chamaram is a 1980 malayalam film written by john paul puthusery and directed by bharathan starring nedumudi venu , zarina wahab , prathap pothan , ratheesh .

the story is about the tumultuous affair between a student and his college lecturer , an uncommon type of love story in indian cinema .

this film has the evergreen song " nadha nee varum kalocha kelkkuvan " sung by s. janaki .

chamaram

is a malayalam drama movie , directed by bharathan . the cast of chamaram includes prathap k . pothan , zarina wahab .
veteran john paul’s scripts are an all - time treat for movie buffs and his first film as a scriptwriter , ‘chamaram , ’ too was well received for its pristine theme then . however , the ace writer recently said that chamaram , helmed by bharathan was based on his own college life .
the master craftsmanship of this gifted writer gave the malayali audiences such memorable films like
chamaram
,
ormaykayi
and
yatra
. these films were characterised by their boldness in approach , the freshness of the theme and a treatment entirely set against the regular conventions .
but the real break came when bharathan , a man who made films with the visual beauty of paintings , asked him to pen a script with campus as the main theme .
chamaram was my first venture as a scenarist . later , the association grew into personal friendship and we worked together for 14 films ,
says john paul .
nedumudi venu is thrice the recipient of the national film awards and six state awards . he started his career through the dramas of kavalam narayana panicker . later , he debuted in the cinema field through the movie ‘thambu’ in 1978 . nedumudi venu received the first state award in 1980 for the picture ‘chamaram’ . ‘oru minnaminunginte nurunguvettam’ , ‘baratham’ , ‘ santhwanam ’ , thenmavin kombath , and ‘margam’ won him five more awards . ‘ paavada ’ , ‘ charlie ’ , ‘ nirnayakam ’ , and ‘oru second class yathra’ are his recent films . 6 . prithviraj sukumaran
chamaram directed by bharathan portrays the love life of a college teacher ( zarina wahab ) and shows how all her loved ones desert her . indhu is the daughter of a widowed rural father and is in love with balettan ( rathesh ) . she moves to the city as she gets a job as a lecturer and balettan frequently visits her in the hostel . one of her students vinoth ( prathap k . pothan ) falls in love with her and tries to impress her . but when he proposes to his teacher , she tells him about her relationship with balettan and that she is going to marry him over the college break . vinoth acknowledges this fact but tells her that he still loves her and leaves sadly . when indhu returns to her home she is shocked to know that balettan is married to another girl due to a confrontation with her father . her father did not like balettan from the beginning and he has also developed a relationship with another woman in the neighbourhood . dejected by her own misery she returns to college and finds vinoth coming to her emotional rescue . she spends a night with him and they both decide to marry soon . in the meanwhile vinoth had enmity with one of his college mates and they develop a quarrel on the night of college day celebrations . the story has a final twist as vinoth is chased by his rival and indhu by her own destiny .
a popular online quoted his words “the story of my first movie was based on the life that i had experienced in my campus . though the script was inspired by the novel written by balakrishnan mangad , a large part of the movie was based on my college life . ”
meanwhile , john has recently acted in aashiq abu’s gangster , in which he plays uncle sam , an underworld don .
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top 75 songs of salil chowdhury | k . j . yesudas , s . janaki , p . leela | one stop jukebox | malayalam
< p > size : 10 inches . < / p > < p > < strong > venchamaram is one of the sodacha upachara article for god < / strong > < span > . venchamaram has yak ( a kind of deer ) hair fixed to a handle . arthi venchamaram handle use to be in wood / silver / brass etc . venchamaram specification is referred in inches of the handle length . venchamaram hair length and bunch thickness increases as handle size increases . venchamaram is swayed even for king’s olden days . venchamaram swaying has two attributes one is welcoming with the best honor and second is air swivel . venchamaram in tamil is referred as kavariman hair visiri also . in some temple festivals big size arthi venchamaram are carried in front of the deity in the procession . < / span > < / p > < p > size : 10 inches . < / p > < p > < strong > venchamaram is one of the sodacha upachara article for god < / strong > < span > . venchamaram has yak ( a kind of deer ) hair fixed to a handle . arthi venchamaram handle use to be in wood / silver / brass etc . venchamaram specification is referred in inches of the handle length . venchamaram hair length and bunch thickness increases as handle size increases . venchamaram is swayed even for king’s olden days . venchamaram swaying has two attributes one is welcoming with the best honor and second is air swivel . venchamaram in tamil is referred as kavariman hair visiri also . in some temple festivals big size arthi venchamaram are carried in front of the deity in the procession . < / span > < / p >
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. venchamaram has yak ( a kind of deer ) hair fixed to a handle . arthi venchamaram handle use to be in wood / silver / brass etc . venchamaram specification is referred in inches of the handle length . venchamaram hair length and bunch thickness increases as handle size increases . venchamaram is swayed even for king’s olden days . venchamaram swaying has two attributes one is welcoming with the best honor and second is air swivel . venchamaram in tamil is referred as kavariman hair visiri also . in some temple festivals big size arthi venchamaram are carried in front of the deity in the procession .
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the beautiful zarina has conveyed her character elegantly and has scored on both charm and emotions . prathap pothan has also come up with a clean performance . nedumudi venu playing the role of student and church father has contributed to the occasional humor and a realistic touch to the movie . the heartwarming background music deserves special mention and the opening song
nadha nee varum
is pleasing to the eyes and ears .
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kochi , may 9 . when john paul speaks , his words take us back to the early eighties of malayalam cinema . the mantle of cinema then was taken up by some spirited directors and writers . films thus came out of the cocoon of drama and portrayed human emotions in a realistic manner .
how did john paul , one - time journalist and a bank employee , enter filmdom as a script writer ? john paul rules out the common expectations of a family lineage in cinema and attributes it to the sheer passion celluloid evoked in him during the seventies .
i was working with the features section of the now defunct kerala times . dr . sebastian paul , present ernakulam mla , was in charge of the section . i used to write features and other articles on cinema . this was one factor which drew me close to the medium .
the mapping of human emotions in cinema and the immense potential it holds enthused me to enter the world of films . i was also an active member of the ernakulam film society ,
he says .
enter i . v . sasi , a hitmaker of the eighties , and john paul was asked to suggest a story for his forthcoming film . the director took the young writer to veteran playwright , thoppil bhasi . the film
njan njan mathram
was the outcome of the meeting between thoppil bhasi and john paul .
there were times when he used to complete 14 films in a row and still continue to churn out films with a class of their own .
the characters he brought out through the excellent acting of bharat gopi in
ormaykayi
and nedumudi venu in
vidaparayum mumbe
still remain fresh in the minds of the malayali audience .
with the prathap pothan directed , mohanlal starer ,
yatramozhi
, john paul took a temporary break from writing scripts . he then went on to build the malayalam cine technicians ' association ( macta ) with his friends in the industry .
macta has grown into a major association of malayalam cinema . it helped in evolving a sense of fraternity among the members ,
he says .
john paul turned producer with the m . t . vasudevan nair directed film ,
oru cherupunchiri
. the film won the best director award for mt and bagged the award for the best environmental film at the national film awards .
oru cherupunchiri
has also been invited to participate in the munich international film festival . the film won the special jury prize at the international film festival held in mumbai recently .
discussions are on for another film with mt by the end of the year . he also plans to screen
oru cherupunchiri
in the overseas film markets .
cinema gave me the energy to take up challenges in life . i am also planning to produce a series of films in the coming years . the quest for different ideas and themes makes me venture into new areas of meaningful cinema ,
he says .
section : southern states previous : hdfc plans insurance cover for slum dwellers next : elementary , dr . ekbal !
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mankada ravi varma ( black & white ) - e . n . balakrishnan ( colour )
ashok kumar ( black & white ) - shaji n . karun ( colour )
k . r . mohanan , rajeevnath , v . k . pavithran - bharathan
this article is issued from wikipedia - version of the 10 / 14 / 2016 . the text is available under the creative commons attribution / share alike but additional terms may apply for the media files .
mohanlal was born to viswanathan nair ( father ) and santhakumari ( mother ) in pathanamthitta district of kerala , in the southern part of india on 21st may 1960 . starting his career with a classic villain role , he has now become an outstanding actor of malayalam cinema in kerala . without no doubt , . . .
kamal haasan was born november 7 , 1954 in paramakudi , tamil nadu . he debuted as a child artiste in the film
kalathoor kannamma
( 1960 ) , which was released in the year 1960 . since then , he has starred in nearly 200 films in the major indian languages - tamil , telugu , kannada , malayalam and hindi . . . .
anupam kher was born on march 7 , 1955 in shimla , himachal pradesh , india . he is an actor and producer , known for silver linings playbook ( 2012 ) , a wednesday ( 2008 ) and the big sick ( 2017 ) .
