DoubleML/multimodal_confounding huggingface dataset:
Drivel. Utter junk. The writers must not have read the book, or seen David Lynch's film. Not worth wasting your time.

Longer does not make better. While more in-depth then Lynch's film, it has gross in-accuracies, and down-play's key parts of the story.

"A Night at the Roxbury" is more worth your time.

Sentiment: negative
Having seen 'only' about 200 Hong Kong films in my time, I have to say this film is among my very top favorites. Not only is the plot engaging (and in some ways surprising, which these days is rare for any movie), but the chemistry between the two lead actors is superb. Top notch casting! And while often even the most serious HK films tend to insert quite a bit of humor in between all the drama and action, often spoiling the mood a bit, here the jokes are kept subtle and woven into the plot, even improving character relations. The music is also very well done, and the two main themes are very beautiful. With the release of the HK special Edition, they've even cleaned the picture (first release was grainy) and the subtitles, even if the quality of the translation is still lacking (nothing new there). All in all, if you have to see a HK film that isn't directed by John Woo or have Chow Yun Fat in it, this should be at least on your short list! A truly fascinating and entertaining watch!

Sentiment: positive
this movie was clearly done poorly and in a rush. I realize that the funding for any such movie is hard to come by. However if the plot had any kind of original substance someone would have seen that it got the necessary funding, this was not the case and movies like this are not necessary themselves and have no purpose in existing. The plot for this movie has been done and done better i might add, many times before. There is no reason to make a movie that has no chance in competing with any others. i was informed by my computer that i need a minimum of ten lines to submit my comment so the following lines are just bull to fill in space. In my opinion there is no need for anything else to be said about this film. what i've said is plenty and if you wasted enough time reading this review, than for God's sake don't waste more time watching this movie. The only exception to this is if you are the kind of person who likes watching crappy movies that get played on the womens entertainment network at 2:00 a.m. in that case go ahead see what i care.

Sentiment: negative
I was recently online looking at a site that featured public domain movies. In their long list of films was this film and I thought I must be hallucinating at such an offensive title and premise. But, no, that's really what it was. And since the film was only about 27 minutes long, I decided to give it a try. If it had turned out to be some porno movie, I would have stopped watching. Instead, it turned out to be the most bizarre film I have ever seen. The Danish production crew tried, with a budget of about $49, to make a Star Trek-style film about a crew of very gay men traveling about the galaxy wiping out female oppression by killing all the women--like they proceeded to do on the Earth! And in every case, they were met with cheers and thanks from the now gay men of the planet.

Subtle, this ain't. With some of the most obscene and juvenile names of characters I've ever heard, I don't even think I can write them on IMDb without having my review removed! However, despite the utter crappiness of it all, it was strangely watchable and worth a peek. But, as I mentioned already, due to the crude names and odd subject matter (though no nudity), it's a film for adults only. 

By the way, this movie left me with 1001 questions as to WHO would make this, WHY make it and WHO was the intended audience?! It may not be the absolute worst thing I have ever seen, but it probably is the weirdest and possibly the most offensive!

Sentiment: negative
I had my doubts about another love story wherein disabled individuals find meaning and redemption through honest communication. And it's still not at the top of my list. But the performances from Helena Bonham Carter and Kenneth Branagh and exemplary, almost stunning, and rescue this from being just another tear-jerker. Carter's depiction of an ALS victim is strong, perhaps even overdone at times (sometimes her dialog dissolves into undistinguishable mutterings). But the overall effect is commendable and rewarding. Branagh may be the perfect compliment to her performance.



Sentiment: positive
This is an hilarious movie. One of the very best things about it is the quality of the performance by each actor. From the largest role to the smallest, each character is vivid, unforgettable and so understandable. It can also make you laugh so hard your health will improve.

Sentiment: positive
The first time I saw this film, I was in shock for days afterwards. Its painstaking and absorbing treatment of the subject holds the attention, helped by good acting and some really intriguing music. The ending, quite simply, had me gasping. First rate!

Sentiment: positive
Good movies are original, some leave a message or touch you in a certain way, but sometimes you're not in the mood for that. 

I wanted something simple, no thinking just plain action when I watched this one. It started of good and was quite entertaining, so why a bad review. Well in the end the movie lost it's credibility. The storyline wasn't that cheesy at all, the action was not too special but overall good, acting was OK, so more than enough to satisfy my needs. But all got ruined because things happened that were over the top, and it left me with a bad feeling. They should have put a little more effort in making everything credible and would have gotten a 7 in the "no thinking just plain action" category. So in conclusion if you know you'll get irritated because things are happening that seem completely illogical: don't watch! otherwise I'd say go ahead...

Sentiment: negative
"The Man In The Moon" is a pretty good movie. It is very touching at times and is very well done in all respects. I wouldn't say the film was terribly original, but what is these days?

