DoubleML/multimodal_confounding huggingface dataset:
Aside from the horrendous acting and the ridiculous and ludicrous plot, this movie wasn't too bad. Unfortunately, that doesn't leave much movie not to suck. Do not waste your time on this film, even if you find yourself suffering from insomnia, as I did. Watch an infomercial instead.

Sentiment: negative
King Vladislav (Angus Scrimm) of Romania is a vampire, but a vampire of light who wants nothing more than to live in peace and harmony with mankind. But his son, Radu (Anders Hove), is a cruel creature to his very heart (which is pretty obvious as soon as you see him). Three female students have come to study local folklore, but find themselves drawn into the vampires legends at just the wrong time: Vladislav has been killed.

Who can say anything bad about a film featuring a cameo from Angus Scrimm? I can't. I mean, I had some low expectations after seeing other Full Moon pictures ("Puppet Master" in particular, and "Demonic Toys"). But despite the really bad animated effects of the demons, this film was actually really well done and very fun to watch. Plenty of blood, a good plot and backstory (the Bloodstone story was surprisingly refreshing) and even some new angles on the vampire mythos, which you'd think would be dead by now. (Maybe I'm wrong, but this is probably the first film to feature rosary beads being fired from a gun.) Aside from vampires and blood, you get a share of nudity (gratuitous, but welcome) and I had to notice the excellent score from the composers (not sure who deserves credit, but those involved include Stuart Brotman, Richard Kosinski, William Levine, Michael Portis and John Zeretzka). This is Horror 101 all the way. Heck, you even get two sequels, which is the sign of a true horror film. (Of course, some bad films get sequels, too -- did I mention "Puppet Master"?) The Romanian theme was well-done, and the film even seems to have been made by Romanians if I am guessing their name origins correctly. And the score -- the music -- really stood out for me as a nice change of pace, very mood-setting. I like Richard Band, but I'm glad another composer was given a shot because he nailed the atmosphere on the head. If you like vampire films and want a slight variation (one of the Eastern European variety), this is worth seeing.

Sentiment: positive
A gentle story, hinting at fury, with a redemptive message and glorious celebration. The photography is wondrously well executed. Cinematographers look at this kind of film to hone their craft not just for what the eye can do to enhance a story, but what the right camera vocabulary can do to heighten an emotion. Feeding the soul is by definition what this movie addresses, but with an elegance and grace of delivery that simply doesn't not happen much anymore, at least with this degree of taste, restraint and finesse. If you care about story and character development, this is a also a great movie to see as an example of what simple lines and the right delivery can do to completely fill out a character's impression. Match all this with a film score that is almost minimalist in character and also perfectly conceived, and you'll "get" this movie.

Sentiment: positive
John Carpenter's brilliantly suspenseful flick is a great fusion of Sci-Fi and horror, adopting the classic body-swap theme and taking it to the extreme. A remake of the Howard Hawks produced 1951 original, Carpenter keeps the Cold-War themes of paranoia and trust as a backdrop of alien takeover and impending doom amidst madness and the isolation of the Antarctic setting. Carpenter's direction as always is excellent as his camera glides through the lonely world of the characters whose inhabitable environment is about to be corrupted by the primordial fear of body takeover. But here and much like the work of David Cronenberg, Carpenter doesn't hold back on the incident, as through some fantastic special effects we are witness to some insane moments of surreal gore. However, he never loses touch with the human side of the story, as in the face of everything shocking happening in front of us, we are left with perceived notions of trust and suspicion.

9/10

Sentiment: positive
Damn, I've seen this movie for at least 4 times now and I still don't get bored watching it.

The visuals are so good and together with the music which is totally awesome and perfect fitting this movie is mind-blowing to me.

The CGIs are quite bad IMHO, but the whole visuals with the black and white feeling about it and the totally sterile interiors were just... Just a genius perfect combination for such a movie. The whole feeling about the feeling is indescribable, the plot is so good.

However although, the movie had little flaws, like e.g. sometimes I thought the movie was a bit too "slow", but I don't mean the scenic parts by that, I totally loved those.

Also I got distracted very often by the totally complex story, like when he is in the underground bunker-like thing of digicorps, where all their data is saved, and has this conversation with the guy down there... but that may also just be me :D And the end could have been displayed somehow more emphasized, they should have made the getting-back-true-memory-part a bit longer and "louder" but then again without all these flaws the movie would have been so good i would have never stopped watching it again and again...

Sentiment: positive
I've seen tons of HK actioners, and this one is right at the top of the genre. The action scenes are as exciting and kinetic as anything you've ever seen in any action movie. The kung fu is spectacular, the pyrotechnics eye-popping, the stunt work heartstopping. The editing is perfectly paced, heightening the tension and complimenting the fluid camera work. This film is directed by old pro Corey Yuen, whose resume is stuffed with some of the best work of the genre, including the Jet Li vehicle The Legend of Fong Sai-Yuk. If there is one thing lacking in this film it is the presence of a three-dimensional character, though Martin, the male lead, comes closest to it. This movie is full of archetypes rather than characters--the sexy killer, the goofy thief and his bitchy girlfriend, the cackling villains. That said, Shannon Lee has a terrific screen presence; she's great with the fighting, the stunts, and the guns. When she's onscreen it's hard to take your eyes off her. She's that good. Why isn't this woman a major star?

