DanFosing/public-domain-poetry huggingface dataset:
Ode On A Grecian Urn
by John Keats

Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty,' that is all
Ye know on earth, and all ye need to know.
The Latest Decalogue
by Arthur Hugh Clough

Thou shalt have one God only; who
Would be at the expense of two?
No graven images may be
Worshipped, except the currency:
Swear not at all; for, for thy curse
Thine enemy is none the worse:
At church on Sunday to attend
Will serve to keep the world thy friend:
Honour thy parents; that is, all
From whom advancement may befall:
Thou shalt not kill; but need'st not strive
Officiously to keep alive:
Do not adultery commit;
Advantage rarely comes of it:
Thou shalt not steal; an empty feat,
When it's so lucrative to cheat:
Bear not false witness; let the lie
Have time on its own wings to fly:
Thou shalt not covet, but tradition
Approves all forms of competition.
The Jimmall Ring Or True-Love Knot.
by Robert Herrick

Thou sent'st to me a true love-knot, but I
Returned a ring of jimmals to imply
Thy love had one knot, mine a triple tie.
A Fleeting Passion
by William Henry Davies

Thou shalt not laugh, thou shalt not romp,
Let's grimly kiss with bated breath;
As quietly and solemnly
As Life when it is kissing Death.
Now in the silence of the grave,
My hand is squeezing that soft breast;
While thou dost in such passion lie,
It mocks me with its look of rest.
But when the morning comes at last,
And we must part, our passions cold,
You'll think of some new feather, scarf
To buy with my small piece of gold;
And I'll be dreaming of green lanes,
Where little things with beating hearts
Hold shining eyes between the leaves,
Till men with horses pass, and carts.
Thou Wert Far Off And In The Sight Of Heaven. (Hymn)
by Jean Ingelow

"And fell on his neck, and kissed him."
Thou wert far off, and in the sight of heaven
Dead. And thy Father would not this should be;
And now thou livest, it is all forgiven;
Think on it, O my soul, He kiss'd thee!
What now are gold and gear? thou canst afford
To cast them from thee at His sacred call,
As Mary, when she met her living Lord,
The burial spice she had prepared let fall.
O! what is death to life? One dead could well
Afford to waste his shroud, if he might wake;
Thou canst afford to waste the world, and sell
Thy footing in it, for the new world's sake.
What is the world? it is a waiting place,
Where men put on their robes for that above.
What is the new world? 'tis a Father's face
Beholden of His sons - the face of love.
Sonnet XCVII. To A Coffin-Lid.
by Anna Seward

Thou silent Door of our eternal sleep,
Sickness, and pain, debility, and woes,
All the dire train of ills Existence knows,
Thou shuttest out FOR EVER! - Why then weep
This fix'd tranquillity, - so long! - so deep!
In a dear FATHER's clay-cold Form? - where rose
No energy, enlivening Health bestows,
Thro' many a tedious year, that us'd to creep
In languid deprivation; while the flame
Of intellect, resplendent once confess'd,
Dark, and more dark, each passing day became.
Now that angelic lights the SOUL invest,
Calm let me yield to thee a joyless Frame,
THOU SILENT DOOR OF EVERLASTING REST.
Lichfield, March 1790.
The Wanderer's Night-Song.
by Johann Wolfgang von Goethe

Thou who comest from on high,
Who all woes and sorrows stillest,
Who, for twofold misery,
Hearts with twofold balsam fillest,
Would this constant strife would cease!
What are pain and rapture now?
Blissful Peace,
To my bosom hasten thou!
The Past.
by William Cullen Bryant

