mr. vampire iv , also known as mr. vampire saga four , is a 1988 hong kong comedy horror film directed by ricky lau and produced by sammo hung and jessica chan .

the film is the fourth of a series of five films directed by ricky lau in the mr. vampire franchise .

mr. vampire and its sequels were released as part of the jiangshi cinematic boom in hong kong during the 1980s .

the chinese title of the film literally translates to uncle vampire .

mr . vampire iv

labels : chinese film , comedy horror . , geung si , hopping vampire , horror comedy , mr vampire , review
mr . vampire ( geung si sin sang ) ( 1985 ) - 1986 golden harvest ltd . / rainbow audio vhs
: the bodies of the victims of the vampire are burned , to prevent a vampire outbreak .
vampire - yam and eventually the vampire itself , are killed when the heroes set them afire .
in 1998 i saw part of an old asian vampire film on tv . it was subtitled , in colour . the vampires in it had red nails , and sort of
hopped
about , and they went up to people and repeatedly stabbed them with their nails . to protect themselves , the humans wore bullet proof vests . it ' s all i can really remember . i don ' t think it was supposed to be humorous , but it might have been , i was just a kid when i saw it . i really wanted to see this film , but i couldn’t find it . someone pointed me in the direction of the mr vampire series . there are 5 films made between 1986 and 1992 : mr vampire i , mr vampire ii , mr vampire iii , mr vampire iv , and new mr vampire 1992 . the first one and the last one are the only ones considered to be direct sequels , despite the lead actor ( lam ching - ying ) playing the “unibrow” character in 1 - 3 and 5 .
bey logan ( 2002 ) ( in english ) ( dvd ) . mr . vampire commentary by bey logan . hong kong legends .
new mr . vampire ran 8 may 1986 to 25 may 1986 and grossed hk $ 13 , 073 , 563 . 00 at the box office .
thank you ! i am going to be watching vampire vs vampire soon , and i ' ll check out all the others too , especially that mr vampire i missed . i ' m looking forward to watching more asian films , so you definitely added to my list : )
made in 1985 ,
mr . vampire
(
geung si sin sang
) is a hong - kong horror comedy that spawned many sequels and countless parodies .
new mr . vampire ( chinese title : 殭屍翻生 ; lit .
the vampire revived
) aka . the new mr . vampire is a 1987 hong kong horror film directed by billy chan and leung chung . it stars chin siu - ho ( as hsiao hau chien ) and lu fang ( as tai - fa ) as the disciples and chung fat and huang ha as the rival masters chin and wu .
mr vampire ii ( 1986 ) . stars : yuen biao , billy lau . director - ricky lau . moria - the science - fiction , horror and fantasy film review .
villains : herrick • kemp • lucy jaggat • the old ones • mr . snow • captain hatch • crumb
the chinese name for this film is the mr spiritual fantasy ( various translations are available for this , this is the one i saw most often ) . it makes more sense , as mr vampire 3 doesn’t have vampires in it ! no , all ghosts and uh . . . evil taoists ?
what , no magic cop ? magic cop is awesome . i ' d put it up there with the original mr . vampire . spooky encounters is great too , though it ' s pretty episodic . exorcist master is pretty good . so are vampire vs . vampire , first vampire in china , return of the demon , and , um , wizard ' s curse , if you don ' t mind a villain that kills people with his energy - schlong . and witch with the flying head . there ' s actually another in the mr . vampire series , new mr . vampire 1988 , which i don ' t recommend , even if it ' s by huang ying . the movie you saw , with the bulletproof vest , sounds like it ' s probably one of the taiwanese movies , like the 3 - d army and chess boxing matrix , very kid - centric . either that or close encounters of a vampire , starring chris yen as a child .
main : annie sawyer • george sands • john mitchell • nina pickering • thomas mcnair • hal yorke • alex millar • mr . rook
mr . vampire was nominated for thirteen awards , including two for best supporting actor ( billy lau and lam ching - ying ) . out of the thirteen nominations the film only received one award for best original film score .
mr vampire is a 1985 hong kong comedy horror film directed by ricky lau and produced by sammo hung . the film ' s box office success led to the creation of a mr . vampire franchise , with the release of four sequels directed by ricky lau from 1986 to 1992 , and subsequent similarly themed films with different directors released between 1987 and 1991 . the film was released under the chinese title 暫時停止呼吸 ( literally : hold your breath for a moment ) in taiwan .
the movie ' s great , but the four stars is for the blu - ray . for some reason the only blu - ray release of the first mr . vampire was only in japan and it ' s pricy for what you get .
was well received in taiwan , south asia , and especially in japan , where it inspired a vampire craze with toys and a lot of other merchandise that had a vampire on them .
hal ' s name , which is a short form of henry , alludes to the devil ( called
old harry
or
lord harry .
) it may also allude to king henry v , who was portrayed as
prince hal
in shakespeare ' s play , henry the iv , part i . prince hal also undergoes a radical personality change as he grows older .
the vampire runs amok and starts killing many people while kau and his students try to stop it . in one battle , man - choi is bitten by the vampire and infected with the
vampire virus
, causing him to almost turn into a vampire as well . meanwhile , chau - sang is seduced by a female ghost and nearly loses his soul to her . kau has a hard time dealing with his students ' problems and putting an end to the vampire ' s rampage .
a ghost sucks the life - force out of a one of uncle nine ' s student . the other is slowly turned into a vampire . they halt his transformation by filing down his teeth ! the female ghost throws her head around like a boomerang to protect herself . can mr . vampire chase away the succubus and the hopping ghost and save his two students ?
such as the end scene depicting the vampire being burnt ( the flames and oil were real ) .
immune to bullets : the police open fire on the vampire with rifles ; it doesn ' t work .
mr . vampire ( also known as hold your breath for a moment ) is a 1985 hong kong supernatural horror comedy , directed by ricky lau , and produced by sammo hung . it was notable for helping the supernatural / vampire genre into the whole asian film industry . the film was an immediate success and was followed by three sequels , a 1992 remake ( with hung producing again ) and several spin - offs .
vampire buster
lam ching - ying returns as master gao in this vampire - filled adventure . here , he joins forces with his colleagues in ridding their village of restless ghosts , chinese . . . see full summary »
director ricky lau wanted a fresh - faced girl whom people were unfamiliar with to play the role of mr yam ' s daughter so he avoided choosing a well - known actress . he spotted dancer
after ‘mr . vampire 3’ saw a return to form for the series , it was a surprise to see the next instalment arrive without the charismatic lam ching ying . instead , we have anthony chan as the grumpy taoist priest ( reprising his cameo role from the original ) , with wu ma as his feuding monk neighbour !
when the ghost flies through the window to save her love from the vampire , the cable causing her flight is briefly seen .
our vampires are different : these are the chinese vampire variety which hop , have stiff limbs , and act differently than western vampires .
a related television series titled vampire expert ( 殭屍道長 ) starring lam ching - ying was broadcast from 1996 to 1997 . however , during the filming of the third season , lam developed liver cancer and died before the project was completed . the first season of my date with a vampire , a television series produced by atv , was specially dedicated to lam , and the story was based on future events in vampire expert .
highly successful at the time , both in hong kong and as a cult film favorite with overseas enthusiasts of hong kong cinema , it inspired numerous parodies and homage films . the film launched lam ching - ying ' s character , the unibrowed taoist exorcist , whom he would portray not only in the mr . vampire sequels , but also in many other films , including unrelated ones .
