style is a 2002 tamil drama film , written and directed by sibi chakravarthy .

it stars raghava lawrence and gayathri raguram in the lead roles , while ramana and vadivelu portray supporting roles .

the music for the film was composed by bharani and the film opened to mixed reviews in december 2002 .

style ( 2002 film )

valerie bertinelli during 2002 sundance film festival - in style - guess party at . . .
guess ' natalie marciano & josh brolin during 2002 sundance film festival - in style . . .
joel michaely during 2002 sundance film festival - in style - guess party at zoom . . .
party favors and decor during 2002 sundance film festival - in style - guess party . . .
clifton collins jr . during 2002 sundance film festival - in style - guess party at . . .
ben chaplin during 2002 sundance film festival - in style - guess party at zoom in . . .
john waters during 2002 sundance film festival - in style - guess party at zoom in . . .
joel michaely during 2002 sundance film festival - in style - guess party at zoom in park city , utah , united states .
ben chaplin during 2002 sundance film festival - in style - guess party at zoom in park city , utah , united states .
valerie bertinelli during 2002 sundance film festival - in style - guess party at zoom in park city , utah , united states .
john waters during 2002 sundance film festival - in style - guess party at zoom in park city , utah , united states .
clifton collins jr . during 2002 sundance film festival - in style - guess party at zoom in park city , utah , united states .
party favors and decor during 2002 sundance film festival - in style - guess party at zoom in park city , utah , united states .
denise richards & guess ' natalie marciano during 2002 sundance film festival - in . . .
the remake of patrick leconte’s 2002 film stars donald sutherland and u2 drummer larry mullen , jr .
denise richards & guess ' natalie marciano during 2002 sundance film festival - in style - guess party at zoom in park city , utah , united states .
guess ' natalie marciano & josh brolin during 2002 sundance film festival - in style - guess party at zoom in park city , utah , united states .
the life of mise - en - scène : visual style and british film criticism , 1946–78 .
style manual for authors , editors and printers ( 2002 ) emphasises the importance of focusing on an audience ' s needs when producing a publication .
sunday too far away 1975 , film , south australian film corporation , adelaide .
style manual for authors , editors and printers 2002 , 6th edn , rev . snooks & co . , john wiley & sons , milton , qld .
charlize theron has always had atomic style . here ' s proof . | huffpost
read how to cite and reference data , figures and images in the harvard style .
please be aware that variations of the harvard style of referencing are used by different universities and publishers . unlike many other styles , there is no single authority on harvard style .
29 ) dicaprio met the real frank abagnale , jr – the con - man character he played in 2002’s catch me if you can – while working on the film .
though his movie wraps challenging ideas and ingenious visual conceits in a futurist film - noir style , it ' s pretentious , didactic and intentionally but mercilessly bleak .
( eds . ) style and meaning : studies in the detailed analysis of film . manchester university press , manchester , pp . 108 - 126 . isbn 9780719065248
read how to cite and reference speeches / broadcasts / audiovisual / music scores in the harvard style .
where possible , the information for this guide has been based on : snooks & co . 2002 , style manual for authors , editors and printers , 6th edn , rev . john wiley & sons , milton , qld .
the film festival and shortfest are presented by the film society under our mission of nurturing new filmmaking talent , honoring the great masters of film , and providing audiences with an appreciation of world cinema .
unlike many referencing styles , there is no source document for a harvard guide . this guide is based on commonwealth of australia 2002 ,
charlize theron is in the “year’s coolest movie , ” but she’s had the coolest style around for a while now .
argued against technological gadgetry in cinema and for a straightforward realism in style and content . a leader of the group was
the following principles of the harvard style of referencing apply to all sources , including print , electronic and multimedia sources .
it has been suggested that the seven deadly sins ( bosch c . 1500 ) is less characteristic of his style .
my research is concerned with film aesthetics and especially with extending the methods and subjects of style - based criticism . recent work has included bringing together traditions of close analysis with on - set observation and production history in the exploration of a contemporary feature film , writing a history of mise - en - scène criticism , and exploring the possibilities of audiovisual essays for style - based criticism .
sunday too far away ( 1975 ) was the first ever australian film to be selected for the directors ' award at the cannes film festival .
the film was a tamil new year release ( april 13 ) but was not promising at the box office . vijay ' s next film will be
, who began their careers as film directors , worked primarily in television during the 1970s and ’80s , and then resumed film production . leigh’s works include
monal played a small role in the film directed by shakti chidambaram . in the film she commits suicide . apparently , chidambaram was upset that monal did commit suicide in real life , especially since his film also shows her committing suicide .
movie : a journal of film criticism ( 7 ) . issn 2047 - 1661
now taking submissions for the 2019 palm springs international film . . . more information
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one of spielberg ' s more underrated films . an astonishing visual style , great performances , an intriguing plot and superb direction from spielberg .
two of the films are for kb ' s ' disciples ' . one - time assistant vasant will direct a film with shaam in the lead . saran will direct a film with ajith ; linguswamy will direct a film with vikram , selvakumar with kartik .
the cry of the owl : investigating decision - making in a contemporary feature film .
close - up 02 : movies and tone / reading rohmer / voices in film .
) . he then went on to be a director in american film and television .
keiko , whose name means
lucky one
in japanese , was freed in iceland in july 2002 , after five years training to help it to survive in the wild .
palgrave close readings in film and television . palgrave macmillan , london , uk . isbn 9781137585721
movie : a journal of film criticism ( 1 ) . pp . 1 - 17 .
( 2000 ) , a compelling portrait of a family and society , was honoured by the national society of film critics in the united states as the year’s best film released there .
cannes - a superb re - make of patrick leconte’s 2002 film , man on the train is a scrumptiously literate character drama . starring donald sutherland and u2 drummer larry mullen , jr . , this well - crafted entertainment’s appeal will be to a mature , intelligent demographic .
the film will star vikram again . their association goes back to their college days in chennai ' s loyola college . vikram plays a villager . the film costars jyotika and reema sen (
this week , the riverrun international film festival in winston - salem , north carolina , is hosting a screening of d . a . pennebaker’s 1968 film monterey pop . playing as part of from the archives : rock on film , a music - themed sidebar to the festival , p…
22 ) dicaprio was chased through the louvre by a gaggle of teen girls in 1998 . he probably should have sorted a blue ivy carter - style shutdown .
recently i acted as hero in a supergood production ' s tamil film that was released on the 12th of september . i am currently doing another film called ' style ' in tamil . i am also open to do item numbers ( special songs ) in films . but i want to do item numbers that have very good mass punch in them .
suja and gayatri are daughters of choreographer raghuram . gayatri made her debut in the recent tamil film
producers c sudhakar and g prem kumar produce the film , with dialogues written by malluri venkat .
close - up 01 : filmmakers’ choices / the pop song in narrative film / reading buffy .
film movements identified with a particular national culture , such as italian neorealism , the french new wave , or new german cinema , had become difficult to identify or sustain . a film such as
2 . between 1999 and 2002 the uk government sold 395 tons of our gold reserves at a price around $ 282 an ounce . the price is now $ 1 , 262 an ounce .
i welcome enquiries from prospective postgraduate students interested in working on a wide range of narrative film , on critical historiography , on film aesthetics and on research in film and television by practice as research . current and recent projects supervised include studies of performance in the post - studio horror film , the films of otto preminger , production design in the new cinema of pernambuco , and practice as research explorations of the long take , of ethics and rhetoric in docudrama , and of different modes of film production .
movie : a journal of film criticism , warwick , uk . ( republication in e - form )
series editor ( with douglas pye ) of palgrave close readings in film and television , palgrave macmillan .
mexican cinema was representative of many national film cultures that had , as it were , one foot in its own language and film traditions and the other connected to influences from and opportunities in hollywood . the actor alfonso arau directed a highly popular film based on a novel written by his wife , laura esquivel ,
bala who directed the original , showered praises on jeevita ' s work . she now plans her second film
with d . a . pennebaker’s groundbreaking concert film , rock music solidified its status as a universal language .
an interview with writer / director boots riley about his incendiary new film ,
sorry to bother you .
34 ) dicaprio helped win once - girlfriend bijou philips her role in james toback’s 1999 film black and white .
movie : a journal of film criticism ( 3 ) . pp . 80 - 93 . issn 2047 - 1661
the film would begin with peter parker as spider - man stopping mysterio and handing him over to the police .
and while she has mostly stuck to her signature blonde locks over the years , the oscar winner has also dipped into variations of hair style and color , even sporting the occasional brunette pixie .
this masterfully sleek vision of the future from director steven spielberg is an awesome mix of skewed science fiction , twisty hitchcock - style thrills , stunning blue - grey tinged photography and outstanding design .
before using this guide , please consult your unit guide , which may specify variations on this style . if you are still unsure , please check with your unit chair , lecturer or tutor .
apparently , she is a shirdi devotee in real life and is only too happy to be one in the film .
1 ) leonardo dicaprio’s first film role was in critters 3 , and not as toby wolf in this boy’s life .
