DoubleML/multimodal_confounding huggingface dataset:
I will begin by saying I am very pleased with this climax of the Bourne trilogy. Please, oh please don't ruin it by doing a sequel years from now or a prequel. Just leave it alone. Right..moving on.As talented and versatile as Matt Damon is...it seems as though he was just meant to play Jason Bourne.

If you are a fan of the first two Bourne movies, you will not be disappointed by the third installment. It sticks to what works and adds a little more. I was very pleased to see how well all the information we obtain in 'Identity' and 'Supremacy' all mesh in 'Ultimatum' to finally paint the full picture of Jason Bourne's troubled past. The action sequences are fast paced and keeps you on the edge of your seat. The fights between Bourne and the assassins are always fun to watch. I have always been a fan of movies surrounding CIA agents and how the CIA gather their Intel and this movie is right up that street, making it even more exciting for me.

If you choose to watch The Bourne Ultimatum without watching the previous 2 installments..you will still thoroughly enjoy the movie but I would still recommend you watch them first. This would allow you to fully understand the character Jason Bourne and become attached and be a part of his world. This allows you to appreciate and enjoy the movie even more. I'm not sure which is the better of the first 2 but I personally think 'Ultimatum' might, just MIGHT, have the edge when comparing the trilogy.

Sentiment: positive
What ever happened to one of the most innovative and brilliant storytellers of our time? Well, he made the kind of typical summer action fodder that could've been directed by anybody available out of film school...and in fact, they probably would've done a better job. They would've at least have put half of a thought into the dreadful script.

Mark Wahlberg plays an astronaut who traveled through some sort of wormhole and landed in a planet ruled by apes. (gasp!) Except this time around, the apes squirm through groan-worthy dialogue, nonsensical plotting, and showy special effects that constantly reinforce in my mind that this money could've been put to about 10 independent films that would have been considered 'masterpiece' next to this tripe.

As much as I enjoy the superb acting talent that is Tim Roth, his performance as evil ape leader Thade is nothing more than an intense composition of slouching and heavy breathing. Luckily for him, the makeup allows he as an actor to maintain some dignity and most of the crap-dialogue is hidden behind his groans and sniffles.

And alas, the always dependable Hollywood tradition of taking the male and female leads and hooking them up at the end without any relationship development or cause. And the "haha, we're so clever, aren't we?" way that Hollywood intermingles references from the original POTA into this one. Sigh...

Instead of seeing this, spend the night in and call up some friends and rent 'Ed Wood', 'Edward Scissorhands', 'Batman', or even to a lesser extent 'Sleepy Hollow', and reminisce about the days when Tim Burton was a man of vision and originality...not shame and ridicule.

Sentiment: negative
This is one of the greatest films I have ever seen: I glowed inside throughout the whole film. The music and cinematography held the spell when little was happening on screen. The slow pace was set by the mode of travel (a riding lawn mower with a big trailer) and was maintained by the background sights and sounds and the slow-paced lives of the other characters.

The story actually happened; Alvin Straight died in 1996 at the age of 76. There was no acting; everything was completely real, as if the actors had actually transformed into the characters. Sissy Spacek gave a poignant performance as a somewhat disabled daughter who had suffered much but forged ahead, always wanting to do the right thing. Richard Farnsworth was cast perfectly and he beautifully became Alvin Straight, a stubborn but loving elderly man who treks across Iowa to visit his estranged brother, Lyle, who has had a stroke. Alvin had learned much wisdom during his life and that seemed to bring out the best in the people that he encountered along the way.

The film underscores the importance of family to this man and, hopefully, to all of us. I eagerly anticipate seeing it again, and again. Directed by David Lynch, this films proves his directorial skill. Farnsworth was nominated for an Academy Award for Best Actor; at 79, he was the oldest nominee ever for that award.

Sentiment: positive
~~I was able to see this movie yesterday morning on a early viewing pass~~

I am a mom of 2 children, who range from 11 down to 6. So I'm sure plenty of parents can relate to having to see many many "kids" movies. This was refreshing for me. I haven't read this particular book, so I don't know if it stayed true to the book or not. But it sure took the grossness factor to a high level. This is the story of the "new" kid in town and it just so happens that there are a group of boys who have formed a club of sorts and love to pick on kids ....sound familiar? Haven't we all suffered this one time or another. He has the little brother who he cant stand and parents that he is embarrassed about. What I enjoyed most of all was seeing how each character was totally different from another they all stood out. The bully (why do they always make the bully a red head? My daughter has red hair! and she is no bully!..lol) is well a great bully, who finds himself being yelled at by his own big brother. It took twists and turns and well you fall in love with all of them and really find yourself routing for all the characters! Even the parents, great connection between father and son. All around enjoyable, sweet,funny, gross etc......Take your kids!!! You will enjoy it as much as they do!

Sentiment: positive
I like CKY and Viva La Bam, so I couldn't resist this when I saw it for £1.99 in Gamestation. It is Bam Magera's debut scripted film, penned by himself and Brandon Dicimaillo, and stars the entire CKY crew (Ryan Dunn, Raab Himself, Rake Yohn, Jenn Rivell, Don Vito etc etc). Brandon also is in charge of the artistic direction - which is one of the film's greatest merits - its quite CKYish in its colour style - but also shows progression.

