DanFosing/public-domain-poetry huggingface dataset:
A Waltz-Quadrille.
by Ella Wheeler Wilcox

The band was playing a waltz-quadrille,
I felt as light as a wind-blown feather,
As we floated away, at the caller's will,
Through the intricate, mazy dance together.
Like mimic armies our lines were meeting,
Slowly advancing, and then retreating,
All decked in their bright array;
And back and forth to the music's rhyme
We moved together, and all the time
I knew you were going away.
The fold of your strong arm sent a thrill
From heart to brain as we gently glided
Like leaves on the wave of that waltz-quadrille;
Parted, met, and again divided - 
You drifting one way, and I another,
Then suddenly turning and facing each other,
Then off in the blithe chasse,
Then airily back to our places swaying,
While every beat of the music seemed saying
That you were going away.
I said to my heart, "Let us take our fill
Of mirth and music and love and laughter;
For it all must end with this waltz-quadrille,
And life will be never the same life after.
Oh, that the caller might go on calling,
Oh, that the music might go on falling
Like a shower of silver spray,
While we whirled on to the vast Forever,
Where no hearts break, and no ties sever,
And no one goes away."
A clamor, a crash, and the band was still;
'Twas the end of the dream, and the end of the measure:
The last low notes of that waltz-quadrille
Seemed like a dirge o'er the death of Pleasure.
You said good-night, and the spell was over - 
Too warm for a friend, and too cold for a lover - 
There was nothing else to say;
But the lights looked dim, and the dancers weary,
And the music was sad, and the hall was dreary,
After you went away.
A Nativity
by Rudyard Kipling

The Babe was laid in the Manger
Between the gentle kine,
All safe from cold and danger,
"But it was not so with mine,
(With mine! With mine!)
"Is it well with the child, is it well?"
The waiting mother prayed.
"For I know not how he fell,
And I know not where he is laid."
A Star stood forth in Heaven;
The Watchers ran to see
The Sign of the Promise given,
"But there comes no sign to me.
(To me! To me!)
"My child died in the dark.
Is it well with the child, is it well?
There was none to tend him or mark,
And I know not how he fell."
The Cross was raised on high;
The Mother grieved beside,
"But the Mother saw Him die
And took Him when He died.
(He died! He died!)
"Seemly and undefiled
His burial-place was made,
Is it well, is it well with the child?
For I know not where he is laid."
On the dawning of Easter Day
Comes Mary Magdalene;
But the Stone was rolled away,
And the Body was not within,
(Within! Within!)
"Ah, who will answer my word?
The broken mother prayed.
"They have taken away my Lord,
And I know not where He is laid."
. . . . .
"The Star stands forth in Heaven.
The watchers watch in vain
For Sign of the Promise given
Of peace on Earth again,
(Again! Again!)
"But I know for Whom he fell",
The steadfast mother smiled,
"Is it well with the child, is it well?
It is well, it is well with the child!"
To Madame De Montespan
by Jean de La Fontaine

[1]
The apologue[2] is from the immortal gods;
Or, if the gift of man it is,
Its author merits apotheosis.
Whoever magic genius lauds
Will do what in him lies
To raise this art's inventor to the skies.
It hath the potence of a charm,
On dulness lays a conquering arm,
Subjects the mind to its control,
And works its will upon the soul.
O lady, arm'd with equal power,
If e'er within celestial bower,
With messmate gods reclined,
My muse ambrosially hath dined,
Lend me the favour of a smile
On this her playful toil.
If you support, the tooth of time will shun,
And let my work the envious years outrun.
If authors would themselves survive,
To gain your suffrage they should strive.
On you my verses wait to get their worth;
To you my beauties all will owe their birth, - 
For beauties you will recognize
Invisible to other eyes.
Ah! who can boast a taste so true,
Of beauty or of grace,
In either thought or face?
For words and looks are equal charms in you.
Upon a theme so sweet, the truth to tell,
My muse would gladly dwell:
But this employ to others I must yield; - 
A greater master claims the field.
For me, fair lady, 'twere enough
Your name should be my wall and roof.
Protect henceforth the favour'd book
Through which for second life I look.
In your auspicious light,
These lines, in envy's spite,
Will gain the glorious meed,
That all the world shall read.
'Tis not that I deserve such fame; - 
I only ask in Fable's name,
(You know what credit that should claim;)
And, if successfully I sue,
A fane will be to Fable due, - 
A thing I would not build - except for you.
Fragment: Life Rounded With Sleep.
by Percy Bysshe Shelley

