do n't torture a duckling ( italian : non si sevizia un paperino ) is a 1972 italian giallo film directed by lucio fulci , starring florinda bolkan , tomas milian and barbara bouchet .

it is significant within fulci 's filmography as it is one of the first in which he began using violent gore effects , something he would continue to do in his later films , most notably zombi 2 , the beyond and city of the living dead .

the soundtrack was composed by riz ortolani and features vocals by ornella vanoni .

don ' t torture a duckling

don ' t torture a duckling - wikipedia . don ' t torture a duckling ( italian : non si sevizia un paperino ) is a 1 .
don ' t torture a duckling is a 1972 giallo film directed by lucio fulci .
don ' t torture a duckling ( lucio fulci , 1972 ) rating : 4 / 5 reviewed by dave lancaster summary : fulci ' s most assured thriller , the beguiling don ' t torture a duckling is a giallo masterwork .
don’t torture a duckling – aka non si sevizia un paperino – is a 1972 italian giallo film directed by lucio fulci .
cruel , beautiful and all the colours in between , don ' t torture a duckling is a compelling and beguiling work from a greatly underrated filmmaker .
that was me . . . and i might have spoken too fast . i mismatched don ' t torture a duckling with amuck ! .
looking for movie tickets ? enter your location to see which movie theaters are playing don ' t torture a duckling - giallo fest near you .
taking place in a rural italian village , don ' t torture a duckling is thankfully not about dead baby ducks . it is however about a recent string of murders all involving young boys .
don ' t torture a duckling is also a stinging attack on the italian establishment which allegedly resulted in lucio fulci being blacklisted for many years . a strong story full of challenging moral concepts , don ' t torture a duckling is as brutal and disturbing as lucio fulci ' s horror films , but it ' s also his most powerful and morally focussed work , and a magnificent high point in his long and distinguished career .
from lucio fulci , the godfather of gore ( the psychic , the beyond ) , comes one of the most powerful and unsettling giallo thrillers ever produced : his 1972 masterpiece don t torture a duckling .
when done correctly , giallos have two components – a horror - thriller component and a mystery component . lucio fulci ' s don ' t torture a duckling has neither . however , despite its failed attempts to muster the trappings of giallo , it is not bereft of intrigue . rather than gory shocks and heart - stopping suspense , don ' t torture a duckling is a brilliantly complex social commentary on the effects of mob mentality on a small town and the arrogance of modern thinking .
market - based title : while non si sevizia un paperino does translate from italian to don ' t torture a duckling it has a double meaning in that donald duck is called paperino in italy and a mutilated donald toy plays a key role in the mystery , so
don ' t torture donald duck
might be a more accurate translation but for obvious reasons would never be used so a more literal translation had to do even if there are no duckings to be found .
a soundtrack cd was released on point records ( prcd113 ) . this release is now deleted . it featured the scores for dont torture a duckling and battle of the amazons , both composed by riz ortolani . 12 tracks from duckling were featured .
yahoo ! - abc news network . title : don ' t torture a duckling ( 1972 ) 7 . 2 / 10 . want to share imdb ' s rating on your own site ? all lyrics displayed by urltoken are property of their respective owners .
you don ' t want them to kill the blind man and take his money , but at the same time you don ' t want him to kill them . you basically know how events are going to play out , but you don ' t know how it ' s going to end , because you don ' t know how you want it to end .
“while many italian murder mysteries ( or gialli ) involve black - gloved killers stalking women in the big city , lucio fulci’s don’t torture a duckling turns the formula completely inside out to produce a violent , sweltering masterpiece of regional and religious oppression . don’t expect to see any shuffling zombies or gory power drills in this one , folks . ” nathaniel thompson , mondo digital
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the standard missteps that i associate with fulci still remain , but because don ' t torture a duckling is overall nicer to look at , i don ' t mind them as much . there are these pieces of scenes that don ' t seem to fit for example , or random shots of a character doing something really unimportant in the grand scheme of things . but compared to later efforts , the film is actually cohesive . which thrills me ! plot , yes !
great review ! duckling is fulci ' s best by a long shot imho . . .
don’t torture a duckling is out now on blu - ray in the uk , released by arrow video . the picture quality is a little soft , but this is likely a source material issue as it’s a clean and sturdy print otherwise . audio is solid too ( i watched the italian language version in case anyone’s interested ) .
i think that is what i ' d probably be doing ! i don ' t really mind as i don ' t watch tv that much . . . in fact . . . i rarely watch tv .
in summary , don ' t torture a duckling is a unique film . it is a classic giallo by even the strictest of definitions and yet it looks and feels like no other film in the genre . it ' s a film that can ( and should ) be studied by anyone with a deep appreciation for the art of the cinema , giallo or otherwise .
another great release from arrow , and the blu - ray transfer is very nice , and if you are a fan of italian genre films , then ' don ' t torture a duckling ' is a must for your collection , and i must say the violence and screenplay wont be for everyone , but for me i really enjoyed it .
as is often the case with italian horror , the plot on paper is rather simple . as the movie trudges onward however , simple turns into complex and complex into mass confusion . don ' t torture a duckling fits with this as it was very easy to get lost amongst the several boys who all look alike , or the 20 suspects being hunted . on the plus side however , don ' t torture a duckling is as those who suggested it me , a vast departure from fulci ' s later films . this is a gigantic plus for me , as i found much more to like in this . it was stylish , beautiful at times and most importantly , insanely jazzy .
before establishing himself as the godfather of the italian zombie film , lucio fulci created three authentic gialli during the genre ' s rise to popularity and don ' t torture a duckling is widely considered to be the best of the three . the film is gripping , heartfelt , violent , controversial , and beautiful all at the same time .
it ' s been years since i ' ve seen don ' t torture a duckling . all i reemember about it is the chain scene , the ending , and tomas milian ' s rockin ' 70 ' s porn ' stache . have you seen fulci ' s lizard in a woman ' s skin yet ? that movie is the definition of groovy !
when fans of the giallo genre talk about their favorites , lucio fulci ' s don ' t torture a duckling is mysteriously left out of the conversations . not because it ' s a bad film , but because it tends to stick out as more than just a mere giallo . it ' s actually quite a thought - provoking film with a lot of style and substance to it . there are moments of light silliness that don ' t hold up very well , but overall , the film is probably the best that fulci ever made - and he made some really great classic genre films . for a change , i found the conclusion to be satisfying . usually the ending reveal doesn ' t match up to the rest of the film , but this one is pretty unique and quite interesting . i ' d recommend this film to those interested in seeing something different for a change . don ' t torture a duckling is definitely different and leaves you pondering .
i must say i guessed the culprit very early on , but only due to knowing what kind of person it usually is in a film like this . knowing ( or at least strongly predicting ) the killer didn’t detract from watching the film though . too much fuss is made of ‘spoilers’ these days , but more importantly , what separates don’t torture a duckling from many other giallo , is that it’s doing a lot more than just unravelling a mystery .
deemed shocking at the time for its brutal violence , depiction of the catholic church and themes of child murder and paedophilia , don t torture a duckling is widely regarded today as fulci ' s greatest film , rivalling the best of his close rival dario argento . arrow video is proud to present this uniquely chilling film in its uk high definition debut .
don’t torture a duckling ( 1972 ) dir lucio fulci w / tomas millian , barbara bouchet , florinda bolkan , irene papas , marc porel [ 102 min ; dcp ] a child - killer haunts a small italian town in this amazingly titled giallo from legendary gore - maestro lucio fulci . a reporter ( millian ) arrives when word gets out about a missing boy and quickly becomes ensnared as both a suspect in and an investigator of the subsequent murder .
because there ' s nary a franchise villain in sight . and don ' t let the title fool you into dismissing it as a nostalgic throwback to prohibitive shockers of the
accendura is a town in a harsh landscape . despite the picturesque curves of its winding streets or the lushness of the woods that surround it , accendura is built on rock , dust , and the mountains that protrude from the earth like great bared teeth . and in lucio fulci’s 1972 film don’t torture a duckling , its residents are furious . a young boy has been kidnapped and the townsfolk are in search of vengeance .
don ' t torture a duckling is a mixed - bag . it ' s a completely fails at its obvious , stated mission – to be a successful giallo – but , simultaneously , it is interesting and intriguing if you are watching for more than just the mystery . while it is certainly not fulci ' s greatest horror movie , i could say that it is one of his finer films . it is a subtle , but important , distinction .
the relevance of the hidden extends well beyond the plot and characters to the film itself . don’t torture a duckling only received very limited distribution upon its release due its portrayal of the catholic church . the reputation of fulci’s previous work couldn’t have been helpful . he had to prove to an italian court that a scene in one of his prior films , a lizard in a woman’s skin , was actually a special effect and not animal cruelty . for all his reputation as a gore director , this film doesn’t feature great amounts of violence , but what it does show is remarkably effective . there are two bloody on - screen deaths , and the difference in the way that they’re handled says a lot for fulci’s skill as a filmmaker . the climactic death of the killer is gory , over - the - top and ridiculous , so much so that the fact that i can’t post screenshots of it without spoiling the film has me foaming at the mouth with disappointment . ( it’s one we’ve seen a thousand times , but never in a way as absurd as this . don’t torture a duckling worth seeing for it alone . )
luckily for us all , don ' t torture a duckling does work in a normal dvd player . but of course this means , no fancy screenshots . well , we can ' t have it all . after my last fulci review , i was ready to give up completely on the man who so many others loved without apology . after the suggestion to watch some of the earlier giallos however , i decided to give him one last try - - and so here it is .
