DanFosing/public-domain-poetry huggingface dataset:
Champagne (1914-15)
by Alan Seeger

In the glad revels, in the happy fetes,
When cheeks are flushed, and glasses gilt and pearled
With the sweet wine of France that concentrates
The sunshine and the beauty of the world,
Drink sometimes, you whose footsteps yet may tread
The undisturbed, delightful paths of Earth,
To those whose blood, in pious duty shed,
Hallows the soil where that same wine had birth.
Here, by devoted comrades laid away,
Along our lines they slumber where they fell,
Beside the crater at the Ferme d'Alger
And up the bloody slopes of La Pompelle,
And round the city whose cathedral towers
The enemies of Beauty dared profane,
And in the mat of multicolored flowers
That clothe the sunny chalk-fields of Champagne.
Under the little crosses where they rise
The soldier rests. Now round him undismayed
The cannon thunders, and at night he lies
At peace beneath the eternal fusillade. . . .
That other generations might possess - 
From shame and menace free in years to come - 
A richer heritage of happiness,
He marched to that heroic martyrdom.
Esteeming less the forfeit that he paid
Than undishonored that his flag might float
Over the towers of liberty, he made
His breast the bulwark and his blood the moat.
Obscurely sacrificed, his nameless tomb,
Bare of the sculptor's art, the poet's lines,
Summer shall flush with poppy-fields in bloom,
And Autumn yellow with maturing vines.
There the grape-pickers at their harvesting
Shall lightly tread and load their wicker trays,
Blessing his memory as they toil and sing
In the slant sunshine of October days. . . .
I love to think that if my blood should be
So privileged to sink where his has sunk,
I shall not pass from Earth entirely,
But when the banquet rings, when healths are drunk,
And faces that the joys of living fill
Glow radiant with laughter and good cheer,
In beaming cups some spark of me shall still
Brim toward the lips that once I held so dear.
So shall one coveting no higher plane
Than nature clothes in color and flesh and tone,
Even from the grave put upward to attain
The dreams youth cherished and missed and might have known;
And that strong need that strove unsatisfied
Toward earthly beauty in all forms it wore,
Not death itself shall utterly divide
From the beloved shapes it thirsted for.
Alas, how many an adept for whose arms
Life held delicious offerings perished here,
How many in the prime of all that charms,
Crowned with all gifts that conquer and endear!
Honor them not so much with tears and flowers,
But you with whom the sweet fulfilment lies,
Where in the anguish of atrocious hours
Turned their last thoughts and closed their dying eyes,
Rather when music on bright gatherings lays
Its tender spell, and joy is uppermost,
Be mindful of the men they were, and raise
Your glasses to them in one silent toast.
Drink to them - amorous of dear Earth as well,
They asked no tribute lovelier than this - 
And in the wine that ripened where they fell,
Oh, frame your lips as though it were a kiss.
__
Champagne, France, July, 1915.
The Under-Tone
by Ella Wheeler Wilcox

In the dull, dim dawn of day I heard
The twitter and thrill of a brown-backed bird,
As he sat and sang in the leafless tree,
A herald of beautiful days to be.
But the minor running under the strain
Went to my heart with a sudden pain,
For never so sad a sound I heard
As the troubled thrill of the brown-backed bird.
Not in the wearisome wash of waves,
With moaning murmur of wrecks and graves,
Not in the weird winds' wildest wail,
Not in the roar of the rushing gale.
Not in the sob of dying years
Are sounds so solemn and full of tears.
O herald of days that are green and glad,
Why was your morning song so sad?
Have you a secret hidden away,
Of sorrow to come with a coming day?
Folded under a folded leaf,
Lies there trouble and bitter grief?
The shadow of death, and tears, and gloom
Coming to me when roses bloom?
Will the beautiful days I long for so
Hold like your song a strain of woe?
What is the secret you hide from me
O herald of days that are to be?
And why was that desolate minor moan
Lurking under your gladdest tone?
Trade Winds
by John Masefield

In the harbor, in the island, in the Spanish Seas,
Are the tiny white houses and the orange trees, 
And day-long, night-long, the cool and pleasant breeze
Of the steady Trade Winds blowing.
There is the red wine, the nutty Spanish ale,
The shuffle of the dancers, the old salt's tale, 
The squeaking fiddle, and the soughing in the sail
Of the steady Trade Winds blowing.
And o' nights there's fire-flies and the yellow moon,
And in the ghostly palm-trees the sleepy tune 
Of the quiet voice calling me, the long low croon
Of the steady Trade Winds blowing.
In The Evening
by James Whitcomb Riley

