DoubleML/multimodal_confounding huggingface dataset:
I am compelled to write a review of this IMAX feature as a means of warning others to SAVE YOUR MONEY. Almost any episode of Desmond Morris' "The Human Animal" or David Suzuki's "The Nature of Things" could have bested the material presented. Not only does the director fail to make use of IMAX's incredible 65 to 70 mm film stock and gigantic presentation screen, everything on screen is extremely unimpressive given the accessibility of such programming mentioned previously. Viewers are introduced to a pregnant Heather, her husband Buster, and their niece and nephew. We follow them for an interminable forty-odd minutes as they eat, sweat, listen to music, etc. Although we are given access to scenes inside the human digestive track and learn about babies' natural diving reflexes, do we really learn anything more than most grade-school graduates? Are we even remotely entertained by the trans-Atlantic Heather? Do we care? Avoid this film at all cost. If you do wish to see an IMAX feature, I suggest the beautifully photographed "India: Kingdom of the Tiger" or the technically thrilling "Space Station 3D". Trust me.

Sentiment: negative
When a BBC murder thriller is this rife with heterosexual dysfunction, you know who the killer must be: The Homosexual.

Who murdered the sexy blonde teenager (who's also a pathological liar) on her way home from school? Let's see, could it be the mother who (against all common sense) is letting her teenaged son make unchaperoned visits to his serial-killer father behind bars? Could it be the moody son, who's impressed by his dad's no-nonsense attitude about women? Could it be the serial killer himself, who seems able to manipulate events from behind bars, a la Hannibal Lecter? Could it be mom's boyfriend, a teacher at the school whose affair with an ex-student led to his wife's suicide? Or could it be boyfriend's daughter, who goes blabbing everyone's secrets at school, causing untold misery? No, it's none of these likely suspects. It's...The Homosexual!

The only mystery for the viewer is guessing who The Homosexual is. Of course, it could be anybody, since the only characteristics of The Homosexual are shameful secrecy and a propensity to murder and otherwise make life complicated for the "normal" folks. The Homosexual is the invisible root cause of society's ills; only when this person is exposed and eliminated can the fractured family come back together, and things can return to normal...whatever that is.

As for the cast, both Jemma Redgrave and Robson Green are now officially past their sell-by dates. The world could get by marvelously without ever seeing either on screen again, but as long as the BBC has roles for The Aggrieved Woman and The Misunderstood Man, I suppose they'll keep coming back in movies like this one.

Sentiment: negative
I had been looking forward to this movie since Lost World came out. It didn't bother me that Lost World wasn't as intellectual as the original, and here, I was just hoping for a good monster movie. It was all about "Dinosaurs eat people." However, it was disappointing even on that level.

For starters, there were not enough people to eat, and while I'll keep it a secret how many people get eaten, it was not enough. Also, while there was no shortage of variety in the dinosaur community, there were not nearly "enough" dinosaurs. And many dinosaurs, like the spikey-back-and-has-a-club-on-its-tail-osaurus, just made cameos and didn't do much considering how cool they are.

(START SPOILERS) Then there were the Pterodactyls. The figures I've read put their body weight at about 15 pounds, while the movie made them look closer to 300. Worse, they didn't get to eat anybody, or even splatter them on the rocks by dropping them from high up. There was no ending to the movie, either, it was just, all of the sudden, credits. (END SPOILERS) I'm left wondering if the edition I saw was missing 40 minutes of film.

My only conclusion can be that they taught the Pterodactyls to stick their long beaks stealthily into your pockets and get your $7. Go rent the Carnosaur series; at least you won't be disappointed.

Sentiment: negative
As I watched this movie, and I began to see its' characters develop I could feel this would be an excellent picture. When you get that feeling, and the movie indeed fills those expectations the experience is rare. I had that very feeling throughout this movie. Robert DeNiro and Cuba Gooding Junior played riveting and amazingly strong parts which were both Oscar worthy. The supporting cast was equally as strong creating a winning foundation for the picture to grow on. I can say without any hesitation at all, see this movie it will not disappoint.

Sentiment: positive
This is so blatantly a made-for-TV ripoff of Black Widow (1987) - even the insect titles are so similar.

If you want a better "marrying for money" movie, check out Black Widow, starring Debra Winger & Theresa Russell.

These movie is cheesiness at its best..! I just had to watch it entirely to see how it ended.

Sentiment: negative
Shallow, shallow script ...stilted acting ...the shadows of boom mikes lingering over the actors' heads in scenes ...worth watching because Kate Mulgrew plays the most selfish mother in TV movie history and it's all before Ben Affleck got his teeth capped.

Sentiment: negative
Absolutely one of the worst movies of all time.

Low production values, terrible story idea, bad script, lackluster acting... and I can't even come up with an adjective suitably descriptive for how poor Joan River's directing is. I know that there's a special place in Hell for the people who financed this film; prolly right below the level reserved for child-raping genocidal maniacs.

This movie is a trainwreck.

(Terrible) x (infinity) = Rabbit Test.

Avoid this at all costs.

It's so bad, it isn't even funny how bad it is.

