DanFosing/public-domain-poetry huggingface dataset:
Ulmarra
by Henry Kendall

Alone alone!
With a heart like a stone,
She maketh her moan
At the feet of the trees,
With her face on her knees,
And her hair streaming over;
Wildly, and wildly, and wildly;
For she misses the tracks of her lover!
Do you hear her, Ulmarra?
Oh, where are the tracks of her lover?
Go by go by!
They have told her a lie,
Who said he was nigh,
In the white-cedar glen
In the camps of his men:
And she sitteth there weeping
Weeping, and weeping, and weeping,
For the face of a warrior sleeping!
Do you hear her, Ulmarra?
Oh! where is her warrior sleeping?
A dream! a dream!
That they saw a bright gleam
Through the dusk boughs stream,
Where wild bees dwell,
And a tomahawk fell,
In moons which have faded;
Faded, and faded, and faded,
From woods where a chieftain lies shaded!
Do you hear her, Ulmarra?
Oh! where doth her chieftain lie shaded?
Bewail! bewail!
Who whispered a tale,
That they heard on the gale,
Through the dark and the cold,
The voice of the bold;
And a boomerang flying;
Flying, and flying, and flying?
Ah! her heart it is wasted with crying
Do you hear her, Ulmarra?
Oh! her heart it is wasted with crying!
Alone.
by Lennox Amott

Alone in my chamber, forsaken, unsought,
My spirit's enveloped in shadows of night,
Is there no one to give me a smile or a thought?
Is there none to restore to me faded delight?
The zephyrs disport with a light-bosomed song,
And the joy-laden songsters flit over the lea--
Yet the hours of the spring as they hurry along
Bring nothing but sadness and sighing to me!
There were friends--but their love is departed and dead,
And alone must the tear-drop disconsolate start,
All the beauty of Life, all its sweetness is fled,
Oh, who shall unburden this weight at my heart!
In Deo Fides.
by Alfred Castner King

Almighty God! Supreme! Most High!
Before Thy throne, in reverence, we kneel;
We cannot realize Thine infinity;
Beholding not, we can Thy presence feel;
Though veiled impenetrably, Thou dost reveal
Such evidence as clouds cannot conceal!
Acknowledged, though unseen, Almighty Power!
Within its secret depths, the bosom pays
In pleasure's or affliction's calmer hour,
The heart's sincerest offering of praise;
Intuitive, unuttered prayers arise
Without the outstretched arms, or reverently clos-ed eyes.
Down deep within the soul's mysterious seat,
The voice of reason, and inherent sense,
Admits Thy Sovereign Power, and doth entreat
The guidance of a Just Omnipotence;
Thus doth the human essence e'er depend
On that Supreme. Eternal. Without End.
Supreme, Mysterious Power! Whate'er Thou be,
Can e'er our mortal natures comprehend,
This side the veil which shrouds futurity,
Thy Wisdom, Power, and Love? The end
Of all conclusions, reasoned o'er and o'er,
We know Thou dost exist! Can we know more?
Written At Rome
by Ralph Waldo Emerson

Alone in Rome. Why, Rome is lonely too;--
Besides, you need not be alone; the soul
Shall have society of its own rank.
Be great, be true, and all the Scipios,
The Catos, the wise patriots of Rome,
Shall flock to you and tarry by your side,
And comfort you with their high company.
Virtue alone is sweet society,
It keeps the key to all heroic hearts,
And opens you a welcome in them all.
You must be like them if you desire them,
Scorn trifles and embrace a better aim
Than wine or sleep or praise;
Hunt knowledge as the lover wooes a maid,
And ever in the strife of your own thoughts
Obey the nobler impulse; that is Rome:
That shall command a senate to your side;
For there is no might in the universe
That can contend with love. It reigns forever.
Wait then, sad friend, wait in majestic peace
The hour of heaven. Generously trust
Thy fortune's web to the beneficent hand
That until now has put his world in fee
To thee. He watches for thee still. His love
Broods over thee, and as God lives in heaven,
However long thou walkest solitary,
The hour of heaven shall come, the man appear.
In October.
by Archibald Lampman

