DanFosing/public-domain-poetry huggingface dataset:
Psal. IV.
by John Milton

Answer me when I call
God of my righteousness;
In straights and in distress
Thou didst me disinthrall
And set at large; now spare,
Now pity me, and hear my earnest prai'r.
Great ones how long will ye
My glory have in scorn
How long be thus forlorn
Still to love vanity,
To love, to seek, to prize
Things false and vain and nothing else but lies?
Yet know the Lord hath chose
Chose to himself a part
The good and meek of heart
(For whom to chuse he knows)
Jehovah from on high
Will hear my voyce what time to him I crie.
Be aw'd, and do not sin,
Speak to your hearts alone,
Upon your beds, each one,
And be at peace within.
Offer the offerings just
Of righteousness and in Jehovah trust.
Many there be that say
Who yet will shew us good?
Talking like this worlds brood;
But Lord, thus let me pray,
On us lift up the light
Lift up the favour of thy count'nance bright.
Into my heart more joy
And gladness thou hast put
Then when a year of glut
Their stores doth over-cloy
And from their plenteous grounds
With vast increase their corn and wine abounds.
In peace at once will I
Both lay me down and sleep
For thou alone dost keep
Me safe where ere I lie
As in a rocky Cell
Thou Lord alone in safety mak'st me dwell.
To A Moralist.
by Friedrich Schiller

Are the sports of our youth so displeasing?
Is love but the folly you say?
Benumbed with the winter, and freezing,
You scold at the revels of May.
For you once a nymph had her charms,
And Oh! when the waltz you were wreathing,
All Olympus embraced in your arms
All its nectar in Julia's breathing.
If Jove at that moment had hurled
The earth in some other rotation,
Along with your Julia whirled,
You had felt not the shock of creation.
Learn this that philosophy beats
Sure time with the pulse, quick or slow
As the blood from the heyday retreats,
But it cannot make gods of us No!
It is well icy reason should thaw
In the warm blood of mirth now and then,
The gods for themselves have a law
Which they never intended for men.
The spirit is bound by the ties
Of its gaoler, the flesh; if I can
Not reach as an angel the skies,
Let me feel on the earth as a man!
Upon Master Fletcher's Incomparable Plays.
by Robert Herrick

Apollo sings, his harp resounds: give room,
For now behold the golden pomp is come,
Thy pomp of plays which thousands come to see
With admiration both of them and thee.
O volume! worthy, leaf by leaf and cover,
To be with juice of cedar wash'd all over;
Here words with lines and lines with scenes consent
To raise an act to full astonishment;
Here melting numbers, words of power to move
Young men to swoon and maids to die for love.
Love lies a-bleeding here, Evadne, there
Swells with brave rage, yet comely everywhere;
Here's A mad lover, there that high design
Of King and no King, and the rare plot thine.
So that whene'er we circumvolve our eyes,
Such rich, such fresh, such sweet varieties
Ravish our spirits, that entranc'd we see
None writes love's passion in the world like thee.
The Shoe-Tying.
by Robert Herrick

Anthea bade me tie her shoe;
I did; and kissed the instep too:
And would have kissed unto her knee,
Had not her blush rebuked me.
Verses Written On A Window, At The Deanery House, St. Patrick's
by Jonathan Swift

Are the guests of this house still doom'd to be cheated?
Sure the Fates have decreed they by halves should be treated.
In the days of good John[1] if you came here to dine,
You had choice of good meat, but no choice of good wine.
In Jonathan's reign, if you come here to eat,
You have choice of good wine, but no choice of good meat.
O Jove! then how fully might all sides be blest,
Wouldst thou but agree to this humble request!
Put both deans in one; or, if that's too much trouble,
Instead of the deans, make the deanery double.
April
by Virna Sheard

