Divyanshu67/squad_v2 huggingface dataset:
Universal_Studios

"Junior" Laemmle persuaded his father to bring Universal up to date. He bought and built theaters, converted the studio to sound production, and made several forays into high-quality production. His early efforts included the critically mauled part-talkie version of Edna Ferber's novel Show Boat (1929), the lavish musical Broadway (1929) which included Technicolor sequences; and the first all-color musical feature (for Universal), King of Jazz (1930). The more serious All Quiet on the Western Front (1930), won its year's Best Picture Oscar.

Question: What was Carl Laemmle Jr.'s nickname?
Answer: Junior

Question: What movie was based on an Edna Ferber novel?
Answer: Show Boat

Question: In what year was the musical Broadway produced?
Answer: 1929

Question: What movie won the 1930 Academy Award for Best Picture?
Answer: All Quiet on the Western Front

Question: What all-color musical did Universal make in 1930?
Answer: King of Jazz

Question: What 1930 film based on Edna Farber's novel did Universal produce?

Question: What 1930 musical did Universal produce?

Question: What 1929 all-color musical feature did Universal produce?

Question: What 1929 film won its year's Best Piture Oscar?
Universal_Studios

Laemmle, Jr. created a niche for the studio, beginning a series of horror films which extended into the 1940s, affectionately dubbed Universal Horror. Among them are Frankenstein (1931), Dracula ( also in 1931), The Mummy (1932) and The Invisible Man (1933). Other Laemmle productions of this period include Imitation of Life (1934) and My Man Godfrey (1936).

Question: In what year did Universal make a film version of Dracula?
Answer: 1931

Question: In what year was The Invisible Man made?
Answer: 1933

Question: What film was produced by Laemmle in 1934?
Answer: Imitation of Life

Question: In what year did My Man Godfrey premiere?
Answer: 1936

Question: When was Universal's version of Frankenstein made?
Answer: 1931

Question: What began in the 1940s?

Question: What year was The Man Godfrey made?

Question: What year was My Invisible Man made?

Question: What year was The Dracula made?

Question: What year was Mummy made?
Universal_Studios

Universal's forays into high-quality production spelled the end of the Laemmle era at the studio. Taking on the task of modernizing and upgrading a film conglomerate in the depths of the depression was risky, and for a time Universal slipped into receivership. The theater chain was scrapped, but Carl, Jr. held fast to distribution, studio and production operations.

Question: What part of Universal's business was terminated while it was in bankruptcy?
Answer: The theater chain

Question: Along with distribution and studio operations, what part of Universal was retained by Carl Laemmle, Jr. during bankruptcy?
Answer: production operations

Question: What type of chain conglomerate was scrapped?

Question: What did Carl Jr hold fast in addition to the theater chain?

Question: What period did Universal move into high-quality production in?
Universal_Studios

The end for the Laemmles came with a lavish version of Show Boat (1936), a remake of its earlier 1929 part-talkie production, and produced as a high-quality, big-budget film rather than as a B-picture. The new film featured several stars from the Broadway stage version, which began production in late 1935, and unlike the 1929 film was based on the Broadway musical rather than the novel. Carl, Jr.'s spending habits alarmed company stockholders. They would not allow production to start on Show Boat unless the Laemmles obtained a loan. Universal was forced to seek a $750,000 production loan from the Standard Capital Corporation, pledging the Laemmle family's controlling interest in Universal as collateral. It was the first time Universal had borrowed money for a production in its 26-year history. The production went $300,000 over budget; Standard called in the loan, cash-strapped Universal could not pay, Standard foreclosed and seized control of the studio on April 2, 1936.

Question: In what year was Universal's ill-fated film version of Show Boat released?
Answer: 1936

Question: In what year had Universal previously made a version of Show Boat?
Answer: 1929

Question: What was the amount of the production loan Universal sought to complete Show Boat?
Answer: $750,000

Question: Who granted Universal the production loan?
Answer: the Standard Capital Corporation

Question: When did the Standard Capital Corporation take control of Universal?
Answer: April 2, 1936

Question: Who was forced to seek a $300,000 loan?

Question: What production went $750,000 over budget?

Question: What did Standard Corporation Capital issue Universal?

Question: What happened on April 2, 1935?
Universal_Studios

Universal's 1936 Show Boat (released a little over a month later) became a critical and financial success, it was not enough to save the Laemmles' involvement with the studio. They were unceremoniously removed from the company they had founded. Because the Laemmles personally oversaw production, Show Boat was released (despite the takeover) with Carl Laemmle and Carl Laemmle Jr.'s names on the credits and in the advertising campaign of the film. Standard Capital's J. Cheever Cowdin had taken over as president and chairman of the board of directors, and instituted severe cuts in production budgets. Gone were the big ambitions, and though Universal had a few big names under contract, those it had been cultivating, like William Wyler and Margaret Sullavan, left.

Question: Who became president of Universal after the Standard Capital takeover?
Answer: J. Cheever Cowdin

Question: What notable female star left Universal after the Standard Capital takeover?
Answer: Margaret Sullavan

Question: Who was Universal's chairman of the board of directors after the Standard Captial takeover?
Answer: J. Cheever Cowdin

Question: Along with Margaret Sullavan, what notable film talent left Universal after the Standard Capital takeover?
Answer: William Wyler

Question: In what year was Show Boat released?
Answer: 1936

Question: Who was ceremoniously removed from the company?

