DoubleML/multimodal_confounding huggingface dataset:
Wow, I was really disappointed. I wasn't really planning on seeing this movie in the theater, and I wish I stuck to that plan. It really should be a made-for-tv movie. I was kind of excited to see it, as I'm a big fan of Fairuza Balk, but this movie didn't do her justice. Infact I'm a little disappointed with the acting all around. What a horrible cover up of Fairuza Balk's tattoos, it bothered me every time I saw her shoulder. 

There was no flow to the movie, it was very hard to get into it. One scene we get angry, hyped up, we want blood, the anticipation rises, just then the director takes us to another scene to show the love between Annie and Bobby. It would have been more enjoyable to follow if it was broken up into three sectional sunday paper comic strip.

There was also little logic behind the characters chosen to play some parts. The gangster leaders were scrawny guys, not very believable. Matt Dillon head of a mobster organization? Come on, give me a break. There was just no intimidation there. 

The soundtrack.. wow. I think this is one of the worst musical scores I've ever heard. What awful guitar solos, my god. The sound of my teeth grinding was more pleasing to my friends, I'm sure. 

Anyhow, there is one positive comment I'd like to make about the movie. The settings were nicely done. I liked the colours, a good job conveying that time period.

Sentiment: negative
I saw this film at the Rotterdam International Film Festival 2002. This seemed to be one of the less popular films on the festival, however, as it turned out, all the more interesting.

The story, of an actor trying to come to grips with himself and his environment after withdrawing from a drug addiction, is based on actual facts. Moreover, the characters playing in the film are the real people living this experience over again, this time for the film, which is partly set up as a stage play. Not only do they all happen to be good actors, Jia Hongsheng's parents are actors in real life as well, the methods used in highlighting their relationship towards Jia are very effective.

Jia Hongsheng is the actor of some Chinese action films late eighties start nineties. Later you can see him in great films such as Frozen and Suzhou River. In between these two career paths Jia becomes a drug addict and looses all drive to act or even do anything productive, except for making somewhat futile attempts at becoming a guitar virtuoso.

I like the way the writer of the scenario choose to emphasize on his behavior after withdrawal more than on the horror of drugs. We really feel the pain and struggle Jia is in. At the same time we hate him for the way he treats those around him.

The film draws the viewer into a tiring pattern Jia seems to be caught in, dragging with him his parents and sister who try to take care of him. Because there are personal 'interviews' with the characters we feel like we are getting to know Jia not only through himself but through others as well.

The film has a heavy feel, but scenes of Jia cycling through Bejing and partying with his friends lighten the tone. So does the bitter humor in a lot of events throughout the film. The music is beautiful and stayed with me for a while after. This is a film that might not easily appeal to many people but for those interested in the more serious and modern Chinese film this is a strong recommendation.

Sentiment: positive
The incomparable Laura Gemser appeared briefly in an erotic scene from the French "Emmanuelle 2." This amazing woman did not go unnoticed, and was soon cast as the lead in this all new Italian series, where she is the centerpiece; a beautiful photojournalist who travels the world experiencing all the mysterious eroticism that the world had to offer. In this first installment, Mae Jordan/Emanuelle is sent to Africa to photograph the people as well as the stunning landscape and wild exotic animals. Much like Sylvia Kristels character, Emanuelle has not come into her own when it comes to being open and comfortable with her own sexuality. This first film is basically about how she becomes the "Emanuelle" that most exploitation cinema fans are familiar with. Filled with gorgeous cinematography, beautiful people, and an intoxicating 70's score from the legendary Nico Fidenco, this one is sure to please. Those who enjoy the more story-driven style of the original french "Emmanuelle" should definitely like this as well. The main story here being an interesting cat and mouse tale of a womanizing playboy who comes to the realization that he has fallen in love with a woman who is the female version of him! Sexy, fun and totally entertaining throughout; a soap opera to be sure, but one with enough skin and general eye candy to keep the male viewers entertained. For some reason this is the hardest one in the series to find on DVD. there has never been a legitimate DVD for this, which is very strange. The bootlegs that sometimes appear online will have to do until someone gives this diamond of a film a proper release.

Sentiment: positive
with a title like this, you know not to expect a great horror movie. But this was really bad, even with low expectations. The plot is really insulting and stupid: an escaped criminal wears a Halloween mask, so everyone around him thinks he's someone else. this joke might actually work for 5 or 10 minutes, but not during the entire movie ! the actors are not that bad, but their characters are rather dumb and the story is boring and downright stupid. No suspense, no excitement and little gore (very cheap). Satan's Little Helper tries to combine horror (...) with comedy and fails dramatically at that. It became so boring towards the end, that I actually stopped watching 10 minutes before the end. I couldn't care whatever happened. Amanda Plummer was great in Pulp Fiction, but come on.. that was 13 years ago, and she hasn't done anything decent after that. So no wonder that she had to sink as low as this piece of crap.. Avoid or be warned..

