pardes ( english : foreign land ) is a 1997 indian hindi-language musical drama film directed by subhash ghai .

it was released on 8 august 1997 .

the film stars shahrukh khan , amrish puri , alok nath , and newcomers mahima chaudhry and apurva agnihotri .

the film was a commercial , critical and musical hit .

mahima chaudary won the best newcomer award for her performance .

the film was remade in telugu as pelli kanuka ( 1998 ) .

pardes ( film )

new pardes ( hindi film songs / film soundtrack / bol l . . . new pardes ( hindi film songs / film soundtrack / bol l . . .
here is a version of the song
i love my india
from the film pardes .
pardes - ( with making of film ) bollywood dvd - shah rukh khan , mahima choudhary .
the film pardes is a love story about people and a love story about india . released in 1997 , the film both opens and closes with the title :
there are no critic reviews yet for pardes . keep checking rotten tomatoes for updates !
film | rg number : rg - 60 . 1349 | film id : 2925
pardes was a three hour propaganda about the sanskari - ness of india by dissing every other culture .
chorus : ganga why are you going to pardes ( foreign land ) , leaving your own desh ( country ) .
that said ,
pardes
does suffer from some challengingly old - fashioned viewpoints , which i ' m sure are more difficult to take as a non - native viewer . those , coupled with an overall datedness make
pardes
not among my favorites .
. while the academic study of
film and religion
as a subfield within religious studies has only come of age since the late 1980s , the connection between film and religion is as old as film itself . as film theorist andr
tabun sutradhar composed the film ' s music . several lyricists wrote for the film , including zameer kazmi and sameer .
at such a time , back in 1997 , subhash ghai released pardes , in the year that marked 50 years of indian independence .
pardes ( hindi film songs / film soundtrack / bollywood / shahrukh khan / yeh dil ) - buy online in uae . | audio cd products in the uae - see prices , reviews and free delivery in dubai , abu dhabi , sharjah - desertcart uae
this film was a surprise hit and acclaimed guddu dhanoa ' s reputation as an action film - maker . dhanoa had earlier made
this is the final untranslated song from pardes apart from the marriage one fs which are mostly lamentations about a girl leaving her father ' s home .
ghai is one of those directors who are known for using music very intelligently in his film . in fact he delivered some musical films like pardes , taal , yaadein , kisna : the warrior poet , yuvvraaj among others .
subhash ghai is one of those directors who are known for using music very intelligently in his film . in fact he delivered some musical films like pardes , taal , yaadein , kisna : the warrior poet , yuvvraaj among others .
madhuri dixit had great expectations from this film , produced by her secretary rikku . the film also starred sanjay kapoor and akshaye khanna . the film flopped , managing rs 13 million per territory after being sold at rs 15 million .
animation , graphic and web designer , vfx artists , film / video editor .
like when i watched pardes i asked my mum is this how it is in india , how it’s shown in the film . sometimes she agrees with the film , at other times she doesn’t . if she doesn’t then i’ll just take it in for myself and it’s interesting to see how they portray india and indian things . ( p . 73 )
it is not only the content of film that connects film and religion , for as a number of critics have observed , one can find religious interests and implications in the formal style of film , as well as in the cinematic experience of viewing film . as another early film critic and director , jean epstein , once said ,
i would even go so far as to say that the cinema is polytheistic and theogonic
( abel , 1988 , p . 317 ) . film , and the experience of viewing film , may be religious in and of itself , creating its own gods , goddesses , and myths , and film does not merely represent or reflect an already established religion . so , while not mutually exclusive categories , film studies and religion studies can be usefully divided into three key approaches , and the second half of this entry will examine the various scholarly responses to the connections between film and religion : religion in film , religion as film , and the cinematic experience and ritual .
100 the country where my husband is , that is where my heart is ( but ) how difficult it is to make two hearts merge coming to a pardes ( foreign ) country .
similar to the dual nation setting of dilwale dulhania le jayenge ( 1995 ) , pardes ( 1997 ) takes a serious look at the lives of westernized non - resident indians ( nris ) in north america . whereas dilwale dulhania le jayenge was about nris with indian hearts , pardes is about westernized nris . ) and hence the meaning of the title -
foreign land
.
the most awaited film of the year . indra kumar ' s fourth film proved he could have a hit without madhuri dixit , the heroine of his earlier three hits ,
but ghai maintains that it is too early in the game to pass a verdict on his movie . he says the film will soon settle down to steady business like his last release , pardes , which picked up after the opening week and went on to become a hit .
sold at rs 17 . 5 million the film netted rs 25 million on an average .
and still managed a better opening than either film . but thereafter , it lost out . sold at rs 9 million per territory , the film made rs 15 million per territory .
ghai is quite confident that his film will pick up steam soon and become a hit .
praised victor banerjee ' s acting , but said the film was too cliché and unoriginal .
subhash ghai ' s ' pardes ' celebrates 50 years of indian independence as it delves into the lives of nris in north america and beautifully encapsulates the sentiments of ' american dreams . . . indian soul ' .
yeh vaada raha - r . d burman bollywood cassette soundtrack tape ( 1981 film ) not lp
and kept telling all and sundry that it was his dream project . finally the film was called
early film theorists considered issues of religion on a regular basis . for a good critical study of early film theory and the quasi - religious language that the theorists used see rachel o . moore ,
up to date as of july 7th , 2018 ( give or take a film or three ) .
urltoken is a website devoted to providing authentic bollywood news , box - office reports and film reviews .
( 1999 ) , a prime film for teaching religious studies , as it deconstructs an exoticizing gaze .
early film theorists , chiefly because of the visual prominence of silent film , emphatically stressed formalist understandings of cinema . they argued about the psychological and social effects that the medium of film has on its audience due to its rearranging of
normal
space and time through cinematography , mise - en - sc
film and religion .
encyclopedia of religion . . retrieved july 09 , 2018 from urltoken urltoken
this article is about the film . for the park in mumbai , see jogger ' s park .
pardes got all the rewards for championing the indian values but it was actually just the music of the film , by nadeem - shravan , that created an impact that still has the ability to make the audience sing along . songs like meri mehbooba , yeh dil deewana became instant hits and can easily be credited as contemporary classics .
the popular feeling of celebrating the golden jubilee of india ' s independence was everywhere and bollywood was right at the forefront . jp dutta ' s border had created a huge impact already and then , it was pardes ' turn .
there are three key scholarly approaches to the relationship between film and religion . the first might be called
religion in film ,
a way of analyzing the religious dimensions of film by focusing primarily on its narrative content .
film as religion
is the second key approach , and is based on formal parallels between the aesthetic styles of film and religious practices . finally , there is an interest in
cinematic experience and ritual ,
where a focus on spectatorship and its relation to ritual takes precedence . these categories often overlap in individual studies , and are charted here for heuristic reasons . the key question that divides these approaches seems to revolve around the location of meaning : is religious meaning found in the subject matter of the film , in the aesthetic form of the film , or in the experience of viewing the film ?
des pardes ( hindi : ? ? ? ? ? ? ? ? ; translation : home and foreign land ) is a 1978 hindi film produced and directed by dev anand . this family drama stars dev anand and tina munim ( debut film ) , with ajit khan , pran , amjad khan , shreeram lagoo , tom alter , bindu , prem chopra , a . k . hangal , sujit kumar , mehmood and paintal in supporting cast .
main prem ki diwani hoon , is a 2003 bollywood romantic comedy drama film by sooraj r . barjatya and a production by rajshri . the film is a remake of the 1976 film chitchor and features hrithik roshan , kareena kapoor and abhishek bachchan in the lead roles . the movie had a worldwide release on 26 june 2003 . the music of this film was composed by anu malik which was a musical sensation in 2003 .
similarly , on the very same day , twenty years ago , i . e august 8 , 1997 , one of srk’s most loved films of the ’90s and a sure shot box office blockbuster , pardes , had released . that film , too , had opened well and was also was universally loved by his critics as well as fans .
a westerner ' s appreciation for indian film - the stories , songs , and stars - without spoilers .
pardes ( 1997 ) the film was based on nri people who look out for young indian women to marry . ganga ( mahima ) travels abroad and gets the culture shock face and difficulties with her fianc and how srk helps her out and eventually falls in love . this was one of the first major bollywood films to do well in america .
clad packages or slapped across grand and lavish canvases . both approaches are used in subhash ghai ' s latest film ,
whatever the final fate of taal , the film has opened up new vistas in the overseas market . it is the first hindi film to enter the us top 20 . clearly , the overseas market won ' t be the same again .
