production i.g , inc. ( 株式会社プロダクション ・ アイジー kabushiki-gaisha purodakushon ai jī ) is a japanese anime studio and production enterprise , founded on december 15 , 1987 , by mitsuhisa ishikawa and headquartered in musashino , tokyo , japan .

production i.g has been involved in the creation of numerous anime television series , ovas , theatrical films , and is further involved in video game design and development , as well as music publishing and management .

among its prominent works are guilty crown , psycho-pass , eden of the east , and the ghost in the shell series .

it is known in the video game industry for developing intros , cut-scenes , and artwork for games such as the namco tales studio 's title , tales of symphonia .

the letters i and g derive from the names of the company founders , mitsuhisa ishikawa and popular character designer takayuki goto .

the company is a member of the association of japanese animations ( aja ) , an association of over 50 japanese anime studios .

production i . g

© production i . g / shirow masamune © 2008 dndp , vap , production i . g
cartoon network ( x2 ) / production i . g / bandai entertainment / toonami original production ( 2005 )
cartoon network ( in - credit ) / production i . g . / bandai entertainment / toonami original production / cartoon
anime studio production i . g forms canadian film subsidiary ( sep 24 , 2012 )
otakon 2004 - king records and production i . g ( aug 12 , 2004 )
broccoli international usa / synch - point / broccoli / production i . g / starchild
ghost in the shell : japan’s production i . g . making new anime – variety
© karuho shiina / shueisha © dndp , vap , shueisha , production i . g
bg - painting versions by huitula . original paintings copyright : production i . g .
shining hearts rpg gets tv anime by production i . g ( dec 14 , 2011 )
shirow masamune and production i . g . announce ghost hound ( mar 23 , 2007 )
english subtitles on production i . g r2 dvd releases ? ( dec 22 , 2002 )
mini - pato screenshots on production i . g . website ( jan 29 , 2002 )
netflix / bandai visual emotion / annapurna pictures / production i . g . / studio katana
ace of diamond first impressions - from madhouse & production i . g ダイヤのa [ エース ]
robotics ; notes tv anime series animated by production i . g ( apr 2 , 2012 )
kami voice film to have anime sequence by production i . g ( oct 13 , 2011 )
mamoru oshii , production i . g make 3d cyborg 009 anime ( sep 29 , 2010 )
tarantino details production i . g ' s new kill bill anime ( aug 10 , 2009 )
evolution of production i . g ( and wit studio ) in openings ( 1987 - 2017 )
words : leonard teo , justin leach and maki terashima images : production i . g and miramax
production i . g operates under the i . g holding company . production i . g currently owns 15 % of mag garden and 100 % of xebec , while the mag holding company owns the remainder of mag garden . the mag and i . g holding companies will merge to form the tentatively named i . g port , whose company will own 100 % of mag garden , production i . g , and xebec as separate subsidiaries . a stock swap of one i . g share to a half mag share will formalize the merger .
anne watanabe stars in production i . g ' s miss hokusai film ( jan 19 , 2015 )
production i . g to acquire 11 . 2 % stake in tatsunoko ( jun 2 , 2010 )
le chevalier author , production i . g start sci - fi manga ( oct 30 , 2007 )
manga entertainment acquires production i . g . fantasy oblivion island ( updated ) ( nov 7 , 2012 )
( the ) weathering continent ( movie ) : animation production ( under the name i . g tatsunoko )
© 2005 production i . g , cartoon network , bandai visual , bandai entertainment . all rights reserved .
air date in japan : october 8 , 2005 ~ september 26 , 2006 original story : production i . g / aniplex chief director : junichi fujisaku co - planner : mamoru oshii original character design : chizu hashii chief animation supervisor : akiharu ishii music : mark mancina music producer : hans zimmer animation production : production i . g produced by : mbs , aniplex , production i . g
the i . g . farbenindustrie , a . g . , works , ludwigshafen and oppau had several chemical plants .
netflix to co - produce anime with production i . g , bones , wit studio ( jan 31 , 2018 )
toonami runs mamoru oshii , production i . g ' s micro - series in 2017 ( jul 2 , 2016 )
anime limited acquires production i . g ' s miss hokusai for cinema and home release ( feb 27 , 2015 )
cartoon network ( in - credit ) / production i . g / bandai / toonami / cartoon network ( skull )
air date in japan : april 4 , 2008 ~ september 30 , 2008 on ntv format : 25 x 30 ' original story : production i . g / shirow masamune director : kazuhiro furuhashi series composition : junichi fujisaku character design : tetsuro ueyama animation production : production i . g
xebec inc . mag garden corporation wit studio signal md production i . g . , llc ( los angeles , ca )
adult swim chikashi kubota flcl hideto iwai katsuyuki motohiro kazuya tsurumaki kiyotaka oshiyama production i . g . the pillows toonami yoshiyuki sadamoto
air date in japan : july 6 , 2004 ~ march 29 , 2005 format : 26 x 30 ' original concept : production i . g / ntv story supervisor : yoshiki sakurai director : mizuho nishikubo original character concept : sho - u tajima character design / animation director : kazuchika kise music : hideki taniuchi , kenji kawai animation production : production i . g produced by : ntv , vap , production i . g
t - sensei anime casts nobunaga shimazaki , sets april premiere on new production i . g app ( mar 22 , 2017 )
u . k . ' s anime limited licenses production i . g ' s miss hokusai film ( mar 8 , 2015 )
kadokawa shoten / tv tokyo / sega / production i . g / ing / movic / starchild / toei / gainax / eirin
twin ( oav ) : key animation assistance ( as i . g tatsunoko )
toei animation , production i . g collaborate on relic ~ tale of the last ninja ~ stage recital ( mar 9 , 2016 )
tsutomu mizushima directs new genshiken anime at i . g ( apr 23 , 2013 )
karura mau ( oav ) : in - between animation ( i . g tatsunoko )
, in - between animation ( vol . 3 ; as i . g tatsunoko )
zillion : burning night ( oav ) : animation ( as i . g tatsunoko )
air date in japan : october 18 , 2007 ~ april 3 , 2008 on wowow format : 22 x 30 ' original story : production i . g / shirow masamune director : ryutaro nakamura series supervisor / screenplay : chiaki j . konaka character design / chief animation directors : mariko oka music : rakuonsha animation production : production i . g produced by : ghost hound production committee
production i . g also has two other major animation divisions : xebec and bee train , before the latter became independent in february 2006 .
teki wa kaizoku : neko no kyōen ( oav ) : animation production ( vol . 3 & 4 ; as i . g tatsunoko )
air date in japan : august 19 , 2006 ~ february 2 , 2007 on wowow format : 24 x 30 ' original story : tow ubukata and production i . g director : kazuhiro furuhashi story supervisor : tow ubukata character design : tomomi ozaki music : michiru oshima animation production : production i . g produced by : project chevalier
thanks ! i found your article informative , i always wonder how the anime is made . i thought they use for entire production is computer . thanks !
air date in japan : april 25 ~ may 6 , 2011 on nhk g format : 10 x 30 ' original story : natsumi iwasaki original character design : usagi yuki director : takayuki hamana chief scriptwriter : junichi fujisaku character design / chief animation supervisor : chieko miyagawa music : jun sato animation production : production i . g produced by / copyright : nhk / nhk enterprise / production i . g
in their three decades , production i . g . has been responsible for well over 300 anime in all sorts of genres . despite ranging in subject matter from seinen to shounen to shoujo , production i . g still manages to maintain a consistent mature quality to each series thanks to that aforementioned distinctive visual style . considering many of its series and movies are regarded as all - time greats , it was a challenge to reduce production i . g’s library to its ten finest , but we’ve done the deed so here are our top 10 anime made by production i . g .
errata : bee train no longer subsidiary of i . g ( feb 10 , 2006 )
tekken ' s harada , appleseed ' s aramaki , production i . g collaborate on ' argyle shift ' vr demo ( apr 11 , 2016 )
cgnetworks feature : : kill bill volume 1 : : 8 december , 2003 oren ishii’s revenge : production i . g on the kill bill anime sequences
q : in the 19 years since you started production i . g with your partner takayuki goto , i believe he’s a character designer and you do the rest of the production work . how has your relationship with him evolved over that time ?
new trailers of i . g ' s tokyo marble chocolate posted ( dec 6 , 2007 )
genki bakuhatsu ganbaruger ( tv ) : in - between animation ( as i . g tatsunoko )
air date in japan : april 10 , 2008 ~ june 26 , 2008 format : 12 x 30 ' original story : hiro arikawa original character design : sukumo adabana director : takayuki hamana series composition : kenji konuta character design : satoru nakamura music : yugo kanno animation production : production i . g production : library war production committee
actually i’ve already signed a contract to preserve the confidentiality of that meeting , so i can’t tell you everything but i’ll tell you what i can .
