men without women is an american 1930 pre-code drama film directed and written by john ford , from the script by james kevin mcguinness .

the film also starred kenneth mackenna , frank albertson , and j. farrell macdonald .

the sound version is now lost .

only a print of the " international sound version " , held by the museum of modern art , survives .

men without women ( film )

women without men has compelling stretches , but the film ' s formal concerns overwhelm the storytelling .
men without women ( 1930 ) , black & white , 73 minutes , not rated .
men without women ( 1930 ) , black & white , 72 minutes , not rated .
this manufactured - on - demand dvd - r is our recommended home video edition of men without women .
the actress shabnam tolouei in “women without men , ” directed by shirin neshat from the novel by shahrnush parsipur .
shabnam tolouei plays one of four women from different social strata who seek out a healing zone in “women without men . ’’ ( indiepix films )
women without men : a novel of modern iran and over 2 million other books are available for amazon kindle . learn more
women without men is showing with a new short film entitled sunday , by roger hyams and narrated by bill nighy , a piece composed of still images depicting a journey through an unfamiliar london .
this poorly - produced dvd - r edition is , thankfully , no longer the only known dvd home video edition of men without women . we recommend the fox edition above .
the best moments still have rough power and an adamant belief that sisterhood is a critical element of women’s freedom and that women’s freedom is a critical element of human freedom . the film is dedicated to those who have died in a century of struggle for democracy in iran ; “women without men’’ looks forward with both anger and hope .
a modern literary masterpiece , women without men creates an evocative and powerfully drawn allegory of life in contemporary iran . internationally acclaimed writer shahrnush parsipur follows the interwoven destinies of five women including a prostitute , a wealthy middle - aged housewife and a schoolteacher as they arrive by different paths to live together in a garden in tehran . shortly after the 1989 publication of women without men in her native iran , parsipur was arrested and jailed for her frank and defiant portrayal of women ' s sexuality .
women without men
is a modern - day golden girls , shot in the style of curb your enthusiasm . the show is about a group of female friends who were once married and had decent careers ; but who now find themselves without any significant men in their lives , and their careers are no longer what they used to be .
“women without men” conveys the slightly detached formality of a pageant , whose four main characters , iranian women from different classes and backgrounds , have more symbolic weight than flesh - and - blood reality . it was filmed in morocco , with casablanca doubling for 1950s tehran .
ab 10 . 9 . 2010 im kino . ein film von shirin neshat , shoja azari . women without men ist der erste spielfilm der international renommierten video - künstlerin shirin neshat . im september vergangenen jahres erhielt sie hierfür beim 66 . internationalen filmfestival von venedig den silbernen löwen für die beste regie und den preis der unicef . weitere infos zum film auf urltoken ( c ) polyfilm verleih
women without men ,
chronicles the intertwining lives of four iranian women during the summer of 1953 ; a cataclysmic moment in iranian history when an american led , british backed coup d ' état brought down the democratically elected prime minister , mohammad mossadegh , and reinstalled the shah to power .
loosely adapted from a magical realist novel by shahrnush parsipur , who appears briefly as the brothel’s stridently bossy madam , “women without men” is set in august 1953 , when an anglo - american - backed coup d’état toppled mohammed mossadegh’s democratically elected government and installed the shah as dictator . the number of women has been reduced from five in the novel to four in the film .
shirin neshat ' s women without men is an adaptation of shahrnush parsipur ' s magic realist novel of the same name . shirin neshat is an iranian artist who ' s first feature length film women without men was nominated for golden lion award . women without men chronicles the intertwining lives of four iranian women during the summer of the 1953 coup d tat . the 1953 iranian islamic revolution a cataclysmic moment in history when an american led , british backed mission led to the over throw of prime minister , mohammad mossadegh , and reinstalled the shah to power . over the course of several days four disparate women in the middle east from the iranian culture are brought together against the backdrop of political and social chaos . as the political turmoil swells in the streets of tehran , each woman seeks to be liberated from her predicament . it is only a matter of time before the world outside the walls of unrest seep into the lives of these four women as their country ' s history takes a tragic turn .
women without men
is a modern - day golden girls , shot in the style of curb your enthusiasm . the show is about a group of female friends who were once married and had decent careers ; but . . . see full summary »
women
recalls the adventurous foreign films of an earlier era . audiences will continue to discuss and debate the film long after it reaches its poignant conclusion .
every frame of “women without men” and every image within those frames attest to the background of its first - time director , shirin neshat , as a photographer celebrated for her explorations of islamic gender issues . this visually transfixing film , which originated as a video installation , has the feel of an exhibition of ms . neshat’s work whose figures have stirred to life to play out a tragic feminist allegory .
a must - see film ! this film is enthralling for its visual beauty as well as its seventh seal - like imagery . the cast delivers powerful , nuanced performances , and the score is equally strong .
a poetic , impressionistic portrait of four women tangentially caught up in the political turmoil .
ms . neshat , who lives and works in new york , continued to visit iran until she was banned from the country in 1996 for the political content of her work . since 1998 , she has collaborated with her husband , shoja azari , a video artist and filmmaker , with whom she wrote the screenplay for “women without men . ”
the film is not designed as social realism . the novel by shahrnush parsipur ( who plays the madam in the brothel ) is a work of magical realism , and the film incorporates intriguing flights of fantasy when dealing with the women ' s commune in the forest . even the visual palette reflects these leaps into fantasy .
‘women without men’’ takes place in 1953 , during the civic unrest surrounding the cia - backed overthrow of iran’s prime minister , mohammad mossadegh . really , though , that’s a dodge . shirin neshat’s film , a magical - realist cry from the heart , is as up - to - date as last year’s pro - democracy protests . “all we wanted was to find a new form , a new way , ’’ muses one of the characters on the soundtrack . “everything repeats itself over time . ’’
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
director shirin neshat was born in iran , but her controversial photographs and experimental videos have made it impossible for her to return ; she now lives in new york . neshat ' s first feature ,
women without men ,
looks back at the crucial moment in 1953 when democratically elected president mohammed mossadegh was overthrown in a coup engineered by england and the u . s . this beautifully made film ( which won the best director award at last year ' s venice film festival ) is the very definition of an art house movie with limited appeal , but its political import gives it added talking points that will draw attention .
a surreal visual feast , women without men was widely praised for its cinematography upon its release and shirin neshat won the silver lion at the 2009 venice film festival for best directing . neshat was born in iran but left for the united states in 1979 just before the islamic revolution and has been banned from even visiting her home country since 1996 . a visual artist and photographer as well as a filmmaker , neshat’s work explores notions of femininity in relation to the social , cultural and religious codes of islamic societies .
between these heroines high and low is munis ( shabnam tolouei ) , a fiercely intelligent woman aching to take part in the street protests but forbidden to leave the house by her brother ( essa zahir ) . she haunts “women without men’’ like a guilty conscience , willing herself into political actions available to few iranian women in 1953 . her meek friend faezeh ( pegah ferydoni ) fears munis’s boldness until her own crisis propels her toward the orchard and a growing awareness of the forces arrayed against her .
born in iran in 1946 , shahrnush parsipur began her career as a fiction writer and producer at iranian national television and radio . she was imprisoned for nearly five years by the islamist government without being formally charged . shortly after her release , she published women without men and was arrested and jailed again , this time for her frank and defiant portrayal of women ' s sexuality . while still banned in iran , the novel became an underground bestseller there , and has been translated into many languages around the world . she is also the author of touba and the meaning of night , among many other books , and now lives in exile in northern california .
the director is a celebrated iranian photographer making her debut feature , and “women without men’’ features crystalline shot compositions that seem to rise out of an alternately troubled and serene dreamscape . at times the beauty of the visuals work against the defiant unprettiness of the message , though , and you may sense that neshat prefers art - film looseness because her skills with narrative have yet to catch up . the movie entwines historical reenactment and resonant emotional symbolism but ultimately fails to come together with the devastating punch the filmmaker and her cast are building toward .
our modern opinions of this film must be tempered with some perspective . the only known surviving version of the film is held by the museum of modern art , an english language workprint of the international export version of the film . not a final release version of the film , the workprint is a mish - mash of sound and silent sequences , sometimes with seemingly insignificant background dialogue in the soundtrack but no main dialogue . music cues are choppily edited and repeated . sometimes music and dialogue disappears altogether as an intertitle interrupts a synchronized sound sequence .
that the woman saying this is either dead or on her way there — it depends on how you read neshat’s oblique imagery — is a mark of the profound frustration and sorrow that moves this story forward . “women without men’’ is adapted from a novel by the feminist writer shahrnush parsipur ; the book has been banned in iran since the 1990s , and you can readily understand why . it’s a celebration of women’s resilience in the face of absolute patriarchy , an oppression that’s felt on personal , cultural , and political levels .
this movie really demonstrated what german women were up against with the onslaught and occupation of the russian army . .
the azan that we hear through the film is moazzenzade ardabili ' s version which was recorded in 1955 while this movie takes place in 1953 .
reviews of silent film releases on home video . copyright © 1999 - 2018 by carl bennett and the silent era company . all rights reserved .
magical surrealism is a wonderful drug , and once you ' re done reading this , you ' ll have thought you have taken drugs , because that ' s just how trippy this story is . although the main dialogue , as shown in the title , is about how women can live without men governing their lives , the oddity of the world takes front and center , completely distracting and entrancing you unless you give it a clear literary read .
set in the time of the shah , this series of inter - related stories describes the life of five woen in iran . gives a moving description of day to day life of women form differenet backgrounds whose lives cross at a time of stress and change for them lots of metaphor and symbolism . necessary reading beore seeing the film of the same name as explains much that is just hinted at in film . very moving .
this subjective , interior work revolves around the lives of four women during this turbulent moment in iran ' s history . munis ( shabnam tolouei ) is a budding feminist who refuses to hew to the circumscribed roles for women prescribed by her tyrannical brother .
the film’s synchronized music , sound effects and dialogue soundtrack is reproduced in the right stereo speaker only . a metallic ringing from overcompression of the audio is present throughout .
