ekhon nedekha nodir xhipare ( assamese : এখন নেদেখা নদীৰ সিপাৰে , english : on the other bank of the unseen river ) is a 2012 assamese language socio-political thriller film , with some dialogue in hindi , starring sanjay suri and bidita bag in the lead roles .

it was directed by bidyut kotoky and produced by national film development corporation of india .

the film was simultaneously made in hindi as as the river flows .

the story was inspired by the kidnapping of activist sanjoy ghosh , who was first abducted in 1997 from the island majuli in assam supposed to be by the united liberation front of asom ( ulfa ) and subsequently killed .

a controversy developed when it got rejected by the jury of the 59th national film awards in the category of best assamese film for being " not assamese " .

ekhon nedekha nodir xhipare

since , i live in dehradun it was impossible for me to watch the film “ekhon nedekha nodir xhipare” in theatre . so , i want to request you kindly publish the vcd / dvd of “ekhon nedekha nodir xhipare” . thank you
washington , dc : actor / producer victor banerjee’s film ekhon nedekha nodir xhipare ( “as the river flows” ) has won the audience choice award at the north carolina international south asian film festival ( ncisaff ) .
for a fair national film awards jury needs your help with “ reject national film awards jury decision on ' ekhon nedekha nodir xhipare ' ” . join for a fair national film awards jury and 552 supporters today .
the petitioners will request the jury to reconsider the film on its merits , and provide a full account of its findings to give ekhon nedekha nodir xhipare the fair chance that it deserves and to restore public trust in the national film awards process .
calcutta , april 9 : ekhon nedekha nodir xhipare , the film that was curiously dropped from the national award selections this year for a “lack of cultural purity” , has found campaigners for its authenticity in assam , the rest of the country and beyond .
to make that request to honourable ms . ambika soni , the union minister of information & broadcasting , government of india . the petition “reject national film awards jury decision on ekhon nedekha nodir xhipare” was signed by more than 500 people and was submitted to the minister on 17th april 2012 .
his first feature film , ekhon nedekha nodir xhipare ( as the river flows ) , won the audience choice award at the north carolina international south asian film festival ( ncisaff ) , the best screenplay and best actor award at washington dc south asian film festival and the best screenplay award at the assam state film awards .
in awarding ekhon nedekha nodir xhipare to its director , bidyut kotoky , ncisaff founder gauri singh called the film “beautifully done . ” the film beat out the festival’s closing night film , hair india , a telugu film entitled enthenthadooram ( “distance dreams” ) , and several other short films to bag the festival’s top popular prize .
calcutta , april 18 : delhi high court today admitted a pil filed by urltoken , a socio - cultural organisation , regarding the classification of ekhon nedekha nadir xhipare as a “non - assamese” film by the national film awards jury this year .
by now a lot of people must be aware of filmmaker bidyut kotoky and his struggle to get his bilingual film - as the river flows ( hindi ) / ekhon nedekha nodir xhipare ( assamese ) released . though an nfdc production , for some reason or the other the film was lying in cold storage for quite some time . towards the…
the jury of the indian national film awards in india this year [ 2012 ] decided to disqualify the assamese film , ekhon nedekha nodir xhipare [ which translates to ‘on the other bank of a river unseen’ ] , as
not assamese
, even though the film had already been certified as assamese by the official censorship authority in india .
the assamese filmmaker ' s first movie - ekhon nedekha nodir xhipare ( as the river flows ) - which dealt with the mysterious disappearance of a social activist who was hell - bent on stopping the menace of erosion in the shrinking river island of majuli in insurgency - hit assam won the awards for best script and best actor at the washington dc south asian film festival in 2013 .
victor banerjee starrer “ekhon nedekha nadir xipaare” , a socio - political assamese thriller set in the river island of majuli , has won the audience choice award in the north carolina film fest .
his film “bhraimoman theatre – where othello sails with titanic” won the special jury award in the 53rd national awards . his first feature film “ekhon nedekha nodir xhipare” ( as the river flows ) won the audience choice award at the north carolina international south asian film festival ( ncisaff ) , the best screenplay & best actor award at washington dc south asian film festival and the best screenplay award at the assam state film awards .
over the film not being considered for the awards and thus it was back to square one for bidyut . but patience does pay in a lot of cases and that’s what happened with the assamese version of the film , ekhon nedekha nodir xhipare finally getting released in assam on 14 september . prior to this the film also got screened at osian , new delhi and at a special occasion in mumbai to mark the birth anniversary of the late
his film
bhraimoman theatre - where othello sails with titanic
won the special jury award in the 53rd national awards . his first feature film
ekhon nedekha nodir xhipare
( as the river flows ) won the audience choice award at the north carolina international south asian film festival ( ncisaff ) , the best screenplay & best actor award at washington dc south asian film festival and the best screenplay award at the assam state film awards .
winner of many accolades bidyut’s film bhraimoman theatre - where othello sails with titanic won the special jury award in the 53rd national awards . his first feature film ekhon nedekha nodir xhipare ( as the river flows ) also won the audience choice award at the north carolina international south asian film festival ( ncisaff ) . his latest documentary , guns & guitars – a musical travelogue was a part of indian panorama in iffi , goa ( 2016 ) .
ekhon nedekha nodir xhipare has also been the subject of controversy , however . the very same national film awards rejected the movie as assam’s submission for the best assamese film of 2012 , because it contained a “lack of cultural purity . ” a court case was filed against the national film development corporation for dismissing the film , but it was revealed that the reason was really because most of the film was shot in mumbai and contains largely hindi dialogues .
happy to announce that ' ekhon nedekha nadir xipare ' ( as the river flows ) will be screened at pune as a part of ' fragrance from the northeast ' festival . friends from pune , do help us to spread the word
this is not the first time ekhon nedekha nodir xhipare has been recognized for its artistic excellence . earlier this month , kotoky won best screenplay at the assam state film awards for his work on this movie , and the film won best screenplay and best actor at washington dc south asian film festival last may . it was produced by the national film development corporation of india , which generally chooses to fund socially important films and which gives out the annual national film awards , arguably the most prestigious awards for film in all of india .
calcutta , march 17 : an assamese locale , director , language , national film development corporation and censor board certificates and a title poem recited by bhupen hazarika are not enough to make a film assamese . this conclusion was arrived at by the jury of the 59th national awards who had disqualified ekhon nedekha nadir xhipare as the states representative for the top honours this year , evoking strong reactions and more .
after the rejection of kotokys bilingual directorial debut on a story born of the shores of brahmaputra , the director , kotoky , said , i am not questioning the decision of the national award jury by any stretch of the imagination . however , what i am reacting to is the public statement of one of the jury members that ekhon nedekha nadir xhipare was not considered for the award as the jury members thought it was not an assamese film !
but i do believe , at the end of the film you will agree with me – this is a film straight from the heart . and regardless of what a ‘few individuals’ has to say , ekhon nedekha nadir xipare is an assamese film . willbe shattered if there is any question mark still left on these aspects…
debojit borkakati , counsel for the petitioners , said , “the film was rejected on arbitrary grounds . the jury reportedly rejected it on the grounds that it had actors from mumbai and on grounds of language . the directorate of film festivals has certain guidelines before a film is admitted before the jury . one of them is that the central board of film certification must approve the film . ekhon nedekha nadir xhipare already had the censor board’s approval . so there were no grounds for the jury to have disqualified it . ”
another young filmmaker , bidyut kotoky , also made a promising debut recently with his national film development corporation ( nfdc ) - released “ekhon nedekha nodir xhipare” ( as the river flows ) finally getting theatrical release to encouraging response from the people after nearly two years in gestation . the hindi version of the film , which sensitively tackles the issue of how the common man of assam has suffered because of the over three decades of insurgency and social unrest , is also expected to be ready soon . the film ran for four weeks in guwahati and local film industry insiders said it had the potential to do much better financially all across the state if a proper pre - release publicity campaign had been carried out .