overall , this is possibly the second best of the true mr . vampire films and is a worthy purchase for all hk horror fans . as expected , it is still lacking when compared to the overall polish of the original , and it would have been nice to have lam ching ying on board . nevertheless , this is still good fun , and provides everything one could ask for from a film of this genre .
also filmed in the new territories were the scene where the police go to find the vampire in the cave and the scene in which a body is being burnt .
jerk ass : wai , who treats kau ' s assistants like crap , he arrests uncle kau for having long sharp nails , which the hopping vampire used to kill yam .
huang ha as master yam ( 任老爺 ) , a rich man . he is apparently killed by the vampire but later rises from the dead to become like his late father .
a child prince is transporting a vampire with a convoy , passing the main characters . why would a prince be transporting something that will potentially try to eat him ? who knows . but it goes without saying that the vampire gets out of the coffin and attacks the neighbours and they have to defeat it , along with all the other vampires it just turned .
the brother of a local business baron is killed by a hopping corpse , a creature from chinese jiangshi fiction . chin and his disciple set to bury the corpse but their plans are foiled by wu who allows the corpse to turn into a vampire . meanwhile , hsiao in a grave robbery attempt accidentally awakens a female corpse ( wong siu fung ) who eventually turns out to be the marshal ' s ( shum wai ) wife . during the commotion , wu steals the vampire and sets it loose but is restrained by chin who transports and hides the vampire in a hotel run by wu ma . the marshal discovers them and his reanimated wife but the vampire is let loose once more by wu and they all team up with the marshal and his army to stop it .
the planned reburial of a village elder goes awry as the corpse resurrects into a hopping , bloodthirsty vampire , threatening mankind . therefore , a taoist priest and his two disciples attempt to stop the terror .
badass teacher : as exasperated as uncle kau is by the stupidity of his two students , he ' ll still do whatever it takes to protect them and take down any vampire or ghost who goes after them .
during a reburial for one of the town ' s great ancestors , the taoist - priest - turned - vampire - hunter master gau determines that the corpse has joined the legions of the undead , and . . .
the mr . vampire series is not known for being action packed , but this certainly contains its fair share of bone - crunching moments . chin kar lok steals the show with some excellent acrobatics , falls and kicks leaving wu ma and anthony chan to show off the typical taoist techniques seen in all similar genre flicks . it was nice to see a few of sammo hung’s stunt troupe such as yuen wah and chung fa get some meatier roles , although wah is not used for his fighting skills . instead , he camps it up to the extreme providing another memorable character to add to his diverse list .
ïvely lets the young vampire go . when hal returns he is attacked and knocked out by an enraged tom , who then ties him back to the chair and asks him what happened . hal explains about the car accident and claims that he never drank crumb ' s blood , and that he only turned the man because he felt responsible for his death . hal is untied after alex admits to releasing crumb , and the three rush to confront the young vampire at his place of work , where he has just killed the manager ' s nephew . hal , tired of having survived for centuries while all around him good people die , is ready to stake both himself and crumb in order to end it all . however , tom and alex persuade him not to do so . crumb is then taken into custody by mr rook and his clandestine government department .
one - winged angel : the vampire returns for the final confrontation this way ; its clothes are in tatters , its hair stringy , more decay present and much more vicious than before . . . and weapons won ' t kill it .
when lying in a forest in belarus , presumably dying , he willingly accepted the chance to be turned into a vampire by an army surgeon . at some point afterwards he went on a bloody rampage across europe with fergus ( who he had recruited ) , which lasted at least until 1855 . by this point his sheer brutality and carnal bloodlust had gained him a reputation , and other vampires were afraid of him - including the old ones ( except for mr . snow ) . at some point in his life he gained the name ' lord harry ' , though it is unclear if this is an actual title or just a nick - name .
expelled by a band of restless ghosts in his village , taoist priest mao ming , and his two spirit companions , visit another village to seek wealth . there , ming meets master gau , the
vampire . . . see full summary »
lam ching - ying returns as the famous
vampire buster ,
this time starring as the one - eyebrow priest . he discovers that the water supply in his village has been contaminated by bats and , . . . see full summary »
if the trinity do manage to escape the devil ' s illusions , it is almost certain that hal is still a vampire , but it is not certain whether he is under the control of his ' good ' or ' evil ' personality .
the four - eyed taoist , from the first mr vampire returns , but maybe only in spirit ? he’s played by the same actor ( anthony chan ) . in the first one he’s priest four eyes . it might be the same way as lam ching - ying playing the “unibrow” main leads in the first , second , third , and fifth movies , but in the second and third films he is actually a different character . not too sure but the priest four eyes and the four - eyed taoist seem to do the same job , transporting vampires for proper burials ( though in the fourth film it’s not explained why he is transporting the vampires ) .
this one is about a vampire family ( mother , father , and small boy ) that is accidentally let loose in the city . the little boy is separated from his family and stays with a human girl and boy who try to hide him from their father . much of the humour didn’t do it for me in this one . lam ching - ying , who played master kau in the previous film , is here as the owner of a medicine store . no disciples , and his daughter gigi and his prospective son - in - law are flat characters . it was an ok film . i liked the design of the vampire family , and i hated the human family . sorry pudgy kids , i just couldn’t care less if the vampire boy ate you .
when they catch up with hatch at the television studio , hatch sends each of the trio into an illusory alternate reality , giving them the chance to remain human . hal finds himself on a belarusian battlefield , dying of a lance wound . hatch tries to convince him not to call out to the approaching vampire surgeon , and to die as a human rather than become a supernatural predator who would murder thousands of people . hal is almost persuaded , but rejects the illusion because it does not feel right without tom and alex present . at this point , hal and the others ( seemingly ) regain their senses in the tv studio , and a fight breaks out between the them and the devil ' s mind - controlled humans . in the fight , the flask containing the vampire blood is shattered along with the vial of tom ' s blood , preventing them carrying out the ritual . however , mr rook arrives with a high - calibre rifle and kills captain hatch ' s body .
this movie was a fun time ! i was a fan of the nes game
phantom fighter
for a long time . it was based on mr . vampire . i just ended up playing the game again recently in my nastalgic state i usaully am in and read that it was fashioned after this movie . so i decided to order it , and i was not let down . even better than the game ! plus , i am a fan of old kung fu movies anyway . so they got me all the way . i dont think i will even see the remake as i am just as pleased with this one . deffinetly get this movie if you like black magic / comedy / zombie style kung fu flicks .
this film is about master kau , a unibrowed taoist priest specializing in supernatural arts , and his two bumbling disciples man - choi and chau - sang ( renamed dan and harry in the sub and dub i watched . . . seriously ) . master kau is asked to rebury a rich man on behalf of their relatives but they discover that he is a vampire . while they are trying to stop it , man - choi is infected by the vampire virus and chau - sang falls in love with a ghost woman , so master kau has to do pretty much everything .
a taoist priest isn ' t too happy when his buddhist priest colleague moves in next door . they are subject to constant feuds and duels , but soon must overcome their odds towards each other when a vampire breaks loose from his coffin in a nearby procession and threatens to wreak havoc to the countryside .
