forget us not is a 2013 feature-length documentary film by heather connell , which follows the stories of some of the 5 million non-jewish holocaust survivors including artist ceija stojka and is narrated by actor ron perlman .

the documentary was released on the festival circuit in august 2013 and has won eight awards to date including feature documentary and editing awards of merit from accolade film competition , helping hand international humanitarian award from the rhode island international film festival , best of festival at vancouver 's columbia gorge international film festival , mark of distinction film at the new york independent film festival and best narration and world peace impact award from the artisan world peace hamptons film festival and feature documentary audience award at the first glance international film festival los angeles .

forget us not

we’d love your help . let us know what’s wrong with this preview of forget us not by melissa shirley .
we sometimes forget all that has happened to us , and how our history affects us today .
this talk is brought to you by “forget us not” , an independent initiative organised by khoo teck puat hospital and lien foundation .
do not forget me istanbul
was shown at the 30th istanbul film festival .
she will feature heavily in a film documentary , forget us not , set for release later this year , which follows the stories of some of the five million non - jewish victims of the holocaust .
join wang lei & lin ruping at our forget us not getai show on sunday ( 20 march ) , 7pm to 10pm , at the basketball court opposite khatib mrt . free admission with lucky draw !
forget us not
is an independent initiative in yishun that is organised by lien foundation and khoo teck puat hospital . it aims to raise awareness of the growing number of persons with dementia ( pwd ) .
content in this product may not be appropriate for all ages , or may not be appropriate for viewing at work .
american amnesia how the war on government led us to forget what made america prosper by jacob s . hacker and paul pierson 455 pp . simon & schuster . $ 28 .
there is a touristy memory where we treat events as outside us and we trivialise memory .
forget us not by melissa shirley is a contemporary romance novel without cheating and with hea . sam camden is a bartender whos gonna lose his wife mackenzie , theyre falling apart . then shes in a car accident and has memory loss . she cant remember anything of their relationship . sam sees his chance and hides the truth from her . he loves her so so deeply . then mackezie gets suspicious and everything comes to light . she had her reasons to leave him , foolish reasons but it where hers . forget us not is a w
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numbers conveys a sense of control and comprehension when it actually alienates and distances us from the event .
we strive for accuracy and fairness . if you see something that doesn ' t look right , contact us !
statistics , as camus said , may not bleed but they do help domesticate reality .
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i want to thank quietly the heroes , the survivors who will not let bhopal die .
© valve corporation . all rights reserved . all trademarks are property of their respective owners in the us and other countries .
forget us not by melissa shirley is a contemporary romance novel without cheating and with hea . sam camden is a bartender who´s gonna lose his wife mackenzie , they´re falling apart . then she´s in a car accident and has memory loss . she can´t remember anything of their relationship . sam sees his chance and hides the truth from her . he loves her so so deeply . then mackezie gets suspicious and everything comes to light . she had her reasons to leave him , foolish reasons but it where hers . forget us not is a well written book with a beautiful hea . i liked the story and i liked the characters . sam more than mackenzie , any way - 5 stars and thank you melissa shirley .
© 2018 valve corporation . all rights reserved . all trademarks are property of their respective owners in the us and other countries .
teck seng returns home from his overseas studies and finds his dad , tan yee ming , with worsening dementia . see how the tan family and their community rally around him in various heartwarming ways . the
forget us not
initiative by lien foundation & khoo teck puat hospital invites the public to develop dementia - friendly communities where persons with dementia are respected , valued & supported to maintain a good quality of life . this campaign was announced in january 2016 in singapore’s yishun estate . this film is conceptualised by mandate communications and produced by little red ants creative studio . the production is supported by the singapore police force . find out more about
forget us not
at urltoken official facebook page : urltoken if you desire to learn more about persons with dementia to lend a bigger hand , simply email us at info @ urltoken or call 6555 8000
forget us not
is an independent initiative in yishun that is organised by lien foundation and khoo teck puat hospital . it aims to raise awareness of the growing number of persons with dementia ( pwd ) . this includes sharing the everyday problems they face , and ways for the public to support them . so that we ' ll always have them in mind .
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he produces not only a major critique of science policy but the first book on the bhopal disaster .
as you become older you realise it is not nostalgia that haunts you . you sense your world shrinking .
we talk of ancient science not as a philosophy , a world view but combining tutorial and tourist views of memory .
dementia doesn ' t just affect those who suffer from it , it affects everyone around them as well including their families and community . see how the tan family and their community rally around mr tan yee ming , who has worsening dementia , in various heartwarming ways in the forget us not 勿忘我 short film . this film was conceptualised by mandate communications and produced by little red ants creative studio , with support from the singapore police force .
speaker ivan loh is the campaign administrator for the forget us not campaign . he was trained in eldercare and has special interest in dementia , due to personal experiences within his extended family . he was attached to khoo teck puat hospital ( geriatrics clinic ) for 8 months , working with a team of dedicated healthcare professionals serving dementia patients . as part of his current work , he gives talks to different organisations to raise awareness about dementia .
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i remember survivors , particularly women , who have fought for justice in bhopal and justice they realize is not possible without sustaining memory .
during wwii hitler embarked on a systematic campaign to annihilate the jewish population . but his plans to create an aryan nation did not end with the unprecedented persecution of the jews . from 1933 to 1945 , millions of individuals were arrested , shipped to labor and death camps and classified for their various offenses using a color coded system of triangles and other symbols . an estimated 11 million lost their lives . thousands more survived and bear the scars emotionally and physically of a life brutally lived . forget us not is a moving , in depth look at the persecution and subsequent death of the 5 million non jewish victims of the wwii holocaust and the lives of those who survived .
an in depth look at the persecution and subsequent death of the 5 million non jewish victims of the world war ii holocaust and the lives of those who survived . through stories of survivors and historical footage , these lesser known voices are brought to life . from the roma and sinti people who were also targeted for complete annihilation to the thousands of catholic priests who were killed for speaking out , forget us not strives to educate and give tribute to those who were killed for their religion , ethnicity , political views , sexual orientation and physical handicaps .
