DanFosing/public-domain-poetry huggingface dataset:
Hero And Leander.
by Thomas Moore

"The night wind is moaning with mournful sigh,
"There gleameth no moon in the misty sky
"No star over Helle's sea;
"Yet, yet, there is shining one holy light,
"One love-kindled star thro' the deep of night,
"To lead me, sweet Hero, to thee!"
Thus saying, he plunged in the foamy stream,
Still fixing his gaze on that distant beam
No eye but a lover's could see;
And still, as the surge swept over his head,
"To night," he said tenderly, "living or dead,
"Sweet Hero, I'll rest with thee!"
But fiercer around him, the wild waves speed;
Oh, Love! in that hour of thy votary's need,
Where, where could thy Spirit be?
He struggles--he sinks--while the hurricane's breath
Bears rudely away his last farewell in death--
"Sweet Hero, I die for thee!"
The Roaring Days
by Henry Lawson

The night too quickly passes
And we are growing old,
So let us fill our glasses
And toast the Days of Gold;
When finds of wondrous treasure
Set all the South ablaze,
And you and I were faithful mates
All through the roaring days!
Then stately ships came sailing
From every harbour's mouth,
And sought the land of promise
That beaconed in the South;
Then southward streamed their streamers
And swelled their canvas full
To speed the wildest dreamers
E'er borne in vessel's hull.
Their shining Eldorado,
Beneath the southern skies,
Was day and night for ever
Before their eager eyes.
The brooding bush, awakened,
Was stirred in wild unrest,
And all the year a human stream
Went pouring to the West.
The rough bush roads re-echoed
The bar-room's noisy din,
When troops of stalwart horsemen
Dismounted at the inn.
And oft the hearty greetings
And hearty clasp of hands
Would tell of sudden meetings
Of friends from other lands;
When, puzzled long, the new-chum
Would recognise at last,
Behind a bronzed and bearded skin,
A comrade of the past.
And when the cheery camp-fire
Explored the bush with gleams,
The camping-grounds were crowded
With caravans of teams;
Then home the jests were driven,
And good old songs were sung,
And choruses were given
The strength of heart and lung.
Oh, they were lion-hearted
Who gave our country birth!
Oh, they were of the stoutest sons
From all the lands on earth!
Oft when the camps were dreaming,
And fires began to pale,
Through rugged ranges gleaming
Would come the Royal Mail.
Behind six foaming horses,
And lit by flashing lamps,
Old `Cobb and Co.'s', in royal state,
Went dashing past the camps.
Oh, who would paint a goldfield,
And limn the picture right,
As we have often seen it
In early morning's light;
The yellow mounds of mullock
With spots of red and white,
The scattered quartz that glistened
Like diamonds in light;
The azure line of ridges,
The bush of darkest green,
The little homes of calico
That dotted all the scene.
I hear the fall of timber
From distant flats and fells,
The pealing of the anvils
As clear as little bells,
The rattle of the cradle,
The clack of windlass-boles,
The flutter of the crimson flags
Above the golden holes.
.    .    .    .    .
Ah, then our hearts were bolder,
And if Dame Fortune frowned
Our swags we'd lightly shoulder
And tramp to other ground.
But golden days are vanished,
And altered is the scene;
The diggings are deserted,
The camping-grounds are green;
The flaunting flag of progress
Is in the West unfurled,
The mighty bush with iron rails
Is tethered to the world.
At Home.
by Emily Elizabeth Dickinson

The night was wide, and furnished scant
With but a single star,
That often as a cloud it met
Blew out itself for fear.
The wind pursued the little bush,
And drove away the leaves
November left; then clambered up
And fretted in the eaves.
No squirrel went abroad;
A dog's belated feet
Like intermittent plush were heard
Adown the empty street.
To feel if blinds be fast,
And closer to the fire
Her little rocking-chair to draw,
And shiver for the poor,
The housewife's gentle task.
"How pleasanter," said she
Unto the sofa opposite,
"The sleet than May -- no thee!"
The Miser
by Pamela S. Vining, (J. C. Yule)