April! April! April!
With a mist of green on the trees - 
And a scent of the warm brown broken earth
On every wandering breeze;
What, though thou be changeful,
Though thy gold turns to grey again,
There's a robin out yonder singing,
Singing in the rain.
April! April! April!
'Tis the Northland hath longed for thee,
She hath gazed toward the South with aching eyes
Full long and patiently.
Come now - tell us, sweeting,
Thou laggard so lovely and late,
Dost know there's no joy like the joy that comes
When hearts have learned to wait?
April
by Richard Le Gallienne

April, half-clad in flowers and showers,
Walks, like a blossom, o'er the land;
She smiles at May, and laughing takes
The rain and sunshine hand in hand.
So gay the dancing of her feet,
So like a garden her soft breath,
So sweet the smile upon her face,
She charms the very heart of death.
The young moon in a trance she holds
Captive in clouds of orchard bloom,
She snaps her fingers at the grave,
And laughs into the face of doom.
Yet in her gladness lurks a fear,
In all her mirth there breathes a sigh,
So soon her pretty flowers are gone - 
And ah! she is too young to die!
The Girdle.
by Friedrich Schiller

Aphrodite preserves her beauty concealed by her girdle;
That which lends her her charms is what she covers her shame.
April Is In The World Again
by Richard Le Gallienne

April is in the world again,
And all the world is filled with flowers - 
Flowers for others, not for me!
For my one flower I cannot see,
Lost in the April showers.
I cannot wake her, though I sing,
And all the birds, for her dear sake,
Fill with their songs the wintry brake;
Ah! could they make her rise again,
What resurrection would be mine!
Is she too tired to help the sun
And all the little stars to shine?
Aphrodite.
by Madison Julius Cawein

Apollo never smote a lovelier strain,
When swan-necked Hebe paused her thirsty bowl
A-sparkle with its wealth of nectar-draughts
To lend a list'ners ear and smile on him,
As that the Tritons blew on wreathed horns
When Aphrodite, the cold ocean-foam
Bursting its bubbles, from the hissing snow
Whirled her nude form on Hyperion's gaze,
Naked and fresh as Indian Ocean shell
Dashed landward from its bed of sucking sponge
And branching corals by the changed monsoon.
Wind-rocked she swung her white feet on the sea,
And music raved down the slant western winds;
With swollen jowls the Tritons puffed the conch,
Where, breasting with cold bosoms the green waves,
That laughed in ripples at Love's misty feet,
Oceanids with dimple-dented palms
Smote sidewise the pale bubbles of the foam,
Which wove a silver iris 'round her form.
Where dolphins tumbling stained the garish arch
Ner'ides sang, braiding their wet locks,
Or flung them streaming on the broken foam,
Till evetide showed her loveliest of stars - 
Lost passion-flower of the sinking sun - 
In the cool sheen of shadowy waters deep,
That moaned wild sea-songs at the Sirens' caves;
Then in a hollow pearl, o'er moon-white waves,
The creatures of the ocean danced their queen,
Till Cytherea like a rosy mist
Beneath the star rose blushing from the deep.
On the pearled sands of a moon-glassing sea
Beneath the moon, narcissus-like, they met,
She naked as a star and crowned with stars,
Child of the airy foam and queen of love.
Entry Point
by Paul Cameron Brown

Ants colonized it
-    huge abodes littered with the dead
(leaves, sticks, the occasional granulated insect
piled high, totemic-fashion)
reaping a fortune in scenery,
though probably not food Ojibways were next    - 
their tell-tale encampment by
pocket-sized waterfall,
inlets off a winding cataract
& moss, loam-thick with black soil
a future arboreal dream
inching over rock, darling crevice
for northern orchid, then kiss
of red death the hybrid trillium
& more sinister cousin,
jack-in-the-pulpit
for Indian foragers.
Animistic limestone shone hands,
poked thru the forest with stealth,
petroglyphic lava beds
-    a cougar pouncing    - 
runic carvings the cold in the
Giant's stone nostrils billowing
off the lake like a presence.
The Call Of April
by Madison Julius Cawein