the buddhist monk and the taoist priest , both blessed with ghost - taming powers , have been quarrelling all over the landscape . still , they are good friends . the priest shepherds a group of corpses home . he has to fight off some vicious devils . the priest ' s classmate has been assigned the job of accompanying the coffin of a prince back to the capital . one night , a thunderbolt rips the coffin and the prince becomes a vampire . he kills many people . the priest asks to help . he finds his classmate has killed himself . before the priest reaches home , chia - lo , the priest ' s student , is attacked by the princeis attacked by the prince . chia - lo is rescued by the priest and the monk . but when the vampire prince pounces with murderous intensions , the vampire - fighters have to give their last bit of effort and wisdom to save themselves . ( joy sales )
when hal and crumb return to honolulu heights , crumb has decided that he cannot live with the constant internal struggle of being a vampire , and turns on hal , knocking him out with a wine bottle . hal awakens tied to a chair in the basement , and crumb taunts him until hal ' s evil persona comes through , which terrifies crumb . crumb agrees to release hal on the condition that they will each drink a glass of blood : one glass holds human blood , the other holds werewolf blood . crumb takes the werewolf blood and dies after drinking it , seemingly happy at having ended his curse . hal is about to give in and drink the human blood , when alex arrives and stops him . when hal is sitting alone afterwards , he takes a flask of blood given to him by mr rook and drinks it all .
a taoist priest isn ' t too happy when his buddhist priest colleague moves in next door . they are subject to constant feuds and duels , but soon must overcome their odds towards each other when a vampire breaks loose from his coffin in a nearby procession and threatens to wreak havoc to the countryside . written by oliver chu
this series is about the geung si , chinese for
hopping
vampire or zombie , though the dubs and subs i had only used the term vampire , as far as i can recall . i didn’t even know that hopping vampires was a thing , but it is , and it is awesome . like a zombie they hold their hands out in front of them . like a stiff rabbit they hop . awesome . you can learn more about geung si from this wikipedia article . in this universe the vampires can smell your breath , so if you hold it in , they can’t find you . also , you can cover yourself in oil and they won’t be able to see you .
henry [ 1 ] or harry [ 2 ]
hal
yorke is an english vampire who has lived for more than 500 years and first appears in series 4 . his age and power are sufficient that he is considered an old one , though at the time of his appearance he has forsworn any allegiance to his own kind . he is notable in that as a vampire , he had two personas that he switched between every few decades in cycles ; one kind and good natured , the other cruel , sadistic and evil . following the devil ' s apparent destruction , hal ' s humanity was seemingly restored and thus his two personas were apparently either merged or replaced with a new one .
personally , i think that everyone should see mr . vampire , if only so that they can claim to have seen a kung fu zombie comedy . but , in my opinion , this is almost more of a chinese ghostbusters with some kung fu sprinkled in than a kung fu movie , which was somewhat of a disappointment for me . the story is fun , fresh and full of more than just zombies ( although i won ' t reveal any surprises ) . the action , when it occurs is fully justified , which is something i always like to see , and is choreographed quite well by lam ching - ying . the comedy is somewhat hit or miss , but it didn ' t bother me very much . i had a lot of fun but i came away wanting more action . if you feel the same way , try encounters of a spooky kind , which has all the zombies you love , but with more kung fu .
taoist priest kau ( lam ching ying ) is asked by rich businessman yam , to organize a reburial for yam ' s father , to prevent his corpse from coming back to life as a geung - si ( or simply a chinese vampire ) . however , things go wrong as expected , the corpse comes alive , and creates havoc in the village .
seeing as almost all of the old ones were killed by annie at the conclusion of the war child ( though hettie did escape ) it is possible that hal is the oldest known vampire in the world . with eve ' s future timeline averted , it is possible that hal is no longer destined to return to a monstrous lifestyle . however , the chance that this may yet happen is a constant fear for him .
taoist priest kau is engaged to perform a reburial for a deceased rich man . together with his inept students man - choi and chau - sang , kau discovers that the corpse is still almost intact and looks alive . they attempt to prevent the corpse from resurrecting by drawing magical lines all over the coffin , but the corpse still breaks out and becomes a geung si ( chinese
hopping
vampire , or zombie ) .
, hal storms back to honolulu heights and threateningly tells larry to leave . when alex eventually does convince tom to come back home , they find hal in the house with lady mary , who is trying to stake him . mary tells them that it is inevitable that hal will feed and kill again , but alex convinces her that hal is no longer mary ' s problem . after mary has left , tom asks hal about where larry went . hal tells him that he did not give larry much choice about leaving . we then see the rest of hal ' s argument with larry , in which hal briefly reverts to his murderous vampiric personality , and strangles the werewolf before calling mr rook to dispose of the body .
seems pitched down at a juvenile level . the opening scene where intrepid adventurers enter into a cave only for the buffoonish assistant to get a snake down his boxer shorts should give one some indication of the level this one comes pitched on . there is much raucous silliness  the scenes with the vampire child ok kid hiding in closets , scaring people and especially a scene hiding in the back of the assistants car and turning their radio on and off are excruciating . certainly , some of the scenes , especially with the vampire hopping around the lab and the assistant trying to pin a prayer between both their foreheads , are choreographed with a good deal of energy , and there are some occasionally inspired images  like that of the family of vampires gracefully hopping away across the roofs of cars in a traffic jam while chaos and panic erupts around them . mostly though ,
stern teacher : it ' s easy to see why uncle kau can be a cranky guy who comes down hard on his students , considering his two students are constantly goofing off , screwing up on the job , getting him injured in some of their pranks , and generally being too dumb to live by getting themselves either possessed by ghosts or turned into a vampire . it ' s a wonder he doesn ' t turn full sadist teacher on the two .
as a vampire , hal possesses immortality and enhanced strength and senses . furthermore , as an old one , he is stronger than younger vampires and is completely immune to religious items such as a cross . also , he doesn ' t need to be invited into a house to be able to enter it . hal possess great knife handling skills , presumably learned when he was a soldier during the early 16th century . for example , he was able to gain the upper hand during his knife fight with lady catherine , toying with her , and hold his own for a while when fighting tom , who is a hardened and skilled vampire hunter . he possesses a good knowledge of the supernatural , allowing him to perform the ritual to trap the devil and identify rare species like succubi and demons . finally , he seems to have great charismatic skills as he rallied several new vampires under his command in a few minutes .
laser - guided karma : wai , being the dirty cop that he is , decides to frame uncle kau for murder . during his interrogation , he even makes it clear that if kau doesn ' t give a confession by the next day , he would brand kau with a burning hot iron . shortly afterwards , the vampire awakens and cue all sorts of comical violence being inflicted upon wai and at one point , wai even gets branded by the burning hot iron he wanted to brand kau with .
hal has been compared to other vampire mitchell by the fans of the tv series , due to him replacing mitchell as a main cast member . however , in a lot of ways , hal and mitchell ' s personalities can be seen as polar opposites . for example , mitchell has great social skills , even with humans , but hal seems to be socially awkward at times , especially with humans . mitchell ' s method of staying clean is friendships and the fear of disappointing the people he cares about , while hal ' s method involves routines and structure .
in order to carry out a ritual which would trap the devil in a physical body and weaken him so that he can be killed . the ritual was intended to use the blood of the vampire and werewolf leaders , plus the ghost ' s own essence in order to bind the devil . hal , fearing any backlash that might result from his own blood being used , instead took some blood from one of his vampiric soldiers . as a result the spell was only a partial success : the devil was bound into the body of a local lunatic ( later revealed as
in the last little while i’ve been faced with some grown - up decisions to make . pros and cons lists were made , people were considered , or not . it’s more difficult now that i have to consider more than just myself in my future . i also hit a wall with my parents’ truck . it was a small wall that will be fine when i get around to fixing it . with all this seriousness , naturally , i said “ fuck it ” and decided to watch chinese comedy - horror vampire films from the 80’s . naturally . like an adult .
