Bob Kames
Bob Kames (April 21, 1925 – April 9, 2008) was an American musician who specialized in genres such as polka. Kames is credited with developing and popularizing the modern-day version of the song "Dance Little Bird," which is much better known by its more common name, The Chicken Dance. Kames is a member of the Wisconsin Area Music Industry's Hall of Fame.
Mandolin
Many adaptations of the instrument have been done to cater to the special needs of Indian Carnatic music. In Indian classical music and Indian light music, the mandolin, which bears little resemblance to the European mandolin, is usually tuned E-B-E-B. As there is no concept of absolute pitch in Indian classical music, any convenient tuning maintaining these relative pitch intervals between the strings can be used. Another prevalent tuning with these intervals is C-G-C-G, which corresponds to Sa-Pa-Sa-Pa in the Indian carnatic classical music style. This tuning corresponds to the way violins are tuned for carnatic classical music. This type of mandolin is also used in Bhangra, dance music popular in Punjabi culture.
Miami
This was also a period of alternatives to nightclubs, the warehouse party, acid house, rave and outdoor festival scenes of the late 1980s and early 1990s were havens for the latest trends in electronic dance music, especially house and its ever-more hypnotic, synthetic offspring techno and trance, in clubs like the infamous Warsaw Ballroom better known as Warsaw and The Mix where DJs like david padilla (who was the resident DJ for both) and radio. The new sound fed back into mainstream clubs across the country. The scene in SoBe, along with a bustling secondhand market for electronic instruments and turntables, had a strong democratizing effect, offering amateur, "bedroom" DJs the opportunity to become proficient and popular as both music players and producers, regardless of the whims of the professional music and club industries. Some of these notable DJs are John Benetiz (better known as JellyBean Benetiz), Danny Tenaglia, and David Padilla.
India
Indian music ranges over various traditions and regional styles. Classical music encompasses two genres and their various folk offshoots: the northern Hindustani and southern Carnatic schools. Regionalised popular forms include filmi and folk music; the syncretic tradition of the bauls is a well-known form of the latter. Indian dance also features diverse folk and classical forms. Among the better-known folk dances are the bhangra of Punjab, the bihu of Assam, the Jhumair and chhau of Jharkhand, Odisha and West Bengal, garba and dandiya of Gujarat, ghoomar of Rajasthan, and the lavani of Maharashtra. Eight dance forms, many with narrative forms and mythological elements, have been accorded classical dance status by India's National Academy of Music, Dance, and Drama. These are: bharatanatyam of the state of Tamil Nadu, kathak of Uttar Pradesh, kathakali and mohiniyattam of Kerala, kuchipudi of Andhra Pradesh, manipuri of Manipur, odissi of Odisha, and the sattriya of Assam. Theatre in India melds music, dance, and improvised or written dialogue. Often based on Hindu mythology, but also borrowing from medieval romances or social and political events, Indian theatre includes the bhavai of Gujarat, the jatra of West Bengal, the nautanki and ramlila of North India, tamasha of Maharashtra, burrakatha of Andhra Pradesh, terukkuttu of Tamil Nadu, and the yakshagana of Karnataka. India has a theatre training institute NSD that is situated at New Delhi It is an autonomous organisation under the Ministry of Culture, Government of India.
Paris
Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.
Buckwheat Boyz
The Buckwheat Boyz was an American musical group founded by Marcus Bowens and Jermaine Fuller, with the later addition of J.J. O'Neal and Dougy Williams. The Buckwheat Boyz were signed by Koch Records, and recorded their first and only full - length record. From this self - titled album, the song ``Peanut Butter Jelly Time ''became popular on the Internet after a flash music video featuring an animated dancing banana was created. The popularity of the song increased as it was featured on television shows such as The Proud Family, Family Guy, and Regular Show.
House music
House music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Early house music commercial success in Europe saw songs such as "Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), "Theme from S'Express" by S'Express (1988) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.
Frédéric Chopin
Chopin also endowed popular dance forms with a greater range of melody and expression. Chopin's mazurkas, while originating in the traditional Polish dance (the mazurek), differed from the traditional variety in that they were written for the concert hall rather than the dance hall; "it was Chopin who put the mazurka on the European musical map." The series of seven polonaises published in his lifetime (another nine were published posthumously), beginning with the Op. 26 pair (published 1836), set a new standard for music in the form. His waltzes were also written specifically for the salon recital rather than the ballroom and are frequently at rather faster tempos than their dance-floor equivalents.
