pawno is a 2016 australian feature film set in the diverse and multicultural suburb of footscray .

it was released in cinemas around australia on 21 april 2016 by mind blowing world .

the film was directed by paul ireland from a script by damian hill .

the two co-produced their debut feature film through their production company , toothless pictures .

it stars john brumpton , kerry armstrong , maeve dermody , damian hill , mark coles smith and malcolm kennnard .

the film premiered to critical success , and was the fastest-selling australian film at the melbourne international film festival 2015 , finishing in the top 10 for the miff audience award .

film critic david stratton of at the movies , gave pawno four stars in the australian .

pawno

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pawno is a character driven ensemble film set in the diverse and multicultural suburb of footscray in melbourne , australia .
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pawno is a character driven ensemble film set in the diverse and multicultural suburb of footscray in melbourne , australia .
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pawno is a character driven ensemble film set in the diverse and multicultural suburb of footscray in melbourne , australia .
in high definition format . watch full pawno in best quality by clicking the download link .
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pawno will screen at acmi on wednesday august 5 and at kino on sunday august 9 as part of miff .
pawno is a character driven ensemble film set in the diverse and multicultural suburb of footscray in melbourne , australia .
pawno is screening nationally at selected cinemas . for more information , visit : urltoken for details , or checkout the trailer below
aussie cult comedy pawno is now available for only £3 . 99 – grab your copy now ! itunes : urltoken google play : urltoken
ireland is over the moon that pawno is now going to be seen by audiences outside of festivals and is grateful for the boost that it received from cinefestoz .
the sweet , multi - award winning short film olympic nick : a donutumentary will screen ahead of pawno on sun 11 dec and introduced by one of the directors , ian tran .
gruntilda ' s nicer sister brentilda vanished after the first game , aside from a portrait of her appearing in pawno ' s emporium . her sisters don ' t even mention her .
an uplifting journey into the underbelly of inner - suburban melbourne , pawno is a warm - hearted and witty narrative that examines the intersecting stories of 14 local characters and their resident pawnbroker .
pawno is a character driven ensemble film set in the diverse and multicultural suburb of footscray in melbourne , australia . it revolves around one day in the lives of twelve characters . the . . . see more »
pawno is a character driven ensemble film set in the diverse and multicultural suburb of footscray in melbourne , australia . it revolves around one day in the lives of twelve characters . the . . . see full summary »
combining elements of thriller , romance and gangster genres this quirky , off - kilter character study crackles with inventiveness and irreverence in equal measure , pawno is a warm - hearted and witty cinematic narrative that is totally , unapologetically melbourne .
the kink is scaled back and a sense of location is expanded in pawno , another australian film from an actor - director , paul ireland , whose behind–the–camera debut is a well - meaning patchwork of drifting drama and laid - back comedy .
last year the cinefestoz film prize was jolted to life by pawno , a low - budget movie that gave the audiences more pleasure than movies made within the golden circle of government funding ( the daughter , backtrack , now add honey ) .
while pawno deals with dark subject matter — loneliness , despair , poverty , drug addiction and violence — ireland and hill have struck a lovely tone , allowing the laughter to echo in the shadows . “we did a screening in sydney hosted by david stratton and margaret pomeranz , who are great supporters of pawno . i was surprised at how many laughs there are in the movie . it’s essentially a drama but i’ve rarely been in a cinema where there is so much laughter . ”
pawno , an ensemble comedy - drama set in and around a footscray pawnshop , didn’t cost $ 12 , 000 , a figure that had cinefestoz attendees gasping with admiration ( the number was misquoted and , typical of online reporting , constantly repeated ) .
white hot also collaborates as executive producer , co - producer or investor in selected features and television series initiated by other production companies . to date , these include the dressmaker , pawno , ali’s wedding , boys in the trees , and sunset six .
pawno ' s emporium in jolly roger bay has the gruntilda rag doll from grunty ' s furnace fun sitting on a shelf as well as a portrait of brentilda , and jolly ' s bar has a portrait of treasure trove cove . captain blubber also makes a cameo appearance .
“pawno is unlike many australian films in that it is a true example of cultural diversity on screen without kangaroos , beach or desert , ” says writer damian hill . “it is australia as i see it , walking down the street , albeit with a heightened sense of story . ”
seeking an outlet for his film and television interest , he began with supporting the early stages of script development on several projects and investment in selected productions . he later acquired roar digital a complete post production facility . roar digital recent work includes “cloudstreet” “surviving georgia” “the menkoff method” and “pawno”
while pawno is the first time ireland has stepped behind the camera , he hardly lacks experience . an actor with two decades of work behind him — he came to australia from scotland with the touring production of trainspotting in the mid - 1990s — ireland felt ready to call the shots .
“pawno was our first project working with roar digital and all i can say is awesome , without a glitch from start to finish . charlie was the man who handled everything from data on set to the final dcp grade and mastering . highly recommended , my next job is theirs . ”
australian films rooted in specific metropolitan settings are not uncommon , from melbourne’s death in brunswick and animal kingdom to sydney dramas erskineville kings and looking for alibrandi . with most of pawno shot indoors , and outdoor scenes taking place in the same locations , ireland’s film feels as though it could have been made virtually anywhere .
“my influences are british directors such as mike leigh , ken loach and andrea arnold . their films are about the smaller things in life . the concern of the people in pawno are ‘can i feed the kids this weekend’ . so the pawnshop becomes a social - service establishment , providing money to get them by and a little comfort . ”
not all the subplots arrive at satisfactory conclusions but , scene by scene , pawno is an attractively modest , engaging work . as a sometime footscray resident , i can vouch for ireland and hill ' s uncommon geographic accuracy : many of the locations can be found within a few blocks of each other on the area ' s main shopping strip .
pawno didn’t win the cinefestoz film prize ; the $ 100 , 000 went to the indigenous documentary putaparri and the rainmakers . however , paul ireland’s debut feature has now nabbed the most important award of all : a theatrical release ( even the highly touted horror - thriller backtrack is sitting on the distributor’s shelves and headed for video and vod ) .
this accuracy doesn ' t quite extend to demographics . ireland and hill have spoken about their desire to represent modern , multicultural australia , and it ' s true that pawno is a lot more diverse than the average australian feature film . but it ' s also true the cast is dominated by white people , not altogether , but far more so than the same streets in real life .
directed by paul ireland from a script by damian hill – who also appears in the film – pawno features a diverse and talented cast that includes veteran actors john brumpton ( romper stomper ) , kerry armstrong ( lantana ) and tony rickards ( holding the man ) , alongside rising talents maeve dermody ( griff , the invisible ) ; and mark coles smith ( last cab to darwin ) .
