bhaiyya bhaiyya ( theatrical name : bhayya bhayya ) is a 2014 malayalam-language comedy film directed by johny antony and scripted by benny p. nayarambalam starring kunchacko boban and biju menon in lead roles .

the film also features nisha agarwal ( in her debut malayalam film ) , vinutha lal , innocent , suraj venjarammood , salim kumar and vijayaraghavan in other important roles .

it features music by vidyasagar and cinematography by vinod illampally and was largely shot at kottayam , tamil nadu and kolkata .

produced by laisamma pottoore under nobel andre production , bhaiyya bhaiyya released on 5 september 2014 .

bhaiyya bhaiyya

on the whole , bhaiyya bhaiyya does provide a few chuckles , but nothing substantial .
johny antony’s bhaiyya bhaiyya is an entertainer that unfolds in the backdrop of kerala’s migrant labourer population .
bhaiyya bhaiyya is a romance - comedy entertainer directed by johny antony , movie features hit combo kunchako boban and biju menon in the lead role . bhaiyya bhaiyya plots the life style and field work of bengali workers in kerala .
telugu heroine nisha aggarwal plays the lady love of kunchako boban in bhaiyya bhaiyya , whereas vinutha lal for biju menon .
bhaiyya bhaiyya is produced by laisamma pottur under the banner of nobel andre productions . story , script , and dialogues are penned by benny p nayarambalam .
rate of change of focus of the plot of the movie bhaiyya bhaiyya is directly proportional to blink of your eyes . yes i am saying this because the film does not have a specific goal . constructed with all the compartments of almost all the benny p nairambalam movies , bhaiyya bhaiyya is a flawed attempt from director johny antony to get back into the business . except for those witty dialogues , bhaiyya bhaiyya just goes on and on without a destination .
movie potrays the love shared between two brothers ( biju menon and kunchako boban ) . they are from a well sound family . innocent plays there father role in bhaiyya bhaiyya . the movie tells us a clear lesson that true love has no boundaries .
bhaiyya bhaiyya official trailer malayalam 2014 ( bhayya bhayya ) starring kunchako boban , biju menon , nisha aggarwal and vinutha lal . directed by johny antony produced by laisamma pottoore written by benny p nayarambalam music vidyasagar cinematography vinod illampaly edited by ranjan abraham lyrics murugan kattakada santhosh varma rithu sen officially addicted to social media @ urltoken
bhaiyya bhaiyya is a disappointing film that fails to utilize the hit combo of kunchako boban and biju menon . you may not want to leave the hall while watching it , but you may wonder what happened inside the hall after watching it . the rating is 2 / 5 . the “switch off logic” disclaimer is a must for this movie .
khiladi bhaiyya song from khiladi 786 . this song is sung by vineet singh , aman trikha , yashraj kapil , alam gir khan & rajdeep chatterjee . this son… | pinteres…
in bhaiyya bhaiyya biju menon plays the role of a bengali who came to kerala as a little boy , while kunchacko boban , with whom he has struck up a hit partnership on screen , dons the role of bengali babu . the latter is an agent who brings labourers from bengal to kerala . “innocent stars as bengali babu’s father . it was he who brought biju menon’s character to kerala , ” says johny . benny p . nayarambalam has written the script . “i was an associate director of kunjikkoonnan , the screenplay of which was written by benny . he had promised to write a script for me at the time , but each of us ended up being busy with other projects . then , two years ago , we decided to team up and that was how bhaiyya bhaiyya was born , ” says the director .
you cannot miss them in kerala these days – migrant labourers from bengal and other northern states who have come to the state in search of greener pastures . director johny antony focusses on their lives in his new film bhaiyya bhaiyya . “the film is an entertainer with an accent on humour . it’s not an attempt to address migrant labourer issues in kerala , ” stresses johny , the director of films such as cid moosa and thappana .
marandi , a former national vice - president of bjp and union minister , besides being the first chief minister of jharkhand , was critical of nda government ` s performance when arjun munda was reappointed as chief minister in 2005 after his removal from the top post . in 2006 , he floated jvm - p with five sitting bjp mlas ravindra rai , vishnu bhaiyya , kunti devi , manohar tekriwal and pradeep yadav throwing their weight behind him . barring pradeep yadav , all left marandi after jvm - p ` s debacle in 2009 lok sabha elections . while rai and devi went back to bjp , bhaiyya and tekriwal joined jmm . only devi and bhaiyya could win their their seats this time .
he says the film is aimed at family audiences . “a large part of the film was shot in bengal , with artistes from bengali cinema and theatre . ” another highlight of the film is the music by vidyasagar . “i have been working with him since my debut film cid moosa and we share a great working relationship , ” he says . vinod illampally has cranked the camera . bhaiyya bhaiyya also marks the malayalam debut of nisha agarwal , sister of actress kajal . the film also stars makarand deshpande , shammi thilakan , salim kumar and suraj venjaramoodu .
bhaiyya my brother malayalam full hd movie on indian films , featuring ram charan , allu arjun , shruti haasan , kajal aggarwal and amy jackson . dubbed from yevadu telugu movie . bhaiyya my brother movie also stars brahmanandam , sai kumar , rahul dev , jayasudha , kota srinivasa rao . directed by vamsi paidipally , music composed by devi sri prasad and produced by k manju . click here to watch : eecha malayalam full hd movie - urltoken businessman malayalam full movie - urltoken indian films is an exclusive destination for telugu , tamil , hindi , malayalam , kannada full length movies on youtube . indian films is your free shop for hd movies across all genres . browse no further , subscribe to indian films for a wonderful movie experience ! like us on facebook for more updates - urltoken follow us on twitter for more updates - urltoken watch all your favourite movies here . also subscribe to urltoken for full movies . happy watching !
the film muzaffarnagar baaqi hai has been in the news recently , and not always for the right reasons , having attracted disruptive and abusive protest at some screenings . following a day of counter - protest in which the film was screened all over the country , a friend teaching in a delhi university college suggested screening it in her college , only to be told by the student representative that it would “cause trouble” ( “bawwal mach jayega ma’am ! ! ” ) . she asked what that meant and if he had seen the film , and he simply said , “nahin , bhaiyya logon ne kaha hai ki woh film bahut buri hai” ( no , but our elder brothers have said it’s a bad film ) .
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in an atmosphere where political self - censoring comes as easily to the current generation of students as scouring the net for “blocked content” we present below two readings of the reception of the film , the first ruminating on whether the film addresses the complexities of communal mobilisation adequately ; and the second inquiring in the context of social media and particularly facebook , what constitutes the ‘liking’ of an image or idea . the idea of posting these comments is as much to give space to these arguments as it is to make a larger point that the ‘sickular left’ voices that are presumably behind the film love discussion , critique and disagreement . that to my mind is the way forward , not pre - empting the always - already hurt sentiments of the bhaiyya log whosoever they may be .
by casting kunchacko boban and biju menon ( a pairing with proven track record ) , as if that is enough to guarantee success .
the film written by benny p nayarambalam follows the formulaic path trodden by its two heroes in the past . biju menon is once again a dim - witted but sturdy bengali fellow who can take on any opposition single - handedly reminding us of marykkundoru kunjaadu ( 2010 ) that came out of the pen of the same writer . kunchacko boban too has very similar role as the one played by dileep in marykkundoru kunjaadu where he takes advantage of menon ' s physical strength to settle scores with his adversaries . here boban makes him do the work while he himself enjoys playing angry birds on his phone .
there are efforts to make social comments here and there but they are subdued by the laughter that ensues them . for example , the film begins with an ambulance ride from kerala to bengal , carrying the mortal remains of a labourer who had worked in a construction site and boban starts narrating the back story sitting in the passenger seat , while the ambulance is driven by menon . everything that happens in the story can be guessed beforehand as if we have seen this before and now we are watching it all for the second time .
menon provides impetus to humour by mispronouncing malayalam words . he has the responsibility of carrying the thrills by fighting streetwise goons . boban has to support him through out . innocent , who has lost his mental balance due the loss in his business of supplying labourers for construction sites , is supposed to be funny . suraj venjaramoodu , as a typical malayalee worker who desires to be paid wages without really working , does get a couple of interesting lines . tezni khan as the loud sex worker goes unintentionally overboard . vijayaraghavan and shammi thilakan as the father - son politicians are the villains of the piece but , they lack the sharpness to make any impact .
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sporadically bringing out a laughter or two , this is a film that very rarely engages us emotionally and which fundamentally falls apart at the seams .
