Divyanshu67/squad_v2 huggingface dataset:
Mandolin

There is confusion currently as to the name of the eldest Vinaccia luthier who first ran the shop. His name has been put forth as Gennaro Vinaccia (active c. 1710 to c. 1788) and Nic. Vinaccia. His son Antonio Vinaccia was active c. 1734 to c. 1796. An early extant example of a mandolin is one built by Antonio Vinaccia in 1759, which resides at the University of Edinburgh. Another is by Giuseppe Vinaccia, built in 1893, is also at the University of Edinburgh. The earliest extant mandolin was built in 1744 by Antonio's son, Gaetano Vinaccia. It resides in the Conservatoire Royal de Musique in Brussels, Belgium.

Question: What is there currently confusion over? 
Answer: eldest Vinaccia luthier who first ran the shop

Question: Who is said to have ran the first shop? 
Answer: Gennaro Vinaccia (active c. 1710 to c. 1788) and Nic

Question: Where does the mandolin built by Antonio Vinaccia reside?
Answer: University of Edinburgh

Question: Where does the mandolin built by Giuseppe Vinaccia reside?
Answer: University of Edinburgh

Question: Where does the mandolin that Gaetano Vinaccia reside?
Answer: Conservatoire Royal de Musique in Brussels, Belgium.

Question: Who was active from 1718-1780?

Question: Who was active from 1743-1769?

Question: Who built an early mandolin in 1795?

Question: Who built a mandolin in 1839?

Question: Who built the earliest mandolin in 1474?

Question: What is there not currently confusion over?

Question:  Who is said to have ran the last shop?

Question:  Where was the mandolin built by Antonio Vinaccia destroyed?

Question:  Where was the mandolin that Gaetano Vinaccia detroyed?

Question:  Where was the mandolin built by Giuseppe Vinaccia destroyed?
Mandolin

The transition from the mandolino to the mandolin began around 1744 with the designing of the metal-string mandolin by the Vinaccia family, 3 brass strings and one of gut, using friction tuning pegs on a fingerboard that sat "flush" with the sound table. The mandolin grew in popularity over the next 60 years, in the streets where it was used by young men courting and by street musicians, and in the concert hall. After the Napoleonic Wars of 1815, however, its popularity began to fall. The 19th century produced some prominent players, including Bartolomeo Bortolazzi of Venice and Pietro Vimercati. However, professional virtuosity was in decline, and the mandolin music changed as the mandolin became a folk instrument; "the large repertoire of notated instrumental music for the mandolino and the mandoline was completely forgotten". The export market for mandolins from Italy dried up around 1815, and when Carmine de Laurentiis wrote a mandolin method in 1874, the Music World magazine wrote that the mandolin was "out of date." Salvador Léonardi mentioned this decline in his 1921 book, Méthode pour Banjoline ou Mandoline-Banjo, saying that the mandolin had been declining in popularity from previous times.

Question: What year was the beginning of the transition from mandolino to mandolin?
Answer: 1744

Question: Where did the mandolin grow in popularity? 
Answer: in the streets where it was used by young men courting and by street musicians, and in the concert hall

Question: When did the mandolin's popularity begin to fall?
Answer: After the Napoleonic Wars of 1815, however, its popularity began to fall

Question: Who were two of the promiment players in the 19th century?
Answer: Bartolomeo Bortolazzi of Venice and Pietro Vimercati

Question: What year did the export market for manodlins from Italy dry up?
Answer: 1815

Question: What began around 1474?

Question: What wars took place in 1851?

Question: What dried up in Italy around 1851?

Question: What did Laurentiis de Carmine write?

Question: What did Leonardi Salvador write?

Question: What year was the end of the transition from mandolino to mandolin?

Question:  Where did the mandolin shrink in popularity?

Question:  When did the mandolin's popularity begin to rise?

Question:  Who were two of the prominent players in the 15th century?

Question:  What year did the export market for mandolins from France dry up?
Mandolin

Beginning with the Paris Exposition of 1878, the instrument's popularity rebounded. The Exposition was one of many stops for a popular new performing group the Estudiantes Españoles (Spanish Students). They danced and played guitars, violins and the bandurria, which became confused with the mandolin. Along with the energy and awareness created by the day's hit sensation, a wave of Italian mandolinists travelled Europe in the 1880s and 1890s and in the United States by the mid-1880s, playing and teaching their instrument. The instrument's popularity continued to increase during the 1890s and mandolin popularity was at its height in "early years of the 20th century." Thousands were taking up the instrument as a pastime, and it became an instrument of society, taken up by young men and women. Mandolin orchestras were formed worldwide, incorporating not only the mandolin family of instruments, but also guitars, double basses and zithers.

Question: When did the mandolin's poplarity rebound?
Answer: Beginning with the Paris Exposition of 1878

Question: What popular group performed at the Paris Exposition? 
Answer: Estudiantes Españoles (Spanish Students)

Question: When was it said that mandolin's popularity peaked? 
Answer: early years of the 20th century.