air date in japan : january 4 , 2011 ~ on ntv original story : karuho shiina ( shueisha ) series composition : tomoko konparu director : hiro kaburagi character design : yuka shibata animation production : production i . g
air date in japan : january 1 , 2008 ~ march 25 , 2008 on mx tv format : 13 x 30 ' original story : boyakasha director : takayuki hamana story supervisor : atsushi maekawa character design / chief animation directors : haruko iizuka , naruyuki takahashi music : akio dobashi animation production : trans arts associate production studio : production i . g produced by : avex entertainment and production i . g official website ( japanese only ) urltoken
air date in japan : april 8 , 2007 ~ july 1 , 2007 on mx tv format : 13 x 30 ' original story : boyakasha director : takayuki hamana story supervisor : atsushi maekawa character design / chief animation directors : haruko iizuka , naruyuki takahashi music : akio dobashi animation production : trans arts associate production studio : production i . g produced by : avex entertainment and production i . g official website ( japanese only ) urltoken
last sunday at anime expo in los angeles , production i . g and adult swim shared a first look at their flcl revival , unveiling this short teaser :
air date in japan : april 9 , 2008 ~ june 18 , 2009 on fuji television original story : kenji kamiyama director : kenji kamiyama character design : chica umino music : kenji kawai animation production : production i . g
spider - man producer avi arad becomes i . g . usa chair ( aug 25 , 2010 )
masamune shirow , i . g ' s real drive trailer posted online ( mar 12 , 2008 )
tomoe ga yuku ! ( oav ) : in - between animation ( i . g . tatsunoko )
yagami - kun ' s family affairs ( oav ) : animation ( as i . g tatsunoko )
air date in japan : october 1 , 2005 original comic book : toshihiro fujiwara story supervisor : fumihiko shigeki director : takayuki hamana character design / chief animation director : miyako yatsu music : yasuji takashina animation production : trans arts associate production studio : production i . g produced by : aniplex
a : i’d like to spend a little bit of time now looking back at the ten years , since the first movie came out , gits to the present where production i . g is now .
a dinner with the kick heart’s director , masaaki yuasa , mitsuhisa ishikawa , the ceo of production i . g and mamoru oshii , director of ghost in the shell )
kano duo to star in i . g ' s abunai sisters anime dvd ( aug 11 , 2008 )
satoshi kon , i . g , manga guide , go ! comi interviews ( jun 20 , 2007 )
the crime and punishment of i . g . farben , new york , london : the free press ,
world release date : march 2 , 2018 on netflix format : 12 x 25 ' created by : kazuto nakazawa and production i . g screenplay : katsunari ishida directors : kazuto nakazawa , yoshinobu yamakawa character designer and key animation supervisor : kazuto nakazawa art director : takanori tanaka music : yoshihiro ike producer : rui kuroki animation : production i . g
when we made gits 10 years ago , we were actually just a sub - contracting production company , it was not our production .
if you’re an animation geek ( and if you aren’t , i’m not sure what you’re doing on this site , but welcome ! ) , you’re no doubt familiar with production i . g . the studio behind works like ghost in the shell , eden of the east , and a letter to momo , production i . g are known for their high - quality animation and digital compositing techniques .
air date in japan : october 5 , 2005 ~ march 29 , 2006 format : 26 x 30 ' original story : production i . g / cartoon network chief director / story supervisor : mitsuru hongo character design : toshihisa kaiya mechanical design : atsushi takeuchi , junya ishigaki music : ninja tune producers : hidekazu terakawa , jason demarco , norihisa oki executive producers : mitsuhisa ishikawa , sean akins , kazumi kawashiro , ken iyadomi animation production : production i . g produced by : igpx production committee
the i and the g started as the joint collaboration of visionary production manager mitsuhisa ishikawa and popular character designer takayuki goto , the company was established on december 15 , 1987 as i . g tatsunoko , a name bearing the initials of its founders as well as the renowned studio they were from . the new company met with success and in 1993 its founders renamed it production i . g . since then , the studio has enjoyed yearly growth in sales and size .
mercedes - benz / i . g ' s anime short streamed with english subs ( nov 16 , 2012 )
i guess i’ll just stick to 3d animation… though this is without a doubt cool .
good day ! i could have sworn i’ve visited this web site before but after going through some of the articles i realized it’s new to me . nonetheless , i’m definitely happy i discovered it and i’ll be book - marking it and checking back often !
a disappointing middle school career , a unique skill that makes up for average abilities , a rival at every corner , and an unmatched desire to be the best ? ace of diamond fills out the entire sports shounen checklist and does it well . production i . g has mastered the art of sports anime , and ace of diamond joins fellow production i . g successes like kuroko’s basketball and haikyuu ! ! in being perfect hits . ace of diamond is just another example of why production i . g is the prime destination for sports shounen .
cgnetworks had the unique opportunity to speak to katsuji morishita , animation producer at production i . g about these animated sequences . although no 3d computer graphics was used in the production ( which was mostly hand drawn ) , digital technology was used extensively in post ( i . e . after effects for compositing ) to layer and put together the whirlwind of scenes for the film . animation was produced under the guidance of kazuto nakazawa , animation director at production i . g .
i don’t think that figure is correct and unfortunately it’s so long ago that i can’t even begin to remember where i found it .
air date in japan : january 10 , 2009 ~ december 26 , 2009 on nhk educational channel format : 50 x 30 ' original novel : nahoko uehashi series composition : junichi fujisaku director : takayuki hamana character design : takayuki goto music : masayuki sakamoto animation production : production i . g , trans arts executive production : : nhk enterprise
very useful information about animation . suddenly i saw your blog and i bookmarked it . urltoken
masaaki yuasa & i . g ' s ' kick - heart ' runs on toonami tonight ( sep 1 , 2013 )
parasite eve author , i . g show tokyo in 2020 in anime short ( updated ) ( jun 3 , 2012 )
yen + adds manga by i . g ' s avi arad , jun ' ichi fujisaku ( apr 11 , 2011 )
funimation adds gainax , i . g ' s flcl anime on blu - ray / dvd ( jan 6 , 2010 )
air date in japan : april 2 , 2008 ~ march 18 , 2009 on tv tokyo format : 51 x 30 ' original story : wiz / production i . g series director : takashi miike series composition : atsuhiro tomioka special advisor : hideto tomabechi , ph . d . main cast : masataka kubota , yuko ito , satoshi matsuda , yoko mitsuya music : yoshihiro ike production : tv tokyo / production i . g / olm presented by : buddy mobile project llp
production i . g is a japanese production studio founded in 1987 by ex - tatsunoko production staff . they ' ve been responsible for dozens upon dozens of movie , video game and anime productions , including psycho pass , ghost in the shell , and eden of the east . they are also well - regarded for their use of digital compositing techniques .
full trailer for i . g ' s hand - drawn anime film giovanni ' s island posted ( dec 18 , 2013 )
gokusen ' s yukie nakama stars in i . g . ' s giovanni ' s island film ( nov 23 , 2013 )
gkids to release i . g ' s a letter to momo in u . s . theaters ( apr 21 , 2012 )
now i would like to talk about my personal life . when i was a college student instead of studying in classrooms i spent most of my time traveling the world . for some reason as a student i was interested in bunraku ( puppet storytelling ) . so the group i had become a member of went on an international tour , they said i wasn’t good enough and told me to stay behind and earn some money . so while looking for a job since i didn’t get to go with the group i thought i was a member of , i saw an ad for tatsunoko production , the company that produced speed racer , so i got a part time job as an assistant producer , and then a producer , and then 5 years later i quit that job . and while i was working so hard in this job i wasn’t able to practice bunraku so i was cut from the theater group . so after quitting tatsunoko production i started production i . g ( originally i . g tatsunoko ) . so my mother didn’t really care too much about what i was doing in all my academic performances good or bad , mostly the latter i’m sad to say , but she did say i don’t ever want you to become the president of a company . she was very worried about this , and so i felt bad about starting my own company , and as such was president . so for four years i didn’t tell my mother , till one day she called my previous employer looking for me and they told her i hadn’t been there for 4 years . so she called me at home and said even now , it’s just fine , just quit being president of your company . so i apologized and said i have so much going on just give me one more year , and here i am 18 years later and i’m still doing it . for those who don’t know this production i . g is now on the tokyo stock exchange ( tse ) , this is the thing i am most worried about my mother finding out about .
production i . g was founded in 1987 by current president mitsuhisa ishikawa . the i in i . g comes from ishikawa while the g comes from character designer takayuki goto . entering its 3rd decade , production i . g continues to ensure that whatever anime they are adapting will be treated well . over the years , they’ve earned a good reputation for their digital compositing techniques which have resulted in some of the most gorgeous anime you’ll find out there . going all the way back to its earlier productions like ghost in the shell to modern - day productions like psycho pass and attack on titan , they’ve managed to build a very distinctive style despite the original manga artists’ unique flairs .
production i . g is now a structure with nine animation studios , one background studio , one cg room , one game development section and a detached studio in niigata . what it is now called studio 1 used to be the one and only animation production room in the early days of production i . g ( then ig tatsunoko ) . the key figure of studio 1 , then as now , is animator takayuki goto . as you may have thought , the letter
g
of production i . g stands for goto ' s
g
, as he ' s been a core member of the company since its establishment . ( the
i
is president ishikawa ' s initial ) . when production i . g was created , there was just one one room that was called
animation
. eventually , as the number of staff increased , there wasn ' t enough space in the room . so it was decided to split the staff into two groups : studio 1 and studio 2 . this was when studio 1 was created . by the way , kazuchika kise was the key figure in studio 2 .
hi . wow . . i must have missed this . i’m sure you’re long gone , but for future reference i’ll attempt to answer the questions .
