DanFosing/public-domain-poetry huggingface dataset:
Why Don't The Men Propose?
by Thomas Haynes Bayly

Why don't the men propose, mamma?
Why don't the men propose?
Each seems just coming to the point,
And then away he goes;
It is no fault of yours, mamma,
That everybody knows;
You f'te the finest men in town,
Yet, oh! they won't propose.
I'm sure I've done my best, mamma,
To make a proper match;
For coronets and eldest sons,
I'm ever on the watch;
I've hopes when some distingue beau
A glance upon me throws;
But though he'll dance and smile and flirt,
Alas! he won't propose.
I've tried to win by languishing,
And dressing like a blue;
I've bought big books and talked of them
As if I'd read them through!
With hair cropp'd like a man I've felt
The heads of all the beaux;
But Spurzheim could not touch their hearts,
And oh! they won't propose.
I threw aside the books, and thought
That ignorance was bliss;
I felt convinced that men preferred
A simple sort of Miss;
And so I lisped out nought beyond
Plain "yesses" or plain "noes,"
And wore a sweet unmeaning smile;
Yet, oh! they won't propose.
Last night at Lady Ramble's rout
I heard Sir Henry Gale
Exclaim, "Now I propose again,"
I started, turning pale;
I really thought my time was come,
I blushed like any rose;
But oh! I found 'twas only at
Ecarte he'd propose.
And what is to be done, mamma?
Oh, what is to be done?
I really have no time to lose,
For I am thirty-one;
At balls I am too often left
Where spinsters sit in rows;
Why don't the men propose, mamma?
Why won't the men propose?
Sonnets: Idea XLI Love's Lunacy
by Michael Drayton

Why do I speak of joy or write of love,
When my heart is the very den of horror,
And in my soul the pains of hell I prove,
With all his torments and infernal terror?
What should I say? what yet remains to do?
My brain is dry with weeping all too long;
My sighs be spent in utt'ring of my woe,
And I want words wherewith to tell my wrong.
But still distracted in love's lunacy,
And bedlam-like thus raving in my grief,
Now rail upon her hair, then on her eye,
Now call her goddess, then I call her thief;
Now I deny her, then I do confess her,
Now do I curse her, then again I bless her.
The Lady Visitor In The Pauper Ward
by Robert von Ranke Graves

Why do you break upon this old, cool peace,
This painted peace of ours,
With harsh dress hissing like a flock of geese,
With garish flowers?
Why do you churn smooth waters rough again,
Selfish old skin-and-bone?
Leave us to quiet dreaming and slow pain,
Leave us alone.
Penance
by Thomas Hardy

"Why do you sit, O pale thin man,
At the end of the room
By that harpsichord, built on the quaint old plan?
It is cold as a tomb,
And there's not a spark within the grate;
And the jingling wires
Are as vain desires
That have lagged too late."
"Why do I? Alas, far times ago
A woman lyred here
In the evenfall; one who fain did so
From year to year;
And, in loneliness bending wistfully,
Would wake each note
In sick sad rote,
None to listen or see!
"I would not join. I would not stay,
But drew away,
Though the winter fire beamed brightly . . . Aye!
I do to-day
What I would not then; and the chill old keys,
Like a skull's brown teeth
Loose in their sheath,
Freeze my touch; yes, freeze."
Cousinly Affection
by Ringgold Wilmer Lardner

Why do you love your Cousin Paull?
For his sweet face, his smile, and all
The little tricks that charm us so?
You're not quite old enough to know
How cute he is; to realize
How clever for a child his size.
I'm sure you can't appreciate
The things that make us think him great.
And yet you love your Cousin Paull.
Is it because he's twice as small
As you, just right for you to maul?
Because he won't fight back, or bawl?
Because when he is pushed he'll fall?
And, where most kids would howl and squall,
He takes it, nor puts in a call
For mother? Am I warm at all?
Is this why you love Cousin Paull?
Amour 43
by Michael Drayton