Sentiment: negative
It got to be a running joke around Bonanza about how fatal it was for any women to get involved with any Cartwright men. After all Ben Cartwright was three times a widower with a son by each marriage. And any woman who got involved with Adam, Hoss, and Little Joe were going to end up dying because we couldn't get rid of the formula of the widower and the three sons that started this classic TV western.

Perhaps if Bonanza were being done today the writers would have had revolving women characters who came in and out of the lives of the Cartwrights. People have relationships, some go good, some not so good, it's just life. And we're less demanding of our heroes today so if a relationship with one of them goes south we don't have to kill the character off to keep the survivor's nobility intact. But that's if Bonanza were done today.

But we were still expecting a lot from our western heroes and Bonanza though it took a while to take hold and a change of viewing time from NBC certainly helped, the secret of Bonanza's success was the noble patriarch Ben Cartwright and his stalwart sons. Ben Cartwright was THE ideal TV Dad in any genre you want to name. His whole life was spent in the hard work of building that immense Ponderosa spread for his three children. The kids were all different in personality, but all came together in a pinch.

The Cartwrights became and still are an American institution. I daresay more people cared about this family than the Kennedys. Just the popularity that Bonanza has in syndication testifies to that. 

Pernell Roberts as oldest son Adam was written out of the show. Rumor has it he didn't care for the noble Cartwright characters which he felt bordered on sanctimonious. Perhaps if it were done now, he'd have liked it better in the way I describe.

This was just the beginning for Michael Landon, how many people get three hit TV shows to their credit. Landon also has Highway to Heaven and Little House On the Prarie where he had creative control. Little Joe was the youngest, most hot headed, but the most romantic of the Cartwrights. 

When Roberts left. the show kept going with the two younger sons, but when big Dan Blocker left, the heart went out of Bonanza. Other characters had been added on by that time, David Canary, Tim Matheson, and Ben Cartwright adopted young Mitch Vogel. But big, loyal, but a little thick Hoss was easily the most lovable of the Cartwrights. His sudden demise after surgery left too big a hole in that family.

So the Cartwrights of the Ponderosa have passed into history. I got a real taste of how America took the Cartwrights to heart when I visited the real Virginia City. It doesn't look anything like what you see in Bonanza. But near Lake Tahoe, just about where you see the Ponderosa on the map at the opening credits, is the Cartwright home, the set maintained and open as a tourist attraction. Like 21 Baker Street for Sherlock Holmes fans, the ranchhouse and the Cartwrights are real.

And if they weren't real, they should have been.

Sentiment: positive
It'll be a blue Christmas indeed if you subject you're family to this. I loved the original movie, and this one was not worthy of being its sequel. Actually, for all intents and purposes, it is not its sequel. Only one character from the original cast returns. Granted, that character happened to be the hilarious cousin Eddie, but he simply is not hilarious being the protagonist of a movie. His niche is that of the wacky relative who performs zany antics--alongside Chevy Chase. Chevy Chase was needed in this film for it to be a success, and he definitely was not there. As far as I am concerned, a movie is not a "Vacation" movie unless good ole' Clark Griswold is at the helm.

Sentiment: negative
Along with "Aparadektoi, the best Greek Comedy series ever ! Lefteris Papapetrou writes and Antonis Aggelopoulos directs in a magnificent way Soso, Alekos, Flora, Achilleas, Grandpa Aristides, Machi, Johnnie, Corrina and Michalis ! In a few words, Alekos, a butcher living in a district around the center of Athens is married to Soso. One day he meets Flora, an old date of his, who now is married to Achilleas and lives along with her father-in-law and his caretaker, Machi. Machi also has a son named Johnny who appears at the end of the first period and the entire second one. the rest main characters are Michalis, Alekos's assistant at the butcher's and bi-sexual and Corrina, Achilleas's lost sister who has turned up to be the best prostitute in the entire Athens. The main story of the series is Soso's attempts to kill Alekos, because he is cheating on her, but everything else happening in that are not of lower importance. Brilliant screenplay, with an excellent plot, poisonous quotes, awesome performances and a great directing. Original idea and especially the shootings were something that was done at the Greek television, for a series of the Greek television, for the first time, e.g. scenes shot under water ! Surely a serial you will never stop enjoying !

Sentiment: positive
I first seen this movie in the early 80s and we used to have it on betamax. As we all know, betamax went the way of the 8-trak tape, sigh, it really had nice picture quality too. Anyways, I'm glad I found this movie again, I've been searching for it for more than 10 years! This movie falls into the category of movies like Airplane: continuous jokes, oneliners, funny actions (bodylanguage). Mark Blankfield is absolutely hilarious. His transformation from the shy Dr. Daniel Jekyll into the sex-crazed partyanimal Mr. Hyde is unforgettable, complete with goldtooth, chesthair and goldchains. The part I loved best was when he hijacked the car from this poor guy and then drove to Madam Woo Woo's. Totally psychedelic experience without the drugs! If you need laugh therapy this is the movie to do it. When I first seen it, I had tears in my eyes and my belly was hurting from constantly laughing. This is a movie I could watch over and over again. I highly recommend it.