Question: What instrument was the mandolin confused with during the 1880's? 
Answer: bandurria

Question: What were formed worldwide that incorporated the mandolin famiy of instruments and other instruments as well?
Answer: Mandolin orchestras

Question: What took place in 1887?

Question: What instrument did the violin become confused with?

Question: What group of people traveled to the United States in 1880?

Question: What group of people traveled to Europe in 1890?

Question:  When did the mandolin's poplarity not rebound?

Question:  What popular group didn't perform at the Paris Exposition?

Question:  When was it said that mandolin's popularity sank?

Question: What instrument was the mandolin never confused with during the 1880's?

Question: What were formed worldwide that incorporated the mandolin family of instruments but no other instruments as well?
Mandolin

The second decline was not as complete as the first. Thousands of people had learned to play the instrument. Even as the second wave of mandolin popularity declined in the early 20th century, new versions of the mandolin began to be used in new forms of music. Luthiers created the resonator mandolin, the flatback mandolin, the carved-top or arched-top mandolin, the mandolin-banjo and the electric mandolin. Musicians began playing it in Celtic, Bluegrass, Jazz and Rock-n-Roll styles — and Classical too.

Question: When was the second decline of mandolin popularity?
Answer: early 20th century,

Question: Why was the second decline in popularity not a strong as the first?
Answer: Thousands of people had learned to play the instrument

Question: Who created the rasonator mandolin?
Answer: Luthiers

Question: What are two types of new mandolins the Luthiers created?
Answer: mandolin-banjo and the electric mandolin

Question: What types of music did musicians begin to play the mandolins in?
Answer: Celtic, Bluegrass, Jazz and Rock-n-Roll styles — and Classical too.

Question: When did the first wave of mandolin popularity decline?

Question: Who created the resonator mandolin in the early 20th century?

Question: What old forms of music was the mandolin used in during the 20th century?

Question: When was the second rise of mandolin popularity?

Question:  Why was the second rise in popularity not a strong as the first?

Question:  Who destroyed the resonator mandolin?

Question:  What is the third type of new mandolins the Luthiers created?

Question:  What types of music did musicians never play the mandolins in?
Mandolin

Like any plucked instrument, mandolin notes decay to silence rather than sound out continuously as with a bowed note on a violin, and mandolin notes decay faster than larger stringed instruments like the guitar. This encourages the use of tremolo (rapid picking of one or more pairs of strings) to create sustained notes or chords. The mandolin's paired strings facilitate this technique: the plectrum (pick) strikes each of a pair of strings alternately, providing a more full and continuous sound than a single string would.

Question: What happens to mandolin notes when plucked? 
Answer: decay to silence

Question: Do mandolin notes decay faster or slower than larger string instruments?
Answer: faster

Question: What is tremolo?
Answer: rapid picking of one or more pairs of strings

Question: What parts of the mandolin faciliate the tremolo technique?
Answer: paired strings

Question: What is a plectrum?
Answer: pick

Question: What do mandolin notes do rather than decay to silence?

Question: What is another word for tremolo?

Question: What do notes on a violin sound like rather sounding out continuously?

Question: What happens to mandolin notes when not plucked?

Question: Do mandolin notes decay faster or slower than smaller string instruments?

Question:  What is trameolo?

Question:  What parts of the mandolin don't facilitate the tremolo technique?

Question:  What is a slectrum?
Mandolin

The Neapolitan style has an almond-shaped body resembling a bowl, constructed from curved strips of wood. It usually has a bent sound table, canted in two planes with the design to take the tension of the 8 metal strings arranged in four courses. A hardwood fingerboard sits on top of or is flush with the sound table. Very old instruments may use wooden tuning pegs, while newer instruments tend to use geared metal tuners. The bridge is a movable length of hardwood. A pickguard is glued below the sound hole under the strings. European roundbacks commonly use a 13-inch scale instead of the 13.876 common on archtop Mandolins.

Question: What kind of style does the Neapolitan mandolin have?
Answer: almond-shaped body resembling a bowl, constructed from curved strips of wood

Question: How many strings does the Neapolitan mandolin have?
Answer: 8

Question: What are the Neapolitan mandolin made of?
Answer: metal strings

Question: What sits on top or is flush with the sound table of the Mandolin?
Answer: hardwood fingerboard

Question: How long is the scale commonly used on European roundbacks? 
Answer: 13-inch scale

Question: What kind of style does the Ice Cream mandolin have?

Question: How many strings does the Peapolitan mandolin have?

Question:  What are the Neapolitan mandolin not made of?

Question:  What sits on bottom or is flush with the sound table of the Mandolin?

Question:  How wide is the scale commonly used on European roundbacks?
Mandolin

Another family of bowlback mandolins came from Milan and Lombardy. These mandolins are closer to the mandolino or mandore than other modern mandolins. They are shorter and wider than the standard Neapolitan mandolin, with a shallow back. The instruments have 6 strings, 3 wire treble-strings and 3 gut or wire-wrapped-silk bass-strings. The strings ran between the tuning pegs and a bridge that was glued to the soundboard, as a guitar's. The Lombardic mandolins were tuned g b e' a' d" g". A developer of the Milanese stye was Antonio Monzino (Milan) and his family who made them for 6 generations.