The cast members all did a great job with their respective roles. I really enjoyed seeing Reese Witherspoon at such a young age, and does quite a good job. Jason London does a fine job as well. And the only other person I recognized was Sam Waterston, who did a fantastic job with his role. I really liked Sam's character (Matthew Trant) a lot. At times he seemed to be the kind of father you dread, but in the end you really like his character. The rest of the cast was very good as well.

If you're into touching movies about growing up and dealing with what life throws at you, then you ought to watch this film. I'd suggest reading the plot synopsis and if that sounds like something you'd be interested in, then go for it. Anyhow, hope you enjoy the film, thanks for reading,

-Chris

Sentiment: positive
Look, there's nothing spectacularly offensive about this film, it's just boring. It's a typical rom-com with an ending you can see coming before you've seen so much as the trailer. The key difference is that the classic rom-coms tackle their stories with wit and a lack of pretension. This movie has no pretension but it really has no sense of movement, you feel as though you could get up and walk away at any moment. The production of the movie also has the feel of a debut movie made about fifteen years ago. I'd recommend re-watching a classic movie like When Harry Met Sally instead of this shallow imitation. Oh, one other BIG problem...no chemistry. If you're used to seeing Michael looking all cute as Vaughn in Alias, you're going to be seriously disappointed with the way they've made him look here.

Sentiment: negative
Someone commented that Charlie Sheen's character should be court martialed for doing whatever he wanted. You may be right, but that is how SEAL's truly are. I served for several months with a SEAL team out of Norfolk, VA. Actually, I should say they used our ship to deploy themselves around Europe for a couple of months. I was the postal clerk on board and everyday these guys would try to get their mail. Since only one person was allowed to pick up the mail each day we issued one pass to one person. Each day a different SEAL would come up pretending to be someone else. Well, after the third time I said no to them until I had proof who they were. They went NUTS!!! I thought they were gonna bust through my cage, gag me, and then steal the mail. Luckily I had not only the President on my side (The Navy), but the Federal Government (US Mail). That was the only time I saw the SEALs stopped from having whatever they wanted. They were allowed unlimited shore leave, where we had to be back on ship at a certain time. They killed and tortured a woman in France and the two SEAL's only got a 1 week detention on ship, whereas a Seamen was caught stealing a bottle of wine from a French wine shop and he got a court martial. Is it any wonder why the SEAL's retention rate is over 85%? As a SEAL you are god. So this movie does a pretty accurate job of portraying how a SEAL acts and thinks... unfortunately it is so unbelievable to normal people that it comes off as being fake.

Sentiment: negative
Here we have 2 misunderstood kids who never stood a chance against a cruel, poverty riddled existence: Robin Hoods singled out by the police for persecution because they were a trifle wild at times. Gad! According to this crap Bonnie was the sweetest little thing west of the Missouri who was taught to be a psychopathic murderer by a fun loving boyfriend who didn't really want to hurt anybody....he just wanted things without putting a lot of energy into getting them. Badly acted, poorly filmed, unbelievable dialogue, unrealistic use of weaponry, gore that looked more like grape jelly than the real thing. Avoid this bilgewater. Thumbs down. -5 stars.

Sentiment: negative
To call this film a complete waste of celluloid would be an understatement.

The acting was unconvincing to say the least, especially from actor Craig Fong, who couldn't have acted stiffer. As far as story goes...well...what story?! The "film" is nominally about Harry Lee, a Malaysian of Chinese descent who comes back to his home country after flunking out of every course he took and tries to start a band.

The film has ever cliche you can think of -- sex, tension among band members and a little bit of racial tension thrown in.

The problem is that even with a subject that's been covered adequately by even the most amateurish directors, this movie is all over the place and the whole thing just feels contrived with parts that would make even the most hardened reviewers' hairs stand on end.



Sentiment: negative
The only good thing about this movie is, that I now have a movie on the worst ever list. Rest Stop being on the end of the spectrum where I can compare all terrible movies to. Really, this movie is the worst plot, worst directed, throughout the whole movie all I wanted to do is pull out my hair and kick the writer's and anybody who made this movie possible's ass. I am a deployed soldier, and when I spend my precious downtime watching movies like this. These people should feel terrible, they had to of watch this before it came out, and must have been to freaking lazy to redo , after they noticed it freaking sucked. I am so amazed that this great country of ours is letting them make another. Honestly, this is the first time I have ever commented on a movie, I had to let the world know, not to waste their time. Delete this movie from the face of this planet. It makes us humans look retarded.

Sentiment: negative
I waited for this movie to come out for a while in Canada, and when it finally did, I was very excited to see it. I really enjoyed it. Of course, in the beginning, it is a very sad movie (and it was New Years Day - making it even sadder) - however, it sticks with you. The next day I was thinking about it again, because although it revolves around something so emotionally draining, you realize after a few days that it is such a beautiful story. How one person can be seen as the link to so many people, but sometimes you can be blinded so many things. And how Diane Keaton's character kind of saves the rest of them by just being there. And how they save her in the process as well. It was such an excellent movie, and Chris Pine (one of my favourite actors) provides the perfect comic relief. It is definitely a movie that will need a box of tissues, but will really stay with you for a long time.