master ko ( lam ching ying , stunt master in fist of fury and enter the dragon ) faces the daunting task of re - burying a rich man ' s father - in the hope that the new tomb will bring further prosperity . the frightening twist comes when the corpse comes back to life with a foul and vengeful netherworld gang . desperately trying to right his wrongs , master ko finds himself sinking in deep trouble as apprentices dan ( ricky hui ) turns into a vampire himself and harry ( chin siu ho ) is reduced to a weak soul posseses by a fierce ghost .
lord harry is shown to be completely different from hal , being far more at ease and violent . however , this alternate personality appears to be wiser than hal due to being so detached from humanity , as he was able to see that it was the desire to be human that made someone human while none of the other characters could . when put in a dream world where he was human , hal ' s two persona ' s fuse into one to create a more relaxed , happy and calm hal . this suggests that his split personality developed when he was a vampire when suppressing his hunger , with his human self being a safe blend of his two personalities .
the disciples are here too . yay ! this story is a little weird . it’s about aborted fetuses and reincarnation . you see , if a soul is continuously aborted before it can be born , it turns into an “unholy baby” . they’re evil , that’s all you really need to know about that . an unholy baby has put itself ( ? ) into the womb of kau’s childhood sweet heart , lin to be reborn in all its evilness , and her maid is there to make sure that it happens . lin’s husband has also been bitten by a vampire and kau has to go there to save him . also , kwan - yue ( called birdie in my sub ) , is in love with kau and wants him badly .
afterwards , hal bumps into the hapless human ian crumb , who is on his way home after being told that he must re - apply for his own job . after crumb is knocked to the ground , his anger leads him to confront hal , whose vampiric instincts are roused by the sight of blood trickling from crumb ' s nose . hal flashes his fangs at crumb , who immediately flees in terror . hal runs after him in an effort to explain , only to see crumb being run over by a passing car . hearing the mortally - injured crumb begging him for help , hal feels guilty and gives crumb some of his blood , turning him into a vampire ( he later insists that he did not feed on crumb at any point ) .
in the aftermath back at honolulu heights , hal tell tom and alex that they should not give up on being human , and that to want humanity is to have it . he , however , will not be staying with them . alex holds the door closed as he tries to leave , and it looks as though hal and tom might be readying for another fight , when mr rook arrives . rook explains that his department is covering up the aftermath of the events involving captain hatch . alex and tom leave the room , but hal notices that rook responded to something that alex said , indicating that he could hear her . rook laughs and reveals that he is the devil ' s new host , and attempts to kill the trinity . during the final battle , alex drinks a mixture of tom and hal ' s blood , trapping the devil in rook ' s body . as tom begins to choke and alex starts to discorporeate , hal grabs tom ' s stake and uses it to kill rook . with the devil apparently dead , hal awakens alongside tom and alex , and notices that he is neither his good nor evil self . after looking in a mirror and seeing his reflection for the first time in five centuries , he realises that he is human , as are the other two .
a professor and his two bumbling assistants find the bodies of a man , a woman and a child preserved in a cave . however , the bodies are really vampires and return to life when the prayers pinned to their foreheads are removed whereupon they proceed to cause chaos in the laboratory . the child vampire hops out into the streets . it is found and befriended by two children who take it home and hide it in the closet away from their parents . meanwhile , one of the assistants has been bitten and goes to seek the help of the herbalist lin ching yin . as lin goes to help vanquish the vampires with his remedies , the reporter jen , who desires lins niece , determines to get photos of what is in the laboratory but instead unwittingly releases the vampires .
sticks and ropes saw hal and tom embroiled in the
employee of the month
competition at the hotel , with the manager patsy showing obvious favouritism towards hal . hal is unconcerned with winning the contest , but sees a chance to boost tom ' s self - esteem if he can ensure that the young werewolf wins . however , the manipulations of captain hatch steadily turn the vampire and werewolf against one another , with hal declaring to tom at one point that
however shit at the job i try to be , you somehow manage to be even shitter
. this results in a food - fight between hal and tom in full view of the hotel guests , after which patsy sacks them both . captain hatch later persuades patsy to give them their jobs back , before mind - controlling her into drowning herself .
the last broadcast opens with hal having massacred several humans in a pub , and turned them into new vampires . tom arrives as he is giving them a speech about vampire supremacy , and combat breaks out . tom stakes his way through hal ' s new minions one after the other , and once they are dealt with he confronts hal about his personality switch . hal taunts tom , saying that while his good alter ego did not think that tom was stupid , his current personality believes that tom is nothing but a beast of the field . hal draws a knife and the two of them break into a brutal fight , with both of them demonstrating their superhuman agility and strength . while hal was winning at first , tom eventually gains the upper hand . hal seems unfazed even as tom is preparing to stake him , telling the werewolf :
god , you ' re predictable
. once again , however , alex arrives and intervenes , informing them that captain hatch is the devil , and that he has been manipulating them into fighting one another . hal tells the others that he knows of a ritual which can kill the devil , and the three set off to face him ( though not before hal collects some blood from one of his minions whom tom injured ) .
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a taoist priest isn ' t too happy when his buddhist priest colleague moves in next door . they are subject to constant feuds and duels , but soon must overcome their odds towards each other . . . see full summary »
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
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modern grave robbing
archeologists
find perfectly preserved specimens from the past of a man , a woman , and their child . unbeknownst to the scientist and his two bumbling assistants , these . . . see full summary »
master lam and his two disciples must battle a horde of chinese vampires in order to get the teeth dust needed to cure an ailing general . meanwhile , the general ' s wife is pregnant , and the . . . see full summary »
a former cop rejoins the police department to investigate a drug ring that employs ghosts and vampires .
impoverished teahouse worker ( and martial - arts student ) abao is engaged to his boss ' daughter , little chu , and fights to protect her from the lecherous advances of the wealthy but repulsive . . . see full summary »
cheung ' s wife and boss are seeing each other , and decide to dispatch him with a wizard . but the wizard ' s rival aids and defends cheung and a magic war rises .
wah li , known as fat boy to his friends , lives with his great - uncle the priest ( uncle ) . together with his oddball friends lai li and momo , wah li helps uncle to run the local funeral . . . see full summary »
cousins thomas and david , owners of a mobile restaurant , team up with their friend moby , a bumbling private detective , to save the beautiful sylvia , a pickpocket . action and humor abound in . . . see full summary »
after a string of bad luck , a debt collector has no other choice than to spend the night in a haunted temple .
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1988 • action , comedy , fantasy , horror • hong kong • dir . ricky lau
initially , the first half of the film is predominantly focussed on developing the rivalry between ma and chan’s characters and introducing us to their sidekicks : the lovely rachel lee and the acrobatic chin kar lok . much of this character development is done through some pretty effective comedic set pieces that occasionally had me laughing out loud , which is pretty rare for such unsubtle humour ! at around the halfway mark , the story changes somewhat and sees the arrival of a royal transport carrying a gold coffin , and predictably , its contents escape and much carnage ensues .
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i don’t think what i saw was in any of these films , but it is pretty close . no bullet proof vests . but there are hopping vampires stabbing people with their nails . i actually enjoyed the series , so i kept watching . the fighting was always amusing , even when the actual story was less than stellar .
i liked the first film most . not that i did not enjoy the sequels ; i am glad i watched the sequels , but the first is my favourite , followed closely by the last .
the shop keeper tells her nephew ( chau - sang ) that a prostitute from across the street is going to come in to buy makeup , and to be nice . of course , ting - ting , who is the daughter of the wealthy man who has asked master kau for the reburial , comes in , who is definitely not a prostitute , but an actress . hilarity ensures .
