adela is a 2008 filipino drama independent film starring the philippine screen legend , anita linda .

the film was a tribute for the award-winning film veteran which won best actress awards from the gawad tanglaw , 10th cinemanila international film festival ( southeast asia film competition ) and young critics circle for her portrayal of the titular character .

the story of adela , which takes place in a span of one day , is a heartbreaking story of a woman who longs for the company of her loved ones .

some of the stars tapped to act as adela 's neighbors are jason abalos , angeli bayani , and iza calzado .

adela ( 2008 film )

adela ( 2008 ) directed by adolfo alix jr . • reviews , film + cast • letterboxd
dirs / scr : joel coen , ethan coen . us . 2008 . 95mins .
at the beginning of 2008 , together with jan kadlec jr . , he founds the production company k film plus .
her film credits include ang huling araw ng linggo ( 2006 ) , adela ( 2008 ) , the arte france telemovie , esclaves de mers ( 2009 ) , and pink halo - halo ( 2010 ) .
this was the schedule of her day - to - day life until adela came along and changed her life immensely . adela was the cinemalaya entry of a woman going 90 and who celebrates her birthday alone when her children fail to visit her . the film directed by adolfo alix jr . opened the cinemalaya independent film festival and went on to win the young critics circle best film of 2008 . it gave anita the best actress awards in the southeast asia film competition category of the cinemanila international film festival and at the gawad tanglaw awards by academicians .
ricardo antonio merlos cojulum 30 years old . he was once adela’s boyfriend . he used to work as a bus attendant but ends up in jail as a suspect of adela’s murder . he insists he is innocent .
the restored version of in the land of the head hunters recives its premiere at the getty research centre on 5 june 2008 , with the score performed by the ucla philharmonia . various screening dates are then in place for june and november 2008 , with more to follow .
hi oggs ! nice review ! got some excerpts from your article on adela for my anita linda post . thanks !
as an art director and production designer , he worked under his father for k film studio kadlec , as well as for numerous international productions , before co - founding k film plus with tomas rotnagl . from january 2008 he presents at famu ( film and tv school of the academy of performing arts in prague ) the seminar
visual formulation of film : film scenography .
birthday with an uncertain hope and much pain . the film ended with a disturbing scene where adela went to a bush place and leaves the audience hanging what happened .
the fourth edition of the cinemalaya film festival opens with a film by adolfo alix , jr . ever since alix debuted his first feature film
alix returned to cinemalaya in the new breed category in 2007 with “kadin , ” a film about two children who traipse all over the batanes landscape searching for their lost goat . his films “adela” and “manila” ( he co - directed manila with raya martin ) have the distinction of opening cinemalaya in 2008 and 2009 .
adela celebrates her 80th birthday in the slums of manila . alone and without support , she longs for the family and stability of years gone by . mundane events take on heightened meaning as adela gauges her life against those of the sea of hu
* แนะนำหนังในกลุ่ม * * ordinary lives , ordinary people หรือหนังเกี่ยวกับชีวิตคนธรรมดาที่เราชอบสุดๆ * * 44 . * * the same old sea วันนี้ทะเลมีคลื่น ( 2008 , pisut sri . . .
adela , however much she dominates the narrative , is by no means the only character here , and one of the great strengths of alix’s film is the broad view he affords us of the environment that adela exists in . before we are introduced to adela , we first follow a very pregnant woman who catches her mate having sex with another woman , whom the pregnant woman is in debt to – whether this other woman is her landlady or some other sort of benefactor is not quite clear . as she fights and hits her philandering partner , she suddenly goes into labor , and is helped through it by adela , who becomes an impromptu midwife , helping the woman deliver her baby . adela’s other neighbors are just as colorful – other important characters include : a ne’er - do - well who habitually steals from people’s homes and tries to sell off his ill - gotten goods afterward , and who may or may not have stolen adela’s wedding ring ; the boisterous and very effeminate neighbor who gives adela a manicure ; and in the film’s most amusing scene , a neighbor and fellow grandmother whom adela walks in on as she is having sex with a much younger man , justifying her behavior as a necessary way to stave off loneliness and fulfill her sexual needs . “besides , i won’t get pregnant , anyway , ” she tells adela . most pertinently to our understanding of adela’s character , this friend asks adela , “are you happy ? ” the silence that follows this query speaks volumes .
angeli began her professional theater career in 2002 when she joined the tanghalang pilipino actors’ company , resident theater company of the cultural center of the philippines . her film credits include ang huling araw ng linggo ( 2006 ) , adela ( 2008 ) , the arte france telemovie , esclaves de mers ( 2009 ) , and pink halo‐halo ( 2010 ) .
adela is the first film shown in this year’s cinemalaya 2008 . this is directed by adolfo borinaga alix jr . ( donsol , kadin ) as a tribute to one of the philippines finest actresses , anita linda . together in this film are joem basco , jason abalos , ricky davao , arnold reyes , kenneth ocampo , armado reyes with special participation of iza calzado , german moreno and perla bautista .
adela , ( philippines ' screen legend anita linda ) a former radio personality , celebrates her 80th birthday . alone , and without support , she longs for the family and stability of years gone by . mundane events take on heightened meaning as adela gauges her life against those of the sea of humanity . adela is about the quiet moments in life that can fill us with either joy or sorrow .
“god must love me , ” she asserts . “perhaps , they recognized you from adela and tayong dalawa , ” we tell her .
we don ' t have enough data to suggest any movies based on adela . you can help by rating movies you ' ve seen .
crew : camera ( color , widescreen ) , damian garcia ; editor , jorge macaya ; music , roque banos ; production designer , sandra cabriada ; costume designer , adela cortazar ; sound ( dolby digital ) , andres franco ; casting , manuel teil . reviewed at tribeca film festival ( competing ) , april 29 , 2008 . ( also in cannes film festival - - market . ) running time : 86 min .
adela , a former radio personality , celebrates her 80th birthday in the slums of manila . alone , and without support , she longs for the family and stability of years gone by . mundane events take on heightened meaning as adela gauges her life against those of the sea of humanity .
roh gyeong - tae’s “land of scarecrows” – 2008 pusan international film festival review for a jaded filmgoer and film festivalgoer like me , surprises can often be few and far between . whether it is the latest hollywood super - spectacle or the most obscure , experimental art [ … ] . . .
today adela turns 80 years old , but her day seems like every other day . birthday seems like every other day . she shops for groceries , helps her neighbors though she expects little in return . she expects a visit from her daughter . is there anything special in store for adela today ?
adela is a movie starring anita linda , jason abalos , and joem bascon . adela celebrates her 80th birthday in the slums of manila . alone and without support , she longs for the family and stability of years gone by . mundane events take on heightened meaning as . . . see full summary »
adela , a former radio personality , celebrates her 80th birthday alone in the slums of manila , longing for her family and the stability of years gone by .
k film plus s . r . o . was founded at the beginning of 2008 as a subsidiary of k film , studio kadlec , s . r . o . , whose founder was producer jan kadlec , a notable figure of the beginnings of czech film service production . under his supervision over 150 foreign projects were completed . at the same time k film , studio kadlec produced such czech films as řad , fany , náhrdelník , etc .
birthday . the film started with a pregnant woman crossing the highway . as she goes home , she discovered her partner , pj , is sleeping with a neighbour’s daughter . to her dismay , she accidentally gave birth . thanks to adela , a former midwife and radio voice talent , the baby is in good condition . for adela this is a special day coz she is celebrating her 80
internationally , she is most known for her roles in filipino auteur lav diaz’s films . her first lav diaz film , the 9 ½ - hour kagadanan sa banwaan ning mga engkanto ( death in the land of encantos , 2007 ) was awarded the special mention prize , orizzonti at the 64th venice international film festival . in 2008 , angeli was presented the vic silayan award for best actress – international category at the dekada cinemanila awards for her second lav diaz film , melancholia ( 2008 ) . the 8 - hour epic was awarded the premio orizzonti at the 65th venice international film festival . she was nominated in the 32nd gawad urian 2009 for the same role .
sorry , but if i would know adela profundly probably i ' d rate it much more . i ' m sure she is very kind and respected in philippines .
in 2008 , angeli was presented the vic silayan award for best actress – international category at the dekada cinemanila awards for her second lav diaz film , melancholia ( 2008 ) . the 8‐hour epic was awarded the premio orizzonti at the 65th venice international film festival . she was nominated in the 32nd gawad urian 2009 for the same role . in 2013 she stars in lav diaz’s norte , hangganan ng kasaysayan which has been selected for the un certain regard section of the cannes international film festival . angeli received a gawad buhay citation for outstanding female lead performance for playing monette ( irina ) in tanghalang pilipino’s adaptation of anton chekhov’s three sisters , tatlong mariya ( 2010 ) .
the second one was after the party , when adela walks into the house of the new mother she helped that morning . she chances upon the mother breastfeeding the baby . the camera then concentrates on adela ' s face which changes from delight to sadness , where a heartfelt smile becomes soaked with tears . if the first important scene emphasized the passive emotion of reminiscence , this second scene attempts to break the character , pushing adela to react to the heartbreaking fact that she has become alone , while the rest of the world has somebody to love and love them back .
thankyou very much for the reveiw it was very useful for people outside the country with a little help from myfreind i ' ve just finished adela and it still left some sadness inside me .
dina donis she is ricardo’s young defense lawyer . she is pregnant throughout the court hearings . she too is certain of ricardo’s innocence and attempts to delegitimize adela , accusing her of drinking alcohol .
hi oggs , beatiful review . anita is great . i watched the movie lourdes ( 1954 ) in anticipation of adela , too bad i missed it . i only had time for one screening .
rebeca eunice perez rebeca is four years adela’s senior . she is a single mother of five and has accepted adela’s three children as her own as well . she helps her mother with their home - based tortilla business and struggles to make ends meet . after a 9 - hour shift of making tortillas and caring for the children at home , she pounds the pavement to make things happen for adela’s murder case on almost a daily basis . she has countless setbacks along the way , but that only fortifies her fight and keeps her going . she is able to transform her pain into a collective healing process and emerges as a feminist leader in her community .
the 33rd edition of the toronto international film festival unspools sept . 4 - 13 .
