DanFosing/public-domain-poetry huggingface dataset:
Ugonde's Tale.
by John Campbell

For a while the salt brine leaves me
O'er my terraced rocks to fall,
And my broad swift-gliding waters
Olden memories recall.
Ere the tallest pines were seedlings
With my life-stream these were blent;
As a father's words, like arrows
Straight to children's hearts are sent,
So my currents speeding downwards,
Ever passing, sing the same
Story of the days remembered,
When the stranger people came.
Men of mighty limbs and voices,
Bearing shining shields and knives,
Painted gleamed their hair like evening,
When the sun in ocean dives.
Blue their eyes and tall their stature,
Huge as Indian shadows seen
When the sun through mists of morning
Casts them o'er a clear lake's sheen.
From before the great Pale-faces
Fled the tribes to woods and caves,
Watching thence their fearful councils,
Where they talked beside the waves.
For they loved the shores, and fashioned
Houses from its stones, and there
Fished and rested, danced at night-time
By their fire and torches' glare.
Sang loud songs before the pine-logs
As they crackled in the flame,
Raised and drank from bone-cups, shouting
Fiercely some strange spirit's name.
Turning to the morning's pathway,
Cried they thus to gods, and none
Dared to fight the bearded giants,
Children of the fire and sun.
From their bodies fell our flint-darts,
Yet their arrows flew, like rays
Flashing from the rocks where polished
By the ice in winter days.
Then the Indians prayed the spirits
Haunting river, bank, and hill,
To let hatred, like marsh vapour,
Rise among their foes and kill.
And they seemed to heed, for anger
Often maddened all the band,
Fighting for some stones that glittered
Yellow on Ugond''s sand.
Seeing axe and spear-head crimson,
Hope illumined doubt and dread,
And our land's despairing children
Called upon the mighty dead.
All the Northern night-air shaking,
Rose the ancients' bright array,
Burning lines of battle breaking
Darkness into lurid day.
But the stranger hearts were hardened,
Fearless slept they; then at last
Our Great Spirit heard, and answered
From his home in heaven vast.
For his waving locks were tempests,
And the thunder-cloud his frown;
Where he trod the earthquake followed,
And the forests bowed them down.
As his whirlwind struck the mountains,
Rent and lifted, swayed the ground;
Winged knives of crooked lightning
Gleamed from skies and gulfs profound.
Floods, from wonted channels driven,
Roared at falling hillside's shock;
What was land became the torrent,
What was lake became the rock.
Now the river and the ocean,
Whispering, say: "Our floods alone
See white skeletons slow-moving
Near the olden walls of stone."
Moving slow in stream and sea-tide,
There the stranger warriors sleep,
And their shades still cry in anguish
Where the foaming waters leap.
Upon Fone A Schoolmaster. Epig.
by Robert Herrick

Fone says, those mighty whiskers he does wear
Are twigs of birch, and willow, growing there:
If so, we'll think too, when he does condemn
Boys to the lash, that he does whip with them.
Odes Of Anacreon - Ode LI.
by Thomas Moore

Fly not thus my brow of snow,
Lovely wanton! fly not so.
Though the wane of age is mine,
Though youth's brilliant flush be thine,
Still I'm doomed to sigh for thee,
Blest, if thou couldst sigh for me!
See, in yonder flowery braid,
Culled for thee, my blushing maid,[1]
How the rose, of orient glow,
Mingles with the lily's snow;
Mark, how sweet their tints agree,
Just, my girl, like thee and me!
Celia Beeding, To The Surgeon
by Thomas Carew

Fond man, that canst believe her blood
Will from those purple channels flow;
Or that the pure untainted flood
Can any foul distemper know;
Or that thy weak steel can incise
The crystal case wherein it lies:
Know, her quick blood, proud of his seat,
Runs dancing through her azure veins;
Whose harmony no cold nor heat
Disturbs, whose hue no tincture stains:
And the hard rock wherein it dwells
The keenest darts of love repels.
But thou repli'st, "behold, she bleeds!"
Fool! thou 'rt deceiv'd, and dost not know
The mystic knot whence this proceeds,
How lovers in each other grow:
Thou struck'st her arm, but 'twas my heart
Shed all the blood, felt all the smart.
Ergo Bibamus!
by Johann Wolfgang von Goethe

