DanFosing/public-domain-poetry huggingface dataset:
Gipsies
by Madison Julius Cawein

I.
There's a scent of pungent wood smoke in the chill October air,
And a jack-o'-lantern glare, a wild and dusky glare,
'Tis the brush that burns and smoulders in the woods and by the ways,
The old New England ways,
When Autumn plants her gipsy tents and camps with all her days,
Along the shore, among the hills, beside the sounding sea,
And fills the land with haze of dreams and fires of mystery.
II.
There's a sound of crickets crooning, and an owlet's quavering tune,
And a rim of frosty moon, a will-o'-wisp of moon,
And a camp-fire in a hollow of the ocean-haunted hills,
The old New England hills,
When Autumn keeps her tryst with Earth and cures his soul of ills:
And day and night he sits with her and hearkens to her dreams,
While, like a ghost, her camp-fire's smoke trails over woods and streams.
III.
A frantic rush of faded leaves; a whirl of wind and rain;
And she is gone again; has struck her tents again.
As Dawn comes up with cold grey eyes that chill to ice the land,
The old New England land,
Her tents are gone and she is gone and gone her gipsy band,
And but a patteran of leaves to point her wandering way,
And ashes of a fire she lit, it seems, but yesterday.
The Southerly Buster
by Henry Lawson

There's a wind that blows out of the South in the drought,
And we pray for the touch of his breath
When siroccos come forth from the North-West and North,
Or in dead calms of fever and death.
With eyes glad and dim we should sing him a hymn,
For depression and death are his foes,
And he gives us new life for the bread-winning strife,
When the glorious Old Southerly blows.
Old Southerly Buster! your forces you muster
Where seldom a wind bloweth twice,
And your 'white-caps' have hint of the snow caps, and glint of
The far-away barriers of ice.
No wind the wide sea on can sing such a poean
Or do the great work that you do;
Our own wind and only, from seas wild and lonely,
Old Southerly Buster!, To you!
Oh, the city is baked, and its thirst is unslaked,
Though it swallows iced drinks by the score,
And the blurred sky is low and the air seems aglow
As if breezes would cool it no more.
We are watching all hands where the Post Office stands,
We are watching out hopefully too,
For a red light shall glower from the Post Office tower
When the Southerly Buster is due.
The yachts run away at the end of the day
From the breakers commencing to comb,
For a few he may swamp in the health-giving romp
With the friendly Old Southerly home.
But he never drowns one, for the drowning is done
By the fools, or the reckless in sport;
And the alleys and slums shall be cooled when he comes
With the weary wind-jammers to port.
Oh softly he plays through the city's hot ways
To the beds where they're calling 'Come quick!'
He is gentle and mild round the feverish child,
And he cools the hot brow of the sick.
Clearing drought-hazy skies, up the North Coast he hies
Till the mouths of our rivers are fair,
And along the sea, too, he has good work to do,
For he takes the old timber-tubs there.
'Tis a glorious mission, Old Sydney's Physician!
Broom, Bucket, and Cloth of the East,
'Tis a breeze and a sprayer that answers our prayer,
And it's free to the greatest and least.
The red-lamp's a warning to drought and its scorning,
A sign to the city at large,
Hence! Headache and Worry! Despondency hurry!
Old Southerly Buster's in charge
Old Southerly Buster! your forces you muster
Where seldom a wind bloweth twice,
And your 'white-caps' have hint of the snow caps, and glint of
The far-away barriers of ice.
No wind the wide sea on can sing such a poean
Or do the great work that you do;
Our own wind and only, from seas wild and lonely,
Old Southerly Buster!, To you!
The Tyneside Widow
by Algernon Charles Swinburne