“ anupam kher ( born 7 march 1955 ) [ 2 ] is an indian actor who has appeared in nearly 470 films and 100 plays . [ 3 ] though mainly appearing in bollywood ( hindi ) films , he has had roles in some films from other nations as well most notably the 2013 oscar nominated silver linings playbook , directed by david o . russell . he has held the post of chairman of the censor board and national school of drama in india . [ 3 ] in 2004 , he was honoured with the padma shri by the government of india for his contribution to indian cinema . [ 4 ] kher has won the filmfare award for best performance in a comic role five times , more than any other actor ”
thilakan ( born surendranatha thilakan ) was a malayalam film actor . widely considered one of the greatest actors of indian cinema , he was stubborn , uncompromising and very critical of the way lead actors worked in comparison to character actors . in a span of around 40 years , thilakan handled a huge . . .
probably the best actor india ever produced and one of the most versatile and gifted actor in the world . thilakan was stubborn , uncompromising and very critical of the way lead heroes . but his actiing capabilities were well above a normal actor can think of . he is one of the few actors along with jagathy sreekumar whom movie industry didn ' t exploit well . . .
malayalam film actor mammootty was born to ismail ( an agriculturist ) and fatima ( a homemaker ) . he had two younger brothers ibrahim and zakariah ; and three sisters , ameena , sauda and shafina . he did his high school ( pre - degree ) at maharaja ' s college , thevara and then studied law at ernakulam . . .
son of well known poet harivansh rai bachchan and teji bachchan . he has a brother named ajitabh . he completed his education from uttar pradesh and moved to bombay to find work as a film star , in vain though , as film - makers preferred someone with a fairer skin , and he was not quite fair enough . but . . .
naseeruddin shah was born on july 20 , 1950 in barabanki , uttar pradesh , india . he is an actor , known for the league of extraordinary gentlemen ( 2003 ) , a wednesday ( 2008 ) and jaane bhi do yaaro ( 1983 ) . he has been married to ratna pathak shah since april 1 , 1982 . they have three children .
naseeruddin shah actor , the league of extraordinary gentlemen “ he is widely considered to be one of the finest indian stage and film actors . he is an influential actor of the indian parallel ( new wave ) cinema . shah has won numerous awards in his career , including three national film awards , three filmfare awards and one venice film festival . the government of india has honoured him with both the padma shri and the padma bhushan civilian awards for his contributions to indian cinema . in 2013 , his second pakistani film zinda bhaag was selected as an official entry from pakistan to the 86th academy awards in the category of best foreign language film . it also won four international awards at international south asian film festival in canada before released . his contribution of works made him as one of the greatest actor of indian cinema particularly known as bollywood . ”
vishwanath patekar ( born on january 1 , 1951 in murud - janjira , maharashtra , india ) is an actor , writer and filmmaker . he is known for his work on ab tak chhappan ( 2004 ) , raajneeti ( 2010 ) and parinda ( 1989 ) . he made his acting debut in the early 70 ' s and since then has been nominated for multiple . . .
vishwanath
nana
patekar ( marathi : नाना पाटेकर ) ( born 1 january 1951 ) is an indian actor , writer and filmmaker . nana patekar has been awarded padma shri award for his dedication in the field of films and arts in 2013 on the eve of 64th republic day . [ 13 ] nana patekar is the only actor ever to win filmfare awards in the best actor , best supporting actor and best villain categories . [ 14 ] award film year status national film award national film award for best supporting actor parinda 1990 won national film award for best actor krantiveer 1995 won national film award for best supporting actor agni sakshi 1997 won filmfare award filmfare best supporting actor award andha yudh 1989 nominated filmfare best supporting actor award parinda 1990 won filmfare best villain award angaar 1992 won filmfare best supporting actor award raju ban gaya gentleman 1993 nominated filmfare best supporting actor award tirangaa 1994 nominated filmfare best actor award krantiveer 1995 won filmfare best villain award shakti : the power 2003 nominated filmfare best villain award apaharan 2006 won filmfare best supporting actor award raajneeti 2011 nominated star screen awards star screen award best actor krantiveer 1995 won star screen award best villain apaharan 2006 won bengal film journalists ' association awards bengal film journalists ' association - best actor award ( hindi ) ab tak chhappan 2004 won
acclaimed by the critics and the entire world as one of the best actor of his times irrfan khan hails from india . born and brought up in jaipur into feudal nawab family , though had no one from the entertainment field in the family , his passion was acting since childhood . while he was doing his . . .
acclaimed by the critics & the entire world as one of the best actor of his times irrfan khan hails from india . born and brought up in jaipur into feudal nawab family , though had no one from the entertainment field in the family , his passion was acting since childhood . while he was doing his masters . . . “ is an indian film actor known for his works predominantly in bollywood . he is also known for his works in british indian films , hollywood ventures , and a telugu film . he was credited as irrfan khan in the 2012 u . s . film the amazing spider - man . in india , khan gained the reputation of a skilled actor from his roles in bollywood movies such as the warrior , maqbool , haasil , paan singh tomar and rog . he also hosted the tv show mano ya na mano and appeared in popular vodafone commercials . in 2012 he appeared in the lead titular role in paan singh tomar , a biopic about an athlete . both the movie and khan ' s performance received critical acclaim . he has appeared in more than 30 films in bollywood . khan ' s english - language mainstream work includes character roles in movies like the namesake , new york , i love you , a mighty heart , slumdog millionaire , the amazing spider - man , and life of pi , as well as in the hbo series in treatment . khan has won three filmfare awards , a screen actors guild award , and an independent spirit award nomination . he is also the recipient of 2011 padma shri award , the fourth highest civilian award in india . he has garnered the national film award for best actor in the 60th national film awards 2012 , for his performance in paan singh tomar ”
nedumudi venu was born on may 22 , 1948 in alleppey , travancore , india . he is an actor and writer , known for charlie ( 2015 ) , marmaram ( 1983 ) and margam ( 2003 ) .
rajesh khanna , the first superstar of indian and hindi cinema with 74 golden jubilee hits - ( which includes 48 platinum jubilee hits and 26 golden jubilee hits ) & in addition had 22 silver jubilee hits and 9 average hits , was born on 29 december 1942 in amritsar , punjab , india . rajesh entered hindi . . .
after having played the lead actor for more than five decades in over 110 motion pictures , dev anand continues to bestride indian cinema today . he has given a new dimension to that magical state known as stardom . and for his exemplary work he was awarded the padma bhushan in 2001 by the president . . .
salim kumar is an actor and director , known for karutha joothan ( 2017 ) , adaminte makan abu ( 2011 ) and daivame kaithozham k . kumarakanam ( 2018 ) .
salim kumar ( born on 10 october [ birthday 1 ] 1969 ) is a national award winning indian film actor and mimic predominantly acting in malayalam cinema . he is one of the prominent comedian actors of the current generation in malayalam cinema , but has shown his versatility in the drama genre of films , such as achanurangatha veedu , gramophone , perumazhakkalam and adaminte makan abu . [ 1 ] salim kumar ' s role as abu in adaminte makan abu won him both the national award and kerala state award for best actor for the year 2010 . earlier he had won a kerala state film award for the second best actor in 2005 for his role as samuel in achanurangatha veedu . [ 2 ]
tamil superstar from a poor family in tamil nadu , india . his father worked on the railways . on the day of his birth his father , chiniah pillai , follower of mahatma gandhi , was jailed for participating in the independence movement in nellikuppam ( tamil nadu , india ) . he was frequently in and out of . . .
one of the best actor ever graced indian film . he was the son of the write jagathy n achari . he was very active in the school and college drama activities and wanted to be an actor from childhood . since he didn ' t want to use his father ' s name to get a chance in movies , he never revealed about his . . .
sreekumar achary ( born 5 january 1951 ) , better known by his stage name jagathy sreekumar , is an indian film actor known for his work in malayalam cinema . he is popular mainly for his comedy roles . [ 3 ] he has also directed two films and has written screenplays for two films . 2007 kerala state film award ( special jury award ) - ' paradesi , veeraalipattu 2009 kerala state film award ( special jury award ) - raamanam kerala film critics award 2007 – second best actor – classmates , palungu and vaastavam [ 10 ] jaihind tv awards 2008 – jaihind utsav film awards lifetime achievement award for overall contribution to malayalam cinema [ 11 ] 2011 – abhinaya samrat award by jaihind tv [ 12 ] other awards 2003 – bahadoor award for his contributions to malayalam cinema [ 13 ] 2005 – prem nazir award for his contributions to malayalam cinema spanning three decades [ 14 ] 2005 – sathyan memorial award [ 15 ] 2011 - the kochi times film award - best actor in a negative role in urumi . [ 16 ] 2012 – thikkurussy award for most popular actor [ 17 ] 2015 - asianet comedy awards 2015 ( lifetime achievement award ) [ 18 ]
born in south mumbai , kapoor is the second son of film director and actor raj kapoor . he did his schooling with his brothers at campion school , mumbai . his brothers are well - known actors , randhir kapoor and rajiv kapoor . rishi kapoor debuted in his father ' s 1970 film mera naam joker , playing his . . .
