DoubleML/multimodal_confounding huggingface dataset:
It's not well shot, well written or well acted but it has to be the most addictive show I've seen since Twin Peaks. Every single revelation is timed so well that you have to see the next episode to get any kind of closure. They have even slowed down the pace of the show where they only reveal tiny amounts of information per episode however it feels like they've just told you everything you wanted to know. However some of the acting is just about awful and some of the duologue is downright brutal. Some characters are very two dimensional. The more experienced actors like Locke and Ecko really stand out over actors who play Jack, Kate, Sayid and so on. The development of the show can also be very frustrating as the following episode may not show what the previous episode lead up to. Annoying side plots have become part of the story that sometimes tell you nothing. However, the second season has developed to a point where back stories reveal more about the island than they had previously. All in all its a great show but not perfect.

Sentiment: positive
I used to watch this show when I was a little girl. Although I don't remember much about it, I must say that it was a pretty good show. Also, I don't think I've seen every episode. However, if you ask me, it was still a good show. I vaguely remember the theme song. Everyone was ideally cast, the costume design was great. The performances were top-grade, too. I just hope some network brings this series back one day so that I'll be able to see every episode. Before I wrap this up, I'd like to say that I'll always remember this show in my memory forever, even though I don't think I've seen every episode. Now, in conclusion, when and if this show is ever brought back on the air, I hope that you catch it one day before it goes off the air for good.

Sentiment: positive
Splendid film that in just eight minutes displays an unusual genre mix: mystery, thriller, musical. Briefly, we are allowed to tell about the story: a girl comes into a European Cafeteria and then... Soft transit from nonsense mystery to narrative logic. In a no time, no place way Vigalondo managed a delight in B/W by means of imagination and despite (thanks to) the tightest of budgets.

Because of the unity of time-space the film reaches the intensity of a short poem (almost a haiku). Spain, land of quick poetry in B/W (¿remember the early Buñuel?).

A must see for reassuring our belief in young cinema outside the States.

Sentiment: positive
While the dog was cute, the film was not. It wasn't the premise, or the theme that was a problem. The premise had great possibilities for humor and pathos both. The theme is a worthy one. Helping other people is more important than amassing a fortune.

Sadly, the adorable dog, the unique premise, and the theme were undercut by poor acting, stilted dialogue, and amateurish filming.

Even my youngest child who will sit through almost anything gave up before we had gotten halfway through. How many times can that dog run up and down the same hallway? I can't spoil it for you, as I never saw the end. It just was not worth watching all the way to the end.

Sentiment: negative
AWFUL wot more can i say i remember seeing it in the cinema (see how it sticks painfully in the memory)as a 16 yr old lad. Mark Hamill was the older generations skywalker and wasn't great at that, he was worse in this. Plus a dour soundtrack by Then Jericho AAAAARRRRRRGGGGGGHHHHHH. There is one film equally as bad as this i saw in the cinema Arthur 2 on the rocks. Funny how that question "What is the worst film you have ever seen is?" is easier than "what is the best film?" which incidentally varies between The Italian Job (original), Untouchables, Casino, Things to Do in Denver, Goodfellas (getting a sense of what I like??? - this will fool you!) Finding Nemo, Pirates of The Caribbean and Moulin Rouge! Please Never Watch this film or it will stick in your memory too!

Sentiment: negative
Bela Lugosi gets to play one of his rare good guy roles in a serial based upon the long running radio hit (which was also the source of a feature film where Lugosi played the villain.) Lugosi cuts a fine dashing figure and its sad that he didn't get more roles where he could be the guy in command in a good way. Here Chandu returns from the East in order to help the Princess Nadji who is being hunted by the leaders of the cult of Ubasti who need her to bring back from the dead the high priestess of their cult. This is a good looking globe trotting serial that is a great deal of fun. To be certain the pacing is a bit slack, more akin to one of Principals (the producing studios) features then a rip roaring adventure, but it's still enjoyable. This plays better than the two feature films that were cut from it because it allows for things to happen at their own pace instead of feeling rushed or having a sense that "hey I missed something". One of the trilogy of three good serials Lugosi made, the others being SOS Coast Guard and Phantom Creeps

Sentiment: positive
I own this movie. I've seen it over 20 times and every time I still get weepy. Its a Great love story, surprises, and you can definately feel chemistry between Klein and Sobiesky. I definately give this movie a perfect 10. I recommend this to anyone.

Sentiment: positive
Quite frankly it seemed like seven hours of boredom as well. What is it? What is it about Will Smith that I just can't stand any longer? I guess he just seems too hellbent on being taken seriously and obtaining an Oscar. I understand how bias this is, but unless he undergoes some new acting lessons I can't ever see him winning one. He's a huge name and is therefore generally confused with being a talented and diverse actor. He's just not. I give him credit for trying so hard, and being able to cry at the drop of a hat. That's about it.

Seven pounds was kind of an eyeroller for me, right from the start. The suicide 911 call didn't intrigue me in any way. I wasn't curious to know why he was calling in his own suicide. There were absolutely no surprises. The best I can say is that Will Smith and Rosario Dawson had some decent on screen chemistry. Also, I don't know her name, but the hispanic woman did an excellent job with her role as a scared and beaten wife. Woody Harrelson had very limited screen time, but I'd say he stole the show whenever he was on.

