visitors is a 2003 australian thriller film starring radha mitchell , susannah york and ray barrett , directed by richard franklin and produced by jennifer hadden .

the film proved to be richard franklin 's final project .

visitors ( 2003 film )

2003 - “the horror , the horror . . . ” panel member , brisbane international film festival 2003
looking for movie tickets ? enter your location to see which movie theaters are playing visitors ( 2003 ) near you .
visitors ( 2003 ) . director - richard franklin . stars : radha mitchell , susannah york . moria - the science - fiction , horror and fantasy film review .
2003 : bloom shakes hands with fans as he makes his way to frontierland .
saf welcomes groups and visitors for self - guided and organised tours and activities .
since sharjah biennial 6 in 2003 , sharjah art foundation has supported the production of film and video work by visual artists and filmmakers .
well , i ' m glad you said that , because that ' s what visitors is about .
2003 : keira knightley , who plays elizabeth swan , poses with some pirate wenches outside main street cinema .
2003 to 2012 - the vaginabillies ( vocals ) semi - acoustic cabaret version of they might be . . .
dedicated to film and filmmaking , the saf film club is designed for filmmakers and offers opportunities to get involved in the local film community .
2003 - escape from the planet of the tapes ( interview subject ) sbs tv documentary about me and trash video ' s struggle to evolve .
established in june 2003 , sja film technologies ltd . , a privately owned company , began trading as a slitting , rewinding and film supplier company and quickly developed the business portfolio to include stocks of many substrates including plastic films , cast polypropylene , oriented polypropylene , degradable films , polyester , sandwich lidding film , release liner and paper .
2015 - gone lesbo gone ( interview subject , co - producer ) documentary directed by jarret gahan on the troubled production of lesbo - a - go - go ( 2003 ) , premiered at brisbane underground film festival , january 2015 .
but , when the walt disney studios motion pictures movie had its world premiere at disneyland on june 28 , 2003 , few could have predicted it would be the success it is today . pirates is the ninth highest grossing film franchise in history , earning $ 4 , 524 , 358 , 182 at the global box office after last year ' s fifth film : dead men tell no tales . pirates of the caribbean : the curse of the black pearl premiered in theaters nationwide 11 days later , on july 9 , 2003 .
arabiyat confirmed that the strategy was developed to help jordan benefit from the opportunities that filming destinations have , as designing tour itineraries around film locations can attract more visitors . he also noted that jtb has hosted many production companies from hollywood and bollywood in recent years and has offered incentives to encourage more filming in jordan . jtb also supported rfc’s efforts to promote jordan at international film festivals , including the cannes film festival .
amman , 13 august 2017 - under the patronage of her royal highness princess rym ali , the royal film commission ( rfc ) launched jordan’s first film tourism strategy today , which is set to guide efforts over the coming three years to attract more visitors to jordan through film . the strategy was developed in cooperation with the jordan tourism board and with support from the usaid building economic sustainability through tourism project ( best ) .
reflecting the growing importance of film in the foundation ' s work , the saf film programme offers regular screenings in mirage city cinema , sharjah ' s only dedicated outdoor cinema , a film club , educational programmes for film enthusiasts , as well as support for filmic work by visual artists .
sharjah film platform ( sfp ) , an annual programme organised by sharjah art foundation , aims to support film production in the united arab emirates .
, which is generally the film , if i ' m asked what i ' ve made , is the film i refer to as my first film . even though there were one and a half films before it .
quick links what ' s happening calendar of events deals and specials visitors guide subscribe to news not sure where to start ? let santa fe’s experts lead the way on a variety of tours tailored for every interest .
ibrahim osta , usaid best chief of party , said that film commissions compete to attract part of an $ 88 billion - dollar industry that yields deep direct and indirect economic benefits to filming destinations . thus , “usaid best is supporting jordan’s efforts to boost its international competitiveness , create new tourism jobs , and distribute tourism revenues across the country through this film strategy , which lays out a clear path to attracting film productions and visitors .
, using a lot of the same financiers , you see , my next film was an attempt to make a universal genre film . and that was
the royal film commission – jordan ( rfc ) is a public institution , with administrative and financial autonomy , established in 2003 with a mandate to promote for and contribute to the development of an internationally competitive jordanian audio - visual industry . the rfc organizes training workshops , screenings and provides production support services .
visitors are allowed 3 free articles per month ( without a subscription ) , and private browsing prevents us from counting how many stories you ' ve read . we hope you understand , and consider subscribing for unlimited online access .
, which if i ' m asked , is the film i refer to as my first film . even though there were one and a half films before it .
michal blaško ( b . 1989 , bratislava ) is studying film and television directing at the academy of performing arts in bratislava ( všmu ) . his short movie fear ( 2015 ) , a coproduction with prague’s famu , premiered at the san sebastián iff and went on to win a variety of international awards . his bachelor project atlantis , 2003 was selected for the cinéfondation section at the 70th international cannes film festival .
but that must have been quite an honour to have italians rip off your film .
was also richard franklins last ever film and he died from cancer in 2007 ) .
, worked , but not the comedy . and so my next film , using a lot of the same financiers , was an attempt to make a universal genre film . and that was
representatives from local tour operators and film production companies attended the one - day conference , which included sessions on the latest global developments in film tourism and the successes of countries like denmark and czech republic in attracting hundreds of thousands of tourists , as a result of shooting blockbuster films . jordan ' s film tourism strategy was discussed , as well as designing tourism itineraries around film locations .
new mexico offers one of the leading film incentive packages in the country . up to 30 %
it’s 2003 , four years before slovakia becomes part of the schengen area . today the border with ukraine is one of europe’s best guarded , but back then it was the playground of smugglers and human traffickers . martin and denisija dream of leaving ukraine for germany to begin a new life . crossing the border brings unexpected complications , but the pair are willing to sacrifice a great deal to reach their destination . atlantis , 2003 provides a chilling excursion to a recent past we should not forget , but it also asks a universal question : how responsible are we for each other ?
radha mitchell is an awful actress and visitors might just be her tour de force of awful . she plays this character crazy for the outset , which makes her
descent
into crazy feel like just a normal day . she turns what could have been a solid mystery into something borderline unwatchable .
is on the cusp . as was the original . hitchcock just redefined the genre with that film , and
, and employs none of that film ' s subtlety here ) had no easy task before him - - a single character at sea is not the easiest of situations in which to establish any kind of drama without dialogue . with this in mind , it didn’t even bother me that georgia’s cat speaks to her in a laughable british accent , or that the film constantly flashes back to her life on the mainland , if only because they had to have some way of establishing character development without using constant narration . but when the titular visitors start showing up , the film exhausts any semblance of suspense and becomes almost laughably stilted .
and so i suppose it wasn ' t until the late seventies that hardcore took over the sex film industry .
richard franklin isn ' t my favourite australian filmmaker , but you ' ve got to give credit to the man for managing to make a purely genre career in a country like ours . visitors isn ' t his strongest effort visually or intensity wise , but he manages to crank out a few neat twists along the way .
elia kazan ( 1909 - 2003 ) was a dominant and hugely influential force in the postwar american cinema , a director whose keen intuition and perspicacity made him almost impervious to the vicissitudes of the declining studio system and ideally suited to take advantage of the gradual shift towards independent production . prolific in spite of hollywood ' s dramatic ebbs , kazan created a group of vital , emotionally intense and frequently controversial films that helped define american film history and popular culture .
but you ' ve got to realise , this was an era when it was very hard for young people to get professional work in hollywood and the people who are now the modern hollywood film industry were making these kinds of film .
a young ukrainian couple plan their getaway to germany . it’s 2003 , four years before slovakia integrates into the schengen area . the slovak - ukrainian border is controlled by smugglers and human traffickers – martin and denisija have no idea of the traps that await them . they only have each other but they are willing to sacrifice much to fulfill their dream .
it was the hostile press that buried the film , thanks to the efforts of fred nile’s festival of light . “it was the fact that the film had government funding , and was based on a ' pornographic poem ' . and they cited
while franklin ' s direction is crisp and stylish and mitchell performs admirably in the starring role , visitors is still missing something substantial that keeps it from being anything more than an interesting mind game . part of the unevenness comes from the fact that franklin doesn ' t appear to be able to decide just what kind of movie he wants to make here . is it a slick horror film ? is it a twisty mystery ? is it a drama about insanity ? while it touches on all three , the film never explores any of these elements sufficiently to fully satisfy in any particular direction .
