DanFosing/public-domain-poetry huggingface dataset:
A New Years' Gift Sent To Sir Simeon Steward
by Robert Herrick

No news of navies burnt at seas;
No noise of late spawn'd tittyries;
No closet plot or open vent,
That frights men with a Parliament:
No new device or late-found trick,
To read by th' stars the kingdom's sick;
No gin to catch the State, or wring
The free-born nostril of the King,
We send to you; but here a jolly
Verse crown'd with ivy and with holly;
That tells of winter's tales and mirth
That milk-maids make about the hearth;
Of Christmas sports, the wassail-bowl,
That toss'd up, after Fox-i'-th'-hole;
Of Blind-man-buff, and of the care
That young men have to shoe the Mare;
Of twelf-tide cakes, of pease and beans,
Wherewith ye make those merry scenes,
Whenas ye chuse your king and queen,
And cry out, 'Hey for our town green!'
Of ash-heaps, in the which ye use
Husbands and wives by streaks to chuse;
Of crackling laurel, which fore-sounds
A plenteous harvest to your grounds;
Of these, and such like things, for shift,
We send instead of New-year's gift.
Read then, and when your faces shine
With buxom meat and cap'ring wine,
Remember us in cups full crown'd,
And let our city-health go round,
Quite through the young maids and the men,
To the ninth number, if not ten;
Until the fired chestnuts leap
For joy to see the fruits ye reap,
From the plump chalice and the cup
That tempts till it be tossed up.
Then as ye sit about your embers,
Call not to mind those fled Decembers;
But think on these, that are t' appear,
As daughters to the instant year;
Sit crown'd with rose-buds, and carouse,
Till LIBER PATER twirls the house
About your ears, and lay upon
The year, your cares, that's fled and gone:
And let the russet swains the plough
And harrow hang up resting now;
And to the bag-pipe all address,
Till sleep takes place of weariness.
And thus throughout, with Christmas plays,
Frolic the full twelve holy-days.
Apology For The Foregoing Poems - From Yarrow Revisited, And Other Poems
by William Wordsworth

No more: the end is sudden and abrupt,
Abrupt, as without preconceived design
Was the beginning; yet the several Lays
Have moved in order, to each other bound
By a continuous and acknowledged tie
Though unapparent, like those Shapes distinct
That yet survive ensculptured on the walls
Of palaces, or temples, 'mid the wreck
Of famed Persepolis; each following each,
As might beseem a stately embassy,
In set array; these bearing in their hands
Ensign of civil power, weapon of war,
Or gift to be presented at the throne
Of the Great King; and others, as they go
In priestly vest, with holy offerings charged,
Or leading victims drest for sacrifice.
Nor will the Power we serve, that sacred Power,
The Spirit of humanity, disdain
A ministration humble but sincere,
That from a threshold loved by every Muse
Its impulse took, that sorrow-stricken door,
Whence, as a current from its fountain-head,
Our thoughts have issued, and our feelings flowed,
Receiving, willingly or not, fresh strength
From kindred sources; while around us sighed
(Life's three first seasons having passed away)
Leaf-scattering winds; and hoar-frost sprinklings fell
(Foretaste of winter) on the moorland heights;
And every day brought with it tidings new
Of rash change, ominous for the public weal.
Hence, if dejection has too oft encroached
Upon that sweet and tender melancholy
Which may itself be cherished and caressed
More than enough; a fault so natural
(Even with the young, the hopeful, or the gay)
For prompt forgiveness will not sue in vain.
A Song.
by Helen Maria Williams

