DoubleML/multimodal_confounding huggingface dataset:
My first review of 2010 is "Into The Blue 2: The Reef". The story is about two divers played by Chris Carmack and Laura Vandervoort who love to explore hidden treasures at a bottom of a local reef. One day after a day of exploring they are approached by a couple played by David Anders and Marsha Thomason. They tell the young divers that they want to hire them to explore the reef and find a rare artifact about Columbus' hidden treasure that is reported at the bottom of the reef.

Next day the four dive to the bottom of the reef and of coarse after a whole day of diving they find nothing. A few more days past and the two hired divers found out that they a part of a major deadly plot in which they can't escape otherwise they will be killed. They were hired to find two big containers. One contains a nuclear reactor and the other contains a core.

The movie also has a back story about another person (brother of the lead character) trying to patch things up with his girlfriend, I reckon this part of the story was a waste of time, this also includes a very steamy sex scene between the couple which to me is a complete waste and wasn't needed to be shown.

However apart from that, this movie does have some good underwater photography and the colors blend in well which is why it receives 4 stars. Into The Blue 2 is a sequel only by name. None of the original actors or characters return, it has a dumb plot, stupid characters and a boring climax.

Sentiment: negative
The German regional-broadcast-station WDR has shown both "The General" and ODC. On Saturday I've seen "The General" and I thought, it wasn't very bad, but not very good too. But yesterday I've seen ODC and I switched it off after about an hour. Although Kevin Spacey was the main actor the movie was totally confusing and seems restless. "The General" told the story straight and ordered, but ODC just wanted to be cool. There is a reference on the Guy Ritchie Movies "Lock, Stock and Two Smoking Barrels" and "Snatch", but doesn't have the Coolness of these movies.

So, in the end I would rate it 3 of 10!

Sentiment: negative
Newly-pregnant Knight bolts from husband for non-specific reasons which are apparently self-related. On the road, she becomes entangled with Caan, brain-damaged former football star, and Duvall, wacky but abusive cop. The type of movie that could only have been spawned in the 60's. Worth a look for its non-formula plot and for early performances by future stars.

Disappointing resolution does not take away too much from rest of flick, which shows an interesting slice of life.

Sentiment: positive
I watched this movie because of Costas Mandylor and Lauren Holly. I adored them together on Picket Fences, so it was a treat to see them together again. This was not the best movie ever made, but it was cute. Very predictable, but sometimes mindlessly fun movies are just what I need.

The desserts were gorgeous, and I wanted to eat all of them. I did love it when that one fell apart though. I bet it still tasted good.

Costas and Lauren still had the great chemistry that they had back on Picket Fences, and I swooned as they kissed in this movie.

I wouldn't watch this again, but it was a great filler for one night.

Sentiment: positive
Give director Stanley Tong of Jackie Chan's Super Cop and Rumble in the Bronx, and what do you get? You receive a series of kung fu fights and a lack of Magoo-like madness.

The limited plot has Magoo (Leslie Nielsen) put into an international plot, where he steals a world-renowned gem. Of course he has no idea what he is doing. In fact, he has no idea that he had the gem.

Within thirty minutes you could get very bored watching this. There are some very funny moments though like when he is cooking the chicken. You will wish that you were as nearsighted as Magoo. Its a fun movie to watch but its quite a disaster! You have to love Leslie Nielson because he was made some very funny movies. This isn't his best, but he does a good job playing Magoo. I thought it was a funny film, and it should be recommended to young children because they will probably think that its very funny.

Sentiment: negative
Trawling through the Sci Fi weeklies section of the local Video Rentals store I was losing hope of finding any good movies I hadn't yet seen. Renting Cypher was like a punt on a possibly very lame horse. My son is so jaded with current "B" Science Fiction that he hasn't bothered seeing this yet.

It must be noted I didn't see anything about Cypher when it was released in Australia. It must have been very quiet or I just missed it.

Well this WAS a really pleasant surprise! This is also no B movie. It's not a "blockbuster" of the epic variety and doesn't try to be - more a quiet movie that needs to be seen several times for it's plot to be fully savoured.

The special effects are powerfully presented when they are used - my only complaint is the super helo is a leetle obviously CGI at first view, but they get it right at it's 2nd appearance, & that aside everything else is top notch. In any case the affects are secondary.

I won't give anything away about the plot. The plot structure has a Russian Doll aspect a little reminiscent of Basic Instinct (though with very different content).

Just I will say that Choosing Jeremy Northam for the lead was a master stroke. The actor was born in Cambridge ENGLAND, and his accent for this film hits the ear as a sort of extremely forced New England dialect, it's a tad off key. See the final twist of the plot and you'll see why that is such a brilliant choice! And Lucy Liu is also just right with her "will she kiss me - will she shoot me" edge.

I rarely watch movies several times within days - this is one of them.

