the rug maker 's daughter is a 1915 american adventure silent film directed by oscar apfel and written by julia crawford ivers .

the film stars maud allan , forrest stanley , jane darwell , howard davies , herbert standing and laura woods cushing .

the film was released on july 5 , 1915 , by paramount pictures .

the rug maker ' s daughter

the rug maker ' s daughter movie cast , crew and synopsis . find out the exact the rug maker ' s daughter 1915 film release date and the full information about its cast and crew . new high quality the rug maker ' s daughter pictures behind the scenes . best photos from the set can be used as hd wallpapers ! buy movie on dvd or watch it in theatre . if you have already watched the rug maker ' s daughter please rate it and leave your review !
the firework maker ' s daughter is a wonderful entertainment : how often can we say that of a new opera ? . . . . david bruce ' s score is a constant delight , from a cappella anthems to exotic percussion effects . . . . . nowadays operas so often disappear without trace after their first run , but i am confident that the firework maker ' s daughter will return soon and often .
this week the linbury studio theatre attracted an audience of the more minute variety with its dazzling production of the firework - maker ' s daughter . . . . with music composed by david bruce and a libretto constructed by glyn maxwell , the narrative enjoyed a vivid dramatisation that was brimming with energy .
like the pyrotechnics “the firework maker’s daughter” longs to create , this new opera for children is a delightful , low - tech throwback to a time before cgi took over the world . . . . . a hardworking company of five opera singers perform david bruce’s score , an eclectic blend of bollywood pop , balinese gamelan percussion and chinese opera , played onstage by a nine - piece ensemble . . . . . . by the end of “firework maker’s daughter , ” lila learns that magic ingredients are not as important as her own talent and courage . that’s true of the creators of this opera , too , who crafted a charming , moving tale from the simplest materials .
musically , the opera is at its best in the stiller moments : when lila is alone in the jungle , and at the culmination , a gigantic firework display competing for the king ' s approval . here , bruceâ€™s liquid and inventive score breathes .
in marked contrast to panto hysterics , the gentle humour of the firework - maker’s daughter offers genuine laughs around a core of substance , while its inventive , attractive , through - composed music and splendid un - miked voices provide a great introduction to opera for young people .
little sisters of the poor ( 1912 , now st . joseph ' s home )
there are two ways of looking at the firework - maker ' s daughter , david bruce ' s 2013 adaptation of philip pullman ' s novella . the first is as a model of how to conjure in sound an unspecified location in the far east , and pace a children’s adventure with pirates , supernatural beings , a love - struck elephant , comedy , peril and pyrotechnics . the second is as a lesson in what opera , as opposed to music theatre , can do and how it does it .
foote , h . s . pen pictures from the garden of the world or santa clara county , california . chicago , il : the lewis publishing co . , 1888
in this huge - hearted , fast - moving caper . . . the enchantment comes from the energy of the performers , the ingenuity of guy hoare ' s lighting , and the beauty of bruce ' s music . scored for a small band including accordion , harp and an array of gamelan - like percussion . . . the [ opera ' s ] patina is sharp , sweet and metallic , the rhythms punchy , the melodies fluid and expressive . . . . .
musically the whole thing works a treat , thanks to glorious singing by fagan , and to the playing of the chroma ensemble under alice farnham’s direction . bruce’s instrumentation , dominated by marimbas and strings , creates a welcoming musical world .
the firework - maker ' s daughter was another highlight of my spring season . a children ' s opera , you ask , gentle readers ? yes : and an opera that used small forces creatively , is both humorous and poignant , critiques sexism in opera and society ( hooray , ) and boasts well - set text and memorable music .
trippy indie madeline ' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
the firework maker ' s daughter is a 2013 chamber opera by award - winning composer david bruce and librettist glyn maxwell - based on the fairy - tale adventure by acclaimed children ' s author philip pullman . the opera was acclaimed by sold - out audiences and critics alike for its opening run at the royal opera house london , and in the new victory theatre new york , as well as on tour across the uk in 2013 . it proved so popular that it was revived only 2 years later with a 27 performance run at the royal opera house lindbury studios in december 2015 .
the reform candidate . dir . : frank lloyd , sc . : julia crawford ivers ( pallas pictures us 1915 ) cas . : maclyn arbuckle , malcolm blevins , si , b & w ; 35mm . archive : usl . the rug maker’s daughter . dir . : oscar apfel , st . : julia crawford ivers ( bosworth , inc . us 1915 ) cas . : maud allan , jane darwell , si , b & w . archive : gbb .
demetra , daughter of a turkish rug - maker , falls in love with american millionaire robert van buren . they plan to elope to new york , but osman , to whom it has been arranged that demetra will marry , kidnaps van buren . osman traps demetra in new york , but van buren is able to rescue her .
the mcnear company , san rafael ; w . s . dickey clay manufacturing co . , decoto / niles
more than anything else in the world , lila wants to be a firework - maker . but every firework - maker must make a perilous journey to face the terrifying fire - fiend ! can lila possibly survive ? especially when she doesn ' t know she needs special protection to survive the flames . . .
the challenge of writing for the much - younger set appealed to the composer :
it ' s almost the best audience to be aiming for ,
he said .
you force yourself to be as clear as possible .
check out highlights from some of the best recent trailers including mandy , the predator , zoe , and the king of thieves .
appendix to the journals of the senate and assembly of the 27th session of the legislature of the state of california . claim of d . jordon ( p . 12 ) , v . 8 , sacramento , 1887
“hawaii’s fire goddess aids in film making . ” the washington post ( 8 apr . 1923 ) : 59 .
i am attracted in this story to the far eastern setting and the possibility that it offers me to create a distinctive sound - world for the piece . as a composer i have often drawn influence from folk idioms from around the world , and am attracted to the idea of creating my own kind of ' imaginary folk music , which is somewhat familiar , but also new and unknown . the firework maker ' s daughter similarly occupies some kind of familiar but unknown imaginary land with elements of thailand , china , india and indonesia all wrapped together and intermingling .
. . . between bevan ' s delightful lila , bruce ' s inventive score and the majestic work of puppeteers tiplady and todd , there is a great deal of magic to behold .
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“the majesty of the law . ” rev . atlanta constitution ( 22 aug . 1915 ) : b4 .
in writing an opera for young people around the ages of his own two children ( who are 6 and 10 ) , mr . bruce said he gave the work the same care and attention , if not more , as previous works intended for violinist daniel hope (
the given note ,
a chamber work from 2011 ) or yo - yo ma ' s silk road ensemble (
cut the rug ,
from 2013 ) . the latter will be played in october at carnegie hall , a venue that has presented three works commissioned from mr . bruce since 2006 .
its inventive staging , engaging musical writing , and charming plot , however , won me - - as well as the many children in the audience - - over completely . . . . you ' ll have to bear with me , gentle readers , as i keep using words like joy and delight in describing this work that features wagnerian allusions and a lovesick white elephant , as well as the independent heroine of the title . . . . . the score is lean but evocative , relying heavily on percussion and woodwinds , with strings coming to the fore in moments of emotional intimacy or vulnerability . . . . the wagnerian pretensions and italian bombast ( both orchestrally expressed ) of the rival firework - makers were seen off in a deeply satisfying fashion , as lila sings her art into being . like all the best fables , the firework - maker ' s daughter left me exhilarated as well as entranced .
this compilation can be used as a guide for historians and archaeologists to help identify the origins of unknown brick structures . using the information provided on the california bricks website , it is possible to make comparisons of known bricks with unknown bricks for identification and determination of the brickmaker , regardless of the presence of a maker ' s mark or not . as this is a work in progress , be forewarned that the information presented here may change with further research . for instance , preliminary information from published sources may not always be correct and should not be replied upon until verification from personal investigation . also , an investigator must be cautious of structures that have undergone renovation since the date of observation , when the original brick may have been replaced with modern brick , in which case the information in the table would no longer be current .
in the following list , the buildings are grouped by california cities in the third column and are listed in alphabetical order . some buildings have multiple types of brick and multiple brickmakers , which are listed in their respective order when known . where
street
is blank , further research will be necessary to locate the exact address of the building , which may no longer be standing . some addresses may be the original address as reported , not the current one . under source ,
pers . obs . , 2001
indicates that i have personally identified the brick at the site in the year 2001 .
easy to get , 1920 ; the green temptation , 1922 ; the white flower , 1923 ; married flirts , 1924 .
the table below lists the buildings and structures made of california bricks . most history books will proudly speak of their charming brick buildings and when they were built , but they often neglect to tell us the origin and maker of the bricks . for good reason , that information has not been easily available or has been lost or forgotten . in historical archaeological investigations of building sites , bricks may be among the remaining artifacts , yet little or nothing is known about them . another major concern is the disappearance of older brick buildings where examples of early bricks are no longer available for study . the absence of such information can result in the incomplete knowledge and understanding of the history and archaeology of a region .
for those who may not be aware , this work is occasionally cited as one of those many lost treasures of the silent era ; and that ' s especially case since maud allan the famed modern dancer participated in the performance . allan was one of the leading competitors of isadora duncan , and held an especially strong following in england during ww1 , but today it ' s her fellow canadians , modern dance researchers , true crime enthusiasts ( her brother ' s arrest for two murders in san francisco was said to be the tragedy she drew upon emotionally for her style ) , gays , lesbians , and feminists who are particularly interested in her story . if anyone has this film , please contact me , as i am researching . in return i would be able to provide some general knowledge about ms . allan ' s former residence here in san francisco , the institutions she participated in , and the city ' s culture at that time .
even if the target audience for this show is only a fraction older than the babies born in bruce ' s 2006 opera push ! , there is enough to seduce the most musically discerning parent . just don ' t take your offspring if you want them to take up a career in accountancy .
a kiss for susie , 1917 ; lost in transit , 1917 ; the trouble buster , 1917 , the wax model , 1917 .
