DoubleML/multimodal_confounding huggingface dataset:
I saw Winnie's Heffalump a couple of days ago. A nice story based on well known characters created by A.A.Milne. Although Winnie, Piglet, Tigger and Rabbit are all present in this animated feature, the main character is Roo this time. He befriends with scary Heffalump who proves to be not scary at all and shows everybody that friendship knows no boundaries and everybody wants and deserves to be happy. I love this film and I would love it even more were I 10 or 15 years younger. Alas, I would like to become a kid again to enjoy this Heffalump story much more but all I am left with is a sense of sadness at the loss of a sort of childishness and innocence of which this movie is full I was glad to hear Carly Simon sing, Joel McNeely provided great score.

Sentiment: negative
1st watched 6/21/2001 - 2 out of 10(Dir-Emmanuel Itier): Pretty much worthless supposed thriller that spends more time drawing us into sexual encounters with and without the star 'Amber Smith.' It tries to wrap a story around the sex scenes but as usual with these types of movies it is not done very well. I was so bored with this movie that I actually fast-forwarded thru the ending to get it over with. The video version I watched was called 'Tell Me No Lies.'

Sentiment: negative
Most of the Atomic Age monster movies I saw on television as a kid- and some of them, THE BLOB included, scared the daylights outta me. Movies like INVADERS FROM MARS made it all too clear to us "small fry" that kids just weren't to be trusted when it came to things like things invading the Homeworld; THE BLOB just reiterated that fact. I recall, fondly, late evenings spent stretched on the floor watching as Body Snatchers and Martian Invaders and Blobs seeped into an unsuspecting society. There was a summer, in the early 1980s, when a local science museum (in Richmond, Virginia) ran an Atomic Age classic every weekend. These were 16mm films, and most were black and white (and the projector was noisy), and the "color" print of THE BLOB had faded to a faint pink- but, man, was it fun. I dragged my mother along, and she enjoyed it as much as I did. It was there, at that science museum, that I truly fell in love with THE BLOB. The filmmaker's intent was, of course, to make money- but it was the sincerity of all involved, from the filmmakers to the "talent" (the players), that made me fall in love with this movie. Corny? You bet. Cheesy? They don't get any cheesier. But, man, what a movie!

Sentiment: positive
This film gets off to a bad start. An incredibly corny monologue is followed immediately by a brilliantly-done, truly amazing spaceship crash. Then things go downhill again, as you realize that the survivors are all a) bad actors (apart from the docking pilot and the psychopath) and b) almost all of them fit too nicely into the role of monster-fodder. Hell, half of them don't even speak English, preventing the audience from getting to know the characters at all. You feel as if you were watching "Deep Blue Sea" meets "Silence of the Lambs", minus the good bits. And unfortunately, the entire thing tries to hard to be "Crashed on a desert planet with Hannibal Lecter" during the daylight scenes. Vin Diesel is a great actor - but he is no Anthony Hopkins, and he frankly annoys as the smart hyper-cool psycho. There is at least one very good scene involving an unexpected survivor - but apart from that you could just as well have cut out the first thirty minutes or so...

But then things take a turn. I can't exactly pinpoint the moment, but soon the movie gets a lot better. It also feels less chopped - the scenes actually begin to follow each other with a consistent narrative, and Vin Diesel becomes much less annoying and soon he is a show-stealer. By the time the first monsters appear, the film is actually quite enjoyable. By the time night falls, it is great. Thrilling, horrifying and exciting. And even the character development of most main characters is well-done. If you can just sit through the poor bits at the start you're in for some GREAT entertainment. 

Besides, the visuals are eye-candy, and I honestly admit: I love the colour and the tone of this movie. 

7/10 (could have been 9/10, if only....)

Sentiment: positive
Peaches is truly a marvelous film. I write this to refute a review from someone called 'Auscrit', that has appeared on this site. First of all the idea that either Monahans first film 'The Interview' is somehow TV is an extraordinary statement. Here is a film that has been significantly praised around the world as is simply one of the best Australian Films ever made. It fully deserved to win best picture. Peaches is a brave, bold and courageous departure. For me it works on every level and I have now seen it twice. Monahan is a filmmaker who is demonstrating great skill and incredible sensitivity. For 'Auscrit' to make the comment that it is another TV movie etc and that Hugo Weaving is no good simply does not 'get' the film. Or more particularly does not want to get it. Frankly it is the sort of comment that one expects from either another filmmaker who is jealous or bitter or both. Or someone from inside the industry either distribution, exhibition or bureaucracy. Your average punter, I have found just does not write comments like that. I have noticed other comments on the site and reference to the film Sommersault. One has to wonder what people think they are looking at. Unfortunately in Australia at the time SS was released the push was, if you did not like it then there was something wrong with you not the film. This manipulation of the media is pretty common down under. The reality is the only similarity between the two films are that they are rights of passage films. Unfortunately for me SS is a film about nothing, that could have been told in 15 minutes. I see it as a one dimensional film about anxiety. Peaches in comparison is a master piece. Personally I cannot wait to what Monahan does next as he is clearly way ahead of any of his contemporaries when it comes to cinema. In conclusion if the film does not win all at this years AFI's and IF awards, then it is a rigged game. As for Auscrit, please find something more constructive do with your time

Sentiment: positive
(This review will have some very obvious spoilers, so beware.)

