DoubleML/multimodal_confounding huggingface dataset:
Greetings again from the darkness. What ever happened to the great Barry Levinson? He directed two of my all-time favorites in "Avalon" and "Diner". He had some fine movies as well ("Rainman"), but always provided something of interest ... until now. I believe the worst thing you can ever say about a comedy is that it is boring. "Envy" is the definition of boring. Never of big fan of pure slap stick ("Dumb and Dumber"), I was just stunned at how god-awful this movie is. There are maybe 2 chuckles in the whole thing - if you can pay attention that long. The best part of the film is the running gag of the title song by a Redbone sound-alike. If the film had been written as well as the song, it would have been tolerable. Rachel Weisz is a wonderful actress and I realize they all want to do comedy (even Julianne Moore), but the real world exposes one weaknesses. SNL cast member Amy Poehler is her usual over the top in her role as trailer park trash turned princess. The disaster of the film is Jack Black and Ben Stiller. The first work commute together flashes some promise, but after that their chemistry disappears due to the poor script. This script is like most of Jack Black's character's ideas - not a bad thought, but no hope for success.

Sentiment: negative
By all appearances this serial could have been made any time since the mid forties. The cardboard sets, the moon kings with lightning bolts sewn onto their aprons, you know the drill. This one is a Rocky Jones adventure, featuring the space cop's dealings with the insufferable Bitch Queen of planet Offeecious, a commie planet that won't join the United Planets. When the noble messengers of intergalactic reason announce that Offeecious is on a collision course with this other, vaguely Slavic planet, Bitch Queen decides to blow the other guys up rather than evacuate her land. This introduces a moral to the effect of "The greatness of a nation is not in its land, but its people," which is hammered home five or six times in the climactic talkfest. The BQ's constant nasal ranting about "OffEEEEcious" provides relief from some seriously wanting space effects, is this a TV show?

Sentiment: negative
Ok, so I saw this movie at this year's Sundance, and I was sorely unimpressed. It took a good fifteen minutes of footage before there was an edit or a line of dialogue that made any sense, and it took another 30 minutes before the ham-fisted script gave way to a working plot that wasn't contingent on a close-up of Ryan Gosling's smile or contrived moralizing. After the first 45 minutes however, the script blossomed into a watch-able albeit not completely entertaining or thought-provoking. The highlights certainly include both Gosling and Morse's acting, Gosling being an up-and-coming star, and Morse being an extremely well-established character actor with a good feel for disparate emotions. As a sidenote, after the screening I was talking a little smack about the movie to some of my friends when David Morse walked right behind me--He looks like the nicest guy in the world, but he's a solid 6'2" and probably outweighs me by 50 pounds. I removed my foot from my mouth and promptly changed the subject.

Sentiment: negative
I am a big fan of Ludlum's work, and of the Covert-one books, and I had often thought how incredible they would be made into a film. Imagine my excitement, then, on learning that such a movie actually existed! The 'Hades Factor' being the first in the series seemed an obvious place to start.

From the outset the film was disappointing. Simple elements from the film such as Griffin's first meeting with Smith are needlessly different from the book, and much less exhilarating. Several characters are poorly cast, too. For starters Dorff is woeful as Smith. Not a bad actor, just an incredibly bad choice as he is far too soft, and fails to exhibit many of the features that are definitive of John Smith.

Re-naming, re-assignment and even omission of certain characters further degrades this film. For example the removal of Victor Tremont and the entire back-story of the virus, including the involvement of VAXHAM makes the entire point to the film somewhat hazy. Marty Zellerbach is a very large part of the book, and in the seat he takes vary much a back seat (not to mention that the film character shares nothing in common with the character in the book) is another big mistake.

Rachel Russel is presumably supposed to be Randi Russel from the book. Not only is she supposed to be the sister of Sophie Amsden (should be called Sophia Russel) but she is also supposed to work from the CIA, NOT "Covert-one". Which brings me to my final point, and I think one of the most important. COVERT-ONE doesn't even exist at this point! Not until the second book of the series is Covert-One devised by the president as a preventative measure against further biological terrorism.

To be honest I could go on all day. In short - if you like the books and want to see a good adaptation, I'm afraid you'll be bitterly disappointed. Even as an action movie it is thoroughly average, mainly due to very lack-luster editing and poor effects. The bumbled story line and dull-as-ditch-water script are the final nails in the very cheap coffin of this film.

Sentiment: negative
It's funny... one day before i have seen this movie i had been watching a documentary about Leni Riefenstahl, so comparison kind of came automatically... of course there isn't any :)

 This movie is weak in every aspect... acting is not convincing (especially the one who plays Simona...) and unnatural..., editing in confused and always leaves a taste of unfinished shot, music doesn't fit, the story doesn't flow, it gets boring and the movie comes out much longer as it is... oh, and the characters aren't very well shown, you actually can't tell much about the girls (except what you see)... The movie also tries to shock with explicit cursing (which is very laughable :)

So... 2/10

Sentiment: negative
This is a piece of Hollywood product that should have never left a film can. Dialogue without a plausible thought, plot without a point, staging without skill, directing without direction, and acting without the worth of some backwater high school's freshman class play. The entire cast should have been arrested for over acting.

