DanFosing/public-domain-poetry huggingface dataset:
The Everlasting Voices
by William Butler Yeats

O sweet everlasting Voices be still;
Go to the guards of the heavenly fold
And bid them wander obeying your will
Flame under flame, till Time be no more;
Have you not heard that our hearts are old,
That you call in birds, in wind on the hill,
In shaken boughs, in tide on the shore?
O sweet everlasting Voices be still.
Nursery Rhyme. CCCLXII. Paradoxes.
by Unknown

O that I was where I would be,
Then would I be where I am not!
But where I am must be,
And where I would be I cannot.
Approaching Night
by John Clare

O take this world away from me;
Its strife I cannot bear to see,
Its very praises hurt me more
Than een its coldness did before,
Its hollow ways torment me now
And start a cold sweat on my brow,
Its noise I cannot bear to hear,
Its joy is trouble to my ear,
Its ways I cannot bear to see,
Its crowds are solitudes to me.
O, how I long to be agen
That poor and independent man,
With labour's lot from morn to night
And books to read at candle light;
That followed labour in the field
From light to dark when toil could yield
Real happiness with little gain,
Rich thoughtless health unknown to pain:
Though, leaning on my spade to rest,
I've thought how richer folks were blest
And knew not quiet was the best.
Go with your tauntings, go;
Neer think to hurt me so;
I'll scoff at your disdain.
Cold though the winter blow,
When hills are free from snow
It will be spring again.
So go, and fare thee well,
Nor think ye'll have to tell
Of wounded hearts from me,
Locked up in your hearts cell.
Mine still at home doth dwell
In its first liberty.
Bees sip not at one flower,
Spring comes not with one shower,
Nor shines the sun alone
Upon one favoured hour,
But with unstinted power
Makes every day his own.
And for my freedom's sake
With such I'll pattern take,
And rove and revel on.
Your gall shall never make
Me honied paths forsake;
So prythee get thee gone.
And when my toil is blest
And I find a maid possest
Of truth that's not in thee,
Like bird that finds its nest
I'll stop and take my rest;
And love as she loves me.
To............. An Impromtu.
by Thomas Gent

O Sub! you certainly have been,
A little raking, roguish creature,
And in that face may still be seen,
Each laughing loves bewitching feature!
For thou hast stolen many a heart--
And robb'd the sweetness of the rose;
Plac'd on that cheek, it doth impart
More lovely tints, more fragrant blows!
Yes, thou art nature's favorite child,
Array'd in smiles, seducing, killing;
Did Joseph live, you'd drive him wild,
And set his very soul a thrilling!
A poet, much too poor to live,
Too poor, in this rich world to rove,
Too poor, for aught but verse to give,
But not, thank God, too poor to love!
Gives thee his little doggerel lay--
One truth I tell, in sorrow tell it,
I'm forc'd to give my verse away,
Because, alas! I cannot sell it.
And should you with a critic's eye,
Proclaim me 'gainst the Muse a sinner,
Reflect, dear girl! that such as I,
Six times a week don't get a dinner.
And want of comfort, food, and wine,
Will damp the genius, curb the spirit:
These wants I'll own are often mine;
But can't allow a want of merit.
For every stupid dog that drinks
At poet's pond, nicknam'd divine:
Say what he will, I know he thinks
That all he writes is devilish fine!
Astrophel and Stella - Sonnet C
by Philip Sidney (Sir)

O teares! no teares, but raine, from Beauties skies,
Making those lillies and those roses growe,
Which ay most faire, now more then most faire shew,
While gracefull Pitty Beautie beautifies.
O honied sighs! which from that breast do rise,
Whose pants do make vnspilling creame to flow,
Wing'd with whose breath, so pleasing Zephires blow.
As might refresh the hell where my soule fries.
O plaints! conseru'd in such a sugred phrase,
That Eloquence itself enuies your praise,
While sobd-out words a perfect musike giue.
Such teares, sighs, plaints, no sorrow is, but ioy:
Or if such heauenly signes must proue annoy,
All mirth farewell, let me in sorrow liue.
Song Of Hope
by Thomas Hardy

