DoubleML/multimodal_confounding huggingface dataset:
This movie was on the pay channels today and I had nothing to do so I had it on. This has to be the worst football movie ever made. This has to be one of the worst movies period. The premium service on the cable system has a rating system, and they gave 2 stars out of 4. This movie isn't even a half a star. Bad acting, Scott Bakula sinks as usual, Larry Miller?? Sinbad, couldn't act if he tried. Rob Schneider's one liners completely stunk. Fred Thompson should be embarrassed that he was even in this movie. The only saving grace for this movie was the hope you would see Kathy Ireland nude in the shower, not even close. A complete waste of time and of film. If we could give a negative number, minus 9.

Sentiment: negative
Pop quiz: you're a part of the modern armed forces in peacetime on routine manoeuvres and you find yourself thrown back in time with a chance to change history. What do you do? Well, if you're a Hollywood studio, you change the Japanese G.I.s in G.I. Samurai (aka Timeslip) to the crew of an American aircraft carrier, have them debate stopping the attack on Pearl Harbour for 90 minutes and then go home and hope that no-one reminds you that Japan did it first and with more balls in 1979 with this Sonny Chiba movie. But unlike its Hollywood counterpart The Final Countdown, this sees its premise through: thrown back 400 years into the Japanese feudal wars, its peacetime soldiers decide that their best hope of getting back lies in provoking history by trying to change it by joining with a warlord to conquer the country  cue lots of tank and helicopter vs. samurai action, including a very impressive unrelenting 25 minute battle sequence featuring a cast of thousands inflicting serious damage on each other. And yes, there are decapitations.

Of course, things don't go as planned, and even superior firepower doesn't stand up as well as hoped to thousands of soldiers. Even before that, the soldiers are falling out with each other into those who want to go home, those who want to go to war and those who want to rape and pillage for the Hell of it. Impressively directed and surprisingly well thought through, the soft rock and country and western songs are sometimes a distraction, especially when they feature English lyrics sung by Japanese singers who audibly can't pronounce the words let alone speak the language, but it's a forgivable flaw in a surprisingly good sci-fi actioner.

Optimum's UK DVD is a good transfer of the uncut 138-minute version.

Sentiment: positive
I don't know if I'm wrong or everybody els'es that says this movie is good are, sincerely I just wanna do a favor to people that has doubts about seeing it, renting it or even worse buying it(don't do it really!).

The trailers and very early previews might seem fun in some way or another but its not funny at all, it gets to fall in a series of you're-supposed-to-laugh-here scenes that tend to get in really bad jokes, bad very very bad acting, tasteless scenes, cheesy effects; this movie has it all, all wrong that is.

As final comment the movie would have been funny due to the basic concept, but believe me is really way far from that.

Sentiment: negative
How this film ever got a 6 star average is beyond me. The script is so banal, and frankly an insult to whomevers life it is based upon. The cinematography comes straight from the slick world of advertising, and the talented Ridley Scott should be ashamed. Demi Moore however, shows none a surprise by participating in this film, if one looks at her tracklist. All in all, a "high concept" style film that even Don Simpson would be ashamed of.

Sentiment: negative
The film was made in 1942 and with World War 11 around, the movie industry decided to capitalize on the fact that spies were around.

The film is fun to watch due to the fabulous dancing of Eleanor Powell. The late Miss Powell was certainly a great hoofer in every sense of the word. She is again paired with a very young looking Red Skelton here. The two of them also starred in "I Dood It."

Moroni Olsen, who 3 years later, was superb as the interrogating police officer in "Mildred Pierce" again appears as an officer asking Powell to deliver an item. Trouble is that Olsen and his rogues are really the Japanese spies.

Bert Lahr is his usual brilliant self here and he gets ample support from Virginia O'Brien.

Sentiment: negative
Although this is "better" than the first Mulva (which doesn't say much anyways, I would rather watch paint dry) it still sucks. Do yourself a favor and avoid anything from these Low Budget Pictures guys. I was suckered into buying a few dvds to support some indy filmmakers and boy did I regret it. Some haven't even been officially "released" yet (not bootlegs-bought from the filmmakers themselves) and I can't even list how bad they all are. Avoid anything with Teen Ape or Bonejack in them as they do pop up in other small indy films that they are friends with. If you are friends of these guys, chances are you were in their movies and had fun making them. But for those that had to watch them? No way. Bad video, bad audio, bad acting, bad plot...etc etc. These aren't even funny. I gave this one a 2 only because Debbie Rochon is in it and that is about it. Maybe it doesn't even deserve the 2. About a 1 1/16th star to show it was slightly better than the first (which I wish I could have rated in the negatives). If you want a decent no budget film, go pick up something from LBP's "friends" over at Freak Productions like Marty Jenkins or even Raising the Stakes. Those are actually decent.