Why doe I speake of ioy, or write of loue,
When my hart is the very Den of horror,
And in my soule the paynes of hell I proue,
With all his torments and infernall terror?
Myne eyes want teares thus to bewayle my woe,
My brayne is dry with weeping all too long;
My sighes be spent with griefe and sighing so,
And I want words for to expresse my wrong.
But still, distracted in loues lunacy,
And Bedlam like thus rauing in my griefe,
Now rayle vpon her hayre, now on her eye,
Now call her Goddesse, then I call her thiefe;
Now I deny her, then I doe confesse her,
Now I doe curse her, then againe I blesse her.
Song.
by Thomas Moore

Why does azure deck the sky?
'Tis to be like thy looks of blue.
Why is red the rose's dye?
Because it is thy blushes' hue.
All that's fair, by Love's decree,
Has been made resembling thee!
Why is falling snow so white,
But to be like thy bosom fair!
Why are solar beams so bright?
That they may seem thy golden hair!
All that's bright, by Love's decree,
Has been made resembling thee!
Why are nature's beauties felt?
Oh! 'tis thine in her we see!
Why has music power to melt?
Oh! because it speaks like thee.
All that's sweet, by Love's decree,
Has been made resembling thee!
The Ballad Of Morbid Mothers
by John Kendall (Dum-Dum)

Why do you sit in the churchyard weeping?
Why do you cling to the dear old graves,
When the dim, drear mists of the dusk are creeping
Out of the marshes in wan, white waves?
Darling, I know you're a slave to sorrow;
Dearie, I know that the world is cruel;
But you'll be in bed with a cold to-morrow,
I shall be running upstairs with gruel.
Why do you weep on a tombstone, Mammy,
Sobbing alone in the drizzling sleet,
When the chill mists rise, and the wind strikes clammy?
Think of your bones, and your poor old feet!
Darling, I know that you feel lugubrious;
Dearie, I know you must work this off;
But graveyards are not, as a rule, salubrious,
Whence the expression, a 'churchyard cough.'
[The Old Lady explains her eccentric behaviour.]
Why do I ululate, dear my dearie,
Coiled on a nastily mildewed tomb,
When the horned owl hoots, and the world is weary,
Weary of sorrow, and swamped in gloom?
Childie my child, 'tis a cogent question;
Dearie my dear, if you wish to know,
Tis not that I suffer from indigestion,
But that the Public ordains it so.
Babies, and Aunties, and dying brothers,
Boom for a season, as 'loves' may part;
But the old shop-ballad of Morbid Mothers
Dives to the depths of the Public's heart.
Dearie, with booms, at the best, precarious,
All but the permanent needs must fail;
And Childie, if Mammy became hilarious,
Mammy would never command a sale.
The Whitewashed Wall
by Thomas Hardy

Why does she turn in that shy soft way
Whenever she stirs the fire,
And kiss to the chimney-corner wall,
As if entranced to admire
Its whitewashed bareness more than the sight
Of a rose in richest green?
I have known her long, but this raptured rite
I never before have seen.
- Well, once when her son cast his shadow there,
A friend took a pencil and drew him
Upon that flame-lit wall. And the lines
Had a lifelike semblance to him.
And there long stayed his familiar look;
But one day, ere she knew,
The whitener came to cleanse the nook,
And covered the face from view.
"Yes," he said: "My brush goes on with a rush,
And the draught is buried under;
When you have to whiten old cots and brighten,
What else can you do, I wonder?"
But she knows he's there. And when she yearns
For him, deep in the labouring night,
She sees him as close at hand, and turns
To him under his sheet of white.
Sorrow
by D. H. Lawrence (David Herbert Richards)

Why does the thin grey strand
Floating up from the forgotten
Cigarette between my fingers,
Why does it trouble me?
Ah, you will understand;
When I carried my mother downstairs,
A few times only, at the beginning
Of her soft-foot malady,
I should find, for a reprimand
To my gaiety, a few long grey hairs
On the breast of my coat; and one by one
I let them float up the dark chimney.
By The Sea.
by Christina Georgina Rossetti

