jazz boat is a 1960 british musical comedy film directed by ken hughes and starring anthony newley , anne aubrey , lionel jeffries and big band leader ted heath and his orchestra .

jazz boat

jazz boat , prague : hours , address , jazz boat reviews : 4 . 5 / 5
jazz boat cruise with live jazz music is a perfect way to spend an evening in prague .
also . . acid jazz have a boat trip happening on 16 sept . . link here for tix . .
meet by the boat at gate 2 under the cechuv bridge . the boat ' s name is kotva , prague boats .
a jazz band entertains throughout the cruise with a music programme which can vary from traditional jazz , latin , cuban , brazilian and ethno jazz , to swing and blues .
the prague jazz boat is a popular river cruise if you like to relax and enjoy a full jazz entertainment programme , with the option of dining if it suits on the night .
listen to czech jazz musicians on moving jazz stage . professional sound , great atmosphere . three sets of traditional or latin jazz as well as blues and swing nights . popular prague night event .
we don ' t have enough data to suggest any movies based on jazz boat . you can help by rating movies you ' ve seen .
as indicated by its name , the jazz boat is a boat devoted to jazz in all its forms : traditional jazz , latin , cuban or brazilian influences , ethno jazz or pure swing and blues . the program changes every night but the chosen bands are always excellent and will satisfy even the most demanding jazz aficionados . the jazz boat is an entertainment venue much appreciated by visitors who enjoy its relaxed atmosphere , the quality of the music and the possibility of an unusual dinner in the heart of prague . note that the price of the dinner is not included in the ticket and we recommend that you book your tickets in advance , so as to be able to choose your seats .
jazzboat prague . unique moving jazz stage . dinner + live jazz concert + boatcruise . best value concept . daily 8 . 30 pm all year .
lock in a great price for florentina boat - rated 8 . 8 by recent guests .
lock in a great price for florentina boat – rated 8 . 8 by recent guests !
enjoyed the jazz boat cruise . food was very nice and the alcohol was all reasonably priced . it was lovely just to sail the river and listen to the jazz band . staff were very attentive and obviously have this cruise down to a fine art .
the jazz boat cruise is the perfect way to spend an evening : with great live jazz music and an a la carte dinner menu as your backdrop , you’ll be able to admire picturesque prague sights like the charles bridge and prague castle from the vltava river .
florentina boat accepts these cards and reserves the right to temporarily hold an amount prior to arrival .
always great musicians and a full band – trio , quartet , sometimes even quintet . forget about one keyboard - man show ! many popular jazz standards are played with some latin jazz and blues . jazz specialists will not be disappointed with the high quality of the musicians , and even non jazz fans will enjoy the pleasant music and atmosphere .
the location of this boat hotel is just beautiful . i’d never stayed in a boat before so didn’t know what to expect - but this boat is located in such a beautiful place , you will love staying there ! the staff are all great too ! anything you need they are happy to help !
“the location of this boat hotel is just beautiful . i’d never stayed in a boat before so didn’t know what to expect - but this boat is located in such a beautiful place , you will love staying there ! the staff are all great too ! anything you need they are happy to help ! ”
눇 the location of this boat hotel is just beautiful . i’d never stayed in a boat before so didn’t know what to expect - but this boat is located in such a beautiful place , you will love staying there ! the staff are all great too ! anything you need they are happy to help !
the jazz boat is the only boat in prague offering an a la carte menu served at your table , with fresh ingredients and great food . the jazz boat restaurant is considered to be the best river catering in prague . there is a full three course menu available for a special price ( gourmet three course pork menu czk 390 , delicious three course chicken menu czk 350 , salmon menu czk 490 or vegetarian menu czk 350 ) , and of course a large selection of wines and cocktails .
discover prague at the pace of jazz with a music cruise on the vltava river . . .
“i never experienced any racial barriers in jazz other than from some members of the audience . ”—bill evans
can be enjoyed in the restaurant or on the deck of the florentina boat . a breakfast is served every morning .
the jazz boat is never going to break the water speed record but then again you wouldn ' t want it to . it is a very pleasant way to spend an hour with a beer whilst the city gently floats past .
bravo ! ! ! this is one of the best recent essays i’ve read about race and jazz in a long time . eugene successfully touches upon the many complexities regarding race relations and jazz without devolving into “kumbaya” nonsense .
jazz solo excerpts : fly me to the moon . mp3 summertime . mp3 all the things you are . mp3
while , as an african american i have some sympathy for payton’s views , i have the same reservations about his conclusions as i do sandke’s views . payton suggests that black jazz musicians cannot change the status quo of their current stature if they call their music jazz . payton also ignores or diminishes the fact that , as i stated earlier , everyone in the jazz infrastructure acknowledges blacks as the creators of jazz . yes , jazz artists are hampered by market - driven definitions , but that is nothing special to them . every musician regardless of genre complains about this .
best first book award for music makes me : fred astaire and jazz , society for cinema and media studies . 2012
in 2013 he released his debut album compás to critical acclaim , uniquely mixing flamenco with jazz and other world styles .
the jazz boat is pure magic . superbly organised with outstanding professional service . the food is delicious and one if the best meals around - certainly worth every penny with reasonably priced drinks . atmosphere is priceless and the view spectacular . a wonderful lifetime experience !
actually , pi is the lone human survivor . he shares his boat and its dwindling food supplies with a man - eating bengal tiger .
the music policy is strictly rare mod – british r n b and blues , jazz , psyche , freakbeat and pop .
“‘do you want to hear a mammy song ? ’ : a historiography of show boat” in contemporary theatre review 19 / 1 , february 2009 .
neat essay . the reank and file afro - americans were not strong jazz fans . the church - going population did not favor it . from the first it was white audiences that supported jazz , first as audiences and then as record buyers . so naturally jazz evolved in response to the audience . billy holiday was a great artist but her records show her recognition of the marketplace .
yes , it is necessary to reserve this boat cruise in advance as number of places on the boat is limited . we will confirm your reservation within 12 hours . if you cancel this cruise at least 2 hours in advance , we will not charge you any cancellation fees ( full refund ) .
1936 ' show boat ' : a multiracial , musical melodrama , now out on dvd with an unforgettable story and score , the 1927 musical tackled complex racial issues . music critic lloyd schwartz says the 1936 film version of show boat is the best — and it ' s now out on dvd .
“cozy and comfortable with a great location . rooms are small - it is a boat , after all - but large enough . good restaurant . ”
music and dinner in prague . jazz , classical , traditional . some great prague event venues . exquisite meal . choice is yours .
for a really jaded ( but funny ) take on the whole scene check out bill anschell’s essay “careers in jazz” on his website .
‘handful of keys : a century of jazz piano’ jazz at lincoln center opens its fall concert season with this centennial survey of jazz piano , featuring more than a half - dozen practitioners of the art . the oldest pianist on the program , at 89 , will be the stride and ragtime authority dick hyman ; the youngest , at 13 , will be the postbop prodigy joey alexander . helen sung and aaron diehl are among the other accomplished guests , all performing with the jazz at lincoln center orchestra . rose theater . sept . 22 - 24 . ( chinen )
“sandke’s views are ironic , because many black jazz musicians and writers complain that african americans—who , according to the 2010 census , are 12 % of the population—do not frequent jazz venues in sizable numbers . ” for your next fine essay , could you try to explain why that is ?
so no question jazz flowered in new orleans but new orleans was not the same as the racist / fascist communities in the deep south such as birmingham , shreveport , or columbia sc . it was a multicultural mixed racial community . so as you say , jazz has a black core but is a delightful mishmash . i can understand but do not feel that is healthy that jazz has become a racist symbol for many blacks .
more great prizes with signed rifles vinyl and cds from rob bailey plus another pair of modfest vip tickets for modcast / acid jazz curated room .
fortunately , jazz is a cultural sponge – in spite of the cultural elitism ( sincere or insincere ) and ignorance of some of its practitioners .
unlike our other evening cruises , dinner is not included in the price on the prague jazz boat . instead , choose from a selection of hot and cold meals on the night , which will be served to your table by your waiter . it is not obligatory to eat , you can just order drinks .
allan jones plays debonair leading man gaylord ravenal and irene dunne is the enchanting magnolia in the 1936 film version of show boat , which has just been released on dvd .
european classical music , especially 20th century music and the european immigration to america ( jewish / broadway composers especially ) gave jazz the harmonic , emotional and melodic vehicles that made it relevant . without it , jazz would have been well on its way to becoming a mundane cliche of blues licks and predictable rhythmic and harmonic structures .
tip : book this cruise through prague experience and receive a premium table by the window , inside the boat , with good views of the sights along the river and of the musicians .
show boat is still first and foremost entertainment , of course ; it ' s spectacle , with joyous dancing , aching romance and the pathos of love found , lost , and found again .
military jazz quartet accompanying trump ' s paris pull - out announcement at wh :
surreal . . . its like the titanic band ,
1 guy here says urltoken
the team talk to mark maidment – creative director at ben sherman about their collaboration with acid jazz and their pop up vinyl store at 108 commercial street shoreditch london e1 6lz . the acid jazz pop - up vinyl store is open until the second week in november and features a large selection of new and pre - owned mod - friendly vinyl records !
as a white canadian jazz musician , i am acutely conscious of jazz’s origins . i revere the , in your apt words , “history , geography , social conditions , and , most importantly , the will to create something of artistic human value” that gave us tatum , monk , oscar peterson and the many others who informed and inform my musical being .
music makes me : fred astaire and jazz ( university of california press , 2011 ) received the best first book award from the society for cinema and media studies . music makes me locates fred astaire’s film and television career in the histories of popular song and jazz and explores astaire’s dances accompanied by african american musicians in the segregated world of the film musical .
the právnická fakulta tram stop is 150 yards away and the staromeska tube stop is 350 yards from the boat . the charles bridge and the old town square can be reached within a 5 - minute walk .
lying at anchor on the vltava river in the centre of prague , 1 km from the charles bridge and a 10 - minute stroll from the charles square , boat hotel matylda offers free wi - fi .