everything is imagined by neshat with clear - eyed compassion and narrative drive , and she shows a bold candour about sexuality and women ' s bodies . the film is shot by cinematographer martin gschlacht , who recently worked with joanna hausner on lourdes . he creates tremendous images using painterly , washed - out colour tones , framing dream - like tableaux , but also creating plausible action sequences . neshat has directed a quietly tremendous film which ensnares both the heart and the mind .
the film moves in overlapping circles around four women of radically different social strata and available freedoms . fakhri ( arita shahrzad ) is an elegant upper - class matron whose husband ( tahmoures tehrani ) , a general backing the shah , reviles her for being no longer sexually desirable ; she leaves him and buys an orchard out in the country that becomes the story’s mystical center , a surreal healing zone for women whose spirits have been crushed .
set in tehran , iran , during the 1953 cia - backed coup d’état that returned the shah of iran to power , women without men follows the lives of four women . munes does not want a husband but her tyrannical brother amir khan fiercely disagrees . faezah , munes’ friend , secretly loves amir from afar , despite the fact that he is getting married to someone else . zarrin is a prostitute whose work is slowly destroying her . and fakhri is the wealthy middle - aged wife of a general , unhappy in her marriage and longing for an old flame , an officer who has returned to tehran after some time away . it is in the beautiful orchard garden of fakhri’s villa that the four women’s fates intertwine and they find a peaceful haven away from the miseries of their everyday lives .
early women filmmakers : an international anthology ( 1902 - 1943 ) . films by blaché , weber , dulac and more ! available from amazon
the director ' s use of blatantly artificial devices - characters gliding along the ground , fast - breaking dawns - detaches her film from its strongest sources of turbulence and despair .
the much - anticipated pic has striking moments comparable to the best of neshat s potent imagery . . . - - variety . . . you have a feature film that s a must - see in the international festival and art - house circuit - - la times this beautifully shot film , set in tehran during the period leading up to the 1953 coup which toppled the democratically elected government , is a quiet and understated look at the lives of four very different women s struggle for freedom . - - london times
magic realism works surprisingly well alongside
everyday life
in this drama which focuses on the interweaving of four iranian women in 1953 - the year of the us / british coup d ' etat . complex but approachable , the film deftly tackles feminist , religious and political themes in an assured evocation of period . excellent performances from the four lead actors .
because this subversive film could not be made in iran , production designer katharina woppermann did an expert job of re - creating iranian settings in morocco . the haunting musical score enhances the movie ' s mournful power .
it ' s a celebration of women ' s resilience in the face of absolute patriarchy , an oppression that ' s felt on personal , cultural , and political levels .
parsipur weaves a lively tale about many separate women , eventually bringing them all together in a mystical ending . i could not put it down and read it in one day .
already taking refuge there when fakhri arrives is zarin ( orsolya tóth ) , a skeletal prostitute who has fled tehran after a mental breakdown . zarin is the most extreme victim in the movie and its most naked metaphor ; a sequence in a public bath where she rubs her skin bloody trying to cleanse the taint of men is shocking for both its violence and casual nudity . ( the film is a european coproduction that was , for obvious reasons , shot in morocco rather than iran . )
the most memorable of the four is zarin ( orsi toth ) , an emaciated prostitute who impulsively flees the brothel in which she works and finds temporary refuge at a women’s public bath . here she furiously scrubs her body raw in an anguished attempt to erase the imprint of the men who have used her . at once monumental and pastel - hued , the bath scenes suggest ms . neshat’s response to the famous ingres canvas “the turkish bath . ”
with its intense chiaroscuro and meticulous manipulation of color that ranges from stark black and white to richer , shifting hues in scenes set in a metaphorical orchard , the film surpasses even michael haneke’s “white ribbon” in the fierce beauty and precision of its cinematography ( by martin gschlacht ) . two of the film’s recurrent images are of a long dirt road extending to the horizon on which the characters walk , and a brook that suggests a deep current of feminine resilience below an impassive exterior .
world without men is based on a 1989 novel by shahrnush parsipur , and weaves together the women ' s lives in complex and enigmatic ways . munis ( shabnam touloueh ) is serious , cerebral , obsessed with listening to the radio for the news of the mossadeq situation , and bullied by her brother for neglecting her demure womanly duties . munis ' s friend faeseh ( pegah ferydoni ) is in love with this same brother who makes munis ' s life a misery . fakhri ( arita shahrzad ) is a stylish , elegant married woman in her 40s , in love with an old flame . finally there is zarin , a prostitute , played with characteristic intensity by orsi tóth , the hungarian actor who has appeared in kornél mundruczó ' s films delta and johanna .
against the tumultuous backdrop of iran ' s 1953 cia - backed coup d ' état , the destinies of four women converge in a beautiful orchard garden , where they find independence , solace and companionship .
this was another class requirement and i am so glad i got it . while it is done in a third world country and in a different language other than english , the english language is at the bottom . i recommend this for any female who thinks the world is made for them , because this movie shows it is not - - from family to unknown men who abuse these women , they find a way to serenity only to be taken from them again by a male .
the governor appoints lawyer jeff darrow to open an investigation on the reported cruelties inflicted on the inmates of the bayou reformatory for women . the investigation is opposed by mrs . . . . see full summary »
this submarine service drama from director john ford and the fox film corporation premiered in january 1930 and features kenneth mackenna , frank albertson , j . farrell macdonald , walter mcgrail and granite - jawed warner richmond . john wayne appears as the radioman on the surface .
ms . neshat , who was born four years after the coup , left iran in 1979 , just before the islamic revolution that drove the shah into exile . her film , very critical of the coup , implies that it made the eventual revolution and subsequent turmoil inevitable .
the director shirin neshat has in
zanan - e bedun - e mardan
, made a visually stunning and important film , with a lot of good acting performances . especially by pegah ferydoni ( as faezeh ) , and arita shahrzad ( as farrokhlagha ) . when you walk out of the cinema after having watched this movie , the real world will for a time seem a bit more colorless and unreal . with the military coup of the shah of iran in 1953 as a background , four women find out the price for freedom . and through them , the audience find out the price and value of freedom for themselves . the film also draws the historical lines between the democratic iran of the early 1950s , and the
green movement
of today .
nonsense ! i expected much more from a book which has been translated to many languages and is claiming to put the situation of iranian women in a frame . as an iranian woman , i did not enjoy one single page of it !
i love the movie . i saw it at an iranian film festival at the walker art center . i liked it so much that i bought my own copy . the tagboard case ' s plastic insert that holds the dvd arrived broken from corner to corner . i am disappointed that one of my favorite movies has a broken case .
seeking the whereabouts of international gangster nick randall , the u . s . state department seeks the help of scotland yard . nick ' s girl , angela , is currently in a british prison , but has refused to give nick away . so the authorities contact gran ' ramsey , a stoolie currently at the same prison as angela , to have her arrange an escape for angela , so the police can follow her to nick . gran ' stages a getaway , the two women taking with them a third , marguerite , whose prison - born baby is about to be turned over to the welfare department . it is up to gran ' to keep the police informed of angela ' s whereabouts without being detected by the escapees , while waiting for angela to contact nick . . .
with this debut feature , the photographer - turned - director shirin neshat has made a picture with vision , poetry , sexual frankness and historical sinew . it brings together , on screen , the personal and the political in the story of four women and the way their lives are affected by the turbulence of the anti - mossadeq coup , and revives the memory of a lost generation of iranian politics and culture : the westernised liberal intelligentsia , a white - collar class exiled and effaced by the shah ' s regime , but also fiercely repudiated by the theocracy installed by the islamic revolution of 1979 . in some ways , neshat ' s film addresses the same issues as marjane satrapi ' s persepolis , and further underlines the fact that it is iran which , in the 21st century , has repeatedly offered the world a vivid , unapologetically feminist cinema .
to iran to provoke riots against the elected president mossadegh to back british petroleum ' s agreement to sell iranian oil on the world market and installed the hated shah to replace the popular mossadegh . very few americans know this story and as a result , they don ' t understand why the iranian people hate us . this film covers that period of turmoil in iran . see the enclosed booklet for comments by the director shirin neshat and further information about this period of iranian history .
the first of ford ' s submarine pictures , this film is most notable for being part talkie , part silent . this creates an almost surreal experience as we are occasionally jolted out of the silent picture ethos and its fluid camera for the talking scenes shot on tripods . i ' m not sure i ' ve seen a better example of the visual step back that talkies were initially as we see here with the contrast between the two kinds of scenes . also , i loved the shot that starts above water and descends - - innovative .
her friend faezeh ( pegah ferydoni ) is a more timid woman inspired by munis ' acts of rebellion . zarin ( orsi toth ) is a prostitute who flees the brothel where she works . finally , an older woman , fakhri ( arita shahrzad ) , the unhappy wife of a powerful iranian general , leaves her husband to live in a beautiful country orchard where the other women also seek refuge . but the military coup eventually intrudes on their peaceful idyll .
directed by shirin neshat ; written by ms . neshat and shoja azari , based on the novel by shahrnush parsipur ; director of photography , martin gschlacht ; edited by george cragg , jay rabinowitz , julia wiedwald , patrick lambertz , christof schertenleib and sam neave ; music by ryuichi sakamoto , persian music by abbas bakhtiari ; production designer , katharina wöppermann ; costumes by thomas olah ; produced by susanne marian , mr . gschlacht and philippe bober ; released by indiepix films . in persian , with english subtitles . running time : 1 hour 39 minutes . this film is not rated .
a sailors - trapped - in - a - sinking - submarine drama : will they drown ? will the oxygen run out ? will they suffocate from chlorine gas ? will divers get to them in time ? and what about that religious fanatic on board ? john ford skillfully ratchets up the tension , but some shaky special effects , unlikely characterizations and broad acting give an uneven effect , compared to later and slicker entertainments like run silent , run deep . however , this production has genuine historical value because it shows the difficulties in changing over from silent to sound , : sometimes it ' s a silent film with sound effects and [ tinny ] music . other scenes have dialogue with one character actually speaking while another answers in silent intertitles . most oddly , sometimes a character starts speaking , then an intertitle shows noticeably different lines , then the character finishes speaking . not many movies have such a variety of expression .
i ' ve just managed to acquire a copy of the uk version of this film which i caught on television some years ago . i was very impressed with leading lady beverly michaels ( not the cheap blonde one might have expected from her hugo haas exploitation movies ) but a tall classy lady with a cultured voice who even gets to sing a number at the prison concert ! thora hird is a standout as ' gran ' an old lag who helps beverly escape and joan rice is amusing as a bigamist juggling her two husbands at visiting time . good support also from april olrich as a prisoner with a baby and the striking sheila burrell as an inmate who goes ' stir crazy ' . the almost military routine of 50 ' s prison life is well caught and it ' s a rare but effective directorial credit for former oscar winning editor elmo williams . the american version blonde bait was completely re - edited with a new plot and added footage featuring paul cavanaugh , jim davis and richard travis . in this version thora hird ' s character is a stool pigeon who deliberately lets michaels escape so she can lead police to her gangster boyfriend !