There's mony a man loves land and life,
Loves life and land and fee;
And mony a man loves fair women,
But never a man loves me, my love,
But never a man loves me.
O weel and weel for a' lovers,
I wot weel may they be;
And weel and weel for a' fair maidens,
But aye mair woe for me, my love,
But aye mair woe for me.
O weel be wi' you, ye sma' flowers,
Ye flowers and every tree;
And weel be wi' you, a' birdies,
But teen and tears wi' me, my love,
But teen and tears wi' me.
O weel be yours, my three brethren,
And ever weel be ye;
Wi' deeds for doing and loves for wooing,
But never a love for me, my love,
But never a love for me.
And weel be yours, my seven sisters,
And good love-days to see,
And long life-days and true lovers,
But never a day for me, my love,
But never a day for me.
Good times wi' you, ye bauld riders,
By the hieland and the lee;
And by the leeland and by the hieland
It's weary times wi' me, my love,
It's weary times wi' me.
Good days wi' you, ye good sailors,
Sail in and out the sea;
And by the beaches and by the reaches
It's heavy days wi' me, my love,
It's heavy days wi' me.
I had his kiss upon my mouth,
His bairn upon my knee;
I would my soul and body were twain,
And the bairn and the kiss wi' me, my love,
And the bairn and the kiss wi' me.
The bairn down in the mools, my dear,
O saft and saft lies she;
I would the mools were ower my head,
And the young bairn fast wi' me, my love,
And the young bairn fast wi' me.
The father under the faem, my dear,
O sound and sound sleeps he;
I would the faem were ower my face,
And the father lay by me, my love,
And the father lay by me.
I would the faem were ower my face,
Or the mools on my ee-bree;
And waking-time with a' lovers,
But sleeping-time wi' me, my love,
But sleeping-time wi' me.
I would the mools were meat in my mouth,
The saut faem in my ee;
And the land-worm and the water-worm
To feed fu' sweet on me, my love,
To feed fu' sweet on me.
My life is sealed with a seal of love,
And locked with love for a key;
And I lie wrang and I wake lang,
But ye tak' nae thought for me, my love,
But ye tak' nae thought for me.
We were weel fain of love, my dear,
O fain and fain were we;
It was weel with a' the weary world,
But O, sae weel wi' me, my love,
But O, sae weel wi' me.
We were nane ower mony to sleep, my dear,
I wot we were but three;
And never a bed in the weary world
For my bairn and my dear and me, my love,
For my bairn and my dear and me.
There's Naethin Like The Honest Nappy!
by Robert Burns

There's naethin like the honest nappy!
Whaur'll ye e'er see men sae happy,
Or women, sonsie, saft an' sappy,
'Tween morn an' morn
As them wha like to taste the drappie
In glass or horn?
I've seen me daezt upon a time;
I scarce could wink or see a styme;
Just ae hauf muchkin does me prime,
Ought less is little,
Then back I rattle on the rhyme,
As gleg's a whittle.
Rural Architecture
by William Wordsworth

There's George Fisher, Charles Fleming, and Reginald Shore,
Three rosy-cheeked school-boys, the highest not more
Than the height of a counsellor's bag;
To the top of    Great How did it please them to climb:
And there they built up, without mortar or lime,
A Man on the peak of the crag.
They built him of stones gathered up as they lay:
They built him and christened him all in one day,
An urchin both vigorous and hale;
And so without scruple they called him Ralph Jones.
Now Ralph is renowned for the length of his bones;
The Magog of Legberthwaite dale.
Just half a week after, the wind sallied forth,
And, in anger or merriment, out of the north,
Coming on with a terrible pother,
From the peak of the crag blew the giant away.
And what did these school-boys? The very next day
They went and they built up another.
Some little I've seen of blind boisterous works
By Christian disturbers more savage than Turks,
Spirits busy to do and undo:
At remembrance whereof my blood sometimes will flag;
Then, light-hearted Boys, to the top of the crag!
And I'll build up giant with you.
There's Joy, &C.
by Susanna Moodie