“ don’t torture a duckling is a genuine one off in italian cinema . it looks great , sounds great and embraces a clutch of prickly off - the - wall subjects . its coherence rarely veers into the pedantic ( with maybe a couple of scenes too many depicting the police search for the killer ) and its idiosyncrasies stay in the mind well after attempts at giallo thrills have receded into a distant glue of confused titles . ” stephen thrower , beyond terror : the films of lucio fulci
fulci at his best . good characters and a strong story . the print looks lovely . a lot of people don ' t get this great man . they should watch this . highly recommended .
' i don ' t like dealines – when it ' s finished , it ' s finished ' … haruki murakami . photograph : murdo macleod for the guardian
“from the startling opening shot of the film to it’s tense conclusion the movie works wonderfully . don’t torture is a true anomaly in euroshock cinema , using the common tools of the trade yet applying them completely differently . one thing remains though , you won’t be disappointed if you are looking for something unique ( and yes my ghoulie pals…it’s got gore to spare ) . ” dvd drive - in
irene papas plays aurelia , mother to the village priest don alberto . barbara bouchet looks on .
[ duckling ] doesn ' t hit the surreal heights of later films such as city of the living dead or the beyond , but it ' s one of the best entries in the director ' s early filmography .
don alberto ' s belief that by killing children , he ' s saving them from becoming increasingly lustful .
i write anime reviews . they ' re good for your health ! my most recent review : 801 t . t . s . airbats ! coming up next :
murakami doesn ' t read many of his japanese contemporaries . does he feel detached from his home scene ?
it ' s a touchy topic ,
he says , chuckling .
i ' m a kind of outcast of the japanese literary world . i have my own readers … but critics , writers , many of them don ' t like me .
why is that ?
i have no idea ! i have been writing for 35 years and from the beginning up to now the situation ' s almost the same . i ' m kind of an ugly duckling . always the duckling , never the swan .
i don ' t see everything . obviously skipping quija and some other shit ones . but stuff i want to see ( haunted house movies ) are so rare that if one looks just a little different , i ' m giving it a shot .
avatar : t . o . the jardine ' s parrot . 13 years old .
i don ' t do this very often but because it ' s monday , i think i will . the silence of the lambs is the fucking bees knees . i mean it . . .
fair warning : any post may contain spoilers , may be nsfw , and may be nsfl . please don ' t forget to click on the ads ! it will help me delude myself that i ' m a professional blogger !
the other bloody death is played very differently . it’s the brutal beating of a suspect that we know is innocent . it doesn’t drip with blood , but it hurts . looking at it you know it’s painful , vicious , and completely unnecessary . it sticks with you . one of the policemen comments to martelli that he doesn’t see any guilt in the eyes of the townspeople that he knows are responsible for the savage crime . this is the harsh landscape that don’t torture a duckling is set in , one that’s in the minds of the town’s inhabitants , lynch mobs and child - killers alike . this is a film where the horror is as much in the motive as it is in the act , and that puts it several notches above similar entries in the 1970’s thriller canon .
thanks . . . . . gonna have a look at my local radio shack ( the source in canada ) . i really would like to go the antenna route as i don ' t watch a lot of tv and the cable charges are killing ( $ 85 a month ) .
thanks . . . . . gonna have a look at my local radio shack ( the source in canada ) . i really would like to go the antenna route as i don ' t watch a lot of tv and the cable charges are killing ( $ 85 a month ) . john
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that makes me feel weird . hopefully i wasn ' t alone in feeling creeped out .
dona aurelia knows that her son is the killer , but she really can ' t be considered an accomplice because she didn ' t facilitate or participate in any of the murders .
trange things happen in this world ,
haruki murakami says .
you don ' t know why , but they happen .
it could be a guiding motto for all of his fiction , but he is talking specifically about a minor character in his new novel ,
don ' t breathe isn ' t a full - blooded horror movie ,
he explains ,
but has elements . what originally attracted me to horror movies when i was first watching them as a teenager is that . . . there was always this element of transgression that would shock you , that you couldn ' t believe you were watching and you would tell people about it . with this film , we really wanted to try to go there .
don’t torture a duckling ( 1972 ) lucio fulci , an italian jack - of - all - genres best known for the primo gorefests he made in the late ’70s and early ’80s , never garnered the kind of acclaim lavished upon his contemporaries , dario argento and mario bava . that’s for good reason : fulci’s worst films hit an unholy sweet spot between vile and incompetent . but when he was on , as in the living - dead classic zombie or the grand guignol opus the beyond , fulci was really on . his outrageous bad taste often eclipsed his inventiveness , but the two were not mutually exclusive .
the italian genre movie writer / director lucio fulci is probably best known for his ultra - gory horror movies , such as zombie flesh eaters ( a . k . a . zombie ) , the beyond and city of the living dead , so he’s often considered a rather trashy director by more mainstream critics . however , he actually wrote and directed a range of material over his long and prolific career ( largely earlier on in it ) , including a number of comedies . his most well respected films touch on the horror genre , but fall more accurately into that of the giallo ( italian murder mystery thrillers , basically ) . the most acclaimed of these , and the one fulci named as his personal favourite , is 1972’s don’t torture a duckling , which arrow video have brought out on blu - ray in the uk .
i could do that i suppose , but what about the wire ? i can ' t drill a hole in the sliding door frame .
don’t torture a duckling , one of the director’s favorite of his own films , is comparatively restrained and fulfills the basic requirements of the then - young giallo genre : there’s an intrepid investigator , a rampaging psychopath , extreme close - ups of eyeballs , and murder scenes staged from the pov of the killer . but the film also incorporates less common elements , setting the usual mayhem against a vibrantly realized small - town backdrop , and infusing the proceedings with a sense of moral outrage . here the detective figure is a reporter ( tomas milian ) , part of the media circus that rolls into a sleepy italian village when a young boy goes missing . the kid eventually turns up dead , kicking off a string of grisly slayings , and prompting milian to join forces with a sultry big - city transplant ( barbara bouchet ) to catch the culprit . as in any good whodunit , there are scores of suspects—the village “simpleton , ” a gypsy outcast with a penchant for voodoo dolls—and as many red herrings as dead bodies .
my biggest complaint with films like city of the living dead and the beyond was that the gore and the death scenes didn ' t make me care . and now i care . isn ' t it nice ?
what would he still like to achieve for himself , as a writer ?
honestly , i don ' t have any idea ,
he replies .
scott fitzgerald was my idol when i was young . but he died when he was 40 - something . i love truman capote , but he died at 50 - something . and dostoyevsky is my ideal writer , but he died at 59 . i ' m 65 right now . i don ' t know what ' s going to happen ! so i have no role model . i have no idea – when i am 80 years old , what will i write ? i don ' t know . maybe i ' m running and writing …
that would be great . but nobody knows .
so as you may have guessed i came away feeling much better about my lucio fulci relationship . it is now very clear to me that i love the old fulci , and i hope to continue to look at some older giallos . don ' t torture a duckling is ripe with intrigue , a mystery that at times seems a bit obvious , and also a bit too dense in its possible suspects . it gets to the point , where we can only assume anyone that they have guessed to be the killer is not the killer . so it really just becomes a game of , well who haven ' t they accused yet ? that being said , i did tend to get pulled into the mystery . i had a hunch ( and a right one ) i should add early on , but like most good murder mysteries the real intrigue is often the why , and not the who . although the why is a little well , stupid in my opinion , that final confrontation , and that dummy is worth it all .
i reserve the right to post as a member . when i post as a moderator i will select a
that wasn ' t meant as a k . o . though , he specifically targeted an area of the cerebellum which , if ruptured , renders you a jehovah ' s witness indefinitely
all signs point to it being keanu reeves ' big comeback . although with it being rated r , and i don ' t think many believe he can spring back with something good again , could very well spell it ' s quick downfall at cinemas .
don alberto is a very conservative priest . he eventually turns out to be the killer . unusually , his delusion doesn ' t involve punishing the boys for supposedly having lustful thoughts ; he feels that by killing them before puberty can corrupt them , he is actually saving their souls from damnation .
this social commentary gives the film added weight that many similar films don’t have . it’s a grim watch as you might expect from the subject matter , but fulci crafts a film that’s gripping and remarkably controlled when you consider he’s famous for gore - drenched zombie films . yes there are a few dated effects here and there and the central mystery isn’t difficult to solve , but it’s a fine piece of work and i might go as far to say it’s one of , if not the best giallo i’ve ever seen .
don’t torture a duckling is set in the rural italian town of accendura ( which is fictional as far as i know ) where young boys are being killed off one by one . after the first murder , a local ‘simpleton’ known as barra ( vito passeri ) is arrested and thought to be the killer after he is caught trying to ask for a ransom from the boy’s parents , pretending he is alive and hiding the body . the police aren’t too sure he’s the right man though , despite this evidence , and after the second child is killed they know for certain they’re barking up the wrong tree . from then on a couple of oddball characters are suspected , including a local ‘witch’ , maciara ( florinda bolkan ) , and a young attractive woman , patrizia ( barbara bouchet ) , who is believed to have moved here to recover from a drug problem . whilst the police struggle to find the culprit , a journalist from the city , andrea martelli ( tomas milian ) , makes his own investigation . as each new suspect is made public , the locals react in vicious outrage before the truth eventually comes out .
but i think , in a sense , we are playing different games ,
he continues .
i began to think that way . it ' s very similar , but the rules are different . the equipment ' s different , and the fields are different . like tennis and squash .
does he think he ' d be accepted if he won the nobel prize , as many people now expect will happen ?
uh , i don ' t want to speculate ,
he says , and laughs .
that ' s a very risky topic . maybe i would be hanged from a lamppost , i don ' t know !
i don ' t know ,
murakami says .
i have many similarities to [ tsukuru ] . i see myself as a kind of ordinary guy . i don ' t think of myself as an artist , mostly . i guess i ' m just engineering something .
a builder , like tsukuru ?
yeah , right !
he chuckles .
i like to write . i like to choose the right word , i like to write the right sentence . it ' s just like gardening or something . you put the seed into the soil at the right time , in the right place .
best fulci ! best giallo ! very nice transfer . i could never understand why this film isn’t better known . . .
the only worthwhile horror movies i ' ve found this year so far are oculus and the sacrament . maybe horns will be good , though alexandre aja isn ' t my favorite director , and that isn ' t even full - on horror anyway .
session : inspired by spaghetti westerns , week 4 movie : the hunting party ( 1971 ) directed by don medford as always , there may be spoile . . .