Question: Where did the Lombardic family of bowlback mandolins come from?
Answer: Milan and Lombardy

Question: What do the Lombardic mandolins resemble more than modern mandolins?
Answer: mandolino or mandore

Question: What differences do the Lombardic mandolins have from the Neapolitan mandolin?
Answer: They are shorter and wider

Question: How many strings do the Lombardic mandolins have?
Answer: 6 strings

Question: Who was the developer of the Milanese mandolin?
Answer: Antonio Monzino

Question: Where did the Lombardic family of bowlback mandolins leave from?

Question: What do the Lombardic mandolins resemble more than ancient mandolins?

Question: What differences do the Lombardic mandolins have from the ancient mandolin?

Question:  How many bows do the Lombardic mandolins have?

Question:  Who was the developer of the Chinese mandolin?
Mandolin

Samuel Adelstein described the Lombardi mandolin in 1893 as wider and shorter than the Neapolitan mandolin, with a shallower back and a shorter and wider neck, with six single strings to the regular mandolin's set of 4. The Lombardi was tuned C, D, A, E, B, G. The strings were fastened to the bridge like a guitar's. There were 20 frets, covering three octaves, with an additional 5 notes. When Adelstein wrote, there were no nylon strings, and the gut and single strings "do not vibrate so clearly and sweetly as the double steel string of the Neapolitan."

Question: Who described the Lombardi mandolin as wider and shorter than the Neoapolitan mandolin?
Answer: Samuel Adelstein

Question: How many strings do the regular mandolin's have?
Answer: 4

Question: What was the Lombardi Mandolin tuned to?
Answer: C, D, A, E, B, G.

Question: How many frets did the Lombardi have?
Answer: 20 frets

Question: How many octaves did the Lombardi cover?
Answer: three octaves

Question: Who described the Lombardi mandolin as longer and narrower than the Neoapolitan mandolin?

Question:  How many strings do the non regular mandolin's have?

Question: What was the Lombardi Mandolin untuned to?

Question: How many frets did the Lombardi lack?

Question:  How many octaves did the Lombardi not cover?
Mandolin

In his 1805 mandolin method, Anweisung die Mandoline von selbst zu erlernen nebst einigen Uebungsstucken von Bortolazzi, Bartolomeo Bortolazzi popularised the Cremonese mandolin, which had four single-strings and a fixed bridge, to which the strings were attached. Bortolazzi said in this book that the new wire strung mandolins were uncomfortable to play, when compared with the gut-string instruments. Also, he felt they had a "less pleasing...hard, zither-like tone" as compared to the gut string's "softer, full-singing tone." He favored the four single strings of the Cremonese instrument, which were tuned the same as the Neapolitan.

Question: Who popularised the Cremonese Mandolin?
Answer: Bartolomeo Bortolazzi

Question: What was Bartolomeo Bortolazzi's popular mandolin method?
Answer: Anweisung die Mandoline von selbst zu erlernen nebst einigen Uebungsstucken von Bortolazzi

Question: How many strings did the Cremonese Mandolin have?
Answer: four single-strings

Question: Did Bortolazzi like playing the new wire strung mandolins? 
Answer: uncomfortable to play

Question: What did Bortolazzi say about the sound? 
Answer: less pleasing...hard, zither-like tone

Question: Who didn't popularize the Cremonese Mandolin?

Question:  What was Bartolomeo Bortolazzi's unpopular mandolin method?

Question:  How many double strings did the Cremonese Mandolin have?

Question:  What did Bortolazzi say about the tempo?
Mandolin

At the very end of the 19th century, a new style, with a carved top and back construction inspired by violin family instruments began to supplant the European-style bowl-back instruments in the United States. This new style is credited to mandolins designed and built by Orville Gibson, a Kalamazoo, Michigan luthier who founded the "Gibson Mandolin-Guitar Manufacturing Co., Limited" in 1902. Gibson mandolins evolved into two basic styles: the Florentine or F-style, which has a decorative scroll near the neck, two points on the lower body and usually a scroll carved into the headstock; and the A-style, which is pear shaped, has no points and usually has a simpler headstock.

Question: When was a new sytle of carved top and back construction mandolins created?
Answer: end of the 19th century

Question: What was the new sytle of mandolins inspired from?
Answer: violin family instruments

Question: What sytle did the new style of mandolins supplant?
Answer: European-style bowl-back

Question: Who founded the Gibson Mandolin-Guitar Manufacturing Co, Limited? 
Answer: Orville Gibson

Question: When was a old style of carved top and back construction mandolins created?

Question:  What was the old style of mandolins inspired from?

Question:  What style did the old style of mandolins supplant?

Question:  Who founded the Gibson Mandolin-Guitar Manufacturing Co, Unlimited?
Mandolin

These styles generally have either two f-shaped soundholes like a violin (F-5 and A-5), or an oval sound hole (F-4 and A-4 and lower models) directly under the strings. Much variation exists between makers working from these archetypes, and other variants have become increasingly common. Generally, in the United States, Gibson F-hole F-5 mandolins and mandolins influenced by that design are strongly associated with bluegrass, while the A-style is associated other types of music, although it too is most often used for and associated with bluegrass. The F-5's more complicated woodwork also translates into a more expensive instrument.