Sentiment: positive
Did anyone stop to realise what sort of movie they were producing here ? Now let`s a former marine officer becomes assinged to a group of kids at a cadet school so this should be a family comedy right ? Wrong . This is just a gross comedy aimed at teenagers with many bad taste moments .It might have been watchable in an extremely dumb way at this point but I found Damon Wayans voice to be irritating beyond belief . Does he speak like that in real life ? If he does then he has my sympathy but he won`t be getting any of my money from watching his movies

Sentiment: negative
I originally saw this film years ago during Cinemax Friday after dark series(back when the cable box was built like a keyboard),and it intrigued me. Even though there is a pointless aspect to the film it is well acted.The performances of Depardieu & Dewaere are very enjoyable.They have a good chemistry together & Miou-Miou makes a pink fur look breathtaking.A movie like this probably wouldn't be made in these politically correct times(at least not in the US), since it seems to sensationalize things like violence,robbery,& casual sex. This movie proves that with a talented cast & also talented directing a good movie is a good movie no matter the subject.It saddened me to find out Patrick Dewaere committed suicide & in the near future I,ll will check him out with Depardieu & Miou-Miou in Get Out Your Hankerchief.

Sentiment: positive
"Classe tous risques" feels like the granddaddy of "The Sopranos" in mixing the criminal and the domestic, and of the buddy film to feel as contemporary as "Reservoir Dogs."

Even as these gangsters are affectionately entangled with wives, children, lovers and parents, they are coldly ruthless, and we are constantly reminded they are, no matter what warm situation we also see them in. They can tousle a kid's hair - and then shoot a threat in cold blood. The key is loyalty, and the male camaraderie is beautifully conveyed, without ethnic or class stereotypes, even as their web of past obligations and pay backs narrows into suspicion and paranoia, as the old gang is in various stages of parole, retirement, out on bail or into new, less profitable ventures. An intense accusation is of sending a stranger to perform an old escape scenario. It is a high point of emotion when a wife is told off that she's not the one the gangster is friends with, while virtually the only time we hear music on the soundtrack is when he recalls his wife.

Streetscapes in Italy and France are marvelously used, in blinding daylight to dark water and highways, from the opening set up of a pair of brazen robbers -- who are traveling with one's wife and two kids. Rugged, craggy Lino Ventura captures the screen immediately as the criminal dad. And the second thug is clearly a casually avuncular presence in their lives, as they smoothly coordinate the theft and escape, in cars, buses, on boats and motorcycles, in easy tandem. This is not the cliché crusty old guy softened with the big-eyed orphan; these are their jobs and their families and they intersect in horrific ways.

The film pulls no punches in unexpectedly killing off characters, directly and as collateral damage, and challenging our sympathy for them, right through to the unsentimental end, which is probably why there was never an American remake. 

It seems so fresh that it's not until Jean-Paul Belmondo enters almost a third of the way into the film, looking so insouciant as a young punk, that one realizes that this is from 1960. Sultry Sandra Milo has smart and terrific chemistry with him, from an ambulance to an elevator to a hospital bed.

While the Film Forum was showing a new 35 mm print with newly translated subtitles, it was not pristine. The program notes explained that the title refers to a kind of insurance policy and is pun on "tourist class."

Sentiment: positive
Worth the admission price for the Rock-off alone!! Any D fan will LOVE this movie (even though it's a tad short) and cameos from John C Reilly, Ben Stiller, Tim Robbins, Meatloaf and Dave Grohl (just about recognisable) prove that the D rock hard enough for anyone. Even Dio... The sasquatch/mushroom scene is going to become an instant classic (I don't want to say any more and be accused of putting spoilers in here). Fans of the original HBO series will see a couple of nods to the D's early on-screen appearances in characters such as Lee and the open mic host. I only wish that they had played a few of the songs from the first album and the omission of 'the government totally sucks' from the POD album is also a shame. Other than that this movie rocks. Obey the D!

Sentiment: positive
The EMPEROR'S NEW GROOVE cast returns for Disney Pictures follow up, but this time the spotlight is on Kronk(voiced by Patrick Warburton), who is no longer Yzma's(Eartha Kitt)henchman. Kronk has started a new life and is very happy with his role as chef of his own restaurant. Things go merrily along until Kronk gets word that his Papi(John Mahoney)is coming for a visit. Kronk is worried, because he knows that his life won't impress his Papi. One thing that he has always wanted and never received is a "thumbs up" from his dad. A flurry of blunders and a gigantic cheese explosion in the restaurant leaves our likable hero very deep in trouble and anxiety. To save the day, a little help from his friends.

Other voices: Tracey Ullman, David Spade, John Goodman, Wendie Malick, April Winchell and Gatlin Green.