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the two new specialist wards at imh are not just about creating a better patient experience ; they are also designed to reduce the stigma of mental illness .
i also asked the client to quickly write out how they felt as soon as possible after completing this exercise , using words not sentences , to describe their reactions .
love island ' s ellie insists she did not enter the villa to break up jack and dani . . . as darylle reveals they ' re all getting matching tattoos
this is a civilized and empathetic film , but will and eve are so reserved and cautious , and as it moves along too deliberately you realize what a brilliant job richard linklater , ethan hawke and julie delpy did with
before sunrise
and
before sunset .
the ending of
forget me not
conceals an emotional impact , sad and carefully orchestrated , but the film isn ' t very compelling .
we have been surviving on a shoestring since day one , but we now badly need funding keep doing the vital work we do , and to amplify our voice . please , if you can , donate to our crowdfunding campaign and help us change the conversation around mental health in ireland .
forget me not
seemed for an hour as if i had walked this way before , and then it took me in a new direction . the film is about a 30 - ish couple who meet sorta cute and end up sharing an all - night meander through london . they banter , they bond , they separate and join up again , they even take a ride on the london eye , and all the while i was wondering why
before sunrise
needed to be remade . then the sun rose and the buried nature of the story became transformed .
dementia is a condition that causes progressive intellectual decline leading to increasing difficulties in coping with everyday activities . it is not part of normal aging and affects mainly the seniors ( > 60 years old ) . it can also affect the young , though rarely .
dementia is a condition that causes progressive intellectual decline leading to increasing difficulties in coping with everyday activities . it is not part of normal aging and affects mainly the seniors ( > 60 years old ) . it can also affect the young , though rarely .
as i write i am about to commence therapy in order to deal with a fresh set of circumstances which has made me realise i need to do some more work in dealing with my life as i have , once again , forgotten my own methods . i also have to revisit all my other coping mechanisms . one thing i know for sure is that they work . i just have to commit to them and not just do them every now and then . i have to do what all of us who have succumbed to an anxiety disorder , in whatever form , have to do – i have to live them .
as film production has been a collective of independent filmmakers in istanbul for over ten years , bringing together filmmakers from all over the middle east . in 2006 , its co - founder hüseyin karabey registered it as an offical production company in order to produce
my marlon and brando
, which has already received some international awards , thus transforming asi film production into an established and successful company in the public eyes . resources and facilities have been built up which are now being used by a collective of filmmakers who may be temporarily based in istanbul but tell stories from all around the region . asi film produced recently
do not forget me istanbul
with 7 international directors .
drew was only 45 years old at the time of his death , and it is remarkable how much he was able to accomplish in such a limited amount of time . as the reverend jerry moore said at drew & apos ; s funeral , drew had
a life which crowds into a handful of years & apos ; significance , so great , men will never be able to forget it .
we believe in the power of creating and sharing information that can help us all navigate this sometimes difficult but often wonderful world . we know that in order to live well we need to look at life holistically , at all aspects of what it means to be human . that means looking at and connecting mental health , physical health , soul , and society - the bigger picture .
in 1941 , drew spearheaded another blood bank effort , this time for the american red cross . he worked on developing a blood bank to be used for u . s . military personnel . but not long into his tenure there , drew became frustrated with the military & apos ; s request for segregating the blood donated by african americans . at first , the military did not want to use blood from african americans , but they later said it could only be used for african - american soldiers . drew was outraged by this racist policy , and resigned his post after only a few months .
it has to be a way of life , ongoing , in as much as a healthy lifestyle is ongoing by eating well and exercising to look after our physical bodies and mental state . our brains need constant training too . we have a very powerful brain . with the right therapies that are available to us , never before more so than now , we can practice a physically , and mentally , healthy lifestyle .
in that moment i am negating everything that has happened in my life , shoving it under the mental carpet i carry within me . what i am doing there is looking after the other person’s sensibilities , while disregarding my own . that is not how to deal with experiences , to let them go , to move on .
a couple of points : ( 1 ) if your hero is going to sing in the movie , give him better songs . ( 2 ) although the cinematography is handsome , a couple of shots fall to the temptation of being about themselves and not the story — the foreground chess game in the coffee shop , for example , which has nothing to do with anything .
they are friendly . they exchange some personal information , not much . they ' re both taciturn , although she conceals that with cheerfulness . we know he is sad — more than she realizes . they have a small encounter with a bachelorette party , split , and later find themselves at the same club . the opening of the club scene is intriguing , showing dancers seemingly dancing to the sounds of their own shoes , until we figure it out .
is this realistic ? there are a few hopeful straws in the wind . the popularity of bernie sanders with younger voters hints at a generational change in attitudes . some enlightened business leaders — bill gates , howard schultz , marc benioff — are emerging as a different sort of role models , on issues like inequality , the treatment of veterans and gay rights . perhaps the unexpected strength of donald trump will provide a wake - up call — if it isn’t already too late — to the republican establishment , reminding it that if all you ever do is bash government , you risk creating a vacuum that may be filled by something you will really want to forget .
still , the authors are suffering their own amnesia about the troubled state of the economy and american business during the 1970s , which is when the public fell out of love with government . this gets only a few pages , with observations like “the decade was not the economic wasteland it is often remembered as today . ” yet experiencing stagflation and other economic troubles for the first time in the era of mass prosperity provided ample reason for americans to question the prevailing mixed - economy orthodoxy and ask whether government was overreaching .
> > judging a book by it ' s cover < < mediocre design . two people , standing apart . no romantic elements . fall palette coloration . title placement and size is good , but color does not stand out . the synopsis sounds like a particular sparks novel that was made into a movie . > > looking deeper < < pov ~ > alternating first - person povs : clearly defined and easy to follow . melissa shirley delivers a wonderfully smooth and emotional story in a unique format . sam and kenzie are a
a second chance at love comes in different forms . amnesia , temporary or permanent , is a rarely used medium for it , which is a shame . when written right , the love story that was becomes brand new for the characters and reader . it ' s an exploration of memories , a struggle of remembering , and the discovery of a new beginning . sam and makenzie ' s story probably mirrors a real life couple somewhere . not the amnesia and accident part but the
what
that drove makenzie to pull away . i loved that the dual
how america came to forget about the merits of good government , and the price now being paid , is the meat of “american amnesia , ” the third book by jacob s . hacker ( yale ) and paul pierson ( berkeley ) , whom bill moyers calls the “sherlock holmes and dr . watson of political science . ” according to these academic detectives , america’s amnesia is no accident . the country has been brainwashed by a powerful alliance of forces hostile to government : big business , especially wall street , spending unparalleled lobbying dollars to advance its narrow self - interest ; a new wealthy elite propagating wrongheaded ayn randian notions that free markets are always good and government always bad ; and a republican party using a strategy of attacking and weakening government as a way to win more power for itself .