Why does the sea moan evermore?
Shut out from heaven it makes its moan.
It frets against the boundary shore;
All earth's full rivers cannot fill
The sea, that drinking thirsteth still.
Sheer miracles of loveliness
Lie hid in its unlooked-on bed:
Anemones, salt, passionless,
Blow flower-like; just enough alive
To blow and multiply and thrive.
Shells quaint with curve, or spot, or spike,
Encrusted live things argus-eyed,
All fair alike, yet all unlike,
Are born without a pang, and die
Without a pang, - and so pass by.
To Tommaso De' Cavalieri. Love's Lordship.
by Michelangelo di Lodovico Buonarroti Simoni

A che pi' debb' io.
Why should I seek to ease intense desire
With still more tears and windy words of grief,
When heaven, or late or soon, sends no relief
To souls whom love hath robed around with fire?
Why need my aching heart to death aspire,
When all must die? Nay, death beyond belief
Unto these eyes would be both sweet and brief,
Since in my sum of woes all joys expire!
Therefore because I cannot shun the blow
I rather seek, say who must rule my breast,
Gliding between her gladness and her woe?
If only chains and bands can make me blest,
No marvel if alone and bare I go
An arm'd Knight's captive and slave confessed.
Why
by Pat O'Cotter

Why is it Alaskans all come back
When they've quit this land for good?
Why is it that no man stays away
When he's sworn to his friends he would?
Where lies the grip this country hath
All tangled around the heart
That takes a grip that can never slip
And can never be torn apart?
Is it the lure of the summer sunshine
That goes to the head like wine?
Is it the lure of the far flung meadows
Of the shadowy scented pine?
Is it the lure of going where none have gone
Of just being alone in the wild?
Is it the lure of the ancient glaciers
That were old when Christ was a child?
They come here wild, athirst for gold
They would win and run away,
They lose the stake they brought along
And then they have to stay.
Here each one follows his own bent,
The mines, the hills, the mart,
Work's but a name, the end's the same,
The country steals your heart.
There's a lure to the land of the poppy,
There's a lure to the land of your birth,
You swear you abhor it, and yet you'll long for it
As no other land on this earth.
There's the lure of the snow mantled vastness,
There's the lure of each valley and hill,
Of friends that you've met, that you'll never forget
And you'll want to come back, and you will.
Fragmentary Blue
by Robert Lee Frost

Why make so much of fragmentary blue
In here and there a bird, or butterfly,
Or flower, or wearing-stone, or open eye,
When heaven presents in sheets the solid hue?
Since earth is earth, perhaps, not heaven (as yet),
Though some savants make earth include the sky;
And blue so far above us comes so high,
It only gives our wish for blue a whet.
Why Should I Care For The Men Of Thames
by William Blake

Why should I care for the men of thames
Or the cheating waves of charter'd streams
Or shrink at the little blasts of fear
That the hireling blows into my ear
Tho born on the cheating banks of Thames
Tho his waters bathed my infant limbs
The Ohio shall wash his stains from me
I was born a slave but I go to be free.
Death
by John Clare

