DoubleML/multimodal_confounding huggingface dataset:
What a dreadful movie! For some reason, scientific laboratories and outposts always have a staff of grubby, dirty, mean-spirited, misanthropes living inside. These folks who presumably work together on complicated scientific projects cannot seem to agree on how to survive death at the hands of a CGI Dragon. Spoilers: An extra-nasty scientist whose main acting skill is "leering" and "the sinister stare" has cloned a Dragon. While the lab was supposed to work on this kind of thing, the other scientists are shocked, because apparently they were all way behind in their experiments and got caught with their pants down. The rest of the story is like THE THING, or Ten Little Indians, where the staff is hunted and killed off as they try to formulate a way to escape and/or defeat the "Dragon." The CGI Dragon creature is dark gray, which seems to be the popular color for most of the cheap CGI special effects. It hardly looks better than a cartoon, and the dark gray tones make it difficult to see any interesting details in the body of the Dragon. All it looks like is a gray blob. The acting is less than horrible. These scientists act like a bunch of children who cannot agree on anything, and this makes it easier for the Dragon to kill them off in various attempts to escape, hide, etc. Dean Cain is hardly better than any of the cast of unknown actors in this movie. He seems to sink to the level of his supporting cast. This movie is really, really atrocious. The acting is bad. The story is dumb. The CGI is very very cheap and amateurish. There is nothing commendable about this movie, it is not even a good time-killer to glance at while doing chores or other work.

Sentiment: negative
Let me start by saying how much I love the TV series. Despite the tragic nature of a middle-aged man seemingly unable to pursue his dreams because of his overbearing, manipulative father, it was incredibly light-hearted and fun to watch in practice. In my opinion, it is without doubt one of the greatest British sitcoms of all time. The TV series has my 10 out of 10 rating without reservation.

This movie spin-off on the other hand is a true tragedy in every sense of the word. Hardly any of the essence of the TV show is transferred successfully onto film. This movie has a very dreary, depressing tone that almost moved me to tears on several occasions. Seeing Harold being beaten up in a pub (and not in a comical way) is not my idea of comedy but is most definitely one reason why fans of the TV series will not like this movie. The movie was painfully unfunny except for the scene where Albert bathes in the sink and is seen by a neighbour.

The romance between Harold and Zita is completely out of tone and it makes me wonder whether the producers of this movie ever bothered to watch the TV series. In the TV series, Harold always went after respectable girls, not strippers.

Albert's reactions to the remarks made against him by Harold's girlfriends were absolutely priceless in the TV series. In the movie, Albert says virtually nothing when such an opportunity rises.

Most movie spin-offs of British sitcoms tend to be quite dull, with the notable exception of the ON THE BUSES films (which in some respects were actually better than the TV series itself!). But, STEPTOE AND SON has to rank right at the very bottom of the pile, even below GEORGE AND MILDRED.

My advice - skip this one and see the second spin-off, STEPTOE AND SON RIDE AGAIN instead. It has a much lighter tone, is more faithful to the TV series, and is actually very funny.

Sentiment: negative
I saw once No Man's Land (1987) - IMDB link http://us.imdb.com/Title?0093638 - and found it ok. The film is about a guy who steals only Porsches. Gone in Sixty Seconds comes 13 years after and adds nothing to it. In fact, it has a lot of scenes that are worthless. And the ending is very, very bad.

The Sphinx has a magnetic screen presence that should have been better used...

Sentiment: positive
First I want to clarify that the average user's inability to appreciate imagination is appalling. What makes this show so unique is the hyper-reality it creates. You don't need to know why Ned can bring people back from the dead, or why it can only be for a minute. Where has the wonderment of childhood whimsical tales gone, much like A Wrinkle in Time.

I say it is refreshingly original because it is a polar opposite to the masses of lay-it-all-out television that leaves no room for imagination or wonder.

It's nice to add a bit of escapism to the television experience.

The hyper-reality is my favorite aspect of the show. The 1950's-esque setting, the innocent and rare characters, and the scenery and physical setting which are not meant to be taken as pure reality.

This show masks the morbid nature of death, while others embrace it. While entertaining, other television shows have taken a back shelf to this series. It truly has restored a sense of curiosity, imagination and wonder to television.

Pushing Daisies quickly made it to the top of my list.

Sentiment: positive
This could quite possibly be the worst movie ever made, up there in a league with movies like "Howard the Duck," "Plan 9 From Outer Space," and "Ishtar." I don't understand why I decided to see this movie, as it was a waste of my life. I also do not understand why one would like this movie, regardless of their sense of humor. The acting is among the worst I've ever seen, as is the writing. The characters are all stupid, and there is not one funny scene in the entire movie. Tom Arnold is quite possibly the worst actor ever-- this movie proves it. There is nothing worthy about this movie. Don't rent it, don't watch it, don't even say that it looks interesting. It's bad enough I saw it.

Sentiment: negative
I still can't believe this movie. They got so much unbelievable things in it, that it's hard to believe anyone wanted to make it.

The story is a joke, but in the sense of being funny, but more like no story at all. How can you mix a slapstick comedy with a train robbery, a prison movie, town conspiracies, sex-jokes and a FBI-agent? You can't.