, linda plays the titular character , a retired radio voice talent who is celebrating her eightieth birthday . the film accounts for that supposedly special day in the life of adela . we first see her alighting from a tricycle , hurrying past a crowd of useless onlookers , to help a neighbor who is giving birth right in the middle of the commotion . the day goes on , with routine mixing with the clever turns of circumstance . adela misplaces her wedding ring , gets swindled by the neighborhood fence , hears mass , visits her son in prison , chances upon a co - worker , and finally travels to the outermost area in her seaside dump site to conclude that special day . the film is introspective , forcing the viewers to experience the starkness of living alone in the world through the profound mundaneness of adela ' s birthday .
the other founder of k film plus is tomáš rotnágl , film production manager who has also worked on dozens of commercial advertisements and music videos . he led the film crew on local feature film productions including sklapni a zastřel mě ( shut up and shoot me ) , panic je nanic , tajnosti , bathory , the honeymoon , clownwise and kooky .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
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the third scene happens near the end of the film . adela sets up her picnic blanket , prepares the noodles she cooked , and against the backdrop of manila bay , contemplates on her situation : aged and even amidst the the crowdedness of her neighborhood , alone . again , the camera centers on adela ' s face . this time , there is no pretense of joy . she is just there , crying precisely because of the fact that everyone has physically ( previous to her picnic , the entire neighborhood attends a political rally , leaving her behind ) and symbolically left her alone . she walks past the bushes before the film ends , with an air of thought - provoking ambiguity .
with all the elements considered , i will give this film 4 out of 5 jupiter star power .
this film is not currently playing on mubi but 30 other great films are . see what’s now showing
lean isn ' t on his a - game here , but the film isn ' t bad .
a remarkable depiction of loneliness of elderly people . it ' s all around us , but we don ' t ( want to ? ) see it . this film doesn ' t specially highlight the issue . instead , it merges it with every day going - ons of everyone around adela , going - ons she isn ' t part of . it feels as if she can merely watch life passing by . its sheer simplicity makes the film all the more powerful .
michael flores , a los angeles - based latino editor , is a previous film independent program fellow , a recipient of the rodolfo montes memorial scholarship , and a recipient of the national hispanic foundation for the arts entertainment scholarship . his editing credits include the cost of living ( 2008 student emmy - winning television pilot ) , the courtyard ( 2007 ) , the girls in the band , and what on earth ? ( 2009 ) .
karera , his screenwriting debut , is one of the finalists for the cinemalaya netpac ( network for the promotion of asian cinema ) prize of the 2009 cinemalaya independent film festival and had its european premiere at the spectrum section of 2010 international film festival rotterdam and screened at the golden horse film festival in taiwan .
* sydney film festival 2014 * as the programmer of the sydney film festival hub , i live in town hall during the festival , and don ' t get to see many films . bu . . .
kimberly bautista is a los angeles - based colombian and irish - american filmmaker . she was a princess grace award recipient in 2008 and a latino producers academy fellow in 2010 . she was also the recipient of the prestigious yearlong latino artists mentorship from the national association of latino independent producers ( nalip ) in 2010 . kimberly’s debut feature - length documentary film , justice for my sister , received the 2012 hbo - nalip documentary cash award .
there are at least three important scenes that astounded me , on the basis that these scenes are emotional crests in a film that is deprived of an explicit plot . the first one was when adela was listening to the radio drama , she suddenly changes her voice to match the two characters in the radio drama , seamlessly shifting from the high pitched pleas of the daughter to the stern alto of the angry mom . it ' s a beautiful scene for the simple fact that it both showcases linda ' s acting prowess and it emphasizes the feeling of reminiscence ( of a former , unattainable past ) that hounds the character of adela that day .
eduardo roy jr . graduated from philippine school of interior design ( psid ) last year and immediately followed this up with a workshop on found story under bing lao . hence , aside from designing living and working spaces for clients , he busies himself with directing and writing screenplays . his two previous works ulirat won the film academy of the philippines ( fap ) for best short film in 2002 ; his second film ang pinakamahabang one night stand was exhibited at the festival del mar ibiza , grand canaria film festival in spain and reeling film festival in chicago . bahay bata is eduardo roy jr . ' s first full length feature film .
the entertaining story of hardy’s personal engagement with film is told in matthew sweet’s book inventing the victorians . hardy was first approached by a film company in 1911 . the warwick trading company , a british business , wanted to film tess of the d’urbervilles , offering hardy ten per cent of the gross turnover . hardy told his agent :
with its art - perfect snapshot of a community - in - flux , adela calls to mind pedro costa ' s similarly rigorous slum - life portrait colossal youth .
village voice
anita linda gives a quietly transfixing performance .
new york times
artfully observed .
variety
might very well be alix ' s best film to date . alix has anita linda to thank for that .
before founding k film swiss and co - founding k film plus he was production designer on some 70 commercials , both local and international , and in 2000 production designer on his first film the damned in the czech republic , after which followed shadows of the deceased , viy , august fools , honeymoon , clownwise , garden story etc .
meniscus magazine is an arts , entertainment & lifestyle publication focusing on asian culture , film , fashion & much more .
starred in juana change : the movie , a political satire film written by rody vera and directed by jade castro .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
each month , a different local band picks a silent film and composes a score for live accompaniment . this will be the fourth concert / film showing in the series , following buster keaton’s “the general , ” scored by samuel james ; fritz lang’s “metropolis , ” scored by the improvisational string quartet ; and the classic german vampire film “nosferatu , ” scored by the jazz group tempera .
this conference screening will be the premiere of the restored mary pickford film the dawn of a tomorrow , a film that was considered lost until a tinted nitrate print with swedish inter - titles surfaced in 2005 . the film is set in london and pickford plays glad , ”the poorest and happiest of all orphans” . during the course of the film , this angel in a dickensian world gives shelter to an evicted mother and child , prevents a suicide , intervenes to inhibit domestic violence , and convinces her sweetheart to reform . the beauty of the close - ups displays an extraordinary preciseness of expression that makes this long lost pickford film a revelation to watch .
now on its seventh year , cinemalaya , which is probably the philippines’ most important indie film festival , started out as a digital indie film competition for young and neophyte directors but expanded to include established and veteran filmmakers by opening the directors’ showcase category last year .
13 : 45–16 : 00 parallel sessions 1 . 2 conceptualizing “female pioneers” shelley stamp – lois weber’s ”feminine hand” at rex karen ward mahar – working girls : the masculinization of american business in film and advice literature in the 1920s isabel arredondo – forgetting women film pioneers : juliet rublee and the myth of the avant - garde mark lynn anderson – the real dorothy : mrs . wallace reid , the newspaper , and feminist film historiography monica dall’asta – what means to be a woman : theorizing feminist film history beyond the essentialism / constructionism divide
fortissimo films has acquired documentary feature food , inc . , which is set to receive its world premiere at the upcoming toronto film festival . produced and directed by robert kenner ( pbs documentary series the american experience ) , the film examines the american food industry and how conditions
in all film there is the desire to capture the motion of life , to refuse immobility ,
agnes varda has noted . …
my writing – about music , not film , at the moment – can currently be found at my new blog : reddy brown objects .
lean ' s visually appealing film frequently connects as a social satire and a mystical melodrama of transgressors looking for footholds in psychically threatening territory .
scarcely overwhelming enthusiasm at the prospect of seeing his work filmed , though hardy did sign the contract ( the film did not get made ) . he also accepted money from hubert von herkomer , the artist turned filmmaker , who wanted to film far from the madding crowd and the mayor of castebridge . neither was produced , and hardy was onto a nice little earner without a film having made it to the screen .
brian owens has been hired as artistic director of the nashville film festival , which is gearing up for its 40th anniversary celebrations from april 16 - 23 , 2009 . owens previously served as artistic director of the indianapolis international film festival , which he founded in 2003 . during his tenure
she was nominated as best supporting actress for her role in ka oryang ( 2011 ) in the cinema one originals 2011 and the 35th gawad urian . she recently starred in juana change : the movie , a political satire film written by rody vera and directed by jade castro . this is angeli bayani’s first film involvement outside the philippines . for her role as teresa , she was nominated best actress at the asia pacific film festival .
