Of Indirect Influences. from Proverbial Philosophy
by Martin Farquhar Tupper

Face thy foe in the field, and perchance thou wilt meet thy master,
For the sword is chained to his wrist, and his armour buckled for the battle;
But find him when he looketh not for thee, aim between the joints of his harness,
And the crest of his pride will be humbled, his cruelty will bite the dust.
Beard not a lion in his den, but fashion the secret pitfall,
So shalt thou conquer the strong, thyself triumphing in weakness.
The hurricane rageth fiercely, and the promontory standeth in its might.
Breasting the artillery of heaven, as darts glance from the crocodile:
But the small continual creeping of the silent footsteps of the sea
Mineth the wall of adamant, and stealthily compasseth its ruin.
The weakness of accident is strong, where the strength of design is weak:
And a casual analogy convinceth, when a mind heareth not argument.
Will not a man listen? be silent; and prove thy maxim by example:
Never fear, thou losest not thy hold, though thy mouth doth not render a reason.
Contend not in wisdom with a fool, for thy sense maketh much of his conceit;
And some errors never would have thriven, had it not been for learned refutation:
Yea, much evil hath been caused by an honest wrestler for truth,
And much of unconscious good, by the man that hated wisdom:
For the intellect judgeth closely, and if thou overstep thy arguement,
Or seem not consistent with thyself, or fail in thy direct purpose.
The mind that went along with thee, shall stop and return without thee,
And thou shalt have raised a foe, where thou mightest have won a friend.
Hints, shrewdly strown, mightily disturb the spirit,
Where a bare-faced accusation would be too ridiculous for calumny:
The sly suggestion toucheth nerves, and nerves contract the fronds.
And the sensitive mimosa of affection trembleth to its root;
And friendships, the growth of half a century those oaks that laugh at storms,
Have been cankered in a night by a wonn, even as the prophet's gourd.
Hast thou loved and not known jealousy? for a sidelong look
Can please or pain thy heart more than the multitude of proofs:
Hast thou hated, and not learned that thy silent scorn
Doth deeper aggravate thy foe than loud-cursing malice?'
A wise man prevaileth in power, for he screeneth his battering engine,
But a fool tilteth headlong, and his adversary is aware.
Behold those broken arches, that oriel all unglazed,
That crippled line of columns bleaching in the sun,
The delicate shaft stricken midway, and the flying buttress
Idly stretching forth to hold up tufted ivy:
Thinkest thou the thousand eyes that shine with rapture on a ruin,
Would have looked with half their wonder on the perfect pile?
And wherefore not ' but that light hints, suggesting unseen beauties,
Fill the complacent gazer with self-grown conceits?
And so, the rapid sketch winneth more praise to the painter.
Than the consummate work elaborated on his easel:
And so, the Helvetic lion caverned in the living rock
Hath more of majesty and force, than if upon a marble pedestal.
Tell me, daughter of taste, what hath charmed thine ear in music?
Is it the laboured theme, the curious fugue or cento, '
Nor rather the sparkles of intelligence flashing from some strange note.
Or the soft melody of sounds far sweeter for simphcity?
Tell me, thou son of science, what hath filled thy mind in reading?
Is it the volume of detail where all is orderly set down
And they that read may run, nor need to stop and think;
The book carefully accurate, that counteth thee no better than a fool,
Gorging the passive mind with annotated notes; '
Nor rather the half-suggested thoughts, the riddles thou mayst solve,
The fair ideas, coyly peeping like young loves out of roses,
The quaint arabesque conceptions, half cherub and half flower.
The light analogy, or deep allusion, trusted to thy learning,
The confidence implied in thy skill to unravel meaning mysteries?
For ideas are ofttimes shy of the close furniture of words,
And thought, wherein only is power, may be best conveyed by a suggestion:
The flash that lighteth up a valley, amid the dark midnight of a storm,
Coineth the mind with that scene sharper than fifty summers.
A worldly man boasteth in his pride, that there is no power but of money;
And he judgeth the characters of men by the difiering measures of their means:
He stealeth all goodly names, as worth, and value, and substance.
Which be the ancient heritage of Virtue, but such an one ascribeth unto Wealth:
He spurneth the needy sage, whose wisdom hath enriched nations,
And the sons of poverty and learning, without whom earth were a desert:
Music, the soother of cares, the tuner of the dank discordant heart-strings.
It is nought unto such an one but sounds, whereby some earn their living:
The poem, and the picture, and the statue, to him seem idle baubles.
Which wealth condescendeth to favour, to gain him the name of patron.
But little wotteth he the might of the means his folly despiseth;
He considereth not that these he the wires which move the puppets of the world.
A sentence hath formed a character, and a character subdued a kingdom;
A picture hath ruined souls, or raised them to commerce with the skies:
The pen hath shaken nations, and stablished the world in peace;
And the whole full horn of plenty been filled from the vial of science.
He regardeth man as sensual, the monarch of created matter,
And careth not aught for mind, that linketh him with spirits unseen;
He feedeth his carcase and is glad, though his soul be faint and famished,
And the dull brute power of the body bindeth him a captive to himself.
Man liveth from hour to hour, and knoweth not what may happen;
Influences circle him on all sides, and yet must he answer for his actions:
For the being that is master of himself, bendeth events to his will,
But a slave to selfish passion is the wavering creature of circumstance.
To this man temptation is a poison, to that man it addeth vigour;
And each may render to himself influences good or evil.
As thou directest the power, harm or advantage will follow,
And the torrent that swept the valley, may be led to turn a mill;
The wild electric flash, that could have kindled comets,
May by the ductile wire give ease to an ailing child.
For outward matter or event fashion not the character within,
But each man, yielding or resisting, fashioneth his mind for himself.
Some have said, What is in a name? ' most potent plastic influence;
A name is a word of character, and repetition stablisheth the fact:
A word of rebuke, or of honour, tending to obscurity or fame;
And greatest is the power of a mean, when its power is least suspected.
A low name is a thorn in the side, that hindereth the footman in his running;
But a name of ancestral renown shall often put the racer to his speed.
Few men have grown unto greatness whose names are allied to ridicule,
And many would never have been profligate, but for the splendour of a name.
A wise man scorneth nothing, be it never so small or homely.
For he knoweth not the secret laws that may bind it to great effects.
The world in its boyhood was credidous, and dreaded the vengeance of the stars.
The world in its dotage is not wiser, fearing not the influence of small things:
Planets govern not the soul, nor guide the destinies of man,
But trifles, lighter than straws, are levers in the building up of character.
A man hath the tiller in his hand, and may steer against the current.
Or may glide down idly with the stream, till his vessel founder in the whirlpool.
Transcribed from Proverbial Philosophy by Mick Puttock, August 2011 (Spelling, punctuation and grammer left mostly unchanged from the 25th edition)