But otherwise, okay!

Sentiment: negative
Unless there's some huge ironic conspiracy going on, my jaw dropped when I read the positive reviews of this film; I cannot believe that this film was even released, it's so bad.

I admit it is not my kind of movie, but I tried to watch it objectively anyway, you know, so bad it's funny, and was still offended at its sheer awfulness.

The acting is atrocious, they can't have watched the rushes and I'm guessing there was one take per scene, it really is that terrible. It is the worst film I have seen in many a year, in fact, I wouldn't even call it a film, it's a tragedy. The gay black friend, whom no-one actually calls "gay", it's just implied because he's so crazy? Homophobic. This is not good, in fact, this is downright vomit inducing. The jokes die on their pathetic arses, the music is so bad it defies belief. The person who compiled the soundtrack essentially chose the most ear-mutilatingly bad songs they had ever heard and put them in this waste of film stock. Oh my good Christ I can't believe the 80's produced utter garbage like this, I grew up through them, and I cannot find one thing worth of note here, it must have been a dark time to be a cinema-goer.

If you even contemplate watching this film go see a psychiatrist, he will then accordingly slap you, you sick, sick person.

Sentiment: negative
The only thing romantic about this movie is the pain and anguish of romance. If you are expecting this cinematic adaptation of another Nicholas Sparks novel to follow the surefire formula of previous films, such as "Message in a Bottle," "Nights at Rodanthe," and "A Walk to Remember," think again. Nobody dies from an accident trying to save somebody else and the romance here doesn't transform these characters. If anything, it makes them even more miserable than they were.

A soft-spoken Special Forces Army Sergeant, John Tyree (Channing Tatum of "G.I. Joe"), has a memorable two-week fling while on leave from the military with an impressionable college girl, Savannah Curtis (radiant Amanda Seyfriend of "Mamma Mia"), who is spending spring break in South Carolina. Savannah doesn't drink, smoke, but she tells John that her head is filled with profanity. Inevitably, John and Savannah topple madly in love with each other and launch an endless exchange letters of love letters that are sleep-inducing by any standard. Tyree is off in the world serving the military in some godforsaken corner of the globe while she is away at college perusing his letters in class. Just as they are getting hot and heavy between them, suicidal terrorists crash planes into the World Trade Center. John reenlists along with his buddies in a wave of patriotism without discussing the option with Savannah.

Meanwhile, another guy, shaggy but likable family friend Tim (Henry Thomas of "E.T.: The Extra-Terrestrial") who has a motherless, autistic child named Alan becomes the object of Savannah's sentiment. She is the kind of girl who helps build houses for the less fortunate and wants to start a summer horse ranch for autistic children. She delays what seems forever before she finally contacts Tyree with the eponymous letter. Indeed, she dumps him for a man with a disease! Later, she confesses to John that she knew the sound of his voice would have broken her resolve to marry Tim, so she doesn't make that fateful call. Predictably, John agonizes over Savannah's lack of communication. During a routine mission, our hero takes a couple of terrorist bullets in the back and winds up in Germany. While all this is transpiring, Tyree is trying to come to terms with his own coin-collecting father, Mr. Tyree (Richard Jenkins of "Step Brothers"), who suffers from Asperger's Syndrome. It seems that his father is on his last legs after John gets out of the hospital. The lead female character lacks a shred of respect and her betrayal of Tyree amounts to a pretty low blow. Tyree, his father, and Tyree's commander, Keith Robinson, are the only sympathetic characters in this long distance epistolary romance. 

"Dear John" gives new meaning to lethargic love stories. Yuck!

Sentiment: negative
I ended up watching this whole (very long) movie because I was fascinated by the sheer stupidity and naivity of it. It seems difficult to believe that so many famous people (Anthony Quinn, Lawrence Olivier, John Gielguld, Vittorio de Sica, etc.) would have willingly participated in this farce. But maybe in 1968 people really *were* so naive? The plot seems written by some confused Latin American Marxist priest with an agenda. There is a superpower conflict and the Russians are actually the good guys, with the Communist Party General Secretary being a nice and spiritual man, who, suddenly, after 20 years, sees the light and feels compelled to ease his bad conscience by releasing a prisoner priest from a Siberian gulag. The priest then promptly becomes the Pope by a series of coincidences. We are allowed to see the secret Vatican papal voting process which is portrayed in the most hillariously pious form you can possibly imagine.

Meanwhile, the communists in China achieved the usual socialist economic miracle of starving half of their country to death. To solve this minor hiccup on the relentless shining path towards communism they want to start a nuclear war (in order to justly distribute the Western capitalist riches to the poor workers of China).