Sentiment: negative
Ooof! This one was a stinker. It does not fall 'somewhere in between Star Wars and Thriller', thats for sure. In all actuality, it falls somewhere between the cracks of a Wham! video and Captain EO, only with not as big of a budget, and a lot more close ups of ugly teenagers crying. Simon Le Bon preens front and center, while the rest of the band gamely tries to hide the fact that they stole their whole career from Roxy Music's last 3 albums. Brief clips from Barbarella add nothing. Avoid at all costs. (However, I liked the part when they played 'Hungry Like The Wolf' but why was there a tiger lurking in the audience changing into a woman painted with tiger stripes? I mean, they aren't singing 'Eye of the Tiger' or 'Hungry like the Tiger' it's a Wolf! Whatever.) A DVD of Duran Duran's '80s videos is probably worth a look for nostalgia's sake

Sentiment: negative
At the bottom end of the apocalypse movie scale is this piece of pish called 'The Final Executioner'.. at least where I come from. A bloke is trained by an ex-cop to seek vengeance on those that killed his woman and friends in cold blood.. and that's about it. Lots of fake explosions and repetitive shootings ensue. Has one of the weirdest array of costumes I've seen in a film for a while, and a massive fortress which is apparently only run by 7 people. GREAT job on the dubbing too guys(!) Best moment: when our hero loses a swordfight and is about to be skewered through the neck, he just gets out his gun and BANG! Why not do that earlier? It's a mystery. As is why anyone would want to sit through this in the first place. I'm still puzzling over that one myself now.. 2/10

Sentiment: negative
I have seen this movie and the other one. Trinity is my name and i find that this one is worse then the first one. I have no idea why they even made another movie it was stupid and pointless sorry to say that i have all of them. I have sat through them number of times and it still drives me to turn it off 5 minutes into the movie. I like Terence Hill movies and i like Bud Spencer but this movie just drove me up the wall. If it had a different story line or at least more of a plot and more comedy it might have been funner and worth the 5 dollars i spent buying all the movies. But you make mistakes so i would say save your money and don't bye this movie or any of the ones that go with it trust me on this one.

Sentiment: negative
This is an excellent movie and should be presented every year during the holidays @ Christmas! Beautiful with great acting. John Denver at his best, i,e, sincere, kind, talented, and natural. The town is Georgetown, Colorado and every bit as lovely as in the story.

Sentiment: positive
"Darius Goes West" is the touching story of a brave teen coping with Duchenne's Muscular Dystrophy and his personal quest to see the Pacific Ocean. He receives help and encouragement from a group of young men who love and care for him while going on this quest.

The story has a natural drama and honest portrayal of the commitment of young people to help one of their own stricken with this incurable disease.

Anyone who thinks young people are self-centered and narcissistic will find this movie to turn that stereotype on its head. It is the power of the young people and their engagement with Darius' plight that is very compelling in this documentary.

Sentiment: positive
some people think that the second series was where scooby was ruined..i disagree totally.the shows quality did not go up or down and scrappy ,win my opinion,as a very good chrecter.i looked at a poll on jumpedtheshark.com and 72% of people said scrappys second series was scoobys downfall.OK so loads said yes but 28%still cant be wrong.I do like the way most of the episodes focused on comedy.i believe the show would have gone rubbish if it was the same 5 people/dog solving mystery in same formula.scrappy was a breath of fresh air to the show.sure,some people tuned out but when scrappy was introduced viewing figures DOUBLED.Back to the show.All the episodes and segments were very funny.i was Intriguded by the yabba shorts and .But at the end of the day its a matter of opinion if you like scrappy or not is a matter of opinion,there is certainly no fact involved.But in my OPINION this was a superb series that gave a beginning to tire show a new formula and lease of life.Nuff said.

Sentiment: positive
Dissapointing action movie with an interesting premise: a young Mafia would-to-be killer (Chandler) must demonstrate to his boss that he is a good man for the service so he goes to California to take some lessons with a very known professional killer (Beluschi). First and most important task: to kill a young woman (Lee) that is a completely strange for all of them. But is she a easy target? The movie goes on and on based upon this principal idea but the result is just bad routine; even the weird twist at the end does not save the movie. Good performance by Chandler. I give this a 4 (four).

Sentiment: negative
Three words: What a pile..... Two words: Don't bother! One word: Sucked! There are zero reasons to see this movie. Even those Seagal groupies should shy away from this movie. The martial arts, the typical Aikido, are horrible. The martial arts moves themselves are fine but the cinematography is pathetic. The movie actually goes into slow motion whenever Seagal give his "kill move" to his victims. Worse yet, is shows the same move three times in rapid succession from three slightly different angles. How stupid. Seagal's acting was plain stupid, but I still give this movie a "6" for acting because of the supporting cast whose "villain" roles were actually quite entertaining.

The plot is just dumb. Seagal plays a Federal Express agent with a license to kill. His character also has that dedicated work ethic which means all of his packages get delivered to the correct people on time - at no extra charge - and nothing stands in his way. Not assassins, political leaders, explosions, or even death.