here ! films has acquired north american rights to icelandic film - maker olaf de fleur ' s the amazing truth about queen raquela . sister company regent releasing will distribute the film in select cities this autumn starting with new york and los angeles on september 26 . the amazing truth about queen
a baker ' s dozen of asian films and 10 spanish - language movies have been added to the toronto international film festival ' s growing lineup .
internationally , she is most known for her roles in filipino auteur lav diaz’s films . her first lav diaz film , the 9 ½‐hour kagadanan sa banwaan ning mga engkanto ( death in the land of encantos , 2007 ) was awarded the special mention prize , orizzonti at the 64th venice international film festival .
the film has great cinematic shots and lots of interpretations and unspoken dialogs . i love the mix of these elements brilliantly presented in just one day . there are political , moral and financial issues presented in the film which gave the film a relevant and realistic view how hard to live a better life now a days . acting and technical aspects were superb . the only comment i can make is that there are a lot of dead shots which ultimately consumes most on the movie playtime . i like how the story progressed and allowing the audience to wonder about the ending . honestly i don’t know if adela committed suicide , went home or leave the place . maybe i should contact the director and ask him what happened… so sir adolf please enlightened us if ever you came and looked at this post . please give us further discussion on about this film . i was just ashamed to ask you after the show . i was just overwhelmed i guess because i’m just a nobody shaking hands to an accomplished indie director .
a movie about the much - debated war on drugs is officially serving as re - launch pad for a local film outfit that last produced . . .
the 2nd cinema digital seoul film festival ( cindi ) closed with a screening of yu guangyi ' s survival song , which won the international directors jury ' s red chameleon award yesterday ( aug 26 ) . the jury , led by korean chinese director zhang lu , praised the film for ' continually shooting even in
dutch trailer from the presumed lost asta nielsen film die gesunkenen ( 1925 ) , a drama based on a scenario by ruth goetz after the novel diebe ( thieves ) by luise westkirch . the dutch censorship board noted about the film ( 2340 meters , + 117 minutes ) : ‘rough milieu’ , ‘cocaine abuse’ , ‘prostitution’ , ‘ladies and gents of suspect repute’ . in addition to nielsen , the film featured the actors william dieterle , otto gebühr , olga tschechowa and hans albers .
huge efforts were therefore made to bring together practically every available film for the period ( fiction film , that is – non - fiction film , ever the bridesmaid , was not included ) . 1900 to 1906 was chosen so as to avoid the contentious 1890s ( which could have ended up as a ‘we - invented - the - cinema’ exercise in futile national boasting ) while examining film form and style before the era of cinemas brought about its changes . the experience of seeing so many films for a well - defined period , allowing scholars to make reasoned assessments for film at this time based on unmatched access to the projected films themselves , had considerable repercussions . as said , hardly any writer on early film can avoid noting 1978 as a major milestone , if not starting point , for the whole field . out of that gathering of academics eventually came the organisation , domitor , which still represents scholarly interest in early film studies . tom gunning and andré gaudreault’s notion of the ‘cinema of attractions’ ( another essential reference point for practically any writing on early cinema ) was undoubtedly formed to some degree by the experience .
paborito kong excuse ang “maling audience” kapag nanonood ako ng mga experimental film sa pinas . gusto ko ang mga pelikulang pinapag - isip ako pero hesita . . .
* the notebook is the north american home for locarno film festival artistic director carlo chatrian ' s blog . chatrian has been writing thoughtful blog entri . . .
for the 2018 re - publishing of his 1971 book transcendental style in film , paul schrader composed to illustrate his new introduction a chart for durational . . .
the american ruth ann baldwin was a journalist turned screenwriter , film editor and director . 49 - 17 is a parody western , starring jean hersholt . it was her only feature ( she directed several two - reelers ) , though apparently it was a hit , and the remainder of her film credits are for scriptwriting .
considered the first full - length anthropological documentary , the film follows a year in the life of inuits in arctic canada . it was made by robert flaherty , who went to hudson bay looking for iron ore on behalf of the canadian northern railroad . while there , he became intensely interested in capturing inuit life on film .
birthday . she is expecting her daughter to come along with her grand children . also in this day , pj invited aling adela for a gathering to celebrate the birth of his baby and the same time the barangay captain also is convincing her to join the prayer rally for pgma . as she prepares to go to church , here comes joem to sell some stolen appliance to adela . she then gave way and bough the cellphone charger and toaster for p300 . she then discovered her wedding ring was gone . she went to a junk shop manager and found out that the appliances her bought are stolen from the oung snacher’s mother . she confronted the young snatcher and pleaded for her ring back but he won’t simply admit it . she simply went to church to pray and give thanks for this special day but she then saw the young snatchers activities . she also met her former co - league in the radio . there were chit - chats and adela refuses to discuss how lonely her life is . near the church , she also bought toys and decorations for her apos . she went also to the local prison to visit her son only to find out that her son is about to be convicted and be transferred in the muntinglupa . she then decided to attend the pj’s celebration with all the drinking and karaoke singing . while all the gang is singing “luha” , she got a call from her daughter . it is unclear but based on the reaction of adela , her daughter won’t be able to come . she went home , gave some pancit to her neighbour . she also went to the young snatcher’s mother and gave the appliance back only to discover an illicit love affair with a stud .
you have the mandate to start the national film archive . i have heard that your first priority project in relation to archiving is the digitization of some . . .
perhaps the most acclaimed film in rainer werner fassbinder’s inimitable oeuvre , * the bitter tears of petra von kant * deals with issues of obsession and j . . .
one of the two founders of k film plus is jan kadlec jr . , visual artist , film architect , and production designer . it’s credits include series of domestic and foreign exhibitions . we can pick from feature - length films such as shadows of the deceased , viy , august fools , honeymoon , clownwise , garden story etc .
the fifth international women and the silent screen conference is being held at stockholm university , sweden , 11–13 june 2008 , and a full programme with screenings has now been published . the aim of the conference is to “celebrate the diversity of women’s engagement with silent cinemas across the globe” , and it’s very interesting to see the current issues being covered by the papers and some of the unfamiliar films which are being put back on the screens in response to such new debates . this is why we have research ; so we can see more .
* the 61st san francisco international film festival began two weeks ago and ends today . each day during the festival i ' ve posted about a festival selection . . .
in november 2017 i was invited to the singapore international film festival ( sgiff ) to take part in their asian bonds program . sgiff flew me from and bac . . .
despite having lived until 1928 , hardy does not seem to have been filmed himself . the nearest we get is film of his funeral , which you can see on urltoken .
it’s a fairly slow process . at a recent rehearsal , band members estimated it took maybe four hours or more to get about 25 minutes’ worth of music for the film .
the dawn of a tomorrow / nattens skuggor ( usa , 1915 ) 35mm colour print from the archival film collections of the swedish film institute 1283 meters , 66 mins ( 17 fps ) swedish inter - titles prod : famous players film co . director : james kirkwood script : eve unsell , based on the novel and the play the dawn of a tomorrow by frances hodgson burnett principal cast : mary pickford ( glad ) , david powell ( dandy ) , forrest robinson ( sir oliver holt ) , robert cain ( his nephew )
to compose the score , mckane , robbins and richard have been gathering in the basement of mckane’s north deering home . they got a copy of the film from netflix and watched it on a laptop computer as they composed and played . when they got a piece they liked , they went back to make sure it matched up with a segment of film .
an early example of cross - dressing in swedish film , a restored version of the comedy flickan i frack will be screened at the conference for the first time ever . magda holm plays katja , a bright , small - town daughter of an inventor who cares more for the upbringing of his son than his daughter . when katja’s request for money to buy a new dress for the examination ball is turned down by her father , she decides to attend the ball dressed in tails , creating a further scandal by drinking and smoking cigars . flickan i frack was karin swanström’s fourth and last film as a director , and she also plays one of the leading parts in the film . the film was remade in 1956 .
respeto , treb monteras ii’s debut film about a young rapper living in a manila slum who meets his match in an aging poet living in his neighborhood , tops t . . .
the film is very much ' a full theatrical meal , ' and one that conveys a lot of ' the multiplicity of life ' one seldom sees on the screen these days .
lamangan believes that the merits of the commercial film should not be disregarded . “the commercial film is the film that is seen by the majority of filipinos ; it is seen by the national audience . you can’t exist in a vacuum . your film needs to be viewed by an audience . if you want to be versatile , you need to learn from both mainstream and independent . young directors nowadays seem to prefer to serve the festival audience , the international audience , rather than the filipino audience . it would be good if they can communicate first to the filipino audience . young directors must not negate the mainstream . both the mainstream and independent should learn from each other . there should be no dichotomy , ” he says .
the festival has increased its focus on the vibrant film communities in these regions , paving the way for a significant presence of asian cinema at this year ' s festival .
the third dvd , the red kimona ( 1925 ) was directed by dorothy davenport reid , better known as mrs wallace reid ( right ) , the wife of the wretched wallace reid . he was the actor whose death through drug addiction so shocked hollywood and the nation , leading his wife to appear in the impassioned anti - drug film human wreckage ( 1923 ) , which featured in the bioscope festival of lost films . after the success of that film she formed her own production company , and made this concerned drama ( based on a true story ) of a young woman lured into a life of prostitution , starring priscilla bonner . its notable female credits continue , with a story by future director dorothy arzner and screenplay by adela rogers st . john . she continued to have some success as a director into the 1930s and thereafter as a screenwriter .
the devil and daniel webster ( 1941 ) . jeff here : last week , the latest in our series of “observations on film art” videos dropped on filmstruck . the topic t . . .