All in all, just an extremely run of the mill unoriginal plot. I couldn't help asking myself the whole way through why I cared about any of these people. Never once felt sorry for 'Tim/Ben'. He killed himself with a jellyfish? Was the only survivor in an 8 person accident? Geewiz..didn't see any of that coming...

5/10 is pretty generous.

Sentiment: negative
My cable TV has what's called the Arts channel, which is a "catch-as-catch-can" situation sometimes, sometimes films, sometimes short clips of films or ballets, and I came into this just as the bar scene came on, where they tear up their coupons. Excellent, exquisite, Ealing wins again, my wartime-Glasgow-raised mother would love this, should I ever find a copy of it. Some of Britain's best artists, from Mr Holloway to Wayne and Radford and the delicious Miss Rutherford, having a wonderful time gently sticking it to the Home Office. Loved the last scene, where as soon as they are "back in England!" the temperature plummets and it rains...

Sentiment: positive
The director, Ramin Niami, delivers the goods with Somewhere in the City. This hilarious farce, I believe, is in the tradition of a Mel Brooks comedy. Niami pokes fun at New York society by creating the believable, eccentric, and tragic characters of one tenement apartment building bringing them to life from the very opening one shots that introduce them. Peter Stormare's performance as a gay Shakespearean actor is absolutely award worthy and the film in general does a good job at showing the hopelessness and laugh-ability of self-centered ambition. Sandra Bernhard is cast perfectly as the straight, self-obsessed therapist. I really enjoyed Sandra's performance immensely especially since I haven't really been a very big fan until now. Bai Ling, Ornella Muti, and Bulle Ogier round out an international ensemble par excellence. I loved the scene with Robert John Burke and his gang of idiot criminals who couldn't plan a robbery if their lives depended on it. With a cameo appearance by Mayor Ed Koch and a solid performance by Paul Anthony Stewart, the revolutionary momma's boy, Somewhere in the City entertains without missing a beat.

Sentiment: positive
WHO'S GOT THE GOLD? is (unfortunately) the last of the HANZO THE RAZOR films, starring Shintaro Katsu as the title character - the multi-weapon proficient, authority-bucking samurai officer with the "unique" technique of raping confessions out of unwilling female informants until they "spill the beans" and beg for more...

This entry starts with Hanzo "uncovering" a woman who poses as a ghost to guard a lake that's filled with bamboo trunks filled with gold stolen from the Treasury. This leads to Hanzo discovering a loan-sharking scheme and an orgy ring run by a blind monk. The requisite swordplay and rape/interrogation ensue - finalizing in a decent ending for this strange trilogy of films.

Not quite as strong and enjoyable as THE SNARE (part 2 of the series...), but still great for fans of samurai sleaze and Japanese pinky-style films. 8/10

Sentiment: positive
Truly, truly awful. I don't even know where to begin. This is a perfect example of a movie that doesn't know what to do with itself. I'm not sure I could even assign a category myself, except that I'm quite sure it's a slap in the face of everyone, every where. Even the unborn.

At times, I thought I was watching a parody, or some kind of farce. At times, just a bad B movie. But I kept holding out for the porno, which, I fear, is almost(but not entirely), non existent.

Some one advised skipping to the ending. I would definitely second that emotion. The last five minutes are intense, and certainly contain some of the best film making/cgi you will ever see, ever.

Ed Wood would be proud.

Sentiment: negative
The problem with this movie is that it is trying to compile a 6+ hours movie into 2 hours. The result is clear. It seems too forced, unclear and too simple minded.

The only plus side is the beginning. It explains well why and how Hercules was born. The rest of the movie was...just mumbo jumbo that is put together. It has a potential to be a great movie like LOTR if only it is not forced into 2 hours.

The acting is not very convincing either. OK not all is bad. But most of them are. Special effects are stupid and look like it is made ten years earlier (although the 1st monster is pretty good) Overall, I give it 4 out of ten for the reasons I described above.

Sentiment: negative
Pam Grier stars as Coffy. She's a nurse who seeks revenge, on the drug dealers who got her sister hooked on bad heroine. Like any 70s Blaxploitation flick, you can expect to see the racist bad guys get their just desserts. 

There were scores of these films made during the 70s, and they were really demeaning to both black and white audiences alike. This is mainly due to the vicious racial hostility in these films, and the degrading, stereotypical characters. Especially the female characters. 

Other common threads between Coffy, and other films of its type, include brutal violence, corrupt cops, car chases, a generous abundance of nudity, and sex-crazed gorgeous women. Not to mention urban ghettos populated by drug-dealers, pimps, mobsters, and other criminal scum.

Pam Grier, was the undisputed queen of 70s Blaxploitation heroines. She was magnificent, being both tough-as-nails, and drop-dead gorgeous. Like in her other films, Pam outshines the other characters, in Coffy. In fact, Pam is so charismatic on screen, that these sorts of films are unwatchable, without her as the main character. 

