david copperfield is a 1935 american film released by metro-goldwyn-mayer based upon the charles dickens novel the personal history , adventures , experience , & observation of david copperfield the younger .

a number of characters and incidents from the novel were omitted – notably david 's time at salem house boarding school , although one character he met at salem house ( steerforth ) was retained for the film as a head boy at the school david attended after his aunt betsey trotwood gained custody of him .

the story was adapted by hugh walpole from the dickens novel , and the film was directed by george cukor from a screenplay by howard estabrook and lenore j. coffee , who was not credited .

david copperfield ( 1935 film )

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david copperfield ( 1935 ) starring w . c . fields and freddie bartholomew — immortal ephemera
thomas , dan .
david copperfield goes hollywood .
laredo times 21 apr 1935 : 15 .
david copperfield ( 1935 ) is charles dickens ' classic tale of an orphaned boy ' s fight for happiness and it stars freddie bartholomew . >
featured in david o . selznick : ' your new producer ' ( 1935 ) . see more »
david copperfield en las vegas . detrás del escenario . ( 20 - xi - 2013 )
in a 1935 film adaptation directed by george cukor , american actor w . c . fields gave a memorable performance as micawber .
scenes introducing young david ( freddie bartholomew ) , peggotty ( jessie ralph ) and murdstone ( basil rathbone ) , all revolving around mother clara ( elizabeth allen ) in mgm ' s david copperfield , 1935 . >
now vagabond david ( freddie bartholomew ) presents himself to startled aunt betsey ( edna may oliver ) and meets sublime mr . dick ( lennox pawle ) , in george cukor ' s version of dickens ' david copperfield , 1935 . >
i love this david copperfield film and w . c . fields really makes it memorable . this is he best role . the uriah heep character is deplorable .
looking for movie tickets ? enter your location to see which movie theaters are playing david copperfield near you .
arrived in london , david ( freddie bartholomew ) meets mrs . micawber ( jean cadell ) , spritely clickett ( elsa lanchester ) and the man himself ( w . c . fields ) fleeing creditors , in mgm ' s david copperfield , 1935 . >
david copperfield .
the american film institute catalog of motion pictures produced in the united states : feature films 1931 - 1940 . university of california press , 1993 .
not bad but not a great film . i don ' t think anyone has done justice to david copperfield as of yet . w . c . fields is underused in his role .
selznick , david o . and rudy behlmer . memo from david o . selznick . modern library , 2000 .
now grown - up david ( frank lawton ) with uriah heep ( roland young ) , then micawber ( w . c . fields ) then aunt betsey ( edna may oliver ) , agnes ( madge evans ) et al seeing him off to london , in george cukor ' s david copperfield , 1935 .
we meet the world of david copperfield through freddie bartholomew ' s eyes . we ' ll judge it through frank lawton ' s .
now grown - up david ( frank lawton ) with uriah heep ( roland young ) , then micawber ( w . c . fields ) then aunt betsey ( edna may oliver ) , agnes ( madge evans ) et al seeing him off to london , in george cukor ' s david copperfield , 1935 . >
early in the production process of david copperfield david o . selznick had considered filming the book as two separate movies . a note in the american film catalog mentions that the second film would have cost an additional $ 100 , 000 ( 468 ) , but since the completed 130 - minute film wound up costing over a million dollars to make that doesn ' t sound like a deal - breaking number .
the main title of the film shows the novel ' s full , extended title :
the personal history , adventures , experience , & observation of david copperfield the younger
, rather than the title by which it is more popularly known ,
david copperfield
. poster advertising for the film , as well as reviews and all popular references to it , used the shortened title , as did later television listings for it .
choosing to highlight only 68 of dickens ' original 92 characters , mgm ' s david copperfield plays almost as a string of quick vignettes held together by the presence of either bartholomew or lawton ' s david the younger . but each little segment , whether sad or sweet , threatening or humorous , is solid and kept alive by the sheer mass of colorful characters littered throughout david ' s life . it was said by many , including sennwald , that the 1935 film version of david copperfield was like the drawings of phiz come to life . it worked the first time and it works here as well . a fantastic classic !
assistant director joseph newman and film editor robert j . kern both received academy award nominations for their work . the film itself received a nomination for best picture .
film opens with the last sentence of charles dickens ' s preface to the original edition :
like many fond parents , i have in my heart of hearts , a favourite child , and his name is david copperfield .
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perhaps no greater praise would be heaped upon david copperfield than that which came from andre sennwald of the new york times in his review of january 19 , 1935 . reserving most of his column ' s space to congratulate w . c . fields on his job as micawber , sennwald writes
it is my belief that this cinema edition of ' david copperfield ' is the most profoundly satisfying screen manipulation of a great novel that the camera has ever given us .
henpecked egbert sousè has comic adventures as a substitute film director and unlikely bank guard .
iconic film , iconic roles , iconic stars . what ' s not to like !
every film that has ever been nominated for an academy award in any category . enjoy !
…selznick to mgm , cukor directed david copperfield ( 1935 ) , arguably one of the best adaptations of a charles dickens novel ever brought to the screen , with a delightful cast that included w . c . fields , basil rathbone , edna may oliver , and elsa lanchester . like little women , it was nominated for an academy award…
the charles dickens novel on which this film is based was published in london in twenty monthly installments between may 1849 and november 1850 . although the title of the film was often abbreviated to
arrived in london , david ( freddie bartholomew ) meets mrs . . . .
when david ' s father dies , his mother remarries . his new stepfather murdstone has a mean and cruel view on how to raise a child . when david ' s mother dies from grief , murdstone sends david to london to work for a living . when david escapes to his aunt betsey his life starts to get better .
tagged with : 1935 , adaptations , basil rathbone , charles dickens , david copperfield , david o selznick , edna may oliver , elizabeth allan , elsa lanchester , frank lawton , freddie bartholomew , george cukor , herbert mundin , jessie ralph , lennox pawle , lewis stone , lionel barrymore , madge evans , maureen o ' sullivan , mgm , nicholas schenck , roland young , una o ' connor , violet kemble cooper , w . c . fields
even as a big fan of freddie bartholomew i don ' t particularly agree with the common assessment that the first half of david copperfield ( 1935 ) is much better than the second . at the same time i guess there ' s more than some merit to the idea when even the film ' s director , george cukor , acknowledged the problem and explained that this was because the first volume of charles dickens ' 1850 novel was superior to the second volume !
debona , guerric . film adaptation in the hollywood studio era . university of illinois press , 2010 .
when david ' s father dies , his mother remarries . his new stepfather murdstone has a mean and cruel view on how to raise a child . when david ' s mother dies from grief , murdstone sends david to london to work for a living . when david escapes to his aunt betsey his life starts to get better . written by mattias thuresson
now grown - up david ( frank lawton ) with uriah heep ( roland . . .
micawber was a rich character part that was much easier to cast than the title role of david copperfield himself . studio head louis b . mayer first suggested that copperfield be made a vehicle for popular mgm contract player jackie cooper . i get the feeling that following through on that dictate would have cost the studio almost the entirety of that u . k . take ! after all , david copperfield is dickens and quintessentially british . the film ' s ensemble cast is littered with british character actors and of the inclusion of american born fields in the key role of micawber his biographer perfectly sums up that
fields wasn ' t english , but he was undeniably dickensian
( curtis 313 ) . but jackie cooper as david copperfield ? it wouldn ' t do , and neither likely would the florida born child actor david jack holt who ' d been cast in the role and was being taught a british accent at the time of freddie bartholomew ' s discovery .
i wonder if anybody can assist me with the running time of david copperfield . the dvd version available appears to run for 125″ ( that would be approximately 130″ for theatre release ) however imdb is indicating that the uk release of the film was 145″ . was the film cut for dvd ? does anybody know if there is a 145″ ( approximately 139″ to 140″ on dvd ) version in existence ? or does anybody have a contact who may know ?
while i wouldn ' t have minded mgm leaving in whatever filmed fields ' footage existed i can imagine the downside of this would have been turning david copperfield into a w . c . fields picture and stealing emphasis from the title character .
subscribe to coming soon : urltoken subscribe to trailers : urltoken like us on facebook : urltoken follow us on twitter : urltoken david copperfield ( 1935 ) official trailer - freddie bartholomew , frank lawton movie hd when david ' s father dies , his mother remarries . his new stepfather murdstone has a mean and cruel view on how to raise a child . when david ' s mother dies from grief , murdstone sends david to london to work for a living . when david escapes to his aunt betsey his life starts to get better . the fandango movieclips coming soon channel is the destination for movie clips , interviews , trailers , tv spots , behind - the - scenes videos , and all promo content for the hottest new movies . fandango movieclips coming soon has all the newest content in one place . good luck getting any work done once you start poking around this channel .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
an uncredited cartoon from the joplin globe shows some of david copperfield ' s cast , from left to right : freddie bartholomew , w . c . fields , frank lawton , roland young , elizabeth allan , lionel barrymore , and edna may oliver
news item notes that dr . william axt was hired to find one hundred year old english tunes for the film . although a
i ' ve never read david copperfield but what plays on the screen is right in line with oliver twist and great expectations . the story is fairly predictable but the cast absolutely kills it . edna may oliver as david ' s aunt betsey is my favorite performance but roland young ' s
umble
heap and w . c . fields are just as great .
this list collects every film from the starting list that became they shoot pictures don ' t they ' s 1000 greatest films . this…
david is eventually sent to school and begins work for mr . wickfield ( lewis stone ) , who has a daughter , agnes ( marilyn knowlden ) , approximately david ' s age , and a most ' umble clerk , uriah heep ( roland young ) , who importantly creeps out freddie bartholomew with a lingering handshake in his final scene as david .
