DoubleML/multimodal_confounding huggingface dataset:
This movie should have easily qualified as a film

that best promotes human understanding among people.

It may be rather annoying to even try to comprehend that a young Jewish southern girl could would give shelter to an escaped German prisoner of war.

Kristy McNichol depicts an amazing portrait of the unhappy, young girl thirsting for acceptance and love. Michael Constantine gave a remarkable performance as her difficult father and Esther Rolle, as the maid, Ruth, gave a superb Emmy-winning performance as an understanding maid caught up with these events.

Bruce Davison portrays the German who is supposedly not guilty of Nazi atrocities. This is how his role appears. He has escaped, but he joined the German army and he might have been a member of the Hitler youth movement.

The action takes place in 1944 Georgia, in a rural area. The townspeople are filled with prejudice. Even the FBI inspector acts as if he would like to get something on the Jews. Notice the opposite interpretation that as McNichol is in bed, Davison is hunted down and ultimately shot. It is interesting to see that society views McNichol as a traitor for harboring an escaped prisoner of war. The film also deals with an extremely complex relationship that exists between father and daughter. Constantine's outburst at his daughter at the end is some acting. As the mother, Barbara Barrie, is given little to do. It was annoying that she is stereotyped as the typical Jewish mother with that loud shade of lipstick on her lips.

Memorably done and well worth viewing.

Sentiment: positive
OK, if I was in the rental store and someone asked me if the movie was worth the three bucks for the rental, I'd have to say no. The plot was implausible. I've come to the conclusion that Keanu Reeves can not act. He can, at times, be painful to watch (though my wife thinks he's cute). Dan Aykroyd (who is usually great) was even a little disappointing as the crooked cop. On the plus side, the plot (because it is far-fetched) is unpredictable. Cameron Diaz was good.

Sentiment: negative
This is film that was actually recommended to me by my dentist, and am I glad he did! The blend of British humor (should I say, Humour?) and the reality of a lost, middle-aged widow trying to maintain her lifestyle were a hoot. Add to that mix the reality of what it takes to actually grow pot (those plants under the bushes were NOT going to make it without the TLC they received), and it is a truly hilarious, yet touching film. I laugh every time I conjure the vision of all the bar patrons sitting in their lawn chairs with sunglasses on counting down the lights! Maybe it's just my Mendocino County blood, but the Brits definitely got this one right!! 10/10

Sentiment: positive
That is the promise of the trailer I saw and by which I rented Hitch. Exactly, a serious film viewer shall not expect much further from this title but, surprisingly enough, Smith, Mendes, James and Valletta managed to reach a theatrical performance which could be metaphorically summarised on their rap dance-floor routine by the end of the film: their characters formed an effective combo which may prompt more than a good laugh with this Sunday afternoon DVD, providing your date is not an exquisite, french-swedish-directors-of-the-60's movie fan.

P.S.: The techniques to score are all TRUE, especially the "cocktail girl" routine!

Sentiment: positive
A young woman comes to the home town of his husband after he passed away in an accident. She barely settles down in this small town, but shortly after, loses her little son in a kidnapping and all her hopes... This could lead to all kinds following plots in a normal movie: find a new partner and being happy finally; or depressed enough to struggle and finally kill herself... She does try to kill herself, but not after a series of severe fights, with God. She trusts in God, only to find that God seems to forgive everyone, even the killer. Well, I should be careful here about God, the movie doesn't mean a thing against God. The way the movie deals the issue is quite interesting: not in the woman's point of view or from God's perspective (in this way, there would be lots of grass growing, clouds flying views, I suppose). Rather, it's from a third party's eye, the movie let us to perceive and doesn't explain a thing.

The movie wouldn't be so interesting were there only the woman. There's this man who's everywhere around the woman and obviously in love with her, but in his own way. He's a funny guy, like a clown I should say, who shamelessly hangs around our heroine. The combination of these two, the woman full of tension, crying and throwing up always, and the man, smiling and talking stupidly, ends up in a good balance of emotions: nothing absurdly wrong or too tedious.

Highly recommend.

Sentiment: positive
Ted Danson was a great choice to play Gulliver. Even though his background was mostly comedy, he shows here that he can do drama just as well or perhaps even better (though there is a lot of humour in this). Hard to turn a blind eye to his American accent especially since his character is supposed to be English but that's just a minor thing.

All the villains are equally well cast: James Fox, Edward Fox, Peter O'Toole, Warwick Davis, John Standing, etc. Despite the fact that most of them are either tiny people or giants, they are 100% believable in everything they do and their motivations are very clear e.g. the Lilliputians' unremitting suspicion of Gulliver, Grildrig the (giant) dwarf's hatred of him for usurping his position as court jester, Dr. Bates' attempt to have Gulliver proved insane so he can marry Mary.