, worked , but not the comedy . and so my next film , coming off the ( in the end ) quite successful
was a b film . i never thought of myself as making b films ; i did see myself as making genre films .
* * please note that the following announcements and links are not supplied as an endorsement by the houston film commission , they are provided purely as a public service and as a convenience to users . these other sites are not under the control of the houston film commission , nor does the houston film commission endorse or adopt as its own , any of the content of the other sites * *
for a time during the 1980s , australias richard franklin was a genre director worth watching . in australia , richard franklin made the psychic coma patient film
, which was substantially a one - person drama about stacy keach in a truck where the entire film equally wavered between real and possibly imagined threat .
) , i didn ' t particularly want it to tarnish my career . ” in retrospect , his film career could have been over before it started .
and the room and so on . that was a pretty silly film otherwise . you made a comment about b movies ; it used to be argued that
2012 -
di ingon ' nato : zombies in our backyard
essay and director ivan zaldarriaga interview , sinekultura film journal ( university of san carlos , cebu ) issue # 4 , second semester 2012 , pp . 14 - 21 ; reprinted in film international 63 - 4 ( sweden ) , august 2013
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
uae audiences can enjoy a wide range of films and film genres featured in the regularly scheduled screenings that take place in saf ' s mirage city cinema .
from the past to the present , santa fe and new mexico has been a dramatic draw for filmmakers of all stripes and our film scene is booming .
2015 - talk on pinoy cult cinema with leo katigbak and manet a . dayrit , qcinema international film festival , quezon city , philippines 28 / 10 / 15
for two weeks in february every year , dublin turns into one of the hotspots of international cinema . the jameson dublin international film festival ( jdiff ) mixes works by independent film makers from around the globe with releases from the mainstream hollywood studios for a cross section of the most exciting movies of the past twelve months . from intimate documentaries to big drama , the range of films shown during the jdiff has something for everybody and dublin becomes a choice destination for film fans every february .
to mark the centenary of johnny mercer ' s birth , director bruce ricker ' s latest jazz documentary focuses on the music and legacy of the great american songwriter , interweaving interviews with tony bennett , andre previn and harry connick , jr . with screen performances of mercer ballads by the likes of frank sinatra , judy garland and nat king cole . the harvard film archive is pleased to welcome bruce ricker to discuss his latest film and to celebrate the very generous donation of his important film collection to the archive .
directed by elia kazan . with robert de niro , tony curtis , robert mitchum us 1976 , 35mm , color , 125 min . print from the harvard film archive collection
although marketed as a horror flick , visitors is mostly a psychological drama with mild horror thriller elements , so take this into account before you embark on this one expecting some serious ( or even cheesy ) thrills and chills . director richard franklin ( cloak & dagger , road games ) puts aside his hitchcockian homage tendencies for a more atmospheric character study revolving around a woman that must try to keep from hurting herself , despite the vividness of the disturbing images that she sees on a daily basis .
special thanks to kent jones ; mark mcelhattan ; joan miller , wesleyan cinema archives ; pat doyen , george eastman house ; may haduong , academy film archive ; kokkalis program on southeastern and east - central europe , harvard ; mary keene , museum of modern art ; brian block , criterion pictures usa ; sara rubin , the boston jewish film festival .
directed by elia kazan . with kirk douglas , faye dunaway , deborah kerr us 1969 , 35mm , color , 127 min . print courtesy of the ucla film and television archive
directed by elia kazan . with marlon brando , jean peters , anthony quinn us 1952 , 35mm , b / w , 113 min . print from the harvard film archive collection
directed by elia kazan . with gregory peck , dorothy mcguire , john garfield us 1948 , 35mm , b / w , 118 min . print courtesy of the academy film archive
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depp never gave any interviews to promote the film . instead , he decided to dress up in character as jack sparrow last year to surprise pirates of the caribbean riders at disneyland .
new europe film sales czerniakowska 73 / 79 , 00 - 718 , warsaw poland tel : + 48 600 173 205 e - mail : jan @ urltoken www : www . urltoken
sharjah art foundation works with artists and audiences on programmes that reflect the foundation ' s core projects . these include the film programme ' s screenings and film club activities , the artist and professionals programme ' s residencies , production grants and internships as well as the opportunity for everyone to become involved through saf community programmes such as vantage point sharjah and the urban garden .
despite its god awful poster , visitors is surprisingly decent . whilst it doesn ' t touch franklin + de roche ' s earlier efforts , there ' s enough solid moments and creative editing choices that cover up the many budget limitations that really undercut some of its thematic ambitions . the major flaws come from richard franklin ' s choice of actors , who are all incredibly miscast ( radha mitchell is a good actress , but doesn ' t quite nail this role ) and the digital cinematography looks cheap . i feel like if this same script was made by franklin in the 80 ' s , shot on nice grainy film stock and old school ozploitation practical effects , it would be regarded as a classic of that era .
b ut yes he is . and he was great fun to work with , and full of great stories about old hollywood , and i really enjoyed the whole film to be honest .
directed by elia kazan . with stathis giallelis , linda marsh , paul mann us / greece 1963 , 35mm , b / w , 168 min . print from the harvard film archive collection
directed by elia kazan . with karl malden , carroll baker , eli wallach us 1956 , 35mm , b / w , 114 min . print courtesy of the ucla film and television archive
the italian film festival in santa fe returns april 20 - 22 , 2018 . join us for contemporary film , food & fun , italian - style ! cinefesta italia is a 501 ( c ) ( 3 ) non - profit organization that raises awareness of italian culture . a portion of our proceeds help our charitable partners support santa fe’s neediest children in today’s challenging world .
was that the selling point , the way to get the film financed ? because it looks like it ' s a period comedy , but then the nudity ' s grafted on the top .
. well , she could not have been more chuffed , and went on the record to say that this film was going to undo the damage that spoto ' s book had done to her father ' s image . so in its way the film did have the blessing of the family . indeed , one of the things i ' ve been looking at by way of preparation for
the director general of the jordan tourism board , abdul razzaq arabiyat , explained :
the strategy was developed in consultation with film and tourism industry representatives and will capitalize on the huge potential of jordan to become an international film destination .
he added that blockbuster films help promote destinations and there are many examples of countries that witnessed a huge increase in tourists as a result . in new zealand , tourism soared to more than $ 3 billion in 2014 following filming the hobbit franchise there , and florida reported an almost 70 % increase in tourism thanks to the film dolphin tale .
workshop : echo film school 2 - week filmmaking boot camp ( 16 + ) is july 23rd - august 3rd . learn essential filmmaking techniques in this 2 - week intensive summer camp . write , pitch , produce , shoot and edit a short film in 10 days . our experienced professionals will guide you through the process as you work with a small crew to make your own mini - masterpiece . contact barry atkins at echo film school and studio for more information . call 832 - 732 - 1154 , barry @ urltoken , or visit https : / / www . urltoken / workshopbookings
is noteworthy for proving once again that mitchell has what it takes to be a legitimate star , and since this film’s release she has indeed found her way into more top - shelf material . but the film wastes what could have been a truly frightening premise on hackneyed plot devices . in the end it commits the most unforgivable sin in all of horror cinema : it just isn’t that scary .