actor sanjay suri , is also totally foxed by the controversy . we spent 28 days there in majuli . i am surprised at the jurys refusal to term the film assamese . as to the claim that there are hindi actors in the movie , we are free to act in any language . almost 85 per cent of ekhon nedekha nadir xhipare is in assamese . it is definitely an assamese movie . i am glad i acted in the film , as it took me to a beautiful place like majuli ,  he said .
mission china assamese movie wiki , cast , crew , release date , trailer info details posted here . directed by and starring zubeen garg in lead role this flick stars deeplina deka , siddhartha nipon goswami , yankee parashar , pabitra rabha , sattyakee dcom bhuyan , tridib lahon , nabadweep borgohain , parthasarathi mahanta in important roles . this film is of genre action and it ' s release date is 8th september 2017 . the director of this film zubeen garg is a well known actor , music composer and singer in the assamese film industry . he has also sung songs for almost all regional languages in india . he was part of cast ( includes special appearances also ) of movies namely chakra , gaane ki aane , ahetuk , rodor sithi , suma porokhote , raamdhenu , ekhon nedekha nodir xhipare - as the river flows , mon jai , big brother , strings - bound by faith , gangster , dinabandhoo , tumi mur matho mur . some of the films he has composed are namely gangs of north east , dil toh deewana hai , gaane ki aane , rodor sithi , ekhon nedekha nodir xhipare - as the river flows , mon niye , kache acho tumi , mon jai , strings - bound by faith , aami asomiya , adhinayak , shudhu tumi , dinabandhoo , rong , barud , maya , juman - suman , bidhata , priya milon , agnishakshi , prem aru prem , jibon nodir duti par , kanyadaan , nayak , daag , tumi mur matho mur , hiya diya niya . the actress of this film deeplina deka has sung for and part of the video single uri uri jai , di gola lahekoi , nuwari nuwari . nabadeep borgohain had earlier acted in a film titled mon jaai directed by moirangthem maniram . debasmita benarjee has earlier acted in the film borolar ghor directed by mani c kappan co - starring utpal das .
finally , after what seemed like an endless wait , ‘ekhon nedekha nadir xipare’ – the assamese version of ‘as the river flows’ – was released in assam in sept last . and i got a firsthand experience of what it was like to experience the unfolding of your labor of love , in a big screen , inside a dark hall , with people who have voluntarily paid money to experience it…
, jetuka pator dore , janmoni , pole pole ure mon , ramdhenu . amongs these movies , munin barua’s ramdhenu had done a good business and gained popularity for its unique marketing policy . in 2012 , the released films were - borolar ghar , me and my sister , bandhon , rowd , ekhon nedekha nadir xipare , richang , tula aru teza , samiran baruah ahi ase , bakor putek ,
ekhon nedekha nodir xhipare ( ennx from here on ) is probably the first assamese film i have seen on the big screen . but like many other cinephiles even for me doordarshan with its sunday afternoon regional cinema slot gave me an exposure to films made across the country , wherein i really ended up watching many gems . i remember seeing a few assamese films as well of which the one i vividly remember the most must be chameli memsaab . so i was more than excited to get to watch the film along with part of the cast and crew as well . ennx is a film shot mainly in majuli , assam with a few scenes shot in mumbai as well . the film for those unaware does take inspiration from real life , in fact the case of the well known rural activist sanjay ghose’s disappearance from the island majuli in assam in 1997 is supposed to be an act of murder by ulfa .
accolades have followed each time director bidyutkotoky has come out with a film . his film ‘bhraimoman theatre – where othello sails with titanic’ won the special jury award in the 53rd national awards ( india ) . his first feature film ‘ ekhon nedekha nodir xhipare’ ( as the river flows ) won the audience choice award at the north carolina international south asian film festival ( ncisaff ) , the best screenplay & best actor award at washington dc south asian film festival and the best screenplay award at the assam state film awards . his latest documentary , ‘guns & guitars – a musical travelogue’ was a part of indian panorama in iffi , goa ( 2016 ) . additionally , the film was selected as one of the top 100 documentaries of 2016 by color tape international film festival – considered the largest festival of the southern hemisphere . the latest recognition for the film came in the form of an award in the ‘best music category’ at the prestigious finisterra arrabida film art & tourism festival in portugal .
the jury of the national film awards in india this year decided to disqualify a beautiful film , ekhon nedekha nodir xhipare ( which translates to ‘on the other bank of a river unseen’ ) , as
not assamese
, even though the film had already been certified as assamese by the official censorship authority in india . the jury , without authority , decided to make this unfair and arbitrary assessment about the language of the film and removed it from consideration for the awards . this decision is an outrage to all people who value fairness and believe in the sanctity of the process for the prestigious national film awards . it is not for the jury to question the language of the film , that has already been established by competent authority , but it is their solemn duty to fairly judge the merits of the film for awards . the jury failed to perform this duty they were entrusted with . the poor reasoning to arrive at this decision is also a slap on the face of assamese people and the assamese language , in its role as one of the official regional languages of india .
rainbow fields is produced by india stories , a mumbai - based production house , and co - produced by kotoky’s dhruv creative productions and kurmasana kreates , a us - based production house . accolades have followed each time director kotoky has come out with a film . his film ‘bhraimoman theatre – where othello sails with titanic’ won the special jury award in the 53rd national awards . propelled by a terrific instinct for storytelling , his first feature film ‘ekhon nedekha nodir xhipare’ ( as the river flows ) won the audience choice award at the north carolina international south asian film festival ( ncisaff ) , the best screenplay and best actor award at washington dc south asian film festival and the best screenplay award at the assam state film awards . his latest documentary , ‘guns & guitars’ – a musical travelogue , was a part of the indian panorama in iffi , goa ( 2016 ) . additionally , the film was selected as one of the top 100 documentaries of 2016 by color tape international film festival , considered the largest festival of the southern hemisphere . it recently won an award in the ‘best music category’ at the prestigious finisterra arrabida film art and tourism festival in portugal .
after my first movie ekhon nedekha nodir xipare ( 2012 ) was released in assamese , i wanted to move on to a new project . the all india release of the hindi version of the film , as the river flows was very much in the agenda – but the time had arrived to move on to other films which are waiting to be made , other stories which are waiting to be told… that’s how i got involved with the feature length documentary guns and guitars – a musical travelogue . suddenly , i found the project occupying my life’s centrestage . for the last year and a half , i have been involved with this feature length documentary film . a journey that we undertook through the land of ‘seven sisters and one brother’ – india’s northeast . the region , which is often in national news only for the wrong reasons –a bomb blast , an ambush , an economic blockade , a drug haul .
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ekhon nedekha nodir xhipare as the river flows releasing on september 14 2012 in assam india | 2009 | social - political thriller | assamese synopsis a social activist , sridhar ranjan , is missing in action in majuli - - the largest inhabited river island in the world . 7 years later sridhar is about to be officially declared dead when his friend abjijit , a journalist , comes in search of him . abhijit is an outsider trapped in hostile , terrorist infested conditions with distant islanders . his only hope is beautiful local guide sudakshina . but like the unpredictable river brahmaputra , her existence has unseen undercurrents . will abhijit be able to solve the mystery ? is he walking down the same path as his friend sridhar ranjan ? does a similar fate await him as the river flows ? cast & crew director bidyut kotoky cinematography madhu ambat producer nfdc cast sanjay suri , victor banerjee , raj zutsi director ' s statement bidyut kotoky when we talk of terrorism in any part of the world we know that terrorists ' point of view because they survive on propagandas . the people opposing them has to counter those propagandas , so we know their point of view as well . in this cross fire of propagandas some were the voice of common man is lost . my film is a humble attempt to give voice to that silent majority . . .
