DoubleML/multimodal_confounding huggingface dataset:
Lorna Green(Janine Reynaud)is a performance artist for wealthy intellectuals at a local club. She falls prey to her fantasies as the promise of romantic interludes turn into murder as she kills those who believe that sex is on the horizon. It's quite possible that, through a form of hypnotic suggestion, someone(..a possible task master pulling her strings like a puppet)is guiding Lorna into killing those she comes across in secluded places just when it appears that love-making is about to begin. After the murders within her fantasies are committed, Lorna awakens bewildered, often clueless as to if what she was privy to within her dreams ever took place in reality.

If someone asked me how to describe this particular work from Franco, I'd say it's elegant & difficult. By now, you've probably read other user comments befuddled by what this film is about, since a large portion of it takes place within the surreal atmosphere of a dream. Franco mentioned in an interview that he was heavily influenced by Godard early in his career, as far as film-making style, and so deciding to abandon a clear narrative structure in favor of trying to create a whole different type of viewing experience. And, as you read from the reaction of the user comments here..some like this decision, others find the style labouring, dull, and bewildering. I'll be the first to admit that the film is over my head, but even Franco himself, when quizzed by critics who watched "Succubus", admitted that he didn't even understand the film and he directed it! Some might say that "Succubus" was merely a precursor to his more admired work, "Venus in Furs", considered his masterwork by Franco-faithful, because it also adopts the surreal, dreamlike structure where the protagonist doesn't truly know whether he/she is experiencing something real or imagined. In a sense, like the protagonist, we are experiencing the same type of confusion..certainly, "Succubus" is unconventional film-making where we aren't given the keys to what is exactly going on. And, a great deal of the elusive dialogue doesn't help matters. "Succubus" is also populated by beatnik types and "poet-speak", Corman's film, "A Bucket of Blood" poked fun at. My personal favorite scene teases at a possible lesbian interlude between Lorna and a woman she meets at a posh party..quite a bizarre fantasy sequence where mannequins are used rather unusually. Great locations and jazz score..I liked this film myself, although I can understand why it does receive a negative reaction. Loved that one scene at the posh party with Lorna, a wee bit drunk, writhing on the floor in a gorgeous evening gown as others attending the shindig(..equally wasted)rush her in an embrace of kisses.

Sentiment: positive
This is one of the best movies I have ever seen...

It's so full of details and every time you see it you'll find new things... Like then the father is in the shower but still only hears one voice, and when the girls flute, they can't do it at the same time cause then there would be two girls, and there aren't. 

I have some problem finding out, about in the middle of the movie their "Uncle" visit them, but why does his wife freak out?!? Else a fantastic movie.!!! The best Asian movie ever.

I hope people will enjoy it. There have been so many movie, where the main character is skit-so (The machinist, Secret Window and so on), but this movie is way better than them!!!

Sentiment: positive
Man's Castle is set in one of those jerry built settlements on vacant land and parks that during these times were called 'Hoovervilles' named after our unfortunate 31st president who got stuck with The Great Depression occurring in his administration. The proposition of this film is that a man's home is still his castle even when it's just a shack in a Hooverville.

Spencer Tracy has such a shack and truth be told this guy even in good times would not be working all that much. But in a part very typical for Tracy before he was cast as a priest in San Francisco, the start of a slew of classic roles, he's playing a tough good natured mug who takes in Loretta Young.

One of the things about Man's Castle is that it shows the effects of the Depression on women as well as men. Women had some additional strains put on them, if men had trouble finding work, women had it twice as hard. And they were sexually harassed and some resorted to prostitution just for a square meal. Spence takes Loretta Young in who's facing those kind of problems and makes no demands on her in his castle. Pretty soon though they're in love, though Tracy is not the kind to settle down.

The love scenes had some extra zing to them because Tracy and Young were having a torrid affair during the shooting of Man's Castle. And both were Catholic and married and in those days that was an insuperable barrier to marriage. Both Tracy and Young took the Catholic faith quite seriously.

Also in the cast are Walter Connolly as a kind of father figure for the whole camp, Marjorie Rambeau who's been through all the pitfalls Young might encounter and tries to steer her clear and Arthur Hohl, a really loathsome creep who has his eye on Young as well. Hohl brings the plot of Man's Castle to its climax through his scheming. 

Man's Castle is grim look at the Great Depression, not the usual movie escapist fare for those trying to avoid that kind of reality in their entertainment.

Sentiment: positive
This film was really different from what I had imagined but exceeded my expectations nevertheless. This film has the exactly right mixture of comedy, drama, political criticism and satire (not necessarily in that order). Without being patronizing or wisenheimer it reveals the open and subtle problems of our capitalist democratic high technology society. It makes you laugh instantly and remain in thought afterwards. For those of you who liked "wag the dog" and wished to have humane and manlike politicians this film should definitely be the choice!

"politicians are a lot like diapers: they should be changed frequently and for the same reasons."