some parts of this page won ' t work property . please reload or try later .
hotel transylvania 3 : summer vacation stars plan their dream summer getaways to some memorable movie settings .
mr . wolf ' s big list of forgotten , overlooked and underappreciated films .
want to share imdb ' s rating on your own site ? use the html below .
captain donald king of the british army goes to india just as world war i breaks out , convincing his comrades that he is a coward . in reality , he is on a secret mission to rescue british . . . see full summary »
hoping to use the publicity to get re - elected , a judge sentences a notorious gangster to fight in the war .
in the waning days of wwi , a u . s .
mystery ship ,
sets sail for the coast of spain towing a submarine . their mission is to find and sink a u - boat that has been especially effective in . . . see full summary »
when paroled trustee steve and former inmate judy who try to put their criminal lives behind them are blackmailed , two career criminals come to their rescue .
a society novelist brings a brash young chorus girl home in order to study her for inspiration for his new novel . his family is distraught , but soon her behavior has forever altered their . . . see full summary »
a family saga in which three of a bavarian widow ' s sons go to war for germany and the fourth goes to america , germany ' s eventual opponent .
a husband clashes with his wife over his membership to the irish citizen army .
a naval officer is demoted for negligence and put in command of a run - down submarine chaser and with a motley crew .
based on sinclair lewis ' s novel
arrowsmith
. a medical researcher is sent to a plague outbreak , where he has to decide priorities for the use of a vaccine .
judge priest , a proud confederate veteran , uses common sense and considerable humanity to dispense justice in a small town in the post - bellum kentucky .
doc bull , a no - nonsense country doctor who has served his community for decades , fights small - town prejudice and provincialism in several crises .
aboard the u . s . submarine s13 in the china seas , chief torpedoman burke goes about his duties . in actuality , he is quartermaine , the infamous former commander of the british ship royal scot , which was sunk by germans with a field marshal aboard . quartermaine had told his sweetheart that the field marshal would be aboard , not knowing that she was an informant for the enemy . when the s13 sinks , burke takes charge when the commander , ensign price , is unable to command . burke must keep his mates alive long enough on the bottom of the sea for rescuers to arrive .
the only extant sound version is actually from a work print for the international version . it ' s held by the museum of modern art .
9 of 13 people found this review helpful . was this review helpful to you ? yes no | report this
with jurassic world : fallen kingdom now in cinemas , we take a look at how imdb users rated the films of the franchise . plus , browse exclusive lego® jurassic world playsets , presented by lego .
iran in turmoil is the backdrop to this enigmatic and impressive debut . by peter bradshaw
he anglo - iranian comic shappi khorsandi recently revealed that jon snow had told her about a conversation he had once had some years ago with the then prime minister , tony blair . the premier had asked snow , plaintively , why iran hated the british so much . snow replied hesitantly :
well , you know , because of mossadeq …
– that is , the left - leaning iranian leader , toppled in 1953 by a coup instigated by the british and american governments because of his determination to nationalise oil . blair replied blankly :
who ?
perhaps watching this excellent movie would be a way for blair , and the rest of us , to brush up on british and iranian history .
neshat ' s movie - making style owes something to mohsen makhmalbaf , but has absorbed other influences , too – her camera movements are distinctly tarkovskian . and for the magic - realist tropes of the literary original , neshat has found a visual manner with something of buñuel : this surfaces in the disquieting vision of zarin ' s client having an eyeless , mouthless face and also , i think , in the grand dinner - party - cum - soirée that fahkhri throws in her new orchard estate . the army turn up , intending to search the property for seditious materials , but the troops end up staying for dinner , and their commanding officer exchanges flirtatious badinage with the guests .
© 2018 guardian news and media limited or its affiliated companies . all rights reserved .
im himmel trägt man hohe schuhe - deutscher kinotrailer - kinostart 31 . 03 . 2016
html public
- / / w3c / / dtd xhtml 1 . 0 transitional / / en
urltoken
your social account may not have provided your email to us . please confirm or enter it below to complete your profile .
we found your email in our system . please provide your site password to link to your existing account .
forgot your password ? enter your email address and we ' ll send you instructions on how to access your account .
we have not verified that the email belongs to you . please check your inbox for the verification email .
to resend the verification email , please enter your email address and click submit .
after a period of drinking and flirting in shanghai dives , some american sailors are called back to their submarine , which is under the command of bridewell . their craft is hit by a freighter and sinks to the bottom of the china sea , provoking various emotional reactions from the crew . burke , a british naval officer , brings a ship to their aid , is recognized as a disgraced officer by one of the crew , weymouth , but remains behind to rescue the last / merican through a torpedo tube , thus protecting the woman he loves and establishing his bravery .
the movie is not fast paced , but it does have lots of suspense . the copy of the movie i have is part sound and part silent . it does get a bit annoying . but . . .
leonard maltin classic movie guide , copyright 2005 , 2010 . used by arrangement with penguin group ( usa ) inc .
tm & © 2018 turner classic movies , inc . a time warner company . all rights reserved . code of conduct for this site | press room | privacy policy | | terms of use
urltoken no longer supports internet explorer 9 or earlier . please upgrade your browser .
from the new york times . you may opt - out at any time .
you agree to receive occasional updates and special offers for the new york times ' s products and services .
besides zarin , the characters include the 30 - year - old munis ( shabnam tolouei ) , a virtual prisoner in the house she shares with her tyrannical fundamentalist brother . to his chagrin , munis is not only unmarried but also spends her days glued to the radio , hearing about events leading up to the coup . after he furiously unplugs her only connection to the outside world , munis commits suicide by jumping off the roof of the house . on discovering her body , her brother curses her for disgracing him . ( in the novel he kills her . )
the third woman , the religiously observant faezeh ( pegah ferydoni ) , is a friend of munis who secretly longs to marry munis’s brother . after munis’s death , faezeh hears the voice of her friend speaking to her from underground and digs up munis , who , in a magical realist trope , begins a second , independent life working with an underground communist group publishing and distributing leaflets .
fakhri ( arita shahrzad ) , the fourth woman , is a wealthy 50 - year - old , unhappily married to a general who reviles her for being menopausal and sexually unresponsive . when an old flame returns to tehran with his american wife , fakhri leaves her husband and buys an orchard that becomes a mystical retreat to which zarin and faezeh gravitate and form a mutually protective , healing sisterhood . if their self - imposed exile in this mysterious woodland hideaway is idyllic , compared with their former lives , zarin hovers between life and death .
eventually soldiers arrive during a party at which fakhri entertains the guests by singing . although the soldiers and the guests mingle warily , there is no mistaking the celebration for what it is : a last hurrah for a kind of social mobility and political freedom that may never return .
with : pegah ferydoni ( faezeh ) , arita shahrzad ( fakhri ) , shabnam tolouei ( munis ) and orsi toth ( zarin ) .
we’re interested in your feedback on this page . tell us what you think .
accessibility concerns ? email us at accessibility @ urltoken . we would love to hear from you .
free 5 - 8 business - day shipping within the u . s . when you order $ 25 of eligible items sold or fulfilled by amazon .
or get 4 - 5 business - day shipping on this item for $ 5 . 99 . ( prices may vary for ak and hi . )
amazon ' s choice recommends highly rated , well - priced products available to ship immediately .
get ready for prime day with the amazon app . no purchase necessary . learn more
this shopping feature will continue to load items . in order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading .
very historic and informative . i like the story and directorship , very strong players and filming locations . i hope i will see more movies similar to this in the future . thank you
shirin neshat can clearly do as an exile in america what she would never be allowed to do in her native iran . and a good thing too .
i usually like the style of the movies like this , which is not glamoured or contaminated by majority of shallow mainstream hollywood lines . . . .
the movie start with a suicide of the movie star . . . . . . . . ! ! ! very depressing , no massage , not educated at all not healthy to watch .
great movie . actors and actresses were true to their parts and the story revealed that life is still the constant working out of the negative .
it was boring and long , i had to watch it for class . i didn ' t care that much . but on the bright side : you do get to learn history and culture of iran .
amazon giveaway allows you to run promotional giveaways in order to create buzz , reward your audience , and attract new followers and customers .
prime members enjoy free two - day shipping and exclusive access to music , movies , tv shows , original audio series , and kindle books .
after viewing product detail pages , look here to find an easy way to navigate back to pages you are interested in .
movies and tv shows are certified fresh with a steady tomatometer of 75 % or higher after a set amount of reviews ( 80 for wide - release movies , 40 for limited - release movies , 20 for tv shows ) , including 5 reviews from top critics .
the script jettisons most of the book ' s more powerful sections , upping the political angle and inexplicably eliminating motivations that made the strongly feminist story , rich in symbolism , so intriguing .
heavy with symbolism and beautifully composed , it ' s in a traditional art house mode far removed from the quizzical , innovative , subtly subversive films that iranian directors have been making under extraordinary pressures this past quarter of a century .
html public
- / / w3c / / dtd html 4 . 01 transitional / / en
urltoken
sorry , we could not find your e - mail or password . please try again , or click here to retrieve your password .
please take a minute to register . after you register and pick a screen name , you can publish your comments everywhere on the site .
your comment is subject to the rules of our posting policy this comment may appear on your public profile . public profile faq
shop the books outlet . discover some great deals on top titles . shop now
instantly receive a £10 urltoken gift card if you’re approved for the amazon platinum mastercard with instant spend . representative 21 . 9 % apr ( variable ) .
credit offered by newday ltd , over 18s only , subject to status . terms apply .
sponsored products are advertisements for products sold by merchants on amazon . when you click on a sponsored product ad , you will be taken to an amazon detail page where you can learn more about the product and purchase it .
enter your mobile number or email address below and we ' ll send you a link to download the free kindle app . then you can start reading kindle books on your smartphone , tablet , or computer - no kindle device required .
publisher : the feminist press cuny ; revised edition edition ( 16 feb . 2012 )
parsipur is a courageous , talented woman , and above all , a great writer .
marjane satrapi , author of
persepolis
using the techniques of both the fabulist and the polemicist , parsipur continues her protest against traditional persian gender relations in this charming , powerful novella .
publishers weekly

