the leap years ( also known as leap of love ) is a singapore film produced by mediacorp raintree pictures , based on the novella leap of love by the author catherine lim .

the production for the film started in 2005 , and the film was initially to be released in december 2005 release .

it was released on february 29 , 2008 in singapore .

the leap years

the date of the solstice drifts later in non - leap years and is brought earlier in leap years .
this means that in the gregorian calendar , the years 2000 and 2400 are leap years , while 1800 , 1900 , 2100 , 2200 , 2300 and 2500 are not leap years .
according to the gregorian calendar , which is the civil calendar in use today , years evenly divisible by 4 are leap years , with the exception of centurial years that are not evenly divisible by 400 . therefore , the years 1700 , 1800 , 1900 and 2100 are not leap years , but 1600 , 2000 , and 2400 are leap years .
the bahá ' í leap year occurs when five extra days are added between the last two months of the calendar . leap years usually occur every four years . more
leap years and leap seconds keep our clocks and calendars in sync with the positions of the earth , moon and sun .
implements the julian calendar . the only difference between the gregorian and the julian calendar is the leap year rule . the julian calendar specifies leap years every four years , whereas the gregorian calendar omits century years which are not divisible by 400 .
pingback : my grey world : merry christmas mr lawrence for the leap years… not .
this formula produced way too many leap years , but was not corrected until the introduction of the gregorian calendar more than 1500 years later .
roman general julius caesar introduced the first leap years over 2000 years ago . but the julian calendar had only one rule : any year evenly divisible by four would be a leap year .
the gregorian calendar stipulates leap years can be evenly divided by four , and century years , those ending in
00 ,
are leap years if they are divisible by 400 , but not if they can be evenly divided by 100 .
9 . other calendars apart from the gregorian require leap years . the modern iranian calendar is a solar calendar with eight leap days inserted into a 33 - year cycle . the indian national calendar and the revised bangla calendar of bangladesh arrange their leap years so that the leap day is always close to 29 february in the gregorian calendar .
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came here to suggest this - having to manually indicate which years are leap years ( as they ' re very important in my setting ) is very tiresome .
leap years are needed to keep our modern day gregorian calendar in alignment with the earth ' s revolutions around the sun .
so 2000 and 2400 are leap years but 1800 , 1900 , 2100 , 2200 and 2300 are not .
leap years were introduced by that grand old roman , julius caesar , in the julian calendar . back then , leap years occurred every four years without fail . but it was felt this over - compensated . the gregorian calendar was then devised by aloysius lilius , an italian astronomer and philosopher , ( and named after pope gregory xiii ) to replace the julian calendar , with stricter criteria for leap years .
the ancient roman calendar added an extra month every few years to maintain the correct seasonal changes , similar to the chinese leap month .
a leap year occurs every 4 years in the ethiopian calendar when one extra day is added at the end of the year . more
his game is leap years above anyone ,
the scout said .
continues to shine and impress .
one year has the length of 365 days , 5 hours , 48 minutes and 45 seconds . this is hard to calculate with , so a normal year has been given 365 days and a leap year 366 days . in leap years , february 29th is added as leap day , which doesn ' t exist in a normal year . a leap year is every 4 years , but not every 100 years , then again every 400 years . this year 2018 isn ' t a leap year . the last leap year was 2016 , the next will be 2020 .
. however , around 10 bc , it was found that the priests in charge of computing the calendar had been adding leap years every three years instead of the four decreed by caesar ( vardi 1991 , p . 239 ) . as a result of this error , no more leap years were added until 8
yes . the chinese calendar has leap years featuring leap months - rather than leap days as in the gregorian . a hindu leap year also features an extra month . the ethiopian calendar has 13 months , where the 13th month has five days in a common year and six in a leap year . the islamic leap year occurs 11 times in a 30 - year cycle . and a jewish leap year has between 383 and 385 days , occurring seven times in a 19 - year cycle .
again , this adjustment is not exactly correct because it effectively adds 6 hours per year rather than the exact amount of the discrepancy . to compensate for this , most century years ( like 1700 , 1800 and 1900 ) are not leap years . the exception to this is years divisible by 400 ( 1600 , 2000 , 2400 and so on ) , which are still leap years .
we add a leap day on february 29 , almost every four years . the leap day is an extra , or intercalary , day and we add it to the shortest month of the year , february .
i might get flak for this but one of the reasons why i have refused to watch the leap years is because if their sub - standard trailers . they were played tirelessly on all channels , including tvmobile and the commentator’s lines were downright tacky . “be sure to catch the leap years , or you’ll have to wait for another 4 years ! ”
leap year s2 trailer ( feat . eliza dushku , emma caulfield , joshua malina & steven weber ) | leap year
a leap year , but the years 1700 , 1800 , and 1900 were not . the complete list of leap years in the first half of the 21st century is therefore 2000 , 2004 , 2008 , 2012 , 2016 , 2020 , 2024 , 2028 , 2032 , 2036 , 2040 , 2044 , and 2048 .
to combat this , the leap second was introduced in 1972 , using atomic clocks – which only lose one second every 100 million years – as a more ‘correct’ standard for time . since its first use , a leap second has been added around once every 1 . 5 years .
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nearly every four years is a leap year which has 366 days , as opposed to a common year , which has 365 in the gregorian calendar .
five friends . fifteen years . pushing each other ' s buttons all the way .
without the leap year correction , every four years the calendar year falls behind the seasons by one day . after 754 years , the seasons would be 180 degrees out of phase with the calendar . the first day of autumn in the northern hemisphere would be march 21st instead of september 21st . after 1508 years , the calendar would go all the way around the seasons and would once again be synchronized with the sun .
a leap year has 366 days ( the extra day is the 29th of february ) .
leap seconds are added to realign clocks worldwide with the earth ' s rotation .
there ' s a woman taking up the hula - hoop after more than 50 years .
the gregorian calendar , named after calendar reformer pope gregory xiii , solves this problem by leaving out three julian leap - days every 400 years . algorithmically , if the year is divisible by 100 , avoid the leap - day unless the year is divisible by 400 .
truth be told , i had no intention of watching leap years if it was not for malique whom was so impassionate in recommending it to me .
ten years ago , leap legal software had grown slowly to only 27 employees its first 14 years in business . today it has a team of 300 and generates $ 50 million in annual revenue . leap accelerated its growth dramatically by tying its team ' s pay to achievement of its quarterly goals .
and it certainly opened the way for later toolmaking , some 2 . 5 million years ago , and probably set the stage for the eventual enlargement of the hominid brain , not before two million years ago .
after six years one woman will finally decide the wording for her husband ' s headstone . some people are at last scattering the ashes of loved ones having put it off for years .
a common year is 365 days , which is about a quarter of a day shorter than a tropical year . at 366 days , leap years are three - quarters of a day longer than a tropical year . over time , the combination of common and leap years keeps us roughly in sync with the earth ' s orbit of the sun .
the year is also evenly divisible by 400 . then it is a leap year .
years which are both divisible by 100 and not divisible by 400 . therefore , the year 2000
based upon the novella , leap of love , by feted local author dr . catherine lim , this film adaptation chronicles a love that blossoms on a leap day , february 29th as we follow the lovers through the twists and turns of a breathtaking romance spanning 24 years .
the chart below shows how the date of the northern summer solstice will drift over the course of a 400 - year leap cycle .
10 . parties are sometimes thrown to celebrate leap days . there is no special leap day food but if there was , it would probably be frog’s legs .
8 . the chance of being born on a leap day is often said to be one in 1 , 461 . four years is 1 , 460 days and adding one for the leap year you have 1 , 461 . so , odds of 1 / 1 , 461 .
the songs from tindersticks ' new collection of reworkings , across six leap years , don ' t stray far from the original pieces , instead acting as tasteful updates that add a dab of cohesion .
in addition to the leap year , our clocks and calendars also undergo finer adjustments : leap seconds , which are extra seconds inserted into certain days to adjust for irregularities in the rotation of the earth .
adding a leap year day every four years helps , but as you can see there is still some significant drift . after 200 years we ' re already a day out of synch , but in the other direction . we ' ve made the calendar year longer than it ought to be .
caesar’s model helped realign the roman calendar , but it had one small problem . since the solar year is only . 242 days longer than the calendar year and not an even . 25 , adding a leap year every four years actually leaves an annual surplus of roughly 11 minutes . this minute discrepancy meant that the julian calendar drifted off course by one day every 128 years , and by the 14th century it had strayed 10 days off the solar year . to fix the glitch , pope gregory xiii instituted a revised “gregorian calendar” in 1582 . in this model , leap years occur ever four years except for years evenly divisible by 100 and not by 400 . for example , the year 1900 was not a leap year because it was divisible by 100 , but not 400 . the pope’s updated calendar remains in use to this day , but it’s still not perfect—experts note that the remaining discrepancies will need to be addressed in around 10 , 000 years .
the modern result of all this squabbling is our current system of adding an extra day every four years . to adjust for the uneven precision of the fraction , every 100 years we also skip this rule and drop the extra day . then , every 400 years we skip the skipping rule and have an extra day again . yes , it’s complicated .
no perfect calendar : why we have leap years and why the earth′s always out of sync | science | in - depth reporting on science and technology | dw | 26 . 02 . 2016
yes , i realised that only much later . the trailer song used in leap years is not exactly the same as ryuichi sakamoto’s merry christmas mr lawrence , even though both pieces sound similar to each other .
everyone knows why we have leap years - to keep our calenders in sync , stupid - but here are some crazy facts about february 29 that won ' t make you yawn .
so another rule says that every 400 years is a leap year again . this gets us 365 . 2425 days per year ( 1 day regained every 400 years = 0 . 0025 days per year ) , which is close enough to 365 . 242375 not to matter much .
may be used for all years to generate meaningful and consistent results . however , dates obtained using
until you figure out who ends up where , the time - shifting holds your attention , but whatever the year there ' s a smugness to these characters and an unbelievable brinkmanship to their actions that make
leap years
almost entirely skippable , sort of like a day that appears only every four years .
