DanFosing/public-domain-poetry huggingface dataset:
The Puppet-Show
by Jonathan Swift

The life of man to represent,
And turn it all to ridicule,
Wit did a puppet-show invent,
Where the chief actor is a fool.
The gods of old were logs of wood,
And worship was to puppets paid;
In antic dress the idol stood,
And priest and people bow'd the head.
No wonder then, if art began
The simple votaries to frame,
To shape in timber foolish man,
And consecrate the block to fame.
From hence poetic fancy learn'd
That trees might rise from human forms;
The body to a trunk be turn'd,
And branches issue from the arms.
Thus D'dalus and Ovid too,
That man's a blockhead, have confest:
Powel and Stretch[1] the hint pursue;
Life is a farce, the world a jest.
The same great truth South Sea has proved
On that famed theatre, the alley;
Where thousands, by directors moved
Are now sad monuments of folly.
What Momus was of old to Jove,
The same a Harlequin is now;
The former was buffoon above,
The latter is a Punch below.
This fleeting scene is but a stage,
Where various images appear;
In different parts of youth and age,
Alike the prince and peasant share.
Some draw our eyes by being great,
False pomp conceals mere wood within;
And legislators ranged in state
Are oft but wisdom in machine.
A stock may chance to wear a crown,
And timber as a lord take place;
A statue may put on a frown,
And cheat us with a thinking face.
Others are blindly led away,
And made to act for ends unknown;
By the mere spring of wires they play,
And speak in language not their own.
Too oft, alas! a scolding wife
Usurps a jolly fellow's throne;
And many drink the cup of life,
Mix'd and embitter'd by a Joan.
In short, whatever men pursue,
Of pleasure, folly, war, or love:
This mimic race brings all to view:
Alike they dress, they talk, they move.
Go on, great Stretch, with artful hand,
Mortals to please and to deride;
And, when death breaks thy vital band,
Thou shalt put on a puppet's pride.
Thou shalt in puny wood be shown,
Thy image shall preserve thy fame;
Ages to come thy worth shall own,
Point at thy limbs, and tell thy name.
Tell Tom,[2] he draws a farce in vain,
Before he looks in nature's glass;
Puns cannot form a witty scene,
Nor pedantry for humour pass.
To make men act as senseless wood,
And chatter in a mystic strain,
Is a mere force on flesh and blood,
And shows some error in the brain.
He that would thus refine on thee,
And turn thy stage into a school,
The jest of Punch will ever be,
And stand confest the greater fool.
The Liner She's A Lady
by Rudyard Kipling

The Liner she's a lady, an' she never looks nor 'eeds,
The Man-o'-War's 'er 'usband, an' 'e gives 'er all she needs;
But, oh, the little cargo-boats, that sail the wet seas roun',
They're just the same as you an' me a-plyin' up an' down!
Plyin' up an' down, Jenny, 'angin' round the Yard,
All the way by Fratton tram down to Portsmouth 'Ard;
Anythin' for business, an' we're growin' old,
Plyin' up an' down, Jenny, waitin' in the cold!
The Liner she's a lady by the paint upon 'er face,
An' if she meets an accident they count it sore disgrace.
The Man-o'-War's 'er 'usband, and 'e's always 'andy by,
But, oh, the little cargo-boats, they've got to load or die!
The Liner she's a lady, and 'er route is cut an' dried;
The Man-o'-War's 'er 'usband, an' 'e always keeps beside;
But, oh, the little cargo-boats that 'aven't any man,
They've got to do their business first, and make the most they can!
The Liner she's a lady, and if a war should come,
The Man-o'-War's 'er 'usband, and 'e'd bid 'er stay at home,
But, oh, the little cargo-boats that fill with every tide!
'E'd 'ave to go up an' fight for them, for they are England's pride.
The Liner she's a lady, but if she wasn't made,
There still would be the cargo-boats for 'ome an' foreign trade.
The man-o'-War's 'er 'usband, but if we wasn't 'ere,
'E wouldn't have to fight at all for 'ome an' friends so dear.
'Ome an' friends so dear, Jenny, 'angin' round the Yard,
All the way by Fratton tram down to Portsmouth 'Ard;
Anythin' for business, an' we're growin' old,
'Ome an' friends so dear, Jenny, waitin' in the cold!
To Mary Wollstonecraft.
by Robert Southey