I expect a certain level of violence in a martial arts film, but there are several scenes in this movie of random and horrible acts of violence that lend itself in no way to the advancement of the movie or its story. There is a reason this movie went directly to video and there are tons of reasons to avoid it. No one should bother with this tripe.



Sentiment: negative
I chose this movie because I was looking for a triangle friendship between a girl & two boys. As I lived this situation and get lost in it, I hope a similar story would inspire me. 

My major concerns are: - Why (a) & How (b) the triangle forms ? - Why (c) & How (d) the triangle degenerates ?

(a) The movie offers a plain answer: "because it's better !". 

(b) here, it's an open triangle: the three share things together. Mine was a closed one: every ones knows the others but never the three are together or speak about the missing one: 

(c) The movie doesn't offer spoken explanations but rather prefer visual & emotional assumptions: the end comes with sensuality, sexuality coming up in the triangle, or more accurately, when for one member, deep feelings are tied with intimacy, and, as for the latter and the former, they can be divided. I agree with that.

(d) In the movie & in my story, silence is the proof that something isn't well.. And in a ironic and painful way, the tool for this sad times, is always the phone: I lived this dreadful planned phone-call: "Call me back: I wait you" and when time comes, the phone is silent. A variation is also shown, when the line is connected but one refuses to speak All those scenes were very very hard to see for me.

If the movie was a great help in that way, he got also a lot of flaws:

- I zapped on the boy's family problems

- why the shower scene on the DVD cover is cut on the movie? 

- how Mickael gets finally into the hotel ? 

- is Clément always seeing Salomé ? he says "no" but has her address; and who is the girl with him in the bar: his girlfriend ? how can she knows about the address ???

- what finally happens to Vanessa: the ring at the final shoot is a proof of engagement ??? with whom ?????

Sentiment: negative
If you love The Thin Man series, you will love this movie. Powell's character of Vance is very similar to his character of Nick Charles. There are even dogs. . .

The chemistry between Powell and Astor may not be as fabulous as Powell and Loy, but it isn't half bad.

Sentiment: positive
Wow! An amazing, lost piece of Australiana AND a lost 70s glam-rock film rolled into one. This film warrants viewing simply to see what can be done with next to no budget but a lot of enthusiasm. As a retelling of the Oz story, the film borders on becoming too obvious but it is saved by it's eccentricities. The chance for a glimpse at how glam rock manifested in Australia will delight fans of the genre. This film used to be double featured with the Rocky Horror Picture Show, an indicator of the type of film that Oz is. While not as frivolous or well constructed as RHPS it's hard not to have fun with Oz.

Surprisingly, Oz has aged well- perhaps a by-product of how determinedly set in the real Australia of 1976 it is. The passage of history shows that many of the ideas being explored would eventually enter the mainstream. The willingness of the film to give prominence to gay characters is notable, especially as it dates to the 'revolution' period for the Australian gay rights push.

The performances range from flinchingly amateur to finely nuanced brilliance. The direction is lacking in subtlety and much of the dialogue may have benefited from an extra draft or two. Somehow, these flaws add to the appeal of the film which is mercifully unpretentious. Much like Australia in the 1970s this film has a certain naive charm.

There are several connections to the original Australian stagings of the Rocky Horror Show which will keep obsessives on their toes.

Oz is most certainly a minor classic and a potential cult favourite worthy of review. Laugh at the atrocious 70s fashion, swing along with the AusRock soundtrack, leave ANY expectations at the door and Oz is likely to delight.

Sentiment: positive
This film offers many delights and surprises. When Achille and Philippa beautifully sing a duet from "Don Giovanni" that perfectly describes their situation in the movie, you appreciate the subtle layers of this excellent film. The story unfolds in 18th century Jutland and the use of period music played on period instruments is just one more fine touch. You share General Loewenhielm's exquisite joy in his partaking of the Cailles en Sarcophage even though you are just watching a movie - but you do wish for just a small sample to savor.

Babette is an artist whose medium is food. Perhaps no other art form allows the artist to share her creations so directly.

The main theme of this movie, the potential that the sharing of food has to transform how people see each other and how they see the world, is much the same as the theme of "Chololat," but "Babette's Feast" does not hit you over the head with its message. The townspeople are conservative puritans, but not exaggeratedly oppressive. You come to understand and respect them and ultimately to appreciate their humanity. 

Many issues are raised for you to reflect on: the nature of art, the contemplation of paths taken and paths not taken, the relationship between the spiritual and the physical, the effect of environment on behavior, the taking of life to give life, among others.

The only disappointment for me was General Loewenhielm's speech delivered at the climax of the meal. I expected deep heartfelt observations, but I got some vague mystical ramblings. The speech had such a minimal impact that I hardly remember it.

But this understated film leaves a lasting impression. The warmth it generates is in contrast to its austere backdrop. You will leave the theater wanting to go out and dance under the stars.

Sentiment: positive
very badly made film, the action/violence scenes are ridiculous.

1 point for the presence of Burton and Mastroianni + 1 point for the real tragic event of the massacre of the innocent italians: 2/10.