Sentiment: positive
I just watched this movie for the second time, and enjoyed it as much as the first time. It is a very emotional and beautiful movie, with good acting and great family values. Inspiring and touching!

Sentiment: positive
This is the type of movie where it actually hurts to acknowledge that it really, really sucks. I normally sanctify stuff like this! Early 70's grindhouse flicks with scrumptious sounding titles and a schlocky low-budget atmosphere usually ROCK. "House of Seven Corpses" appeared to dispose of even more trumps, since the cast is a gathering of great genre veterans (including John Carradine, John Ireland and Faith Domergue) and the filming locations (the titular house, the graveyard) are obviously very expedient for a gloomy tale of terror. The film opens with its absolute greatest and most hauntingly memorable sequences, though sadly enough they're the only ones that qualify as such. The credits are a splendid montage, complete with freakish color-effects and eerie freeze-frames, illustrating how the titular house received its notorious reputation. The last seven owners were mysteriously murdered here and the credits montage gleefully exhibits their final moments. Someone falls down the balcony screaming, a lady drowns in her bathtub, and another female body hangs dangling from the ceiling and four more macabre tableaux. Needless to say the house is cursed and the awkward behavior of t caretaker Mr. Price (Carradine) only fortify this reputation. In other words, the house forms the ideal turf for the acclaimed director Eric Hartman (John Ireland) to shoot his satanic horror film project. The film-within-film structure is what mainly causes "House of Seven Corpses" to be so boring and uneventful. A lot of movie-material is wasted on crew members putting films spools in the camera and dragging around cables or  even worse  Faith Domergue and Charles Macaulay portraying horridly intolerable actor stereotypes. The plot finally gets a little interesting (only a little, mind you) when one of the characters reads some lines from an occult book and accidentally awakes a rotting corpse in the backyard. The asthmatic (judging by the noises he produces) zombie slowly heads for the house and kills the entire movie crew, reminiscent of how the previous seven turned into corpses. After a running time of approximately 60 minutes, the film suddenly turns from humdrum into just plain weird and confusing. I'm still unsure whether the final twist has to do with the concept of reincarnation or just coincidence and all the remaining characters suddenly seem to go undergo vast mental transformations shortly before they die, for some reason. I honestly regret confirming "House of Seven Corpses" is a pretty dreadful movie. The locations and scenery are gloomy chilling, but not nearly used to full effect and there's a serious lack of gruesome bloodshed. Numerous low-budgeted 70's gems were stunningly gross, so the lack of financial means is no excuse and the film-within-film murders really don't count. Even the always-reliable veteran stars deliver hammy performances and Harrison's direction is completely uninspired. Not recommended, unless you think the zero cool four-and-a-half minute playing opening credits montage is worth the effort of purchasing a copy.

Sentiment: negative
"Flesh" is hard to describe with a solid summary because, well, there basically isn't a plot. The film pretty much just shows the day in the life of a hustler named Joe (Joe Dallesandro, who is in the underrated Louis Malle picture "Black Moon") as he makes his rounds, sleeping and modeling around to cash in the bucks to pay for his wife's lover's abortion.

Not much, and since the film is quite a lengthy eighty-nine minutes, you would think that "Flesh" would be a slow-moving and boring hour and a half. You think wrong. The film is made up of improv, no screenplay and the angles of the film are pretty on-the-spot as well, yet there is some kind of truth beneath every frame that gives the film its dementedly entertaining vibrancy. Everything makes sense and serves purpose in what happens to Joe in this one day. He meets a regular john that is obviously lying when saying he wants to see Joe again, a photographer who talks so much that it bores Joe to tears, two drag queens who read out of tabloid magazines as Joe receives head from a mousy-voiced addict who mumbles on later about how she wants to get a breast lift, an old friend of Joe who reads male-on-male rape stories to him, and then a final scene with his wife and her lover that eerily echoes the scene at the start of the film (one of the best openings to a film I have seen in quite some time)  and tells completely what the film is overall philosophically about.

It's astounding how the film's messages and styles feel almost timeless, even though it's set in 1960s New York City, in real time, in real place, and is filmed like an obvious independent flick from that era. It's certainly not a film that could be made today, which adds on to its delicious mystique.

Fueled by unexpected jump cuts; and absent of a score to advance its images  "Flesh" is about as raw, gritty as a film about male prostitution in the 60s can get.

Sentiment: positive
I just watched this film 15 minutes ago, and I still have no idea what I just watched. Mainly I think it's a film about an internet S&M "star" of CD Roms that are about as realistic as flash cartoons online. She's murdered by someone, which causes her sister and a crack team of 2 FBI agents to investigate the death. The local homicide division of Big City, USA is also investigating, though most of his work comes by the way of oogling the CD ROMs which he claims are as realistic "as the real thing". I know. Wow.

