DanFosing/public-domain-poetry huggingface dataset:
Thirty Years After
by Robert Fuller Murray

Two old St. Andrews men, after a separation of nearly thirty years, meet by chance at a wayside inn.    They interchange experiences; and at length one of them, who is an admirer of Mr. Swinburne's Poems and Ballads, speaks as follows:
If you were now a bejant,
And I a first year man,
We'd grind and grub together
In every kind of weather,
When Winter's snows were regent,
Or when the Spring began;
If you were now a bejant,
And I a first year man.
If you were what you once were,
And I the same man still,
You'd be the gainer by it,
For you--you can't deny it--
A most uncommon dunce were;
My profit would be nil,
If you were what you once were,
And I the same man still.
If you were last in Latin,
And I were first in Greek,
I'd write your Latin proses,
While you indulged in dozes,
Or carved the bench you sat in,
So innocent and meek;
If you were last in Latin,
And I were first in Greek.
If I had got a prize, Jim,
And your certif. was bad,
And you were filled with sorrow
And brooding on the morrow,
I'd gently sympathise, Jim,
And bid you not be sad,
If I had got a prize, Jim,
And your certif. was bad.
If I were through in Moral,
And you were spun in Math.,
I'd break it to your parent,
When you confessed you daren't,
And so avert a quarrel
And smooth away his wrath;
If I were through in Moral,
And you were spun in Math.
My prospects rather shone, Jim,
And yours were rather dark,
And those who knew us both then
Would often take their oath then,
That you would not get on, Jim,
While I should make my mark;
My prospects rather shone, Jim,
And yours were rather dark.
Yet somehow you've made money,
And I am still obscure;
Your face is round and red, Jim,
While I look underfed, Jim;
The thing's extremely funny,
And beats me, I am sure,
Yet somehow you've made money,
And I am still obscure.
A Smuggler's Song
by Rudyard Kipling

If you wake at midnight, and hear a horse's feet,
Don't go drawing back the blind, or looking in the street.
Them that ask no questions isn't told a lie.
Watch the wall, my darling, while the Gentlemen go by!
Five and twenty ponies,
Trotting through the dark,
Brandy for the Parson,
'Baccy for the Clerk;
Laces for a lady, letters for a spy,
And watch the wall, my darling, while the Gentlemen go by!
Running round the woodlump if you chance to find
Little barrels, roped and tarred, all full of brandy-wine,
Don't you shout to come and look, nor use 'em for your play.
Put the brishwood back again, and they'll be gone next day!
If you see the stable-door setting open wide;
If you see a tired horse lying down inside;
If your mother mends a coat cut about and tore;
If the lining's wet and warm, don't you ask no more!
If you meet King George's men, dressed in blue and red,
You be carefull what you say, and mindful what is said.
If they call you "pretty maid," and chuck you 'neath the chin,
Don't you tell where no one is, nor yet where no one's been!
Knocks and footsteps round the house, whistles after dark,
You've no call for running out till the house-dogs bark.
Trusty's here, and Pincher's here, and see how dumb they lie,
They don't fret to follow when the Gentlemen go by!
If you do as you've been told, 'likely there's a chance,
You'll be given a dainty doll, all the way from France,
With a cap of Valenciennes, and a velvet hood,
A present from the Gentlemen, along o' being good!
Five and twenty ponies,
Trotting through the dark,
Brandy for the Parson,
'Baccy for the Clerk;
Them that asks no questions isn't told a lie,
Watch the wall, my darling, while the Gentlemen bo by!
Lines Written On The Sixth Of September.
by Thomas Gent

