DanFosing/public-domain-poetry huggingface dataset:
To Laura In Death. Sonnet LV.
by Francesco Petrarca (Petrarch)

Or hai fatto l' estremo di tua possa.
DEATH MAY DEPRIVE HIM OF THE SIGHT OF HER BEAUTIES, BUT NOT OF THE MEMORY OF HER VIRTUES.
Now hast thou shown, fell Death! thine utmost might.
Through Love's bright realm hast want and darkness spread,
Hast now cropp'd beauty's flower, its heavenly light
Quench'd, and enclosed in the grave's narrow bed;
Now hast thou life despoil'd of all delight,
Its ornament and sovereign honour shed:
But fame and worth it is not thine to blight;
These mock thy power, and sleep not with the dead.
Be thine the mortal part; heaven holds the best,
And, glorying in its brightness, brighter glows,
While memory still records the great and good.
O thou, in thine high triumph, angel blest!
Let thy heart yield to pity of my woes,
E'en as thy beauty here my soul subdued.
DACRE.
Now hast thou shown the utmost of thy might,
O cruel Death! Love's kingdom hast thou rent,
And made it poor; in narrow grave hast pent
The blooming flower of beauty and its light!
Our wretched life thou hast despoil'd outright
Of every honour, every ornament!
But then her fame, her worth, by thee unblent,
Shall still survive!--her dust is all thy right;
The rest heaven holds, proud of her charms divine
As of a brighter sun. Nor dies she here--
Her memory lasts, to good men ever dear!
O angel new, in thy celestial sphere
Let pity now thy sainted heart incline,
As here below thy beauty vanquish'd mine!
CHARLEMONT.
Mystery
by D. H. Lawrence (David Herbert Richards)

Now I am all
One bowl of kisses,
Such as the tall
Slim votaresses
Of Egypt filled
For a God's excesses.
I lift to you
My bowl of kisses,
And through the temple's
Blue recesses
Cry out to you
In wild caresses.
And to my lips'
Bright crimson rim
The passion slips,
And down my slim
White body drips
The shining hymn.
And still before
The altar I
Exult the bowl
Brimful, and cry
To you to stoop
And drink, Most High.
Oh drink me up
That I may be
Within your cup
Like a mystery,
Like wine that is still
In ecstasy.
Glimmering still
In ecstasy,
Commingled wines
Of you and me
In one fulfil
The mystery.
From Eclogue vij
by Michael Drayton

Now fye vpon thee wayward loue,
Woe to Venus which did nurse thee,
Heauen and earth thy plagues doe proue,
Gods and men haue cause to curse thee.
What art thou but th' extreamst madnesse,
Natures first and only error
That consum'st our daies in sadnesse,
By the minds Continuall terror:
Walking in Cymerian blindnesse,
In thy courses voy'd of reason.
Sharp reproofe thy only kindnesse,
In thy trust the highest treason?
Both the Nymph and ruder swaine,
Vexing with continuall anguish,
Which dost make the ould complaine
And the young to pyne and languishe,
Who thee keepes his care doth nurse,
That seducest all to folly,
Blessing, bitterly doest curse,
Tending to destruction wholly:
Thus of thee as I began,
So againe I make an end,
Neither god neither man,
Neither faiery, neither feend.
BATTE.
What is Loue but the desire
Of the thing that fancy pleaseth?
A holy and resistlesse fier,
Weake and strong alike that ceaseth,
Which not heauen hath power to let,
Nor wise nature cannot smother,
Whereby Phoebus doth begette
On the vniuersall mother.
That the euerlasting Chaine,
Which together al things tied,
And vnmooued them retayne
And by which they shall abide:
That concent we cleerely find,
All things doth together drawe,
And so strong in euery kinde,
Subiects them to natures law.
Whose hie virtue number teaches
In which euery thing dooth mooue,
From the lowest depth that reaches
To the height of heauen aboue:
Harmony that wisely found,
When the cunning hand doth strike
Whereas euery amorous sound,
Sweetly marryes with his like.
The tender cattell scarcely take
From their damm's the feelds to proue,
But ech seeketh out a make,
Nothing liues that doth not loue:
Not soe much as but the plant
As nature euery thing doth payre,
By it if the male it want
Doth dislike and will not beare:
Nothing then is like to loue
In the which all creatures be.
From it nere let me remooue
Nor let it remooue from me.
The North And The South
by Elizabeth Barrett Browning