rishi kapoor ( born 4 september 1952 ) [ 1 ] is an indian bollywood actor , film producer and director . he received the national film award in 1971 , for his debut role as a child artist , and filmfare best actor award for bobby in 1974 as well as a number of other awards including the filmfare lifetime achievement award in 2008 . 1970 – bengal film journalists ' association awards : special award for mera naam joker . [ 7 ] 2009 – honoured by russian government for contribution to cinema . [ 8 ] 2010 – apsara film & television producers guild awards : best actor in a supporting role for love aaj kal . [ 9 ] 2011 – zee cine awards : best lifetime jodi along with neetu singh . [ 10 ] 2013 - the times of india film awards ( toifa ) , best actor in a negative role for agneepath . [ 11 ] [ 12 ] 2016 - screen lifetime achievement award
prakash raj was born on march 26 , 1965 in bangalore , mysore state , india as prakash rai . he is an actor and producer , known for anniyan ( 2005 ) , abhiyum naanum ( 2008 ) and oggarane ( 2014 ) .
dr . rajkumar was born in 1929 in gajanur and brought up in a poor family . he only studied up to 3rd standard before he dropped out of school . he wanted to follow in the footsteps of his father , a traveling actor who performed in various villages . he joined the gubbi veeranna drama company to play . . .
mithun chakraborty was born on june 16 , 1947 in barisal , bengal presidency , british india as gouranga chakraborti . he is an actor , known for omg : oh my god ! ( 2012 ) , guru ( 2007 ) and vivekananda ( 1994 ) . he has been married to yogeeta bali since july 1982 . they have four children . he was previously . . .
believe it or not , amrish puri wanted to become a bollywood movie hero but failed a screen test in 1954 . and what a failure it was ! mr . puri went on to become one of the most renowned and credible villains in the history of indian cinema . his most memorable and often quoted role is the character of . . .
sir amrish lal puri ( hindi : अमरीश लाल पुरी ; 22 june 1932 – 12 january 2005 [ 1 ] ) was an indian actor , who was an important figure in indian theatre and cinema . he worked with notable playwrights of the time , such as satyadev dubey and girish karnad . he is remembered for playing iconic negative roles in hindi cinema as well as other indian and international film industries . to indian audiences he is the most remembered for his role as mogambo in shekhar kapur ' s hindi film mr . india ( 1987 ) , and to western audiences he is best known as mola ram in steven spielberg ' s hollywood film indiana jones and the temple of doom ( 1984 ) . puri has won three filmfare award for best supporting actor . 1968 : maharashtra state drama competition , , 1979 : sangeet natak akademi award for theatre 1986 : filmfare best supporting actor award , meri jung 1991 : maharashtra state gaurav puraskar 1994 : sydney film festival , best actor award – suraj ka satvan ghoda 1994 : singapore international film festival , best actor award – suraj ka satvan ghoda 1997 : filmfare best supporting actor award – ghatak 1997 : star screen award for best supporting actor – ghatak 1998 : filmfare best supporting actor award - virasat 1998 : star screen award for best supporting actor – virasat nominations [ edit ] 1990 : filmfare best supporting actor award – tridev 1993 : filmfare best supporting actor award – muskurahat 1994 : filmfare best supporting actor award – gardish 1996 : filmfare best villain award – karan arjun 1996 : filmfare best supporting actor award – dilwale dulhania le jayenge 1999 : filmfare best villain award – koyla 2000 : filmfare best villain award – baadshah 2002 : filmfare best villain award – gadar : ek prem katha
bharath gopi was part of the golden era of malayalam movies spear headed by p . padmarajan , k . g . george , bharathan , mt vaudevan nair , i . v . sasi , aravindan , pavitran , sreenivasan , lohitadas , t . damodaran etc with fellow actors like thilakan , jagathy sreekumar , nedumudi venu , mohanlal , mamootty . he was . . .
aamir is no doubt one of the most dedicated actors in this world . he went through rapid transformations in his body structure for his films to bring out the reality factor in his characters . this is also one of the reasons why his films and he is loved all over the world . his most visible changes . . .
vikram is an indian film actor , voice actor and a playback singer . he made his debut in the 1990 film en kadhal kanmani , which was followed by a series of tamil and telugu films and supporting roles in few malayalam films throughout the early decade . after the critical and commercial success of . . .
venkatesh prabhu known by his stage name dhanush , is an indian film actor , producer , lyricist and playback singer who has worked predominantly in tamil cinema . in 2011 , he won the national film award for best actor for the tamil film
aadukalam
and in the same year , he received international . . .
venkatesh prabhu kasthuri raja , known by his stage name dhanush , is an indian film actor , producer , lyricist and playback singer who works predominantly in tamil cinema . in 2011 , he won the national film award for best actor for aadukalam . the same year , he received international attention with his popular song
why this kolaveri di
, which became the first indian video to cross 100 million views on youtube . [ 3 ] he has won six filmfare awards . in 2015 , he received his second national award for producing the children ' s film kaaka muttai in 2015 . dhanush ' s first film was thulluvadho ilamai , a 2002 coming - of - age film directed by his father , kasthuri raja . over the next ten years , dhanush featured in 25 film and made his hindi debut in raanjhanaa in the year 2013 . he produces films under his production company , wunderbar films .
dilip kumar is considered to be one of the greatest actors of indian cinema . starting his career in 1944 , he has starred in some of the biggest commercially successful films in the period 1949 - 1961 . . he was the first actor to receive a filmfare best actor award and holds the record for most number . . .
om puri was an indian actor who has appeared in both mainstream indian films and art films . his credits also include appearances in british and american films . he has received an honorary obe . puri was born in ambala , haryana . his father worked on the railways and served in the indian army . puri . . .
om rajesh puri obe [ 1 ] ( born 18 october 1950 ) is an indian [ 2 ] actor who has appeared in mainstream commercial indian and british films , independent films and art films . his credits also include appearances in american films . he has been awarded padma shri , the fourth highest civilian award of india . [ 3 ] 1981 : filmfare best supporting actor award for aakrosh 1982 : national film award for best actor for arohan 1984 : national film award for best actor for ardh satya 1984 : karlovy vary international film festival best actor for ardh satya 1998 : brussels international film festival best actor for my son the fanatic 1990 : padmashri , india ' s fourth highest civilian award 1998 : grand prix special des amériques montréal world film festival for exceptional contribution to the cinematographic art 2004 : honorary officer of the order of the british empire for services to the british film industry [ 1 ] 2009 : filmfare lifetime achievement award 2015 : lifetime achievement award international film festival of prayag [ 13 ] nominations 1990 : filmfare best supporting actor award for ghayal 1997 : filmfare best supporting actor award for maachis 1998 : filmfare best supporting actor award for gupt : the hidden truth 1999 : filmfare best supporting actor award for pyaar to hona hi tha 1999 : bafta award for best actor in a leading role for east is east
prithviraj sukumaran ( born 16 october 1982 ) , credited mononymously as prithviraj , is an indian actor , playback singer and producer best known for his work in malayalam films . he has also acted in a number of tamil , telugu and hindi films . prithviraj sukumaran was born in thiruvananthapuram to actors . . .
pankaj kapur the acclaimed film , television and stage actor signified the young crop of great actors of which om puri , naseeruddin shah and ifran khan formed a part . unlike his other counterparts kapur hasn ' t broken the vow to work only in good art and independent projects . a perfect actor pankaj . . .
atul kulkarni was born on september 10 , 1965 in karnataka , india . he is an actor , known for rang de basanti ( 2006 ) , page 3 ( 2005 ) and hey ram ( 2000 ) .
atul kulkarni ( born 10 september 1965 ) is an indian film actor who has acted in multiple - language films . kulkarni won the national award for the best supporting actor for the films hey ram and chandni bar . he is also the president of quest , a research - action organization concentrating on enhancing quality of education . 2000 : won : best supporting actor in hey ram citation : for his serious performance as a cold blooded fundamentalist stalking the cities during the turbulent years of partition that led to the assassination of mahatma gandhi . [ 3 ] 2002 : won : best supporting actor in chandni bar citation : for depicting a ruthless character , trapped in a world without social values . [ 4 ] filmfare awards 2001 : nominated : best supporting actor for hey ram 2012 : won : filmfare award for best supporting actor – kannada for edegarike [ 1 ] asia pacific screen awards 2010 : nominated : best performance by an actor for natarang
murali was born on may 25 , 1954 in kollam , kerala , india . he was an actor and director , known for aadharam ( 1992 ) , kanakkinavu ( 1996 ) and aaram vardil aabhayandhara kalakam ( 1990 ) . he died on august 6 , 2009 in thiruvananthapuram , kerala .