, which had to be held up because laughton , the film ' s star , was returned to the studio with a shaved head .
good cast and strong direction and acting . many scenes looked like silent film . moving story and my first experience of this dickens work .
, a london newspaper , assembled a panel of dickens experts from the dickens fellowship to confer with a group of film experts for the purpose of judging the paper ' s 550 david copperfield contest . the contest , which was presided over by the president of the dickensians , alfred noyes , invited readers of the journal to submit their choices for the ideal casting of the film . the nominated players were then debated by the judges and voted upon . among the ten judges on the film panel were david o . selznick and george cukor . hugh walpole , a dickens fellowship vice - president , served on the eight member literary panel . of the 161 , 000 entries , the jury selected the following ideal cast : leslie howard as david copperfield ; cedric hardwicke as micawber ; donald calthrop as uriah heep ; may robson as aunt betsy ; gordon harker as barkis ; elizabeth allan as dora ; diana wynyard as agnes ; victoria hopper as little em ' ly ; mrs . patrick campbell as mrs . micawber ; fredric march as steerforth ; and edmund gwenn as mr . peggotty .
most critics have tended to prefer the first half of the movie , focusing on the young david , and felt the film’s power fizzles out somewhat later on . i would have to agree with that , although there is still plenty to enjoy in the second half . in many films which begin with childhood , i find myself waiting eagerly for the moment where the child star disappears and the adult takes over . in david copperfield it is the other way round , and i feel a pang when freddie bartholomew disappears , because he is so perfect as the young david , reacting with such sensitivity to each larger - than - life character who whirls into the story . we not only see them , but see him watching them . as david thomson comments in his book have you seen… ? , bartholomew “is the eyepiece for the movie” .
we are friends for life .
the man speaking : micawber , played by w . c . fields with great comedic charm and human warmth . the child addressed : david , played by freddie bartholomew in his hollywood debut . the movie : david copperfield , still one of the best - ever screen adaptations of a charles dickens novel .
to call the casting inspired is to underrate it ,
historian david shipman wrote in his the story of cinema . lionel barrymore , edna may oliver , maureen o ' sullivan , basil rathbone and more joined fields and bartholomew in portraying the eccentrics , cads and loving family of this film directed by george cukor . david o . selznick produced , insisting on an attention to dickensian detail that included matching the sets to the first edition ' s illustrations . the result : one of the greatest page - to - screen adaptations ever .
at once an incredibly funny and depressing adaptation of the great novel , david copperfield shows us a goodhearted man who is put on the earth to suffer and watch everyone around him suffer , as though he is the carrier of some emotional and dramatic infection . for anyone skeptical of watching a 2 hour dickens adaptation from cukor , w . c . fields alone makes the film worth watching and should be the prime example of how to cast and wield the talents of comedic actors in dramatic roles .
freddie bartholomew is perfect as young copperfield and would work for selznick in additional literary adaptations , anna karenina ( 1935 ) and little lord fauntleroy ( 1936 ) . frank lawton , even if you don ' t like him as an adult copperfield , is wonderful as an adult freddie bartholomew . not as good as tyrone power turns the trick in lloyds of london ( 1936 ) , but frank lawton isn ' t ty power , there ' s a bit of a charisma gap there . he ' s excellent with o ' sullivan whom he moons over until he eventually blows up at her and he does a fine job of putting heep in his place on more than one occasion .
mr . micawber : [ to young copperfield ] boy , as i have frequently had occasion to observe ,
when the stomach is empty , the spirits are low .
see more »
a 19th century version of a road trip , david copperfield feels rushed at times with a cavalcade of characters , each with their own baggage of melodrama quickly appearing , playing their part , and then disappearing . it ' s good that so many people died in the 19th century because it certainly made for convenient plot twists . the speed of the film takes away any emotional satisfaction of the ending , which really communicates how much better dickens is on the page , or at least as a multi - part bbc production .
adult david still works for mr . wickfield and spends time with his aunt and mr . dick . agnes has grown up to be madge evans , who i found much more suited for her part as the daughter in the previous selznick - cukor classic dinner at eight ( 1933 ) than i did in her quiet role of agnes in copperfield .
compressing a long dickens novel into a single film is a tall order . with many such productions , the most immediately striking thing to a keen reader of the book is how much has been missed out – and , at every turn , you find yourself regretting a character or a plot twist that has been lost . by contrast , in george cukor’s celebrated adaptation , starring freddie bartholomew as the young david and frank lawton as the adult , i’m struck by just how much he has managed to include . i’ve read that originally producer david o selznick , who was a passionate fan of the novel , had thought about making two movies , dealing with david’s childhood and adulthood separately . this might have worked even better – but the single film we have crams an awful lot into its 131 - minute running time .
thank you , r . d . , much appreciated . i’m interested to hear you say this is the best hollywood dickens and agree it compares with lean . i do like some of the other american films too , though – 1935 was such a great year for adaptations of his work , with this film , ‘a tale of two cities’ and ‘edwin drood’ in hollywood , and the british film ‘scrooge’ with seymour hicks all released in the space of that one year . i agree that the whole cast is wonderful in this , and the choice of fields for micawber was inspired – hard to imagine laughton in the role though i’m sure he would have been great too .
judy , what a wonderful post on a wonderful movie . for me this is the only hollywood version of dickens that is in the same league as the best british versions , like david lean’s two dickens films . i’ve heard of many people , including the film’s director george cukor , who feel the second half of the film is weaker than the first half . i’ve never had that reaction myself . i do think that perhaps the experiences of the victimized child are simply more emotionally engaging than those of the adult writer .
the best film version of d . copperfield . . . dickens ' allows us a glimpse into england during the industrial revolution . . . his themes of redemption and the loss of innocence play out masterfully . . . outstanding cast . . . once upon a time d . c . was compulsory reading in high school . . . sadly , this is no longer the case . . .
enough years pass for freddie bartholomew to grow into frank lawton , another british born actor who ' d previously appeared in the cast of 1934 academy award winning best picture cavalcade ( 1933 ) . lawton is very believable as an adult version of bartholomew , especially considering most audiences had little to no previous knowledge of either actor at the time of david copperfield ' s release .
i agree with your point that the film’s 2nd half is weaker . partly i think that has to do with a lackluster frank lawton as the adult david ; he has nowhere near the appeal or presence of freddie bartholomew , who beautifully conveys both the adventure and pathos of david’s childhood ( the scene of him screaming in terror during a thunderstorm when his mother dies remains in the mind ) . i also think that it may have to do with the novel itself ; the adult david is pretty much a passive onlooker in much of the 2nd half’s plot , particularly with the dramatic steerforth / peggotty / em’ly / ham episodes . i’m a great dickens’ fan , but that flaw in the novel’s 2nd half has always bothered me .
james l . neibaur of urltoken calls it :
one of the most interesting and important film books of the young year ,
adding ,
the documentation is original and significant .
full review .
selznick wrote mgm vice - president and secretary j . robert rubin that an illness laughton had at the time had delayed the film he was working on at paramount ( 81 ) , but laughton biographer simon callow wrote that once filming began
laughton lost his confidence completely , and begged to be released
( 85 ) , which he was . laughton ' s wife and copperfield ' s clickett , elsa lanchester , said much the same ( callow 85 , curtis 312 ) . in his letter selznick debates the difference between having fields or laughton in the part with the feeling that laughton would have been the one important name in the film .
jumping back to this 1930s version of ‘david copperfield’ , it hadn’t struck me about the story being more upbeat than in dickens’ first half , but yes , maybe so , although basil rathbone is the stuff of nightmares as murdstone and does bring in plenty of darkness – i should have said something about him in my review . i think that in general horrifying scenes featuring children probably tend to be played down somewhat in films and tv compared to on the page because of the problem with showing real children terrified and in tears – dotheboys hall on film is never as bad as in the book . thank you again .
true hd direct film transfers - no upconversions ! starring freddie bartholomew , frank lawton , edna may oliver , w . c . fields , lionel barrymore , basil rathbone please visit our website for more historic archival film titles . urltoken buyout footage is a leading supplier of public domain and royalty free stock footage for filmmakers , broadcasters , advertising agencies , multi - media and production companies worldwide . historical archival stock footage in true hd .
david copperfield has the distinction of being dickens ' favorite of all the books he wrote . it is a wonderful novel , to be sure , and deeply personal . and this film does it justice on many levels . first and foremost , wc fields excels in his role . his elocution and delivery has never been excelled by anyone in hollywood . he was born to play characters from dickens , and it ' s a shame we never saw him in shakespeare , where he would have blown us away . certainly a worthwhile movie to watch for any fan of dickens or fields . the downside is that the movie is so short . just wish there was more of it !
i recognized my own feelings in your comments about the typical movie that begins with the characters as children , then substitutes adult actors ! but this one is definitely an exception , and that must be largely down to the fact that freddy bartholomew is so easy to like as david , and also that the film follows him for so long . the casting of the film is a marvel . i’d never thought of w . c . fields not having a british accent , probably because his way of speaking is so eccentric anyway . i do adore fields as mr . micawber , followed by edna may oliver as aunt betsy . but the entire cast is delightful .
