the current version is the cpt 2017 .

cpt coding is similar to icd-9 and icd-10 coding , except that it identifies the services rendered , rather than the diagnosis on the claim ( icd-10-cm was created for diagnostic coding - it took the place of volume 3 of the icd-9 ) .

the icd code sets also contain procedure codes ( icd-10-pcs codes ) , but these are only used in the inpatient setting .

cpt is currently identified by the centers for medicare and medicaid services ( cms ) as level 1 of the healthcare common procedure coding system .

current procedural terminology

use the current procedural terminology ( cpt® ) code set to bill outpatient & office procedures .
the current procedural terminology ( cpt ) was developed by the american medical association ( ama ) .
the current procedural terminology ( cpt ) code range for anesthesia 00100 - 01999 is a medical code set maintained by the american medical association .
statement of the ama to hhs re : physicians ' current procedural terminology ( cpt ) , t . reginald harris , md , april 16 , 1997
current procedural teminology ( cpt ) is a system developed by the american medical association for standardizing the terminology and coding used to describe medical services and procedures .
current procedural terminology ( cpt ) is a set of codes , descriptions , and guidelines intended to describe procedures and services performed by physicians and other health care providers .
this year ' s current procedural terminology code changes are significant for internal medicine . learn how to code for e / m services , hospital discharges and interprofessional consultations .
current procedural terminology or cpt codes are a group of numbers , usually five ( 5 ) digits that classify medical and diagnostic procedures and services performed by medical or health practitioners .
for the cpc exam , ‘anesthesia’ refers to the anesthesia section of the current procedural terminology ( cpt ) code manual . anesthesia is the second section in the manual , after evaluation and management and before surgery .
[ 4 ] the centers for medicare and medicaid services ( cms ) uses current procedural terminology ( cpt ) codes to determine services that it will reimburse for medicare enrollees and each cpt code has an assigned relative value unit .
these materials contain current dental terminology ( cdttm ) , copyright © 2016 american dental association ( ada ) . all rights reserved . cdt is a trademark of the ada .
2013 cpt code revisions : the mental health community is abuzz about the 2013 current procedural terminology ( cpt ) code changes . don’t worry ; cpt codes are still boring ! this article will explain the changes , and what you need to know to prepare for them .
the current procedural terminology ( cpt ) code set describes medical , surgical , and diagnostic services and is designed to communicate uniform information about medical services and procedures among physicians , coders , patients , accreditation organizations , and payers for administrative , financial , and analytical purposes .
current procedural terminology ( cpt ® ) codes were first published in 1966 and are developed , maintained , and copyrighted by the american medical association ( ama ) . thousands of cpt ® codes are in use , and they are updated annually . they fall into three categories :
significant current procedural terminology ( cpt ) * coding changes are being implemented in 2016 . notably , some of these changes reverse last year’s temporary coding for endoscopy procedures . this article provides reporting and payment information about the codes that are relevant to general surgery and its related specialties .
current procedural terminology codes ( cpt codes ) are the standard for how united states medical professionals such as physicians and healthcare providers , including medical facilities , insurance companies and other accreditation groups , report and document medical , surgical , anesthesiology , laboratory , radiology , evaluation and management services .
cpt codes are a big help in measuring performance and efficiency as well as tracking important health data . cpt codes help government agencies keep tabs on the value and prevalence of particular procedures whereas hospitals may evaluate the efficiency of divisions and individuals in their facility using current procedural terminology codes .
slide 1 this module is the first in a series of reimbursement - related topics . current procedural terminology , or cpt , codes describe the services that are provided by health care professionals to third party payers . cpt codes are valued for reimbursement by the federal government ' s medicare program .
any five digit numeric physicians ' current procedural terminology ( cpt ) codes , service descriptions , two - digit modifiers , instructions and / or guidelines are copyright 1994 american medical association ( or such other date of publication of cpt as defined in the federal copyright laws ) . all rights reserved .
summary : the year 1965 was critical for us health care policy . in that year , medicare was created as part of the social security act under president lyndon b . johnson after several earlier attempts by presidents franklin roosevelt and harry truman . in 1966 , the american medical association first published a set of standard terms and descriptors to document medical procedures , known as current procedural terminology , or cpt . fifty years later , though providers have certainly heard the term “cpt code , ” most would benefit from an enhanced understanding of the historical basis , current structure , and relationship to valuation of current procedural terminology . this article will highlight this evolution , particularly as it relates to neuroradiology .
current procedural terminology ( cpt ) is a medical code set that is used to report medical , surgical , and diagnostic procedures and services to entities such as physicians , health insurance companies and accreditation organizations . cpt codes are used in conjunction with icd - 9 - cm or icd - 10 - cm numerical diagnostic coding during the electronic medical billing process .
cpt ( current procedural terminology ) codes are published by the american medical association , and there are approximately 10 , 000 cpt codes currently at use . the u . s . and other countries use the fourth edition and they were designed to provide a uniform data set that could be used to describe medical , surgical , and diagnostic services rendered to patients .
all billing and coding professionals will inevitably come across the term cpt , which refers to current procedural terminology . cpt was and is developed by the american medical association ( ama ) and is used today by all the major players in the health care system - medical providers , insurance companies , state and federal health care programs , and billing and coding professionals .
there are two different types of codes to consider when billing medical procedures . the first is the icd - 10 - pcs , which outlines inpatient procedures performed on patients . the other is the current procedural terminology ( cpt ) , which provides information about rendered services rather than claims for insurance . these are often used in conjunction with the icd - 10 codes .
cpt coding ( current procedural terminology ) - is a medical code set maintained by the american medical association through the cpt editorial panel . the cpt code set describes medical , surgical , and diagnostic services and is designed to to communicate uniform information about medical services and procedures among physicians , coders , patients , accreditation organizations , and payers for administrative financial and analytical purposes .
his year ' s current procedural terminology ( cpt ) code changes are significant for internal medicine . the new code set clarifies the hospital discharge management codes , the prolonged services codes , and the transitional care management and complex chronic care management codes . also new to the code set are interprofessional telephone / internet consultation codes , which should be of particular interest to internal medicine specialists and subspecialists .
mental health issues are mentioned only in passing . in regard to mental health , there is an entry on mental health parity , and while there is an entry on international statistical classification of diseases and related health problems ( icd - 9 ) and current procedural terminology ( cpt ) codes , the diagnostic and statistical manual of mental disorders , 4th edition ( dsm - iv ) is not mentioned .
it’s the time of year when changes are introduced to current procedural terminology ( cpt ) . with more than 700 updates being implemented in 2017 , coders need to diligently review and research the 149 code additions , 81 deletions and 498 revisions . the following is an overview of significant modifications for next year . for complete descriptions of the new , deleted and revised codes , review the 2017 cpt book .
the court below erred in describing the current process as though it were cost - free to the public . it held that :
significant changes in current procedural terminology ( cpt ) * coding are being implemented in 2017 . notably , new codes have been established to separately report moderate sedation when provided in conjunction with a procedure , and appendix g in the cpt manual—“summary of cpt codes that include moderate ( conscious ) sedation” — has been eliminated . this article provides reporting information about the codes that are relevant to general surgery and its related specialties .
medical terminology , anatomy , insurance payer rules , procedural bundling rules , and proper modifier usage are all essential elements to know when reporting cpt ® codes . to ensure coding accuracy , individuals who are responsible for determining and reporting cpt ® codes on medical claims should receive proper training and credentials .
earlier , we introduced you to current procedural terminology , or cpt . this expansive , important code set is published and maintained by the american medical association ( ama ) , and it is , with icd , one of the most important code sets for medical coders to become familiar with . note also that all the codes featured in this course , and every course that touches on cpt codes , are copyrighted by the ama .
the current procedural terminology ( cpt ) code set is a medical code set maintained by the american medical association through the cpt editorial panel . [ 1 ] the cpt code set ( copyright protected by the ama ) describes medical , surgical , and diagnostic services and is designed to communicate uniform information about medical services and procedures among physicians , coders , patients , accreditation organizations , and payers for administrative , financial , and analytical purposes .