“yes , i realised that only much later . the trailer song used in leap years is not exactly the same as ryuichi sakamoto’s merry christmas mr lawrence , even though both pieces sound similar to each other . ”
clocks and calendars are simplifications of the complex realities of orbital mechanics that determine our experience of days and years .
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20 . the frog is a symbol associated with february 29 . the australian rocket frog can leap over two metres .
gradually shifting its date between march 19 and 21 , being shifted once every leap year , and then being abruptly shifted in non - leap centuries ( see figure above ) .
: i ' ve just finished painted skin with donnie yen and zhou xun . it should be released in october , and has a lot of fighting and visual effects , quite unlike the leap years .
one of the recurring reasons that is quoted for abolishing leap seconds in radio broadcast time signals is that air traffic control systems cannot tolerate them . curiously , exactly the same argument was presented against leap seconds in 1970 when the decision to institute them was made . if air traffic control systems have a problem with leap seconds , how is it that no action has been taken to remedy this problem during the past 33 years ?
zoom in and you can see that after 600 years or so we have drifted by a day .
finally , over the past 30 years ( coincidentally since the inception of leap seconds ) the rotation of the earth ' s crust was accelerating . this acceleration was presumably due to changes of fluid circulation in the outer core of the earth . historical investigations of earth rotation indicate that such accelerations are not unprecedented , and it should not be possible for the acceleration to continue for very many more years .
however , the gregorian calendar has only 365 days in a year , so if we didn ' t add a leap day on february 29 nearly every four years , we would lose almost six hours off our calendar every year . after only 100 years , our calendar would be off by around 24 days !
18 . the character leap day william who appeared in an episode of 30 rock wears blue and yellow .
when pope gregory xiii instituted the gregorian calendar in 1582 , the calendar was shifted to make the beginning of spring fall on march 21 and a new system of leap days was introduced . instead of intercalating a leap day every fourth year , 97 leap days would be introduced every 400 years , according to the rule given above . thus , the average gregorian calendar year is 365 . 2425 days in length . this agrees to within a half a minute of the length of the tropical year . it will take about 3300 years before the gregorian calendar is as much as one day out of step with the seasons .
i am creating a custom calendar in a fantasy setting . so far i have found the edit options for this process very cool . ) it would be nice to be able to set how often leap years occur however . in custom calendars , it shouldn ' t be assumed that they are every four years .
leap years based upon the novella , leap of love by dr catherine lim , whom i believe is one of singapore’s most talented writer . the story revolves about the main protagonist , li ann ( played by wong li lin ) whom by a stroke of inspiration decides to ask a handsome stranger ( played by the hunky ananda everingham ) on a date and takes advantage of an irish leap year custom where a woman’s proposal must be fulfilled .
by the time that there are too many leap seconds for the l1 format all of the earlier gps satellites will be replaced . however , old ground - based gps receivers will fail to accommodate leap seconds as described below . this is basically to say that sometime in the next 50 years it will be necessary to discard or upgrade all gps equipment .
to synchronize the calendar and tropical years , leap days are periodically added to the calendar , forming leap years . if a leap day is added every fourth year , the average length of the calendar year is 365 . 25 days . this was the basis of the julian calendar , introduced by julius caesar in 46 b . c . in this case the calendar year is longer than the tropical year by about 0 . 0078 days . over a century this difference accumulates to a little over three quarters of a day . from the time of julius caesar to the sixteenth century a . d . , the beginning of spring shifted from march 23 to march 11 .
1 . queen margaret of scotland was apparently five years old when she came up with the notorious february 29 proposal trap .
to resolve this discrepancy , our calendar ( the gregorian calendar ) adds one day ( 24 hours ) to the calendar every four years .
the modern calendar does one final tweak on this : if the year is divisible by 4000 , leave out the leap - day despite the gregorian recommendation above .
19 . the french call leapfrog
saute - mouton
, which translates literally as
leap sheep
.
people find leap years inspiring . perhaps it ' s the feeling they ' re getting an extra day . but february 29 is really not an extra day . it just a mathematical attempt to make up for lost time .
family lore has it my father was born on february 29 , 1936 - a leap day in a leap year many moons ago . it seems fitting for a man who says he ' s
not interested
in birthdays that he should have the option of missing his three years out of ( almost ) every four .
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the newer constellation of gps satellites ( starting with block iif ) will accommodate leap seconds for something like 30000 years . this is described by icd - gps - 200 rev . c , which is available from the us coast guard navigation center .
upcoming leap seconds are announced by the international earth rotation and reference systems service ( iers ) in paris , france .
the
leap day
of 29 february exists for purely astronomical reasons , but has always prompted less scientific curiosities .
but stewart points out that is very slightly out , owing to the loss of the three leap years every 400 years . in any case , babies are more likely to be born at certain times of the year rather than others , due to a range of other factors , he says . babies born on 29 february are known as
leapers
or
leaplings
.
neverthless , a quick change has happened before in 1970 the decision to switch to leap seconds was made with less than two years of advance notice before the change in 1972 . in the proposal above , the decision to switch to leap hours would be made with less than two months of advance notice . the effects of such a change are plotted in a sibling web page with plots of the expected time difference in the year 2100 .
magic leap one has not been authorized as required by the rules of the federal communications commission . magic leap one is not , and may not be , offered for sale or lease , or sold or leased , until authorization is obtained .
a former union activist and veteran endorsed by bernie sanders has a chance to win the district represented for twenty years by paul ryan .
regular communication rhythms underlying leap ' s system to meet its quarterly goals are regular daily huddles , added at the same time the company began setting the targets .
it transpires there are a lot of people who ' re ready to use today to take a leap .
16 . mitsukuni
honey
haninozuka , the manga and anime character born on a leap day , likes sweets , cake and stuffed toys . it is joked that , although he ' s 17 , he ' s really six years old .
determines if the given year is a leap year . returns true if the given year is a leap year . to specify bc year numbers , 1 - year number must be given . for example , year bc 4 is specified as - 3 .
based on the novella by catherine lim , the leap years tells 2 stories in parallel , but both centered on li - ann and her friends through a period of 16 years ( 4 leap years in total ) , consisting almost every boy - finds - girl - loves - loses - etc plot point you can think of . and for the most parts , it was almost like a self - fulfilling prophecy of a fortune teller ' s advice to li - ann on her love being one like the wind , which delivered yet another set of cliches like windows cafe , mini toy windmills , and moments where long hair gets swept away like bollywood movies .
i dont think that jack neo is all that bad , but i think that there are many people with more mature tastes who are ready to have something different . and i appreciate that leap years is around to fulfill that void .
a leap year in the tabular version of the islamic hijri calendar occurs 11 times in a 30 - year cycle when one day is added to the last month of the year . more
but as a very specific measure , one year , better described as a tropical year , is defined as the time between one spring equinox and the next being 365 days , five hours , 48 minutes and 45 seconds . this period is often rounded up to 365 and a quarter days – although even the greek astronomer hipparchus realised over 2 , 000 years ago that this was a generous approximation – and so to keep our years aligned and reassuringly predictable , a leap day is added to the calendar every four years to allow for the accumulation of those otherwise overlooked four extra quarters .
the year is 365 days and a quarter long - but not exactly . if it was exactly , then you could say it was every four years . but it is very slightly less .
the answer arrived at by pope gregory xiii and his astronomers when they introduced the gregorian calendar in 1582 , was to lose three leap days every 400 years . the maths has hung together ever since . it will need to be rethought in about 10 , 000 years ' time , stewart warns . but by then mankind might have come up with a new system .
if you pile up enough of them , small errors can turn into big problems . for instance : how long is a year ? more specifically , if you ignored the leap day every four years , how long would it take to notice something was wrong ?