production charts and pre - release news items list actors forrester harvey , edith kingdon , dallas welford , barlowe borland and j . m . kerrigan in the cast , but their appearance in the released film has not been determined . the
murdstone and his bushy browed sister make life hell not only for young david , who ' s subject to a brutal whipping , but his sweet mother as well who ' s soon driven to her grave . murdstone expresses his dislike and disgust for david before shipping him off to work in a relative ' s winery where he has the good fortune of lodging with the perpetually broke mr . micawber and family .
this is a continuation of my mini - dickens series and also a rather rushed contribution to the tcm summer under the stars blogathon – saturday , august 18 is freddie bartholomew’s day on tcm in the us ( though not , sadly , in the uk , where i live ) , and david copperfield is being shown as part of his day . my posting below this one , on me and my gal , is also an entry in the blogathon , for gene kelly’s day .
classic dickens at it ' s best . after his christmas classic ,
scrooge ,
this was the film that first introduced me to the master as a child , and it never fails to entertain . his characters are always so well - written that they come alive , fantastic . in my opinion , this version , starring freddie bartholmew , is the
gold standard
of the genre , and a welcome addition to any true film fan ' s collection . watch it , it never fails to enchant .
thanks very much , g . o . m . – i was also surprised to read that mgm considered cutting lionel barrymore’s scenes . i should have said that i saw this mentioned in the detailed article about the film and its casting at the immortal ephemera blog : urltoken i’m very glad they decided to keep the scenes in – mr peggotty is such an important character and also barrymore’s performance is one of the greatest in the film to me . i’d forgotten about his readings of the carol , thank you for mentioning that !
pre - production news articles spoke of the enormous effort m - g - m undertook to find four children to play david copperfield and little em ' ly at various ages . studio ads led to the recruitment of over three hundred children , of whom m - g - m found only six who could speak with the required cultured accent . though the second prerequisite , that the child be of british birth , was met by none of the applicants , the studio announced that it would assign the six finalists to bit parts . among the many boys who were considered for the title role were david holt , who was to be borrowed from paramount , and an english boy named peter trent . two days prior to the start of production ,
thanks very much , sam – the review was a bit of a rush as i wanted to take part in the blogathon , but i’m trying to make my reviews a bit more concise anyway ! i do love the whole film even though i think the first half is the strongest . agreed on dickens’ naming for murdstone being perfect for the character , and it also fits in nicely with david’s birthplace of blunderstone ( the usual spelling is blundeston ) in suffolk . i can’t claim much credit for the pictures as they are studio publicity shots which i found around on the net – i especially like the one of david and dora in their wedding clothes with jip . thanks again , sam , much appreciated as ever .
fields biographer james curtis writes that it was felt fields would strengthen the domestic gate while laughton would do likewise in the united kingdom ( 311 ) . for its investment just over a million dollars the film wound up being a huge hit , grossing $ 2 . 8 million during its 86 - week run with a quarter of that number coming directly from british commonwealth countries ( schatz 169 ) . fields would reap some of the best reviews of all the copperfield cast with cast mate roland young telling him he
walked away with the picture
( curtis 320 ) .
apparently pawle ' s performance as the bizarre mr . dick has thus far escaped modern audiences as he manages to be the only member of the large david copperfield cast listed on wikipedia without a link to his own biographical page ( okay , each little em ' ly performer only has a link to a stub , but pawle lacks even that ! ) . his imdb bio is empty except for the curious bit of information that he was married to dorothy parker which made me start digging ! real quick , it ' s not that dorothy parker .
i quite like lawton and agree his scenes with maureen o’sullivan ( and the wonderful little dog cast as jip ) are great , but i do find him a little colourless after bartholomew in the first half of the film . agreed on young and oliver , and indeed the whole cast .
) and a long version ( 133 minutes ) . a biography of selznick notes that studio head louis b . mayer requested that the film be cut following a negative audience response to the first preview , which was held in bakersfield , ca . selznick cut two reels from the picture by eliminating lionel barrymore ' s role . at a santa ana , ca , preview of the cut version , selznick reportedly interviewed four women , all schoolteachers who had seen the film , and based his decision to retain the longer version on their objections to the omission of the peggotty character .
the stories of bartholomew ' s coming to america and mgm are a bit murky with what seems to be the likely case being the shadiest story of the bunch . selznick and cukor had spent a good deal of time in britain in advance of david copperfield , for while it was largely being filmed at mgm studios they wanted to get as much of a feel for dickens ' homeland as possible . during one of these trips they learned of freddie bartholomew and either led him to believe he had the part or actually offered it to him then and there .
judy – you continue to expose my shortcomings . i have yet to see this film though tcm has recently had it on twice in the past couple of months . i only recently watched lean’s great expectations recently and loved it . will have to catch up with this . a delightful review .
this immaculately cast and designed david o selznick production for mgm remains the definitive version of charles dickens ' s vaguely autobiographical classic novel . while basil rathbone is mr murdstone to a t , and there couldn ' t possibly be any other aunt betsey trotwood than edna may oliver , the real casting coups are lennox pawle ' s perfect mr dick ( avoiding any sentimentality ) and roland young ' s ubiquitous uriah heep . if the great wc fields makes micawber a star turn , it ' s no bad thing , and both freddie bartholomew and frank lawton as the young and the grown - up david , respectively , could not be bettered . this film is a richly entertaining reminder of what hollywood , and especially mgm , did best . but then , its source was pretty good , too .
who had the fun role of dora , a girl david falls for hard while at the ballet with his school chum steerforth ( hugh williams ) . dora is no doubt beautiful but also dumb as a stump . in fact my extremely abbreviated notes for
while pawle seems anonymous today his times obituary remarked on how his
snow - white hair , rosy , cherubic countenance and monocle
was then
familiar to the theatrical worlds of london , new york and hollywood . in all three groups he had an unusually large number of friends .
after some sporadic appearances on the british screen , pawle was in a handful of productions of fox films in america in 1929 and then had small parts in mgm ' s the sin of madelon claudet and mata hari ( both 1931 ) . after what should have been his breakout role as mr . dick for mgm he played small parts in the gay deception for fox and then in an uncredited role for copperfield director george cukor in sylvia scarlett ( 1935 ) . he died february 23 , 1936 of a cerebral hemorrhage . lennox pawle was 63 .
available on amazon for just 99¢ - freddie bartholomew : an informal biography has had a major revision since the last update of the immortal ephemera post in 2012 . includes new introduction , filmography , bibliography and footnotes , four photos , and a more polished telling of freddie ' s biography with additional film notes .
of his wife ' s famous name he was quoted during the time of david copperfield production as saying
it ' s dreadfully embarrassing , really . . . everywhere i go people expect me to be funny
( thomas ) . the few direct quotes i spotted from pawle over the years were usually pretty wry and could often be read both in a serious and humorous way . i suppose if you were reading the papers then you ' d know exactly how to take it because pawle was not at all an unknown quantity , again , his name was usually proceeded by the words comic actor .
enjoyable adaptation that seems to a good job of compressing the 800 page novel , it feels slightly episodic and i ' m sure a lot of finer detail got left out but it still does a good job of getting across the different relationships in david ' s life .
article reported that the hays office planned to send out two thousand postcards to women ' s clubs and religious leaders , plugging the film . the postcard mailing was related to the hays office ' s ongoing campaign to promote filmgoing as an institution . the plan was aimed at publicizing this picture and all subsequent pictures that might
help the industry as a whole .
in a biography of george cukor , the director recalled that only one sequence , a second - unit shot of david walking to canterbury , was filmed in england , and that the dover scenes were filmed in california , near malibu .
his most famous part on the stage was in pomander walk which brought him to the united states for the first time in 1910 with the first u . s . production opening in april 1911 . pomander walk was written by louis n . parker , pawle ' s father - in - law . pawle ' s wife , dorothy parker , also acted , and played the part of little em ' ly in her father ' s 1914 production of the highway of life , a work based on david copperfield . pawle would get rave notices for playing micawber in the highway of life ( o . p . heggie played uriah heep ) .
. according to the correspondence of producer david o . selznick between march and april 1934 , selznick originally wanted to film the entire picture in england , and later wanted to make two complete pictures out of the story . releasing two pictures instead of one was estimated to cost an additional $ 100 , 000 . according to production information furnished by the studio ' s publicity department , over the course of a year , seven scenarios were written and discarded before one was finally considered ideal for the story . three unacceptable scenarios were written before cukor and scenarist howard estabrook decided to travel to england to become better acquainted with the dickensian scene .
that should absolve frank lawton from much of the blame , which is good , because i find myself gaining more of an appreciation for lawton ' s performance as copperfield as young adult with each viewing . it ' s tough to trump freddie bartholomew though , even here in his american debut , and lawton can ' t . no adult actor could and i believe the reason stretches beyond even dickens ' original text simply to the idea that the nostalgia of childhood is going to effect the viewer more than one ' s remembrances of their early twenties . cap that idea with bartholomew ' s mastery of the heartstrings and conveyance of expressions well beyond his twelve years and no one could touch his david of youth .
jacqueline t . lynch , author of ann blyth : actress . singer . star . , says :
a prime example of a classic film fan taking the reins to produce a scholarly study of a neglected figure from the golden age of classic films in a way that i feel is refreshing , infinitely helpful to fans and students of old movies .
full review .
