DoubleML/multimodal_confounding huggingface dataset:
I was watching the sci-fi channel when this steaming pile of crap came on. While not as bad as Wynorski's "Curse of the Komodo", this still sucks...BAD. Wynorski uses the same island as in "Curse of the Komodo", as well as the same actors and house. The effects are top notch (suprising) but thats about it........I don't know what else to say about this movie.......oh yeah! As in "Curse of the Komodo", the government gets involved and decides to bomb the island! Also....when i saw this part i laughed hysterically...A KOMANBRA!!! (part man, komodo AND cobra!). Overall this movie is utter crap even on bad movie standards. Just remember if Jim Wynorski had anything to do with a movie....steer clear....to avoid from falling asleep keep repeating "It's almost over..it's almost over...". 0 out of 5.

Sentiment: negative
Boogie Nights was without a doubt the best film of 1997. I could watch this movie over and over and over and still love it. I'm in no rush to watch that overblown romance/disaster epic Titanic again. The fact that Boogie Nights did not even receive a Best Picture nomination just goes to prove how predictable and narrow-minded the Academy is. Only Atom Egoyan's The Sweet Hereafter and Robert Zemeckis's Contact came close to being as great as Boogie Nights. No other filmmaker in recent years has come even remotely close to making a film as good as Tarantino's Pulp Fiction -- until now. Paul Thomas Anderson rose to the challenge and succeeded. Just as Tarantino gave John Travolta's career a kick, P.T. Anderson has given Burt Reynolds the kick that his career needs. Boogie Nights will also undoubtedly make stars of Don Cheadle, Heather Graham, and John Reilly. Overall, a wonderful film. The best since Pulp Fiction. Maybe even better.

Sentiment: positive
Quite what the producers of this appalling adaptation were trying to do is impossible to fathom.

A group of top quality actors, in the main well cast (with a couple of notable exceptions), who give pretty good performances. Penelope Keith is perfect as Aunt Louise and equally good is Joanna Lumley as Diana. All do well with the scripts they were given.

So much for the good. The average would include the sets. Nancherrow is nothing like the house described in the book, although bizarrely the house they use for the Dower House looks remarkably like it. It is clear then that the Dower House is far too big. In the later parts, the writers decided to bring the entire story back to the UK, presumably to save money, although with a little imagination I have no doubt they could have recreated Ceylon.

Now to the bad. The screenplay. This is such an appallingly bad adaptation is hard to find words to condemn it. Edward does not die in the battle of Britain but survives, blinded. He makes a brief appearance then commits suicide - why?? Loveday has changed from the young woman totally in love with Gus to a sensible farmer's wife who can give up the love her life with barely a tear (less emotional than Brief Encounter). Gus, a man besotted and passionately in love, is prepared to give up his love without complaint. Walter (Mudge in the book) turns from a shallow unfaithful husband to a devoted family man. Jess is made into a psychologically disturbed young woman who won't speak. Aunt Biddy still has a drink problem but now without any justification. The Dower House is occupied by the army for no obvious reason other than a very short scene with Jess who has a fear of armed soldiers. Whilst Miss Mortimer's breasts are utterly delightful, I could not see how their display on several occasions moved the plot forward. The delightfully named Nettlebed becomes the mundane Dobson. The word limit prevents me from continuing the list.

There is a sequel (which I lost all interest in watching after this nonsense) and I wonder if the changes were made to create the follow on story. It is difficult to image that Rosamunde Pilcher would have approved this grotesque perversion of her book; presumably she lost her control when the rights were purchased.

Sentiment: negative
I thought it was a New-York located movie: wrong! It's a little British countryside setting.

I thought it was a comedy: wrong! It's a drama.... Well, up to the last third, because after the story becomes totally "abracadabrantesque", the symbolic word for a French presidential mandate. It means, close to nonsense even it the motives would like to bring a sincere feeling.

What Do I have left? Maybe, a good duo of actress: Yes, I know, they are 3 friends, but the redhead policewoman is a bit invisible for me. The tall doctoress surprises by her punch, and McDowell delivers a fine acting as usual, all in delicate, soft and almost mute attitude. This gentleness puzzles me, because as other fine artists or directors, the same pattern is repeating over and over. In her case, it's like, whatever the movie, it's always the same character defined by her feelings, her values, who lives infinite different stories. I still don't know how to set the limit (or the fusion) between the artists and the works.

Another positive side of this movie is its feminine touch & the interesting different points of view. The women have each their own way of living, even if they are all single. It brings a lot of tolerance and learning to witness how a same and unique reality can be perceived in as many ways as people.

Finally, the movie is quite viewable, but the great final cuts the desire of a next vision.

Sentiment: negative
A movie I've seen and enjoyed possibly more than any other movie. I first saw it as a kid and loved the drama and the great climactic battle. As I got older, I enjoyed it as much or more than before, but now due to all of the components that work together to make a true classic. The acting is great (especially Keith as T. Roosevelt), the cinematography spectacular, the script is full of gems, and the directing pulls it all together wonderfully. It's loosely based on an actual event, and it shows rush of Europe and a newly emergent America to carve up the 'Sick old Man' (the Ottoman Empire) as it collapses in a fashion unlike any other 'historical' movie I've seen. Humor, drama, action, love...it's got it all and deserves far more acclaim (much like 'The Great Waldo Pepper').