. . . the most utterly endearing , joyous and delightful show i ' ve seen in ages . . . it ' s funny , touching , charming . . . . bruce ' s score is accessibly saturated ( in an often brittenesque way ) with eastern exoticism , pentatonic tunes , and delicately busy gamelan effects . given the dearth of good children ' s music - theatre since benjamin britten . . . this piece is something to sieze on .
“director’s burial set for today . ” obit . los angeles times ( 9 may 1930 ) : a20 .
its pentatonic melodies are evocative of the far east , too ; yet the big numbers are more like wild , irish - jig stomps . and to titillate grown - up listeners the musical allusions also pay homage to everything from purcell , stravinsky and britten to wagner’s ride of the valkyries . with amar muchhala , wyn pencarreg and andrew slater revelling in mercurial cameos , and the conductor geoffrey paterson keeping this charming score buzzing along , two hours pass joyously .
now david bruce and glyn maxwell , composer and librettist , have realised the book ' s operatic potential in a captivating chamber piece for five singers , two puppeteers and small ensemble .
. . . the same resourcefulness extends to the performers : five singers and an orchestra of nine . bruce uses an unusual band – including horn , accordion , harp and two percussionists – to create a wonderfully varied world that feels like many more players , and imitates the sounds of other instruments – banjo , gamelan orchestra – as well as the natural noises of the jungle . eastern scales and the hieratic sounds of temple bells complete the picture in an amazingly deft score , which finally lets itself off the leash for the firework show featuring a comedy german and italian , set to workshop - pastiches of wagner and neapolitan ice - cream music .
bruce ' s vivid music , skilfully played by chroma and conducted by geoffrey paterson , mixes the colours of snake - charmer piccolo , gamelan and folk - inspired accordion to delicate effect . the vocal writing . . . . has moments of strong emotional truth .
a wonderful entertainment . . . . david bruce ' s score is a constant delight
urltoken ★★★★★
a great introduction to opera for young people .
the stage ★★★★
at last : a first - rank children ' s opera
the telegraph nomiated for an olivier award - best new opera production 2014 shortlisted for a 2014 british composer award - stage works category
as a composer for whom colour and indeed humour are passionate concerns , i believe there are huge opportunities in this piece to create a vivid and rich operatic re - telling of the story , which will enhance pullman ' s wonderfully imaginative world in ways only opera can . the story has huge scope , taking in intimate personal moments - for example , lila ' s battle with her own self - belief as she struggles up the mountain ; contrasted with large operatic set pieces such as the fire - fiend ' s grotto and the elephant parade . topping it all of course , there will need to be musical fireworks , with lila ' s culminating ' display ' an extraordinary musical and visual climax . having set both a solar eclipse ( has it happened yet ? 2002 ) and childbirth ( push ! 2006 ) to music before , these are the kind of ' impossible ' musical challenges i relish
.
bruce ' s vividly coloured chamber score [ combines ] gamelan crashes and plunky pentatonics with the incongruous wheeze of an accordion to create a beguiling , imaginary hybrid of indo - european folk music .
nearly a lady , 1915 ; the american beauty , 1916 ; david garrick , 1916 ; the right direction , 1916 ; the cook of canyon camp , 1917 ; the gypsy trail , 1918 ; his majesty , bunker bean , 1918 ; huck and tom ¸1918 ; the final closeup , 1919 ; widow by proxy , 1919 ; the furnace , 1920 ; jenny be good , 1920 ; wealth , 1921 ; in a moment of temptation , 1927 .
bevil , alexander d . , the park brick yard company , the journal of san diego history , winter 1996 , v . 42 , no . 1
bruce ' s sophisticated , sympathetic score is packed full of coloratura and melisma , patter song and parody ( of wagner and bel canto ) . with percussion drawn from bhangra , gamelan and chinese opera , and string , woodwind and accordion writing that shimmies across central europe , it ' s a touch of genius that the hit song of the show , on a night like this , is scored for the simplest resources : a cappella voices , clapping hands and stamping feet .
here is where you can help ! if you have some information about brick structures that you can share , let me know so they can be added to the list . i particularly need the date of when a structure was modified or razed . if you see a brick building being demolished , send me the address and , if possible , the name or type of brick in the building .
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the immensely likeable cast play a large part in its success , as does david bruce’s economic score - which , mirroring pullman’s non - specific exotic setting , enchantingly combines eastern influences ( pentatonics and gamalan timbres ) with western folksiness ( an accordion supplies a salty tang ) . conductor alice farnham and chroma ensemble ensure plenty of zip .
for me - as i think for pullman - there is a direct connection between the sense of fantasy that can be created in the theatre and a sense of spiritual and moral questioning . in the theatre we allow ourselves to wonder - to question ' what if ' - and the question can sometimes be absurd or comical in nature , but other times be something much more profound . in a largely secular society , the theatre is one of the few places where we can still ask ourselves the big questions , and still feel wonder in all its aspects . my instinct as an artist is to set those big questions in a context that allows us to laugh , smile and relax . and this is one of the things that attracts me most about pullman ' s story - it contains both the absurd and fun elements that make theatre such a delight - talking elephants , a fire - fiend in a grotto , etc . - whilst at the same time making some fairly profound points about the creation of art , the need for self - expression , friendship , courage and love . to quote pullman again :
ingersoll , luther a . , ingersoll ' s century history santa monica bay cities , los angeles , 1908 , p . 352
bruce has woven together scintillating timbres and scales from various ‘oriental’ traditions , be it chinese , indian and indonesian , in a crafty weave using bass , harp , violin , winds , accordion and well - chosen tuned percussion subtly realised by chroma ensemble . as he says himself , he’s unashamedly interested in the ‘surface’ of the music , and this comes across in a teeming , tingling fantastical score that wittily references other operas ( a lovely wagner moment when the german firework - maker comes on , and a cod - neapolitan song for signor scorchio , his italian rival ) .
lantern slide the furnace ( 1920 ) , julia crawford ivers ( w ) . cpldg
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the result was mesmerising , a simply brilliant piece of theatre which mixed a wide variety of media into a charming and dazzling whole . no wonder the audience was pleased .
this page is dedicated to the brickmakers who helped to build our cities and towns .
there are conflicting reports on authorship of a number of ivers’ films . afi lists maclyn arbuckle and edgar a . guest as screenwriters on the reform candidate , while spehr lists her as screenwriter . afi lists alice von saxmar as a screenwriter on the stronger love , while spehr again lists ivers as screenwriter . fiaf lists ivers as the producer on the bond between , a kiss for susie , and lost in transit , while afi only lists her as the copyright holder . finally , the call of the cumberlands ( 1916 ) is believed to be directed by ivers , but is sometimes ascribed to frank lloyd .
. . . bruce ' s nine - person instrumental ensemble included an interesting mix of instruments ( violin , bass , flute , clarinet , horn , accordion , harp and two percussionists ) , with a large amount of tuned percussion ( plus one or two imaginative touches such as crumpling plastic bags ) . his sound world evoked java , gamelan and the east ( the rough location of the production ) , without being slavish . his orchestrations were magical and the sound world highly evocative .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
since my own childhood i have thought of the theatre as a colourful place of magic and fantasy and as i ' ve grown older i am still attracted to those same aspects - for me there is not really a difference between children ' s theatre and adult theatre - as i see it , it ' s all ' play ' and we are all children .
ringer , donald p .
san mateo usa , california , the golden years ,
1975
this text was printed from the women film pioneers project at columbia university . to promote readability and conserve consumable resources , images and interactive elements in the digital version do not appear in print format .
duration 50 + 45mins composed first performance the opera group , uk & us tour march - may 2013 commissioned by the opera group and royal opera house roh2 . dedicated to gosia , kaja and oskar
port costa brick works , port costa ; w . s . dickey clay manufacturing co . , decoto / niles ; mcnear brick co . , san rafael
, also commented on the relationship between writing and directing . in 1920 , she is quoted as saying that “the writer is only a helper… and sometimes very poor help . more stories have been spoiled than made by writers who tried to put them in picture form , and if many of the writers who are yelping for credit on the screen should be debited with the lack of imagination and lack of vision they display , they would have no more to say” ( giebler 951 ) . in a 1923
“widow by proxy . ” rev . the atlanta constitution ( 12 oct . 1919 ) : d5 .
bruce and the opera group have made an enchanting evening that should return for many a christmas show .
the call of the cumberlands . dir . : julia crawford ivers ( pallas pictures us 1916 ) cas . : dustin farnum , myrtle stedman , si , b & w , 35mm . archive : usw .
“the heart of paula . ” rev . new york times . ( 3 april 1916 ) : 11 .