Along the waste, a great way off, the pines,
Like tall slim priests of storm, stand up and bar
The low long strip of dolorous red that lines
The under west, where wet winds moan afar.
The cornfields all are brown, and brown the meadows
With the blown leaves' wind-heap'd traceries,
And the brown thistle stems that cast no shadows,
And bear no bloom for bees.
As slowly earthward leaf by red leaf slips,
The sad trees rustle in chill misery,
A soft strange inner sound of pain-crazed lips,
That move and murmur incoherently;
As if all leaves, that yet have breath, were sighing,
With pale hushed throats, for death is at the door,
So many low soft masses for the dying
Sweet leaves that live no more.
Here I will sit upon this naked stone,
Draw my coat closer with my numb'd hands,
And hear the ferns sigh, and the wet woods moan,
And send my heart out to the ashen lands;
And I will ask myself what golden madness,
What balm'd breaths of dreamland spicery,
What visions of soft laughter and light sadness
Were sweet last month to me.
The dry dead leaves flit by with thin wierd tunes,
Like failing murmurs of some conquered creed,
Graven in mystic markings with strange runes,
That none but stars and biting winds may read;
Here I will wait a little; I am weary,
Not torn with pain of any lurid hue,
But only still and very gray and dreary,
Sweet sombre lands, like you.
The Schreckhorn
by Thomas Hardy

(With thoughts of Leslie Stephen)
(June 1897)
Aloof, as if a thing of mood and whim;
Now that its spare and desolate figure gleams
Upon my nearing vision, less it seems
A looming Alp-height than a guise of him
Who scaled its horn with ventured life and limb,
Drawn on by vague imaginings, maybe,
Of semblance to his personality
In its quaint glooms, keen lights, and rugged trim.
At his last change, when Life's dull coils unwind,
Will he, in old love, hitherward escape,
And the eternal essence of his mind
Enter this silent adamantine shape,
And his low voicing haunt its slipping snows
When dawn that calls the climber dyes them rose?
Nemesis
by Ralph Waldo Emerson

Already blushes on thy cheek
The bosom thought which thou must speak;
The bird, how far it haply roam
By cloud or isle, is flying home;
The maiden fears, and fearing runs
Into the charmed snare she shuns;
And every man, in love or pride,
Of his fate is never wide.
Will a woman's fan the ocean smooth?
Or prayers the stony Parcae soothe,
Or coax the thunder from its mark?
Or tapers light the chaos dark?
In spite of Virtue and the Muse,
Nemesis will have her dues,
And all our struggles and our toils
Tighter wind the giant coils.
The Mermaid
by Oliver Herford

Although a Fishwife in a sense,
She does not barter Fish for Pence.
Fisher of Men, her Golden Nets
For foolish Sailormen she sets.
All day she combs her hair and longs
For Dimpled Feet and Curling-tongs.
All night she dreams in ocean caves
Of Low tide Shoes and Marcel Waves.
And while the Fishwife, making sales,
May sell her wares upon her scales,
The Mermaid, wonderful to tell,
Must wear her scales upon hersel'.
An Episode
by Ella Wheeler Wilcox

Along the narrow Moorish street
A blue-eyed soldier strode.
(Ah, well-a-day)
Veiled from her lashes to her feet
She stepped from her abode,
(Ah, lack-a-day).
Now love may guard a favoured wife
Who leaves the harem door;
(Ah, well-a-day)
But hungry hearted is her life
When she is one of four.
(Ah, lack-a-day.)
If black eyes glow with sudden fire
And meet warm eyes of blue - 
(Ah, well-a-day).
The old, old story of desire
Repeats itself anew.
(Ah, lack-a-day.)
When bugles blow the soldier flies - 
Though bitter tears may fall
(Ah, lack-a-day).
A MOORISH CHILD WITH BLUE, BLUE EYES
PLAYS IN THE HAREM HALL.
(Ah, well-a-day.)
Spinsterhood.
by Freeman Edwin Miller