parsipur is a courageous , talented woman , and above all , a great writer .
- - marjane satrapi , author of persepolis
using the techniques of both the fabulist and the polemicist , parsipur continues her protest against traditional persian gender relations in this charming , powerful novella .
- -
a captivating story about the discovery of individual strength and perseverance . in a culture dominated by a male mentality of superiority and the suppression of the female spirit , these determined characters unearth their independence .
prime members enjoy fast & free shipping , unlimited streaming of movies and tv shows with prime video and many more exclusive benefits .
lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .
4 of 8 people found this review helpful . was this review helpful to you ? yes no | report this
explore popular and recently added tv series available to stream now with prime video .
seeking the whereabouts of international gangster nick randall , the u . s . state department seeks the help of scotland yard . nick ' s girl , angela , is currently in a british prison , but has . . . see full summary »
buzzing comedies such as the spy who dumped me await you in our summer movie guide . check in for all the info you need .
u . s . state department agent kent foster , on the trail of a murderous traitor , nick randall , hopes to trap randall through singer / stripper angela booth . the latter has promised to marry . . . see full summary »
a teenager on probation is falsely accused of robbery . a young girl , knowing the truth , must persuade the boy to give himself up and overcome his conviction that he is condemned to being a lifelong criminal .
in wartime a young officer is killed during a raid to kill a german general at the house that used to belong to his grandmother . before he dies he talks about a treasure that was hidden . . . see full summary »
a young girl from the ghetto gets involved with some criminals . driving while drunk , she knocks down and kills a policeman . she runs away with two gi ' s who are also on the run and they . . . see full summary »
: say a prayer ' cos i haven ' t driven for 20 years . ok lindbergh , swing your propellers !
4 of 4 people found this review helpful . was this review helpful to you ? yes no | report this
explore popular sci - fi movies and tv shows available to stream with prime video .
aboard the u . s . submarine s13 in the china seas , chief torpedoman burke goes about his duties . in actuality , he is quartermaine , the infamous former commander of the british ship royal scot , which was sunk by germans with a field marshal aboard . quartermaine had told his sweetheart that the field marshal would be aboard , not knowing that she was an informant for the enemy . when the s13 sinks , burke takes charge when the commander , ensign price , is unable to command . burke must keep his mates alive long enough on the bottom of the sea for rescuers to arrive . written by jim beaver
a story of the submarine service . ( original posters - all caps ) see more »
the only extant sound version is actually from a work print for the international version . it ' s held by the museum of modern art . see more »
check out highlights from some of the best recent trailers including mandy , the predator , zoe , and the king of thieves .
solid submarine movie for its time . if only the sound version was still around , it would ' ve been even better .
this list is an attempt to collect as many pre - code movies as possible . sources include imdb , wikipedia , urltoken and the…
as iran ' s regime continues to stir world concerns , films about iranian history take on added interest .
the scenes in tehran are filmed in a muted , almost monochromatic style approximating newsreels , whereas lush colors explode in the scenes in the orchard . from the opening scene of munis contemplating suicide on the rooftop of her home , with the white building framed against a pale blue sky , the images are mesmerizing . the cinematography by martin gschlacht is a major asset .
all of the performances achieve the right emotional intensity : tolouei conveys pride along with a deep - seated sense of melancholy , and shahrzad ' s portrayal of the dissatisfied military wife is especially forceful .
sorry , we just need to make sure you ' re not a robot . for best results , please make sure your browser is accepting cookies .
the moma print is definitely a work in progress . our best guess is that the intent of the workprint was to prepare a silent version for export release , with the existing intertitles for english language distribution and perhaps a reference for translated intertitles in prints distributed to other countries . — carl bennett
twentieth century fox home entertainment , no catalog number , upc 0 - 24543 - 96982 - 2 . one single - sided , single - layered , region 0 ntsc dvd - r disc , 1 . 33 : 1 aspect ratio image in full - frame 4 : 3 ( 720 x 480 pixels ) interlaced scan mpeg - 2 format , ? mbps average video bit rate , ? kbps audio bit rate , dolby digital 2 . 0 mono sound , english language intertitles , no foreign language subtitles , 7 chapter stops ; standard dvd keepcase , $ 19 . 98 . release date : 1 october 2015 . country of origin : usa
ratings ( 1 - 10 ) : video : 7 / audio : 5 / additional content : 0 / overall : 6 .
this dvd - r edition of john ford’s submarine drama has been mastered from the very - good 35mm print materials held by the museum of modern art . the picture results are very - good .
usa : click the logomark to purchase this region 0 ntsc dvd - r edition from amazon . com . your purchase supports the silent era website .
submarine memorabilia , no catalog number , no upc number . one single - sided , single - layered , region 0 ntsc dvd - r disc , 1 . 33 : 1 aspect ratio image in full - frame 4 : 3 ( 720 x 480 pixels ) interlaced scan mpeg - 2 format , ? mbps average video bit rate , ? kbps audio bit rate , dolby digital 2 . 0 mono sound , english language intertitles , no foreign language subtitles , chapter stops ; clamshell cd case , $ 9 . 99 . release date : 2010 . country of origin : usa