Electronic dance music
In the late 1980s and early 1990s, following the emergence of raving, pirate radio, and an upsurge of interest in club culture, EDM acquired mainstream popularity in Europe. In the United States at that time acceptance of dance culture was not universal, and although both Electro and Chicago house music were hugely influential both in Europe and the USA, mainstream media outlets, and the record industry, remained hostile to EDM. There was also a perceived association between EDM and drug culture which led governments at state and city level to enact laws and policies intended to halt the spread of rave culture.
Mali
Malian musical traditions are derived from the griots, who are known as "Keepers of Memories". Malian music is diverse and has several different genres. Some famous Malian influences in music are kora virtuoso musician Toumani Diabaté, the late roots and blues guitarist Ali Farka Touré, the Tuareg band Tinariwen, and several Afro-pop artists such as Salif Keita, the duo Amadou et Mariam, Oumou Sangare, and Habib Koité. Dance also plays a large role in Malian culture. Dance parties are common events among friends, and traditional mask dances are performed at ceremonial events.
Dance 86.4 Funky Radio Station
Dance 86.4 (pronounced "Dance Yaroyo", which loosely translates to "Let's Dance") Funky Radio Station is a music video game produced by Konami in 2005. It is part of the Bemani collection of music games.
Enrique Iglesias
By 1999, Iglesias had begun a successful crossover career into the English language music market. Thanks to other successful crossover acts, most notably that of Ricky Martin and Gloria Estefan, Latino artists and music had a great surge in popularity in mainstream music. After attending one of his concerts in March 1999, Will Smith asked Iglesias to contribute to the soundtrack of his movie Wild Wild West. His contribution "Bailamos" was released as a single and became a number one hit in the US.
Anthony Gatto (composer)
Anthony Gatto (born in Brooklyn, New York), is an American composer of music for theater, dance, film, opera, and concert music. He is also the founder of "The Festival Dancing in Your Head", held at the Walker Art Center, dedicated to the music, ideas, and influences of Ornette Coleman.
Viola Farber
Viola Farber was born on February 25, 1931 in Heidelberg, Germany. In Germany, Farber began dancing. However, at the age of six she was told by her parents, “No, you cannot do this anymore”. At the age of seven, Farber and her family moved to the United States. Even though her parents did not allow her to dance, Farber continued dancing on her own, though she focused more of her energy on learning to play the piano. During the one year that Farber spent at the University of Illinois studying music, she began taking dance classes from Margaret Erlanger. When Farber transferred to George Washington University, she focused on both music and dance. By 1952, Farber had transferred once again, to Black Mountain College was dance with Katherine Litz and music with Lou Harrison.
Pete Rushefsky
Pete Rushefsky is an American klezmer musician and Executive Director of New York City's Center for Traditional Music and Dance. He plays the cimbalom or "tsimbl" as well as the 5-string banjo.
Classical music
Numerous examples show influence in the opposite direction, including popular songs based on classical music, the use to which Pachelbel's Canon has been put since the 1970s, and the musical crossover phenomenon, where classical musicians have achieved success in the popular music arena. In heavy metal, a number of lead guitarists (playing electric guitar) modeled their playing styles on Baroque or Classical era instrumental music, including Ritchie Blackmore and Randy Rhoads.
Ivy Sawyer
The London-born Sawyer danced professionally with John Jarrot until she met and married fellow dancer/actor Joseph Santley. The two would dance and perform on stage together primarily in musical comedies for nearly two decades. They made their Broadway debut together in 1916 in "Betty" at the Globe Theatre and two years later played in the musical comedy "Oh, My Dear!" at the Princess Theatre. The couple appeared in the famous Irving Berlin "Music Box Revues" of the 1920s and later toured the United States, performing at major venues such as the National Theatre in Washington, D.C.

Question: Who does the artist who popularized dance music as mainstream play in A League of Their Own?
Answer: taxi dancer ``All the Way ''Mae Mordabito