Basically it follows (very loosely) Ryan Dunn's break up with girlfriend Glauren (played by Jenn). Vilo (played by Bam, named after Vilo Valo by any chance?) and Falcone (Bran) play his best mates who reek havoc by doing various stunts.

Its a bit like the CKY films but with a linear storyline (which is very basic indeed) and poor acting. Its strange, the usually super charsmatic gang seem to have the life sucked out of them when they know what their meant to say next.

The acting and script is pretty appalling for the most part, but the second half of the film is much better than the first (90 mins is a stretch for the flick though), and there are a number of redeeming factors, such as Tony Hawk's cameo, Dicimaillo's sub plots such as 'The Futurstic Invention Awards' and 'The Diamond Bike', the soundtrack is also very strong (its not ALL cKy and HIM - in fact Bomfunk MC's steal the film in terms of its use of music). In the second half of the film the sense of fun is much more real - especially since Don Vito has a fairly prominent role in the latter part - and he seems to steal every scene he is in.

The film will appeal to those who like the CKY antics, but only because of the core material and not the filler or story line bullshit. Oh, and will someone tell Bam that skating montages, especially in films, is sooo 1998.

However, the best part of the package on the DVD is not the film - but the 40 mins 'Making Of' doc.

The last 20 minutes of the documentary deal with Raab Himself's alcholism and the crew's real feelings towards each other amazing candidly (as usual Bam comes across as a bit of a dick, especially towards Raab's drink problem and Ryan Dunn comes across as a really nice down to earth guy). The last ten mins of the documentary deal with a friend (who is an infrequent CKY member) trying to kick heroin whilst staying at the Magera household with the crew - and a caring unitary side of gang (espcially Ape and Ryan) really comes across - a startling gem in an otherwise dull DVD.

For £1.99 I'm very satisified - although I hope Bam stays to the improvised and short skits from now on.

Sentiment: negative
This game is very addictive, I kept playing it for hours straight until late at night but also the fact that you can't save a game when you are in space contributed to this, at times I just HAD to play on in order not to loose any game data.

So yes, "Freelancer" is addictive but also quite flawed. Also for instance, something that extremely bothered me was that you couldn't skip any of the cut scene's with as a result that at times you had to watch the same few minute cut scene time after time. A great opportunity for me to multitask to check my e-mail or have a chat with my friends and more things like that, while I had to wait for the cut scene to be over.

The story starts of promising but the further you get the more ridiculous it all gets. Also the game also ends quite abrupt, at least it did so for me. It is quite obvious that they are hinting at a upcoming sequel. I don't know if a sequel is in the works at the moment but I am sure that most likely I will pick one up once it will be released.

The gameplay is very easy! Even for those who are not familiar with flight games. To put it boldly, every fool can play this game. Yes, some levels are quite hard and require lots of effort. It took me about 1-2 weeks for me to finish this game which might be a bit too short. But thank God for the multi-player option! It allows you to keep playing short missions, just like the single player game once you have completed it by the way.

Even though lot's of mission are the same, it just simply stays cool to be in the middle of the at times massive dogfights.

The graphics are good but just not anything revolutionary or anything.

Addictive game but beware of its flaws.

7/10

Sentiment: positive
All in all, an excellent movie from that time and source (coming from Warner Brothers as it was peaking in craftsmanship and style just before WWII), provided you don't take it at all seriously. The movie really makes no claim to being historically accurate, and is certainly no more or less accurate or believable than say, JFK. (This one may actually be more honest about it, though, as it essentially admits along the way that it's not to be taken as particularly fact-based, but more of a stylishly semi-heroic portrayal.) It's worth noting that audiences of the time were no more naive about the story than we are today; the NY Times review conceded that audiences would "dismiss factual inaccuracies sprinkled throughout the film," described the biographical account of Custer's life as "fanciful," and pointed out that the presentation of Custer's motivations regarding the final events were at odds with various historical accounts. They could have really gone overboard in building up Custer, one supposes, but they succeed admirably in depicting him as not necessarily the sharpest or most diligent guy around, but appropriately determined, principled and inspirational.

Flynn and DeHavilland, doing their 8th movie together in 7 years (and their last), are so comfortable together, and play off each other so easily at this point, that it's not too difficult to overlook how thinly their courtship is written here. With a first-time pairing, it would be hard to imagine what could really draw Elizabeth to Custer, but these two make it work. The movie is also missing their director from their previous seven films together (the greatly underrated Michael Curtiz), but given that he had worked with them on the previous year's similar-themed Santa Fe Trail, it's understandable if he chose to opt out of this one. (They all started together with Captain Blood and The Charge of the Light Brigade - both terrific - so we can't really blame them if they started having a tough time keeping it all fresh.)