Sentiment: negative
Despite a silly premise,ridiculous plot devices and low budget,Tourist Trap

manages to be striking. An inventive ,beautifully scored film,a must see. You have to throw rationality out the window to fully appreciate what the director was trying to do If you can manage that,you will be in for a pleasant surprise. Also take note that this is one of the few semi-classic horror films that wasn't spoiled by numerous sequels.

Sentiment: positive
i think that's this is awful produced and directed movie. Benicio Del Toro shouldn't work in production of movies, he should put accent on his acting and that's it. Steven Soderbergh missed the whole point of the idea about revolution, about it's ideals, and most important about life of Che Guevara and so on. Camera is awful, like someone with 2 day working experience is shooting with it, music is ...i don't know..is there some music in the movie???? i will not recommended this piece of sh.. to no one. It's just wasting about 4 hours in front of the TV or whatever.... I can't figure out how can someone rate this movie more than 3 stars. DISASTER....DISASTER....DISASTER....DISASTER Don't watch please. Save yourself from this misery of "movie"

Sentiment: negative
As a Hammer completist I was dreading the time when I would have to raise the courage to watch this film and the one following it, Holiday on the Buses. I had seen One the Buses the film and thought it one of the worst films I have ever seen. It was full of all the awful comedy that plagued British TV screens around the early 70's.

I am ashamed to say that there were actually parts of this film that I laughed at. I don't know if it was because I was now familiar with the characters and enjoyed some of the situations, knowing how they would react. I found Blakey particularly funny, although I could swear at no point in the trilogy does he say his catchphrase, "I'll get you Butler".

Having watched Holiday on the Buses the jokes were starting to wear thin and these three films could be compared to an early Hammer trilogy, Dick Barton, in that the second film made is the best (although this is probably the only way they could be compared).

The only people who would want to watch this film are probably fans of the TV series, who will no doubt enjoy this, and Hammer completists like myself. To the completists I would say that this film isn't that bad and I can certainly think of worse Hammer comedies.

Sentiment: negative
Okay, I think we're all agreed that Michael Jackson was the low point.

And the special effects too. But, please, keep in mind that this was NOT a big-budget film, okay? Not every film gets as much of a budget as Harry Potter or Star Wars.

However, I thought it was pretty funny altogether. B-? Nothing that would, in my opinion, waste your time.

Parodies are always fun to watch, and just because it wasn't big budget doesn't mean it's bad.

I think this was a good movie, if weak at some points.

Hope this comment helps. ~Angela

Sentiment: positive
I'm sorry, but "Star Wars Episode 1" did not do any justice to Natalie Portman's talent (and undeniable cuteness). She was entirely underused as Queen Amidala, and when she was used, her makeup was frighteningly terrible. For "Anywhere But Here," she sheds her god-awful makeup and she acts normally. And not only can she act good, she looks good doing it. I'm a bit older than she (she's only 18), and I have little or no chance of meeting her, but hey, a guy is allowed to dream, right?

Even though Susan Sarandon does take a good turn in this movie, the film belongs entirely to Portman. I've been a watcher of Portman's since "Beautiful Girls" (where she was younger, but just as cute). There's big things for her in the future - I can see it.

Sentiment: positive
shakespeare's plays have a way of transcending time. The language somehow breaks the time barrier. but perhaps it is the actors who really do that.

after the disappointment in Romeo and Juliet (the version with Claire Danes and Leonardo DiCaprio), was hesitant take on another modern rendition of Shakespeare. To my surprise Othello was great!

Iago's character was played so well by the Kenneth fellow! even thoough Iago is really evil and despicable, the character was played so well that it does what shakespeare intended for the charater to be, a pleasure for the audience to hate. i have to say that fishburne's performance here was really good as well.

i recommend this for shakespeare scholars and lazy students (who refuse to read the book) alike.

Sentiment: positive
The 80s were overrun by all those HALLOWEEN/Friday THE 13TH slasher-style horror movies, so this is something of a relief.

Ten unbelievably annoying teenagers (would you want to hang out with these jerks?!) decide to throw a Halloween party at a local former funeral parlor called "Hull House". During a "past life séance" a demon is accidentally released, and each person becomes possessed and kills off the others.

This all sounds very EVIL DEAD/DEMONS-ish, but Tenney lends some directorial style to the proceedings, there are some good one-liners, the music is excellent, the Steve Johnson prosthetic make-up FX are scary and Linnea Quigley is quite fun as a boy-crazy bimbo who pokes out eyeballs with her fingers and does an amazing new thing with a tube of lipstick!

Great fun on a no-brainer level! After checking out the breakdown of the voting and the other posted reviews, I don't understand how this only received 4 out of 10 (?!)

I give it, 8 out of 10.

Sentiment: positive
Unfortunately House of D is just awful, with a ridiculous plot, terrible writing, some mediocre acting, and in fact just about everything else about it is sub-par.

