DoubleML/multimodal_confounding huggingface dataset:
"R Xmas" peers into the lives of a middle class married-with-kid family of narco-distributors during the Christmas holiday season. There's no story here - just a disjointed collection of events. Ferrara seems to get off on the juxtaposition of the holidays and home life with narcotics peddling in NYC, jumping back and forth between each. The players appear to be improv'ing and adlibing now and then making for an unconvincing watch. Overall a poor effort not worth the time. (D)

Sentiment: negative
If you're a fan of Jackass, Viva La Bam or the CKY videos, then you already know what you're in for. But this is one of those rare happenings when a sequel is better than the original! And man does this movie pack a mean low blow. But i mean that in a good way. It's the same type of death-defying, gut-wrenching insanity that we have all come to know and love and expect from Bam, Knoxville and Co. But this time with even more laughs than ever before! With Johnny Knoxville's insane tolerance for pain, Bam Margera's love for harassing his friends/family and Steve-O's gross-out factor, you have one hell of a funny film. The bar for the stunts, skits and general mayhem of the Jackass crew has been raised. Jackass 3? Doubtful, because it's nearly impossible to improve on perfection.

Sentiment: positive
I was looking forward to seeing this movie after reading a positive review in the New York Times. In addition, I'm also Shanghainese so there was more than just a passing interest in the subject matter. However, after watching it, I was extremely disappointed.

The movie's pace was excruciatingly slow and monotonous. The director lingered on certain scenes for much too long. There was no passion or chemistry between the lovers. There was barely any dialogue. Dialogue was sorely needed to compensate for the lack of acting. At the end of the movie, you didn't feel any compassion for the characters. This movie was lacking in everything. The script was weak, the acting was poor, and the editing was non-existent. The director tried to emulate certain noir film styles but failed miserably. A good movie is one in which captures your attention, maintains it and is successful in concluding without you feeling time has passed by. This movie felt as though it would never end. Don't waste your money on this movie.

Sentiment: negative
OK, this movie wasn't good at all. Video games aren't what I would brag on if I was over the age of 15. Cool to play games, but writing a comment about video game players may like this movie for that it is, that is strange. Just play a video game, don't make up a sorry story about getting trapped in one. I use my cell phone, I hope I don't loose my girlfriend in that. Grease being the worst ever? OK, Grease has a very well thought out story along with being a musical. Even if you don't like musicals, anyone would say Grease is good. My brother plays video games all the time and he watched 30 minutes and left because it was so awful. I feel asleep.

Sentiment: negative
Great fun for an evening on the sofa. Don't expect Academy Award stuff with this but it will leave you with a smile. The performance by Bruce Spence is truly good. The soundtrack shows off some great old Australian talent. Check out this and other true Aussie films.

Sentiment: positive
"An album of songs so old everyone thinks they're new." This film has the elusive combination of pace and mood that set some films apart from the opening moments. And why not? Towering talent from Dame Judith Dench as a widow who plays saxaphone with a street musician to help him get the songs right, to Olympia Dukakis as the merry widow living in a Scottish castle on the alimony of her many marriages, to Ian Holm as the drummer who loved all the members of a World War II all girl (more or less) swing band. But wait, there's more. Add in Leslie Caron on bass, and the incomparable Clio Laine on lead vocal, at last, and the Blonde Bombshells are the hottest band in England since the Beatles. Well, OK, not really, but this movie is a winner.

Elizabeth (Dench) spends the whole film trying to reunite the Blonde Bombshells to play at her granddaughter's school dance. And before you roll your eyes, imagine how difficult and courageous it would be for a bunch of sexegenarian women to step onstage in front of the Britney Spears generation following an act called "Open Wound."

In an age when actresses careers are over by the time they're 30, most bands' second album is a greatest hits compilation, and music more than a month old has almost no chance of airplay, it's great to see real talent, real music and a really good movie come from, where else, the BBC.

I love this movie, and I know I'll watch it many more times, and enjoy it more each time.

Sentiment: positive
We should all congratulate Uwe Boll. He's done the unthinkable. He may be the only director to have two movies in the bottom 100 on IMDb! He's like some kind of cinematic cockroach. No matter how little talent he has, and no matter how bad these movies are, he manages to keep making them. I know, he finances them all himself through some kind of bizarre German fund, but even so, his ability to keep making movies despite absolute, complete failure is one of the great mysteries of the universe.

It wouldn't be so bad except that video game developers keep giving their best properties to this guy. I really enjoyed the Alone in the Dark series of games. Even the latest one, the New Nightmare, was good for a few hours of game play. There was a good movie to be made out of Edward Carnby's adventures, but this is not it. Now Uwe Boll has gotten his hands on Bloodrayne and Hunter: the Reckoning. What's next, Silent Hill? Doom? I can only imagine the swath that this guy is going to cut through game-to-movie adaptations if he's not stopped. Someone needs to take away his line of credit, or these video game publishers need to wise up and realize that when they make a bad movie out of a game that kills the franchise, no one is interested in that title any more.