Our good old comrade General Secretary gets a bit worried and calls the Pope just before his coronation to ask him to broker peace. They meet with the Chinese leader comrade Peng who looks and acts like a 15 year old boy. You will roll on the floor laughing about what people in 1968 thought the Chinese looked like. Comrade Peng demands that the Western capitalists must pay (which is quite logical after all, don't capitalists always have to pay for the madness of the socialists?), and that the Pope needs to sacrifice something, too, for the common altruistic cause of equality and social justice.

So when the Pope gets crowned in Rome, he pledges the entire wealth of the Catholic church world-wide to feed our poor Chinese brethren in Christ. And thus he saves the world from nuclear holocaust.

Apart from this, there are also some minor sub-plots, which, alas, provide little to redeem this incredibly bad movie. I'd give it three Oscars for stupidity.

By the way, Anthony Quinn looks quite unlikely as a Pope. He is much more plausible as Zorba the Greek.

Sentiment: negative
Would you like to know why French and Italians love/hate each others? Would you like to have a glimpse of history that drives our lifetime? So, go to watch Virzi's film (in original language, of course) and you can look at a wonderful Monica Bellucci who finally speaks her native language from Città di Castello (Umbria, just at the border with Tuscany). And the rest of the characters speaking Livornese (lovely Sabrina Impacciatore and all the others). Daniel Auteuil definitely in his shoes with Napoleon. A lot of fun, a real fresco of the Elba Island landscape, and a picture about the political reasons to kill or leave alive a tyrant (good for all times).

Sentiment: positive
****SPOILER ALERT**** My boyfriend, some friends, and I rented this movie as part of a marathon of really bad movies. We sort of knew what we were getting into. But the lack of plot, direction, and special effects actually left us hoping for a great (or passable) fight scene between the two main characters... the badly rendered swimming cobra and the super violent giant komodo (that ate people like scooping ice cream)... we sort of get this in the end, but had to be cut short due to possibly budget or time constraints? Its one redeeming quality is that its laughably bad, with many salient details pointed out by other readers. I recommend this movie if your into cutting onions to make yourself cry.

Sentiment: negative
What a tedious turgid boring mess. This is a classic example of all that is wrong with contemporary English theater & film. About as exciting as a closet full of dirty socks. The very opposite of living film. Only the presence of Joanne Whalley gives it any spark.

Sentiment: negative
In this follow up to The Naked Civil Servant we see the final years of Quentin Crisp's life in New York. John Hurt is again Crisp (come on who else could play the part?) and its a role he inhabits to the point of disappearing. For me Hurt is Crisp and I've always found it very hard to take the man himself because Hurt was more him than he was himself. Its masterful performance. His equal is Denis O'Hare as Phillip Steele, Crisp's long time friend and confidant.

Unfortunately outside of the performances the film has little to recommend it. To be certain the film gets the details right. Filmed in and around New York the film the film looks and feels like New York and its environs, but dramatically its kind of inert. Its Crisp talking to people being witty,trying to come to terms with the world as it is (he ended up regretting some poorly chosen words concerning AIDS) and dealing with the infirmities that old aged thrust upon him. Quentin the man is always interesting, but his life as portrayed is really not.

I am disappointed by the film. I've always admired the man and his unique point of view. I just wish he was better served by this film about his life.

Sentiment: negative
The only words you need fear more than Joe Don Baker if your thinking of watching a film are Greydon Clark , and if they are both there , run for your life . However this is a very funny film because they actually take themselves seriously ! It starts out bad and goes downhill from there , repeated scenes , the Good The Bad and The Ugly like shootout will have you rolling on the floor with laughter .Yes , he's the best deputy sheriff in Texas , tracking a mafia hit-man to Malta as only he can . He makes his own rules , does things his own way , all the while wearing cowboy boots and sidearms cowboy style . You want to see a bad but funny film ? Go ahead on , its your move !

Sentiment: negative
Greetings again from the darkness. Much anticipated, twisted comedy from writer/director Richard Shepard is a coming out party for Pierce Brosnan the actor. That Bond guy is gone. This new guy is something else entirely!! Have read that Shepard thought Brosnan was too much the pretty boy for this plum role, but Brosnan proves to be the perfect Julian Noble, "Facilitator" ... and is anything but pretty! Do not underestimate how twisted the humor is in this one. If you go, expect punch lines and sight gags regarding all types of sex, killing, religion, sports, business and anything else you might deem politically incorrect. Brosnan takes an excellent script to another level with his marvelous facial gestures and physical movements. Even sitting on a hotel bed (with or without a sombrero) is a joy to behold.

Greg Kinnear is the straight guy to Brosnan's comic and has plenty of depth and comic timing to make this partnership click. Hope Davis has a small, but subtly effective supporting role as Kinnear's wife (what's with her name "Bean"?) who happens to get a little excited when she has a facilitator in her living room.

The visuals and settings are perfect - including a bullfight, racetrack and Denver suburb. And how often do we get The Killers and Xavier Cugat on the same soundtrack? This one is definitely not for everyone, but if your sense of humor is a bit off center and you enjoy risky film-making, it could be for you.