I.
No riches from his scanty store
My lover could impart;
He gave a boon I valued more - 
He gave me all his heart!
II.
His soul sincere, his gen'rous worth,
Might well this bosom move;
And when I ask'd for bliss on earth,
I only meant his love.
III.
But now for me, in search of gain
From shore to shore he flies:
Why wander riches to obtain,
When love is all I prize?
IV.
The frugal meal, the lowly cot
If blest my love with thee!
That simple fare, that humble lot,
Were more than wealth to me.
V.
While he the dang'rous ocean braves,
My tears but vainly flow:
Is pity in the faithless waves
To which I pour my woe?
VI.
The night is dark, the waters deep,
Yet soft the billows roll;
Alas! at every breeze I weep - 
The storm is in my soul.
Deity.
by Madison Julius Cawein

No personal; a God divinely crowned
With gold and raised upon a golden throne
Deep in a golden glory, whence he nods
Man this or that, and little more than man!
And shalt thou see Him individual?
Not till the freed intelligence hath sought
Ten hundred hundred years to rise and love,
Piercing the singing cycles under God,
Their iridescent evolutions orbed
In wild prismatic splendors, shall it see
Through God-propinquity become a god
See, lightening out of spheric harmonies,
Resplendencies of empyrean light,
Prisms and facets of ten million beams
Starring a crystal of berainbowed rays,
And in this - eyes of burning sapphire, eyes
Deep as the music of the beautiful;
And o'er the eyes, limpid hierarchal brows,
As they were lilies of seraphic fire;
Lips underneath, of trembling ruby lips
Whose tongue's a chord, and every sound a song:
Cherubic faces of intensity
In multiplying myriads to a word
Forming the unit, God; Supremity
Creative and ubiquitous.
From this
Thy intellect, detached, expelled and breathed
Exaltant into flesh endowed with soul,
One sparkle of the Essence clothed with clay.
O high development! devolvings up
From matter to unmattered potencies,
Up to the source and fountain of all mind,
Beauty and truth, inviolable Love,
And so resumed and reabsorbed in God,
One more expression of eternity!
Poems
by Stephen Phillips

No Muse will I invoke; for she is fled!
Lo! where she sits, breathing, yet all but dead.
She loved the heavens of old, she thought them fair;
And dream'd of Gods in Tempe's golden air.
For her the wind had voice, the sea its cry;
She deem'd heroic Greece could never die.
Breathless was she, to think what nymphs might play
In clear green depths, deep-shaded from the day;
She thought the dim and inarticulate god
Was beautiful, nor knew she man a sod;
But hoped what seem'd might not be all untrue,
And feared to look beyond the eternal blue.
But now the heavens are bared of dreams divine.
Still murmurs she, like Autumn, _This was mine!_
How should she face the ghastly, jarring Truth,
That questions all, and tramples without ruth?
And still she clings to Ida of her dreams,
And sobs, _Ah! let the world be what it seems!_
Then the shy nymph shall softly come again;
The world, once more, make music for her pain.
For, sitting in the dim and ghostly night,
She fain would stay the strong approach of light;
While later bards cleave to her, and believe
That in her sorrow she can still conceive!
Oh, let her dream; still lovely is her sigh;
Oh, rouse her not, or she shall surely die.
Molly Gone
by Thomas Hardy

No more summer for Molly and me;
There is snow on the tree,
And the blackbirds plump large as the rooks are, almost,
And the water is hard
Where they used to dip bills at the dawn ere her figure was lost
To these coasts, now my prison close-barred.
No more planting by Molly and me
Where the beds used to be
Of sweet-william; no training the clambering rose
By the framework of fir
Now bowering the pathway, whereon it swings gaily and blows
As if calling commendment from her.
No more jauntings by Molly and me
To the town by the sea,
Or along over Whitesheet to Wynyard's green Gap,
Catching Montacute Crest
To the right against Sedgmoor, and Corton-Hill's far-distant cap,
And Pilsdon and Lewsdon to west.
No more singing by Molly to me
In the evenings when she
Was in mood and in voice, and the candles were lit,
And past the porch-quoin
The rays would spring out on the laurels; and dumbledores hit
On the pane, as if wishing to join.
Where, then, is Molly, who's no more with me?
- As I stand on this lea,
Thinking thus, there's a many-flamed star in the air,
That tosses a sign
That her glance is regarding its face from her home, so that there
Her eyes may have meetings with mine.
Requiem
by Madison Julius Cawein