Question: What shape sounds holes do these styles of mandolins have? 
Answer: two f-shaped soundholes like a violin (F-5 and A-5), or an oval sound hole (F-4 and A-4 and lower models)

Question: Where are the soundholes located?
Answer: directly under the strings

Question: What mandolin is associate with Bluegrass music?
Answer: Gibson F-hole F-5 mandolins

Question: What style is associate with other types of music?
Answer: A-style

Question: Why is the F-5 mandolin more expensive?
Answer: complicated woodwork

Question:  What shape sounds holes do these styles of mandolins not have?

Question:  Where are the feelingholes located?

Question: What mandolin is not associated with Bluegrass music?

Question:  Why is the F-5 mandolin less expensive?
Mandolin

Numerous modern mandolin makers build instruments that largely replicate the Gibson F-5 Artist models built in the early 1920s under the supervision of Gibson acoustician Lloyd Loar. Original Loar-signed instruments are sought after and extremely valuable. Other makers from the Loar period and earlier include Lyon and Healy, Vega and Larson Brothers. Some notable modern American carved mandolin manufacturers include, in addition to Kay, Gibson, Weber, Monteleone and Collings. Mandolins from other countries include The Loar (China), Santa, Rosa (China), Michael Kelly (Korea), Eastman (China), Kentucky (China), Heiden (Canada), Gilchrist (Australia) and Morgan Monroe (China).

Question: What style of Gisbon Mandolin was largely replicated?
Answer: Gibson F-5

Question: When was the Gibson F-5 largely replicated?
Answer: early 1920s

Question: Who supervised the Gibson F-5's replication? 
Answer: Gibson acoustician Lloyd Loar

Question: Who are the other makers from the Loar period? 
Answer: Lyon and Healy, Vega and Larson Brothers

Question: Who were notable modern American mandolin manufacturers? 
Answer: Kay, Gibson, Weber, Monteleone and Collings.

Question: What style of Gisbon Mandolin was never replicated?

Question: When was the Gibson F-5 never replicated?

Question:  Who rejected the Gibson F-5's replication?

Question:  Who are the other businessmen from the Loar period?

Question:  Who were notable modern African mandolin manufacturers?
Mandolin

The international repertoire of music for mandolin is almost unlimited, and musicians use it to play various types of music. This is especially true of violin music, since the mandolin has the same tuning of the violin. Following its invention and early development in Italy the mandolin spread throughout the European continent. The instrument was primarily used in a classical tradition with Mandolin orchestras, so called Estudiantinas or in Germany Zupforchestern appearing in many cities. Following this continental popularity of the mandolin family local traditions appeared outside of Europe in the Americas and in Japan. Travelling mandolin virtuosi like Giuseppe Pettine, Raffaele Calace and Silvio Ranieri contributed to the mandolin becoming a "fad" instrument in the early 20th century. This "mandolin craze" was fading by the 1930s, but just as this practice was falling into disuse, the mandolin found a new niche in American country, old-time music, bluegrass and folk music. More recently, the Baroque and Classical mandolin repertory and styles have benefited from the raised awareness of and interest in Early music, with media attention to classical players such as Israeli Avi Avital, Italian Carlo Aonzo and American Joseph Brent.

Question: What instrument does the mandolin share the same tuning of?  
Answer: violin

Question: Where was the mandolin primarily used? 
Answer: classical tradition with Mandolin orchestras

Question: When was the mandolin considered a fad?
Answer: early 20th century

Question: Who contributed to the idea that the mandolin was a fad? 
Answer: Giuseppe Pettine, Raffaele Calace and Silvio Ranieri

Question: When did the mandolin craze end?
Answer: 1930s

Question: What instrument does the mandolin not have the same tuning of?

Question:  Where wasn't the mandolin primarily used?

Question:  When was the mandolin considered more than a fad?

Question:  Who contributed to the idea that the mandolin was not just a fad?

Question:  When did the mandolin craze begin?
Mandolin

Phil Skinner played a key role in 20th century development of the mandolin movement in Australia, and was awarded an MBE in 1979 for services to music and the community. He was born Harry Skinner in Sydney in 1903 and started learning music at age 10 when his uncle tutored him on the banjo. Skinner began teaching part-time at age 18, until the Great Depression forced him to begin teaching full-time and learn a broader range of instruments. Skinner founded the Sydney Mandolin Orchestra, the oldest surviving mandolin orchestra in Australia.

Question: Who played a key role Australian mandolin movement? 
Answer: Phil Skinner

Question: When did the Australian mandolin movement begin?
Answer: 20th century

Question: When was Phil Skinner awarded an MBE? 
Answer: 1979

Question: What was Phil Skinner's birth name? 
Answer: Harry Skinner

Question: At what age did Phil Skinner begin playing music? 
Answer: 10

Question:  Who played a key role African mandolin movement?