Sentiment: positive
Some might say something like "Baby Geniuses" with its giant robot infants or "Dumbo" with its psychedelic drug-addled nightmare sequence would win the award for the most disturbing movie ever made for children. You might say that too, but you'd be wrong. Lo and behold, for I bring to you: Santa Claus, the most helplessly messed up family film since ... well, ever. 

From the opening scenes showing children from different parts of the world singing their insipid theme songs (seriously, this segment is nearly 20 freakin' minutes long and has nothing to do with the plot!) to the thrilling conclusion in which Merlin pops up from outta nowhere and saves the day (don't mind him, he's from Barcelona), this is childhood trauma at its finest. And no matter how hard I try, no matter how many different therapists I visit, I just... can't... get... those... reindeer's...laughter...out... of... my ... head! 

Avoid this mind-bending piece of trash like you'd avoid a sex-starved whale during mating season. Still, if flaming gay demons with a serious case of the overacting flu are something for you, I guess you should give it a try. But really, this movie isn't worth your time and mental health.

Sentiment: negative
The opening scene makes you feel like you're watching a high school play. But I've seen high school plays with better acting! Every line was delivered so obviously that I felt like I was watching actors work instead of seeing characters. I found the character development to be poor and the acting very forced! I found that 25 minutes into the movie, I really didn't care what happened anymore because the plot was overly obvious and I was bored. I kept hanging in there, waiting for the film to redeem itself, but it never happened. Sister Theresa was overly sweet, even for a nun, yet appeared impulsive and slightly manipulative. All in all, I was mighty disappointed.

Sentiment: negative
In a poor village in Mexico, the Colonel (Fernando Luján) lives with his asthmatic wife Lola (Marisa Paredes) in an old house. Lola still grieves the death of their son Augustin some time ago. The colonel has been expecting for his pension of fighter in a war against Catholic church for almost twenty-seven years. However, for political reasons, the present government wants to forget this old fight. Without having any possession or money, but a valuable gamecock, they struggle to survival with the expectation of the acknowledgement letter from the government, recognizing the law and paying for the delayed pension. This slow and touching movie reflects the social and financial situation of most of the elder retired persons in third world countries. In Brazil, most of the retired persons has to survive with about US$ 80,00 per month. The debts of the colonel in the story were made to pay for a graveyard for his son, otherwise he would be buried as an indigent. Outstanding performance of the cast, in a very sad story that is reality in the poor countries. My vote is eight. 

Title (Brazil): (`Não se Escreve ao Coronel') (Do not Write to the Colonel)



Sentiment: positive
I received this movie in a pack called "50 all-star Movies" for $18 (45 cents each). Many are good. This one was terrible. It was a hackneyed retread done 1000 times before and each time better. A crippled ex-jock is dared to coach a team made up of juvenile delinquents. They learn from him that they can make it if they play by the rules. I'm sure the kids and the locals were thrilled to be included in a "real TV movie", but I can't imagine what the folks that launched and produced this project figured they could bring to this already over beaten subject. I kept waiting to see that 'new twist' or 'new angle' but, honest, it doesn't come. Avoid this movie. Forget about the 45 cents, I want the 96 minutes of my life back.

Sentiment: negative
Shirley MacLaine in another tailor-made role. As the aunt to a single mom in a 1962 working-class Chicago neighborhood, the veteran character actress gets another work-out as a gutsy woman who won't let any set-backs defeat her spirit of success. The children, a pre-teen boy and girl, are drawn to their spirited Aunt Zoe, although the many magic tricks and practical jokes learned from her, and applied at all the wrong opportunities eventually get them expelled from school.

The plot is cleverly enveloped in the Cuban Missile Crisis, with all of the social implications. Men building bomb shelters, people watching news programs on what seemed to be the only TV set, at a diner, and a general mist of uneasiness and fear in the air. When a "harmless" miracle is blown out of proportions, the climactic conclusion nonetheless makes the viewer feel good. Yes, Virginia, the sun will come up tomorrow! Clearly a small-budget production, this is still a sweet little film, filled with the magic that Sunday Matinees were made of. With a few choice "Oldies" thrown into an effective Sound Track, the whole family is sure to enjoy this one.****

Sentiment: positive
PAGE 3 **** out of 4 Stars

Madhvi (Konkona Sen) enters her boyfriend's house and its empty. She looks here and there and then goes in his bedroom and you get the picture - 'Ah! another girl  that two-timing baddie and yes indeed he his two timing her but it's a GUY this time around. And i say 'Brilliant!'

END OF SPOILERS (The above scene is not a spoiler really ... but for me it was so i didn't want to take a chance)

When asked upon as how was this film, my friend answered 'oh, it just an exposé of the P3 people' which made me believe that ill be watching a stupid movie if nothing more. When I went to the theater, I thought to myself '' I better get a pen and a paper to jot down the bad things about this film'' but I was proved entirely wrong and then some because I could muster only the goods. This film was great. Great, not because it is offbeat and noncommercial cinema like storyline but because of the cleverness in the screenplay and how this movie tells you how to handle a movie brilliantly which could have been a dumb and senseless movie if given in the wrong hands.