Sentiment: positive
Except for the glossy look, this show had little to recommend it. The writing was patronizing and convoluted. Without exception the characters were shallow and unsympathetic. The female characters came off the worst... reduced to spoiled, selfish airheads whose soul ambition was to run around in slip dresses and stilettos, and try to bag a man. This aspect of the show is all the more curious as the series was produced by two women! The acting for the most part was dull and humourless with the cast playing one dimensional characters attacking every scene on the same note. This is not entirely the actors fault. Had they spent more time developing the characters and the storyline, adding a little injection of style and humour, MVP might have been a hit. What we're left with is something flat and vaguely unpleasant.

Sentiment: negative
This Horror movie is definitely one of the best ones I have seen in my life and there are many reasons why. The storyline is really good it has lots of action and great horror sequences in it The actors are not very good but there are not that bad but Kane is definitely the best actor in this but he was always a good actor also The cast is very good such as Kane as Jacob Goodnight, Christina Vidal as Christine, Michael j. Pagan as Tye, Samantha Noble as Kira etc. Also I just have to warn you that the killing scenes are very disturbing but They are very creative but that just makes it better and you can't have a horror movie without blood and gore Also they look very realistic. So I am sure that you will not be disappointed with see no evil because it is a really good movie. So make sure that you rent or buy see no evil because it is just so great.

Overall score: ********** out of ********** 

***** out of *****

Sentiment: positive
Hi! Being able to speak Cantonese, I found this very funny and was able to all the jokes that one might not get due to language barriers. The fight scenes are spectacular and it's a good movie. However, I have my criticisms. First of all, I find that it is not as good as the first one Project A -GO AND SEE THAT NOW! :-) Reason is, SPOILERS AHEAD-DON'T READ ON IF YOU HAVEN'T SEEN THE FILM!!!!!) because in Project A, Jackie ends by fighting his enemy; the man he is sent to kill, Sanpao. That is what he has been striving to do all the film and the showdown is spectacular. But in A II, hough he fights Chan, the showdown scene between Jackie and his nemesis is not long enough and the bulk of the action is against the Empress's men. They are not nearly as "bad" enough and have only played a minor part in the film in relation to Jackie so though their fight sequence is spectacular, they are not the ones Jackie is hunting throughout the whole of the film, so thus leaving the viewer slightly unfulfilled. However, this is just my humble opinion so don't take it word for word-go and see it yourself! It is a great film in it's own right! Take care and hope your admiration for Jackie grows! Yours Sincerely, Ian PS. You know the police chief in A II? He's the same guy in First Strike-nice to know he's still going strong!

Sentiment: positive
Almost the entire film takes place in a public bathhouse in China. There are no fancy sets, explosion or glamorous people--only fine writing, acting and direction (Hollywood, take note!).

An estranged son returns home when he believes his father is dying. He is surprised to see that Dad looks fine and is going about running the family business as usual. In fact, he notices that his father and his retarded brother have really forged a close and caring relationship and it soon becomes obvious that he is out of the loop! Dad is very traditional and this visiting son is from the big city and doesn't really see the value of the old bathhouse. How their relationship changes and where the plot goes from there is exceptional and believable.

I was happy to see that not every Chinese movie is an action picture (such as those starring Jet Li or Crouching Tiger, Hidden Dragon), as I don't particularly care for these frenetic films. The Shower as well as Springtime In A Small Town are two wonderful examples of good Chinese films about PEOPLE!

Sentiment: positive
Well, this film came on on a workday at 230am. The cute little actress who played Billy caught my attention initially and after the 1st 15 minutes I was held captive to my television till the very end. It has you on the edge of your seat, then throws in clever bits of comedy during the most tense sequences.

The only draw back is that the story was not substantial enough to fill hour an a half film, causing certain sequences to drag just a little. Nonetheless, it was still very entertaining, and I recommended it to all my co-workers the next day.

Sentiment: positive
After watching this for 15 minutes I knew how it would end. Its a cliché film with a stupid setup. I'm a big fan of thief films, but this one does not deliver anything new smart or special. It's about an insider heist gone bad because "hot head-bad guy" shots a bum, and of course "do goody-bad guy" goes on a moral trip. The reason why it's stupid and not believable is. When you've already gone so far to kill a bum, why not just kill the one guy that stands between you and 43 million. They got 45 minutes to stash the money and stage a robbery nobody in there right mind would hesitate to shoot Mr "do goody" and in this case he is a guy they known for a few days.... All and all I was leaning to fast forwarding from the middle of it, but I duked it out and boy do I regret it

Sentiment: negative
Surviving Christmas (2004) Ben Affleck, James Gandolfini, Christina Applegate, Catherine O' Hara, Josh Zuckerman, Bill Macy, Jennifer Morrison, Udo Kier, D: Mike Mitchell. Dumped by his girlfriend, a hotshot yuppie doesn't want to be left alone on Christmas so he decides to return to his boyhood home, imposing on the dysfunctional family that now lives there and bribes them to pose as his family. An obnoxious and one-dimensional performance by Affleck, who mainly acts with a flashy smile, makes his character come off as a mentally unbalanced creep, but Gandolfini and O' Hara breathe some life into this mess. Even for farce, its silliness is lumbering, not much makes sense from scene to scene, and its sentimental messages are as phony as Affleck's grin. 91 min., rated PG-13. * ½

Sentiment: negative
Sure, it seems like there is only about 17 minutes of actual content in each episode, but it is certainly fun to watch. You might find yourself cringing in your chair as buddy sticks his foot in his mouth and gets shot down, or chuckling and shaking your head when some ridiculous line actually works. The panel of hosts have more of a good-natured, friendly (dare I say Canadian) style of commentary compared with cutthroat US reality programming. I think the people who complain about this show don't get the joke. They are taking the show more seriously than the show takes itself. Keys to the VIP is a great caricature of reality shows, sports TV culture, and the club scene. I hope they do another season, and I'd be interested to see if a US version appears. It's certainly a fun, original premise.

