shah is a 2015 pakistani biographical sports film directed and written by adnan sarwar .

the film , produced under the logos films & media banner , is based on the life of boxer hussain shah , who won the bronze medal at the 1988 summer olympics and became the only boxer in pakistan 's history to secure an olympic medal .

adnan sarwar underwent one year of boxing training to portray hussain shah .

other roles are portrayed by kiran chaudhary , sardar baloch , adeel raees , and gulab chandio .

the film was released nationwide by footprint entertainment and ary films on august 13 , 2015 .

shah ( film )

shah rukh khan dropped a hint that his film with anushka sharma might just be a romantic film .
shah is a sports biopic and the ideology and concept behind shah is brilliant and worth applauding . photo : shah official facebook page
jab harry met sejal is shah rukh khan and anushka sharma’s third film together .
@ khan i coould feel pain in shah . film makers pain . blood . sweat . shah deserves full support from us .
actor akshay kumar didn’t want to release his film during ramzan . ( yogen shah )
however , imtiaz ali and shah rukh khan have come out in defense of their film .
shah rukh bollywood icon shah rukh khan on his way to the success party of his film ‘raees’ in mumbai on january 30 . ( afp )
is shah rukh khan ' s second release of the year . in january , shah rukh ' s
shah rukh khan is expected to begin shooting for imtiaz ali ' s film later next month .
while the film is in its nascent stages , shah already has a bollywood actor in mind .
‘raees’ box - office collection day 10 : shah rukh khan’s film earns rs 128 . 96 crore
the halls goes into tears as hussain shah takes a bow at the premier of “shah” . a film based on his life as a boxer . urltoken
the last shah of iran in a new feature film that will focus on the hostage crisis , the shah’s overthrow and the last two years of his life .
shah rukh khan might have just revealed the story line of his next film with imtiaz ali . the actor , who will star in the director’s next film opposite anushka sharma , dropped a hint early saturday morning , that the film might just be a romantic film .
a film about olympic boxer hussain shah is set to be released on august 14 , 2015 , independence day .
shah thanked the inter services public relations ( ispr ) for providing him help with the logistics of the film .
irada review : the naseeruddin shah - arshad warsi film gives nothing beyond caricatures , leaving aside the real issue .
the official handle for raees , a rahul dholakia film starring shah rukh khan , nawazuddin siddiqui and mahira khan .
the potential clash of actor akshay kumar’s film toilet : ek prem katha with shah rukh khan’s next film leaves fans divided ; experts say clashes on long weekends are inevitable .
imtiaz is expected to start work on the film in july and hopes to release the film by early 2017 .
shah sends the right message of pride , patriotism and aptly pays tribute to the great shah . unfortunately , the film does have its flaws and lacks quality and aesthetics in other departments .
2010 ) is an indian romantic drama film directed by karan johar and stars shah rukh khan and kajol in lead roles . upon its release , the film broke many box office records .
bollywood icon shah rukh khan arrived in dubai on 6 may to shoot the sequel to the award - winning # bemyguest film with the second phase of the promotional campaign film to be done in collaboration with well - known indian film director kabir khan .
devdas ( 2002 ) is an indian romantic drama film directed by sanjay leela bhansali . the film features shah rukh khan , aishwarya rai and madhuri dixit nene . the film was a blockbuster and won 5 national awards and a further 10 filmfare awards .
here ' s an update on shah rukh khan ' s film with aanand l rai . the yet untitled film has already placed itself on the list of shah rukh khan ' s much - awaited movies because it features shah rukh khan as a dwarf - a role the superstar has never experimented with before . however , very little is known about the movie , and hence , shah rukh fans are
it seems shah rukh khan and anushka sharma’s inevitable chemistry is going to keep us entertained for a long time as the phillauri actor is aiming at producing a film with shah rukh khan as a lead .
all in all , shah is a must watch which will guarantee you your money’s worth and is indeed a quality - oriented film .
his first film - revenge of the worthless - comes out on july 29 , but jamal shah is already planning his next project .
mr rai , who attended a special screening of lucknow central in mumbai on sunday , was asked about his film with shah rukh .
rai , who was present for a special screening of lucknow central here on sunday , was asked about his film with shah rukh .
' jab harry met sejal ' worldwide box - office collection : shah rukh khan - anushka sharma film makes rs 66 . 46 crore
we knew so many people would be recording the film on [ substandard ] resolution . our strategy was to counter the film’s piracy and release the film online on our own terms . .
trade expert taran adarsh called the film ' s performance
disappointing
, and said bollywood desperately needs a hit film now .
urltoken how did you manage to keep the production of this film so quiet ? no one knew that this film was being made .
must watch : an unsung pakistani hero comes to life in film & # 039 ; shah & # 039 ; - pakistan - dawn . com
rai , who was present for a special screening of
lucknow central
here on sunday , was asked about his film with shah rukh .
shah rukh khan’s second release of 2017 , jab harry met sejal , released on friday . the film opened to rs 15 . 25 crore .
shah rukh khan ' s much - anticipated bollywood film jab harry met sejal has had a slower than expected start at the indian box office .
primeworks studios ( pws ) has appointed nor shahila harun shah ( pictured ) as the new general manager of film production . nor will lead her team of creatives in grand brilliance , the film production imprint of pws .
mahirah khan and shah rukh khan in raees . courtesy red chillies / excel .
shah rukh khan was last seen in his august release jab harry met sejal .
anushka sharma and shah rukh khan play lead roles in jab harry met sejal .
check out shah rukh khan and alia bhatt ' s dear zindagi review roundup . pictured : shah rukh khan and alia bhatt in a still from dear zindagi .
apart from ' zero ' , another surprise awaits shah rukh kh . . .
jamal shah will next be seen in tv serial saya e diwaar on hum tv .
pakistan’s first ever biographical sports film “shah” on the inspirational life of the legendary boxer syed hussain shah has hit the silver screens on independence day 2015 and is all set to punch big numbers over the box - office against its other cinematic rivals .
shah the film . a powerful message , an inspiring story . a tale of betrayal by ones own — maheen khan ( @ maheenkhanpk ) august 14 , 2015
very few details have been revealed about mr rai’s film with shah rukh except for the fact that the actor plays a dwarf in it . katrina kaif and anushka sharma co - star . reports suggest that the film was tentatively titled dwarf .
karachi – soon , a film is going to be released on the life of pakistani olympic boxer hussain shah , predicted on 14 august , 2015 , in pakistan .
michelle nicholson , a producer with mena cinefinance , said the producers of the kingsley film have been invited by the iranian culture ministry to shoot at the shah’s palace .
krk not only revealed the plot of the whole film but also drew a comparison between jab harry met sejal with shah rukh’s classic 1995 movie dilwale dulhania le jayenge .
shah productions : a leading international film production & entertainment company based in islamabad , pakistan . we specialize in the production of action movies & tv commercials . - home
veer - zaara ( 2004 ) is an indian romantic drama film directed by yash chopra . the film stars shah rukh khan , preity zinta , and rani mukerji in the leading roles , with manoj bajpayee , kirron kher , divya dutta and anupam kher in supporting roles . veteran actors amitabh bachchan and hema malini make a special appearance in the film . the film was the top - grossing bollywood film of that time and the performances of the lead cast were highly praised .
swades ( 2004 ) is an indian drama film written and directed by ashutosh gowariker . it stars shah rukh khan in the lead role . the film was super hit and khan’s performance as mohan bhargava is considered one of his best by many .
i am proud of hussain shah . i watched him after 88 soul when turned pro .
is shah rukh khan ' s second release of the year . he was last seen in
shah rukh khan and anushka sharma in jab harry met sejal . screen grab from youtube .
on the other hand , another film competing for the pole position – at the pakistani box office – against the underdog story of shah would be asadul haq’s glamorous dmps .
trust shah rukh khan to come up with a unique concept and break the clutter in the crowded film - marketing business . those waiting for the trailer of imtiaz ali ' s
the plot of the film , which features veteran actors such naseeruddin shah and shabana azmi , is based on gulzar ' s own short story seema from his raavi paar collection .
' jab harry met sejal ' worldwide box - office collection : shah rukh khan - anushka sharma film makes rs 66 . 46 crore | hindi movie news - times of india
what shah rukh khan , anushka sharma ' s jab harry met sejal is about . details here
we are talking to sonam kapoor for the female lead ,
shah shares with images .
anushka sharma and shah rukh khan would appear sharing the screen space in aanand l rai’s next .
dear zindagi , starring shah rukh khan and alia bhatt , has received overwhelming reviews from critics .
filmmaker aanand l rai said that he is hoping to release his film , featuring shah rukh khan , by the end of 2018 and will announce the movie ' s title soon .
when it opens in theatres on june 23 , reported trade analyst taran adarsh . shah rukh ' s film , which is directed by imtiaz ali , got its title and a new release date on friday . srk and his team revealed the film ' s title -
of the films ' poor critical appraisal , shah rukh , 51 , told ians :
i have been in the business long enough to try a formula film and to try a film with no formula . succeeded and failed at both . so , i understood that
wish i was in pakistan on the 14th of august to watch this film . !
he said , “it’s my first film and i have shot it on original locations” .
a film examining the effects of 9 / 11 on pakistan and muslims in general .
for each role , srk himself might have forgotten this film , says the description .
with high expectations in mind i walked into the theater to watch the internationally recognized pakistani boxer syed hussain shah’s biopic – and there wasn’t a single moment when the film let me down .
, for which shah rukh ' s production firm red chillies entertainment has set up a brand new office in mumbai ' s goregaon area for the film ' s extensive post production edits .
shah rukh khan ' s isn ' t the only name of note in this forgotten film ' s credits . binod pradhan served as cinematographer and would later reunite with srk on the films
, the actors will collaborate for the fourth time in aanand l rai ' s next film , in which srk plays a dwarf . the film also stars katrina kaif , their
kal ho naa ho ( 2003 ) , is an indian romantic drama film written by niranjan iyengar and karan johar , directed by director nikkhil advani . the film features jaya bachchan , shahrukh khan , saif ali khan , and preity zinta . the film was a commercial success and emerged as the highest - grossing film in overseas and worldwide that year .
shah has been produced by logos films and is being distributed in cinemas across pakistan by footprint entertainment .
bollywood superstar shah rukh khan was on tuesday bestowed with france’s highest civilian award for his . . .
the director of shah felt that superior video and sound quality will help attract fans and viewers to the film’s youtube version . bootleg or pirated versions will therefore not be a threat to those who worked so hard to bring the real life story of legendary pakistani boxer syed hussain shah to cinemas .
while the bollywood flick primarily relied on commercial elements , the strength of ‘ shah’ is in its story . the film packs a real punch with its well written script and mind blowing performances .
pakistan film industry should revive keeping full decency , morality , respectability , dignity in mind .
irada movie review : the film deals with the cancerous contamination of punjab’s groundwater and fields .
a rich seam of gold has been discovered and mined on youtube . an old short film starring a very young shah rukh khan has been posted online and is now being circulated on social media .
what will you watch on august 14 ? dekh magar pyaar say , moor or . . . shah ?
shah rukh khan ' s red chillies entertainment has mostly produced only films that star shah rukh khan . but now , their next production will be starring a legendary actor . yes , amitabh bachchan will be taking center - stage along with tapsee in the film titled badla . bachchan and tapsee have already collaborated in the 2016 film , pink . badla will be directed by sujoy ghosh of kahaani fame .
jab harry met sejal box office collection day 3 : shah rukh khan and anushka sharma ' s film has been receiving harsh reactions from the critics as well as the audiences . the film , which released on august 4 , has managed to earn a total of rs 45 . 75 crores .
dilwale dulhania le jayenge ( 1995 ) is an indian romance film written and directed by aditya chopra . the film stars shah rukh khan and kajol . ddlj became the highest grossing bollywood film of the year , and one of the most successful indian films of all time . it is the longest - running film in the history of indian cinema . as of 2017 , over 20 years after its first release , it is still being shown at the maratha mandir theater in mumbai .
talking about his stardom , the superstar said that it ' s very difficult to balance stardom and doing a film of a different kind because the lines have blurred .
if i do a film which is extremely different , it will be measured on commercial terms . it won ' t be looked as a unique film that shah rukh did . however , it ' s a fortunate place because it ' s sold better and people come to see the film ,