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as any first time film maker will vouch , the process of churning out your first film is much , much more difficult than one imagined . ̳as the river flows‘ is no different…after countless rejection by producers who had found the subject matter interesting but too volatile to commit themselves , national film development corporation ( nfdc ) had stepped in . first they wanted to come as co - producer , with kerala film development corporation ( kfdc ) . however , at the last moment i realized that kfdc‘s participation comes with a rider . as they will participate by providing mostly contribution in kind rather than cash , the film required to be shot in kerala rather than assam… well , i was desperate to make my first film , but not that desperate… . finally , after yet another wait , nfdc decided to come in as sole producer and it was decided that the film will be made on two languages – ‘as the river flows‘ in hindi and ‘ekhon nedekha nadir xhipare‘ in assamese . looking back , it appears that the wait was worth it…
the day has finally arrived . ‘ekhon nedekha nadir xipare’ ( as the river flows , in hindi ) is going to have the first public screening on 29 th of july , 2012 . am i nervous ? can’t say really… after all , my parents and friends were always more worried than me about my appearing in exams – right from school to college to university days . and on the day of my marriage , my sister was extremely worried… and had asked my close friend bhargab to ensure that video camera is well taken care off . reason for her worry ? in the middle of my marriage ceremony , i might just get pre - occupied with the angle of the video camera…
it is dr . bhupen hazarika ' s birthday today . born on september 8 , 1926 bhupen da passed away last year in november . a singer , poet , lyricist , musician & filmmaker bhupen da has left behind a treasure trove of songs , poems & films in assamese . one of bidyut kotoky ' s poem ' s is a opening line in the trailer here . experience the heavenly vocals of the genius in as the river flows in this trailer here . ekhon nedekha nodir xhipare as the river flows releasing on september 14 2012 in assam india | 2009 | social - political thriller | assamese synopsis a social activist , sridhar ranjan , is missing in action in majuli - - the largest inhabited river island in the world . 7 years later sridhar is about to be officially declared dead when his friend abjijit , a journalist , comes in search of him . abhijit is an outsider trapped in hostile , terrorist infested conditions with distant islanders . his only hope is beautiful local guide sudakshina . but like the unpredictable river brahmaputra , her existence has unseen undercurrents . will abhijit be able to solve the mystery ? is he walking down the same path as his friend sridhar ranjan ? does a similar fate await him as the river flows ? cast & crew director bidyut kotoky cinematography madhu ambat producer nfdc cast sanjay suri , victor banerjee , raj zutsi director ' s statement bidyut kotoky when we talk of terrorism in any part of the world we know that terrorists ' point of view because they survive on propagandas . the people opposing them has to counter those propagandas , so we know their point of view as well . in this cross fire of propagandas some were the voice of common man is lost . my film is a humble attempt to give voice to that silent majority . . .
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majuli occupies a special place in my heart and that is not just because of the beauty of the river island or the warmth of the people i met there . in 2009 when i returned to majuli for the shoot of my assamese / hindi bi - lingual feature film ‘ekhon nedekha nadir xipare’ / as the river flows , nothing much had changed there… as if the island is frozen in time . during the shoot , we had hired a caterer from mumbai to take care of the food of the unit , with special emphasis on meeting the tastes of the actors from mumbai . however , i was happy to order food from the resort that we were staying at – some simple village food consisting of brown rice , vegetable grown in the resort owner’s backyard ( he and most villagers refuse to buy vegetables from the market as they could be spayed with chemicals and prefer to grow their own food ) . of course , every plate would also come accompanied with a preparation of the indispensable – fresh fish caught in the river . once my film’s lead actor sanjay suri saw my plate , he refused to touch anything prepared by the ‘mumbai caterer’ , for the rest of the schedule…
song : sinduri aabhare suruje by zuben garg - as the river flows ( assamese ) nfdc presents as the river flows ( assamese ) - song : sinduri aabhare suruje by zuben garg facebook : urltoken twitter : urltoken pinterest : urltoken a socio - political thriller , a bi - lingual feature film in hindi ( as the river flows ) and assamese ( ekhon nedekha nadir xipare ) a social activist , sridhar ranjan , is missing in action in majuli - the largest inhabited river island in the world . 7 years later sridhar is about to be officially declared dead when his friend abhijit , a journalist , comes in search of him . abhijit is an outsider trapped in hostile , terrorist infested conditions with distant islanders . his only hope is the beautiful local guide sudakshina . but like the unpredictable river brahmaputra , her existence has unseen undercurrents . will abhijit be able to solve the mystery ? is we walking down the same path as his friend sridhar ranjan ? does a similar fate await him as the river flows ? directed by bidyut kotoky written by bidyut kotoky screenplay by bidyut kotoky produced by national film development corporation ( nfdc ) cast : sanjay suri , victor banerjee , raz zutshi , nakul vaid , naved aslam , preeti jhangiani and bidita bag .
in my first feature film ‘ekhon nedekha nadir xipare’ ( as the river flows ) , we had a storm sequence set at night presumably in the bosom of the mighty brahmaputra . the production logistic forces us to shoot that sequence in mumbai’s film city with artificial rain… not exactly my favorite option , but didn’t have much choice considering the small trailer of what an actual storm in brahmaputra could be like that we experienced during our shoot in assam . it so happened that we were shooting a boat sequence in brahmaputra – the actors were on one boat and we along with the camera crew on another ‘combined boat’ , viz . two boats joined by bamboo and wooden planks so that we can have a sort of platform for the camera . and it was night sequence , shoot of which went on till the wee hours of the morning , when the mighty river decided that we disturbed his sleep enough… the clouds must be gathering in the sky for a while , it is difficult to know exactly for how long at the dead of night with lightening being the only indicator along with the steady wind… well , wind one tends to ignore – it is difficult not to expect wind when you are in the bosom of brahmaputra at the dead of night with the monsoon session is about to unleash… and then the thunderstorm struck , giving us almost no prior warning ! before we knew it , our ‘conjoined boat’ is tossed around like a small paper boats by the menacing storm - but thankfully , rather than pushing us towards the swirling river , it pushed us to his bank… and in an instant , the impact of the crash broke the wooden planks joining the boats cracked into two ! we thanked our lucky stars that the wooden planks were the only thing crashed that night while rushing to our vehicle to take shelter from the blanket of rain which came rushing down…
the 11 - member jury , led by rohini hattangadi , rejected this film , which is directed by an assamese and shot in assam and in assamese , as a non - assamese one .
the film , directed by bidyut kotoky , stars victor banerjee , sanjay suri , raj zutshi , priti jhangiani and bidita bag , among others , and portrays the journey of a young journalist who arrives at majuli in search of a lost friend . the brahmaputra , however , flows proudly through the film as the principal protagonist .
veteran actor victor banerjee was indignant at the alleged high - handedness and constipated vision of the national jury .
i am flummoxed by the sheer absurdity of a national jury watching an assamese film directed by an assamese , shot in assam and then proclaiming it not assamese .
the actor speaks of the incident as typical of the ignorance of the nation about the northeast . it is the ridiculous circumstances like the one bidyut kotoky is confronting today that helps me understand why the northeast is up in arms , wanting , for decades , to sever ties with the rest of india ,  he said .
