DanFosing/public-domain-poetry huggingface dataset:
Little Mack
by Eugene Field

This talk about the journalists that run the East is bosh,
We've got a Western editor that's little, but, O gosh!
He lives here in Mizzoora where the people are so set
In ante-bellum notions that they vote for Jackson yet;
But the paper he is running makes the rusty fossils swear,--
The smartest, likeliest paper that is printed anywhere!
And, best of all, the paragraphs are pointed as a tack,
And that's because they emanate
From little Mack.
In architecture he is what you'd call a chunky man,
As if he'd been constructed on the summer cottage plan;
He has a nose like Bonaparte; and round his mobile mouth
Lies all the sensuous languor of the children of the South;
His dealings with reporters who affect a weekly bust
Have given to his violet eyes a shadow of distrust;
In glorious abandon his brown hair wanders back
From the grand Websterian forehead
Of little Mack.
No matter what the item is, if there's an item in it,
You bet your life he's on to it and nips it in a minute!
From multifarious nations, countries, monarchies, and lands,
From Afric's sunny fountains and India's coral strands,
From Greenland's icy mountains and Siloam's shady rills,
He gathers in his telegrams, and Houser pays the bills;
What though there be a dearth of news, he has a happy knack
Of scraping up a lot of scoops,
Does little Mack.
And learning? Well he knows the folks of every tribe and age
That ever played a part upon this fleeting human stage;
His intellectual system's so extensive and so greedy
That, when it comes to records, he's a walkin' cyclopedy;
For having studied (and digested) all the books a-goin',
It stands to reason he must know about all's worth a-knowin'!
So when a politician with a record's on the track,
We're apt to hear some history
From little Mack.
And when a fellow-journalist is broke and needs a twenty,
Who's allus ready to whack up a portion of his plenty?
Who's allus got a wallet that's as full of sordid gain
As his heart is full of kindness and his head is full of brain?
Whose bowels of compassion will in-va-ri-a-bly move
Their owner to those courtesies which plainly, surely prove
That he's the kind of person that never does go back
On a fellow that's in trouble?
Why, little Mack!
I've heard 'em tell of Dana, and of Bonner, and of Reid,
Of Johnnie Cockerill, who, I'll own, is very smart indeed;
Yet I don't care what their renown or influence may be,
One metropolitan exchange is quite enough for me!
So keep your Danas, Bonners, Reids, your Cockerills, and the rest,
The woods is full of better men all through this woolly West;
For all that sleek, pretentious, Eastern editorial pack
We wouldn't swap the shadow of
Our little Mack!
For The Consecration Of A Cemetery.
by Horatio Alger, Jr.

This verdant field that smiles to Heaven
In Nature's bright array,
From common uses set apart,
We consecrate to-day.
"God's Acre" be it fitly called,
For when, beneath the sod,
We lay the dead with reverent hands,
We yield them back to God.
And His great love, so freely given,
Shall speak in clearer tones,
When, pacing through these hallowed walks,
We read memorial stones.
Here let the sunshine softly fall,
And gently drop the rain,
And Nature's countless harmonies
Blend one accordant strain;
That they who seek this sacred place,
In mourning solitude,
In all this gracious company
May have their faith renewed.
So, lifted to serener heights,
And purified from dross,
Their trustful hearts shall rest on God,
And profit by their loss.
Poets And Critics
by Alfred Lord Tennyson

This thing, that thing is the rage,
Helter-skelter runs the age;
Minds on this round earth of ours
Vary like the leaves and flowers,
Fashion'd after certain laws;
Sing thou low or loud or sweet,
All at all points thou canst not meet,
Some will pass and some will pause.
What is true at last will tell:
Few at first will place thee well;
Some too low would have thee shine,
Some too high'no fault of thine'
Hold thine own, and work thy will!
Year will graze the heel of year,
But seldom comes the poet here,
And the Critic's rarer still.
The Leaf
by Duncan Campbell Scott

This silver-edged geranium leaf
Is one sign of a bitter grief
Whose symbols are a myriad more;
They cluster round a carven stone
Where she who sleeps is never alone
For two hearts at the core,
Bound with her heart make one of three,
A trinity in unity,
One sentient heart that grieves;
And myriad dark-leaved memories keep
Vigil above the triune sleep, - 
Edged all with silver are the leaves.
The Old Tune - Thirty-Sixth Variation
by Oliver Wendell Holmes