one problem with exclusionary practices or beliefs based on race is they cause blowback and increase divisiveness . i do not believe said practices or beliefs represent what jazz is all about in any way whatsoever . in fact , jazz is completely the opposite . jazz is about blending different cultural styles . i do not support payton’s bam labeling just as i would not support the idea of changing the name of baseball to “white ball game . ” payton’s attitude that he’s not disenfranchising white’s with his labeling just doesn’t look at this kind of labeling for what it is—which quite simply is an exclusionary practice . it also fails to distinguish jazz from other primarily african american generated musical idioms such as r & b , soul / gospel and hip - hop .
today , the themes of show boat are more painful than shocking for a modern audience . but then history is painful ; the actions and attitudes dramatized in this american classic remain part of our national genetic code .
i think , with all due respect , sandke overdramatizes the plight of the white jazz musician . yes , the young lions phenomenon was overwhelmingly black and young , and sandke is partially right about the market - driven motives of record executives who wanted to hype black musicians to an extent , but their actions pale in comparison to how whites have promoted musicians of a paler shade for centuries . in the end , there is a big difference between the jazz intelligentsia’s attempt to right an historical wrong and the willful promotion of a reverse apartheid for white musicians . sandke’s views are ironic , because many black jazz musicians and writers complain that african americans—who , according to the 2010 census , are 12 % of the population—do not frequent jazz venues in sizable numbers .
allan jones plays debonair leading man gaylord ravenal and irene dunne is the enchanting magnolia in the 1936 film version of show boat , which has just been released on dvd . courtesy of warner bros . digital distribution hide caption
crowded with a cast of 100 and awash in circus - bright colors , the washington national opera ' s show boat revival is a vivid reminder that the classic is first and foremost entertainment — despite its darker themes .
hear and see the delights of prague , all in one evening ! listen to quality jazz as you cruise through the center of the city , and tantalize your tastebuds with a delicious meal .
“having once been in the vanguard , jazz has fallen prey to the same racial divisions that have plagued the rest of american society , ” sandke writes . “the overwhelming racialization of jazz has not only denied outside musical influences , stifled creativity , and pitted group against group : it has also overlooked the crucial role that white audiences and presenters have played in disseminating and promoting the music . ”
the právnická fakulta tram stop is 500 feet away and the staromeska tube stop is 950 feet from the boat . the charles bridge and the old town square can be reached within a 5 - minute walk of the property .
lying at anchor on the vltava river in the center of prague , just over half a mile from the charles bridge and a 10 - minute walk from the charles square , boat hotel matylda offers free wi - fi .
todd decker has published four books on commercial popular music in the united states from the 1920s to the present ( broadway , hollywood film and television , the recorded music industry , jazz before 1970 ) .
i believe the wisest and most humble among us are those who conclude that jazz was created out of a co - mingling of various cultural influences during a unique and special time within the maturation of america .
there are enough examples of this in jazz history . paul whiteman was the king of jazz . benny goodman was the king of swing . duke ellington knocked on dave brubeck’s hotel door , to show the white pianist that he made the cover of time magazine in 1954 before he did . ( brubeck , for the record , was hurt and embarrassed . ) then there was the 1965 pulitzer prize snub of ellington . in the ’70s , president carter presented jazz on the white house lawn , with dizzy gillespie and stan getz as featured artists . president carter asked getz about how bebop was created , with gillespie standing right there .
it was a meaning that was all too apparent to the first audience that saw show boat in 1927 . those patrons sat in stunned silence when the final curtain came down ; only after a moment or two did they begin to applaud .
slowly but surely , my perceptions about jazz and race began to evolve and change . as my jazz historical studies deepened , i learned that music is a cultural , not a racial phenomenon . black americans at the turn of the 20th century created jazz by combining elements of european classical instruments , harmonies , and song forms with african , afro - caribbean , and american rhythms and melodic structures . as ralph ellison noted , “blood and skin don’t think . ” or to put it a different way : jazz didn’t come into existence because black people were simply black . its creation was the result of history , geography , social conditions , and , most importantly , the will to create something of artistic human value . to believe anything else plummets us into the foul abyss of pseudo - racist demagoguery that still plagues us on so many levels today .
it is possible to order a taxi transport to / from boat departing pier to hotel . we charge czk 300 for a party of 1 - 4 people ( one way ) , and 400 czk for a party of 5 - 8 people .
it was bill evans’s love of , and application of , european classical styles , approaches , and motifs into jazz that was so attractive to my ears , as evidenced by the azure impressionism of “blue in green” on kind of blue , the intoxicating melodicism of “israel” from explorations , the lyrical logic of “peace piece” from portraits in jazz , and the chamber timbre of “time remembered” from the 1966 album bill evans trio with symphony orchestra .
thank you for some thoughtful time in the middle of an ike quebec and little jimmy scott afternoon while searching for swedish jazz . i am getting ready to walk through a different musical door as i move to sweden .
“the place was amazing even i don ' t want to leave the top of the boat where you can see the secret of nature , the scene of prague castle and breath a fresh air , really i hope to book this property again . ”
i remember on my jazz undergrad , we had a new york trumpet player / singer visit for a workshop . he was a polished performer to be sure , but he had some pretty… abrasive , shall we say , views on who “should” be playing jazz , or rather who can really pull it off . definitely seemed like he was in with the marsalis crowd . it elicited a certain amount of derision from a number of my lecturers .
' show boat ' steams on , eternally american a revival of the hammerstein - kern classic showcases once again the rich tapestry and timeless themes of an american saga that changed the course of musical theater — and confronted audiences with painful truths about our history .
if anything , jazz at the beginning of the 21st century is appropriately black , brown , and beige ; with every global musical / cultural ingredient embellishing , extending , and enriching it . this is a good thing . more importantly , youth around the world—white youth included—want to play it , despite the fact that in the united states you barely see jazz on tv , radio stations that play it are shrinking , and print coverage of it is dwindling .
the guide is not included in the price but can be arrange at extra cost . this option is recommended if you wish to make your cruise even more enjoyable , as a tour guide will explain interesting facts about the sights you will see from the boat .
show boat was the first great serious broadway musical . jerome kern and oscar hammerstein ii , who wrote the songs , and florenz ziegfeld jr . , who produced it , departed from typical musical comedy material , with its chorus lines and songs showcasing star performers .
daring as the racial issues in show boat were , its glory has always been its music , and my only major regret about this film — one of the most important movie musicals ever made — is that it doesn ' t include more of the score .
crowded with a cast of 100 and awash in circus - bright colors , the washington national opera ' s show boat revival is a vivid reminder that the classic is first and foremost entertainment — despite its darker themes . scott suchman / washington national opera hide caption
the plot twists and turns and at one point a chase occurs in a seaside amusement park that includes a knife fight in the
house of ghouls
complete with funhouse mirrors and menacing monsters ! songs :
jazz boat ,
someone to love ,
i wanna jive tonight ,
take it easy ,
oui , oui , oui .
anthony newley , anne aubrey , leo mckern , bernie winters , james booth , lionel jeffries , ted heath .
a boy , a boat , a tiger : reflecting on ' life of pi ' ang lee ' s meticulously controlled style makes a perfect fit for life of pi , a passionately overcontrolled adaptation of a wondrous adventure story with a surprisingly harsh sting in its tail .
this subject has become profoundly boring…i’m tired of it . “jazz” came through black people . it is the musical and cultural response of african people to european colonization . that said it came through black people but no longer belongs to black people . it belongs to the world . everyone has contributed to it . forget white people…everyone . just like islam came thru arabs but doesn’t belong to them and hasn’t belonged to them for a millennium . so “jazz” came thru black folks but doesn’t belong to us anymore . btw i agree with payton . i have no emotional or sentimental connection with the word “jazz” . i don’t care about it . musical categories exist for the convenience of promoters and pr people… . not the musicians
the interior of the boat is heated in the winter and air - conditioned in summer . you can choose to dine at the table reserved for you inside or move to another up on the sun deck . this is a river cruise for all seasons and weather conditions .
i think the racial profiling historical arguments get tired pretty fast when one allows oneself to ponder questions such as : could jazz have been developed in africa without any ‘white / western’ musical influences ? why didn’t jazz originate first from south africa or other areas where whites and blacks co - mingled ? what was special about the mississippi delta co - mingling of various cultural backgrounds which sparked the creation of jazz ? even amidst a segregated , oppressive and divisive culture , what glimmer of hope for a free - and - equal society came out of the civil war ( and specifically the emancipation declaration ) which led to the creation of an art form which clearly blended different cultural styles ? i think an honest reckoning of issues behind many of these questions supports the “american cultural phenomenon” argument and frames the analysis from a cultural vs a racial perspective . to me , that seems to be a represent a more accurate historical approach to the narrative on the evolution of jazz .
next , jazz as played by black artists who grew up in the deep south sound differently than those from northern solid middle class backgrounds like miles davis . similarly white musicians from , say , new orleans , sound different than bix beiderbeck .
it ' s been more than eight decades since show boat - - the seminal masterpiece of the american musical theater — premiered on a stage in washington , d . c . now the sprawling classic is back , in a lush production put on by the washington national opera .
take in the most beautiful sights in prague on this 2 . 5 - hour cruise on the vltava river . listen to quality jazz while drifting through the center of prague , and indulge in authentic czech cuisine with an optional 3 - course meal . you ' ll be welcomed onto the boat with a drink as you relax into the party atmosphere . after boarding , the concert begins . there are 3 sets of music performing a variation of jazz styles , with 2 breaks . alongside the music , there is also a sightseeing tour included as you pass through the center of this historical city . this is the most relaxing and unique way to tour prague . please note that due to limited capacity , you may be seated with other participants outside of your party .
so what does my former bill evans problem say about jazz and race today ? for one thing , it is firmly and correctly established in music education , and in society in general , that jazz is an african - american art form : blacks have gotten their due as the art form’s primary creators . no credible critic , musician , or music curriculum would state otherwise . at the same time , it is equally true that white musicians have made and continue to make great contributions to jazz . while the role evans and other whites have played should not be exaggerated to move the music’s black known and unknown bards to the back of the bus , giving caucasians appropriate acknowledgment does not threaten the african - american creation of the music .
the jazz boat welcomes guests every evening . it is moored under the cechův bridge , at the end of the very chic avenue pařížská ( paris avenue ) . get on board and enjoy a night cruise while admiring some of prague’s most amazing sights , which display an almost surreal beauty at night time . from charles bridge to prague’s castle via the malá strana district , the national theater and its golden roof or the fortress of vyšehrad . . . all these sites will reveal their charm in the coziness and peacefulness of an evening .
well , now i know what essay will be a companion piece to payton’s for my senior seminar class in american studies at rowan university ! eugene , i’d love for you to get in touch as i’m organizing a series of discussions on jazz and race .
mr . holley jr . should adopt richard waldo ellison’s attitude about race . it has zero to do with art and creative jazz improvisation . it’s the quality of the artist’s message and his technique / experience and the originality of his ideas . period ! !
we really loved everything , the location , easy walking distance to everything , very fun being on the river , the breakfast was delicious , staff friendly and accommodating , we enjoyed a beautiful sunset on the top deck of the boat . the beds we ' re comfortable . very fun experience .