Sentiment: positive
In 1989, Aardman Animations introduced the two heros in The Grand Day Out. In 1993, they fought an evil penguin in The Wrong Trousers. And in 1995, they had to rescue sheep from an evil robot dog in A Close Shave. In 2005, they're back and they are going to fight something that used to be cute and cuddlely in The Curse of the Were-Rabbit. In this full feature film, Wallace and Gromit work in Anit-Pesto, a pest-control business. There's going to be a Giant Vegetable Competition, but rabbits keep eating the neighbors vegies. Wallace and Gromit takes care with that problem. But Wallace had an idea. He will brainwash the bunnies with his machine. After doing that, something suddenly eats all of the vegies in the neighborhood and it's big. It's up to Wallace and Gromit to save the day. As a fan of these two characters, I was impressed. It kept what the 3 previous chapters had and instead adding a lot of Hollywood actors for voice-overs, they put a no name cast to the job and boy, they did a fantastic job. Wallace and Gromit has not changed. Wallace is still the cheese-loving freak like he always was and Gromit is the silent newspaper reading dog. Also, the script was not too shabby like other family movies were. There is a twist of who the Were-Rabbit really is. The direction from Nick Park (the director of the 3 previous chapters) does a really good job with the storyline. Instead of adding the Hollywood formula in it, he just took the style of the previous chapters and adds a bit of a dark fantasy twist in it. Well done, Nick. The rabbits are also funny and adorable, but the funniest rabbit in the movie is one who has the mix of Wallace in him. The characters were not bad and they weren't annoying, but they'll never top Wallace and Gromit. The animation is indeed fantastic and wonderful. I've never seen a clay-animated movie that is so amazing since Chicken Run. Overall, fans of the two knuckleheads (including the teens) will love this fantastic film. It is a well done film that should get an Oscar next year. Hooray, Wallace and Gromit. 10/10

Sentiment: positive
The image of movie studios being financially-driven instead of creatively is not without truth (in fact, it's more true than false). This begs the question why Castle Rock Entertainment allowed Kenneth Branagh to create a full-length, uncut version of "Hamlet" with his complete creative control among other things. Of course, Branagh had to agree to some concessions (a star-studded cast, and a 2.5 hour version for wider release), but why would the film studio allow Branagh to spend money on a 4 hour version that they knew few would see? Could they have, at least in this case, had enough respect for the material and Branagh's vision to create something for only a few people? That is not a question that I can answer. Whatever the reason, this is a glorious vision for those who are willing to spend four hours watching "Hamlet." Everyone knows the story, so I will not spend much time on that. However, unlike other productions of the play, stage included, this is a completely uncut production, which has never been done before. According to some, Shakespeare never intended for the play to be produced uncut, leaving the decision of what to include to the director's discretion. That being said, I have no doubt that had he been able to see it, the Bard would have been overjoyed with Branagh's production.

The film is top-heavy with film stars, although most have mere bit parts. All play their parts equally well. I would have thought Branagh too old to play the part of Hamlet, and while he still may be, his performance more than makes up for it. Hamlet is a complex part, displaying every emotion from grief to anger, happiness to madness, and everything in between. Branagh nailed it. Derek Jacobi is terrific as the wily Claudius, whose deception and treachery sets all these things in motion; his unique voice is perfect for the role. Julie Christie is also very good as Gertrude, Hamlet's caring mother who doesn't realize what is going on until late in the game.

The classical actors are cast in bit parts (Judi Dench is on for all of 60 seconds and has no lines), but at least they're in it. Surprisingly, no one takes this to heart; everyone gives it their all, and it shows. Special mention has to go to Jack Lemmon and Billy Crystal, who are excellent. Robin Williams is a little too silly, but he's not bad (his part is pretty small anyway).

Yet, this is undeniably Branagh's show. He adapted one of the most famous plays in history, and in so doing, he took on a whale of a project; it's impressive that he got it done, but the fact that the film is this good is a monumental achievement. What I really liked about this film is that you don't have to be a Shakespeare scholar to enjoy it. As most people know, Shakespeare is difficult to digest, but Branagh and his cast understand this. "Hamlet" is still immensely enjoyable to just sit and listen to the actors deliver the brilliant dialogue and excellent acting.

This is a must see for anyone and everyone. It may be four hours long, but it's definitely worth it.

Sentiment: positive
Amelia and Michael are a married couple that are cheating on each other. Amelia has a long-time lover in the hospital and Michael hires a prostitute that doesn't satisfy him. The two smolder with their infidelity but manage to connect to each other in the end.