Beside the terrifying directing the most noticeable thing are the actors. I watched this film and thought: 'Is this really Marlon Brando? No, it can't be. (5 minutes later) Is this Charlie Sheen? Wow, maybe Brando is true. (5 minutes later) This can't be Donald Sutherland. (5 minutes later) No, not Mira Sorvino. This movie is too bad for all of them. (At the end). No, no, no, this can't absolutely not be Martin Sheen!!! Not for 10 seconds of such a movie.' Then it was over and I down with my nerves. SO many good, oscar-winning, usually convincing actors in such a stupid, dumb, awful movie. I rarely wanted to know so much how they came to act in this one. They couldn't got so much money.

Only just an unbelievable silly idiotic movie.

3/10 \ 1/4 \ 5 (1+ - 6-)

Sentiment: negative
Erroll works for The Department of Public Safety and his job is to check up on sex offenders. Sometimes he pushes the line at his job and beats on the sex offenders. I don't blame him but his boss is ready for him to retire so along comes Allison. Erroll is now training her to do his job and it's like job shadowing. Allison is somewhat naive about the job in the beginning but she doesn't realize how much danger she really is and it's all Erroll's fault. He starts to go to far with his obsession of finding a missing girl when his job isn't to be a police officer.

It's a fairly decent movie about a crazy guy who pushes the boundaries and works outside his "scope of practice." Erroll did do a good job but at the sake of the safety of Allison. It has some good mystery to it too and just when I had it figured out, there was more to it.

Sentiment: positive
Watching this film for the action is rather a waste of time, because the figureheads on the ships act better than the humans. It's a mercy that Anthony Quinn couldn't persuade anyone else to let him direct any other films after this turkey.

But it is filled with amusement value, since Yul Brynner has hair, Lorne Greene displays an unconvincing French accent, and the rest of the big names strut about in comic-book fashion.

Sentiment: negative
As I sat watching this episode I kept glancing at the clock waiting for something to happen. As the hour wound down I thought they were really going to give us a big pop at the end, and then - nothing. The whole family is huddled around the Christmas tree like something from the Hallmark Channel then, fade to black.

Perhaps one of the poorest season finales I've ever seen. Nothing at all to drum up any excitement for next season. The only thing thrown out as any sort of incentive to watch the next season was the ambiguous nugget offered up by Agent Harris while pawing a sub sandwich that the guys in New York were looking to get one of the guys in New Jersey. Wow, really? I would never expect something like that from mobsters, I'm on the edge of my seat.

It almost seems like they're trying to get everyone to lose interest. They start more plot lines that end up just disappearing than any show I've ever seen. They tease and hint but rarely deliver any more.

What's with the Arabs that hang out at the Bing? They keep throwing them in front of us and magically, nothing happens.

Paulie knee caps some kid after Tony promised his mother that nothing would happen to her son and, poof, gone in the wind.

And how many more meandering drug montages with Christopher are we going to have to endure? Please, have him get arrested or overdose or something interesting.

This was one of the few shows that I used to looked forward to watching but now, forgetta-bout it.

Sentiment: negative
I just saw this movie for the first time last night. Wow! What a movie! This is the kind of movie you want everyone in the world to see because its just so cool and so interesting.

I do not want to give a single word about the plot because I think it would be better for people to go in cold. DO NOT READ THE PLOT SUMMARY before you see the movie! All I'm going to say is that Eastwood, Malkovich, Peterson, and the screenplay by Jeff Maguire are top notch. I wish all thrillers were more like this one.

Sentiment: positive
I enjoy quality crapness, and this ranks up there with some of the finest. the cg is out of this world, or at least pre-dates our world, and the insanity of a 6 foot bloke in a rat outfit chasing after people is laughably bad. I quite enjoyed some of this, but the acting is so goddamn awful, and even the obligatory nude scene doesn't really have any baps out in it. just a complete waste of time if ever i saw one. I don't know who wasted more time, me watching this, or the poor saps who got dragged into making it in the faint hope that this will launch their acting careers. I can assure you, it wont. However, on a brighter note, I have managed to successfully do the 6 degrees of Kevin Bacon from this movie, so I think it was almost worthwhile watching the 91 minutes of it.

Sentiment: negative
One woman, by herself in a house for 45-minutes of screen time, doesn't sound like a formula to hold you on the edge-of-your-seat... but FUTURE SHOCK is truly as thrilling as they come! Writer / star Vivian Schilling takes on those little fears we all suppress, and enlarges them to terrifying proportions, so don't watch this film alone!

Sentiment: positive
Why it's none other than Ator played hilariously bad by Miles O'Keefe. Surprisingly I had the misfortune of sitting through this turkey before Mystery Science Theater 3000 tore it to pieces. I highly recommend checking out the MST3K version since it's hilarious and one of their best episodes ever.

The movie on it's own is basically the kind of typical B-movie crud that Italian film-makers were churning out in the early to mid 80's. This film was apparently made to cash in on the Conan craze, but it fails miserably on all counts.

Keep an eye out for the scenes where Ator fights a giant rubber snake and also manages to make a complete hang-glider during a cutaway.