malcolm kennard as carlo and mark coles smith as pauly make a dynamic couple as street - wise friends , boisterous yet silently sad , as is daniel frederiksen as the joyfully named transsexual , paige turner . ngoc phan is a hoot as vietnamese cafe owner and not so secret girlfriend of les , while brad mcmurray is great as the hulking , angry jason who doesn ' t end up a happy pawno customer .
this may seem an unfair complaint , given that pawno makes no pretence of being a documentary . still , there ' s something disquieting about the gap between fact and fiction , especially when the most prominent vietnamese character ( ngoc phan ) is a sexually aggressive , broken - english spouting stereotype . my point is not to dismiss what appear to be good intentions , simply to suggest that australian cinema has a long way to go .
pawno is a day - in - a - shop feature in the vein of kevin smith’s clerks and wayne wang’s smoke , and worthy to sit in their company , even if some gags clunk and one of the colourful figures on show – a vietnamese restaurant owner – is cringingly stereotypical . it’s a forgivable lapse in a film with so many pungently authentic characters . as a portrait of contemporary australia , it’s an antidote to just about everything else out there . – nick dent
pawno , a new indie film set in footscray , is a kind of love poem ( not sentimental ) to one of melbourne’s most diverse suburbs . director paul ireland and lead actor and screenwriter damian hill had a chat to beat about their ‘ambitious and breezily watchable’ feature film debut . “we did think about collingwood , ” says hill , who lives in footscray . “but even collingwood is too gentrified now ; it no longer has that same level of diversity for what we wanted . ”
pawno is a character driven ensemble film set in the diverse and multicultural suburb of footscray in melbourne , australia . it revolves around one day in the lives of twelve characters . the film is set in an ageing pawnbrokers and at the core of the story beats a romance , yet love is rarely simple . within a day , lives intersect and motives are examined . it is a multi - layered story that celebrates the rawness of humanity and challenges audiences to see the world from a different view . characters from various cultural backgrounds are reflected in the performances of some of australia ' s most dynamic actors . it is the australia that we see when walking down the street and one rarely shown and often maligned in film . pawno is a film that has garnered much hype amongst the film world in australia . a brilliant soundtrack comprising tom waits , astronomy class and vance joy amongst others is married with an original score to take the viewer into the sanctuary of les underwood and his pawn . . .
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the pawn shop was a set built in a shop that was rented in the suburb of footscray .
what a great movie i guess living in footscray made it seem real with all the quirky characters . great acting from the whole cast and wonderful scrip , so honest the whole movie had a great feel about it i loved it at the movies , just bought the dvd and loved it more the second time , congratulations to all concerned
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ilms exploring the lives of loosely connected characters with no definite protagonist and plots that circumvent conventional cause - and - effect structure are generally not fertile ground for first - time film - makers . it’s a tough grind : without the safety net of an overarching storyline , these kind of narratives often feel frustratingly disjointed .
last year the debut director josh lawson gave it a red hot go in the passable but underwhelming the little death , weaving together a handful of stories connected by the theme of sexual experimentation and a very loose sense of setting .
set over the course of a day in the life of 14 intersecting characters , the film embraces ( and was shot entirely in ) footscray , the melbourne inner - west suburb five kilometres from the cbd . proximity to the city means it is gentrifying quickly , although ireland captures footscray at a time when it is still raw and representative of an ethnically diverse group of people .
a large portion of the film revolves around the pawn shop referenced in the title , where a knockabout aussie bloke , les ( john brumpton ) , barters with cash - hungry clientele and occasionally dishes out favours for people he likes . although business clearly isn’t busy enough to support more than one staff member , danny ( damian hill , who also wrote the film’s screenplay ) is his lonely right - hand man .
the first of several actions that spell out the impending drama in rather unsubtle ways is when danny picks up a book entitled 12 steps to finding love . in a nearby bookshop kate ( maeve dermody ) breaks her glasses ; her colleague suggests she takes them to les’s shop and we know before kate walks in the door that cupid’s arrow is lock and loaded .
similarly we understand a request for a gun from one of les’s mates ( tony rickards ) signposts a dramatic moment to occur later in the running time . other characters who drift up and down the street , or in and out of les’s shop , include a trans woman named paige ( daniel frederiksen ) , two homeless men ( malcolm kennard and mark coles smith ) , and a distressed mother , jennifer ( kerry armstrong ) .
the cast do their best with the material but the scattered structure of the film does them no favours . armstrong might have provided welcome gravitas if her role were more fully formed . like most of the film’s characters , she seems to exist primarily to serve the functions of the screenplay – which is ironic given the film is fashioned as a “day in the life” - style rumination on people and place .
perhaps that is a testament to the universal elements of hill’s screenplay , which fares better when it broaches everyday australianisms rather than the darker terrain it inevitably explores .
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something like a grand hotel for melbourne ' s western suburbs , this low - budget first feature from director paul ireland and writer - star damian hill tracks a day in the life of a motley bunch of footscray locals , many of them down on their luck , most of them drawn sooner or later to the pawn shop run by old - timer les underwood ( john brumpton ) , a laid - back legend who knows how to keep his customers in line .
brumpton ' s enjoyably theatrical performance sets the tone for the film , which owes as much to a tall - tale tradition that includes pulp fiction as it does to social realism . the best vignettes tend to be the comic ones , often centred on carlo and pauly ( malcolm kennard and mark coles smith ) , homeless mates who spend their time bickering in the mall . other key characters include les ' lovelorn assistant ( played by hill himself ) , a couple of clerks from a nearby bookshop ( maeve dermody and naomi rukavina ) , and a middle - class woman ( kerry armstrong ) in search of her missing son .
the historically grungy , fast gentrifying melbourne suburb of footscray gets the love letter it never expected to receive in this micro - budget film from neophyte director paul ireland and first - time screenwriter damian hill . made without government funding on the kind of budget that sniffs jealously at oily rags , it nevertheless generates more laughs and knowing tugs of the heartstrings than your average screen australia - backed enterprise .
a gruff pawnbroker with a heart of tarnished gold , les ( john brumpton in full larrikin mode ) , spends a day in his barkly street shop poking fun at his employee danny ( hill ) , who’s obviously crushing on kate ( maeve dermody ) from the bookshop next door . they deal with various dodgy customers , from the middle - aged guy who leaves embarrassing evidence on his pawned video camera to the vicious muscleman who threatens them with violence . tragedy is always nipping at the heels of the laughs , such as when a middle - class woman ( kerry armstrong ) comes in seeking her son , missing down a rabbit hole of drugs . two junkies on the street ( mark coles smith and malcolm kennary ) provide a greek chorus - like commentary as they watch the comings and goings and pool their cash for food .