There's not a whole lot to this particular short. The direction is straight-forward and dramatic, which is good, the acting is sincere, but the story leaves a little bit to be desired. Why, exactly, do we care about these two people? It's a little hard to see how this story sticks out from any other infidelity story except that it's much more pared down and doesn't search for meaning in it (a welcoming change of pace if anything).

I don't know, it's possible I don't connect to these stories because I've never experienced them. But I have noticed that the blocking in these narratives are typically the same, i.e., a couple talking together while avoiding eye-contact by pretending to be immersed in magazines, etc. The nice things about short films is that they provide a bit more room for trying something different, and I'd like to see a different take.

--PolarisDiB

Sentiment: negative
I've always said that there's nothing to beat the original form: the comics. I've been proved right again. This, like all of the other movie takes on the Asterix series, failed to impress. The makers of this movie don't get it that what makes all the other such comic-turned-movies (x-men, superman et al.) ventures successful is that they all deviate from the original comic versions and adapt it to make it more watchable. Agreed, this movie did deviate, in the sense that this movie was a cross of two Asterix books, viz. Asterix and the Great Crossing & Asterix and the Normans. Also, uncharacteristic of the Asterix series (save Asterix and the Secret Weapon) , a love interest for one of the main characters was introduced. All this ended up doing was create a childishly immature storyline. The funny parts were very few and far between. All in all, a total waste of time and money watching this, let alone at theaters, even at home.

Sentiment: negative
I love movies, and I'll watch any movie all the way through, just to give it a chance. I can finally say that I found a movie I can't watch all the way through. The acting is terribly stale and monotone, the CGI looks like a computer geek did it in his mother's basement with minimal software, and.....the long scenes of just...walking!!!! And this movie is THREE HOURS LONG!!! I didn't even make it 15 minutes until I fast forwarded the DVD. The scenes with the aliens are very short. Ummm, instead of naming this "War of the Worlds", lets name this "War of the Walking Long Distances". This cost 5 million dollars to make! What they spend the money on, the dramatic opening song?

Oh, but on a positive note, one scene you need to watch is when the aliens first begin killing people. That's hilarious, not because people are dying, but because when they turn to skeletons, they still squirm for 20 seconds afterward.

So....like I said, if you are a fan of boring, stale, action-less movies, here is one for you DVD collection. But I didn't write this for you, I wrote this for the billions upon billions of other people who will HATE this movie. It is not worth your time or money

I know this is by the book, but the book isn't that long, and I'm a complete book worm/nerd/geek/whatever, but why? Just get the Steven Spielberg version, it's not all that good, but it's 10 times better than this!! 

I give this a BIG, FAT ZERO out of 10.

Sentiment: negative
Of the three remakes on W. Somerset Maughan's novel, this one is the best one, and not particularly because what John Cromwell brought to the film. The film is worth a look because of the break through performance by Bette Davis, who as Mildred Rogers, showed the film industry she was a star. Finally, her struggles with Jack Warner and his studio paid off royally.

The film is dominated by Mildred from the start. We realize from the beginning that Mildred doesn't care for Philip and never will. She doesn't hide her contempt for this kind soul that has fallen in love with the wrong woman. He will be humiliated by Mildred again, and again, as she makes no bones about what she really is.

Poor Philip Carey, besides of being handicap, is a man who is weak. When he tries to cling onto Mildred, she rejects him. It is when Mildred returns to him, when she is frail and defeated, that he rises to the occasion, overcoming his own dependency on this terrible woman who has stolen his will and his manhood.

Bette Davis gives a fantastic portrayal of Mildred. This was one of her best roles and she ran away with it. Her disgust toward the kind Philip is clear from the onset of their relationship. When she tells him she washes her mouth after he kisses her is one of the most powerful moment in the movie. Leslie Howard underplayed Philip and makes him appear even weaker than he is. Frances Dee, Reginald Denny, Alan Hale and Reginald Owen, are seen in minor roles.

This is Bette Davis show, and don't you forget it!

Sentiment: positive
Things to Come is an historic film. Along with Metropolis (1927), it stands as one of the first great science fiction spectacles. It is also one of the first doomsday movies. It is remarkable how the filmmakers predict the start of the Second World War within a year, and even, in a subtle way, the year it would end in the real world. But then the film departs from reality, depicting a world ravaged by war (only substitute poison gas for nuclear weapons which of course did not exist in 1936).

The last half hour of the film is an incredible sight, making groundbreaking use of models and matte paintings -- later to become staples of the science fiction genre. It is sad that, after Things to Come, Sci-fi would become identified with cheaply made b-movies, a stereotype that wouldn't be broken until 2001:A Space Odyssey more than 30 years later. If they'd stuck with the quality of the effects in this film, things would have been very different in Hollywood. 

