DanFosing/public-domain-poetry huggingface dataset:
The Knight's Epitaph.
by William Cullen Bryant

This is the church which Pisa, great and free,
Reared to St. Catharine. How the time-stained walls,
That earthquakes shook not from their poise, appear
To shiver in the deep and voluble tones
Rolled from the organ! Underneath my feet
There lies the lid of a sepulchral vault.
The image of an armed knight is graven
Upon it, clad in perfect panoply,
Cuishes, and greaves, and cuirass, with barred helm,
Gauntleted hand, and sword, and blazoned shield.
Around, in Gothic characters, worn dim
By feet of worshippers, are traced his name,
And birth, and death, and words of eulogy.
Why should I pore upon them? This old tomb,
This effigy, the strange disused form
Of this inscription, eloquently show
His history. Let me clothe in fitting words
The thoughts they breathe, and frame his epitaph.
"He whose forgotten dust for centuries
Has lain beneath this stone, was one in whom
Adventure, and endurance, and emprise
Exalted the mind's faculties and strung
The body's sinews. Brave he was in fight,
Courteous in banquet, scornful of repose,
And bountiful, and cruel, and devout,
And quick to draw the sword in private feud.
He pushed his quarrels to the death, yet prayed
The saints as fervently on bended knees
As ever shaven cenobite. He loved
As fiercely as he fought. He would have borne
The maid that pleased him from her bower by night,
To his hill-castle, as the eagle bears
His victim from the fold, and rolled the rocks
On his pursuers. He aspired to see
His native Pisa queen and arbitress
Of cities: earnestly for her he raised
His voice in council, and affronted death
In battle-field, and climbed the galley's deck,
And brought the captured flag of Genoa back,
Or piled upon the Arno's crowded quay
The glittering spoils of the tamed Saracen.
He was not born to brook the stranger's yoke,
But would have joined the exiles that withdrew
For ever, when the Florentine broke in
The gates of Pisa, and bore off the bolts
For trophies, but he died before that day.
"He lived, the impersonation of an age
That never shall return. His soul of fire
Was kindled by the breath of the rude time
He lived in. Now a gentler race succeeds,
Shuddering at blood; the effeminate cavalier,
Turning his eyes from the reproachful past,
And from the hopeless future, gives to ease,
And love, and music, his inglorious life."
The Lesson
by Madison Julius Cawein

This is the lesson I have learned of Beauty:
Who gathers flowers finds that flowers fade:
Who sets love in his heart above his duty
Misses the part for which that love was made.
Than passion, haply, there is nothing madder:
Who plucks its red rose plucks with it a thorn:
More than soul's pain what hurt can make us sadder?
And yet of this immortal things are born.
The Story Of The Man That Went Out Shooting
by Heinrich Hoffmann

This is the man that shoots the hares;
This is the coat he always wears:
With game-bag, powder-horn, and gun
He's going out to have some fun.
He finds it hard, without a pair
Of spectacles, to shoot the hare.
The hare sits snug in leaves and grass,
And laughs to see the green man pass.
Now, as the sun grew very hot,
And he a heavy gun had got,
He lay down underneath a tree
And went to sleep, as you may see.
And, while he slept like any top,
The little hare came, hop, hop, hop,
Took gun and spectacles, and then
On her hind legs went off again.
The green man wakes and sees her place
The spectacles upon her face;
And now she's trying all she can
To shoot the sleepy, green-coat man.
He cries and screams and runs away;
The hare runs after him all day
And hears him call out everywhere:
"Help! Fire! Help! The Hare! The Hare!"
At last he stumbled at the well,
Head over ears, and in he fell.
The hare stopped short, took aim and, hark!
Bang went the gun--she missed her mark!
The poor man's wife was drinking up
Her coffee in her coffee-cup;
The gun shot cup and saucer through;
"Oh dear!" cried she; "what shall I do?"
There lived close by the cottage there
The hare's own child, the little hare;
And while she stood upon her toes,
The coffee fell and burned her nose.
"Oh dear!" she cried, with spoon in hand,
"Such fun I do not understand."
The Heart's Own Day
by Madison Julius Cawein