utilizing international classification of disease clinical medicine ( icd - 9 - cm ) codes for diagnoses and current procedural terminology ( cpt ) codes , administrative databases provide a mechanism to look at population - based data . the large number of patients allows for sufficient powering of research studies . topics such as operative trends may be assessed using longitudinal databases spanning several years . additional outcomes including length of stay and hospital cost may be assessed with large administrative databases .
new editions are released each october . the current version is the cpt 2015 . it is available in both a standard edition and a professional edition .
a barrier to delivery of falls risk assessments in clinical settings is lack of a dedicated current procedural terminology ( cpt ) code for this service . however , providers are able to counsel their patients regarding falls risk and bill payers using existing evaluation and management ( e / m ) cpt codes . this resource provides detail on which cpt codes to use for falls assessment and intervention . information about falls - related quality indicators as a means to incentivize providers to conduct falls prevention activities is also included on the resource .
two common medical coding classification systems are in use — the international classification of diseases ( icd ) and the current procedural terminology ( cpt ) . icd is the standard international system of classifying mortality and morbidity statistics , and it’s used by more than 100 countries . the system is used by health care facilities to define diseases and allocate resources to provide care . according to the world health organization ( who ) , 70 % of the world’s health care expenditures are allocated using icd . the current version , icd - 10 , features more than 68 , 000 codes for infections and parasitic diseases , neoplasms , and congenital malformations , as well as diseases of the digestive system , respiratory system , and nervous system .
president lyndon b . johnson ' s “great society” programs included the creation of medicare in 1965 , which , among its many facets , highlighted the need for efficient and effective determination of physician reimbursement . consistent and accurate reimbursement requires a common language of medical procedures . the american medical association ( ama ) plays a unique and sometimes underappreciated physician - centric role in the determination of provider reimbursement . in 1965 , the ama recognized the need for common language and helped create the current procedural terminology ( cpt ) system to describe medical services and procedures .
slide 5 there are three major code sets used by health care professionals . they are the current procedural terminology ( or cpt ) , the healthcare common procedure coding system ( or hcpcs , pronounced “hick - picks” ) , and the international classification of diseases , 9th revision , clinical modification ( icd - 9 - cm ) . note that the use of icd - 10 - cm , the 10th revision of this classification system , will be required for everyone , including audiologists and speech - language pathologists , covered by hippa by october 1 , 2015 .
every day , physicians rely upon current procedural terminology ( cpt ) to report their services for payment by the centers for medicare & medicaid services ( cms ) and other third - party payers . increasingly , cpt coding captures quality and outcome measures — a feature that is likely to have increasing importance in the era of pay for performance ( p4p ) and the physician quality reporting initiative . despite its near - ubiquity for reporting physician work , misconceptions about cpt are common . in fact , a recent on - line survey summarized considerable misconceptions about cpt .
cpt codes , or procedural codes , describe what kind of procedure a patient has received while icd codes , or diagnostic codes , describe any diseases , illnesses or injuries a patient may have .
007 : the most current listing of category ii codes , including guidelines , code change proposal forms , and release and implementation dates for category ii codes may be accessed at urltoken .
the association of american physicians & surgeons , inc . ( aaps ) is a nonprofit organization dedicated to defending free enterprise in medicine . founded in 1943 , aaps has thousands of physician members in all specialties and is one of the largest national physician organizations funded entirely by membership . members of aaps , like nearly all physicians , must comply with current procedural terminology ( cpt ) medical codes owned by the american medical association ( ama ) , which are not readily available over the internet . aaps seeks reversal of the decision below to ensure that aaps members and others have unrestricted access to legal requirements .
001 : the following section of current procedural terminology ( cpt ) contains a set of supplemental tracking codes that can be used for performance measurement . it is anticipated that the use of category ii codes for performance measurement will decrease the need for record abstraction and chart review , and thereby minimize administrative burden on physicians , other health care professionals , hospitals , and entities seeking to measure the quality of patient care . these codes are intended to facilitate data collection about the quality of care rendered by coding certain services and test results that support nationally established performance measures and that have an evidence base as contributing to quality patient care .
note that icd - 10 - cm z codes are used to record a condition influencing health status or broad types of procedural , administrative or screening encounters . they are often not accepted for billing purposes by third party payers .
the ama maintains an ongoing consultation with field professionals and releases new and amended cpt versions on at least an annual basis . as of this writing the most current version is the 2014 edition of cpt - 4 .
under the current system , government has no efficient means for even enforcing a promise by an organization to provide its codes freely to the public . for example , the ama promised to provide its cpt codes freely to the public over the internet in order to persuade the government to require use of its codes , but the ama then ignored its promise with impunity . see statement of the ama to hhs re : physicians ' current procedural terminology ( cpt ) , t . reginald harris , md , april 16 , 1997 ( the ama has taken additional steps to make cpt available over the internet and is expected to complete an agreement with the hcfa in the very near future . under the agreement , complete public access to hcfa data files containing cpt will be available , free of charge , both domestically and internationally .  ) ( testimony was presented in april 1997 , and yet the ama continues to prohibit anyone from posting cpt requirements on the internet ) ( posted at urltoken
when it comes to medical billing , the procedural codes are extremely important in order to maintain accuracy and efficiency in the billing process . the billing codes and processes change according to the type of procedures being performed and the facility at which they are performed .
in 2010 , numerous codes related to carotid and cerebral angiography—the procedural codes describing catheterization and injection and the codes describing radiologic supervision and interpretation codes—were identified via the codes performed together screen . per above , the entire family of codes needed to be revised to prevent possible rank - order anomalies . the new code bundle needed to include both the procedural and interpretive components . the cpt editorial panel , with input from multiple constituent societies , including asnr , approved a new series of codes for these services in 2012 . these new codes , which bundled the procedure codes with the supervision and interpretation codes , then were sent to the ruc for valuation recommendations . 17
column a represents total spending on health care and reflects the current state of physician payment : exclusive reliance on the ffs model for physician payments , with waste and inefficiency in the form of redundant and unnecessary care , breakdowns in coordination , escalation of preventable complications etc . this leaves the total cost of physician care high .
more than one procedure on the same date , in the same session , or within a global period may require use of an appropriate modifier . modifiers are two - digit numbers that can be added to a claim that describes circumstances allowing for full or partial payment in situations that would otherwise be denied by the insurer . additionally , the national correct coding initiative ( or ncci ) reviews codes quarterly to decide what can and cannot be billed together routinely based on current practice , billing patterns , and trends . for example , the - 59 modifier can be used to notate distinct procedural services or an exception to the ncci . the modifiers are listed both in the front of the cpt manual each year and in their own section in the appendix .
to facilitate providers’ transition to alternatives to fee - for - service payments , cms should harmonize current payment adjustments and quality improvement initiatives and apply those funds towards a care coordination payment which could give physicians more support for broader long - term reform pathways . medicare has implemented quality reporting systems and payment adjustments for physicians , hospitals , and other providers . but these payments are generally administered as either a flat percentage or adjuster to all ffs payments . in contrast , shifting some existing ffs payments into a care coordination payment would give providers more support in moving toward condition - based , episodic payments , or global payments that allow for management of a population of payments that would otherwise be impossible in the current payment setting .
new modifier 95 should be used to indicate a service generally reported as a face - to - face service that is performed via a real - time interactive audio and video telecommunications system . in addition to this new modifier , appendix p has been created to list current cpt codes with evidence of some payer approval for use when provided via interactive audio and video telecommunications system .
medicare has gone through multiple iterations to arrive at its current payment methodology . during the administration of president george h . w . bush , as a result of the omnibus budget reconciliation act of 1989 , cms started to use a system of relative value units ( rvus ) to calculate the cost for providing physician work , which evolved into the framework of a resource - based relative value scale .
for both medicare and private insurers , annual updates should be increased for evaluation and management codes , which are currently undervalued , and updates for procedural diagnosis codes , which are generally overvalued and thus create incentives for overuse , should be frozen for a period of three years . during this time period , efforts should continue to improve the accuracy of relative values , which may result in some increases as well as some decreases in payments for specific services .
the icd - 10 - cm ( international classification of diseases , 10th revision , clinical modification ) coding system , connects health issues that arise in patients , by using three - to seven - digit alphanumeric codes to indicate signs , symptoms , diseases , conditions , and injuries to payers injuries , diseases , and conditions . these codes are used in conjunction with cpt ( procedural ) codes to record services rendered by a provider to a patient and is documented in the medical record and then reported to a payer for reimbursement .