Alone, alone, in the twilight gray,
In the shadows so dark and dim,
I watch through all of the weary hours,
And I wait with my heart for him;
For him who'll come, when he comes at all,
As my king and warrior bold;
Whose form so tall is my fortress wall
And whose heart is a chunk of gold.
Again, again, do I dream the dreams,
All the dreams that my young heart knew,
And through my soul do the yearnings thrill
As of old they were wont to do;
I know in truth when his face I see,
I shall fall at his shining feet,
Where'er it be and whoever is he,
In the light of his glances sweet.
I wait in vain for the sounds that rise
From the tread of his horse's hoof,
And still the mists hide his form away
And forever he stays aloof;
His shining face and his eyes so bright
In the shades of the distance hide,
And out of the night with the stars bedight
He hath never approached my side!
O, years, O, wonderful tide of years,
From the shadows of time set free
My king, my lover, my life, and bring
To my heart what is most of me!
Somewhere in pain do his yearnings grope
For the joys that my love would bring;
O, up the slope of his life-long hope,
Guide the feet of my royal king!
The River Of Ruin
by Paul Laurence Dunbar

Along by the river of ruin
They dally--the thoughtless ones,
They dance and they dream
By the side of the stream,
As long as the river runs.
It seems all so pleasant and cheery--
No thought of the morrow is theirs,
And their faces are bright
With the sun of delight,
And they dream of no night-brooding cares.
The women wear garlanded tresses,
The men have rings on their hands,
And they sing in their glee,
For they think they are free--
They that know not the treacherous sands.
Ah, but this be a venturesome journey,
Forever those sands are ashift,
And a step to one side
Means a grasp of the tide,
And the current is fearful and swift.
For once in the river of ruin,
What boots it, to do or to dare,
For down we must go
In the turbulent flow,
To the desolate sea of Despair.
Along the Hard Crust...
by Anna Akhmatova

Along the hard crust of deep snows,
To the secret, white house of yours,
So gentle and quiet ' we both
Are walking, in silence half-lost.
And sweeter than all songs, sung ever,
Are this dream, becoming the truth,
Entwined twigs' a-nodding with favor,
The light ring of your silver spurs...
The Tinker's Song.
by Robert Herrick

Along, come along,
Let's meet in a throng
Here of tinkers;
And quaff up a bowl
As big as a cowl
To beer drinkers.
The pole of the hop
Place in the aleshop
To bethwack us,
If ever we think
So much as to drink
Unto Bacchus.
Who frolic will be
For little cost, he
Must not vary
From beer-broth at all,
So much as to call
For Canary.
"Alter? When The Hills Do."
by Emily Elizabeth Dickinson

Alter? When the hills do.
Falter? When the sun
Question if his glory
Be the perfect one.
Surfeit? When the daffodil
Doth of the dew:
Even as herself, O friend!
I will of you!
Snowbirds
by Archibald Lampman

Along the narrow sandy height
I watch them swiftly come and go,
Or round the leafless wood,
Like flurries of wind-driven snow,
Revolving in perpetual flight,
A changing multitude.
Nearer and nearer still they sway,
And, scattering in a circled sweep,
Rush down without a sound;
And now I see them peer and peep,
Across yon level bleak and gray,
Searching the frozen ground, - 
Until a little wind upheaves,
And makes a sudden rustling there,
And then they drop their play,
Flash up into the sunless air,
And like a flight of silver leaves
Swirl round and sweep away.
The Boundaries Of A House
by Michael Earls

Along the north a mountain crest,
A row of trees runs towards the west;
The south is all a field for play,
For work the east has marked a way;
The night shows all the stars above,
And the long, long day, a mother's love.
The Fisherman
by William Butler Yeats

