hitler umanath is a 1982 indian tamil film , directed by p. madhavan and produced by p. v. thulasiram .

the film stars sivaji ganesan , k. r. vijaya , sathyaraj and suruli rajan in lead roles .

the film had musical score by m. s. viswanathan .

hitler umanath

hitler umanath | sivaji ganesan , k . r . vijaya , sathyaraj | tamil movie
hitler umanath | sivaji ganesan , k . r . vijaya , sathyaraj | tamil movie - youtube
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btw , between pilot premnath ( 1978 ) and hitler umanath ( 1982 ) , sivaji ganesan also did justice gopinath .
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is a tamil action movie , directed by p . madhavan . the cast of hitler umanath includes sivaji ganesan , k r vijaya .
there was a lot of tamil junk too in that era – pilot premnath ( sivaji ganesan ) , hitler umanath ( sivaji ganesan ) and the like .
there was another movie in the list . . . hitler ? ? ? ? ? . . .
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no , we are not kidding about pilot premnath and hitler umanath . . we’re still waiting for a refund from sivaji’s family for those two nightmares that may have rewired the circuits in our brain for the worse . 🙁
theatre lovers in the city witnessed a hindi play titled ' aadhe adhure ' written by mohan rakesh and directed by girish chandra srivastava at rai umanath bali auditorium recently . . . .
( godwin ' s law - usenet groups jargon , which states that
as a usenet discussion grows longer , the probability of a comparison involving nazis or hitler approaches one
. now we have a similar one for tfmpage threads . )
tamil nadu will become the first state in the country to virtually connect 58 computed tomography ( ct ) and 18 magnetic resonance imaging ( mri ) machines located in different government hospitals in the state . the fully networked teleradiology system will be officially launched a few weeks from now . . . umanath , managing director of tamil nadu medical services corporation limited ( tnmsc ) . . . umanath . . . dr . . . according to mr . . . sanjeev . . . .
even a good actor like shivaji completely lost the plot when he acted in films not directed by senior film directors like bhim singh . without proper guidance and mindset , every actor tends to get disoriented and start overacting . the best example is shivaji . if you look at his career , his best films came from 1950 to early 1960s . after 1960 , his career went through an eventual decline and saw him indulge in priceless overacting in films such as kalthoon , hitler umanath , mirudhanga chakrvarty , thanga padakkam , and many others .
mangalore refinery and petrochemicals ltd . . . a release from mrpl here said that moodbidri mla umanath kotian launched the programme for the villagers of yekkar , bajpe and malavoor gram panchayats . mangaluru city north mla y . bharath shetty , mrpl managing director m . . . .
mangaluru . ramakrishna mission ’s 39th swachhata abhiyan shramadan was organised on airport road at bondel near here on sunday . the shramadan was jointly flagged off by harish joshy , former professor , st aloysius college , and kishan srinivas ammady , infosys employee , jointly flagged off the shramadan . . . dedicated efforts of shubhoday alva , umanath kotekar , ashok subbayya and many others were behind the creation of this public utility . . . .
simple changes made to the emergency room protocol at rajiv gandhi government general hospital in january , as part of the state’s trauma care policy , are now making a big impact – a drastic decline in deaths among patients with life - threatening trauma . . . even if the radiologist concerned is not available , other doctors can access the scan , ” said tamil nadu medical service corporation managing director dr p umanath . . . .
mumbai . . .
mr . bakhshi has extensive experience of leading both corporate and retail businesses across icici group . . . in 1986 . . . thereafter , the central bureau of investigation ( cbi ) called in a number of officials for questioning in the aforementioned case , including umanath venkat naik , the director of nupower renewables , the former director of nupower renewables , mahesh pugalia , and rajeev kochhar , brother - in - law of chanda kochhar .
mangalore refinery and petrochemicals limited ( mrpl ) has launched a campaign to make villages under yekkar , bajpe and malavoor gram panchayats in its vicinity smoke - free , at a function at its premises on wednesday . the programme was inaugurated by mulki - moodbidri mla umanath kotian in the presence of mrpl md m venkatesh , mla mangaluru north dr bharath shetty and others . three gps . . . women’s health . . . smoke free village campaign . mrpl . .
mangaluru . . . pratap simha nayak , former president of district unit of the party and zonal co - in - charge , who felicitated all the seven party mlas - s angara , sanjeeva matandoor , rajesh naik ulippady , umanath kotyan , harish poonja , vedavyas kamath and dr y bharat shetty - elected from the district reminded them of their roles and responsibility . . . nalin felicitated the mlas by offering them a shawl and presenting them with a book each . . . ketto .
dakshina kannada zilla panchayat ceo dr m r ravi said that the panchayat has submitted a proposal for rs 17 crore to the deputy commissioner under calamity relief fund for work on damaged roads , bridges and culverts following heavy rain in the district . . . the work will begin on sunday . . . report within 2 days . . . clean water tanks . mla umanath kotian said that drinking water tanks are not cleaned for several years in district . . . maintain of road . . . .
the countdown has started for the 10th edition of alva’s pragati , one of the largest placement drives of alva’s education foundation , that will be inaugurated in moodbidri on friday . foundation chairman m . mohan alva told reporters in moodbidri on wednesday that the inauguration of the two - day event would be attended by dakshina kannada mp nalin kumr kateel , deputy commissioner s . sasikanth senthil , mla umanath a . . . at vidyagiri . . . mr . . . mr . . . . . . .
mangaluru . pwd minister h d revanna said the department has decided to release rs 25 , 000 per km for the repair of pwd roads , which are damaged due to rains . “we have discussed various issues with officials of dakshina kannada and udupi districts . . . i will sort out the issue through the meeting . . . similarly , puttur mla sanjeeva matandooru and moodbidri mla umanath kotian also explained the plight of roads in their constituencies . . . box . . . 156 . 3km . . . .
[ india ] , june 18 ( ani ) . . . bakhshi ' s appointment as coo will be for a period of five years , subject to regulatory approvals . . . thereafter , the central bureau of investigation ( cbi ) called in a number of officials for questioning in the aforementioned case , including umanath venkat naik , the director of nupower renewables , the former director of nupower renewables , mahesh pugalia , and rajeev kochhar , brother - in - law of chanda kochhar . . . ( ani ) .
mangaluru . the people have been burdened due to higher taxes on fuel and power bills , and it has been a disappointing budget as far as coastal karnataka is concerned . . . mlas umanath kotian from moodbidri and harish poonja from belthangady were very vocal in slamming the budget , stating it was an anti - karavali budget . . . he termed it as a “hassan - mandya - ramanagara budget . ” . khader said . “it is good budget . . . related . from around the web . . . cricunion .
dr umanath nayak , head and neck cancer surgeon at the city’s apollo hospital , is convinced about his career as a writer now . after publishing a “technical textbook” in 2009 , voice restoration after total laryngectomy , he released his first novel , fatal margin , recently . his next is a light - hearted take on how to understand wives and women , in general , better . humour is his forte . medical drama the novel is about a talented oncologist , dr veer ragahvan , who goes easy on medical ethics to make money . suspected of fraud and medical negligence , he is dragged to court , and the drama unfolds over the last 80 pages in the book . unlike his wife seema and 18 - year - old son jatin , who can devour any genre , dr nayak is a john grisham fan and loves courtroom dramas .
