DoubleML/multimodal_confounding huggingface dataset:
One of Fuller's (a combat veteran himself) early works of average quality, but accurately hits on the many conflicting aspects of life in postwar Germany. The main character starts the movie in Apr'45 as a Sgt with C Co, 157th Inf, 45th Div, which really did end the war in Munich as in the movie. (Same unit in the previous month had fought heavily in Aschaffenburg and then liberated part of the Dachau facility). To the uninformed the movie may seem confusing by flip flopping between showing the good & bad of the german people. But anyone who has been there or at least well read on it would know that most of what is portrayed in the movie are things that really did happen in 45-47 Germany. The only inaccuracy I noticed was minor: while on a boat cruise of the Rhine passing the remains of the Remagen bridge he comments he crossed there. But his unit really crossed well south of there - north of Worms Germany.

Sentiment: positive
This really was the worst movie I have ever seen. Michael Vartan is hot, but who is this woman? And she looks absolutely awful through the whole movie, the hair is so bad! They talk in like monotone voices and there is nooo chemistry. The cover of the DVD does not even remotely come close to what the movie actually is. Really, really boring. I had to fast forward through some of it because it was so painful to watch. I really want to know how i on earth anyone could think this is good? hhaha they literally just like talk and say "yeah" and there is no passion whatsoever. I could not tell at all that they were in love. I'm sorry but this was the saddest excuse for a movie I think I have ever seen.

Sentiment: negative
George Cukor's The Women remains one of the glittering gems of 1939, Hollywood's most golden of golden years. The film crackled and sparked and it's absence of males was a subtle touch, hardly noticed because of all the fine entertainment.

Flash forward. We see Fifth Avenue in New York City, in front of Saks. Large crowds bustle along the Avenue...but something's off. The shot reveals only well dressed (attractive and young) women. Creepier than I Am Legend, the visual concept continues, inside the store and later at a large fashion show. What NYC fashion show doesn't have at least 5 gay men? The "no men" rule is rammed down our throats creating an alien world, off balance and distracting.

Enter Meg Ryan, first seen digging in her garden wearing a ridiculous get-up complete with her retro curls and flailing arms. I immediately sympathized with her husband and could understand why he looked elsewhere. Later in the film she morphs into an older Jennifer Aniston look and keeps her arms at her sides. This seems intentional as if to say "Look! I can still be relevant!" Ryan's character is loaded down with a coven of miss-matched friends (insert Sex and the City comparison here) who, if it were real life, would despise each other. Annette Bening plays the power bitch, who during the course of the film realizes her life's dream doesn't really make her happy. Jada Pinkett Smith is the power lesbian, all atitudinous with no use for any of the men who aren't there. Debra Messing is some sort of baby factory that eats a lot. Eva Mendes is an odd choice for the bad girl to say the least. She looks fake, acts fake and any humor she tries to demonstrate falls flat. Someone's comment on here that she looked trans-gender was spot on. Other various stars show up, to rearrange the furniture on this Titanic.

The only thing that would have saved this would have been the brilliant casting of Jennifer Aniston and Angelina Jolie. They could have named their price, tucked their tongues firmly into their cheeks and pulled off something very clever and profitable. But no, Hollywood thinks of itself way too highly for that kind of exploitation. Instead we're given this thing that lumbers along awkwardly with no sparkle. Entire sections of dialog from the original are lifted and plopped down into a scene with awful results. At one point Ryan exclaims something along the lines of, "This isn't a 1930's movie!" No Meg, it's not.

Sentiment: negative
Now, I won't deny that when I purchased this off eBay, I had high expectations. This was an incredible out-of-print work from the master of comedy that I so enjoy. However, I was soon to be disappointed. Apologies to those who enjoyed it, but I just found the Compleat Al to be very difficult to watch. I got a few smiles, sure, but the majority of the funny came from the music videos (which I've got on DVD) and the rest was basically filler. You could tell that this was not Al's greatest video achievement (that honor goes to UHF). Honestly, I doubt if this will ever make the jump to DVD, so if you're an ultra-hardcore Al fan and just HAVE to own everything, buy the tape off eBay. Just don't pay too much for it.

Sentiment: negative
This electrifying musical has more than a whiff of egotism from it's star, the musical genius that is Prince. The film is 90 or so minutes of posing but in truth it is easy to see why it is such a cult classic.

Much like other films that centre around the struggling young musician trying to be big, this has a hint of drama in it to add a dimension to the musical numbers. While this film isn't as good as 8 mile as a recent example, this is entertaining none the less and the soundtrack is much better. On the dramatic side of things the story centres around the Kid (Prince) a young artist and regular spot at a club. The owner of the club is frustrated with the Kid's arrogance and little does the Kid know that he could soon be fired and replaced by a rival. One the side the Kid's parents are having trouble, with his dad abusing her violently. During the course of the film the Kid learns a few lessons in life, and learns to appreciate his friends more. It's all stuff we have seen in coming of age dramas of course, but this is combined as a musical, a very stylised musical.