O sweet To-morrow! -
After to-day
There will away
This sense of sorrow.
Then let us borrow
Hope, for a gleaming
Soon will be streaming,
Dimmed by no gray -
No gray!
While the winds wing us
Sighs from The Gone,
Nearer to dawn
Minute-beats bring us;
When there will sing us
Larks of a glory
Waiting our story
Further anon -
Anon!
Doff the black token,
Don the red shoon,
Right and retune
Viol-strings broken;
Null the words spoken
In speeches of rueing,
The night cloud is hueing,
To-morrow shines soon -
Shines soon!
Ode On A Nearer Prospect Of Summer Hill
by Richard Harris Barham

O Summer Hill! if thou wert mine,
I'd order in a pipe of wine,
And ask a dozen friends to dine.
In faith, I would not spare the guineas,
But send for Pag and other ninies,
Flutes, hautboys, fiddles, pipes, and tabors,
Hussars with moustaches and sabres,
Quadrilles, and that grand waltz of Weber's,
And give a dance to all my neighbours;
And here I'd sit and quaff my fill
Among the trees of Summer Hill.
Then with bland eye careering slowly,
O'er bush-crowned ridge end valley lowly;
I'd drain the cup to thee, old Rowley!
To thee, and to thy courtly train,
Once tenants of thy fair domain;
Soft Stewart, haughtiest Castlemaine,
Pert Nelly Gwynne, and Lucy Waters,
Old England's fairest, frailest daughters.
E'en now, 'midst yonder leafy glade,
Methinks I see thy Royal shade
In amplitude of wig arrayed;
Near thee thy rival in peruke,
Stands Buckingham, uproarious Duke,
With Tony Hamilton and Killegrew;
And Wilmot, that sad rake till ill he grew,
When to amend his life and turn it
He promised pious Doctor Burnet;
In time let's hope to make old Nicholas
Lose all his pains, and look ridiculous!
Alexander! loftier far
Now culminates thy happier star
Than his of old, my ancient crony,
Thy namesake erst of Macedony,
Unrivalled, save, perhaps, by Boney.
Oh! happier far in thy degree
Art thou, although a conqueror he,
While thou art but an ex-M.P.
Yea, far more blessed my Alexander,
Art thou than that deceas'd commander;
Much though his name be honour'd, Fate,
Making thee Lord of this estate,
Dubbed thee in verity 'The Great.'
Thou ne'er wert led through wanton revelling,
These sylvan scenes to play the devil in;
In these sweet shades so praised by Grammont,
Thou didst not call thyself 'Young Ammon.'
And I, for one, wouldst thou invite us,
Would never fear the fate of Clytus.
No lady of too easy virtue
E'er made you think enough to hurt you,
And then with recklessness amazing,
Bade you set house and all a-blazing.
('Tis hard to say which works the quicker,
To make folks blockheads, love or liquor.
But oh! it is an awful thing,
When both combine to make a king
Descend to play the part of Swing!)
Another world, thou dost not sigh
To conquer, much less pipe thine eye,
I dare be sworn no! Alexander,
Thou art not half as great a gander:
This is thy globe here toujours gai
Thy motto still, though, well-a-day,
Sarum be popp'd in schedule A.
O Summer, Summer, Summer Hill,
Fain would I gaze and linger still;
But see the moon her silver lamp
Uprears, the grass is getting damp.
And hark! the curfew's parting knell
Is toll'd by Doctor Knox's bell!
I go to join my wife and daughters,
Drinking these nasty-flavoured waters.
O Summer Hill! I must repine,
Thou art not, never will be mine
I have not even got the wine.
Amadis And Oriana
by Madison Julius Cawein