Sentiment: negative
The good news for IMDb is that this movie was so very bad that it compelled me to register and make a comment. I should add here that I'm a film buff who rarely passes harsh judgment. But sometimes a movie is so poorly acted, poorly conceived, poorly edited, with a such a poor story line that it begs criticism.

I'm surprised by all the claims of how superb, brilliant, dark, and beautifully shot this movie was. I can only conclude that the cast and crew are active posters here. The acting was extremely thin. The pace of the movie was agonizing. I gave it new chances at every turn (mostly because I didn't want to feel like I was wasting a Saturday morning in NY), but with every new scene, it dragged longer, delivering characters in which I took no interest, with which I could not connect, for whom I could not empathize.

When I see negative reviews on IMDb of small independent films like this, I sometimes wonder if the poster has a personal axe to grind (something like. . he used to date the gaffer, she dumped him, and now he's going to trash everything she ever works on). But here, nope. I know no one who worked on this film. And I wish it would have been great. But the film wasn't dark (as some have mentioned) or depressing (as others have claimed). . . those suggest that I connected with the film . . . nope, Henry May Long was just too long, empty, and tedious. 

That's the Tomas Take on this one.

Sentiment: negative
All budding filmmakers should watch this movie - it is like a masterclass in digital film- making in itself. Some of the scenes look like they have been shot on much higher production values than what they really have been. It is very encouraging that such a well crafted piece of work can be made on a low budget. The acting is very good, and the characters are very interesting, particularly that of the lead boy (John Kielty), who manages to play a teenager experiencing difficulties whilst remaining really likable. His beautiful but fading mother was also very well portrayed, and the relationship between her and her boss was very intriguing. This is a very quirky, interesting piece and I will be looking for anything else made by the same team. The director is certainly one to watch.

Sentiment: positive
A friend told me of John Fante last summer after we got into a conversation about Charles Bukowski. I did not know that Fante was a favorite writer of Bukowski's - an author with similar edge and humor except from one generation earlier. 'Ask the Dust' was the first Fante book I read, and it remains one of my favorite novels. The novel was a brilliant piece of writing about a sad, frightened young writer posing to himself and the outside world as an overconfident, masterfully talented author who had no idea how to write about the real world experiences he had none of. In the novel the protagonist is a virgin, with no idea how to win the graces of the women he desperately wants to write about in magazines. The story of his bizarre relationship with Camilla, how he settles for his first sexual experience with a 'wounded' admirer, and how he eventually is left with nothing but the story of his failed attempts at love is biting and real, with no touching Hollywood ending. The film adaptation stays true to the book for a while, but meanders into the cinematic trap of love persevering through racism, sickness and death. The heart of this story lies in the fact that Bandini is a jerk and Camilla is f-ing crazy, and their love never was and never would be the real thing, no matter how much either of them wanted to find it in each other. This movie tore out the real meaning of the story out and replaced it with schlock. I can't believe the man who wrote Chinatown could read this book and make a movie about it that got it so wrong.

Sentiment: negative
First of all I hate those moronic rappers, who could'nt act if they had a gun pressed against their foreheads. All they do is curse and shoot each other and acting like cliché'e version of gangsters.

The movie doesn't take more than five minutes to explain what is going on before we're already at the warehouse There is not a single sympathetic character in this movie, except for the homeless guy, who is also the only one with half a brain.

Bill Paxton and William Sadler are both hill billies and Sadlers character is just as much a villain as the gangsters. I did'nt like him right from the start.

The movie is filled with pointless violence and Walter Hills specialty: people falling through windows with glass flying everywhere. There is pretty much no plot and it is a big problem when you root for no-one. Everybody dies, except from Paxton and the homeless guy and everybody get what they deserve.

The only two black people that can act is the homeless guy and the junkie but they're actors by profession, not annoying ugly brain dead rappers.

Stay away from this crap and watch 48 hours 1 and 2 instead. At lest they have characters you care about, a sense of humor and nothing but real actors in the cast.

Sentiment: negative
Do you like explosions? How about fighting? Well, this movie has both of those. You know the other thing you can't have a movie without: a kick ass motorcycle, the type that bounces off someone's head and knocks them out at the same time. You bet the Stabilizer has one. There's even a classic cliff scene.

All in all, I'm quite proud that I have even seen this movie...and even prouder to have my review be the first one...YES!

Sentiment: positive
Married To The Mob was one of the first VHS tapes that I had along with Coming To America and Grease. I still have fond memories of this film after all these years. Hell, I still have the VHS of this film in good condition.

The story: Undercover cop Mike Downey(Matthew Modine)is sent to spy on Angela De Marco(Michelle Pfeiffer) the wife of the slain mafia member Frank "Cucumber" De Marco(Alec Baldwin). He later falls in love with her after he realizes that she is innocent in all this. Angela not only has to deal with the unwanted advances of mob boss Tony "The Tiger" Russo(Dean Stockwell), she also has to deal with his jealous wife Connie Russo(Mercedes Ruehl).