Mary Steenburgen is great as Mary Gulliver (another 17th Century English character with an American accent but never mind). She is a deeply tormented character because she has been waiting nine years for her husband to return home and when he finally does, he is talking about tiny people, giants, a flying island and talking horses! Mary, despite the strong fantasy element in the story, is a very believable character.

The special effects are breathtaking especially when you consider that it was filmed on a television scale at a time when CGI was in its infancy. It looks very realistic when we see a 6 foot tall man walking through a city filled with people who are 6 inches tall.

The cameos are great as well: Omar Sharif, Richard Wilson, Sir John Gielgud, Kristin Scott Thomas, Ned Beatty. All great actors who create a strong supporting cast that complement Danson's superb acting ability.

The Houynhnhms and the Yahoos are probably the most effective element of the story on the satire side of things: a society of talking horses who do not possess any of the vices that humans have while the Yahoos are primitive, disgusting humans who mate forcefully and appoint their leader depending on how disgusting he is. Gulliver and Mistress' study of them is also very well done and displays the differences and similarities between humans and Yahoos.

The best version of "Gulliver's Travels" by far and one of the best mini-series ever.

Sentiment: positive
Suzumiya Haruhi no yûutsu (The Melancholy of Haruhi Suzumiya) might at a first glance make you think that this is just another animated school comedy/drama. Well, it's not! The setting just happen to be a school environment. This is a comedy alright, but a very smart one with a lot of sarcasm. And the characters does have a psychological sublimeness which is almost in the same class that can be found in the works of Ingmar Bergman. The episodes is aired, as it seems, out of order, i.e. the pilot is in fact episode 11. This makes it possible to present small clues to upcoming episodes. The show is an adaption of Nagaru Tanigawa's popular novel series about Haruhi Suzumiya.

What about the story then? Like in all the episodes does the story revolves Haruhi Suzumiya, who tries to ease her own boredom by embarking in adventures. Haruhi her self has no interest in ordinary humans, and actively searches for aliens, time travelers and espers (persons with supernatural forces). To find this sort of people she has formed a club which she calls the SOS-Brigade (Save the world by Overloading it with fun: Haruhi Suzumiyas Brigade). Except for Haruhi, the other members of the SOS-brigade is Kyon. He is the real protagonist of the show. It's trough his point of view that we follow the story. He just happen to sit in front in class when Haruhi came up with the idea to form the SOS-Brigade. He is quite sceptical to most club activities and tags along just to ensure that Haruhi don't go to much to the extremes, and he is the only one in the class that Haruhi likes to talk with. Another member is Yuki Nagato, which is the "indispensable silent member" and is also the only remaining member of the Literature club, which room the SOS-Brigade has occupied in the quest for a free club room. She doesn't mind that the SOS-Brigade uses her clubroom, as long as she can sit in a corner and read her books. She also participate in the brigades activities. Mikuru Asahina was "voluntarily arrested" by Haruhi because the club needed a Lolita-like mascot for anything suspicious to happen. She often act as the clubs maid. The last member is the always smiling Itsuki Koizumi, who happens to be the "mysterious transfer student" (meaning he transfered two months in to the semester which Haruhi finds to qualifies as mysterious).

Haruhi thinks that all members but Kyon are some random picked people in school, but the do indeed have their own interest in her.

Sentiment: positive
Let me give a quick summery of the film: A rotten, rude kid named Max stumbles upon a radio that contains Kazaam: a rapping genie. Like all genies, he grants 3 wishes but, being good natured, also helps Max with his personal life, as he has to deal with bullies and a father mixed up in organized crime. During all this, Kazaam raps from time to time, (also showcasing Shaq's dismal rap skills).

This movie proves what we all know: Athletes need to stick to sports. I admit that it never looked like an Oscar-worthy movie, but EVERYTHING about this waste of film is horrible. The characters are either unlikable or stupid, the plot is not even worth mentioning, the dialog is a joke, and Shaq is only a quarter of the problem. Hell, even if Denzel Washington played Kazaam this movie would still be a joke. I know that the movie only drew ANYBODY was because Shaq was so big (no pun intended) at the time. I honestly cannot think of a single positive thing to say about this waste of time. Shaq should have put the time had used to make this movie toward practicing free throws.

Sentiment: negative
this film had a lot of potential - it's a great story and has the potential to be very creepy. but of course tim burton doesn't really do creepy films, he does wacky cartoonish films. and i usually like tim burton's stuff. but i thought this film was really weak. the best thing about the film (and it is actually worth seeing just for this) was the art direction - the film has an amazing intangible quality to it. the script was not good. it was boring in parts and confusing in other parts, and there was no building of characters. i never really cared that people were having their heads lopped off by a headless being. i thought johnny depp had a good thing going with his approach to the character, but given that the script was weak he couldn't go too far with it - and i was very irritated by the attempts at a slight accent on his and christina ricci's parts.

anyway, it is sadly not a great film and not worth seeing unless you are interested in the art direction.