For a praiseworthy object we're now gather'd here,
So, brethren, sing: ERGO BIBAMUS!
Tho' talk may be hush'd, yet the glasses ring clear,
Remember then: ERGO BIBAMUS!
In truth 'tis an old, 'tis an excellent word,
With its sound so befitting each bosom is stirr'd,
And an echo the festal hall filling is heard,
A glorious ERGO BIBAMUS!
I saw mine own love in her beauty so rare,
And bethought me of: ERGO BIBAMUS;
So I gently approach'd, and she let me stand there,
While I help'd myself, thinking: BIBAMUS!
And when she's appeased, and will clasp you and kiss,
Or when those embraces and kisses ye miss,
Take refuge, till sound is some worthier bliss,
In the comforting ERGO BIBAMUS!
I am call'd by my fate far away from each friend;
Ye loved ones, then: ERGO BIBAMUS!
With wallet light-laden from hence I must wend.
So double our ERGO BIBAMUS!
Whate'er to his treasures the niggard may add,
Yet regard for the joyous will ever be had,
For gladness lends over its charms to the glad,
So, brethren, sing; ERGO BIBAMUS!
And what shall we say of to-day as it flies?
I thought but of: ERGO BIBAMUS
'Tis one of those truly that seldom arise,
So again and again sing: BIBAMUS!
For joy through a wide-open portal it guides,
Bright glitter the clouds, as the curtain divides,
An a form, a divine one, to greet us in glides,
While we thunder our: ERGO BIBAMUS!
Best To Be Merry.
by Robert Herrick

Fools are they who never know
How the times away do go;
But for us, who wisely see
Where the bounds of black death be,
Let's live merrily, and thus
Gratify the Genius.
The Language Of Flowers.
by Thomas Moore

Fly swift, my light gazelle,
To her who now lies waking,
To hear thy silver bell
The midnight silence breaking.
And, when thou com'st, with gladsome feet,
Beneath her lattice springing,
Ah, well she'll know how sweet
The words of love thou'rt bringing.
Yet, no--not words, for they
But half can tell love's feeling;
Sweet flowers alone can say
What passion fears revealing.
A once bright rose's withered leaf,
A towering lily broken,--
Oh these may paint a grief
No words could e'er have spoken.
Not such, my gay gazelle,
The wreath thou speedest over
Yon moonlight dale, to tell
My lady how I love her.
And, what to her will sweeter be
Than gems the richest, rarest,--
From Truth's immortal tree[1]
One fadeless leaf thou bearest.
Follow Your Saint
by Thomas Campion

Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet.
There, wrapp'd in cloud of sorrow, pity move,
And tell the ravisher of my soul I perish for her love:
But if she scorns my never-ceasing pain,
Then burst with sighing in her sight and ne'er return again.
All that I sung still to her praise did tend,
Still she was first; still she my songs did end;
Yet she my love and music both doth fly,
The music that her echo is and beauty's sympathy.
Then let my notes pursue her scornful flight:
It shall suffice that they were breath'd and died for her delight.
On A Window At The Four Crosses In The Watling-Street Road, Warwickshire (Epigrams On Windows)
by Jonathan Swift

Fool, to put up four crosses at your door,
Put up your wife, she's CROSSER than all four.
The Race Of Banquo.
by Robert Southey

Fly, son of Banquo! Fleance, fly!
Leave thy guilty sire to die.
O'er the heath the stripling fled,
The wild storm howling round his head.
Fear mightier thro' the shades of night
Urged his feet, and wing'd his flight;
And still he heard his father cry
Fly, son of Banquo! Fleance, fly.
Fly, son of Banquo! Fleance, fly
Leave thy guilty sire to die.
On every blast was heard the moan
The anguish'd shriek, the death-fraught groan;
Loathly night-hags join the yell
And see--the midnight rites of Hell.
Forms of magic! spare my life!
Shield me from the murderer's knife!
Before me dim in lurid light
Float the phantoms of the night--
Behind I hear my Father cry,
Fly, son of Banquo--Fleance, fly!
Parent of the sceptred race,
Fearless tread the circled space:
Fearless Fleance venture near--
Sire of monarchs--spurn at fear.
Sisters with prophetic breath
Pour we now the dirge of Death!
Custer.
by A. H. Laidlaw