directed by elia kazan . with dana andrews , jane wyatt , lee j . cobb us 1947 , 35mm , b / w , 88 min . print courtesy of the ucla film and television archive
richard franklin ' s final film is also his fourth collaboration with screenwriter everett de roche , but visitors is a far cry from the brilliance of patrick , roadgames and link . it ' s certainly got that de roche touch of originality about it , but unusually none of his blows land on this occasion . it ' s a psychological horror about yachtswoman george , who ' s on the final leg of her solo circumnavigation of the world , but when we first meet her , she ' s stuck south of africa due to calm seas . and that ' s when she starts to crack up . it ' s a nice touch having george communicate with her pet cat taco , and having him talking back to her , but the screenplay isn ' t brave enough to make this all…
2007 - zombie mariachi ( actor , producer , additional camera ) short film directed by filipino guerrilla filmmaker khavn de la cruz during his 2007 biff appearance . i play
great white zombie hunter
!
the santa fe independent film festival invests in the advancement of independent , innovative , and cutting edge cinema bringing 5 days of excellence in filmmaking to the inclusive and diverse community of santa fe , new mexico .
and blue poles , the jackson pollock painting , as instances of the government squandering public funds . and the theatres were picketed , and it was actually fairly successful in terms of damaging the picture . i thought it would be great publicity , but the one thing people don ' t want to hear is that tax dollars have been wasted . the minute they hear that , they ' re less inclined to throw good money after bad , if you see what i mean . so the film was not successful , so that ' s why i made my next film… i needed to make a film that would make money . ”
. i should have dropped out of university and done it permanently , in retrospect , but at the time i was in film school , so i just went out and visited when i didn ' t have classes .
i usually tell people to avoid imdb when recommending a movie that has a twist ending that might be ruined by looking at the cast or the synopsis . but with this movie , i ' d say avoid imdb because almost everything that is said about the movie is wrong . first the synopsis states that visitors is about
the story of georgia perry , the first woman to sail around the world solo .
. not sure who wrote that , but it ' s clearly stated while she ' s pulling out of the harbor that if she completes the journey that she ' d be one in a handful of women to accomplish this feat . not only…
well , she didn ' t think she ' d been exploited , she just liked the front page of the sunday papers and the like ! ( laughs ) but it wasn ' t that that sparked off the festival of light , it was the fact that the film had government funding , and was based on a ' pornographic poem ' . and they cited eskimo nell and blue poles , the jackson pollock painting , as instances of the government squandering public funds . and the theatres were picketed , and it was actually fairly successful in terms of damaging the picture . i thought it would be great publicity , but the one thing people don ' t want to hear is that tax dollars have been wasted . the minute they hear that , they ' re less inclined to throw good money after bad , if you see what i mean . so the film was not successful , so that ' s why i made my next film… i needed to make a film that would make money . so the next film was a deliberate attempt to make a sort of send up of the scandanavian sex documentaries that were able to be shown here .
workshop : houston mediasource , houston’s public access television channel , provides training and equipment for aspiring film , tv , and radio producers . houston’s creatives are welcomed to learn how their artistic visions can be transformed into high - quality film or tv productions at free orientation sessions held every monday at 6 p . m . houston mediasource is located at 410 roberts , 77003 in eado . attendees will learn how they can produce their own tv shows , radio programs , and film projects at houston mediasource , using top of the line gear , studios , and editing facilities . learn more at urltoken or rsvp to roger e palomino at info @ urltoken or call ( 713 ) 524 - 7700 x112
a fifth film , pirates of the caribbean : dead men tell no tales , was announced in 2013 . plagued by production problems , the movie will make its long awaited debut in u . s . theaters on may 26 .
slovenský filmový ústav / slovak film institute grösslingová 32 , 811 09 , bratislava slovakia tel : + 421 257 101 503 fax : + 421 252 963 461 e - mail : sfu @ urltoken www : www . urltoken , urltoken
filmed at the time of kazan’s notorious huac testimony , viva zapata ! offers a dramatically searching yet ultimately unresolved return to the director ' s roots in radical left - wing theater and politics . written in close collaboration with lifelong mexicophile john steinbeck , who shared kazan ' s fascination with zapata ' s vision and failure , the film uses the idealistic revolutionary to offer an unflinching critique of the limits and corrosive potential of power . featuring one of brando ' s underappreciated bravura performances , viva zapata ! is today considered one of the most evocative screen depictions of the mexican revolution , despite the intense efforts by the mexican film industry to suppress and censor the film during its early production stages .
well , thank you ! i storyboarded the whole film myself , my own drawings . they were fairly rudimentary , but it was a very studied piece of directing . i was doing a thriller , i knew how hitchcock worked , and i had a shoebox with dollhouse furniture . i had some concerns about filming an entire film in a small room , and i peered at this for months , and came up with lots of different camera angles . so thank you .
, which was trying to reinvent the genre . and i ' m not saying that ' s exactly what i ' m doing , i think this particular film probably owes as much to polanski as it does to hitchcock , somewhere between
it was , and it was that that allowed me and tony ginnane to make patrick , which was my next film . even though i had done it under a pseudonym , it was perceived that i could make films that would make money .
you call it a sex comedy , i didn ' t . as i saw it , it was in the same vein as something like , oh god i ' m trying to think of it now , the jon voight - dustin hoffman film -
had already covered the making of a fictitious softcore version ( as well as a gay western , kung fu and sickly family version ! ) of the famous bawdy 19th century poem by a unscrupulous smut film producer . franklin’s version , co - written with alan (
i remember seeing that film when i was living in the middle east , early eighties , i was only 12 or 13 at the time . i saw patrick and road games , both on videotape . and if it made it to the middle east - !
when we screened patrick at the afi awards , i remember being rather devastated at the amount of audience laughter , and then being amazed - nominated for best picture ! what i had done inadvertently was what is now post - modernism , or a self - referential film . the film had fun with the genre , and that was mostly me having fun on the set . i didn ' t really realise that it would transfer to screen quite so well . i thought there was a camp element to the matron and all of that…
2010 - machete maidens unleashed ! ( associate producer , additional footage , original concept ) feature length doco written and directed by mark hartley , based on the original
the search for weng weng
concept . premiered at melbourne international film festival 24 / 07 / 10
fails to establish any kind of consistency of mood or tone . the film shifts radically in several instances , changing from a horror story to a family drama , from adventure ( look out ! there’re pirates about ! ) to thriller , eventually settling on an ending that seems lifted out of a bad romantic comedy . the whole thing smacks of drastic rewrites , and i wouldn’t be the least bit surprised to find that the film had been re - cut to satisfy a more mainstream audience . not only this , but outside of a few excellent cg - assisted zoom outs to the stratosphere , franklin does a meager job of conveying the truly desperate nature of georgia’s isolation , and for the majority of the film it seems obvious that her boat is floating in a water tank on a studio backlot .
in the ideal form of transmedia storytelling , each medium does what it does best - so that a story might be introduced in a film , expanded through television , novels , and comics , and its world might be explored and experienced through game play . each franchise entry needs to be self - contained enough to enable autonomous consumption . that is , you don’t need to have seen the film to enjoy the game and vice - versa . as pokemon does so well , any given product is a point of entry into the franchise as a whole .
) hopgood , sticks closer to the source material and transposes the action to a more culturally iconic stomping ground : the ballarat goldfields , the eureka stockade , the snow - capped blue mountains . the ambitious franklin’s second unit even filmed the klondike scenes - where dick supposedly loses his eye - outside montreal , and some incredible location shots such as the iceflows from the canadian far north helped win the film an afi award for best photography . come to think of it , it’s hard to remember when an r - rated film looked so good ! i told franklin that
bloody hell . i mean it would have been a real shame to market it as a horror film , because the stuff that ' s great about road games is where stacey keach is just flipping out and becoming ultra , ultraparanoid , and seeing things that aren ' t there .