“we really loved everything , the location , easy walking distance to everything , very fun being on the river , the breakfast was delicious , staff friendly and accommodating , we enjoyed a beautiful sunset on the top deck of the boat . the beds we ' re comfortable . very fun experience . ”
눇 we really loved everything , the location , easy walking distance to everything , very fun being on the river , the breakfast was delicious , staff friendly and accommodating , we enjoyed a beautiful sunset on the top deck of the boat . the beds we ' re comfortable . very fun experience .
broadway had never seen anything like it when show boat arrived at the ziegfeld theatre in 1927 . the score was unforgettable and the story tackled complex racial issues . there have been three movie versions , but the best one — james whale ' s 1936 production — has only just been released on dvd .
heavenly’s jeff barrett and broadcaster pete mitchell join eddie and dean for chat about all things northern soul , mod , kinks , rolling stones and caught by the river and more . also . . tickets now on sale for our modcast boat trip on sunday 26 may . . buy tix here . . urltoken
so it was in that hot - house atmosphere of well - meaning—but ultimately immature and xenophobic attitudes about music and race—that my bill evans problem existed . the problem manifested itself in many ways . i would often hide bill evans albums when talking about jazz musicians with fellow black jazz fans for fear of being “outed” as a sellout , given a look of disapproval , or asked , “why are you listening to that white boy ? ” the fact that evans was lauded by white critics because he was white and his classical pedigree didn’t help .
brad mehldau earlier this month , mr . mehldau , the standard - bearing modern jazz pianist , released “nearness , ” an album that ratified his longtime bond with the saxophonist joshua redman . for the first of his two concerts in jazz at lincoln center’s main hall , mr . mehldau re - enlists mr . redman for a similar menu of introspective duos ; the second night will be solo piano , the format in which mr . mehldau’s gift finds its most extravagant outlet . sept . 30 - oct . 1 . rose theater . ( chinen )
phish concise songwriting takes precedence on phish’s “big boat , ” which is the band’s 13th studio album and happens to include 13 songs . like phish’s 2014 album , “fuego , ” it was produced by bob ezrin , who brought theatrical breadth to pink floyd and lou reed . jemp records . oct . 7 . ( pareles )
based on edna ferber ' s epic best - selling novel , show boat was nothing like the frothy musicals and scantily clad broadway revues of its time . sure , the story is about a traveling showboat that plays to audiences along the mississippi river , but the plot focuses on serious subjects : racial injustice , alcoholism , abandonment .
sarah vaughan celebration one of the finest jazz singers in history was a native of newark , a fact that motivates two days of programming at the new jersey performing arts center there . a marquee concert on nov . 19 will feature the christian mcbride trio in support of several star - caliber vocalists : sheila jordan , dianne reeves and lisa fischer . then the fifth sarah vaughan international jazz vocal competition will take place on nov . 20 , with performances by an array of young hopefuls and a judges’ panel that includes ms . jordan and mr . mcbride . urltoken . ( chinen )
boat departing point is next to čechův bridge ( 10 minute walk from old town square ) . the pier is right next to intercontinental hotel . the closes underground station is staromestska station on line a . the closest tram station is pravnicka fakulta station ( tram no . 17 ) . detailed information will be provided in the confirmation email .
brooklyn raga massive tribute to john coltrane on john coltrane’s birthday , the ensemble brooklyn raga massive , directed by the percussionist sameer gupta and including the harpist brandee younger , will interpret his music at littlefield through a hybrid aesthetic of jazz and indian music . sept . 23 . urltoken . ( ratliff )
yo eugene , tough stand you took , and well done . i just think that jazz today is black , brown , beige…and white . and really has been all along , given the influence of european song forms and harmonies . clearly , the african - american gift of field hollers , the blues , and gospel gave jazz its unique sound , but that sound was often employed on top of songs created by european immigrants ; gershwin’s “i got rhythm” is just one example . and let’s not forget that louis armstrong was influenced by the music he heard while living in a jewish household and that frankie trumbauer was lester young’s primary model . so to call jazz solely an african - american creation misses the mark , but it is obviously primarily so . i mean , almost all my heroes are blacks , and i’m white . again , well done ; took some guts to say it , and glad you did .
dee dee bridgewater the capacity to dazzle is something that dee dee bridgewater , more than any other jazz singer of our time , has fashioned into a work ethic . she’ll touch on a century of song in the season opener for singers over manhattan , the jazz at lincoln center concert series . on sept . 23 , her purview runs roughly from the 1920s to the ’50s , and she’ll be joined by the young vocal dynamos brianna thomas and vuyo sotashe . on sept . 24 , she’ll pick up at midcentury , with help from the vocalists theo bleckmann and alicia olatuja . appel room . sept . 23 - 24 . ( chinen )
that’s silly . musicians use generic labels all the time to help them navigate , understand and play different musics . labels have been useful to musicians long before jazz . willful ignorance of them is as foolish as ignoring the accent of the person you’re speaking to and any useful information that may convey . it’s no different than the conceit of “i don’t see race” . it’s hollow posturing no one believes . “it’s not jazz , it’s _ _ _ _ ” is utter nonsense . the hubris needed to relabel a hundred year old musical genre is extraordinary . i’ll bet a guy like that is a pretty good musician but surely a lousy linguist and myopic cultural commentator .
rosa passos don’t sleep on this one ; ms . passos , from brazil , who tends to sing from the tradition of samba and bossa nova , is low - key but one of the greatest singers alive . she’ll play two nights at jazz at lincoln center’s appel room . urltoken . dec . 9 - 10 . ( ratliff )
the incandescent torch singer helen morgan , who made very few films and died of cirrhosis of the liver at the age of 41 , re - creates her original role of julie laverne , the show boat ' s tragic mixed - race leading lady . we hear her tremulous soprano in two of show boat ' s greatest hits :
can ' t help lovin ' dat man
and
bill ,
the one song in the show originally written not by hammerstein but by p . g . wodehouse , for a different show . i love the musical opening , an ironic quotation from beethoven ' s leonore overture no . 3 , a phrase that depicts a noble hero . but in the song ,
bill
is just
an ordinary man .
“it was a great spot right in the middle of prague , with a splendid view upon the hrad / castle by night and by day . if you love to stay near the water , it is a perfect accommodation , possibly better on the side of the boat with a view upon the river . breakfast was lavish , personnel smart , rooms tidy . a great location ! ”
u . k . film . documents the sights and sounds of saturday night in a jazz club in wood green , north london . what you ' ll see : pompadours , pints of ale , tight sweaters , lindy and jive dancing . priceless footage of 1950s uk teenagers and twenty - something ' s socializing and having a good time .
eugene , couple of other thoughts . how about jazz as an african - american synthesis , following the buddhist idea of dependent - arising , how all things are made up of a variety of parts , all dependent on the others for the appearance of the whole ? creation is such a strong word ; at least it is to me .
are the boats heated or air - conditioned ? all river cruises are done on comfortable , well - maintained boats that are air - conditioned in summer and well heated in winter . you can also choose where to sit depending on the weather ( in the winter you might prefer sit on deck and in the winter inside the boat ) so taking a cruise is nice regardless of the weather .
jazz 100 : the music of dizzy , ella , mongo & monk the title of the concert — presented by jazz at lincoln center , which rarely lets a good centennial go to waste — tells you much of what you need to know . but this tribute to the trumpeter dizzy gillespie , the singer ella fitzgerald , the percussionist mongo santamaría and the pianist thelonious monk is also notable for the present - day personnel . besides the pianist danilo pérez , serving as musical director , it includes the saxophonist chris potter ; the trumpeter avishai cohen ; the trombonist wycliffe gordon ; and the singer ledisi . rose theater , frederick p . rose hall , urltoken . oct . 14 - 15 . ( chinen )
andy bell and gem archer . . both band members of oasis and beady eye joined eddie and dean for a chat on the first ever soho radio pre - recorded show . . future shows will be going out live as well streaming on our sound cloud and downloadable from itunes as usual . . a copy of smiler’s book is up for grabs too . . see you on the the boat party on sunday !
the thing i’d like to add from a musician’s perspective is that while many jazz musicians ( both black and white ) feel that they are being discriminated against based on race , it’s a pretty small percent of the b . s . that we all endure as creative artists . it certainly happens , but is more likely a “marketing” decision based on money and numbers .
there are no u . s . laws against interracial marriage anymore ; they were struck down in 1967 by the supreme court ' s decision in loving vs . virginia . but as show boat plays at the kennedy center this month , the court — just a couple of miles away — is considering questions of same - sex marriage , affirmative action and voting rights , while congress focuses on how we as a nation treat immigrants .