Tom flees NYC to somehow survive as a lone child in Paris, and manages to convince the beautiful Parisian girl he eventually marries that he's French, despite a poor grasp of her language. She's shocked when years later he reveals his "secret" to her! Riiiight!

He then "gifts" his tale of woe to his own son, and who we are expected to believe thinks that's just the greatest birthday gift a dad can give his 13 year old boy. If only such things were so easy! David Duchovny miscasts his own wife Tea Leoni in the role of his mother and strikes out yet again. Leoni makes me laugh as a comic but she's just plain wrong for this role.

One of the problems with that is none of the characters are sympathetic. I just didn't give a damn what happened to any of them. I did rather hope that Robin Williams and his trademark "child in a grown-up's body" schtick would fall into a Village pothole, but alas, it was not to be and we had to endure his simpering performance all the way.

Anton Yelchin and William's daughter Zelda were not bad, but I suspect the rave reviews others are giving them is simply because they weren't anywhere near as bad as everyone else in this movie. They weren't great, let me put it that way.

There are so many silly and contrived aspects to this film - Erykah Badu, the bicycle, the Catholic school and it's staff of morons, the conveniently stupid characters, etc - that this review would go on for ever, so I'll just finish up by saying that House of D is a very poor movie, and I'm almost embarrassed for Duchovny.

The thing that really annoys me is how I was so strongly encouraged by online "friends" to see this that I traveled a long way to do so.

I would not have been so annoyed that this movie is so bad if I'd just wasted a couple of hours down at the local movie theater, but instead I lost a whole day, and discovered that my so-called "friends" are either stupid or dishonest, because this is an awful movie!

Sentiment: negative
I absolutely love this show, but I saw the second episode first. After watching the first episode I could see why people were turned off at first. The first episode's humor is not the best, and they struggle to properly start the series. However, I still like the light and humorous attitude of the show. The characters develop much more after the episode and become truly enjoyable characters. As a first episode, it really doesn't accurately represent the rest of the show which is really quite good. The episode is not bad by any means, but as the show progresses it becomes better and better, so watch more episodes before passing any judgement on the quality of the show.

Sentiment: positive
I just purchased An Zhan (Running out of time) on DVD and it was an excellent film I must say. Not really action-packed, in terms of gun play, but definitely exciting and witty. I do not think I have seen Andy Lau in better form. And the editing on this film was very well executed. Go watch this now if you are a fan of Lau or HK thiller/action film!

Sentiment: positive
A delightful gentle comedic gem, until the last five minutes, which degenerate into run of the mill British TV farce. The last five minutes cost it 2 points in my rating. Despite this major plot and style flaw, it's worth watching for the character acting and the unique Cornwall setting. Many fine little bits to savor, like the tense eternity we all go through waiting for the bank approval after the clerk has swiped the credit card...made more piquant when we're not - quite - sure the card is not maxed.

Sentiment: positive
It's rare, nowadays, to find a romantic comedy that isn't incredibly disgusting in short doses throughout the entire movie (eg. Big Fat Greek wedding; Me, Myself & Irene). There were only a couple of unnecessarily demented jokes in this movie, nothing unpalatably profane. All around, it was a cute movie with likable characters. I thought the ending was a little abrupt. It feels like they should have ended it at the world series for a real bang up finish. The acting left a little to be desired, but was made up for by the pace of the story. If I'd known it was a Farrelly brothers movie I would have assumed it to be a stomach turning piece of garbage and not watched it, but it seems that even they are capable of accidentally making an okay movie. Good for them, I hope they pull their heads out the rest of the way and start consistently making good films.

Sentiment: positive
When I first saw this DVD in a bargain bin for three dollars, I really couldn't believe my luck: a Christmas movie starring Tori Spelling, William Shatner, AND Gary Coleman??? Needless to say, I snatched it up immediately and considered it a worthwhile investment.

The movie itself was just as bad as any movie you'd expect to be combining Christmas and the three aforementioned "celebrities." The dialogue was inane, the characters were one dimensional, and Carol's character arc was completely unbelievable. The movie itself was a lifeless piece of boring that refused to end and made me feel used as a human being when the end did finally come.

My advice: Don't watch this movie unless you have to and then only under the influence of some serious holiday eggnog.

Sentiment: negative
It sucked.

I returned the video after watching half of it. Not funny,

just a cheap and desperate attempt to cash in on a very very funny original. junk, forget it, don't waste your time etc etc

Sentiment: negative
Dave (Devon Sawa) and his friends Sam (Jason Segel) and Jeff (Michael Maronna) have scammed their way through college. When creepy Ethan (Jason Schwartzman) discovers their secret, he blackmails them into helping him score with beautiful, good-hearted student Angela (James King).

Stupid and incompetent "comedy" - a lot more groan-inducing than laugh-inducing. Movie tries appealing to its target audience with its disgusting gags - but NONE OF THEM WORK. What's more, it's full of worthless, unappealing characters - and Schwartzman's character is so repulsive he's a major turn-off. Movie even tries using 50's/60's sexpot/actress Mamie Van Doren in the movie's most outrageous scene. YUCK!!!

