DoubleML/multimodal_confounding huggingface dataset:
Honestly, one of the worst written, directed and acted movies I have ever seen. Seemed like a made-for-TV movie. And a bad one at that. I cannot believe that people are still hiring Danny Huston after seeing him in this movie, or that they are still allowing John Sayles to make films. My husband and I came across this movie on TV one night and got so bored with it, we ended up cleaning the house while it was on . . . and it still bored us! It made me think that critics have been so gullible with Sayles' previous films, such as Lone Star, which was raved about at he time but didn't really add up to much in the end. Spend your time on something better. Anything.

Sentiment: negative
As far as the Muppet line goes, however, this is not the best, nor the second best. This was marketed towards the kiddies, but has some dark, and emotionally upsetting adult moments, to which parents may not wish to expose their children. One of which showcases Miss Piggy going "postal" in a jealous rage, which lasts basically throughout the duration of this work.

Beyond that, however, the story is progressive, and highly entertaining. One scene in which Joan Rivers and Miss PIggy go berserk in a department store is simply hilarious! And there are other parts of this work which contain the same level of levity and fun.

I like this very much, and enjoy it still today.

It rates a 7.6/10 from...

the Fiend :.

Sentiment: positive
It seems a lot of Europeans and Americans see Indian movies for the wrong reason; I see some people are complaining that this movie did not have any dance sequence! A class apart from their Hindi counterparts, Bengali movies tend to be more realistic. Rituparno Ghosh is one of the best young directors in India, being widely known for his choice of subjects for the movies and the strength of his scripts. 'Chokher bali' is a perfect example. A faithful adaptation of the Nobel laureate Tagore's novel dealing with the pursuit of sexual pleasure of a Bengali widow, the director gives a new dimension to the much acclaimed and controversial work.

Sentiment: positive
Starring: James Belushi; Peter Dinklage; Alex Neuberger and Jason Lee Underdog is a true hero's tale. Here is the story of Shoeshine, a regular, playful little beagle. When he is dog napped by a megalomaniac midget hell-bent on destruction, something freaky happens.

Our quirky little neighborhood pooch gains extraordinary powers. He can run as fast a cheetah; fly as fast a superhero and has the power of thunder. He is no longer Shoeshine; he is Underdog  the best crime-fighter in the animal kingdom. The city cannot sleep until Underdog rids it of the evil midget Dr. Simon Barsinister and his cronies.

If you fancy some really light-hearted entertainment with all the clichés of superhero action flicks, then this one is for you. As for quality entertainment, this one is strictly for the juniors. Those of you hoping to enjoy the comedy of the fast-fading star -James Belushi - a word of caution: this is not one of his finer works.

Sentiment: negative
The theme is controversial and the depiction of the hypocritical and sexually starved india is excellent.Nothing more to this film.There is a lack of good dialogues(why was the movie in english??). There was lack of continuity and lack of passion/emotion in the acting.

Sentiment: positive
Lame movie. Completely uninteresting. No chemistry at all between Indiana Jones and the guy from Black Hawk Down. The car chase scene just goes on and on and on ad nauseum. They manage to switch vehicles a few times, but always end up right on the tail of the baddies. The scene where Hartnett grabs the family's car with the crying kids in the back was just as stupid as could be. He is telling them about Eastern philosophy and how it is all right to die, which I imagine the writers thought was funny or even witty. It just came off as moronic, totally unbelievable and even cruel.

Some subplots weren't even explored, they were just used as filler. Why does Hartnett get sick seeing dead bodies yet keeps ordering burgers at crime scenes? Why, and on what grounds, is the bad IA guy suddenly arrested out of the blue by the chief? Why can IA pick up the buddy cops and then just let them answer their phones or pretend to be Indian mystics and then just let them waltz out of there without so much as a slap on the wrist? For some reason, even though Ford is uncovered as a cheat and a fraud when acting as a realtor, (he makes up the prices when he is trying to sell the producer's house to jack up his own commission), they keep coming back to him anyway! They knew he lied to both of them! Yet there they were, coming to terms that both said they would never go for. Stupid, just stupid. This is also one of those cop movies where they just fire wantonly on public streets with no care in the world for innocent bystanders. There they were, just standing on the sidewalk blasting away while people ducked for cover. Amazing that they didn't hit a single person after having fired about 60 rounds each....

The scriptwriting was terrible, the action sequences were boring, the plot just a sidestory to a very pathetic attempt to have us root for Ford and Hartnett. It fails miserably. And Ford's phone! Turn the damn thing off! How many times could it ring in a 2-hour movie? 50? 60? It was frustratingly aggravating by the midpoint in the movie! Every 30 seconds, that stupid tune would play! And if it wasn't Ford's, then Hartnett's was ringing! It was incredibly annoying!

Complete waste of time, Ford's worst movie since 6 Days 7 Nights, which was without a doubt, the lowest point of his distinguished career.