The night was dark and dreary,
And the autumn-wind went by
With a sound like Sorrow's wailing
In its sadly mournful cry; - 
The yew trees, old and drooping,
Shook in the angry blast,
And the moon looked, pale and tearful,
Through the clouds that hurried past.
In a dreary room and fireless,
With mouldy walls and damp,
A grey, old man was seated
Beside a flickering lamp; - 
An old man, worn and wasted,
With bent and shivering form,
And haggard looks, sat trembling
At the moaning of the storm.
The casements, old and creaking,
Shook in the angry blast;
And the pale, thin face grew paler,
As the shrieking winds went past;
For hovering fiends seemed clutching
His treasures from his grasp,
And unseen fingers tight'ning
On his throat their icy clasp.
Again the strong wind rattled
The broken window-pane,
And the dying taper wavered
In the rude blast yet again - 
For one brief instant wavered,
Then paled its sickly light,
And the shuddering wretch was shrouded
In impenetrable night.
The dull, grey light of morning
Illumed the mountain-height,
And Earth lay, cold and shiv'ring,
In the blanched, autumnal light,
But a sunbeam struggled faintly
Through the Miser's broken shed,
And lit the pale, set features
Of the still, unshrouded dead.
For there, alone, and trembling
With the horrors of affright,
He had met the king of terrors
'Mid the darkness of the night;
And with gold enough to satiate
A monarch's haughty pride,
In fear, and rags, and misery
Of want the wretch had died!
The Rain Comes Sobbing to the Door
by Henry Kendall

The night grows dark, and weird, and cold; and thick drops patter on the pane;
There comes a wailing from the sea; the wind is weary of the rain.
The red coals click beneath the flame, and see, with slow and silent feet
The hooded shadows cross the woods to where the twilight waters beat!
Now, fan-wise from the ruddy fire, a brilliance sweeps athwart the floor;
As, streaming down the lattices, the rain comes sobbing to the door:
As, streaming down the lattices,
The rain comes sobbing to the door.
Dull echoes round the casement fall, and through the empty chambers go,
Like forms unseen whom we can hear on tip-toe stealing to and fro.
But fill your glasses to the brims, and, through a mist of smiles and tears,
Our eyes shall tell how much we love to toast the shades of other years!
And hither they will flock again, the ghosts of things that are no more,
While, streaming down the lattices, the rain comes sobbing to the door:
While, streaming down the lattices,
The rain comes sobbing to the door.
The tempest-trodden wastelands moan'the trees are threshing at the blast;
And now they come, the pallid shapes of Dreams that perished in the past;
And, when we lift the windows up, a smothered whisper round us strays,
Like some lone wandering voice from graves that hold the wrecks of bygone days.
I tell ye that I love the storm, for think we not of thoughts of yore,
When, streaming down the lattices, the rain comes sobbing to the door?
When, streaming down the lattices,
The rain comes sobbing to the door?
We'll drink to those we sadly miss, and sing some mournful song we know,
Since they may chance to hear it all, and muse on friends they've left below.
Who knows'if souls in bliss can leave the borders of their Eden-home'
But that some loving one may now about the ancient threshold roam?
Oh, like an exile, he would hail a glimpse of the familiar floor,
Though, streaming down the lattices, the rain comes sobbing to the door!
Though, streaming down the lattices,
The rain comes sobbing to the door!
Incription To Milton
by John Greenleaf Whittier

The new world honors him whose lofty plea
For England's freedom made her own more sure,
Whose song, immortal as its theme, shall be
Their common freehold while both worlds endure
New Year
by Ella Wheeler Wilcox

