DanFosing/public-domain-poetry huggingface dataset:
Phantasmagoria Canto VII ( Sad Souvenaunce )
by Lewis Carroll

"What's this?" I pondered. "Have I slept?
Or can I have been drinking?"
But soon a gentler feeling crept
Upon me, and I sat and wept
An hour or so, like winking.
"No need for Bones to hurry so!"
I sobbed. "In fact, I doubt
If it was worth his while to go, 
And who is Tibbs, I'd like to know,
To make such work about?
"If Tibbs is anything like me,
It's POSSIBLE," I said,
"He won't be over-pleased to be
Dropped in upon at half-past three,
After he's snug in bed.
"And if Bones plagues him anyhow, 
Squeaking and all the rest of it,
As he was doing here just now, 
I prophesy there'll be a row,
And Tibbs will have the best of it!"
Then, as my tears could never bring
The friendly Phantom back,
It seemed to me the proper thing
To mix another glass, and sing
The following Coronach.
'AND ART THOU GONE, BELOVED GHOST?
BEST OF FAMILIARS!
NAY THEN, FAREWELL, MY DUCKLING ROAST,
FAREWELL, FAREWELL, MY TEA AND TOAST,
MY MEERSCHAUM AND CIGARS!
THE HUES OF LIFE ARE DULL AND GRAY,
THE SWEETS OF LIFE INSIPID,
WHEN thou, MY CHARMER, ART AWAY, 
OLD BRICK, OR RATHER, LET ME SAY,
OLD PARALLELEPIPED!'
Instead of singing Verse the Third,
I ceased,    abruptly, rather:
But, after such a splendid word
I felt that it would be absurd
To try it any farther.
So with a yawn I went my way
To seek the welcome downy,
And slept, and dreamed till break of day
Of Poltergeist and Fetch and Fay
And Leprechaun and Brownie!
For year I've not been visited
By any kind of Sprite;
Yet still they echo in my head,
Those parting words, so kindly said,
"Old Turnip-top, good-night!"
Part Of A Prologue Written And Spoken By The Poet Laberius A Roman Knight, Whom Caesar Forced Upon The Stage
by Oliver Goldsmith

Preserved By Macrobius.
What! no way left to shun th' inglorious stage,
And save from infamy my sinking age!
Scarce half alive, oppress'd with many a year,
What in the name of dotage drives me here?
A time there was, when glory was my guide,
Nor force nor fraud could turn my steps aside;
Unaw'd by pow'r, and unappall'd by fear,
With honest thrift I held my honour dear;
But this vile hour disperses all my store,
And all my hoard of honour is no more.
For ah! too partial to my life's decline,
Caesar persuades, submission must be mine;
Him I obey, whom heaven itself obeys,
Hopeless of pleasing, yet inclin'd to please.
Here then at once, I welcome every shame,
And cancel at threescore a life of fame;
No more my titles shall my children tell,
The old buffoon will fit my name as well;
This day beyond its term my fate extends,
For life is ended when our honour ends.
Rapine Brings Ruin.
by Robert Herrick

What's got by justice is established sure:
No kingdoms got by rapine long endure.
To Rich Givers
by Walt Whitman

What you give me, I cheerfully accept,
A little sustenance, a hut and garden, a little money these, as I rendezvous with my poems;
A traveler's lodging and breakfast as I journey through The States,
Why should I be ashamed to own such gifts? Why to advertise for them?
For I myself am not one who bestows nothing upon man and woman;
For I bestow upon any man or woman the entrance to all the gifts of the universe.
The Cupboard.
by Robert von Ranke Graves

Mother
What's in that cupboard, Mary?
Mary
Which cupboard, mother dear?
Mother
The cupboard of red mahogany
With handles shining clear.
Mary
That cupboard, dearest mother,
With shining crystal handles?
There's nought inside but rags and jags
And yellow tallow candles.
Mother
What's in that cupboard, Mary?
Mary
Which cupboard, mother mine?
Mother
That cupboard stands in your sunny chamber,
The silver corners shine.
Mary
There's nothing there inside, mother,
But wool and thread and flax,
And bits of faded silk and velvet,
And candles of white wax.
Mother
What's in that cupboard, Mary?
And this time tell me true.
Mary
White clothes for an unborn baby, mother,
But what's the truth to you?
Epilogue To 'The Sister'
by Oliver Goldsmith