he terms it typical of delhis apathetic attitude towards the northeast . assam , meghalaya , mizoram , arunachal , and even sikkim and darjeeling are just curiosity pieces of primitive tribal peoples who provide a circle of amusement to people in delhi , who are bogged down by casteism , fodder and tele - scams and the perpetuation of corruption at all levels of sports , politics and now , culture . i am ashamed at the high - handedness of a jury that has no business calling itself national . as the river flows is an important assamese film with a message for all to ponder upon .
the film deals with insurgency and loss in assam . among the reasons for its dismissal were the facts that a part of the film was shot in mumbai and that it had hindi film actors .
he speaks of the apparent contradictions . the film is being produced by the national film development corporation and the censor board has also deemed it an assamese film . and now the jury says it is not an assamese film !  he raises a vital question , is it the job of the jury to judge the language of a film ? or are they supposed to judge the quality of the film ?
amused by the contradictions , he said , moreover , by the logic that the jury members have put forward , zindagi na milegi dobara would be a spanish film and slumdog millionaire a hindi film !  he said .
filmmaker jahnu barua of maine gandhi ko nahin maara fame confesses to be astonished at the jurys decision to dismiss the film , which he describes as out and out assamese . i have watched the film myself . there are a few hindi dialogues in the movie but 70 per cent of the movie is in assamese . what is surprising is that it is not for the jury to judge the language of a film ,  he said .
moreover , as the river flows is yet to be released by the nfdc and is still to see the light of day .
… on the afternoon of 15th of june , friday , i was a little worried . the notice board outside says , if at least 20 people doesn’t turned up , the show will be cancelled . and a 1 : 30 pm show in a hot & humid afternoon , on a working day , is not the most ideal time for our assamese film # xhoixobotedhemalite / rainbowfields to start its journey in kolkata’s # nandan
. to make the matter more complicated , our pr guy for kolkata ditched us big time – there is almost no coverage of the release in kolkata till then… what more , i had couriered the posters of our film from mumbai one day before my departure , thinking it will be up in the complex at least a day before the show . big mistake… the posters are lost in transition , with the different city brunches of the courier company trying to solve the mystery . . in short , mr murphy had proclaimed his undying love for me all over again… i called up sanjeev baishya , who was helping me to spread the message among kolkata’s assamese community purely out of goodwill , inquiring whether at least 20 assamese people from kolkata will show up – nobody wants the first day first show of the film to be cancelled… he doesn’t sound too optimistic – although he & anuj gogoi has done their best , after all it a
working day afternoon…as if by magic , by 1 pm the hall started filling up . . so much so that it become a full house by 1 : 30 pm ! and anuj told me that not more than 15 % of the audience are assamese people ! ! i was stunned , to put it mildly . . the officials of nandan had given me a knowing smile – ‘told you , nandan doesn’t need extra publicity for its film – we bengali know how to appreciate arts . now just relax – words of mouth will take over & the film will speak for itself ‘ . . i was still in a state of shock – although it seemed like the most natural & logical explanation , it can’t be true – not in today’s materialistic , promotion - centric world ! but when the experience repeated in the next two days , i had no option but to surrender to the inevitability of this truth ! one bengali gentleman confided that he stopped reading the english subtitle after the first 5 minutes – he didn’t need it to follow the film . . another gentleman told me on sunday that he is a repeat audience – he had already experienced the film once on saturday… actually , in the sunday’s houseful show i had experienced something which i will carry with me for a long while – as there is no online booking service at # nandan2 , people started to line up for ticket from around 12 pm . . and by 1 : 15 or so , the hall was already jammed pack – but the inflow of the people continued . the seats reserved for the guests have disappeared… and parents started shifting the younger children to their laps to vacate more seats… still we are short of space ! finally few audiences from far east sat down on the steps of the hall to enjoy the film ! not sure how people kept on coming in long after houseful board is put up . . not sure whether the bengali security guard of nandan – whose home & heart lies in assam & is immensely proud to see an assamese film running commercially in nandan - had anything to do with it … not that i’m complaining
as a filmmaker , always believed – strongly – that human emotions have an universal language . but at times , some experiences had made me question my belief … thank you # kolkata for reaffirming my fait
p / s – got a call from nandan on the 23rd of june . . the projectionist told me , after the day’s screening , there was spontaneous clapping by the audience . . in a special screening it happens at times , but to get it in a regular commercial screening . . i feel it is something special . . feeling humbled . .
i still remember my first ( aborted ) attempt to visit sikkim – also known as the lone bother of the northeastern states of seven sisters – way back in 1996 . we , a bunch of friends from across india , boarded a train from guwahati on a cold night in the end of december with a plan of spending the new year in sikkim . but , ironically we had to return halfway as the railway connectivity to the njp station – in the foothill of sikkim – was cut off due to a blast by the insurgent…
ironical , because sikkim was – and continues to be – one of the most peaceful state of india . and it stands out even more especially while looking in context of the seven other beautiful but volatile sister states . during the shoot of guns & guitars , we couldn’t stop wondering what could be the reason for this beautiful paradox . when we put this question to the elderly owner of ‘netuk homestay’ mr . prema namgyal , he had an interesting take on the subject . according to him , budhist in sikkim believed that their land is blessed by guru padmasambabha . and as a result , the inhabitants are able to keep their desire under control . “if you are able to keep your desires controlled , automatically your ambitions are not so big that it cannot fulfill . and once your ambitions are fulfilled , you are a satisfied person” .
there is another aspect where sikkim stands apart from his northeastern sisters – it is one state of the beautiful region which has exploited its tourism potential to the maximum . regardless of whether you are tourist or a traveler ( yes , i do differentiate between the two , strongly - after all , “the traveler sees what he sees , the tourist sees what he has come to see” ) it is impossible not to fall in love with the picture perfect tsomgo lake . situated 38 km from gangtok , the lake derives its water from the melting snows of the mountains surrounding the lake . once there , the tourists generally flock to climb onto the beautifully decorated yak’s back for a photo opportunity , whereas the travelers are more likely to soak in the overall majestic beauty of the surroundings…
moving ahead in the same route , we reach indo –china border at nathula pass . located at an altitude of 14 , 140 feet , nathula pass was the place through which the famous silk route used to operate until 1962 . this used to be a trade route between india and tibet . after some 44 years of closure , the old silk route again reopened in july 2006 allowing limited trade between india and tibet . there is no ‘no man’s land’ here . in the border , we came across a young lieutenant from indian army and talked about his hometown pune – which was almost like my second home too , having spend major portion of my college life there… however what took the cake ( or in this case , momo ) for my tired and hungry shooting crew was undoubtedly the hot cuppa and the steaming hot …yes , momos – in the café appropriately named ‘café 14000 feet’ . well , it was served stemming hot , but is totally cold even before we could take a bite - thanks to the freezing temperature and persistent snow fall outside !
that evening in gantok was at ‘café alive’ where we met neha – the girl with the gorgeous voice – while she is performing in a café . chatting over another cup of coffee ( which thankfully didn’t get cold that fast in the pleasant weather of gangtok ) we had the obvious question for her – whether she faces the usual middle class bias . viz . , why you are returning home late after performances , what the society would say etc . etc . she admitted that yes that indeed is the case . thankfully , she added , she has a supportive dad who encourages her all the time . and he also attends her performances regularly – she adds . well , once you have heard or seen her perform , it is but natural that you will become her fan – father included .