"Thong, fish is ready!"

rating: the movie itself-1 The MST3K version: 10

Sentiment: negative
Its Hollywood imitating Daytiem Soap Operas at its finest! Its the fun that we never see. Great characters and great lines. Whoopi is hilarious.....Sally Field is so over the top....Gary Marshalls lines are a riot....this is what I love about good comedies. Never afraid to poke fun at themselves!!!!!!The sets were great....wardrobe was on point and the backstabbing "Montana Morehead" was a devilish delight. Terri Hatcher as "Dr. Monica Demonico" didn't have enough lines but none the less still gorgeous and fun when on screen. I would love to know how the idea for this movie came up. Never have I seen a cast of people have so much fun in making comedy work! Soapdish is a must have and I am waiting for the DVD!!!

Sentiment: positive
this movie is such a moving, amazing piece of work. i saw it at the theater when it came out, but i was only 13 & didn't really quite "get it"... i saw it again when i was 20 (on video of course & i now own it) & was just blown away. Steven Spielberg created a wonderful movie that keeps you wrapped up in it from beginning to end. i have read the book as well, but there is just something about the movie that really brings it to life. the casting, acting, music, costuming, scenery, everything, it just wonderful. you laugh, you cry, you cheer... it brings out every emotion imaginable. it is one of his finest pieces of work & should not be missed!

Sentiment: positive
I never saw the original 1954 version with Judy Garland, so have no means of comparison. Also, it's been some years, but I found this tale neither gripping nor its romance captivating. The movie tells the story of two lovers whose musical careers are headed in opposite directions. John Norman Howard is a worn out, disillusioned rock star on the decline, embarking upon a romance with a fresh, talented new singing sensation, Esther Hoffman. Her dramatic success only serves to emphasize his decline.

The lead actors, Kris Kristofferson and Barbra Streisand, are adequate in their roles, but neither their chemistry nor the plot left much of a mark with me. The film is noteworthy to me for only one aspect, Streisand's beautiful rendition of the Oscar winning song 'Evergreen'. She truly has a powerful and magnificent voice.

Sentiment: negative
This wonderful little film has all of the elements that made the Spaghetti Western so exciting and fun: GREAT music (by one of the few..if not the only..female composer to work in the genre, Nora Orlandi), EXCITING action sequences (and very vicious ones for the day!), and BEAUTIFUL scenery and sets (all in Almeria, Spain, of course). It also has a very good story with a nice tragic romance edge to it. The actors do marvelous jobs--with truly standout performances from Lawrence Dobkin and Rosalba Neri (in the most vital role for a female in a Spaghetti Western..outside of Cardinale in Leone's "Once Upon a Time in the West"). Without posting any spoilers, let me just say that this movie contains one of the best endings of any film I have EVER seen!

Sentiment: positive
Hilarious, Sellers at his funniest ... a shame you can't get this on video, or even see it on TV anymore ... I'd love to get a good copy somewhere. Maybe it's tied up in court on some legal issue, but a truly riotous hospital farce with Sellers as crooked administrator.

Sentiment: positive
I haven't seen much German comedy, but if this film is anything to go by, I'm compelled to see more! The simple but effective storyline takes two very different people on a trip from Germany to Italy after Eva, an unemployed mother of two, discovers that her artist husband is having an affair with the wife of a wealthy lawyer. I won't reveal anything further, but what results is a very funny series of events with the perfect conclusion. My interest in international cinema has expanded since I first saw this film. I recommend it to anyone (any adult... don't let the inclusion of the young children fool you into thinking it's a family film) who love comedy - even those unfamiliar with the language.

Sentiment: positive
"Show me your boobies!" is not funny, and certainly not on a channel that shows cartoons if you understand where I'm coming from. I don't want my 6 and 7 years old daughters thinking like that or hearing that. I find it sad that Nick hyped this crap THAT much and then that's what we get, stupid little kids acting like stupid adults. I know it's meant to be humorous but consider we out there that have sweet little innocent girls in K and 1st Grade who can't wait to see this. I had to comment on how disappointed I was when I saw it. My daughters won't be watching it. I'd love to block Nick but don't have the heart at this point but if Nick keeps putting out this kind of crap I'll have to.

Sentiment: negative
An excellent performance by Alix Elias highlights an otherwise mis-directed and confused pile of dreck. I have seen this movie, perhaps 12 times, and with each run through, I find less and less pleasure. Why are Munchies so lustful? Is that ever explained? Are they a reflection of our wanton, boorish 'animal selves?' If they are, why not make it more obvious? Why not peal back just a touch of the subtlety that plagues this movie, and make that connection explicit? Another part of this movie that bothers me to no end - motorcycles. The jacket the little monster wears on the front cover seems to suggest 'street-wise' traveler. The sun glasses say 'pretty cool dude.' With all this I'm ready for Easy Rider meets the Muppets. All I get is Munchies (1987). What gives? Stick to the Gremlins series if you're a fan of diminutive, wise-cracking, reptile puppets - it'll give you the treatment you deserve.

Sentiment: negative
I just saw "Of Human Bondage" for the first time a few days ago and WOW! What a mysterious and almost spooky film. I loved how the music went with the pace of each step of Philip's feet. It gave me the chills for some reason...