Ill-fated hour! oft as thy annual reign
Leads on th' autumnal tide, my pinion'd joys
Fade with the glories of the fading year;
"Remembrance wakes, with all her busy train,"
And bids affection heave the heart-drawn sigh
O'er the cold tomb, rich with the spoils of death,
And wet with many a tributary tear!
Eight times has each successive season sway'd
The fruitful sceptre of our milder clime
Since my loved----died! but why, ah! why
Should melancholy cloud my early years?
Religion spurns earth's visionary scene,
Philosophy revolts at misery's chain:
Just Heaven recall'd its own; the pilgrim call'd
From human woes: from sorrow's rankling worm--
Shall frailty then prevail?
Oh! be it mine
To curb the sigh which bursts o'er Heaven's decree;
To tread the path of rectitude--that when
Life's dying ray shall glimmer in the frame,
That latest breath I may in peace resign,
"Firm in the faith of seeing thee and God."
?????? ???? ??? ?????? (Greek Poems)
by Arthur Hugh Clough

If, when in cheerless wanderings, dull and cold,
A sense of human kindliness hath found us,
We seem to have around us
An atmosphere all gold,
'Midst darkest shades a halo rich of shine,
An element, that while the bleak wind bloweth,
On the rich heart bestoweth
Imbreathed draughts of wine;
Heaven guide, the cup be not, as chance may be,
To some vain mate given up as soon as tasted!
No, nor on thee be wasted,
Thou trifler, Poesy!
Heaven grant the manlier heart, that timely, ere
Youth fly, with life's real tempest would be coping:
The fruit of dreamy hoping
Is, waking, blank despair.
I Love But Thee.
by Thomas Moore

If, after all, you still will doubt and fear me,
And think this heart to other loves will stray,
If I must swear, then, lovely doubter, hear me;
By every dream I have when thou'rt away,
By every throb I feel when thou art near me,
I love but thee--I love but thee!
By those dark eyes, where light is ever playing,
Where Love in depth of shadow holds his throne,
And by those lips, which give whate'er thou'rt saying,
Or grave or gay, a music of its own,
A music far beyond all minstrel's playing,
I love but thee--I love but thee!
By that fair brow, where Innocence reposes,
As pure as moonlight sleeping upon snow,
And by that cheek, whose fleeting blush discloses
A hue too bright to bless this world below,
And only fit to dwell on Eden's roses,
I love but thee--I love but thee!
Jimmy Sago, Jackaroo
by Banjo Paterson (Andrew Barton)

(Air: 'Wearing of the Green.')
If you want a situation, I'll just tell you the plan
To get on to a station, I am just your very man.
Pack up the old portmanteau, and label it Paroo,
With a name aristocratic'Jimmy Sago, Jackaroo.
When you get on to the station, of small things you'll make a fuss,
And in speaking of the station, mind, it's we, and ours, and us.
Boast of your grand connections and your rich relations, too
And your own great expectations, Jimmy Sago, Jackaroo.
They will send you out on horseback, the boundaries to ride
But run down a marsupial and rob him of his hide,
His scalp will fetch a shilling and his hide another two,
Which will help to fill your pockets, Jimmy Sago, Jackaroo.
Yes, to fill your empty pockets, Jimmy Sago, Jackaroo.
When the boss wants information, on the men you'll do a sneak,
And don a paper collar on your fifteen bob a week.
Then at the lamb-marking a boss they'll make of you.
Now that's the way to get on, Jimmy Sago, Jackaroo.
A squatter in the future I've no doubt you may be,
But if the banks once get you, they'll put you up a tree.
To see you humping bluey, I know, would never do,
'Twould mean good-bye to our new chum, Jimmy Sago, Jackaroo.
Yes, good-bye to our new chum, Jimmy Sago, Jackaroo.
Sonnet LIX.
by Francesco Petrarca (Petrarch)

Se al principio risponde il fine e 'l mezzo.
IF HIS PASSION STILL INCREASE, HE MUST SOON DIE.
If, of this fourteenth year wherein I sigh,
The end and middle with its opening vie,
Nor air nor shade can give me now release,
I feel mine ardent passion so increase:
For Love, with whom my thought no medium knows,
Beneath whose yoke I never find repose,
So rules me through these eyes, on mine own ill
Too often turn'd, but half remains to kill.
Thus, day by day, I feel me sink apace,
And yet so secretly none else may trace,
Save she whose glances my fond bosom tear.
Scarcely till now this load of life I bear
Nor know how long with me will be her stay,
For death draws near, and hastens life away.
MACGREGOR.
From The Phi Beta Kappa Poem
by Ralph Waldo Emerson