Question:  When did the African mandolin movement begin?

Question:  When did Phil Skinner lose an MBE?

Question:  What was Phil Skinner's married name?

Question:  At what age did Phil Skinner stop playing music?
Mandolin

The Sydney Mandolins (Artistic Director: Adrian Hooper) have contributed greatly to the repertoire through commissioning over 200 works by Australian and International composers. Most of these works have been released on Compact Disks and can regularly be heard on radio stations on the ABC and MBS networks. One of their members, mandolin virtuoso Paul Hooper, has had a number of Concertos written for him by composers such as Eric Gross. He has performed and recorded these works with the Sydney Symphony Orchestra and the Tasmanian Symphony Orchestra. As well, Paul Hooper has had many solo works dedicated to him by Australian composers e.g., Caroline Szeto, Ian Shanahan, Larry Sitsky and Michael Smetanin.

Question: Who is the director of the Sydney Mandolins?
Answer: Adrian Hooper

Question: How many commisions of Sydney Mandolins have their been?
Answer: over 200 works

Question: On what media was most of these work released?
Answer: Compact Disks

Question: What radio stations can they be heard on? 
Answer: ABC and MBS networks

Question: Who has had many Concertos written for him? 
Answer: mandolin virtuoso Paul Hooper

Question: Who isn't the director of the Sydney Mandolins?

Question:  How many commissions of Sicily Mandolins have there been?

Question:  On what media was most of these work never released?

Question:  What radio stations can they never be heard on?

Question:  Who has had zero Concertos written for him?
Mandolin

In the early 20th century several mandolin orchestras (Estudiantinas) were active in Belgium. Today only a few groups remain: Royal Estudiantina la Napolitaine (founded in 1904) in Antwerp, Brasschaats mandoline orkest in Brasschaat and an orchestra in Mons (Bergen). Gerda Abts is a well known mandolin virtuoso in Belgium. She is also mandolin teacher and gives lessons in the music academies of Lier, Wijnegem and Brasschaat. She is now also professor mandolin at the music high school “Koninklijk Conservatorium Artesis Hogeschool Antwerpen”. She also gives various concerts each year in different ensembles. She is in close contact to the Brasschaat mandolin Orchestra. Her site is www.gevoeligesnaar.be

Question: What is an Etsudiantinas? 
Answer: mandolin orchestras

Question: Where were the Estudiantinas active in during the early 20th century?
Answer: Belgium

Question: What groups remain today? 
Answer: Royal Estudiantina la Napolitaine (founded in 1904) in Antwerp, Brasschaats mandoline orkest in Brasschaat and an orchestra in Mons (Bergen).

Question: Where is Gerda Abts well know in? 
Answer: Belgium

Question: Where is Gerda Abst a professor mandolin?
Answer: Koninklijk Conservatorium Artesis Hogeschool Antwerpen

Question: What is an Atsudiantinas?

Question: Where were the Estudiantinas active in during the early 21st century?

Question:  What groups don't remain today?

Question:  Where is Gerda Abts not well known in?

Question:  Where is Gerda Abst not a professor mandolin?
Mandolin

Prior to the Golden Age of Mandolins, France had a history with the mandolin, with mandolinists playing in Paris until the Napoleonic Wars. The players, teachers and composers included Giovanni Fouchetti, Eduardo Mezzacapo, Gabriele Leon, and Gervasio. During the Golden age itself (1880s-1920s), the mandolin had a strong presence in France. Prominent mandolin players or composers included Jules Cottin and his sister Madeleine Cottin, Jean Pietrapertosa, and Edgar Bara. Paris had dozens of "estudiantina" mandolin orchestras in the early 1900s. Mandolin magazines included L'Estudiantina, Le Plectre, École de la mandolie.

Question: Prior to what age did France have a history with the mandolin?
Answer: Golden Age of Mandolins

Question: Where in France did the mandolinists play?
Answer: Paris

Question: When did the mandolinists stop playing in Paris?
Answer: Napoleonic Wars.

Question: Who were the players and composers during this time?
Answer: Giovanni Fouchetti, Eduardo Mezzacapo, Gabriele Leon, and Gervasio

Question: What years was considered the Golden Age of Mandolins?
Answer: 1880s-1920s

Question: Prior to what age did Italy have a history with the mandolin?

Question:  Where in Italy did the mandolinists play?

Question:  When did the mandolinists start playing in Paris?

Question:  Who weren't the players and composers during this time?

Question:  What years weren't considered the Golden Age of Mandolins?
Mandolin

On the island of Crete, along with the lyra and the laouto (lute), the mandolin is one of the main instruments used in Cretan Music. It appeared on Crete around the time of the Venetian rule of the island. Different variants of the mandolin, such as the "mantola," were used to accompany the lyra, the violin, and the laouto. Stelios Foustalierakis reported that the mandolin and the mpoulgari were used to accompany the lyra in the beginning of the 20th century in the city of Rethimno. There are also reports that the mandolin was mostly a woman's musical instrument. Nowadays it is played mainly as a solo instrument in personal and family events on the Ionian islands and Crete.