Sentiment: positive
The entire movie, an artful adaptation of one of Joyce's "Dubliners" stories, takes place on the night of January 6 (Epiphany), 1906. Most of the film takes place at an annual party given by three spinsters (two sisters and their niece), where a group of upper-class Dubliners gather for an evening of music, recitations and dinner. While there is very little plot per se, the interaction and conversation among the group reveals much about Dublin in the early 20th century when the stirrings for independence were just beginning. The cast, all talented Irish stage actors with the exception of Anjelica Huston, are universally wonderful, and one actually feels he is a guest at the gathering himself. The poignant final scene, between Ms. Huston and the amazing Donal McCann, reveals much about the marriage of the characters. There is poignancy mixed with humor and insight, and for those who like quiet, thoughtful movies, "The Dead" is highly recommended. My wife is from Dublin, we make a ritual of watching this wonderful movie every January 6th. After many viewings it never fails to move me, and each time I glean something that I've missed before.

Sentiment: positive
Earth Final Conflict began like a new world, a new vision from the creator of Star trek, something fresh and unique full of great elements. A very good cast with an extremely credible Kevin Kilner as William Boone, an ex cop good begins to work as guard of some kind of ambassador of a mysterious alien race (Talons), after the dead of his wife in strange circumstances. But soon the character of Kilner joins to a group with the mission to discover what are the truth intentions of the aliens, why they seem to be so nice and care for the human race. Soon this resistance group begin to discover the sinister plans of the Talons using the humans in they own problems to survive they own destruction. As I said before, the show began great, all was almost perfect, including characters like Da'an, the original Da'an was a big mystery because he seems to be a nice creature but at the same time he has his own evil plans manipulating some people in earth. Soon came Zo'or who wasn't bad but... mark the beginning of the fall of this show because he became the first big enemy of humans, the incarnation of evil, killing what could be something greater in Da'an. The first seasons ends in a great way with the dead of Boone and the second shows a new lead character (Liam) an hybrid being of human and Kimera (another alien race) with some very interesting powers. He replace Kilner character in a good way so another storylines make it better, including the conflict with the jaridians and the atavus. But as I said lines before the evilness of Zo'or begin to take more importance so the new conflicts were less realistic as the same Talons. With time the whole great storyline of the alien roots of Liam where almost totally erased the same with other things of the previous seasons. So when the final season began the original Earth Final conflict was just an almost forgotten dreams, all the magic was missing, just to let some vain intents to keep alive the show including the return of Kilner and Liam for a few episodes. The final episode was just the evidence of how bad was the show with so many bad changes (to think the writers of some episodes didn't know anything about the first stories), it was one of the worst end I have ever seen in a TV show. A real shame because Earth Final Conflict began like something unique, fresh, the stories the cast, after watch so many show from USA, something from Canada from the mind of the creator of Star trek was wonderful but in the end all change to worse. I hope someday someone make a remake of this show, of course using nothing from season fourth and fifth (except the cast, everyone were perfect in his work). I still can dream in a better things.

Sentiment: positive
For the big thinkers among us, "The Intruder" is a maddeningly incoherent movie from France that gives so-called "art films" a bad name. The story is something about a bitter old coot, Louis Trebor (Michel Subor), who goes searching in Tahiti for a heart transplant, but beyond that, I have no idea who any of the people in the movie were or why they were doing what they were doing. With no coherent storyline to boast of, the movie loses us early on, though I'm perfectly willing to admit that there might be SOMEBODY out there who actually gets some deep message out of this film. 

This muddled, snail-paced drama runs a full two hours and five minutes - though I seriously doubt anyone with any kind of a life will still be hanging around by the closing credits.

Sentiment: negative
Along with "King of the Rocket Men", this was still being repeated on BBC TV in the early to mid eighties. If I was loading up a time capsule of this period both these series would definitely go in.

Someone watching it for the first time will think it is silly but this is one of the best examples of the "Serials". Don Del Oro will make you laugh (When I was little my nickname for him was Mr Dustbin head) and it was funny upon being shot at he says "Your bullets can't harm me" then he stumbles back, seemingly less than happy. I also like the way he dispenses with Sebastian in the first episode.

I watched this again because I had good memories of it from years back, there are some good stunts and good music, it has the ingredients you expect including water,rockfalls,runaway carts... Apart from the first episode(with Ralph Faulkner)the swordplay wasn't nearly as good as I remembered it, and yes it features the inevitable "flashback" episode! It gets 8 out of 10 because it still suffers from slow pace, padding and the other tricks. If you are interested in these serials I recommend the book by William Witney, "In a Door, Into a Fight, Out a Door, Into a Chase" although there is only a small entry about this series in it.