, from the start to about 2 : 30 . it’s the dub version , but it has better quality than the others on youtube .
uncle ming is a taoist who claims he can exorcise evil spirits from wealthy people . the start of the film shows him trying to con a family by removing two ghosts , however , these two ghosts are his friends big pao and small pao ( depending on which subs you are watching ) . anyway , these ghosts pretend to be exorcised so uncle ming can get money .
the two ghosts are the only mildly interesting characters in this film , though i did notice that they were cast in blue light so we can see that they are ghosts , but sometimes the blue lighting wasn’t really visible . i wonder if that was intentional or just some mistakes , because sometimes they had normal human colouring . the other characters were not particularly memorable ; i will even go so far as to say that the unibrow lam ching - ying character isn’t really memorable either . the antagonist is an evil taoist lady who they eventually defeat . yay .
the version i found was actually in good quality , unlike the last two . this one is about the four - eyed taoist and his buddhist monk neighbour master yat - yau . most of the hilarity stems from the relationship these two have .
and a fox spirit tries to seduce him . . . . except this is the late 80’s so we get this sexy furry :
anyway , there’s a character who is an obvious homosexual stereotype . i just wonder if we could get away with such a character now ?
he doesn ' t want to suck your err . . . well , he ' d rather just kiss you until he gets to know you better .
master kau is back ! . . . with black hair but whatever yay ?
master kau with black hair . . . it ' s magic don ' t question it .
she goes so far as to tie him to the bed and have man - choi and chau - sang spray her through the window with water to make her clothes cling to her . awkward .
but the more i think about it , i’m certain that it isn’t . there was a boy protecting a girl from getting stabbed , but he had a bullet proof vest and at one point he was on the floor . this is the only time this happens and they are standing up .
there is the undertones of “don’t abort fetuses because this is what happens : you make evil spirits that try to be reborn who we assume will do evilness . ” but you know , whatever . also , there’s a scene early on with a small child peeing on man - choi , and because of the different indecency laws , you see it . might freak people out .
i didn’t have a good - quality version to watch , but there is a beautiful scene with birdie and lin’s sister in the woods . a red - clad procession and a white - clad procession come towards them . it’s too bad i don’t have better quality pictures , but they really are pretty .
overall , i liked the series , but the first and last might be the only ones worth checking out . but if you’re bored they’re all on youtube with varying levels of quality .
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a taoist priest isn ' t too happy when his buddhist priest colleague moves in next door . they are subject to constant feuds and duels , but soon must overcome their odds towards each other when . . . see more »
buzzing comedies such as the spy who dumped me await you in our summer movie guide . check in for all the info you need .


ladki sahyadri ki ( girl from sahyadri ) is a 1966 hindi social drama film directed by v. shantaram .

also called iye marathichiye nagari ( the land of maharashtra ) in marathi , it was a bilingual for v. shantaram productions under the rajkamal kalamandir banner .

the music was composed by vasant desai , with lyrics by bharat vyas .

the cast included sandhya , shalini abhyankar , vatsala deshmukh , kumar dighe , keshavrao date , and baburao pendharkar .

the story revolves around rani , a stage performer from an impoverished family , and her attempts to help repair a temple in her village .

ladki sahyadri ki

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movie / album : ladki sahyadri ki ( 1966 ) . singers : asha bhosle . song lyricists : bharat vyas . . . other songs lyrics from ladki sahyadri ki ( 1966 ) · vandana karo . . .
sandhya funny drama scene from ladki sahyadri ki movie starring sandhya , shalini abhyankar , vatsala deshmukh , kumar . . .
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ladki sahyadri ki ( 1966 ) prabhakar , sandhya , panshikar , k . date , kumar dighe , baburao pendharkar . . .
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ladki sahyadri ki movie part 05 / 11 starring sandhya , shalini abhyankar , vatsala deshmukh , kumar dighe , music by vasant . . .
ladki sahyadri ki movie part 11 / 11 starring sandhya , shalini abhyankar , vatsala deshmukh , kumar dighe , music by vasant . . .
ladki sahyadri ki movie part 01 / 11 starring sandhya , shalini abhyankar , vatsala deshmukh , kumar dighe , music by vasant . . .
ladki sahyadri ki movie part 10 / 11 starring sandhya , shalini abhyankar , vatsala deshmukh , kumar dighe , music by vasant . . .
ladki sahyadri ki movie part 08 / 11 starring sandhya , shalini abhyankar , vatsala deshmukh , kumar dighe , music by vasant . . .
ladki sahyadri ki movie part 09 / 11 starring sandhya , shalini abhyankar , vatsala deshmukh , kumar dighe , music by vasant . . .
ladki sahyadri ki movie part 03 / 11 starring sandhya , shalini abhyankar , vatsala deshmukh , kumar dighe , music by vasant . . .
1 - tohri ungli se krishna - suman kalyanpur - film - ladki sahyadri ki ( 1966 ) md - vasant desai lyrics - bharat . . .
angrezo ne jeet li jhansi from movie / album ladki sahyadri ki 1966 . song sung by asha bhosle amarr shaikh mahendra kapoor music composer / music .
ladki sahyadri ki 1966 songs lyrics and videos of all songs : hindi film ladki sahyadri ki film starring prabhakar , sandhya , panshikar , k date . the songs sung by asha bhosle , amar shaikh , mahendra kapoor , suman kalyanpur . ladki sahyadri ki film ' s original soundtrack album is composed by vasant desai . the lyrics of all songs are written by bharat vyas . it is produced by v shantaram . it is directed by v shantaram .
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1 january , 1966 . . . ladki sahyadri ki songs ( soundtrack ) . . . this song . the only actress in movie who used her own voice and wasn ' t doubled by a bolly - singer .
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india - very old - razzabji ki banni likhayte in hindi - pages 520 .
vyang in hindi - sarak hamare baap ki hai - anup ghai - pages 122 .
awards best director , 1957 jhanak jhanak payal baaje , best film , 1958 do aankhen . . . some of his songs had to rehearsed several times before which they were . . . 1961 , sehra , 1963 , geet gaya patharon ne , 1964 , ladki sahyadri ki , 1966 , .
the men weren’t lucky at all , but for jeetendra , extra in ‘navrang’ and hero in ‘geet gaya’ the rest made no headway at all . satish vyas in “toofan aur diya” , prashant in ‘sehra’ , abhijeet in ‘jal bin’ , prabhakar panshikar and kumar dighe in “ladki sahyadri ki” were quickly forgotten .
india - indrajal comics hindi - mandrake - paksi - manvon ki ghati - no . 344
subsequently a star , rajshree was given a sprightly song in ‘subah ka tara’ but had a baby debut in ‘apna desh’ and her grown - up role was that of a court dancer in ‘stree’ . sandhya’s niece ranjana , did a bit role in ‘ladki sahyadri ki’ a longer one in ‘zunj’ and a heroine in ‘chaani’ .
india - rare - indrajal comics hindi - haivaniyat ki kimat - vol . 22 no . 13
india - ivan belikan [ stories ] ki khaniyan a . s . pushkin in hindi pages 141
) . . . up next . kyon lage laaj laaj preet ki asha bhosle . . .
) prabhakar , sandhya , . . . kyon lage laaj laaj preet ki asha bhosle . . .
india - very old & rare - indrajal comics hindi - barf ki aag - vol 21 no . 17
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he introduced and encouraged many new directors . amongst them were character actor keshavrao date with ‘bhakticha mala / mali’ ( 1944 ) and ‘andhon ki duniya’ ( 1947 ) .