The babe is at peace within the womb;
The corpse is at rest within the tomb:
We begin in what we end.
April
by Ralph Waldo Emerson

The April winds are magical
And thrill our tuneful frames;
The garden walks are passional
To bachelors and dames.
The hedge is gemmed with diamonds,
The air with Cupids full,
The cobweb clues of Rosamond
Guide lovers to the pool.
Each dimple in the water,
Each leaf that shades the rock
Can cozen, pique and flatter,
Can parley and provoke.
Goodfellow, Puck and goblins,
Know more than any book.
Down with your doleful problems,
And court the sunny brook.
The south-winds are quick-witted,
The schools are sad and slow,
The masters quite omitted
The lore we care to know.
The Rowers
by Rudyard Kipling

The banked oars fell an hundred strong,
And backed and threshed and ground,
But bitter was the rowers' song
As they brought the war-boat round.
They had no heart for the rally and roar
That makes the whale-bath smoke ,
When the great blades cleave and hold and leave
As one on the racing stroke.
They sang: What reckoning do you keep,
And steer by what star,
If we come unscathed from the Southern deep
To be wrecked on a Baltic bar?
"Last night you swore our voyage was done,
But seaward still we go.
And you tell us now of a secret vow
You have made with an open foe!
"That we must lie off a lightless coast
And houl and back and veer
At the will of the breed that have wrought us most
For a year and a year and a year!
"There was never a shame in Christendie
They laid not to our door,
And you say we must take the winter sea
And sail with them once more?
"Look South! The gale is scarce o'erpast
That stripped and laid us down,
When we stood forth but they stood fast
And prayed to see us drown.
"Our dead they mocked are scarcely cold,
Our wounds are bleeding yet,
And you tell us now that our strength is sold
To help them press for a debt!
"'Neath all the flags of all mankind
That use upon the seas,
Was there no other fleet to find
That you strike bands with these?
"Of evil times that men can choose
On evil fate to fall,
What brooding Judgment let you loose
To pick the worst of all?
"In sight of peace, from the Narrow Seas
O'er half the world to run,
With a cheated crew, to league anew
With the Goth and the shameless Hun!"
Autumn.
by Thomas Hood

The Autumn is old,
The sere leaves are flying; - 
He hath gather'd up gold,
And now he is dying; - 
Old Age, begin sighing!
The vintage is ripe,
The harvest is heaping; - 
But some that have sow'd
Have no riches for reaping; - 
Poor wretch, fall a-weeping!
The year's in the wane,
There is nothing adorning,
The night has no eve,
And the day has no morning; - 
Cold winter gives warning.
The rivers run chill,
The red sun is sinking,
And I am grown old,
And life is fast shrinking;
Here's enow for sad thinking!
A New Suit.
by Hattie Howard