From "Beltenebros at Miraflores"
O sunset, from the springs of stars,
Draw down thy cataracts of gold;
And belt their streams with burning bars
Of ruby on which flame is rolled:
Drench dingles with laburnum light;
Drown every vale in violet blaze:
Rain rose-light down; and, poppy-bright,
Die downward o'er the hills of haze,
And bring at last the stars of night!
The stars and moon! that silver world,
Which, like a spirit, faces west,
Her foam-white feet with light empearled,
Bearing white flame within her breast:
Earth's sister sphere of fire and snow,
Who shows to Earth her heart's pale heat,
And bids her mark its pulses glow,
And hear their crystal currents beat
With beauty, lighting all below.
O cricket, with thy elfin pipe,
That tinkles in the grass and grain;
And dove-pale buds, that, dropping, stripe
The glen's blue night, and smell of rain;
O nightingale, that so dost wail
On yonder blossoming branch of snow,
Thrill, fill the wild deer-haunted dale,
Where Oriana, walking slow,
Comes, thro' the moonlight, dreamy pale.
She comes to meet me! Earth and air
Grow radiant with another light.
In her dark eyes and her dark hair
Are all the stars and all the night:
She comes! I clasp her! and it is
As if no grief had ever been.
In all the world for us who kiss
There are no other women or men
But Oriana and Amadis.
Spring.
by Jean Blewett

O the frozen valley and frozen hill make a coffin wide and deep,
And the dead river lies, all its laughter stilled within it, fast asleep.
The trees that have played with the merry thing, and freighted its breast with leaves,
Give never a murmur or sigh of woe - they are dead - no dead thing grieves.
No carol of love from a song-bird's throat; the world lies naked and still,
For all things tender, and all things sweet, have been touched by the gruesome chill.
Not a flower - a blue forget-me-not, a wild rose, or jasmine soft - 
To lay its bloom on the dead river's lips, that have kissed them all so oft.
But look! a ladder is spanning the space 'twixt earth and the sky beyond,
A ladder of gold for the Maid of Grace - the strong, the subtle, the fond!
Spring, with the warmth in her footsteps light, and the breeze and the fragrant breath,
Is coming to press her radiant face to that which is cold in death.
Spring, with a mantle made of the gold held close in a sunbeam's heart
Thrown over her shoulders bonnie and bare - see the sap in the great trees start!
Where the hem of this flowing garment trails, see the glow, the color bright,
A stirring and spreading of something fair - the dawn is chasing the night!
Spring, with all love and all dear delights pulsing in every vein,
The old earth knows her, and thrills to her touch, as she claims her own again.
Spring, with the hyacinths filling her lap and violet seeds in her hair,
With the crocus hiding its satin head in her bosom warm and fair;
Spring, with the daffodils at her feet and pansies abloom in her eyes,
Spring, with enough of God in herself to make the dead to arise!
For see, as she bends o'er the coffin deep - the frozen valley and hill - 
The dead river stirs, - ah, that ling'ring kiss is making its heart to thrill!
And then as she closer and closer leans, it slips from its snowy shroud,
Frightened a moment, then rushing away, calling and laughing aloud!
The hill where she rested is all abloom, the wood is green as of old,
And wakened birds are striving to send their songs to the Gates of Gold.
To Sincerity
by Thomas Hardy

O sweet sincerity! -
Where modern methods be
What scope for thine and thee?
Life may be sad past saying,
Its greens for ever graying,
Its faiths to dust decaying;
And youth may have foreknown it,
And riper seasons shown it,
But custom cries: "Disown it:
"Say ye rejoice, though grieving,
Believe, while unbelieving,
Behold, without perceiving!"
- Yet, would men look at true things,
And unilluded view things,
And count to bear undue things,
The real might mend the seeming,
Facts better their foredeeming,
And Life its disesteeming.
February 1899.
Lines To Study.
by John Carr (Sir)