Question: What position did J. Cowdin Cheever hold?

Question: What position on the board did J. Cowdin Cheever take over?

Question: What did William Sullavan and Margaret Wyler do?
Universal_Studios

Meanwhile, producer Joe Pasternak, who had been successfully producing light musicals with young sopranos for Universal's German subsidiary, repeated his formula in America. Teenage singer Deanna Durbin starred in Pasternak's first American film, Three Smart Girls (1936). The film was a box-office hit and reputedly restored the studio's solvency. The success of the film led Universal to offer her a contract, which for the first five years of her career produced her most successful pictures.

Question: Who produced the film Three Smart Girls?
Answer: Joe Pasternak

Question: Who starred in the film Three Smart Girls?
Answer: Deanna Durbin

Question: In what year was Three Smart Girls made?
Answer: 1936

Question: Prior to his work in America, where was Joe Pasternak employed?
Answer: Universal's German subsidiary

Question: What type of films did Joe Pasternak produce in Germany?
Answer: light musicals

Question: What film was released in 1963?

Question: Who produced the 1963 film Three Smart Girls?

Question: What did Deanna Pasternak star in?

Question: What did the 1963 film to for the studio?
Universal_Studios

When Pasternak stopped producing Durbin's pictures, and she outgrew her screen persona and pursued more dramatic roles, the studio signed 13-year-old Gloria Jean for her own series of Pasternak musicals from 1939; she went on to star with Bing Crosby, W. C. Fields, and Donald O'Connor. A popular Universal film of the late 1930s was Destry Rides Again (1939), starring James Stewart as Destry and Marlene Dietrich in her comeback role after leaving Paramount Studios.

Question: How old was Gloria Jean in 1939?
Answer: 13

Question: Along with Donald O'Connor and Bing Crosby, with whom did Gloria Jean star?
Answer: Bing Crosby

Question: Who played Destry in Destry Rides Again?
Answer: James Stewart

Question: Prior to working at Universal, what studio employed Marlene Dietrich?
Answer: Paramount Studios

Question: In what year was Destry Rides again produced?
Answer: 1939

Question: What year did the studio sign Gloria Durbin?

Question: What did Gloria Durbin star in?

Question: Who did Gloria Durbin star with?

Question: What 1930 film starred James Stewart?

Question: What woman starred in the 1930 film Destry Rides Again?
Universal_Studios

By the early 1940s, the company was concentrating on lower-budget productions that were the company's main staple: westerns, melodramas, serials and sequels to the studio's horror pictures, the latter now solely B pictures. The studio fostered many series: The Dead End Kids and Little Tough Guys action features and serials (1938–43); the comic adventures of infant Baby Sandy (1938–41); comedies with Hugh Herbert (1938–42) and The Ritz Brothers (1940–43); musicals with Robert Paige, Jane Frazee, The Andrews Sisters, and The Merry Macs (1938–45); and westerns with Tom Mix (1932–33), Buck Jones (1933–36), Bob Baker (1938–39), Johnny Mack Brown (1938–43); Rod Cameron (1944–45), and Kirby Grant (1946–47).

Question: During what period were the Little Tough Guys films produced?
Answer: 1938–43

Question: Over what span were the Baby Sandy films made?
Answer: 1938–41

Question: In what period did Universal produce Hugh Herbert comedies?
Answer: 1938–42

Question: When did Universal make Tom Mix westerns?
Answer: 1932–33

Question: In what span did Universal produce westerns with Kirby Grant?
Answer: 1946–47

Question: When did The Dead End Guys run?

Question: When did Little Touch Kids run?

Question: When did comedies with Sandy Herbert run?

Question: Who preformed in the 1932-33 musicals?

Question: When did westerns with Johnny Rod Brown run?
Universal_Studios

Universal could seldom afford its own stable of stars, and often borrowed talent from other studios, or hired freelance actors. In addition to Stewart and Dietrich, Margaret Sullavan, and Bing Crosby were two of the major names that made a couple of pictures for Universal during this period. Some stars came from radio, including Edgar Bergen, W. C. Fields, and the comedy team of Abbott and Costello (Bud Abbott and Lou Costello). Abbott and Costello's military comedy Buck Privates (1941) gave the former burlesque comedians a national and international profile.

Question: What two performers were known as the team Abbott and Costello?
Answer: Bud Abbott and Lou Costello

Question: What military comedy did Bud Abbott and Lou Costello star in?
Answer: Buck Privates

Question: Along with Abbott and Costello and Edgar Bergen, what radio star appeared in Universal films?
Answer: W. C. Fields

Question: What entertainment medium did Edgar Fields and W.C. Bergen come from?

Question: What comedy came out in 1914?

Question: Who starred in the 1914 Buck Privates comedy?
Universal_Studios

During the war years Universal did have a co-production arrangement with producer Walter Wanger and his partner, director Fritz Lang, lending the studio some amount of prestige productions. Universal's core audience base was still found in the neighborhood movie theaters, and the studio continued to please the public with low- to medium-budget films. Basil Rathbone and Nigel Bruce in new Sherlock Holmes mysteries (1942–46), teenage musicals with Gloria Jean, Donald O'Connor, and Peggy Ryan (1942–43), and screen adaptations of radio's Inner Sanctum Mysteries with Lon Chaney, Jr. (1943–45). Alfred Hitchcock was also borrowed for two films from Selznick International Pictures: Saboteur (1942) and Shadow of a Doubt (1943).