neha , however , is one amongst the equal . as we were travelling across the northeast , the overwhelming feeling was , ‘ so many beautiful voices and so many unheard songs in every nook and corner… pity , all the outside world gets to hear about us is the sounds of gun shots and news of death…’
[ life is what happens to us when we are busy planning other things – said john lennon . and that precisely what happened to us when the series on guns & guitars journey got derailed – or rather took a long halt on the way… but better late than never . we restart the journey here with a visit to the state of assam… ]
‘guwahati has changed a lot , hasn’t it ? ’ – enquired my friend ashim as we were driving by the mighty brahmaputra for the shoot of guns & guitars . being a friend from my college days , he knows that it is more than quarter of a century since i moved out of guwahati . ‘but this river has not changed’ – i had replied spontaneously , without really thinking much . but as i looked back , i realized that perhaps the mighty river is one of the few constant factors of the guwahati i had left behind…
‘the people…these are a different lot of people’ – adil da ( actor adil hussain ) was telling me , as he was trying to analyze the materialistic mindset that seems to be grabbing the general people of assam . like me , he also left assam way back in 1990…and some of the things he was mentioning seem to echo exactly things in my mind . perhaps these things appear to be even starker to us as we have the benefit of being an outsider who is also an insider to this beautiful land . time and again , we come back to our homeland expecting it to be exactly as it was in our memories – happily forgetting that only constant thing in life is the change… yet , we complain about the same change – perhaps justifying with genuine reasons at times… especially when we see the wave of covetousness grabbing the idyllic homeland that we had left behind…
that’s why we all are such great fan of nostalgia ! nostalgia stays evergreen – it has no danger of changing into something that could surprise us by catching us off guard . in other words , we never have to face nostalgia in a parallel timeline – unlike most other things of our homeland… no wonder , a visit to my college was in the card during the shoot of guns & guitars . we shoot a conversation with assam’s musical superstar zubeen garg there . yes , zubeen is also an alumni of guwahati’s b borooah college like me… and we spend some intense moments there talking about the time that went by… times which were not exactly ‘nice’ – in fact , scary , dark & dangerous , to be precise… where common people like us had become pawn in a game of death & destruction… where the importance of an organization was measured by the no of people it manage to kill… did i just say ‘was’ ? more the things changed , more they remains the same… in today’s era of inflation , the only commodity whose price has actually gone down happens to be the human life…


adhurs ( english : tremor ) is a 2010 telugu action drama film directed by v.v. vinayak .

the film stars ntr jr. in a dual-role , and nayantara and sheela as female leads .

music is scored by devi sri prasad .

the film was a " hit " at the box-office and was the third successful hit with v. v. vinayak and jr . ntr combo.this is ntr 's second double acting this movie dubbed in hindi as judwaa no. 1 .

adhurs was released in 1300 screens all over the world , it ran for 50 days in 128 centres .

adhurs

adhurs back to back comedy scenes p2 - jr . ntr , nayanthara , sheela
adhurs back to back comedy scenes p1 - jr . ntr , nayanthara , sheela
adhurs back to back comedy scenes p1 - jr . ntr , nayanthara , sheela - youtube
adhurs main plot worst comedy good . bv routine bomma . rendu avg movies . but fans ki adhurs ye . dances fights vuntay ga . but both movies tho family audience ni imperss chesaadu
yama gola - yamudiki mogudu days nundi ssr - indra . . . adhurs - naayak family family
pilla naa valla kadu . . .
and
adhurs title song . .
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adhurs for me . . . . bcoz tarak excelled in diff role . . . chari . . . . .
shiva shambo full song | | adhurs full song | | jr . n . t . r , nayantara , sheela
shiva shambo full song | | adhurs full song | | jr . n . t . r , nayantara , sheela - youtube
mix - shiva shambo full song | | adhurs full song | | jr . n . t . r , nayantara , sheela
movie name : adhurs – ( 2009 ) cast & crew : jr . ntr , nayantara , sheela music : devi sri prasad category : telugu movies
adhurs , released on january 13 , has seen calm reception in the region . however , it is now facing unexpected trouble after nearly a month .
karimnagar : telugu movie “adhurs” starring jr . ntr , was not screened in any of the cinema halls in karimnagar district on wednesday following the call given by telangana rashtra samiti ( trs ) activists .
adhurs release date gurinchi chaala threads padi . . . . . . following kashtam avutundi . . . . . . . andukani . . . . . . andaru . . vaallkunna info ee thread lo post cheyyandi
talking to the hindu , trs district president a . s . posetty , said the party activists and leaders stayed away from the agitation to prevent the screening of the ‘adhurs’ in line with the telangana jac call .
director v . v . vinayak is contemplating the idea of teaming up with junior ntr again for the sequel to highly successful telugu action - drama adhurs .
ntr has always been asking me to work on the sequel .
adhurs is the most awaited movie of the season and it is the movie which has more expectations that it will rock the box office . . we will see how it went and how it will go forward . . .
adhurs is a telugu movie , directed by v . v . vinayak , starring jr . ntr , nayantara , sheela , brahmanandam along with others . adhurs story goes like this : adurs is action comedy based movie in which , ntr is playing dual roles , he is donning a brahmin’s role , while the other character will be a mass character . sheela is pairing up with ntr as a girl from an upper caste family , ramaprabha is playing the grandmother of ntr . sayaji shinde is playing dgp , here , on the movie page , you will find every thing that you need to know . get the up - to - date news updates of adhurs , as it happens . watch the latest songs videos in full hd right here on gomolo . we recommend you to start with adhurs trailer to get a hang of the movie . check out what others are saying about the movie on twitter .
following the unsavoury comments made by kodali nani last night , adhurs ' shows have been stalled in 7 districts of telangana . in mahaboob nagar ' s nagar kurnool and adilabad ' s nirmal , the reels have reportedly been burnt down by agitators .
while magadheera was reported to have been sold out for rs 1 . 5 crore in krishna district and rs 2 . 1 crore in guntur , adhurs went for rs 1 . 8 crore in krishna and rs 2 . 3 crore in guntur districts .
mahabubnagar correspondent writes : adhurs , which created tension in the past few days , was released in mahabubnagar town amidst tight security on wednesday . the cinema was screened at natraj and narthaki theatres , which belong to local congress mla n . rajeshwar reddy .
subsequently , adhurs movie was replaced with another telugu movie in the next show in the theatre . earlier , the pro - telangana activists including the members of the telangana students joint action committee ( tsjac ) staged a demonstration in front of the theatre .
jr . ntr’s latest film ‘adhurs’ reinforces the fact that his aura and larger than life image is still intact . his last film ‘kantri’ was released almost 2 years ago and quite a few things have happened in these two years including a freak accident which almost threatened jr . ntr’s career . however , jr . ntr makes a strong comeback and how ! directed by v . v . vinayak , ‘adhurs’ is the third film with vinayak and jr . ntr combination after ‘aadhi’ and ‘samba’ . nayanatara and sheela played the lead roles opposite jr . ntr in this film . vallabhaneni vamsimohan produced the film on ‘vaishnavi arts’ banner . ‘adhurs’ is the story of narsimha and narasimha chari , twins who are separated minutes after their birth and how their destinies intertwine after they grow up .
film unit of ‘adhurs’ , starring jr . ntr , was having trouble in releasing the cinema following threats from telangana supporters . police made elaborate arrangements and movie - goers were allowed inside after a through search . it was reported that all the shows were house full .
watch the theatrical trailer of the latest telugu movie adhurs starring junior ntr , nayantara , sheela , mahesh manjrekar , sayaji shinde , brahmanandam , tanikella bharani , raghu babu & ashish vidyarthi . click urltoken to watch the best of telugu songs , scenes , trailers , tv shows etc .