O Study! while thy lovers raise
Thy name with all the pow'r of praise,
Frown not, thou nymph with piercing mind!
If in this bosom thou should'st find
That all thy deep, thy brilliant, lore,
Which charm'd it once, now charms no more:
Frown not, if, on thy classic line,
One strange, uncall'd-for, tear should shine;
Frown not, if, when a smile should start,
A sigh should heave an aching heart:
If Mem'ry, roving far away,
Should an unmeaning homage pay,
Should ask thee for thy golden fruit,
And, when thou deign'st to hear her suit,
Should turn her from the proffer'd food,
To tread the shades of Solitude:
Frown not, if, in the humble line,
Ungrac'd by any thought of thine,
Should but that gentle name appear,
Fond cause of ev'ry joy and fear;
I love, tho' rude, I love it more,
Than all thy piles of letter'd lore:
Frown not if ev'ry airy word,
Which Beauty breathes, or Love has heard,
More rich, more eloquently, flow,
To Mem'ry gives a warmer glow,
Than all by thee so much approv'd,
The wit of age on age improv'd.
Go, then! and, since it is denied
That thou shalt be my radiant guide!
Leave me to sigh, to weep, to prove
How little Learning is to Love.
The Seven Old Men
by Charles Baudelaire

O swarming city, city full of dreams,
Where in a full day the spectre walks and speaks;
Mighty colossus, in your narrow veins
My story flows as flows the rising sap.
One morn, disputing with my tired soul,
And like a hero stiffening all my nerves,
I trod a suburb shaken by the jar
Of rolling wheels, where the fog magnified
The houses either side of that sad street,
So they seemed like two wharves the ebbing flood
Leaves desolate by the river-side. A mist,
Unclean and yellow, inundated space
A scene that would have pleased an actor's soul.
Then suddenly an aged man, whose rags
Were yellow as the rainy sky, whose looks
Should have brought alms in floods upon his head,
Without the misery gleaming in his eye,
Appeared before me; and his pupils seemed
To have been washed with gall; the bitter frost
Sharpened his glance; and from his chin a beard
Sword-stiff and ragged, Judas-like stuck forth.
He was not bent but broken: his backbone
Made a so true right angle with his legs,
That, as he walked, the tapping stick which gave
The finish to the picture, made him seem
Like some infirm and stumbling quadruped
Or a three-legged Jew. Through snow and mud
He walked with troubled and uncertain gait,
As though his sabots trod upon the dead,
Indifferent and hostile to the world.
His double followed him: tatters and stick
And back and eye and beard, all were the same;
Out of the same Hell, indistinguishable,
These centenarian twins, these spectres odd,
Trod the same pace toward some end unknown.
To what fell complot was I then exposed?
Humiliated by what evil chance?
For as the minutes one by one went by
Seven times I saw this sinister old man
Repeat his image there before my eyes!
Let him who smiles at my inquietude,
Who never trembled at a fear like mine,
Know that in their decrepitude's despite
These seven old hideous monsters had the mien
Of beings immortal.
Then, I thought, must I,
Undying, contemplate the awful eighth;
Inexorable, fatal, and ironic double;
Disgusting Phoenix, father of himself
And his own son? In terror then I turned
My back upon the infernal band, and fled
To my own place, and closed my door; distraught
And like a drunkard who sees all things twice,
With feverish troubled spirit, chilly and sick,
Wounded by mystery and absurdity!
In vain my reason tried to cross the bar,
The whirling storm but drove her back again;
And my soul tossed, and tossed, an outworn wreck,
Mastless, upon a monstrous, shoreless sea.
Ode Sung In The Town Hall, Concord, July 4, 1857
by Ralph Waldo Emerson

O tenderly the haughty day
Fills his blue urn with fire;
One morn is in the mighty heaven,
And one in our desire.
The cannon booms from town to town,
Our pulses beat not less,
The joy-bells chime their tidings down,
Which children's voices bless.
For He that flung the broad blue fold
O'er-mantling land and sea,
One third part of the sky unrolled
For the banner of the free.
The men are ripe of Saxon kind
To build an equal state,--
To take the statute from the mind
And make of duty fate.
United States! the ages plead,--
Present and Past in under-song,--
Go put your creed into your deed,
Nor speak with double tongue.
For sea and land don't understand,
Nor skies without a frown
See rights for which the one hand fights
By the other cloven down.
Be just at home; then write your scroll
Of honor o'er the sea,
And bid the broad Atlantic roll,
A ferry of the free.
And henceforth there shall be no chain,
Save underneath the sea
The wires shall murmur through the main
Sweet songs of liberty.
The conscious stars accord above,
The waters wild below,
And under, through the cable wove,
Her fiery errands go.
For He that worketh high and wise.
Nor pauses in his plan,
Will take the sun out of the skies
Ere freedom out of man.
Apathy and Enthusiasm.
by Herman Melville