Although I can see him still,
The freckled man who goes
To a grey place on a hill
In grey Connemara clothes
At dawn to cast his flies,
It's long since I began
To call up to the eyes
This wise and simple man.
All day I'd looked in the face
What I had hoped 'twould be
To write for my own race
And the reality;
The living men that I hate,
The dead man that I loved,
The craven man in his seat,
The insolent unreproved,
And no knave brought to book
Who has won a drunken cheer,
The witty man and his joke
Aimed at the commonest ear,
The clever man who cries
The catch-cries of the clown,
The beating down of the wise
And great Art beaten down.
Maybe a twelvemonth since
Suddenly I began,
In scorn of this audience,
Imagining a man
And his sun-freckled face,
And grey Connemara cloth,
Climbing up to a place
Where stone is dark under froth,
And the down turn of his wrist
When the flies drop in the stream:
A man who does not exist,
A man who is but a dream;
And cried, 'Before I am old
I shall have written him one
Poem maybe as cold
And passionate as the dawn.'
A Midsummer Holiday:- III. On a Country Road
by Algernon Charles Swinburne

Along these low pleached lanes, on such a day,
So soft a day as this, through shade and sun,
With glad grave eyes that scanned the glad wild way,
And heart still hovering o'er a song begun,
And smile that warmed the world with benison,
Our father, lord long since of lordly rhyme,
Long since hath haply ridden, when the lime
Bloomed broad above him, flowering where he came.
Because thy passage once made warm this clime,
Our father Chaucer, here we praise thy name.
Each year that England clothes herself with May,
She takes thy likeness on her. Time hath spun
Fresh raiment all in vain and strange array
For earth and man's new spirit, fain to shun
Things past for dreams of better to be won,
Through many a century since thy funeral chime
Rang, and men deemed it death's most direful crime
To have spared not thee for very love or shame;
And yet, while mists round last year's memories climb,
Our father Chaucer, here we praise thy name.
Each turn of the old wild road whereon we stray,
Meseems, might bring us face to face with one
Whom seeing we could not but give thanks, and pray
For England's love our father and her son
To speak with us as once in days long done
With all men, sage and churl and monk and mime,
Who knew not as we know the soul sublime
That sang for song's love more than lust of fame.
Yet, though this be not, yet, in happy time,
Our father Chaucer, here we praise thy name.
Friend, even as bees about the flowering thyme,
Years crowd on years, till hoar decay begrime
Names once beloved; but, seeing the sun the same,
As birds of autumn fain to praise the prime,
Our father Chaucer, here we praise thy name.
The Poor Man's Pig
by Edmund Charles Blunden

Already fallen plum-bloom stars the green
And apple-boughs as knarred as old toads' backs
Wear their small roses ere a rose is seen;
The building thrush watches old Job who stacks
The bright-peeled osiers on the sunny fence,
The pent sow grunts to hear him stumping by,
And tries to push the bolt and scamper thence,
But her ringed snout still keeps her to the sty.
Then out he lets her run; away she snorts
In bundling gallop for the cottage door,
With hungry hubbub begging crusts and orts,
Then like the whirlwind bumping round once more;
Nuzzling the dog, making the pullets run,
And sulky as a child when her play's done.
Sonnet XXVIII.
by Francesco Petrarca (Petrarch)

Solo e pensoso i pi' deserti campi.
HE SEEKS SOLITUDE, BUT LOVE FOLLOWS HIM EVERYWHERE.
Alone, and lost in thought, the desert glade
Measuring I roam with ling'ring steps and slow;
And still a watchful glance around me throw,
Anxious to shun the print of human tread:
No other means I find, no surer aid
From the world's prying eye to hide my woe:
So well my wild disorder'd gestures show,
And love lorn looks, the fire within me bred,
That well I deem each mountain, wood and plain,
And river knows, what I from man conceal,
What dreary hues my life's fond prospects dim.
Yet whate'er wild or savage paths I've ta'en,
Where'er I wander, love attends me still,
Soft whisp'ring to my soul, and I to him.
ANON., OX., 1795.
Alone, and pensive, near some desert shore,
Far from the haunts of men I love to stray,
And, cautiously, my distant path explore
Where never human footsteps mark'd the way.
Thus from the public gaze I strive to fly,
And to the winds alone my griefs impart;
While in my hollow cheek and haggard eye
Appears the fire that burns my inmost heart.
But ah, in vain to distant scenes I go;
No solitude my troubled thoughts allays.
Methinks e'en things inanimate must know
The flame that on my soul in secret preys;
Whilst Love, unconquer'd, with resistless sway
Still hovers round my path, still meets me on my way.
J.B. TAYLOR.
Alone and pensive, the deserted plain,
With tardy pace and sad, I wander by;
And mine eyes o'er it rove, intent to fly
Where distant shores no trace of man retain;
No help save this I find, some cave to gain
Where never may intrude man's curious eye,
Lest on my brow, a stranger long to joy,
He read the secret fire which makes my pain
For here, methinks, the mountain and the flood,
Valley and forest the strange temper know
Of my sad life conceal'd from others' sight--
Yet where, where shall I find so wild a wood,
A way so rough that there Love cannot go
Communing with me the long day and night?
MACGREGOR.
Tortoise-Shell
by D. H. Lawrence (David Herbert Richards)

