DanFosing/public-domain-poetry huggingface dataset:
Amour 50
by Michael Drayton

When I first ended, then I first began;
The more I trauell, further from my rest;
Where most I lost, there most of all I wan;
Pyned with hunger, rysing from a feast.
Mee thinks I flee, yet want I legs to goe,
Wise in conceite, in acte a very sot;
Rauisht with ioy amidst a hell of woe,
What most I seeme, that surest I am not.
I build my hopes a world aboue the skye,
Yet with a Mole I creepe into the earth:
In plenty am I staru'd with penury,
And yet I serfet in the greatest dearth.
I haue, I want, dispayre, and yet desire,
Burn'd in a Sea of Ice, and drown'd amidst a fire.
Poems From "A Shropshire Lad" - LVIII
by Alfred Edward Housman

When I came last to Ludlow
Amidst the moonlight pale,
Two friends kept step beside me,
Two honest lads and hale.
Now Dick lies long in the churchyard,
And Ned lies long in jail,
And I come home to Ludlow
Amidst the moonlight pale.
Sonnet III.
by Fernando Ant'nio Nogueira Pessoa

When I do think my meanest line shall be
More in Time's use than my creating whole,
That future eyes more clearly shall feel me
In this inked page than in my direct soul;
When I conjecture put to make me seeing
Good readers of me in some aftertime,
Thankful to some idea of my being
That doth not even my with gone true soul rime;
An anger at the essence of the world,
That makes this thus, or thinkable this wise,
Takes my soul by the throat and makes it hurled
In nightly horrors of despaired surmise,
And I become the mere sense of a rage
That lacks the very words whose waste might 'suage.
Anticipation
by Oliver Herford

When I grow up I mean to be
A Lion large and fierce to see.
I'll mew so loud that Cook in fright
Will give me all the cream in sight.
And anyone who dares to say
"Poor Puss" to me will rue the day.
Then having swallowed him I'll creep
Into the Guest Room Bed to sleep.
The Body
by John Frederick Freeman

When I had dreamed and dreamed what woman's beauty was,
And how that beauty seen from unseen surely flowed,
I turned and dreamed again, but sleeping now no more:
My eyes shut and my mind with inward vision glowed.
"I did not think!" I cried, seeing that wavering shape
That steadied and then wavered, as a cherry bough in June
Lifts and falls in the wind--each fruit a fruit of light;
And then she stood as clear as an unclouded moon.
As clear and still she stood, moonlike remotely near;
I saw and heard her breathe, I years and years away.
Her light streamed through the years, I saw her clear and still,
Shape and spirit together mingling night with day.
Water falling, falling with the curve of time
Over green-hued rock, then plunging to its pool
Far, far below, a falling spear of light;
Water falling golden from the sun but moonlike cool:
Water has the curve of her shoulder and breast,
Water falls as straight as her body rose,
Water her brightness has from neck to still feet,
Water crystal-cold as her cold body flows.
But not water has the colour I saw when I dreamed,
Nor water such strength has. I joyed to behold
How the blood lit her body with lamps of fire
And made the flesh glow that like water gleamed cold.
A flame in her arms and in each finger flame,
And flame in her bosom, flame above, below,
The curve of climbing flame in her waist and her thighs;
From foot to head did flame into red flame flow.
I knew how beauty seen from unseen must rise,
How the body's joy for more than body's use was made.
I knew then how the body is the body of the mind,
And how the mind's own fire beneath the cool skin played.
O shape that once to have seen is to see evermore,
Falling stream that falls to the deeps of the mind,
Fire that once lit burns while aught burns in the world,
Foot to head a flame moving in the spirit's wind!
If these eyes could see what these eyes have not seen--
The inward vision clear--how should I look for joy,
Knowing that beauty's self rose visible in the world
Over age that darkens, and griefs that destroy?
To His Kinswoman, Mistress Susanna Herrick
by Robert Herrick

When I consider, dearest, thou dost stay
But here awhile, to languish and decay;
Like to these garden glories, which here be
The flowery-sweet resemblances of thee:
With grief of heart, methinks, I thus do cry,
Would thou hadst ne'er been born, or might'st not die!
Homecoming
by John Frederick Freeman

