the exorcism of molly hartley is a 2015 american supernatural horror film written by matt venne and directed by steven r. monroe .

the film is a sequel to the 2008 film the haunting of molly hartley .

it was released on digital hd on october 9 , 2015 and on blu-ray on october 20 , 2015 .

the exorcism of molly hartley

exorcism of molly hartley sarah lind steven r . monroe the exorcism of molly hartley
exorcism of molly hartley , the exorcism of molly hartley , and the exorcism of molly hartley ( 2015 ) all redirect to this page .
headhunter ' s horror house wiki has a collection of images related to exorcism of molly hartley , the .
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daily dead . com ; the exorcism of molly hartley set visit report ; october 20th , 2015 ; derek anderson .
there are no featured audience reviews yet . click the link below to see what others say about the exorcism of molly hartley !
the exorcism of molly hartley was released on dvd ( region 1 format ) and blu - ray on october 20th , 2015 . [ 3 ]
the exorcism of molly hartly was filmed in an actual former psychiatric institution in brandon , manitoba .
the darkness comes for her again as twentieth century fox home entertainment prepares the sequel to 2008’s the haunting of molly hartley .
the exorcism of molly hartley was filmed in winnipeg , manitoba , canada . [ 1 ] scenes of the mental health facility exterior were shot at the millennium centre in winnipeg . [ 2 ]
now all grown up , molly hartley has fallen under the possession of an evil spirit . molly ' s only hope is to get an exorcism from a fallen priest before the devil completely takes her .
bloody disgusting has the exclusive extended trailer and artwork premiere for the exorcism of molly hartley , which arrives on digital hd october 9 and on blu - ray and dvd october 20 .
no one ( and we mean no one ) was asking for a sequel to the 2008 pg - 13 horror film the haunting of molly hartley , but 20th century fox felt like the horror genre was lacking just one more possession film , so they dug the haunting of molly hartley up in order to give it this unnecessary , lazy sequel . we know how much all of you were dying to know whatever happened to molly hartley , so we thought we would save you the time of having to sit through this slog of a film known as the exorcism of molly hartley and just tell you !
a sequel , the exorcism of molly hartley , was released direct - to - dvd on october 9 , 2015 . the film , directed by steven r . monroe , stars sarah lind as molly with a supporting cast of devon sawa , gina holden , and jon cor .
tags : 2015 , devon sawa , film , gina holden , horror , movie , peter macneill , review , reviews , sarah lind , steven r . monroe , supernatural , the exorcism of molly hartley
horror sequel to the 2008 film ' the haunting of molly hartley ' . imprisoned in a psychiatric hospital after committing a double murder , molly hartley ( sarah lind ) finds herself the subject of a planned exorcism to rid her of the demons possessing her . as father john barrow ( devon sawa ) , who is also a patient in the institution , prepares to exorcise molly , some fear that she is too far gone to be brought back . . .
lest you thought this was the end of the film , the exorcism of molly hartley puts a sequel tease in it’s final frame ( maybe to be released in another seven years ) . a devil bug manages to escape the room where molly was rescued from , fly to a school bus and crawl into the ear of an unsuspecting female student .
jd : bringing
why
to molly hartley , paul , is like bringing a cat to a gun fight .
once the exorcism really gets going , there’s a lot of holy water and a lot of growling and writhing around .
a continuation of the haunting of molly hartley , this poor gal just can’t catch a break . but this may be her last chance at being cleansed of the demon , and a priests redemption at doing the lords work .
the doctor tells barrow that she will “sign his release papers” if he performs the exorcism .
i won ' t keep this disc ; it ' s a perfectly ok movie that i ' ll never feel the need to watch again and nothing more . but the fact that it actually paid off / made up for the wonkiest thing about the original really tickled me , and ( spoiler ? ) i liked how they set up a 3rd film , showing that molly might still be possessed or whatever , and also showing another girl seemingly being picked to be next . hell maybe they can branch off and do both - do a series of
the exorcism of _ _ _ _ _ _
films and more _ _ _ _ _ _ ' s of molly hartley . the death of molly hartley , the resurrection of molly hartley , the inquisition of molly hartley . . . the possibilities are endless ! and , apparently , potentially enjoyable !
the priest said the protestant version of the lord ' s prayer , instead of the catholic version .
“what is most depressing about the existence of the exorcism of molly hartley is that people are going to confuse this with the infinitely better the exorcism of emily rose . we must all stop this from happening , and now your curiosity has been indulged you can move on with your lives . please don’t watch this festering turd of a film and certainly don’t give it any money . ” trace thurman , bloody disgusting
taking place years after the haunting of molly hartley , who now , as an adult , has fallen under the possession of an evil spirit and must be exorcised by a fallen priest before the devil completely takes her .
special features • exorcism : beyond one truth – sit down with professionals and religious experts to gather facts about demonic possession and debate whether it is a form of psychosis or if there is something more sinister involved • clovesdale institute : classified security camera footage – follow dr . laurie hawthorne as she checks in with each of her patients through security camera footage giving fans full view of the origins of molly’s exorcism • hartley admission hospital • surveillance of fr . barrow • dr . hawthorne visits m . hartley • fr . barrow performs exorcism rite part 1 • fr . barrow performs exorcism rite part 2 • fr . barrow performs exorcism rite part 3 • director diaries – follow director steven r . monroe as he shoots some of the film’s most intense scenes • makeup fx • the exorcism • the black church • the facility
what bothers me about many of these exorcism movies always depict the victims as horribly defaced . what gives ?
spoilers ahead . the exorcism of molly hartley is directed by steven r . monroe ( i spit on your grave , 2010 ) and stars sarah lind ( wolfcop ) , devon sawa ( final destination ) and gina holden ( final destination 3 ) . the film takes place takes place six years after molly has graduated from high school .
molly is taken into custody and transferred to the same catholic mental institution as the priest .
the exorcism of molly hartley [ dvd ] : urltoken sarah lind , devon sawa , gina holden , peter macneill , daina leitold , julia arkos , steven r . monroe , justin bursch , mike elliott , greg holstein , kim todd : dvd & blu - ray
meanwhile when we meet the titular molly hartley ( sarah lind ) she is doing tequila shots to celebrate a birthday party with her expository - dialogue - spouting friends .
the exorcism of molly hartley is a great movie with all that you would expect . acting , characters and plot all in a bottle of awesome sauce . this demon will have you hiding behind a pillow all night . if you are a fan of demons and a good twist this one is for you . grab a brew pull out the bible and hang that cross because molly is waiting .
what is most depressing about the existence of the exorcism of molly hartley is that people are going to confuse this with the infinitely better the exorcism of emily rose . we must all stop this from happening , and now your curiosity has been indulged you can move on with your lives . please don’t watch this festering turd of a film and certainly don’t give it any money . maybe this will show studios that we want better possession movies . one can dream , can’t one ?
trace thurman of bloody disgusting gave the film a negative review , noting that
no one ( and we mean no one ) was asking for a sequel to the 2008 pg - 13 horror film the haunting of molly hartley .
[ 2 ] adam lee price of fangoria was more mixed in his review , stating that
the film did have its moments
while remarking that it was
an in - title - only sequel
to the haunting of molly hartley . [ 3 ]
this movie lifts scenes directly from the exorcist . the opening scene involves an exorcism of a young woman tied to a bed in a second floor bedroom . one priest dies and is likewise thrown out the window ( in the exorcist , it was two different characters for whom this fate befell ) . the possessed molly hartley projectile vomits thick green fluid , much the same way regan macneil did in the exorcist . some of father barrow ' s lines during the rites of exorcism are rhythmically similar to those spoken by lankester merrin and damian karras in the exorcist .