I
In the evening of our days,
When the first far stars above
Glimmer dimmer, through the haze,
Than the dewy eyes of love,
Shall we mournfully revert
To the vanished morns and Mays
Of our youth, with hearts that hurt, -
In the evening of our days?
II
Shall the hand that holds your own
Till the twain are thrilled as now,
Be withheld, or colder grown?
Shall my kiss upon your brow
Falter from its high estate?
And, in all forgetful ways,
Shall we sit apart and wait -
In the evening of our days?
III
Nay, my wife - my life! - the gloom
Shall enfold us velvetwise,
And my smile shall be the groom
Of the gladness of your eyes:
Gently, gently as the dew
Mingles with the darkening maze,
I shall fall asleep with you -
In the evening of our days.
The Ship And The Boat
by Ella Wheeler Wilcox

In the great ship Life we speed along,
With sails and pennons spread.
And tethered, beside the great ship, glide
The mystic boats for the dead.
Over the deck of the ship of Life
Our loved and lost we lower.
And calm and steady, his small boat ready,
Death silently sits at the oar.
He rows our dead away from our sight -
Away from our hearing or ken.
We call and cry for a last good-bye,
But they never come back again.
The ship of Life bounds on and on;
The river of Time runs fast;
And yet more swift our dear dead drift
For ever back into the Past.
We do not forget those loved and lost,
But they fade away like a dream:
As we hurry along on the current strong
Of Time's great turbulent stream.
On and on, and ever away,
Our sails are filled by the wind;
We see new places, we meet new faces,
And the dead are far behind.
Their boats have drifted into the sea
That laves God's holy feet.
But the river's course, too, seeks that source,
So the ship and the boat shall meet.
Lines On The Death Of Mr. Perceval.
by Thomas Moore

In the dirge we sung o'er him no censure was heard,
Unembittered and free did the tear-drop descend;
We forgot, in that hour, how the statesman had erred,
And wept for the husband, the father and friend.
Oh! proud was the meed his integrity won,
And generous indeed were the tears that we shed,
When in grief we forgot all the ill he had done,
And tho' wronged by him living, bewailed him, when dead.
Even now if one harsher emotion intrude,
'Tis to wish he had chosen some lowlier state,
Had known what he was--and, content to be good,
Had ne'er for our ruin aspired to be great.
So, left thro' their own little orbit to move,
His years might have rolled inoffensive away;
His children might still have been blest with his love,
And England would ne'er have been curst with his sway.
An Orange Sleeve
by Edward Powys Mathers (As Translator)

In the fifth month,
When orange-trees
Fill all the world with scent,
I think of the sleeve
Of a girl who loved me.
From the Japanese of Nari-hira.
Prologue To Steele's Tender Husband
by Joseph Addison

In the first rise and infancy of farce,
When fools were many, and when plays were scarce
The raw unpractis'd authors could, with ease,
A young and unexperienc'd audience please:
No single character had e'er been shown,
But the whole herd of fops was all their own;
Rich in originals, they set to view,
In every piece, a coxcomb that was new.
But now our British theatre can boast
Drolls of all kinds, a vast unthinking host!
Fruitful of folly and of vice, it shows
Cuckolds, and cits, and bawds, and pimps, and beaux;
Rough country knights are found of every shire;
Of every fashion gentle fops appear;
And punks of different characters we meet,
As frequent on the stage as in the pit.
Our modern wits are forc'd to pick and cull,
And here and there by chance glean up a fool:
Long ere they find the necessary spark,
They search the town, and beat about the Park,
To all his most frequented haunts resort,
Oft dog him to the ring, and oft to court;
As love of pleasure or of place invites;
And sometimes catch him taking snuff at White's
Howe'er, to do you right, the present age
Breeds very hopeful monsters for the stage;
That scorn the paths their dull forefather's trod,
And won't be blockheads in the common road.
Do but survey this crouded house tonight:
Here's still encouragement for those that write.
Our author, to divert his friends to-day,
Stocks with variety of fools his play;
And that there may be something gay and new,
Two ladies-errant has expos'd to view;
The first a damsel, travel'd in romance;
The t'other more refin'd, she comes from France:
Rescue, like courteous knights, the nymph from danger,
And kindly treat, like well-bred men, the stranger.
In The Ember Days Of My Last Free Summer
by Ben Jonson

In the ember days of my last free summer,
here I lie, outside myself, watching
the gross body eating a poor curry:
satisfied at what I have done, scared of what
I have to do in my last free winter.
Foreword To Weeds By The Wall
by Madison Julius Cawein