Sentiment: negative
I saw "Myra Breckinridge" when it first came out in 1970. I was a healthy 20-year-old at the time, who loved movies and really liked Raquel Welsh. On top of that, I had read the Gore Vidal novel it was based on and thought it was very funny. I saw the movie at a local drive-in and about half way through I was sorely tempted to turn the motor of my car on so that maybe I'd die of monoxide poisoning and not have to see the rest of this shipwreck of a movie. It wasn't "smart" or "trendy", it was gross and sloppy. All the actors were tone deaf and the director didn't have the slightest idea what he was doing. The casting of Mae West was one of the worst casting choices in movie history. As one reviewer here said, her role had nothing to do with the movie or book. Her character in the book is sexually beaten up by the young stud, which would never do for the legendary Ms. West. Oh no, the plot is changed so she sexually beats HIM up, very believable from a 77-year-old woman who looks every DAY of her age. I could go on, but why? It was an awful movie.

Bluto

Sentiment: negative
Production line collection of fart jokes that pretends 'Babe' was never made; the writers clearly hoped that the gimmick of seeing animals talk would be enough to keep the movie going. It's not. Eddie Murphy sells out yet again as a doctor who rediscovers his forgotten childhood gift for understanding the incessant and witless chatter of guinea pigs, tigers, rats, dogs and pigeons. The voice cast is impressive (Albert Brooks, Julie Kavner, Reni Santoni, John Leguizamo, Garry Shandling, Ellen DeGeneres, Paul Reubens, Brian Doyle-Murray) but the script is so unimaginative, charmless and depressingly unfunny that the whole thing rattles down the bin chute pretty quickly.

Sentiment: negative
It was a terrific movie! I like to watch it again and again. The actors were awesome. The movie kept me on the edge of my seat. I would recommend this movie to anyone. I wish Lifetime would put this movie on DVD. I would most definitely purchase a copy. This movie just proves that you should be very careful about who you get hooked up with. You may think you know someone, but you never know. My daughter watched the movie with me. She thought it was great. All I know is, I will watch this movie every time Lifetime airs it. It's the kind of movie that keeps you glued to the t.v.I wish Lifetime would redo the movie, but use the same actors, and bring it to the big screen.

Sentiment: positive
This film set the standard for all rock biopics to follow. It accomplished this through the energetic performances of the leads, the steadiness of the camera-work (avoiding 'rock-video' clichés that were actually invented for the Beatles in their first two films), tight editing, and a non-judgmental presentation of the star as human being rather than symbol or god (or demon). Yes, there are minor holes in the plot, and incidental details that are a little unnecessary, and there will always be debate between families of those personally involved as to specifics. But the issue here, as in the much more recent "I walk the Line" or Carpenter's famed TV Elvis biopic of the same era, is whether the meaning of the performer's life, in its time and place, as a catalyst for fans' ideals and appreciation, is made manifest in the performance, and this is clearly the case here. We come away from this movie understanding not only how Buddy Holly became a star, but why. I don't see what else one could want from the film.

Sentiment: positive
Its about time that Gunga Din is released on DVD. I cannot accurately say how many times I have watched this fine film but, I never tire of it. The lead actors worked so well together. Victor Mclaglen (Sgt McChesney), Cary Grant (Sgt Cutter) and Douglas Fairbanks Jr (Sgt Ballentine) are an unbeatable team.

I just cannot get over their exploits in India. Your first glimpse at the Sergeants Three, is when you see them engaged in fighting with other soldiers over a so-called treasure Map. The three Sergeants are sent on an expedition to find out what happened to the communications line an they enter a mostly deserted town- or so they think.

They engage in the necessary repairs and soon find a few "residents" in hiding. Soon after they get attacked by a group of madmen and barely make an escape back to base.

Later they are sent on another mission which gives Sgt Cutter a chance to go hunting for the Gold with Din. They find the temple of gold and are trapped by the evil Kali supporters. Din is sent to fetch help and Cutter gets captured. Soon McChesney and Ballentine arrive with Din, and they are too captured.

Faced with being killed, they watch helplessly as their Regiment comes to rescue them. The evil doers watch and are about to spring their surprise attack when a wounded Din climbs onto the golden dome and blows his bugle which then alerts the British to the ambush. In doing this, Din is shot dead.

The Soldiers attack the evil ones and soon defeat them. At the end, Din is honored as he is made an honorary Corporal in the British Army.

Sentiment: positive
Lame plot and two-dimensional script made characters look like cardboard cut-outs. Needless to say, this made it difficult to feel empathy for any of the characters, especially the fiancé; He looked and acted more like a cartoon. In summary, I guess you could say it was on par with your typical made for TV drama. It uses just about every cliché in the book. The tortured classical musician who wants to break-out and play salsa. The free-spirited fiancée engaged to a "bean counter" personality she doesn't love. I won't list them or else it would be a spoiler because I'd be giving away the whole plot. The dancing was OK but nothing special. I've seen worse. 3 stars for good music. The band was really tight. I saw it on YouTube. Thankfully I didn't pay good money to see it at a theater. I'm still a little shocked at how many great reviews this movie has garnished.