The cast are good. Prince is actually quite good on the drama side, when he's not striking a pose. He seems human and relatable. Clarence Williams is very good as the abusive father as well. Appollonia Kotero makes a good debut as Princes sexy love interest.

The main strength of the movie however is the superb soundtrack. The musical numbers are well staged and electrifying. Prince is no doubt a musical maestro, albeit very eccentric. When he is inspired he is great but on the flip side he will often do songs that are solely for his own taste, and occasionally his experimentation can miss-fire, but that is the same for many musical geniuses. The soundtrack for this film is excellent though, with only Sexshooter being a weak point. The show-stopping performance of Purple Rain is the standout though. It is one of my all time favourite songs. ***



Sentiment: positive
Excellent story, wonderful acting, amazing production values and a cool, action-packed short with a perfect twist at the end. What a great short film! 

I saw this film in Vail or Aspen at a film festival and was wowed by it. Then I saw it again at another festival (where it won again) and I was even more impressed because subtle touches become evident the second time around - for a short film, this packs a lot of clever layers into a short time.

AWOL is not for the faint of heart, but it is very well done and completely impressive for a short film - for any film actually. It's an interesting story told very well, and every scene moves the story, which reveals good film-making instincts went into making this film. The film looks gorgeous and David Morse is also stunning, with a dynamic performance delivered in every scene. Watching his character attempt to defeat the curveballs life is throwing him makes a great viewing experience.

It also should be noted, that when tortures of war are in the headlines everyday, the lines between reality, good and evil, can get very gray while the rhetoric gets loud and attempts to make things black and white. AWOL smartly allows the audience to decide for themselves what they think the message is, what is real and what is not, which adds to the mystery.

Both times I've seen it, the audience was WAY more into this movie than the others playing with it, which is saying a lot. There are a lot of shorts out there right now, but few deliver the kind of all around excellence and complex subject matter that AWOL does.

It sounds to me like the previous reviewer is off his or her rocker, or has some personal agenda, because this really is a great example of short independent film-making. I see a LOT of short films, and I must say if only ALL the shorts making the festival rounds were this good, THEN the shorts business would have some serious legs.

Sentiment: positive
As anyone old enough knows, South Africa long suffered under the vile, racist oppression of apartheid, which completely subjugated the black population. One of the most famous anti-apartheid activists was Steve Biko, who was murdered in jail. Following the murder, reporter Donald Woods sought to get Biko's message out to the world.

In "Cry Freedom", Woods (Kevin Kline) befriends Biko (Denzel Washington) before the latter is arrested on trumped up charges. When Woods attempts to spread Biko's word, he and his family begin living under threat of attack, and they are finally forced to flee the country. The last scene gut-wrenchingly shows police firing on protesters.

As one of two movies (along with "A World Apart") that helped galvanize the anti-apartheid movement, "Cry Freedom" stands out as possibly the best ever work for all involved.

Sentiment: positive
I agree with several of you that this film was rather boring and dull. I found myself disliking the main character and the following actors/actresses that came in the scenes. The camera work was non pleasing itself. Random shots and shaky film scenes made me quite annoyed and I turned the film off. I will make up my time by watching the 1999 adaption and hope that it fits agreeable along with Sense and Sensibility; Emma; Becoming Jane; and Pride and Prejudice. I've only a few others to watch besides these films but I believe they were done in great taste. The music was kind of out of place with the film also, reminding me of another show I had seen this year. It was called Hex and a show from BBC. I came across it one night on the web. I rather liked the first season but the second season was dry and pulling things out of thin air that should of stayed with the clouds. I found the main male character who was Henry in this film out of place. Perhaps I just do not like his way of speaking or his stature. Well I would not recommend this film to anyone unless they were going to have it muted and they wanted to look at the fashion of the era, or the way homes were kept at the time. Again I will watch the 1999 version and hope it is a better and does Jane Austen some justice to her writing.

Sentiment: negative
For a film that's ostensibly about sex and leather, it doesn't have any right to be as oddly sweet as it is. The story of Bettie Page, a good Christian girl from the South who's momma wouldn't let her date until she married, who moved to New York and ended up becoming the most successful pin-up of her age, is driven by an outstanding performance from Gretchen Moll. Her Page can't quite reconcile the pictures that she takes (nobody's allowed to touch, it's all fun and respectful) with the pornography trials and supposed ill-effects that her images have on the world around her.

Page has been an inspiration to every burlesque artist since, not just because she had a figure to die for, but because she invested every picture with an innocent sense of fun that was uniquely sexy and simple at the same time. Rather like this film, in fact. Filmde in both black and white and glorious technicolour, it's a lovely way to spend a couple of hours.

Sentiment: positive
Superb cast, more please!

If you can catch just about anything else written by Plater (or starring these wonderful actors). For anyone who doesn't know Plater has a real feeling for jazz, my recommendation is to see the 'Beiderbecke' trilogy whenever you can.

"There's three kinds of jazz - Hot, Cool and 'What time does the tune start?'"