( durham , n . c . , 2000 ) . useful anthologies on film theory include richard abel , ed . ,
for overviews of some of the studies dealing with religion in film , see chapter 1 of john c . lyden ' s
film and religion .
encyclopedia of religion . . encyclopedia . com . ( july 9 , 2018 ) . urltoken
< b > pardes ( 1997 ) < / b > < br > the film was based on nri people who look out for young indian women to marry . ganga ( mahima ) travels abroad and gets the culture shock face and difficulties with her fianc and how srk helps her out and eventually falls in love . this was one of the first major bollywood films to do well in america .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
the film does suffer from stereotypes of both indian and american cultures but the film makes a powerful point as well : how we treat others is a testament to who we really are . the interactions between arjun and ganga are the most engaging because they seem the most honest . late in the film , when arjun is further pressed to explain his relationship with ganga , he replies ,
inside , presented by intel and toshiba , launches july 25 . the final film can be seen online starting aug . 14 .
tina munim - ambani is a bollywood film actress who worked in several films between late 1970s and late 80s . she is married
the start of the decline of subhash ghai , the film maker . his sensibilities from desi to videsi was his greatest mistake .
from ek haseena thi that tells the core story of the film or romantic numbers like dard - e - dia , main solah baras ki and a dance number like paisa yeh paisa - - all songs of the film karz received huge appreciation from audience .
hum saath saath hain is a 1999 indian hindi language drama film written and directed by sooraj r . barjatya . the film was produced and distributed by the home production of sooraj barjatya , rajshri productions . the film stars actor mohnish behl , salman khan , saif ali khan , tabu , sonali bendre and karishma kapoor . while alok nath , reema lagoo and neelam kothari , mahesh takur play pivotal supporting roles . the story centers on a family headed by ramkishan , and containing his wife mamta as well as three sons , played by the leading actors . the film was shot in mumbai’s film city and in the villages of rajasthan state .
dosti is a 1964 indian black - and - white hindi film directed by satyen bose and produced by tarachand barjatya under his rajshri productions banner . it was sanjay khan’s debut film and had sudhir kumar sawant , and sushil kumar somaya in lead roles . the film focuses on the friendship between two boys , one blind and the other a cripple . dosti was amongst the top 10 grossers of 1964 and was declared a “super hit” at the box office . it was entered into the 4th moscow international film festival .
chitchor is a 1976 hindi romantic musical film . the film’s title means “heart stealer” in hindi . the film is a rajshri productions film produced by tarachand barjatya . it is based on a bengali story , chittachakor by subodh ghosh . recently in 2003 main prem ki diwani hoon starring hrithik roshan , kareena kapoor and abhishek bachchan was directed by sooraj r . barjatya based on same storyline . another uncredited remake titled minda poochakku kalyanam released in 1990 in malayalam starring suresh gopi , lizi priyadarshan and mukesh . it has also been remade in telugu as ammayi manasu which stars jayasudha , chandra mohan , kanta rao . a bengali remake by name sedin choitro mas was also made by director prabhat roy . a 1997 movie pardes , by subhash ghai , starring shahrukh khan & mahima chaudhry is also loosely based on this movie .
mahima chaudhry’s innocence in pardes was appreciated by all and even won her a filmfare award for best debut ( female ) . ahe disappeared from the scene for a while in 2008 , only to emerge earlier this year , first as the butt of jokes around a swiss bank account controversy and then for her foray into bengali cinema , with the film dark chocolate , where she’ll be playing a character inspired by indrani mukherjee .
ramgopal verma flubbed the formula test . sold at a very high price of 17 . 5 million per territory thanks to the sanjay dutt - urmila combination , the film collapsed like a pricked balloon . the film made losses of over rs 10 million per territory .
the study of film and religion became solidified through the decade of the 1990s , as evidenced by the upsurge of publications in the field , the establishment of a program unit on film and religion within the american academy of religion , and the launch of the online journal of religion and film . in many ways reacting to the earlier paradigm that found film and religion only in
serious
art house films , the 1990s witnessed the next wave of film and religion criticism , which self - consciously took popular hollywood film as its primary focus . biblical scholars and theologians began to take a second look at popular culture , and found a wealth of resources in film , particularly in popular film . christian theologians reworked reinhold niebuhr ' s and paul tillich ' s thoughts on the relation between christianity and culture , and decided that there must be an engagement with culture , with film being one of the cultural expressions par excellence in modern life . the prevalence of the ideas of tillich and niebuhr in film and religion studies , a half - century after their writing , attest to these theologians ' keen insights in relating religion and culture , though it probably also attests to the need for new theories of culture , since the culture of the first half of the twentieth century looks less and less like that of the twenty - first .
ne , and editing . in the 1920s in france , film theorists ( in particular , louis delluc , jean epstein , and l
joggers ' park released in india , the united states and kuwait . it also was screened at the 2003 cairo international film festival .
kabhi haan kabhi naa ( 1993 ) srk played the role of a young musician . it was a rare film where the hero played the role of a loser . it is considered one of khan ' s best performances , and he has said that it is his favorite film .
from another angle , the religious dimension to film form and style can also be seen in relation to the contemplative emphasis of various religious traditions , and here film becomes a new medium in a long list of visual media , from icons to yantras to thangka paintings , designed to facilitate meditation . francisca cho , for example , discusses the relation of korean buddhist films to a
cultic mode
of viewing heavily dependent on the aesthetic choices made in the making of film ( see cho in plate and jasper , 1999 ) . and as with each of the examples given here regarding
film as religion ,
cho ' s cultic mode of viewing film implicitly suggests that meaning cannot simply be found in the film form , for there must also be an audience that views the edited juxtapositions , the austere lighting , or the slow movement of actors .
this second wave is also marked by a number of explicitly christian theological studies , in contrast to the tendency to use existentially universal language evident in many of the first - wave publications . studies through the 1990s include the relation of film to christian , and occasionally jewish , understandings of the bible ; the relation of film to doctrines of christian theology ; and a plethora of works on christ figures in film . while there are a variety of interests indicated in these works , they can be seen collectively through their examination of popular film , by their chiefly christian theological orientation , and ultimately by the ways they see religion in film , paying scant attention to the specificities of the medium or the role of spectatorship .
using these lines , subash ghai made and promoted a film where the sentiment of loving your maatrbhoomi was re - enforced in almost every scene .
the film had a strange storyline , about a wife who sells her husband . but though it flew in the face of convention , the film did well . of course , it could also have something to do with the presence of anil kapoor , sridevi and the sensuous urmila matondkar .
good camerawork , exotic locations and a strong team - - david dhawan , govinda and karisma - - saw the film rake in the shekels .
dilwale dulhania le jayenge ( 1995 ) srk - kajol starrer dilwale dulhania le jayenge was destined to create history and did so . the film was declared an all - time blockbuster and it remains as the longest - running film in the history of indian cinema . as of 2012 , it is still playing at the maratha mandir theatre in mumbai . this film also established srk - kajols pair as the most lovable on - screen pair .
dil to pagal hai ( 1997 ) the film depicts the love story of dancers in a musical dance troupe and how they fall in love and how their story twists during a live musical play . the tag line of the film was
someone somewhere is made for you . . .
in one of the most epic scenes from the film , desi girl even manages to send a snake away by bowing down in front of it .
, 3d ed . ( oxford , 2002 ) . many of the early film theorists took this approach as well ; see the sources listed above .
because postmodern , postcolonial life consists of multicultural and interreligious encounters on a regular basis , there is an obvious need to branch out beyond the hollywood centrism evident in a majority of film - and - religion studies in the past . films made outside of hollywood do not conform to the same aesthetic standards that capitalist , industrial film relies upon , and by looking at films made in south america , africa , and asia , for example , and through attention to film form and reception , the student of film and religion begins to see the ways other worlds are visually constructed , not excluding religious worlds .
there were karisma , rambha and two salman khans in the film . it started of well and then lost steam . the film , sold for just rs 12 . 5 million per territory , caught the fancy of the masses with its racy lyrics and rap music . all in true david dhawan style .
way before karan johar taught us that “it’s all about loving your parents , ” subhash ghai schooled us well in the belief that it’s all about loving your country . from proudly singing i love my india to hoping , wishing and praying that ganga finds her true bliss with arjun , the 1997 film pardes gave us lots of special moments and more . but almost 20 years down the line , where can we find the cast members of this somewhat patriotic love saga now ? let’s find out…
if you are jewish , it is possible to purchase a right to be buried in advance of need . you will need to bring with you documents which confirm that you are jewish . these rights are sold in our community sections . we are currently only selling these rights at pardes chaim cemetery . please call our office for more information .
whereas in ddlj nri ' s are viewed mostly positively , in pardes they are filled with vice and mostly evil . and we ' re supposed to view as good family values the heroine ' s offer to her father to kill herself with poison for besmirching the family honor when she returns home after an attempted rape ? um , no .
a film about the battle between love and fear , between two stubborn men and their opposing beliefs and the outcome of the love stories of 3 couples .
and the title number amusing audiences , the film was sold at rs 10 million per territory and recovered , on average , rs 20 million per territory .
the film released in 2003 and did well at the box office , opening the way for a new genre of films like mumbai matinee and morning raga .
planet bollywood also positively reviewed bannerjee ' s performance , but criticised the film for having a
lack of tautness that makes it drag in patches
.
