Input:
1	marriage	marriage	NOUN	S	Number=Sing|original_id=12	6	obl	_	_
2	can	can	AUX	VM	Mood=Ind|Person=3|Tense=Pres|VerbForm=Fin|original_id=7	6	aux	_	_
3	Cœlebs	Cœlebs	PROPN	SP	original_id=6	6	nsubj	_	_
4	Saintsbury	Saintsbury	PROPN	SP	original_id=1	9	nsubj	_	_
5	of	of	ADP	E	original_id=10	1	case	_	_
6	talk	talk	VERB	V	VerbForm=Inf|original_id=9	9	ccomp	_	_
7	out	out	ADP	E	lin=-1|original_id=3	15	compound:prt	_	_
8	not	not	PART	PART	Polarity=Neg|original_id=8	2	advmod	_	_
9	point	points	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=2	0	root	_	_
10	authority	authority	NOUN	S	Number=Sing|original_id=16	6	obl	_	_
11	with	with	ADP	E	original_id=14	10	case	_	_
12	"	"	PUNCT	FB	lin=-1|original_id=5	6	punct	_	_
13	[	[	PUNCT	FB	lin=-1|original_id=11	1	punct	_	_
14	.	.	PUNCT	FS	lin=+1|original_id=17	9	punct	_	_
15	that	that	SCONJ	CS	original_id=4	6	mark	_	_
16	]	]	PUNCT	FB	lin=+1|original_id=13	1	punct	_	_
17	much	much	ADJ	A	Degree=Pos|original_id=15	10	amod	_	_

Saintsbury point out that " Cœlebs _ can not talk of [ marriage ] with much authority .

Saintsbury points out that "Cœlebs cannot talk of [marriage] with much authority.


Input:
1	wed	weds	NOUN	S	Number=Plur|original_id=8	9	nsubj	_	_
2	-	-	PUNCT	FF	lin=+1|original_id=7	6	punct	_	_
3	off	off	ADP	E	lin=+1|original_id=10	9	compound:prt	_	_
4	April	April	PROPN	SP	original_id=4	9	obl	_	_
5	the	the	DET	RD	Definite=Def|PronType=Art|original_id=5	1	det	_	_
6	newly	newly	ADV	B	original_id=6	1	advmod	_	_
7	.	.	PUNCT	FS	lin=+2|original_id=13	9	punct	_	_
8	"	"	PUNCT	FB	lin=-1|original_id=1	9	punct	_	_
9	set	set	VERB	V	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=9	0	root	_	_
10	Paris	Paris	PROPN	SP	original_id=12	9	obl	_	_
11	in	In	ADP	E	original_id=2	4	case	_	_
12	late	late	ADJ	A	Degree=Pos|original_id=3	4	amod	_	_
13	for	for	ADP	E	original_id=11	10	case	_	_

" in late April the newly - wed set off for Paris .

"In late April the newly-weds set off for Paris.


Input:
1	20	20	NUM	N	NumType=Card|original_id=8	6	obl	_	_
2	,	,	PUNCT	FF	lin=+2|original_id=10	1	punct	_	_
3	in	in	ADP	E	original_id=3	16	case	_	_
4	his	his	DET	DP	Poss=Yes|PronType=Prs|original_id=11	15	nmod:poss	_	_
5	-	-	PUNCT	FF	lin=+1|original_id=13	12	punct	_	_
6	arrive	arrived	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
7	the	the	DET	RD	Definite=Def|PronType=Art|original_id=4	16	det	_	_
8	.	.	PUNCT	FS	lin=+1|original_id=16	6	punct	_	_
9	they	They	PRON	PE	Number=Plur|Person=3|PronType=Prs|original_id=1	6	nsubj	_	_
10	on	on	ADP	E	original_id=7	1	case	_	_
11	first	first	ADJ	NO	Degree=Pos|NumType=Ord|original_id=14	12	amod	_	_
12	fifty	fifty	NUM	N	NumType=Card|original_id=12	15	nummod	_	_
13	May	May	PROPN	SP	lin=+1|original_id=9	1	flat	_	_
14	French	French	ADJ	A	Degree=Pos|original_id=5	16	amod	_	_
15	birthday	birthday	NOUN	S	Number=Sing|original_id=15	13	nmod	_	_
16	capital	capital	NOUN	S	Number=Sing|original_id=6	6	obl	_	_

they arrive in the French capital on 20 May , his fifty - first birthday .

They arrived in the French capital on 20 May, his fifty-first birthday.


Input:
1	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=4	3	nmod:poss	_	_
2	die	died	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=12	0	root	_	_
3	wedding	wedding	NOUN	S	Number=Sing|original_id=5	13	nmod	_	_
4	,	,	PUNCT	FF	lin=+2|original_id=10	6	punct	_	_
5	five	Five	NUM	N	NumType=Card|original_id=1	13	nummod	_	_
6	18	18	NUM	N	NumType=Card|original_id=8	2	obl	_	_
7	on	on	ADP	E	original_id=7	6	case	_	_
8	Balzac	Balzac	PROPN	SP	original_id=11	2	nsubj	_	_
9	after	after	ADP	E	original_id=3	3	case	_	_
10	,	,	PUNCT	FF	lin=+1|original_id=6	13	punct	_	_
11	August	August	PROPN	SP	lin=+1|original_id=9	6	flat	_	_
12	.	.	PUNCT	FS	lin=+1|original_id=13	2	punct	_	_
13	month	months	NOUN	S	Number=Plur|original_id=2	2	obl	_	_

five month after his wedding , on 18 August , Balzac die .

Five months after his wedding, on 18 August, Balzac died.


Input:
1	that	that	DET	DD	PronType=Dem|original_id=5	10	det	_	_
2	visit	visited	VERB	V	Tense=Past|VerbForm=Part|original_id=4	0	root	_	_
3	as	as	ADP	E	original_id=14	11	case	_	_
4	later	later	ADV	B	Degree=Cmp|original_id=12	22	advmod	_	_
5	.	.	PUNCT	FS	lin=+1|original_id=22	2	punct	_	_
6	's	's	PART	PART	original_id=20	8	case	_	_
7	Victor	Victor	PROPN	SP	original_id=8	2	obl	_	_
8	Balzac	Balzac	PROPN	SP	original_id=19	19	nmod	_	_
9	Hugo	Hugo	PROPN	SP	lin=+1|original_id=9	7	flat	_	_
10	day	day	NOUN	S	Number=Sing|original_id=6	2	obl	_	_
11	pallbearer	pallbearer	NOUN	S	Number=Sing|original_id=15	22	obl	_	_
12	who	who	PRON	PR	PronType=Rel|original_id=11	22	nsubj	_	_
13	at	at	ADP	E	original_id=18	19	case	_	_
14	by	by	ADP	E	original_id=7	7	case	_	_
15	,	,	PUNCT	FF	lin=+2|original_id=10	7	punct	_	_
16	eulogist	eulogist	NOUN	S	Gender=Fem|Number=Sing|original_id=17	11	conj	_	_
17	be	been	AUX	VA	Tense=Past|VerbForm=Part|original_id=3	2	aux:pass	_	_
18	have	had	AUX	VA	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	2	aux	_	_
19	funeral	funeral	NOUN	S	Number=Sing|original_id=21	22	obl	_	_
20	he	He	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=1	2	nsubj:pass	_	_
21	and	and	CCONJ	CC	original_id=16	16	cc	_	_
22	serve	served	VERB	V	Tense=Past|VerbForm=Part|original_id=13	7	acl:relcl	_	_

he have be visit that day by Victor Hugo , who later serve as pallbearer and eulogist at Balzac 's funeral .

He had been visited that day by Victor Hugo, who later served as pallbearer and eulogist at Balzac's funeral.


Input:
1	Paris	Paris	PROPN	SP	original_id=11	2	obl	_	_
2	bury	buried	VERB	V	Tense=Past|VerbForm=Part|original_id=3	0	root	_	_
3	Lachaise	Lachaise	X	SW	lin=+3|Foreign=Yes|original_id=9	4	flat	_	_
4	Cimetière	Cimetière	X	SW	Foreign=Yes|original_id=6	2	obl	_	_
5	Père	Père	X	SW	lin=+2|Foreign=Yes|original_id=8	4	flat	_	_
6	Balzac	Balzac	PROPN	SP	original_id=1	2	nsubj:pass	_	_
7	.	.	PUNCT	FS	lin=+1|original_id=12	2	punct	_	_
8	be	was	AUX	VA	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=2	2	aux:pass	_	_
9	at	at	ADP	E	original_id=4	4	case	_	_
10	in	in	ADP	E	original_id=10	1	case	_	_
11	du	du	X	SW	lin=+1|Foreign=Yes|original_id=7	4	flat	_	_
12	the	the	DET	RD	Definite=Def|PronType=Art|original_id=5	4	det	_	_

Balzac be bury at the Cimetière du Père Lachaise in Paris .

Balzac was buried at the Cimetière du Père Lachaise in Paris.


Input:
1	"	"	PUNCT	FB	lin=+1|original_id=3	11	punct	_	_
2	because	because	ADP	E	original_id=18	26	case	_	_
3	,	,	PUNCT	FF	lin=+1|original_id=10	27	punct	_	_
4	black	black	NOUN	S	Number=Sing|original_id=17	10	nmod	_	_
5	the	the	DET	RD	Definite=Def|PronType=Art|original_id=8	24	det	_	_
6	in	in	ADP	E	original_id=16	4	case	_	_
7	of	of	ADP	E	original_id=22	8	case	_	_
8	man	man	NOUN	S	Gender=Masc|Number=Sing|original_id=24	26	nmod	_	_
9	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=14	10	det	_	_
10	people	people	NOUN	S	Number=Sing|original_id=15	17	obj	_	_
11	today	Today	ADV	B	original_id=2	17	advmod	_	_
12	;	;	PUNCT	FC	lin=+1|original_id=27	17	punct	_	_
13	,	,	PUNCT	FF	lin=+2|original_id=4	11	punct	_	_
14	the	the	DET	RD	Definite=Def|PronType=Art|original_id=23	8	det	_	_
15	"	"	PUNCT	FB	lin=-1|original_id=1	11	punct	_	_
16	Hugo	Hugo	PROPN	SP	original_id=6	27	nsubj	_	_
17	have	have	VERB	V	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=13	0	root	_	_
18	of	of	ADP	E	lin=+1|original_id=19	2	fixed	_	_
19	of	of	ADP	E	original_id=25	21	case	_	_
20	"	"	PUNCT	FB	lin=-1|original_id=11	17	punct	_	_
21	talent	talent	NOUN	S	Number=Sing|original_id=26	8	nmod	_	_
22	the	the	DET	RD	Definite=Def|PronType=Art|original_id=20	26	det	_	_
23	we	we	PRON	PE	Number=Plur|Person=1|PronType=Prs|original_id=12	17	nsubj	_	_
24	ceremony	ceremony	NOUN	S	Number=Sing|original_id=9	27	obl	_	_
25	at	at	ADP	E	original_id=7	24	case	_	_
26	death	death	NOUN	S	Number=Sing|original_id=21	17	obl	_	_
27	say	said	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=5	17	parataxis	_	_

" today " , say Hugo at the ceremony , " we have a people in black because of the death of the man of talent ;

"Today", said Hugo at the ceremony, "we have a people in black because of the death of the man of talent;


Input:
1	mourning	mourning	NOUN	S	Number=Sing|original_id=4	3	nmod	_	_
2	in	in	ADP	E	original_id=3	1	case	_	_
3	nation	nation	NOUN	S	Number=Sing|original_id=2	0	root	_	_
4	of	of	ADP	E	original_id=8	7	case	_	_
5	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=6	6	det	_	_
6	man	man	NOUN	S	Gender=Masc|Number=Sing|original_id=7	1	nmod	_	_
7	genius	genius	NOUN	S	Gender=Masc|Number=Sing|original_id=9	6	nmod	_	_
8	.	.	PUNCT	FS	lin=+1|original_id=10	3	punct	_	_
9	for	for	ADP	E	original_id=5	6	case	_	_
10	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=1	3	det	_	_

a nation in mourning for a man of genius .

a nation in mourning for a man of genius.


Input:
1	Gustave	Gustave	PROPN	SP	lin=+2|original_id=19	24	conj	_	_
2	include	including	VERB	V	VerbForm=Ger|original_id=15	16	advcl	_	_
3	"	"	PUNCT	FB	lin=-1|original_id=1	16	punct	_	_
4	in	in	ADP	E	original_id=11	13	case	_	_
5	,	,	PUNCT	FF	lin=+1|original_id=14	19	punct	_	_
6	be	was	AUX	VA	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=4	16	aux:pass	_	_
7	Lemaître	Lemaître	PROPN	SP	lin=+1|original_id=17	24	flat	_	_
8	Dumas	Dumas	PROPN	SP	lin=+3|original_id=22	24	conj	_	_
9	every	every	DET	DI	Number=Sing|PronType=Ind|original_id=9	10	det	_	_
10	writer	writer	NOUN	S	Number=Sing|original_id=10	16	obl	_	_
11	and	and	CCONJ	CC	original_id=24	14	cc	_	_
12	,	,	PUNCT	FF	lin=-1|original_id=18	1	punct	_	_
13	Paris	Paris	PROPN	SP	original_id=12	10	nmod	_	_
14	Dumas	Dumas	PROPN	SP	lin=+4|original_id=25	24	conj	_	_
15	"	"	PUNCT	FB	lin=+1|original_id=7	16	punct	_	_
16	attend	attended	VERB	V	Tense=Past|VerbForm=Part|original_id=5	0	root	_	_
17	.	.	PUNCT	FS	lin=+2|original_id=27	16	punct	_	_
18	fil	fils	NOUN	S	Gender=Masc|Number=Plur|original_id=26	14	nmod	_	_
19	"	"	PUNCT	FB	lin=-1|original_id=13	2	punct	_	_
20	père	père	NOUN	S	Gender=Masc|Number=Sing|original_id=23	8	nmod	_	_
21	Courbet	Courbet	PROPN	SP	lin=+1|original_id=20	1	flat	_	_
22	by	by	ADP	E	original_id=6	10	case	_	_
23	almost	almost	ADV	B	original_id=8	10	advmod	_	_
24	Frédérick	Frédérick	PROPN	SP	original_id=16	2	obj	_	_
25	funeral	funeral	NOUN	S	Number=Sing|original_id=3	16	nsubj:pass	_	_
26	the	The	DET	RD	Definite=Def|PronType=Art|original_id=2	25	det	_	_
27	,	,	PUNCT	FF	lin=-1|original_id=21	8	punct	_	_

" the funeral be attend by " almost every writer in Paris " , include Frédérick Lemaître , Gustave Courbet , Dumas père and Dumas fil .

"The funeral was attended by "almost every writer in Paris", including Frédérick Lemaître, Gustave Courbet, Dumas père and Dumas fils.


Input:
1	by	by	ADP	E	original_id=11	19	case	_	_
2	subject	subject	NOUN	S	Number=Sing|original_id=6	22	obj	_	_
3	and	and	CCONJ	CC	original_id=26	5	cc	_	_
4	.	.	PUNCT	FS	lin=+1|original_id=29	22	punct	_	_
5	Boulevard	Boulevard	PROPN	SP	lin=+2|original_id=27	17	conj	_	_
6	the	the	DET	RD	Definite=Def|PronType=Art|original_id=21	23	det	_	_
7	the	the	DET	RD	Definite=Def|PronType=Art|original_id=12	19	det	_	_
8	stand	stands	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=19	29	acl:relcl	_	_
9	near	near	ADP	E	original_id=20	23	case	_	_
10	French	French	PROPN	SP	original_id=13	19	nmod	_	_
11	monumental	monumental	ADJ	A	Degree=Pos|original_id=9	29	amod	_	_
12	later	Later	ADV	B	Degree=Cmp|original_id=1	22	advmod	_	_
13	Rodin	Rodin	PROPN	SP	lin=+1|original_id=16	14	flat	_	_
14	Auguste	Auguste	PROPN	SP	original_id=15	19	nmod	_	_
15	Raspail	Raspail	PROPN	SP	lin=+1|original_id=25	17	flat	_	_
16	the	the	DET	RD	Definite=Def|PronType=Art|original_id=5	2	det	_	_
17	Boulevard	Boulevard	PROPN	SP	original_id=24	23	nmod	_	_
18	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=8	29	det	_	_
19	sculptor	sculptor	NOUN	S	Number=Sing|original_id=14	29	nmod	_	_
20	of	of	ADP	E	original_id=23	17	case	_	_
21	,	,	PUNCT	FF	lin=+1|original_id=2	12	punct	_	_
22	become	became	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	0	root	_	_
23	intersection	intersection	NOUN	S	Number=Sing|original_id=22	8	obl	_	_
24	Balzac	Balzac	PROPN	SP	original_id=3	22	nsubj	_	_
25	,	,	PUNCT	FF	lin=+1|original_id=17	29	punct	_	_
26	which	which	PRON	PR	PronType=Rel|original_id=18	8	nsubj	_	_
27	Montparnasse	Montparnasse	PROPN	SP	lin=+1|original_id=28	5	flat	_	_
28	of	of	ADP	E	original_id=7	29	case	_	_
29	statue	statue	NOUN	S	Number=Sing|original_id=10	2	nmod	_	_

later , Balzac become the subject of a monumental statue by the French sculptor Auguste Rodin , which stand near the intersection of Boulevard Raspail and Boulevard Montparnasse .