Sentiment: positive
I caught the first screening of Driving Lessons at the Tribeca Film Festival. Rupert Grint shows he can act past Harry Potter. Laura Linney is amazing as the overbearing mother. Julie Walters is hilarious as Dame Evie Walton, with a mouth worse than a sailor. I hope that this film is picked up by an American distributor so that everyone can see it. This film is not only about Driving Lessons, but life lessons. Ben (Rupert Grint) is torn between wanting to obey his overbearing mother and vicar father and wanting to live his own life. It's an amazing film, from an amazing director whose taken his own life and put it on the screen for everyone to see, and everyone who can, should.

Sentiment: positive
What a stinkeroo this turned out to be!!! At one time, much earlier in her career, Linda Darnell was one of my favorites - no great shakes as an Actress, but very beautiful and pleasant (particularly in films like "The Mark of Zorro" and "Blood and Sand") but when I saw this monstrosity, the memories of her golden days faded quickly. The story is unbelievable and farcical, the acting second-rate, the supporting cast insufferable. I cannot think of a more immature performance by anyone when compared to Tab Hunter, and Donald Gray had to be the most boring leading man they could have picked. Added to this, was the terrible photography (and I am not just referring to the color!) Everyone associated with this, must have shuddered whenever it was shown.

Sentiment: negative
THE FALCON AND THE SNOWMAN is a superb example of an anti-80s film. While many other films of the decade in general lacked substance, this film is pure substance. There's nothing stylish or fake or superfluous about it. It boasts two superb performances: Timothy Hutton and Sean Penn as lifelong friends Christopher Boyce and Daulton Lee, respectively. Hutton, Penn, and Tom Cruise were a triumvirate of early 80s actors who all looked headed to much bigger and better things (all 3 starred in TAPS). While Penn and Cruise's popularity soared, Hutton has been largely forgotten about, and that's a shame. Actually, Hutton is the first of the 3 to win an Oscar for supporting role in ORDINARY PEOPLE in 1980, but I think his performance in this movie is even more outstanding.

Hutton really captures the post-Vietnam war rebelliousness in his character Chris Boyce. A failed seminary school student, Chris has a love-hate relationship with his father, well played by the great character actor Pat Hingle. The scene where Chris quotes the poem his father thought he'd long forgotten is a particularly powerful one.

Chris gets job at Dept. of Defense and uses his hatred of U.S. gov't and its foreign policy to sell seemingly useless plans of old projects to the Soviets. He gets his buddy Daulton, a hyper drug-dealing self-server, in on it to be the courier of the project plans on microfilm. While Chris is doing it based on his beliefs, Daulton is doing it strictly for the money. The Soviet liaison is excellently played by David Suchet. Penn and Suchet have a real quirky chemistry and it's a kind of funny set of exchanges between them. But, make no mistake, this film is anything but that. It is a serious character study about pessimism, malaise, paranoia and mistrust.

Again, the leads make this film. Hutton delivers a brilliantly understated performance as Chris, a rather smart young man who had so much potential. Penn, as usual, does a tremendous characterization as Daulton, a pathetic loser who acts before he thinks, and most of the time doesn't think at all. The ending of this fact-based film is very saddening on several levels. A truly powerful character study.

Sentiment: positive
By the time this movie came out in 1996, director Mark Lester had been making tight, sharp little B action pictures for more than 20 years. He was responsible for the great "Truck Stop Women" from the '70s and several other little gems; unfortunately, he's also responsible for this dud. It's a shame to see the talented--and still smoking hot--Theresa Russell wasted yet again, but she's still the best actor in this picture. Eric Roberts shows up for a while, does his Eric Roberts thing, then goes away, a not altogether unwelcome occurrence in a picture with Eric Roberts in it. Frank Stallone actually isn't bad, which should give you an idea of how truly pathetic this picture is. As has been mentioned by other reviewers, the action scenes--which is the reason a picture like this gets made in the first place--are almost completely illogical and unrealistic, in addition to being somewhat inept. Other than some "vintage" clothes and a few old cars, there's no feel whatever for the 1930s, the era in which this film is set. A by-the-numbers script with irritating lapses in logic and little historical accuracy--this isn't a documentary, of course, but the filmmakers could have at least TRIED for a little authenticity--and performances that range from grade B to grade school relegate this cheap little quickie to the 4:00 a.m. Sunday slot on HBO, which is just where I saw it.

Sentiment: negative
This is a movie of tired, yet weirdly childish, clichés. There's a Nazi witch master performing sf-related experiments in the basement? Oh please! 

Aiming for a creeping sense of horror and fear, the general impression of the film is that of a very immature conception of fright. Not having any expectations beforehand, I am left with: an aged Xander from Buffy and a heroine with ape-like face who doesn't seem to know how to act. Said Adrienne Barbeau have I only only encountered before in the much more enjoyable "Cannibal Women in the Avocado Jungle of Death".

Camera and editing adds to the general impression of lame.

Sentiment: negative
After stabbing a retarded boy, the fifteen years old troubled and pessimist Leland P. Fitzgerald (Ryan Gosling) is sent to a juvenile detention. His teacher and aspirant writer Pearl Madison (Don Cheadle) gets close and tries to understand him, first with intention of writing a book, and later becoming his friend. Leland slowly discloses his sad vision of world, showing that he is a sociopath.