One of the greatest aspects of this film is that you get to see Bette Davis coming into herself right before your eyes. She's great, not necessarily because this is her best work, but because it was so out of the ordinary to be so vicious, gritty, and unflinching as an actress in 1934... Bette was a risk taker, always wanting to be different and this is right about when she started to realize that she could be as nasty and daring as she wanted and people would love her for it. If you're a true lover of film, it's amazing to see...

She just had a way of delivering a line that made the part, and the film for that matter, belong to her. Like "A mass of music and fire. That's me...an old kazoo and some sparklers" or "But you are Blanche, you are in that chair!" or "WITH ALL MY HEART, I STILL LOVE THE MAN I KILLED!!"... Those are from a few of her films, but you get my drift. She was just so brave, sassy, and exotic looking with those beautiful big eyes. After seeing this, I can't believe it was remade twice...

Leslie Howard was gorgeous...so calm and persistent, needing to be loved. I thought he was adorable and couldn't understand how everyone wasn't falling for him, but then again, everyone was...except Mildred. He did a great job...

The only thing that I didn't like was something that was common with the writing in the early films. They'd make a character so hateful that it's almost unbelievable that someone would actually fall for them in the first place. The performances were great, but in real life, Philip would have never been interested in Mildred. That's just the simple truth... See it!!

Sentiment: positive
I read the book written by Bill Carter on which this movie is based many years ago. The book is certainly stronger than the movie. It provides more detail than a movie can possibly provide, the end result being that I thought the movie seemed a wee bit sketchy on a handful of items. All things considered, though, and given the limitations of the medium, the movie provides a wholly entertaining and informative account of the battle between Jay Leno and David Letterman in the early 90's to host "The Tonight Show" after the retirement of Johnny Carson.

The highlight is clearly the performances. I can think of no more difficult performance for an actor than to play a character who is still alive and well-known and on TV on a regular basis. John Michael Higgins nailed the part of Letterman perfectly. Watching him really was like watching Letterman. Daniel Roebuck tried valiantly to be Jay Leno, but somehow didn't pull it off as effectively. His whole "look" seemed fake, and he just didn't seem natural in the role. In a less central role, Rich Little not surprisingly nailed the voice of Carson, although the look was a bit off. In the book, the most interesting of the central figures was probably Leno's agent, Helen Kushnick. In the movie, Kathy Bates was perfect in the role, although not quite as out of control as Carter's portrayal of the woman in writing.

In the end, this is light and entertaining viewing. The subject matter isn't especially important in the overall scheme of things, but it's a fun behind the scenes look at a memorable time in the entertainment industry. 7/10

Sentiment: positive
Well,i'm not a movie critic or something like that.But I have my opinion for this movie.I think that the best in this movie was Amanda Bynes,she played her roll for my look very well,i have watched many her movies,this I liked most!When you are watching this movie,you just can relax,come down,and watch it.You don't have to try to look for subtext or something like that.You just watch it. Movie is really great. Maybe I liked it for actress,maybe for all the scenery,but i liked it.The whole atmosphere that was created.In one moment I just felt like I was in that university,in that room.It is not another drama movie that is made to win Oscar,it is just nice movie to watch in your free time.

Sentiment: positive
All this dismaying waste of film stock needs is Count Floyd popping up every sixty seconds. Somehow they got Steve Railsback, Susan Anspach, John Vernon, and Joe Flaherty together on a set and couldn't get within five miles, about eight kilometers, of an actual movie. BOY does this thing suck. There isn't one original line, thought, shot, or effect from brainless opening sequence to brainless close. The magical, ethereal Susan Anspach of Five Easy Pieces - boring. Steve Railsback - boring. John Vernon - boring. The big bug - boring. If this is a scary movie, Buttercream Gang is a thuglife documentary. 

Seriously - every bad movie contains its own explanation of its badness. Usually it's in the opening credits - "Written, Directed, and Produced by" one guy. Or at the very center of the action is some bimbo so talentless that you know there's one and only one reason this turkey got made. Here, you don't find out till the very last of the credits, where the cooperation of about a dozen subfunctions of the Canadian Government is gratefully acknowledged. 

Right now I'm watching MST's take on Beast of Yucca Flats to get the taste out of my mouth. Ghod, what an improvement.

Sentiment: negative
right the hospital scene with Holly and Shannon was done brilliantly it starts off with Piper On A gurney looking very badly injured, the docs race her into a resuscitation room & they move her from the gurney onto a bed and Prue Holds Her Hand from that point on it is obvious that Piper is having a lot of trouble breathing and her lungs are failing, as she turns to beg of Prue to not leave her side she gaps "don't go i love you and then her pulse drops and she goes into cardiac arrest & the monitor shows a clear flat line & the nurses go into full out trauma mode & bring in a defibrillator Prue Steps back from the bed in horror as the doctors desperately try to shock her dying sisters heart but there is no response and she is tragically pronounced dead well great scene well done girls

Sentiment: positive
The direction had clearly stated that this film's idea and plot is totally original....however, as to those who have read 'slam dunk' comic, we can clearly see that the characters are very similar and even some jokes...