Sentiment: positive
This should be a great film... Meryl Streep and Jack Nicholson co-starring as two newspaper writers. Mike Nichols directing. Uh uh. It's dull dull dull! Pointless and predictable! Slow and unfocused!

It's a cookie cutter 'boy meets girl, boy marries girl, boy has affair, girl leaves boy' story. Now theres an original concept! After squirming through two hours (was it only two? It felt like six.)I wasn't sure whether it was a comedy, a romance, a tragedy or a soap opera. It was done in 1986. I'm sure all of us did things sixteen years ago that we rather would forget. I hope the damage to the reputations of Streep et al is beginning to heal and that the emulsion on the master is beginning to fade. It's not that it's such a bad picture. It's just that it's such an un-good one.

Sentiment: negative
I'm a fan of C&C, going back to their records, and liked this movie, but at one point in the mid-1980's on cable television in San Jose California, it was aired with an alternate plot line that destroyed the entire point of the movie. All references to marijuana were replaced with "diamonds". The bag that "Red" drops to Chong has diamonds in it instead of marijuana, but the conversation still remains the same ("...it's worth ~$3000/lb"). There is also a subplot in which clips of aliens on a ship were added observing C&C, and talking to each other about getting the diamonds. At the end, instead of "space coke", it's something else. I'm not sure who created this version, but it was horrible, and obvious that they were attempting to make it family/child friendly. It would have been better if that network had not aired it at all.

Sentiment: positive
This was perhaps the worst movie I've seen in a long, long time. Forget that it's clear no research was done regarding Detroit (forest in downtown Detroit! Bwahaha!!). The writing was horrible, the premise completely implausible, and quite frankly, the characters were embarrassing. I cannot for the life of me understand why seasoned actors would stoop to such a low and participate in something this god awful. Now, I have never seen the original and don't know if this movie pays tribute to it's original form. It's my understanding that the original was not set in Detroit. Why they would deviate from that without researching details about the setting only tells me that it was more than the cast that was looking to pay the rent. 

Don't waste your time on this junk, unless you're from Detroit and wish for some comic relief.

Sentiment: negative
This film made me so angry because of its stupidity that I felt the need to create an account on IMDb to share with you my opinion. I liked Ashton Kutcher in "A lot like love" and this is why I still wanted to see this film despite it's current 4.2 rating. It is highly over-rated. I trusted that an actor (any of them) would judge the script and would not agree to participate in such low/now quality production. It is very disappointing. The theme of home-sitting was much better used in "Deuce Bigalow: Male Gigolo". Things that did not make sense here: fist of all, the house owner leaves his precious pet with somebody who doesn't know anything about taking care of it. Secondly, the rule is not to let anybody in the house, but the house-sitter fails to follow this simple rule. The door is not locked?! And so on..

Sentiment: negative
This flick, which is a.k.a. "Life In the Fast Lane" is easily one of the least entertaining movies I've seen in a long time. I think it was made in mind of the sick, twisted and jaded L.A. women who represent about .00000001 of the population in the States. The characters are all one-dimensional, even the lead. After she stabs her boyfriend in the head with some scissors, a cheap laugh is attempted (and unsucceeds) by sticking a cork in the boyfriend's skull to stop the bleeding. Oh, clever! Patrick Dempsey (whose movies are almost always a class act --sarcasm) plays this "devil" who changes her life - but from what we've seen, her life was this series of vignettes to begin with. No emotion, no laughs, no story. The only reason I give this a 2 is that Jeffrey Jones is ok as the priest and there is a bit of style (albiet zero substance) in the camerawork. Otherwise, one of the 5 worst films I've seen. Grade 2 out of 10 AN F! I think that even the most drugged out junkie who would laugh at a toilet seat falling would dislike this film. I can't stress enough how much you should stay away.



Sentiment: negative
A touching story told with tenderness: awkward young Jewish girl in WWII America befriends an escaped German POW who is hiding out in her clubhouse. They discuss their lives and beliefs (he's anti-Hitler), she sneaks him food, he becomes her only friend and ally. All this reminded me of the much-better theatrical film "Whistle Down The Wind", where Hayley Mills befriends convict Alan Bates, but you certainly can't fault the direction here, which is smooth, or the performances, which are sterling. Mature in her pre-teen years, Kristy McNichol carries most of the picture and never hits a false note. Suddenly, when the prisoner is discovered (and Kristy is found out as well), the movie gets very tough. Her father, shocked and ashamed that his child would consort with "that Nazi", lays into her with a quiet fury I have seldom seen before (he tells her "You are dead to me," which must be devastating for a little girl to hear). The final scenes don't cop out; there are no big reunions, no hand-holding climaxes. The girl has to face the world, and in doing so learns a bitter lesson about neighbors, friends, and family. A startling film.