Raymond Massey and some of his co-stars play multiple roles in this film, to good effect. Massey plays a great "Doctor Who"-like role as a pilot from an advanced (for 1970) civilization who tries to win over the populace of a devastated country ruled by a simple-minded warlord (a very effective performance by Ralph Richardson). Ultimately, the storyline covers 100 years. But that's a big problem with this film -- there really isn't a cohesive storyline.

Perhaps in such an episodic film -- somewhat reminiscent of Intolerance, actually -- it's hard to have a conventional plot, but I felt more could have been made of the material, and although the visuals in the final third of the picture are indeed stunning and worth the price of admission ... the plot is nonexistent and the movie itself suddenly ends just as it is getting interesting. Maybe the producers were thinking of another future sci-fi innovation: a sequel?

Things to Come is a film every serious sci-fi buff should see at least once. Unlike Metropolis, however, it might not bear repeated viewings.

Sentiment: positive
Bounty killer George Hilton, smooth Mexican bandit Gilbert Roland (who's great), and bank representative Edd Byrnes each try to outwit one-another while searching for a large amount of gold from one of Roland's train robberies that was hidden by a treacherous member of his gang.

Though not the greatest that the genre has to offer, It's still breezy enough with a lot of light-hearted, action-filled fun and a satisfying finale.

Any Gun Can Play is mainly remembered for it's opening gag where George Hilton easily guns down three outlaws resembling Clint Eastwood, Lee Van Cleef, and Django.

The next year, Hilton and Roland were reunited alongside Van Heflin and Klaus Kinski in the highly recommended The Ruthless Four.

Sentiment: positive
MST 3000 should do this movie. It is the worst acted movie I have ever seen. First of all, you find out that the shooter has no bank account and no history since leaving the army in 1993 and pays his rent in cash. There is no way in hell that a person like that would ever be allowed to be that close to a president not to mention a high profile job. Also, the head of security for the POTHUS would not be so emotional that he would start drinking into a haze if the president was shot. This movie sucked. I cannot express the extremite that this movie was. Every single actor was terrible. Even the chick at the trailer park. I crap on this garbage. What a waste of time.

Sentiment: negative
This is probably the funniest thing I have ever seen - from start to finish it was perfect in timing, atmosphere, punch lines, background music, fighting sequences and every other possible aspect you can think of. To be absolutely honest i find this movie as funny as their (Rik & Ade's) sitcom "Bottom" - maybe even funnier. I laughed constantly throughout the whole movie and can only recommend seeing this film... However, if you watch it without knowing (or liking?) the type of comedy Rik Mayall and Ade Edmondson has done before, you might not think it's funny at all - but I REALLY can't understand those who dislike it - THIS IS HUMOUR FOLKS!!! (People getting hit with frying pans, guys running around wearing red rubber lingerie, green vomit filling the hallways, guys getting kicked in the b******s and getting candlesticks in the eyes - HOW can this NOT be funny???) 10/10

Sentiment: positive
Two sailors are on leave--ladies man Joseph Brady (Gene Kelly) and shy innocent Clarence Doolittle (Frank Sinatra). They meet beautiful Susan Abbott (Kathryn Grayson) and both fall in love with her. There's more but you've probably guessed it.

The story (even for a 1940s musical) is ridiculous and everything is so nice and wholesome--gets annoying pretty quick. Also this movie is far too long. It's 140 minutes and that's way too much for such a silly story. There are also some boring numbers by Jose Iturbi and his orchestra. Still this is worth catching.

When Kelly is dancing or Sinatra or Grayson are singing this becomes magical. None of the songs are particularly memorable but Sinatra had such a beautiful voice you won't care. It's shot in rich Technicolor with all the gloss MGM had. The acting is OK--Kelly is fine (although seeing him as a ladies man is pushing it) and Sinatra is just great (although seeing HIM as a shy guy was pushing it too!). Grayson is given nothing to do but she's incredibly beautiful to look at. Some shots of her literally took my breath away! There are plenty of highlights here: Sinatra and Kelly's big dancing and singing number; Sinatra singing anything; Grayson's two songs and the justly famous animated sequence in which Kelly dances with Jerry--an animated mouse! Tom does a funny cameo too. Also there's little Dean Stockwell who steals every scene he's in.

So it's too long and the plot just doesn't hold up but it's still worth catching. This was a huge hit in its day.

Sentiment: positive
It appears that there's no middle ground on this movie! Most of it takes place in a dream and, like most dreams, it's often foolish and illogical. It's also a gorgeous production with some great songs and fine performances, especially by our angel.

Jeanette's deadpan, unknowing insults and various other faux pas at the dream reception are hilarious, and her jitterbug with Binnie Barnes is a surprise and a delight. At one point, she gets to sing a snippet from Carmen, followed by the final trio of Faust (holding a lapdog, for some strange reason), then "Aloha Oe" on the beach! 

It's a surreal comedy--tremendously entertaining if you can get into the groove.