then there is the excessive nostalgia for the heyday of trade unionism . while hacker and pierson acknowledge the negative role played by teachers unions in blocking education reforms that might have kept america higher in those international performance rankings , that fact gets barely one sentence . and as for wall street , they are too one - sided the other way . though wall street deserves much blame for the crash of 2008 and the subsequent great recession , the financial sector is not all a giant rip - off . many of its innovations over the past 50 years have been adopted around the world because they can yield significant economic benefits .
so why did america turn against government ? with their previous book , “winner - take - all politics , ” hacker and pierson won rave reviews for explaining why inequality has risen faster in america than in any other rich country and how a strategy started by conservative foundations and rich libertarians to limit and weaken government paid off spectacularly . this new book rehashes enough of that analysis to give readers not amnesia but déjà vu . it also contains grim new evidence , especially about the growing lobbying and legal influence of the business roundtable and united states chamber of commerce . hacker and pierson argue that “no private organization in the history of american politics has assembled anything comparable in scope or capacity to today’s chamber of commerce . ”
never having read this author before she does have a storyline that will call you to it . as i opened it up i was in for the duration right away because it will catch you , then throw you a whopper having you reading making faces as you see what direction it will go . sam and makenzie are the kidnappers in this story meaning they kidnap you . as things progress you will want to less and less leave it to do something else because it will have you trapped . you also become like a spectator at times rooting for love to win in this one . this is a bit different so you will not have to worry on predictable anything . you will also be glad you ventured in by the end .
a second chance at love comes in different forms . amnesia , temporary or permanent , is a rarely used medium for it , which is a shame . when written right , the love story that was becomes brand new for the characters and reader . it ' s an exploration of memories , a struggle of remembering , and the discovery of a new beginning . sam and makenzie ' s story probably mirrors a real life couple somewhere . not the amnesia and accident part but the
what
that drove makenzie to pull away . i loved that the dual pov put me in each of their shoes . i loved being in their heads , loved that pull of whatever emotion they were feeling at the moment . this novella took me by surprise . not just because of how much story is packed into so few pages but because of the pace . yup , the pace . most short stories move quickly , a wham - bam - thank - you - ma ' am kind of a thing . this story was surprisingly slow but was so full . the mystery of what happened between sam and makenzie was given just as much page space as the heaviness of fear and uncertainty that dogged their post - accident footsteps . a beautiful gem of a story that is worth more than the words of this review , i hope you consider reading it . the reality and gravity of it is only eclipsed by the love and forgiveness at the end . complimentary copy received from publisher
please melissa shirley tell me there will be more ! i need to know what happens now . i loved this short but sweet love story , second chance with a twist . it had me teary eyed the entire book , and finally tears . it alternates between the two characters , which i liked so i was getting both of their perspectives of the moment . i could feel the tension and hurt as well as the love the entire time . after a car accident kenzie can’t remember who she was , her husband or other aspects of her past . she knows she loves him she’s drawn to him , loves everything about him . so as far as she knows their life was perfect before . sam knows differently . he’s so sweet , caring , and the connection between them is so strong , the author made sure i felt it . it’s sad at times reading his thoughts and fears , the uncertainty of “them” when or if her memory returns . even though it’s short , there’s a lot of story in here . it’s a difficult position for both of them to be in knowing vs . not knowing the truth and living with the fear of the truth coming out . i know for me i went back and forth on whether i wanted to know . what do you do with that information once you learn it ? can you even have a future without knowing ? can you fix the past , heal your heart and build a new future ? for me it was a relatable story . sometimes it’s easier to just run from the pain than be honest with yourself and face your imperfections , especially with this topic . thank you for a great emotional and hopeful story . i am looking forward to reading more by this author , fingers crossed it’ll be more of sam and kenzie’s story .
4 . 5 please melissa shirley tell me there will be more ! i need to know what happens now . i loved this short but sweet love story , second chance with a twist . it had me teary eyed the entire book , and finally tears . it alternates between the two characters , which i liked so i was getting both of their perspectives of the moment . i could feel the tension and hurt as well as the love the entire time . after a car accident kenzie can’t remember who she was , her husband or other aspects of her past . she knows she loves him she’s drawn to him , loves everything about him . so as far as she knows their life was perfect before . sam knows differently . he’s so sweet , caring , and the connection between them is so strong , the author made sure i felt it . it’s sad at times reading his thoughts and fears , the uncertainty of “them” when or if her memory returns . even though it’s short , there’s a lot of story in here . it’s a difficult position for both of them to be in knowing vs . not knowing the truth and living with the fear of the truth coming out . i know for me i went back and forth on whether i wanted to know . what do you do with that information once you learn it ? can you even have a future without knowing ? can you fix the past , heal your heart and build a new future ? for me it was a relatable story . sometimes it’s easier to just run from the pain than be honest with yourself and face your imperfections , especially with this topic . thank you for a great emotional and hopeful story . i am looking forward to reading more by this author , fingers crossed it’ll be more of sam and kenzie’s story . a book lover’s emporium
ceija stojka , a roma ( gypsy ) holocaust survivor , writer and self - taught artist , has died aged 79 .
through her writing and artwork , stojka raised international awareness of the plight of roma people under the nazis .
hundreds of thousands of roma were rounded up and killed during world war ii .
then just a young girl , stojka was interned in multiple concentration camps and only five members of her extended family of over 200 survived .
i have survived on paper and pieces of leather when i was hungry ,
she later told one interviewer .
the budapest - based european roma cultural foundation described stojka as an
outstanding austrian romani woman . . . and a key figure for the history , art and literature of romani culture in europe
, reported reuters news agency .
ceija stojka - pronounced
chaya stoyka
- was a roma from the lovari tribe , born in austria in 1933 - the year adolf hitler came to power in germany .
