DanFosing/public-domain-poetry huggingface dataset:
A Poet's Epitaph
by William Wordsworth

Art thou a Statist in the van
Of public conflicts trained and bred?
First learn to love one living man;
'Then' may'st thou think upon the dead.
A Lawyer art thou? draw not nigh!
Go, carry to some fitter place
The keenness of that practised eye,
The hardness of that sallow face.
Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near,
This grave no cushion is for thee.
Or art thou one of gallant pride,
A Soldier and no man of chaff?
Welcome! but lay thy sword aside,
And lean upon a peasant's staff.
Physician art thou? one, all eyes,
Philosopher! a fingering slave,
One that would peep and botanise
Upon his mother's grave?
Wrapt closely in thy sensual fleece,
O turn aside,'and take, I pray,
That he below may rest in peace,
Thy ever-dwindling soul, away!
A Moralist perchance appears;
Led, Heaven knows how! to this poor sod:
And he has neither eyes nor ears;
Himself his world, and his own God;
One to whose smooth-rubbed soul can cling
Nor form, nor feeling, great or small;
A reasoning, self-sufficing thing,
An intellectual All-in-all!
Shut close the door; press down the latch;
Sleep in thy intellectual crust;
Nor lose ten tickings of thy watch
Near this unprofitable dust.
But who is He, with modest looks,
And clad in homely russet brown?
He murmurs near the running brooks
A music sweeter than their own.
He is retired as noontide dew,
Or fountain in a noon-day grove;
And you must love him, ere to you
He will seem worthy of your love.
The outward shows of sky and earth,
Of hill and valley, he has viewed;
And impulses of deeper birth
Have come to him in solitude.
In common things that round us lie
Some random truths he can impart,
The harvest of a quiet eye
That broods and sleeps on his own heart.
But he is weak; both Man and Boy,
Hath been an idler in the land;
Contented if he might enjoy
The things which others understand.
Come hither in thy hour of strength;
Come, weak as is a breaking wave!
Here stretch thy body at full length;
Or build thy house upon this grave.
Rain
by Madison Julius Cawein

I.
Around, the stillness deepened; then the grain
Went wild with wind; and every briery lane
Was swept with dust; and then, tempestuous black,
Hillward the tempest heaved a monster back,
That on the thunder leaned as on a cane;
And on huge shoulders bore a cloudy pack,
That gullied gold from many a lightning-crack:
One great drop splashed and wrinkled down the pane,
And then field, hill, and wood were lost in rain.
II.
At last, through clouds, as from a cavern hewn
Into night's heart, the sun burst, angry roon;
And every cedar, with its weight of wet,
Against the sunset's fiery splendour set,
Frightened to beauty, seemed with rubies strewn:
Then in drenched gardens, like sweet phantoms met,
Dim odours rose of pink and mignonette;
And in the East a confidence, that soon
Grew to the calm assurance of the moon.
The Released Rebel Prisoner
by Herman Melville

June, 1865
Armies he's seen--the herds of war,
But never such swarms of men
As now in the Nineveh of the North--
How mad the Rebellion then!
And yet but dimly he divines
The depth of that deceit,
And superstitution of vast pride
Humbled to such defeat.
Seductive shone the Chiefs in arms--
His steel the nearest magnet drew;
Wreathed with its kind, the Gulf-weed drives--
'Tis Nature's wrong they rue.
His face is hidden in his beard,
But his heart peers out at eye--
And such a heart! like a mountain-pool
Where no man passes by.
He thinks of Hill--a brave soul gone;
And Ashby dead in pale disdain;
And Stuart with the Rupert-plume,
Whose blue eye never shall laugh again.
He hears the drum; he sees our boys
From his wasted fields return;
Ladies feast them on strawberries,
And even to kiss them yearn.
He marks them bronzed, in soldier-trim,
The rifle proudly borne;
They bear it for an heirloom home,
And he--disarmed--jail-worn.
Home, home--his heart is full of it;
But home he never shall see,
Even should he stand upon the spot:
'Tis gone!--where his brothers be.
The cypress-moss from tree to tree
Hangs in his Southern land;
As weird, from thought to thought of his
Run memories hand in hand.
And so he lingers--lingers on
In the City of the Foe--
His cousins and his countrymen
Who see him listless go.
Odes Of Anacreon - Ode XXXI.
by Thomas Moore