I
"Now give us lands where the olives grow,"
Cried the North to the South,
"Where the sun with a golden mouth can blow
Blow bubbles of grapes down a vineyard-row!"
Cried the North to the South.
"Now give us men from the sunless plain,"
Cried the South to the North,
"By need of work in the snow and rain,
Made strong, and brave by familiar pain!"
Cried the South to the North.
II
"Give lucider hills and intenser seas,"
Said the North to the South.
"Since ever by symbols and bright degrees
Art, childlike, climbs to the dear Lord's knees,"
Said the North to the South.
"Give strenuous souls for belief and prayer",
Said the South to the North,
"That stand in the dark on the lowest stair,
While affirming of God 'He is certainly there',"
Said the South to the North.
III
"Yet oh, for the skies that are softer and higher!"
Sighed the North to the South;
"For the flowers that blaze, and the trees that aspire,
And the insects made of a song or a fire!"
Sighed the North to the South.
"And oh, for a seer to discern the same!"
Sighed the South to the North;
"For a poet's tongue of baptismal flame,
To call the tree or the flower by its name!"
Sighed the South to the North.
IV
The North sent therefore a man of men,
As a grace to the South;
And thus to Rome came Andersen.
"Alas, but must you take him again?"
Said the South to the North.
To Certain Poets
by Alfred Joyce Kilmer (Joyce)

Now is the rhymer's honest trade
A thing for scornful laughter made.
The merchant's sneer, the clerk's disdain,
These are the burden of our pain.
Because of you did this befall,
You brought this shame upon us all.
You little poets mincing there
With women's hearts and women's hair!
How sick Dan Chaucer's ghost must be
To hear you lisp of "Poesie"!
A heavy-handed blow, I think,
Would make your veins drip scented ink.
You strut and smirk your little while
So mildly, delicately vile!
Your tiny voices mock God's wrath,
You snails that crawl along His path!
Why, what has God or man to do
With wet, amorphous things like you?
This thing alone you have achieved:
Because of you, it is believed
That all who earn their bread by rhyme
Are like yourselves, exuding slime.
Oh, cease to write, for very shame,
Ere all men spit upon our name!
Take up your needles, drop your pen,
And leave the poet's craft to men!
An Upbraiding
by Thomas Hardy

Now I am dead you sing to me
The songs we used to know,
But while I lived you had no wish
Or care for doing so.
Now I am dead you come to me
In the moonlight, comfortless;
Ah, what would I have given alive
To win such tenderness!
When you are dead, and stand to me
Not differenced, as now,
But like again, will you be cold
As when we lived, or how?
To Hilda
by Paul Bewsher

ON HER SEVENTEENTH BIRTHDAY.
Now has rich time brought you a gift of gold - 
A long sweet year which you can shape at will,
And deck with roses warm, or with the chill
And heartless lilies - GOD gives strength to mould
Our days, and lives, with fingers firm and bold,
And make them noble, straight and clean from ill,
Though few are willing, and their years they fill
With dross which they regret when they are old.
What splendid hours of your life are these
When youth and childhood wander hand in hand,
And give you freely all which best can please - 
Laughter and friends and dreams of Fairyland!
Mourn not the seasons past with useless tears,
But greet the pleasure of the coming years!
FRANCE, 1917.
To an Old Teapot
by Fay Inchfawn