A friend brought this over, and we made it through 45 minutes of the movie before we decided that Fast Forward 8x Speed was the only way that this film should be watched. There were points when we were watching the movie at normal speed where I would leave, prepare part of lunch, and return, to find that literally nothing had happened. 2 lines of meaningless dialogue were exchanged. Nothing happened the background, no important facial gestures were made, nothing but mind-numbing awkward silence.

This is NOT how to make a thoughtful film, especially when the movie's plot follows all the same basic Hollywood movie tropes. If I told you that Disney was making a film about 4 girls starting a band, and the singer was a French exchange student, what you would expect to be the "conflicts" that arise?

The lead singer has to overcome stage fright? Someone has an unspoken crush? The band is late for their performance, and a side-character has to buy them time?

*SPOILER ALERT*

All of those things happen in this movie.

At no point in this film do you have even the slightest fraction of concern that these girls won't be able to accomplish their goal.

*THIS ENDS THE SECTION OF SPOILERS*

I like Japanese films. I've spent a lot of time in Japan. I work for a Japanese company. Heck, I even know all the bands referenced in the record collections and MDs that they're going through, and I've sung along to the title track with friends at karaoke.

This is probably the worst film from Japan I've ever seen. Do not be confused. Though the characters will have points in the movie where they do typical Japanese high school things, this is not a "typical day in the life of" movie. This is "a day in the life of 4 extremely random, heavily-conflicted, awkward Japanese students."

There are noticeable problems with the DVD, as well. Viz decided that a great extra would be a producer reading aloud the Wikipedia entry about the Blue Hearts. What a value! In addition, they care so little about the subtitling that the band's name in the subtitles, "Paran Maum" is different than it is in the chapter selection menu, "Paran Marum". In the final auditorium scene, there is a VERY visible reflection/ghosting effect on everything, but this seems to be the fault of the original film.

2/10, do NOT view if you do not absolutely love awkward silences.

Sentiment: negative
I saw the movie yesterday and was shocked by it, but even more shocked by some of the comments I have read here. One person wrote that it was ambiguous if the victim of the torture was guilty or not--therefore... One person wrote that since he wasn't an American citizen, therefore... Some people comment that the people in the Middle East hate us and want us dead, therefore... So are we saying then that it is right to torture someone who is guilty of a crime? Are we saying it is right to torture someone who is not an American Citizen? Are we saying that it is right to torture someone who may hate us and want us dead? Are we saying that, as is written in the Geneva Convention, the Declaration of Human Rights and the Constitution of the United States that "torture is wrong, but some torture is less wrong than others?" When does it become "right" to torture? THAT is why this movie is powerful-- it is ambiguous, but not about torture. Torture is always wrong, and if we are willing to do it, even in the name of justice and "National Security" or "freedom and democracy" then we are wrong and we are evil; we are doing exactly what we are accusing our enemies of doing (and we are calling them "wrong" in the same breath.) My favorite line in the film was "if you don't want to compromise join Amnesty International." Right on.

Sentiment: positive
There are so many positive reviews on Return to Me that my opinion is not necessary to encourage you to watch this movie. However, I feel the need to express my admiration for this unique movie. Bonnie Hunt has proved that she is not only an exceptional actress but also a marvelous director and script writer. This movie has everything and is full of humanity, tenderness, sense of humor ... Don't miss it, don't wait any longer. And, regarding the poor reviews don't pay any attention. Some viewers forget that this type of movies have to be watched with your heart, not only with your eyes. If some viewers prefer Notting Hill or You've got Mail that's their mistake. For me, Return to Me is a true gem, an unforgettable movie.

Sentiment: positive
Listen, I don't care what anybody says, as Cypher is nothing less than a 5 star movie. Cypher is not, I repeat not, a B movie. Cypher is an absolute masterpiece. Suffice it to say, I am a connoisseur of the world's finest spy films and this film is nothing less than top flight. I cannot overemphasis how phenomenal this movie is. Cypher is one of the best spy movies ever conceived and ever made. The technology in this movie is over the horizon of spacetime. In fact, I must admit that Cypher completely surprised the hell out of me. In fact, I've recommended this movie to my colleagues more than any other movie. Other critics, of whom some downplayed the movie, have no idea as to what the hell they're talking about. Don't listen to the haters. And actually, for the most part, reviews of Cypher have been largely positive. And it should be noted that Cyher is not only a good movie, but it is also a fantastic movie. Cypher is the kind of movie that's so advanced and so magnificently crafted, that it's over the heads of most critics and all the cynics. There is nothing wrong with or cheap about Cypher whatsoever. Again, the cinematography, the backdrops, the technology, the storyline, and the acting are all 100% world-class top notch. Naturally, I won't give anything away. This is not a spoiler. And though it is the contention of some critics that Cypher should have been in movie theaters, I believe quite the opposite. Cypher is a movie that seems to have been just right for DVD release only and not in a bad way. Cypher has got to be the greatest underground spy flick ever to hit the shelves. Blade Runner, 1984, Brave New World, Total Recall, Logan's Run, Jason Bourne and Impostor and Deja Vu... look out! Cypher equally earns the distinction of being placed in the AONN Multimedia Research, 5 Star Eternal Spy Movie Hall of Fame. Cypher is counterespionage at it's absolute best. Hands down and hats off. Nothing is what it seems and truth is stranger than fiction. The future is now.

