DanFosing/public-domain-poetry huggingface dataset:
A Poor Torn Heart, A Tattered Heart,
by Emily Elizabeth Dickinson

A poor torn heart, a tattered heart,
That sat it down to rest,
Nor noticed that the ebbing day
Flowed silver to the west,
Nor noticed night did soft descend
Nor constellation burn,
Intent upon the vision
Of latitudes unknown.
The angels, happening that way,
This dusty heart espied;
Tenderly took it up from toil
And carried it to God.
There, -- sandals for the barefoot;
There, -- gathered from the gales,
Do the blue havens by the hand
Lead the wandering sails.
Hayeswater
by Matthew Arnold

A region desolate and wild.
Black, chafing water: and afloat,
And lonely as a truant child
In a waste wood, a single boat:
No mast, no sails are set thereon;
It moves, but never moveth on:
And welters like a human thing
Amid the wild waves weltering.
Behind, a buried vale doth sleep,
Far down the torrent cleaves its way:
In front the dumb rock rises steep,
A fretted wall of blue and grey;
Of shooting cliff and crumbled stone
With many a wild weed overgrown:
All else, black water: and afloat,
One rood from shore, that single boat.
The Sycophantic Fox And The Gullible Raven
by Guy Wetmore Carryl

A raven sat upon a tree,
And not a word he spoke, for
His beak contained a piece of Brie,
Or, maybe, it was Roquefort:
We'll make it any kind you please--
At all events, it was a cheese.
Beneath the tree's umbrageous limb
A hungry fox sat smiling;
He saw the raven watching him,
And spoke in words beguiling.
"J'admire," said he, "ton beau plumage."
(The which was simply persiflage.)
Two things there are, no doubt you know,
To which a fox is used:
A rooster that is bound to crow,
A crow that's bound to roost,
And whichsoever he espies
He tells the most unblushing lies.
"Sweet fowl," he said, "I understand
You're more than merely natty,
I hear you sing to beat the band
And Adelina Patti.
Pray render with your liquid tongue
A bit from 'Gotterdammerung.'"
This subtle speech was aimed to please
The crow, and it succeeded:
He thought no bird in all the trees
Could sing as well as he did.
In flattery completely doused,
He gave the "Jewel Song" from "Faust."
But gravitation's law, of course,
As Isaac Newton showed it,
Exerted on the cheese its force,
And elsewhere soon bestowed it.
In fact, there is no need to tell
What happened when to earth it fell.
I blush to add that when the bird
Took in the situation
He said one brief, emphatic word,
Unfit for publication.
The fox was greatly startled, but
He only sighed and answered "Tut."
THE MORAL is: A fox is bound
To be a shameless sinner.
And also: When the cheese comes round
You know it's after dinner.
But (what is only known to few)
The fox is after dinner, too.
Nursery Rhyme. XCII. Proverbs.
by Unknown

A pullet in the pen
Is worth a hundred in the fen!
Friend And Enemy
by Ivan Sergeyevich Turgenev

A prisoner, condemned to confinement for life, broke out of his prison and took to head-long flight.... After him, just on his heels flew his gaolers in pursuit.
He ran with all his might.... His pursuers began to be left behind.
But behold, before him was a river with precipitous banks, a narrow, but deep river.... And he could not swim!
A thin rotten plank had been thrown across from one bank to the other. The fugitive already had his foot upon it.... But it so happened that just there beside the river stood his best friend and his bitterest enemy.
His enemy said nothing, he merely folded his arms; but the friend shrieked at the top of his voice: 'Heavens! What are you doing? Madman, think what you're about! Don't you see the plank's utterly rotten? It will break under your weight, and you will inevitably perish!'
'But there is no other way to cross ... and don't you hear them in pursuit?' groaned the poor wretch in despair, and he stepped on to the plank.
'I won't allow it!... No, I won't allow you to rush to destruction!' cried the zealous friend, and he snatched the plank from under the fugitive. The latter instantly fell into the boiling torrent, and was drowned.
The enemy smiled complacently, and walked away; but the friend sat down on the bank, and fell to weeping bitterly over his poor ... poor friend!
To blame himself for his destruction did not however occur to him ... not for an instant.
'He would not listen to me! He would not listen!' he murmured dejectedly.
'Though indeed,' he added at last. 'He would have had, to be sure, to languish his whole life long in an awful prison! At any rate, he is out of suffering now! He is better off now! Such was bound to be his fate, I suppose!
'And yet I am sorry, from humane feeling!'
And the kind soul continued to sob inconsolably over the fate of his misguided friend.
Dec. 1878.
Death And The Woodman.[1]
by Jean de La Fontaine