Konkona Sen Sharma is grace. She is so damn beautiful who has nailed her role perfectly as if she was born to play this part. One of the most charming actresses I've ever seen. But this is not the only performance which is good in the film, there's Sandhya Mridul, Boman Irani and Atul Kulkarni. Particularly Sandhya Mridul who just fires up the screen. (And guess what even the unusually accented Tara Sharma speaks normally)

The movies stars off with some silly old parties of the hush-hush celebrities of the film industry et al and you get the idea of what this movie will be about. And for about half hour through the film you feel just about the same. But then the movie picks up the pace grabs onto a good storyline and never lets go of it. Even Boman Irani agrees to that statement  'It was a good story, Madhvi'. (Thank you). The great thing is that it tackles the issue of how silly these people are with style and does not make it over done and also tackles the social issues and does not make them boring. In the end its all a roller-coaster ride and Madhvi informs us that by just smiling at all these people. Just the reason why I love watching films. Ecstatic film-making. The screenplay is beautiful, clever and witty.

Sentiment: positive
Aubrey Davis (Amber Tamblyn) travels to Tokyo to investigate the mysterious disappearance of her sister Karen (Sarah Michelle Gellar) and gets caught up in the same mysterious curse that has killed so many people. With a group of others, she tries to solve and end the curse for good.

The Grudge 2 rehashes everything from the first one and it produces only a couple of scares. The first Grudge was an average movie at best. The premise was decent but the acting was wooden and some of the scenes were really ridiculous. The Grudge 2 is even more silly and less scary than the original. Also, Scary Movie 4 has made it nearly impossible to take these films seriously and I had trouble keeping a straight face during the "scary scenes" which should encourage laughter more than fear. How Takashi Shimizu messed up his own franchise is unexplainable yet he succeeded at creating a decent atmosphere. Unfortunately, he kept the film at a slow pace with a bunch of dull characters and lame scare tactics. Clearly, he did this movie for money and I'm glad it failed.

The screenplay was pretty bad, mainly because it made no sense and they didn't develop the characters at all. In the movie, there were three different stories going on and each of them were somehow related to "the grudge". The connections were weak and a bunch of people were killed without a real reason. They don't explain the rules of the curse very well and it ended up being a bit of blood bath because of everyone dying although the PG-13 rating kept things from getting interesting so even some of the death scenes were pretty lame. The dialog was weak and none of the characters were likable or developed well enough to truly care about.

The acting was on par with everything else and it was a lot worse compared to the first one. Amber Tamblyn was annoyingly wooden. She moved on screen very slowly and all of her emotions seemed fake. Sarah Michelle Gellar was okay although she just had a cameo. Jennifer Beals gave the best performance, she had a few good scenes and was kind of effective. Arielle Kebbel was okay, a little bland. The rest were either horrible or just too forgettable to mention. Overall, The Grudge 2 was a disappointing sequel. It lacked a lot of things and it's not worth watching. Rating 4/10

Sentiment: negative
I'd never heard of this, then found out it's the man with the deadly lens, which I'd heard of but not seen. Connery's presence drove me to buy it, and it's not good. It wants to be a sort of cross between Dr Strangelove and Mash, but it just isn't that funny, unless you find the name General Wombat (?) funny. It comes across as a flat 70s thriller until the last ten minutes, when it springs to life. There are many, many flat scenes in the Whitehouse between the president and his aides which don't work. It's almost as if the initial cut was too long, and the first half was edited down to get to the whole nuclear bomb ransom storyline and the suicide bomber attacks, which i think are meant to be played for laughs, but again, aren't that funny. The location filming is excellent but the studio stuff looks like cheap TV. I could not believe the man responsible for Key Largo, Crossfire and Elmer Gantry did this. Only laugh: Connery throws away his wig before putting on his helmet and jumping out of a plane. It makes Never say Never again look like genius.

Sentiment: negative
I have waited for ages to comment on this programme, and felt it was about time some justice was done to it. This is one of Christie's darker, more sinister and engaging works, not simply someone being killed for money, this is a dark and thoroughly engaging tale of mystery, intrigue, love and murder, made all the better by the amendments made by the adaptor. The level of acting is utterly superb, Joan Hickson is sublime in the part, as always! The rest of the cast, including the likes of Liz Fraser, Anna Cropper and Helen Cherry all perform beautifully, but it's my opinion that the show is stolen by Margaret Tyzack, the closing scene between her and Joan Hickson is simply magical, the acting is as good as it gets, chilling, moving and totally brilliant.

Please let me know if you agree with my words. I am seriously looking forward to the remake to see how well Geraldine McEwan's version is. Watch and enjoy.

Sentiment: positive
After all these years, of Peter O'Tool's brilliant, costly giving of his Soul, film after film, at last, Hollywood tosses him an Oscar recently.

Country Dance showed up one night late, and of course, blew me out of my complainant niche in my alleged "Life". How does he do it?

York again also is brilliant in this kind of play. Both psychological battleships loaded for bear....