Sentiment: positive
I somehow managed to make it all the way through this movie, but was dumbfounded by the complete lack of entertainment delivered. My friends and I are fans of HK film, but WOW. This movie has it all, and by all I mean everything a movie shouldn't have. Underdeveloped and stereotyped characters, way over-the-top overacting, cheesy special effects, talking robots, no less than 20 double-foot jumpkicks, impossible situations, unfunny "gags" and "jokes", elementary school premise, mindless killings, and too-long running time for the material. Throw in the fact that Gen-X Cops was a decent film and this movie becomes even harder to bear. Quite simply, if you're entertaining the idea of watching this film...don't.

Sentiment: negative
I hated the way Ms. Perez portrayed Puerto Ricans! We are not all ghetto - and we do speak Spanish- not Puerto Rican! I can not speak for the uneducated persons you have run into. But our language is intact, our island is our pride. Puerto Rico is better off economically than any other Caribbean island! I'm glad we are not like Cuba, Dominican Republic or Haiti, free from American influence? Free in true poverty, not the U.S. standard of poverty. We are not victims we are resilient, humble,honest and intelligent people. Our ancestry does include strong African roots, but not "black" roots- I have nothing in common with Black Americans 9do the research).

The analogy between Pedro Albizu, Che Guevarra and Martin L. King could not be more off the mark.

MLK was a great hero a true revolutionary- an honest man who saw a day when we would all be free.

Che Guevarra helped Castro create the Cuba that is today, is that why boat fulls of Cubans risk their lives to come to America- because Che made such a better place for them? You had a great, awesome, bright idea but you politicized it too much. We have so many things to be proud of as a people - don't bring shame to our people by victimizing us. I am not a Nuyorican and perhaps that is why I can't share your views. I am Puerto Rican, I speak Spanish, I am not a victim and I have been able to accomplish many of my goals in America. If there is a part 2 in the future - less politics more history more stories of triumph- there are many.

Damaris Maldonado

Sentiment: negative
The video quality is awful. The sound quality is pathetic. The acting is horrific. The dialog is painful. The lighting is dismal. The editing is laughable. I could go on, but it would be pointless. Snitch'd is a third rate amateur video being passed off as a feature film. This one is best left to collect dust in the video store bargain bin.

Sentiment: negative
I had the PRIVILEGE of attending the UK premier of Inglorious Basterds this evening! Having seen the trailers i had high hopes but had doubts due to a string of self indulgent films (c'mon lets be honest, self indulgence is his tarantinos middle name)

I was surprised to find though that he had pulled the cat out of the bag with this one. The film is rich with interesting dialogue, Perfect timed comedy with a dash of brutal assassination.

The crowning glory of this film though lies with Christoph Waltz whom no fault or error can be found. He manages to create a real tension in the audience whilst remaining quite "theatrical" (couldn't think of a better word). He definitely deserved his prize at Cannes and is heading for an Oscar no doubt!!!! Hoping to see him in something again soon!

Sentiment: positive
Full House is a great show. I am still today growing up on it. I started watching it when i was 8 and now i am 12 and still watching it. i fell in love with all of the characters, especially Stephanie. she is my favorite. she had such a sense of humor. in case there are people on this sight that hardly watch the show, you should because you will get hooked on it. i became hooked on it after the first show i saw, which just happened to be the first episode, in 2002. it really is a good show. i really think that this show should go down to many generations in families. and it's great too because it is an appropriate show for all ages. and for all parents, it teaches kids lessons on how to go on with their life. nothing terrible happens, like violence or swearing. it is just a really great sit-com. i give it 5 out of 5 stars. what do you think? OH and the best time to watch it is when you are home sick from school or even the old office. It will make you feel a lot better. Trust me i am hardly home sick but i still know that it will make you feel better. and to everybody that thinks the show is stupid, well that's too bad for you because you won't get as far in life even if you are happy with your life. you really should watch it and you will get hooked on it. i am just telling you what happened to me and everybody else that started watching this awesome show. well i need must go to have some lunch. remember you must start watching full house and soon!

Sentiment: positive
I saw this movie on VHS some time ago (27 Jan 2003), just because of the name of Paul Rudd on the cover. I liked his performance in `The Object of My Affection' very much and I really expected a good work. However, I found this film a complete mess. The story has a very confused screenplay and the characters are not well developed. Further, the low-budget special effects do not help much. I do not know the previous generation of Gen-Y Cops, but this next generation is not good. I do not recall exactly why I gave this grade (and I do not intent to see this movie again), but my vote is four.