Sentiment: positive
I found this to be a charming adaptation, very lively and full of fun. With the exception of a couple of major errors, the cast is wonderful. I have to echo some of the earlier comments -- Chynna Phillips is horribly miscast as a teenager. At 27, she's just too old (and, yes, it DOES show), and lacks the singing "chops" for Broadway-style music. Vanessa Williams is a decent-enough singer and, for a non-dancer, she's adequate. However, she is NOT Latina, and her character definitely is. She's also very STRIDENT throughout, which gets tiresome.

The girls of Sweet Apple's Conrad Birdie fan club really sparkle -- with special kudos to Brigitta Dau and Chiara Zanni. I also enjoyed Tyne Daly's performance, though I'm not generally a fan of her work. Finally, the dancing Shriners are a riot, especially the dorky three in the bar.

The movie is suitable for the whole family, and I highly recommend it.

Sentiment: positive
Dragon Ma (Jackie Chan)is back, having rid the seas of the dreaded Pirate Lo. Back on land, he is assigned to the police force, where he is to clean up corruption and crime in a local suburb. Along the way, he is caught up in the fate of several Chinese patriots attempting to secure sympathy and support for their revolutionary cause. The Chinese Manchu government is after these revolutionaries, and anyone that stands in their way is in trouble, even if they are in the police force. I had big expectations for this movie after i saw Project A. But sadly I was a little disappointed. There is just too little action compared to the first film. There is just one good fight scene until the big ending. That fight scene is in the "gangsters place" and its good, a lot of people flying all over the place and hard kicks and punches are throw. Jackie Chan and his stunt team don't disappoint here at all. The ending is very entertaining, Jackie Chan shows us why HE is the best stuntman in the world. Really exciting stuff! The only bad thing with the ending, is that the fights are too short and forgettable. Conclusion: Many funny moments, good acting and crazy stunts. But not enough fighting for a top rating.

Sentiment: positive
It seems that there is great potential for the story line of this film to be something worth watching. The acting was flat and the story lacked depth. There was too much reliance on camera work, which had some high points. I have to agree with the other negative comments. I only wish I had read them before buying the DVD. The film may be worth watching for free and you are bored to tears before hand. There could have been a lot more plot development with why there are homeless in Moscow (i.e. post-Soviet 'capitalism', rampant drug usage (i.e. increased heroin trafficking from Afghanistan); more development of why the resurgence of Russian Orthodoxy after the fall of the U.S.S.R.; the archaeologists themselves; or even more into the struggle against nihilism.

Sentiment: negative
I'm pleased that this was the work of foreign cinematographers because it can't be accused of unfair bias. With absolutely no cause, the Jacksonville cops rush to judgment in this case and pick the first black suspect to accuse of the murder of a white, foreign tourist. They picked a 15 yr. old kid who is just about as close to a saint as you could randomly find and then make fools of themselves trying to pin an unlikely case against him. In addition to the unfairness resulting from the blatant prejudice there is the matter of 6 months of unjust imprisonment of a completely innocent young black teenager. It makes one question whether as a society we should compensate those who are charged, imprisoned and subsequently found innocent. This docudrama is well produced, professionally recorded and presented in a captivating package from which you won't want to take a 1 minute break. If you care about social justice, don't miss this one. It certainly deserved its Oscar.

Sentiment: positive
This movie was very good because it remember when I was young when I maked snow castle. It was so fun. This movie is interessant. This is a good quebeker movie with no much money and is also a magical movie because their wonderfull castle is very big and beautiful.

Sentiment: positive
I question anyone saying they don't care for this movie. Some reviewers have said it didn't have enough action, some said it was too long, etc. Don't listen to them!!! If you like Shawshank Redemption and/or Braveheart, you will definitely love this movie!

The acting performances are superb! Tim Roth, John Hurt and Jessica Lang are allsuperb and Liam Neeson does an admarible job and is a very imposing character because of his size. The Cinemaphotography was brilliant and breathtaking. It is onw of the few movies I have seen in my life (along with Shawshank) that was virtually flawless from casting, directing, writing, acting, etc.!!!

I was amazed this wasn't in the top 50 or 100 movies reviewed. I felt so passionately about it that I just registered with IMDB so I could let everyone know the real scoop. I have seen this movie about 10 times (each time with a different person) and everyone has loved it! You must be awake and pay attention carefully for the first 30 minutes because they introduce quite a few characters in the beginning. If you have the attention span longer than most of these juvenille kids writing reviews for the movies on this site, than you will love this movie! Come on...all 3 Lord of the Rings movies in the top 9 and the Matrix at #32?!?! That should show you the age range of most reviewers here!

This is a top 50 movie!!!

Sentiment: positive
As a long time Red Sox fan, I just had to go see the movie. It was great! While there can never be enough live footage from the miracle 2004 Red Sox season, there were great shots of some of my favorite Red Sox players. While the movie is certainly a chick flick, it has enough baseball footage from the amazing 2004 Red Sox comeback to make it one of my top 10 movies of all time. I especially enjoyed the Red Sox fans that were part of Ben's baseball family. The scene where Ben is meeting with his buddies on draft day to determine who will get seats to certain games is hilarious! A must see if you are looking for a wholesome movie to watch with your spouse, date, or significant other...especially if you are a baseball fan...and even more especially if you are Red Sox fan!!!