Further bringing it down are its utter predictability and the waste (yet again) of veteran comedic actor Joe Flaherty's talent - when's this guy going to stop accepting every role that comes along and do something worthwhile?

All in all, the only thing I liked was James (a.k.a. Jaime) King, who was very appealing - and deserved better.

This gets no more than one out of ten from me.

Sentiment: negative
This is a great example of a good, dumb movie. No, it is not high art by any means. Nor is the script anywhere close to a Woody Allen or Mel Brooks. BUT SO WHAT! The Killer Tomatoes series (four movies and a cartoon series) are basically good-natured romps gleefully trampling on the kind of territory the Zuckers ruled before they switched to making serious flicks.

As the title suggests, this fourth installment of the Killer Tomatoes trilogy deals with the Killer Tomatoes plot against France. In this case, Professor Gangrene (John Astin's 3rd time in the role) has a plan to rule France through an ancient prophecy about the return of the rightful King of France. Steve Lundquist returns as Igor, a humanoid tomato who wants to be a sportscaster and who just happens to be a dead ringer for the long-lost true King of France. Obviously he also plays the aforementioned l-l t K of F, happily skewering the French language.

Opposing them is the fearless Fuzzy Tomato (like the others, FT was introduced in the second film and would be a main character in the cartoon) and his human allies. Mark Price, recently unemployed as a result of the conclusion of the FAMILY TIES series, plays a thinly disguised version of himself, passing himself as "Michael J Fox" as a way to win the girl of his dreams. And Angela Visser is a dream as Marie, gleefully bouncing between unabashed virginal sexuality and borderline psychosis. Oh that the former Miss Netherlands had had more of a film career! Another returning member of the Killer Tomatoes stock company is Rick Rockwell (now best known as the hapless title subject of "Who Wants to Marry a Millionaire?"). Like co-creator John De Bello, Rockwell works both in front of and behind the camera in this series.

What can you say about Jon De Bello? Not much, really, except that he had a singular vision and managed to pull it off and, having done that, has apparently dropped into obscurity. John, if you ever see this, thanks for giving us the Killer Tomatoes.

The script is heavily but not obnoxiously aware that this is just a movie. Like RETURN OF THE KILLER TOMATOES, the action occasionally veers off the set and into the middle of the film crew. And Mark Price has a funny forum to complain about his own lack of success compared to his former costar Michael J Fox. This is the biggest budgeted of all the Killer Tomatoes flicks and is a nice send-off to the series. Okay, the show then moved to Fox Kids as a cartoon series (which was also quite clever), but cartoons just aren't the same.

Sentiment: positive
This movie is really goofy! I saw it as an 11 year old, and even then I thought it was pretty ridiculous! I would only recommend this film to kids under the age of 12. I really didn't care for it, but I do think that it answers some very good questions that kids need to be aware of, such as: 1)Does money buy happiness? 2)Should I lie (to my parents) about things I think they wouldn't approve of? 3)Does money buy friendships? 4)Is money everything? 5)Shouldn't I tell my parents when someone is trying to hurt me? Granted, these are very unrealistic situations, but I do think that if parents discussed these issues with their children, maybe they should watch this video as well, in order to show/scare their kids that lies have the potential to get you hurt.

Sentiment: negative
I'm glad this was the last of the '40's Universal Mummy movies. The movies were all of variating qualities and this movie was definitely one of the lesser ones.

Problem is that it's a very slow moving movie, in which basically nothing interesting or exciting is ever happening. Perhaps it would had all been better if the mummy had made his entrance earlier on in the movie. Instead now the movie once again spends its first 20 minutes explaining what had all happened in the previous mummy movies, by also once again using archive footage from this time "The Mummy" from 1932 again, to which this movie is the fourth mummy movie following the 1932 mummy story. The movie just never knows to find the right pace and even though the movie is barely over an hour long, it still feels a bit like a drag.

It of course also doesn't help that the movie has a rather simplistic and actually very little interesting story. The movie also feels quite disjointed. The first and second half of the movie don't really connect to each other and they seemed like two separate movies on their own.

At least Lon Chaney Jr. is still in it. He once more reprises the role of the mummy Kharis, for the third time. Too bad that he has such limited screen time this time. He gets unfortunately very little interesting to do, which is also a big waste of the mummy character itself. The movie is further more filled with dozens of silly actors who are playing around with silly accents. It seemed so totally unnecessary to me that most of the characters had to speak with such an accent and it actually gets quite distracting and annoying at points.

The mummy movies that's least worth seeing.