Sentiment: positive
Horrible Script, which was apparently directed by...no one? The Marines can't fend off the monster with machine guns, however it backs off when a 15 year old girl karate kicks it in the face a few times. It's supposed to be a luxury liner, but the Fancy Dining Room looks like a Cafeteria in a hospital. It appears that they rented a High School for the summer, and pulled out chairs and stuff to decorate the set with. In the end shot, they are pulled from the water and into a boat and less than 3 seconds later they are apparently about two miles from the ship as it sinks.How do movies like this get made? I guess anyone can be in a film these days. Aaron James, NYC

Sentiment: negative
This is a phenomenal movie. Truly one of the best movies I have ever watched. I am a serious critic and it takes much to stir me, but this movie had all the right combinations for "stirring". The passion of the actors,without the overacting, the aching for all the characters involved, the serious and subtle truths about marriage and divorce, all make this a must see movie, despite the fact that it is 1970s. This is definitely not an "old movie", but a classic/vintage movie. I hope you engage with it as I did when you consider how volatile relationships of all kinds can be, when you also consider how deep pain associated with love can be and how the hardest decisions to make will always be the most painful, but once they are made the pain will subside, but only gradually. This movie certainly demonstrates that the most volatile relationships are not necessarily weak relationships and that leaving certainly is not synonymous with lost/lack of love. The 'crafting' of this movie certainly emanates from a place deep within someone's heart and mind.

Sentiment: positive
This film has nothing whatever to do with the Sphinx, and the title is just a come-on. The story concerns an imagined true and concealed tomb in the Valley of the Kings, of King Seti I, second pharaoh of the 19th Dynasty, New Kingdom period. It is not a bad yarn, and a great deal of the film is shot on location. Even the scenes in the Winter Palace Hotel lobby in Luxor were really shot there, and not in a studio. The second unit stuff is endless, and they must have been let loose on Egypt for weeks. Frank Langella is very good indeed as a sophisticated Egyptian. He should take it up as a sideline. The film is essentially ruined by one of the world's most irritating actresses, Lesley Anne Down, who plays the lead. She spends the whole film wondering how she looks, are her blue eyes refracting light at the correct angle, do all the fellas lust after her, etc. Having started life as a model at the age of ten, what hope could there be for her? She epitomises everything that is most revolting about female vanity and dim-witted inanity. And to think that this film was directed by Franklin Shaffner, who won an Oscar for 'Patton'! He allows this terrible actress to whimper and simper through the film, hysterical one moment, flirting the next, in a kind of hurricane of idiocy as she reels from one man to another, either screaming or making bedroom eyes, it matters not. She is supposed to be a young Egyptologist. But she has never been to Egypt before! She takes a taxi to Giza and catching her first glimpse of the pyramids, gushes in ecstasy: 'But they're so BIG!!!!' Barf! OK, so that was the script, but she takes to the banality too readily, giving the impression that it is her natural element, which I don't doubt for a minute. Elements of the story are sound. There is, indeed, a serious problem about a black market in antiquities there. True! Well done! The novel by Robin Cook, which I have not seen, may be OK for all I know. It was fun to see the name of Cyril Swern as sound recordist on the film, as I knew him pretty well long ago. Stanley Kubrick's step-daughter Katharina is described as 'draughtswoman'. I wonder what that means? Maybe she did some set work. Anyway, the antiquities in the film are pretty good, actually. And we get to see lots of the Cairo Museum and numerous scenic locations. They actually go inside King Tutankhamun's Tomb! I don't imagine that would be allowed today for a movie. A lot of inappropriate scenes take place in mosques. That would not go down well today, but in 1981 such things were not on the agenda. The music for the film is absolutely appalling, worse than Lesley Anne Down in fact! But there were sound track elements which were surprisingly authentic, one being the cacophony of traffic noise of Cairo, which is accurately rendered in the background, and would make anyone who knows Cairo chuckle nervously. Also, the loudspeaker calls to prayer are there the whole time, another touch of authenticity. Why didn't they get this right? It could have been good.

Sentiment: negative
It was praised to be a fast paced screwball comedy and the best German movie of the year, so I gave it a try, even though I've already seen some films by Dani Levy - or at least parts of them.

I got what I had expected: no comedy at all, unless you think that heart attacks are funny. It's a fine example of sloppy screen writing, with an implausible plot and characters, loaded with clichés that might be true, but surely are not funny either.

The most annoying character is that of Zucker's wife, played by Hannelore Elsner. She has to behave incredibly strange to keep the plot moving. For example: She doesn't know a single thing about Judaism, but by reasons most likely unknown to even herself she gets the idea to play the charade that she and her family are Jewish laws obeying Jews for her husband's family, who really are, and of the very orthodox and self-righteous variety. To make it a bit more complicated, she invites the four of them to stay at her city flat, because they arrive from Frankfurt in Berlin without having booked their hotels in advance, something no 60 years old business man, actually no grown-up German would ever do. This gives the viewer a lot to swallow, but still fails to produce any jokes.