he explained .
the shah rukh khan - anushka sharma starrer romantic comedy received backlash from the reviewers who called this film over mushy and churned out from the same oven having typical srk romance and lacked a solid storyline .
we spent the first three months simple looking for hussain shah and once we found him , we sat down for a three - day interview , which made the basis of the screenplay of the film . we booked hussain ' s life rights in 2012 and have been working on the film ever since .
the cast of the film consists of newcomers , with lahore - based musician , actor adnan sarwar playing hussain . the actor had to undergo boxing training for a year to be able to play shah’s character .
made at an estimated budget of rs 90 crore , shah rukh khan - anushka sharma - starrer jab harry met sejal hits theatres on friday . trade pundits predict a good box office opening for the film .
‘moor’ has shown what magic the word of mouth is . the film started slow but picked up due to the positive reviews . moreover the bigger surprise is that the film has managed to hold really well in the second week . most people , us included , thought the film would not be able to make it past the second week due to its niche appeal . but proving us wrong the film has managed quite a successful week two and is going strong . a testament to its success is lahores super cinema vogue which had one show reserved for the film but had two shows for the film in week two . shah is holding decent as well . but ‘dmps’ as mentioned earlier is history !
wow one word shah ! what a movie i can’t imagine syed hussain shahs life soooo inspiring… . amazing performances… urltoken
has been roped in to play the role of shah rukh ' s character ' s father in the movie .
indian superstar shah rukh khan charmed a ted conference crowd thursday , sharing his life and playfully portraying . . .
bollywood superstar shah rukh khan has been named the world’s second richest actor according to wealth - x’s . . .
) . this one has a new magic . it ' s a new trick ,
shah rukh added .
“there are times my brother and i discuss if we should go to shah rukh with a role . i would be comfortable approaching him with any film . i know he won’t say no . he has done dear zindagi where the focus was mostly on alia bhatt . i haven’t watched the film but i know what he’s done is remarkable . i wish more actors do this . i also want shah rukh to do at least one film like this every year . ” in fact , the report claims that shah rukh too has given a nod to her thought and said , “you can offer me anything , i’ll do it . ”
urltoken getting three high - profile brands — bank alfalah , pepsi and samsung — to back your film is a big achievement . what about your film has attracted this investment , in your opinion ?
the film opens with a young journalist unearthing the story behind the unsung boxer hero syed hussain shah . her search introduces us to a lone rag picker whose lives on the footpath of karachi’s overly neglected region lyari .
for almost half his life , shah rukh khan has reigned as one of bollywood’s most successful actors . but khan—who turns 50 today—has also emerged as one of the smartest business minds in india’s burgeoning hindi film industry .
shah rukh khan , anushka sharma - starrer jab harry met sejal opened to 40 % occupancy on day 1 . early estimates suggest the imtiaz ali film might prove to be one of the lowest openers of srk .
the storyline and alia and shah rukh ' s power - packed performances have wowed the viewers . with such massive response , the film will surely make movie - goers throng into the theatres despite the demonetisation drive .
answering to the press at the premiere , adnan said , “ i am extremely pleased that the film shah is receiving such an overwhelming response from the people of pakistan . for the most part , it is due to hussain shah finally getting the kind of acknowledgement that he deserves . seeing people walk out of the cinemas with tears in their eyes gives me hope that the treatment that was meted out to shah will never be repeated again . ”
“the film will be a very interesting love story set in contemporary new york switching back and forth in 16th century and modern times . it will be a tasteful commercial film of high production values . ”
film based on the life of late south indian actress silk smitha and her relationship with a director .
the poster of crack that akshay had tweeted much before srk announced the same date for his film .
pakistan’s film industry may not be the biggest or the most commercially successful . but it is heartening to see the efforts of adnan sarwar by leveraging the benefits of social media and technology to ensure that shah reaches everyone .
box office week three : ‘moor’ doing well , ‘shah’ is decent while ‘dekh magar pyaar say’ is out of cinemas .
also read : shah rukh khan waits for didi’s rakhi wishes on raksha bandhan every year . who is srk’s didi ?
dil se ( 1998 ) is an indian war romantic thriller film written and directed by mani ratnam . the film stars shahrukh khan and manisha koirala in lead roles while preity zinta appears in a supporting role . it became the first indian film to enter the top 10 in the united kingdom box office charts .
. . . the problem is that imtiaz is unable to mould the larger - than - life romantic persona of shah rukh into his own more bruised brand of romance . twenty - two years later , shah rukh is still raj — tender , sensitive and resolutely chaste – at least with the woman he loves . imtiaz and shah rukh coming together should have created a romantic classic . instead imtiaz has made his weakest film to date . . .
the film will be a very interesting love story set in contemporary new york switching back and forth in 16th century and modern times . it will be a tasteful commercial film of high production values .
film . for me that was a blow . i feel that i have never been part of any intelligent club . i wanted to make a very simple film with all my heart ,
imtiaz said .
after running his movie ‘shah’ on ary recently , and seeing the phenomenal public response to it , mr . adnan knew what was next to ensure the film’s longevity and unique place in the eyes of entertainment - starved pakistanis .
shah , which chronicles the journey of boxer adnan hussain shah , from the streets of lyari to a podium - finish in the seoul olympics , packs a punch and may just provide the right dose of patriotism to audiences on august 14 .
kiran chaudhry’s character , the journalist noor , is perhaps the only visible female character in the film and disappears quite inexplicably somewhere in the first half . her absence isn’t really noticed because her character wasn’t , well , necessary . she might be the journalist in search of shah , but there’s another one interviewing him in the film .
jab harry met sejal is shah rukh ' s first collaboration with imtiaz ali , and his third with anushka sharma . the film failed to live up to its hype , and has been largely panned by critics for the meandering narrative . and it looks like the negative reviews are taking a toll on the collections of the film .
but the real fall for ‘dmps’ came on monday as it was left with about 30 % of the shows it was originally supposed to have and this is not a good sign for a film . even these shows were played to a limited crowd as the negativity had spread and nobody wanted to see the film . thursday was the last day for the film as it is no more playing in cinemas ( except for maybe two or three screens ) and thus the film had a lifetime of only 7 days . this weekend was probably the last three days for the film at the remaining few screens and looks like this film will end on a 2 . 2 - 2 . 3 crore lifetime which means the film is a flop .
apart from the film , sarwar is also associated with the pop rock band club caramel . photo : file
both films stroies match . trailor of that film fill u with energy because of passionate music & scenes .
here is the complete list of nominations in the category of fashion , film , music , and television .
film courage has again comes up with yet another inspirational video interview for aspiring filmmakers . this . . .
as the film ' s teaser trailer makes the rounds on the cyber circuit , urltoken talks to shah ' s writer / director , adnan sarwar , who ' s also acted the lead role and composed the music in the film , and is better known as one half of the cover band / pop - rock duo club caramel .
the actor appeared in jab harry met sejal , which released on august 4 . the film has been receiving some negative reviews from the audiences as well as the critics but people are all praise for anushka and shah rukh’s camaraderie .
experts predict that the film may become one of the top three openers for this year . while salman khan’s tubelight made an opening collection of rs 21 . 15 crore , shah rukh khan’s raees minted rs 20 . 42 crore .
shah rukh khan and anushka sharma will once again be seen together in the much awaited movie , whose cast also includes names like ronit roy , zeeshan ayub and deepak dobriyal . both shah rukh and anushka were last seen in this year ' s
the movie has been written by mumtaz husain , who will be directing it and jamal shah will co - produce it .
anushka sharma and shah rukh khan star in jab harry met sejal , which is in theatres now . courtesy yash raj films
mumbai : filmmaker imtiaz ali’s next , starring anushka sharma and shah rukh khan is slated to release on august11 this year .
filmmaker imtiaz ali has brushed aside the criticism around jab harry met sejal which said that the film lacked touch . the filmmaker said that he never looked for praise when he made the movie . jab harry met sejal which released this friday received tepid response from critics citing that the expectations from the movie were much higher . during promotion of his film , jhms , imtiaz ali told the film spoke about critical response towards the film .
statutory warning - do not watch the trailer of ventilator before you see the film . 80 % of the film’s punches are in the trailer , not leaving much room for intrigue . in case you have already watched the trailer and are still curious enough to watch the film , here ' s what’s in store for you .
the film begins with where it all begins , shah as a kid is , in his own words , a ‘pootpathia’ ( someone who roams the streets ) and how boxing gets him off the streets . the pace feels somewhat slow at first but after the first 10 or 15 minutes you get used to it . the film follows a classic but simple formula of starting with an interview and telling the story of shah through flashbacks , but it still manages to work .
you’d think the film would end with shah winning the bronze medal in the 1988 seoul olympics and coming home to joyous celebrations in his own neighbourhood . but it turns out , that’s only the beginning . what happens later is what shapes the character of the film and presents us with a memorable but oft - repeated line : “izzat say paith nahin bharta ! ” ( you can’t feed yourself with glory ) . in shah , we see that line being played out .
a year later , michael lynton , the then chairman of sony pictures entertainment , which produced bhansali’s film , told the new york times : “you don’t go up against shah rukh khan , no matter how good your product is . ”
made on a grand budget , this larger than life film produced by shah rukh khan and juhi chawla got a lukewarm response on the box office . it managed to collect us $ 4 . 4 million worldwide and was received critically .
interestingly , the much sought - after date — august 11— was earlier announced by akshay kumar for his neeraj pandey directorial , crack . a few weeks after akshay announced the film on twitter , shah rukh khan announced that his yet - untitled film starring anushka sharma will also release on the same date . while akshay postponed plans to film crack , and started work on toilet : ek prem katha , the clash was destined to happen on the same date .
darr : a violent love story ( 1993 ) is an indian psychological thriller directed by yash chopra . it stars sunny deol , juhi chawla and shah rukh khan in the pivotal roles . the film was blockbuster at the box - office .
most of the actors in the film are unknown local artists from lyari , karachi and we are all outsiders in the established film industry . there was a lot of cynicism about whether we could pull this off . but we have . and now we can not wait to share our film with the people of pakistan on independence day .
urltoken biopics often have intense soundtracks . what can you share about the music of the film at this point ?
the film is all set to release on august 11 , 2017 , set to clash - yet again for an srk film - with neeraj pandey ' s akshay kumar starrer ' crack , ' during the independence day weekend .
the makers of this short film got jobs with disney and pixar . can you imagine this ? . . .
what if , your favorite filmmaker alfred hitchcock turns to a villain in a film ? exactly this . . .
will release on august 4 . earlier , the film was scheduled to hit the screens with akshay kumar ' s
keeping in mind the actor’s efforts , shah himself complimented sarwar by calling him a younger version of himself . this may prove to be a morale booster as shah is headed to compete with its rival , bollywood’s brothers , among many others on the independence day .
how debutant adnan sarwar was able to weave out such a brilliant , action - packed movie is certainly mystifying . shah isn’t simply a movie that focuses on one boxer’s triumph or his fight against another contender ; shah is about an athlete against the whole system .
when i first heard about this film i couldn’t stop comparing it with priyanka chopra starrer bollywood flick ‘mary kom’ ( indian biopic of female boxer ) , but after watching ‘shah’ i stand corrected as it is impossible to draw comparisons between the two .
' dilwale ' directed by rohit shetty is all set to hit the screens on december 18 . the film is being promoted as a family entertainer with the return of bollywood ' s most loved on - screen couple shah rukh khan and kajol .