Michael Madsen is the only one in the film that has any kind of credits behind him. He's in the film for about 15 minutes, and half of that is him banging the main girl for seemingly no apparent reason. I won't even explain the ending, because quite frankly I can't make it out myself. But before the final scene, we're treated to a 3 or 4 minute montage of everything in the film. Honestly, they could have ran that then the final scene and it would have been the same effect with the cross eyed direction and all.

All in all, stay away from this film. I got it because I love bad movies and I love Michael Madsen. I really could have used that 80 some minutes on something else and have been more satisfied. Like, playing that game with a knife where you jab at your hand repeatedly. That for 80 minutes would be much more entertaining.

Sentiment: negative
As an avid reader of Clive Barker, I truly anticipated this film prior to it's release... I was not let down. "Nightbreed" is a horse of a different color. Rich in the underlying decay of western civilization and dripping with alternative existence in a way we have never seen before. Barker is at his best when he allows us to peek into his world of unprecedented horror, yet showing us the other side of the coin. Here the "Monsters" are the hideously beautiful beings, while the humans are the deceptively ugly creatures of self indulgence. We soon learn that we were wrong all along. By far my favorite performance by the often under-used Craig Sheffer, and the added bonus of David Cronenberg as "Decker" is a cast best seen then believed. The "Monsters" are portrayed flawlessly by a bevy of English creature masters, whom many also brought the "Cenobites" to life in "Hellraiser", including "Pinhead" himself Doug Bradley. "Nightbreed" is an absolute must see for any fan of the horror genre, and anyone who needs just a little (Something) more out of their horror story. This IS Clive Barker at his finest.

Sentiment: positive
Don't pick this one. ****Spoiler Alert***** The plot of this aggravatingly bad movie is four friends are talked into taking the shuttle from the airport by a very zealous driver. On the shuttle with them is a rather milquetoast looking business type. 

Shortly into their trip the driver of the shuttle takes an off-ramp and some lunatic driver tries to run them off the road. The end result is they get a flat tire. The driver gets one of the people on the shuttle to help change the tire and the jack slips and the guys fingers are crushed between the tire and the shuttle. It's at this point that the driver reveals himself to be a kidnapper and he has taken all the people hostage. 

Now the movie gets extremely slow and tedious, as the characters do one lame thing after another. One of the men is killed trying to escape -- even that lacks any suspense. Finally it is revealed that the milquetoast business guy is in cahoots with the driver when milquetoast guy kills the other male friend by slitting his throat. 

There are a couple of attempts to escape by the women. Milquetoast is beaten over the head with a tire iron -- yet he survives. 

The driver is also beaten and somehow survived a head on collision with a fence at high speed while kneeling next to the steering wheel. Somehow he didn't go through the window or even get seriously injured with a collision with windshield. Yet the woman driving the shuttle is knocked unconscious -- yet she had a steering wheel to protect her and he had nothing between him and the windshield.

He is eventually able to subdue the women and get them to an underground garage that is a front for human trafficking. One of the women is killed. The other one stabs the driver in the leg with a good sized piece of broken mirror and shoots/grazes him in the head, yet he is able (in what should be a severely weakened state -- severe blood loss, two head injuries and a large leg gash) to drag her out of the shuttle, drag her to a large crate, throw her in and get it locked, all the while with her fiercely fighting him.

Now some people admire the message of the movie about human trafficking and how it is going on today. This is a serious problem. But, making an extremely boring movie about the topic does not entitle it to a higher rating.

Sentiment: negative
Have not watched kids films for some years, so I missed "Here Come the Tigers" when it first came out. (Never even saw "Bad News Bears" even though in the '70s I worked for the guys who arranged financing for that movie, "Warriors," "Man Who Would Be King," and "Rocky Horror Picture Show," among others.) Now I like to check out old or small movies and find people who have gone on to great careers despite being in a less than great movie early on. Just minutes into this movie I could take no more and jumped to the end credits to see if there was a young actor in this movie who had gone on to bigger and better things--at least watching for his/her appearance would create some interest as the plot and acting weren't doing the job. Lo and behold, I spied Wes Craven's name in the credits as an electrical gaffer. He'd already made two or three of his early shockers but had not yet created Freddie Krueger or made the "Scream" movies. Maybe he owed a favor and helped out on this pic. More surprising was Fred J. Lincoln in the cast credits as "Aesop," a wacky character in the movie. F.J. Lincoln, from the '70s to just a few years ago, appeared in and produced adult films. He was associated with the adult spoof "The Ozporns," and just that title is funnier than all of "Tigers" attempts at humor combined. Let the fact that an adult actor was placed in a kids movie be an indication as to how the people making this movie must have been asleep at the wheel.