Zucker and his brother Samuel haven't seen each other for forty years, but it turns out that his daughter - now a lesbian - and Samuel's son - now a militant orthodox - were once lovers, and he's HER daughter's father. Samuel's daughter - a nympho - goes after Zucker's gay son. Is this supposed to be a somehow humorous parody of Jewish incestuous tendencies? Probably it's just a thoughtless way to add some "love action turbulence" every screwball comedy needs. And of course is also fails to produce any jokes.

The praise for this movie is purely political. Therefore only people who enjoy watching movies that are supposed to be "politically important" will enjoy this one - even though "Alles auf Zucker!" quite clearly has no importance of any kind.

For all the rest: Don't watch it without a "Fast forward"-option. I really missed it.

Sentiment: negative
It was probably watching this TV movie that got me interested in the debate as to whether "Anna" was really Tsar Nicholas's daughter Anastasia. Since seeing it I have made a point of watching various documentaries and also bought a book. Despite the evidence that has been discovered since the film was released, I sometimes still think she was. Such is the power of Amy Irving's acting in this 2-parter which is somewhat liberal with the historical facts, but packed to the brim with tear-jerking drama and Irving's totally convincing performance.

I was not consciously aware of Irving before this, though I must have seen her without realizing it in "Carrie" (another favourite film). In "Anasasia", I never felt for one moment that "it's only a film". For me this woman WAS Anastasia, and when part one ended with her in the railway carriage meeting members of the royal family, I knew that come hell or high water I had to see the second part. I just wanted to see how she would prove that she was who she claimed to be, and as the story progressed I felt an intense hatred of Rex Harrison's character, though I greatly admire him as an actor.

When I saw the movie listed again in the TV guide, I convinced my Mother that we should watch it, and afterward she thanked me for doing so, being almost as keen as I had been to watch part 2. Then I bought the video and can totally recommend it. "Anastasia" is one of those rare TV movies that you simply must watch for the sheer enjoyment of watching the finest acting I have ever seen on TV, and it doesn't really matter whether you believe the legend or not.

Sentiment: positive
Darr, although a copy of some Hollywood flick, is one of the best films I have seen. It is not only beautifully portrayed but also has great songs and beautiful scenery. Shahrukh is his usual self. His expressions and voice matches his character. I was pleasantly surprised by Sunny Deol's portrayal in the film. He is a bit romantic and lovable in the film, unlike his other characters in his other films.At times you feel like Justice hasn't been done to his character. Sunny was intended to be portrayed as the good guy in the film but ends up looking like the villain at the end. Juhi Chawla is beautiful and bubbly. She is her usual self. In short, A great love story with passion.

Sentiment: positive
Although Humphrey Bogart got star billing in King Of The Underworld, I'm willing to bet he didn't thank Jack Warner for it. In fact this film was one hollow crown.

King of the Underworld was supposedly a remake of the Paul Muni film, Dr. Socrates, but given Humphrey Bogart was in the cast, the character is written more like Duke Mantee in The Petrified Forest. He even has an English writer along in the person of James Stephenson.

Kay Francis and John Eldredge are a pair of married doctors and Eldredge pulls off a tricky bit of surgery on one of Bogart's henchmen. Bogey's a man who appreciates good work done on his behalf and gives Eldredge $500.00 and there's more where that came from if he plays his cards right. Eldredge who has a gambling problem sees a good way to get some undeclared income. 

But when he's killed in a raid on the gang's hideout, Francis is also thought to be involved by the law and the American Medical Association no matter how much she protests her innocence. It's no good and she and her aunt Jessie Busley move to a small town to get away from the notoriety.

Of course the notoriety and Bogart and an itinerant Leslie Howard like writer in Stephenson all meet up with her again. But Kay is plucky and resourceful to say the least.

Bogart's character was ridiculous, no wonder the poor guy was screaming for better parts. He's a gangster who both shoots down people without mercy and gives his henchmen hotfoots just for laughs. He's concerned about his image and therefore kidnaps writer Stephenson to ghost write his autobiography and of course confesses enough to burn him in all 48 states. And then let's Kay Francis completely outsmart him, hard to believe he was king of anything.

Definitely one of the lesser works for either of the stars.

Sentiment: negative
I hadn't heard of Soap Girl but I saw a poster with a five star review from Film Threat outside the theater so I figured, how bad could it be? Well, I soon found out. My god this film was awful. The most wooden acting I have ever seen outside of a porn flick. Absolutely agonizing dialogue. I just can't understand how this was made and why anyone agreed to be a part of it. And I find it completely unfathomable that this was actually being shown in a theater and money was being charged to see it. How did this happen????? And most importantly WHAT THE WAS THE GUY FROM FILM THREAT THINKING?!?!?!?!