This is the heart's own day:
With dreaming eyes
Life seems to look away
Beyond the skies
Into some long-gone May.
A May that can not die;
Across whose hills
Youth's heart goes singing by,
'Mid daffodils,
With Love the young and shy.
Love of the slender form
And elvish face;
Who with uplifted arm
Points to one place
A place of oldtime charm.
Where once the lilies grew
For Love to twine,
With violets, white and blue,
And columbine,
Of gold and crimson hue.
Gone is the long-ago;
Gone like the wind;
And Love we used to know
Sits dumb and blind,
With locks of winter snow.
And by him Memory
Sits sketching back
Into the used-to-be,
In white and black,
One flower on his knee.
One rose, whose crimson gleams
Like Youth's glad heart,
And fills the day with dreams,
And is a part
Of the old love it seems.
That touches with the tints
Of Faeryland
This day; and makes a prince
Of Samarcand,
Of him, whose hand
Hers held in dreams long since.
The Arsenal At Springfield
by Henry Wadsworth Longfellow

This is the Arsenal.    From floor to ceiling,
Like a huge organ, rise the burnished arms;
But front their silent pipes no anthem pealing
Startles the villages with strange alarms.
Ah! what a sound will rise, how wild and dreary,
When the death-angel touches those swift keys
What loud lament and dismal Miserere
Will mingle with their awful symphonies
I hear even now the infinite fierce chorus,
The cries of agony, the endless groan,
Which, through the ages that have gone before us,
In long reverberations reach our own.
On helm and harness rings the Saxon hammer,
Through Cimbric forest roars the Norseman's song,
And loud, amid the universal clamor,
O'er distant deserts sounds the Tartar gong.
I hear the Florentine, who from his palace
Wheels out his battle-bell with dreadful din,
And Aztec priests upon their teocallis
Beat the wild war-drums made of serpent's skin;
The tumult of each sacked and burning village;
The shout that every prayer for mercy drowns;
The soldiers' revels in the midst of pillage;
The wail of famine in beleaguered towns;
The bursting shell, the gateway wrenched asunder,
The rattling musketry, the clashing blade;
And ever and anon, in tones of thunder,
The diapason of the cannonade.
Is it, O man, with such discordant noises,
With such accursed instruments as these,
Thou drownest Nature's sweet and kindly voices,
And jarrest the celestial harmonies?
Were half the power, that fills the world with terror,
Were half the wealth, bestowed on camps and courts,
Given to redeem the human mind from error,
There were no need of arsenals or forts:
The warrior's name would be a name abhorred!
And every nation, that should lift again
Its hand against a brother, on its forehead
Would wear forevermore the curse of Cain!
Down the dark future, through long generations,
The echoing sounds grow fainter and then cease;
And like a bell, with solemn, sweet vibrations,
I hear once more the voice of Christ say, "Peace!"
Peace! and no longer from its brazen portals
The blast of War's great organ shakes the skies!
But beautiful as songs of the immortals,
The holy melodies of love arise.
The Storm Cone
by Rudyard Kipling

This is the midnight-let no star 
Delude us-dawn is very far.
This is the tempest long foretold,
Slow to make head but sure to hold 
Stand by! The lull 'twixt blast and blast 
Signals the storm is near, not past;
And worse than present jeopardy 
May our forlorn to-morrow be.
If we have cleared the expectant reef, 
Let no man look for his relief.
Only the darkness hides the shape 
Of further peril to escape.
It is decreed that we abide
The weight of gale against the tide 
And those huge waves the outer main 
Sends in to set us back again.
They fall and whelm. We strain to hear 
The pulses of her labouring gear,
Till the deep throb beneath us proves, 
After each shudder and check, she moves! 
She moves, with all save purpose lost,
To make her offing from the coast; 
But, till she fetches open sea,
Let no man deem that he is free!
Solitude
by James Lister Cuthbertson