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starring : sivaji , k . r . vijay , surilirajan , uma , and others music : m . s . viswanathan , direction : mahendran
manathil uruthi vendum | full tamil movie | suhasini , shridhar | k . balachander
tamil full movie | unakkaga naan | ft . sivaji ganesan , gemini ganesan , lakshmi
naam pirandha mann | sivaji , kamal hassan , k . r . vijaya | tamil movie hd
thirisoolam | full tamil movie | 1979 | sivaji ganesan | k . r . vijaya | k . vijayan |
simma soppanam | full tamil movie | 1984 | sivaji ganesan | k . r . vijaya | prabhu | p . krishna
kathavarayan│tamil movie 1958 | sivaji ganesan | savithri | t . r . ramanna |
kai kodutha deivam - sivaji ganesan , savitri , s . s . r , k . r . vijaya - super classic movie
poomudipaal indha - sivaji ganesan , k . r vijaya , muthuraman - nenjirukkum varai - tamil romantic song
malayalam super hit full movie | aayudham | madhu & k . r . vijaya | malayalam full movie
thunive thunai | tamil james bond super hit full movie | jaishankar , asokan , r | s . p . muthuraman
tamil full movie hd | puthu yugam | vijayakanth , sivakumar , viji , k . r . vijaya | superhit movie
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topic started by oisg ( @ 195 . 229 . 241 . 229 ) on wed jul 9 12 : 53 : 44 edt 2003 .
i haven ' t watched any of the movies you mentioned , but i remember that a whole lot of movies with sivaji flopped in the early / mid 80s . you could say he reached rock - bottom and started digging : (
people were shaking their heads in disbelief when he danced with one of the
sex bombs
( was it jayamalini or anuradha ? ) in naam iruvar namakku iruvar .
then came mudhal maritathai in 1985 . the first few weeks the theatres were empty . then by word of mouth the movie became popular and sivaji ' s career had a rebirth .
how can people forget thirpu , kalthoon , raktapaasam , kannan vanthan ? for that matter even rishimoolam was a third rate movie . ilayaraja music saved deepam . msv was too good in annan oru koil and andaman kadali . there was another
iru methaigal
sivaji and prabhu . they could have named it as iru pannigal : - ) . was he the same guy who did parasakti , manohara , kattabomman , navaratri , andha naal , thooku thooki and many more such ? nevertheless , tamil films will be grateful to this wonderful actor of 50s and 60s . even thevar magan he did great .
dharmaraja - - i don ' t know what is antisocial in this movie .
general chakravarthy - - i don ' t know what is antisocial in this movie . again its a family subject
about other movies , i have not seen them and so can ' t comment . if you look at the ratio of good versus bad ones from sivaji he probably enjoyes the best percentages in the industry anytime .
even , in the midst of some crap movies like l . d . rajakannu he did not fail to deliver good ones like kalthoon , deepam , thrisulam , rishimoolam and a few others .
he is unparalled in tamil movie industry . people who are not even 50 % talented as sivaji claim that they are heir to him ( kamalahasan assumes so ) . acting has to be inborn and not improvised .
acting has to be instantaneous , inborn and not improvised . sivaji showed how he can perform for all characters by even underplaying ( mudhal mariyathai ) dependending on the director ' s expectations . the only comparison i can draw is illayaraja who delivers instantaneously as the situation demands without having to depend on samples and stuff
oisg - here you go . a better tfm connection for you . maybe this ir - arr reference can be tfmpage ' s very own godwin ' s law .
my comparison was between sivaji and ir only . i don ' t know why you assumed arr ( may be he uses samples ) . what i meant is unlike modern mds who need to listen to many songs , refer to samples etc , improvise for many days , ir comes to the studio without any preconceptions and composes on the spot for the situation described .
sivaji and ir has similar talents w . r . t . delivering as the situation warrants without any or much home work . the same cannot be said of any other artists in the industry
avan oru sarithiram ' s review in a famous tamil daily had a single line .
avan oru daridiram
: )
from : yvs mani ( @ 164 . 100 . 11 . 114 ) on : thu jul 10 01 : 22 : 16 edt 2003
i think i need to clarify on
anti - social
- i feel all these movies are crimes against tf fans and sivaji fans in particular unleashed by d yoganand , kvijyan & co . in some movies sivaji s
anyonam
with krv reached
aniyayam
stage like general chakravarthy .
sangili - it should have been banned under npt as it created a
chain
reaction - - bringing in prabhu to tamil films .
but a thought on these films make to think about the other side of sivaji - deiva magan , gnana oli , rangoon radha , vkb , karnan . sivaji is like ganges . . . . at times you see dead bodies floating and almost dirty at the fag end . . . . but ganges from gangotri to till bay of bengal .
any disc cannot be complete with ir / arr here . ir needs to do lot of explaining as well for his rajastan , kattapanjayatu , poovarasan etc . arr for his vandicholai chinrasu , pudhiya mannargal .
if this discussion leads to the greater works of sivaji , i would be pleased .
what with all the trouble with our server i got left out of all the rani padmini sparring . the only rani padmini that i know of ( and saravanan & oisg perhaps ) kicked the bucket under tragic circumstances the wanton victim of some mcp ! but that is neither here nor there .
ignore prev post i do not know what is happening here . my post in sotd has been duplicated here . my great post has bit the dust . the summary was i agree viswaroopam , chiranjeevi & mohana punnagai were great duds but the pilots & generals should be exonerated .
but one movie which i shudder even today is ironically not so much for sivaji ' s performance but that of his co - star who had out laughed , out cried and out shouted the n . t . name the movie & the star for a year ' s subscription of
vengayam ' s vetti pecchu - viraivil ethir paarungal !
dharmam enge came in 1972 , after three successful movies raaja , gna oli and pattikaadaa pattanamaa .
actually the story is good , the screen play was poor ( a c thirulogachander ) .
normally , in a mannar - makkal film , the hero would fight till the end against the ' sarvaadhikaari ' and capture the power in the end .
in dharmam enge , capturing power ends in the intervel itself . after that , the king ( hero ) appoints some people in key posts and does not give posts to one of his friends ( muthuramam ) on the basis that he is not capable of ruling . this makes muthuraman revolts against the king and finally the king overcomes that too .
a good story in those days , but screen play was very poor . has a good song - tms & ps - palliyaraikkul vandha pulli mayile ( msv )
i can expect a similar thread on kamal too , what with his pairing with young , nubile girls as old as his daughters .