14 : 00–15 : 45 parallel sessions 2 . 3 stardom and intermediality anne morey – geraldine farrar : a film star from another medium victoria duckett – a new anachronism : sarah bernhardt and the modern theatrical film elena mosconi – the star as an artist : italian divas between symbolism and liberty maria elena d’amelio – damned queens . two case studies on the dark ladies in cabiria and maciste all’inferno films
there is an ingenious bit of cheek about this whole exercise , but the more you think about it the smarter it is . i don’t know what the dvd producers think , but they are not going to lose anything by it . one or two of the original accompanists on those dvds might feel a bit miffed . as for select group of punters , i suspect they are going to welcome the opportunity for choice . the beauty of experiencing silent films live is that you never encounter the same film twice , because the ( generally ) improvised score is different every time . once you’ve bought the dvd you have just one film . altscore introduces a small element of variety , based on an understanding that the silent film is a protean beast that , ideally , should never be the same film twice .
among the few silent trailers of the filmmuseum collection , this stylish trailer is remarkable for the drawings it contains . discovered and preserved in 2004 during the international mary pickford research project by christel schmidt , this film has only been shown in amsterdam during the pickford program . although the trailer shows nothing of the film itself , it constitutes an important evidence to prove the popularity of mary pickford with dutch audiences .
the website currently makes available a handful of clips of the unrestored version , with the promise of clips from the restored version to follow soon . the remainder of the website explains in incisive detail the film’s history , restoration , score , images and above all its relatation to and reflection of kwakwaka’wakw culture . it is significant that in giving the history of the film’s production the site reverses the usual narrative by relating things from the kwakwaka’wakw perspective . from this point of view , the kwakwaka’wakw had significant control over the film’s production – agreeing to its being made in the first place , vetoing inauthentic scenes , while actively encouraging scenes which recreated customs that were on the wane or archaic in part through the assimilationist policies of the canadian government . the film therefore became an important means for their cultural self - expression .
along with her fellow actors in the film presa ( 2010 ) , she was presented the gawad tanglaw award for best actress ( ensemble ) . she was also involved in “the erotic man” ( 2010 ) by danish poet and film director , jørgen leth , friend and mentor to filmmaker lars von trier . her recent plays are care divas ( 2011 ) and noli me tangere the musical ( 2011 ) .
here is the shot i got after the film . seen here are eric santos , boy abunda , anita linda and pearla bautista . sorry for the other guy actor , i now sure his name is .
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since the 1970s , curtis’s film has been treated as a documentary , adorning the halls of natural history and anthropology museums and being criticized for its staging of savage scenes from a “pre - contact” past as if they were part of the everyday life of contemporary tribal communities ( as was also the case with his photography ) . yet the film was intended as an innovation in feature film—one meant to stand out in the already crowded field of popular westerns or “indian pictures” of the time—because of its exclusive use of “authentic” native actors , its on - location shooting , its dynamic camera work , its spectacular color tinting and toning , and its ambitious musical score . the film truly represents an active , artistic collaboration between two dramatic traditions : the rich kwakwaka’wakw history of staged ceremonialism and the then - emergent mass - market colossus of american narrative cinema .
so to look on in the land of the head hunters as either drama or documentary is merely to hold up both terms for their inadequacy . the film used the tools of the cinema to express a collaboration between two cultures , to document through drama . this is not to say that it is not a problematic film – that sensationalist title alone betrays curtis’ muddled sympathies . but for a cinema where ‘cowboys and indians’ were predominant , any tale which put the native people ( there are no white performers in the film ) and the commemoration of a culture first was radical and affirmative . no wonder it failed at the box office .
notes . bumped to the top of my blog for easy access . 20 films . chronological . 1 film per director . i have given my top 5 special pictures . i do plan to expa . . .
the venue presents a mix of live music , dance , film and other performances and was known as the center for cultural exchange before the current owners bought the building and reopened as one longfellow square last july .
they’ll perform the music live while the 79 - minute film is shown next wednesday and thursday at one longfellow square in portland as part of the 200 - seat venue’s monthly series , “local scores , silent films . ”
some of the images in busong have been in solito’s mind since childhood , through his mother’s bedtime stories . to make a palawan feature film , for solito , was the penultimate dream . “it has been gestating in my mind for 15 years . this film is about my roots . about my tribe , the palaw’an . it is about people and land being one . our ancient culture and our struggle to survive in this modern age . ”
since he joined cinemalaya in 2006 , alix has gone far as a film director , reaping laurels here and abroad . yet , he keeps returning to cinemalaya and with his isda , joins the heavyweights in the directors’ showcase .
the celebrated film “ang pagdadalaga ni maximo oliveros” ( 2005 ) , which he directed and which was written by michiko yamamoto , catapulted him to directorial stardom . “pisay” ( 2007 ) , finalist in the new breed full length feature category , “was my ode to my high school life . ” this year , solito joins the directors’ showcase with “busong ( palawan fate ) , ” which he describes as the fruition of his life as a film artist .
i am a university graduate too . i have obtained two ba titles at faculty of arts ( masaryk university , brno , czech republic ) : art history - french language and literature ; audiovisual studies - film history and theory .
“fruit fly” review – 2009 asian american international film festival while the plot of
fruit fly
focuses on main character bethesda ' s
coming of age ,
it is not clear what she has really learned . . . .
auraeus solito is another cinemalaya baby who has gone on to win worldwide accolades for his work . “cinemalaya made me , ” he declares . “it is through this festival that i made my first feature film and my big breakthrough . ”
leave a home and family in shambles ; and the struggle of a townspeople caught in the crossfire of armed conflict to keep their children in school – these are the tales told by film directors adolfo alix jr . , auraeus solito , jeffrey jeturian and joel lamangan , all raconteurs of the first order , in their entries to the directors’ showcase of this year’s cinemalaya philippine independent film festival and competition on july 15 - 24 at the cultural center of the philippines and greenbelt 3 .
( re ) discovering female filmmakers 1 nathalie morris – “alma isn’t talking” : the early career of alma reville aka mrs alfred hitchcock claudia preschl and elisabeth streit – making noice ( proud to be loud ) . women in the silent - period of austrian film history anne bachmann – parallel stories ? ebba lindkvist’s brief career and the film version of a theatrical play annemone ligensa – “a cinematography of feminine thought” : the novel the dangerous age ( 1910 ) by karin michaelis and its filmic adaptations
such riches , and such attitudes , were evidenced by metro pictures , which optioned tess for an astonishing $ 50 , 000 , but the next hardy film came from a far humbler source , the progress film company of shoreham - by - sea on england’s south coast . the tale of the artist / theatrical community in what was affectionately known as ‘bungalow town’ is charmingly told on the bungalow town website . the mayor of casterbidge was made there in 1921 , directed by sidney morgan and starring fred groves as michael henchard . hardy was receiving more and more offers from film companies , and seems to have selected according to the degree to which the treatment indicated a sympathetic understanding of his original . for the progress proposal he wrote :
the last film to be made of his work while hardy was still alive was metro - goldwyn - mayer’s tess of the d’urbervilles , in 1924 . this was a top - notch hollywood effort ( evidenced by that $ 50 , 000 payment for the rights ) , with blanche sweet as tess , conrad nagel as angel clare and stuart holmes as alec . scenes were filmed in dorechester , but hardy never saw the film . given that the film updated much of the action to the 1920s , with motor cars and nightclubs , it is perhaps best that he did not . interestingly , it seems to have been made with two endings , exhibitors being given the option whether to choose tess being hanged or tess escaping the gallows .
when adela got all that attention from critics and the press , the broadcast medium remembered her once again and cast her as the bad lola in tayong dalawa for abs - cbn . then followed amamanhig , a story of the undead who pass on the curse from generation to generation . she was even given a surprise tribute with colleagues in attendance at the teatrino . on her way there aboard a taxi by herself , she and the taxi driver were accosted by two hold - uppers in the midst of traffic on edsa . they got away with the driver’s earnings for the day , but left anita unscathed with her belongings intact .
* the face withheld - a secret . * * 1 . * * the nonface in class picture1 * * [ this article was published in kino punch ( issue 3 ) , u . p . cinema ' s film critiqu . . .
being a documentary , it’s very different from most of the classic silent films that often get shown today with live musical accompaniment . horror films , epics and slapstick comedies are the usual suspects for this kind of silent film / live music series .
isa’s father , a wealthy gentleman of the countryside , wants her to marry jürgen . however , jürgen is rather prejudiced towards country women . furthermore , he is attracted to a rich girl from the city . upon hearing this , isa , who doesn’t want to get married anyway , swears to teach jürgen a lesson . for this purpose , she leaves her house and applies for a job ( disguised as a boy ) at jürgen’s household . this fast - paced comedy , written and directed by rosa porten herself , appears in almost no written sources . it is therefore no surprise that this film was lost for many years , until this incomplete print appeared in the nederlands filmmuseum collection , carrying the original german titles . die landpomeranze has been preserved in 2008 in order to be presented for the very first time at this conference . given the impossibility to complete the missing ending , due to complete lack of written sources , the preserved print has an open end , in hope that the missing reel ( s ) get discovered somewhere in the future .