Sentiment: negative
I did something a little daring tonight when I watched this movie. I attempted to wean myself from silent movie scores. Sure, when this film originally was distributed, a piano score was probably played with it. Oftentimes, the director would choose the score himself (Charlie Chaplin often composed the scores of his later silent films). But most of the music you hear on VHS tapes over silent films is in no way the same music that was supposed to be played when the film was first released. And, then again, there were plenty of silent films that were played without a score. I do not know the history of Potemkin's score, so I decided to watch it for the medium this piece of art was produced within - film. 

Soon after I turned the music off, unaided (or should I say unimpeded) by the musical interpretation of the emotions on screen, I became utterly attached to the film. Visually, it is easily one of the most stunning of all films. Eisenstein was a master of composition. The editing, possibly the cinematic technique Eisenstein is most famous for (montage), is extraordinary. The mood of this film is anger, and it stirred my passions violently. 

It takes a lot of effort to enjoy a silent film, especially a drama, but films like Battleship Potemkin prove that this effort is entirely worth it. Come on! You owe it to yourself to watch this film! Your education is incomplete without it.

Sentiment: positive
1936 was the most prolific year for Astaire and Rogers. Their second film for RKO that year is the third film in this collection  Mark Sandrich's 'Follow The Fleet.' This time out Astaire is painfully uncomfortable as Bake Baker, a seaman on leave who just happens to stumble into the seedy waterfront café where Sherry Martin (Rogers) is warbling romantic sweet nothings in everyone's ear. Yep, you guessed it  they're hot for each other once again. Only this time Sherry's spinster sister, Connie (Harriet Hillard) threatens the whole fine romance by falling for Bake's robust seafaring buddy, Bilge Smith (Randolph Scott); a sort of use 'em up and toss 'em out kind of guy, thus forcing Sherry to reconsider her opinion of all sailors in general. Irving Berlin lends immeasurable class to the proceedings with his classic, classy score, including standards 'Let Yourself Go', 'I'm Putting All My Eggs in One Basket' and 'Let's Face the Music and Dance;' the latter a divinely inspired skit about suicide that turns into another immediately recognizable and thoroughly sublime pas deux for Fred and Ginger. 

The transfer on 'Follow The Fleet' is a tad weaker. The gray scale remains nicely balanced but now it's a tad thick looking with not nearly as much tonal variation as the previous titles. Grain is still present. So are age related artifacts. Once you've settled into to the slightly dense and sometimes more softly focused image quality, the overall impression is more than acceptable for a film of this vintage. The audio is Mono but very nicely balanced. Extras include a featurette, theatrical trailer and short subject, but oddly  no audio commentary. Considering the importance of this film in the overall canon of Astaire/Rogers this is an uncharacteristic oversight from Warner Home Video.

Sentiment: positive
This show was a landmark in American comedy as it was the first sitcom to star an all Afro-American cast. Sadly though it was never broad-casted on British TV.

The Evans family are a poor Afro-American family living in a tower block. The Dad is called James, he tries to run the house, but his wife Florida always gets the better of him. The three children are the artistic JJ, the moody Thelma and the young intellectual child Michael. Always coming into the house is Florida's gossipy friend Willona.

I watched two episodes of this show on youtube (Black Jesus and Sex and the Evans Family- the only two on the site). You may be thinking why has an English viewer watched a series that has never been shown or hardly heard of in his country. The answer is this. In 1976, Britains first all black sitcom came out called "The Fosters" Only two series were made and it now seems forgotten. But I watched an episode and was really impressed. Then I learnt that the scripts were identical to "Good Times". They were exactly the same characters but with different names- Sam Foster was the Dad, his wife was Pearl Foster and the three children were Sonny (a young Lenny Henry), Shirley and Benjamin. Pearl's gossipy friend was Vilma. (To read about The Fosters, I have wrote a review about that). Whilst watching "Good Times" only two things annoyed me. First off was the opening theme tune (awful) and secondly was the audience laughter. I like audience laughter, but in this somebody would say a slightly funny line and the audience would go mad and start clapping. Apart from that it was a very funny show. Let's hope more episodes turn up on youtube and lets hope that someone will release "The Fosters" on DVD in England.

Best Episode: Sex and the Evans family- Series 1 episode 6. The Foster's episode of it was called Sex in the Black Community. The other episode I saw, Black Jesus was a title of one episode of "The Fosters"

Sentiment: positive
Notice that all those that did not like and enjoy this film commented that it was not as good as the book or that it differed from the book.

I don't understand this type of criticism. Books and films are different media. While books have hours and hours to develop characters and story lines, films have about 120 minutes. Yet the film has the advantage of stimulating several senses: visual, audio, as well as the imagination. I don't care if a film is as good as or, in fact, has any resemblance to the book on which it is based. Who cares? I judge it for what it is.