Thou unrelenting Past!
Strong are the barriers round thy dark domain,
And fetters, sure and fast,
Hold all that enter thy unbreathing reign.
Far in thy realm withdrawn
Old empires sit in sullenness and gloom,
And glorious ages gone
Lie deep within the shadow of thy womb.
Childhood, with all its mirth,
Youth, Manhood, Age, that draws us to the ground,
And last, Man's Life on earth,
Glide to thy dim dominions, and are bound.
Thou hast my better years,
Thou hast my earlier friends, the good, the kind,
Yielded to thee with tears,
The venerable form, the exalted mind.
My spirit yearns to bring
The lost ones back, yearns with desire intense,
And struggles hard to wring
Thy bolts apart, and pluck thy captives thence.
In vain, thy gates deny
All passage save to those who hence depart;
Nor to the streaming eye
Thou giv'st them back, nor to the broken heart.
In thy abysses hide
Beauty and excellence unknown, to thee
Earth's wonder and her pride
Are gathered, as the waters to the sea;
Labours of good to man,
Unpublished charity, unbroken faith, 
Love, that midst grief began,
And grew with years, and faltered not in death.
Full many a mighty name
Lurks in thy depths, unuttered, unrevered;
With thee are silent fame,
Forgotten arts, and wisdom disappeared.
Thine for a space are they,
Yet shalt thou yield thy treasures up at last;
Thy gates shall yet give way,
Thy bolts shall fall, inexorable Past!
All that of good and fair
Has gone into thy womb from earliest time,
Shall then come forth to wear
The glory and the beauty of its prime.
They have not perished, no!
Kind words, remembered voices once so sweet,
Smiles, radiant long ago,
And features, the great soul's apparent seat.
All shall come back, each tie
Of pure affection shall be knit again;
Alone shall Evil die,
And Sorrow dwell a prisoner in thy reign.
And then shall I behold
Him, by whose kind paternal side I sprung,
And her, who, still and cold,
Fills the next grave, the beautiful and young.
Leopold, Duke Of Brunswick.
by Johann Wolfgang von Goethe

Thou wert forcibly seized by the hoary lord of the river, 
Holding thee, ever he shares with thee his streaming domain,
Calmly sleepest thou near his urn as it silently trickles,
Till thou to action art roused, waked by the swift-rolling flood.
Kindly be to the people, as when thou still wert a mortal,
Perfecting that as a god, which thou didst fail in, as man.
The Last Decalogue
by Arthur Hugh Clough

Thou shalt have one God only; -who
Would be at the expense of two?
No graven images may be
Worshipped, except the currency:
Swear not at all; for, for thy curse
Thine enemy is none the worse:
At church on Sunday to attend
Will serve to keep the world thy friend:
Honour thy parents; that is, all
From whom advancement may befall:
Thou shalt not kill; but need'st not strive
Officiously to keep alive:
Do not adultery commit;
Advantage rarely comes of it:
Thou shalt not steal; an empty feat,
When 'tis so lucrative to cheat:
Bear not false witness; let the lie
Have time on its own wings to fly:
Thou shalt not covet, but tradition
Approves all forms of competition.
The Last Song Of Sappho.
by Giacomo Leopardi

Thou tranquil night, and thou, O gentle ray
Of the declining moon; and thou, that o'er
The rock appearest, 'mid the silent grove,
The messenger of day; how dear ye were,
And how delightful to these eyes, while yet
Unknown the furies, and grim Fate! But now,
No gentle sight can soothe this wounded soul.
Then, only, can forgotten joy revive,
When through the air, and o'er the trembling fields
The raging south wind whirls its clouds of dust;
And when the car, the pondrous car of Jove,
Omnipotent, high-thundering o'er our heads,
A pathway cleaves athwart the dusky sky.
Then would I love with storm-charged clouds to fly
Along the cliffs, along the valleys deep,
The headlong flight of frightened flocks to watch,
Or hear, upon some swollen river's shore
The angry billows' loud, triumphant roar.
How beautiful thou art, O heaven divine,
And thou, O dewy earth! Alas no part
Of all this beauty infinite, the gods
And cruel fate to wretched Sappho gave!
To thy proud realms, O Nature, I, a poor,
Unwelcome guest, rejected lover, come;
To all thy varied forms of loveliness,
My heart and eyes, a suppliant, lift in vain.
The sun-lit shore hath smiles no more for me,
Nor radiant morning light at heaven's gate;
The birds no longer greet me with their songs,
Nor whispering trees with gracious messages;
And where, beneath the bending willows' shade,
The limpid stream its bosom pure displays,
As I, with trembling and uncertain foot,
Oppressed with grief, upon its margin pause,
The dimpled waves recoil, as in disdain,
And urge their flight along the flowery plain.
What fearful crime, what hideous excess
Have so defiled me, e'en before my birth,
That heaven and fortune frown upon me thus?
Wherein have I offended, as a child,
When we of evil deeds are ignorant,
That thus disfigured, of the bloom of youth
Bereft, my little thread of life has from
The spindle of the unrelenting Fate
Been drawn? Alas, incautious are thy words!
Mysterious counsels all events control,
And all, except our grief, is mystery.
Deserted children, we were born to weep;
But why, is known to those above, alone.
O vain the cares, the hopes of earlier years!
To idle shows Jove gives eternal sway
O'er human hearts. Unless in shining robes arrayed,
All manly deeds in arms, or art, or song,
Appeal in vain unto the vulgar throng.
I die! This wretched veil to earth I cast,
And for my naked soul a refuge seek
Below, and for the cruel faults atone
Of gods, the blind dispensers of events.
And thou, to whom I have been bound so long,
By hopeless love, and lasting faith, and by
The frenzy vain of unappeased desire,
Live, live, and if thou canst, be happy here!
My cup o'erflows with bitterness, and Jove
Has from his vase no drop of sweetness shed,
For all my childhood's hopes and dreams have fled.
The happiest day the soonest fades away;
And then succeed disease, old age, the shade
Of icy death. Behold, alas! Of all
My longed-for laurels, my illusions dear,
The end, - the gulf of hell! My spirit proud
Must to the realm of Proserpine descend,
The Stygian shore, the night that knows no end.
Dark Chestnut
by John Frederick Freeman