“a son of erin . ” rev . the washington post ( 26 dec . 1916 ) : 4 .
bob and pat lane , the amador - livermore valley , a pictorial history , 1988 , p . 184
ingersoll , luther a . , ingersoll ' s century history santa monica bay cities , los angeles , 1908 , p . 176 ; daniel freeman papers , loyola marymount university
. . . an intoxicating brew . . . . the show is the operatic equivalent of a page - turner , ideally paced for an all - ages audience . . . . the family audience loved every minute of its two hours . once a buzzword , outreach has become a vital commodity . may it live happily ever after .
the majesty of the law . dir . / sc . : julia crawford ivers ( bosworth , inc . us 1915 ) cas . : george fawcett , jane wolfe , si , b & w , 35mm . archive : usw .
barbara miller , 2004 ; the larkspur heritage committee . larkspur past and present , a history and walking guide , 1991
sacramento daily union , octboer 19 , 1852 ; april 25 , 1854 ; may 23 , 1854 ; henley , james e . government in search of a permanent place to call home ; the history of the sacramento city hall , 2005 , urltoken
as a result , two particular passions of mine are likely to find their way into the music . firstly , indian music , which i have loved for many years ( i have already had discussions about the project with renowned british tabla player kuljit bhamra , who has worked specifically on incorporating tabla and aspects of indian music into the western notated tradition ) ; and secondly , home - made ' folk ' instruments - pullman mentions that in his original production , a home - made ' gamelan ' was used on stage , made out of scrap metal . i have long had an interest in such home - made instruments - for example piosenki , my song - cycle of polish children ' s poems includes a 6 foot ' lagerphone ' made from bottle tops attached to a large pole - so the idea of revisiting pullman ' s original idea is very appealing to me .
. . . . i devoured more than my own weight in maltesers , and loved it . . . . even better is david bruce’s score , ingeniously coaxed from a nine - strong ensemble ( chroma ) that strongly features an accordion and lashings of chinese - opera style biffs and bangs in the percussion department .
betty compson ( a ) the green temptation ( 1922 ) julia crawford ivers ( w / d / p / o ) . momi
hawkins , charles s . , fort point history , 1977 , p . 5 ; heig , james , teather , louise , and molten , philip , pictorial history of tiburon , 1984 , p . 23
suggested reference for this web page using kate l . turabian ' s a manual for writers : mosier , dan l . , made of bricks , 2003 , urltoken ( accessed put - date - here )
long , bruce . william desmond taylor : a dossier . metuchen , n . j . : the scarecrow press , inc . 1991 .
oakland tribune , july 29 , 1881 , p . 3 ; bagwell , beth , oakland the story of a city , p . 121
guinn , j . m . , history of the state of california and biographical record of coast counties , california , 1904 p . 1253
composer david bruce and librettist glyn maxwell , aided by creative costumes and sets , have artfully fashioned a wonderful tale that will seize the imagination .
davis , w . j . an illustrated history of sacramento county , california . chicago : the lewis publishing co . , 1890 , p . 796
davis , w . j . an illustrated history of sacramento county , california . chicago : the lewis publishing co . , 1890 , p . 670
davis , w . j . an illustrated history of sacramento county , california . the lewis publishing co . , chicago , 1890 , p . 786
oakland tribune , january 18 , 1920 ; pacific mining news of the engineering and mining journal press , aug . 1923 , p . 223 - 226
oakland transcript , january 23 , 1876 ; pettitt , george a . berkeley , the town and gown of it . howell - north books , berkeley , 1973
john rupe , 2014 ; lewis publishing co . , memorial and biographical history of the counties of fresno , tulare , and kern , california , chicago , 1891
davis , w . j . an illustrated history of sacramento county , california . the lewis publishing co . , chicago , 1890 , p . 773 - 774
featuring emotional music with hints of the far east by rising classical star david bruce . . . an eye - popping , low - tech visual delight . . .
josh higgins , written comm . , 2012 ; graffy , neal , the hotel californian , edhat . com , dec . 3 , 2009 ; pers . obs . 2012
a lady’s name . dir . : walter edwards , sc . : julia crawford ivers , cost . : lucy duff - gordon ( select pictures corp . us 1918 ) cas . : constance talmadge , harrison ford , si , b & w . archive : usm .
submit additional information and / or report errors on this page . if it is approved by imdb database managers , it will be added to the page in a future update .
nash , glen , some stake their future on brick plants , the humboldt historian , may - june 1985 , p . 19 - 20 ; pers . obs . , 2006
cooper , s . t . , thomas , j . w . , and launi , j . c . long beach art deco . arcadia publishing , 2006 ; southwest builder and contractor , july 7 , 1922 , v . 59 , no . 27 , p . 16
schlappi , jane , and ferguson , marilyn , a walking tour of historic placerville , 1848 - 1874 , the heritage association of el dorado , 1973 ; pers . obs , 2013
there is some real and tuneful singing called for too . . . . this is a delightful show , sweetly told and with just the right amount of seriousness to ballast its charm .
nash , glen , some stake their future on brick plants , the humboldt historian , may - june 1985 , p . 19 - 20 ; eureka times standard , septebmer 6 , 1956
architectural digest , 1922 , p . 51 ; masters , nathan , the evolution of a corner : downtown l . a . at figueroa & seventh , kcet , march 1 , urltoken
martin , v . c . , wood , r . c . , and bush , leon . stockton album through the years . stockton , 1959 , p . 23 ; karen ramos , 2006
vocally there were some good set pieces , a rather jolly and catchy song for the pirates and some beautiful solos for mary bevan as lila , including her gorgeous final incantation which was a long wordless cantilena .
stanger , frank m . , history of san mateo county , california , 1938 , p . 357 ; foss , werner c . , jr . , the history of ravenswood , 1942 , p . 53
herbert hagemann , jr . , a history of the city of pleasanton , 1993 , p . 43 ; livermore herald , august 13 , 1937 ; brick and clay record , september 1907 , p . 96
g . oliva , p . n . carroll , d . s . mcdonald , clauss witt , theodore w . peterson , g . d . nagle , thomas d . tobin , remillard bros . , merrill & black , diamond brick co . , hunter & shackleford , e . wilson & co . , william sharon , patent brick co
the intrigue . dir . : frank lloyd , sc . : julia crawford ivers ( pallas pictures us 1916 ) cas . : lenore ulrich , cecil van auker , si , b & w , 35mm . archive : usw .
ivers , julia crawford . interview . honolulu star - bulletin . ( 3 oct . 1992 ) . rpt . in bruce long . taylorology : a continuing exploration of the life and death of william desmond taylor . 22 ( october 1994 ) . urltoken
the gentleman from indiana . dir . : frank lloyd , sc . : julia crawford ivers and frank lloyd ( pallas pictures us 1915 ) cas . : dustin farnum , winifred kingston , si , b & w ; 35mm . archive : usw .
up the road with sally . dir . : william desmond taylor , sc . : julia crawford ivers ( select pictures corp . us 1918 ) , si , b & w , 35mm . , 2 reels ; 2000 ft . archive : usl .
the soul of youth . dir . : william desmond taylor , sc . : julia crawford ivers ( realart pictures corp . us 1920 ) cas . : lewis sargent , clyde fillmore , si , b & w , 35mm . archive : usw .
the bond between . prod . : julia crawford ivers , dir . : donald crisp , sc . : george beban ( pallas pictures us 1917 ) cas . : george beban , john burton , si , b & w , 35mm . archive : usw .
the veiled adventure . dir . : walter edwards , sc . : julia crawford ivers ( select pictures corp . us 1919 ) cas . : constance talmadge , harrison ford , si , b & w , 5 reels , 4565 ft . archive : pc .
the witching hour . dir . : william desmond taylor , sc . : julia crawford ivers ( famous players - lasky corp . us 1921 ) cas . : elliott dexter , ruth renick , si , b & w , 35mm . archive : usw , rur .
the bond between . prod . : julia crawford ivers , dir . : donald crisp , sc . : george beban ( pallas pictures , us 1917 ) cas . : george beban , john burton , si , b & w , 35mm . archive : usw .
the heart of paula . dir . : william desmond taylor , julia crawford ivers , st . / sc . : julia crawford ivers ( pallas pictures us 1916 ) cas . : lenore ulrich , velma lefler , si , b & w , 35mm . archive : usw .
the stronger love . dir . : frank lloyd , sc . : julia crawford ivers ( oliver morosco photoplay co . us 1916 ) cas . : vivian martin , edward peil , si , b & w , 35mm . , 5 reels . archive : usw , usf .
cole , richmond , windows to the past , 1980 , p . 48 ; brick and clay record , 1902 , v . 16 . no . 1 , p . 53 ; brick and clay record , 1912 , v . 41 , no . 5 , p . 198
fairy tales are ways of telling us true things without labouring the point . they begin in delight , and they end in wisdom . but if you start with what you think is wisdom , you ' ll seldom end up with delight - it doesn ' t work that way round . you have to begin with fun .
each year i would add some new theatrical trick to my repertoire : a shadow - puppet interlude , or a scene painted on a gauze that would magically vanish when you raised the lights behind and lowered them in front , or a wind machine and a thunderstorm . i had more fun fooling about with those things than i ' ve ever had before or since .