Foiled on the field with his dead boys around him,
All waiting for Earth to recover her own,
Fortune hath missed him, but Glory hath found him,
While fighting a thousand fierce foemen alone.
Custer's the right wing, the left and the center,
Himself is his only reserve and supply.
This is a battle for Spartans to enter,
Where One makes an army to conquer or die.
Straight on his steed doth he meet the grim battle,
The red line of danger grows deadly and large,
Loud from the hills rings the rifleman's rattle,
But Custer is ready, so forward and charge!
Firing with left hand, and fencing with right,
The reins in his teeth, like a handless young Hun,
What is his fate in the terrible fight?
The thousands hath slain him, yet Custer hath won.
His foemen still seek him in terror and wonder,
Alive in the tempest that darkens the vale;
His charge they still fear in the echoing thunder,
His sword in the lightning, his voice in the gale.
Immortality
by Matthew Arnold

Foil'd by our fellow-men, depress'd, outworn,
We leave the brutal world to take its way,
And, Patience! in another life, we say
The world shall be thrust down, and we up-borne.
And will not, then, the immortal armies scorn
The world's poor, routed leavings? or will they,
Who fail'd under the heat of this life's day,
Support the fervours of the heavenly morn?
No, no! the energy of life may be
Kept on after the grave, but not begun;
And he who flagg'd not in the earthly strife,
From strength to strength advancing, only he,
His soul well-knit, and all his battles won,
Mounts, and that hardly, to eternal life.
The Present; Or, The Bag Of The Bees
by Robert Herrick

Fly to my mistress, pretty pilfering bee,
And say thou bring'st this honey-bag from me;
When on her lip thou hast thy sweet dew placed,
Mark if her tongue but slyly steal a taste;
If so, we live; if not, with mournful hum,
Toll forth my death; next, to my burial come.
Satisfaction For Suffering
by Robert Herrick

For all our works a recompence is sure;
'Tis sweet to think on what was hard t'endure.
Accountability
by Paul Laurence Dunbar

Folks ain't got no right to censuah othah folks about dey habits;
Him dat giv' de squir'ls de bushtails made de bobtails fu' de rabbits.
Him dat built de gread big mountains hollered out de little valleys,
Him dat made de streets an' driveways wasn't shamed to make de alleys.
We is all constructed diff'ent, d'ain't no two of us de same;
We cain't he'p ouah likes an' dislikes, ef we'se bad we ain't to blame.
Ef we 'se good, we need n't show off, case you bet it ain't ouah doin'
We gits into su'ttain channels dat we jes' cain't he'p pu'suin'.
But we all fits into places dat no othah ones could fill,
An' we does the things we has to, big er little, good er ill.
John cain't tek de place o' Henry, Su an' Sally ain't alike;
Bass ain't nuthin' like a suckah, chub ain't nuthin' like a pike.
When you come to think about it, how it 's all planned out it 's splendid.
Nuthin 's done er evah happens, 'dout hit 's somefin' dat 's intended;
Don't keer whut you does, you has to, an' hit sholy beats de dickens,--
Viney, go put on de kittle, I got one o' mastah's chickens.
Sung For Norway's Riflemen (1881)
by Bj'rnstjerne Martinius Bj'rnson

(See Note 73)
Fly the banner, fly the banner!
For our freedom fight!
'Neath the banner, 'neath the banner,
Riflemen unite!
Graybeard in the Storting
Gives his vote for right and truth,
Rifle-voice supporting
Of our arm'd youth.
Music runeful
Ring out tuneful
Bullets sent point-blank,
Fiery coursing,
Freedom forcing
Way to royal rank;
They from silent valleys
To the Storting's rallies
Bring the clear "Rah! Rah!"
And there clamors o'er us
Loud the rifle chorus,
Piercing and repeated: "Rah! Rah!
Rah-rah, rah-rah, rah-rah, rah-rah."
As the lingering echo rattles,
Listens sure our Mother Norway,
That her sons can go the war-way,
Fight her freedom's future battles.
Astrophel and Stella - Sonnet XX
by Philip Sidney (Sir)