murali ( malayalam : മുരളി , 25 may 1954 – 6 august 2009 ) was an indian actor and author . he mainly appeared in malayalam and tamil films . he won the national award for best actor for his portrayal of a communist freedom fighter and professional weaver in the film neythukaran ( 2002 ) . he was also a stage actor and television actor . regarded by experts as one of the greatest actors in indian cinema , he was known for his powerful portrayal of character roles , lead roles , and negative roles . his last film was aadhavan . 2001 - best actor - neythukaaran kerala state film awards : 1992 - best actor - aadhaaram 1996 - best actor - kaanakkinavu 1998 - best actor - thalolam 2001 - best actor - neythukaaran 1991 - second best actor - amaram 2007 - second best actor - veeralipattu , pranayakalam kerala state tv awards 2005 - best actor - aranazhikaneram filmfare awards : 1992 - best actor - aadharam other awards : madras film fans award kerala film critics award shivaram award best columnist award : for his feature
vyazhaporul
in the malayala manorama newspaper
ajay devgn is an indian film actor , director , and producer . he made his film debut with phool aur kaante in 1991 and received a filmfare award for best male debut for his performance in the film . he then starred in films such as jigar ( 1992 ) , dilwale ( 1994 ) , suhaag ( 1994 ) , naajayaz ( 1995 ) , diljale . . .
fahadh is the son of malayalam film director fazil , and his wife rozina . he has two sisters , ahameda and fatima , and a brother , farhaan faasil . he completed his schooling from sdv central school alleppey , lawrence school ooty and choice school thripunithara . he went on to pursue his degree from . . .
fahadh faasil is an indian film actor known for his work in malayalam cinema . fahadh made his debut at the age of 19 in his father fazil ' s kaiyethum doorath ( 2002 ) . after a gap of six years , fahadh made his comeback in cinema with the anthology film kerala cafe ( 2009 ) . his notable films include chaappa kurishu , diamond necklace , 22 female kottayam , amen , artist , annayum rasoolum , north 24 kaatham , bangalore days , and iyobinte pusthakam . he won the kerala state film awards for best actor for his roles in artist and north 24 kaatham and second best actor award for his role in akam . awards [ edit ] kerala state film awards 2011 : second best actor - akam [ 24 ] 2013 : best actor - artist , north 24 kaatham [ 25 ] filmfare awards south 2012 : best actor - 22 female kottayam [ 26 ] 2013 : best actor - north 24 kaatham [ 27 ] 2014 : nominated , best supporting actor - bangalore days [ 28 ] asianet film awards 2012 : youth icon of the year [ 29 ] 2014 : performer of the year south indian international movie awards 2013 : critics award for best actor - diamond necklace [ 30 ] 2014 : nominated , best actor - north 24 kaatham [ 31 ]
vikram gokhale was born on october 30 , 1940 in pune , bombay presidency , british india . he is an actor and director , known for bhool bhulaiyaa ( 2007 ) , tum bin . . . : love will find a way ( 2001 ) and aiyaary ( 2018 ) .
vikram gokhale ( occasionally credited as vikram gokhle ) is a well known indian film , television and stage actor , notable for his roles in marathi theatre and hindi films and television . [ 1 ] he is the son of another well known veteran marathi theater and film actor chandrakant gokhale . [ 2 ] [ 3 ] gokhale directed his directorial debut in 2010 , with marathi film aaghaat . produced by sprint arts creation and executive producer rajesh damble , the film is based on a story written by dr nitin lavangare . the cast of the film includes actors mukta barve and dr . amol kolhe and is shot in pune . he was awarded the sangeet natak akademi award in 2011 for his acting in theatre , given by the sangeet natak akademi , india ' s national academy of music , dance & drama . [ 4 ] in 2013 , he won national film award for best actor category for his marathi film anumati . [ 5 ]
living in a chawl in tilak nagar , punjabi - speaking anil was born in 1959 to surinder and nirmal aka suchitra kapoor . he has an elder brother , boney , a sister , reena , and a younger brother , sanjay . his dad used to be shammi kapoor ' s secretary . a loner , without many friends , he studied in the nearby . . .
kollywood star , sathyaraj , might have been the very first screen villain to have impressed tamil audiences by being a cultured , flamboyant antagonist , and it was the audiences ' liking for him that eventually led him to becoming one of the leading heroes of tamil cinema like rajini kanth and kamal . . .
sathyaraj ( born rangaraj subbaiah on 3 october 1954 ) is an indian film actor and media personality who has predominantly appeared in tamil films . he started his career in villainous roles and later played lead roles . he has acted in over 200 films , which include a few telugu , malayalam , hindi and kannada films as well . he is known for his performance in amaidhi padai , nadigan , periyar e . v . ramasamy , the tamil nadu government - sponsored film periyar among others . [ 2 ] he was also the director of the film villadhi villain ( 1995 ) , starring himself in three different roles . [ 3 ] [ 4 ] [ 5 ]
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the kerala state film award for second best actor ( originally called the best supporting actor award ) has been awarded annually in india since 1969 . the award for best comedy actor was introduced in 2008 as a regular category . the kerala state film awards were managed directly by the government of kerala ' s department of cultural affairs until 1997 ; they are now given by the kerala state chalachitra academy , an autonomous non - profit institution working under the department of cultural affairs .
the following is a list of recipients of the second best actor award and best comedy actor award .
this page was last edited on 14 april 2018 , at 05 : 35 .
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the most famous and acknowledged malayalam actor , mohanlal , has nine state awards to his credit . the 1996 film ‘t . p balagopalan m . a’ won him the first state award , followed by the best actor award in 1998 for the pictures ‘padamudra’ , ‘chithram’ , and ‘ vellanakalude naadu ’ . in 1991 and 1995 , he got two state awards for producing the movies ‘bharatam’ and ‘kaalapani’ . ‘ ulladakkam ’ , ‘spadikam’ , ‘vanaprastham’ , ‘ thanmathra ’ , and ‘ paradesi ’ are some other films that won him state awards . moreover , he is thrice the recipient of national film awards . 2 . ‘ mammootty ’
with three national awards and seven state awards , mammootty is an all - time favorite superhero of malayalam cinema lovers . he received the first state award in 1981 for the second best actor in the movie ‘ahimsa’ . ‘adiyozhukkukal ' , ‘oru vadakkan veeagadha’ , ‘mrigaya’ , and ‘mahayana’ won him two other state honors in 1984 and 1989 . his recent state award came for the film ‘palerimanikyam’ in 2009 . the pictures ‘mathilukal’ , ‘vidheyan’ , ponthan mada , and dr . babasaheb ambedkar paved for him the way towards national recognition . 3 . ‘ murali ’
one of the most brilliant and accomplished south indian actors , murali has many malayalam and tamil movies to his credit . he won the best actor award in 2001 for the film ‘neythukaaran’ . he also received six kerala state awards for the pictures ‘aadhaaram’ , ‘kaanakkinavu’ , ‘ thalolam ’ , ‘neythukaaran’ , ‘amaram’ , and ‘veeralipattu’ . murali has handled the roles of hero and villain with an ease of artistic finesse and has also proved his talent on the stage . he passed away in 2009 after acting in the tamil movie ‘ aadhavan ’ . 4 . bharath gopi
a well - known and established actor and filmmaker based in kerala , bharat gopi has won three national award and four state awards . ‘kodiyettam’ , ‘ormakkayi’ , ente mamattikkuttiyammakku , kattathe kilikoodu , and ‘chidambaram’ won him kerala state film awards in 1977 , 1982 , 1983 , and 1985 . honored by the prestigious padma shri in 1991 , he passed away in 2008 due to cardiac arrest . 5 . nedumudi venu
he is one of the most liked and appreciated actors in the contemporary malayalam cinema . debuted through the 2002 movie ‘ nandanam ’ , he successfully continues his artistic journey with a national award and two state awards . he won the state best actor awards in 2006 and 2012 for the movies ‘vaasthavam’ , ‘ celluloid ’ , and ‘ayalum nianum thammil’ . also , the film ‘ indian rupee ’ that he produced won another award for the best film . ‘ ennu ninte moideen ’ , ‘ anarkali ’ , ‘memories’ , ‘ mumbai police ’ , and ‘paavada’ are his other pictures . 7 . suresh gopi
in the history of malayalam cinema , suresh gopi has played the maximum number of police roles on screen . though he has starred in many films at the beginning , the 1997 picture ‘ kali yattam’ by ‘jayaraaj’ bagged him a national and a state award . in it , he played the role of a theyyam artist perumalayan , forged from the play othello of shakespeare . ‘commissioner’ , ‘manichithrathazhu’ , ‘ thenkasipattanam ’ , ‘summer in bethlehem’ and ‘ apothecary ’ are his other movies . 8 . fahadh faasil


mannava is a 1997 tamil language comedy film directed by l. m. balaji and produced by shanthi .