) the unrated blu - ray and dvd features bonus features including a sit - down with experts to discuss the origins of demonic possession , bonus security camera footage giving fans a closer look into molly’s exorcism and director diaries showcasing some of the best scenes from the film .
because the director falls in love with the low - angle between - the - feet shot , a number of scenes are filmed with molly’s feet framing the action .
the suicide death of janet jones bears some similarity to the death of damien thorn ' s nanny in the omen . both franchises also use the symbology of dead birds to signify the presence of a demonic power .
the trailer , which originally debuted at the san diego comic - con , has shades of the omen and the exorcist , and is filled with all sorts of crazy imagery . the biggest selling point , however , is that those who witnessed the haunting / possession can now experience the exorcism…
molly hartley is all grown up , but the unholy demon inside her lives on . six years after graduating high school - and discovering that a secret pact assigned her soul to the devil - molly is suspected of murder and confined to a mental hospital , where she wreaks supernatural havoc on the staff and patients . her only hope is an exorcism by a defrocked priest looking to redeem himself and save molly ' s life before her hideous
transformation
is complete . . . but satan has other plans !
molly hartley ( sarah lind ) is all grown up , but the unholy demon inside her lives on . six years after graduating high school - and discovering that a secret pact assigned her soul to the devil - molly is suspected of murder and confined to a mental hospital , where she wreaks supernatural havoc on the staff and patients . her only hope is an exorcism by a defrocked priest ( devon sawa ) looking to redeem himself and save molly’s life before her hideous “transformation” is complete . . . but satan has other plans !
such truths are at the center of this intriguing and perplexing movie , which is based on the true story of a priest who was accused of murder after a teenage girl died during an exorcism . if the priest is correct and the girl was possessed by a demon , he is innocent . if the authorities called by the prosecution are correct , she died of psychotic epileptic disorder , and the priest created complications leading to her death . if , on the other hand , exorcism theory is correct , drugs given to the girl to treat her
disorder
made her immune to exorcism and led to her death .
in this chilling sequel to 2008 ' s the haunting of molly hartley , molly ( sarah lind ) is all grown up but the demons that have been plaguing her since her teenage years are not done with her yet . this time it ' s the devil himself who wants to take total possession of her mind and body and now molly finds herself locked in a mental ward , wreaking havoc on the doctors and patients . her only way out is an exorcism performed by a defrocked priest ( devon sawa ) who is seeking redemption for his past sins . directed by steven r . monroe .
the haunting of molly hartley is a 2008 american supernatural horror film written by john travis and rebecca sonnenshine and directed by mickey liddell . the film , starring haley bennett , chace crawford , annalynne mccord , and jake weber , was a critical failure but a mild commercial success .
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when molly starts speaking as the devil , we realize that the devil is kind of a dick , and isn’t nearly as witty as he thinks he is .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
the scene fades out , the sun is up and there is banging on molly’s front door . we see molly laying in her bed , completely hungover and her sex partners are gone . as the viewer we think they just slipped away to avoid the awkward walk of shame . but then , two officers come to molly’s door asking to come in and look around because her neighbors were complaining about a noise disturbance . one of the officers decides to check out molly’s apartment , while the other stays behind with molly . without dragging it out anymore the police officer finds both of molly’s partners brutally murdered in her bathtub . molly isn’t shocked , she seems absentminded and has no clue on what’s going on . the officers asks molly if she killed the people in the bathtub , she says “ no , i didn’t kill them… . ” then her voice switches to a demonic tone and she states “ we did . ” and that’s when they haul her off to psychiatric hospital to be evaluated . from then on , the film is filled with supernatural calamity and over time , molly changes into something outrageous , wicked , and dangerous .
face molly tries to seduce barrow , he says “you can’t seduce me demon . ”
after celebrating her new partnership at work , molly takes a couple home for a threesome , providing plenty of female t & a , but cuts away the second the man removes his pants . needless to say , those two people end up dead in molly’s bathtub full of blood . the police show up the next morning for a noise complaint that was reported the night before and then proceed to search molly’s house without a warrant . that’s some great police work . when they find the corpses , they send molly to a catholic mental institution ( the film just skips over her trial ) .
rather than explore a life where molly is now an apostle of satan , the exorcism of molly hartley chooses to be yet another generic possession film , filled with tropes we have seen countless times before , ever since the exorcist came out nearly 50 years ago . six years have passed since the first film ended , and molly is now a partner at the financial firm she works at . little does she know that it is about to be six years , six days and six hours since her 18th birthday , which means that the devil , whom she was impregnated with at that time ( wait , what ? that wasn’t discussed in the first film ! ) is ready to be born . i swear i’m not making this up
it all begins with two priests trying to perform an exorcism on a pregnant woman who is tied to a bed .
like molly gets all gross and snotty - looking , belches then vomits on her doctor .
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john’s horror corner : city of the living dead ( 1980 ; aka paura nella città dei morti viventi , the gates of hell ) , lucio fulci’s second gory italian zombie movie and the opening film of his gate of hell trilogy .
i remember watching the haunting of molly hartley years ago , which was alright and me being me i had to give this movie a shot . it was pretty good up until like the last minute which was a typical ending for this type of movie . now it had its moments of originality but a lot of scenes made me think the exorcist , green vomit stains around the mouth , the discoloration of her face , letters forming on the skin then it disappears , the breaking of the restraints and rising above a bed . this movie was not bad but not good either . to me this movie wasn ' t that scary and kind of predictable , but it still had some interesting scenes . i thought it was kind of slow but had its moments for me to keep watching until the end . i gave this movie a 5 out of 10 rating because like i said it wasn ' t absolutely horrible but not a terrifying exorcism movie
the film begins with an exorcism that father barrow had already begun . father james , who is supposed to be assisting with this exorcism , seems a bit jittery about the whole situation . the demon within the woman senses that and tricks him and the whole situation takes a turn for the worse , which ends in father barrow and the woman’s bodies splattered across the front driveway cement . as a result father james is sent to a psychiatric hospital to recover .
barrow returns the container to davies , who places it in his basement for safekeeping . barrow notices davies ' book on satanism and how the letters on the cover match the letters on molly ' s forehead during the exorcism . davies explains this is
leviathan
, the fourth book of the satanic bible that explains the antichrist will be born after the worst sin committed , matricide , is committed on the
mother of the devil
or the person whose body was used to incubate the devil . barrow demands to see the box , but upon opening the container , he finds that the box has been replaced with a large stone . davies hits barrow , knocking him out . meanwhile , molly wakes up and discovers the other patients in her room have possessed - like eyes . she is dragged by an orderly and is taken to an underground room .
conveniently , at this same institution is father barrow ( devon sawa , looking particularly embarrassed to be here ) , who was placed there after an exorcism gone wrong led to the deaths of another priest and a young woman . to be clear , barrow pled insanity to be put in the institution over actual prison , yet when molly starts displaying signs of possession , her therapist ( gina holden , of saw 3d and the very underrated harper’s island ) thinks it’s alright to have barrow , a man who is certifiably insane , perform an exorcism on her .
the ballad of narayama
is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…
there should be a joke here about molly’s previously - established fluid sexuality , but i can’t seem to find it under all of her fluids .
or , as the doctor says to the priest : “she wouldn’t have any of that knowledge . ”
to make a long story short ( too late ) , molly gets kidnapped by the chaplain of the institution ( peter macneill ) , who is revealed to be a follower of satan . during the ritual , the therapist appears ( literally out of nowhere ) and impales him with a pipe , and uses his body as a human shield against his disciples . then a bunch of bugs fly around and the evil disappears .
he has authorization from the archdiocese , but after he is charged with murder the church authorities order him to accept plea bargaining and create as little scandal for the church as possible . the church is curiously ambivalent about exorcism . it believes that the devil and his agents can be active in the world , it has a rite of exorcism , and it has exorcists . on the other hand , it is reluctant to certify possessions and authorize exorcisms , and it avoids publicity on the issue . it ' s like those supporters of intelligent design who privately believe in a literal interpretation of genesis , but publicly distance themselves from it because that would undermine their plausibility in the wider world .
we then jump to a dimly lit , crowded night club where see molly hartley , who is partying it up for her 24th birthday . she is all grown up living a successful life ! she’s beautiful , well dressed , graduated at the top of her class and has just made partner at a very prosperous company ! everything seems to be perfect for molly but things will not remain that way . while partying with some close friends , molly meets a random woman who is interested in getting in her panties but molly doesn’t seem to mind ! her friends do seem to mind , though . molly takes home that random woman and a man home for a threesome at her luxurious , sky high , beautiful loft apartment . for the perverts out there , we don’t get to see their sexy time . sorry .