2004 was one of the biggest years for shah rukh khan . he had three big ticket film releases - main hoon na , veer zaara and swades . banking on this fortune , a lesser known , back - in - the - burner film yeh lamhe judaai ke was released in the same year . starring raveena tandon , we are sure srk didn ' t want this film to release . it was a major flop and not many people remember it ' s release .
the chicago south asian film festival celebrates its eighth year this fall with a spotlight on south asian women in cinema , where we shine the light on the powerful women who boldly express their untold stories through the medium of film .
libaas was shown at the international film festival of india ( iffi ) in goa after a gap of 22 years on 22 november , 2014 . it was also screened at the international film festival at bangalore in january , 1992 .
the industry pundits are already placing their bets on the film entering the ' 100 crore ' club over the weekend . after all , there hasn ' t been a big film release after badrinath ki dulhania in march this year .
the film traces the rise of the homeless child , hussain shah , from the streets of lyari , an area known for its gang warfare and criminality , to his success as a boxer earning accolades for his country . there is an intense reality to the film as hussain shah encounters the corrupt system of the pakistan sports board . faiz chauhan gives an outstanding performance as the chillingly familiar bureaucrat , callous and out to exploit this hugely talented boxer , made all the more vulnerable by his illiteracy .
hope the movie # shah qualifies for the # oscars and the achievements of the legend get recognised for his contribution to the nation .
the movie , ‘ shah ’ , is a biopic on the life of the legendary pakistani boxer . the movie will show how shah went from living on the streets of karachi to become the only boxer in pakistan’s history to secure an olympic medal in the sport .
urltoken shah ' s release will coincide with that of moor and dekh magar pyaar say . are you worried about box office returns ?
jab harry met sejal box office collection day 3 : shah rukh khan , anushka sharma shows growth , collects rs 45 . 75 cr
shah rukh khan who was recently in the capital to promote his upcoming release ' dilwale ' spoke his mind about the blurring line between commercial and parallel cinema in recent times . while speaking to ibnlive . com , shah rukh referred to 2015 as the year of films like ' masaan ' and ' titli ' , and also addressed his incapability to do an ' independent ' film .
even though it may be ill - advised to judge a film based on just a trailer , the adnan sarwar - directed sports biopic shah already feels like a breeze of fresh air given the number of formula films that have been produced of late .
after tubelight tanked at the ticketing window , shocking the trade analysts and the media , shah rukh khan’s film jab harry met sejal was thought to face the same fate . however , now it seems that things might not turn as bad as expected .
most of the actors in the film are unknown local artists from lyari , karachi and we are all outsiders in the established film industry . there was a lot of cynicism about whether we could pull this off . but we have .
though the subject begs for better handling , the challenge of directing such a diverse ensemble cast is definitely noteworthy . the simplicity of the film’s songs like baba and ya re ya saare ya compliment the situations in the film very well .
, now stands at rs 53 . 75 crore . over the weekend , the film earned over rs 30 crore .
ananya bhattacharya of india today said :
gauri shinde does a half - decent job with dear zindagi . the director , whose english vinglish was a landmark film and did not leave you without a smile or a tear , seems oddly laid - back in dear zindagi . maybe we began expecting too much from shinde after her first film . watch the film for alia bhatt and shah rukh khan . it ' s an emotional joyride which won ' t harm you when watched once .
according to latest reports , shah rukh will being shooting for imtiaz ali’s film first before moving on to anand l rai’s flick . the actor allotted dates for ali’s shoot as his script is ready and waiting to go on floor . rai’s script on the other hand is still being worked on and hence it only seemed logical to start the film once things were in place .
what’s refreshing about adnan sarwar as a method actor is that he as celebrity is not present in the film , the character he plays is . with a lot of ‘established’ actors , they don’t stop being the stars in the film and rarely loose themselves in their characters . soon you forget that it’s adnan playing a role , because in the film , he is shah — he’s adopted the original boxer’s soft - spoken , shy attitude , accent and through make - up transformed himself to a point where he and the original shah would look more like brothers . he’s not afraid of looking unappealing if that’s what his character demands .
lahore - based musician adnan sarwar is playing the role of shah after attending a six - month - long training programme , in which he was guided by the boxer himself . logos films acquired the life rights for the sports biopic last year and the film is expected to be released in late 2014 . the film production is taking place in pakistan , united kingdom and japan .
shah was a top boxer . i have followed his career in the 80s and he was simply unstoppable . i am glad film makers in pakistan are going in the right direction . it is imperative to tell the stories of such people who achieved these amazing things . pak film industry has to find its own niche and not try to follow the bollywood song and dance formula .
watched # shahthefilm today . impressive . great story telling # shah . — amna awan | آمنہ ( @ amnawan ) august 15 , 2015
sometimes less is more and in shah , thankfully , although the brands are there , but they are in the background . and although they are present , shah doesn’t need them to win a boxing match . neither do they buy him the shoes that he so desperately needs .
we next see shah go toe - to - toe against the indian champion , with the biased crowd booing shah and egging their local champion on . after a dismal round and being pounded hard by the indian boxer , shah takes one look at the relentless crowd spewing hatred for him and decides that enough is enough . as soon as the bell rings and the round commences , shah forces the indian champion to kiss the canvas , courtesy killer blows dealt out in a flurry of seconds . as shah is awarded the gold medal , the crowd goes silent and pakistan’s national anthem is played in india . myself along with every single attendee , stood up as proud pakistanis whilst that scene lasted .
noway am i gonna watch a trashy akshay kumar movie . shah looks very promising . i ' ll definitely go to cinema for this .
after jab harry met sejal , there are chances that the audience might see shah rukh khan and anushka sharma sharing the screen space more often . while the two are already prepping up for aanand l rai ' s next , anushka hints at a production project starring shah rukh .
the first day proved to be a success for all the films as each of them recorded great numbers . while ‘dmps’ being a commercial film was obviously the one with the biggest collection , ‘shah’ and ‘moor’ also clicked with their target markets and recorded healthy numbers .
third week saw ‘moor’ holding well and running to packed houses at select cinemas whereas ‘shah’ also did decent business . ‘dekh magar pyaar say’ had maybe three - four shows and once the third week came to an end the film is now completely out of cinemas .
sharing his experience of working with the 51 - year - old actor , aanand l rai added :
i feel honoured to work with him ( shah rukh khan ) and i will take some time for the film to move forward ,
reported ians .
just as is the case usually with premieres , plenty of photographers , media personnel and acting greats were present on the occasion . the blinding flash of lights and camera shutter sounds filled the air , as the who’s who of pakistani film industry voiced their views on shah , the film industry and everything in between . actors humayun saeed and adnan siddiqui were seen casually chatting with photographers and relating their expectations from shah . anoushey ashraf , who was to host the event later on , was seen mingling with the important guests . adnan sarwar , the man who risked it all to play his childhood hero shah on–screen was engaging several reporters and cameramen at the same time .
he has a midas touch but king khan has had his share of flops in his 25 years in hindi film industry .
trade analyst komal nahta told hindustan times , “i have not watched the film yet , so cannot comment on the collections . however , the makers have created a good buzz around the film and harry and sejal are now household names . the film is likely to cross rs 19 - 20 crore on the first day . the advance bookings are also going strong . ”
as sarwar took his seat and the real hussain shah , clad in a pakistan jacket , took to the mic , the whole floor erupted into a thunderous applause . hussain shah made his way to the podium and for a moment , it seemed that the applause would not cease .
expressing his delight to be back in dubai , shah rukh khan said he was happy to be filming the sequel to the hugely successful # bemyguest campaign film . he said that the film was done in a creative and different way from how tourism films are usually made , as it was
so funny and sweet
yet it was still able to showcase dubai in all its glory .
but soon after his olympic achievement , shah was forgotten by the public and media alike and he went back to a life of abject poverty .
the movie begins with a journalist keen on unearthing the story behind shah’s forgotten legacy and digs deep . a sober yet beleaguered shah tells his story to an interviewer , and we’re taken back in time . shah , a young boy from lyari , is devoid of proper food , clothing and shelter . one day , a man ( whom he later on calls chacha ) saves him from a hostile police officer and becomes his guardian .
shah ! how can i watch this movie ? shah is my friend ! . . . we used to train together in the usa in the 1990 ' s and became very close . . . is there any way that i can reach him ? ? ? ? ? ? ? ?
alia bhatt and shah rukh khan - starrer dear zindagi , which was released on friday , november 25 , has received overwhelming reviews from critics .
an oscar nominee for best animated film ,
persepolis
is based on marjane satrapi ' s autobiographical graphic novel about coming of age in iran at the same time as the overthrow of the shah and the islamic revolution . satrapi wrote and directed along with vincent paronnaud .
logos films , a local independent film and media production house has kickstarted the making of its debut feature film , which is based on the life of pakistani boxer syed hussain shah . the sports biopic is the first in a three - part series of films , based on the stories of forgotten pakistani heroes . according to a press release , it had been in pre - production since august 2013 .
kuch kuch hota hai ( 1998 ) is an indian hindi coming - of - age romantic comedy drama film written and directed by karan johar and starred the popular on - screen pair of shah rukh khan and kajol . rani mukerji featured in a supporting role , while salman khan also had an extended - cameo appearance . the film was extremely successful in india and abroad too and won many awards .
the film will probe the political competence and alliances of mohammad reza pahlavi , against the backdrop of his personal and family life .
‘toilet : ek prem katha’ worldwide box - office collection : akshay kumar ' s film rakes in rs 29 . 41 crore overseas
given the potency of goodfellas it’s not surprising to find that it’s left a lasting legacy that’s evident in both film and television .
at tribeca this weekend fans will congregate to watch scorsese’s film – for many it is an almost perfect new york mobster picture .
“the message contained in this movie is that if shah can defeat boxers from around the world without food , clothing and shelter , then we can achieve all sorts of feats with the given facilities . shah did it all and he didn’t even get a meal , three times a day . ”
adnan : the music for the film was written almost two years ago . since i am a musician before anything else , writing the soundtrack was the part that excited me the most . we decided early on that the film will not have any item numbers , love songs , etc . there is only one song in the film and the rest of the music is quite different from what one is used to hearing in subcontinental films . yes , ' intense ' may just be the correct word to describe shah ' s music .
adnan sarwar has made his debut in the film industry as the director , lead actor and scriptwriter of the first pakistani biopic . the multifaceted and talented sarwar was a member of popular rock band club caramel in lahore , qualified as a doctor , and has now made a splash with shah . not surprisingly , he has also done the music score for the film , although in collaboration with farhan albert .
khan has deftly converted the 20 - year - anniversary of his biggest bollywood hit— dilwale dulhaniya le jayenge— into a marketing opportunity for dilwale . both films star kajol and shah rukh khan , whom film critic raja sen recently described as hindi cinema’s “ last truly great pair . ”
with a spate of boxing films already being released internationally for years , shah would be pakistan’s first film to be based on an olympian . to bring the real - life feel on the big screen , sarwar spent several hours interacting with the local boxers of lyari in order to gain an insight on the local boxing culture . he said , “the character of shah draws inspiration from quite a few boxers and their mannerisms . ”
supporting his director , shah rukh khan said that the real test of a film lies in going beyond the ordinary and create some
magic
. he said ,
i think sometimes the bigger feeling is to try something new . i have been in the business long enough to try a formula film and to try a film with no formula . succeeded and failed at both . . . so every writer or director does not want to go back to the same magic because he / she does not know how it was created .
box office week three : ' moor ' doing well , ' shah ' is decent while ' dekh magar pyaar say ' is out of cinemas .