Think about it, is House of the Dead or Alone in the Dark a viable game title anymore? No way. A new House of the Dead game comes out for X-Box and nobody's gonna care. The title is dead, and all because of Uwe Boll. So if any of you out there work for a game publisher, or know a game publisher, or have access to a game publisher... please warn them. 

This movie itself is not even worth reviewing. I can't separate what I didn't like about this pile of dung from the rest of it. Literally, everything about it sucks. The writing, the acting, the music, the CG effects, the editing. I thought that if I waited until it came out on DVD and then rented it with low expectations, I wouldn't be disappointed. Boy, was I wrong. Never underestimate Uwe's ability to turn out a big, steaming pile of BOLL sh*t.

Sentiment: negative
This is the first recorded effort to put sound with a movie, and a the oldest that, obviously, is still in existence. This historic piece of film is the opening segment in the "More Treasures Of The Natural Archives" DVD.

It's only a 15-second clip of a man playing a violin in front of a huge recording cylinder. Next to him are two men dancing. Near the end, another man walks on the stage. William Dickson, the director of this experiment, is the violin player. This "movie" had several titles over the years but the sound experiment was not really a success. It took over 30 years from this point to the synchronize sight and sound to the point where something could be issued to the public for entertainment. However, this was a start, no matter how primitive it came off. 

For more of the technical information and history of this film process, see the other review here by "Boba Fett1138."

Sentiment: negative
The gates of Hell opened up and spit out this film, then closed again.

Watching this movie makes me appreciate other movies I have seen, like all other movies. Nothing makes sense in this movie.

It would really take too long to mention all the plot problems. In fact, except as a warning, it really isn't worth wasting some of the nearly infinite space available on the internet writing about this film.

From now on, I will check IMDb before watching any film.

Hot darn, IMDb is forcing me to write more about this film. I guess I should warn you about Edison Force while I am at it. But if you had to chose between the two, pick Edison Force.

Sentiment: negative
I didn't know much about this movie going in- my roommate kind of dragged me into it. I was so pleasantly surprised! The plot really grabbed my attention and held it, and the characters are well-drawn and realistic. The screenplay is very clever and funny, and the cast does great things with it. And the best part is that it managed to be entertaining without any explicit sex or violence! If this movie comes anywhere into your area you really should go see it- stand up for this little film, it is worth it!

Sentiment: positive
Let me say first that this show was top tier when John Ritter was there. Upon his death, the show did drop off a bit, but the producers didn't give up on the show, adding James Garner and David Spade to the regular cast from 2003 to 2005.

The show centers around the Hennessy family, Paul (John Ritter, may he rest in peace), his wife Cate (Katey Sagal), their daughters Bridget (Kaley Cuoco), Kerry (Amy Davidson), and their son, Rory (Martin Spanjers). When Ritter was on the show, I would shriek in laughter (and proud to admit it, I am), but now that he's gone, I'll only laugh a little with the occasional hearty laugh. I'm very glad that I fell for this show's trance after Ritter's untimely death, because it made the eps with Ritter so much better.

Ritter's character is just so well acted and well rounded, that you can't help but love him. He is always bossing the girls around about dating, but he really wants them to be happy. It's the ultimate daddy hates boyfriend entertainment.

Katey Sagal is great as well, and she too is a likable character. After Ritter's death, her character provides such good influence and strength for not only her kids, but I believe Sagal has shaped the lives of Cuoco, Davidson, and Spanjers, because she and Ritter had been friends for a long time.

The funniest person on the show would have to be Bridget Hennessy, played by Kaley Cuoco. She is the ultimate blonde: gorgeous, slow, dim-witted, yet she is a smart person. She is off the wall hilarious with her innocent 'blonde' humor and how conceited she is.

Amy Davidson can get a tad annoying as Kerry, but that's the purpose of her character. The only fault of the show is that the show never really gives Kerry anything to be happy about. She's always after Bridget, and her character feels like it's just thrown in there.

Martin Spanjers as the lone Hennessy son is hysterical, and when Ritter is on the show, he's mostly comic material. Upon the death of Ritter, the show does provide some story lines for Rory.

David Spade and James Garner are all nothing but laughs, with the occasional side story for C.J., Spade's character. Garner plays Cate's father, as a bit of background information.

All in all, I give this show a great review because it is a great show that had a tragic event happen that crippled it. You'll enjoy it.

9/10 --spy

Sentiment: positive
This movie has a lot to recommend it. The paintings, the music, and David Hewlett's naked butt are all gorgeous! The plot, a story of redemption, forgiveness, and courage in the face of adversity is also very interesting and touching -- and it's not predictable, which is saying quite a lot about a movie in this day and age. But, the acting is mediocre, the direction is confusing, and the script is just odd. It often felt like it was trying to be a parody, but I never figured out what it was trying to be parody *of*. And if it's not a parody, well, it remains a movie with great potential that it didn't live up to.