Question: Who was the directorial partner of Walter Wanger?
Answer: Fritz Lang

Question: In what period did Basil Rathbone star in a series of Sherlock Holmes films?
Answer: 1942–46

Question: In what period did film versions of Inner Sanctum Mysteries appear?
Answer: 1943–45

Question: What was the studio that Alfred Hitchcock normally worked for?
Answer: Selznick International Pictures

Question: In what year was Shadow of a Doubt produced?
Answer: 1943

Question: Who partnered with Walter Lang and Fritz Wanger during the war years?

Question: What did Basil Bruce and Nigel Rathbone star in?

Question: What type of productions did Gloria Ryan and Peggy Jean star in?

Question: Who was borrowed for two films from Selznick Pictures International?

Question: Who starred in Inner Mysteries Sanctum?
Universal_Studios

As Universal's main product had always been low-budget film, it was one of the last major studios to have a contract with Technicolor. The studio did not make use of the three-strip Technicolor process until Arabian Nights (1942), starring Jon Hall and Maria Montez. The following year, Technicolor was also used in Universal's remake of their 1925 horror melodrama, Phantom of the Opera with Claude Rains and Nelson Eddy. With the success of their first two pictures, a regular schedule of high-budget, Technicolor films followed.

Question: What was the first Universal film to use the three-strip Technicolor process?
Answer: Arabian Nights

Question: What actress starred in Arabian Nights?
Answer: Maria Montez

Question: Along with Nelson Eddy, who starred in the Phantom of the Opera?
Answer: Claude Rains

Question: When was Universal's first version of the Phantom of the Opera made?
Answer: 1925

Question: In what year was Arabian Nights produced?
Answer: 1942

Question: Who was Universal first to have a contract with?

Question: What 1925 film was the first that made use of the three-strip Technicolor process?

Question: What remake used technicolor in 1942?

Question: Who starred in the 1942 version of Phantom of the Opera?
Universal_Studios

In 1945, the British entrepreneur J. Arthur Rank, hoping to expand his American presence, bought into a four-way merger with Universal, the independent company International Pictures, and producer Kenneth Young. The new combine, United World Pictures, was a failure and was dissolved within one year. Rank and International remained interested in Universal, however, culminating in the studio's reorganization as Universal-International. William Goetz, a founder of International, was made head of production at the renamed Universal-International Pictures Inc., which also served as an import-export subsidiary, and copyright holder for the production arm's films. Goetz, a son-in-law of Louis B. Mayer decided to bring "prestige" to the new company. He stopped the studio's low-budget production of B movies, serials and curtailed Universal's horror and "Arabian Nights" cycles. Distribution and copyright control remained under the name of Universal Pictures Company Inc.

Question: In what year was United World Pictures founded?
Answer: 1945

Question: What producer was involved in the founding of United World Pictures?
Answer: Kenneth Young

Question: How long did United World Pictures last?
Answer: one year

Question: Who was the head of production at Universal-International Pictures?
Answer: William Goetz

Question: Who was William Goetz's father-in-law?
Answer: Louis B. Mayer

Question: Who bought into a four-way merger with Universal in 1954?

Question: When did Arthur J. Rank buy into a four-way merger?

Question: What combine did Kenneth Young found?

Question: What position was given to William Mayer?

Question: What did Louis B. Goetz rename United World Pictures as?
Universal_Studios

Goetz set out an ambitious schedule. Universal-International became responsible for the American distribution of Rank's British productions, including such classics as David Lean's Great Expectations (1946) and Laurence Olivier's Hamlet (1948). Broadening its scope further, Universal-International branched out into the lucrative non-theatrical field, buying a majority stake in home-movie dealer Castle Films in 1947, and taking the company over entirely in 1951. For three decades, Castle would offer "highlights" reels from the Universal film library to home-movie enthusiasts and collectors. Goetz licensed Universal's pre–Universal-International film library to Jack Broeder's Realart Pictures for cinema re-release but Realart was not allowed to show the films on television.

Question: In what year was the Olivier version of Hamlet made?
Answer: 1948

Question: Who directed 1946's Great Expectations?
Answer: David Lean

Question: In 1947, what company did Universal buy a stake in?
Answer: Castle Films

Question: Who ran Realart Pictures?
Answer: Jack Broeder

Question: In what year did Universal-International take over Castle Films?
Answer: 1951

Question: What year was Laurence Olivier's Great Expectations produced?

Question: What year was David Lean's Hamlet produced?

Question: What company did Universal-International buy a major stake in during 1946?

Question: Who took over Castle Films in 1947?
Universal_Studios

The production arm of the studio still struggled. While there were to be a few hits like The Killers (1946) and The Naked City (1948), Universal-International's new theatrical films often met with disappointing response at the box office. By the late 1940s, Goetz was out, and the studio returned to low-budget films. The inexpensive Francis (1950), the first film of a series about a talking mule and Ma and Pa Kettle (1949), part of a series, became mainstays of the company. Once again, the films of Abbott and Costello, including Abbott and Costello Meet Frankenstein (1948), were among the studio's top-grossing productions. But at this point Rank lost interest and sold his shares to the investor Milton Rackmil, whose Decca Records would take full control of Universal in 1952. Besides Abbott and Costello, the studio retained the Walter Lantz cartoon studio, whose product was released with Universal-International's films.