Married To The Mob is funny and still keeps your interest when its not trying to be funny. I like the little jabs it takes at mafia life(the jealous mafia wife, the mob boss that doesn't realize that he is not a chick magnet etc) and you like the characters of Angela De Marco and Mike Downey. It was the last of the funny phase of Johnathan Demme before he got serious and gave you gems like Philadelphia and Silence Of The Lambs(best thriller of all time). If you're in the mood for comedy, Married To The Mob is a keeper. Its better than the rubbish that passes for comedy nowadays(Epic Movie, Date Movie, Meet The Spartans, Disaster Movie etc).

Sentiment: positive
I had hoped this movie was going to be mildly entertaining, like other sorts of its genre. However, it was lame and I didn't find myself laughing very much. Watch it on HBO, maybe, or if you've got a free rental to waste and you need a movie to pass the time. But I don't recommend paying to see it.

The plot is simple and straightforward, and it could have been funny, maybe, if the script was better. Jason Lee can be hilarious, and he gets a few laughs here and there, but the movie falls flat. Just don't go see this one. The directing is lackluster, but for what it is, directing isn't that important. I guess its main drawback is that it is just not very funny. See something else, don't waste your time here.

Sentiment: negative
You may consider a couple of facts in the discussion to be spoilers.

I'm sorry, but Spielberg didn't deserve to win any Oscar for this piece, and I think the Academy was right in that vote. (Other Oscars for best actor nominations and such... that I don't know about. But it would be hard to justify, given what they were told to do and what you see in the final product.) The way Spielberg directs this is so contrived, so meddlesome. While watching this movie a distinction made during a Film as Art course I have taken was screaming at me: "Sentiment is honest emotion honestly rendered. Sentimentality is sugary and unreal, a false view of life." This is over-the-top sentimentality. When in real life to two people ever begin to read out loud in synchronicity, as Celie and Shug Avery do when sitting on the bed going over the letters from Nettie they have found? There are examples of this type of faux behavior throughout the film: all the men crowding around Miss Millie's car and then jumping in unison like a flock of birds taking off when she goes to drive away; Harpo falling through the roofs of various buildings he's working on (a cheap slapstick gag); the whole troop of revelers heading from the Jook Joint en masse to the chapel, as if magically entranced by the choir's singing... on and on. Nothing rings true. I even wondered if Harpo's name was chosen purposefully because it's his wife Sophia's real name, "Oprah," backwards. Spielberg isn't above such "cuteness."

It's not that Spielberg is incapable of honestly rendered action and emotion. Schindler's List was amazing, deeply touching for me, and I greatly admire Saving Private Ryan too for its realism, even if the story is a bit contrived.

Sentiment: negative
The first time I saw a commercial for this show was when my sisters were watching the Kim Possible movie. The commercial showed Sadie and her friend discussing the meaning of the word nothing.It is one of the stupidest commercials I've ever seen. Basically, they go back and forth with lines like "Nothing is a thing, so technically nothing is something,". When I saw that, I figured it would be yet another lame Lizzie Maguire knockoff by Disney. But I had no idea how bad.

Fast forward about 3 weeks, when my sister turns on the T.V. Naturally Sadie happened to be on. What I saw had to be one of the most unintentionally funny shows I've ever seen. How'd it go? Something like this:

Sadie, a vegetarian tree hugger, has an incredibly unhealthy,obsessive crush on the very monotone and poorly acted acted out Owen. For some reason, her friend Margret decides that Owen needs to be "tested" to see if he is as good as he seems. What exactly do these tests involve? Well, one thing they do is put a cockroach on her notebook. Why? So that she can be squeamish and ask her monotone knight in shining armor to get it off.How is this a test? Because if he squishes it, he's mean and uncaring and doesn't believe that bugs, as Sadie puts it, "are innocent animals too,". THEY SPREAD DISEASE AND PESTILANCE! THEY DESERVE TO BE SQUISHED! But of course, Owen just brushes it out the window, and Sadie is still in love. But that's not all! Margret says he needs to be challenged one more time, on something that "no guy can pass". This one involves shoving scarves down their pants( yes, you read that right)and walking buy him to see if he notices their large butts. Predictably, he doesn't notice, and we see Sadie in her bizarre and strange notebook world. Sadie decides that she wants to be with Owen forever,raise a family with him, and as she puts it, "live like wood ducks with their brood,". That's just plain wrong.

Bottom line: This is the strangest, most insane show I've watched. For those who like to make fun of dumb stuff, you'll love it. For anyone else, skip this show.

Sentiment: negative
It took a loan out film to Columbia for Gene Kelly's home studio MGM to realize his creative talent and give him some control over what he did in his own films. Cover Girl also became Rita Hayworth's signature film for the GIs and their pinup fantasies during World War II.

Kelly plays the owner of a small nightclub in Brooklyn where Rita is a featured dancer and Phil Silvers the comic. Of course Kelly does a bit of hoofing himself there.

Hayworth comes to the attention of millionaire Otto Kruger when it turns out that Kruger had loved and lost Hayworth's grandmother. In some flashback sequences from the gaslight era, Hayworth also plays her own grandmother with Jess Barker playing the young Kruger. You might remember Jess Barker was the husband of that other legendary screen redhead, Susan Hayward.