show boat : performing race in an american musical ( oxford university press , 2013 ) was recognized as an honorable mention for the woody guthrie award for outstanding book on popular music by the international association for the study of popular music–us . the book uses extensive archival research to consider how performers—both black and white—shaped this landmark work in its original 1927 broadway version and in subsequent versions produced in new york , london , and hollywood .
the creation of jazz exemplifies the melting pot that is america . it was born out of cultural phenomenon where americans of african descent took the music of the day ( marches , fox - trots , songs , etc ) and started ragging them up and adding a unique flavor that could have only been achieved via a blend of various cultures at that place and time in history .
shop girls and teddy boys . an awkward fancy - pants couple arrives via chauffeured limo to dig on the jumpin ' jivin ' festivities . an uptight
toff
won ' t dance with his girl . the chris barber jazz band fires on all cylinders and drives the crowd into a jivn ' frenzy . a twisting , shaking , bouncing twirling , flailing , joyous good time .
it’s interesting to consider the effect that media ( tv in particular ) would have on this issue . i often wonder how the great jazz artists of the golden age would have been perceived if there was a visual outlet such as ‘mtv’ etc . would it have changed the perception of the miles’ quintet in the 50’s – where everybody can now see a white musician in the band ?
who should sing “ol’ man river” ? : the lives of an american song ( oxford university press , 2015 ) traces the performance history of this very well - known song across eight decades and a wide array of genres—jazz to rock , opera to gospel , doo wop to reggae—with an ear to how the history of race relations in the us has played out in the realm of popular music .
nice accommodation in the heart of prague , just a few walking minutes from charles bridge and the rest of the centre . the boat is nice and clean , with the upper deck available to enjoy sun and fresh air . the rooms are obviously quite small but well organized , with all the necessary amenities and comforts . the breakfast included is a great value , as it is rich and pretty good . staff is helpful and kind . absolutely recommended !
“nice accommodation in the heart of prague , just a few walking minutes from charles bridge and the rest of the centre . the boat is nice and clean , with the upper deck available to enjoy sun and fresh air . the rooms are obviously quite small but well organized , with all the necessary amenities and comforts . the breakfast included is a great value , as it is rich and pretty good . staff is helpful and kind . absolutely recommended ! ”
눇 nice accommodation in the heart of prague , just a few walking minutes from charles bridge and the rest of the centre . the boat is nice and clean , with the upper deck available to enjoy sun and fresh air . the rooms are obviously quite small but well organized , with all the necessary amenities and comforts . the breakfast included is a great value , as it is rich and pretty good . staff is helpful and kind . absolutely recommended !
show boat made musical - theater history , pioneering the merging of music and plot , integrating them for the first time to provide a seamless transition from scene to song . lyricist oscar hammerstein ii , just 31 years old , worked closely with composer jerome kern to replicate ferber ' s sweeping narrative . in a 1958 interview released on vinyl by mgm records , he explained how he used the mississippi itself as the thread that would hold all the plot elements together .
well written , sir . bill evans is one of my favorite jazz pianists , and , as a white guy , sometimes when i’m talking with my black friends , i won’t include him in my list of favorites , if we’re talking influences . i usually lead with bud powell , follow up with oscar peterson , and then top it off with keith jarrett . truthfully , these are my biggest influences . besides bill .
i hope you got from the essay , that i do indeed come down on the side of ralph waldo ellison on matters of race and art . my delving into racial matters regarding jazz and culture , was to deal with them to move beyond them . that’s why i choose bill evans – a masterful musician who still holds me in awe nearly four decades after first hearing him – to be the avatar for this piece .
wolfgang muthspiel the austrian jazz guitarist wolfgang muthspiel has won many prominent admirers with his lyrical and painterly style . on “rising grace , ” he mobilizes some of them into an all - star band . the album features the trumpeter ambrose akinmusire and the pianist brad mehldau , along with the sterling rhythm team from mr . muthspiel’s previous release : larry grenadier on bass and brian blade on drums . ecm . oct . 28 . ( chinen )
back at the hospital , eddie , emery , and evan are back from their dad - sanctioned trip to the vending machine , and louis has to face his parenting fears head on . it turns out that his kids don’t think he’s a bad dad . they don’t need the jazz hands and the jokes , either . at the end of the day , he’s just their dad , and they’re psyched to have him around at all .
hi all ! i ' m planning on going to prague this april as part of a group of six and was considering this as an option for our last night . is it still worth doing if you book a spot on the upper deck ? is it a good middle ground for getting a great view of your surroundings and being able to appreciate the jazz playing down below ? or is the lower deck the better option all round ? thanks ! frank
jonathan finlayson and sicilian defense mr . finlayson is a trumpeter who has been the imperturbable sidekick in a few of the most consequential bands in the current jazz avant - garde . with “moving still , ” he furthers his case as a composer - bandleader , exploring the possibilities of a subtle , weblike counterpoint with the pianist matt mitchell , the guitarist miles okazaki , the bassist john hébert and the drummer craig weinrib . pi recordings . oct . 14 . ( chinen )
robert glasper experiment after winning two grammy awards with a starry array of guest vocalists , this new - groove jazz unit , led by the pianist robert glasper , has doubled down on its purpose as a band . “artscience” mainly consists of pop - leaning new originals , with auto - tuned vocal contributions by all its members : mr . glasper , the saxophonist casey benjamin , the drummer mark colenburg and the bassist derrick hodge . blue note . sept . 16 . ( chinen )
kris davis the jazz pianist kris davis has a gift for spontaneous rapport . she puts it front and center on “duopoly , ” an album of duets with partners including the guitarists bill frisell and julian lage , the saxophonist tim berne , the clarinetist don byron , and the pianist craig taborn — with whom she’ll promote the album with a cross - country , two - piano tour that reaches roulette in brooklyn on oct . 2 . pyroclastic . sept . 30 . ( chinen )
in the first film version of show boat , partially silent , the whole issue of race was dropped . but in the next movie version , released in 1936 , director whale , whose previous films include frankenstein , the invisible man and the bride of frankenstein , restored the prickly racial issues . as the stevedore joe , paul robeson — long before he was blacklisted for his pro - soviet politics — sings the show ' s most memorable anthem : about how the mighty mississippi river , that unstoppable force of nature , is completely indifferent to human suffering .


nick hurran ( born 1959 ) is a british film and television director .

his 1998 film girls ' night was entered into the 48th berlin international film festival .

hurran is married to a television producer , michele buck , with whom he has two children .

nick hurran

nick hurran was born in 1959 in london , england . he is known for his work on
series producer , sue vertue ; written by mark gatiss , steven moffat ; directed by rachel talalay , nick hurran , benjamin caron .
nick hurran ( born 1959 ; london , england ) is the film and television director who directed two episodes of sherlock . [ 1 ]
nick hurran directed the girl who waited and the god complex for the sixth series of doctor who and asylum of the daleks and the angels take manhattan for the seventh series . he also directed the 50th anniversary special the day of the doctor .
director nick hurran looks to have landed two of the biggest gigs in cult tv this year . currently working with steven moffat on the doctor who 50th anniversary , he has also signed up for the series three finale of moffat’s other major project sherlock .
, hurran won a silver spire at the san francisco international film festival and received a golden berlin bear nomination at the berlin international film festival .
a hartswood films production for bbc wales in co - production with masterpiece ; co - created by mark gatiss & steven moffat ; written by mark gatiss , steven moffat and steve thompson ; series producer sue vertue ; executive producers beryl vertue , steven moffat , mark gatiss , bethan jones ; directed by jeremy lovering , colm mccarthy , nick hurran .
according to the press release , the series will follow a breed of aliens called the “overlords , ” who manage to peacefully invade and rule earth , and create a pseudo - utopia that comes at the price of human identity and culture . produced by akiva goldsman and mike deluca , the project will be helmed by nick hurran and adapted by matthew graham .
nick hurran comes to sherlock series three with over twenty years experience in television and film directing , from early work in studio directing the final series of british chat show mainstay wogan in the 1990s to star studded later dramas including the last detective in 2001 , starring peter davidson ; and walk away and i stumble , a two part miniseries starring mark strong .
hurran’s sherlock debut is revealed on his online cv at talent agency curtis brown . urltoken contacted the show’s producers hartswood films for confirmation of the director’s involvement , but are yet to receive a reply .
nick has numerous credits in film , including plots with a view ( 2002 ) starring alfred molina , brenda blethyn , christopher walken and naomi watts , and little black book ( 2004 ) starring brittany murphy , holly hunter and kathy bates .
among hurran’s previous credits are a number of other doctor who episodes , including series - seven opener asylum of the daleks and karen gillan and arthur darvill’s farewell story the angels take manhattan , as well as the 2009 remake of the prisoner .
more recently on television nick directed the six part reimagining of the prisoner in 2009 , starring ian mckellan , jim caviezel and ruth wilson . he also has previous experience working with hartswood films , being behind the camera for all six parts of the 2012 comedy me and mrs jones .
following claims from sherlock star benedict cumberbatch that fans can expect a fourth series of the bbc1 detective drama , hurran’s episode is likely to be a major cliff - hanger like series - two finale the reichenbach fall . the other alternative – that it’s the last ever episode of the show – would make it an even bigger proposition .
amongst all this , nick has directed several episodes of doctor who since the sixth series - including the spectacular asylum of the daleks and the emotional the angels take manhattan , which saw the departure of long running companions amy and rory . he was also director of the doctor who 50 th anniversary special the day of the doctor written by steven moffat , which was broadcast in november 2013 as the centrepiece of the celebrations .
syfy greenlights arthur c . clarke ' s ' childhood ' s end ' as a miniseries | urltoken
syfy greenlights arthur c . clarke ' s ' childhood ' s end ' as a miniseries
syfy is reaching into the science - fiction classics for source material . the network announced that it it will adapt the 1953 sci - fi novel childhood’s end , written by arthur c . clarke , as a six - hour miniseries .
in a statement , dave howe , president of syfy , said , “as we aggressively develop scripted programming over a diverse creative landscape , we want our content to reflect the greatest sci - fi stories from the past and the present . the powerful themes of childhood’s end , from the fearsome price of peace and prosperity , to the very question of what constitutes a human being , remain fascinating and timeless . this will be the most ambitious project for syfy in many years . ”
all products featured were editorially selected . urltoken may receive a percentage of sales for items purchased from these links . © 2018 meredith corporation all rights reserved . use of this site constitutes acceptance of our terms of use and privacy policy ( your california privacy rights ) . | eu data subject requests
lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .
- the new order of things ( 1987 ) . . . ( floor manager )
- with friends like that . . . ? ( 1986 ) . . . ( floor manager )
- pre - matrimonial tensions ( 1986 ) . . . ( floor manager )
- the once and future chance ( 1986 ) . . . ( floor manager )
- guess who ' s not coming to dinner ( 1986 ) . . . ( floor manager )
- tricks of the trade ( 1985 ) . . . ( floor manager )
- daddy ' s girls ( 1985 ) . . . ( floor manager )
- dodger , bonzo and the rest ( 1984 ) . . . ( floor manager )
- the danny roberts show ( 1983 ) . . . ( floor manager )
- man with my face ( 2018 ) . . . ( executive producer )
- the dead peasants society ( 2007 ) . . . ( series producer )
- the man from montevideo ( 2007 ) . . . ( series producer )
- a funny thing happened on the way to willesden ( 2007 ) . . . ( series producer )
- once upon a time on the westway ( 2007 ) . . . ( series producer )
voted by readers of doctor who magazine best director of season 7a for asylum of the daleks and the angels take manhatten .
having trouble finding a client ? try typing the first four letters of their first or last name .
html public
- / / w3c / / dtd xhtml 1 . 0 transitional / / en
urltoken
© sherlockology ltd . registered in england & wales : 8111634 | sherlock © hartswood films ltd .
this article is a stub . you can help baker street wiki by expanding it .
he has directed episodes from the sixth and seventh series of
doctor who
, as well as the 50th anniversary special .
jones , paul ( 2013 - 04 - 23 ) .
doctor who 50th anniversary director to film sherlock series 3 finale
. radio times .
can ' t find a community you love ? create your own and start something epic .
he had previously worked on the itv drama the last detective , starring peter davison .
we ' ve detected that javascript is disabled in your browser . would you like to proceed to legacy twitter ?
twitter may be over capacity or experiencing a momentary hiccup . try again or visit twitter status for more information .
you can add location information to your tweets , such as your city or precise location , from the web and via third - party applications . you always have the option to delete your tweet location history . learn more
here ' s the url for this tweet . copy it to easily share with friends .
by embedding twitter content in your website or app , you are agreeing to the twitter developer agreement and developer policy .
not on twitter ? sign up , tune into the things you care about , and get updates as they happen .
this timeline is where you’ll spend most of your time , getting instant updates about what matters to you .
hover over the profile pic and click the following button to unfollow any account .
when you see a tweet you love , tap the heart — it lets the person who wrote it know you shared the love .
the fastest way to share someone else’s tweet with your followers is with a retweet . tap the icon to send it instantly .
add your thoughts about any tweet with a reply . find a topic you’re passionate about , and jump right in .
the lying detective is lurid , horribly entertaining episode of sherlock packed with style and surprises . spoilers ahead…
this website uses cookies . we use technologies , such as cookies , to customise content and advertising , to provide social media features and to analyse traffic to the site ( including the use of ad blockers ) . by continuing to use our website you consent to our privacy and cookie policy . read more
after a distinctly slow and low - quality patch in his career ( furry vengeance ? . . .
the finale is due to shoot later this year . filming is currently under way on epsiode two , with the first instalment already in the can . a summer break will allow cumberbatch and co - star martin freeman to fulfil other work commitments .
by clicking “sign up” you are agreeing to our terms and conditions . you can unsubscribe at any time . for more information about how to do this , and how immediate media company limited ( publisher of radio times ) holds your personal information , please see our privacy policy .
website is owned and published by immediate media company limited . urltoken © immediate media company ltd 2018 .
2018 © british council , the photographers & the authors . the british council is the united kingdom ' s international organisation for cultural relations and educational opportunities . a registered charity : 209131 ( england and wales ) sc037733 ( scotland ) .
© 2018 time out england limited and affiliated companies owned by time out group plc . all rights reserved . time out is a registered trademark of time out digital limited .
our site uses cookies . by continuing to use this site you are agreeing to our cookie policy .
[ new york , ny ] : bbc worldwide americas , inc . , [ 2014 ]
burbank , ca : distributed in the usa and canada by warner home video , inc . , [ 2014 ]
television adaptation of ( work ) : doyle , arthur conan , 1859 - 1930 . adventure of the empty house
television adaptation of ( work ) : doyle , arthur conan , 1859 - 1930 . sign of four
television adaptation of ( work ) : doyle , arthur conan , 1859 - 1930 . adventure of charles augustus milverton .
benedict cumberbatch , martin freeman , mark gatiss , una stubbs , rupert graves , louise brealey , amanda abbington .
the question on everyone ' s lips is finally answered as the hugely popular sherlock returns in three brand new action - packed adventures . with the demise of moriarty , sherlock finds himself locked in another mind battle with the powerful charles augustus magnussen , who is holding the secrets of the world at his fingertips . once again the game is on for sherlock holmes and dr . john watson !
with the demise of moriarty , sherlock finds himself locked in another mind battle with the powerful charles augustus magnussen , who is holding the secrets of the world at his fingertips . once again , the game is on for sherlock and john in the empty hearse ; the sign of three ; and finally , his last vow .
originally broadcast on television in great britain in 2014 on bbc one . originally broadcast on television in the united states on pbs in 2014 as a part of the television program masterpiece mystery .
special features : the fall ; fans , villains & speculation ; shooting sherlock .
disc one . empty hearse ; sign of three - - disc two . his last vow .
dvd , ntsc region 1 , anamorphic widescreen ( 16 : 9 ) presentation ; 5 . 1 dolby digital .
in english ; english subtitles for the deaf and hard - of - hearing ( sdh ) .
altadena library district catalog › results of search for ' su :
drama .
and au : cumberbatch , benedict , and su - geo : great britain . and su - to : detective and mystery television programs . '
results of search for ' su :
drama .
and au : cumberbatch , benedict , and su - geo : great britain . and su - to : detective and mystery television programs . '
hartswood films production for bbc wales in co - production with masterpiece ; created by mark gatiss and steven moffat .


dash akol ( in persian : داش آکُل ) is a 1971 iranian drama film directed by masoud kimiai .

it was adopted from a short story of the same name written by sadegh hedayat in his short story collection , three drops of blood .

dash akol

dash akol said ,
five years ago i met him on a trip to kazerun .
there is no remedy for a mad man but a chain ( “dash akol” , p . 50 )
when dash akol reached the garden of the haji ' s property , the service had already finished . several
the onlookers dashed up and tried to help dash akol stand . blood dripped from his side . dash akol put his hand over his wound and tried to stagger against the wall , but he fell again . soon after the onlookers carried him home .
an interdisciplinary study of narrative structure in dash akol as a short story and dash akol as a movie
by dashti , azam ; hadidi , yaser - k @ ta , vol . 17 , issue 1 , june 2015 | online research library : questia
the story opens with an encounter between dash akol and his rival , kaka rostam ( kākā rostam ) . over the years dash akol has tangled with and has put his nemesis firmly in his place on more than one occasion , and hence is pursued by kaka rostam who yearns for revenge . just as kaka rostam extends a challenge to settle accounts once and for all , an individual arrives to inform them that hajji ṣamad , a wealthy merchant , has died and has appointed dash akol executor of his estate . dash akol proceeds to the dead man’s house to extend his sympathies to the mourning widow . there , from between the curtains , he happens to see hajji ṣamad’s young daughter , marjan ( marjān ) , who has come to catch a glimpse of the famous luṭi . dash akol is transfixed . “her eyes had done their work . dash akol’s state of mind was changed ; he cast down his eyes and blushed” ( “dash akol” , p . 44 ) .
haji , god rest his soul , always said , ' there is one man around here and that is dash akol .
'
from this point on , dash akol lost all his clout . no one would respect him , not even the help in the kitchen .
the next day , when news of dash akol ' s injury reached haji samad ' s household , valikhan , haji ' s oldest son , came to visit . when he reached dash akol ' s side , he saw that dash was pale and wan . bloody saliva dripped from his mouth and his eyes wandered as he painfully drew each breath .
dash akol is greatly respected in shiraz as an honorable man who has lost his family ' s money through helping his friends . he has an enemy , however , named kaka rostam , a mean and spiteful person . dash akol , who is in his forties , falls in love with marjan , daughter of the late haji samad , for whose estate he is the executor . but he keeps his love secret . one day a suitor asks for marjan ' s hand , and dash akol considers it against his code of honor to refuse . on the night of the wedding , dash akol hands over responsibility for the family to the bridegroom . as he is leaving the house , however , kaka rostam is waiting for him and a fight ensues . kaka rostam stabs him in the back , but dash akol succeeds in killing him . on his deathbed , dash akol sends his parrot to marjan with the confession of love he has taught it .
kaka rostam approached dash akol with clenched hands . each lunged for the other and began tussling . for half an hour they rolled on the ground , sweating profusely , but neither could claim a victory . in their struggle , dash akol ' s head suddenly struck the pavement and he nearly lost consciousness . kaka rostam , too , although fighting for dear life , was losing his strength . then he saw dash akol ' s cutlass jammed into the ground . with all his strength , he drew the cutlass out of the ground and stabbed it into dash akol ' s side . the force of the act rendered both combatants motionless .
dash akol cut him off ,
god knew you well when he gave you only half a tongue . tonight i ' ll cut the other half out .
classic from the 70s , before my time . esfandiar monfaredzadeh ! note : never mind the gol sorkhi pic , just a random google thinking it was dash akol : s
he fell silent again . valikhan took out his silk handkerchief and wiped his eyes . dash akol lost consciousness and died one hour later . everyone in shiraz grieved for him .