What! five long acts and all to make us wiser!
Our authoress sure has wanted an adviser.
Had she consulted 'me', she should have made
Her moral play a speaking masquerade;
Warm'd up each bustling scene, and in her rage
Have emptied all the green-room on the stage.
My life on't, this had kept her play from sinking;
Have pleas'd our eyes, and sav'd the pain of thinking.
Well! since she thus has shown her want of skill,
What if I give a masquerade?     I will.
But how? ay, there's the rub! ('pausing')     I've got my cue:
The world's a masquerade! the maskers, you, you, you.
('To Boxes, Pit, and Gallery'.)
____, what a group the motley scene discloses!
False wits, false wives, false virgins, and false spouses!
Statesmen with bridles on; and, close beside 'em,
Patriots, in party-coloured suits, that ride 'em.
There Hebes, turn'd of fifty, try once more
To raise a flame in Cupids of threescore.
These in their turn, with appetites as keen,
Deserting fifty, fasten on fifteen,
Miss, not yet full fifteen, with fire uncommon,
Flings down her sampler, and takes up the woman:
The little urchin smiles, and spreads her lure,
And tries to kill, ere she's got power to cure.
Thus 'tis with all     their chief and constant care
Is to seem everything but what they are.
Yon broad, bold, angry spark, I fix my eye on,
Who seems to have robb'd his vizor from the lion;
Who frowns, and talks, and swears, with round parade,
Looking as who should say, D__ __! who's afraid?
('Mimicking')
Strip but his vizor off, and sure I am
You'll find his lionship a very lamb.
Yon politician, famous in debate,
Perhaps, to vulgar eyes, bestrides the state;
Yet, when he deigns his real shape t' assume,
He turns old woman, and bestrides a broom.
Yon patriot, too, who presses on your sight,
And seems to every gazer all in white,
If with a bribe his candour you attack,
He bows, turns round, and whip     the man's a black!
Yon critic, too     but whither do I run?
If I proceed, our bard will be undone!
Well then a truce, since she requests it too:
Do you spare her, and I'll for once spare you.
To A Lady, With The 'Temple Of Fame.'
by Alexander Pope

What's fame with men, by custom of the nation,
Is call'd, in women, only reputation:
About them both why keep we such a pother?
Part you with one, and I'll renounce the other.
Genius Loci
by Madison Julius Cawein

I
What wood-god, on this water's mossy curb,
Lost in reflections of earth's loveliness,
Did I, just now, unconsciously disturb?
I, who haphazard, wandering at a guess,
Came on this spot, wherein, with gold and flame
Of buds and blooms, the season writes its name.--
Ah, me! could I have seen him ere alarm
Of my approach aroused him from his calm!
As he, part Hamadryad and, mayhap,
Part Faun, lay here; who left the shadow warm
As wildwood rose, and filled the air with balm
Of his sweet breath as with ethereal sap.
II
Does not the moss retain some vague impress,
Green dented in, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulously
Boast the indulgence of a deity?
And, hark! in burly beech and sycamore
How all the birds proclaim it! and the leaves
Rejoice with clappings of their myriad hands!
And shall not I believe, too, and adore,
With such wide proof?--Yea, though my soul perceives
No evident presence, still it understands.
III
And for a while it moves me to lie down
Here on the spot his god-head sanctified:
Mayhap some dream he dreamed may lingert brown
And young as joy, around the forestside;
Some dream within whose heart lives no disdain
For such as I whose love is sweet and sane;
That may repeat, so none but I may hear--
As one might tell a pearl-strung rosary--
Some epic that the trees have learned to croon,
Some lyric whispered in the wild-flower's ear,
Whose murmurous lines are sung by bird and bee,
And all the insects of the night and noon.
IV
For, all around me, upon field and hill,
Enchantment lies as of mysterious flutes;
As if the music of a god's good-will
Had taken on material attributes
In blooms, like chords; and in the water-gleam,
That runs its silvery scales from stream to stream;
In sunbeam bars, up which the butterfly,
A golden note, vibrates then flutters on--
Inaudible tunes, blown on the pipes of Pan,
That have assumed a visible entity,
And drugged the air with beauty so, a Faun,
Behold, I seem, and am no more a man.
Comfort Of The Fields
by Archibald Lampman