There's joy when the rosy morning floods
The purple east with light,
When the zephyr sweeps from a thousand buds
The pearly tears of night.
There's joy when the lark exulting springs
To pour his matin lay,
From the blossomed thorn when the blackbird sings,
And the merry month is May.
There's joy abroad when the wintry snow
Melts as it ne'er had been,
When cowslips bud and violets blow,
And leaves are fresh and green.
There's joy in the swallow's airy flight,
In the cuckoo's blithesome cry,
When the floating clouds reflect the light
Of evening's glowing sky.
There's joy in April's balmy showers
'Mid gleam of sunshine shed,
When May calls forth a thousand flowers
To deck the earth's green bed.
There's joy when the harvest moon comes out
With all her starry train,
When the woods return the reaper's shout
And echo shouts again.
There's joy in childhood's merry voice
When the laugh rings blithe and clear;
And the sounds that bid young hearts rejoice
Are music to the ear.
There's joy in the dreams of early youth,
Ere care has cast a shade
O'er scenes which, though drest in the guise of truth,
Our reason dooms to fade.
There's joy in the youthful lover's breast
When his bride by the altar stands,
When his trembling lip to hers is pressed
And the priest has joined their hands.
There's joy in the smiling mother's heart
When she clasps her first-born son,
When the holy tears of rapture start
To bless the lovely one.
There's joy when the war-worn soldier hears
The notes that breathe of peace,
That dry the anxious matron's tears,
And bid stern slaughter cease.
There's joy when he treads the village green
And views his father's cot;
The horrors of the battle-scene
Are in that hour forgot.
There's joy in the shipwrecked seaman's heart,
Who has clung all night to the shrouds;
When the morning breeze rives the rack apart,
And the sun breaks through the clouds.
There's joy when he nears his native land,
And the tedious voyage is o'er,
And he feels the grasp of the kindred hand
He thought to enfold no more.
There's joy above, around, beneath,
But tis a fleeting ray;
The world's stern strife, the hand of death,
Bid mortal hopes decay.
But there's a better joy than earth,
With all her charms, can give,
Which marks the Christian's second birth,
When man but dies to live!
St. Patrick's Day.
by Jean Blewett

There's an Isle, a green Isle, set in the sea,
Here's to the Saint that blessed it!
And here's to the billows wild and free
That for centuries have caressed it!
Here's to the day when the men that roam
Send longing eyes o'er the water!
Here's to the land that still spells home
To each loyal son and daughter!
Here's to old Ireland - fair, I ween,
With the blue skies stretched above her!
Here's to her shamrock warm and green,
And here's to the hearts that love her!
The Day Before I Die
by Henry Lawson

There's such a lot of work to do, for such a troubled head!
I'm scribbling this against a book, with foolscap round, in bed.
It strikes me that I'll scribble much in this way by and by,
And write my last lines so perchance the day before I die.
There's lots of things to come and go, and I, in careless rhyme,
And drink and love (it wastes the most) have wasted lots of time.
There's so much good work to be done it makes me sure that I
Will be the sorriest for my death, the day before I die.
But, lift me dear, for I am tired, and let me taste the wine,
And lay your cheek a little while on this lined cheek of mine.
I want to say I love you so, your patient love is why
I'll have such little time, you know, the day before I die.
After The Last Breath
by Thomas Hardy

(J. H. 1813-1904)
There's no more to be done, or feared, or hoped;
None now need watch, speak low, and list, and tire;
No irksome crease outsmoothed, no pillow sloped
Does she require.
Blankly we gaze. We are free to go or stay;
Our morrow's anxious plans have missed their aim;
Whether we leave to-night or wait till day
Counts as the same.
The lettered vessels of medicaments
Seem asking wherefore we have set them here;
Each palliative its silly face presents
As useless gear.
And yet we feel that something savours well;
We note a numb relief withheld before;
Our well-beloved is prisoner in the cell
Of Time no more.
We see by littles now the deft achievement
Whereby she has escaped the Wrongers all,
In view of which our momentary bereavement
Outshapes but small.
1904.
Apple Blossoms.
by George W. Doneghy