Title (Brazil) : `Gen-Y Cops A Nova Geração' (`Gen-Y Cops The Next Generation')

Sentiment: negative
The title of this film is taken from a party game called "Seven Minutes in Heaven." The game was popular among my husband's friends when he was in junior high school in Brooklyn, NY, and he describes it as something like "Spin-the-Bottle," "Lifesaver Relay," and other preteen kissing games. According to the rules, a boy's name and a girl's would be drawn, and the chosen ones ordered to get into a dark closet together and to stay there for seven minutes. In the meantime, there would be speculation among party guests as to whether or not the two had the nerve to hold hands, embrace, and/or kiss each other in the privacy of the closet. At the end of seven minutes, the game leader would say, "Time's up" or knock on the closet door, and the couple would emerge from the closet. After being quizzed by the other guests, the couple would have to admit what they had done during their "Seven Minutes in Heaven." Then other couples would be chosen to enter the closet until all the guests had participated. The couple who admitted to doing the most would be the winners of the game.

Such games have served as social "ice-breakers" for children and teens, but they can be embarrassing and intimidating to shy individuals. The film has been given this title because it deals with the teens' first experiences with crushes and romantic love.

Sentiment: positive
Gwyneth Paltrow is absolutely great in this movie, but the story is, unfortunately, half-baked, and David Schwimmer's energy is sort of like cold mush. When he closes his mouth and gets serious for a moment or two there is a rush of what-might-have-been. Who thought 25-year-old kiddies would be entertaining?

Sentiment: negative
First, let's get the "hoopla" out of the way.Hedy Lamarr was regarded as one of the most beautiful of women and the movies were a perfect medium for the many to see her beauty on screen.Here we have Hedy as a young fresh-faced 20 year old speaking in her native Austrian.I recently bought a 1990 uncensored version of this 1932/3 classic.Yes we see a brief close up of Hedy bare from the waist up but although she filmed the swimming & runaway horse scenes naked, the director Gustav Machaty uses the cover of branches, reflections in puddles, medium and long shots to show her thus in this famous scene; so don't go imagining there are any lascivious close ups or clinches.Her boyfriend , Pierre Nay keeps his clothes on at all times.Yes, fairly daring for its day but how innocous it looks now through 2003 eyes.

As other learned reviews have stated this film should be looked at for the imagary, expressionism, and allegorical statements it makes with pictures of drops of water forming a ripple on the surface of a pale of water, farm machinery, landscapes etc.Sweet sounding strings run for most of "Extase's" length and the film has a "feel" of a transition between silent and sound in its direction and concept.The script is highly minimalist and economical the story being mainly imparted through the medium of facial and bodily gestures with just a few words of German spoken by the actors with English subtitles beneath.Even these few words seem almost superflous in the general lyrical vein which runs through the film.

Put very simply this is the story of a young girl who marries a much older man (why we are never told and what did Eva see in him anyway?Money?), who is then trapped in an unconsumated and loveless marriage.She then returns to her father having left her husband and her father has to lie to his son in law.After a ride on her horse Eva decides to take a swim in the buff and loads up her clothes onto her horse's saddle.However her horse gets romantic notions itself and gallops off to greet its stablemate.Hedy rushes out of the lake naked and tries to recover her mount but an engineer at work sees and retrieves the horse then looks around for its owner.And so the romance is born.Her husband seeing that his rival must win Eva, later decides to shoot himself but I thought this was rather illogical and its main weakness bearing in mind his previous loveless relationship with Eva.

Despite being a 1990 reissue title on VHS, the sound being 70 years old, is a bit soft and with background crackles, in line with films of its age.After a period of mourning our handsome boyfriend obviously is so in love with Eva he imagines her as a mother with an infant so we have to assume they live happily ever after.Just let the imagary wash over you and disabuse your mind of the style of films even of late 1930's vintage.This is a lyrical piece that can be enyoyed for its own sake and not just for its eye catching title.I gave it 7/10.

Sentiment: positive
WARNING: I advise anyone who has not seen the film yet to not read this comment.

This movie was on the shelf at a movie store and since I had seen a handful of very corny horror flicks there I had really low expectations for this one. Well, I put it in, and almost immediately I was sucked right in. While watching, I got deeper and deeper into the story and pretty soon I was staring in complete interest. This movie is surprisingly spectacular and I loved every second. The story is about a boat ride down a river in Australia. It seems safe enough until their boat is ambushed by a croc who's ready for some food. When I looked at the back of the case I thought that this movie was going to have crappy visual effects like in Lake Placid 2 and a lot of others, but when I first saw the crocodile it looked amazingly real! Don't laugh when I say this, for I am being serious, but this is one of the most creepiest films I've ever seen. It really knew how to build up nail-biting tension and suspense with it's intense situation, I mean, think about it; Your stuck, in a tree, nowhere to run, nowhere to hide with a hungry predator in the depths of the water below. You can not tell me that doesn't freak you out just a little. It even managed to give me a few chills down my arms, like when Adam was taken by the croc and Grace and Lee are left baffled. This is a very appealing movie. There were maybe 1 or 2 parts where I found myself SLIGHTLY uninterested but other than that, I would say this is my favorite animal attack film that I have seen.