If you like Pam Grier, you're better off seeing her other films, like Foxy Brown, or perhaps Friday Foster. These films have much less empty sleaze, than Coffy does. Pam's character in Coffy, degrades herself way too much to get the bad guys. Pam's characters in her other Blaxploitation films, don't stoop as low to get revenge, as Coffy did. 

I'd say, only watch Coffy, if you're unable to see any of Pam Grier's other films. Otherwise, Coffy is a waste of time. Only Pam's talent as an actress, makes viewing Coffy bearable.

Sentiment: negative
Despite its many faults, Hallmark's 1995 version of Gulliver's Travels is still the finest adaptation of Jonathan Swift's satirical classic - largely because it not only includes ALL of Gulliver's many travels but also includes the satire that's often overlooked. Unfortunately the twin problems of the book's highly episodic structure and a television budget (even a fairly lavish one) remain. The book is a somewhat rambling collection of traveller's tales moving simply from one surreal landscape to another, but Simon Moore's adaptation tries to impose some order on the chaos by providing a parallel plot that sees Gulliver returned to England clearly deeply traumatised and trying to prove his way out of the insane asylum where the rival for his wife's affections has had him committed. The England scenes at once mirror and comment on the travels, elements of which occasionally spill over into the real world. The trouble is that for the first hour or so it acts more as a distraction, constantly pulling you away from the story just as it starts to get interesting. The Lilliput scenes suffer worse here, with the feeling that the home scenes are too often designed to save them from filming the more expensive setpieces - this has to be the only version where we don't see Gulliver pulling the Blefescu fleet behind him.

Yet once Gulliver makes his escape, the tone becomes more consistent as he finds his situation reversed and himself the pet of the giants of the Utopians of Brobdingnag, a guest of the wise men of the floating island of Laputa who are so engrossed in science that they have no common sense left, the guest/prisoner of a historian who leans history directly from the source, offered immortality with all it's terrible consequences before finally finding a world he wants to belong if only he can convince the sublime talking horses the Houynhnhms that he's not an uncivilized Yahoo, each new destination convincing him of what an absurd and petty species humanity is. For the most part it's a darker set of Travels than expected, with only Gulliver's curiosity and commonsense and disappointment keeping it from plunging into irretrievable bleakness - and even this is offset by the scenes in the asylum where it becomes more obvious that even if he is telling the truth it may well have driven him genuinely insane. It's in these latter scenes that Ted Danson's Gulliver really shines, never more so than in an extraordinary speech where he turns his trial into a disappointed judgment on the whole human race.

Being made for television, the Yahoos are rather less literally scatological here than on the page, but for the most part this is a more adult treatment than you might expect with no real dumbing down. The star cast is certainly impressive, and for the most part well-used (if somewhat briefly in a few cases) - Mary Steenburgen, James Fox, Peter O'Toole, Edward Woodward, Omar Sharif, Shashi Kapoor, Edward Fox, Ned Beatty, Alfre Woodard, Kristin Scott Thomas and Isabelle Huppert among them. It's hard to imagine the upcoming Jack Black version even coming close to being a fraction as impressive as this.

Sentiment: positive
During the cheap filmed in video beginning of Crazy Fat Ethel II, I wondered if it was the same film that was on the cover. Unfortunately, it was. The story itself is mindlessly simple. Ethel, a homicidal maniac with an eating disorder, is released into a halfway house because of hospital overcrowding. She is by far the most sane resident watching while one man puts dead flies into another's soup. Ethel is then teased by one of the halfway house employees with a chocolate bar after he hits on the cost cutting measure of feeding the residents dog food. Ethel retaliates by strangling him with a wire noose on the stairs and then....well, you get the idea. If this all sounds like fun, it isn't. This film was poorly made with cheap effects and even worse acting. The characters are so wooden when delivering their lines that they should be standing out in front of a cigar store. To make matters worse, half of the film consists of flashbacks to the first Ethel movie, Criminally Insane, which is little better. A VERY poor effort.

Sentiment: negative
This is a truly great and beautiful movie. The underlying theme of this movie is the innocent child (Heather Graham as Joline) struggling to make her naive wishes for how the world should be make sense while being incessantly beaten down by the real world. It's not an unhappy movie, though - exactly the opposite. It's a funny movie with a sad side, but just thinking about the movie makes me feel so happy. Near the beginning of the movie, beautiful, vulnerable Joline confronts a drug addict attempting to break into her friend's car. She reasons with him, convinces him to seek help, and gives him $30 as a start. At the end of the movie, he reappears to pay her back, explains that he is off drugs, doing well, and he thanks her. I can hear the cynics groaning. Of *course* that would never really happen. This movie doesn't take place in the real world. It takes place in the world we wished we lived in. The sad part is realizing we don't live there. The happy part is knowing there are people wishing we did.

Sentiment: positive
This movie is one of the poorest adaptations of a fabulous book that I've seen. Jean George's novel is a fantastic book that I think is an outstanding read for any child. I can't give the same endorsement to this movie.