What would'st thou have for easement after grief,
When the rude world hath used thee with despite,
And care sits at thine elbow day and night,
Filching thy pleasures like a subtle thief?
To me, when life besets me in such wise,
'Tis sweetest to break forth, to drop the chain,
And grasp the freedom of this pleasant earth,
To roam in idleness and sober mirth,
Through summer airs and summer lands, and drain
The comfort of wide fields unto tired eyes.
By hills and waters, farms and solitudes,
To wander by the day with wilful feet;
Through fielded valleys wide with yellowing wheat;
Along gray roads that run between deep woods,
Murmurous and cool; through hallowed slopes of pine,
Where the long daylight dreams, unpierced, unstirred,
And only the rich-throated thrush is heard;
By lonely forest brooks that froth and shine
In bouldered crannies buried in the hills;
By broken beeches tangled with wild vine,
And log-strewn rivers murmurous with mills.
In upland pastures, sown with gold, and sweet
With the keen perfume of the ripening grass,
Where wings of birds and filmy shadows pass,
Spread thick as stars with shining marguerite;
To haunt old fences overgrown with brier,
Muffled in vines, and hawthorns, and wild cherries,
Rank poisonous ivies, red-bunched elderberries,
And pi'd blossoms to the heart's desire,
Gray mullein towering into yellow bloom,
Pink-tasseled milkweed, breathing dense perfume,
And swarthy vervain, tipped with violet fire.
To hear at eve the bleating of far flocks,
The mud-hen's whistle from the marsh at morn;
To skirt with deafened ears and brain o'erborne
Some foam-filled rapid charging down its rocks
With iron roar of waters; far away
Across wide-reeded meres, pensive with noon,
To hear the querulous outcry of the loon;
To lie among deep rocks, and watch all day
On liquid heights the snowy clouds melt by;
Or hear from wood-capped mountain-brows the jay
Pierce the bright morning with his jibing cry.
To feast on summer sounds; the jolted wains,
The thrasher humming from the farm near by,
The prattling cricket's intermittent cry,
The locust's rattle from the sultry lanes;
Or in the shadow of some oaken spray,
To watch, as through a mist of light and dreams,
The far-off hay-fields, where the dusty teams
Drive round and round the lessening squares of hay,
And hear upon the wind, now loud, now low,
With drowsy cadence half a summer's day,
The clatter of the reapers come and go.
Far violet hills, horizons filmed with showers,
The murmur of cool streams, the forest's gloom,
The voices of the breathing grass, the hum
Of ancient gardens overbanked with flowers:
Thus, with a smile as golden as the dawn,
And cool fair fingers radiantly divine,
The mighty mother brings us in her hand,
For all tired eyes and foreheads pinched and wan,
Her restful cup, her beaker of bright wine:
Drink, and be filled, and ye shall understand!
Marra To Bonney
by Frederic William Moorman

What would you do wi' a doughter--
Pray wi' her, bensil(1) her, flout her?--
Say, what would you do wi' a daughter
That's marra to Bonney(2) hissen?
I prayed wi' her first, of a Sunday,
When chapil was lowsin' for t' neet;
An' I laid all her cockaloft marlocks(3)
'Fore th' Almighty's mercy-seat.
When I looked for her tears o' repentance,
I jaloused(4) that I saw her laugh;
An' she said that t' Powers o' Justice
Would scatter my words like chaff.
Then I bensilled her hard in her cham'er,
As I bensils owd Neddy i' t' cart.
If prayers willent teach thee, my dolly,
Happen whip-stock will mak thy tears start.
But she stood there as chuff as a mawmet,(5)
Not one chunt'rin(6) word did she say:
But she hoped that t' blooid o' t' martyrs
Would waish all my sins away.
Then I thought, mebbe floutin' will mend her;
So I watched while she cam out o' t' mill,
And afore all yon Wyke lads an' lasses
I fleered at her reight up our hill.
She winced when she heeard all their girnin',
Then she whispered, a sob i' her throat:
"I reckon I'll noan think o' weddin'
While women are given their vote."
What would you do wi' a doughter--
Pray wi' her, bensil her, flout her?--
Say, what would you do wi' a daughter
That's marra to Bonney hissen?
The Best Thing In The World
by Elizabeth Barrett Browning