Sentiment: positive
This was truly a heart warming movie. It is filled with so many messages. Loyalty, friendship, sickness, death, and the paranoia society has concerning anything they don't understand. I have shed a few tears during certain movies, but this movie kept the tears flowing.

Sentiment: positive
Dee Snider is the villain in this movie and his bad acting and overacting kind of ruined it for me. The whole movie just seemed to take itself too seriously. It tries to achieve the dark atmosphere of "Seven" without the good acting. The movie highlights the urban industrial rock / tattoo / body art "subculture" and expects us to be impressed (scared?) by the size of a guy's nose ring. I'm not a expert on movies but the script and acting in this movie are just awful. Dee Snider looks the part of the villain but his acing is downright horrid. I recommend not wasting the time on this one unless nothing else is available.

Sentiment: negative
The magnitude of the Stalingrad tragedy is concisely presented in the end note of the movie: "In the battle of Stalingrad, more than one million people were killed in action, froze to death or died of starvation: Russians, Romanians, Italians, Hungarians, Germans, Austrians. Of the 260,000 surrounded men of the Sixth Army, 91,00o were taken prisoners, of whom only 6,000 returned to their homeland, years later.

What the story does not tell was that Fieldmarshall Paulus, who surrendered, did not share all the hardship of the captivity of his men. He had a special treatment as the highest ranking prisonner taken by the Soviet army. When, during his presence at the Nuremberg trials he was asked about the fate of the 91,000 prisoners, he declared that they were fine. He was freed after the war and died in the East Germany.

The film only presents the first part of the tragedy, the actual battle of Stalingrad. However, for an entire picture, the fate of the 91,000 prisonners should also not be forgotten.

Sentiment: positive
Winchester '73 is a great story, and that's what I like about it. It's not your everyday western--it uses a rifle, which passes hands from various characters--as a mechanism for telling the story about these people. Rock Hudson plays an indian chief, Jimmy Stewart plays a great leading man with heart and strength, and Shelly Winters plays a gal who has to cope with the realities of her husband and the wild west. It's important to note for those politically correct types--they kill a lot of indians in this movie without remorse. By today's standards, it's still pretty violent. But it's a great story and worth watching. Enjoy!

Sentiment: positive
The famous French detective Henri Cassin takes his first vacation in 11 years in St. Margot where he meets Nanette, the daughter of the vacation spot proprietors. Despite Nanette being promised to childhood sweetheart Leon, Henri and Nanette fall in love and decide to marry, despite Nanette's father objecting due to Henri's age. On the day of their wedding, Leon returns and Nanette runs after him. Nothing is heard of the two until both are found dead, and Henri swears he won't rest until he can find the killer. The only clue Henri has to work with is a footprint found by Leon, but he is also getting written warnings that others will die soon. Soon Nanette's mother is found dead and Henri has no idea as to the identity of the killer. Thinking himself a failure he returns to Paris, then he realizes (and fears) that the killer can be only one person, even though none of his colleagues can believe his explanation. Out of the ordinary murder mystery that doesn't really follow the formula in other of the genre by Columbia or other B studios. Credit to that certainly goes to director Lewis who does manage to turn this into a noirish film despite the setting of the film, also aided by the use of good camera-work and lighting. Geray turns in a very good performance in probably his only lead and the rest of the cast is able to carry their performance. Rating, 8.

Sentiment: positive
The film begins with Ingrid Bergman and her two freaky servants arriving in New Orleans from Paris. Apparently years earlier, her mother was involved in a scandal and Ingrid returned in an effort to irritate kin who would have sooner forgotten she or her mother existed. That's because she reasons if they are shocked enough, they'll pay her off to get rid of her. Then, with this money, she will leave New Orleans and seek out a millionaire somewhere else, as she poses as a Countess. Along the way, Gary Cooper shows up and looks totally out of place as a love interest.

It's amazing that this film wasn't the reason that Ingrid Bergman's film career plummeted--her performance and character were THAT bad! Instead of the classy and demure female she usually played in films, she is probably one of the most annoying characters in film. Her fake Contessa was shallow, demanding, unpredictable and stupefyingly dumb. How she was able to vamp ANY man seemed a mystery, as she seemed less vampish than just plain nuts!! I am not exaggerating to say that she behaved, at times, like someone with a combination of a severe mental illness and a personality disorder, and all these together make me think "who in the world would fall in love with this mess?!". Frankly, I couldn't stand watching her histrionics and narcissistic behavior and she looked more like a guest on "The Jerry Springer Show" than a leading lady! Confusing, awful and overacted are words that come to mind when I think about her role.

The rest of the cast is, frankly, overwhelmed by Bergman's ranting and hysterics. While Gary Cooper is generally an excellent leading man, he is dominated by her and just looks lost. And, oddly, they cast two total weirdos as her entourage--Flora Robson and Jerry Austin. Ms. Robson is best known for her portrayals of Queen Elizabeth I, but here, for some odd reason, they coated her in makeup and the end result looked much like the love child of a cigar store Indian and Aunt Jemima! Her face was very wooden, she sported odd eyebrows and she dressed like a slave. As for Mr. Austin, he was a dwarf and while this shouldn't be held against him, his role was written like he was a court jester--a very, very thankless role for someone who is "vertically challenged"! Overall, the rotten acting, writing and limp direction make this one of the big stinkers of the age--nearly as pointless and dull as such famous turkeys as PARNELL and SWING YOUR LADY.