you make an interesting point about the novel – i hadn’t thought of david as a passive onlooker , since he is the one who brings steerforth to see the peggottys , having failed to spot the flaws in his character during their schooldays , but it is something to think about on my next re - reading . : )
this is a light treatment of a great novel by charles dickens . it is enjoyable , but i bought it to see the performance of that great comic w . c . fields . like most good comedians who turn to dramatic acting he did his turn excellently well . if you don ' t like the comic style of fields you may still enjoy his acting in this film .
thanks for your terrific post . i love both fields and young in this film ; they’re so dickensian ! i’m surprised that mgm would consider cutting lionel barrymore’s scenes . not only is his character important to the plot , but barrymore was a popular star ( he was also associated with dickens , performing an annual reading of ‘a christmas carol’ on the radio ) and would have been an audience draw .
i find myself “spoiled” for these shorter films since the long mini - series on tv . it’s hard for them to compete in terms of time as well as filming on location . but individual movies can transcend their limitations . i’m wondering if the second half of this film not somehow “doing it” is the result of modern minds interacting with dickens’s own way of presenting adult love , child - like versus sensible women ( all of course virtuous and sexually innocent ) . what andrew davies and sandy welch do is really update the characters subtly and modern frank psychological acting does the rest . since they omitted the darkest aspects of david’s childhood & had basil rathbone as an archetype , would you say there was an attempt to make a more upbeat story than in dickens’s first half ?
judy , i would add the hollywood a tale of two cities to the dickens mix of films that stood alongside the best british dickens adaptations , but there is no question at all that this wonderful film of the novel that dickens always called the favorite of his works , works on all the levels you attest to , especially the casting . bartholomew is as engaging here as he is in captains courageoous , and fields does make one forget about laughton , which is inconceivable . rathbone is perfect as murdstone ( one of dickens’ best named characters ! ) as is lionel barrymore as peggotty . ( nice choice there for favorite oerformace , judy ) it’s lovingly mounted ( great , ravishing screen caps ! and though it is admittedly stronger in the first half , one comes away fullfilled . it remains a movie landmark for all sorts of reasons , and you have done the film glorious justice with a magnificent review .
reported that the studio was unable to confirm that freddie bartholomew would play the young david because bartholomew ' s father refused to sign the boy ' s permit to leave england . in case the bartholomew deal fell through , m - g - m kept david holt available for the part and continued to teach him how to speak with an english accent . some contemporary sources claimed that between nine and ten thousand young boys from america , canada , england and every english - speaking colony were interviewed for the title role . according to a modern biography of selznick , after failing to dissuade selznick from making the picture , louis mayer asked that american child actor and m - g - m contract star jackie cooper be cast in the title role . an advertisement placed in the september 1 , 1934 issue of
the problem was that british child labor laws forbade mgm ' s exporting bartholomew to america and putting him to work . bartholomew and his guardian , his aunt millicent , sailed to new york , presumably on a vacation . according to later press reports , no doubt fed directly from the studio , when they saw that mgm was auditioning for david copperfield they headed west on a lark to land the part . selznick seems to give away the matter when he writes a letter complaining that bartholomew ' s father had told the english press that the part was already freddie ' s when he and millicent set sail . selznick then goes into a long explanation of how they
obviously could not afford to even appear in position of violating law
but how
we have spent fortune trying to find another child without any success , and it seems to us british government would give us this permission if matter properly presented to them .
aunt betsey will eventually have a showdown with the villainous murdstone over the boy ' s welfare and decides to keep him on in her household to raise him properly . there , david spends much of his time with the fantastic mr . dick ( lennox pawle ) , a defective fellow who lives under the belief that long deceased king charles i inhabits his head . nonetheless aunt betsey trusts dick as a shrewd decision maker .
i must confess i find dickens tough to get into , for personal reasons , but i do like this film . i do agree with the consensus about the first half being better than the second half , though i do think young’s performance as heep , and the comeuppance fields’ micawber delivers him , carries the second half . and fields’ performance , for me , is one of the best examples of putting a comedian in an acting role that harnesses their comic gifts somewhat yet still allows them to shine through .
) settles on the first man to pay her any attention , the ultra - strict murdstone ( basil rathbone ) . after returning from a stay at dan peggotty ' s ( lionel barrymore ) , his caretaker ' s ( jessie ralph ) brother , david returns to find murdstone officially his stepfather and mr . m ' s even stricter sister ( violet kemble cooper ) making it known that she ' s now lady of the house .
i’m not going to recap the story of the novel here , but will just say that i think the film does rely on a knowledge of the book , and might be confusing at times for anyone who doesn’t already know the characters . with such a widely - read novel , it was possible to get away with this in the 1930s . the film has been described as feeling almost like phiz’s drawings brought to life , and i can certainly see this for some of the characters , in particular roland young as uriah heep – almost unrecognisable from other roles i’ve seen him play , such as topper , and looking uncannily like the illustrations . the script , mainly written by novelist hugh walpole ( who also has a small role as the vicar ) , keeps much of dickens’s own language – something more recent adaptations have tended to jettison – and many snatches of dialogue are taken straight from the page . best of all , a lot of the humour is kept in , rather than being cut out in the interests of the plot , which is always a risk when adapting dickens .
dan peggotty character . again the afi catalog , pointing to an unnamed selznick biography as their source , claims that selznick put barrymore back after discussing the matter with four schoolteachers after the showing , each of whom apparently felt the character was too important to be cut . worried about the length of the film , selznick was finally tipped towards what we have as the finished project when he brought his problem up to mgm head nicholas schenck and schenck replied
what do you mean , how long can you make it . . . how long is it good ?
so what is lost in the mix ? david’s time in the blacking factory as a child is passed over very briefly , and his schooldays are completely missed out – a sad loss , since without them we don’t really know how his friendship with steerforth grew , but cutting out this section bridges the gap between the ages of freddie bartholomew and frank lawton . david’s romance with dora is well portrayed , with maureen o’sullivan making her just as enchanting as she should be beneath the silliness - i especially loved the scene with jip the dog disrupting the dinner party – but madge evans as agnes doesn’t really get much screen time and is left waiting quietly in the background . in general , the whole adult section doesn’t work quite as well as the childhood part , as i’ve already said , but it does still have some great moments all the same . all in all , this is one of my favourite hollywood adaptations of dickens , and a movie which repays re - watching .
while i was aware of the dickens novel , i had no idea of what the story entailed until watching this film , which doesn ' t really seem to do it justice . it ' s very inert and linear , with a whole series of very overripe characters and no real drive or punch to the storytelling . i can see that there ' s an interesting story in there , but this just makes it feel like a second - rate great expectations , more concerned with the trappings of a dickens novel than the wealth of substance and satire he always had simmering below the surface .
sean , i didn’t recognise young on a first viewing either – as you say , he is very different in this from the other roles i’ve seen him in so far , proving his great versatility as a character actor . he makes a surprisingly effective villain in this with his smarmy little smile . dickens is a lifelong favourite of mine , so i’m sorry to hear you find him hard to get into , but glad you like this film . i definitely agree that casting fields as micawber worked very well and he does get a chance to use his comic gifts in the part . thanks very much for the kind comment !
films include a 1911 thanhouser three - part short directed by theodore marston and starring flora foster , ed genung and anna seer , and a 1923 nordisk film corp . of norway feature directed by a . w . sandberg and starring buddy martin and gorm smidd . subsequent adaptations include a british television movie directed by delbert mann and starring laurence olivier , robin phillips and michael redgrave , which aired on the nbc television network on march 15 , 1970 ; and a bbc / masterpiece theatre five part teleplay produced and directed by terrance dicks and barry letts and starring colin hurley and simon callow , which was broadcast begining march 27 , 1988 . in addition , a radio dramatization of


when will i be loved is a 2004 american drama film written and directed by james toback and starring neve campbell .

the film had a 35-page script and was mostly improvised throughout its 12-day shoot .

when will i be loved ( film )

i imagined there would be some twist embedded in the film , but what i found when i watched it wasn’t what i was expecting at all .
lana condor will star in to all the boys i ' ve loved before movie . - ya interrobang
lana condor will star as lara jean covey in the upcoming adaptation of jenny han’s to all the boys i’ve loved before .
the film began production earlier this month in vancouver . to all the boys i’ve loved before is available now .
i’m cautiously hoping wonder woman is going to be a great film . the first trailer i saw hit so many right notes on a visual and action level . of course , the movie will need more than that to be successful . let’s see what the early reviews will be like . 🙂
improvisation sometimes leads toback ' s films into meandering byways .
when will i be loved
is notable for the clockwork precision of the crucial scenes , in which vera decides from moment to moment what she will do and how she will do it , and then , when there is an unexpected development , is able to turn on a dime and improvise a radical development that neatly turns the tables .
it must have been amazing when you read the script ,
i said .
toronto - -
when will i be loved
is about a young woman who accepts a million dollars from a rich man who wants to have sex with her . what the man doesn ' t know is that she ' s rich , too .
she had a personal triumph in robert altman ' s
company
( 2003 ) , playing a member of the joffrey ballet of chicago in a film she co - wrote and co - produced . and now
when will i be loved
is a calling card for roles of great emotional complexity .
captain america : civil war is a barry bonds steroids hitting home - run by marvel & russo brothers . and i loved spider - man in the film . loved . — steven weintraub ( @ colliderfrosty ) april 9 , 2016
when will i be loved
operates in an entirely different arena , however . it ' s the best film yet by toback , who was the screenwriter of
bugsy ,
a movie about a man who essentially talked las vegas into existence . the film centers on an extraordinary scene in which campbell and chianese negotiate how much will be paid , how it will be paid , and what it will be paid for . this is not a crass scene . vera and the count recognize each other as intelligent sophisticates , and as they negotiate for her body , they both take pleasure in the sheer audacity of what they are doing , and the verbal elegance with which they ' re doing it .
many viewers will be turned off by this depraved look inside the darkest corners of one filmmaker ' s psyche , but i found it refreshing and quite daring .
it ' s been funny ,
she said ,
because people think i chose to be a horror film actress . ' scream ' was the first movie i got as lead , so that ' s what i did , and it ended up becoming huge . but that was not the genre i chose . i don ' t watch horror movies . i used to be really concerned about what the industry would think of me . when you first start out you have a lot of agents and managers and publicists giving you their opinion of what the next step should be . at some point i realized there ' s no controlling it , that i should just go with my instincts . i think i have good instincts and so i ' m finding people and scripts that i ' ll be challenged by , where i feel i can grow as an actress .
in high school , i struggled to fit into a world that i didn’t understand .
a film about growing apart when growing up . two best friends relationship strains when one deals with her newfound sexuality and the other with breaking up with her long term boyfriend .