Sentiment: negative
This film was really a breath of fresh air from the load of Hollywood crap I've seen recently. The acting is superb and the characters are engaging and oddly endearing. There really isn't much to the story, it's simple and it works well. An easy film to just sit down and enjoy. The mood was fantastic and the sets really helped push the movie along and offered some nice visuals. The film obviously has aspects of horror, yet is geared a little more towards the humorous side of things. You won't be laughing out loud hysterically with this one, but you'll be smiling the whole way through. The humor works very well with the characters and the superb acting doesn't hurt. I really watched this movie based on the fact that Ron Perlman was in it. His role is a bit smaller than I expected, but it doesn't matter; the rest of the cast does more than enough to keep you engaged. If you like horror, watch this. If you like comedies, watch this. Just go ahead and watch this anyway, it's really quite excellent.

Sentiment: positive
It's not often I feel compelled to give negative criticism of a film; after all I often feel the maxim, "if you don't have anything good to say don't say it at all," would be apt advice for the many naysayers we listen to everyday who nitpick at things we like. If it's all the same to you the reader though I feel compelled to point out that with the lone exception of Christopher Walken in a returning role as Gabriel this movie is pathetically HORRID. I say this to you to warn you in advance that even if you are a fan of Walken's deadpan delivery and style or liked the original "Prophecy" that you will be sorely dissapointed. If you buy it, return it. If you rent it, make sure it's only ninety-nine cents.

What's wrong with this movie? A full list would take too long to read and would bore you to tears, but a short summary would be the following: the once rather crystalline clear picture of the relationship between angels and mortals of the first film is ripped to shreds. Gabriel is turned from the rather morbid right hand of God he once was (and in this role he is WICKEDLY funny in the first) to little more than a thug for heaven. Since Walken is so good at playing heavies (we all remember Frank White from "King of New York") he is still enjoyable but the supporting cast is an unmitigated and unconvincing mess of mortals and angels alike who couldn't buy a clue for 50 cents. If you can figure out the plot you're a smarter man than I. One gets the feeling we wander aimlessly from scene to scene just to move the film along to Walken's next big line. By the end of the movie you're actually wishing he'd blow his horn and make the walls of Jericho fall on the people who made this un-natural disaster.

Bottom line - it's an insult to our intelligence that they made a sequel to this film in the first place. The original told the right story, answered the questions that should have been, and left alone the ones you were meant to ponder afterwards. There are no compelling reasons to follow these characters that was in the first - the priest who lost his faith, the little girl who kept the "big secret", the teacher who protected her children - even Lucifer himself was more interesting BY himself in the first film than all the other characters in the sequel put together. I feel sorry for anybody who sees this film and not the first because they'll probably never want to watch the original and that's a real tragedy.

Sentiment: negative
Emma is my favourite Jane Austen novel - Emma is well-meaning despite her flaws, so readers can forgive and love her, and the relationship she has with Mr Knightley, which is warm, familiar, respectful but playful, generating that warm, fuzzy, romantic excitement. Mr Knightley is the perfect man, and Emma is as close as you could get in those times to an independent, clever, confident woman - remember, she is only 21, and was sure to have matured and grown out of her flaws. Who doesn't want to be Emma? Who doesn't want to be told off by Mr Knightley? This version of Emma gives you no sense of the things that I love about Emma. I couldn't even finish watching it, I just found it so awful. I couldn't see that warm, generous side of Emma, which drives the reader to love her: The patience and warmth she shows to her father; the closeness between her and Mrs Weston, which demonstrates her willingness to put her friend's happiness above her own (as she sacrifices the only equal companion in her household by forwarding Miss Taylors marriage). Mr Woodhouse's character in this adaptation just appears bizarre, rather than just quaint, elderly and a bit trying.

This adaptation most importantly fails bring to life the relationship between Mr Knightley and Emma. Their relationship is built on mutual respect and affection: Mr Knightley is indulgent of Emma's minor faults trusting that her intelligence and genuine care for others will never allow her to go terribly astray; and Emma looks up to him, though playfully hiding this and continuing to use her own judgement. The dressing down he gives her right at the beginning of the show completely overstates the argument between them, and ruins all possibility of portraying the nature of their relationship as I've described above. Mr Knightley is also insufficiently attractive to bring to life the sexual tension between the leads (or to inspire any admiration from the female viewers).

Really horrible. I can't understand why anyone who truly like the novel Emma could like it, unless it miraculously redeems itself after the point I switched it off.

Sentiment: negative
I wasted 35 minutes of my life on this turkey before I gave up. The main character is completely clueless and astoundingly unsympathetic, but there is no humor in his blundering. As soon as he arrives in Germany, the screenwriter pulls the old "there's only one room in the hotel, you'll have to share a room with a pretty girl" stunt. Come on, at least you could let them develop their relationship a bit first. Watch "It Happened One Night" to see how to do it right--or any of a thousand movies since then.

The acting is consistently third-rate, and the improvised dialogue should have been left on the cutting-room floor. It meanders with no plan at all, despite the fact that the film telegraphs the relationship's destination from the moment Greta is introduced.

The first song, in the boardroom, is mildly funny but badly sung. The rest of the songs (well, to be fair, I only heard those in the first half-hour) are just pointless and awful. Most of the singers are painfully out of tune, but not in any intentionally humorous sort of way.