April calling, April calling,
April calling me!
I hear the voice of April there
In each old apple tree:
Bee-boom and wild perfume,
And wood-brook melody,
O hark, my heart, and hear, my heart,
The April Ecstasy!
Hark to the hills, the oldtime hills,
That talk with sea and sky!
Or speak in murmurs with God's winds
Who on their bosoms lie:
Bird-call and waterfall
And white clouds blowing by,
O hark, my heart, O hear, my heart,
The April's cosmic cry!
There runs a whisper through the woods,
The word of bough to bough,
A sound of dead things donning green,
Of Beauty waking now:
Fern-bower and wilding flower,
Each like a prayer or vow,
O see, my heart, O look, my heart,
Where Earth crowns white her brow!
And far away, and far away,
Yet nearer than she seems,
Look where she takes the oldtime trail
And walks again with dreams:
Bird note and blue remote
And laughter of wild streams,
O hark, my heart, O hear, my heart,
And follow where she gleams!
Earth has put off her winter garb
Of gray and drab and dun,
And robes herself in raiment green
Of love and laughter spun:
Wood-bloom and wood-perfume
And colors of the sun,
O hark, my heart, O hear, my heart,
Where her wild footsteps run!
O April, mother of my soul,
Take to your heart your child:
And let him lie a little while
Upon its rapture wild:
Lean close and near, and let him hear
The words that once beguiled,
And on his eyes the kiss again
Of longing reconciled.
O kiss, that fills the fields with flowers
And thrills with green each grove,
Dream down into this heart again
And grow to songs thereof:
Wild songs in singing throngs,
That swift shall mount above,
And, like to birds, with lyric words,
Take Earth and Heaven with love.
Anthea's Retractation
by Robert Herrick

Anthea laugh'd, and, fearing lest excess
Might stretch the cords of civil comeliness
She with a dainty blush rebuked her face,
And call'd each line back to his rule and space.
Sonnet XI - On Returning to the Front after Leave
by Alan Seeger

Apart sweet women (for whom Heaven be blessed),
Comrades, you cannot think how thin and blue
Look the leftovers of mankind that rest,
Now that the cream has been skimmed off in you.
War has its horrors, but has this of good - 
That its sure processes sort out and bind
Brave hearts in one intrepid brotherhood
And leave the shams and imbeciles behind.
Now turn we joyful to the great attacks,
Not only that we face in a fair field
Our valiant foe and all his deadly tools,
But also that we turn disdainful backs
On that poor world we scorn yet die to shield - 
That world of cowards, hypocrites, and fools.
Sonnet XVI. Translated From Boileau.
by Anna Seward

Apollo, at his crowded altars, tir'd
Of Votaries, who for trite ideas thrown
Into loose verse, assume, in lofty tone,
The Poet's name, untaught, and uninspir'd,
Indignant struck the LYRE. - Straight it acquir'd
New powers, and complicate. Then first was known
The rigorous Sonnet, to be fram'd alone
By duteous Bards, or by just Taste admir'd. - 
Go, energetic Sonnet, go, he cried,
And be the test of skill! - For rhymes that flow
Regardless of thy rules, their destin'd guide,
Yet take thy name, ah! let the boasters know
That with strict sway my jealous laws preside,
While I no wreaths on rebel verse bestow.
To Anthea
by Robert Herrick

Anthea, I am going hence
With some small stock of innocence;
But yet those blessed gates I see
Withstanding entrance unto me;
To pray for me do thou begin;
The porter then will let me in.
Are Women Fair?
by Francis Davison

"Are women fair?" Ay, wondrous fair to see, too.
"Are women sweet?" Yea, passing sweet they be, too.
Most fair and sweet to them that only love them;
Chaste and discreet to all save them that prove them.
"Are women wise?" Not wise, but they be witty;
"Are women witty?" Yea, the more the pity;
They are so witty, and in wit so wily,
Though ye be ne'er so wise, they will beguile ye.
"Are women fools?" Not fools, but fondlings many;
"Can women fond be faithful unto any?"
When snow-white swans do turn to colour sable,
Then women fond will be both firm and stable.
"Are women saints?" No saints, nor yet no devils;
"Are women good?" Not good, but needful evils.
So Angel-like, that devils I do not doubt them,
So needful evils that few can live without them.
"Are women proud?" Ay! passing proud, an praise them.
"Are women kind?" Ay! wondrous kind, an please them.
Or so imperious, no man can endure them,
Or so kind-hearted, any may procure them.
Big Smith.
by Juliana Horatia Ewing