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‘jhanak jhanak’ ( 1955 ) was not the first technicolour film ( 123 ) . mehboob’s ‘aan’ was the first to have prints by technicolour , after being shot on l6mm kodachrome negative . sohrab modi’s ‘jhansi ki rani’ ( 1953 ) was the first to be shot and printed in technicolor .
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no lyrics are available right now . the lyrics will be added in due course .
on all movie pages , a list of all the songs from that particular movie are there with basic information about the movie .
further , you can click on any name or category in the above list to see list of songs of that particular person or category .
monday afternoon , a studio at yari road , andheri , saw the coming together of two venerable musicians : hindustani classical vocalist pandit jasraj and carnatic violinist , composer and conductor dr l subramaniam .
it was a collaboration that saw pandit jasraj lend his voice to a composition by dr l subramaniam – the title song of anant mahadevan’s forthcoming film gour hari dastaan , starring konkona sen sharma , ranvir shorey and vinay pathak in the lead .
( 2008 ) . for dr subramaniam as well , the composition marked his return to hindi film music after 25 long years . he last scored the music for mira nair’s
speaking about the experience , dr subramaniam told mirror , “we wanted jasraj - ji to sing the title track .
will be singing part of the song with him . ” asked about pandit jasraj’s rendition of the composition , he said , “what can i say about jasraj - ji , who is the seniormost performing artiste ? he is amazing . he is simply a genius . ”
according to a source from the recording studio , it was all in a day’s work for pandit jasraj , despite his age .
– synonymous with gandhiji and his philosophy . the composition is extremely innovative . international musicians will also feature in the soundtrack , the first of its kind in hindi films . ”
apparently , getting pandit jasraj on board was a mutual decision by anant and dr subramaniam .
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rani ( sandhya ) comes from a very poor , who have to struggle to make ends meet . she wants a career where she can work , but her parents will not hear of it . but when their temple collapses in . . . see full summary »
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rani ( sandhya ) comes from a very poor , who have to struggle to make ends meet . she wants a career where she can work , but her parents will not hear of it . but when their temple collapses in a storm , the parents are forced to admit that they need money to repair the temple , and as such rani gets to act on stage . the owner of the stage company promises to re - store the temple , provided rani continues to work for him , which she agrees . the temple work progresses , and rani acts on stage . she soon becomes a hit . the stage owner starts showing his true colours , and before long he takes to drinking , even while on stage , and when rani refuses to have to do anything with him , he refuses to pay for the temple re - storation . how will rani succeed on stage ? what will happen to the temple ?
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rani takes a job as a stage actress to pay for a temple restoration for her family .
directed by v . shantaram . also called iye marathichiye nagari ( the land of . . .
) ; music by : vasant desai ; singer ( s ) : asha bhosle , amar shaikh , mahendra kapoor , . . .
birbal my brother ' ( 1975 ) and ' 1920 ' ( 2008 ) . it is interesting to
provided to youtube by sa re ga ma meri jhansi nahi doongi · asha bhosle eye marathichiye nagari ℗ saregama india . . .
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urltoken
many great people have made the indian film what it is today , in the 101st year since its birth . the image of v shantaram hovers around the pinnacle of achievements . in the creative span , number of films made , and in the variety of chores he performed in the production of films , he is second to none .
he was associated with the silents , talkies , colour films , stereo sound - track , as an actor , director and producer , carpenter , choreographer and discoverer of new talent .
he was in showbiz for 80 years of his fruitful 90 years , and in films , for an astounding span of 65 years , through 61 films . fortunately , around 40 of these , all talkies , in hindi and marathi , are still accessible .
he made one film in tamil , ‘namnadu’ ( 1949 ) , and released its hindi version , ‘apna desh’ with telugu songs ( by t suryakumari ) in andhra , both not traceable today . when he was making kalidas’ ‘abhignyana sakunthalam’ for the second time in 1986 , he wanted to make it in telugu also , with nt rama rao in the lead . alas , this did not materialise . neither did the plan to make ‘navrang’ in telugu for which two songs written by kosaraju and sung by k jamunarani were recorded by c ramchandra .
let’s not break our hearts over the unpicked oysters ; let’s count the pearls he left behind , pearls of lasting lustre and pervading influence .
his ‘aadmi / manoos’ ( 1939 ) , made under the prabhat banner was remade as ‘vachina kodalu nachindi’ ( 1959 , yoganand / ntr , jamuna ) , was a bad film and flopped inspite of a wonderful score by s dakshnimurthy . this was about a policeman’s love for a prostitute . ‘dahej’ ( 1950 ) , about dowry and a dying daughter - in - law , was remade as ‘bommala pelli / bommai kalyanam’ ( 1958 , rk krishnaswamy / sivaji ganesan , jamuna ) . this is one of those rarer films of sivaji , where he delivers a finely nuanced performance , both telugu and tamil versions failed .
the celebrated ‘do aankhen barah haath’ ( 1958 ) was first made as ‘pallandu vazhga’ ( 1975 , k shankar ) with mgr in the lead , by whose power over the box - office , it just broke even . the next year saw ‘ma daivam’ ( 1976 , ss balan ) with ntr in the lead . a damp squib . the film that melded colour , dance , music and lyric to an unprecedented height , ‘navrang’ ( 1959 ) was remade as ‘suvarna sundari’ ( 1984 , beeraa mastan rao ) . ramesh naidu’s pleasant music was lost in the melee created by a new star - cast and inept handling .
in all these films , the adaptations were quite faithful to the originals . the music was created anew and did not lift melodies . and it is not as though the performances were bad ; but the magic , the shantaram touch , was absent .
what about stray influences , in framing , treatment , plot - motivation , music et al ? these are not skeletons tumbling out of the cupboard , but the genius’ stimuli that led to the re - creation of something worthwhile . the most rewarding of such was ‘jayabheri / kalaivanan’ ( 1959 , telugu / tamil ) . though its tamil version sank without a trace , not even the beautiful score of pendyala appealing to the public , the telugu version was critically applauded . at least two of the songs , a heavenly combination of lyric / ( malladi ) and melody , “madi sarada devi” and “rasikaraja” , reverberate in a many a ghantasala homage .
‘matwala shair ramjoshi’ ( 1947 , baburao painter - shantaram ) was the matrix . this film in hindi and marathi had the regional folk entertainment tamasha as the background . an essential part of this , the lavni song - dance was not reproduced , in costume , choreography or music in ‘jayabheri’ but an important part of it , a competitive question - and - answer song , was adapted beautifully , and subsequently taken up in telugu social films too , ‘illarikam’ ( 1959 ) and ‘zamindar’ ( 1966 ) .