Fly, fly, my friends; I haue my deaths wound, fly;
See there that Boy, that murthring Boy I say,
Who like a theefe hid in dark bush doth ly,
Till bloudy bullet get him wrongfull pray.
So, tyran he no fitter place could spie,
Nor so faire leuell in so secret stay,
As that sweet black which veils the heau'nly eye;
There with his shot himself he close doth lay.
Poore passenger, pass now thereby I did,
And staid, pleas'd with the prospect of the place,
While that black hue from me the the bad guest hid:
But straight I saw the motions of lightning grace,
And then descried the glistrings of his dart:
But ere I could flie thence, it pierc'd my heart.
Nightfall
by William Arthur Dunkerley (John Oxenham)

Fold up the tent!
The sun is in the West.
To-morrow my untented soul will range
Among the blest.
And I am well content,
For what is sent, is sent,
And God knows best.
Fold up the tent,
And speed the parting guest!
The night draws on, though night and day are one
On this long quest.
This house was only lent
For my apprenticement--
What is, is best.
Fold up the tent!
Its slack ropes all undone,
Its pole all broken, and its cover rent,--
Its work is done.
But mine--tho' spoiled and spent
Mine earthly tenement--
Is but begun.
Fold up the tent!
Its tenant would be gone,
To fairer skies than mortal eyes
May look upon.
All that I loved has passed,
And left me at the last
Alone!--alone!
Fold up the tent!
Above the mountain's crest,
I hear a clear voice calling, calling clear,--
"To rest! To rest!"
And I am glad to go,
For the sweet oil is low,
And rest is best!
Harlie
by James Whitcomb Riley

Fold the little waxen hands
Lightly.    Let your warmest tears
Speak regrets, but never fears, -
Heaven understands!
Let the sad heart, o'er the tomb,
Lift again and burst in bloom
Fragrant with a prayer as sweet
As the lily at your feet.
Bend and kiss the folded eyes -
They are only feigning sleep
While their truant glances peep
Into Paradise.
See, the face, though cold and white,
Holds a hint of some delight
E'en with Death, whose finger-tips
Rest upon the frozen lips.
When, within the years to come,
Vanished echoes live once more -
Pattering footsteps on the floor,
And the sounds of home, -
Let your arms in fancy fold
Little Harlie as of old -
As of old and as he waits
At the City's golden gates.
To Sleep
by William Wordsworth

Fond words have oft been spoken to thee, Sleep!
And thou hast had thy store of tenderest names;
The very sweetest, Fancy culls or frames,
When thankfulness of heart is strong and deep!
Dear Bosom-child we call thee, that dost steep
In rich reward all suffering; Balm that tames
All anguish; Saint that evil thoughts and aims
Takest away, and into souls dost creep,
Like to a breeze from heaven. Shall I alone,
I surely not a man ungently made,
Call thee worst Tyrant by which Flesh is crost?
Perverse, self-willed to own and to disown,
Mere slave of them who never for thee prayed,
Still last to come where thou art wanted most!
The Fugitive
by John Collings Squire, Sir

Flying his hair and his eyes averse,
Fleet are his feet and his heart apart.
How could our song his charms rehearse?
Fleet are his feet and his heart apart.
High on a down we found him last,
Shy as a hare, he fled as fast;
How could we clasp him or ever he passed?
Fleet are his feet and his heart apart.
How could we cling to his limbs that shone,
Ravish his cheeks' red gonfalon,
Or the wild-skin cloak that he had on?
Fleet are his feet and his heart apart.
For the wind of his feet still straightly shaping,
He loosed at our breasts from his eyes escaping
One crooked swift glance like a javelin leaping.
Fleet are his feet and his heart apart.
And his feet passed over the sunset land
From the place forlorn where a forlorn band
Watching him flying we still did stand.
Fleet are his feet and his heart apart.
Vanishing now who would not stay
To the blue hills on the verge of day.
O soft! soft!    Music play,
Fading away,
(Fleet are his feet
And his heart apart)
Fading away.
Follow Thy Fair Sun
by Thomas Campion