3 . every fourth year is a leap year , as a rule of thumb . but that ' s not the end of the story . a year that is divisible by 100 , but not by 400 , is not . so 2000 was a leap year under the gregorian calendar , as was 1600 . but 1700 , 1800 and 1900 are not leap years .
it seems a bit arbitrary ,
says ian stewart , emeritus professor of mathematics at warwick university . but there ' s a good reason behind it .
before the first leap second was added in 1972 , utc was 10 seconds behind atomic time . so far , a total of 27 leap seconds have been added . this means that the earth has slowed down an additional 27 seconds compared to atomic time since then .
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the egyptians were among the first to calculate the need for a leap year , but the practice didn’t arrive in europe until the reign of the roman dictator julius caesar . before then , the roman calendar had operated on a muddled lunar model that regularly required adding an extra month to maintain celestial consistency . finally , in 46 b . c . , caesar and the astronomer sosigenes revamped the roman calendar to include 12 months and 365 days . this “julian calendar” also accounted for the slightly longer solar year by adding a leap day every four years .
from 1999 through 2004 the excess lod was less than 1 ms , so there was no need for a leap second for more than 2000 days . if that acceleration had continued much longer then the lod might have fallen under 86400 si seconds - - then the iers might have called for a negative leap second . there has never been a negative leap second , so no time keeping system has been tested with one . indeed , many precision time keeping systems are known not to be prepared to implement a negative leap second .
while the current actors karthika nair and rajneesh duggal though will remain as the story will be show from their point of view . though their roles will be reduced and focus will be on leap track . the show started off with decent ratings but is not taking off as expected . hopefully , the leap will help the show’s popularity .
for around five million ‘leapers’ february 29 is a special day , their birthday . it only happens once every four years and signifies an important reorganisation of time . but what is a leap year and are there any other ‘leaps’ that keep our clocks accurate to the microsecond ?
and why on earth would anyone promise to wait 4 years to have a date with someone ? that’s crazy . i meet cartcart every six months and it’s already immensely hard . if we had to meet every 4 years , i think i’d probably die from heartbreak .
in about 600 years ti will be ahead of ut1 by half an hour , and in about 1000 years the difference will be a full hour . this means that when a ti clock says 12 : 00 it will still be an hour before noon in greenwich . the situation in 1000 years is , of course , much the same as what happens all summer long as a result of civil summer / daylight time . however the difference does not stop growing at one hour .
so not only are leap years the result of millennia of mathematical work , they are also the consequence of rulers imposing their will on people’s day to day lives , and the gradual understanding of our place in the universe . controlling calendars means controlling the rhythms of a culture – which is something for all of us to think about on february 29 .
most of the time , a year is made up of 365 days . but this year , just like 2012 , and the year four years before that , has 366 . and that vital extra day , a leap day , is ( partly ) what keeps our calendars in working order .
so every 100 years we don ' t have a leap year , and that gets us 365 . 24 days per year ( 1 day less in 100 year = - 0 . 01 days per year ) . closer , but still not accurate enough !
in 1969 a number of scientific unions called for an international and interdisciplinary study group to find a new scheme . disregarding that call , the ccir study group met in late 1969 and proposed the leap second scheme to the ccir . at the plenary meeting in early 1970 the ccir unilaterally decided to institute leap seconds - - beginning in 1972 - - with less than two years of advance notice . furthermore , the ccir failed to send a letter to the iau notifying them of the impending change . without official notification the iau general assembly in august 1970 had no basis for objecting to the impending change . astronomers responded to the ccir with a resolution stating that utc with leap seconds represented the
optimum solution
in the face of
conflicting requirements
of users of time , but they could not take final action until the general assembly held in 1973 , which was after leap seconds had begun .
at torino the proponents of omitting leap seconds supposed that the governments of the world might handle this situation using leap hours introduced into civil time by occasionally omitting the annual
spring forward
change to jump to summer / daylight time . however there are serious questions raised by the notion of a leap hour . given that the first leap hour would not happen for centuries , it is not clear that any systems ( legal or technological ) would build in the necessary complexity for handling it . this seems to be likely even if the notion of the leap hour were built into the new radio broadcasts from their inception . this might mean that posterity would have to face a severe choice : either undertake an expensive and expansive y2k - like systems review or face an eventual disagreement over what day of the week it would be .
atomic clocks , however , tick away at pretty much the same speed over millions of years . compared to the earth ' s rotation , atomic clocks are simply too consistent .
but the julian calendar was not perfect either , since the year was in fact just a little bit shorter than 365 . 25 days . pope gregory corrected this mistake in his gregorian calendar of 1582 . as well as adding a leap day every four years , he also opted to lose three days every 400 years . this was a catholic decision , which protestant and orthodox calendars resisted for some time . greece was the last country to accept the gregorian reform in 1923 .
this table shows that although leap seconds in utc will become more and more frequent , the current scheme for utc will almost certainly work for the next 1200 years . this gives plenty of time to develop a solution which satisfies the systems that need atomic time as well as civilizations that are accustomed to mean solar time .
the year 2000 , for example , was a leap year , since it was divisible by four . but since it was also divisible by 400 , the dropping of the extra day every 100 years was not carried out . this long - term solution creates an average year length of 365 . 2425 days , still slightly off the required target of 365 . 2421897 days , making even this complicated modern arrangement incorrect by one day over a period of just under 4 , 000 years .
the evolving relationships among five new york city friends are chronicled in an unusual drama that jumps back and forth in time , taking place in the years 1993 , 2001 and 2008 .
as seen in the table above , the long term effect of omitting leap seconds is inevitable even though the calendar year of any particular difference is impossible to predict . the most significant alteration of the above table would be determined by the date at which the itu might decide to make a change in broadcast time signals . the year 2022 was offered at the colloquium in torino as a reasonable compromise , but it is much farther into the future than many proponents for omitting leap seconds would like ( indeed , some seem to promote omitting any further leap seconds in utc starting immediately ) .
the current rules for leap seconds in utc are specified by itu - r tf . 460 . they state that a leap second may be added ( or subtracted ) at the end of any month , but that first preference is given to june and december , and second preference is given to march and september . after the si second was defined it became evident that the length of the si second happens to match the length of the mean solar second at around the year 1820 . if we start with the length of day in the year 1820 and calculate the tidal deceleration using the rates listed above , then the following predicted rates for the insertion of leap seconds applies .
field is 29 because 2004 is a leap year , and if the date of this instance is february 1 , 2005 , it ' s 28 .
li - ann , a dreamer , is a strong believer of the soul mate theory and rejects all men , especially her best friend ks , till she falls in love with jeremy , at first sight . they tour chinatown , singapore , together on february 29 1980 . unfortunately , she is heartbroken when he tells her he is engaged . he decides to make up to her by meeting her same time , same place , every leap year . their love spans twenty years , as they realize the pain of love until they take the leap of faith . . . and the leap of love . . .
unless civilization decides that counting days and nights is irrelevant , civil time will want to remain synchronized with solar time , not atomic time . if civil time were to become atomic time with leap hours there would foreseeably come a time when that scheme would become quite annoying . it seems likely that human perceptions will always find a one second leap to be inconsequential , even if that happens once a day . my wristwatch is good to a little better than a second a day , so by this reckoning leap seconds in 40000 years will be no more annoying to a human than resetting my watch is today . it is difficult to say whether posterity would prefer one leap second a day or one leap hour every 10 years , and it is presumptuous for the current generation to declare that future generations will not wish to operate on solar time . changing to atomic time now would place a burden on posterity in exchange for laziness on the part of contemporary designers of systems .
however , this does not mean that the days are 27 seconds longer nowadays . the only difference is that the days a leap second was added had 86 , 401 seconds instead of the usual 86 , 400 seconds .
we have to skip some leap years to account for the fact that those extra , or decimal hours ( the 5 hours , 48 minutes , and 46 seconds ) in the tropical year are just short of a quarter day . so in a sense we ' re re - adjusting the re - adjustment , but we ' re still left with an imperfect sum .
leap seconds were instituted in 1972 when radio broadcast time signals changed from counting
elastic seconds
( which by their definition evenly divided the day ) to si seconds ( which have no relation to the day ) . the purpose of leap seconds is specifically to permit the broadcast of fixed length si seconds while providing a value of time that stays in step with the day .
the leap years , aka leap of love , was a long process in the making . having tracked this movie for a number of years now , it is going to make its debut this year premiering exactly on feb 29 no less . while there were the usual production woes , i thought that this was one of those projects that remain in development hell , and given the overlong trailers being played in the cinemas - i didn ' t time it , but it was more than 3 minutes long - i thought it would be one of those that would sink immediately upon release , despite having international flavour with the casting of joan chen and ananda everingham . well , the good news is the singapore ' s first english language romance movie passes the litmus test .
performance - based compensation about two and one half years into setting quarterly goals , leap legal software realized employees would be more motivated to hit them if the leadership team ' s compensation was tied to this .
in continually trying to improve the company , executive performance is the single most important thing i look after ,
says hugo - hamman .