This shred of song you bid me bring
Is snatched from fancy's embers;
Ah, when the lips forget to sing,
The faithful heart remembers!
Too swift the wings of envious Time
To wait for dallying phrases,
Or woven strands of labored rhyme
To thread their cunning mazes.
A word, a sigh, and lo, how plain
Its magic breath discloses
Our life's long vista through a lane
Of threescore summers' roses!
One language years alone can teach
Its roots are young affections
That feel their way to simplest speech
Through silent recollections.
That tongue is ours. How few the words
We need to know a brother!
As simple are the notes of birds,
Yet well they know each other.
This freezing month of ice and snow
That brings our lives together
Lends to our year a living glow
That warms its wintry weather.
So let us meet as eve draws nigh,
And life matures and mellows,
Till Nature whispers with a sigh,
"Good-night, my dear old fellows!"
Epitaph On Thomas Parnell
by Oliver Goldsmith

This tomb, inscrib'd to gentle Parnell's name,
May speak our gratitude, but not his fame.
What heart but feels his sweetly-moral lay,
That leads to truth through pleasure's flowery way!
Celestial themes confess'd his tuneful aid;
And Heaven, that lent him genius, was repaid.
Needless to him the tribute we bestow 
The transitory breath of fame below:
More lasting rapture from his works shall rise,
While Converts thank their poet in the skies.
An Epitaph On The Marchioness Of Winchester
by John Milton

This rich Marble doth enterr
The honour'd Wife of Winchester,
A Vicounts daughter, an Earls heir,
Besides what her vertues fair
Added to her noble birth,
More then she could own from Earth.
Summers three times eight save one
She had told, alas too soon,
After so short time of breath,
To house with darknes, and with death.
Yet had the number of her days
Bin as compleat as was her praise,
Nature and fate had had no strife
In giving limit to her life.
Her high birth, and her graces sweet,
Quickly found a lover meet;
The Virgin quire for her request
The God that sits at marriage feast;
He at their invoking came
But with a scarce-wel-lighted flame;
And in his Garland as he stood,
Ye might discern a Cipress bud.
Once had the early Matrons run
To greet her of a lovely son,
And now with second hope she goes,
And calls Lucina to her throws;
But whether by mischance or blame
Atropos for Lucina came;
And with remorsles cruelty,
Spoil'd at once both fruit and tree:
The haples Babe before his birth
Had burial, yet not laid in earth,
And the languisht Mothers Womb
Was not long a living Tomb.
So have I seen som tender slip
Sav'd with care from Winters nip,
The pride of her carnation train,
Pluck't up by som unheedy swain,
Who onely thought to crop the flowr
New shot up from vernall showr;
But the fair blossom hangs the head
Side-ways as on a dying bed,
And those Pearls of dew she wears,
Prove to be presaging tears
Which the sad morn had let fall
On her hast'ning funerall.
Gentle Lady may thy grave
Peace and quiet ever have;
After this thy travail sore
Sweet rest sease thee evermore,
That to give the world encrease,
Shortned hast thy own lives lease;
Here besides the sorrowing
That thy noble House doth bring,
Here be tears of perfect moan
Weept for thee in Helicon,
And som Flowers, and som Bays,
For thy Hears to strew the ways,
Sent thee from the banks of Came,
Devoted to thy vertuous name;
Whilst thou bright Saint high sit'st in glory,
Next her much like to thee in story,
That fair Syrian Shepherdess,
Who after yeers of barrennes,
The highly favour'd Joseph bore
To him that serv'd for her before,
And at her next birth much like thee,
Through pangs fled to felicity,
Far within the boosom bright
of blazing Majesty and Light,
There with thee, new welcom Saint,
Like fortunes may her soul acquaint,
With thee there clad in radiant sheen,
No Marchioness, but now a Queen.
The Enkindled Spring
by D. H. Lawrence (David Herbert Richards)

This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.
The Lapse
by Paul Laurence Dunbar