1 : murders . it’s just not giallo if someone isn’t getting knocked off . the central premise is always someone’s killing people .
a reporter and a promiscuous young woman try to solve a series of child killings in a remote southern italian town that ' s rife with superstition and distrust of outsiders .
the evil dead reboot , which alvarez wrote with rodo sayagues ( his longtime collaborator , from panic attack ! to don ' t breathe ) , opened to mixed critical reception , but performed well and paved the way for a second project with raimi ' s ghost house , originally announced as a man in the dark . he and sayagues set to work on a thriller that would toy with conventions while remaining within genre parameters .
italian thrillers are a hard breed of film for most americans to figure it would seem . they are by nature very strange and very dark and often deal with issues that american films rarely touch upon and more often than not are more about style and suspense than about logic . but i hope more people give dont torture a duckling a try if they can find it to rent , as its a very well done suspense film . as much as i love this film it is not my favorite among this directors works but it is easily his best work . beautifully crafted , well acted , with a fairly grim conclusion , this is a thriller that shows without a doubt what kind of talent fulci had when he wanted to use it . if only he had used it more often .
@ stainedclass you mean on the film industry ? sure ? i dunno , i don ' t follow the industry closely enough to know . i was just thinking in terms of critical reception , or . . . people thinking that it was something other than mediocre . that would be weird to me .
strangers searching for a young woman ' s missing father arrive at a tropical island where a doctor desperately searches for the cause and cure of a recent epidemic of the undead .
i really didn ' t want to make up my mind about who [ should play ] the blind man while i was writing—i try not to do that in general . i don ' t want to fall in love with an actor , because the reality is that maybe the actor you want to go after is not available , and you feel as though you ' re fucked because you convinced yourself that that ' s the guy .
the pacing of the film is unique in that the amateur detectives don ' t really get started looking for the killer until the murders have ended and most of the suspects have been absolved . the police force , who dominate the first two thirds of the film , are completely absent in the final act .
. but if your thing is haunted house movies , i suppose that ' s more your thing . i don ' t think haunted house movies are rare these days - - ghosts and haunting movies are all the rage these days with stuff like paranormal activity and movies based on the bullshit of the warrens .
don’t torture a duckling pretty much starts at it’s seediest , with a series of shenanigans involving prostitutes , the mentally handicapped , and underage boys . apparently the ingredients to a great friday night in rural italy . some men go up to a remote shack in the mountains to , well , shack up with some local prostitutes . some kids named bruno , michele , and tonino and a handicapped man from the same village are well aware of this location and creep up to watch the proceedings . the kids catch the handicapped man and taunt him . tonino then gets a scene where a nude sunbathing woman new to the village tries to seduce him , before they’re interrupted . it seems like a cruel mind game more than anything , but you can see what i mean about the seedy beginning . the plot kicks into gear when bruno gets kidnapped . he goes missing and his family gets ransom calls . eventually the police find bruno dead and arrest the blackmailer , who’s the same simpleton from the film’s opening . however it becomes clear that the man found bruno dead and decided to try to earn some money and bury the corpse . he’s not responsible for the murder .
that antenna should do ok . or a good set of rabbit - ears . if you can , while you are watching tv just place the indoor antenna on your balcony for even better reception . . . when done bring back inside . that ' s if you don ' t mind this sort of set up . i had to resort to this a few times as reception was pretty choppy during the
big game
a few times .
a series of murders are committed near the estate of a degenerate author and his wife .
the grand duel ( a . k . a . - the big showdown ) - trailer
that seems like a tall order , given that today ' s audience has seen a lot , and alvarez agrees .
i ' ll never forget , i was reading this book about masters of horror before going to bed , and a journalist was asking john carpenter how , in this time when we ' ve seen everything and everything has been done , he was going to continue to shock audiences . and as i ' m reading his answer i ' m thinking , ' wait a minute , what year is this ? ' the interview was from 1985 . . . somebody in 1985 was asking how he was going to shock people . we know now that in 1985 everything hadn ' t been done and we hadn ' t seen it all . torture porn didn ' t even exist . . . there ' s always more to do .
the director is clearly damning the attitudes of those who shelter themselves in tradition and old - fashioned values , mistrusting or downright hating anyone who doesn’t fit their mould . the motives of the killer reflect this too although i won’t discuss this in too much detail for obvious reasons .
a new england home is terrorized by a series of murders , unbeknownst to the guests that a gruesome secret is hiding in the basement .
there are a few things necessary for a film to qualify as a giallo movie . i’m going to rank them in order of importance .
usually by the time you get into production ,
he continues ,
you get a list from producers and agents with about 20 names of who is in the budget range , who would do this [ movie / part ] , who read the script and liked it . . . i don ' t know who compiles them , but you get them .
gialli that deal with the death of children are never considered light - hearted , but duckling goes even further by introducing subtexts that criticize the superstitious mob - mentality of the lower class and vilify the catholic church . and although fulci abandons the slick , modern visual style of his previous two gialli , duckling is still very stylish and well photographed . oh , and let ' s not forget the inclusion of barbara bouchet as the image of modern beauty among the jagged rocks ( and faces ) of accendura .
why that pianist can see the colours of people , i don ' t know ,
murakami muses .
it just happens .
novels in general , he thinks , benefit from a certain mystery .
if the very important secret is not solved , then readers will be frustrated . that is not what i want . but if a certain kind of secret stays secret , it ' s a very sound curiosity . i think readers need it .
i don ' t see everything . obviously skipping quija and some other shit ones . but stuff i want to see ( haunted house movies ) are so rare that if one looks just a little different , i ' m giving it a shot . also , just looked up harbinger down . sounds more sci - fi than horror to me ala virus , leviathan , the thing - movies where a crew of people get picked off by monsters . not really my thing .
the last truly great wes craven film was new nightmare in 1994 . scream has lost most of it ' s charm and i wouldn ' t rate it too highly now . shocker is a very decent horror / thriller film with an interesting spin on a serial killer that turns into electricity ( sounds silly in writing but visually not ) , this results in really fun scenes that don ' t give a shit with peter berg and mitch pileggi jumping through television sets across the us . there is a true stroke creativity in craven ' s writing and directing that is almost entirely absent later on in his career . in my opinion this would have been a worthy follow up franchise to a nightmare on elm street had wes craven been given the green - light .
audiences are usually very harsh to judge the characters—what they do or don ' t do ,
he observes .
they ' re like , ' i would never do that ! ' but what i think i ' m seeing is that the characters somehow echo what the audience thinks they would do in the situation . there ' s not a lot of moments where you go , ' come on ! don ' t do that ! you would never do that in real life ! ' we didn ' t want those moments , which you usually discover when you watch with an audience . there are moments—like one where someone is running away and they stop for a second to look over their shoulder . but i think that makes sense : someone is chasing you , you ' ve been running for a while , you want to see if they ' re still there . but even there , they ' re like ' keep running ! '
lizard in woman ' s skin is next on the list chris . yes ! groovy movies are definitely the best thing ever . can ' t wait . emily - i feel sometimes like i ' m the only person who didn ' t totally love the beyond . maybe i ' ll have to give it a second chance . sigh .
