DanFosing/public-domain-poetry huggingface dataset:
A Summer Ramble.
by William Cullen Bryant

The quiet August noon has come,
A slumberous silence fills the sky,
The fields are still, the woods are dumb,
In glassy sleep the waters lie.
And mark yon soft white clouds that rest
Above our vale, a moveless throng;
The cattle on the mountain's breast
Enjoy the grateful shadow long.
Oh, how unlike those merry hours
In early June when Earth laughs out,
When the fresh winds make love to flowers,
And woodlands sing and waters shout.
When in the grass sweet voices talk,
And strains of tiny music swell
From every moss-cup of the rock,
From every nameless blossom's bell.
But now a joy too deep for sound,
A peace no other season knows,
Hushes the heavens and wraps the ground,
The blessing of supreme repose.
Away! I will not be, to-day,
The only slave of toil and care.
Away from desk and dust! away!
I'll be as idle as the air.
Beneath the open sky abroad,
Among the plants and breathing things,
The sinless, peaceful works of God,
I'll share the calm the season brings.
Come, thou, in whose soft eyes I see
The gentle meanings of thy heart,
One day amid the woods with me,
From men and all their cares apart.
And where, upon the meadow's breast,
The shadow of the thicket lies,
The blue wild flowers thou gatherest
Shall glow yet deeper near thine eyes.
Come, and when mid the calm profound,
I turn, those gentle eyes to seek,
They, like the lovely landscape round,
Of innocence and peace shall speak.
Rest here, beneath the unmoving shade,
And on the silent valleys gaze,
Winding and widening, till they fade
In yon soft ring of summer haze.
The village trees their summits rear
Still as its spire, and yonder flock
At rest in those calm fields appear
As chiselled from the lifeless rock.
One tranquil mount the scene o'erlooks,
There the hushed winds their sabbath keep
While a near hum from bees and brooks
Comes faintly like the breath of sleep.
Well may the gazer deem that when,
Worn with the struggle and the strife,
And heart-sick at the wrongs of men,
The good forsakes the scene of life;
Like this deep quiet that, awhile,
Lingers the lovely landscape o'er,
Shall be the peace whose holy smile
Welcomes him to a happier shore.
On The Doorstep
by Thomas Hardy

The rain imprinted the step's wet shine
With target-circles that quivered and crossed
As I was leaving this porch of mine;
When from within there swelled and paused
A song's sweet note;
And back I turned, and thought,
"Here I'll abide."
The step shines wet beneath the rain,
Which prints its circles as heretofore;
I watch them from the porch again,
But no song-notes within the door
Now call to me
To shun the dripping lea
And forth I stride.
Jan. 1914.
Madhouse Cell - Porphyria's Lover
by Robert Browning

The rain set early in to-night,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake,
I listened with heart fit to break;
When glided in Porphyria: straight
She shut the cold out and the storm,
And kneeled and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
And, last, she sate down by my side
And called me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread o'er all her yellow hair,
Murmuring how she loved me; she
Too weak, for all her heart's endeavour,
To set its struggling passion free
From pride, and vainer ties dissever,
And give herself to me for ever:
But passion sometimes would prevail,
Nor could to-night's gay feast restrain
A sudden thought of one so pale
For love of her, and all in vain;
So, she was come through wind and rain.
Be sure I looked up at her eyes
Proud, very proud; at last I knew
Porphyria worshipped me; surprise
Made my heart swell, and still it grew
While I debated what to do.
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string I wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee
I warily oped her lids; again
Laughed the blue eyes without a stain.
And I untightened next the tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss:
I propped her head up as before,
Only, this time my shoulder bore
Her head, which droops upon it still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorned at once is fled,
And I, its love, am gained instead!
Porphyria's love: she guessed not how
Her darling one wish would be heard.
And thus we sit together now,
And all night long we have not stirred,
And yet God has not said a word!
A Poet Thinks
by Edward Powys Mathers (As Translator)

The rain is due to fall,
The wind blows softly.
The branches of the cinnamon are moving,
The begonias stir on the green mounds.
Bright are the flying leaves,
The falling flowers are many.
The wind lifted the dry dust,
And he is lifting the wet dust;
Here and there the wind moves everything
He passes under light gauze
And touches me.
I am alone with the beating of my heart.
There are leagues of sky,
And the water is flowing very fast.
Why do the birds let their feathers
Fall among the clouds?
I would have them carry my letters,
But the sky is long.
The stream flows east
And not one wave comes back with news.
The scented magnolias are shining still,
But always a few are falling.
I close his box on my guitar of jasper
And lay aside my jade flute.
I am alone with the beating of my heart.
Stay with me to-night,
Old songs.
From the Chinese of Liu Chi (1311-1375).
Read At The Benefit Of Clara Morris (America's Great Emotional Actress)
by Ella Wheeler Wilcox