Sentiment: positive
Tremendous fun both as a film and as an excuse to sit back and play the 'oh, that's whassis name' game. Every star of the golden age of English films seems to be in this one and it was a joy to see them. And the greatest of them all, Richard Wattis, was as tremendous as ever. 

There is actually a plot that trundles along very nicely, there's also some splendid jokes and comedic moments, but the key to this films triumph is the characters within it. Alastair Sim is magnificent and somehow convinces you that a six foot, big-boned Scotsman could be the headmistress of a girl's boarding school. George Cole, Beryl Reid and Irene Handl all have their moments but, with Alastair and Richard, the star of the show is Joyce Grenfell. She is an absolute one-off and brings a smile whenever she's on the screen...her rolling-walk and plum accent done to perfection. 

And for those playing the , that's whassis name' game, you can even spot Arthur Mullard, Barbara Windsor and Ronald Searle if you look carefully.

Sentiment: positive
The only thing about this film that bums me out is that the DVD is so expensive. It's too much for my budget at the moment, or I would purchase it, because the film is a good example of film noir...and I enjoy watching Richard Widmark, Jean Peters and Thelma Ritter.

Criterion produces great DVDs but sometimes the asking price is just a bit much. That's the case here for an 80-minute black-and-white, mono sound film that is good but nothing extraordinary, cinematography-wise.

The story is the story here (as opposed to visuals, actors, sound, sets, etc.) as a pickpocket (Widmark) inadvertently winds up with espionage microfilm in his possession after pilfering Peters' purse. (say that three times!). Everyone but Peters is a believable character in this movie: Widmark, the cops, the U.S. agents and the Communists and, especially Ritter as "Moe," an informant. She and Widmark are the stars of this film.

Peters does a decent job of playing the cheap floozy but loses her credibility early on by "falling in love" with Widmark on the first meeting even though he's nasty to her. Only in world of film!! Too bad, because that ludicrous romance part of the story takes away from it.

This an average film noir which means good, but not great and certainly not worth owning at a price of $25-$35. For that price, one could do a lot better in the film noir market.

Sentiment: positive
The Italian Job is a real blast to watch. It's a genuinely entertaining film, something you watch just for the sheer enjoyment of it. It's not heavy with drama or emotional hand-wringing, it has no cosmic statements about life, and it's not violent or profane. It's just a fun movie. Between watching the little Mini Coopers fly around the crowded streets of L.A. and the great bits by stereotypical computer geek-turned-crook (played gleefully by Seth Greene), I had a lot of fun watching this film.

Special kudos to the background music. They truly set a masterful tone for such a movie, so subtle yet keeps you on the edge when needed. Apparently a lot of artists contributed to the music, I found it to be the classiest part of the film.

8 out of 10. Not awe-inspiring but a great film to watch at the end of a lousy day at the office.

Barky

Sentiment: positive
OK, if you would judge the movie to now a days it wouldn't fit in to well.If you watched FI now the stage and everything was pretty cheese ( I agree)But weren't all the movies in the 80's like that(Gilligan,Wonderwoman,aso).But too the people born in the early to mid 70's or earlier it has a cult status. Evertime the plane was on approach Tattoo would run up the tower ring the bell and with his accent would yell "Da Plane BOSS Da Plane" and you would wonder what everybody's wish would be.People who are born in the mid 80's or later wouldn't understand the hippe because if you watched it now.It don't have a Harry Potter,Jurassic Park Computer animation FX.It was just a stage where you probably could even almost see the wire attached to a guy who's wish was too be able to fly.But to us during that time it was a FANTASY ISLAND.

Sentiment: positive
Sheba Baby, is another Pam Grier Blaxploitation film. It was one of Pam's less visceral films of this genre. Pam plays Sheba Shane, who's a Chicago gumshoe. Sheba's father is the owner of a small loan company, in Missouri. When local mobsters try to run her father of of business, Sheba goes after the bad guys.

Pam Grier had already made her mark in Blaxploitation films, by the time Sheba Baby came along. Fans of both Coffy and Foxy Brown, know that Pam is capable of an explosive intensity as an actress. In Sheba Baby, the fiery performance that viewers had come to expect from Pam, wasn't as evident in this film. Not that Pam doesn't kick-butt in Sheba Baby. She's just not as much of a runaway-train vigilante, as she was in her previous Blaxploitation films.

The supporting cast in this film, are a distinct disappointment. So Sheba Baby is Pam's film, through and through. And though Pam's a bit more subdued than in her other films, she still gives a compelling performance in Sheba Baby. This film is definitely worth your time, if you're an ardent Pam Grier fan.

Sentiment: positive
Sure, it's hard being gay, especially in the south. We get it. Over... and over again.