Sentiment: negative
Full House was and still is a great show. It's a good show for people of all ages and is also a good family show. There really aren't any shows like it anymore. The kids are very cute and even though it's a bit cheesy, it's still good, especially for anyone who watched it when they were a kid. I would love to see the cast interviewed now. Anyone that would like to see interviews of the cast, kind of like a where are they now type thing for the special features of the DVD, should go to the Petition spot website and sign a petition titled Full House Reunion on DVD as there is a petition for this in hopes that the cast may want to do it. Yay for Full House!

Sentiment: positive
Wicked Little Things (known in Australia as "Zombies") is a rare find  a film that promises one thing but delivers another. It is one of the few genre films to be made by Millennium Pictures, a European film studio known for making various B-grade action films & thrillers, some featuring action star Jean-Claude Van Damme.

Karen Tunny & her two daughters Sarah & Emma arrive in the Pennsylvanian town of Addytown in order to move into a large house that Karen's late husband owned after finding a miner's deed in his effects. Once arriving, they find that the house is very old & in need of repair. But the house's condition is the least of their problems, as they discover that the area is prone to disappearances & Karen is confronted by the area's owner & ordered to move out. Once night falls, the Tunnys find out the reason behind the vanishings: a group of zombie children, killed in a mine collapse in the area more than 85 years ago, come out to kill anything that goes in the woods. With the help of a grizzled neighbour, Karen attempts to end the curse before her & her children become the next victims.

I bought the DVD expecting a film with flesh-eating zombies, but was let down by one thing: the film is more akin to a ghost story than your usual zombie flick, with the dead children being the embodiment of a curse that haunts the woods, taking their revenge on anything that moves around at night (although the internal logic is somewhat flawed  the children can only be appeased by the sacrifice of animals & are repelled by blood wards on doors in the same manner that vampires are repelled by garlic & mirrors  aren't these kids supposed to be zombies?). The plot as such would not be a problem & would actually be entertaining, but the main problem is that the producers adapted a script with the intention of making a zombie film, only to fall flat on their faces with this effort.

As such, a film like this would be okay as a ghost story but, due to a poor script, becomes nothing more than an entirely routine effort. The film's greatest strength is the acting, with the cast giving better performances than the film deserves. Of particular note is Scout Taylor-Compton, who does her role quite well  it's a shame she ruins her genre cred with a very poor performance in the HALLOWEEN remake (or maybe it's just Rob Zombie's script).

Sentiment: negative
La Maman et la Putain has to be watched as a movie that is both related to the time it was released (post-68) and eternal in many respects. True, the actors don't "act" ... True, they talk a lot... But what they talk about is just what makes life worth living... or dying. The very long monologue spoken by Françoise Lebrun is perhaps the most accurate and moving text that was ever written about womanhood, manhood and love. Not easy to translate accurately, though. This movie is a statement about the difficulty of being a man and a woman (or two women in this case). And IMHO, Jean Pierre Léaud is one of the greatest French actors.

Sentiment: positive
For all those bewildered by the length and pace of this film ("like, why does he show spaceships docking for, like, 15 minutes?"), here's a word you might want to think about:

Beauty.

 Beauty is an under-rated concept. Sure, you'll often see nice photography and so on in films. But when did you last see a film that contains beauty purely for the sake of it? There is a weird belief among cinemagoers that anything which is not plot or character related must be removed. This is depressing hogwash. There is nothing wrong with creating a beautiful sequence that has nothing to do with the film's plot. A director can show 15 minutes of spaceships for no reason than that they are beautiful, and it is neither illegal nor evil to do so. 

 '2001' requires you to watch in a different way than you normally watch films. It requires you to relax. It requires you to experience strange and beautiful images without feeling guilty that there is no complex plot or detailed characterization. Don't get me wrong, plots and characters are good, but they're not the be-all and end-all of everything. There are different KINDS of film, and to enjoy '2001' you must tune your brain to a different wavelength and succumb to the pleasure of beauty, PURE beauty, unfettered by the banal conventions of everyday films.

 "All art is quite useless" - Oscar Wilde.

Sentiment: positive
The book was one of Stephen King's best. The movie was pure rubbish. It was painful to remain in the theater until the ending, which wasn't even the same as the book. I guess that this is the result when you try to cram 10 pages of story into every minute. There is no good reason to watch this movie.

Sentiment: negative
It is hard to believe that anyone could take such a great book and and make such a terrible movie.

Imagine King Kong being recast as an organ grinder's monkey and Fay Wray's part being played by a young boy. How about Elton John as Rambo!!!!.This movie is even worse than the TV remake of The Night of the Hunter.

By using the title Watchers and Dean Koontz's name the makers of this movie should be sued for fraud by readers of the book who expected a reasonably accurate adaptation of the book.