Sentiment: positive
What a cast of actors and actresses in this Columbo episode, beside Peter Falk, you have Julie Newmar, Jeannette Nolan, Martin Landau as twins. Anyway, the old uncle dies mysteriously and it looks like a heart attack on the bicycle discovered by his fiancé, Julie Newmar, who plays the role so deliciously. Jeannette Nolan plays the other woman of the house, the housekeeper who prides herself on her talents and chides Columbo's sloppy and often typical behavior with his cigar. Martin Landau plays identical twins in this one. Each who accuse the other of murdering their uncle for money. Well, you'll just have to watch and see the outcome but I can assure you that it's always worth watching this one for the cast and the crew.

Sentiment: positive
A Brazilian cable television is presenting "Yadon Ilaheyya" this month in its "Cult" channel. I saw the trailer and listened to the advertisement, and decided to see this movie. Indeed it is an absurd boring pretentious dumb pointless disconnected crap about the conflict in the Middle East, and together with "Soultangler", they certainly are the worst movies I have tried to see. I really wasted forty-three minutes of my life watching the first half of this crap, highly indicated for torturing enemies. How can this movie be awarded and nominated to prizes inclusive in Cannes? My vote is one (awful).

Title (Brazil): "Intervenção Divina" ("Divine Intervention")

Sentiment: negative
This movie is silly and very short of being a funny movie. Unhappy 'easterners' are not pleased with being out west; so they hire a drunk wagon master(John Candy)to lead them back east. Sight gags were just not funny enough to carry this one. And Richard Lewis gets on your nerves very quickly; but then I honestly don't like him at anything he does. Ed Lauter is hilarious as the bumbling villain.

The movie was dedicated to Candy. He died from a massive heart attack ten days before the movie was completed. A stand in and digital enhancement enabled Candy's character to be seen in the final scenes. Candy was a very good comedian and gave us some real good knee slapping, belly laughs in his career. This movie was just not the caliber of his best.

Also in the film, you will recognize: William Sanderson, Gailard Sartain, Ethan Phillips, Ellen Greene and Rodney A. Grant.

Sentiment: negative
Yes, definitely better than my viewing of Death Tunnel. Actually some of the deaths were pretty original and the gore was decent. It was kind of like Wrong Turn meets the Hills Have Eyes.

BUT: 1.) When the "kids" (high school or college?) are discussing horror movies in the kitchen, everything Shae says is almost an exact quote from Scream (1996). The thing about the big-breasted girls etc.

2.) Was Steve NOT a bootleg Randy from Scream? 3.) Besides the fact that it took place in October, what the hell did the movie have to do with Samhain? Pretty unnecessary if you ask me. I find it humorous when I see those horror movies from the 80's that explain away loose ends by pointing the fingers at the druids or a pentagram.

4.) Wow they made a Sam Raimi reference!!! 5.) Why was Gary and his sister in the movie? They're characters had nothing to do with anything. And hes so psychic that he couldn't even see his OWN death? 6.) When Gary was being killed in the bathroom (at that point, the deaths became simply Troma-licious) how could she hear the screams when she was downstairs but not hear them when she was standing outside the door? 7.) Gary's sister commented on Haggis- thats primarily a Scottish dish, not Irish.

8.) So the lesson is if you ARE like Shae and don't have any fun or crack a smile through the whole film, you'll be the one to live? 9.) The mutants were pretty cool, but they looked like walking dishes of Chili con carne.

10.) When they brought in Gary's sister, did they forget that Steve HAD been strapped there and wonder where he went? 11.) Was there not more than one killer? Shae beat that one, but never encountered any more of them.

12.) What was with the flashbacks to those other people? Half of them Shae didn't know if they were dead or alive, so what was with that? 13.) Why didn't they kill Gary and his sister before? 14.) Why did no one ever call the police? And apparently everybody KNEW those people lived in the woods, why did they never organize some kind of raid? 15.)As far as I know, they were not zombies OR vampires- so how could she "turn into" one at the end? I'm with everyone else on the giant "huh?" at the end.

Way better than death tunnel, but still quite sloppy. I still don't understand why they even placed it IN Ireland, considering Samhain had close to nothing to do with the plot.

Sentiment: negative
Three of the things you can say about Spalding Gray are: he certainly marched to the beat of his own "drummer;" he was never at a loss for words; and he obviously felt that those watching and listening to him would be interested in every aspect of his life, experiences and thoughts - no matter how trivial at times.

Most of us are not quite as far "off the wall" as he was. Most of us aren't as interested in sharing the most minute parts of ourselves with others - even one-on-one or in small groups, let alone on stage.

But that doesn't make it any less-interesting to watch and listen to this erudite, unusual man. And after seeing one of his performances, on reflection, we can find many of his articulate musings were perhaps more relevant to our own lives and thoughts than we may have first thought.

Granted, he was a "New York/avant-garde" type of personality, and undeniably a bit "strange." (There are those who would maintain describing someone as "New York" and strange" was being unnecessarily redundant.)

I give him a "10" for the talent he presents in this genre which is his specialty.

Sentiment: positive
Ever heard of a taiwanese horror movie? Or any taiwanese movie? Propably for a reason. This one was a really boring one, even though it has black magic including withered baby bodies and people exploding from the inside with thousands of eels.