"The United States of Leland" is a depressive and interesting study of a character. The low paced riveting screenplay discloses pieces of the story like a puzzle; there are excellent lines and dialogs; the performances are great, although the twenty-three years old Ryan Gosling does not convince as a fifteen years old teenager; but it seems that a part is missing to complete the puzzle and make "The United States of Leland" an unforgettable movie. The disappointing clarification of the "why" for the violent action of Leland against Ryan Pollard is not convincing or touching, indeed shows that this character is a totally deranged sociopath with a weird and sick sight of world. Further, the way Allen Harris gets Pearl's knife is ridiculous. My vote is seven.

Title (Brazil): "O Mundo de Leland" ("The World of Leland")

Sentiment: positive
First off just let me say that I live in South Africa where rugby is our biggest sport by far, and our national side, the Springboks, have won the Rugby World Cup twice, so it's quite a big deal over here. I've played all my life and I'm shocked at the poor attention to detail in this movie! At first I thought it had the potential to be a great movie considering the cast of Neal McDonough, Nick Ferris, Gary Cole and Sean Astin for goodness sake, but it turned out to be a mockery of the sport. They basically mashed it together with your normal everyday American Football movie.

My first problem is that this movie supposedly captures the values of rugby, but the discipline or should I say the total lack thereof during the games are contradictory to this. In the final it looks more like an NFL game with Penning being tackled of the ball numerous times, in front of the referee...that would've immediately led to a couple of red cards, because foul play like that would never go unpunished in by a referee, of that I can assure you! You'd also not be able to find a coach in world rugby who would have so little control over his team. Any coach would take a dump on a players head if he intentionally stiff arms an opposing player or double teams him like they did in the final...red card and certain suspension, full stop.

Secondly, it's absurd that a coach would take a brand new player, who has played wing all of his life I gather, move him to hooker which is a highly specialized position and say that it's for the good of the TEAM?! What?! Hooker is a highly specialized position in the front row where you have to be able to scrum extremely well and preferably be able to throw the ball in at line-out time, which Penning NEVER does for some or other reason. By moving a wing to hooker without any extensive long term training it would firstly lead to your team's demise at scrum time & secondly the poor kid would probably break his neck! How is that good for the team I ask you? Finally, the overall high emotional pitch of the movie is way too much, because even though rugby is a great sport, and it builds great friendships & team spirit, it rarely gets that out of hand & corny. I've seen true-life football drama's with less emotion than this movie & it turned out great, but in this one Sean's (Penning) acting skills is dragged way too far and the movie attempts too force an emotional response out of the audience, which ends up being boring and hard to watch at times.

Hollywood have made some great sports movies over the years, but next time they venture into a sport which has just recently picked up in the states, they should try and do their homework & maybe get some experts into the fray.

DO IT RIGHT OR DON'T DO IT AT ALL!

Sentiment: negative
If you liked William Hickey in "Prizzi's Honor", he resurrects his character, as Don Anthony in "Mob Boss". This is a very weak "Godfather" satire with few laughs. Stuart Whitman looks perplexed as to what he's doing in this schlock-fest? Morgan Fairchild's performance is one of the better efforts in the movie, and that alone is not a good sign for sure. Eddie Deezen vacillates between "Three Stooges" slapstick and a bad Woody Allen imitation. Fatally flawed, "Mob Boss" is so derivative that boredom quickly overcomes comedy and the film drags on with car chases, hidden weapons in a restaurant bathroom, and numerous other nonsense. - MERK

Sentiment: negative
Election marks the 2nd trial society theme movie directed by Johnnie To.

To marvellously casted Simon Yan and Tony Leung Kar Fai as Lok and Big D, as the two trial members who were chosen as candidates for the position of chairman for Ho Sing society, a 100 year old trial society.

While Lok is a man who keeps his cool at all times, Big D is not only impatient, but also thinks that he is on top of everything. Lok was chosen as the next chairman for 2 years. To have the total control of the gang, the newly elected chairman must be passed down with a Dragon Baton, which represents power and authority. Big D was extremely unhappy with the results that he was not chosen to be the next chairman after paying a handsome figure of bribes to the council members. He ordered his man to get the Baton before it falls onto the hands of Lok.

While Big D is getting the Baton, Lok has other plans for him.

This is one of the trial society theme movies where not much bloodshed is needed. Johnnie To puts the greed of the human beings in the movie, where bloodshed is commonly used in other trial society theme movies to show how the greed of human beings can caused the death or the downfall of one. However, no single bullet is used, hardly any gangfights are involved in Election. It's the battle of the wits that makes Election stands out of the rest.

Apart from Maggie Shiu, the only actress in Election with less than 5 lines to talk in the whole movie, masculinity rules the whole movie. Louis Koo and Nick Cheung, who was seen in To's previous film, are casted as an undercover cop and a gangster who sold his life to the gang respectively. Together with some of the veteran actors making their appearance in the film and the excellent script, it makes the only HK movie to represent Cannes Fil Festival 2005.

Election has hardly failed any critics who wants an different trial society theme movie.