Read the book, I have never talked to anyone who didn't like it. Another good book is The Winner by David Baldachi.

Sentiment: negative
Istanbul is a big , crowded city between Europe and Asia.Too many types of people living together there for hundred years.In this documentary movie you can see how music can give description about the culture of the owner race.

You would be able to hear too many types of music including rock , hip-hop , arabesque , alternative and more. Some of the musicians are famous in Turkey , some of them are famous also in Europe. The rest are just street musicians. Their music tell viewers , different faces of a city. 

Impressive !

Sentiment: positive
Wow, what an overrated movie this turned out to be! It was supposed to be "an extremely suspenseful tale of a crazed killer holding a woman hostage and in terror in her home." Well, I doubt it terrorized audiences in the early '50s and I know it would put today's audiences asleep.

"Sends shivers down the spine," proclaims the New York Times. No, the only shivers I get is that anyone is left on the planet who believes anything the N.Y. Times prints about anything.

Well, it was about a deranged man who held a woman hostage for a short time in her house but the man. "Howard Wilton" (Robert Ryan) was actually harmless and friendly. In fact, this was one of the nicest roles Ryan ever played! Yes, "Wilton" was nuts but he never harmed the woman and only wanted a friend to trust.

The film even turned boring after awhile with very little going on except a lot of yakking. 

Beware, my reader.....this sucks.

Sentiment: negative
Winter Kills is a terrible, incoherent and very disappointing conspiracy comedy-thriller from little-known director William Richert. While watching the film, I honestly felt as if I was the emperor in the classic fable The Emperor's New Clothes. The film made me feel like a fool because I couldn't make head nor tail of the serpentine plot and the nonsensical characters. But I felt kind of embarrassed to admit to myself that the film was tying my brain up in knots. So I stuck with it to the end, hoping that the whole tangled mess would untangle itself. Then I realised.... the film is SUPPOSED to be serpentine, nonsensical and illogical, because that's the whole point. This is a satirical look at conspiracy theories and theorists, with the knotting-up of the plot used as a metaphor for the knotting-up of truths, half-truths and lies that define any conspiracy. Even when I got that the joke was on me, I still felt Winter Kills to be a pretty awful movie.

Young Nick Kegan (Jeff Bridges) is the younger brother of a former United States President who was assassinated in Philadelphia. Nick is present when a dying man claims that he shot the President and gives detailed information about where he hid the gun. Nick follows the clues, but every step of the way the people helping him seem to die in mysterious circumstances. Also, his father Pa Kegan (John Huston), a vulgar and disgustingly wealthy businessman, keeps interfering with Nick's investigation. The deeper he delves into the assassination, the more Nick realises that he is descending into a web of complex lies and red herrings, where nothing is as it seems and no-one can be trusted.

The film is an utter nightmare to follow, and in many ways is not worth trying to follow for the afore-mentioned reason that it deliberately tangles itself up. The cast is packed with extraordinary talent but most of them are wasted. Toshiro Mifune has one of the briefest and most pointless cameo roles in cinematic history; Elizabeth Taylor appears uncredited and has not a single line of dialogue; Richard Boone is given what seems to be an interesting role but his character goes nowhere. John Huston has the best role as the powerful patriarch and provides us with the film's few enjoyable moments with his acerbic delivery. Anthony Perkins also gets a creepy role and handles it well, though his screen time is far too short to do complete justice to the character. Some nudity and sex scenes are tossed in for no real reason and, while they're quite graphic and might appeal to voyeurs, they really belong in another film. The film's semi-comic climax is farcical and disappointing, yet paradoxically memorable in its weird little way. There's obviously a cult audience out there somewhere for Winter Kills.... but I won't be counting myself among its number.

Sentiment: negative
This short film doesn't get there. Cliche' and not very funny attempt at dark humor. Humor isn't funny enough to get you interested and the protagonist isn't likeable so you really don't care about what happens anyway. Producer spent some money on this flop and it shows in the production value which is the only saving grace.

Sentiment: negative
I recently picked up all three Robocop films in one box set, rather cheaply and the only reason I did this was for the special edition of the superb first one. I have seen Robocop 2 before but not for 17 years, the year it came out. I have never watched it since because I can still remember how disappointed I was when I discovered how appalling it really is. Its a complete mess really, it has all the signs of a troubled production with so many sub-plots going on at the same time. It has a very uneven tone also and it is also one of the nastiest films I have ever seen. I don't mind a little violence, the first one was incredibly violent but this one is just plain nasty. Also the SFX is terrible even for 1990, say hello to bad stop motion. Also having a drug dealing, cursing kid as a villain is just a little too much. Peter Weller at least had the common sense not to return for the next one. The only positive thing I can say for this film is it does have a couple of nice gags, like the thank you for not smoking one and the kiddie baseball team robbing an electrics store. To quote the kid who plays the villain "It sucks"