the last leap second was added on december 31 , 2016 , at 23 : 59 : 60 utc . the difference between utc and international atomic time ( tai ) increased from the 36 seconds to the current 37 seconds .
exceltips is your source for cost - effective microsoft excel training . this tip ( 2314 ) applies to microsoft excel 97 , 2000 , 2002 , and 2003 . you can find a version of this tip for the ribbon interface of excel ( excel 2007 and later ) here : leap years and fiscal periods .
the number of leap seconds needed is proportional to the area between zero and the lod curve . in particular note that when the lod has been about 2 . 5 ms longer than 86400 si seconds there have been leap seconds about every 400 days ( because 2 . 5 ms / day * 400 days = 1 second ) , and when the lod has been about 1 ms longer than 86400 si seconds there have been leap seconds about every 1000 days ( 1 ms / day * 1000 days = 1 second ) .
the leap years /  mediacorp raintree pictures presents an ochre pictures production ; a jean yeo film ; adaptation &  screenplay by fina torres , george walker , alain layrac , jean yeo ; directed by jean yeo ; producers , chan pui yin , seah saw yam , ng san san , ang hwee sim .
apart from that , every year divisible by 4 ( 2012 , 2016 , 2020 , 2024 , etc . ) is a leap year .
to account for variation beyond this , we insert leap seconds , so we should be in good shape for a long time to come .
magic leap one allows web developers to optimize for content extraction and spatial browsing , enabling new ways to shop and explore with 3d objects .
the lifetime of individual satellites in these constellations is only expected to be 10 years . there is undoubtedly pressure to avoid having to redesign the down - link protocol , redesign the ground systems , retest the entire ensemble , work out how to handle the potentially awkward period of transition , and redeploy new versions of everything within such a short span of years . but do problems such as this really justify the demise of mean solar time for civil purposes ?
the leap years [ videorecording ] / mediacorp raintree pictures presents an ochre pictures production ; a jean yeo film ; adaptation & screenplay by fina torres , george walker , alain layrac , jean yeo ; directed by jean yeo ; producers , chan pui yin , seah saw yam , ng san san , ang hwee sim .
every now and then a leap second is added to coordinated universal time ( utc ) in order to synchronize clocks worldwide with the earth ' s ever slowing rotation .
5 . the tradition of a woman proposing on a leap year has been attributed to various historical figures . one , although much disputed , was st bridget in the 5th century . she is said to have complained to st patrick that women had to wait too long for their suitors to propose . st patrick then supposedly gave women a single day in a leap year to pop the question - the last day of the shortest month . another popular story is that queen margaret of scotland brought in a law setting fines for men who turned down marriage proposals put by women on a leap year . sceptics have pointed out that margaret was five years old at the time and living far away in norway . the tradition is not thought to have become commonplace until the 19th century .
4 . one in five engaged couples in greece will plan to avoid getting married in a leap year . they believe it is bad luck .
value of the era field indicating the period before the common era ( before christ ) , also known as bce . the sequence of years at the transition from bc to ad is . . . , 2 bc , 1 bc , 1 ad , 2 ad , . . .
rinaz , i think j got married after he met l leh . so the first date the grandma didn’t lie mah . remember the 2nd leap year j told l that he has a daughter who is 3yrs old ?
as pantsov and levine point out , “mao had no concrete plans for the great leap forward . ” all he did was repeat the incantation “we can catch up with england in fifteen years . ” in fact , as yang jisheng’s “tombstone” shows , neither experts nor the central committee discussed “mao’s grand plan . ” the chinese president and mao cultist liu shaoqi endorsed it , and a boastful fantasy became , as yang writes , “the guiding ideology of the party and the country . ”
so how many days are in a year ? it ' s not exactly 365 , but it ' s close . does the difference matter ? let ' s investigate . the length of a seasonal year is 365 . 24219878 days ( more or less ) . consider a primitive calendar exactly 365 days long with no leap years . such a calendar was actually used by the ancient egyptians .
value of the era field indicating the common era ( anno domini ) , also known as ce . the sequence of years at the transition from bc to ad is . . . , 2 bc , 1 bc , 1 ad , 2 ad , . . .
the gregorian calendar was first adopted in italy , poland , portugal and spain in 1582 . it is regarded as one of the most accurate calendars in use today . but it maintains a margin of error of about 27 seconds per year - that ' s one day in every 3236 years . it ' s fourth in line for accuracy behind the mayan calendar from about 2000 b . c . e . ( margin of error : one day in every 6500 years ) , the revised julian calendar from 1923 ( margin of error : one day in every 31 , 250 years ) , and the iranian solar hijri calendar from the 2nd millennium b . c . e . ( margin of error : one day in 110 , 000 years ) . the solar hijri is said to achieve its high accuracy by using astronomical observations rather than mathematical ones .
the leap years [ videorecording ] / mediacorp raintree pictures presents an ochre pictures production ; a jean yeo film ; adaptation & screenplay by fina torres , george walker , alain layrac , jean yeo ; directed by jean yeo ; producers , chan pui yin , seah saw yam , ng san san , ang hwee sim . - version details - trove
because most employees at the time had started out with a base wage and received traditional raises , leap phased in the new approach gradually . for employees hired with a traditional salary , leap has ceased traditional annual raises and increased the percentage of their pay that comes from performance bonus , without increasing their base pay .
the goal is to get to 50 - 50 ,
says hugo - hamman .
in china , no animal is revered as much as the giant panda . the population of this endangered chinese national symbol has noticeably recovered in recent years . one of the main reasons behind the increase is a growth in world class panda research and an uncompromising commitment to the animal ' s protection .
9 . anthony , texas is the self - proclaimed
leap year capital of the world
. it holds a festival which includes a guided trip to aztec cave ,
fun at the horse farm
and square dancing .
in the years since the torino colloquium the itu - r process has continued . i attempt to track that process in my calendar and bibliography page . the most significant deviation from the plan outlined at torino is that the itu - r officials appear to be ignoring a significant part of the result of the torino colloquium . the colloquium result called for the renaming of the time scale from utc to ti . there are historical precedents which indicate why it is important to change the name .
last year , one quarterly goal was to get leap software onto the amazon east coast server in virginia . thirty - two people in the company had a top five priority related to that outcome . they achieved the goal on time .
it is believed that the tradition of women proposing on this day goes back to the times when the leap year day was not recognised by english law . under this theory , if the day had no legal status , it was acceptable to break with the convention of a man proposing .
many systems have adopted utc as their timescale , but have chosen not to track the history of leap seconds . perhaps such system choices are a result of these early sociological mishaps and other historical accidents of timescales . ignoring leap seconds is practical , but self - inconsistent , and the inconsistency is becoming problematic in a growing number of places . despite any claims to the contrary , such systems do not truly provide utc . instead they provide half - breed timescales that tick atomically ( except near leap seconds ) but count mean solar seconds of ut .


k3 en het ijsprinsessje ( aka : k3 and the little ice princess ) is a 2006 flemish pre-teen adventure film written by hans bourlon and gert verhulst , directed by indra siera , and starring the women of the k3 girlband in a sequel to their 2004 blockbuster film k3 en het magisch medaillon .

the sequel film was aired on zappelin , sbs 6 , ketnet , kindernet and rtl telekids .

k3 en het ijsprinsesje

there are no critic reviews yet for k3 en het ijsprinsesje . keep checking rotten tomatoes for updates !
karen , kristel en kathleen krijgen een uitnodiging van koning flurkentijn en diens vrouw , die afkomstig zijn uit een sprookjesrijk , om op de verjaardag van prinses fleur te zingen . de prinses gedraagt zich echter als een verwend nest en is niet onder de indruk van de zangkunsten van het drietal . maar wat is er nu precies aan de hand met prinses fleur ? karen , kristen en kathleen besluiten om dit uit te zoeken .
king flurkentijn invites the members of the k3 girlband to fairyland to sing for princess fleur because he hopes that k3 can cheer her up . but as the princess has been cursed by an evil . . . see full summary »
king flurkentijn invites the members of the k3 girlband to fairyland to sing for princess fleur because he hopes that k3 can cheer her up . but as the princess has been cursed by an evil wizard , the trio learns that they are unable to cheer her up . k3 decides to undo the curse , and learn that they need to find out the wizard ' s real name within 24 hours in order to cancel his curse . .
when the magical fairy fiorella delivers a book to k3 , the girls see a prince who has been cursed by the cat - queen . if the prince is not kissed by his true love by midnight , he will change . . . see full summary »
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jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
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melissa is a nice and pretty girl with natural dreams and ambitions . but because of bad influences , her life becomes a nightmare . until her real friends decide to get her out of there .
with jurassic world : fallen kingdom now in cinemas , we take a look at how imdb users rated the films of the franchise . plus , browse exclusive lego® jurassic world playsets , presented by lego .
enjoy a night in with these popular movies available to stream now with prime video .
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the importance of being earnest ( 1952 ) is a british film adaptation of the play by oscar wilde .