I.
No more for him, where hills look down,
Shall Morning crown
Her rainy brow with blossom bands!
The Morning Hours, whose rosy hands
Drop wildflowers of the breaking skies
Upon the sod 'neath which he lies.
No more for him! No more! No more!
II.
No more for him, where waters sleep,
Shall Evening heap
The long gold of the perfect days!
The Eventide, whose warm hand lays
Great poppies of the afterglow
Upon the turf he rests below.
No more for him! No more! no more!
III.
No more for him, where woodlands loom,
Shall Midnight bloom
The star-flowered acres of the blue!
The Midnight Hours, whose dim hands strew
Dead leaves of darkness, hushed and deep,
Upon the grave where he doth sleep.
No more for him! No more! No more!
IV.
The hills, that Morning's footsteps wake:
The waves that take
A brightness from the Eve; the woods
And solitudes, o'er which Night broods,
Their Spirits have, whose parts are one
With him, whose mortal part is done.
Whose part is done.
Estranged
by Walter De La Mare

No one was with me there - 
Happy I was - alone;
Yet from the sunshine suddenly
A joy was gone.
A bird in an empty house
Sad echoes makes to ring,
Flitting from room to room
On restless wing:
Till from its shades he flies,
And leaves forlorn and dim
The narrow solitudes
So strange to him.
So, when with fickle heart
I joyed in the passing day,
A presence my mood estranged
Went grieved away.
Golden Gully
by Henry Lawson

No one lives in Golden Gully, for its golden days are o'er,
And its clay shall never sully blucher-boots of diggers more,
For the diggers long have vanished, nought but broken shafts remain,
And the bush, by diggers banished, fast reclaims its own again.
Now, when dying Daylight slowly draws her fingers from the 'Peak',
The Weird Empress Melancholy rises from the reedy creek,
In the gap above the gully, while the dismal curlews scream
Loud to welcome her as ruler of the dreary night supreme,
Takes her throne, and by her presence fills the strange, uncertain air
With a ghostly phosphorescence of the horrors hidden there.
None would think, by camp-fire blazy, lighting fitfully the scene,
In the seasons that are hazy, how in seasons gone between,
Diggers yarned or joined in jolly ballads of the field and foam,
Or grew sad and melancholy over songs like 'Home, Sweet Home',
Songs of other times, demanding sullen tears that would not start,
Every digger understanding what was in his comrade's heart.
It may seem to you a riddle how a poet's fancies roam,
But methinks I hear a fiddle softly playing 'Home, Sweet Home'
'Mid the trees, while meditative diggers round the camp-fire stand.
(Those were days before Australians learned to love their native land.)
Now the dismal curlew screeches round the shafts when night winds sough;
Startling murmurs, broken speeches, shake each twisted, tangled bough,
And whene'er the night comes dreary, darkened by the falling rain,
Voices, loud and dread and eerie, come again and come again,
Come like troubled souls forbidden rest until their tales are told,
Tales of deeds of darkness hidden in the whirl of days of gold,
Come like troubled spirits telling tales of dire and dread mishaps,
Kissing, falling, rising, swelling, dying in the dismal gaps.
When the coming daylight slowly lays her fingers on the 'Peak'
Then the Empress Melancholy hurries off to swamps that reek.
But the scene is never cheery, be it sunshine, be it rain,
For the Gully keeps its dreary look till darkness comes again.
As you stand beside the broken shafts, where grass is growing thick,
You can almost hear a spoken word, or hear a thudding pick;
And your very soul seems sinking, foetid grows the morning air,
For you cannot help believing that there's something buried there.
There's a ring amid the saplings by a travelling circus worn,
That amused the noisy diggers e'er the rising race was born;
There's a road where scrub encroaches that was once the main highway,
Over which two rival coaches dashed in glory twice a day;
Gone, all gone from Golden Gully, for its golden days are o'er,
And its clay shall never sully wheels of crowded coaches more.
Upon Doll.
by Robert Herrick