Sentiment: negative
I loved watching the original Azumi with its mix of live action manga, compelling storyline, cool soundtrack, directing (Kitamura rocks!), editing, and not to mention the beautiful Aya Ueto who filled the part perfectly. So I was really looking forward to seeing Azumi 2, but after finally seeing it I felt like i had won the lotto and lost the ticket:( Azumi 2 picks up where Azumi left off, however these are completely 2 different movies. The pace is a lot slower, the action is not as exciting and as well choreographed and there is not a lot of character development. This was apparently directed by the same guy responsible for further reducing the value of the TOHO monster franchise (if that is possible!). I agree with some other past reviewers who say that this was a lost opportunity. If only Ryuhei Kitamura continued with this installment. There is however some beautiful Japanese forest scenery to look at while the slow action unfolds and we are introduced all too briefly to bit characters who quickly get killed off. Even the real bad guys, get killed off too easily without too much of a fight. The fight with the Spider guy (straight out of an episode of Monkey!) in the bamboo forest was about the only memorable fight scene. Wheras in Azumi 1 we had a climactic fight scene with barrel camera effects, Azumi 2 brought us the Azumi cape cam!! Azumi's rampage at the end was unconvincing, but Aya still does an okay job. She looks great in the cape...but where did she get it from? I don't think i will be watching this one over and over again! ...what a pity.

Sentiment: negative
The statistics in this movie were well researched. There is no doubt about it! Al Gore certainly presents his case very well and it is no wonder that this movie got the praise that it got. Al Gore is certainly quite an actor. He sounds so concerned. But actions speak louder than words! Throughout this movie, there are political tidbits and references to his political career sprinkled throughout the movie.

Jimmy Carter, unlike Al Gore, is a man of integrity who not only talks the talk, but walks the walk as well. When Carter thought we needed to conserve energy, he turned down the thermostat in the White House and got warm by wearing a sweater.

Al Gore tells us that we have to conserve energy and claims that we are creating global warming while he travels around in his own private jet. How much energy does his jet use and how much more pollution does his jet create? How much energy does it take to heat Gore's swimming pool behind his mansion? It would be nice if we could conserve electricity by using smaller appliances and making it a point to turn off anything that is not being used. But if we did, the power company would react to a 50% reduction of energy by calling it a "50% loss in revenue" and recouping their losses by raising the rates by 50%. So "just turning it off" would not be a very good idea.

This movie is a veiled appeal to allow Big Goivernment to take control of everything, in the name of saving planet earth, that is.

Sentiment: negative
I rented this film because of my interest in American history, and especially the somewhat weird story of the Mormons. This movie attempts to make some sense out of how Joseph Smith could turn his "vision" into a major world religion. It first focuses on the troubles the Mormons had in their settlement at Navuoo, Illinois. It portrays the trial of Joseph Smith. Within the course of that trial, Brigham Young stands up to tell of his conversion to Mormonism, and of his belief in the spiritual message of Smith. Then Smith is assassinated, and Young must deal with his own doubts about whether he has been chosen to lead the Mormons to a new land. Despite his grave doubts, he perseveres, and finally has a vision (that Utah is the place for his colony) that gives him confidence in the rightness of his leadership. Later, as crops are destroyed by crickets, he again doubts that he has truly been chosen--however, a miracle occurs, which cements his place in history.

I found the performances to be moving, and the story to be convincing and interesting. I would love to know whether Mormons believe that this is an accurate portrayal. Polygamy is a part of the story, but the reasons why this is central to LDS are not raised. The issue is not emphasized.

I'm sure people stay away from this movie because of its religious subject-matter, but it has a great cast and will hold your interest throughout.

Sentiment: positive
Let me start by saying that Liev has gained a ton of respect from me after seeing his directorial debut "Everything Is Illuminated". Anyone who has read the book knows how saturated the story is with nonsensical and hilarious vocabulary by Alex along with countless flashback scenes and crazy dreamlike sequences. Liev took all of this and made it work. The movie itself is great - the soundtrack, the performances, the cinematography - it all works. There is a lot of story missing about the town and its inhabitants, but there's only so much you can do with an indie, so this part of it didn't bother me too much. It's just disappointing that not a lot of people will see this movie or even know that it exists because of the lack of promotion that came with it. I didn't even know it was in theatres. I didn't know when the DVD came out. You'd think that since Frodo Baggins was one of the main characters, SOMEBODY wouldve at least released a commercial for it. I had to see the trailer on my "Paradise Now" DVD (released on DVD in the Spring of '06) to even know that it had a "Fall of 2005" theatrical release date. Haha - sad really.

Anyhow, if you stumble across this review somehow because one of your friends read the book and loved it or saw the movie and are recommending that you see it - take my advice and watch it. It's a very good experience.

8 out of 10.

Sentiment: positive
Why wasn't this voted for Best Picture of 1998? This has to be the best movie ever. It makes something like Citzen Kane look like utter crap, come on, Citzen Kane wasn't even in color! I love this movie, it has to be the best movie I've ever put money down on. I am still shocked that it wasn't nominated for ANYTHING!

 If 10 is the highest you can give it, I give it 20!