5 : women . this ties into number three . the lurid adult tone of the genre means gore and occasional tame nudity abound . adult in a “you can’t show this to kids way . ”
suspects are a plenty as police and a reporter search in vain for the man or woman responsible .
iacob lives in a small village in the carpathian mountains near a gold mine and tries to survive .
ronin . noun , historical . a samurai who no longer serves a daimyo , or feudal lord .
so cool to get a fulci film in the arrow pipeline . kinda surprised people haven ' t seen it as its been streaming forever ( along with some fulci spaghetti westerns ) on amazon prime . i prefer lizard in a woman ' s skin as the better fulci giallo but this is a good one .
a clairvoyant woman discovers a skeleton in a wall in her husband ' s house , and seeks to find the truth about what happened to the victim .
alvarez already had transgression in mind when he made el cojonudo , but saw that film as
more of a comedy ; we were going for more of the absurd sensibility , like jean - pierre jeunet . . . that obsession with bizarre characters and warped sensibility that ' s done so well in delicatessen and city of lost children .
not so with don ' t breathe —the filmmaker likes a fun horror comedy or lighthearted thriller movie as much as the next person , but warns ,
i won ' t tell you what it is , but there ' s something in this . . . oh , man .
yeah i actually watched it for the first time just a few years ago - i wasn ' t impressed in the least . aside from some occasional great spielbergian moments , it was just really tame and pretty dull .
murakami ' s style is simple , even apparently casual , on the surface , and tsukuru tazaki , like many of his previous novels , has divided critics into those who find it banal and those who perceive greater depth in its vividness and precision of imagery . like most simple styles , of course , his is the result of lots of hard work .
i take time to rewrite ,
he explains .
rewriting is my favourite part of writing . the first time is a kind of torture , sometimes . raymond carver [ whose work murakami has translated into japanese ] said the same thing . i met him and i talked with him in 1983 or 84 , and he said : ' the first draft is kind of torture , but when you rewrite it ' s getting better , so you are happy , it ' s getting better and better and better . '
there is never a deadline for a murakami novel –
i don ' t like deadlines …when it ' s finished , it ' s finished . but before then , it is not finished .
sometimes he can ' t tell when he should stop rewriting , but
my wife knows . yes . sometimes she decides : ' you should be finished here . '
he smiles and imitates his own obedient response :
' ok ! '
^ i doubt it made much impact on the film industry but most people i know who say they ' re liam neeson
fans
really mean that they like taken because they have to think about another film he was in . between that and the fact that it ' s already been parodied and given a sequel , i ' d say popular reaction was very good . i don ' t know or really care what the critics thought .
a burned - out new york police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city .
a reporter and a psychic race to close the gates of hell after the suicide of a clergyman caused them to open , allowing the dead to rise from their graves .
the original poltergeist is crazy overrated . i loved it as a kid but it ' s pretty cute and not all that creepy as an adult . there are some genuinely great parts but i ' m not totally attached to it . the reboot was produced by sam raimi and stars sam rockwell . i ' m at least interested . beggars can ' t be choosers in the horror movie market . i don ' t really care about the origin stories behind the conjuring . they spawn decent movies with an unsettling tone . the better they do at the box office , the more will get made . these movies aren ' t perfect and i ' ll be the first to announce when james wan has been beaten at creating a ' haunted house ' atmosphere . also - the amityville horror was fabricated by the lutz family that lived there . not the warrens .
also , i don ' t see how anyone can like those ghost movies based on ed and lorraine warren . those people are bonafide charlatans and utterly full of shit . maybe they felt they were genuine or really believed the crap they spewed , but they sold the ideas behind annabelle , the conjuring , and the amityville horror , and all of it is just so much bullshit . the reality behind the movies just destroys the movies . they ' d be better if they were completely divorced of these people and didn ' t try the idiotic
true story
angles .
lake mungo is not at all how i thought it would be . it ' s one of the most telling and chilling ghost stories that isn ' t necessaril . . .
i do not remember how much i paid for the rg9 , as this was a couple years ago . i did buy it from solid signal and there should be a price on the website . i can ' t remember what lengths it comes in , but i purchased 100ft . of it
a fantasy / sci - fi / music video mash - up starring jackson as a superhero and very talented dancer .
mostly , duckling is just a fine showcase for the director’s energetic style . quentin tarantino , who re - released the beyond in 1998 , has often cited fulci as an influence . that’s not bullshit namedropping : watch the scene in which angry villagers corner the town witch , brutalizing her while a nearby radio blares some jaunty ’70s rock tune , and try not to think of the ear - slicing setpiece qt would stage two decades later in reservoir dogs .
no extras aside from a few text screens of a fulci bio . i reviewed this because it has significant value - especially
audio is dolby true hd - a lesser used encode - it ' s 16 - bit but not very robust , luckily the film ' s production doesn ' t require excessive depth or separation . it ' s available in english or italian . there are optional japanese subtitles on the region ' a ' disc .
once i talked to a very famous therapist in japan ,
he says ,
and i said to him that i don ' t dream much , almost nothing , and he said : ' that makes sense . ' so i wanted to ask him : ' why ? why does it make sense ? ' but there was no time . and i was waiting to see him again , but he died three or four years ago .
he smiles sadly .
too bad .
note : blu - ray discs are in a high definition format and need to be played on a blu - ray player .
and netflix is racist against every single italian dvd known to man kind . proof you say ? well , how about the simple fact that every italian horror dvd i ' ve received from netflix has been damaged ! ? okay , okay so maybe it ' s just a coincidence . or maybe some overzealous giallo fan likes to urinate on the discs before giving them back . who knows ? all i know is that netflix has been utterly shady towards italian horror films , and i don ' t like it one bit .
splice is weird . not in a cool santa sangre , armless circus performer way though . . . more like in a i feel weird in my pants kind of way . a . . .
last year was also bad . annabelle was fantastic though , as i love creepy dolls and the shit reviews make it sound like there ' s a surplus of haunted doll movies . i ' m like
uh , show me them .
2 child ' s play movies , which are mostly comedic , in the last 15 years doesn ' t fucking count . loved annabelle . creepier than the conjuring and it didn ' t cop out at the end .
andrea martelli ( tomas milian ) is a reporter from rome who has come to cover the case . he’s immediately skeptical of the situation and his doubts are confirmed when the kidnapping investigation becomes the hunt for a child killer . he accompanies the police through a tour of the town’s fringes where he meets mystics , witches , and patrizia ( barbara bouchet ) , a rich young woman hiding from a drug scandal . with the help of patrizia and don alberto ( marc porel ) , a priest who teaches at the school , martelli attempts to find the killer as more and more children are found strangled and the townspeople begin exacting their own brutal forms of justice .
i didn ' t want to see it after watching the trailer , but once it came out i was like , eh might as well give it a shot , better than just spending money on every new hollywood flick - and it turned out to be really good .
damn , i just looked up harbinger down . i hope this movie lives up to it ' s potential and to the pedigree of immensely talented people working on it . this is a movie i didn ' t even know i wanted , but now i need it .
while researching his story martelli , who ' s also spending time with local thrill - seeking girl patrizia , interviews the local priest , don alberto . elsewhere , captain modesti and his aide meet with francesco ( george wilson ) , an old hermit living in a stone hut who practices black magic and offers charms and potions to the superstitious .
when tonino gets killed , the film’s mystery kicks into high gear . patrizia and the town’s reporter start working together in hopes of catching the vicious killer . they start to figure out the crime when they find a donald duck hat , hence the film’s italian title . i won’t spoil the ending , but it’s a wonderfully dark cap to the film .
when several young boys are brutally murdered in a small southern italian village , the superstitious locals react with ignorance and violence . all misfits are immediately suspected , such as big - city tart patrizia , local village idiot giuseppe , and voodoo practitioner maciara . a cop named martelli comes to investigate , and is rather curious about a young priest , don alberto , who censors the town ' s reading material to keep it free of corruption . no one is truly innocent in this town .
yeah , the grey was pretty good . liam neeson really sells it ; i think with some no - name actor it probably wouldn ' t have been good , but he jumps into the role with both feet and takes what could ' ve been a shlocky premise very seriously .


shaandaar ( tr . magnificent ) is an indian romantic-comedy film , directed by vikas bahl and produced by anurag kashyap and vikramaditya motwane .

the times of india described shaandar as " india 's first destination wedding film " .

principal photography began in august 2014 in leeds , and the film released on 22 october 2015 .

shaandaar

vikas bahl : shaandaar ' s failure has only made me strong . . .
when your best friend refuses to share their fries . # shaandaar @ shahidkapoor urltoken
shaam shaandaar is a foot - tapping number , crooned by amit trivedi . shaam shaandaar gets big thumbs up from us because it is a really vibrant song . the song is high on energy and is a perfect party number . we love the electrifying vibes that the song gives and so shaam shaandaar is totally shaandaar .
shaandaar stays low , pyaar ka punchnama 2 scores at the box . . .
shaandaar makes desperate attempts to be quirky but it mostly oscillates between weirdness and boredom .
' . the superb audio will surely sets spirits high and stocks rising for shaandaar to take a ' shaandaar ' opening when the film releases all over on 22nd october .
shaandaar . after queen last year , amit trivedi delivers another fine soundtrack for vikas bahl .
shaandaar
( shandaar ) has also recorded the highest opening for alia and shahid . the opening day box office collection of
shaandaar
is a whopping rs 13 . 1 crore .
i will never get over how good shahid looked in this movie . # shaandaar # shahidkapoor urltoken
details about shaandaar ( 2015 ) - shahid kapoor , alia bhatt - hindi movie dvd bollywood .