Sentiment: negative
I didn't know a lot about this film going into it but I did find out that Kane was a wrestler, which didn't exactly thrill me but hey, I liked "Santa's Slay" and that had a wrestler in it, so what the hell. The story begins very strangely and promisingly but after a while becomes not much more than your typical teen terror slasher flick, although the settings helped some. A bunch of criminal young folks get rounded up and taken to an old hotel that used to be a luxury palace but is now a dump, to clean it up to prepare it as a homeless shelter. The driver is a man with a prosthetic arm, being a veteran of the opening scene of this movie wherein he encounters this big galoot that had just killed his partner and blinded another woman. The teens, all being punk smart-asses, all of course object to having to do any real work, but they're part of some unique co-ed work program, yep, what a great idea that is, of course. Little does anyone suspect that there is someone lurking there in the hotel that in his own little way will save the tax payers of that state some money. Of course, it's the guy that likes to collect eyeballs, and he's got quite a collection going. There won't be a lot here that horror fans haven't seen before but there's a few brutal scenes and sufficient gore to satisfy the hard-core fan. The setting of the old hotel makes a perfect spot for a slasher flick too, and there's little sub-stories, like the search for an alleged safe full of money and the search for babes, since this co-ed work crew is evenly matched. Most of the teens are deservingly killable too so that works well. Not great but far better than Silent Hill or When A Stranger calls, and perhaps better than some of the other crap that I wouldn't bother to see. 7 out of 10.

Sentiment: positive
For one used to the comedies on television now- whether sketch, sitcom or animated, it's nice to watch something truly refreshing.

The Chaser has to be the best comedy of this decade, Seinfeld being the last's triumph. It follows the hosts urban crusades to fix situations, do 'ad road tests' and try to get the facts from our politicians the good old fashioned way.

Despite being very controversial at times, the shows excellent quality, from the well made and truly funny opening credits to the sketch style investigations (sketch style only in time, they are not scripted, at least, not the ones at the other end of the joke) is certainly worth watching. Even the most cynical and intellectual viewer won't be disappointed, and the show deserves ten stars.

All in all, well done to the ABC for showing this and i recommend it highly.

Sentiment: positive
The American Humane Association, which is the source of the familiar disclaimer "No animals were harmed..." (the registered trademark of the AHA), began to monitor the use of animals in film production more than 60 years ago, after a blindfolded horse was forced to leap to its death from the top of a cliff for a shot in the film Jesse James (1939). Needless to say, the atrocious act kills the whole entertainment aspect of this film for me. I suppose one could say that at least the horse didn't die in vain, since it was the beginning of the public waking up to the callous and horrendous pain caused animals for the glory of movie making, but I can't help but feel that if the poor animal had a choice, this sure wouldn't have been the path he would have taken!

Sentiment: negative
The Emperor's New Groove was a great twist for Disney. It wasn't a musical! It had clean, fresh jokes and no political twists. It was just a darn funny movie.

Kronk's New Groove, on the other hand, is tired and weak. My 3-year-old still loves Emperor's New Groove, but fell asleep during Kronk's. There really isn't any really conflict (that, in the first movie, lead to all of the wacky adventures). Because of the lack of conflict, it almost seems like the animators threw out the writers and just made the storyline up as they went along.

I kept waiting for something to happen that would make the movie fun . . . and still am.

Sentiment: negative
Obabakoak is a bunch of short stories with an only common point: the little Vasque town of Obaba. In this film, the director tries to explain some of these stories by using a young reporter as a continuum. The result is a strange film, as it has any main character (the movie spends about 20 min. to each tale) other than the town of Obaba. Any story is really well explained and the fact is that they result very boring. It was by far the best film of the year in Spain, but, well, that's not saying too much. The only good thing of the film is the precious scenarios. It is filmed in a very precious valley and it is more enjoyable to spend the time watching the scenario rather than being aware of the story.

Sentiment: negative
As noted in other comments here, the camera-work is laughably bad. I am tempted to say that the director of photography is a 7-year-old, but that would be mean -- to 7-year-olds.

Okay, but what about the subject? I was looking for some insight into the state of the wine industry worldwide, you know, Mondovino. What the film is about is a very narrow view of one intrigue in that world: the struggle between Mondavi and the French and Italian wineries that they would like to buy. There is no enlightening narration that would put the whole deal into context, so we are left with the selective process of the director and the interviews with the various characters in this little psychodrama. There's no shortage of despicable characters, or even despicable dogs, in sight. There is a shortage of evenhandedness, however. 

Is the director a Marxist? I wondered as I tried to maintain some semblance of focus as the camera dipped, swerved, zoomed in a chaotic flourish. Small grower in France: good. Huge grower in USA: very, very bad. Forget about the hundreds of small wineries throughout North America, Australia, and South America. There is a dead horse to beat here for over two hours.