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
while pardes focuses on the culture clash between nris and those living in india , it also highlights the divide between rich and poor . ganga ' s family is poor in money ( compared to u . s . standards ) , but rich in family and land and love . rajiv ' s family is rich in money and possessions , but poor in love and truth . near the end of the film , kishorilal confronts arjun and asks for the truth about his relationship with ganga . arjun responds ,
pardes means foreign land . this film was released in 1997 . shah rukh khan plays the role of arjun saagar . a wealthy indian man ( amrish puri ) raises his son ( apoorva agnihotri ) in america , but wants his son to marry a native girl from india . he arranges a marriage for his son . he sends his foster son ( shah rukh khan ) to india to make arrangements for the marriage . arjun ( shah rukh khan ) speaks favorably of his
brother
( apoorva agnihotri ) . however apoorva agnihotri ' s character is not good . the young indian girl ( mahima chaudhary ) comes to america and finds it difficult to adjust to the
foreign land
. a very beautiful song called
i love my india
is in this film . this is a wonderful film !
mohabbatein ( 2000 ) srk plays a college teacher who helps three guys to get their love and fighting against the college principal . the film earned him filmfare award for the best actor . this was the first film in which amitabh bachchan and shah rukh appeared together , which created lot of buzz in the industry .
everyone in the film worked at astonishingly low prices , basically because the director was the malayali marvel , priyadarshan . the film , starring anil kapoor , amrish puri , tabu and pooja batra , was sold at just rs 6 . 5 million per territory . and earned four times the amount in almost every territory .
the sanjay dutt magic has withered and waned . or maybe several years in the making made the film , which also stars madhuri dixit , lose its lustre . it was sold at rs 15 million per territory and was swiftly pulled out of theatres . the film could not even manage rs 5 million per territory .
whether a film plot is based on a messiah , a saint , a bodhisattva , a pilgrimage , a reenactment of a sacred text , or whether religious performances are displayed in documentary film , religion shows up in film on a regular basis . this way of thinking about the relation between film and religion seems to be the most apparent to the textual and narrative bias of most religious studies , and it has therefore become the most prominent method of examining the relationship . as with so much of the study of religion itself , a vast majority of these studies have been based in christian theology and display a euro - american outlook .
the film sold at rs 15 million per territory and made almost double the sum invested , rs 29 million . in bombay it got back rs 35 million .
this film had the highest price tag of the year , rs 22 . 5 million per territory . it could not even make rs 10 million per territory .
the religious implications of film reception are most obvious when the experience is understood and analyzed in terms of ritual ; this is not to say that every screening of every film is a ritual , for that would make both terms meaningless , but that the cinematic experience can become a ritual . we can see this when viewers perform
these men are so consumed by cinema that they refuse to notice that they are physically frail or that most of their contemporaries are deadsix hindi films released last weekend—among them chargesheet , dev anand’s 113th film . the film is about the murder of a top actress . dev saab ( i’ve never been able to call him [ … ]
< b > kabhi haan kabhi naa ( 1993 ) < / b > < br > srk played the role of a young musician . it was a rare film where the hero played the role of a loser . it is considered one of khan ' s best performances , and he has said that it is his favorite film .
in july . in these ritualized performances , the religious content of the film is beside the point . rather , what is crucial is the way these activities occur at special
set apart
times ( often in seasonal cycles ) and in special places ( whether the living room of the family home or in the film theater ) in which there is an emphasis on a communal experience and on the aesthetics of seeing and listening ( and usually eating as well ) , and on interacting with other viewers and with the film . whatever else a ritual is , it certainly aims to be an activity that promotes attentiveness and sensual focus , and film form enables just that .
any individual or production company that wants to film or take photographs at our cemeteries is required to obtain prior authorization from toronto hebrew memorial parks . to obtain authorization , send a written request to info @ thmp . ca . rules such as those relating to conduct must be adhered to by those seeking to film or photograph at our cemeteries .
, the cinematic transformation of reality through the technological properties inherent in the form of film itself . because of its emphasis on the formal properties of filmmaking , much of this early film theory did not depend on narrative film , and indeed often triumphed nonlinear , nonnarrative films . thus , through the camera ' s ability to slow down or speed up
real time ,
or to juxtapose images in ways that display new relations , or to zoom in on particular segments of visual reality , the world itself is reconfigured and viewers are given a brand new outlook , a new
worldview .
representation became a means for knowledge ,
revealing
the truth of the world in an altogether new form . and even though debates eventually emerged between the realists and antirealists in film theory , both arguments have implications for a religious view of film form .
entry with a nod to avant - garde film , so will this entry . there remains much promise for religious studies in the avant - garde films of stan brakhage ,
pbs is redoing several dickens books and rerunning david copperfield with daniel radcliffe’s acting premiere . oliver twist is first with timothy spall ( hp film’s peter pettigrew ) as fagin .
ghai went slow on the publicity of the film , shot extensively in the united states and canada . it tugged some nostalgic strings overseas too . the film was sold at a price of rs 18 million per territory , the presence of shah rukh and ghai making it stick . it collected - - on an average - - over rs 40 million . the film did well in bombay , nizam and the archaically - termed central provinces . in fact , in bombay it had a collection of around rs 60 million .
dil se ( 1998 ) shah rukh ' s stellar performance in dil se is a journey through the seven shades of love . the different shades are described as attraction , infatuation , love , reverence , worship , obsession and death . as the film progresses , srk ' s character portrays each shade in the film with heart - touching emotions .
< b > dil to pagal hai ( 1997 ) < / b > < br > the film depicts the love story of dancers in a musical dance troupe and how they fall in love and how their story twists during a live musical play . the tag line of the film was
someone somewhere is made for you . . .
here is another song from pardes . i will have a go at the qawwali too but somebody more fluent in languages like professor gul agha could do it more correctly . more people should help out . even one song a week would help . best to do it for those dvds which have english subtitles . an attempt is made to make it literal even if it sounds strange sometimes .
the continent of africa has experienced a strong increase in film production since the 1970s , with films confronting postcolonial situations that pit the traditional against the modern ; in sub - saharan africa this often includes the conflict between christianity and indigenous beliefs and practice . egypt is the
hollywood of the arab world
and has garnered the attention of the international film world , especially since youssef chahine ' s destiny , a film set in twelfth - century islamic andalusia , was nominated for the golden palm at the cannes film festival in 1997 . other egyptian standouts dealing with religious - political conflicts include daoud abdel sayed ' s land of fear ( 1999 ) and atef hetata ' s closed doors ( 1999 ) .
a westerner ' s appreciation for indian film - stories , songs , stars . if you ' re new to bollywood , this is a great place to start . no spoilers .
then an up and coming superstar , who had begun to establish himself as something of a romantic hero with films like dilwale dulhania le jayenge behind him , shah rukh khan went from playing the little master arjun in pardes , cementing his position as a romantic lead , to being one of the biggest superstars in the country today , who can cause a stir on social media even with a simple selfie .
< b > mohabbatein ( 2000 ) < / b > < br > srk plays a college teacher who helps three guys to get their love and fighting against the college principal . the film earned him filmfare award for the best actor . this was the first film in which amitabh bachchan and shah rukh appeared together , which created lot of buzz in the industry .
which is a critical point of interrogation for the scholar of religion . while theorists of film and religion continually mention the importance of audience reception , very little work has been done in this area . scholars often theorize about the effect of editing , for example , but seldom do they do any ethnographic work to find out how audiences actually do react . more complicated still would be a study that gauged the responses to a particular film in varying locations , times , and cultures , thereby reorienting the location of the meaning of film to the cinematic event .
saaransh is a 1984 hindi drama film directed by mahesh bhatt and starring anupam kher , rohini hattangadi , madan jain , nilu phule , suhas bhalekar and soni razdan . it is about an elderly maharashtrian couple living in mumbai who come to terms with the loss of their only son . this was the screen debut of anupam kher . the film had music by ajit verman and lyrics by vasant dev . it was distributed by rajshri productions . it was chosen as india’s official entry for the 1985 academy award for best foreign language film , where it wasn’t nominated .