her family lived as horse - traders , travelling through austria before world war ii , when they were deported to nazi concentration camps , along with other roma , jews , poles , homosexuals and political opponents of the nazis .
her father and brother were killed in auschwitz , while she survived with her mother and four remaining siblings .
only 12 when she was liberated from bergen - belsen , she bore the identification number from the concentration camp , tattooed on her arm in blue ink , for the rest of her life .
she returned to austria with a brother and sister , and lived for many years selling carpets , before taking up painting at the age of 56 - reportedly often using her fingers or toothpicks as her painting implements .
most of her work depicts the death camps , but there are also idyllic pictures of family life , in their painted wagon before the holocaust , says the bbc ' s central europe correspondent nick thorpe .
her 1988 autobiography , we live in seclusion , and a film made about her , drew international attention to the plight of the roma in the past and present , our correspondent adds .
i reached for the pen because i had to open myself , to scream ,
the activist said at an exhibition in vienna ' s jewish museum in 2004 .
europe ' s roma population of up to 12 million still faces widespread discrimination today , rights groups say .
the pm says she was
surprised
by the foreign secretary ' s resignation after the cabinet had backed her brexit plan .
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urltoken
eric latek , george t . marshall , shawn quirk , j . scott oberacker , william smyth &
providence , r . i . • aug . 11 , 2013 — flickers : rhode island international film festival ( riiff ) proudly announced the award winners for its 17th annual festival , on sunday , aug . 11 , at its awards ceremony held at the metcalf auditorium at the risd museum in downtown providence , ri . this year’s festival took place aug . 6–11 , 2013 , and had a record - breaking year in attendance for ticket buyers and filmmakers , including more than 800 people at the opening night celebration
more than 200 feature length , documentary and short films—from 65 countries , and 36 states across the u . s . —were screened during the six - day festival at locations throughout the state of rhode island . films were selected from a record entry base of 5 , 114 submissions , and this year’s festival included 55 world , north american , and u . s . premieres .
this year saw many firsts for the rhode island international festival ,
said george t . marshall , riiff’s executive director and founder . “thanks and kudos belong to the amazing partnerships forged with the rhode island film & television office , the city of providence , the government of québec , the university of rhode island , roger williams university , rhode island college , the risd museum , cox media , and the providence journal . the festival had a spectacular lineup of films that engaged , provoked thought and entertained and were complemented by our sold - out educational programs which drew high praise from attendees . ”
marshall continued , “from hosting hundreds of international filmmakers from across the globe to our packed closing night block party , this year’s festival shone a spotlight on what makes rhode island a special place to celebrate and create film . ”
riiff is one of only 75 film festivals worldwide that is accredited by the academy of motion picture arts and sciences ( ampas ) . riiff has seen 29 films that premiered at the festival go on to receive oscar® nominations with six ( 6 ) winning the award . at the february 2013 academy awards , three of the short film nominees shared the distinction of having premiered at opening night of riiff 2012 : “asad , ” directed by bryan buckley and produced by mino jarjoura ( hungry man ) ; “buzkashi boys , ” directed by sam french and produced by ariel nasr ( afghan film project ) ; and “henry , ” directed and produced by yan england .
the winner of the riiff best short grand prize holds a special honor : it becomes the festival’s nominee for academy award consideration . the 2013 grand prize winner is “drone strike , ” by u . k . director chris richmond . as richmond’s dramatic directorial debut , “drone strike” depicts a day in the life of a devoted family man who serves as a raf drone pilot , and who struggles with the warped reality of having a day job in the u . k . that consists of firing hellfire missiles 4000 miles away in afghanistan . this film tells the story of how one fateful decision shatters his conviction , and shows the effects of that decision on a family in helmand province .
“i would like to thank the rhode island international film festival jury for this amazing accolade , ” said director , chris richmond . “i’m overwhelmed by the reception drone strike has received at the festival and feel honored to have been selected for the grand prize from an impressive program of high quality short . the rhode island international film festival has been the perfect international launch pad for the film”
the 2013 flickers : rhode island international film festival was dedicated dr . j . gerald lamoureux , of woonsocket , who passed away this year . a lifelong resident of woonsocket , dr . lamoureux was a strong force in the francophone community and worked to keep the quebecois culture alive in rhode island . he worked with flickers to help create the french festival jubilee franco - americain in woonsocket in1995 , and acted as its vice president for many years . this jubilee grew into what is now the rhode island international film festival , which represents the entire world through its film selection while keeping a special spotlight on the french language—and franco - american community in woonsocket—by building strong partnerships with quebecois and french organizations and festivals .
beyond recognizing excellence in the 2013 riiff films , flickers : rhode island international film festival ( riiff ) also honored actors , industry professionals , and exemplary partners with special recognition and achievement awards . these included :
• creative vision award was presented to welsh actor , ioan gruffudd . the award celebrates passion and creativity within the world of cinema . gruffud made a lasting impression in film through his roles in “titanic , ” “the fantastic four , ” “fantastic four : rise of the silver surfer , ” ”king arthur , ” “amazing grace , ” the british series “poldark” and “hornblower , ” and the american series “ringer . “ he stars in “foster” which had its north american premiere at riiff this year . past recipients include actor / director federic castelluccio , actor jonathan katz , actress blythe danner , director michael corrente , german writer / director rosa von praunheim , and founder of the newport jazz festival elaine lorillard .
• roger williams independent voice award was presented to writer / filmmaker g . wayne miller . the award is presented semi - annually to an outstanding artist whose vision promotes tolerance , compassion and understanding . the award is named after the founder of rhode island , roger williams , who established an american tradition of religious freedom and individual liberty that was encoded in the bill of rights . this award honors a truly unique american whose ethics , philosophy and conscience reflects that of roger williams , who provided a refuge from rampant religious persecution , an open door to all people ; a safe harbor in a vast sea of tyranny and oppression .
• riiff screenplay competition award was presented to alfred thomas catalfo , of new hampshire , for his screenplay for “betrayed . ” this award is presented to the grand prize winner of the flickers : rhode island international film festival screenplay competition . mr . catalfo was also a special guest at the 2013 scriptbiz screenwriting workshop on friday , aug . 9 , 2013 .