Raoul Walsh, the director here, is certainly more comfortable with the action sequences - which are outstanding - and everything else outdoors. The interior scenes are a little more uneven, but the studio craftsmen succeed in compensating for that very well, as does Warner Bros' outstanding cast of "usual suspects" and new faces (Greenstreet, Gene Lockhart, Anthony Quinn, Arthur Kennedy, etc). I would have liked it better if Kennedy's character had been a bit less standard (I generally like his work), but here he seems to be hitting roughly the same notes in every scene; the part could have been better written - and I suppose they might have been unsure of what he could handle, as he'd only been in films for one year (Walsh probably took him for this after doing High Sierra together).

Various highlights include the depiction (probably imagined) of the genesis of "Garryowen" as the cavalry theme. The last half hour is particularly outstanding, especially with the parting of the leads echoing the end of their screen partnership, followed by the final battle scenes. A thoroughly rousing adventure.

8 of 10

Sentiment: positive
i was looking forward to this, and to be honest there were some bright spots, but it would have worked better if it had concentrated on one story rather than shooting all over the world. The many dogs were a lot of fun but i got bored of the wine fascists pompously whining (;-)) on about their achievements.

I felt it would have worked better as an hour long TV documentary, concentrating on one of the many different issues it explored. The most interesting being the french town near montpelier fighting off a an American wine company's campaign to get rid of the historic forests. A socialist mayor agreed to a deal, a nicely timed election arrived, and a communist mayor was elected, who turned it down, much to the exasperation of the American wine execs...

hopefully the director's cut will be shorter than the original..

Sentiment: negative
Tumbling Doll of Flesh (aka Niku daruma and Psycho: The Snuff Reels) This was on my want list for quite a while, and then I finally scored a copy on Ebay a while back. It's never been on DVD, and what I got from Ebay was a very good quality DVD-R, which I'm quite satisfied with. The movie is I believe the most extreme example of torture porn, with an emphasis on porn. A woman responds to an ad for a porn movie and goes with the producer to a place where it is filmed. The porn is definitely real, with the annoying Japanese pixelation to try and hide the hardcore shots, without much success most of the time. After the porn movie is shot and the actress is ready to leave, she gets clubbed over the head with a baseball bat, and taken back to the room and savagely dismembered in slow shots, and in one of the most disgusting scenes, the male porn guy screws her in an open wound in her chest. This is after both legs have been severed, her arm, and a few other niceities. This movie outdoes the Guinea Pig series by a long shot, in fact, they are not even close to the realism, although cheap gore effects, shown in this movie. This is indeed one of the best fake snuff films I have ever seen, if not the best. Now I must warn you, that if you are not into this stuff, you should stay far far away. This movie is very strong, and with the real sex, it is in a very sick way, erotic to an extent. And I mean, in a very sick way. But wherever you come down on this subject material, this movie brings the goods home, and I would definitely recommend you seek it out. After reading about the movie, I was expecting something very strong, but it exceeded that by a bunch.

Sentiment: positive
This fanciful horror flick has Vincent Price playing a mad magician that realizes his vocational talents have been sold to another. He devise ways of avenging all those that have wronged him. His master scheme seems to back fire on him.

Price is a little below par compared to his masterpieces, but is still the only reason to watch this thriller. Supporting cast includes Patrick O'Neal, Mary Murphy, Eva Gabor and Jay Novello.



Sentiment: negative
This is a movie, that has all the basic elements of its genre. It makes you wanna cry, it makes you laugh, it disgust you, it makes you angry etc. 

The topic of the story is fortunately not about some disease or drugs, what is the common trend in gay themed movies in these days, but it focuses on the social interactions between characters what could be considered not to be in the high school elite. The play and the direction could be a little bit more sophisticated, but on the other hand it's somehow better so, because it really shows the distress of the characters, that they are experiencing. If this was intended, then this is a remarkable job and assuredly an achievement, specially for such an young director. 

It's actually a good story that gives you a little inside into, how it is to be a fat girl and to acknowledge it to yourself.

Sentiment: positive
Baby boom was bad enough, basically making a series of every straight mans nightmare is worse. Yeah watched a few always made me feel better after a bad day, it reminded me it could be worse. Guy was rich successful, single(smart man), and dating celebs from singers to actresses, then his screw up of a cousin dumps his biggest mistake on him. In reality it would have been straight to foster care I'm sure, this was definitely a chic series. Oh and what's all the wining about the baby change, most the time it's probably a doll besides at that age it's nothing more than a prop anyways.

Any case I'm glad it didn't last more than a year.

Sentiment: negative
MARY, MARY, BLOODY MARY is an OK time killer. It has a uniformly attractive cast, the action is rarely dull. There are a lot of killings. And the production values are not bad. But in the end, it plays like a standard TV episode from the 1970s with some nudity thrown in. The film is the end product of an "author" trying to make a purely commercial film. There's very little depth here and the film spends too much time with chases and action scenes. Except for the scene on the beach with the old man, MMBM is almost devoid of any scares or suspense or dread. The director has very little understanding of the horror genre.

It's watchable even though it doesn't leave a lasting impression.