Later, Balzac became the subject of a monumental statue by the French sculptor Auguste Rodin, which stands near the intersection of Boulevard Raspail and Boulevard Montparnasse.


Input:
1	Rodin	Rodin	PROPN	SP	original_id=1	9	nsubj	_	_
2	sculpture	sculptures	NOUN	S	Number=Plur|original_id=9	8	obl	_	_
3	as	as	ADV	B	original_id=10	8	advmod	_	_
4	well	well	ADV	B	lin=+1|original_id=11	3	fixed	_	_
5	in	in	ADP	E	original_id=4	8	case	_	_
6	of	of	ADP	E	original_id=6	2	case	_	_
7	.	.	PUNCT	FS	lin=+1|original_id=12	9	punct	_	_
8	several	several	ADJ	A	Degree=Pos|original_id=5	9	obl	_	_
9	feature	featured	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
10	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=7	2	nmod:poss	_	_
11	smaller	smaller	ADJ	A	Degree=Cmp|original_id=8	2	amod	_	_
12	Balzac	Balzac	PROPN	SP	original_id=3	9	obj	_	_

Rodin feature Balzac in several of his smaller sculpture as well .

Rodin featured Balzac in several of his smaller sculptures as well.


Input:
1	at	at	ADP	E	original_id=6	20	case	_	_
2	.	.	PUNCT	FS	lin=+2|original_id=28	5	punct	_	_
3	the	The	DET	RD	Definite=Def|PronType=Art|original_id=1	24	det	_	_
4	to	to	PART	PART	original_id=16	6	mark	_	_
5	remain	remained	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	0	root	_	_
6	include	include	VERB	V	VerbForm=Inf|original_id=17	28	acl	_	_
7	death	death	NOUN	S	Number=Sing|original_id=11	20	nmod	_	_
8	book	books	NOUN	S	Number=Plur|original_id=20	6	obj	_	_
9	Balzac	Balzac	PROPN	SP	original_id=13	23	nsubj	_	_
10	-	-	PUNCT	FF	lin=+1|original_id=12	5	punct	_	_
11	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=25	27	nsubj	_	_
12	other	other	ADJ	A	Degree=Pos|original_id=19	8	amod	_	_
13	of	of	ADP	E	original_id=23	16	case	_	_
14	the	the	DET	RD	Definite=Def|PronType=Art|original_id=7	20	det	_	_
15	numerous	numerous	DET	DI	PronType=Ind|original_id=18	8	det	_	_
16	which	which	PRON	PR	PronType=Rel|original_id=24	19	obl	_	_
17	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=10	7	nmod:poss	_	_
18	,	,	PUNCT	FF	lin=+1|original_id=21	8	punct	_	_
19	most	most	ADJ	A	Degree=Sup|original_id=22	27	obj	_	_
20	time	time	NOUN	S	Number=Sing|original_id=8	5	obl	_	_
21	unfinished	unfinished	ADJ	A	Degree=Pos|original_id=5	5	xcomp	_	_
22	never	never	ADV	B	original_id=26	27	advmod	_	_
23	have	had	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=14	5	parataxis	_	_
24	Comédie	Comédie	X	SW	Foreign=Yes|original_id=2	5	nsubj	_	_
25	Humaine	Humaine	X	SW	lin=+1|Foreign=Yes|original_id=3	24	flat:foreign	_	_
26	of	of	ADP	E	original_id=9	7	case	_	_
27	start	started	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=27	8	acl:relcl	_	_
28	plan	plans	NOUN	S	Number=Plur|original_id=15	23	obj	_	_

the Comédie Humaine remain unfinished at the time of his death - Balzac have plan to include numerous other book , most of which he never start .

The Comédie Humaine remained unfinished at the time of his death - Balzac had plans to include numerous other books, most of which he never started.


Input:
1	progress	progress	NOUN	S	Number=Sing|original_id=7	13	nmod	_	_
2	and	and	CCONJ	CC	original_id=9	19	cc	_	_
3	"	"	PUNCT	FB	lin=-1|original_id=10	5	punct	_	_
4	he	He	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=1	8	nsubj	_	_
5	finish	finished	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=11	17	acl	_	_
6	be	were	AUX	VA	Mood=Ind|Number=Plur|Tense=Past|VerbForm=Fin|original_id=14	19	aux:pass	_	_
7	,	,	PUNCT	FF	lin=-1|original_id=8	19	punct	_	_
8	move	moved	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=3	0	root	_	_
9	between	between	ADP	E	original_id=17	11	case	_	_
10	between	between	ADP	E	original_id=4	13	case	_	_
11	edition	editions	NOUN	S	Number=Plur|original_id=18	19	obl	_	_
12	frequently	frequently	ADV	B	original_id=2	8	advmod	_	_
13	work	works	NOUN	S	Number=Plur|original_id=5	8	obl	_	_
14	in	in	ADP	E	original_id=6	1	case	_	_
15	"	"	PUNCT	FB	lin=+1|original_id=12	5	punct	_	_
16	often	often	ADV	B	original_id=15	19	advmod	_	_
17	work	works	NOUN	S	Number=Plur|original_id=13	19	nsubj:pass	_	_
18	.	.	PUNCT	FS	lin=+2|original_id=19	8	punct	_	_
19	revise	revised	VERB	V	lin=+1|Tense=Past|VerbForm=Part|original_id=16	8	conj	_	_

he frequently move between work in progress , and " finish " work be often revise between edition .

He frequently moved between works in progress, and "finished" works were often revised between editions.


Input:
1	life	life	NOUN	S	Number=Sing|original_id=11	3	obl	_	_
2	through	through	ADP	E	original_id=19	9	case	_	_
3	reflective	reflective	ADJ	A	Degree=Pos|original_id=5	0	root	_	_
4	to	to	PART	PART	original_id=16	12	mark	_	_
5	be	is	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=4	3	cop	_	_
6	of	of	ADP	E	original_id=6	1	case	_	_
7	style	style	NOUN	S	Number=Sing|original_id=3	3	nsubj	_	_
8	possible	possible	ADJ	A	Degree=Pos|original_id=14	14	amod	_	_
9	fiction	fiction	NOUN	S	Number=Sing|original_id=20	12	obl	_	_
10	this	This	DET	DD	Number=Sing|PronType=Dem|original_id=1	7	det	_	_
11	,	,	PUNCT	FF	lin=-1|original_id=12	14	punct	_	_
12	stabilize	stabilize	VERB	V	VerbForm=Inf|original_id=17	14	acl	_	_
13	author	author	NOUN	S	Number=Sing|original_id=8	1	nmod	_	_
14	attempt	attempt	NOUN	S	lin=+1|Number=Sing|original_id=15	3	conj	_	_
15	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=13	14	det	_	_
16	's	's	PART	PART	original_id=9	13	case	_	_
17	.	.	PUNCT	FS	lin=+2|original_id=21	3	punct	_	_
18	own	own	ADJ	A	Degree=Pos|original_id=10	1	amod	_	_
19	piecemeal	piecemeal	ADJ	A	Degree=Pos|original_id=2	7	amod	_	_
20	the	the	DET	RD	Definite=Def|PronType=Art|original_id=7	13	det	_	_
21	it	it	PRON	PE	Number=Sing|Person=3|PronType=Prs|original_id=18	12	obj	_	_

this piecemeal style be reflective of the author 's own life , a possible attempt to stabilize it through fiction .

This piecemeal style is reflective of the author's own life, a possible attempt to stabilize it through fiction.


Input:
1	man	man	NOUN	S	Gender=Masc|Number=Sing|original_id=4	8	nsubj	_	_
2	work	work	NOUN	S	Number=Sing|original_id=39	8	obl	_	_
3	rue	rue	NOUN	S	Number=Sing|original_id=17	7	obl	_	_
4	can	can	AUX	VM	Mood=Ind|Person=3|Tense=Pres|VerbForm=Fin|original_id=31	8	aux	_	_
5	.	...	PUNCT	FF	lin=-1|original_id=20	17	punct	_	_
6	Italy	Italy	PROPN	SP	lin=+2|original_id=27	17	conj	_	_
7	pursue	pursued	VERB	V	Tense=Past|VerbForm=Part|original_id=14	1	acl:relcl	_	_
8	construct	construct	VERB	V	VerbForm=Inf|original_id=32	0	root	_	_
9	,	,	PUNCT	FF	lin=+2|original_id=6	1	punct	_	_
10	D'	D'	PROPN	SP	lin=+1|original_id=24	25	flat	_	_
11	dwelling	dwelling	NOUN	S	Number=Sing|original_id=35	8	obj	_	_
12	Avray	Avray	PROPN	SP	lin=+2|original_id=25	25	flat	_	_
13	from	from	ADP	E	original_id=15	3	case	_	_
14	to	to	ADP	E	original_id=19	17	case	_	_
15	write	writes	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=7	8	parataxis	_	_
16	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=38	2	nmod:poss	_	_
17	Versailles	Versailles	PROPN	SP	original_id=21	3	nmod	_	_
18	vanishing	vanishing	ADJ	A	Degree=Pos|original_id=3	1	amod	_	_
19	who	who	PRON	PR	PronType=Rel|original_id=11	7	nsubj:pass	_	_
20	settle	settled	VERB	V	Tense=Past|VerbForm=Part|original_id=34	11	acl	_	_
21	only	only	ADV	B	original_id=36	2	advmod	_	_
22	the	The	DET	RD	Definite=Def|PronType=Art|original_id=2	1	det	_	_
23	Cassini	Cassini	PROPN	SP	original_id=18	3	nmod	_	_
24	must	must	AUX	VM	Mood=Ind|Person=3|Tense=Pres|VerbForm=Fin|original_id=12	7	aux	_	_
25	Ville	Ville	PROPN	SP	lin=+1|original_id=23	17	conj	_	_
26	in	in	ADP	E	original_id=37	2	case	_	_
27	"	"	PUNCT	FB	lin=-1|original_id=10	8	punct	_	_
28	and	and	CCONJ	CC	original_id=29	36	cc	_	_
29	,	,	PUNCT	FF	lin=-1|original_id=26	6	punct	_	_
30	be	be	AUX	VA	VerbForm=Inf|original_id=13	7	aux:pass	_	_
31	Pritchett	Pritchett	PROPN	SP	original_id=8	15	nsubj	_	_
32	"	"	PUNCT	FB	lin=+1|original_id=5	1	punct	_	_
33	,	,	PUNCT	FF	lin=-1|original_id=28	36	punct	_	_
34	.	.	PUNCT	FS	lin=+1|original_id=40	8	punct	_	_
35	"	"	PUNCT	FB	lin=-1|original_id=1	1	punct	_	_
36	Vienna	Vienna	PROPN	SP	lin=+3|original_id=30	17	conj	_	_
37	,	,	PUNCT	FF	lin=+1|original_id=9	15	punct	_	_
38	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=33	11	det	_	_
39	,	,	PUNCT	FF	lin=-1|original_id=22	25	punct	_	_
40	the	the	DET	RD	Definite=Def|PronType=Art|original_id=16	3	det	_	_

" the vanishing man " , write Pritchett , " who must be pursue from the rue Cassini to . Versailles , Ville D' Avray , Italy , and Vienna can construct a settle dwelling only in his work .

"The vanishing man", writes Pritchett, "who must be pursued from the rue Cassini to... Versailles, Ville D'Avray, Italy, and Vienna can construct a settled dwelling only in his work.


Input:
1	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=20	7	nmod:poss	_	_
2	the	the	DET	RD	Definite=Def|PronType=Art|original_id=17	21	det	_	_
3	illustrate	illustrate	VERB	V	VerbForm=Inf|original_id=16	30	acl	_	_
4	especially	especially	ADV	B	original_id=9	17	advmod	_	_
5	"	"	PUNCT	FB	lin=-1|original_id=1	14	punct	_	_
6	,	,	PUNCT	FF	lin=+1|original_id=14	17	punct	_	_
7	character	characters	NOUN	S	Number=Plur|original_id=21	21	nmod	_	_
8	.	.	PUNCT	FS	lin=+1|original_id=30	14	punct	_	_
9	realism	realism	NOUN	S	Number=Sing|original_id=29	27	nmod	_	_
10	,	,	PUNCT	FF	lin=+1|original_id=8	15	punct	_	_
11	the	the	DET	RD	Definite=Def|PronType=Art|original_id=10	17	det	_	_
12	Balzac	Balzac	PROPN	SP	original_id=2	30	nmod	_	_
13	literary	literary	ADJ	A	Degree=Pos|original_id=28	9	amod	_	_
14	make	made	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=22	0	root	_	_
15	detail	detail	NOUN	S	Number=Sing|original_id=7	30	nmod	_	_
16	a	an	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=24	27	det	_	_
17	detail	detail	NOUN	S	Number=Sing|original_id=11	15	appos	_	_
18	of	of	ADP	E	original_id=19	7	case	_	_
19	of	of	ADP	E	original_id=27	9	case	_	_
20	to	to	PART	PART	original_id=15	3	mark	_	_
21	life	lives	NOUN	S	Number=Plur|original_id=18	3	obj	_	_
22	early	early	ADJ	A	Degree=Pos|original_id=25	27	amod	_	_
23	's	's	PART	PART	original_id=3	12	case	_	_
24	of	of	ADP	E	original_id=12	25	case	_	_
25	object	objects	NOUN	S	Number=Plur|original_id=13	17	nmod	_	_
26	he	him	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=23	14	obj	_	_
27	pioneer	pioneer	NOUN	S	Number=Sing|original_id=26	14	xcomp	_	_
28	extensive	extensive	ADJ	A	Degree=Pos|original_id=4	30	amod	_	_
29	of	of	ADP	E	original_id=6	15	case	_	_
30	use	use	NOUN	S	Number=Sing|original_id=5	14	nsubj	_	_

" Balzac 's extensive use of detail , especially the detail of object , to illustrate the life of his character make he a early pioneer of literary realism .

"Balzac's extensive use of detail, especially the detail of objects, to illustrate the lives of his characters made him an early pioneer of literary realism.