No question but Doll's cheeks would soon roast dry,
Were they not basted by her either eye.
The River Duddon - A Series Of Sonnets, 1820. - XXIX - No Record Tells Of Lance Opposed To Lance
by William Wordsworth

No record tells of lance opposed to lance,
Horse charging horse, 'mid these retired domains;
Tells that their turf drank purple from the veins
Of heroes, fallen, or struggling to advance,
Till doubtful combat issued in a trance
Of victory, that struck through heart and reins
Even to the inmost seat of mortal pains,
And lightened o'er the pallid countenance.
Yet, to the loyal and the brave, who lie
In the blank earth, neglected and forlorn,
The passing Winds memorial tribute pay;
The Torrents chant their praise, inspiring scorn
Of power usurped; with proclamation high,
And glad acknowledgment, of lawful sway.
Future Poetry
by Alice Christiana Gertrude Thompson Meynell

No new delights to our desire
The singers of the past can yield.
I lift mine eyes to hill and field,
And see in them your yet dumb lyre,
Poets unborn and unrevealed.
Singers to come, what thoughts will start
To song? what words of yours be sent
Through man's soul, and with earth be blent?
These worlds of nature and the heart
Await you like an instrument.
Who knows what musical flocks of words
Upon these pine-tree tops will light,
And crown these towers in circling flight
And cross these seas like summer birds,
And give a voice to the day and night?
Something of you already is ours;
Some mystic part of you belongs
To us whose dreams your future throngs,
Who look on hills, and trees, and flowers,
Which will mean so much in your songs.
I wonder, like the maid who found,
And knelt to lift, the lyre supreme
Of Orpheus from the Thracian stream.
She dreams on its sealed past profound;
On a deep future sealed I dream.
She bears it in her wanderings
Within her arms, and has not pressed
Her unskilled fingers, but her breast
Upon those silent sacred strings;
I, too, clasp mystic strings at rest.
For I, i' the world of lands and seas,
The sky of wind and rain and fire,
And in man's world of long desire-
In all that is yet dumb in these-
Have found a more mysterious lyre.
To The Kind Reader.
by Johann Wolfgang von Goethe

No one talks more than a Poet;
Fain he'd have the people know it.
Praise or blame he ever loves;
None in prose confess an error,
Yet we do so, void of terror,
In the Muses' silent groves.
What I err'd in, what corrected,
What I suffer'd, what effected,
To this wreath as flow'rs belong;
For the aged, and the youthful,
And the vicious, and the truthful,
All are fair when viewed in song.
Epilogue, Spoken By The Same.
by John Dryden

(Prologue To The University Of Oxford, Spoken By Mr Hart, At The Acting Of "The Silent Woman.")
No poor Dutch peasant, wing'd with all his fear,
Flies with more haste, when the French arms draw near,
Than we with our poetic train come down,
For refuge hither, from the infected town:
Heaven, for our sins, this summer has thought fit
To visit us with all the plagues of wit.
A French troop first swept all things in its way;
But those hot Monsieurs were too quick to stay:
Yet, to our cost, in that short time, we find
They left their itch of novelty behind.
The Italian Merry-Andrews took their place,
And quite debauch'd the stage with lewd grimace:
Instead of wit and humours, your delight
Was there to see two hobby-horses fight;
Stout Scaramoucha with rush-lance rode in,
And ran a tilt at centaur Arlequin.
For love you heard how amorous asses bray'd,
And cats in gutters gave their serenade.
Nature was out of countenance, and each day
Some new-born monster shown you for a play.
But when all fail'd, to strike the stage quite dumb,
Those wicked engines call'd machines are come.
Thunder and lightning now for wit are play'd,
And shortly scenes in Lapland will be laid:
Art magic is for poetry profess'd;
And cats and dogs, and each obscener beast,
To which Egyptian dotards once did bow,
Upon our English stage are worshipp'd now.
Witchcraft reigns there, and raises to renown
Macbeth and Simon Magus of the town,
Fletcher's despised, your Jonson's out of fashion,
And wit the only drug in all the nation.
In this low ebb our wares to you are shown;
By you those staple authors' worth is known;
For wit's a manufacture of your own.
When you, who only can, their scenes have praised,
We'll boldly back, and say, their price is raised.
Astrophel and Stella - Sonnet LXIV
by Philip Sidney (Sir)