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leonard maltin classic movie guide , copyright 2005 , 2010 . used by arrangement with penguin group ( usa ) inc .
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lakeith stanfield and his sorry to bother you crew reveal their most soul - crushing jobs in our freewheeling interview .
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enjoy a night in with these popular movies available to stream now with prime video .
ruth gordon : i interviewed ruth three years before she died . my favorite because of her spunk !
when discussing julia crawford ivers , film historians primarily emphasize two things : her remarkably introverted personality , and her role as principle scenarist for william desmond taylor ( foster 1995 , 199 ; lowe 2005 , 286 ) .
lantern slide nurse marjorie ( 1920 ) , julia crawford ivers ( w ) . cpldg
interview ivers also contemplated how film production quality might be improved if directors and writers were to switch roles : “if all scenario writers could direct at least one picture… and all directors could write just one scenario , motion pictures would benefit tremendously” ( 11 ) .
julia crawford ivers ( w / d / p / o ) death certificate , 1930 . pc
giebler , a . h . “rubbernecking in filmland . ” moving picture world ( 16 oct . 1920 ) : 951 .
“julia crawford ivers free - lances . ” los angeles times ( 9 sept . 1923 ) : iii 33 .
“julia ivers gives new york a call” morning telegraph ( 17 dec . 1917 ) : v6 .
“movie facts and fancies . ” boston daily globe ( 20 jan . 1923 ) : 11 .
“mrs . julia crawford ivers . ” new york times ( 10 may 1930 ) : 19 .
a son of erin . dir . / st . / sc . : julia crawford ivers ( pallas pictures us 1916 ) cas . : dustin farnum , winifred kingston , si , b & w , 35mm . archive : usw .
f atherhood . dir . : hobart bosworth , aut : julia crawford ivers ( universal film mfg . co . inc . us 1915 ) cas . : hobart bosworth , helen wolcott , si , b & w , 35mm . archive : usw .
ben blair . dir . : william desmond taylor , sc . : julia crawford ivers , william otis lillibridge ( pallas pictures us 1916 ) cas . : dustin farnum , winifred kingston , si , b & w , 35mm . archive : usw .
he fell in love with his wife . dir . : william desmond taylor , sc . : julia crawford ivers ( bosworth , inc . us 1916 ) cas . : florence rockwell , forrest stanley , si , b & w , 35mm . archive : usl .
tom sawyer . dir . : william desmond taylor sc . : julia crawford ivers ( famous players - lasky corp . 1917 ) si , b & w . archive : usw .
tom sawyer . dir . : william desmond taylor , sc . : julia crawford ivers ( oliver morosco photoplay co . us 1917 ) cas . : jack pickford , alice marvin , si , b & w . archive : usr , usw .
good night paul . dir . : walter edwards , adp . : julia crawford ivers ( select pictures corp . us 1918 ) cas . : constance talmadge , norman kerry , si , b & w , 35mm . archive : esm .
huckleberry finn . dir . : william desmond taylor , sc . : julia crawford ivers ( famous players - lasky corp . us 1920 ) cas . : lewis sargent , katherine griffith , si , b & w . archive : usr , rur .
nurse marjorie . dir . : william desmond taylor , sc . / adp . : julia crawford ivers ( realart pictures corp . us 1920 ) cas . : mary miles minter , clyde fillmore , si , b & w , 35mm . archive : usw .
beyond . dir . : william desmond taylor , sc . : julia crawford ivers , henry arthur jones ( famous players - lasky corp . us 1921 ) cas . : ethel clayton , charles meredith , si , b & w , 35mm . archive : usw .
morals . dir . : william desmond william desmond taylor , sc . / adp . : julia crawford ivers ( realart pictures corp . us 1921 ) cas . : may mcavoy , william p . carleton , si , b & w , 35mm . . archive : usw .
miller , april .
julia crawford ivers .
in jane gaines , radha vatsal , and monica dall’asta , eds .
center for digital research and scholarship . new york , ny : columbia university libraries , 2013 . web . september 27 , 2013 . < urltoken >
below are lists of other pioneers that are related to julia crawford ivers by occupation or geography .
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pers . obs . , 2003 ; brick and clay record , june 1902 , p . 280
brick and clay record , 1917 , v . 51 , no . 10 , p . 868
architect and engineer , v . 23 , no . 2 , 1910 , p . 77
carnegie brick and pottery co . , carnegie ; golden gate brick co . , antioch
alexander , philip w . and haman , charles p . , history of san mateo county , california , 1916 , p . 198
los angeles pressed brick co . catalog , los angeles , 4th edition , april 1917
architect and engineer , v . 21 , no . 3 , july 1910 , p . 108
architect and engineer , v . 28 , no . 2 , december 1909 , p . 108
jim horner , pers . comm . , 2014 ; osni baltazar , pers . comm . , 2014 ; pers . obs . , 2014
n . clark & sons , alameda ; california brick co . , decoto - niles
brick and clay record , 1916 , v . 49 , no . 8 , p . 725
livermore fire brick co . , livermore ; california brick co . , decoto - niles
oakland tribune annual year book 1923 , p . 76 ; architect and engineer , july 1924 , p . 22
gladding , mcbean & co . and los angeles pressed brick co . , face brick , san francisco , 1927
pacific coast architect , v . 26 , no . 2 , august 1924 , p . 28
firebrick ( carnegie , stockton , ione , eureka , premier , tcarr , m . t & co . )
carnegie brick and pottery co . , carnegie ; stockton fire brick co . , stockton ; ione fire brick co . , ione ; eureka brick & tile co . , eureka ; dickey clay manufacturing co . , niles ; thomas carr & son , newcastle - on - tyne , england ; m . thompson & co . , england
pacific coast architect , v . 27 , no . 2 , february 1925 , p . 12
lapbco three star firebrick , lapbco 48 firebrick arch , lapbco xx firebrick , lapbco red pressed ; ubco common ; cal star firebrick ; l . a . paving b . co . paving brick
los angeles pressed brick co . , los angeles ; union brick company , san diego ; st . louis fire brick and clay co . , los angeles ; los angeles paving brick co . , los angeles
pacific coast architect , v . 33 , no . 5 , may 1928 , p . 2
richmond pressed brick co . , richmond ; port costa brick co . , port costa
brick and clay record , 1918 , v . 53 , no . 2 , p . 144
brick and clay record , v . 75 , no . 2 , 1929 , p . 110
mcnear company , san rafael ; port costa brick co . , port costa ; remillard brick co . , pleasanton ; h . c . muddox , sacramento
pers . obs . , 2012 ; bonnie wallace , written comm . , 2012
clay record , v . 36 , no . 6 , 1910 , p . 30
h . c . muddox brick co . , sacramento ; thompson brick & tile co . , eureka
los angeles pressed brick co . , los angeles ; port costa brick co . , port costa
richmond pressed brick co . , richmond ; stockton fire and enamel brick co . , stockton ; corona pressed brick and terra cotta co . , corona
washington independent , june 5 , 1875 , march 11 , 1876 ; pers . obs . , 2002
n . clark & sons , alameda ; dickey clay manufacturing co . , decoto
remillard brick co . , pleasanton yard ; richmond pressed brick co . , richmond
remillard brick co . , pleasanton ; san jose brick & tile co . , san jose ; port costa brick co . , port costa ; mcnear brick & block , san rafael ; peterson - kartschoke brick co . , san jose ; richmond pressed brick co . , richmond ; n . clark & sons , alameda ; cannon & co . , sacramento
livermore herald , april 6 , 1882 ; holmes , philip . two centuries at mission san jose 1797 - 1997 . fremont , ca , 1997
singleton , jill ,
washington township veterans memorial building in niles
fremont : musueum of local history website ; argus , nov . 12 , 2001
california pottery plants , oakland and merced ; gladding , mcbean and co . , pittsburg ; n . clark and sons , alameda ; richmond pressed brick co . , richmond
township register july 11 , 1929 , niles , ca ; pers . obs . , 2009
brick and clay record , 1929 , v . 74 , no . 10 , p . 688 ; pers . obs . , 2013
los angeles pressed brick co . , santa monica yard ; united materials co . , richmond ; los angeles pressed brick co . , los angeles
architect and engineer , may 1915 , p . 128 ; gunnar , written com . , 2016
golden gate brick co . ( stockton fire and enamel brick co . ) , stockton
architect and engineer , v . 21 , no . 3 , july 1910 , p . 112
pacific coast architect , v . 8 , no . 3 , september 1914 , p . 120
glotzbach , bob , and horton , archie , self - guided walking tour of downtown glen ellen , regeneration resources , sonoma , 2006 - 07 ; pers . obs . , 2008
cdmg 11th report , 1893 , p . 462 - 463 ; sausalito news , october 6 , 1893
pacific clay products , www . pacificclay . com , accessed june 20 , 2012
brick and clay record , v . 46 , no . 6 , 1915 , p . 589
livermore fire brick works , livermore ; remillard brick co . , san jose and pleasanton
mcnear brick co . , san rafael ; remillard brick co . , pleasanton yard
dickey clay mfg . co . , livermore ( face ) , remillard brick co . , pleasanton yard ( common )
davidson brick co . jobs list , from josh higgins , 2013 ; pers . obs . 2014
petersen - kartschoke brick co . , san jose ; n . clark & sons , alameda
pers . obs . 2016 ; echaore - mcdavid , susan , take 25 to hollister , urltoken ( accessed may 26 , 2016 ) .