What stood out was that the film makers focused almost wholly on the more "extreme" characters in these small town gay bars; the drag queens, the seedy sleaze of a bar long-closed, and on a guy who was brutally murdered for being gay, yet had nothing to do with either of the bars which were the focus of this film.

There were snippets of interviews from other people, people viewers would, perhaps, be better able to relate to. But they were glossed over, practically skipped, maybe shown in a glimpse in the background.

It would have been more interesting, to me at least, to hear the experiences of the more common gay men and women who were either enriched or otherwise by the experiences of a small town gay bar and/or the absence of that community.

Sentiment: negative
Sergio Leone spins in his grave... If there was any film that tramples upon a man's life work its this one. The lead character's "lone wolf" bravado is uninspiring and lame, and the script was apparently written by a monkey with an eight grade education. Whoever's idea this was should be horse whipped. The only reason I'm spending time trashing it is because there's a 10 line minimum. Sergio Leone's family should sue, not because its crap, but because now it's immortalized as crap by MST 3000. Shame. Disgust. I blame Hollywood...at least Gary Busey makes crap that wont offend anyone but cocaine users and weapon experts...this film is pure blasphemy.

Sentiment: negative
When the trailer for Accepted first came up, many people began to get excited about seeing it... really excited. Who could blame them, it looked like fun. But that's exactly the thing. People went into Accepted looking for a good movie, but if you think about it, Accepted isn't the type of film destined to be a good movie. It's meant to be a film that pleases its crowd without too much effort being given. That being said, for those of you who expected a great film, you need to think about what could be made of a comedy like this one. Think that, and you will truly enjoy the film (because you'll rid yourself of your idea that the movie will be fantastic.) BOTTOM LINE: Watch the movie, and have fun, but don't look for anything groundbreaking.

Sentiment: positive
Like almost everyone else who has commented on this movie, I can only wonder why this has never appeared on video.

I recall seeing it at about age 12 on the "The Late Show," circa 1972. I too recall the poison gas attack and the weirdly garbed horses. (I don't recall the more horrific bits I've seen described here; they were likely cut out for the TV audience.) But the scenes I REALLY liked were the ones involving the death of Lord Kitchener aboard the HMS Hampshire, almost exactly 90 years ago. The scenes of the doomed cruiser approaching the minefield in the storm were really chilling, as I recall.

Don't recall the musical score, but the comments of the others now have me curious. Get this one out on video!

Sentiment: positive
I have to start out by saying that the actresses and actor did a fine job for what they worked with. The problem in Dark Reality is you had a poor director who tried so hard to be innovative and evocative he ended up trashing up the film. From start to finish you can tell the film reel quality itself is low, but the poor lightning and shaky camera only hurt it further by obscuring what is going on. The sound is muffled and often times not understandable. I'm sure Huston (the director) would argue this was to induce a state of panic in the audience, but he had more than ample material in which to do it. Having to result to camera and lighting the way he did was a sign of over the top syndrome.

The story is good. A basic sadistic female kidnapper story that avoids cliché by keeping the girl's in a state of despair the whole time for good reason. Billy Bob from Silence of the Lambs treated his victims better than Netwon. The biggest problem with the story is that dead people constantly harass the lead character in her mind, and by the second time they showed up I was fast forwarding as this was attempting to destroy the only decent part of the film.

In the end, the way the director pieced it together showing random blurry things and constant barely viewable scenes (not because of horror, because of the lighting, angles, and camera) ultimately destroyed this film. Huston was obviously trying too hard and if anything it resembled a bad film school project. If you want to see a decent story then it's all right, but be warned the film quality is enough for most to turn it off.

Sentiment: negative
Based on fact, this is the story of a teenager named Homer Hickam (Jake Gyllenhaal), growing up in a coal town in West Virginia where a boy's usual destiny was to "end up in the mines." But Homer had his eye on the sky and a love for flying rockets, to the dismay of his mine-foreman father, and the consternation of the townsfolk generally. A misfit for sure, he and three of his equally outcast buddies begin making rockets, which they fly from a patch of barren land eight miles out of town, so as to no longer terrorize the community with their oft-times errant rockets. Unfortunately, most of the town and especially Homer's father (Chris Cooper) thinks that they are wasting their time. However, the people become intrigued and soon start coming out in droves to watch the 'Rocketboys' send off their homemade missiles. Only one teacher (Laura Dern) in the high school understands their efforts and lets them know that they could become contenders in the national science fair with college scholarships being the prize. Now the gang must learn to perfect their craft and overcome the many problems facing them as they shoot for the stars. Director Joe Johnston has always been a famous name for his movies such as Jumanji & Jurassic Park 3 & "October Sky" surely stands above all of his other films. Without any doubts, "October Sky" is his best effort & obviously his best film. It's not only a true story filmed extremely well, but even as a movie, it has every single thing, which is required for a top level cinema. And along with Johnston's extra-ordinary direction, are some exceptional performances. Jake Gyllenhaal was around 19, when this movie was released & he gives a beautiful & natural performance. He is a perfect actor. Chris Cooper as his father, also gives a very fine performance. The same goes for Laura Dern & also she looks beautiful. Even the rest of the performances are extremely well. The background score was fine. Highly inspiring movie, which lifts up your spirit sky high. One of those movies which definitely inspires you for all of your life. An amazing inspiring movie along with loads of entertainment. Not to be missed.