“this hollow , straight - to - dvd effort doesn’t bother to make the characters relatable or interesting like the exorcist . it doesn’t even try to address the conflicts of faith and law like the heartbreaking exorcism of emily rose . frankly , this movie doesn’t care about being any good , and you shouldn’t care enough to see it . ” karin crighton , horrortalk
sarah lind is pretty good , if somewhat hammy , as the tongue - wagging , wise - cracking , snot - nosed devil molly .
the police , having suspected davies for a while , have been watching him . they find the list of people in his cult in his home , and barrow assures molly she is safe as she is driven away in an ambulance . meanwhile , one of the insects flies into a moving school bus , where it approaches an outcast girl at the back of the bus . it inches toward her ear as the screen goes black .
demons exist whether you believe in them or not ,
says the priest at the center of
the exorcism of emily rose .
yes , and you could also say that demons do not exist whether you believe in them or not , because belief by definition stands outside of proof . if you can prove it , you don ' t need to believe it .
the dialogue is even worse than you would imagine , but the most egregious example of the film ripping off another film’s dialogue is when a possessed molly tells father barrow that there is “ no molly , only us ” ( the dubbing of the demon voice over lind’s mouth is extremely poor ) . there’s also a laugh - out - loud moment in the opening scene where a demon tells barrow that he “will always be a fool for the flesh . ” it’s supposed to be scary , but it all comes across as laughable .
actor jon cor is also known for playing a werewolf named connor mclean in episodes of the north american version of being human .
molly . . . . . . you in danger girl . . . . . . . . again .
review : cut shoot kill has a lot of fun disassembling the . . .
the haunting of molly hartley opened theatrically on october 31 , 2008 in 2 , 652 venues , earning $ 5 , 423 , 315 in its opening weekend , ranking number five and second among the weekend ' s new releases . the film ended its run on february 5 , 2009 , having grossed $ 13 , 559 , 812 in the domestic box office and $ 1 , 858 , 937 overseas for a worldwide total of $ 15 , 418 , 749 . based on an estimated $ 5 million budget , the film was a minor box office success .
the film switches to a mental institution , where a doctor is talking to a woman dressed in black , later revealed to be a cold - hearted molly . it is revealed that molly ' s father has now been admitted to the institution ; molly casually smiles and says she will not speak to him , instead choosing to move on . molly becomes valedictorian of her high school , and dates joseph . she is seen leaving her high school graduation with joseph in a limousine , after being told by dr . emerson ( disguised as the school guidance counselor ) that they ' ll
see her soon .
basically the story of a man forced to finally see the injustice around him . riley’s movie is designed to do the same thing to you . …
six years after graduating high school and discovering that a secret pact assigned her soul to the devil , molly is suspected of a double murder and confined to a mental hospital , where she wreaks supernatural havoc on the staff and patients .
barrow wakes up in a locked room in the asylum where he witnesses a patient commit suicide in the room next to him filled with other dead patients . an orderly comes brandishing a gun and orders him to come with him . dr . hawthorn is in her office when another orderly orders her to follow him , though unknown to him she takes a pair of scissors with her . he takes her to a room filled with dead employees , but before he can kill her , she fatally stabs him with her scissors . she witnesses father barrow being led by the orderly and runs away . barrow and the orderly arrive at the underground room , where davies and the people in black barrow saw earlier take part in a ritual to sacrifice molly to bring forth the antichrist and barrow , the father of the devil since he was the one who extracted the devil through an unholy ritual . before he can kill molly , dr . hawthorn stabs davies through the abdomen , dropping the box and releasing the insects , providing a distraction as molly stabs davies . barrow , dr . hawthorn , and molly escape while several of the participants are killed by the insects , but the orderly and several of the participants chase after them with weapons . they fall and the orderly nearly shoots them , but the police arrive and shoot the orderly and arrest those present . the police enter the underground room , where a few surviving insects escape through a tunnel .
dr . emerson ( nina siemaszko ) arrives at joseph ' s house and tells molly that she is also to be a servant of the devil . she says molly can either kill her father to break the pact , or submit to the devil . she tries to let her father live and avoid her fate by attempting suicide with a kitchen knife . this attempt is in vain because the clock has already struck midnight .
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the film was widely panned and currently holds a 28 / 100 rating on metacritic , based on 10 reviews and a 3 %
rotten
score on rotten tomatoes , with the site ' s critical consensus being
the haunting of molly hartley is a rather lifeless horror endeavor , with a pedestrian plot and few scares .
its best review came from the toronto star which said
if you get past the retro nancy drew title , this is a worthwhile effort .
the la weekly wrote
from freestyle releasing , the self - service distributor that brought you d - war and in the name of the king : a dungeon siege tale , comes a movie even worse than those two combined .
a dr laurie hawthorne who treats molly faces her head on from throwing up all over her to throwing her around . this doc is fearless it seems , which is nice she will need it . john has his own fair share of problems grief over a fallen priest due to failed exorcism and learning his path again from the elder priest . things are not as they seem in this place , john has to find his strength to do the lord’s work and dr hawthorne must find a way to save molly . but the devil has his own agenda .
” …for a movie that shouldn’t exist , it’s pretty enjoyable . the actors are good , the music is really good ( quick : name all the good scores in dtv movies . yeah . ) , and the mix of rosemary’s baby - esque “she’s the chosen one” stuff and good ol’ fashioned exorcism motifs works well more often than not . ” brian w . collins , horror movie a day
what follows are your usually possession movie tropes : molly vomits green liquid , writhes around a lot , hangs upside down like an inverted crucifix , makes the receptionist commit suicide in an act of devotion to satan , talks in a man’s voice , flaps her tongue , shoots bugs out of her mouth , and spells words on her skin . there is no originality to any of it , and the lack of shame present in the film is insulting .
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an interview with terry gilliam , director of
the man who killed don quixote .
don ' t believe what the title says because when you watch it , you ' ll be disappointed at how pathetic the acting , the storyline and the directing is . to me personally , i don ' t understand at the part where the exorcism starts and how it ends . so please spend your hard earned money on something else because this is not a film for you .
based on andy weir ' s novel , the martian movie is the gripping story of mark watney ' s survival against the odds after he becomes stranded on mars .
erin works for a powerful law firm retained by the archdiocese . she wants to be named a partner , but she won ' t be if she agrees with father moore ' s wish to appear on the witness stand ; the archdiocese wants to make a deal leading to a quick settlement , with no testimony from the priest , and the archdiocese , not the priest , is the client who is paying . which way does erin turn ? the film is fascinating in the way it makes legal and ethical issues seem as suspenseful as possession and exorcism .
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i was scared to put this one in at first , would this one scare me or make me uncomfortable ? i was not let down . with a creepy intro , i sat back and accepted the pure evil in this one . possession movies are always fun , the idea of a demon taking over someone’s mind , body and soul is a big scare for anyone . the movie takes place a couple years after the first movie and we have molly all grown up , but we soon find out that the demon is still hanging around deep inside . molly is soon taken away to a correction center , and she begins to terrorize the staff and patients pretty much as soon as she gets there . a defrocked priest john barrow also resides there from his last attempt at an exorcism , but his reasons for being there are clear .
in this action - comedy , four twenty - something friends are looking for love and having no luck . while on a ski trip , one of them finds passion with a beautiful girl after a random accident on the icy slopes . the others quickly conclude that the extreme circumstances of the accident were what caused love to bloom . they decide that the path to true love is to purposely set each other up on
extreme dates
with the objects of their affections . after a couple of near - successes , they go for broke by planning an elaborate kidnapping scheme that can ' t miss . but the hired
kidnappers
turn out to be ex - cons with a plan of their own , and the extreme date escalates out of control .
sequel to reveal the origins of our favorite inbred hillbilly cannibals . everything started with three finger ( sean skene ;
what is fascinating about
the exorcism of emily rose
is that it asks a secular institution , the court , to decide a question that hinges on matters the court cannot have an opinion on . either emily was possessed by a demon and father moore did his best to save her , or she had a psychotic condition and he unwittingly did his best to kill her . the defense and the prosecution mount strong arguments and call persuasive witnesses , but in the end it all comes down to the personal beliefs of the jury . a juror who does not believe in demons must find the priest guilty , if perhaps sincere . a juror who does believe in demons must decide if emily rose was possessed , or misdiagnosed . in a case like this , during the jury selection , are you qualified or disqualified by believing one way or the other ?