I.
There's the rose and the lily, the daisy and pink,
And many rare flowers which others may think
Are the fairest and best, the sweetest that blow,
With delicious perfume, and colors that glow--
But go to the orchard and sniff the delight
Of the incense that's shed by the pink and the white,
And let the soul float away in a swoon
On the ambient air where the apple trees bloom!
II.
There's the cowslip, narcissus, and sweet mignonette,
The asters, verbenas, the fuschias; and yet,
As much as I love them in Summer array,
It's the white and the pink I dream of to-day,
And I walk 'neath the branches that just interlace
And shower their blossoms right down in my face
When the breeze that is laden with rarest perfume
Is wafted along where the apple trees bloom!
III.
With glad voices the birds as they flit to and fro
Are singing their songs where the pink and the snow
Of the orchard, bedecked in its garments so rare,
Is diffusing and sending its breath on the air;
And the rays of the sun sift through on the grass,
And the dew-drops that sparkle no jewels surpass!
In Springtime at evening, at morning, at noon,
How sweet is the scent of the apple trees' bloom!
IV.
And when Summer is gone, and Autumn has shed
It's soft, dreamy haze through the trees overhead,
On each spreading branch where blossoms now cling
The red and the gold to the fruit it will bring,
And stripe with a skill and give it that blush
Only Nature can paint with her delicate brush!
O when life ebbs away, then make me a tomb
Right out in the orchard, where the apple trees bloom!
Thorkild's Song
by Rudyard Kipling

There's no wind along these seas,
Out oars for Stavanger!
Forward all for Stavanger!
So we must wake the white-ash breeze.
Let fall for Stavanger!
A long pull for Stavanger!
Oh, hear the benches creak and strain!
(A long pull for Stavanger!)
She thinks she smells the Northland rain!
(A long pull for Stavanger !)
She thinks she smells the Northland snow,
And she's as glad as we to go.
She thinks she smells the Northland rime,
And the dear dark nights of winter-time.
She wants to be at her own home pier,
To shift her sails and standing gear.
She wants to be in her winter-shed,
To strip herself and go to bed.
Her very bolts are sick for shore,
And we, we want it ten times more!
So all you Gods that love brave men,
Send us a three-reef gale again!
Send us a gale, and watch us come,
With close cropped canvas slashing home!
But, there's no wind on all these seas,
A long pull for Stavanger!
So we must wake the white-ash breeze,
A long pull for Stavanger!
Jeemsie Miller
by Violet Jacob