Sentiment: negative
this was a get up and go horror movie with an intelligent cast and a director with great vision to really capture the mood of the story i highly recommend this movie

Sentiment: positive
Heather Graham is not just a pretty face,she is also an extremely talented actress. She adds a unique flavour to the movie. Overall,it's an intelligent and yet compassionate look at love,marriage and relationships.I thoroughly enjoyed it!

Sentiment: positive
Oh My Gosh!!!! This was the first movie Broken Lizard made as a group (although it just recently came to video), and I have never been more disappointed in my entire life!!! I tell you what, if I had seen this movie before I saw Super Troopers (which by the way, is a kick A$$ movie!!!), I never ever would have watched it!! I had read several reviews online, as well as on the cover of the DVD, that raved it as being,"Broken Lizard's funniest movie ever!" Now if they were referring to Super Troopers as being their funniest movie ever, I would agree nonstop, but not this one. Talk about dry. It took the movie a good 45 minutes to even get going, and by then, I was so out of the mood to watch it, that it wasn't even worth it. Maybe you gotta be high for it to really be funny? I dunno. I love these guys, I really do, but that movie is by far the worst one they've made. Club Dread was a pretty good movie, but this one, just wow. I'd highly recommend Super Troopers if you want a good laugh, but if you want more of a romance, drama, with a few funny spots, I'd say go with Puddle Cruiser. Just my opinion though, everyone is entitled to their own! :)

Sentiment: negative
The BBC and the Arts & Entertainment Network should be ashamed of themselves for foisting this unfortunate production onto the world. The acting is, with the exception of Robert Hardy as General Tilney, amateurish at best and excruciatingly painful at worst. The costumes are over-the-top and feature some truly ghoulish excesses -- was the costume designer obsessed with feathers for women's hats? Surely EVERY woman in Bath didn't have feathers in her headpiece in the early 19th century. The production values are poor and the pacing of the film makes one feel it was hastily and clumsily edited at the last minute. Altogether an agonizing film that I had to force myself to watch to the end. It's a shame, as the producers obviously spent a lot of money on costumes and location shooting. Compared to Emma Thompson's sublime "Sense and Sensibility" or the extraordinary 1995 production of "Pride and Prejudice" or the subtle intensity of 1995's "Persuasion", this production of `Northanger Abbey' surely has Jane Austen turning in her grave.

Sentiment: negative
This is an extraordinary film, that tricks you constantly. It seems to be heading toward cliche at several points, and then something astonishing will happen that genuinely startles. It would give away too much to say much more, but stick with this film and you will be richly rewarded. William Haines is absolutely delightful - he is certainly a star that deserves to be re-discovered. The gay subtext in his relationship with Jack Pickford is amazing - there is even a scene where Haines rubs Pickford's chest (Pickford has a cold). Both actors play this sub-text subtlely and with great depth of emotion, so that there are moments that are very moving. And I never thought I could get so involved in a football match as I did in this movie - and I don't even understand the rules! Also excellent is Francis X. Bushman's son Ralph as Haines' rival for the girl (yes, it's not completely a gay movie). Wonderful silent classic - a great example of Twenties commercial cinema with an edge.

Sentiment: positive
I rented this movie today thinking it might be a good football movie, since I'm a big football fan. Boy, was I wrong. This movie is way too religious and preachy and is REALLY unrealistic. This movie pretty much says that if your a Christian you can get anything you want in life easily, like become a great football player! You don't become a great football player by becoming Christian and asking God, you do it through practice and hard work. All you gotta do is ask God and he'll give you anything....puh-lease. Thats not true at all, duh. I laughed several times because of this embarrassment. The only part that was funny was when they were being dumb (Shultz the cartoonist? no, the dude that flew over the Atlantic, etc etc..) but really this movie wasn't that great. I don't recommend it, especially if you aren't a Christian, lol.

Sentiment: negative
This final Voyager episode begins 23 years in the future. Voyager has made it back home. In the many years it took to return tho, the Vulcan Tuvoks' mind has been destroyed. He carried a disease they were too late getting home to cure.

Captain Janeway comes across aliens who have time travel technology. She realizes, there's a Warp Conduit in the Delta Quadrant that could bring Voyager home immediately - if she could go back in time and notify Voyager. There's one problem. The Conduit is deep inside Borg Space.

Janeway visits Tuvok. He's like a child. He scribbles tho, obsessed, working on math problems or movie reviews or something, he's convinced are important somehow. In the institution, Tuvok cries, asking for 'Janeway' to please, please come back to him.

Janeway decides to commandeer a federation shuttle and equip it with weapons technology 20 years ahead of the Borg, in the hopes of going back in time and using this new technology to guide Voyager to the Warp Conduit.