This TV movie was charming. An old and oft-seen story, prone to cliché, it could easily have been embarrassing. However, Riffen and Reeves pull it off. One reviewer found Riffen far to old. I would never have guessed she was 40 when she made this film. It is to her credit as an actress that she played a 23-24 year old amazingly well. I also think it is about the best thing Reeves ever did. The story could have been stronger, and I agree the screen play could have used "tightening." Nonetheless, it is well worth watching; clearly not a powerful love story, but rather, a charming romance which will leave you satisfied that love is a strong emotion and good overcomes evil. And it is nice to see a "love story" without the obligatory f#$% word, the naked buttocks, or hours of spit-swapping kissing.

Lastly, the musical score is excellent.

Sentiment: positive
I was at the world premier of this movie, and have even met Todd a couples times around town (once at Olive Garden). Todd isn't a bad guy, he is just a small time film maker with little to no budget and big dreams.

As for the movie, it is good if you like zombie films with very little plot and lots of blood and guts. You get to see some Kansas City locations and lots of raw meat, what could be better? :-) Look for the same 2 dozen people playing different zombies (with just a change of clothes or hats). You can have a good drinking game with this movie, take a shot whenever you see the same zombie in a different shirt.

Sentiment: positive
I can't believe that someone actually paid to have this film made. Stupid, unrealistic, and stereotypical. Right from the take off of the massive 747 the pilot pulled the throttles back to increase speed. then you have 5 armed persons with semi to fully automatic weapons firing without so much as one bullet breaching the walls of the pressurized cabin at 38,000 feet. Then once below in the belly of the plane a stray bullet hits a FUEL line and we see the fuel leaking from the side of the plane. The acting was just horrid and forced. There just didn't seem to be any direction. I have seen some pretty horrid B movies in my lifetime but with the names that were in this film I was extremely disappointed.

Sentiment: negative
This is a movie that relies solely on the somewhat controversial image of incest and lesbianism to get noticed.That is it.The dialogs are pathetic and the sensuality of the "sex scenes" is absolutely absent.The acting and the dialog are more suited for high-school children,yet the subject is intended for adult audiences. It is a gutless and shallow movie.It could have been way better if it had a story and more drama. Ah and on top of that, one more thing: why are inner monologues so excessively used? Makes it seem so cheap.All in all an embarrassing movie for Romanian cinema as well as for mature audiences attempting to view it.I know the means are scarce but, that is not always an excuse for a movie flopping as this one does.And please start using some good actors in your movies and stop recycling them from musicians (Tudor Chirila) - they can't act!

Sentiment: negative
Yes, I'm sentimental & schmaltzy!! But this movie (and it's theme song) remain one of my all time greats!! Robert Downey Jr. does such justice to the role of "Louis Jeffries" reincarnated and the storyline (although far-fetched) is romantic & makes one believe in happy endings!!

Sentiment: positive
First of all, this plot is way overdone - girl wants to make it, everyone loves her, snobby girl intervenes, all looks lost, girl pulls through, everyone loves her again etc. Throw in the fitting in thing, an attractive male crushing on the heroine, plus single-parent troubles and it's so predictable that you can practically recite along with it.

Second of all, I really hate how they keep on dissing classical music. They send out the message that everyone involved in classical music is uptight and snobby and close-minded - in fact, I don't recall the quote exactly, but I remember at one point in the movie, Holly says, "Why do they have to be so uptight...so classical?" It's really insulting how label classical music in this way.

Third, I've went over it dozens of times, but the only reason that I can think of for making this movie is to promote Britney Spears. there just isn't any point at all.

And oh yeah, while the actress who portrayed Holly (I'm not sure whether that was really her singing or not) had a reasonably good voice, it wasn't as amazing as they were making it out to be - especially when she was belting. She was oversupporting the whole time.

1/10 stars.

Sentiment: negative
This movie has beautiful scenery. Unfortunately it has no plot. In order to have a plot there must be a conflict. This movie had none. It spent two hours painting a beautiful scene and failed to ever place any activity in it. The picture tries to be artistic but fails to pay attentions to the fundamentals of story telling.

If you love Montana scenery and fly fishing you will find some value in this film just don't expect a story. There isn't one.

Sentiment: negative
I can only believe that Garson Kanin must have been two people. The one who wrote the brilliant "A Double Life" and the funny "Born Yesterday" and co-wrote such excellent screenplays as "Adam's Rib" and "Pat And Mike" with his wife Ruth Gordon and then the one who wrote and/or directed such tiresome, sad drivel as "Bachelor Mother", "Some Kind Of A Nut", and this. The cast tries, but the script is so tired and clichéd that even the efforts of the always wonderful Brenda Vaccaro are defeated. The script sinks to it's nadir in the truly offensive sequence in which Janssen's character tests Drivas's character to make sure he's not gay. An ugly sequence, but sadly one which could easily play in a film today. "Ethnic" jokes are now totally verboten, but "fag" jokes are still "good, clean, family fun".