To learn about the intrigue more, you are better off reading about it elsewhere. And you will be able to sample your favorite wine without feeling sick while doing so.

I suggest a new award at Cannes for Best America-bashing Diatribe.

Sentiment: negative
This film is essentially for those who have had little or no introduction to hip-hop, specifically turntableism, as was the case with the director before he started this film. It was cool to have it focus on the bay more than expected, because NY is always getting all the credit, but comin from the bay the Q-Bert worship is a little out of control. This film didn't introduce anything new to me, but it did change my opinion in that going into it I was sketchy about the prospect of giving the tables the distinction of being a bona fide instrument. This film ought to convince anyone that it's right up there with the viola and clavichord.

Sentiment: positive
Revenge on us the viewing public perhaps. I sat through this 2 hour movie and i was waiting for the second act to kick in so that the movie lived up to its title. But Costner never avenges his lovers fate she dies and the movie ends. I was left wondering where the rest of the movie was. If a movie is called Revenge then the hero better get some by the end of the film. I had a choice of seeing this or Black Rain at the cinema thankfully i saw The other brothers movie at the cinema instead.i caught up with this turkey on video. there was one good thing about the film and was its beautiful theme tune. Listen to the cd.dont watch this its awful. 1 out of 10

Sentiment: negative
I really thought they did an *excellent* job, there was nothing wrong with it at all, I don't know how the first commenter could have said it was terrible, it moved me to tears (I guess it moved about everyone to tears) but I try not to cry in a movie because it's embarrassing but this one got me. It was SOOO good! I hope they release it on DVD because I will definitely buy a copy! I feel like it renewed my faith and gave me a hope that I can't explain, it made me want to strive to be a better person, they went through so much and we kind of take that for granted, I guess. Compared to that, I feel like our own trials are nothing. Well, not nothing, but they hardly match what they had to go through. I loved it. Who played Emma?!

Sentiment: positive
For many year I saw this movie as a real movie of ninjas but after study more about this culture I can only think this is just another karate film. A black shinobi and some weapons doesn't make a ninja, it's much more than that. The ninja are the most dangerous warrior of the japan because they are trained in every aspect of life to survive to anything, killing whatever try to stop them. This movie is not a about a ninja warrior just about a clown trying to be something he cannot even understand.

Sentiment: negative
A stupid show in the vein of the rest of them with terrible music and a laugh track that must be from I Love Lucy. I got rid of TV because of shows like this, but picked up the 1st season at big lots for $3.00. Should bought the Van Damme movie instead.

If I was a conspiracy theorist, who believed that a small group of people are working against real families and keep coming up with this drivel/propaganda in order to undermine family values I would point to this show, Married With Children, Family Guy etc. but I'm not so I won't.

BTW I'm not Christian, love the Simpsons and Peep show. I watched two episodes and thought that if shows like this are popular, who are they popular with? Then I remembered all those fotos of the people of Walmart that have been circulating around the web and thought ah ha!. It is no wonder our culture is a joke around the world when this is prime time.

Sentiment: negative
Writer/Director/Co-Star Adam Jones is headed for great things. That is the thought I had after seeing his feature film "Cross Eyed". Rarely does an independent film leave me feeling as good as his did. Cleverly written and masterfully directed, "Cross Eyed" keeps you involved from beginning to end. Adam Jones may not be a well known name yet, but he will be. If this movie had one or two "Named Actors" it would be a Box Office sensation. I think it still has a chance to get seen by a main stream audience if just one film distributor takes the time to work this movie. Regardless of where it ends up, if you get a chance to see it you won't be disappointed.

Sentiment: positive
Now I know why this movie can be bought for so cheap at the video stores. I was curious since it had three big-name stars yet was among the 'B' movies that the video apparently can't even give away! The answer is, it is a film that would attract a very limited audience: an over-50 crowd with very Liberal sensibilities.

Who else who watch Robert Redford, Willem Dafoe and Helen Mirren give, essentially, a basic message that "cheating on your wife is okay so long as you still love her." That's the nice "feel-good message" here, particularly at the end at the end of this strange kidnapping story. Who wrote this script.....Bill Clinton?

I say "strange" because the kidnapper is the nicest kidnapper (Dafoe) you've ever seen, except at the end. He unties his hostage (Redford) frequently, which no kidnapper would risk, has casual conversations about family matters, etc. It's all ludicrous! Well, the L.A. Times says it's "an intelligent thriller." Ha ha. Well, that confirms what most people know of the L.A. Times. For those of you who believe that, and haven't seen it, I won't spoil it with more of the gigantic holes in this story, particularly at the end. The fact is, it's an insult to anyone with intelligence.

Anyway, you can't fool all the people all the time, as critics have yet to figure out. Here is another film they touted that justifiably bombed at the box office and video store.

Sentiment: negative
A mixture of Alien and Ghost Busters?

Starts very promising, then slows down to almost boring. 