Input:
1	the	the	DET	RD	Definite=Def|PronType=Art|original_id=2	15	det	_	_
2	to	to	ADP	E	original_id=4	13	case	_	_
3	,	,	PUNCT	FF	lin=+1|original_id=14	15	punct	_	_
4	write	writes	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=16	0	root	_	_
5	:	:	PUNCT	FC	lin=+1|original_id=17	4	punct	_	_
6	Privée	Privée	PROPN	SP	original_id=13	17	amod	_	_
7	of	of	ADP	E	original_id=8	11	case	_	_
8	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=15	4	nsubj	_	_
9	in	In	ADP	E	original_id=1	15	case	_	_
10	the	the	DET	RD	Definite=Def|PronType=Art|original_id=5	13	det	_	_
11	Scènes	Scènes	PROPN	SP	original_id=9	13	nmod	_	_
12	first	first	ADJ	NO	Degree=Pos|NumType=Ord|original_id=6	13	amod	_	_
13	edition	edition	NOUN	S	Number=Sing|original_id=7	15	nmod	_	_
14	De	De	PROPN	SP	original_id=10	17	case	_	_
15	preface	preface	NOUN	S	Number=Sing|original_id=3	4	obl	_	_
16	La	La	PROPN	SP	original_id=11	17	det	_	_
17	Vie	Vie	PROPN	SP	original_id=12	11	nmod	_	_

in the preface to the first edition of Scènes De La Vie Privée , he write :

In the preface to the first edition of Scènes De La Vie Privée, he writes:


Input:
1	.	.	PUNCT	FS	lin=+1|original_id=15	13	punct	_	_
2	knowledge	knowledge	NOUN	S	Number=Sing|original_id=11	13	obj	_	_
3	Latouche	Latouche	PROPN	SP	lin=+2|original_id=9	15	flat	_	_
4	De	De	PROPN	SP	lin=+1|original_id=8	15	flat	_	_
5	of	of	ADP	E	original_id=12	8	case	_	_
6	for	For	ADP	E	original_id=1	7	case	_	_
7	example	example	NOUN	S	Number=Sing|original_id=2	13	obl	_	_
8	wallpaper	wallpaper	NOUN	S	Number=Sing|original_id=14	2	nmod	_	_
9	friend	friend	NOUN	S	Number=Sing|original_id=6	13	nsubj	_	_
10	Balzac	Balzac	PROPN	SP	original_id=4	9	nmod	_	_
11	's	's	PART	PART	original_id=5	10	case	_	_
12	,	,	PUNCT	FF	lin=+1|original_id=3	7	punct	_	_
13	have	had	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=10	0	root	_	_
14	hang	hanging	VERB	V	Number=Sing|Tense=Pres|VerbForm=Part|original_id=13	8	acl	_	_
15	Hyacinthe	Hyacinthe	PROPN	SP	original_id=7	9	nmod	_	_

for example , Balzac 's friend Hyacinthe De Latouche have knowledge of hang wallpaper .

For example, Balzac's friend Hyacinthe De Latouche had knowledge of hanging wallpaper.


Input:
1	of	of	ADP	E	original_id=20	19	case	_	_
2	Goriot	Goriot	X	SW	lin=+2|Foreign=Yes|original_id=14	12	flat:foreign	_	_
3	Père	Père	X	SW	lin=+1|Foreign=Yes|original_id=13	12	flat:foreign	_	_
4	of	of	ADP	E	original_id=23	9	case	_	_
5	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=5	18	nmod:poss	_	_
6	Pension	Pension	X	SW	Foreign=Yes|original_id=9	18	nmod	_	_
7	speak	speak	VERB	V	VerbForm=Inf|original_id=19	27	xcomp	_	_
8	live	living	VERB	V	Number=Sing|Tense=Pres|VerbForm=Part|original_id=25	9	acl:relcl	_	_
9	that	those	PRON	PD	Number=Plur|PronType=Dem|original_id=24	19	nmod	_	_
10	this	this	PRON	PD	Number=Sing|PronType=Dem|original_id=3	11	obj	_	_
11	transfer	transferred	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
12	Le	Le	X	SW	Foreign=Yes|original_id=12	6	nmod	_	_
13	wallpaper	wallpaper	NOUN	S	Number=Sing|original_id=18	27	obj	_	_
14	.	.	PUNCT	FS	lin=+2|original_id=27	11	punct	_	_
15	inside	inside	ADV	B	original_id=26	8	advmod	_	_
16	of	of	ADP	E	original_id=7	6	case	_	_
17	Balzac	Balzac	PROPN	SP	original_id=1	11	nsubj	_	_
18	description	descriptions	NOUN	S	Number=Plur|original_id=6	11	obl	_	_
19	identity	identities	NOUN	S	Number=Plur|original_id=22	7	obl	_	_
20	Vauquer	Vauquer	X	SW	lin=+1|Foreign=Yes|original_id=10	6	flat:foreign	_	_
21	in	in	ADP	E	original_id=11	12	case	_	_
22	the	the	DET	RD	Definite=Def|PronType=Art|original_id=17	13	det	_	_
23	the	the	DET	RD	Definite=Def|PronType=Art|original_id=8	6	det	_	_
24	,	,	PUNCT	FF	lin=+1|original_id=15	11	punct	_	_
25	the	the	DET	RD	Definite=Def|PronType=Art|original_id=21	19	det	_	_
26	to	to	ADP	E	original_id=4	18	case	_	_
27	make	making	VERB	V	VerbForm=Ger|original_id=16	11	advcl	_	_

Balzac transfer this to his description of the Pension Vauquer in Le Père Goriot , make the wallpaper speak of the identity of that live inside .

Balzac transferred this to his descriptions of the Pension Vauquer in Le Père Goriot, making the wallpaper speak of the identities of those living inside.


Input:
1	Émile	Émile	PROPN	SP	original_id=3	6	nmod	_	_
2	Zola	Zola	PROPN	SP	lin=+1|original_id=4	1	flat	_	_
3	novel	novel	NOUN	S	Number=Sing|original_id=12	9	nmod	_	_
4	French	French	PROPN	SP	original_id=1	6	nmod	_	_
5	the	the	DET	RD	Definite=Def|PronType=Art|original_id=10	3	det	_	_
6	novelist	novelist	NOUN	S	Number=Sing|original_id=2	13	nsubj	_	_
7	.	.	PUNCT	FS	lin=+1|original_id=13	13	punct	_	_
8	of	of	ADP	E	original_id=9	3	case	_	_
9	father	father	NOUN	S	Number=Sing|original_id=8	13	xcomp	_	_
10	naturalist	naturalist	NOUN	S	Number=Sing|original_id=11	3	nmod	_	_
11	the	the	DET	RD	Definite=Def|PronType=Art|original_id=7	9	det	_	_
12	Balzac	Balzac	PROPN	SP	original_id=6	13	obj	_	_
13	declare	declared	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=5	0	root	_	_

French novelist Émile Zola declare Balzac the father of the naturalist novel .

French novelist Émile Zola declared Balzac the father of the naturalist novel.


Input:
1	,	,	PUNCT	FF	lin=+1|original_id=14	27	punct	_	_
2	of	of	ADP	E	original_id=26	29	case	_	_
3	the	the	DET	RD	Definite=Def|PronType=Art|original_id=24	9	det	_	_
4	clear	clear	ADJ	A	Degree=Pos|original_id=20	34	amod	_	_
5	colored	colored	ADJ	A	Degree=Pos|original_id=12	26	amod	_	_
6	.	.	PUNCT	FS	lin=+1|original_id=35	8	punct	_	_
7	Zola	Zola	PROPN	SP	original_id=1	8	nsubj	_	_
8	indicate	indicated	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
9	sort	sort	NOUN	S	Number=Sing|original_id=25	31	obl	_	_
10	precisely	precisely	ADV	B	original_id=23	9	advmod	_	_
11	romantic	Romantics	NOUN	S	Number=Plur|original_id=6	27	nsubj	_	_
12	that	that	SCONJ	CS	original_id=3	31	mark	_	_
13	attempt	attempted	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=29	29	acl:relcl	_	_
14	naturalist	naturalist	NOUN	S	Number=Sing|original_id=16	31	nsubj	_	_
15	the	the	DET	RD	Definite=Def|PronType=Art|original_id=8	16	det	_	_
16	world	world	NOUN	S	Number=Sing|original_id=9	27	obj	_	_
17	achieve	achieve	VERB	V	VerbForm=Inf|original_id=31	13	xcomp	_	_
18	in	in	ADP	E	original_id=32	35	case	_	_
19	through	through	ADP	E	original_id=18	34	case	_	_
20	the	the	DET	RD	Definite=Def|PronType=Art|original_id=15	14	det	_	_
21	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=11	26	det	_	_
22	-	-	PUNCT	FF	lin=+1|original_id=22	31	punct	_	_
23	to	to	PART	PART	original_id=30	17	mark	_	_
24	whereas	whereas	SCONJ	CS	original_id=5	27	mark	_	_
25	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=19	34	det	_	_
26	lens	lens	NOUN	S	Number=Sing|original_id=13	27	obl	_	_
27	see	saw	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=7	31	advcl	_	_
28	through	through	ADP	E	original_id=10	26	case	_	_
29	effect	effect	NOUN	S	Number=Sing|original_id=27	9	nmod	_	_
30	Balzac	Balzac	PROPN	SP	original_id=28	13	nsubj	_	_
31	see	sees	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=17	8	ccomp	_	_
32	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=33	35	nmod:poss	_	_
33	,	,	PUNCT	FF	lin=-1|original_id=4	31	punct	_	_
34	glass	glass	NOUN	S	Number=Sing|original_id=21	31	obl	_	_
35	work	works	NOUN	S	Number=Plur|original_id=34	17	obl	_	_

Zola indicate that , whereas romantic see the world through a colored lens , the naturalist see through a clear glass - precisely the sort of effect Balzac attempt to achieve in his work .

Zola indicated that, whereas Romantics saw the world through a colored lens, the naturalist sees through a clear glass - precisely the sort of effect Balzac attempted to achieve in his works.


Input:
1	seem	seems	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=27	16	acl:relcl	_	_
2	their	their	DET	AP	Poss=Yes|PronType=Prs|original_id=37	26	nmod:poss	_	_
3	arrive	arrive	VERB	V	VerbForm=Inf|original_id=3	24	advcl	_	_
4	,	,	PUNCT	FF	lin=+2|original_id=8	3	punct	_	_
5	give	giving	VERB	V	VerbForm=Ger|original_id=30	17	advcl	_	_
6	writer	writers	NOUN	S	Number=Plur|original_id=22	24	nsubj	_	_
7	literary	literary	ADJ	A	Degree=Pos|original_id=25	16	amod	_	_
8	of	of	ADP	E	original_id=34	34	case	_	_
9	lys	Lys	NOUN	S	Gender=Masc|Number=Sing|original_id=16	37	nmod	_	_
10	"	"	PUNCT	FB	lin=-1|original_id=21	24	punct	_	_
11	dans	dans	ADP	E	original_id=17	39	case	_	_
12	whatever	whatever	DET	DI	PronType=Ind|original_id=24	16	det	_	_
13	greatest	greatest	ADJ	A	Degree=Sup|original_id=32	25	amod	_	_
14	"	"	PUNCT	FB	lin=+1|original_id=7	3	punct	_	_
15	le	Le	DET	RD	Definite=Def|Number=Sing|PronType=Art|original_id=15	9	det	_	_
16	device	device	NOUN	S	Number=Sing|original_id=26	24	obj	_	_
17	capable	capable	ADJ	A	Degree=Pos|original_id=28	1	xcomp	_	_
18	in	in	ADP	E	original_id=11	37	case	_	_
19	the	the	DET	RD	Definite=Def|PronType=Art|original_id=12	37	det	_	_
20	the	the	DET	RD	Definite=Def|PronType=Art|original_id=5	22	det	_	_
21	la	La	DET	RD	Definite=Def|Gender=Fem|Number=Sing|PronType=Art|original_id=18	39	det	_	_
22	truth	truth	NOUN	S	Number=Sing|original_id=6	3	obl	_	_
23	.	.	PUNCT	FS	lin=+1|original_id=39	24	punct	_	_
24	use	use	VERB	V	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=23	0	root	_	_
25	intensity	intensity	NOUN	S	Number=Sing|original_id=33	5	obj	_	_
26	character	characters	NOUN	S	Number=Plur|original_id=38	5	obl	_	_
27	to	to	ADP	E	original_id=36	26	case	_	_
28	the	the	DET	RD	Definite=Def|PronType=Art|original_id=31	25	det	_	_
29	to	To	ADP	E	original_id=2	3	mark	_	_
30	"	"	PUNCT	FB	lin=-1|original_id=1	3	punct	_	_
31	,	,	PUNCT	FF	lin=+1|original_id=20	32	punct	_	_
32	write	wrote	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=10	24	parataxis	_	_
33	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=9	32	nsubj	_	_
34	life	life	NOUN	S	Number=Sing|original_id=35	25	nmod	_	_
35	at	at	ADP	E	original_id=4	22	case	_	_
36	of	of	ADP	E	original_id=29	5	mark	_	_
37	preface	preface	NOUN	S	Number=Sing|original_id=13	32	obl	_	_
38	to	to	ADP	E	original_id=14	9	case	_	_
39	vallée	Vallée	NOUN	S	Gender=Fem|Number=Sing|original_id=19	9	nmod	_	_

" to arrive at the truth " , he write in the preface to le lys dans la vallée , " writer use whatever literary device seem capable of give the greatest intensity of life to their character .

"To arrive at the truth", he wrote in the preface to Le Lys dans La Vallée, "writers use whatever literary device seems capable of giving the greatest intensity of life to their characters.


Input:
1	he	him	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=16	18	obl	_	_
2	"	"	PUNCT	FB	lin=-1|original_id=11	18	punct	_	_
3	to	to	ADP	E	original_id=15	1	case	_	_
4	Balzac	Balzac	PROPN	SP	original_id=3	26	nmod	_	_
5	note	notes	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=9	18	parataxis	_	_
6	if	if	SCONJ	CS	original_id=18	22	mark	_	_
7	"	"	PUNCT	FB	lin=-2|original_id=1	26	punct	_	_
8	's	's	PART	PART	original_id=4	4	case	_	_
9	as	as	ADV	B	original_id=13	18	advmod	_	_
10	Robb	Robb	PROPN	SP	original_id=8	5	nsubj	_	_
11	the	the	DET	RD	Definite=Def|PronType=Art|original_id=24	23	det	_	_
12	,	,	PUNCT	FF	lin=+2|original_id=7	26	punct	_	_
13	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=19	22	nsubj	_	_
14	they	them	PRON	PE	Number=Plur|Person=3|PronType=Prs|original_id=22	22	obj	_	_
15	be	were	AUX	V	Mood=Ind|Number=Plur|Tense=Past|VerbForm=Fin|original_id=12	18	cop	_	_
16	outside	outside	ADJ	A	Degree=Pos|original_id=25	23	amod	_	_
17	in	in	ADP	E	original_id=23	23	case	_	_
18	real	real	ADJ	A	Degree=Pos|original_id=14	0	root	_	_
19	as	as	ADP	E	original_id=17	6	case	_	_
20	be	were	AUX	VA	Mood=Ind|Number=Sing|Person=2|Tense=Past|VerbForm=Fin|original_id=20	22	aux	_	_
21	"	"	PUNCT	FB	lin=+1|original_id=6	26	punct	_	_
22	observing	observing	VERB	V	VerbForm=Ger|original_id=21	18	advcl	_	_
23	world	world	NOUN	S	Number=Sing|original_id=26	22	obl	_	_
24	,	,	PUNCT	FF	lin=+1|original_id=10	5	punct	_	_
25	"	"	PUNCT	FB	lin=-1|original_id=2	26	punct	_	_
26	character	characters	NOUN	S	Number=Plur|original_id=5	18	nsubj	_	_
27	.	.	PUNCT	FS	lin=+1|original_id=27	18	punct	_	_

" " Balzac 's character " , Robb note , " be as real to he as if he be observing they in the outside world .

""Balzac's characters", Robb notes, "were as real to him as if he were observing them in the outside world.