Thou shaking thy dark shadows down,
Like leaves before the first leaves fall,
Pourest upon the head of night
Her loveliest loveliness of all--
Dark leaves that tremble
When soft airs unto softer call.
O, darker, softer fall her thoughts
Upon the cold fields of my mind,
Weaving a quiet music there
Like leaf-shapes trembling in least wind:
Dark thoughts that linger
When the light's gone and the night's blind.
I see her there beneath your boughs.
Dark chestnut, though you see her not;
Her white face and white hands are clear
As the moon in your stretched arms caught;
But stranger, clearer,
The living shadows of her thought.
Ode II; To Sleep
by Mark Akenside

Thou silent power, whose welcome sway
Charms every anxious thought away;
In whose divine oblivion drown'd,
Sore pain and weary toil grow mild,
Love is with kinder looks beguil'd,
And grief forgets her fondly-cherish'd wound;
Oh whither hast thou flown, indulgent god?
God of kind shadows and of healing dews,
Whom dost thou touch with thy Lethaean rod?
Around whose temples now thy opiate airs diffuse?
Lo, midnight from her starry reign
Looks awful down on earth and main.
The tuneful birds lie hush'd in sleep,
With all that crop the verdant food,
With all that skim the crystal flood,
Or haunt the caverns of the rocky steep.
No rushing winds disturb the tufted bowers;
No wakeful sound the moon-light valley knows,
Save where the brook its liquid murmur pours,
And lulls the waving scene to more profound repose.
Oh let not me alone complain,
Alone invoke thy power in vain!
Descend, propitious, on my eyes;
Not from the couch that bears a crown,
Not from the courtly statesman's down,
Nor where the miser and his treasure lies:
Bring not the shapes that break the murderer's rest,
Nor those the hireling soldier loves to see,
Nor those which haunt the bigot's gloomy breast:
Far be their guilty nights, and far their dreams from me!
Nor yet those awful forms present,
For chiefs and heroes only meant:
The figur'd brass, the choral song,
The rescued people's glad applause,
The listening senate, and the laws
Fix'd by the counsels of Timoleon's tongue,
Are scenes too grand for fortune's private ways;
And though they shine in youth's ingenuous view,
The sober gainful arts of modern days
To such romantic thoughts have bid a long adieu.
I ask not, god of dreams, thy care
To banish Love's presentments fair:
Nor rosy cheek nor radiant eye
Can arm him with such strong command
That the young sorcerer's fatal hand
Should round my soul his pleasing fetters tie.
Nor yet the courtier's hope, the giving smile
(A lighter phantom, and a baser chain)
Did e'er in slumber my proud lyre beguile
To lend the pomp of thrones her ill-according strain.
But, Morpheus, on thy balmy wing
Such honorable visions bring,
As sooth'd great Milton's injur'd age,
When in prophetic dreams he saw
The race unborn with pious awe
Imbibe each virtue from his heavenly page:
Or such as Mead's benignant fancy knows
When health's deep treasures, by his art explor'd,
Have sav'd the infant from an orphan's woes,
Or to the trembling sire his age's hope restor'd.
The Fourteenth of July
by Algernon Charles Swinburne

On the refusal by the French Senate of the plenary amnesty demanded by Victor Hugo, in his speech of July 3rd, for the surviving exiles of the Commune.)
Thou shouldst have risen as never dawn yet rose,
Day of the sunrise of the soul of France,
Dawn of the whole world's morning, when the trance
Of all the world had end, and all its woes
Respite, prophetic of their perfect close.
Light of all tribes of men, all names and clans,
Dawn of the whole world's morning and of man's
Flower of the heart of morning's mystic rose,
Dawn of the very dawn of very day,
When the sun brighter breaks night's ruinous prison,
Thou shouldst have risen as yet no dawn has risen,
Evoked of him whose word puts night away,
Our father, at the music of whose word
Exile had ended, and the world had heard.
James Russell Lowell
by Oliver Wendell Holmes