4/10

Sentiment: negative
A sharp political comment posturing as a coming of age story is what this movie is. The annoying thing is that it works effectively on both levels. It isn't supposed to but it does. This tale of four boys and a girl growing up in 1953 Communist Belgrade is a heart warmer. It is what gentlemen refer to as classic cinema. Obviously, 1953 Belgrade is not as harsh a dictatorial and fascist environment as the Communist society is often portrayed. One can listen to rock and roll music, one of the songs played is the song "Hey Babu Riba" ala the title of the movie. But jeans cannot be bought nor certain drugs which are illegal to possess. Unlike a heavy-handed criticism of a communist society this movie does it by showing how it affects the lives of the five protagonists who refer to themselves as we four. The girl who has a father in exile in Italy and is awaiting a passport for her mother and she to travel out to join him, the piano that is taken away from communion use from one of the boys, the sudden giving of your home and quarters to your new comrades because they need it. The boys spend a lot of time listening to music and it is made clear they despise the fascism that communism has created as they engage in tiffs with a fascist charlatan who has Stalin tattooed on his hands. These all leads to the actions they take later on and the remembrance of a time fading away, as this movie was released in 1986 in the twilight of the Soviet Empire. A great movie worth seeing again and again. "Repentance is not your enemy but yet it is also nobody's friend."

Sentiment: positive
Have I ever seen a film more shockingly inept? I can think of plenty that equal this one, but none which manage to outdo it. The cast are all horrible stereotypes lumbered with flat dialogue. I am ashamed for all of the people involved in making this. Each one wears an expression of fear not generated by the plot, but by the realisation that this project could easily nix their career. Even the many charms of Ms. Diaz don't provide an adequate reason to subject yourself to this. Avoid, it's obviously a style of film that Americans haven't really got a grasp of. Watch the final result if you must, and you'll see what I'm talking about, but DON'T say I didn't warn you...

Sentiment: negative
Oh yes, Sakura Killers is a goofy, horrible ninja movie, make no mistake. But it's also an incredibly enjoyable one. This is largely thanks to the awesome presence of one Chuck Connors, who is billed as starring in the movie but really only shines in a few scenes. I suppose he's supposed to be sort of an Obi Wan Kenobi type ("The tough ninja-buster", the box copy exclaims) but his 'wisdom' is laughable. "Move without thinking"??? My friend says this is the sign of mental retardation, not of supreme concentration.

But really, his two aides, Sonny and Dennis, have such horrible dialogue that 'Brooklyn', as we call The Colonel, tends to shine in comparison. Especially watch for Dennis' logic regarding the 'genetic splicing' the Sakura are involved with. If you know anything about cloning you will die laughing. And yes, this is a major plot point, folks.

A terribly fun movie, Sakura Killers is a hard-to-find gem. I won't spoil the 'trick' ending for you either, except that it's a perfect set up for a Sakura Killers 2. Too bad Chuck Connors died. :-( Because he does have a the smoothest ways of blowing away ninjas.

Sentiment: negative
Daphne Zuniga is the only light that shines in this sleepy slasher, and the light fades quickly. If not her, than what other reason to watch this. five college kids are signed up to prepare an old dorm for its due date of demolition. Problems are automatically occurring when a weird homeless man is soliciting, and the group are short a few people. Then, a killer is on the loose. I honestly wanted to say I was going to enjoy this one. It had a fair set up, or maybe that was just Daphne Zuniga in it. The film is too slow, and almost as silent as a library. Most of the acting is below average, and the "point-of-view" moments are so old news. Acclaimed composer Christopher Young of such films as "Hellraiser" and "Entrapment" scored this, in a repetitive cue line that was better made for a TV movie. Still, it seems higher than the movie deserves. So, other than Young and Zuniga, this one scrapes the bottom of the barrel.

Sentiment: negative
I have never known of a film to arouse such debate in my life. Believe me when i say that this film will eventually be remembered as an all-time classic. I was waiting in anticipation for this film as i had previously loved both Lock, Stock.... and Snatch, but after some of the negative reviews i thought i would be very disappointed. I absolutely loved this film and i can't wait to see it again. This film is totally different to both of the aforementioned Ritchie films, and also a lot better. I have my pick of favourite directors but none of them have pulled off a move as great as Guy Ritchie has just done with this movie. I believe he has taken movie-making to another level ( i know most people will be laughing at this comment guaging the reaction to this film, but i believe time will prove me right ). This movie is very confusing and carried on for much longer than the 2hr or so running time as i couldn't stop thinking about it or trying to piece things together. I have now got a pretty good take on everything that happens in this film ( some answers from endless hours of thinking, some answers from reading other people's take on the film )and now cannot wait until Sunday when i will see it again. I just hope people go to the cinema with an open mind and they will hopefully be rewarded as i and many others have been.