this is matt venne ' s fourth film as a writer and his fourth film in the horror genre . he is also known for scripting episodes of masters of horror and fear itself .
i rather enjoyed this flick , good story and well driven characters . even if you did not see the first movie , it is kind to you in the sense it could be its own standing film . i looked at it as a sequel but i could see it from the perspective of someone who has not seen the first and not get really confused . you should know that she struggled with a demon and boom you are caught up . the plot is very strong with characters who are well drawn out with plenty of time to find out who they are and what they are capable of with excellent acting . the setting is awesome , we see churches hallways of the hospital and the padded rooms that keep the patients from the outside world .
and who is emily rose ? as played by jennifer carpenter in a grueling performance , she is a college student who sees the faces of friends and strangers turn into demonic snarls . her nightmares are haunting . she speaks in foreign languages . she loses an alarming amount of weight . she calls home for help , in tears . her boyfriend can ' t reach her . the parish priest , father moore , is called in , and determines that an exorcism is indicated .
the quality of the kills is high for the hillbilly horror subgenre . the writing might be terrible , yet this sequel manages to do the franchise honor ! you’ll feel more fun than fear , but you’ll wince and reel about as often as you gasp with a smile . i thought declan o’brien did a piss poor job with
( 2009 ) , but he might have learned from some of his mistakes . i’m putting this right up there with the original
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the horror is very much alive here , you don’t always need blood and gore to make you afraid just the talks of devils and possessions should be enough to get the blood running . that is not to say there isn’t blood , oh my yes yes there is ! brain matter and bodily fluids all over . the makeup for the possessed molly was sickening , i can imagine hours of sitting in that makeup chair , puss running from the nose and green stuff that i don’t even wanna know is from . basically it looked real ! i loved how they took a beautiful women and turned her into a hellish beast . . still cute .
jd : she tried , but the first thing the devil possesses is the feet . every time she ' d walk to a church her devil feet would flip out and run the other way , expressively !
jd : i think the devil just wanted to get a good job and live comfortably , but molly had to go and stab a couple revelers . that was all her , man . just because you ' re possessed by the devil doesn ' t mean you aren ' t crazy .
after what seems like an insanely long amount of time , molly is supposedly exorcised and put back in the hospital , while barrow is just let free ( despite his previous sentencing to the institution ) . it’s at about this point in the film that you realize there are still 30 minutes left in its runtime . “dear god , ” you ask . “there’s more ? ” oh yes , it goes on and on .
good dtv score : the hitcher ii . but that ' s a testament to how good joe kraemer is , who slummed it between the way of the gun and landing bigger movies like jack reacher and mission : impossible – rogue nation .
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. the dismemberment in the opening sequence was a feisty little number , the delightfully gory barbed wire noose scene offers a solid mix of fun and tension , and then there was the butchering scene… yikes ! our mutant rednecks engage in some skin - peeling torture , just slowly flaying and yanking his skin off while the dude was still alive . it was legitimately
but almost every scene , every scare , is an impoverished version of something that was done much better in the classic devil possession movies .
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what was a battle for a woman’s soul has become an epic tale of pest control .
a cryptic message from bond’s past sends him on a trail to uncover a sinister organisation . while m battles political forces to keep the secret service alive , bond peels back the layers of deceit to . . .
john’s horror corner : wrong turn 5 : bloodlines ( 2012 ) , not quite the worst of this hillbilly horror franchise . | movies , films & flix
jd : but when the devil briefly releases her , she ' s not green and snotty anymore . so it ' s all an illusion . . . meant to seduce the priest ! but why ? maybe everyone is melting and blistering all the time in hell , and so the inhabitants have just incorporated that look into what they consider to be within the norms of good looks . or , maybe the devil knows the priest ' s secret , and it ' s that he likes his women like he likes his kleenexes .
fast - forward to 2003 . heading out for a winter retreat to a family cabin , nine college students take a wrong turn and snowmobile out of cell reception to the now abandoned mental hospital in the snowy mountains . oh , and of course , a blizzard abounds to maroon them in flesh - eating deliverance .
jd : i don ' t know , but i love that in the animated . gif directly above your questions , where molly ' s feet are providing such powerful punctuation , the words she ' s saying are
you could have all this
, and she ' s gesturing at her crotch . don ' t tempt me , devil !
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the movie stars sarah lind ( wolfcop ; blackburn ; severed ) , devon sawa ( a resurrection ; creature of darkness ; final destination ) , gina holden ( avalanche sharks ; sand sharks ; saw 3d : the final chapter ) peter macneill ( bag of bones ) , daina leitold , julia arkos and tom mclaren .
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roger ebert ' s speech on empathy for the
11th hour
series on april 9th , 1994 , being republished here in honor of his birthday june 18 .
john’s horror corner : wrong turn 4 : bloody beginnings ( 2011 ) , the best cannibal hillbilly sequel in the franchise so far .
the movie takes place in a small town surrounded by a grant wood landscape ; houses and remote farms crouch in winter fields under a harsh sky . the key relationship is between the priest and his defense attorney . erin bruner does not believe in devils , but she believes in father moore , and she believes he believes in them .
there are dark forces surrounding this trial ,
he warns her , suggesting that she herself might be a target of demons . in this and other scenes the movie is studiously neutral on the subject of the priest : he would look , speak and behave exactly the same if he were sane and sincere , or deluded and sincere .
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demon | official trailer [ hd ] subscribe here : urltoken paranormal horror movies : urltoken newly arrived from england to marry his fiancee zaneta ( agnieszka zulewska , chemo ) , peter ( israeli actor itay tiran , lebanon ) has been given a gift of her family’s ramshackle country house in rural poland . it’s a total fixer - upper , and while inspecting the premises on the eve of the wedding , he falls into a pile of human remains . the ceremony proceeds , but strange things begin to happen… during the wild reception , peter begins to come undone , and a dybbuk , the iconic ancient figure from jewish folklore , takes a toehold in this present - day celebration - for a very particular reason , as it turns out . filmisnow your first stop for the latest new cinematic videos the moment they are released . whether it is the latest studio trailer release , an evocative documentary , clips , tv spots , or other extra videos , the filmisnow team is dedicated to providing you with all the best new videos because just like you we are big movie fans .
the hunger games : mockingjay – part 2 now brings the franchise to its powerful final chapter in which katniss everdeen ( jennifer lawrence ) realizes the stakes are no longer just for survival – they . . .
i guess that actually makes some sense of their superhuman behavior in these movies…and maybe michael myers as well .
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she takes some drugs ( molly , presumably ) , blows off her well - meaning friends , and then gets into a steamy slo - mo dancing scene that culminates in a softcore ménage à trois ( see , it wasn ' t just a metaphor ! ) .
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is in blank verse : it doesn’t rhyme , as the devil should know .
john’s horror corner : wrong turn 4 : bloody beginnings ( 2011 ) , the best cannibal hillbilly sequel in the franchise so far . | movies , films & flix
well , oddly enough , that ' s exactly what they did . molly is played by a different actress ( sarah lind from wolfcop ) , but it dives deep into what that film established , and more significantly , actually makes up for that film ' s weirdo ( admirably so ) ending . in fact , the only thing i really remember about the original , seven years later , is that molly turned herself over to satan at the end , and had zero drawbacks from it - she got more popular , her grades improved , etc . but there was no
just one thing . . .
twist or whatever - the ending couldn ' t be construed as anything but a fully happy one . she didn ' t even get possessed ( read : all black ) eyes ! in retrospect i think it might have just been a nod to the legacy ( also admirable ) , but it was still a weird way to end a movie aimed at impressionable teens . satan is good !


complete unknown is a 2016 american-british drama mystery thriller film , directed by joshua marston , from a screenplay by marston and julian sheppard .

it stars rachel weisz , michael shannon , kathy bates and danny glover .

it had its world premiere at the sundance film festival on january 25 , 2016 .

the film was released on august 26 , 2016 , by amazon studios and ifc films .