( the ) prince of tennis ii ova vs . genius 10 : animation production
air date in japan : july 7 , 2008 ~ september 29 , 2008 format : 13 x 30 ' original story : sega director : shunsuke tada series composition : masahiro yokotani original character design : kunihiko tanaka character design : keita matsumoto music : yoshihiro ike animation production : production i . g
why he did that is explained by his having seen , first gits and then blood : the last vampire , two animations that production i . g had produced . and tarantino , the movie fanatic that he is , wanted to use i . g’s anime in kill bill . so he came to japan to make sure he could do that .
a . production i . g is a b2b ( business to business ) company , as opposed to a b2c ( business to consumer ) . right now i am most attracted to production and creation as opposed to distributing . the advantage of this is that i can team up with the best company for whichever region i need to distribute something in . even if the different distribution companies have issues with each other , it doesn’t bother me , i go with the best company for the situation .
spain ' s sitges , korea ' s busan to show i . g ' s letter to momo ( sep 12 , 2011 )
die i . g . farbenindustrie aktiengesellschaft ( 1925 - 1933 ) : ein chemiekonzern in der weimarer republik , berlin : h . tammen
one of the leading anime production companies in japan . i . g ' s primary goal , according to president mitsuhisa ishikawa , is to make anime that stands on its own ground without being an extension of manga .
tokyo – not downhearted by the lackluster global response to paramount’s live action adaptation of its cult animation , leading japanese cartoon firm production i . g . is to produce a new “ ghost in the shell ” anime .
hello sir , i’m great fan of anime series . i used to write stories . i showed those to my friends and they suggested me to make anime on this but i don’t know to whom i should contact . from many times i tried but got no response from others . i have only hope left from you . please suggest me to whom should i show my story and to whom i should contact . please reply soon waiting for your reply sourabh gautam
and now i’d like to move on to 2001 when the famous actor and more famous movie director named quinton tarantino , showed up at production i . g’s studio in kokubunji city on the western side of tokyo , without an appointment or anything , he just showed up .
air date in japan : march 3 , 2007 ~ september 1 , 2007 on wowow format : 26 x 30 ' director : mitsuru hongo character design : takuya saito mechanical designers : atsushi takeuchi , shinji aramaki music : yoshihiro ike animation production : production i . g official website ( japanese only ) urltoken
air date in japan : april 6 , 2006 ~ september 28 , 2006 original story : clamp director : tsutomu mizushima story supervisors : michiko yokote and ageha okawa character design : kazuchika kise music : s . e . n . s . project animation production : production i . g produced by : ayakashi workshop
a : my personality is that i do the opposite of what everyone else does , so while many companies are outsourcing to china and korea . , production i . g is unique in that they not only don’t outsource to other countries , they don’t outsource to other companies .
since ishikawa was working hard externally as a producer , i thought it was my task to train animators . i feel i have fulfilled my task since some of them have become animation supervisors . if they could train the next generation of animators , then i . g will be fine .
a : i have two daughters , there is no way i can influence them more than their mother .
already amongst the new wave of japanese animation , which is now an established market steadily gaining fame with western audiences , production i . g aspires to continue driving this growth and to bring high - quality animations to the world .
patlabor the mobile police : the new files ( oav 2 / 1990 ) : key animation ( as i . g tatsunoko ; ep 8 )
air date in japan : july 7 ~ september 29 , 2011 on mbs / tbs format : 12 x 30 ' original concept : production i . g / clamp original character designer : clamp original concept supervisor : junichi fujisaku series composition : nanase ohkawa ( clamp ) screenplay : nanase ohkawa ( clamp ) , junichi fujisaku director : tsutomu mizushima animation character designer : kazuchika kise key animation supervisor : takayuki goto art director : hiromasa ogura ( ogura kobo ) music by : naoki sato animation production : production i . g presented by project blood - c tv
production i . g revealed on friday that its
tate anime
( vertical anime ) smartphone app will now launch on june 5 , after being indefinitely delayed last month . the company originally slated the app to launch in april .
air date in japan : april 7 , 2007 ~ september 29 , 2007 on nhk - bs2 format : 26 x 30 ' director / screenplay : kenji kamiyama character design : gato aso music : kenji kawai animation production : production i . g produced by : guardian of the spirit committee official website ( japanese only ) urltoken
i ' m not surprised . you are renowned for knowing most of the heavy drinkers in the kokubunji area . when i ' m drunk , i would go about and totally put down the person i am drinking with . but i don ' t like fighting , so i would cover up my earlier comments by finishing off with
but i like you as you are . . .
air date in japan : october 6 , 2009 ~ march 30 , 2010 on ntv format : 25 x 30 ' original story : karuho shiina ( shueisha ) series composition : tomoko konparu director : hiro kaburagi character design : yuka shibata music : s . e . n . s . project animation production : production i . g
production i . g is located near mitaka station , on the jr chuo line / jr sobu line / tokyo metro tozai line , 20 minutes by train from shinjuku . it takes just 5 minutes walking from mitaka station to our offices .
very nice post . i just stumbled upon your weblog and wanted to say that i’ve truly enjoyed surfing around your blog posts . after all i will be subscribing to your rss feed and i hope you write again very soon !
air date in japan : january 1 , 2004 ~ january 8 , 2005 format : 26 x 30 ' based on the manga by : shirow masamune chief director / chief writer : kenji kamiyama story concept : mamoru oshii character design : takayuki goto , tetsuya nishio original character design : makoto shimomura mechanical design : kenji teraoka , shinobu tsuneki music : yoko kanno animation production : production i . g executive producers : mitsuhisa ishikawa and shigeru watanabe produced by : production i . g , bandai visual , bandai entertainment , dentsu , nihon television , tokuma shoten , victor entertainment , manga entertainment
air date in japan : april 3 , 2008 ~ june 26 , 2008 format : 13 x 30 ' original story : clamp director : tsutomu mizushima story supervisors : michiko yokote and ageha okawa character design : kazuchika kise music : s . e . n . s . project animation production : production i . g produced by : ayakashi workshop
the
i . g
part of the company name refers to its founders , mitsuhisa ishikawa and takayuki goto . they frequently collaborate with mamoru oshii .
i knew a lot of of this when i started reading ( though you were right i didn’t really understand the job of a animation director ) but i never really knew exactly how it fit together . this was awesome , thanks .
production i . g . was stingy with details on the new project , including whether it will be released as a theatrical feature , a television series or in some other format . the title and date of release are also yet to be announced .
air date in japan : july 11 , 2010 ~ september 26 , 2010 format : 13 x 30 ' original story : capcom ( sengoku basara series ) original story supervisors : hiroyuki kobayashi ( capcom ) , makoto yamamoto ( capcom ) director : kazuya nomura series composition : yasuyuki muto character design : toru okubo animation production : production i . g
air date in japan : april 4 , 2009 ~ june 19 , 2009 format : 13 x 30 ' original story : capcom ( sengoku basara series ) original story supervisors : hiroyuki kobayashi ( capcom ) , makoto yamamoto ( capcom ) director : itsuro kawasaki series composition : yasuyuki muto character design : toru okubo animation production : production i . g
encore hollywood is a post production team that has been producing high quality visual effects since 1985 .
every hyper japan event brings the best of japan to the uk , and this laudable trend continues as award - winning anime director naoyoshi shiotani and animation producer rui kuroki from the internationally renowned studio production i . g will be appearing at our christmas market !