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benny p nayarambalam is one scriptwriter who has a particular ability to tell stories mixed with quality humour . he has managed to make many films with simple stories to greater hits , mainly due to soaking them in lighter vein . his one latest attempt for this onam is ‘bhaiya bhaiya’ directed by johny antony . a movie which tells a relatively fresh story in the backdrop of migrant workers , the movie has plenty of ordinary jokes planted in a relatively fresher narratives .
the movie is told as a monologue by babumon ( kunchakko boban ) , who is currently travelling to bengal with the dead body of a migrant worker . in the driver seat of the ambulance is babulal chatterji ( biju menon ) affectionately called ‘bhaiya’ by babumon . since the arrival of babulal to their home at the age of ten , both of them has grown together just as brothers , taking intense care of each other . also travelling with them is angel ( nisha agarwal ) , who is eloping from her house to get married to her childhood friend babumon . another tamil migrant worker shanthi ( vinuthalal ) has alighted the vehicle so that she can save her money for travelling to her home town near salem . adding to them is soman , a construction worker from kerala who is taking it as a chance to see bengal . how they happens to be together in this eventful journey forms the rest of the story .
though the basic tale by benny p nayarambalam is not that elaborate , it has elements that could have worked pretty well . added to that the return of comedy artists like suraj venjaramoodu and salimkumar . but apart from the wits that makes you laugh at intervals , the movie doesn’t offer much to carry home . it seems to have been directed in a lighter mode , not taking anything seriously enough . so the maoists’ in the tale to the ‘planned filmy fights’ in the climax doesn’t make sense and the necessary impact . had it been treated more wisely , the movie could have got scenes like those in the league of ‘ramjirao speaking’ . the coincidences galore in the climax also doesn’t work well for the movie .
the actors in the fray has not much to do , though biju menon impresses with his one liners and carry on his fine chemistry with kunchakko boban who is another cakewalk role . suraj manages to crack some wits but salim kumar appear totally lacklustre . vinutha lal as shanthi and nisha agarwal as angel does their parts as per demand , though they have nothing too demanding to do . vijayaraghavan and shammi thilakan are in their usual roles while sudheer impresses as the goonda leader .
in the technical sides vinod illampilly’s shots are fine and adds to the quality of the movie while ranjan abraham has also evenly paced the narratives . the three songs by vidyasagar are good of which the first couple are sure to take a place in the hit charts .
if you are in the mindset to watch a fun movie without giving any big thinking or asking for logic , ‘bhaiya bhaiya ‘ has some that may fill your time . evenly paced and filled with comedies , this light hearted film entertains in parts . had it been directed with a little more care , ‘bhaiya bhaya’ could have worked relatively well . as of now it may not be a painful onetime watch .
, it will be a crime even to compare the two films . while the former is a sheer delight to watch , the kunchacko boban ? biju menon comedy is a colossal bore .
? bengali ? babu ( kunchacko boban ) is a supplier of labourers , while the other babu ( biju menon ) is a bengali by birth . the two have grown up together and share a bond of brotherhood that is quintessential for masala movies .
a series of events follow and actually it is a tough ask to recollect it in order , by the time the end titles start rolling . a baddie , who yells his dialogue at top volume , comes at times . then a corrupt politician and his son , who is forced to marry a prostitute is there . the heroines and the hullabaloo that ensue don ? t help things either .
after a while , all the important characters are on a trip to kolkata .
with a script that is shaky from the word go , director johny antony is on a weak ground here . the film has perhaps been churned up to make use of the popularity of kunchacko boban and biju menon as a pair . but of all the things , you need a credible storyline and script to make it all engaging , right ?
kunchacko boban sleepwalks through the role and so does biju menon . the latter tries in vain to come up with a new style of dialogue delivery to evoke laughs , maybe like ordinary . among the heroines , nisha aggarwal seems to have no acting bones whatsoever and vinuda lal makes only a limited impression .
have just mixed melodrama , crass comedy , song n dance routines and some action sequences , without a proper recipe . just like what happens in cooking , they end up making a tasteless dish . try this one at your own risk please .
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a malayalam comedy about togetherness and brotherhood , portraying the importance to a group of people whom we refer to as ' bengali babus ' in our social life . babumon ( kunchacko boban ) and . . . see full summary »
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a malayalam comedy about togetherness and brotherhood , portraying the importance to a group of people whom we refer to as ' bengali babus ' in our social life . babumon ( kunchacko boban ) and bengali babu ( biju menon ) have a peculiar relation which dates back to the day the elder one among the two , came to kerala . the film revolves around a journey to bengal carrying the mortal remains of a laborer .
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babu and babu are brothers ( not by blood ) . the elder babu ( biju menon ) was adopted by younger babu’s father from bengal . both babu’s are very much attached to one another . younger babu is a labor supplier and the movie basically focuses on the journey of these brothers to bengal for a purpose .
by this bengali babu title , i expected some elements in the film that are related to the recent development in our state were too many bengalis are coming here for labor . but except for the job title of the character played by kunchako boban , there isn’t anything in the film that has any contemporary relevance . the script is a disjoint canvas where benny p nairambalam has written unbaked scenes taken from his own filmography . the romance reminded me of marykkundoru kunjaadu and sound thoma . rest of the sequences was also somewhat familiar through many films we have seen in the past . some scenes still doesn’t make any sense . and those climax chaos made me laugh at many points but if i rethink why those scenes were there ? i have no idea !
on screen kunchako boban is okay as the younger babu . senior babu played by biju menon was funny but that was kind of a used out idea ( again sound thoma reference ) . nisha agarwal’s dubbing and facial expressions had no connection . somewhat a better role for vinutha lal compared to her till date films . dracula fame sudheer may get more chances after this film . suraj and salim kumar were nice . nice performances from shammy thilakan , vijayaraghavan and thesni khan . a lot of irrelevant characters are there in film .
johny antony doesn’t show any improvement in his making . a large portion of the movie is dull and the humorous section is isolated from the film . the script would have been a hit if the same actors presented it in any award shows or television comedy skits . disappointing music and satisfactory cinematography . bgms were really poor .
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allu arjun ( as sathya ) is left fighting for his life after rahul dev and gang kill his girlfriend ( kajal aggarwal ) . sathya is saved by a miraculous face transplant surgery and he returns to take his revenge . the face belongs to a guy called charan ( ram charan ) and his past catches up with sathya . how the new sathya ( ram charan ) deals with both the enemies of sathya and charan is the rest of this action packed movie .
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muzaffarnagar baaqi hai is no longer a mere documentary film . it is a powerful political symbol against the sectarian social engineering , manufacturing of communal tensions and state sponsored violence that litter the path of the bharatiya janata party’s ( bjp ) recent political ascendancy . the film’s success lies in rubbishing the development sans communalism claim of the new - age hindutva . it is a film that will compel those who have chosen to accept the above - mentioned claim , particularly young voters with weak memories of the post - godhra gujarat carnage ( 2002 ) , to rethink their positions . the film also cautions those who have used the claim as a cover to express their hindutva sympathies more freely than ever .
thorough in its portrayal of the anatomy of the violence , the film highlights the essentially manufactured nature of the muzaffarnagar “riot” . three pillars of indian democracy – election - oriented political parties , administration , and media – had converged on muzaffarnagar with sinister intentions , the film points out . it is sensitive to the way communalism translates itself into existing tensions around caste and gender and in turn reconfigures them . the pathetic effects of sectarian violence on the lives of existing communities – their men , women , children and elderly – are granted the attention that they deserve .
despite the thorough reading of that anatomy , however , some questions linger . one can hardly disagree with the director nakul singh sahwney’s key observation : shrewd strategic manipulation has been central to the outbreak of the violence and to the upswing in the bjp’s political fortunes . but are people innately so passive and readily susceptible to political manipulation ? what were the long - term processes within the village communities of muzaffarnagar that made them susceptible to communal provocation ? how did a union as powerful as the bharatiya kisan union fall prey to communal polarization ? or was the famed communal unity of the sugarcane farmers of the region indeed so fragile ?
the film excels in the anatomy of the communal violence as it happened but tells us little about the long - term trends that made such violence possible . trends that perhaps escaped our eyes , until they suddenly boiled over in the form of massive communal polarization all over the country over the last two years . why did the bjp’s machinations coincide with the samajwadi party ( sp ) and even the bahujan samaj party ( bsp ) turning their back , even if temporarily , on the muslims who have served them so well electorally ? were these political miscalculations ? or did an already - rising tide of hindutva put them on the back - foot ?
politics , after all , is more often about drawing on existing social tendencies and enhancing them , rather than creating new tendencies . the hindu right has stolen a march over secular forces in identifying the social currents that could be potentially receptive to hindutva and have repackaged hindutva accordingly . could these currents have been given non - sectarian , democratic directions ?