Now from the dust of half-forgotten things,
You rise to haunt me at the year's Spring- cleaning,
And bring to memory dim imaginings
Of mystic meaning.
No old-time potter handled you, I ween,
Nor yet were you of gold or silver molten;
No Derby stamp, nor Worcester, can be seen,
Nor Royal Doulton.
You never stood to grace the princely board
Of monarchs in some Oriental palace.
Your lid is chipped, your chubby side is scored
As if in malice.
I hesitate to say it, but your spout
Is with unhandsome rivets held together --
Mute witnesses of treatment meted out
In regions nether.
O patient sufferer of many bumps!
I ask it gently -- shall the dustbin hold you?
And will the dust-heap, with its cabbage stumps,
At last enfold you?
It ought. And yet with gentle hands I place
You with my priceless Delft and Dresden china,
For sake of one who loved your homely face
In days diviner.
In May.
by W. M. MacKeracher

Now is the time when swallows twitter round,
And robin redbreasts carol in the trees,
When the grass grows very green on lower ground,
And opening buds embalm the buxom breeze,
When orchards murmur with the half-blind bees,
Freed till th' uncellared hives again be full,
The time when old men smile and maidens please,
Loose-zoned in summer dresses light and cool,
And laughing urchins shirk the lessons of the school.
Perchance it is the hour when dawn unveils
The visage of the day; when o'er the bar
The radiant morning rides with saffron sails,
Streamers of light on each resplendent spar,
Fraught with rich gifts. Now, sunk, each faded star.
The Sun, the Sun, - the glorious Lord of Day!
Behold, he comes! before his orb'd car,
Caparisoned with gold, in dazzling play,
Impatient dance his steeds to pace the purple way.
Or, is it in the cool and tranquil eve,
When shadows lengthen and the shades increase,
When in the west celestial wonders weave
Gorgeous Nirvanas of absorbent peace, -
Transparency's impenetrable fleece,
Clouds of all colors floating every wise,
On which the Sun looks up before he cease,
As some old man a moment ere he dies
Beholds with bliss serene the beauties of the skies.
Now Finale To The Shore
by Walt Whitman

Now finale to the shore!
Now, land and life, finale, and farewell!
Now Voyager depart! (much, much for thee is yet in store;)
Often enough hast thou adventur'd o'er the seas,
Cautiously cruising, studying the charts,
Duly again to port, and hawser's tie, returning:
But now obey, thy cherish'd, secret wish,
Embrace thy friends - leave all in order;
To port, and hawser's tie, no more returning,
Depart upon thy endless cruise, old Sailor!
To Giorgio Vasari. On The Brink Of Death.
by Michelangelo di Lodovico Buonarroti Simoni

Giunto ' gi'.
Now hath my life across a stormy sea
Like a frail bark reached that wide port where all
Are bidden, ere the final reckoning fall
Of good and evil for eternity.
Now know I well how that fond phantasy
Which made my soul the worshipper and thrall
Of earthly art, is vain; how criminal
Is that which all men seek unwillingly.
Those amorous thoughts which were so lightly dressed,
What are they when the double death is nigh?
The one I know for sure, the other dread.
Painting nor sculpture now can lull to rest
My soul that turns to His great love on high,
Whose arms to clasp us on the cross were spread.
The Beautiful Night.
by Johann Wolfgang von Goethe

Now I leave this cottage lowly,
Where my love hath made her home,
And with silent footstep slowly
Through the darksome forest roam,
Luna breaks through oaks and bushes,
Zephyr hastes her steps to meet,
And the waving birch-tree blushes,
Scattering round her incense sweet.
Grateful are the cooling breezes
Of this beauteous summer night,
Here is felt the charm that pleases,
And that gives the soul delight.
Boundless is my joy; yet, Heaven,
Willingly I'd leave to thee
Thousand such nights, were one given
By my maiden loved to me!
Ugolino.
by Percy Bysshe Shelley