em magan is a 2006 tamil family drama film written and directed by thirumurugan .

bharath , gopika and nassar played the lead roles , while vadivelu and saranya ponvannan appeared in supporting roles .

upon release , the film met with positive critical reception and commercial success .

it was remade in kannada as " puthra " with diganth .

em magan

em mahan review . em mahan tamiw movie review , story , rating
em - magan showcases how a family should be in today ' s times .
we do not sell pirated em magan dvds & vcds . we recommend you to buy movies of original dvd & vcd . we do not provide paid / free em magan movie downloads . we do not offer to watch em magan movie online . em magan movie review / comments are added by registered customers via facebook comments . em magan movie star rating by unique customer filtered by ip ' s . free wallpapers download of em magan movie , hero , heroine , etc is available in our gallery section . em magan wiki & box office collections are updated regularly .
em magan movie rating is 64 / 100 based on reviews submitted by 20 users .
em magan movie box office collection details not yet updated . please come back after sometime .
the fiwm was initiawwy titwed emtan magan , however de titwe was shortened to em magan to expwoit de tamiw nadu government ' s ruwe of entertainment tax exemption for fiwms wif tamiw titwes . [ 2 ]
of late , small films with lesser - known heroes have begun to fare well at the box office . one such example is emdan magan ( renamed em magan for tax benefits ) with bharath and nasser in the lead .
family sentiment em magan essentially deals with the emotions and sentiments running riot in a big family . thirumurugan weaves his story around a strict father who raises his son in a regimental manner .
and third , some good comedy delivered mostly by singampuli as ondippuli , the uncle . his character has heavy shades of vadivelu ' s in em magan . there are a lot of “maappu - aappu” jokes , besides some original stuff .
manchán magan is a writer and documentary - maker . no béarla 2 begins on tg4 on mar 28 . urltoken
thirumurugan , the successful director of the mega serial ‘metti oli’ is opening his innings in the silver screen with em magan . the movie originally titled emttan magan hits the screen with a slight change , thanks to the cm’s rebate on tamil titles . refined approach has made the tamil film industry to have their titles in tamil . here is the case of rod being spared and the child being saved .
em magan box office collection reports are taken from various sources and our own research . the collection amount value can be approximate and cinemaprofile does not make any claims about the authenticity of the data . however , they are adequately indicative of the box - office performance of the film ( s ) .
emdan magan is produced by satya jyothi films and directed by m thirumurugan of the popular television show mettioli , which has completed 350 episodes .
em magan is a 2006 tamil family drama film , directed by thirumurugan and produced by satya jyothi movies . this film stars bharath , gopika , nassar , vadivelu , saranya ponvannan in the lead role . the film ' s soundtrack and background score were composed by vidyasagar with lyrics by na . muthukumar , pa . vijay , yugabharathi , kabilan , baskar sakthi
bharath , who is making his hindi debut with
jackpot
, co - starring sunny leone , sachin joshi and naseeruddin shah , began his acting career in 2003 with
boys
. he then starred in some of the hit films including
4 the people
,
kaadhal
,
em magan
,
veyyil
and
vaanam
.
the most striking aspect of the movie is there is no hero or heroine tag that can be spotted in the movie . the plot has all characters and supporting characters all on place . the movie speaks loudly on handling emotions . if correct , this movie changed its title to em magan from emden magan to avail tax benefits . emden was a light cruiser built for the imperial germany navy and the captain of emden was responsible for bombardment of madras during first world war . few oil tanks were torched when british taught madras can’t be touched , oil tanks exploded here to their disbelief .
best actor : kamal haasan ( vettaiyadu vilaiyadu ) , best actress : priya mani ( paruthi veeran ) , best actors ( special ) : karthi ( paruthi veeran ) , fakru ( dishyum ) , sandhya ( dishyum ) , best villain : pasupathi ( e ) , best comedian : vadivelu ( pulikesi ) , best director : thirumurugan ( em magan ) , best music director : yuvan shankar raja , best playback singers : madhu balakrishnan and shreya goshal .
wrote
muniyandi vilangiyal moondram aandu on the whole is a positive experience , and quite different from em magan . the focus shifts from family to love and rivalries . thirumurugan , who was a favorite with the women in the audience for serials and movies laced with sentiment , has gone in for a bit of a change . this does not mean that this movie is not for the family . it just means that the director has kept a tab on the proceedings and prevented any element from going over the top .
sathya jyoti films and sathya movies together devote another hit to the tamil film industry - em - magan , a movie based on family values which exhibits real life issues in a superb way . nasser plays the role of emtton who owns a general grocery shop . his son krishna ( bharath ) , a young college boy also takes care of the shop . emtton is an arrogant man . his wife , daughter and son are afraid of him and follow his instructions without any arguments . he wants his son to dedicate his time to the shop rather than his studies .
gopika , who was bharath ' s heroine in jayaraj ' s 4 the people , is his heroine again in emdan magan . lajjavathiye , the song pictured on both of them , was a rage in kerala , and it was this film that catapulted bharath into a solo hero .
listen to the romantic song unnoduthan ini sung by tippu and subhiksha from the super hit film en magan . cast : bharath , gopika , nassar music : vidyasagar lyrics : bhaskar shakthi director : thirumurugan producer : sathyajothy thyagarajan release : 7 september , 2006 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
another film of his also was launched last week : emdan magan , which means emdan ' s son . veteran actor nasser plays emdan , who runs a provision store in a small town . emdan ' s son is krishna , played by bharath . emdan ' s wife and krishna ' s mother is saranya , who gave a very touching performance in raam .
listen to the romantic song purinchiricha purinchiricha sung by stephen devassy and george peter from the super hit film en magan . cast : bharath , gopika , nassar music : vidyasagar lyrics : bhaskar shakthi director : thirumurugan producer : sathyajothy thyagarajan release : 7 september , 2006 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
she won the prestiguous national film award for the best actress for the film , thenmerku paruvakaatru in 2011 . saranya made her debut in a lead role in mani ratnam ' s nayagan and went on to play lead roles in few films during the late 1980s . following an eight - year sabbatical , she returned to feature films as a character artiste , essaying supporting characters , particularly portraying the mother character to lead artists . for her performances in films including raam ( 2005 ) , thavamai thavamirundhu ( 2005 ) , em magan ( 2006 ) and kalavani ( 2010 ) , she has received notable critical praise and several accolades , including two filmfare awards for best supporting actress . she also won national film award for best actress for the year 2010 . she is married to a fellow actor , ponvannan .
listen to the dance number varaaru varaaru yaaru varraaru sung by mohan , murali and chandran from the super hit film en magan . cast : bharath , gopika , nassar music : vidyasagar lyrics : kabilan director : thirumurugan producer : sathyajothy thyagarajan release : 7 september , 2006 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
listen to the romantic hit song koligundu kannu featuring bharath and gopika and sung by madhu balakrishnan from the super hit film en magan . cast : bharath , gopika , nassar music : vidyasagar lyrics : yugabharathi director : thirumurugan producer : sathyajothy thyagarajan release : 7 september , 2006 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
listen to the romantic hit song kalloori genaration sung by vijay yesudas and timmi from the super hit film en magan . cast : bharath , gopika , nassar music : vidyasagar lyrics : pa vijay , arjun director : thirumurugan producer : sathyajothy thyagarajan release : 7 september , 2006 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken
emmtan - magan movie tells emtan ( nassar ) who runs a provision shop in a village . his son krishna ( bharath ) who is a student of poultry science , helps him in the shop . a strict father emtan is always at his son ' s back . his strict ways of dealing his son leaves an uncomfortable scene in the house . vadivelu ( krishna ' s uncle ) is the only solace for him in the house . krishna meets his childhood crush janani ( gopika ) who is the daughter of his uncle ( shanmugarajan ) . both their families are at loggerheads . a death in their family brings them together . unfortunately krishna and janani are . . .
my story review : can an awfully melodramatic story line be rescued if shot in some exotic locations . . .
director karunakaran , who has made some fine romantic dramas in the past like toli prema , ‘darling . . .
mr chandramouli review : if you are looking for time pass entertainment then the film is a one - time wa . . .
[ usa ] july 09 ( ani ) : comic book creator stan lee h . . .
[ usa ] july 09 ( ani ) : weeks before hollywood rapper . . .
[ u . s . a . ] , july 9 ( ani ) : european film association . . .
html public
- / / w3c / / dtd html 4 . 01 transitional / / en
women factor thirumurugan has capitalized his affinity with the women audience to the fullest . the film is sure to bring the ladies to theatres . to satisfy them , the movie revolves around family relationships and the problems and happiness arising out of such situations . family melodrama is surely the pick of women and the director knows the pulse .
needless to say , nasser has assayed his role perfectly . the reasons for nasser’s stringent behaviour and how he transforms finally has been clearly dealt with .
family brawl saranya as nasser’s wife has utilized the opportunity completely . she comes across as an understanding mother who is torn between her husband and her son . during a village function , when nasser hits at his saranya , saranya’s brother unable to tolerate this act of primitive behaviour picks up a quarrel with nasser and the two families’ part their ways taking a vow never to have any links in future . but when saranya’s father passes away , bharath comes to his maternal uncle’s house and picks up the strings of love with his cousin gopika . nasser catches them off guard at an uncompromising situation and vows to separate them .
rest of the movie proceeds with how bharath - gopika duo are withstanding their parental oppression and leading their life . finally , of course the two families unite much to everyone’s relief .
music / comedy track ‘purinjirucha’ by muthukumaran and ‘goligundu kannu’ by yuga bharathhy are noteworthy . comedy track has been taken care of vadivelu who has not failed in his duty . the scene where he advises bharath on getting beaten up speaks for itself .
director has ensured that the producer recovers his money . a family melodrama well enacted . thirumurugan is sure to continue his winning streak in kollywood also .
html public
- / / w3c / / dtd xhtml 1 . 0 transitional / / en
urltoken
* setting channel preference will take you directly to the respective channel when you come in next time .
it is a good family emotional drama which is a must watch for all class of audience , especially in this age of generational differences .
supported browsers : internet explorer : version 7 . 0 and above , chrome , firefox and safari . best viewed at 1024 x 768 resolution and above .
click on the menu icon of the browser , it opens up a list of options .
here click on the “privacy & security” options listed on the left hand side of the page .
a pop up will open with all listed sites , select the option “allow“ , for the respective site under the status head to allow the notification .
once the changes is done , click on the “save changes” option to save the changes .
krishna ' s college mate dhivya ( gajala ) offers him a job at his father
. s office but krishna refuses , as he loves his family a lot .
karupatti ( vadivelu ) respects krishna ' s feelings and always supports him in his tight corners . krishna ' s grandfather ' s death brings a turning point in the movie . emtton and his family leave for the village to attend the final ceremony of his grandfather . after a span of 10 years , krishna meets his cousin janani ( gopika ) and their love get refreshed . however , both families get to know about their love and oppose their love which results in a fight between families . in a bad mood . emtton moves returns to the city . janani hides in the car without anybody noticing . but when emtton reaches home , he discovers janani as she gets out of the car . he thinks that krishna has brought her to the city , does he accept their love ? watch the movie to see as to what happens to their relationship .
bharath ' s performance , both as a obedient son and a faithful lover , is magnificent . the great comedian has also played well in the supporting role of karupatti . nasser , as emtton , has played a different role and reaches new heights in acting . gopika ' s acting as a true love and the way she is ready to do anything to win her love is astounding . other cast members like saranya and shanmuganathan have also delivered their roles with perfection .
director m . thirumurugan and his group have done a great job delivering an excellent movie reflecting family values and true love . vidhyasagar has given exceptional music , which should contribute to the movie ' s success . his song
kolli kuntu kanna padal
is one of the hit songs of the movie . the producer of the blockbuster hits munraam pirai , killaku vasal and parthiban kanavu , t . g . thiagarajan has produced this movie in accordance with the current family trends .
cast - bharath , gopika , nasser , vadivelu , gajala , saranya , shanmugarajan . banner - sathya jyothi films story , screenplay , direction - m . thirumurugan producer - t . g . thyagarajan cinematographer - sevilo raja editing - m . jaykumar music - vidhyasagar arts - kathir dialouges - bhaskar sakthi pro - nikil murugan date of release - 7th september , 2006