Having read other peoples thoughts, I was looking forward for some violence and gore, but there's not much at all. Some blood puking and other lame stuff, if you are waiting for graphic gore or any gruesome effects you will be disappointed. They clearly didn't use the eel exploding and other things to their maximum potent.

Pretty much nothing good about this movie; a single character that wasn't completely bland and a few OK black magic spells, like the eel one. The plot was confusing and boring. The characters were thin and annoying, including the main character. The horror aspect didn't work at all, the most horrifying thing was an albino girl (not that scary really). This is the worst Asian horror movie I have ever seen.

Sentiment: negative
It kept my attention to the end, however, without spoiling the film for anyone....... when she fixed the fridge by getting a book from the library, you knew how the film would end when she went back to library for a book on self defence against and assassin. The film, for me, said nothing of worth.... is becoming an assassin really a remedy for mental illness or just another symptom.

Sentiment: negative
People who say that some of what the Looney Tunes cartoons show is inappropriate for children have apparently forgotten something: they weren't originally intended for children. They were produced for the cinema, to be shown before feature films, and so they could show anything that they wanted. "Tweety's S.O.S." has that bad puddy tat Sylvester finding Tweety aboard an ocean liner and boarding the ship to try and get him. But two things work against Sylvester: Granny is vehemently protecting the canary, and Sylvester easily gets seasick (we don't see him throwing up, but with his green face, they make it perfectly clear that he was doing just that!). And then of course, the seemingly cute Tweety has a bad-ass streak.

It's just great to see how these cartoons weren't afraid to go all out; whatever they thought about showing, they showed. We need to understand that cartoons weren't always supposed to be cute entertainment for children. Really funny.

Sentiment: positive
This Is one of those classic American made for TV movies that are just made for watching on a rainy afternoon. Although the script is highly implausible it never takes itself too seriously and neither do the cast which leads to a great tongue in cheek murder mystery / horror film best enjoyed with a bid bag of popcorn or box of chocolates. A big bonus of this film is the fantastic location filming and despite the strange goings on and even stranger residents round Lake Tommahawk I for one would not mind living there!

All in all a great film to watch over and over again.

Sentiment: positive
An ear-splitting movie, a quasi-old-fashioned screwball romp designed to showcase singing star Madonna's comedic attributes. She does indeed go far out on the proverbial limb here playing a beyond-vivacious parolee attempting to prove she was framed for murder (a body was found in the trunk of her car after she ran a red light...big laughs). After an energetic animated credits sequence--which is much more fun than the rest of the picture--we have nothing to look at but Madonna's black mascara and red lips set off by her platinum hair and pale complexion. What else is there? Griffin Dunne seems defeated playing Maddy's keeper, while the poor-choice supporting cast struggles to get laughs with lousy dialogue. It's an unfortunate set-back to the talents of director James Foley, who unwisely allows his star to run rampant in the spirit of the nutty slapstick films from the 1930s (but even Katharine Hepburn in "Bringing Up Baby" had a human side). Wretched. * from ****

Sentiment: negative
"Coconut Fred's Fruit Salad Island!" is a hilarious show that is on Saturday mornings on WB. It stars Coconut Fred and all of his friends on the island, and every episode is a very funny misadventure of theirs. Most of the time, it is because of Coconut Fred's trouble making antics which makes it funny, and other stuff going on on the island at the same time. The humor is great and nobody on the island is very bright at all, which adds it being as amusing as it is. I don't think this could be funnier. The voice talents of the characters are magnificently superior and are exaggerated, which adds to the show's hilarity. If this is ever on DVD, I'm getting it A.S.A.P!

Strongly recommended for a good laugh.

Sentiment: positive
Yet another forgettable Warners foreign intrigue "thriller," this is rendered even less enjoyable by the irritating presence of Lauren Bacall, who, without Humphrey Bogart's tender attentions to humanize her, comes off as her usual shrill, shallow self. Even master gigolo Charles Boyer cannot feign romantic interest in her.

Sentiment: negative
Thankfully as a student I have been able to watch "Diagnosis Murder" for a number of years now. It is basically about a doctor who solves murders with the help of his LAPD son, a young doctor and a pathologist. DM provided 8 seasons of exceptional entertainment. What made it different from the many other cop shows and worth watching many times over was its cast and quality of writing. The main cast gave good performances and Dick Van Dyke's entertainer roots shone through with the use of magic, dance and humor. The best aspects of DM was the fast pace, witty scripts and of course the toe tapping score. Sadly it has been unfairly compared to "Murder, She Wrote". DM is far superior boasting more difficult mysteries to solve and more variety. Now it is gone TV is a worse place. Gone are the days of feelgood, family friendly cop shows. Now there is just depressing 'gritty' ones.