Another note is Jay Chow himself DO NOT know Kung Fu, it just won't impress anyone if he tries to act like he can, many people today can see the differences.. Luckily the movie do not contain much of KunG Fu fighting and much are enchanced by stunners and visual effects...

I think that Jay's acting is still a pain to watch, especially when almost everyone else in the film is so much better. The only reason I think why Jay is the main actor is simply is for his popularity.

Despite how hard I wish to stop anyone from watching this thus making this "orginal" movie getting what it shouldn't have, it has became one of the best budget films in China for this year.

Sentiment: negative
I consider myself a bit of a connoisseur of boxing movies and as such there is only one thing that prevents me from calling "Gentleman Jim" the best boxing movie ever made. That is the Robert Wise/Paul Newman flick "Somebody Up There Likes Me." That movie might be number 1, but "Gentleman Jim" is a close number 2.

The movie doesn't just chronicle the rise of James J. Corbett, it also shows the sport of boxing at a crucial time of transition. In the late 1800s boxing was moving away from the brutal days of bare-knuckle rules to the more "gentlemanly" days of the gloved, Marquis of Queensbury rules. And the sport was moving away from the days when it was an illegal spectacle and towards a time of acceptance and respectability.

"Gentleman Jim" is not a realistic look at those days. It is romanticized and, yes, even a bit hokey at times. But always delightfully so. Errol Flynn is perfect as the "Gentleman" Jim who really isn't a "gentleman" at all but merely a fast talker from a working class family. Alexis Smith is quite ravishing as the upper class woman with whom he has a love/hate relationship (and we all know it is, of course, love that will win that match in the end).

At the end of "Gentleman Jim" the great John L Sullivan (whose famous line was NOT "I can lick any man in the world" of course...romanticism again) hands over his belt to Corbett. This is truly one of the best scenes in any sports move ever made. Realistic? No. But wonderful. Hey, if you want realism watch "Raging Bull" instead. That is a much more realistic boxing movie. But "Gentleman Jim" is a lot more fun.

Sentiment: positive
The four LA cops in fedoras driving around in a big black convertible look faintly absurd, and even more ridiculous when it turns out that Nick Nolte, the dumbest-looking of the lot, is in charge. The writer never manages to create a spirit of camaraderie among the squad members, and the director fails to wring articulacy out of the man-mountain Nolte. Foprget questioning anyone. Nolte's character lights a cigaret, gets mad, and beats interviewees to a pulp. His methods get him nowhere, until at one point in the action he is wandering from tossed residence to tossed residence with his mouth open and his brain shut. He smashes up an FBI squad, and throws two military officers out of a plane in flight, with only a vague report of anger at HQ and no punishment at all. At the end of the film he is as gormless and muscle-bound as he was at the outset. How he managed to get a beautiful whore to fall deeply in love with him is a mystery, as is the eternal devotion and tragic sense of betrayal expressed by his jobless wife. Two interesting shots in the picture: one, of an atomic explosion, the other of a gigantic crater, ostensibly caused by a Bomb. It's almost as wrecked and puffy as Nolte's face.

Sentiment: negative
This is one dreary, inert, self-important bore. When the only thing that suddenly gives a film life is a hanging, you know the venture is botched. Philip Seymour Hoffman plays Truman Capote as a narcissistic, tic-ridden, self-indulgent, cartoon-voiced, insect-like caricature. Why he is this way is never explained and we get scant background information. The script focuses on Capote's writing of 'In Cold Blood' and his attachment to the damaged brothers who murdered a family of four. The acclaimed writer of 'To Kill A Mockingbird', Harper Lee (Catherine Keener), accompanies Capote in his initial inquires into the crime, and her presence immediately suggests a far more interesting subject for a biopic. Unfortunately, Lee is quickly sidelined in favor of endless scenes of Capote bemoaning his pained existence. Watching him is like watching Dr. Smith from 'Lost in Space' complain about his "delicate back" to anybody who will listen for two hours. The difference, however, is that Smith was fun to watch while Capote is not. The film's precious self-importance kills it, as does director Bennett Miller's reluctance to add any kind of shading. Like the morose piano score, the film is a one note wonder, providing no contrast, no emotional coloring, and no intimate drama. If Capote really was this irritating, why make a film about him and expect audiences to watch it? Though the supporting roles are well performed (Chris Cooper is his usual stalwart self), they serve such little dramatic purpose because, ultimately, it's all about Capote(!) Director Bennett and screenwriter Dan Futterman fail to emotionally engage their intended audience because they were clearly overwhelmed by the cultural baggage of Capote's "legend". Their product is stillborn Oscar bait...and is more evidence that one great genre pic has more "truth" in it than a dozen piles of oh-so-sincere crap like this.

Sentiment: negative
I could almost wish this movie had not been made. Stan Laurel was dying, and it shows in his face, even more angular and gaunt than usual. A poor script, and inept supporting cast.

Sentiment: negative
Wilson (Erica Gavin) is nabbed by the cops and sent to prison in this slick and amusing example of prime 70's exploitation, marking the directing debut of Jonathan Demme. After writing and producing a few of mentor Roger Cormans' New World films, Demme was afforded the opportunity to direct for the first time, and he delivers a movie that not only delivers the expected and tasty doses of nudity and violence, but has an appealing tongue-in-cheek quality to it as well; it's often as funny as it is flashy.