Sentiment: positive
I've read every adventure of Asterix and Obelix at least 5 times and I'm also a fan of "Les Nuls" and "Les Robins des Bois" and Jamel so I expected a lot from this movie.... and I finally got satisfied. Unlike the first adaptation of Asterix on the big screen (Astérix et Obélix contre César) which wasn't a real success besides the appearance of Laetitia Casta, this one really captures the spirit of the comic (and we get the beautiful Monica Bellucci). In the first movie the director tried to be too realistic about the time where the story is set and it killed the whole spirit that made Asterix hilarious. In this one all the clothing, the way of talking and everything is identical to Goscinny and Uderzo's work... more, it really stick to the original story with the downside that we know pretty much everything that's going to happen but Alain Chabat gave us a few surprises at the end. I really enjoyed that movie, and everytime that the first sign of boringness starts to appear, Jamel comes in and makes us laugh like crazy. This movie is a big mix of all the kind of humor I really like, and even if maybe it's mixing it too much, I can't help but to like it. So, if you like Asterix and the humor of all these young talents that started in "Nulle part Ailleurs" (a french mix of the tonight show and SNL) go see this movie.

Sentiment: positive
A lot of 'alternative' comedy in Britain in the 1980s was insular, misguided, overly-political, and unfunny, and the worst of the Comic Strip Presents... stuff fell into this category.

 But this is at the other end - a remarkable film that works on different intellectual levels.

 Is Dennis a criminal mastermind or is he lying?

 Is he telling the truth, bluffing, double-bluffing, counter-doubly-bubbly-bluffingwhatever?

 I've probably watched Supergrass 20 or 30 times, and I still can't decide 100%. That's the wonderful thing.

 As well as Ade Edmonson, there are big roles for other early Comic Strip mainstays - French & Saunders, Pete Richardson, Alexei Sayle, Keith Allen, Nigel Planer and Robbie Coltrane, though curiously enough not Rik Mayall.

 All of the Comic Strip cast - however much I disliked the hidden agenda of some of their members - are convincing actors, and turn in superb performances in this big-screen outing, while the Richardson-Richens writing team's work is so often pure genius, with nice little touches of detail throughout.

 Ultimately this is a study of crime, criminology and human nature, in all it's wondrous complexity. And very funny with it. You will not be disappointed.

Sentiment: positive
Along with the "Maratonci trce pocasni krug" from the same director, one of the masterpieces of ex-Yugoslavia comedies. If you want to understand Serbian mentality, you must see this movie. And if you want to see several of ex-Yugoslav great actors at the same time, this is a opportunity.

Sentiment: positive
Two Hands restored my faith in Aussie films. It took an old premise and made it fresh. I enjoyed this movie to no end. I recommend it to those people who like Guy Ritchie films. Bryan Brown was fantastic and just about perfect in a role tailor made for him. Ledger was adequtely dumb and his performance anchored a very satisfying movie for me.

Sentiment: positive
For the longest time, I liked this movie better than the original Care Bears movie. Well last summer, I watched them both together and decided I was wrong. The first one is a better Care Bears movie (as you may have guessed if you read my review for it). This one isn't a BAD movie, it's just... VERY STRANGE.

Well first of all, as a few people have mentioned, it completely disavows any knowledge of the first movie. I can't think of another sequel that contradicts the original so blatantly (especially with the genders of some characters and how they all met). When I was little and watching this, I was quite a bit confused and distraught. I felt the same way watching it as an adult!

On to the reasons why the movie is actually pretty good (IF you disassociate it from the first movie). I can't think of another movie for little kids with a DEMON as it's villan! Now I am not for a minute suggesting that evil demons who want to steal the souls of campers and Care Bears are good, I just find it cool that there's a SUPREMELY EVIL BEING in a movie for little kids! It's like that bizzare "Santa Clause vs. Satan" movie from Mexico you hear about sometimes. 

Anyhow, the demon's name is Darkheart and he wants this chick to help him get the Care Bears in return for him giving her special powers. Very dark for a kiddy flick eh? And did I mention that Darkheart appears to the girl most often as a WHINEY VOICED 10 YEAR OLD BOY??? Freaky! Meanwhile some other kids are in Care-a-Lot looking after BABY CARE BEARS! Oh, man! Demons and baby Care Bears IN THE SAME MOVIE!!!!!

Needless to say, everything gets cleared up in the end (but not before we get to see Darkheart trap the Care Bears' souls in this scary chandelere thing in one [surprisingly] deeply disturbing scene). But I am left with the question of wether this movie has found the cult audience it so richly deserves. I might just watch it again myself.

Sentiment: positive
I saw this movie at midnight on On Demand the other night, not knowing what to expect. I had heard of this movie, but never really any opinions on it.

I have to say, I was impressed with what I saw. I was genuinely freaked out in some parts and I definitely recall jumping up in my seat a few times.

The Blob was scary looking. Now, I look in a jar of jelly and wonder if it'll latch itself onto my hand.

Steve McQueen was really good as Steve Andrews, the protagonist of the film. I also liked the old man in the beginning.

For a 50's horror movie, this was very well done even by today's standards.