LifeForce contains some awesome special effects they were able to make in the mid 80's. The story is intriguing, but becomes quite lack lustre in the end. It was rated R because of the nudeness, sex and gore. Mathilda May's ethereal and savage (naked) beauty is very apparent through out the whole movie. A bizarre movie and cost a lot by the time it was made. 

This could have been a bigger classic with a better script, but unfortunately it wasn't a great hit, I think it actually flopped quite bad. 

So, something went wrong with this one, but still, it's very entertaining.

Sentiment: positive
Although it's been hailed as a comedy-drama I found "Crooklyn" to be mostly depressing. It's hard to imagine how Spike Lee could look back affectionately on so much chaos, petty cruelty, irresponsibility and mean-spiritedness.

Sentiment: negative
This film makes you really appreciate the invention of the fast forward button on your remote control. It's exquisite boredom in beautiful pictures. For once Hamilton goes relatively easy on soft focus shots. However, what I found hard to take about the film was that although Anja Schüte was about 19 when it was shot the girls are portrayed as much younger than they actually are. This whole Lolita thing especially as there is an older man involved leaves me rather uneasy. The heroine is actually shaved in the pubic area in order to make her look even younger than she is. Come on, sex is a nice past time- between consenting adults. Another thing I found odd was that neither Beart nor Schüte have a nude scene in the film, well, not a proper one at least.

Sentiment: negative
This was different, that's for sure. Just look at the cast! Talk about oddballs.

William H. Macy and Ben Stiller were the stars, although a bunch of actors almost share the spotlight, in this farce about superhero-wannabees. The most outrageous was played by Paul Reubens of "Pee Wee Herman" fame.

There is lots of humor, garish colors and no lulls. It's a pretty entertaining, lightweight comedy with nothing but goofy characters, all of whom want to be heroes a la Superman, Batman, Spiderman, you name. They have talents in strange areas, however, that the real heroes don't (and don't want to!). It's silly, but you know that going on.

It's also a film you can watch in installments and not really miss any continuity. It's a long movie for one so hectic, so taking a break here and there is okay. The language was tame so kids could enjoy this, too. In fact, I don't recall any swearing in here, except the guy in the theater next to me who kept uttering, "What a dumb, f---ing movie." I thought it was fun two hours but I'd rather watch it on DVD and take a few breaks.

Sentiment: positive
The intertwined points-of-view can come up as a good idea in some movies. Here it is a total mess.

But the total mess begin with the story: a video-clip bummy wants to shoot a light comedy with a pernicious noir-like female character. She is gorgeous and no men could resist to dive and crawl and suck her toes. She is all the more materialist, looking as if butter wouldn't melt in her mouth.

The movie does melt away in its own pretentiousness: being smart/funny/good-looking. Phalocretinism at his best. White trash only, please.

Sentiment: negative
THE BRAIN THAT WOULDN'T DIE was considered so distasteful in 1959 that several cuts and the passage of three years was required before it was released in 1962. Today it is difficult to imagine how anyone could have taken the thing seriously even in 1959; the thing is both lurid and lewd, but it is also incredibly ludicrous in a profoundly bumptious sort of way.

The story, of course, concerns a doctor who is an eager experimenter in transplanting limbs--and when his girl friend is killed in a car crash he rushes her head to his secret lab. With the aid of a few telephone cords, a couple of clamps, and what looks very like a shallow baking pan, he brings her head back to life. But is she grateful? Not hardly. In fact, she seems mightily ticked off about the whole thing, particularly when it transpires that the doctor plans to attach her head to another body.

As it happens, the doctor is picky about this new body: he wants one built for speed, and he takes to cruising disconcerted women on city sidewalks, haunting strip joints, visiting body beautiful contests, and hunting down cheesecake models in search of endowments that will raise his eyebrow. But back at the lab, the head has developed a chemically-induced psychic link with another one of the doctor's experiments, this one so hideous that it is kept locked out of sight in a handy laboratory closet. Can they work together to get rid of the bitter and malicious lab assistance, wreck revenge upon the doctor, and save the woman whose body he hankers for? Could be! Leading man Jason Evers plays the roguish doctor as if he's been given a massive dose of Spanish fly; Virginia Leith, the unhappy head, screeches and cackles in spite of the fact that she has no lungs and maybe not even any vocal chords. Busty babes gyrate to incredibly tawdry music, actors make irrational character changes from line to line, the dialogue is even more nonsensical than the plot, and you'll need a calculator to add up the continuity goofs. On the whole THE BRAIN THAT WOULDN'T DIE comes off as even more unintentionally funny than an Ed Wood movie.

Director Joseph Green actually manages to keep the whole thing moving at pretty good clip, and looking at the film today it is easy to pick out scenes that influenced later directors, who no doubt saw the thing when they were young and impressionable and never quite got over it. The cuts made before the film went into release are forever lost, but the cuts made for television have been restored in the Alpha release, and while the film and sound quality aren't particularly great it's just as well to recall that they probably weren't all that good to begin with.