hamid naficy , “ iranian writers , iranian cinema , and the case of dash akol , ” iranian studies , xviii , nos . 2 - 4 , pp . 231 - 52 .
everyone in the teahouse broke out laughing . not so much because of kaka rostam ' s stammering - - they all knew he stuttered - - but , rather , because everyone in the city knew dash akol was one of a kind . indeed , it would have been impossible to find a scoundrel in the whole of shiraz who had escaped dash akol ' s fist .
kaka rostam had put his tail between his legs and had left . but even though he had been licked , he had vowed that one day he would get back at dash akol .
in the final scene of the story , with marjan staring at its colorful wings and hooked beak , the parrot recites , in its best imitation of dash akol’s voice , “marjan … marjan . . . you killed me … to whom can i speak … marjan … my love for you … killed me” ( “dash akol” , p . 52 ) . tears flow down marjan’s face .
the messenger was haji ' s manservant . with long strides he left the teahouse . dash akol , puffing the while on his pipe became pensive . it was as though a sudden blanket of dark clouds had descended over the mirth and laughter in the teahouse . after emptying his pipe , dash akol picked up his bird cage , handed it into the tea - boy ' s care , and went out .
conversely , everyone in shiraz loved dash akol - - even when drunk and forbidding , he would allow women and children to cross his path . in fact , he was kind to people ; if anyone dared harass a woman , or tried to bully people , dash akol made him pay for it through the nose . he could be counted on to help people in financial distress and sometimes even to carry their heavy parcels .
as he calmly turned the ice in his bowl and viewed the situation from the corner of his eye , dash akol burst out laughing , suddenly and loudly . a set of pearly teeth flashed beneath his hennaed moustache .
isaac the jew shook his head and headed down the cellar stairs . after a few minutes , he returned with a bottle . dash akol took the bottle from him , dashed its neck against the wall to open it , and quickly downed half the bottle . tears gathered in his eyes and he began to cough . he stopped himself from coughing and , with the back of his hand , wiped his mouth . isaac the jew ' s son , a sickly jaundiced child with a distended stomach , a gaping mouth and a crusted - over nose , stared at dash akol . dash akol reached up for the salt jar on the shelf above him and , with his finger , scooped up a bit of salt and licked his finger . isaac the jew came toward dash akol , tapped him on the shoulder and said ,
lutis take their drinks straight - - no relish !
suddenly a man in a velvet tunic , large trousers and a felt cap hurled himself into the teahouse . he glanced about frantically . then he went up to dash akol and said ,
haji samad passed away .
kaka rostam suddenly lunged for him . dash akol struck kaka rostam ' s wrist with such force that his cutlass flew from his hand . their litany had drawn a crowd , but no one dared come forward to break them up . dash akol laughingly said ,
i let you retrieve it this time . but i warn you . . . hold your cutlass tight . this is the night for settling our account once and for all .
his only companion and confidante in nights of drunken loneliness is an old parrot . every night , “when shiraz with its twisting streets…and purple wines , was going to sleep…the real dash akol , unashamed of his desires and passions , came out of the shell that society had wrapped around him . ” ( “dash akol” , p . 47 ) it is to the parrot that he confesses his love of marjan , reciting amorous poems , and confiding his sorrows .
dash akol is greatly respected in shiraz as an honorable man who has lost his family ' s money through helping his friends . he has an enemy , however , named kaka rostam , a mean and spiteful . . . see full summary »
from this point on , dash akol abandoned his usual nocturnal rounds and challenges and he ceased to mingle with his cronies . gradually his sense of adventure died . but the scoundrels and the louts who sought to rival him , egged on by the
reciters and prayer - book dealers were quarreling over their wages . after a considerable delay by the pond , he was ushered into the main salon . its stained - glass - doors , which overlooked the garden , were open . haji ' s wife came up to the curtain separating the men ' s and women ' s quarters . she greeted dash akol warmly . dash akol sat down on a cushion and said ,
we all miss haji . may you and your children live a long life !
dash akol recognized kaka rostam . he stood up and moved his hand to his waist . he spat and said ,
son of a coward ! you consider yourself a luti ? let me tell you , you are about to meet your match now !
who had been deprived of haji ' s property , found some breathing space . they were the toughs now . and dash akol was reduced to a mere topic at the teahouses . at the pachenar teahouse , it was rumored that they had ridiculed him saying ,
who ? dash akol ? he is an old windbag ! where is the old dog now ? good riddance ! he ' s taking advantage of the old haji , thinking he ' ll come into something . when he reaches his corner , he turns tail and runs .
everywhere he entered , people began to whisper - - they made fun of him . dash akol took this all in , but he seemed to ignore it . marjan ' s love was in his veins , so much so that his heart and mind were completely absorbed .
even on his deathbed , dash akol recognized valikhan . with a trembling voice that choked in his throat he said ,
in my life , i had only this parrot , only you . . . hold him dear . . . give him to . . .
the motif of an old man falling in love with a young inaccessible girl , recurrent in hedayat’s stories , acquires a socio - ethical overtone in “dash akol” ( fischer , p . 196 ) . the protagonist of the story , like the title characters of “ābji ḵānom” ( the spinster ) , and “dāvud - e guž - pošt” ( dāvud the hunchback ) , faces rejection in part because of physical limitations ( hillmann , p . 127 ) . after seven years a suitor , “older and uglier than dash akol himself” ( “dash akol” , p . 48 ) arrives for marjan . acting according to the society’s codes of honor and conduct , he makes the arrangements for the wedding , hands over his accounts in the presence of all , and walks out . heartbroken , he proceeds to an old haunt , drinks to forget his sorrows , and recites lines of poetry :
dash akol said ,
ma ' am , i cherish my freedom more than anything else , but now that i ' ve been entrusted to carry out a dead man ' s last wish , by the light of the sun , i swear that i ' ll set an example .
hesitating , the tea - boy smiled and glanced towards dash akol . clenching his teeth , kaka rostam spat out ,
let those who have the ga . . gall to face me come out tonight for a bi . . bi . . bit of man - to - man business !
dash akol cast a threatening look at the tea - boy who , recognizing his precarious situation , decided to ignore kaka rostam ' s order . instead , he made himself busy taking the tea glasses off the large brass tray , dipping them in hot water and carefully drying each until it glistened and screeched .
akol and kaka rostam were such bitter enemies that each would shoot at the other ' s shadow if he could . one day dash akol had crouched contentedly on the dais of the domil teahouse , his usual haunt . a delicately - wrought bird cage , covered with a fine red cloth , stood next to him . as he sat , he stirred the ice floating in a bowl with his fingertip . suddenly , kaka rostam stepped through the door . with one hand on the sash at his waist , he tossed dash akol a contemptuous sneer and stalked to a seat on the opposite dais . he then turned towards the tea - boy and stammered ,
bo . . bo . . boy , bring me a cu . . cu . . cup of tea !
just then , kaka rostam arrives and the two proceed to settle their old feud . dash akol places his dagger aside in an act of manliness , and it is with this very dagger that he is mortally wounded . he succumbs to his wounds the following day , but not before entrusting his parrot to marjan .
“ dāš ākol ” ( translated as “dash akol” by richard arnt and mansur ekhtiar , 1979 ) , one of the eleven stories in se qaṭra ḵun ( three drops of blood , tehran , 1932 ) , the first collection of short stories by the eminent fiction writer sadeq hedayat ( hedayat , sadeq , 1903 - 1951 ) .
he put his hand down and drew his cutlass . kaka rostam , who looked like rostam painted on the wall of the bathhouse , also pulled out his cutlass . dash akol jammed the tip of his cutlass into the ground , stood by and ritually lowered his head to his chest saying ,
whoever considers himself a luti can try to pull this cutlass out .
“dash akol , ” like most of the short stories hedayat wrote from the late 1920s to the mid - 1930s , is full of local color , and depicts a traditional social setting . it weaves the tragic life and death of a man with the accounts of a fast disappearing era ( etteḥād , p . 214 ; naficy , p . 244 ) . told by an omnipresent , third - person narrator , “dash akol” is recognized as a coherent , well - structured short story ( golširi , p . 661 ; mirṣādeqi , p . 99 ) , and “a minor masterpiece in its own way” ( katouzian , p . 127 ) , in which dialogues are “well constructed and convincing” and the “colorful idiom of ordinary people’’ is captured remarkably ( yarshater , pp . 321 - 22 ) .
the relationship between literature and film has been the subject of numerous reflections and analyses . most critics see art , literature and film in terms of a living mosaic , a dynamic intersection of textual surfaces ( sanders , 2006 , p . 3 ) . the very quality can be seen in a quite successful adaptation of the short story of
dash akol
into a movie . there are debates around dash akol ' s success as a film and the degree to which it remains faithful to the source text . apart from all these controversies surrounding the dialectic between the two genres , one obviously based upon the other and borne from it , it goes without saying that the movie has brought the short story into the limelight , successfully targeting and winning over the attention of a wider audience .
the repetition of allegories , phrases , and expressions , like rhymes in poetry , creates a rhythm in the text . at the same time , the final ambiguity of the story implies a suspension of judgement , leaving the reader with uncertainty , and a choice . was marjan aware of dash akol’s affections before the parrot’s confession ? were the tears she shed tears of sympathy and sorrow , or love and affection ?
translations . “dash akol” is translated into english by richard arnt and mansur ekhtiar ( sadeq hedayat : an anthology , modern persian literature series 2 , usa , 1979 , ehsan yarshater , ed . , usa , 1979 , pp . 41 - 52 ) ; by kimberly a . brown and iraj bashiri in 1995 ; by siavosh danesh ( sadeq’s omnibus : a collection of short stories by sadeq hedayat , tehran , 1971 ) ; and also by kambiz parsai ( available at the official website of sadeq hedayat foundation , urltoken . a bilingual collection of hedayat’s short stories , translated in korean by gyoseob shin , is published in two volumes . the first volume of the collection includes “dash akol” and several other short stories . the story is also translated in french by derayeh derakhshesh in l’abîme et autres récits , paris , 1987 .