8/10.

Sentiment: positive
I saw a screening of this movie last night. I had high expectations going into it, but was definitely disappointed. Within 5 minutes of the opening, Williams is already campaigning for his presidency. And he becomes president in the first 40 minutes. So there goes all that aspect of the movie. The first half hour are hilarious. Don't get me wrong, the movie has its moments. But after the first half hour, it takes a turn for the worst. It becomes less of a comedy, and more of a thriller/drama/love story...which is pointless. the movie goes nowhere and stands still for a good 30 minutes. there are laughs interspersed here and there, but the consistently funny part is in the beginning and only the beginning. at one point, the biggest cheer i heard in the audience is when a person in the crowd yelled 'boooo' during a very confusingly emotional scene. Williams gives a great performance, right on par with his comedic style. Walken also delivers a strong supporting role as only he can. I think the one character that goes underrated is Lewis Black. Consistently vulgar and political, its funny to see him tone it down for a PG-13 rating. Overall, I would not pay to see the movie. Afterall, I saw it for free and even I was disappointed. The first half hour is solid, and its all downhill from there. Not really fitting into a category, the movie realizes half way through that it should not have been anything more than a one-hour comedy central special. 4.5/10

Sentiment: negative
Jill Dunne (played by Mitzi Kapture), is an attractive, nice woman, over-whelmed by a smart-mouthed teenage daughter, Liv (Martha MacIsaac) and a petty, two-timing husband, Sean (Rick Roberts), both of which were tediously self-centered, and obnoxious.

This was advertised as a troubled family stalked by a crazed killer during a relentless storm.

The storm doesn't even happen until about the last 5 minutes of the film, and then it isn't anything to send anybody running to the storm cellar.

The stalking, likewise doesn't get intense until almost the end of the film.

Most of the film we spend listening to Jill and her insufferable daughter, Liv, argue until I just wanted to back slap the daughter into next week.

Jill's problem with Liv is that she has taken up with Zack, a boy of questionable character, and they are constantly making out--in fact Jill comes home to find the two of them on Liv's bed.

The rest of the time we spend listening to Jill's husband Sean either whine at Jill or criticize her.

Sean was not at all appealing--since his face is so covered in freckles you could play connect the dots.

The story begins with Jill being notified of an out-standing bill on their credit card for a hotel she has never been to, and that she thought Sean had never been to either.

Jill goes to the hotel where she meets the owner & manager, Richard Grant (Nick Mancuso), a very nice, older, divorced man, who is sympathetic to her. In fact, when he spots her husband there again, he phones Jill and tips her off.

Jill returns to the hotel, sees Sean with another woman. She is upset, leaves without Sean seeing her, and does absolutely nothing. In fact, she doesn't even say anything to Sean when he arrives home. This made no sense to me.

Jill has given Richard her business card, and so he calls her and she is apparently in real estate. She shows him a condo. Afterwards they have a drink, and things get cozy between them.

Richard and Jill are getting it on, hot and heavy. In fact, he seems a bit more aggressive than necessary, when Jill suddenly decides to cut out.

Jill and Sean have a confrontation about his cheating. Sean whines about how Jill has been letting him down since her father died. Apparently his lack of any morals is all her fault. Eventually Jill confesses her own lack of morals and near adultery to Sean--and of course that's all her fault too, as far as Sean is concerned.

The little family decides to go on a camping trip--which means more whining and grousing among them, especially from the spoiled daughter.

I was so rooting for the stalker to get everybody, but Jill.

3 stars

Sentiment: negative
This movie started slowly, then gained momentum towards the middle. However, the fact that the movie ran over two nights broke that momentum at its peak. The second part really got interesting, but then gave way to a simply pathetic ending. Playing football in the yard? Really, could it get any more sappy and maudlin? Now I hear plans for a similar movie based on the '70s. I won't make any great efforts to tune into that one if it's anything like "The '60s."

Sentiment: positive
I can't remember exactly where i heard of them first, but i listen to a little of one song and liked it. Went and bought the cd and had finally found the type of music i like. I heard about this video and knew i had to have it. It has a lot of clips from them playing in concert. Let me tell you, watching this video doesn't even compare to them in concert. I've seen them twice in concert and don't want to ever miss a chance to see them again. The other two things it has is some interview, and even a video for one of their biggest songs. couple little side notes...i saw them at ozzfest 2001 and they ruled there, but seeing them in a smaller inside stage was much better (they had some really cool things to do with being able to cut out the lights) the other, in case anyone wonders, votary means a devout follower.

Sentiment: positive
I saw this movie with my girlfriends and we all loved it! It is so sweet and heartwarming, a real tear-jerker! I was still thinking about the story days after i'd seen the movie. It's such a beautiful story about the difficult things all families go through, it's something anybody can relate to. I really recommend this movie to anybody looking for a Saturday night rental. With your girlfriends, your family, your boyfriend, everyone will really enjoy it! :D It's a real story about a real family that would pull at anyones heartstrings. Not to mention, beautiful landscape shots and fantastic acting. See it, i'm sure you'll love it as much as I did!