code 21805 , open treatment of rib fracture without fixation , each , was deleted from the 2016 cpt code set and determined to be obsolete and reportable with other cpt codes . in current practice , an injured rib when treated in an open fashion is either resected ( eg , 21600 ) or treated with some form of internal fixation ( eg , codes 21811–21813 ) . for more information on treatment of rib fractures code sets , refer to the january 2015 issue of the bulletin . †
the current level of physician payment relative to the fee - for - service baseline in column a . care coordination payments allow flexibility for physicians to invest in clinical practices and infrastructure through practice transformations that maximizes their ability to treat patients in clinically appropriate ways while not reducing their income due to reductions in billable procedures that would otherwise occur . the investments in clinical practice can include infrastructure / hit investments or in the case of a small practice , an investment in a shared clinical social worker with other small practices with similar patient populations .
this prohibition is balanced against the legitimate need for code change applicants to receive valuable feedback from specialty society experts , which helps assure that code - change applications are complete , coherent and consistent with current medical practice and can be dealt with efficiently by the cpt editorial panel . thus , sending information to a specialty society to inform the society of the code change application and seeking evaluation of ( or assistance with ) the application does not violate the lobbying statement , even if it includes a request to support the code - change application .
) . on the other hand , cpt codes for the molecular identification of infectious organisms were developed to be specific for the particular organism . current codes are inadequate to describe most of genetic testing , and the process of applying for and receiving a new category i ( i . e . , permanent ) cpt is not fast or flexible for emerging technologies . while the current molecular diagnostic codes are able to identify new processes , they require the use of modifiers to identify the particular condition that is being tested . the modifiers specify the gene being assessed and cover genes associated with the higher - volume tests in neoplasia , nonneoplastic hematologic conditions or coagulopathies , histocompatibility , blood typing , identity and microsatellite testing , neurological disease , muscular diseases , metabolic diseases , and diseases associated with dysmorphology . evidence suggests that few laboratory individuals actually use the modifiers . in molecular microbiology , once a specific cpt code has been established , experience has show that new technology is “fit” into the code , with the same payment rate and the older technology , leading to suboptimal reimbursement for new technologies .
outcomes research has established itself as an integral part of surgical research as physicians and hospitals are increasingly required to demonstrate attainment of performance markers and surgical safety indicators . large - volume and clinical and administrative databases are used to study regional practice pattern variations , health care disparities , and resource utilization . understanding the unique strengths and limitations of these large databases is critical to performing quality surgical outcomes research . in the current work , we review the currently available large - volume databases including selection processes , modes of analyses , data application , and limitations .
cpt began 50 years ago as an effort to accurately report what was largely a group of surgical services and bill for them more precisely . the cpt system has grown in scope over the years and has seen variable granularity , reflecting the innovations of new procedures , changes in legacy technology , and retirement of obsolete approaches . more recent pressures have come in the form of bundling and code revisions by cms and the ama ' s ruc . an understanding of the cpt coding history and current direction is important as providers navigate these new waters of health care reimbursement .
please note : the following list of category ii codes has been added to the website to allow a posting of the most recently approved category ii codes . this is the listing of category ii codes that have been added to the category ii coding set since the most recent august release of the cpt data files . therefore , the codes noted within this listing will include only those codes that are not listed in the last annual data file release and when added to the codes included in the latest edition of the data files , represents the entire current listing of cpt category ii codes .
the panel has established the following criteria for evaluating category iii code requests , any one of which is sufficient for consideration by the editorial panel : 1 ) a protocol for a study of procedures being performed ; 2 ) support from the specialties who would use the procedure ; 3 ) availability of u . s . peer - reviewed literature ; 4 ) descriptions of current united states trials outlining the efficacy of the procedure . these codes will be assigned a numeric - alpha identifier ( eg , 1234t ) . these codes are located in a separate section of cpt , following the
category ii
section .
cpt is owned and maintained by american medical association , which has copyright protection on cpt . in 1966 , the ama published the first edition of cpt , which at that time focused on surgical procedures . the first edition sought to standardize terminology and reporting . the second edition , in 1970 , expanded cpt’s scope . the third and fourth editions were released in the 1970’s . the fourth edition was a major update , and introduced a system for periodically monitoring and updating cpt . in 1983 , the health care financing administration ( hcfa ) , now cms , adopted cpt for reporting of physician services for medicare part b benefits . in 1987 , hcfa also adopted cpt for reporting outpatient surgical procedures .
the icd - 10 procedure coding system ( icd - 10 - pcs ) is an international system of medical classification used for procedural coding . the centers for medicare and medicaid services , the agency responsible for maintaining the inpatient procedure code set in the u . s . , contracted with 3m health information systems in 1995 to design and then develop a procedure classification system to replace volume 3 of icd - 9 - cm . icd - 9 - cm contains a procedure classification ; icd - 10 - cm does not . icd - 10 - pcs is the result . icd - 10 - pcs was initially released in 1998 . it has been updated annually since that time .
continuous quality improvement resulting from adherence to clinician - driven process and outcomes measures and the increased flexibility in income will push physicians to decrease and ultimately eliminate the waste and inefficiencies that plague the current system . overall physician payments increases , offset by reductions in total medicare spending and system wide savings . care coordination payments that enhance total physician income tied to quality measures would encourage physicians to collaborate and focus on elements of patient care that reduce cost and inefficiencies across the spectrum . in oncology , for example , we do not specify which metrics should be used in which case but comment that target metrics would change over time and as efficiency is maximized in certain areas of care ( i . e . ed visit rates ) bonus payments would not cease because of lack of room for improvement . measures would have to be selected with flexibility to accommodate various provider circumstances and changes in the long term improved performance in certain areas .
the premise of the decision below was that this is not a case where a citizen was denied any access to the law as adopted by the municipalities in question .  49 f . supp . 2d at 890 . but veeck and the entire public are denied efficient electronic access to the codes in question . non - electronic access is simply no longer adequate to satisfy the legitimate needs of the public to learn about and stay current with legal requirements in the 21 st century . virtually all states now provide electronic access to their statutes , regulations and judicial opinions over the internet , promoting a more informed citizenry . federal appellate court decisions have been freely available over the internet for years . the lone exception to freely available , electronic legal requirements is material withheld from the internet due to a proprietary interest asserted by private entities like sbcci . but the public has a first amendment right to hear the laws without interference over the internet . see lamont v . postmaster genl , 381 u . s . 301 ( 1965 ) ( upholding a first amendment right to receive information ) .
chairman baucus , ranking member hatch and members of the committee , thank you for this opportunity to highlight ways to advance physician payment reforms in medicare . the medicare program retains a strong commitment to provide care to approximately 50 million beneficiaries across the country ; a key partner in the provision of this care are the 900 , 000 healthcare providers who see beneficiaries in medical offices , hospitals , skilled nursing facilities and other settings . [ 1 ] each day , providers work hard to deliver the best care for their patients yet our current payment system falls short time and time again , with financing mechanisms that perpetuate fragmented care and volume over coordination and value . fortunately , there are better ways to pay physicians that can enable them to improve care , enhance the patient experience and potentially achieve greater savings for the medicare system overall . i am honored to present some solutions from my work at the engelberg center for health care reform at the brookings institution and our merkin initiative on clinical leadership , as a commissioner on the national commission on physician payment reform and perhaps most importantly , as a practicing internal medicine physician . [ 2 ]
the houghton mifflin court refrained from allowing the use of copyright to chill free speech . freedom of speech requires the preservation of a meaningful public or democratic dialogue , as well as the uses of speech as a safety valve against violent acts , and as an end in itself .  id . at * 15 ( citing 1 nimmer § 1 . 10 [ b ] [ 1 ] ) . the court continued : it is exposure to ideas , and not to their particular expression , that is vital if self - governing people are to make informed decisions .  id . at * 19 n . 14 ( citing 1 nimmer § 1 . 10 [ b ] [ 2 ] ) . the current statutory doctrine of fair use , passed in 1976 , accommodated only the first amendment concerns that had been judicially created as of that time . id . at * 19 ( until codification of the fair - use doctrine in the 1976 act , fair use was a judge - made right developed to preserve the constitutionality of copyright legislation by protecting first amendment values .  ) . assertion by private organizations of ownership over the law , in order to prevent the posting of such law on the internet , arose after the statutory codification of fair use . technology advances do not wait for congressional action , and the first amendment protects veecks postings even if the statutory fair use doctrine does not .