MORTAL:
'The night is cold, the hour is late, the world is bleak and
drear;
Who is it knocking at my door?'
THE NEW YEAR:
'I am Good Cheer.'
MORTAL:
'Your voice is strange; I know you not; in shadows dark I grope.
What seek you here?'
THE NEW YEAR:
'Friend, let me in; my name is Hope.'
MORTAL:
'And mine is Failure; you but mock the life you seek to bless.
Pass on.'
THE NEW YEAR:
'Nay, open wide the door; I am Success.'
MORTAL:
'But I am ill and spent with pain; too late has come your wealth.
I cannot use it.'
THE NEW YEAR:
'Listen, friend; I am Good Health.'
MORTAL:
'Now, wide I fling my door.    Come in, and your fair statements
prove.'
THE NEW YEAR:
'But you must open, too, your heart, for I am Love.'
The Obsequious Ornamental Ostrich
by Edward Lear

The Obsequious Ornamental Ostrich,
who wore Boots to keep his
feet quite dry.
Where the Children used to Play
by James Whitcomb Riley

The old farm-home is Mother's yet and mine,
And filled it is with plenty and to spare,
But we are lonely here in life's decline,
Though fortune smiles around us everywhere:
We look across the gold
Of the harvests, as of old -
The corn, the fragrant clover, and the hay;
But most we turn our gaze,
As with eyes of other days,
To the orchard where the children used to play.
O from our life's full measure
And rich hoard of worldly treasure
We often turn our weary eyes away,
And hand in hand we wander
Down the old path winding yonder
To the orchard where the children used to play.
Our sloping pasture-lands are filled with herds;
The barn and granary-bins are bulging o'ver;
The grove's a paradise of singing birds -
The woodland brook leaps laughing by the door;
Yet lonely, lonely still,
Let us prosper as we will,
Our old hearts seem so empty everyway -
We can only through a mist
See the faces we have kissed
In the orchard where the children used to play.
O from our life's full measure
And rich hoard of worldly treasure
We often turn our weary eyes away,
And hand in hand we wander
Down the old path winding yonder
To the orchard where the children used to play.
The Oak And The Reed.
by Jean de La Fontaine

[1]
The oak one day address'd the reed: - 
'To you ungenerous indeed
Has nature been, my humble friend,
With weakness aye obliged to bend.
The smallest bird that flits in air
Is quite too much for you to bear;
The slightest wind that wreathes the lake
Your ever-trembling head doth shake.
The while, my towering form
Dares with the mountain top
The solar blaze to stop,
And wrestle with the storm.
What seems to you the blast of death,
To me is but a zephyr's breath.
Beneath my branches had you grown,
That spread far round their friendly bower,
Less suffering would your life have known,
Defended from the tempest's power.
Unhappily you oftenest show
In open air your slender form,
Along the marshes wet and low,
That fringe the kingdom of the storm.
To you, declare I must,
Dame Nature seems unjust.'
Then modestly replied the reed:
'Your pity, sir, is kind indeed,
But wholly needless for my sake.
The wildest wind that ever blew
Is safe to me compared with you.
I bend, indeed, but never break.
Thus far, I own, the hurricane
Has beat your sturdy back in vain;
But wait the end.' Just at the word,
The tempest's hollow voice was heard.
The North sent forth her fiercest child,
Dark, jagged, pitiless, and wild.
The oak, erect, endured the blow;
The reed bow'd gracefully and low.
But, gathering up its strength once more,
In greater fury than before,
The savage blast
O'erthrew, at last,
That proud, old, sky-encircled head,
Whose feet entwined the empire of the dead![2]
The North Star Whispers to the Blacksmith's Son
by Vachel Lindsay

The North Star whispers:    "You are one
Of those whose course no chance can change.
You blunder, but are not undone,
Your spirit-task is fixed and strange.
"When here you walk, a bloodless shade,
A singer all men else forget.
Your chants of hammer, forge and spade
Will move the prairie-village yet.
"That young, stiff-necked, reviling town
Beholds your fancies on her walls,
And paints them out or tears them down,
Or bars them from her feasting-halls.
"Yet shall the fragments still remain;
Yet shall remain some watch-tower strong
That ivy-vines will not disdain,
Haunted and trembling with your song.
"Your flambeau in the dusk shall burn,
Flame high in storms, flame white and clear;
Your ghost in gleaming robes return
And burn a deathless incense here."
Mater Dolorosa.
by Madison Julius Cawein