director paul ireland’s audacious debut celebrates the microcosm of suburban life in this disarmingly charming film starring an impressive cast of new and veteran australian actors . though filmed in the heart of footscray , this could be almost any city or town in australia , filled with the minutiae of daily life – from a mother in search of her son to a budding romance .
much of the drama is contained within the four walls of the local pawnbrokers , managed by curmudgeon les ( john brumpton , romper stomper ) and lovesick danny ( damian hill , who also co - produced and penned the impressive script ) , who has eyes for bookshop worker kate ( maeve dermody , agatha christie’s and then there were none ) . all walks of life pay a visit , some to buy , some to sell , and some just to chat .
beyond the store , a colourful bunch of locals add life to the surrounding streets – including lovable larrikins pauly ( mark coles smith who demanded everyone’s attention in last cab to darwin ) and carlo ( catching milat ’s malcolm kennard ) . other equally brilliant cast include daniel frederiksen , john orcsik , tony rickards and kerry armstrong .
“the observation , in hill’s screenplay and ireland’s direction , is acute , and the actors are first - class . add to the mix fine location photography by shelley farthing - dawe and you have a film that’s not only very australian ( some may say very melbourne ) in its ethos but also extremely enjoyable . ” david stratton , the australian
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with duration 89 min and has been launched in 2015 - 08 - 05 and mpaa rating is 0 .
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synopsis : in the old pawnbroker ' s in the heart of melbourne ' s footscray , world weary les underwood ( john brumpton ) watches as the lives of people who come through his door collide , change and unravel . from blossoming romance to desperate last gambles , these twelve people ' s stories represent the best and the worst of one day in the life of this mixed up suburb .
a cluttered melbourne pawnbroker shop is the nucleus of this gritty slice of life drama , where hopes are raised and dashed , while revelations expose and surprise . the beauty of the film is its raw honesty : it ' s like being there people watching , as a melee of colourful characters dip in and out of the narrative . it ' s an impressive directing debut for paul ireland , who developed the script with actor and first time screenwriter damian hill , one of the film ' s stars . there is a real sense of place - both in the pawnshop itself and in the streets of surrounding footscray - where everyday life goes on for better or for worse .
central to the action is john brumpton ' s les underwood , the gruff tough pawnbroker who is all business and little compassion . we get the impression that he has seen it all , like the scene in which he tells his offsider damian ( hill ) to close the shop ' s front door , after which he proceeds without hesitation to violently deal with a threatening customer . but he has another side too , which is one of the film ' s little surprises . . . . this is brumpton at his best , creating a character that goes from restrained to furious . uncompassionate yet non judgmental . hill is also good , projecting an appealing naivety as the pawnbroker ' s gopher , who walks the dog , makes the tea and tows the line . but there is more to damian than meets the eye , including his romantic aspirations and another of the film ' s surprises .
we become involved to varying degrees with all the characters that enter the shop . there are those who come in just for a chat , like harry ( tony rickards ) , who seemingly has it all , or paige the transvestite ( daniel frederiksen ) who is all mouth when it comes to dealing with jeering strangers in the street , but highly vulnerable when no - one is looking . the subplot involving damian ' s dreamgirl kate ( maeve dermody , lovely ) , the girl from the bookshop around the corner is the best developed and i like the story strand involving lai ( ngoc phan ) from the nearby asian takeaway . it has humour and a wonderful sense of the unexpected .
the lengthy verbal discourse between pauly ( mark coles smith ) and carlo ( malcolm kennard ) drags , although there is a small pay off to their opportunistic involvement with heavy - chain wearing thug jason ( brad mcmurray ) . kerry armstrong appears briefly as a distressed mother looking for her son , while john orcsik is terrific as tony robinson , the man with a video camera and something to hide . naomi rukavina is appealing as the bookshop girl with bruises , but her story has to rest on suggestion alone .
most of the action takes place in and around the pawnshop , with an accent on the many diverse elements of the neighbourhood , like the vibrant dreadlock - wearing african dummers who beat up a storm outside a shop . most effective is hill ' s concept to reveal the characters in their ' real ' environments at the end , allowing us to peak beneath the veneer , shattering any preconceptions we may have made . it ' s a vivid insight and an interesting window into life .
through the particular to the universal . . . it ' s a notion that serves filmmakers well and as
writer daman hill shows , it can be a useful filmmaking tool to portray a variety of the human condition . his pawn shop is where les underwood plays a duel role of self serving sinner as well as occasional saint . i don ' t mind the contradictions in his character ; they smack of real life . i also appreciate john brumpton ' s characterisation as an edgy , complex and unpredictable money lender of last resort .
likewise , the characters that pop in and out of the shop - mostly regulars - are given dimension and life by some talented actors , writer hill among them as les ' shop slightly troubled and shy assistant , danny . maeve darmody is terrific as kate , the shop assistant at a nearby book store who catches danny ' s eye , and naomi rukavina is a delight as her lonely heart colleague holly .
these and the other supporting characters all have a dark shadow that creeps up on them in some form , even worried mum jennifer , movingly played by kerry armstrong .
the screenplay is not so much a story as a series of snapshots of these people , although the gently budding romance between danny and kate provides a through - line of sorts - and the way to retrieve the film ' s bleak descent into darkness . yet the performances elevate the film , as does paul ireland ' s sensitive , no nonsense direction .
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a seminal platformer series , created by rare for the nintendo 64 , the banjo - kazooie series ( sometimes simply referred to as the banjo series ) tells the tale of a lazy bear , his avian best friend , the nasty witch who likes messing with their lives , and lots and lots of shiny golden puzzle pieces . traversing many strange and improbable worlds , the dauntless duo of banjo the honey bear and kazooie the breegull go about saving the world , with the help of moleish mentors , cute bird - anteater . . . things , and a very liberal helping of british humour .
banjo the bear , his little sister tooty , and banjo ' s loudmouthed best friend kazooie live peacefully in the tranquil spiral mountain . however , the ugly , witch - shaped form of the witch gruntilda ' s lair lurks overhead . grunty sees that tooty is the fairest in the land , and grunty envies that beauty ! she kidnaps tooty and absconds to her lair . now banjo and kazooie must brave the depths of her labyrinthine lair to save banjo ' s sister .
two years after grunty ' s defeat ( and subsequent imprisonment beneath a rock ) , her sisters mingella and blobbelda come with a fancy new tank to save her . grunty ' s been beneath the rock for so long , she ' s only an animate skeleton . but her witchy sisters have a new machine that can suck the life energy out of anything , and they plan to use it to restore gruntilda ! banjo and kazooie once again set out to stop her , and prevent her from turning the whole world into a zombie wasteland !
a midquel that takes place between kazooie and tooie . grunty ' s faithful sidekick klungo builds her a mecha - grunty suit , and her spirit inhabits it from beneath the rock . with her evil magic , she kidnaps kazooie , and flings banjo into the past , attempting to stop him and kazooie from ever meeting ! now banjo ( and kazooie , once he ' s rescued her ) must stop gruntilda from destroying the past !