Sentiment: negative
What a outstanding movie is this i have not words to describe. i don't know how come the rating of the movie is 7.3 it should be 9.3 but anyways no one else can make this movie and the acting by Akshay is just outstanding the second half of the movie makes u cry and the movie has a really good unexpected ending which makes the movie perfect. you should watch this movie once, i think twice well it's up to u. Anyways i love this movie and it's not just sad and funny but it also gives u a really good meanings and what u should be doing so i think this is one of the best movie in the bollywood history. but i know the people has deferent chooses so ya. the only thing i don't like about this movie is the music well the background music is good but the songs are not good enough i think the music would be better if A R Rahman would be the music director but anyways we can't do anything about that so ya.

Sentiment: positive
My first Fassbinder was a wonderful experience. Film and alternative cinema (small hall, with uncomfortable seats; public had to wait while filmrolls were changed ) were perfect match.

There were many cliches used in the film, but Fassbinder presented them so cleverly that I found them really amusing. Sound was also brilliant (sometimes back being louder than dialogue).

Everything seemed to be in right place. And I loved the way how after-war-time was presented. Real fun!



Sentiment: positive
I just saw the movie in theater. The movie has very few good points to talk about. Kareena's beauty and a couple of songs may be. Thats it. The movie is a complete disappointment in all areas. Anyone associated with the movie will be disappointed, even Mumbai Indians too (just now Chennai has made it to semi-final). 

But the worst I feel about the movie is the action scenes. Now days Bollywood is trying to copy action scenes from Hollywood. But they forget that Hollywood directors takes a lot effect to make it look like real. But unfortunately Bollywood directors do not have that much of time. They spend their time on songs and publicity of the movie. Now such too stupid action scenes may work in South as the audience just pay to watch their favorite actor killing bunch of people. But in Bollywood this is certainly not going to work. All the action scenes I wish I could have forwarded. At the end even some Chinese people appear from nowhere to beat Akshay Kumar. This is height of stupidity. Audience is not paying to watch such stupidity. I think Bollywood now should forget about the action movies. They cant make it. The last good action I have seen was from "Ghatak" and "Khiladiyon ka Khialdi". The current scene in Bollywood is really sad for action movie fans like me. Does these people see their movie after completion? Can't they figure out that the slow motion action (which is done using ropes) is too unrealistic and childish? Better not to have action scenes if you cant handle it. I just want to go back to Amitabh's era where movie like Zanjeer and Deewar were having thrilling action scenes. The sound effect was not very effective in those days, but visually it is much better than current era scenes. 

This movie now should open the eyes of the Bollywood movie directors. Please don't make any more action movies, until you acquire the art of making it realistic.

Sentiment: negative
Years ago, I didn't love and respect the films of Jimmy Cagney nearly as much as I do now. I noticed that many of Cagney's films done with Warner Brothers in the 1930s lacked realism and his acting style was far from subtle. However, the more I watched these films, the more I found I was hooked despite these aspects. In fact, I now kind of like and expect them! Fans of old time Hollywood films probably understand what I am saying--teens and other young whippersnappers don't! Well, when it comes to entertainment, THE MAYOR OF HELL never lets up from start to finish. While the idea of a shady character like Cagney played taking over running a reform school is ridiculous, and while all the changes he made also seemed far-fetched, it all somehow worked out and delivered solid entertainment.

The gang of tough thugs were pre-Dead End Kids and instead of the likes of Leo Gorcey, Huntz Hall and Billy Hallop, similar roles are played here by Frankie Darrow and Farina. Yes, I did say "Farina". This Black actor was already famous for his roles in the Our Gang comedies and was, believe it or not, one of the highest paid child actors in Hollywood. All he needed to give up in return was be named an insipid name and act like a nice stereotypical "Negro". Here, he actually was pretty good and the usual Black stereotypes are a bit more subdued than usual. However, some will cringe at the very funny but horribly offensive court scene involving Farina and his dad, Fred 'Snowflake' Toones. With awful names like "Farina" and "Snowflake", don't say I didn't warn you.

Apart from this small complaint and a plot that is tough to believe, the film is exceptional and fun. The kids do a great job, as does Cagney and Dudley Digges in a truly despicable but exciting role as the evil warden. Also, as an added plus, you get to see perennial Warner stock actor Allen Jenkins in his first role for the studio.

Sentiment: positive
The only reason there is a question mark in parenthesis is NOT because I haven't seen every film released in 2001 thus far. It's because this film was only made PARTLY in 2001. The rest of it was stolen from Roger Corman's OTHER dinosaur films, Carnosaur 1-3.

I have a confession to make. "Carnosaur 2" is perhaps one of my favorite B-movies. It borrows so much from James Cameron's "Aliens" it's not even funny. But I love it. I can't explain exactly why. It just WORKS for me. I liked the sets, I liked the cinematography, I liked how they borrowed from "Aliens". It's all a bit ironic that Cameron at one point was an understudy of Corman's, with films like "Battle Beyond the Stars" (1980).

I own the Carnosaur trilogy on DVD, and the most I can say for part one is that it has moments. The most I can say for the third is that it took me five years to find it watchable.