This is the maiden Solitude, too fair
For mortal eyes to gaze on, she who dwells
In the lone valley where the water wells
Clear from the marble, where the mountain air
Is resinous with pines, and white peaks bare
Their unpolluted bosoms to the stars,
And holy Reverence the passage bars
To meaner souls who seek to enter there;
Only the worshipper at Nature's shrine
May find that maiden waiting to be won,
With broad calm brow and meek eyes of the dove,
May drink the rarer ether all divine,
And, earthly toils and earthly troubles done,
May win the longed-for sweetness of her love.
Clifton Chapel
by Henry John Newbolt, Sir

This is the Chapel: here, my son,
Your father thought the thoughts of youth,
And heard the words that one by one
The touch of Life has turned to truth.
Here in a day that is not far,
You too may speak with noble ghosts
Of manhood and the vows of war
You made before the Lord of Hosts.
To set the cause above renown,
To love the game beyond the prize,
To honour, while you strike him down,
The foe that comes with fearless eyes;
To count the life of battle good,
And dear the land that gave you birth,
And dearer yet the brotherhood
That binds the brave of all the earth---
My son, the oath is yours: the end
Is His, Who built the world of strife,
Who gave His children Pain for friend,
And Death for surest hope of life.
To-day and here the fight's begun,
Of the great fellowship you're free;
Henceforth the School and you are one,
And what You are, the race shall be.
God send you fortune: yet be sure,
Among the lights that gleam and pass,
You'll live to follow none more pure
Than that which glows on yonder brass:
"Qui procul hinc," the legend's writ,---
The frontier-grave is far away---
"Qui ante diem periit:
Sed miles, sed pro patri'."
Nursery Rhyme. CCCXXIII. Games.
by Unknown

This is the key of the kingdom.
In that kingdom there is a city.
In that city there is a town.
In that town there is a street.
In that street there is a lane.
In that lane there is a yard.
In that yard there is a house.
In that house there is a room.
In that room there is a bed.
On that bed there is a basket.
In that basket there are some flowers.
Flowers in the basket, basket in the bed, bed in the room, & c. & c.
Pictured
by Madison Julius Cawein

This is the face of her
I've dreamed of long;
Here in my heart's despair,
This is the face of her
Pictured in song.
Look on the lily lids,
The eyes of dawn,
Deep as a Nereid's,
Swimming with dewy lids
In waters wan.
Look on the brows of snow,
The locks brown-bright;
Only young sleep can show
Such brows of placid snow,
Such locks of night.
The cheeks, like rosy moons,
The lips of fire;
Love thinks no sweeter tunes
Under enchanted moons
Than their desire.
Loved lips and eyes and hair,
Lo, this is she!
She, who sits smiling there
Over my heart's despair,
Never for me!
William Wallace.
by Francis William Lauderdale Adams

(For the Ballarat statue of him.)
This is Scotch William Wallace. It was he
Who in dark hours first raised his face to see:
Who watched the English tyrant nobles spurn,
Steel-clad, with iron hoofs the Scottish free:
Who armed and drilled the simple footman Kern,
Yea, bade in blood and rout the proud Knight learn
His Feudalism was dead, and Scotland stand
Dauntless to wait the day of Bannockburn!
O Wallace, peerless lover of thy land,
We need thee still, thy moulding brain and hand!
For us, thy poor, again proud tyrants spurn,
The robber rich, a yet more hateful band!
Lallji my Desire
by Laurence Hope (Adela Florence Cory Nicolson)