' msv migavum than nalam atravar . illaiyendraal , thannudaiya sondha padathirkku ippadi isai amaippaara ? '
the joke was that in those days sivaji developed permanent rosy cheeks . know why ? because as he was biking around in his purple and mauve coats , the collars ( which were half as big as elephant ears in those bell bottom days , if you know what i mean ) kept flapping his cheek with the wind .
two things about those trousers he wore , god bless his designer . since he was wearing them at almost chest level ( in a sad attempt at paunch - control ) , it was said that the comparison of him with marlon brando in the local press was getting close . our man was the
maarla pant ' o
.
the other joke was - what would sivaji do when his chest itched ? simple , pull his zipper down . it was also rumoured that he had a second secret zippper much below this one for his ablutions . look , this is getting worse . . i don ' t know what ' s getting over me , my daughters are looking at me as though i ' ve gone insane . .
anyway , after a lousy day at work , the very mention of epics such as ldr and yy has be going nuts . anyone from chennai game for a retrospective of sgs anti - social movies only , you have an over - eager sponsor . . .
sections : home - tfm magazine - forum - wiki - pow - opod - lyrics - pictures - music notes - forums : current topics - ilayaraja albums - a . r . rahman albums - tfm oldies - fun & games ilaiyaraja : releases - news - share music - ar rahman : releases - news - aotw - tweets - discussions : msv - ysr - gvp - song requests - song stats - raga of songs - copying - tweets database : main - singers - music director ' s - lyricists fun : pp - ekb - relay - satires - quiz
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change of protocol at gh brings down death rate from 8 . 3 % to 5 . 6 %
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icici management reshuffle - ns kannan as the md and ceo of icici prudential , sandeep bakshi . . .
there was a time , really , when ulaga nayagan kamal haasan attracted crowds for his movies .
we still remember going to clearview cinemas ( now anil ambani’s movie city ) on oak tree road , edison ( nj ) to watch vettaiyaadu villaiyaadu in august 2006 .
those days , ulaga nayagan’s stock was high and much to our dismay we couldn’t get tickets for the friday show ( aug 25 , 2006 ) .
so we returned on august 26 , saturday . we came early and found ourselves a slot at the head of the queue .
but in a few minutes , the crowds started to gather and soon the line extended almost as far back as mughal indian restaurant at the other end ( see photo below ) .
and you richly deserve your miserable fate for all the garbage you’ve shoveled our way over the last four years .
the infinitely vice wise si wrote the following ‘rajinikanth’ post three years back , in august 2008 , as if in anticipation of your comment today – why do tamils burn themselves ? .
2 . you write : news in ht today . “rana” will be rajinikanth’s last movie… .
as vadivelu rightly said about rana a few weeks back : ranavavadhu… ganavavadhu… . maybe , the prescient vadivelu knew something about rajinikanth we all didn’t then . 😉
perhaps , he’s trying hard to gain the status of a mass hero by acting in shitty movies .
but , nayagan and anbe sivam would work for me anyday . you can’t just rule him out after watching these two gems . i would boldly recommend these two films to an american .
nayagan and anbe sivam were all right , by indian standards or lack thereof .
@ gk : “perhaps , he’s trying hard to gain the status of a mass hero by acting in shitty movies . ”
there is no “trying hard to gain the status” aspect of this narcissistic charade he’s been carrying on for over 2 decades . according to a poster here called , “filmlover” ( refer to si’s review of manmadhan ambu sometime around dec , 2010 / jan , 2011 ) , kamal once thought that tamil audiences that appreciate jurassic park and titanic , would definitely appreciate hey raam . if that statement were indeed true , then i clearly see a man who has bought his cult of personality and is so blinded by it to the extent that he thinks rank entertainers like jurassic park and titanic are in the same category as a hey raam and also thinks his production values are as good as hollywood’s . either way , he’s deluded and horribly wrong , and that has a lot to do with the blinders he has willingly put on for a while now .
both are inspired from godfather ( even though nayagan was based on real - life varadharajan mudaliar ) and planes , trains , and automobiles , respectively . however i’d disagree with si and say nayagan was much more than “all right . ”
you write : i clearly see a man who has bought his cult of personality and is so blinded by it to the extent that he thinks rank entertainers like jurassic park and titanic are in the same category as a hey raam and also thinks his production values are as good as hollywood’s .
@ si : “production values and kamal haasan ? god , look at the makeup in dasavathram . uggghhly”
so what ? dasavatharam was ass - car worthy and that kamal winning the ass - car is an honor ( or ‘kaanar’ , as they say in tn ) for the ass - car , instead of the other way around… . as the average kamal fan - boy would say .
unless there’s a miracle , it looks like the end of the innings for both kamal haasan and rajinikanth – hit - wicket ( kamal haasan ) and hurt - retired ( rajinikanth ) .
marks the end of an era in tamil films in many respects . the last big stars from the 70s and 80s . the last big stars to strike a pan - tamil nadu appeal ( now it’s all vijay fans , ajith fans , simbhu fans , kombhu fans… ) . the last big stars to deliver several memorable movies .
i think si has to first define the yardstick to judge the talent of an actor . at times , it lashes out those buffoons who are crowd pullers like vijay for delivering unpalatable masala scraps and at times , it lashes out an actor of someone like kamal’s calibre for occasionally ( or i would say rarely ) delivering scraps like dasavatharam , ma etc .
when kamal makes an anbe sivam , mahanadhi or guna , nobody cares to go to theatre ; would rather watch it in pirated dvds and pseudo hail it as cult classics . eventually , these films fail miserably at the box office much to the agony of producers ( most of those experimental films were produced by himself – that’s another sad story ! ) enna ulagamada ithu !
why not si ask these so called crowd pullers like rajni , vijay etc to produce those cult classics ? in fact when rajni was asked this question in one of his interviews , he said ” why should i ? to think of a story line for me is not my job . its the job of story writers and directors . i am a hero ( masala ) ” he was trying to justify he would continue to deliver masala scraps like kuselan , robo etc and be a part of scrap cinemas / crowd pullers rather than sensible cinema . indians are fond of icon bashing rather than constructive criticisms . obviously , the indian crowd would turn the blame game to someone who at least attempts to make a meaningful / sensible cinema . now si also joins the party of icon bashing and try to kill the instinct of those who attempt to take such initiatives . in fact , si should ask this question to itself .
coming back to si’s question of “why kamal is not a crowd puller ? ” i think si knows the answer .
obviously , indian cinema is not a fair level playing field like hollywood , where an actor does not have to be a star to attract crowds . there is no distinction between crowd pullers & sensible cinema . you can still be a will smith / marlon brando doing sensible cinema and set box office on fire . the question holds good not only for kamal but also other actors / si’s favourites ( naseeruddin , irfan , manoj bajpai , pankaj kapur etc…cant remember their experimental films , if at all any ? ) . my point is why kamal alone be blamed .
you wont find an answer . until then , be prepared to watch height of inanities like dabang winning a national award !
1 . by involving himself with shoddy productions like dasavatharam , vettaiyaadu villaiyaadu , unnaipol oruvan , manmadhan ambu , kamal haasan has proved that he doesn’t care a fig for the paying audience . he’s merely looking out for himself .
movies can broadly be of two kinds , the arty / avant - garde / indies and the commercial / masala , with the latter category frequently featuring big stars . both have a place in the world . what we find offensive in a film is if it’s a crude piece of garbage that’s not in the least entertaining or , worse , if it’s stolen like a lot of indian films often are .