< b > dilwale dulhania le jayenge ( 1995 ) < / b > < br > srk - kajol starrer < i > < / i > dilwale dulhania le jayenge < i > < / i > was destined to create history and did so . the film was declared an all - time blockbuster and it remains as the longest - running film in the history of indian cinema . as of 2012 , it is still playing at the maratha mandir theatre in mumbai . this film also established srk - kajols pair as the most lovable on - screen pair .
of all the films of shahrukh khan which are available on dvd , i would say this is one of the least pleasing i ' ve seen . try just about any other one first . this tangled , jumbled mess of a film makes little if any sense at all . any film with alok nath trying to slash someone to death with a sword is a bad one .
bollywood ( hindi cinema ) has had an amazing impact upon cinema audiences as well as scholars of film studies outside of india . arguably , hindi cinema has always provided a nostalgic link to the indian diaspora scattered around the world ( manas ray , 2000 ) , but it is only recently that western audiences , film studies scholars and film critics , ( who until recently described the genre somewhat negatively , and in some ways looked down upon the hindi cinema industry ) , have turned their attention to bollywood . until this period , it was predominantly films from the ‘parallel cinema’ in india , ( screened in art - house cinemas in western europe and north america ) that received attention and in some cases awards in the west . a noteworthy development occurred in 2001 when bollywood was recognised as an industry in india . the campaigning groups were the film federation and lobby groups who demanded legal status for the film industry under the industrial dispute act of 1947 . this meant that the film industry that was previously privately funded could now be funded by national banks . this period marked the new era in hindi cinema . ( bose , 2006 ) .
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sold at rs 20 million per territory , playing on the shah rukh - madhuri - karisma combo , this film has picked up more than rs 70 million per territory already . in bombay alone , it has picked up rs 90 million . the film is also a hit in the south , where hindi films rarely do well , and in the overseas market , a chopra monopoly .
by raveena tandon . the film , sold at rs 15 million per territory , made more than double per territory . the north netted rs 50 million , thanks to sunny ' s presence .
jab harry met sejal hit the silver screens on august 4 , 2017 and after a fair opening day and a weekend below expectations , the film is struggling to even touch rs 70 crores domestic lifetime , leave alone joining rs 100 crore club . today is august 8 and so far the film is on slippery road . even though shah rukh khan had a fan last year , which didn’t go the distance , the film was critically acclaimed and was more of an experiment . and even though this film caters to a niche audience , still the rejection it has faced by the movie going audience is something shah rukh khan has not witnessed ever in his career . actually the actor had faced a similar situation only after the release of ra . one but even that wasn’t as bad . anyway , while his latest film is struggling at the box office and is on course to be his biggest flop yet , it is interesting to see that around the same time in 2013 , shah rukh khan was wreaking havoc at the box office . also read : will jab harry met sejal’s poor performance affect shah rukh khan’s film with aanand l rai ? hear it from a trade expert
the figures can be approximate and we do not make any claims about the authenticity of the data . however they are adequately indicative of the box - office performance of the film ( s ) .
banaji’s book is a brilliant integration of a review of the theoretical literature on hindi cinema and the results from her audience studies . the result is a multifaceted exploration of bollywood that draws upon a range of discussions and theories concerning hindi films , as well as audience studies . banaji weaves these theories into an analysis of the film texts and the responses of young film viewers in london and bombay .
kuch kuch hota hai ( 1998 ) the film is shah rukh khan and kajol ' s fourth film together . the love story revolves around the college years of anjali ( kajol ) who was in love with her best - friend rahul ( srk ) , but he falls in love with tina ( rani ) who dies later . years later , rahuls daughter tries to reunite her father and anjali .
srk ki yeh film dekhna 1 . dtph 2 . ddlj 3 . ram jaane urltoken name is khan 5 . veer zara 6 . chak de india jo fan nahi hain vo srk ke bhakt ho jayenge
akshaye khanna ' s rather chastening entry into bollywood . the film was sold at rs 12 . 5 million per territory , but it failed to get back more than 7 . 5 million per territory .
taal , a love triangle involving an nri boy , a small town girl turned international pop star and a music impresario is perhaps bollywood ' s first film to qualify both as super hit and flop .
' s account of the arbitrariness of the sign ) and that experienced a general mode of alienation due to industrialized , modern life . in the early 1960s , avant - garde filmmaker stan brakhage would continue this language , expressing the religious possibilities of film form in his quasi - manifesto
metaphors on vision
( 1963 ) . for brakhage , film artists are
essentially preoccupied by and deal imagistically with
there is a lovely assembly hall located at pardes shalom cemetery . if you would like more information about renting the hall , please contact our office . if you decide that you want to use the hall for a gathering , you will be asked to review and sign an agreement . you may read the agreement here . to view a few pictures of the assembly hall and the quiet room please see photo 1 , photo 2 , photo 3 and photo 4
devdas ( 2002 ) a tragic story of a loser lover which helped shah rukh khan won a filmfare award . the film was recently included in time magazine ' s top 10 films of the millennium worldwide .
the film starts with kishorilal ( amrish puri ) , an nri who loves all things desi and even though he lives and earns in the us , his great indian dream is to find a desi bahu .
it didn ' t do as well as expected and , considering it ' s a hit , you can gauge the expectation . it was director ' s second film with shah rukh khan and juhi chawla after
vivah is a 2006 indian romantic drama film , written and directed by sooraj r . barjatya . starring amrita rao and shahid kapoor , it was produced and distributed by rajshri productions . vivah tells the story of two individuals , and relates their journey from engagement to marriage and aftermath . vivah is the fourth film to feature shahid kapoor opposite amrita rao . critical reception was mixed ; some reviewers found it dramatically lacking and bloated , but it also has been credited for triggering changes to the way marriage is depicted on film . it became an unexpected success , as well as rao and kapoor’s biggest commercial success at that point .
had a sluggish start , bounced over some bad reviews , and then quickly shifted into top gear . chopra took up the worn - to - death theme of the love triangle and stuffed in a fourth angle to surprise the populace . the add - on , whose name was kept out of the poster and publicity material , did the film much good ; the film didn ' t do him much good , though .
incarnation is out of fashion and distributors wouldn ' t touch it and the sippys released it themselves . but in bengal , the film failed even to get a release . the estimated loss was rs 30 million .
< b > dil se ( 1998 ) < / b > < br > shah rukh ' s stellar performance in < i > dil se < / i > is a journey through the seven shades of love . the different shades are described as attraction , infatuation , love , reverence , worship , obsession and death . as the film progresses , srk ' s character portrays each shade in the film with heart - touching emotions .
since manisha and kajol are well known in the south , tamil nadu itself netted rs 12 . 5 million . the film collected rs 45 million in bombay and had an average collection of rs 30 million per territory .
both authors selected the film hum apke hain koun… ! ( hahk ) ( who am i to you ? , 1994 , dir . sooraj barjatya ) to discuss . hahk was one of the most successful films in hindi cinema in the 1990s . in the uk , hahk ran for many weeks in cinemas in london , and “the high quality of production , family values and no violence were cited by numerous indian film commentators as contributing to its huge success” ( dudrah , p . 55 ) . banaji provides a very interesting interpretation of her respondents’ reading of hahk , whereas dudrah gives an account of the role of the music and songs in the film .
asked what drives him to make films on unusual subjects , ghai said , “i’m always been a director who is experimental by nature . whenever i worked on a subject for my film , they were ahead of its time . the same thing happened with karz . people told me that the film will not do well at the box office . but if i have to follow the box office formula , how will i make a difference ? ”
darr ( 1993 ) in the film darr , he played another negative role . srk essayed the role of an obsessive lover of juhi chawla and the lengths to which he goes to get the girl who is already engaged .