( eds . ) film moments . bfi / palgrave macmillan , london , pp . 57 - 60 . isbn 9781844573356
bradley , j 2013 , ' life through avian eyes ' , review of birds and people by mark cocker and david tipling , the age , 21 september , life and style , p . 31 .
cinematographer stefan von bjorn’s silken hues and production designer jennifer carroll’s vibrant furnishings are precisely right for this full - bodied film .
, utah , were founded to encourage and promote independent work . a major breakthrough was achieved when an american independent film ,
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
for the role . ultimately bale became available and purcell was cast as seamus the resistance fighter in the opening of the film instead .
new review of film and television studies , 10 ( 1 ) . pp . 132 - 151 . issn 1740 - 0309 doi :
her red carpet looks are constantly iconic , landing her on best - dressed lists and inducing major style envy . but her most recent awards show looks only skim the surface . wait until you see her ’90s sartorial showings .
even though spielberg has made significant use of modern technology in recent times , we realized that high tech did not mesh with this film . beneath his powerful style and incredible technique , we understood that we had to surprise him by heading towards something that reclaims the “artist’s” work . what mattered was not our know - how but the emotion that we could transmit to a simple thing .
in spite of the lukewarm fan reception to spider - man 3 , its impressive box office score convinced sony to make another film , even convincing them to speak of a fifth and sixth film , also to be directed by raimi . it was even discussed that they be shot cocurrently .
however , the orca swam 870 miles and in september 2002 appeared in skaalvik fjord in western norway , where it allowed swimmers to play with it and even ride on its back . norwegians drove for hours for a chance to see and play with
the movie star whale
.
the film gold , starring matthew mcconaughey , is released on dvd and blu - ray today , so here are some golden facts to accompany it .
1 . the cost of making the film gold was $ 20million . at today’s prices , that is equal to 15 , 755 ounces of gold .
spider - man 4 was the unofficial title for what would have been the fourth film in sony pictures ' spider - man film series that was slated to release on may 6 , 2011 . some rumors said that the title given was going to be spider - man 4 : birds of prey .
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
t’s established in allen lore that the picture was originally a two - and - a - half - hour solipsistic ramble , with alvy and annie’s fling relegated to a subplot . but in the edit , their relationship was what brought the film to life , and the dead wood was mercilessly cut back . allen’s preferred name for the film he’d originally planned was anhedonia : a greek term for the inability to feel pleasure . there couldn’t have been a less appropriate title for the finished film .
its handlers , from the keiko project , a collaboration of marine experts from the humane society of the united states and the free willy - keiko foundation charity , coaxed it a few miles to the more remote taknes fjord in november 2002 . they still often fed it the 110lb of fish that it required every day .
s ( digital video discs ) accelerated these trends , with the computer emerging as a new production unit in filmmaking and the internet as a site for film distribution and exhibition . one result of these changes was the appearance on the world stage of filmmakers—particularly chinese - language ones—from places that had previously been little recognized within international film culture .
in his last screen role . angelopoulos , a master of greek cinema since his first feature film in 1970 , made several ambitious works fusing the personal and the historical :
the following examples of citations of legal sources are based on the australian guide to legal citation ( aglc ) referencing style . for further details , see the deakin guide to aglc or the australian guide to legal citation ( melbourne university law review association inc , 3rd ed , 2010 ) .
he first film in which allen directed diane keaton was also , perhaps not coincidentally , the first film to suggest he had more in him than than madcap , gag - driven comedies . ( they appeared in a film together before his directing days ) . that’s not to say sleeper isn’t as madcap and gag - driven as his earliest work : a film about a health food shop owner who falls into a vat of liquid nitrogen and wakes up 200 years later kind of has to be . but allen’s painting with new colours here : romance , melancholy , and even – gasp ! – coherent plotting , while the uproarious robot butler sequence showcased his talent for silent - era physical clowning .
in the film , vijay sets out to proove that most indians are not aware of basic laws . how vijay tries to educate people about their basic rights forms the crux of
( vcr ) opened up new possibilities for the distribution of films as videocassettes , giving wider circulation and easier access to works made throughout the world . in the same manner , new cable and satellite television systems that delivered media directly to homes created additional markets for film distribution and income sources for film producers . with the availability of higher - quality video cameras , more filmmakers used video technology to lower production costs , later transferring the image to film stock for theatrical exhibition . in the following years , the spread and increasing capabilities of
ferociously intense , furiously kinetic , it ' s expressionist film noir science fiction that , like all good sci - fi , peers into the future to shed light on the present .
( eds . ) the long take : critical approaches . palgrave close readings in film and television . palgrave macmillan , london , uk , pp . 89 - 102 . isbn 9781137585721
( 1999 ) , written and directed by larry ( later lana ) wachowski and andy ( later lilly ) wachowski . in spielberg’s film , based on a best - selling novel by
keiko , the killer whale that starred in the film free willy , died yesterday , a year after being released into the wild where it remained dependent on humans until the end .
the movie doesn ' t update the musical so much as bring it to a high electric streamlined gloss . the director rob marshall , a stage veteran making his big screen debut , paces the film with gusto . it ' s not all breakneck production numbers , but it ' s never far from one . and the choreography doesn ' t copy fosse ' s inimitable style , but it ' s not far from it , either ; the movie sideswipes imitation on its way to homage .
t opens with one of allen’s most vividly written , shot and acted scenes ever , as judy davis and sydney pollack arrive for dinner and announce their separation plans . the way their best friends , allen and farrow , respond – shocked , but also offended – turns this into a rapid marvel of four - way characterisation . this is allen’s most scorching anatomy of marital bonds , a film so bitter , witheringly frank and unsentimental he entirely reinvented his style of shooting and editing for it .
in order to capture the spirit of leonardo dicaprio’s character , we chose to employ a creative process that did not resort to the use of high technology . we used the same techniques as the film’s protagonist , by imagining the characters in stamp form , made from the same cutters as those used in the film by frank abagnale jr . we wanted to preserve that crudeness .
lawrence created a sensation with terrific choreography in hitler and from then onward he never had to look back . he is the in - demand choreographer at present in telugu and tamil film industry .
to the film industry and the title favela to the world at large . the film shows the darker side of one of south america ' s most famous resort cities , rio de janeiro . set in the
city of god ,
the lawless ghetto where the city ' s poorest and most dangerous citizens live , meirelles tells stories of hope , of violence , and of love .
i worked as choreographer for six months for low budget films . then chiranjeevi spotted me and offered me the film hitler . with my dance numbers clicking in hitler , i never had to look back .
the palm springs international film society presents educational programs that bring students into the world of cinema with engaging opportunities and in - depth experiences in the classroom , in our offices , and at our festivals .
i keep the hero in mind while composing dance moves . each and every hero has a style . i don ' t force my dance movements on them . instead i study their body language and compose steps that suit their body language perfectly . i also keep the fans of that particular hero in mind and accordingly compose steps that exhilarate those fans .
even if he belabors the ending and can ' t resist tempering the darkness with a strained ray of hopefulness , minority report is a document that proves spielberg among the top ranks in a minority of film geniuses .
lawrence was choreographing ' vaa vaa ' song for bobby film at a set erected in floor number one in padmalaya studios . he spent some time with urltoken team for chitchat . here are the excerpts . . . .
the color palette does so much to set the feel of the jet setting era in which the film takes place . was there an intentionality to the colors that you selected and if so , what materials did you reference ?
it’s a glorious premise , explored by allen and his cast to dazzlingly funny ends . what gives the film its existential bite , though , is a two - part acknowledgement late in the game : firstly , that the beautiful solace film offers is a lie , and secondly , that it doesn’t matter . watching it , you feel ( and probably look ) like farrow’s heroine : a smiling face in the dark , lit up , flickering , alive .
acting under the cover of a hollywood producer scouting a location for a science fiction film , a cia agent launches a dangerous operation to rescue six americans in tehran during the u . s . hostage crisis in iran in 1979 .
keiko became the centre of worldwide attention after the release of free willy in 1993 . in the film , a killer whale is coaxed by a young boy to jump over a sea park wall to freedom . reality proved more difficult .
in russia a significant figure to emerge was aleksandr sokurov , whose early films had been “shelved , ” or prohibited from public screening , until 1987 . sokurov’s first film to be widely seen internationally was mat’ i syn ( 1997 ; mother and son ) . in 2002 he made russki kovcheg ( russian ark ) , a 96 - minute tour of the hermitage museum in st . petersburg , in a single take without cuts , the longest steadicam shot ever recorded . aleksey balabanov directed both crime dramas— brat ( 1997 ; brother ) and a sequel , brat ii ( 2000 ; brother ii ) —and meditative historical works , including pro ourodov i lioudiei ( 1998 ; of freaks and men ) .
e’s speaking to the film’s other main character , allen’s documentary filmmaker clifford stern , in the one scene they share , sitting apart from a wedding celebration at the film’s very end . not here the fortune - cookie insights that some of allen’s lesser pictures call philosophy . here he’s thinking deeply about moral choice , the question of whether guilt in your own eyes or the eyes of the world matters more . this bubblingly wise film , rich with beautifully dovetailing metaphors about blindness and conscience and the perils of self - knowledge , has only grown in stature since its release . it is allen on soaring form , gliding so elegantly through its maze of ideas it’s as if the spirit of fred astaire gave it lift - off .
writes al reinert , director of for all mankind : “having your film in the criterion collection is like marrying your daughter into an old distinguished family that intimidates and humbles you . she might feel at home there , but i am inclined to stand
5 . the runts portrayed in city of god would grow up to form the now feared comando vermelho or
red command ,
the most notorious gang in rio . like in the film , the cv is known to have a death list .