(Published by Medwin, "Life of Shelley", 1847, with Shelley's corrections in italics [''].)
INFERNO 33, 22-75.
[Translated by Medwin and corrected by Shelley.]
Now had the loophole of that dungeon, still
Which bears the name of Famine's Tower from me,
And where 'tis fit that many another will
Be doomed to linger in captivity,
Shown through its narrow opening in my cell
'Moon after moon slow waning', when a sleep,
'That of the future burst the veil, in dream
Visited me. It was a slumber deep
And evil; for I saw, or I did seem'
To see, 'that' tyrant Lord his revels keep
The leader of the cruel hunt to them,
Chasing the wolf and wolf-cubs up the steep
Ascent, that from 'the Pisan is the screen'
Of 'Lucca'; with him Gualandi came,
Sismondi, and Lanfranchi, 'bloodhounds lean,
Trained to the sport and eager for the game
Wide ranging in his front;' but soon were seen
Though by so short a course, with 'spirits tame,'
The father and 'his whelps' to flag at once,
And then the sharp fangs gored their bosoms deep.
Ere morn I roused myself, and heard my sons,
For they were with me, moaning in their sleep,
And begging bread. Ah, for those darling ones!
Right cruel art thou, if thou dost not weep
In thinking of my soul's sad augury;
And if thou weepest not now, weep never more!
They were already waked, as wont drew nigh
The allotted hour for food, and in that hour
Each drew a presage from his dream. When I
'Heard locked beneath me of that horrible tower
The outlet; then into their eyes alone
I looked to read myself,' without a sign
Or word. I wept not - turned within to stone.
They wept aloud, and little Anselm mine,
Said - 'twas my youngest, dearest little one, -
"What ails thee, father? Why look so at thine?"
In all that day, and all the following night,
I wept not, nor replied; but when to shine
Upon the world, not us, came forth the light
Of the new sun, and thwart my prison thrown
Gleamed through its narrow chink, a doleful sight,
'Three faces, each the reflex of my own,
Were imaged by its faint and ghastly ray;'
Then I, of either hand unto the bone,
Gnawed, in my agony; and thinking they
Twas done from sudden pangs, in their excess,
All of a sudden raise themselves, and say,
"Father! our woes, so great, were yet the less
Would you but eat of us, - twas 'you who clad
Our bodies in these weeds of wretchedness;
Despoil them'." Not to make their hearts more sad,
I 'hushed' myself. That day is at its close, -
Another - still we were all mute. Oh, had
The obdurate earth opened to end our woes!
The fourth day dawned, and when the new sun shone,
Outstretched himself before me as it rose
My Gaddo, saying, "Help, father! hast thou none
For thine own child - is there no help from thee?"
He died - there at my feet - and one by one,
I saw them fall, plainly as you see me.
Between the fifth and sixth day, ere twas dawn,
I found 'myself blind-groping o'er the three.'
Three days I called them after they were gone.
Famine of grief can get the mastery.
A Dirge
by Alfred Lord Tennyson

I.
Now is done thy long day's work;
Fold thy palms across thy breast,
Fold thine arms, turn to thy rest.
Let them rave.
Shadows of the silver birk
Sweep the green that folds thy grave.
Let them rave.
II.
Thee nor carketh care nor slander;
Nothing but the small cold worm
Fretteth thine enshrouded form.
Let them rave.
Light and shadow ever wander
O'er the green that folds thy grave.
Let them rave.
III.
Thou wilt not turn upon thy bed;
Chaunteth not the brooding bee
Sweeter tones than calumny?
Let them rave.
Thou wilt never raise thine head
From the green that folds thy grave.
Let them rave.
IV.
Crocodiles wept tears for thee;
The woodbine and eglatere
Drip sweeter dews than traitor's tear.
Let them rave.
Rain makes music in the tree
O'er the green that folds thy grave.
Let them rave.
V.
Round thee blow, self-pleached deep,
Bramble-roses, faint and pale,
And long purples of the dale.
Let them rave.
These in every shower creep.
Thro' the green that folds thy grave.
Let them rave.
VI.
The gold-eyed kingcups fine;
The frail bluebell peereth over
Rare broidry of the purple clover.
Let them rave.
Kings have no such couch as thine,
As the green that folds thy grave.
Let them rave.
VII.
Wild words wander here and there:
God's great gift of speech abused
Makes thy memory confused:
But let them rave.
The balm-cricket carols clear
In the green that folds thy grave.
Let them rave.
To Anthea
by Robert Herrick