No more, my deare, no more these counsels trie;
O giue my passions leaue to run their race;
Let Fortune lay on me her worst disgrace;
Let folke orecharg'd with braine against me crie;
Let clouds bedimme my face, breake in mine eye;
Let me no steps but of lost labour trace;
Let all the earth with scorne recount my case,
But do not will me from my loue to flie.
I do not enuie Aristotless wit,
Nor do aspire to C'sars bleeding fame;
Nor ought do care though some aboue me sit;
Nor hope, nor wish another course to frame
But that which once may win thy cruell hart:
Thou art my wit, and thou my vertue art.
St. Martin's Summer
by Robert Browning

No protesting, dearest!
Hardly kisses even!
Don't we both know how it ends?
How the greenest leaf turns serest,
Bluest outbreak, blankest heaven,
Lovers, friends?
You would build a mansion,
I would weave a bower
Want the heart for enterprise.
Walls admit of no expansion:
Trellis-work may haply flower
Twice the size.
What makes glad Life's Winter?
New buds, old blooms after.
Sad the sighing 'How suspect
Reams would ere mid-Autumn splinter,
Rooftree scarce support a rafter,
Walls lie wrecked?'
You are young, my princess!
I am hardly older:
Yet, I steal a glance behind!
Dare I tell you what convinces
Timid me that you, if bolder,
Bold, are blind?
Where we plan our dwelling
Glooms a graveyard surely!
Headstone, footstone moss may drape,
Name, date, violets hide from spelling,
But, though corpses rot obscurely,
Ghosts escape.
Ghosts! O breathing Beauty,
Give my frank word pardon!
What if I, somehow, somewhere,
Pledged my soul to endless duty
Many a time and oft? Be hard on
Love, laid there?
Nay, blame grief that's fickle,
Time that proves a traitor,
Chance, change, all that purpose warps,
Death who spares to thrust the sickle
Laid Love low, through flowers which later
Shroud the corpse!
And you, my winsome lady,
Whisper with like frankness!
Lies nothing buried long ago?
Are yon, which shimmer 'mid the shady
Where moss and violet run to rankness,
Tombs or no?
Who taxes you with murder?
My hands are clean, or nearly!
Love being mortal needs must pass.
Repentance? Nothing were absurder.
Enough: we felt Love's loss severely;
Though now, alas!
Love's corpse lies quiet therefore,
Only Love's ghost plays truant,
And warns us have in wholesome awe
Durable mansionry; that's wherefore
I weave but trellis-work, pursuant
Life, to law.
The solid, not the fragile,
Tempts rain and hail and thunder.
If bower stand firm at Autumn's close,
Beyond my hope, why, boughs were agile;
If bower fall flat, we scarce need wonder
Wreathing rose!
So, truce to the protesting,
So, muffled be the kisses!
For, would we but avow the truth,
Sober is genuine joy. No jesting!
Ask else Penelope, Ulysses,
Old in youth!
For why should ghosts feel angered?
Let all their interference
Be faint march-music in the air!
'Up! Join the rear of us the vanguard!
Up, lovers, dead to all appearance,
Laggard pair!'
The while you clasp me closer,
The while I press you deeper,
As safe we chuckle, under breath,
Yet all the slyer, the jocoser,
'So, life can boast its day, like leap-year
Stolen from death!'
Ah me, the sudden terror!
Hence quick-avaunt, avoid me,
You cheat, the ghostly flesh-disguised!
Nay, all the ghosts in one! Strange error!
So, 'twas Death's self that clipped and toyed me,
Loved, and lied!
Ay, dead loves are the potent!
Like any cloud they used you,
Mere semblance you, but substance they!
Build we no mansion, weave we no tent!
Mere flesh, their spirit interfused you!
Hence, I say!
All theirs, none yours the glamour!
Theirs each low word that won me,
Soft look that found me Love's, and left
What else but you, the tears and clamor
That's all your very own! Undone me,
Ghost-bereft!
To Lar.
by Robert Herrick