Sentiment: positive
Poorly-made "blaxploitation" crime-drama aimed squarely at the black urban market of the early 1970s. Pam Grier stars in the title role, that of a nurse who becomes a one-woman vigilante after drug-dealing thugs make Coffy's little sister a junkie. Violent nonsense plods along doggedly, with canned energy and excitement; only Grier's flaring temper gives the narrative a jolt (she's not much of an actress here, but she connects with the audience in a primal way). Not much different from what Charles Bronson was doing at this time, the film was marketed and advertised as crass exploitation yet still managed to find a sizable inner-city audience. Today however, it's merely a footnote in '70s film history, and lacks the wide-range appeal of other movies in this genre. *1/2 from ****

Sentiment: negative
Really, really bad slasher movie. A psychotic person escapes from an asylum. Three years later he kills a sociology professor, end of scene. One semester yesterday later (hey, that's what the title card said) a new sociology professor is at the school. She makes friends with another female sociology professor who works there, and starts dating another professor. The students are all bored, as are we.

There are a number of title cards indicating how much time has passed. Scenes are pretty short, and cut to different characters somewhere else, making for little progression of any kind. A lot of scenes involve characters walking and talking, or sitting and talking, and serve little purpose. Despite the passage of time, many of the characters are always wearing the same clothing. Sometimes the unclear passage of time means when we see a body for the second time, we ask ourselves: how long has that body been there? And also, at least one of the dead people don't seem to have been missed by others.

The killer manages to kill one person by stabbing her in the breast, another by stabbing him in the crotch, and another by slicing her forehead. Is his knife poisoned or something?

The video box cover has a cheerleader: there aren't any in the movie. The rear cover has a photo of someone in a graduation cap and gown menacing a group of women in a dorm room. The central redhead in the photo is in the movie, but nobody ever wears such an outfit, and there is no such scene. The killer is strictly one-on-one.

Sentiment: negative
The Hindi version of the film is 121 minutes. Set in Bengal in the early 1900's, the film (based on Tagore's novel) draws an analogy between the British colonization of India and the subjugation of women. An educated and beautiful woman, Binodini becomes a widow within a year of her marriage, but she does not accept the constraints imposed on her as a widow by her society. The film has a beautiful look to it but perhaps Aishwarya Rai is out of her depth in portraying Binodini's strong character with its subtle combination of idealism and deviousness. Binodini's idealism does not come across, and as a result, the analogy between women and colonization remains somewhat buried.

Sentiment: positive
After seeing the trailer it was an easy decision not to see this film. I mean, I don't care for stupid "stoner comedies." I'm sure it was also an easy choice for a lot of people to get together, smoke a bowl and go check out this flick with the guy from The Simpsons and some guy named "Billy Bob." Should have been a good time, but the film's just not that funny--too bad somebody had to go and bum their high.

Unfortunately, I found out that the trailer was misleading after it had already left the theaters, so I had to wait for the video. I really enjoyed it. Nice locations, quality production and excellent performances from the entire cast. Looking back at it, the plot twists weren't totally unexpected, but I didn't find it cumbersome because the premise was so engaging.

So why was this absorbing drama marketed as a comedy? Did something happen to the producer, leaving the associate producers to do the marketing by themselves?

Sentiment: positive
Matthau and Lemmon are at their very best in this one - everyone else in the movie are also great. The Dialogue is excellent and very, very witty - and the scene where Lemmon's character attempts to clear out his sinuses in a restaurant have me rolling on the floor with laughter every time I see it. Anyone who happened to see the not so great sequel should not be turned away from the original. I recommend this wonderful movie to everyone - I just love it. And the fact the Jack Lemmon plays his character so straight forward with tragic overtones only adds to the hilariousness in my opinion. These two great guys made a string of movies together, but this one is the best - no doubt.

Sentiment: positive
Much worse than the original. It was actually *painful* to sit through, and it barely held my six year old's interest.

Introduction of some new Pokemon is marginally interesting, but storyline is extra-thin, dialogue is still bad, and music is mediocre. Watch the television show instead - it's much better.

Sentiment: negative
We all know that the world is full of dodgy, rip-off horror films. Some of these can be fun to watch, due to their stupidity, awful effects and iffy dialogue. But Raptor, which could have been in the same league as the equally pointless Carnosaur series, does not even ATTEMPT to have any enjoyment in it. Its so poorly done, it is really unbearable, even if your just watching it with the intentions of having a no-brain day at home. Where do we start? Well... the sets are pretty drab. My old drama group created more realistic stages. The genetics labs look like they are from a university, and it looks equally unbelievable on the outside (Even for cover-up, why would you place yourself near civilisation where people can easily hear the dinosaur roars), whilst the doctors ward just doesn't look believable at all. Next up in the complaints list is the creature effects; well, what can I say? Absolutely pitiful. Also, I think it's worth mentioning, the woman's tits should be mentioned as an effect. Both of the main female characters have so obviously had boob-jobs, and it brings the characters down, being one female is a respected member of police, whilst the other is the sweet, "innocent" daughter of the towns sheriff. The acting, though, is by far the worst tragedy. Eric Roberts can be excused for at least trying a bit to give his role something. Thats where it ends. Corbin Benson should have killed his costume designer for making his lacklustre performance look even more pathetic, whilst the female lead looks SO bored (Though, with this film you could let her off). The other character I'll point out is the daughter, who lets her tits do all the acting in the "raunchy" sex scene (Ten minutes of endless re-run shots of her bouncing on top of some bloke).