There's some that mak' themsels a name
Wi' preachin', business, or a game,
There's some wi' drink hae gotten fame
And some wi' siller:
I kent a man got glory cheap,
For nane frae him their een could keep,
Losh! he was shapit like a neep,
Was Jeemsie Miller!
When he gaed drivin' doon the street
Wi' cairt an' sheltie, a' complete,
The plankie whaur he had his seat
Was bent near double;
And gin yon wood had na been strang
It hadna held oor Jeemsie lang,
He had been landit wi' a bang,
And there'd been trouble.
Ye could but mind, to see his face,
The reid mune glowerin' on the place,
Nae man had e'er sic muckle space
To haud his bonnet:
An owre yon bonnet on his brow,
Set cockit up owre Jeemsie's pow,
There waggit, reid as lichtit tow,
The toorie on it.
And Jeemsie's poke was brawly lined,
There wasna mony couldna' find
His cantie hoosie i' the wynd,
"The Salutation":
For there ye'd get, wi' sang and clink,
What some ca'd comfort, wi' a wink,
And some that didna care for drink
Wad ca' damnation!
But dinna think, altho' he made
Sae grand a profit o' his trade,
An' muckle i' the bank had laid,
He wadna spare o't,
For, happit whaur it wasna seen,
He'd aye a dram in his machine,
An' never did he meet a freen'
But got a share o't.
Ae day he let the sheltie fa'
(Whisht, sirs! he wasna' fou - na, na!
A wee thing pleasant - that was a',
An' drivin' canny)
Fegs! he cam' hurlin' owre the front
An' struck the road wi' sic a dunt,
Ye'd thocht the causey got the brunt
And no the mannie!
Aweel, it was his hin'most drive,
Aifter yon clour he couldna thrive,
For twa pairts deid, an' ane alive,
His billies foond him:
And, bedded then, puir Jeemsie lay,
And a' the nicht and a' the day
Relations cam' to greet an' pray
An' gaither roond him.
Said Jeemsie, "Cousins, gie's a pen,
Awa' an' bring the writer ben,
What I hae spent wi' sinfu' men
I weel regret it;
In daith I'm sweir to be disgrac't,
I've plenty left forby my waste,
An them that I've negleckit maist
It's them'll get it."
It was a sicht to see them rin
To save him frae the sense o' sin,
Fu' sune they got the writer in
His mind to settle;
And O their loss! sae sair they felt it
To a' the toon wi' tears they tell't it,
Their dule for Jeemsie wad hae meltit
A he'rt o' metal!
Puir Jeemsie dee'd. In a' their braws
The faim'ly cam' as black as craws,
Men, wifes, an' weans wi' their mamas
That scarce could toddle!
They grat - an' they had cause to greet;
The wull was read that garred them meet - 
The U. P. Kirk, just up the street,
Got ilka bodle!
The Little Boy And His Shadow
by Madison Julius Cawein

There's something now that no one knows,
That never seems to mind me
Where is it that my shadow goes
That often walks behind me?
Where does it go when I come home;
For often I'm without it;
It's queer and very worrisome,
I'd like to know about it.
When I go out on sunny days,
Why, there it is beside me:
And there it skips and there it plays,
And from it I can't hide me.
I cannot run away from it,
It runs as fast as Fido;
And if I stand or if I sit
It stands and sits as I do.
But if I run into a square
Where trees stand or a dwelling,
Why, then it's gone! I wonder where!
Who knows? It's hard as spelling.
And then it never says a word;
It's surely in a trance, or
Just deaf and dumb and never heard;
If not, why don't it answer?
And in the moonlight, when I walk,
Why, then it walks before me
And mimics me, but will not talk,
But rather seems t' ignore me.
And I have noticed that at noon
I walk on it, it's smaller,
But in the night-time, by the moon,
It's often ten times taller.
But at the door, both day and night,
It never fails to leave me,
That is, unless there is a light
By which it may perceive me.
Why don't it go to bed with me?
Why don't it lie beside me?
It seems to lack in courtesy,
And often can't abide me.
Why should it come to skip and run
Without a word or comment,
And stay with me in moon and sun,
Then quit me in a moment?
Why don't it come in-doors and play?
I'm sure that it is able,
Why don't it stay with me all day,
And eat with me at table?
But that's the way it is, you see,
When one is least expecting
It leaves or comes quite suddenly
From where there's no detecting.
Sometimes it's short; sometimes it's long;
Sometimes it's just a glimmer;
It acts so queer I know it's wrong,
And puzzling as my primer.
For, sometimes, when by candlelight
I go to bed, it quivers
Upon the stairs, out of the night,
And scares me into shivers.
From ghostly corners, humped and gnarled,
It leaps, or down the ceiling,
Crabbed, crook'd-kneed and knuckle-snarled,
Goes gesturing and reeling.
But where it goes when I'm in bed
And fast asleep and dreaming
No one can tell me. Mother said
That I beat all for scheming
And bothering her with questions: that
She wished I was as quiet
As is my shadow or the cat:
Dear knows! she'd profit by it.
My father said he'd come to find
That it is most bewild'rin';
He had no doubt it changed its mind
As frequently as children.
"I can't, " he said, "tell where it goes,
Or stays, when gone, denied you;
Unless it goes, as I suppose,
And lives and hides inside you."
B'ranger's "Broken Fiddle"
by Eugene Field