influencing hollywood production i . g visionary world is said to have deeply influenced many famous hollywood creators , and this has eventually brought to the collaboration with quentin tarantino for the animation sequence in his world hit , kill bill : vol . 1 . finding early international success in animating with such titles as patlabor and ghost in the shell , production i . g quickly decided to broaden exposure to international markets , and in march 1997 launched a los angeles - based overseas subsidiary . one of the greatest achievements of this active international policy is the tv series igpx ( 2005 , directed by mitsuru hongo ) , co - developed and co - produced with cartoon network , the first collaboration between a us cable network and a japanese production house . production i . g also collaborated with international music artists producing full animated music videos for legendary russian singer linda and french diva milène farmer .
the filming of the animation cels , the sound production such as foleys , music , sound effects and dialogue are usually been done in separate production companies outside the animation production company . for financial reasons usually the dialogue voice - overs are being recorded only afterfards when the animation itself is already finished .
komurakata tells us of his dreams for the niigata studio .
our goal for now is to be able to get subcontracted work to complete an episode at our studio . i hope to make our studio one of the pillars supporting production i . g . well , if i say this , ishikawa - san might get upset and say , ' you should aim even higher ! '
ghost in the shell ' s mamoru oshii , i . g debut ' sand whale and me ' micro - series on march 18 ( oct 19 , 2016 )
this was a lecture with mitsuhisa ishikawa , president of production i . g . some parts of the event were edited out of the recording and the following due to the wishes of those present . the following is not the entire event , but most of it .
production i . g made 5 . 4 billion yen ( about $ us44 million ) in revenue , with 250 million yen ( about us $ 2 . 5 million ) in profit , for the period ending in may 2007 . mag garden made 1 . 845 billion yen ( about $ us15 . 03 million ) in revenue , but with a 100 million yen ( about us $ 800 , 000 ) loss , for the period ending in march 2007 . production i . g has 181 employees , whereas mag garden has 32 .
cartoon network’s new “diy” miniseries is a quirky and inspiring experiment , both conceptually and production - wise .
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these could be the most difficult words to hear for anyone who has come to tokyo with dreams of becoming an animator . production i . g ' s niigata studio started when one of the busiest key animators at i . g tatsunoko , koji komurakata , was asked to return to niigata and live with his folks 15 years ago . when komurakata made up his mind and told mitsuhisa ishikawa that he was actually packing and going back , ishikawa asked him to come up to the rooftop of the company building . ishikawa then asked him ,
would you like to continue working for i . g in niigata ?
the first time i saw this movie i thought , “well this is probably the end of my life as an animation director” . ( this was in response to the movie for the trailer we watched , the trailer really was insane ) so while i said i thought that tarantino was crazy . mamoru oshii is way more crazy than that . the first time i saw it i was convinced that as an animation producer my life was done , the second time i saw it i thought there might be something there , and on the third time i thought this is going to fly .
so , as a tribute to their works , we have compiled a list of anime that production i . g ( as the prime contractor ) handled without sub - contractors . to quote sengoku basara ' s masamune date : are you ready , guys ? here we go !
ghost in the shell s . a . c . solid state society 3d ( movie ) : animation production
an animation production studio focused on creating films , television series , and other content for disney channels worldwide .
air date in japan : july 7 ~ september 15 , 2011 format : 11 x 30 ' director : kanta kamei series composition / screenplay : taku kishimoto character design / chief animator supervisor : yu yamashita art director : ichiro tatsuda music : suguru matsutani animation : production i . g
and finally i was convinced this was something , even though we were really busy , this was probably something we should do . so i said sorry guys you’re going to get even busier and were going to do this . and i told him i would do it . and if you want to know what kind of director tarantino is i can tell you , i worked with him , “crazy” .
thank you for sharing your info . i really appreciate your efforts and i will be waiting for your further post thanks once again .
hey there and thank you for your information – i have certainly picked up something new from right here . i did however expertise several technical issues using this website , since i experienced to reload the web site lots of times previous to i could get it to load correctly . i had been wondering if your web hosting is ok ?
i am so excited to be here , i love american culture , american ladies and american food , but i need chopsticks to eat . also american baseball , but maybe the co rockies could use some japanese players . i’d like to see japanese players . thank you .
thks for the the great article about anime i learnt alot from your article i have been dying to know about how anime is made .
to maximize their effectiveness , color cases should be printed in color . in july 2006 , mitsuhisa ishikawa wondered how he could further enhance the success and visibility of his animation production company headquartered in tokyo , production i . g . for the year ended may 2006 , production i . g . had sales of 5 , 439 million yen ( $ 47 . 3 million ) , operating profit of 404 million yen ( $ 3 . 5 million ) , and 184 employees . its recent film innocence : ghost in the shell 2 competed at cannes film festival in 2004 , and the company had gone public in december 2005 . these were no small accomplishments for a japanese animation production company . indeed , despite the global success of japanese animation , the industry was fragmented with about 430 animation production companies and dominated by distributors - - tv stations , movie distributors , dvd distributors and advertising agencies , which held the lion ' s share of content copyrights . distributors controlled the funding and contracted the production out to animation production companies . as a result , most of the latter were small companies laboring in obscurity . as such , no japanese animation production company came even close to the size of walt disney co . : in 2005 disney had revenues of $ 32 billion , whereas toei animation , the largest animation production company in japan , had revenue of only 21 billion yen ( $ 175 million ) . to ishikawa ' s mind , one of the key decisions concerned the mix of the
contents garden
that his company should aspire to . should he increase the share of animation productions based on manga ( comics and print cartoons ) relative to original - productions ( i . e . animation stories created entirely by production i . g . ) ?
hello ! i am making a short summary about animation at school , i was just wondering if i could use some of the information you wrote down . i know it’s rather silly to ask considering a lot of people have already taken most of the information without asking but consent is everything to me . on another note i really enjoyed your article !
production i . g has four subsidiary companies , xebec , mag garden , wit studio and signal md , organized under a large holding firm known as i . g port . from 1997 - 2006 studio bee train was also a subsidiary . compare with rough draft studios , dr movie , sunwoo entertainment , digital e mation , gonzo and toon city . six other studios known for their cg animation blending . see also photography studio trans arts , the company ' s partner for various shows .
i . g . farben’s share capital in 1926 was 1 . 1 million reichsmarks ; its turnover increased from 1 . 2 billion reichsmarks in 1926 to 3 . 1 billion reichsmarks in 1943 .
i’m not sure where you are getting your info , but great topic . i needs to spend some time learning much more or understanding more . thanks for excellent information i was looking for this information for my mission .
naoyoshi shiotani has worked on many projects at i . g as an animator , animation director and director , attracting attention doing storyboard work on blood + before making his directorial debut with the award - winning tokyo marble chocolate , which was produced as part of the commemoration of production i . g’s 20th anniversary . he’s more recently been the director of both the psycho - pass tv series and movie , as well as the movie blood - c : the last dark amongst other projects . rui kuroki has been involved as an animation producer many notable i . g titles , including kuroko no basket , the recent ghost in the shell : arise pyrophoric cult as well as the aforementioned psycho - pass movie .
haha i didn’t realize how much i’d pushed back reading this post until i saw the time stamp on the comments . great job with this for sure , especially with all the details . i had a general idea of what was going on , but this guide definitely cleared up a lot of misunderstandings that i had about the process . i guess something that i’m still a bit fuzzy on is the difference between different types of “directors” as they’re translated , but i get the feeling that it’s a bit more nuanced than that . i tend to notice this in shaft’s works more , where shinbo is credited as 監督 , whereas you have someone else credited as シリーズディレクター .
surprisingly even in - 99 some of the animation in production i . g is done as a traditional cel - animation . then the cels end up to the studio 7 , where they are being colored by hand . in japanese anime there are usually 350 colors , tv - and video - anime containing only 80 - 120 colors . then again , in full - length theater - distributed animation movies even 500 colors may be used . painting the cels is however a relatively slow process and thus expencive . especially in summer during the rainy season the paint - jars can become mouldy very easily . this phase of the production process is also paid less and the department consists of mostly women . the digital production environment getting stronger also in production i . g this line of work is becoming history , and soon after my visit the whole studio 7 is shut down .
hopefully this post provided a detailed overview of the animation production process that goes into anime , along with a general description of pre and post production ! it’s important to remember that this is a description of your average anime . the truth is , approaches vary significantly between studios , production companies and directors . but i hope this gives a solid idea of some of the staff and production processes that are used . if you notice any errors in the post , can contribute any more detail on anything , or have any questions , please comment ! in any case , i’d like to hear people’s thoughts and experiences on the topic .