Why should man's high aspiring mind
Burn in him with so proud a breath,
When all his haughty views can find
In this world yields to death?
The fair, the brave, the vain, the wise,
The rich, the poor, the great, and small,
Are each but worm's anatomies
To strew his quiet hall.
Power may make many earthly gods,
Where gold and bribery's guilt prevails,
But death's unwelcome, honest odds
Kick o'er the unequal scales.
The flattered great may clamours raise
Of power, and their own weakness hide,
But death shall find unlooked-for ways
To end the farce of pride,
An arrow hurtled eer so high,
From een a giant's sinewy strength,
In Time's untraced eternity
Goes but a pigmy length;
Nay, whirring from the tortured string,
With all its pomp of hurried flight,
Tis by the skylark's little wing
Outmeasured in its height.
Just so man's boasted strength and power
Shall fade before death's lightest stroke,
Laid lower than the meanest flower,
Whose pride oer-topt the oak;
And he who, like a blighting blast,
Dispeopled worlds with war's alarms
Shall be himself destroyed at last
By poor despised worms.
Tyrants in vain their powers secure,
And awe slaves' murmurs with a frown,
For unawed death at last is sure
To sap the babels down.
A stone thrown upward to the sky
Will quickly meet the ground agen;
So men-gods of earth's vanity
Shall drop at last to men;
And Power and Pomp their all resign,
Blood-purchased thrones and banquet halls.
Fate waits to sack Ambition's shrine
As bare as prison walls,
Where the poor suffering wretch bows down
To laws a lawless power hath passed;
And pride, and power, and king, and clown
Shall be Death's slaves at last.
Time, the prime minister of Death!
There's nought can bribe his honest will.
He stops the richest tyrant's breath
And lays his mischief still.
Each wicked scheme for power all stops,
With grandeurs false and mock display,
As eve's shades from high mountain tops
Fade with the rest away.
Death levels all things in his march;
Nought can resist his mighty strength;
The palace proud, triumphal arch,
Shall mete its shadow's length.
The rich, the poor, one common bed
Shall find in the unhonoured grave,
Where weeds shall crown alike the head
Of tyrant and of slave.
A Neet When Aw've Nowt To Do.
by John Hartley

Why lad, awm sewer tha'rt ommost done,
This ovvertime is killin;
'Twor allus soa sin th' world begun,
They put o' them at's willin.
Tha's ne'er a neet to call thi own, - 
Tha starts furst thing o' Mundy,
An works thi fingers fair to th' booan,
Booath day an neet wol Sundy.
Aw know tha addles extra pay, - 
We couldn't weel do baght it,
But if tha'rt browt hooam sick some day,
We'st ha to do withaat it.
Aw seldom get to see thi face,
Exceptin when tha'rt aitin;
Neet after neet aw caar ith' place
Wol awm fair sick o' waitin.
An when tha comes, tha'rt off to bed,
Befoor aw've chonce o' spaikin,
An th' childer luk, aw've ofttimes sed,
Like orphans when they're laikin.
Come hooam at six o'clock to-morn,
An let wark goa to hummer,
Thi face is growin white an worn: - 
Tha'll nivver last all summer.
Besides ther's lots o' little jobs,
At tha can tak a hand in, - 
That kist o' drawers has lost two nobs,
An th' table leg wants mendin.
Ther's th' fixin up oth' winderblind,
An th' chaymer wants whiteweshin,
Th' wall's filled wi marks o' ivvery kind, - 
(Yond lads desarve a threshin.)
Aw can't shake th' carpet bi misen,
Nor lig it square an straightly; - 
Th' childer mud help me nah an then,
But they ne'er do nowt reightly.
That bed o' awrs wants shakin up,
All th' flocks has stuck together,
Tha knows they all want braikin up,
Or they'll get tough as leather.
An th' coilhoil wants a coit o' lime,
Then it'll smell mich sweeter,
An th' cellar should be done this time,
It maks it soa mich leeter.
Ther's lots o' little things beside; - 
All th' childer's clogs want spetchin,
Jack's hurts his toa, tha'll mak em wide,
Wi varry little stretchin.
Besides, tha raillee wants a rest,
For a neet, or maybe two,
An tha can fix theas trifles best,
Some neet when tha's nowt to do.
Awm net like some at connot feel
For others, aw assure thi:
Tha's tewd until tha'rt owt but weel;
An nowt but rest can cure thi.
Soa come hooam sooin an spend a neet,
Wi me an Jack an Freddy,
They'll think it's ivver sich a treat;
An aw'll have th' whitewesh ready.
The Woman Speaks.
by Madison Julius Cawein