, or have delved into the hybrid religions of afro - catholic mixings . cuba has been a fertile site for film production since the 1959 revolution , with santerian practices showing up , for example , in gloria rolando ' s
< b > kuch kuch hota hai ( 1998 ) < / b > < br > the film is shah rukh khan and kajol ' s fourth film together . the love story revolves around the college years of anjali ( kajol ) who was in love with her best - friend rahul ( srk ) , but he falls in love with tina ( rani ) who dies later . years later , rahuls daughter tries to reunite her father and anjali .
but later , despite a dull first stretch in 1997 , a surprisingly large number of films did well . the consistently dull showing had been some cause of anxiety for hindi cinema , other than the aforementioned film and the 1995 hit
note dvd copy does not have burned - in timecode according to email correspondence in october 2016 , the jewish federations of north america does not own the copyright to this film , so fv staff changed the rights to public domain .
deal with the religious reception of films . film and religion are usefully brought together by the use of such third terms as cultural studies , media studies , or visual culture . from a media studies perspective , see eric rothenbuhler ' s
the subfield of film and religion has gradually gained acceptance in religious studies , and prominent theorists of religion now regularly incorporate discussion of films into their analyses of myth , ritual , and other aspects of religion . alongside this development are newer modes of religious inquiry that utilize material and visual artifacts as primary evidence , rather than
illustration ,
of religious belief and practice . as part of a broader movement within religious studies that is increasingly paying attention to visual - and material - culture studies ( and concomitantly emphasizing religious practice rather than merely belief ) , film and religion studies can continue to play a vital role in the shaping of religious studies and not merely be an appendage to the discipline . along these lines there are two key directions that the field is beginning to take ( and will likely keep elaborating on ) . first , film and religion studies is moving beyond the christian - hollywood matrix and displaying the varieties of global religious experiences and traditions as mediated through film . second , religious approaches to film are helping to point out the constructed nature of vision by making links between visual representation and the creation of socioreligious , worlds with all their attendant myths , ideologies , and practices .


panchama veda ( kannada : ಪಂಚಮವೇದ ) is a 1990 indian kannada romantic drama film written and directed by p. h. vishwanath , in his first independent film as a director , while the dialogues are written by t. n. seetharam .

the film features ramesh aravind , sudharani and ramakrishna in the lead roles .

the film had musical score by sangeetha raja .

upon release , the film was critically acclaimed and won multiple awards at the karnataka state film awards for the year 1989-90 .

panchama veda ( film )

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panchama veda – ಪಂಚಮವೇದ | kannada full hd movie | feat . ramesh aravind , sudharani
play download : bharata - panchama veda by dr raghavendra rao at antaryoga . mp3 lyrics
panchama veda – ಪಂಚಮವೇದ | kannada full hd movie | feat . ramesh aravind , sudharani - youtube
panchama veda ( fifth veda ) . a 1990 kannada drama , romance movie by p h vishwanath starring : ramesh aravind , sudha rani , ramakrishna
sudha rani was twice awarded the karnataka state award for best actress : in 1988 for the film panchama veda and in 1991 for mysore mallige .
she paired with ramesh aravind in over eight films , including panchama veda , shrigandha , aragini , and anuraga sangama .
rani dominated the kannada film industry in the 1990s . sudha rani was twice awarded the karnataka state award for best actress : in 1988 for the film panchama veda and in 1991 for mysore mallige .
watch ramesh aravind playing lead role from the film panchama veda . also staring sudharani and others . film : panchama veda starcast : ramesh aravind , sudharani music : sangeetha raja director : p h vishwanath producer : d rajkumar , p r prabhakar , smt sarojamma banner : sri sathyasai combines release : 1990 for more info : youtube : urltoken twitter : urltoken google + : urltoken facebook : urltoken
manju warrier is an indian film actress and dancer in the [ [ malayalam cinema | malayalam film industry ] .
means worship but in this context of the film , it means a mock marriage . the film is based on the novel
sudha rani is an indian actress in kannada film industry . she has featured in several commercial and critically acclaimed films in kannada , malayalam and telugu . some of her notable films include anand , panchama veda ( 1989 ) , mysooru mallige ( 1992 ) , mannina doni ( 1992 ) , anuraga sangama ( 1995 ) and sparsha ( 2000 ) among others . she has so far twice won the filmfare awards and karnataka state film awards for her performances .
she has featured in several commercial and critically acclaimed films in kannada , malayalam and telugu . some of her notable films include anand ( 1986 ) , panchama veda ( 1989 ) , mysooru mallige ( 1992 ) , mannina doni ( 1992 ) , anuraga sangama ( 1995 ) and sparsha ( 2000 ) among others .
rani was twice awarded the karnataka state award for best actress : in 1988 for the film panchama veda and in 1991 for mysore mallige . for the latter film , she also won the filmfare best actress award . sudha lives in bangalore and is actively involved in the films and art industry carefully picking her projects . she is widely respected as a judge of talent competitions and as an actress who has matured with age . she is very selective about the films that she signs
for the latter film , she also won the filmfare best actress award . .
directed by sr puttana kanagal , the film has in pivotal role by gangadhar , kalpana and leelavati . the film has six soundtracks with music coming from vijay bhaskar .
sudha rani ( born 14 august 1974 ) is an indian actress in kannada film industry .
kesavan venugopal nair , known popularly by his stage name nedumudi venu , is an indian film actor from kerala . widely regarded as one of the greatest actors in indian cinema , he has acted in more than 500 films . he has also written screenplays and has directed one film . he has won two national film awards and six kerala state film awards for his various performances .
she has so far won the filmfare awards and karnataka state film awards twice for her performances .
she has so far twice won the filmfare awards and karnataka state film awards for her performances .
divya spandana , known professionally as ramya , is an indian film actress and politician . she primarily works in kannada film industry , but also appears in tamil and telugu language films . ramya is the recipient of two filmfare awards south , an udaya award , and a karnataka state film award .
at the age of 3 , rani was chosen as a child model for a commercial biscuit brand . as a child artist , she played her first child role in the film kiladi kittu . she followed it with films such as kulla kulli , anupama and ranganayaki . she debuted as a lead actress at age 12 with the film anand opposite shiva rajkumar . during the late 1980s and throughout 1990s , she was part of several commercial successes such as ranaranga , krishna nee kunidaga , panchama veda , mysooru mallige , mannina doni , mane devru , anuraga sangama and sparsha among others . her tamil films , annakili sonna kathai and vasanthakala paravai were commercial successes .
in 1989 she has acted in her 1st film which is tamil and after a gap of 3 years she has made her debut in the film ( in tamil ) : vasantakala paravai and that was a hit . . .
she has so far won the filmfare awards and karnataka state film awards twice for her performances . [ 2 ]
rani was noticed by the spouse of actor and singer rajkumar in a thread ceremony video at the age of 12 . rajkumar selected her to be the heroine of the film anand ( 1986 ) . she went on to appear in such films as mana mechchida hudugi , samara , aasegobba meesegobba , anna tangi , and midida shruthi . in 1989 , she made her debut in tamil with the film annakili sonna kathai and after a gap of 3 years , she starred in vasanthakala paravai , which was a commercial success . following the same she has acted in 10 more tamil films and in all these films she was credited as ' shali ' . she speaks tamil very fluently . she paired with ramesh aravind in over eight films , including panchama veda , shrigandha , aragini , and anuraga sangama . rani dominated the kannada film industry in the 1990s .
gandhi made her film debut in 2003 with a bengali film tomake salam and tamil film kokki in 2006 . since then , she has played lead roles in commercially successful films such as mungaru male , milana , krishna , taj mahal , budhivanta , anu , gokula , dandupalya and dandupalya 2 . gandhi has acted in more than 50 films in a decade .
hamsalekha has won one national film awards and six filmfare awards in the best music director category ; seven karnataka state film awards - four for music direction and three for lyrics - and is a recipient of honorary doctorate , conferred by the bangalore university .
rani is an accomplished kuchipudi and bharata natyam dancer . rani began her acting career as a child in the 1978 film kiladi kittu .
simhada mari is a indian kannada action drama film directed by om prakash rao and produced by ramu . the film features shivarajkumar , telugu actor krishnam raju and a newcomer simran in the lead roles . the film ' s score and soundtrack was scored by hamsalekha and the cinematography was by t . janardhan . subscribe us for latest movies : urltoken like us on facebook : urltoken follow us on twitter : urltoken
hamsalekha is an indian film composer and a songwriter who works in south indian cinema , predominantly in the kannada film industry since the late 1980s . he is also a screenplay writer , dialogue writer , instrumentalist and a conductor . composed and written for over 300 feature films .
upendra rao known mononymously as upendra , is an indian filmmaker , actor and politician known for his work in kannada cinema . he started his film career under actor and film director kashinath , as a writer and an assistant director . his first directorial venture was tharle nan maga .