When I came home from wanderings
In a tall chattering ship,
I thought a hundred happy things,
Of people, places, and such things
As I came sailing home.
The tall ship moved how slowly on
With me and hundreds more,
That thought not then of wanderings,
But of unwhispered, longed-for things,
Familiar things of home.
For not in miles seemed other lands
Far off, but in long years
As we came near to England then;
Even the tall ship heard secret things
As she moved trembling home.
It was at dawn. The chattering ship
Was strangely hushed; faint mist
Crept everywhere, and we crept on,
And every eye was creeping on
The mist, as we moved home....
Until we saw, far, very far,
Or dreamed we saw, her cliffs,
And thought of sweet, intolerable things,
Of England--dark, unwhispered things,
Such things, as we crept home.
On Paradise Lost.
by John Milton

When I beheld the Poet blind, yet bold,
In slender Book his vast Design unfold,
Messiah Crown'd, Gods Reconcil'd Decree,
Rebelling Angels, the Forbidden Tree,
Heav'n, Hell, Earth, Chaos, All; the Argument
Held me a while misdoubting his Intent,
That he would ruine (for I saw him strong)
The sacred Truths to Fable and old Song
(So Sampson groap'd the Temples Posts in spight)
The World o'rewhelming to revenge his sight.
Yet as I read soon growing less severe,
I lik'd his Project, the success did fear;
Through that wide Field how he his way should find
O're which lame Faith leads Understanding blind;
Lest he perplex'd the things he would explain,
And what was easie he should render vain.
Or if a Work so infinite he spann'd,
Jealous I was that some less skilful hand
(Such as disquiet always what is well,
And by ill imitating would excell)
Might hence presume the whole Creations day
To change in Scenes. and show it in a Play.
Pardon me, Mighty Poet, nor despise
My causeless, yet not impious, surmise.
But I am now convinc'd, and none will dare
Within thy Labours to pretend a share,
Thou hast not miss'd one thought that could be fit,
And all that was improper dost omit:
So that no room is here for Writers left,
But to detect their Ignorance or Theft.
That Majesty which through thy Work doth Reign
Draws the Devout, deterring the Profane,
And things divine thou treatst of in such state
As them preserves, and thee, inviolate.
At once delight and horrour on us seise,
Thou singst with so much gravity and ease;
And above humane flight dost soar aloft
With Plume so strong, so equal, and so soft.
The Bird nam'd from that Paradise you sing
So never flaggs, but always keeps on Wing.
Where couldst thou words of such a compass find?
Whence furnish such a vast expence of mind?
Just Heav'n thee like Tiresias to requite
Rewards with Prophesie thy loss of sight.
Well mightst thou scorn thy Readers to allure
With tinkling Rhime, of thy own sense secure;
While the Town-Bayes writes all the while and spells,
And like a Pack-horse tires without his Bells:
Their Fancies like our Bushy-points appear,
The Poets tag them, we for fashion wear.
I too transported by the Mode offend,
And while I meant to Praise thee must Commend.
Thy Verse created like thy Theme sublime,
In Number, Weight, and Measure, needs not Rhime.
A.M.
Martin
by Alfred Joyce Kilmer (Joyce)

When I am tired of earnest men,
Intense and keen and sharp and clever,
Pursuing fame with brush or pen
Or counting metal disks forever,
Then from the halls of Shadowland
Beyond the trackless purple sea
Old Martin's ghost comes back to stand
Beside my desk and talk to me.
Still on his delicate pale face
A quizzical thin smile is showing,
His cheeks are wrinkled like fine lace,
His kind blue eyes are gay and glowing.
He wears a brilliant-hued cravat,
A suit to match his soft grey hair,
A rakish stick, a knowing hat,
A manner blithe and debonair.
How good that he who always knew
That being lovely was a duty,
Should have gold halls to wander through
And should himself inhabit beauty.
How like his old unselfish way
To leave those halls of splendid mirth
And comfort those condemned to stay
Upon the dull and sombre earth.
Some people ask:    "What cruel chance
Made Martin's life so sad a story?"
Martin?    Why, he exhaled romance,
And wore an overcoat of glory.
A fleck of sunlight in the street,
A horse, a book, a girl who smiled,
Such visions made each moment sweet
For this receptive ancient child.
Because it was old Martin's lot
To be, not make, a decoration,
Shall we then scorn him, having not
His genius of appreciation?
Rich joy and love he got and gave;
His heart was merry as his dress;
Pile laurel wreaths upon his grave
Who did not gain, but was, success!
L'Amour Du Mensonge. Translations. After Charles Baudelaire.
by John Milton Hay