Sentiment: negative
This cheapo exploitation flick is some genuinely insipid stuff, courtesy of spaghetti land director Lamberto Bava, who wisely left his name off this junk.

The basic crux of this outing concerns the discovery of some brutally mutilated individuals being washed-up on shore in the Caribbean. Authorities initially believe them to be victims of shark attacks, but as the investigation unravels, turns out to be something much more sinister.

All of this ultimately amounts to very little however, we have here - poor dubbing complimented by similarly weak script, which often consists of nonsensical jabbering, and is really of little consequence for the most part. Acting can only be described as sub-par, which is par for the course in this instance. Truly lax direction doesn't help things either.

Special effect mainly is for numerous close-ups of various gory bodies missing limbs, and so forth. Of course, there is the obligatory creature which periodically emerges at feeding time, which looks something like a big monster octopus thing, where its animation only consists of its pointed teeth ascending and descending in rhythmic articulation. Overall, the end result is none too convincing, sure, but admittedly is almost entertaining in a cheesy kind of fashion.

It seems what the film makers were going for was a sort of low-rent hybrid of Jaws and Piranha, but the final product is just a bloody shambles, much like the corpses incessantly shown throughout this picture. I find it difficult to think of any redeeming attributes to warrant viewing this, so moreover, strictly for incurable monster movie addicts.

Sentiment: negative
Fantastic Chaplin movie with many memorable moments as Charlie joins the army to fight in WW 1.

At first he goes to boot camp, where he has to learn how to handle his rifle and how to walk in line. That's a really funny scene as the tramp is not used to keeping his feet straight!

Next thing you know he's in France in a trench. Hilarious scenes here include a starving Charlie eating the cheese of a mousetrap and reading a letter from home over someone's shoulder.

When Charlie goes to sleep he finds his bunker all flooded and his roommate snoring. This is such a funny part! I can't really describe it, just watch the movie. When Charlie wakes up his legs feel numb so he tries to 'wake them up'. It had me rolling on the floor when it turns out his second leg still feels numb... while Charlie actually rubs his roommate's foot!

The movie then turns a bit grim, as Charlie shoots a couple of Germans from his trench (although it's done in a very funny way) and him personating as a tree to get close to the enemy, saving a friend of his from a death squad.

Last part is him getting a french girl in trouble by hiding in her house. He then has to save her and while doing so he captures the german kaiser as well. To do so he impersonates a german kolonel or something. I love it when Charlie is asked something in german and he's like nein nein nein. The soldier looks at him in a funny way so Charlie changes his mind: ja ja ja! The kaiser gets captured and Charlie is the hero... but then he wakes up again in bootcamp, it was just a sweet dream!

Charlie did one of those 'dream-sequences' before (The Bank comes to mind) but who cares, this movie was so funny it had me laughing all the way. Chaplin also has something to say with this movie (as his later work became more of a social comment to several mishaps in the world) and is explained best in the last sentence of the movie: 'Peace on earth, good will to all mankind.'

In short: a Charlie classic, very funny, timeless. 9/10.

Sentiment: positive
Caught this movie on the tube on a Sunday. I thought it was so bad I looked it up on IMDb to see what others thought of it. I was not surprised at the amount of silly people who enjoyed this fluff. I was however surprised when I looked into the comments to read the Hated It categories only to find that their were none. I was shocked at this; I always look at the hated it's as their are always those who hate a movie no matter how good it is. Somehow this movie made it through unscathed by the haters I say nay to that and proclaim proudly that I HATE THIS MOVIE! I know I should go into detail about why I hate this movie but to do so would only grant this movie more respect than it deserves.

Sentiment: negative
This all looked quite promising. An up-and-coming Presidential adviser is framed for a series of murders, as he has been tipped off that a conspiracy is going on within the White House. It stars the excellent Donald Sutherland among several capable actors. Yet very few people have a good word to say about it.

The whole thing really needed some depth. You can pick up the idea that the President is being too left-wing with his ideas, and some within the Government want him dead to stop those ideas being carried out. Conrad appears to simply want the country to be Governed his way, rather than the way of the elected leader.

However, the action scenes had a few logic holes - the sewers and elevators already mentioned, and the rather haphazard assassination method - and Linda Hamilton's character is completely uninspired. Her 'the President's my Father' 'diversion' was ludicrous - that would make the President about 10 when that happened. Worse still was her predictable final scene with Bishop.

They could have made a challenging, inventive political thriller, but either bottled it or failed. They could've gone to town on special effects, but the good ones were wasted. They could have achieved so much more in general. This was barely worth the £1 it cost me.

Sentiment: negative
This is another classic Seagal movie. He walks, no, cruises through the patriot just all the other Mega Seagal movies. Nothing even comes close to challenging Seagal in this movie except maybe the part where he has to find a cure for this so called 'plague' and he starts throwing things about the lab but it all works out, i mean lets face it, its Master Seagal, he's got to win. What about his outfit in the film, masterpiece, he must have picked it himself. Its great that everyone in the film is dying after being exposed to the virus but Seagal doesn't even get a cough. The incident at the end when he kills the fat guy with the broken glass, genius, i bet Seagal thought of that one as well. This film is class pure and simple. great plot, great characters, and Seagal.