Now is the time when all the lights wax dim;
And thou, Anthea, must withdraw from him
Who was thy servant:    Dearest, bury me
Under that holy-oak, or gospel-tree;
Where, though thou see'st not, thou may'st think upon
Me, when thou yearly go'st procession;
Or, for mine honour, lay me in that tomb
In which thy sacred reliques shall have room;
For my embalming, Sweetest, there will be
No spices wanting, when I'm laid by thee.
A Description Of The Morning
by Jonathan Swift

WRITTEN IN APRIL 1709, AND FIRST PRINTED IN "THE TATLER"[1]
Now hardly here and there an hackney-coach
Appearing, show'd the ruddy morn's approach.
Now Betty from her master's bed had flown,
And softly stole to discompose her own;
The slip-shod 'prentice from his master's door
Had pared the dirt, and sprinkled round the floor.
Now Moll had whirl'd her mop with dext'rous airs,
Prepared to scrub the entry and the stairs.
The youth with broomy stumps began to trace
The kennel's edge, where wheels had worn the place.[2]
The small-coal man was heard with cadence deep,
Till drown'd in shriller notes of chimney-sweep:
Duns at his lordship's gate began to meet;
And brickdust Moll had scream'd through half the street.
The turnkey now his flock returning sees,
Duly let out a-nights to steal for fees:[3]
The watchful bailiffs take their silent stands,
And schoolboys lag with satchels in their hands.
Heat
by Madison Julius Cawein

I.
Now is it as if Spring had never been,
And Winter but a memory and dream,
Here where the Summer stands, her lap of green
Heaped high with bloom and beam,
Among her blackberry-lilies, low that lean
To kiss her feet; or, freckle-browed, that stare
Upon the dragonfly which, slimly-seen,
Like a blue jewel flickering in her hair,
Sparkles above them there.
II.
Knee-deep among the tepid pools the cows
Chew a slow cud or switch a slower tail,
Half-sunk in sleep beneath the beechen boughs,
Where thin the wood-gnats ail.
From bloom to bloom the languid butterflies drowse;
The sleepy bees make hardly any sound;
The only things the sunrays can arouse,
It seems, are two black beetles rolling 'round
Upon the dusty ground.
III.
Within its channel glares the creek and shrinks,
Beneath whose rocks the furtive crawfish hides
In stagnant places, where the green frog blinks,
And water-spider glides.
Far hotter seems it for the bird that drinks,
The startled kingfisher that screams and flies;
Hotter and lonelier for the purple pinks
Of weeds that bloom, whose sultry perfumes rise
Stifling the swooning skies.
IV.
From ragweed fallows, rye fields, heaped with sheaves,
From blistering rocks, no moss or lichens crust,
And from the road, where every hoof-stroke heaves
A cloud of burning dust,
The hotness quivers, making limp the leaves,
That loll like tongues of panting hounds. The heat
Is a wan wimple that the Summer weaves,
A veil, in which she wraps, as in a sheet,
The shriveling corn and wheat.
V.
Furious, incessant in the weeds and briers
The sawing weed-bugs sing; and, heat-begot,
The grasshoppers, so many strident wires,
Staccato fiercely hot:
A lash of whirling sound that never tires,
The locust flails the noon, where harnessed Thirst,
Beside the road-spring, many a shod hoof mires,
Into the trough thrusts his hot head, immersed,
'Round which cool bubbles burst.
VI.
The sad, sweet voice of some wood-spirit who
Laments while watching a loved oak tree die,
From the deep forest comes the wood-dove's coo,
A long, lost, lonely cry.
Oh, for a breeze, a mighty wind to woo
The woods to stormy laughter; sow like grain
The world with freshness of invisible dew,
And pile above far, fevered hill and plain,
Vast bastions black with rain.
Poems From "A Shropshire Lad" - LX
by Alfred Edward Housman

Now hollow fires burn out to black,
And lights are guttering low:
Square your shoulders, lift your pack,
And leave your friends and go.
Oh never fear, man, nought's to dread,
Look not left nor right:
In all the endless road you tread
There's nothing but the night.
Odes From Horace. - To Lyce, On Her Refusing To Admit His Visits. Book The Third, Ode The Tenth.
by Anna Seward