Question: What Island is the mandolin a main instrument in Cretan Music? 
Answer: island of Crete

Question: When did the mandolin appears on Crete?
Answer: around the time of the Venetian rule of the island.

Question: What was one of the variants of the mandolin that was used?
Answer: mantola

Question: Who reported that the mandolin and the mpoulgari were used to accompany the lyria? 
Answer: Stelios Foustalierakis

Question: The mandolin was reported to be popular among what sex? 
Answer: woman

Question: What Island is the mandolin not a main instrument in Cretan Music?

Question:  When did the mandolin leave Crete?

Question:  What was one of the variants of the mandolin that was never used?

Question: Who reported that the mandolin and the mpoulgari were not used to accompany the lyria?

Question:  The mandolin was reported to be unpopular among what sex?
Mandolin

Many adaptations of the instrument have been done to cater to the special needs of Indian Carnatic music. In Indian classical music and Indian light music, the mandolin, which bears little resemblance to the European mandolin, is usually tuned E-B-E-B. As there is no concept of absolute pitch in Indian classical music, any convenient tuning maintaining these relative pitch intervals between the strings can be used. Another prevalent tuning with these intervals is C-G-C-G, which corresponds to Sa-Pa-Sa-Pa in the Indian carnatic classical music style. This tuning corresponds to the way violins are tuned for carnatic classical music. This type of mandolin is also used in Bhangra, dance music popular in Punjabi culture.

Question: Many adaptations of the instruments were done to cater to what type of music? 
Answer: Indian Carnatic

Question: What is the mandolin usually tuned to for Indian music?
Answer: E-B-E-B.

Question: There is no concept of what in Indian music? 
Answer: absolute pitch

Question: What is another popular madonlin tuning? 
Answer: C-G-C-G

Question: These mandolin are used in a popular dance music called? 
Answer: Bhangra

Question: Many adaptations of the instruments were done to not cater to what type of music?

Question:  What is the mandolin usually tuned to for Asian music?

Question:  There is no concept of what in Asian music?

Question:  What is not a popular madonlin tuning?

Question: These mandolin are used in unpopular dance music called?
Mandolin

Though almost any variety of acoustic mandolin might be adequate for Irish traditional music, virtually all Irish players prefer flat-backed instruments with oval sound holes to the Italian-style bowl-back mandolins or the carved-top mandolins with f-holes favoured by bluegrass mandolinists. The former are often too soft-toned to hold their own in a session (as well as having a tendency to not stay in place on the player's lap), whilst the latter tend to sound harsh and overbearing to the traditional ear. The f-hole mandolin, however, does come into its own in a traditional session, where its brighter tone cuts through the sonic clutter of a pub. Greatly preferred for formal performance and recording are flat-topped "Irish-style" mandolins (reminiscent of the WWI-era Martin Army-Navy mandolin) and carved (arch) top mandolins with oval soundholes, such as the Gibson A-style of the 1920s.

Question: What types of instruments do irish player prefer?
Answer: might be adequate for Irish traditional music, virtually all Irish players prefer flat-backed instruments with oval sound holes

Question: Why is it said that the Italian style can't hold their own session? 
Answer: too soft-toned

Question: Which type mandolin had a tendency not to stay in the player's lap?
Answer: the carved-top mandolins with f-holes

Question: Which mandolin was preferred for formal performances and recordings? 
Answer: flat-topped "Irish-style" mandolins

Question: What was the Irish style mandolin reminiscent of?
Answer: WWI-era Martin Army-Navy mandolin

Question: What types of instruments do Italian player prefer?

Question:  Why is it said that the Italian style can hold their own session?

Question:  Which type mandolin didn't have a tendency not to stay in the player's lap?

Question: Which mandolin wasn't preferred for formal performances and recordings?

Question: What was the Italian style mandolin reminiscent of?
Mandolin

Noteworthy Irish mandolinists include Andy Irvine (who, like Johnny Moynihan, almost always tunes the top E down to D, to achieve an open tuning of GDAD), Paul Brady, Mick Moloney, Paul Kelly and Claudine Langille. John Sheahan and the late Barney McKenna, respectively fiddle player and tenor banjo player with The Dubliners, are also accomplished Irish mandolin players. The instruments used are either flat-backed, oval hole examples as described above (made by UK luthier Roger Bucknall of Fylde Guitars), or carved-top, oval hole instruments with arched back (made by Stefan Sobell in Northumberland). The Irish guitarist Rory Gallagher often played the mandolin on stage, and he most famously used it in the song "Going To My Hometown."

Question: Who are some of the famous Irish Mandolinists?
Answer: Andy Irvine

Question: Who are popular fiddle player and tenor banjo player?
Answer: John Sheahan and the late Barney McKenna

Question: What was John Sheahan and Barney Mckenna's band called?
Answer: The Dubliners,

Question: Who made the instruments used by the Dubliners?
Answer: UK luthier Roger Bucknall of Fylde Guitars

Question: What Irish guitarist played the mandolin on stage?
Answer: Rory Gallagher

Question:  Who are some of the famous Italian Mandolinists?