Sentiment: negative
SPOILERS AHEAD------------------------- Mel has got it going on. From the opening credits to the ending credits this movie has straight laughs. Dave Chappel shows why he is a comedic force. Cary Eewes carries the movie most of the time, but the supporting cast fills in strong when the plot is drawn away from Robin Hood. Right from the beginning this movie proclaims it's self not to be taken seriously. If you took a time machine and gave the characters thoughts of modern day antics you would get this movie. What makes this movie special you say? Throughout the movie you see blinken and acuhu walk beside each other becoming great friends as Robin Hood's sidekicks. But, it Blinken is never told or fails to grasp that he is black, until the crowd says " a black sheriff", Blinken replays "He's black". That is a timeless scene. Simple one of the most enteraining movies of our time.

Sentiment: positive
I must confess that I don't remember this film very well. But, certainly I liked it. I think it was the best adaptation from Burroughs novel, really. And of course it's one of the best movie from Christopher Lambert.

A good movie about Tarzan, as cult as the ones with Weissmuller.

Sentiment: positive
With a catchy title like the Butcher of Plainfield this Ed Gein variation and Kane Hodder playing him will no doubt fly off the shelves for a couple of weeks.Most viewers will be bored silly with this latest take on the life of Ed Gien.

The movie focuses on Ed's rampage and gives us a(few)glimpses into his Psycosis and dwelling in Plainfeild.Its these scenes that give the movie a much needed jolt.

What ruins this is the constant focus on other characters lives and focuses less on Eds.Big mistake here.

Kane Hodder is a strange choice to play Gein,but He does pull it off quite well,and deserves more acting credits than he gets these days.Prascilla Barnes and Micahel Barryman also show up.

3/10

Sentiment: negative
Although the movie takes place at an "Ivy League" college, it was in fact shot entirely in Northern Arizona, mostly at Northern Arizona University in Flagstaff in the fall of 1976. I was involved in the theater department there, and most of the extras in the film are then-members of the theater department. 

There is an absolutely ludicrous scene in this film (if you know your Arizona geography) that shows several cast members riding bikes from the college to a creek. We NAU'ers know that the campus and said creek (Actually Oak Creek Canyon) are about 35 miles apart, and while the trip there is all downhill, it would be literally IMPOSSIBLE to ride a bike back UP that same road!

Sentiment: negative
does anybody know why this movie is called the couch trip? i was just watching it and am still not sure why this title was picked the movie was very funny and its probably my favorite Dan Aykroyd performance it even beats out his Ghostbusters performance i had never heard of the movie before i seen it in a sears store i read the back and thought it sounded good so i bought and when i finally got a chance to watch it, i thought it was better than what i had originally expected. this movie rates as good as animal house and national lampoon's vacation in my mind i wish comedies that have come out lately were written as well as this one was nothing sad happens in it and the bad stuff that does happen are also funny parts if anyone else feels this way and would like to read a comedy script for a movie that doesn't have a sad situation in it email me at killer2511@hotmail.com

Sentiment: positive
I firstly and completely and confidently disagree with the user who calls this a "spoof". Crispin Glover is very serious about his film. He personally introduced the film at the screening I saw in Chicago. He had worked on the film for years and it is the first in an intended trilogy. "What is it?" is Crispin Glover's attempt at an art film in the vein of those he idolizes by Herzog, Lynch etc.

I had heard rumor of this film years ago "epic porno movie with all down-syndrome cast directed by crispin glover". When it finally came out i watched the trailer on-line and read the synopsis and i was foaming at the mouth with anticipation. ...I went to chicago to see it and it was a major disappointment. If he took out the goofy sh*t, such as the pot-smoking grandma, and the dancing dolls, he would be left with something much better, but only about 10 minutes long.

In other words just watch the trailer, be entertained, and leave it at that. There are some striking images and fantastic juxtapositions and phrases, but its lack of focus amounts to disappointment.

Sentiment: negative
Diego Armando Maradona was, and still remains as the best football player, the game has offered. Not just an athlete, but an artist. This documetary if the 1986 World Cup will forever live in the memories of every football fan around the world. Because of his tremendous and unbelievable goal, which he scored against my own country(england). There's absolutely no point of diminishing this star. Although I dont undersand spanish, I can appreciate the argentine narrator. He actually cries of happiness, and can barely express his emotion..... Anything I wrote can be senseless and difficult to comprehend, but readers.....you have to watch this to know what I mean.

Sentiment: positive
This movie is Great! It touched my stone cold heart. I couldn't relate about the racial discrimination that Antwone has experienced because I'm living in my own country. I guess it is really hard to be discriminated.

We watched this film in our sociology class in New Era University,and I didn't knew that It was a true story, I thought it was just created by an intellectual who want to bring a fresh air in the industry. It is very good.

The part that shocked me was when Nadine abused Antwone (who was just six) sexually. If I were on his shoes, I could have jumped a ten-story high building. I salute him for he being so strong!