The Radiant Rulers of Mystic Regions
Where souls of artists are fitted for birth
Gathered together their lovely legions
And fashioned a woman to shine on earth.
They bathed her in splendour,
They made her tender,
They gave her a nature both sweet and wild;
They gave her emotions like storm-stirred oceans,
And they gave her the heart of a little child.
These Radiant Rulers (who are not human
Nor yet divine like the gods above)
Poured all their gifts in the soul of woman,
That fragile vessel meant only for love.
Still more they taught her,
Still more they brought her,
Till they gave her the world for a harp one day:
And they bade her string it,
They bade her ring it,
While the stars all wondered to hear her play.
She touched the strings in a master fashion,
She uttered the cry of a world's despair:
Its long hid secret, its pent-up passion,
She gave to the winds in a vibrant air.
For oh! the heart of her,
That was the art of her.
Great with the feeling that makes men kin.
Art unapproachable,
Art all uncoachable,
Fragrance and flame from the spirit within.
The earth turns ever an ear unheeding
To the sorrows of art, as it cries 'encore.'
And she played on the harp till her hands were bleeding,
And her brow was bruised by the laurels she wore.
She knew the trend of it,
She knew the end of it - 
Men heard the music and men felt the thrill.
Bound to the altar
Of art, could she falter?
Then came a silence - the music was still.
And yet in the echoes we seem to hear it;
In waves unbroken it circles the earth:
And we catch in the light of her dauntless spirit
A gleam from the centre that gave her birth.
Still is the fame of her
Felt in the name of her - 
But low lies the harp that once thrilled to her strain;
No hand has taken it,
No hand can waken it - 
For the soul of her art was her secret of pain.
Queens
by John Frederick Freeman

The red sun stared unwinking at the East
Then slept under a cloak of hodden gray;
The rimy fields held the last light of day,
A little tender yet. And I remember
How black against the pale and wintry west
Stood the confused great army of old trees,
Topping that lean, enormous-shouldered hill
With crossing lances shivering and then still.
I looked as one that sees
Queens passing by and lovelier than he dreamed,
With fringe of silver light following their feet,
And all those lances vail'd, and solemn Knights
Watching their Queens as with eyes grave and sweet
They left for the gray fields those airy heights.
Nothing had lovelier seemed--
Not April's noise nor the early dew of June,
Nor the calm languid cow-eyed Autumn Moon,
Nor ruffling woods the greenest I remember--
Than this pale light and dark of cold December.
A Threnody
by Madison Julius Cawein

I.
The rainy smell of a ferny dell,
Whose shadow no sunray flaws,
When Autumn sits in the wayside weeds
Telling her beads
Of haws.
II.
The phantom mist, that is moonbeam-kissed,
On hills where the trees are thinned,
When Autumn leans at the oak-root's scarp,
Playing a harp
Of wind.
III.
The crickets' chirr 'neath brier and burr,
By leaf-strewn pools and streams,
When Autumn stands 'mid the dropping nuts,
With the book, she shuts,
Of dreams.
IV.
The gray "alas" of the days that pass,
And the hope that says "adieu,"
A parting sorrow, a shriveled flower,
And one ghost's hour
With you.
From Cove To Cove
by Madison Julius Cawein

The road leads up a hill through many a brake,
Blueberry and barberry, bay and sassafras,
By an abandoned quarry, where, like glass,
A round pool lies; an isolated lake,
A mirror for what presences, that make
Their wildwood toilets here! The road is grass
Gray-scarred with stone: great bowlders, as we pass,
Slope burly shoulders towards us. Cedars shake
Wild balsam from their tresses; there and here
Clasping a glimpse of ocean and of shore
In arms of swaying green. Below, at last,
Beside the sea, with derrick and with pier,
By heaps of granite, noise of drill and bore,
A Cape Ann town, towering with many a mast.
Coucy
by Alan Seeger

The rooks aclamor when one enters here
Startle the empty towers far overhead;
Through gaping walls the summer fields appear,
Green, tan, or, poppy-mingled, tinged with red.
The courts where revel rang deep grass and moss
Cover, and tangled vines have overgrown
The gate where banners blazoned with a cross
Rolled forth to toss round Tyre and Ascalon.
Decay consumes it. The old causes fade.
And fretting for the contest many a heart
Waits their Tyrtaeus to chant on the new.
Oh, pass him by who, in this haunted shade
Musing enthralled, has only this much art,
To love the things the birds and flowers love too.
The Virtues Of Sid Hamet[1] The Magician's Rod. 1710[2]
by Jonathan Swift