: they gave me this ticket , so i thought i ' d come here . i mean it was either los angeles or calcutta and i thought , what the hell .
i think the key is to go in with low expectations . i did , and i really dug it . dug it more with distance . i’d see it again . ”
when will i be loved
is like a jazz solo that touches familiar themes on its way to a triumphant and unexpected conclusion . neve campbell plays the soloist , a rich girl who likes to walk on the wild side , is open to the opportunities of the moment , and improvises a devious and spontaneous revenge when her boyfriend betrays her . here is a movie that doesn ' t start out to be about a con , but ends up that way .
interesting film , neve campbell puts on a great performance in this enigmatic independent film .
many fans of the book were outraged at the film ' s 180 - degree different conclusion , but king himself absolutely loved it . according to cinemablend , king stated ,
frank wrote a new ending that i loved . it is the most shocking ending ever and there should be a law passed stating that anybody who reveals the last five minutes of this film should be hung from their neck until dead .
well damn , stephen .
from this , we can see which movies the audience loved , but the critics hated – which will be more positive , and movies the critics loved but the audience hated – more negative . we can also find out what types of movies fall into these categories – like which actors , directors and genres are most common to each .
i really think wonder woman will be the breakout movie that dc needs to get back on track . it has so much potential , and the trailers have all been stunning , fingers crossed !
i agree ! so much potential in this film , here’s hoping it lives up to it .
but what is really needed for this movie to be loved by the critics ? well having this charming , lighter tone helps . but really where the other dceu films have struggled with the critics , is the overall story and structure . i think wonder woman will be safe in that regards , as it seems to be more focused than the other films . i think that as long as we get the movie that is being advertised to us , the movie about an eager young woman who is passionate about humanity and wants to be a bridge for peace , but enters into a much more complicated world , critics will like it .
jenny han , bestselling author of the to all the boys i ' ve loved before series , recently announced that the movie adaption for this ya contemporary novel is currently underway , and we couldn ' t be more excited .
i love the fact that we find ourselves in a situation where what should be a shootout is a series of monologues , really examining purpose and motivation and understand and to be understood . it’s just how it unfolded as i wrote .
what is fascinating and ingenious about
when will i be loved
is that nothing need be anticipated , not even the possibility of a con . in scenes of flawless timing , logic and execution , vera improvises in a fluid situation and perhaps even surprises herself at where she ends up . the third act of this movie is spellbinding in the way vera distributes justice and revenge and adapts to the unexpected and creates , spontaneously and in the moment , a checkmate .
a young woman engaged to be married finds herself in an affair with her soon - to - be stepmother ' s lesbian daughter .
teen rom - com “to all the boys i’ve loved before , ” starring lana condor ( “x - men : apocalypse” ) in the lead role , has begun production in vancouver . the film , based on the novel by bestselling author jenny han , is being produced by awesomeness films and overbrook entertainment . “to all the boys i’ve loved before” is directed by susan johnson with [ … ]
when violence takes place in my films , i want there to be real consequences for it . i want to watch the suffering beyond the act . when marcus talks about his partner having a family , it’s the consequences of actions reverberating through generations . how much alberto’s death affected his children and their children ? toby’s actions were foolish , but they were also selfless as well . the consequences to his actions are that another family will suffer now , even though it wasn’t his intention . they will , so that his doesn’t .
the film , based on the novel by bestselling author jenny han , is being produced by awesomeness films and overbrook entertainment . “to all the boys i’ve loved before” is directed by susan johnson with a screenplay by sofia alvarez .
i just thought that for either one of them to die was letting them off easy . there was a certain amount of suffering that they both deserved to endure . i love a movie that when i sees it makes me come up with a story beyond the film . i love imagining what might have happened . i don’t think it’s my right to tell you what i think , because it could alter what you think . that cheapens the process a bit… . that’s a long way of saying that i ain’t answering that .
“a story like this was going to come under fire regardless of will’s decision to end his life . if his decision had been different , if louisa had managed to change his mind , then wouldn’t that suggest that love is enough ? wouldn’t that undermine everything will had been saying about his life ? i think that while that decision would appeal to the hopeless romantics , it wouldn’t be true to will’s character .
coming into batman v superman and suicide squad , we already heard rumours of troubled screenings before the films came out . nothing concerning has come out about wonder woman , and overall reactions have seemed quite positive towards the film . now i don’t want to jinx anything , but i really do believe that wonder woman will be loved ( or at the very least , liked ) by both critics and fans . i don’t want to back here writing a post about what went wrong with the film , hopefully it lives up to the great expectation the trailers have given us .
teen rom - com “to all the boys i’ve loved before , ” starring lana condor ( “x - men : apocalypse” ) in the lead role , has begun production in vancouver .
the loved ones is a movie starring xavier samuel , robin mcleavy , and victoria thaine . when brent turns down his classmate lola ' s invitation to the prom , she concocts a wildly violent plan for revenge .
the original starred meryl streep , amanda seyfried , pierce brosnan , colin firth , stellan skarsgård , julie walters and christine baranski . the new movie will be written and directed by ol parker , who penned the best exotic marigold hotel , and will be released on july 20 , 2018 — 10 years and two days after mamma mia ! opened — complete with a soundtrack of abba songs not featured in the first film . of course , they will bring back some of the old ones , too .
rotten tomatoes says it was “misunderstood when it first hit theaters . ” in the original review , variety reflected a lot of the mixed reaction , saying the film is “a stylistically dazzling film noir set 37 years hence in a brilliantly imagined los angeles… special effects and sheer virtuosity of the production will attract considerable attention but unrelenting grimness and vacuum at the story’s center will make it tough to recoup reported $ 30 million budget , not to mention ad - promos costs . critical reaction will probably vary widely . ”
the film premiered at the 2016 sundance film festival and won the audience award for
best of next
.
life itself ,
based on roger ebert ' s memoir and directed by steve james , will open in theaters and be available on demand on july 4 , 2014 .
jim knows this is wrong , and agonizes over the decision . the film knows this is wrong , and makes it the central point of friction for the first two - thirds of the film as you wonder when aurora will find out the truth ( because of course she will ) . but even if the film treats it as a monumentally crappy thing to do , that doesn’t make it any better , and it does the unthinkable . it makes charming , goofy chris pratt come off as a creepy , psychotic stalker when he’s leading his own romantic movie .
so i said to myself going into wonder woman , that i won’t watch all the trailers , tv spots and clips , like i did for batman v superman . watching too much footage going into bvs had a negative effect on my viewing experience . so i thought i would try to be more restrained going into wonder woman . well that hasn’t worked out too well for me , but i don’t regret it because everything looks amazing !
“my nephew is in a wheelchair and i hope he will be pleased to see this shown in a way that does not make audiences too uncomfortable , ” tharrock said in an interview with the guardian , published ahead of the film’s release . “if we had shown will being taken in and out of his chair , or put in a hoist over a bath , the impression we would give is of difficulty . i wanted to make it more normal . ”
the list of movies that the critics loved but audiences hated was topped by 1974 film daisy miller , a costume drama starring cybill shepherd . i was surprised to see antz ( - 48 ) and spy kids ( - 54 ) in the top 10 most negative – i thought they were both quite popular .
“but when i read the book , i didn’t see will as a plot device , as a ‘pity party’ or as an inspiration for the able bodied . i saw him as a layered , complex character with so much depth , and his decision to end his life doesn’t change that . fiction isn’t always about telling stories that represent everyone ; it’s about telling stories about complex individuals .
so ,
i said ,
it ' s not just the obvious angle where you would be twisting him . . .
an interesting observation , given that like a fine wine phantom improves with viewings and age . after all , who only plays an album by their favourite band once ? the film will be with us for the rest of our lives — enjoy it .
on june 25 , 1981 , exactly a year before it opened , variety reported that the film was racing to complete before a directors strike . “despite unconfirmed reports over the past several weeks of a mushrooming budget , pic will wrap june 30 , five days over schedule . considerable special effects work will then remain to be done under supervision of douglas trumbull . ”
the cast includes janel parish and lana condor , who plays lara jean covey , a girl who must deal with the aftermath of her secret when a hatbox of letters written to every boy she ' s ever loved are mysteriously mailed out .