"This is no time for saying 'no'"
Were thy last words to me,
And yet my lips refused the kiss
They might have given thee.
How could I know
That thou wouldst go
To sleep so far from me?
They took thee to the Burning-Ghat,
Oh, Lallji, my desire,
And now a faint and lonely flame
Uprises from the pyre.
The thin grey smoke in spirals drifts
Across the opal sky.
Would that I were a wife of thine,
And thus with thee could die!
How could I know
That thou wouldst go,
Oh, Lallji, my desire?
The lips I missed
The flames have kissed
Upon the Sandal pyre.
If one should meet me with a knife
And cut my heart in twain,
Then would he see the smoke arise
From every severed vein.
Such is the burning, inward fire,
The anguish of my pain,
For my Beloved, whose dying lips
Implored a kiss - in vain!
How could I know
That thou wouldst go,
Oh, Lallji, my desire?
Too young thou art
To lay thy heart
Upon the Sandal pyre.
Thy wife awaits her coming child;
What were a child to me,
If I might take thee in these arms
And face the flames with thee?
The priests are chanting round the pyre,
At dusk they will depart
And leave to thee thy lonely rest,
To me my lonelier heart.
How could I know
Thou lovedst me so?
Upon the Sandal pyre
He lies forsaken.
The flames have taken
My Lallji, my desire!
On Fortune.
by Robert Herrick

This is my comfort when she's most unkind:
She can but spoil me of my means, not mind.
Dominion Day.
by W. M. MacKeracher

This is the day whereon, confederate
In union, was our national'ty born, -
A four-walled temple beautiful and great,
Arising like the bringer of the morn,
Now winged and buttressed, which the years adorn
With pinnacles of fame. Long may it stand,
Though realms be rent, states shattered, thrones uptorn!
Long may Canadians grasp each other's hand,
Defend their nation's rights, and love their fatherland!
Lochanilaun
by Francis Brett Young

This is the image of my last content:
My soul shall be a little lonely lake,
So hidden that no shadow of man may break
The folding of its mountain battlement;
Only the beautiful and innocent
Whiteness of sea-born cloud drooping to shake
Cool rain upon the reed-beds, or the wake
Of churn'd cloud in a howling wind's descent.
For there shall be no terror in the night
When stars that I have loved are born in me,
And cloudy darkness I will hold most fair;
But this shall be the end of my delight:
That you, my lovely one, may stoop and see
Your image in the mirrored beauty there.
Monologue Of A Mother
by D. H. Lawrence (David Herbert Richards)

This is the last of all, this is the last!
I must hold my hands, and turn my face to the fire,
I must watch my dead days fusing together in dross,
Shape after shape, and scene after scene from my past
Fusing to one dead mass in the sinking fire
Where the ash on the dying coals grows swiftly, like heavy moss.
Strange he is, my son, whom I have awaited like a lover,
Strange to me like a captive in a foreign country, haunting
The confines and gazing out on the land where the wind is free;
White and gaunt, with wistful eyes that hover
Always on the distance, as if his soul were chaunting
The monotonous weird of departure away from me.
Like a strange white bird blown out of the frozen seas,
Like a bird from the far north blown with a broken wing
Into our sooty garden, he drags and beats
From place to place perpetually, seeking release
From me, from the hand of my love which creeps up, needing
His happiness, whilst he in displeasure retreats.
I must look away from him, for my faded eyes
Like a cringing dog at his heels offend him now,
Like a toothless hound pursuing him with my will,
Till he chafes at my crouching persistence, and a sharp spark flies
In my soul from under the sudden frown of his brow,
As he blenches and turns away, and my heart stands still.
This is the last, it will not be any more.
All my life I have borne the burden of myself,
All the long years of sitting in my husband's house,
Never have I said to myself as he closed the door:
"Now I am caught! - You are hopelessly lost, O Self,
You are frightened with joy, my heart, like a frightened mouse."
Three times have I offered myself, three times rejected.
It will not be any more. No more, my son, my son!
Never to know the glad freedom of obedience, since long ago
The angel of childhood kissed me and went. I expected
Another would take me, - and now, my son, O my son,
I must sit awhile and wait, and never know
The loss of myself, till death comes, who cannot fail.
Death, in whose service is nothing of gladness, takes me;
For the lips and the eyes of God are behind a veil.
And the thought of the lipless voice of the Father shakes me
With fear, and fills my eyes with the tears of desire,
And my heart rebels with anguish as night draws nigher,
An Irish Blackbird
by Dora Sigerson Shorter