Along the back of the baby tortoise
The scales are locked in an arch like a bridge,
Scale-lapping, like a lobster's sections
Or a bee's.
Then crossways down his sides
Tiger-stripes and wasp-bands.
Five, and five again, and five again,
And round the edges twenty-five little ones,
The sections of the baby tortoise shell.
Four, and a keystone;
Four, and a keystone;
Four, and a keystone;
Then twenty-four, and a tiny little keystone.
It needed Pythagoras    to see life placing her counters on the living back
Of the baby tortoise;
Life establishing the first eternal mathematical tablet,
Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise-shell.
The first little mathematical gentleman
Stepping, wee mite, in his loose trousers
Under all the eternal dome of mathematical law.
Fives, and tens,
Threes and fours and twelves,
All the volte face of decimals,
The whirligig of dozens and the pinnacle of seven,
Turn him on his back,
The kicking little beetle,
And there again, on his shell-tender, earth-touching belly,
The long cleavage of division, upright of the eternal cross.
And on either side count five,
On each side, two above, on each side, two below
The dark bar horizontal.
It goes right through him, the sprottling insect,
Through his cross-wise cloven psyche,
Through his five-fold complex-nature.
So turn him over on his toes again;
Four pin-point toes, and a problematical thumb- piece,
Four rowing limbs, and one wedge-balancing- head,
Four and one makes five, which is the clue to all mathematics.
The Lord wrote it all down on the little slate
Of the baby tortoise.
Outward and visible indication of the plan within,
The complex, manifold involvedness of an individual creature
Blotted out
On this small bird, this rudiment,
This little dome, this pediment
Of all creation,
This slow one.
Self-Unconscious
by Thomas Hardy

Along the way
He walked that day,
Watching shapes that reveries limn,
And seldom he
Had eyes to see
The moment that encompassed him.
Bright yellowhammers
Made mirthful clamours,
And billed long straws with a bustling air,
And bearing their load
Flew up the road
That he followed, alone, without interest there.
From bank to ground
And over and round
They sidled along the adjoining hedge;
Sometimes to the gutter
Their yellow flutter
Would dip from the nearest slatestone ledge.
The smooth sea-line
With a metal shine,
And flashes of white, and a sail thereon,
He would also descry
With a half-wrapt eye
Between the projects he mused upon.
Yes, round him were these
Earth's artistries,
But specious plans that came to his call
Did most engage
His pilgrimage,
While himself he did not see at all.
Dead now as sherds
Are the yellow birds,
And all that mattered has passed away;
Yet God, the Elf,
Now shows him that self
As he was, and should have been shown, that day.
O it would have been good
Could he then have stood
At a focussed distance, and conned the whole,
But now such vision
Is mere derision,
Nor soothes his body nor saves his soul.
Not much, some may
Incline to say,
To see therein, had it all been seen.
Nay! he is aware
A thing was there
That loomed with an immortal mien.
Off Cape Colonna
by Herman Melville