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a federal government website managed and paid for by the u . s . centers for medicare & medicaid services . 7500 security boulevard , baltimore , md 21244
on a cpt® code ' s hierarchy page , you get to see all a medical code ' s neighbors including the cpt® codes ' official long descriptors . seeing related codes helps coders choose the correct code improving their accuracy rate .
supercoder is powered by the experienced coding and compliance professionals at tci . tci’s vision is to deliver innovative healthcare solutions and knowledge to our customers worldwide .
* * thriveworks provides professional , full - service , medical billing . we offer electronic insurance billing , full - service patient billing , authorization obtaining and checking , insurance carrier follow - up , and much more . we are fully committed to providing our clients with low cost , accurate services , no matter how large or small your needs . call us today at 1 - 855 - 664 - 5154 .
starting january 1 , 2013 , a number of cpt codes for psychiatry and psychotherapy services will be revised . for instance , if you bill a “90806” to a third party payer after december 31 st , the claim will be denied . and if you talk about having a “90806 appointment” with colleagues in 2013 , they will roll their eyes at you because “gosh judy , you’re so last year ! ”
cpt codes are set by the american medical association ( ama ) , and are revised on an annual basis . this year , the revisions are substantial . fortunately for counselors , many of the changes concern psychiatry , and not psychotherapy .
the cpt revisions that effect psychiatrists are more complicated than those that effect counselors and psychologists . for those who run group practices , here are five major psychiatric cpt revisions :
the cpt code revisions that effect counselors are simple and straightforward . here is a list of psychotherapy cpt codes that will be retired , and their 2013 comparables :
family therapy codes ( 90847 and 90846 ) will remain unchanged , as will codes for psychological testing .
as seen above , unlike existing codes that provide a service time range ( i . e . , 45 - 50 minutes ) , 2013 code descriptions list fixed times ( i . e . , 45 minutes ) . however , according to the 2013 cpt manual , providers still have flexibility . respectively , 16 - 37 minutes for code “90832 , ” 38 - 52 minutes for code “90834 , ” and 53 minutes or more for code “90837 . ” when reporting a service , a provider should choose the code closest to the actual duration . [ ii ]
it is unlikely that the 2013 cpt code revisions will affect reimbursement rates for counselors . that said , several large third party payers ( including medicare and medicaid ) are expected to announce their 2013 service rates in november .
an experienced medical biller should be able to adjust to the 2013 cpt codes without much difficulty . similarly , quality practice management software companies are already prepared for the code revisions , and are ready to apply them on 1 / 1 / 13 . for most psychologists , social workers , and professional counselors , adopting the new cpt codes will be a simple administrative change that won’t affect their clinical workflows .
dr . anthony centore is ceo of thriveworks , is private practice consultant for the american counseling association , and author of “how to thrive in counseling private practice . ” learn more at urltoken
what can you tell me about the code add on for interactive ( the soon invalid 90812 , 90814 , 90802 etc ) . most specifically , how to use the 90785 on a cms 1500 . also , what is criteria for using the new code for crisis ?
our practice has contracts with several insurance companys and we bill the standard codes : 90801 , 90806 etc . our contracts do not stipulate the new codes coming in 2013 . is it possible if we bill the new 2013 cpt codes , they will be denied because we don’t have contracted rates for these new codes ?
hi barbie . good question ! the answer is that your claims should be fine , and your contract should honor the new codes without a problem . it is likely that your contract lists the cpt codes simply to identify the specific services that are allowed you to bill for ( of course , if you are still concerned you can always call your insurance company but i am pretty certain you are all set ) . i hope this helps !
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there are three types of cpt codes : category 1 , category 2 and category 3 . cpt is a registered trademark of the american medical association .
category 1 covers procedures and contemporary medical practices that are widely performed . category 1 is the section coders usually identify with when talking about cpt and are five - digit numeric codes that identify a procedure or service that is approved by the food and drug administration ( fda ) , performed by healthcare professionals nationwide , and is proven and documented .
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the category 3 cpt code list consists of temporary codes that cover emerging technologies , services and procedures . they differ from the category 1 medical cpt codes list in that they identify services that may not be widely performed by healthcare professionals , may not have fda approval and also may not have proven clinical efficacy . to be eligible , the service or procedure must be involved in ongoing and planned research . the purpose of these cpt codes is to help researchers track emerging technologies and services .
simply put , the difference between cpt codes and icd codes are that cpt codes are related to procedures and icd codes are related to diagnoses .
the 2017 psychotherapy code revisions consist of two changes . the first change is the description of psychotherapy cpt codes . in 2016 the description was
psychotherapy , 30 minutes with patient and / or family member .
in 2017 the description was changed to
psychotherapy , 30 minutes with patient .
the second change is to the description of family psychotherapy cpt codes . whereas before there was no time indicated in the description . the 2017 revision clarifies in order to bill the service , the clinician must meet the midpoint of 50 minutes . in other words , the clinician must provide at least 25 minutes of documented service .
office consultation codes : used for patients seeking the opinion of a physician at the request of another physician .
cpt codes are made up of five characters . these characters could be numeric and alphanumeric depending on which category - - the division of the cpt code set - - the cpt code is in . unlike icd , each number or character in a cpt code does not correspond to a particular procedure or technology .
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moondru per moondru kaadhal ( english : three people , three loves ) is a 2013 tamil romance film co edited , co written and directed by vasanth .

the film features musical score by yuvan shankar raja .

it released on 1 may 2013 worldwide and opened with mixed reviews .

it was a failure at the box office .

moondru per moondru kadal

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moondru per moondru kadal - wikipedia . moondru per moondru kaadhal . directed by . vasanth . produced by . bharath kumar .
moondru per moondru kaadhal review . moondru per moondru kaadhal tamil movie review , story , rating - urltoken
moondru per moondru kadhal movie review , director vasanth ' s moondru per moondru kadhal film review only on shalsaa . com , tamil movie moondru per . . .
director vasanth returned with ' moondru per moondru kadal ' , which was a moderate s . .
moondru per moondru kadal movie | muktha and cheran introduction . moondru per moondru kaadhal ( english : three people , three loves ) is a 2013 tamil . . .
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aaha kaadhal konji pesudhe song | moondru per moondru kaadhal | cheran | arjun | vimal .
moondru per moondru kaadhal - stop the paatu video by radha . s . krishnan & team
movie : moondru per moondru kaadhal ( u ) cast : arjun sarja , cheran , vimal , bhanu , surthi , thambi ramiah , appu kutty director : vasanth producer : mahendra talkies . watch moondru per moondru kaadhal movie online full hd version directly from your pc or tablet in best quality , stream moondru per moondru kaadhal movie in best . get more information about moondru per moondru kaadhal on tmdb . a story about love featuring three couples . moondru per moondru kaadhal ( 2013 ) user score . listen and download songs from tamil movie moondru per moondru kadhal released in 2013 . moondru per moondru kadhal , 2013 . kaadhal endhan kaadhal : 05 : 04 mins .
director vasanth ' s
moondru per moondru kaadhal
has received mixed reviews from film critics .
svarg productions brings you the promo for a music video for the song padapadakuthe maname , from the upcoming tamil movie , moondru per moondru kadal . . .
kadhal endhan kadhal | moondru per moondru kadhal hd video song + 51 audio | cheranbhanu | yuvan . mp3
the music by yuvan shankar raja is the saving grace of ‘moondru per moondru kadal’ . the beautiful lyrics of songs such as ‘kadal endan kadal’ , ‘aaha kadal’ and ‘mazhai mazhai’ work wonders and keep you engaged in movie . the movie is otherwise slowly paced and the manner in which the songs are picturized leaves a lot to be desired .
aaha kaadhal | moondru per moondru kadhal hd video song + 51 audio | cheranbhanu | yuvan shankar raja . mp3
review and rating of moondru per moondru kadal movie and its song rating as follows . moondru per moondru kadal is romance movie directed by vasanth . the film features arjun in the leading role , while yuvan shankar raja composes the film ' s music . release date of this movie is 01 - 05 - 2013 . mpmk - 2013 fdfs review .