When I behold thee, O my indolent love,
To the sound of ringing brazen melodies,
Through garish halls harmoniously move,
Scattering a scornful light from languid eyes;
When I see, smitten by the blazing lights,
Thy pale front, beauteous in its bloodless glow
As the faint fires that deck the Northern nights,
And eyes that draw me wheresoe'er I go;
I say, She is fair, too coldly strange for speech;
A crown of memories, her calm brow above,
Shines; and her heart is like a bruised red peach,
Ripe as her body for intelligent love.
Art thou late fruit of spicy savour and scent?
A funeral vase awaiting tearful showers?
An Eastern odour, waste and oasis blent?
A silken cushion or a bank of flowers?
I know there are eyes of melancholy sheen
To which no passionate secrets e'er were given;
Shrines where no god or saint has ever been,
As deep and empty as the vault of Heaven.
But what care I if this be all pretence?
'Twill serve a heart that seeks for truth no more.
All one thy folly or indifference, -
Hail, lovely mask, thy beauty I adore!
Lines to a Portrait, by a Superior Person
by Bret Harte (Francis)

When I bought you for a song,
Years ago Lord knows how long!
I was struck I may be wrong
By your features,
And a something in your air
That I couldn't quite compare
To my other plain or fair
Fellow creatures.
In your simple, oval frame
You were not well known to fame,
But to me 'twas all the same
Whoe'er drew you;
For your face I can't forget,
Though I oftentimes regret
That, somehow, I never yet
Saw quite through you.
Yet each morning, when I rise,
I go first to greet your eyes;
And, in turn, you scrutinize
My presentment.
And when shades of evening fall,
As you hang upon my wall,
You're the last thing I recall
With contentment.
It is weakness, yet I know
That I never turned to go
Anywhere, for weal or woe,
But I lingered
For one parting, thrilling flash
From your eyes, to give that dash
To the curl of my mustache,
That I fingered.
If to some you may seem plain,
And when people glance again
Where you hang, their lips refrain.
From confession;
Yet they turn in stealth aside,
And I note, they try to hide
How much they are satisfied
In expression.
Other faces I have seen;
Other forms have come between;
Other things I have, I ween,
Done and dared for!
But our ties they cannot sever,
And, though I should say it never,
You're the only one I ever
Really cared for!
And you'll still be hanging there
When we're both the worse for wear,
And the silver's on my hair
And off your backing;
Yet my faith shall never pass
In my dear old shaving-glass,
Till my face and yours, alas!
Both are lacking!
The Sonnets XV - When I consider every thing that grows
by William Shakespeare

When I consider every thing that grows
Holds in perfection but a little moment,
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and checked even by the self-same sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with decay
To change your day of youth to sullied night,
And all in war with Time for love of you,
As he takes from you, I engraft you new.
To M. S. G. [1]
by George Gordon Byron

1.
When I dream that you love me, you'll surely forgive;
Extend not your anger to sleep;
For in visions alone your affection can live, - 
I rise, and it leaves me to weep.
2.
Then, Morpheus! envelop my faculties fast,
Shed o'er me your languor benign;
Should the dream of to-night but resemble the last,
What rapture celestial is mine!
3.
They tell us that slumber, the sister of death,
Mortality's emblem is given;
To fate how I long to resign my frail breath,
If this be a foretaste of Heaven!
4.
Ah! frown not, sweet Lady, unbend your soft brow,
Nor deem me too happy in this;
If I sin in my dream, I atone for it now,
Thus doom'd, but to gaze upon bliss.
5.
Though in visions, sweet Lady, perhaps you may smile,
Oh! think not my penance deficient!
When dreams of your presence my slumbers beguile,
To awake, will be torture sufficient.
Myth And Romance
by Madison Julius Cawein

I
When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:--
Perhaps a Dryad, in whose tresses cling
The loamy odors of old solitudes,
Who, from her beechen doorway, calls; and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds;
While here and there--is it her limbs that swing?
Or restless sunlight on the moss and weeds?
II
Or, haply, 't is a Naiad now who slips,
Like some white lily, from her fountain's glass,
While from her dripping hair and breasts and hips,
The moisture rains cool music on the grass.
Her have I heard and followed, yet, alas!
Have seen no more than the wet ray that dips
The shivered waters, wrinkling where I pass;
But, in the liquid light, where she doth hide,
I have beheld the azure of her gaze
Smiling; and, where the orbing ripple plays,
Among her minnows I have heard her lips,
Bubbling, make merry by the waterside.
III
Or now it is an Oread--whose eyes
Are constellated dusk--who stands confessed,
As naked as a flow'r; her heart's surprise,
Like morning's rose, mantling her brow and breast:
She, shrinking from my presence, all distressed
Stands for a startled moment ere she flies,
Her deep hair blowing, up the mountain crest,
Wild as a mist that trails along the dawn.
And is't her footfalls lure me? or the sound
Of airs that stir the crisp leaf on the ground?
And is't her body glimmers on yon rise?
Or dog-wood blossoms snowing on the lawn?
IV
Now't is a Satyr piping serenades
On a slim reed. Now Pan and Faun advance
Beneath green-hollowed roofs of forest glades,
Their feet gone mad with music: now, perchance,
Sylvanus sleeping, on whose leafy trance
The Nymphs stand gazing in dim ambuscades
Of sun-embodied perfume.--Myth, Romance,
Where'er I turn, reach out bewildering arms,
Compelling me to follow. Day and night
I hear their voices and behold the light
Of their divinity that still evades,
And still allures me in a thousand forms.
Odes Of Anacreon - Ode LIII.
by Thomas Moore