production i . g noted that its xebec subsidiary studio already produces several television series based on mag garden manga such as elemental gelade . production i . g has 14 original works and 64 animated versions for which it retains the copyrights . for its part , mag garden has created 106 original manga works which have collectively sold 26 million volumes . mag garden has financed the animation for eight of the manga titles . in particular , the aria series has sold 3 million manga volumes and 300 , 000 dvds . adv manga once imported several titles from mag garden , but mag garden ' s titles have since been relicensed , notably to tokyopop .
air date in japan : october 13 , 2001 ~ march 30 , 2002 format : 26 x 30 ' director : masatsugu arakawa original character design : suzuka yoshida animation character design : miyako yatsu music : toshihiko sahashi producers : daisuke kawakami , katsuji morishita , tomoko takahashi produced by : fuji tv / production i . g
man , that was one hell of a list . anyway , we hope that production i . g will continue producing great - looking , high - quality series for the years to come . and if you ' ve loved any anime produced by this studio , feel free to have your say in the comments section !
i used to instruct people before , but i am not good at teaching . i would show them the sample answer and say , ' this is the way to do it , ' but i can ' t really give the reason for it . it might be because i draw as my intuition tells me , not reason . those people who left i . g to explore other opportunities sometimes tell me , ' now , after three years , i think i understand what you meant . ' it is really hard to teach how to draw . now when i yell , ' you ' re fired ! get out ! ' my staff would reply , ' i see , then shall i take your desk to the roof top for you ? ' no one takes me seriously ,
( lol ) says kise , as he cheerfully talks about conversations among his staff at studio 2 . his cheerfulness seems to represent the spirit of studio 2 .
awesome blog about animation . to know more details about animation and video production please feel free to visit brandepix blog . urltoken
i’m not sure if this is a format issue or something to do with internet browser compatibility but i thought i’d post to let you know . the layout look great though ! hope you get the issue solved soon . many thanks
can someone help me figure something out ? okay i am 15 and i want to do the drawing for anime’s . what exactly would is that profession called ? how should i start training to become this ? i practice everyday drawing naruto shippuden characters , but i cant help but feel im behind on learning and training . what should i start doing to prepare to draw anime . so can someone tell me how do i start to prepare for my career . and also do you think i should move to japan to work when im order ? i know ill have to learn the language and everything . but drawing anime like naruto shippuden is my dream ill do anything to accomplish it . thanks
now he’s gone , i don’t know why and till this day , sometimes i cry he didn’t even say goodbye he didn’t take the time to lie .
when asked what challenges production i . g faced in the production of these sequences , morishita replied ,
it was a very unique experience . when we were told to change even the slightest things ( eg . the color of the hair ) , it wasn ' t made aware that we needed to start all over again . in that sense , we had some interesting exchanges especially regarding the retakes . kill bill is quentin ' s work , and we highly respected everything he wanted from us . we had experienced so much throughout the one year of production , but we had set out to make a good production and this drove us to go beyond the call of duty .
[ cgn ]
thanxxxxxx ! ! ! ! , ive been dying to find this out . btw i’ve looked at dozens of articles on the production of anime and yours is by - far the most informative . nice job
but what about consistency ? while emphasis on this varies from production to production , in general it is a good idea to make sure your characters look the same from one key animator’s portion to the next . this is handled by an animation director .
awesome blog . thanks for sharing it . to know more details about animation production company feel free to visit brandepix blog . urltoken
as i said tarantino as a director is insane . after we watch this i’d like to say a couple words about mamoru oshii the director in that context .
i wanna be a anime tor……how be a anime tor can u tech me .
this is the best article i’ve read regarding the animation process . thank you .
bang bang , i shot you down bang bang , you hit the ground bang bang , that awful sound bang bang , i used to shoot you down .
i . g . farben was a german limited company that was a conglomerate of eight leading german chemical manufacturers , including bayer , hoechst and basf , which at the time were the largest chemical firms in existence .
tokyo – not downhearted by the lackluster global response to paramount’s live action adaptation of its cult animation , leading japanese cartoon firm production i . g . is to produce a new “ghost in the shell” anime . the directors are kenji kamiyama , who has worked on several installments of the “ghost in the shell” sf franchise , and shinji [ … ]
production i . g has never allowed itself to slack despite its extensive history , and throughout its three decades , it has continued to produce unique anime that often subverts expectations we have of the medium here in the west . undoubtedly , if you look at the anime featured on this list you’ll see an artistic quality that’s very distinctive to production i . g , and we here at honey’s anime are all too excited to see that quality continue for many more decades . with such an extensive library , there’s bound to be some anime you think deserve an honorable mention that we couldn’t fit into our top ten , let us know what you think deserves a nod in the comments down below .
yep , you read that right . on the first floor of their offices in west tokyo , not far from the ghibli museum , production i . g run a restaurant . named campus musashino after the city in which it’s located , the restaurant serves up pizza , pasta and other italian food , as well as coffee , beer and wine .
kazuchika kise , who was a key animator at an animation studio in osaka , met mitsuhisa ishikawa , at the time a production staff member at tatsunoko production , for the first time when they both worked in the production of the tv anime future police urashiman ( 1983 ) . later , kise made his debut as animation supervisor for another tv series , red photon zillion ( 1987 ) , produced at tatsunoko production branch , which later became i . g . this led to his joining the production , as an animation supervisor , of the feature film patlabor : the movie , released in 1989 .
no one thought patlabor would be a success , so i was planning to return to osaka after that production .
nevertheless , to everyone ' s surprise , it turned out to the contrary and kise was to stay at i . g . gradually , the staff grew in number , and they needed more space , so they decided to divide the studio into two . this was the beginning of the studio 2 .
we worked on separate projects ranging in various length of time . takayuki goto led studio 1 . and we at studio 2 did mostly theatrical features . that ' s how it was split up ,
says kise , looking back at the time when studio 2 was founded .


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sports fun & training in a box ! a monthly subscription box for the kids who love to play sports .
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this is surely one of the most anticipated and intriguing contests we ' ve ever seen on sky sports box office .
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for issues on your now tv box we suggest you try a reset of your now tv box , modem and router . if your problems persist , please remove the box office channel from your now tv box , reset the now tv box , then reinstall the sky sports box office app and try again . if you still have trouble you may want to try connecting through a hard wire if you are connected wirelessly .
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how do i download the sky sports box office app to my mobile / tablet device ? ios ( ver 1 . 7 )
you cannot watch the event through a sky or virgin box if purchased to stream online or via the box office apps .
urltoken now tv requirements minimum requirements : 2 . 5mpbs broadband download speed . you will need to download the sky sports box office app from the roku store on your now tv box or now tv smart stick in order to access the service . details on how to set up your box can be accessed here : urltoken how do i download the sky sports box office app to my now tv box ? from your now tv box home screen : scroll to app store and select ok on your now tv remote .
the singapore sports hub is a state - of - the - art , fully integrated sports , entertainment and lifestyle hub . aside from its premier status as the region’s destination of choice for world - class events , it also supports singapore’s vision 2030 sports masterplan to forge and bond communities through sports , and ensure sports are inclusive , accessible and affordable to all .
sky sports box office will show the hugely anticipated fight between undefeated former world champion boxer floyd mayweather and current ufc lightweight champion conor mcgregor .
experience the latest box office sporting events , all from the comfort of your own home on your sky + hd or sky q box .
adam smith and johnny nelson share their thoughts on floyd mayweather ' s fight with conor mcgregor which will be shown live on sky sports box office .
download the sports box office app from either the apple or play store and view across either your iphone , ipad , android phone or android tablet .
there are two box offices inside the michigan lottery amphitheatre at freedom hill . will call is in the east box office . the east box office also sells tickets to future events during normal business hours . the west box office is open for events only for ticket purchases and upgrades .
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there are three box offices inside dte energy music theatre . will call is in the east box office . the east box office also sells tickets to future events during normal hours and during events . the west box office is open during events only for ticket purchases and upgrades . there is also a box office next to the vip entrance for season ticket holders .
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the comerica park box office is located at 2100 woodward avenue , detroit , mi 48201 .
the box office is on the 2nd floor near sound board , across from high octane .
the fight is another part of a huge year of boxing on sky sports box office , which has already seen anthony joshua crowned the unified heavyweight champion of the world after defeating wladimir klitschko at wembley stadium .
the little caesars arena xfinity box office is off woodward avenue , adjacent to the chevrolet entry northeast .
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the meadow brook amphitheatre box office is at the main facility entrance . patrons with walking difficulties may drive to the box office to pick up tickets and then drive to the disabled parking section , if necessary .
please note : the dte energy music theatre box office will be open may 7 through the concert season .