pride is a 2014 british lgbt-related historical comedy-drama film written by stephen beresford and directed by matthew warchus .

it was screened as part of the directors ' fortnight section of the 2014 cannes film festival , where it won the queer palm award .

writer stephen beresford said a stage musical adaptation involving director matthew warchus is being planned .

the film was nominated for the golden globe award for best motion picture – musical or comedy and for the bafta for best british film , best actress in a supporting role for imelda staunton and for outstanding debut by a british writer , director or producer .

pride ( 2014 film )

pride opens on a limited run in select cities starting september 26 , 2014 .
winner of best british independent film , best supporting actress for imelda staunton and best supporting actor for andrew scott at the 2014 british independent film awards .
r for language and brief sexual content . ( rating bulletin 2338 , 9 / 3 / 2014 )
paddy considine as dai donovan alongside bill nighy in the film pride . photograph : nicola dove
director matthew warchus , known for his only other full - length feature simpatico ( 1999 ) , won the queer palm at the 2014 cannes film festival for pride and is attached to the remake of broadway musical , beloved roald dahl novel , and 1996 film , matilda .
subsequently apologized for his party ' s anti - gay policies , before championing and introducing gay marriage as prime minister in 2014 .
the miners ' strike drama pride has scooped the outstanding debut award at the bafta film awards .
jessica gunning , left , as siân james , with imelda staunton in the film pride . photograph : nicola dove
the 26th annual glaad media awards nominees have been announced , and pride has been nominated for outstanding film : wide release .
pride is a 2014 british film based on the historical lesbians and gays support the miners campaign in 19841985 . it stars an ensemble cast that includes bill nighy , imelda staunton , dominic west , paddy considine , andrew scott , george mackay , joseph gilgun , and ben schnetzer .
october 24th , 2014 ( wide ) ( australia ) october 30th , 2014 ( limited ) ( australia ) march 6th , 2015 ( wide ) ( poland ) april 19th , 2017 ( wide ) ( south korea ) april 27th , 2017 ( wide ) ( south korea ) . . . show all releases
the critically - acclaimed film received standing ovations at both its world premiere at the cannes film festival in may and at the toronto international film festival in september .
( pcm ) cbs films’ story of the power of the human spirit and the resilience of unity , pride , opens in select theaters in new york city , los angeles , and san francisco on a limited run starting september 26 , 2014 .
us film censors have ruled ' pride ' unfit for under - 16s , though it contains no sex or violence . ian burrell reports .
update , nov . 10 , 2014 : this post has been updated to clarify that both stephen and jane hawking are still alive . ( return to the updated sentence . )
cbs films has said it will look into why references to homosexuality were removed from the dvd cover of the us release of british film pride .
title drop : an overwrought mark telling one of the other lgsm members to
have some fucking pride
towards the end of the film .
pride : so often has the inspirational crowd - pleaser been done without much inspiration or pleasure that one as good as
pride
can now slip below the . . .
pride , a heart - warming new film about gay activists who stand up for striking miners in 1984 , launches in cinemas this weekend . but what queer activism had come before them , and how was it shown on film ?
london — gay rights drama “pride” won the award for british independent film , beating “’71 , ” “calvary , ” “mr turner” and “the imitation game , ” at the 17th moet british independent film awards sunday at old billingsgate in london .
the important twist is that pride seems to capture the essence of reality , giving it the recognition it deserves . truth really is stranger than fiction , and pride tells that truth with flair .
3 . pride , £578 , 794 from 506 sites . total : £1 , 860 , 473
celebrations , protests , and community action in the 1970s that made toronto ' s pride possible .
gay pride march , 1972 . photo by jearld moldenhauer . the body politic , autumn 1972 .
pride foundation does not provide multi - year funding commitments . applicants are welcome to apply annually .
thirty years after the events depicted , pride is an inspiring film about the importance of solidarity and courage to fight for justice in our world . full review on filmotrope . com
gay rights drama “pride” won the award for british independent film , beating “’71 , ” “calvary , ” “mr turner” and “the imitation game , ” at the . . .
the post “pride” opens in ny , la , and sf september 26 also appeared on pcm reviews .
buckets at the ready : the lesbians and gays support the miners group at the centre of pride .
the mpaa has not given reasons why pride is considered inappropriate for unaccompanied 16 - year - olds .
looking for movie tickets ? enter your location to see which movie theaters are playing pride near you .
in tone , ‘pride’ bears comparison with british social comedies like ‘the full monty’ , ‘billy elliot’ and ‘brassed off’ : it’s populist , touching , full of songs , and it mounts a twin raid on our tear ducts and funny bones . but where ‘pride’ , with its scenes of men snogging and staunton hysterically waving a big pink dildo , has the edge over those films is in a progressive touch that anchors it in 2014 .
pride , which won the queer palm award at this year’s cannes film festival , was released in uk cinemas last month . it received a limited release in us cinemas last weekend .
celine sciamma’s girlhood ( bande de filles ) [ pictured ] to open ; matthew warchus’ pride to close .
after toronto , blake went to talk about pride in new york , los angeles and in san francisco .
efa , the rotterdam film festival and french srf directors guild step up campaign .
people sat down at the toronto international film festival with three of the protesters who inspired the film and learned that the partnership didn’t end when the strike did .
pride already has a certified fresh rating of 100 % from critics on rotten tomatoes ; dave calhoun of time out calls the film : “it’s a joyous film , full of love and warmth but unafraid to admit that with sticking out your neck comes struggle and sorrow . ”
at its cannes premiere , pride received a standing ovation , with the loudest cheers coming from a contingent of local school kids far too young to remember the events — proof that pride can reach way beyond a niche audience .
with a lot of laughs and tears along the way , pride recounts how and why the two groups built a lasting relationship . ( see how the film was made in the video below ! )
the ' pride ' star praised the u . k . comedy about militant gays uniting with striking miners in 1984 britain
battlers : margaret ( liz white ) , hefina ( imelda staunton ) and gail ( nia gwynne ) in pride .
pride continued to grow , moving to king’s college circle in 1983 , and then to its current heart on church street in 1984 . the fight for equal rights was far from over , but pride had arrived as an annual toronto tradition .
the film is produced by david livingstone for proud films and executive produced by pathé’s cameron mccracken and bbc films’ christine langan . natascha wharton is lead executive for the bfi film fund .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
what a big mess of locations and ideas and thoughts and terrible hairpieces this film is .
initially colorful , the screenplay’s lurid and overripe dialogue eventually grinds the film to a halt .
a brilliant film . somewhere between made in dagenham and the full monty , but better .
with an average of $ 13 , 662 in six theaters . the final film in the $ 10 , 000 club was also the number one film on the overall box office ,
pathé , bbc films , the bfi and calamity films announced today that the proud films production pride will start principal photography on 7 october 2013 . the film will shoot for 8 weeks in london and in wales .
the title “pride” comes to mean different things for the film’s characters . for some , it’s pride in their achievements ; for others , it is pride in who they are or what they have become . each actor gets to play a riff on this , with the standouts being west , nighy , schnetzer , staunton and mackay . they all contribute to a movie that is a lot of fun to watch and , for me , was profoundly moving at numerous intervals . the last scene , at the 1985 london gay pride parade , is as good an emotional moment as any i’ve seen this year .
thought - provoking , although however bleak at times ,
pride
is one of the oddest films of 2014 . normally a film about gay rights is endearing even if you do not agree with it , and this film does that once again ; however , i felt that it was a very one sided film at times . they mention the opposing side a few times , but it is more of a statement than a respect to the true story . don ' t get me wrong , in the end , i thought this was a great film . well - made all around and smartly scripted ,
pride
delivers in all it ' s goals , but falls short to those without an open mind , in which i would not recommend . i myself have a very open mind and a broad outlook on life so films like this intrigue me . i think my problem with the film was that once the credits began , i felt no different about the matter than i did before my viewing , but i admired the hell out of what was on screen .
pride
is soulful , but lacking in other areas .
the film achieves the highest opening weekend ever by a british doc at the uk box office .
strange that , although the film relies wholly on two touchstones of modern progressivism , thatcher - bashing and lgbt advocacy , it doesn ' t have more appeal to the film - critic community .
fabulous film - like being transported right back to 1984 ! great acting performances and well constructed .
with gone girl calculated to play to arthouse as well as multiplex audiences , and with the london film festival opening this week , the weekend did not prove attractive to distributors of niche fare . with little direct competition , pawel pawlikowska’s ida remained the top non - bollywood foreign language film in the market , increasing from 16 to 31 cinemas and increasing box - office by 37 % . after 10 days , its cume stands at £156 , 000 – impressive for a film playing at this breadth of release . the nick cave film 20 , 000 days on earth broke through the £500 , 000 mark at the weekend , the first documentary to do so in 2014 .