as the secular camp basked in the glory of defeating the bjp during the days of united progressive alliance – i & ii , the rashtriya swayamsevak sangh quietly expanded its operations to new social and cultural terrains all over the country . it has , over the last decade , seemingly done enough to produce hindutva as an identity that is flexible yet stable ; suited to fulfil a diverse set of cultural roles . it can , at one and the same time , provide an identity to a socially uprooted and globally mobile work - force , rally the unemployed rural youth for corporate - championed industrialization , hold out the promise of social recognition for economically upwardly mobile lower castes , and reinvigorate the missionary zeal of the hindu fundamentalist . what were the currents in muzaffarnagar that lent themselves so readily to hindutva ?
striking an affirmative note , muzaffarnagar baaqi hai implicitly suggests possible antidotes to sectarian politics instead of limiting itself to an expose . but in this case too , some questions linger . the film laments the way the class unity of the peasants has been fractured by divisions along religious lines , and in turn posits class unity and humanist ideals as potential unifiers . is religious faith – that inseparable element of life in south asia – then necessarily divisive ? do the vast traditions that pass by the name of “religion” have no democratic potential whatsoever ? is there nothing that can be mobilized from within them to counter hindutva ? the paltry presence of secular forces within the domain of faith gives the communal forces a free hand to convert faith into sectarian ideology . unless we integrate questions such as these into our anatomy of communalism , the deep - rooted causes of the massive communal polarization of our times will probably not come to the fore . neither will the roads towards democratic futures .
for the past one month various images related to the protest screenings of the documentary film ‘ muzzafarnagar baaqi hai ’ by nakul singh sawhney are being circulated on facebook after the screening of the film was interrupted by members of the akhil bhartiya vidyarthi parishad ( abvp ) at kirorimal college ( kmc ) in delhi university . some of the images floated on my ‘newsfeed’ as well but i didn’t know what to like and share in these images . i began to ask myself ; what do i like here ? or to be more precise what would my liking the image signify ? would it seem that i like the event that took place in muzzafarnagar or would it present me as liking the event that took place in kirorimal college ? do i like the fact that the image expresses concern or symbolizes the resistance against what happened in kmc ? it took me time to like or share the images and in the next few pages i have tried to communicate the way through which i got there .
one functionality that i don’t like on facebook is that the timeline and the newsfeed is delimited or restricted by the size and borders of the screen , in fact it’s a problem of ‘virtual reality’ in general ; whatever we view and read is carried out within a frame . the problem stares right into my face on facebook as i scroll down on my for moments of virtual life that i might have missed but most often the internet connection is too bad and it takes too much time to load . however , even when the connection is better , the virtual life or the timeline is not available to us all at once . virtual life in this way is mimetic of actual life , the only difference being that in virtual life i can scroll down for ‘old stories’ and scroll up for “new stories” but in actual life though we reflect back upon things and plan ahead as well , there is no readymade availability of old and new stories . the facebook timeline traces our life back to the time we were born . the birth is symbolized through a plain graphic faceless image of a child in nappies . if i consider myself and people of mine and older generations then we can say that , for all good and bad reasons , our birth was not an event which generated ‘likes’ and ‘shares’ on facebook but the kids who were born after 4th february , 2004 and most of whom were ‘shot’ into the virtual life as soon as they ‘came out’ into the real life by their parents , siblings or relatives who opened facebook accounts for them . it is a common practice to have parents opening accounts or posting pictures of their young ones or opening full pages dedicated to them . thus for these kids the virtual timeline mimics and can be a record of the actual timeline of their life because every event in actual life is marked by a ‘post’ or an ‘image’ on the screen . thus , the virtual replicates the actual ; it becomes an identical twin of the life we choose to believe as ‘actual’ and not the virtual , without even realising that most of the time we are moving as a blue dot on gps , traversing the two dimensional space of a screen , taking a right here and a left there or circulating as an image of ourselves or our activities on facebook , switching between screens , ‘liked’ here and ‘shared’ there or not being viewed at all because the ‘timeline’ is delimited by the frame for the screen .
the question that emerges then is ; how does this delimitation affect our virtual life , which is most often the life we live . according to data , if facebook were a nation it would be the third largest in the world . it reflects the extent of the virtual life . however , more than being a problem of the frame and the consequent delimitation , the problem is of the speed at which the timeline is filled with posts or the speed with which circulation of images happens in the virtual world . these speeds are too huge and so is the corresponding flow of stories , then what is left for us to ‘like’ , ‘share’ , ‘comment’ or act upon in general is what we see right in front of the eyes that which grabs and somehow holds our attention , that which has voyeuristic potential .
i have been paying close attention to my ‘timeline’ for quite some time now particularly in the time post bjp’s victory in the general election and have been , called a ‘facebook activist’ at times , so are my other friends who share posts which are critical or informative of the state and society in its oppressive and coercive avatars . i spent time thinking about it and realized that the discourse which builds around the statement i . e . “facebook activism” misses or rather highlights some very important points . first of all , the division between ‘user’ and the ‘activist’ here doesn’t stand when every ‘like’ and ‘share’ is telling of the person that you are or the way you present your ‘self’ in the virtual world . infact , according to a study the “likes” on facebook can predict personal attributes such as “political leaning , age , gender and sexual orientation” ( ehrenberg 2013 ) . in this light “social networking sites provide different possibilities for both revelation and concealment of aspects of personhood and social reality” ( dalsgaard 2008 ) . so essentially we are all users here who present themselves in different ways on the screen like goffman argues for a “presentation of self in the everyday life” ( goffman 1959 ) and like we have activists in the world outside the screen we have them here in the virtual world as well . ‘facebook activist’ becomes then one of the different modes of presenting our being . in other words , while presenting our ‘self’ in the virtual world we behave quite similar to the way we do in actual life . we maintain and cultivate an image which we hold as ideal .
there are times when i am sitting in the library and some interesting thought strikes me , i type it down and put it up on facebook for a simple reason that it’s convenient and there are not many people who would want to listen to me otherwise , so the best way to convey a message and have someone listening to you is through facebook or other social media . some of my friends who are not or choose not to be loud and vocal about their political standpoints are very straightforward or make it clear through their ‘activity log’ on facebook . thus a facebook account more than a presenting of our self becomes an extension of our actual self . we mould it according to our needs and ‘usage’ which is reflected in the stuff we share . someone may choose to share or like a photo of a god for fear of some warning about bad luck and disease that may befall if it is not shared or liked and someone may share articles and news expressing concern about a social issue or the sad political scenario . the range is indeed baffling like it is in actual life .
i keep sharing news pieces and articles related to state sponsored violence in kashmir or anywhere else and i noticed that there are people who ‘like’ these posts , similarly one can see people even liking gory images of violence e . g . the recent image of the muslim man who was stripped naked in mangalore . most of the time i try to look for people who have liked the image and if i know that person then i rest assured that what is being liked is not the image but perhaps a ‘concern’ for something which affects that person . but if i don’t know the person then it’s quite confusing sometimes . we like an image of violence on facebook whereas the same image generates repulsion in actual life e . g . the image of the man with folded hands and tears in his eyes during the gujarat riots shakes and stirs us up and infact has a destabilizing effect but if the same picture is put up on facebook it will generate likes and shares . this is telling of the behavioral changes that a technological object , facebook in this case , can produce or create . firmly supported by an ‘economy of likes’ , where images are circulated at high speeds the violent image gets normalized and becomes one more among the many that are already there .
in my opinion what facebook along with the images that are circulated does is that alongwith ‘cathexis’ , where one invests energy and emotion into an object , it also triggers a process of ‘de - cathexis’ where that energy and emotion is lost in the flow images which momentarily stare at you through the screen and then disappear into the unknown under the borders of the screen . in other words the banality of violence as it exists in actual life is also reproduced in the virtual through the circulation of images .
in this light the recent images of the “protest screenings of the movie muzaffarnagar baaqi hai ” proved to be very innovative as they gave a way which circumscribed the logic behind liking images on facebook to a certain extent and infact made an attempt to escape the schema . the images of the protest screenings were not out of the usual or full of awe , these simply showed people sitting and watching the movie on a screen . it is simply image of an event where moving images are displayed on a screen . but it attains immense symbolic value and produces a series of likes and shares on facebook because it expresses concern about the event at kirorimal college . it becomes a signifier of protest and rallies people around it . it sets itself apart from so many other images because here the image in itself becomes a mark of protest and holds testimony to the fact that freedom of speech was violated in the event in kmc and also claims back that freedom . so a like on this image can’t be confusing , here you are indeed ‘liking’ the event , unlike my kashmir news stories .