Bravo to author, director, cast, and camera crew. No wonder the Nazi's lost to these Irish, Scot, English blends....brutal honesty hurts...back in the 70's, when I personally believed "honesty" was pure and absolutely vital to trust. I have modified my edgy extremes, and will settle for more human, warm flaws within myself and others.

Forgiveness allows humanity to have a reverse gear, and allows us to fix our own bull headed egos and erotic mistakes....

Sentiment: positive
Have no illusions, this IS a morality story. Granger is the troubled ex-buffalo hunter, tempted back to the plains one more time by kill-crazed Taylor. Granger can see the end is near, and feels deeply for the cost of the hunt-on the herds, the Indians and the land itself. Taylor, on the other hand admittedly equates killing buffalo, or Indians to 'being with a woman.' While Granger's role of the tortured hunter is superb, it's Taylor who steals the show, as the demented, immoral 'everyman' out for the fast buck and the goodtimes. There's not a lot of bang-bang here, but the story moves along quickly, and we are treated to a fine character performance by Nolan. The theme of this story is just as poignant today, as in the 1800s-man's relationship to the land and what's on it, and racism. Considering when this was made, the Censors must have been wringing their hankies during the scenes in the 'bawdy house', Taylor's relationship with the squaw, and much of the dialogue. Although downbeat, this is truly a great western picture.

Sentiment: positive
This is indeed the film that popularized kung fu in the 1970s. However, if it ever had any kind of excitement or even halfway interesting plot, it doesn't seem to have aged very well.

Long story short: extremely drawn out, slow-moving, confusing plot with run-of-the-mill choreography, typically annoying and exaggerated whiplash sounds with every punch and kick, and constant "plot twists" that never come to an end. By the time the film reaches its emotional climax, I had long had all the wind knocked out of me to actually care.

Watch it for its historical value as a milestone of Chinese kung fu cinema -- just leave your expectations at the door, or you'll be bitterly disappointed.

For hardcore fans only.

Sentiment: negative
Massive multiple chills down the spine! I'm surprised there's people who didn't like it! I saw it at 10 o'clock in the morning and still got scared stiff! And I've seen hundreds of thrillers/horror movies! For crying out loud,I'm 22!!! I mean, OK, voice acting, not particularly good, probably even b-movie-ish. But the genuine look of terror, the sound effects, the flow! From the very start, hitting you again and again with relentless, unforgiving, terrorising scenes! So many clichés yet none fails to surprise/scare! You know it's coming, it's coming, it's coming, BOO! and you still jump off the chair. Grab a pillow and a blanket, call your closest friend over and do not watch it at night! Hats off to the Japanese!

Sentiment: positive
Like some of the other reviewers have alluded to previously, I'd like to know what moron actually read the script and went', "Yea!!! This is it. This is the next film we are going to green light!!" And whoever that person is, should have his or her head examined for actual brain activity. Because whoever is responsible for actually dishing out money to have this made after reading the script, well, I'd love to give you my email address and maybe you'd like to just give away some more money. This film is atrocious in every way.

The Wayans are funny, at least they can be. They have made some good films and had some incredibly funny performances along the way. But in here, not only does the premise defy all logic, not only is the acting terrible, not only is the entire movie offensive from start to finish, not only is the direction as amateurish as you can find, but they actually want you to pay to see this film. Maybe if it was free...naaah, it would still be a waste of time.

Usually I'd be inclined to write some long winded, detailed review about why this film is so bad, but just suffice to say that let my brevity do the talking. This is the lowest common denominator film making and it is about as unfunny as a heart attack.

0/10..makes my top ten list of worst films of all time!

Sentiment: negative
Having seen, and loved this film in Australia, I was very keen to get me paws on a copy. I got one on DVD back in the UK only to find that it's a very different edit.

The domestic Australain edit I saw is snappier. The UK ,and I presume European, edits spends a lot longer on the narrator played by Jimmy's dead brother.And in truth belabours that and few other points to no real benefit.

It is not a serious criticism, but the Oz edit is just brisker and I think more assured.

I can't say why they felt it needed expansion for the overseas market?

So careful about which one you go for.

I went for both.

Sentiment: positive
Arthur Bach needs to grow up, but that is unfortunately not the only thing he needs to do. According to his extremely rich father, Arthur has to marry a certain wealthy Susan Johnson or he's cut off from the family money ($750 million dollars worth). The problem is, Arthur doesn't love Susan (though I hear she makes some good chicken) and has just fallen head-over-heels for the waitress and part-time shop-lifter Linda Marolla. Arthur is an interesting fellow. He's really just a big kid, born into riches with at least one person looking after him every second of every day. Working just rubs Arthur the wrong way - he likes to have fun, womanize, and of course, drink. Drinking gives Arthur a sort of Jekyll-and-Hyde complex; and while that gets him into all sorts of trouble, it's absolutely hilarious to watch on screen. 