[1]
Armed with hyacinthine rod,
(Arms enough for such a god,)
Cupid bade me wing my pace,
And try with him the rapid race.
O'er many a torrent, wild and deep,
By tangled brake and pendent steep.
With weary foot I panting flew,
Till my brow dropt with chilly dew.
And now my soul, exhausted, dying,
To my lip was faintly flying;
And now I thought the spark had fled,
When Cupid hovered o'er my head,
And fanning light his breezy pinion,
Rescued my soul from death's dominion;[2]
Then said, in accents half-reproving.
"Why hast thou been a foe to loving?"
Rain
by Madison Julius Cawein

Around, the stillness deepened; then the grain
Went wild with wind; and every briery lane
Was swept with dust; and then, tempestuous black,
Hillward the tempest heaved a monster back,
That on the thunder leaned as on a cane;
And on huge shoulders bore a cloudy pack,
That gullied gold from many a lightning-crack:
One big drop splashed and wrinkled down the pane,
And then field, hill, and wood were lost in rain.
At last, through clouds, - as from a cavern hewn.
Into night's heart, - the sun burst angry roon;
And every cedar, with its weight of wet,
Against the sunset's fiery splendor set,
Frightened to beauty, seemed with rubies strewn:
Then in drenched gardens, like sweet phantoms met,
Dim odors rose of pink and mignonette;
And in the east a confidence, that soon
Grew to the calm assurance of the moon.
Letter From Larry O'Branigan To The Rev. Murthagh O'Mulligan.
by Thomas Moore

Arrah, where were you, Murthagh, that beautiful day?--
Or how came it your riverence was laid on the shelf,
When that poor craythur, Bobby--as you were away--
Had to make twice as big a Tomfool of himself.
Troth, it wasn't at all civil to lave in the lurch
A boy so deserving your tindhr'est affection:--
Too such iligant Siamase twins of the Church,
As Bob and yourself, ne'er should cut the connection.
If thus in two different directions you pull,
'Faith, they'll swear that yourself and your riverend brother
Are like those quare foxes, in Gregory's Bull,
Whose tails were joined one way, while they lookt
another![1]
Och blest be he, whosomdever he be,
That helpt soft Magee to that Bull of a Letther!
Not even my own self, tho' I sometimes make free
At such bull-manufacture, could make him a betther.
To be sure, when a lad takes to forgin', this way,
'Tis a thrick he's much timpted to carry on gayly;
Till, at last, his "injanious devices,"[2]
Show him up, not at Exether Hall, but the Ould Bailey.
That parsons should forge thus appears mighty odd,
And (as if somethin' "odd" in their names, too, must be,)
One forger, of ould, was a riverend Dod,
"While a riverend Todd's now his match, to a T.[3]
But, no matther who did it all blessin's betide him,
For dishin' up Bob, in a manner so nate;
And there wanted but you, Murthagh 'vourneen, beside him,
To make the whole grand dish of bull-calf complate.
Arethusa.
by Percy Bysshe Shelley