thus , both the event at kmc and the multiple private screenings afterwards are reproduced and relived on screen as well . the image can’t escape a fleeting life because the screen is delimited and scrolling down is a task but because of the inherent symbolic value of the image it need not be a particular image that has to be found by scrolling down , with every screening in actual life there is an image up on facebook which repeats the same message . thus the image lives and sustains by repetition and not by a voyeuristic logic of facebook . but what is missed , if not lost in this series of repetitions is the ‘event’ i . e . ‘muzzafarnagar’ itself . it lives as a remnant symbolized by the distant screen in the image , the screen which holds testimony to the event . it continues to be “baaqi” in a chain of circulation of images where the screen which is its signifier slides under the signifier of the event that took place in kmc . perhaps we also need to realize that it is time to shift focus from the event to the event because facebook or social media might have made conveying a message easier but as far as conveying the meaning is concerned that has been complicated further .
dalsgaard , steffen . “the presentation of self in virtual life and its role in the us elections . ” anthropology today , dec 2008 : 8 - 12 .
ehrenberg , rachel . “what a facebook ‘like’ reveals . ” science news , 2013 : 14 .
goffman , erving . the presentation of self in everyday life . new york : garden city , 1959 .
no matter how the hindutva elements percolate into the life - fabric of muzzaffarnagar , the secular resistance…baaqi hai ( remains ) . even if pseudo - secular forces show apathy proactivism…baaqi hai . if proactive elements are rounded up and jailed , the idea of communal harmony… . baaqi hai . if harmony and the notion of co - existence is threatened , mobilisation of people …baaaqi hai . if nothing works…struggle baaqi hai… .
xmuzzafarnagar is every where with varying intensities . muzzafarnager is a replica of a socio - political system where every policy supersedes logic and the economic system rests on this superstructure .
striking thoughts about what activism and extending support means in social networking sites . sns in itself remains incapable of mobilizing minds if its not followed by an action in the world outside . a kind of complimentary formations should unfold .
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after staying in the shadow of bjp for nearly three years , former jharkhand chief minister babulal marandi today emerged as the biggest winner of assembly elections as his newly - floated jharkhand vikas morcha won 10 seats .
ranchi : after staying in the shadow of bjp for nearly three years , former jharkhand chief minister babulal marandi today emerged as the biggest winner of assembly elections as his newly - floated jharkhand vikas morcha ( prajatantric ) won 10 seats .
i stand by my principles . . . i have been saying congress - jvm - p will emerge as the single largest alliance ,
marandi told newsmen .
congress had tied up with jvm ( p ) for the elections and the party bettered its showing , moving from nine seats in 2005 to 14 this time .
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paap ( english : sin ) is a 2003 indian hindi film , directed by pooja bhatt in her directorial debut , and features john abraham , udita goswami , gulshan grover and mohan agashe .

though the film did not fare well at the box office , it received considerable critical acclaim , especially for its cinematography , direction and mahesh bhatt 's indianised adaptation of peter weir 's 1985 english film witness .

the film is also remembered for its soundtrack , which featured numerous pakistani artists , and also marked the bollywood debut of singer rahat fateh ali khan with mann ki lagan , thus setting a trend of pakistani singers in bollywood .

paap

there is another movie by the same name ‘paap’ is also available online here – watch ‘paap’ here .
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the concept of spirituality in paap , makes this film stand out from the current releases .
black key ft g . star - maanhwok ( abortion ) ( waat paap music 2013 )
in paap we see the colourful locales of spiti captured beautifully by mr mahaley , the cinematographer .
if you want to answer the questions ,
who starred in the movie paap ?
and
what is the full cast list of paap ?
then this page has got you covered .
this cast list of who was in paap includes both lead and minor roles . ( 15 items )
black key ft g . star - maanhwok ( abortion ) ( waat paap music 2013 ) - youtube
dear mr peace ft . black key , johnny kak , danny & blaky ( waat - paap 2013 )
paap cast list , listed alphabetically with photos when available . this list of paap actors includes any paap actresses and all other actors from the film . you can view additional information about each paap actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of paap have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .
must listen dialogue from bollywood hindi movie paap that give us a very special message . cast - john abraham , udita goswami
the cover on paap ' s music cd credits anu malik for composing the score . but he has composed only two songs .
many a book were written and films were made on rajkhowa ' s crime , including one in assamese - paap aru prayaschit .
on the whole paap is different from the regular bollywood pot boilers . its different , it ' s daring but , definitely not sinful .
r . paap ( 2011 ) . laten we het elkaar nog moeilijker maken . oratie ( 2011 , januari 21 ) . rotterdam : erasmus universiteit
also , why does every character in paap talk in different volume levels ? john abraham murmurs . udita goswami screeches . dr mohan agashe shrieks .
p . h . b . f . franses & r . paap ( 2001 ) . quantitative models in marketing research . cambridge : cambridge university press
waat paap grouped up with g . star boyz to make a collaboration song about abortion thanks for listenning more anyuak songs on our channel . subscribe & like
richard paap is a professor of econometrics at econometric institute , erasmus school of economics ( ese ) . he obtained his phd from the same school in 1997 .
p . h . b . f . franses & r . paap ( 1994 ) . moving average filters and periodic integration . mathematics and computers in simulation .
r . paap & h . k . van dijk ( 1998 ) . distribution and mobility of wealth of nations . european economic review , 42 , 1269 - 1293 .
the paap pilot program fact sheet provides an overview of the alternative procedures pilot program and general information specific to the procedures for permanent work and for debris removal under the pilot .
r . paap & c . horvath ( 2012 ) . the effect of recessions on gambling expenditures . journal of gambling studies , 28 , 703 - 717 . doi : urltoken
p . h . b . f . franses & r . paap ( 2004 ) . periodic time series models ( advanced texts in econometrics ) . oxford : oxford university press
sub : paap excellent article . . . over excited to see the movie . . . i will post one article after viewing the film . . . posted by raghavendran rajan
p . h . b . f . franses & r . paap ( 1999 ) . on trends and constants in periodic autoregressions . econometric reviews , 18 , 271 - 286 .
r . paap ( 2002 ) . what are the advantages of mcmc based inference in latent variable models ? statistica neerlandica , 56 ( 1 ) , 2 - 22 . doi : urltoken
p . h . b . f . franses & r . paap ( 1995 ) . moving average filters and periodic integration . mathematics and computers in simulation , 39 , 245 - 249 .
p . h . b . f . franses & r . paap ( 1994 ) . model selection in periodic autoregressions . oxford bulletin of economics and statistics , 56 , 421 - 439 .
r . paap & h . k . van dijk ( 1999 ) . posterior evidence on the permanent income hypothesis . bullettin eu & us inflation and macroeconomic analysis , 58 , 48 - 52 .
d . nibbering , r . paap & m . van der wel ( 2018 ) . what do professional forecasters actually predict ? international journal of forecasting , 34 , 288 - 311 . doi : urltoken
p . h . b . f . franses & r . paap ( 1999 ) . does seasonality influence the dating of business cycle turning points ? journal of macroeconomics , 21 , 79 - 92 .
r . paap ( 1997 , november 27 ) . markov trends in macroeconomic time series . erasmus university rotterdam ( 168 pag . ) prom . / coprom . : h . k . van dijk .
p . h . b . f . franses & r . paap ( 1999 ) . does seasonal adjustment influence the dating if business cycle turning points ? journal of macroeconomics , 21 , 79 - 92 .
the promos of paap showed that pooja did learn from the mistakes of her kind , and that she included all the elements needed to make a movie click - namely , hot scenes . but . . .
, the plasma membrane localization of arrdc1 protein was not perturbed by mutation of psap to paap . we then examined the effects of arrestin - domain mutants on armms release . unlike paap - mutant arrdc1 , which localizes to the plasma membrane but is not released , arrestin - domain mutants of arrdc1 proteins interfered with armms release in a manner that correlated with the extent of the disruption of plasma membrane association by the mutations (
p . h . b . f . franses & r . paap ( 1996 ) . periodic integration : further results on model selection and forecasting . statistische hefte , 37 , 33 - 52 . doi : urltoken
paap is a love story of the earthy ( read erotic ) kind . the attraction between shiven and kaaya is purely physical . for someone with such a puritanical upbringing , kaaya ' s fantasies are incredibly tantalising .
paap features a decent background for 11 episodes in the movie , credited to music mushrooms . the ones to watch out for are intezar interlude , apna sa kuch dena chahti hoon and tumhari jagah oonchey aasman mein hai .