aaha kaadhal | moondru per moondru kadhal hd video song + 5 . 1 audio | cheran , bhanu | yuvan shankar raja
now awaiting the release of her debut film in tamil moondru per moondru kaadhal in which she has a co - starring role .
moondru per moondru kaadhal ( 2012 ) tamil movie cd - rip 320kbps mp3 songs music by yuvan shankar raja - starmusiq . com
the music in
moondru per moondru kaadhal ' s
is composed by yuvan shankar raja and the songs have already been chartbusters .
svarg productions brings you the promo for a music video for the song padapadakuthe maname , from the upcoming tamil movie , moondru per moondru kadal ( s . m vasanth ) , a yuvan shankar raja musical .
s saraswathi says moondru per moondru kadhal lacks the intensity expected of a vasanth film , but makes up for it with its exceptional music .
moondru per moondru kadhal ( mpmk ) is written and directed by national award winning director vasanth , whose penchant for love stories is well known .
vasanth’s moondru per moondru kadal follows the story of three couples in a non - linear form . arjun , cheran , vimal play lead roles in the movie that has vasanth’s urban , classy , romance touch all over it .
bringing an exciting development on vasanth ' s forthcoming film ' moondru per moondru kadal ' ( mpmk ) , zee tv , one of the premium banners in the industry , reported to have bought the satellite rights of the film .
follow us on facebook : urltoken official trailer of moondru per moondru kadal ( mpmk ) starring arjun , cheran and vemal . music by yuvan shankar raja . directed by sm vasanth like us on facebook : urltoken visit our website : urltoken
here is a mash up teaser of
padapadakkuthu maname
a beautiful song from the movie
moondru per moondru kadhal
which is directed by sm vasanth .
per is a latin preposition which means
through
or
for each
, as in per capita .
it is a big may day release for tamil films on labour day weekend . there are three tamil films releasing – ethir neechal , moondru per moondru kathal and soodhu kavvum .
this page hosts latest trailers of films from india and around the world . people looking for information about films , trailers , actors , actresses , directors , music directors , cameramen and other technicians will find this page useful . moondru per moondru kadal - stop the paattu song .
toting up , vasanth’s moondru per moondru kadhal , although eulogizes love , works in parts with music and camera helping the story but his style has not been felt powerfully in the film .
the passionate intensity that characterised his earlier films seems to be missing . though vasanth fails to recreate the old magic , moondru per moondru kadhal is undoubtedly a beautiful gift for music lovers .
vasanth and producers mahendra talkies held a well - attended and stylish audio launch for their moondru per moondru kaathal ( mpmk ) on saturday ( december 1 ) evening at hotel park sheraton in chennai .
one time popular director vasanth , who made romantic movies is back ith his new love story - moondru paer moondru kathal ( mpmk ) .
jyothika and simran versions 2 . 0 - jyothika - simran - suriya - ramesh arvindh - vasanth - moondru per moondru kadhal - cheran - arjun - vimal - surveen - lasini - tamil movie news - urltoken
romance has always been a strong point in s m vasanth’s films and the director is now ready with mahendra talkies’ moondru per moondru kadal ( mpmk ) , which is woven around not one but three love stories . arjun , cheran and vemal play the protagonists while muktha banu and debutants surveen and lasini play their love interests .
на сайте urltoken вы можете скачать moondru per moondru kaathal songs . 1 ) - найдите песню , используя поиск . 2 ) - выберете и нажмите на кнопку скачать . 3 ) - следуйте инструкции и скачивание начнется .
every song has its own unique flavour and is incredible . moondru per moondru kadhal was released on 1 may 2 . ethir neechal and soodhu kavvum . chennai , india : thehindu . chennai , india : thehindu .
' yuvan is at his absolute best . ' - yuvan shankar raja - k balachandar - vasanth - moondru per moondru kaadhal - cheran - vimal - arjun - muktha banu - lasini - surveen - tamil movie news - urltoken
moondru per moondru kadhal ( mpmk ) is written and directed by national award winning director vasanth , whose penchant for love stories is well known . moondru per moondru kadhal is a melody of love , the lyrics of the songs are ticklish in nature . the area focused in hilly stations are quit natural . its shows the value of the admiration . every song has its own unique flavor and is incredible . its a picturesque of three authentic lovers which has been showcased in a pragmatic manner .
this page hosts the top ten tamil songs of that particular fortnight . it also includes details about each song like its name , the singers ' names , the lyricist ' s name and also a brief review of each song . people looking for current top ten songs , top ten songs countdown , music review , songs review , music rating , songs rating , audio review , songs download and mp3 download will find this page useful . moondru per moondru kadhal aaha kaadhal konji pesudhe moondru per moondru kaadhal .
banu of ' thamirabarani ' and ' sattapadi kuttram ' fame will be called by her original name muktha banu henceforth . the change will be effected from the vasanth - directed ' moondru per moondru kadhal ' , which has arjun and cheran in lead roles .
after a brief hiatus , director vasanth ( last film was
satham podadhe
in 2007 ) is back with not just one but three different breezy love stories in his latest film
moondru per moondru kaadhal
( three people , three love stories ) .
the film ' s shooting is currently taking place in nagerkoil and buzz is that vasanth would introduce his son as an actor with ' moondru per moondru kadhal ' . there are three protagonists and they are arjun , cheran and vasanth ' s son , say sources .
fazil . vasanth . productioncompany . mahendra talkies . release date . country . india . language . tamil . moondru per moondru kaadhal ( english : three people , three loves ) is a 2 . tamil romance film co edited , co written and directed by vasanth .
mahendra talkies sm vasanth’s moondru per moondru kathal starring arjun , cheran , vimal and lasiya is said to be a beautiful romantic story with peppy music by yuvan shankar raja . the film with a u certificate is releasing with a lot of expectation as vasanth is a good storyteller .
the movie attempts at a mature take on the three relationships but unfortunately is far from convincing . the movie begins with vemal and lasini , who sadly don’t endow it with enough meat to make it interesting . also to blame is the editing , as little has been done to clip out several long and tiring segments that add to the length of the movie . note : moondru per moondru kadal has little charm , unlike its songs .
suriya , jyothika , simran are the few top class actors introduced by director vasanth . the director is making his next film , moondru per moondru kadhal ( mpmk ) , with cheran , arjun and vimal in the lead . the film is about the lives of three couples and what happens when they come together .
moondru mudichu tamil movie songs | vasantha kaala video song | kamal | rajini | sridevi | msv . mp3
vasanth s moondru per moondru kadhal as the title suggests the film is about love that blossoms between three couples and after some twists and turn , how it culminates . the film depicts their knotty love stories over three landscapes : the sea , the hills , and the flat terrains of a city . what is that one thing that brings all of them together is the interesting part of the story . the film is nothing like the tamil cinema we see today . the characters sip iced tea . they play squash and use macbooks . vasanth sent across a message not only about love but also about the society in large . the music by yuvan shankar raja is the grace of ' moondru per moondru kadal ' . the beautiful lyrics of songs such as ' kadal , ' aaha ' and ' mazhai ' work wonders and keep you engaged in movie . nice romantic drama , starts off slowly but ends in a high note . a must watch for those who love movies with substance
moondru per moondru kaadhal is a 2012 tamil action - romance film , directed by vasanth and produced by mahendra talkies . this film stars arjun , cheran , vimal , muktha bhanu , surveen chawla , lasini in the lead role . the films soundtrack and background score were composed by yuvan shankar raja with lyrics by na . muthukumar .
it is not something new that vasanth ' s films are clean and are devoid of glamour or double entendres . moondru per moondru kadhal also follows the same path . narration follows a very languorous path and hence the engaging factor fluctuates quite steeply . arjun ' s segment is the best followed by cheran and vemal . dialogues sparkle on and off .
this page hosts the chennai box office collection of movies . it also includes movie analysis , trade analysis and public reaction to the movie . people looking for current top ten movies , chennai box office , movies online , movie reviews , movie analysis , public response for a movie , will find this page useful . moondru per moondru kadhal box office collection .