Sentiment: positive
God, I am so sick of the crap that comes out of America called "Cartoons"!

Since anime became popular, the USA animators either produce a cartoon with a 5-year-old-lazy-ass style of drawing (Kappa Mikey) or some cheep Japanese animation rip-off. (Usually messing up classic characters) No wonder anime is beating American cartoons! 

They are not even trying anymore! 

Oh, I just heard of this last night; I live in the UK and when I found out this show first came out in 2005,well, I never knew the UK was so up-to-date with current shows.

Sentiment: negative
The characters are cliched and predictable, with everyone being either snow-white pure or wholly evil. The acting is too stilted for it to be bad in an amusing, over-the-top way. It's doubly disappointing if you're a Bette Davis fan, because her character is not a typically fun Bette-Davis-type character; she just gets to frown pensively a lot.

On the whole, neither my wife nor I found the movie to be interesting, moving or enjoyable at all.

Sentiment: negative
Of the three titles from Jess Franco to find their way onto the Official DPP Video Nasty list (Devil Hunter, Bloody Moon and Women Behind Bars) this is perhaps the least deserving of notoriety, being a dreadfully dull jungle clunker enlivened only very slightly by a little inept gore, a gratuitous rape scene, and loads of nudity.

Gorgeous blonde Ursula Buchfellner plays movie star Laura Crawford who is abducted by a gang of ruthless kidnappers and taken to a remote tropical island inhabited by a savage tribe who worship the 'devil god' that lurks in the jungle (a big, naked, bulging-eyed native who likes to eat the hearts of nubile female sacrifices).

Employed by Laura's agent to deliver a $6million ransom, brave mercenary Peter Weston (Al Cliver) and his Vietnam vet pilot pal travel to the island, but encounter trouble when the bad guys attempt a double-cross. During the confusion, Laura escapes into the jungle, but runs straight into the arms of the island's natives, who offer her up to their god.

Franco directs in his usual torpid style and loads this laughable effort with his usual dreadful trademarks: crap gore, murky cinematography, rapid zooms, numerous crotch shots, out of focus imagery, awful sound effects, and ham-fisted editing. The result is a dire mess that is a real struggle to sit through from start to finish (It took me a couple of sittings to finish the thing), and even the sight of the luscious Buchfellner in all of her natural glory ain't enough to make me revisit this film in a hurry.

Sentiment: negative
Kol, space prisoner on space death row, manages to hijack a space shuttle and escape to the woods of America where he, along with some new found friend try to escape from the 'Alienator" a female cyborg killing machine. Made one year after the best movie of Fred Olen Ray's career, "Hollywood Chainsaw Hookers", this one can't help but feel like a bit of a letdown. Just as low-budget as that earlier film, but not nearly as fun as I had with it. None of the actors really stood out at me. The film is alright for the undiscriminating viewer during a rainy Saturday afternoon, but that's pretty much all it's good for.

My Grade: D+ 

Where i saw it: Showtime Thriller

Sentiment: negative
All this show is, is the same plot. Kuszko (spelling?) is in danger of failing school, he needs to pass to become emperor. He needs to learn something, which he thinks is stupid, he then uses it/ learns more about it and realizes it's not so stupid. Eezma, posing as the principal, tries to transform Kuszko into some animal to stop him. Every episode.

Jokes from the movie are copied (Eezma's incredibly complicated plans, Kuszko breaking the 4th wall constantly, squirrels.) They should try hiring some writers.

2/10

Sentiment: negative
First of all , you should watch this only if you don't mind the lack of subtitles , pornography , kinky sex and utter , horrifying and truly shocking depravity . I mentioned kinky sex , but to call sex in the second half of the movie " kinky " would be a great understatement . It's more like a punch in the face if you aren't prepared for this sort of sickness . That being said , I can go back to reviewing this morbid piece of pseudo - snuff genre brought to us by our fellow Japanese .

The plot seems to be fairly basic , almost nonexistent : a girl is hired to perform in amateur porn movie . Don't expect much in first 30 - 40 minutes . There is some dialog - if you don't speak Japanese it's not going to mean much to you - that seems to be an occasional chatting between the girl and the crew & performer , then there is some porn ( straight sex ) , and after the scene is finished the performers and the crew take a break . And then ... it starts to happen .

It seems that the girl is talked into performing one more scene - this time tied with the rope . The abuse begins : whipping , slapping , hot wax ... In the end , girl breaks down and cries . They untie her .

Then we see performers and crew sitting at the table as if nothing had happened - except for the girl . She is visibly shaken and looks like she wants to leave . She walks to the door , sits on the floor to put her shoes on ... and that's when hell breaks loose .

She is hit in the head with the baseball bat , her wound is treated , she is tied to the bed . What ensues can be briefly described ( I'm not going to spoil everything for you ) as rape during dismemberment . Think of " Flower of flesh and blood " , mix it with porn and you will get the idea .It goes on for about 20 minutes or so . SFX are very good , makeup too . Everything is shown , with no mercy for the viewer . You have been warned .