‘panthalu pattimpulu’ ( 1968 ) directed by kb tilak also had many such sequences , more faithful to the tamasha tradition but that was because it was based on anant mane’s ( he supplied the story and collaborated directorially with shantaram in ‘pinjra’ ( 1972 ) mega hit ‘kela ishara jata jata’ ( 1965 ) .
much before this , the dance form of lavni was utilised in ‘varudu kavali’ ( 1957 ) and ' rajanandini’ , ( 1958 ) through the songs “saagi ravoyi bangaru mama” and “ninne ninne” . the way the hero holds the dafli in
siri siri muvva” ( 1976 ) is taken from ‘matwala shair’ and hero manmohan krishna’s stance not as people proclaimed then , ignorant of facts , ‘jis desh men ganga bahti hai’ ( 1960 ) and raj kapoor .
in the glorious musical ‘annamayya’ ( 1999 ) , the tail end of “jagadapu chanavula” brings to mind the last fifteen seconds of the holi song in ‘navrang’ ( 1959 ) “arey jarey hath” .
in ‘aadmi / manoos’ ( 1939 ) and ‘teen batti char rasta’ ( 1953 ) shantaram used bits of song in various languages , meaningfully and not as a gimmick . in the first a dancing woman of pleasure is shown catering to clients from various regions and in the second , a man ' s wife and daughters - in - law hailing from various parts of india have a happy time extolling their local dance and music ( but not claiming , ' i ' m superior ' ) .
the first telugu film to have a multi - lingual song , was a film with three titles ,
idi ma katha - mangalasutram - excuse me” ( 1946 ) and the second , a tri - lingual film ‘strange brothers - apoorva sahodarulu - nishan’ ( 1950 ) credited to three directors , acharya , c pullaiah and s s vasan . neither the film with three titles , nor the one with three directors justi - fied it the way the master did .
the tunes from shantaram found their echoes in about half a dozen telugu films . “suno suno” from ‘amar jyoti’ ( 1936 ) became “cheli cheli” in ‘rukmini kalyanam’ ( 1937 ) ; vasant desai ' s immortal creation , “ghanashyama sundara” from ‘amar bhoopali’ ( 1951 ) was lifted listlessly in ‘beedala asti’ ( 1955 ) , liltingly in ‘sati sakkubai’ ( 1954 ) and to better effect in ‘bhakta tukaram’ ( 1973 ) , devulapalli , adinarayana rao and ghantasala together giving it stature . “gaya andhera hua ujala” from ‘subah ka tara’ ( 1953 ) became “sangeethamela” in ‘santhanam’ ( 1955 ) by a man rather justly nick - named imitation dakshinamurthy ! she most lilting was of course “pagale vennela” from ‘poojaphalam’ ( 1965 ) spaced out on “adha hai chandrama” from ‘navrang’ .
a prostitute seducing a saint , so sensitively and sensuously captured by director - star team of p rama - krishna - a nageswara rao , bhanumathi in ‘vipranarayana’ ( 1954 ) is a sprout of a similar situation in ‘parbat pe apna dera’ ( 1944 ) .
in ‘maya machhindra’ ( 1932 ) a girl dances on a huge drum . this was repeated in ‘we two’ ( 1947 ) and multiplied in ‘chandralekha’ ( 1948 ) . ‘apna desh / namnadu’ ( 1949 ) showed prophetically how in just - independent india , a nexus formed between crime and high society . this was regurgitated in hundreds of films . and present day society pays obeisance to shantaram by following the screenplay of the movie in real life !
the co - author of this book , experienced journalist sanjit narwekar , sums up shantaram’s greatness in just one sentence ( foreword , page 9 ) “his greatest contribution as a director was that he understood the role ( s ) of the various technicians and blended their expertise into the making of the film ( s ) .
from the book : “shantaram rajaram vankudre was born on november 18 , 1901 , the second of five sons . his reputation as a good mimic” got him into the gandharva natak mandali , where the ruling triumvirate were govindrao tembe , bal gandharva and ganpatrao bodas . shantaram did not care for the menial chores he was given ; and he could not be given important roles as he could not sing . he left the troupe and failed at everything else he tried , schooling , trying for a job in the postal services etc . he did work for a while in a railway workshop but an accident put paid to that .
with some difficulty he found a toe - hold in baburao painter’s maharashtra film co . , in kolhapur , which in time turned out scores of personnel for the nascent industry . “his golden moment came when he played the young farmer in a film that has become a classic ( all by word of mouth ; no one now alive has seen it ) ‘savkari pash’ ( 1925 ) . after doing roles on screen and odd jobs behind it , he was chosen by painter to direct ‘netaji palker’ ( 1927 ) “based on the exploits of shivaji’s trusted lieutenant . his co - director was keshavrao dhaiber” .
the maharashtra film co . gave him everything , including the name shantaram when he did the role of krishna in “surekha haran” ( 1921 ) , the subject familiar to us as ‘maya bazaar’ . baburao pendharkar , also in the concern , felt that his name in the railways , sr vankudre was unsuitable for an actor .
on june 1 , 1929 , v shantaram , keshavrao dhaiber , vishnupant damle and s fatelal , all working for the company , branched out into their own prabhat film co . they soon shifted to pune , built their own studio , and a reputation for quality that is historical . all kinds of films were made to which all contributed their mite but shantaram directed most of them .
path - breaking films , mentioned earlier , rolled out and shantaram was riding the crest of popularity when a hitch developed . he had to leave because he side - stepped a lakshman rekha of the four , no intimacy with the heroines .
shantaram , already married , left for bombay with this young actress jayshree , floated his own concern , rajkamal kalamandir , built a studio and stabilised himself . here too , he produced , directed and acted . the first was ‘shakuntala’ ( 1943 ) and the last , ‘jhaanjhar’ ( 1984 ) .
but for the first which coasted on splendid music , the other was a write - off . to cousin and photographer v avdhoot , he gave ‘bhool’ ( 1948 ) ; no go . to kumar chandrasekhar , ‘banwasi’ ( 1948 ) ; a dud . to nephew v ravindra “chandannachi choli ang ang jaali” ( 1975 ) , a worthwhile music - and - dance extravaganza . to son kiran ‘zunj’ ( 1976 ) , passable effort . to actress sulabha deshpande , a film for children ‘raja rani ko chahiye pasina’ ( 1979 ) , which turned out a childish exercise .
many of his kith and kin were given small on - screen opportunities ; only a few made it big later . first wife’s daughters madhura and charusheela made a baby entry with ‘bhool’ and charusheela made a solo appearance in ‘stree’ . both sang in two short films for children released as one programme , ‘kale gore - phool aur kalian’ ( 1960 ) . son prabhat kumar made an appearance in ‘teen batti’ , nephew ravindra in ‘jal bin’ , grandson rahul in ‘raja rani’ . long - time secretary st eshwar was glimpsed in ‘darchhain’ and ‘toofan aur diya’ .
chandrakantha was seen singing a stammering song , a duet with lata , “do haklon ka” and then a vamp bit , in ‘subah ka tara’ and ‘jhanak jhanak’ . reshma and vandana ( later asha nadkarni ) debuted in ‘mausi’ and vandana had the court - dancer’s role in ‘navrang’ .
nanda and rajendra kumar , introduced as the romantic leads in ‘toofan aur diya’ were exceptionally successful later on .
around a dozen music - directors worked for shantaram . it is a pity that vasant desai who came out of prabhat to be with shantaram , and did the maximum number of films , a dozen , isn’t mentioned at all in the book . shivram krishna got his chance in ‘surang’ , did very well in ‘teen batti’ and got a few c class films outside before fading out . purushottam did ‘bhool’ and two songs in ‘apna desh’ to no effect . ramlal turned out lilting melodies in ‘sehra’ and ‘geet gaya’ but lacked lustre in outside films as ramlal hirapanna . satish bhatia in ‘boond jo jan bayo gayo moti” registered well but was not heard of later .
here are little known facts about shantaram i have unearthed over the years . he was no singer but his voice is heard conversing with court dancer rajshree , ‘stree’ , on a 78rpm disc ( n53981 ) . in the english version of ‘dr kotnis’ , he is heard reciting dewan sharar’s lyric , ‘life isn’t a dream’ as khan mastana’s song “zindagi sapna nahin” is heard in the background . he is heard chanting the words of “ai malik” as the male chorus is singing it in ‘do ankhen’ .