Input:
1	by	by	ADP	E	original_id=6	7	case	_	_
2	Oscar	Oscar	PROPN	SP	original_id=8	7	nmod	_	_
3	reality	reality	NOUN	S	Number=Sing|original_id=3	8	nsubj:pass	_	_
4	be	was	AUX	VA	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=4	8	aux:pass	_	_
5	"	"	PUNCT	FB	lin=-1|original_id=1	8	punct	_	_
6	Wilde	Wilde	PROPN	SP	lin=+1|original_id=9	2	flat	_	_
7	playwright	playwright	NOUN	S	Number=Sing|original_id=7	8	obl	_	_
8	note	noted	VERB	V	Tense=Past|VerbForm=Part|original_id=5	0	root	_	_
9	say	said	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=12	2	acl:relcl	_	_
10	,	,	PUNCT	FF	lin=+2|original_id=10	2	punct	_	_
11	who	who	PRON	PR	PronType=Rel|original_id=11	9	nsubj	_	_
12	this	This	DET	DD	Number=Sing|PronType=Dem|original_id=2	3	det	_	_
13	:	:	PUNCT	FC	lin=+1|original_id=13	8	punct	_	_

" this reality be note by playwright Oscar Wilde , who say :

"This reality was noted by playwright Oscar Wilde, who said:


Input:
1	laugh	laugh	VERB	V	Mood=Ind|Person=3|Tense=Pres|VerbForm=Fin|original_id=6	5	advcl	_	_
2	I	I	PRON	PE	Number=Sing|Person=1|PronType=Prs|original_id=1	5	nsubj	_	_
3	.	.	PUNCT	FS	lin=+1|original_id=7	5	punct	_	_
4	it	it	PRON	PE	Number=Sing|Person=3|PronType=Prs|original_id=3	5	obj	_	_
5	remember	remember	VERB	V	Mood=Ind|Number=Sing|Person=1|Tense=Pres|VerbForm=Fin|original_id=2	0	root	_	_
6	when	when	SCONJ	CS	original_id=4	1	mark	_	_
7	I	I	PRON	PE	Number=Sing|Person=1|PronType=Prs|original_id=5	1	nsubj	_	_


Input:
1	Balzac	Balzac	PROPN	SP	original_id=14	4	nmod	_	_
2	critic	critic	NOUN	S	Number=Sing|original_id=2	8	nsubj	_	_
3	to	to	ADP	E	original_id=13	4	case	_	_
4	world	world	NOUN	S	Number=Sing|original_id=16	7	obl	_	_
5	.	.	PUNCT	FS	lin=+1|original_id=17	8	punct	_	_
6	circumference	circumference	NOUN	S	Number=Sing|original_id=12	10	conj	_	_
7	be	is	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=7	8	ccomp	_	_
8	explain	explained	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=3	0	root	_	_
9	and	and	CCONJ	CC	original_id=10	6	cc	_	_
10	center	center	NOUN	S	Number=Sing|original_id=9	7	nsubj	_	_
11	one	One	NUM	N	NumType=Card|original_id=1	2	nummod	_	_
12	that	that	SCONJ	CS	original_id=4	7	mark	_	_
13	"	"	PUNCT	FB	lin=-1|original_id=5	7	punct	_	_
14	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=11	6	det	_	_
15	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=8	10	det	_	_
16	's	's	PART	PART	original_id=15	1	case	_	_
17	there	there	ADV	B	original_id=6	7	expl	_	_

one critic explain that " there be a center and a circumference to Balzac 's world .

One critic explained that "there is a center and a circumference to Balzac's world.


Input:
1	book	books	NOUN	S	Number=Plur|original_id=17	19	obl	_	_
2	Comédie	Comédie	PROPN	SP	original_id=15	1	nmod	_	_
3	use	use	NOUN	S	Number=Sing|original_id=4	10	nsubj	_	_
4	representation	representation	NOUN	S	Number=Sing|original_id=22	10	obj	_	_
5	and	and	CCONJ	CC	original_id=11	22	cc	_	_
6	's	's	PART	PART	original_id=16	2	case	_	_
7	realist	realist	NOUN	S	Number=Sing|original_id=21	4	nmod	_	_
8	"	"	PUNCT	FB	lin=-1|original_id=1	10	punct	_	_
9	,	,	PUNCT	FF	lin=+1|original_id=8	12	punct	_	_
10	strengthen	strengthens	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=19	0	root	_	_
11	repeating	repeating	NOUN	S	Number=Sing|original_id=6	12	nmod	_	_
12	character	characters	NOUN	S	Number=Plur|original_id=7	3	nmod	_	_
13	,	,	PUNCT	FF	lin=+1|original_id=18	3	punct	_	_
14	.	.	PUNCT	FS	lin=+1|original_id=23	10	punct	_	_
15	the	the	DET	RD	Definite=Def|PronType=Art|original_id=20	4	det	_	_
16	's	's	PART	PART	original_id=3	23	case	_	_
17	the	the	DET	RD	Definite=Def|PronType=Art|original_id=14	2	det	_	_
18	of	of	ADP	E	original_id=5	12	case	_	_
19	move	moving	VERB	V	Number=Sing|Tense=Pres|VerbForm=Part|original_id=9	12	acl	_	_
20	of	of	ADP	E	lin=+2|original_id=13	21	fixed	_	_
21	in	in	ADP	E	original_id=10	1	case	_	_
22	out	out	ADP	E	lin=+1|original_id=12	21	conj	_	_
23	Balzac	Balzac	PROPN	SP	original_id=2	3	nmod	_	_

" Balzac 's use of repeating character , move in and out of the Comédie 's book , strengthen the realist representation .

"Balzac's use of repeating characters, moving in and out of the Comédie's books, strengthens the realist representation.


Input:
1	reappear	reappear	VERB	V	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=5	19	advcl	_	_
2	they	they	PRON	PE	Number=Plur|Person=3|PronType=Prs|original_id=12	19	nsubj	_	_
3	,	,	PUNCT	FF	lin=+2|original_id=7	1	punct	_	_
4	"	"	PUNCT	FB	lin=-1|original_id=11	19	punct	_	_
5	"	"	PUNCT	FB	lin=-1|original_id=1	1	punct	_	_
6	note	notes	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=8	19	advcl	_	_
7	character	characters	NOUN	S	Number=Plur|original_id=4	1	nsubj	_	_
8	not	not	PART	PART	Polarity=Neg|original_id=14	19	advmod	_	_
9	of	of	ADP	E	lin=+1|original_id=17	11	fixed	_	_
10	nowhere	nowhere	ADV	B	original_id=18	19	advmod	_	_
11	out	out	ADP	E	original_id=16	10	case	_	_
12	;	;	PUNCT	FC	lin=+1|original_id=19	19	punct	_	_
13	the	the	DET	RD	Definite=Def|PronType=Art|original_id=3	7	det	_	_
14	"	"	PUNCT	FB	lin=+1|original_id=6	1	punct	_	_
15	Rogers	Rogers	PROPN	SP	original_id=9	6	nsubj	_	_
16	,	,	PUNCT	FF	lin=+1|original_id=10	6	punct	_	_
17	when	When	SCONJ	CS	original_id=2	1	mark	_	_
18	do	do	AUX	VM	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=13	19	aux	_	_
19	step	step	VERB	V	VerbForm=Inf|original_id=15	0	root	_	_

" when the character reappear " , note Rogers , " they do not step out of nowhere ;

"When the characters reappear", notes Rogers, "they do not step out of nowhere;


Input:
1	to	to	PART	PART	original_id=21	20	mark	_	_
2	we	we	PRON	PE	Number=Plur|Person=1|PronType=Prs|original_id=16	23	nsubj:pass	_	_
3	,	,	PUNCT	FF	lin=+1|original_id=11	5	punct	_	_
4	of	of	ADP	E	original_id=6	5	case	_	_
5	life	lives	NOUN	S	Number=Plur|original_id=9	21	nmod	_	_
6	,	,	PUNCT	FF	lin=+1|original_id=15	18	punct	_	_
7	emerge	emerge	VERB	V	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=2	0	root	_	_
8	for	for	ADP	E	original_id=12	18	case	_	_
9	.	.	PUNCT	FS	lin=+1|original_id=23	7	punct	_	_
10	which	which	PRON	PR	PronType=Rel|original_id=10	5	obj	_	_
11	the	the	DET	RD	Definite=Def|PronType=Art|original_id=4	21	det	_	_
12	own	own	ADJ	A	Degree=Pos|original_id=8	5	amod	_	_
13	they	they	PRON	PE	Number=Plur|Person=3|PronType=Prs|original_id=1	7	nsubj	_	_
14	have	have	AUX	VA	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=17	23	aux	_	_
15	their	their	DET	AP	Poss=Yes|PronType=Prs|original_id=7	5	nmod:poss	_	_
16	from	from	ADP	E	original_id=3	21	case	_	_
17	be	been	AUX	VA	Tense=Past|VerbForm=Part|original_id=19	23	aux:pass	_	_
18	interval	interval	NOUN	S	Number=Sing|original_id=14	23	obl	_	_
19	not	not	PART	PART	Polarity=Neg|original_id=18	23	advmod	_	_
20	see	see	VERB	V	VerbForm=Inf|original_id=22	23	ccomp	_	_
21	privacy	privacy	NOUN	S	Number=Sing|original_id=5	7	obl	_	_
22	a	an	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=13	18	det	_	_
23	allow	allowed	VERB	V	Tense=Past|VerbForm=Part|original_id=20	5	acl:relcl	_	_

they emerge from the privacy of their own life which , for a interval , we have not be allow to see .

they emerge from the privacy of their own lives which, for an interval, we have not been allowed to see.


Input:
1	past	past	NOUN	S	Number=Sing|original_id=24	20	nsubj:pass	_	_
2	name	named	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=14	16	acl:relcl	_	_
3	later	later	ADV	B	Degree=Cmp|original_id=13	2	advmod	_	_
4	which	which	PRON	PR	PronType=Rel|original_id=8	2	obj	_	_
5	appear	appears	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=33	20	advcl	_	_
6	Marcel	Marcel	PROPN	SP	original_id=11	17	nmod	_	_
7	use	used	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	0	root	_	_
8	"	"	PUNCT	FB	lin=-1|original_id=15	15	punct	_	_
9	whereby	whereby	PRON	PR	PronType=Rel|original_id=20	20	obl	_	_
10	"	"	PUNCT	FB	lin=+1|original_id=18	16	punct	_	_
11	's	's	PART	PART	original_id=23	32	case	_	_
12	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=31	19	conj	_	_
13	French	French	ADJ	A	Degree=Pos|original_id=9	17	amod	_	_
14	realist	realist	NOUN	S	Number=Sing|original_id=6	16	nmod	_	_
15	illumination	illumination	NOUN	S	Number=Sing|original_id=17	2	obl	_	_
16	technique	technique	NOUN	S	Number=Sing|original_id=7	7	obj	_	_
17	novelist	novelist	NOUN	S	Number=Sing|original_id=10	2	nsubj	_	_
18	or	or	CCONJ	CC	original_id=30	12	cc	_	_
19	she	she	PRON	PE	Gender=Fem|Number=Sing|Person=3|PronType=Prs|original_id=29	5	nsubj	_	_
20	reveal	revealed	VERB	V	Tense=Past|VerbForm=Part|original_id=26	16	acl:relcl	_	_
21	also	also	ADV	B	original_id=3	7	advmod	_	_
22	Proust	Proust	PROPN	SP	lin=+1|original_id=12	6	flat	_	_
23	be	is	AUX	VA	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=25	20	aux:pass	_	_
24	,	,	PUNCT	FF	lin=+2|original_id=19	16	punct	_	_
25	He	He	PROPN	SP	original_id=2	7	nsubj	_	_
26	after	after	ADP	E	original_id=28	5	mark	_	_
27	.	.	PUNCT	FS	lin=+1|original_id=34	7	punct	_	_
28	"	"	PUNCT	FB	lin=-1|original_id=1	7	punct	_	_
29	retrospective	retrospective	ADJ	A	Degree=Pos|original_id=16	15	amod	_	_
30	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=5	16	det	_	_
31	long	long	ADV	B	original_id=27	5	advmod	_	_
32	character	character	NOUN	S	Number=Sing|original_id=22	1	nmod	_	_
33	first	first	ADJ	NO	Degree=Pos|NumType=Ord|original_id=32	5	amod	_	_
34	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=21	32	det	_	_

" He also use a realist technique which French novelist Marcel Proust later name " retrospective illumination " , whereby a character 's past be reveal long after she or he first appear .

"He also used a realist technique which French novelist Marcel Proust later named "retrospective illumination", whereby a character's past is revealed long after she or he first appears.


Input:
1	the	the	DET	RD	Definite=Def|PronType=Art|original_id=8	5	det	_	_
2	.	.	PUNCT	FS	lin=+1|original_id=14	8	punct	_	_
3	nearly	nearly	ADV	B	original_id=2	14	advmod	_	_
4	a	A	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=1	11	det	_	_
5	character	characters	NOUN	S	Number=Plur|original_id=9	8	obj	_	_
6	of	of	ADP	E	original_id=5	10	case	_	_
7	Balzac	Balzac	PROPN	SP	original_id=11	12	nmod	_	_
8	propel	propels	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=7	0	root	_	_
9	in	in	ADP	E	original_id=10	12	case	_	_
10	energy	energy	NOUN	S	Number=Sing|original_id=6	11	nmod	_	_
11	reserve	reserve	NOUN	S	Number=Sing|original_id=4	8	nsubj	_	_
12	novel	novels	NOUN	S	Number=Plur|original_id=13	5	nmod	_	_
13	's	's	PART	PART	original_id=12	7	case	_	_
14	infinite	infinite	ADJ	A	Degree=Pos|original_id=3	11	amod	_	_

a nearly infinite reserve of energy propel the character in Balzac 's novel .

A nearly infinite reserve of energy propels the characters in Balzac's novels.


Input:
1	nature	nature	NOUN	S	Number=Sing|original_id=7	19	nmod	_	_
2	they	they	PRON	PE	Number=Plur|Person=3|PronType=Prs|original_id=24	17	nsubj	_	_
3	may	may	AUX	VM	Mood=Ind|Person=3|Tense=Pres|VerbForm=Fin|original_id=12	4	aux	_	_
4	lose	lose	VERB	V	VerbForm=Inf|original_id=13	0	root	_	_
5	rarely	rarely	ADV	B	original_id=22	17	advmod	_	_
6	against	against	ADP	E	original_id=2	19	case	_	_
7	society	society	NOUN	S	Number=Sing|original_id=9	1	conj	_	_
8	up	up	ADP	E	lin=+1|original_id=26	17	compound:prt	_	_
9	-	-	PUNCT	FF	lin=+1|original_id=19	4	punct	_	_
10	only	only	ADV	B	original_id=21	5	advmod	_	_
11	struggle	Struggling	VERB	V	VerbForm=Ger|original_id=1	4	advcl	_	_
12	human	human	ADJ	A	Degree=Pos|original_id=6	1	amod	_	_
13	do	do	AUX	VM	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=23	17	aux	_	_
14	they	they	PRON	PE	Number=Plur|Person=3|PronType=Prs|original_id=11	3	nsubj	_	_
15	than	than	ADP	E	original_id=16	20	mark	_	_
16	and	and	CCONJ	CC	original_id=8	7	cc	_	_
17	give	give	VERB	V	lin=+2|VerbForm=Inf|original_id=25	4	conj	_	_
18	the	the	DET	RD	Definite=Def|PronType=Art|original_id=3	19	det	_	_
19	current	currents	NOUN	S	Number=Plur|original_id=4	11	obl	_	_
20	win	win	VERB	V	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=18	27	advcl	_	_
21	more	more	ADV	B	Degree=Cmp|original_id=14	27	advmod	_	_
22	,	,	PUNCT	FF	lin=+1|original_id=10	11	punct	_	_
23	.	.	PUNCT	FS	lin=+3|original_id=27	4	punct	_	_
24	they	they	PRON	PE	Number=Plur|Person=3|PronType=Prs|original_id=17	20	nsubj	_	_
25	of	of	ADP	E	original_id=5	1	case	_	_
26	but	but	CCONJ	CC	original_id=20	17	cc	_	_
27	often	often	ADV	B	original_id=15	4	advmod	_	_

struggle against the current of human nature and society , they may lose more often than they win - but only rarely do they give up .

Struggling against the currents of human nature and society, they may lose more often than they win - but only rarely do they give up.