Sentiment: negative
H.O.T.S. is proof that at one time, the movie industry said "F-OFF" to the censors, and made movies with whatever they wanted! In today's world, this movie would be too "over the top" and "extreme" for it to be anywhere than behind a velvet curtain. Although, BestBuy had several copies on their $5.99 rack (in case anyone wanted to get a copy)! The movie was brilliant in its own way, in that it blended humor into a T&A movie loaded with Playboy Playmates! Unlike most skin flicks, it did have a plot. That, however, is not exactly why you would watch H.O.T.S.

H.O.T.S. is a college movie that reminds me of the Revenge of the Nerds movies, in that it takes a group of "average people" and puts them against the elite rich preppies that most people can't stand! The only difference is that the "Nerds" in this movie have a much better shot at getting laid! I notice that there are some people who would rate this movie low, and to me that is ignorant! Obviously this is not intended to win Oscars or break barriers in film. If you are looking for that, then go watch what ever the critics pick for you! You have to appreciate the fact that this movie actually had a funny plot, decent acting (for the most part given the genre), and plenty of girls getting naked! H.O.T.S. is one of those movies you watch to get your mind off of modern day problems and daily stress, and instead, laugh and have a good time! If you are looking for a funny college-based movie that has enough skin to turn a pink Miata straight, then you should really check out H.O.T.S.!

Sentiment: positive
Jackie Chan is considered by many film and martial arts movie fans as one of the greatest action stars ever to grace the silver screen and Police Story cemented his reputation as the likely successor to the late, great Bruce Lee. If Enter The Dragon bared the so-called bench mark of Lee's greatness in the 70s, then the same can be said about Police Story and Jackie Chan in the 80s.

Forget about the Rush Hour trilogy, or any of his US efforts- the one film that really typifies Chan's excellence, not to mention kick starting his status as a high kicking, bone-crushing kung- fu talisman, as well as his movie career was this, Police Story- the first in a series of successful cop films, set in mainland, present day Hong Kong.

I've seen many of his efforts- likewise the US-based Rush Hour, Rumble in the Bronx, The Medalian and The Tuxedo to name- and frankly many of them pale into insignificance compared to Police Story. In those movies, we saw a less 'dumbed down' version of Jackie, of whom didn't get the opportunity to utilise his fighting abilities to the maximum, not to mention the fight sequences were no where as good as those in such efforts as Drunken Master, Police Story to name. 

The stunts in this movie are extraordinary and are the best featured in any action movie. The shopping mall scene is literally one of a kind and has to be seen to be believed: the flying shards of glass, Chan who is left dangling outside the bus only by his walking stick as a madman frantically drives through the streets of the town, and Chan successfully making usage of all sorts of inanimate objects and prop devices as weapons to fight the bad guys with. 

Considering he is known for injuring and breaking every bone in his body and putting himself in harm's way, Jackie's persistence in showing his versatility as a stuntman himself by not relying on one, is somewhat of a testament to his reputation as a kung fu expert. Especially as he has the bruises to show for it. Thus, he has proved that he is no one-trick pony when it comes down to devising and coming up with various and clever looking moves.

Story-wise, there is not much to discuss but what it lacks in narrative, it makes up with its end-to end action and fight sequences. As for the dialogue, well it's not a really huge aspect of the film- which is why most fans of Jackie's and martial arts films are more interested in action, as opposed to the story.

Unlike say The Matrix, there are no wires or CGI, or any form of computer trickery involved. What you see is what you get- and what you get with Police Story is a great Jackie Chan epic, full of action and pulsating stunts.It is miles better than Rumble In The Bronx, Rush Hour and all his other American efforts.

Police Story is an excellent film and one I'd definitely recommend to anyone who is a novice Jackie Chan fan, but of whom are unsure which one they should watch first.

Sentiment: positive
As much as I dislike saying 'me too' in response to other comments - it's completely true that the first 30 minutes of this film have nothing whatsoever to do with the endless dirge that comprises the following 90.

Having been banned somewhere doesn't make a film watchable. Just because it doesn't resemble a Hollywood product does not make it credible.

Worse yet, in addition to no discernible plot (other than there are lots of muddy places in Russia and many people, even very old women, drink lots of vodka) a number of visuals are so unnecessarily nauseating I'm in to my second package of Rolaids.

As for spoilers - well, the film is so devoid of any narrative thread I couldn't write one if I tried.

Don't waste your time or money, and don't confuse this with good Russian cinema.