pacific coast architect , v . 32 , no . 4 , october 1927 , p . 46
e . side of n . mccadden place between romaine st . and santa monica blvd .
simons brick co . , unknown yard ; davidson brick co . , monterey park
botts , myrtle . history of julian . julian , ca : julian historical society , 1969 , p . 29
brick and clay record , v . 54 , no . 3 , 1919 , p . 244
lincoln public library web site , 2001 ; gladding , mcbean and co . , 2001
dickey clay mfg . co . , livermore ; h . c . muddox brick co . , sacramento
dickey clay manufacturing co . , livermore ; oakland paving brick co . , oakland ; richmond pressed brick co . , richmond
livermore fire brick co . , livermore ; remillard brick co . , pleasanton yard
california brick co . , decoto - niles ; livermore fire brick co . , livermore
boynton , gladys r . brick making in san joaquin county . san joaquin historian , v . 4 , no . 2 , march 1968
pacific coast architect , v . 33 , no . 1 , january 1928 , p . 68
southwest builder and contractor , july 7 , 1922 , v . 59 , no . 27 , p . 17
southwest builder and contractor , july 21 , 1922 , v . 59 , no . 29 , p . 33
pacific coast architect , v . 27 , no . 5 , may 1925 , p . 18
los angeles pressed brick co . , los angeles ; los angeles brick co . , los angeles
southwest builder and contractor , july 21 , 1922 , v . 59 , no . 29 , p . 33 ; architectural digest , 1922 , p . 15
southwest builder and contractor , september 15 , 1922 , v . 60 , no . 10 , p . 17
architect and engineer , july 1924 , p . 20 ; gladding , mcbean & co . and los angeles pressed brick co . , face brick , san francisco , 1927 ; southwest builder and contractor , july 21 , 1922 , v . 59 , no . 29 , p . 33
architect and engineer , july 1924 , p . 20 ; southwest builder and contractor , september 15 , 1922 , v . 60 , no . 10 , p . 17
architect and engineer , july 1924 , p . 20 ; brick and clay record v . 62 , no . 9 , 1923 ; southwest builder and contractor , july 21 , 1922 , v . 59 , no . 29 , p . 33 ; gladding mcbean and co . , shapes of clay , february 1929
southwest builder and contractor , september 1 , 1922 , v . 60 , no . 9 , p . 14
los angeles pressed brick co . , los angeles ; pacific clay products , alberhill
gladding , mcbean & co . and los angeles pressed brick co . , face brick , san francisco , 1927 ; schall , martin . los angeles photo gallery ( www . you - are - here . com ) ; pacific clay products website 2010
los angeles pressed brick co . , los angeles ; inglewood patent continuous kiln co . , inglewood
southwest builder and contractor , august 11 , 1922 , v . 60 , no . 6 , p . 1
southwest builder and contractor , july 14 , 1922 , v . 59 , no . 28 , p . 1
pacific coast architect , v . 27 , no . 2 , february 1925 , p . 18
cdmg rept . 15 , 1917 , p . 494 ; architect and engineer , aug . 1914 , p . 91
pers . obs . 2008 ; schall , martin . los angeles photo gallery ( www . you - are - here . com )
pacific coast architect , v . 27 , no . 6 , june 1925 , p . 32
pacific coast architect , v . 33 , no . 1 , january 1928 , p . 44
pacific coast architect , v . 25 , no . 4 , april 1924 , p . 42
gladding , mcbean & co . , a study in terra - cotta contrasts , shapes of clay , v . 11 , no . 11 , december 1926 ; schall , martin , downtown los angeles , www . you - are - here . com , 2011
pacific coast architect , v . 25 , no . 5 , may 1924 , p . 84
architect and engineer , july 1924 , p . 20 ; gladding , mcbean & co . and los angeles pressed brick co . , face brick , san francisco , 1927
architect and engineer , july 1924 , p . 20 ; schall , martin , downtown los angeles , www . you - are - here . com , 2011
pacific coast architect , v . 6 , no . 3 , december 1913 , p . 426
pacific coast architect , v . 31 , no . 5 , may 1927 , p . 44
architect and engineer , july 1924 , p . 20 ; schall , martin . los angeles photo gallery ( www . you - are - here . com )
pacific coast architect , v . 33 , no . 2 , february 1928 , p . 32
brick and clay , 1912 , v . 41 , no . 1 , p . 38
pacific coast architect , v . 26 , no . 6 , december 1924 , p . 22
architect and engineer , july 1924 , p . 20 ; pers . obs . , 2008 ; southwest builder and contractor , september 15 , 1922 , v . 60 , no . 10 , p . 17
pacific coast architect , v . 28 , no . 2 , august 1925 , p . 49
hydraulic pressed brick co . , los angeles , simons brick co . , los angeles
clay record , v . 35 , no . 9 , november 1909 , p . 25
cdmg rept . 15 , 1917 , p . 494 ; architect and engineer , nov . 1912 , p . 139 ; jan . 1921 , p . 28 ; gladding , mcbean & co . and los angeles pressed brick co . , face brick , san francisco , 1927 ; schall , martin . los angeles photo gallery ( www . you - are - here . com )


kill me tomorrow is a 1957 british crime film directed by terence fisher .

it stars pat o'brien and lois maxwell .

it was made by tempean films at southall studios in west london .

the film features a cameo by tommy steele .

kill me tomorrow

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we’d love your help . let us know what’s wrong with this preview of love me today , kill me tomorrow by marie krepps .
kill me tomorrow is a british crime thriller from 1957 about a reporter who uncovers a diamond smuggling plot .
kill me tomorrow ' s caustic dance - punk is at first damaging and inebriating . but there is a remarkably catchy core to the songwriting beneath the spaz - out , drilling assaults .
in september 2005 , local record label art fag released its debut album , a three - track collaboration between kill me tomorrow and long beach ' s dance disaster movement . art fag is headed by local dj mario orduno , whose second release was the plot to blow up the eiffel tower ' s cover of david bowie ' s
boys keep swinging .
orduno settled on the art fag name after a discussion with dan wise from kill me tomorrow .
july 1960 review of “to kill a mockingbird” in san francisco sunday chronicle . image courtesy of library of congress
august 1960 review of
to kill a mockingbird
in time magazine . image courtesy of library of congress
if you’d like to get in touch with me , try the links below .
could i imagine my life without alcohol ? this is one of the questions my doctor has asked me and this is one of the questions that my psychoanalyst asked me when i was in therapy . if somebody dared me or said that they would give me money or as a challenge to give up alcohol for a year , i’d do it tomorrow . because i’m very competitive . but i don’t want to imagine my life without alcohol ; i’d be quite a bad role model , because drinking a lot isn’t really harming me .
july 1960 review of “to kill a mockingbird” in the mobile press - register . image courtesy of the alabama media group
edge of tomorrow
is a sci - fi
groundhog day
which is thrilling and smart . cruise and blunt are excellent .
edge of tomorrow is the perfect mix of blustering action and sci - fi thinky nonsense that is best enjoyed without picking at it too much .
before casino royale took james bond down a darker path , there was timothy dalton ' s final 007 outing , licence to kill . . .
“go set a watchman , ” which comes out tomorrow , tells the story of protagonist scout finch 20 years after the events of depression - era “to kill a mockingbird . ” published on july 11 , 1960 to critical acclaim , “mockingbird” nabbed a pulitzer prize and eventually became an oscar - winning film .
“there was too much horror around me at the time for me to absorb more , ” civil rights leader andrew young said in the documentary . “we were aware of the harshness and brutality of segregation . ”
this might be the problem at the heart of tomorrow ’s tonal missteps . in trying to appeal to both the teen viewers and the adults watching with them , tomorrow has stumbled on a discord . when teen television caters for every niche , an ‘apply - all’ series , without a strong voice , feels morbidly unfocused .
tomorrow when the war began is currently screening on abc3 . episode 2 airs 7 : 30pm saturday 30 april and episode 1 can be found on abc iview .
licence to kill is a series highpoint . possibly even the highest point , once you accept the sacred cows of from russia with love and goldfinger weigh too heavy with legend to be properly measured . as psychologically - driven as any craig – but without the craig - era jump - and - waving , ‘look ! i’m psychologically driven ! respect me ! ' – licence to kill ditches the map and strikes deep into uncharted terrain .
edge of tomorrow is a decent time waster , but if you ' re the sort of person who watches a movie every day , you should probably look for something better .
sometimes i have a glass of wine at home in front of the tv , but it tends to make me sleepy .
it’s not really an issue for me . i would definitely have a life with a lot less alcohol in it now .
at the heroin factory bond is finally unmasked and ( almost ) fed into a giant shredder . cue one of the great threats of the series . “when you’re up to your knees , ” snarls sanchez , “you’re gonna beg to tell me everything . when you’re up to your ankles , you’ll kiss my arse to kill you . ” the writers gift robert davi many zingers , and davi duly zings . the above line , for me , is the zingiest .
but his work is more than strong - handed , name - checking black pride , set to an iron cast template . the controversy surrounding the closing lines of “the blacker the berry” : “so why did i weep when trayvon martin was in the street when gang banging make me kill a nigga blacker than me ? hypocrite ! ” misses a core element of kendrick’s workflow , the vulnerability and street intelligence overlapping static ideology , the willingness to question himself and his community .
buzzing comedies such as the spy who dumped me await you in our summer movie guide . check in for all the info you need .
a tale told through the eyes of multiple narrators , the garbageman and the prostitute is loosely based on kill me tomorrow ' s album of the same name and includes graphic work by k8 . wentz is the band ' s primary lyricist , vocalist , and drummer . he works two jobs - - at the turf club and krakatoa - - and plays in another band with k8 called tender buttons . wentz says he has completed a second novel . k8 has her own clothing line ( blood & guts ) and works part - time at custom printing .
in 2010 , tomorrow when the war began was adapted into a film , written and directed by stuart beattie and starring please like me ’s caitlin stasey as ellie . the film received mixed reviews , and its failure to break ground overseas ( at a time when teen dystopia was just beginning to take off in the us ) meant that no further instalments were made .
i have just had a baby and have three small children at home so i haven’t had the time to entertain it . it doesn’t interest me .