1.
Arethusa arose
From her couch of snows
In the Acroceraunian mountains, -
From cloud and from crag,
With many a jag,
Shepherding her bright fountains.
She leapt down the rocks,
With her rainbow locks
Streaming among the streams; -
Her steps paved with green
The downward ravine
Which slopes to the western gleams;
And gliding and springing
She went, ever singing,
In murmurs as soft as sleep;
The Earth seemed to love her,
And Heaven smiled above her,
As she lingered towards the deep.
2.
Then Alpheus bold,
On his glacier cold,
With his trident the mountains strook;
And opened a chasm
In the rocks - with the spasm
All Erymanthus shook.
And the black south wind
It unsealed behind
The urns of the silent snow,
And earthquake and thunder
Did rend in sunder
The bars of the springs below.
And the beard and the hair
Of the River-god were
Seen through the torrent's sweep,
As he followed the light
Of the fleet nymph's flight
To the brink of the Dorian deep.
3.
'Oh, save me! Oh, guide me!
And bid the deep hide me,
For he grasps me now by the hair!'
The loud Ocean heard,
To its blue depth stirred,
And divided at her prayer;
And under the water
The Earth's white daughter
Fled like a sunny beam;
Behind her descended
Her billows, unblended
With the brackish Dorian stream: -
Like a gloomy stain
On the emerald main
Alpheus rushed behind, -
As an eagle pursuing
A dove to its ruin
Down the streams of the cloudy wind.
4.
Under the bowers
Where the Ocean Powers
Sit on their pearled thrones;
Through the coral woods
Of the weltering floods,
Over heaps of unvalued stones;
Through the dim beams
Which amid the streams
Weave a network of coloured light;
And under the caves,
Where the shadowy waves
Are as green as the forest's night: -
Outspeeding the shark,
And the sword-fish dark,
Under the Ocean's foam,
And up through the rifts
Of the mountain clifts
They passed to their Dorian home.
5.
And now from their fountains
In Enna's mountains,
Down one vale where the morning basks,
Like friends once parted
Grown single-hearted,
They ply their watery tasks.
At sunrise they leap
From their cradles steep
In the cave of the shelving hill;
At noontide they flow
Through the woods below
And the meadows of asphodel;
And at night they sleep
In the rocking deep
Beneath the Ortygian shore; -
Like spirits that lie
In the azure sky
When they love but live no more.
Art
by Richard Le Gallienne

Art is a gipsy,
Fickle as fair,
Good to kiss and flirt with,
But marry - if you dare!
To Isabel
by John Clare

Arise, my Isabel, arise!
The sun shoots forth his early ray,
The hue of love is in the skies,
The birds are singing, come away!
O come, my Isabella, come,
With inky tendrils hanging low;
Thy cheeks like roses just in bloom,
That in the healthy Summer glow.
That eye it turns the world away
From wanton sport and recklessness;
That eye beams with a cheerful ray,
And smiles propitiously to bless.
O come, my Isabella, dear!
O come, and fill these longing arms!
Come, let me see thy beauty here,
And bend in worship o'er thy charms.
O come, my Isabella, love!
My dearest Isabella, come!
Thy heart's affection, let me prove,
And kiss thy beauty in its bloom.
My Isabella, young and fair,
Thou darling of my home and heart,
Come, love, my bosom's truth to share,
And of its being form a part.
Ballad: Lorraine, Lorraine, Lorree
by Charles Kingsley

1
'Are you ready for your steeple-chase, Lorraine, Lorraine, Lorree?
Barum, Barum, Barum, Barum, Barum, Barum, Baree,
You're booked to ride your capping race to-day at Coulterlee,
You're booked to ride Vindictive, for all the world to see,
To keep him straight, to keep him first, and win the run for me.
Barum, Barum,' etc.
2
She clasped her new-born baby, poor Lorraine, Lorraine, Lorree,
'I cannot ride Vindictive, as any man might see,
And I will not ride Vindictive, with this baby on my knee;
He's killed a boy, he's killed a man, and why must he kill me?'
3
'Unless you ride Vindictive, Lorraine, Lorraine, Lorree,
Unless you ride Vindictive to-day at Coulterlee,
And land him safe across the brook, and win the blank for me,
It's you may keep your baby, for you'll get no keep from me.'
4
'That husbands could be cruel,' said Lorraine, Lorraine, Lorree,
'That husbands could be cruel, I have known for seasons three;
But oh! to ride Vindictive while a baby cries for me,
And be killed across a fence at last for all the world to see!'
5
She mastered young Vindictive - Oh! the gallant lass was she,
And kept him straight and won the race as near as near could be;
But he killed her at the brook against a pollard willow-tree,
Oh! he killed her at the brook, the brute, for all the world to see,
And no one but the baby cried for poor Lorraine, Lorree.
Last poem written in illness.
Colorado, U.S.A.
June 1874.
The Radiant Christ
by Ella Wheeler Wilcox

