Claim: Master Jubba, made popular by Marian Winter in 1947, was negatively critiqued by Scholar of African American studies Maurice O Wallace and dance scholar Thomas DeFrantz.
Evidence: He was largely forgotten by historians until a 1947 article by Marian Hannah Winter resurrected his story. The few reviews of Juba as a solo performer after his tour with Pell (and thus out of the exhibitionist mode) are more negative. Dance scholar Thomas DeFrantz has said that Master Juba's stage persona "buffered associations between the potent black body onstage and the preferred impotent everyday, male slave body". Scholar of African American studies Maurice O. Wallace adds that Juba was an example of how "those strategies of black cultural performance ... have historically coalesced to shape black masculine subjecthood in Eurocentric contexts".