bachaana ( urdu بچانا , meaning save ) is a 2016 pakistani romantic thriller film starring mohib mirza and sanam saeed .

the film was released worldwide on 26 february 2016 under the production banner big film entertainment .

bachaana

a photo posted by bachaana official ( @ bachaana . official ) on jan 5 , 2016 at 6 : 23am pst
a photo posted by bachaana official ( @ bachaana . official ) on dec 18 , 2015 at 2 : 42am pst
a photo posted by bachaana official ( @ bachaana . official ) on feb 20 , 2016 at 6 : 00am pst
bachaana - wikipedia . bachaana . teaser poster . it was directed by nasir khan and produced by rizwan saeed . the film was released worldwide on 2 .
full of entertainment wonderful movie # bachaana enjoy lot . be pakistani watch pakistani urltoken
# bachaana wud b super hit , audience plz come nd watch this movie .
there are no critic reviews yet for bachaana . keep checking rotten tomatoes for updates !
bachaana movie review : sanam saeed & mohib mirza’s chemistry lights up the . . .
the first word that came out of my mouth after watching bachaana was ‘mind blowing’ .
bachaana is a positive film there is nothing political about it ,
khan said .
bachaana ' will release this valentine ' s season
. hip . december 5 , 2015 .
@ mohibmirza channels school boy charm at the trailer launch ceremony of ' bachaana ' . the promo is out and we ' re excited . if you haven ' t seen it yet , head to our site to read the review and watch the trailer . # bachaana @ bachaana . official @ sanammody
bachaana is the latest addition to pakistani films ' renaissance and it has a lot to recommend it .
upcoming pakistani movie bachaana’s soundtrack was released in lahore , amidst a star studded event . the bachaana soundtrack features 3 original songs . the list includes “yaari” “koi labda” and “bachaana” which is the title track . there is a mashup of two out of these songs too , which is again a first of its kind .
@ voxcinemas just saw an early screening of # bachaana . super entertaining ! sure shot blockbuster movie ! urltoken
my all wishes for @ mohibmirza and @ sanammodysaeed # bachaana would be biggest blockbuster of pakistan till date .
new film on the horizon : sanam saeed and mohib mirza to star in bachaana - pakistan - dawn . com
' the couple ' . the trailer launch ceremony of ' bachaana ' was held yesterday in karachi . the promo is out and we ' re excited . if you haven ' t seen it yet , head to our site to read the review and watch the trailer . # mohibmirza # bachaana @ bachaana . official @ sanammody @ mohibmirza @ aaminasheikh
get yourself entertained this weekend . watch # bachaana , a nice attempt to change typical pakistani # cinema urltoken # review
mumbai bachaana movie releasing in 2016 watch trailers , showtimes , story , cast , director and book tickets for nearest theatre in mumbai on bookmyshow . bachaana movie - full audio album - ( free download mp3 song ) - 2016 bachaana is an upcoming pakistani romantic thriller film directed by nasir khan and produced by . it was directed by nasir khan and produced .
the cute trailer of bachaana was best described by sanam saeed as ‘an easy breezy , cheesy , feel - good film’ .
amazingly on another section of express tribune one gets to read “6 reasons to why bachaana should be on your watch list” .
first looks of ' bachaana ' and ' sanam teri kasam ' revealed
. hip . december 8 , 2015 .
live and exclusive pictures from the premiere of ' bachaana ' at nueplex karachi . # sanamsaeed # mohibmirza # bachaana # nueplex # karachi # lollywood # instamovie # instalike # instapic # instafollow # like # potd # brandsynario # follow4follow # lala # humfilms
bachaana is an old - school cary grant type of romantic comedy : fast - paced and full of great one - liners .
watching the new pakistani movie # bachaana just reached the interval and so far so good . funny dialogue has kept it going .
whatever mistakes i made while making ' bachaana ' , i ' ll try not to repeat them .
says khan .
bachaana
follows the couple ' s adventurous journey culminating in love as what is said ' love knows no boundaries ' .
live and exclusive pictures from the premiere of ' bachaana ' at nueplex karachi . # happeningnow # sanamsaeed # mohibmirza # bachaana # nueplex # karachi # lollywood # instamovie # instalike # instapic # instafollow # like # potd # brandsynario # follow4follow # lala # humfilms
one more of sanam saeed and mohib mirza just for luck . the trailer launch ceremony of ' bachaana ' was held yesterday in karachi . the promo is out and we ' re excited . if you haven ' t seen it yet , head to our site to read the review and watch the trailer . # mohibmirza # bachaana @ bachaana . official @ sanammody @ mohibmirza # sanamsaeed # humfilms
do we spot ombre lip trend here on sanam saeed ? the trailer launch ceremony of ' bachaana ' was held yesterday in karachi . the promo is out and we ' re excited . if you haven ' t seen it yet , head to our site to read the review and watch the trailer . # mohibmirza # bachaana @ bachaana . official @ sanammody @ mohibmirza @ madiha . qaiser # sanamsaeed
and that is what i saw in bachaana , the film is light and easy . i was really enjoying getting in to aalia .
shot across the beautiful island of mauritius , bachaana chronicles the adventures of a sweet and bubbly indian girl , aalia ( saeed ) .
i ' m curious as to what role adeel hashmi will play in ' bachaana ' ! last i saw him acting was in ' teen buta teen ' where he played lucy , and of course the famous ufone ads . the trailer launch ceremony of ' bachaana ' was held yesterday in karachi . the promo is out and we ' re excited . if you haven ' t seen it yet , head to our site to read the review and watch the trailer . # mohibmirza # bachaana @ bachaana . official @ sanammody @ mohibmirza # adeelhashmi # sanamsaeed
here ' s the # bachaana review in detail . can ' t shake off @ mohibmirza ' s character . it grew on me urltoken
aliya got saved by a taxi driver in # bachaana & my @ careempak didn ' t even pick me up . # movievsreality # thanksalot
you are known for your brilliant comic timing whereas your character in bachaana is perhaps the total opposite . were there any difficulties for you ?
i know how much hard work has gone into making bachaana . and it especially brings out the witty and humorous side of mohib , which you all wanted to see . so come out and you all have to watch bachaana ! ( taken from the official page of the film )
and because bachaana is shot entirely in mauritius , it uses the location to a sharp advantage . every frame is lush and beautiful . the camera work , in particular , deserves applause because bachaana is not shot like a television serial . the climax in particular , is shot with style .
bachaana is directed by nasir khan and is produced by rizwan saeed . film is all set to release across pakistan on february 26 , 2016 .
doesn ' t # sanamsaeed look super fly in the trendy pastel culottes ? she sure knows how to carry unconventional / tricky color pallete . the trailer launch ceremony of ' bachaana ' was held yesterday in karachi . the promo is out and we ' re excited . if you haven ' t seen it yet , head to our site to read the review and watch the trailer . # mohibmirza # bachaana @ bachaana . official @ sanammody @ mohibmirza
saw # bachaana - - breezy , lighthearted fun with good music , nice visuals and solid performances frm @ sanammodysaeed & @ mohibmirza . thumbs up !
# bachaana is all set for release in the uk on april 22nd ! learn more about the schedules on our website : www . hipinpakistan . con
bachaana is a journey of a sweet and bubbly indian girl , aalia , who undergoes a series of unfortunate events and is forced to place her faith in a man she hardly knows . that man , vicky , is a pakistani taxi driver in mauritius . bachaana follows the couple’s adventurous journey of love .
# bachaana 2nd weekend is better than first at many plexes . . now that ' s the power of content . . keep rocking @ bigfilmkhan @ mohibmirza
bachaana has an identity , one that tells you that the colourful , neighbouring world of bollywood is not an inspiration and there are no tacky item songs .
bachaana is a family entertainment film and it is worth every penny you pay . the film easily qualifies to top the race of best entertainer of the year .
“bajrangi mai indian hero choti bachi chor kar gaye thay aur bachaana mai hum un ko bari larki de rahe hai , ” khan said in a jovial mood .
bachaana was a directorial debut for nasir khan – a lahore based film maker who worked on an award winning documentary made in pakistan before taking on this project .
pakistani romantic thriller ' bachaana ' , starring actress sanam saeed of ' zindagi gulzar hai ' fame , is set to arrive in indian theatres on february 26 .
oh well nearly all critics have given thumbs up to # bachaana . that dosent happen so often . defnt . raised my expect . 4 the movie now !
exclusive . . super hit film # bachaana is back in cinemas in pakistan . . go and watch it , if you haven ' t yet ! ! urltoken
pakistani romantic thriller
bachaana
, starring actress sanam saeed of
zindagi gulzar hai
fame , is set to arrive in indian theatres on february 26 .
bachaana
is saeed ' s feature debut film . she is popular with indian audience for her lead role in pakistani drama
zindagi gulzar hai
.
renowned pakistani actress and model sanam saeed is set to hit the screens across pakistan and india as an indian girl in nasir khan’s romantic thriller , ' bachaana ' .
this year , slated to hit the big screen next month ( in late february ) , the romantic thriller , bachaana , is gearing up for its national release .
following the release of the official trailer earlier this month , big film entertainment and hum films launched the original soundtrack for bachaana – a nasir khan film at hardees in lahore on the 26 th of january 2016 . featuring sanam saeed , mohib mirza and adeel hashmi , bachaana is set to release on 26 th february 2016 across pakistan .
verdict : watch the film only if you have a misplaced passion for reviving pakistan’s film industry . sorry to say but bachaana does not have a single redeeming aspect to it
the release of the trailer of bachaana , nasir khan ' s romantic thriller starring sanam saeed and mohib mirza , brings a new flavour to the film offerings of 2016 .
produced by rizwan saeed , well - known locally and internationally for his technical achievements in film production , bachaana is one of the most promising films coming out in 2016 .
karachi : it wouldn’t be wrong to say that nasir khan’s directorial bachaana has all the elements that our film industry was craving for in its year - long quest for revival .