Question: In what year was The Killers produced?
Answer: 1946

Question: What Universal-International film was about a talking mule?
Answer: Francis

Question: In what year was Ma and Pa Kettle made?
Answer: 1949

Question: What Abbott and Costello film was released in 1948?
Answer: Abbott and Costello Meet Frankenstein

Question: Who bought Rank's share of Universal-International?
Answer: Milton Rackmil

Question: Who left Universal in 1940?

Question: What year was Ma and Pa Francis made?

Question: What year was Kettle made?

Question: What 1952 Abbott and Costello film was a top grossing production?

Question: What company took full control of Universal in 1948?
Universal_Studios

In the 1950s, Universal-International resumed their series of Arabian Nights films, many starring Tony Curtis. The studio also had a success with monster and science fiction films produced by William Alland, with many directed by Jack Arnold. Other successes were the melodramas directed by Douglas Sirk and produced by Ross Hunter, although for film critics they were not so well thought of on first release as they have since become. Among Universal-International's stable of stars were Rock Hudson, Tony Curtis, Jeff Chandler, Audie Murphy, and John Gavin.

Question: Who did many of Universal-International's Arabian Nights films feature?
Answer: Tony Curtis

Question: Who notably produced monster and science fiction films for Universal?
Answer: William Alland

Question: What Universal director was known for his melodramas?
Answer: Douglas Sirk

Question: Who directed monster movies for Universal?
Answer: Jack Arnold

Question: Who produced melodramas for Universal?
Answer: Ross Hunter

Question: What series of films did Tony Alland star in?

Question: What types of films did William Curtis produce?

Question: What type of films did Douglas Hunter and Ross Sirk produce?

Question: What company did stars Rock Hudson, Tony Chandler, and Jeff Curtis work for?
Universal_Studios

Though Decca would continue to keep picture budgets lean, it was favored by changing circumstances in the film business, as other studios let their contract actors go in the wake of the 1948 U.S. vs. Paramount Pictures, et al. decision. Leading actors were increasingly free to work where and when they chose, and in 1950 MCA agent Lew Wasserman made a deal with Universal for his client James Stewart that would change the rules of the business. Wasserman's deal gave Stewart a share in the profits of three pictures in lieu of a large salary. When one of those films, Winchester '73, proved to be a hit, the arrangement would become the rule for many future productions at Universal, and eventually at other studios as well.

Question: Who was a notable talent agent circa 1950?
Answer: Lew Wasserman

Question: What star did Lew Wasserman represent?
Answer: James Stewart

Question: What actor featured in Winchester '73?
Answer: James Stewart

Question: What legal decision resulted in movie studios letting their contract actors go?
Answer: U.S. vs. Paramount Pictures, et al.

Question: What court decision happened in 1950?

Question: Who made a deal in 1948 with Universal for James Stewart?

Question: What company did Lew Wasserman make a deal with in 1948?

Question: Who was a MAC agent?
Universal_Studios

By the late 1950s, the motion picture business was again changing. The combination of the studio/theater-chain break-up and the rise of television saw the reduced audience size for cinema productions. The Music Corporation of America (MCA), then predominately a talent agency, had also become a powerful television producer, renting space at Republic Studios for its Revue Productions subsidiary. After a period of complete shutdown, a moribund Universal agreed to sell its 360-acre (1.5 km²) studio lot to MCA in 1958, for $11 million, renamed Revue Studios. MCA owned the studio lot, but not Universal Pictures, yet was increasingly influential on Universal's product. The studio lot was upgraded and modernized, while MCA clients like Doris Day, Lana Turner, Cary Grant, and director Alfred Hitchcock were signed to Universal Pictures contracts.

Question: What acronym was the Music Corporation of America known by?
Answer: MCA

Question: Where did MCA's Revue Productions subsidiary rent space?
Answer: Republic Studios

Question: In square kilometers, how large was the lot Universal sold to MCA?
Answer: 1.5

Question: In what year did Universal sell its 360-acre lot to MCA?
Answer: 1958

Question: How much did MCA pay for Universal's 360-acre lot?
Answer: $11 million

Question: What was responsible for a rise in audience for cinema productions?

Question: What does MAC stand for?

Question: When did Universal sell its 1.5-acre studio lot?

Question: How much did Universal sell its lot to MAC for?

Question: What did MAC not own after the lot purchase?
Universal_Studios

The long-awaited takeover of Universal Pictures by MCA, Inc. happened in mid-1962 as part of the MCA-Decca Records merger. The company reverted in name to Universal Pictures. As a final gesture before leaving the talent agency business, virtually every MCA client was signed to a Universal contract. In 1964 MCA formed Universal City Studios, Inc., merging the motion pictures and television arms of Universal Pictures Company and Revue Productions (officially renamed as Universal Television in 1966). And so, with MCA in charge, Universal became a full-blown, A-film movie studio, with leading actors and directors under contract; offering slick, commercial films; and a studio tour subsidiary launched in 1964. Television production made up much of the studio's output, with Universal heavily committed, in particular, to deals with NBC (which later merged with Universal to form NBC Universal; see below) providing up to half of all prime time shows for several seasons. An innovation during this period championed by Universal was the made-for-television movie.

Question: In what year did MCA take over Universal?
Answer: 1962

Question: What company did MCA create in 1964?
Answer: Universal City Studios, Inc.