A poor wood-chopper, with his fagot load,
Whom weight of years, as well as load, oppress'd,
Sore groaning in his smoky hut to rest,
Trudged wearily along his homeward road.
At last his wood upon the ground he throws,
And sits him down to think o'er all his woes.
To joy a stranger, since his hapless birth,
What poorer wretch upon this rolling earth?
No bread sometimes, and ne'er a moment's rest;
Wife, children, soldiers, landlords, public tax,
All wait the swinging of his old, worn axe,
And paint the veriest picture of a man unblest.
On Death he calls. Forthwith that monarch grim
Appears, and asks what he should do for him.
'Not much, indeed; a little help I lack - 
To put these fagots on my back.'
Death ready stands all ills to cure;
But let us not his cure invite.
Than die, 'tis better to endure, - 
Is both a manly maxim and a right.
The Potter
by William Arthur Dunkerley (John Oxenham)

A Potter, playing with his lump of clay,
Fashioned an image of supremest worth.
"Never was nobler image made on earth,
Than this that I have fashioned of my clay.
And I, of mine own skill, did fashion it,--
I--from this lump of clay."
The Master, looking out on Pots and Men,
Heard his vain boasting, smiled at that he said.
"The clay is Mine, and I the Potter made,
As I made all things,--stars, and clay, and men.
In what doth this man overpass the rest?
--Be thou as other men!"
He touched the Image,--and it fell to dust,
He touched the Potter,--he to dust did fall.
Gently the Master,--"I did make them all,--
All things and men, heaven's glories, and the dust.
Who with Me works shall quicken death itself,
Without Me--dust is dust."
A Precise Woman
by Yehuda Amichai

A precise woman with a short haircut brings order
to my thoughts and my dresser drawers,
moves feelings around like furniture
into a new arrangement.
A woman whose body is cinched at the waist and firmly divided
into upper and lower,
with weather-forecast eyes
of shatterproof glass.
Even her cries of passion follow a certain order,
one after the other:
tame dove, then wild dove,
then peacock, wounded peacock, peacock, peacock,
the wild dove, tame dove, dove dove
thrush, thrush, thrush.
A precise woman: on the bedroom carpet her shoes always point away from the bed.
(My own shoes point toward it.)
A Prayer Of Love.
by Jean Blewett

A prayer of love, O Father!
A fair and flowery way
Life stretches out before these
On this their marriage day.
O pour Thy choicest blessing,
Withhold no gift of Thine,
Fill all their world with beauty
And tenderness divine!
A prayer of love, O Father!
This holy love and pure,
That thrills the soul to rapture,
O may it e'er endure!
The richest of earth's treasures,
The gold without alloy,
The flower of faith unfading,
The full, the perfect joy!
No mist of tears or doubting,
But in their steadfast eyes
The light divine, the light of love,
The light of Paradise.
A prayer of love, O Father!
A prayer of love to Thee,
God's best be theirs for life, for death,
And all Eternity!
The Mule Boasting Of His Genealogy.
by Jean de La Fontaine