“the trailer of bachaana looks fantastic . the film looks so fresh and entertaining and judging from the visuals i haven’t seen mauritius shot this well in a very long time . ”
bachaana is a journey of a sweet and bubbly indian girl , aalia , played by sanam saeed , who undergoes a series of unfortunate events and is forced to place her faith in a man she hardly knows . that man , vicky ( mohib mirza ) is a pakistani driving a taxi in mauritius . bachaana follows the couple’s adventurous journey of love .
produced by rizwan saeed , well - known locally and internationally for his technical achievements in film production , bachaana is one of the most technologically shot films in pakistan and india .
, is a pakistani taxi driver in mauritius . ' bachaana ' follows the couple ' s adventurous journey culminating in love as what is said ' love knows no boundaries ' .
starring sanam saeed and mohib mirza and set in mauritius , bachaana is a mélange of action - packed chases , gorgeous scenery and palpable chemistry between the two co - stars .
bachaana seems different from the usual commercial cinema we ' ve seen after the new age of cinema . what ' s your take on item numbers and films along that line ?
produced by rizwan saeed , well - known locally and internationally for his technical achievements in film production , bachaana is one of the most technologically shot films in pakistan and india .
' bachaana ' is a journey of a sweet and bubbly indian girl , aalia , played by sanam saeed , who undergoes a series of unfortunate events and is forced to place her faith in a man she hardly knows . that man , vicky ( mohibmirza ) is a pakistani driving a taxi in mauritius . bachaana follows the couple’s adventurous journey of love .
lon time no see ! aamina sheikh sporting hot off the ramp jacket from # elan ' s winter / festive collection ' sauvage ' . she was there to support pakistani cinema and of course her husband mohib mirza . the trailer launch ceremony of ' bachaana ' was held yesterday in karachi . the promo is out and we ' re excited . if you haven ' t seen it yet , head to our site to read the review and watch the trailer . # mohibmirza # bachaana @ bachaana . official @ sanammody @ mohibmirza @ aaminasheikh
bachaana is the first feature film of nasir khan as a director , who has gained prominence for his work presented at the mumbai international film festival for his documentary made in pakistan .
award - winning actor mohib mirza is set to hit silver - screens across pakistan and india as vicky in nasir khan’s romantic thriller , ' bachaana ' in a brand new avatar .
adeel hashmi is also making an entertaining debut with bachaana . they have played an important role in promoting pakistan ' s entertainment industry and with bachaana we look forward to promote it further . according to several sources , it was also said that the series is made on the footsteps of bollywood film , bajrangi bhaijan for this the leading character , mohib mirza stated , .
neil sadwelkar – bollywood’s post production guru who has worked on films such as slumdog millionaire , bhaag milkha bhaag , omkara , don & the reluctant fundamentalist had this to say about bachaana , “ the trailer of bachaana looks fantastic . the film looks so fresh and entertaining and judging from the visuals i haven’t seen mauritius shot this well in a very long time . ”
produced by rizwan saeed , well - known locally and internationally for his technical achievements in film production , ' bachaana ' is one of the most technologically shot films in pakistan and india .
the event was opened with an introduction on the evening and bachaana by the host shahpara salim where she invited on stage the star cast comprising of mohib mirza and sanam saeed ; film director nasir khan ; film producer rizwan saeed ; vice president hum films badar ikram ; music artists ali sher and komal ghazanfar ; script writer saad azhar and lyricist shakeel sohail , who all spoke about their experience and efforts with bachaana . this was followed by the official premiere and screening of the songs , ‘ yaari’ and ‘ bachaana’ , the title track and a q & a session with the bachaana panel . also in attendance were various film exhibitors and distributors and members of the esteemed media . event was managed by hum films with public relations by lotus pr .
mohib mirza has this to say : “ working on an indo / pak themed script like bachaana has been an incredible experience . the time has come to translate our small screen successes to the silver screen . bachaana is everything that a pure commercial romantic comedy film is meant to be . it’s got entertaining comedy , nail - biting crises and heart - touching romance for the audience to stay gripped . topped with the scenic landscape and beautiful beaches of mauritius , bachaana delivers a larger - than - life cinematic entertainment that my viewers have eagerly been waiting for . ”
bachaana is upcoming pakistani movie , starring sanam saeed and mohib mirza . in this romantic thriller by nasir khan which will be released in indo - pak , sanam plays the role of an indian girl . sanam saeed , has already won the hearts of fans across india with the popularity of her drama serial on zindagi channel “zindagi gulzar hai” . bachaana is a journey of a bubbly …
the director does not see bachaana ' s fate like that of
bin roye
, mahira khan - starrer pakistani film , which was banned by the indian state of maharashtra last july .
visually stunning , bachaana combines spirited stars , running gags and playful banter for an entertaining experience . roll with flaws in the plot and enjoy the ride . bachaana is an excellent choice for either date night or for a family movie night . it may not be a film that touches your soul , but it is a light - hearted action comedy with a fabulous feel - good factor .
if u havent seen # bachaana yet . . . dont miss it . . . . its a must watch ! ! ! @ mohibmirza @ sanammodysaeed # nasir good job all of u : )
if you saw the official trailer of film ‘bachaana’ and figured the film would not be worth the two hour sit down , then you were spot on . the nasir khan project bores . period .
model / actress fia khan ( left ) and the team of lahore se aagey - wajahat rauf , saba qamar and yasir hussain - attended the star - studded premiere of the bachaana in karachi .
the distributors in india have shown interest primarily because the film ' s trailer evoked social media discussions comparing ' bachaana ' with bollywood hit ' bajrangi bhaijaan ' ,
director nasir khan told pti .
“after the fantastic response in pakistan , we are really excited to bring bachaana to the uk audience . bachaana is a fun and entertaining ride where india meets pakistan in mauritius . i am excited for both sanam saeed and mohib mirza , as their chemistry in the film is something everyone will connect to immediately in the uk . adeel hashmi is also making an entertaining debut in the movie” , said director nasir khan .
bachaana is the first feature film of nasir khan as a director , who has gained prominence for his work presented at the mumbai international film festival for his documentary made in pakistan . set to be released in the valentine’s season this 2016 on 26 th of february celebrating love and friendship , bachaana is a romantic comedy that is full of action and the story is based on cross cultural relationship and how love transcends boundaries .
with bachaana , big film aims to explore an entire new genre with an approach which will deviate from the mainstream cinema and will be equally be a visual treat with strong acting and script . hum films and eveready pictures are the official distributors for bachaana , with leisure club as the official wardrobe partner [ male ] and lala as the official wardrobe partner [ female ] and treet corporation limited as the official grooming partner .
sanam saeed , the popular actress of tv shows such as zindagi gulzar hai , alongside fawad khan , shukk and others is all - set with her latest venture , an indo - pak love story called bachaana .
“ bachaana ' s script was in my email before anyone had even heard about bajrangi bhaijaan . so , let me assure you that it has not been inspired by the indian flick at all , ” the actor said .
lahore - based nasir khan’s directorial debut movie , bachaana , is a fresh take on a clichéd plot that succeeds on every ground – be it the top - notch performances , the intriguing plot or the scenic foreign locations .
in bachaana , aalia runs into trouble in mauritius and has to reach out to a stranger , vicky , for help . their unlikely love story unfolds in this romantic thriller , which will be screened in both pakistan and india .
he said bachaana ' s ost ( songs ) is also a cross - border collaboration , pairing the creme of pakistani and indian music fraternity , bollywood music director , prasad sashte and pakistan ' s celebrated singer shafqat amanat ali .
the excited mirza while talking about the film said from its central idea to scripting , dialogues to screenplay , locations to direction and casting to acting ; ' bachaana ' was nothing short of being an absolutely grand and immensely professional project .
bachaana is a romantic comedy featuring sanam saeed and mohib mirza . sanam saeed is playing an indian girl aaliya in this movie . mohib is playing the role of a pakistani taxi driver vicky . it is “india meeting pakistan in mauritius” .
nasser fazal of green flag films said ; “ bachaana is a complete entertainer and a visual treat . the best from pakistani cinema in my opinion ! i am certain it will strike a chord with south asian audiences in the uk . ”
khan said . he said bachaana ' s ost ( songs ) is also a cross - border collaboration , pairing the creme of pakistani and indian music fraternity , bollywood music director , prasad sashte and pakistan ' s celebrated singer shafqat amanat ali .
bachaana is the first feature film of nasir khan as director . celebrating love and friendship , the movie is a romantic comedy that is full of action . the story is based on a cross cultural relationship and theme depicts how love transcends boundaries .
basically my partner rizwan and i always wanted to make a film and we were developing scripts . but the india - pakistani element we ' ve showcased in bachaana is very unique . who ' s the last person who would save you ( laughs ) .
one debutant film director , two actors known more for their intense character portrayals than comic timing , a shoe string budget and a shooting time of 30 days . doesn’t really sound like the most lavish set of ingredients when your’e planning to make a full on romantic comedy thriller set in mauritius now does it ? well think again , for the entire team of bachaana spearheaded by director nasir khan and producer rizwan saeed have successfully manged to defy reasoning and give us a visual treat that is bachaana using these very ingredients .