the film stars prashanth and sanghavi in the lead roles , while deva composed the film 's music .

mannava ( film )

contribute to imdb . add a bio , trivia , and more . update information for lakshmi mannava »
gautham mannava on twitter :
akshara a bodapati durga sunil kumar film written by ravi varma pictures ft . pramodh choudary chandni pournami . . . urltoken
en mannava song from tamil film lingaa . song is sung by srinivas & aditi paul and composed by a r rahman while lyrics are written by vairamuthu .
thaalam is a 1999 tamil musical romantic film directed by subhash ghai . the film features film score and soundtrack album composed by a . r . rahman . - arrahmanian
mannava is surname for some families in andhra pradesh , southern india . it is indian family name and also a small place name near guntur
balasubramanian of the production house avm , and b n reddy award to film personality b narsing rao who had produced by film ` maa bhoomi ' .
music for the film has been scored by ar rahman . it is already making waves for the academy - award winning composer’s refreshing , new approach and style . songs like mona gasolina , en mannava and indiane vaa are already becoming anthems across radio and television shows .
sonakshi sinha plays a village girl who helps rajinikanth ' s character in the film .
film producer edidha nageshwara rao ' s name was announced for the special jury award .
summarizes the effect of unsm on the resistance of the passive film . the unsm - treatment increased the resistances of the passive film of non - or slightly - aged specimens , but the treatment lowered the resistance of the passive film of the heavily sensitized specimen .
hacks like ksr make me appreciate directors like shankar all the more , especially when the picturisation of the “mona gasolina” and “en mannava” songs look like reheated leftovers of : athiradi” and “vaji vaji shivaji” respectively .
just like most of rajinikanth ' s film ' lingaa ' also has a elaborate set and visual effects .
and yeah , i agree with you on “enthiran”… the evil chitti scenes apart , the film was meh .
akshara a bodapati durga sunil kumar film written by ravi varma pictures ft . pramodh choudary chandni pournami . . .
it will be the first - ever film in rajinikanth’s career to be releasing on his birthday , december 12 .
for the year 2010 . the government on monday also announced the recipients of some other important awards for film personalities .
telugu actor jagapati babu , santhanam , radha ravi , vijayakumar and r sundarrajan were called up to play important roles in the film .
telang a . , gill a . s . , tammana d . , wen x . , kumar m . , teysseyre s . , mannava s . r . , qian d . , vasudevan v . k . surface grain boundary engineering of alloy 600 for improved resistance to stress corrosion cracking .
directed by ks ravi kumar , ' lingaa ' marks rajinikanth ' s third film with the filmmaker after ' muthu ' and ' padayappa ' .
i agree the film as a whole is dated , but some parts are still legendary , especially ramya krishnan’s lines . one of my favourites :
en mannava yen mannava ennai vida azhagi undu anaal unnaivida unnaivida thalaivan illai amam unnaivida unnaivida thalaivan illai chinna chinna natchathiram parikka vanthai intha vennilavai vennai pussi vizhungivittai athivira . . uyirai uyiral thoduveera ? un kangalo un kangalo poo theduthae un kaigalo un kaigalo ver theduthae nooru aanaigalin thantham kondu oru kavasam marbil aninthai kalasam kondu antha kavasam udaithu un maarbil maiyamittenae thennaattu poove , thenaazhi theevey palannam neenaan pasikaran vaa vaa moga kudame , muthu vadamae unthan kachai mangani panthi va raani veyil paaratha vellam pookkalai kayil tharuvai kannae ezhu dhesangal vendra mannan un kal soondhu viral keatenae sitrinbam thandi perinbam kolvom uyir theendiye nam udal thandi povom giana azhage , mona vadivae ennai kudalkolla vaa , kotravai maindha
sharada , 66 , is well - known as ' urvasi ' sharada and has acted in more than 300 films in telugu and malayalam . hailing from tenali in guntur district , sharada also became popular in malayalam films . she began her acting career in 1955 with telugu film ' kanyasulkam ' . her film ' iddaru mithrulu ' with akkineni nageshwara rao later was a major hit that propelled her to stardom . in 1968 , she won the best actress award for her performance in ' tulabaram ' , a malayalam film .
neena : i agree with all the problem parts of shankar movies but i have to disagree with “the problem with shankar is that i find his scripts being even worse than the average masala - film in terms of the regressive concepts they put forth . ” what average masala film are we talking about here ? let us just a few rajini movies
the first - look posters , trailer and the songs have generated a positive buzz surrounding the project . the film is likely to have big openings upon its release in december .
effect of unsm on the resistance of the passive film of 316l stainless steel at 0 v ( sce ) in de - aerated 30 °c , 3 . 5 % nacl solution .
that said , i have to say that rajini does seem to defy his age for most parts of the film . i thought they did a good job of hiding his age .
madan , i saw the equalizer with denzel washington yesterday and it got me thinking , with a few tweaks for indian audiences , this is the type of film rajini should be making .
actress sonakshi sinha , who is making her tamil debut opposite superstar rajinikanth in upcoming tamil actioner ' lingaa ' , says she thoroughly enjoyed working in the film and also learnt from the experience .
veteran actress sharada has bagged the ntr national award instituted by the state government for the year 2010 . the government on monday also announced the recipients of some other important awards for film personalities .
they are planning to release the film in more than 200 screens in the us , which will be record for a tamil film , according to indiaglitz . superstar ' s last release
kochadaiiyaan
had only half the screen - count of
lingaa
in the country . it is confirmed to hit theatres on 12 december as a birthday treat for the superstar ' s fans .
the motorbike - balloon action sequence was a joke . not something a fan like me would pay to watch the superstar do . watching this film felt more like watching a telugu movie starring balakrishna .
effect of aging time on the mott - schottky plot of the passive film formed at 0 v ( sce ) for 30 min in de - aerated 3 . 5 % nacl solution at 30 °c .
neena : see , i’m by no means extolling shankar’s virtue as a great film maker per se , merely doing an “apple to apple” comparison between him as a mass masala maker against another like ksr .
directed by ks ravikumar ,
lingaa
is touted as a mass action entertainer with rajinikanth appearing in dual roles . fans are looking forward to see their thalaivar in a live - action film after nearly four years , when his blockbuster
endhiran
hit the screens . superstar ' s last release
kochadaiiyaan
was a 3d film and the actor was seen in an animated version using motion - capturing techniques .
mega star chiranjeevi born konidela siva sankara vara prasad is an indian actor , producer and politician . he was the minister of state with independent charge for the ministry of tourism , government of india . prior to politics , chiranjeevi has attended the madras film institute , and had worked primarily in telugu cinema , in addition to tamil , kannada and hindi films . he made his acting debut in 1978 , with the film punadhirallu .
] reported that the nano - crystalline surface could increase the density of diffusion paths available for alloying elements to migrate and rapidly form a protective passive film . according to the results by takakuwa , et al . [
 flat no . 102 , s . s , prime view apartments plot no . b - 40 road , . , no . 7 , film nagar , jubilee hills , , hyderabad , telangana , india , 500045
i agree with this , and lingaa isn’t up to mark . the question is , who is the director for the job ? i think the only tamil director really capable of doing a satisfying rajnikanth film is shankar .
superstar rajinikanth ' s
lingaa
is set for record release in the usa . the film ' s us distribution rights have reportedly been acquired by classics entertainments , one of the leading distributing companies in the country .
in addition , the film is being sold overseas for approx 30 crore just for the tamil version . in addition to this all , there are music rights , which are with eros ,
the source stated .
since austenitic stainless steels have good properties of strength and toughness , and high corrosion resistance , they have been widely used in the field of power plants , chemical plants , and other industries [ 1 ] . the high corrosion resistance of austenitic stainless steel is due to the chemical stability of the passive film formed on the surface , and the properties of the film depends upon the alloying elements of the steels . basically , stainless steel can be defined as having a chromium content of over 12 % ; thus the passive film is mainly composed of cr 2 o 3 , and the corrosion resistance can be improved by the addition of ni , mo , w , n , etc .
it will be the first ever film in rajinikanth’s career to be releasing on his birthday , december 12 . therefore , the annual chaos and celebration are expected to hit a new high this year in theatres and multiplexes across the state . there will be the customary paal abhishekam , where rajinikanth’s king - size cut - outs will be showered with milk and honey before the show is on , with fireworks in different parts of the city . at chennai’s kasi theatre , fans will cut a cake for the superstar , to mark his 65th birthday and watch a special show of the film at 1am . the film will release in more than 2 , 500 screens across the country and close to 10 , 000 screens worldwide .
lingaa somehow managed to feel rushed and interminable simultaneously . the screenplay felt slapped together , but it also dragged on and on . i can almost forgive misogyny , plot holes , etc . if the film was at least entertaining . but the film committed what , to me , is the worst sin a film like this can commit , which was that it was boring . the flashback dragged on and on and on . i was sick of hearing about that damn dam , and how great lingeswara was , the scene of him calling on everyone to forget caste , him and the british guy verbally sparring , yadda , yadda , yadda . the train fight scene was the one sign of life in the entire movie . i thought that was pretty well done .