I thought " Visitor Q " was a very sick movie . After watching " Niku daruma " it looked like a fairytale to me .This movie is so sick , so depraved , so twisted , so disgusting that the harshest words pale in comparison to it's finale . Too bad it's released only on VHS so there are no subtitles available . But the movie still works without them . So , if you are into ultra sickness , extreme sadism and other beauties of this beloved genre , check this out . I hope you won't have nightmares .8/10 .

Sentiment: positive
I just accidentally stumbled over this film on TV one day. It was aired in the middle of the day on a channel not exactly famous for airing good movies. This one, however, was nothing less then good.

October Sky tells the true story of Homer Hickam, a boy inspired by the Sputnick launch to become a rocket scientist. He and his friends begin to build rockets. His father is not to happy about his sons new found hobby and would rather see him become a coal-miner as himself or go to college on a football-scholarship like his brother.

The story is well written. A bit too predictable maybe, but that's OK cause it doesn't focus too much on those parts of the story. It's important part, but where this is obvious the inner action, the action between the characters is focused on. The story is good. It has some clichés, but that's OK. It's based on actual event's so you kind of can't just drop out these clichés. The characters are really good. Where the story is on a downhill the characters are brought out and manage to keep the action and the quality of the movie high. You get to know these characters and you get sympathy for them. They are well written and believable.

This is a good looking movie. The sets and the 50's style is thorough and the pictures are well composed and well lit. This all sets the mood of the film very good.

The acting is really good. Jake Gyllenhaal delivers a great performance as Homer Hickam and Chris Cooper is good as John Hickam. As for the rest of the cast they are good too. All together this makes out a pretty strong cast.

All in all I'm glad I caught this movie. It was first after seeing it I learned that it was based on actual events. If I had known that when seeing it, it would probably just be even more interesting. October Sky is a good and interesting movie. It's a movie I believe everyone can enjoy. It's kind of a feel-good movie. Not bad at all!

Sentiment: positive
Darkman 3: Die Darkman Die is directed by Bradford May, the same guy who made the first Darkman sequel too. Darkman 3 is worse than Darkman 2, and is nothing special, in my opinion. Larry Drake is no more as a main villain, who is now played by great Jeff Fahey, whose character once again wants to get Darkman's work and create this time some ultra strong humans in order to get the leadership of the whole city. The film is pretty much the same in plot and execution as Darkman 2, but I was mostly irritated by the presence of many scenes from Darkman 2. These sequels were made in short time and with little money, so these kind of decisions had to be made. Couple of scenes are pretty stylish and exiting, but still this is pretty tired film and often irritatingly stupid, too. The characters scream and laugh too much and it is very annoying. There is no any philosophical depth in the film, and this is like a remake of Darkman 2 which it still cannot equal. Darkman 2 had many great scenes and stylish camera work, and Larry Drake's ability to play great villain. Darkman 3 offers only some nice scenes and moments, but mostly this film is tired and full of cliches. The few positive things in this movie are flashback edits (Westlake's nightmares) and couple of truly surprising plot turns and tricks. And worth mentioning is also pretty nasty death scene of the main villain which was pretty comic book like and inventive without any gore. Far more interesting than the death of main villain in part two. 

Darkman 3 is worst in the whole series, and we must remember that these two sequels were made directly to video and they don't come even close to Raimi's original Darkman with Liam Neeson. Darkman 2 was okay actioner with plenty of great scenes and suspense, but this last (?) entry is tired and often stupid and boring piece of sequel. It has some merits as mentioned, but overall feeling is that this should not been made in the first place. May is talented director so hopefully he can get some more noteworthy projects in the future.

3/10

Sentiment: negative
Laura Fraser creates her ideal man on a virtual reality machine and he's suddenly brought to life, of course. Oh what jolly japes don't ensue in a Britcom flop so Day-Glo bright yet so dismal it manages to make the execrable 1980s American teen flick Weird Science look almost decent. The sex-obsessed script is by The Sun film critic Nick Fisher, a former teeny-mag 'agony uncle' who's obviously never watched an episode of Smack The Pony in his life; shame, because then he might at least have been in with a shout of writing female characters that were recognisably members of the human race. This knicker-twisting lot have all too clearly emerged from the virtual brain of someone who imagines they're amusing. Suddenly, the thought of new-wave Iranian cinema is somehow attractive.

Sentiment: negative
I dont know why people think this is such a bad movie. Its got a pretty good plot, some good action, and the change of location for Harry does not hurt either. Sure some of its offensive and gratuitous but this is not the only movie like that. Eastwood is in good form as Dirty Harry, and I liked Pat Hingle in this movie as the small town cop. If you liked DIRTY HARRY, then you should see this one, its a lot better than THE DEAD POOL. 4/5

Sentiment: positive
The Ballad of Django is a meandering mess of a movie! This spaghetti western is simply a collection of scenes from other (and much better!) films supposedly tied together by "Django" telling how he brought in different outlaws. Hunt Powers (John Cameron) brings nothing to the role of Django. Skip this one unless you just HAVE to have every Django movie made and even THAT may not be a good enough excuse to see this one!!