“i think it’s good that me before you has provoked such conversation about disability , because i do think we need to tell more disabled stories , especially in films , ” she said . “we need to see more characters with disabilities , and that’s something i hope will come out of this whole discussion . ”
that ' s why i loved it . neither one is a victim . they ' re two equals . the count is excited to find that the woman challenges him from a position of strength .
the thing is , it ' s not just another terrible video game movie . it ' s not a perfect movie , either , but it ' s far from the awful , no good , very bad offering most critics have made it out to be . i really liked it , and will definitely see it again when it comes out on blu - ray .
so hold on : is suicide squad good or bad ? bad , right ? i haven’t seen it , but i’ve sat through the preview roughly a dillion times this year , and jared leto’s cackling psycho hipster routine did not improve with repetition . when the film scored a horrible 26 percent on rotten tomatoes , i figured i was in the clear—okay , bad movie , don’t have to see it , back to waiting for black panther .
“this film is offensive to disabled people , the vast majority of whom want to live – not die , ” actress and disabled activist liz carr told buzzfeed news . “our lives and those of our loved ones are not mired in tragedy as depicted in this film . ”
yeah ,
she said ,
i ' ve had issues with nudity when i feel that the scenes have nothing to do with the film itself - - when it ' s solely for box office draw or for the titillation of the audience . but in this film , the power of this woman ' s sexuality is what the story ' s about , in a way . so it wouldn ' t make sense to not see her in that way .
to all the boys i’ve loved before follows lara jean , a junior in high school who is happier to stay home friday nights baking and spending time with her family . but her junior year gets thrown into disarray when a box of secret love letters to all the boys she’s had feelings for accidentally get sent out .
he ' s not just a chump ,
i said to campbell . this was last week at the toronto film festival .
tries hard to be endearingly eccentric but crashes in a web of its own convolution .
when deaf mute singer moves to a small city to be near his only friend confined in a hospital , he grows attached to his landlady ' s sensitive 16 - year - old daughter .
jean - michel frodon : yes , i’ve seen what i suppose–of course , it is not possible to be totally sure—is the most complete version . it is not finished , obviously . nevertheless , you can see what the film would have been . it tells the story from beginning to end in the proper order , and comparing it with the script , no major scene is missing . of course there [ is ] some editing that could be done , and certainly sound work , and perhaps there are a few errors . but basically i can say i have seen the film .
that ' s what i love about it ,
i said .
usually when you see a con movie , at the end you wonder how they could have planned it all in advance and counted on everything happening according to schedule .
it ' s certainly also something you should see on as big a screen as possible . i saw it on a regular sized screen in 3d , but i wish i ' d seen it in 3d imax .
but somehow , this bomb of a movie took in $ 133 million in its opening weekend . not only does that total beat the better - reviewed deadpool ( 84 percent on rotten tomatoes ) , which i loved , it smashed the august box office records previously set in 2014 by guardians of the galaxy , which i really loved . and this doesn’t seem to be a fluke : deadline reports suicide squad is posting great weekday numbers , beating even the vaunted captain america : civil war for a tuesday box - office record . hence my confusion . how could such a poorly reviewed film make so much money ?
i’m sure in about a week , it’s going to become quite fashionable to bash this flick — hard . but i’d like to go on record as saying i dug it . it’s a good movie with great moments . ”
well , i’d already seen assassin’s creed , so i figured i might as well see the other sci - fi movie released this christmas , passengers , starring the they’re - so - hot - right - now duo of chris pratt and jennifer lawrence . reviews were tepid , and i wasn’t expecting much , but the film did manage to surprise me in one significant way .
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x - men : apocalypse actress lana condor has signed on to star in to all the boys i ' ve loved before alongside john corbett . the film , based on the novel by jenny han , is being directed by susan johnson and was written by sofia alvarez . production on the film , which is also being produced by awesomeness and overbrook entertainment , has begun in vancouver .
“of the film , i can say many things . but the long and short of it is that i liked it — quite a bit . i’d rank it right after empire in a list of fave star wars flicks . it starts great , ends great , and has great stuff sprinkled in between .
she also shared an adorable snap of herself with janel parrish ( who will play lara ' s older sister , margot ) , lana condor ( as lara jean ) , and anna cathcart ( who will star as lara ' s youngest sister , kitty ) .
that’s true of arrival , too , and i don’t think it should be overlooked . i know some people view arrival as a deeply personal story — but that personal story is unquestionably political , and every move adams makes is sanctified with moral goodness .
we know where her character journey will take her . she won’t be the idealistic woman we see at the beginning of the wonder woman movie , no she’ll become the jaded warrior we saw in batman v superman . and i’m excited to see what exactly happened to her , to change her worldview so much .
and the verbal sparring between vera and the count is an exercise in the precise and stylish use of language to communicate exact meanings while using inexact euphemisms . dominic chianese and neve campbell are like virtuoso soloists with conversation as their instrument ; the way they test and challenge each other is underlined by their obvious joy in performance . both characters seem pleased to find another person who can engage them on their level of emotional negotiation . the song
when will i be loved
is about a woman who complains ,
i ' ve been cheated - - been mistreated .
in the movie , the cheater and the mistreater have no idea who they ' re dealing with .
the top movie that audiences loved but critics hated was 1986 bmx film rad . rad tells the story of cru jones , who enters and ( spoiler ) wins a bmx race called helltrack . take a look at the wikipedia entry for the film , and i ' m sure you ' ll agree it sounds pretty awesome ( though obviously not as good as seminal 80s flick bmx bandits ) .
the orcs themselves are entirely cgi , but it ' s actually really good cgi . there ' s real emotion on the faces of characters like blackhand ( clancy brown ) and durotan ( toby kebbell . ) you really feel the pain of these cgi characters when they suffer , and laugh alongside them when they joke around . that brings us to the second thing i really liked about the film .
finally , as a side note , this isn ' t going to be a great film for a lot of kids , as some of the stuff is really scary and dark . some of the death scenes are really gross , and the orcs can be pretty frightening .
it’s in the film of 2010 that the big world - saving stakes come to the forefront . and the film updates that final message , too :
oh yeah , the big fight in captain america : civil war is cinematic joy . and spider - man is so great . he’s in it more than i thought he’d be .
“i don’t agree that the book suggests that being disabled is a fate worse than death . it’s not an opinion , it’s a story , and we shouldn’t take away will’s right to choose simply because he is fictional .
the painting that vera is painting in her apartment early in the film is immediately a different painting when the camera changes angle , and then a few scenes later the painting reverts to its original form .
how did the movie overcome that irrefutable flaw to become a movie that’s not just enjoyable , but widely considered to be good ? it should be fairly obvious : with the indomitable spirit of julie andrews .
tell me about the experience of watching the film . it feels to me that if the script were fully realized , especially the ending , it would be almost impossible to watch .
third act struggles is where things could go wrong , but hopefully the ares arc is handled well . you can’t have a serious war movie , and then just have the bloody god of war rocking up . it will seeming jarring . there will need to be a good set - up for his character . and because we haven’t seen much from the villains , this is my only concern .
the location will be on the greek island of kalokairi , and the sequel brings back the producers from the original film , littlestar’s judy craymer and playtone’s gary goetzman . craymer is also the creator and producer of the stage musical . benny andersson and björn ulvaeus are aboard again to provide music and lyrics and serve as executive producers .
and just glancing at imdb ' s user vs . critic scores , i can see i ' m not alone . the film has a 7 . 7 / 10 score with users , and just 32 / 100 with critics . on rotten tomatoes , the film gets a 26 %
rotten
from critics , with 83 % of viewers liking it . something ' s not right about such a discrepancy . something ' s rotten , but i ' m not sure it ' s the film .
i did predict some of the film ' s twists , but i sure as hell didn ' t predict all of them , let alone some of the more tragic character deaths . i was actually pretty stunned at how some of the movie ' s fights turned out , and left the theater feeling a bit shocked and depressed . director duncan jones didn ' t pull any punches with the film ' s main characters .
actors and comedians , notably patton oswalt , have produced staged readings of the film’s screenplay . in 2016 , 30 minutes of footage from the film even leaked online . a year earlier , lewis had donated his print of the film , along with the rest of his filmography , to the library of congress—with the proviso that the day the clown cried not be screened until at least 2024 . so there is hope for some , at least , that the movie will eventually see the light of day .
not in the foreseeable future , that ' s when , assuming your name is james toback and you insist on making phonily provocative movies .
you either think 2001 is a perfect movie or you think it’s totally boring . i lean the former , and i cried when i saw it last year on the big screen for the first time . but i understand the latter perspective , too . 2001 features a bare minimum of exposition , most of it inscrutable . the actors barely form facial expressions . there’s a five - minute scene where a guy runs and runs and runs . it’s never made explicitly clear why anything is happening , ever .
i wonder if there would be a similar reaction today if it was announced that adam sandler , say , was going to do a holocaust movie—that this is just not appropriate material for this particular performer .
i’m a real stream - of - consciousness writer . i knew the characters so well by this point that i just wrote . it made sense that they would say this and that this would be the way the character would react . they’re playing a chess match , both of them . they’re boxers circling each other in the ring , and the punches they throw are with honesty .