Broadway producer Lee Bowman also is attracted to Hayward, but he's not interested in nostalgia. He wants her for his Ziegfeld Follies revue and in fact the biggest number of Cover Girl is the title song of the film. It's nicely done in Follies style.

Hayworth also gets to sing A Sure Thing in a gaslight era number and in the only song in the show not written by Jerome Kern and Ira Gershwin, Hayworth also does an old English music hall number Poor John. When I say sing, as everyone knows Rita mouths words. Singing here is done by Nan Wynn.

The biggest hit of the show is Long Ago and Far Away which is introduced by Gene Kelly. It was one of the biggest hits of the World War II era and one of the biggest sellers Jerome Kern ever wrote. It happens in fact to be a favorite of an aunt of mine who with my uncle will be celebrating 60 years of marriage this September. Long Ago and Far Away was nominated for Best Song, but lost to Swinging on a Star.

What really sets Cover Girl apart and what makes it a milestone film for Gene Kelly is the two numbers Put Me to the Test and the Alter Ego number. Harry Cohn decided to do what Louis B. Mayer had refused at MGM, to give Kelly creative control of his own material. Kelly later said the alter ego number was one of the hardest things he ever attempted in his career. In it he dances with a pale reflection of himself and the choreography is dazzling and intricate. 

In fact after one more loan out film, Christmas Holiday at Universal, Louis B. Mayer never loaned out Gene Kelly for the rest of the time he was at MGM. And he did get creative control from then on.

With that dazzling technicolor cinematography and Rita's red hair and Gene Kelly's boundless creativity, Cover Girl was and is a classic and will forever be so.

Sentiment: positive
This supernatural Peter Weir thriller is truly one of the most haunting and fascinating movies ever seen. Richard Chamberlain does his best performance here as the Australian lawyer who defends a group of young Aborigins accused of murder. As he gets closer on the case, he discovers more about the main defendant, Chris, and not least about himself. Chris tells him that he is a Mulkurul, which appear to be a race of supernatural beings that lived in Australia thousands of years ago. At the same time, extraordinary high rainfall seems to confirm the Aboriginal prophecy of the coming of the LAST WAVE, the one that will drown the world.

The dream sequences and the supernatural effects enhance this movie and make it a spectacular experience. Olivia Hamnett and David Gulpilil are solid in the supporting roles, as well as the chap with the difficult name who plays Charlie, the old Aborigin who can turn into an owl. The climax and the ending don't disappoint, in contrast to many other supernatural thrillers who fall flat after a promising hour or so. However, this can not be called a pure thriller. It is a drama as well and talks about spirituality and spiritual identity in the modern world. A masterful work by Peter Weir, the master of visually stunning dramas.

Sentiment: positive
This movie just was not very funny. There's not much else to say, other than that it was kind of embarrassing for Laurence Fishburne and David Hyde Pierce, both of whom deserve much better than this. Also, I don't understand why, after this movie completely and utterly bombed, WB insisted on making it into a TV show.

Sentiment: negative
While I agree that this was the most horrendous movie ever made, I am proud to say I own a copy simply because myself and a bunch of my friends were extras (mostly in the dance club scenes, but a few others as well. This movie had potential with Bolo and the director of Enter the Dragon signed on, but as someone who was on set most every day I can tell you that Robert Clouse was an old and confused individual, at least during the making of this movie. It was a wonder he could find his way to the set everyday. I would also like to think that this might have been a better movie if a lot of it had not been destroyed in a fire at Morning Calm studios. I can't say that it would have been for sure, but it would be nice to think so. I was actually surprised that it was ever released, and that someone like Bolo would attach his name to it without a fight. Oh well. Also look at the extras for pro wrestler Scott Levy, AKA Raven. He was a wrestler in Portland at the time...nice guy, very smart.

Sentiment: negative
While the acting and directing could be argued as having some merit - the storyline is a very poor wannabe Vietnam movie with the country name simply changed.

At the very least, for a movie to hold some credibility, try and have some semblance of accuracy in equipment, weapons and tactics. Nevermind the gross misrepresentation of the behaviour of the troops as a norm.

Aside for the limited use as silly propaganda about the South African Defence Force, it serves little purpose - definitely no entertainment value.

Aspiring movie makers - this is how not to make a war movie. Do some research, and have some pride in your product.

Sentiment: negative
I desperately need this on a tape, not a DVD, and soon!

I have one nephew who is in the infantry but has not yet deployed, although he set to go to Iraq soon after December 2008. I lost my beloved step son in Ramadi Iraq on 09-15-05 from an unmanned missile in a green zone. I have another nephew who is joining the army as soon as he graduates from high school this spring because he, like his older brother, has some idealized and romanticized idea about what serving in the military is. My stepson died after only 10 days in country and he never went out on any missions so my nephews have no way to reference any of the experiences shown in this candid documentary from any type of personal experiences that might have been conveyed by my now deceased son. 

There is nothing I can do about those who are in, or now gone, but I have one left that has not raised his hand and been sworn in YET. I desperately want him to do so informed, none of the others did.

Pleases help me with this.