Sentiment: negative
*** Contains spoilers ***

A lovely film this, starring Brad Renfro and the ever wonderful Joseph Mazzello. I like Joseph Mazzello, out of all his films I've seen to date I've loved every single one of them for many different reasons and The Cure is no different. Brad Renfro does very well in this movie as well. The Cure is a drama/coming of age movie from the viewpoint of an ill child and his friend.

The basic idea is: Dexter (Joseph Mazzello) has AIDS. He ends up befriending the kid next door (Brad Renfro) but Erik's mum is very narrow-minded, ill-informed and somewhat "thick" when it comes to Dexter's illness. She thinks AIDS is contagious like the Common Cold so doesn't want her son going anywhere near Dexter.

After many attempts at making their own cure with no success, the boys go on their way to New Orleans to find the cure after reading a pamphlet about it. After getting their kicks from Playboy magazine, Dexter's health goes south shortly afterwards and as his health detoriates, there's still enough life in the boy alongside Erik for two pranks of pretending to stop breathing. Unfortunately, poor Dexter does indeed die from his illness, leaving poor Erik behind to wonder why he couldn't find the cure. Throughout the movie he ends up bonding more with Dexter's mother than his own.

It is a very heartwarming movie to watch and is not absolutely perfect (movies rarely are) but you won't care less about that as you get involved in the film more. A must for Joseph Mazzello fans, one of his best performances ever. Very well recommended must-see movie - if you can find a copy :)

Sentiment: positive
Not that he'd care, but I'm not one of Simon Pegg's friends. If I was, there's a good chance we'd fallout if he continued to make dross like this. The trouble is, he found a successful formula as the bumbling, ordinary guy-next-door type in Shawn of the Dead, Run Fat Boy Run etc, but it's starting to wear thin. Here his character has no discernible qualities, he's rude and obnoxious, and thinks he's funny when he frankly isn't. When transferred to New York from London (and I presume this link is meant to appeal to viewers on both sides of the Atlantic), he proves equally out of place with his new colleagues. Still, is it any wonder when amongst his jolly japes he hires a transvestite stripper to appear at an editorial meeting an act of revenge for his boss. Yet somehow, Kirsten Dunst starts to warm to him, even though he's done nothing nice. Oh, and because he's a superficial male he falls for Megan Fox at first sight, possibly because her character is as shallow as his. It all makes for a predictable film conclusion, although I can't see any viewer expressing how this mirrored their life. The shame is that on paper this is a cast supposedly worth watching. Pegg, though, plays himself, Kirsten Dunst seems to just go though the motions, creating no on screen chemistry, and Megan Fox isn't stretched at all. The one huge plus is Miriam Margolyes, as Pegg's New York landlady - now if she had been on screen longer.....

Sentiment: negative
This is one of the first independent movies I've ever seen. For such a very low budget, it was done well; as an insomniac myself, I can sympathize with the main character, although my sleeping problems have never been as intense or as disturbing. 

Well directed, well acted, of a subject that I haven't seen much in theaters, lighting and set both perfect for the movie setting. There are few noticeable goofs, but they may be intended; you'll see after you watch the movie. The movie is very personal, and worth watching twice. No movie is flawless, but a Hollywood version couldn't do the story better. all in all, 8/10.

Sentiment: positive
First I have to admit that I have had some doubts about the director. He has done some movies (with Jarkovsky) about the recent "czech=east" history or more precisely about families (individuals) how did they survive some historical moments. But it was always like the chines food sour-sweet. This movie was totally different. It was pure, it shows the bones of life, it shows the variations of human natures. This film is an excellent piece of art (story, acting, picture, music) but it shows you the life around you in much brighter light that we don't want to see. By the way I have saw it on a DVD (with English subtitles) but I am afraid that in the USA I wont be able to get it.

Sentiment: positive
I hate to be the one to rain on a parade (even a small one like this) but from the very first scene, you could tell this film was going to be absolute shite. Its a shame really, as I quite like Martin Freeman and Danny dyer. I was intrigued as to how they would mix in a film together, but to my dismay, they did not even have a scene together!! I think I need to repeat this - The two lead actors (who stand side by side on the advertisement posters and DVD covers) did not have one scene together!!!! They did not speak to each other and never appeared on screen at the same time. Just about sums up this poor excuse for a movie. False advertisement.

The dialogue was painful, every single character in the movie was unrealistic, and un-human like. The scenarios were far fetched, the plot was crap, the jokes were thin, Freeman tried too hard to be funny (and played a poor mans Tim from The office), nobody was likable, and worst of all, some of the characters were so annoying that it almost drove me to switch off, as I couldn't bear to watch, or listen to them any longer.

This low budget stinker was an epic fail. Even Danny Dyer couldn't inject some humour and charm into this, but bless, he tried. What a waste of time.

How anybody could rate this movie as 'ten stars' is beyond me. Ten Stars? Seriously? Come on....I won't even give some of the greats ten stars, as ten stars implies that a movie was perfect. This film was far from perfect, almost the opposite, meaning that it was almost completely dire throughout.

Watch it if you like, but if you've seen a lot of movies, and watched a lot of great movies, your review will probably similar to mine.