The scene that touched me here is when Antwone finally saw his mother Eva face to face. He did not bitched her or whatever,instead he told her about the achievements that he got within the long years that they have been separated. (I think I'll do that when I get the chance of tracing my roots.)

Sentiment: positive
Who in their right mind plays a lyrical song at the same time they are portraying an emotional scene between two people? When Flipper confronts his wronged wife in the dressing room, the song sung with lyrical content is as loud as the dialog, so one can hear neither, diluting any emotional impact the scene may have had. The scenes of Annabella getting beaten by her father with his fists, a lamp and then a belt was so cartoonish as to be absurd. This entire movie is a cartoon, the rampant prejudice against whites is literally astounding. The discussion by the black women after flipper's wife finds out he has cheated on her with a white woman - as if it were a discussion by an oxford debating team, is ridiculous. The rampant racism might be possible to endure, but the soundtrack and the sound mixing during this 'movie' is too much. It was a technically poorly made movie. There is no understanding of the basic craft of movie making, the sound track, the editing and the desperate attempt of great actors trying to keep this movie afloat. I actually felt sorry for Anthony Quinn, wondering why he had accepted a role in this flick - his appearance in this is painful. This is the first movie I have seen by this director and it will be my last.

Sentiment: negative
I grew up watching the original TV series in the sixties and one thing that I can tell you right away, there is NO comparison. This film was totally ridiculous with a flying suit that was alive. A martian that took different shapes. Special effects that looked like something that a little child would create. In contrast, in the original, characters were developed and the viewers developed a feeling for Tim and Uncle Martin. The only highlight in this film, yes, actually there was one, occurred when Ray Walston finally made an appearance at the end. He wore dark glasses and made references to living on this planet for 30 years as a sort of homage to the TV series. But even the real Uncle Martin could not save this turkey.

Sentiment: negative
Although compared with "Mad Max", this film is in a league of its own. Set in post apocalyptic Paris, this film is about man's struggle for survival, he has lost his ability to speak, and there is a remarkable shortage of women. CONGRATULATIONS LUC BESSON!

Sentiment: positive
Drew Barrymore is an actress that has gone through bad periods, not only in her career, but in her personal life too. After being a prodigy child actress she descended into obscurity with mediocre films of low quality. While she has recovered from that dark past, this movie stays as a reminder of Drew Barrymore's worst days.

The movie starts with an interesting premise, very reminiscent to Brian De Palma's "Raising Cain"; with a plot dealing with multiple personality disorder that sets the story for a horror/thriller. Barrymore stars as Holly Gooding, a young woman who is trying to make a new life in California after a traumatic event of her past in which apparently her other personality killed her mother.

Suddenly, her past returns to haunt her as her evil personality is back in her life willing to ruin her new found peace and her new found love. In the middle of the chaos his new boyfriend, Patrick Highsmith (George Newbern), will try to help Holly to face the demons of her past.

Unlike De Palma's underrated thriller, "Doppelganger" is for the most part a mediocre film that not only never fulfills it's purpose, it also concludes in one of the worst endings of movie history. While Barrymore is definitely not at her best, she manages to keep her dignity with an above average performance. The rest of the cast however range from mediocre to painfully bad over-the-top performances, although Leslie Hope manages to be among the best of them.

The script is full of clichés and De Palma's influence is quite obvious. While the movie tries to be original by making literary references in almost every line, the dialogs are dull and the wooden acting certainly doesn't do any good. It has a fair share of nudity and for strange reasons, and excessive use of special effects.

The make-up effects are done by the outstanding KNB and are really among the few good things in the movie. However, the bizarre over-use of the effects in the totally out of context ending decreases the impact of KNB's work and makes cheesy what in a different movie would be amazing.

The fact that this is a B-Movie is no excuse for it's low quality, as with a better and more coherent script this could had been an interesting movie. Sadly, all we have here is a mediocre film that gets worse every second. Worthy for Barrymore's beauty. 3/10

Sentiment: negative
Got into this flick, just as it was beginning, on an afternoon where I was home with a touch of flu - otherwise I'd have missed it. That probably would have been best.

I noticed the presence of Lindsay Crouse and Jay Thomas - both very good performers - and thought this might be worth a look. It proved to be to some extent, but only because it is one of those stories so awful it fascinates.

Zoe McLellan has little to recommend her talents, except for her Jayne Mansfield- or Loni Anderson-like bosom. Unfortunately, her acting prowess - at least here - makes Mansfield and Anderson seem to be Garbo or Davis by comparison.

The young nut case's white rat, the owner's cat, the young nut case having the owner evicted and restrained in her own home, and a bunch of doophus's (including the young nut case) running around a bio hazard facility, and the absurd conclusion. I kept waiting for at least some scene or plot element to contain at least a modicum of realism, believability or being capable of evoking some empathy/sympathy -- but this proved to be in vain.