Aloof they crown the foreland lone,
From aloft they loftier rise--
Fair columns, in the aureole rolled
From sunned Greek seas and skies.
They wax, sublimed to fancy's view,
A god-like group against the blue.
Over much like gods! Serene they saw
The wolf-waves board the deck,
And headlong hull of Falconer,
And many a deadlier wreck.
The Countersign
by Michael Earls

Along Virginia's wondering roads
While armies hastened on,
To Beauregard's great Southern host,
Manassas fields upon,
Came Colonel Smith's good regiment,
Eager for Washington.
But Colonel Smith must halt his men
In a dangerous delay,
Though well he knows the countryside
To the distant host of grey.
He cannot join with Beauregard
For Bull Run's bloody fray.
And does he halt for storm or ford,
Or does he stay to dine?
Say, No! but death will meet his men,
Onward if moves the line:
He dares not hurry to Beauregard,
Not knowing the countersign.
Flashed in the sun his waving sword;
"Who rides for me?" he cried,
"And ask of the Chief the countersign,
Upon a daring ride;
Though never the lad come back again
With the good that will betide.
"I will send a letter to Beauregard,"
The Colonel slowly said;
"The bearer dies at the pickets' line,
But the letter shall be read
When the pickets find it for the Chief,
In the brave hand of the dead."
Sonnet XLI.
by Francesco Petrarca (Petrarch)

Perch' io t' abbia guardato di menzogna.
IN HER PRESENCE HE CAN NEITHER SPEAK, WEEP, NOR SIGH.
Although from falsehood I did thee restrain
With all my power, and paid thee honour due,
Ungrateful tongue; yet never did accrue
Honour from thee, but shame, and fierce disdain:
Most art thou cold, when most I want the strain
Thy aid should lend while I for pity sue;
And all thy utterance is imperfect too,
When thou dost speak, and as the dreamer's vain.
Ye too, sad tears, throughout each lingering night
Upon me wait, when I alone would stay;
But, needed by my peace, you take your flight:
And, all so prompt anguish and grief t' impart,
Ye sighs, then slow, and broken breathe your way:
My looks alone truly reveal my heart.
NOTT.
With all my power, lest falsehood should invade,
I guarded thee and still thy honour sought,
Ungrateful tongue! who honour ne'er hast brought,
But still my care with rage and shame repaid:
For, though to me most requisite, thine aid,
When mercy I would ask, availeth nought,
Still cold and mute, and e'en to words if wrought
They seem as sounds in sleep by dreamers made.
And ye, sad tears, o' nights, when I would fain
Be left alone, my sure companions, flow,
But, summon'd for my peace, ye soon depart:
Ye too, mine anguish'd sighs, so prompt to pain,
Then breathe before her brokenly and slow,
And my face only speaks my suffering heart.
MACGREGOR.
The Road
by Madison Julius Cawein

Along the road I smelt the rose,
The wild-rose in its veil of rain;
And how it was, God only knows,
But with its scent I saw again
A girl's face at a window-pane,
Gazing through tears that fell like rain.
'Tis twelve years now, so I suppose.
Twelve years ago. 'Twas then I thought,
"Love is a burden bitter-sweet.
And he who runs must not be fraught:
Free must his heart be as his feet."
Again I heard myself repeat,
"Love is a burden bitter-sweet."
Yet all my aims had come to nought.
I smelt the rose; I felt the rain
Lonely I stood upon the road.
Of one thing only was I fain
To be delivered of my load.
A moment more and on I strode.
I cared not whither led the road
That led not back to her again.
A Dead Harvest [In Kensington Gardens]
by Alice Christiana Gertrude Thompson Meynell

Along the graceless grass of town
They rake the rows of red and brown,
Dead leaves, unlike the rows of hay,
Delicate, neither gold nor grey,
Raked long ago and far away.
A narrow silence in the park;
Between the lights a narrow dark.
One street rolls on the north, and one,
Muffled, upon the south doth run.
Amid the mist the work is done.
A futile crop; for it the fire
Smoulders, and, for a stack, a pyre.
So go the town's lives on the breeze,
Even as the sheddings of the trees;
Bosom nor barn is filled with these.