Are you a Giant, great big man, or is your real name Smith?
Nurse says you've got a hammer that you hit bad children with.
I'm good to-day, and so I've come to see if it is true
That you can turn a red-hot rod into a horse's shoe.
Why do you make the horses' shoes of iron instead of leather?
Is it because they are allowed to go out in bad weather?
If horses should be shod with iron, Big Smith, will you shoe mine?
For now I may not take him out, excepting when it's fine.
Although he's not a real live horse, I'm very fond of him;
His harness won't take off and on, but still it's new and trim.
His tail is hair, he has four legs, but neither hoofs nor heels;
I think he'd seem more like a horse without these yellow wheels.
They say that Dapple-grey's not yours, but don't you wish he were?
My horse's coat is only paint, but his is soft grey hair;
His face is big and kind, like yours, his forelock white as snow--
Shan't you be sorry when you've done his shoes and he must go?
I do so wish, Big Smith, that I might come and live with you;
To rake the fire, to heat the rods, to hammer two and two.
To be so black, and not to have to wash unless I choose;
To pat the dear old horses, and to mend their poor old shoes.
When all the world is dark at night, you work among the stars,
A shining shower of fireworks beat out of red-hot bars.
I've seen you beat, I've heard you sing, when I was going to bed;
And now your face and arms looked black, and now were glowing red.
The more you work, the more you sing, the more the bellows roar;
The falling stars, the flying sparks, stream shining more and more.
You hit so hard, you look so hot, and yet you never tire;
It must be very nice to be allowed to play with fire.
I long to beat and sing and shine, as you do, but instead
I put away my horse, and Nurse puts me away to bed.
I wonder if you go to bed; I often think I'll keep
Awake and see, but, though I try, I always fall asleep.
I know it's very silly, but I sometimes am afraid
Of being in the dark alone, especially in bed.
But when I see your forge-light come and go upon the wall,
And hear you through the window, I am not afraid at all.
I often hear a trotting horse, I sometimes hear it stop;
I hold my breath--you stay your song--it's at the blacksmith's shop.
Before it goes, I'm apt to fall asleep, Big Smith, it's true;
But then I dream of hammering that horse's shoes with you!
Strength Renewed
by Helen Leah Reed

Ant'us, as the ancient poets sing,
Though in his contest with the God of Power
Doomed to be conquered, stayed the fatal hour,
And the onlookers set to wondering.
For overborne, to Earth he'd closely cling,
Until he rose again, a mighty tower.
Thus could the Earth with strength her lover dower,
And very near to victory could bring.
So when I feel thy tender hand in mine,
I, too, dear love, against the world could stand,
Courage divine comes with thy lightest touch.
Afar from thee Ant'us-like I pine,
But strength returns now as I clasp thy hand.
Ah! that so slight a thing should mean so much.
Old-Fashioned.
by Emily Elizabeth Dickinson

Arcturus is his other name, --
I'd rather call him star!
It's so unkind of science
To go and interfere!
I pull a flower from the woods, --
A monster with a glass
Computes the stamens in a breath,
And has her in a class.
Whereas I took the butterfly
Aforetime in my hat,
He sits erect in cabinets,
The clover-bells forgot.
What once was heaven, is zenith now.
Where I proposed to go
When time's brief masquerade was done,
Is mapped, and charted too!
What if the poles should frisk about
And stand upon their heads!
I hope I 'm ready for the worst,
Whatever prank betides!
Perhaps the kingdom of Heaven 's changed!
I hope the children there
Won't be new-fashioned when I come,
And laugh at me, and stare!
I hope the father in the skies
Will lift his little girl, --
Old-fashioned, naughty, everything, --
Over the stile of pearl!
What You Will
by Edgar Lee Masters