at the age of 3 , rani was chosen as a child model for a commercial biscuit brand . as a child artist , she played her first child role in the film kiladi kittu ( 1978 ) . she followed it with films such as kulla kulli ( 1980 ) , anupama ( 1981 ) and ranganayaki ( 1981 ) . she debuted as a lead actress at age 12 with the film anand ( 1986 ) opposite shiva rajkumar . during the late 1980s and throughout 1990s , she was part of several commercial successes such as ranaranga ( 1988 ) , krishna nee kunidaga ( 1989 ) , panchama veda ( 1989 ) , mysooru mallige ( 1992 ) , mannina doni ( 1992 ) , mane devru ( 1993 ) , anuraga sangama ( 1995 ) and sparsha ( 2000 ) among others . her tamil films , annakili sonna kathai ( 1989 ) and vasanthakala paravai ( 1991 ) were commercial successes .
ramya made her acting debut in the 2003 kannada - language film abhi . although she has sporadically worked in tamil and telugu films her work in kannada film industry garnered her greater attention ; she won the udaya award and filmfare award for best actress for the amrithadhare and tananam tananam respectively . her performance as the eponymous heroine in the 2011 romantic drama sanju weds geetha garnered her further critical success and a karnataka state film award for best actress . ramya has also starred in the 2011 blockbuster fantasy film katari veera surasundarangi and other commercially successful films including he 2016 epic - fantasy nagarahavu .
pooja gandhi is an indian film actress and producer . she has acted mainly in kannada language films and also appears in tamil , malayalam , bengali and hindi films . gandhi , after starring in the commercially successful 2006 film mungaru male , become one of the most popular and highest paid actresses in south indian cinema and also the recipient of several awards . gandhi popularly came to be known as ' male hudugi ' in the media and kannada film industry .
three decades in an industry is no mean feat and sudharani says there is nowhere else she would have rather been . “in a way , before i could even make a decision about my life , i was already acting . first as a child actor and later , post anand…” but it was not like she wasn’t conscious of her responsibility as an actor . “having come from a conservative family , at some point in my adult life , it was important for me to make a name . i don’t mean money but a repertoire of work that i will be known for , ” she adds . films like panchama veda and mysuru mallige , she says , changed her as an actor and catapulted her career from the sphere of the professional to that of pure passion .
shiva has worked in the film industry for over 30 years , featuring in films such as anand , ratha sapthami , om , janumada jodi , nammoora mandara hoove , a . k . 47 , jogi , bhajarangi , killing veerappan and shivalinga which became milestones in the kannada film industry and made records at the box office . he was conferred an honorary doctorate by vijayanagara sri krishnadevaraya university in 2014 .
he is honored with the guinness world record for recording the most number of film scores . in 2012 , he received the state nandamuri taraka rama rao national award for his contributions to indian cinema . in 2016 , he is honored with the indian film personality of the year consisting of a silver peacock medal . he is a recipient of civilian awards such as padmashri and padma bhushan from the government of india .
nobody will watch those boring plots , they say . for example , why can’t a movie like naanu avanalla avalu be considered a mainstream film ? why not give it good publicity , release it properly etc .
the lovely sudharani is among the long - standing actors of the kannada film industry . having been around for three decades , she tells archana nathan with a sense of sadness , that the present state of affairs in the industry have given her a cause for introspection
vishnuvardhan , was an indian film actor known for his works predominantly in kannada cinema . he appeared in over 220 films in kannada , hindi , telugu , tamil and malayalam . he was called ' the phoenix of indian cinema ' . he made his debut in the 1972 film , vamsha vriksha , in a supporting role . the same year he played the lead role in puttanna kanagal ' s naagarahaavu , and was recognized as the angry young man of kannada cinema . he has played a variety of roles in different genres .
absolutely . from the ones i have worked with and those i’ve seen , i think it is very difficult . they are dieting like crazy , because the producers or the makers of the film have gotten the skimpiest of costumes and they have to fit into that .
jaggesh is an indian actor , director , producer and politician who predominantly works in kannada film industry and is very famous by his screen name as
navarasa nayaka
. jaggesh ' s net worth was ₹124 crore according to the forbes list in the year of 2018 .
sudha rani was born to gopalakrishna and nagalakshmi . she is the niece of popular film personality , chi . udaya shankar and the cousin of actor - director chi . guru dutt . she began modelling in print ads at the age of three . her mother enrolled her in dance classes at age five . rani is a kuchipudi and bharata natyam dancer . at age 7 , she was roped in by her brother for his short film based on children , titled as child is here which won an international award . she was also actively participating in the children shows at the prabhat kalavidaru theatre troupe .
sometimes , the way some of these filmmakers narrate the story , i get the impression that the film will be really good . but five or six shots later , i’ll know the calibre of the filmmaker . visually , they go overboard or they lose track . or they’ll be told ee track tumba chanagide ( this track is really good ) , comedy track swalp develop madbeku , bere yella mamooli ( let’s develop comedy track and focus on that , everything else is pretty ordinary ) . the argument used to add these x , y and z elements is often that no one will buy the film otherwise .
the first government institute in india to start technical courses related to films was established in 1941 named as occupational institute then named as s . j . polytechnic in bengaluru . in september 1996 , two specialized courses cinematography and sound & television were separated and a new institute government film and television institute was started at hesaraghatta , under the world bank assisted project for technician development in india . the industry is known for kannada language literary works , being translated into motion pictures , some of the works which received global acclaim include , b . v . karanth ' s chomana dudi ( 1975 ) , girish karnad ' s kaadu ( 1973 ) , pattabhirama reddy ' s samskara ( 1970 ) ( based on a novel by u . r . ananthamurthy ) , which won bronze leopard at locarno international film festival , and girish kasaravalli ' s ghatashraddha ( 1977 ) which won ducats award at the manneham film festival germany .
manju warrier made her acting debut in sakshyam at the age of 16 . her most well - known films are thooval kottaram , sallapam , ee puzhayum kadannu , krishnagudiyil oru pranayakalathu , pranayavarnangal , kanmadam , summer in bethlehem , pathram , kannezhuthi pottum thottu , how old are you ? , and udaharanam sujatha . manju won the national film award – special mention for her performance as bhadra in kannezhuthi pottum thottu . she also won the kerala state film award for best actress for her performance as anjali in ee puzhayum kadannu , along with five filmfare awards for best actress which is a record in that category .
as a composer , he is a two - time recipient of the karnataka state film award for best music director , which he won for rakshasa and inthi ninna preethiya . as an actor , he has received multiple nominations and awards in the category of best comedian in the south indian international movie awards .
he has also acted in malgudi days , directed by his younger brother shankar nag , based on the stories by r . k . narayan . he is fluent in kannada , konkani , marathi , hindi . he is a recipient of six filmfare awards south and five karnataka state film awards for best actor .
sripathi panditaradhyula balasubrahmanyam mostly referred to as s . p . b . or balu is an indian playback singer , music director and film producer who works predominantly in telugu , tamil and kannada cinema . he has recorded over 40 , 000 songs in 16 indian languages . he has garnered six national film awards for best male playback singer for his works in 4 different languages ; hindi , kannada , tamil and telugu ; twenty five andhra pradesh state nandi awards for his works towards telugu cinema , numerous other state awards from tamil nadu and karnataka . in addition , he garnered the bollywood filmfare award , and six filmfare awards south .
either it is going to maintain status quo or it will go further down . in the current crop of heroes , we don ' t have actors or performers who can shoulder a good film . i have not seen a promising youngster who is capable of delivering a convincing , complete performancei don’t even want to talk about the women…
manju warrier got married to actor dileep in 1998 and quit acting . in 2015 , they divorced . she has since made a comeback to cinema after a 14 - year break with the critically and commercially successful film how old are you ? , which won her many accolades , notably her record setting fifth filmfare award for best actress - malayalam .
rajkumar entered the film industry after his long stint as a dramatist with gubbi veeranna ' s gubbi drama company , which he joined at the age of eight , and got his first break as a lead in the 1954 film bedara kannappa . he went on to work in over 220 films essaying a variety of roles , and excelling in portraying mythological and historical characters in films such as bhakta kanakadasa , ranadheera kanteerava , satya harishchandra , immadi pulikeshi , sri krishnadevaraya , bhakta kumbara , mayura and babruvahana and bhakta prahlada . trained in classical music during his theatre days , rajkumar also became an accomplished singer in kannada cinema and despite imperfections in shruti and pitch , he came to be known for his diction in the language .
in terms of technical aspects , we have improved perhaps . but even this ‘growth’ is not really for the better . earlier , filmmaking had a framework and that was followed . there used to be a lot of planning of shots , of dialogues… filmmakers would analyse each aspect of the film in detail . this is why we are still able to recollect those old films .
veeraswamy ravichandran known mononymously as ravichandran , is an indian film actor , director , music director and editor best known for his work in kannada cinema . he is the real
the show man
of kannada cinema for his multi - faceted works in his associated films . ravichandran ' s net worth was ₹872 crore according to the forbes list in the year of 2018 .