hazaaron khwaishein aisi is an indian film made by director sudhir mishra in 2003 but released in 2005 .

set against the backdrop of the indian emergency , the movie tells the story of three young people in the 1970s , when india was undergoing massive social and political changes .

the title is taken from a poem by urdu poet mirza ghalib .

it went to 12 film festivals in 6 months including turkey , estonia , river to river ( florence ) , berlin , edinburgh , washington , goa , bite the mango ( bradford ) , commonwealth ( manchester ) , india ( los angeles ) , dallas , and pacific rim ( california ) .

hazaaron khwaishein aisi

there are no critic reviews yet for hazaaron khwaishein aisi . keep checking rotten tomatoes for updates !
chitrangada singh is an indian film actress . she is known for starring in hazaaron khwaishen aisi and for her first
hazaaron khwaishein aisi ( 2005 ) by sudhir misra is
a post - dated love letter to that lost generation .
( avjit ghosh , the telegraph ) # indie10 urltoken
hazaaron khwaishein aisi digs into a section of this crazy chapter of history through its three protagonists – siddharth ( kaykay menon ) , geeta ( chitrangada singh ) and vikram ( shiny ahuja ) .
sudhir mishra ' s hazaaron khwaishein aisi reflects the intensity and fate of three young characters , who start out on the same platform but board different trains and reach a destination of their own making .
lost the plot on twitter :
hazaaron khwaishein aisi ( 2005 ) by sudhir misra is
a post - dated love letter to that lost generation .
( avjit ghosh , the telegraph ) # indie10… urltoken
the dusky beauty has finally decided to split with her hubby of twelve yearschitrangda singh , who went into oblivion after making a sparkling debut with sudhir mishra‘s hazaaron khwaishein aisi made a sucessesful comeback to bollywood films few years ago .
hazaaron khwaishein aisi is the story of three characters whose lives intertwine across a decade . it is a love story set against the backdrop of a politically decaying india from the late sixties to the late seventies , often described as the indira gandhi years .
hazaaron khwaishein aisi a 2003 indian film made by director sudhir mishra in 2003 , but released in 2005 . set against the backdrop of the indian emergency , the movie tells the story of three youngsters in the 70s , when india was undergoing massive social and political changes .
sunset point was the turning point in chirangada’s career . she caught sudhir mishra’s attention and landed up her first film , hazaaron khwaishein aisi . her performance in the movie received a lot of critical acclaim and she was also nominated for quite a few awards for this film .
i hope it will not only showcase the talent of one of india’s finest living film makers but also bring centrestage three truly amazing new actors : chitrangda , kay kay menon and shiney ahuja . pnc is proud to present one of its finest productions : hazaaron khwaishein aisi .
there are a thousand reasons to watch hazaaron khwaishein aisi . but enjoy it as a last anthem for a generation who knew how to believe . watch it holding the hand of a woman you have loved and lost . and it would be nice if you have drunk some rotten whisky before .
ruchi narain , who wrote hazaaron khwaishein aisi before directing her first film , kal –yesterday and tomorrow ( 2005 ) , picks the animated hanuman da damdaar for her next project . the film also carries the very clever line “ jahan na pahunche superman wahan pahunche hanuman ! ” ( hanuman can reach places even superman cannot conquer ) .
yashpal sharma , a leading name in hindi films , is a graduate of the national school of drama and has worked in more than 20 films , including lagaan , apaharan , gangajal , bawandar , hazaar chaurasi ki ma , ab tak chhapan , and hazaaron khwaishein aisi . he has worked in nearly 55 plays with both nationally and internationally renowned theater directors .
though fond sud of france had supported the writing of the screenplay , hazaaron khwaishein aisi languished for 6 years for want of a producer . till pnc stepped in . sudhir mishra’s original title for the film was twist with destiny . chitrangda singh , heroine of the film and the year’s hottest discovery , however vanished from the scene as mysteriously as she had appeared .
hazaaron khwaishen aisi dir - sudhir mishra cast - kaykay menon , chitrangada singh , roshan ' shiny ' ahuja , ram kapoor and yashpal sharma . written by - sudhir mishra , ruchi narain and shiv subramanium . rating - * * *
her last couple of films , i , me aur main and inkaar , couldn’t garner great numbers at the box office . we wonder what the dusky babe is up to nextborn on march 28 , 1976 , chitrangda singh started her career in bollywood with hazaaron khwaishein aisi . the babe won accolades for her role as geeta in the film . she looked lovely [ … ]
back in 2005 , we saw the release of the film ‘ hazaaron khwaishein aisi’ featuring chitrangda singh , shiney ahuja and kay kay menon . the film that was directed by sudhir mishra and produced by rangita and pritish nandy followed the story of three youngsters during the 1970 set against the backdrop of the indian emergency , when the country was undergoing massive social and political changes .
a real breath of fresh air in indian cinema , hazaaron khwaishein aisi is a very real , earnest , crackling - with - life portrayal of what it was like to be a college student in delhi in the late 60s and 70s with the opposing currents of marxism and gandhian totalitarianism . intertwined with the ideology and the politics is a love story of three people , who start off with different ideas and whose ideas criss - cross in the course of the film . superb direction , vibrant cinematography , slick editing , lovely music and superlative performances from all three protagonists make for a thoroughly satisfying cinematic experience . the surprise package is shiny ahuja , whose model - boy looks belie a prodigious acting talent . both kay kay menon and chitrangda singh deliver superb performances with chitrangda looking stunning throughout . songs : urltoken baanwara mann hazaaron khwaishein aisi mann yeh baanwara hey sajani na aaye piya ( thumri ) my sharona : the knack
bollywood has been abuzz with newcomers for a while now . but one person who can give a tough competition to the new generation of actresses is chitrangada singh . the 39 - year - old actress has spent an ample amount of time in bollywood , and she has come a long way since her debut in hazaaron khwaishein aisi . one thing that we can say for sure is that she still looks as sizzling as the first time we saw her on screen .
sudhir mishra has made a masterpiece : a bold , gritty story about those dark times , without ever losing sight of its characters . in fact , it is a story of desire , longing , love and lust . and it is this human touch that makes ‘hazaaron khwaishein aisi’ such a memorable watch . it doesn’t shy away from taking names and events ( who dares to name ms gandhi and the congress party ? ) . sadly , this gem has been buried under all the trash that bollywood keeps churning . so this piece is my propaganda , to get as many people as possible to watch this movie , and experience it . in fact , i am going to go so far as to say that ‘hazaaron khwaishein aisi’ is , in my humble opinion , is one of the greatest indian movies of the 2000s . so , please , please , watch this one ! and after that , if you still don’t feel the way i do ; well go ahead , sue me !
that is exactly why , when i saw sudhir mishra’s 2003 art - house film ‘hazaaron khwaishein aisi’ ( a thousand desires such ) , i was completely blown away . a commentary on the indian political atmosphere leading up to the emergency , this romantic drama focuses on three delhi university students , their dreams and aspirations amidst the turmoil around them . theatrically released in india in 2005 after being screened at numerous film festivals internationally , the movie received universal critical acclaim , and is today a regarded as a modern classic .
wrought in a sprightly technicoulour , ' hazaron khwaishein aisi ' is a heartfelt lament on india ' s failed political ambition of the 70 ' s . riding on the shoulders of its splendid troika of characters , the dreams of an entire nation hurtle down a pitfall , their bodies crushed and dreams spurned by the political tyranny of the main powers . while ' hazaron khwaishein aisi ' isn ' t always a pleasure to watch , - for it drags itself in parts in the middle , and is carried forward more by the strength of its characters than by the muddled political jargon that it carries with itself - - it is still wrought with high ambition , high cinematic adventure . right from the splendidly captured opening sequence of an inflamed placard of indira gandhi beside the tumult of the hindu - muslim riots , all the way to the rousing finale where all our beloved characters are crushed down , left bereaved and irreparable , ' hazaron khwaishein aisi ' is a splendid ode to india ' s tryst with fire , that was all too coolly , extinguished .
director sudhir mishra & apos ; s hazaaron khwaishein aisi is a post - dated love letter to that lost generation . through the disparate but crisscrossing lives of two men and a woman , mishra ( is raat ki subah nahin , chameli ) tells you the collective story of a restless generation with a thousand desires and one desperate dream . and he asks why the finest young men and women in the best of urban colleges got obsessed with the idea of changing the world . and , why even in that season of daniel cohn - bendit and bob dylan , some preferred to join youth congress .
their idealism breaks in bits and their destinations are irrevocably changed . the actors , even the minor players , are memorable . the pacing occasionally slows but never to the point of boredom . hazaaron is a finely crafted , textured film .
there always have been a dearth of hindi films that take up sensitive political themes as their subject matter . what is sadly missing is the quality of historicity , of acquainting the people with the course of history . the existing lacunae primarily have to do with the lack of perspective on the part of many film makers to see things in their socio - historical context and to grasp the link between the past and present . this perhaps could explain the reason why significant events , whether it is the naxalbari peasant uprising or the emergency , of our post - independent political history have not been made into meaningful films . after more than two decades of silence , sudhir mishra’s hazaaron khwaishein aisi ( thousands of such wishes ) comes to ‘reclaim the past’ .
all in all , ‘hazaaron khwaishein aisi’ is one of the few overwhelming cinematic experiences that bollywood has given me . it has a story that deserved to be told ; a true story ! yes , this is a tribute to those countless students from delhi university ; educated , elite , rich students , who left their promising futures to effect a change ; to end injustice and inequality once and for all . yes , their means were flawed , but at least they believed in something . they had a fire in them , a burning desire and unflinching faith in an idea , an idea greater than any individual . it is this intellectually charged environment that is missing in contemporary indian institutions . universities , where once ideas floated and freedom and liberalism were the catch phrases ; has today turned into breeding grounds for right - wing fanaticism .