(1860-1.)
I
O the clammy cold November,
And the winter white and dead,
And the terror dumb with stupor,
And the sky a sheet of lead;
And events that came resounding
With the cry that All was lost,
Like the thunder-cracks of massy ice
In intensity of frost - 
Bursting one upon another
Through the horror of the calm.
The paralysis of arm
In the anguish of the heart;
And the hollowness and dearth.
The appealings of the mother
To brother and to brother
Not in hatred so to part - 
And the fissure in the hearth
Growing momently more wide.
Then the glances 'tween the Fates,
And the doubt on every side,
And the patience under gloom
In the stoniness that waits
The finality of doom.
II
So the winter died despairing,
And the weary weeks of Lent;
And the ice-bound rivers melted,
And the tomb of Faith was rent.
O, the rising of the People
Came with springing of the grass,
They rebounded from dejection
And Easter came to pass.
And the young were all elation
Hearing Sumter's cannon roar,
And they thought how tame the Nation
In the age that went before.
And Michael seemed gigantical,
The Arch-fiend but a dwarf;
And at the towers of Erebus
Our striplings flung the scoff.
But the elders with foreboding
Mourned the days forever o'er,
And re called the forest proverb,
The Iroquois' old saw:
Grief to every graybeard
When young Indians lead the war.
Spring On The River.
by Archibald Lampman

O sun, shine hot on the river;
For the ice is turning an ashen hue,
And the still bright water is looking through,
And the myriad streams are greeting you
With a ballad of life to the giver,
From forest and field and sunny town,
Meeting and running and tripping down,
With laughter and song to the river.
Oh! the din on the boats by the river;
The barges are ringing while day avails,
With sound of hewing and hammering nails,
Planing and painting and swinging pails,
All day in their shrill endeavour;
For the waters brim over their wintry cup,
And the grinding ice is breaking up,
And we must away down the river.
Oh! the hum and the toil of the river;
The ridge of the rapid sprays and skips:
Loud and low by the water's lips,
Tearing the wet pines into strips,
The saw mill is moaning ever.
The little grey sparrow skips and calls
On the rocks in the rain of the water falls,
And the logs are adrift in the river.
Oh! restlessly whirls the river;
The rivulets run and the cataract drones:
The spiders are flitting over the stones:
Summer winds float and the cedar moans;
And the eddies gleam and quiver.
O sun, shine hot, shine long and abide
In the glory and power of thy summer tide
On the swift longing face of the river.
Regret.
by Jean Ingelow

O that word REGRET!
There have been nights and morns when we have sighed,
"Let us alone, Regret! We are content
To throw thee all our past, so thou wilt sleep
For aye." But it is patient, and it wakes;
It hath not learned to cry itself to sleep,
But plaineth on the bed that it is hard.
We did amiss when we did wish it gone
And over: sorrows humanize our race;
Tears are the showers that fertilize this world;
And memory of things precious keepeth warm
The heart that once did hold them.
They are poor
That have lost nothing; they are poorer far
Who, losing, have forgotten; they most poor
Of all, who lose and wish they MIGHT forget.
For life is one, and in its warp and woof
There runs a thread of gold that glitters fair,
And sometimes in the pattern shows most sweet
Where there are sombre colors. It is true
That we have wept. But O! this thread of gold,
We would not have it tarnish; let us turn
Oft and look back upon the wondrous web,
And when it shineth sometimes we shall know
That memory is possession.
I.
When I remember something which I had,
But which is gone, and I must do without,
I sometimes wonder how I can be glad,
Even in cowslip time when hedges sprout;
It makes me sigh to think on it, - but yet
My days will not be better days, should I forget.
II.
When I remember something promised me,
But which I never had, nor can have now,
Because the promiser we no more see
In countries that accord with mortal vow;
When I remember this, I mourn, - but yet
My happier days are not the days when I forget.
Milton. With Apologies To Lord Tennyson
by Robert Fuller Murray