Sentiment: positive
Empty shortening of John Irving's novel strives for profundity courageously but ends up being absurd. It's a quirky, goofy and bittersweet string of sketches, attempting to explain a man's growth from birth to adulthood and how he deals with the vices of lust and fanaticism that surround him. Garp is born to a formidable unmarried mother, Jenny Fields, played by Glenn Close.(The various stages of Garp's childhood are played by three young actors before Robin Williams takes over as Garp reaches adulthood.) The story follows him through childhood at a boys' prep school, where Jenny is the school nurse, through his high school passions-wrestling,writing,and sex-to marriage with his high school sweetheart, children, marital problems and a writing career. Jenny meanwhile has become a famous feminist , espousing an unorthodox cause. The plot details an abundance of comic and tragicomic episodes and outlandish adventures. Williams gives a cherub-faced performance. This script was not fitting for his wildness and anarchy and thus his talent was wasted. He's like an injured bird sputtering out of control. John Lithgow's role as a father like transsexual, imparting wisdom, also doesn't make sense. This movie was able to attract some reasonable attention in 1982, due to the popularity of Robin Williams and his new entry into movies. Williams had recently shed his Mork and Mindy pursuits and focused more on stand-up comedy and movies. Audiences were confused by this film, especially by its arbitrary and inexplicable ending.

Sentiment: negative
Simply put, Oliver! is one of the greatest musicals of all time. It is filled with memorable songs - "Food Glorious Food", "Oliver!", "Consider Yourself" and "Oom-Pah-Pah" to name just a few - and equally memorable characters.

The film is a musical adaptation of Charles Dickens' classic novel and much like the story of Oliver Twist itself, it is a perfect family film. There are some frightening moments - the villain Bill Sykes played by Oliver Reed is scary enough on his own - but overall, the film will appeal to children of all ages as well as adults.

The story - which almost everyone is surely familiar with by now - revolves around a little orphan boy named Oliver and his life growing up in London. At first he lives in the workhouse with the rest of his fellow orphans but after daring to question Mr. Bumble, the overseer, he is sold to a family as a servant.

After a series of mishaps and close shaves, he meets the Artful Dodger - superbly played by a young Jack Wild, who gives his all in the role - and through him, the greedy Fagin (Ron Moody), who trains young boys to pick pocket treasures which he keeps for himself.

The film was shot solely in studios and on soundstages at Shepperton Film Studios but this does not translate at all to film. The sets perfectly replicate Victorian London, as do the costumes worn by the characters. A multi-Oscar winner and a massive success on its release, Oliver! is a worthy contender for the best musical all of time and will delight anyone who loves film.

Sentiment: positive
Jack Bender's "The Tempest" is an adaption of Shakespeare's play "The Tempest". Bender transports the plot from medieval Italy to Mississippi during the time of the American civil war. He includes the slavery problem and the role of revenge in wartimes.

Prospero, re-named Gideon Prosper is not the Duke of Milan but a landowner in Mississippi. He learns voodoo magic from the female slave Mambo Azaleigh. He saves her son Ariel, who thus accompanies him into his exile. The island is not situated on the sea but in a swamp near the banks of the Mississippi. There lives an Alligator hunter, a so-called "Gator-Man", who later tries to rape Prospero's daughter Miranda. During the time of the civil war, Ariel wants to join the Union troops to help fighting against slavery. Prospero does not care about the war. He is only interested in his personal revenge on his brother Antony. When Antony and his bookkeeper Willi Gonzo (Gonzalo) try to cross the river, Prospero raises a storm. The Union soldier Frederick gets lost in the swamp and finally comes to the island. He and Miranda fall in love with each other but Prospero won't accept that. Meanwhile, Ariel transformed into a raven by Prospero, finds out that Antony has feigned to ally with the Union but plans to betray them. Antony and Gonzo meet Gator Man in the swamp and conspire with him against Prospero. They kidnap Miranda and Ariel but Prospero freeze them and helps the Union defeat the Southern army. In the end Ariel is free, Frederick and Miranda are bound to marry, Prospero returns to the plantation and Gator Man gets back the island.

Peter Fonda represents Gideon Prosper powerfully and convincingly while the character of Antony stays rather flat. It was no bad idea to perform the Tempest before the background of the civil war but perhaps the director has risked too much. In some parts the story seems constructed or comical. Gator Man for example does just appear without any explanation. That it needs a kidnapping to bring Prospero to his mind and that he loses confidence in his power shows that Bender tried to make Prospero more human but only made him a weak old man without his magic. Prospero's original authority and wisdom is not made clear.

-------------End of Part 1----------------------------

Sentiment: negative
While the main story is supposed to take place in Morocco, this movie was shot in foggy Romania in 18 days on a very tight budget. However broken their cards may be, the actors and the crew play them with remarkable skill and commitment, so that in the end I found the result both touching and graceful. Nikolaj Coaster-Waldau provides a formidable performance as the bad guy. The script and direction provide some gems. Whether you will like the movie or not, however, will probably depend on your take on Alexandra Staden in the title role. Other reviewers have pointed out Staden's inadequacies as Modesty Blaise. They may have a point, but I found her interpretation delightful and very fitting. Modesty manages to overcome terrible odds through discipline, innate talent and courage. Staden appears to be doing the same here.