Sentiment: negative
Awkward disaster mishmash has a team of scavengers coming across the overturned S.S. Poseidon, hoping to loot it before it goes under for good. Irwin Allen's sequel to his 1972 blockbuster "The Poseidon Adventure" arrived in theaters SEVEN YEARS LATER! Never mind that nobody cared anymore, why give us such a shoddy production, filled with dim characters and miscast actors, only to trash the memory of your biggest hit? One might end up feeling really sorry for Michael Caine, Sally Field, Peter Boyle, Jack Warden, Karl Malden and Shirley Jones were it not for their lost-at-sea expressions (good for a few stray laughs). There's a moment when saintly Jones is tempted into taking some treasures just for herself and she timidly starts stuffing her pockets that is an unintended hoot. The film was a career bungler for all concerned, most especially Allen, who never quite recovered from this. * from ****

Sentiment: negative
One would think that with the incredible backdrop of WWII Stalingrad that the writers would come up with a script. Nope. There is NO story here! It's like porn, vignettes of violence interrupted by pathetic, rote, and meaningless dialogue.

A bunch of Germans march around shooting and getting shot. Slowly there are fewer Germans to march around, shoot, and get shot. Then there are no Germans to march around, shoot, and get shot.

Pretty bad.

Chilcoot

Sentiment: negative
This movie frequently extrapolates quantum mechanics to justify nonsensical ideas, capped by such statements like "we all create our own reality".

Sorry, folks, reality is what true for all of us, not just the credulous.

The idea that "anything's possible" doesn't hold water on closer examination: if anything's possible, contrary things are thus possible and so nothing's possible. This leads to postmodernistic nonsense, which is nothing less than an attempt to denigrate established truths so that all ideas, well-founded and stupid, are equal.

To quote sci-fi writer Philip K. Dick, who put it so well, "Reality is that which, when you stop believing in it, doesn't go away."

Sentiment: negative
What we have here is a film perfect for anyone that participates in the world of post-industrialism: those who sit in their privatized home, earning money by buying and selling sensual-less commodities and perpetuating a system that values little other than the preservation of self.

The beautiful filming (I always appreciate fix 35s and soft boxes) makes it an even stranger place to travel through, both enjoyable to look at but frightening to comprehend (perhaps that's overly dramatic, but its true).

Andreas' journey through his hell is overwhelmingly tragic. His quest is honorable, laudable, and precious. The conclusion is necessary and we are left not sure if he's better off, which is the perfect conclusion.

Breve! Highly recommended to all people who view their world with a critical eye and especially to those who don't (perhaps it will encourage a reflection or two).

Sentiment: positive
The basic story idea of ENCHANTED APRIL is excellent--two very unhappy wives meet and decide to pool their funds to rent an Italian villa for a month. To further defray costs, they get two other strangers to come along. What makes it interesting are the relationships both before and during this vacation--in particular, showing how this beautiful setting actually changes their outlooks on life. Unfortunately, this good idea is totally spoiled by two key performances in the ensemble cast that are so bad that they ruin the film. Ann Harding plays the most important role in the film in a manner that makes her seem ridiculous. Her "doe-eyed" expression and vacant stares really make you wonder if this isn't a zombie movie or she's just meant to be an idiot! And to make it worse, Reginald Owen plays a character so obnoxious and bombastic that I was very close to turning off the film--he was that awful and unbelievable. I noticed that at least one reviewer gave this movie a 10--which is very, very difficult to understand. Sure, the film has great ambiance and a good plot, but these two glaringly silly performances cannot be overlooked as they undermine the rest of the picture. Sorry, but this film was aching for a re-make!

Sentiment: negative
Why did it sound like the husband kept calling her Appy ? It ruined a great episode and so I can only give it a 6. Proper grammar and pronunciation are essential to a film.

It was very Hellraiser what with all the skin ripping though I dunno how anyone can survive without skin the skin is a vital organ to the body the biggest organ actually and without we would die. The more a horror film is true the more creepy it can be and more entertaining.

I do admit though that the stories from the great horror directors are very disappointing and very mediocre. 

6/10 come on Yankies get your English up to par !

Sentiment: positive
No, it's just a cheap 1940s serial using the Cap's good name. If you are a fan of the comic book, you will be greatly disappointed. They have radically changed the character. No shield, no Bucky, no fighting the Nazis, no wings on the side of his mask and most importantly: Captain America is now a District Attorney and no longer a GI.

Dick Purcell as Captain America? Don't look too closely when he changes into his costume. It is pretty obvious that he was not in the best physical shape when he made this serial(can you say flabby?). It is also VERY obvious that a stunt man is performing most of the action here. Almost every chapter has an obligatory fist fight that is shot and performed in exactly the same way. The villain is rather bland and although he uses an alias (The Scarab), he doesn't wear a disguise of any kind. The story is repetitive and very simple. The effects are laughable and the action is average. On the plus side we have sexy Lorna Gray as the D.A.'s assistant and the good Captain gets to ride on a cool looking motorcycle in one early chapter. Overall OK but nothing special.

Sentiment: negative