All in all, and summed up as one. don't bother, just don't.

Sentiment: negative
First thing first . In this genre movie the first thing you need is a good music , and thats where Mr. shankar and his party fails.

music is completely pale and uneffective. On other hand there is AJAY DEVGAN , WHO HAS REMOVED A LETTER 'A' from his spelling , done good job but was of no use to a bad casted movies like this.

ASIN is like a doll which is used to amuse public, even though she is good to look at but her role in movie is to dance, actually she is dancing member of a rock band and i don't think any rock band have there dancer as a member of band.

in nut shell this movie is a piece of crap a piece of ***t. watch it if you wanna get fooled.

Sentiment: negative
Adventures in Dinosaur City, though a creative idea, was a nauseatingly atrocious attempt at filmmaking. Being sucked into a TV and into a new world is interesting. Three teens obsessively enthralled with half-animated dinosaurs is not. Don't waste the time or the brain power to see this sure loser. I wouldn't even let my kids watch it.

Sentiment: negative
Should I have expected anything other than putrid from Carrot Top? This was on of the worst movies I have ever seen. It is by far the worst comedy I have ever seen. "Chairman of the Board" did not add humor to my attitude, rather it enraged me. That's right, Carrot Top is such a bad comedian that I became enraged that this man is making movies.

Sentiment: negative
I adored this movie. Not only because I am a big fan of Moritz Bleibtreu, although he is in practically all German movies that count. But also because he is NOT the main actor. The lead is taken over by Barnaby Metschurat, who was the only reason to watch 2001's Julietta, and who really carries this movie on his shoulders.

A family moves from Italy to Germany seeking "the German dream" (this is my own invention and ironic...) of cheap labor in steel and coal industries. However, they end up opening a restaurant and the journey the movie takes to this point alone is so poetic and at the same time funny and charming. From this point onward, the story told is mainly that of the two brothers of this family, Giancarlo (Bleibtreu) and Gigi (Metschurat). Gigi's dream to become a filmmaker is threatened by rivalry with his brother and his mother's determination to return to Italy. What follows is a great - and totally neutral - look at what life can become formed by the choices you make.

In the end, this movie doesn't say which life (Gigi's or Giancarlo's) was more successful or fuller or more interesting. It merely gives us a rewarding glimpse at what it must be like to search for identity when two countries and mentalities are involved. and this look is not driven by bitterness or disdain to either country, which makes it such a great film for any and every country dealing with the tensions resulting from immigration. The fact that director Fatih Akin's moved to Germany from Turkey in the 70s also lends this movie a large measure of its credibility and emotional accuracy. The icing on the cake are fantastic performances by the entire cast, especially Metschurat and - this I really need to stress - the little boy who plays young Gigi. That kid's performance would be a hard act to follow by just about anyone! Great movie, go see it.

Sentiment: positive
Plague replaces femme fatale in this highly suspenseful noir shot in New Orleans by director Elia Kazan. Kazan as always gets fine performances from his actors but also shows a visual flair for claustrophobic suspense with a combination of tight compositions and stunning single shot chase scenes. 

A man entering the country illegally is killed after a card game. It turns out he has a form of bubonic plague so it remains crucial not only to arrest the killers but to find an inoculate all those who have had contact. City and health officials implement a plan of secrecy rather than alert the community for fear the culprits will flee the city and spread the disease. A detective and an epidemiologist up against the clock form an uneasy alliance as they comb the waterfront employing their contrasting investigatory styles. 

Streets raises a huge ethical question about the publics right to know as the medical officer argues for a media blackout thus possibly creating a greater risk to the community. Regardless of outcome, you still may find yourself second guessing the actions of the the film's protagonist. 

Richard Widmark as Dr.Clint Reed and Paul Douglas as Detective Warren display short tempers and grudging respect for each other in their search for the killers. Barbera Bel Geddis as Reed's wife has some good moments with Widmark in some domestic scenes that bring the right touch of (restful more than comic) relief from the tensions of the desperate search amid the grim environs of the New Orleans waterfront impressively lensed by cinematographer Joe McDonald. Zero Mostel as a small time criminal is slimy and reprehensible but at times sympathetic. Walter Jack Palance as the skeletal Blackie (Black Death?) is simply outstanding. With riveting intensity Palance dominates every scene he is in not only with ample threat but disturbing charm as well. In addition he displays a formidable athleticism that allows for a more suspenseful continuity, especially in the film's powerful final allegorical moments. 

Panic in the Streets is probably Kazan's best non-Brando film. It's tension filled, suspensefully well paced and edited. It's ambient on locale setting lends a sense of heightened reality that allows Kazan the flexibility to display his visual style beyond the movie stage and with Panic he succeeds with aplomb.