' bachaana ' is a romantic comedy and has got nail - biting crises and heart - touching romance for the audience to stay gripped . topped with the scenic landscape and beautiful beaches of mauritius , the film delivers a larger - than - life cinematic entertainment .
one of bachaana’s biggest strengths is that it doesn’t degenerate into bollywood - style farce aimed at the lowest common denominator . there are no ridiculous characters added for ‘comic effect’ – the humour blends seamlessly into the action with the emphasis on verbal comedy rather than slapstick .
i suppose small , uncomplicated stories are in at the moment . while they may not work for most motion pictures , the lack of too much detail , suit bachaana , the debut of director nasir khan , starring sanam saeed and mohib mirza , just fine .
the lead cast of bachaana are all television actors debuting on the big screen for the first time ( or at least this genre ) . i ' m sure you ' ve heard of the ' big screen presence ' , what are your thoughts on it ?
the films’ title track , ‘ bachaana’ , has been composed by pakistani musician ali sher and features ace bollywood vocalist benny dayal and komal ghazanfar from pakistan . produced at ali sher studios , the lyrics have been penned by shakeel sohail with mastering by shadab rayeen .
the plot is somewhat predictable but that ' s secondary – bachaana is all about the chase . the film tells the story of an indian girl , alia , who finds herself on the run from drug dealers and vicky , the pakistani taxi driver who helps her .
premiering in karachi after a good showing in uae and lahore , bachaana , a rom - com film that brings television and theatre darling sanam saeed to the big screen for the first time , alongside mohib mirza and adeel hashmi , lives up to expectations , mostly .
it ' s always good news to hear of a new pakistani film in production , especially when it ' s to star beloved actors like sanam saeed and mohib mirza , but the upcoming film bachaana is doubly special for its potential to bring pakistan and india closer together .
bachaana releases nationwide and beyond ( the middle east ) tomorrow . come out , support , and value the sweat and blood that goes into simply entertaining people ! we wish the whole team all the best and may the film generate some big numbers at the box office !
the fourth and final track features pakistan’s first feature film soundtrack mashup . composed and produced by leading bollywood dj , kiran kamath , the mashup remixes bachaana’s title track as sung by benny dayal and komal ghazanfar and ‘ yaari’ as sung by shafqat amanat ali and usman qureshi .
although , he continues to tickle our funny bone in tv commercials , the actor has been missing from serials and films for some time now . it was good to see him make a comeback with bachaana , but it was quite surprising to see him in a negative role .
the trailer of sanam saeed and mohib mirza’s bachaana was recently been unveiled in a star - studded event . while we all adored the chemistry of the duo in the trailer , people couldn ' t help noticing the script ' s striking similarity to salman khan’s blockbuster bajrangi bhaijaan .
karachi : premiering in karachi after a good showing in uae and lahore , bachaana , a rom - com film that brings television and theatre darling sanam saeed to the big screen for the first time , alongside mohib mirza and adeel hashmi , lives up to expectations , mostly .
shot across the beautiful island of mauritius , bachaana chronicles the adventures of a sweet and bubbly indian girl , aalia ( saeed ) . she undergoes a series of unfortunate events and is forced to place her faith in a man she hardly knows . that man , vicky , played by mohib
set in mauritius , bachaana narrates the story of an indian girl aalia ( sanam saeed ) who meets a pakistani cab driver vicky ( mohib mirza ) under dreadful circumstances and from that point onward the entire film revolves around the journey of these two characters and how they escape the bad guys .
the pakistan - india angle has intrigued and created a lot of buzz for the film and i am positive that that cine goers will not be disappointed . things have been finalised ( with distributors ) and i am excited to see ' bachaana ' release in india ,
he added .
this is no longer a review . this is a rant . i was to review the sanam saeed , mohib mirza - starrer bachaana . i wish i could do that . after watching the film , the only thing i am left reviewing is the decision to stick around and be predictably underwhelmed by it .
the trailer that released 2 days ago looks promising , however , the most memorable part of the trailer was the last dialogue ,
ladki pakistani ho ya indian , ladki ladki hoti hai ( a girl is a girl whether she is indian or pakistani )
. bachaana will release on february 26 , 2015 .
bachaana – shot competently by asrad khan with a quick , workable , camera angles ( mostly medium and medium long shots ) – is quite fun . mr . mirza exhibits a dazzling , “pakistani” persona , and handles the comedy and action with deft elegance . ms . saeed’s aalia isn’t your typical indian girl from today ; in fact , with her innocence , gullibility and mannerism , she looks more pakistani than an indian . miner nitpickings aside , this is one “entertaining” film . it definitely doesn’t need “bachaana” from box - office competition ; it can do fine by itself . the audience can spot a good one from a mile away .
the movie , about a cross - border connection akin to bollywood blockbuster ' bajrangi bhaijaan ' , will release in pakistan on the same date .
the distributors in india have shown interest primarily because the film ' s trailer evoked social media discussions comparing ' bachaana ' with bollywood hit ' bajrangi bhaijaan ' ,
director nasir khan told pti .
the pakistan - india angle has intrigued and created a lot of buzz for the film and i am positive that that cine goers will not be disappointed . things have been finalised ( with distributors ) and i am excited to see ' bachaana ' release in india ,
he added .
award - winning actor mohib mirza is set to hit silver - screens across pakistan and india as ‘vicky’ in nasir khan’s romantic thriller , bachaana in a brand new avatar . the character of vicky is a departure from the actor’s previous work , having garnered significant acclaim for his comedic and action oriented roles in the past .
this upcoming film has been shot in mauritius and also stars mohib mirza who will be playing a pakistani taxi driver , vicky in the film . sanam shall be seen in the role of an indian girl named alia . bachaana follows the unlikely couple’s adventures and how the two end up falling in love with each other .
bachaana defies clichéd gender roles . alia is not a damsel - in - distress dependent on vicky to save her life . she marks her presence in every scene with equal , and at times more , action . she is smart , knows how to defend herself and is everything a modern - day girl can relate to .
bachaana will mark the feature film debut of one nasir khan , whose documentary “made in pakistan” made the rounds of the film festival circuit to great success . the film will be produced by rizwan saeed , khan ' s partner at his production company talking filmain , and will involve cast and crew from both pakistan and india .
what is also a shame is that the subject matter — young girls being unwittingly lured in to work as drug mules — could have been explored so much better . to any decent screenwriter , it would provide ample opportunities to flesh out a rich narrative . in bachaana ’s case , all such opportunities have been thrown away .
the first trailer for the film is expected to be out in january . if everything goes according to plan and the movie does release in february , it may find itself in a box office tussle with ashir azeem’s maalik . the music for bachaana has been composed by ali sher , symt and indian music director prasad saste .
karachi : an interesting question and answer session made the otherwise formal trailer launch of an upcoming film , bachaana , an interesting event at a hotel on tuesday evening . replying to a question about the film’s storyline being similar to a recent indian blockbuster bajrangi bhaijaan , ( since it’s about an indian girl helped in her life by [ … ]
the music is composed by ali sher and consists of three numbers ‘yaari’ , ‘labda’ and ‘bachaana’ . the composer has shown his versatility with the music as all the three songs have their own feel and flavor . however , while the music is interesting the video’s of the three songs sadly aren’t . the songs have not been shot as such and play in the background which kind of takes away from the full effect . had mohib and sanam grooved to the title track ‘bachaana’ or at least had lip synced to the entire scenario would have been different . nonetheless , the music is surely a great addition to this film and ali sher deserves a pat on the back for providing such soulful numbers .
nasir khan ' s directional venture , bachaana has been getting critical and commercial acclaim even before its release . with just a couple of premiere shows under their way , the film has undoubtedly been the talk of the town . calling it an action packed comedy - romantic thriller may sound a bit lengthy , but that ' s what this one has to serve .
after development and casting , the series commenced for its shoot . the shoot began in august 2014 in mauritius . the series was the first film to pack shoot within 35 days , rest of photography was delayed . bachaana’s official poster launch ceremony date conducted on 10 december 2015 , across pakistan . [ 12 ] shooting locations were overseen by the director and cinematographer .
however , cinemagoers can now add another film to the growing list with the mohib mirza and sanam saeed - starrer bachaana all set to release in february next year . speaking to the express tribune , director nasir khan said , “the film is basically about an indian woman and a pakistani man and how they meet in mauritius and embark on a journey together . ”
i hope that whatever we venture with is entertaining and something that the audience would get engaged in . we ' ll know where we stand after the release , to be very honest . there are a few things in development , but i find everything as a learning experience . so whatever mistakes i made while making bachaana , i ' ll try not to repeat them .
providentially , the argument does not apply to mr . khan’s film , written by saad azhar . like its lead vicky ( mr . mirza , whom i had doubts of playing an action hero ) , bachaana is acutely pakistani . a smart - mouth , often laid - back , action - romance - comedy . mr . khan juggles the three genres well by anteing up the pace .