2015 -
balut westerns : the filipino cowboy as king , and the rise and fall of the goon action film
in domingo lopez ( ed . ) , wild wild east : the curry western and the noodle western ( tyrannosaurus books , barcelona ) , pp . 186 - 237 ,
among kazan’s most controversial films , this dynamic and intensely cinematic adaptation of tennessee williams’ provocative study of sexual desire inflamed a passionate outcry from the production code administration and the legion of decency , who tried to derail the film by branding it with their lowest rating of “c , ” for “condemned . ” centered around carroll baker’s still shocking performance as the thumb - sucking yet sexually precocious baby doll and principally shot in rural mississippi , kazan’s mid - career masterpiece offers one of the finest renditions of the psychosexual territory of williams’ mysteriously deep , deep south . print courtesy of ucla film and television archive .
the last of kazan ' s studio assignments , and perhaps his least known film , the anti - communist thriller man on a tightrope was offered by zanuck as a means for kazan to establish his credentials as a
rehabilitated
director immediately following his outspokenness with huac . based on the true story of a czech circus troupe ' s daring attempt to escape to the west , the film is energized by kazan ' s extensive location shooting in eastern europe , the casting of members from the real life troupe , and a steely performance by frederic march as the harried circus leader dreaming of a better life .
film festival ticket price a season pass for the entire jdiff costs €230 . 00 and entitles you to attend all screenings and associated events . the season pass can be purchased online on the festival ' s website ( see below ) . alternatively , you can buy tickets for individual screenings , either directly at the cinema showing the movie or in advance on the festival ' s web site . individual film ticket prices range from €9 . 00 to €15 . 00 for adults , pending cinema and time of performance . you must be 18 years of age or older to attend screenings and events at the festival .
was built by filmmakers for filmmakers with two , 18 , 000 square foot stages , 24 , 000 square feet of production offices , full on - site production services , and national lambdarail broadband . it also may be the first , leed - designed , industry - standard film studio facility in the world .
indeed , 70s sex queen abigail was a major selling point , gorgeous as ever and totally starkers ( for the first and only time on film ! ) as esmeralda the leopard - clad wife of a traveling magician who catches pete nailing her to the floor of his “magic box” . after leaving the warm bosom of the
red lotus films offers its international clientele world class production services . whether you are producing a fashion shoot , commercial , or film in the southwestern united states , our team of experienced producers ensures that every detail of your project is carefully managed and attended to . from concept to final product , your success is our priority .
comes from the tired school of horror where every bit of psychological fright has to be the result of some personal demon manifesting itself visually . so when georgia starts seeing things , they are all characters we’ve met before , and for the purposes of having some dialogue , she usually chats with them for a little while . while i can see why the filmmakers took this route ( they were probably freaking out that they had a feature film with only a forty - page script ) , it does very little to encourage a mood of dread or suspense , emotions so key to a story like this . i found myself wishing that the menace at the film’s center had been a bit more nebulous , or at the very least that the filmmakers had tried to string the mystery along a little longer . as the film stands , we get georgia working out her issues with specters of her dead parents , a recycled plot device that fails to work even in the more direct dramatic sense . this story isn’t
director  richard franklin , screenplay  everett de roche , producers  richard franklin & jennifer hadden , photography  ellery ryan , music  nerida tyson - chew , visual effects  photon , special effects supervisor  peter stubbs , production design  stewart burnside . production company  showtime australia / digitimij / film victoria / bayside pictures .
crew call : untitled houston feature film is seeking crew who can work as locals for early june - july 25th shoot . synopsis : a troubled teen finds an unexpected friend in an elderly neighbor . crew needed : grips , electrics , and production assistants in all departments . crew positions are paid . please send crew resume houstonfilm2018 @ urltoken
is enough of a teaser to keep you watching , although you keep anticipating that there should be more to the story than what you ' re actually seeing . as the film approaches the end , you may find yourself waiting for that pay off to the 85 previous minutes of constant build up , but unfortunately , it comes as a disappointment to find the pay off had already come and went without you realizing it a few minutes before . like the heroine of the film , we see visions and horrifying images flash before our eyes , and while we are looking for something substantive to help us make sense of it all , the answers are too inconclusive to truly satisfy .
yes , by me it was . i mean , i was pleasantly surprised when i learned years later from bill margold that the film was considered a kind of classic in the states . but a classic of an era . i don ' t know how easily you ' d find a copy of it now , you know , in the states .
budd schulberg and kazan reunited to adapt schulberg ' s own cautionary tale about the manipulative and treacherous potential of television and advertising as political tools . misunderstood at the time , and badly wounded at the box office , a face in the crowd seems uncannily prescient in its depiction of right - wing extremism cloaking itself as all - american cracker - barrel folksiness . kazan ' s successful and highly unconventional casting of untested comedians and character actors—dunn in tree , mostel in panic —reached its apogee in his ingenious selection of stand - up comic andy griffith , in his first feature film , as lonesome rhodes , the hayseed populist transformed into an ultimately uncontrollable televisual sensation . print courtesy of ucla film and television archive .
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while the technological infrastructure is ready , the economic prospects sweet , and the audience primed , the media industries haven’t done a very good job of collaborating to produce compelling transmedia experiences . even within the media conglomerates , units compete aggressively rather than collaborate . each industry sector has specialized talent , but the conglomerates lack a common language or vision to unify them . the current structure is hierarchical : film units set licensing limits on what can be done in games based on their properties . at the same time , film producers don’t know the game market very well or respect those genre elements which made something like tomb raider successful . we need a new model for co - creation - rather than adaptation - of content that crosses media .
gillies spits out the smutty one - liners with relish , like “have you ever stuck your dick in a milk pail and churned it till it’s butter ? ” at the heart of the film , however , is the oddly touching parasitic relationship between voyeur dick and coxman pete , and their shared wet dream of finding the fictional lay eskimo nell . “it was an attempt to do something kind of poignant , ” agrees franklin . “in retrospect it probably should have been funnier than it was . but it wasn ' t my intention to make a sex comedy . you just have to remember the era , and the fact that the r certificate had just come in , and we ' d just seen the first full - frontal nude in a commercial film in
richard : i still don ' t talk about it very often… there are people who find the idea a bit offensive , even though it was softcore pornography . i ' d had such a drubbing from the festival of light about true story of eskimo nell , the fact that i then did a sex film , i didn ' t particularly want it to tarnish my career .
no , that ' s when you do an american accent . that ' s when you have english spoken with a bit of an american accent , so it works both places . that ' s kind of what is commonly been done here now for american television that is shot here . but no , this was a miscalculation , because they promptly revoiced the whole film in america .
georgia is played by the severely underrated actress radha mitchell , who does a fine job of carrying the film on her shoulders , but her nuanced performance can’t lift the material beyond its very basic flaws , the biggest of which is that it never manages to deliver on its set - up in any way that’s not entirely contrived and predictable . in all fairness , writer everett de roche ( who wrote
the original film ' s world premiere shut down the theme park . a red carpet was rolled out on main street so johnny depp , keira knightley and orlando bloom could sign autographs and take pictures with fans . other attendees really got into the spirit , like danny bonaduce , who had a sword fight , and daryl hannah , who dressed in costume as a pirate ( eye patch included ) .
yeah , well as i say , it was an attempt to do something kind of poignant… in retrospect it probably should have been funnier than it was . but it wasn ' t my intention to make a sex comedy . you just have to remember the era , and the fact that the r certificate had just come in , and we ' d just seen the first fullfrontal nude in a commercial film in
i don ' t think i ' ve ever seen her in another film . i remember her in stills from about that time . as i recall , she had another name , i think she worked under multiple names , as a lot of them did and do , so i can ' t - she may be better known under another name . but that was the name she wanted to do that under .