2 . naseeruddin shah was a delight to watch in a wednesday . kamal haasan made a jackass of himself with his affected mannerisms and phony accent in unnaipol oruvan .
3 . we agree with you that for the most part , the indian audience is not encouraging of non - trashy films . and that is a tragedy .
4 . btw , we’ve dedicated the above post to you with a note below the headline . we wanted to do it before we published it but it slipped our mind earlier . 😉
he may have been “tailunted” at some point in his career , but the man’s efforts on the screen have been found more than wanting for a good while now .
1 ) have you ever looked at an art of self indulgent artist ? they go deep , very deep and the art forms an experimental study to find answers to their doubts . a self indulgent artist is a person who perceives art as a medium to explore his ( and only his ) perceptions of reality . if you want one , watch lars von trier’s anti christ . that is self indulgence and classy indulgence at that . kamal is not but there are very few movies where he was absolutely self indulgent , for example : mahanadhi , guna and anbe sivam . ( who ever said that it is a remake of planes , trains and automobiles , they live in a universe where casablanca is equated to gone with the wind because both movies are about love , black and white and set in the backdrop of a war )
2 ) kamal was trying to become a whore like rajani , where rajani would stoop to that level of playing “hey hey super star ” at the intro of his movies . only thing is that rajani was an absolute whore and did not care for his feelings and all he thought that he was giving pleasure to people just like a whore does . he did not care about the artistic merits of his subject ( the movie ) or anything , all he did say was ” i like to give pleasure to my fans” . he murdered his artistic pursuits to give pleasure to fans . i remember chiranjeevi ( who could have been a fantastic actor ever produced by telugu cinema , better than s . v . ranga rao ) feeling sorry for himself that he did not dare to act in movies like rudraveena later . . but rajani has no shame .
kamal is a confused lot . he does not know whether he is creating movies for himself or for the people . he tries to create movies for the people but fails miserably ending up with a crappy piece in the end , because he did not leave his brain completely to the public service .
3 ) kamal is the one who wanted to study gandhi and created hey ram out of it , that is self indulgence in thoughts .
when self indulgence is coupled with aritistic integrity you get movies like hey ram , even though the indians did not get tickets to the movie as the movie was not entertaining . when ever kamal was truly self indulgent he produced master pieces . only when he tried to produce movies so that public could enjoy he failed miserably .
it’s the lack of self indulgence in thoughts that kamal is in the worst phase of his acting life . all he now wants is acceptance , acceptance from the public , shouting slogans of “ulaga nayagan” from the public but he doesn’t know and probably can’t make a movie like that .
interesting points , particularly the notion that self - indulgence is the driving force behind great cinema .
the same could be said of writers ( henry miller ) , painters ( picasso ) and sculptors ( henry moore ) too .
i believe that in india there is a lack of ticket buying audience for artistic cinema . “hey ram” to a large extent and “anbe sivam” to a smaller extent belong in that category . kamal made these good movies with budgets disproportionate to the market worthiness and released it with insufficient publicity . i am probably over - simplifying it but in summary he made some poor choices with his movies despite lot of goodness .
you write : i believe that in india there is a lack of ticket buying audience for artistic cinema .
indian movie business is currently in a great flux for a variety of reasons ( greater exposure to good foreign movies thanks to h1b / l visas and the internet resulting in higher expectations in some quarters , rising prosperity among the hitherto poor giving them access to movies , higher production costs , the urge to make movies for the global diaspora and more ) .
on the one - hand , you have the run of the mill crowd churning out the same stuff while on the other end of the spectrum you have directors like anurg kashyap , who make movies like dev d that we are inclined to believe are not flops ( business - wise ) .
in these uncertain times , even established stars like akshay kumar struggle to deliver a hit . his crappy singh is king was a hit but the equally distasteful de dana dan , blue , thank you , tees mar khan and chandni chowk to china kissed the dust . go figure .
in our not - so - humble opinion , this flux , which could last more than a decade , may signal the exit of more than a few indian film - makers .
i should have been more specific . i had only the tamil film industry in mind . bollywood has been more progressive .
@ naveen : “i should have been more specific . i had only the tamil film industry in mind . bollywood has been more progressive”
no . all the hindi multiplex movies depict ( leaving a few out ) highly urbanized indian society or higher middle class indian society . ( this may be because most of the film makers are from that part of indian society ) . where as in tamil , i see a lot of experiments going on . i don’t expect movies like azhagar sami kudirai in hindi . tamil movies actually explore deep down philosophical questions in movies too . ( for example , naan kadavul )
you write : all the hindi multiplex movies depict ( leaving a few out ) highly urbanized indian society or higher middle class indian society .
so many prominent hindi films are set in the u . s . , uk or australia .
patiala house , we are family , kurbaan , blue , my name is khan , kabhi alvida naa kehna , singh is king , salaam namaste , kabhi khushi kabhie gham and ta ra rum pum .
“1 ) have you ever looked at an art of self indulgent artist ? they go deep , very deep and the art forms an experimental study to find answers to their doubts . a self indulgent artist is a person who perceives art as a medium to explore his ( and only his ) perceptions of reality . if you want one , watch lars von trier’s anti christ . that is self indulgence and classy indulgence at that . kamal is not but there are very few movies where he was absolutely self indulgent , for example : mahanadhi , guna and anbe sivam . ( who ever said that it is a remake of planes , trains and automobiles , they live in a universe where casablanca is equated to gone with the wind because both movies are about love , black and white and set in the backdrop of a war ) ”
i’ll keep this very short . if you don’t see a difference between good self - indulgence and bad self - indulgence ( ever seen “brown bunny” ? ) , or a difference between the way kamal and von trier approach their films in terms of self - indulgence , i’d suggest rethinking your rebuttal .
“2 ) kamal was trying to become a whore like rajani , where rajani would stoop to that level of playing “hey hey super star ” at the intro of his movies . only thing is that rajani was an absolute whore and did not care for his feelings and all he thought that he was giving pleasure to people just like a whore does . he did not care about the artistic merits of his subject ( the movie ) or anything , all he did say was ” i like to give pleasure to my fans” . he murdered his artistic pursuits to give pleasure to fans . i remember chiranjeevi ( who could have been a fantastic actor ever produced by telugu cinema , better than s . v . ranga rao ) feeling sorry for himself that he did not dare to act in movies like rudraveena later . . but rajani has no shame . ”
i don’t think his whoring out has anything to do with my argument . he whored out a lot…kalaignan , shoora samharam , singaravelan , etc . etc . are all “whore movies . ” even anthony hopkins has his stock of “whore movies . ” ever seen “bad company” “mi - 2” or “the rites” ?
“kamal is a confused lot . he does not know whether he is creating movies for himself or for the people . he tries to create movies for the people but fails miserably ending up with a crappy piece in the end , because he did not leave his brain completely to the public service . ”
no , he’s making crappy movies…period . please don’t make these arguments from authority on his behalf . you don’t know if he is indeed leaving his brain in or taking it out completely out of his “whore movies . ” those three “whore movies” i mentioned are flops .