Sentiment: positive
When I saw this movie cover, the first thing I thought was that it was made for video. The second thing that came to mind was how similar this looked to another terrible movie "Darkness Falls", the tale of this dumb witch who killed people in the dark. Unfortunately, Darkness Falls was quite the masterpiece compared to this pile of garbage, and this movie should not have been made.

The film starts off with a small back story for the witch, or, more like a pointless introduction of two little kids who are going to go meet the tooth fairy in hopes of her giving them a shiny new bicycle for their tooth. The opening is filmed poorly, and like the rest of the movie, it's certainly not scary. In present time, the movie is about Peter (Lochlyn Munroe). Peter's renting out his house, and his ex-girlfriend Darcy (Chandra West), and her daughter Cole come to stay there. Cole meets a neighborhood child, and they talk of the Tooth Fairy, and how you shouldn't lose your tooth, or she'll come for you. Unfortunately seconds later, it looks like the Tooth Fairy steals her bike and knocks her tooth out (How ironic). Will Cole survive the wrath of the Tooth Fairy, and will her mother and Peter be able to save her, and rekindle their romance...this is a bad movie, you could probably figure it out.

One of the main problems with this idiotic film is how undefined the Tooth Fairy is. They say she kills you if you lose your tooth, but nope. She's more like a serial killer who kills at random, and if you lose your tooth, you're definitely going to go. She steals a bike, so apparently she's a thief too. I said earlier that the idea for this movie was based on Darkness Falls, but where did they get the inspiration for the Tooth Fairy's appearance? Let's see. She looks like a burn victim, and she previously went around the neighborhood slaughtering children. Hmmm...it's almost as though she's an exact rip-off of Freddy Krueger from the "Nightmare on Elm Street" films. And this is not the worst part of this awful mess, the climax is. This movie might have the most laughable climax (Not literally laughable because I found it more sickening than funny) I've ever seen. Don't see this.

Just a little trivia. Lochlyn Munroe was in Scary Movie, and Jianna Ballard was in Scary Movie 3, and they both were in this, so apparently Scary Movie stars are forced to end out their career with bad scary movies.

My rating: 1/2 out of ****. 80 mins. R for violence.

Sentiment: negative
"Algie, the Miner" is one bad and unfunny silent comedy. The timing of the slapstick is completely off. This is the kind of humor with certain sequences that make you wonder if they're supposed to be funny or not. However, the actual quality of the film is irrelevant. This is mandatory viewing for film buffs mainly because its one of the earliest examples of gay cinema. The main character of Algie is an effeminate guy, acting much like the stereotypical "pansy" common in many early films. The film has the homophobic attitude common of the time. "Algie, the Miner" is pretty awful, but fascinating from a historical viewpoint. (3/10)

Sentiment: negative
I have seen some pretty bad movies, and this is right up there. No plot to speak of, it's like one of those bad coma episodes on a soap-opera. I just wanted to smack that little girl because, well lets just say, she's real suspicious all the way through the movie. The monsters running around wearing some bling was funny. I also saw a bit of "Silent Hill" in there. And I read that this was done by, and or stared a Finnish metal band, Lordi. So it's no wonder that it didn't make much sense. It seem to be a vehicle for promoting there band and nothing more. The FX are very good, the look of the movie, the monsters, and even the acting also good. But the story and the telling of it, just aren't there.

Sentiment: negative
Just in time to capitalize on the long-awaited movie version of "Dreamgirls" is the DVD release of this semi-forgotten 1976 musical melodrama that also takes the rise of the Supremes as its inspiration. Released five years before the Broadway opening of "Dreamgirls" and partially set in the same period, it has a predominantly black cast and a story revolving around an up-and-coming girl group, and that's where the resemblance basically ends. Written by Joel Schumacher well before he became a big-league director of mainstream studio product ("Batman Forever", "The Phantom of the Opera"), this movie seems grittier on the surface. True to form, however, Schumacher weakens the storyline and character development by injecting an abundance of clichés and eye-rolling one-liners. With little affinity for staging musical numbers, Sam O'Steen, a highly regarded film editor but neophyte director, helms the production like a low-budget TV-movie with a frustratingly episodic structure.

The story follows three Harlem sisters - sexy Sister, self-righteous Delores and sweet Sparkle - as they sing in the church choir, meet smooth-talking but well-intentioned boys Stix and Levi, and then find their first taste of success as a singing group - first as a sweater-wearing quintet called the Hearts and then as a glitzy trio known as Sister and the Sisters. But naturally there are problems beyond the silly name for the group - Sister gets involved with nasty drug dealer Satin Struthers who beats her and turns her into a cocaine junkie; Levi goes to prison for getting caught in a drug pick-up for Satin; Stix gets frustrated by failure and unwisely turns to some Jewish mobsters for financial help; Delores just gets plain fed up; and poor little Sparkle has to decide what kind of future she wants. A big plus is that R&B great Curtis Mayfield wrote the atmospheric songs, some catchy and one, "Look Into Your Heart", a real winner.