the three couples in s . m . vasanth’s moondru per moondru kadal are varun ( vemal ) and anjana ( lasini ) , guna ( cheran ) and mallika ( muktha bhanu ) , and harris ( arjun ) and divya ( surveen chawla ) — and the film depicts their knotty love stories over three landscapes : the sea , the hills , and the flat terrains of a city . the film is nothing like the tamil cinema we see today . the characters sip iced tea instead of loading up on sarakku . they play squash and use macbooks .
according to s . saraswathi of urltoken ,
' come and fall in love ' invites the trailer of director vasanth ' s ' moondru per moondru kadhal ' . and watching it on the big screen , you do fall in love , but not with the story or the characters , you fall in love with the beautiful lyrics , the memorable songs and the breathtaking visuals .
it is all about love . it has always been about love . a story without that mushy sentiment just wont make the cut . but for a director like vasanth , love is what defines the tales he puts on celluloid . from keladi kanmani to his soon to release moondru per moondru kadhal , he’s moved us to tears and he is also made us stand up and cheer with his simple love stories . as the name suggests moondru per moondru kadhal is based on love . it is a very contemporary i mean business sort of love story . when you watch it , you will identify or relate to someone or something in the plot . because after all , love is a part of all of us , says vasanth the director of the film .
moondru per moondru kadhal is a story about love featuring three couples , set in the backdrop of different landscapes , by the seaside , in the mountains and on the plains . the film opens in the year 2016 , with actor vemal narrating incidents that occurred in the lives of these couples over the last few years . thus the entire film is in the form of a narration .
director vasanth is back with yet another sensitive film and this time , it is love that he wants to talk about . moondru per moondru kadal ( mpmk ) , as its title suggests , is about the love stories of three persons . the film , which stars arjun , cheran and vemal in the lead with muktha banu , surveen and lasini , takes place in three different landscapes and the director says that each reflects the characters . ���the three landscapes are very integral to the film as i feel landscapes are also mindscapes . they reflect and enhance the character , ��� says vasanth .
three lead pairs , a director making a return and yuvan himself saying this could be his best from recent times - all of these make us give special attention to the moondru per moondru kadhal album . before we start judging the tracks , it is to be noted that the composer has almost hit 100 films and has taken this album very seriously . the results might still go anyway though .
director vasanth has always been a trendsetter with his heartwarming stories of love and romance . be it keladi kanmani , aasai , or rhythm , he has never followed conventional standards . he is known for exploring the different facets of love through his films . in moondru per moondru kadhal , he has attempted to highlight the fact that sacrifice is greater than love . and love is all about giving .
director vasanth has a special place in tamil cinema for his films have always dealt with human relationships in a sensitive manner and have struck a chord with the audience . after his satham podadhe in 2007 , he is back with moondru per moondru kadhal with arjun , cheran and vemal . very true to the title , mpmk is about the love stories of three sets of people with three different landscapes .
a tasteful stage was setup for the audio launch of director vasanth’s latest love story titled ‘moondru per moondru kadhal’ . despite the delayed start , the entire evening was thoroughly enjoyable with lots of humor laced moments that were extracted by the masters of ceremony ma ka pa anand and divyadarshini ( dd ) . the evening , was in many ways a in character of the film’s director vasanth itself , with its pleasant undercurrents .
to start off , easily the pick of the lot would be arjun & surveen ' s part . both of them cave in easily into their roles and some excellent casting with a feel of love . the actor ' s chemistry with surveen chawla works big time . cheran and muktha banu ' s roles are good . vasanth is known for exploring the different facets of love through his films . in moondru per moondru kadhal , he has attempted to highlight the fact that sacrifice is greater than love . and love is all about giving . come and fall in love ' invites the trailer of director vasanth ' s ' moondru per moondru kadhal ' . and watching it on the big screen , you do fall in love with the beautiful lyrics , the memorable songs and the breathtaking visuals . every song has its own unique flavor and it is incredible . aaha kaadhal konji pesudhe - excellent song
moondru per moondru kaadhal ( u ) tamil - - - - - - - - - - my rating : ★★½ cheran saves the movie strengths : - * cheran ' s episode : was very good . . . . . . * story : was fine but not well executed . . . . . weaknesses : - * length of the movie : very slow screenplay . . . . . * actresses : were not special . . . . . * songs : were boring . . . . . but some bgm were superb . . . . final verdict : - overall . . . it is hard to watch . . . but for cheran u can watch this once . . . . moondru per moondru kaadhal is an upcoming tamil romance film written and directed by vasanth . it stars arjun , cheran , vimal , muktha bhanu and newcomers surveen chawla and lasini . arjun , cheran , vimal .
he hands me a matte - finish photo album that’s as big as a medium - size painting . it contains stills from his new film moondru per moondru kaadhal . “the film is about . . . , ” he begins . he stops . “the title is self - explanatory , ” he laughs . the three men enmeshed in these three love stories are played by arjun , cheran and vimal , and these stories play out in three landscapes . by the seaside . in the mountains . on the plains .
director vasanth is getting back to directing after a hiatus . the director who is popular for his films like ' keladi kanmani , ' ' aasai , ' ' rhythm ' etc . slowly diverged in to the small screen and stayed there for a while . the director is now getting back to silver screen with ' moondru paer moondru kadhal ' ( mpmk ) . the film , sources reveal , would depict the lives of three men .
felt like at last the yuvan that i used to know from the days of selvaraghavan ! have to key my words before i drown in kadal . aha kadhal is a gorgeous song from start to end . has that illayaraja effect throughout . only complain is that it starts abruptly but yuvan & vasanth know whats better . once again a brilliant song .
and he concedes that , for most of his songs , the music was composed before the lyrics were written . among the rare instances where the lyrics came first , he points to ‘endha kudhirayil varuvaan’ ( saththam podaathey ) , and ‘vidu vidu’ in this new soundtrack for moondru per moondru kaadhal . “the opening lines were written so that we could get a hold of the concept , ” he says . “a song does something to you . in the 1980s , i was mad about ilaiyaraja’s songs . ‘andhi mazhai . ’ ‘pothi vacha malligai mottu . ’ ‘siru ponmani . ’ you can’t stop singing them . ” hence the refrain in this number : “stop the paattu . ”
director vasanth is back after a brief hiatus , after ' satham podadhe ' in 2007 he comes out with a breezy trio love story in ' moondru per moondru kadhal ' . the leading threesome casts are arjun and surveen chawla , vimal and anjana , cheran and muktha bhanu . production has been taken care by mahendra talkies and music is by our yuvan shankar raja which is already a sensational hit . vasanth has always been the mastermind behind projecting sensitive relationships and showcasing them . mpmk will have much to offer for his fans with each of the stories set in a different milieu . has he given the right balance in gluing the audiences here ? let ' s take a closer look . love in parts :
he has waited with the script for three years to get the right actors . finally director vasanth has zeroed in on them — arjun , cheran and vimal . his moondru per moondru kadhal ( mpmk ) is half way through and vasanth says that he will create new personalities out of his three actors . “i turned ‘action king ' ( arjun ) into an ‘acting king ' in rhythm . by the time mpmk is complete you will see a new cheran and vimal , ” assures vasanth . the female roles have gone to two new faces from mumbai — sruti and surveen while mukta banu plays the third heroine . “it is a love story and the highlight of the film will be the outstanding score by yuvan shankar raja , ” says vasanth .
sm vasanth movies are popular to songs and picturaisation . this movie was fulfill the expectation . yuvan music was superb . editing and camera angles was good . especially
kadhal yenthan kadhal
song suituation is very nice . vasanth stories are always different i like the way of story telling . in this film also based on a true story ( cheran ' s character ) . hats off to the lady . all the other are playing very well in this movie . i just fall in love with the beautiful lyrics , the memorable songs and the breathtaking visuals . totally this moondru per moondru kadhal is a visual treat for audience . i enjoyed the movie lot . particularly the climax was heart touching . i liked the dialogue
kadhalndrathu vangarathu kidayathu kudukarathu
. finally congrats to vasanth and team .