“3 ) kamal is the one who wanted to study gandhi and created hey ram out of it , that is self indulgence in thoughts .
when self indulgence is coupled with artistic integrity you get movies like hey ram , even though the indians did not get tickets to the movie as the movie was not entertaining . when ever kamal was truly self indulgent he produced master pieces . only when he tried to produce movies so that public could enjoy he failed miserably . ”
a taare zameen par , despite being an off - beat film , succeeds because the producer and director gives much of the meat to the child and his family and relegates himself to a secondary , maybe even a tertiary role .
a hey raam fails because its producer / director / writer feels the need to shove himself in front of our faces , without allowing other characters to develop .
“it’s the lack of self indulgence in thoughts that kamal is in the worst phase of his acting life . all he now wants is acceptance , acceptance from the public , shouting slogans of “ulaga nayagan” from the public but he doesn’t know and probably can’t make a movie like that . ”
his self - indulgence is exactly why his movies suck donkey d ! ck and they’ve done so for well over a decade and change .
if dasavatharam , vv , anbe sivam aren’t examples of self - indulgence , i don’t know what is .
1 . from the perspective of the artiste , there’s only one self - indulgence , a fierce commitment and adherence to his art as per his own lights ignoring all other considerations ( seemingly , an impossibility in large settings ) .
none of that good self - indulgence or bad self - indulgence , which are ex post facto views of critics on the end product rather than on the process .
more often than not , what critics consider bad self - indulgence is actually the subset of quality ( such as character development and other production values ) .
we’d go as far as to say that self - indulgence in an artiste is not correlated to the ultimate success or failure of the project .
raj kapoor’s unwavering commitment to mera naam joker is an apt illustration of artistic self - indulgence that did not pan out commercially . the movie almost sank raj kapoor and only the stupendous success of his following movie bobby pulled him out of the financial pits that mera naam joker had cast him into .
to argue that taare zameen par , despite being an off - beat film , succeeds because the producer and director gives much of the meat to the child and his family and relegates himself to a secondary , maybe even a tertiary role ignores the theme of the film that focused on the initial trauma of a dyslexic kid and his subsequent flowering under the aegis of a sensitive teacher . the script demanded the limelight to be cast on the kid first and foremost and only secondarily on the teacher .
it’d have looked bizarre for director aamir khan to have thrust himself into the film any more than he did .
you seem to be embracing the artistic notion of ‘self - indulgence’ literally in this instance .
— no , there is no good self indulgence and bad self indulgence . i have seen brown bunny and i completely ( yes ) liked it . it is an example of self indulgence so much to persuade beautiful chloe to suck gallos di * * . 🙂
hey ram ? which character you want to develop more ? it was 3 hour movie , the journey of archeologist to gandhi killer wanna be was clearly shown . the movie was from saket ram’s perspective . except for a slow screen play the movie had everything in it .
in short , all his films were pathetic and flop because he is looking for public acceptance and nothing else . i’d wish him to be make movies which gives him a kick irrespective of a public liking it or not .
but then the south indian market had to be huge . damn lazy and cowardly south indian ancestors , why didn’t you colonize other parts of the world and forcibly made tamil an official language in those parts ? it would have solved many issues . the market would have been great , piracy should not mattered , artists would have load lots of money for a single movie ( this will avoid an artist to make 8 movies per year ) . it’s all our south indian ancestors fault . 🙂
all that i tried to substantiate in the above note is that he is better of the worst indian lot ( read : upto the goddamn indian standards ) . that needn’t hide the fact that his recent ventures like dasa , ma etc are absolute garbage . he is not even worthy to perform a light boy role in hollywood production system .
you write : i being an “ardent fan of him” is too strong a word .
kamal is the most complete actor indian cinema has ever seen . he is the best method actor available to indian film industry till date . for those who say kamal is good only in crying , his successful comedy movies chachi420 , panchantantram , pushpak , appu raja , mmkr , vasool raja etc is the reply to you all . even the so called great actor – sivaji ( his senior ) and today’s contemporaries like vikram and surya didn’t even try their hands on comedy . they are simply incomparable bachhas when compared to the caliber of kamal’s commercial / humour quotient . can you imagine rajni and any of the above actors capable of delivering crazy mohan’s dialogues with such comic timing and elegance as kamal did in the above said movies ?
so , correct your opinion about kamal . he is not only good in crying but also will entertain you in comedy , dance as well . he is an wholesome entertainer . and those who compare naseeruddin , anupam kher , om puri etc with the calibre of kamal , can anyone of them romance with today’s heroines singing duets running around trees without looking awkward ? can they be crowd pullers with their star power ? they are jut character actors . they cannot play lead role / hero . see his personality today even at the age of 55 !
and after all the encomiums you’ve heaped on kamal haasan ( he can cry , he can laugh , he can run around trees , all truly great feats , of course ) you dare to say that you are not an ardent way of kamal .
that’ s probably becoz indian cinema has set such low standards in acting that when you find some thing like kamal’s performance , you associate that to be oscar - worthy . my point is why he should alone be blamed when he is not even enjoying the luxury / status of box - office kings like rajni , vijay , ajith etc who does not even know the a , b , c’s of acting . does he deserve a fourth / fifth ranking in gollywood box office inspite of giving some memorable performances like sadma , nayagan etc ? ( read indian standards ) .
i don’t claim his entertainment / humour quotient is as good as johnny’s but he is neither that bad too .
@ prasath . j : “he is not even worthy to perform a light boy role in hollywood production system . ”
yes , in the same generalization as an indian or persons with indian blood or not even worthy to be a maid or a butt cleaner to an average american .
yes , they are entertainers , as are ‘sathi leelavathi’ , singaravelan , kadhalaa kadhalaa , etc . , but save for pushpak ( which , thankfully , was a silent movie ) , we weren’t spared of his histrionics in any of those offerings . he just finds it necessary to contort , bawl , laugh , or even fart in a manner that is best described as ott .
@ prasath , via si : “kamal is the most complete actor indian cinema has ever seen . he is the best method actor available to indian film industry till date . ”
the man wouldn’t know method - acting if it slapped him across his face . case in point - both his characters in thevar magan and mmkr are supposedly london - educated entrepreneurs , who speak in a ( horrible ) american accents . the less i speak about his character in “unnapol oruvan” vis - a - vis method - acting , the better and in “varumayin niram sivappu , ” the man looks pretty well - fed for someone deep in poverty and hunger .


mano ya na mano is a horror television drama-series aired on zee tv channel in 1995 .

the series was directed by rajesh ranashinge , who is known for directing thriller and horror indian series .

mano ya na mano was telecasted on zee cafe europe & right now the show is airing by itself on 9x .

mano ya na mano ( zee tv )

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mano ya na mano on u turn - story of rj animesh on red fm kolkata .
mano ya na mano on u turn - story of rj animesh on red fm kolkata . - youtube
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the youtube account associated with this video has been terminated due to multiple third - party notifications of copyright infringement .