Sentiment: positive
When I went and saw this movie, I had great expectations. But I had so wrong. This movie was exactly as every other horror movies. It's a virus, zombies etc. Exactly as Resident Evil and many, many other movies. But the difference with this, and other movies, is that the story is very week. It's bad actors and boring music. The photo is OK but the rest is total crap. Don't see this "horror" movie, go and see the Ring 2 or any other movie who's much more of a story. I hope they will stop making horror movies who has a virus and the virus spread and make people to zombies. We have seen enough of that. The only good thing in the movie is when they are standing at a roof and shoot famous, infected celebrities.

Sentiment: negative
I thought this movie was very well put together. The voice-overs were also great. I liked how they all overcame their conflicts and reached their goals. I would recommend this movie to anyone. It was definitely worth the time and money to watch it. Atlantis has some comic scenes that made me laugh. Other scenes made me sad. And others made me glad. It is a movie any age can enjoy. From the moment Milo is the crazy "profesor" or until he gathers the crew up for the fantastic voyage under the sea. After I watched the movie, I read the book. It was good as well, but the movie puts better pictures in your mind. It is just like the book. But go ahead and watch this movie!

Sentiment: positive
As you may or may not have heard, there is no actual fighting between vampires or zombies in this film. One may then ask why the title suggested such a thing, but really it's kind of appropriate because nothing else about this film made any sense either. There was absolutely no story or plot, just things happening. The acting was incredibly bad, worse than safeauto commercials bad.

Not only were there no fighting between vampires and zombies but I think there was only one scene with zombies even in it. Their make up looked as if it were applied by an 8 year old girl. The scene was totally random and out of place and featured one of the characters fighting the zombies off with a hedge trimmer (I'm not kidding) but they used chainsaw sound effects.

This was undoubtedly the poorest movie I've ever seen in my life. The only circumstance that I wouldn't totally ridicule every person responsible for production of this film is if I learned that it was produced entirely by 11 year old's.

Really though, even with all of the criticism I offer here, I'd suggest watching this movie solely based on the fact that it may very well be the worst movie ever, and because of this is quite comical. Even just counting the flaws in it should keep you entertained.

Sentiment: negative
Is Miike like Chabrol, alternating art with dreck, sometimes confusing the two? Does he match the fifty/fifty rate some claim for Chabrol? Do we see here too much or too little Miike? I don't know. I don't know. I don't know. But I could easily fill ten lines just citing Chakushin ari's (One Missed Call's) steals, allusions, and clichés. Others here will hit on most of them, though not perhaps Ochiai's Saimin (Hypnosis) for the sleazy telecast taunting things supernatural. Only once, when Yumi takes the zombie-like mother in her arms, did One Missed Call startle me a little.

One other point of interest: Renji Ishibashi (looks like Christopher Walken) as the detective. Ishibashi in Audition's abusive back story, and as Dead or Alive's Boss Aoki of the vat of excrement drowning and more, may be the most convincingly evil character actor I've ever seen. So here he's a cop.

Sentiment: negative
Maybe this wowed them in the 50's, but this is one of those flicks that doesn't age well. It's got that preachy, earnest, downtrodden working man vibe of a 2nd rate Rod Serling live TV "Playhouse" broadcast. The "plot" is by the book, the Cassevetes character's troubled background seems tacked-on, and the love interest is unconvincing and half-hearted.

Sidney Portier gives an OK performance, but man he sure was an annoying, haughty snot. If I had to work with this guy in a warehouse I'd probably want to hit him with a grappling hook too. Jack Warden is good, because as usual, he plays Jack Warden.

Like 90% of the films rated on IMDb (whether they are classics, mediocre or crapola) somehow this one gets rated with 7-point-some-stars. It is in no way deserving of that. Save your time

Sentiment: negative
Peter M. Cohen has a winner satire on the mating game, twisted around and turned inside out. The critical bashing of the movie in mainstream media publications as "offensive" and "raunchy" only serves to underscore its intensity as a refreshing and concentrated dissection of people's sexual pursuits and passions. It is in the tradition of what I call "reality based" satire following in the footsteps of "In The Company of Men," "Chasing Amy", "Your Friends and Neighbors" and "Two Girls and a Guy". Cohen's dialogue is hilarious and I was continually intrigued by how perfectly he captured the real pace of today's conversations. Brian Van Holt, Zorie Barber, and Jonathan Abrahams are three distinct, unrelenting sex-obsessed predators who along with the foil of their recently married buddy (superbly played by Judah Domke) are turned upside down on their own terms by a female predator (Amanda Peet). Underneath the satiric surface lurks a romantic comedy far more satisfying than most sugar-coated studio products.