1819-1891
Thou shouldst have sung the swan-song for the choir
That filled our groves with music till the day
Lit the last hilltop with its reddening fire,
And evening listened for thy lingering lay.
But thou hast found thy voice in realms afar
Where strains celestial blend their notes with thine;
Some cloudless sphere beneath a happier star
Welcomes the bright-winged spirit we resign.
How Nature mourns thee in the still retreat
Where passed in peace thy love-enchanted hours!
Where shall she find an eye like thine to greet
Spring's earliest footprints on her opening flowers?
Have the pale wayside weeds no fond regret
For him who read the secrets they enfold?
Shall the proud spangles of the field forget
The verse that lent new glory to their gold?
And ye whose carols wooed his infant ear,
Whose chants with answering woodnotes he repaid,
Have ye no song his spirit still may hear
From Elmwood's vaults of overarching shade?
Friends of his studious hours, who thronged to teach
The deep-read scholar all your varied lore,
Shall he no longer seek your shelves to reach
The treasure missing from his world-wide store?
This singer whom we long have held so dear
Was Nature's darling, shapely, strong, and fair;
Of keenest wit, of judgment crystal-clear,
Easy of converse, courteous, debonair,
Fit for the loftiest or the lowliest lot,
Self-poised, imperial, yet of simplest ways;
At home alike in castle or in cot,
True to his aim, let others blame or praise.
Freedom he found an heirloom from his sires;
Song, letters, statecraft, shared his years in turn;
All went to feed the nation's altar-fires
Whose mourning children wreathe his funeral urn.
He loved New England, - people, language, soil,
Unweaned by exile from her arid breast.
Farewell awhile, white-handed son of toil,
Go with her brown-armed laborers to thy rest.
Peace to thy slumber in the forest shade!
Poet and patriot, every gift was thine;
Thy name shall live while summers bloom and fade,
And grateful Memory guard thy leafy shrine!
Decalogue
by Ambrose Bierce

Thou shalt no God but me adore:
'Twere too expensive to have more.
No images nor idols make
For Roger Ingersoll to break.
Take not God's name in vain: select
A time when it will have effect.
Work not on Sabbath days at all,
But go to see the teams play ball.
Honor thy parents. That creates
For life insurance lower rates.
Kill not, abet not those who kill;
Thou shalt not pay thy butcher's bill.
Kiss not thy neighbor's wife, unless
Thine own thy neighbor doth caress.
Don't steal; thou'lt never thus compete
Successfully in business. Cheat.
Bear not false witness, that is low
But "hear 'tis rumored so and so."
Covet thou naught that thou hast got
By hook or crook, or somehow, got.
To Oenone.
by Robert Herrick

Thou say'st Love's dart
Hath pricked thy heart;
And thou dost languish too:
If one poor prick
Can make thee sick,
Say, what would many do?
The Hungry Forties
by Frederic William Moorman