Standout scenes include a lewd and crude vaudeville style act performed for the prisoners, as well as a potent dream / fantasy sequence for uptight and obviously very repressed Superintendent McQueen (horror icon Barbara Steele, doing a marvelous turn in this antagonistic role). I also enjoyed a bank robbery scene gone haywire and a carjacking scene that was simply uproarious. As in other movies of this kind, it's also commendable that it's as much a portrait of female empowerment as it is pure exploitation. These women are tough, they take no garbage from anybody, and they're more than capable of handling themselves.

Our attractive cast here makes the most of their roles: Juanita Brown as the aggressive Maggie, Roberta Collins as the sassy Belle, Rainbeaux Smith as the cute and timid Lavelle, Gavin as the wide-eyed newcomer, and Lynda Gold (a.k.a. Crystin Sinclaire) in a bright appearance as an accomplice on the outside.

As our climax plays out, Demme comes up with a tense "beat the clock" finish as our heroines race to save Belle from being lobotomized by predatory Dr. Randolph (Warren Miller), the type of man who thinks nothing of taking advantage of women.

Bouncing along to John Cales' flavorful score, "Caged Heat" is upbeat entertainment and a guaranteed good time.

8/10

Sentiment: positive
The only part lacking in this movie is Shue's part as the daughter wanting to follow in her "aunt's" footsteps as a daytime soap star. Otherwise it would be a perfect 10.

It seems that every actor enjoyed their parts and overacting to fulfill their own enjoyment as well as the script - I have to wonder if a little ad lib'ing wasn't taking place in parts. It was well cast and there are some classic lines that will stick with you.

It's a fantastic movie everyone should see at least once. I'd recommend not drinking anything that would sting coming out your nose.

You'll definitely want to watch the last scene closely, 'Nurse Nan' has a little secret she'd rather not have shared with you.

If you love daytime soaps or despise them, this move pokes fun in all the right places.

Sentiment: positive
As far as horror flicks go, this one is pretty darn good. While it may not be a classic tale of horror and suspense, it does provide many quality chuckles that make this movie a must see if you're into the horror/comedy genre.

Sentiment: positive
This is a prime example of uninhibited filmmaking at its best. Richard Greene (who does good in the role) search for his two missing friends takes him to the Black Forest domain and castle of one-eyed Count Bruno (Stephen McNally), a past enemy of his whom he has never seen face to face. Incredible film has so many awesome elements combined (for once) into a single film--a crocodile pit; a hulking mute (played by Lon Chaney, Jr.); a crafty doctor (played by Boris Karloff); a leopard hunt (VERY well done and VERY atmospheric); a love story; a castle; a swordfight; a sadistic, one-eyed count and his two evil accomplices (played by John Hoyt and Michael Pate!!!); an intriguing background story which makes the film even more interesting; and more!. Jerry Sackheim's script doesn't allow itself to be bound in--making a film that comes extremely recommendable to anyone who is into unlimited filmmaking with a touch of horror and atmosphere to it.

Sentiment: positive
For a made for TV movie I thought that it was a great popcorn movie - don't expect anything to be very accurate and don't expect any award winners in this bunch but I do recommend this for a TV type version somewhat like "The Replacements". Look for cameos from real NFL players & officials.

Sentiment: positive
There is only one word that describes this film: BAD!! I have no idea why this movie was even made, or how they got Dennis Hopper to star in this film. Stuart Gordon is a better director than this and Hopper is a much better actor. The film is plain stupid. I did like the "square pigs" idea and there was an interesting love scene involving a cyborg, other than that, avoid this film at all costs.

Sentiment: negative
I admire Deepa Mehta and this movie is a masterpiece. I'd recommend to buy this movie on DVD because it's a movie you might want to watch more often than just once. And trust me, you'd still find little meaningful details after watching it several times.

The characters - except for the grandmother perhaps - are all very balanced, no black and white. Even though you follow the story from the perspective of the two protagonists, there is also empathy for the other characters.

I think the IMDb rating for the movie is far too low - probably due to its politically controversial content.

Sentiment: positive
If you enjoyed films like Pulp Fiction, Reservoir Dogs, and Lock, Stock, and Two Smoking Barrels, you are going to LOVE Two Hands. It has the same type of black humor beat to it and will keep you entertained through the whole film. Like Pulp Fiction, it has the wacky scenarios that the characters get into and how they deal with them. Along with Gallipoli and Picnic at Hanging Rock, this has to be one of the best Australian films I've seen. It also stars a young Heath Ledger before he got real big in the states.

This is a terribly underrated movie that I believe is just as good as Pulp Fiction and those greats. You have to see it!

Sentiment: positive
There are two reasons why I did not give a 1 to this movie. One reason are some of the actors (like Malcolm McDowell and Gwynyth Walsh) work, who tried to play at their usually good level of acting. However at many scenes they were somehow blocked by the bad scripting.

The other reason is the cool idea and looking of the Cyborg, which is quite different to most other such roles I've seen so far.