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. ” true , for a film marketed as a sex comedy , there is a palpable absence of flesh . “correct . but you ' ve got to remember , this was the beginning of the ' r ' certificate era ; ‘very little flesh’ was a lot . we had a full - frontal of abigail , and a couple of other girls topless , but quite a lot of bad language , you see . that was new . ”
yeah , she had a good time , we got on well . i remember when i made psycho ii , a lot of people asked why we didn ' t use her in the lead . the answer was , it was too obvious . and i screened , one of the first screenings i had of the film was for jamie and janet , who came and saw it . but i haven ' t seen her a lot since .
let’s face it : we have entered an era of media convergence that makes the flow of content across multiple media channels almost inevitable . the move toward digital effects in film and the improved quality of video game graphics means that it is becoming much more realistic to lower production costs by sharing assets across media . everything about the structure of the modern entertainment industry was designed with this single idea in mind - the construction and enhancement of entertainment franchises .
well you know the original poem ' eskimo nell ' is pretty raunchy . we were just trying to hypothesise about what kind of a true story might have been the basis of such a poem . i originally wanted to make the film in the states , at the time of the revisionist western , but learned quite quickly that the poem is unknown in the states . it ' s known only in the “english world” , meaning canada , australia and england .
for 21 years , the houston production guide , in association with the houston film commission , has been the industry directory used by producers , location managers , event planners , national trade conventions , ad agencies , and corporations when seeking houston area production equipment , crews , editors , cameras , studios , graphics , music , talent , or even caterers , restaurants , hotels , limos , aircraft , tents , etc . – the houston production guide is the source .
so far , the most successful transmedia franchises have emerged when a single creator or creative unit maintains control over the franchise . hollywood might well study the ways that lucasfilm has managed and cultivated its indiana jones and star wars franchises . when indiana jones went to television , for example , it exploited the medium’s potential for extended storytelling and character development : the young indiana jones chronicles showed us the character take shape against the backdrop of various historical events and exotic environments . when star wars moved into print , its novels expanded the timeline to show us events not contained in the film trilogies , or recast the stories around secondary characters , as did the tales of the cantina series , which fleshes out those curious - looking aliens in the background of the original movie . when star wars went to games , those games didn’t just enact film events ; they showed us what life would be like for a jedi trainee or a bounty hunter .
with this thin veneer of medical ' therapy ' , or whatever , these films were being shown in these little underground cinemas and so on around the place . they were all essentially softcore , and we decided to make a kind of send - up of one , really . not because we wanted to do a send - up , but because we didn ' t think we wanted to do a genuine one . we just wanted to make a fun film about sex !
still , sometimes the very texture of the film , and the information that surrounds the characters on the screen , make it worth seeing . i didn ' t believe in james caan ' s cons , but i believed him , and at times like that it ' s helpful to stop keeping score and live in the moment . between the caan and dillon characters there are atmosphere , desperation and romance , and , at the end , something approaching true pathos . enough .
crew call : independent short film ruby and ray is seeking crew for a july 20th - 22nd shoot in houston / huntsville areas . synopsis : in birmingham , alabama 1961 a teenage interracial couple strive to gain perspective in a relationship under the pressure of society , expectations and advantages . crew needed : director of photography , audio , hair and makeup , grip , production assistant . when applying for crew positions , please submit reel link . positions are unpaid . rubyandrayshortfilm @ urltoken
how to get to the festival screenings during the jdiff take place in six cinemas across dublin . five of the festival cinemas are located within walking distance of each other in the city centre : the savoy , cineworld , the screen , lighthouse cinema and the irish film institute . the sixth cinema , movies @ dundrum is located at the dundrum village centre and can be reached from the city centre with the green luas tram line which departs from st . stephen ' s green .


earth and ashes ( persian : خاکستر و خاک ) is a 2004 afghan film directed by atiq rahimi .

it was afghanistan 's submission to the 77th academy awards for the academy award for best foreign language film , but was not accepted as a nominee .

it was also screened in the un certain regard section at the 2004 cannes film festival .

it won the golden dhow award at the 2005 zanzibar international film festival .

earth and ashes

earth and ashes by atiq rahimi 68pp , chatto & windus , £9 . 99
earth and ashes and over 2 million other books are available for amazon kindle . learn more
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scattering by air – a very symbolic gesture of freedom and release , scattering ashes into the air is a versatile method used to disperse remains on private and public lands . after the scattering , the ashes can be ceremonially raked into the ground or left alone for the earth to claim .
' ashes to ashes ' derives from the english burial service . the text of that service is adapted from the biblical text , genesis 3 : 19 ( king james version ) :
and the angel took the censer , and filled it with fire of the altar , and cast it into the earth : and there were voices , and thunder , and lightning , and an earthquake .
and the angel took the censer , and filled it with fire of the altar , and cast it into the earth : and there were voices , and thunderings , and lightnings , and an earthquake .
a novella written by afghan author atiq rahimi , earth and ashes paints an accurate picture of afghanistan during the soviet invasion . dust , tears , heartbreak - - earth and ashes focuses on a grandfather and his grandson , both of whom are visiting the grandfather ' s son ( the grandson ' s dad ) to inform him of horrific news that threatens to rip their family apart . a compelling read .
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the prayers have gone up , and the sprinkling of the ashes earthward is the symbol of the answer descending from heaven . we may recall the similar action of moses before pharaoh , when he took ashes of the furnace and sprinkled it towards heaven , but it descended towards earth , as a symbol of the plague about to fall upon the land (
the daughter of a prominent university professor has chosen to join her late father as he orbits earth .
) . the hot ashes are the tokens of the coming judgments . as in the parallel vision in ezekiel (
and there took place thunders , and voices , and lightnings , and an earthquake .
revelation 8 : 5 commentaries : then the angel took the censer and filled it with the fire of the altar , and threw it to the earth ; and there followed peals of thunder and sounds and flashes of lightning and an earthquake .
we don’t contribute to light pollution nor add to the ever - growing number of objects accumulating in earth orbit .
the term has been used frequently in literature and song lyrics . ashes to ashes is the title of a 2009 bbc television series . it was also used as a song title by david bowie in 1980 , which included one of his best - known lyrics :
scattering by trench – after a shallow trench or grove is dug into the soil , the ashes are ceremonially poured in and then covered with soil . the trench can simply be a hole , or shaped into a symbol or to spell out a word . some people scatter ashes using the trench technique on a beach and time it so the tide comes , breaks down the uncovered trench , and washes the ashes out to sea .
forasmuch as it hath pleased almighty god of his great mercy to take unto himself the soul of our dear brother here departed , we therefore commit his body to the ground ; earth to earth , ashes to ashes , dust to dust ; in sure and certain hope of the resurrection to eternal life , through our lord jesus christ ; who shall change our vile body , that it may be like unto his glorious body , according to the mighty working , whereby he is able to subdue all things to himself .
5 . cast it into the earth—that is , unto the earth : the hot coals off the altar cast on the earth , symbolize god ' s fiery judgments about to descend on the church ' s foes in answer to the saints ' incense - perfumed prayers which have just ascended before god , and those of the martyrs . how marvellous the power of the saints ' prayers !
grief journey – cremation ashes don’t have to be scattered all in one place . if you divide the remains into several small containers you can scatter the ashes wherever you see fit . plan a vacation to visit places of significance , or make a spiritual pilgrimage . another option is to keep the ashes in an urn and remove a tablespoon or two for scattering whenever you travel or move to a new place .
scattering by burial – similar to the trench method but more akin to a traditional cremation burial , except the ashes are buried in a location other than a cemetery . the ashes can simply be poured into the hole or placed in a biodegradable urn for burial .
aerospace engineer , test pilot , united states air force pilot , and as one of the seven original astronauts in project mercury orbited the earth aboard faith 7 .
cremation ashes may be scattered personally or through a service depending on the method of dispersal . if you choose to perform your own ash scattering , it is best to have one person at a time control the release from the container while the others observe . a group may take turns doing a partial scattering one at a time , or they might release the ashes simultaneously from smaller containers each containing a portion of the ashes .
however the scattering takes place , it is important to cast the ashes downwind to keep the remains from blowing onto your party . cremation ashes are not in any way a health risk , but some may find the contact disturbing or disrespectful . the ashes will consist of dense , sand - like matter and a few bone fragments that will likely fall to the ground quickly , but some will remain airborne in the form of a whitish - gray cloud upon dispersal .
the 16th celestis memorial spaceflight will launch into earth orbit late this year from nasa’s kennedy space center , florida . reservations are still open .
ascension release – instead of being dispersed from the ground , another option is to have the ashes scattered from the sky . this is usually done by professionals , who cast the ashes from a private plane over sea or land . other options include - but are not limited to - hang gliders , hot air balloons and weather balloons . some will allow you to do the scattering yourself or will coordinate with your ceremony to fly over and scatter the ashes so that the dispersal can be seen from the ground .
lit . ,
from or out off the fire ,
i . e . , the coals or hot ashes . for ἐκ out off see on
a foreboding black - doom metal dirge , meditating on a dark world caked in ash , resulting from all the earth’s nuclear arsenal detonating at once .
there is no carping to be done with the details of a book such as this , because the text so manifestly serves noble purposes of consciousness and of conscience . earth and ashes is an ethical act that must be taken as a whole ; it transcends the ordinary categories of literature . rare is the book that warrants , for its moral illuminations , such pure esteem .
and cast it into the earth - margin , upon . the margin expresses undoubtedly the meaning . the symbol , therefore , properly denoted that fearful calamities were about to come upon the earth . even the prayers of saints did not prevail to turn them away , and now the symbol of the scattered coals indicated that terrible judgments were about to come upon the world .