Ill fits the abstemious Muse a crown to weave
For living brows; ill fits them to receive:
And yet, if virtue abrogate the law,
One portrait--fact or fancy--we may draw;
A form which Nature cast in the heroic mould
Of them who rescued liberty of old;
He, when the rising storm of party roared,
Brought his great forehead to the council board,
There, while hot heads perplexed with fears the state,
Calm as the morn the manly patriot sate;
Seemed, when at last his clarion accents broke,
As if the conscience of the country spoke.
Not on its base Monadnoc surer stood,
Than he to common sense and common good:
No mimic; from his breast his counsel drew,
Believed the eloquent was aye the true;
He bridged the gulf from th' alway good and wise
To that within the vision of small eyes.
Self-centred; when he launched the genuine word
It shook or captivated all who heard,
Ran from his mouth to mountains and the sea,
And burned in noble hearts proverb and prophecy.
Sonnet XCIV.
by Francesco Petrarca (Petrarch)

Se 'l sasso ond' ' pi' chiusa questa valle.
COULD HE BUT SEE THE HOUSE OF LAURA, HIS SIGHS MIGHT REACH HER MORE QUICKLY.
If, which our valley bars, this wall of stone,
From which its present name we closely trace,
Were by disdainful nature rased, and thrown
Its back to Babel and to Rome its face;
Then had my sighs a better pathway known
To where their hope is yet in life and grace:
They now go singly, yet my voice all own;
And, where I send, not one but finds its place.
There too, as I perceive, such welcome sweet
They ever find, that none returns again,
But still delightedly with her remain.
My grief is from the eyes, each morn to meet--
Not the fair scenes my soul so long'd to see--
Toil for my weary limbs and tears for me.
MACGREGOR.
Nursery Rhyme. CCCCLXVII. Love And Matrimony.
by Unknown

He.     If you with me will go, my love,
You shall see a pretty show, my love,
Let dame say what she will:
If you will have me, my love,
I will have thee, my love,
So let the milk-pail stand still.
She.    Since you have said so, my love,
Longer I will go, my love,
Let dame say what she will:
If you will have me, my love,
I will have thee, my love,
So let the milk-pail stand still.
Philadelphia
by Rudyard Kipling

If you're off to Philadelphia in the morning,
You mustn't take my stories for a guide.
There's little left, indeed, of the city you will read of,
And all the folk I write about have died.
Now few will understand if you mention Talleyrand,
Or remember what his cunning and his skill did;
And the cabmen at the wharf do not know Count Zinzendorf,
Nor the Church in Philadelphia he builded.
It is gone, gone, gone with lost Atlantis,
(Never say I didn't give you warning).
In Seventeen Ninety-three 'twas there for all to see,
But it's not in Philadelphia this morning.
If you're off to Philadelphia in the morning,
You mustn't go by anything I've said.
Bob Bicknell's Southern Stages have been laid aside for ages,
But the Limited will take you there instead.
Toby Hirte can't be seen at One Hundred and Eighteen
North Second Street, no matter when you call;
And I fear you'll search in vain for the wash-house down the lane
Where Pharaoh played the fiddle at the ball.
It is gone, gone, gone with Thebes the Golden,
(Never say I didn't give you warning).
In Seventeen Ninety-four 'twas a famous dancing floor,
But it's not in Philadelphia this morning.
If you're off to Philadelphia in the morning,
You must telegraph for rooms at some Hotel.
You needn't try your luck at Epply's or "The Buck,"
Though the Father of his Country liked them well.
It is not the slightest use to inquire for Adam Goos,
Or to ask where Pastor Meder has removed, so
You must treat as out of date the story I relate
Of the Church in Philadelphia he loved so.
He is gone, gone, gone with Martin Luther
(Never say I didn't give you warning)
In Seventeen Ninety-five he was, (rest his soul!) alive.
But he's not in Philadelphia this morning.
If you're off to Philadelphia this morning,
And wish to prove the truth of what I say,
I pledge my word you'll find the pleasant land behind
Unaltered since Red Jacket rode that way.
Still the pine-woods scent the noon; still the catbird sings his tune;
Still autumn sets the maple-forest blazing;
Still the grape-vine through the dusk flings her soul-compelling musk;
Still the fire-flies in the corn make night amazing!
They are there, there, there with Earth immortal
(Citizens, I give you friendly warning)..
The thins that truly last when men and times have passed,
They are all in Pennsylvania this morning!
Benjamin Bandicoot
by Banjo Paterson (Andrew Barton)