a racing game spinoff , this game features the banjo - kazooie cast racing around in airplanes . gruntilda does appear , but poses no real threat .
this sequel changed the game ' s mechanics from regular platformer to vehicle - based platformer . set many years after their last adventure , banjo and kazooie have gotten fat and lazy from no adventures . then , a strange , tv - headed spirit calling itself the lord of games shows up . he intends to have banjo and kazooie resolve their old issues with gruntilda ' s skeletal head by . . . throwing them into a new video game . well , whatever works , right ?
the first game only requires you to get 94 of 100 jiggies and 810 out of 900 notes to beat the game , but rewards exist if you collect all of them , such as free refills on your feathers and eggs before the final fight and an upgrade to your health in exchange for four more jiggies . the last two jiggies you ' ll possess don ' t do anything , but getting all 100 allows you to see a bonus ending that reveals the locations of the stop n swap items . the honeycomb pieces that extend your health bar , meanwhile , are completely optional to find ( to where you can skip at least six of them , since the last six add nothing to your health ) , but they are a nice benefit to have , especially when you fight gruntilda . collecting all of 116 of the mumbo tokens is not only optional ( only 75 are needed ) , but impossible due to a glitch in mad monster mansion .
banjo - tooie has a lot more emphasis on backtracking and the size of the game ' s levels is larger , but it ' s slightly more lenient in requirements ; you only need 70 of the games 90 jiggies to reach the final boss , and collecting all 90 just gives you a meager bonus reward , and only 765 of 900 notes are needed . the honeycomb pieces and cheato pages are completely optional .
ability required to proceed : the first two games have mandatory abilities you have to learn , and you won ' t get far without them . for example , the first game forces you to learn the talon trot from the first level in order to even get beyond the lobby of gruntilda ' s lair . tooie takes this even further due to having a lot of context - sensitive moves you have to learn to even get anywhere in its massive worlds , much less get a jiggy right away .
abnormal ammo : one of kazooie ' s signature abilities is firing eggs like bullets out of her butt , which you ' d expect ( well , sort of ) , and . . . out of her mouth . the second game adds more unusual ammo by allowing her to also shoot flame eggs , ice eggs , grenade eggs , proximity mine eggs , and eggs that immediately hatch into exploding clockwork versions of kazooie .
absurdly spacious sewer : clanker ' s cavern certainly seems to be a sewer of some description . it ' s full of pipes , anywho . then there ' s the clinker ' s cavern sidequest in the second game where you shoot at . . . faecal blockages in the . . . air conditioning ?
abusive parents : mrs . boggy seems to approve of banjo beating her children , and is even seen giving groggy a smack herself . boggy himself is just extremely neglectful , abandoning his children at christmas in order to go sledding instead of buying them presents .
affably evil : weldar , who is seen politely asking you to stand still so he can kill you better and generally doing things just because it ' s his job . his vision , like lord woo fak fak , is also pretty bad .
aliens are bastards : in tooie , you find a ufo in the bottom of a lagoon , power their ship back up for them , bring one of them back from the dead after a nasty fall , warm up one of their children stuck on a icy , high cliff , find another two alien kids encased in ice , one of which you had to bring back to life as well , and to top it all off , only for two jiggies . after all that , the alien dad states he has to exterminate you for taking so long . . . only to decide not to do so because he ' s misplaced his laser .
already done for you : unlocking stop ' n ' swop in the xbla version of banjo - kazooie ( only if you have a save file of nuts & bolts or the xbla version of banjo - tooie on your 360 ' s hard drive , however ) . stop ' n ' swop involved ridiculously long cheat codes to unlock it in the original release , though they were useless in that version .
alternate history : the plot of grunty ' s revenge , which was originally supposed to take place in an alternate future from the one in banjo - tooie , though it was since changed to be set between the first two games . this would normally make it an alternate continuity , until the timey wimey ball rolls into town . . .
always night : mad monster mansion and freezeezy peak in banjo - kazooie and witchyworld in banjo - tooie . bubblegloop swamp has a pitch - black
sky
, but it ' s not clear whether it ' s supposed to be night .
ambiguously gay : jolly roger . the menu in his . . . bar does not help matters .
ambiguously human : gruntilda and humba wumba . if you get a game over in the first game , the former appears even more human .
and i must scream : at the end of the original game , grunty is trapped underground by a boulder and somehow manages to survive being buried alive for two years . by the time she ' s freed in the opening of tooie , her flesh has rotted away completely . and by the end of the second game , she ' s reduced to just a skull and eyeballs — and , yes , she ' s still alive and conscious . ( the third game gives her a robot body , which she seemingly gets to keep , so things do improve for her . sort of . )
animate inanimate object : so much so in the first game . if it didn ' t outright move and talk , it would have googly eyes slapped on it . examples include : a totem pole , boulders , a leaky pail , acorns , musical notes , honeycombs , eggs , feathers , exploding mines , life preservers , oranges , trees , cauliflower , stone sphinxes , ice cubes , snowmen , cold water , cacti , cauldrons , cowl ventilators , onions , exploding boxes , flying broomsticks , treasure chests , beehive boxes , carrots , a toilet , golden jigsaw pieces , and a book of spells that flies by flapping its pages , just to name a few !
mr . vile ' s challenge is so frustrating to complete , that the game gives you the option of coming back later after you ' ve learned how to use the turbo trainers ( which banjo ' s crocodile transformation can use ) , which makes beating him much easier .
in rusty bucket bay , when you do the ship whistle puzzle , the background music subtly switches to a music track that ' s almost identical to the main level theme , but without whistles incorporated into the music to ensure the player doesn ' t confuse the background music with being part of the puzzle .
banjo - kazooie always places banjo right at the opening part of gruntilda ' s lair after the tutorial , despite the fact that it would make more sense to start banjo at his own house . this is to eliminate time spent traversing spiral mountain . in addition , there are dingpots scattered about the lair in areas that allow for fast travel .
unlike the first game , any notes you collect in worlds are yours permanently , even after you leave and come back . this is a good thing , because not a single one of tooie ' s worlds can be completed on the first visit ; they all require you to return later after you ' ve learned a new ability . collecting them is also greatly simplified into having you grab nests of them ( 5 apiece , rather than making you collect each individual note like in the first game ) , along with a treble clef that gives you 20 on the spot .
the collecting requirements are slimmed down from the original to alleviate the games much longer length—you only need 70 of the 90 jiggies ( as opposed to 94 of 100 ) to finish the game , and the mumbo tokens are removed and simplified into the much easier to find glowbos .
jinjos , like the musical notes , are also permanently yours once you find them .
this game ' s worlds are orders of magnitude larger than the first game ' s , so they added warp pads to let you warp between different important locations within each world . the same applies to the warp silos in the hub level isle o hags , since its a massive world unto itself that you will be traveling back and forth around .