When she goes back in time and links up with Voyager, Janeway meets her younger self. The two captains disagree, arguing about the plan. The real-captain visits Tuvok asking him if it's true he has a brain disorder. Tuvok admits it's true, but it can't be cured by the facilities on the ship so he's kept it to himself.

The young Captain agrees to the older Captains' plan. To increase their chances of success the older Janeway plans to distract the Borg with her shuttle craft. The Borg actually capture Janeway and her shuttle. The Borg Queen personally assimilates Captain Janeway. But Janeway's expected this! the Borg Queen has assimilated a virus into herself that kills her. With the Borg Queen dead Voyager makes it thru the Warp Conduit back to federation space.

Sentiment: positive
this is just usual Indian garbage that gets turned out as cinema, as Indians we can proudly boast that we have the biggest cinema industry, however it also the worst.

how can other poor countries have films with real characters that challenge the views of their respective societies and we just keep on pumping out garbage. take a look at Russia, Iran, china and Latin America, look at the brilliant films they have and we get crap like Kisna!!

get real people, no wonder the international community in general laughs at Indian cinema.

Sentiment: negative
....ripoff of a dozen better films. Particularly Steven Martin's "LA Story", which at least had the grace to be obviously fictional even though it starred his then-girlfriend playing his girlfriend in the film.

Yes, naive boys and girls, "20 Dates" IS a mockumentary, although I am not absolutely certain that was Myles Berkowitz's intent when he started. My impression is that he started the project semi-seriously, then quickly realized that it would be pathetic and not funny unless he made the situations more and more ridiculous. As a result, the whole thing has an uneasy, cheap and insincere feeling about it.

As someone smartly pointed out, the film has two of the "dates" suing and putting restraining orders on Myles and yet they appear in the film, which would be impossible as it would require a consent form. It also appears to me that the majority of women who appear as "the dates" are professional actresses (albiet not famous ones, excepting Tina Carrere) -- they are simply too obviously pretty, polished, thin and comfortable in front of the camera to be average civilians.

Mr. Berkowitz makes a classic error in only casting this kind of very pretty thin actress, instead of utilizing a variety of believable women, which might have made the premise (even in a mockumentary) more believable and funnier. He also skates over what is probably his real-world problem, and which is that both the movie character and the real world Myles Berkowitz appear to be functionally unemployed (his real life IMDb credits are practically non-existent, excepting this film). Even in the world of the movie, his ex-wife divorced him for never being employed. I think the viewer (let alone Mr. Berkowitz's real life dates) are deserving of an explanation of he manages to live in one of the most expensive urban environments in the US, in a luxury apartment, driving a fancy car and eating out at pricey restaurants when he doesn't seen to have any source of income whatsoever. (Is he drug dealer? Living off his rich parents? No clue!)

You can get away with most anything in a film, if the jokes are really funny. "20 Dates" is painfully, embarrassingly UN-funny. Mr. Berkowitz's idea of a joke is to have his character, while on restaurant dates, announce to his companions how the food served is likely to give him either diarrhea or constipation -- the WORST kind of childish potty humor.

It is not very surprising to discover that Mr. Berkowitz never made a film before "20 Dates" and in the last 8 years, has not made a single film, appeared as an actor in anyone else's film OR had a writing or producing credit of any kind. My gut instinct tells me that this film was not financed by "Elie" (the gangster money man who appears off-camera) but more likely by Mr. Berkowitz's affluent parents, or perhaps represents a shocking abuse of credit cards. Whichever it was, we can all rest easy that we are unlikely to have to see Myles Berkowitz or any of his creative efforts EVER AGAIN. Hallelujah!!!

Sentiment: negative
Affable aspiring cartoonist Hoops McCann (a wonderfully engaging performance by John Cusack) and his best buddy George (the deliciously deadpan Joel Murray) go to Nantucket for the summer following graduation from high school. Hoops, George, and several newfound pals come to the aid of Cassandra (Demi Moore at her most charming), a singer who's family house is being threatened with demolition by the greedy Beckersted clan. Writer/director Savage Steve Holland offers an often hilariously wacky and zesty nonstop barrage of admittedly broad and dumb, but still very funny jokes. The constant madcap lunacy has a real giddy, good-natured and infectiously inane vitality to it that's impossible to either dislike or resist. Moreover, the lively and enthusiastic acting from a fine game cast adds immensely to the zany merriment: Bobcat Goldthwait as the spastic Egg Stork, Tom Villard as his goofy brother Clay, Curtis Armstrong as the sweet Ack Ack Raymond, Mark Metcalf as evil rich jerk Aquilla Beckersted, Matt Mulhern as the mean Teddy, Kimberly Foster as the fetching Cookie, Joe Flaherty as the gung-ho General Raymond, William Hickey as cranky Old Man Beckersted, Jeremy Piven as smug preppy bully Ty, and John Matuszak as hulking biker Stan. Isidore Mankofsky's slick cinematography, the hip thrashy soundtrack, Cory Lerios' cool rockin' score, and the funky animation are all uniformly excellent. Single funniest scene: Egg in a Godzilla suit terrorizing a posh dinner party. An absolute hoot.