Why have you come? to see me in my shame?
A thing to spit on, to despise and scorn?
And then to ask me! You, by whom was torn
And then cast by, like some vile rag, my name!
What shelter could you give me, now, that blame
And loathing would not share? that wolves of vice
Would not besiege with eyes of glaring ice?
Wherein Sin sat not with her face of flame?
"You love me"? God! If yours be love, for lust
Hell must invent another synonym!
If yours be love, then hatred is the way
To Heaven and God! and not with soul but dust
Must burn the faces of the Cherubim,
O lie of lies, if yours be love, I say!
Why Is This Age Worse...?
by Anna Akhmatova

Why is this age worse than earlier ages?
In a stupor of grief and dread
have we not fingered the foulest wounds
and left them unhealed by our hands?
In the west the falling light still glows,
and the clustered housetops glitter in the sun,
but here Death is already chalking the doors with crosses,
and calling the ravens, and the ravens are flying in.
Why!
by Francis William Lauderdale Adams

"Why is it we toil so?
Where go all the gains?
What do we produce for it,
All our pangs and pains?"
Why it is we toil so,
Is it because, like sheep,
Since our fathers sought the shears,
We the same course keep.
Where go all the gains? Well,
It must be confessed,
First the landlords take the rent,
And the masters take the rest.
What do we produce for it?
Gentlemen! - and then
Imitation snobs who'd be
Like the gentlemen!
"What, is it for such as these
That we suffer thus?
Fuddle-brained and vicious fools,
Vermin venomous?
"What, is that why on the top
Creeps that Royal Louse,
The prince of pheasants and cigars,
Of ballet-girls and grouse?"
Yes, that's why, my Christian friends,
They slave and slaughter us.
England is made a dunghill that
Some bugs may breed and buzz.
A Novelty
by Gilbert Keith Chesterton

Why should I care for the Ages
Because they are old and grey?
To me, like sudden laughter,
The stars are fresh and gay;
The world is a daring fancy,
And finished yesterday.
Why should I bow to the Ages
Because they were drear and dry?
Slow trees and ripening meadows
For me go roaring by,
A living charge, a struggle
To escalade the sky.
The eternal suns and systems,
Solid and silent all,
To me are stars of an instant,
Only the fires that fall
From God's good rocket, rising
On this night of carnival.
Delicatessen
by Alfred Joyce Kilmer (Joyce)

Why is that wanton gossip Fame
So dumb about this man's affairs?
Why do we titter at his name
Who come to buy his curious wares?
Here is a shop of wonderment.
From every land has come a prize;
Rich spices from the Orient,
And fruit that knew Italian skies,
And figs that ripened by the sea
In Smyrna, nuts from hot Brazil,
Strange pungent meats from Germany,
And currants from a Grecian hill.
He is the lord of goodly things
That make the poor man's table gay,
Yet of his worth no minstrel sings
And on his tomb there is no bay.
Perhaps he lives and dies unpraised,
This trafficker in humble sweets,
Because his little shops are raised
By thousands in the city streets.
Yet stars in greater numbers shine,
And violets in millions grow,
And they in many a golden line
Are sung, as every child must know.
Perhaps Fame thinks his worried eyes,
His wrinkled, shrewd, pathetic face,
His shop, and all he sells and buys
Are desperately commonplace.
Well, it is true he has no sword
To dangle at his booted knees.
He leans across a slab of board,
And draws his knife and slices cheese.
He never heard of chivalry,
He longs for no heroic times;
He thinks of pickles, olives, tea,
And dollars, nickles, cents and dimes.
His world has narrow walls, it seems;
By counters is his soul confined;
His wares are all his hopes and dreams,
They are the fabric of his mind.
Yet -- in a room above the store
There is a woman -- and a child
Pattered just now across the floor;
The shopman looked at him and smiled.
For, once he thrilled with high romance
And tuned to love his eager voice.
Like any cavalier of France
He wooed the maiden of his choice.
And now deep in his weary heart
Are sacred flames that whitely burn.
He has of Heaven's grace a part
Who loves, who is beloved in turn.
And when the long day's work is done,
(How slow the leaden minutes ran!)
Home, with his wife and little son,
He is no huckster, but a man!
And there are those who grasp his hand,
Who drink with him and wish him well.
O in no drear and lonely land
Shall he who honors friendship dwell.
And in his little shop, who knows
What bitter games of war are played?
Why, daily on each corner grows
A foe to rob him of his trade.
He fights, and for his fireside's sake;
He fights for clothing and for bread:
The lances of his foemen make
A steely halo round his head.
He decks his window artfully,
He haggles over paltry sums.
In this strange field his war must be
And by such blows his triumph comes.
What if no trumpet sounds to call
His armed legions to his side?
What if, to no ancestral hall
He comes in all a victor's pride?
The scene shall never fit the deed.
Grotesquely wonders come to pass.
The fool shall mount an Arab steed
And Jesus ride upon an ass.
This man has home and child and wife
And battle set for every day.
This man has God and love and life;
These stand, all else shall pass away.
O Carpenter of Nazareth,
Whose mother was a village maid,
Shall we, Thy children, blow our breath
In scorn on any humble trade?
Have pity on our foolishness
And give us eyes, that we may see
Beneath the shopman's clumsy dress
The splendor of humanity!
Anniversary Song.
by Johann Wolfgang von Goethe