‘shaandaar’ directed by vikas bahl also starred shahid kapoor’s father pankaj kapur and his sister sanah kapur .
looking for movie tickets ? enter your location to see which movie theaters are playing shaandaar near you .
have a look at the box office figures for the movie shaandaar . for more filmi updates visit urltoken
shaandaar
( shandaar ) also recorded the highest opening day box office collection for alia and shahid .
omggggggg finally the much awaited new look is here . . . @ shahidkapoor # mirarajputkapoor # shaandaar stunning urltoken
shaandaar ( 2015 ) movie star cast & crew - mt wiki providing latest shaandaar film story , release date , budget , poster , actress , actors , songs list . shahid kapoor , alia bhatt in movie .
do you also think shaandaar can become a classic someday ? do let us know in the comments below .
summing up , the audio of shaandaar is indeed ' shaandaar ' , simply awesome , amazing ! kudos to the amit - amitabh team . all the songs are superb with three compositions just excellent and our picks - '
‘shaandaar’ box office collections : shahid kapoor , alia bhatt boost 4 - day take to rs 47 . 16 crore
shahid kapoor , alia bhatt’s not - so ‘shaandaar’ box office collection , earns rs 33 . 51 cr on first weekend
shaandaar review : what shahid kapoor , alia bhatt’s ‘shaandaar’ is trying to do is clear : reinvent beloved fairytales with the help of winsome stars , but ends up being a blinding mix of everything with nothing of its own to boast of .
shaandaar was released in the year 2015 , some songs of the official soundtrack are shaam shaandaar by amit trivedi , senti wali mental by arijit singh , raitaa phailgaya by divya kumar , neend na mujhko aaye by saba azad . listen the soundtrack online !
badrinath ki dulhania fails to give alia bhatt her biggest opening , shaandaar continues to top her list of box office openers . . .
uk - ireland : from the uk box office ,
shaandaar
minted â£ 1 , 64 , 245 ( 1 . 63 crore )
uae - gcc :
shaandaar
minted aed 3 , 250 , 928 ( rs 5 . 75 crore ) from the gulf region .
shaandaar - wikipedia . shaandaar ( tr . magnificent ) is an indian romantic - comedy film , directed by vikas bahl and produced by anurag kashyap and vikramaditya motwane . it stars alia bhatt and shahid kapoor in lead roles , with pankaj kapur and sanjay kapoor in supporting roles .
all in all , we loved the album of shaandaar . it has a blend of fast , slow and fun tracks which is really interesting . we hope that the film impresses us as much as the music did . shaandaar is all set hit the theaters on october 22 .
shahid kapoor , alia bhatt’s not - so ‘shaandaar’ box office collection , earns rs 33 . 51 cr on first weekend | the indian express
shaandaar
( shandaar ) had a poor extended opening weekend . the film collection is average because of its rs 13 crore opening day box office income .
shaandaar
box office income dropped from its second day onwards , and it failed to pick up even on sunday .
after his
shaandaar
failed to elicit a hearty response , vikas bahl says his only aim is to work harder for a better film .
shaandaar ,
which was made on a budget of approximately rs 60 crore , has earned around rs 50 crore from its worldwide box office . so , by the end of the first week ,
shaandaar
should earn the production cost of the film with its worldwide income .
' shaandaar ' box office collections : shahid kapoor , alia bhatt boost 4 - day take to rs 47 . 16 crore - the financial express
with the kind of technical support it got , shaandaar would have been a much better film if it had resisted the temptation of being too offbeat .
getting together the two charming faces of bollywood shahid kapoor and alia bhatt , shaandaar is an upcoming indian romantic comedy film , directed by vikas bahl .
shahid kapoor and alia bhatt ' s
shaandaar
( shandaar ) managed to make the sixth highest first day income of 2015 at the box office .
shaandaar review : costumery may work with other actors , but it ' s wrong for alia bhatt , while shahid kapoor suffers from a badly - written character .
don ' t take your eyes off the phone ! just pause the gif when it fits for a chance to win some # shaandaar merch . # phrameit urltoken
produced by karan johar , shaandaar has turned out to the biggest opener in shahid and alia ' s career . set against the backdrop of a destination wedding , shaandaar is a love story between two insomaniacs . the film , which hit the screens on dussehra , also stars pankaj kapur , sanah kapoor and sanjay kapoor .
' shaandaar ' starring shahid kapoor and alia bhatt has witnessed dissapointment as it earned mere rs . 33 . 51 cr at the box office in its first weekend .
by the time shaandaar draws to its close , you can ' t help but wonder just how much of the heavy - lifting in queen was done by kangana ranaut .
# shaandaar registers the 6th highest opening of 2015 . booked your tickets for this weekend yet ? : ) @ fuhsephantom @ dharmamovies ,
the production house added .
it’s time for a fun , destination wedding with @ shahidkapoor and @ aliaa08 in # shaandaar on 11th june , 17 : 00 et / 14 : 00 pt . urltoken
a good release date , great hype and publicity , striking chemistry between the lead pair and a solo release - shaandaar had everything working in its favour . yet the film could hardly make enough use of all that . but the good news for alia bhatt and shahid kapoor is that ‘shaandaar’ has logged the highest opening for both the actors !
meanwhile , the film has opened well at the overseas box office . in fact , the box office collection of
shaandaar
is better than shahid ' s previous movies .
vikas bahl’s next directorial venture shaandaar has been in the news ever since the project was announced . considering the film is bringing together shahid kapoor and alia bhatt for the very first
‘shaandaar’ starring shahid kapoor and alia bhatt has witnessed dissapointment at the box office in its first weekend . the movie earned rs . 33 . 51 cr in its first weekend .
the journey of aliya , jagjinder joginder and bipin in the chaotic and lavish wedding is the story of shaandaar . it’s a fairy tale love story that everyone has always dreamt of !
‘shaandaar’ box office collections have neared the rs 50 - crore mark as of sunday , but the interest in the shahid kapoor and alia bhatt starrer is fast fading . ( bollywood hungama )
' shaandaar ' box office collections have raked in rs 33 . 51 crore by day 4 in the domestic market - this is the extended opening weekend take as the movie was released on thursday .
time flies . it was just yesterday that we were excited about shahid kapoor ' s new release and today shaandaar completes a year . the vikas bahl - directed film was highly anticipated after queen . as everyone knows now , shaandaar wasn ' t received well . however , the director still very much believed in his film and even said that the viewers didn ' t get the idea of the movie right and that shaandaar will be remembered as a cult classic in a few years . if we look at it , this can actually be true . there have been a lot of movies in the past that while not successful on release but became a classic later . and while we hope for the best , let ' s have a look at the five possible reasons shaandaar can become one .
sunoh sunoh ! # shaandaar collects 13 . 1 cr on day 1 : highest opening day fr @ shahidkapoor & @ aliaa08 ! taaliyan : ) @ dharmamovies @ fuhsephantom ,
fox star tweeted .
there are huge expectations from vikas bahl ' s shaandaar audio , keeping in mind his previous super hit , queen , which had some lovely music by amit trivedi and his trusted lieutenant , amitabh bhattchraya .
# shaandaar this scene @ aliaa08 how shahid @ shahidkapoor speaks . . . with the toothpaste in the mouth . . . just so awesome funny . i have to laugh every time . . . urltoken
‘shaandaar’ starring shahid kapoor and alia bhatt has witnessed dissapointment at the box office in its first weekend . the overall collection of the movie in its first weekend was mere rs . 33 . 51 cr .
after having a poor opening weekend , alia bhatt and shahid kapoor starrer
shaandaar
( shandaar ) crashed at the box office on monday , but the overseas income has brought some relief to the makers .
shaandaar
has shattered the opening day records of ranbir kapoor ' s
roy
, ranveer singh ' s
dil dhadakne do
and kapil sharma ' s
kis kisko pyaar karoon
.
the super duper success of “queen” raised the bar of expectations from vikas bahl . but his “shaandaar” failed to elicit a hearty response . the filmmaker says his only aim is to work harder for a better film .
shaandaar has a fun plot . however in his attempt to spoof destination weddings of the bankrupt and the famous , vikas bahl , ( who also directed that gem , queen ) forgot to take a script along .
representing the grandeur of indian weddings is the film shaandaar which sees the fresh pairing of shahid kapoor along with alia bhatt . the film that started off on a slow note is expected to do good business at the box office . in this box office analysis , we take a look at the success of shaandaar , breaking the film’s collections into a day - wise break - up of domestic collections and also tracking the film’s overseas numbers .
apart from producing shaandaar , johar has also played a small cameo in the film . well , it was the leading lady of shaandaar who convinced kjo to star in the flick . knowing how crazy karan is , we are pretty sure his guest appearance will also be entertaining . after making heads turn with his acting chops in bombay velvet , looks like the producer - director is all set to give fellow actors a run for the money .
# shaandaar thu 13 . 10 cr [ holiday ] , fri 7 . 55 cr , sat 6 . 75 cr , sun 6 . 11 cr . total : ₹ 33 . 51 cr . india biz . disappointing !
‘shaandaar’ is directed by vikas bahl who is still enjoying the legacy of his film ‘queen’ , which was a huge blockbuster . the film also stars actors sanjay kapoor , pankaj kapoor and also a special appearance by karan johar .
the collection will be on the lower side in the coming days at the domestic box office .
shaandaar
will take its first week total to rs 40 crore mark , but it will struggle to surpass rs 50 crore .
top opening day in rom - com genre # shaandaar 11 . 71 cr # cocktail 10 . 47 cr # befikre 10 . 35 cr # hskd 8 . 71 cr # twmr 8 . 61 cr # loveaajkal 8 . 02 cr
the opening weekend overseas box office collection of
shaandaar
is approximately $ 2 . 1 million ( rs 13 . 65 crore ) . the combined total of the overseas and domestic box office collection stands at rs 49 . 66 crore .
on paper , shaandaar is the story of two sisters . one is the adopted child , the pretty one who struggles to find acceptance and is an insomniac . the other is good at heart , tubby and being used by her mother and grandmother to secure a deal with a business partner because the aroras are almost bankrupt . on screen , shaandaar is bahl ' s attempt at making a mashup of frozen and almost every rajshri production film , but in dharma productions ' packaging .
raitaa phailgaya from shaandaar is a fun track sung by divya kumar . well , this song is entertaining , but is not something to be marveled at . again the song has funky lyrics and that is a plus point of this song .
if rumours are to be believed , shahid kapoor and mira rajput will give a dance performance at designer masaba gupta ' s sangeet ceremony . apparently , shahid and mira were holidaying in srilanka after the shaandaar ' s debacle at the box office .