“as far as blackness is concerned , kendrick’s growing militancy is the result of growing consciousness . militancy is a natural reaction to a world that is out to kill you , ” mensah demary writes on lit hub .
i remember one time a taxi driver recognised me asleep in a field near my house and woke me up . i had obviously got close to the house and then given up and decided to have a kip in the field . he woke me up and said : ‘maybe i should drive you home’ . but that’s the last time i ever tried whiskey . never since then have i had a really drunken night where i thought , ‘god , i really regret that’ .
kendrick performed at the 2015 bet awards on top of a vandalised police car with a shredded american flag in the background , with the words , “we hate po po wanna kill us dead in the streets for show” , echoing farthest .
drink is not a reward for me . for me a reward is chocolate . i do like going out for a few drinks with my friends and letting my hair down , but equally i have become so used to not drinking on nights out that i can honestly say i wouldn’t miss it in my life in the slightest .
i get drunk the odd time ; i would describe me being drunk as me being tipsy . i don’t like being too out of control ! i have had many hangovers . i would describe them the same way i would describe a maths test — some are easier than others but there’s always a formula that can help you out !
so i’m stuck in this dilemma where i can’t merely like both , but personally like the former more over the latter or visa - versa . i have to love one and hate the other . actually , forget that . i think they’re both fine stories . i might not like edge of tommorrow as much as all you need is kill , but i’m not going to hate it . no , i hate what edge of tomorrow stands for . it stands for hollywood , and hollywood sucks .
initially , my impressions of edge of tomorrow after having watched the film were fairly positive . for a plot that revolved around a time loop , it’s always a congratulatory thing for such media to avoid demonstrable tedium , nicely paced and balanced between epic action spectacles and hilariously morbid slapstick .
alcohol is of little or no interest to me . i drink with food and little more . it is not part of my social life . if i drank any less i would be teetotal . two pints of stout would render me insensible . wine is certainly my favourite tipple and i enjoy a glass with dinner but i am just as likely to drink a pint of milk .
edge of tomorrow also enjoyed financial and critical success upon general reception . it made me excited , considering the movie was adapted from a light novel , from japan , of all things . what with ( at the time of this post’s ) the recent theatrical releases of pacific rim and godzilla and an upcoming western live - action adaptation of monster , i was excited . i fervently hoped it opens the door for more mainstream western acceptance of the medium of anime . having said that , my feelings towards the film , or rather , the people who produced the film , who i will generally refer to collectively as hollywood , are now a lot more ambivalent after reading the manga for all you need is kill , which was also adapted from the same light novel .
on a scale of 1 to 10 ( with 10 being the most important ) , i reckon drink is a 2 for me . i’d be perfectly fine without it and could easily not drink .
i don’t drink to get drunk , i actually like enjoying a beer every now and then . but then again , ask me on a hangover sunday and i will tell you i’m never drinking again !
an acupuncturist has since told me that my system is fire , and hence spirits fire me up too much . this i find to be true . still , my favourite drink is captain morgan , and the odd time i will drink it , just to enjoy the tomfoolery of being drunk . the next morning the cure is another drink . sometimes we can take life too seriously and getting drunk can be a great stress - buster .
i would never drink the night before going on air , so it quickly became the norm and it never bothered me . i realised i could still stay out dancing and chatting and have a laugh , without the hangover !
do i ever get drunk ? honestly , not often enough for my age . i think it was the pain of hangovers that turned me off drinking regularly . my hangover cure would be orange juice , bacon and fresh air .
but i’ll always try to ward off the hangover by having a pint of water beside me and i’ll drink that . then i’ll have my alka - seltzer , berrocca , and honey and lemon tea and just get on with the day .
the cliché of bond’s eternal survival and , more pertinently , his enemies’ refusal to kill bond when such opportunity is presented , has become so established the audience rarely quibbles . simply taking the last three films : why doesn’t koskov dispose of bond privately rather than jail him in afghanistan ? surely zorin could shoot bond and then burn down city hall ? ( zorin is a multiple offender ) . does kamal khan really need bond’s company at dinner , and does the monsoon palace not have any cells ? hey , you roll with it . so ultimate respect for licence to kill for forging a narrative in which failure on bond’s part wouldn’t mean a twisted ear and a spot of dinner .
not a good candidate for this line of questions as i have been a pioneer since taking the pledge at 12 years of age . lucky me , as being in the hotel business means drink is readily available , so i may have had a weakness !
wine is the devil when it comes to hangovers for me , so i avoid it at all costs . a lot of my days off are spent minding / chasing my nephews and nieces , so on those days a hangover is totally out of the question .
actually , when you think about it the movie’s ending is pure nightmare fuel , first of all , there is no guarantee that cage actually scaped the loop actually is heavily hinted that he got caught in an even worst one than the first time . also the war is still going at the end , which means they have to kill god - knows how many of those “brains” .
the kids of this tomorrow are a lot cooler than the daggy country teens of the 2010 film ; kevin ( andrew creer ) , a true - blue country boy played in the film by the corn - fed lincoln lewis , now sports a man bun and a permanently pensive / moody expression . lee ( jon prasida ) , violinist son to vietnamese - australian restaurant owners , is now an aspiring electronic music producer .
i drink far less than i used to in my twenties , i’m happy to say . when i think of the hours i wasted talking gibberish ( and listening to it ) in the pub , i weep . i dislike being around drunks . they bore or frighten me .
a jaunty country - pop song tinkles over pastel - filtered shots of teens frolicking in the bush , gentle shots of ferns and rose petals… armed soldiers on watch , curls of barbed wire and overturned trucks set ablaze . by the time the bold , broken letters of the title card appear , i’m confounded by the mixed messages . from the very beginning , the abc’s tomorrow series employs tonal inconsistencies startling enough to give you whiplash .
a wonderful , non - judgmental doctor . he told me i’d such an endless amount of creative energy that i needed to focus it , and channel it into my paintings . this i did and in doing so i drink less . i guess some drinks suit us and some drinks don’t .
alexus ' s depression is eating her alive . she longs for an escape from the prison of her life . one day she accidentally witnesses a mass murder and she soon finds that she might get exactly what she wished for . devastatingly handsome , artus is a vampire that relishes a good kill . his newest victim is a girl that saw what no human was meant to . to his surprise , she ' s recepti
as i’ve got older i have less of a taste for drink . since enda died 15 years ago i have lived on my own and so i would never take a drink on my own . the enjoyment of a drink for me is the chat , it’s the to and fro with people .
i wouldn’t really use drink as a reward . i don’t seem to get that same unwind from alcohol that i hear people talking about . if i was told i could never drink again today it really wouldn’t bother me . if you took my coffee away though , that would be another story .
perhaps the best example of the tonal discord is this : a key moment in the book involves ellie turning an unassuming ride - on mower into a deadly bomb . the bomb saves her and her friends from capture by the enemy ; it also kills two soldiers , one who , she notes , isn’t much older than her . in tomorrow , they show the scene twice – at the end of the first episode , as a tense , well - crafted action scene , and to begin the second episode , where they replay it as a bit of fun pyrotechnics with some “hip” , energetic electro - rock scored underneath , stripping the scene of its gravitas . this is the moment ellie realises that she will kill to protect herself – and worse , that she’s naturally good at it – and this becomes yet another creative choice that begs the question : what were they thinking ?