in 1971 masʿud kimāʾi produced a film based on this story to great acclaim . he skillfully transformed into images some of the descriptive passages of the story , and recreated the ambiance of turn - of - the - century iran ( naficy , p . 246 ) . it featured many leading actors in the iranian cinema , including behruz voṯuqi and bahman mofid , who played the roles of dash akol and kaka rostam , respectively .
valikhan took the parrot ' s cage to his home . that afternoon marjan put the cage in front of her and stared at the bird ' s multi - colored wings , hooked beak and round tired eyes . suddenly the parrot , in a voice that echoed dash akol ' s , said ,
marjan . . . marjan . . . you ' ve killed me . whom can i tell ? marjan , your love has killed me .
anxiously the teahouse owner checked over the samovar and said ,
did he ever disarm rostam ! one old samovar ' s all we had , and he ' s done it in .
even though the innkeeper said this in a sorrowful tone , his allusion to rostam fueled the laughter . frustrated , the innkeeper attacked his apprentice , but dash akol , smiling , pulled out a small money purse and dashed it onto the floor . the owner picked up the purse , weighed it , and grinned .
dash akol remembered quite well that only three days before , in the domil teahouse , kaka rostam had threatened to take him on . but he knew kaka rostam well enough to know that the latter , along with emam qoli , had plotted to make him lose face ; he decided to ignore them . he , thus , went on his way . as he went , marjan dominated his thoughts . he thought of no one but marjan and could not erase her from his mind , hard as he tried .
from that day forward , dash akol got caught up in haji ' s affairs . with the help of an expert dealer , two neighborhood toughs and a scribe , he made an inventory of haji ' s possessions . he disposed of what needed to be sold , and he locked and sealed the rest in a storeroom . he had the deeds of haji ' s estate read to him , collected what was owed the estate , and paid its debts . he took care of all of this in two days and two nights . on the evening of the third day , exhausted , he headed for home . reaching seyyed haj gharib intersection , he bumped into emam qoli , the smith . emam qoli said ,
for two nights now , kaka rostam has been waiting to take you on . last night he said , ' there ' s a fine way to keep a deal . it seems he has forgotten his promise .
' dash akol ran his fingers through his moustache and said ,
don ' t you worry about that .
his father had been one of the notable landowners of the fars province . when he died , his legacy had gone to his only son . but dash akol , carefree and a spender , felt no allegiance to money ( or to other worldly things ) . he devoted his life to heroic deeds , restoration of people ' s lost freedoms and philanthropy . he was a simple man , attached to none other than these goals . the money that he took in found its way either to those who were in greater need or to his diversions . these were to sit drinking strong brands of
it seemed as though this news shocked dash akol . again he looked the messenger over and rubbed his forehead , pushing back his egg - shaped hat and revealing a bit of the untanned head . then he shook his head , pulled out his gilded - stemmed pipe , filled it with tobacco , tapped it down , lit it and said ,
may god bless the haji . what ' s done is done , but he really shouldn ' t have . this will cause a lot of trouble for me . anyhow , you go on ahead . i ' m on my way .
as he turned his head , through the slit of a curtain , he saw the flushed face and the ravishing black eyes of a young girl . for a moment their eyes met , but the girl , as if coy , dropped the curtain and left . could she be called beautiful ? perhaps . in any event , her stunning eyes had worked their magic and had turned dash akol ' s life upside down . his face flushed ; he dropped his head . this young girl was marjan , haji samad ' s daughter . bursting with curiosity , she had come to meet the town ' s hero and their protector in person .
if one of haji ' s children fell ill , day and night he would hover over the child like a nervous mother . little by little , he found himself strongly attached to them , but his feelings for marian were something else - - no doubt it was his love of marjan that helped him remain so calm . little by little , the children were ready to leave the nest . and then , that which should not have come to pass came about : a suitor asked for marjan ' s hand - - and on top of it all - - who was the husband - to - be but a man older and uglier than dash akol himself .
then he slipped his hand under dash akol ' s tunic material and said ,
what are you wearing ? this tunic ' s completely out of fashion . whenever you want to part with it , i ' ll gladly take it off your hands for a good price .
dash akol smiled sadly ; he took some money from his pocket , placed it in isaac the jew ' s palm and left . it was almost dusk . his body felt warm , his mind was muddled and his head ached . the alleys were still damp from the afternoon rain and the smell of the straw in the mud covering the walls blended with the perfume of orange blossoms in the air . frozen in his mind were marjan ' s face , flushed cheeks , black eyes with long eyelashes , and soft curls framing her forehead . his past memories flashed before his eyes one by one . he remembered his trips with his friends to the tombs of sa ' di and babakuhi . sometimes a smile touched his lips ; sometimes a frown wrinkled his brow . the thing that was the clearest to him was that he was afraid of his own home ; his present situation was unbearable - - he had lost all interest in it . he wanted to go away , far away . the thought of drinking all night and pouring his heart out to his parrot crossed his mind . all of his life seemed useless - - shallow and without meaning . a poem came to mind - - in a fit of impatience , he murmured :
of opium a day and who was always causing trouble . and now that dash akol had insulted him in the teahouse , kaka rostam sat back and chewed his moustache , smarting with anger . after a while , the laughter in the teahouse had died down , but the tea - boy , pale - faced , wearing a collarless shirt , skullcap and pantaloons , continued to twist and turn , laughing and making the others in the teahouse laugh . eventually , kaka rostam lost control . he grabbed the crystal sugar - cube container and threw it at the teaboy ' s head . the sugar bowl hit instead the top of the samovar , where a pot of tea was brewing ; the whole thing got knocked over , breaking a number of cups in the process . bursting with anger , kaka rostam left the teahouse .
a few days ago , the unlucky kaka had come into the neighborhood and , seeing no opponent , had begun to throw his weight around . suddenly , out of nowhere , dash akol had arrived to ridicule him ,
kaka ? where ' s the man of the house ? did you smoke an overdose of opium ? man , it has affected you ! but let me tell you my friend , put these cowardly , dastardly pranks aside . you ' re behaving like a lout and you are not even ashamed of it ! is this a new method of begging ? why do you abuse people by stopping them on their way home night in and night out ? try it again and , by pourya the valiant , i shall teach you a lesson . i ' ll slice you in half with this cutlass .
dash akol was a thirty - five - year - old man , robust but rather ugly . seeing him for the first time , most people would be repulsed . but once they sat and listened to his stories , or heard about his exploits from others , they would find themselves attracted to him . those who were able to ignore the scars on his face found him a noble and attractive man with coal - dark eyes , black , bushy eyebrows , prominent cheekbones , a slender nose and an ebony beard and moustache . what had disfigured his face were the many wounds inflicted upon it . on his cheeks and forehead were the traces of saber cuts - - cuts that had healed quite unattractively , exposing shiny pink flesh . the worst of these had produced a tuck under his left eye , disfiguring the left side of his face .
he recited the poem with grief , disappointment and bitterness ; then , as though losing patience , or because his mind was elsewhere , he fell silent . it was dark outside when dash akol reached his usual corner , sar - e dozak . here was the same square he had spent most of his time defending during his youth . no one had dared to come forward to challenge him . without thinking , he walked over to the front stoop of a home , sat down and pulled out his pipe . he felt that the place had deteriorated ; people , like himself who had become old and broken , had changed . his eyes swam in front of him and his head throbbed . suddenly , a shadow approached him . then he heard a voice ,
c . . cowards sneak ou . . out at n . . night !
he tried not to let on the depths of his sadness . on the contrary , he tried hard to occupy himself with the gathering together of the dowry . for the evening of the marriage vows , he pulled together a great feast and brought haji ' s wife and children back to their home . the large entry hall with stained windows to the yard he assigned as a salon for receiving the gentlemen . and he invited all the important men of shiraz , including the merchants and the city fathers . at 5 : 00 p . m . that day , when the guests crowded ear - to - ear in the halls and covered the finest carpets and when sweets and fruit had been laid in front of them , dash akol appeared in the same way as before with half - tousled hair . he wore a quilted cashmere tunic that reached below his knees , cut across by the shoulder - strap of his cutlass , a cashmere belt , black - twill trousers , hand - woven cotton shoes and a brand new felt cap . three men carrying various - sized ledgers followed him . everyone stared at dash akol as with long strides he walked over to the imam jom ' eh and said ,
your reverence , haji - - may god rest his soul - - made a will and for seven solid years has kept me in no end of trouble . his youngest son who was only five is now twelve .
pointing to the three men with ledgers who had followed him , he continued ,
these show haji ' s assets and belongings . all the expenses to date , including tonight ' s , i have paid out of my own pocket . now it is time for each party to go his separate way .
at this moment he could not go on for a sob choked his throat . without adding anything , nor waiting for an answer , he dropped his head and , with tear - filled eyes , walked out of the house . as soon as he was out , he took a deep breath . he felt he had been set free , that the burden of responsibility had been lifted off his shoulders . but deep down , his heart was broken . with long strides he wandered aimlessly until he recognized isaac the jew ' s house . without hesitation , he crossed over the damp bricks into the interior of the decrepit , polluted courtyard which , surrounded by filthy hovels and a myriad of small windows , resembled a giant beehive . a coat of green slime covered the small pond in the courtyard . a sour smell hung in the air . laughing artificially , isaac the jew - - thin , with a soiled skullcap , goatee and greedy eyes - - approached him . dash akol , not in the mood for small civilities , said ,
upon both halves of your moustache , give me a bottle of your finest brew to refresh my throat .
he ' d also purchased a parrot to keep himself company . he would sit in front of the parrot and pour out his heart . if dash akol were ever to ask for marjan ' s hand , her mother would be delighted to oblige . but on the other hand , he didn ' t want to be tied down by a wife and family . he wanted to be free as he had been born and reared to be . besides , he felt that if he married the girl who had been his charge , it would be a betrayal of haji ' s trust . worst of all was his face . every night he surveyed himself in the mirror : the scars , the tell - tale marks and the permanently disfigured left side . sadly he would say to himself ,
marjan would never love me . most likely , she ' ll find a handsome , virile young man for a husband . . . no . this is far from chivalry . she ' s a mere child of fourteen while i ' m forty - years old . what ' s to be done ? this love will be the death of me . marjan , you ' re killing me . in whom can i confide ? marjan , your love is killing me .