The nuns sing, "ora pro nobis,"
The lancets glitter above;
And the beautiful Virgin whose robe is
Woven of infinite love,
Infinite love and sorrow,
Prays for them there on high;
Who has most need of her prayers, to-morrow
Shall tell them, they or I?
Up in the hills together
We loved, where the world seemed true;
Our world of the whin and heather,
Our skies of a nearer blue,
A blue from which one borrows
A faith that helps one die
O Mother, sweet Mother of Sorrows,
None needs such more than I!
We lived, we loved unwedded
Love's sin and its shame that slays!
No ill of the year we dreaded,
No day of its coming days;
Its coming days, their many
Trials by morn and night,
And I know no land, not any,
Where love's lilies grow so white!
Was he false to me, my Mother!
Or I to him, my God!
Who gave thee right, O brother!
To take God's right and rod!
God's rod of avenging morrows,
And the life here in my side!
O Mother, God's Mother of Sorrows,
For both I would have died!
By the wall of the Chantry kneeling,
I pray and the organ rings,
"Gloria! gloria!" pealing,
"Sancta Maria" sings!
They will find us dead to-morrow
By the wall of their nunnery,
O Mother, sweet Mother of Sorrow!
His unborn babe and me.
The Old Bad Woman
by John Charles McNeill

The Old Bad Woman was coming along,
Busily humming a sort of song.
You could barely see, below her bonnet,
Her chin where her long nose rested on it.
One tooth thrust out on her lower lip,
And she held one hand upon her hip.
Then we went to thinking mighty fast,
For we knew our time had come at last.
For what we had done and didn't do
The Old Bad Woman would put us through.
If you cried enough to fill your hat,
She wouldn't care; she was used to that.
Of the jam we had eaten, she would know;
How we ran barefooted in the snow;
How we cried when they made us take our bath;
How we tied the grass across the path;
How we bound together the cat and cur--
We couldn't deny these things to her.
She pulled her nose up off her chin
And blinked at us with an awful grin.
And we almost died, becaze and because
Her bony fingers looked like claws.
When she came on up to where we were,
How could we be polite to her?
You needn't guess how she put us through.
If you are bad, she'll visit you.
And when she leaves and hobbles off
You'll think that she has done enough;
For the Old Bad Woman will and can
Be just as bad as the Old Bad Man!
Indian Summer
by Archibald Lampman

The old grey year is near his term in sooth,
And now with backward eye and soft-laid palm
Awakens to a golden dream of youth,
A second childhood lovely and most calm,
And the smooth hour about his misty head
An awning of enchanted splendour weaves,
Of maples, amber, purple and rose-red,
And droop-limbed elms down-dropping golden leaves.
With still half-fallen lids he sits and dreams
Far in a hollow of the sunlit wood,
Lulled by the murmur of thin-threading streams,
Nor sees the polar armies overflood
The darkening barriers of the hills, nor hears
The north-wind ringing with a thousand spears.
Nursery Rhyme. CXLIX. Songs.
by Unknown

The north wind doth blow,
And we shall have snow,
And what will poor Robin do then?
Poor thing!
He'll sit in a barn,
And to keep himself warm,
Will hide his head under his wing.
Poor thing!
The Fear Of Flowers
by John Clare

The nodding oxeye bends before the wind,
The woodbine quakes lest boys their flowers should find,
And prickly dogrose spite of its array
Can't dare the blossom-seeking hand away,
While thistles wear their heavy knobs of bloom
Proud as a warhorse wears its haughty plume,
And by the roadside danger's self defy;
On commons where pined sheep and oxen lie
In ruddy pomp and ever thronging mood
It stands and spreads like danger in a wood,
And in the village street where meanest weeds
Can't stand untouched to fill their husks with seeds,
The haughty thistle oer all danger towers,
In every place the very wasp of flowers.
The Old Hay-Mow
by James Whitcomb Riley