The lilly cheek, the "purple light of love,"
The liquid lustre of the melting eye,--
Mary! of these the Poet sung, for these
Did Woman triumph! with no angry frown
View this degrading conquest. At that age
No MAID OF ARC had snatch'd from coward man
The heaven-blest sword of Liberty; thy sex
Could boast no female ROLAND'S martyrdom;
No CORDE'S angel and avenging arm
Had sanctified again the Murderer's name
As erst when Caesar perish'd: yet some strains
May even adorn this theme, befitting me
To offer, nor unworthy thy regard.
The First Storm.
by Alfred Castner King

The leafless branch and meadow sere,
The dull and leaden skies,
Join with the mournful wind and drear
In dirges for the passing year,
Which unreturning flies.
The night in starless gloom descends,
Nor can the pale moonshine
Break through the clouds whose veil extends
In boundless form, and darkly blends
With the horizon's line.
Fond nature, in a playful mood,
In cover of the night,
Arrays the plain and forest rude,
The city and the solitude,
In robe of spotless white.
Beloved Name.
by Victor-Marie Hugo

("Le parfum d'un lis.")
[Bk. V. xiii.]
The lily's perfume pure, fame's crown of light,
The latest murmur of departing day,
Fond friendship's plaint, that melts at piteous sight,
The mystic farewell of each hour at flight,
The kiss which beauty grants with coy delay, - 
The sevenfold scarf that parting storms bestow
As trophy to the proud, triumphant sun;
The thrilling accent of a voice we know,
The love-enthralled maiden's secret vow,
An infant's dream, ere life's first sands be run, - 
The chant of distant choirs, the morning's sigh,
Which erst inspired the fabled Memnon's frame, - 
The melodies that, hummed, so trembling die, - 
The sweetest gems that 'mid thought's treasures lie,
Have naught of sweetness that can match HER NAME!
Low be its utterance, like a prayer divine,
Yet in each warbled song be heard the sound;
Be it the light in darksome fanes to shine,
The sacred word which at some hidden shrine,
The selfsame voice forever makes resound!
O friends! ere yet, in living strains of flame,
My muse, bewildered in her circlings wide,
With names the vaunting lips of pride proclaim,
Shall dare to blend the one, the purer name,
Which love a treasure in my breast doth hide, - 
Must the wild lay my faithful harp can sing,
Be like the hymns which mortals, kneeling, hear;
To solemn harmonies attuned the string,
As, music show'ring from his viewless wing,
On heavenly airs some angel hovered near.
CAROLINE BOWLES (MRS. SOUTHEY)
All Souls' Day in a German Town
by Michael Fairless

The leaves fall softly: a wind of sighs
Whispers the world's infirmities,
Whispers the tale of the waning years,
While slow mists gather in shrouding tears
On All Souls' Day; and the bells are slow
In steeple and tower. Sad folk go
Away from the township, past the mill,
And mount the slope of a grassy hill
Carved into terraces broad and steep,
To the inn where wearied travellers sleep,
Where the sleepers lie in ordered rows,
And no man stirs in his long repose.
They wend their way past the haunts of life,
Father and daughter, grandmother, wife,
To deck with candle and deathless cross,
The house which holds their dearest loss.
I, who stand on the crest of the hill,
Watch how beneath me, busied still,
The sad folk wreathe each grave with flowers.
Awhile the veil of the twilight hours
Falls softly, softly, over the hill,
Shadows the cross:- creeps on until
Swiftly upon us is flung the dark.
Then, as if lit by a sudden spark,
Each grave is vivid with points of light,
Earth is as Heaven's mirror to-night;
The air is still as a spirit's breath,
The lights burn bright in the realm of Death.
Then silent the mourners mourning go,
Wending their way to the church below;
While the bells toll out to bid them speed,
With eager Pater and prayerful bead,
The souls of the dead, whose bodies still
Lie in the churchyard under the hill;
While they wait and wonder in Paradise,
And gaze on the dawning mysteries,
Praying for us in our hours of need;
For us, who with Pater and prayerful bead
Have bidden those waiting spirits speed.
The Real
by Joseph Horatio Chant