taarak mehta ka ooltah chashmah dr . hathi : bhide master , mandar gets tearyeyed on the news filmibeat
we use cookies to ensure that we give you the best experience on our website . this includes cookies from third party social media websites and ad networks . such third party cookies may track your use on filmibeat sites for better rendering . our partners use cookies to ensure we show you advertising that is relevant to you . if you continue without changing your settings , we ' ll assume that you are happy to receive all cookies on filmibeat website . however , you can change your cookie settings at any time . learn more
so far we ' ve had directors and actors move from the big screen to the small screen .
megaserial on sun tv . thankfully , he has brought with him , only the better aspects of the megaserial as the film features strong , realistic characters dealing with matters of the heart in an intimate , family setting . if he had been as successful in creating and handling the movie ' s key conflict , his transition could have been called a really successfully one . as it stands now , it is a good start but there is a lot of room for improvement .
tirumalai ( nasser ) , a store owner , is referred to as emttan by everyone who knows him because of his sharp tongue and short temper . krishna ( bharath ) , his son , is a poultry science student who also helps him around the store . though krishna is a disciplined , obedient boy , tirumalai is very strict with him , often insulting him . tirumalai is at loggerheads with his wife ' s ( saranya ) family and forbids anyone from as much as seeing them . but when his father - in - law dies , his whole family visits them and krishna meets janani ( gopika ) , his uncle ' s daughter , after 10 years . but both tirumalai and janani ' s father are opposed to the young couple ' s union .
is a character - based movie in that it relies more on its characters than its story to engage our attention . thankfully , it has characters who seem real and are strong enough to hold up the film . we ' ve seen far too many movies with an unruly son clashing with his dad , who is soft and trying to correct him . here the roles are reversed as we get a strict father and a son who dares not cross the line set by his father and that sets a different tone for the film . but the dad here is not bad since its his own difficult childhood that has shaped him to be the man he is and he wants nothing but good things for bharath . so the character has to walk a tough line but the director pulls it off .
megaserials are known for the copious tears their characters shed since they thrive on their characters undergoing difficulties . coming from such a background , it is surprising that thirumurugan is able to mine humor out of the most unlikely of situations . here its not just bharath that nasser is strict with and anybody who dares cross his path is verbally and / or physically abused . but with characters like saranya and vadivelu at the receiving end , the director manages to subtly inject humor into the proceedings . even more surprising is the humor he extracts out of a person ' s impending death . as gopika ' s grandfather is on his deathbed , the attitudes and comments of the relatives end up being very funny .
the film makes us wait too long for the conflict . with a dictatorial father and an obedient son who is in love with a girl the father will not approve of , we know that the movie will revolve around a conflict between them . but instead of getting to the issue quickly , the movie tests our patience as it stretches other sequences . the initial slowness is understandable since it allows for character - building . but the director ' s reluctance to get to the issue even after setting things in place ( by getting nasser and bharath to gopika ' s house ) is a little disappointing . there are a few false climaxes and so the issue , when it finally breaks , is not as rousing as it should have been .
but as the director goes about laying out the results of the conflict , we understand why he took so long to get to it . its because he does not have a way of resolving it interestingly . once bharath and gopika set out on their own , the movie takes the easy way out of most things . a couple of developments do make us appreciate the screenplay that set things up earlier in the story but the proceedings , for the most part , lack fire . the director opts to go the vikraman route with positive happenings and feel - good , simple solutions to problems and so everything seems rather low - key .
bharath seems to be maturing into a very good and natural actor . he is able to express a lot of emotions with his expressions and body language and generates sympathy for his character . nasser gets a role that makes full use of his piercing stares and rough voice . he is very convincing in the role and relishes the chance to play a fully - realized character instead of the half - baked two - dimensional villain roles he usually gets . gopika looks as homely as the role calls for and has good chemistry with bharath while gajala is wasted in a throw - away role . saranya , as always , is able to generate laughs with her slightly whiny voice while vadivelu shines in a role with equal opportunity for both comedy and sentiments . vidyasagar comes up with a nice melody in unnodu thaan . . . .
some parts of this page won ' t work property . please reload or try later .
emtan ( nassar ) runs a provision shop in a village . his son krishna ( bharath ) , a student of poultry science , helps him in the shop . a strict father emtan is always at his son ' s back . his . . . see full summary »
the
most anticipated indian movies and shows
widget tracks the real - time popularity of relevant pages on imdb , and displays those that are currently generating the highest number of pageviews on imdb .
each title is ranked according to its share of pageviews among the items displayed . pageviews for each item are divided by the aggregate number of pageviews generated by the items displayed .
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
want to share imdb ' s rating on your own site ? use the html below .
ravi is an electronics engineer who works in a bank and is in love with nandhini . fareed is a criminal who claims that he can prove that ravi has killed a man and blackmails him into robbing the bank .
a group of nine childhood friends join an arts college together in a small town . soon , shobana becomes a part of their group , joining in the fun and games . muthu eventually falls in love with her .
kosi ( arya ) and selva ( bharath ) , are contract killers working for a middleman named sami ( cochin haneefa ) . director vishnuvardan portrays this story of two orphaned youths with incredible . . . see full summary »
story of two brothers told from the perspective of older brother who recalls his childhood memories where he runs away from home and returns after 20 years . the rest of the film is all . . . see full summary »
the story on the lives of a salesgirl and sales boy of a popular saree store in chennai .
village boy make an affair with girl and they continue it even if they grownup . accidentally boy happened to caught in jail . but after small time he escaped from the jail and come to the . . . see full summary »
rudran ( arya ) in kasi . fourteen years later , repenting his act he goes with his daughter in search of him . he finds him there but is shocked to learn that he has become an aghori , a . . . see full summary »
a tamil remake of the malayalam comedy drama ,
maheshinte prathikaram
. it stars udhayanidhi stalin in the lead role , playing a photographer named selvam who owns a studio in a small town . . . . see full summary »
chandramouli , a famous archaeologist , goes missing while on a research expedition . anitha , a government officer , and lavanya , chandramouli ' s daughter , embark on an adventurous journey to find him .
a loyal worker , sundaram takes orders from his boss ekamabaram , even when ekamabaram asks sundaram to smuggle a valuable idol in his car .
a neighborhood good - for - nothing attempts to romance the new girl in town .
when seenu loses the girl he loves , raghu loses seenu ' s hotel in a card game . now seenu must get back his girl and his hotel while 10 diamonds make the situation more complicated .
check out the indian movies with the highest ratings from imdb users , as well as the movies that are trending in real time .
enjoy a night in with these popular movies available to stream now with prime video .
kodiveeran | ayyo adi aathe video song | m . sasikumar , mahima nambiar | n . r . raghunanthan
en jeevan song with lyrics | theri | vijay , samantha , amy jackson | atlee | g . v . prakash kumar
html public
- / / wapforum / / dtd xhtml mobile 1 . 0 / / en
urltoken
html public
- / / w3c / / dtd xhtml 1 . 0 / / en
urltoken
copyright 2010 - 2013 : gomolo . all rights reserved . | terms | privacy
we use cookies to personalise content , target and report on ads , to provide social media features and to analyse our traffic .
we say we want to protect our native language , yet we learn little in school and few of us speak it at home . do we truly cherish irish - or are we subconsciously trying to kill it ?
last year i made a television series called no béarla , in which i travelled around ireland trying to speak only irish . i didn ' t get on very well , especially in dublin , where i was often abused and ignored . outside the capital , people were more friendly , but they rarely understood what i was trying to say . what struck me most were the expressions i saw in people ' s eyes : shame , fear , anger , jealousy and yearning . i wanted to know what lay behind this complex cocktail of emotion , and so this year i set out again , hoping to explore the issue more deeply , to find out how irish people really feel about their language and what they want to do about it .
i decided to start with the mystery of how we all can learn irish for 10 years in school and still come away not speaking it . i wondered was there a psychological block rooted in the shame of our former poverty that prevented us . to test this , i taught an irish lesson to a group of polish people and an irish group and then examined them on it . the results were startling : the irish , de - spite their 1 , 500 school irish lessons , fared only 10 per cent better . either the poles were extremely clever , or the language isn ' t that difficult .
to test this further , i brought some irish people to a hypnotist to see if we could bypass their shame and hang - ups to reach the well of language that must lie dormant inside them . and the moment they were relaxed the language did begin to surface .
of course , these experiments weren ' t very scientific - i was making a television series , not a clinical study - but they did hint at why people reacted so strongly , positively and negatively , to my trip around ireland last year speaking only the
first official language
. people wrote to me from all around the world thanking me for highlighting the problems the language was facing , but in dublin i was accosted and accused of setting the language back a generation by my negative reporting .
they denied there was any problem and so , just to clarify the issue for them , i went to an irish university and gave the students a test to see if they could differentiate irish from klingon ( the language created for star trek ) . they failed to tell the difference in 30 per cent of cases .
everyone i met blamed the problems on someone else , principally on the schools , but when i went to speak to the woman who teaches the teachers she cited studies that prove that education alone cannot revive a language . unless irish people decide to speak irish outside school , its future is grim .
the only person who was prepared to admit that the fault may lie with all of us was the social commentator , john waters , who suggests that we may all be subconsciously conspiring to kill the language - we claim we want our children to learn it at school , but we make no effort to foster it at home . in this way we can be sure of its death , yet our hands will be seen to be clean .
the issue is so thorny that after a few weeks my head was spinning with all the double - speak and deception people were feeding me . the government claims it supports irish and fought to have it recognised as an official language of europe ( for the four irish meps who can actually speak it ) , yet the standard of teaching aids it provides is so poor that the eu had to order the government to publish a proper grammar book , one that was not out of date or out of print .
donna wong , a californian woman of chinese extraction , had to produce her own learner ' s guide to irish ( cois life , 2004 ) because she could find nothing suitable available in ireland . what does it say about us when foreigners have to write our textbooks for us ?
the irish film board claims that it actively supports the language , yet , while the welsh film board has supported 87 films in welsh , our film board has funded only one irish - language film . they claim it ' s not practical to use irish when competing against major hollywood films , yet ned dowd , a hollywood producer , points to the success of his film , apocalypto , with mel gibson , which was in mayan . , and also that gibson ' s previous film , the passion of the christ , was in aramaic and earned hundreds of millions of dollars .
some people say the dialects are at fault - there are at least four main ones and two more have developed recently in dublin and belfast . it is said that they fragment the language and provoke irritation among people of other dialects - i ' ve been told on occasion in donegal to stop speaking my cac - gaeilge caighdeánach ( shit , official irish ) when i try to converse with them in my kerry dialect .
to test the effects of dialects on people , i strapped headphones onto some native donegal speakers , subjecting them to a sustained assault of intense munster irish for prolonged periods and , to my surprise , found that it sent their iq levels soaring .
so , what does that say ? that we should have more dialects ? others blame the gaeltachtaí for not being open to learners . visitors say they get either dismissed or sniggered at when they try to speak a few words to the locals . to put these claims to the test we wired some native gaeltacht people to a polygraph machine and asked them how they treated irish learners , and it seemed that either they were always unfailingly polite or polygraph machines cannot in fact discern the truth . i suspect the latter might be the case , although des bishop ' s series shows that connemara folk are welcoming , at least when a camera crew is around .