2 . like most of the non - actors used in the film , alexandre rodrigues ( buscapé ) and leandro firmino ( li ' l zé ) really were from the city of god . firmino only went to the audition to keep a friend company .
( 2006 ) . the success of nearly all these works as international art films was a sign that , despite hollywood’s dominance of the world film marketplace , there was still a place for distinctive national visions in cinema at the turn of the 21st century .
after three years at paramount , he returned to design and remained active throughout the 1980 ' s and 90 ' s , working with directors like mr . coppola on ' ' the cotton club ' ' and mr . de palma on ' ' the bonfire of the vanities ' ' and ' ' carlito ' s way . ' ' tall and charismatic , he even acted a bit , appearing in a bit role in the 1996 film ' ' mulholland falls , ' ' a film he also , of course , designed .
an entirely new arena for tap dancers opened up with the introduction of “talking” motion pictures . although the technology for sound on film had been around for several years , it was not until the jazz singer ( 1927 ) that the public accepted this new medium . …
the original stamps , that we created in a few hours , are those that exist in the final product . the magic of the first try was not altered . the force of the sketch remained . that seemed to cohere with the spielberg spirit . when it was time to sync our title sequence with his film , we asked him to send us some images from his avid or via the internet , but we also received an actual piece of film because he edits his films the old - fashioned way , on a moviola .
13 . city of god was brazil ' s official submission to the best foreign language film category for the 75th academy awards in 2003 . but it failed to receive a nomination . the same year , miramax released the movie in the u . s . which qualified it for other categories the following year . in 2004 , city of god was nominated for four academy awards ( best director , best editing , best cinematography , and best adaptated screenplay ) . it was the first time a brazilian film earned more than two oscar nods .
the curtain - raiser for cannes in 2002 was the definition of a duff opener , pleasing nobody : allen cast himself as a once - fêted director who suffers an attack of hysterical blindness . strenuous farce ensues , with a feature - length quantity of dead time on screen , and only téa leoni threatening to be an asset . the punchline explains its cannes berth : when the $ 60m movie allen’s character directs while blind is a resounding flop , his one consolation is that the french love it . but not even the french loved hollywood ending .
9 . city of god marks the acting debut of 19 - year - old alice braga , now one of brazil ' s most famous actresses . she had appeared in commercials as a child but hadn ' t done much since . she credits the film for her current success .
motion picture , series of still photographs on film , projected in rapid succession onto a screen by means of light . because of the optical phenomenon known as persistence of vision , this gives the illusion of actual , smooth , and continuous movement . the motion picture is a remarkably effective…
was worried that if this movie flopped at the box - office ( like his previous two films ) , it would be the end of his directing career . luckily for him , that didn ' t happen . after an initial lukewarm response , the film became a surprise sleeper hit .
at the end of the 20th century , japan’s long - established film culture was characterized by individual work rather than by dominant movements , as had been the case in the past . as in france , filmmakers of the japanese new wave era of the 1960s continued to be active , with
allen has often shown an interest in stage magic and hypnotism ( see also : scoop , magic in the moonlight ) , but this enthusiasm reached its unfortunate nadir in this dodo of a light comedy , his most expensive film ( it cost $ 33m ) and by his own reckoning among the worst . his own performance as a wisecracking insurance investigator hypnotised into jewel theft was one problem , but helen hunt doesn ' t fare much better as the ruthless efficiency expert he wants off his back . all the film achieves is managing to look lavishly nostalgic for a more sexist era .
f allen’s many mooted returns to form , here’s the film that actually was one : a lacerating comedy of financial and romantic recessions , and his best work since his extraordinary mid - career hot streak came crunching to a halt in the early 1990s . cate blanchett won an oscar for her heart - tightening performance in the title role – a kind of blanche dubois of park avenue brought low by her husband’s economic chicanery . jasmine’s dogged denial of her desperate circumstances is the fire under the film’s feet , and watching her crumble is agonising , thrilling – and , most damning of all , great fun .
mckee believes that executives can engage listeners on a whole new level if they toss their powerpoint slides and learn to tell good stories instead . in his best - selling book story : substance , structure , style , and the principles of screenwriting , published in 1997 by harper - collins , mckee argues that stories “fulfill a profound human need to grasp the patterns of living—not merely as an intellectual exercise , but within a very personal , emotional experience . ” what follows is an edited and abridged transcript of mckee’s conversation with hbr .
entertaining for the most part , but many of the concepts introduced in the film are flawed . i wouldn ' t call
minority report
the most intelligent science - fiction film ever made . maybe one of the most interesting . the future that spielberg creates is believable and is one that certainly could happen . maybe not the whole predicting the future thing , but most of the technology used in the film mirrors the technology in our world today . on a narrative standpoint ,
minority report
is intense yet many of the things that happen may make you wonder why they happened . the entire story is based on anderton seeing himself as a future killer . the question is , how did his future appear on that screen ? everything is based on what he saw but if he didn ' t see it none of the things that happened would have happened . it ' s a flawed concept that really doesn ' t make any sense .
the film takes place in the 1960s and spielberg desired for us to transplant the audience into a varied universe , with a bit of chic and a sense of drama ( certainly not a humorous cartoon ) . we decided to take on the same approach as those who created title sequences during that era : as if we were in that era , working amongst colleagues . not in terms of technological means , but in terms of philosophy . we wanted to deliver a personal creation that has our mark , that works in contrast to studio title sequences in which the artist’s hand is less visible . we wish to have the audience of this film rediscover a paradise lost .
ere it is : not just allen ' s creative pinnacle , but perhaps the most perfectly assured braiding of comedy and drama in mainstream american film . it feels like the miraculous sweet spot between all of its filmmaker ' s many modes and tones – biting without being cruel , profound without seeming sanctimonious , warmly humane without collapsing into goo .
fter a run of russet - hued collaborations with cinematographer darius khondji , allen is working here for the first time with the venerable vittorio storaro , and the change has done him the good . a couple of scenes with bobby and vonnie together are the most visually beautiful sequences in an allen film in goodness knows how long . and then there ' s
its fortunes changed in 1993 when it starred in free willy , about a boy fighting the unscrupulous owner of an oceanarium to liberate its star turn . the film became a worldwide hit , and when the living conditions of the real
willy
became known , adults and children funded a multi - million dollar campaign to save keiko from its tank in mexico .
todd haynes '
far from heaven
is like the best and bravest movie of 1957 . its themes , values and style faithfully reflect the social melodramas of the 1950s , but it ' s bolder , and says out loud what those films only hinted at . it begins with an ideal suburban connecticut family , a husband and wife
team
so thoroughly absorbed into corporate culture they ' re known as
mr . and mrs . magnatech .
then it develops that mr . magnatech is gay , and mrs . magnatech believes that the black gardener is the most beautiful man she has ever seen .
it was superstar rajnikant who blessed me to join the film industry . he paid rs 10 , 000 / - on behalf of me to the dancer ' s association and bought the dancer card for me . now , the price of card is rs 15 , 000 / - . i came to the film industry with the recommendation of rajnikanth . i joined as a dancer for shiva shankar master for one year and then i worked for prabhu deva master for 5 months . i am the first and only dancer to become master with in two years of entering the field as dancer . after seeing my phenomenal rise , the dancers ' union passed on a new rule that a dancer should have a minimum of 5 years of experience to become a dance master .
far from heaven
uses superb craftsmanship to make this film look and feel like a film from the 1950s . todd haynes says he had three specific inspirations : douglas sirk ' s
all that heaven allows
( 1955 ) , which starred jane wyman and rock hudson in the story of a middle - aged widow and her handsome young gardener ; sirk ' s
imitation of life
( 1959 ) , with lana turner as a rich woman whose maid ' s daughter ( susan kohner ) passed for white , and max ophuls '
the reckless moment
( 1949 ) , about blackmail . in sirk ' s films you often have the feeling that part of the plot is in code ; that one kind of forbidden love stands for another .