• spotlight on rhode island award was presented to rachel smith of hope , ri , for her screenplay for “fix you up . ” this award is presented to a writer whose screenplay focuses on the spirit and character of rhode island .
• producer’s circle awards were presented to rhode islanders lew place ( north smithfield , ri ) , photographer and webmaster , ri film & television office ; dana neugent ( newport , ri ) , film media professor at university of rhode island ; and sherilyn brown ( cranston , ri ) , rhode island state council on the arts . the producers circle awards are presented to members of the community who have actively worked to support and promote the mission of the flickers : rhode island international film festival . these friends of the festival have had a significant impact on the growth , evolution and quality of what has become riiff .
• crystal image award was presented to rhode island actors cj adams ( “against the wild , ” “the odd life of timothy green , ” “dan in real life” ) and robert capron ( “the way , way back , ” “diary of a wimpy kid , ” “frankenweenie” ) . the crystal image award is presented to emerging artists whose outstanding work and vision epitomize new voices that must be heard ; actors whose talent will have a positive impact in the future .
• robert aldrich “new director of the year” award was presented to tom denucci during the rhode island film forum . robert burgess aldrich , of cranston , ri , was a successful director of many feature films and utilized a variety of genres to tell his stories . his films included “the longest yard , ” “the dirty dozen , ” “flight of the phoenix , ” “hush , ” and countless others . robert aldrich began his career in cranston , ri , and ultimately rose in the hollywood ranks to be the president of the directors guild of america , serving from 1975 - 1979 . this award is presented to a director who has begun his career in rhode island and is following in the footsteps of robert aldrich , preparing to make a lasting mark on the industry .
• rhode island “producer of the year” award was presented to chad a . verdi . the ri producer of the year award was created this year to recognize someone who really knows what it means to produce—in both quantity and quality—in the ocean state . chad verdi , of east greenwich , ri , is such a person . in 2013 alone , he produced “self storage , ” “army of the damned , ” “a bet ' s a bet , ” and is now in preproduction on “bleed for this . ” this latter film is the story of vinny paz ( formerly vinny pazienza , an italian - american former boxer and world champion in the lightweight and light middleweight weight classes from rhode island ) , and will be produced in rhode island this year with a budget of $ 15– $ 20 million . he has worked with talent including kristen chenoweth , mena suvari , jonathan silverman , kenan thompson , eric roberts , robert englund , william forsythe , and many others , while maintaining a commitment to developing and nurturing the talents of actors and filmmakers in rhode island and building an industry right here in the ocean state .
tie for first with : “dotty” : mick andrews and brett o’gorman , new zealand . 2012
tie for first with : “hank and asha” : james e . duff , usa , 2012
tie for first with : “gore vidal : the united states of amnesia” : nicholas d . wrathall , usa , 2013
presented to a filmmaker and artist who represents the spirit of cultural exchange between the united states and canada .
sponsored by the government of québec , the award provides a full pass for a new england - based director to attend the montreal festival of nouveau cinema , meet with québec filmmakers and stay in the city .
given annually to films or filmmakers who inspire social change and community outreach and strive to better the world in which we live .
presented to a filmmaker whose vision excites audiences and judges alike about the potential to produce compelling and successful films in the future .
“apocalypse later : harold camping vs . the end of the world” : zeke piestrup , usa , 2013
presented by the graham h . carter , program manager & members of the 2013 riiff youth film jury .
life accordng to sam
: sean fine , andrea nix fine , usa . 2013
the mission of the flickers , the newport film society & arts collaborative - now in its 30th year - has been to serve as a creative partner in the arts by uniting various media and arts disciplines that nurture the artistic process and support a vital part of our community . this includes multi - disciplinary art presentations ; artistic and cultural activities ; performance festivals ; video and television productions ; audio recordings and broadcasts ; educational outreach programs ; and the flickers : rhode island international film festival ( riiff ) .
the flickers : rhode island international film festival ( riiff ) , has secured its place in the global community as the portal for the best in international independent cinema , earning the respect of domestic and foreign filmmakers , filmgoers and trend watchers . this confluence of art and commerce brought together world - class celebrities , award - winning filmmakers , new talent and audience members in record numbers last year . ranked as one of the top 12 festivals in the united states , riiff is also a qualifying festival for the short film academy award through its affiliation with the academy of motion picture arts & sciences . there are 75 film festivals worldwide which share this distinction and riiff is the only festival in new england .
dementia doesn ' t just affect those who suffer from it . but also , everyone around them . this means families and communities . however , with a dementia - friendly community , everyone can look out and support persons with dementia to help them live dignified lives .
a sense of loss . a hand to hold . a light to guide . here , home - grown singer and song - writer , ling kai , soulfully expresses the feelings and challenges a person with dementia faces . and if we just lend our ears and our hearts , we can better understand and play our part in building a dementia - friendly community .
as much we ' d like to , we can ' t turn back the clock as they lose their memories over time . but we can always help them preserve the best memories in their lives , just as the lyrics of this classic mandarin number describe .
see the growing list of organisations helping to build a dementia - friendly community in singapore .
a dementia - friendly community ( dfc ) has a good understanding of dementia and knows how to support persons with dementia ( pwd ) living among them . it is where the public are patient and helpful when they encounter awkward behaviour by pwd .
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an in depth look at the persecution and subsequent death of the 5 million non jewish victims of the world war ii holocaust and the lives of those who survived . through stories of survivors . . . see full summary »
go behind the scenes of the mission : impossible movies , check out the latest videos and trailers , and see which spy movies topped the box office in our mission : impossible guide .
morning brew - fri . feb . 1 : olivia thirlby in a new target campaign , another
real housewife
on her lesbian experiences
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at present , there are 45 , 000 pwd and it is projected that this figure will more than double to 103 , 000 by 2030 .
get ready for your holiday and protect yourself against dengue , malaria , yellow fever and other illnesses with vaccinations and medications at health for life centre .
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bring this award winning film to your community and earn 5 % of the box office for theatrical screenings .