Question: What new name was given to Revue Productions in 1966?
Answer: Universal Television

Question: What was the company formed by the merger of Universal and NBC?
Answer: NBC Universal

Question: When did Universal inaugurate its studio tour subsidiary?
Answer: 1964

Question: What did MAC, Inc. do in 1962?

Question: What name did the company revert to after the MAC takeover?

Question: What did MCA form in 1966?

Question: What was Universal Pictures Company and Revue Productions renamed in 1966?

Question: What television network did MCA later merge with?
Universal_Studios

At this time, Hal B. Wallis, who had latterly worked as a major producer at Paramount, moved over to Universal, where he produced several films, among them a lavish version of Maxwell Anderson's Anne of the Thousand Days (1969), and the equally lavish Mary, Queen of Scots (1971). Though neither could claim to be a big financial hit, both films received Academy Award nominations, and Anne was nominated for Best Picture, Best Actor (Richard Burton), Best Actress (Geneviève Bujold), and Best Supporting Actor (Anthony Quayle). Wallis retired from Universal after making the film Rooster Cogburn (1975), a sequel to True Grit (1969), which Wallis had produced at Paramount. Rooster Cogburn co-starred John Wayne, reprising his Oscar-winning role from the earlier film, and Katharine Hepburn, their only film together. The film was only a moderate success.

Question: Who produced Anne of the Thousand Days?
Answer: Hal B. Wallis

Question: Who wrote the original work that the film version of Anne of the Thousand Days was based on?
Answer: Maxwell Anderson

Question: In what year was the film version of Mary, Queen of Scots made?
Answer: 1971

Question: Whose performance in Anne of the Thousand Days garnered a Best Actor nod?
Answer: Richard Burton

Question: What was the name of the sequel to True Grit produced by Universal?
Answer: Rooster Cogburn

Question: What company did B. Hal Wallis work at before Universal?

Question: What company did B. Hal Wallis work at after Paramount?

Question: What year did May of the Thousand Days come out?

Question: What year did Anne, Queen of Scots come out?

Question: What 1969 film was a sequel to True Grit?
Universal_Studios

In the early 1970s, Universal teamed up with Paramount Pictures to form Cinema International Corporation, which distributed films by Paramount and Universal worldwide. Though Universal did produce occasional hits, among them Airport (1970), The Sting (1973), American Graffiti (also 1973), Earthquake (1974), and a big box-office success which restored the company's fortunes: Jaws (1975), Universal during the decade was primarily a television studio. When Metro-Goldwyn-Mayer purchased United Artists in 1981, MGM could not drop out of the CIC venture to merge with United Artists overseas operations. However, with future film productions from both names being released through the MGM/UA Entertainment plate, CIC decided to merge UA's international units with MGM and reformed as United International Pictures. There would be other film hits like E.T. the Extra-Terrestrial (1982), Back to the Future (1985), Field of Dreams (1989), and Jurassic Park (1993), but the film business was financially unpredictable. UIP began distributing films by start-up studio DreamWorks in 1997, due to connections the founders have with Paramount, Universal, and Amblin Entertainment. In 2001, MGM dropped out of the UIP venture, and went with 20th Century Fox's international arm to handle distribution of their titles to this day.

Question: Who partnered with Universal in the creation of Cinema International Corporation?
Answer: Paramount Pictures

Question: In what year was the film Airport made?
Answer: 1970s

Question: What Universal hit film was produced in 1974?
Answer: Earthquake

Question: What company was purchased by MGM in 1981?
Answer: United Artists

Question: When did United International Pictures start distributing films for DreamWorks?
Answer: 1997

Question: What company did Universal team up with in 1970?

Question: What company was formed in 1970?

Question: What does MMG stand for?

Question: Who dropped out of the UIP venture in 2001?

Question: Who did UIP join in 2001?
Universal_Studios

Anxious to expand the company's broadcast and cable presence, longtime MCA head Lew Wasserman sought a rich partner. He located Japanese electronics manufacturer Matsushita Electric (now known as Panasonic), which agreed to acquire MCA for $6.6 billion in 1990. Meanwhile, around this time, the production subsidiary was renamed Universal Studios Inc., and (in 1990) MCA created MCA/Universal Home Video Inc. for the VHS video cassette (later DVD) sales industry.

Question: Who was the head of MCA in 1990?
Answer: Lew Wasserman

Question: What is the current name of the company that was called Matsushita Electric in 1990?
Answer: Panasonic

Question: How much did Matsushita Electric pay for MCA?
Answer: $6.6 billion

Question: In what year was MCA/Universal Home Video Inc. created?
Answer: 1990

Question: What was the nationality of Matsushita Electric?
Answer: Japanese

Question: What company acquired MAC for $6.6 billion in 1990?

Question: What was Panasonic renamed in 1990?

Question: What was Matsushita Electric renamed in 1990?

Question: What company created the VHS cassette?
Universal_Studios

Matsushita provided a cash infusion, but the clash of cultures was too great to overcome, and five years later Matsushita sold an 80% stake in MCA/Universal to Canadian drinks distributor Seagram for $5.7 billion. Seagram sold off its stake in DuPont to fund this expansion into the entertainment industry. Hoping to build an entertainment empire around Universal, Seagram bought PolyGram in 1999 and other entertainment properties, but the fluctuating profits characteristic of Hollywood were no substitute for the reliable income stream gained from the previously held shares in DuPont.

