . the film discuss serious issues related with family . the fact is that no husband and wife lives in the world happily . they are making compromises on everything . the film discuss the issue happening in a family and the initiative to solve the problem makes the plot .
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akku himself has written the script . i have noticed that quarrels between couples often begin over trivial issues . perhaps its because they do not communicate with each other enough . it was from this observation that i got the
the film has a handful of characters . it is a simple tale about a couple who are finding it difficult to adjust to each other and are on the brink of a divorce . mukesh plays dr . nandagopan and lakshmi gopalaswamy is his wife , geeth . when the film begins , they are living separately ,  says akku .
sreejith ravi , in the role of an effeminate dance teacher , could spring a surprise for the audience , says the director . tamil actress kuyili plays the other main character , that of lakshmis mother .
enikku ee movieyil ottum hopes ila . . lbs aanu kidukkan povunne . . ithu usual family melodrama aanenu thonunnu . . . jagadeesshnte oru padam ille . . . mukesh and sidiq okke ullath athu pole thonny . .
he made a mark in malayalam industry through family dramas that explored the equations shared by couples and the so - called ‘perfect families’ .
akku says the movie will be an experience that every family can relate to . “every scene in the movie will be something that has happened in our families . in that way , this is a very realistic story . moreover , i aim to give the society a message on how families collapse for the lack of heart - to - heart talks , ” says the director .
the director says the humorous element help avoid a preachy tone in the movie .
“the characters talk about issues between the husband and wife and the woes of the children caught in between the power struggle in a general way . they talk about it in a natural way , ” says akku .
akku akbar adds that the movie touches upon the lives of people of different class . while lakshmi gopalaswamy depicts upper class women and her life , mukesh’s character is about the woes of middle class people while jayasurya plays a lower middle class man with his share of struggles .
the director also adds that the movie will have just a song . “there will only be a song and that is to introduce the character of jayasurya . the heavy storyline doesn’t leave much space for songs , ” says akku akbar .
the movie has been produced by anto joseph . pradeep nair cranks the camera and anand madhusoodanan has composed the music .
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poor scripting and direction are pointed out as the major drawbacks of the movie .
though the film has been appreciated for the excellent performance of the cast , most of the critics opined that the film is a letdown when it comes to scripting and direction . the cinematography , editing , music and other technical aspects of the movie have been tagged as below average by the critics .
annamma seems to be safe in hands of bhama . the couples nandakumar and geetha by mukesh and lakshmi gopalaswami respectively , were well portrayed with the good performance by the veterans . mukesh , once again proved his versatility with some heart catching scenes , well supported by lakshmi gopalaswami . the performance by sreejith ravi ; needs a great applause , as the actor shows the acting talent running through his blood . jayasurya – sreejith ravi combination seems to be an excellent one as the duo is joining once again after punyalan agarbatties .
- muyals
main flaw of the movie is a not - so - engaging script written by director akku akbar , which has nothing new to convey . the repetitive theme is narrated with small improvisations in the movie . but the director succeeds in bringing the best out of the actors . the performance of the lead actors is the saving grace of the movie . pradeep nair ' s cinematography is above average . lijo paul ' s editing is not upto standards , as the movie fails to engage the audience at certain points .
– filmbeat
script and direction was really let the film down as it was never let the audience to move forward with the story . script and direction was done by akku akbar and he gave nothing new to the audience . the story is told many times before and it was so boring for the spectators to watch it again and again . the performance of the actors like jayasurya and mukesh is the only saving factor of the movie . pradeep nair ' s dop and lijopaul ' s editing was just average and the music and background score byanand madhusoodanan also remained in the average levels . totally the film is an average or below average affair that we will not recommend for you all .
– onlookersmedia
an auto driver lands tries to resolve a conflict between a doctor and his wife , but he ends up complicating matter further .
su . . su . . . sudhi vathmeekam - kalyani ' s proposal scene . . .
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asha black is a malayalam romantic thriller , which is set in the background of malaysia and coimbatore . this is a story of a
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