it was directed by anthony asquith , who also adapted the screenplay , and was produced by anthony asquith , teddy baird , and earl st. john .

the importance of being earnest ( 1952 film )

anonymous
the importance of being earnest 1952 film background
. gradesaver , 1 december 2016 web .
anonymous
the importance of being earnest 1952 film summary
. gradesaver , 29 october 2015 web .
importance of being earnest , the ( 1952 ) - - ( movie . . .
asquith , anthony , dir . the importance of being earnest , 1952 . criterion collection , 2010 .
the question and answer section for the importance of being earnest 1952 film is a great resource to ask questions , find answers , and discuss the novel .
the new york times , compiler . the importance of being earnest ( 1952 ) : oscar wilde contributes to film fare . the new york times . 23 december 1952 . web . 19 november 2014 .
' the importance of being earnest ' is a comedy of manors written by oscar . . .
to what extent is wilde satirising victorian society in the importance of being earnest . . .
the film ends with jack saying , “i’ve now realized for the first time in my life the vital importance of being earnest . ”
a british gentleman is one man in the city , another in the country in oscar wilde ' s the importance of being earnest ( 1952 ) .
a british gentleman is one man in the city , another in the country in oscar wilde ' s the importance of being earnest ( 1952 ) . >
many directors have conquered stage versions of the play , but there have also been several film adaptations of the importance of being earnest . here we have a brief look at the 1952 and 2002 films .
parker , oliver , dir . the importance of being earnest , 2002 . miramax lionsgate , 2011 .
the importance of being earnest is a delightfully witty play , performed superbly , on quite a decent dvd .
what do you find funny in ' the importance of being earnest ' ? consider what dramatic devices . . .
variety , compiler . the importance of being earnest . variety . 11 december 1985 . web . 21 november 2014 .
horne , phillip . the importance of being earnest . the telegraph . 05 ay 2014 . web . 19 november 2014 .
this student written piece of work is one of many that can be found in our as and a level the importance of being earnest section .
clever
staging
in the opening of director anthony asquith ' s faithful 1952 version of oscar wilde ' s play the importance of being earnest , starring michael redgrave , michael denison and joan greenwood . >
any production of
the importance of being earnest
, whether on stage or screen , is dependent on the quality of the casting of lady bracknell . . . .
the importance of being earnest ( 1952 ) . directed by anthony aaquith and starring michael redgrave , michael denison , edith evans , joan greenwood , dorothy tutin , margaret rutherford and miles malleson .
the importance of being earnest in london at the vaudeville theatre previewed from 22 january 2008 , opened on 29 january 2008 and closed on 26 april 2008 .
the importance of being earnest in london at the vaudeville theatre previewed from 24 june 2015 , opened on 1 july 2015 and closed on 7 november 2015 .
everything which ought to be of importance becomes merely trivial . discuss & amp ; quot ; the importance of . . .
the importance of being earnest in london at the harold pinter theatre previewed from 27 june 2014 , opened on 17 july 2014 and closed on 20 september 2014 .
ebert , roger . the importance of being earnest ( 2002 ) . www . rogerebert . com . 24 may 2002 . web . 23 november 2014 .
algie ( michael denison ) refuses to return a cigarette case to jack ( michael redgrave ) which has clued him in to his friend ' s secret , in an early scene from the importance of being earnest , 1952 . >
reinert , otto . “satiric strategy in the importance of being earnest . ” college english 18 , 1 ( oct . , 1956 ) : 14 - 18 .
the importance of being earnest study guide contains a biography of director anthony asquith , literature essays , quiz questions , major themes , characters , and a full summary and analysis .
canon chasuble ( miles malleson ) comes upon cecily ( dorothy tutin ) and miss prism ( margaret rutherford ) , with whom he carries on conversation , in the importance of being earnest , 1952 , from oscar wilde ' s play . >
suggested length : 1 , 500 to 2 , 500 words . [ modified from p . allingham , essay topics for the importance of being earnest , victorian web ]
jack ( michael redgrave ) brings news of his brother ' s death , shocking miss prism ( margaret rutherford ) , canon chasuble ( miles malleson ) , cecily ( dorothy tutin ) and his brother ( michael denison ) in the importance of being earnest , 1952 . >
despite this the movie fails to be the definitive film version of wilde’s play . there are two reasons for this . the first is the presence of an earlier , stronger film . the second is a series of bad decisions made in the production of this film .
the importance of being . . .
this video is no longer available due to a copyright claim by network distributing .
it’s been a little over a century since oscar wilde celebrated the opening season the importance of being earnest in court , on trial for homosexual behavior . the scandal of wilde’s “indecent acts” forced the smash play to close early in its r…
this production was notable for being an early ( though minor ) stage role for the future hollywood film actor james mason .
the 1895 production of the importance of being earnest was at the st james’s theatre , london , on a really cold valentine’s day . wilde had already had three successful plays in the west end , with the ideal husband still playing round the corner at the haymarket theatre .
the film received a bafta nomination for dorothy tutin as most promising newcomer and a golden lion nomination for anthony asquith at the venice film festival .
the film received a bafta nomination for dorothy tutin as most promising newcomer and a golden lion nomination for anthony asquith at the venice film festival .
made largely at the urging of michael denison ( who plays algy ) , the film also features the film debut of dorothy tutin and one of the very infrequent performances by edith evans . having practically made the part of lady bracknell her own on stage ( she first performed it in 1939 ) , this was only the sixth film she had appeared in since her film debut in 1915 .
the importance of being earnest is one of the wittiest plays in the english language . the play contains one hysterical and cynically astute line after another . my favourite is about happy endings being what fiction is all about ! for anyone who has not seen or read the play , this movie version will be an excellent introduction to it .
it would be foolish to discuss the importance of being earnest without mentioning the 2002 film , which introduced a whole new audience to the staged play despite splitting the critics . the film was relatively true to the script with few embellishments , proving that wilde’s writing is as humorous today as it was in the 19th century . judi dench and anna massey returned from the 1982 stage version in their original roles as part of a star studded cast :
the video quality is quite reasonable for a 50 - year - old film .
oscar wilde’s comic jewel sparkles in anthony asquith’s film adaptation of the importance of being earnest . featuring brilliantly polished performances by michael redgrave , joan greenwood , and dame edith evans , the enduringly hilarious story of two young women who think themselves engaged to the same nonexistent man is given the grand technicolor treatment . seldom has a classic stage comedy been so engagingly transferred to the screen .
the original 1895 production of the importance of being earnest had it ' s run cut short due to oscar wilde ' s growing notoriety in the public courts - firstly with his unsuccesful libel case against the marquess of queensberry and then the start his trial for ' gross indecency ' - for homosexuality , something that would not be decriminalised in britain until the introduction of the sexual offences act 1967 . oscar wilde was ultimately found guilty and was sentenced to prison with hard labour . george alexander , the manager of the st james ' s theatre , did though successfully revive his original production of the importance of being earnest four times over the following 18 years .
the one way in which the newer film surpasses the earlier film is in making the whole thing feel more like a film rather than a filmed play . the redgrave - greenwood version was virtually a straight filming of the play , with a bare minimum of deviation or departure . the new film makes considerable efforts to be more dynamic visually and to break up the scenes so that it isn’t obviously divided into acts .
krämer , lucia . “subversion in disguise : oliver parker’s adaptations of oscar wilde’s an ideal husband and the importance of being earnest . ” janespotting and beyond : british heritage retrovisions since the mid - 1990s . ed . eckart voigts - virchow . tübingen : gunter narr verlag , 2004 .
this revival is presented as part of dominic dromgoole ' s classic spring theatre company ' s oscar wilde season : a woman of no importance from october to december 2017 ; lady windermere ' s fan from january to april 2018 ; wilde creatures children ' s show , december 2017 ; an ideal husband spring / summer 2018 ; and the importance of being earnest spring / summer 2018 .
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
the musical version of oscar wilde ' s the importance of being earnest
- with music , lyrics and adaptation by john hugh dean . presented by the little theatre of comedy company . the production was scheduled for a limited 10 week run up to saturday 4 august 1984 , but following opening to poor reviews it closed after just three weeks .
the region 4 version offers more extras than either of the others , and quite a good transfer ( considering the age of the film ) . i recommend the region 4 over the others .
jack worthing lives in the country with his pretty ward cecily cardew . but in the city , he goes by the name of earnest and is in love with gwendolyn fairfax . miss fairfax ' s cousin is algernon moncrieff , who , also using the name earnest , goes to the country and falls in love with jack ' s ward cecily . when they all come together , we have two men who claim to be earnest and aren ' t and two girls who are love with men named earnest who aren ' t earnest .
asquith made only five films in colour and the importance of being earnest was his first . shunning the characteristic boldness and garishness of early technicolor , asquith ' s palette largely consists of pastel shades , reserving the exaggerated qualities of the process for lady bracknell ' s costumes . edith evans enters the film wearing a vivid purple coloured dress and a hat that appears to be made from peacock feathers , shortly before uttering wilde ' s immortal line ,
rise , sir , from this semi - recumbent posture !