Sentiment: positive
Tonight's film course film was The Legend of the Suram Fortress and during its 87 minute running time it managed to quickly jump into my top five most difficult films of all time. That's difficult to watch; films so different to everything else that you're seeing something totally alien. A brief synopsis would be: a group of Georgians are trying to build a fortress to defend themselves from invaders, but every time they are about to put on the finishing touches, for no readily apparent reasons it collapses. So they go and see a fortune teller who advises them that if they want to get the fortress to stay standing, they need to find a youth, a tall blonde blue eyed boy to be buried into one of the walls during the construction and his presence will ensure that the construction job will be completed smoothly. And sure enough in those closing moments there he is gladly being smeared in cement and eggs, giggling as he's buried alive, with only his mother to grieve.

It actually a fairly simple story. But the director, Sergo Paradjanov, working in Soviet Georgia in 1984, not too long after leaving a fifteen year jail term, doesn't follow any of the film making rules we are used to. There are very few close ups. Very often the action we need to be following is hidden in the bottom left hand corner of a landscape shot, extra-ordinarily easy to miss. There are very few close ups and at times its hard to tell whose doing what to whom and why. Every now and then the film goes off on digressions which have no relevance to the main plot and generally serve to confuse the viewer. The music is utterly mad, with found sounds, on screen instruments and church organ dropped in seemingly at random. At times when nothing seems to be happening, someone will break into a jig, almost playing time until the next scene comes along. But infuriatingly there is an obvious cinematic voice behind it all so you're compelled to try and understand the message whatever it is. One of those times when your eyes are glued to the screen simply because you can't believe what you're seeing.

Sentiment: negative
This horror movie starts out promisingly enough and there is a moment where I thought to myself "this is going to be really good". However, it gets rather boring rather quick at the end. The acting is fairly good, as is the location and the story starts out rather well too. The problem, not enough kills on screen and an ending where you have the monster basically turning tail and running. I wanted to see more, especially after a very good sleeping bag scene where I thought the movie was picking up and going to be a winner. Unfortunately after that the movie showed the monster very little and the back of the DVD lied as it told me that the desert beneath the people literally came alive and was capable of devouring their flesh...now that would have been some movie, a nearly inescapable situation. Granted that would have made viewers uncomfortable and it might of ramped up the tension, but that is what horror movies are supposed to do! Instead we have very few shots of the creature or creatures as it were and when we do see it, it is mainly on the defensive. Still it wasn't all bad, it just needed more horror less hunting and more chomping.

Sentiment: negative
The widower family man Dan Burns (Steve Carell) writes the column "Dan in Real Life" giving advices for families in The New Jersey Standard and raises his three daughters alone. Jane (Allison Pill), the older, has just got her driving license but Dan does not allow her to drive; Cara (Brittany Robertson) has a crush on his high-school mate Marty; and the young Lily (Marlene Lawston) misses her mother. When Dan and his daughters travel to Rhode Island for a family reunion, he meets Marie (Juliette Binoche) in a bookstore and they spend hours talking to each other. They feel attracted for each other, but Marie receives a phone call and leaves Dan, giving her phone number first. Dan immediately falls in love for Marie, but when he return to his parent's home, he finds that Marie is the girlfriend of his wolf brother Mitch Burns (Dane Cook), who is also in love with her. Along the weekend, the attraction between the clumsy Dan and Marie increases and they have to take a decision.

"Dan in Real Life" is a great surprise and a delightful movie, with comedy, romance and drama. The chemistry of the gorgeous Juliette Binoche and Steve Carell is awesome and it is very easy to know why everybody loves Marie. The trio Allison Pill, Brittany Robertson and Marlene Lawston is fantastic and their characters are responsible for some of the best moments of this story. The screenplay is wonderful and the performances of the talented actors and actresses are stunning, with a realistic behavior of a family meeting. Follow the advice of Dan's column and plan to be surprised with the reunion of the Burns' family. My vote is eight.

Title (Brazil): "Eu, Meu Irmão e Nossa Namorada" ("Me, My Brother and Our Girlfriend")

Sentiment: positive
WHEN I first saw this film, in London, in 1958, I was bowled over. I had never seen a film like this before. It had a strange, hypnotic effect, quite unlike the films that I had seen previously and it left a lasting impact.

I believe that Odile Versios & Marina Vlady are sisters, if not twins. Certainly the interaction is amazing in its power to influence the viewer.

If this has been converted to DVD - in Region 2 format - and in the original French language, I would love to hear about it & where it can be purchased.