“will’s reasons for wanting to die are all connected to the fact that he’s no longer a prize physical specimen , ” wrote the evening standard’s charlotte o’sullivan . “imagine a movie in which a woman was made to seem brave for aborting an impaired foetus . such a movie could be viewed as pro - choice , but could just as easily be seen as anti - disabled . ”
the stephen king horror film had one of the most controversial endings of all time .
received a standing ovation at its premiere at the cannes film festival in may 2016 .
what he does have , in abundance , is exhilaration . there is a sense of discovery in scene after scene of the phantom menace , as he tries out new effects and ideas , and seamlessly integrates real characters and digital ones , real landscapes and imaginary places . we are standing at the threshold of a new age of epic cinema , i think , in which digital techniques mean that budgets will no longer limit the scope of scenes ; filmmakers will be able to show us just about anything they can imagine . ”
the film almost functions better when you look at it like a horror movie . pratt effectively seduces a woman he sentenced to death while playing the dumb the entire time . the movie tries to press the angle about them being truly in love regardless of the circumstance , but as the only two people on a doomed trip , i’m not buying that this is “genuine” love rather than something created out of shock and duress . i mean you could strand michael cera on a desert island with kate upton and they would probably be hooking up within a few months . the premise is not something that lends itself to “true love , ” especially when the guy comes off like a selfish lunatic .
“we need more disabled stories : that is something i agree with wholeheartedly . but i honestly don’t believe that a book showing one mans story , one mans decision , represents the entire disability community as a whole . i don’t think there’s any story out there that can do that . ”
mark is a long - time contributor to star wars insider , the co - owner of jedi news , a regular contributor to the uk’s biggest free newspaper the metro and co - host of rebelforce radio ’s uk - centric radio 1138 podcast . when he’s not talking or writing about star wars , he can usually be found sleeping , where he’ll most likely be dreaming about star wars .
this would still be bad even if gender roles were reversed , but the fact is that they weren’t , and it is not great that jim essentially feels “entitled” to aurora , even if it means destroying the rest of her life so he can be with her . it’s sort of the definition of a male power fantasy when the film is based around waking up a hot girl to have sex with you for all eternity because you’re bored and lonely . and you’re supposed to be the hero ! even if the film ( and jim ) wrestles with the morality of this , there really isn’t a way to extract a love story from this concept that doesn’t end up feeling weird and wrong .
in the past , i’ve used the phrase “realistic science fiction , ” but that’s not quite right either ; if the story was realistic , then by definition it couldn’t be science fiction . ( perhaps “real ish tic” ? ) “realism” as an aesthetic term is unhelpful now , vague enough that it can apply to anything . actually , “realism” is now most often used as a paradoxical modifier , appended to things that are base - level unrealistic . ( no director of a superhero film will ever say : “i wanted this movie to feel as unrealistic as possible . ” )
“the film approaches this thorny issue with an honourable maturity and forthrightness , even if it’s all given the glowing gloss of an instagram snap with the filter put up to the hilt . that , to me , represents something intrinsically , crucially british about the film , a pragmatic , a - religious approach that i can’t really imagine a mainstream , commercial american film taking . ”
louisa eventually manages to restore some of will’s spirit and sense of humour – and , as is often the way in tear - jerking romances , the pair fall in love . but , despite his newfound happiness , will decides to stick to his original plan and end his life – before urging louisa to live hers to the utmost .
oh , and you don ' t have to be a huge warcraft lore buff to enjoy it . i ' m not , though i ' ve played all the original warcraft games and spent many hours in world of warcraft ( though not nearly as many as true hardcore players . ) my girlfriend went with me to the film and has never played a warcraft game in her life . she enjoyed it as well .
among its many lasting accomplishments , the original film introduced audiences to philip k . dick , a prolific writer whose novel “do androids dream of electric sheep ? ” was the inspiration for the film . unfortunately , dick didn’t live long enough to see the film’s eventual success . he died of a heart attack in 1982 , three months before the film opened , at age 53 .
you can read more about how i did this below , but first , here are the results .
ideally i ' d have used a comprehensive list of films from a large time period , but i couldn ' t get the data from the rotten tomatoes api , or find such a list elsewhere .
dr . mann could’ve been one of the heroes in when worlds collide , a 1951 movie about the global fear that erupts when a rogue planet approaches earth on a collision course . when worlds collide doesn’t read “serious” the way interstellar or arrival both do — it’s b - movie pulp from the atomic era — but its ending is impressively blunt , and serene in its weird acceptance of global catastrophe . there is no space - god there to save anyone . earth ends ; but the movie claims that doesn’t have to be the end . when worlds collide sends a few lucky survivors to a very biblical vision of a new eden , but it doesn’t ignore the other biblical visions , the flood that ends the world once , and the fire next time .
even critics who hated the film , like crowther , credited andrews for making the whole movie seem less asinine than it really was . “despite the hopeless pretense of reality with which she and the others have to contend , especially in the last phase , when the von trapps are supposed to be fleeing from the nazis and their homeland , miss andrews treats the whole thing with the same air of serenely controlled self - confidence that she has when we first come upon her trilling the title song on a mountain top , ” he writes .
julie andrews singlehandedly saved what should have been a turkey of a film . all signs pointed to its failure . it’s already been pointed out that robert wise initially balked at directing it because he thought the material was bad to begin with , and it’s hollywood legend at this point how unenthused christopher plummer was to be starring in it , famously referring to the film as the sound of mucus and allegedly requiring to be liquored up before going on set .
i don’t know , because roberto benigni received approval , generally speaking , even i believe in the u . s . and israel [ for life is beautiful , his 1997 oscar - winning comedy set in a concentration camp ] . i’m not sure what would happen if someone made the day the clown cried today .
a french film director , xavier giannoli , happened to own this video of it and asked me to his office to see it . this was a long time ago . i’m not sure the exact date , but i would say around 2004 or 2005 . at this point he asked me to keep it secret , which of course i did . until one day , he openly talked about having this print on a radio program . so i felt i had no longer to keep this secret . [ frodon did not know how giannoli got his print , and giannoli himself did not respond to multiple requests for an interview . ]
rotten tomatoes has previously released a press release listing their own analysis of the top eight films audiences loved but critics hated with documentary hating breitbart at the top . this wasn ' t in the list i used , probably because the list only considered movies with a wide release of 500 cinemas or over . apart from that , differences between their top 10 and my top 10 are the inclusion of older films in mine – i ' m not sure what dates they considered – and broken bridges not being in my list – i can ' t account for this one , i suppose it was just left off the list i used . also they ' ve got an extra decimal point available , which wasn ' t available via their api for my data .
i don’t know why it would be impossible to watch . there are many things that are difficult to watch . this film finds what i consider a cinematic answer to some real , serious issues , using a kind of stylized setting , both in the costumes and the sets . it’s not pretending to be realistic at all . instead , it has a very obvious fairy - tale feeling—not fairy tale , but tale . there are no fairies here , but there details like in the grimm brothers , like this kind of stylized background with a train rolling along the countryside where the children are being kept , and afterwards , when helmut leads them [ to the gas chambers ] like the pied piper . so the film uses an unrealistic way to relay events we know about , events that have been shown so many times in very realistic ways .
the next morning , however , clouds obscure the sunshine of first love — notably sasha’s internal “am i a lesbian ? ! ” and “what will people think ? ? ” freakout , exacerbated by anne’s need for affirmation and a suddenly - chilled - out clifton’s assumption that they’re already an item . when there’s rancor all around , anne makes an impulsive decision that necessitates a leap forward some weeks , and triggers an emergency parent / teacher / counselor summit .
a great and fair point , given the mass of licensing deals that surrounded and in part funded the making and promotion of the film . but maslin continues , focusing on the strengths of the film .
jerry lewis died on sunday at the age of 91 , leaving behind at least one big mystery : the fate of the day the clown cried , an unreleased 1972 holocaust film that lewis directed and starred in . it tells the story of a fictional german clown , helmut doork , who is sent to a nazi concentration camp as a political prisoner and ends up entertaining jewish children at an adjoining death camp . in the film’s climax , helmut distracts the children with jokes and pratfalls as he leads them to the gas chambers , ultimately joining them inside . you will be only partially relieved to know that this was intended to be lewis’s first dramatic role .
to all the boys i’ve loved before didn’t stop at casting condor . janel parrish of “pretty little liars” and anna cathcart of “descendants 2” and “odd squad” are set to play margot and kitty , lara jean’s sisters . noah centineo of “the fosters” is signed on to play peter kavinsky . john corbett is set to play the song girls’ dad .
part of the reason i love this movie is because i relate to it so much . but if i am trying to look at it in a more unbiased state of mind i still feel that as far as lesbian moves go this one is one of the good ones . the acting is great , the writing is real , and the directing is moving . there are few lines that are somewhat cringy but as far as the writing goes , these lines fit into the general awkwardness and inexperience that comes along with teenage - hood . these actors are great in their roles . i really believe that they have a connection and really care about them . the screenplay , i believe , is very well done . and the directing helps create this emotional energy that i cannot explain . i , in my own experience as a lesbian , relate to this movie so much . there are some scenes in the movie that i can just feel the emotion that the actors are trying to get across . it is so eloquently portrayed that i cannot help but feel a connection to it . in short , this movie is good , maybe great . i liked it quite a bit and encourage you to watch it .
in his mind ,
i said ,
he ' s getting you for a cheap price .
initially a somewhat bland , under - detailed tale of burgeoning attraction between two female high schoolers , “first girl i loved” gets more interesting as their tentative relationship crashes against the usual private uncertainties and social anxieties of that age . those conflicts aren’t particularly well developed either , however , compromised by uneven character writing and an awkward flashback structure . [ … ]
at the risk of offending devotees of the force , i will say that the stories of the star wars movies have always been space operas , and that the importance of the movies comes from their energy , their sense of fun , their colorful inventions and their state - of - the - art special effects . i do not attend with the hope of gaining insights into human behavior . unlike many movies , these are made to be looked at more than listened to , and george lucas and his collaborators have filled the phantom menace with wonderful visuals .