What's the best thing in the world?
June-rose, by May-dew impearled;
Sweet south-wind, that means no rain;
Truth, not cruel to a friend;
Pleasure, not in haste to end;
Beauty, not self-decked and curled
Till its pride is over-plain;
Love, when, so, you're loved again.
What's the best thing in the world?
Something out of it, I think.
Nursery Rhyme. DCXXIII. Relics.
by Unknown

What's the news of the day,
Good neighbour, I pray?
They say the balloon
Is gone up to the moon.
Heriot's Ford
by Rudyard Kipling

"What's that that hirples at my side?"
The foe that you must fight, my lord.
"That rides as fast as I can ride?"
The shadow of your might, my lord.
"Then wheel my horse against the foe!"
He's down and overpast, my lord.
You war against the sunset-glow,
The judgment follows fast, my lord!
"Oh, who will stay the sun's descent?"
King Joshua he is dead, my lord.
"I need an hour to repent!"
'Tis what our sister said, my lord.
"Oh, do not slay me in my sins!"
You're safe awhile with us, my lord.
"Nay, kill me ere my fear begins!"
We would not serve you thus, my lord.
"Where is the doom that I must face? "
Three little leagues away, my lord.
"Then mend the horses' laggard pace!"
We need them for next day, my lord.
"Next day next day! Unloose my cords!"
Our sister needed none, my lord.
You had no mind to face our swords,
And where can cowards run, my lord?
"You would not kill the soul alive?"
'Twas thus our sister cried, my lord.
"I dare not die with none to shrive."
But so our sister died, my lord.
"Then wipe the sweat from brow and cheek."
It runnels forth afresh, my lord.
"Uphold me for the flesh is weak."
You've finished with the Flesh, my lord!
Somdy's Chonce.
by John Hartley

What's a poor lass like me to do,
'At langs for a hooam ov her own?
Aw'm a hale an bonny wench too,
An nubdy can say aw'm heigh-flown.
Aw want nawther riches nor style,
Just a gradely plain felly will do;
But aw'm waitin a varry long while
An ov sweethearts aw've getten but two.
But th' trubble's just this, - let me tell,
What aw want an will have if aw can,
To share wedded life wi' misel,
Is a man 'at's worth callin a man.
But Harry's as stiff as a stoop,
An Jack, onny lass wod annoy, - 
Harry's nobbut a soft nin-com-poop,
An Jack's just a hobble-de-hoy.
If caarin at th' hob ov a neet,
Wi' a softheeaded twaddlin fooil;
Aw should order him aght o' mi seet,
Or be cooamin his yure wi' a stooil.
His wage, - what it wor, - couldn't bring
Joy enuff to mak up for life's pains,
If aw fan misen teed to a thing,
At could work, ait an live, withaat brains.
"But ther's love," yo may say, - Hi that's it!
But aw nivver could love a machine;
An aw'll net wed a chap 'at's baat wit,
Net if he could mak me a queen.
Aw'd like one booath hansum an strong,
An honest, truehearted an kind,
But aw'm sewer aw could ne'er get along,
Wi' a felly 'at had'nt a mind.
Soa Harry will ha to be seckt,
For a nin-com-poop's nowt i' mi line;
As for Jack, - he could nivver expect
To win sich a true heart as mine.
Ther's lasses enuff to be had,
'At'll jump at sich chonces wi' joy,
They'll tak owt at's i'th' shape ov a lad,
Quite content wi' a hobble-de-hoy.
Aw dooant want to spend all mi life,
Like a saar, neglected old maid;
Aw'd rayther bi th' hawf be a wife,
Nor to blossom an wither i'th' shade.
Soa if onny young chap wants a mate,
Tho' he may net be hansum nor rich,
If he's getten some sense in his pate,
Aw'm his chonce. - An he need'nt have mich.
To The Reverend ----. One Of The Sixteen Requisitionists Of Nottingham.
by Thomas Moore