k . bel & r . paap ( 2016 ) . modeling the impact of forecast - based regime switches on us inflation . international journal of forecasting , 32 ( 4 ) , 1306 - 1316 . doi : urltoken
c . horvath , a . guenther & r . paap ( 2010 ) . seasonal patterns in slot - machine gambling in germany . international gambling studies , 10 ( 3 ) , 255 - 268 . doi : urltoken
din furailo allah allah bolo by kazi shuvo | paap punno | paap punno | studio version | music video hd | cmv song : din furailo allah allah bolo ( sha abdul karim ' s song ) singer : kazi shuvo album : paap punno music : sumon kolyan composer : sumon kolyan released date : 03 - 01 - 2016 label : cmv , dhaka , bangladesh ( bangla music ) ( বাংলা মিউজিক ) gp music app link : subscribe to our channel cmv and enjoy more bengali music . join with us at facebook - urltoken * * this audio - visual element is copyrighted content of cmv , dhaka , bangladesh . any unauthorized publishing is strictly prohibited .
c . cakmakli , r . paap & d . j . c . van dijk ( 2013 ) . measuring and predicting heterogeneous recessions . journal of economic dynamics and control , 37 , 2195 - 2216 . doi : urltoken
f . r . kleibergen & r . paap ( 2002 ) . priors , posteriors and bayes factors for a bayesian analysis of cointegration . journal of econometrics , 111 ( 2 ) , 223 - 249 . doi : urltoken
p . h . b . f . franses , h . hoek & r . paap ( 1997 ) . bayesian analysis of seasonal unit roots and seasonal mean shifts . journal of econometrics , 78 , 359 - 380 .
p . h . b . f . franses & r . paap ( 1995 ) . seasonality and stochastic trends in german consumption and income . empirical economics ( heidelberg ) , 20 , 109 - 132 . doi : urltoken
sub : paap as an englishman , this film did seem a little ' lack - lustre ' compared to the normal bollywood standard . it was , however , a good story not very well . . . posted by barry
j . m . a . viaene , i . mikolajun , r . paap & o . zelenko ( 2016 ) . trade policy options for ukraine : east or west . : tinbergen institute discussion paper 16 - 057 / vi
b . van dijk & r . paap ( 2008 ) . explaining individual response using aggregated data . journal of econometrics , 146 ( 1 ) , 1 - 9 . doi : urltoken [ go to publisher ' s site ]
p . h . b . f . franses & r . paap ( 2002 ) . censored latent effects autoregression , with an application to us unemployment . journal of applied econometrics , 17 , 347 - 366 . doi : urltoken
r . paap , p . h . b . f . franses & h . hoek ( 1997 ) . mean shifts , unit roots and forecasting seasonal time series . international journal of forecasting , 13 , 355 - 378 .
p . h . b . f . franses , h . hoek & r . paap ( 1997 ) . mean shifts , unit roots and forecasting seasonal time series . international journal of forecasting , 13 , 355 - 366 .
k . bel , d . fok & r . paap ( 2017 ) . parameter estimation in multivariate logit models with many binary choices ( forthcoming ) . econometric reviews , accepted . doi : urltoken [ go to publisher ' s site ]
p . m . c . de boer & r . paap ( 2009 ) . testing non - nested demand relations : linear expenditure system versus indirect addilog . statistica neerlandica , 63 ( 3 ) , 368 - 384 . doi : urltoken
p . h . b . f . franses & r . paap ( 2000 ) . modeling day - of - the = week seasonality in the s & p ; 500 index . applied financial economics , 10 , 483 - 488 .
p . h . b . f . franses & r . paap ( 2000 ) . modelling day - of - the - week seasonality in the s & p ; 500 index . applied financial economics , 10 , 483 - 488 .
sub : paap - useless as hell gosh . . this movie was one of the worst ive ever seen . besides the scenery and john abraham ' s body , there was nothing good about it . the . . . posted by asha
d . fok , r . paap & p . h . b . f . franses ( 2014 ) . incorporating responsiveness to marketing effort in brand choice modeling . econometrics , 2 , 20 - 44 . doi : 10 . 3390 / econometrics2010020
p . h . b . f . franses & r . paap ( 2011 ) . random - coefficient periodic autoregressions . statistica neerlandica , 65 ( 1 ) , 101 - 115 . doi : urltoken [ go to publisher ' s site ]
j . kippers , p . h . b . f . franses , j . e . m . van nierop & r . paap ( 2002 ) . hoe betalen we eigenlijk ? economisch - statistische berichten , 87 , 847 - 850 .
frankly , i had expected something more hard - hitting from this articulate actress turned filmmaker . although bhatt maintains an intense mood throughout , paap isn ' t sinful enough . would you like to review this film ? here ' s your chance !
f . r . kleibergen & r . paap ( 2006 ) . generalized reduced rank tests using the singular value decomposition . journal of econometrics , 133 ( 1 ) , 97 - 126 . doi : urltoken [ go to publisher ' s site ]
j . kippers , e . nierop , r . paap & p . h . b . f . franses ( 2003 ) . an empirical study of cash payments . statistica neerlandica , 57 ( 4 ) , 484 - 508 . doi : urltoken
s . van den hauwe , r . paap & d . j . c . van dijk ( 2011 ) . bayesian forecasting of federal funds target rate decisions . ( preprints ) . rotterdam : tinbergen institute discussion paper no . 11 - 093 / 4
d . fok , r . paap & p . h . b . f . franses ( 2012 ) . modeling dynamic effects of promotion on interpurchase times . computational statistics & data analysis , 56 ( 11 ) , 3055 - 3069 . doi : urltoken
d . fok & r . paap ( 2009 ) . modeling category - level purchase timing with brand - level marketing variables . journal of applied econometrics , 24 ( 3 ) , 469 - 489 . doi : urltoken [ go to publisher ' s site ]
r . paap & h . k . van dijk ( 2008 ) . distribution and mobility of wealth of nations . in d . chotikapanich ( ed . ) , modeling income distributions and lorenz curves ( pp . 71 - 94 ) . new york : springer
a sushma karki starrer movie ‘paap’ is being released in the theaters in nepal on july 31 , 2015 . after the earthquake of april 24 , the only new movie released on theater so far is ‘one side love’ on july 3 and ‘jungabhumi’ on july 10 .
p . h . b . f . franses , r . legerstee & r . paap ( 2017 ) . estimating loss functions of experts . applied economics , 49 ( 4 ) , 386 - 396 . doi : 10 . 1080 / 00036846 . 2016 . 1197373
p . h . b . f . franses , m . j . van der leij & r . paap ( 2002 ) . modelling and forecasting level shifts in absolute returns . journal of applied econometrics , 17 ( 5 ) , 606 - 616 . doi : urltoken
c . j . s . da lourenço , e . gijsbrechts & r . paap ( 2015 ) . the impact of category prices on store price image formation : an empirical analysis . journal of marketing research , 52 ( 2 ) , 200 - 216 . doi : urltoken
s . van den hauwe , r . paap & d . j . c . van dijk ( 2013 ) . bayesian forecasting of federal funds target rate decisions . journal of macroeconomics , 37 , 19 - 40 . doi : urltoken [ go to publisher ' s site ]
r . paap & p . h . b . f . franses ( 2013 ) . common large innovations across nonlinear time series . studies in nonlinear dynamics and econometrics , 17 ( 3 ) , 251 - 263 . doi : urltoken [ go to publisher ' s site ]
p . h . b . f . franses , m . j . van der leij & r . paap ( 2008 ) . a simple test for garch against a stochastic volatility model . journal of financial econometrics , 6 ( 3 ) , 291 - 306 . doi : urltoken
p . h . b . f . franses , r . paap & b . l . k . vroomen ( 2004 ) . forecasting unemployment using an autoregression with censored latent effects parameters . international journal of forecasting , 20 ( 2 ) , 255 - 271 . doi : urltoken
paap is a story of a buddhist girl who is on the lookout to find llamhom , the reincarnated monk and bring him back to her monastery . the twist though is that the boy has witnessed a murder and the police officer investigating the case is reluctant to let him go .
jay paap is president of paap associates , serves on the executive education faculty of the sloan school - mit and has taught in executive programs for the industrial relations center ( caltech ) , the haas school ( berkeley ) , and a wide variety of professional and commercial executive workshops globally . he is a fellow of the strategic and competitive intelligence professionals ( scip ) and a pdma certified new product development professional . jay received his ph . d . from mit ' s sloan school of management with concentrations in technology management and organization change . ( jay ' s biography )
d . fok , r . paap & a . van dijk ( 2012 ) . a rank - ordered logit model with unobserved heterogeneity in ranking capabilities . journal of applied econometrics , 27 ( 5 ) , 831 - 846 . doi : urltoken [ go to publisher ' s site ]
n . basturk , r . paap & d . j . c . van dijk ( 2012 ) . structural differences in economic growth : an endogenous clustering approach . applied economics , 44 ( 1 ) , 119 - 134 . doi : urltoken [ go to publisher ' s site ]
d . fok , p . h . b . f . franses & r . paap ( 2007 ) . seasonality and non - linear price effects in scanner - data based market - response models . journal of econometrics , 138 ( 1 ) , 231 - 251 . doi : urltoken
j . brouwer , r . paap & j . m . a . viaene ( 2008 ) . the trade and fdi effects of emu enlargement . journal of international money and finance , 27 ( 2 ) , 188 - 208 . doi : urltoken [ go to publisher ' s site ]
d . j . c . van dijk , p . h . b . f . franses & r . paap ( 2002 ) . a nonlinear long memory model , with an application to us unemployment . journal of econometrics , 110 ( 2 ) , 135 - 165 . doi : urltoken
r . paap & p . h . b . f . franses ( 2000 ) . a dynamic multinomial probit model for brand choice with different long - run and short - run effects of marketing - mix variables . journal of applied econometrics , 15 ( 6 ) , 717 - 744 .