Input:
1	company	company	NOUN	S	Number=Sing|original_id=32	17	obl	_	_
2	Peau	Peau	X	SW	lin=+1|Foreign=Yes|original_id=22	14	flat:foreign	_	_
3	Balzac	Balzac	PROPN	SP	original_id=1	27	nsubj	_	_
4	of	of	ADP	E	original_id=33	25	case	_	_
5	the	the	DET	RD	Definite=Def|PronType=Art|original_id=31	1	det	_	_
6	between	between	ADP	E	original_id=12	29	case	_	_
7	in	in	ADP	E	original_id=20	14	case	_	_
8	Raphaël	Raphaël	PROPN	SP	original_id=16	18	nmod	_	_
9	Chagrin	Chagrin	X	SW	lin=+3|Foreign=Yes|original_id=24	14	flat:foreign	_	_
10	force	force	NOUN	S	Number=Sing|original_id=10	27	obl	_	_
11	"	"	PUNCT	FB	lin=-1|original_id=6	10	punct	_	_
12	"	"	PUNCT	FB	lin=+1|original_id=11	10	punct	_	_
13	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=5	10	det	_	_
14	La	La	X	SW	Foreign=Yes|original_id=21	18	nmod	_	_
15	Valentin	Valentin	PROPN	SP	lin=+1|original_id=17	8	flat	_	_
16	other	other	ADJ	A	Degree=Pos|original_id=34	25	amod	_	_
17	withdraw	withdrawing	VERB	V	VerbForm=Ger|original_id=29	21	acl	_	_
18	decline	decline	NOUN	S	Number=Sing|original_id=19	20	nsubj	_	_
19	often	often	ADV	B	original_id=3	27	advmod	_	_
20	exemplify	exemplifies	VERB	V	lin=+1|Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=25	27	conj	_	_
21	danger	danger	NOUN	S	Number=Sing|original_id=27	20	obj	_	_
22	from	from	ADP	E	original_id=30	1	case	_	_
23	the	the	DET	RD	Definite=Def|PronType=Art|original_id=26	21	det	_	_
24	of	of	ADP	E	original_id=28	17	mark	_	_
25	people	people	NOUN	S	Number=Plur|original_id=35	1	nmod	_	_
26	of	of	ADP	E	original_id=4	10	case	_	_
27	speak	spoke	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
28	fluid	fluid	ADJ	A	Degree=Pos|original_id=9	34	conj	_	_
29	individual	individuals	NOUN	S	Number=Plur|original_id=13	10	nmod	_	_
30	's	's	PART	PART	original_id=18	8	case	_	_
31	and	and	CCONJ	CC	original_id=15	20	cc	_	_
32	and	and	CCONJ	CC	original_id=8	28	cc	_	_
33	De	De	X	SW	lin=+2|Foreign=Yes|original_id=23	14	flat:foreign	_	_
34	nervous	nervous	ADJ	A	Degree=Pos|original_id=7	10	amod	_	_
35	,	,	PUNCT	FF	lin=-1|original_id=14	20	punct	_	_
36	.	.	PUNCT	FS	lin=+2|original_id=36	27	punct	_	_

Balzac speak often of a " nervous and fluid force " between individual , and Raphaël Valentin 's decline in La Peau De Chagrin exemplify the danger of withdraw from the company of other people .

Balzac spoke often of a "nervous and fluid force" between individuals, and Raphaël Valentin's decline in La Peau De Chagrin exemplifies the danger of withdrawing from the company of other people.


Input:
1	twenty	twenty	NUM	N	NumType=Card|original_id=10	8	conj	_	_
2	.	.	PUNCT	FS	lin=+1|original_id=12	4	punct	_	_
3	intricate	Intricate	ADJ	A	Degree=Pos|original_id=1	9	amod	_	_
4	stretch	stretch	VERB	V	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=6	0	root	_	_
5	location	locations	NOUN	S	Number=Plur|original_id=4	9	nmod	_	_
6	page	pages	NOUN	S	Number=Plur|original_id=11	4	obl	_	_
7	sometimes	sometimes	ADV	B	original_id=5	4	advmod	_	_
8	fifteen	fifteen	NUM	N	NumType=Card|original_id=8	6	nummod	_	_
9	detail	details	NOUN	S	Number=Plur|original_id=2	4	nsubj	_	_
10	for	for	ADP	E	original_id=7	6	case	_	_
11	about	about	ADP	E	original_id=3	5	case	_	_
12	or	or	CCONJ	CC	original_id=9	1	cc	_	_

intricate detail about location sometimes stretch for fifteen or twenty page .

Intricate details about locations sometimes stretch for fifteen or twenty pages.


Input:
1	of	of	ADP	E	original_id=3	6	case	_	_
2	influence	influence	NOUN	S	Number=Sing|original_id=2	5	nsubj	_	_
3	the	The	DET	RD	Definite=Def|PronType=Art|original_id=1	2	det	_	_
4	.	.	PUNCT	FS	lin=+1|original_id=8	5	punct	_	_
5	permeate	permeates	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=5	0	root	_	_
6	Paris	Paris	PROPN	SP	original_id=4	2	nmod	_	_
7	La	La	X	SW	Foreign=Yes|original_id=6	5	obj	_	_
8	Comédie	Comédie	X	SW	lin=+1|Foreign=Yes|original_id=7	7	flat:foreign	_	_

the influence of Paris permeate La Comédie .

The influence of Paris permeates La Comédie.


Input:
1	labyrinthine	labyrinthine	ADJ	A	Degree=Pos|original_id=3	13	amod	_	_
2	by	by	ADP	E	original_id=11	14	case	_	_
3	and	and	CCONJ	CC	original_id=16	20	cc	_	_
4	later	later	ADV	B	Degree=Cmp|original_id=10	17	advmod	_	_
5	Fyodor	Fyodor	PROPN	SP	original_id=19	20	nmod	_	_
6	Charles	Charles	PROPN	SP	original_id=14	14	nmod	_	_
7	model	model	NOUN	S	Number=Sing|original_id=8	21	obj	_	_
8	.	.	PUNCT	FS	lin=+1|original_id=21	21	punct	_	_
9	Dostoevsky	Dostoevsky	PROPN	SP	lin=+1|original_id=20	5	flat	_	_
10	his	His	DET	AP	Poss=Yes|PronType=Prs|original_id=2	13	nmod:poss	_	_
11	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=6	7	det	_	_
12	literary	literary	ADJ	A	Degree=Pos|original_id=7	7	amod	_	_
13	city	city	NOUN	S	Number=Sing|original_id=4	21	nsubj	_	_
14	novelist	novelist	NOUN	S	Number=Sing|original_id=13	17	obl	_	_
15	English	English	ADJ	A	Degree=Pos|original_id=12	14	amod	_	_
16	"	"	PUNCT	FB	lin=-1|original_id=1	21	punct	_	_
17	use	used	VERB	V	Tense=Past|VerbForm=Part|original_id=9	7	acl	_	_
18	Dickens	Dickens	PROPN	SP	lin=+1|original_id=15	6	flat	_	_
19	Russian	Russian	ADJ	A	Degree=Pos|original_id=17	20	amod	_	_
20	author	author	NOUN	S	Number=Sing|original_id=18	14	conj	_	_
21	provide	provided	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=5	0	root	_	_

" his labyrinthine city provide a literary model use later by English novelist Charles Dickens and Russian author Fyodor Dostoevsky .

"His labyrinthine city provided a literary model used later by English novelist Charles Dickens and Russian author Fyodor Dostoevsky.


Input:
1	Balzac	Balzac	PROPN	SP	original_id=12	3	nmod	_	_
2	the	The	DET	RD	Definite=Def|PronType=Art|original_id=1	7	det	_	_
3	legacy	legacy	NOUN	S	Number=Sing|original_id=14	11	nmod	_	_
4	.	.	PUNCT	FS	lin=+1|original_id=18	11	punct	_	_
5	of	of	ADP	E	original_id=3	9	case	_	_
6	Humaine	Humaine	X	SW	lin=+2|Foreign=Yes|original_id=8	8	flat:foreign	_	_
7	centrality	centrality	NOUN	S	Number=Sing|original_id=2	11	nsubj	_	_
8	La	La	X	SW	Foreign=Yes|original_id=6	7	nmod	_	_
9	Paris	Paris	PROPN	SP	original_id=4	7	nmod	_	_
10	to	to	ADP	E	original_id=11	3	case	_	_
11	key	key	NOUN	S	Number=Sing|original_id=10	0	root	_	_
12	be	is	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=9	11	cop	_	_
13	realist	realist	NOUN	S	Number=Sing|original_id=17	3	nmod	_	_
14	Comédie	Comédie	X	SW	lin=+1|Foreign=Yes|original_id=7	8	flat:foreign	_	_
15	's	's	PART	PART	original_id=13	1	case	_	_
16	as	as	ADP	E	original_id=15	13	case	_	_
17	in	in	ADP	E	original_id=5	8	case	_	_
18	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=16	13	det	_	_

the centrality of Paris in La Comédie Humaine be key to Balzac 's legacy as a realist .

The centrality of Paris in La Comédie Humaine is key to Balzac's legacy as a realist.


Input:
1	not	not	PART	PART	Polarity=Neg|original_id=6	3	advmod	_	_
2	Realism	Realism	PROPN	SP	original_id=2	4	nsubj	_	_
3	urban	urban	ADJ	A	Degree=Pos|original_id=7	4	advcl	_	_
4	nothing	nothing	NOUN	S	Number=Sing|original_id=4	0	root	_	_
5	Peter	Peter	PROPN	SP	original_id=12	8	nmod	_	_
6	note	notes	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=10	4	parataxis	_	_
7	Brooks	Brooks	PROPN	SP	lin=+1|original_id=13	5	flat	_	_
8	critic	critic	NOUN	S	Number=Sing|original_id=11	6	nsubj	_	_
9	"	"	PUNCT	FB	lin=-1|original_id=1	4	punct	_	_
10	;	;	PUNCT	FC	lin=+3|original_id=14	4	punct	_	_
11	,	,	PUNCT	FF	lin=+2|original_id=9	4	punct	_	_
12	be	is	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=3	4	cop	_	_
13	if	if	SCONJ	CS	original_id=5	3	mark	_	_
14	"	"	PUNCT	FB	lin=+1|original_id=8	4	punct	_	_

" Realism be nothing if not urban " , note critic Peter Brooks ;

"Realism is nothing if not urban", notes critic Peter Brooks;


Input:
1	be	is	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=15	28	cop	_	_
2	Illusions	Illusions	X	SW	Foreign=Yes|original_id=32	7	nmod	_	_
3	young	young	ADJ	A	Degree=Pos|original_id=5	9	amod	_	_
4	novel	novel	NOUN	S	Number=Sing|original_id=20	28	obl	_	_
5	in	in	ADP	E	original_id=17	4	case	_	_
6	repeatedly	repeatedly	ADV	B	original_id=24	14	advmod	_	_
7	work	works	NOUN	S	Number=Plur|original_id=28	14	obl	_	_
8	come	coming	VERB	V	Number=Sing|Tense=Pres|VerbForm=Part|original_id=7	9	acl	_	_
9	man	man	NOUN	S	Gender=Masc|Number=Sing|original_id=6	26	nmod	_	_
10	fortune	fortune	NOUN	S	Number=Sing|original_id=14	17	obj	_	_
11	.	.	PUNCT	FS	lin=+2|original_id=34	28	punct	_	_
12	realist	realist	NOUN	S	Number=Sing|original_id=19	4	nmod	_	_
13	's	's	PART	PART	original_id=27	18	case	_	_
14	appear	appears	VERB	V	lin=+1|Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=23	28	conj	_	_
15	such	such	ADJ	A	Degree=Pos|original_id=30	2	amod	_	_
16	as	as	ADP	E	lin=+1|original_id=31	15	fixed	_	_
17	find	find	VERB	V	VerbForm=Inf|original_id=12	8	advcl	_	_
18	Balzac	Balzac	PROPN	SP	original_id=26	7	nmod	_	_
19	,	,	PUNCT	FF	lin=+1|original_id=29	7	punct	_	_
20	of	of	ADP	E	original_id=3	9	case	_	_
21	city	city	NOUN	S	Number=Sing|original_id=10	8	obl	_	_
22	to	to	PART	PART	original_id=11	17	mark	_	_
23	,	,	PUNCT	FF	lin=-1|original_id=21	14	punct	_	_
24	the	the	DET	RD	Definite=Def|PronType=Art|original_id=9	21	det	_	_
25	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=4	9	det	_	_
26	scene	scene	NOUN	S	Number=Sing|original_id=2	28	nsubj	_	_
27	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=13	10	nmod:poss	_	_
28	ubiquitous	ubiquitous	ADJ	A	Degree=Pos|original_id=16	0	root	_	_
29	in	in	ADP	E	original_id=25	7	case	_	_
30	Perdues	Perdues	X	SW	lin=+1|Foreign=Yes|original_id=33	2	flat:foreign	_	_
31	into	into	ADP	E	original_id=8	21	case	_	_
32	and	and	CCONJ	CC	original_id=22	14	cc	_	_
33	the	the	DET	RD	Definite=Def|PronType=Art|original_id=18	4	det	_	_
34	the	the	DET	RD	Definite=Def|PronType=Art|original_id=1	26	det	_	_

the scene of a young man come into the city to find his fortune be ubiquitous in the realist novel , and appear repeatedly in Balzac 's work , such as Illusions Perdues .

the scene of a young man coming into the city to find his fortune is ubiquitous in the realist novel, and appears repeatedly in Balzac's works, such as Illusions Perdues.


Input:
1	time	time	NOUN	S	Number=Sing|original_id=7	24	obl	_	_
2	to	to	ADP	E	original_id=14	21	case	_	_
3	solidarity	solidarity	NOUN	S	Number=Sing|original_id=17	21	nmod	_	_
4	but	but	CCONJ	CC	original_id=21	17	cc	_	_
5	.	.	PUNCT	FS	lin=+1|original_id=24	24	punct	_	_
6	despondency	despondency	NOUN	S	Number=Sing|original_id=11	8	nmod	_	_
7	literary	literary	ADJ	A	Degree=Pos|original_id=3	16	amod	_	_
8	one	one	NUM	N	NumType=Card|original_id=9	24	nummod	_	_
9	and	and	CCONJ	CC	original_id=12	23	cc	_	_
10	courage	courage	NOUN	S	lin=+1|Number=Sing|original_id=19	3	conj	_	_
11	of	of	ADP	E	original_id=16	3	case	_	_
12	of	of	ADP	E	original_id=10	6	case	_	_
13	over	over	ADP	E	original_id=6	1	case	_	_
14	's	's	PART	PART	original_id=2	22	case	_	_
15	and	and	CCONJ	CC	original_id=18	10	cc	_	_
16	mood	mood	NOUN	S	Number=Sing|original_id=4	24	nsubj	_	_
17	optimism	optimism	NOUN	S	lin=+3|Number=Sing|original_id=23	3	conj	_	_
18	-	-	PUNCT	FF	lin=+2|original_id=20	3	punct	_	_
19	from	from	ADP	E	original_id=8	8	case	_	_
20	not	not	PART	PART	Polarity=Neg|original_id=22	17	advmod	_	_
21	one	one	NUM	N	NumType=Card|original_id=15	24	nummod	_	_
22	Balzac	Balzac	PROPN	SP	original_id=1	16	nmod	_	_
23	chagrin	chagrin	NOUN	S	Number=Sing|original_id=13	6	conj	_	_
24	evolve	evolved	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=5	0	root	_	_

Balzac 's literary mood evolve over time from one of despondency and chagrin to one of solidarity and courage - but not optimism .

Balzac's literary mood evolved over time from one of despondency and chagrin to one of solidarity and courage - but not optimism.


Input:
1	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=12	12	det	_	_
2	and	and	CCONJ	CC	original_id=17	13	cc	_	_
3	,	,	PUNCT	FF	lin=+4|original_id=5	5	punct	_	_
4	pessimistic	pessimistic	ADJ	A	Degree=Pos|original_id=13	12	amod	_	_
5	La	La	X	SW	Foreign=Yes|original_id=1	12	nsubj	_	_
6	.	.	PUNCT	FS	lin=+1|original_id=19	12	punct	_	_
7	Chagrin	Chagrin	X	SW	lin=+3|Foreign=Yes|original_id=4	5	flat:foreign	_	_
8	De	De	X	SW	lin=+2|Foreign=Yes|original_id=3	5	flat:foreign	_	_
9	among	among	ADP	E	original_id=6	19	case	_	_
10	of	of	ADP	E	original_id=15	18	case	_	_
11	,	,	PUNCT	FF	lin=+1|original_id=10	19	punct	_	_
12	tale	tale	NOUN	S	Number=Sing|original_id=14	0	root	_	_
13	destruction	destruction	NOUN	S	Number=Sing|original_id=18	18	conj	_	_
14	be	is	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=11	12	cop	_	_
15	earliest	earliest	ADJ	A	Degree=Sup|original_id=8	19	amod	_	_
16	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=7	19	nmod:poss	_	_
17	Peau	Peau	X	SW	lin=+1|Foreign=Yes|original_id=2	5	flat:foreign	_	_
18	confusion	confusion	NOUN	S	Number=Sing|original_id=16	12	nmod	_	_
19	novel	novels	NOUN	S	Number=Plur|original_id=9	12	obl	_	_

La Peau De Chagrin , among his earliest novel , be a pessimistic tale of confusion and destruction .