.
the roundabout theatre company produced a the 2011 broadway revival of the importance of being earnest , based on brian bedford’s 2009 production at the stratford shakespeare festival . it was performed at the company’s permanent home , the american airlines theater in new york , an italian renaissance theatre on 42nd street . the auditorium was beautifully renovated when it changed its name from the selwyn theatre in 2000 and has since hosted numerous broadway revivals .
the importance of being earnest
is above all an exercise in wit . there is nothing to be learned from it , no moral , no message . it adopts what one suspects was wilde ' s approach to sex - - more fun to talk about than to do . as algernon observes , romance dies when a proposal is accepted :
the very essence of romance is uncertainty .
wilde takes this as his guide . when the play ' s uncertainties have all been exhausted , the play ends . the last line (
i ' ve now realized for the first time in my life the vital importance of being earnest
) takes on an interesting spin if we know that
earnest
was a vernacular term for
gay
in 1895 . thus the closing line may subvert the entire play , although not to the surprise of anyone who has been paying attention .
i always liked this film and was glad when it came out on dvd . based on a popular book , the film version was thoroughly enjoyable and reflected the general view of the shades of innocence of the time in which it is set . no swearing , no violence , just good family viewing - although the children might not be as enthusiastic as some of the adults .
oscar wilde ' s story retold in delightful fashion , this is a classic film from childhood television .
unlike the bulk of the film career of the person known as anna faris . . this story is sincere . you will also feel like you are stretching out your mind in an . . .
there are numerous small film artefacts ( far too numerous to list ) , but there is nothing that stands out - once you accept that there will be film artefacts simply because of the age of the film , you won ' t be troubled by them - they are all small . there is some mosquito noise on backgrounds , but you ' d be very fussy to complain about it .
of all the performances i have seen , this film is the best . every role is filled by an actor easily up to the task ( even dorothy tutin is superb in her film debut as the somewhat naive young cecily ) . i fear that part of the problem is that this film predates most of the other performances , and so the actors feel they will be judged against this film and therefore try too hard . wilde ' s lines must be delivered naturally for greatest impact . the wit requires no accentuation , no ornamentation ( except , of course , the multi - note delivery by edith evans of
a handbag ? ! ? !
. . . ) .
the girls have a war of words making offensive remarks while the other shoots straight back with an even more offensive comeback . one example of this is when cecily is talking about being able to see five counties from the top of the hill .
the importance of being earnest is a brilliant parody of english upper - class life , a life endearingly snobbish , defiantly idle and only remotely connected with reality . peter gill ' s production glitters like a many - faceted diamond . . . penelope keith is lady bracknell , holding the great trumpet voice in lofty restraint : a star giving a star performance , she knows that charisma is quite enough .
the sunday times
the opening and closing scenes framing this film as a stage production don ' t quite work , and can be safely ignored , but that aside , anthony asquith ' s film is a lesson in how to bring a theatrical comedy hit to the screen .
colour is surprisingly good for a 50 year old film , even if the colours aren ' t completely accurate , and even if they vary a little ( even within the one scene ) . there are some good strong colours , but nothing is ever fully - saturated - it ' s not a problem , though - this film looks much better than the faded films we see from the 1970s . there are no colour - related artefacts . by the way , don ' t judge the colour of the film by the cover of the dvd - the cover looks like a
colorized
black - and - white photo - the film does not look like that .
this is a great movie but looking at other reviews it seems impossible to find a decent quality dvd version of it . i found both the picture quality and sound below par of the dvd i received . please can someone put out a version with a high quality transfer from film ? an english classic of this type should be of the highest possible quality to match the writing , acting and film production .
this film was released in 1952 . it was made in technicolor . what i cannot discover is what the original aspect ratio was . given that it was made in england , in the early 1950s , i ' d expect either 1 . 37 : 1 ( academy ratio ) or possibly 1 . 66 : 1 .
the art directors guild established a hall of fame to honor contributions of legendary production designers and art directors of the past .
rather than directly use oscar wilde ' s name , this production was promoted instead as being by ' the author of lady windermere ' s fan ' .
good film version of a brilliantly witty play , albeit a film which does not , wisely i think attempt to disguise its theatrical origins . striking costumes , good sets , sumptuous camera work . edith evans recreating her famous lady bracknell , and everyone else giving very polished performances .
2 . william keach contends that lady bracknell’s “cross - examination of jack lays the groundwork for much of the rest of the plot” ( p . 184 ) , and that the underlying tension of the play depends upon “the contrast of city and country so important to the double lives being led” ( p . 183 ) . explain these two points , then develop one of them into a suitable essay topic .
the source code for the wiki 2 extension is being checked by specialists of the mozilla foundation , google , and apple . you could also do it yourself at any point in time .
gielgud was equally loyal to the text and famously brought out wilde’s lines in the best way , filling his cast with famous british actors of the time . this included edith evans as lady bracknell , joyce carey as gwendolen , angela baddeley as cecily and margaret rutherford as miss prism . edith evans’ famous delivery of lady bracknell’s line ‘a handbag’ is remembered today , and she went on to star in the 1952 film adaptation which cemented the character’s infamy .
one of the themes of wilde’s play is the unreliability of language . how do parker’s choices emphasize or elaborate on that theme ?
the important of being earnest is oscar wilde ' s most famous play . oscar wilde was and is an important writer . his wit and humour is unmatched . if it wasn ' t for the
scandal
, his work would be taught in schools today along with william shakespeare ' s .
roger ebert ' s speech on empathy for the
11th hour
series on april 9th , 1994 , being republished here in honor of his birthday june 18 .
the film opens with members of a victorian theatre audience taking to their seats . when they open their programmes , the film ' s credits are revealed , printed inside . once the curtain rises , one of the viewers uses her eyeglasses to take us into the action , shortly after which we are shown a mixture of location and studio shots . the curtain falls again at the end of the last act . although this might have made the film seem too stage - bound , it actually helps in giving the eccentric characters and outrageous plot the grounding in theatrical tradition that any faithful adaptation needs to succeed , though inevitably even asquith ' s best efforts result in a charming cross - breed .
because this film , this play , is endlessly , one might even say infinitely quotable and delivered impeccably by an almost flawless cast .
check out highlights from some of the best recent trailers including mandy , the predator , zoe , and the king of thieves .
this production was promoted as being the return of the two original lead actors to the roles they created , namely george alexander as ' john worthing ' and allan aynesworth as ' algernon moncrieff ' . allan aynesworth stayed with the production for it ' s full run of nine months - the longest continuous west end run of this comedy .
the importance of being earnest is , for me , the funniest play ever written . it is extraordinary that it was the last play oscar wilde wrote . i ' ve seen two or three live performances ( not as many as i ' ve seen hamlet s , but more than any other comedy ) , i watched the australian performance broadcast on the abc ( with , if i remember correctly , gordon chater as all of the servants , and ruth cracknell as lady bracknell ) ; i ' m also quite familiar with this film version . amusingly , i haven ' t seen the recent remake - it ' s not on dvd yet , and i tend not to visit the cinema these days - i hear tell that it isn ' t a patch on this performance , anyway .
after her part in the disastrous attempt to revive to the manor born over christmas , one hoped against hope that penelope keith would be able to redeem herself as lady bracknell in the importance of being earnest . there are precious few great roles available on the english stage for actresses of miss keith ' s age , but this formidable old dragon is undoubtedly one of them . alas , so far from making the most of this gift , miss keith leaves it all but unwrapped . . . peter gill ' s production of wilde ' s masterpiece is otherwise a great joy to behold , with some beautiful sets by william dudley , immaculate costumes by joan hughes . . . made this one of the most staggeringly good - looking productions i have seen in years
the sunday telegraph
the dialogue is clear ( absolutely vital for this film ) . i was never troubled by audio sync errors , although it did look a touch out around 30 : 00 .
penelope keith sweeps on to the stage , shimmering in purple and gold brocade , a feather aflutter in her hat , lady bracknell to the manner born . and so she proceeds , effortlessly , in the imperious mode . she listens with dignified disapproval as ernest , her daughters suitor , details his humble handbag origins . . . it ' s a strikingly assured performance in peter gills fresh , spirited and handsome production of oscar wildes the importance of being earnest - william dudley has created a modishly tiled drawing room , a terrace spilling with roses and a grand library appropriately painted with dramatic hunting scenes .
the mail on sunday
the movie debut of albert finney , at work in the raleigh . . .
this film is available in most regions . in region 1 there is a criterion collection dvd ; in region 2 it is a silver collection dvd from carlton .
in 1890 ' s england , two friends use the pseudonym , earnest , for their on - the - down - low activities , add in love and a strange coincidence and things get very funny .
a series of still images , including posters , programme pages , and lobby cards , from the archives of the rank organisation .
this is a beautiful example of the art of trailer making in the late 1940s and early 1950s - lots of large titles splashed across frame , and an interesting voice - over . quite crackly , a fair bit of hiss on the soundtrack , and with lots of light spots .
the film is noted for its acting , although the parts played by redgrave and denison called for actors ten years younger . margaret rutherford , who plays miss prism in this adaptation , played lady bracknell in the 1946 bbc production .
the film is noted for its acting , although the parts played by redgrave and denison called for actors ten years younger . margaret rutherford , who plays miss prism in this adaptation , played lady bracknell in the 1946 bbc production .
just the top of the
yankee doodle boy
number from george . . .
the 1982 cast also included judi dench as lady bracknell , who went on to play the same role in the 2002 film , as well as zoë wanamaker and anna massey . dench played lady bracknell as a purse , uptight character which gave her another dynamic following the braying tones of edith evans .
though cut from the revised version , the gardener molton can be seen in the background of many scenes .
there are subtitles in english . they are perfectly acceptable for the film ( well - timed , fairly accurate , and easy to read ) , but quite dreadful for the featurette - on the featurette they appear after the dialogue ( the speaker finishes the line , then the subtitle appears ) . i spotted an error in the subtitles to the film - at 29 : 55 miss prism says
we should have been at our labours . . .