Sentiment: positive
As the one-line summary says, two movies have left such a remark on me when I walked out of the theater. The one was "Stir of Echoes" with Kevin Bacon, and the second was "Vanilla Sky".

Its one of those movies that you sit deep in the theater seat and stop thinking about anyone around you, stop wondering what the end of the movie will be and just leave the movie swift you where it wants... Walking out of the cinema was a bit weird, like that feeling you get when you are sick and cant think of anything. One of those movies that you become one with the guy, and feel that nothing else moves around you than the things in the movie.

One thing is certain. The actors are awesome, the sound track is excellent, and everything in the movie is 9+.

Surely one of the best movies I ever saw, and the movie that made the best and most shocking awaking about my life and my purpose in this world.

Sentiment: positive
Page 3 is one of those films Madhur Bhandarkar makes to expose societal filth. The film is compelling, but, like most of Bhandarkar's films, it is one-sided and overly pessimistic. This film is all about tabloid journalism, gossip, celebrities. The film exposes the lives of socialites, whose lifestyle is disastrously boastful, peculiar and repulsive. They party, they care for nothing but fame, they plan parties at funerals, they are craving for more money and a higher reputation, they will do anything to get due exposure in the media, to get their names boldly printed on the daily newspaper's social column known as "Page 3" with huge photographs which will be the center of people's discussions. They are attention seeking, salacious and hypocrite. The film industry is shown as sleazy, with casting couch being a common phenomenon among filmmakers. That's where our lovely heroine, a young social column reporter Madhvi Sharma, is thrown. All these people from Mumbai's elite depend on her articles and she is the right person to befriend at these parties if you want her to mention you in her article. Later in the film we learn that even those who are Madhvi's friends are no different from these high-society people. This was tough viewing for me, although the film is unquestionably brave and the issues it deals with are interesting.

The film's music is average. The only passable songs are "Kitne Ajeeb" and "Huzoor-E-Ala", sung by the two melody queens Lata Mangeshkar and Asha Bhosle, respectively. Otherwise the soundtrack is bad. One song which was particularly horrendous is "Filmy Very Filmy". The film's writing is quite good. The second half is far better than the first, as it turns more matter-of-fact and exposes much more important issues such as terrorism and child abuse. That's where the film has to be applauded. It was sad to know that people prefer to ignore such crimes out of fear and Konkona Sen Sharma's character's disappointment was very easy to relate to. She was excellent throughout the film and her acting in the last few scenes was particularly impressive. Atul Kulkarni's part was very small but he did full justice to it. Boman Irani is solid as the newspaper's editor. Sandhya Mridul is lovable as Madhvi's sassy roommate Pearl who marries an older man for money and is honest enough to admit it. The film's ending is really well-done, and provides a certain sigh of relief after the unimaginably tough proceedings. Page 3 is a good film, it is interesting and at times moving, but the level of its interest and its general quality are marred by its exaggerated, overly messy and negative portrayal of the rich and famous.

Sentiment: positive
I was out-of-town, visiting an old friend. After dinner, talking, he expressed some reservations about his daughter's boy friend. She's 15, beautiful, smart, athletic, and the young man is also from an excellent family, nice, also athletic (if not as smart). I told him he might just be feeling the normal fatherly concerns; however, a few minutes later the young man arrived, with his DVD of this flick, which he had apparently been anxious for some time to share with the others. 

These folks have a bona fide home theater set-up, with a screen something in excess of 4 feet, and the two young folks preceded to view it, while the young swain proceeded to extol its virtues almost frame-by-frame.

I saw enough in a few moments (and with some fascination in its awfulness) to endorse all of the most critical comments I've seen in scanning some here.

I told my friend I wouldn't go so far as to disqualify the young suitor solely on the basis of his liking this opus -- but it certainly seems to warrant his bearing close watch.

Some flicks are so-bad-they're-good: the classic "Plan 9 from Outer Space;" and, in my opinion, the wonderfully awful Bruce Jenner/Village People work, "Can't Stop the Music."

However, this one remains firmly simply in the awful category.

Second/third/fourth "bananas" -- even the best of these (e.g. Tim Conway, Don Knotts, everybody with Seinfeld) have great difficulty in carrying a later starring series (or, as here, film). And these were great supporting characters in their original situations.

The "Eddie" character, really at about the 5th- or 6th-banana level in the prior Griswald movies, and never added a whole lot to these, in my opinion. Randy Quaid is a capable actor who has delivered some good performances. His contribution to the prior "Vacation" pic's was average, at best. Both he and the other cast members, many of whom have done some good work in the past, accomplished nothing for their efforts here, except to derive a few years' house payments or some IRA contributions.

This whole presentation --- story, performances (from lead to support) couldn't be worse.

Sentiment: negative
The first opening scene that lasted around five minutes showed the potential of becoming an instant classic, with moderit to good acting, good film, a story that keep the volume up, and an in the corner the of screen a spooky "did you see that!"(the scarecrow moves).