Now we have "Raptor," which does NOT continue that series. Instead, it borrows ENTIRE scenes from the Carnosaur Trilogy and BUILDS a movie around it. And somehow Roger Corman was able to get Eric Roberts and Corbin Bernsen to do it. Now, I'm not saying either Roberts or Bernsen are at any kind of career high. But they were both at one point what could be called RESPECTABLE actors. Not here. Sure, actors react to effects they won't even see while filming all the time. Here, however, they are reacting to mismatched footage from films that are between five and eight years old. There's even a sherrif whose costume was modeled directly after a character in "Carnosaur 1." Apparently it made too much sense to get the original guy back.

When "Raptor" was announced I was a wee bit excited. I was however disappointed when Corman said that they'd be using the old dinosaur models from "Carnosaur." Apparently Corman decided after this interview was conducted that he wouldn't even do that. And its not that he couldn't find an FX crew to do it. The script for this was clearly written keeping in mind that the story had to be built around pre-existing stock footage.

Don't compare this to Ed Wood. Ed did better than this. At least he only used the stock footage of Bela once, in one film. There are ways of incorporating stock footage into a movie, and "Raptor" takes this frowned-upon technique to a new low. Even if you liked "Carnosaur 3: Primal Species," stay away from "Raptor."

Sentiment: negative
"One True Thing" is the kind of movie where the audience is inspired greatly greatly inspired performances. I am not necessarily stating that the film is uplifting, because it isn't. In fact, the movie is down right depressing. I am trying to say that it takes a lot for a movie to generate emotional tears from an attending crowd.

I cried in "One True Thing," enough to conclude that this is one of the most emotionally powerful movies of 1998. The characters were perfectly casted. The performances are all guaranteed Oscar Nominees, especially Meryl Streep, who portraits the dying Kate extremely well. Her acting alone was enough to make the movie excel to the point of recommendation, and gives you a new point of view at her. I also thought that Renée Zellweger portrayed a realistic single, free-wheeling woman who has to take care of their own mother. The other cast members including William Hurt & Tom Everett Scott, were also superb. The script of this movie was really fantastic. It is kind of funny how the movie's concept has to do with the controversial happenings in my local area. You see, I live near Lansing, Michigan, and right now a big issue here is assistant suicide doctor Jack Kavorkian's (excuse my miss-spelling if so) ways have just been outlawed. The public will vote on this according to their beliefs in November After watching "One True Thing" it really changed my perspective at this topic, although I have always believed in it. Without revealing the ending of the film I will simply say that suicide is a distant theme in this movie and I think it fits in accurately with the gorgeous story. Overall, this movie does indeed have more emotional impact than "Titanic," "Saving Private Ryan" or any other tearjerker released in the last few years. I think that is because the main idea of this movie is that this kind of thing happened every day, so it relates better to an audience. And indeed, that this could happening to you.

Sentiment: positive
Essential viewing for anyone who watches TV news as it may help to become a little more sceptical, or even cynical. On a personal note I recall taking a course some years ago about being interviewed for TV - what to do, what not to do. The course instructors impressed on us that TV news was a "branch of show-biz". That depressing view, which is probably even more valid today than when it was made, is reinforced by this film. Never mind journalistic integrity, what counts is the ability to look good and smile nicely. And make sure you don't sweat on camera.

The interactions between the three main characters form the centre-piece, each with his or her own ambitions, capabilities and beliefs. Brooks takes these differences and sets them into the volatile setting of a TV news studio, and adds more than a pinch of love interest to the mixture. The result is a complex, if somewhat overlong, portrayal of how we compromise every day in order to meet our ambitions and take others with us. It is always entertaining, although the final scene was, perhaps, unnecessary given everything that had gone before.

Sentiment: positive
After working on 7 movies with director Mickael Curtiz (The Adventures of Robin Hood are their best achievement), Errol Flynn got tired of his dictatorial direction and decided to work with the great Raoul Walsh. This reunion is a happy thing for cinematography. THE DIED WITH THEIR BOOTS ON is their first and best film together. Raoul Walsh portrays the General George Armstrong Custer (Errol Flynn) from his debuts at West Point, to the Civil War and finally at the battle of Little Big Horn. It's true the film shows a too heroic portrait of Custer, but that's not important. What is important, is the fact that we are transported with the passion and glory carried by the characters. Who can forget California Joe, the great "Queen's Own Buttler" with his song "Garryowen", the touching Mrs Custer (Olivia de Havilland), the diabolic Sharp well played by Arthur Kennedy ?

An eternal blow remains on this epic and tragic freso.

Sentiment: positive
Seems everyone in this film is channeling Woody Allen. They stammer and pause and stammer some more. Only for REALLY die-hard DeNero fans! It tries to appear as edgy and artistic - but it comes off as looking like a very, very low budget film made by college students. The most often used word in the whole film is "hum". The film does peg the atmosphere of the late sixties/early seventies though. If you like films where people are CONSTANTLY talking over each other, horrible lighting (even if it is for "art's sake"), and makes you feel like you are sitting in on a lame political meeting, then you might like this - but you need to be really bored. I found this CD in the dollar bin and now I know why.