What, you, too, my ******, in hashes so knowing,
Of sauces and soups Aristarchus profest!
Are you, too, my savory Brunswicker, going
To make an old fool of yourself with the rest?
Far better to stick to your kitchen receipts;
And--if you want something to tease--for variety,
Go study how Ude, in his "Cookery," treats
Live eels when he fits them for polisht society.
Just snuggling them in, 'twixt the bars of the fire,
He leaves them to wriggle and writhe on the coals,[1]
In a manner that Horner himself would admire,
And wish, 'stead of eels, they were Catholic souls.
Ude tells us the fish little suffering feels;
While Papists of late have more sensitive grown;
So take my advice, try your hand at live eels,
And for once let the other poor devils alone.
I have even a still better receipt for your cook--
How to make a goose die of confirmed hepatitis;[2]
And if you'll, for once, fellow-feelings o'erlook,
A well-tortured goose a most capital sight is.
First, catch him, alive--make a good steady fire--
Set your victim before it, both legs being tied,
(As if left to himself he might wish to retire,)
And place a large bowl of rich cream by his side.
There roasting by inches, dry, fevered, and faint,
Having drunk all the cream you so civilly laid, off,
He dies of as charming a liver complaint
As ever sleek person could wish a pie made of.
Besides, only think, my dear one of Sixteen,
What an emblem this bird, for the epicure's use meant.
Presents of the mode in which Ireland has been
Made a tid-bit for yours and your brethren's amusement:
Tied down to the stake, while her limbs, as they quiver,
A slow fire of tyranny wastes by degrees--
No wonder disease should have swelled up her liver,
No wonder you, Gourmands, should love her disease.
What Would I Give?
by Christina Georgina Rossetti

What would I give for a heart of flesh to warm me through,
Instead of this heart of stone ice-cold whatever I do;
Hard and cold and small, of all hearts the worst of all.
What would I give for words, if only words would come;
But now in its misery my spirit has fallen dumb:
Oh, merry friends, go your own way, I have never a word to say.
What would I give for tears, not smiles but scalding tears,
To wash the black mark clean, and to thaw the frost of years,
To wash the stain ingrain and to make me clean again.
Genius Loci
by Madison Julius Cawein

I.
What wood-god, on this water's mossy curb,
Lost in reflections of earth's loveliness,
Did I, just now, unconsciously disturb?
I who haphazard, wandering at a guess,
Came on this spot, wherein with gold and flame
Of buds and blooms the season writes its name.
Ah me! could I have seen him ere alarm
Of my approach aroused him from his calm!
As he, part Hamadryad and, mayhap,
Part Faun, lay here; who left the shadow warm
As a wood-rose, and filled the air with balm
Of his wild breath as with ethereal sap.
II.
Does not the moss retain some slight impress,
Green-dented down, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulously
Boast the indulgence of a deity?
And, hark! in burly beech and sycamore
How all the birds proclaim it! and the leaves
Rejoice with clappings of their myriad hands!
And shall not I believe, too, and adore,
With such wide proof? Yea, though my soul perceives
No evident presence, still it understands.
III.
And for a while it moves me to lie down
Here on the spot his god-head sanctified:
Mayhap some dream he dreamed may linger, brown
And young as joy, around the forest side;
Some dream within whose heart lives no disdain
For such as I whose love is sweet and sane;
That may repeat, so none but I may hear
As one might tell a pearl-strung rosary
Some epic that the leaves have learned to croon,
Some lyric whispered in the wild-flow'r's ear,
Whose murmurous lines are sung by bird and bee,
And all the insects of the night and noon.
IV.
For, all around me, upon field and hill,
Enchantment lies as of mysterious flutes;
As if the music of a god's goodwill
Had taken on material attributes
In blooms, like chords; and in the water-gleam,
That runs its silvery scales on every stream;
In sunbeam bars, up which the butterfly,
A golden note, vibrates then flutters on
Inaudible tunes, blown on the pipes of Pan,
That have assumed a visible entity,
And drugged the air with beauty so, a Faun,
Behold, I seem, and am no more a man.
The Shepherd And His Flock.
by Jean de La Fontaine