The artist and the loom unseen,
In textures soft as crepe de chine
Spring weaves her royal robe of green,
With grasses fringed and daisies dotted,
With furzy tufts like mosses fine
And showy clumps of eglantine,
With dainty shrub and creeping vine
Upon the verdant fabric knotted.
Oh, winter takes our love away
For ashen hues of sober gray!
So when the blooming, blushing May
Comes out in bodice, cap, and kirtle,
With arbutus her corsage laced,
And roses clinging to her waist,
We crown her charming queen of taste,
Her chaplet-wreath of modest myrtle.
For eighteen centuries and more
Her fairy hands have modeled o'er
The same habiliments she wore
At her primeval coronation;
And still the pattern exquisite,
For every age a perfect fit,
In every land the favorite,
Elicits world-wide admiration.
Gay butterflies of fashion, you
Who wear a suit a year or two,
Then agitate for something new,
Look at Regina, the patrician!
Her cleverness is more than gold
Who so transforms from fabrics old
The things a marvel to behold,
And glories in the exhibition.
Why worry for an overdress,
The acme of luxuriousness,
Beyond all envy to possess,
Renewed as oft as lambkin fleeces!
Why flutter round in pretty pique
To follow style's capricious freak,
To match pongee or moire antique,
And break your peace in hopeless pieces?
O mantua-maker, costumer,
And fair-robed wearer! study her
And imitate the conjurer
So prettily economizing,
Without demur, regret, or pout,
Who always puts the bright side out
And never frets at all about
The world's penchant for criticizing.
Memorials Of A Tour In Italy, 1837 - XX. - Before The Picture Of The Baptist, By Raphael, In The Gallery At Florence
by William Wordsworth

The Baptist might have been ordained to cry
Forth from the towers of that huge Pile, wherein
His Father served Jehovah; but how win
Due audience, how for aught but scorn defy
The obstinate pride and wanton revelry
Of the Jerusalem below, her sin
And folly, if they with united din
Drown not at once mandate and prophecy?
Therefore the Voice spake from the Desert, thence
To Her, as to her opposite in peace,
Silence, and holiness, and innocence,
To Her and to all Lands its warning sent,
Crying with earnestness that might not cease,
"Make straight a highway for the Lord repent!"
Mae Marsh, Motion Picture Actress
by Vachel Lindsay

In "Man's Genesis", "The Wild Girl of the Sierras", "The Wharf Rat", "A Girl of the Paris Streets", etc.
I
The arts are old, old as the stones
From which man carved the sphinx austere.
Deep are the days the old arts bring:
Ten thousand years of yesteryear.
II
She is madonna in an art
As wild and young as her sweet eyes:
A frail dew flower from this hot lamp
That is today's divine surprise.
Despite raw lights and gloating mobs
She is not seared: a picture still:
Rare silk the fine director's hand
May weave for magic if he will.
When ancient films have crumbled like
Papyrus rolls of Egypt's day,
Let the dust speak: "Her pride was high,
All but the artist hid away:
"Kin to the myriad artist clan
Since time began, whose work is dear."
The deep new ages come with her,
Tomorrow's years of yesteryear.
What The Auld Fowk Are Thinkin
by George MacDonald

The bairns i' their beds, worn oot wi' nae wark,
Are sleepin, nor ever an eelid winkin;
The auld fowk lie still wi' their een starin stark,
An' the mirk pang-fou o' the things they are thinkin.
Whan oot o' ilk corner the bairnies they keek,
Lauchin an' daffin, airms loosin an' linkin,
The auld fowk they watch frae the warm ingle-cheek,
But the bairns little think what the auld fowk are thinkin.
Whan the auld fowk sit quaiet at the reet o' a stook,
I' the sunlicht their washt een blinterin an' blinkin,
Fowk scythin, or bin'in, or shearin wi' heuk
Carena a strae what the auld fowk are thinkin.
At the kirk, whan the minister's dreich an' dry,
His fardens as gien they war gowd guineas chinkin,
An' the young fowk are noddin, or fidgetin sly,
Naebody kens what the auld fowk are thinkin.
Whan the young fowk are greitin aboot the bed
Whaur like water throu san' the auld life is sinkin,
An' some wud say the last word was said,
The auld fowk smile, an' ken what they're thinkin.
The Cock, The Ass & The Lion
by Walter Crane

The Ass gave a horrible bray,
Cock crowed; Lion scampered away;
Ass judged he was scared
By the bray, and so dared
To pursue; Lion ate him they say.
Don't Take All The Credit To Yourself
Sonnet IV*.
by Edmund Spenser