Question: What percentage of MCA/Universal did Matsushita Electric sell five years after acquiring the company?
Answer: 80%

Question: To whom did Matsushita sell a large share of MCA/Universal?
Answer: Seagram

Question: How much did Seagram pay to buy a large share of MCA/Universal?
Answer: $5.7 billion

Question: What did Seagram sell to finance their purchase of a share in MCA/Universal?
Answer: its stake in DuPont

Question: What company did Seagram buy in 1999?
Answer: PolyGram

Question: What percent stake did MCA/Univeral have in Matsushita?

Question: How did MCA/Universal sell their stake to?

Question: How much did MCA/Universal sell their stake for?

Question: What year did PolyGram buy Seagram?
Universal_Studios

To raise money, Seagram head Edgar Bronfman Jr. sold Universal's television holdings, including cable network USA, to Barry Diller (these same properties would be bought back later at greatly inflated prices). In June 2000, Seagram was sold to French water utility and media company Vivendi, which owned StudioCanal; the conglomerate then became known as Vivendi Universal. Afterward, Universal Pictures acquired the United States distribution rights of several of StudioCanal's films, such as Mulholland Drive (which received an Oscar nomination) and Brotherhood of the Wolf (which became the second-highest-grossing French-language film in the United States since 1980). Universal Pictures and StudioCanal also co-produced several films, such as Love Actually (an $40 million-budgeted film that eventually grossed $246 million worldwide). In late 2000, the New York Film Academy was permitted to use the Universal Studios backlot for student film projects in an unofficial partnership.

Question: Who was the head of Seagram?
Answer: Edgar Bronfman Jr.

Question: Who bought the USA cable network from Seagram?
Answer: Barry Diller

Question: Who bought Seagram in June 2000?
Answer: Vivendi

Question: What was the budget of the film Love Actually?
Answer: $40 million

Question: What StudioCanal film received an Academy Award nomination?
Answer: Mulholland Drive

Question: What company did Edgar Bronfman Jr. sell Seagram's holdings to?

Question: Who was Seagram sold to in June 1980?

Question: What 2000 film grossed $246 million?

Question: What film grossed $264 million?

Question: What was Universal Studios permitted to use in 2000?
Universal_Studios

Burdened with debt, in 2004 Vivendi Universal sold 80% of Vivendi Universal Entertainment (including the studio and theme parks) to General Electric, parent of NBC. The resulting media super-conglomerate was renamed NBCUniversal, while Universal Studios Inc. remained the name of the production subsidiary. After that deal, GE owned 80% of NBC Universal; Vivendi held the remaining 20%, with an option to sell its share in 2006. GE purchased Vivendi's share in NBCU in 2011 and in turn sold 51% of the company to cable provider Comcast. Comcast merged the former GE subsidiary with its own cable-television programming assets, creating the current NBCUniversal. Following Federal Communications Commission (FCC) approval, the Comcast-GE deal was closed on Jan 29, 2011. In March 2013, Comcast bought the remaining 49% of NBCUniversal for $16.7 billion.

Question: Who bought 80% of Vivendi Universal Entertainment in 2004?
Answer: General Electric

Question: What percentage of NBC Universal was owned by Vivendi until 2011?
Answer: 20%

Question: Who bought 51% of NBC Universal in 2011?
Answer: Comcast

Question: In what month and year did Comcast buy 49% of NBCUniversal?
Answer: March 2013

Question: How much did Comcast pay for 49% of NBCUniversal in 2013?
Answer: $16.7 billion

Question: What percentage did General Electric sell to Vivendi Universal?

Question: What does NCBU stand for?

Question: Who purchased Vivendi's share of NBCU in 2006?

Question: What does CFC stand for?

Question: Who bought 49% of NBCUniversal for $17.6 billion?
Universal_Studios

In late 2005, Viacom's Paramount Pictures acquired DreamWorks SKG after acquisition talks between GE and DreamWorks stalled. Universal's long time chairperson, Stacey Snider, left the company in early 2006 to head up DreamWorks. Snider was replaced by then-Vice Chairman Marc Shmuger and Focus Features head David Linde. On October 5, 2009, Marc Shmuger and David Linde were ousted and their co-chairperson jobs consolidated under former president of worldwide marketing and distribution Adam Fogelson becoming the single chairperson. Donna Langley was also upped to co-chairperson. In 2009, Stephanie Sperber founded Universal Partnerships & Licensing within Universal to license consumer products for Universal. In September 2013, Adam Fogelson was ousted as co-chairman of Universal Pictures, promoting Donna Langley to sole-chairman. In addition, NBCUniversal International Chairman, Jeff Shell, would be appointed as Chairman of the newly created Filmed Entertainment Group. Longtime studio head Ron Meyer would give up oversight of the film studio and appointed Vice Chairman of NBCUniversal, providing consultation to CEO Steve Burke on all of the company's operations. Meyers still retains oversight of Universal Parks and Resorts.

Question: In what year did Paramount Pictures purchase DreamWorks?
Answer: 2005

Question: What Universal chairperson headed DreamWorks as of 2006?
Answer: Stacey Snider

Question: Who became the chairperson in late 2009?
Answer: Adam Fogelson

Question: Who was the founder of Universal Partnerships & Licensing?
Answer: Stephanie Sperber

Question: Who became chairperson of Universal Pictures in September 2013?
Answer: Donna Langley

Question: What company did Viacom acquire in 2005?