bottom line : ‘adhurs’ totally belongs to jr . ntr . his screen presence , voice modulation and dances are a treat to watch on big screen . the intense gaze coupled with some quirky punch dialogues in the early parts of the film give a distinct tone to ‘narasimha’s’ role . on the other hand , jr . ntr’s chirpy , talkative , slapstick and innocent characterization as ‘narasimha chari’ will definitely bring a smile on to your face . ‘adhurs’ does have its share of loopholes and parts where it could have been much better . however , the film is a light hearted entertainer with brilliant dialogues and intelligently written scenes . the film has several laugh - out loud moments and doesn’t slip into the serious mode for too long . it’s a trademark v v vinayak’s film , something which he started in ‘dil’ , took it to a whole new level in ‘krishna’ and now uses the same formula of cooking a commercial potboiler with a pinch of action , sentiment in a cauldron of comedy . if you believe cinema is meant to be ‘entertaining’ then ‘adhurs’ is one hell of a good watch . a big thumbs up for ‘adhurs’ , go watch it !
nizamabad staff reporter : “adhurs” was screened at the natraj theatre here amid tight police security , while in kamareddy town the management of priya theatre voluntarily cancelled the screening in the backdrop of ‘boycott call’ given by telangana jana jagruthi headed by kavitha , daughter of trs chief k . chandrasekhar rao .
watch & enjoy shiva shambo full song | | adhurs full song | | jr . n . t . r , nayantara , sheela subscribe to our youtube channel - urltoken like us on fb : urltoken follow us on : urltoken to watch telugu free movies log on to urltoken devotional videos - urltoken kids videos - urltoken song name : shiva shambo movie : adhurs producer : vallabhaneni vamshi mohan director : v . v . vinayak music director : devi sri prasad cast : jr . n . t . r , nayantara , sheela . lyrics : chandra bose . singer : devi sri prasad .
the audio of ' adhurs ' is one of the good ones to watch out for among the current crop of musical releases in the market . scored by devi sri prasad , the audio has in total five songs . if there are hindi film singers like baba sehgal and hariharan , there is a song by ntr junior himself . though , all in all , the album sounds routine , it will definitely be liked by devi ' s fans .
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nalgonda staff reporter : “adhurs” was screened amid tight security arrangements in the district on wednesday in the wake of the call given by some pro - telangana organisations to stall the screening of the movie . however , the new movie could not be screened in nakrekal . the theatre management stopped the screening of the new film after the inaugural show in nalgonda . the arrangements were supervised by district superintendent of police rajesh kumar . the police frisked the viewers before the commencement of the show in the morning as a precautionary measure . deputy superintendent of police sailu and others were present .
watch tollywood ' s comedy king brahmanandam ' s son gautham ' s marriage / wedding . guinness world record holder brahmanandam ' s ( naayak , autonagar surya , rebel , jaffa , vennela 1 1 / 2 , seethamma vakitlo sirimalle chettu , sudigadu , gabbar singh , damarukam , dookudu , khaleja , namo venkatesa , kick , adhurs , king , chintakayala ravi , ready , dhee , vikramarkudu , pokiri , venky , ahana pellanta , money etc ) son gautham ' s wedding with jyothsna reddy , daughter of cinematographer srinivasa reddy , held at n convention , madhapur , hyderabad .
devi and baba sehgal repeat their jalsa magic in the super catchy and punchy assalam valekum . hariharan rocks the otherwise standard and soaring power - melody , chandrakala , but chari , with its comic silliness is all sound and forced catchiness . neethone is significantly better , despite a very familiar feel . pilla naa has a fantastic rhythm helping it big time , even as it strains under the sound . shiva shambo is noisy and its remix , even more so . devi sri prasad does exactly what he’s known for with nothing really new – but within that narrow space , manages to create some listener - friendly tunes in adhurs’ soundtrack .
watch adhurs back to back comedy scenes . starring jr . ntr , nayanthara , sheela , nassar , brahmanandam , mahesh manjrekar . this movie is written by kona venkat , directed by v . v . vinayak and produced by vallabhaneni vamshi , mohan . music of the film composed by devi sri prasad . story : the story is about two twin brothers who get separated at birth . narasimha ( ntr ) gets raised by a single mother and he becomes an undercover agent to a top cop . chari ( ntr ) is brought up by a family of traditional hindu priests . a gang of baddies ( asish vidyardhi and mahesh manjrekar ) are in search of the family of a top scientist . the rest of the story is about the relationship between the scientist and the twins and the comedy generated by switching between the characters .
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adhurs full length movie description : narsimha ( ntr ) is the son of major chandra kanth . he works hard to continue his studies as his father dies in an accident . his ambition is to become a police officer . on assurance of inspector naik ( shayaji shinde ) to get him the job , he actively involves in recovering the ransom money from the kidnappers in the city . nandu ( sheela ) , naik ' s daughter , falls in love with him . gangsters rasool and pandu intend to end narsimha ' s life as they are not able to draw ransom money anymore . on the other hand chary is the disciple of the pujari bhattacharya ( brahmanandam ) who falls in love with chandu ( nayanatara ) . bhattacharya seeks chary ' s help to make chandu fall in love with him . surprisingly narsimha and chary look alike . confused rasool and pandu capture chary thinking him to be narsimha . dhanraj ( ashish vidyarthi ) saves him from the goons . he takes narsimha to baba ( sanjay manjrekar ) , a don in kolkata . narsimha comes to know that his father is alive and in the custody of baba . why baba captured major chandra kant . . . why did he make narsimha know the truth and how narsimha saves his father forms the rest of the story .
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male twins are separated at birth and live their lives in different backgrounds - until one gets abducted .
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rabhasa is a 2014 telugu film written & directed by santosh srinivas . the story revolves around a us return student karthik who pledges to marry his uncle dhananjay ' s daughter indu which . . . see full summary »
stars : n . t . rama rao jr . , samantha ruth prabhu , pranitha
after kasturi gives birth to yet another still - born child , her mother - in - law , with the assistance of a nurse , switches the dead child with one of two twins that impoverished indira has just given birth to . the latter names her child narsingh , who grows up to be a singer / dancer , and falls in love with anju , the daughter of a dgp . while the second child is brought up by upper caste , kasturi and govind , performs poojas at a variety of weddings and funerals , and is in love with chandrakala . chaos will enter their lives when narsingh will be abducted by a gangster , baba bhai , and held until and unless his biological father , an indian army major , reveals a secret . narsingh manages to escape , continues to elude the gangster and his goons . they then manage to hire an unknowing chari to impersonate him and compel the major to reveal the secret . the question remains : will naive chari be able to pull wool over the major ' s eyes ?
jr ntr lives up to the expectations in everything . he brought many laughs in theaters with his brahmin character and hilarious characterization . narasimha part is quite routine . the movie totally belongs to jr . ntr . his screen presence , voice modulation and dances are a treat to watch on big screen . the intense gaze coupled with some quirky punch dialogues in the early parts of the film give a distinct tone to narasimha ' s role . on the other hand , jr . ntr is chirpy , talkative , slapstick and innocent characterization as narasimha chari will definitely bring a smile on to your face . his dances took away the breath of audiences . especially his steps in ' pilla na valla kaadu ' received once - mores in theaters . nayantara is slim and sleek while sheela looted young hearts with glowing skin and sensuous garments . nothing more is left for heroines than this to discuss . brahmanandam is awesome as bhattu . he is one of the pillar to the movie . even if you see many number of times you can ' t stop laughing . finally single line is
watch it for ntr ' s dances and his hilarious brahminic performance and it ' s definitely watchable movie
.