Follow thy fair sun, unhappy shadow!
Though thou be black as night,
And she made all of light,
Yet follow thy fair sun, unhappy shadow!
Follow her, whose light thy light depriveth!
Though here thou liv'st disgraced,
And she in heaven is placed,
Yet follow her whose light the world reviveth!
Follow those pure beams, whose beauty burneth!
That so have scorched thee
As thou still black must be
Till her kind beams thy black to brightness turneth.
Follow here, while yet her glory shineth!
There comes a luckless night
That will dim all her light;
And this the black unhappy shade divineth.
Follow still, since so thy fates ordained!
The sun must have his shade,
Till both at once do fade,
The sun still proud, the shadow still disdained.
Such, Such Is He Who Pleaseth Me.
by Johann Wolfgang von Goethe

Fly, dearest, fly! He is not nigh!
He who found thee one fair morn in Spring
In the wood where thou thy flight didst wing.
Fly, dearest, fly! He is not nigh!
Never rests the foot of evil spy.
Hark! flutes' sweet strains and love's refrains
Reach the loved one, borne there by the wind,
In the soft heart open doors they find.
Hark! flutes' sweet strains and love's refrains,
Hark! yet blissful love their echo pains.
Erect his head, and firm his tread,
Raven hair around his smooth brow strays,
On his cheeks a Spring eternal plays.
Erect his head, and firm his tread,
And by grace his ev'ry step is led.
Happy his breast, with pureness bless'd,
And the dark eyes 'neath his eyebrows placed,
With full many a beauteous line are graced.
Happy his breast, with pureness bless'd,
Soon as seen, thy love must be confess'd.
His mouth is red its power I dread,
On his lips morn's fragrant incense lies,
Round his lips the cooling Zephyr sighs.
His mouth is red its power I dread,
With one glance from him, all sorrow's fled.
His blood is true, his heart bold too,
In his soft arms, strength, protection, dwells
And his face with noble pity swells.
His blood is true, his heart bold too,
Blest the one whom those dear arms may woo!
A Canary At the Farm
by James Whitcomb Riley

Folks has be'n to town, and Sahry
Fetched 'er home a pet canary,
And of all the blame', contrary,
Aggervatin' things alive!
I love music - that I love it
When it's free - and plenty of it;
But I kindo' git above it,
At a dollar-eighty-five!
Reason's plain as I'm a-sayin',
Jes' the idy, now, o' layin'
Out yer money, and a-payin'
Fer a willer-cage and bird,
When the medder-larks is wingin'
Round you, and the woods is ringin'
With the beautifullest singin'
That a mortal ever heard!
Sahry's sot, tho'. So I tell her
He's a purty little feller,
With his wings o' creamy-yeller,
And his eyes keen as a cat;
And the twitter o' the critter
'Pears to absolutely glitter!
Guess I'll haf to go and git her
A high-priceter cage 'n that!
Envoi
by Algernon Charles Swinburne

Fly, white butterflies, out to sea,
Frail pale wings for the winds to try,
Small white wings that we scarce can see
Fly.
Here and there may a chance-caught eye
Note in a score of you twain or three
Brighter or darker of tinge or dye.
Some fly light as a laugh of glee,
Some fly soft as a low long sigh:
All to the haven where each would be
Fly.
German Comedy.
by Friedrich Schiller

Fools we may have in plenty, and simpletons, too, by the dozen;
But for comedy these never make use of themselves.
Double Ballade Of Life And Fate
by William Ernest Henley