( revised version ) . the angel now returns to the altar of burnt offering , whence he takes fire , which he casts upon the earth . this action denotes that god ' s judgments are about to descend on the earth , and it therefore forms the visible token of god ' s acceptance of the prayers of the saints , and his answer to them .
celestis provides an easy - to - use tracking tool that lets family and friends track the mission ' s progress as the celestis satellite orbits the earth or makes its way into deep space .
in addition to the more traditional avenues of cremation burial or preservation in a columbarium , the scattering of ashes is a meaningful and time - honored means of memorializing a loved one after cremation . there are several methods for the release of ashes that can be personalized in any number of ways . much of the decision depends on the wishes of the deceased and how those left behind want to honor that person’s memory . consider your choices carefully ; once the ashes are scattered they are gone forever , unless you keep a portion of the remains for remembrance or as part of a keepsake .
earth and ashes is a story of such spareness and power it leaves the reader reeling . set during the russian occupation of afghanistan , it is a fable about war , family , home and tradition . an old man and his grandson sit in a deserted landscape of dusty roads and looming mountains . what are they waiting for ? as we watch them we learn their story . . . atiq rahimi has managed to condense centuries of afghan history into his short tale of three very different generations . at the same time , he has created a story that is universal in its power .
for all the sympathy the book generates , the characters remain in many ways bewildering to a western reader . here one is forced to accept a culture different not only on its surface but also in its very conception of human relations . these characters think things we would never think and act in ways we would never act . earth and ashes opens a way into afghan life but keeps that life unfamiliar . this is one of its triumphs : it does not allow its readers the arrogance of identification .
“anyone seeking to understand why afghanistan is difficult and what decades of violence have done to its people should read atiq rahimi . he is a superb guide to a hard and complex land . ” —ryan crocker , former us ambassador to pakistan and iraq , and us envoy to afghanistan “the blasted dreamscape of rahimi’s story and his tightly controlled prose make this a sobering literary testament to the horrors of war . ” — publishers weekly “it has the feel of a book of great antiquity and authority ; you could more readily level the afghan mountains than damage the dreaming culture that earth and ashes both embodies and silently trusts . ” — london times “with this novel rahimi picks up a shard of broken glass and sees the whole truth of his devastated country . ” — der spiegel ( germany )
. on these coals no incense was placed , but they were thrown at once to the earth . the new emblem , therefore , is the taking of coals , and scattering them abroad as a symbol of the destruction that was about to ensue .
. this is a new symbol , designed to furnish a new representation of future events . by the former it had been shown that there would be much prayer offered ; by this it is designed to show that , notwithstanding the prayer that would be offered , great and fearful calamities would come upon the earth . this is symbolized by casting the censer upon the earth , as if the prayers were not heard any longer , or as if prayer were now in vain .
there are a variety of creative options for how and where the ashes are scattered . often , cremated remains are dispersed at a place that had personal or philosophical significance to the deceased . it can be a favorite destination such as a beach , forest or meadow ; or someplace that reflects the person’s everyday life such as a park , golf course or even their own home . keep in mind when choosing a location that there are laws governing the scattering of cremation remains . these laws vary from state to state and will affect how and where the ashes can be scattered , and whether you will need a permit to do so .
memorial crafting – a portion of the remains can be preserved inside a keepsake…or crafted into one . for example , a small amount of ashes can be handcrafted into glass - blown tokens , jewelry or glass art and inscribed with a memorial message . cremation ashes can also be mixed into charcoal , paint and tattoo ink , or used in a more involved process to create objects such as fireworks or even diamonds . many memorial crafts such as these are created by artists all over the country , so take the time to explore what possibilities are available to you .
atiq rahimi ( b . 1962 , kabul ) moved to pakistan in 1984 and finally to france where he received political asylum ; he then studied at the sorbonne . in 1992 - 1995 he shot several documentaries for french television . in 2000 his first novel , earth and ashes , was warmly received by french critics , and in 2004 the author transferred it to the screen as his first feature . the film was chosen for the section un certain regard at the recent festival in cannes . rahimi published another novel in france in 2002 , les milles maisons du rêve et de la terreur .
create and plan additional remembrances and celebrations as the spacecraft orbits overhead or reaches key locations .
atiq rahimi’s earth and ashes tells an enormous story by way of a very small one . the narrative , written in the second person , describes the journey of an old man , dastaguir , with his grandson , yassin . they are going to see the grandfather’s son , the grandson’s father , murad , who works in a mine and wasn’t at home when his afghan village was destroyed by the russians and nearly everyone was killed . the first half of the book describes dastaguir’s wait with yassin at the roadside checkpoint for a truck to take them the final leg of their weeklong journey to the mine ; the second half is about dastaguir’s ride to and arrival at his destination .
earth and ashes is the spare , powerful story of an afghan man , dastaguir , trying desperately to reach his son murad , who has left his village to earn a living working at a mine . in the meantime the village has been bombed by the russian army , and dastaguir , with his newly - deaf grandson yassin in tow , must reach murad to tell him of the carnage . the old man is beset on all sides by sorrow , that of his grandson , who cannot understand , that of his son , who does not yet know , and his own , made even crueler by the message he must deliver .
brevity is the sister of talent ,
wrote anton chekhov , thinking of his short stories , in 1889 . his comment applies equally , if uneasily , to the heterogeneous fictions caught between the novel and the short story . post - conrad , james , woolf and rhys , the short novel is still often seen as a second - class form , lacking both the novel ' s scope and range and the manoeuvrability of the short story proper , which raymond carver loved because it
can be written and read in one sitting
. when the writing calls for a more muscular definition , publishers offer unwieldy conjunctions (
short fictions
,
short prose
) or duck the question altogether with
shorts
. two fictions from france , earth and ashes and desolation , inhabit this genre - bending ground .
the story of the village ' s destruction emerges bit by bit , while dastaguir distracts himself from his grief with simple objects : an apple , stones , chewing tobacco . following the old man ' s jumps of attention , earth and ashes progresses in choppy , disconnected paragraphs . even its conversations fail : yassin , deafened by the blast , repeats
water !
,
all dead
or
don ' t !
, unresponsive to his grandfather ' s pleas and rebukes . his uncomprehending deafness mirrors the book ' s own strangeness : filtered through dastaguir ' s apathetic gaze , its gathered fragments remain oddly unaffecting .