Sentiment: positive
In the final days of the year 1999, most everyone in Taiwan has died. A strange plague has ravished the island. Supposedly spread by cockroaches, the disease sends its victims into a psychosis where they act like the insects. Eventually, they die. The Hole takes place in a crumbling apartment building (which is especially well created; kudos to the set designer!). Its two protagonists live right above and below each other. The woman is on the lower floor, and the pipes above her apartment are leaking fiercely, threatening to destroy her food supply, not to mention her sanity. She calls a plumber to go check it out, and he accidentally pokes a hole through the floor of the man's apartment. The two have never met before, and they come into contact through the hole.

The script is quite brilliant. Few films are simultaneously this funny while remaining completely human, deeply exploring the human condition, especially feelings of loneliness and despair. Tsai's direction is simply beautiful. Like a lot of other Taiwanese directors, he uses a lot of long takes. But unlike, say, Hou Hsiao-Hsien, Tsai doesn't overuse them. In fact, I don't know if I've ever seen them used better. They're always effective and never tedious. 

It would be wrong to review this film without mentioning the musical numbers. Yes, The Hole is also a musical, and a great one, at that. In the film's best scenes - which is saying something, considering how good all the other scenes are - the man imagines that the woman is a singer, almost a cabaret singer. These numbers are fully choreographed, often with backup dancers and singers. In a stroke of genius, Tsai has these elaborately produced numbers take place in the crumbling building, the signs of apocalypse and decay unhidden. This provides both a sense of pathos and absurdity.

The Hole is a film that begs to be seen. It ought to be a cult classic, if nothing else. Before I went to see this, I was told that it was a decent film, but probably Tsai Ming-liang's least good one. Well, if that is true, I just cannot wait to see another one! 10/10.

Sentiment: positive
I loved this series when it was on Kids WB, I didn't believe that there was a Batman spin off seeing as the original show ended in 1995 and this show came in 1997. First of all I loved the idea of Robin leaving Batman to solve crime on his own. It was an interesting perspective to their relationship. I also liked the addition of Tim Drake in the series, and once again like it's predecessor this show had great story lines, great animation (better then the original), fantastic voice work and of course brilliant writing. The only thing that I didn't like was that was when it was in the US it would often run episodes in a 15 minute storyline. I just wish some of the episodes could be longer. My favorite episode of any Batman cartoons comes in this series, and it's called "Over the Edge", in my opinion as good if not better then "Heart of Ice" and "Robin's reckoning." Overall a nice follow up, along with Superman this show made my childhood very happy.

Sentiment: positive
The Beloved Rogue is a wonderful period piece. It portrays 145th century Paris in grand Hollywood fashion, yet offering a bleaker side to existence there as it would be experienced by the poor. And the snow. It's constantly swirling about, adding to the severity of the setting -- brilliant! The setting is enhanced by the odd cast of characters, including beggars, cripples and dwarfs.

A brilliant performance is turned in by John Barrymore, outdone only by the magnificent Conrad Veidt, who portrays a degenerate, dissolute Louis XI to perfection. And yes, Veidt picks his nose on purpose, pushing his portrayal to wonderfully wry limits.

Sentiment: positive
One of the things about the film that warmed my heart strings was that dry fly fishing was a major part of the scene. I have occasionally carried out my times of dry fly fishing, having tied my own flies, and being accompanied by my brother and my father we spend a day on one river or another seeking to tempt the ever elusive Brown Trout to rise and take the fly that has been offered to them.

When we had occasions like this any differences between us disappeared and any of the pressures of the world melted away to be replaced by the glory of being absorbed in the activity and the surroundings of the place we were in.

This was one of the amazing things that was portrayed to me in the film as the minister and his two sons, Norman and Pauly carried out the ritual. For there is something ritualistic about fly fishing as there is something ritualistic about so many pastimes. You can't just start casting your fishing line and hope for the best. You have to attune yourself to the place you are in, you have to scan the surface of the water considering how it is flowing and where the best point might be to place your fly and, depending on your skill level, you might even get your fly to land there long enough for a fish to take note of it and strike. The 'Art of Fly-fishing' was directed and represented so well that they themselves can be classified as artists.