17 . in the english - subtitled version of the film , mané galinha is called
knockout ned .
the name was changed to avoid confusion since mané galinha means
chicken manuel .
in the u . s . a chicken is a coward , but , as mentioned above , in brazil it means
womanizer
and the character also stole chickens . the term
knockout
means
handsome
in american slang .
spider - man has a sticky situation to crawl out of . as reported by deadline hollywood , spider - man 4 is caught up in a web of disagreements that’ll likely keep it from being released on may 5th , 2011 as planned . further complicating things , raimi reportedly went through four revisions of the script , with different writers , and still
hated it
. with so many issues , sony cancelled the film in january 2010 .
his work was also notable for its keen detail - - like a copy of a child - rearing guide on a bedroom bookshelf in ' ' virginia woolf ' ' - - as well as its ingenuity , as when he re - created tiananmen square for the 1997 film ' ' red corner ' ' using a 200 - foot - wide blue screen and thousands of 20 - inch concrete slabs cemented to a parking lot in playa del rey , calif .
with the fall of the berlin wall in 1989 and the collapse of the soviet union two years later , the film cultures of russia and the former soviet - bloc countries of eastern europe experienced dramatic transformations . formerly controlled and supported by the state , film production shifted into private hands . with the boundaries that previously had divided eastern from western europe now torn down , filmmakers were freed to work where they pleased or where opportunities existed . a prominent example was the polish director krzysztof kieslowski , who in 1991 made la double vie de véronique ( the double life of veronique ) , which suggested a mysterious symmetry between two women , one living in poland and the other in france . kieslowski shifted his filmmaking work to france , where he made the important trois couleurs ( “three colours” ) trilogy— bleu ( 1993 ; blue ) , rouge ( 1994 ; red ) , and blanc ( 1994 ; white ) —before his death in 1996 .
7 . the scene where buscapé tells marina ( graziela moretto )
he never took a hot bath
wasn ' t scripted . it was actually footage of rodrigues and moretto talking off camera . during a pause in shooting , he was simply telling her about his life in the city of god . 8 . the film was not actually shot in the cidade de deus , as it was too dangerous . it was shot in a neighboring , less dangerous area .
as beloved as city of god is ( currently # 21 in the imdb top 250 ) , it remains a mysterious star in the film universe . meirelles followed it up with the underrated constant gardener in 2005 , but has yet to match its greatness again . city of god stands on its own at this point and is still one of the best gangster films of the new millennium . let ' s dig deeper into the movie and discover what was going down behind the scenes :
gene hackman , ian holm and martha plimpton feature in the flashbacks and present - day scenes she’s weighing up against each other , trying to work out where her life slid into a rut of barely noticed unfulfilment , and how to escape it . in the film’s most unnerving scene , she bumps into a high - school friend ( sandy dennis ) who dumps a shocking checklist of grievances in her lap , revealing marion ' s long - held view of herself as a kind of mirage .
filmmaking was inevitably affected by the prolonged , bitter , and brutal breakup of yugoslavia during the 1990s . under the circumstances , every film from the region was likely to come under attack from some group as a work of propaganda . this was the case for the work of emir kusturica , who had gained wide recognition for his films in the 1980s but caused controversy in the 1990s with underground ( 1995 ) and crna macka , beli macor ( 1998 ; black cat , white cat ) .
absolutely . we follow people in whom we believe . the best leaders i’ve dealt with—producers and directors—have come to terms with dark reality . instead of communicating via spin doctors , they lead their actors and crews through the antagonism of a world in which the odds of getting the film made , distributed , and sold to millions of moviegoers are a thousand to one . they appreciate that the people who work for them love the work and live for the small triumphs that contribute to the final triumph .
city of god is a great film , but it resonated with viewers because it ' s a gangster movie . the movie tells the origin of li ' l zé , a killer with serious self - loathing issues . and meirelles spins his tale , as well as others , with hyperkinetic editing , handheld cameras , and sun - soaked lighting . the effect is scorsese - esque and thrilling . but city of god also manages to skirt glorifying the violence . you don ' t envy these guys .
his first film work as production designer came in 1956 , for ' ' baby doll , ' ' directed by mr . kazan , for whom he later designed ' ' a face in the crowd , ' ' and ' ' splendor in the grass . ' ' the approval of mr . kazan and appreciation of his work opened other director ' s eyes . mr . sylbert was in constant demand , working as an art director or production designer on more than two dozen films from 1956 to 1975 .
on the subject of villains , raimi considered showcasing the transformation of dr . curt connors into the lizard , with dylan baker reprising his role . he also had plans to upgrade bruce campbell to a more significant role than his prior cameos . in december 2009 , it was reported that john malkovich was in talks to play the vulture , with anne hathaway playing felicia hardy . hardy would be taking a departure from her prior portrayals in this film , becoming
vulturess
instead of the familiar black cat .
jump cuts abound , straight - to - camera interviews break up the plot , and carlo di palma’s handheld camera whip - pans all over the place , seeming to reel from one accusation or gossip - bomb to the next as this foursome all experiment separately with new lovers : perfect catch liam neeson , aerobics bimbo lysette anthony , impressionable student juliette lewis . it’s woody’s last film with farrow and feels , even more now , like a brutal post - mortem on their whole relationship : he even makes himself the loser .
in 1994 , allen adapted his first professionally produced play – a quick - fire cold war farce in which a family of american tourists are mistaken for spies – for the television network abc . a previous film version had been made in 1969 , and apparently niggled away at allen for years , though his own take in no sense redeems it : it looks shatteringly cheap and ugly , while the cast ( which includes michael j . fox and julie kavner ) have nothing to work with but reheated , three - decades - old schtick .
he best of allen’s europe - trotting films is the one most in touch with its touristic soul . scarlett johansson and rebecca hall are two young american women who fall for javier bardem’s divorced artist during a catalonian excursion – and like a midsummer night’s sex comedy , it’s the idea of romance as a mini - break for the soul that gives the film its rosily libidinous power . of its unspeakably attractive cast , penélope cruz was the eventual oscar - winner ; oftentimes , you sense allen’s just happy to be tagging along for the ride .
adio days is allen being nostalgic about nostalgia : it’s the kind of film about the olden days they just don’t make any more . the model was fellini’s free - flowing 1973 masterpiece amarcord , with rimini swapped for rockaway beach in queens , where a working - class jewish family buzz and drift through everyday life , while the music of glenn miller and duke ellington crackles comfortingly from the living room set . allen weaves in further stories of stars and wannabes , muddling memory and fantasy . the result isn’t so much a collage as a patchwork quilt .
woody’s fourth and , thus far , final london film is a lightly cynical ensemble juggling act , taking in gold - digging , psychic love advice and ambulance - chasing literary plagiarism . josh brolin is well cast as a desperate novelist , but gemma jones has the best of it as the jilted wife of anthony hopkins , whose new girlfriend is a tacky ex - hooker ( lucy punch ) . allen , alas , seems above all of his characters here , and inflicts petty twists of fate on them which feel forced and malicious rather than wise or illuminating .
erhaps of all allen’s early comedies , this is the one that could be remade today with the fewest concessions to modern taste . that might be because on its release , it already felt like a film out of time : it’s effectively the marx brothers’ duck soup with a cuban spin ( allen’s wilting new york nebbish accidentally becomes a dictator ) and survives on its never - ending supply of lunatic gags , thundering past like an express train . it looks cheap , which is funny in itself , and satire and spoofery are crammed in until it bulges at the seams .
reilly brings a kind of pathetic sincere naivete to the role - - the same tone , indeed , he brings to a similar husband in
the hours ,
where it is also needed . it ' s surprising to see the confidence in his singing and dancing , until you find out he was in musicals all through school . zellweger is not a born hoofer , but then again roxie hart isn ' t supposed to be a star ; the whole point is that she isn ' t , and what zellweger invaluably contributes to the role is roxie ' s dreamy infatuation with herself , and her quickly growing mastery of publicity . velma is supposed to be a singing and dancing star , and zeta - jones delivers with glamor , high style and the delicious confidence the world forces on you when you are one of its most beautiful inhabitants . as for queen latifah , she ' s too young to remember sophie tucker , but not to channel her .
allen cast a fond eye back to the hollywood musicals of his childhood for this all - singing , star - stuffed confection , which follows a clan of wealthy manhattanites chasing after love in new york , venice and paris . edward norton , drew barrymore , julia roberts and goldie hawn are among the game cast singing their hearts out . despite those names it was a commercial flop , and its airiness can sometimes play as insubstantial . but when the film works , it really works : not least when hawn defies gravity on the banks of the seine in its magical finale .
allen has yet to submit a film entitled “will this do ? ” , but anything else comes closest , both in its title and for recycling old tropes about thwarted creativity and being stuck with a pesky , permanently difficult long - term girlfriend ( christina ricci ) who wants to move her mother in . jason biggs’s character is meant to be an aspiring comedy writer , but allen’s script gives him not one funny line . all of these go to his ageing intellectual mentor , a veritable fount of park - bench philosophical witticisms , played by guess who . go on , have a guess .
because the film deliberately lacks irony , it has a genuine dramatic impact ; it plays like a powerful 1957 drama we ' ve somehow never seen before . the effect is oddly jolting : contemporary movies take so many subjects for granted that they never really look at them . haynes , by moving back in time , is able to bring his issues into focus . we care about the characters in the way its period expected us to . ( there is one time rupture ; frank uses the f - word to his wife and the fabric of the film breaks , only to be repaired when he apologizes . ) julianne moore , dennis quaid and dennis haysbert are called on to play characters whose instincts are wholly different from their own . by succeeding , they make their characters real , instead of stereotypes . the tenderness of cathy and raymond ' s unrealized love is filled with regret that is all the more touching because they acknowledge that their society will not accept them as a couple . when raymond and his daughter leave town , cathy suggests may she could visit them sometimes , in baltimore , but raymond gently replies ,
i ' m not sure that would be a good idea .