Sentiment: negative
This is one of the funniest movies i've ever seen. I rented it as a joke, expecting to get a giggle out of the first few scenes, and let me just say I've never laughed so hard in my life. The first scene where ninjas randomly pop out of the air and start a huge and ridiculous fire fight is one of the most incredibly funny stupid action movie moments of my life. This is not a dinosaur movie, but more a movie that makes fun (and doesn't mean to at all) of the action genre. I didn't see the first two, but judging by the complexity of the plot, I don't think there's to much I missed. If you wanna see a movie that goes great with a six pack or any herbal remedy, than I insist you rent this movie and sit back and watch a 100 years of advancement in cinema get thrown in the trash and get shat on by carnosours

Sentiment: negative
I can't say much about this film. I think it speaks for itself (as do the current ratings on here). I rented this about two years ago and I totally regretted it. I even /tried/ to like it by watching it twice, but I just couldn't. I can safely say that I have absolutely no desire to see this waste of time ever, ever again. And I'm not one to trash a movie, but I truly believe this was awful. It wasn't even funny in the slightest. The only bits I enjoyed were the few scenes with Christopher Walken in them. I think this film ruined both Jack Black and Ben Stiller for me. All I can think of when I see one of their films now-a-days is this terrible movie, and it reminds me not to waste my money. Amy Poehler is so very annoying, too.

Overall, well, I think you get my point. The stars are for Walken, by the way.

Sentiment: negative
Black comedy isn't always an easy sell. Every now and then you get a black comedy that is hugely successful, like Fargo, for example. But usually they don't often find big audiences. People seem to either set their minds for comedy, or for serious mayhem. There doesn't seem to be a big market for a good mixture of both. Throw Momma From the Train was a fairly decent hit, yet few people seem to remember much about it in this day and age. Danny DeVito just about hit this one all the way out of the park back in 1987.

DeVito plays an odd mamma's boy named Owen looking to rid himself of his outrageously overbearing and unpleasant mother whom he still lives with. The mother is played by Anne Ramsey, who passed away shortly after this was released, and she is quite a caricature. She is loud, ugly, rude, and overbearing. Though Owen hardly seems like he could take care of himself, he wants desperately to have his mother offed. He fantasizes about it in some truly weird scenes, but he clearly doesn't have the guts to actually do it himself. That's where Billy Crystal comes in. Crystal plays Larry Donner, Owen's creative writing teacher at a nearby community college. Larry is a paranoid would-be intellectual novelist who claims his ex-wife stole his novel and made millions off it. He is currently trying to write a new one, but cannot even come up with a decent first sentence. "The night was...." Owen hears Larry wish his ex-wife were dead during an outburst at the school cafeteria. And borrowing the idea from Strangers on a Train, Owen decides to travel to Hawai'i and murder Larry's ex-wife. Once it appears he has done so, he expects Larry to return the favor and kill his mother. The resulting action is often quite funny, and even poignant. It's certainly never dull and often full of surprises.

The acting is exceptional, even if Ramsey was a bit over the top. Crystal is as good as he can be, and DeVito has always been undervalued as a performer. The film relies on quite a bit of physical comedy which usually works, often painfully so. The film makes use of some truly innovative editing techniques in some scenes, and the off-beat tone is truly refreshing. I have often been critical of the late 1980s as being a time of artistic malaise and down right lazy film-making. Throw Momma From the Train takes chances. Both in how its characters are drawn as well as its general plot. How many comedies revolve around a son having his mother murdered? The film isn't too long, and it is chock full of laughs. Writers are apt to find it more interesting than the general public, but it can still be enjoyed by just about anyone. 9 of 10 stars.

The Hound.

Sentiment: positive
Film makeovers of old TV shows seems to be the norm in Hollywood these days, but this disrespectful, toilet humor, do-you-kiss-your-mother-with-that-mouth foul language, rip-off is a blatant middle finger to all Dukes of Hazzard fans both north and south of the Mason-Dixon Line. From the opening sequence of Bo and Luke Duke making a moonshine run for Uncle Jesse (no shine running in the show because it would put the boys back in jail as a parole violation) to the closing sequence of Uncle Jesse smoking weed with the Governor of Georgia (Uncle Jesse was the moral compass despite his previous moonshining ways) this disappointing waste of film is an open faced insult. I can't tell you how many parents I saw get up and remove their children from the theater within the first 15 minutes of the movie when they realized that they had been horribly deceived. The Original Dukes of Hazzard was a family show with basic moral values. The Original Dukes of Hazzard was a kid safe, Hemi powered, show of fun that parents didn't have to worry about teaching their kids George Carlin's seven words. I have read reviews stating that the show and the movie are nothing but racist. Those commits might be correct about the movie. Those commits are ABSOLUTELY incorrect about the show. The show, if anything, was about how to get along and be friends with ANYONE. Hollywood has finally come out in the open about their disdain for those of us, Yankee, Rebel, or otherwise, who still believe in honor, loyalty, trust, family, and doing the right thing even if it is not the popular thing. Hollywood has finally brought to light its belief that those of us in the heartland are stupid, uneducated, beer swilling, foul mouthed, trash that will buy any piece of garbage they are willing to sell. Prove the Hollywood Elitist that they are wrong. DO NOT GO SEE THIS MOVIE. Boycott the sponsors. Fill Warner Bros. email and snail mail boxes with complaints that we don't appreciate them destroying one of the greatest T.V. shows of all time. Save your money and buy the DVD's of the original show, but whatever you do DO NOT GO SEE THIS MOVIE

Sentiment: negative
Black Rain is a superb film, but watch out for the DVDs currently being sold for as much as $300 apiece. I have the DVD, and it's terrible. Very tiny non-anamorphic image that has to be blown up to resolution-killing size. Acceptable sound. This is a primitive DVD that absolutely *has* to be rereleased.