[1]
A prelate's mule of noble birth was proud,
And talk'd, incessantly and loud,
Of nothing but his dam, the mare,
Whose mighty deeds by him recounted were, - 
This had she done, and had been present there, - 
By which her son made out his claim
To notice on the scroll of Fame.
Too proud, when young, to bear a doctor's pill;
When old, he had to turn a mill.
As there they used his limbs to bind,
His sire, the ass, was brought to mind.
Misfortune, were its only use
The claims of folly to reduce,
And bring men down to sober reason,
Would be a blessing in its season.
Nursery Rhyme. CXLI. Songs.
by Unknown

A pretty little girl in a round-eared cap
I met in the streets t'other day;
She gave me such a thump,
That my heart it went bump;
I thought I should have fainted away!
I thought I should have fainted away!
The Mouse & The Lion
by Walter Crane

A poor thing the Mouse was, and yet,
When the Lion got caught in a net,
All his strength was no use
'Twas the poor little Mouse
Who nibbled him out of the net.
Small Causes May Produce Great Results
Jagged Wire
by Paul Cameron Brown

A rail fence is more than that on a country dawn
moving by lots over hill & stone;
it barely pauses in the small of the field's lap,
then is caught in grey positioning as
light unfurls the sky.
All is a matter of perfect blistering -
dauber wasps are seen to heave the moistened wood
in chunks to mossy furrows, benign
in their firm embrace upon alabaster trees.
There, crusts of heavy nails, marked
like fortresses, droop in their rusty mail.
Mostly ants, in open canter, move
in as upon an urn & lance far more
than jagged wire the breath of stillest air.
Battle Passes
by Edward Dyson

A quaint old gabled cottage sleeps between the raving hills.
To right and left are livid strife, but on the deep, wide sills
The purple pot-flowers swell and glow, and o'er the walls and eaves
Prinked creeper steals caressing hands, the poplar drips its leaves.
Within the garden hot and sweet
Fair form and woven color meet,
While down the clear, cool stones, 'tween banks with branch and blossom gay,
A little, bridged, blind rivulet goes touching out its way.
Peace lingers hidden from the knife, the tearing blinding shell,
Where falls the spattered sunlight on a lichen-covered well.
No voice is here, no fall of feet, no smoke lifts cool and grey,
But on the granite stoop a cat blinks vaguely at the day.
From hill to hill across the vale
Storms man's terrific iron gale;
The cot roof on a brooding dove recks not the distant gun.
A brown hen scolds her chickens chasing midges in the sun.
Now down the eastward slope they come.
No call of life, no beat of drum,
But stealthily, and in the green,
Low hid, with rifle and machine,
Spit hate and death; and red blood flows
To shame the whiteness of the rose.
Crack followes crash; the bestial roar
Of gastly and insensate war
Breaks on the cot. A rending stoke,
The red roof springs, and in the smoke
And spume of shells the riven walls
Pile where the splintered elm-tree spawls.
From westward, streaming down hill,
Shot-ravaged, thinned, but urgent still,
The brown, fierce, blooded Anzacs sweep,
And Hell leaps a up. The lilies weep
Strange crimson tears. Tight-lipped and mute,
The grim, gaunt soldiers stab and shoot.
It passes. Frantic, fleeing death,
Wild-eyed, foam-flecked and every breath
A labored agony, like deer
That feel the hounds' keen teeth, appear
The Prussian men, and, wild to slay
The hunters press upon their prey.
Cries fade and fitful shots die down. The
Tumbled ruin now
Smoke faintly in the summer light, and lifts
The trodden bough.
A sigh stirs in the trampled green, and held
And tainted red
The rill creeps o'er a dead man's face and steals along its bed.
One deep among the lilacs thrown
Shock all the stillness with a moan.
Peace like the snowflake lights again where utter silence lies,
And softly with white finger-tips she seals a soldier eyes.
In A Library.
by Emily Elizabeth Dickinson