Dudley Moore is great here in this film as Arthur, earning an Oscar nomination and Golden Globe win for his performance. Moore is fantastic with the comedic aspects of the film, turning the already funny lines into unforgettable comedic gold, but he is also great in bringing Arthur down to a relatable level and making the character likable. Moore has some help in the co-star department - Liza Minnelli is great as Lina, the spirited nobody who Arthur can't get enough of, and John Gielgud is terrific as Arthur's butler Hobson. Gielgud won the Best Supporting Actor Oscar for his performance in this film, and there's no doubting why. Hobson has a stone-solid dry wit and stuck up attitude, but he's always looking out for Arthur - and Gielgud is perfect in the role. Steve Gordon's 1981 film Arthur is short and simple, but delivers laughs a-plenty.

Sentiment: positive
I've seen the first of the dwarf-Movies and sometimes I had little fun watching it. There are many famous TV/Comedyactors appearing in the first part and presented, in fantasy costumes, typical little episodes of their Stand-Up-Program and exactly that is the problem the second movie has to struggle with. Everything was already there....nothing new to obtain. You're familiar with most of the often boring and dumb "jokes" and you always feel like their goal was to put in every Comedylooser of the last decade who wants to get back on stage. There's nothing important about the story: typical fairy-tale story of Rumpelstiltskin, without any importance. I expected something like that but that's nothing I could complain about. I'm actually complaining about the lazy story writers who had an entire background story; their only business was to get many jokes and parodies inside but they didn't get it anyway. This crap is except the great appearance of Helge Schneider a total waste of time and money.(if you don't like him then remove 2 points of my evaluation) If you like to save your money and get bad jokes then watch the crap that's broad casted every Friday evening on SAT1 or RTL for free. I'm sure you will recognize some "laugthers" I saw last night in cinema.

Sentiment: negative
Strummer's hippie past was a revelation, but overall this felt like crashing a wake. Campfire stories work best around the intimacy of a campfire. There were just too many semi-boring old friends anecdotes and too much filler stock footage. I love The Clash and Joe for not reuniting and selling their songs until now (FU Mick Jones), but this doc left me wanting..to relate more. Using campfire storytellers without proper explanation of who is telling the anecdote alienates the viewer to some extent. They should have been interviewed on their own. Even using Strummer's 'radio DJ voice' did little to glue the film together. And can someone explain all the flags flying behind the campfire scenes? After the awesome "Filth And The Fury" I hoped Temple could deliver. A Joe Strummer doc deserves better.

Sentiment: negative
LOL! Not a bad way to start it. I thought this was original, but then I discovered it was a clone of the 1976 remake of KING KONG. I never saw KING KONG until I was 15. I saw this film when I was 9. The film's funky disco music will get stuck in your head! Not to mention the film's theme song by the Yetians. This is the worst creature effects I've ever seen. At the same time this film remains a holy grail of B-movies. Memorable quotes: "Take a tranquilizer and go to bed." "Put the Yeti in your tank and you have Yeti power." I remember seeing this film on MOVIE MACRABE hosted by Elvira. There is one scene where it was like KING KONG in reverse! In KING KONG he grabs the girl and climbs up the building, but in this film he climbs down the building and grabs the girl (who was falling)! Also around that year was another KONG clone MIGHTY PEKING MAN (1977) which came from Hong Kong. There is a lot of traveling matte scenes and motorized body parts. This film will leave you laughing. It is like I said, just another KING KONG clone. Rated PG for violence, language, thematic elements, and some scary scenes.

Sentiment: negative
Dear Movie Director:

In the future, when trying to create a sense of urgency, it might be best to have your hero *run* instead of jog/shuffle. Especially if you're trying to reinforce a time line. For example, if you're trying to convince the audience that the bad guy really will kill the hostage if the hero doesn't find her, it's probably a good idea to convey the feeling that your hero believes it may actually happen... Let's face it though. Making a *good* movie obviously wasn't your goal. Your goal was to pump out some garbage that will make more money than it cost. Otherwise you might have hired some actors.

Sincerely, Bored Viewer.

This is the worst movie I've seen in a long time. I can't say that it's the worst ever, because I was able to finish it. It was bad, bad, bad though. Dude, where's my refund?

Sentiment: negative
Have you seen all the big adventures of last few decades? If you have don't bother with this one as you've already seen most of the scenes already - and I can guarantee that those scenes were originally in much better movies.

The story (I'm sure that true storytellers will never forgive me) is childish and stupid (stupid in a way that making it play in a mortuary would result in a bunch of angry walking dead). Every character is based in a cliché and... well, they're nothing but the cliché. And yes, again all you need to be a hero is to be American.

At least in Finland they advertised this to be the kind of movie the DVD was made for. Maybe I should sell my player then...

1/10

Sentiment: negative
Ghillie a remake of the Telugu "okkadu' is thankfully a clarified version of the original. It packs the same punch and Dharani true to his cinematic brilliance delivers it with style and panache. A flagging Vijay's career with the entry of the likes of Surya and Vikram on the fray, got the much needed uplift with this movie. This might well prove to be the best movie Vijay has ever been on, considering the choices he has been making since then. The hard-working actor seems to have lost his bearing what with talented new entrants being accepted both by the industry and public alike.