@ brangan : good 🙂 since i don’t really know much about cinematographic or the technical aspects of film making , i didn’t comment on them . but , now , i can argue that it is not only shankar’s plot and writing that are crass but also his craft…
ever before it hits the screens ,
lingaa
has made huge pre - release business . the film ' s rights have reportedly been bagged by eros international for a whopping amount . according to reports , it could fetch ₹200 crore for eros prior to release .
b compares the relationship between the polarization and pitting potential . the figures show that increasing the polarization resistance of stainless steels increases the pitting potential . that is , it should be noted that the properties of a passive film are important for enhancing the resistance to pitting corrosion .
shows the results for the ac impedance measurement on 316l stainless steel at 0 v ( sce ) in de - aerated 30 °c , 3 . 5 % nacl solution . the passive film was formed at 0 v ( sce ) for 30 min and the ac impedance was measured .
shows the effect of aging time on the mott - schottky plot of the passive film formed at 0 v ( sce ) for 30 min in de - aerated 3 . 5 % nacl solution at 30 °c . through the mott - schottky plot , we can find the bipolarity [
i am glad there are people who think not so highly of padayappa . the movie hasn’t aged well at all and that’s why really shankar is the man’s man for you . rajini taking on rajini is really the ultimate concept and endhiran for me is the best rajini film since baasha .
baddy , agree with a lot of what you say . the film was a lot longer than necessary . also , the lack of good villains was spot on . the whole brit crew was laughable . where is tom alter when you need him ? 🙂 i agree , the lack of an equal opposite brings the movie down a lot . besides , the songs didn’t hit home either and that becomes problematic in a movie that has such huge expectations . my biggest point is that this what you get when you have a project manager helming the film… . never been a fan of that guy .
] . in this mott - schottky plot , a positive slope means n - type semiconductive properties , while a negative slope implies p - type semiconductive properties . therefore , the passive film formed on 316l stainless steel in sodium chloride solution reveals p - n type semiconductive properties , i . e . , the bipolar film . increasing the aging time still did not change the n - type properties , but did gradually reduce the slope of the p - type properties . in other words , the aging treatment to stainless steel deteriorated the bipolar properties , especially the p - type property and therefore reduced the pitting corrosion resistance .
lingaa is , as many industry insiders say , rajinikanth’s response to naysayers after his previous film kochadaiiyaan failed at the box - office . it is also his quickest project since he earned the title of superstar . within a month of kochadaiiyaan ’s release , after a leading tamil daily named vijay as the next superstar , the cast and crew of lingaa are said to have geared up , all guns blazing , to reiterate who the real superstar is and worked extra hard to finish the film in less than six months , making it his second release of the year . the shooting was completed in less than 100 days , with reportedly few or no breaks .
the seasonal favourite haricharan ’s singing is exceptionally soulful in unmai orunaal vellum , but the song as such works only intermittently . barring a few moments of brilliance in the arrangement , particularly around the interludes , the song is a rather tedious listen . the other melody fares better in comparison ; en mannava has a more appealing tune that is delivered neatly by aditi paul and srinivas . the arrangement once again soars during the interludes , especially for the way a r rahman overlays the chorus and asad khan ’s sitar phrases . the anthemic sound and a r rahman ’s voice would invariably mean that indiane vaa evokes memories of older songs of the same kind . it is an engaging listen nevertheless ; i found the use of percussion particularly interesting .
at one point i couldn’t help laughing at how awful the british actors were . just dreadful . the sets were awful , the acting was awful , the dialogue was awful , the hair and costumes were awful . alagappan nailed it when he said this felt like a balakrishna film . but without the fun of some of balakrishna’s more insane fight scenes .
anuja / rakesh – good you pointed out arr’s music specifically in your posts . in all the ruckus about the movie review itself , arr seems to be getting less of the brickbats than he rightly deserves . even an average rating for this album is too much in my opinion , but background score in the film itself was mediocre too , no great shakes .
so , all i see in shankar films again is all the terribly tiring tropes of tamil cinema , global masala - dom and some more appalling stuff wrapped in a supposedly fresh or modern package . the movies are badly written , unbelievably long and the dialogues are unexceptional . so , i can’t really place shankar a notch above ksr or other mass film makers .
however , pranam khareedu was released earlier at the box office . chiru known for his break dancing skills , chiranjeevi acted sofar in 149 films and his 150th film is on its way . in 2006 , chiranjeevi was honoured with the padma bhushan , india’s third highest civilian award , for his contributions to indian cinema , and was presented with an honorary doctorate from andhra university .
wrt shankar , he uses high - concept ( for indian films ) plot ideas with above - average action scenes and concepts ( the ending of enthiran was truly amazing ) , and , of course , he and arr are one of the best current director - composer teams . otherwise his films have the same undercooked female characters and regressive values as any other tamil film .
effect of unsm on the mott - schottky plot of the passive film formed at 0 v ( sce ) for 30 min . in de - aerated 30 °c , 3 . 5 % nacl solution : ( a ) non - aged specimen ; ( b ) 1 h - aged specimen ; ( c ) 5 h - aged specimen , and ( d ) 48 h - aged specimen .
unsm - treatment of the slightly sensitized 316l stainless steel increased the pitting potential , decreased the passive current density , and increased the resistance of the passive film . however , in the case of the heavily sensitized 316l stainless steel , the unsm - treatment decreased the pitting potential , increased the passive current density , and decreased the resistance of the passive film . this behavior is due to the dual effects by unsm - treatment . that is , unsm - treatment reduced the carbon segregation regardless of whether the stainless steel 316l was slightly or heavily sensitized . however , since this treatment created mechanical flaws in the outer surface , in the case of the heavily sensitized stainless steel , the unsm - treatment may eliminate chromium carbide , and this flaw can be a potential pitting initiation site , and therefore decrease the pitting corrosion resistance .
the mott - schottky plot was prepared to determine the semiconductive properties of the passive film . the specimen preparation was the same as that for the ac impedance measurement and the dc amplitude was 10 mv ( peak - to - peak ) at 1580 hz of the ac frequency [ 37 ] . the capacitance was measured at the scan rate of 50 mv / s from + 0 . 5 v ( sce ) to −1 v ( sce ) .
on ksr — why is he a celebrated film maker still ? i don’t get that . he seems so out of tune ( thanks lingu ! ) with times . even back in his heydays apart from his kamal associations which i am sure has a lot of the latter’s influence , i don’t recall anything worth mentioning except for – muthu which was fun . padayappa was so - so ! padayappa infact became tolerable for me after repeat tv viewings .
shows the effect of unsm on the nyquist plot of 316l stainless steel at 0 v ( sce ) in de - aerated 30 °c , 3 . 5 % nacl solution . except for the 48 h - aged specimen , the nyquist plots of non - or slightly - aged specimens were improved . a randles model was used to calculate the resistances of the passive film of 316l stainless steel at 0 v ( sce ) in de - aerated 30 °c , 3 . 5 % nacl .
shows the effect of unsm on the mott - schottky plot of the passive film formed at 0 v ( sce ) for 30 min in de - aerated 30 °c , 3 . 5 % nacl solution . regardless of the unsm treatment , all of the specimens revealed p - n type semiconductive properties . the n - type properties ( positive slope ) of the non - or slightly sensitized specimens were relatively strong , but the n - type properties of the heavily sensitized specimen were relatively weak .
oh , there was one other scene that ushered in much excitement . it’s when we learn it’s the birthday of the rajinikanth character in the flashback . a cake is wheeled out . people sing the birthday song . fans watching lingaa on its day of release , december 12 ( rajinikanth’s birthday ) , will enjoy being in the superstar’s vicinity as he cuts his birthday cake . but that’s just a temporary high . next time , how about a film that leaves us with happy memories on other days as well ?