The leaf is faded, and decayed the flower,
The birds have ceased to sing in wayside bower,
The babbling brook is silenced by the cold,
And hill and vale the frost and snow enfold.
The life we see seems hasting to the tomb
Nor sun, nor star, relieves the dismal gloom;
The good man suffers with the base and vile,
And honesty and truth give place to guile.
Things are not always as they seem to be;
The outer surface only man may see.
The summer sleeps beneath the quilt of snow,
Behind the clouds is hid the solar glow,
The babbling brook will burst its icy bands,
And birds will sing, and trees will clap their hands.
The fallen leaf has left a bud behind,
And flowers will bloom of brightest hue and kind;
For when we look beneath the outward crust
With vision clear, and free from worldly lust,
We will behold a brighter world than this,
With less of curse and much of noble bliss;
For God's kind hand in all our conflicts here
Is clearly seen and doubts must disappear;
The end He has in view is most benign;
The fire will dross consume and gold refine.
The Life Of Earth
by Robert Fuller Murray

The life of earth, how full of pain,
Which greets us on our day of birth,
Nor leaves us while we yet retain
The life of earth.
There is a shadow on our mirth,
Our sun is blotted out with rain,
And all our joys are little worth.
Yet oh, when life begins to wane,
And we must sail the doubtful firth,
How wild the longing to regain
The life of earth!
The Leaves That Rustled On This Oak-Crowned Hill
by William Wordsworth

The leaves that rustled on this oak-crowned hill,
And sky that danced among those leaves, are still;
Rest smooths the way for sleep; in field and bower
Soft shades and dews have shed their blended power
On drooping eyelid and the closing flower;
Sound is there none at which the faintest heart
Might leap, the weakest nerve of superstition start;
Save when the Owlet's unexpected scream
Pierces the ethereal vault; and ('mid the gleam
Of unsubstantial imagery, the dream,
From the hushed vale's realities, transferred
To the still lake) the imaginative Bird
Seems, 'mid inverted mountains, not unheard.
Grave Creature! whether, while the moon shines bright
On thy wings opened wide for smoothest flight,
Thou art discovered in a roofless tower,
Rising from what may once have been a lady's bower;
Or spied where thou sitt'st moping in thy mew
At the dim centre of a churchyard yew;
Or, from a rifted crag or ivy tod
Deep in a forest, thy secure abode,
Thou giv'st, for pastime's sake, by shriek or shout,
A puzzling notice of thy whereabout
May the night never come, nor day be seen,
When I shall scorn thy voice or mock thy mien!
In classic ages men perceived a soul
Of sapience in thy aspect, headless Owl!
Thee Athens reverenced in the studious grove;
And, near the golden sceptre grasped by Jove,
His Eagle's favourite perch, while round him sate
The Gods revolving the decrees of Fate,
Thou, too, wert present at Minerva's side:
Hark to that second larum! far and wide
The elements have heard, and rock and cave replied.
Zoroaster.
by Charles Hamilton Musgrove

I.
The light of a new day was on his brow,
The faith of a great dawn was on his tongue;
Out of the dark he raised his voice and sung
The high Messiah who should overthrow
The gods that Superstition crowned with might
And set above the world,--the coming Christ
Whose unshed blood should be the holy tryst
'Twixt man and his lost Eden, washing white
From his rebellious soul the serpent's blight.
II.
The fire that on the Magi's altars glowed
Spake to his soul in symbols and expressed
The immortal purity that without rest
Strives with the mortal grossness whose abode
Is in the heart. Their symboled fire showed One
Whose spirit on the altar of the world
Burns ceaselessly,--where, if all vice be hurled,
It shall be purged with fire that shall atone,--
Christ's love the flame, man's sin th' alchemic stone.
III.
The light of a new day was on his brow,
The faith of a great dawn was on his tongue;
Above the old Chaldean myths he sung
The message of the peace that men should know
Through God's own Son. Out of the hopeless night
He saw the star of Bethlehem arise,
And o'er the wasted gates of Paradise
Beheld it mount, and heard, to hail its light,
The everlasting groan of hell's despite.
Late Leaves
by Walter Savage Landor

The leaves are falling; so am I;
The few late flowers have moisture in the eye;
So have I too.
Scarcely on any bough is heard
Joyous, or even unjoyous, bird
The whole wood through.
Winter may come: he brings but nigher
His circle (yearly narrowing) to the fire
Where old friends meet.
Let him; now heaven is overcast,
And spring and summer both are past,
And all things sweet.
Song.
by Emily Bronte