BTW, I also own the laserdisc and the VHS of Black Rain. The VHS is a huge step upward from the DVD! And the laserdisc has far and away the best picture of them allsubtitles in the black, sharp, big picture, simple but very good soundtrack. Buy the VHS and avoid the preposterous prices these scam artists are demanding!

Sentiment: positive
I would rather of had my eyes gouged out with rusty ice picks than have had to sit through this abortion. There is no plot. There is no acting ability . Ray Liota has shamed himself and should be blacklisted from any more work. I am so sorry that the industry allows crap like this to be shown on any type of medium. 

Rumor has it that Maddona threw herself to the floor to break her other arm so she could be taken away on a stretcher. Actullly, she deserves to be married to this loser and wanna-be-actor-director. I hope she stays in London and never returns to the USA. Please do not waste your money on this so called film. I beg of you.

Sentiment: negative
I watched full house when I was younger and I can not understand why I did. I don't remember really enjoying the show. I think I and the majority of Americans watching this were hypnotized by its badness. It will put you in a trance state and there is no going back. I am still scarred but I try to move on. I know it's a family show but that does not mean it has to be SO bad. The show is SO cliché with every episode ending with a "talk" from the dad to make everyone's problems go away. The characters on the show are all loathsome. There is a know it all, cleaning obsessed, corny father who you want to punch in the face every time he comes on screen. We then have a supposed "rocker" uncle that is just there to look pretty for the moms that have to watch this crap. We have another uncle who is completely unfunny who does lame Bullwinkle impressions (need I say more about him). There is the eldest daughter who can not act and is always whining about something. Then a middle daughter who always says, "HOW RUDE!" to pretty much everything anyone says. Finally, there is the youngest daughter Michelle. Do not get me started on Michelle played but the horrible actors known as The Olsen Twins. If you believe in Christianity I guess you would associate her with the antichrist. She is always demanding things, trying too hard to be "cute", is constantly saying "DUH!" and rolling her eyes which makes you want to smack her. I am not a big fan of using a lot of physical abuse as punishment to children. But in her case, I would make an acceptation. She needed it on a daily basis. She is the most selfish character to ever be introduced to mainstream television. One example of this is when her rocker uncle is busy doing his job in the attic. The brat decides to constantly annoy him and demand attention. He yells at her and she gets upset. POOR BABY! The rest of the episode is catering to her emotional needs and the uncle eventually apologizes to her. UGGHH! The show will lower your IQ along with slowly destroying your will to live. I am surprised we don't hear in the news about full house being played in the background when police find people that have committed suicide. Do yourself a favor and do not watch reruns of the show. You will thank me later.

Sentiment: negative
Firstly, let me make it clear that I love aircraft, and usually any film with them in is worth watching - and I've sat through some shocking ones. However, the same is not true of this film. James Stewart is an excellent actor, but he is wasted in this Strategic Air Command promotional film. The acting is mediocre, and the direction is weak. I had to stop watching this awful rubbish about half way through. This was despite some really good, maybe even the best, aerial photography. The trouble is, even for an aviation nut like me, making something out of the shocking aircraft featured (B-36 and B-47) just grates on the nerves too much. It's a shame that the film wasn't made when the B-52 appeared, then the superlatives used for the aircraft in this film would have been valid. Then I might have been able to sit through it. Perhaps I'm missing the point of the film, which may be the angst suffered by loved ones while their beloved are on active duties. In any case, it could have been done much better. Recommendation? Well worth missing.

Sentiment: negative
Is this a bad movie? Don't take my word for it. Consider the following press reports of people who tried to watch this movie: 

· While he was watching this movie, the brain of Mr. Harold Faber of Sandusky, Ohio, forcibly ejected itself from his skull at over 200 kph and preceded to squirm across the floor shrieking NOOOO NOOO NOOOO.

· Mrs. Louise Robbins of Enid, Oklahoma, a 69-year-old retired homemaker, committed ritual seppuko with a butter knife while watching this movie.

· Ms. Janine Hosmer of Columbia, South Carolina, gave birth to a severely deformed baby while watching this movie, although she had not been pregnant.

· While watching this movie together, Mr. and Mrs. Lawrence Wells of San Franciso, California, spontaneously exploded with such force that Mr. Wells's left tibia was later found embedded in the wall of a house in Marin County.

There have been many similar incidents.

Of those who did not suffers more serious effects such as those detailed above, at least 75% became incurably, violently, and understandably insane after viewing this movie. Of the remaining 25%, most had already been insane before viewing the movie; the remainder were either blind and/or and deaf or in a persistent vegetative state.

I'm not saying don't rent it, if you want to. I'm just reporting what was in the papers.

Sentiment: negative