Sentiment: positive
I quite this Anne Rice book adaption. While most of the film is filmed here in Australia it offers a great amount of scenery and a fantastic area to shoot in. Lestat (Stuart Townsend) has recently woke up from a long period time of sleep and has decided to betray his vampire oath by revealing himself to a band. When he becomes a popular movie icon his fellow vampires, understadebly, go mad and plot his death. Meanwhile Jesse (Marguerite Moreau) a orphaned member of the supernatural studies, who has an ancient vampire family tree, has become deeply obsessed with Lestat. Her boss David (Paul McGann) understands her obsession and revaeals his obsession with the vampire Marius, (Vincent Perez)who is an ancient vampire and the man who made Lestat a vampire too. Jesse is given Lestats diary and reads of his first killing and an encounter with the Queen of the Damned- Akasha (Aaliyah). When Lestat holds a concert in Death Valley he receives news that not only will angry vampires be there Akasha may come as well. Meanwhile Akasha has other plans. She goes to a vampire coven, a bar, and kills everyone in her path. With Lestat tempted with royality and loving care by Akasha the ancient vampires consisting of Marius and Jesses Aunt Maharet (Lena Olin) plot against them. Join Her Or Die?

I thought the film was fantastic, it had great fight scenes, great music and great locations. Aaliyah sadly passed away in a plane crash shortly before the films premiere, but she looked stunning on the set and off the sets.

I gave this film 10/10 because it was a fantastic film and I urge you to see it!

Sentiment: positive
This is the story of a news investigator who hates his job - which prove why actors - even as weak as Tom Cruise and Denzel Washington - are on the big screen and your neighbors are not!

I'll say this though - the better moments show some basis for being really funny (not just wacky), to keep trying, maybe taking some classes, and using the time to keep learning how to make a good movie. ("Dude, Where's My Car" and the "Scary Movie" sequence have it all over this ... college attempt.)

The lighting wasn't; the production wasn't; and the script had moments (the conversation from space - very nice try unconvincingly executed). (This reminded me of "Dark Star" - which is about being "lost in space" - but this movie is just lost.)

The talent was the bartender (he said 'dog' so annoyingly that I knew he had to be acting... wasn't he? ... now THAT's acting!), the Mark Hammond guy, and Marty. I guess I gave the movie a point for each one of them... 3/10.

-LD

______________________________________________

my faith: http://www.angelfire.com/ny5/jbc33/

Sentiment: negative
A very silly movie, this starts with a soft porn sequence, ventures into farcelike comedy in the art gallery, adds a shocker of a discovery in the hotel room then introduces a random murder for no obvious reason.

What follows is bizarre and surreal (the stopwatch scene in particular is exquisitely unnecessary), culminating in a revelatory "twist" ending which is as obvious as it is unfair on the viewer (see the trivia section for precisely why it's deliberately unfair).

The movie goes out of its way to be offensive to as many groups as possible - transsexuals, the insane, and the wonderful "Huggie Bear"-style racial stereotyping on the subway - and condescendingly treats the viewer like an idiot in the closing scenes, as characters endlessly explain to one another in great detail and over and over again what just happened in the film. Though the background female characters in the restaurant scene at the end are a joy to watch.

In fact, the whole movie is a joy to watch: Despite its many, many flaws, the whole package just, well, works.

Sentiment: positive
Wow, this movie really sucked down below the normal scale of dull, boring, and unimaginative films I've seen recently. The acting was poor and robotic. The story was so bland you could have summed it up with a simple 5-minute short. Audio was so poor and dirty it was hard to even listen to; perhaps it was unedited from the camera it was shot off of? I'm not sure which movie the 3 glowing reviewers were commenting on, but it wasn't this one. Perhaps the director had his hand in seeing that his film received a good review, at least before the real reviews started to show up.

Save your time or you'll just be wasting your time and money on this film. Absolute suckage!

Sentiment: negative
I first viewed this movie when it first came out and also bought an LP recording of the soundtrack. I liked it so well, I went back to see it several times..cannot understand why it was considered a flop. Julie Andrews was lovely in this film, her voice was in top form and the costuming was beautiful!

The film contains a little bit of everything and even though some of the scenes were a bit heavy-handed, they were still fun. 

I recently found I could get a copy in DVD form and ordered it......I was disappointed that a couple of songs and sequences in the movie were not included in the version of the DVD I ordered.

Sentiment: positive
K-Pax is a very intriguing film. Is Prot (Kevin Spacey) really an alien, or is he a mentally deranged human who just thinks he is an alien? That is the question that Dr. Powell (Jeff Bridges) must answer before the self proclaimed deadline that Prot sets for his departure from Earth.

As the film unfolds and more evidence is uncovered, both theories grow in credibility. His ability to map from memory the area of the galaxy where his home planet is located indicates a knowledge that no human could possibly possess. Yet the hypnosis sessions lead us to a real person with a very real and traumatic life, filled with devastating events that could have caused such a personality aberration. The ending seems to give the answer, but is just ambiguous enough to make you wonder if you really know. Normally, I don't like lady or tiger endings, but this one is tantalizing. I have my own theory that fits all the clues, but I don't know that my theory is any more correct than anyone else's.

Director Iain Softley (`Wings of the Dove') spins the tale delicately, with great skill. This is a rare example of the director staying in the shadows and inducing outstanding acting performances out of talented actors to let the story dominate. This is not to say that the directing is technically inferior, because it is excellent. However, Softley remains unobtrusive, delivering great power through the use of subtlety, a pleasant change from today's vanguard directors who visually grab and shake the viewer as if to scream, `Look how brilliant I am!'