April rain, delicious weeping,
Washes white bones from the grave,
Long enough have they been sleeping.
They are cleansed, and now they crave
Once more on the earth to gather
Pleasure from the springtime weather.
The pine trees and the long dark grass
Feed on what is placed below.
Think you not that there doth pass
In them something we did know?
This spell, well, friends, I greet ye once again
With joy, but with a most unuttered pain.
Arcturus
by Sara Teasdale

Arcturus brings the spring back
As surely now as when
He rose on eastern islands
For Grecian girls and men;
The twilight is as clear a blue,
The star as shaken and as bright,
And the same thought he gave to them
He gives to me to-night.
Haunting Fingers - A Phantasy In A Museum Of Musical Instruments
by Thomas Hardy

"Are you awake,
Comrades, this silent night?
Well 'twere if all of our glossy gluey make
Lay in the damp without, and fell to fragments quite!"
"O viol, my friend,
I watch, though Phosphor nears,
And I fain would drowse away to its utter end
This dumb dark stowage after our loud melodious years!"
And they felt past handlers clutch them,
Though none was in the room,
Old players' dead fingers touch them,
Shrunk in the tomb.
"'Cello, good mate,
You speak my mind as yours:
Doomed to this voiceless, crippled, corpselike state,
Who, dear to famed Amphion, trapped here, long endures?"
"Once I could thrill
The populace through and through,
Wake them to passioned pulsings past their will." . . .
(A contra-basso spake so, and the rest sighed anew.)
And they felt old muscles travel
Over their tense contours,
And with long skill unravel
Cunningest scores.
"The tender pat
Of her aery finger-tips
Upon me daily I rejoiced thereat!"
(Thuswise a harpsicord, as from dampered lips.)
"My keys' white shine,
Now sallow, met a hand
Even whiter. . . . Tones of hers fell forth with mine
In sowings of sound so sweet no lover could withstand!"
And its clavier was filmed with fingers
Like tapering flames wan, cold 
Or the nebulous light that lingers
In charnel mould.
"Gayer than most
Was I," reverbed a drum;
"The regiments, marchings, throngs, hurrahs! What a host
I stirred even when crape mufflings gagged me well-nigh dumb!"
Trilled an aged viol:
"Much tune have I set free
To spur the dance, since my first timid trial
Where I had birth far hence, in sun-swept Italy!"
And he feels apt touches on him
From those that pressed him then;
Who seem with their glance to con him,
Saying, "Not again!"
"A holy calm,"
Mourned a shawm's voice subdued,
"Steeped my Cecilian rhythms when hymn and psalm
Poured from devout souls met in Sabbath sanctitude."
"I faced the sock
Nightly," twanged a sick lyre,
"Over ranked lights! O charm of life in mock,
O scenes that fed love, hope, wit, rapture, mirth, desire!"
Thus they, till each past player
Stroked thinner and more thin,
And the morning sky grew grayer
And day crawled in.
Star-Talk
by Robert von Ranke Graves

'Are you awake, Gemelli,
This frosty night?'
'We'll be awake till reveill',
Which is Sunrise,' say the Gemelli,
'It's no good trying to go to sleep:
If there's wine to be got we'll drink it deep,
But rest is hopeless tonight,
But rest is hopeless tonight.'
'Are you cold too, poor Pleiads,
This frosty night?'
'Yes, and so are the Hyads:
See us cuddle and hug,' say the Pleiads,
'All six in a ring: it keeps us warm:
We huddle together like birds in a storm:
It's bitter weather tonight,
It's bitter weather tonight.'
'What do you hunt, Orion,
This starry night?'
'The Ram, the Bull and the Lion,
And the Great Bear,' says Orion,
'With my starry quiver and beautiful belt
I am trying to find a good thick pelt
To warm my shoulders tonight,
To warm my shoulders tonight.'
'Did you hear that, Great She-bear,
This frosty night?'
'Yes, he's talking of stripping me bare
Of my own big fur,' says the She-bear,
I'm afraid of the man and his terrible arrow:
The thought of it chills my bones to the marrow,
And the frost so cruel tonight!
And the frost so cruel tonight!
'How is your trade, Aquarius,
This frosty night?'
'Complaints is many and various
And my feet are cold,' says Aquarius,
'There's Venus objects to Dolphin-scales,
And Mars to Crab-spawn found in my pails,
And the pump has frozen tonight,
And the pump has frozen tonight.'
Twins
by Algernon Charles Swinburne