the dancing boys of afghanistan is a 2010 documentary film produced by clover films and directed by afghan journalist najibullah quraishi about the practice of bacha bazi in afghanistan .

the 52-minute documentary premiered in the uk at the royal society of arts on march 29 , 2010 and aired on pbs frontline in the united states on april 20 .

bacha bazi , also known as bacchá ( from the persian bacheh بچه ) , literally " playing with boys " in persian , pashto and hindi-urdu ) , is a form of sexual slavery and child prostitution in which prepubescent and adolescent boys are sold to wealthy or powerful men for entertainment and sexual activities .

this business thrives in afghanistan , where many men keep dancing boys as status symbols .

the practice is illegal under afghan law .

the dancing boys of afghanistan

educational dvds of the dancing boys of afghanistan are available from shoppbs for teachers .
' he ' s touching the boy with his cotton clothes , ' a musician sang on the 2009 documentary , the dancing boys of afghanistan .
once the party is over , and the dancing has finished , the true horror of their role is revealed .
bacha bazi , which translate as ' boy play ' , is on the surface a harmless form of entertainment - young boys dancing for the entertainment of their elders .
sordid : this young boy - filmed as part of the documentary , the dancing boys of afghanistan - is another bacha bereesh . but these boys are not just dancers , but often sexually abused , by their masters and sometimes by their friends , kept as little more than sex slaves
dancing boys are picked out at a young age by men who cruise the streets looking for effeminate boys among the poor and vulnerable . they offer them money and food .
afghanistan is a country where islamic values are cherished so i asked a grand mullah at the shrine of ali in mazar - e sharif - the holiest place in afghanistan - for his views on bachabaze .
sexual slavery involving boys as young as 10 is being condoned and in many cases protected by authorities in northern afghanistan .
' when the boys are beautiful it shows they are powerful , but also the number . you have to spend a lot of money to pay the boys , feed the boys , keep them clothed .
according to our research these dancing boys are used by powerful men for sex ,
mr alimy said .
you can hear the entire documentary ' afghanistan ' s dancing boys ' on 8 september from 0905gmt on the bbc world service , or you can listen online by clicking here . this programme is part of the bbc world service ' s world stories series .
wealthy former warlords in baghlan , a northern province of afghanistan , recruit adolescent boys for sex and entertainment , while local authorities remain powerless in stopping the practice .
she explains she is deeply pessimistic about the future of these children and the capacity of officials to stop the trade in young boys .
soldiers fighting in afghanistan after 2001 spoke of their surprise at watching grown men walking down the streets of the conservative country , hand in hand with a young boy .
photo : a 15 - year - old ' dancing boy ' performs before a large group of men .
in afghanistan , impoverished boys are being forced into a life of abuse as a result of bacha bazi – dancing boys – an old practice that sees wealthy or powerful men exploit underage boys as sexual partners . although it is illegal , afghan authorities have failed to put a stop to the practice . ( video by wali sabawoon ; reporting by weda baraki ; narrated by frud bezhan )
according to the un report , there is evidence that the practice of bacha bazi and the sexual abuse of boys is common throughout the north of the country . it confirms that boys , some as young as 10 , are lured into life as a sex slave .
private dancer : the practice of bacha bazi ( ' boy for play ' ) is growing in afghanistan . photograph : ghaith abdul - ahad
and dr sobhrang dreams of setting up a home , where the boys will finally be safe .
when we leave the party at two in the morning a teenage boy is still dancing and offering drugs to the men around him .
but at 24 , he is getting far too old to remain a dancing boy .
afghanistan ' s poverty has been a driving force in the rise of bacha bazi in the last 15 years . it makes it easy for predators to prowl the streets targeting ' pretty ' young boys , enticing them from their families with promises of work or education .
later into the night , once the dancing is over , the boys are frequently shared with close friends , for sexual favors . and by the end of the evening it is not at all uncommon for the boy to have a new owner , as the parties often provide the opportunity for buying and selling .
according to abdulkhabir uchqun , an mp from northern afghanistan , the tradition is not just alive , but steadily growing .
alive ! four thai boys who made it out of cave in daring . . .
the few boys the inquiry did managed to speak to revealed they dreamed of running away , despite the threats of violence and even murder , but had nowhere to turn .
tonight ' s four corners follows the criminal activity of two paedophiles who search for young boys so they can sell or groom them to be trained as dancing boys . in one case the journalist goes in the car with a paedophile named dastager . as they drive , dastager describes the type of boy he is looking for . then in broad daylight the dancing boy master stops the car , goes to a shopfront and brings a boy back to his waiting car .
the bacha bereesh , between the ages of 14 to 18 ( though 14 seems to be the preferred age ) , are dressed in special women’s clothing , with bells tied to their feet , and paraded out to dance at parties and weddings . in general , the practice of men dancing at parties is relatively common in afghanistan ,
“unfortunately i have to say that this type of dancing , sexual abuse and even the sale of boys has been going on for years , ” he says . “it is a despicable culture . the boys involved are usually poor , underage or orphans , and they are forced into it by their economic circumstances .
dancing boys are a lucrative business . powerful former warlords and businessmen love to watch them and will pay a lot of money to have their own boy for bacha bazi . some of the boys are traded like swap cards among the rich and powerful , and if they disobey their owners they are killed or brutalised .
in afghanistan women are not allowed to dance in public , but boys can be made to dance in women ' s clothing - and they are often sexually abused .
such parties are illegal under afghanistan law and with good reason . the
dancing boys
are in effect sex slaves . they are lured off the streets by pimps . they are taught to dance and sing , to wear make - up and to dress like girls . then they are made to perform before large groups of men . all of them are sexually abused .
cycle : but with the boys pushed out of society , they have few options . batoor explained many of them turned to drugs or alcohol to cope
it ' s after midnight . i ' m at a wedding party in a remote village in northern afghanistan .
the group ' s head , musa mahmudi , says while it is common in many parts of afghanistan there have been no studies to determine how many children are abused across the country .
the most disturbing thing is what happens after the parties . often the boys are taken to hotels and sexually abused .
but with the fall of the extremist group , bacha bazi returned . it quickly became so acceptable that even the police would be sat among the dozen or so men cheering the boys on .
it is said one of the country ' s favourite sayings is women are for children , boys are for pleasure .
in kabul and other afghan cities , bacha bazi cds and dvds are widely on sale from street stalls and carts , serving an audience who can ' t afford the real thing . in many of the cafes , men sit drinking tea and watching grainy images of boys dancing .
it was there that i met zabi ( again not his real name ) , a 40 - year - old man who is proud to have three dancing boys .
mohammad zaher zafari , head of the northern branch of the afghan independent human rights commission , bemoans the government’s inability to take action .
large halls provide the venues for the weekly parties where the boys’ owners , invite their friends to watch them dancing . several different types of dances are popular , daad says , and if the boy refuses to dance or performs badly , his master beats him with a long stick .
dancing boy : shukur , 21 in this picture , was kidnapped in kabul when he was 12 years old and taken to kunduz where he was kept as a bacha bereesh - a dancing boy - for a rich and powerful man . he was 17 when he escaped , and began making a living from his dancing
the streets of afghanistan are full of working children . they polish shoes , they beg , they gather plastic bottles to resell . they will take on any job which will earn them some money , he says .