O swallow-tailed purveyor of college sprees,
O skilled to please the student fraternity,
Most honoured publican of Scotland,
Milton, a name to adorn the Cross Keys;
Whose chosen waiters, Samuel, Archibald,
Helped by the boots and marker at billiards,
Wait, as the smoke-filled, crowded chamber
Rings to the roar of a Gaelic chorus--
Me rather all those temperance hostelries,
The soda siphon fizzily murmuring,
And lime fruit juice and seltzer water
Charm, as a wanderer out in South Street,
Where some recruiting, eager Blue-Ribbonites
Spied me afar and caught by the Post Office,
And crimson-nosed the latest convert
Fastened the odious badge upon me.
O Sweetheart, Hear You
by James Joyce

O Sweetheart, hear you
Your lover's tale;
A man shall have sorrow
When friends him fail.
For he shall know then
Friends be untrue
And a little ashes
Their words come to.
But one unto him
Will softly move
And softly woo him
In ways of love.
His hand is under
Her smooth round breast;
So he who has sorrow
Shall have rest.
Parting
by Arthur Hugh Clough

O tell me, friends, while yet we part,
And heart can yet be heard of heart,
O tell me then, for what is it
Our early plan of life we quit;
From all our old intentions range,
And why does all so wholly change?
O tell me, friends, while yet we part!
O tell me, friends, while yet we part,
The rays that from the centre start
Within the orb of one warm sun,
Unless I err, have once begun,
Why is it thus they still diverge?
And whither tends the course they urge?
O tell me, friends, while yet we part!
O tell me, friends, while yet ye hear,
May it not be, some coming year,
These ancient paths that here divide
Shall yet again run side by side,
And you from there, and I from here,
All on a sudden reappear?
O tell me, friends, while yet ye hear!
O tell me, friends, ye hardly hear,
And if indeed ye did, I fear
Ye would not say, ye would not speak,
Are you so strong, am I so weak,
And yet, how much so e'er I yearn,
Can I not follow, nor you turn?
O tell me, friends, ye hardly hear!
O tell me, friends, ere words are o'er,
There's something in me sad and sore
Repines, and underneath my eyes
I feel a somewhat that would rise,
O tell me, O my friends, and you,
Do you feel nothing like it too?
O tell me, friends, ere words are o'er!
O tell me, friends that are no more,
Do you, too, think ere it is o'er
Old times shall yet come round as erst,
And we be friends, as we were first?
Or do you judge that all is vain,
Except that rule that none complain?
O tell me, friends that are no more!
The Days Gone By
by James Whitcomb Riley

O the days gone by! O the days gone by!
The apples in the orchard, and the pathway through the rye;
The chirrup of the robin, and the whistle of the quail
As he piped across the meadows sweet as any nightingale;
When the bloom was on the clover, and the blue was in the sky,
And my happy heart brimmed over, in the days gone by.
In the days gone by, when my naked feet were tripped
By the honeysuckle tangles where the water-lilies dipped,
And the ripples of the river lipped the moss along the brink,
Where the placid-eyed and lazy-footed cattle came to drink,
And the tilting snipe stood fearless of the truant's wayward cry
And the splashing of the swimmer, in the days gone by.
O the days gone by! O the days gone by!
The music of the laughing lip, the lustre of the eye;
The childish faith in fairies, and Aladdin's magic ring -
The simple, soul-reposing, glad belief in everything, -
When life was like a story, holding neither sob nor sigh,
In the golden olden glory of the days gone by.