gravitation : variation in time and space is a 2015 black & white art film , directed by andrei severny .

gravitation is a synergy of dance , cinema and abstract art and stars diana vishneva , principal dancer of the mariinsky ballet and the american ballet theatre .

the movements were choreographed by mauro bigonzetti specifically for the film .

the work was shot entirely in slow motion with phantom flex4k cameras in 500-1,000 frames-per-second .

the film was shot on location at the alvin ailey american dance theater in new york city .

gravitation premiered at the marfa film festival in october 2015 .

it received a golden palm award at the mexico international film festival and a rising star award at the canada international film festival .

it was selected by nasa as a finalist at the cinespace program at the houston cinema arts festival and screened at the museum of fine arts houston and screened in moscow , london , rome , santander , napa , martinique .

© 2018 gravitation : variation in time and space . diana vishneva foundation . all rights reserved .
diana vishneva - ' gravitation : variation in time and . . . | facebook
per year ( ptb ) . in particular , they improved constraints on the time variation of
calligraphic black and white images are rich in metaphors exploring the notions of time and space , movement and light .
the actual size could be anything up to 250 times the visible . at inflation the drag of time allowed the space to fill because there was no time . when time made the forth dimension then a a space time layer enclosed the balloon the centre is still timeless so nothing will be formed in there . the space time layer is thick enough so a refraction can take place of 90 degrees thus looking outward means we are looking along the space time layer endless emptiness .
a pre - relativistic cosmological approach to electromagnetism and gravitation is explored that leads to a cosmic time variation of the fundamental constants . space itself is supposed to have physical substance , which manifests by its permeability . the scale factors of the permeability tensor induce a time variation of the fundamental constants . atomic radii , periods , and energy levels scale in cosmic time , which results in dispersionless redshifts without invoking a space expansion . hubble constant and deceleration parameter are reviewed in this context . the time variation of the gravitational constant at the present epoch can be expressed in terms of these quantities . this provides a completely new way to restrain the deceleration parameter from laboratory bounds on the time variation of the gravitational constant . this variation also affects the redshift dependence of angular diameters and the surface brightness , and we study in some detail the redshift scaling of the linear sizes of radio sources . the effect of the varying constants on source counts is discussed , and an estimate on the curvature radius of the hyperbolic3 - space is inferred from the peak in the quasar distribution . the background radiation in this dispersionless , permeable space - time stays perfectly planckian . cosmic time is discussed in terms of atomic and gravitational clocks , as well as cosmological age dating , in particular how the age of the universe relates to the age of the galaxy in a permeable space - time .
dyson , f . j . : 1972 , the fundamental constants and their time variation , in : a . salam and e . p . wigner ( eds . ) ,
the film is the story of creation , inner struggle and transformation . calligraphic black and white images are rich in metaphors exploring the notions of time and space , movement and light .
gravitation is a synergy of dance and cinema . it is shot entirely in slow motion and features diana vishneva , principal dancer of the mariinsky ballet and the american ballet theater . the film is the story of creation , inner struggle and transformation . calligraphic black and white images are rich in metaphors exploring the notions of time and space , movement and light .
and $ g ( 0 ) = 0 $ at the center , or i could say the space - time is plain flat .
gravitation is a synergy of dance and cinema . it features diana vishneva , principal dancer of the mariinsky ballet and the american ballet theater .
tomaschitz , r . astrophysics and space science ( 2000 ) 271 : 181 . urltoken
sabine hossenfelder : “the first clue you need to understand the expansion of the universe is that general relativity is a theory for space - time , not for space . as herman minkowski put it in 1908 : “henceforth space by itself , and time by itself , are doomed to fade away into mere shadows , and only a kind of union of the two will preserve an independent reality . ”
hartwick , f . d . and schade , d . : 1990 , the space distribution of quasars ,
variation , the better the limit that can be set with a precise measure of the transition frequency . for the purposes of measuring shifts in the fine structure constant ,
on the inside of this sphere , $ g ( r ) = \ beta . r $ , or i could say the space - time expands as $ r $ .
is the speed of light relative to an observer on the ground or , equivalently , relative to an observer in gravitation - free space moving with speed v towards the emitter . clearly the speed of light varies with both the gravitational potential and the speed of the observer , as predicted by newton’s emission theory of light and in violation of einstein’s relativity . many scientists know and sometimes even teach that , more or less explicitly :
n . huntemann , b . lipphardt , chr . tamm , v . gerginov , s . weyers , and e . peik , “improved limit on a temporal variation of
ion—the first time that two such transitions have been compared on the same ion . the scheme of this measurement is given in fig .
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on the outside of this sphere , $ g ( r ) = \ alpha / { r ^ 2 } $ , or i could say the space - time shrinks as $ 1 / r ^ 2 $ .
. evidence that fundamental constants vary over time and space would imply that the laws of physics aren’t the same in all parts of the universe , or at all times , an incredible possibility that needs to be tested with different experimental approaches . now , two independent research groups , led by patrick gill at the national physical laboratory ( npl ) , uk , and ekkehard peik at the physikalisch - technische bundesanstalt ( ptb ) , germany’s national metrology institute , have put new constraints on the possible time variation of the fine structure constant and the proton - electron mass ratio using high - precision atomic clocks based on a single ytterbium ion ,
is there any possible way to compute the variation of the gravitational field below this $ r _ s $ as $ r \ rightarrow g ( r ) $ ? ( $ g ( r ) $ being here a way to interpret the space - time expansion inside of a black hole , because as you progress inside a black hole the quantity of matter behind you increases and the quantity of matter forward you decreases ) .
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“in an expanding universe , time is on the side of the outcast . those who once inhabited the suburbs of human contempt find that without changing their address they eventually live in the metropolis . ” - quentin crisp
single - ion clocks yield new limits on how much the proton - to - electron mass ratio and the fine structure constant change over time .
billion years ago to that from current laboratory measurements . in contrast , in an atom clock measurement of
“…light is always propagated in empty space with a definite velocity c which is independent of the state of motion of the emitting body . ” albert einstein , on the electrodynamics of moving bodies , 1905
marianna safronova received her ph . d . in physics from the university of notre dame in 2001 and joined nist in 2001 as a guest researcher . in 2003 , she accepted a faculty position at the university of delaware in the department of physics and astronomy . she is also an adjunct fellow at the joint quantum institute , nist and university of maryland . her research interests include the study of fundamental symmetries , atomic clocks , searches for the variation in fundamental constants , the study of long - range interactions , optical cooling and trapping of neutral atoms , and the development of high - precision methods for calculating atomic properties . she is a fellow of the american physical society and a member of the editorial board of the physical review a .
a measurement that showed a fundamental constant varies in time would be a clear signature of new physics—an exciting possibility . however , a null result , such as that reported by the npl and ptb groups , is also of crucial importance : it gives us confidence that our measurement devices don’t depend on space or time—at least within the accuracy of current experiments . moreover , the new system of units will be based on fundamental constants [ 9 ] so it is important to know if , and by how much , they could vary .
the universe is expanding . the farther away a galaxy is , the faster it appears to be receding from us . the standard story tells us that space itself is expanding , and that’s the cause , but it’s only natural to wonder if perhaps space is static , and everything else within it isn’t shrinking instead ? many laypersons choose to go this route , and question the entire field of cosmology as a result .
use of the american physical society websites and journals implies that the user has read and agrees to our terms and conditions and any applicable subscription agreement .
is isis black messengers of the hell leading the world to the end ? from 2011 when islamic extremist started to genesis people in brutal ways to establish their own territory and ideology , many muslim have been kidnapped , killed and lost their homes . young girls being raped in iraq and syria or sold in sex markets . there is one way to get in and no exit to get out .
j . k . webb , j . a . king , m . t . murphy , v . v . flambaum , r . f . carswell , and m . b . bainbridge , “indications of a spatial variation of the fine structure constant , ”
the fabric of expanding space means that the farther away a galaxy is , the faster it appears to recede from us . image credit : nasa / gsfc .
picture if you will the universe on the skin of a balloon . sometimes the balloon inflates sometimes it deflates so space time increases and decreases along the same lines . in the centre of the balloon is the 96 percent of matter that appears to be missing . its there in the same state as at the moment of inflation . the black holes at the centre of galaxies are crushing matter and feeding the inside of the balloon . quasars are feeding the excess mater back on to the skin . the ratio of quasars to black hole activity varies according to the balance required . back ground radiation remains a more or less constant . the visable universe is always around 90 or so billion light years . but there isn’t just one balloon there is an infinite number all linked with wormholes , space and time overlaps and bend and warps and all the other things we have yet to discover . now you will say that i’m a dreamer but i’m not the only one ! !
shifts the frequencies of two atomic transition lines—either on the same atom or on different atoms—are compared over time . so far , the most precise laboratory test of
reading the posts it’s amazing that people with an interest in finding answers get so annoyed at other people’s thoughts . we are all wrong time will show that some wrongs were closer to the truth . open friendly discussion a willingness to consider other view points will find the truth no quicker but in a lot more informative manner with a fuller and rounder appreciation .
r . v . pound and j . l . snider , effect of gravity on gamma radiation : “it is not our purpose here to enter into the many - sided discussion of the relationship between the effect under study and general relativity or energy conservation . it is to be noted that no strictly relativistic concepts are involved and the description of the effect as an “apparent weight” of photons is suggestive . the velocity difference predicted is identical to that which a material object would acquire in free fall for a time equal to the time of flight . ”
nature : “as waves travel through a medium , they lose energy over time . this dampening effect would also happen to photons traveling through spacetime , the researchers found . ”
barthel , p . d . and miley , g . k . : 1988 , evolution of radio structure in quasars ,
it follows that just as the stuff in which we reside is escaping to the metaphorical east and expanding more rapidly now , other stuff should be traveling metaphorically west from the bang , and metaphorically north from the bang and metaphorically south from the bang and in all other compass points around the entire circumference of the bang at the same speed .
for the schwarzschild metric inside the horizon , as $ 0 \ leq r \ leq 2gm $ and the metric functions are like $ 1 - 2gm / r $ , it will be very hard to define a sensible perturbation about flat space .
no . it doesn’t . we are able to measure this in great detail and it has been tested many , many times .
this revised version was published online in july 2006 with corrections to the cover date .