nice one . i thoroughly enjoyed the movie and thought the music was handled very well . both the songs and bg ( raja chose classic style of enough pauses , highlighting only when it is needed , may be intentionally of as per gautam’s request not sure . ) brilliant acting by the lead cast especially samantha . on the whole , to me it is a classic but i wont be surprised if people call it trash . my review – urltoken
this movie very nice and heroin very smart . songs very beautiful . love is film . super acting . super location . very good direction . movie is the three a love story . and comedy super . director and cameraman super work . music very nice and all those things . . . . . . and very nice movie camera location very super . action not movie so family spend in the time a movie . music very super . stop the first stop the first songs very super . to the movie young sense from movie . normally be movie very good news per very nice great action very lovely movie movie the film good nice by looking very smart movie hero very nice character in the movie the and all those lovely movie so good
the romantic film , which was released on 1 may , has received mixed reviews from film critics .
the leading stars in the film include arjun , cheran and vemal and they have been paired with surveen chawla , muktha bhanu and lasini . their stories have been set in three different landscapes - seashore , hilly region and the beautiful plains .
the story starts in 2016 and goes back to 2012 , with vemal narrating incidents that occured in the lives of the three couples throughout these years . the first couple ' s - varun ( vemal ) and anjana ( lasini ) - love story is set in a serene hill station . varun is a chartered accountant who falls in love with anjana , who in turn is in love with another person and is engaged .
the second couple ' s - guna ( cheran ) and malliga ( muktha bhanu ) - love story is set in the seashore . guna is a social worker who helps ex - convicts to start a new life . he does not have time to fall in love or get married , but malliga falls in love in with him .
the location for the third couple ' s - harris ( arjun ) and divya ( surveen chawla ) - love story is the plain lands . harris is a swimming coach who trains his student divya . they both fall in love with each other , but there is some twist in their story which is unfolded as the film ' s story progresses .
of all the three leading heroes , arjun gets a wonderful role and the actor has performed well . his chemistry with the new comer survenn chawla has won accolades . the other two couples aptly fit in their roles .
according to behindwoods review board ,
vasanth has made the film in his usual style but a tepid pace works against mpmk . the styles of film making have changed and so do the sensibilities of the audience . for the current crop of audience who is low on patience and is restless to slow unfurling of the plot , mpmk may not work . that said , the plot is quite succulent and lofty which has a lot of positivity going with it .
according to urltoken ,
to start off , easily the pick of the lot would be arjun & surveen ' s part . both of them cave in easily into their roles and some excellent casting with a touche tale has paid off well for this pair . cheran is apt for the role of a good lad and muktha impresses in the second half .
a big letdown would be vemal and lasini as both of them are not up to their mark performance wise . it appears that vemal should either give some big time concentration on his body languages or stick to his strengths like roles in ' kedi billa killadi ranga ' , ' kallavani ' etc . his tryst with urbanity doesn ' t seem to click for one moment .
music by yuvan shankar raja is the only saving grace of an otherwise ordinary film . every song has its own unique flavour and is incredible .
ramchander of oneindia said ,
the length of the film is a worrying factor . had the editor mercilessly chopped unnecessary scenes , the film would have got a better look . well , the other positive of the film is dialogues , which are excellent at parts and inspiring .
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the emotion called love is ubiquitous and it touches people at different frequencies and at different dimensions . what this wonderful feeling does to its lead characters and its effect in the trajectory of life is what mpmk all about . while mountainous terrain is the backdrop for vemal and lasini’s love , it’s the coastal belt for cheran and muktha bhanu and its plains for arjun and surveen chawla .
vasanth has made the film in his usual style but a tepid pace works against mpmk . the styles of film making have changed and so do the sensibilities of the audience . for the current crop of audience who is low on patience and is restless to slow unfurling of the plot , mpmk may not work . that said , the plot is quite succulent and lofty which has a lot of positivity going with it .
we generally don’t find ‘cinematic’ family in vasanth’s films and mpmk is no exception either . be it vemal’s parents ( my family is such a happy one that we even laugh at the mention of the word ‘joke’ ) or cheran’s parents ( a father who is so happy helping mom and a mom who is so sensitive to son’s feelings ) or surveen’s practical father .
it is not something new that vasanth’s films are clean and are devoid of glamour or double entendres .
narration follows a very languorous path and hence the engaging factor fluctuates quite steeply . arjun’s segment is the best followed by cheran and vemal . dialogues sparkle on and off .
in the performance section , it is arjun who scores over others and is aptly cast as a swimming coach . cheran and vemal are their usual self and there is not much for them to showcase their histrionics . among the lady members , it is muktha bhanu who delivers perfectly as the love struck mallika and she fits the role perfectly . surveen who looks like a mix of amala akkineni and kiran is adequate and her shots are well captured . thambi ramaiah , john vijay , appukutty , shanthi williams and sathyan round out the supporting cast .
the songs of yuvan shankar raja are already popular and gel quite well with the narration . even though aaha kaadhal has been filmed fairly well , the power that the lyrics and the music had created has not been totally translated visually . mazhai mazhai number comes out trumps with cinematographer and music director having a field day with their respective departments . that apart , ritwik vasanth appears for ‘stop the paattu’ number and shows his dancing prowess . bhojan k dinesh is in charge of camera and resplendently captures the moods of the different terrains .
this page hosts the reviews of the latest tamil and hindi movies . it also includes a verdict about the movie and a final star rating . people looking for film reviews , movie reviews , movie rating , movie verdict , movie analysis , movie cast and crew will find this page useful .
december 1 is the beginning of the margazhi , the music season in chennai . and vasanth was very particular to hold the audio launch of his mpmk on that particular day . the film has peppy melodies composed by yuvan shankar raja , which is sure to become a rage .
the guest of honour at the event was vasanth’s guru k balachandar along with special invitees k bhagyaraj , ks ravikumar , lingusami , prakash raj and kushboo .
the hero of the evening was music director yuvan shankar raja . all singers who sang in the film like neha bhasin , krish , karthik , shwetha mohan , priya , ramesh vinayagam and blaazee performed live on stage . the entire cast and crew of the film arjun , cheran , vimal , bhanu , lasini , surveen chawla were also present
each song was introduced by a guest and rendered by the respective singers . yuvan himself had said that mpmk is one of his best albums . the album is peppy , melodious and catchy the number “stop the paatu” sung by ramesh vinayagam is an instant hit while “mazhai mazhai” is melodious . the lyrics of na muthukumar are another highlight of this album distributed by gemini music .
mpmk audio launch was one of the best in recent times which was packaged well to provide maximum entertainment and fun to the select audiences . one of the major highlights of the evening was the anchors of the show makapa anand and divya darsini ( dd ) , who made it hilarious with their one - liners and punch lines .
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the evening began with a brief press conference where the film’s cast was introduced . the notable members on the dias apart from vasanth were cheran , vimal , muktha banu and lasini . the other cast members arjun and surveen were guilty of being late .
many of the speakers on stage quipped that the director never told them the story even once . towards the end this was revealed to be said as a tongue - in - cheek manner . regarding the movie , it is learned that this first project from the stables of mahendra talkies has three stories in the film but the pairings were not disclosed . neither was the fact whether the three heroes will ever share the same frame atleast once in the film . this would be one of the suspense elements in the film . the director asserted that this film is not about lovers , but about love .
cheran said that he agreed to this project almost instantly . vimal was asked to speak a couple of words and he spoke exactly that much , saying that he was thankful for the experience . arjun said that his earlier film with the director ‘rhythm’ would rank in the top 5 favorite films of his career . director vasanth topped it off by saying that this film was the most satisfying film he’s made till date , and that was possible only because of the full cooperation of the producers .
the audio launch function saw many notable industry personnel such as k . balachander , k . bhagyaraj , k . s ravikumar , kushboo , lingusamy , prakash raj , director sasi , dharan , shantanoo bhagyaraj and kazhagu krishna . each of them took turns to congratulate yuvan for his music and wished the film’s team all the success .
during the event , vasanth provided the fact that yuvan shankar raja was in class x when he composed for his film poovellam kettu paar and believes he’s got the best out of yuvan this time around too . the music director himself was quoted as saying that this was probably his best album till date . with regard to the song selection and recording process yuvan said that he didn’t compose a single new tune for the film . the chosen songs were all stock songs he had earlier recorded and vasanth merely picked the best ones from the lot .
the stage then welcomed the legendary k . balachander in whose presence the audio cds were released . k . b confidently spoke that yuvan shankar raja is at his absolute best in this film and that he was suure that vasanth too will be at his best . he said that he was not only proud of vasanth as a director , but sometimes even jealous .
the evening’s entertainment affairs were in top flight with a beautiful medley of vasanth’s favorite tamil songs performed by krish and priya hemesh with great soul . the other performances from the evening were by neha bhasin and sathyan who performed tracks from the album . both being very impressive tunes .
director vasanth was extremely thoughtful of the strong support shown by the press with their attendance in the evening . eventhough he spoke very little about the film revealing almost nothing , it was as if the music spoke about it on his behalf .