A precious, mouldering pleasure 't is
To meet an antique book,
In just the dress his century wore;
A privilege, I think,
His venerable hand to take,
And warming in our own,
A passage back, or two, to make
To times when he was young.
His quaint opinions to inspect,
His knowledge to unfold
On what concerns our mutual mind,
The literature of old;
What interested scholars most,
What competitions ran
When Plato was a certainty.
And Sophocles a man;
When Sappho was a living girl,
And Beatrice wore
The gown that Dante deified.
Facts, centuries before,
He traverses familiar,
As one should come to town
And tell you all your dreams were true;
He lived where dreams were sown.
His presence is enchantment,
You beg him not to go;
Old volumes shake their vellum heads
And tantalize, just so.
Sir Philip Sidney's Sonnet In Reply To 'A Sonnet By Sir Edward Dyer'
by Philip Sidney (Sir)

A satyr once did run away for dread,
With sound of horn which he himself did blow:
Fearing and feared, thus from himself he fled,
Deeming strange evil in that he did not know.
Such causeless fears when coward minds do take,
It makes them fly that which they fain would have;
As this poor beast, who did his rest forsake,
Thinking not why, but how, himself to save.
Ev'n thus might I, for doubts which I conceive
Of mine own words, my own good hap betray;
And thus might I, for fear of may be, leave
The sweet pursuit of my desired prey.
Better like I thy satyr, dearest Dyer,
Who burnt his lips to kiss fair shining fire.
A Wintry Sonnet.
by Christina Georgina Rossetti

A robin said: The Spring will never come,
And I shall never care to build again.
A Rosebush said: These frosts are wearisome,
My sap will never stir for sun or rain.
The half Moon said: These nights are fogged and slow,
I neither care to wax nor care to wane.
The Ocean said: I thirst from long ago,
Because earth's rivers cannot fill the main.
When springtime came, red Robin built a nest,
And trilled a lover's song in sheer delight.
Gray hoarfrost vanished, and the Rose with might
Clothed her in leaves and buds of crimson core.
The dim Moon brightened. Ocean sunned his crest,
Dimpled his blue, - yet thirsted evermore.
Three Things To Remember
by William Blake

A Robin Redbreast in a cage,
Puts all Heaven in a rage.
A skylark wounded on the wing
Doth make a cherub cease to sing.
He who shall hurt the little wren
Shall never be beloved by men.
Sunset On The River
by Madison Julius Cawein

I.
A Sea of onyx are the skies,
Cloud-islanded with fire;
Such nacre-colored flame as dyes
A sea-shell's rosy spire;
And at its edge one star sinks slow,
Burning, into the overglow.
II.
Save for the cricket in the grass,
Or passing bird that twitters,
The world is hushed. Like liquid glass
The soundless river glitters
Between the hills that hug and hold
Its beauty like a hoop of gold.
III.
The glory deepens; and, meseems,
A vasty canvas, painted
With revelations of God's dreams
And visions symbol-sainted,
The west is, that each night-cowled hill
Kneels down before in worship still.
IV.
There is no thing to wake unrest;
No sight or sound to jangle
The peace that evening in the breast
Brings, smoothing out the tangle
Of gnarls and knots of care and strife
That snarl the colored cord of life.
The Lonely Land
by Madison Julius Cawein

A river binds the lonely land,
A river like a silver band,
To crags and shores of yellow sand.
It is a place where kildees cry,
And endless marshes eastward lie,
Whereon looks down a ghostly sky.
A house stands gray and all alone
Upon a hill, as dim of tone,
And lonely, as a lonely stone.
There are no signs of life about;
No barnyard bustle, cry and shout
Of children who run laughing out.
No crow of cocks, no low of cows,
No sheep-bell tinkling under boughs
Of beech, or song in garth or house.
Only the curlew's mournful call,
Circling the sky at evenfall,
And loon lamenting over all.
A garden, where the sunflower dies
And lily on the pathway lies,
Looks blindly at the blinder skies.
And round the place a lone wind blows,
As when the Autumn grieving goes,
Tattered and dripping, to its close.
And on decaying shrubs and vines
The moon's thin crescent, dwindling shines,
Caught in the claws of sombre pines.
And then a pale girl, like a flower,
Enters the garden: for an hour
She waits beside a wild-rose bower.
There is no other one around;
No sound, except the cricket's sound
And far-off baying of a hound.
There is no fire or candle-light
To flash its message through the night
Of welcome from some casement bright.
Only the moon, that thinly throws
A shadow on the girl and rose,
As to its setting slow it goes.
And when 'tis gone, from shore and stream
There steals a mist, that turns to dream
That place where all things merely seem.
And through the mist there goes a cry,
Not of the earth nor of the sky,
But of the years that have passed by.
And with the cry there comes the rain,
Whispering of all that was in vain
At every door and window-pane.
And she, who waits beside the rose,
Hears, with her heart, a hoof that goes,
Galloping afar to where none knows.
And then she bows her head and weeps...
And suddenly a shadow sweeps
Around, and in its darkening deeps.
The house, the girl, the cliffs and stream
Are gone. And they, and all things seem
But phantoms, merely, in a dream.
Poem: Chanson
by Oscar Fingal O'Flahertie Wills Wilde