This is my brave singer,
With his beak of gold;
Now my heart's a captive
In his song's sweet hold.
O, the lark's a rover,
Seeking fields above:
But my serenader
Hath a human love.
'Hark!' he says, 'in winter
Nests are full of snow,
But a truce to wailing
Summer breezes blow.'
'Hush!' he sings, 'with night-time
Phantoms cease to be,
Join your serenader
Piping on his tree.'
O, my little lover,
Warble in the blue;
Wingless must I envy
Skies so wide for you.
Retrospect
by Duncan Campbell Scott

This is the mockery of the moving years;
Youth's colour dies, the fervid morning glow
Is gone from off the foreland; slow, slow,
Even slower than the fount of human tears
To empty, the consuming shadow nears
That Time is casting on the worldly show
Of pomp and glory. But falter not; - below
That thought is based a deeper thought that cheers.
Glean thou thy past; that will alone inure
To catch thy heart up from a dark distress;
It were enough to find one deed mature,
Deep-rooted, mighty 'mid the toil and press;
To save one memory of the sweet and pure,
From out life's failure and its bitterness.
Sir Barnaby Bampton Boo
by William Schwenck Gilbert

This is SIR BARNABY BAMPTON BOO,
Last of a noble race,
BARNABY BAMPTON, coming to woo,
All at a deuce of a pace.
BARNABY BAMPTON BOO,
Here is a health to you:
Here is wishing you luck, you elderly buck 
BARNABY BAMPTON BOO!
The excellent women of Tuptonvee
Knew SIR BARNABY BOO;
One of them surely his bride would be,
But dickens a soul knew who.
Women of Tuptonvee,
Here is a health to ye
For a Baronet, dears, you would cut off your ears,
Women of Tuptonvee!
Here are old MR. and MRS. DE PLOW
(PETER his Christian name),
They kept seven oxen, a pig, and a cow 
Farming it was their game.
Worthy old PETER DE PLOW,
Here is a health to thou:
Your race isn't run, though you're seventy-one,
Worthy old PETER DE PLOW!
To excellent MR. and MRS. DE PLOW
Came SIR BARNABY BOO,
He asked for their daughter, and told 'em as how
He was as rich as a Jew.
BARNABY BAMPTON'S wealth,
Here is your jolly good health:
I'd never repine if you came to be mine,
BARNABY BAMPTON'S wealth!
"O great SIR BARNABY BAMPTON BOO"
(Said PLOW to that titled swell),
"My missus has given me daughters two 
AMELIA and VOLATILE NELL!"
AMELIA and VOLATILE NELL,
I hope you're uncommonly well:
You two pretty pearls you extremely nice girls 
AMELIA and VOLATILE NELL!
"AMELIA is passable only, in face,
But, oh! she's a worthy girl;
Superior morals like hers would grace
The home of a belted Earl."
Morality, heavenly link!
To you I'll eternally drink:
I'm awfully fond of that heavenly bond,
Morality, heavenly link!
"Now NELLY'S the prettier, p'raps, of my gals,
But, oh! she's a wayward chit;
She dresses herself in her showy fal-lals,
And doesn't read TUPPER a bit!"
O TUPPER, philosopher true,
How do you happen to do?
A publisher looks with respect on your books,
For they DO sell, philosopher true!
The Bart. (I'll be hanged if I drink him again,
Or care if he's ill or well),
He sneered at the goodness of MILLY THE PLAIN,
And cottoned to VOLATILE NELL!
O VOLATILE NELLY DE P.!
Be hanged if I'll empty to thee:
I like worthy maids, not mere frivolous jades,
VOLATILE NELLY DE P.!
They bolted, the Bart. and his frivolous dear,
And MILLY was left to pout;
For years they've got on very well, as I hear,
But soon he will rue it, no doubt.
O excellent MILLY DE PLOW,
I really can't drink to you now;
My head isn't strong, and the song has been long,
Excellent MILLY DE PLOW!
In Memoriam Mae Noblitt
by A. R. Ammons