1/10

Sentiment: negative
The Frozen Limits is a big screen vehicle for the artists known as The Crazy Gang. They were a group of British entertainers who formed in the early 1930s. In the main the group's six men were Bud Flanagan, Chesney Allen, Jimmy Nervo, Teddy Knox, Charlie Naughton and Jimmy Gold. Hugely popular in the variety halls the group were also darlings of the then Royal Family. The plot here sees them as the Wonder Boys troupe who set off to seek their fortunes in Alaska after reading about a gold rush in the newspaper. Only problem is is that when they finally get to Red Gulch it turns out they are 40 years too late!

I often cringe when I see the statement "it's very British" because it implies that those not of the British Isles may struggle to get it. The reason it bothers me is because in this www/internet age I have garnered a ream of non British film loving friends who have been known to split their sides at the best of Ealing, Will Hay and the imperious Terry-Thomas. So, then, is it true that something such as The Frozen Limits is unlikely to be appreciated by a non British audience? Well yes it's true, so much here is topically British, but really it has to be said that the classic movie fan is pretty well versed in history, and when all is said and done the visual mirth here is universal. With the anarchic "not" so wild west make over an absolute winner. A winner that has every chance of being more appreciated by an American audience now than it will be by a British audience. Not all the comedy works, and in truth the "big 6" are trumped big time by a film stealing Moore Marriott. But there are skits and parodies here that deserve respect and a nod of approval from more illustrious comedy acts. You are unlikely to nearly fall off your chair like I did because of an Ovaltine gag, but if you be a classic comedy film fan? I feel sure that you will at the worst acknowledge there's some very talented people at work here.

Now then, dose the Mounties always get their man? 8/10

Sentiment: positive
Holy crap. This was the worst film I have seen in a long time. All the performances are fine, but there is no plot. Really! No plot! A bunch of clowns talk about this and that and that's your film. Ug... Robert Duvall's character is senile and keeps asking the same people the same qestions over and over. This earns him the same responses over and over. I am pretty sure this film got upto a six because people think they should like it. Good performances with famous and well regarded actors, but the actual complete work is a steamy turd. Well, maybe that's a bit deceptive since steam rising from a fresh pile sounds a little like something happening and in this film NOTHING HAPPENS! Sack

Sentiment: negative
the intention the directors has for this films are quite honorable, but his history of his productions did get me aware that this might not get much to the core like other film makers would do it. keeping his great 30 days TV series in mind but also counting in his MTV production "i bet you will" that opposes his seriousness in any of the matters he documents and also counting in his rather disappointing production "supersize me" i did not had my hopes up high. sadly enough this movie disappointed me none the less. as with "supersize me" after a while i did ask myself what exactly the point of all this was. the main statement gets clear enough after half an hour but the rest of the playtime gets filled with rather pointless stuff and re-repeating stuff that were already shown in this way or another earlier in the movie, so it wears out and gets extremely boring towards the end.

Sentiment: negative
Frustrated middle-aged Deputy District Attorney George Maxwell (a fine performance by George E. Carey, who also produced this picture) can't stand his naggy, frigid wife Edith (a perfectly bitchy Anne Bellamy) anymore. Worse yet, poor George is further saddled with a newborn baby sun and a lascivious lesbian teenage daughter (dishy brunette Sheri Jackson). George has an adulterous fling with lovely, enticing and free-spirited swinging hippie babysitter Candy Wilson (delightfully played with sexy aplomb by yummy blonde knockout Patricia Wymer). Complications ensue when George finds himself being blackmailed by the bitter Julia Freeman (a nicely venomous turn by Kathy Williams), who wants George to spring her psychotic biker boyfriend Laurence Mackey (a frightening Robert Tessier, who sports a head full of hair here) from jail. Director Tom Laughlin (yep, the same dude who portrayed Billy Jack!) and screenwriter James McLarty cram the splendidly seamy story with a winning and highly entertaining surplus of delicious female nudity, sizzling soft-core sex, and raw violence. Moreover, they accurately peg the whole wild'n'easy uninhibited sensibility of the 60's youth culture and relate the plot in a tight 75 minute running time, thus ensuring that this movie doesn't overstay its welcome. One definite highlight occurs when Candy invites her groovy friends over the Maxwells house for an impromptu basement bash complete with pot smoking, wailing rock music, and, of course, hot naked dancing chicks. Robert O. Ragland's funky score hits the gnarly spot. Stanton Fox's stark black and white cinematography adds an extra gritty edge to the deliriously sleazy goings-on. Best of all, this flick rates as a marvelous showcase for the utterly charming and fresh-faced pixie Patricia Wymer, who positively lights up the screen with her sweet, bubbly personality and captivating beauty. A total trashy treat.

Sentiment: positive
Another turgid action/adventure flick from the Quinn Martin Productions factory. Roy Thinnes plays undercover agent Diamond Head (Mr. Head, to you), working for his G-Man handler "Aunt Mary", looking for "Tree", who's on a mission to...well, just watch the movie. 