Thou wants my vote, young man wi' t' carpet-bags,
Weel, sit thee down, an' hark what I've to say.
It's noan so varry oft wer kitchen flags
Are mucked by real live lords down Yelland(1) way.
I've read thy speyks i' t' paper of a neet,
Thou lets a vast o' words flow off thy tongue;
Thou's gotten facts an' figures, plain as t' leet,
An' argiments to slocken(2) owd an' young.
But what are facts an' figures 'side o' truths
We've bowt wi' childer' tears an' brokken lives?
An' what are argiments o' cockered youths
To set agean yon groans o' caitiff(3) wives?
'Twere "hungry forties" when I were a lad,
An' fowks were clemmed, an' weak i' t' airm an' brain;
We lived on demick'd(4) taties, bread gone sad,
An' wakkened up o' neets croodled(5) wi' pain.
When t' quartern loaf were raised to one and four,
We'd watter-brewis, swedes stown out o' t' field;
Farmers were t' landlords' jackals, an' us poor
Tewed in Egyptian bondage unrepealed.
I mind them times when lads marched down our street
Wi' penny loaves on pikes all steeped i' blooid;
"It's breead or blooid," they cried. "We've nowt to eat;
To Hell wi' all that taxes t' people's fooid."
There was a papist duke(6) that com aleng
Wi' curry powders, an' he telled our boss
That when fowk's bellies felt pination's teng,(7)
For breead, yon stinkin' powders they mun soss.(8)
I went to wark when I were eight yeer owd;
I tended galloways an' sammed up coils.
'Twere warm i' t' pit, aboon 't were despert cowd,
An' clothes were nobbut spetches,(9) darns an' hoils.
Thro' six to eight I worked, then two mile walk
Across yon sumpy(10) fields to t' kitchen door.
I've often fainted, face as white as chalk,
Then fall'n lang-length upon wer cobble-floor.
My mother addled seven and six a week,
Slavin' all t' day at Akeroyd's weyvin'-shed:
Fayther at t' grunstone wrowt, while he fell sick;
Steel filin's gate intul his lungs, he said.
I come thee then no thank for all thy speyks,
Thou might as weel have spared thisen thy pains;
I see no call to laik at ducks an' drakes
Wi' t' bitter truth that's burnt intul our brains.
"Corn laws be damned," said dad i' forty-eight;
"Corn laws be damned," say I i' nineteen-five.
Tariff reform, choose, how, will have to wait
Down Yelland way, so lang as I'm alive.
If thou an' thine sud tax us workers' fooid,
An' thrust us back in our owd misery,
May t' tears o' our deead childer thin thy blooid,
An' t' curse o' t' "hungry forties" leet on thee.
To One in Paradise
by Edgar Allan Poe

Thou wast that all to me, love,
For which my soul did pine, 
A green isle in the sea, love,
A fountain and a shrine,
All wreathed with fairy fruits and flowers,
And all the flowers were mine.
Ah, dream too bright to last!
Ah, starry Hope! that didst arise
But to be overcast!
A voice from out the Future cries,
"On! on!", but o'er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast!
For, alas! alas! with me
The light of Life is o'er!
"No more, no more, no more", 
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar!
And all my days are trances,
And all my nightly dreams
Are where thy dark eye glances,
And where thy footstep gleams, 
In what ethereal dances,
By what eternal streams!
Alas! for that accursed time
They bore thee o'er the billow,
From love to titled age and crime,
And an unholy pillow!
From me, and from our misty clime,
Where weeps the silver willow!
Upon Himself
by Robert Herrick

Thou shalt not all die; for while Love's fire shines
Upon his altar, men shall read thy lines;
And learn'd musicians shall, to honour Herrick's
Fame, and his name, both set and sing his lyrics.
To his book's end this last line he'd have placed:--
Jocund his Muse was, but his Life was chaste.
Music Of Summer
by Madison Julius Cawein

I
Thou sit'st among the sunny silences
Of terraced hills and woodland galleries,
Thou utterance of all calm melodies,
Thou lutanist of Earth's most affluent lute, - 
Where no false note intrudes
To mar the silent music, - branch and root, - 
Charming the fields ripe, orchards and deep woods,
To song similitudes
Of flower and seed and fruit.
II
Oft have I seen thee, in some sensuous air,
Bewitch the broad wheat-acres everywhere
To imitated gold of thy deep hair:
The peach, by thy red lips' delicious trouble,
Blown into gradual dyes
Of crimson; and beheld thy magic double - 
Dark-blue with fervid influence of thine eyes - 
The grapes' rotundities,
Bubble by purple bubble.
III
Deliberate uttered into life intense,
Out of thy soul's melodious eloquence
Beauty evolves its just pre'minence:
The lily, from some pensive-smitten chord
Drawing significance
Of purity, a visible hush stands: starred
With splendor, from thy passionate utterance,
The rose writes its romance
In blushing word on word.
IV
As star by star Day harps in Evening,
The inspiration of all things that sing
Is in thy hands and from their touch takes wing:
All brooks, all birds, - whom song can never sate, - 
The leaves, the wind and rain,
Green frogs and insects, singing soon and late,
Thy sympathies inspire, thy heart's refrain,
Whose sounds invigorate
With rest life's weary brain.
V
And as the Night, like some mysterious rune,
Its beauty makes emphatic with the moon,
Thou lutest us no immaterial tune:
But where dim whispers haunt the cane and corn,
By thy still strain made strong,
Earth's awful avatar, - in whom is born
Thy own deep music, - labors all night long
With growth, assuring Morn
Assumes with onward song.
To Sappho.
by Robert Herrick

Thou say'st thou lov'st me, Sappho; I say no;
But would to Love I could believe 'twas so!
Pardon my fears, sweet Sappho; I desire
That thou be righteous found, and I the liar.