top - notch performances , touching back - ground score and its intense script take ' hazaaron khwaishein aisi ' to never - before - scaled heights of cinema . its a movie about believing in something so unconditionally , that you give whatever it takes to stand up for it . . even if it is your life . the film showcases the three selfless lives of free india ' s first generation in their youth set in the back - drop of naxalite moment and emergency . shiny ahuja is dynamic as vikram . kay kay menon ( siddrath ) conveys more through his expressions and tone than this dialogs , once again proving his excellence as an actor . chitrangada singh ( geeta ) ligths up every frame not only with her flawless beauty but , equally with her deep performance as well . she is simply brilliant . this movie sets the standard for excellence in cinema . a true masterpiece .
at the heart of sudhir mishra ' s political chronicle about three individuals during the india of the 70 ' s lies an inherent cry for reform that is valid even in the current age that we live in . ' hazaaron khwaishen aisi ' then , is not just an account of the naxal movement that rose , survived , faltered and eventually died in the dictatorial times of indira gandhi . as the title rightly suggests , it is about a thousand such dreams that have been left unfulfilled , or soured if realized ! not since gulzar has a director managed to weave a political story with such assurance .
a thousands wishes like this , each one takes your life . a thousand cravings arise and still too less . three flawless characters in post independent india struck by poverty , illiteracy , riots and corruption find their love triangular way out from university education with completely different personalities , background and ambitions . the portrayal of vikram ' s love for geeta and geeta ' s love for sidhharth and sidharth ' s dedication for his ideals of extremism can be easily compared with each other and still at the top of all that history could ever see . the movie depicts platonic love intertwined with the story line which deals with the tragedies in modern india and in some or other way with each three of them . i don ' t know why but i tend to remember american history x while thinking about hazaaron khwaishen aisi , most probably by the untouched levels of brilliance of flawless acting of flawless characters achieved by the shiny , kay kay and chitrangada . believe me it could easily have been made its milestones with the name indian history x . but still sudhir mishra knows what he wants to show and for this matter
hazaaron khwaishen aisi
tells it all . the way romance has been portrayed with the love chemistry is breath taking .
a romantic triangle plays itself out against the backdrop of history in this drama from india . in 1969 , three students are completing their education as india ' s political climate becomes increasingly volatile . siddharth ( kay kay menon ) is a half - caste who believes the indian political system must be made more responsive to the needs of the people . vikram ( roshan ahuja ) comes from a wealthy family and isn ' t especially concerned with the winds of change . and geeta ( chitrangda singh ) is from a middle - class upbringing , taking the middle ground , supporting positive change , but rejecting radicalism . while the three students are friends , vikram is infatuated with geeta , while she harbors an unrequited love for siddharth . as time passes , vikram becomes a successful businessman while geeta follows siddharth into activism , but the government crackdowns in 1979 find the three friends reunited under unexpected circumstances . hazaaron khwaishein aisi has also been screened under the english - language title a thousand dreams such as these . ~ mark deming , rovi
set against a backdrop of immense political turmoil of the late 60s and 70s in the country , hazaaron khwaishein aisi is the story of siddharth ( kay kay ) , geeta ( chitrangda ) and vikram ( shiney ahuja ) . geeta is in love with siddharth but politics is siddharth ' s first love . vikram , however , is in love with geeta . while siddharth joins the naxal movement , geeta marries off in england without giving up her love for siddharth . vikram meanwhile , becomes a fixer in the corridors of power in a country that is in the throes of political chaos . when geeta eventually joins siddharth in his movement and they fall into deep trouble , vikram uses his connections to help geeta out . but helping siddharth lands vikram on the wrong side of the law . geeta is left with the choice of going with siddharth or choosing the man who put his life on the line for her . the protagonists find themselves in situations that only the quirk of density could decide . critically acclaimed at 13 international film festivals
it was sudhir mishra ' s name that dragged me to the theater . while buying the tickets i read the name chitrangada singh . that made my decision to watch the movie more firm . how could i forget the face i had seen once in a magazine . a face that was way , way beautiful than today ' s ash , etc . etc . and then the movie itself turned out beyond expectations . not only the story and screenplay , the direction too is slick and the characters are so real . especially shiny and chitrangada . why doesn ' t every one make films like this one ? why ? hazaaron khwaishein aisi leaves me with thousands of wishes yet unfulfilled . one of them is working under people such as ruchi narain and working under dazed amazement with people such as chitrangada . ( filmi buffs ! here ' s is the true beauty ) . thank you sir nandy and rangita for producing moneys ' real worth . any vacancies at pnc or with ruchi ( as assistant in production , direction , just about anything . . . please count me in ! ) thank you .
titled after the famous couplet by the legendary urdu poet mirza ghalib , ’hazaaron khwaisein aisi’ is essentially about human desires , and how they are influenced by people and times . siddharth tyabji ( kay kay menon ) is a young revolutionary , inspired by the fidel castro and mao , who joins the naxalite movement , in an attempt to end all discrimination and injustice by the state . geetha ( chitrangada singh ) is a sheltered middle - class girl confused about her life , and in love with siddharth . vikram ( shiney ahuja ) is the son of a middle class gandhian who wants to make it big , and is madly i love with geetha . how their lives transform , beliefs mold and passions change , in the politically volatile 70s form the crux of the story .
mishra doesn ' t fall into the trap of making ' hazaaron khwaishen aisi ' into a generic political movie . in fact , the movie doesn ' t even show us any political leaders of the time . what mishra does is use the cinematic language of allowing characters to be allegorical references to the whole ! vikram ' s failed love and his eventual state at the climax is just that - an allegory to what we have been left with . siddharth ' s disillusionment also acts as a failure of the whole movement . and amidst all of this , geeta finds her true voice . her character assumes shape after going through upheavals of love , hope , disappointment , exploitation and finally comprehension ! much like our country indeed ! the recurring haunting track , ' man yeh bawaraa ' aptly captures the mood and ethos , and lingers in you long after you ' ve left the movie .
' hazaaron khwaishein aisi ' is basically a story of two antithetical classes of society represented by two male protagonists , a socially conscious rich kid , siddharth tayabji ( kay kay ) and a financially challenged , ethically depraved poor kid , vikram malhotra ( shiney ahuja ) . it depicts how social and financial statuses play a definitive role in the development of individuals and their priorities . siddharth is an idealist who wants to change the world with his bare hands . highly inspired by the marxists school of teaching , he abandons the comfortable confines of his palatial home and sets out for a six month social service voyage to bhojpur , bihar ; never to return back . vikram , on the other hand is an extremely practical guy who won ' t mind stooping to any levels of integrity to achieve the lucre he has been devoid of all his life . the dictionary defines his state as suffering from plutomania . soon after college , he starts walking down the corridors of power and becomes a lobbyist working as a link between politicians who are looking for a quick buck and parties who have vested interests in interactions best described as ' under the table ' . stepping on many shoulders on his way , even siddharth ' s at times , he attains what he set out for , pretty easily . he treats everyone like his personal chewing gum , masticating them long enough for his breath to be fresh and later throwing them away in pits he will never cross again when they grow tasteless .
but such minor quibbles left aside , ' hazaaron khwaishen aisi ' is a movie that must be seen by every collegian but sadly won ' t ! they are too busy following the fads of the johars and chopras ! and mind you , this movie is not an exercise in history lesson ! there are some fine performances that adorn this cinematic jewel . kaykay is as he usually is - competent . in an underwritten character , he manages to do exceptionally well . chitrangada singh is eerily similar to the late smita patil . she is almost a reincarnate ! her emotional range aside , she is also a true indian beauty - dark and elegant ! ram kapoor as her husband leaves a definite impression . eventually though , it is shiny ahuja ' s performance that rivets you the most . in a virtuoso display of talent , he announces himself to bollywood . whether it his cocky smirk , his dormant rage , his hidden anguish or his genuine irritation - shiny is simply brilliant . easily one of this year ' s best performances !
now years on we hear that the makers of the film have decided on making a sequel . confirming the same on twitter , sudhir mishra posted , “it’s not an accident that pritish produced hazaaron ! i narrated d idea n he said go for it . nobody else had d balls . n now v will do d sequel though d final script is not ready yet . ” further talking about whether sequel to the film will feature chart busting music like the first sudhir added , “swanand n shantanu will hopefully agree to be part of the journey” .
it is a scene rich with comedy , irony and inexorable sadness . mishra rewinds to the 1970s , a time rife with angst when jawaharlal nehru ' s dreams of a tryst with destiny gave way to disillusion with authority ; when naxalism and the emergency redefined india ; and when college students called each other comrade and dreamed of fashioning a better world . but hazaaron is far from a dry political treatise . mishra and his co - writers ruchi narain and shiv kumar subramaniam create a profoundly moving and engaging story of three people ' s journey through this devastated landscape .