Sentiment: positive
This movie is excellent ( i watched the French version ). There are many subplots (which usually detracts from the whole ), but they nicely unfold and concur to the "discovering of one's real self" main theme. In fact, the whole movie (besides his background ) is the journey to the discovery of one's ( or someone else's ) self. Is the King really a "good peacenik monarch" trying to wage a "war to end all wars" or is he just a disturbed, blood thirsty hoodlum? Is he a true king, after all? Is the attendant to the queen mother just a lusty, career-driven, spineless sock puppet or rather a sharp thinking, bold individual? Will the dame/concubine realize who the king truly is? What's between the king and the old chancellor? What's the secret everyone knows but won't tell? What's the true reason the assassin quit his "job"? Subplots (something i'm not particularly fond of ) are handled well and keep one watching until the end. Scenes are well crafted and CGI fits nicely in, without going overboard. Suspense is properly maintained and actors are upto the task. There is a lot of brain-damaged smiling, but that is how one was supposed to behave at the king's court ( as the dame/concubine complains about ). Realistic movie without superhero moments. This Chinese movie really puts Hollywood cardboard colossals ( Gladiator etc ) to shame.

Sentiment: positive
Having been a faithful Asterix fan all of my life, I have to say that "Asterix and the Vikings" is probably the most well done of all the Asterix films. Its got some very funny jokes in it and the animation is superb. As many people have pointed out, it doesn't really follow the plot of the comic ("Asterix and the Normans") very closely, but in many ways that's just as well, because that book stands out in my mind as one which poked a great deal of fun at the culture of the sixties, and much of it is very dated today.

What really rubbed me the wrong way, though, is how they incorporated a Disney-style plot into the film which took much of the focus away from Asterix and Obelix. We have a misunderstood boy who doesn't fit in, Justforkix. We have a tom-boy girl who doesn't fit in because she wants to be treated as equal to men, Abba. They meet and fall in love, but their love is threatened because boy is ashamed to be totally honest with girl, but in the end their love wins out. This has been the plot of so many Disney (and, be fair, other studios too) films that its not funny and the plot was old twenty years ago. I mean, they even gave Justforkix a whimsical animal sidekick.

Not only did I find this derivative and clichéd, but it really detracted from the story and left me dissatisfied.

I think that it speaks volumes about how superb the rest of the movie was that I still think very highly of it, despite the way the plot got hijacked.

Sentiment: positive
When will the hurting stop? I never want to see another version of a Christmas Carol again. They keep on making movies with the same story, falling over each other in trying to make the movie better then the rest, but sadly fail to do so, as this is not a good story. Moralistic, old-fashioned, conservative happy-thinking. As if people learn. The numerous different versions of this film prove that we don´t.

Sentiment: negative
Kathryn Bigelow and Mark Boal are already preparing a sequel about a young US corporal in Afghanistan. He also happens to be a highly-qualified surgeon and is roaming freely around Kabul, operating on wounded NATO soldiers. On a particularly difficult mission, he casually picks up a sniper rifle and shoots Osama Bin Laden from a distance of about 3000 yards. He is then finally promoted to sergeant, but is unable to decide between a sniper and surgeon career, so he quits from the Army altogether. One year later, frustrated with civilian life, he joins the Navy and the last scene shows him proudly wearing a white uniform.

Sentiment: negative
As an indie filmmaker, I try to at least make a decent film . This piece of ____ was beyond low budget. It was shot on video and not 24P mini-DV at least. The look and feel of this was just baaaad. I met the director a few years ago at ShowBiz Expo in LA and he was talking about that book, Film-making for dummies that he was putting together. I thought this little video was going to be something but I guess I was wrong. He could have brought the value up a little by shooting 16mm film instead of that awful video. The plot was stupid as well as the acting and all the fake green screen and sound and the whole nine yards. I had a choice tonight to rent any movie and made the wrong choice. Damn!!!!! I did buy JoyRide which was a hell of a movie. Maybe the director should read real motion picture books on film-making and not try to cut corners when trying to make a low budget flick. Maybe he should learn from the masters who made, Night of the living dead and The Evil Dead and Chain saw massacre. just to name a few of the all time low budget great hits. This is one video that should have stayed dead. I cannot call it a film because he did not use film.

Sentiment: negative
The first one was the best. The second one sucked because the dialog was terrible. Although, the storyline wasn't so bad (in fact, all story lines are good and bad). Throughout the movie, I dosed off a few times. I know that Jackie Chan is a great martial arts expertise, but not a good actor in Rush Hour 2. Chris Tucker, too, wasn't good. And Zhang Ziyi, what can I say, a few lines, terrible acting (But that's based on her script). All the characters there were not that good. But, some of the things I like in Rush Hour 2 is always the action and less sex scenes. I know that Jackie Chan doesn't do those things which is good for him.

Sentiment: negative
'A comedy of biblical proportions!' Those masters of hyperbole, the movie-tag-line-writers, at it again; the sequel to 2003's Bruce Almighty, raises barely a chuckle. The only thing which raises my interest in this movie above total indifference is its dogmatic Christian undertones. Sorry, make that overtones.