The movie documentary The Ground Truth is the best visual reference I have ever seen. I need to somehow make my youngest nephew see what he is getting himself into before it is to late. BUT: ( do not laugh )I NEED my mother to see this first. She must actually see and hear these men and women, not simply the idea of them, but the truth of what they will be immersed in, possibly forever. Then she will have the emotional determination to make my brother watch this film and once he has then he may then make his son, my youngest nephew, watch it too. Then, my nephew might begin to take this seriously. 

((( is there another time when this will be shown on TV ? if so please tell me when ? )))

However, my problem is, my mother does not own a DVD player, she still uses video ( is that correct? with tapes ? ) So, I need to find a way for her to be able to watch this film. Can I purchase this from anyone in that form? If not, is there any other way for me to get this in the form of a tape from anyone? Is there any legitimate link from which I can pay to download it onto my computer and then transfer it to a tape. If so who would I contact. I will gladly pay for the privilege providing it is a legitimate link. 

Or,if you have any alternative ideas I will consider anything you can suggest.

Please help me, I have lost one very precious adored and loved one already, I already know my oldest nephew will never be the same when he returns and I may loose him too. I cannot loose three and the emotional toll for all of those that do make it back is too high a price to pay for every male child in my family of that generation. Please help me. I will happily call you, email me a number if that is the best way to get the needed information. Thank you so much for any help you can offer.

Sincerely, Lori Swanberg l.swanberg@yahoo.com

Sentiment: positive
This is by far and away the stupidest thing I have ever seen on celluloid. I mean, we started watching it assuming it was a "skinemax T&A flick", but aside from a couple boobs, that was it. I mean, I get the point of making stupid movies in order to show some sex scenes, as they are the sole reason for a movie of that kind to be made. This movie, however, has no sex scenes, and really has no point at all. There is no linear time, the scenes travel around like a fart in the wind, people show up for no reason, then leave, and it is never explained, the plot is never advanced, and nothing happens. I have never been as flabbergasted at how bad a movie was until I saw this. Has the director even been to a film school? Has he ever seen a movie? I don't know, but from the looks of it, he seems to have made some moron proud with this piece of crap, as he is still working. I literally walked away from this movie dumber, but I still recommend watching it, as it should be shown in every film school of the country as an example in what not to do when making a film. Move over PLan 9 from Outer Space, you have a new contender for worst movie ever made.

Sentiment: negative
I have no idea why this flick is getting such a bad rap by so many IMDb users (Some are saying it's his 'worst movie ever.' What?? Haven't any of you seen Cradle 2 The Grave?) My favorite criticism is that the plot is totally stupid, and just an excuse to hang all of the action sequences on. Duh! What the crap were you expecting from a Jet Li movie? Did you honestly believe that someone thought up the story, then just loaded it up with action? Of course not! Black Mask is awesome, wall-to-wall action throughout nearly it's entire running time. It's also deliciously gruesome, and we get plenty of severed limbs, decapitations, and creative ways of watching the bad guys (and quite a few innocent people, too!) get slaughtered. Most of Li's other martial arts films are nursery-school when compared to Black Mask; there is no holding back on the gratuitous violence, bloodshed, or action sequences whatsoever! And that made me a happy camper. Again: if you go into a Jet Li movie expecting magnificent dialog and an intriguing plot, you are going for the wrong reasons. Black Mask is probably my favorite of his movies (though, beware of the horrendous dubbing).

Sentiment: positive
I have to confess that I slept in the cinema while watching the first Asterix movie... but this one is simply FANTASTIC! It is really funny and it leaves the first one miles away. It has enumerous gags and funny situations that made me laugh since the first minutes of the movie and I only stopped laughing when I reached the car to return home. I repeat: this movie is spectacular... Obelix is really funny and Cleopatra is a real babe!!

Sentiment: positive
I watched this movie 11 years ago in company with my best female friend. I got my judgment teeth pulled out so I didn't feel very good.

I ended up liking it big time. It's a hard watch if you take in account that it deals with friendship, unwanted betrayal, power, money, drug traffic, and the extreme hard situation that deals with living in a foreign jail.

The acting is on it's prime level. Two of the women that I lust the most star and that's a good thing. Claire Danes is as cute and charming as always while Kate Beckinsale is extremely hot and delivers a fine performance. Bill Pullman is also great and demonstrates his histrionic qualities.

There are many plot twists to dig from and make it an interesting visual experience. Plus it shows the difficult times at Thailand.

This is an underrated movie. Not many films like this one have come up in recent history. It should make you reflex about many things...

Sentiment: positive
"Americans Next Top Model" is the best reality show! I was entertained 99.9 percent of the time watching it.I kept my eyes open the entire time. (well, I did blink) It can be sad, funny, or addicting.(mostly addicting)"America's Next Top Model" kept me wanting more and that's pretty much the point. It is also on more that one channel. Sometimes it's on MTV other times it's not. I hope it gets more fans and grows to be a hit series! It's great for pretty much all ages so every can enjoy it! :)

Also, if you watched the show before, haven't you noticed that Tyra has a different hair style each time in the judging room? She'll have it short and curly one week, and then long and straight the next.