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my son and me absolutely loved his first box . . he was so excited to open his box and see all the great stuff it has to offer . . can’t wait for his next box . . all the items where fun and personal to a sport he loves . . thank you so much for your great products !
put simply , there are three outs per team per inning , but fox sports 1’s score box displays only two circles , filling them in as the inning progresses . it led to an interesting conversation on twitter , which i’ve storified .
free 20 minute parking for the xfinity box office will be located on the street level of the little caesars arena garage located at 165 sproat . parking will only be valid during xfinity box office hours , excluding event times .
please note : the meadow brook amphitheatre box office will open june 1 and will stay open for the season .
please contact sports hub tix customer service at 3158 7888 for assistance . a reprint charge of $ 3 per ticket may apply .
or if you ' d prefer to use a different device , you can watch all the fights live from selected box office events via your pc / mac , now tv box , iphone , ipad , android phone or tablet .
please note : the michigan lottery amphitheatre at freedom hill box office will be open may 21 through the concert season .
cancellation or postponement policies are event specific . please visit the specific event page via urltoken for up to date announcements on cancelled or postponed events . details regarding the refund process will be listed on the website and available at the sports hub tix box office .
our boxes ship between the 20th & 25th of each month . the cutoff for each month ' s box is typically the 21st . however , if you order just after that cutoff you can likely get a box right away if you would like one sooner . december ' s box will ship early , us customers order by 12 / 17 for arrival before christmas !
the fox theatre box office is immediately next to the fox theatre’s main entrance at 2211 woodward avenue , detroit , mi 48201 .
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the event sees the two worlds of professional boxing and ufc colliding at t - mobile arena in las vegas on august 26 , and will be available to sky customers on sky sports box office for £19 . 95 in the uk and €24 . 95 for republic of ireland .
$ 10 off your 1st month of any subscription ! use code : usa10 low flat rate shipping : $ 3 . 99 / box
if you’re not a sports fan you might not notice these on - screen displays or the interesting challenges they offer for presenting complex information in a compact space , but i find them endlessly fascinating . televised sports are richer for having them , even if fans sometimes quibble with some of the design decisions .
please note : the fox theatre box office has extended summer hours on event days , and is open saturdays and sundays based on events .
the espn wide world of sports grill is a quick - service restaurant serving sandwiches and salads , as well as offering a full bar during restaurant operating hours .
found property will be stored at the singapore sports hub for a period of 60 days before the unclaimed items are disposed , donated or surrendered to the singapore police force . for items that do not have such a long shelf - life , these items will be disposed before the stipulated period as singapore sports hub deems fit .
venue collection is $ 1 . 50 per order . you may choose to collect the tickets from the box office on the day of the event .
visa , mastercard , jcb and amex are accepted via all booking channels . cash and nets are also available at the venue box offices and outlets .
design is everywhere . even in sports . last night on twitter , as i watched the giants - nationals playoff game , todd vaziri pointed out an interesting design decision :
the box office is your one - stop - shop for day - of atlanta braves spring training , advocare invitational , pro soccer classic or complex general admission tickets .
watch the game from the comfort of an austin mohawk pressbox . with virtually unlimited choices and styles – austin mohawk is guaranteed to have the press box you want .
if you need help with transportation , tickets , reservations , or just the inside scoop , the welcome center team has the knowledge to help you make the most of your sports vacation .
it has come to sportshub’s attention that hang fung group , a company purportedly based / incorporated in hong kong , has been holding itself out to be related to the singapore sports hub project , either as an investor and / or a joint venture partner . an image of the singapore sports hub has also been included in hang fung group’s corporate website without sportshub’s consent . sportshub wishes to categorically refute and deny any links or connection with the hang fung group that is expressed and / or may be inferred by hang fung group’s usage of an image of the singapore sports hub on its corporate website or otherwise . hang fung group is not an investor or a joint venture partner in the singapore sports hub , whether presently or in the past . all of sportshub’s rights are expressly reserved .
hire a sports photographer to capture your athlete in action , or put your star on the cover of espn the magazine ! visit the gameday photos experience in hp field house or on the field .
with sky sports box office you can watch all the fights live from selected box office events via your pc / desktop / mac , now tv box , now tv smart stick , iphone , ipad , android phone or tablet . how do i sign up and pay ? 1 . create an account and pay at urltoken 2 . once paid , you can then select which viewing online / device you want to watch the fight on using the same login details created at sign up ( i . e e - mail address and password ) . note : you will only be able to view on one platform at any one time and can ' t run the stream concurrently across multiple devices . you will also be unable to view the event through a sky or virgin set - top - box unless you make an additional purchase of the event through the appropriate channels . what devices or platforms can i watch this fight on ?
friday nights only ! the press box’s friday night special is our slow roasted , hand cut prime rib . served with au jus , horseradish and all the trimmings , while supplies last .
sbx was an unsavoury encounter , and if it must call itself a sports bar , it needs to up things with its food and servings , or lose out to the numerous fast food joints in the same mall .
ahead of the fight , sky sports viewers will be able to enjoy a range of support programming across both tv channels and digital platforms , in addition to all the pre - fight build up from behind the scenes .
tickets for all 313 presents venues can be purchased at 313presents . com , at each venue’s box office , and ticketmaster . com . to purchase tickets by phone , call 800 - 745 - 3000 .
the press box version of a classic french dip with thinly sliced slow roasted prime rib & provolone cheese served on a toasted hoagie with au jus add grilled onions or mushrooms for $ 0 . 50 each
singapore sports hub is working with the singapore police force on crime prevention measures against online purchase scams . you may call the anti - scam helpline at 1800 - 722 - 6688 or go to urltoken for scam - related advice .
summer hours ( may 27 through labor day ) : effective 5 / 27 / 18 through labor day , the fox theatre box office will not be open on non - event days . all 313 presents events , including those performing at the fox theatre , are available for purchase at the little caesars arena xfinity box office located a 1 / 4 mile north on woodward , adjacent to the chevrolet entry northeast .
mixed martial artist mcgregor , the reigning ufc lightweight champion and former ufc featherweight champion , has never taken part in a professional boxing match , but switches sports at the peak of his powers and will be determined to cause an upset .
you can only find our signature burger here at the press box ! it ' s a half - pound patty with pickles , shredded american cheese , hickory sauce & mayo on a toasted bun . we recommend no substitutions !
and , what about a camera deck ? many , many teams rely on a camera deck to video the game to assess what the team does well and what it needs work on . the typical camera deck is mounted on top of the press box with a “ship’s ladder” access from the inside of the main press box . this camera deck will have a perimeter handrail system as well as a mesh or “fence” material which meets the 4” sphere criteria .
please note : beginning friday , april 6 2018 , the fox theatre box office will no longer be available for the first day on sales for events at little caesars arena , dte energy music theatre , meadow brook amphitheatre or michigan lottery amphitheatre at freedom hill . we encourage guests who wish to purchase tickets the first day they are on sale for any of these venues to visit the little caesars arena xfinity box office located just off woodward avenue , adjacent to the chevrolet entry northeast .
we ' ve done extensive research when it comes to all of the graphics providers available and boxout sports is by far the best in functionality , user - interface , design and customer service . they ' re the industry standard . aaron horvath , digital platform manager university of notre dame
served with ranch or blue cheese dressing & celery . tossed in your choice of press box signature , bbq , buffalo , garlic parm , teriyaki , asian or naked 1 / 2 lb . $ 6 . 00 or full lb . $ 9 . 00
well , a press box or sports announcer’s booth really gets used 5 to maybe 15 times a year , depending on the sport . the rest of the year – well , it gets no attention , no heat , no cooling , really no tlc at all . yet , it is exposed to the rain , snow , sun , humidity , the silent wear and tear of the weather , and of course , curious students after hours who could be curious , or vandals desiring to start a fire . yet , i know no school has money to maintain anything .
if you decide after the completion of your sale that you want to change your ticket delivery option , please contact sports hub tix at 3158 7888 to make the request . kindly note that a $ 3 reprint fee per ticket , in addition to any standard ticket delivery costs , will apply for this change .
boxout sports has added another level of engagement to our social media accounts . after doing the research , we realized boxout was a perfect solution for us . the graphics have been extremely well - received by our athletes , coaches and fans and we highly recommend boxout . mike murakami , director of social media creighton university athletics
charbroiled bone - in wings . served with ranch or blue cheese dressing & celery . sauces : press box signature , bbq , buffalo , garlic parm , teriyaki , asian or naked 5 wings for $ 7 . 00 , 10 wings for $ 11 . 00 or 15 wings for $ 15 . 00
but , done well , the press box will function as desired . we need to focus on fireproofing and low maintenance . a metal , steel or aluminum building will not warp , can deal better with temperature changes and moisture , will not burn , and comes with a 20 - year warranted exterior finish .
yes , it is important to provide your personal details so that we can assist you if you have questions about your booking or when we need to contact you for any changes or cancellation to the event . please see our privacy policy . if you have selected to receive marketing material from the venue then you may also receive updates from time to time from sports hub .