La Peau De Chagrin, among his earliest novels, is a pessimistic tale of confusion and destruction.


Input:
1	.	.	PUNCT	FS	lin=+2|original_id=28	5	punct	_	_
2	be	are	AUX	VA	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=21	25	aux:pass	_	_
3	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=6	27	nmod:poss	_	_
4	side	side	VERB	V	Mood=Ind|Number=Sing|Person=1|Tense=Pres|VerbForm=Fin|original_id=25	12	advcl	_	_
5	decline	declined	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	0	root	_	_
6	that	those	PRON	PD	Number=Plur|PronType=Dem|original_id=19	16	nmod	_	_
7	but	But	CCONJ	CC	original_id=1	5	cc	_	_
8	reveal	reveal	VERB	V	lin=+1|Mood=Ind|Number=Sing|Person=1|Tense=Pres|VerbForm=Fin|original_id=16	5	conj	_	_
9	society	society	NOUN	S	Number=Sing|original_id=27	25	obl	_	_
10	Perdues	Perdues	X	SW	lin=+1|Foreign=Yes|original_id=15	21	flat:foreign	_	_
11	the	the	DET	RD	Definite=Def|PronType=Art|original_id=2	13	det	_	_
12	one	one	NUM	N	NumType=Card|original_id=24	25	nummod	_	_
13	cynicism	cynicism	NOUN	S	Gender=Fem|Number=Sing|original_id=3	5	nsubj	_	_
14	as	as	SCONJ	CS	original_id=5	22	mark	_	_
15	and	and	CCONJ	CC	original_id=10	8	cc	_	_
16	sympathy	sympathy	NOUN	S	Number=Sing|original_id=17	8	obj	_	_
17	who	who	PRON	PR	PronType=Rel|original_id=20	25	nsubj:pass	_	_
18	by	by	ADP	E	original_id=26	9	case	_	_
19	of	of	ADP	E	original_id=13	21	case	_	_
20	,	,	PUNCT	FF	lin=-1|original_id=9	8	punct	_	_
21	Illusions	Illusions	X	SW	Foreign=Yes|original_id=14	26	nmod	_	_
22	progress	progressed	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=8	5	advcl	_	_
23	for	for	ADP	E	original_id=18	6	case	_	_
24	the	the	DET	RD	Definite=Def|PronType=Art|original_id=11	26	det	_	_
25	push	pushed	VERB	V	Tense=Past|VerbForm=Part|original_id=22	6	acl:relcl	_	_
26	character	characters	NOUN	S	Number=Plur|original_id=12	8	nsubj	_	_
27	oeuvre	oeuvre	NOUN	S	Number=Sing|original_id=7	22	nsubj	_	_
28	to	to	ADP	E	original_id=23	12	case	_	_

but the cynicism decline as his oeuvre progress , and the character of Illusions Perdues reveal sympathy for that who be push to one side by society .

But the cynicism declined as his oeuvre progressed, and the characters of Illusions Perdues reveal sympathy for those who are pushed to one side by society.


Input:
1	he	himself	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=3	15	obj	_	_
2	high	high	ADJ	A	Degree=Pos|original_id=19	11	amod	_	_
3	the	the	DET	RD	Definite=Def|PronType=Art|original_id=6	14	det	_	_
4	Balzac	Balzac	PROPN	SP	original_id=1	15	nsubj	_	_
5	with	with	ADP	E	original_id=5	14	case	_	_
6	of	of	ADP	E	original_id=16	9	case	_	_
7	human	human	ADJ	A	Degree=Pos|original_id=10	8	amod	_	_
8	nature	nature	NOUN	S	Number=Sing|original_id=11	14	nmod	_	_
9	middle	middle	NOUN	S	Number=Sing|original_id=17	17	nmod	_	_
10	corrupt	corrupting	VERB	V	Number=Sing|Tense=Pres|VerbForm=Part|original_id=14	17	acl	_	_
11	society	societies	NOUN	S	Number=Plur|original_id=20	9	conj	_	_
12	of	of	ADP	E	original_id=9	8	case	_	_
13	overwhelmingly	overwhelmingly	ADV	B	original_id=4	15	advmod	_	_
14	essence	essence	NOUN	S	Number=Sing|original_id=8	15	obl	_	_
15	concern	concerned	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
16	.	.	PUNCT	FS	lin=+1|original_id=21	15	punct	_	_
17	influence	influence	NOUN	S	Number=Sing|original_id=15	14	conj	_	_
18	darker	darker	ADJ	A	Degree=Cmp|original_id=7	14	amod	_	_
19	and	and	CCONJ	CC	original_id=12	17	cc	_	_
20	the	the	DET	RD	Definite=Def|PronType=Art|original_id=13	17	det	_	_
21	and	and	CCONJ	CC	original_id=18	11	cc	_	_

Balzac concern he overwhelmingly with the darker essence of human nature and the corrupt influence of middle and high society .

Balzac concerned himself overwhelmingly with the darker essence of human nature and the corrupting influence of middle and high societies.


Input:
1	humanity	humanity	NOUN	S	Number=Sing|original_id=5	4	obj	_	_
2	representative	representative	ADJ	A	Degree=Pos|original_id=9	24	amod	_	_
3	do	do	VERB	V	VerbForm=Inf|original_id=22	16	advcl	_	_
4	observe	observe	VERB	V	VerbForm=Inf|original_id=4	18	xcomp	_	_
5	parisian	Parisian	ADJ	A	Degree=Pos|original_id=19	21	amod	_	_
6	its	its	DET	AP	Number=Sing|Poss=Yes|PronType=Prs|original_id=7	24	nmod:poss	_	_
7	masse	masses	NOUN	S	Gender=Masc|Number=Plur|original_id=17	16	obl	_	_
8	he	He	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=1	18	nsubj	_	_
9	in	in	ADP	E	original_id=6	24	case	_	_
10	among	among	ADP	E	original_id=15	7	case	_	_
11	the	the	DET	RD	Definite=Def|PronType=Art|original_id=16	7	det	_	_
12	to	to	PART	PART	original_id=3	4	mark	_	_
13	most	most	ADV	B	original_id=8	2	advmod	_	_
14	.	.	PUNCT	FS	lin=+2|original_id=24	18	punct	_	_
15	incognito	incognito	ADJ	A	Degree=Pos|original_id=14	16	amod	_	_
16	pass	passing	VERB	V	VerbForm=Ger|original_id=13	18	advcl	_	_
17	of	of	ADP	E	original_id=18	21	case	_	_
18	work	worked	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
19	,	,	PUNCT	FF	lin=+1|original_id=11	18	punct	_	_
20	to	to	PART	PART	original_id=21	3	mark	_	_
21	society	society	NOUN	S	Number=Sing|original_id=20	7	nmod	_	_
22	research	research	NOUN	S	original_id=23	3	obj	_	_
23	frequently	frequently	ADV	B	original_id=12	16	advmod	_	_
24	state	state	NOUN	S	Number=Sing|original_id=10	1	nmod	_	_

he work to observe humanity in its most representative state , frequently pass incognito among the masse of parisian society to do research .

He worked to observe humanity in its most representative state, frequently passing incognito among the masses of Parisian society to do research.


Input:
1	use	used	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
2	,	,	PUNCT	FF	lin=+1|original_id=12	1	punct	_	_
3	around	around	ADP	E	original_id=10	15	case	_	_
4	from	from	ADP	E	original_id=4	5	case	_	_
5	life	life	NOUN	S	Number=Sing|original_id=6	21	nmod	_	_
6	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=5	5	nmod:poss	_	_
7	and	and	CCONJ	CC	original_id=7	14	cc	_	_
8	Louis	Louis	PROPN	SP	lin=+2|original_id=19	17	conj	_	_
9	Lambert	Lambert	PROPN	SP	lin=+1|original_id=20	8	flat	_	_
10	the	the	DET	RD	Definite=Def|PronType=Art|original_id=8	14	det	_	_
11	and	and	CCONJ	CC	original_id=18	8	cc	_	_
12	he	He	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=1	1	nsubj	_	_
13	in	in	ADP	E	original_id=13	19	case	_	_
14	people	people	NOUN	S	lin=+1|Number=Plur|original_id=9	5	conj	_	_
15	he	him	PRON	PE	lin=+2|Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=11	5	conj	_	_
16	Grandet	Grandet	PROPN	SP	lin=+1|original_id=17	17	flat	_	_
17	Eugénie	Eugénie	PROPN	SP	original_id=16	19	nmod	_	_
18	.	.	PUNCT	FS	lin=+2|original_id=21	1	punct	_	_
19	work	works	NOUN	S	Number=Plur|original_id=14	1	obl	_	_
20	like	like	ADP	E	original_id=15	17	case	_	_
21	incident	incidents	NOUN	S	Number=Plur|original_id=3	1	obj	_	_

he use incident from his life and the people around he , in work like Eugénie Grandet and Louis Lambert .

He used incidents from his life and the people around him, in works like Eugénie Grandet and Louis Lambert.


Input:
1	highly	highly	ADV	B	original_id=4	3	advmod	_	_
2	Balzac	Balzac	PROPN	SP	original_id=1	4	nsubj	_	_
3	conservative	conservative	ADJ	A	Degree=Pos|original_id=5	4	amod	_	_
4	royalist	Royalist	NOUN	S	Number=Sing|original_id=6	0	root	_	_
5	be	was	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=2	4	cop	_	_
6	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=3	4	det	_	_
7	;	;	PUNCT	FC	lin=+1|original_id=7	4	punct	_	_

Balzac be a highly conservative royalist ;

Balzac was a highly conservative Royalist;


Input:
1	in	in	ADP	E	original_id=1	13	case	_	_
2	Hugo	Hugo	PROPN	SP	lin=+1|original_id=11	7	flat	_	_
3	to	to	ADP	E	original_id=9	4	case	_	_
4	republicanism	republicanism	NOUN	S	Number=Sing|original_id=14	6	nmod	_	_
5	.	.	PUNCT	FS	lin=+1|original_id=15	6	punct	_	_
6	antipode	antipode	NOUN	S	Number=Sing|original_id=8	0	root	_	_
7	Victor	Victor	PROPN	SP	original_id=10	4	nmod	_	_
8	,	,	PUNCT	FF	lin=+1|original_id=4	13	punct	_	_
9	's	's	PART	PART	original_id=12	7	case	_	_
10	many	many	ADJ	A	Degree=Pos|original_id=2	13	amod	_	_
11	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=5	6	nsubj	_	_
12	the	the	DET	RD	Definite=Def|PronType=Art|original_id=7	6	det	_	_
13	way	ways	NOUN	S	Number=Plur|original_id=3	6	nmod	_	_
14	democratic	democratic	ADJ	A	Degree=Pos|original_id=13	4	amod	_	_
15	be	is	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=6	6	cop	_	_

in many way , he be the antipode to Victor Hugo 's democratic republicanism .

in many ways, he is the antipode to Victor Hugo's democratic republicanism.


Input:
1	condition	conditions	NOUN	S	Number=Plur|original_id=8	6	obj	_	_
2	he	him	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=10	5	iobj	_	_
3	many	many	ADJ	A	Degree=Pos|original_id=14	13	amod	_	_
4	marxist	Marxists	NOUN	S	Number=Plur|original_id=17	13	conj	_	_
5	earn	earned	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=9	0	root	_	_
6	regard	regarding	VERB	V	Number=Sing|Tense=Pres|VerbForm=Part|original_id=6	17	acl	_	_
7	of	of	ADP	E	original_id=13	13	case	_	_
8	,	,	PUNCT	FF	lin=+1|original_id=2	16	punct	_	_
9	keen	keen	ADJ	A	Degree=Pos|original_id=4	17	amod	_	_
10	.	.	PUNCT	FS	lin=+1|original_id=18	5	punct	_	_
11	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=3	17	nmod:poss	_	_
12	the	the	DET	RD	Definite=Def|PronType=Art|original_id=11	14	det	_	_
13	socialist	Socialists	NOUN	S	Number=Plur|original_id=15	14	nmod	_	_
14	esteem	esteem	NOUN	S	Number=Sing|original_id=12	5	obj	_	_
15	working-class	working-class	NOUN	S	Number=Plur|original_id=7	1	nmod	_	_
16	nevertheless	Nevertheless	ADV	B	original_id=1	5	advmod	_	_
17	insight	insight	NOUN	S	Number=Sing|original_id=5	5	nsubj	_	_
18	and	and	CCONJ	CC	original_id=16	4	cc	_	_

nevertheless , his keen insight regard working-class condition earn he the esteem of many socialist and marxist .

Nevertheless, his keen insight regarding working-class conditions earned him the esteem of many Socialists and Marxists.


Input:
1	favorite	favorite	ADJ	A	Degree=Pos|original_id=7	6	amod	_	_
2	that	that	SCONJ	CS	original_id=3	6	mark	_	_
3	Engels	Engels	PROPN	SP	original_id=1	9	nsubj	_	_
4	be	was	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=5	6	cop	_	_
5	Balzac	Balzac	PROPN	SP	original_id=4	6	nsubj	_	_
6	writer	writer	NOUN	S	Number=Sing|original_id=8	9	ccomp	_	_
7	.	.	PUNCT	FS	lin=+1|original_id=9	9	punct	_	_
8	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=6	6	nmod:poss	_	_
9	say	said	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_

Engels say that Balzac be his favorite writer .

Engels said that Balzac was his favorite writer.


Input:
1	urge	urged	VERB	V	lin=+1|Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=16	24	conj	_	_
2	marx	Marx	NOUN	S	Number=Sing|original_id=1	11	nmod	_	_
3	.	.	PUNCT	FS	lin=+2|original_id=26	24	punct	_	_
4	Balzac	Balzac	PROPN	SP	original_id=14	15	nmod	_	_
5	read	read	VERB	V	VerbForm=Inf|original_id=19	1	xcomp	_	_
6	unknown	Unknown	ADJ	A	Degree=Pos|original_id=24	10	amod	_	_
7	to	to	PART	PART	original_id=18	5	mark	_	_
8	reference	reference	NOUN	S	Number=Sing|original_id=9	24	obj	_	_
9	to	to	ADP	E	original_id=10	15	case	_	_
10	masterpiece	Masterpiece	NOUN	S	Number=Sing|original_id=25	18	nmod	_	_
11	work	work	NOUN	S	Number=Sing|original_id=3	24	nsubj	_	_
12	the	the	DET	RD	Definite=Def|PronType=Art|original_id=11	15	det	_	_
13	Engels	Engels	PROPN	SP	original_id=17	1	obj	_	_
14	Kapital	Kapital	X	SW	lin=+1|Foreign=Yes|original_id=5	20	flat:foreign	_	_
15	work	works	NOUN	S	Number=Plur|original_id=12	8	nmod	_	_
16	constant	constant	ADJ	A	Degree=Pos|original_id=8	8	amod	_	_
17	Balzac	Balzac	PROPN	SP	original_id=20	18	nmod	_	_
18	work	work	NOUN	S	Number=Sing|original_id=22	5	obj	_	_
19	and	and	CCONJ	CC	original_id=15	1	cc	_	_
20	Das	Das	X	SW	Foreign=Yes|original_id=4	11	nmod	_	_
21	's	's	PART	PART	original_id=21	17	case	_	_
22	the	The	DET	RD	Definite=Def|PronType=Art|original_id=23	10	det	_	_
23	also	also	ADV	B	original_id=6	24	advmod	_	_
24	make	makes	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=7	0	root	_	_
25	of	of	ADP	E	original_id=13	4	case	_	_
26	's	's	PART	PART	original_id=2	2	case	_	_

marx 's work Das Kapital also make constant reference to the work of Balzac and urge Engels to read Balzac 's work the unknown masterpiece .