complete unknown

amazon studios has acquired all u . s . rights to the drama complete unknown .
complete unknown is the perfect case study of what happens when bad movies rope in good actors .
rachel weisz in complete unknown : a sang - froid that annoys the other characters . photograph : jeong park
looking for movie tickets ? enter your location to see which movie theaters are playing complete unknown near you .
complete unknown offers a bit of difference to a late summer scene , not a beach film nor a blockbuster .
with an intriguing title but little else , joshua marston ' s
complete unknown
doesn ' t hold up well .
“complete unknown” premiered at this year’s sundance film festival . it will be released in august 26th from amazon studios and ifc films .
lucas joaquin , jay van hoy and lars knudsen produced complete unknown , while robert halmi jr . and jim reeve executive produced .
despite its flaws ,
complete unknown
raises provocative questions about the nature of identity and whether it ' s more a comfort or a trap .
in a pre - sundance film festival deal , amazon studios has bought u . s . rights to the rachel weisz - michael shannon drama “ complete unknown . ”
amazon is planning to partner with a theatrical distributor for a fall release of complete unknown , which will make its world premiere at the festival on jan . 25 .
in some ways , it ' s more than a little ironic that a film called
complete unknown
will leave you scratching your head about what you just watched .
it is an intimate high - wire act , completely open to interpretation , but with weisz and shannon as our guides , complete unknown doesn ' t leave us stranded alone .
“ complete unknown ” will make its world premiere at sundance on jan . 25 . lucas joaquin , jay van hoy and lars knudsen produced ; robert halmi jr . and jim reeve executive produced .
following a sundance premiere , the first trailer has arrived for complete unknown , a psychological thriller starring michael shannon and rachel weisz that is being released through amazon studios and ifc films later this month .
note : complete unknown opens in limited markets on august 26 , with a wide release scheduled for september 9 . while amazon studios picked up the film , no amazon streaming release date has been set yet .
with an intriguing title but little else , joshua marston ' s
complete unknown
doesn ' t hold up well with its enigmatic plot about rachel weisz and michael shannon having met in a previous life .
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but as complete unknown is only getting a whisper - quiet limited release , it ' s doubtful this shrug of a film will do any lasting damage to either shannon or weisz ' s careers . crisis ( mostly ) averted .
in one of the five “unknown pleasures” dances , ballet de lorraine company members spell out words with lettered t - shirts .
a mysterious woman with a remarkable past revisits a former lover , complicating the settled life he has built for himself and his wife in complete unknown , an unsettling exploration of identity from acclaimed filmmaker joshua marston ( maria full of grace , the forgiveness of blood ) .
in some ways , it ' s better not knowing too much about
complete unknown
before watching it , but it ' s also a movie where it ' s not going to win you over if you go in expecting a particularly life - changing experience .
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complete unknown is the perfect case study of what happens when bad movies rope in good actors . in this case , it ' s rachel weisz and michael shannon , two of the most talented performers working today , who get sucked into writer - director joshua marston ' s vortex of nothingness .
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“maria full of grace” writer and director joshua marston continues to explore the concept of identity with his latest film “complete unknown . ” the film , distributed by amazon , stars rachel weisz and michael shannon , in a crossing of paths that threaten to wreck the stability in shannon’s life . variety spoke with marston about working with amazon [ … ]
we said in our review , “armed with two top - notch leads and a compelling premise , joshua marston ‘s third feature , complete unknown , spends a lot of time hinting at which direction it will go , without going anywhere at all . ” see the trailer below for the film which also stars kathy bates , danny glover , michael chernus and azita ghanizada .
sadly , the characteristically solid performances by weisz and shannon do little to elevate
complete unknown
from being something that may have worked better as a stage play . the odd and esoteric premise never quite connects with the viewer , and it ' s just a deeply unsatisfying film once you realize there really isn ' t more to this story than two estranged people reuniting after decades .
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in a pre - sundance film festival deal , amazon studios has bought u . s . rights to the rachel weisz - michael shannon drama “complete unknown . ” the film , directed by joshua marston ( “maria full of grace” ) from a script he co - wrote with julian sheppard , centers on a couple whose life is unraveled when a mysterious former love — portrayed by weisz [ … ]
eventually , tom and jenny are separated from the group , including tom’s wife , who has just been accepted on a university course that could uproot the couple’s lives , and they embark on a night of soul searching . some have compared complete unknown to richard linklater’s before films , with the characters trying to figure out whether they knew another person at all or simply constructed their own version of them .
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“maria full of grace” writer and director joshua marston continues to explore the concept of identity with his latest film “ complete unknown . ” the film , distributed by amazon , stars rachel weisz and michael shannon , in a crossing of paths that threaten to wreck the stability in shannon’s life . variety spoke with marston about working with amazon for his newest film and why a female lead provides a more intriguing vantage point for storytelling .
what if you just walked away from your life and completely started over ? what if you walked away from that new life and started over again ? what if you did that again and again and again ? that’s the premise of joshua marston’s new romantic identity drama “ complete unknown , ” starring rachel weisz as a woman who constantly reinvents herself and soon brings an ex - lover tom ( michael shannon ) into her manufactured world .
and the oh - so - familiar strains of ravel’s “bolero” come as no relief to anyone who knows how many awful dances have been made to that music . this one , similar in tone to maurice béjart’s sexed - up version , makes the mentally deranged couples , tuneless vocalizing and pretentious oddity that fill the remaining sections of “unknown pleasures” seem more tolerable by contrast . to be promised unknown pleasures but receive so much commonplace tedium is disappointing .
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complete unknown / u . s . a . ( director : joshua marston , screenwriters : joshua marston , julian sheppard ) — when tom and his wife host a dinner party to celebrate his birthday , one of their friends brings a date named alice . tom is convinced he knows her , but she’s going by a different name and a different biography—and she’s not acknowledging that she knows him . cast : rachel weisz , michael shannon , kathy bates , danny glover , michael chernus . world premiere
sound mixing for a nonfiction program single or multi - camera anthony bourdain parts unknown — rome the beatles : eight days a week – the touring years - winner o . j . : made in america — part 2 planet earth ii — cities 13th
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the answers are not too long in coming , and without giving too much away , “complete unknown” unspools as more of a chamber drama than a thriller . the picture is co - written and directed by joshua marston , who’s worked a lot in television in recent years but whose feature film career has a distinguishing characteristic which is defined by the fact that this picture is the california - born filmmaker’s first full - length movie in english . his 2004 feature debut “ maria full of grace ” was mostly in spanish , and 2011’s striking , underseen “ the forgiveness of blood ” was set and shot in albania . the milieu of “complete unknown” has an internationalist bent ; tom’s wife , ramina ( azita ghanizada ) , is persian , and is informally tutoring tom in farsi ; everyone in tom’s circle is well - traveled , as is “ alice , ” who comes to tom’s birthday party as clyde’s platonic date . this new persona of weisz’s claims to have just come in from tasmania , where she’s been working with a newly discovered species of toad . tom , however , recognizes someone wholly other in alice .
“maria full of grace” director joshua marston , who has struggled to live up to the promise of that stirringly urgent debut , is not one of the great filmmakers . identity is a construct , relationships are a performance and love is a fiction that only endures for as long as two people can be convinced that it’s real — “ complete unknown ” tells us these things over and over again , marston’s inert and hyper - literal new drama rehashing vonnegut’s sentiment in a hundred different ways rather than mining it for any semblance of compelling drama or deeper truth .
“complete unknown , ” to its credit , doesn’t hinge on ham - fisted suspense — on the contrary , it deals with its subject so directly that the characters are suffocated beneath the ideas that they’re meant to represent . as tom and alice split off from the rest of the crowd and begin sifting through their divergent pasts , the film descends into a sub - linklater all - nighter in which weisz , tantalizingly predatory at the start , is soon forced to explain all of the things that she might have used to silently inform a richer and more interesting role .