“shaandaar” , which was termed as the year’s biggest , craziest and zaniest wedding celebration on the silver screen , turned out to be a damp squib at the box office despite its star cast featuring names like pankaj kapur , shahid kapoor and alia bhatt .
has the backing of several creative minds so people were pinning high hopes from the film but it disappoints at multiple level . promoted as india ' s first wedding destination film , shaandaar suffers from shoddily animated sequences , incoherent storytelling and lack of editing .
the romantic film , which is about a destination wedding , earned rs 2 . 5 crore on monday ( fifth day ) . the five - day box office collection of
shaandaar
( shandaar ) now comes to rs 36 . 01 crore .
cynics ( like yours truly ) might have figured from the trailers of shaandaar that it wouldn ' t be quite as quirky as queen , but director vikas bahl ' s new film is a surprise . no one who has seen queen could have anticipated such a drastic drop in storytelling and directorial skills . after all , shaandaar is something of a reunion for the queen team . it has bahl as director . the story has been written by bahl and chaitally parmar ( part of queen ' s writing team too ) , with dialogues by anvita dutt , who co - wrote the dialogues for queen . yet , shaandaar is exactly the opposite of its title . it ' s sloppily written , lazily directed and completely without insight . trust no one indeed .
vikas bahl’s “shaandaar” , which was termed as the year’s biggest , craziest and zaniest wedding celebration on the silver screen , turned out to be a damp squib at the box office despite its star cast featuring names like pankaj kapur , shahid kapoor and alia bhatt .
# padmavat is biggest opener ever for @ shahidkapoor # padmaavat - 19 crore # shaandaar - 13 . 10 crore # rrajkumar - 10 . 10 crore # udtapunjab - 10 . 05 crore # haider - 6 . 14 crore many congrats , shahid ! : - )
fox star studios’ shaandaar took the no . 1 spot in india this frame with $ 6 . 75m on 2 , 500 screens . in total , it grossed $ 7 . 76m in its opening weekend in seven markets . it made about $ 473k in the u . s . from director vikas bahl , a partner in anurag kashyap’s phantom films , shaandaar is produced by powerhouse karan johar and stars shahid kapoor ( action jackson ) and alia bhatt ( ugly ) . the romcom is a love triangle set against the backdrop of a destination wedding .
it is difficult to match up to shahid kapoor when it comes up to dancing , but alia bhatt will leave you surprised in the first song from their upcoming movie shaandaar . the cross dressing alia swishes and swivels with panache as the beats take front - stage in gulaabo .
shahid kapoor and alia bhatt ' s recent release had a shaandaar opening at the box office . the vikas bahl directorial minted rs 13 . 10 crore on day 1 but the romantic - comedy wasn ' t able to pull the crowds to theatres on the second day of its release . the film which boasted of a great lead pair and an even better director failed to impress the critics . despite this , shaandaar turned out to be the sixth biggest opener of 2015 . however , the film ' s collection witnessed a dip in business on day 2 .
bahl , who tasted massive success from all quarters with “queen” , said : “i still need some time to gauge what went wrong with ‘shaandaar’ . i will do it in some time , but i think the sense of humour did not work with the people… only i found it funny .
these are small mercies in a wildly inconsistent film that seesaws unevenly between charming and wtf ! it’s especially disappointing coming from the very writers and director that gave us last year’s terrific queen . i’m going with a generous two out of five for shaandaar . don’t say i didn’t warn you .
gulaabo is the first song that released from shaandaar and became everyone’s favorite . sung by vishal dadlani and anusha mani , gulaabo is a peppy track from the film . the beats are really cool , but what we love the most is the lyrics . gulaabo , zara itr giraado sounds fantastic and instantly strikes a chord with the audience . and we bet that after hearing this song you all will surely break into a jig . ( also read : shaandaar song gulaabo behind - the - scenes : shahid kapoor , alia bhatt party with their dear gulaabo ( watch video ) )
‘shaandaar’ has shattered the opening day’s box office collections ‘records’ of superstars like ranbir kapoor ’s ‘roy’ , akshay kumar ’s ‘baby’ and ‘ gabbar is back ’ , ranveer singh’s ‘ dil dhadakne do ’ and kapil sharma’s ‘kis kisko pyaar karoon’ , making it the sixth highest box office opener of 2015 .
shaandaar
opened well at the box office due to the dusshera holiday across the country . the film enjoyed a good opening at major cities , including mumbai , delhi - national capital region and others , but at some places the collection was affected as the first day show started late due to dusshera pooja .
shaandaar is an upcoming bollywood movie in 2015 , it is romantic comedy film and shahid kapoor , alia bhatt in lead roles . this film is directed by vikas bahl and produced by anurag kashyap , madhu mantena , vikramaditya motwane , karan johar . it is made under the banner of phantom films , dharma productions .
shahid kapoor and alia bhatt are trending everywhere , thanks to the buzz created around their much - anticipated flick shaandaar . ever since the trailer of vikas bahl’s romantic comedy got released , people are going crazy and are anxiously waiting for its big release . shahid and alia’s fresh pairing is being loved by all and because it is a vikas bahl film , the director who gave a super hit film like queen , the excitement among the audience is even more . another thing that has become the talk of the town is the music of shaandaar . the music of the film is by amit trivedi and the lyrics are by amitabh bhattacharya & anvita dutt .
magnificent ) is an indian romantic - comedy film , directed by vikas bahl and produced by anurag kashyap and vikramaditya motwane . it stars alia bhatt and . a big fat ' shaandaar ' indian wedding , which is actually a business merger between two of the biggest business families of india , is happening at a castle in europe .
after a couple of flops , shahid kapoor rose higher in his career with ‘haider’ in which the actor starred opposite shraddha kapoor . but , with ‘shaandaar’ not doing so well at the box office , the actor might as well be pinning hopes to his next movie ‘udta punjab’ which also stars alia bhatt , kareena kapoor and punjabi actor diljit dosanjh .
there’s a scene in shaandaar during which an entire wedding party , high on magic mushrooms and pot brownies , lose their minds temporarily and start doing strange things . it’s a fitting scene in a film that appears to have been made under similarly mind - altering influences . yes , there’s no polite way to say this : shandaar is a bizarre film .
like we said , shaandaar tries hard to be a live action disney movie . the script has been laced with all the elements needed for it to be one , but the lack of focus on storytelling results in a film that’s boring in most parts . the characters are pretty well thought out though , and they’re the saving grace for the film .
has been in the news ever since the project was announced . considering the film is bringing together shahid kapoor and alia bhatt for the very first time , there is a lot of curiosity around shaandaar . also , expectations are high because bahl’s last film queen starring kangana ranaut turned out to be a crowd puller and even managed to impress the bollywood bigwigs .
there have been many films like andaz apna apna or jaane bhi do yaaro that didn ' t do well initially and met with negative critical reception but are considered as favorites and cult classics now . considering shaandaar was a huge box office failure and the biggest of critics gave the movie a thumbs down , there are chances of it becoming a cult favorite soon .
a big fat
shaandaar
indian wedding , which is actually a business merger between two of the biggest business families of india , is happening at a castle in europe . mrs . kamla arora , the grandmother of the arora family , the sole owner of the billion - dollar business and the property , has planned their wedding . kamla arora treats everyone like servants including her three sons , bipin , vipul and vinay . mr . fandwani , the groom ' s father , is a loud businessman who is the counter to kamla arora : the fandwanis dress in gold , accessorize in gold and if possible they drink and eat gold . based against the backdrop of the shaandaar wedding is a love triangle between the protagonists - aliya and jagjinder joginder and bipin ( aliya ' s father ) . bipin believes there ' s no guy that will be good enough for his daughter , and hates jagjinder joginder . the journey of aliya , jagjinder joginder and bipin in the chaotic and lavish wedding is the story of shaandaar . it ' s a fairy tale love story that everyone has always dreamt of .
a big fat
shaandaar
indian wedding , which is actually a business merger between two of the biggest business families of india , is happening at a castle in europe . mrs . kamla arora , the grandmother of the arora family , the sole owner of the billion - dollar business and the property , has planned her grand - daughter ' s wedding . kamla arora treats everyone like servants including her three sons , bipin , vipul and vinay . mr . fundwani , the groom ' s father , is a loud businessman who is the counter to kamla arora : the fundwanis dress in gold , accessorize in gold and if possible they drink and eat gold . based against the backdrop of the shaandaar wedding is a love triangle between the protagonists - alia and jagjinder joginder and bipin ( alia ' s father ) . bipin believes there ' s no guy that will be good enough for his daughter , and hates jagjinder joginder . the journey of alia , jagjinder joginder and bipin in the chaotic and lavish wedding is the story of shaandaar . it ' s a fairy tale love story that everyone has always dreamt of .
“i loved that movie ‘shaandaar’ so setback was not for me . i think we just have to work harder to make the next film and hopefully you ( i ) don’t get written off as a director . the idea is to get back to the writing board and work hard for the next film , ” bahl told a group of reporters on the sidelines of film bazaar here on tuesday .