in the mid 1990s upendra directed om , which portrayed actual bangalore gangsters , followed by a , which was his debut film as an actor . upendra , his next film , starred raveena tandon , a bollywood actress . after a decade of acting in kannada , telugu and tamil films , he returned to the role of director with the multilingual movie super , which was well - received critically and commercially . upendra is known for his work in films such as a , upendra , preethse , super star , hollywood , raktha kanneeru , budhivanta , super , kalpana , s / o satyamurthy , uppi 2 . upendra has thus established himself as one of the most successful actors and directors of kannada cinema . he is currently one of the highest paid directors and actors in the kannada cinema .
nagaraju shiva putta swamy , known by his screen name shiva rajkumar is an indian film actor , producer , playback singer and television presenter , best known for his work in kannada cinema . he is the eldest son of actor rajkumar . in his career spanning over three decades , shiva has worked in over 125 films . shivarajkumar ' s net worth was ₹641 crore according to the forbes list in the year of 2018 .
son of notable film producer n . veeraswamy , ravichandran made his acting debut in khadeema kallaru as an antagonist and followed it up with chakravyuha in 1983 . after starring in a series of multi - starrers in supporting and lead roles , he cast himself in his directorial debut premaloka , which became one of the highest grossing blockbuster films in kannada cinema . as a producer , he continues to run sri eswari productions . he is fondly and popularly known as the crazy star of kannada cinema .
sahaya sheelan shadrach known by his screen name sadhu kokila , is an indian musician , actor , film director and producer , and an occasional screenwriter and lyricist who works in kannada cinema . having trained in music at a young age , he is today considered one of india ' s fastest musical keyboard players . he began his career as a composer before taking to acting in films , appearing mostly in comic roles . he has also directed ten kannada films , the notable one being raktha kanneeru .
vinaya prasad born as vinaya bhat is a popular film and television actress in south india who has primarily featured in kannada and malayalam films , tv series besides acting in a few tamil and telugu language films . she has won the state best actress award for her performances in aathanka and bannada hejje . the senior actress in her career has shared screen space with chiranjeevi , vishnuvardhan , rajinikanth , mohanlal , ambareesh , venkatesh , ananth nag , akkineni nagarjuna , v . ravichandran , shivrajkumar , mahesh babu , mukesh and others .
kannada cinema , colloquially referred to as chandanavana or the sandalwood , is a part of indian cinema , where motion pictures are produced in the kannada language . as of 2013 , the kannada film industry based in bengaluru , karnataka , produces more than 100 films each year . although the industry ' s gross box - office is smaller , when compared to large market driven industries such as tamil cinema and telugu cinema , kannada films are released in a total of 950 single screen theatres in karnataka and a handful of the movies are also released in the united states , australia , germany , the united kingdom and other countries .
in 2008 , a poll conducted by cnn - ibn listed vishnuvardhan as the most popular star in the kannada film industry . a road stretching 14 . 5 km from banashankari temple to kengeri in bengaluru has been named after the superstar . it is the longest road in asia to be named after a celebrity . he was a martial artist , in an interview with the hindu , he had said that it was the era of bruce lee and it was only kamal haasan and himself who had learnt martial arts in his generation . he was also the story writer of the 1997 movie ganesha i love you directed by phani ramachandra .
it would not be an exaggeration if we say that sudharani grew up in and with kannada cinema . an avid worshipper of rajkumar , she and her brothers would watch all of his films as children . “in fact , when we played with dolls as children , we would name them after the characters in rajkumar’s films . there was one particular film we used for our game… one doll was rajkumar , one was jayamala and the other , with curly hair , was prabhakar , ” she says suppressing her giggles . interestingly , sudharani also owes her own professional tryst with cinema to rajkumar , her icon and the doyen of kannada cinema .
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kavya - - ಕಾವ್ಯ | kannada full hd movie | feat . ram kumar , sudharani
watch the best kannada movie evergreen , old kannada full movie on our channel . please subscribe , by clicking the subscribe button above . stars : ramesh aravind , sudharani , ramakrishna , geetha , krishne gowda , kashi , mallikarjunaiah , neernalli raju , nagendra shaw , nagesh r , soori , ramesh babu , buddivantha nayari , ramachandra hulimavu , vijaykumar jitthuri , chayapathi , ithal , robin , sujatha , geethanjali , sundaramma , baby aarathi , pushpa , bhagirathi direction : director p h vishwanath associate director neernalli raju , nagendra shaw assistant director soori production : banner sri sathyasai combines presenter m d naidu producer d rajkumar , p r prabhakar , smt sarojamma production manager jayakumar
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when it rains it pours ! unfortunately the site is down for a bit of maintenance right now . but soon we ' ll be up and the sun will shine again .
it has been 30 years ( february 19 , 1986 ) since she made her debut in singeetham srinivasa rao’s anand ( 1986 ) , a role that was given to her because rajkumar and parvathamma recommended her for it . last week , the davangere rajkumar abhimanigala sangha felicitated sudharani to commemorate her contribution to kannada cinema . “it was heartening to see that at least someone acknowledged a woman’s contribution to kannada cinema , ” she said looking at the memento fondly .
strangely therefore , in all these years , it is only now , with the industry in its current avatar , that she feels that there is an urgent need for an introspection from her side . with a diminishing potential for character roles and roles for women in general , sudharani feels encouraged to pause and make her decisions carefully . as she settles down for a conversation about the present , in her beautiful home in malleswaram , the past regularly intervenes . excerpts :
you’re someone who has seen the industry change over the years . what is your assessment of the industry today ?
today , for example , in a scene we have close to 42 cut shots ! it is considered great . but , from the audience’s point of view , it takes a certain amount of time for the brain to register a scene or a dialogue , right ? you should not have so much happening on screen .
earlier , i was lucky enough to see films that were celebrating a 25th week run or a 365 - day run . now , i see amogha eradane vaara , celebrations after the second week ! it is funny but at the same time , it is really sad to see that an industry that was once flourishing has become like this .
i think things started to change drastically sometime in the early 2000s . earlier , people entered this industry with a passion for the form . they would fight their community and their family to come into the industry in order to create something valuable . gradually , with the real estate boom , it became ‘fashionable’ to be associated with the movies . suddenly , it became a trend to shout out loud that one is associated with a movie , irrespective of its quality or the filmmaker’s experience .
honestly , i’m not getting the kind of roles that i’d really like to do . i guess it is happening to many of my colleagues too . also , look at the kind of roles for these young girls today ! there is nothing great about the role itself .
i do feel sorry for them because other than being just a decked up glamour doll , there is nothing else . sometimes they are not even comfortable carrying those outfits . now more than ever , most heroines don’t even know kannada . the industry seems to be happy with just bringing actors from mumbai and so on . all of them look like a copy of each another .
i’ve generally cut down on the number of movies i do because i don’t want to do movies for the sake of doing them . i have lived my life here in this industry and never deviated from it . i have not developed any other alternative profession like others who have ventured into fields like politics or dance etc . i’m still trying to introspect and find out what else i can do . until then , this is what i know and this is what gives me happiness .
you have to accept that in an industry like this , it will always be a cycle . you cannot always remain in the limelight . earlier character roles would be given so much importance . they would say that only so and so can perform this particular role . nowadays the first consideration is the money to be paid to an actor . also , there is no stuff in the role , so it doesn’t matter whether i do it or someone else does it .
it is a man’s industry . it is all about the hero . or , the comedian or the villain who is at par with the hero .
as women , we should put our foot down and ask them why they want to ridicule us . i used to get worked up before . but it was only me that used to speak up and even though others would feel the same way , they wouldn’t express themselves .
i was once offered to be a part of the censor board but i said no . i’ll be the only one saying these things and it will cause rift . there are people in the board who don’t even know kannada .
i think they’ve been pushed aside . the current crop of so - called filmmakers are only interested in making the ‘commercially successful’ movies .
asking us to come up with a good movie is a fair demand , but that doesn’t mean it should be a movie that is similar or is aping another industry’s . we need our own idiom .
rukmini a young full of life girl believes in getting married to the boy who loves her and not her father ' s wealth . ravi is welcomed at rukminis place , and after a few misunderstandings , both rukmini and ravi fall in love with each other . then chaos descends upon the rukmini ' s family when they find out that the boy named ravi is a fake , and that the real ravi was delayed and is now reaching their village
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upon rewease , de fiwm was criticawwy accwaimed and won muwtipwe awards at de karnataka state fiwm awards for de year 1989 - 90 . the fiwm was remade in tewugu as rukmini ( 1998 ) .