Sentiment: negative
MY Father the hero is sweet, funny and cute. Gerard Depardiu is awesome as Andre, a divorced father who takes his fourteen year old daughter Nicole(Kathrine Heigl) to the Caribbean for vacation.While there, his daughter meets a guy named Ben(Dalton James. To impress him, she tells him that Andre is her lover and that her father is in jail for armed robbery and her mother is a prostitute and that she ran off with her pimp. Everyone on the island is soon under the impression that Andre's a child molester. Andre is between two relationships. One with Isabelle(Emma Thompson, who makes a cameo in the end of the film) and Diana(Faith Prince from Spin City). My father the Hero has many funny moments. Like when he's at a talent show and everyone tells him to play something french. So he plays "Thank Heaven for Little Girls" from Gigi. Everyone gets disgusted and leaves. My Father the Hero doesn't deserve a 5.1. I think it deserves a 9.0.

Sentiment: positive
"Citizen X" tells the story of "The Butcher of Rostov", nickname for a heinous and perverse Russian serial killer who claimed 52 lives from 1978-92. The film focuses on the novice detective (Rea) who doggedly pursued the killer against all odds in the face of an uncooperative bureaucracy in self-serving and convenient denial. An HBO product for t.v., the film offers a solid cast, good performances, spares the audience much of the grisly details, but plays out like a docudrama sans the stylistics of similar Hollywood fare. An even and straight-forward dramatization of a serious and comparatively little known story more interesting than "Jack the Ripper". (B)

Sentiment: positive
I am an Australian currently living in Japan. I saw this movie on TV here and was very impressed by the accuracy and honesty in the portrayal of Western and Japanese ideologies colliding. Whoever wrote the screenplay, and directed this film must have a good knowledge of what it's like to be a foreigner living in Japan. The only part I thought was too Hollywood-y was when Tom Selleck's character kisses the woman in the middle of her office and she lets him. Public displays of affection are not really acceptable here. Finally a movie that highlights the true 'gaijin' experience! 9/10

Sentiment: positive
Did someone find the plot somewhere in the film?. Perhaps it is the thing missing in this pretentious exercise of cinema about cinema. It is quite surprising that Gordon says that "A movie without a plot is nothing"... It is possible that characters have more to say that the own Wim Wenders. Was this phrase in the original plot or the actor decided to send a hint to the director?.

Sentiment: negative
The Outer Limits is a brilliant show that for the most part leaves me with very strong emotions. There are, undoubtedly, some stinker-episodes, but it's essentially an old pulp-comic turned into a TV-show, so that can be expected. For the most part it's excellently done, well produced and directed, and often featuring some big-name talent who seem to enjoy working in a solid translation of short fiction to hour long television format.

The Outer Limits tends to focus on rather large ethical/philosophical/moral questions and rarely ends without the voice-over intciting serious thought.

From time-to-time, the themes are hammered in a little bit too heavily for all but the most thick-headed viewers. Additionally, while a certain level of distrust of the Government is conducive to an effective democracy, you can unluckily catch several episodes back-to-back that border on the absurd with regards to distrust of the Army/CIA, etc. One further note is that any large group with power (the Roman Catholic Church, Evangelicals, The People's Republic of China, and so on) are cast in a bad light in frequency ranging from once to often.

While the show can beat a dead horse if it's watched enough, the overall quality is astounding, and I'm grateful that Sci-Fi has decided to continue airing it until they produce a season-by-season DVD set (and I can afford it.

Sentiment: positive
Hilarious!! I would have sworn Ed Wood wrote this. Terrible. I loved every frame. Bad movie aficionado's, this is your trophy! I will watch it again. Words cannot explain how entertaining this movie is. Pare's career must have dipped low, but I really think he's heading in the Leslie Nielson direction. He was perfect for this. Terrible, just terrible!! You'll love it!! Get some friends, lots of beer, and you'll have the time of your life. It's an MST3000 party, waiting to happen. Enjoy!! It is worth the rental!! You like the "Colombo type" cop and the comic relief coroner. The bad guy will have you on the floor laughing. He's also in another Pare movie, Komodo vs Cobra, and he's just as good there. I don't know what the budget was but they'll get it back because this film is destined to be the best unintended comedy of the year.

Sentiment: negative
Kurt Russell (as Steven Post) works as a mail-boy for struggling TV station UBC (that's United Broadcasting Corporation); he is going nowhere at work, offering ridiculous projects like "Abraham Lincoln's Doctor's Dog" to studio executives - because Lincoln, doctors, and dogs are popular. Programming director Joe Flynn (as Francis X. Wilbanks) wisely rejects Mr. Russell's proposals, but has no idea how to pick a hit TV show. His secretary Heather North (as Jennifer Scott), who does double duty as Russell's girlfriend, has a chimpanzee who bugs the heck out of Russell when he wants to watch TV. Turns out, the monkey watches all the popular shows, and can easily pick the hits. Russell discovers the chimp's talent, and uses him to advance his own career. Understandably, things gets HAIRY for Russell and the cast!