‘shaandaar’ opened well at the box office due to the dussehra holiday across the country on day 1 and the momentum is likely to take it over the rs 50 - crore mark . the film enjoyed a good opening at major cities , including mumbai and delhi . shahid and alia’s film had an amazing buzz before it hit screens and it was expected to create a storm at the box office .
a big fat
shaandaar
indian wedding , which is actually a business merger between two of the biggest business families of india , is happening at a castle in europe . mrs . kamla arora , the grandmother of the arora family , the sole owner of the billion - dollar business and the property , has planned her grand - daughter ' s wedding . kamla arora treats everyone like servants including her three sons , bipin , vipul and vinay . mr . fundwani , the groom ' s father , is a loud businessman who is the counter to kamla arora : the fundwanis dress in gold , accessorize in gold and if possible they drink and eat gold . based against the backdrop of the shaandaar wedding is a love triangle between the protagonists - alia and jagjinder joginder and bipin ( alia ' s father ) . bipin believes there ' s no guy that will be good enough for his daughter , and hates jagjinder joginder . the journey of alia , jagjinder joginder and bipin in the chaotic and lavish wedding is the story of shaandaar . it ' s a fairy tale love story that everyone has always dreamt of . cbfc u / a ( dil / 2 / 219 / 2015 - mum )
nothing adds up in shaandaar and few of the characters have any sort of evolution . alia is the wild child , bipin is the kindly but weak - spirited daddy dearest . jagjinder is the hardworking good guy . the only thing worse than shaandaar ' s script is the editing , which makes the film a meandering , boring medley of forgettable songs , interspersed with some laboured comedy . the pace is slack and there ' s no tension in the film . frequently , it feels like large chunks of the story were snipped to make space for fluffy , silly repartee that contributes to neither character nor plot . then at one point , as though no one could bear it anymore , the story gets bundled into a rushed ending . the only thing worse than the editing is the unnecessary and amateurish cgi that plagues the entire film .
the film is set for release on dushera , october 22 . the film also stars pankaj kapoor , sushma seth , sanjay kapoor and diljit dosanjh . shaandaar , which has been directed by vikas bahl , of queen fame , has already generated a lot of buzz on youtube post the release of its trailer . the shahid - alia ' s on screen jodi has been appreciated and the anticipations from the film are high .
set against the backdrop of the shaandaar wedding , is a love triangle between ( our protagonists ) aliya , jagjinder joginder and bipin ( aliya’s father ) . bipin believes that there’s no guy who will be good enough for his daughter , while aliya is a dreamer , but her dreams are whacked out and jagjinder joginder is a doer , he can make anything happen ! and for obvious reasons , bipin hates jagjinder joginder .
the film was earlier slated to release of september 4 this year . but looks like the release date has been pushed back for dussehra release this year . now , shahid and alia starrer shaandaar will release on october 22 , 2015 . karan johar broke the news as he tweeted , ” # shaandaarondussehra . . will release on the 22nd of october , 2015 . . @ shahidkapoor @ aliaa08 @ foxstarhindi @ dharmamovies @ fuhsephantom . ”
films have always been remembered for introducing a new concept and since the inception of romance in cinema we know very well the symptoms of true love –
neend gayi , chain bhi gaya , saajna yahi pyaar hai
. shaandaar is not the first bollywood movie to introduce the concept of insomnia but it sure gave the idea , love and romance completely new meanings . being the first at something sure can make the movie a classic .
a big fat ' ' shaandaar ' ' indian wedding , which is actually a business merger between two of the biggest business families of india , is happening at an exotic castle in europe . mrs . kamla arora , the grandmother of the arora family , the sole owner of the billion - dollar business and the property , has planned their wedding . kamla arora is a shrew , and treats everyone like her servants including her three sons , bipin , vipul and vinay . mr . fandwani , the groom ' s father , is a loud sindhi businessman who is the counter to kamla arora : the fandwanis dress in gold , accessorize in gold and if it was possible , they ' d drink and eat gold . set against the backdrop of the shaandaar wedding , is a love triangle between ( our protagonists ) aliya , jagjinder joginder and bipin ( aliya ' s father ) . bipin believes that there ' s no guy who will be good enough for his daughter , while aliya is a dreamer , but her dreams are whacked out and jagjinder joginder is a doer , he can make anything happen ! and for obvious reasons , bipin hates jagjinder joginder . the journey of aliya , jagjinder joginder and bipin in the chaotic and lavish wedding is the story of shaandaar . it ' s a fairy tale love story that everyone has always dreamt of !
take a blank canvas . daub some ‘orphan annie’ paint on it . add a little dash of ‘cinderella’ . come closer home and borrow from that old durable ‘hum aapke hain kaun’ , and the much more recent ‘dum laga ke haisha’ . and gild the whole with glitter and gold . what ‘shaandaar’ is trying to do is clear : reinvent beloved fairy tales with the help of winsome stars , but ends up being a blinding mix of everything with nothing of its own to boast of .
on day 3 , which was a saturday , ‘shaandaar’ earned rs 6 . 75 crore , which must have been a disappointment for the duo as there was hardly any other release to give them competition in the theatres . on day 4 , which was a sunday , the film earned another rs 6 . 11 crore , which signalled public’s interest in it was fast waning . if the foreign take is added to the domestic one , the total adds up to rs 47 . 16 crore .
the best parts of shaandaar are in its trailer and if you do survive the full 145 minutes , you ' ll realise that the way the film has been written and directed , it ' s more a series of youtube sketches than a proper story . why are the aroras marrying eesha off in england when they ' re verging on bankruptcy ? how is it that two business families agree to marrying off their marriageable members without doing a wee bit of research on the prospective in - laws ?
in the end . after so many spectacular monsoon weddings , there is undeniable novelty in seeing one conducted under the auspices of redcar and cleveland borough council in no more than a passing drizzle ; likewise in seeing a fleet of gold limousines emerging from behind dry - stone walls to traverse the moors while a steam train toots in the distance . welcome to the world of vikas bahl’s shaandaar , where there is a high possibility during the musical numbers that everybody on screen is dancing just to keep themselves warm .
under normal circumstances , you ' d think that when three of the four people credited with having written queen join hands again , the film they ' ll make will be fun and clever . when they ' ve been entrusted with a big budget and lavish settings , you ' d expect a film that ' s fabulous . shaandaar proves that these assumptions are wildly off - base . it turns out that the message that prefaced episodes of the x - files were bang on the money : trust no one .
let ' s talk about the section of the population that waits for the television broadcast of a movie . they may or may not have caught shaandaar in the theaters . the television broadcast of a movie makes a lot of difference in the mass appeal of the film . also , there have been many films that were not a box office success but have been responsible for high trps with their television premiere . do not believe me ? go home and ask your granddad / dad to change the channel while he is watching sooryavansham or nayak .
apart from all not so good parts of the films like the story or the characters or everything , shaandaar was a new attempt where dreams and imaginations where shown . for the first time is was not just through a dream song sequence . the locations and backdrops in the movie are quite amazing . also , the art directors did a commendable job with the wedding theme . it was exactly like we picture our imaginary wedding to be . certainly , there were many other eye appealing things other than shahid and alia in the movie that can make the movie a classic .
shaandaar gives you fair warning that this film is anything but fabulous , right from its first scene . the film begins with a shoddily - animated sequence and a listless voiceover by narrator naseeruddin shah . we learn that a little girl named alia has been adopted by a gent called bipin arora , who has a goatee , an old beer bottle cap , a dominating dowager mummy and a catty wife . apparently , no one ever understood why bipin brought alia home and raised her with such love and tenderness . clearly , no one in bahl and parmar ' s imaginary world has seen masoom .
‘shaandaar’ box office collections have raked in rs 33 . 51 crore by day 4 in the domestic market – this is the extended opening weekend take as the movie was released on thursday . shahid kapoor and alia bhatt starrer earned a whopping rs 13 . 10 crore on opening day but dropped to rs 7 . 55 crore on day 2 ( friday ) . the film gathered a decent crowd in the morning shows with an occupancy rate of around 35 % to race towards a day 1 triumph . and this it managed despite most reviewers panning the movie but day 2 box office collections took a nose - dive .
shaandaar will eventually side with this generation over their overbearing elders , but then – unlike dil dhadakne do , which might have passed as a credible portrait of modern indian relations – it’s coming from an inherently childish place , all animated backstory and lengthy tickle - fights . bahl and dutt treat this wedding as a youngster might a dolls’ tea party , attentively passing out sweets and filling everybody’s cups with imaginary chai : there’s something naively charming about it , even as it reduces temple newsam to a fairytale backdrop . i can’t say i didn’t giggle – i did , often – but as any yorkshireman would doubtless declare : it ain’t half daft .
a big fat “shaandaar” indian wedding , which is actually a business merger between two of the biggest business families of india , is happening at an exotic castle in europe . mrs . kamla arora , the grandmother of the arora family , the sole owner of the billion - dollar business and the property , has planned their wedding . kamla arora treats everyone like her servants including her three sons , bipin ( the eldest ) , vipul and vinay . mr . fandwani , the groom’s father , is a loud sindhi businessman who is the counter to kamla arora : the fandwanis dress in gold , accessorize in gold and if possible they drink and eat gold .
plot : a big fat ”shaandaar” indian wedding , which is actually a business merger between two of the biggest business families of india , is happening at an exotic castle in europe . mrs . kamla arora , the grandmother of the arora family , the sole owner of the billion - dollar business and the property , has planned their wedding . kamla arora is a shrew , and treats everyone like her servants including her three sons , bipin , vipul and vinay . mr . fandwani , the groom’s father , is a loud sindhi businessman who is the counter to kamla arora : the fandwanis dress in gold , accessorize in gold and if it was possible , they’d drink and eat gold .