in afghanistan today , in the midst of war and endemic poverty , an ancient tradition — banned when the taliban were in power — has re - emerged across the country : many hundreds of boys , often as young as 11 , are being lured off the streets on the promise of a new life , many unaware that their real fate is to be used for entertainment and sex . with remarkable access inside a sexual exploitation ring operating in afghanistan , an afghan journalist investigates this illegal practice , talking with the boys and their masters , and documenting how the afghan authorities responsible for stopping these crimes are sometimes themselves complicit in the practice .
unfortunately it is the on the increase in almost every region of afghanistan . i asked local authorities to act to stop this practice but they don ' t do anything ,
he says .
when the afghanistan independent human rights commission ' s report was released last year , it found the practice was still just as widespread as it had always been .
in any other country , it would be considered paedophilia . in afghanistan , however , the perpetrators have been protected by the police , scared to upset the powerful warlords and businessmen .
then the boys are passed between the men , taken to hotel rooms where they can be sexually abused .
i started dancing at wedding parties when i was 10 , when my father died ,
says omid .
lance corporal geoffrey buckley jr told his father he was forced to listen to the screams of young boys being raped at night .
the men behind the practice are often wealthy and powerful . some of them keep several bachas ( boys ) and use them as status symbols - a display of their riches . the boys , who can be as young as 12 , are usually orphans or from very poor families .
zabi is not especially wealthy or powerful , yet he has three bachas . there are many people who support this tradition across afghanistan and many of them are very influential .
if you have inside knowledge of a topic in the news , contact the abc .
the practice , known as ' bacha bazi ' , is ' shameful ' , says dr soraya sobhrang , who led an nation - wide investigation into the practice for the afghanistan independent human rights commission .
abc teams share the story behind the story and insights into the making of digital , tv and radio content .
the men are said to lavish money and gifts on their boys . many claim to love them , and there are cases of boys who are not so dissatisfied with their lifestyle , demeaning as it may seem .
both prestige as well as poverty are the main motivators for the revival of bacha bazi .
it ' s true they make the boys wear girls ' clothes and make them dance in front of many men ,
he said .
the beautiful game has shown an ugly side in russia , with the treatment of the referees coming into sharp focus .
the independent human rights commission in kabul is one of the few organisations that has attempted to address the bachabaze practice .
shocking : american soldiers have recounted their surprise at seeing grown men walking down the street with young boys . others have described having to listen to the sounds of young boys being raped at night - but were told to do nothing to stop it
there is no sign of the bride or groom , or any women , only men . some of them are armed , some of them are taking drugs .
a beautiful boy who is also the best dancer becomes a status symbol for his master . a man going by the name of nasro bay explains how the public ostentation of bacha bazi is a sign of prestige :
yet for the boys , more than two fifths of whom are between the age of 13 and 15 , being chosen as a bacha bareesh - man without a beard - it is a life sentence , one which will see them cast out of their families and shunned by society .
the boys are trapped in their world - and are drawn into becoming the predators themselves by the time they are considered too old to be a bacha bereesh anymore .
unable to find anyone willing to do anything about the abuse of children , mr quraishi flew to new york to meet radhika coomaraswamy , who has been appointed by the un to raise awareness of the plight of children in war zones .
bottleneck of 700 , 000 migrants wait in libya to cross the . . .
a ‘bacha bereesh’ is a boy without a beard , and in several circles a beardless boy is most desired by rich , powerful male patrons . grown men become involved in ‘bacha bazi’— which literally translates into ‘boy - play’ . this is a time - honored tradition , condemned by human rights activists and muslim clerics , but it is seeing a revival in the north province of afghanistan . it is by no means restricted to the north of afghanistan only , but has virtually faded in the south , where the taliban’s strict moral code act as a deterrent .
' prostitutes , orgies , group sex - all of it ' : ex - wife of . . .
but the shame is so great , it is hard to put an exact figure on how many boys have been - or are still being - kept by their ' bacha baz ' , their master . it is so covert , barely any pictures exist of the young boys performing their dances .
inside president trump ' s high - stakes battle for control of the republican party .
muhammad ibrahim , deputy police chief of jowzjan province , denies that the practice continues .
most of kabul ' s musicians congregate in the southern part of the city , an area that was half destroyed by the civil war . in a crumbling hotel , an aged guard opened a gate that led to a dark staircase surrounded by metal grilles . the air was damp and heavy with the smell of hashish , opium , urine and burned oil . on the first floor was a small hall and a few rooms , with shoes and flip - flops piled high outside . on thursday afternoons , dancing boys and their owners come here to wait for clients to hire them for weddings or parties .
the trade in boys is well known to the united nations . according to nazir alimy , who compiled a report on the issue for the un , there is no doubt who is funding this practice and why the police refuse to stop it .
they command the attention of the room as they move to the traditional songs , with words which do more than hint at what is to come .
police find the body of a missing four - month - old boy near . . .
but there is hope : the report has struck a chord at the highest levels . the ministries of justice and religion have both sat up and listened .
these promises more often than not come to nothing : instead , the boys are trained as dancers , made to perform to groups of men dressed as girls , bells on their flowing skirts and make up on the faces .
this is an ancient tradition . people call it bachabaze which literally means
playing with boys
.
he says he has never slept with his boys , though he admits he hugs and kisses them .
the fact homosexuality is forbidden in islam is swept under the carpet by those who participate , who claim there is a loophole . they are not in love with the boys , and therefore not gay .
the practice of taking young boys to perform as dancers at private parties is known as bacha bazi ( literally ,
boy for play
) and is an afghan tradition with very deep roots . under taliban rule , it was banned , but it has crept back and is now widespread , flourishing also in the cities , including the capital , kabul , and a common feature of weddings , especially in the north . the bacha dancers are often abused children whose families have rejected them . their
owners
or
masters
can be single or married men , who keep them in a form of sexual slavery , as concubines . the bachas are usually released at the age of 19 , when they can get married and reclaim their status as
male
, though the stigma of having lived as a bacha is hard to overcome . the afghan authorities and human rights groups are aware of the plight of bacha boys , but seem powerless to stop it .
' once i grow up , i will be an owner and i will have my own boys . '
' some of these boys were 18 or 19 . if they want to marry , nobody can know . no family wants to give their daughter to these people . '
and women unallowed to partake in such activity . however , in baghlan , the former warlords and mujahideen commanders are resurrecting bacha bazi , and holding dance competitions between the boys .
the justice system is weak , poverty is widespread , and there are thousands of children on the streets trying to make a living .
but behind the devout exterior , the country is hiding a dark secret - one which the government has tried to sweep under the rug .
almost everyone ' s attention is focused on a 15 - year - old boy . he ' s dancing for the crowd in a long and shiny woman ' s dress , his face covered by a red scarf .
in reality , it is often little more than sex slavery , where boys as young as 10 are passed around a group of middle aged men for their own sexual gratification .
we have a circle of close friends who also have bachas . sometimes we gather together and put women ' s clothes and dancing bells on our bachas and they dance for us for two - to - three hours . that ' s all .