When I behold the festive train
Of dancing youth, I'm young again!
Memory wakes her magic trance,
And wings me lightly through the dance.
Come, Cybeba, smiling maid!
Cull the flower and twine the braid;
Bid the blush of summer's rose
Burn upon my forehead's snows;
And let me, while the wild and young
Trip the mazy dance along,
Fling my heap of years away,
And be as wild, as young as they.
Hither haste, some cordial, soul!
Help to my lips the brimming bowl;
And you shall see this hoary sage
Forget at once his locks and age.
He still can chant the festive hymn,
He still can kiss the goblet's brim;[1]
As deeply quaff, as largely fill,
And play the fool right nobly still.
When I Go Home
by John Charles McNeill

When I go home, green, green will glow the grass,
Whereon the flight of sun and cloud will pass;
Long lines of wood-ducks through the deepening gloam
Will hold above the west, as wrought on brass,
And fragrant furrows will have delved the loam,
When I go home.
When I go home, the dogwood stars will dash
The solemn woods above the bearded ash,
The yellow-jasmine, whence its vine hath clomb,
Will blaze the valleys with its golden flash,
And every orchard flaunt its polychrome,
When I go home.
When I go home and stroll about the farm,
The thicket and the barnyard will be warm.
Jess will be there, and Nigger Bill, and Tom--
On whom time's chisel works no hint of harm--
And, oh, 'twill be a day to rest and roam,
When I go home!
The Answer
by Sara Teasdale

When I go back to earth
And all my joyous body
Puts off the red and white
That once had been so proud,
If men should pass above
With false and feeble pity,
My dust will find a voice
To answer them aloud:
"Be still, I am content,
Take back your poor compassion
Joy was a flame in me
Too steady to destroy.
Lithe as a bending reed
Loving the storm that sways her
I found more joy in sorrow
Than you could find in joy."
Art Above Nature: To Julia
by Robert Herrick

When I behold a forest spread
With silken trees upon thy head;
And when I see that other dress
Of flowers set in comeliness;
When I behold another grace
In the ascent of curious lace,
Which, like a pinnacle, doth shew
The top, and the top-gallant too;
Then, when I see thy tresses bound
Into an oval, square, or round,
And knit in knots far more than I.
Can tell by tongue, or True-love tie;
Next, when those lawny films I see
Play with a wild civility;
And all those airy silks to flow,
Alluring me, and tempting so,
I must confess, mine eye and heart
Dotes less on nature than on art.
Resignation.
by Bliss Carman (William)

When I am only fit to go to bed,
Or hobble out to sit within the sun,
Ring down the curtain, say the play is done,
And the last petals of the poppy shed!
I do not want to live when I am old,
I have no use for things I cannot love;
And when the day that I am talking of
(Which God forfend!) is come, it will be cold.
But if there is another place than this,
Where all the men will greet me as "Old Man,"
And all the women wrap me in a smile,
Where money is more useless than a kiss,
And good wine is not put beneath the ban,
I will go there and stay a little while.
Convalescence
by Victoria Mary Sackville-West

When I am in the Orient once again,
And turn into the gay and squalid street,
One side in the shadow, one in vivid heat,
The thought of England, fresh beneath the rain,
Will rise unbidden as a gently pain.
The lonely hours of illness, as they beat
Crawling through days with slow laborious feet,
And I lay gazing through the leaded pane,
Idle, and listened to the swallows' cry
After the flitting insect swiftly caught,
Those all-too-leisured hours as they went by,
Stamped as their heritage upon my thought
The memory of a square of summer sky
Jagged by the gables of a Gothic court.
To Margot
by Walter De La Mare