After the quick set up of history that would come into the present, it was like someone else had written and directed the rest of the "film". The next scene is a basic outline of how the film goes downhill like a runaway truck. It looks like the rest was shot in video, with crappy "porn style actors", the set design was a lawyers office with practically nothing on the bookshelves or anything in the office at all. 

I remember only watching crap horror films for a chance of seeing some naked "teenage" girls, back then there weren't Victoria's Secret mags everywhere, and not watching for things that make great horror films of today like acting, terror, suspense, intregue, and so on.

It took nearly fifty minutes for the first person to die. When it did, me and and my friends were so shocked by the WORST costume of a "monster" EVER, we through our popcorn at the TV screen booing.

Sentiment: negative
Upon a recommendation from a friend and my admiration of Philip Baker Hall I rented the first season disc of the Loop.It's a typical TV comedy with all the clichés that the genre employs with the "wacky" scheming brother (Sully), "ditzy" blonde (Lizzy), token unrequited love interest (Piper), sarcastic Asian helper (Darcy, which reminded me of Arliss, as if ANYone needed to be reminded of THAT show). The plot deals with various bad luck (usually by Sully) that befalls Sam that puts his job at the airplane in jeopardy, only to have him save the day, with 'hilarious hijinks' ensuing in the middle. I didn't descibe a certain episode. I described them ALL to a T. Therein lies the problem as what seems like it might even be passable entertainment at first just gets uselessly stale when watching episodes in a row and growing bored beyond belief at the endless repetition. Sully will do something 'wacky', Mimi Rogers will say something overtly sexual, Russ will tell about his gay son, Darcy will do her impersonation of Sandra Oh on Arliss blah blah blah blah blah. The only positive is the lack of an annoying laugh track. But don't let that fool you into thinking it's any good. Go watch a far better comedy. Arrested Development, Always Sunny in Phillidelphia, two name two off the top of my head. Surprised that this one is still on the air. OH that's right Fox only cancels the good shows, i forgot. Needless to say I don't trust my friend's taste in shows anymore.

My Grade: D+

Sentiment: negative
Yes, The Southern Star features a pretty forgettable title tune sung by that heavy set crooner Matt Monro. It pretty much establishes the tone for this bloated and rather dull feature, stunningly miscast with George Segal and Ursula Andress as an adventurous couple in search of a large diamond. Add in Harry Andrews (with a strange accent, no less) chasing an ostrich, tons of stock footage of wildlife, and poorly composed and dull photography by Raoul Coutard, and you end up with a thoroughly unexciting romp through the jungles of Senegal.

Sentiment: negative
John Carpenter shows how much he loves the 1951 original by giving it the utmost respect that he possibly could, the only difference here is that Carpenter chooses to stick to the paranoiac core of John W Campbell Jr's short story. The secret to this version's success is the unbearable tension that builds up as the group of men become suspicious of each other, the strain of literally waiting to be taken over takes a fearful hold. Carpenter manages to deliver the shocks as well as the mystery needed to keep the film heading in the right direction. Be it an horrific scene or a "what is in the shadow" sequence, the film to me is a perfect fusion of horror and sci-fi. The dialogue is spot on for a group of men trying to keep it together under duress, and Carpenter's score is a wonderful eerie pulse beat that further racks up the sense of doom and paranoia seaming thru the film. The cast are superb, a solid assembly of actors led by Carpenter fave Kurt Russell, whilst the effects used give the right amount of impact needed. But most of all it's the ending that is the crowning glory, an ending that doesn't pander to the norm and is incredibly fitting for what has gone on before it, lets wait and see what happens indeed, 10/10.

Sentiment: positive
The concept of this movie is unique, however its execution is less than special. When i arrived at the cinema and realised that there were only about 15 people or so in the crowd, i thought i had made a mistake. However the true mistake was realised in shocking detail when the film has ended and i knew that i had wasted two hours of my life.

Without the cruel recordings of the old man, and the stupidly funny friend, this film would have rated 1 out of ten.

This film is special, special because it is probably the worst film ever to be generally released to the public.

There is also the issue of whether you could call it a film or just an advertisement for the probably crummy "Northwestern".

If you are thinking of watching this film for the plot, the humor, the filming, the locations, then don't. On the other hand if you like to experience both ends of the film production spectra then go, just take a book, or a small game or just some novelty item.

Sentiment: negative
I had mixed feelings for "Les Valseuses" (1974) written and directed by Bertrand Blier when I started watching it but I ended up liking it. I would not call it vulgar ("Dumb and Dumber" is vulgar, "The Sweetest Thing" is both vulgar and unforgivably stupid); I would call it shocking and offensive. I can understand why many viewers, especially, the females would not like or even hate it. It is the epitome of misogyny (or so it seems), and the way two antiheroes treat every woman they'd meet seems unspeakable. But the more I think of it the more I realize that it somehow comes off as a delightful little gem. I am fascinated how Blier was able to get away with it. The movie is very entertaining and highly enjoyable: it is well written, the acting by all is first - class, and the music is sweet and melancholic. Actually, when I think of it, two buddies had done something good to the women they came across to: they prepared a woman in the train (the lovely, docile blonde Brigitte Fossey who started her movie career with one of the most impressive debuts in René Clément's "Forbidden Games"(1952) at age 6) for the meeting with her husband whom she had not seen for two months; they found a man who was finally able to get a frigid Marie-Ange (Miou-Miou) exited and satisfied; they enlightened and educated young and very willing Isabelle Huppert (in one of her early screen appearances.) Their encounter with Jeanne Moreau elevates this comedy to the tragic level. In short, I am not sure I'd like to meet Gérard Depardieu's Jean-Claude and Patrick Dewaere's Pierrot in real life and invite them over for dinner but I had a good time watching the movie and two hours almost flew - it was never boring.