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“dementia is a disease that affects the lives of patients and their families in many aspects . in this talk , learn more about the condition , how to recognise the symptoms , and how you can support dementia patients within the community .
the campaign aims to raise awareness of the increasing number of people with dementia and their daily struggles , and the importance of building a dementia friendly community ( dfc ) to support them . ”
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sam camden is on the verge of losing the only thing he ever cared about—his wife , makenzie . first , she tells him she wants a divorce then she’s in a car accident and awakes with no memory of their life together . as much as he knows telling her the truth about their relationship is the right thing to do , he can’t leave her . when he brings her home , suddenly the house she hat
sam camden is on the verge of losing the only thing he ever cared about—his wife , makenzie . first , she tells him she wants a divorce then she’s in a car accident and awakes with no memory of their life together . as much as he knows telling her the truth about their relationship is the right thing to do , he can’t leave her . when he brings her home , suddenly the house she hated is perfect , she finds the closet she filled to capacity ridiculous , and the man she’s barred from her bed is all she wants . makenzie knows something is wrong with her , but being married to the man she can hardly remember is more than she ever dreamed . she can’t remember her husband more than the feeling of safety he inspires , but as she watches him and the way he tiptoes around her and measures every word before he speaks it , and her memories come back in pieces , she’s torn between discovering the truth about herself and enjoying the contentment she feels with the life she barely recognizes . resisting their attraction to one another is harder than either is prepared to deal with , and together they have to figure out if they can overcome the secrets of their past or if it’s time to say goodbye once and for all .
4 . 5 please melissa shirley tell me there will be more ! i need to know what happens now . i loved this short but sweet love story , second chance with a twist . it had me teary eyed the entire book , and finally tears . it alternates between the two characters , which i liked so i was getting both of their perspectives of the moment . i could feel the tension and hurt as well as the love the entire time . after a car accident kenzie can’t remember who she was , her husband or other aspects of her past . she
please melissa shirley tell me there will be more ! i need to know what happens now . i loved this short but sweet love story , second chance with a twist . it had me teary eyed the entire book , and finally tears . it alternates between the two characters , which i liked so i was getting both of their perspectives of the moment . i could feel the tension and hurt as well as the love the entire time . after a car accident kenzie can’t remember who she was , her husband or other aspects of her past . she kn


mary jo markey is an american television and film editor .

markey has been elected to membership of the american cinema editors society .

she is a frequent collaborator with j. j. abrams .

mary jo markey

mary jo markey was a film editor for star wars : the force awakens . she received an oscar nomination for her work , along with maryann brandon .
martin : that ' s maryann brandon and mary jo markey - m and m . they are the film editors for
star wars : the force awakens .
their work is nominated for an oscar . and they joined us from npr west in culver city , calif . maryann brandon and mary jo markey , thank you so much for speaking with us .
in a film industry often dominated by men , there ' s at least one exception : many editors are women . maryann brandon and mary jo markey speak about their work on the new star wars .
mary jo markey , ace , was one of lost ' s film editors , under the auspices of grass skirt productions , llc . markey was awarded a 2005 emmy award for
outstanding single - camera picture editing
for her work in lost . she has worked on the following episodes :
' star wars ' editors defy hollywood conventions in a film industry often dominated by men , there ' s at least one exception : many editors are women . maryann brandon and mary jo markey speak about their work on the new star wars .
markey : i wish we knew . yeah , we ' re still terrified about that .
markey : this is mary jo . one of the scenes that was actually very fun for me to cut was the - we call it the tie - escape scene , which is with the intercutting of the battling between their little tie fighter and these huge weapons that the first order brings against them .
markey : this is mary jo . somehow , this just works better because if you ' re only responsible for the cutting of one part of the film , when somebody brings up a note and says , gee , can you do this ? i know immediately whether i have the material to do that or not .
markey : they - a deeply emotional , sad moment - it doesn ' t mean as much .
editor’s maryann brandon and mary jo markey talk about the immense pressures and joys in working with j . j . abrams on the box office hit star wars : the force awakens . the force awakens is the 7th installment of the star wars film series . the film takes place 30 years after the death of darth vader and the defeat of the empire . the force awakens stars characters rey and a defiant stormtrooper who join forces to find luke skywalker . brandon and markey illustrate the meticulous nature of editing such a large - scale fan favorite .
over the past few years , we have hosted the panels with some wonderful and talented ace editors , including : angus wall , mary jo markey , pam wise , matt chessé , stephen mirrione , steve rivkin , john refoua , bonnie koehler , briana london , susanne malles , alan heim , michael tronick , maysie hoy , tina hirsch , mark goldblatt , diana friedberg , troy takaki , stephen lovejoy , chris cooke , hunter via , tom cross , fred raskin , alan bell , dody dorn , maryann brandon , dan lebental and many more .
markey : and you just see this great interaction between them . i love the idea of having this new relationship begin to form in the midst of all this chaos around them and these big battle shots .
markey has worked as an editor for the tv series alias , felicity , and breaking news ; she has worked on the movies medicine man and bad boy . she is a member of the american cinema editors and often works with j . j . abrams on his television shows and movies , such as mission : impossible iii and star trek .
here are the academy award nominees for best movie , actor , actress , supporting actor and supporting actress .
clockwise from top left : leonardo dicaprio in
the revenant ,
spotlight ,
cate blanchett in
carol
and christian bale in
the big short .
leonardo dicaprio , sylvester stallone and jennifer lawrence were among the nominees for the 88th academy awards , which were announced thursday morning .
“the revenant” topped all films with 12 nominations , including best picture , setting up best director nominee alejandro iñárritu for a potential repeat of last year’s “birdman” success .
best picture nominee “mad max : fury road” earned 10 nominations — including a nod for george miller for best director — while “the martian” raked in seven . “spotlight , ” “the big short , ” “room” and “bridge of spies” were also nominated in multiple categories .
the revenant
leads the 2016 oscar nomination pack with 12 nods , but
mad max : fury road
could prove to be a dark horse , racking up 10 nominations . here are this year ' s other notable academy award nominees . ( nicki demarco / the washington post )
on sunday were nominated , including brie larson for “room , ” matt damon for “the martian” and , of course , dicaprio for “the revenant . ” there has been particular interest in that last potential nominee , given that dicaprio has never won an oscar and
the oscars ceremony will take place on feb . 28 and will be broadcast live at 7 p . m . on abc .