little caesars arena xfinity box office hours : event days : 9 : 30 a . m . through 30 minutes before the event conclusion . monday - saturday : 9 : 30 a . m . - 6 p . m . sunday : open only on game and event days from 9 : 30am – 30 minutes before end of event .
for designer shruti chaudhari , head architect , chrysalis studio , the inspira tion for designing an industrial - look pub are new york lofts and the city ' s meatpacking district . “the industrial look is a global trend and influence . t he trend has been around for many years in man hattan and soho , for instance , “ says chaudhari , who has designed the sbx sports and music café in marathahalli .
when the page says the event has ended , it means the event organiser decided no further end - users can be redirected the site . the event organiser has full control of the queue . the reason is unknown to singapore sports hub , but in most cases , the sale of an event is ended when the tickets or products are sold - out or sale for the event has come to its published end time .
my first conclusions – this structure must be low maintenance and able to “take care of itself” . and , it better be fireproof if only to keep the insurance rates down and most likely needs to be ada compliant . and , with the current building codes , the day when the local kiwanis club can build a press box – well maybe , sadly , those days are done .
historic ( boxing ) gyms in what were working - class communities are where boxing legends are made . one of the most popular in london is box clever , a makeshift gym in a multi - storey car park by ladbroke grove , in west london . no tantalising fragrance here . it smells of sweat , rubber mats and the cold . when i want to sweat i come here .
please note : game day hours are from 10 a . m . to 1 / 2 hour after the end of the game . secondary box office windows on brush street open two hours prior to game time and are open on game days only . there are “advanced ticket” windows open on witherell street up to 30 minutes after each home game . the designated windows are “a4 and a5” on witherell street .
this project was part of my third year design studio and was also submitted for the future of india design competition where it was short - listed . the current proposal , suggests the construction of a sports hall within a small park near tanner street , bermondsey , south - east london . accommodation includes two outdoor tennis courts and an underground main and ancillary hall , convertible to suit different user needs and activities from a variety of sport games public events and exhibitions . the . . .
yes , there are dedicated areas for accessible seating and these can be purchased by contacting us at 3158 7888 or visiting our singapore indoor stadium box office . in order to ensure that all patrons requiring these tickets have an opportunity to buy them , we can accommodate 1 wheelchair space and 1 companion seat . we will attempt to locate additional family and friends in the nearest available seating . normal ticket limits set by the promoter for the event apply .
if you selected pah , you can print another copy of your ticket from your email confirmation . however if you are worried that someone might find it and attempt to use it , please contact us to get a replacement ticket issued with a new barcode . if you did not select pah tickets please contact sports hub tix customer service at 3158 7888 . you will need your transaction details in order for us to trace the booking . a reprint charge of $ 3 per ticket will apply for all replacement tickets .
when a queue is paused , everyone will be kept in the queue as there will be no one redirecting to the site . the event organiser has full control of pausing / resuming the queue , and may do so for business or technical reasons . the specific reason is not known to singapore sports hub and we cannot answer your inquiries why . please simply wait patiently until the event organiser resumes the flow , as you will maintain the same queue number upon the event organiser resuming the progress of the queue .
reasonable people can differ about whether fox sports 1’s design decision is a good one . it’s true that there are never three outs during a team’s half inning ; once you get a third out , that half of the inning is over . however , i’d argue ( and did last night ) that not showing the third out as a circle to be filled in suggests that there are only two outs , and not three , in a batting team’s half of the inning . ( if there weren’t empty circles to be filled in , implying a maximum number , it would offend me less . )
hello , we are very sorry to hear you feel that way and will be in touch directly about your cancelation . when building the monthly assortments there are often a couple smaller items included as we add accessories and snacks on occasion throughout the year . our hoops box includes name brand and basketball specialty brand products every month so along with snacks and smaller accessories there is a solid retail value of quality products each month . again , we are sorry to hear of your displeasure and our team will review carefully as we always aim to improve our boxes .
additional security measures have been implemented at the singapore sports hub to be in compliance with the current licensing requirements for events . as these measures are expected to significantly increase the time taken to gain entry into events at the national stadium and singapore indoor stadium , we would like to encourage all patrons to : • arrive at least 1 hour before event start time • for quick security clearance , bring only what you need • to reduce queuing time , there are ‘express lanes’ for those without bags • bags exceeding 35cm x 20cm x 30cm will not be allowed into the venue we seek your understanding for the enhanced security measures , in the interest of everyone’s safety .
so , what do the teams need ? despite the lack of use each year these darned buildings get cold and get hot , and often have their windows open so everyone feels like they are part of the game . so , depending on location they need heat and a / c . now , these two teams are competitors and the coaches depend on comments from observers from the press box . so , we need a space for the home team with a dividing wall for the away team and because these sections can be noisy , we may well need a space between each for the press to have a bit of peace so they can do their work .
next , the platter arrived ; the kebabs were well - cooked but the portions were way too stingy . we wanted to try our hand at pool but couldn’t as it was occupied . despite its large space , sbx has only three bar games — a pool table , a carrom board ( seriously ? ) and a foosball table .
disappointed , we ordered for jd buffalo wings ( rs 185 ) , and dum ka gosht ( r195 ) , tandoor naan ( r30 ) and rice ( r85 ) for the mains . the wings arrived soon , but it was mixed with chicken leg pieces . the dum gosht had three portions of mostly unpalatable meat . the naan was burnt and tough . it became clear : low prices , small portions would mean more orders . not quite , especially with the food quality . the sizzling walnut chocolate fudgy brownie with vanilla ice cream ( r175 ) , helped sweeten things a bit .
at : neptune magnet mall , third floor , ganesh nagar , lal bahadur shastri road , bhandup ( w ) .
sbx didn’t know we were there . the guide reviews anonymously and pays for its meals .
design informs every aspect of our lives . this column aims to capture the changing and exciting face of indian design the industrial look has become a go - to design choice for edgy pubs and eateries in bangalore
a distressed wooden floor . rug ged - looking bar stools . a high , dark ceiling , criss - crossed with pipes and wires . lots of unpolished metal . and a quirky feature or two that looks casually thrown in  certainly not something the designer spent two weeks in hong kong looking for ( which is often the case ) .
these are some of the staples of the distressed , industrial look currently all the rage among bangalore pubs and breweries . while it would be stupid to claim that all of them look like copies of each other  or even that all of them use the elements mentioned above  it is true that the industrial look has some features in common , along with a grungy , edgy vibe .
inspired by new york restaurants in areas where factories and warehouses were converted into eateries and pubs , the look started working its way to india in the past 3 - 4 years . in bangalore , the first popular hangout to sport the look was the gastropub monkey bar , which opened on wood street in mid - 2012 . it sported a distinctly distressed look with its exposed red - brick walls , quirky light fixtures , a wood floor made of discarded railway sleepers , and a high ceiling .
“a pub ' s design dictates what kind of place it ' s going to be  the way people will perceive and use your space . it ' s not about throwing a few pretty things together ; the look of the place decides its vibe . you can offer the same food and drink in a different setting , and it would have a completely different energy , “ says manu chandra , executive chef and partner , monkey bar , sitting at monkey bar indiranagar , a space designed by jatin hukkeri of wad ( workroom for architecture + design ) .
chandra wanted the space to exude a high energy vibe , be edgy and yet warm , and wanted to replicate the classic pub look  dark green window frames , lots of wood and enamel , lots of lightbulbs  and have slight nautical touches , a concept that comes through in the porthole - sized windows at monkey bar , indiranagar . in fact , many of the features used in both the pubs were sourced from ship - breaking yards and auctions in coastal towns .
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cheap items and totally not cool to a real basketball player . why would i want sneaker odor eater items or gum that has artificial sugar i ' m a kid that wants fun stuff ! cancelled
this was a christmas gift for my son and he loved it ! great variety for price paid .
baseball , softball , basketball , hockey , football & soccer boxes customized for kids of all ages .
each month our boxes include a customized assortment of training aids , gear , accessories & other fun sport specific swag along with a monthly tip card to encourage your athlete to practice more and improve their skills .
king’s buildings house ( reception ) : mon - fri : 8 . 30am - 10pm
edinburgh university students ' association is a charity ( sc015800 ) and a company limited by guarantee ( sc429897 ) registered in scotland .
these products are examples of what ' s been included in past chests . boxes are changed up every 3 months and we guarantee premium gear from premium brands .
earn $ 20 off your next fanchest when you a refer a friend and they make their first purchase . and they ' ll get $ 10 off their first order !
now just sit back and relax ! we’ll shoot you a message when a friend you referred makes their first purchase on fanchest . com .