in the case of slightly sensitized 316l stainless steel , the aging time drastically decreased the pitting potential , increased the passive current density , and lowered the resistance of the passive film , even though chromium carbide and the chromium depletion zone were not formed by aging . this behavior is due to the micro - galvanic corrosion between the matrix and the carbon segregated area , and shows the importance of carbon segregation in grain boundaries to the pitting corrosion resistance of stainless steel , in addition to the formation of the chromium depletion zone .
stainless steels have good corrosion resistance in many environments but welding or aging can decrease their resistance . this work focused on the effect of aging time and ultrasonic nano - crystal surface modification on the passivation behavior of 316l stainless steel . in the case of slightly sensitized 316l stainless steel , increasing the aging time drastically decreased the pitting potential , increased the passive current density , and decreased the resistance of the passive film , even though aging did not form chromium carbide and a chromium depletion zone . this behavior is due to the micro - galvanic corrosion between the matrix and carbon segregated area , and this shows the importance of carbon segregation in grain boundaries to the pitting corrosion resistance of stainless steel , in addition to the formation of the chromium depletion zone . unsm ( ultrasonic nano crystal surface modification ) - treatment to the slightly sensitized 316l stainless steel increased the pitting potential , decreased the passive current density , and increased the resistance of the passive film . however , in the case of heavily sensitized 316l stainless steel , unsm - treatment decreased the pitting potential , increased the passive current density , and decreased the resistance of the passive film . this behavior is due to the dual effects of the unsm - treatment . that is , the unsm - treatment reduced the carbon segregation , regardless of whether the stainless steel 316l was slightly or heavily sensitized . however , since this treatment made mechanical flaws in the outer surface in the case of the heavily sensitized stainless steel , unsm - treatment may eliminate chromium carbide , and this flaw can be a pitting initiation site , and therefore decrease the pitting corrosion resistance .
a point i’d like to re - iterate , is that my comparison is with shankar and other tamil film makers . when you open it up to include hollywood films , then quite naturally , the flaws in indian movies become magnified severalfold . of course multiple / split personalities have been handled far more frequently and better in movies like psycho & primal fear in the psychological thriller genre , given a comedic twist in jim carrey’s me , myself and irene and even addressed in gollum’s conversations with himself in the rings trilogy , to name just a few examples .
@ kothavaranga : i am one such binge watcher . even i find lingaa difficult to defend . i can accept anything , except for this ‘let - us - make - any - nonsense - the - people - will - be - ok’ attitude . the film was clearly half done in many parts , and any competent director would’ve cut out some of the flashback portions . i liked parts of it ( unlike many people here ) , but the flashback portions were really really boring . and after kaaviyathalaivan and i , this was the law - of - averages album for rahman , i guess .
my most favorite part of the film was . . the character of the flashback - villain’s wife was the . . don’t know what to say . we know characters are written for a purpose after all but we still look for some kind of an arc or a ‘travel’ as kollywood likes to call it or some substance – but from the minute she got introduced and in every shot you could see it’s written all over the script in caps she will reveal the truth . you wait to see how bad it could get and when that scene unfolded it was so bad that it was * so * good !
crime and punishment cast list , listed alphabetically with photos when available . this list of crime and punishment actors includes any crime and punishment actresses and all other actors from the film . you can view additional information about each crime and punishment actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of crime and punishment have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
with indian , by the time , the father - son face - off comes about , i had had enough and just wanted the film to be over ! but , right from first , i thought it was clearly set up what senapathy’s standing was and he wasn’t one to compromise on his principles because of paternal love ( which was proved with his daughter’s case as well ) . there never was going to be a moral question for him , never really any occasion for internal conflict or turmoil . so , it wasn’t really intriguing to me . there was potential for some subversion with the manisha koirala character ( “vaayilla praanikku ethaavathu onnunnale thaanga maatta nee” ) . well , to expect complexity in the female lead is just too much , i guess !
vip was definitely one of my favorite ‘star’ movies this year as well . but , think about it this way . dhanush is a ‘star’ no question , but he’s no ‘superstar’ yet . for a dhanush film to work , you kind of need all the things you mentioned , and it all came together in vip . but do you remember the debacle that was naiyaandi… ? even take suriya for instance . he is a big ‘star’ as well , but what was the faith of anjaan… ? the likes of dhanush and suriya et . al , aren’t in the same league of ‘super’ stardom as those i mentioned earlier , hence a good script , story , technicians , music , are all crucial elements for their respective movies to succeed . they can’t just show up on screen and expect to ring in the cash registers unlike our ‘superstars’ – .
with all this , it’s a small miracle that the person summoned to make a “rajini movie” doesn’t turn chalk - white with fear and flee to a foreign country under an assumed name . but that cannot excuse the films . lingaa is talky and overlong ( nearly three hours ) , plagued with pacing issues , and – worse – it tells a story that lays no claims to our emotions . rajinikanth plays two roles . in the present - day portions , he’s a thief , and a lot of time is wasted on this character’s doings ( one of them a heist involving a tennis ball , balloons , and sticker pottu ) till we get to a british - era flashback that’s this film’s reason for being . here , rajinikanth plays a munificent king who’s also a cambridge - educated civil engineer ( weren’t they all ? ) – he decides to build that dam .
kanmani | full tamil movie | prashanth | mohini | r . k . selvamani | ilaiyaraaja
star tamil movie | prashanth | jyothika | a . r . rahman | praveen gandhi
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' lingaa ' will be released in tamil , telugu and hindi . music has been composed by ar rahman .
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the c - curves of the time - temperature - sensitization ( tts ) diagram of aisi 316 stainless steel are displaced towards lesser time by increasing the cold work , and sensitization of the aisi 316 stainless steel accelerated the precipitation of the cr 23 c 6 carbide [ 35 ] . remarkable improvements in the degree of sensitization ( dos ) and the intergranular corrosion ( igc ) of type 304 ( uns s 30400 ) and type 316l ( uns s 31603 ) stainless steels were achieved through extreme grain boundary randomization [ 36 ] . recently , our group reported that even though chromium carbide was not precipitated , aging time drastically increased the intergranular corrosion rate of 316l stainless steel , and we confirmed that the increased intergranular corrosion rate of slightly sensitized ( not carbide formed ) 316l stainless steel was due to the carbon segregation along the grain boundaries . unsm treatment improved the intergranular corrosion resistance of aged stainless steels , and the improvement was due to the reduction of carbon segregation and the grain refinement of the outer surface , including the introduction of compressive residual stress [ 5 ] .
as discussed above , the unsm treatment improves the mechanical properties and induces the nano - crystallization of the outer surface , but there has been little research on the effects of unsm on the anodic polarization behavior of stainless steel . this work , therefore , focused on the effect of unsm treatment on the anodic polarization behavior of aged 316l stainless steel and proposed its mechanism .
shows the chemical composition of the aisi 316l austenitic stainless steel used in this work . aging treatments were performed at 650 °c for 1 , 5 , and 48 h in n
protective atmosphere , and then the steel was water quenched . unsm treatment was applied to the surface using unsm equipment ( design mecha - lm20 unsm system , asan , korea ) .
conditions of unsm ( ultrasonic nano crystal surface modification ) treatment on 316l stainless steel .
shows the shape and dimensions of the specimen for the electrochemical test ( anodic polarization , ac - impedance , and mott - schottky tests ) .
specimens were cut to a size of 1 . 5 × 1 . 5 mm , and after electrical connection , they were epoxy - mounted , and the surface was ground using # 600 sic paper and coated with epoxy resin , except for an area of 1 cm 2 . the anodic polarization test was performed in 3 . 5 % nacl solution using a potentiostat ( gamry dc 105 , warminster , va , usa ) and the reference electrode was a saturated calomel electrode ( sce ) , and the counter electrode was high - density graphite rods . the test solution was de - aerated using nitrogen gas at the rate of 100 ml / min for 30 min and the scanning rate was 0 . 33 mv / s . the pitting potential that is the least positive potential at which pits can form was determined from the anodic polarization curve .
in order to measure the ac impedance , the specimens were ground using # 2000 sic paper , and then polished using a diamond paste ( 3 μm ) . the test solution was the same as that of the polarization test . the ac impedance measurement was performed using an electrochemical analyzer ( gamry eis 300 , warminster , va , usa ) . before measuring , passivation was treated at + 0 mv ( sce ) for 30 min . ac impedance was measured at a passivation potential from 10 khz to 0 . 01 hz and the ac voltage amplitude was 10 mv .