I
Arise, O master artist of the age,
And paint the picture which at once shall be
Immortal art and bless'd prophecy.
The bruised vision of the world assuage;
To earth's dark book add one illumined page,
So scintillant with truth, that all who see
Shall break from superstition and stand free.
Now let this wondrous work thy hand engage.
The mortal sorrow of the Nazarene,
Too long has been faith's symbol and its sign;
Too long a dying Saviour has sufficed.
Give us the glowing emblem which shall mean
Mankind awakened to the Self Divine;
The living emblem of the Radiant Christ.
II
Too long the crucifix on Calvary's height
Has cast its shadow on the human heart.
Let now Religion's great co-worker Art,
Limn on the background of departing night,
The shining Face all palpitant with light,
And God's true message to the world impart.
Go tell each toiler in the home and mart,
'Lo, Christ is with ye, if ye seek aright.'
The world forgets the vital word Christ taught;
The only word the world has need to know:
The answer to creation's problem - Love.
The world remembers what the Christ forgot;
His cross of anguish and His death of woe;
Release the martyr, and the Cross remove!
III
For now the former things have passed away,
And man, forgetting that which lies behind,
And ever pressing forward, seeks to find
The prize of his high calling.    Send a ray
From art's bright sun to fortify the day,
And blaze the trail to every mortal mind.
The new religion lies in being kind;
Faith stands and works, where once it knelt to pray;
Faith counts its gain, where once it reckoned loss;
Ascending paths its patient feet have trod;
Man looks within, and finds salvation there.
Release the suffering Saviour from the Cross,
And give the waiting world its Radiant God.
Art Thou Alive?
by Ella Wheeler Wilcox

Art thou alive?    Nay, not too soon reply,
Tho' hand, and foot, and lip, and ear, and eye,
Respond, and do thy bidding yet may be
Grim death has done his direst work with thee.
Life, as God gives it, is a thing apart
From active body and from beating heart.
It is the vital spark, the unseen fire,
That moves the mind to reason and aspire;
It is the force that bids emotion roll,
In mighty billows from the surging soul.
It is the light that grows from hour to hour,
And floods the brain with consciousness of power;
It is the spirit dominating all,
And reaching God with its imperious call,
Until the shining glory of His face
Illuminates each sorrowful, dark place;
It is the truth that sets the bondsman free,
Knowing he will be what he wills to be.
With its unburied dead the earth is sad.
Art thou alive? proclaim it and be glad.
Perchance the dead may hear thee and arise,
Knowing they live, and HERE is Paradise.
The Old Labourer. (From The Villager's Verse-Book.)
by William Lisle Bowles

Are you not tired, you poor old man!
The drops are on your brow;
Your labour with the sun began,
And you are labouring now!
I murmur not to dig the soil,
For I have heard it read,
That man by industry and toil
Must eat his daily bread.
The lark awakes me with his song,
That hails the morning gray,
And when I mourn for human wrong,
I think of God, and pray.
Let worldlings waste their time and health,
And try each vain delight;
They cannot buy, with all their wealth,
The labourer's rest at night.
Scandal
by Lola Ridge