The linnet in the rocky dells,
The moor-lark in the air,
The bee among the heather bells
That hide my lady fair:
The wild deer browse above her breast;
The wild birds raise their brood;
And they, her smiles of love caressed,
Have left her solitude!
I ween, that when the grave's dark wall
Did first her form retain,
They thought their hearts could ne'er recall
The light of joy again.
They thought the tide of grief would flow
Unchecked through future years;
But where is all their anguish now,
And where are all their tears?
Well, let them fight for honour's breath,
Or pleasure's shade pursue,
The dweller in the land of death
Is changed and careless too.
And, if their eyes should watch and weep
Till sorrow's source were dry,
She would not, in her tranquil sleep,
Return a single sigh!
Blow, west-wind, by the lonely mound,
And murmur, summer-streams,
There is no need of other sound
To soothe my lady's dreams.
Nursery Rhyme. LVIII. Tales.
by Unknown

The lion and the unicorn
Were fighting for the crown;
The lion beat the unicorn
All round about the town.
Some gave them white bread,
And some gave them brown;
Some gave them plum-cake,
And sent them out of town.
Gossip.
by Emily Elizabeth Dickinson

The leaves, like women, interchange
Sagacious confidence;
Somewhat of nods, and somewhat of
Portentous inference,
The parties in both cases
Enjoining secrecy, --
Inviolable compact
To notoriety.
A Baby-Sermon
by George MacDonald

The lightning and thunder
They go and they come:
But the stars and the stillness
Are always at home.
April Showers (The Adventures Of Seumas Beg)
by James Stephens

The leaves are fresh after the rain,
The air is cool and clear,
The sun is shining warm again,
The sparrows hopping in the lane
Are brisk and full of cheer.
And that is why we dance and play,
And that is why we sing,
Calling out in voices gay,
We will not go to school to-day
Or learn anything:
It is a happy thing, I say,
To be alive on such a day.
A Madrigal
by Kate Seymour Maclean

The lily-bells ring underground,
Their music small I hear
When globes of dew that shine pearl round
Hang in the cowslip's ear
And all the summer blooms and sprays
Are sheathed from the sun,
And yet I feel in many ways
Their living pulses run.
The crowning rose of summer time
Lies folded on its stem,
Its bright urn holds no honey-wine,
Its brow no diadem,
And yet my soul is inly thrilled,
As if I stood anear
Some legal presence unrevealed,
The queen of all the year.
Oh Rose, dear Rose! the mist and dew
Uprising from the lake,
And sunshine glancing warmly through,
Have kissed the flowers awake--
The orchard blooms are dropping balm,
The tulip's gorgeous cup
More slender than a desert palm
It's chalice lifteth up.
The birds are mated in the trees,
The wan stars burn and pale--
Oh Rose, come forth!--upon the breeze
I hear the nightingale
Unfold the crimson waves that lie
In darkness rosy dim,
And swing thy fragrant censer high,
Oh royal Rose for him!
The hyacinths are in the fields
With purple splendours pale
Their sweet bells ring responsive peals
To every passing gale
And violets bending in the grass
Do hide their glowing eyes,
When those enchanting voices pass,
Like airs from Paradise.
We crowned our blushing Queen of May
Long since, with dance and tune,
But the merry world of yesterday
Is lapsing into June--
Thou art not here,--we look in vain--
Oh Rose arise, appear!--
Resume thine emerald throne, and reign
The queen of all the year!
A Lonely Place
by Edward Shanks

The leafless trees, the untidy stack
Last rainy summer raised in haste,
Watch the sky turn from fair to black
And watch the river fill and waste;
But never a footstep comes to trouble
The sea-gulls in the new-sown corn,
Or pigeons rising from late stubble
And flashing lighter as they turn.
Or if a footstep comes, 'tis mine
Sharp on the road or soft on grass:
Silence divides along my line
And shuts behind me as I pass.
No other comes, no labourer
To cut his shaggy truss of hay,
Along the road no traveller,
Day after day, day after day.
And even I, when I come here,
Move softly on, subdued and still,
Lonely as death, though I can hear
Men shouting on the other hill.
Day after day, though no one sees,
The lonely place no different seems;
The trees, the stack, still images
Constant in who can say whose dreams?
Sweet Water
by Paul Cameron Brown