Kevin Spacey once again delivers a marvelous performance as Prot. This is a part that is extraordinarily demanding, requiring Spacey to render the cool and logical Prot one minute, and then switch gears to conjure his tormented alter ego under hypnosis the next. Spacey is so believable as both alien and human, it makes the viewer's task that much more difficult. Jeff Bridges is also terrific as the relentless psychologist who becomes obsessed with learning the truth about Prot.

This is inspired storytelling for the thoughtful viewer. I rated it a 9/10. If you must have closure at the end of a film, this movie will be very frustrating. However, if you like a fascinating mystery that keeps you thinking long after the credits, you won't be disappointed.

Sentiment: positive
This first two seasons of this comedy series were very strange and they weren't very funny and had a drama element where Bill (the mother) was struggling with all the usual problems in life but that element was a bit depressing and didn't mix well with th comedy elements which is probably why it was dropped. After that it soon became one of the funniest comedy series the BBC have ever made! The chemistry between Bill and Ben's character's were very funny and there was always so many brilliant and memorable sketches in each series. The Christmas specials were hilarious and a real treat for Christmas. 

The show came to a stop when the main actor Gary Olsen playing Bill passed away which was very sad because he was a brilliant actor in films such as Up 'n' Under and a very funny man RIP

This underrated show has sadly disappeared from our television screens and doesn't to be repeated that often - Though it does appear on UKTV Gold once in a while but it should be repeated on BBC one or two to show this brilliant Comedy to a new audience

Sentiment: positive
I have NEVER fallen asleep whilst watching a movie before.

I did with this one.

Avoid at all costs, give your time and money to a worthy cause instead.

Sentiment: negative
"Written on the Wind" was an enormously successful Universal picture. It could only be done by Douglas Sirk, a man who saw the possibilities in the material he was given. Based on a popular novel by Robert Wilder and an adaptation by George Zuckerman, it had all the elements that make an excellent melodrama: nymphomania, a large oil fortune, alcoholism, incest and a mild touch of homosexuality. Mr. Sirk laid the path for what would follow later on in the soap operas genre, mainly, "Dallas" and "Dynasty", just to mention two.

The fact is this movie was shot entirely inside a studio. Most of the decor is phony. Like a lot of those 1950s pictures, "Written on the Wind" was shot entirely in a studio lot. Just look at the scenes that are supposed to take place in Manhattan, or Miami, or even the lake are, one can see how the scenery is a painted backdrop. Mr. Sirk couldn't care less about realism as long as he could tell the story his own way.

We recently caught a screening, part of a revival of Mr. Sirk's work, where people were laughing at some of the most dramatic moments, especially during the scenes where Rock Hudson, who plays the good Mitch Wayne, appears. There is also something graphic in the way that both Robert Keith, who plays the patriarch Jasper Hadley, and later on his own daughter, the evil Marylee, caress the oil derrick that adorns the elder man's desk, a sort of phallic object d'art.

Douglas Sirk probably wanted his cast to give over the top performances, which makes sense in the way Dorothy Malone portrays the nymphomaniac Marylee, and to a certain degree, Robert Stack, who overacts as Kyle, the tormented heir of the story. That would probably be the easy explanation of what comes across the screen. The only one that seems normal is Lauren Bacall, who wasn't asked to make her Lucy Moore character appear to be anything but a grounded person caught hanging out with the wrong crowd.

Together with his other Hollywood movies, "Written on the Wind" shows the genius of a talented director who gave the public just what they wanted to see: stories bigger than life that could only be seen on the big screen

Sentiment: positive
As I mentioned previously, John Carpenter's 1978 classic is one of the first two movies I can remember seeing and being heavily influenced by (the other being the classic Conan the Barbarian). It so truly scared me that the only monster under my bed was Michael Meyers, whom I eventually befriended (imaginary friend) to keep him from killing me in my sleep. Now that is terror for a 10 year old.

It is a horror classic and I am sure my modest review will not do it the justice it deserves. The most surprising thing of all is that the movie still works, perhaps not in the guttural reaction but more of a cognitive possibility or immediate subconscious. This all could happen. It isn't in the realm of impossibility or located in a foreign country (as most modern horror is, i.e. Hostel, Touristas, Cry Wolf, Saw,etc). At times it is graphic while the rest is relegated to our imaginations. I believe it is this element that keeps people terrified or at the very least wary of going outside at night with the signature soundtrack still vivid in their head. It still works because we can substitute implied or tertiary killing with anything more terrifying that our mind can create. So we ourselves are contributing to our own fears and anxiety.

Carpenter weaves a simple story about an everyday, middle class, suburban and relatively benign child who snaps on Halloween and kills his sister. He then spends the next 15 years in an institution (which we thankfully do not experience) only to escape and return to his hometown, the infamous Haddonfield. On his way he kills and kills. The child's name is Michael Meyers, though he is not a person. John Carpenter uses Michael Meyers as a metaphor against the implied safety of middle class suburbia. In the bastion of American safety and security, chaos can still strike.