I
There, there, poor dog, my faithful friend,
Pay you no heed unto my sorrow:
But feast to-day while yet you may,--
Who knows but we shall starve to-morrow!
II
"Give us a tune," the foemen cried,
In one of their profane caprices;
I bade them "No"--they frowned, and, lo!
They dashed this innocent in pieces!
III
This fiddle was the village pride--
The mirth of every f'te enhancing;
Its wizard art set every heart
As well as every foot to dancing.
IV
How well the bridegroom knew its voice,
As from its strings its song went gushing!
Nor long delayed the promised maid
Equipped for bridal, coy and blushing.
V
Why, it discoursed so merrily,
It quickly banished all dejection;
And yet, when pressed, our priest confessed
I played with pious circumspection.
VI
And though, in patriotic song,
It was our guide, compatriot, teacher,
I never thought the foe had wrought
His fury on the helpless creature!
VII
But there, poor dog, my faithful friend,
Pay you no heed unto my sorrow;
I prithee take this paltry cake,--
Who knows but we shall starve to-morrow!
VIII
Ah, who shall lead the Sunday choir
As this old fiddle used to do it?
Can vintage come, with this voice dumb
That used to bid a welcome to it?
IX
It soothed the weary hours of toil,
It brought forgetfulness to debtors;
Time and again from wretched men
It struck oppression's galling fetters.
X
No man could hear its voice, and hate;
It stayed the teardrop at its portal;
With that dear thing I was a king
As never yet was monarch mortal!
XI
Now has the foe--the vandal foe--
Struck from my hands their pride and glory;
There let it lie! In vengeance, I
Shall wield another weapon, gory!
XII
And if, O countrymen, I fall,
Beside our grave let this be spoken:
"No foe of France shall ever dance
Above the heart and fiddle, broken!"
XIII
So come, poor dog, my faithful friend,
I prithee do not heed my sorrow,
But feast to-day while yet you may,
For we are like to starve to-morrow.
Sympathy.
by Emma Lazarus

Therefore I dare reveal my private woe,
The secret blots of my imperfect heart,
Nor strive to shrink or swell mine own desert,
Nor beautify nor hide.    For this I know,
That even as I am, thou also art.
Thou past heroic forms unmoved shalt go,
To pause and bide with me, to whisper low:
"Not I alone am weak, not I apart
Must suffer, struggle, conquer day by day.
Here is my very cross by strangers borne,
Here is my bosom-sun wherefrom I pray
Hourly deliverance - this my rose, my thorn.
This woman my soul's need can understand,
Stretching o'er silent gulfs her sister hand."
Sonnet. About Jesus. II.
by George MacDonald

"There, Buonarotti, stands thy statue. Take
Possession of the form; inherit it;
Go forth upon the earth in likeness fit;
As with a trumpet-cry at morning, wake
The sleeping nations; with light's terror, shake
The slumber from their hearts; and, where they sit,
Let them leap up aghast, as at a pit
Agape beneath." I hear him answer make:
"Alas! I dare not; I could not inform
That image; I revered as I did trace;
I will not dim the glory of its grace,
Nor with a feeble spirit mock the enorm
Strength on its brow." Thou cam'st, God's thought thy form,
Living the large significance of thy face.
The Covered Bridge
by Madison Julius Cawein

There, from its entrance, lost in matted vines,
Where in the valley foams a water-fall,
Is glimpsed a ruined mill's remaining wall;
Here, by the road, the oxeye daisy mines
Hot brass and bronze; the trumpet-trailer shines
Red as the plumage of the cardinal.
Faint from the forest comes the rain-crow's call
Where dusty Summer dreams among the pines.
This is the spot where Spring writes wildflower verses
In primrose pink, while, drowsing o'er his reins,
The ploughman, all unnoticing, plods along:
And where the Autumn opens weedy purses
Of sleepy silver, while the corn-heaped wains
Rumble the bridge like some deep throat of song.