This poem must be done to-day;
Then, I 'll e'en to it.
I must not dream my time away,--
I 'm sure to rue it.
The day is rather bright, I know
The Muse will pardon
My half-defection, if I go
Into the garden.
It must be better working there,--
I 'm sure it's sweeter:
And something in the balmy air
May clear my metre.
[In the Garden.]
Ah this is noble, what a sky!
What breezes blowing!
The very clouds, I know not why,
Call one to rowing.
The stream will be a paradise
To-day, I 'll warrant.
I know the tide that's on the rise
Will seem a torrent;
I know just how the leafy boughs
Are all a-quiver;
I know how many skiffs and scows
Are on the river.
I think I 'll just go out awhile
Before I write it;
When Nature shows us such a smile,
We should n't slight it.
For Nature always makes desire
By giving pleasure;
And so 't will help me put more fire
Into my measure.
[On the River.]
The river's fine, I 'm glad I came,
That poem 's teasing;
But health is better far than fame,
Though cheques are pleasing.
I don't know what I did it for,--
This air 's a poppy.
I 'm sorry for my editor,--
He 'll get no copy!
Stanzas To A Lady, With The Poems Of Camoens. [1]
by George Gordon Byron

1.
This votive pledge of fond esteem,
Perhaps, dear girl! for me thou'lt prize;
It sings of Love's enchanting dream,
A theme we never can despise.
2.
Who blames it but the envious fool,
The old and disappointed maid?
Or pupil of the prudish school,
In single sorrow doom'd to fade?
3.
Then read, dear Girl! with feeling read,
For thou wilt ne'er be one of those;
To thee, in vain, I shall not plead
In pity for the Poet's woes.
4.
He was, in sooth, a genuine Bard;
His was no faint, fictitious flame:
Like his, may Love be thy reward,
But not thy hapless fate the same.
Scottish Poets.
by James McIntyre

The following ode was read by the author at the Centennial Anniversary of Burns in the year 1859.
This night shall never be forgot
For humble life none now despise,
Since Burns was born in lowly cot
Whose muses wing soars to the skies.
'Round Scotia's brow he wove a wreath
And raised her name in classic story
A deathless fame he did bequeath,
His country's pride, his country's glory.
He sang her hills, he sang her dales,
Of Bonnie Doon and Banks of Ayr,
Of death and Hornbook and such tales
As Tam O'Shanter and his mare.
He bravely taught that manly worth
More precious is than finest gold,
He reckoned not on noble birth,
But noble deeds alone extolled.
Where will we find behind the plow
Or in the harvest field at toil
Another youth, sweet bard, like thou,
Could draw the tear or raise the smile.
We do not think 'twas Burns' fault,
For there were no teetotalers then,
That Willie brewed a peck of malt
And Robin preed like other men.
'Tis true he loved the lasses dear,
But who for this would loudly blame,
For Scotia's maids his heart did cheer
And love is a true heavenly flame.
So here we've met in distant land
Poor honest Robin to extol,
Though oft we differ let us stand
United now in Ingersoll.
Nursery Rhyme. CCCXLII. Games.
by Unknown

1. This pig went to the barn.
2. This eat all the corn.
3. This said he would tell.
4. This said he wasn't well.
5. This went week, week, week, over the door sill.
A Nameless Epitaph
by Matthew Arnold

This sentence have I left behind:
An aching body, and a mind
Not wholly clear, nor wholly blind,
Too keen to rest, too weak to find,
That travails sore, and brings forth wind,
Are God's worst portion to mankind.
Another
Ask not my name, O friend!
That Being only, which hath known each man
From the beginning, can
Remember each unto the end
Pan
by James Whitcomb Riley

This Pan is but an idle god, I guess,
Since all the fair midsummer of my dreams
He loiters listlessly by woody streams,
Soaking the lush glooms up with laziness;
Or drowsing while the maiden-winds caress
Him prankishly, and powder him with gleams
Of sifted sunshine. And he ever seems
Drugged with a joy unutterable - unless
His low pipes whistle hints of it far out
Across the ripples to the dragon-fly
That like a wind-born blossom blown about,
Drops quiveringly down, as though to die -
Then lifts and wavers on, as if in doubt
Whether to fan his wings or fly without.
Age
by Walter De La Mare