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cinematography for a nonfiction program todd lieber & zach zamboni , anthony bourdain parts unknown will basanta , chef’s table nick higgins , o . j . : made in america cinematography team , planet earth ii : cities cinematography team , planet earth ii : islands - winner hans charles & kira kelly , 13th
berney tubthumped elvis & nixon , which is going out via bleecker street media on april 22 following its world premiere at the tribeca film festival . the film follows michael shannon as the king and kevin spacey as president richard nixon , and the high jinks that follow their meeting when the president makes him elvis an undercover rock ‘n’ roller . also shown was amazon’s hysterical trailer to whit stillman’s love & friendship , which it is putting out through roadside attractions on may 13 . saw this at sundance ; kate beckinsale is very sharp in this jane austen feature adaptation . complete unknown is being released via ifc later this summer .
the bsar includes a number of additional data elements pertaining to the type of suspicious activity and the financial services involved . certain fields in the bsar are marked as
critical
for technical filing purposes . this means the bsa e - filing system will not accept filings in which these fields are left blank . for these items , the bank must either provide the requested information or check the
unknown
box that is provided with each critical field . banks should provide the most complete filing information available consistent with existing regulatory expectations , regardless of whether or not the individual fields are deemed critical for technical filing purposes .
ballet de lorraine’s other program is a more conventional selection of three works , complete with program information : people to credit , people to blame . “devoted , ” by cecilia bengolea and françois chaignaud , bizarrely looks like a provincial dance recital , increasing the awkwardness of sloppy ballet in point shoes with rump - shaking and splats into splits unthinkingly borrowed from the dancehall genre . “hok solo pour ensemble , ” by alban richard , is rigorously faithful to the stops and starts of the brutal louis andriessen score “hoketus . ” lines , circles , simple motions repeated and varied : the creator of these mesmerizing patterns could easily have made the childs - like section in “unknown pleasures . ”
i think the challenge was shooting a movie that was originally conceived as a small contained film that was shootable on a low - budget so that the film wouldn’t fall apart . my previous film had fallen apart before this so we didn’t want to run the same course . and then once we got into “complete unknown , ” i realized i had written a character who has an immense scope , a woman who has crossed the globe living multiple lives in countries all around the world . in order to really understand the character you want to feel the breadth of what she’s done . we had to be very creative in conveying that and making it look like as big of a movie as possible on the small budget that we had .
the absence of names should help create the ideal receptor : an open mind . but anonymity delays judgment only until the start of the performance . “unknown pleasures” collects five distinct styles or modes , and it’s easy to identify which is which , if not which is by whom . you can try to guess the authors , if the work makes you care enough .
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it ' s very much like what happens in abbas kiarostami ' s certified copy , except that in kiarostami ' s film , even the audience doesn ' t know where the fantasy begins and ends for the central couple . the characters there are exploring a complicated philosophical question that ' s openly left for the viewers to answer . complete unknown ' s version of the same idea is smaller and simpler . jenny gently shows tom a feeling she ' s failed to communicate in words , and he responds by falling for the seductive side of lying to strangers . as with certified copy , the audience is drawn in by the difference between a lecture about someone ' s abstract beliefs , and the reality of how those beliefs interact with the world .
even with the benefit of expensive malware sandboxing technologies , incident response teams are inundated with alerts . because they can’t tell what’s urgent and what’s not , they often ignore alarms , leaving your enterprise exposed to risk . symantec content analysis delivers effective tools for malware analysis to ensure that only truly unknown content is brokered to sandboxes so incident response focuses on real threats , not false alarms .
hence the appeal of choreography without attribution . that’s the idea behind one of two programs that ballet de lorraine has brought to the joyce theater at the start of its first united states tour . the dancers are listed , but instead of the names of those responsible for the music , the costumes and the choreography , there are numbers . five choreographers contributed to a production tantalizingly titled “unknown pleasures . ”
but complete unknown never locks onto the details . unlike catch me if you can , which showed how its identity - shifting protagonist used charisma and chutzpah to fall into new roles , or catfish , which showed the naked longing behind faked identities , marston ' s film doesn ' t have force or focus behind it . it also doesn ' t have the curiosity to explore what ' s going on behind the soft preaching about jenny ' s love of self - creation . the film never comes up with a mission statement or a message that might tie together its wandering scenes , or explain its vague melancholy . in the end , it feels like a life - support system for a single perfect scene — a sequence that suggests all the conflicts , compromises , and rewards the rest of the film never fully explores .
marston unpacks this vital information far earlier and less ceremoniously than the film’s shadowy , secretive tone might lead auds to expect . the central mystery of “complete unknown , ” it turns out , is not who or what alice / jenny is , but why she is that way ; as the party decamps to a fashionable low - lit nightclub , tom seizes the opportunity to privately confront this ravishing revenant , and revisit a past that she has blithely disowned . the long , spiraling conversation that follows largely consumes the film , like a high - concept rewrite of the unforgettable peep - show memory purge in wim wenders’ “paris , texas . ” but the tension of seduction also charges their bittersweet exchange of narratives , as tom himself — via a spontaneous street encounter with a chatty late - night stroller ( kathy bates ) — is exposed to the thrill of newly imagined selfhood .
banks are required to file sars that are complete , thorough , and timely . banks should include all known subject information on the sar . the importance of the accuracy of this information cannot be overstated . inaccurate information on the sar , or an incomplete or disorganized narrative , may make further analysis difficult , if not impossible . however , there may be legitimate reasons why certain information may not be provided in a sar , such as when the filer does not have the information . a thorough and complete narrative may make the difference in determining whether the described conduct and its possible criminal nature are clearly understood by law enforcement . because the sar narrative section is the only area summarizing suspicious activity , the section , as stated on the sar , is
critical .
thus , a failure to adequately describe the factors making a transaction or activity suspicious undermines the purpose of the sar .
“complete unknown” thus hinges heavily on the persuasive powers of everyday performance . after all , how often do we modify our identities to others , even when presenting as ourselves ? luxuriously conversational in structure , it would make an outstanding stage play , and the two stars play it with chamber - piece rigor : as also demonstrated in “the deep blue sea” and “the constant gardener , ” weisz is often at her best playing women of evasive will and desire , and she does clever work here — even bending and interrupting her own accent — with a needfully frustrating character who emerges only through the elimination of other personae . that does not , inevitably , leave much of a person , as marston’s story skates on the edge of very finely conditioned shaggy - dog territory . virtues of intelligent economy notwithstanding , one almost wishes for a messier sprawl across alice’s many states of mind and being .
“complete unknown” has a killer opening sequence . two young women , their faces tantalizingly kept out of frame much of the time , discuss a new living arrangement for one of the women , who’s back from a long time away , in an exotic location , where , she says , she worked with some “amazing botanists . ” that woman , glimpsed in profile , is recognizable as rachel weisz . so , too , is the compassionate and competent hospital nurse seen in a couple of following shots . so , too , is the magician’s assistant working in a chinese nightclub in the next few shots . so , too , is the somberly dressed woman sitting in a car parked outside of a suburban house , watching as an older woman drives her car out of the driveway and away from that house . is this a woman with a lot of careers ? is this a clone ?
in the deluge of tributes penned in the days following david bowie ' s death , some of the most moving were those suggesting that , despite his famous self - reinventions and stretches of living so hard they should leave a man forever altered , he retained an unchanged kernel of david robert jones within him until the day he died . this notion that identity can be both constant and endlessly mutable is at the heart of complete unknown , the third feature by maria full of grace director joshua marston , in which rachel weisz plays a woman who ( depending on your point of view ) has either never stopped running from herself or made constant blank - slate changes in search of her fundamental truth . more provocative than satisfying , which is as it should be , the picture has a solid art house appeal enhanced by screen - consuming performances by two eminently watchable leads , weisz and michael shannon .
for operations where it is unknown in advance how much work has to be done , it may not be possible to use a percent - done indicator , but it is still possible to provide running progress feedback in terms of the absolute amount of work done . for example , a system searching an unknown number of remote databases could print the name of each database as it is processed . if this is not possible either , a last resort would be to use a less specific progress indicator in the form of a spinning ball , a busy bee flying over the screen , dots printed on a status line , or any such mechanism that at least indicates that the system is working , even if it does not indicate what it is doing . note added for the web version of this essay : most web browsers fail in providing useful progress bars , since they don ' t communicate what percentage of the entire download for a page has been completed .