hazaaron khwahishein aisi doesn’t have your usual song and dance routines and certainly doesn’t have the most traditional bollywood filmy kahaani , but the characters and their stories pull you in and keep you asking for more . shiney ahuja truly shines ( i couldn’t help myself ) in his debut film as the hopelessly - in - love vikram . as much as i hated his character for refusing to move on with his life , i also admired his unconditional love for a woman who barely gave him the time of day . kay kay menon ( not to be confused with singer k . k . ) gave a powerful performance as the consumed - by - idealism - siddharth , but i can’t say much more because i really disliked his character overall . last , but certainly not least , chitrangada singh blew me away with her bollywood debut thanks to her graceful portrayal of the complicated and frustrating geeta . part of me hated geeta’s character because of her unrelenting tunnel vision , while another part me understood how and why she personified one of my favorite quotes from the once and future king : “perhaps we all give the best of our hearts uncritically - to those who hardly think about us in return . ”
he rush of youth defies description . it has to be experienced . but the outcome of its impulse and conviction of its ideology is what defines every individual ' s coming of age .
it could be the story of three ordinary , or not so ordinary , people , depending on the given circumstances , if the setting of this drama wasn ' t such a crucial time in history .
the late 1960s and early 1970s were turbulent times - - angst filled and strife scarred . it was the time of vietnam , of flower power , of the emergency and the rise of the naxal movement in india . and a booming population of restless youth was eager to wage war against anything that curbed idealism .
the three study in a prestigious delhi college and come from different stratas of society . in the beginning , the three friends are carefree and desultory . but as they get out in the real world , they learn the ropes of survival .
siddharth dreams of revolution . he becomes part of the naxal movement in the villages of bihar . his emotional attachment to geeta doesn ' t stop him from his political pursuits .
post - college , geeta is married to an ias officer but she continues to see siddharth on the sly .
vikram too has always nursed unconditional love in his heart for geeta . but that ' s all there is to his soft side . a small town boy once , vikram climbs the social ladder by networking in the big league unabashedly .
geeta ends her marriage and starts living in the village with siddharth . this is the time in the film when geeta ' s character evolves . from a london - bred girl to teaching village women , or having a child out of wedlock or asking favours from vikram in hours of need to a lot of other gruesome realities , geeta discovers herself .
the story movies on . the characters mature and move on . they regret . they apologise . they change . their lives are not the same .
plays like a novel spanning a decade . while geeta is a picture of poignancy and inspires awe , vikram ' s complexities leave the viewer perturbed . there is a lot to his greyness that is unsaid and yet subtly hinted through mere expressions . he is the most mysterious of them all .
siddharth is the most real . in the beginning , he appears to be a rebel for effect . gradually , his seriousness about his cause unveils . later , his aggravation at the futility of it all unfolds . his weaknesses as the man in a relationship aren ' t hidden either . eventually , he changes the course of his journey . the fire of his conviction still smoulders , but the flame is missing .
the actors do complete justice to their brilliantly etched out characters . kaykay moves you with his intensity . and shiny is a startling improvement from the lacklustre cop he played in karam . but chitrangada singh , whose face draws inevitable comparisons to smita patil , is definitely someone to watch out for . she is a complete natural who zaps the camera with a passionate performance .
the protagonists act like metaphors for the maddening 1970s . the rush of youth is long gone . the restrain of experience has sunk in . the whiff of a bittersweet memory lingers . but that ' s all it is - - a memory - - a chapter of history that has closed .
sub : sam : your crazy ! this is an excellent movie . dont believ sam . . either he is crazy or dim ! its amazing . . easily compared to a hollywood flick . must watch ! posted by saonli
sub : great movie it ' s a movie worth watching . so much to learn from the movie . posted by mehnaz
sub : movie is a gem ! ! ! ! ! i saw this movie and i am in completely awe at the brilliance of it . this is a good quality indian cinema and definitely worth . . . posted by arun gupta
sub : most crapy movie i have ever seen hi please dont go by the reviews tis is one of the most crapy movie ever made . senseless . the director wants to justify his point . . . posted by sam
i believe in the ideology , man , but my dad ' s too rich ,
says an inebriated college boy to his more committed leftist classmates in sudhir mishra ' s superbly wrought new film .
i can ' t leave all this .
every generation needs something to sell . in the 60s , they peddled revolution . the smart ones kept long sideburns , grew longer beards , got drunk on country liquor , wore lal salaam knickers and spewed dialectical materialism to pretty girls who often lost their hearts and virginity ( not always in that order ) to them . then both proceeded to study history of mentalities in yale and got married . preferably not to each other .
the honest ones left for the countryside & apos ; to the backwaters of bihar and the killing fields of bengal & apos ; to manufacture a peasants & apos ; insurrection . they bared their bottoms in the paddy fields , taught marx primer to starving farmers and battled both police and upper caste reactionaries with countrymade guns . some died ; most were reborn either as ngos or professors of social science .
the movie ploughs through the mindscape of its protagonists . why shiney ahuja , the son of a gandhian , hates the idealists and becomes the finest fixer in delhi . why kay kay menon , a retired judge & apos ; s son , gives up the good life to raise a revolution . and , you wonder if chitrangda , the sincere and refined england - returned girl , really loves kay kay , or just the idea of the man she thinks he is . it & apos ; s all told with craft and control , with humour and that dirty word , passion . and in the end we have an intelligent , imploring movie that leaves you twisted like a cork and wistful like an old woman . and , you feel jealous of its characters & apos ; of the lives they lived in those angry seasons of the almost young .
hka wouldn & apos ; t have been the same without shantanu moitra & apos ; s blend of folksy - classical music that helps the film travel inside your skin . or , without its actors , all superbly sensitive . what stays in memory though is debutante chitrangda & apos ; s face : a complex map of beauty , mystery and symmetry with the colours of the setting sun .
kamalahasan & apos ; s back & apos ; this time on a rollicking ride aboard mumbai express . director singeetham sreenivasa rao , with whom kamal has teamed up earlier for a pioneering film like pushpak , almost manages to pull it off this time as well . slick editing , comic timing and brilliant dialogues give mumbai express a frenetic pace , though it does sag a bit in the second half losing steam as the story takes a new turn .
three crooks with the perfect plan to make it big overnight hit one hurdle after the other , forcing them to turn to a deaf ( and dumb in equal measure ) kamal for help . and help he does , by abducting the wrong kid & apos ; that , too , a cop & apos ; s son . as if taking the law head - on wasn & apos ; t enough , the pesky little brat has them clutching their heads in desperation .
saurabh shukla is brilliant , but manisha , as the mother of the abducted child , has precious little to do , which doesn & apos ; t come as a surprise for no one is allowed to take away the spotlight in a kamal film . however , while story - screenplay - dialogue - writer kamal carries the film on his shoulders , actor kamal is overshadowed by crazy crook vijay raaz and corrupt cop om puri .
om , as the cop eager to hide his double life with mistress manisha from prying eyes and vijay , as the kidnapping kingpin left licking one wound after the other by kamal , bring the house down . literally .
kamal , no doubt , drives mumbai express to its destination , but it & apos ; s vijay and om who romp home with all the accolades . ah , yes ! not to forget the horse for displaying amazing horse sense .
ever seen a guy make it up to his girl across a peephole and a closed door & apos ; well , will smith does exactly that in hitch just minutes before the final credits start rolling . that , after breezing through the movie as the successful and elusive date doctor alex hitch hitchens , who makes a profession out of hitching up people and , in the process , stitching together relationships .
and that & apos ; s what makes the movie so endearingly funny . hitch & apos ; despite his smooth - talking ways and his unique gameplans for every lovelorn man in town & apos ; realises that falling in love just might be the best thing to happen . that there is more to getting hitched than making the proper moves and brushing up on that perfect smooch . that a four - minute speed date and the right pick - up line at the bar are not what love is all about . as the movie goes on a crazy tailspin across a summery new york , it gets the romance element just right , without falling into formulaic , mushy cliches . will puts in a thoroughly smart performance and eva as the on - the - move gossip columnist is just about believable . it & apos ; s the sort of light , zippy comedy you want to watch to keep your spirits up .
journalist turned filmmaker samar khan & apos ; s debut has seriously put the indian railways cooking to shame , even that of the notoriously bland & apos ; continental & apos ; variety . indeed , so insipid and tasteless is kuch meetha ho jaaye that it might actually make you yearn for the hot water that is served under the pseudonym of soup , at 7pm on the rajdhani express . and this , despite the lucky ingredients of a & apos ; k & apos ; name and the presence of superstar shah rukh khan .
a motley group assembles at the fictitious ganganagar airport to catch a flight to delhi . a technical snag in the plane delays them for long hours , forcing them to put up with one another , leading to confrontations , confessions and reunions . a story like this , which has no movement in space and time , needs strong characters and engaging situations . this is where kmhj falls flat on its face . the characters are all one - sided , and the situations , school skit - like . samar khan & apos ; s handling of relationships is amateurish and simplistic .
arshad warsi is genuinely good & apos ; funny , sensitive and endearing . mahima is okay , but then , her role doesn & apos ; t demand much . self . the rest of the cast are all wasted .
the boss is back , the posters declare . meant to chill our bones with terror or tickle them to laughter as to when exactly did he go away & apos ; weren & apos ; t his posters always staring down at us as we hurried past them to meet our own bosses , perhaps . or indifferently stared back at them , as we sipped roadside tea . but , with dada , that indifference will turn to desperate pleading , dada dearest , we love you and all that stuff , but please go back to wherever you are saying you are back from .