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for those of you who like to laugh out loud and have no expectations of how a vinayak or ntr film should be , adurs offers good amount of entertainment . the film ' s greatest strength is its comedy and it may be said that we have never seen a better comedy in any of the previous vinayak or , for that matter , junior film in the past . it is clear that adurs ' writers and the director knew well beforehand that they were dealing with an average plot , involving two twins separated at birth by that favourite old lady , the bhamma in cahoots with the nurse , and the more ordinary premise of one growing up to be valorous and the other a timid one , and instill enough funniness into the proceedings .
to begin with the story , narasimham ( ntr ) works for sayaji shinde , the cop in - charge of cleansing the city of extortionists . he intercepts the calls between noted extortion gangs like that of rasool , knows who they are extracting big bucks from and jumps into action at the right moment , killing the goons in no time . naras gradually becomes a menace to rasool , who plans to exterminate him . in the meanwhile , in comes chary ( ntr again ) , with the promising brahmanandam ( he plays bhattacharya ) , and tickles our funny bone , scene after scene . chary is the assistant to the priest bhattu , who keeps himself busy conducting death , marriage ceremonies and film muhurats ( one such film is chakkara takkuva , the remake version of amitabh bacchan ' s cheeni kum . ha ha . . ) , but his most important business is to cosy up to chandrakala ( nayanatara ) , with whom he is madly in love .
the two tracks run parallel , as nayanatara falls for chary and sheela keeps flirting naras . the director takes care of keeping our interest levels intact by introducing asish vidhyarthi , who begins a search operation for naras , the son of a retired army officer ( nasser ) . of course , naras has already been the target of rasool ' s gang . as the interval bang draws to a close , chary is mistaken for naras and is taken into captive ( just as in the recent bollywood blockbuster kaminey ) . however , in no time , asish and others catch hold of the real narasimham . why has asish been on a hunt for ntr ? how are the two brothers going to play a game with the villains , to escape from the vortex they are in ? answers to these questions are to be found in the second half .
story wise , adurs offers nothing new . in fact , let alone the predictability factor , there is no extra effort taken by the makers to make it oomphier - say , through punchy dialogues and inventive action . if total absence of mind - blowing lines and single liners is a low point , vintage ntr not coming alive anywhere , excpet in songs , is a disappointment to all his fans .
the film has a high point , but just one . it ' s the comedy , which is well executed and performed by brahmanandam and the brahmin avatar of ntr . our star comedian , brahmi , rules the roost . he is simply terrific . ntr , as his yes - man , is new and fresh , but just not flawless . basha ( ms narayana ) ' s comedy is good too . the fun factor slumps down in the second half , when mahesh manjrekar ( playing a heartless villain ) and raghu babu continue to be befuddled by comedy of confusion .
nayana and sheela have nothing to do except shaking legs with ntr . dialogues , otherwise good in comedy scenes , are quite poor . had ntr repeated a thumping performance and shown some wise dialogue diction as the junior priest ( watch him speaking in a whole new diction and you find him inadequate ) , the film would have not been a nightmare for his fans .
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adurs review - jr . ntr , nayanathara , sheela , adurs telugu movie review , telugu movie review , telugu cinema - urltoken - andhra pradesh news and views
what is it about : jr . ntr stars as narasimha , a mysterious guy who targets the mafia gangs in the city and eliminates them one by one . the mafia gangs , who are taken aback by these attacks , come together to find this mysterious guy , however they are largely unsuccessful . on the other hand , narasimha chari ( played again by jr . ntr ) , a brahmin priest is leading a happy life . his guru , bhattacharya ( brahmanandam ) is in love with chandrakala ( nayanatara ) and he requests chari to help him in this matter . neither narasimha nor chari realizes that they have a twin brother . elsewhere , another gang headed by ashish vidyarthi , is looking for narasimha . what does this gang want from narasimha ? why are they looking for narasimha ? that forms the rest of the story of this light - hearted entertainer .
what is good : jr . ntr dazzles in his dual role . his role as the hot - blooded young man , narasimha is a cakewalk for him and he doesn’t disappoint in this serious role . however , it’s his characterization as the brahmin , narasimha chari which comes as a shocker . the voice modulation and the ease with which he slipped into the skin of this character are astounding . the series of conversations between narasimha chari and bhattacharya ( brahmanandam ) are hilarious . brahmanandam has been in great form over the past few years and this role of bhattacharya will be one among the better roles he has essayed in the recent past . the comic timing of both brahmanandam and jr . ntr is almost perfect and the director v v vinayak makes sure that the duo keeps the audience entertained throughout the film . the film also gives ample footage to some of the other supporting actors and they don’t disappoint . both nayanatara and sheela ooze oomph and sizzle in their glamorous roles , however they hardly contribute to the story . raghu babu and m s narayana are good in their short roles . mahesh manjrekar’s role is well written and his characterization of comic villainy fits into the story pretty well . the conversations throughout the film are well handled and executed .
what is bad : after a promising first half , the film slips into a slightly serious mode in the first few minutes of second half which is a little out of place . nazar’s role is loosely based from a similarly written role in ‘krissh’ . the computer graphics and visual effects in the film are disappointing and they could have been handled in a better way . both the heroines in the film have minute roles and they only appear on screen just before a song . their characterization hardly gives scope for enough footage in the film . besides this , there are too many villains in the film and not surprisingly , most of them are restricted to very few scenes except for mahesh manjrekar and ashish vidhyarthi . sayaji shinde’s role almost vanishes in the second half . the script of the film is riddled with loopholes in second half and there are quite a few loose threads . we are never told how narasimha manages to escape from complex situations and there are few more things like this . some of the scenes and instances in the second half bring back memories of few recent films like ready , king etc .
technical departments : kona venkat has written a complex story which has to narrate lives of two different heroes and hordes of other people who are affected by these two heroes . while kona venkat succeeds in his attempt to establish all the characters , the subplots dampen the script especially in the second half . dialogues are terrific , especially the ones written for jr . ntr and brahmanandam . chota k naidu’s cinematography is top notch , especially in the action sequences . the camera angles used in the film elevate jr . ntr’s heroism wherever required and all the songs are lavishly shot . choreography is good in few songs ; however jr . ntr’s determination to hold his forte in dancing should be appreciated . devi sri prasad’s music might not be among his best compositions . ‘chandrakala’ , ‘where is the . . ’ songs have good music and funny lyrics . v . v . vinayak who handled the screenplay apart from directing the film excels in both of them . the film has ample twists and turns to keep us hooked onto the screens and the light hearted treatment to the story is handled well by vinayak .
nakaithe rendu keka . . . . . . . . . . . rendu kallalo edi best ante cheppalem ga . . . . . . . . , . . rendu movies deniki daniki excellent . . . ! !
meeku kavalante pedda sorry chepta . . soooooooooooooorrryyyyyyyy . . lol adurs comedy roxx ante . .
s . . . ante aa luck kalisi ravali emo . . . bb avvali ante . . . . . . . . . . . . but this mov has shown one more angle in tarak ' s acting . . . chari rocks . . . . . . . . .
vellehe avatalaki . . u musugu pyan . . tarak carrier lone naaku baaga nacchina mve idi . . . family audience tarak vanka chusarante adi bd valle . . .
adurs chari character with brahmi como toooo good . horeines plus . . . . . . . . . songs dance plus . . . . . . . . . . . . . . . dialogues plus . . . . .
but main charecter narasimha . . . . . . . . character antha baga ledhu . . . . . . . . . . . . . . . climax too bad . . . . . . . . . . . ee rendu baga care tisukoni unte bomma bb ayyundedhani na feeling . . . . .
brindavanam climax fight tappa antha baga nachindhi naku . . . . . . . . . . ' chinnado vipu ' song lo baga ledhu . . . . . . . . dani steps bagunte inka keka undedhi . . . . . . . . .