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the youtube account associated with this video has been terminated due to multiple third - party notifications of copyright infringement .
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the youtube account associated with this video has been terminated due to multiple third - party notifications of copyright infringement .
: on personal front i ` m waiting for some channel to start a horror show , or serial like mano ya na mano , which creates interest and keep the viewers hooked onto theri tv sets .
this thriller television series aired in 2012 on zee tv and is still running successfully .
first horror series that debuted on indian tv was the famous zee horror show . the show was directed by ramsay brothers and ran on zee tv for about five years . this show became a popular show in the 90’s and had short stories which ran as 4 - 5 episodes .
balaji was formed in 1994 as a private limited company . the first two serials produced by the company costing balaji rs 25 lakh were rejected by all satellite channels , the first serial to be aired was ' mano ya na mano ' on zee tv in 1995 . this was followed by the music - based show ' dhun dhamaka ' , telecast on dd metro , which was moderately successful . however , true success came with ' hum paanch ' - a comedy serial which ran for five years on zee tv . this was followed by the daily soaps ' itihaas ' on doordarshan , and ' kudumbum ' ( in tamil ) on sun tv . these soaps went on to become huge hits . . .
based on ripley ' s believe it or not , mano ya na mano was a reality show based on weird , real life incidents from all over india . and they were really scary ! some of the episodes were based on super natural powers and the series had irrfan khan hosting it in its first season while mishal raheja hosted the second season . this was one of a kind show and people loved it purely for its uniqueness .
: get one of two comedies in prime time . and it should be really good ones . out of the box type . this will work great for zee
money wise : kapoor feels producing reality shows for tv would not be a smart choice for her company . jayachandran / mint
we endeavor to maintain a healthy pipeline for new tv shows and strive to consistently deliver top - quality content catering to a diversified audience across genres in india .
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usa - trump / russia ( corrected , update 2 , pix , tv ) : corrected - update 2 - russia - trump campaign collusion an ' open ' issue - u . s . senate panel chiefs
its scary background music still haunts me as i write this . aahat was synonymous with horror shows for a lot of us , and was first aired in 1996 . with its spooky storyline displaying paranormal activities , the show gained mass popularity and we would eagerly wait for it on sony tv .
the laurels crowd a shelf in her office—telly awards statutes she has received in the past decade . “what i am concerned with primarily is profitability . that’s why i have not got into reality tv . i have the infrastructure and the resources for making serials . every leading entertainment channel has a successful tv serial made by us . ” for reality shows , kapoor is exploring the virtual world . “an online talent show maybe , which i am exploring very seriously at the moment , ” she says . “i will also get into hyper - reality , something like what lsd is , on the internet . ”
we have created and produced two tv – a musical show phire asher gaan , a non - fiction show for star bangla ; and sohagi sindur , a bengali fiction daily on colors bangla . in addition to this , we are also creating a bengali web - series for balaji’s upcoming digital channel alt .
even as we made rapid strides in the hindi market we strategically expanded our offering to the growing demand in regional content . our first regional program , ‘kudumbam’ was produced in 1998 by us and aired on sun tv . this laid the foundation for balaji in becoming a prolific content producer down south in languages such as telugu , kannada , malyalam and tamil . some of the hit shows produced by us in south were kudumbam , kulaavillaakku , kasthuree in tamil , kavyanjali in malayalam and pavithrabandham , kalisundhamra in telugu . additionally , we also produced shows internationally for ary in dubai ( khwaish ) and maharaja tv in sri lanka .
with the fashion brand , ekta is helping the modern indian woman find the route to express her thoughts and beliefs . brand ek promotes women’s wear with quality ethnic wear at competitive prices . we cater to the upper and higher middleclass audience who want to buy what they see on television , inspired by what the tv characters wear
brand ek , is the signature label of ekta kapoor comprising indian ethnic wear and exquisite jewelry . we have made a mark in the world of fashion in a limited time and the brand is available in the online space and also through tv shopping networks . the brand caters to indian audiences across the globe and aims at capturing an even wider universe .
indian television never fails to amaze . be it the over popular k - serials that run over for decades and more or comedy shows that give us doze of hearty laughter ! but indian tv hasn ' t disappointed in the horror shows department either ! here are 8 horror shows , that rule the late night airwaves , sending chills down the spine . and we are not exaggerating !
andheri link road , where balaji telefilms is located , is the cacophonous heart of this mumbai suburb . it has malls and multiplexes , tv and film production companies , a variety of restaurants , even some quaint photo studios whose windows display portraits of vintage hindi film stars . the lane in which the balaji office stands also has the fun republic multiplex , yash raj films and barry john’s acting studio—and many gaping potholes and open drains .
: we are alreay on right path , at most 5 of our program is giving more than 2 . 5 rating . and on friday , saturday & sunday - did will really give us boost . 1 ] please close bhangowali and insert one new program . 2 ] please always close our daily program at twist and any big twist highlight every where ( other program / zee news / dna ) on all serial . - at presently this is missing . 3 ] our every program should have one unique back ground song - audience relates to this very fast . 4 ] most of the ladies are watching serials for jewellary and costumes - designer jewellery is missing from our serials . any how i am sure very soon we are going to be top in ranking
balaji ' s success was attributed to its early entry into the business and presence in the regional markets . balaji was credited for assessing the public demand properly . its presence across the spectrum and its cordial relationship with most channels ensured it ' s continued growth . at the same time , its expenditure was controlled by its investment in high quality studios and equipment . throughout the 1990s , western - style plots had dominated indian television soaps . instead of following this trend , balaji conducted research and tv shows and viewers . balaji ' s research showed that the reach of fiction - based shows was about 60 % and that they appealed to women across regions and languages . . .
the idea was to create a small but radical brand for the banner she launched lsd with : alt entertainment . “just as with tv , we broke the clutter by introducing something that nobody had seen before . i wanted to introduce alt with a small film with a large concept . the production should scream , i thought . ” dibakar banerjee , the director of the film , had her convinced the first time he narrated the story to her . “the dog - eat - dog world that it dealt with ; where the victim , as well as the victimizer are in it for something ; it appealed to me a lot , ” kapoor says . later , when she watched a rough cut , she was shell - shocked , almost hysterical : “i thought , my god , what did i get into ? but i realized that for the first time a film challenged me to change my mindset . the bloody attitude got me . ”
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please note : this case study was compiled from published sources , and is intended to be used as a basis for class discussion . it is not intended to illustrate either effective or ineffective handling of a management situation . nor is it a primary information source . chat with us please leave your feedback
in 2001 , balaji began exploring export markets for its content library . the markets in usa , uk , canada , middle east , sri lanka , singapore and mauritius with their significant nri population were deemed to become major markets for the company in the future .
balaji was also planning serials in marathi , punjabi , bengali and gujarati . the indian television software industry was highly competitive , comprising a few organized and many unorganized players . padmalaya telefilms , atn international , jain studios , galaxy multimedia , tv18 , creative eye , pritish nandy communications and sri adhikari brothers were the other major players in the sector . the fact that some of the channels were getting into backward integration by starting their own production house did not augur well for production houses like balaji . however , the ever - increasing number of channels was expected to help the company . . .