it’s certainly not unusual for a film to be ravaged by critics but voraciously consumed by moviegoers . the success of the transformers franchise certainly speaks to that . ( the sound of music , the film industry’s original transformers ? ) but bad films that still manage to eke out decent box office returns don’t stand the test of time the way the sound of music has . there’s a disconnect , it seems , between the film’s initial critical response and its longevity .
when the davison family comes under attack during their wedding anniversary getaway , the gang of mysterious killers soon learns that one of the victims harbors a secret talent for fighting back .
writing in the new york times on may 19 , 1999 , janet maslin gave the film its due , while calming the waters and reminding her readers that this was a film , nothing more , nothing less .
this kind of split is of course not unprecedented . you may remember the boondock saints , that bizarre catholic twins revenge rampage that spawned a million dorm - room posters . fans loved it—91 percent on rt—and critics hated it—20 percent . but the size of suicide ’s haul is what sets it apart . with more than $ 100 million already in the bank , i wouldn’t be surprised if it beat batman v superman ’s u . s . domestic take of $ 330 million . cult classics are one thing—bad movies that tank at the box office but live on forever in well - worn dvds . suicide squad looks to be an actual smash .
i loved robert altman . i ' m so passionate about that man , and with james and robert , their egos don ' t get in the way of the art . there are so many directors in hollywood who want to think it was all their idea . they don ' t invite their artists to bring their art to the table . but robert and james want you to argue with them and suggest the new concepts and ideas . altman creates worlds , you know . robert to me is more of choreographer than a film director . he told me , ' i ' d rather direct 80 people than three , ' because 80 people gives him more room to breathe .
it’s an endearing vision , no doubt . we’d like to imagine a nasa free of bureaucratic oversight , where everyone’s a jodie foster and no one’s a tom skerritt . perhaps you think we need comfort right now , more than ever . perhaps the possibility of the dark mystery of the universe is too much to take , when earth itself feels dark and mysterious . arrival , like 2010 before it , wants to make you believe that humanity can be saved . these movies speak to us the way their space - gods speak to the characters onscreen : they advise us , in blunt terms , to be nice . and we should be nicer to each other . i didn’t need a movie to tell me that ; and i don’t think sincerity equals profundity . if you think good intentions make a movie great , go watch crash .
yes . i’m convinced it’s a very good job . it’s a very interesting and important film , very daring about both the issue , which of course is the holocaust , but even beyond that as a story of a man who has dedicated his life to making people laugh and is questioning what it is to make people laugh . i think it is a very bitter film , and a disturbing film , and this is why it was so brutally dismissed by those people who saw it , or elements of it , including the writers of the script .
however , anytime you mention the film to people who ' ve seen it , odds are they will instantly exclaim ,
ugh , that ending !
if you haven ' t seen the movie , stop what you ' re doing and watch it right now , because major spoilers are about to happen .
i talked to toback right after talking to campbell . i ' d been offered the chance to talk to them together , but no , i ' ve interviewed toback many times over the years , and if there ' s one thing i ' ve noticed , it ' s that nobody else gets to talk . since he is brilliant , funny and a little mad , this is not a problem , unless you want to hear what the other person has to say .


the drifting avenger is a japanese western film shot in australia .

it was also known as koya no toseinin .

the film was shot at goonoo goonoo station near tamworth .

the drifting avenger

made in 1968 , koya no toseinin ( the drifting avenger ) stared ken takakura , , an actor known for his brooding , stoic , style .
the photograph from abc north coast shows some of the traditional owners gathered to hear the federal court’s decision on the wester . . .
the constant dissonance of the film ' s pretense of having something to do with the american west is actually kind of fun to observe . the more serious everyone acts , the funnier it gets .
i made the original comment you quoted from imdb . i have in the past couple of days found the movie . there are two sites i have found with the movie . one is urltoken and the other japanese urltoken . the first site is in new york and the other california .
this blog is dedicated to the history , life and culture of australia ' s new england , that part of australia stretching from the hunter valley through to the queensland border and incorporating the hunter valley , the mid north coast , the northern rivers , the new england tablelands , slopes and western plains .
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this is a japanese “western” set in the u . s . during the cowboy era .
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a swedish arms dealer and a mexican peon team up to rescue the intellectual leader of the revolutionary cause , while taking part in numerous misadventures along the way .
after marauding bandits kill his parents a japanese immigrant takes up the six - shooter to hunt down the murderers . the first japanese movie to be shot in australia , it uses the wide open spaces to good effect .
there ' s no plot worthy of the name . a japanese family in the old west is slaughtered by bandits . a little boy was hiding under the bed when his family got killed , & he ' s the chap who grows up to be ken takakura on the trail of vengeance .
the film is so cheap & awful that when the villain ' s glued - on beard is hanging loose on one side of his face for several scenes , nobody bothers to stop shooting to reattach the beard , let alone blow the budget by reshooting those scenes .
while new england has still to achieve formal political identity , it has its own character and identity and is , in the words of the australian poet a d hope , an ideal in the heart and mind .
walcha artist ross laurie in his studio monday 20 november 2017 . with financial support from the greater bank , the new england regiona . . .
photo : fossicking , inverell an update has been provided in a comment . the guided tours from the baptist church no longer operate an . . .
why i remain a new england new stater 9 - the pric . . .
note to readers : this post appeared as a column in the armidale express on wednesday 2 december 2009 . i am repeating the columns here wit . . .
on 3 may andrew murray , the chair of the new england regional art museum ( neram ) announced that neram ' s director robert heather would . . .
many years ago on my first visit to nundle , i stopped to have a beer at the local pub . sitting outside on the shady verandah , i was struck by a movie poster on the wall , a japanese western apparently shot in nundle . all these years later , i have finally got round to tracing the film .
the movies were filmed 42 years apart , and they could not be more different .
photo : here , in the misty rain , cooney creek rises out of its bed and passes behind the old cottage . gordon smith . cooney creek cross . . .
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1968 ) was clearly intended to give the biggest star of the decade , ken takakura , a chance to dress & act like a western gunslinger , whose father ( takashi shimura ) raised ken ' s character in the american west where he failed to learn proper english .
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turnabout is fair play as the first japanese version of an american western brings a different feeling to this film . considered high camp , this early look at the work of filmmaker sato junya from 42 years prior to making his mark with the sakurada gate incident . location filming was done entirely in australia .
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( japanese with english subtitles ) a disgraced warrior planning the murder of a japanese diplomat , and a ninja in the employ of a navy official are about to land in san francisco when a band . . . see full summary »
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
a gunfighter forms a gang of
deceased
execution victims to get revenge on the politician and outlaw who killed his wife .
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the national library of australia ' s copies direct service lets you purchase higher quality , larger sized photocopies or electronic copies of newspapers pages .
known , in imb ' s words , as the
clint eastwood
of japan , takakura gained his streetwise swagger and tough guy persona watching yakuza turf battles over the lucrative black market and racketeering in postwar fukuoka . this subject was covered in one of his most famous movies , showa zankyo - den ( 1965 ) in which he played an honorable old - school yakuza among the violent post - war gurentai .
a killer who only hits people who deserve it is tricked into killing an innocent man . he then seeks revenge against the people who employed him .
netherlands east indies troops march melbourne 1943 over the first part of 2017 i wrote a series of posts on my history blog telling a . . .
this is as much as i know at present . i , too , would like to see the film . it was apparently never released in australia .
bruce hoy kindly sent me this photo . bruce and i were friends at dem ( the armidale demonstration school ) but then lost contact . he found m . . .
note to readers : i normally re - run my armidale express columns with a week ' s lag . this post was meant to appear as a column in the . . .
ryoji , a wanderer , arrives in a remote mountain town , carrying a shotgun and claiming to be a hunter . he quickly becomes embroiled in a web of trouble surrounding the town ' s mill .
although ken is one of my favorite actors , & looks good in western jeans & cowboy hat , he is nevertheless absurdly out of place sauntering through the swinging doors of a saloon & ordering ,
wish - key .
four men killed django ' s brother a long time ago . a withdrawn rancher , a notorious card player , a despotic priest and a crazy albino with an obsession for gold . the relentless django seeks for revenge and hunts them down without mercy .
his unintentionally wacky wild west film was shot partially in nundle , australia , mostly in japan , with a japanese crew from toei studios , widescreen & color , striving to capture the look & feel of a spaghetti western , failing big - time .
ken , son of a former samurai settles with his family in the west from japan . soon his family is killed in front of him by stagecoach robbers , making him aim to get revenge . marvin an experienced gunman befriends ken and becomes his mentor .
finding a caucasian leading lady who knew how to bow from her knees in a perfectly japanese style is just one symptom of a script & production team that knew nothing about the wild west , wherein saloon gals just wouldn ' t know squat about polite geisha behavior .
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( correction from mr . syundo : few gum trees , few kangaroos . )
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a reluctant hero , american lieutenant sam lawson , is secunded to a motley british unit tasked with destroying a japanese radio on a philippine island .
though filmed in australia , this film was not theatrically released in australian cinemas .
not too bad a movie . i had a part as an extra in it .
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judith wright is probably new england ' s best known poet . her poetry , especially her earlier writing , has always resonated with me beca . . .
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