Now, this is one of those movies that you'll either find incredibly dull or wildly hilarious, depending on your point of view, so it is very hard to give a recommendation. But I'll say this: if your tastes run to the likes of Ed Wood or Russ Meyers, you need to snap this one up and now! Four stars for its cheesy-bizarreness alone! GFT, Amazon Reviewer

Sentiment: positive
This movie is not worth a descend review, it just made me decide that I am not going to go see the next Tarantino film. And I used to love Tarantino's films.

Not artsy, not entertaining, not witty, not funny, nothing, just dull and stupid. If this movie would have been Tarantinos first, it would have also been his last.

Tarantino has to get a grip on himself, otherwise his next movie is going to be 3 hours of meaningless, boring and uncool dialog. It seems like he has fallen in love with his dialog - and his love is blind.

After you finish your popcorn's there's no reason to sit in a theater anymore.

Sentiment: negative
Returning from 20 years in China, a young missionary refuses to become THE CAT'S-PAW for a gang of hometown hoodlums.

This movie was a bit of a departure from Harold Lloyd's previous movies. Comedy derived more from dialogue, often rather serious, predominates here, rather than the elaborate sight gags which powered Harold's classics of the past. There are some splendid moments, however, which are pure visual fun, as when Harold attempts to follow a convertible down a crowded street, or when he desperately tries to keep a nightclub stripper from losing her clothes. There is also the climactic scene, set in a Chinatown basement, in which Harold gleefully jumps unabashedly into the darkest comedy. But most of the humor derives from Harold's refusal to be the patsy of the criminals who've run his hometown for years.

And it's quite a collection of crooked politicians & thugs Harold finds himself up against, played by a bevy of fine character actors: George Barbier, Nat Pendleton, Grant Mitchell, Edwin Maxwell, Alan Dinehart, Warren Hymer & stuttering Fuzzy Knight. Pert Una Merkel is on hand as the tobacco stand girl who catches Harold's eye and keeps him intrigued by her no-nonsense outlook on life.

Movie mavens will recognize Samuel S. Hinds as Harold's missionary father; Charles Sellon as an elderly Stockport clergyman; and Herman Bing as a German gangster--all uncredited. Also, showing up for only a few seconds as an attempted kidnapper, is Noah Young, a familiar face from Harold's silent films, here making his final appearance in a Lloyd picture.

Fox gave the film fine production values, especially in the opening scenes set in China.

Sentiment: positive
This documentary is a reenactment of the last few years of Betty Page's(Paige Richards) career. The Tennessee tease was the most recognizable pin-up queen in history. Her most memorable work came in the 1950's and was fetish photos, bondage and cat-fight "girly flicks". Irving Klaw(Dukey Flyswatter)at his Movie Star News instructed Betty on what to do in front of the camera. There was no nudity in the famous photos or "stag films", but nonetheless, Klaw was charged with distributing obscene materials and was ordered to destroy them to avoid prosecution. It is no surprise that Betty had a cult following at the height of her career. The girl-next-door with jet black hair, blue eyes and an hour glass figure dressed in fetish gear or not would mesmerize for decades. After all, it has been said that she was photographed more than Marilyn Monroe and second only to the most photographed image in the world, Elvis Presley. Betty Page would disappear and devote her last years to religion. This movie actually could have been a lot better; but good enough to hold interest.

Miss Richards is stunning in her own right. Bra, panties, garter belt and hose do not hurt her image in the least. Also in the cast: Jaimie Henkin, Jana Strain, Emily Marilyn and Julie Simone. Be advised this movie can change your heart rate.

Sentiment: negative
This is a "B Series" Film Noir, and my vote reflects its membership in that genre. I saw this film last night at a left-bank cinema in Paris, where it opened a two-week film noir run. The film has some flaws, yes, but far too many delicious elements to ignore.

As the previous reviewer remarked, the drumming scene is incredible! (B-movies could tread where A-movies were forbidden to enter!) And the plot is intriguing. Regarding Franchot Tone, however, I beg to disagree: to me, he's suitably mysterious; just the right shade of creepy. One must bear in mind that there's a sort of German expressionism happening here (the director, Robert Siodmark, was a German who came to Hollywood during the war), and so an air of exaggeration fits into the whole of this film. At least it does for me.

However, it's the gorgeous Ella Raines who, in only her third credited performance, held this viewer entranced throughout the film. A "Girl Friday" type with a strong resemblance to Gene Tierney, it's a wonder that she didn't become a household name. But she's so good here that I've just ordered another film of hers ('Impact') off the Internet, and I can't wait to see it as well.

Sentiment: positive
I'm a Boorman fan, but this is arguably his least successful film. Comedy has never been his strong suit, and here his attempts at screwball farce are clumsily done. Still, it's almost worth seeing for Boorman's eye for talent: this is one of Uma Thurman's first starring roles, and as always she is ravishing to watch. (On a sad side note, Boorman wrote the script with his daughter, Telsche, who died a couple years ago.)