Raffles the chimp (handled by Frank Lamping) performs well; Raffles does look bored and/or distracted during a few scenes, when the chimp is supposed to look interested; these could have been corrected with re-takes or editing. A mild satirical edge is present - imagine a monkey picking hit TV shows! AND, it's a monkey who gets a BEER during the commercials (drinking in a Disney film)! A look through the cast will reveal s bunch of fun TV actors to recognize and try to place. You could make a drinking game, in honor of Raffles' beer-guzzling, by guessing actors, and where you've seen them before. Here's a start - Hey, isn't that "Dr. Bellows" from "I Dream of Jeannie"? Down the hatch! 

**** The Barefoot Executive (1971) Robert Butler ~ Kurt Russell, Joe Flynn, John Ritter

Sentiment: negative
I like all of the main actors involved in this quite bizarre film. Terrance Stamp, Guy Pearce & Hugo Weaving have all proved themselves as some of the best & most capable actors around, but I could not get into this. I don't know if it's because I don't understand the lifestyle or what, but I could not get my head around this film. Worse than anything is that the actors made some of the ugliest drag queens I've ever seen. I think that was part of the point, I don't know. I realize that is probably an insult, but I don't know what else to call them. I must say I bought the guys as the performers (the correct term?) but the story just wasn't very good or very interesting either. I will say that I can't usually appreciate costume designers very well, although I notice them when they are wrong or out of place, but I was very much impressed with these. Very creative to say the least, just not attractive, but I don't think they're supposed to be. I don't know I am definitely not the target audience and would never go see a performance done by these kind of performers, but I wouldn't go see ballet, or opera either so I don't know. If this is your kind of film then you will probably like it, but if it's not skip it because it is...well not for most of us. I just checked it won the Oscar for costume design & I will say rightfully so. I must say Ebert didn't care much for this film either, though he liked it better than I did.

Sentiment: negative
Will and Ted's Bodacious journey is an existential trip through themes of mortality, religion, time, Heaven and Hell, man's quest for fame and his fears of the body being overcome by a soulless machine. It is the most intelligent work of fiction since Paradise Lost and references many great past works of art- Dante, Iron Maiden, Virgil, Shakespeare. This time the dudes are a famous rock band having travelled through time collecting icons from the past- Napolean, Joan Of Ark (Noah's wife), Oscar Wilde, and Charles Darwin. They took the skills they learned from each of these people, abducted a couple of Princesses, and finally learned to play their guitars and write hit songs. These songs teach the world to love again and war, hunger, evil are vanquished for eternity. We fast forward into the distant future where an evil dictator who despises good music called Simon Cow-Al wants to rule the world. He eats Rooshus (the cool guy from the first film who helps Bill Playboy Esquire and Ted Theodore Alvin) and gains the power to send two cyborgs back in time. The cyborgs are living tissue over metal exoskeleton and coated in mimetic poly alloy allowing them the survive the turmoil of time travel, and they can imitate anything they sample by physical contact. It is their job to Kill the good Biff and Fred and take over their lives by making terrible music that no-one could like. By doing this they will change the world forever- Gryll and Jed's music will never be made leaving a world of war, famine, and hatred, and more annoyingly, bland boy/girl group pop music. There is a startling twist as the good guys actually are killed and they have to work out a way to save the world, themselves, and their wives from the evil Dopplebangers inhabiting their bodies.

Penelope Spheerhead shows her knowledge of both youth culture and real culture by mixing modern day music and phrases with post modern sets and artistic references, and seeks to teach us all something by delving into our very psyche to show us ourselves. She presents the nightmares which faced the late 80s teen in a society which had abandoned them and beckons us to dissect the post structuralist jingoism, self love, and malaise of the time. Charging us with a belief that we can indeed change the world it is an inspiring message, but in order to achieve such dreams we must traverse and indeed face our nightmares. To overcome is to succeed, to defeat Death is the first step in truly living and not merely surviving. In the words of Kenneth Reeves- 'Wow!' Best Scene: For a fun game- see how many songs, bands, and albums cover references you can spot throughout the film. There are at least 6.