paap associates ( pa ) , is a management consulting firm assisting organizations around the world in a broad range of customer - focused , technology - based development efforts . we provide clients an integrated approach to creating the innovative environment in which to grow their businesses and position themselves for the future .
like previous mvoies of actress sushma , ‘paap’ is also made on sex psychology . the movie features aayush rijal , sushma karki , samichhya aryal and dhruba koirala in leading roles . the movie produced under bindeshowri cine arts is a presentation of bikash sharma . the movie is directed by nr ghimire .
j . j . j . groen , r . paap & f . ravazzolo ( 2013 ) . real - time inflation forecasting in a changing world . journal of business and economic statistics , 31 ( 1 ) , 29 - 44 . doi : urltoken [ go to publisher ' s site ]
r . paap , r . segers & d . j . c . van dijk ( 2009 ) . do leading indicators lead peaks more than troughs ? journal of business and economic statistics , 27 ( 4 ) , 528 - 543 . doi : urltoken [ go to publisher ' s site ]
g . e . bijwaard , p . h . b . f . franses & r . paap ( 2006 ) . modeling purchases as repeated events . journal of business and economic statistics , 24 ( 4 ) , 487 - 502 . doi : urltoken [ go to publisher ' s site ]
p . chintagunta , p . h . b . f . franses & r . paap ( 2009 ) . introduction to the special issue on new econometric models in marketing . journal of applied econometrics , 24 ( 3 ) , 375 - 376 . doi : urltoken [ go to publisher ' s site ]
j . f . geweke , p . j . f . groenen , r . paap & h . k . van dijk ( 2007 ) . computational techniques for applied econometric analysis of macroeconomic and financial processes . computational statistics & data analysis , 51 ( 7 ) , 3506 - 3507 . doi : urltoken
this page includes all policy and guidance related to the public assistance alternative procedures ( paap ) pilot program . it includes general information about the pilot program , information specific to the pilot programs for permanent work and debris removal , and standard operating procedures and pilot program guides for the permanent work and debris removal pilots .
a . van dijk , p . h . b . f . franses , r . paap & d . j . c . van dijk ( 2011 ) . modeling regional house prices . applied economics , 43 ( 17 ) , 2097 - 2110 . doi : urltoken [ go to publisher ' s site ]
j . f . geweke , g . koop & r . paap ( 2012 ) . editorial introduction for the annals issue of the journal of econometrics on bayesian models , methods and applications . journal of econometrics , 171 ( 2 ) , 99 - 100 . doi : urltoken [ go to publisher ' s site ]
b . donkers , r . paap , j . j . jonker & p . h . b . f . franses ( 2006 ) . deriving target selection rules from endogenously selected samples . journal of applied econometrics , 21 ( 5 ) , 549 - 562 . doi : urltoken [ go to publisher ' s site ]
p . h . b . f . franses & r . paap ( 2002 ) . forecasting with periodic autoregressive time - series models . in m . p . clements & d . f . hendry ( eds . ) , a companion to economic forecasting ( pp . 432 - 452 ) . oxford : blackwell publishers ltd
after dating her for seven long years , the murder 2 director is all set to tie the knot with the paap seductressmohit suri is in a happy state of mind . just a couple of years back when he started shooting for murder 2 , the young director was highly upset because his relationship with udita goswami [ … ]
r . paap & h . k . van dijk ( 2003 ) . bayes estimates of markov trends in possibly cointegrated series : an application to u . s . consumption and income . journal of business and economic statistics , 21 ( 4 ) , 547 - 563 . doi : urltoken [ go to publisher ' s site ]
j . fidrmuc , r . paap , p . g . j . roosenboom & t . teunissen ( 2012 ) . one size does not fit all : selling firms to private equity versus strategic acquirers . journal of corporate finance , 18 ( 4 ) , 828 - 848 . doi : urltoken [ go to publisher ' s site ]
d . fok , c . horvath , r . paap & p . h . b . f . franses ( 2006 ) . a hierarchical bayes error correction model to explain dynamic effects of price changes . journal of marketing research , 43 ( 3 ) , 443 - 461 . doi : urltoken [ go to publisher ' s site ]
r . paap , p . h . b . f . franses & d . j . c . van dijk ( 2005 ) . does africa grow slower than asia , latin america and the middle east ? evidence from a new data - based classification method . journal of development economics , 77 ( 2 ) , 553 - 570 . doi : urltoken
j . e . m . van nierop , b . bronnenberg , r . paap , p . h . b . f . franses & m . wedel ( 2010 ) . retrieving unobserved consideration sets from household panel data . journal of marketing research , 47 ( 1 ) , 63 - 74 . doi : urltoken [ go to publisher ' s site ]
d . fok , p . h . b . f . franses & r . paap ( 2006 ) . performance of seasonal adjustment procedures : simulation and empirical results . in t . c . mills & k . patterson ( eds . ) , palgrave handbook of econometrics , volume 1 , econometric theory ( pp . 1035 - 1055 ) . basingstoke : palgrave macmillan
like maqbool , paap too has an instrumental soundtrack clubbed in the album . in true hollywood style , each theme piece suggests a certain chapter of the film . for example , m night shyamalan ' s the sixth sense soundtrack lists music parts like run to the church , de profundis malcolm ' s story / cole ' s secret , tape of vincent and so on .
this document provides guidance to fema , recipients , and subrecipients for implementing the alternative procedures for debris removal . this version of the paap debris removal pilot guide is archived and has been superseded by version 4 published on june 28 , 2016 . this version of the guide ( version 3 ) is applicable to disasters declared between june 28 , 2015 and june 27 , 2016 .
the album predominantly features pakistani musical talent . small wonder , paap ' s debutante director pooja bhatt is even contemplating premiering her film in karachi . coming back to malik , the music director has crafted intezaar and sun e mere dil . both of them sung by an off - key anuradha paudwal . sun e mere dil apes the buddhist chant feel that malik had lent for the asoka song , roshni se .
newcomer udita goswami looks stunning . but her exotic looks don ' t have the air of a simple small town girl . she looks too groomed . her emotive abilities are restricted to clueless gaping and looking scared . her object of affection in paap , john abraham furrows his forehead , rolls his eyes upwards , snarls crazily and roams shirtless in spiti . great physique . now can we have some acting , please ?
r . paap , e . van nierop , h . j . van heerde , m . wedel , p . h . b . f . franses & k . j . alsem ( 2005 ) . consideration sets , intentions and the inclusion of
don ' t know
in a two - stage model for voter choice . international journal of forecasting , 21 ( 1 ) , 53 - 71 . doi : urltoken
d . fok , p . h . b . f . franses & r . paap ( 2002 ) . econometric analysis of the market share attraction model . in p . h . b . f . franses & a . l . montgomery ( eds . ) , advances in econometrics : econometric models in marketing , chapter 10 ( advances in econometrics , 16 ) ( pp . 223 - 256 ) . amsterdam : jai press
f . ravazzolo , r . paap , d . j . c . van dijk & p . h . b . f . franses ( 2008 ) . bayesian model averaging in the presence of structural breaks . in m . wohar & d . e . rapach ( eds . ) , forecasting in the presence of structural breaks and model uncertainty ( frontiers of economics and globalization , 3 ) ( pp . 561 - 594 ) . bingley : emerald group publishing
you are alone in the middle of the vast spiti valley . it is hard to breathe thanks to depleting oxygen levels . not a single sound except the whisper of your heartbeat . not a soul in sight . no , i am not trying to hypnotise you . i am taking you inside pooja bhatt ' s paap . bhatt ' s directorial debut is set in the solitude of spiti , himachal pradesh . the loneliness of this isolated place reflects the character of kaaya ( udita goswami ) .