The antique Babel, empresse of the East,
Upreard her buildinges to the threatned skie:
And second Babell, tyrant of the West,
Her ayry towers upraised much more high.
But with the weight of their own surquedry**
They both are fallen, that all the earth did feare,
And buried now in their own ashes ly,
Yet shewing, by their heapes, how great they were.
But in their place doth now a third appeare,
Fayre Venice, flower of the last worlds delight;
And next to them in beauty draweth neare,
But farre exceedes in policie of right.
Yet not so fayre her buildinges to behold
As Lewkenors stile that hath her beautie told.
The Cactus Thicket
by Laurence Hope (Adela Florence Cory Nicolson)

"The Atlas summits were veiled in purple gloom,
But a golden moon above rose clear and free.
The cactus thicket was ruddy with scarlet bloom
Where, through the silent shadow, he came to me."
"All my sixteen summers were but for this,
That He should pass, and, pausing, find me fair.
You Stars! bear golden witness!    My lips were his;
I would not live till others have fastened there."
"Oh take me, Death, ere ever the charm shall fade,
Ah, close these eyes, ere ever the dream grow dim.
I welcome thee with rapture, and unafraid,
Even as yesternight I welcomed Him."
"Not now, Impatient one; it well may be
That ten moons hence I shall return for thee."
Strictly Germ-Proof
by Arthur Guiterman

The Antiseptic Baby and the Prophylactic Pup
Were playing in the garden when the Bunny gamboled up;
They looked upon the Creature with a loathing undisguised;
It wasn't Disinfected and it wasn't Sterilized.
They said it was a Microbe and a Hotbed of Disease;
They steamed it in a vapor of a thousand-odd degrees;
They froze it in a freezer that was cold as Banished Hope
And washed it in permanganate with carbolated soap.
In sulphureted hydrogen they steeped its wiggly ears;
They trimmed its frisky whiskers with a pair of hard-boiled shears;
They donned their rubber mittens and they took it by the hand
And 'lected it a member of the Fumigated Band.
There's not a Micrococcus in the garden where they play;
They bathe in pure iodoform a dozen times a day;
And each imbibes his rations from a Hygienic Cup,
The Bunny and the Baby and the Prophylactic Pup.
Nursery Rhyme. DCXXXVIII. Relics.
by Unknown

The barber shaved the mason,
As I suppose
Cut off his nose,
And popp'd it in a basin.
Thanksgiving.
by Kate Seymour Maclean

The Autumn hills are golden at the top,
And rounded as a poet's silver rhyme;
The mellow days are ruby ripe, that drop
One after one into the lap of time.
Dead leaves are reddening in the woodland copse,
And forest boughs a fading glory wear;
No breath of wind stirs in their hazy tops,
Silence and peace are brooding everywhere.
The long day of the year is almost done,
And nature in the sunset musing stands,
Gray-robed, and violet-hooded like a nun,
Looking abroad o'er yellow harvest lands:
O'er tents of orchard boughs, and purple vines
With scarlet flecked, flung like broad banners out
Along the field paths where slow-pacing lines
Of meek-eyed kine obey the herdboy's shout;
Where the tired ploughman his dun oxen turns,
Unyoked, afield, mid dewy grass to stray,
While over all the village church spire burns--
A shaft of flame in the last beams of day.
Empty and folded are her busy hands;
Her corn and wine and oil are safely stored,
As in the twilight of the year she stands,
And with her gladness seems to thank the Lord.
Thus let us rest awhile from toil and care,
In the sweet sabbath of this autumn calm,
And lift our hearts to heaven in grateful prayer,
And sing with nature our thanksgiving psalm.
Rex
by Ralph Waldo Emerson

The bard and mystic held me for their own,
I filled the dream of sad, poetic maids,
I took the friendly noble by the hand,
I was the trustee of the hand-cart man,
The brother of the fisher, porter, swain,
And these from the crowd's edge well pleased beheld
The service done to me as done to them.
With the key of the secret he marches faster,
From strength to strength, and for night brings day;
While classes or tribes, too weak to master
The flowing conditions of life, give way.
Solstice
by Madison Julius Cawein