- - > official trailer of upcoming pakistani film bachaana ( a film by big film entertainment & hum films ) has been unveiled today in an event held at pearl continental hotel in karachi . as per the action packed trailer the story is about an indian girl ( played by sanam saeed ) and a pakistani boy ( played by mohib mirza ) who meet in mauritius and there the …
the official trailer of bachaana was released on 5 january 2016 . the film was released in both indian and pakistani cinemas on 26 february 2016 . [ 13 ] [ 14 ] upon release the film mostly received positive reviews . [ 15 ] [ 16 ] [ 17 ] the film will have it world tv premiere on september 13 ( eid al - adha ) on the channel urdu 1 .
recent releases have shown some done - to - death storylines ; hence bachaana is definitely a sight to sore eyes . with subtle hints of bollywood , the film revolves around an indian muslim girl alia ( sanam ) who takes the help of a pakistani taxi driver , waqas aka vicky ( mohib ) , in her quest to return home and no , it’s not a rip off of bajrangi bhaijaan .
' bachaana ' is the first feature film of nasir khan as a director , who has gained prominence for his work presented at the mumbai international film festival for his documentary ' made in pakistan ' . with cast and crew from both pakistan and india , making acquaintance with each other for the first time on the set , the film has truly captures cross - boundary relations on and off screen .
“we have been die - hard fans of ( indian ) movies for decades , and now they are enjoying our storytelling through the small screen . our actors are crossing borders and so are our stories now . and that is what i saw in bachaana . the film is light and easy . i was really enjoying getting into aalia’s character with the mannerisms , clothes and diction , ” she added .
bachaana is the perfect example as to what two good actors can do for a film . it would not be wrong to say that one of the major reasons why the film works so well is its because of the effortless acting that mohib mirza and sanam saeed have put for display . for such a character driven film it was extremely important to cast the right people and well nasir khan has just done that .
pakistan cinema is growing by every film and bachaana is another feather in its cap . fun , thrilling , and fast . nasir khan did a wonderful job keeping the film so active . mohib and sanam ' s chemistry makes you glued to the screen . do go and watch it yourself , for me it was a good entertainer and surely worth a watch . i ' d rate it 3 . 5 / 5 .
bachaana is the latest in the long line of pakistani films to suffer from what seems to be the achilles’ heel of the country’s film industry : zero understanding of plot and storytelling . while detractors of critics like me would bring up the industry’s infancy , the lack of money and resources to justify a film like this , one must realise that none of these can excuse this compulsion to write and produce such atrocious scripts .
omg ! have u guys completely lost it ? ? ? today tribune published “6 reasons ‘bachaana’ should be on your must - watch list” & all the other reviews have been amazing . how can u contradict urself . people are loving the film . i bet this blockhead reviewer has some personal grudges against sanam saeed or team of bachaana , may be he is a friend of some rival actress or producer . this film is gazillion times better than snoozfests like bin roye , which was a 2 : 30 hrs long pathetic tv drama shown on a big screen in cinemas . its first pakistani film that looks like a proper film . all my friends have loved it . my whole family is going tomorrow to watch it . people dont give a hoot about ur crappy reviews . so plz keep ur vicious agenda & shitty expert opinions to urself !
sanam saeed , renowned pakistani actress and model , will be playing an indian girl in bachaana . the actress has already captured the hearts of fans across india with offers from multiple bollywood movies alongside the screening of her drama serial on zindagi channel especially for her role in “zindagi gulzar hai” . playing lead against mohib mirza , the duo is set to make the film a complete hit at par with any other a - grade bollywood film .
mohib mirza and sanam saeed’s strong performances make the film , particularly as the remaining characters are peripheral at best . sanam saeed has shown her acting prowess in a range of drama serials , unafraid to tackle controversial and negative roles . bachaana sees her in a much more light - hearted avatar and shows she combines acting ability with great comic timing . her portrayal of alia is spot - on from the beginning , depicting her pluck and vulnerability equally well .
i also request our press and cinema owners to keep encouraging local productions as they have been bearing fruit in last few months . it ' s an exciting time for people in the film making business and we hope to bring more films with a pakistani identity in the future . best of luck to the entire team of bachaana ! i am excited for both sanam saeed and mohib mirza . their chemistry in the film is something everyone will connect with immediately .
bachaana , featuring sanam saeed , mohib mirza , and adeel hashmi , was released nationwide in pakistan on 26th february 2016 . after having received a very good response from the fans and critics alike , hum films & big film entertainment in collaboration with nasser fazal of green flag films , announced the release date of the film in the uk yesterday . being shown on over 15 screens across the uk , the film is slated for an april 22nd international release .
there is always this debate surrounding what the definition of a good actor is . intense acting and good acting are two different things ! if an actor is successfully able to convince the viewer that the character he / she is playing is actually real , i say that is good acting . if an actor is able to get the viewer invested in the story because the viewer feels for the character , i say that is good acting . and that is actually what happens in bachaana .
you ' re playing a negative role right ?
i asked with a flood of curiosity in my voice . after a minute of silence , he replied
yes
. which clearly means that this powerhouse of talent will be seen showing off his skills in a whole new light . being the grandson of the legendary poet , faiz ahmed faiz , talent flows through his veins . from the hilarious u - fone commercials to bachaana , he has truly came a long way .
there ' s romance , comedy and a dash of action in the film that follows an indian woman , aalia ( sanam ) , and a pakistani taxi driver , vicky ( mohib ) , as their paths cross in mauritius . they eventually fall in love , we know – but not before shots are fired , punches are thrown and several high - speed chases through various picturesque landscapes ensue . message received : bachaana is not just any flick that shows a pakistani falling for an indian .
another reason the film feels crisp is the lack of songs breaking up the action . the soundtrack actually consists of only three numbers . two of these , ' yaari ' and ' bachaana , ' are played as background music and only ' koi labda ' gets the full - on bollywood - style treatment . while the song itself is romantic , the stylized depiction actually slowed the pace of movie . keeping song - and - dance numbers to a minimum kept the length of the movie down and the audience engaged .
describing the movie as a “light - hearted” film similar to other commercial movies that are being made these days , he explained his decision to cast mohib and sanam in the lead roles . “for sanam’s character i wanted someone who had that indian look whereas for mohib’s role i wanted someone who was street - smart . both fit the bill perfectly . ” nasir said with bachaana the audiences will see mohib in a new avatar . “he’d be doing comedy and action in a feature film for the very first time . ”
speaking about her experience working on bachaana , sanam saeed has said , “ i thoroughly enjoyed the script and aalia’s character , she was very unlike the roles i had played before . all of us in whatever way we can are wanting to and trying to bridge the gaps and differences between india and pakistan . we have been die - hard fans of their movies for decades , and now they are enjoying our story telling through the small screens . our actors are crossing borders and so are our stories now . and that is what i saw in bachaana , the film is light and easy . i was really enjoying getting in to aalia’s character with the mannerisms and clothes and diction . i had tons of help and references and advice on authentic indian girls from the team we were working with . at the end of the day though , aalia is a south asian girl that i am very familiar with , whether she be indian or pakistani . this is a contemporary easy , breezy , feel good rom com . i’m sure audiences for india and pakistan will both enjoy this fun zesty story . ”
the title track is composed by pakistani musician ali sher and sung by bollywood playback singer benny dayal . the ost is being picked up in india by a major music label and being released in the country shortly . ' bachaana ' is saeed ' s feature debut film . she is popular with indian audience for her lead role in pakistani drama ' zindagi gulzar hai ' . while mirza , an established actor in pakistani drama and film scene . he will also be seen in the pakistani sequel to mahesh bhatt ' s 1982 bollywood movie ' arth ' .
as he told me when the conversation proceeded , it took this individual and his partner rizwan saeed , more than 15 years to raise enough money to work on films . the passion , the dedication , the drive , everything was inborn . managing to produce a comedy - romantic - thriller in a flourishing industry like ours is certainly not everybody ' s cup of tea . nasir khan - the director of bachaana is an inspirational figure that way . speaking to hip about his film , his expectations and his journey , we get a trip back in time and enjoy it thoroughly !
there are plenty of reasons why bachaana works . first off is the cast and they are an exceptional bunch . mohib mirza as a pakistani taxi driver stands out because the quick - wit humour has to be matched with the right emotions and facial expressions . mohib brings conviction and believability to the role . he takes the character of vicky and transforms it into a hero ( no , not the raja hindustani ott melodrama ) you can root for . star of the show , mirza’s performance is one that should fetch him meatier roles in the future . his comfort level in front of the camera is remarkable .