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arrdc1 interacts with and recruits tsg101 to the cell membrane via a conserved psap motif . ( a ) schematic representation of the arrdc1 protein , indicating relevant structural domains : the n - terminal arrestin domain ( gray box ) , the c - terminal psap motif ( filled box ) , and ppxy motifs ( open boxes ) . also depicted are the arrdc1 fragments identified in the yeast two - hybrid screen using the uev domain of tsg101 as the bait . ( b ) alignment of fragments of arrdc1 orthologs showing conservation of the psap motif . ( c ) western blot analysis of the interaction between flag - tagged wild - type ( wt ) arrdc1 or the psap mutant ( paap ) and ha - tagged tsg101 . anti - flag immunoprecipitates ( ip ) and whole - cell extracts ( wce ) from hek293t cells transfected with the indicated constructs were examined by immunoblotting using the indicated antibodies . ( d ) western blot analysis of the interaction between ha - tagged wild - type or a mutant ( m95a ) tsg101 and arrdc1 , as in c . ( e ) localization of mcherry - tsg101 fusion protein in hek293t cells cotransfected with gfp , arrdc1 - gfp , or its psap mutant ( paap - gfp ) . cells were fixed and examined by confocal microscopy . more than 20 cells expressing both arrdc1 - gfp and mcherry - tsg101 were examined , and all showed a similar localization pattern . representative images are shown in the figure .
at paap auto body we are setting the new standard for excellence in collision repair . we strive to be the best at everything we do . our facility has all the state of the art repair equipment . we are an environmentally friendly go green business due to our water based paint . by using this product we have cut our waste material and pollution that body shops can put into the air . we stay up - to - date on all the latest collision repair technology . we would like to invite you to come by and meet our professional staff . we are here not only to take care of you and your collision needs but to give back to the community . with out all of you we would not be where we are today .
at paap auto body we are setting the new standard for excellence in collision repair . we strive to be the best at everything we do . our facility has all the state of the art repair equipment . we are an environmentally friendly go green business due to our water based paint . by using this product we have cut our waste material and pollution that auto body shops can put into the air . we stay up - to - date on all the latest collision repair technology . we would like to invite you to come by and meet our professional staff . we are here not only to take care of you and your collision and auto body needs , but to give back to the community . with out all of you , we would not be where we are today .
the arrdc1–tsg101 interaction and the budding - related protein vps4a are required for release of armms . ( a ) arrdc1 and tsg101 are required for armms release . western blot analysis of armms and whole - cell extracts from hek293t cells subjected to transfection by indicated sirnas . the results shown are representative of three independent replication experiments . ( b ) psap - mutant arrdc1 is released less efficiently into armms . cells were transfected with wild - type or psap - mutant ( paap ) arrdc1 - gfp , and the corresponding whole - cell extracts and armms were analyzed by western blotting probed by the indicated antibodies . ( c ) armms release requires functional vps4 atpase activity . hek293t cells were cotransfected with constructs expressing ha - arrdc1 and 0 . 5 or 1 μg of vps4a ( vps4 ) or vps4a e228q ( vps4 - dn ) gfp fusion proteins . whole - cell extracts and armms were analyzed by western blotting using the indicated antibodies .
arrestin domain - mediated association of arrdc1 with the plasma membrane is essential for cell surface - derived budding of armms . ( a ) armms bud at the cell surface . cryosections of hek293t cells transfected with constructs expressing mcherry or arrdc1 - mcherry were immunogold labeled with anti - mcherry . white arrows ( right ) indicate presumptive sites of outward budding at the cell membrane adjacent to immunogold - positive armms captured from the intercellular space . an untransfected cell is indicated in the same field and shows no staining . ( scale bar , 100 nm . ) ( b ) disruption of conserved arrestin residues alters localization of arrdc1 . conserved arrestin - domain residues among arrestins 1–4 and the known membrane - associated arrdc1 and arrdc3 were identified by clustalw alignment and were mutated . the corresponding mcherry fusion mutants were expressed in hek293t cells and showed altered localization compared with wild - type or paap arrdc1 . ( c ) hek293t cells were transfected with constructs expressing the indicated arrdc1 mutants fused to mcherry . the corresponding armms and whole - cell extracts were analyzed by western blotting using the indicated antibodies .
awesome acting by ranbir and soonam as well . no doubt paresh rawal did his excellent role . . worth…
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juggling with words is child ' s play for writer , filmmaker and poet gulzar . remember his onomatopoeias like chappa chappa in maachis , chai chappa chai in hu tu tu ? and now jhin min jhini in maqbool .
maqbool , directed by vishal bharadwaj , is his second film after makdee . based on william shakespeare ' s macbeth , maqbool features a terrific set of actors like naseeruddin shah , om puri , pankaj kapur , tabu and irfan khan .
at times melancholic , at others fiercely intense , maqbool brews some tense , bittersweet tunes .
songs like dheemo and rukhe naina pack a mix of rich , classical melody and rustic poetry .
for listeners like me who adore theme music , maqbool is a dream come true . the soundtrack offers four stark instrumental pieces : the killing , nirvana , shoonya and the maqbool theme . the pieces use a lot of violin to impart a sense of tragedy that looms all over the film .
maqbool is a serious album . no item numbers . no love duets . the only song that hints at celebration is jhin min jhini , which is already a regular for mumbai listeners of radio fm .
bottomline : the music of maqbool is like filter coffee , not instant . can you handle it ?
the soundtrack has it highs : like rahat fateh ali khan ' s inspiring rendition of mann ki lagan , followed by ali azmat ' s ( of the band junoon ) rock - and - roll turn in garaj baras .
indeed , the background score compilation is a healthy trend in the film music arena .
shankar - ehsaan - loy are back . but hold on , the music of rudraksh doesn ' t have the yuppie feel of dil chahta hai or the romance of kal ho naa ho .
guest composers shashi pritam and vishal - shekhar dole out some commendable numbers with bole dole and ishq hai nasha respectively for this mani shankar feature , starring sanjay dutt , suniel shetty , bipasha basu and ishaa koppikar .
keeping the film ' s supernatural theme in mind , the composer trio churns out the fast - paced , funky techno title track with shlokas interspersed in - between .
rak rak rak sounds positively horrifying . if you thought bhoot had a spooky soundtrack , rudraksh doesn ' t spare you either .
buth ishq khudai is the clear winner of the lot . this number is bound to be a disco favourite after shankar - ehsaan - loy ' s previous hit , it ' s the time to disco from kal ho naa ho .
sub : onomatopoeias ! ! ! dear sukanya , the word stunned me , i never heard it before , but after going through the dictionary let me inform you that there is no . . . posted by ritesh tiwari
pooja bhatt ' s version of peter weir ' s witness ( 1985 ) is one of the best films to release this year .
our bollywood previews section gives you all the information of forthcoming films coming soon to a cinema near you .
bollywood news gives you all the gossip about the films and their stars . at bbc shropshire , we have chosen the top ten bollywood movies for this month . these films are well worth a
dekko
at a cinema near you .
our bollywood film section has all the information you need , including a guide to local cinema , previews and reviews on the latest releases .
visit our film vault if you want to get a low down on all bollywood releases for the past year .
be the first to see our bollywood picture gallery which displays the images of films as they release at your local cinema .
which gives you links to pictures of current events and parties taking place in bollywood .
( meaning sin ) explores the inner most desires of kaaya ( udita goswami ) .
both have dedicated their lives to the teachings of the nearby buddhist monastery headed by rimpoche .
to attain a higher level of spirituality in the next birth , kaaya is told to refrain from the simple pleasures of human desires .
but kaaya does just that by spending her time writing love poems for that special man who will sweep her off her feet .
the film gathers momentum when rimpoche gets a vision about his master ' s reincarnation in new delhi in the form of a six - year - old boy .
it is now up to kaaya to bring the child , llahmo ( madan ) back to the monastery . but the journey back home proves tougher than kaaya imagined .
llahmo becomes the key witness to a murder being committed - we see a resemblance to hollywood ' s film witness .
so they come into contact with police officer shiven ( john abraham ) . but as the case gets complicated , shiven decides to take them back to spiti for their own safety .
in the process , he gets severely injured but they manage to reach their destination in one piece .
as days go by , the presence of shivan brings out some intimate feelings in kayaa , much to the dismay of her father , who has already etched out a path of spirituality for her .
can someone explain why kaaya ' s dreams seem erotic if she is supposed to be so innocent ? well i live this to your discretion . having said this , pooja bhatt deserves praise for tackling a difficult subject for her first film as director . the movie keeps you engross throughout . there is never a dull moment .
the musical score by anu malik blends well with the story . the song mann ki lagan is the best of the lot .
model turned actress udita goswami makes her debut with great ease although her polished looks does not match the character of a village girl . we can turn a blind eye to such a small flaw .
as for john abraham , he has really matured with every release . great acting and great physique too - keeps the girls happy i supposed !
but the one who catches your attention is young madan bhiku as llahmo . he is a natural in front of the camera . a range of emotions can be seen in his eyes .
find out all the information you need about your local cinema . ( for shropshire ) .