Question: Who are unpopular fiddle player and tenor banjo player?

Question:  What was John Sheahan and Barney Mckenna's job called?

Question:  Who made the instruments used by the Italian group?

Question:  What Irish guitarist played the mandolin off stage?
Mandolin

Antonio Vivaldi composed a mandolin concerto (Concerto in C major Op.3 6) and two concertos for two mandolins and orchestra. Wolfgang Amadeus Mozart placed it in his 1787 work Don Giovanni and Beethoven created four variations of it. Antonio Maria Bononcini composed La conquista delle Spagne di Scipione Africano il giovane in 1707 and George Frideric Handel composed Alexander Balus in 1748. Others include Giovani Battista Gervasio (Sonata in D major for Mandolin and Basso Continuo), Giuseppe Giuliano (Sonata in D major for Mandolin and Basso Continuo), Emanuele Barbella (Sonata in D major for Mandolin and Basso Continuo), Domenico Scarlatti (Sonata n.54 (K.89) in D minor for Mandolin and Basso Continuo), and Addiego Guerra (Sonata in G major for Mandolin and Basso Continuo).

Question: Who composed the Concerto in C Major Op 3 6?
Answer: Antonio Vivaldi

Question: Who placed it in his 1787 work? 
Answer: Wolfgang Amadeus Mozart

Question: What two artists created four variations of the Concerto in C Major Op 3 6?
Answer: Don Giovanni and Beethoven

Question: Who composed the La conquista della Spagne di Scipione Afriacano il giovance?
Answer: Antonio Maria Bononcini

Question: When was Alexander Balus composed? 
Answer: 1748

Question:  Who composed the Concerto in D Major Op 3 6?

Question:  Who placed it in his 1789 work?

Question: What two artists created five variations of the Concerto in D Major Op 3 6?

Question: Who rejected the La conquista della Spagne di Scipione Afriacano il giovance?
Mandolin

The expansion of mandolin use continued after World War II through the late 1960s, and Japan still maintains a strong classical music tradition using mandolins, with active orchestras and university music programs. New orchestras were founded and new orchestral compositions composed. Japanese mandolin orchestras today may consist of up to 40 or 50 members, and can include woodwind, percussion, and brass sections. Japan also maintains an extensive collection of 20th Century mandolin music from Europe and one of the most complete collections of mandolin magazines from mandolin's golden age, purchased by Morishige Takei.

Question: What country still maintains strong classic music tradition with mandolin?
Answer: Japan

Question: How many people compose the Japanese mandolin orchestras?
Answer: 40 or 50 members

Question: What other instruments do the Japanese madnolin orchestras play?
Answer: include woodwind, percussion, and brass sections.

Question: Japan hold and extensive collection of what? 
Answer: 20th Century mandolin music from Europe and one of the most complete collections of mandolin magazines from mandolin's golden age

Question: Who purhcased one of the collections of mandolin magazines? 
Answer: Morishige Takei.

Question: What country doesn't maintain strong classic music tradition with mandolin?

Question:  How many people compose the Chinese mandolin orchestras?

Question:  What other instruments do the Chinese mandolin orchestras play?

Question:  Japan doesn't hold an extensive collection of what?

Question:  Who sold one of the collections of mandolin magazines?
Mandolin

The bandolim (Portuguese for "mandolin") was a favourite instrument within the Portuguese bourgeoisie of the 19th century, but its rapid spread took it to other places, joining other instruments. Today you can see mandolins as part of the traditional and folk culture of Portuguese singing groups and the majority of the mandolin scene in Portugal is in Madeira Island. Madeira has over 17 active mandolin Orchestras and Tunas. The mandolin virtuoso Fabio Machado is one of Portugal's most accomplished mandolin players. The Portuguese influence brought the mandolin to Brazil.

Question: What does bandolim mean?
Answer: Portuguese for "mandolin"

Question: When was the bandolim porpular among the Portugese bourgeoisie?
Answer: 19th century

Question: Where can you see mandolins a part of in Portgal? 
Answer: traditional and folk culture

Question: Where is the Portuguese mandolin scene located? 
Answer: Madeira Island

Question: How many active mandolin orchestras does the Madiera Island have? 
Answer: over 17

Question:  What does bandolin mean?

Question: When was the bandolim not popular among the Portugese bourgeoisie?

Question:  Where can you not see mandolins a part of in Portgal?

Question:  Where is the Japanese mandolin scene located?

Question: How many active mandolin orchestras does the Chinese Island have?
Mandolin

The mandolin's popularity in the United States was spurred by the success of a group of touring young European musicians known as the Estudiantina Figaro, or in the United States, simply the "Spanish Students." The group landed in the U.S. on January 2, 1880 in New York City, and played in Boston and New York to wildly enthusiastic crowds. Ironically, this ensemble did not play mandolins but rather bandurrias, which are also small, double-strung instruments that resemble the mandolin. The success of the Figaro Spanish Students spawned other groups who imitated their musical style and costumes. An Italian musician, Carlo Curti, hastily started a musical ensemble after seeing the Figaro Spanish Students perform; his group of Italian born Americans called themselves the "Original Spanish Students," counting on the American public to not know the difference between the Spanish bandurrias and Italian mandolins. The imitators' use of mandolins helped to generate enormous public interest in an instrument previously relatively unknown in the United States.