about his character and the project , he adds , “the character i play in bachaana has been the most entertaining one in my career so far . it was beautiful driving through the exotic island . acting and being shot in such an environment certainly excited me . but apart from all the fun and performance , the role also demanded strenuous prepping . i underwent physical training and practiced sprinting before the shoot started . i worked with the team for weeks together in finalizing the character’s look , hairstyle , accent , gestures , wardrobe and the minutest of details that would give life to it . it was heartening to see the team enjoy my spontaneity and improvisations for the role . from its central idea to scripting , dialogues to screenplay , locations to direction and casting to acting ; bachaana was nothing short of being an absolutely grand and immensely professional project . it is very seldom that you see the energy and synchronicity across the team as we all had . everyone came very well prepared on the set ; script was rehearsed , we barely needed prompting and the shoot flew superbly smooth . despite being shot beyond borders of india and pakistan in mauritius , a joint crew from both the countries seamlessly wrapped the project within the exact committed time . ”
the character i play in ' bachaana ' has been the most entertaining one in my career so far . it was beautiful driving through the exotic island . acting and being shot in such an environment certainly excited me . but apart from all the fun and performance , the role also demanded strenuous prepping . i underwent physical training and practiced sprinting before the shoot started . i worked with the team for weeks together in finalizing the character’s look , hairstyle , accent , gestures , wardrobe and the minutest of details that would give life to it . it was heartening to see the team enjoy my spontaneity and improvisations for the role ,
mirza said .
bachaana is the first feature film of nasir khan as a director , who has gained prominence for his work presented at the mumbai international film festival for his documentary made in pakistan . with cast and crew from both pakistan and india , making acquaintance with each other for the first time on the set , the film has truly captures cross - boundary relations on and off screen . filmed in mauritius , the production team conducted the largest talent hunt to find actors in the neutral landscape . with eye - catching scenery , music composed by top pakistani talent , and a new - take on indo - pak relations , the movie is set to cause a stir .


queen of burlesque is a 1946 murder mystery film starring evelyn ankers and directed by sam newfield .

rose la rose , who played blossom terrain , was a stripper in real life and , according to variety , a " runway peeler with considerable experience . "

queen of burlesque

roxi dlite is one of the world’s premier burlesque performers and the reigning queen of burlesque at the burlesque hall of fame in las vegas .
the queen of burlesque competition is always a mix of national and international burlesque performers — all dancing to a live band led by matt bell — and features magicians and comedians .
the new orleans burlesque festival crowned a new queen of burlesque on saturday ( sept . 20 ) at the sixth annual festival in the theater at harrah ' s new orleans .
past winners , including 2013 queen of burlesque medianoche , took the stage to crown elle dorado and congratulate this year ' s performers .
there has been no shortage of accolades for roxi in her illustrious career . roxi became one of the youngest performers to ever be crowned reigning queen of burlesque and hasn’t looked back . roxi was voted in the “top 5 burlesque performers” in the world and one of the “20 hottest burlesque stars” in the world .
yeah , that’s right ! chicago’s own burlesque army brought home the stanley cup of burlesque in 2010 – otherwise known as being crowned “world’s best burlesque group” at the burlesque hall of fame in 2010 . nobody does tease like these ladies . a kaleidoscope of cuties . an empire of ecdysiasts .
when stewie ' s peanut butter commercial goes national in
the peanut butter kid
, peter notes that he ' s the first celebrity in the family since his great - aunt , queen of burlesque griffin who appears singing about some of the realities of vintage burlesque .
burlesk queen ( 1977 ) directed by celso ad . castillo • reviews , film + cast • letterboxd
story of a series of murders committed in a burlesque theatre and the discovery of the killer by a young reporter .
‘burlesk queen’ , celso ad castillo’s 1977 opus is a filipino film set in the dying days of burlesque as it faces scrutiny and possible outlawing , that reveals the fate of the people whose already - miserable lives are ultimately impaired by the downfall of the lifestyle they found –and already adapted to– in burlesque .
of what burlesque has to offer . and how could it not ? with a cast including the queen of burlesque , herself , von teese and a diversely skilled and entertaining lineup including : chachki , valentine , martini , rose , palinski , martinez and all topped off with the highly comedic skills of emcee , comedian and singer
( 1947 ) , shot some new footage in 3 - d with some chorus girls , then released it as a
new
3 - d movie called
i was a burlesque queen
.
dirty martini is one of the most sought - after performers in the new burlesque . as part of the original revival of the late 90’s she forged a path for the explosion that is taking place now . in 2004 , she was crowned miss exotic world ( now “reigning queen of burlesque 2004” ) . her prodigious talents placed her on an enviable page on wikipedia where she became , literally , the definition of burlesque . to be shaken and stirred by miss martini visit urltoken .
von teese is the queen of vintage glamour and her acts are world - renown for epitomizing the artful seduction of hollywood’s golden - era of cinematic tease . bedecked in jewels and rhinestones , von teese has helped pioneer the new burlesque revolution with epic acts showcasing her sultry talents set against dramatic vignettes and prop pieces . the art of the teese features von teese performing four of her most captivating acts alongside a cast of burlesque’s finest , innovative performers .
the main event brings the best classic striptease dancers together to compete for the title of “queen of burlesque . ” expect high over - the - sky glamour ! each solo performance is set to live traditional jazz music . a panel of celebrity judges selects the winner . this is truly a “night of stars” presenting the aurora borealis of striptease !
gomer and the queen of burlesque
is an episode of gomer pyle : usmc starring jim nabors , frank sutton , and allan melvin . sergeant hacker sets gomer up with a burlesque dancer as a joke telling him that she ' s a school teacher from out of town . gomer wins her over with his charm and when he finds out the truth he accepts her for who she is .
mcgill - queen ' s university press is a scholarly publisher of books that engage in public debate , current events , politics , contemporary thought , and the arts . »
michelle l’amour is the creator / producer of “superstars of burlesque” as well as owner of chicago’s famed studio l’amour , and director of the chicago starlets . crowned miss exotic world 2005 ( now “reigning queen of burlesque 2005” ) , miss l’amour has gone on to perform for millions of stage and television viewers . in 2009 , she created the internationally acclaimed literary salon naked girls reading which has gone on to be franchised to more than 20 cities . for more l’amour visit urltoken .
denver burlesque fans lined up for blocks surrounding the fillmore auditorium , on the evening of thursday , july 20 , for their chance to see the iconic queen of burlesque , dita von teese . her latest show , the art of the teese , made the denver stop as part of the west coast - leg of its tour . the show marked von teese’s first return to the mile high city in over a decade and the first time she’s brought one of her own signature shows to denver .
to support her paralytic father , chato works as a utility girl for a burlesque star virgie nite . but when virgie gets drunk on the night of her scheduled show , chato pitches in for her . and she becomes an instant sensation . enthused by the initial acceptance of the audience , she defies her father ' s admonitions and presents herself to the manager . and thus , becoming the new burlesque queen .
the burlesque shows in “burlesque” feature no nudity , no striptease , no baggy pants comedians and no performers with names like porsche galore . other than that , the shows are identical to the offerings at the rialto and follies burlesque houses that flourished on south state street when i first visited chicago as a sin - seeking teenager .
eight burlesque performers competed for the crown including new orleans ' athena , iris le ' mour of dallas , tessa von twinkle of indianapolis , havana hurricane of the united kingdom and lydia decarllo of vancouver , canada .
however , for fancy , the magic of burlesque rests not just on sexual arousal or a debriefing on the beauty of all bodies . “for me , when it’s done right , burlesque is an art form that creates a dialogue between the performer and the audience , ” she said .
the winners were chosen by a panel of celebrity judges including actress laura cayouette , burlesque legend rita
champagne
alexander , actress stephanie blake ; craig tracy , artist and star of
skin wars ;
and leslie zemeckis , author of
behind the burly q .
rick delaup produces the new orleans burlesque festival .
very critical and keen eye on the allure and pressure of show business reminiscent of neo - realist depiction of its time . burlesque both as rebellion and oppression . ad . castillo ' s zenith . a -
the burlesque setting . nonetheless , the dialog and mystery are routine . acting and production values are adequate for the material .
an innovative exploration of the impact of visual media on the literary reception of don quixote .
elle dorado of new orleans won the competition with a cool new burlesque technique : she ice skated as she shed her costume for a sell - out crowd .
the polynesian princess hails from sunny las vegas where she is a true burlesque showgirl . kalani has traveled the world with her impeccable acts and performed for kings and sheikhs . for “superstars of burlesque” , she brings her meta - glamorous , rhinestone encrusted striptease bombast to chicago for the first time .
she ' s known as the queen of burlesque born as heather renee sweet from michagan in the united states , dita von teese became her name when her dancing and seductive stripping career took off and she began performing burlesque in 1992 . the glamorous performer was in thailand for a special event organized by cointreau - - a brand she represents world wide and some of thailand ' s most famous faces in terms of fashion and beauty were on hand at the peninsula hotel to see her cointreau - versial show . here are the parts we can let you see ! for more information visit : urltoken
an ode to burlesque theater as the film puts a spotlight on the appreciation and animosity towards burlesque . several interspersed scenes throughout the film , particularly chato ' s devirginization sequence , shows the artistry of celso ad . castillo . chato ' s last performance was so grand and iconic as she reaches the climax .
with the headline : ' the african queen , ' starring humphrey bogart , katharine hepburn , at the capitol ; ' navajo ' feature at the baronet - - ' paris nights , ' an import , opens at rialto theatre .
today , fancy is a burlesque performer , which means she combines the art of striptease with other modes of vaudevillian entertainment ― comedy , short skits , perhaps a poem or political rant ― all executed with a sparkling , campy gravitas .