Sentiment: negative
The title overstates the content of this movie somewhat, which might lead to some unrealized expectations. Frankly speaking, there's very little "panic in the streets" to be seen here. In fact, throughout the movie very few people actually know that there's a murderer on the loose who may well be spreading the plague to everyone and anyone he encounters. Having said that, what we do have here is a very well done story with a level of suspense that starts out reasonably high anyway (because, unlike the people "in the streets", the viewer knows what's going on) and that director Elia Kazan builds very deliberately. As the plague-infected killer is sought, one of the more interesting sidebars I found was the developing relationship between Dr. Reed (Richard Widmark) and Police Captain Warren (Paul Douglas). At the beginning, the two really don't like each other, even though they have to work together. By the end, they've forged a real bond of respect for each other. Kazan did a good job with that.

Pretty much all the performances here were excellent. Widmark and Douglas were great, and I was quite taken with a very early look at Jack Palance playing what would become his typical "heavy" role. I found very little to criticize here. Perhaps Barbara Bel Geddes came across as a little bit flat as Reed's wife Nancy, but her role wasn't really central to the story. All in all, an excellent piece of work. 9/10

Sentiment: positive
This film could well have been one of those ordinary "soapies" relating the day to day events of half a dozen families whose lives are intertwined..broken relationships,building new friendships, street bashings, near accidents, hopes and dreams and even the discovery of a baby discarded under some bushes! What a mixture of events!

Fortunately the film maker goes beyond those daily events and poses questions to consider although there are no satisfactory answers. He asksin this chaotic world do things just happen, is it just luck when things turn out right or , taking a fatalistic view, is a person predestined to be at a certain place at a certain time and thus become involved in the event and his future takes on a new perspective? Most of us have had this uncanny experience.

Is it our super ego that makes us believe we are so important? As one character says he once sat on the edge overlooking the Grand Canyon and came to realize how infinitely small he was.

This is not one of my favourite films but is a good study of human relationships. Danny Glover is outstanding in a sympathetic role.

Sentiment: positive
I absolutely LOVED this movie! It was SO good! This movie is told by the parrot, Paulie's point of view. Paulie is given to the little girl Marie, as a present. Paulie helps Marie learn to talk and they become best friends. But when Paulie tells Marie to fly, she falls and the bird is sent away. That's when the adventure begins. Paulie goes through so much to find his way back to Marie. This movie is so sweet, funny, touching, sad, and more. When I first watched this movie, it made me cry. The birds courage and urge to go find his Marie for all that time, was so touching. I must say that the ending is so sweet and sad, but you'll have to watch it to find out how it goes. At the end, the janitor tries to help him, after hearing his story. Will he find his long lost Marie or not? Find out when you watch this sweet, heart warming movie. It'll touch your heart. Rating:10

Sentiment: positive
A Roger Corman rip-off assembled for what appears to be virtually zero budget. All of the special effects were originally used in "Battle Beyond the Stars", and I suspect a fair amount of the props, costumes and sets were re-used from other sources as well. The story seems to have been written around these elements, so this isn't really a movie as much as it's a recycling project. Third-rate "Star Wars" junk wasn't needed then or now.

Sentiment: negative
I'd liked the Takashi Miike films I'd seen so far, but I found this pretty disappointing. I'd bought it, but I won't be keeping it.

I saw it on the Adness DVD, which has just two episodes. In the first, a killer abducts women, cuts the top of their skull off to expose the brain, plants them in the ground up to their chin, and plants a flower in the brain. You can tell that from the DVD box. In the movie, the top of the head is digitally blurred out by TV static. Had you not seen the DVD box, the viewer wouldn't know what people were looking at until later a young cop produced a small model of the body. Oddly, there is also a flash frame later on of the woman's head and it is not censored. Apart from this, I'm not really sure what was going on. Some women get phone calls, and a sketchy animated character cavorts around when that happens. An animated character also appears on TV screens sometimes. It's unclear if anybody sees it.

In the second episode, pregnant women are being found cut open and their babies are missing. Again, a cop produces a model of what the corpses are like, which is helpful since again the actual body is censored. There is also a natural birth in the movie, but oddly even that baby and the umbilical cord are censored! According the the DVD box, uncensored versions were not kept when this was originally made. Perhaps even if they had, if they knew they were going to be censored, maybe they didn't bother actually showing anything...? Not sure.

If I hear the later episodes are better, maybe I'll look for them. As it is, I won't bother.

Sentiment: negative
Some unrealistic movie spoilers included.

From real life experiences, this movie continued to disappoint from the very beginning. I'm currently deployed on my second tour to Iraq as an infantry man. This film has nothing near what would happen in real life occurrences. From the very start to name a few: the bomb cart, the EOD elements rolling out solo with no escorts, the EOD staff sergeant sneaking of VBC, having sleeves rolled the entire time in ACUs, to where i had to call it quits on my 2 dollar haji copy, the sniper scene. The list would continue, however, it is unnecessary to list things wrong happening with a time span of 2 minutes before more things were incorrect; and the point was made.