take all those white clothes and hop into that helicopter that & apos ; s so mysteriously always at your disposal , anyway . away into those dark clouds , perhaps , under which you try to dance as delightedly as aamir in kale megha song . after you have done the other khan act that not shordi , khaashi , maylaria , bhalobhasa is the problem . here , we sympathise . at your age , two women falling all over you can be stressful .
take them with you as they are stressful for us , too . but don & apos ; t put them into that train running through mysterious landscapes and tunnels only to stop at burdwan junction . along the track they may find more of the sword - wielding men that director t . l . v . prasad was so busy recruiting that he never really got a chance to get down to the story , plot , or any development remotely logical . all of which fails to give the tiniest clue , even if we agree you were away , as to why you are back .
a family gathers in a quaint cottage in idyllic himalayas . a quirky guest arrives one day . one night , an earthquake destroys the bridge that connects them to mainland . electricity goes off . water runs out . food ends . panic begins & apos ;
watching sandip ray & apos ; s nishi japon induces a sense of deja vu . it reminds one of two satyajit ray films in terms of its treatment , thematic content and characterisation . kanchenjunga , because of nature metaphors like mountains and landslides symbolising inner avalanche of human emotions . and shakha proshakha , which shows hidden discord breaking down semblance of congenial familial relationships . some images are downright dittos . like bedtime conversation between husband and wife while she applies night cream on her face and neck . is it a deliberate device used by the director to acknowledge allegiance to his filmmaking gharaana & apos ; maybe . because what prevails is a sense that time is suspended . it & apos ; s neither past nor present . which is fine . except when disaster hits in a seemingly contemporary world , one wonders where the cellphones are . or for that matter , the landline , television , or radio .
an excellent ensemble cast shares great chemistry . especially , two seasoned thespians with shared & apos ; ray history & apos ; & apos ; soumitra chatterjee and deepankar de . sabyasachi chakraborty is a straight - talking , irreverent army doc with a penchant for bird hunting ( literally and connotatively ) and rituparna sengupta is his beautiful , dutiful wife . parambrata chatterjee is the reticent younger brother , with some kind of & apos ; never made known & apos ; angst . and raima sen , with her fluid child - woman face , dulcet voice ( rabindrik inflections in perfect lip - sync ) and doe eyes , is definitely bengali cinema & apos ; s lambe race ki ghodi .
a charming feature of the film is its subtle humour . like the dig at bengali sartorial sense when young parambrata , wearing & apos ; muffler & apos ; goes to fetch & apos ; monkey cap & apos ; . or a delightful coinage like & apos ; aabaar khaabaar & apos ; reinforcing a legacy of memorable rayisms .
pj . harvey appeared flat and bare - chested on an album cover and hell broke , precisely because women , bodies and all , universally , are circumscribed by expectations . and precisely at a time when we have increasingly proliferating standards of conformities to go by & apos ; impaling navels , practising the right jut of one & apos ; s hip under a thong & apos ; trust a classicist bong to focus our collective confused gaze back where it belongs , apparently . to all cultural mammaries / memories , translated into the familiar bangali polemic of the haves and have - nots . after all , by the film & apos ; s own admission , the lithe veejays and anorexic models are far too hip by bong standards .
but more than what women want or are made to want for their bodies ( & apos ; the history , philosophy and mathematics behind the female anatomy & apos ; ) , this film is a plea to tortured men who haven & apos ; t somehow managed to get past the adolescent fixation of looking at women as overstuffed walking bras . as tota roy chowdhury & apos ; s character puts it , sympathetically , & apos ; though it is impossible for a man to feel any kind of attraction for that body , there are certain things one learns to compromise on & apos ; . as long as she breeds well . very charitable , no doubt . and quite likely a very grave issue of marital discontent in bangali families that we don & apos ; t really get to know of . the film does end up revealing the utter ridiculousness of the husband & apos ; s & apos ; narrow - mindedness & apos ; and the pathos generated by it .
the performances . are credible and the cinematography , soundtrack , baulgaan are tasteful and segue well , and there & apos ; s only just the one hideous sculpture near the end . but even then , my male friends unanimously insist that they & apos ; re plagued much more by their own relative sizes than the swell of their counterparts . now that is something truly rendered silent by the norms of society and patriarchy . so why not film a series on those anxieties , one each , on all the penile malfunctions that dr lodh & apos ; s posters promise to set straight instead & apos ;
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geeta rao has two admirers - one is siddharth tyabji and the other is vikram malhotra circa 1969 west bengal that is witnessing it ' s struggle against the ruling congress party , joining . . . see full summary »
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gangsters kidnap the prospective son - in - law of a politician in order to secure the release of an imprisoned gang - member .
two woman - - different backgrounds , miles apart , and strangers to each other - - are linked by tragedy . their new - found friendship is tested as one holds the fate of the other ' s husband in her hands .
delhi - based fellow - collegians - cum - hostelers , sanjay mishra , and apurv , challenge each other to win the university elections and sleep with three different girls respectively before the . . . see full summary »
at a leading ad agency , the battle for the top job between rahul verma , the advertising ceo , and maya luthra , his ambitious protégée , takes an ugly turn when maya files a sexual harassment complaint against rahul .
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aniruddh , a law - abiding college student , in love with niharika , gets caught up in college politics and crime and must fight it out for himself when his friend becomes his foe .
the intrigue of the shakespearean tragedy ' macbeth ' is transposed to the mumbai underworld .
four friends ( luke , murgi , joy and pondy ) wasted by youth and self destruction play together in a band along with a fifth female member ( shiuli ) . luke the lead singer and self - imposed . . . see full summary »
dharavi - known as the biggest slums on earth , has many people living in abject poverty and destitute conditions . one such person is rajkaran a taxi driver by profession , who has bought a . . . see full summary »
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geeta rao has two admirers - one is siddharth tyabji and the other is vikram malhotra circa 1969 west bengal that is witnessing it ' s struggle against the ruling congress party , joining forces with left - wing marxist and communist parties . while siddharth is directly involved in this struggle , geeta and vikram are romantically involved . when vikram does not make any move toward marriage , despite of being introduced to geeta ' s madras - based family , she decides to give up on him , and he starts his romance with another young woman . while students continue to voice their disapproval of prime minister indira gandhi , the allahabad high court gives a judgment indicting her for several offenses under the representation of people act . mrs . gandhi then uses her powers to clamp emergency , taking away all powers of the judiciary , giving police virtually unlimited powers to the police to detain anyone under the national security act , imprisoning leaders of all political parties , empowering her son , . . .
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“thousands of desires , each worth dying for… many of them i have realized…yet i yearn for more . ”
india is a mystery for contemporary historians . reeling under a century or so of colonial subjugation , extreme poverty , a non - existent social structure and more importantly , a vicious hindu - muslim conflict ; no one in their right minds believed that this nation would last as long as it did . on 15th august 1947 , when our forefathers led by pandit nehru made a tryst with destiny , they had an “idea of india” , a secular , liberal , democratic republic . and surprisingly enough , we continue to be one even today .
but that is not to say we never faced challenges , some which even threatened our very existence . the most potent among them would probably be the 1975 emergency , imposed by ms indira gandhi , and the nation - wide anti - government protests led by gandhian jayaprakash narayan ( known as the jp movement ) that preceded it . the darkest period in our country’s post independent history , this attack on democracy brought india to its brink .
the sad part is , young india knows very little of these times — and the struggle that the people mounted in a quest for equality and change . one of the reasons might be the lack of quality cinematic works depicting these times . how many movies can you think of , which chronicles the tumultuous times of the 70s in india ? none , i presume .
right from the very first frame , i realized that there is an earnestness and honesty in the filmmaker , which reflected in his work . there is no overt melodrama , cinematic flourishes or pitched sequences . instead , the proceedings are very mellow , with the script and the performances doing all the talking . the screenplay , co - written by mishra himself , is taut and displays a strong control over its characters ; their conflicting ideas are depicted with a sincerity that floored me . we care for the people we see , though stop short of loving them , as they are not great people . they all have their flaws , but the sheer realism ends up emotionally moving you . though there is a strong political undercurrent of naxalism , revolution and state excesses ; this is a story of people , and their lives in the backdrop of these difficult times , which ends up making a greater impact .
technically flawless , the movie’s soundtrack is worth special mention . without typical bollywood song - and - dance numbers , this soundtrack , composed by debutante shantanu moitra , is soulful and heart - wrenching . it complements the story , leaving a tremendous impact on the viewer .
without the performances that the movie had , it would have been half as good as it turned out to be . kay kay menon in one of his finest performances till date , completely gets into the skin of siddharth , and portrays him with the layers and depth the character deserves . a man driven by the fire in him , and his eventual transformation is wonderfully effected by menon . shiney ahuja too impresses in his debut , as the no - nonsense power broker in the corridors of the government . a man you might loathe , his redemption is in his unflinching love for geetha , which eventually transforms his life .