This one deserved and got the full MST3K sendup. As the boys and various reviewers have pointed out, the movie "Fargo" had more Hawaiian locations than this film. Apparently shot on a puny budget, this movie highlights Hawaii's broken-down dive shops, gas stations, and cheapo hotels. Zulu -- later to star as Kono in Hawaii-Five-O -- appears as Thinnes' lumpy, inept sidekick, while France Nguyen models the Jenny Craig diet gone horribly wrong. Others sharing the flickering screen include a drunken Richard Harris knockoff, a George Takai imitator, a not-so-smart hit-man with sprayed-on Sansabelt slacks, and the villain "Tree", sporting a veddy British accent. You can pretty much figure out the plot halfway through the opening credits, but relax--just enjoy the giddy mediocrity of this 70's movie-of-the-week.

Whenever I think of this movie (and I think of this movie often), I catch myself humming the theme, written for flute and tuba...no one knows why. 

Trivia note--Diamond Head was directed by Jeannot Szwarc, one of three contract directors at Universal who would go on to make much bigger films, in his case Jaws 2. The others were John Badham (War Games), and a young fellow named Steven Spielberg...

Sentiment: negative
I can't add an awful lot to the positive reviews already on here - great acting, balanced writing, multi-faceted characters, a great anti-hero in Tony, great commentary on millennial American life. The integral use of psychiatry coupled with Tony's mother issues are especially fresh and humorous. Several other characters add a lot of depth - Hesh's interesting history as an outsider muscling in, Ralphie's total irredeemable viciousness, Chris' dual desires in life, and so on.

I have to dig into some of the criticisms however, especially the 'it glorifies violence/belittles Italian-Americans' one.Most of the writers and actors are Italian-American, would they attack themselves? There are several positive Italian-American characters - Artie Bucco the chef, Dr. Melfi and her family and the Cusamanos next door to the Sopranos. Indeed, Dr Melfi's ex-husband notes in season 1 that only a tiny minority of Italian-Americans have ever had Mob connections (certainly smaller than the proportion of African-Americans involved in crime, dare I say it. In both cases poverty and lack of opportunity are the biggest causes).

Most of the characters don't really choose the life they have; family background or circumstances largely corner them into it. Outsiders (even of Italian stock) who attempt to integrate into it usually meet distressing ends - Matthew and his friend in season 2, for example. If you criticise this show, I assume Frasier made you want to be a psychiatrist, or Will & Grace made you want to go homosexual? Presumably you won't listen to rap music that discusses gangs, or r'n'b which discusses promiscuity, or rock music which discusses drugs (or any other combination)? People aren't as stupid as some of you make out....

Not everything is perfect however. A lot of characters have only appeared once, when by all logic they should have been seen or at least mentioned in previous episodes - Tracee the dancer, Meadow's friend Ally, Uncle Junior's ladyfriend (supposedly for 20 years until they split in season 1).

Sentiment: positive
Curly Sue is a 6 year old with an abundance of hair and a life as a drifter. She and her father, Bill (Jim Belushi), try to survive on the streets by being small time con artists. In Chicago, Bill decides to jump in front of a car in a pricey parking garage while Curly will scream about lawsuits and traction to the intended victim. It happens to be a very upscale lawyer named Grey (Kelly Lynch) who is appropriately appalled at what she has done. Not only do the scammers make some cash, they get to spend the night at Grey's plush apartment. Even then, Grey feels she owes them more so the three of them hang together for a spell. Grey only knows the lucrative law business and nothing about life. Who better to teach her than Bill and Curly, those savvy experts on life's realities? But, all good things must come to an end and there is no life for a legal expert and a couple of con men. Or is there? This is a sweet and funny movie about the unexpected. Curly is certainly as entertaining as Shirley Temple but much edgier, of course. Belushi gives a rare touching performance as the down on his luck con and Lynch is luminous as the snooty but soft touch lawyer. John Hughes, as writer and director, shows us his magic touch once again, as the script is lively and unpredictable. Just watch Curly and Bill take Grey out for a night, with no money, and see the humorous results. Do you long for happy endings, long promised and finally delivered, with a few uncertain moments in between? This is your made-to-order movie.

Sentiment: positive
I can't say I'm all that experienced in misty Mundae flicks having seen only a handful, but it's obvious that this was made on a shoestring, and while it might have been respectable that the filmmakers were able to make a Tomb Raider rip-off inside a garage, it isn't because it's completely obvious that this is what they were doing. The film only runs for forty five minutes, and this is definitely a good thing as there isn't nearly enough plot here to stretch it out for any longer. It has something to do with an evil Nazi scientist (who looks about as evil as a porn star playing a Nazi scientist ever could), a mummy, which is clearly a man wrapped up in toilet roll and Misty - this film's version of Tomb Raider, who keeps her top on for much less time than Angelina Jolie did in the big budget version. I have to say that even in spite of its shortcomings, this film could have been better. It's got Misty Mundae for a start, and even better than that if you ask me is the fact that it also stars the even hotter Darian Caine. The pair gets to engage in all the lesbian sex that you would expect from a Seduction Cinema film and this is at the expense of the nonexistent plot, although that isn't really a bad thing. Obviously, this is a rubbish film - but the fact that it's short is to its credit, and if you're after a bit of lesbian sex, you could do worse.

Sentiment: negative