A ring of gold and a milk-white dove
Are goodly gifts for thee,
And a hempen rope for your own love
To hang upon a tree.
For you a House of Ivory,
(Roses are white in the rose-bower)!
A narrow bed for me to lie,
(White, O white, is the hemlock flower)!
Myrtle and jessamine for you,
(O the red rose is fair to see)!
For me the cypress and the rue,
(Finest of all is rosemary)!
For you three lovers of your hand,
(Green grass where a man lies dead)!
For me three paces on the sand,
(Plant lilies at my head)!
The Waning Year
by Madison Julius Cawein

A Sense of something that is sad and strange;
Of something that is felt as death is felt,
As shadows, phantoms, in a haunted grange,
Around me seems to melt.
It rises, so it seems, from the decay
Of the dim woods; from withered leaves and weeds,
And dead flowers hanging by the woodland way
Sad, hoary heads of seeds.
And from the cricket's song, so feeble now
'T is like a sound heard in the heart, a call
Dreamier than dreams; and from the shaken bough,
From which the acorns fall.
From scents and sounds it rises, sadly slow,
This presence, that hath neither face nor form;
That in the woods sits like demented woe,
Whispering of wreck and storm.
A presence wrought of melancholy grief,
And dreams that die; that, in the streaming night,
I shall behold, like some fantastic leaf,
Beat at my window's light.
That I shall hear, outside my storm-lashed door,
Moan like the wind in some rain-tortured tree;
Or 'round my roof and down my chimney roar
All the wild night to me.
The Rock of the Pilgrims.
by George Pope Morris

A rock in the wilderness welcomed our sires,
From bondage far over the dark-rolling sea;
On that holy altar they kindled the fires,
Jehovah, which glow in our bosoms for Thee.
Thy blessings descended in sunshine and shower,
Or rose from the soil that was sown by Thy hand;
The mountain and valley rejoiced in Thy power,
And heaven encircled and smiled on the land.
The Pilgrims of old an example have given
Of mild resignation, devotion, and love,
Which beams like the star in the blue vault of heaven,
A beacon-light swung in their mansion above.
In church and cathedral we kneel in OUR prayer--
Their temple and chapel were valley and hill--
But God is the same in the isle or the air,
And He is the Rock that we lean upon still.
A Rose-Bud By My Early Walk.
by Robert Burns

Tune - "The Rose-bud."
I.
A rose-bud by my early walk,
Adown a corn-enclosed bawk,
Sae gently bent its thorny stalk,
All on a dewy morning.
Ere twice the shades o' dawn are fled,
In a' its crimson glory spread,
And drooping rich the dewy head,
It scents the early morning.
II.
Within the bush, her covert nest
A little linnet fondly prest,
The dew sat chilly on her breast
Sae early in the morning.
She soon shall see her tender brood,
The pride, the pleasure o' the wood,
Amang the fresh green leaves bedew'd,
Awake the early morning.
III.
So thou, dear bird, young Jeany fair,
On trembling string or vocal air,
Shall sweetly pay the tender care
That tends thy early morning.
So thou, sweet rose-bud, young and gay,
Shalt beauteous blaze upon the day,
And bless the parent's evening ray
That watch'd thy early morning.
Friendship
by Ralph Waldo Emerson