Michael ceased to be a person once he killed. He is not a serial killer, human being or psychopath. He is as unstoppable force. The generic overalls, bleached-white Shatner mask, and lack of any dialog other then some breathing, helps to dehumanize and complete Michael's generification. This is the source of all his power. He is faceless, speechless and unremarkable in any way other than as a source of unrelenting chaos. This is helped by the cinematography (post card effect), a lack of information/motivation/explanation and the veteran narrative experience of Donald Pleasence (Dr. Loomis). His over the top performance and uneasiness sells "the Shape". This is also the first film performance by Jamie Lee Curtis as Laurie Strode, the innocent girl who deters chaos in the face of overwhelming odds (at least for a little bit). 

Though this isn't the first movie of this new niche of horror films (Black Christmas came out 4 years earlier), it is the most successful and does not diminish upon reviewing. If you haven't been scared by horror movies in a long time (like me), this will probably make the hairs on the back of your head tingle at the first chords of the signature soundtrack. I highly recommend this movie as a must see horror movie and as one of the pinnacles of John Carpenter's career.

Sentiment: positive
To put in simple words or rather a word, would be best suited by PATHETIC !!!!!! The movie starts with attracting a little interest by the plot, but, BUT as few minutes by audience is getting restless for restrooms and getting snacks, or to get a breathe of fresh air outside the closed dark hall....

It seems like watching a movie from 1960's where colors were dull, directed by a debutant, and acted by high school students ! Movie revolves about a American high headed actress trying make a comeback into films by acting in one of the not-so-great Indian movie. Her acting is real Sad complimented by the worse dialogue delivery.

OverAll: i would not recommend anyone to watch this movie Still want to watch: Then try watching it at home, when some TV channel airs it, believe me it would be fun as this movie would not get a Single advertisement and no sponsors.

And better carry a aspirin, u might need it if you cant find a remote control to change channel ! p.s. I have no clue, if the other reviewers even watched the movie ? i did and wasted my $10 on the ticket !

Sentiment: negative
This is what movies should aspire to. Funny without being totally stupid, a little sexy without having every female in the cast show her boobs, biting without resorting to 'f-bombs' every line. I've been seeing Justin Long pop up in a lot of films over the past few years, I figured with the right role he could break out. (Mac commercials not withstanding.) This film just might put him on a fast track to the A list. The rest of the cast also did their jobs perfectly, this is an excellent little film with a nice message. (But you don't need to buy the message to have a good time.) Lewis Black is, as usual, hilarious, and Blake Lively is a fresh faced beauty. 

Take a couple hours and see this film, they will not have been wasted.

Sentiment: positive
Unreal !!!!!!!!. After reading the initial reviews posted by alleged reviewers ,I was shocked to find that almost all of the initial reviews, 38 , all rated this film a 10. Upon comparison with other great films, these reviewers felt that the Quick and the Undead is a better film than,The 6th Sense(8.2), Saving Private Ryan(8.4), Lord of the Rings( 8.7),Godfather(9.5), Gladiator(8.1) and Dawn of the Dead ( 7.8) to name a few. Hopefully these shills utilize their next discounted lasik procedure, that they hear of, because it is completely obvious that these reviews have been falsified.

I was led to believe that this film featured a unique concept in the genre of Zombie film making. Sadly upon watching the Quick and the Undead , It is obvious that these reviews were generated by people who either were involved in the production, or have a vested interest in the films marketability / financial success. Nothing cements this in my mind more than hearing that a portion of this film was shot in Texas, were, coincidentally allot of the early posting praising the film are from. The Zombie film / Horror B movie culture on a whole is a forgiving group, but this film is sadly beyond any redemption. The characters are recycled,and the plot poor.The film quality was not bad enough to be labeled camcorder,and at least they used a film quality camera . The acting is horrible, the star trying unsuccessfully to come off as a Clint Eastwood wanna be clone. Christ on a Bike !!!!!! Even the lead actor's name is Clint. He was just terrible. The only resemblance to Clint Eastwood, is that the lead is using the "wood" from Eastwood's name in his style of acting. The Zombie makeup was above Halloween party quality , but not applied completely to the full undead cast members. Allot of zombies were not made up on their hands. The plot was so hokey that it had me hoping for a power outage, a blemish on the DVD disk, or that the zombies would turn their attention on the director. Maybe the film has worth to some viewers, but not for my hard earned dollar. Luckily I used my free rental coupon to check out this DVD. Maybe this film will be rescued by Nott entertainment ( aptly named) releasing a special collectors DVD, which will tie up loose flaws, and deliver the promised goods??? Some how , I think NOTT !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Lets just hope that their next release , The Flesh Keeper is truly a "keeper" of a film ..and not a 5th generation recycled version of The Texas Chainsaw Massacre. Fingers crossed here folks...but only if you care.