everyone i met had a different recommendation as to what to do about the language , but none were really practical . a former language activist , who stormed news studios and scaled broadcasting aerials to gain recognition for irish in the 1970s , said my single biggest duty was to raise children with irish , and if i didn ' t have any , to go out and spawn some and start raising them as gaeilgeoirí .
others said we had to ban the language , as franco did with catalan , with the result that it is now a thriving language spoken fluently by 100 per cent of its political representatives ( as opposed to the 13 per cent of irish politicians who speak irish ) . i talked to a former h - block prisoner in belfast who had learnt irish during the 1970s , long before it was finally recognised as an official language in the north ( as part of the 1998 belfast agreement ) . he told me how the inmates shrunk the christian brothers grammar book so that it could be sneaked into prison hidden up their bottoms . without any lessons , or even access to pen and paper , the inmates managed to learn fluent irish within a year . new vocabulary was passed between them by gouging words into the cell walls using the crucifix on their rosary beads , so that when they were moved between cells a fresh store of words awaited them .
irish is now thriving in parts of nationalist belfast . it is considered a mark of identity , spawning its own newspapers , radio stations and schools .
the man who almost single - handedly revived manx ( the native language of the isle of man ) , brian stowell , believes that the biggest problem with irish now is that it is compulsory in schools .
he managed to change what the collins dictionary defines as
an almost extinct celtic language
to a thriving one , by giving people in the isle of man the choice of whether or not they wanted to learn it . he said one of the greatest assets in helping the language was the fact that the last native speaker had died , and with him went the attitude that it was somehow shameful or backward . using my munster irish , i was able to speak to young children on the isle of man , who had no difficulty understanding my cac - ghaeilge , despite the fact that i was speaking not just a different dialect but a different language . the language , for them , wasn ' t a badge of shame . they were eager and proud , and were keen to communicate with their celtic cousins . that ' s all it requires , for us to be eager and proud .
tamil released movies | tik tik tik movie rating | semma botha aagatha movie rating | goli soda 2 movie rating | mr . chandramouli movie rating | asuravadham movie rating | traffic ramasamy movie rating | andhra mess movie rating | incredibles 2 movie rating
tamil upcoming movies | ant - man and the wasp movie rating | kadaikutty singam movie rating | tamizh padam 2 movie rating | r . k . nagar movie rating | ula movie rating | party movie rating | andava kaanom movie rating
this movie was released in the year 2006 . written and directed by ‘ metti oli ‘ pugazh director thirumurugan . he is a director who captures raw emotions . ‘metti oli’ serial is an example where he showed all possible emotions through all his characters well . this movie doesn’t have any less emotions on screen . music by vidhyasagar . staring bharath , gopika , nassar , saranya ponvannan , vadivelu .
the movie has many comedy scenes . grandfather in death bed but family in the verge of losing the patience in taking care of him . this seem inhuman but the director has carefully threaded in a way that it doesn’t influence much and masks behind emotions and comedy . and this man steals the show in all frames that he is in . vaigai puyal vadivelu . he is one character in the movie who keeps unloading his emotional baggage , hurt inflicted by nassar then and there with a sound sense of humour . a sensible role and awesome performance by vadivelu . while there is no specific hero tag in the movie , vadivelu can be termed as real hero in the movie .
in short the movie captures raw emotions and navigates through all of them and teaches what to do and what not to do and how to act from the point of love and react from the point of empathy rather being sharp tongued with all , all the time .
believes that
an investment in knowledge pays the best interest .
- benjamin franklin view all posts by rukmini pranatharthiharan
privacy & cookies : this site uses cookies . by continuing to use this website , you agree to their use . to find out more , including how to control cookies , see here : cookie policy
in ornate lettering , “isaignani ilaiyaraja ' s sengathu bhoomiyile” flashes on screen , a tribute to the music maestro . the story goes that ilaiyaraja was moved to tears by the climax of the film and wrote a song ‘en usuru enna vittu ' , which ‘would echo in the hearts of the audience all the way to the parking area ' . i admit i fell for this prelude . this is one of the three reasons i won ' t word - punch this movie right away .
the second reason is the earthy flavour director ratnakumar manages to convey in this rustic narrative . he serves you typical slices of madurai . a case in point is the ‘oppari ' in the latter half of the film . the music , camera and editing , till then quite parboiled , go to work for this one scene .
the fake props , puffy eyes and bad lighting only reinforce what ratnakumar said after the screening — that he had to make do with minimal resources . but he has skimped on the story too .
there ' s the affluent , money - minded ‘ santhai ' mayi , who manages santhais village fairs . vellai pandi plays the role well , carrying off the heavy jewellery with aplomb . his brother in - law is malaichami , a person of integrity , who toils to make ends meet . azhagan thamizhmani tries to bring a saintly air to his character , but comes through as snooty .
mayi thinks malaichami is naïve , while malaichami thinks mayi lacks character and frowns on the santhai business . they each have a son and a daughter , two couples on a double date all through the first half . vendetta is born of rivalry in the santhai , family blood is spilled , and relationships go downhill . is there no end to the violence ? can the broken hearts be salvaged ? can love prevail in sengathu bhoomiyilae ( sb ) ?
ratnakumar clearly wasn ' t looking to make this a nail - biter , plot - wise . one very nice touch is the quick , comic , plot summary by singampuli , as if telling you that the silliness of the story ( based on true events , he said ) isn ' t lost on him .
for a movie written by the same man who wrote karuthamma and kizhakku cheemayile , sb has surprisingly insipid dialogue . the actors have to make do with a boxful of clichés . and , unable to take sides , ratnakumar ends up diluting his characters .
‘mirchi ' senthil plays malaichami ' s son chinnasami . senthil ' s small screen experience has given him a more than adequate repertoire of expressions and the ability to deliver sappy lines with sincerity . pavan plays vallarasu , twirling his moustache for his lady love in the first half , and alternating between confusion and rage in the second .
stalin as bose , mayi ' s nephew , is impressive in his belligerence . his tongue - biting , aruvaal - toting ferocity is convincing .
priyanka , as vallarasu ' s sister and chinnasami ' s girl , has one nice rebellious scene with her brother in the second half . unfortunately , she also delivers a long monologue later . sunu lakshmi looks adequately lost as vallarasu ' s love interest . she gets to sashay to music more than priyanka does .
singampuli has to carry the movie and the burden shows in many scenes , where he lapses into gibberish .
the music is nothing to write home about . the background score is jerky and often arbitrary . it sounds like a template of ilaiyaraja ' s .
storyline : violence ruins family ties . will tears and tragedy bring about a change of heart ? bottomline : a bit of man vasanai
can ' t find a movie or tv show ? login to create it .
by signing up for an account on tmdb , you can post directly to twitter and facebook .
you need to be logged in to continue . click here to login or here to sign up .
version française - modify country tops give feedback movie api & api tv show help contact about ©2018 waatch ( 53 . 2 . 1 )
you are being redirected to sinemia social . are you sure you want to leave sinemia premium ?
this email id is already registered with us with facebook . please login with facebook .
by submitting this form you are agreeing to the terms and conditions of cinestaan . com .
irandam uzhgam - best love scene , best bgm , selvaragavan , arya , anushka .
the best acoustic covers of popular songs 2018 - only for you # vol 1 . música para tiendas
it was remade in kannada as
pudra
wif diganf . [ 1 ]
thirumawai ( nasser ) owns a provision store in a viwwage and wives wif his famiwy comprising his wife ( saranya ponvannan ) , broder - in - waw karupatti ayyakannu ( vadivewu ) , son krishnan ( bharaf ) and a daughter . thirumawai is very strict , short tempered and is referred as
emden
by his rewatives . krishnan studies pouwtry science in a cowwege and awso assists his fader in managing de store . krishnan worries about his fader’s rude behaviour towards him .
divya ( gajawa ) is krishnan’s cwassmate and she is awso de daughter of de auditor who manages thirumawai’s accounts . divya proposes to krishnan , who does not reciprocate as he woves his maternaw uncwe’s ( shanmugarajan ) daughter , janani ( gopika ) . but enmity prevaiws between thirumawai and his in waws’ famiwy . krishnan wives wif de hope dat de two famiwies wiww unite someday paving de way for his wedding .
thirumawai’s fader - in - waw ( ennada kannaya ) passes away and de two famiwies come to tawking terms forgetting de enmity during de condowence . krishnan feews excited waiting to meet janani after so many years . janani awso reciprocates de same feewing towards krishnan and bof wove each oder . one day , krishnan is tempted to kiss janani when dere is power cut . but power comes suddenwy and de entire famiwy spots krishnan kissing janani .
thirumawai and janani’s fader get furious seeing dis . cwash erupts between thirumawai and janani’s fader upon bwaming each oder for de incident . thirumawai beats up krishnan and takes his famiwy back home . but janani secretwy hides in de car boot and comes awong wif dem to krishnan’s house . seeing dis , thirumawai gets even more furious and sends bof krishnan and janani out of home .
krishnan marries janani and meets divya’s fader and reqwests to hewp him find a job as he has now compweted his cowwege degree . krishnan successfuwwy secures a job in a pouwtry farm wif de hewp of divya’s fader . krishna works hard and his career progresses weww . his wifestywe improves . one day , thirumawai needs de signature of his son krishnan as he wanted to seww a property and he goes to meet krishnan , uh - hah - hah - hah . thirumawai feews happy seeing his son in a good status but returns widout expressing his happiness .
krishnan comes to meet his fader wif an awwiance to be seen for his sister . an emotionaw conversation happens between dem where krishnan expresses his feewing . janani gives birf to a baby and a function is organized by krishnan at his home for which he invites his parents . in de end , thirumawai overcomes his ego and expresses his happiness seeing his son’s growf and finawwy unites wif him . the movie ends showing de famiwy weading a joyfuw wife togeder .
this was de debut venture of tewevision director thirumurugan in cinema who made de successfuw series metti owi .
the movie received positive reviews from crititcs . many critics praised de performances of de wead cast and nassar and saranya ' s performances were praised as weww . many praises were awso speciawwy given to vadivewu who shines in a rowe wif eqwaw opportunity for comedy , character and sentiments .
behindwoods wrote ,
the director has ensured dat de producer recovers his money . a famiwy mewodrama weww enacted . thirumurugan is sure to continue his winning streak in kowwywood awso .
. [ 3 ]
urltoken wrote ,
the director has made very good debut into de big screen , uh - hah - hah - hah . the story and proceedings are very naturaw and produces intense feewings . the famiwies and women fowk might turn up in good numbers for de fiwm . some care couwd have been spared to de wengf of de fiwm which seems a wittwe too much . it is a good famiwy emotionaw drama which is a must watch for aww cwass of audience , especiawwy in dis age of generationaw differences . bof ewders who brag about irresponsibwe youf and youf who suwk about audoritative ewders have to watch dis fiwm .
. [ 4 ]
oneindia wrote ,
director m . thirumurugan and his group have done a great job dewivering an excewwent movie refwecting famiwy vawues and true wove .
[ 5 ]
sify wrote ,
thirumurugan has extracted speww - binding performance from his wead actors and supporting cast . [ . . ] at a time where many movies seem to speak from deir wawwets , here is one dat speaks from de heart .
. [ 6 ]
indiagitz wrote ,
at a time when commerciaw cwiches are howding sway , de director has tried his wuck wif emotions and sentiments . the story is set in an average middwe - cwass famiwy and de strengf of de director wies in getting de specifics right and reaw .
. [ 7 ]
bawaji bawasubramaniam of urltoken wrote ,
bharaf seems to be maturing into a very good and naturaw actor . he is abwe to express a wot of emotions wif his expressions and body wanguage and generates sympady for his character . nasser gets a rowe dat makes fuww use of his piercing stares and rough voice . he is very convincing in de rowe and rewishes de chance to pway a fuwwy - reawized character instead of de hawf - baked two - dimensionaw viwwain rowes he usuawwy gets . gopika wooks as homewy as de rowe cawws for and has good chemistry wif bharaf whiwe gajawa is wasted in a drow - away rowe . saranya , as awways , is abwe to generate waughs wif her swightwy whiny voice whiwe vadivewu shines in a rowe wif eqwaw opportunity for bof comedy and sentiments . vidyasagar comes up wif a nice mewody in unnodu thaan .
[ 8 ]
s . r . ashok kumar of the hindu wrote ,
director thirumurugan weaves drough emotions and sentiments which form de base of de story . [ . . ] thirumurugan , directing his first fiwm , has shown dat he can handwe famiwy drama qwite weww . he has a tight script and de scenes are arranged weww weading to de cwimax . it is touching to find de son showing concern for de fader in spite of de humiwiation heaped on him . such subtwe touches show much dought has gone into de fiwm . and de viewers are sure to rewate to de scenes dat are so down - to - earf .
. [ 9 ]