Everything else in this movie is as bad as it can be. Boring scenes, useless and boring dialogs, bad script work. And it seemed as it was the first movie ever for many actors. It could have been an interesting story though, but they failed completely.

Sentiment: negative
Spoilers.....

I saw the original on TV sometime ago and remembered this production as less gripping than most Beeb costume drama. I rewatched on DVD this week and still have the same impression of it. It's a good story at first, but weakens when the heroine becomes oh so terribly brave and noble and returns to her utterly vile husband when he's ill and I got so totally irritated with her saintliness. I suppose this was the "right thing to do" when the story was written as well as contributing plenty of angst, and it was difficult for a woman to be independent of her husband as marriage made her no more than his possession, let alone to carry on scandalously with a lover as I expect a lot of the modern audience would have liked to see. But it's hard to take the santimoniousness nowadays and especially when this heroine had a strong, brave admirer ready to defend her against anyone and everyone. So re the story as in the film I'm equivocal. It's well done as per the novel, but somewhat irritating as per today's kind of life.

Steadfast hero Gilbert was certainly a saint to put up with his ladylove's variable and often cryptic behaviour and persistent self-denial and to be so consistently supportive. So I felt it a great shame that when Helen was at long last free to be with him, the script didn't allow him a bit more than about one minute to fall on each other for a quick hug before the titles came up. This was completely ridiculous when we'd been waiting all this time through all that dripping sentiment over the undeserving husband for a decent bit of dialogue and a good embrace between hero and heroine. Instead, the ending was as though the film makers had run out of time or finance or just couldn't be bothered. "Here you are - one minute, do what you can in that, then cut as the director wants to go home now....." I was left feeling totally dissasatisfied.

However, very high commendations to the acting of Toby Stephens a perfect and very handsome hero, and Rupert Graves a superbly nasty and self-pitying villain. Tara Fitzgerald was satisfactory within the confines of the script that forced her to be a depressing and rather sanctimonious victim so much of the time.

That said, I love these classic dramas and virtually all of them are a sight better than much of the "modern" drama on TV these days. So 7 stars because in spite of the irritations it's still a good watch.

Sentiment: positive
This is one of the shallowest episodes in that the plot really seemed like an excuse to just have fun. BUT, I appreciated this light-hearted approach and this is truly one of the best episodes to see on a purely fun level. Think about it--the crew members have encounters with the white rabbit and Alice from Wonderland, a Bengal tiger, a samurai warrior, a knight on horseback who kills McCoy, and a host of other seemingly bizarre events that just don't make any sense at all until the very end. Despite all the danger, you just can't take everything very seriously--it's just too fun and the whole episode seems very surreal. So, on a purely non-aesthetic level, it's great stuff.

Sentiment: positive
Eric Rohmer's "The Lady and the Duke". could have used a better translation for the title. "The English Woman and the Duke", perhaps, would have been more accurate. While it's obvious this film is not for everyone, judging by the comments to this forum, it is worth watching because in spite of the intricate pattern of the story, Mr. Rohmer has created a movie that could be seen as an art exhibit in a museum. The mixed technology used in the movie, ultimately, works well.

The strange story of Grace Elliott, a noble lady who had been the mistress of the king of England and of the French Duc d'Orleans, holds our attention. The setting is Paris during the days that followed the French Revolution. The country was in turmoil and the power was in the hands of the people, who couldn't care less for the aristocrats. The images show the agitators running around with heads of famous people right after their trip to the guillotine.

Grace relation with the Duc had ended, but she remains a true friend to the great man that is in danger, himself, of losing his own head. Grace moves through all the horrors around her without being able of an escape. She even has an enemy in her own house, in the form of the cook, Pulcherie, who would not hesitate to denounce her at the least provocation.

Watching the movie, at times, gives the viewer the impression one is going on a trip through the Louvre watching those huge canvases that depict this crucial era of the French history. Rather than finding the digitalization process distracting, we found it to enhance the film in many ways.

Lucy Russell, as Grace Elliott, does a fine job to portray this woman who saw a lot during her lifetime. Her French seems to be excellent, as it appears she is fluent in it. As the Duc d'Orleans, Jean Claude Dreyfus made a fantastic contribution making us believe he is the nobleman himself without any effort. The supporting cast also was great. As an ensemble piece Mr. Rohmer gets good performances all around.

For lovers of history, "The Lady and the Duke" will be an interesting movie to watch thanks to the vision of Eric Rohmer.

Sentiment: positive
The title says it all.

I'm not a film critic nor will I act like the rest of the snobbish people commenting on this movie.

Obviously this movie didn't have a multi-million dollar budget, but the plot was very well done, the acting was awesome and the cinematography was great! It looked like you all had a lot of fun making this movie! I voted 9 out of 10 as the sound was strong on only one channel instead of both, but I imagine this might have been an error in the recording of the DVD.

I'll definitely be checking out other movies produced by Brain Damage Films! 

Dylan O'Leary, cast and crew, I thank you!

Sentiment: positive
With the death of GEORGE NADER, on 4 February 2002, I thought of this most interesting program, which even though it had only a short run, was a tremendous idea with good story lines throughout. Generally unseen for over 40+ years it would be worth viewing again. The opening credits showed many differing images, one of which was a snippit of COLONEL JOHN PAUL STAPP, riding his famed rocket sled, at the point where he was often referred to as "The Fastest Man Alive".