kisi se dil lagaake dekho ( english : fall in love with someone and see ) is an unreleased bollywood film starring shahrukh khan madhoo and ayesha jhulka in the lead roles .

the film was never released .

kisi se dil lagaake dekho

kisi se dil laga ke dekho ( 1996 ) mp3 songs zip download ( 68 . 46 mb )
kisi se dil laga ke dekho ( 1996 ) mp3 songs zip download ( 51 . 55 mb )
kisi se dil laga ke dekho . . . . . . . . shah rukh khan , ayesha jhulka , madhoo
join us on facebook : urltoken don ' t forget to subscribe . . movie : kisi se dil laga ke dekho singers : kumar sanu & alka ; yagnik bollywood songs hindi songs romantic songs sad songs love duet 90 ' s hindi songs ( kumar sanu alka yagnik and udit narayan )
the photo above comes from an article in filmfare august 1996 which reviews the music cd for this film with srk entitled ' kisi se dil lagake dekho ' . i apologise for the quality of the photo but it was the best i could do . the text in the photo says directed by kalptara and music by rajesh roshan .
dil sachcha chehra jhootha . . . . . . . juhi chawla , shah rukh khan , jackie shroff
on this site urltoken i found five films featuring shahrukh that were perhaps not released or got unnoticed : aap hain mere sanam . . . . . . . . . . . . . . shahrukh khan , madhuri dixit , salman khan dil sachcha chehra jhootha . . . . . . . juhi chawla , shahrukh khan , jackie shroff kisi se dil laga ke dekho . . . . . . . . shahrukh khan , ayesha jhulka , madhoo raashq . . . . . . . . . . . . . . . . . . . . . . . . . . . aishwarya rai , shahrukh khan , juhi chawla shikar . . . . . . . . . . . . . . . . . . . . . . . . . . . shahrukh khan , madhuri dixit ( ? )
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searching on the internet apparently this film was never released and there may be others that were never released also .
does anyone have any more information about this film or others ? , it would be intereting to find out more .
dear guest , planetsrk is one of the largest shahrukh khan communities in the world . please support us by registering for free ! just click the signup button at the top ! thanks , planetsrk staff
wow , i don ' t recall if i ' ve heard about this before . . . very interesting ! thanks diana .
it ' s a film that does not figure in the filmography of the director so it truly can be that it did not reach the theatres . but sometimes they don ' t list films that indeed had a release but was not noticed at all .
perhaps someone tried to revive the film and he intervened ( which he could not do with yeh lamhe judaai ke ) . is there nothing in the text of the filmfare magazine ? !
aap hain mere sanam . . . . . . . . . . . . . . shah rukh khan , madhuri dixit , salman khan
the first one is hum tumhare hain sanam . . . the title was changed from the original . . .
the second one is 1 2 ka 4 , again the title was changed . .
thanks sonal ! i will give that information to the website . i already wondered because of the cast but i had not the time to verify . . .
this is the text from the article which included the photo , not knowing what the story was about in the film proably makes it harder to grasp the music review .
the composer schematises his music into two compartments . the sab chalta - hai numbers and the carefully conceived creations .
! sanu - alka yagnik ' s li li sharmeeli and the title song also make us wince with embarrassment . from
puts a smile into our hearts . asha is asha . irresistible . the surprise factor in this duet is the return of the criminally sidetracked mohammed aziz . he proves hi is still one of the better male vocalists of the
o . the folk number is so pure that it makes most other present - day melodies seem slummy .
so it seems that the film was perhaps really not released and therefore not worth to be mentioned in a filmography . . . lowbrow with one good tune . . .
nevertheless i would like to see it , be it only for shahrukh ' s performance . . .
yes , i ' m curious to see this or any other that was not released and even if the product is good or bad ! i ' m just wondering now that as srk popularity grows and grows maybe these films may be released .
i don ' t think so . . . may be he has got the rights ( due to the experiences with yeh lamhe . . . ) so nobody can mess around with his popularity .
just discovered this . . . i guess every actor has some films that never see the light . . .
right click on songs name & then click on ' save target as . . ' to download