The solid cast does its best under the contrived circumstances. Lonette McKee's valiant attempt to make Sister a tragic figure is undercut by some of the ham-fisted plot turns, including a sad Billie Holliday-like turn at the mike. Before they hit it big on primetime TV, Philip Michael Thomas and Dorian Harewood portray Stix and Levi with boyish vitality if not much credibility. The best work comes from Mary Alice in a relatively silent turn as the girls' patient mother and a pre-"Fame" Irene Cara who effortlessly exudes sincerity in the title role (though her costumer and hair stylist should be shot for the hideous look she achieves in the final scene). The DVD just comes with the original theatrical trailer complete with an unctuous voice-over by DJ Casey Kasem and a bonus CD of five of the film's songs performed not by the original cast but by Aretha Franklin off her 1976 recording of the soundtrack. It's not a terrible movie, just an interesting if lacking curio that happens to cover the same ground as "Dreamgirls".

Sentiment: negative
I wish it were "Last Dumb Thriller". But thrillers are like that. They are like children: numerous, illogical, and often annoying. They want so desperately to be taken seriously but what is there to take seriously about a child's behaviour or a thriller's plot? Having seen this particular child - I mean... thriller - I understand why reviewers refer to it as "a hitchcockian thriller"; they might as well have called it "idiotic" for that's what "hitchcockian" means in the movie dictionary (look it up, if you don't believe me). Even the soundtrack is old-school Hollywood which is a mistake: it doesn't fit a late 70s film and makes it look phony. Besides, how dare they steal De Palma's idea of stealing from Hitchcock?! The story is absurd. Scheider's wife is killed, and her killers are never an issue. Instead, first his former employers follow him around, and later decide to kill him. Why do they decide to kill him? No explanation. Perhaps because the FBI is a dark, dark organization ("X-Files") which is very trigger-happy about knocking off its former employees for pension-funds reasons. Or perhaps because it's fashionable to want to kill Scheider in this movie; everyone seems to be after him. And while the poor unsuspecting viewer is trying to figure out the mystery by logically assuming that there is a major conspiracy, in reality the killer is... Janet Margolin! Yes, the woman occupying Scheider's living quarters; the one that briefly hinted she was "depraved". Why does she go after Scheider at precisely a time when his wife was murdered and he is feeling paranoid - and followed by his own ex-employers - and not a few years earlier or few years after the wife's murder? A pure hitchcockian (look it up again in the dictionary, in case you forgot what it means) coincidence. And how about that brilliant motive of hers...! Her grandmother was forced into prostitution when she was a fresh-off-the-boat 15 year-old virgin in NY, and then syphilisized by a bunch of horny Jewish men, one of whom - tah-dah! - is Scheider's grandfather. As a result, Margolin has been playing a hooker in her spare time (among other things) in order to kill off all the descendants of the men who so cruelly syphilisized her once-virginal grandmother. How hitchcockian (look it up) is that? The finale then shamelessly rips off the Mount Rushmore scene from "North By Northwest", except that the love-interest is a killer and she doesn't get saved.

The movie also offers some dubious/off-kilter dialog and some not-so great acting. Check out the silly and obvious way in which Napier follows Scheider at the cemetery. Let's also not forget the moronic plot-device of Napier reaching for his jacket and holding his hand very suspiciously - but it wasn't a gun! How brilliant! Napier in the tower: now, there's another string of illogical behavioural patterns. J. Demme was, is, and always will be a director without style, without flair, and the man who directed "Philadelphia". Let's give him another Oscar!

Sentiment: negative
**Maybe spoilers** **hard to spoil this thing more then it is, but just in case** Gee's I don't see how anybody could have liked this re-make!! It was like a "made for T.V" show and still pretty lame for that. Lots of fake snow, bad acting by top stars, bad action and that crazy pine forest in Detroit. What the heck??!! I didn't really think this would be a great movie but I was hoping to be entertained. Nope, we fell asleep half way and had to finish it up the next day. I could have skipped the rest easy(but then I would have missed those great piney woods!) I'm so glad I missed this at the theater! Bad enough to have wasted $3.50 at the video store. And I am a lover of cop, action and drama films. This was a very stinky 1 out of 10 stars. Give me the original any day!!

Sentiment: negative
POPEYE AND BIG FOOT **; POPEYE'S ENGINE COMPANY **; GETTING POPEYE'S GOAT **1/2

I used to lap these up as a kid but, catching an episode of the series comprising three cartoons back-to-back now i.e. several years later (they preceded the theatrical screening of the pirate yarn RAIDERS OF THE SEVEN SEAS [1953]), I can see how they don't hold up all that well! The character of Popeye isn't exactly sympathetic to begin with, Olive Oyl distinctly overbearing and Bluto's antics failed to elicit much interest either  in short, the scripts were alarmingly thin, fairly awful and generally unfunny to boot. They're strictly juvenile fare, yet I doubt today's kids would even have the patience to stick with them!; furthermore, the animation style is unattractive.