The ant is busy with its house,
The bee is at its tree;
And by its nest among the boughs
The bird makes melody.
The Day, reluctant still to leave,
Sits crystal at its noon,
Like some sweet girl, with naught to grieve,
Sighing a dreamy tune.
Oh, hark, my heart, and quit your quest!
The song she sighs is one of rest.
The butterfly is on its flower;
The wasp is at its clay;
The wind to bramble lane and bower
Whispers of yesterday.
The Afternoon goes to its close,
With bright attendant states,
Like some calm queen who seeks repose.
Behind her palace gates.
Oh, look, my heart, your pining cease!
That way, at last, you shall find peace.
The cricket trills; the beetle booms;
The mole heaves at its mound:
Pale moths come forth like ghosts of blooms;
The firefly goes its round.
The eve puts off her gown of gold,
And for a moment stands
Before her couch, a lamp of old,
The new moon, in her hands.
Oh, heart, go follow where it gleams,
And find again your world of dreams.
The life that wakes at dark comes out:
The spider nimbly weaves;
The bat flits silently about;
The drowsy owlet grieves.
The Night goes stealing to her tryst,
Breathing a fragrant sigh;
One jewel from her starry wrist
Drops down the quiet sky.
Heart, let it be a sign to you
Of love behind the bending blue.
Autumn
by Thomas Hood

The Autumn skies are flush'd with gold,
And fair and bright the rivers run;
These are but streams of winter cold,
And painted mists that quench the sun.
In secret boughs no sweet birds sing,
In secret boughs no bird can shroud;
These are but leaves that take to wing,
And wintry winds that pipe so loud.
'Tis not trees' shade, but cloudy glooms
That on the cheerless valleys fall,
The flowers are in their grassy tombs,
And tears of dew are on them all.
By The Cradle.
by Susan Coolidge (Sarah Chauncey Woolsey)

The baby Summer lies asleep and dreaming--
Dreaming and blooming like a guarded rose;
And March, a kindly nurse, though rude of seeming,
Is watching by the cradle hung with snows.
Her blowing winds but keep the rockers swinging,
And deepen slumber in the shut blue eyes,
And the shrill cadences of her high singing
Are to the babe but wonted lullabies.
She draws the coverlet white and tucks it trimly,
She folds the little sleeper safe from harm;
Or bends to lift the veil, and, peering inly,
Makes sure it lies all undisturbed and warm.
And so she sits, till in the still, gray dawning
Two fairer nurses come, her place to take,
And smiling, beaming, with no word of warning,
Draw off the quilt, and kiss the babe awake.
My Triumph
by John Greenleaf Whittier

The autumn-time has come;
On woods that dream of bloom,
And over purpling vines,
The low sun fainter shines.
The aster-flower is failing,
The hazel's gold is paling;
Yet overhead more near
The eternal stars appear!
And present gratitude
Insures the future's good,
And for the things I see
I trust the things to be;
That in the paths untrod,
And the long days of God,
My feet shall still be led,
My heart be comforted.
O living friends who love me!
O dear ones gone above me!
Careless of other fame,
I leave to you my name.
Hide it from idle praises,
Save it from evil phrases
Why, when dear lips that spake it
Are dumb, should strangers wake it?
Let the thick curtain fall;
I better know than all
How little I have gained,
How vast the unattained.
Not by the page word-painted
Let life be banned or sainted
Deeper than written scroll
The colors of the soul.
Sweeter than any sung
My songs that found no tongue;
Nobler than any fact
My wish that failed of act.
Others shall sing the song,
Others shall right the wrong,
Finish what I begin,
And all I fail of win.
What matter, I or they?
Mine or another's day,
So the right word be said
And life the sweeter made?
Hail to the coming singers
Hail to the brave light-bringers!
Forward I reach and share
All that they sing and dare.
The airs of heaven blow o'er me;
A glory shines before me
Of what mankind shall be,
Pure, generous, brave, and free.
A dream of man and woman
Diviner but still human,
Solving the riddle old,
Shaping the Age of Gold.
The love of God and neighbor;
An equal-handed labor;
The richer life, where beauty
Walks hand in hand with duty.
Ring, bells in unreared steeples,
The joy of unborn peoples!
Sound, trumpets far off blown,
Your triumph is my own!
Parcel and part of all,
I keep the festival,
Fore-reach the good to be,
And share the victory.
I feel the earth move sunward,
I join the great march onward,
And take, by faith, while living,
My freehold of thanksgiving.
Ballad.
by Charles Stuart Calverley