ok mid 40 ' s burlesque house murder - mystery . pretty much a remake of the far better lady of burlesque . burlesque queens are dropping like flies , being murdered by any one of several working at the grind house . the musical and dance numbers are typical 40 ' s mild . the lead suspect is the main headliner . the acting is adequate . evelyn ankers plays the lead burlesquer . she seems too refined an actress to be believable as a gypsy rose lee character . still , a nice time - passer . the quality of the mr . fat - w video dvd - r is pretty good . the picture quality is pretty clear . recommended for fans of this genre
one of the highlights of the art of the teese tour , is the opportunity to see two of neo - burlesque’s innovative performers revamp two of von teese’s iconic acts . one such act is , “my heart belongs to daddy , ” which features von teese’s signature filigree heart prop created by the icon and her long - time collaborator , catherine d’lish in 2001 .
in the 1930s ginger rogers was the queen of the dancefloor . this was dance made squeaky clean , as rogers formed an extraordinary partnership with fred astaire . rogers was a dancing girl who epitomised the glamour of motion pictures in glorious technicolor . at that time while dramas remained in black and white , musicals were beginning to be made in colour .
ankers works in burlesque and is engaged to young , a journalist . when a series of murders occur at the club she works at , ankers becomes a suspect . however , the pair finds the real culprit , and ankers is off the hook . this is a standard programmer , racier than most of its type thanks to the burlesque setting . nonetheless , the dialog and mystery are routine . . . . read more
williamson had about everything : keen observation of nature , the sense of beauty in outdoorland , the secrets of animals , the perception of drama , sobriety of imagination , an unerring instinct of sympathy , a pounce upon the perfect word , a prose of great loveliness and unforced power .
the “burlesque lounge” attracts the attention of ali ( christina aguilera ) , the proverbial small - town girl just off the bus from iowa . she walks in just in time to see tess ( cher ) conveniently performing the number “welcome to burlesque . ” in this scene and throughout the movie , cher looks exactly as she always does . other people age . cher has become a logo .
thrills and tears of backstage queens . . . to the rhythm of gay music !
the 50s saw the rise of monroe , who would have been the star of any burlesque cabaret show , oozing sex appeal with her voluptuous figure and heavy eyelids . the blonde bombshell brought all the risqué and sensual aspects that made burlesque so fashionable on stage , to the screen . but monroe let the cat out of the bag when she took acting classes and made known her desire to take more dramatic roles in films . according to her , girls dancing on screen were never taken too seriously .
reporter steve hurley is happy when he hears that crystal mccoy , star of the burlesque show , is to be replaced by her predecessor , dolly devoe . steve hopes crystal will marry him and give . . . see full summary »
“i take my clothes off for money , just not a lot of money , ” fancy told huffpost , an accomplishment she has worked toward since doodling showgirls in her elementary school notebooks . it’s the distinction of “not a lot , ” she believes , which makes mainstream culture more accepting of burlesque than traditional stripping ― which is far more lucrative , and as a result , more reviled . “we’re all selling our bodies , we’re all selling our labor . saying that stripping is sleazy but burlesque is art is ignorant and offensive . ”
this item was reprinted in hwsj 2 ( october 1980 ) pp . 21 - 25 , as ‘the doom of the otter’ by e . v . knox , as from his book of burlesque here’s misery ( methuen , 1928 ) . there are a few very small changes of text between the original punch piece and the book version .
to support her paralytic father , chato works as a utility girl for a burlesque star virgie nite . but when virgie gets drunk on the night of her scheduled show , chato pitches in for her . and . . . see full summary »
monroe ' s stardom coincided with a time when the role of women on screen was changing . while burlesque was all about subtle suggestion , directors and the public were getting used to seeing more and more nudity on screen and more graphic sex scenes .
julie atlas muz , one of the most acclaimed and prolific conceptual performers and choreographers in new york , sucker punches the boundaries between performance art , dance and burlesque with dark , twisted , come - hither performances that have secured her place in the underworld of nightlife as well as the bastion of the art world . on any given night in new york city , you can see julie atlas muz peeling off the outlandish costumes she dons , covered in fake blood in the basement of a gay bar or co - hosting america’s favorite burlesque gameshow this or that ! on public access–in essence , expressing her bawdy , irreverent and unexpected sense of humor .
“burlesque” offers burlesque as if it died and went to heaven . behind a tawdry side entrance on sunset strip , a club exists that would make a vegas casino proud . it has the eerie expanding and contracting dimensions of fantasy . at first , the stage is the right size for an intimate cabaret ; later , there ' s enough space to present a production number with dozens of ( unaccounted for ) dancers descending a staircase worthy of busby berkeley . the audience is all shadowy extras , whose friends will have to look real hard to spot them .
now , showgirls enjoys something of a cult status and is one of the most successful releases on the home entertainment market . burlesque is notably trying to tap into the same market . it has pretty much the same storyline as showgirls , but without the sex , and plenty of gay - friendly jokes ( despite nearly all the characters being straight ) .
sergeant hacker sets gomer up with a burlesque dancer as a joke telling him that she ' s a school teacher from out of town . gomer wins her over with his charm and when he finds out the truth he accepts her for who she is .
new yorker dirty martini , the revolutionary leader of neo - burlesque and body - positivity , took on von teese’s famous swarovski crystallized carousel horse in her own martini way . strutting on stage trailing a full bustle skirt and looking like marie antoinette ( if she were done up in high - definition and covered in rhinestones ) , martini peeled off her gloves like a goddess in the spotlight . her signature bump - and - grind harkened back to the glamour of 1950s burlesque with just the right amount of raunchy audaciousness as she twirled her tassels atop the carousel horse .
whether c . s . forester had his salty british tongue in his cheek when he wrote his extravagant story of romance and adventure ,
the african queen ,
we wouldn ' t be able to tell you . but it is obvious - - to us , at least - - that director john huston was larking when he turned the novel into a film . view full article in timesmachine »
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
ankers works in burlesque and is engaged to young , a journalist . when a series of murders occur at the club she works at , ankers becomes a suspect . however , the pair finds the real culprit , and ankers is off the hook . this is a standard programmer , racier than most of its type thanks to
dancing girls have long enjoyed a special , if not always critically lauded , place in hollywood . now , after years of being critical poison , two new films – mathieu amalric ' s on tour and steve antin ' s burlesque – are putting hoofers back in the limelight .
after the poem , fancy slid out of her evening gown to the tune of katy perry’s “firework” ― well , the first line , “do you ever feel like a plastic bag ? ” , remixed and replayed over and over again . fancy then shimmied and strutted in a handmade bikini made from plastic cat food bags , becoming what she called a “trash queen . ” the act ended when fancy , clad only in plastic bag pasties , pulled a plastic bag out of her vagina and put it atop her head , to the audience’s wild applause .
the star dancer is nikki ( kristen bell ) , who grows instantly angry with ali after the farm girl tells her she looks like a drag queen . they must not see many drag queens in iowa . there is also the nice girl named georgia ( julianne hough ) , who … well , a plot like this only leaves one thing for her , doesn ' t it ?
the gathering of literary people at which the winner of the hawthornden prize is announced always meets in a pleasing state of excitement . . . . [ mr . galsworthy’s speech ] which for sympathy and appreciation was quite perfect . . . he spoke of the kinship of the young writer as an interpreter of nature with hudson and jefferies . . . .
review : ankers works in burlesque and is engaged to young , a journalist . when a series of murders occur at the club she works at , ankers becomes a suspect . however , the pair finds the real culprit , and ankers is off the hook . this is a standard programmer , racier… ( more )
fancy pushes beyond her comfort zone not only in terms of what she performs , but where . she hosts a monthly showcase in bushwick called the “fuck you revue , ” but makes sure to venture beyond the brooklyn art scene for crowds that may never have encountered burlesque ― or nude , fat bodies ― before .
there follows a selection of contemporaneous critical responses : ( even a selection becomes a massive amount ! ) there is a huge amount of material surrounding the publication of tarka the otter , all carefully pasted into a large folio size scrap - book : twenty of these pages are devoted to reviews – a further twenty to reports of the award of the hawthornden prize .
one of only two survivors from a martian expedition is so traumatized she doesn ' t remember the circumstances of the trip .
lindsay is an editorial writer at 303 magazine . a creative writer from the age of five , she continues to pursue the art of the written language through many outlets . she is an avid vintage fashion lover and can attest to the perfection of the pencil skirt with her personal collection . lindsay enjoys reading and writing fantastical fictions and delving into the unique stories behind people and places . she loves art in whatever form it may take , but especially the arts of burlesque and mixed media . she is sometimes a poet and always an avid reader of bukowski and neil gaiman .
check out highlights from some of the best recent trailers including mandy , the predator , zoe , and the king of thieves .
runner - up was charlotte treuse , also of new orleans , and third place prize went to donna hood of los angeles .
sorry , i got distracted again , thinking of the condo tower marcus wants to build . how big a footprint will it need ? we get repeated shots of the exterior of the lounge , which consists of an arch of light bulbs next to what looks like the side of a modest frame building with outside steps to a second floor that doesn ' t seem to exist inside .
after copper miners discover part of the frozen tail of a prehistoric monster in lapland , scientists inadvertently bring it back to life .
in answer to the frequently repeated criticism of the number of unusual words , hw sent a letter to the london mercury giving a glossary and defence of such words ( see facsimile illustration below ) . this was printed in some subsequent editions of the book .