peter sagan is a triple world champion and the most charismatic rider in professional road cycling . he is now the leader of the 2018 tour de france , writes rob arnold .
desperation : often these boys are from impoverished families , and are tempted away by promises of work and education - neither of which is likely to come to fruition . instead , they find themselves stigmatised by wider afghan society , seen as ' gay '
but i went to a party late at night in the old quarter of kabul , less than a mile from the government ' s headquarters .
funding for frontline is provided through the support of pbs viewers and by the corporation for public broadcasting . major funding for frontline is provided by the john d . and catherine t . macarthur foundation . additional funding is provided by the abrams foundation , the park foundation , the john and helen glessner family trust , and the frontline journalism fund with major support from jon and jo ann hagler on behalf of the jon l . hagler foundation .
documentary on
bacha bazi
, boys made to dress up like women and dance to entertain their elders . little more than a form of sex slavery ! aired on pbs frontline .
' maybe 100 , maybe 500 , maybe 1 , 000 . . . it was one of the challenges when we visited some boys . when i asked them , they said they were owners , they didn ' t want to show they were the victims .
how the boys are enticed into the arrangement : “first we select boys in the village and later on we try to trick them into coming with us , ” he said . “some of them stay with us for money ; they get a monthly allowance , and in return we can have them any time we want . they don’t stay with us all the time - they can do their own jobs and then just come to parties with us . ”
' a war lord has many - they keep maybe 10 boys , all together , ' dr sobhrang told mailonline .
a young boy brought a small metal pot , poured warm water on the men ' s hands and dried them with a small , stinking towel . dinner was served : plates of meat stew , thick loaves of bread and bowls of yogurt . then , when the meal was over , one of the guests opened his sash and pulled out four small bottles of tajik vodka . solemnly and with half - embarrassed smiles , the men raised their glasses , whispered ,
salamte
and drained them .
in a story to be broadcast on four corners tonight , the practice of bacha bazi or
boy play
, as well as other allegations of child abuse , are explored .
tradition : shaharyar became a dancer when he was 17 , after his father died and he needed to make money . he met his master in a chai khana , or tea shop , and was taught dancing . the master is now his agent , and takes a cut of his what he earns performing for parties
' nobody knows about how many boys there are - it is very sensitive , very underground , ' said dr sobhrang .
we ' ve ranked the top 50 wimbledon players over the last 50 years .
he night ' s rituals unfolded slowly . in a small house in a village near the town of taluqan in northern
the powerful men he refers to are often former warlords who helped drive the taliban out of the north . others are wealthy businessmen . under the taliban , bacha bazi was outlawed . today it is still a crime , but clearly there is no concerted effort being made to stop the practice and the criminal activity that surrounds it .
we have to do that , ” explains daad . “we spend money on these boys , so they have to dance . ”
he takes me to the street in front of his office to show me just how difficult it is to protect children here .
there have been very few attempts by the authorities to clamp down on the bachabaze tradition .
afghan journalist najibullah quraishi has filmed police attending a party where a young boy is the
entertainment
. the police shown on the video include one officer from the youth crime squad .
dressed in a flowing shirt and long , red skirt , with sherwal pants beneath and small silver bells fastened to hands and feet , the dancer stepped across the floor , face hidden behind a red scarf . the bells chimed with the movement , the skirt brushing past the watching men who stretched out their hands to touch it . the sitar player sang loudly , a love song about betrayal . the dancer twisted and sang hoarsely with him , arms thrown high above a lean , muscular body , moving faster and faster until finally the scarf dropped , revealing a handsome young man ' s face with traces of a moustache and beard . one of the men quickly grabbed the scarf and started sniffing it .
boasting : it is highly prestigious in some circles to have your own boy . having one or many bacha bereesh is seen as a marker of your power and wealth - which means some war lords can have more than 10 in their service . how pretty the boys are is also important
“i was dancing last night , ” one exhausted - looking 14 year - old boy said , when his owner forced him to speak . “i have been doing this for the past year . i have no choice - i’m poor . my father is dead , and this is the only source of income for me and my family . i try to dance well , especially at huge parties . the men throw money at me , and then i gather it up . sometimes they take me to the market and buy me nice clothes . ”
why did he think other young boys dressed as women and danced ?
because men like women and they are not available , so we act like women . we wink at the rich men in the room , we excite them and they pay us . two weeks ago , in a town north of kabul , the elder paid me 4 , 000 afghanis [ around £49 ] . but after the programme i had to shout so he would be embarrassed in front of other people , because he wanted to do things with me . sometimes we get a lot of money . sometimes we have to spend the night with them and they don ' t give us anything .
after the fall of the taliban , habib came back and settled in a small hotel near kabul .
people accuse us of being homosexuals and transsexuals , but we are not ,
he said firmly .
we are not trying to be women , we are just dancers . some men like my dancing and give me tips , but other men like to do other things with me . i have to be careful – they can be dangerous . i know how to manoeuvre to take their money and not let them harm me .
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as more vodka was drunk , the party grew louder . its host – a former taliban commander now in alliance with the afghan government and americans – chatted jovially to his guests , mainly local farmers and shopkeepers . then one of the men produced a sitar and a dancer entered the room .
indeed , the government has failed to do much about the practice of bacha bazi , and police force do little to encourage public confidence . local officials do admit the practice is prevalent but seem at a loss as to how to combat it .
accepted : on this occasion , the men are performing to a group of policemen in uruzgan province . until recently , there was no law which directly prohibited bacha bazi - but after dr sobhrang released the report , the government decided to finally act
' now he is 20 years old , he can also take other boys for this process . and so it goes from one generation to another generation . '
disgust : dr sorraya sobhrang , who led an investigation into bacha bazi in 2014 , says the practice is ' shameful ' and an abuse of the children ' s human rights . pictured : a young man gives a performance based on the bacha bazi dances
we have 25 cases of such immoral acts . they are being processed and we are trying our utmost to tackle the problem ,
he says .
, a dozen men huddled in a cold , dark room , wrapped in thick blankets and squatting on red cushions . the wind sliced through a plastic sheet nailed to a wooden frame in the mud wall , and a strong aroma of hashish lingered in the air .
mr alimy says his research shows it is happening in the south and even in the afghan capital , kabul .
“yes , bacha baazi is practiced a great deal , especially in the khost - o - fering and andarab districts , ” says hafizullah khaliqyar , head of the prosecutor’s office for baghlan province . “boys are forced to dance , they are sexually abused , and they are even bought and sold . fights take place over these bacha bereesh . it’s increasing day by day , and it’s catastrophic . ”
' in the end he ran away , and he moved around a lot so they wouldn’t find him . he was begging on the streets of kabul . if he’s still alive he would be about 18 now . '
“we know it is immoral and unislamic , but how can we quit ? ” asks 35 year - old chaman gul . “we do not like women , we just want boys . ”
in the same room i met habib , a dancer , dressed in a spotless white salwar kameez . two gold rings decorated his manicured fingers . his face was plump and he had a thin , well - groomed moustache above thick , red lips . why did he start dancing ?
i love it . no one forced me to do it – i love it .
the afghan government is unable and some say unwilling to tackle the problem . they are facing a growing insurgent movement . how long international troops will stay in the country is uncertain .