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update 2 - russia - trump campaign collusion an ' open ' issue - u . s . senate panel chiefs
usa - soyproducts / ( table ) : u . s . cash soymeal - basis steadies after recent weakness
blackrock ceo says u . s . tax reform plan will have to be amended
blackrock - ceo / ( update 1 ) : update 1 - blackrock ceo says u . s . tax reform plan will have to be amended
the bjp - led coalition government completes three eventful years in office on monday , but , though party leaders put up a brave face , its critics dub the performance lacklustre and one riddled with u - turns on a few important issues .
$ 10 game day food vs . $ 456 game day food • super bowl 2018
: we should bring nice content like diya or bate ( star plus ) bade acche lagte hai ( sony ) , husband wife love story , someting related to sports story & it should be released on saturday & sunday , etc etc .
: we should now minimize the typical saas bahu concept , and also stop dragging the serials , our most of the serails are dragged for quite a long time which then becomes indigestable , we should add some thrillers , comedy serails , and may be look for some full to horror shows late nights on a week end .
: we should try to re launch old programs like antakshari & humpaanch etc .
dishtv india declares q1fy19 result : subscription revenues of rs . 14 , 893 million , up 8 . 1 % qoq
balaji telefilms ltd . is one of the largest content production houses across india , south asia , south east asia and the middle east delivering hindi and regional content . promoted by mr . jeetendra kapoor , mrs . shobha kapoor , ms . ekta kapoor and mr . tusshar kapoor , we have constantly built relationships across the entertainment industry , while identifying new avenues and markets .
in 2000 the launch of the three shows on star plus , namely ,
kyunkii . . . saasbhikabhibahuthi
,
kahaanighargharkii
and
kasautiizindagii kay
catapulted us into the living rooms of india and indians globally . such was the popularity of our shows in 2002 that 22 out of top 25 serials were produced by us , and we are proud that even today our shows consistently continue to be ranked number 1 shows on the general entertainment channels .
today having produced over 17 , 000 hours of television content , we are one of the leading providers of television entertainment in india . at present we are producing television content for all major entertainment channels in the country .
our success in the television market is attributed to understanding the pulse of the masses , anticipating viewer and channel preferences and creating programs which are in tune with the changing times . our state of the art infrastructure includes production sets , resources , manpower and editing machines and this allows us to continuously produce high quality shows .
balaji motion pictures ltd . ( bmpl ) has become synonymous with commercial cutting edge cinematic content supported by intensive and innovative marketing .
while balaji films group was set up in 2001 and kyokii . . . main jhuth nahin bolta , ( 2001 ) was the first film produced , balaji motion pictures limited was formally incorporated as a subsidiary on march 9 , 2007 . today , with a number of award - winning and acclaimed box office blockbusters , we have firmly established our position among the top 5 indian motion picture studios in the business .
after the release of our first film in 2001 , we produced kucchtohai , krishna cottage and koi aap sa in 2003 , 2004 and 2005 respectively . in 2005 , we produced and released kyaakoolhaihum which made it to the top three films of 2005 ; and also pioneered the wave of adult comedies . in 2007 , shootout at lokhandwala co - produced with sanjay gupta was the first film under the bmpl banner . the film was critically acclaimed as well as a commercial hit . it was followed in 2008 by c kkompany . in the same year we co - produced mission istanbul and emi – liya hai toh chukana padega with popcorn entertainment . in 2008 , we acquired the domestic distribution rights of bhoolbhulaiyaa , darling and sarkar raj .
in 2010 , we launched a sub - brand alt entertainment ( details below ) for new - age cinema with alternate sensibilities . love sex aurdhokha was the first movie produced by ‘alt’ . in the same year , we released once upon a time in mumbaai , which was among the most acclaimed hits of the year . this was followed in fy 2012 - 13 by kyaa super koolhain hum a sequel to the erstwhile 2007 hit kya koolhain hum which surpassed expectations and became a box - office winner .
in fy2014 , we scaled output substantially with diverse subjects and genres , cementing our position as a film company to reckon with . the 6 movies produced and released during 2013 / 14 were ek thi daayan , shootout at wadala , lootera , once upon a time in mumbai dobaara , shaadike side effects and ragini mms - 2 . we also successfully undertook distribution of some of our movies in limited territories , giving us the confidence to be across the value chain , from production to distribution .
over a period of time we have built a diversified film library which would provide stable and recurring future cash flows . the library , in future , would help us exploit old content on new and emerging platforms as well .
we will continue building on our credibility as a leading motion picture studio and maintain focus on scripts , budgets , economies of scale and out - of - the - box marketing . the emphasis will continue to be on optimising risk - return trade - off by pre - sale of rights as well as production of sequels and series which have an easier acceptance and connect with audiences . in recent times we have been building our capabilities in film distribution and undertaken distribution of our movies in select territories . in the near future we aim at becoming a fully integrated studio across the value chain , from ideation to distribution of the final film .
with four releases , 2011 - 12 saw the rapid emergence of alt entertainment , our alternate brand , which stands for new - age cinema with alternate sensibilities . shor in the city , an urban drama , emerged as the most acclaimed film of the year , while ragini mms , a paranormal thriller made on a shoe - string budget was a big hit . alt’s also forayed into regional cinema with its award - winning marathi language movie taryanche bait . the year ended on a crescendo with the runaway success of the dirty picture , one of the most acclaimed , celebrated and discussed films of indian cinema .
going forward alt will continue in the space of commercial alternate cinema while the parent brand balaji motion pictures will create and produce content aimed at a more universal and mainstream audience . we believe that there is a tremendous scope and demand for the cutting edge content produced by alt given the changing market landscape and audience profile and tastes .
the company’s digital content business is housed under alt digital media entertainment ltd , which was incorporated as a wholly - owned subsidiary in august , 2015 . through the subsidiary , we have made a strategic foray into the b2c digital content business segment to monetise the incredible potential of original , premium , on - demand entertainment .
the unit will operate an over - the - top ( ott ) platform that will offer subscription - based video on - demand services . it has been floated with an aim to produce original shows for web and mobile users . the move reflects btl’s strategic intent to expand its entertainment expertise by creating enjoyable and engaging content for digital audiences , targeted towards urban indians and the indian diaspora . altbalaji offers fresh , original and exclusive stories . tailored especially for indians across the globe , the platform hosts premium , high quality shows featuring popular celebrities , acclaimed writers , and award winning directors , making altbalaji a true alternative to mainstream entertainment
alt will create highly differentiated , original digital content for the entire ecosystem spanning mobiles , computers , tablets , smart tvs and game stations . it will present all - new original , exclusive and fresh content across genres , available only on alt digital , and developed solely for the digital consumer .
chhayabani balaji entertainment private limited ( cbepl ) is a subsidiary of balaji telefilms limited ( btl ) , in partnership with kolkata - based chhayabani private limited . cbepl leverages btl’s competitive strengths to produce entertainment across the media and chhayabani’s glorious heritage of producing extremely notable films in bengal . the collaboration has brought together two different media houses , with distinctive strengths to create exciting content , while also attracting high - quality talent .