If you walk in the bush at night,
In the wonderful silence deep,
By the flickering lantern light
When the birds are all asleep
You may catch a sight of old Skinny-go-root,
Otherwise Benjamin Bandicoot.
With a snout that can delve and dig,
With claws that are strong as steel,
He roots like a pigmy pig
To get his evening meal,
For creeping creatures and worms and roots
Are highly relished by bandicoots.
Under the grass and the fern
He fashions his beaten track
With many a twist and turn
That wanders and doubles back,
And dogs that think they are most astute
Are baffled by Benjamin Bandicoot.
In the depth of the darkest night,
Without a star in the sky,
He'll come to look at a light,
And scientists wonder why:
If the bush is burning it's time to scoot
Is the notion of Benjamin Bandicoot.
The Cockatrice
by Oliver Herford

If you will listen to advice
You will avoid the Cockatrice--
A caution I need hardly say
Wholly superfluous to-day.
Yet had you lived when they were rife
Such warning might have saved your life.
To meet the Cockatrice's eye
Means certain death--and that is why
When I its features here portray
I make it look the other way.
O Cockatrice! were you so mean
What must the Henatrice have been!
Sonnet XLIX.
by Francesco Petrarca (Petrarch)

Se voi poteste per turbati segni.
HE ENTREATS LAURA NOT TO HATE THE HEART FROM WHICH SHE CAN NEVER BE ABSENT.
If, but by angry and disdainful sign,
By the averted head and downcast sight,
By readiness beyond thy sex for flight,
Deaf to all pure and worthy prayers of mine,
Thou canst, by these or other arts of thine,
'Scape from my breast--where Love on slip so slight
Grafts every day new boughs--of such despite
A fitting cause I then might well divine:
For gentle plant in arid soil to be
Seems little suited: so it better were,
And this e'en nature dictates, thence to stir.
But since thy destiny prohibits thee
Elsewhere to dwell, be this at least thy care
Not always to sojourn in hatred there.
MACGREGOR.
Janus
by George William Russell

Image of beauty, when I gaze on thee,
Trembling I waken to a mystery,
How through one door we go to life or death
By spirit kindled or the sensual breath.
Image of beauty, when my way I go;
No single joy or sorrow do I know:
Elate for freedom leaps the starry power,
The life which passes mourns its wasted hour.
And, ah, to think how thin the veil that lies
Between the pain of hell and paradise!
Where the cool grass my aching head embowers
God sings the lovely carol of the flowers.
Sonnet CLXXIII.
by Francesco Petrarca (Petrarch)

Rapido fiume che d' alpestra vena.
JOURNEYING ALONG THE RHONE TO AVIGNON, PETRARCH BIDS THE RIVER KISS LAURA'S HAND, AS IT WILL ARRIVE AT HER DWELLING BEFORE HIM.
Impetuous flood, that from the Alps' rude head,
Eating around thee, dost thy name obtain;[V]
Anxious like me both night and day to gain
Where thee pure nature, and me love doth lead;
Pour on: thy course nor sleep nor toils impede;
Yet, ere thou pay'st thy tribute to the main,
Oh, tarry where most verdant looks the plain,
Where most serenity the skies doth spread!
There beams my radiant sun of cheering ray,
Which deck thy left banks, and gems o'er with flowers;
E'en now, vain thought! perhaps she chides my stay:
Kiss then her feet, her hand so beauteous fair;
In place of language let thy kiss declare
Strong is my will, though feeble are my powers.
NOTT.
O rapid flood! which from thy mountain bed
Gnawest thy shores, whence (in my tongue) thy name;[V]
Thou art my partner, night and day the same,
Where I by love, thou art by nature led:
Precede me now; no weariness doth shed
Its spell o'er thee, no sleep thy course can tame;
Yet ere the ocean waves thy tribute claim,
Pause, where the herb and air seem brighter fed.
There beams our sun of life, whose genial ray
With brighter verdure thy left shore adorns;
Perchance (vain hope!) e'en now my stay she mourns.
Kiss then her foot, her lovely hand, and may
Thy kiss to her in place of language speak,
The spirit is willing, but the flesh is weak.
WOLLASTON.
Giffen's Debt
by Rudyard Kipling