When I go free,
I think 'twill be
A night of stars and snow,
And the wild fires of frost shall light
My footsteps as I go;
Nobody - nobody will be there
With groping touch, or sight,
To see me in my bush of hair
Dance burning through the night.
The Clay
by John Le Gay Brereton

When I cast my slough of clay
Put it quietly away.
Let no bloom untimely fade
Where my empty heart is laid.
Ask no folk to crowd around
With an air of woe profound.
Those who love me know that I
Cannot in a coffin lie.
Let them go where'er they will,
Dreaming of me living still.
Let no formal words be said
Customary for the dead.
Plant no stone above the pit:
Let the grass run over it.
Richard Bone
by Edgar Lee Masters

When I first came to Spoon River
I did not know whether what they told me
Was true or false.
They would bring me the epitaph
And stand around the shop while I worked
And say "He was so kind," "He was so wonderful,"
"She was the sweetest woman," "He was a consistent Christian."
And I chiseled for them whatever they wished,
All in ignorance of the truth.
But later, as I lived among the people here,
I knew how near to the life
Were the epitaphs that were ordered for them as they died.
But still I chiseled whatever they paid me to chisel
And made myself party to the false chronicles
Of the stones,
Even as the historian does who writes
Without knowing the truth,
Or because he is influenced to hide it.
To The Nightingale And Robin Redbreast.
by Robert Herrick

When I departed am, ring thou my knell,
Thou pitiful and pretty Philomel:
And when I'm laid out for a corse, then be
Thou sexton, redbreast, for to cover me.
One Ralph Blossom Soliloquizes
by Thomas Hardy

When I am in hell or some such place,
A-groaning over my sorry case,
What will those seven women say to me
Who, when I coaxed them, answered "Aye" to me?
"I did not understand your sign!"
Will be the words of Caroline;
While Jane will cry, "If I'd had proof of you,
I should have learnt to hold aloof of you!"
"I won't reproach: it was to be!"
Will dryly murmur Cicely;
And Rosa: "I feel no hostility,
For I must own I lent facility."
Lizzy says: "Sharp was my regret,
And sometimes it is now! But yet
I joy that, though it brought notoriousness,
I knew Love once and all its gloriousness!"
Says Patience: "Why are we apart?
Small harm did you, my poor Sweet Heart!
A manchild born, now tall and beautiful,
Was worth the ache of days undutiful."
And Anne cries: "O the time was fair,
So wherefore should you burn down there?
There is a deed under the sun, my Love,
And that was ours. What's done is done, my Love.
These trumpets here in Heaven are dumb to me
With you away. Dear, come, O come to me!"
The Sonnets XII - When I do count the clock that tells the time
by William Shakespeare

When I do count the clock that tells the time,
And see the brave day sunk in hideous night;
When I behold the violet past prime,
And sable curls, all silvered o'er with white;
When lofty trees I see barren of leaves,
Which erst from heat did canopy the herd,
And summer's green all girded up in sheaves,
Borne on the bier with white and bristly beard,
Then of thy beauty do I question make,
That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake
And die as fast as they see others grow;
And nothing 'gainst Time's scythe can make defence
Save breed, to brave him when he takes thee hence.
To His Closet-Gods.
by Robert Herrick

When I go hence, ye Closet-Gods, I fear
Never again to have ingression here
Where I have had whatever thing could be
Pleasant and precious to my muse and me.
Besides rare sweets, I had a book which none
Could read the intext but myself alone.
About the cover of this book there went
A curious-comely clean compartlement,
And, in the midst, to grace it more, was set
A blushing, pretty, peeping rubelet.
But now 'tis closed; and being shut and seal'd,
Be it, O be it, never more reveal'd!
Keep here still, Closet-Gods, 'fore whom I've set
Oblations oft of sweetest marmelet.
When I First Put This Uniform On.
by William Schwenck Gilbert

When I first put this uniform on,
I said as I looked in the glass.
"It's one to a million
That any civilian
My figure and form will surpass.
Gold lace has a charm for the fair,
And I've plenty of that, and to spare,
While a lover's professions,
When uttered in Hessians,
Are eloquent everywhere!
A fact that I counted upon,
When I first put this uniform on!"
I said, when I first put it on,
"It is plain to the veriest dunce
That every beauty
Will feel it her duty
To yield to its glamor at once.
They will see that I'm freely gold-laced
In a uniform handsome and chaste 
But the peripatetics
Of long-haired 'sthetics,
Are very much more to their taste 
Which I never counted upon
When I first put this uniform on!"