Sentiment: negative
Parasomnia has an interesting premises, but the story is poorly done without any tension or even a logical approach. The cast in unconvincing, even Patrick Kilpatrick, who played great roles in movies like Scanner Cop 2, Open Fire, Under Siege 2 and Eraser. The rest of the cast is unknown (and not very good) with the exception of Jeffrey Combs. (Herbert West from the great Re-Animator trilogy). But he can play roles like this in his sleep (which is a little what he does here). The main problem is that the actions of the characters make no sense at all. The story is rather dull and predictable with cheap computer effects mixed with some gory scenes, especially at the end.

This could have been so much better, I do not get the good reviews on this one. It is below average really.

Sentiment: negative
I believe anyone who enjoyed Eisentein's Ivan the Terrible movies would enjoy this well crafted movie. This movie played out like "Lord of the Ring: Return of the King", but without the special effect but as good and better drama.

We have the German, who dressed like KKK, conquered Novgorod of Russia. The Russian summoned Nevsky to lead them to fight the German to save Russia. Nikolai Cherkasov, who played Ivan in the Ivan the Terrible films, was charismatic as Nevsky. The first 10 min how he handled the passing by Mongol was captivating.

Many of the scenes were beautiful even in black and white. The anticipation of War did not require any dialogue such as "how many enemy we will be killing", etc. Except for a few speeches, the film can basically be played out as a silent film. The fighting scene can hold up to those of the Civil War fighting scene of The Birth of a Nation.

Another strength of the movie is the great musical score, by Sergei Prokofiev. The music gave an epic feel to the movie in those scenes without dialogue.

Sentiment: positive
Wimpy stuffed shirt Armand Louque (blandly played by veteran character actor Dean Jagger in a rare lead role) joins a group of researchers who want to find and destroy the secret technique of creating zombies. Armand falls for the lovely Claire Duval (fetching blonde Dorothy Stone), who uses the meek sap to get Armand's colleague Clifford Grayson (the hopelessly wooden Robert Noland) to marry her. Furious over being used and spurned by Claire, Armand uses his knowledge of voodoo to get revenge. Sound exciting? Well, it sure ain't. For starters, Victor Halperin's static (non)direction lets the meandering and uneventful talk-ridden story plod along at an excruciatingly slow pace. Worse yet, Halperin crucially fails to bring any tension, atmosphere and momentum to the hideously tedious proceedings. The mostly blah acting from a largely insipid cast doesn't help matters any; only George Cleveland as the hearty General Duval and E. Alyn Warren as the irascible Dr. Trevissant manage to enliven things a bit with their welcome and refreshing hammy histrionics. The drippy stock film library score, the painfully obvious stagebound sets, and the crude cinematography are pretty lousy and unimpressive as well. In fact, this feeble excuse for a fright feature is so crummy that not even the uncredited starkly staring eyes of the great Bela Lugosi can alleviate the brain-numbing boredom. A dismally dull dud.

Sentiment: negative
Watching That Lady In Ermine I was wondering what Betty Grable was doing in a project that seemed to be aimed for Marlene Dietrich to do. Someone over at 20th Century Fox may have decided one sex symbol is as good as another. Darryl F. Zanuck should have known better.

Betty plays a 19th century Italian countess whose domain has been invaded by a troop of Hungarian Hussars captained by Douglas Fairbanks, Jr. Her ghostly ancestor whose portrait hangs in the palace hall along with the rest of her distinguished family tree, sees no small resemblance in Doug now and another invader some 300 years earlier whom she dealt with when armies failed.

Besides that the current Betty has just been married to Cesar Romero and the invasion has come at a most inopportune moment, before things have been consummated. That's going to give anyone a bad attitude, I guarantee.

Fresh, wholesome all American Betty is NOT the actress to do seductive and mysterious. Marlene Dietrich might have put this over, but with Betty it falls flatter than yesterday's presidential candidate. She and Fairbanks have no chemistry at all, though Doug is as charming as ever and someone I can watch in anything.

Frederick Hollander and Leo Robin wrote the score for this film and This Is The Moment got an Oscar nomination for Best Song. That Lady In Ermine's one chance for Oscar glory fell to Buttons And Bows.

Ernest Lubitsch died midway during the film and Otto Preminger finished That Lady In Ermine. I can't believe Lubitsch had Grable in mind for the lead here. Neither will you if you see That Lady In Ermine.

Sentiment: negative
This Night Listener is better than people are generally saying. It has weaknesses, and it seems to be having a genre identity crisis, no doubt, but I think its creepy atmosphere and intriguing performances make up for this. The whole thing feels like one of those fireside "this happened to a friend of a friend of mine" ghost stories. One big complaint about the movie is the pacing: but the slow and sometimes awkward pacing is deliberate. Everything that unfolds in this movie is kept well within the realm of possibility, and real life just sort of plods alongno? So there are no flashy endings or earth-shattering revelations, no "showdown" scenes. Thank Heaven. You have to get into the zone when watching this movie, forget your reservations and your expectations of what makes a (conventionally)good movie. Williams isn't terrific, but he easily meets the needs of the story, plus his character is supposed to be somewhat generic ("No One") as he is the Everyman, the avatar by which we ourselves enter the story. Toni Collette's performance should be nominated for an Oscar (even if she maybe shouldn't win it). Give it a shot. For quality and content alone, The Night Listener is surely in the top twenty percent of movies coming out these days.