Now had you drank cold Tanais' wave,
Whose streams the drear vale slowly lave,
A barbarous Scythian's Bride,
Yet, Lyce, might you grieve to hear
Your Lover braves the winds severe,
That pierce his aching side.
O listen to the howling groves,
That labour o'er your proud alcoves,
And hear the jarring door!
Mark how the star, at eve that rose,
Has brightly glaz'd the settled snows,
While every leaf is hoar!
Gay Venus hates this cold disdain; - 
Cease then its rigors to maintain,
That sprightly joys impede,
Lest the strain'd cord, with which you bind
The freedom of my amorous mind,
In rapid whirl recede!
Born of a jocund Tuscan Sire,
Did he transmit his ardent fire
That, like Ulysses' Queen,
His beauteous Daughter still should prove
Relentless to the sighs of Love,
With frozen heart and mien? - 
If nor blue cheek of shivering Swain,
Nor yet his richest gifts obtain
Your smile, and soft'ning brow;
Nor if a faithless Husband's rage
For a gay Syren of the stage,
And broken nuptial vow;
If weak e'en Jealousy should prove
To bend your heart to truer love,
Yet pity these my pains,
O Nymph, than oaks more hard, and fierce
As snakes, that Afric's thickets pierce,
Those terrors of the plains!
When heavy falls the pattering shower,
And streaming spouts their torrents pour
Upon my shrinking head,
Not always shall wild Love command
These limbs obsequiously to stand
Beneath your dropping shed.
Now Is Past
by John Clare

Now is past--the happy now
When we together roved
Beneath the wildwood's oak-tree bough
And Nature said we loved.
Winter's blast
The now since then has crept between,
And left us both apart.
Winters that withered all the green
Have froze the beating heart.
Now is past.
Now is past since last we met
Beneath the hazel bough;
Before the evening sun was set
Her shadow stretched below.
Autumn's blast
Has stained and blighted every bough;
Wild strawberries like her lips
Have left the mosses green below,
Her bloom's upon the hips.
Now is past.
Now is past, is changed agen,
The woods and fields are painted new.
Wild strawberries which both gathered then,
None know now where they grew.
The skys oercast.
Wood strawberries faded from wood sides,
Green leaves have all turned yellow;
No Adelaide walks the wood rides,
True love has no bed-fellow.
Now is past.
Night
by William Browne

Now great Hyperion left his golden throne
That on the dancing waves in glory shone,
For whose declining on the western shore
The oriental hills black mantles wore,
And thence apace the gentle twilight fled,
That had from hideous caverns ushered
All-drowsy Night, who in a car of jet,
By steeds of iron-grey, which mainly sweat
Moist drops on all the world, drawn through the sky,
The helps of darkness waited orderly.
First thick clouds rose from all the liquid plains;
Then mists from marishes, and grounds whose veins
Were conduit-pipes to many a crystal spring;
From standing pools and fens were following
Unhealthy fogs; each river, every rill
Sent up their vapours to attend her will
These pitchy curtains drew 'twixt earth and heaven
And as Night's chariot through the air was driven,
Clamour grew dumb, unheard was shepherd's song
And silence girt the woods; no warbling tongue
Talk'd to the Echo; satyrs broke their dance,
And all the upper world lay in a trance.
Only the curled streams soft chidings kept;
And little gales that from the green leaf swept
Dry summer's dust, in fearful whisp'rings stirred.
As loath to waken any singing bird.
From Britannia's Pastorals.
The Fringe of Heaven
by Paul Bewsher

Now have I left the world and all its tears,
And high above the sunny cloud-banks fly,
Alone in all this vast and lonely sky - 
This limpid space in which the myriad spheres
Go thundering on, whose song God only hears
High in his heavens. Ah! how small seem I,
And yet I know he hears my little cry
Down there among Mankind's cruel jest and sneers.
And I forget the grief which I have known,
And I forgive the mockers and their jest,
And in this mightly solitude alone,
I taste the joys of everlasting rest,
Which I shall know when I have passed away
To live in Heaven's never-fading day.
Written in the Air.