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mayweather , who holds a perfect 49 - 0 fight record and won 12 world titles across five weight divisions , is considered one of the greatest pound - for - pound fighters boxing has ever seen . he retired in 2015 , having successfully defended his wbc , wba ( super ) and the ring welterweight titles against andre berto .
having begun his ufc career in 2012 , mcgregor has competed at featherweight , lightweight and welterweight , and became the first ufc fighter to hold two titles at two different weights simultaneously .
can the charismatic conor mcgregor , so formidable in the octagon , make the switch to the ring and create history ? what will it mean for mayweather ' s legacy - one of the greatest fighters of all time but coming out of retirement and facing a man at the very top of his game ? it ' s set to be a huge night in las vegas - one you won ' t want to miss .
the cost of the event will be £19 . 95 / €24 . 95 across all forms of booking up until midnight friday 25 august . from then on the cost will still be £19 . 95 / €24 . 95 if bookings are made via remote control and online , but will cost £24 . 95 / €29 . 95 if booked via the phone . please note an additional £2 / €2 booking fee still applies if bookings are made via a telephone agent . cable customers please contact your operator for booking information .
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located in the shadows of champion ® stadium , this stunning venue features four professional - size fields ( two equipped with lights for night play ) and one practice infield .
champion ® stadium , home of atlanta braves spring training and youth tournaments , features 9 , 500 seats , four luxury sky boxes , and multiple open - air suites and patios .
this 70 , 000 + square - foot , 5 , 000 seat field house is home to the televised advocare invitational and can be fitted for basketball , volleyball , gymnastics , cheer & dance and more .
the visa athletic center is home to multiple national championships held throughout the year as well as host of health and fitness expos for various rundisney race weekends .
the softball diamondplex is home to fastpitch softball , slowpitch softball and youth baseball events held throughout the year , featuring six fields with fences set at 305 ft .
with 10 clay courts including a 1 , 000 - seat centre court stadium , the tennis complex is a serene tribute to a sport that thrives on the ultimate combination of power and finesse .
with state - of - the - art surfaces and equipment , the track and field complex is a premier training facility and host to multiple national meets , including the aau club championships .
and explosive / plyometric movements . we offer fun , social , safe and energising training sessions that will
leaders in the field . we will help you achieve the goals and body that you want through a range of exercise and training types .
if you want to lose weight , increase or improve strength , body tone , fitness or learn a new sport , a personal training package is the fastest and most accurate way to do this .
i don ' t like gyms , but a boxing gym is different - it gives you a buzz and the men are real . it ' s sweat , swearing , torture , pure adrenaline . it ' s refreshingly unfancy .
you are able to select for your preferred category and section ( subject to availability ) for all events . our ticketing system will allocate the next available seats at your point of transaction to accelerate the booking process . seat selection is available through the ‘pick your own ( pyo ) ’ seat functionality , which is only available for events where event organisers have given their consent .
the recommended browsers are internet explorer 10 + , firefox : 27 + , google chrome : 34 + or safari : 7 + .
rules vary between events , venues and promoters . please refer to the ticket information on the event details page for prices and ages for children requiring tickets .
this is a fast , easy and free option . you may opt for the print - at - home tickets , which are printed out at the comfort of your house , with no extra charge and your tickets will be delivered to your email address immediately .
regular mail is $ 1 . 50 per order . this option is available for singapore addresses only .
registered mail is $ 3 . 00 per order . this option is available for singapore addresses only .
courier service is $ 15 . 00 per order . as tickets will be delivered during office hours please ensure you provide a day time address where someone is available to sign for the delivery .
outlet pickup is $ 0 . 50 per order . pick up your tickets from any of our authorised agents prior to the event . pick up location excludes singpost outlets .
if your preferred section is unavailable at the time of your purchase , the system will automatically allocate you the next available seat in the same price category . in the event where the seat in the same price category is unavailable , the system will automatically assign the next available seat in the next price category .
after your successful online transaction you will receive an email confirmation to the email address submitted during your booking . please ensure that the email has not gone to your “spam” or “junk mail” folder .
a print - at - home ( pah ) ticket is the fastest and most convenient way to receive your tickets . it is an electronic ticket that is sent to you via email as a pdf attachment . each ticket contains a unique barcode that can only be scanned at the venue once . please ensure you print one copy of each attachment if you buy more than one ticket at a time . you simply print the ticket out on a4 paper and present it at the venue for entry . see a sample print - at - home ticket .
i selected “venue collection” as my delivery method . how do i collect my tickets ?
please bring your credit card used for the transaction along with a photo id that matches the name on your credit card and your booking confirmation number .
we are not sure when you will be travelling to singapore for an event or how long your tickets will take in the mail to get to you . so to ease this pressure , we offer international customers the delivery options of print - at - home and venue collection . this will ensure that you don ' t have any hassles with potential mail delays .
yes , you can . however , you will have to present the following items .
1 . an authorisation letter completed and signed by the credit card holder . 2 . a photocopy of the credit card holder’s id . 3 . a photocopy of credit card ( front & back ) used to purchase the tickets .
please wait patiently until the event goes on sale . when the event goes on sale , a random queue number will be assigned to you , along with everyone who are also waiting .
for people who arrive to the queue prior to the event goes on sale , a randomized queue number will be assigned at the time that the event opens for sale . therefore , there is no advantage for anyone , who can utilize speedy automatic scripts , bots or scalping software .
i clicked the ' buy ' button at x o ' clock sharp . how are there so many queue numbers ahead of me ?
in the internet era , there is no such concept of
x o ' clock sharp .
there are many factors affecting access latency to world - wide - web . comparing to in - person waiting where you can see the crowd ahead of you , online you simply cannot see the crowd anymore .
each end - user is given a specific time limit for your queue number , which is determined by the event organizer . if you miss your turn , you will need re - enter the queue and wait again .
the queue system said
it ' s your turn ,
but i only see a blank page and am redirected back to the queue again . what has happened ?
when this situation happens , there might be technical issues occurring to the website you are accessing . please continue to wait until the site owner resolve the problems . we thank you for your patience .
i need to change to another device or wireless network . will i lose my place in the queue ?
when you are still waiting in the queue , you can copy your waiting page url , which identifies you as an individual . you can then use this same url from another device without losing your place . please be aware that you must not use this technique to share your queue number with others . the system will reject an already used queue number , so you or the party you shared with will not be allowed into the site .
when you have been through the queue you will arrive at the destination site . here a cookie will be stored in your browser to verify that you actually have been redirected via the queue . therefore you must ensure that your browser accepts cookies from the destination site , so you don ' t end up in the queue again .
you will not lose your place in line if you close your browser or if your phone is in sleep mode . our solution does not depend on sessions , but the queue information is included in the url and the cookies . however , please note that you have a limited amount of time to access the transaction site once your turn is up .
i encountered an error or technical issue during my purchase and / or never received a purchase confirmation . can you help ?
please call us at + 65 6653 8900 or email us at contactus @ urltoken .
no refunds or exchanges are allowed once the transaction is confirmed , unless an event is cancelled or postponed .
i selected mail but my tickets have not arrived . what should i do ?
please proceed to the customer care counter at singapore indoor stadium , which is located in the foyer of the administration office underneath the overhead bridge of the east entrance .
charging of a booking fee is a worldwide practice by ticketing services companies to help reinvest in technology development for our ticketing system to continually add features and functionality .
it is recommended that you familiarise yourself with the full terms and conditions of sale and entry prior to arriving at the event .
you may proceed to the nearest information counter to file a report and turn the lost property in . our information counters are located at the following venues :
i have lost my belongings . how do i know if it was retrieved ?
you may make an enquiry by completing our online form or approaching the nearest information counter listed below for assistance .
alternatively , you may also contact our customer care team at + 65 6653 8900 .
upon locating your lost property , our customer care team will advise you on the designated storage location for the retrieval of your item . please be informed that you will need to bring along a valid photo identification card when claiming the item .
313 presents utilizes a random number ticket drawing for concert and show on - sales . the random number draw is used to determine the first person in line for the public on - sale .
numbered tickets will be handed out to customers in line beginning at 9 : 15 a . m .
to receive a numbered ticket , you must be in line by 9 : 30 a . m .
fans not in line by 9 : 30 a . m . are not eligible for the random number drawing and will be queued behind the last ticketed customer
a place in line does not guarantee you a ticket . all purchases are based on availability
event days : 9 : 30 a . m . through 30 minutes before the event conclusion . monday - saturday : 9 : 30 a . m . - 6 p . m . sunday : open only on game and event days from 9 : 30am – 30 minutes before end of event .
event days : 10 a . m . through 30 minutes before the event conclusion .
winter hours ( labor day through may 26 ) : monday - saturday : 10 a . m . - 5 : 30 p . m .