The auld wife sat at her ivied door,
(Butter and eggs and a pound of cheese)
A thing she had frequently done before;
And her spectacles lay on her apron'd knees.
The piper he piped on the hill-top high,
(Butter and eggs and a pound of cheese)
Till the cow said "I die," and the goose ask'd "Why?"
And the dog said nothing, but search'd for fleas.
The farmer he strode through the square farmyard;
(Butter and eggs and a pound of cheese)
His last brew of ale was a trifle hard -
The connexion of which with the plot one sees.
The farmer's daughter hath frank blue eyes;
(Butter and eggs and a pound of cheese)
She hears the rooks caw in the windy skies,
As she sits at her lattice and shells her peas.
The farmer's daughter hath ripe red lips;
(Butter and eggs and a pound of cheese)
If you try to approach her, away she skips
Over tables and chairs with apparent ease.
The farmer's daughter hath soft brown hair;
(Butter and eggs and a pound of cheese)
And I met with a ballad, I can't say where,
Which wholly consisted of lines like these.
PART II.
She sat with her hands 'neath her dimpled cheeks,
(Butter and eggs and a pound of cheese)
And spake not a word. While a lady speaks
There is hope, but she didn't even sneeze.
She sat, with her hands 'neath her crimson cheeks;
(Butter and eggs and a pound of cheese)
She gave up mending her father's breeks,
And let the cat roll in her new chemise.
She sat, with her hands 'neath her burning cheeks,
(Butter and eggs and a pound of cheese)
And gazed at the piper for thirteen weeks;
Then she follow'd him out o'er the misty leas.
Her sheep follow'd her, as their tails did them.
(Butter and eggs and a pound of cheese)
And this song is consider'd a perfect gem,
And as to the meaning, it's what you please.
Poem: Endymion (For Music)
by Oscar Fingal O'Flahertie Wills Wilde

The apple trees are hung with gold,
And birds are loud in Arcady,
The sheep lie bleating in the fold,
The wild goat runs across the wold,
But yesterday his love he told,
I know he will come back to me.
O rising moon! O Lady moon!
Be you my lover's sentinel,
You cannot choose but know him well,
For he is shod with purple shoon,
You cannot choose but know my love,
For he a shepherd's crook doth bear,
And he is soft as any dove,
And brown and curly is his hair.
The turtle now has ceased to call
Upon her crimson-footed groom,
The grey wolf prowls about the stall,
The lily's singing seneschal
Sleeps in the lily-bell, and all
The violet hills are lost in gloom.
O risen moon! O holy moon!
Stand on the top of Helice,
And if my own true love you see,
Ah! if you see the purple shoon,
The hazel crook, the lad's brown hair,
The goat-skin wrapped about his arm,
Tell him that I am waiting where
The rushlight glimmers in the Farm.
The falling dew is cold and chill,
And no bird sings in Arcady,
The little fauns have left the hill,
Even the tired daffodil
Has closed its gilded doors, and still
My lover comes not back to me.
False moon! False moon! O waning moon!
Where is my own true lover gone,
Where are the lips vermilion,
The shepherd's crook, the purple shoon?
Why spread that silver pavilion,
Why wear that veil of drifting mist?
Ah! thou hast young Endymion,
Thou hast the lips that should be kissed!