2 awesome movies bhayya . . indhulo edi best ante v cant say . . .
kani ntr ni atu class audience n families n youth girls ki deggara iyyendi brindaavanam cinema tho matrame . . . . . . . . aa cinema tho mana hero lover boy ipoyadu ga . . . . . . . . . . . . . . . dats ntr
ntr ilanti lover boy characters ni continue cheste baguntadi ani na opinion . . . . . . oka 3 - 4 films ila chesi hits kodithe appudu mana ntr happi ga love stories teeskuntu undochhu . . . . . . . .
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ha type story lu chesadu . . . family lo mottam remake lu mede paddaru ga . . . anduloni scene to scene lu copy lu
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adurs is action comedy based movie in which , ntr is playing dual roles , he is donning a brahmin’s role , while the other character will be a mass character . sheela is pairing up with ntr as a girl from an upper caste family , ramaprabha is playing the grandmother of ntr . sayaji shinde is playing dgp , while nayantara is playing his daughter . nayantara would be the heroine for ntr in his mass character .
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its the story of a twin brothers who are separated after their birth and later how their characters are and how they meet again is the plot with some entertainment and some commercial elements .
ntr rocked in two roles one is chari and the other one is narasimha , chari ' s role is good at entertaining the audiences and the narasimha ' s role is filled with some stylish and action episodes . dance moments done by ntr are the highlights of the movie especially for the songs
nayanatara is ok and sheela got a glamourous role in which she did her best . . .
brahmanandam is an important character with two shades , first half he will be guru for chari and the second half tries to take revenge on chari . this is one of the best roles of
brahmi
and i have no words to describe his performance .
choreography for all songs are visual treat , especially
chandra kala . .
,
chari . .
songs are composed well .
cinematography of the movie is upto the mark , it would be better when taking some extra care while making scenes with animated background .
art of the movie is too good , thats the main reason where many scenes are visually beautiful . but , scenes where the animation is involved are to be developed even better .
music is the highlight of the movie and all know that the audio is already rocking . .
coming to the background score . . devi did a good job by elevating the scenes with his music .
screenplay is good and not even a single minute where a spectator can feel boredome .
fights in the movie are good but need some improvement towards making them realistic .
direction is the department where all the above sections are to be taken care perfectly .
1 . lyrics changed in the chari song instead of
pilaka juttu
and
niluva bottu
,
patha bike
and
old style
has been replaced .
its the hattrick combination of v . v . vinayak and tarak ( ntr ) and i can definitely say that it scored good marks from the audiences . we need to wait and see how its result will be at box office whether a
hit
or
super hit
.
very nice review baru . . . . expecting some more from you . . .
a good start for ntr in this year . its really a ' adurs ' movie
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with one of two twins that impoverished indira has just given birth to . the latter names her child narsingh , who grows up to be a singer / dancer , and falls in love with anju , the daughter of a dgp . while the second child is brought up by upper caste , kasturi and govind , performs poojas at a variety of weddings and funerals , and is in love with chandrakala
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adurs cast list , listed alphabetically with photos when available . this list of adurs actors includes any adurs actresses and all other actors from the film . you can view additional information about each adurs actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of adurs have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
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this cast list of who was in adurs includes both lead and minor roles . ( 14 items )
nuvu post chesavani vachanu . . . . . ( wall ) ( wall ) ( wall )
adurs is action comedy based movie in which , ntr is playing dual roles , he is donning a brahmin’s role , while the other character will be a mass . . .
the film âadhursâ was meant to be the most talked about movie of the season and it was originally slated to be a christmas release . however , the outrageous attacks by the telangana activists have caused lot of mayhem and this has disrupted the entire flow of the films for the season .
now , there is news that many film buffs in different parts of the state including telangana region are irked up with the whole thing and are waiting to see when âadhursâ will release . even ntr jr is said to be upset about the issue since nothing is being known for sure .
huge money is at stake for the distributors and many are hoping that the film should release before january 7th . the makers are said to be urging the government to take strong measures against the trs goons over these mindless acts as this is leading to huge losses everywhere .
according to industry information , arrangements have been made to release the film with more than 900 prints â 200 more than âmagadheera . â sources said the distributors have put in huge money on âadhursâ expecting huge returns during the festival season .
âthe distributors are very worried with the continued postponement of the film release as stakes are high . their main worry is the impending losses if the film is not released before the festive season , â said former film censor board member jonnalagadda ramchandra sastry .
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security matters : superintendent of police rajesh kumar supervising arrangements at a theatre in nalgonda on wednesday . — | photo credit : photo singam venkataramana
though , the police made elaborate arrangements by deploying additional forces at all cinema halls in karimnagar district , the theatre owners voluntarily stopped the screening of the film .
in karimnagar town , the film was to be screened at bharath theatre , but the owner erected a board stating that they were not screening the film for the day . however , the police force was deployed at the cinema hall to avoid any untoward incident . similarly , the film was not screened in sircilla , jagtial and godavarikhani towns also . the trs activists destroyed the posters of the film in sircilla and godavarikhani town demanding the theatre managements to stop screening the film .
according to information , the cinema was screened in nagarkurnool and shadnagar towns also . meanwhile , in narayanpet and wanaparthy town in the district , the theatre managements voluntarily suspended its release .
sangareddy staff reporter writes : ‘adurs’ was exhibited successfully at two theatres at toopran and patancheru in medak district amid tight security . however , at zaheerabad and sadasivapet the theater managements decided to not to show the movie . though it was informed that the managements decided to honour the sentiments of the people in the region nothing was confirmed . police are preparing to extend the security .
the police detained several trs activists as a preventive measure . the pro - telangana activists also staged similar protest demonstrations in suryapet , miryalaguda and other towns .
the movie was released in two theaters in the district . the police led by raghav reddy , deputy superintendent of police stood guard at nataraj theatre since morning to prevent any untoward incident .
circle inspector nagesh naik , four sub - inspectors and a contingent of 50 police personnel were deployed for the security .
the police allowed the film - goers into the hall only after thorough frisking . they keenly observed tickets and every person around the cinema hall . meanwhile , three trs activists who arrived at the hall shouting slogans were arrested and shifted to police station . police security continued for all the four shows . the management appeared to have run the shows amid the apprehensions of attacks from the pro - telangana activists . however , it was not sure whether the telangana activists would allow continuing the screening in coming days .
khammam staff reporter writes : “adurs” received a good opening at the box office in khammam despite threat from some pro - telangana outfits . it was released in major towns such as khammam , palvancha , sathupally , bhadrachalam and wyra . it was screened for four shows without any interruption at all centres barring yellandu where the theatre management preferred not to go for it following threatening calls received from certain organisations . police and the tdp played an effective role in ensuring trouble - free screening of the movie .
almost every theatre in the district was given total police protection . the police , a day in advance , had meetings with the local leaders who gave a call for boycotting the film .
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same na avedana kuda . . manam antha kalisi undali . . . nandamuri ante oka thiruguleni unity ani migatha andariki teliyali ani na feeling anthe .
sure bro . . . . do it , if you can . . . thank you
also , 8 theatres in karim nagar , along with 3 in nizamabad have stopped the screening of the film . angry activists have demanded an apology from kodali nani , believed to be close to ntr for the comments .
the agitators have also threatened boycott of the film in the t - region , if he is not sorry for what he has stated .
adityamusic ( on behalf of aditya music ( india ) pvt . ltd . ) , and 1 music rights societies
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music director devi sri prasad actors jr . n . t . r . , nayantara , sheela