, but the subtitle reads
we should have been at our neighbours . . .
.
the disc is single - sided , single layer ( don ' t believe the back - cover claim that this disc is dual - layer ! ) . that ' s ok , because the single layer is ample to contain the film and its extras .
the traditional view of gender relations in the victorian era was that men were . . .
it will enhance any encyclopedic page you visit with the magic of the wiki 2 technology .
a transfer from the leicester haymarket theatre of the ' original ' 4 - act version .
in this colourful and spirited reading of ' earnest ' i particularly enjoyed margaret rutherford ' s miss prism , all puffed up indignation one minute and then confused maid the next when in discussions with the parish vicar ( mild miles matheson , always a joy to watch ) .
the performance didn’t come without its objections however . there was one notable disruption from the marquess of queensberry , the father of oscar wilde’s lover lord alfred douglas , who planned to throw rotten vegetables at wilde after the show . the police heard of the plan and barred him from entering the theatre .
very faithful to the source material , and full of capital a acting in the best way .
lucy gutteridge was originally scheduled to play ' cecily cardew ' but she withdrew prior to the start of previews . presented by the newly formed production company the royalty theatre company as the first of a series of short ( six week runs ) of late 19th - century and early 20th century plays .
so says lady bracknell ( edith evans ) , perhaps oscar wilde’s greatest creation , in his greatest play , subtitled a “trivial comedy for serious people” – now released in its definitive 1952 technicolour version . if it weren’t for the conscious , inveterate superficiality , where would be the fun in all this deception and wilful paradoxicality and aphorism and contrivance ?
there has been one musical adaptation in the west end . john hugh dean ' s 1984 the importance was originally scheduled to have a limited ten week run at the small 440 - seater ambassadors theatre but , following poor reviews , it closed after just three weeks .
when miss marple reports witnessing a murder through the window of a passing train , the police dismiss her as a dotty spinster when no trace of the crime can be found .
this dvd is presented in an aspect ratio of 1 . 33 : 1 , and is consequently not 16x9 enhanced . it is not harmed by being presented in this aspect ratio - i ' ll say more about this in the r1 vs r4 section .
discuss the significance of some of the characters’ names . what do jack and algernon connote ? is wilde alluding to swinburne , and if so , why ?
in the theatre , a role is more durable than any of the actors who may make their reputations playing it . this is especially true in the classics - repetition being partly what defines a classic . modern actors habitually shift from job to job and from medium to medium in search of regular money and variety of work . they rarely control a plan in their careers , discarding even the biggest successes . they neglect any private repertoire of work such as opera singers and solo musicians depend on .
the film is largely faithful to wilde ' s text , although it divides some of the acts into shorter scenes in different locations . edith evans ' s outraged delivery of the line
a hand bag ?
has become legendary . as actor ian mckellen has written , it is a performance
so acclaimed and strongly remembered that it inhibits audiences and actors years later
, providing a challenge for anyone taking on the role of lady bracknell . [ 2 ]
the film is largely faithful to wilde ' s text , although it divides some of the acts into shorter scenes in different locations . edith evans ' s outraged delivery of the line
a hand bag ?
has become legendary . as actor ian mckellen has written , it is a performance
so acclaimed and strongly remembered that it inhibits audiences and actors years later
, providing a challenge for anyone taking on the role of lady bracknell . [ 2 ]
these notes were contributed by members of the gradesaver community . we are thankful of their contributions and encourage you to make your own .
anthony asquith ' s output as a director was largely derived from material first performed in west end theatres . he made ten films in collaboration with playwright terence rattigan , as well as three taken from the plays of george bernard shaw , with whom he had co - founded the oxford film society in 1925 . in adapting wilde ' s play , asquith boldly decided to emphasise the stage origins of the project .
algernon in the meantime insinuates himself into the country estate where young cecily is being educated under the watchful eye of miss prism ( anna massey ) , the governess ; eventually all of the characters gather at the manor house , woolton , where there ' s some confusion since algernon has taken the name ernest for his visit and proposed to cecily , so that when cecily meets gwendolen , they both believe they are engaged to ernest although cecily of course doesn ' t know that in town gwendolen knows jack as ernest .
the hilarious comedy by wilde is a victorian comedy that ( much like wilde ' s other work ) critiques the rigid social hierarchy of victorian society through an amusing tale about mistaken identity . in the spirit of wilde ' s work , asquith captures the same sense of wittiness through the flawless delivery of one liners that are so quintessentially wilde .
comment on the significance of lord bracknell , who never actually appears on stage .
during the credits the main characters attend the funeral of the late departed bunbury . rupert everett and colin firth argue while singing
lady come down
.
a conventional feature of most social comedy is the “blocking character”— often a parent or rival who opposes the romantic aspirations of the younger lovers . they often provide the basis for much of the comic action . discuss lady bracknell as a blocking character . who else in the play might be considered to be a blocking character ?
ian mckellen ,
ian mckellen on the test of time
, the observer , 13 april 1975 .
i agree that the ' 52 version captures the essence , and i think the delight , of the play . as long as i can see the former , i seldom prefer the latter . . . .
if you were to adapt wilde’s play for the screen , what choices would you make ? for example , would you change the setting ? whom would you cast ? choose a short scene and imagine how you would film it . why would you make these choices ?
what can parker’s adaptation tell us about the cultural moment in which it was made ? think , for example , about the characterization of cecily and gwendolen . what do you make of the use of pre - raphaelite imagery to animate cecily’s fantasies ? what do you think of gwendolen’s choices and / or behavior ?
nothing dates quicker than acting styles . irving on record , forbes robertson on film , even early brando , can now seem old - fashioned . but after the critics have detected influences , regretted them , praised them ; after a position in the hierarchy of tradition has been assessed ; a stage performance is nothing more nor less than the instrument of communication between playwright and audience . it is an occasion for the nonce , and it will be only partially recalled in the memory and inaccurately recorded on tape or film . its essence can be absorbed only as it happens . performances , both before and after , are genuinely irrelevant . to that extent , there is no acting tradition .
fog delays a group of travelers headed for new york . they wait at the v . i . p . lounge of london airport , each at a moment of crisis in his or her life .
but now i have been lured into the plot again . the important thing about
the importance
is that all depends on the style of the actors , and oliver parker ' s film is well cast . reese witherspoon , using an english accent that sounds convincing to me , is charming as jack ' s tender ward , who of course falls for algernon . she is a silly , flighty girl , just right for algernon , for whom romance seems valuable primarily as a topic of conversation . frances o ' connor is older and more sensuous as gwendolen , and gently encourages the shy jack to argue his case (
mr . worthing , what have you got to say to me ?
) . judi dench keeps a stern eye on the would - be lovers , and a strong hand on the tiller .
at west point , 1857 , in the conceit of wally kline and . . .
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of perfecting techniques ; in live mode . quite the same wikipedia . just better .