The rod was but a harmless wand,
While Moses held it in his hand;
But, soon as e'er he laid it down,
Twas a devouring serpent grown.
Our great magician, Hamet Sid,
Reverses what the prophet did:
His rod was honest English wood,
That senseless in a corner stood,
Till metamorphos'd by his grasp,
It grew an all-devouring asp;
Would hiss, and sting, and roll, and twist.
By the mere virtue of his fist:
But, when he laid it down, as quick
Resum'd the figure of a stick.
So, to her midnight feasts, the hag
Rides on a broomstick for a nag,
That, rais'd by magic of her breech,
O'er sea and land conveys the witch;
But with the morning dawn resumes
The peaceful state of common brooms.
They tell us something strange and odd,
About a certain magic rod,[3]
That, bending down its top, divines
Whene'er the soil has golden mines;
Where there are none, it stands erect,
Scorning to show the least respect:
As ready was the wand of Sid
To bend where golden mines were hid:
In Scottish hills found precious ore,[4]
Where none e'er look'd for it before;
And by a gentle bow divine
How well a cully's purse was lined;
To a forlorn and broken rake,
Stood without motion like a stake.
The rod of Hermes [5] was renown'd
For charms above and under ground;
To sleep could mortal eyelids fix,
And drive departed souls to Styx.
That rod was a just type of Sid's,
Which o'er a British senate's lids
Could scatter opium full as well,
And drive as many souls to hell.
Sid's rod was slender, white, and tall,
Which oft he used to fish withal;
A PLACE was fasten'd to the hook,
And many score of gudgeons took;
Yet still so happy was his fate,
He caught his fish and sav'd his bait.
Sid's brethren of the conj'ring tribe,
A circle with their rod describe,
Which proves a magical redoubt,
To keep mischievous spirits out.
Sid's rod was of a larger stride,
And made a circle thrice as wide,
Where spirits throng'd with hideous din,
And he stood there to take them in;
But when th'enchanted rod was broke,
They vanish'd in a stinking smoke.
Achilles' sceptre was of wood,
Like Sid's, but nothing near so good;
Though down from ancestors divine
Transmitted to the heroes line;
Thence, thro' a long descent of kings,
Came an HEIRLOOM,[6] as Homer sings.
Though this description looks so big,
That sceptre was a sapless twig,
Which, from the fatal day, when first
It left the forest where 'twas nurs'd,
As Homer tells us o'er and o'er,
Nor leaf, nor fruit, nor blossom bore.
Sid's sceptre, full of juice, did shoot
In golden boughs, and golden fruit;
And he, the dragon never sleeping,
Guarded each fair Hesperian Pippin.
No hobby-horse, with gorgeous top,
The dearest in Charles Mather's[7] shop,
Or glittering tinsel of May Fair,
Could with this rod of Sid compare.[8]
Dear Sid, then why wert thou so mad
To break thy rod like naughty lad?[9]
You should have kiss'd it in your distress,
And then return'd it to your mistress;
Or made it a Newmarket switch,[10]
And not a rod for thine own breech.
But since old Sid has broken this,
His next may be a rod in piss.
February
by Francis Brett Young

The robin on my lawn
He was the first to tell
How, in the frozen dawn,
This miracle befell,
Waking the meadows white
With hoar, the iron road
Agleam with splintered light,
And ice where water flowed:
Till, when the low sun drank
Those milky mists that cloak
Hanger and hollied bank,
The winter world awoke
To hear the feeble bleat
Of lambs on downland farms:
A blackbird whistled sweet;
Old beeches moved their arms
Into a mellow haze
Aerial, newly-born:
And I, alone, agaze,
Stood waiting for the thorn
To break in blossom white,
Or burst in a green flame....
So, in a single night,
Fair February came,
Bidding my lips to sing
Or whisper their surprise,
With all the joy of spring
And morning in her eyes.
Reticence.
by Emily Elizabeth Dickinson

The reticent volcano keeps
His never slumbering plan;
Confided are his projects pink
To no precarious man.
If nature will not tell the tale
Jehovah told to her,
Can human nature not survive
Without a listener?
Admonished by her buckled lips
Let every babbler be.
The only secret people keep
Is Immortality.
The Towers Of Holy Cross
by Michael Earls