Sentiment: positive
The series does not start as it means to go on. Although it's first two seasons are crammed with incredibly average episodes, as well as numerous duds, afterwards the pace picks up and one of the finest space operas is born. The first ever episode of Star Trek: The Next Generation is remarkable for two things: it's hugely enjoyable introductions to all of the main cast, and Marina Sirtis' peculiar accent which would later disappear. Seeing how it all began is very satisfying, and viewed in mind of the rest of the series, rather moving actually. Otherwise it is a very mediocre episode featuring Q, and some giant jellyfish. That's right.

Sentiment: negative
What has Rajiv Rai done to himself? Once a hit director of films like Tridev and Vishwatama is now making one bad film after another. I was initially excited at the thought of Rajiv Rai returning to the action genre but that soon fizzled out. As a Rajiv Rai fan I thought I should at least give it a go but I left after an hour. One reason for me leaving the film so early so the amount of Paki- bashing in the film, this was not in Rai's previous venture.

A lot of directors have tried Paki- bashing but I did not expect it from Rajiv Rai Another letdown was the music. Rajiv Rai's have always had good music until now. There is only one good song and that is Tere dekh dekh Ladgayan. The performances are not upto scratch, not even from Rai Loyalist Naseer-Uddin- Shah. Avoidable fare from once my favourite director.

Sentiment: negative
Paul Verhoeven's predecessor to his breakout hit 'Basic Instinct' is a stylish and shocking neo-noir thriller. Verhoeven has become known for making somewhat sleazy trash films, both in his native Holland and in America and this film is one of the reasons why. The Fourth Man follows the strange story of Gerard Reve (played by Jeroen Krabbé); a gay, alcoholic and slightly mad writer who goes to Vlissingen to give a talk on the stories he writes. While there, he meets the seductive Christine Halsslag (Renée Soutendijk) who takes him back to her house where he discovers a handsome picture of one of her lovers and proclaims that he will meet him, even if it kills him.

Paul Verhoeven twists the truth many times in this film, and that ensures that you never quite know where you are with it. Many of the occurrences in The Fourth Man could be what they appear to be, but they could easily be interpreted as something else entirely and this keeps the audience on the edge of their seats for the duration, and also makes the film work as this narrative is what it thrives on. Paul Verhoeven is not a filmmaker that feels he has to restrain himself, and that is one of things I like best about him. This film features a very shocking scene that made me feel ill for hours afterwards (and that doesn't happen very often!). I wont spoil it because it needs the surprise element to work...but you'll see what I mean when you see the film (make sure you get the uncut version!). There is also a number of other macabre scenes that are less shocking than the one I've mentioned, but are lovely nonetheless; a man gets eaten by lions, another one has a pipe sent through his skull, a boat is smashed in half...lovely.

The acting in The Fourth Man isn't anything to write home about, but it's solid throughout. Jeroen Krabbé holds the audience's attention and looks the part as the drunken writer. It is Renée Soutendijk that impresses the most, though, as the femme fatale at the centre of the tale. Her performance is what Sharon Stone would imitate nine years later with Basic Instinct, but the original fatale did it best. Paul Verhoeven's direction is solid throughout as he directs our attention through numerous points of view, all of which help to create the mystery of the story. Verhoeven has gone on to make some rubbish, but he obviously has talent and it's a shame that he doesn't put it to better use. Of all the Verhoeven films I've seen, this is the best and although it might be difficult to come across; trust me, it's worth the effort.

Sentiment: positive
I was surprised by how great Black Snake Moan turned out to be.Being a fan of Christina Ricci and Samuel L. Jackson id figure id give this a try.Well when this was over I was just left stunned by how great this film truly was.I mean everything was dead-on great and very accurate for that matter.This film shows how the great director and writer Craig Brewer(who made Hustle & Flow another great film) can just take anything even something that seems ludacras and make it into this.Well, I like how it is just a good time, like its a film that just makes it there own in a good way.Also I love that it doesn't show big steroeypes of the south and how its been portrayed in things as the most repulsive place to be, but not this film it makes very accurate and because of that very reconisable.The cating in this was just phenomenal especially from Christina Ricci(who deserves an Oscar for this role), the always great Samuel L. Jackson, and even Justin Timberlake did a great job as well.Overall almost everything is great about this, and while its not everyones type of film its definitely worth a viewing from anyone who can enjoy a good time. Three Cheers For Black Snake Moan!!!!

9.3 out of 10 stars

Sentiment: positive
I loved this movie. First, because it is a family movie. Second, because it offers a refreshing take on dealing with the news of HIV in a family, with far less hysteria than what I have normally seen in the movies. The brothers are very close, yet are not judgmental. Their desire to protect the youngest brother is noble, but not needed in the end. I understand that Leo's choice on how to deal with his treatment may not have been the most popular one with people, but I believed it was the right choice for him. I can't believe that this was a french television programme. It had great production values. I gave this movie a ten, and I think you will too, once you have seen it.

Sentiment: positive