a mysterious woman with a remarkable past revisits a former lover , complicating the settled life he has built for himself and his wife in complete unknown , an unsettling exploration of identity from acclaimed filmmaker joshua marston ( maria full of grace , the forgiveness of blood ) . as tom ( michael shannon ) celebrates his birthday with a group of close friends in brooklyn , he is startled to see a woman from his distant past at the party . jenny — or alice ( rachel weisz ) , as she now calls herself — first denies even knowing tom , but as the evening progresses , she reveals a shocking secret . after disappearing from tom’s life 20 years earlier , she began to reinvent herself every few years , taking on a new name , a new career and a new life each time . after giving tom a glimpse of what life could be like if he lets go of the safety and security he has so carefully created , alice asks him to make a choice that will change everything .
the first six minutes of complete unknown constitute the most arresting , confounding opening sequence in recent memory . one of the film’s stars , rachel weisz , is first seen looking at a room for rent ; she tells the landlord that her name is connie , that she’s just back from touring the amazon rainforest with a group of botanists , and that she’s planning to study environmental law . no sooner does she say this , however , than the movie abruptly cuts to weisz in a surgeon’s smock , attempting to calm a badly wounded patient on an operating table . the doctor’s name is paige . seconds later , weisz is mae , a magician’s assistant in what appears to be china . then she’s in business dress , surveilling a house in ohio . then she’s in bed next to a man with an australian accent , talking about her years as a teacher back in the u . s . finally , just before the title appears , we see her swimming out to sea , despite “connie” having told the landlord a few minutes earlier that she didn’t get into a boat in the amazon because she can’t swim .
unfortunately , complete unknown completely fizzles . apart from the moonlit frog bit , marston and his co - writer , julian sheppard , can’t think of much for alice and tom to do once they’re alone together ; the last act of the movie consists largely of alice explaining her philosophy of life in tedious detail and tom insisting—with logic that’s hard to fault , frankly—that said philosophy is selfish and deranged . it’s a drastic turnaround from the disorientation that reigns early on , and while that’s thematically apropos for a story about reinventing oneself at will , without looking back , the shift from abstract to concrete just doesn’t satisfy . it’s as if a first - rate roman polanski movie suddenly metamorphosed ( ohhh , frogs , duh ) into a third - rate michael crichton adaptation . the visually magnificent final shot only compounds the frustration , as it’s in service of a real shoulder shrug of an ending . marston , whose previous two features looked like fairly standard no - budget indie fare , has made a huge leap forward here as a director . next time , hopefully , his script will provide the images with a more esoteric , less pedantic context .
“sounddance” is authentic cunningham , made by the master in 1975 . coming at the end of this program , it caps a primer in the developmental stages of choreography , the dancers emerging from the bare classroom steps of “devoted” and the formulaic patterning of “hok solo” into a fascinating world of drama where it’s impossible to anticipate what’s happening , and you want to catch it all but you can’t . this is the kind of surprise it would have been wonderful to find in “unknown pleasures , ” a thrill i’m sure we could recognize without the name of its maker .
these components are present in banks of all sizes . however , the structure and formality of the components may vary . larger banks will typically have greater differentiation and distinction between functions , and may devote entire departments to the completion of each component . smaller banks may use one or more employees to complete several tasks ( e . g . , review of monitoring reports , research activity , and completion of the actual sar ) . policies , procedures , and processes should describe the steps the bank takes to address each component and indicate the person ( s ) or departments responsible for identifying or producing an alert of unusual activity , managing the alert , deciding whether to file , sar completion and filing , and monitoring and sar filing on continuing activity .
sar completion and filing are a critical part of the sar monitoring and reporting process . appropriate policies , procedures , and processes should be in place to ensure sars are filed in a timely manner , are complete and accurate , and that the narrative provides a sufficient description of the activity reported as well as the basis for filing . fincen developed a new electronic bsa suspicious activity report ( bsar ) that replaced fincen sar - di form td f 90 - 22 . 47 . the bsar provides a uniform data collection format that can be used across multiple industries . as of april 1 , 2013 , the bsar is mandatory and must be filed through fincen ' s bsa e - filing system . the bsar does not create or otherwise change existing statutory and regulatory expectations for banks .
any time a new device is installed on a network , the risks of exposing the network to unknown vulnerabilities or hampering its operation are present . malicious code can take advantage of new hardware that is not configured and patched with appropriate security updates at the time of installation . attackers can use these vulnerable systems to install backdoors before they are hardened . in automating critical control 1 , it is critical for all devices to have an accurate and up - to - date inventory control system in place . any device not in the database should be prohibited from connecting to the network . some organizations maintain asset inventories by using specific large - scale enterprise commercial products or by using free solutions to track and sweep the network periodically . to evaluate the implementation of control 1 on a periodic basis , the evaluation team will connect hardened test systems to at least 10 locations on the network . this will include a selection of subnets associated with dmzs , workstations , and servers .
and the framing for that central scene keeps detracting from marston ' s attempts to balance tom and jenny ' s viewpoints . jenny gets access to tom ' s birthday party by luring his co - worker clyde ( michael chernus ) into the beginnings of a relationship , then ignoring him once she has her foot in tom ' s door . it ' s an unnecessary pretense that highlights her complete lack of empathy , and her willingness to take advantage of people , even using them as props . and the flubs she makes with tom ' s friends — one of whom sees through her from the start — raise the question of how good she really is at fabrication , and how she maintained any of her identities as the lies built up . meanwhile , tom ' s brittleness and shrillness with ramina doesn ' t speak well to the stability he ' s trying to preserve . they both come across as poor representatives for the lifestyles they ' re espousing , and the film ' s unwillingness to pick a side leaves it without a point of view or a sense of focus .
by their nature , sar narratives are subjective , and examiners generally should not criticize the bank ' s interpretation of the facts . nevertheless , banks should ensure that sar narratives are complete , thoroughly describe the extent and nature of the suspicious activity , and are included within the sar . the bsar will accept a single , microsoft excel compatible comma separated value ( csv ) file no larger than one ( 1 ) megabyte as an attachment as part of the report . this capability allows a bank to include transactional data such as specific financial transactions and funds transfers or other analytics which is more readable or usable in this format than it would be if otherwise included in the narrative . such an attachment will be considered a part of the narrative and is not considered to be a substitute for the narrative . for example , narratives should not simply state
see attachment
if the bank included a csv attachment . as with other information that may be prepared in connection with the filing of a sar , an attachment is considered supporting documentation and should be treated as confidential to the extent that it indicates the existence of a sar .
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) and stars rachel weisz , michael shannon , kathy bates and danny glover . the movie marks the director’s first english - language feature and follows a woman introduced at a dinner party hosted by a man who increasingly believes he knows the guest by a different name and different biography . marston has also written the screenplay with julian sheppard .
the composers’ other upcoming projects also include the drama christine starring rebecca hall , the thriller a kind of murder starring patrick wilson & jessica biel , frank & lola starring imogen poots & michael shannon and the ticket starring dan stevens . the composer duo also scored rodrigo garcia’s last days in the desert starring ewan mcgregor , which is set for a theatrical release on may 13 , 2016 and the drama the benefactor ( previously entitled franny ) starring richard gere , which will be released in select theaters and on vod on january 15 , 2016 by samuel goldwyn films .
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from the director of maria full of grace , this intelligent and romantic exploration of identity follows a married man ( michael shannon ) as he reconnects with an old flame ( rachel weisz ) who has repeatedly invented new personas for herself over the years .
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the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .
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this shape - shifting tale of the perils and pleasures of self - reinvention begins at a dinner party , when tom ' s ( michael shannon ) co - worker arrives with an intriguing date named alice ( rachel weisz ) . tom is convinced he knows her , but she refuses to acknowledge their history . and when alice makes a hasty exit , tom sets off after her . what follows is an all - night odyssey shared by two people , one needing to change his life , the other questioning how to stop changing .
in its latter half the film . . . gradually runs out of ideas , and out of steam .
writer - director joshua marston gives shannon a chance to shine as a character more pedestrian than the ones he usually plays , though the story is a little too thesis driven to build any dramatic momentum .
shannon is usually playing human question marks in the movies , so it ' s a twist here to see him playing the
normal
guy , except shannon is too unconventional an actor to play anything in the normal range .
the movie brushes up against far - fetched soap - opera scenarios . the ending isn ' t altogether satisfying . yet weisz , playful and seductive , utterly confident , disarmingly vulnerable , delivers a performance that makes you forget all that .
if it ' s lightweight , it ' s certainly heartfelt , and gives any number of famous folk the chance to speak well of the real man as well as the fictional half - alien .