this week sees the release of pride , a crowd - pleasing comedy about the culture clash that occurred when a group of gay and lesbian activists offered their support to welsh miners striking in 1984 - 5 . the film won the queer palm at the cannes film festival , and features terrific performances from bill nighy , andrew scott and imelda staunton . the film opens in cinemas across the uk with a number of special q & a events , and kicks off a new monthly lgbt film night at the arthouse crouch end .
kray twins drama achieves the biggest ever opening for a british - made film with an 18 certificate .
adds jackson , the film was “emotionally exhausting . we cried and laughed and laughed and cried . ”
that’s not to say ‘pride’ is especially daring ; but for a defiantly mainstream film , it’s free of coyness or embarrassment and unashamed of shouting about the powers of solidarity , friendship and empathy . it’s a joyous film , full of love and warmth but unafraid to admit that with sticking out your neck comes struggle and sorrow . truly lovely .
imelda staunton won the supporting actress contest for matthew warchus’ “pride , ” a feel - good , ’80s - set drama about gay rights activists who join forces with striking coal miners . the supporting actor award went to the film’s andrew scott .
new film pride follows a group of gay activists who set out to help striking miners – only to find their support isn ' t welcome . ahead of its premiere at cannes on thursday , its director explains why the story felt so personal
birdman
the grand budapest hotel
( * winner )
into the woods
pride
st . vincent
the 1984 miners ' strike was a bitter and divisive episode in modern british history . but with the film pride , screenwriter stephen beresford has created a hit focusing on unexpected links between south wales miners and a lesbian and gay group from london .
pride is set for a slow expansion , adding theaters in existing markets next weekend followed by a ‘handful’ of additional cities oct . 10 . cbs said it will position pride’s long - term rollout similarly to two of its recent successes that cumed solid grosses as word of mouth spread .
film programmers discuss some of their favourite ‘coming out’ scenes , including nighthawks , orlando and show me love .
pride hit cinemas from last week ( september 12 ) . it chronicles the true story of how london - based activists lgsm ( lesbians and gays support the miners ) joined forced with picket line protesters in 1984 . they were united against a trio of common enemies : the margaret thatcher government , the police and the tabloid press . speaking after a special flare screening of the film at the british film institute ( attended by many people who took part in the demonstrations and events pride depicts ) the film’s producer david livingstone was joined on stage by three members of the cast . american actor ben schnetzer plays the group’s young irish leader mark ashton . faye marsay appears in the film as steph . adam scott ( moriarty in tv’s sherlock ) stars as gethin . together they revealed the story behind the making of the film .
when i was young , people still went to jail for public displays of affection , people of the same sex . it ' s bizarre to say that ,
he stated at the pride press conference on sunday during the toronto film festival .
stephen beresford ' s screenplay for pride dramatizes real - life gay and lesbian activists making common cause , and comedy , with striking welsh miners .
pride begins in 1984 . margaret thatcher is in power and spreading discord wherever she goes . the miners have begun their strike . far away from the picket lines , joe ( george mackay ) , a youngster from bromley , is tricked into carrying a banner during a gay pride march .
[ it ] not only marks the 30th anniversary of the strike with respect , but honours the efforts of the late mark ashton with enormous pride .
pathé will distribute the film in the uk and france and will handle sales throughout the rest of the world .
here is the full list of winners for the 2015 bafta film awards , held at a ceremony in london .
jonathan blake , now 65 , is a former actor played in the film by the hour star dominic west .
galeca obviously responded to the film — bendix and the organization’s president , john griffiths ( us weekly ) , had to jump in to help nagy pose with carol ’s five awards in all . the movie , hailed by galeca as a work “of precise beauty and huge emotional impact , ” also had won film of the year , lgbtq film of the year , director of the year - todd haynes and film performance of the year - actress for blanchett .
london — gay rights drama “pride” won the award for british independent film , beating “’71 , ” “calvary , ” “mr turner” and “the imitation game , ” at the 17th moet british independent film awards sunday at old billingsgate in london . the award for director went to yann demange for northern ireland - set thriller “’71 , ” outflanking john michael mcdonagh for “calvary , ” [ … ]
pride opens in cinemas across the uk on 12 september . all the films and tv programmes referenced in this feature are available to watch for free in the
the los angeles times called it an
unapologetic crowd pleaser of a movie
and the film website rotten tomatoes has awarded it a stonking 94 per cent rating , but american censors didn ' t have quite the same warm glow when viewing the hit british drama pride .
fox ' s beleaguered superhero film get a small victory in the uk , topping the chart ahead of tom cruise .
this is a bit of a ridiculous review that misses the point of the film . it ' s not a gay film , it ' s a historical film that happens to be based on an incident involving some lgbt folks . the reviewer seems to be of the belief that every movie with gay characters about the 80s should be about hiv / aids .
as for epics , christopher nolan’s dunkirk did not get a best film nomination , but nolan made galeca’s director of the year short list — and the wwii epic is also up for visually striking film of the year alongside the likes of blade runner 2049 . meanwhile , bpm ( beats per minute ) , french director robin campillo’s dramatic account of friends facing the aids epidemic in 1990s france , scored an impressive five nominations , from foreign language film of the year to unsung film .
a year ago , the director darren stein complained that his gay - themed film gbf had been rated
r for sexual references
despite
not having a single f - bomb , hint of nudity or violence in the film
.
with the industry looking forward to cannes 2014 as a particularly good vintage for british film , we hosted a ‘send - off’ lunch at london’s bfi southbank to celebrate all of the uk films and talent heading to the festival . among the guests raising a glass were actors dominic west , freddie fox , imelda staunton and timothy spall , and directors mike leigh , ben wheatley ( sightseers , a field in england ) and peter strickland ( berberian sound studio , duke of burgundy ) .
scarlett johansson ' s lucy remains at two with takings of â£812 , 000 , while matthew warchus ' pride is new in at three with over â£718 , 000 .
this a richly enjoyable film – and one that persuades you that the good guys might actually have won in the end .
a heartwarming comedy drawn from real life , this is the sort of film no one does as well as the brits .
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was the final film in the $ 10 , 000 club with an average of $ 11 , 655 in two theaters .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
a group of gay activists organize a protest in support of welsh miners who have been victimized by margaret thatcher ' s policies . it ' s hard to make a heart - warming movie . with too many positive scenes a film can flounder for conflict and fail to progress . but pride manages to be thoroughly heart - warming and keep moving . the film progresses from intra - group interpersonal conflicts , which are funny and occasionally moving , to inter - group awkwardness , which are just as funny . the film ' s serious moments don ' t ward off its charm , and the cast is equally accomplished throughout . overall , this is an excellent , uplifting film .
pride also stars imelda staunton as a welsh woman leading a support group , paddy considine as a union organizer and an ensemble cast that includes george mackay and dominic west .
sentimental without being drippy , rollicking and rousing without being over - the - top , pride ( directed by matthew warchus ) is the epitome of a feel good movie .
drag queen : only briefly shown in the film in two gay club scenes , but jonathan is stated to do this often .
for more on the film and the heroes who inspired it , pick up people ‘s 40th anniversary issue , on newstands now .
released late last year , the film has been nominated for three baftas , as well as a golden globe for best comedy .
another film that stood out in the festival was an episode in the life of an iron picker by bosinian director danis tanovic . this film won the silver bear and its main actor , nazif mujic , also won best actor . mujic , a roma from bosnia , portrays real events from his life in the film , depicting the hardships of a romani family living off selling old car parts to scrap dealers . the non - professional cast and their personal relation to the story make the film even more gripping and authentic .
still , even in 2014 its subject matter might put some mainstream audiences off , and the makers of pride opt to counterbalance such reservations with an eminently accessible formal approach . director matthew warchus offers little in the way of striking cinematic innovation : the technical style is straightforward , rooted in simple , well - lit set - ups punctuated by spectacular landscape shots or moments of handheld suspense , with a practically incessant soundtrack incorporating pop , traditional music and orchestral score , nudging emotions this way or that as well as helping to cement an efficiently conjured sense of period .
coming out story : part of the film deals with joe ' s accepting his sexuality and dealing with the reveal to his parents .
what are your hopes for the film now ? david : “after all the great reactions at festivals i hope we can get the biggest release possible worldwide . russia might not be so fantastic… but the film has been received warmly in germany and france . it feels like the momentum is building and it’s something money can’t buy . if people love a film then it will chart its own course . ”
us censors have once again been accused of homophobia after british drama pride was hit with a restrictive rating . the motion picture association of america ( mpaa ) handed the cannes film festival hit an r rating , which means no one under the age of 17 can legally view it without a parent or guardian . the move prompted fury from campaigners and fans of matthew warchus’s film , which tells how gay and lesbian activists threw their support behind a welsh mining community during the strike of 1984 . “it is outrageous , knee - jerk homophobia , ” said peter tatchell . “there’s no significant sex or violence in pride to justify strong ratings . the american classification board seems to automatically view any film with even the mildest gay content as unfit for people under 17 . ”
pride star bill nighy on sunday lashed out at former british prime minister margaret thatcher , who died last year , for bullying gays and lesbians and trade unions during her 1980s reign .
pride is a british comedy drama , set in 1984 , about a group of london based lesbians and gay men who travel to a small welsh village to support the striking miners .