^ ian mckellen ,
ian mckellen on the test of time
, the observer , 13 april 1975 .
other of parker’s liberties include the use of pre - raphaelite imagery to animate cecily’s fantasies and the depiction of gwendolen driving a car and visiting a tattoo parlor . initially puzzled by these choices , students eventually see how they allow us to explore both the play’s historical context and the cultural moment that produced the adaptation .
twice nominated for the oscar , and recipient of every major theatrical award in uk and us , ian mckellen is widely regarded as one of the world ' s finest actors .
always a pleasure to watch this particular interpretation of oscar wilde ' s play , which certainly is the best of all . the sound could have been better but is ok .
during cecily and gwendolyn ' s outdoor tea , cecily cuts a large slice of cake that is served to gwendolyn and placed on the corner of the tea table . after the cake is cut , the scene clearly cuts ahead to the end of the tea . in the time that elapsed during this part of the scene , a servant easily could have come by and taken the plate explaining why in subsequent shots with both cecily and gwendolyn and later , when jack and algernon take the ladies ' seats at the tea table , the cake and its plate are missing .
a theatre ' s very structure can be the most unyielding instrument of tradition - hence the fashion for new theatres to have adaptable stages , and the extension of the rsc ' s forestages beyond the limitations of the proscenium arches at stratford and at the aldwych . the organisation and administration of a company can , too , have a hold over its ability to break with the norm . the actors ' company ' s democracy aims for an overall equality of acting standards - rarely attained in more traditional hierarchical organisations . and it has been announced that the national theatre ' s actors are soon to be permitted to replace the director with a chairman .
an interview with terry gilliam , director of
the man who killed don quixote .
this was a re - staged and re - cast revival of the earlier 1939 production .
basically the story of a man forced to finally see the injustice around him . riley’s movie is designed to do the same thing to you . …
very faithful and very well cast version of wilde ' s plays . michael denison , dorothy tutin and joan greenwood in particular shine but everybody made me laugh at least once . it is obviously incredibly dated and revels in both it ' s stageyness and acting styles that were antiquated in 1952 let alone now but asquith knows just what he is doing and it ' s a fine example of something i wouldn ' t want to watch every day but had a really good time watching for a change .
colin ' s a sad - eyed british artist holed up in a rundown hotel in small - town vermont after being dumped by his fiancée . the hotel owner plays matchmaker and introduces him to a local girl . . . . see full summary »
in fact , actress edit evan ' s delivery of the line
a handbag ?
as lady bracknell has become world renown , making the part of lady bracknell a challenge for any actress attempting to undertake the role .
1 . according to karl beckson , “central to wilde’s life and art was the idea of the dandy as the embodiment of the heroic ideal as well as of the aesthetic temperament hostile to bourgeois sentiment and morality” ( p . 205 ) . which of the characters in the play embodies this aesthetic principle , and how ? from your consideration of these characters’ utterances and actions , develop an appropriate essay topic . starting point : consult this internet definition of dandy : < urltoken > . pay particular attention to baudelaire’s definition . for gilbert and sullivan , aestheticism was a subject for parody . see the operetta patience ( 1881 ) , particularly the song , “if you’re anxious for to shine…” urltoken
the preview on 7 february 1968 was held in aid of the combined theatrical charities and was attended by the queen mother ( she had previously attended a charity performance of this comedy with her husband king george vi in 1946 ) .
the soundtrack is english ( coded as
other
) , dolby digital 2 . 0 , not surround encoded - it sounds mono . it also sounds a bit quiet - i had to boost the volume by at least 5db to get to my normal listening level . and it sounds somewhat muffled , and restricted in frequency range - if you can imagine listening to the soundtrack on a older telephone , you might get the idea of how it sounds . fortunately , that doesn ' t really harm enjoyment of this film .
george alexander starred in the show and also ran the theatre as actor - manager ; he was a popular figure on the london theatre scene and was knighted in 1911 for his dedication to the st james’s . the rest of the cast were as follows :
as the two playboy bachelors inventing useful double lives for themselves , michaels redgrave and denison shine , while the croaky refined tones of joan greenwood ' s voice set off the role of gwendolyn and dorothy tutin is a knowing and perceptive cecily .
the results are mixed . there are some moments of farce with some missing cucumber sandwiches , sian phillips gets a chance to rehearse the dreaded
handbag
line , and nigel havers and martin jarvis have lots of fun playing younger characters , often more fun than it is to watch them . wilde called his play a ' trivial comedy for serious people ' , but ultimately the am - dram feeling permeates the production and a lot of the pathos of the mistaken identity theme is lost .
the sunday mirror
kelvil is a major character in the exposition of the play , he shows how politicians are corrupt and shows that they are not as morally sound as they would like the general public to believe . kelvil tells of how he thinks he knows what the poor really need in their
we had to return our dvd as the sound quality was appalling . we watch our tv with the volume set around 30 . we had to watch this on max ( 100 ! ) to hear anything . what a shame . i really wanted to keep the film forever . it ' s a classic and there never has been such a great adaptation . i cant understand how the company has produced this .
of course , if you want to split hairs , you could say that michael redgrave is far too old for the part of jack , but that ' s a minor quibble when he , like the rest of the actors here play their roles so well . denison , greenwood , tutin , rutherford and malleson , not one…
this is an interesting making - of featurette , shot in 1999 by carlton . most of the participants in this project have since passed on , so we get comments from stephen fry ( i ' m unsure why ) , from the widow of michael denison , and from dorothy tutin ( the only survivor we hear from ) .
dame edith evans can create a memorable quote with just two commonplace words . behold the power of dandy camp .
critics have argued about the role of queer subtext in wilde’s play . pay attention to the small details of the “cigarette case” scene . what strategies ( narrative or filmic ) does parker use to participate in this debate ? in what ways do the strategies suggest a heteronormative reading of the scene ? what strategies suggest a homoerotic reading ? are there any other scenes that contribute to this debate ? how so ?
cop dave ( joe partridge ) puzzles over a series of women . . .
“we live , i regret to say , in an age of surfaces . ”
this is a dvd of sheer fun and pleasure . time does not spoil this rendition of oscar wildes play . this was bought to replace a vhs tape which has been worn out with playing . so many more years of laughter to come .
j arthur rank organization . . . . . production company , british film makers ltd . . . . . production company , universal pictures . . . . . domestic theatrical distributor , j arthur rank organization . . . . . theatrical distributor , paramount home media . . . . . domestic video distributor
in pictures - the story of love and romance : from adam and eve to tinder and chemsex . compiled by martin chilton
it is , of course , regular theatre - goers , led by the professional critics , who feel themselves most qualified to detect influences and traditions . i , for one , find that sort of measurement fascinating , but irrelevant to my , and others ' , work . to try to extract , for example , details of scofield ' s lear from the integrated context of brook ' s production , so as to compare it with gielgud ' s performance 12 years previously , cannot deepen the experience of seeing either of them . there is no platonic definitive version of any play against which all lesser productions can be measured . though when you ' ve enjoyed , say , twelfth night as often as i have , you may never wish to see it again , even with a cast of archangels .
in this century the advent of the director as a non - acting objective controller introduced longer rehearsals and an increasing attention to all details of presentation . nowadays actors ( leading and supporting ) and designers ( of sets , costumes and lighting ) ideally , expected to think for themselves while contributing to a unified concept . this modern approach obviously discourages reference to any unified traditional interpretation of one part in a play , unless it proves relevant to the production in hand .
but when is tradition traditional ? what appears revelatory to one generation may really be the revival of a commonplace . thus the rsc ' s recent doubling of theseus with oberon and of hermione with perdita was probably a return to shakespeare ' s intention . the national ' s all - male as you like it and glasgow citizens ' antony and cleopatra acknowledged the tradition , which only boys ' schools had previously nurtured .
watch this a few time and you , like me , will spend an entire hour and a half each time you see it , mouthing away to some of the finest lines of dialogue ever committed to paper .
poor production of a brilliant stage play with good female performances . if a stage play needs musical accompaniment fear the worst - not a patch on the bbc dvd .
so good i can ' t imagine a better version of the play . edith evans turns every line reading into an event .
the story takes place on 14 february 1895 . it is about two gentlemen pretending to be people other than themselves . interwoven in their story lines are two romance - stricken ladies , each possessing an unusual allegiance to the manliness of the name ernest . london man - about - town jack worthing , who hides behind the name ernest , is an aristocrat from the country with uncertain lineage . his friend , algernon moncrieff , is of moderate means and has also created an imaginary character , bunbury . algernon’s cousin , gwendolen fairfax , has caught the eye of jack . jack’s ward in the country , cecily cardew , has caught the eye of algernon . lady bracknell rules the roost with her heavy - handed social mores .
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jack ( michael redgrave ) brings news of his brother ' s death , . . .
buckton , oliver s . “oscar goes to hollywood : wilde , sexuality , and the gaze of contemporary cinema . ” oscar wilde and modern culture : the making of a legend . ed . joseph bristow . athens , oh : ohio university press , 2008 .
this is how they did it , the transition in which the . . .
in the town for which the movie is named , sheriff shaw . . .
is there a single character in british drama so identified with the actor who first played it that his creation is accepted as definitive ? yes - dixon of dock green is jack warner , callan is edward woodward , elsie tanner was pat phoenix . but these are exceptions . most characters , even when defined by extraordinary physique , are revived again and again . tarzan lives ! so do peter pan and sherlock holmes ( both on stage , film , television and radio ) ; the current dan archer is the fourth , and there have already been three james bonds .
charles and his second wife , ruth , are haunted by the spirit of his first wife , elvira . medium madame arcati tries to help things out by contacting the ghost .
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there is no significant aliasing , except on a couple of algernon ' s jackets ( strong checks ) . there ' s no real moire , and little in the way of mpeg shimmer - this has been mastered rather well .