some of this is funny , but bahl’s script quickly runs out of both plot and wit . there’s a lot going on in this crowded film , but not a lot of it makes sense . scenes like one in which shahid and pankaj kapoor’s characters go paragliding for no reason at all , or the previously mentioned drug - haze , stick out in the narrative , as do repeated vfx - aided sequences . karan johar pops up for a cameo too , and while that scene sure evokes a laugh , it further adds to the “anything goes” attitude that hangs over this film . the feeling i got watching shaandaar was that everyone on screen appeared to be doing exactly what they wanted , and not necessarily performing to a script .
with all this against them , it ' s to the cast ' s credit that shaandaar isn ' t unwatchable . shahid kapoor and alia bhatt look gorgeous and do their best to keep you entertained with their easy delivery and sharp dance moves . however , the two are entirely unconvincing as a couple , unless love in 21st century india is made up of chaste distances and inane chatter . sanah kapoor ( shahid ' s sister ) makes her debut and is credible as the quieter sister , whose weight makes her the butt of many people ' s jokes . however , sandhya of dum laga ke haisha remains our favourite plus - sized heroine . pankaj kapoor spends most of his time on screen looking befuddled , which just about sums up what the audience feels too .
that sh . . , that poop has been served this week . and they are calling it shaandaar . this has been produced by not one but three bollywood worthies — commercial king karan johar , indie diva anurag kashyap and bollywood’s indie hope , vikramaditya motwane . i shit you not . the film begins with naseeruddin shah’s voiceover and cartoons to tell a fairytale . there’s bipin , his evil mummyji ( sushma seth ) , a nondescript biwi , their daughter isha , and the wide - eyed orphan , alia , he brings home one day . mummyji disapproves but alia is not one to wilt . tenacious and wicked , she gives it back to mummyji in exploding doses . bipin and isha love alia . but she’s an orphan and this sad fact robs her of sleep . she stays up all night , every night , talks to night animals , gathers trivia to irritate us . it’s cute and should have stayed that way .
years pass and the animated characters from the opening episode transform into flesh and blood cartoons . alia ( alia bhatt ) is by now a raging insomniac who flits around chewing gum , taking midnight swims , eating bananas , reading books and googling like a maniac — because what else is a girl to do in the dead of the night ? bipin ' s ( pankaj kapoor ) one dream is to find a man who will put alia to sleep . this is the running ( not - so - funny ) joke in shaandaar . when bipin ' s daughter is to have a grand wedding in an english estate , bipin and alia meet wedding planner , jagjinder joginder ( shahid kapoor ) . he drives a bike , can bust out mean dance moves and is also an insomniac . ergo , alia and jagjinder are obviously made for each other . while alia and jagjinder woo each other by peeling fevicol off their palms , eesha realises that the man with whom her wedding has been arranged has absolutely nothing going for him other than his eight - and - a - half pack of abs .
launched along with a fun ( victorian - themed ? ) party video a few days back – that also featured shahid kapoor’s sister sanaa – gulaabo has already become a hit . and for good reason too , the song is equally effective without the video , thanks to an arrangement that isn’t overdosing on techno elements . amit trivedi ’s love for brass instruments has been rather prominent in a lot of his recent songs ( pinnacle of which of course was bombay velvet ) ; he puts them to excellent use here too amidst all the dancey elements . behind the mic vishal dadlani and anusha mani do a sprightly job singing anvita dutt ’s quirky lyrics , especially the former with his powerful voice . second dance track of the soundtrack shaam shaandaar has its most interesting bit in that techno to dhol switch around the mukhda . the song then settles into familiar territory , and the composer himself does the vocals . engaging , but nothing special here . the drinking song raitaa phailgaya is under similar déjà vu threat from the techno punjabi template but is saved by amitabh bhattacharya ’s lyrics ( have been humming gulzar ke geeton mein jab yo yo honey singh ghus gaya toh raita phail gaya since evening ) and divya kumar ’s singing .
the craziness begins , presenting the full video of shaandaar ' s first song gulaabo ft . alia bhatt & shahid kapoor . music - amit trivedi vocals - vishal dadlani and anusha mani lyrics - anvita dutt producer - karan johar & the phantoms director - vikas bahl banner - fox star studios , dharma productions & phantom production music is available on urltoken set gulaabo as your callertune - sms shndr1 to 54646 set naino ka ishaara - gulaabo as your callertune - sms shndr2 to 54646 set tauba tauba - gulaabo as your callertune - sms shndr3 to 54646 set jara gand failado - gulaabo as your callertune - sms shndr4 to 54646 web links : gulaabo urltoken naino ka ishaara - gulaabo urltoken tauba tauba - gulaabo urltoken jara gand failado - gulaabo urltoken gulaabo aircel subscribers sms dt 3771160 to 53000 airtel subscribers dial 5432114987946 vodafone subscribers dial 5376603941 reliance subscribers dial 595028326 idea subscribers dial 567896603941 tata docomo subscribers sms set 6603941 to 543211 bsnl north / west bt 3771160 to 56700 bsnl south / east bt 6603941 to 56700 mts subscribers sms ct 87581167 to 55777 virgin subscribers sms tt 6603941 to 58475 uninor subscribers sms act 6603941 to 52211 naino ka ishaara - gulaabo aircel subscribers sms dt 3771162 to 53000 airtel subscribers dial 5432114987924 vodafone subscribers dial 5376603883 reliance subscribers dial 595028328 idea subscribers dial 567896603883 tata docomo subscribers sms set 6603883 to 543211 bsnl north / west bt 3771162 to 56700 bsnl south / east bt 6603883 to 56700 mts subscribers sms ct 87581168 to 55777 virgin subscribers sms tt 6603883 to 58475 uninor subscribers sms act 6603883 to 52211 tauba tauba - gulaabo aircel subscribers sms dt 3771163 to 53000 airtel subscribers dial 5432114987951 vodafone subscribers dial 5376603973 reliance subscribers dial 595028329 idea subscribers dial 567896603973 tata docomo subscribers sms set 6603973 to 543211 bsnl north / west bt 3771163 to 56700 bsnl south / east bt 6603973 to 56700 mts subscribers sms ct 87581169 to 55777 virgin subscribers sms tt 6603973 to 58475 uninor subscribers sms act 6603973 to 52211 jara gand failado - gulaabo aircel subscribers sms dt 3771161 to 53000 airtel subscribers dial 5432114987969 vodafone subscribers dial 5376603942 reliance subscribers dial 595028327 idea subscribers dial 567896603942 tata docomo subscribers sms set 6603942 to 543211 bsnl north / west bt 3771161 to 56700 bsnl south / east bt 6603942 to 56700 mts subscribers sms ct 87581170 to 55777 virgin subscribers sms tt 6603942 to 58475 uninor subscribers sms act 6603942 to 52211 connect with us on : twitter - urltoken facebook - urltoken youtube - urltoken
the film , which marked shahid’s first film after his marriage , tried to be a fantasy film with a backdrop of an ostentatious indian wedding , and released on october 22 .
“i think there were too many stories to follow and people didn’t figure out exactly what to follow , ” he said .
the director also said the film was not an arrow shot in the dark as he “knew what he was doing” .
“i was aware what i was doing and i took my chances in doing that . i feel the back stories and animation to connect to the storytelling was not simple… i think i experimented too many things , ” he said .
‘the martian’ orbits $ 400m global ; ‘compton’ $ 200m – intl b . o . update | deadline
‘the martian’ orbits $ 400m global ; ‘straight outta compton’ nears $ 200m ; ‘ghost dimension’ solid – intl b . o . update
final update , monday 3 : 30 pm pt : director ridley scott’s the martian , which returned to the top of international and domestic box office in its 4th weekend , is within shouting distance of $ 400 million worldwide with $ 385 . 66m . the 20th century fox picture’s foreign cume is $ 218 . 47m and domestic comes to $ 166 . 19m . another milestone is a whisker away for universal’s straight outta compton , which is at $ 199 . 6m based on current foreign tally of $ 38 . 5m on top of its domestic $ 161 . 1m . in addition to the top of the updated weekend tally for the martian of $ 29 . 9m , hotel transylvania 2 came in at no . 2 with $ 28 . 7m and ant - man at $ 22m — which means that disney / marvel film is creeping up on $ 500m global based on its international cume of $ 314 . 8m and domestic of $ 179m . unlike their underperforming stateside debuts , paranormal activity : the ghost dimension and the last witch hunter with a couple of exceptions lived up to initial expectations . all titles have been updated throughout with box office figures reported today , including late addition of lionsgate’s sicario .
bombs away ! ' last witch hunter ' , ' ghost dimension ' , ' jem ' , ' kasbah ' tank as ' martian ' flies high to no . 1 - sunday postmortem
update , sunday 4 : 15 pm pt : based on today’s international estimates for the weekend , the frame is down about 15 % from last week across the top 10 studio titles . looking at just the top 3 , which also led last week but in different order , the martian ( $ 29 . 9m ) , hotel transylvania 2 ( $ 29m ) and ant - man ( $ 22m — and creeping up on $ 500m global ) , are off a slight 27 % . compared to last year , however , this week’s top trio is up about 24 % from the same frame in 2014 when annabelle was an evil doll , lucy exercised her brain in china and shah rukh khan’s happy new year broke bollywood records .