This movie is for people and critics to watch that have no understanding or experience with deployments or the military.

People with military background or knowledge of the military will be disappointed with the inaccuracy.

Sentiment: negative
**WARNING** MISERABLE MOVIE **WARNING** The day before Christmas eve, some nut case decided he'd entertain us by sending this movie as "entertainement" on TV. What in Gods name was he thinking?

This movie is filled with awful humor, despicable acting, lousy jokes and a disaster of a plot line. Randy Quaid plays the idiotic role as Cousin Eddie Johnson. Eddie is a brain dead person, who's incapable of even the simplest tasks. He was fired because he was dumb as a brick, but the company he worked for was sorry for it so they sent him and his family on a vacation. But being as stupid as he is, he managed to make the vacation into a disaster.

All-in-all it's the worst movie I've seen, and I have nightmares still over the miserable acting and the even more miserable jokes in this movie. It's so sad you ALMOST have to see it... But don't. The nightmares I have are far worse than any other nightmares you will ever have. Trust me... I hate this movie so bad because of it's acting, the humor, the "jokes" and the story. The only good thing was the nice scenery. 

Well It's my opinion, and I surely hope everyone agrees with me...

Sentiment: negative
WARNING! SPOILER! This movie is absolute crap. It is not entertainment. I haven't the words to describe the disgust that I felt at the end.

This is a badly made movie about the scum of society. During the whole movie I kept waiting for it to get better. It didn't. Instead, it just kept getting worse and worse.

When I see a movie that is as bad as this one I always try to find at least one good thing to say about it. In this case it proved impossible. I have not one good thing to say about it. How bad did it get? Well, here's an example: Towards the end Dan Akroyd smothers and kills Vincent D'Onofrio while Reeves and Diaz watch! This is not entertainment!

Sentiment: negative
Albert Pyun delivers a very good action/drama about a junkie who tries to rip-off a big crime-lord. A lot of style and many very cool actors. Burt Reynold is excellent.

Sentiment: positive
This is an awful film. Yea the girls are pretty but its not very good. The plot having a cowboy get involved with an Indian maiden would be interesting if the sex didn't get in the way. Well, okay it might be interesting, but its not, because its so badly paced and and only partly acted. I can only imagine what the close ups of the dancing tushes looked like on a big screen, probably more laughable then they do on TV. (I won't even mention the topless knife fight between two women who are tied together and spend the whole thing chest to chest. Never read about that in the old west) This is a film that requires liberal use of fast forward.

I like schlock films but this is ridiculous. There is a reason that I don't go for this sort of films and that they tend not be very good, the plot taking a back seat to breasts. The original nudie cuties as they are called were originally nudist films or films where there was no touching but as the adult industry began to grow the film makers either tried to be clever or tried to exploit something else in order to put butts in seats. The clever ones were very few which only left hacks who were of limited talent. The comedies often came off best with the humor approaching the first grade level, infantile but harmlessly fun. Something that could rarely be said about any other genre cross dressed as a nudie.

The Ramrodder looks good and has a couple of nice pieces but its done in by being neither western nor sex film.

I need not watch this again.

Of interest to probably no one, the rapist and killer in the film was played by Bobby Beausoleil, a member of the Manson family who was arrested for murdering a school teacher not long after filming wrapped.

Obviously these sort of things will ruin some peoples lives.

Sentiment: negative
I bought this film at Blockbuster for $3.00, because it sounded interesting (a bit Ranma-esque, with the idea of someone dragging around a skeleton), because there was a cute girl in a mini-skirt on the back, and because there was a Restricted Viewing sticker on it. I thought it was going to be a sweet or at least sincere coming of age story with a weird indie edge. I was 100% wrong.

Having watched it, I have to wonder how it got the restricted sticker, since there is hardly any foul language, little violence, and the closest thing to nudity (Honestly! I don't usually go around hoping for it!) is when the girl is in her nightgown and you see her panties (you see her panties a lot in this movie, because no matter what, she's wearing a miniskirt of some sort). Even the anti-religious humor is tame (and lame, caricatured, insincere, derivative, unoriginal, and worst of all not funny in the slightest--it would be better just to listen to Ray Stevens' "Would Jesus Wear a Rolex on His Television Show"). This would barely qualify as PG-13 (it is Not Rated), but Blockbuster refuses to let anyone under the age of 17 rent this--as if it was pornographic. Any little kid could go in there and rent the edited version of Requiem for a Dream, but they insist that Zack and Reba is worse.

It is, but not in that way.

In a way, this worries me--the only thing left that could offend people is the idea of the suicide at the beginning. If anybody needs to see movies with honestly portrayed suicides (not this one, but better ones like The Virgin Suicides), it's teenagers. If both of those movies were rated R purely because of the suicide aspect, then I have little chance of turning a story I've been writing into a PG-13 movie (the main characters are eleven and a half and twelve). Suicide is one of the top three leading causes of death in teenagers (I think it's number 2), so chances are that most teens have been or will be affected by it.