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kaya , a buddhist village girl from spiti , is waiting to join the monastery . an elderly lama , dreams of his teacher ' s rebirth and kaya is assigned to find and bring the reincarnated boy to . . . see full summary »
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tanya is a rich woman who is married to another rich man named vinod . but their lives change by vinod ' s death . tanya than starts falling in love with a doctor named akash . but akash is in . . . see full summary »
a guilt - ridden assassin wants to quit his job to live a peaceful life with his wife . however , things goes horribly wrong when the assassin ' s boss kidnaps his wife in order to do one last job .
kabir lal is an alcoholic lawyer whose life is looking as if going down the drain . one morning he sees a stunningly attractive woman on a beach and is instantly enamored by her . by chance . . . see full summary »
a vengeful drug - dealer / gangster targets and terrorizes an entire police unit and their families .
after the tragic death of his son - rohit , in a car accident , dr . ranveer malhotra has been very protective of his daughter ria . all is well for ria until one day on a college mishap ria . . . see full summary »
a rib tickling tale of two flirts who constantly flirts with women despite one of them having engaged . chaos ensues when the fiancee finds that her to - be bride is cheating on her .
bored of their wives , best friends , meet , prem and amar , reunite after three years and decide to have an affair - but instead become the prime suspects in a murder investigation .
a mysterious gang of bikers are on a robbing spree . acp jai gets ali , a mechanic , to assist him in the case . with the clock ticking , it ' s up to them to nab the thieves red handed .
on september 11 , 2001 , while talking to their u . s . based daughter via telephone , the kaul family is thrilled to know that she is expecting a child soon , but their conversation is . . . see full summary »
an ex - cop is hired by a pimp to find missing call girls and the man responsible behind their abduction .
unhappy with her marriage with workaholic man , a woman finds solace in her lover and starts a steamy affair . but this fills her with guilt and leaves him , but he is determined to get her - at any cost .
a dealer of illegal guns is bullied into being an informer for a cop who wants to put an end to this racket .
kaya , a buddhist village girl from spiti , is waiting to join the monastery . an elderly lama , dreams of his teacher ' s rebirth and kaya is assigned to find and bring the reincarnated boy to the monastery . kaya finds llahmo in mumbai and they plan their journey back to spiti . on their way back , llahmo witnesses the murder of a police officer . police officer shiven is assigned to investigate the case . he forbids llahmo from leaving town much to the resentment of kaya . shiven gets into danger when he realizes that some police officers are involved in the murder . he escapes with kaya and llahmo to spiti . it is here that love blossoms between kaya and shiven and the movie changes track . kaya ' s father does not approve of their love because he thinks that romantic feelings are sinful . kaya is torn between love and celibacy and has to decide which one she wants .
the whole storyline of the movie was totally copied from the second half of the movie sadak ( 1991 ) . directed by mahesh bhatt . but climax was very differnt .
with all the slick and the appealing trailors , i was expecting a very fascinating film . however , i was sadly disappointed . from the trailors , it seemed as if uditi rebels against her traditions right from the film ' s start , but her character was misrepresented . i was expecting something more along the lines of jism . the best part of this film is its setting . it is very unique , and i have not seen it before in an indian movie . spectacular cinematography in the mounatainous karachi depicting tibet was absolutely breathtaking . the look of the film is completely fresh and new . however , when going to the real hero of the film , the story , there is the rehash of the same bollywood storyline . an extremely different setting does not give an excuse to use the same conflicts that we have seen over and over again ( boy meets girl , dad against their union , etc . ) . john ' s character was different and rather self - centered . songs were excellent .
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the public assistance alternative procedures pilot program for debris removal has been extended for one year to june 27 , 2018 . as part of the extension , fema will only authorize the sliding scale provision in events with significant debris impacts . the other three provisions available under the pilot remain unchanged .
for disasters declared on or after august 28 , 2017 , fema is limiting the usage of the pilot’s sliding scale provision to high impact incidents that meet the following criteria : high concentration of localized damage ; large quantities of debris ( over $ 20m or 1 . 5 million cubic yards ) ; and disasters declared very soon after the incident ( 8 days ) to incentivize rapid debris removal .
this guide is applicable to disasters declared on or after june 28 , 2017 . the changes to the sliding scale provision are applicable to disasters declared on or after august 28 , 2017 . this version of the pilot guide supersedes the previous pilot guide for debris removal ( v4 ) which was published june 28 , 2016 .
acknowledgement of participation in the public assistance alternative procedures pilot program for debris removal .
this document provides guidance to fema , recipients , and subrecipients for implementing the alternative procedures for debris removal . version 4 of the guide supersedes the previous version of the guide published on june 28 , 2015 and is applicable to all disasters declared on or after june 28 , 2016 .
this document provides guidance to fema , recipients , and subrecipients for implementing the alternative procedures for permanent work . version 3 of the guide supersedes the previous version of the guide published on december 19 , 2013 and is applicable to all disasters declared on or after march 29 , 2016 .
this document provides guidance to fema , recipients , and subrecipients for implementing the alternative procedures for permanent work . version 2 of the guide supersedes the previous version of the guide published on may 20 , 2013 and is applicable to all disasters declared on or after december 19 , 2013 . this guide is now archived and has been superseded by version 3 published on march 29 , 2016 .
this guide implements the alternative procedures for permanent work authorized by the sandy recovery improvement act ( sria ) ( now section 428 of the stafford act ) . the alternative procedures pilot for permanent work is effective for major disasters declared on or after may 20 , 2013 . the alternative procedures may also be applied in previously declared major disasters for projects where construction has not yet begun . this version of the guide is archived and has been superseded by version 2 published on december 19 , 2013 .
this document provides answers to frequently asked questions about the public assistance alternative procedures pilot program for both permanent work and debris removal .
this updated sop outlines procedures for documenting and processing requests for federal disaster assistance under the public assistance alternative procedures pilot program for debris removal . data will be gathered and used to determine whether to discontinue the debris pilot until regulations are promulgated , or extend it for an additional performance period . therefore , it is critical that the tools and processes outlined throughout this sop be used for data tracking and reporting purposes .
this job aid is archived . it has been superseded by the public assistance program and policy guide ( pappg ) published on january 1 , 2016 . the pappg can be found at the following link : urltoken .
this document provides answers to frequently asked questions for the public assistance alternative procedures pilot program for permanent work .
this sop outlines procedures for documentating and processing requests for federal disaster assistance under the public assistance alternative procedures pilot program for permanent work .
acknowledgement letter to participate in the public assistance alternative procedures pilot program for permanent work .
this letter is the agreement between the applicant and fema to participate in the public assistance alternative procedures pilot program for permanent work .
his research concerns the application of econometric models in marketing and macroeconomics using bayesian and frequentist approaches . he has publications in several major econometric , economic and marketing journals and he is coauthor of the book quantitative models in marketing research .
helping companies make better decisions regarding the innovative use of their technical resources .
note : i recently changed my email address . please send email to : jaypaap60 [ at ] urltoken
jay has over forty - five years experience in innovation and technology management , including consulting and speaking assignments with over 350 firms in north america , latin america , europe , africa , the middle east , asia , and the pacific rim . his clients include both government and commercial firms from such diverse industries as automotive , computers , electronics , energy , food processing , biotech , pharmaceuticals , oil , telecommunications , consumer products , aerospace , chemicals , defense , and various government agencies and federal labs . ( representative clients )
roadmapping best practice recognition . the ceb ( corporate executive board ) selected the timken roadmapping process as a best practice . their writeup
timken ' s goal validation roadmaps
cites my cftp landscaping mapping process as one of the key building blocks of the timken approach . for a copy of the report contact ceb if not a member .
i am always pleased when my work is recognized by a company ' s leadership , but it is especially gratifying when cited by outside experts who are looking for proven and effective techniques for planning product and technology investments .
june 5 - 6 , 2018 :
technology scouting to increase innovation
- cambridge , england . sponsored by the moon on a stick , ltd .
june 25 - 26 , 2018 :
competitive intelligence for innovation
- shanghai , china . sponsored by martec marketing excellence center ( brochure coming )
june 27 - 28 , 2018 :
sustainable innovation for future growth
- shanghai , china . sponsored by martec marketing excellence center ( brochure coming )
october 12 - 13 , 2018 :
building and sustaining the innovative organization
- cambridge , massachusetts . sponsored by mit sloan school executive education
november 14 - 16 , 2018 :
product and technology roadmapping
- cambridge , massachusetts . sponsored by management roundtable
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