In the first rare spring of song,
In my heart's young hours,
In my youth 't was thus I sang,
Choosing 'mid the flowers: - 
"Fair the Dandelion is,
But for me too lowly;
And the winsome Violet
Is, forsooth, too holy.
'But the Touchmenot?' Go to!
What! a face that's speckled
Like a common milking-maid's,
Whom the sun hath freckled.
Then the Wild-Rose is a flirt;
And the trillium Lily,
In her spotless gown, 's a prude,
Sanctified and silly.
By her cap the Columbine,
To my mind, 's too merry;
Gossips, I would sooner wed
Some plebeian Berry.
And the shy Anemone - 
Well, her face shows sorrow;
Pale, goodsooth! alive to-day,
Dead and gone to-morrow.
Then that bold-eyed, buxom wench,
Big and blond and lazy, - 
She's been chosen overmuch! - 
Sirs, I mean the Daisy.
Pleasant persons are they all,
And their virtues many;
Faith I know but good of each,
And naught ill of any.
But I choose a May-apple;
She shall be my Lady;
Blooming, hidden and refined,
Sweet in places shady."
In my youth 'twas thus I sang,
In my heart's young hours,
In the first rare spring of song,
Choosing 'mid the flowers.
So I hesitated when
Time alone was reckoned
By the hours that Fancy smiled,
Love and Beauty beckoned.
Hard it was for me to choose
From the flowers that flattered;
And the blossom that I chose
Soon lay dead and scattered.
Hard I found it then, ah, me!
Hard I found the choosing;
Harder, harder since I've found,
Ah, too hard the losing.
Haply had I chosen then
From the weeds that tangle
Wayside, woodland and the wall
Of my garden's angle,
I had chosen better, yea,
For these later hours - 
Longer last the weeds, and oft
Sweeter are than flowers.
Life's Hebe
by James Thomson -  (Bysshe Vanolis)

In the early morning-shine
Of a certain day divine,
I beheld a Maiden stand
With a pitcher in her hand;
Whence she poured into a cup
Until it was half filled up
Nectar that was golden light
In the cup of crystal bright.
And the first who took the cup
With pure water filled it up;
As he drank then, it was more
Ruddy golden than before:
And he leapt and danced and sang
As to Bacchic cymbals' clang.
But the next who took the cup
With the red wine filled it up;
What he drank then was in hue
Of a heavy sombre blue:
First he reeled and then he crept,
Then lay faint but never slept.
And the next who took the cup
With the white milk filled it up;
What he drank at first seemed blood,
Then turned thick and brown as mud:
And he moved away as slow
As a weary ox may go.
But the next who took the cup
With sweet honey filled it up;
Nathless that which he did drink
Was thin fluid black as ink:
As he went he stumbled, soon,
And lay still in deathlike swoon.
She the while without a word
Unto all the cup preferred;
Blandly smiled and sweetly laughed
As each mingled his own draught.
And the next who took the cup
To the sunshine held it up,
Gave it back and did not taste;
It was empty when replaced:
First he bowed a reverent bow,
Then he kissed her on the brow.
But the next who took the cup
Without mixture drank it up;
When she took it back from him
It was full unto the brim:
He with a right bold embrace
Kissed her sweet lips face to face.
Then she sang with blithest cheer:
Who has thirst, come here, come here!
Nectar that is golden light
In the cup of crystal bright,
Nectar that is sunny fire
Warm as warmest heart's desire:
Pitcher never lacketh more,
Arm is never tired to pour:
Honey, water, milk, or wine
Mingle with the draught divine,
Drink it pure, or drink it not;
Each is free to choose his lot:
Am I old? or am I cold?
Only two have kissed me bold!
She was young and fair and gay
As that young and gloriousday.
Two Sunsets.
by Ella Wheeler Wilcox