Marx's work Das Kapital also makes constant reference to the works of Balzac and urged Engels to read Balzac's work The Unknown Masterpiece.


Input:
1	beyond	beyond	ADV	B	original_id=9	8	conj	_	_
2	.	.	PUNCT	FS	lin=+1|original_id=10	3	punct	_	_
3	influence	influenced	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
4	of	of	ADP	E	original_id=5	8	case	_	_
5	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=6	8	nmod:poss	_	_
6	the	the	DET	RD	Definite=Def|PronType=Art|original_id=3	9	det	_	_
7	and	and	CCONJ	CC	original_id=8	1	cc	_	_
8	time	time	NOUN	S	Number=Sing|original_id=7	9	nmod	_	_
9	writer	writers	NOUN	S	Number=Plur|original_id=4	3	obj	_	_
10	Balzac	Balzac	PROPN	SP	original_id=1	3	nsubj	_	_

Balzac influence the writer of his time and beyond .

Balzac influenced the writers of his time and beyond.


Input:
1	'	'	PART	PART	original_id=15	10	case	_	_
2	influence	influences	NOUN	S	Number=Plur|original_id=16	17	nmod	_	_
3	to	to	ADP	E	original_id=5	8	case	_	_
4	have	has	AUX	VA	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=2	7	aux	_	_
5	call	called	VERB	V	lin=+1|Tense=Past|VerbForm=Part|original_id=11	7	conj	_	_
6	and	and	CCONJ	CC	original_id=8	5	cc	_	_
7	compare	compared	VERB	V	Tense=Past|VerbForm=Part|original_id=4	0	root	_	_
8	Charles	Charles	PROPN	SP	original_id=6	7	obl	_	_
9	of	of	ADP	E	original_id=13	2	case	_	_
10	Dickens	Dickens	PROPN	SP	original_id=14	2	nmod	_	_
11	he	He	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=1	7	nsubj:pass	_	_
12	Dickens	Dickens	PROPN	SP	lin=+1|original_id=7	8	flat	_	_
13	be	been	AUX	VA	Tense=Past|VerbForm=Part|original_id=3	7	aux:pass	_	_
14	have	has	AUX	VA	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=9	5	aux	_	_
15	.	.	PUNCT	FS	lin=+2|original_id=17	7	punct	_	_
16	be	been	AUX	VA	Tense=Past|VerbForm=Part|original_id=10	5	aux	_	_
17	one	one	PRON	P	PronType=Ind|original_id=12	5	xcomp	_	_

he have be compare to Charles Dickens and have be call one of Dickens ' influence .

He has been compared to Charles Dickens and has been called one of Dickens' influences.


Input:
1	Helm	Helm	PROPN	SP	lin=+2|original_id=4	17	flat	_	_
2	English	English	PROPN	SP	original_id=17	12	nmod	_	_
3	critic	Critic	NOUN	S	Number=Sing|original_id=1	9	nsubj	_	_
4	French	French	PROPN	SP	original_id=9	9	xcomp	_	_
5	H.	H.	PROPN	SP	lin=+1|original_id=3	17	flat	_	_
6	the	the	DET	RD	Definite=Def|PronType=Art|original_id=13	12	det	_	_
7	.	.	PUNCT	FS	lin=+2|original_id=20	9	punct	_	_
8	the	the	DET	RD	Definite=Def|PronType=Art|original_id=16	2	det	_	_
9	call	calls	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=5	0	root	_	_
10	"	"	PUNCT	FB	lin=+2|original_id=19	2	punct	_	_
11	"	"	PUNCT	FB	lin=-1|original_id=15	2	punct	_	_
12	other	other	PRON	PI	lin=+1|Number=Sing|PronType=Ind|original_id=14	9	conj	_	_
13	Dickens	Dickens	PROPN	SP	lin=+1|original_id=10	4	flat	_	_
14	Balzac	Balzac	PROPN	SP	lin=+1|original_id=18	2	flat	_	_
15	and	and	CCONJ	CC	original_id=12	12	cc	_	_
16	one	one	NUM	N	NumType=Card|original_id=6	9	obj	_	_
17	W.	W.	PROPN	SP	original_id=2	3	nmod	_	_
18	"	"	PUNCT	FB	lin=+2|original_id=11	4	punct	_	_
19	the	the	DET	RD	Definite=Def|PronType=Art|original_id=8	4	det	_	_
20	"	"	PUNCT	FB	lin=-1|original_id=7	4	punct	_	_

critic W. H. Helm call one " the French Dickens " and the other " the English Balzac " .

Critic W. H. Helm calls one "the French Dickens" and the other "the English Balzac".


Input:
1	.	.	PUNCT	FS	lin=+1|original_id=22	6	punct	_	_
2	that	that	SCONJ	CS	original_id=5	6	mark	_	_
3	Zola	Zola	PROPN	SP	original_id=21	23	nmod	_	_
4	between	between	ADP	E	original_id=11	21	case	_	_
5	the	the	DET	RD	Definite=Def|PronType=Art|original_id=9	6	det	_	_
6	bridge	bridge	NOUN	S	Number=Sing|original_id=10	16	ccomp	_	_
7	"	"	PUNCT	FB	lin=-1|original_id=6	6	punct	_	_
8	Balzac	Balzac	PROPN	SP	original_id=7	6	nsubj	_	_
9	the	the	DET	RD	Definite=Def|PronType=Art|original_id=12	21	det	_	_
10	Richard	Richard	PROPN	SP	original_id=2	11	nmod	_	_
11	critic	Critic	NOUN	S	Number=Sing|original_id=1	16	nsubj	_	_
12	Lehan	Lehan	PROPN	SP	lin=+1|original_id=3	10	flat	_	_
13	"	"	PUNCT	FB	lin=+1|original_id=23	16	punct	_	_
14	of	of	ADP	E	original_id=15	17	case	_	_
15	comic	comic	ADJ	A	Degree=Pos|original_id=13	21	amod	_	_
16	say	says	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=4	0	root	_	_
17	Dickens	Dickens	PROPN	SP	original_id=16	21	nmod	_	_
18	the	the	DET	RD	Definite=Def|PronType=Art|original_id=18	23	det	_	_
19	be	was	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=8	6	cop	_	_
20	and	and	CCONJ	CC	original_id=17	23	cc	_	_
21	realism	realism	NOUN	S	Number=Sing|original_id=14	6	nmod	_	_
22	of	of	ADP	E	original_id=20	3	case	_	_
23	naturalism	naturalism	NOUN	S	Number=Sing|original_id=19	17	conj	_	_

critic Richard Lehan say that " Balzac be the bridge between the comic realism of Dickens and the naturalism of Zola . "

Critic Richard Lehan says that "Balzac was the bridge between the comic realism of Dickens and the naturalism of Zola."


Input:
1	also	also	ADV	B	original_id=4	8	advmod	_	_
2	by	by	ADP	E	original_id=7	6	case	_	_
3	Gustave	Gustave	PROPN	SP	original_id=1	8	nsubj:pass	_	_
4	.	.	PUNCT	FS	lin=+1|original_id=9	8	punct	_	_
5	be	was	AUX	VA	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=3	8	aux:pass	_	_
6	Balzac	Balzac	PROPN	SP	original_id=8	8	obl	_	_
7	Flaubert	Flaubert	PROPN	SP	lin=+1|original_id=2	3	flat	_	_
8	influence	influenced	VERB	V	Tense=Past|VerbForm=Part|original_id=6	0	root	_	_
9	substantially	substantially	ADV	B	original_id=5	8	advmod	_	_

Gustave Flaubert be also substantially influence by Balzac .

Gustave Flaubert was also substantially influenced by Balzac.


Input:
1	style	style	NOUN	S	Number=Sing|original_id=10	13	obj	_	_
2	Flaubert	Flaubert	PROPN	SP	original_id=12	12	nsubj	_	_
3	once	once	ADV	B	original_id=13	12	advmod	_	_
4	:	:	PUNCT	FC	lin=+1|original_id=15	12	punct	_	_
5	society	society	NOUN	S	Number=Sing|original_id=5	10	nmod	_	_
6	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=2	10	nmod:poss	_	_
7	,	,	PUNCT	FF	lin=+1|original_id=11	14	punct	_	_
8	while	while	SCONJ	CS	original_id=6	13	mark	_	_
9	of	of	ADP	E	original_id=4	5	case	_	_
10	portrayal	portrayal	NOUN	S	Number=Sing|original_id=3	14	obj	_	_
11	prose	prose	NOUN	S	Number=Sing|original_id=9	1	nmod	_	_
12	write	wrote	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=14	0	root	_	_
13	attack	attacking	VERB	V	VerbForm=Ger|original_id=7	14	advcl	_	_
14	praise	Praising	VERB	V	VerbForm=Ger|original_id=1	12	advcl	_	_
15	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=8	1	nmod:poss	_	_

praise his portrayal of society while attack his prose style , Flaubert once write :

Praising his portrayal of society while attacking his prose style, Flaubert once wrote:


Input:
1	will	would	AUX	VM	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=6	3	aux	_	_
2	have	have	AUX	VA	VerbForm=Inf|original_id=7	3	aux	_	_
3	what	What	DET	DQ	PronType=Int|original_id=2	0	root	_	_
4	be	been	AUX	V	Tense=Past|VerbForm=Part|original_id=8	3	cop	_	_
5	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=3	15	det	_	_
6	write	write	VERB	V	VerbForm=Inf|original_id=14	12	xcomp	_	_
7	!	!	PUNCT	FS	lin=+1|original_id=15	3	punct	_	_
8	have	had	AUX	VA	Tense=Past|VerbForm=Part|original_id=9	12	aux	_	_
9	to	to	PART	PART	original_id=13	6	mark	_	_
10	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=5	3	nsubj	_	_
11	"	"	PUNCT	FB	lin=-1|original_id=1	3	punct	_	_
12	know	known	VERB	V	Tense=Past|VerbForm=Part|original_id=11	3	advcl	_	_
13	how	how	ADV	B	original_id=12	6	advmod	_	_
14	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=10	12	nsubj	_	_
15	man	man	NOUN	S	Gender=Masc|Number=Sing|original_id=4	3	nmod	_	_

" what a man he will have be have he know how to write !

"What a man he would have been had he known how to write!


Input:
1	the	the	DET	RD	Definite=Def|PronType=Art|original_id=5	3	det	_	_
2	depiction	depictions	NOUN	S	Number=Plur|original_id=25	10	conj	_	_
3	label	label	NOUN	S	Number=Sing|original_id=6	18	obj	_	_
4	,	,	PUNCT	FF	lin=+1|original_id=11	18	punct	_	_
5	.	.	PUNCT	FS	lin=+1|original_id=29	22	punct	_	_
6	of	of	ADP	E	original_id=16	25	case	_	_
7	"	"	PUNCT	FB	lin=-1|original_id=1	18	punct	_	_
8	's	's	PART	PART	original_id=18	14	case	_	_
9	to	to	ADP	E	original_id=21	10	case	_	_
10	detail	detail	NOUN	S	Number=Sing|original_id=22	25	nmod	_	_
11	life	life	NOUN	S	Number=Sing|original_id=28	2	nmod	_	_
12	unvarnished	unvarnished	ADJ	A	Degree=Pos|original_id=24	2	amod	_	_
13	close	close	ADJ	A	Degree=Pos|original_id=19	25	amod	_	_
14	Balzac	Balzac	PROPN	SP	original_id=17	25	nmod	_	_
15	bourgeois	bourgeois	ADJ	A	Degree=Pos|original_id=27	11	amod	_	_
16	of	of	ADP	E	original_id=26	11	case	_	_
17	Flaubert	Flaubert	PROPN	SP	original_id=12	22	nsubj	_	_
18	disdain	disdained	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	22	advcl	_	_
19	"	"	PUNCT	FB	lin=+1|original_id=10	29	punct	_	_
20	of	of	ADP	E	original_id=7	29	case	_	_
21	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=3	18	nsubj	_	_
22	take	took	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=14	0	root	_	_
23	and	and	CCONJ	CC	original_id=23	2	cc	_	_
24	while	While	SCONJ	CS	original_id=2	18	mark	_	_
25	attention	attention	NOUN	S	Number=Sing|original_id=20	28	nmod	_	_
26	clearly	clearly	ADV	B	original_id=13	22	advmod	_	_
27	"	"	PUNCT	FB	lin=-1|original_id=8	29	punct	_	_
28	heed	heed	NOUN	S	Number=Sing|original_id=15	22	obj	_	_
29	realist	realist	NOUN	S	Number=Sing|original_id=9	3	nmod	_	_

" while he disdain the label of " realist " , Flaubert clearly take heed of Balzac 's close attention to detail and unvarnished depiction of bourgeois life .

"While he disdained the label of "realist", Flaubert clearly took heed of Balzac's close attention to detail and unvarnished depictions of bourgeois life.


Input:
1	Flaubert	Flaubert	PROPN	SP	original_id=5	21	nmod	_	_
2	.	.	PUNCT	FS	lin=+1|original_id=22	18	punct	_	_
3	this	This	DET	DD	Number=Sing|PronType=Dem|original_id=1	6	det	_	_
4	in	in	ADP	E	original_id=4	21	case	_	_
5	education	education	NOUN	S	Number=Sing|original_id=10	21	nmod	_	_
6	influence	influence	NOUN	S	Number=Sing|original_id=2	18	nsubj	_	_
7	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=15	10	det	_	_
8	owe	owes	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=14	21	acl:relcl	_	_
9	L	L	DET	_	PronType=Art|original_id=8	5	det	_	_
10	debt	debt	NOUN	S	Number=Sing|original_id=16	8	obj	_	_
11	to	to	ADP	E	original_id=17	15	case	_	_
12	Balzac	Balzac	PROPN	SP	original_id=18	15	nmod	_	_
13	's	's	PART	PART	original_id=19	12	case	_	_
14	perdues	Perdues	X	SW	lin=+1|Foreign=Yes|original_id=21	15	flat:foreign	_	_
15	illusions	Illusions	X	SW	Foreign=Yes|original_id=20	8	obl	_	_
16	which	which	PRON	PR	PronType=Rel|original_id=13	8	nsubj	_	_
17	,	,	PUNCT	FF	lin=+1|original_id=12	21	punct	_	_
18	show	shows	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=3	0	root	_	_
19	'	'	X	X	original_id=9	9	goeswith	_	_
20	sentimentale	sentimentale	ADJ	A	Gender=Fem|Number=Sing|original_id=11	5	amod	_	_
21	work	work	NOUN	S	Number=Sing|original_id=7	18	obl	_	_
22	's	's	PART	PART	original_id=6	1	case	_	_

this influence show in Flaubert 's work L ' education sentimentale , which owe a debt to Balzac 's illusions perdues .

This influence shows in Flaubert's work L'education sentimentale, which owes a debt to Balzac's Illusions Perdues.


Input:
1	Balzac	Balzac	PROPN	SP	original_id=3	14	nsubj	_	_
2	"	"	PUNCT	FB	lin=-1|original_id=1	10	punct	_	_
3	"	"	PUNCT	FB	lin=+1|original_id=5	10	punct	_	_
4	help	helped	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=12	0	root	_	_
5	,	,	PUNCT	FF	lin=+1|original_id=9	6	punct	_	_
6	say	says	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=7	4	parataxis	_	_
7	Flaubert	Flaubert	PROPN	SP	original_id=11	4	nsubj	_	_
8	,	,	PUNCT	FF	lin=+2|original_id=6	10	punct	_	_
9	Lehan	Lehan	PROPN	SP	original_id=8	6	nsubj	_	_
10	what	What	PRON	PQ	PronType=Int|original_id=2	11	obj	_	_
11	.	.	PUNCT	FS	lin=+1|original_id=14	4	punct	_	_
12	finish	finish	VERB	V	VerbForm=Inf|original_id=13	4	xcomp	_	_
13	"	"	PUNCT	FB	lin=-1|original_id=10	4	punct	_	_
14	start	started	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	10	acl:relcl	_	_

" what Balzac start " , say Lehan , " Flaubert help finish .

"What Balzac started", says Lehan, "Flaubert helped finish.