Taking each short per se, I guess they improved from one to the other: after the initial shock, one adapted to its mediocre quality as it were, so that the third cartoon easily results in being the most enjoyable of the lot  Popeye is entrusted with a mascot army goat whose immense appetite causes him no end of mischief (hardly original, I know, but always an amusing ploy). One interesting element here was that the shorts were bookended with Popeye delivering moralistic bits of wisdom to the kids in the audience.

Sentiment: negative
Despite the high ratings given to this film by IMDB users, this is nothing more than your typical girl-with-a-bad-childhood-obsessively-stalks-married-man film. The attractive Justine Priestly's brief nude scenes may attract voyeurs, but the film is hackneyed tripe.

* 1/2 out of ****

Sentiment: negative
If you're one of those people who doesn't really like Sci-fi because of their sometimes far-fetched ideas and surreal world perspectives, you better stay away as far as you can from Stuart Gordon's Space Truckers! It truly is an absurd space adventure, stuffed with eccentric characters, colorful kitsch and ludicrous plot-twists. In all honestyI probably never would have cared for this film, if it wasn't for Gordon's name on the credits. This guy comes pretty close to being a genius in the horror genre, with undeniable milestones like From Beyond' and Re-Animator' on his résumé. Apparently, Stuart Gordon likes his humor as twisted as possible! He already went completely over the comedy-top once (with Re-Animator) but, with the slight difference that the bizarre humor was effective there. Something that isn't really the case for Space Truckersmost of the gags lead nowhere and the entirely exaggerated atmosphere only works in small doses. In the end, all that remains is an occasionally amusing but completely unnecessary mess. Dennis Hopper and Charles Dance (or at least a semi Charles Dance) are always a joy to look at and the still stunning Barbara Crampton has a small role near the end of the film. Crampton was Stuart Gordon's regular heroine in previous horror films. The story of Space Truckers is as silly as they come. Dennis Hopper plays the self-made loner who's fed up with his job. Who wouldn't be when you're transporting pigs across the galaxy for a company named Interpork? He sees his change to flee while bringing his muse to earth. They float into Space-pirates and find out their cargo is meant to wipe out half the universe! Stuart Gordon wisely returned to making horror again after this little escapade. Since Space Truckers, he already made the sublime `King of the Ants' and the absolutely brilliant `Dagon'

Sentiment: negative
The title creatures wreak havoc at a peaceful little desert town. That's basically the whole plot for this film, and while the scenes devoted to the Munchies themselves are somewhat fun (in a lowbrow kind of way), all the rest is just filler, and bad filler at that. From the "hero", who is a painful Woody Allen wannabe, to the ultra-dumb town cop, it's hard to pick the most irritating character in the film. There were some times when almost all of them were on the screen together and I was thinking, "OK, at least the girlfriend is cute, but why do we have to put up with the rest of those morons?". The film is also filled with pop references (from Ozzy Osbourne to Linda Blair), which probably made it already dated by the early 90's. (*1/2)

Sentiment: negative
I'm sure that not many people outside of Australia have ever heard of the legend of Ned Kelly. I once saw a documentary about the man, but that's the only time I once saw or heard anything about him. And I guess that this might be the biggest problem this movie will have to face. No-one knows anything about it and probably not many people will care about the subject.

The movie tells the story of Ned Kelly's life. The Irish immigrant has lived in north-west Victoria all his life, but has never been very welcome by the authorities. The police always accuses him of everything they can think of and they keep harassing his family. When Kelly is fed up with the way everything goes, he forms a gang with his brother and two other men. They start robbing banks and even hijack an entire town for 3 days. All this violence leads to a man hunt organized by the police and when they kill three policemen, they are outlawed. Finally they take over a pub in Glenrowan, where they have a party with all the visitors, waiting for a train full of police to derail at a part of the track that they tore up. But the train is able to stop in time because someone warns them and what will follow is a battle on life and death between the police and the four gunmen...

It's very hard to tell whether all of what is shown in the movie is true or false. I guess nobody really knows, because there will always be two camps who will each tell their own truth: one camp says he was a hero, some kind of Robin Hood, the others will say he was an ordinary criminal, a murderer and a thief. I really couldn't tell you which of them is right, perhaps both are, but what I can tell you is that the facts in the movie as well as is the documentary were about the same.

This movie was a nice addition to the documentary I once saw and I really enjoyed the performances of all the actors. Heath Ledger, Orlando Bloom, Naomi Watts, Geoffrey Rush are all actors who are pretty well known, but even the lesser known actors show in this production that they all know what good acting should look like. I really enjoyed this movie and I give it a 7.5/10

Sentiment: positive
Absolutely the best thing I have ever seen on TV. It was both entertaining and informative. The reason I found this site is an attempt to find out how I can again see it.

In the light of present understanding of history we have to sympathize with Gen. Leslie Groves who was responsible for the nuts and bolts of running the Manhattan Project. Most certainly he was not as paranoid about security as most have thought in the past. 

The casting for the real life people portrayed was outstanding. It was the first time that I noticed Sam Waterston as an actor. Except for height he looked very much like Robert Oppenheimer.

The early scene in which Oppenheimer is leading a class of graduate students was especially intriguing to me.

Sentiment: positive