Just say no to this movie, though. 2/10.

Sentiment: negative
Don't think of this movies as just another kids movie - the whole family can enjoy it. Its a strange mix of a movie, as its seems to have a movie within it, but at least it does make sense at the end (unlike modern films!) It does give you all the elements of a film (decent plot, good characters - well it does star the Muppets, a list of lesser celebs* which films would clamour for) What is surprising, is the fact that it can be a roller coaster of emotions, some sad, some heartwarming, some funny and some serious - it all makes an enjoyable family film that everyone can watch together.

* The celebs in the film are actually top stars of the day but there is only one true star of the film and no one dare outshine Miss Piggy!!!!

Sentiment: positive
Instead of watching the recycled history of "Pearl Harbor" with nothing new to reveal except for a couple of real events involving a few individuals thrown in so the makers of the film could say they contributed to the spread of history, along with nothing but CGI explosions filling in for a sappy romantic triangle. One should go see Dark Blue World.

This film takes place during the historic time in WWII which the Czech pilots left their homeland and went to fight for the RAF instead of laying down their arms and giving in to the Nazis. It was a part of history that should at least be told once to the outside world. A love triangle takes place between the main characters, but one of them does not die off conveniently like in Pearl Harbor, but through sacrifice for true friendship. The movie is tragedy after tragedy, with not even a bittersweet ending, with our hero not enjoying glory of taking his country back, the return of love by his current lover, the return of love by his reunited lover, or even the return of unconditional love by his life long pet. He is utterly heartbroken and feels no worse off in the Russian labor camp. This kind of ending is something that Hollywood would probably change if it was their script.

The movie does play on the sentimental sometimes, but it also shows the humanity of people. Overall, a worthwhile movie.

Sentiment: positive
the first Scanners may not have been a great movie,but at least it was original.there is no such novelty to this one.the acting is worse,in my opinion,and the story is slower and nothing special.i also didn't like the dialogue.and the special effects are no better than in the original.this is movie is inferior to the first one in all ways.the only thing different about it,is that it is loud and chaotic at times.but that doesn't make a good movie.if they had done something better with the story and made it interesting,this could have been a decent movie.i actually couldn't get through it all without fast forwarding through it.to me,this is a forgettable movie,and not much more.despite all that,there are worse movies.being in a generous mood,i'll give Scanners 2 a 4/10.

Sentiment: negative
One of the funniest, most romantic, and most musical movies ever; definitely worth renting/buying especially if you have a taste for older style of cinematography.

 The animals and the songs alone will make you smile while watching the movie. A definite must for Madonna fans. :o)

Sentiment: positive
Pegg has had a few hits in the past few years, starting with "Shaun Of The Dead" in 2004, movie on to "Hot Fuzz 2007", early 2008 he came out with "Run Fat Boy Run" and now comes this, "How To Lose Friends And Alienate People" which is in many ways one of my favourite comedy's of the year.

The film is about Sidney Yound, a man who writes a failing magazine who makes fun of celebrity's mostly because he is not one of them. Anyway, one of the most successful magazine owners (Played By Jeff Bridges) invites him (Out of nostalgia) to work at his magazine. Sidney is of course excited and moves to America, there he meets a girl currently writing a book, and hilarity ensues.

This film is great and I hope more come out like it in the near future. Pegg has once again given people everywhere another good film and I cant wait to the see the third part of the blood and ice cream trilogy "Paul". I Rate this film 81%.

Sentiment: positive
This movie was extremely depressing. 

The characters were so cold. The mother, who is he main character, is everything but "motherly". OK, she was unhappy in her marriage and always put her husband and children first. Her husband dies. She then goes to visit her son and meets this hunk who is sleeping with her daughter and ends up sleeping with him. Until this part, the movie is all right. Not excellent, but it can be watched. The guy is charming and who can blame her? OK it's not very motherly to sleep with your daughter's lover but let's blame that on the shock of losing her husband. 

She becomes totally obsessed with the guy. I think this is the part where I started to dislike the movie. She's always there wanting to please him in an "old fashioned way" with snacks while he is working on her son's house (I guess this is the only thing she ever learned to do), as if it was the only way she could get his attention. The guy obviously is not very interested (actually, it seems more like he considered sleeping with her a charitable activity) and instead of being insulted by that, she continues to beg him to go to go to bed with her and to be nice to her when he becomes very abusive. "I want to please you", she tells him in a desperate way while he is insulting her very badly. 

What outraged me in this movie, is the utter lack of self-respect the mother has for herself. She tells Craig something like "I am just a shapeless lump" the first time they sleep together. 