Why pacest thou, my neighbour fair,
The garden all alone?
If house and land thou seek'st to guard,
I'd thee as mistress own.
My brother sought the cellar-maid,
And suffered her no rest;
She gave him a refreshing draught,
A kiss, too, she impress'd.
My cousin is a prudent wight,
The cook's by him ador'd;
He turns the spit round ceaselessly,
To gain love's sweet reward.
We six together then began
A banquet to consume,
When lo! a fourth pair singing came,
And danced into the room.
Welcome were they, and welcome too
Was a fifth jovial pair.
Brimful of news, and stored with tales
And jests both new and rare.
For riddles, spirit, raillery,
And wit, a place remain'd;
A sixth pair then our circle join'd,
And so that prize was gain'd.
And yet to make us truly blest,
One miss'd we, and full sore;
A true and tender couple came, 
We needed them no more.
The social banquet now goes on,
Unchequer'd by alloy;
The sacred double-numbers then
Let us at once enjoy!
Why Should I Pine?
by Madison Julius Cawein

Why should I pine? when there in Spain
Are eyes to woo, and not in vain;
Dark eyes, and dreamily divine:
And lips, as red as sunlit wine;
Sweet lips, that never know disdain:
And hearts, for passion over fain;
Fond, trusting hearts that know no stain
Of scorn for hearts that love like mine.--
Why should I pine?
Because all dreams I entertain
Of beauty wear thy form, Elain;
And e'en their lips and eyes are thine:
So though I gladly would resign
All love, I love, and still complain,
"Why should I pine?"
Till The Day Dawn.
by Susan Coolidge (Sarah Chauncey Woolsey)

Why should I weary you, dear heart, with words,
Words all discordant with a foolish pain?
Thoughts cannot interrupt or prayers do wrong,
And soft and silent as the summer rain
Mine fall upon your pathway all day long.
Giving as God gives, counting not the cost
Of broken box or spilled and fragrant oil,
I know that, spite of your strong carelessness,
Rest must be sweeter, worthier must be toil,
Touched with such mute, invisible caress.
One of these days, our weary ways quite trod,
Made free at last and unafraid of men,
I shall draw near and reach to you my hand.
And you? Ah! well, we shall be spirits then,
I think you will be glad and understand.
Why Fades A Dream?
by Paul Laurence Dunbar

Why fades a dream?
An iridescent ray
Flecked in between the tryst
Of night and day.
Why fades a dream?--
Of consciousness the shade
Wrought out by lack of light and made
Upon life's stream.
Why fades a dream?
That thought may thrive,
So fades the fleshless dream;
Lest men should learn to trust
The things that seem.
So fades a dream,
That living thought may grow
And like a waxing star-beam glow
Upon life's stream--
So fades a dream.