, 323 ; also in : r . h . dalitz ( ed . ) ,
“ motion is seamless and constant . its fluidity is close to my heart – sophisticated mystery rather than overt understanding in bright light . ”
both graphics depict the big bang as spewing stuff in one direction , as if the explosion were specifically directed by a sort of shape charge similar to those used in mining and building implosions . in other words the stuff is all traveling east , metaphorically from the point of the bang . however , explosions that are not constrained , as the big bang presumably was not , spew stuff in all directions .
sabine hossenfelder : “it’s an old story : quantum fluctuations of space - time might change the travel - time of light . light of higher frequencies would be a little faster than that of lower frequencies . or slower , depending on the sign of an unknown constant . either way , the spectral colors of light would run apart , or ‘disperse’ as they say if they don’t want you to understand what they say . such quantum gravitational effects are miniscule , but added up over long distances they can become observable . gamma ray bursts are therefore ideal to search for evidence of such an energy - dependent speed of light . ”
a young girl , her dog and a stranger find themselves trying to hold onto their humanity when stranded together in a post apocalyptic world . ?
quote : “the doppler effect – changes in frequencies when sources or observers are in motion – is familiar to anyone who has stood at the roadside and watched ( and listened ) to the cars go by . it applies to all types of wave , not just sound . [ … ] moving observer . now suppose the source is fixed but the observer is moving towards the source , with speed v . in time t , ct / λ waves pass a fixed point . a moving point adds another vt / λ . so f’ = ( c + v ) / λ . ”
quote : “vo is the velocity of an observer moving towards the source . this velocity is independent of the motion of the source . hence , the velocity of waves relative to the observer is c + vo . [ … ] the motion of an observer does not alter the wavelength . the increase in frequency is a result of the observer encountering more wavelengths in a given time . ”
the little syafii maarif struggled to survive in order to get higher education in the culture where education is considered irrelevant . the setting is between 1930s to 1950s in west sumatra during the period of indonesia independence . later after overcoming all his obstacles , syafii maarif became one of the most influential figure in indonesia and was able to get his doctoral scholarship in university of chicago . he was also the chairman of muhammadiyah , an islamic organization with 35 millions followers but was well - known among other religions as the true leader for peace and pluralism . constantly he fights against extremism and fundamentalism in islam . now he is considered as the nation guru of indonesia . all the obstacles during his childhood made him the person today .
kasting , j . f . and grinspoon , d . h . : 1991 , the faint young sun problem , in : c . p . sonett
the vision within ' tells the story of a group of college students who travel deep into the heart of the amazon rainforest to meet an ancient ‘dream culture’ living today in much the same way that they have lived for thousands of years . as they return home from their journey they must find ways to integrate their profound experiences into meaningful , engaged lives in service of their own inner visions and the future of our planet . the film is an exploration of the critical role that our inner visions can play in our lives , in education , and in awakening a socially just , environmentally sustainable future .
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transition and used an optical frequency comb to read out , extremely precisely , the frequency on each laser . in the future , direct , repeated measurements of the
perhaps you don’t understand the quotations and are more interested in this thriller - like story in which i appear to be a fraudster . he is “paul fendley” , not “paul findley” , and may or may not be on staff at uva currently . also , both michael fowler and paul fendley are faithful einsteinians ( perhaps ) . but , believe me , all this is totally irrelevant . i have been quoting michael fowler and paul fendley for many years , and if there had been “misrepresentation or sock puppeting” , vigilant einsteinians would have tarred and feathered me long ago .
an original drama and action movie that tells a story emerging from the relationship of a mother and daughter . ( mia and camilla ) . mia , a woman addicted and doomed , repeats mistakes using lies , deception , and bad company involved in the underworld , to neglect herself and her daughter . she dives into selling drugs with her friend daisy , while her child struggles to to rescue her . in a parallel crossing ongoing research that holds the police , specifically two dea agents ( serrano & contreras ) , while they want to catch the big fish from those dirty cartels between mexico and miami , mia becomes a suspect .
what if robin hood was a homeless ten - year - old girl living in a modern city .
mcelhinny , m . w . , taylor , s . r . and stevenson , d . j . : 1978 , limits on the expansion of earth , moon , mars & mercury and to changes in the gravitational constant ,
maloney , a . and petrosian , v . : 1999 , the evolution and luminosity function of quasars from complete optical surveys ,
roma cinema doc is proud to announce the list of the selected films in the montly edition of august .
shapiro , i . i . : 1990 , solar system tests of gr , in : n . ashby
ask ethan : why did light arrive 1 . 7 seconds after gravitational waves in the neutron star merger ?
you wrote : “this makes me suspect some level of misrepresentation or sock puppeting . are you claiming two different professors , both at uva , are both relativity skeptics and both said exactly the same thing in different papers or reports ? oh and incidentally , there is no “paul findley” on staff at uva in either the astronomy or physics department . ”
banesh hoffmann , relativity and its roots , p . 92 : “moreover , if light consists of particles , as einstein had suggested in his paper submitted just thirteen weeks before this one , the second principle seems absurd : a stone thrown from a speeding train can do far more damage than one thrown from a train at rest ; the speed of the particle is not independent of the motion of the object emitting it . and if we take light to consist of particles and assume that these particles obey newton’s laws , they will conform to newtonian relativity and thus automatically account for the null result of the michelson - morley experiment without recourse to contracting lengths , local time , or lorentz transformations . yet , as we have seen , einstein resisted the temptation to account for the null result in terms of particles of light and simple , familiar newtonian ideas , and introduced as his second postulate something that was more or less obvious when thought of in terms of waves in an ether . if it was so obvious , though , why did he need to state it as a principle ? because , having taken from the idea of light waves in the ether the one aspect that he needed , he declared early in his paper , to quote his own words , that “the introduction of a ‘luminiferous ether’ will prove to be superfluous . ”
as per cdc , highly cited stats on suicide rates may be in error jamie wells , m . d .
no one has managed to do that so far , and it is not for a lack of trying . einstein’s work hasn’t been enshrined as beyond question . he’s certainly made mistakes . his cosmological constant , rejections of quantum indeterminism , and condemnation of georges lemaitre’s work are three examples that come to mind . i know there are others . in all of the above cases other scientists kicked einstein in the teeth and ate his lunch .
in my examples the observer was moving , not the source . when the observer is moving ( and changes his speed ) , for both sound and light the speed of the wave ( relative to the observer ) varies with the speed of the observer .
“ it is a really beautiful film . the body swimming slowly in the universe reminds me of the performing body in japanese noh . by catching the light , a part of the body becomes line - shaped and melted silently into the universe like an air . this shapeless world inspires my imagination . ”
chasing sunshine follows professional snowboarder megan pischke as she embarks on her harrowing journey with breast cancer . pischke opens the door on what it really looks like to go through the rigors of cancer treatments and come out on the other side in a rare and very real account that hasn’t been seen before . in sharing every detail of this personal journey , megan’s intention is that her story brings hope to others . megan was diagnosed with breast cancer in october 2012 , ironically just one month after hosting a b4bc surf and wellness retreat for breast cancer survivors . in the months that followed , megan invited b4bc to document her experiences with both western and non - traditional cancer care , including the controversial cold cap therapy , which allowed her to keep her hair despite chemotherapy .
is the nuclear charge . the sensitivity to the proton - to - electron mass ratio is found in specific transitions between hyperfine states of atoms . these transitions , which typically lie in the microwave , depend on the ratio of the electron (
these keywords were added by machine and not by the authors . this process is experimental and the keywords may be updated as the learning algorithm improves .
can’t wait to pop the corn and pop the top for reading these sunday night . this is gonna be epic , and the start is not disappointing…
three research groups have solved the three - body problem for bosons confined in a one - dimensional system . read more »
after a major crisis , a man attempts to track down his “first love , ” only to discover she was killed many years ago in a car accident . stumbling upon her younger sister online , a musician who bares a striking resemblance , he obsesses and begins a relationship without disclosing his true identity . keep in touch is the directorial debut of sam kretchmar who co - wrote , directed and shot the film . it features original music and performances by singer - songwriter gabbi mcphee . it’s a film about love , family and finding self worth .