This is just a place:
we go around, distanced,
yearly in a star's
atmosphere, turning
daily into and out of
direct light and
slanting through the
quadrant seasons: deep
space begins at our
heels, nearly rousing
us loose: we look up
or out so high, sight's
silk almost draws us away:
this is just a place:
currents worry themselves
coiled and free in airs
and oceans: water picks
up mineral shadow and
plasm into billions of
designs, frames: trees,
grains, bacteria: but
is love a reality we
made here ourselves,
and grief, did we design
that, or do these,
like currents, whine
in and out among us merely
as we arrive and go:
this is just a place:
the reality we agree with,
that agrees with us,
outbounding this, arrives
to touch, joining with
us from far away:
our home which defines
us is elsewhere but not
so far away we have
forgotten it:
this is just a place.
The Dam That Keele Built
by Banjo Paterson (Andrew Barton)

This is the dam that Keele built.
This is the stream that brought the water to fill the dam that Keele built;
This is the Water and Sewer Brigade,
That measured the stream that brought the water to fill the dam that Keele built;
This is the Engineer by Trade*,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;
These are the Calculations made
By the Eminent Engineer by Trade,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;
This is the scornful Mr Wade**,
Who sneered at the Calculations made
By the Eminent Engineer by Trade,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;
This is the Minister quite dismayed
At the sight of the Scornful Mr Wade,
Who sneered at the Calculations made
By the Eminent Engineer by Trade,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;
This is the Sydneyite afraid
That a serious blunder will be made,
Because of the Minister, quite dismayed
At the sight of the Scornful Mr Wade,
Who sneered at the Calculations made
By the Eminent Engineer by Trade,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;
The Debt
by Paul Laurence Dunbar

This is the debt I pay
Just for one riotous day,
Years of regret and grief,
Sorrow without relief.
Pay it I will to the end--
Until the grave, my friend,
Gives me a true release--
Gives me the clasp of peace.
Slight was the thing I bought,
Small was the debt I thought,
Poor was the loan at best--
God! but the interest!
Welcome To The Table.
by William Cowper

This is the feast of heavenly wine,
And God invites to sup;
The juices of the living vine
Were press'd to fill the cup.
Oh! bless the Saviour, ye that eat,
With royal dainties fed;
Not heaven affords a costlier treat,
For Jesus is the bread.
The vile, the lost, he calls to them,
Ye trembling souls, appear!
The righteous in their own esteem
Have no acceptance here.
Approach, ye poor, nor dare refuse
The banquet spread for you;
Dear Saviour, this is welcome news,
Then I may venture too.
If guilt and sin afford a plea,
And may obtain a place,
Surely the Lord will welcome me,
And I shall see his face.
The Elephant.
by Oliver Herford

This is the El-e-phant, who lives
With but one aim - to please.
His i-vo-ry tusk he free-ly gives
To make pi-a-no keys.
One grief he has - how-e'er he tries,
He nev-er can for-get
That one of his e-nor-mous size
Can't be a house-hold pet.
Then does he to his grief give way,
Or sink 'neath sor-row's ban?
Oh, no; in-stead he spends each day
Con-tri-ving some un-sel-fish way
To be of use to Man.
September Woodlands.
by Bliss Carman (William)

This is not sadness in the wood;
The yellowbird
Flits joying through the solitude,
By no thought stirred
Save of his little duskier mate
And rompings jolly.
If there's a Dryad in the wood,
She is not sad.
Too wise the spirits are to brood;
Divinely glad,
They dream with countenance sedate
Not melancholy.