(For W. M. Letts)
The roads look up to Holy Cross,
The sturdy towers look down,
And show a kindly word to all
Who pass by Worcester Town;
And once you'd see the boys at play,
Or marching cap and gown.
The gallant towers at Holy Cross
Are silent night and day,
A few young lads are left behind
Who still may take their play;
The Cross and Flag look out afar
For them that went away.
And mine are gone, says Beaven Hall,
To camps by hill and plain,
And mine along by Newport Sea,
Says the high tower of O'Kane;
I follow mine, Alumni calls,
Across the watery main.
Their sires were in the old Brigade
That won at Fontenoy,
Stood true at Washington's right hand,
that were his faith and joy:
From Holy Cross to Fredericksburg
Is many a gallant boy.
Then God be with you, says the Cross,
And the brave towers looking down;
I'll be your cloth, sings out the Flag,
For other cap and gown,
And may we see you safe again,
On the hills of Worcester Town.
The Roman Road
by Thomas Hardy

The Roman Road runs straight and bare
As the pale parting-line in hair
Across the heath. And thoughtful men
Contrast its days of Now and Then,
And delve, and measure, and compare;
Visioning on the vacant air
Helmed legionaries, who proudly rear
The Eagle, as they pace again
The Roman Road.
But no tall brass-helmed legionnaire
Haunts it for me. Uprises there
A mother's form upon my ken,
Guiding my infant steps, as when
We walked that ancient thoroughfare,
The Roman Road.
Tschatir Dagh (Mirza)
by Adam Bernard Mickiewicz

The reverent Mussulman bends low to greet
You, Tschatir Dagh, Crimea's bright-masted ship!
World-altar,--minaret--the place where dip
Down stairs from golden Heaven for the feet!
You guard the door of God in splendor meet,
Like Gabriel with holy sword on hip;
In bright mist mantled from the toe to lip,
Tour turban set with alien stars and sweet.
If winter rule the world, or summer's sun,
If Giaour rage about, or winds are wild,
Above them, Tschatir Dagh, you, changeless one,
Are like to Allah, pure and undefiled;
Aloft you tower from out the lowly sod
To give to men again the will of God.
The Lugubrious Whing-Whang
by James Whitcomb Riley

The rhyme o' The Raggedy Man's 'at's best
Is Tickle me, Love, in these Lonesome Ribs, -
'Cause that-un's the strangest of all o' the rest,
An' the worst to learn, an' the last one guessed,
An' the funniest one, an' the foolishest. -
Tickle me, Love, in these Lonesome Ribs!
I don't know what in the world it means -
Tickle me, Love, in these Lonesome Ribs! -
An' nen when I tell him I don't, he leans
Like he was a-grindin' on some machines
An' says: Ef I don't, w'y, I don't know beans!
Tickle me, Love, in these Lonesome Ribs! -
Out on the margin of Moonshine Land,
Tickle me, Love, in these Lonesome Ribs!
Out where the Whing-Whang loves to stand,
Writing his name with his tail in the sand,
And swiping it out with his oogerish hand;
Tickle me, Love, in these Lonesome Ribs!
Is it the gibber of Gungs or Keeks?
Tickle me, Love, in these Lonesome Ribs!
Or what is the sound that the Whing-Whang seeks? -
Crouching low by the winding creeks
And holding his breath for weeks and weeks!
Tickle me, Love, in these Lonesome Ribs!
Aroint him the wraithest of wraithly things!
Tickle me, Love, in these Lonesome Ribs!
'Tis a fair Whing-Whangess, with phosphor rings
And bridal-jewels of fangs and stings;
And she sits and as sadly and softly sings
As the mildewed whir of her own dead wings, -
Tickle me, Dear,
Tickle me here,
Tickle me, Love, in these Lonesome Ribs!
Revisited
by John Greenleaf Whittier