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the album opens with ` aaha kadhal ' and might just become one of it ' s best . it represents a class of music that ' s very indifferent among yuvan ' s compositions . the singer ' s carnatic touches throughout the song and the piano backing make it one of a kind . it packs a lot of soul throughout and raises expectations right away . thumbs up , yuvan .
nandini srikar deserves a good amount of credit for the success of this track and is one of the reasons it has so much soul left even with all the modern mixing taking up room . her voice is new and refreshing and fits the bill well . na muthukumar ' s poetic , yet appeals to the listener by being straightforward . job well done , overall .
kaadhal endhan kaadhal is the most emphatic song in the album , which follows very dark and enigmatic in most parts . peculiarly , yuvan goes ahead and uses the piano once more and adds to the already large number of instruments in the orchestration . the interludes and the initial pieces of this number including more southern music stand out . about all , the vocals are giving more prominence in general .
neha basin is known to have a powerful voice , but the added assistance in yuvan ' s music helps her be more dramatic and connect . although the track appears to be on the lines of mudhal murai , from his father ' s recent nep , the track is slower and grows on you with each listen .
half way through the album in it ' s third track , the film finally get it ' s first male lead and a duet . yuvan falls back to his usual and the percussion and flute mark the return of his usual bag of tricks . the charanams show off an interesting q & a ; form of music , with different pitches that blend in with the strings . however , the romance in the song becomes a bit downplayed by the end .
karthik is welcome addition to the song , but the actual duet part with sweta menon lacks something special to keep us tuned . lyrics that flow with strings are
daily tasks for na muthukumar , and that ' s perhaps why the lines don ' t stand out particularly . the charanams do post a challenge for our man but the second time becomes familiar too quickly .
a song that has touches of intentional retro - ish music and modern bass - filled beats , unakkaagave is another emphatic number that is blended with rap . the flanges appear unnecessary . the piano is featured again and is especially prominent in the opening part of the song . the blend of music throughout is very interesting and stands out from the rest of the album .
krish ' s effectiveness with high - pitched notes are proven once again with padappadakkudhu and are accompanied with straightforward hit - hard lyrics . meanwhile , blaaze glides through the low notes without breaking a sweat and also takes all the heavy percussion with him . the interesting mash - up is another track you should watch out for .
a sad and highly emotional song is here . guess who has got their name on it - yuvan . he has his usual buddies giving him company , the bass - heavy percussion and very prominent chords through which only his high - pitched tones can get through . on a serious note , the beats and techno is impressive and almost take your attention from the lyrics . some of the video - gamey beats are actually interesting . and to be fair , the piano is seen again .
yuvan finds his rhythm for delivering soulful songs after a particularly hateful outing in nep . he is smooth on the lows and goes all out on the highs , the usual way and helps add value to the song . to be fair , na muthukumar ' s words are actually better for this one , but let ' s see how long you are going to remember that .
and the end is here . the album impresses overall to put it short and sweet . it provides for everyone , the romantic , the ones who seek a powerful message and some very classy music lovers who aren ' t fond of anything else . when put together , the tracks make up a great album that ' s both similar and different from what yuvan has shown us over the last few years . it deserves several shoutouts and will soon start appearing everywhere .
verdict - a good collection of songs at the end of the year , almost appears as if it has been picked out of good songs .
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to start off , easily the pick of the lot would be arjun & surveen ' s part . both of them cave in easily into their roles and some excellent casting with a touche tale has paid off well for this pair . cheran is apt for the role of a good lad and muktha impresses in the second half . a big letdown would be vemal and lasini as both of them are not up to their mark performance wise . it appears that vemal should either give some big time concentration on his body languages or stick to his strengths like roles in ' kedi billa killadi ranga ' , ' kallavani ' etc . his tryst with urbanity doesn ' t seem to click for one moment . usually vasanth ' s movie is melodiously captured and also harmonic in the background as well , and this movie is no different . some pleasing camera work by dinesh is worth a mention . as for the songs , yuvan has given what vasanth would have asked for , but the visuals jarring a few do not live up to the audio ' s class . editing except for the initial half hour is fair and praiseworthy . vasanth is synonymous for highlighting relationships beyond their meticulous nature and what is hidden in each of them . shelving three stories in one umbrella he brings a twist in the tale that will merge the stories together , now that ' s the interesting part . apart from a honest attempt to reveal his intentions , the movie gets yawningly long , as the movie unveils at a relatively slow pace . with some amicable reputation he tries a narration that doesn ' t sync up as a whole rather works in places . to sum up , the director ' s usual foray is missing and might work in bits with the help of some breezy music , help from the cast and some good cinematography . verdict : a sensitive movie full of lows and highs at places .
it is a competitive world out there and cinema is no different . with an avalanche of heroines descending on k - town , getting to sign the right kind of movie is as difficult as bagging a good role . a debut film can make or break one ' s career , but fortunately for janani iyer , her introduction in avan ivan was noticed , helping her sign on for the heroine ' s role in director aslam ' s paagan , opposite srikanth . how does she plan to be different and stand out among the plethora of heroines ? says janani , “first of all , i never planned to be in movies ; it just happened . having done one film , i was keen on doing a role that was different and challenging . paagan gives me that opportunity . i am not in the rat race . i am patient enough to look for that one good role that will give me and the audience total satisfaction . ”
despite impressive performances in abhiyum naanum , unnai pol oruvan and kandahar , ganesh venkatraman is yet to get that one meaty hero role that will take him to the starry galaxy . goes to prove that good looks , great physique and talent alone would not do in k - town . ganesh now hopes to make it with pani thuli . “i have no reservations about doing any role . i always look at my work from the audience point of view . it should have a connect and add value to the story , ” says ganesh .
after commendable performances in several international bike races dilip rogger makes his acting debut in udumban . how difficult was it to face the camera ? “i had to undergo training in dance and fighting . and , to get into the skin of the character , i spent a lot of time in the village where the movie was shot . i am happy with the outcome and hope to better my performance in my next film , ” says dilip .
his vamsam led to mounaguru which now completes 50 days of its release and arulnidhi is ecstatic about the way his career is shaping up . he is getting to work with good directors . he will be part of karu pazhaniappan ' s next that is getting ready to roll . “we plan to announce it on february 3 when mounaguru completes its 50th day . the heroine and the title will be announced then . but , i am excited about my performance - oriented role in this romantic family drama . this will be followed by a film i will be doing for director samudirakani , which he will start after he completes his present assignments , ” says arulnidhi whose stars are clearly on the ascent .
. and watching it on the big screen , you do fall in love , but not with the story or the characters , you fall in love with the beautiful lyrics , the memorable songs and the breathtaking visuals .
the film stars arjun , cheran , vemal , and muktha bhanu along with newcomers surveen chawla and lasini in the lead roles . director vasanth ' s son ritvik plays a cameo role , supported by apppukutty , sathyan , thambi ramaiah and john vijay . bhojan k dinesh handles the cinematography and editing is by s n fazil .
we are introduced to the first couple , varun ( vemal ) and anjana ( lasini ) in a beautiful hill station . varun , who is a chartered accountant , meets and falls in love with anjana , who is also a ca working in his father’s office . unfortunately , she is in love with someone else and is already engaged .
the story of the second couple guna ( cheran ) and malliga ( muktha bhanu ) is set in a small town by the seaside . guna is a social activist who runs an organisation that helps ex - convicts to start a new life . his dedication and sincerity for his work leaves him no time for love or marriage , thus shattering the dreams of poor malliga who is in love with him .
the last couple , harris ( arjun ) and divya ( surveen chawla ) , lives in the plains . harris is a reputed swimming coach , who is training his star pupil , divya to win an olympic gold medal . they are madly in love with each other , so what is the twist in their story ? we learn this and more as the story progresses .