a big black space directed by alexandra lazarowich the scarecrow club directed by richard groen horrid when she ' s bad directed by firdaus f . bilimoria calendar girls directed by lisa birke bloody mary directed by jono freedrix big little girl directed by viki posidis clem junebug ghost detective directed by béla peter pfundt grace directed by karen nielsen
the drawing at the top of this page is nearly identical identical to one used by dr . david silva , noao , tonight in his lecture on deep field maps at the cleveland museum of natural history . this not a plagiarism question and i am not a scientist so perhaps this question has a simple answer and my confusion is rooted in a 2d representation , but here goes . . . .
jeremy begrudgingly goes on assignment back to his hometown of whitehorse , canada , a place he hasn ' t set foot in 15 years . can he get out before boredom sets in ? or does the frozen tundra have more allure than he had anticipated ?
the jarvis conservatory continues its mission to promote the classical arts to the people of napa california and the san francisco bay area . the latest benchmark is the three day celebration of international classical arts in film .
point 3 : could you provide a cite for dr . findley’s paper or article ? i put in your quote and the only thing the internet brings up is . . you quoting him . more interestingly , sometimes you claim this is a quote from a “paul findley” and sometimes you claim it’s a quote from “michael fowler” ( see here for an example of the latter ) . this makes me suspect some level of misrepresentation or sock puppeting . are you claiming two different professors , both at uva , are both relativity skeptics and both said exactly the same thing in different papers or reports ? oh and incidentally , there is no “paul findley” on staff at uva in either the astronomy or physics department .
the mexico international film festival proudly congratulates its 2016 screenplay winners and official finalists .
groups devised their experiments to make systematic uncertainties ( i . e . , those coming from experimental error ) in the measurement of the
researchers have spotted a never - before - seen collective spin oscillation in a bose - einstein condensate of chromium atoms . read more »
it’s good to see you finally make this admission . it truly is the first step in the reconciliation process . good on you .
there is no expansion of the universe – it is static . star light slows down as it travels through the space vacuum , an effect caused by a factor equivalent to vacuum friction . for not so distant stars this is expressed as hubble redshift but beyond a certain distance the star light does not reach us at all ( olbers’ paradox ) .
detective veli investigates the murder of a little girl with one hair as key evidence and a crime scene that makes her re - examine her own sanity and lifestyle .
prestage , j . d . , tjoelker , r . l . and maleki , l . : 1995 , atomic clocks and variations of the fine structure constant ,
showcasing innovative independent cinema from around the world by up - and - coming artists .
explore popular sci - fi movies and tv shows available to stream with prime video .
bahcall , j . n . , pinsonneault , m . h . and wasserburg , g . j . : 1995 , solar models with helium and heavy element diffusion ,
robertson , h . p . and noonan , t . w . : 1968 ,
sabine hossenfelder : “the solution of general relativity that describes the expanding universe solves einstein’s equations on average ; it is good only on very large distances . but the solutions that describe galaxies are different – and just don’t expand . it’s not that galaxies expand unnoticeably , they don’t expand at all . the full solution , then , is both the cosmic and the local solutions stitched together : expanding space between non - expanding galaxies . ( though these solutions are usually only dealt with by computer simulations due to their mathematical complexity . ) ”
quote : “let’s say you , the observer , now move toward the source with velocity vo . you encounter more waves per unit time than you did before . relative to you , the waves travel at a higher speed : v’ = v + vo . the frequency of the waves you detect is higher , and is given by : f’ = v’ / λ = ( v + vo ) / λ . ”
a mannequin comes to life and follows a rope on a surreal journey . hedgehogs abound !
sagan , c . and chyba , c . : 1997 , the early faint sun paradox ,
r . v . pound and g . a . rebka , jr , “apparent weight of photons”
john norton : “”to it , we should add that the null result of the michelson - morley experiment was unhelpful and possibly counter - productive in einstein’s investigations of an emission theory of light , for the null result is predicted by an emission theory . ”
albert einstein institute : “one of the three classical tests for general relativity is the gravitational redshift of light or other forms of electromagnetic radiation . however , in contrast to the other two tests – the gravitational deflection of light and the relativistic perihelion shift - , you do not need general relativity to derive the correct prediction for the gravitational redshift . a combination of newtonian gravity , a particle theory of light , and the weak equivalence principle ( gravitating mass equals inertial mass ) suffices . [ … ] the gravitational redshift was first measured on earth in 1960 - 65 by pound , rebka , and snider at harvard university…”
quote : “if we accept the principle of equivalence , we must also accept that light falls in a gravitational field with the same acceleration as material bodies . ”
have you ever wondered what happens to your forgotten objects ? in this story , those objects with its ' memory ' still attached end up rising from the waters of the magical lake . scared and lost , memories need help to let go of their objects .
j . bagdonaite , p . jansen , c . henkel , h . l . bethlem , k . m . menten , and w . ubachs , “a stringent limit on a drifting proton - to - electron mass ratio from alcohol in the early universe , ”
at an annual physics meeting in the alps , wimps appeared to lose their foothold as the favored dark matter candidate , making room for a slew of new ideas .
schematic experimental arrangement for measuring the “ e 2 ” and “ e 3 ” clock frequencies of a single 171 yb + ion . the e 3 / e 2 frequency ratio was determined by stabilizing one laser to the e 3 transition and the other laser to the e 2 transition and measuring . . .
take for example ; sound . if a man with a trumpet is standing on a train headed for you plays a note 100 meters from you at the exact same time another man 100 meters plays the same note while standing on the ground , you’ll hear two different notes . the sound coming from the man on the train will sound higher than the one from the stationary trumpeter .
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the various galaxies of the virgo supercluster , grouped and clustered together . on the largest scales , the universe is uniform , but as you look to galaxy or cluster scales , overdense and underdense regions dominate , and the universe appears very non - uniform . image credit : andrew z . colvin , via wikimedia commons .
to amplify on what javier said , you might want to read up on the equivalence principle . the equivalence principle tells us that g has no objectively defined value unless we pick a frame of reference . to measure g on the earth , we pick a frame of reference relative to the earth ' s surface , and in gr this is considered a noninertial ( accelerating ) frame . ( the definition is different than the one in newtonian mechanics . ) in a good inertial ( free - falling ) frame , g = 0 . inside the horizon , there is no frame that is at rest relative to the black hole .
i guess this is the solution of a differential equation where $ g $ , $ d $ ( density ) and $ r $ are related to themselves . but before attacking this level of math tools i am in search of an intuitive image of where the solution would be .
point 2 : your equations rely on treating macroscopic objects ( like elevators ) like photons . they use lambda * v = c to substitute in a frequency for the elevator .
“delay is the deadliest form of denial . ” - c . northcote parkinson every massless particle and wave travels at…
given a metric one can try to understand what the newtonian potential is like by expanding the metric about flat space $ \ eta _ { \ mu \ nu } $ . if you can write $ g _ { \ mu \ nu } = \ eta _ { \ mu \ nu } + h _ { \ mu \ nu } + o ( h ^ 2 ) $ where $ h _ { \ mu \ nu } $ is small in some sense then the gravitational potential is given by $ h _ { 00 } = - 2 \ phi $ ( as you can derive from the newtonian limit of einstein ' s equations ) .
a story of loss and friendship unfolds against the backdrop of a small prairie community , as best friends travis and elliott navigate a murky interplay of familial anguish with contrasting sensitivity . a sudden accident throws the boys into a web of loss extending far beyond their own ; leaving the boys struggling to keep from losing both themselves and each other .
paul fendley , university of virginia : “first consider light shined downward in a freely falling elevator of height h . [ … ] by the time the light hits the bottom of the elevator , it [ the elevator ] is accelerated to some velocity v . [ … ] we thus simply have v = gt = gh / c . [ … ] now to the earth frame . when the light beam is emitted , the elevator is at rest , so earth and elevator agree the frequency is f . but when it hits the bottom , the elevator is moving at velocity v = gh / c with respect to the earth , so earth and elevator must measure different frequencies . in the elevator , we know that the frequency is still f , so on the ground the frequency f’ = f ( 1 + v / c ) = f ( 1 + gh / c ^ 2 ) . on the earth , we interpret this as meaning that not only does gravity bend light , but changes its frequency as well . ”
a young melbourne man ' s illegal business takes off and is thriving until his pig - headedness sends everything awry .