some parts of this page won ' t work property . please reload or try later .
go behind the scenes of the mission : impossible movies , check out the latest videos and trailers , and see which spy movies topped the box office in our mission : impossible guide .
want to share imdb ' s rating on your own site ? use the html below .
reza motori , who has feigned madness , escapes from an asylum and robs a factory , with the aid of a friend . afterwards , a young writer , who looks exactly like reza , visits the asylum in . . . see full summary »
wounded by the police , a thief looks up his old friend in order to leave the proceeds of his theft with him . instead , he finds that his friend is a drug addict . he sticks around to try and . . . see full summary »
recently have been released from jail , ebi makes a bet with his friend that he goes and drinks in seven bars without even paying any money .
desiderium lyrically charts the hapless loves of a three brother : majid , they young handicapped brother with a deformed head falls in love with aghdas , a prostitute hired by his eldest . . . see full summary »
this film , based on a well - known novel of the same name by sadegh chooback , is about a wronged man seeking revenge . director amir naderi ' s inspiration for making the film was one of his . . . see full summary »
there is an old saying in farsi ,
if you catch a toughi to keep , it will bring bad omens to the members of the family
. . . . and that ' s what happens to a very close nit family when toghi is . . . see full summary »
a wealthy man who has a company deceive a naive girl atefeh ( gogoosh ) who thinks he wants to marry her . atefeh goes to the north of iran to find the wealthy man . her father gives ali ( . . . see full summary »
a young guy ( behrouz vossoughi ) who is dreaming to go to america is trying to manage the money by stealing it , then one day he meets a wealthy girl ( gogoosh ) .
amir who was in jail for a murder gets free after twelve years behind bars and finds that now there is a huge gap between his generation and his brothers ' .
golrokh an iranian lady who is a talented author struggles to settle her presumably disloyal but amorous husband ' s debts that his business partner has caused and left him to bear the . . . see full summary »
banafsheh , a young prostitute who has fled with a man to the seaside in hope of starting a new life has to return to her profession as she learns about the betrayal of her lover . penniless . . . see full summary »
forget about the technical limitations that the movie has . forget about the fact that for some strange reason in most iranian movies the actors ' real voices were not used and everything was dubbed ( annoying ) . the movie version of this beautiful story was written very well and acted superbly . it is hard to believe how moved i was to see this movie at a tender age of 10 and for it to have had such a life - long impact on me . mary apick , a young girl herself , was fantastic , as usual . it is obvious that acting is in her blood . although the story takes place many years before the movie was made , it appropriately demonstrates certain aspects of the iranian culture that is still very much alive . if you don ' t speak persian , look for a copy of this movie with subtitles . you ' ll love it .
15 of 19 people found this review helpful . was this review helpful to you ? yes no | report this
mayabazar telugu full length classic movie | | mayabazar color | | n . t . r , a . n . r , s . v . r
kiosk
yarom bia
( ft , mohsen namjoo ) , by mostafa heravi 2009
( sergei parajanov 1968 ) .
html public
- / / w3c / / dtd xhtml 1 . 0 transitional / / en
urltoken
‘kol’ evokes association with ‘kolu , ’ a respected local luṭi ( see luṭi ) group in shiraz that adhered to the virtues of javānmardi ( maḥjub , pp . 121 - 23 ) an ethical system dominated by bravery , and moral and spiritual nobility . the word in combination with ‘ā , ’ short for āqā ( see aqa ) , and ‘dāš , ’ a word of turkish origin meaning brother , offers an apt title for a story that tells the tale of a gallant and respected luṭi who lived in shiraz in early 20th century .
convinced that he is too old , scarred , and ugly to presume to ask for marjan’s hand in marriage , he forgets all else and devotes himself to the deceased hajj ṣamad’s affairs . he organizes the assets , increases returns , and takes care of the family’s every need at his own expense . paying no attention to the taunts of old habitués , he forsakes his old haunts , and effectively removes himself from his previous life .
moḥammad bahārlu , ed . , ʿešq o marg dar āṯār - e hedāyat , tehran , 2000 . tehran 1997 .
hušang etteḥād , pažuhešgarān - e moʿāṣer - e irān , 6 , tehran , 2003 , p . 214 .
michael fischer , mute dreams , blind owls , and dispersed knowledges : persian poesis in the transnational circuitry , durham & london , 2004 .
hušang golširi , “ṣādeq hedāyat va taḥlili az dāš ākol , ” bāḡ dar bāḡ , ii vols . , tehran , 2008 , pp . 280 - 84 .
ṣādeq hedāyat , “dāš ākol , ” in moḥammad bahārlu , ed . , majmuʿa - ʾi as aṯār - e ṣādeq ḥedāyat , tehran , 1993 , pp . 135 - 48 .
michael craig hillmann , “hedayat ii : themes , plots , and technique in hedayat’s fiction” , encyclopaedia iranica xii / 2 , 2003 , pp . 127 - 130 .
behruz šeydā , “vaqti ke qodrat mimirad , ” in idem , dar suk - e ābi - e ābhā , stockholm , 2004 , pp . 237 - 46 .
ehsan yarshater , “sadeq hedayat : an appraisal , ” in ehsan yarshater , ed . , persian literature , albany , new york , 1988 , pp . 318 - 23 .
idem , sadeq hedayat : an anthology , modern persian literature series 2 , usa . , 1979 .
ḡolām - ḥosayn yusofi , “rend - i andišavar , ” in idem , didār - i bā ahl - e qalam : dar bāra - ye bist ketāb - e naṭr - e fārsi , 2 vols . , mašhad , 1988 , ii , pp . 309 - 57 .
ḥamid zarrinkub , “zabān - e dāstān dar āṯār - ṣādeq hedāyat , ” in ʿali dehbāši , ed . , yād - e ṣādeq hedāyat , tehran , 2001 , pp . 756 - 67 .
moḥammd jaʿfar maḥjub , āyin - e javānmardi yā fotowwat , new york , 2000 .
sohila saremi , “dāš ākol , ” encyclopædia iranica , online edition , 2011 , available at urltoken ( accessed on 20 september 2016 ) .
submitted tags will be reviewed by site administrator before it is posted online . if you enter several tags , separate with commas .
( optional ) enter email address if you would like feedback about your tag .
ignored , and therefore insulted , kaka rostam shouted ,
a . . . are you deaf ? i ' m talking to y . . you , boy !
he said ,
only cowards brag . . . we ' ll see if you can put your money where your mouth is !
at isaac the jew ' s , he toured the dozak neighborhood . no one , including kaka rostam or his own grandfather , dared challenge his authority . kaka rostam knew better than everyone else that he was no match for this man who had injured him twice and who had humiliated him not only by flooring him but by sitting on his chest .
what do you take me for ? a grave - robber ! go tell the ghouls .
you don ' t understand . you ' ve been appointed the executor of his estate .
haji ' s wife , choking with emotion , said ,
the evening that haji took sick , the imam jom ' eh was called and , in the presence of witnesses , haji appointed you executor of his estate . did you know haji from before ?
proclaim his presence at the intersections or haunt local gatherings accompanied by his retinue of followers . so much for his faults and his merits . the unbelievable thing , however , was that he had never had a great love in his life . several times his friends had tried to set him up and , each time , he had shied away . but from the day he first became the executor of haji samad ' s estate and set eyes on marjan , his life had taken a new turn .
on the one hand , he had made a vow to a dead friend and was bound by a sense of responsibility . on the other hand , he had fallen under the spell of marjan . the former responsibility weighed on him more . the man who had squandered away his own property , giving it to the wind , as it were , would now get up early in the morning with the single thought of increasing haji ' s income . he moved haji ' s wife and children to a smaller house , rented out their home , and hired a tutor to teach the children . he put haji ' s wealth to work and , from dawn - to dusk , he toiled over haji ' s affairs .
kaka rostam with his venomous , stammering voice cried out ,
he has one foot in the g . . g . . grave , yet he ' s fallen in love w . . w . . with samad ' s daughter . his sword is hung up for g . . g . . good ! he ' s pulled the w . . w . . wool over everyone ' s eyes and is living off ha . . haji ' s wealth . what a lucky d . . d . . dog !
i envy the getting together of prison inmates , the sweetmeats of their gatherings are the links of their chains .
kaka rostam laughed jeeringly and stammered ,
it . . it ' s been a long t . . time since you ' ve been around . tonight there ' s a w . . w . . wedding at haji ' s . didn ' t they let you in ?
html public
- / / w3c / / dtd xhtml + rdfa 1 . 0 / / en
urltoken
china remains open for trade with foreign partners and can only benefit from an . . .
three key lawmakers have asked president hassan rouhani to significantly limit the . . .
non - oil trade with the brics nations during the last fiscal ( ended march 20 ) declined . . .
the us is demanding zero purchases of iranian oil by november , and if that were . . .
facing harsh criticism from the public and prompted by a deadline set by authorities , . . .
can ' t find a movie or tv show ? login to create it .
by signing up for an account on tmdb , you can post directly to twitter and facebook .
you need to be logged in to continue . click here to login or here to sign up .
the films of the oliver leaman edited companion encyclopedia of middle eastern and north african film .
this product uses the tmdb api but is not endorsed or certified by tmdb .
although updated daily , all theaters , movie show times , and movie listings should be independently verified with the movie theater .
it can be observed that the public is always attracted to hollywood and western movies replete with erotic and sexual incitements . …
the western journal of black studies , vol . 34 , no . 2 , summer 2010
peer - reviewed publications on questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article ' s author ( s ) .
an unknown error has occurred . please click the button below to reload the page . if the problem persists , please try again in a little while .
we use cookies to deliver a better user experience and to show you ads based on your interests . by using our website , you agree to the use of cookies as described in our