chhayabani continues to be the preferred partner for balaji , given its cinematic excellence and passion to produce quality entertainment products . moving ahead , we are open to a programming mix of diverge genres , new concepts and innovative formats , including daily soaps , short format series , reality shows or weekend shows .
in 2014 balaji telefilms ltd . acquired a controlling stake in marinating films private limited ( mfpl ) to showcase box cricket league . box cricket league is a fusion of celebrities , entertainment & cricket all put into one . it is one of a kind arrangement that brings entertainment and cricket together in the form of over 120 celebrities that fill out the roster of 8 co - ed teams . fundamentally it is first of its kind to have men and woman play together and compete in a rectangular box shaped stadium with a soft ball . season 1 has been a great success and we continue to develop the concept going forward
kapoor apologizes as soon as she arrives , half an hour after the appointed time .
the trademark red smear of puja teeka on her forehead is missing . in harem pants , a black tee and osho chappals , the 34 - year - old media magnate looks more lsd than the title she has ungrudgingly—and as i discover later , quite smugly—worn ever since the mid - 1990s : the queen of television soap operas . “the overwhelming response to lsd is yet to sink in , ” she says , before i ask what made her choose a film that so blatantly flouts all the rules of classical film - making .
by the time i met her , lsd had done its first weekend at the box office and a new set of posters were plastered on the roads , screaming “superhit ! ” . trade analysts were reporting that the film had already clocked rs5 crore ( it was made with a production budget of rs2 crore ) .
but kapoor seems flabbergasted by what she says are exaggerated reports . “the way it is going , it’s 90 % likely that we will break even in the next three days , ” she says , with cautious confidence ( the net box office collections of lsd , inclusive of its second weekend , are around rs8 . 5 - 9 crore ) .
alt entertainment’s next big project is shor , a film to be directed by raj and d . k . nimodru , with her brother tusshar kapoor in the lead . once upon a time in mumbai , with ajay devgn and kangana ranaut , releases on 30 july , and later this year , golmaal 3 goes on the floor . “you have to go radical sometimes . there are risks inherent in the most formulaic film too , but there has to be a balance to create a brand , ” kapoor says .
kapoor’s gaze is unflinching . she gestures with her hands only occasionally , and when she does , the astrological stones she wears flash across your eyes : a garnet , a yellow sapphire , a diamond - studded white stone . she says she owes her mental balance to astrology : “some stones attract positivity , ” she says . “i also believe in some rituals ; my way to connect with god , it’s not just for material gains as people perceive . ” it’s common knowledge that an additional “k” was added to the titles of some soaps on the advice of her astrologer . kapoor has a knack for pop spirituality babble : “the biggest sin you can commit is if you hurt another human being” ; “you have to trust your instinct” . she believes “that everything happens for a reason” .
in the most recent quarter ( october - december ) , balaji’s revenues declined 22 . 4 % to rs39 . 3 crore because it made less money from projects it commissioned or outsourced to other production houses . tax provisions allowed the company to double its net profits , but investors didn’t take too kindly to the poor numbers , despite the increase in number of programming hours . according to bloomberg estimates , balaji’s stock has declined 16 . 17 % since the beginning of this year , compared with an average 3 . 36 % fall for the broadcasting and entertainment industry in general .
kapoor remains unabashedly proud that she changed the taste for television content in a newly globalized country ( kyunki saas bhi kabhi bahu thi ran for about eight years and went off air in november 2008 owing to falling popularity ) . “the mother - in - law and daughter - in - law conflicts are crucial to trps whether we like it or not . in those days , the fight was in the kitchen , now it’s outside of the kitchen , about other issues which are important in a rural setting , ” she says .
by the time we wrapped up the interview , the bells at the office temple had started ringing . i nudged myself out on to the road , where hundreds of mosquitoes were swarming above the open drains .
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the cakey make up , the flying furniture , the disfigured bodies and the overacting sometimes went overboard , but those old horror shows really scared the shit out of us . we preferred watching them with our families as they were too scary to be watched alone . these horrors shows from the 90s and early 2000s made sure that everyone at home watched together and freaked out together .
ssshh . . koi hai and ssshhh…fir koi hai were aired on star plus . vikraal , the main protagonist , was played by mamik singh and later by salil ankola .
the ghosts and zombies of the show were so convincing that we watched the show for its suspense and mystery despite being scared .
the balaji production was inspired by ripley ' s believe it or not . hosted by bollywood actor irrfan khan , the show successfully wreaked havoc in our minds .
remember the joker with the sinister laughter ? he almost made us pee in our pants . the mystical series was based on the life of seven teenagers with director ashutosh gowariker playing a major role . shreyas talpade also played a child artist in the show .
a ramsay brothers production , this one featured javed khan , ajinkya deo and archana puran singh who gained fame through the series . so much did the show influence our lives that we were afraid of sleeping with the lights off .
based on a small town called gahota , achanak 37 saal baad revolved around the town which experienced paranormal activities and bloodshed every 37 years . the show was appreciated for its storyline and thriller appeal .
x - zone was critically acclaimed for its special effects . popular actors like ashutosh rana and kay kay menon featured in the show .
raat hone ko hai was first premiered on sahara channel in 2004 . bp singh , the king of horror shows , produced this show which gave us sleepless nights .
the show revolved around the life of a girl next door played by geetanjali tikekar and later by pallavi kulkarni . rajeev khandelwal played the male lead . an entertaining show , it added the right amount of thrill and mystery to our mundane lives .
produced by vikram bhatt , this one came on the block only recently , but was appreciated for its impressive direction . the show revolved around supernatural powers in a mystical world and investigated them .
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is probably one of the most popular horror series that was created by b . p singh for sony entertainment television . the show premiered on 12 th october 1995 and it is the longest running horror show aired on indian television . the sixth season of the episode premiered in february 2015 .
diljit dosanjh rejected his favourite director’s film because he was asked to remove his . . .
this pic of anushka sharma staring angrily at husband virat kohli has become a subject of . . .
rishi kapoor - taapsee pannu raise some legit questions on religion & patriotism in ‘mulk’ . . .
the tales unfolds and take mysterious turns . guess who played ashutosh ? it was film director ashutosh gowarikar who later went on making films like swades and jodha akbar . watch the first episode of
another gripping take on paranormal activities was the show fear files . . . darr ki sacchi tasvirein .
and contiloe entertainment for star plus . the show ran for three seasons and is considered as one of the most commercially successful horror shows of indian television .
if you love river rafting and have always been open to new adventures , wait till you see this episode from the show .
the show premiered on sahara manoranjan ( sahara one now ) in 2004 . the show brought together some intriguing tales which were broadcast in parts . watch a part of the story ' lift ' here ! we are sure you will end up being scared of the idea of asking help on a deserted road !
sony entertainment television india . the theme of the show was paranormal experiences that were narrated by the victims themselves .
' rang de basanti ' sequel won’t ever happen , says director rakeysh omprakash mehra . here’s why
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