Before revision: With his cross-disciplinary approach, he defined the montage as the constructing act par excellence at the base of every work of art: “ the principle of segmentation of the object into different camera cuts" and the unification in a generalized or complete image is what we can call the peculiarity of montage as constructive process, which "leaves the event intact (the caught reality) and at the same time interprets it differently."
After revision: With his cross-disciplinary approach, he defined the montage as the constructing act par excellence at the base of every work of art: " the principle of segmentation of the object into different camera cuts" and the unification in a generalized or complete image is what we can call the peculiarity of montage as constructive process, which "leaves the event intact (the caught reality) and at the same time interprets it differently."