“anti - cop protests now a gay habit ? ” the sisters of perpetual indulgence participate in the 1981 pride parade . photo by chris schwarz , toronto sun , june 29 , 1981 .
pride teeters throughout on the edge of corniness . just occasionally , when they ' re using the music of bronski beat or of the welsh singing solemnly in chorus , the film - makers crank up the emotions in self - conscious and manipulative fashion – and we risk gagging on just a little too much bread of heaven .
this article was amended on 2 october , as the original said the film had been given an nc17 rating , rather than an r .
ben roberts , director of the bfi film fund , which backed pride , said :
i ' m not surprised that the us distributors have taken a decision to sell more copies by watering down the gay content . i ' m not defending it , it ' s wrong and outmoded , but i ' m not surprised .
pride , which stars imelda staunton and bill nighy , features only one mild instance of explicit imagery when a group of women find some gay porn magazines in a bedroom . the british board of film classification gave the film a 15 rating , citing the above scene and one showing a gay club in which men wear bondage - style clothing , as well as “occasional strong language” for its decision . the body has not given any public comment on its reasons for the move .
most of the real people who were involved are alive to tell their tales , although aids casts its shadow in the events of the film and has taken several lgsm members ( this is not pride ' s primary subject but readers who would prefer not to know anything about its impact on the film should stop reading here ) . beresford ' s problem was how to make contact with the survivors from the mining community and lgsm with no obvious internet trail to help him .
pride glosses over some facts ; it never acknowledges the real - life mark ashton ' s commitment to the communist party , which inspired his progressive politics . yet it succeeds as an entertaining .
the publicists for pride - directed by matthew warchus and written by stephen beresford - soon realised the real - life participants in the story were a big hit with the media . two of the leading figures in the group lesbians and gays support the miners also went to toronto and then the usa to beat the drum for the film .
the film was developed by pathé and calamity films and is being co - financed by pathé , proud films , bbc films and the bfi .
the film , about a group of gay and lesbian activists who supported striking miners in the 1980s , was released in the uk last year .
it is not as if gay themes are a new thing in american film . the first recorded reference was in the dickson experimental sound film , which was made in 1895 and showed two men dancing in a tight clinch . the scene is said to have
shocked audiences with its subversion of conventional male behaviour
. and it is more than 20 years since tom hanks struck an historic blow for equality with his oscar - winning performance as andrew beckett in philadelphia , the first mainstream film to deal with hiv and aids . that film was rated pg - 13 in 1993 .
as in old ealing comedies , small - timers take on big , bad authority figures . warchus , whose only previous feature film was the downbeat sam shepard adaptation simpatico ( 1999 ) , is an experienced theatre director who delights in working with an ensemble cast . given that the film is about celebrating camaraderie and solidarity , it wouldn ' t have been fitting to have included grandstanding star performances . instead , pride is bursting with enjoyable character turns . bill nighy underplays beautifully as a dapper old gent whose brother died in the pits years before . the film sketches in miniature dilemmas and dramas that other directors might have based entire movies around .
paul byrnes was director of the sydney film festival from 1989 to 1998 . he has been a film critic for the sydney morning herald for 20 years . in 2007 , he was awarded the geraldine pascall prize for critical writing , the highest award in the australian media for critics in any genre .
this review is certainly an outlier . and casually parades the film ' s ending in the second paragraph . don ' t pay it any attention .
this fund is in addition to our annual community grants program cycle , and applicants and grantees for this fund are still eligible to apply for pride foundation’s community grants 2017 cycle , which will open in may .
it collected three awards in total , with andrew scott and imelda staunton picking up the best supporting actor and actress prizes for their roles in the film .
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
in life , as in the film , hawking is a staunch atheist , a socialist , and an avid fan of classical music , particularly wagner . *
cbs films had reason to be proud this weekend : their british gay rights drama “ pride ” had by far the best per - theater - average of any debuting indie this weekend . in 6 theaters , the film — coming off well - received screenings in cannes and toronto — grossed $ 84 , 791 , averaging a solid $ 14 , 132 . and there were lots of clues suggesting it has legs in weeks to come . the film jumped 49 % friday to saturday , and got an “a” average from cinemascore .
“frank” writers jon ronson and peter straughan took the screenplay prize , ahead of graham moore for “the imitation game , ” gregory burke for “’71 , ” john michael mcdonagh for “calvary” and stephen beresford for “pride . ”
this film moves effortlessly from some pretty intense dramatic moments to hilarious scenes showcasing the contrasting lifestyles of the gay and straight worlds to some vignettes of incredible poignancy .
gleeson paid tribute to the producers “who have to try to make independent film when it is almost impossible for people to risk commercially what is required artistically . ”
what will the impact of the film be ? what are you hoping for ? adam : “we were determined that it would be a mainstream film . it’s not an arthouse film . it is about union politics and gay history but it’s also a story populated by a huge amount of diverse characters from eighteen year olds to eighty year olds . that’s a big demographic . ” david : “the hope is that we will appeal to a much wider audience than you would normally expect . ”
in 2013 , the winner of the golden bear for the best film was awarded to romanian director calin peter netzer and his film child’s pose . the film tells the story of a mother who tries to save her son from being convicted for killing a young boy who he ran over while speeding . painstakingly self - involved and a member of romania’s upper class , his mother cornelia goes as far as to try and bribe the parents of the boy in order to save her son .
pride holds its position at number three , while last week ' s runner - up lucy falls to number four . scarlett johansson ' s blockbuster has now earned more than â£13 million from its impressive uk cinema run .
it was in this resistant climate that lesbians and gays support the miners made their voices heard . these wonderful men and women and their legacy live on through pride , a fitting tribute to their commitment to fighting injustice .
a film with the humble intention to move with something tangible and valuable as can be the simple goal of seeking the common good . [ full review in spanish ]
the distributor said the friday - to - saturday jump was 49 percent and they “expect word of mouth to be the film’s strongest asset in the weeks ahead . ”
writer stephen beresford joked at the awards :
it took 20 years to convince anyone that a film about vegan lesbian activists was a sure - fire hit .
as a cultural event that seeks to explore the boundaries and possibilities of film , the berlinale stood out as one of the most exciting film festivals once again in 2013 . with its many different sections and its location in the ever - changing city of berlin , it promises to be exciting festival to look out for in the future .
as beresford talked to livingstone , he had a hunch the story ' s moment had come . by the time he ' d finished , livingstone ' s eyes were
moist
and beresford had secured his commission . pride – the word could not be more charged – is his first feature film as a writer . three years later and the film , shot in banwen , wales , and london , and directed by tony - winning matthew warchus ( responsible for matilda the musical , and soon to be artistic director of the old vic ) , is finished .
the award for director went to yann demange for northern ireland - set thriller “’71 , ” outflanking john michael mcdonagh for “calvary , ” lenny abrahamson for “frank , ” matthew warchus for “pride” and mike leigh for “mr turner . ”
lesbians and gays support the miners filmed their work for the wonderful documentary all out ! dancing in dulais ( 1986 ) , available to watch online . it was the latest in a long line of gay activist movements captured on film , both fictional and documentary . we peel back the years to survey films and tv programmes that caught landmark moments of lgbt history prior to the events shown in pride .
despite the potential for the oversentimental with a plot like that , we’re still kind of excited . especially since the first image from the film is literally a laugh riot :
all three inspired characters in the film . and while they’re happy their story is finally being told 30 years later , seeing the movie for the first time was difficult .
played by actress jessica gunning , james is seen in one of the film ' s highlights - a very 1980s dance which blake launches into in the miners welfare hall .
deepwater horizon and sully show that american film - makers like to depict heroes as gritty individuals fighting against the establishment . in the uk however , collectivism still leads to triumph
ray pride is newcity’s film critic , editor of movie city news and a contributing editor of filmmaker magazine . he is also a photographer : his history of chicago “ghost signs” in words and images is forthcoming . check a few signs on twitter ( @ chighostsigns ) as well as daily photography on instagram ( instagram . com / raypride ) . twitter : @ raypride . ( photo : jorge colombo . )
the first mpaa ratings were introduced in november 1968 . much like the certificates awarded by the british board of film classification , they recommended age restrictions for certain films , namely :
steven spielberg ' s d - day epic is a brutal , unpatriotic portrait of war—except for the notoriously sappy prologue and epilogue . what was the film really trying to say ?
cbs films’ pride can be proud of scoring the weekend’s highest average among new titles . the cannes and toronto feature grossed $ 84 , 791 in six locations , averaging a cool $ 14 , 132 , not bad for a film set in the ’80s against the backdrop of labor strife in thatcher’s britain . the story centers on an unlikely alliance between lgbt supporters and a welsh mining village mired in a bitter strike .
pride contains a poignant a cappella air , hip - swivelling disco moves from dominic west , a deliciously itchy first - time kiss and even makes sense of why the miners cling to their dangerous work ( it’s not just about money ) .