Sentiment: positive
The plot:Kurt Harris (Jeff Wincott), a bitter, ex-cop goes undercover in the "Peacemakers" after his friend is killed by their leader. While there, he discovers that the woman wants to run for mayor, and will do anything to achieve this goal, even murder.The cast is good(Jeff Wincott is a good martial artist and good actor)...Brigitte Nielsen plays a sexy antagonist together another bad guy plays Matthias Hues also him good martial artist.The direction is good(the fight scenes also).The rest is OK, with Tony Burton who plays a friend of Kurt killed from Nilsen,and Cyndi Pass plays a bad girl.From producers of another action/martial arts film(Bounty Tracker with Lorenzo Lamas)a good action film.The best film of Martial Law series.

Sentiment: positive
I simply could not finish this movie. I tuned out after what I would say is my nomination for the most wretched attempt at sexual suggestion award: a scene in which Pia Zadora, at a picnic, stands between two boys who want her. One (the good boy) pleads for her to see the error of her ways. The other (the bad boy) simply asks if she'd like a hot dog, which he then holds out for her. At crotch level. I hope I'm not spoiling anything to say she turns, and takes the hot dog, with a smile. Just pathetic.

Sentiment: negative
I read most of the comments here were everybody saw only the flaws of the movie. I agree, the director it's not Kuprik, the actors are not Oscar winners, but it has something everyone could relate to. I don't want to spoil but telling more then the plot - the finishing of school and the trip to a big party, or if you like to see beyond the metaphor, is choosing the way trough life. Remember that days of youth? the days when you or our friend acted like the characters? Or do you think you should acted like one of them and now you regret you didn't? if you can go back in to that time and if you can ask yourself any of this questions maybe the movie wasn't so bad.

Sentiment: positive
Unlike http://www.imdb.com/title/tt0098238/ this movie provides no background information. We are shown a snapshot of the fall of Danton, his mock process and execution but, unless one studied the revolution quite extensively, it is difficult to understand where characters come from ( Fouquier-Tinville, Philippeau, Desmoulins, Robespierre... ) and thus to appreciate them for what they are: Danton and Joe Blobb could be the same person to the viewer. For example Robespierre & Desmoulins were close friends since their youth, and this explains how Robespierre acts. Those who know the facts, though, will easily orient themselves and appreciate this good movie with actors delivering solid acting, no useless subplots and good reconstruction of the times. Desmoulins and Danton are the best characters, but all do a good job, even the 'demented' Saint-Just portrayed as sort of psychopath. 'Terreur' was a period of massacres whose importance hasn't been fully documented and that -for the most part- were driven by ambition, greed and the settling of personal disputes, fed to ignorant sans-culottes as the next epochal step against tyranny.

Sentiment: positive
Feeling Minnesota, directed by Steven Baigelmann, and starring Keanu Reeves, Cameron Diaz and Vincent D'Onofrio: The strained relationship between two brothers, Sam (D'Onofrio) and Jjaks (Reeves), is pushed to breaking point when Jjaks arrives at Sam's wedding and makes off with the bride, Freddie (Diaz), a former stripper, marrying Sam to repay a gambling debt owed to night-club owner Red (Lindo). Baigelman's writing and directing debut is a frustrating mess, full of hateful characters and lacking coherence. Putting Keanu and Diaz in the same movie should at least provide some eye candy, but Baigelman even cops out on that score, grudging his actors up with little positive effect. Very poor.

Sentiment: negative
This is yet another pseudo-intellectual "let's make the Nazis look real bad" movie. The Nazis were pretty bad, no doubt - most of already know that. However, that does not necessarily make every movie on the theme good. A Discovery Channel presentation of "The Wannsee Conference" would have been much more interesting. 

"Conspiracy" falls on its ass between two categories: documentary and drama. It doesn't cut it as a documentary, the movie is too "staged" and the presentation too "common". It doesn't cut it as a drama, the characters are too shallow and conflicts too easily "solved".

Another thing is the tagline: "One Of The Greatest Crimes Against Humanity Was Perpetrated In Just Over An Hour." As the movie shows the Wannsee Conference the meeting had nothing to do with reaching a consensus on the final solution. The decision on the solution had already been taken by the SS. The sole purpose of the meeting was to make all significant stakeholders commit themselves to an already established plan. There were no decisions or plans made at the Wannsee Conference. There was only threats and coercion (some needed less than others).