Steve Carrel, ignoring Jim Carrey's good sense to decline a role reprisal, plays Evan Baxter, the smug news anchor from Bruce Almighty, who has just been elected to congress. With a new life in Virginia and the stress of moving into a house the size of the Acropolis, the pressure of all the change takes its toll on his family. His wife (Lauren Graham), evidently airlifted in from Stepford, and three sons (Jimmy Bennett, Graham Phillips and Johnny Simmons), who do a stilted job of looking sad to a piano accompaniment, pray for the family to become closer, and almost out of guilt, so does Evan.

In what must be the greatest shock of all time, God (Morgan Freeman) actually shows up, but does the whole pesky 'working in mysterious ways' thing all over the place by telling Evan to build a Noah-esquire ark in preparation for a great flood instead of just giving him a pool table or and X-box or something. And in true mischievous deity style, he also forces Evan to grow a beard, long hair and wear worn and tatty robes. Now, back in the day I'm sure razors were hard to come by so the beard was somewhat of an inevitability for Noah, but I'm almost certain it had nothing to do with spirituality. Same with the robes; a massive construction job is surely made all the more difficult by such impractical clothing. Couldn't God have conjured up a pair of steel toed boots and a hard hat for the poor guy? Apparently not.

To paraphrase Bill Hicks, I find the idea that God is messing with us somewhat unsettling, and so does Evan who fights him every step of the way. And who wouldn't? God essentially gets him fired, drives away his loved ones, makes him a laughing stock and at one point actually threatens him. Of course God turns out to be right, and the rational, hard working family man who was getting on fine by himself is forced to eat a large slice of bittersweet humble pie. It's almost as if to be left alone by God, Evan had to tolerate and humour him. What kind of message is that? 

Evan Almighty does have a highly commendable environmental slant, with the underlying theme being that the Federal Government is blind to the damage being done to the world around us. It is also the first film ever to offset its carbon emissions and this should surely be considered a landmark achievement by a Hollywood studio. Were it not for the trite, condescending banner of American Christianity flying high above it, Evan Almighty could have been an inoffensive family movie, with a praiseworthy environmental record. But with its confused religious dogma and relentless 'blind faith' message, it ranks as one of the most repugnant movies of all time.

Sentiment: negative
This demented left-wing wipe-out trivializes Dante's great work, distorts the genius of the author out of all recognition, inserts hateful ideology, incompetent satire and moronic political commentary in every imaginable place, and itself deserves a place in the Eighth Circle, Tenth Bolgia with the rest of the falsifiers. Sandow Birk has reserved himself a spot next to it.

Stocking Hell with Republican political figures, Fox News helicopters and Christian conservatives is a work of literary sacrilege, to say nothing of extreme liberal bias. It is, however, unoriginal, tedious and trite. Nothing in Birk's unworthy and heretical revision is in the least relevant to the original text or is in any way entertaining, humorous or enlightening, despite his smug pretension to the contrary. 

I could have eaten a reel of video tape and PUKED a better movie. I regret the two hours of my life that I lost watching this insult to the very concept of poetry. Calliope will weep forever.

Sentiment: negative
I guess if you like snow boarding you may get some enjoyment from watching some nice scenery and some nice tricks. but that is all the film has to offer. the story line is non-existent, and any jokes that may have been in the film were not funny, even on a sympathy level. I also disliked the characters, the main actor (Adam Grimes)tried his best, and for a comedy like this that doesn't have to be much, but when surrounded by so many other bad actors he had no hope of making this film good. but i shouldn't be too harsh on them, for all i know they might have great skill, but with a script that i could have written in ten minutes, what ever skills they had were ran and hid for fear of appearing in this film. my advise is don't watch it, i wish i never did!

Sentiment: negative
Story goes like this, Netflix was late sending me my dvds so I went on down to the the analog rental place known as "Blockbuster Video" They suck you know. Real bad, They have 150 copies of the latest lame movies for your viewing pleasure yet I never want to see any of those. So I saw BTK Killer there on the shelf, all by its lonesome self. I like seeing films based on serial killers. Its just a part of humanity that I will never understand, therefore I wanna see that kind of stuff. Anyways I put this DVD in and all the sudden from the very first second, it sucks. I'm sitting there with my b.f. and we are like, "what is this kind of crap?" Unsteady camera operation, horrible acting,- the first scene in which a woman gets killed you wonder if she would rather just calmly gab instead, Then a rat gets stuffed down her throat. I really wonder if the director has a hard-on for this crap. There is nothing decent about this "film". All I have to say to the director is "do you own a freakin' tripod?" Every shot was brutally unstable. The music was awful. It was like they just decided one day to make a movie. They were probably gathering people from WalMart to show up and "act" for them. Just plain awful. If you make a movie like this then directing is your hobby-NOT what you should be doing for a living- SHould not make it to the DVD renal outlets for movie buffs like myself. Better left at home for your friends when you are having a party and run out of interesting things to entertain them with.... Then you break out your BTK KIller film and say, "Wanna see this crappy movie I did once?"

Sentiment: negative