Question: What group in the US was popular?
Answer: Estudiantina Figaro

Question: When did the Estudiantina Figaro come to the US?
Answer: January 2, 1880

Question: Where did the Estudiantina Figaro play? 
Answer: Boston and New York

Question: What group was inspired by the Estudiantina Figaro? 
Answer: Original Spanish Students

Question: What did the Origianl Spanish Students expect the American  public not to know? 
Answer: the difference between the Spanish bandurrias and Italian mandolins

Question: What group in the UK was popular?

Question:  When did the Estudiantina Figaro leave the US?

Question:  Where did the Estudiantina Figaro refuse to play?

Question:  What group wasn't inspired by the Estudiantina Figaro?

Question: What did the Origianl Spanish Students expect the African public not to know?
Mandolin

Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. According to Clarence L. Partee, the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. Partee characterized the early instrument as being larger than the European instruments he was used to, with a "peculiar shape" and "crude construction," and said that the quality improved, until American instruments were "superior" to imported instruments. At the time, Partee was using an imported French-made mandolin.

Question: When did madolin awareness in the US become fluent?
Answer: 1880s

Question: When was the first madolin made in the US?
Answer: 1883 or 1884

Question: Who made the first US mandolin?
Answer: Joseph Bohm

Question: Where was Joseph Bohmann from? 
Answer: Chicago

Question: What type of madolin was Partee using ?
Answer: French-made mandolin

Question: When didn't madolin awareness in the US become fluent?

Question:  When was the first mandolin destroyed in the US?

Question:  Who made the first UK mandolin?

Question:  What type of mandolin was Partee not using?
Mandolin

Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer.

Question: What popular musical casted a teacher-dealer? 
Answer: The Music Man

Question: What did these teacher-dealers often conduct? 
Answer: mandolin orchestras

Question: How many people were usually in these teacher-dealer orchestras? 
Answer: 4-50 musicians

Question: Who played the mandolin in Vaudeville? 
Answer: Samuel Siegel

Question: Who was the famous African American musican and director? 
Answer: composer James Reese Europe.

Question: What popular musical casted a student-dealer?

Question:  What did these student-dealers often conduct?

Question:  How many people were usually in these student-dealer orchestras?

Question:  Who refused to play the mandolin in Vaudeville?

Question: Who was the famous North American musican and director?
Mandolin

The instrument was primarily used in an ensemble setting well into the 1930s, and although the fad died out at the beginning of the 1930s, the instruments that were developed for the orchestra found a new home in bluegrass. The famous Lloyd Loar Master Model from Gibson (1923) was designed to boost the flagging interest in mandolin ensembles, with little success. However, The "Loar" became the defining instrument of bluegrass music when Bill Monroe purchased F-5 S/N 73987 in a Florida barbershop in 1943 and popularized it as his main instrument.

Question: The setting the mandolin was used in until the 1930's was? 
Answer: ensemble setting

Question: Where did the mandolins find a new home? 
Answer: bluegrass

Question: What mandolin was designed to boost interest in the mandolin?
Answer: Lloyd Loar Master Model from Gibson

Question: What mandolin became the face of bluegrass music?
Answer: Loar

Question: What instrument did artist Bill Monroe use? 
Answer: F-5 S/N 73987

Question:  The setting the mandolin was used in until the 1940's was?

Question: Where did the mandolins never find a new job?

Question:  What mandolin wasn't designed to boost interest in the mandolin?

Question:  What mandolin didn't become the face of bluegrass music?

Question:  What instrument didn't artist Bill Monroe use?
Mandolin

The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek.

Question: What groups have become popular amonbgpublic schools?
Answer: mandolin-based guitar programs

Question: What are two of the popular public school groups? 
Answer: Fretworks Mandolin and Guitar Orchestra

Question: Who found the Classical Mandolin Society of America?
Answer: Norman Levine

Question: Who are modern mandolinists and composers?
Answer: Samuel Firstman, Howard Fry, Rudy Cipolla

Question: What groups have become unpopular among public schools?

Question:  What are two of the unpopular public school groups?

Question:  Who found the non-Classical Mandolin Society of America?

Question:  Who aren't modern mandolinists and composers?
Mandolin

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

Question: What family recorded an old-time music in 1924-1926?
Answer: Cowan Powers and his family

Question: Who was the earliest known southern music artist?
Answer: Orpha Powers

Question: What type of mandolin was becoming popular by 1930's? 
Answer: single mandolins

Question: Who was considered the father of Bluegrass music?
Answer: Bill Monroe

Question: What was Bill Monroe's group called? 
Answer: Blue Grass Boys

Question:  What family recorded an new-time music in 1924-1926?

Question:  Who was the earliest known northern music artist?

Question:  What type of mandolin was becoming popular by 1935's?

Question:  Who was considered the mother of Bluegrass music?