Finally: One thing the movie does show (although in no exceptional manner) is, man has a tendency to turn to culture and aesthetics in an attempt to hide for himself the fact that he is committing appalling atrocities. This is seen in most powermongering "leaders" and politicians.

Sentiment: negative
What this movie fails from answering is how wrong this war is (and most US wars recently made only to get some oil).

How many innocent civilian casualties there has been, how many lives perished and how blatantly stupid the perpetrators are.

So, let me ask you - if American soldier kills women and children apart from enemy, its OK, but if government accidentally kills their own forces by deadly chemicals while killing many civilians as well, it is not? Your logic fails, gentleman.

I'll give it 5 for the solid performance and 1 to everything else, 3 in total.

Sentiment: negative
A prison cell.Four prisoners-Carrere,a young company director accused of fraud,35 year old transsexual in the process of his transformation, Daisy,a 20 year-old mentally challenged idiot savant and Lassalle,a 60 year-old intellectual who murdered his wife.Behind a stone slab in the cell,mysteriously pulled loose,they discovered a book:the diary of a former prisoner,Danvers,who occupied the cell at the beginning of the century.The diary contains magic formulas that supposedly enable prisoners to escape."Malefique" is one of the creepiest and most intelligent horror films I have seen this year.The film has a grimy,shadowy feel influenced by the works of H.P. Lovecraft,which makes for a very creepy and unsettling atmosphere.There is a fair amount of gore involved with some imaginative and brutal death scenes and the characters of four prisoners are surprisingly well-developed.It's a shame that Eric Valette made truly horrible remake of "One Missed Call" after his stunning debut.9 out of 10.

Sentiment: positive
I usually don't comment anything (i read the others opinions)... but this, this one I _have_ to comment... I was convinced do watch this movie by worlds like action, F-117 and other hi-tech stuff, but by only few first minutes and I changed my mind... Lousy acting, lousy script and a big science fiction.

It's one of the worst movies I have ever seen...

Simply... don't bother...

And one more thing, before any movie I usually check user comments and rating on this site... 3.7 points and I give this movie a try, now I'm wondering WHO rate this movie by giving it more than 2 points ??????????

Sentiment: negative
The reason I think this movie is fabulous is that it has so many layers of emotion. From the script and the fabulous acting you can tell that there is a history behind all of the feelings that there are. You understand why the characters take certain actions and why the do not make others. You can feel sympathy and joy and love and sorrow for them all at once. You see humanity at its best AND at it's worst. You can relate to the characters because although you may have never been in their exact situations before you see qualities and downfalls in them that you see in yourself. To a certain extent this movie kind of keeps you wondering but then at the end it explains itself and you feel a certain peace and understanding not only in you but for the characters. I will say that I have have never EVER cried so much in my life nor have gotten so much out of something. I implore you to watch this movie and take it's meaning to heart. That there is only one true thing and that is... love.

Sentiment: positive
If you like silly comedies like Airplane you'll love this movie! It's definitely in the style of Airplane and Scary Movie. A fun film! It has the strangest cast of characters all in the same movie. Michael Jackson, Evan Marriott, Joyce Giraurd, Stuart Pankin, Charlie Schlater and Eric Roberts. The special effects are hokey, but I think they're supposed to be since it's a silly comedy. There is apparently two versions of the film, one at Blockbuster and one on the official website: MissCastaway.com. The one on the website appears to be a preview release version signed by the director. There's some fun behind the scenes material filmed at Neverland with Michael Jackson as well. The movie was filmed in 2003 and says it's PG rated fun on the box.

Sentiment: positive
A clever overall story/location for a story. Action is respectable. The children are annoying and their motivation is unclear. The leading villain was a nice change but could have been better. "I Love You" was more overplayed than "you complete me" but at least Van Damme got a chance to show a little tenderness. One of Van Damme's better movies.

Sentiment: negative
Sweet, rich valley girl develops crush on a punk from the alley and when her snobby friends disapprove of him, she's forced to choose between her heart and her popularity. Very funny romantic comedy blends in elements of black comedy and '80's cheese that make this all the more fun to watch. The movie not only follows the life of the valley girl and her punk; but her friends too as they shop, party, hang out, and go to the mall. If the dialogue doesn't have you laughing non-stop for a week, the music will. Songs like "Johnny, Are You Queer?" are found throughout. Also, Elizabeth Daily is a funny, existential character and the Prom King & Queen speech at the end is hilarious!

Sentiment: positive
The film tells you to be aware and conscientious. It also destroys any and all things, the Bible claims to be true. To people like me the first episode was interesting and the second was disastrous. It has been called "blasphemy", and it is, if you are a believer. It is sad to hear, that many people think of it as a good sequel to the Bible. However, the film shows you a lot of things and subjects, that can be interpreted as a filmic version of the "Revelation". Some of us think, that such things are not to be abused. One good thing about the film is, that it strongly encourages ethical awareness and makes you consider your actions twice. The director just seems to forget, that some people act that way already solely based on the fact, that they believe and love as prescribed in the Bible... Why attempt to change that, unless you be the Devil yourself?

Sentiment: negative