Sentiment: positive
There are many so-called anti-war/anti-govt. policy films around now which start off as a mea culpa and end with 'our poor boys are getting hell out there so let the world sympathise with them, it's not their fault' - kind of stuff. I was half afraid that this would be another in that style even if it treated another subject/aspect of the same subject. I nearly didn't go and see it; for that matter, I almost did not write this review. What did we get here? An Egyptian gets taken off to a secret off-shore torture centre, on U.S. orders, but it is another Egyptian who has to do the torturing, not an American: 'see, we Americans have clean hands,' and the Egyptians are a bad lot anyway so let them harm their own. Oh, and the goody had to be an American with a conscience: indeed many Americans have them, but here the concept was misplaced. Yes, we all know it is called Extraordinary Rendition and it began in Clinton's time and it is now used for reasons well beyond control. Otherwise it was very hackneyed and nervous about really condemning the U.S. for being party to torture; as if the makers were afraid to go the whole way for fear of being slanged as unpatriotic or whatever (take a look at the message board! Anyone apologising gets a faceful of heavy verbal artillery). Torture is a terrible thing, whether one is guilty or not; in the 18th Century, FrederickII, King of Prussia, abolished it for convicted murderers - though I must say, a life sentence for a child molester is far less than what I want to see. All right, what about torture? This film did not really bring out its horror and hopelessness enough. When you are under torture,(now come the capitals for emphasis, I am not shouting) YOU WILL SAY ANYTHING, EVEN IF IT IS NOT TRUE, EVEN IF YOU HAVE NOT DONE THE THING YOU ARE ACCUSED OF, IN THE VAIN HOPE THAT IF YOU SAY AMEN TO WHATEVER THEY ARE PEDDLING, IT WILL STOP. IT DOES NOT, BUT YOU NEVER LEARN AND YOU KEEP ON SAYING THAT YOU DID WHATEVER IT IS THEY SAY YOU DID, THO' YOU DID'NT. Another thing the film did not bring out enough was that TORTURE IS EXCEEDINGLY, INDESCRIBABLY HUMILIATING, AND THAT FEELING STAYS WITH YOU YOUR WHOLE LIFE. It somehow changes people inside. How do I know all that? Don't ask.

Re-edit: two things: the Arabic that was used in the film was not the Egyptian dialect. It's sort of worse than setting a film in New Zealand with locals as the characters and everyone has American accents. Also, the dreadful little preacher who was inciting his ignorant audience to violence was telling them things unknown to that religion, which should have been brought out. Nor was it anywhere explained that any nincompoop can become a mullah/imam; he doesn't need any special qualifications, and that is a hiatus which needs to be put right: many are acceptable because of their fundamentalist views and tne U.S.A.'s great ally, Saudi Arabia, finances so many of them. Many thanks for this space.

Sentiment: negative
My guess is that this director/writer had something to say. Let's see, what it could have been... a. Frog storms would be creepy? b. can I get someone like Tom Cruise to say the "C" word many times and look like a bad Patrick Rafter? c. Cast my wife and get her to say the "F" word every 2 seconds. This aside I really liked the beginning and the frog storm. The rest was a relentless, over-long (under-edited), over-indulgent failure. Glad so many of you enjoyed it! 



Sentiment: negative
Here we go another pop star breaking in to the grand TV land and from my observations from her pop careers directors saying yeah your great gwen you could be a real star maybe some day you'll be in the A list movies, they would do anything to expand the show, there just not a pretty face but have an acting ability as well almost overnight. gwen has some how found the Ability to act by watching actors like James dean or Clint eastward, please give the real people in the world that have to sit behind that box and have to suffer pop stars effort's in trying to act. Please gwen stick to your pretty pop videos with your jap posse and don't insult the British with your efforts as an actress. anyway i'm going back to my working class job and think to myself god, i could do that. but yeah remember i'll be working till i'm 65 if i live that long and yeah you put your feet up girl with your royalties every three months, pah marry into money right xxx

Sentiment: negative
Perhaps I'm one of the only avid horror fans who thinks that the recent overload of Asian shockers is so over-hyped! Films like "Ringu" or the "The Eye"  which are praised all over the world  simply didn't convince me and they looked more boring than frightening. Well, this blunt opinion doesn't go for the South Korean gem "A Tale of Two Sisters". This is a stylish and utterly complex psychological terror-tale that REALLY gets under your skin! The plot, based on a local folklore tale, might be a little too confusing to get this film listed among the all-time greatest genre achievements, but the atmosphere and tension-building surely provokes feelings of great respect. This is one of those few films that are impossible to label: the events in "Two Sisters" qualify as mind-bending horror as well as intense family drama and a deeply psychological portrait. Besides a mesmerizing story, "A tale of Two Sisters" also has all the great elements that I feel are usually missing in Asian horror films like compelling music, good acting and innovative camera-work. The mansion were the family events take place is brilliantly illustrated like a truly creepy place where secrets and danger lurk behind every door. Several sequences (like the dinner with relatives or the nightly appearance in the girls' room) are pretty much the ultimate in eeriness. They really made me feel uncomfortable and I do like to believe that I've seen my share of spooky horror. "A Tale of Two Sisters" is a terrific movie-adventure and a definite must see for Asian film fanatics. A little warning for people with a short attention-span, though: this movie forces you to have your eyes and ears focused at at all time. It's also a film that requires repeated viewing, even though no one will never really "get it" for a full 100%.

Sentiment: positive
When I first heard that Jack Black and Kyle Gass would make a movie about their band I was freaking out! I love their music and I hoped that this movie would be really funny! Now that I have watched it I can't really say that these hopes weren't satisfied but I think I expected more. The movie is full of Tenacious D's great music and I really loved listening to all of it. There are a lot of great jokes and I just love the story, at least the first bit. I don't like the way the movie ends. The ending is very abrupt and in my opinion they could have extended that a bit more.

Overall I think it is a good movie to watch! Everyone who likes rock music should watch it! It'll give you a good laugh!

Sentiment: positive