Sentiment: positive
Laughed a lot - because it is so incredibly bad - sorry folks, but definitely one of the worst movies I have ever seen... I know it is low budget, but anyway: the actors behave like playing in a soap, the dialogues are absolutely crappy and the last time I have seen such odd pictures was at a trash nite at some youth video festival ten years ago. I really appreciate that people gather together and shoot cheap movies, but at least a certain amount of quality should be accomplished. But at least one good thing: the first three minutes of the movie were quiet interesting and looked okay - and the score was really worth listening to. The DVD cover promised a lot, but that is by far the best this film has to offer...

Sentiment: negative
This was a great movie! Even though there was only about 15 people including myself there it was great! My friend and I laughed a lot. My mom even enjoyed it. There was two middle aged women there and a mid 20 year old there and they seemed to enjoy it. I love the part where Corky and Ned are like both liking Nancy and stuff its cute lol. And when she gets her roadster and Ned is there. Yeah This was a great movie even thought people underestimated it lol. Go See it i bet you'll enjoy it!! I really enjoyed it and so did my friend. 

People were so tough on this movie and they hadn't even seen it. I bet next time they will give the movie and actresses a chance. They all did a great job in my opinion. But if you have young kids its still appropriate. I will probably take my 7 year old niece to watch it too.

Sentiment: positive
The greatest movie ever.

How's that for a contention? However, if we look at it through purely cinematic terms, it is clear that Three Colours Red is a masterpiece. It is not enough to merely say this - Three Colours Red is the masterpiece of world cinema. If you accept that Citizen Kane is not human enough, if you accept that Star Wars is not actually very good, if you accept that Ozu and Mizoguchi both have to take a step back - then Three Colours Red is the foremost masterpiece of all time. As a discussion into human morality, Three Colours Red works on an intensely metaphysical level, with a depth that none can match. Blue went almost as far into the human psyche, but stopped as it was going to pull the rabbit out of the hat. White forced us to reflect on the humanity of equality - this, in retrospect, was better still, but still not quite there. Red, however, is the real thing. What he expresses in this movie, is an expression of what it is to be human. In fact, what he expresses is _how_ it is to feel human. It forces us to examine up to the minutest detail, the very nature of our souls, of our ethical selves. In Red, one may find meaning on one of its several levels. On the first level, Red achieves a high level of verisimilitude - we could have no trouble in calling Red an exceptionally entertaining story. However, the coincidences inherent in the film and its conceits force us to examine the movie as a movie. It is as if Kieslowski is saying: "Ceci n'est pas la réalité". In effect, in pursuing a humanistic goal, Kieslowski can also challenge reality. It is a trick that Kieslowski has been attempting since Le Double Vie de Véronique, but not until this, his final film, did he finally manage to reach this divine intertwining of fate, philosophy and circumstance. The actors and actresses, too, appear to be at the mercy of a greater power. Valentine (Irène Jacob), is aptly name, for she seems to represent an almost pure love. Meanwhile, the idea of first impressions is challenged by Jean-Louis Tritignant's Judge Kern, a cantankerous man, who, by the end, becomes an almost all-knowing observer of events - a character who symbolically seems to possess the power to bring characters together - a power to make people happy, a power which he could only achieve through Valentine.

We have a capability to see films as more than just a series of pictures. In fact, films have the potential to possess more meaning than literature. It won't happen, of course, but at least we have the power to view this film, knowing that it gives us the power to achieve the something that we can't define, but all possess. A synopsis of this film read: "A film about a woman who runs over a dog". Well, it is.

Isn't it?

-Simon Huxtable



Sentiment: positive
I'm only going to write more because it's required. However, the summary I put at the top is way too wordy for what this film was. You pretty much know who's in on it from the beginning. In spite of its attempts at plot twists and turns -acting 'talent' trying hard to have looks of shock and dismay when a twist happens-, you never really need to wonder 'whodunit' in this 'mystery'.

The more I write, the more I feel bad that I have to write so much in order to have a comment, but rules are rules. I really feel bad about saying this, but this is the lowest I've ever rated a movie... I think. It makes me wonder what I'm saving votes of 1 and 2 for. However, I thought this film deserved a 3, since I believe there was some talent in the film. Johanna Watts (or is it Watson) did a pretty good job. She was crying and distraught in one part and I thought she conveyed that emotion well. The man who played the character that was 'the drummer' did well, too, for his short part.

Many of the actors did an 'ok' job. But the lead actor, David -forget his last name (terrible with names)- was pretty bad. I think he must have thought he was doing dramatic displays for 'The Young and the Restless' or 'Days of Our Lives'. If you try, you can just picture him in a white lab coat, playing a doctor with multiple personalities on 'General Hospital'. It doesn't help that the movie is even shot like a daytime soap. Although, I'm pretty sure I could shoot this same movie with a camcorder; though without the obvious and soap'ish sound editing.

First time I ever thought the money to rent this movie was wasted. Though, I wouldn't watch it again, unless I was paid a large sum of money.

Sentiment: negative