In the fair morning of his life,
When his pure heart lay in his breast,
Panting, with all that wild unrest
To plunge into the great world's strife
That fills young hearts with mad desire,
He saw a sunset. Red and gold
The burning billows surged and rolled,
And upward tossed their caps of fire.
He looked. And as he looked, the sight
Sent from his soul through breast and brain
Such intense joy, it hurt like pain.
His heart seemed bursting with delight.
So near the Unknown seemed, so close
He might have grasped it with his hand.
He felt his inmost soul expand,
As sunlight will expand a rose.
One day he heard a singing strain - 
A human voice, in bird-like trills.
He paused, and little rapture-rills
Went trickling downward through each vein.
And in his heart the whole day long,
As in a temple veiled and dim,
He kept and bore about with him
The beauty of that singer's song.
And then? But why relate what then?
His smouldering heart flamed into fire - 
He had his one supreme desire.
And plunged into the world of men.
For years queen Folly held her sway.
With pleasures of the grosser kind
She fed his flesh and drugged his mind,
Till, shamed, he sated turned away.
He sought his boyhood's home. That hour
Triumphant should have been, in sooth,
Since he went forth an unknown youth,
And came back crowned with wealth and power.
The clouds made day a gorgeous bed;
He saw the splendor of the sky
With unmoved heart and stolid eye;
He only knew the West was red.
Then suddenly a fresh young voice
Rose, bird-like, from some hidden place,
He did not even turn his face;
It struck him simply as a noise.
He trod the old paths up and down.
Their rich-hued leaves by Fall winds whirled - 
How dull they were - how dull the world - 
Dull even in the pulsing town.
O! worst of punishments, that brings
A blunting of all finer sense,
A loss of feelings keen, intense,
And dulls us to the higher things.
O! penalty most dire, most sure,
Swift following after gross delights,
That we no more see beauteous sights,
Or hear as hear the good and pure.
O! shape more hideous and more dread
Than Vengeance takes in creed-taught minds,
This certain doom that blunts and blinds,
And strikes the holiest feelings dead.
The Old Tin Hat
by Banjo Paterson (Andrew Barton)

In the good old days when the Army's ways were simple and unrefined,
With a stock to keep their chins in front, and a pigtail down behind,
When the only light in the barracks at night was a candle of grease or fat,
When they put the extinguisher on the light, they called it the Old Tin Hat.
Now, a very great man is the C. in C., for he is the whole of the show,
The reins and the whip and the driver's hand that maketh the team to go,
But the road he goes is a lonely road, with ever a choice to make,
When he comes to a place where the roads divide, which one is the road to take.
For there's one road right, and there's one road wrong, uphill, or over the flat,
And one road leads to the Temple of Fame, and one to the Old Tin Hat.
And a very great man is the man who holds an Army Corps command,
For he hurries his regiments here and there as the C. in C. has planned.
By day he travels about in state and stirreth them up to rights,
He toileth early and toileth late, and sitteth up half the nights;
But the evening comes when the candle throws twin shadows upon the mat,
And one of the shadows is like a wreath, and one like an Old Tin Hat.
And a very proud man is the Brigadier at the sound of the stately tread
Of his big battalions marching on, as he rides with his staff ahead.
There's never a band to play them out, and the bugle's note is still,
But he hears two tunes in the gentle breeze that blows from over the hill.
And one is a tune in a stirring key, and the other is faint and flat,
For one is the tune of "My new C.B." and the other, "My Old Tin Hat."
And the Colonel heading his regiment is life and soul of the show,
It's "Column of route", "Form troops", "Extend", and into the fight they go;
He does not duck when the air is full of the "wail of the whimpering lead",
He does not scout for the deep dugout when the 'planes are overhead;
He fears not hog, nor devil, nor dog, and he'd scrap with a mountain cat,
But he goeth in fear of the Brigadier, and in fear of the Old Tin Hat.
In The Greenest Of The Valleys
by Edgar Allan Poe

I.
In the greenest of our valleys,
By good angels tenanted,
Once fair and stately palace, 
Radiant palace, reared its head.
In the monarch Thought's dominion, 
It stood there!
Never seraph spread a pinion
Over fabric half so fair.
II.
Banners yellow, glorious, golden,
On its roof did float and flow;
(This, all this, was in the olden
Time long ago)
And every gentle air that dallied,
In that sweet day,
Along the ramparts plumed and pallid,
A winged odour went away.
III.
Wanderers in that happy valley
Through two luminous windows saw
Spirits moving musically
To a lute's well-tuned law,
Round about a throne, where sitting
(Porphyrogene!)
In state his glory well befitting,
The ruler of the realm was seen.
IV.
And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing
And sparkling evermore,
A troop of Echoes whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.
V.
But evil things, in robes of sorrow,
Assailed the monarch's high estate;
(Ah, let us mourn, for never morrow
Shall dawn upon him, desolate!)
And, round about his home, the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.
VI.
And travelers now within that valley,
Through the red-litten windows, see
Vast forms that move fantastically
To a discordant melody;
While, like a rapid ghastly river,
Through the pale door,
A hideous throng rush out forever,
And laugh, but smile no more.
A Song of Dawn.
by Sophie M. (Almon) Hensley