the hotel was crowded with musicians and singers , including 30 pakistani pashtun musicians who had come to kabul to seek refuge from the clampdown in the north - west of their country . one , his hair parted with a ruler in the middle and greased with cream , told me ,
the afghans like us as much as their own musicians . even kendeel kuji [ a famous pakistani singer ] is here .
boys like shukur , who was just 12 when he was stolen away from his family and made to be a ' bacha bereesh ' . it took him five years to escape , and he now uses the dances he learned to make a living .
we haven ' t had any cases of bachabaze in the last four - to - five years . it doesn ' t exist here any more ,
he says .
i am used to it . i love my lord . i love to dance and act like a woman and play with my owner ,
he says . when asked what he would do when he got older , ahmad says he will be an owner and will have many of his own boys .
i love my lord . i love to dance and act like a woman and play with my owner . once i grow up , i will be an owner and i will have my own boys .
i am grown up now and do not have the beauty of former years . so , i proposed to marry my lord ' s daughter and he has agreed to it .
when i mentioned the topic it was as if i had dropped a big brick , especially in the official circles ,
she said .
he says the paramilitary commanders involved are powerful - so powerful that no one , not even the police , is able to rise against them .
but baghlan chief prosecutor hafizullah khaliqyar has more hope , and says those found guilty of abuse would be jailed for at least 15 years .
omid ' s mother is in her early 30s , but her hair is white and her face creased . she looks at least 50 . she tells me she only has half a kilo of rice and a few onions for dinner . they ' ve run out of cooking oil .
but poverty tells a less sentimental story , and remains a huge motivating factor in the boy’s lives . it’s often desperation which drives them into the lifestyle .
i am normal , but i like to walk and talk and to perform like a woman . once , a man offered me $ 20 , 000 [ £12 , 250 ] to become his lover and stop dancing , but i said no because i love to dance . i took only $ 1 , 000 . now we are together . yes , he is married . but he still likes me .
i ask him why he doesn ' t go to the police for help .
is this ex - bouncy castle salesman the new jihadi john ? . . .
i was cleared twice but the lawyers are still hounding me , . . .
lance cprl buckley wasn ' t the only person to raise the alarm : unicef compiled its own report in 2008 , and an award - winning documentary followed .
in an adjacent room , 16 - year - old mustafa was preparing to dance next . his owner opened a small bundle of clothes and produced a long , blue skirt , crimson shirt , leather straps and bells . mustafa stood on a table and nervously smoked a cigarette . holding his thin arms over his head , he allowed two bearded , turbaned men , giggling and laughing , to dress him like a doll . one combed his long hair , and invited the other to have the
honour
of wrapping the straps around his hands and feet .
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ahmad jawad , 17 , has been with a wealthy landowner for the past two years .
omid ( not his real name ) is 15 years old . his father died in the fields , when he stepped on a landmine . as the eldest son , it ' s his job to look after his mother - who begs on the streets - and two younger brothers .
omid says he is paid about $ 2 for the night . sometimes he is gang raped .
“it’s a good thing , ” he said . “we have our own culture . in foreign countries , the women dance . we have our own dances which don’t exist anywhere else in the world . ”
they are powerful and rich men . the police can ' t do anything against them .
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' they have sex with their masters and then at the parties they are abused by different people . '
' he started taking heroin to help him cope , but he was still being taken to the parties .
later , when he had finished his performance , mustafa told me his story .
my grandfather kept telling me when i was a child to be careful of men because i was handsome ,
he said .
one day a mechanic in the town attacked me , my family rejected me and i had to go and stay with that man . now i am with someone else and he taught me how to dance .
he spoke matter - of - factly , then started explaining in great detail about where he buys his women ' s clothes . how did he feel about the men dressing him ?
it ' s ok ,
he said .
the foreign secretary quits , telling theresa may
needless self - doubt
is leading to
semi - brexit
.
but last september , three years after lance cprl buckley was shot to death on his base , gregory buckley sr told the new york times : ' my son said that his officers told him to look the other way because it ' s their culture . '
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for the first time , a law which directly deals directly with bacha bazi has begun to be put in place . police are finally starting to make arrests .
bacha bazi is not a new phenomenon in a country famed for keeping its women and men separate . however , it was all but wiped out under the taliban .
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she knows that her son dances at parties but she is more concerned about what they will eat tomorrow . the fact that her son is vulnerable to abuse is far from her mind .
' how can i run away from this place , ' they told the report writers . ' where can i go ? i am not accepted by society or by my family . '
my youngest bacha is 15 and the oldest is 18 . it wasn ' t easy to find them . but if you want it badly - you will find them ,
he says .
' there was one particular boy i remember , called faraidoon , who was about 13 when i first met him , who was taken and used in the parties , ' ali batoor told mailonline .
khaliqyar says there is little that prosecutors could do . “the police and district heads won’t cooperate with us , ” he complains . “they don’t send us their files , so we can’t take action . ”
“i am not really rich , but i am just as good as the wealthy . i want as many bacha bereesh as possible , so that when i go to parties i am no worse than anybody else . ”
it was very clear to me , and someone actually said it to me , these are not things people talk about . so let ' s first deal with the war and then we ' ll deal with these other issues .
when he was 13 , he said , his family disowned him , so he went with his lover to peshawar , fleeing the taliban .
there i learned how to dance . we could do everything there ; i could dress like a woman and dance . here in kabul we can ' t do much : i can only put some red on my lips and dance .
he stroked his face with his delicate hands and pushed back his hair with a shake .
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i was only 14 - years - old when a former uzbek commander forced me to have sex with him ,
says shir mohammad .
later , i quit my family and became his secretary . i have been with him for 10 years , i am now grown up , but he still loves me and i sleep with him .
he is wearing fake breasts and bells around his ankles . someone offers him some us dollars and he grabs them with his teeth .
i spent months trying to find a bacha who was willing to talk about his experience .
we were hungry , i had no choice . sometimes we go to bed on empty stomachs . when i dance at parties i earn about $ 2 or some pilau rice .
i ask him what happens when people take him to hotels . he bows his head and pauses for a long time before answering .
if we find any man practising it we ' ll punish them .
bachabaze is in no way acceptable in islam . actually , it ' s child abuse . it ' s happening because our justice system doesn ' t work .
this country has been lawless for many years and responsible bodies and people can ' t protect children ,
he explains .
every afghan i spoke to knew about bachabaze . many tried to convince me that it exists only in remote areas .
some people like dog fighting , some practice cockfighting . everyone has their hobby , for me , it ' s bachabaze ,
he says .
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' where do you live , so i can get to know your father .
' but they live as though they are in a relationship with their masters , so their masters keep them , house them and buy them food and things .
' nobody admitted to us they were bacha bereesh . they don ' t want to talk about it . if they want to marry , nobody can know . no family wants to give their daughter to these people .
' nobody admitted they were bacha bereesh . they don ' t want to talk about it .
speaking to reuters in 2007 , ahmad , then 17 , revealed : ' i love my lord . i love to dance and act like a woman and play with my owner .
' it is a a psychological trauma , ' said dr sobhrang . ' they think they can continue like a bacha baz .
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