Imprimus he was "broke." Thereafter left
His Regiment and, later, took to drink;
Then, having lost the balance of his friends,
"Went Fantee", joined the people of the land,
Turned three parts Mussulman and one Hindu,
And lived among the Gauri villagers,
Who gave him shelter and a wife or twain.
And boasted that a thorough, full-blood sahib
Had come among them. Thus he spent his time,
Deeply indebted to the village shroff
(Who never asked for payment), always drunk,
Unclean, abominable, out-at-heels;
Forgetting that he was an Englishman.
You know they dammed the Gauri with a dam,
And all the good contractors scamped their work
And all the bad material at hand
Was used to dam the Gauri, which was cheap,
And, therefore, proper. Then the Gauri burst,
And several hundred thousand cubic tons
Of water dropped into the valley, flop,
And drowned some five-and-twenty villagers,
And did a lakh or two of detriment
To crops and cattle. When the flood went down
We found him dead, beneath an old dead horse,
Full six miles down the valley. So we said
He was a victim to the Demon Drink,
And moralised upon him for a week,
And then forgot him. Which was natural.
But, in the valley of the Gauri, men
Beneath the shadow of the big new dam,
Relate a foolish legend of the flood,
Accounting for the little loss of life
(Only those five-and-twenty villagers)
In this wise: On the evening of the flood,
They heard the groaning of the rotten dam,
And voices of the Mountain Devils. Then
And incarnation of the local God,
Mounted upon a monster-neighing horse,
And flourishing a flail-like whip, came down,
Breathing ambrosia, to the villages,
And fell upon the simple villagers
With yells beyond the power of mortal throat,
And blows beyond the power of mortal hand,
And smote them with his flail-like whip, and drove
Them clamorous with terror up the hill,
And scattered, with the monster-neighing steed,
Their crazy cottages about their ears,
And generally cleared those villages.
Then came the water, and the local God,
Breathing ambrosia, flourishing his whip,
And mounted on his monster-neighing steed,
Went down the valley with the flying trees
And residue of homesteads, while they watched
Safe on the mountain-side these wondrous things,
And knew that they were much beloved of Heaven.
Wherefore, and when the dam was newly built,
They raised a temple to the local God,
And burnt all manner of unsavoury things
Upon his altar, and created priests,
And blew into a conch and banged a bell,
And told the story of the Gauri flood
With circumstance and much embroidery....
So he, the whiskified Objectionable,
Unclean, abominable, out-at-heels,
Became the Tutelary Deity
Of all the Gauri valley villages,
And may in time become a Solar Myth.
The Transfiguration
by Robert Herrick

Immortal clothing I put on
So soon as, Julia, I am gone
To mine eternal mansion.
Thou, thou art here, to human sight
Clothed all with incorrupted light;
But yet how more admir'dly bright
Wilt thou appear, when thou art set
In thy refulgent thronelet,
That shin'st thus in thy counterfeit!
The Wreath Of Forest Flowers.
by Rosanna Eleanor Leprohon