1 steve james steve james’ explorations of the heart and humanity of chicago continue to bloom , this year including the digital restoration of 1994’s longitudinal documentary classic “hoop dreams , ” which premiered at sundance 2014 alongside his documentary adaptation of roger ebert’s memoir , “life itself . ” at those screenings and at the chicago premiere , grown writers were reduced to tear - stained wretches at the rambunctious celebration of a long life lived well . but the film doesn’t just celebrate a life at the movies , it explores what possibilities an unpretentious city like our metropolis offers the attentive mind , as well as many other passings , including the long tradition of colorful chicago journalists passing tales down from generation to generation . bio .
galeca , an established 501 c - 6 nonprofit , aims to generate camaraderie in an unsettling media environment , champion constructive film and tv criticism and elevate entertainment journalism as a whole .
life affirming and uplifting stuff and a reminder of growing up in thatcher ' s britain . but for a few ' sugary ' cliches this may have been a five star film .
in 1984 , striking british miners found an unlikely ally : a london lgbt group . the new movie pride – which has already sparked whispers of award - season buzz after its crowd - pleasing premieres in cannes and toronto – chronicles this bond .
starring imelda staunton and bill nighy , the life - affirming story of lesbian and gay activists helping welsh families in the 1984 miners ' strike has delighted critics on both side of the atlantic . but the motion picture association of america ruled that the film was unfit for 16 - year - olds unless they were in the company of a parent or adult guardian . the draconian us rating – for a film that is rated 15 in the uk – has caused anger among filmmakers and gay activists .
it is outrageous , knee - jerk homophobia ,
says veteran campaigner peter tatchell .
there ' s no significant sex or violence in pride to justify strong ratings . the american classification board seems to automatically view any film with even the mildest gay content as unfit for people under 17 .
feature film studio or independent comedy “big eyes , ” jeanne mccarthy , nicole abellera , coreen mayrs ( location casting ) , heike brandstatter ( location casting ) “chef , ” sarah finn , tamara hunter ( associate ) “the grand budapest hotel , ” douglas aibel , jina jay , henry russell bergstein ( associate ) “pride , ” fiona weir “st . vincent , ” laura rosenthal “top five , ” victoria thomas , matthew maisto ( associate )
after pride triumphantly premiered at the close of the cannes directors fortnight in may , uk box - office expectations were at a height . but it was always hard to predict how audiences would respond to a historical film about gay political activism and trade unionism . in the event , a uk opening of £657 , 000 plus previews of £62 , 000 proved a sobering riposte to earlier giddy speculation . so distributor pathe will be more than happy with a drop of just 12 % for the second weekend of play , as it will likewise be with a strong weekday performance last week and a 10 - day tally of £1 . 86m . after a somewhat shaky start , matthew warchus’ film is displaying signs of solid traction with audiences . the challenge will be to keep the film in cinemas and sustain the buzz .
even with another flood of specialty film debuts , the skeleton twins , the dramedy starring kristen wiig and bill hader , had another impressive box office showing in its third weekend . meanwhile ,
the gay pride week of 1973 coincided with similar events across the country . all called for the various provincial legislatures to protect sexual orientation in their respective human rights codes . “by publicly demonstrating pride in our sexuality we assert our right to live that lifestyle we choose , ” observed a body politic editorial , “not as a grant of liberal largesse , but as a matter of course . ” two months later , toronto’s city council became the first in canada to ban discriminatory municipal hiring based on sexual orientation .
what was the most emotional scene to film ? ben : “there were scenes i’d only read and not seen filmed so when i watched the film for the first time the part where gethin meets his mother for the first time in years hit me . leading up to that it’s interesting watching a film you’re in but then a loud cry came out of me . ” faye : “andrew does that in two words . “hello mum . ” but the whole thing is overwhelming for me . andrew : there’s a scene in the film at the village hall where a young girl leads the singing of ‘bread and roses’ . i’ve got to take some credit for that . i spotted bronwen on the voice . she was singing a welsh song on the show but none of the judges turned around . i mentioned her to the director matthew warchus so i feel very proud if that . i think it’s one of the most extraordinary scenes in the film . ”
the 160 - plus members of galeca , a nonprofit group comprised of professional film and tv critics and entertainment journalists in the u . s . , canada and the u . k . , were each asked to name their 10 choices for the finest female actors throughout the history of film and television , without ranking the stars . the actresses with the most mentions are noted below .
but the mpaa ' s stance is not a surprise . love is strange , an endearing french - american drama about two gay manhattan men in a long - term relationship , was given an r rating in august , supposedly on the grounds of
strong language
. the film , starring alfred molina and john lithgow , was rated 15 by the british board of film classification .
there’s a strong showing overall for british product in the current uk top 10 , with pride and the riot club both present , and of course billy elliot the musical live occupying the top spot . rowan joffe’s before i go to sleep is at number 11 .
in august the mpaa came under fire after love is strange , a film about two older gay men which features no sex , nudity or violence , was handed a the same restrictive r rating .
i have to admit that i clicked on this review first . but i ' m not sure if being the laughingstock of internet film criticism is really the way you want to increase page views .
pride , a surefire crowdpleaser , follows on from the full monty , brassed off and billy elliot as a story set in a britain whose industrial base is being shattered . it somehow manages to be accessible and very funny without trivialising the issues that it is addressing .
a former screen international uk star of tomorrow , wolfe shot the film with cinematographer robbie ryan . the pair previously made the youtube hit time to dance together , starring jake gyllenhaal as a serial killer .
warchus’s background is theatre – he directed ‘matilda’ on stage – and what he cooks up here has all the drive and verve of a musical while there’s a dash of ken loach in the film’s knockabout camaraderie and , of course , politics , although ‘pride’ wears the latter lightly . the beauty of beresford’s script is that it champions solidarity while never ignoring solo experience ; helped by a strong cast , he finds moments of truth for so many characters in some very effective brief scenes .
six british films have their world premiere at the festival , including mike leigh’s mr turner and ken loach’s jimmy’s hall in the official selection , and andrew hulme’s snow in paradise in un certain regard . last year , clio barnard’s the selfish giant premiered in the directors’ fortnight and became one of the most exciting discoveries of the festival , so we’re thrilled that this year programmer edouard waintrop and his team have selected three british films to screen – pride , catch me daddy and queen and country – showcasing the rich diversity of our filmmakers . we’re also very proud that five of the films making up the uk tally at cannes – mr turner , jimmy’s hall , pride , catch me daddy and queen and country – have been supported by the bfi film fund .
chicago is a storytelling city , and we’ve let the film 50 tell a few about who they are and what they do . it’s like a busy , buzzing party where you’re content to listen in on other conversations with a strong drink in your hand , nodding your head in agreement more times than you realize . it’s an indication what a great film town this is when everyone’s ready to talk about how they love to work in chicago , and how grateful they are to be part of an ever - expanding , ever - more - prolific community at large . here’s betting that these conversations are only the tip of the ice cream . these people know something . ( ray pride )
matthew warchus’ pride , starring an ensemble cast featuring bill nighy , imelda staunton , dominic west , paddy considine and andrew scott , will close the selection . the uk comedy revolves around an unexpected alliance in 1984 between a bunch of striking welsh miners and gay and lesbian activists .
while independent cinemas have a profusion of crossover titles to choose from – pride , the riot club , a most wanted man , magic in the moonlight – there are leaner pickings among films in limited play . david cronenberg’s maps to the stars went out on a restrained 67 screens , achieving a reasonably healthy average of £1 , 956 . its opening number of £131 , 000 is a modest improvement on cronenberg’s last film , cosmopolis , which began with £117 , 000 from 62 venues .
pride is soundtracked by music from the likes of frankie goes to hollywood and the smiths . tell us about the film’s score… david : “chris nightingale worked with matthew on all of his musicals . he integrated choirs and the tredegar band . we shoved a choir in the middle of a billy bragg song that features on the end credits but thankfully he loved it ! and before we shot the film matthew called me and said he’d found a track that could be the basis for the score . it was called ‘for a friend’ . by coincidence stephen had told me about it a year earlier… jimi somerville wrote a song called ‘for a friend’ with the communards for mark ashton . i get emotional thinking about it . of all the tracks in the whole world he could have chosen he gravitated to the one song that was actually about one of the film’s main character mark ashton . it’s the most amazing thing…”
pride is a film about our political past but what lessons should we take forward to our political future ? faye : “the clue is in the word activism . i’ve been talking about this with ben… our generation just aren’t getting up and being active about what they believe in . it’s not enough to sit behind your phone on social media . i’m not doing it down , it’s a wonderful tool but to share a link and say i’ve done my bit and then go back to what you’re watching… i’ve met people who , after they’ve seen the film , say they’ve felt empowered to do something . there’s fire and there’s heart in this film for the younger generation . ” ben : “we’ve never lived in a time where information has been so readily accessible but it seems that action and activism is dying out . it’s not enough to type a little something on twitter . this film is about a group of young people who had an idea and literally beat the bricks and took to the street . that’s an ambition that we have for it…” adam : “stop taking selfies . take pictures of other people ! ”