the first sound - track recordings from an indian film were from prabhat’s colour film ‘sairandhri’ ( 1933 ) . these were made in germany , by telefunken , when shantaram took the colour negatives for processing and printing . it is his hand - writing in marathi and hindi , that is on the record labels .
actor mahipal who plays a poet to perfection in ‘navrang’ , actually wrote a song for ‘mali’ , “ham to bhole bhale mali” .
the book is understandably reticent about certain domestic developments in shantaram’s life . it does not mention sandhya’s marriage to him and shies away from saying that she was the reason why jayshree moved out from shantaram’s household .
on the whole it gives a consolidated picture of the maestro , the man and the film - maker . it omits to mention he did the choreography , termed ‘mukta nritya’ , for ‘navrang’ under the pseudonym of sham , and used a picture of his son - in - law in the promotional brochure of the film . the truth came out when the bombay film choreographers assn . chose to give this work the best choreography award for that year .
for an in - house production like this , it contains too many factual inaccuracies . whether it was ignorance or indifference , it remains inexcusable . here are just a few of the many .
sandhya was not just two films old ( 69 ) when she was starred in ‘jhanak jhanak’ . apart from ‘amar bhoopali’ and ‘parchhain’ mentioned , she had done ‘teen batti’ for shantaram and the role of parvati in a mythological for an outsider before
in ‘navrang’ every title is not heralded with nine colour pots . actually , the pots are only seven ; and they splash colour only at the last two titles , ‘navrang’ in hindi and english .
only one scene is from ‘jhanak jhanak’ and the other is from ‘navrang’ . the caption says otherwise ( 76 - 77 ) .
‘sairandhri’ was made in 1933 , not 1935 ( 10 ) . this is omitted in the filmography . so is ‘boond jo ban gayi moti’ ( 1967 ) .
rajshree does not play the small role of shakuntala’s sakhis in ‘stree’ ( 89 ) ; mumtaz does . rajshree plays the role of the court dancer .
caption for a still ( 106 ) says that sushant became a big hit as siddharta in ‘jhanjhar’ . no way . this is the least seen film of shantaram .
is it true that its hindi version failed to go beyond even the first day and that in some theatres the enraged crowd tore the seats and demanded their money back ( 102 ) ? it ran peacefully in madras for two weeks .
shantaram wrote his autobiography in marathi , ‘shantarama’ and it was published in 1986 , later in hindi . what happened to the promised english version ? isn’t it high - time , in the 101st year of the indian cinema , to bring out the life of a truly great man whose life was cinema ?
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the film was declared
super hit
on box office . [ 1 ]
classical dance guru mangal stumbles on a dance performance in a lavish haveli by neela . he orders his talented son girdhar to demonstrate to the audience the true method of classical dance . entranced by girdhar ' s skill , neela begs mangal to admit her as a pupil . he finally agrees on two conditions : she must devote her life to art and she must partner girdhar in the tandav portion of an upcoming dance competition . as the two practice together , she begins to fall in love with girdhar . manilal , a wealthy and jealous man who hopes to have neera for himself , warns mangal that the two are falling in love , but he ignores him . when mangal goes away for some time to buy new costumes for the pair , they confess their love to each other and neglect their dancing in favor of idyllic walks and boat rides . mangal returns and discovers that the two are in love . enraged that girdhar ' s dancing has suffered and believing that he will now never win the title of bharat natarajan , he renounces his son and resolves to leave him . dismayed that she has endangered girdhar ' s career , neela pretends that she has betrayed him with manilal and he returns to his father and his art . the devastated neela tries to drown herself in the river , but is rescued by a kindly sadhu . she decides to follow the example of the minstrel meerabai and devotes her life to krishna , but is alarmed when girdhar appears declaring that he can not forget her . she pretends not to know him and he is enraged ; his father takes him away . she becomes ill and the sadhu and her servant bindiya take her to the temple where the dance competition is being held . hoping to sabotage his chances , manilal has bribed girdhar ' s new partner to drop out of the competition . neela takes her place in the tandav dance and mangal realizes that she spurned girdhar to help him win the competition . he then convinces his son to give her a second chance . with the help of neela , girdhar wins the competition and mangal gives the couple his blessing to marry .
vasant desai composed the music and hasrat jaipuri wrote the lyrics for the film . the song
jo tum todo piya
inspired from meerabai was later also used for the 1981 film silsila . shivkumar sharma , the padma shri and padma vibhushan recipient musician has played santoor in this film . santoor was used first time in indian cinema .
voice of asha bhosle used in few lines which was not available on records , but only on film soundtrack .
this page was last modified on 3 april 2016 , at 18 : 11 .
this article ' s content derived from wikipedia , the free encyclopedia ( see original source ) .
you know the feeling . you are at a supermarket , have finished three - quarters of an hour of shopping , and your cart is full . now you are tired and want to stop heaping the cart . you want to go sit down somewhere , recharge your batteries with some french fries and coffee . or perhaps head home to quiet sanity . but look at this , there are long lines at the checkout counter ! it will take you at least fifteen minutes to pay the bill . it’s painful to leave so much hard work behind , but what’s the alternative ? maybe come back the next day and hope there won’t be such queues ? you are effectively faced with hobson’s choice , a clear ‘take it or leave it’ situation . but what’s that last counter you see over there , with very few people in the line ? oh no , that’s an express counter , for people who have bought ten things or less .
figuratively speaking , such an ‘express counter’ also existed in hindi cinema’s ‘supermarket’ for people who exited with ten credits or less to show for their score . composers who scored in under ten hindi films , like dan singh , or even one film , like tushar bhatia ( andaz apna apna ) . even songwriters who wrote for just one film , as did pervez shamsi ( nausherwan - e - adil ) . such a metaphorical counter also existed for many people offering their singing voices on the run in hindi cinema’s recording studios . these are people who recorded ten songs or less .
some of these artistes may have arrived to become singers , but left without contributing too much in any area in hindi films , like anup ghoshal , kabban mirza and shivaji chattopadhyay . there are people who came to become singers , but ended up as composers ( khayyam for instance ) , or composers who offered the odd rendition ( like anil biswas , husnlal and ravi ) . it may have been a director ( like raj khosla ) who sang a bit . these could be classical vocalists like pandit bhimsen joshi , bade ghulam ali khan , kishori amonkar , shobha gurtu , parveen sultana or pandit pheroze dastoor . these could be film stars who sang for themselves , in a quick honeymoon sort of way . raj kapoor , dilip kumar , nalini jaywant and nutan come to mind right away . of course there are many more .
yes , we need to give a thought to many artistes passing through such an ‘express checkout’ counter at one time . sn tripathi , chitragupt , pg krishnaveni , sridevi , ghulam mohammed , and the brothers gope and ram kamlani , there were dozens more . let’s see some who used the fast checkout , these songs showcasing them just once here :
utth to chale avdhoot ( bulo c . rani with geeta roy in jogan , 1950 )
din control ke aaye ( pg krishnaveni ‘zikki’ with geeta roy in mr . sampat , 1952 )
in case you were wondering , sandhya mukherji , ashok kumar , satish batra , manmohan krishna , usha khanna , kanchan , bhupen hazarika , pb srinivasan , jani babu , premlata , subir sen and many others were not allowed express checkout , since their cart was much fuller than ten . others who went through the counter above with maybe a few songs over ten may have escaped this attendant’s attention !