best picture “spotlight” “the big short” “bridge of spies” “brooklyn” “mad max : fury road” “the martian” “the revenant” “room” immediate reaction : the academy can nominate up to 10 contenders , which leaves space for some less typical entries . this year , it went with eight options , which means we have the movies we knew we’d see — “the revenant , ” “the martian , ” “spotlight” — but also some less weighty entries , such as “the big short” and “mad max : fury road . ” the one glaring omission ( sorry , “star wars” fans , it’s not “the force awakens” ) is “carol , ” which seemed custom - made for awards glory .
actor in a leading role bryan cranston , “trumbo” matt damon , “the martian” leonardo dicaprio , “the revenant” michael fassbender , “steve jobs” eddie redmayne , “the danish girl” immediate reaction : the only name on this list that really matters is leonardo dicaprio . barring some unthinkable fraud ( what if he secretly shot the whole movie on a soundstage ? maybe that bison liver was a strawberry jam - covered mushroom ? ) , he has this category locked down .
actress in a leading role cate blanchett , “carol” brie larson , “room” jennifer lawrence , “joy” charlotte rampling , “45 years” saoirse ronan , “brooklyn” immediate reaction : this shakes out a lot like we would have guessed . golden globe winner larson , arguably the front - runner , is on the list , alongside other sure bets , such as blanchett and lawrence . the one mild surprise is rampling , who was phenomenal in “45 years” but didn’t get a golden globe nomination .
best animated feature film “anomalisa” “boy and the world” “inside out” “shaun the sheep movie” “when marnie was there” immediate reaction : pixar had two feature films this year , so the assumption was that the studio would end up with two oscar nominations . that didn’t happen . awards front - runner “inside out” nabbed a nod , but the studio’s slightly less fawned - over “the good dinosaur” did not . instead , the little known “boy & the world” snuck in . meanwhile , charlie kaufman’s existential puppet show , “anomalisa , ” also got some love .
best foreign language film “embrace of the serpent” “mustang” “son of saul” “theeb” “a war” immediate reaction : the hungarian film “son of saul” is the picture to beat here . the gut punch of a movie also won the golden globe for its depiction of a sonderkommando at auschwitz — a jewish man who was both a prisoner and a worker , tasked with burning the dead .
best original screenplay “spotlight , ” written by josh singer and tom mccarthy “bridge of spies , ” written by matt charman and ethan coen and joel coen “ex machina , ” written by alex garland “inside out , ” screenplay by pete docter , meg lefauve , josh cooley ; original story by pete docter , ronnie del carmen “straight outta compton , ” screenplay by jonathan herman and andrea berloff ; story by s . leigh savidge and alan wenkus and andrea berloff immediate reaction : this is an eclectic category . we get one animated entry alongside the science fiction of “ex machina” and the true story of “spotlight . ” meanwhile , this is the only nomination for the thrilling n . w . a biopic “straight outta compton . ”
best costume design “carol , ” sandy powell “cinderella , ” sandy powell “the danish girl , ” paco delgado “mad max : fury road , ” jenny beavan “the revenant , ” jacqueline west immediate reaction : three - time oscar winner sandy powell is cleaning up this year with two nominations : one for her sumptuous 1950s suits and dresses for “carol” and the other for her fantastical designs for “cinderella . ” on the other end of the spectrum , the academy gave some love to “the revenant” ( moccasins , bearskin capes ) and the dusty , post - apocalyptic leisurewear of “mad max : fury road . ”
best sound mixing “bridge of spies , ” andy nelson , gary rydstrom and drew kunin “mad max : fury road , ” chris jenkins , gregg rudloff and ben osmo “the martian , ” paul massey , mark taylor and mac ruth “the revenant , ” jon taylor , frank a . montaño , randy thom and chris duesterdiek “star wars : the force awakens , ” andy nelson , christopher scarabosio and stuart wilson
could a blockbuster win the oscar ? with ‘mad max , ’ ‘star wars , ’ it doesn’t seem impossible .
stephanie merry oversees books coverage for the style section . she previously covered pop culture and wrote movie reviews . she joined the washington post in june 2008 after working on the business side at the hill newspaper . follow
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
she is a member of the academy of motion picture arts and sciences as well .
can ' t find a community you love ? create your own and start something epic .
laurent m . abecassis • archie ahuna • fern ahuna • carlos barbosa • chris barnes • kevin blank • jonathan carlson • eric chauvin • peter clarke • scott cobb • brian costa • scott dewis • mitchell ferm • steve fong • benoit girard • mimi gramatky • robert greenfield • zack grobler • ivan hayden • jim van houten • carol kelley • kevin kutchaver • rob kyker • spencer levy • bob lloyd • william f . matthews • jerome morin • andrew murdock • james newport • michael rivero • rick romer • chuck smallwood • jim spencer • stephen storer • mitch suskin • john teska • christina wilson • jay worth • mark worthington • ray yamagata • jeff zucker
john bartley • michael bonvillain • phil carr - forster • cort fey • larry fong • gregory lundsgaard • edward pei • stephen st . john • rick tiedeman • torry tukuafu
troy allen • robert j . anderson , jr . • patrick cabral • stephen m . davis • thomas e . degorter • stephanie diaz - matos • george drakoulias • paula fairfield • michael giacchino • marc glassman • jack grillo • trevor jolly • lloyd jay keiser • alex levy • richard lightstone • maciek malish • paul menichini • cynthia merrill • michael moore • frank morrone • carla murray • randall poster • doug reed • christopher b . reeves • gabrielle gilbert reeves • sean rush • geordy sincavage • ken strain • roland n . thai • dan wallin • scott weber • david yaffe
chantal boom ' la • paulette crammond • emily katz • steve laporte • billy ray mckenna • joanne miyata • kathryn morrison • karen iboshi preiser • roland sanchez • doreen f . schultz • kate shorter • rita troy • susan zaguirre
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let ' s finish up today talking about last year ' s box office juggernaut . you know you saw it , maybe more than once .
brandon : this is maryann brandon . sometimes our assistants call us the m & ms ; ( laughter ) .
brandon : i guess we melt in your mouth , i don ' t know .
martin : well , that was also . well , congratulations again . how - and i mentioned that the two of you worked together on a lot of j . j . abrams ' films - the
star trek
reboot movies ,
super 8 ,
mission : impossible .