In the east a lightening;
Where the woods are chill
Moves an unseen finger,
Wakes a sudden thrill;
In my soul a glimmer,
Hush! no words are heard!
In heart-ambush hidden
Chirrup of a bird;
Tremble heart and forest
Like a frightened fawn,
Gleam the distant tree-tops,
Hither comes the dawn!
Donna Clara.
by Emma Lazarus

(From the German of Heine)
In the evening through her garden
Wanders the Alcalde's daughter,
Festal sounds of drum and trumpet
Ring out hither from the Castle.
"I am weary of the dances,
Honeyed words of adulation
From the knights who still compare me
To the sun with dainty phrases.
"Yes, of all things I am weary,
Since I first beheld by moonlight
Him, my cavalier, whose zither
Nightly draws me to my casement.
"As he stands so slim and daring,
With his flaming eyes that sparkle,
And with nobly pallid features,
Truly, he St. George resembles."
Thus went Donna Clara dreaming,
On the ground her eyes were fastened.
When she raised them, lo! before her
Stood the handsome knightly stranger.
Pressing hands and whispering passion,
These twain wander in the moonlight,
Gently doth the breeze caress them,
The enchanted roses greet them.
The enchanted roses greet them,
And they glow like Love's own heralds.
"Tell me, tell me, my beloved,
Wherefore all at once thou blushest?"
"Gnats were stinging me, my darling,
And I hate these gnats in summer
E'en as though they were a rabble
Of vile Jews with long, hooked noses."
"Heed not gnats nor Jews, beloved,"
Spake the knight with fond endearments.
From the almond-trees dropped downward
Myriad snowy flakes of blossoms.
Myriad snowy flakes of blossoms
Shed around them fragrant odors.
"Tell me, tell me, my beloved,
Looks thy heart on me with favor?"
"Yes, I love thee, O my darling,
And I swear it by our Saviour,
Whom the accursed Jews did murder,
Long ago with wicked malice."
"Heed thou neither Jews nor Saviour,"
Spake the knight with fond endearments.
Far off waved, as in a vision,
Gleaming lilies bathed in moonlight.
Gleaming lilies bathed in moonlight
Seemed to watch the stars above them.
"Tell me, tell me, my beloved,
Didst thou not erewhile swear falsely?"
"Naught is false in me, my darling,
E'en as in my veins there floweth
Not a drop of blood that's Moorish,
Neither of foul Jewish current."
"Heed not Moors nor Jews, beloved,"
Spake the knight with fond endearments.
Then towards a grove of myrtles
Leads he the Alcalde's daughter.
And with Love's slight subtile meshes,
He has trapped her and entangled.
Brief their words, but long their kisses,
For their hearts are overflowing.
What a melting bridal carol
Sings the nightingale, the pure one.
How the fire-flies in the grasses
Trip their sparkling torchlight dances!
In the grove the silence deepens,
Naught is heard save furtive rustling
Of the swaying myrtle branches,
And the breathing of the flowers.
But the sound of drum and trumpet
Burst forth sudden from the castle.
Rudely they awaken Clara,
Pillowed on her lover's bosom.
"Hark! they summon me, my darling!
But before we part, oh tell me,
Tell me what thy precious name is,
Which so closely thou hast hidden."
Then the knight with gentle laughter,
Kissed the fingers of his Donna,
Kissed her lips and kissed her forehead,
And at last these words he uttered:
"I, Senora, your beloved,
Am the son of the respected,
Worthy, erudite Grand Rabbi,
Israel of Saragossa."
In Remembrance
by Abram Joseph Ryan

In the eclipses of your soul, and when you cry
"O God! give more of rest and less of night,"
My words may rest you; and mayhap a light
Shall flash from them bright o'er thy spirit's sky;
Then think of me as one who passes by.
A few brief hours -- a golden August day,
We met, we spake -- I pass fore'er away.
Let ev'ry word of mine be golden ray
To brighten thy eclipses; and then wilt pray
That he who passes thee shall meet thee yet
In the "Beyond" where souls may ne'er forget.
Hauntings
by Rupert Brooke

In the grey tumult of these after years
Oft silence falls; the incessant wranglers part;
And less-than-echoes of remembered tears
Hush all the loud confusion of the heart;
And a shade, through the toss'd ranks of mirth and crying
Hungers, and pains, and each dull passionate mood,
Quite lost, and all but all forgot, undying,
Comes back the ecstasy of your quietude.
So a poor ghost, beside his misty streams,
Is haunted by strange doubts, evasive dreams,
Hints of a pre-Lethean life, of men,
Stars, rocks, and flesh, things unintelligible,
And light on waving grass, he knows not when,
And feet that ran, but where, he cannot tell.