Sentiment: positive
What a bad, bad movie! I tried watching without fast forwarding...That failed. After about 30 minutes I stopped the movie, went on-line to see how many minutes this disaster was. (Only 84 minutes, Whew!) It was a confusing, boring movie. I don't think anyone can get knocked down by getting hit with a fluorescent bulb much less gutted by one!! The one funny thing is that I watched "The Killer Cut" version of the movie. The box boldly states "More Blood!" "More Sex!" "More Terror than the theatrical release!" Yikes! If this movie was horrible with all those claims I wonder just how lame the "UN-Killer Cut" was??? If you want to see a great movie about the world of the living & the world of the dead watch any of The Night of the Living Dead series!!

Sentiment: negative
This is definitely one of the weirder 70's movies out there, and it's most notable for kicking off a decade of Bigfoot hysteria. It is also notable for the little touches of insanity throughout the movie, especially when the dark, moody first half is replaced by a MUSICAL INTERLUDE of all things (as another user pointed out, one of the songs is dedicated to a character, Travis Crabtree, who paddles around in a canoe for a while, then... leaves, never to be seen again). Although it's painfully dated now, i's still a fun scary movie to show to kids, and anyone who enjoys either Bigfoot lore or 70's hillbilly culture is bound to get a kick out of this. My favorite part: a guy gets so scared that he jumps headfirst through a door (!?) and the narrator explains he went unconscious from "shock." Uh, I'd say breaking a door with his head is more likely why he went unconscious, but whatever.

4/10 stars, or 7/10 if you like bad Americana.

Sentiment: negative
Despite this production having received a number of poor reviews, it actually holds up quite well for its age. Note also that it is not a BBC programme, it was simply licensed to them by Granada Ventures when the Jane Austen collection was released on DVD.

So how does it compare with other adaptations of the same novel? The most well-known version these days is the 1995 film with Amanda Root as Anne Elliott and Ciaran Hinds as Captain Frederick Wentworth. That film was of course shorter but a good snapshot of the story - the earlier version, with Ann Firbank and Bryan Marshall in the same roles, had four hours to tell the story and moved at a more leisurely pace.

Firbank is a good ten years too old for her role, but she is very good - Marshall is excellent as Wentworth, a man disappointed in love, and bitter about interference. And hidden in the cast are people who also contribute - Michael Culver, later seen in Cadfael, as Harvill; Richard Vernon, later seen in the Hitchhikers Guide to the Galaxy, as Admiral Croft; Noel Dyson, earlier in Coronation Street, as Mrs Musgrove.

One criticism I do have is that the hairstyles are a bit distracting, and that the costumes are awful! Still, this shouldn't detract from a hugely enjoyable Austen adaptation.

Sentiment: positive
"I haven't laughed this hard since granny got caught in the wringer," says one of the potheads in this hilarious quasi-spoof of all those Val Lewton and George A. Romero walking-dead movies we have come to love (or loath, depending on your personal taste) through the years. 

In this story, a young actor pair play a ghoulish prank on the rest of their troupe after, one spooky night, they visit a cemetery island. Their artistic director, Alan, pretends to bring the dead back to life by conducting a highly stylized ritual.

Way too much screen time is misspent; the amateur dialog includes lame witticisms, melodrama and other kinds of unnecessary filler commentaries (And can't Alan stop that irritating laughter... way too much!). Once the action kicks in (which comes close to the end of this film), it's worth the wait. 

I saw this one on a late-night, local station television program that ran films very much like this one... only this one scared me at the age of 13... but then again, you might laugh your way through it, until the bitter end... ...which is probably the reason, nowadays, why very few people still wear striped hip-huggers.

Sentiment: negative
I really must watch a good movie soon, because it seems every other entry or so is something that I despise. However my history speaks, I must not tell a lie. Bobby Deerfield and everything about it sucks big green banana peels. I never thought that I would see a film thud as thunderously as this one did. Al Pacino isn't acting in this film: he's posing. There are many, many scenes of his character, who is a race car driver, just staring at the camera. He's perfectly awful. Marthe Keller is just as bad. These two are supposed to be in a love affair, and there is simply no chemistry whatsoever. Sydney Pollack directed this film? There's no trace of the genius behind Tootsie here. Is this the same man I cheered for in Eyes Wide Shut? I can hardly believe it. Save yourself a horrible movie experience. Run, don't walk, away from Bobby Deerfield.

Sentiment: negative
This is pure CRAP, and probably the worst Biblical theme film ever... Absolutely inaccurate, I mean, they've put Sodom and Gomora BEFORE the great flood. They've described Lot as a friend of Noah although he lived after Noah. To make things worse, later Lot became a pirate and attacks Noah's Ark during the flood!!!??? And what's with the merchant who comes along on a boat which is moved over the water with a bicycle mechanism??? And exchanges alcohol for a food and water, and then Noah is portrayed as alcoholic!? Mockery, and continuous blasphemies one after another, and it goes on and on, and on... Film maker and all participants surely secured themselves the front row in hell with this garbage...

Please stay off this crap, because you will save yourself nearly three hours of your life.

Sentiment: negative