The title for the film could not be more aptly chosen, for the river did in fact run through the life of father and two sons. This film however spreads itself broader than the family and community in Montana, by the the Blackfoot river, where the film is played out. It has the capacity to draw you in, to enthrall you, to capture you, as the history of the family, community and period is unfolded. The Story told is not just a family history, but a history of Life. What may be classified as a 'River of Life'

Sentiment: positive
this movie is simply amazing.. unfortunately in Portugal not even a shadow of him... and i agree with a former opinion, only FF fans will really give the movie the real credit... but for the rest.. i dare you to watch it. the story is great, and i thought that the game has ended the story, but the screenwriters have given us a great story to the god of all r.p.g.'s ... the ost, as usual, it came from heaven ;) ehehe but the little details that they gave us ( us fans of the game) are beautiful .. like the ring tone is the Battle winning song of the game, and even some moves are quite familiar just watch it it's a great movie great story, great animation... just a 10/10

Sentiment: positive
I sat down to watch this movie with my friends with very low expectations. My expectations were no where near low enough. I honestly could not tell what genre this movie was from watching it, and if it was a comedy, the humor was completely missed. The plot was nonexistent and the acting was horrendous. My friends and I managed to watch approximately 30 to 40 minutes of this film before we turned it off and promptly begged the video store to take it back. I do NOT recommend this movie to anyone unless you are purposely trying to watch the worst movies of all time. I honestly don't know how this film lasted more than a day in theatres and moreover I can not understand why anyone would willing watch it, considering not only it's very uninteresting title but also the lack of any famous actors/actresses in it's cast. This review is not a joke and I honestly think this could possibly be the worst movie ever made. It's certainly the worst movie I've ever had to sit through.

Sentiment: negative
Right up until the end the bad guys have the upper-hand - always - which kind of put into question the competence of the good guys. A couple of innocent-man-accused-of-a-crime plots are irritating. Some unnecessary dialogue in which various dull legal issues get debated. This is just a mediocre dumb old western, so what's this nonsense about trying to keep things "realistic"? Cagney's atypical presence in a western is one of the few - if not the only - entertaining thing about the movie. Somewhere around the middle there is a ridiculously-timed marriage proposal; sort of like "Where is the Kid hiding??!! Where is he?!... Oh, and by the way, will you marry me?"

Sentiment: negative
i was disappointed. the film was a bit predictable and did not live up to the hype plastered all over the box. Having said that, the characters were well developed, the windego myth was used in a unique premise and the house was pretty spooky but it just missed for me. I kept waiting for that big AHHHHH or BOO! But it never came.

Furthermore the movie was plagued with poor filming of poor special effects. Thus showing to much of a bad thing and not using atmosphere and viewer imagination to create the horror and suspense. Try movies like Session 9 or the Cube if your looking for a low-budget but well conceived horror movie.

Sentiment: negative
Robert Stack never really got over losing a Best Supporting Actor Oscar for his role as Kyle in "Written on the Wind" to Anthony Quinn's 12-minute performance in "Lust for Life." Stack plays the deeply disturbed, alcoholic son of an oil tycoon. He has lived his life in the shadow of the friend with whom he was raised, Mitch, played by Rock Hudson. They both love the same woman, Lucy, (Lauren Bacall), who becomes Kyle's wife. Kyle's sister, Marylee (Dorothy Malone), is a drunken slut who's in love with Mitch. Their story plays out in glorious color under the able direction of Douglas Sirk, who really dominated the melodrama field with some incredible films, including "Imitation of Life," "All that Heaven Allows," "Magnificent Obsession," and many others.

Make no mistake - this is a potboiler, and Stack and Dorothy Malone make the most of their roles, Malone winning a Best Supporting Actress Oscar. There's one amazing scene, mentioned in other comments, where she wildly dances to loud music as her father collapses and dies on the staircase. We're led to believe that Marylee sleeps with everyone, including the guy that pumps the gas, because she's in love with Mitch. Mitch wants nothing to do with her. He's so in love with Lucy that, out of loyalty to Kyle, he wants to go to work in Iran to avoid temptation. I doubt he'd be so anxious to get there today no matter how much in love he was.

Hudson and Bacall have the less exciting roles here - Hudson's Mitch is the good guy who's been cleaning up Kyle's messes for his entire life, and Bacall is Mitch's wife who finds herself in a nightmare when her husband starts drinking again after a year of sobriety. Sirk focuses on the more volatile supporting players.

In Sirk's hands, "Written on the Wind" is an effective film, and the big scene toward the end in the mansion is particularly exciting. The director had a gift for this type of movie, and though he had many imitators, he never had an equal.

Sentiment: positive
This movie's full title is "Waqt: Race Against Time". That's a race no one can ever win, but you can certainly cut your losing margin by not wasting any of your precious "waqt" on this bakvaas. This movie was clumsy and manipulative in a way that made K3G look honest. It strained my credulity too far. It was ridiculously stupid in its storyline, and deserves to be mocked for it.

It's not quite as awful as Baghban or Black, but this movie has nothing to recommend it. Stupid, pointless, with a ridiculously OTT performance by Amitji. The central "plot" is another nasty example of the crudely manipulative propaganda that infests so many "family" BW films. If my father, who raised me, and who I love dearly, treated me like Big B did Akshay, I'd shoot him myself. To say nothing of the trivialising of terminal illness.

Sentiment: negative
"Kings and Queen" is a bloated French drama that rambles on for an interminable two hours and thirty-two minutes to no discernible point or purpose.