Affectionately Inscribed to W.M.R. and L.R.
April, on whose wings
Ride all gracious things,
Like the star that brings
All things good to man,
Ere his light, that yet
Makes the month shine, set,
And fair May forget
Whence her birth began,
Brings, as heart would choose,
Sound of golden news,
Bright as kindling dews
When the dawn begins;
Tidings clear as mirth,
Sweet as air and earth
Now that hail the birth,
Twice thus blest, of twins.
In the lovely land
Where with hand in hand
Lovers wedded stand
Other joys before
Made your mixed life sweet:
Now, as Time sees meet,
Three glad blossoms greet
Two glad blossoms more.
Fed with sun and dew,
While your joys were new,
First arose and grew
One bright olive-shoot:
Then a fair and fine
Slip of warm-haired pine
Felt the sweet sun shine
On its leaf and fruit,
And it wore for mark
Graven on the dark
Beauty of its bark
That the noblest name
Worn in song of old
By the king whose bold
Hand had fast in hold
All the flower of fame.
Then, with southern skies
Flattered in her eyes,
Which, in lovelier wise
Yet, reflect their blue
Brightened more, being bright
Here with life's delight,
And with love's live light
Glorified anew,
Came, as fair as came
One who bore her name
(She that broke as flame
From the swan-shell white),
Crowned with tender hair
Only, but more fair
Than all queens that were
Themes of oldworld fight,
Of your flowers the third
Bud, or new-fledged bird
In your hearts' nest heard
Murmuring like a dove
Bright as those that drew
Over waves where blew
No loud wind the blue
Heaven-hued car of love.
Not the glorious grace
Even of that one face
Potent to displace
All the towers of Troy
Surely shone more clear
Once with childlike cheer
Than this child's face here
Now with living joy.
After these again
Here in April's train
Breaks the bloom of twain
Blossoms in one birth
For a crown of May
On the front of day
When he takes his way
Over heaven and earth.
Half a heavenly thing
Given from heaven to Spring
By the sun her king,
Half a tender toy,
Seems a child of curl
Yet too soft to twirl;
Seems the flower-sweet girl
By the flower-bright boy.
All the kind gods' grace,
All their love, embrace
Ever either face,
Ever brood above them:
All soft wings of hours
Screen them as with flowers
From all beams and showers:
All life's seasons love them.
When the dews of sleep
Falling lightliest keep
Eyes too close to peep
Forth and laugh off rest,
Joy from face to feet
Fill them, as is meet:
Life to them be sweet
As their mother's breast
When those dews are dry,
And in day's bright eye
Looking full they lie
Bright as rose and pearl,
All returns of joy
Pure of time's alloy
Bless the rose-red boy,
Guard the rose-white girl.
POSTSCRIPT.
Friends, if I could take
Half a note from Blake
Or but one verse make
Of the Conqueror's mine,
Better than my best
Song above your nest
I would sing: the quest
Now seems too divine.
An Autumn Song
by George MacDonald

Are the leaves falling round about
The churchyard on the hill?
Is the glow of autumn going out?
Is that the winter chill?
And yet through winter's noise, no doubt
The graves are very still!
Are the woods empty, voiceless, bare?
On sodden leaves do you tread?
Is nothing left of all those fair?
Is the whole summer fled?
Well, so from this unwholesome air
Have gone away these dead!
The seasons pierce me; like a leaf
I feel the autumn blow,
And tremble between nature's grief
And the silent death below.
O Summer, thou art very brief!
Where do these exiles go?
Gilesgate, Durham.