Fools may pine, and sots may swill,
Cynics gibe, and prophets rail,
Moralists may scourge and drill,
Preachers prose, and fainthearts quail.
Let them whine, or threat, or wail!
Till the touch of Circumstance
Down to darkness sink the scale,
Fate's a fiddler, Life's a dance.
What if skies be wan and chill?
What if winds be harsh and stale?
Presently the east will thrill,
And the sad and shrunken sail,
Bellying with a kindly gale,
Bear you sunwards, while your chance
Sends you back the hopeful hail:-
'Fate's a fiddler, Life's a dance.'
Idle shot or coming bill,
Hapless love or broken bail,
Gulp it (never chew your pill!),
And, if Burgundy should fail,
Try the humbler pot of ale!
Over all is heaven's expanse.
Gold's to find among the shale.
Fate's a fiddler, Life's a dance.
Dull Sir Joskin sleeps his fill,
Good Sir Galahad seeks the Grail,
Proud Sir Pertinax flaunts his frill,
Hard Sir AEger dints his mail;
And the while by hill and dale
Tristram's braveries gleam and glance,
And his blithe horn tells its tale:-
'Fate's a fiddler, Life's a dance.'
Araminta's grand and shrill,
Delia's passionate and frail,
Doris drives an earnest quill,
Athanasia takes the veil:
Wiser Phyllis o'er her pail,
At the heart of all romance
Reading, sings to Strephon's flail:-
'Fate's a fiddler, Life's a dance.'
Every Jack must have his Jill
(Even Johnson had his Thrale!):
Forward, couples - with a will!
This, the world, is not a jail.
Hear the music, sprat and whale!
Hands across, retire, advance!
Though the doomsman's on your trail,
Fate's a fiddler, Life's a dance.
Envoy
Boys and girls, at slug and snail
And their kindred look askance.
Pay your footing on the nail:
Fate's a fiddler, Life's a dance.
Fragment: 'Follow To The Deep Wood's Weeds'.
by Percy Bysshe Shelley

Follow to the deep wood's weeds,
Follow to the wild-briar dingle,
Where we seek to intermingle,
And the violet tells her tale
To the odour-scented gale,
For they two have enough to do
Of such work as I and you.
To Laura In Death. Sonnet LXXI.
by Francesco Petrarca (Petrarch)

Del cibo onde 'l signor mio sempre abbonda.
HE DESCRIBES THE APPARITION OF LAURA.
Food wherewithal my lord is well supplied,
With tears and grief my weary heart I've fed;
As fears within and paleness o'er me spread,
Oft thinking on its fatal wound and wide:
But in her time with whom no other vied,
Equal or second, to my suffering bed
Comes she to look on whom I almost dread,
And takes her seat in pity by my side.
With that fair hand, so long desired in vain,
She check'd my tears, while at her accents crept
A sweetness to my soul, intense, divine.
"Is this thy wisdom, to parade thy pain?
No longer weep! hast thou not amply wept?
Would that such life were thine as death is mine!"
MACGREGOR.
With grief and tears (my soul's proud sovereign's food)
I ever nourish still my aching heart;
I feel my blanching cheek, and oft I start
As on Love's sharp engraven wound I brood.
But she, who e'er on earth unrivall'd stood,
Flits o'er my couch, when prostrate by his dart
I lie; and there her presence doth impart.
Whilst scarce my eyes dare meet their vision'd good,
With that fair hand in life I so desired,
She stays my eyes' sad tide; her voice's tone
Awakes the balm earth ne'er to man can give:
And thus she speaks:--"Oh! vain hath wisdom fired
The hopeless mourner's breast; no more bemoan,
I am not dead--would thou like me couldst live!"
WOLLASTON.
The Widower
by Rudyard Kipling

For a season there must be pain
For a little, little space 
I shall lose the sight of her face,
Take back the old life again
While She is at rest in her place.     
For a season this pain must endure,
For a little, little while
I shall sigh more often than smile
Till time shall work me a cure,
And the pitiful days beguile.
For that season we must be apart,
For a little length of years,
Till my life's last hour nears,
And, above the beat of my heart,
I hear Her voice in my ears.
But I shall not understand
Being set on some later love,
Shall not know her for whom I strove,
Till she reach me forth her hand,
Saying, "Who but I have the right?"
And out of a troubled night
Shall draw me safe to the land.
To Myrrha, Hard-Hearted.
by Robert Herrick

Fold now thine arms and hang the head,
Like to a lily withered;
Next look thou like a sickly moon,
Or like Jocasta in a swoon;
Then weep and sigh and softly go,
Like to a widow drown'd in woe,
Or like a virgin full of ruth
For the lost sweetheart of her youth;
And all because, fair maid, thou art
Insensible of all my smart,
And of those evil days that be
Now posting on to punish thee.
The gods are easy, and condemn
All such as are not soft like them.