“this is in no way a sociological novel . it underlines no cause . it answers no programs , ” he said in a july 1960 review . “casually , on the side , as it were , ‘to kill a mockingbird’ is a novel of strong contemporary national significance . as such it deserves serious consideration . but first of all it is a story so admirably done that it must be called both honorable and engrossing . ”
far from impressed , fox’s rivera tore in incredulously : “this is why i say hip - hop has done more damage to african - american youths than racism . ” kendrick responded on tmz live : “how can you take a song that’s about hope and turn it into hatred ? the overall message is ‘we’re gonna be alright . ’ it’s not the message of ‘i wanna kill people” but would wait till “damn” to lecture back elaborately .
my favourite drink is probably lager . but i drink everything . i drink red wine , white wine , gin , everything except whiskey . i think that whiskey , for me anyway , is too much of an emotional drink . whatever part of your brain whiskey taps into it’s certainly not the crack .
if somebody said to me today , for whatever reason , you can never drink alcohol again for the rest of your life , i wouldn’t be upset . i would just say , ‘ok , fine’ . but if they said you could never have a piece of cake or chocolate ever again , i probably would cry .
is there really a cure for hangovers ? i don’t think so , and i don’t think it’s at the top of the medical agenda . but , for me , i always cure a hangover with brunch , lunch , food , anything i can eat really . i also think a good laugh with friends helps a lot !
from spirited responses to police brutality and gang violence like “alright” , “the blacker the berry” and “sing about me” , and black self - love anthems like “i” and “complexion ( zulu love ) ” , to coming - of - age stories like “fear” , “cartoons and cereal” and “money trees” , kendrick’s literary mantle stretches to the floor .
i gave up drink at 17 . an older man , observing me take a flute of champagne at an rte reception — i was just about to present my first radio series — commented that i was planning to go into the two lines of business ( showbusiness and journalism ) which allowed you to be an alcoholic for free .
like most teetotallers , i swamp food in alcohol . my grand marnier souffle is to die for . and you might die waiting for it because i’m too nervous to make it for others , too guilty to make it just for me , and the man in my life is contemptuous in roughly equal measure of souffles and grand marnier .
if i’m at a social occasion , you might see me being photographed with a glass of wine in my hand — nine out of 10 times i’m holding that because i’m not really sure what else to do with my hands . i think it’s nice to use a prop . getting drunk is something that i have no interest in .
i believe our drink culture is changing . i think we are becoming more european in our approach to drink . it’s about moderation . our generation should be leading by example . it worries me that it is still acceptable for a teenager to drink in this country way before the legal age limit : it’s like their rite of passage .
the only problem with that was how not drinking revealed how mind - bendingly boring most of the social events i had to be at were . so i stopped socialising , too . which got me out of smoke - filled pubs long before the smoking ban . saved money . giving up booze was a lifelong liberation in one easy move .
small things annoyed me , like the disparate filming locations , which lack the specificity that would give wirrawee and its surrounds a real sense of place , and are guaranteed to rankle anyone with even basic knowledge of the victorian countryside ( the kids go from barwon heads , to clunes , to hanging rock in a fairly unconvincing space of time ) .
after a stellar 2015 at the australian box office ( with strong showings from mad max : fury road , the dressmaker , holding the man and paper planes ) , confidence in australian filmmaking is higher , and it seems a smart bet that young viewers will take to a locally produced teen drama as they have done with nowhere boys and ready for this . i’m just not sure tomorrow , a series that misunderstands its target audience and fails to harness the distinctive voice of australian teen tv , is the best show to bet on .
in tomorrow , ellie ( molly daniels ) , her best mate corrie ( the glorious madeleine madden ) and a group of friends set off from their small town , wirrawee , for a camping trip in the mysterious hell , an isolated , hard - to - reach pocket of the bush . while they are away , australia is attacked by a foreign power , and when the kids return to find their families captured by the invading army , they decide to fight back guerrilla - style , using their knowledge of the local landscape to their advantage .
alexus suffers from acute depression after living a life full of abuse and heartache . her father and her older brothers thomas and brian were the worst offenders when it came to alexus’ abuse . they tried to control every aspect of her life , tried to make her conform and fall in line . and now she wants to kill herself . she doesn’t know how until she meets a vampire named artus who could easily bite her neck and drain her dry . things take a much different direction when artus can’t bring himself t
when “mockingbird” was published , several of the most inciting moments of the civil rights movement had yet to occur ; white supremacists had yet to kill four girls in a church bombing in birmingham , alabama , and the police brutality against the voting rights marchers of selma , alabama had yet to be televised . months before martin luther king , jr . gave his “i have a dream” speech on the steps of the lincoln memorial , gregory peck gave his acceptance speech for his portrayal of southern lawyer and moral compass atticus finch .
my drinking has changed . i really hate the feeling of being hung - over , so i try to limit what i drink when i go out . don’t get me wrong , i’m still happy on a night out when i go a bit crazy with my friends , but usually if i have had a really long day at work i will have a glass of wine with a friend .
yet no villain matches sanchez for menace . if he uncovered bond , he would kill bond . simple as that . not quite ‘why don’t you just shoot him’ because sanchez wouldn’t just shoot him . he’d exact a far nastier retribution . but exact it he would . no locking bond in a windowed room , no escorting bond round the pad and feeding him dinner , no leaving bond in a perilous situation and then departing for tea . if sanchez wanted bond dead , bond would be killed . thoroughly . such ruthlessness is refreshing and admirable on the writers’ behalf .
i think drink can affect me actually quite quickly because i am quite slight . i can’t afford to get out of control . i don’t think i have that much tolerance for alcohol because i’m not that used to it . i never want to get myself into that position . i don’t like it . i suppose i’m really busy as well . i don’t have time to have a hangover the next day .
i try to drink water during a night out because i do get quite bad hangovers . for me the hangover cure , depends on the level of the hangover . i would sleep as long as i could because sleep is the only thing to cure a hangover . but when you’re hung - over you never sleep in , so i would usually be up about 9 . 30am and i’d have bacon and eggs on toast .
alexus ' s depression is eating her alive . she longs for an escape from the prison of her life . one day she accidentally witnesses a mass murder and she soon finds that she might get exactly what she wished for . devastatingly handsome , artus is a vampire that relishes a good kill . his newest victim is a girl that saw what no human was meant to . to his surprise , she ' s receptive to the idea of him draining her dry . even more surprising is the dawning realization that he doesn ' t want to . a novel of the some by day , some by night series .
like the resulting film , the pre - credits is woefully underrated – perhaps ‘ignored’ is a more accurate term . ( at least people take the time to slag the film off . ) licence to kill doesn’t have a true beginning . we burst into the middle of several stories : felix’s wedding , lupe’s lover and the dea pursuit of sanchez , all separate yet fatally intertwined . this is rather brilliant narrative economy , setting up the whole film in barely ten minutes . we know sanchez is a big deal because felix ditches his own wedding ; we realise this might be the climax of a long and arduous chase .
between from russia with love , goldfinger and the spy who loved me , connery and moore shared three films both great and personally definitive . each perfectly showcase their actor’s vision of bond . ( connery being connery , he made two : the gritty and the flashy . ) a signature film is rare . brosnan never quite managed it , craig hasn’t yet – both wonderful bonds but neither produced a masterpiece that could only be their masterpiece .
and you know what ? i was actually fine with these changes . i’m of the belief that adaptations don’t have to follow their source materials that strictly . it’s not like edge of tomorrow didn’t have its own strengths , most notably present in the two main characters not being overpowered as all hell . to be honest , i’m well . i really am so long as they follow them at least in some general spirit . it might not stand up as hot to some other iteration , but movies in general should be judged by their own merits . and through it all , as aforementioned , they made a pretty well executed and pretty entertaining movie in the end .
while he places his name among the genre’s immortals , nas , pac and eminem , in the ungenerous verse , his ambition overlaps hip - hop . speaking on “to pimp a butterfly” , he said he wanted the album to be talked about “the way bob dylan or the beatles or jimi hendrix are talked about . when my time has come on earth , i want it to live longer than me , for the grandkids and their kids . ”
well , rip out my heart and shove it down my neck , this adaptation ripped the soul out of the source material . never mind not keeping the themes , the movie didn’t even keep the source material’s general tonal orientation . the movie ends with everyone surviving , the world being saved , and the guy likely getting the girl . cliche , sure , but not egregious to me . the manga , on the other hand , ends in tragedy .
i live in small town north carolina and i enjoy writing adult novels of varying genres . music is a huge part of my life . it inspires me to write and there is always a song in my head and in my heart . dreams also influence my work tremendously . if i ' m not writing an exciting story , i am certainly reading one ! i like to escape in books to worlds beyond reality , and create my own worlds as well . i ' m a
i never feel hung - over after a night out , so i continue as normal with my day . my rule is that if i do have a few drinks , it can’t affect my ability to function the following day . that’s where drinking lots of water and drinking moderately is the best approach for me . i feel that drinking starts to become a problem when it affects your brain and body the next day . i really enjoy a glass of champagne on special occasions , though .
if i did drink , i’d never drink gin because gin drinkers age quickly and gin drinkers who smoke develop a powdered pumice - stone look like a battered prehistoric statue . i’d never drink stout because my uncle dermot introduced me to it at christmas when i was six and i’m still not fully over it , because i expected it to taste of chocolate with cream on top and it so didn’t . i might go for cider , because one of the women i most admire is a cider drinker .
now the internet is a one - stop shop for tv from around the world , it’s much easier for teen audiences to find entertainment that works for them beyond the 5 . 30pm slot on abc kids . if you like adult - skewing shows about shirtless paranormal hunks , or a series with a razor focus on youth mental illness or a saccharine musical comedy , there is an abundance of options online . creating a more traditional teen drama , like ready for this or degrassi ’s new netflix incarnation , next class , can therefore be a gamble . as tv’s growing accessibility allows teenagers to explore more diverse viewing options , how does an earnest , younger - skewing series like tomorrow fare among the myriad delights that age up content and cater for every ya niche ?