8 : 1 - 6 the seventh seal is opened . there was profound silence in heaven for a space ; all was quiet in the church , for whenever the church on earth cries through oppression , that cry reaches up to heaven ; or it is a silence of expectation . trumpets were given to the angels , who were to sound them . the lord jesus is the high priest of the church , having a golden censer , and much incense , fulness of merit in his own glorious person . would that men studied to know the fulness that is in christ , and endeavoured to be acquainted with his excellency . would that they were truly persuaded that christ has such an office as that of intercessor , which he now performs with deep sympathy . no prayers , thus recommended , was ever denied hearing and acceptance . these prayers , thus accepted in heaven , produced great changes upon earth . the christian worship and religion , pure and heavenly in its origin and nature , when sent down to earth and conflicting with the passions and worldly projects of sinful men , produced remarkable tumults , here set forth in prophetical language , as our lord himself declared , lu 12 : 49 .
there is some variety among the mss . in the order of the words here used . some place “lightnings” before “voices . ” these signs and sounds herald the approach of judgments . god has arisen in answer to the cry of his people . “the earth shook and trembled . there went up a smoke and a fire : coals were kindled at it . at the brightness that was before him his thick clouds passed , hailstones and coals of fire . the lord also thundered in the heavens , and the highest gave his voice , hailstones and coals of fire . yea , he sent out his arrows , and scattered them : he shot out lightnings and discomfited them . . . he delivered me from my strong enemy” (
scattering by water – the remains are scattered onto a body of water from the shore , a dock or a boat . loved ones may place flowers , petals or floating candles into the water alongside the remains as a tribute . these will float on top of the water while the ashes sink below the surface .
written by atiq rahimi , an afghan political exile in paris , and translated by erdag m goknar , earth and ashes was acclaimed in france as a baffling
prodigy
.
novel , short story , fable ?
wondered one critic . at barely 60 pages , the question is apt . rahimi ' s book follows an old man , dastaguir , and his grandson , yassin , sole survivors of a russian bomb that devastated their village , as they carry the news to the mine where the boy ' s father works . their long wait at a dusty border post is narrated by dastaguir in a strained second person , both inviting the reader to share his experiences and insisting on his own detachment from them . the cumulative effect is one of shocked numbness : the old man speaks to himself as though to a stranger , issuing fragmented pleas , questions and instructions :
put the box back . think of something else .
celestis memorial spaceflights make the dream of spaceflight a reality by launching a symbolic portion of cremated remains into near - space , earth orbit , to the lunar surface or even beyond . you or your loved one will venture into space as part of a real space mission , riding alongside a commercial or scientific satellite .
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took ) the censer , and he filled it from the fire of the altar , and cast it ( i . e . ,
voices , and thunderings , and lightnings—b places the
voices
after
thunderings .
a places it after
lightnings .
at the memorial service preceding , families share life stories and share a contemplation of the next day’s launch . as the countdown reaches zero and liftoff occurs , an overwhelming emotion of joy and completion prevails .
earth and ashes ‘s story is just eighty - one pages long , more the length of an epic poem than a novel . it shares with poetry a simultaneous richness and discipline of language – one feels the economy of expression in every sentence , but there is a lushness , too , in the barren context of the narrative . the most lyrical writing is inside quotation marks , the author giving his characters a more poignant eloquence than he claims for himself , an eloquence that the translation seems to sustain . a shopkeeper says to dastaguir , “you know , father , sorrow can turn to water and spill from your eyes , or it can sharpen your tongue into a sword , or it can become a time bomb that , one day , will explode and destroy you . ” yassin has gone deaf from the sound of the bombs , but he attributes the quiet to the world rather than to himself , and he says , “the bomb was huge . it brought silence . the tanks took away people’s voices and left . they even took grandfather’s voice away . grandfather can’t talk anymore , he can’t scold me . ”
the caring and experienced professionals at solimine funeral homes are here to support you through this difficult time . we offer a range of personalized funeral , memorial and cremation services to suit your family’s wishes and requirements .
the often spare and elliptical narration , and the very effective descriptions of the weariness and worry of the most simple actions and exchanges , work very well . this is a powerful , understated work - - but in conveying the complete crushing of these souls so well is also horribly , horribly bleak .
has murad turned away from tradition and family , and embraced the ways of the outsiders ? has he forgotten what matters ? it all turns out to be more complicated ; it also turns out that dastaguir and murad and yassin have been entirely disenfranchised , powerless against those who can much more easily ( and forcefully ) impose their will . ultimately , too , there is nowhere for them to turn , and dastaguir and yassin will , essentially , walk back out into the wilderness , as their world has been taken from them .
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directed by : atiq rahimi produced by : les films du lendemain genre : fiction - runtime : 1 h 45 min french release : 05 / 01 / 2005 production year : 2004 dastaguir sits besides the side of a road , his little grandson yassin by his side . the desolate afghan landscape spreads out around him : a partially destroyed bridge , a dry riverbed below , arid mountains in the distance , and a long , dusty road reaching its vanishing point at the horizon . the road leads to a distant mine - - a destination dreaded and yet sought out by dastaguir . he reluctantly undertakes this journey to see his son , yassin ' s father , who works at the mine . he must tell him that their village has been bombed and their family killed . it ' s a difficult task for the old man who is torn between his own grief , unbearable solitude and the codes of honor so deeply engrained in the afghan soul . while struggling with so many conflicting emotions , dastaguir comes across various strangers on his way : a grumpy guard in his sentry house , a philosophical merchant , a mysterious veiled woman who endlessly waits , and other victims of this vile war that continues elsewhere , off screen .
earth and ashes
is a fable about devastating loss , redemption and the perseverance of the human spirit when confronted with the atrocities of war . more info : urltoken
which being here more generally mentioned , are by and by more particularly expressed .
there is not another memorial service as compelling as a celestis memorial spaceflight . each launch is a tribute event , attended by friends and family from around the globe . the celebration includes launch site tours and interaction with astronauts and space experts .
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oscar winners morgan freeman and john legend added as presenters along with j . j . abrams , sacha baron cohen and henry cavill dave grohl will give a special performance
kristen bell and michael b . jordan to host academy ' s sci - tech awards
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short novels lend themselves to fable and allegory , constantly negotiating between their own neatly bounded spaces and the tangled sprawl of politics and society . where the 1 , 400 - page sweep of war and peace , say , is inextricably engaged with the society it describes , retreat to the confines of a novella may suggest the deliberate isolation of dissent .
and the angel took the censer , . . . . the golden one before mentioned , the use of which was to take and carry in it burning coals of fire :
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please note that these ratings solely represent the complete review ' s biased interpretation and subjective opinion of the actual reviews and do not claim to accurately reflect or represent the views of the reviewers . similarly the illustrative quotes chosen here are merely those the complete review subjectively believes represent the tenor and judgment of the review as a whole . we acknowledge ( and remind and warn you ) that they may , in fact , be entirely unrepresentative of the actual reviews by any other measure .
, & c . ; ] “voices” and “thunders” should be transposed . we have similar signs in
celestis ceo and co - founder , charles chafer , describes his meeting with arthur c . clarke and how celestis will fly arthur c . clarke ' s dna to the moon . read more
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jackie chan , anne v . coates , lynn stalmaster and frederick wiseman to receive academy’s 2016 governors awards
the river creates and the river destroys in an eternal cycle that even man can ' t escape .
a poker - playing restaurateur and former traveling salesman befriends a group of refugees newly arrived to finland .
neurotech is the perfect combination of electronics and metal . this song has helped me before , listen .
on their third album , khemmis move further away from doom and into full - on power metal .
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after the rise of the taliban in afghanistan and the restriction of women in public life , a pre - teen girl is forced to masquerade as a boy in order to find work to support her mother and grandmother .
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kathy baker , o’shea jackson jr . , freida pinto and jimmy smits to perform at academy nicholl fellowships live read
atiq rahimi ( عتیق رحیمی ) was born in afghanistan in 1962 , and has lived in france since 1984 .