[1]
'What! shall I lose them one by one,
This stupid coward throng?
And never shall the wolf have done?
They were at least a thousand strong,
But still they've let poor Robin[2] fall a prey!
Ah, woe's the day!
Poor Robin Wether lying dead!
He follow'd for a bit of bread
His master through the crowded city,
And would have follow'd, had he led,
Around the world. O! what a pity!
My pipe, and even step, he knew;
To meet me when I came, he flew;
In hedge-row shade we napp'd together;
Alas, alas, my Robin Wether!'
When Willy thus had duly said
His eulogy upon the dead
And unto everlasting fame
Consign'd poor Robin Wether's name,
He then harangued the flock at large,
From proud old chieftain rams
Down to the smallest lambs,
Addressing them this weighty charge, - 
Against the wolf, as one, to stand
In firm, united, fearless band,
By which they might expel him from their land.
Upon their faith, they would not flinch,
They promised him, a single inch.
'We'll choke,' said they, 'the murderous glutton
Who robbed of us of our Robin Mutton.'
Their lives they pledged against the beast,
And Willy gave them all a feast.
But evil Fate, than Phoebus faster,
Ere night had brought a new disaster:
A wolf there came. By nature's law,
The total flock were prompt to run;
And yet 'twas not the wolf they saw,
But shadow of him from the setting sun.
Harangue a craven soldiery,
What heroes they will seem to be!
But let them snuff the smoke of battle,
Or even hear the ramrods rattle,
Adieu to all their spunk and mettle:
Your own example will be vain,
And exhortations, to retain
The timid cattle.
Female Beauty
by Mark Akenside

What's Female Beauty, but an Art divine,
Through which the Mind's all gentle Graces shine?
They like the Sun irradiate all between;
The Body charms, because the Mind is seen.
Me Peacock
by William Butler Yeats

What's riches to him
That has made a great peacock
With the pride of his eye?
The wind-beaten, stone-grey,
And desolate Three Rock
Would nourish his whim.
Live he or die
Amid wet rocks and heather,
His ghost will be gay
Adding feather to feather
For the pride of his eye.
Old Excursions
by Thomas Hardy

"What's the good of going to Ridgeway,
Cerne, or Sydling Mill,
Or to Yell'ham Hill,
Blithely bearing Casterbridge-way
As we used to do?
She will no more climb up there,
Or be visible anywhere
In those haunts we knew."
But to-night, while walking weary,
Near me seemed her shade,
Come as 'twere to upbraid
This my mood in deeming dreary
Scenes that used to please;
And, if she did come to me,
Still solicitous, there may be
Good in going to these.
So, I'll care to roam to Ridgeway,
Cerne, or Sydling Mill,
Or to Yell'ham Hill,
Blithely bearing Casterbridge-way
As we used to do,
Since her phasm may flit out there,
And may greet me anywhere
In those haunts we knew.
April 1913.
Mountains From The Keslov Steppe
by Adam Bernard Mickiewicz

(Pilgrim)
What would Great Allah with the frozen sea?
Would he of icy clouds a throne carve bright,
Or would the demons of the deepest night
A bar build where the shining stars sweep free?
It gleams like pagan cities fired, kings flee.
When Day was anciently destroyed by Night
Did Allah amid chaos fix this light
To guide the star-worlds of eternity?
(Mirza)
Up there I've journeyed where the winter reigns,
And seen the rivers bitten black like lines
On Tschatir Dagh, where the white cloud reclines,
Which not the wildest eagle's shadow stains,
Where cradled under me the thunders sleep
And Allah and the stars their watches keep.