management : unlike more formal entries , this post is just me kind of freewheeling some hate i’ve worked up on something or other . i intend they be civil , but they are rants . they are demonstrably more passionately accusatory towards something or someone , but the points i’ll make will at least be coherent . i won’t do these on a regular basis . they’ll just spontaneously spring to life one day in a conversation , and i’d rather at least the reasonableness , if not the rhetoric , of my sentiments aren’t forgotten .
don’t get me wrong — on a very special occasion it’s nice to have a big night out , but i do everything possible to avoid a dreaded hangover the next day . i have noticed a major difference in my skin and body since i cut my alcohol intake . i feel so much better about myself . alcohol is one of the worst factors for cellulite , plus it dehydrates you . i like taking care of myself , my body , and my skin . dehydration is one of the major causes of wrinkles .
i never drink before i go on stage because i think i was always warned against it . all the older comedians warned me : ‘never get into the habit of drinking before you go on stage . . . we got into the habit of it and we all ended up with problems . it became a crutch . ’ i never drink before i go on stage , except for maybe coffee and water , but after a show you’ve got this huge adrenalin high and there’s no way you could go home and watch netflix .
but what worries me the most , both in the movie and the manga , is that apparently as long as a “brain” ( or “server” as they’re called in the manga ) exist , the “looper” can’t scape the loops and will go back whenever he dies , which means that even if they manage to clear the earth of brains / servers , surely somewhere on the universe there are more of them . and the main character goes back regardless of how they die , which means you can’t scape even by winning the war and dying from old age .
i was drunk once , almighty drunk . it was in athlone . i can’t remember everything . all i remember is how bad i felt the next day . i vowed that never again would i do that . i think i was in my thirties — it was a festival occasion . i don’t know what made me do it but it’s the only time ever and i can remember the feeling of not being in control of myself and then i remember feeling so rotten the next day . but i never again felt like that . no , thank god !
even though i consider myself someone who does not drink often , i feel it takes a good amount for me to get drunk . i have been told i handle my liquor well . i never ever like being sloppy , so i know what my limits are and i don’t cross them . there is a difference between having fun and just being plain trashy and sloppy . it’s one of my biggest pet peeves . don’t be that girl with filthy barefeet waiting on a cab because your feet hurt from heels and you’re too drunk to stand ! no . no .
wentz says ,
i was talking to a very old friend of mine in the northwest about the book , saying i needed to get some blurbs together and she told me she knew a few authors . i asked her if i might have heard of any of them . she said bill vollmann , and i just about fell out of my chair . k8 [ wentz ' s wife ] and i have known her for years , and she never mentioned him before . she said she ' d give him a manuscript , but not to hold my breath . i held my breath .
poor krest’s demise is truly horrific . partly due to the preceding scene : we know something horrible is bound to happen , so already we’re on edge . and then it happens – “that’s not my money ! ” “that’s right , amigo : it’s mine ! ” – and my word . of the many , many , many unpleasant deaths flaunted throughout the bond series , literally popping someone’s head in a decompression chamber is surely the worst of the lot . krest screams , his head swells like a balloon , then explodes . give me piranhas any day . if anybody can nominate a more hideous demise the floor is yours .
i have no idea [ how we do it ] , but it all somehow keeps happening ,
wentz says .
maybe because i don ' t know how to do anything else and the alternative is transience . we just work on all of it at the same time , letting the mediums bleed into one another . i prefer it that way . . . . i had fairly severe insomnia growing up , but it seldom hits me now . if it does and it ' s bad , my brain begins composing several things simultaneously at a manic rate until i feel so deranged i have to get out of bed and get as much of it down as i can .
i live in small town north carolina and i enjoy writing adult novels of varying genres . music is a huge part of my life . it inspires me to write and there is always a song in my head and in my heart . dreams also influence my work tremendously . if i ' m not writing an exciting story , i am certainly reading one ! i like to escape in books to worlds beyond reality , and create my own worlds as well . i ' m a serious movie buff and i love a good fantasy , horror , or sci - fi film ! in my spare time , i love watching anime , sewing costumes , gaming , and taking pictures . follow my blog at urltoken
the script is dodgy – it takes too long to get to the action in the first episode , which waits until the 31st of its 45 minutes to really show that something is wrong . the six kids are poorly fleshed out , even in two lengthy opening episodes , saddled with bad , halting dialogue – homer ( narek arman ) , the gorgeous idiot bad boy of marsden’s novels , arrives with the introduction , ‘g’day , what’s up , i’m homer , ’ to which ellie cringeworthily jokes , ‘as in simpson . ’ his determination to wear a hideous fedora hat , even when running from armed soldiers trying to shoot him , vexed me non - stop . there’s also an irksome love triangle brewing between ellie , her beau lee and the hyper - religious robyn , played by fantine banulski as a desperate stalker type .
i can’t stand the feeling of being drunk , and i couldn’t tell you the last time i actually got drunk . i have a very clear switch - off button , so the minute i feel tipsy , i move straight on to the water for the rest of the night . the idea of being out of control or not remembering the night really scares me . with alcohol , i can take it or leave it . i’m just as happy to drive on a night out as i am to leave the car at home and have a few drinks . again , i can’t remember the last time i had a hangover either . i don’t drink wine because i find it quite sugary , or cocktails , so i tend to stick to a lighter drink like vodka with soda water and lime , plus i always drink water alongside alcoholic drinks . so i find that combination definitely helps to hydrate the system .
warner bros rarely pushed lead roles pat o ' brien ' s way . even so , it ' s hard to fathom why he crossed the atlantic for the starring role in this far - fetched b - movie . you might expect an impoverished father trying to fund his son ' s eye operation to resort to some pretty desperate tactics but confessing to a murder in order to raise the money ? hardly the behaviour of an ace reporter , although he does come to his senses in time to crack a diamond - smuggling racket . terence fisher directs with little enthusiasm , but it ' s worth hanging in there to catch the debut of tommy steele .
a poverty - stricken journalist hits on a unique method of raising the money to pay for his desperately ill son ' s operation - confessing to a murder he never committed . melodrama , with pat o ' brien , george coulouris and lois maxwell , better known as miss moneypenny in the first 14 bond movies .
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a boozy old reporter finds his life is falling apart around him . he loses his wife and then his job . he is dragged back to reality when his son needs help . he goes to ask for his old job . . . see full summary »
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johnny blake , dodging the law on a false murder charge , gets work in the oil fields . his boss and friend hap o ' connor turns on him when johnny and hap ' s girlfriend linda fall in love . an . . . see full summary »
an american tourist on a day trip to sussex from london inadvertently finds himself at glyndebourne opera house in sussex where he learns to appreciate opera .
glamour artist bob randolph is world famous for his paintings of a stunning beauty dubbed
the randolph girl
. what the world doesn ' t know is that his pin - up creation is really a composite . . . see full summary »
the class of ' 41 at carson high school is holding it ' s 15th reunion .
boy most likely to succeed
fred davis is in town to sell his house before taking a job in san francisco ; he ' s been . . . see full summary »
an englishman has been working in the us so long he now speaks with an american accent . he is drafted into the british army during wwii but is injured and loses his memory . because he talks . . . see full summary »
dinty is a newsboy whose fight to care for his ailing mother leads him into conflicts with the other boys on the street and then with drug smugglers in chinatown .
during the sixteenth century , the catholic mary , queen of scots engages in over two decades of religious and political conflict with her cousin , the protestant queen elizabeth i of england , amidst political intrigue in her native land .
25 years later , a spinster still obsesses over the death of her composer sister and concludes she has returned , reincarnated , in an amnesiac woman who chances upon her house seeking help .
an escaped convict tries to hide out at his former lover ' s house , but she has since married and is reluctant to help him .
four lifelong friends have their lives forever changed after reading 50 shades of grey in their monthly book club .
three stories of murder and the supernatural . in the first , a museum worker is introduced to a world behind the pictures he sees every day . second , when two lifelong friends fall in love . . . see full summary »
a boozy old reporter finds his life is falling apart around him . he loses his wife and then his job . he is dragged back to reality when his son needs help . he goes to ask for his old job back but finds his old boss dead in the office . . .
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tricia , the prettiest girl in mountain glenn , is in love with russell , the town hot shot . holly peacock , a mysterious new girl , has stolen him away , luring him with illicit sex performed in cemeteries . when tricia finally confronts russell and catches him with holly , sparks fly . as it turns out holly is an evil witch with demonic powers and her lust for sex is just a cover for her hunger for murder . . . click here to watch great free movies & tv : urltoken
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zack wentz ( drums and vocals ) , k8 wince ( bass and vocals ) , dan wise ( guitar and vocals ) and introducing : richard larson on drums / percussion / vocals , and tobyn mccormic on saxophone / percussions / vocals .
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i ' ve generally found live music backed by projected images to be a cop - out , an obvious way to lead an . . .
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another film for my collection this is well recommended to ay ones dvd collection don ' t forget to add . . .
bought thinking tommy steele was in the actual story but hes only in it as a cameo . good film all the same
really enjoyed watching it . despite the film being made all those years ago good story and action .
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tricia , the most attractive girl in mountain glenn , is in love with russell , the town hot shot . holly peacock , a strange new girl , has stolen him away , luring him with illicit sex performed . . . see full summary »