Sentiment: negative
Okay so I went into this movie not really expecting much I figured an action flick similar to The Fast and the Furious. Some nice cars some nice girls somewhat of a decent plot. Unfortunately I would have to say that this was probably the worst movie I have seen this year. Don't get me wrong the cars were nice and the girls were OK but the way they put the movie together was just plain crappy to put it nicely. The story just never made you care about the cast and the movie seemed just pieced together. So overall this movie was not the worst thing ever by far but if your looking for a movie to go to this weekend I would pass on this one for now.

Sentiment: negative
House of games has a strong story where obsession and illusion play a big part. A psychologist offers to help a patient with his gambling debts and gets caught at the game.

Have you ever felt fascination for something that was both dangerous and wrong? Watch what happens if you pursue this urge and go all the way. Sit on the edge of your chair as tricksters are being tricked and victims turn into perpetrators. You're never sure of who is exactly who in this movie.

This is both a quality and a drawback of the script. As the movie ends you feel that the story lacks a bit of consistency. But all this is largely compensated by the excellent psychological development.

This is definitely one of the best movies about gambling.

Sentiment: positive
This movie is definately one of my favorite movies in it's kind. The interaction between respectable and morally strong characters is an ode to chivalry and the honor code amongst thieves and policemen. It treats themes like duty, guilt, word, manipulation and trust like few films have done and, unfortunately, none that I can recall since the death of the 'policial' in the late seventies. The sequence is delicious, down to the essential, living nothing out and thus leading the spectator into a masterful plot right and wrong without accessory eye catching and spectacular scenes that are often needed in lesser specimens of the genre in order to keep the audience awake. No such scenes are present or needed. The argument is sand honest to the spectator; An important asset in a genre that too often achieve suspense through the deception of the audience. No, this is not miss Marble... A note of congratulations for the music is in order A film to watch and savor every minute, not just to see.

Sentiment: positive
In a word...amazing.

I initially was not too keen to watch Pinjar since I thought this would be another movie lamenting over the partition and would show biases towards India and Pakistan. I was so totally wrong. Pinjar is a heart-wrenching, emotional and intelligent movie without any visible flaws. I was haunted by it after watching it. It lingered on my mind for so long; the themes, the pain, the loss, the emotion- all was so real.

This is truly a masterpiece that one rarely gets to see in Bollywood nowadays. It has no biases or prejudices and has given the partition a human story. Here, no one country is depicted as good or bad. There are evil Indians, evil Pakistanis and good Indians and Pakistanis. The cinematography is excellent and the music is melodious, meaningful (thanks to Gulzar sahib) and haunting. Everything about the movie was amazing...and the acting just took my breath away. All were perfectly cast.

If you are interested in watching an intellectual and genuinely wonderful movie...look no further. This movie gives it all. I recommend it with all my heart. AMAZING cannot describe how excellent it is.

Sentiment: positive
I'm sorry, but this movie is just way to shallow for me. In it, Perez is a taxi dancer with boyfriend Keitel trying to make it as an actress. First of all, what the hell is a taxi dancer? Even after sitting through this, I still don't know. Oh yeah, Perez also inspires DeLorenzo to follow her like a lovesick puppy. There's no reason behind the love, it just kind of happens. There are times when the characters and events really try to pull at your heartstrings, but it rarely works. The only character you really do feel anything for or with is Keitel's character, and that's only because he does such a good job with it. Any other actor and the character would have been just like the others.

The script is basically an uninspired rehashing about how hard it is to make it as an actor/actress. It's been done and said before, the language and dialog sounds like it was written by a street pimp. The ending is...well, I don't want to spoil it. Let's just say it feels unsatisfying. I'd be more upset if the story was any good to begin with. The directing is average with nothing truly wonderful, but nothing that is really painful to watch either. To reiterate the acting, the only one that does anything worth watching is Keitel. Though I could have lived on without seeing him in tiger print bikini underwear.

Oh yeah, Eddie Bunker shows up. As random as that mention is, that's how random it is in the film. And Tarantino does his director buddy a favor by showing up for about 20 seconds.

Sentiment: negative
Rated NR(would be Rated R for Pervasive Strong Language and Crude Sexual Humor). Quebec Rating:16+(should be 13+) Canadian Home Video Rating:18A

Eddie Murphy Delirious is Eddie's first stand up comedy routine.This came out in 1983.Back then he starred in the movie 48 hrs and Trading Places and he was on Saturday Night Live.Eddie made two stand up comedy films.Delirious and Raw.I preferred Raw because I just found the subject matter to be more humorous.Delirious however is also very funny with Eddie talking about his childhood and making fun of celebrities such as Mr.T and singers such as Michael Jackson.Any fan of stand-up comedy films should see Eddie Murphy's Delirious.

Sentiment: positive