Input:
1	from	from	ADP	E	original_id=6	7	case	_	_
2	Marcel	Marcel	PROPN	SP	original_id=2	4	nsubj	_	_
3	;	;	PUNCT	FC	lin=+1|original_id=10	4	punct	_	_
4	learn	learned	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=5	0	root	_	_
5	the	the	DET	RD	Definite=Def|PronType=Art|original_id=7	7	det	_	_
6	realist	Realist	NOUN	S	Number=Sing|original_id=8	7	nmod	_	_
7	example	example	NOUN	S	Number=Sing|original_id=9	4	obl	_	_
8	similarly	similarly	ADV	B	original_id=4	4	advmod	_	_
9	Proust	Proust	PROPN	SP	lin=+1|original_id=3	2	flat	_	_
10	"	"	PUNCT	FB	lin=-1|original_id=1	4	punct	_	_

" Marcel Proust similarly learn from the realist example ;

"Marcel Proust similarly learned from the Realist example;


Input:
1	study	studied	VERB	V	lin=+1|Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=5	18	conj	_	_
2	and	and	CCONJ	CC	original_id=4	1	cc	_	_
3	although	although	SCONJ	CS	original_id=10	16	mark	_	_
4	his	his	DET	AP	Poss=Yes|PronType=Prs|original_id=6	12	nmod:poss	_	_
5	vulgarity	vulgarity	NOUN	S	Number=Sing|original_id=19	10	obj	_	_
6	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=1	18	nsubj	_	_
7	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=14	10	nsubj	_	_
8	.	.	PUNCT	FS	lin=+2|original_id=20	18	punct	_	_
9	Balzac	Balzac	PROPN	SP	original_id=16	5	nmod	_	_
10	call	called	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=15	20	acl:relcl	_	_
11	's	's	PART	PART	original_id=17	9	case	_	_
12	work	works	NOUN	S	Number=Plur|original_id=7	1	nsubj	_	_
13	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=11	16	nsubj	_	_
14	"	"	PUNCT	FB	lin=-1|original_id=18	5	punct	_	_
15	carefully	carefully	ADV	B	original_id=8	1	advmod	_	_
16	criticise	criticised	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=12	1	advcl	_	_
17	Balzac	Balzac	PROPN	SP	original_id=3	18	obj	_	_
18	adore	adored	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=2	0	root	_	_
19	,	,	PUNCT	FF	lin=+1|original_id=9	1	punct	_	_
20	what	what	PRON	PR	Number=Sing|PronType=Rel|original_id=13	16	obj	_	_

he adore Balzac and study his work carefully , although he criticise what he call Balzac 's " vulgarity .

he adored Balzac and studied his works carefully, although he criticised what he called Balzac's "vulgarity.


Input:
1	vie	Vie	NOUN	S	Gender=Fem|Number=Sing|original_id=9	15	nmod	_	_
2	ancestor	ancestor	NOUN	S	Number=Sing|original_id=34	0	root	_	_
3	reflection	reflections	NOUN	S	Number=Plur|original_id=29	34	obl	_	_
4	perdu	Perdu	ADJ	A	Gender=Masc|Number=Sing|original_id=47	11	amod	_	_
5	Proust	Proust	PROPN	SP	original_id=39	45	nsubj	_	_
6	detail	details	NOUN	S	Number=Plur|original_id=23	34	nsubj:pass	_	_
7	's	's	PART	PART	original_id=3	43	case	_	_
8	,	,	PUNCT	FF	lin=+1|original_id=19	15	punct	_	_
9	the	the	DET	RD	Definite=Def|PronType=Art|original_id=36	16	det	_	_
10	,	,	PUNCT	FF	lin=+1|original_id=16	22	punct	_	_
11	temp	Temps	NOUN	S	Gender=Masc|original_id=46	23	nmod	_	_
12	which	which	PRON	PR	PronType=Rel|original_id=21	34	obl	_	_
13	.	.	PUNCT	FS	lin=+1|original_id=48	2	punct	_	_
14	(	(	PUNCT	FB	lin=-1|original_id=10	22	punct	_	_
15	heure	Heure	NOUN	S	Gender=Fem|Number=Sing|original_id=6	18	nmod	_	_
16	style	style	NOUN	S	Number=Sing|original_id=37	2	nmod	_	_
17	in	in	ADP	E	original_id=20	12	case	_	_
18	story	story	NOUN	S	Number=Sing|original_id=4	2	nsubj	_	_
19	personal	personal	ADJ	A	Degree=Pos|original_id=28	3	amod	_	_
20	)	)	PUNCT	FB	lin=+2|original_id=18	22	punct	_	_
21	"	"	PUNCT	FB	lin=-1|original_id=1	2	punct	_	_
22	hour	Hour	NOUN	S	Number=Sing|original_id=12	15	nmod	_	_
23	recherche	Recherche	NOUN	S	Gender=Fem|Number=Sing|original_id=44	45	obl	_	_
24	minute	minute	ADJ	A	Degree=Pos|original_id=22	6	amod	_	_
25	of	of	ADP	E	original_id=35	16	case	_	_
26	in	in	ADP	E	original_id=41	23	case	_	_
27	à	A	ADP	E	original_id=42	23	case	_	_
28	clear	clear	ADJ	A	Degree=Pos|original_id=33	2	amod	_	_
29	a	a	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=32	2	det	_	_
30	be	is	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=31	2	cop	_	_
31	,	,	PUNCT	FF	lin=+1|original_id=30	18	punct	_	_
32	be	are	AUX	VA	Mood=Ind|Number=Plur|Tense=Pres|VerbForm=Fin|original_id=24	34	aux:pass	_	_
33	which	which	PRON	PR	PronType=Rel|original_id=38	45	obj	_	_
34	follow	followed	VERB	V	Tense=Past|VerbForm=Part|original_id=25	15	acl:relcl	_	_
35	my	my	DET	AP	Number=Sing|Poss=Yes|PronType=Prs|original_id=14	44	nmod:poss	_	_
36	de	de	ADP	E	original_id=7	1	case	_	_
37	deep	deep	ADJ	A	Degree=Pos|original_id=27	3	amod	_	_
38	ma	ma	DET	AP	Gender=Fem|Number=Sing|Poss=Yes|PronType=Prs|original_id=8	1	nmod:poss	_	_
39	la	la	DET	RD	Definite=Def|Gender=Fem|Number=Sing|PronType=Art|original_id=43	23	det	_	_
40	1822	1822	NUM	N	NumType=Card|original_id=17	22	nummod	_	_
41	une	Une	DET	RI	Definite=Ind|Gender=Fem|Number=Sing|PronType=Art|original_id=5	15	det	_	_
42	by	by	ADP	E	original_id=26	3	case	_	_
43	Balzac	Balzac	PROPN	SP	original_id=2	18	nmod	_	_
44	life	Life	NOUN	S	Number=Sing|original_id=15	22	nmod	_	_
45	use	used	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=40	16	acl:relcl	_	_
46	of	of	ADP	E	original_id=13	44	case	_	_
47	a	An	DET	RI	Definite=Ind|Number=Sing|PronType=Art|original_id=11	22	det	_	_
48	du	du	ADP	E	original_id=45	11	case	_	_

" Balzac 's story une heure de ma vie ( a hour of my life , 1822 ) , in which minute detail be follow by deep personal reflection , be a clear ancestor of the style which Proust use in à la recherche du temp perdu .

"Balzac's story Une Heure de ma Vie (An Hour of my Life, 1822), in which minute details are followed by deep personal reflections, is a clear ancestor of the style which Proust used in A la Recherche du Temps Perdu.


Input:
1	.	.	PUNCT	FS	lin=+1|original_id=21	17	punct	_	_
2	however	However	ADV	B	original_id=1	17	advmod	_	_
3	"	"	PUNCT	FB	lin=-1|original_id=19	5	punct	_	_
4	later	later	ADV	B	Degree=Cmp|original_id=5	16	advmod	_	_
5	madness	madness	NOUN	S	Number=Sing|original_id=20	17	ccomp	_	_
6	rank	rank	VERB	V	VerbForm=Inf|original_id=13	13	acl	_	_
7	be	was	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=18	5	cop	_	_
8	to	to	PART	PART	original_id=12	6	mark	_	_
9	higher	higher	ADJ	A	Degree=Cmp|original_id=15	6	amod	_	_
10	that	that	SCONJ	CS	original_id=8	5	mark	_	_
11	Balzac	Balzac	PROPN	SP	original_id=14	6	obj	_	_
12	in	in	ADP	E	original_id=6	16	case	_	_
13	fashion	fashion	NOUN	S	Number=Sing|original_id=11	5	nsubj	_	_
14	the	the	DET	RD	Definite=Def|PronType=Art|original_id=9	13	det	_	_
15	than	than	ADP	E	original_id=16	19	case	_	_
16	life	life	NOUN	S	Number=Sing|original_id=7	17	obl	_	_
17	write	wrote	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	0	root	_	_
18	Proust	Proust	PROPN	SP	original_id=3	17	nsubj	_	_
19	Tolstoy	Tolstoy	PROPN	SP	original_id=17	9	obl	_	_
20	,	,	PUNCT	FF	lin=+1|original_id=2	2	punct	_	_
21	contemporary	contemporary	ADJ	A	Degree=Pos|original_id=10	13	amod	_	_

however , Proust write later in life that the contemporary fashion to rank Balzac higher than Tolstoy be " madness .

However, Proust wrote later in life that the contemporary fashion to rank Balzac higher than Tolstoy was "madness.


Input:
1	Balzac	Balzac	PROPN	SP	original_id=8	4	obl	_	_
2	be	was	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Past|VerbForm=Fin|original_id=9	5	cop	_	_
3	"	"	PUNCT	FB	lin=-1|original_id=1	5	punct	_	_
4	affect	affected	VERB	V	Tense=Past|VerbForm=Part|original_id=6	5	acl	_	_
5	author	author	NOUN	S	Number=Sing|original_id=4	0	root	_	_
6	novelist	novelist	NOUN	S	Number=Sing|original_id=12	5	nsubj	_	_
7	perhaps	Perhaps	ADV	B	original_id=2	5	advmod	_	_
8	the	the	DET	RD	Definite=Def|PronType=Art|original_id=3	5	det	_	_
9	.	.	PUNCT	FS	lin=+1|original_id=15	5	punct	_	_
10	American	American	ADJ	A	Degree=Pos|original_id=10	6	amod	_	_
11	Henry	Henry	PROPN	SP	original_id=13	6	nmod	_	_
12	most	most	ADV	B	original_id=5	4	advmod	_	_
13	by	by	ADP	E	original_id=7	1	case	_	_
14	expatriate	expatriate	ADJ	A	Degree=Pos|original_id=11	6	amod	_	_
15	James	James	PROPN	SP	lin=+1|original_id=14	11	flat	_	_

" perhaps the author most affect by Balzac be American expatriate novelist Henry James .

"Perhaps the author most affected by Balzac was American expatriate novelist Henry James.


Input:
1	1878	1878	NUM	N	NumType=Card|original_id=2	2	obl	_	_
2	write	wrote	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	0	root	_	_
3	four	four	NUM	N	NumType=Card|original_id=23	35	nummod	_	_
4	(	(	PUNCT	FB	lin=-1|original_id=25	20	punct	_	_
5	1913	1913	NUM	N	lin=+3|NumType=Card|original_id=34	20	conj	_	_
6	lack	lack	NOUN	S	Number=Sing|original_id=9	2	obl	_	_
7	pay	paid	VERB	V	Tense=Past|VerbForm=Part|original_id=13	14	acl	_	_
8	in	in	ADP	E	original_id=22	35	case	_	_
9	1902	1902	NUM	N	lin=+2|NumType=Card|original_id=31	20	conj	_	_
10	contemporary	contemporary	ADJ	A	Degree=Pos|original_id=11	14	amod	_	_
11	of	of	ADP	E	original_id=10	14	case	_	_
12	in	in	ADP	E	original_id=26	20	case	_	_
13	Balzac	Balzac	PROPN	SP	original_id=15	7	obl	_	_
14	attention	attention	NOUN	S	Number=Sing|original_id=12	6	nmod	_	_
15	,	,	PUNCT	FF	lin=-1|original_id=30	9	punct	_	_
16	,	,	PUNCT	FF	lin=-1|original_id=16	21	punct	_	_
17	on	on	ADP	E	original_id=20	31	case	_	_
18	about	about	ADP	E	original_id=7	6	case	_	_
19	and	and	CCONJ	CC	original_id=17	21	cc	_	_
20	1875	1875	NUM	N	NumType=Card|original_id=27	35	nummod	_	_
21	praise	praise	NOUN	S	Number=Sing|original_id=19	6	conj	_	_
22	,	,	PUNCT	FF	lin=-1|original_id=28	29	punct	_	_
23	the	the	DET	RD	Definite=Def|PronType=Art|original_id=8	6	det	_	_
24	James	James	PROPN	SP	original_id=3	2	nsubj	_	_
25	and	and	CCONJ	CC	original_id=33	5	cc	_	_
26	sadness	sadness	NOUN	S	Number=Sing|original_id=6	2	obl	_	_
27	with	with	ADP	E	original_id=5	26	case	_	_
28	.	.	PUNCT	FS	lin=+1|original_id=36	2	punct	_	_
29	1877	1877	NUM	N	lin=+1|NumType=Card|original_id=29	20	conj	_	_
30	in	In	ADP	E	original_id=1	1	case	_	_
31	he	him	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=21	21	nmod	_	_
32	)	)	PUNCT	FB	lin=+4|original_id=35	20	punct	_	_
33	lavished	lavished	ADJ	A	Degree=Pos|original_id=18	21	amod	_	_
34	to	to	ADP	E	original_id=14	13	case	_	_
35	essay	essays	NOUN	S	Number=Plur|original_id=24	21	nmod	_	_
36	,	,	PUNCT	FF	lin=-1|original_id=32	5	punct	_	_

in 1878 James write with sadness about the lack of contemporary attention pay to Balzac , and lavished praise on he in four essay ( in 1875 , 1877 , 1902 , and 1913 ) .

In 1878 James wrote with sadness about the lack of contemporary attention paid to Balzac, and lavished praise on him in four essays (in 1875, 1877, 1902, and 1913).


Input:
1	:	:	PUNCT	FC	lin=+1|original_id=5	4	punct	_	_
2	1878	1878	NUM	N	NumType=Card|original_id=2	4	obl	_	_
3	James	James	PROPN	SP	original_id=3	4	nsubj	_	_
4	write	wrote	VERB	V	Mood=Ind|Person=3|Tense=Past|VerbForm=Fin|original_id=4	0	root	_	_
5	in	In	ADP	E	original_id=1	2	case	_	_


Input:
1	and	and	CCONJ	CC	original_id=13	16	cc	_	_
2	all	all	PRON	PI	PronType=Ind|original_id=9	0	root	_	_
3	be	is	AUX	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=8	2	cop	_	_
4	perfectly	perfectly	ADV	B	original_id=16	15	advmod	_	_
5	as	as	SCONJ	CS	original_id=3	18	mark	_	_
6	of	of	ADP	E	original_id=10	10	case	_	_
7	"	"	PUNCT	FB	lin=-1|original_id=1	2	punct	_	_
8	Balzac	Balzac	PROPN	SP	original_id=4	18	nsubj	_	_
9	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=7	2	nsubj	_	_
10	piece	piece	NOUN	S	Number=Sing|original_id=12	2	nmod	_	_
11	large	Large	ADJ	A	Degree=Pos|original_id=2	2	amod	_	_
12	one	one	NUM	N	NumType=Card|original_id=11	10	nummod	_	_
13	,	,	PUNCT	FF	lin=+1|original_id=6	11	punct	_	_
14	he	he	PRON	PE	Gender=Masc|Number=Sing|Person=3|PronType=Prs|original_id=14	16	nsubj	_	_
15	together	together	ADV	B	original_id=17	16	advmod	_	_
16	hang	hangs	VERB	V	lin=+1|Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=15	2	conj	_	_
17	.	.	PUNCT	FS	lin=+2|original_id=18	2	punct	_	_
18	be	is	VERB	V	Mood=Ind|Number=Sing|Person=3|Tense=Pres|VerbForm=Fin|original_id=5	11	advcl	_	_

" large as Balzac be , he be all of one piece and he hang perfectly together .

"Large as Balzac is, he is all of one piece and he hangs perfectly together.