The Old Hay-mow's the place to play
Fer boys, when it's a rainy day!
I good-'eal ruther be up there
Than down in town, er anywhere!
When I play in our stable-loft,
The good old hay's so dry an' soft,
An' feels so fine, an' smells so sweet,
I 'most ferget to go an' eat.
An' one time wunst I did ferget
To go 'tel dinner was all et, -
An' they had short-cake - an' - Bud he
Hogged up the piece Ma saved fer me!
Nen I won't let him play no more
In our hay-mow where I keep store
An' got hen-eggs to sell, - an' shoo
The cackle-un old hen out, too!
An' nen, when Aunty she was here
A-visitun from Rensselaer,
An' bringed my little cousin, - he
Can come up there an' play with me.
But, after while - when Bud he bets
'At I can't turn no summersetts, -
I let him come up, ef he can
Ac' ha'f-way like a gentleman!
The Old Jimmy Woodser
by Henry Lawson

The old Jimmy Woodser comes into the bar
Unwelcomed, unnoticed, unknown,
Too old and too odd to be drunk with, by far;
So he glides to the end where the lunch baskets are
And they say that he tipples alone.
His frockcoat is green and the nap is no more,
And his hat is not quite at its best;
He wears the peaked collar our grandfathers wore,
The black-ribbon tie that was legal of yore,
And the coat buttoned over his breast.
When first he came in, for a moment I thought
That my vision or wits were astray;
For a picture and page out of Dickens he brought,
'Twas an old file dropped in from the Chancery Court
To the wine-vault just over the way.
But I dreamed, as he tasted his 'bitter' to-night
And the lights in the bar-room grew dim,
That the shades of the friends of that other day's light,
And of girls that were bright in our grandfathers' sight,
Lifted shadowy glasses to him.
Then I opened the door, and the old man passed out,
With his short, shuffling step and bowed head;
And I sighed; for I felt, as I turned me about,
An odd sense of respect, born of whisky no doubt,
For the life that was fifty years dead.
And I thought, there are times when our memory trends
Through the future, as 'twere on its own,
That I, out-of-date ere my pilgrimage ends,
In a new-fashioned bar to dead loves and dead friends
Might drink, like the old man, alone.
In Memoriam. - The Little Brothers,
by Lydia Howard Sigourney

WILLIAM CHILDS BREWER, died Jan. 24th, 1862, aged 7 years, and GEORGE CLEVELAND BREWER, aged 5 years, at Springfield, Mass., Feb. 4th, 1862.
The noble boy amid his sports
Droop'd like a smitten flower
That feels the frost-king's fatal shaft,
And withers in its bower.
But then a younger darling sank
In childhood's rosy bloom,
And those whose hearts were one from birth,
Were brothers in the tomb.
Not in the tomb. Ah no! They rose
Through Christ their Saviour's love,
In his blest presence to cement
Their deathless bond of love.
Are they not dwelling side by side?
Have they not 'scaped the strife,
The snares, the sins, the woes that stain
This pilgrimage of life?
Oh heart of sorrowing Love, be strong!
Tho' tenderest ties are riven,
For do not earth's bereavments aid
The angel-chant of Heaven.
The Parting Song - Festival Of The Alumni, 1857
by Oliver Wendell Holmes

The noon of summer sheds its ray
On Harvard's holy ground;
The Matron calls, the sons obey,
And gather smiling round.
CHORUS.
Then old and young together stand,
The sunshine and the snow,
As heart to heart, and hand in hand,
We sing before we go!
Her hundred opening doors have swung
Through every storied hall
The pealing echoes loud have rung,
"Thrice welcome one and all!"
Then old and young, etc.
We floated through her peaceful bay,
To sail life's stormy seas
But left our anchor where it lay
Beneath her green old trees.
Then old and young, etc.
As now we lift its lengthening chain,
That held us fast of old,
The rusted rings grow bright again, - 
Their iron turns to gold.
Then old and young, etc.
Though scattered ere the setting sun,
As leaves when wild winds blow,
Our home is here, our hearts are one,
Till Charles forgets to flow.
Then old and young, etc.
The Water-Nymph Of The Rock.
by John Carr (Sir)