Sentiment: negative
I am so insulted by this movie, it's not even funny... And I thought "Mulan" was unbelievable! However low my expectations of Disney have become, I never figured they'd do something so stereotypical yet so off. There is no respect here for any true Chinese culture, just the Hollywood tradition of random martial arts.

I appreciate that they tried to make Wendy into a normal teenage girl... But, fortunately, most normal teenage girls--particularly Asian teenage girls--are much less obsessed with such shallow aspects of life. And from a cultural stand point, it's almost impossible. Yes, there are girls who are wrapped up in popularity and fashion, but they're pretty rare. And even the ones who are are still fairly decent scholars. Another stereotype, maybe, but a fairly true one. Because that's how Chinese parents work. That's how Chinese values work. If they wanted to go for authenticity, they would've made Wendy an ironic girl with glasses and a love-hate relationship with her family.

This just adds to my frustration with American movies. Asian culture isn't about meditation and vague, nature-oriented phrases that sound wise. We don't walk around smiling enigmatically all the time, and we don't all know some form of martial arts. We're a PEOPLE, and I'd appreciate it if someone would write an Asian part that doesn't portray us as some sad caricature.

Sentiment: negative
I don't normally write reviews, but this "film" was special. I couldn't turn it off. I don't believe I've ever seen a worse movie, but there I sat, watching. It was like a horrible car wreck with blood flowing all over the highway. It was disgusting, but I couldn't turn away. Where do I start? The movie seems to think it's a sports thriller, but it's so utterly ridiculous, it can only be a comedy, but it's not funny, not even in a dumb/silly way. It's like watching your cousins try to act out a skit on family get-togethers. It's painful to watch, but at least it's only for a minute or two. Second String went on for over an hour. 

Whoever was involved with making this movie should not work again. The writing, directing, acting, and everything was just terrible. The problem is I can't describe how bad it was; you just had to see it. And I'm sure this will NEVER be shown again, so unless you saw it, you're out of luck. I mean it was almost worth seeing just for the fact that it gave me some appreciation for every other "bad" film I've seen over my lifetime. And for every film I see in the future that I can't stand, I will think to myself, well, at least it wasn't bad as the Second String.

Sentiment: negative
*****Spoilers herein*****

What really scares you? Killer sharks, or maybe ghosts trying to bring back a message? Maybe a chainsaw wielding psychopath?

Maybe. But those fears don't even compare to a horror which people dare not even speak of or consider--and that is the death of one's own child. "Pet Sematary" taps this base, primal adult fear, and then takes it to places that most could not bear to explore.

I've read comments about this film that include poor acting, characters making stupid decisions, etc. I disagree. The acting is actually first rate for a film like this. Maybe it is impossible for many to imagine the desperation resulting from such a scenario. But the film's events are not only logical, they may be absolutely inevitable if such a scenario were possible. This is the true horror of "Pet Sematary": It isn't that pets and people come back from the dead as evil killers who hunt with knives and scalpels, it is that anyone who has lost a child could become so desperate as to commit the crimes that Louis Creed does. Despite warning, or even past history.

The movie takes those willing to go with it to the depths of a desperate human heart. The heart of a protector trying to make up for not being able to protect. And the results are horrifying. In fact, when the film dives into slasher territory near the end, it's almost a letdown, although I believe it's perfectly logical how it got there.

I am a true horror fan, and I contend that this is one of the scariest horror films ever made. If you don't think so, see it again after you have children.

Sentiment: positive
Scanners II: The New Order is just as good as David Cronenberg's classic Scanners, Scanners was made in 1980 and Scanners II in 1991 so their's an eleven year gap between the two movies. The film captures the style of Scanners which is a good thing, it wouldn't be Scanners without a head explosion so Scanners II has a head explosion scene that's just has gruesome as the first. Scanners II: The New Order has some other imaginative gory scenes that are done well. The plot to Scanners II: The New Order is a new take on the series since it has the Scanners being used as a vigilante force for a police chief and a group of scientists until a young Scanner named David Kellum discovers he's being used and decides to get revenge.

Scanners II: The New Order is a great sequel to David Cronenberg's sci-fi classic Scanners and should be seen. Check this out. 10/10

Sentiment: positive
This film had about everything one could wish when viewing it originally, at the end of the 1960's decade. It was immensely entertaining, and provided a contemporary view of the many changes which had occurred during that period - and were still ongoing - in terms of the Black Power movement, Vietnam, and the volatile movement which followed the quieter, preceding postwar 1950's.

All of this and one of the funniest films, then or now.

Viewing it for the second time recently, I was surprised to find it as engrossing as when seen originally. Its humor is as funny, and its message as strong.

And in viewing it now, you get all of this, while at the same time gaining the added enjoyment of its being a "period piece," and a superb chronicling of its this historic, turbulent time.