Question: What company did Stacey Shmuger leave in 2006?

Question: What position did Donna Sperber hold?

Question: Who was ousted as co-chairman of Universal Pictures in October 2013?
Universal_Studios

Universal's multi-year film financing deal with Elliott Management expired in 2013. In July 2013, Universal made an agreement with Legendary Pictures to market, co-finance, and distribute Legendary's films for five years starting in 2014, the year that Legendary's similar agreement with Warner Bros. expires.

Question: Universal's deal with what company ended in 2013?
Answer: Elliott Management

Question: With whom did Universal sign a marketing and distribution deal in July 2013?
Answer: Legendary Pictures

Question: How many years is the deal with Legendary Pictures intended to run?
Answer: five years

Question: In what year did Universal's deal with Legendary Pictures begin?
Answer: 2014

Question: When did Elliott Management's financing deal expire?

Question: What company made an agreement with Legendary Pictures in July 2014?

Question: What two companies had a deal that expired in 2013?
Universal_Studios

In June 2014, Universal Partnerships took over licensing consumer products for NBC and Sprout with expectation that all licensing would eventually be centralized within NBCUniversal. In May 2015, Gramercy Pictures was revived by Focus Features as a genre label, that concentrated on action, sci-fi, and horror films.

Question: What film studio was brought back in May 2015?
Answer: Gramercy Pictures

Question: What division of NBCUniversal revived Gramercy Pictures?
Answer: Focus Features

Question: What genre of films will Gramercy be responsible for creating?
Answer: action, sci-fi, and horror

Question: What year did NBCUniversal take over Sprout?

Question: Who revived Focus Features in 2015?

Question: What happened in June 2015?
Universal_Studios

As of 2015, Universal is the only studio to have released three billion-dollar films in one year; this distinction was achieved in 2015 with Furious 7, Jurassic World and Minions.

Question: In what year did Universal release three billion-dollar films?
Answer: 2015

Question: Along with Jurassic World and Furious 7, what billion-dollar film was released by Universal in 2015?
Answer: Minions

Question: How many studios have released three billion-dollar films in one year?
Answer: Universal is the only studio

Question: Who released three billion-dollar films in 2017?

Question: What movies made three billion dollars?
Universal_Studios

In the early 1950s, Universal set up its own distribution company in France, and in the late 1960s, the company also started a production company in Paris, Universal Productions France S.A., although sometimes credited by the name of the distribution company, Universal Pictures France. Except for the two first films it produced, Claude Chabrol's Le scandale (English title The Champagne Murders) and Romain Gary's Les oiseaux vont mourir au Pérou (English title Birds in Peru), it was only involved in French or other European co-productions, the most noticeable ones being Louis Malle's Lacombe, Lucien, Bertrand Blier's Les Valseuses (English title Going Places), and Fred Zinnemann's The Day of the Jackal. It was only involved in approximately 20 French film productions. In the early 1970s, the unit was incorporated into the French Cinema International Corporation arm.

Question: What was the name of the Universal production company based in Paris?
Answer: Universal Productions France S.A.

Question: What was the name of Universal's French distribution company?
Answer: Universal Pictures France

Question: What was the English title of Le scandale?
Answer: The Champagne Murders

Question: Who directed The Day of the Jackal?
Answer: Fred Zinnemann

Question: What film was known in English as Going Places?
Answer: Les Valseuses

Question: Where did Universal set up a distribution company in 1950?

Question: Where did Universal set up a production company in 1960?

Question: What happened in 1970?

Question: What was the name of the company established in 1960?
Estonian_language

Estonian (eesti keel [ˈeːsti ˈkeːl] ( listen)) is the official language of Estonia, spoken natively by about 1.1 million people in Estonia and tens of thousands in various migrant communities. It belongs to the Finnic branch of the Uralic language family.

Question: What country has Estonian as its official language?
Answer: Estonian

Question: In Estonia how many people speak Estonian as their native language
Answer: 1.1 million

Question: Of what language family is Estonian a part of?
Answer: Uralic

Question: On which branch of Uralic language family can Estonian be found?
Answer: Finnic

Question: How many estimated non native speakers of Estonian are there in Estonia?
Answer: tens of thousands
Estonian_language

One distinctive feature that has caused a great amount of interest among linguists is what is traditionally seen as three degrees of phonemic length: short, long, and "overlong", such that /sɑdɑ/, /sɑˑdɑ/ and /sɑːdɑ/ are distinct. In actuality, the distinction is not purely in the phonemic length, and the underlying phonological mechanism is still disputed.[citation needed]

Question: Who is interested in the degrees of phonemic length?
Answer: linguists

Question: What are the phonemic length's three degrees?
Answer: short, long, and "overlong"

Question: What is a matter of dispute among linguists regarding the distinction?
Answer: the underlying phonological mechanism

Question: Who isn't interested in the degrees of phonemic length?

Question: What is not a distinctive feature?

Question: Underlong is a degree of what length?

Question: What are the three degrees of phonemic width?
Estonian_language

Estonian belongs to the Finnic branch of the Uralic languages, along with Finnish, Karelian, and other nearby languages. The Uralic languages do not belong to the Indo-European languages. Estonian is distantly related to Hungarian and to the Sami languages.