No more shall I, since I am driven hence,
Devote to thee my grains of frankincense;
No more shall I from mantle-trees hang down,
To honour thee, my little parsley crown;
No more shall I (I fear me) to thee bring
My chives of garlic for an offering;
No more shall I from henceforth hear a choir
Of merry crickets by my country fire.
Go where I will, thou lucky Lar stay here,
Warm by a glitt'ring chimney all the year.
Woman's Song
by Edward Shanks

No more upon my bosom rest thee,
Too often have my hands caressed thee,
My lips thou knowest well, too well;
Lean to my heart no more thine ear
My spirit's living truth to hear
It has no more to tell.
In what dark night, in what strange night,
Burnt to the butt the candle's light
That lit our room so long?
I do not know, I thought I knew
How love could be both sweet and true:
I also thought it strong.
Where has the flame departed? Where,
Amid the empty waste of air,
Is that which dwelt with us?
Was it a fancy? Did we make
Only a show for dead love's sake,
It being so piteous?
No more against my bosom press thee,
Seek no more that my hands caress thee,
Leave the sad lips thou hast known so well;
If to my heart thou lean thine ear,
There grieving thou shalt only hear
Vain murmuring of an empty shell.
Poems
by Stephen Phillips

No Muse will I invoke; for she is fled!
Lo! where she sits, breathing, yet all but dead.
She loved the heavens of old, she thought them fair;
And dream'd of Gods in Tempe's golden air.
For her the wind had voice, the sea its cry;
She deem'd heroic Greece could never die.
Breathless was she, to think what nymphs might play
In clear green depths, deep-shaded from the day;
She thought the dim and inarticulate god
Was beautiful, nor knew she man a sod;
But hoped what seem'd might not be all untrue,
And feared to look beyond the eternal blue.
But now the heavens are bared of dreams divine.
Still murmurs she, like Autumn, This was mine!
How should she face the ghastly, jarring Truth,
That questions all, and tramples without ruth?
And still she clings to Ida of her dreams,
And sobs, Ah! let the world be what it seems!
Then the shy nymph shall softly come again;
The world, once more, make music for her pain.
For, sitting in the dim and ghostly night,
She fain would stay the strong approach of light;
While later bards cleave to her, and believe
That in her sorrow she can still conceive!
Oh, let her dream; still lovely is her sigh;
Oh, rouse her not, or she shall surely die.
Peace
by Henry John Newbolt, Sir

No more to watch by Night's eternal shore,
With England's chivalry at dawn to ride;
No more defeat, faith, victory---O! no more
A cause on earth for which we might have died.
From The Same II
by William Wordsworth

No mortal object did these eyes behold
When first they met the placid light of thine,
And my Soul felt her destiny divine,
And hope of endless peace in me grew bold:
Heaven-born, the Soul a heaven-ward course must hold;
Beyond the visible world she soars to seek
(For what delights the sense is false and weak)
Ideal Form, the universal mould.
The wise man, I affirm, can find no rest
In that which perishes: nor will he lend
His heart to aught which doth on time depend.
'Tis sense, unbridled will, and not true love,
That kills the soul: love betters what is best,
Even here below, but more in heaven above.