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ramesh aravind ( born 1964 ) ( mononymously referred to as ramesh ) is an indian actor , writer , director , producer and a tv host . he has predominantly worked in kannada and tamil films whilst acting in a few telugu , malayalam and bollywood films . ramesh is known for his roles in sathi leelavathi , duet , america america , nammoora mandara hoove , ulta palta , hoomale and amrutha varshini .
he has earned and been nominated for numerous awards during his career , including winning two filmfare awards for best actor and karnataka state awards for best actor and best story for his script in hoomale , as well as udaya tv and suvarna tv awards .
ramesh is also known for his collaboration with the director k . balachander , who introduced him in the 1986 kannada hit sundara swapnagalu and further went on to work in films such as manathil uruthi vendum ( his tamil debut ) , duet and rudraveena ( his telugu debut ) .
it ' s fine it ' s ok to take 27 the good scenes you ' re so good the bad scenes we ' ll edit later and the moon and the stars and the highway it ' s perfect everyone ' s getting all their lines right tonight it ' s an ongoing affair it ' s no one cares it ' s like a piano or a suitcase or jet lag or a fountain of love everybody wants to be like movies no you ' re right i don ' t know what i ' m doing the sound is searching you it ' s finding the smallest part of your mass it ' s taking you over it ' s like ally sheedy says she ' s the protagonist in your head like an anthem or a bad p . a . system or arugula or kiss me now
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upendra is known for his thematic representation of indian politics and society in films directed by him .
anant nagarkatte , popularly known as anant nag , is an actor from karnataka , india . he is reputed for his natural , under - playing style of acting , in kannada cinema . in addition to kannada movies , he has acted in marathi , tamil , malayalam , telugu and hindi movies .
jayashree , known by her screen name sudha rani , is an indian actress , voice artist and a former model . she has primarily worked in kannada films , though she appeared in a few tamil , telugu and malayalam cinemas .
hamsalekha is usually referred to by the title naadha brahma who is considered to be the major cause for the change in the music composing and lyric writing style which would appeal much to the younger generation . he integrated folk and introduced western musical sensibilities into the mainstream cinema . he is also accredited for introducing many musical talents to the industry .
k . r . vijaya is an indian actress who has starred in tamil , malayalam , telugu and kannada films . she started her career in the 1960s . she has been acting for more than four decades now in south indian cinema . k . r . vijaya has worked with almost all the stalwarts of south indian cinema and has played a variety of roles . she had acted in more than 320 films in tamil , malayalam , telugu and kannada .
honnasandra narasimhaiah chandrashekar , known popularly as mukhyamantri chandru , is an indian actor and politician . as an actor , he is known for his work in kannada theatre and cinema . the sobriquet mukhyamantri stuck to his name after the play of the same name that sees him portray the titular role became widely popular . having portrayed mostly comic and negative roles throughout his career , chandru is a regarded as a character actor , and has acted in over 500 films since making his debut in 1983 .
chandru joined the janata party in 1985 and won the year ' s assembly elections from gauribidanur . switching to bharatiya janata party , he became a member of the legislative council in 1998 and 2004 . he served as the chairperson of the kannada development authority till 2013 before quitting to join the indian national congress in 2014 .
he made his debut in 1983 movie ibbani karagithu in a small role prior to appearing as a hero in banda nanna ganda . he holds high success rate to his credit starting from his old movies like banda nanna ganda , tharle nan maga , super nan maga , server somanna , bevu bella to recent movies like mata , eddelu manjunatha , vaastu prakaara and neer dose .
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this socially relevant movie explores the problem of prostitutes also known as devadasis . it was based on the novel written by m . k . indira . the heroine chandra ( played by kalpana ) is the daughter of a devadasi is in love with a young man who is her neighbour . the young girl understands the value of education and with the support of her mother intends to reject the life of prostitution . circumstances and the young man ' s suspicion makes him abandon the heroine . ironically the girl he marries is the daughter of the heroine ' s father who had abandoned both her and her mother . chandra agrees to perform gejjepooje as part of initiation into a life of prostitution but in the end she commits suicide by swallowing a diamond .
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b . c . gowrishankar , india , karnataka , kannada language , s . ramachandra
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teachers sudha and sudha rani who are part of the core team that help run the garden activities explain , “passion fruit isn & # 39 ; ta very common fruit . this way we introduce the children to a wider range of plants . it & # 39 ; s really sad , but some of them can & # 39 ; t
the team : s . rama devi ( captain ) , s . meghana , ns tulasi rama lakshmi , pv sudha rani , p . kalpana , e . dhanalakshmi , manvin kaur kohli , a . priyanka , r . kalpana , p . nagamani , s . lavanya , am meghana , v . tejeshree , ch . jhansi lakshmi
cnn - ibn met patients like sudha rani who has been here with her son . she is worried not just about her son & # 39 ; s deteriorating condition , but also that she will be asked to leave the icu given the lack of space . & quot ; we are already sharing the bed with another
6 . variation of terms of appointment of shri venkateswarlu jasti as chairman & amp ; ceo from 5 years to 3 years . 7 . variation of terms of appointment of smt . sudha rani jasti as whole - time director from 5 years to 3 years
his mother , sudha rani , a teacher at ims test prep , a chain of management entrance test training centres , says chandradeep has benefited from the device . “more than anything else , he is able to understand and answer not 100 % , but about 80 % of the
telugu desam party & # 39 ; s ( tdp ) rajya sabha mp gundu sudha rani declared that she would be sending her resignation to rajya sabha chairman hamid ansari . nine lok sabha members of congress party and two members each of tdp and telangana rashtra samithi
tdp leaders - - r . prakash reddy , mla , gundu sudha rani , mp , and n . rajalingam , mlc , were virtually chased away by unruly crowds . the youth remained highly charged and unrelenting despite requests from trs leaders to stay calm . political jac chairman p
in 2009 , 36 - year - old sudha rani used to look for excuses to keep her two children occupied during the holidays so that they do not play outdoor games under the scorching sun . “not anymore . with the simplest online games on offer now ,
the & # 39 ; best student & # 39 ; under diploma courses was won by ms . v . sudha rani whereas the & # 39 ; best student & # 39 ; for m . sc cosmetology iii batch was won by ms . alexon clora . ms . annapurna , director of anoo & # 39 ; s beauty salon and clinic for men and women appreciated the
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her mother nurtured sudha ' s talent by enrolling her in dance classes at age five .
she was noticed by the spouse of actor and singer rajkumar in a thread ceremony video at the age of 12 .
she went on to appear in such films as mana mechida hudugi , samara , aasegobba meesegobba , anna tangi , and midida shruti .
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jayashree ( born 14 august 1973 ) , known by her screen name sudha rani ( kannada ? ) , is an indian actress , voice artist and a former model . she has primarily worked in kannada films , though she appeared in a few tamil ( credited as shali ) , telugu and malayalam cinemas . [ 1 ]
at the peak of her career , rani married a u . s . - based anesthesia specialist , dr . sanjay . however citing understanding differences , she parted ways after having stayed in the us for 5 years . [ 3 ] later , she married her relative , govardhan . [ 4 ] she has a daughter nidhi born in the year 2001 . [ 5 ] [ 6 ]
sudharani ragupathy interacts with shri v . a . k . ranga rao on thillanas in bharatanatyam
mimicry artist - chittoor gopichand & mrs . sudharani - who is home minister of the house ? - 01
manda sudharani & m . p . sruthi ravali - shankara sri giri - hamsanandi - 19 . 01 . 2013
mimicry artist - chittoor gopichand & mrs . sudharani - who is home minister of the house ? - 02
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after graduating with bachelor of science , shiva made his debut screen appearance in films with singeetham srinivas rao ' s anand , which fetched him the cinema express award for best actor . his first three films , namely anand , ratha sapthami and mana mechchida hudugi were all highly successful , earning him the title hat - trick hero coined by the media and his fan followers .
she joined the janata dal party in 2012 by taking the membership of the party . she soon hopped onto kjp party and later to the bsr congress party and contested the karnataka assembly elections from raichur constituency . however , she was defeated in the elections and did not win any seat from the constituency .
spandana joined the indian national congress in 2012 as a member of its youth wing ; she later won a 2013 by - election to become a member of parliament for mandya constituency in karnataka , but was defeated in a general elections the following year .
sudeep sanjeev , known mononymously as sudeep , is an indian actor , filmmaker and television presenter , known primarily for his work in kannada cinema , in addition to appearances in a handful of telugu , hindi and tamil films .