The roll of drums and the bugle's wailing
Vex the air of our vales-no more;
The spear is beaten to hooks of pruning,
The share is the sword the soldier wore!
Sing soft, sing low, our lowland river,
Under thy banks of laurel bloom;
Softly and sweet, as the hour beseemeth,
Sing us the songs of peace and home.
Let all the tenderer voices of nature
Temper the triumph and chasten mirth,
Full of the infinite love and pity
For fallen martyr and darkened hearth.
But to Him who gives us beauty for ashes,
And the oil of joy for mourning long,
Let thy hills give thanks, and all thy waters
Break into jubilant waves of song!
Bring us the airs of hills and forests,
The sweet aroma of birch and pine,
Give us a waft of the north-wind laden
With sweethrier odors and breath of kine!
Bring us the purple of mountain sunsets,
Shadows of clouds that rake the hills,
The green repose of thy Plymouth meadows,
The gleam and ripple of Campton rills.
Lead us away in shadow and sunshine,
Slaves of fancy, through all thy miles,
The winding ways of Pemigewasset,
And Winnipesaukee's hundred isles.
Shatter in sunshine over thy ledges,
Laugh in thy plunges from fall to fall;
Play with thy fringes of elms, and darken
Under the shade of the mountain wall.
The cradle-song of thy hillside fountains
Here in thy glory and strength repeat;
Give us a taste of thy upland music,
Show us the dance of thy silver feet.
Into thy dutiful life of uses
Pour the music and weave the flowers;
With the song of birds and bloom of meadows
Lighten and gladden thy heart and ours.
Sing on! bring down, O lowland river,
The joy of the hills to the waiting sea;
The wealth of the vales, the pomp of mountains,
The breath of the woodlands, bear with thee.
Here, in the calm of thy seaward, valley,
Mirth and labor shall hold their truce;
Dance of water and mill of grinding,
Both are beauty and both are use.
Type of the Northland's strength and glory,
Pride and hope of our home and race,
Freedom lending to rugged labor
Tints of beauty and lines of grace.
Once again, O beautiful river,
Hear our greetings and take our thanks;
Hither we come, as Eastern pilgrims
Throng to the Jordan's sacred banks.
For though by the Master's feet untrodden,
Though never His word has stilled thy waves,
Well for us may thy shores be holy,
With Christian altars and saintly graves.
And well may we own thy hint and token
Of fairer valleys and streams than these,
Where the rivers of God are full of water,
And full of sap are His healing trees
Martha, Martha.
by Robert Herrick

The repetition of the name made known
No other than Christ's full affection.
The Crash
by Paul Bewsher

The rich, red blood
Doth stain the fair, green grass, and daisies white
In generous flood ...
This sun-drowsed day for me is darkest night.
O! wreck of splintered wood and twisted wire,
What blind, unmeasured hatred you inspire
Because yours was the power that life to end ...
Of him, who was my friend!
This morn we lay upon the grass,
And watched the languid hours pass;
A lark, deep in the sky's blue sea,
Sang ecstasies to him and me.
And with the daisies did he play,
As on the waving grass we lay,
And made a little daisy chain
To bring his childhood back again.
And while he watched the clouds above
He drifted into thoughts of love.
He said, "I know why skylarks sing - 
Because they love, and it is Spring.
And if I had a voice as they,
So would I sing this golden May,
Because I love, and loved am I,
And when I wander through the sky,
I wish I had a skylark's voice,
And with such singing could rejoice.
Oh, happy, happy, are these days!
My heart is full of deep-felt praise,
And thanks to God who brings this bliss!
Oh! what a happiness is this - 
To lie upon the grass and know
In two short days that I shall go
And see my Love's fair face again,
And wander in some flowery lane,
Forgetting all the world around,
And only knowing I have found
A Spring enchantment, which is mine
Through God's sweet sympathy divine, ...
May these two days now swiftly pass!"
He laughed upon the sunlit grass.
The days have passed, but passed, alas! how slow!
See down the road a sad procession go!
Oh! hear the wailing music moan!
Why? Why such grief am I to know?
Dear God! I wish I were alone.
For by the grave a girl with streaming eyes
Doth make mine dim.
While high among the sunny springtime skies,
The larks still hymn.
France, 1917.
En-Dor
by Rudyard Kipling

"Behold there is a woman that hath a familiar spirit at En-dor." I Samuel, xxviii. 7.
The road to En-dor is easy to tread
For Mother or yearning Wife.
There, it is sure, we shall meet our Dead
As they were even in life.
Earth has not dreamed of the blessing in store
For desolate hearts on the road to En-dor.
Whispers shall comfort us out of the dark
Hands ah God! that we knew!
Visions .and voices, look and hark!
Shall prove that the tale is true,
An that those who have passed to the further shore
May' be hailed at a price on the road to En-dor.
But they are so deep in their new eclipse
Nothing they say can reach,
Unless it be uttered by alien lips
And I framed in a stranger's speech.
The son must send word to the mother that bore,
'Through an hireling's mouth. 'Tis the rule of En-dor.
And not for nothing these gifts are shown
By such as delight our dead.
They must twitch and stiffen and slaver and groan
Ere the eyes are set in the head,
And the voice from the belly begins. Therefore,
We pay them a wage where they ply at En-dor.
Even so, we have need of faith
And patience to follow the clue.
Often, at first, what the dear one saith
Is babble, or jest, or untrue.
(Lying spirits perplex us sore
Till our loves and their lives are well-known at
En-dor)....
Oh the road to En-dor is the oldest road
And the craziest road of all!
Straight it runs to the Witch's abode,
As it did in the days of Saul,
And nothing has changed of the sorrow in store
For such as go down on the road to En-dor!