how did the two of you meet and start working together ?
martin : i read some place that you divide up the movie and you each work on your own section . is that hard ?
brandon : this is maryann . maybe because we ' re women , we have a very high respect level for each other . and when you do have ownership , you ' re going to make it the best it can be . and i think that ' s a really - although subtle - very important point in - when you ' re doing anything creative .
martin : so maryann , maybe you want to take this one ? is it . . .
brandon : i think that , you know , women succeed in the cutting room or they ' re allowed into the cutting room because it ' s not a very on - display job . i mean , we ' re behind the scenes . we kind of whisper in your ear
brandon : and if you are somebody who needs to get a pat on the back for everything that you do , editorial is not for you . some .
brandon : and i do think that there are - again , gross generalization - more women than men that can tolerate that or that are ok with that .
brandon : this is maryann . it was awesome . i mean , it was great . we had to keep a lot of secrets . i love the fact that we ' ve made a film that not only the whole family can go to and enjoy but , you know , it ' s actually having an effect . you know , rey ' s character is a tough woman who your 6 - year - old can pick up a lightsaber now and go for it .
boyega : ( as finn ) that ' s the only name they ever gave me .
isaac : ( as poe ) well , i ain ' t using it . fn , huh ? finn - i ' m going to call you finn . is that all right ?
brandon : this is maryann . you know , the big explosions , the things that going on in the background , they don ' t really matter that much . they ' re going on anyway . until you put a sweet moment or a funny moment or a comment moment or . . .
martin : well , congratulations . i ' m not going to ask who you ' re wearing . i ' ll just wait to be surprised . . .
brandon : if you know somebody who wants to dress us and - you know , let us know because we ' re . . .
martin : i work at npr . you really want my advice on fashion ?
brandon : we ' re going to do our best . we ' re going to do our best to represent . . .
copyright © 2016 npr . all rights reserved . visit our website terms of use and permissions pages at urltoken for further information .
npr transcripts are created on a rush deadline by verb8tm , inc . , an npr contractor , and produced using a proprietary transcription process developed with npr . this text may not be in its final form and may be updated or revised in the future . accuracy and availability may vary . the authoritative record of npr’s programming is the audio record .
jump•cut : how to jump•start your career as a film editor and millions of other books are available for amazon kindle . learn more
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jump•cut is . . . . the absolute best book on becoming an editor i have ever seen ; it felt as though i were reliving experiences i ' ve had with my own assistants over the years . the editing insights are heartfelt and laid out beautifully , i recommend reading it over and over . lori and diana have given aspiring editors an amazing gift .
jump•cut is a book every assistant should read when deciding to be an editor . it is easy to read , entertaining , informative and filled with detailed information that only someone who has been in the trenches would know . i even learned a few tricks . it gives good sound advice regarding the politics of the cutting room . i wish i had this book when i was starting out .
jump•cut is filled with inspiration and education for any assistant editor who want to move up to the editor ' s chair .
depending on your interests and area of creative focus different books will appeal , but pretty much every aspiring editor , assistant editor and working editor should run out and buy jump cut – how to jump start your career as a film editor . ( . . . ) they are expert guides that anyone looking for career advancement should listen to !
as a professional assistant editor in tellevision i can tell you this book is worth the price . full of real world wisdom and really gives you key inside knowledge of how the system works . i wish i had this boom years ago .
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each year , ace selects two applicants for its internship program . this program gives an opportunity to talented and highly motivated college graduates who wish to pursue a career in post - production motion picture and tv editorial .
the structure of the ace internship program emphasizes assistant picture editing . the program includes :
orientation ( begins day of in - person interviews ) , interns are assigned editing rooms where they shadow assistant editors .
observation of work in a variety of editing venues : scripted television , features , and reality television .
exploration of post production facilities : lab , telecine room , vfx house , sound effects and music editing rooms , adr and dub stages .
these offer the opportunity to observe different styles and requirements of each room and see what assistant editors are expected to deliver during the making of a project . it is an opportunity for interns to absorb , question , compare and contrast what they’ve learned in school and on the job . during this time there are many opportunities to network with other interns , assistant editors , editors and filmmakers .
before and after the program , the internship committee meets with the interns to prepare , encourage , and mentor them . interns are expected to :
- email a daily journal to their assigned mentor ( an ace member ) recapping what they have learned each day of the program .
- work at the ace blue ribbon panel screenings where ace members vote for films nominated for an eddie award .
- attend the eddie nominee cocktail party where interns receive their plaques of participation .
- work at the invisible art , visible artist event ( where a panel of the current oscar nominees screen sequences from their films ) the day prior to the academy awards .
- write an article for the ace cinema editor magazine describing his or her experience .
- give a short speech at the ace annual meeting describing your experience with the ace internship program .
it is also expected that ace interns will return the following year to participate in the orientation of new interns . this helps foster the basic ideology of mentoring .
contact us if you are interested in finding out how to sponsor a student program with ace .
the ace internship program begins with a seminar which all applicants are invited to attend . the cost for this seminar is included in the application fee .
it takes place in october , and consists of four separate panels of editors and assistant editors with a wide variety of experience in features , scripted television , and reality . over the course of the once day lecture series , attendees will learn what it takes to become a successful assistant editor in the tv / film industry .
since the inception of the ace internship program , many of those who have gone through the program have gone on to have successful careers in editorial . here are just a few :
check out the video , scored to “metamorphosis one” by philip glass , below .
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eric kohn and anne thompson discuss their favorite films of the year so far . they also debate several new releases and share some streaming recommendations .
in an episode dedicated to the show within the show , “glow” illustrates its grand capacity for storytelling , and the very good tv podcast breaks down how .
rules weren’t meant to be broken when it comes to tv episode lengths , but these 10 examples — introduced on the very good tv podcast — are clear exceptions .
after studying under cinematographer ed lachman , shevaun mizrahi forged her own unique filmmaking path with its own set of rules .
the actress and director both love the genre , but as they told indiewire , they also knew it needed to be retrofitted to tell the true story of catherine weldon and sitting bull .
lane and schoenbrun discuss how her interest in morgellons disease patients ( “the pain of others” ) and his exploration of the slenderman myth ( “a self - induced hallucination” ) led them to make archival films from youtubes .
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