“my great ambition” , he added , “is to write the story of the war from the human point of view , which will be the story of every man who was in the war . ”
burlesque is also remarkable for bringing cher back to the screen after a seven - year hiatus . and the singer and moonstruck star certainly makes the most of her re - entrance , popping up from behind a gaggle of dancers in the glitzy opening number . the film also sees the film debut of christina aguilera , who in addition to starring as ali , a small - town girl who comes to los angeles to make it big , wrote three new songs for the film .
besides weaving together various themes , the play is also intriguing as a spectacle of dance , music , and costume . numerous critics have noted the important role of dance in this drama , suggesting that the rhythm of the play ' s poetry and the movement of the characters in and out of scenes have an underlying dance rhythm .
the film tells the story of chato ( vilma santos ) , who starts out as the assistant of the burlesque theater’s most famous dancer , virgie ( rosemarie gil ) . chato works for virgie because her father roque ( leopoldo salcedo ) is crippled and she simply wants to buy him a wheelchair , and to see him happy . one night , virgie binged on alcohol and refused to perform at the theater because her freeloading and…
the stage name fancy feast is derived from the gourmet cat food brand ― a side - eyed wink to the burlesque tradition of sexy cat - inspired names like kitty and pussy cat . as fancy explains in her documentary , the name is partly a joke ― what is less “fuckable” than globular chunks of sopping fish - meat ? but removed from their cat food connotation , the words “fancy” and “feast” conjure an image of luxury , pleasure and abundance ― an extravagant bodily banquet , served hot .
in “tarka” mr . henry williamson has written an extraordinarily full and fascinating narrative of the life of a family of otters . the country described [ its character , its inhabitants ] remarkable . . . in the tarka epic . for epic it is in its wide sweep and scope , and in the pitiless actuality of this drama of wild nature , man , more or less kept in the background , is as pitiless as the [ wild creatures ] . but , ceaseless as is this conflict of wild , preying nature , the author has not neglected to fill his picture with a sense of the beauty of the creatures’ mastery and enjoyment of their powers in their craft of living .
similar articles appeared in a wide variety of publications , with an equal variety of repetition of the facts and fiction of the occasion : the daily sketch , liverpool post , darlington times , birmingham post , sheffield telegraph , children’s newspaper , manchester guardian , methodist times , publisher’s circular .
the two films take rather contrasting approaches . the french actor and bond villain - turned - director amalric has concentrated on the scene ' s gritty underbelly , using real burlesque girls as his cast members in on tour . antin , on the other hand , takes a more traditional hollywood approach in which the glamour of dancing is given as much prominence as any backstage shenanigans .
regardless of where she’s stripping down , fancy still gets nervous before going onstage . in part , she attributes the persistent butterflies to the burden she bears as one of the few fat women in her line of work . “i do feel the need to do well as a sort of ambassadorship on the behalf of fat girls everywhere , ” she says in leon’s documentary . “which is a joy and a piece of shit burden . ”
save for a few zingers like cummings ' , the dialogue is saccharine and throwaway , but it would be foolish to expect mamet - level patter from this sort of film . the enthralling dance numbers—flashy spectacles with feathers and bras made out of pearls and netting—and the combined sass levels of cher and christina aguilera gloss over the movie ' s weaknesses . burlesque is unlikely to garner a new fan base for either pop star on this thanksgiving weekend ( good luck trying to convince dad to skip the cowboys game to see this one ) , but it ' s a worthwhile trifle for admirers of either icon .
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in on tour , however , amalric has eschewed the hollywood convention of making dancing girls kitsch and has gone for a darker approach that goes to the heart of our enduring fascination with burlesque and dancing girls . it follows a former tv producer ( played by amalric ) who sees the girls and a successful stage show as a way of reinventing himself and returning to prominence in france . he sets up a tour and promises the girls a big night in paris , which , it soon becomes apparent , is never going to materialise .
[ some preamble ] . . . “tarka the otter” , then , is my book of the summer , not because it is so true to the life story of one of the oldest and fiercest animal tribes , but because it contains the very spirit and essence of river life . . . .
. . . the story of a soldier injured in the war who revolts against the whole set of ideals which he holds caused the great upheaval .
a few minutes before a screening of the diva - strewn dance movie burlesque ( screen gems ) began , a woman sat down next to my friend and me and said something in russian to her two kids , who had been holding her seat . about 20 minutes after the movie started , she leaned over to us and asked in slightly accented english ,
is this harry potter ?
part of the popularity of the genre was down to it allowing women to be risqué within the boundaries of family entertainment . george bernard shaw called dancing
the vertical expression of a horizontal desire legalised by music
, and film - makers exploited its safely raunchy potential as a way of getting around the hays code in the 1930s . bollywood still does it to this day .
[ in respectful admiration of mr . henry williamson’s wonderful new book about the otter , published by putnam , which leaves all other stories of wild animal life in england far behind , not only in knowledge and sympathy but in amplitude of vocabulary . every word used below is warranted absolutely genuine , though the places of one or two of them may have got a little mixed . ]
the fashion for lively narrative and a sympathetic and highly imaginative interpretation which is so noticeable a feature of the most characteristic modern biographical writing is making its influence felt in other spheres of literary activity . the student of zoology , the observer of natural history , is no longer content to put down the results of his labours in bald text - book from . . . . among these [ unnamed ] romantic writers of natural history mr . henry williamson takes a foremost place , for his tale of tarka the otter is a work of extreme interest and charm , to which the minuteness of observation , vivid descriptive power , and sympathetic atmosphere , all contribute . particularly fascinating is the sense of the otter as the member of a community . . . this is a worthy companion volume to the author’s the old stag , and no higher commendation can be paid .
one secret of his vividness is the detail in description and the plenitude of what we may , but he never does , call characters in his tale . . . . we meet tarka as a cub . . . and we regretfully take leave of him when he is killed after matching his wits for ten hours against a pack of hounds and a band of biped hunters . . . .
“i do feel the need to do well as a sort of ambassadorship on the behalf of fat girls everywhere ,
fancy feast explains in a documentary ,
which is a joy and a piece of s * * t burden . ”
is this the movie for you ? it may very well be . you ' ve read my review , and you think i ' m just making snarky comments and indulging in cheap sarcasm . well , all right , i am . “burlesque” shows cher and christina aguilera being all that they can be , and that ' s more than enough .
the nature novel in which animals take the place of human beings is steadily attracting more and more writers of distinction . in “tarka the otter” . . . mr . henry williamson has written a book which combines in an unusually vivid and charming fashion the dramatic excitement of the novel of action with the patient , minute observation of the field - naturalist , and over all he has shed a bright mantle of poetry . the book traces tarka from his birth in the hollow trunk of a tree , through the education of hunting , fishing and swimming , which are to prepare him for the battle of life . left to his own resources at the appointed time he mates , engages in many wild adventures in the river , and finally meets the remorseless fate of his kind , the otter - hound , dying a gallant death .
the long years of observation , the hours of understanding study have gone to the making of this book , and mr . williamson’s fellow writers in england have already begun to regard him as a worthy successor to w . h . hudson . . . .
schmidt skilfully applies the tools of art history , history of ideas , and reception theory to explore how illustrations in eighteenth - century english and spanish editions of don quixote both reflected and influenced changing interpretations of cervantes ' s masterpiece . critical images is very interesting and thoroughly researched , and schmidt ' s comments on the illustrations are highly perceptive . i enthusiastically recommend it .
michael mcgaha , department of hispanic studies , pomona college
gained him the prix goncourt for the greatest imaginative work of the year 1910 [ a book of powerful and terrible prose poems ] . . . in some ways mr . williamson’s
here from his birth in the holt under leaning willow island to his gallant death in the waters of the estuary is the life of a dog - otter told with all that sympathy and understanding of which mr . williamson is a master . it is an epic of small things made homeric . . . . i would add that the charm of it is much increased by the constant use of good but perfectly understandable dialect words which are in too much danger of falling out of the language . “dimmity” for the time of fading light is , for instance , one that we ought not to lose . the otter is , with the possible exception of the badger , by far the most interesting beast in britain , and you have no idea how exciting tarka’s life was . i own that i held my breath when he so nearly went into the trap which the keeper had prepared for the stoats .
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an interview with terry gilliam , director of
the man who killed don quixote .
a further heavy flurry of press coverage attended the award of the hawthornden prize for literature to tarka the otter on 12 june 1928 . a cutting from the london mercury gives succinct coverage :
amalric ' s masterstroke is to have cast real - life burlesque girls in his film . these women with names such as kitten on the keys , dirty martini and mimi le meaux have real bodies that are a million miles away from the skinny girls hollywood likes to put on screen . when they appeared on the red carpet at the world premiere in cannes this year , they stole the show .
in the performance that won her the miss coney island 2016 burlesque beauty pageant title , fancy ― donning a floor - length gold , sequin gown and feather headdress ― recited a poem that discussed her childhood dreams , tainted by the societal dictate that fat women don’t deserve to feel sexy or be seen . “i stood behind this very curtain and curtailed tears of joy for younger me who thought she’d never see a stage because she did not deserve eyes to look at her , ” she said .
while amalric may direct and play the lead role , it ' s the girls , with their heady blend of power and vulnerability , who emerge as the real stars . their faces and bodies tell their own story as their problems come to the fore . still , they never lose their power to entertain and titillate . it ' s something that films like burlesque would do well to heed , if girls dancing on screen are ever to become as fashionable as they were back when monroe was serenading presidents .