A ruddy drop of manly blood
The surging sea outweighs,
The world uncertain comes and goes;
The lover rooted stays.
I fancied he was fled,--
And, after many a year,
Glowed unexhausted kindliness,
Like daily sunrise there.
My careful heart was free again,
O friend, my bosom said,
Through thee alone the sky is arched,
Through thee the rose is red;
All things through thee take nobler form,
And look beyond the earth,
The mill-round of our fate appears
A sun-path in thy worth.
Me too thy nobleness has taught
To master my despair;
The fountains of my hidden life
Are through thy friendship fair.
Nilsson.
by Sidney Lanier

A rose of perfect red, embossed
With silver sheens of crystal frost,
Yet warm, nor life nor fragrance lost.
High passion throbbing in a sphere
That Art hath wrought of diamond clear,
- A great heart beating in a tear.
The listening soul is full of dreams
That shape the wondrous-varying themes
As cries of men or plash of streams.
Or noise of summer rain-drops round
That patter daintily a-ground
With hints of heaven in the sound.
Or noble wind-tones chanting free
Through morning-skies across the sea
Wild hymns to some strange majesty.
O, if one trope, clear-cut and keen,
May type the art of Song's best queen,
White-hot of soul, white-chaste of mien,
On Music's heart doth Nilsson dwell
As if a Swedish snow-flake fell
Into a glowing flower-bell.
New York, 1871.
Philosopher And Pheasant.
by John Gay

A sage awakened by the dawn,
By music of the groves was drawn
From tree to tree: responsive notes
Arose from many warbling throats.
As he advanced, the warblers ceased;
Silent the bird and scared the beast - 
The nightingale then ceased her lay,
And the scared leveret ran away.
The sage then pondered, and his eye
Roamed round to learn the reason why.
He marked a pheasant, as she stood
Upon a bank, above her brood;
With pride maternal beat her breast
As she harangued and led from nest:
"Play on, my infant brood - this glen
Is free from bad marauding men.
O trust the hawk, and trust the kite,
Sooner than man - detested wight!
Ingratitude sticks to his mind, - 
A vice inherent to the kind.
The sheep, that clothes him with her wool,
Dies at the shambles - butcher's school;
The honey-bees with waxen combs
Are slain by hives and hecatombs;
And the sagacious goose, who gives
The plume whereby he writes and lives,
And as a guerdon for its use
He cuts the quill and eats the goose.
Avoid the monster: where he roams
He desolates our raided homes;
And where such acts and deeds are boasted,
I hear we pheasants all are roasted."
The Bird In The Room
by R. C. Lehmann

A robin skimmed into the room,
And blithe he looked and jolly,
A foe to every sort of gloom,
And, most, to melancholy.
He cocked his head, he made no sound,
But gave me stare for stare back,
When, having fluttered round and round,
He perched upon a chair-back.
I rose; ah, then, it seemed, he knew
Too late his reckless error:
Away in eager haste he flew,
And at his tail flew terror.
Now here, now there, from wall to floor,
For mere escape appealing,
He fled and struck against the door
Or bumped about the ceiling.
I went and flung each window wide,
I drew each half-raised blind up;
To coax him out in vain I tried;
He could not make his mind up.
He flew, he fell, he took a rest,
And off again he scuffled
With parted beak and panting breast
And every feather ruffled.
At length I lured him to the sill,
All dazed and undivining;
Beyond was peace o'er vale and hill,
And all the air was shining.
I stretched my hand and touched him; then
He made no more resistance,
But left the cramped abode of men
And flew into the distance.
*     *     *    *     *
Is life like that? We make it so;
We leave the sunny spaces,
And beat about, or high or low,
In dark and narrow places;
Till, worn with failure, vexed with doubt,
Our strength at last we rally,
And the bruised spirit flutters out
To find the happy valley.