“ i enjoyed the film . i really liked the use of contrast and shadows . it was very effective . ”
( a ) if the motion of the source does change the wavelength , the frequency shifts the observer measures are not due to changes in the speed of light – einstein’s relativity is saved .
we accept short and feature films , drama , experimental , animation , documentary , . . . go to our filmfreeway listing to enter your film . submissions the martinique international film festival accept all forms and genres . films must be submitted via online screener ( vimeo , youtube , or filmfreeway screener ) . all non - english language films must be subtitled in english . entry does not guarantee acceptance into the festival . submissions will not be returned . we also accept submissions that have premiered elsewhere and that may have distribution agreements already in place . multiple entries are allowed , however a separate entry form must be submitted for each . entry liability the filmmaker holds the martinique international film festival , its management , juries , subsidiaries , agents , sponsors , affiliates , and etc . harmless from any and all claims of liability resulting from entry . the filmmaker certifies to have full rights . producer will indemnify the organisers of the festival against all claims , demands , costs , damages , expenses ( including legal fees ) , proceedings and losses resulting from the screening of the film at the festival or from claims by any third parties .
varshalovich , d . a . and potekhin , a . y . : 1995 , cosmological variability of fundamental physical constants ,
but , believe me , all this is totally irrelevant . i have been quoting michael fowler and paul fendley for many years
( b ) if the motion of the source does not change the wavelength , the frequency shifts the observer measures are due to changes in the speed of light – einstein’s relativity has to be abandoned .
schematic experimental arrangement for measuring the “ e 2 ” and “ e 3 ” clock frequencies of a single 171 yb + ion . the e 3 / e 2 frequency ratio was determined by stabilizing one laser to the e 3 transition and the other laser to the e 2 transition and measuring the ratio between the laser frequencies with an optical frequency comb . ( for experimental reasons , the researchers used infrared lasers that have to be frequency doubled to excite the e 2 and e 3 optical transitions . )
shot over a period of twenty - five years , two blue lines examines the human and political rights situation of palestinian people from the 1930s to the present day . by primarily featuring israelis whose positions run counter to their country’s official policy , two blue lines provides a portrait of the ongoing conflict not often depicted in our mainstream media .
mould , j . , freedman , w . and kennicutt , r . : 2000 , calibration of the extragalactic distance scale ,
n . huntemann , b . lipphardt , chr . tamm , v . gerginov , s . weyers , and e . peik
even though the pitch is different , the two sounds get to you at the exact same time . the train did nothing to alter the 340 . 29 m / s speed sound is able to travel through air . the sound doesn’t come at you at ( ( 340 . 29 m / s ) + ( train speed ) ) . it is only the frequency of the sound waves , not the speed of the sound waves that is changed by the doppler effect .
let ' s now consider a simplified non - rotating , non - charged , matter ( and not anti - matter ) black hole of schwarzschild radius $ r _ s $ , and let ' s imagine the geometry of this black hole is a sphere .
“ i admired enormously the film and the cosmic evolution of our humanitarian concerns . this work concerns all people . wonderful film . ”
[ my q & a are in the standard reading order . ] i mean $ g = | | { \ vec { g } } | | $ . yes . nothing stands still within this neighbour of the universe , for example on earth , nonetheless , an acceleration of gravity ( or movment ) is possible to compute . i can ' t see the difficulty you see here . could you explain it in simpler terms ?
point 1 : so get yourself a couple of accurate cloclks , some detectors , an elevator , a flashlight , and do the experiment . report your actual results . if you measure a different c , and it’s reproducible , you’ll have something . until you do that ,
trippy indie madeline ' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
sandage , a . and perelmuter , j . - m . : 1991 , the surface brightness test for the expansion of the universe ,
r . m . godun , p . b . r . nisbet - jones , j . m . jones , s . a . king , l . a . m . johnson , h . s . margolis , k . szymaniec , s . n . lea , k . bongs , and p . gill , “frequency ratio of two optical clock transitions in
sub ; cosmological index - creative spirit beyond heart of the universe . one needs to look at cosmos quest - alfven’s beyond van allen belts , add carl sagan search - cosmology myth to science - need to interlink base concepts - source , fields , flows , reflectors and protective index to prime concepts . invisible - visible matrix of the universe has super - imposition at milky - way galactic frame . plasma regulated electromagnetic phenomena in magnetic field environment . horizontal mode integrates to vertical mode - see spinal column - ad consciousness heps to revise cosmology studies - no big - bang , chaos , black - hole psychology or our ignorance . look beyond dark concepts - let there be light and lead kindly light . new dimensional science at your doorstep through nature and science in philosophy . 15 books at lulu , 5 books on global distribution - the subject on cosmology vedas interlinks need bst of brains trust .
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newman , m . j . and rood , r . t . : 1977 , implications of solar evolution for the earth ' s early atmosphere ,
these are all interesting thoughts , but there’s only one correct , valid , and consistent way to view the universe . sabine hossenfelder has the explanation !
all submissions are privately screened every quarter and evaluated by an international team of experts in the industry . why submit to the martinique international film festival ? submitting your work to any film festival isn ' t without consequences . most of the top tier film festivals require a world premiere . submitting your film to a smaller festival , could result in having your film being disqualified by the bigger festivals . this is not the case when you submit your film to the martinique international film festival . fact is that all films are being screened privately . when your film is being selected or awarded at the martinique international film festival your premiere status will not be affected .
university of illinois at urbana - champaign : “consider a falling object . its speed increases as it is falling . hence , if we were to associate a frequency with that object the frequency should increase accordingly as it falls to earth . because of the equivalence between gravitational and inertial mass , we should observe the same effect for light . so lets shine a light beam from the top of a very tall building . if we can measure the frequency shift as the light beam descends the building , we should be able to discern how gravity affects a falling light beam . this was done by pound and rebka in 1960 . they shone a light from the top of the jefferson tower at harvard and measured the frequency shift . the frequency shift was tiny but in agreement with the theoretical prediction . consider a light beam that is travelling away from a gravitational field . its frequency should shift to lower values . this is known as the gravitational red shift of light . ”
the moving source does not emit shorter wavelength – it emits faster light . if the speed of the source is v , the speed of the light relative to the observer is c’ = c + v , in violation of einstein’s relativity . the increased frequency the observer measures ( doppler effect ) is due to the increased speed of the light and can be regarded as an experimental refutation of einstein’s 1905 light postulate .
dabrowski , y . , lasenby , a . and saunders , r . : 1995 , testing the angular - size versus redshift relation with compact radio sources ,
schmidt , m . , schneider , d . p . and gunn , j . e . : 1995 , spectroscopic ccd surveys for quasars at large redshift ,
vandenberg , d . a . , bolte , m . and stetson , p . b . : 1996 , the age of the galactic globular cluster system ,
what you can look at is how the gravitational forces act non - perturbatively . the way to do this is to look at the so called
tidal forces
where you find that you will get pulled apart in a processes called
spaghettification .
urltoken
with gr and sr , literally thousands of attempts have been made to falsify einstein’s work . all they’ve managed to do is further confirm the robustness of the theory . here we are over a century later and no bully has managed to so much as sniff this lunch of einstein’s . the delicious chocolate cake is his alone .
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guenther , d . b . , krauss , l . m . and demarque , p . : 1998 , testing the constancy of the gravitational constant using helioseismology ,
kaspi , v . m . , taylor , j . h . and ryba , m . f . : 1994 , high - precision timing of millisecond pulsars ,
williams , j . g . , newhall , x . x . and dickey , j . o . : 1996 , relativity parameters determined from lunar laser ranging ,
indefinite directed by kane george jason let ' s dance to the rhythm directed by bardroy barretto infidelity directed by christian davis s2 directed by bruno bini the answer directed by pavan kaul the story of 90 coins directed by michael wong , gao xiaofei maya directed by k . pervaiz between black and white directed by socrates alafouzos the senior manager who is trying to take a break directed by jean - charles massera day in the country directed by matthew robinson
wikipedia : “emission theory , also called emitter theory or ballistic theory of light , was a competing theory for the special theory of relativity , explaining the results of the michelson–morley experiment of 1887 . [ … ] the name most often associated with emission theory is isaac newton . in his corpuscular theory newton visualized light “corpuscles” being thrown off from hot bodies at a nominal speed of c with respect to the emitting object , and obeying the usual laws of newtonian mechanics , and we then expect light to be moving towards us with a speed that is offset by the speed of the distant emitter ( c ± v ) . ”
jambinai - connection directed by hyunjeong shin mystery skulls -
magic
feat . brandy and nile rodgers directed by double ninja lili roquelin
like a feather
directed by indie venture , patrick jung valsaland directed by goblin mikkanen paisley dayz directed by david morris missing directed by alex henderson think twice¦save every kid directed by ted lange iii red - jadudah directed by maida hals fight or flight directed by kenneth skouboelling in everyone ' s eyes directed by lloyd frost
stephen hawking , “a brief history of time” , chapter 3 : “now imagine a source of light at a constant distance from us , such as a star , emitting waves of light at a constant wavelength . obviously the wavelength of the waves we receive will be the same as the wavelength at which they are emitted ( the gravitational field of the galaxy will not be large enough to have a significant effect ) . suppose now that the source starts moving toward us . when the source emits the next wave crest it will be nearer to us , so the distance between wave crests will be smaller than when the star was stationary . ”
ashley , a 35 - year - old widow , inherits a house from her uncle ruben , a world renowned journalist and political cartoonist , who was captured and beheaded by isis . she returns to a city that she has not been to since she was fourteen with her two teenage daughter’s claire and allison . meeting with her late uncle’s lawyer she receives a package full of promo buttons from the movie , the breakfast club , the film she saw with her uncle on her last visit with him as a teenage girl .