[ director joshua marston ] sets us up for a complex drama , but only delivers a prologue .
the film ( directed by joshua marston , creator of the heart - wrenching maria full of grace ) is distastefully quirky and takes itself far too seriously , but it ' s fun to watch because liars are fascinating .
this is a story that pretends to have a lot more on its mind than it really does .
veryy compelling story idea , just had no where to go . the acting is great , along with a star studed cast . the thing i liked most was the music .
not particularly good . decent acting , and weisz is pretty good here , but the story is idiotic and poorly thought - out .
the film , directed by joshua marston ( “maria full of grace” ) from a script he co - wrote with julian sheppard , centers on a couple whose life is unraveled when a mysterious former love — portrayed by weisz — reappears in the man’s life . kathy bates and danny glover also star .
shannon portrays a character who hosts a dinner party where one of the guests brings a date who refuses to acknowledge their past history . he follows her into the night after she makes a quick exit .
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directed and co - penned by joshua marston ( the forgiveness of blood , maria full of grace ) , it follows tom ( shannon ) and his wife as they contemplate a move to a new state for a graduate program . however , when tom runs into an old flame who constantly changes identities ( weisz ) at a dinner party , their happy life begins to spirals out of control .
as tom ( michael shannon ) celebrates his birthday with a group of close friends in brooklyn , he is startled to see a woman from his distant past at the party . jenny – or alice ( rachel weisz ) , as she now calls herself – first denies even knowing tom , but as the evening progresses , she reveals a shocking secret . after disappearing from tom’s life 20 years earlier , she began to reinvent herself every few years , taking on a new name , a new career and a new life each time . after giving tom a glimpse of what life could be like if he lets go of the safety and security he has so carefully created , alice asks him to make a choice that will change everything .
lucas hedges , sterling k . brown & more join trey edward shults’ musical ‘waves’
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rachel weisz is a woman of many guises in joshua marston ' s academic but intriguing study of mutable identity .
rachel weisz , michael shannon , michael chernus , azita ghanizada , omar metwally , chris lowell , frank dejulio , condola rashad , danny glover , kathy bates .
edited with dreamy fluidity , an oblique pre - credit sequence initially suggests this may be a mystery of shane carruthian proportions . weisz’s character — if , indeed , she can be said to play just one — is introduced in a shuffling variety of guises , from hippy - dippy adult student to sleekly coiffed magician’s assistant , before becoming submerged in a spin - cycle of ocean waves . the truth is less surreal than it appears , if hardly less strange : alice , as she calls herself for most of the film , has been in an amorphous state of identity for 15 years , casually shedding incarnations and attachments without a backward glance .
well , almost without . cut to the decidedly more streamlined life of tom ( michael shannon ) , a tightly wound government official living comfortably in brooklyn with his jewelry - designer wife rehema ( azita ghanizada ) , and celebrating his birthday with an intimate gathering of friends and co - workers . one guest brings a date in the glamorously black - clad form of alice , who immediately delights the party with her wit , smarts and offbeat anecdotes of far - flung biological research in tasmania . the only one quietly unenchanted is tom , and with good reason — for he knew alice when she was jenny , and they were lovers .
below - the - line contributions are as studied and refined as everything else here . greek d . p . christos voudouris ( “alps , ” “before midnight” ) identifies a brittle chill even in the red glow of new york’s nightspots , while costume designer ciera wells subtly varies color , fabric and silhouette to keep alice’s self - styled selves in constant flux .
reviewed at sundance film festival ( premieres ) , jan . 25 , 2016 . running time : 91 min .
production : an amazon studios presentation in association with great point media , parts & labor . ( international sales : caa , los angeles . ) produced by lucas joaquin , jay van hoy , lars knudsen . executive producers , robert halmi jr . , jim reeve . co - producer , jonathan montepare .
crew : directed by joshua marston . screenplay , marston , julian sheppard . camera ( color , widescreen , arri alexa ) , christos voudouris ; editor , malcolm jamieson ; music , danny bensi , saunder jurriaans ; music supervisor , lynn fainchtein ; production designer , tommaso ortino ; art director , seth williamson ; set decorator , philippa j . witheron - culpepper ; costume designer , ciera wells ; sound , jim morgan ; supervising sound editors , tom efinger , abigail savage ; re - recording mixer , efinger ; assistant director , brad robinson ; casting , billy hopkins .
with : rachel weisz , michael shannon , michael chernus , azita ghanizada , omar metwally , chris lowell , frank dejulio , condola rashad , danny glover , kathy bates .
earlier today amazon saw five of its films included in the official selection for the cannes film festival , so execs had plenty to crow about at the company’s cinemacon luncheon . head of marketing and distribution bob berney beamed about amazon’s upcoming date with the croisette , including woody allen’s cafe society — for which it paid eight figures — being named as the opening film . “we’re going to be testing in - theater drone activity for popcorn delivery , ” he quipped . berney added , to great cheers throughout the ballroom , “all films we are acquiring are being released theatrically to play in your theaters . ”
said amazon studios head roy price : “customers want to see films in theaters , and filmmakers want their films in theaters . we are a filmmaker - driven studio . ll our films will have traditional theatrical windows . ” that also drew big cheers at caesars palace’s octavius ballroom , which was filled to the brim .
berney showed an emotional scene from manchester by the sea of michelle williams in a crushing performance , as she apologizes and sobs to casey affleck . brilliant . “it like ordinary people and kramer vs . kramer , ” said berney . the pic opens nov . 18 through roadside .
there also was a quick clip of jesse eisenberg doing his best woody allen in cafe society as he stammers to a worried blonde .
amazon showed itself to be a formidable player at this year’s sundance film festival , snapping up rights to kenneth lonergan’s manchester by the sea for $ 10m , todd solondz’s weiner - dog and the documentary gleason among its six pickups . the author : j . t . leroy , also a sundance acquisition , is going out on july 29 via magnolia . the film questions what is art as it follows the controversial author and her doppelganger . also , former new orleans saints player steve gleason , who has als , recorded a message for exhibs telling them about clay tweel’s film , and how they never sought to make a movie but simply record footage for his son . warm applause here . july 15 is the release date with open road films . in addition , amazon has two pics in production , one of which , american express , is from nash edgerton’s , brother of joel . it’s shooting in mexico with charlize theron and amanda seyfried . todd haynes is in production with wonderstruck with julianne moore .
amazon also has the australian production the dressmaker starring kate winslet . there’s also jim jarmusch’s paterson starring adam driver as a new jersey bus driver , which is headed to cannes . his docu gimmie danger about iggy and the stooges is landing on the croisette as well . nicolas winding refn’s the neon demon is also in the amazon fold , a perfect mix as berney was his champion at film district with drive . refn appeared today via skype . “hello , can you hear me ? it’s like the moon landing . i’ve never been to vegas , but this is the closest i’ll ever get , ” said refn . they shut the lights off in the ballroom for this clip of elle fanning , where she stands among a number of fashion - clad women in a mirrored area . fanning took the stage to champion the film , which is “set in the fashion world in a heightened way . it has that horror classic element . ”
“i never worked with a director who is amazing collaborator , ” said fanning . “he has a big board with each scene on post - it notes . we shot in chronological order , which i’ve never done . we came up with the ending right there on the set . we asked the crew , ‘hey , if you have a good idea . ' ”
said refn : “it’s like a painting . that’s the fun of fear . fear creates creativity . this is a film that can be seen multiple times . ”
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the film will be released in august 26th from amazon studios and ifc films .
as tom celebrates his birthday with a group of close friends , he sees a woman from his distant past at the party . at first jenny , or alice as she prefers to call herself , pretends to have never met tom before , she eventually reveals that she began to create different identities for herself after she left tom’s life 20 years earlier , taking on new names and careers every time . alice provides tom a glimpse of what his life could look like if he gave up the stability and security he worked his life to create , and eventually asks him to make a choice that would change both their lives forever . it also stars danny glover ( “lethal weapon” ) , kathy bates ( “misery” ) , condola rashād ( “billions” ) , and more . watch the trailer for the film below .