the specimen was cut to a size of 20 × 20 × 5 mm and then ground with # 2000 sic paper and polished with a 3 µm diamond paste . finally , the specimen was cleaned with ethyl alcohol , using an ultrasonic cleaner . the microstructure was observed by optical microscopy ( axiotech 100hd , zeiss , oberkochen , germany ) and sem - eds ( vega ii lmu , tescan , brno , czech republic ) , after etching by aqua regia ( 70 ml hno 3 + 30 ml hcl ) . also , an electron probe micro analyzer ( epma - 1600 15 kv , shimadzu , kyoto , japan ) was used to identify the elemental distribution of the passivated surface .
shows the effect of aging time at 650 °c on the polarization behavior of the 316l stainless steel in de - aerated 3 . 5 % nacl at 30 °c . in the case of the annealed specimen ( 316l - 0 h ) , the corrosion potential and pitting potential were high , but the aging treatment degraded the anodic polarization behavior of the 316l stainless steel . increasing the aging time lowered the pitting potential and also increased the passive current density at 0 v ( sce ) . generally , the aging treatment formed chromium carbides in the grain boundary and grain , and then generated a chromium - depleted zone near the carbide . therefore , pitting corrosion was easily initiated at this chromium - depleted zone , and the pitting resistance was reduced . however , it is interesting to note that the pitting potential of even the 1 or 5 h - aged specimen decreased drastically , and their passive current densities greatly increased . from a thermodynamical aspect [
] , short aging times such as 1 or 5 h could not form chromium carbides , but did degrade their passivation behavior . a similar pattern of corrosion by aging time was already observed in the intergranular corrosion behavior [
effect of aging time at 650 °c on the polarization behavior of 316l stainless steel ( de - aerated 30 °c , 3 . 5 % nacl ) : ( a ) anodic polarization curves ; ( b ) pitting potential with aging time ; and ( c ) passive current density with aging time .
a shows that increasing the aging time depressed the nyquist plots and their impedance circles . the polarization resistance was calculated using a randles model .
ac impedance measurement on 316l stainless steel at 0 v ( sce ) in de - aerated 30 °c , 3 . 5 % nacl : ( a ) nyquist plot ; and ( b ) r p vs . pitting potential .
shows the effect of unsm on the polarization behavior of 316l stainless steel aged at 650 °c in de - aerated 3 . 5 % nacl solution at 30 °c . in the case of the non - aged specimen , unsm - treatment ( 316l - 0hu ) improved the anodic polarization behavior . in contrast , the unsm - treatment increased the anodic polarization behavior of 1 h and 5 h - aged specimens , but the treatment degraded the behavior of the 48 h - aged specimen .
reveals the effect of unsm on the passive current density and pitting potential obtained in de - aerated 3 . 5 % nacl solution at 30 °c . in summary , the unsm - treatment on the slightly sensitized specimen reduced the passive current density and increased the pitting potential , while the treatment on the heavily sensitized specimen increased the passive current density and lowered the pitting potential . it is interesting that the unsm - treatment enhanced the intergranular corrosion in even the heavily sensitized specimen , in addition to the slightly sensitized specimen [
effect of unsm on the polarization behavior of 316l stainless steel aged at 650 °c in de - aerated 30 °c , 3 . 5 % nacl solution ; ( a ) non - aged specimen ; ( b ) 1 h - aged specimen ; ( c ) 5 h - aged specimen ; and ( d ) 48 h - aged specimen .
effect of unsm on ( a ) passive current density ; and ( b ) pitting potential obtained in de - aerated 3 . 5 % nacl solution at 30 °c .
effect of unsm on the nyquist plot of 316l stainless steel at 0 v ( sce ) in de - aerated 30 °c , 3 . 5 % nacl solution : ( a ) non - aged specimen ; ( b ) 1 h - aged specimen ; ( c ) 5 h - aged specimen ; and ( d ) 48 h - aged specimen .
pitting corrosion initiates by nonmetallic inclusions or second - phase intermetallics in the stainless steel surface microstructure [ 44 ] . stainless steel can be sensitized by aging treatment , and thus chromium carbides and a chromium - depleted zone can be formed near the grain boundaries [ 45 ] ; and in addition , it was recently reported that carbon segregated areas near grain boundaries of even slightly sensitized stainless steel were formed , and this carbon segregation facilitated the intergranular corrosion [ 4 ] .
shows that the pitting potential was greatly reduced in even the slightly sensitized specimen .
shows the results of observation of the surface after the anodic polarization test in order to elucidate this corrosion behavior .
c shows that in the 48 h - aged specimen , the corroded area finally looks like the appearance corroded along grain boundaries .
sem image after the polarization test in de - aerated 30 °c , 3 . 5 % nacl : ( a ) 1 h - aged ; ( b ) 5 h - aged ; and ( c ) 48 h - aged .
shows the epma analysis that was therefore performed in order to compare the corroded appearance to elemental correlation .
shows the elemental distribution analyzed by epma on the surface of the aged 316l stainless steel after the polarization test in de - aerated 3 . 5 % nacl at 30 °c . in the case of 1 h and 5 h - aged specimens , carbon was relatively more segregated at the corroded area , and carbon segregation can be definitely confirmed along the grain boundaries of the chromium carbide formed specimen ( 48 h - aged ) . the passivation behavior of the slightly sensitized stainless steel can be affected by carbon segregation , and the segregated carbon induced micro - galvanic corrosion , which initiated pitting and degraded passivation [
] . after the exposure beyond the critical duration for carbide formation , chromium depletion and carbide formed areas formed , and since these areas are sensitive to pitting initiation , they degraded the passivation .
elemental distribution analyzed by epma ( electron probe micro analyzer ) on the surface of aged 316l stainless steel after the polarization test in de - aerated 30 °c , 3 . 5 % nacl : ( a ) 1 h - aged ; ( b ) 5 h - aged ; and ( c ) 48 h - aged .
on the other hand , the unsm - treatment improved the passivation of 1 h and 5 h - aged specimens , but decreased the pitting resistance of the 48 h - aged specimen . wang , et al . [
] , residual stress in the surface layer with different surface finishes affects the critical current density and the current density for passivation , the factors of which are closely related to the formation and retention of the passivation layer . many researchers [
] reported that the high mechanical energy imparted by various methods to the steel surface may also induce the diffusion of the alloying elements and therefore can affect the intergranular corrosion resistance of the stainless steels . we already proposed that the unsm treatment improved the intergranular corrosion resistance of the aged stainless steels , and the improvement was due to the reduction of carbon segregation and the grain refinement of the outer surface , including the introduction of compressive residual stress [
shows the elemental distribution analyzed by epma on the surface of unsm treated 316l stainless steel after the polarization test in de - aerated 3 . 5 % nacl at 30 °c . it can be confirmed that the unsm - treatment reduced carbon segregation regardless of the aging time . as described above , carbon segregation facilitates micro - galvanic corrosion , and therefore the reduction of carbon segregation by the unsm - treatment should improve the pitting corrosion resistance . in the case of the slightly sensitized specimen , this was true , but the pitting corrosion resistance was decreased in the heavily sensitized specimen in spite of the reduction of carbon segregation by the unsm - treatment . that is , this behavior requires another explanation .
shows sem images of unsm - treated specimens before / after the anodic polarization test in de - aerated 3 . 5 % nacl at 30 °c . mechanical flaws by the unsm - treatment can be observed even in the specimen before the anodic polarization test . in particular , in the case of the 48 h - aged specimen , several mechanical flaws were observed ; and after the anodic polarization test , it was confirmed that the pitting corrosion initiated and propagated at the flaws . in other words , it should be noted that while the unsm - treatment can reduce the carbon segregation by aging , it can increase the irregularity of the surface due to mechanical flaws .
elemental distribution analyzed by epma on the surface of unsm treated 316l stainless steel after the polarization test in de - aerated 30 °c , 3 . 5 % nacl : ( a ) 1 h - aged ; ( b ) 5 h - aged ; and ( c ) 48 h - aged .
sem images of unsm - treated specimens before / after the anodic polarization test in de - aerated 30 °c , 3 . 5 % nacl : ( a ) 1 h - aged ; ( b ) 5 h - aged ; and ( c ) 48 h - aged .
therefore , we propose the pitting corrosion model of the stainless steel by unsm - treatment .
shows the pitting corrosion model of aged 316l stainless steel by the unsm treatment . in the slightly aged specimen , the unsm - treatment refines the grain of the outer surface [
] and reduces the carbon segregation , and therefore increases the pitting corrosion resistance even though it creates mechanical flaws . on the other hand , in the case of the over - aged specimen , the unsm - treatment refines the grain of the outer surface , and reduces the carbon segregation similar to the slightly aged specimen , but creates mechanical flaws on the surface , and then these flaws act as the initiation sites of pitting corrosion , and finally decrease the pitting corrosion resistance .