Sentiment: positive
This movie was physically painful to sit through, maybe because (like many people my age, and younger) I grew up with Dr. Seuss and loved his books - funny, clever, whimsical and subversive at the same time. "The Cat in the Hat" sucks all of the interest and spark out of the story, and Mike Myer's performance as the Cat is mostly bewildering. Why the Borscht Belt accent, the unfunny patter, the inappropriate jokes, the charmless costume? I had to go back and re-read the books to see the real problem: the books are SIMPLE. This movie is OVERBLOWN and way, way too long.

You don't expect every kids' movie to be Toy Story or The Iron Giant, but this one set a new low. How could Mike Myers need the money?

Sentiment: negative
Many of us who went through high school probably made it through alright without having to take a Physics course - I know I didn't. But after watching this program, I surely wish I had.

This documentary is a guide to the 'Holy Grail of Physics' - the quest to unify all the fundamental forces of the universe into one 'master equation' that eluded Einstein during the last years of his life. Brian Green, a professor at Columbia University, introduces us to this mind blowing theory in a wonderfully simple way and leaves us with an even greater appreciation for the universe we live in.

We start with the tantalizing possibility of a 'master equation' that could unite and explain everything... *everything!* in this universe, including the four fundamental forces that we know that exist: electromagnetism, the strong nuclear force, the weak nuclear force, and gravity. Green takes us on a tour of how our understanding of the universe came into view with the work of Newton, then Einstein, and then later on to the revolution of the physics at the quantum level.

But it is at this point that we run into a problem that has plagued physicists for years, and one that no one has been able to solve just yet. How can we unify all these forces that we know together? We find, as Green constantly points out throughout the problem - that the answer to this perplexing problem could be in the theory of strings. However, if we are to describe the universe in terms of string theory, there is a very big price to pay.

It turns out that out of the mind numbing mathematical equations of string theory, that, as a consequence, we find that we could possibly be living in a universe filled with, not just 3 dimensions that you and I see every day plus 1 (for time), but rather, that we may actually live in a universe of *11* dimensions. But the math that arises out of that theory doesn't stop there - the possibility exists that there may actually be parallel universes; some of them right next to you and me! Could we possibly take such a theory that leads to such consequences seriously? As Green points out; we have yet to fully find out, but we do know that the math that has arisen from these equations are already showing us that the universe still has much to show us.

For those of you who fear that you won't be able to understand the concepts in this program - fear not. Professor Green does a wonderful job of doing away with the math and harder concepts of physics and instead focuses more on the *concept* - which, when you take away all the math from it, transforms from a monstrous beast into an incredibly simple and, as Green constantly points out, 'elegant' concept. Viewers of this program need no prior background in science; the concepts are so simple even a child could understand them.

When you finish this program, you will truly come to understand what a wonderful and mysterious universe it is that we live in.

Sentiment: positive
This movie is not your typical horror movie. It has some campy humor and death scenes which can be sort of comical. I personally liked the movie because of its off-beat humor. It's definetely not a super scary movie, which is good if you don't want to be scared and paranoid afterwards. I liked the performance of the hillbilly guy and of Lester... very believable. I think I'm going to dye my hair red like that girl in Scarecrow- very cool! Anyway, overall worth renting for the campy humor and non typical horror experience.

Sentiment: positive
I gave this a four purely out of its historical context. It was considered lost for many years until it popped up out of the blue on Showtime in the early nineties.

Moe is the straight man and Larry and Curly act as a duo. Spade Cooley has a couple of numbers. I guess it had something to do with working on a ranch. I'm not quite sure because the plot was so minimal nothing really sticks in my memory. I vaguely remember it being a western musical comedy. Even the Stooge's seem to be going through the motions. Overall there's nothing much really to recommend here.

If you're not a Stooge fan then don't bother. If you are a Stooge fan, then stick with the shorts.

Sentiment: negative
This is one of the most stupid and worthless movies ever. It really does not qualify for movie status. It is VERY cheap (apparently shot on videotape), horribly acted, and just plain rotten. I could not believe how cheap and inept this piece of crap was. It looked like a home video! I mean I believe a guy I know a few houses down must have dug out his video camera and made this crap in 2 or 3 hours. It is that bad. I noticed the name from whence this cameAsylumand I will NEVER rent anything with that name on it again!!! When you rent a flick, check to see if it is from this "company." One thing is true though--if you like horribly acted, amateur movies, then you might like this loser. It is absolutely boring and terrible!!! You have been warned!!!

Sentiment: negative