[The French is by Bosquillon, which I translated as under, in a beautiful Swedish island in the Baltic, as I sat by the side of a fine clear stream of rock-water.]
ORIGINAL.
La nymphe qui donne de cette eau
Au plus creux de rocher se cache,
Suivez un example si beau:
Donnez sans vouloir qu'on le sache.
TRANSLATION.
The nymph, to whom this stream you owe,
Conceals herself in caves of stone:
Like her your benefits bestow;
Give, without wishing to be known.
The Dog And The Water Lily. No Fable.
by William Cowper

The noon was shady, and soft airs
Swept Ouse's silent tide,
When, 'scaped from literary cares,
I wander'd on his side.
My spaniel, prettiest of his race,
And high in pedigree
(Two nymphs[1] adorn'd with every grace
That spaniel found for me),
Now wanton'd lost in flags and reeds,
Now starting into sight,
Pursued the swallow o'er the meads
With scarce a slower flight.
It was the time when Ouse display'd
His lilies newly blown;
Their beauties I intent survey'd,
And one I wish'd my own.
With cane extended far I sought
To steer it close to land;
But still the prize, though nearly caught,
Escaped my eager hand.
Beau mark'd my unsuccessful pains
With fix'd considerate face,
And puzzling set his puppy brains
To comprehend the case.
But with a cherup clear and strong
Dispersing all his dream,
I thence withdrew, and follow'd long
The windings of the stream.
My ramble ended, I return'd;
Beau, trotting far before,
The floating wreath again discern'd,
And plunging, left the shore.
I saw him with that lily cropp'd
Impatient swim to meet
My quick approach, and soon he dropp'd
The treasure at my feet.
Charm'd with the sight, the world, I cried,
Shall hear of this thy deed:
My dog shall mortify the pride
Of man's superior breed:
But chief myself I will enjoin,
Awake at duty's call,
To show a love as prompt as thine
To Him who gives me all.
The Cup Of Comus - Proem
by Madison Julius Cawein

The Nights of song and story,
With breath of frost and rain,
Whose locks are wild and hoary,
Whose fingers tap the pane
With leaves, are come again.
The Nights of old October,
That hug the hearth and tell,
To child and grandsire sober,
Tales of what long befell
Of witch and warlock spell.
Nights, that, like gnome and faery,
Go, lost in mist and moon,
And speak in legendary
Thoughts or a mystic rune,
Much like the owlet's croon.
Or whirling on like witches,
Amid the brush and broom,
Call from the Earth its riches,
Of leaves and wild perfume,
And strew them through the gloom.
Till death, in all his starkness,
Assumes a form of fear,
And somewhere in the darkness
Seems slowly drawing near
In raiment torn and sere.
And with him comes November,
Who drips outside the door,
And wails what men remember
Of things believed no more,
Of superstitious lore.
Old tales of elf and d'mon,
Of Kobold and of Troll,
And of the goblin woman
Who robs man of his soul
To make her own soul whole.
And all such tales, that glamoured
The child-heart once with fright,
That aged lips have stammered
For many a child's delight,
Shall speak again to-night.
To-night, of moonlight minted,
That is a cup divine,
Whence Death, all opal-tinted,
Wreathed red with leaf and vine,
Shall drink a magic wine.
A wonder-cup of Comus,
That with enchantment streams,
In which the heart of Momus,
That, moon-like, glooms and gleams,
Is drowned with all its dreams.
Virginia, The West
by Walt Whitman

The noble Sire, fallen on evil days,
I saw, with hand uplifted, menacing, brandishing,
(Memories of old in abeyance, love and faith in abeyance,)
The insane knife toward the Mother of All.
The noble Son, on sinewy feet advancing,
I saw, out of the land of prairies, land of Ohio's waters, and of Indiana,
To the rescue, the stalwart giant, hurry his plenteous offspring,
Drest in blue, bearing their trusty rifles on their shoulders.
Then the Mother of All, with calm voice speaking,
As to you, Virginia, (I seemed to hear her say,) why strive against me, and why seek my life?
When you yourself forever provide to defend me?
For you provided me Washington, and now these also.