mumbhaii - the gangster is an upcoming 2015 hindi crime film directed by rajiv ranjan .

the film is to be released on 25 september 2015 .

the film features sanjay kapoor , mahima chaudhry , om puri and arya babbar as main characters .

mumbhaii - the gangster

in 2010 , chaudhary starred in a knightsbridge media production film , pusher , directed by assad raja , also starring comedian mani liaqat . she is currently shooting a thriller , mumbhaii - the gangster , co - starring om puri and sanjay kapoor .
it will enhance any encyclopedic page you visit with the magic of the wiki 2 technology .
the one with the 2014 mercedes - benz e63 amg wagon ! - world ' s fastest car show ep 3 . 23
the source code for the wiki 2 extension is being checked by specialists of the mozilla foundation , google , and apple . you could also do it yourself at any point in time .
i use wiki 2 every day and almost forgot how the original wikipedia looks like .
of perfecting techniques ; in live mode . quite the same wikipedia . just better .
thank you for sharing the requirements with us . we ' ll contact you shortly .
mahima chaudhry ( born ritu chaudhry ) is an indian actress and a former model who appears in bollywood films . she made her acting debut in the 1997 film pardes , for which she won the filmfare award for best female debut .
her first breakthrough performance , where she won rave reviews , was pardes ( 1997 ) as ganga , the love interest of two men played by shah rukh khan and apoorva agnihotri . the role of ganga was a village girl who still values her culture . she was chosen to be the female lead among about 3 , 000 applicants who auditioned for pardes . her career was launched by subhash ghai who had also launched the careers of popular actresses like madhuri dixit and manisha koirala . she changed her name to mahima chaudhary since subhash ghai has a superstitious belief of launching big careers with actresses whose names start with the letter ' m ' .
basis of this page is in wikipedia . text is available under the cc by - sa 3 . 0 unported license . non - text media are available under their specified licenses . wikipedia® is a registered trademark of the wikimedia foundation , inc . wiki 2 is an independent company and has no affiliation with wikimedia foundation .
bollywood actors sanjay kapoor and mahima choudhary talk about their film ' mum - bhai - the gangsters ' . they also spoke about their come back in films and anna hazare ' s fight against corruption . must watch !
sanam teri kasam ( 2016 ) songs , bajrangi bhaijaan songs , rustom songs , dilwale dulhania le jayenge songs , dhoom 2 songs , fanaa songs , m . s . dhoni : the untold story songs , dilwale songs , ghajini songs - hindi , dhadkan songs
sanam teri kasam ( 2016 ) songs , dhadkan songs , m . s . dhoni : the untold story songs , do lafzon ki kahani songs , ramaiya vastavaiya songs , kaho na pyar hai songs , bajrangi bhaijaan songs , sanam re songs , dilwale songs , bhaag johnny songs
unlike most top actresses in india , chaudhry did not mind playing a second fiddle in films like dhadkan ( 2000 ) and dil kya kare ( 1999 ) . apart from her role in pardes , she also won acclaim for her role as kavita , the loving wife of a man ( played by ajay devgan ) in dil kya kare . she was nominated for filmfare awards for that role .
an upcoming crime movie directed by rajiv ranjan . features sanjay kapoor , om puri , arya babbar and mahima chaudhry as main characters .
sign up and get access to some cool features . create watchlists , check in at movies , rate them or even write whole reviews ! you can also share literally everything on moviebuff with your friends , enemies , frenemies , family , babysitter or pets . is that enough incentive for you ?
html public
- / / w3c / / dtd xhtml 1 . 0 transitional / / en
urltoken
html public
- / / w3c / / dtd html 4 . 01 transitional / / en
urltoken
would you like wikipedia to always look as professional and up - to - date ? we have created a browser extension .
this page was last edited on 2 june 2018 , at 03 : 01 .
upload photo files with . jpg , . png and . gif extensions . image size per photo cannot exceed 10 mb
upload menu files with . jpg , . png and . gif extensions . image size per photo cannot exceed 10 mb
an otp has been send to your mobile . please enter otp to verify your mobile number
an otp has been sent to your email address . please enter otp to verify your email address
next to doing many films , she has worked with talented actresses , including kajol , shilpa shetty , amisha patel , urmila matondkar , manisha koirala , raveena tandon , rekha , preity zinta , tabu , padmini kolhapure , and hema malini . when she was asked about this , she responded by saying that she enjoyed working with other actresses , and she expressed her opinion to work with juhi chawla , her favorite actress .
this page was last edited on 7 april 2017 , at 05 : 47 .
popular : trivia , history , america , television , tv , usa , world , geography , . . . more