This movie is an insult to women kind. If it had been me, I would have bought myself a little object that would have brought me the same satisfaction and a lot less emotional pain... :)

Sentiment: negative
Let me start off by saying that after watching this episode for the first time on DVD at 10 o'clock P.M. one night, I could not fall asleep until about 3:00 A.M.

This brief review may contain spoilers.

I'm a long-time fan of The Sopranos and I can safely say this is the best episode I've seen. I'm not saying everyone should feel this way, but I do. This episode is identical to the weekend I spent with my family, watching over my own father, comatose in the ICU before he passed.

The episode begins with Tony in an alternate reality: he is a salesman who's identity has been mistaken for that of a man named Kevin Finnerty.

By the time ten minutes had gone by, I knew either Tony was dreaming, or I was watching some other show. It wasn't like the normal Sopranos and I loved it.

Option 1 is confirmed when Anthony (or "Kevin") looks into the sky at a "helicopter spotlight" and we see prodding through it, a doctor with a flashlight. We see this only for a moment and the sequence plays out until we go back to real life in a situation similar to the one I just stated.

Tony has come out of the coma for only a moment. His boys take A.J. home and Carmella, overcome by stress, breaks down in the hallway: a signature moment in the episode.

For the remainder of the episode, we cut in between the real world: the family dealing with the potential negative outcome of this coma, and Tony's alternate reality, which parallels what's going on both in his mind and in the real world around him.

Then comes the stellar point in the episode: after A.J. finishes telling his mother he's flunked school, she walks in to see Meadow sitting at Anthony's side.

She approaches Tony, and utters the best line of the episode: "Anthony, can you hear us?" In Tony's world, he enters a dark hotel room and turns on a light. He takes off his shoes and goes to the phone. He tries to dial, but he cannot--as if he were trying to say something back to Carmella, but couldn't physically bring himself to do so. Not yet.

He sits down and looks out his window. A shimmering light that has reoccurred throughout the episode now seems to call to him from the other side of the city.

"When It's Cold I'd Like To Die" by Moby marries perfectly with these last images and helps in creating an emotional roller-coaster of an episode.

10 out of 10.

P.S.: Watch the next episode. You find out what the light is. It's wonderful.

Sentiment: positive
Although it is more of a kids movie, it still holds its own, especially when compared to the more recent assembly line animated films being made. The music is fantastic!! I don't care how old you are, you will still find yourself rockin to "Girls of Rock and Roll" and Diamond Dolls." Definatly a must for animation lovers.

Sentiment: positive
The movie is a really well made one, which is great and looking and passionately directed. You can tell that every shot is thought over and executed to perfection. For the lovers of cinema this is especially a great watch and they especially should be able to appreciate the beauty of it and the passion for cinema that is being put into it.

It's hard to place this movie under one label. It's not really a drama, it's not really a thriller and it's not really a comedy. Instead its more a movie with its own style, that does things its own way. It doesn't necessarily follow the rules of cinema and features many different elements from many different genres combined.

But just like the movie its main character, the movie gets sort of slow and boring in parts. The artistic style of directing tries to conceal that the story is actually a quite simple one and it's more as if the movie relied solely on its style and overall atmosphere created by the movie. It doesn't make the movie horrible or anything but it just prevents it from being a true absolute must-see. In parts the movie also feels as if it's trying to be too poetic and tries to let the images speak too much for itself. It just feels a bit overdone in parts, though for most part of the movie it still works out beautifully.

It features some great camera-work and some unique storytelling, which makes this an original as well as a great film to watch.

7/10

Sentiment: positive
This movie was messed up. A sequel to "John Carpenter's Vampires", this didn't add up right. I'm not sure that I enjoyed this much. It was a little strange. Stick to the first "Vampires", it's a good movie. "Vampires: Los Muetos" wasn't a good attempt of a sequel.

4/10

Sentiment: negative
This a rip roaring western and i have watched it many times and it entertains on every level.However if your after the true facts about such legends as Hickcock,Cody and Calamity Jane then look elsewhere, as John Ford suggested this is the west when the truth becomes legend print the legend.The story moves with a cracking pace, and there is some great dialogue between Gary Cooper and Jean Arthur two very watchable stars who help to make this movie.The sharp eyed amongst you might just spot Gabby Hayes as an Indian scout, also there is a very young Anthony Quinn making his debut as Cayenne warrior, he actually married one of Demilles daughters in real life.Indeed its Quinns character who informs Cooper of the massacre of Custer told in flash back, the finale is well done and when the credits roll it fuses the American west with American history.So please take time out to watch this classic western.

Sentiment: positive
This film is a summary of Visconti's obssessions: the decadence of nobility, death, aesthetic search, homosexuality...All mingled with melancholic mastery. Slow-paced just to make you abler to contemplate all its beauty (which is in the music and the images as well as in the story)this is the type of film we are not allowed to enjoy anymore, brave, deeply personal and intelligent. The genuine fruit of a genius like Visconti.

Sentiment: positive