The tightly snug script, which runs at, a neck-break speed revolves around Velu, a willful youngster aspiring to make a mark in the game of Kabaddi( a popular game among boys in India). The events following the chance encounter with Muthupandi, his rescue of the girl in distress and how he juggles with the aspirations of his friends and his own forms the fulcrum and end of the movie. Vijay fits as a 'T' into the role and essays a subdued and believable portrayal of the boy next door.

Trisha has more than a stereotyped Tamil heroine mantle to play. The role is far more complex than just a girl in trouble. With limited dialog's, Trisha exploits her occasional muted expressions and subtle vulnerability to add color to the role. This is a classic case of a cover page girl coming-of-age to become a professional actress. Trisha became my personal favorite after this movie.

The movie ends on predictable lines, although one has to credit the Director for keeping the audience guessing on many things including Trisha's change in decision to leave the country. Prakash Raj deserves a word of praise for providing the perfect counter-weight for Vijay's role. His almost indomitable stature in the role of a villain and the apparent chinks in the hero's armor form a perfect ploy for keeping the audience guessing.

Overall this is a great movie that deserves at least a single viewing. I give it a clear 8 out of 10.

Sentiment: positive
I have not seen the first film and if it anything like this have no great desire to. 

Having just watched it a few hours ago I am struggling to remember a thing about it. 

From what I remember it's main plot seems to be a group of very annoying people stay at a house with that dodgy old woman from Friday the 13th and are stalked by plank of wood man.

Some people die, the film ends, I am starting a law suit against the person who sold me this film as I want compensation for the missing time in my life. 

I will pay u £1 to take this film off my hands......oh wait I already gave it away to a "friend".

Sentiment: negative
Evil Behind You, was created for a specific purpose in mind, to shove the writer/directors personal views on who either gets to walk on water or who gets to dance with the devil. Sadly it would seem that the creators were so focused on making their point that they took it's power away completely by force feeding their point to the viewer.The way its message is presented Almost reminds me of the stories I've heard of the Spanish inquisition! From one real Christian to another, Avoid this like the plague, fear tactics never work when trying to send this kind of message!!

The acting was horrible,the selection of Muslim terrorists was racist and unfair(they're terrorists so they must be Muslims). The premise of this was good, the story provided a great conduit for its message, however it was the execution of these ideas that fell short making it very difficult to even separate the message from the messenger so to speak.

You'd be better off dusting off your old "Ghost" DVD with Mr Swayze to better receive this message. at least that movie didn't try to shove itself down your throat. Or if you like Good Christian movies with a powerful message, try "End of the Spear"

Sentiment: negative
Jerry Lewis was marginally funny when he didn't write his own material and had a good director like Frank Tashlin. When he started writing and directing his own films what little talent he possessed was overshadowed by his egomania. Whenever his films would fail (and deservedly so) in the American market (they made money in France) Lewis always blamed everyone and everything but himself; for example, he blamed the failure of this film on the fact that it was, according to Lewis, released on a double-bill with the porno feature "Deep Throat". If anyone should have complained about that situation, it should have been the producers of "Deep Throat." This is an absolutely idiotic "comedy" about the world's richest man (Lewis) who is rejected for military service during WW2 and decides to outfit a special "squad" to go to Germany and capture Hitler himself. Besides the many faults this film has (the script is mind-numbingly unfunny, Lewis' "direction" is nonexistent, the film has the look of a cheap home movie), Lewis apparently thought that surrounding himself with no-talent, over-the-hill Borscht Belt comics like Jan Murray and Sidney Miller was a good idea; he must have figured that they would be so bad, they would make him look good. He was half-right; they are embarrassingly bad, but he comes out even worse than they do. For a "comedy", Lewis' character is sullen, angry and pushy; the way he heaps abuse on his underlings makes you wonder why they would ever follow a bullying jerk like this on a dangerous mission like trying to capture Hitler. The fact that this movie took in any money at all is astounding. It is by far the worst Jerry Lewis movie I have ever seen--I've heard that "Slapstick" is even more pathetic, but I can't bring myself to see if that's true or not--and is to be avoided at all possible costs.

Sentiment: negative
A high school track star falls dead after winning a race; shortly after, her older sister (Patch Mackenzie) returns home in time to notice that all of her sister's track team members are disappearing. Who could the killer be? You may not care enough to want to find out.

Crude, cheap, amateurish slasher is just about completely worthless, although top-billed Christopher George (as the nasty, hard-driving track coach) tries to give it a lift with an intense performance. Not even the gore is worth mentioning. The whole thing is lame from beginning to end, starting with opening the movie to a track meet montage set to disco music, and the casting of E.J. Peaker, once a co-star of the movie "Hello, Dolly" as a character named "Blondie"! That's right, "Blondie". This may mean that we aren't supposed to take the movie seriously, but in any case it's a shambles.

It's the kind of routine slasher junk that makes the "Friday the 13th" movies look like works of art in comparison.

The only point of interest may be wanting to see an early film appearance by Vanna White, of all people.

2/10

Sentiment: negative