Sentiment: positive
There are no saving graces in this dreadful, stagey, boring snooze-fest, which brings to mind "The Ransom Of Red Chief"! 

Even though there are some big stars in this film, the acting is almost uniformly terrible. 

Glenn Ford, normally a laid-back kind of guy, hams it up with forced emotion. 

Donna Reed is so over-the-top as to prove laughable. 

Leslie Nielson is woefully miscast and is terrible. 

The son is such a repulsive little brat, I found myself rooting for the kidnappers. 

The only decent performance in this mish-mash is the relatively minor role of the butler. 

Perhaps I'm being too harsh on the actors, after all, all they did were to read the lines given them in the script. Ah, the script, that turgid piece of contrived dreck that would like to tug on your heart strings but merely turns your stomach.

Sentiment: negative
I think a several of America's baseball movies are among the best movies ever made. When this movie was in production and heard it described as a rugby movie. I'd read about the Highland team in the newspapers, but didn't have high expectations for this film about a sport that didn't interest me.

Last night I viewed it "on-demand" and loved it almost as much as my favorite baseball movies. Ryan Little and the cast and crew did an amazing job. Neil McDonough was especially convincing. As the "bad dad" he displayed fine range and a subtle, but moving character arc.

I also enjoyed the Pacific Islander actors. I've been fortunate to know many of these fine people and this film captures their wonderful spirit and culture. A flashback showing how the Islander culture became such a key element of Highland's team would have been a excellent addition to the film.

Some pretty tacky movies have been shot in Utah recently. It's good to see a quality film like this from the Beehive State.

Sentiment: positive
This film reminds me of how college students used to protest against the Vietnam War. As if, upon hearing some kids were doing without cheeseburgers in Cow Dung Collehe, the President was going to immediately change all US foreign policy.

The worst thing is that, while dangerous, the concept of a policy based on if the USSR and US went to war it could mean the end of the world, WORKED. The US and USSR NEVER WENT TO WAR.

Had we only conventional weapons, the notion of yet another war, a "win-able" war, in Europe and Asia was not unthinkable.

Not that I think they should get rid of this movie. It should be seen by film students as a splendid example of "How NOT to make a film."

It should be 0 stars or maybe black holes...

Sentiment: negative
Four teenage girlfriends drive to Fort Laurdale for spring break.Unfortunately they get a flat tire in Medley,Georgia and one of the girls witnesses a brutal murder deep in the woods.The local sheriff is behind the crime and the nightmare begins..."Shallow Grave" is a pleasant low-budget surprise.The cast is likable enough,the direction is steady and the violence is particularly nasty and misogynistic.Especially the second murder is pretty grim.The murderous sheriff isn't one-dimensional character-in a couple of scenes it seems that he feels remorse for what he's done.The subplot involving the two boys they meet in the diner goes nowhere,but the stalking scenes in the woods are tense and exciting.7 out of 10.

Sentiment: positive
Paul Greengrass definitely saved the best Bourne for last! I've heard a lot of people complain about they way he filmed this movie, and some have even compared the camera style to the Blair Witch Project. All I have to say to that is...are you kidding me? Come on it was not that bad at all. I think it helps the action scenes to feel more realistic, which I would prefer over highly stylized stunt choreography. As for the rest of the movie I really didn't even notice it.

You can tell that Damon has really gotten comfortable with the role of Jason Bourne. Sometimes that can be a bad thing, but in this case its a really good thing. He really becomes Jason Bourne in this installment. Damon also has a great supporting cast in Joan Allen, Ezra Kramer, and Julia Stiles. David Strathairn was a great addition to the cast, as he added more depth to the secret CIA organization.

Even though the movie is filled with great car chases and nonstop action, they managed to stick a fair amount of character development in their with all of that going on. This film stands far above the other two Bourne movies, and is definitely one of the best movies of the 2007 summer season!

Sentiment: positive
I really thought this wasn't that bad. Not a great work of art but Dermot M was the stronger performer by far. Patricia Arquette was overacting much of the time. He was actually playing cello which was very impressive, and his lines were never forced. Besides, he is an incredibly Beautiful Man. Really sexy. Add that to the talent, and most anything he's been in is a lot more tolerable. He always gives his all even if some of the projects he's been involved in didn't quite hit the highest mark.. Not the fault of the actor in most cases. He's unfortunately been in some strange films that just didn't resonate at the box office. Always with A-list actors but just not always a "hit". But he is "worth every penny" of any DVD rented or purchased. See The Wedding Date with Debra Messing - one of his best overall films. WORTH EVERY PENNY! ; ) (if you haven't seen it yet, do, then you'll understand that quote!)

Sentiment: positive