The film features two stories that seem unrelated at first but which eventually connect with one another about halfway through the movie. The first centers around Nora and her struggles with various men in her life, including an elderly father who discovers he has only a few days left to live. The other story involves a young man named Ismael, a violinist who finds himself placed - unfairly, he believes - in a mental institution through the machinations of an unknown third party. After traveling along on separate tracks for awhile, these two narrative strands eventually come together when we learn that Ismael is a former lover of Nora's and the man she has chosen to adopt her son from an earlier, tragic relationship.

With a bit more focus and a considerable amount of streamlining, "Kings and Queen" might have been a potent, engrossing drama about modern day relationships. It certainly has moments of tremendous insight and emotional power, and the performances are, for the most part, complex and touching. But, taken as a whole, the film meanders and maunders to such an extent that, quite frankly, it begins to wreak havoc on our patience and to wear out its welcome early on. Even more distressing is the fact that, even though we spend what seems like a mild eternity in the company of these people, we really don't know quite what to make of any of them when the show is finally over. For instance, Nora's father, on his deathbed, writes a withering diatribe against his daughter's character that simply doesn't gibe with the woman we've been looking at for well over two hours. Nora is admittedly no Mother Theresa (then, again, who is?), but she certainly doesn't deserve the invective thrown at her by her very own father. Nora could be accused of being confused, indecisive, a bit self-absorbed at times, but evil enough to have her father wishing he could give her his cancer and make her die in his place? I don't think so.

Perhaps this film is simply operating at a level of depth that I was unable to fathom. But my suspicion is that even writer Roger Bohbot and co-writer/director Arnaud Desplechin would have trouble fully explaining their purpose here. This is a well acted, pretentious bore of a film that takes the viewer on a long, rambling voyage through a sea of personal crises, a journey that leaves him no wiser or more enlightened at the end than he was at the beginning.

Sentiment: negative
This film is about two female killers going on a tour to kill random men they meet.

Wow, "Baise-moi" just became the worst film of all time in my list. The plot is crazy, pointless and unnecessary. The whole film is full of violence and sex, and I am sure no sane parents would want to show this film to their children. I don't understand what people get out of by making this film, or watching this film. Maybe someone somewhere has their perverted desires fulfilled. There is simply no excuse or reasons for the existence of this perverted and depraved piece of work.

The only consolation I offer myself is that I watched it on fast forward, so that I have not wasted as much time.

Sentiment: negative
I can agree with other comments that there wasn't an enormous amount of history discussed in the movie but it wasn't a documentary! It was meant to entertain and I think it did a very good job at it.

I agree with the black family. The scenes with them seemed out of place. Like all of a sudden it would be thrown in but I did catch on to the story and the connection between the families later on and found it pretty good.

Despite it wasn't a re-enactment of the 60s it did bring into the light very big and important landmark periods of the decade. I found it very entertaining and worth my while to watch.

Sentiment: positive
It´s all my fault. They all told me I should avoid seeing this movie because I´m a huge fan of the old TV-series. They were right. While production values are good and the actors themselves (including "don´t look now") Julie Christie aren´t that bad, the whole film displays a cheekiness and self-conciousness that clearly is without any justification. A comparison between the Karloff "Mummy" and "The Mummy Returns 2000" comes to my mind. In fact Belphegore 2000 owes much more to the new Mummy films than to the old series. But then, scripting is terrible, speed there is none and sometimes the film is full of unintentional jokes (The first scene in the tomb looks plain stupid), with cats clearly being thrown when they´re supposed to jump (landing with their backfeet first). Belphegore moves around like a statue on wheels neither impressive nor scary and the psychological drama that unfolded in the old tv series when the heroine had to learn that she´s a villain is completely neglected. This movie is so WASTED (wasted money, wasted actors, wasted blueprint) that it hurts. It´s a below-par Mummy-rip off that´s only good for some laughs but has nothing at all to do with the Greco classic (She has a small role in this movie too - on the graveyard).

Sentiment: negative
Gung Ho is one of those movies that I never get tired of watching. Michael Keaton has always been a favorite of mine, & he is absolutely hilarious in this movie. Matching him step for step is Gedde Watanabe. The two of them work wonderfully together. Although this movie is a comedy, I also like how it shows Hunt (Keaton) & Kazihiro (Watanabe) struggling in their roles as the leaders of their respective groups. They both try so hard to keep the peace, & then they finally get into a fight (which is hysterical to watch). First, they're both on the floor. Then Hunt jumps on a chair. Kazihiro jumps on the desk. Hunt jumps on the desk with him. The fight then spills out from the office into the factory. I love that after they are separated by the workers, you can tell that they both feel bad for letting things get so out of hand. Also, there is a scene where you can see the influence that Hunt has had on Kazihiro. He is at his house & his boss from Japan arrives & says he would like to visit the factory tomorrow: 

Kazihiro: Tomorrow not good day. Sakamoto: Why not? Kazihiro: Factory is locked & we can't find key.

Tell me you can't picture Michael Keaton saying something like that!

I guess I really like this movie because it is genuinely funny, & also shows how people that are radically different can not only learn from each other, but become good friends as well.

Sentiment: positive