Desalpar Gunthli
Desalpar Gunthli is a village and site belonging to Indus Valley Civilisation located at Nakhtrana Taluka, Kutch District, Gujarat, India.
 Desalpar is 25 km away from Bhuj.
 This site is of modest dimensions,(130 m by 100 m ) situated on the northern banks of once depredatory (erosive) stream, Bamu-Chela, an affluent of the Dhrud river.
Indus Valley Civilisation
The Indus Valley Civilisation (IVC) or Harappan Civilisation was a Bronze Age civilisation (3300–1300 BCE; mature period 2600–1900 BCE) mainly in the northwestern regions of South Asia, extending from what today is northeast Afghanistan to Pakistan and northwest India.
 Along with ancient Egypt and Mesopotamia it was one of three early civilisations of the Old World, and of the three, the most widespread
Demala diviyan keliya
Demala diviyan keliya is a two-player abstract strategy board game from Sri Lanka, formerly known as Ceylon.
 It is a hunt game, and since it uses a triangle board, Demala diviyan keliya is specifically a leopard hunt game (or leopard game).
 Three tigers are going up against fifteen leopards.
 The leopards attempt to surround and trap the tigers while the tigers attempt to capture enough of them (usually 7) so that the leopards can not immobilize the tigers.
 It is unknown how old the game is, but the game was described by H. Parker in his 1909 book "Ancient Ceylon - An Account of the Aborigines and of Part of the Early Civilisation".
 The game is also known as the Tamil leopards game.
 In India, it is called Rafaya.
Prehistoric Europe
Prehistoric Europe is the designation for the period of human presence in Europe before the start of recorded history, beginning in the Lower Paleolithic.
 As history progresses, considerable regional irregularities of cultural development emerge and increase.
 The region of the eastern Mediterranean is, due to its geographic proximity, greatly influenced and inspired by the classical Middle Eastern civilizations, and adopts and develops the earliest systems of communal organisation and writing.
 The Histories of Herodotus (from around 440 BC) is the oldest known European text that seeks to systematically record traditions, public affairs and notable events.
 In contrast, the European regions furthest away from the ancient centers of civilisation tended to be the slowest, regarding acculturation.
 In Northern and Eastern Europe in particular, writing and systematic recording was only introduced in the context of Christianization, after 1000 CE.
History of Sabah
The history of Sabah can be traced back to about 23–30,000 years ago when evidence suggests the earliest human settlement in the region existed.
 The history is interwoven with the history of Brunei and the history of Malaysia, to which Sabah was previously part of and is currently part of respectively.
 The earliest recorded history of Sabah being part of any organised civilisation began in the early 15th century during the thriving era of the Sultanate of Brunei.
 Prior to this, early inhabitants of the land lived in predominantly tribal societies, although such tribal societies had continued to exist until the 1900s.
 The eastern part of Sabah was ceded to the Sultan of Sulu by the Sultan of Brunei in 1658 for the former helping a victory over Brunei enemies, but many sources stated it had not been ceded at all.
 By the late 19th century, both territories previously owned by Sultan of Brunei and Sultan of Sulu was granted to British syndicate.
 Sabah became a protectorate of the United Kingdom in 1888 and subsequently became a crown colony until 1963, during which time it was known as North Borneo.
 On 16 September 1963, Sabah merged with Malaya, Sarawak and Singapore (left in 1965) to form the Federation of Malaysia.
Ancient monuments of Java
Hundreds of ancient stone religious monuments lie on the island of Java.
 Known as "candi" in Indonesian, they date from the early classical period of Javanese civilisation, beginning in the first part of the 8th century CE and ending after 900 CE.
 The majority were built between 780 CE and 860 CE, even though the civilisation that created them existed for many centuries.
Styles and themes of Robert E. Howard
The distinctive literary styles and themes of Robert E. Howard rely on a combination of many factors.
 In his fiction, he used devices borrowed from classical and traditional works, as well as formal rhetoric.
 In his poetry, he used rhythm, stress, and intonation to achieve a sense of motion.
 Some of his fiction has been described as prose poetry.
 His works can be distinguished by his use of violence and hate as positive forces in his universe, which can be seen as a part of the American Myth.
 In keeping with the era in which he worked, a grim and hardboiled theme pervades.
 The continuing cycle of civilisation and barbarism is highlighted in several works.
 Although he died before it was formally defined, an existentialism subtext runs through his writing.
 He was an aesthete and had affinity for romanticism and neo-romanticism, although in this he was out of step with his era.
Sao civilisation
The Sao civilisation flourished in Middle Africa from ca.
 the sixth century BC to as late as the sixteenth century AD.
 The Sao lived by the Chari River Around Lake Chad in territory that later became part of Cameroon and Chad.
 They are the earliest people to have left clear traces of their presence in the territory of modern Cameroon.
 Sometime around the 16th century, conversion to Islam changed the cultural identity of the former Sao.
 Today, several ethnic groups of northern Cameroon and southern Chad, but particularly the Sara, Kotoko, claim descent from the civilization of the Sao.
Salt for Svanetia
Salt for Svanetia (Georgian: მარილი სვანეთს , Russian: Соль Сванетии ) is a 1930 SovietGeorgian silent documentary film directed by Mikhail Kalatozov.
 As one of the earliest ethnographic films, it documents the life of the Svan people in the isolated mountain village of Ushguli in Svanetia, in the northwestern part of the Georgian Soviet Republic.
 Containing some propaganda, the climax of the film shows how a Soviet built road connects the previously isolated mountain village to Soviet civilisation.
 Many of the scenes of the film were staged, and the authenticity of some scenes has been disputed by the Svan people.
The Baptism of Lithuania
The Baptism of Lithuania is an 1888 oil on canvas painting by the Polish artist Jan Matejko, showing the conversion of Lithuania (then a Grand Duchy) to Christianity and the baptism of the Boyar princes and people before the temple of the pagan god Perkunas on Holy Saturday 1387.
 It forms part of the artist's series "The History of Civilisation in Poland".

Question: When did the civilisation start that Desalpar Gunthli was a part of?
Answer: 3300–1300 BCE