Aren't there bigger things to talk about
Than a window in Greenwich Village
And hyacinths sprouting
Like little puce poems out of a sick soul?
Some cosmic hearsay - 
As to whom - it can't be Mars! put the moon - that way....
Or what winds do to canyons
Under the tall stars...
Or even
How that old rou', Neptune,
Cranes over his bald-head moons
At the twinkling heel of a sky-scraper.
With A Guitar, To Jane.
by Percy Bysshe Shelley

Ariel to Miranda: - Take
This slave of Music, for the sake
Of him who is the slave of thee,
And teach it all the harmony
In which thou canst, and only thou,
Make the delighted spirit glow,
Till joy denies itself again,
And, too intense, is turned to pain;
For by permission and command
Of thine own Prince Ferdinand,
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit, Ariel, who,
From life to life, must still pursue
Your happiness; - for thus alone
Can Ariel ever find his own.
From Prospero's enchanted cell,
As the mighty verses tell,
To the throne of Naples, he
Lit you o'er the trackless sea,
Flitting on, your prow before,
Like a living meteor.
When you die, the silent Moon,
In her interlunar swoon,
Is not sadder in her cell
Than deserted Ariel.
When you live again on earth,
Like an unseen star of birth,
Ariel guides you o'er the sea
Of life from your nativity.
Many changes have been run
Since Ferdinand and you begun
Your course of love, and Ariel still
Has tracked your steps, and served your will;
Now, in humbler, happier lot,
This is all remembered not;
And now, alas! the poor sprite is
Imprisoned, for some fault of his,
In a body like a grave; -
From you he only dares to crave,
For his service and his sorrow,
A smile today, a song tomorrow.
The artist who this idol wrought,
To echo all harmonious thought,
Felled a tree, while on the steep
The woods were in their winter sleep,
Rocked in that repose divine
On the wind-swept Apennine;
And dreaming, some of Autumn past,
And some of Spring approaching fast,
And some of April buds and showers,
And some of songs in July bowers,
And all of love; and so this tree, -
O that such our death may be! -
Died in sleep, and felt no pain,
To live in happier form again:
From which, beneath Heaven's fairest star,
The artist wrought this loved Guitar,
And taught it justly to reply,
To all who question skilfully,
In language gentle as thine own;
Whispering in enamoured tone
Sweet oracles of woods and dells,
And summer winds in sylvan cells;
For it had learned all harmonies
Of the plains and of the skies,
Of the forests and the mountains,
And the many-voiced fountains;
The clearest echoes of the hills,
The softest notes of falling rills,
The melodies of birds and bees,
The murmuring of summer seas,
And pattering rain, and breathing dew,
And airs of evening; and it knew
That seldom-heard mysterious sound,
Which, driven on its diurnal round,
As it floats through boundless day,
Our world enkindles on its way. -
All this it knows, but will not tell
To those who cannot question well
The Spirit that inhabits it;
It talks according to the wit
Of its companions; and no more
Is heard than has been felt before,
By those who tempt it to betray
These secrets of an elder day:
But, sweetly as its answers will
Flatter hands of perfect skill,
It keeps its highest, holiest tone
For our beloved Jane alone.
A Dirge for McPherson,[13] Killed in front of Atlanta.
by Herman Melville

(July, 1864.)
Arms reversed and banners craped - 
Muffled drums;
Snowy horses sable-draped - 
McPherson comes.
But, tell us, shall we know him more,
Lost-Mountain and lone Kenesaw?
Brave the sword upon the pall - 
A gleam in gloom;
So a bright name lighteth all
McPherson's doom.
Bear him through the chapel-door - 
Let priest in stole
Pace before the warrior
Who led. Bell - toll!
Lay him down within the nave,
The Lesson read - 
Man is noble, man is brave,
But man's - a weed.
Take him up again and wend
Graveward, nor weep:
There's a trumpet that shall rend
This Soldier's sleep.
Pass the ropes the coffin round,
And let descend;
Prayer and volley - let it sound
McPherson's end.
True fame is his, for life is o'er - 
Sarpedon of the mighty war.
13. The late Major General McPherson, commanding the Army of the Tennessee, a major of Ohio and a West Pointer, was one of the foremost spirits of the war. Young, though a veteran; hardy, intrepid, sensitive in honor, full of engaging qualities, with manly beauty; possessed of genius, a favorite with the army, and with Grant and Sherman. Both Generals have generously acknowledged their professional obligiations to the able engineer and admirable soldier, their subordinate and junior. 
In an informal account written by the Achilles to this Sarpedon, he says: "On that day we avenged his death. Near twenty-two hundred of the enemy's dead remained on the ground when night closed upon the scene of action." 
It is significant of the scale on which the war was waged, that the engagement thus written of goes solely (so far as can be learned) under the vague designation of one of the battles before Atlanta.
On A Picture.
by Jean Ingelow