Question: What Uralic language branch contains Estonian?
Answer: Finnic

Question: What are two other languages in the Finnic branch?
Answer: Finnish, Karelian

Question: What language group is Estonian not a part of?
Answer: Indo-European languages

Question: What languages are related to Estonian but not closely?
Answer: Hungarian and to the Sami languages

Question: What Uralic language branch does not contain Estonian?

Question: What Uralic language branch does not contain Finnish?

Question: What Uralic language branch does not contain Karelian?

Question:  What languages are very close to Estonian?

Question: What languages are not related to Estonian?
Estonian_language

Estonian has been influenced by Swedish, German (initially Middle Low German, which was the lingua franca of the Hanseatic League and spoken natively in the territories of what is today known as Estonia by a sizeable burgher community of Baltic Germans, later Estonian was also influenced by standard German), and Russian, though it is not related to them genetically.

Question: Who spoke German in what came to be known as Estonia?
Answer: Baltic Germans

Question: Aside from standard German what German language influenced Estonian?
Answer: Middle Low German

Question: Baltic Germans spoke which language?

Question: What German language did not influence Estonian?

Question: Where is Middle Low German spoken today?

Question: Which language did Russian not influence?
Estonian_language

Like Finnish and Hungarian, Estonian is a somewhat agglutinative language, but unlike them, it has lost vowel harmony, the front vowels occurring exclusively on the first or stressed syllable, although in older texts the vowel harmony can still be recognized. Furthermore, the apocope of word-final sounds is extensive and has contributed to a shift from a purely agglutinative to a fusional language.[citation needed] The basic word order is subject–verb–object.

Question: What kind of harmony has Estonian lost?
Answer: vowel

Question: What language feature does Estonian, Finish and Hungarian share? 
Answer: agglutinative

Question: In what order are words put in sentences in the Estonian language?
Answer: subject–verb–object

Question:  What kind of harmony has Estonian not lost?

Question:  What language features do Estonian, Finish and Hungarian differ?

Question:  In what order are words put in sentences in the Finnish language?

Question: In what order are words put in sentences in the Hungarian language?

Question: What made it shift from a fusional language to an agglutinative one?
Estonian_language

The two different historical Estonian languages (sometimes considered dialects), the North and South Estonian languages, are based on the ancestors of modern Estonians' migration into the territory of Estonia in at least two different waves, both groups speaking considerably different Finnic vernaculars. Modern standard Estonian has evolved on the basis of the dialects of Northern Estonia.

Question: What was the minimum number of waves through which modern Estonians migrated into Estonia?
Answer: two

Question: What are the names of the two separate Estonian languages?
Answer: North and South Estonian languages

Question: What are East and West Estonian languages based on?

Question: What evolved from Eastern Estonian dialect?

Question: The two waves of migration into Estonian spoke the exact same type of what language?

Question: What was the maximum number of waves through which modern Estonians migrated into Estonia?
Estonian_language

The domination of Estonia after the Northern Crusades, from the 13th century to 1918 by Denmark, Germany, Sweden, and Russia delayed indigenous literacy in Estonia.[citation needed]

Question: When did the Northern Crusades happen?
Answer: 13th century to 1918

Question: Which countries took part in the Northern Crusades?
Answer: Denmark, Germany, Sweden, and Russia

Question: Following the crusades which country was dominated?
Answer: Estonia

Question: What did the aftermath of the crusades end up delaying in Estonia?
Answer: indigenous literacy

Question: When didn't the Northern Crusades happen?

Question:  Which countries didn't take part in the Northern Crusades?

Question:  Following the crusades which country was not dominated?

Question: What did the aftermath of the crusades end up beginning in Estonia?

Question: What country was involved in the Eastern Crusades?
Estonian_language

The oldest written records of the Finnic languages of Estonia date from the 13th century. Originates Livoniae in Chronicle of Henry of Livonia contains Estonian place names, words and fragments of sentences.

Question: How far back do the first written records of Estonia's Finnic languages go?
Answer: 13th century

Question: Where can records of Estonian place names be found?
Answer: Originates Livoniae

Question: Which Chronicle contains the Originates Livoniae?
Answer: Chronicle of Henry of Livonia

Question: Aside from place names what else from the Estonian language can be found in the Originates Livoniae in Chronicle of Henry of Livonia?
Answer: words and fragments of sentences.

Question:  Where can records of Estonian place names not be found?

Question: Which Chronicle does not contain the Originates Livoniae?

Question: What was the last century fo Estonia's Finnic language?

Question: When is the most recent written records of Finnic Languages of Estonia?

Question: In what book were place names, words and fragments of sentences were not included?
Estonian_language

The earliest extant samples of connected (north) Estonian are the so-called Kullamaa prayers dating from 1524 and 1528. In 1525 the first book published in the Estonian language was printed. The book was a Lutheran manuscript, which never reached the reader and was destroyed immediately after publication.

Question: What was the first Estonian language book to be published?
Answer: a Lutheran manuscript

Question: When were the Kallamaa prayers written?
Answer: 1524 and 1528

Question: What was the fate of the Lutheran manuscript printed in 1525?
Answer: destroyed

Question: At what point in its existence was the Lutheran manuscript destroyed?
Answer: immediately after publication

Question:  What was the last Estonian language book to be published?

Question: Who wrote the first prayers?

Question:  What was the fate of the Lutheran manuscript printed in 1524?

Question: At what point in its existence was the Lutheran manuscript published?

Question: What manuscript was written in 1528?