In a fair and sunny forest glade
O'erarched with chesnuts old,
Through which the radiant sunbeams made
A network of bright gold,
A girl smiled softly to herself,
And dreamed the hours away;
Lulled by the sound of the murmuring brook
With the summer winds at play.
Jewels gleamed not in the tresses fair
That fell in shining showers,
Naught decked that brow of beauty rare
But a wreath of forest flowers;
And the violet wore no deeper blue
Than her own soft downcast eye,
Whilst her bright cheek with the rose's hue
In loveliness well might vie.
But she was too fair to bloom unknown
By forest or valley side,
And long ere two sunny years had flown,
The girl was a wealthy bride - 
Removed to so high and proud a sphere
That she well at times might deem
The humble home of her childhood dear
A fleeting, changeful dream.
No more her foot sought the grassy glade
At the break of summer day;
No more neath the chesnut spreading shade
In reverie sweet she lay;
But in abodes of wealth and pride,
With serious, stately mien,
That envy's rancorous tongue defied,
She now alone was seen.
But was she happier? Who might know?
Wealth, fortune, on her smiled;
Yet there were some who whispered low
That she, fates favored child,
Oft pressed her brow with a weary hand,
In gay and festive hours,
And fain would change her jewell'd band
For a wreath of forest flowers.
The Goddess In The Wood
by Rupert Brooke

In a flowered dell the Lady Venus stood,
Amazed with sorrow. Down the morning one
Far golden horn in the gold of trees and sun
Rang out; and held; and died. . . . She thought the wood
Grew quieter. Wing, and leaf, and pool of light
Forgot to dance. Dumb lay the unfalling stream;
Life one eternal instant rose in dream
Clear out of time, poised on a golden height. . . .
Till a swift terror broke the abrupt hour.
The gold waves purled amidst the green above her;
And a bird sang. With one sharp-taken breath,
By sunlit branches and unshaken flower,
The immortal limbs flashed to the human lover,
And the immortal eyes to look on death.
On The Disastrous Spread Of 'stheticism In All Classes.
by Gilbert Keith Chesterton

Impetuously I sprang from bed,
Long before lunch was up,
That I might drain the dizzy dew
From day's first golden cup.
In swift devouring ecstacy
Each toil in turn was done;
I had done lying on the lawn
Three minutes after one.
For me, as Mr. Wordsworth says,
The duties shine like stars;
I formed my uncle's character,
Decreasing his cigars.
But could my kind engross me? No!
Stern Art--what sons escape her?
Soon I was drawing Gladstone's nose
On scraps of blotting paper.
Then on--to play one-fingered tunes
Upon my aunt's piano.
In short, I have a headlong soul,
I much resemble Hanno.
(Forgive the entrance of the not
Too cogent Carthaginian.
It may have been to make a rhyme;
I lean to that opinion).
Then my great work of book research
Till dusk I took in hand--
The forming of a final, sound
Opinion on _The Strand_.
But when I quenched the midnight oil,
And closed _The Referee_,
Whose thirty volumes folio
I take to bed with me,
I had a rather funny dream,
Intense, that is, and mystic;
I dreamed that, with one leap and yell,
The world became artistic.
The Shopmen, when their souls were still,
Declined to open shops--
And Cooks recorded frames of mind
In sad and subtle chops.
The stars were weary of routine:
The trees in the plantation
Were growing every fruit at once,
In search of a sensation.
The moon went for a moonlight stroll,
And tried to be a bard,
And gazed enraptured at itself:
I left it trying hard.
The sea had nothing but a mood
Of 'vague ironic gloom,'
With which t'explain its presence in
My upstairs drawing-room.
The sun had read a little book
That struck him with a notion:
He drowned himself and all his fires
Deep in the hissing ocean.
Then all was dark, lawless, and lost:
I heard great devilish wings:
I knew that Art had won, and snapt
The Covenant of Things.
I cried aloud, and I awoke,
New labours in my head.
I set my teeth, and manfully
Began to lie in bed.
Toiling, rejoicing, sorrowing,
So I my life conduct.
Each morning see some task begun,
Each evening see it chucked.
But still, in sudden moods of dusk,
I hear those great weird wings,
Feel vaguely thankful to the vast
Stupidity of things.