This ugly old crone - 
Every beauty she had
When a maid, when a maid.
Her beautiful eyes,
Too youthful, too wise,
Seemed ever to come
To so lightless a home,
Cold and dull as a stone.
And her cheeks - who would guess
Cheeks cadaverous as this
Once with colours were gay
As the flower on its spray?
Who would ever believe
Aught could bring one to grieve
So much as to make
Lips bent for love's sake
So thin and so grey?
O Youth, come away!
As she asks in her lone,
This old, desolate crone.
She loves us no more;
She is too old to care
For the charms that of yore
Made her body so fair.
Past repining, past care,
She lives but to bear
One or two fleeting years
Earth's indifference: her tears
Have lost now their heat;
Her hands and her feet
Now shake but to be
Shed as leaves from a tree;
And her poor heart beats on
Like a sea - the storm gone.
Astrophel and Stella - Sonnet XXXVIII
by Philip Sidney (Sir)

This night, while sleepe begins with heauy wings
To hatch mine eyes, and that vnbitted thought
Doth fall to stray, and my chief powres are brought
To leaue the scepter of all subiect things;
The first that straight my fancys errour brings
Vnto my mind is Stellas image, wrought
By Loues own selfe, but with so curious drought
That she, methinks, not onley shines but sings.
I start, look, hearke: but in what closde-vp sence
Was held, in opend sense it flies away,
Leauing me nought but wayling eloquence.
I, seeing better sights in sights decay,
Cald it anew, and wooed Sleepe again;
But him, her host, that vnkind guest had slain.
Sonnets Upon The Punishment Of Death - In Series, 1839 - I. - Suggested By The View Of Lancaster Castle (On The Road From The South)
by William Wordsworth

This Spot, at once unfolding sight so fair
Of sea and land, with yon grey towers that still
Rise up as if to lord it over air
Might soothe in human breasts the sense of ill,
Or charm it out of memory; yea, might fill
The heart with joy and gratitude to God
For all his bounties upon man bestowed:
Why bears it then the name of "Weeping Hill"?
Thousands, as toward yon old Lancastrian Towers,
A prison's crown, along this way they past
For lingering durance or quick death with shame,
From this bare eminence thereon have cast
Their first look blinded as tears fell in showers
Shed on their chains; and hence that doleful name.
Inscription for a Fountain on a Heath
by Samuel Taylor Coleridge

This Sycamore, oft musical with bees,
Such tents the Patriarchs loved! O long unharmed
May all its ag'd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
How The Rhinoceros Got His Skin
by Rudyard Kipling

This Uninhabited Island
Is near Cape Gardafui;
But it's hot, too hot, of Suez
For the likes of you and me
Ever to go in a P. & O.
To call on the Cake Parsee.
Nursery Rhyme. CCCXL. Games.
by Unknown

This pig went to market,
Squeak mouse, mouse, mousey;
Shoe, shoe, shoe the wild colt,
And here's my own doll, Dowsy.
Nursery Rhyme. CCCXVIII. Games.
by Unknown

[A song set to five fingers.]
1. This pig went to market;
2. This pig staid at home;
3. This pig had a bit of meat;
4. And this pig had none;
5. This pig said, Wee, wee, wee! I can't find my way home.
With A Golden Necklace.
by Johann Wolfgang von Goethe

This page a chain to bring thee burns,
That, train'd to suppleness of old,
On thy fair neck to nestle, yearns,
In many a hundred little fold.
To please the silly thing consent!
'Tis harmless, and from boldness free;
By day a trifling ornament,
At night 'tis cast aside by thee.
But if the chain they bring thee ever,
Heavier, more fraught with weal or woe,
I'd then, Lisette, reproach thee never
If thou shouldst greater scruples show.
Good-Bye, And Keep Cold
by Robert Lee Frost

This saying good-bye on the edge of the dark
And cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.
I don't want it girdled by rabbit and mouse,
I don't want it dreamily nibbled for browse
By deer, and I don't want it budded by grouse.
(If certain it wouldn't be idle to call
I'd summon grouse, rabbit, and deer to the wall
And warn them away with a stick for a gun.)
I don't want it stirred by the heat of the sun.
(We made it secure against being, I hope,
By setting it out on a northerly slope.)
No orchard's the worse for the wintriest storm;
But one thing about it, it mustn't get warm.
"How often already you've had to be told,
Keep cold, young orchard. Good-bye and keep cold.
Dread fifty above more than fifty below."
I have to be gone for a season or so.
My business awhile is with different trees,
Less carefully nourished, less fruitful than these,
And such as is done to their wood with an axe 
Maples and birches and tamaracks.
I wish I could promise to lie in the night
And think of an orchard's arboreal plight
When slowly (and nobody comes with a light)
Its heart sinks lower under the sod.
But something has to be left to God.
Alone One Night
by Edward Powys Mathers (As Translator)