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but after all these comments we must give mr . williamson credit for his sincere endeavour to paint the life of an otter , and for making his hero a happy , joyful creature , which indeed the otter is ; also for his vivid description of water - life , the countryside , and a pack of otter hounds , to say nothing of the otter hunt . the last is the most vivid and lifelike , though to the reviewer the most unpleasant , of his many vivid descriptions .
a really memorable book in its vein should one day come from mr . williamson . he has written several things that no one else could have written ; . . . the store of incidental observation is immense , and at its best the language has emotional and poetic virtues that are rare , real , and unspoiled by touch of sentimentality . . . . but damaged by self - consciousness of style and great excess of detail . both produce absurdities and cause irritation . the ungrammatical affectations of the opening paragraph of the book are enough to warn readers off all further advance . . . .
( for a most interesting article of the details and background of the hawthornden prize see : peter lewis , ‘the hawthornden prize’ , hwsj 26 , september 1992 , pp . 32 - 49 . )
we are a little weary of the stories of wild animals [ as heroes and philosophers ] . . . mr . henry williamson’s tarka the otter is a book of another kind . . . . few of us can say whether he is correct in every point because we are ignorant [ of the habits of such creatures ] . . . but mr . williamson has obviously adhered very closely to his observation . . . it is undoubtedly a brilliant one , presented with great charm and technical skill . sir john fortescue . . . suggests that ‘ . . . at times he possibly carries the work of polishing and finishing to excess’ . . . . [ agrees ] mr . williamson’s style is inclined to be precious . . . but we are won over to forgive extravagances by the vividness of his descriptions . [ some résumé of the story follows , pointing out some salient points ]
in keen , sympathetic , accurate and comprehensive observation of wild life mr . williamson’s nature tales , of which this is the fourth , are not excelled by any english or american writer . . . . [ the otter is little known to american readers – followed by a précis of the story ]
for the very first time outside of its debut at the crazy horse in paris , the art of the teese featured von teese’s act , “lazy . ” this full act is not unlike a miniature hollywood film from the bygone golden - age of glamour . “lazy” features a lush living room set where von teese and her vontourage lounge alluringly . things began to heat up as von teese is assisted by palinski and martinez out of her gown and into a gorgeous feathered duster and then out of said duster .
the whole book is thrilling and reminiscent of richard jefferies . otter - hunters will not put it down until they have read to the last bubble the life - story of these charming water - babies .
this is an imaginative study . it is the story of an otter , his joyful water life and death in the country of the two rivers . what we have seen of mr . williamson’s work we find attractive . he has a firm touch , an unaffected style and sincere emotions toward the things of the country . he is stern with himself concerning these emotions ; there is never a sign of irrelevant emotionalism . for the present his control is only admirable , but we hope there is no danger of his becoming too stern with himself : we look forward to his producing sooner or later a chef d’œuvre of considerable interest , but when we attempt to speculate upon the particular quality that such a book would reveal we are rather baffled .
reminds me of [ this book ] . [ reviewer proceeds to compare various points between the two . ]
. . . his picturesque prose , constantly gleaming with color , is sometimes overwrought to the point of preciosity and occasionally rises into passages of poetic description . [ quotes as example passage about the icicle spirit . ]
but when so much has been granted , we can give him complete praise . he has developed the power of observation to a very high degree . . . . he misses nothing . . . . he has an extraordinary power of evoking a scene through his method of intimate realism . . . . [ but ] it is too much when he includes his wealthy sporting friends in his pictures of nature ! . . . he does not seem to recognise his companions for what they are and it is impossible for us to feel any enthusiasm for their brutalities . he gives us a series of unpleasant glimpses of unpleasant people . . . .
yet when all this has been said , and the conclusion has been reached that mr . williamson’s outlook on nature is as yet that of the local historian and photographer rather than that of the artist , it must be admitted that in his field knowledge and poetic insight he has . . . the indispensable and rare equipment of the great nature writer , whose evolution into the artist is merely a matter of time – and tide .
of the four books about animals which we have before us , the smallest is the best . mr . williamson , in his story of the life and death of tarka the otter , has attempted something much more ambitious than have the other authors , but he has been justified by success . his book is of that rare , and particularly english , sort in which the human author attempts to see through the eys of his animal hero . sir john fortescue , who has himself attempted this method , contributes a very understanding preface . . .
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while the play rejoices in the magical power of love to transform our lives , it also reminds us of love ' s excesses and foolishness . more ominously , it tells of the violence often perpetrated in the name of lust : mythological references to the tales of philomela and perogina , for example , remind us that desire results not only in happy , consensual union , but also in rape . in addition to love ' s combat with violence , the play shows passion ' s conflict with reason . for example , egeus ' rigid , patriarchal view of the world clashes with his daughter ' s notion of love and freedom . another important theme is the duality between fantasy and reality . indeed , the play highlights the imagination and its inventions : dreams , illusions , and poetry .
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shakespeare dexterously weaves these four worlds together , by having characters wandering in and out of each other ' s world , by creating echoes and parallels among the different groups . for example , the themes of love and transformation reverberate through all levels of the play , creating coherence and complexity . coherence is also produced by the play ' s emphasis on time . the action is associated with two traditional festivals — midsummer eve and may day — both allied with magic , mayhem , and merriment . to emphasize further the connections between the different groups , many modern directors of the play cast the same actor for the roles of theseus and oberon , and for those of hippolyta and titania .
( filipino with english subtitles ) this landmark film is considered by many to be one of the most important in philippine cinema . the son of a wealthy man , junior has everything he could . . . see full summary »
the truth is mr . williamson can do excellently well within his limitations but these limitations seldom allow his imagination to adventure beyond the park walls of those great west country landowners , whose point of view he reflects . . . .
ali also has a love interest , chiseled burlesque - club bartender jack ( cam gigandet ) , whose only memorable scene involves his naked body and a strategically placed box of cookies . there is also a delightful supporting turn by stanley tucci as tess ' sidekick and ali ' s fairy godfather . that tucci ' s character is identical to the one he played in the devil wears prada doesn ' t really matter—you are thrilled see him again . alan cumming also makes a brief appearance as a sexually ambiguous host , who says things like ,
honey , i should wash your mouth out with jägermeister !
jessica grose is a frequent slate contributor and the author of the novel sad desk salad . follow her on twitter .
e . v . knox ordered one of the 3 guinea limited edition volumes – and was allotted no . 63 .
beyond tess and ali ' s fairly developed and sweet bond , the plot is pretty thin and occasionally nonsensical . naturally , tess takes ali under her bedazzling wing and makes her into a burlesque star . she also fends off a blandly nefarious real estate developer ( blandly nefarious eric dane ) who wants to buy her club , demolish it , and turn it into a skyscraper . meanwhile , ali shields herself from a wannabe saboteur , fellow - dancer and alcoholic nikki , played by a sadly underused kristen bell .
mr john galsworthy in presenting the prize at the æolian hall , new bond street , yesterday afternoon described “tarka the otter” as a truly remarkable creation . it was the result of stupendous imaginative concentration , fortified by endlessly patient and loving observation of nature . henry williamson had received as yet infinitely less credit as a writer then he deserved . he was the finest and most intimate living interpreter of the drama of wild life , and he was , at his best , a beautiful writer . . . .
though that misinformed russian lady may have been confused by what she saw on screen ( why is hermione wearing stripper heels ? ) , the rest of the audience got precisely the movie that they had come to see : a campy , satisfying showcase for the impressively flashy vocal and sartorial stylings of cher and christina aguilera . after cher performed the soon - to - be adult - contemporary hit ,
you haven ' t seen the last of me ,
the entire room broke into vigorous applause and screams of joy .
all through the tale the baying of the otter - hounds forms a dreadful chorus to the drama . father , two mates , friends , all fall to them . and they have tarka too at the last ; but not till , in his dying moments , he has bitten through the throat of deadlock and destroyed the pride of the pack . it is a brave tale , bravely told .
pinoy rebyu surveyed 81 respondents composed of filmmakers , critics , archivists , academics , etc . in 2013 to compile the 100 greatest filipino…
and i have just read two novels ( if novels they can sanely be called ) which i fear must be the decadent fruits of paranoia . the first is “tarka the otter” by henry williamson . instead of dealing with mankind , mr . williamson deals with otters , fish , and other aquatic amphibious beings . his knowledge of them and his imaginative sympathy with them are really astonishing . but is this preoccupation with beasts and fish a sure sign of paranoia ? “tarka the otter” has been praised by some of the finest critics in our depraved land . for example , by edward garnett . i agree that is marvellous . and the writing of it is marvellous . indeed , to my mind , the writing of it is too marvellous . i consider it to be over - written , marked by a certain preciosity . the author has searched too often and too long for the utterly right word . but i have no other criticism .