As a forlorn soul waiting by the Styx
Dimly expectant of lands yet more dim,
Might peer afraid where shadows change and mix
Till the dark ferryman shall come for him.
And past all hope a long ray in his sight,
Fall'n trickling down the steep crag Hades-black
Reveals an upward path to life and light,
Nor any let but he should mount that track.
As with the sudden shock of joy amazed,
He might a motionless sweet moment stand,
So doth that mortal lover, silent, dazed,
For hope had died and loss was near at hand.
'Wilt thou?' his quest. Unready but for 'Nay,'
He stands at fault for joy, she whispering 'Ay.'
The King Of Terrors.
by Samuel Griswold Goodrich

I.
As a shadow He flew, but sorrow and wail
Came up from his path, like the moan of the gale.
His quiver was full, though his arrows fell fast
As the sharp hail of winter when urged by the blast.
He smiled on each shaft as it flew from the string,
Though feathered by fate, and the lightning its wing.
Unerring, unsparing, it sped to its mark,
As the mandate of destiny, certain and dark.
The mail of the warrior it severed in twain, 
The wall of the castle it shivered amain:
No shield could shelter, no prayer could save,
And Love's holy shrine no immunity gave.
A babe in the cradle its mother bent o'er, 
The arrow is sped, and that babe is no more!
At the faith-plighting altar, a lovely one bows, 
The gem on her finger, in Heaven her vows;
Unseen is the blow, but she sinks in the crowd,
And her bright wedding-garment is turned to a shroud!
II.
On flew the Destroyer, o'er mountain and main, 
And where there was life, there, there are the slain!
No valley so deep, no islet so lone,
But his shadow is cast, and his victims are known.
He paused not, though years rolled weary and slow,
And Time's hoary pinion drooped languid and low:
He paused not till Man from his birth-place was swept,
And the sea and the land in solitude slept.
III.
On a mountain he stood, for the struggle was done, 
A smile on his lip for the victory won.
The city of millions, lone islet and cave,
The home of the hermit, all earth was a grave!
The last of his race, where the first saw the light,
The monarch had met, and triumphed in fight:
Swift, swift was the steed, o'er Shinar's wide sand,
But swifter the arrow that flew from Death's hand!
IV.
O'er the mountain he seems like a tempest to lower,
Triumphant and dark in the fulness of power;
And flashes of flame, that play round his crest,
Bespeak the fierce lightning that glows in his breast.
But a vision of wonder breaks now on his sight;
The blue vault of heaven is gushing with light,
And, facing the tyrant, a form from the sky
Returns the fierce glance of his challenging eye.
A moment they pause, two princes of might, 
The Demon of Darkness, an Angel of Light!
Each gazes on each, no barrier between 
And the quivering rocks shrink aghast from the scene!
The sword of the angel waves free in the air;
Death looks to his quiver, no arrow is there!
He falls like a pyramid, crumbled and torn;
And a vision of light on his dying eye borne,
In glory reveals the blest souls of the slain, 
And he sees that his sceptre was transient and vain;
For, 'mid the bright throng, e'en the infant he slew,
And the altar-struck bride, beam full on the view!