This night,
Long like the drooping feathers
Of the pheasant,
The chain of mountains,
Shall I sleep alone?
From the Japanese of Kaik-no Motto-no Hitomaro (seventh and eighth centuries).
Flower-Salute.
by Johann Wolfgang von Goethe

This nosegay, 'twas I dress'd it, 
Greets thee a thousand times!
Oft stoop'd I, and caress'd it,
Ah! full a thousand times,
And 'gainst my bosom press'd it
A hundred thousand times!
Upon The Lady Crew.
by Robert Herrick

This stone can tell the story of my life,
What was my birth, to whom I was a wife:
In teeming years, how soon my sun was set.
Where now I rest, these may be known by jet.
For other things, my many children be
The best and truest chronicles of me.
The Statue Of Liberty
by Thomas Hardy

This statue of Liberty, busy man,
Here erect in the city square,
I have watched while your scrubbings, this early morning,
Strangely wistful,
And half tristful,
Have turned her from foul to fair;
With your bucket of water, and mop, and brush,
Bringing her out of the grime
That has smeared her during the smokes of winter
With such glumness
In her dumbness,
And aged her before her time.
You have washed her down with motherly care -
Head, shoulders, arm, and foot,
To the very hem of the robes that drape her -
All expertly
And alertly,
Till a long stream, black with soot,
Flows over the pavement to the road,
And her shape looms pure as snow:
I read you are hired by the City guardians -
May be yearly,
Or once merely -
To treat the statues so?
"Oh, I'm not hired by the Councilmen
To cleanse the statues here.
I do this one as a self-willed duty,
Not as paid to,
Or at all made to,
But because the doing is dear."
Ah, then I hail you brother and friend!
Liberty's knight divine.
What you have done would have been my doing,
Yea, most verily,
Well, and thoroughly,
Had but your courage been mine!
"Oh I care not for Liberty's mould,
Liberty charms not me;
What's Freedom but an idler's vision,
Vain, pernicious,
Often vicious,
Of things that cannot be!
"Memory it is that brings me to this -
Of a daughter - my one sweet own.
She grew a famous carver's model,
One of the fairest
And of the rarest:-
She sat for the figure as shown.
"But alas, she died in this distant place
Before I was warned to betake
Myself to her side! . . . And in love of my darling,
In love of the fame of her,
And the good name of her,
I do this for her sake."
Answer I gave not. Of that form
The carver was I at his side;
His child, my model, held so saintly,
Grand in feature,
Gross in nature,
In the dens of vice had died.
Harmonics
by William Vaughn Moody

This string upon my harp was best beloved:
I thought I knew its secrets through and through;
Till an old man, whose young eyes lightened blue
'Neath his white hair, bent over me and moved
His fingers up and down, and broke the wire
To such a laddered music, rung on rung,
As from the patriarch's pillow skyward sprung
Crowded with wide-flung wings and feet of fire.
O vibrant heart! so metely tuned and strung
That any untaught hand can draw from thee
One clear gold note that makes the tired years young--
What of the time when Love had whispered me
Where slept thy nodes, and my hand pausefully
Gave to the dim harmonics voice and tongue?
Tho' Lightly Sounds The Song I Sing. A Song Of The Alps.
by Thomas Moore

Tho' lightly sounds the song I sing to thee,
Tho' like the lark's its soaring music be,
Thou'lt find even here some mournful note that tells
How near such April joy to weeping dwells.
'Tis 'mong the gayest scenes that oftenest steal
Those saddening thoughts we fear, yet love to feel;
And music never half so sweet appears,
As when her mirth forgets itself in tears.
Then say not thou this Alpine song is gay--
It comes from hearts that, like their mountain-lay,
Mix joy with pain, and oft when pleasure's breath
Most warms the surface feel most sad beneath.
The very beam in which the snow-wreath wears
Its gayest smile is that which wins its tears,--
And passion's power can never lend the glow
Which wakens bliss, without some touch of woe.