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) , physical disturbances here accompany the manifestation of god’s wrath and judgment . in answer to the prayers and longings of the saints ( renan , 393 ) , god at last visits the impenitent pagan world with a series of catastrophes (
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i read a lot a lot . to discover a writer who ' s little known in anglosaxonia , who tells a simple , everyday tale with the power , the beauty and the brilliance of this tiny book is a rare and wonderful event . it ' s about afghanistan as occupied by russia , but it ' s really about what we do in war and what goes unoticed by the politicians who sit in comfortable offices and order the killings to occur . rahimi ' s other books are equally extraordinary . i read this in one glued to my chair sitting and rushed out to buy his others !
lacma and the academy co - present a major u . s . exhibition highlighting the prolific career of mexican cinematographer gabriel figueroa
elderly dastaguir and his newly deaf 5 - year - old grandson yassin hitchhike and walk , but mostly walk , as they make their way to the coal mine where dastaguir ' s son murad works . dastaguir . . . see full summary »
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
. the order is not the same here as there , but lightnings , thunderings , and voices are mentioned in both .
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atiq rahimi , whose reputation for writing war stories of immense drama and intimacy began with this , his first novel , has managed to condense centuries of afghan history into a short tale of three very different generations . but he has also created a universal story about fathers and sons , and the terrible strain inflicted on those bonds of family during the unpredictable carnage of war .
the academy continues residency at the metrograph theater in new york with “the ballad of gregorio cortez” and tribute to george a . romero
slowly , dastaguir ' s story can be pieced together , as it is explained why he is here now , and , for example , why the young boy is now deaf ( though the boy himself barely realizes it ) . the story is set during the soviet occupation of afghanistan in the 1980s . while not indomitable , the foreigners are a powerful presence and the crushing force they can apply directly - - and horribly - - affected dastaguir and the village he comes from ; they also control the mine where murad works .
yasmina reza , another parisian , has drawn on camus and houellebecq ' s brutal accounts of alienation for her own short novel . in desolation , translated by carol brown janeway , the ageing narrator , samuel , addresses a series of reflections and complaints to his absent son . samuel ' s mordant comments balance precariously between relish and bitterness : their acerbic charm is always on the verge of turning rancid .
this is an extraordinary short story or novella . it is the story of a grandfather and grandson travelling together to find their son / father respectively . it sounds like a simple story , but it is based during the russian occupation of afghanistan and blends great tragedy with honest thoughts and feelings of the characters whilst also making reference to the eleventh century , persian , book of kings . it is absolutely transferrable to the present day and could easily be a story of a family in the very recent past ! this book was a recommendation for me based on other books i had read . it was a great recommendation and i will definitely read more from this author .
the book is partly allegorical : the characters represent the problems of afghanistan and stand in for a much larger ravaged population . it conveys with heartbreaking clarity the quality of a destroyed country and its courageous , nearly annihilated inhabitants . what is perhaps most terrifying of all is that this book is set during the russian invasion of afghanistan ; this is how bad things were before the mujahideen and the taliban . we have become somewhat inured to the horror , so much of which we witnessed on news broadcasts , until we thought we knew it . here it is once again made incomprehensible to us . dastaguir and murad and yassin are the voices of this national despair , but the book is also the compelling narrative of individual afflictions . your heart is in your throat as dastaguir approaches the mine ; you are deeply pained by the sadness and confusion with which he approaches a world broken beyond recognition ; and you are filled with wonderment at the unbreachable fact of his survival . we get lost in his dreams and in his fears and most of all in his immediate quandary : is it better to go and tell murad what has happened , to bring such miserable news to someone who may now be innocent of it , or would it be better to turn around and go home , leaving murad some further time to live without this knowledge , which cannot do anything but injure him ? then again , would it injure him less to hear of it from his old father than to hear the dread words from a stranger ?
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here , is to be understood the wrath of god , often in holy writ compared to fire , poured out upon the roman empire , or the visible church . upon which followed great judgments , and confusions , and tumults , expressed here , or ushered in , as before ,
is a novella of only sixty - seven pages , set on a single day , with barely any action . dastaguir has traveled with his grandson , yassin , to the mine where his son - - and the boy ' s father - - murad works . murad left their village four years earlier , and he has only been back four times since - - though most recently just a month earlier . grandfather and grandson wait to hitch a ride for the last stretch , encountering only a few people - - among them the guard on the road and a shopkeeper .
canadian actor , known for his role as lt . commander montgomery scott (
scotty
) in the television and film series star trek .
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finally i ' ve got some money to buy neurotech ' s discography ! and if i had , i would give much more than now and maybe than i will ever have . this music is great , especially stigma , my favorite album for 3 years . it ' s beautiful , i still replay that songs ( as well as from other albums ) and i ' ve never tired of it like it usually happens with all artists .
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elderly dastaguir and his newly deaf 5 - year - old grandson yassin hitchhike and walk , but mostly walk , as they make their way to the coal mine where dastaguir ' s son murad works . dastaguir must tell murad that the rest of their family were all killed in a recent bomb attack .
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. the meaning must be , to represent the same instrument as obtaining god’s mercy on his people , and executing his vengeance on his enemies : cf .
old dastagir and his grandson yassin climb out of a truck in the middle of the arid afghan landscape and set out on foot along a dusty road . they eventually come to a bridge over a dry riverbed . their road continues through the desert to a far away valley where yassin’s father is supposed to work . the old man tries to find a truck that’s going their way . he wants to tell his son that bombs have destroyed their village and that only he and yassin survived . hours pass by and in his sorrow the exhausted old man doesn’t know what to do . he is trapped in his thoughts of the terrible night when his whole family died and little yassin went deaf . because he is afraid that the horrifying news will evoke righteous anger in his son and a desire for revenge , he somewhat subconsciously postpones their meeting . he confides his worries in the people he meets : the bridge guard , a kindly shopkeeper , and a mysterious woman who is also waiting – all are victims of a war which is still going on somewhere off screen . based on his own novel , the filmmaker located the movie on the road connecting kabul with northern afghanistan , which passes through an incredibly photogenic landscape : an undulating desert between mountains . the timeframe of the old man’s journey to find his son is not precisely specified , thus the story takes on the nature of a parable of desperation caused by destructive loss , and of the need and ability of the human spirit to face the horrors of war . the director cast non - actors from among the local inhabitants .
comment : ex library book with usual stamps and stickers . uk expedited shipping available on this item for 4 . 99 . fast shipping . excellent customer feedback .
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, where the man clothed in linen is commanded to go between the wheels under the cherub , and fill his hands with coals of fire from between the cherubims , and to scatter them over the city as a symbol of its destruction . here the coals are taken , evidently , from the altar of sacrifice . compare the notes on
i read this book after finishing chris hedges ' superb hymn to thanatos ,
war is a force that gives us meaning .
this short book , also written with depth , clarity and beauty , is the
amen
to mr . hedges book . both books highly recommended for those who praise war & support the so - called
war on terror .
and for those who have experienced war ? dreams are revived and some dragons are hopefully laid to rest . deep thanks to both writers .
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in a brief few pages , atiq rahmi conjours up the devastation of war on a human level . a penniless old grandfather and his grandson , yassin , deafened from the effects of war ( from noise or shock , we don ' t know ) are making the laborious journey to the mine where murad , yassin ' s father , and the only surviving member of the family , is working . the rest of the family has been massacred by the soviets invading afghanistan en route they meet several characters , all in their own way affected by the war . the guard at the bridge , the shop keeper , the truck driver and murad ' s boss , all surviving as best they can . in spite of the brevity of this book the profound feeling of damage and loss that it leaves with its reader is a measure of its power . my book had only 54 pages and presumably was an edited version for younger readers . i would love to read the full version , which is no doubt even more powerful and thought provoking .
like meursault and the narrator of whatever , samuel is isolated and imprisoned within the confines of a short novel .
is there a reality outside oneself ?
he wonders .
explain travelling to me ,
he begs his globetrotting son , who has betrayed his father by joining the contemptible
mass of normal people who aspire to happiness
.
the wanderings of an old man and his grandson through the arid but gorgeously photogenic landscape of northern afghanistan , devastated by a war which has been going on for 23 years .
one of the original mercury 7 astronauts , l . gordon cooper , jr . was an american hero and a true space pioneer who helped lead america into the space age .
celestis ambassador marc lee honors wende doohan , her late husband james doohan ( star trek ' s
mr . scott
) and all those who inspire us . read more
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