Sentiment: positive
Yes, it's "Flipper". But writer/director Alan Shapiro has put together a gem of a version. Spectacular above and underwater photography from "Jaws" veteran Bill Butler and haunting music by Joel McNeely and Crosby, Stills & Nash make this truly memorable family entertainment. Shapiro, whose last film was improbably "The Crush", shows himself once again to be an extremely talented -- and versatile -- filmmaker. Rent it!

Sentiment: positive
While Boris(Aleksey Batalov)is off to fight in war against the Germans for his Mother Russia, his beloved Veronika(Tatyana Samojlova)marries his conniving cousin Mark(Aleksandr Shvorin)in a moment of weakness shortly after her parents were killed in an air raid over Moscow. Through various trials and betrayals, Veronika will await word or letter from Boris no matter how long it takes, holding hope that he will return to her.

Powerful piece of film-making boasts simply incredible photographic work by cinematographer Sergei Urusevsky. Some of the many magnificently framed, moving shots include the scene where the camera follows Veronika through a crowd of loved ones saying goodbye to each other as she rushes through the mob of bodies to say goodbye to Boris..and doesn't quite reach him even as we watch Boris looking impatiently into the swarm without luck. The sequence after the air raid where Veronika walks up the standing stairs circulating up the destroyed building she once called home and the scene where Mark makes his lustful move on Veronika as another air raid continues just outside the building as wind rustles the curtains and flashes of light emanate inside are just two of MANY examples where Sergei Urusevsky shows his genius at framing images that will last forever on film. But, without the power and tragedy of the story regarding how war can forever shape the destiny of a couple who dearly, deeply love each other, this film couldn't hold up with the beauty of the visual alone. Together, however, we're left with an amazing film..simply a haunting masterpiece from the Soviet Union after Stalin breathed his last breath. I feel honored just have beheld such a great film.

Sentiment: positive
A Brother's Promise is a wonderful family film. This is a biography of Dan Jansen, a champion Olympic speed skater. The movie depicts this athlete's life from a young age through full adulthood. The love and support of the family members is evident throughout. How Dan and the rest of his family handle winning and losing races is a life lesson for all of us. The commitment and determination of Dan's coach and his teammates, shows what it takes to make a real team. How Dan and his family deal with a devastating illness of a loved one is depicted without undo sentiment or sugarcoating. The faith of the family is shown in basic terms and is obviously a major part of their lives. This is a powerful family film which can be meaningful for a person of any age.

Sentiment: positive
In fact, the nature of the whole series is irrepressibly funny! But not always funny... there are moments of extreme poignance as the deeper aspects of human emotion are touched on. 

Over and again, the series comments on the frailties of human nature and the life long, or in this case eternal, struggle to overcome them. Monkey is both smart and stupid at the same time, his arrogance and reliance on his own martial skills lead him into trouble in almost every episode. Pigsy is just plain gross. Sandy has a philosophical turn of mind. He has many of the wittiest lines. 

The English translation is a delight. "Ignorance can always be improved upon," drawls Sandy in his laid-back manner, "but you can't do anything to help stupidity!" "Who are you?" the group of travellers are asked. "We three kings of Orient are," says Monkey. 

This is not just for children, it is a magical romp for anyone who can suspend reality

Sentiment: positive
Latter days is the best gay movie of the homosexual genre. Most of the films entail sappy stories, one night stands, and let us not forget infamous baseball teams? Latter days actually contains male affection beyond the kiss in the dark, and quite graphic material that made me wonder whether the film belonged at Blockbuster or badpuppy.com. The films emotional journey is what sets it above the rest in the genre. Not until this film had I seen a story of such intense passion and love, and the torture that it can bring. I think when people cry during movies they should be beaten, but I found myself sobbing throughout several scenes because of the realistic nature of the world in which we live. I suggest every gay male see this film, and if you have a boyfriend, thank him...

Sentiment: positive
*The whereabouts of Al Capone

*Who shot JFK?

*Cynthia Gibb lands the part of "Gypsy" in the TV remake

These are some of the great unsolved mysteries of the 20th century. How else can I say it, except, I thought she was unredeemingly awful. Mannequin mannerisms, poor reactionary acting (ie: that blank, stoic stare while he co-star in the scene speaks)and a singing voice that most voice coaches would rate "mediocre". But she is stunningly gorgeous and after all, wasn't that what the Gypsy character is all about? Cashing in on her looks cuz' she didn't cut the mustard in the talent department?

As for the rest... Bette is fantastic. Whether or not she's playing herself or playing Mama Rose, it works either way, and I for one thought Rosalind Russell was as exciting as drywall in the original. Peter Riegart as "Herbie" is the perfect understated foil to Bette's over-the-top Mama, and he's the medium-temperature porridge between Midler's hot dish and Gibb's stone cold mush. Riegart is juuuust right.

One final holler to the man responsible for decades to come of Cher jokes: Bob Mackie. Drag queens would kill for the glitz and glamour on display here. Everything's coming up sequins and bugle beads!



Sentiment: positive