The leaves lie hidden as spades about their home.
Brief movement of a kitten, then silence
till the car's engine drones.
Close by, a pioneer cemetery sits near a secondary wood.
Queer is the effect of sun on a tinted roof;
bluebells with poppies,
cowslip and tiny brook
back of
fields redden and
given to wheat.
A house is a machine
processing the water of living
a replenished cistern,
birds paying a call, a minor animal
brushing past
an ivy-railed fence.
An Autumnal Simile.
by Victor-Marie Hugo

("Les feuilles qui gisaient.")
The leaves that in the lonely walks were spread,
Starting from off the ground beneath the tread,
Coursed o'er the garden-plain;
Thus, sometimes, 'mid the soul's deep sorrowings,
Our soul a moment mounts on wounded wings,
Then, swiftly, falls again.
Perfection
by Ella Wheeler Wilcox

The leaf that ripens only in the sun
Is dull and shrivelled ere its race is run.
The leaf that makes a carnival of death
Must tremble first before the north wind's breath.
The life that neither grief nor burden knows
Is dwarfed in sympathy before its close.
The life that grows majestic with the years
Must taste the bitter tonic found in tears.
Pro Patria Et Gloria.
by George Augustus Baker, Jr.

The lights blaze high in our brilliant rooms;
Fair are the maidens who throng our halls;
Soft, through the warm and perfumed air,
The languid music swells and falls.
The "Seventh" dances and flirts to-night 
All we are fit for, so they say,
We fops and weaklings, who masquerade
As soldiers, sometimes, in black and gray.
We can manage to make a street parade,
But, in a fight, we'd be sure to run.
Defend you! pshaw, the thought's absurd!
How about April, sixty-one?
What was it made your dull blood thrill?
Why did you cheer, and weep, and pray?
Why did each pulse of your hearts mark time
To the tramp of the boys in black and gray?
You've not forgotten the nation's call
When down in the South the war-cloud burst;
"Troops for the front!" Do you ever think
Who answered, and marched, and got there first?
Whose bayonets first scared Maryland?
Whose were the colors that showed the way?
Who set the step for the marching North?
Some holiday soldiers in black and gray.
"Pretty boys in their pretty suits!"
"Too pretty by far to take under fire!"
A pretty boy in a pretty suit
Lay once in Bethel's bloody mire.
The first to fall in the war's first fight 
Raise him tenderly. Wash away
The blood and mire from the pretty suit;
For Winthrop died in the black and gray.
In the shameful days in sixty-three,
When the city fluttered in abject fear,
'Neath the mob's rude grasp, who ever thought 
"God! if the Seventh were only here!"
Our drums were heard the ruffian crew
Grew tired of riot the self-same day 
By chance of course you don't suppose
They feared the dandies in black and gray!
So we dance and flirt in our listless style
While the waltzes dream in the drill-room arch,
What would we do if the order came,
Sudden and sharp "Let the Seventh march!"
Why, we'd faint, of course; our cheeks would pale;
Our knees would tremble, our fears but stay,
That order I think has come ere this
To those holiday troops in black and gray.
"What would we do!" We'd drown our drums
In a storm of cheers, and the drill-room floor
Would ring with rifles. Why, you fools,
We'd do as we've always done before!
Do our duty! Take what comes
With laugh and jest, be it feast or fray 
But we're dandies yes, for we'd rather die
Than sully the pride of our black and gray.
A Thunderstorm At Night.
by Eric Mackay

The lightning is the shorthand of the storm
That tells of chaos; and I read the same
As one may read the writing of a name, -
As one in Hell may see the sudden form
Of God's fore-finger pointed as in blame.
How weird the scene! The Dark is sulphur-warm
With hints of death; and in their vault enorme
The reeling stars coagulate in flame.
And now the torrents from their mountain-beds
Roar down uncheck'd; and serpents shaped of mist
Writhe up to Heaven with unforbidden heads;
And thunder-clouds, whose lightnings intertwist,
Rack all the sky, and tear it into shreds,
And shake the air like Titians that have kiss'd!
By The Side Of Rydal Mere
by William Wordsworth

The linnet's warble, sinking towards a close,
Hints to the thrush 'tis time for their repose;
The shrill-voiced thrush is heedless, and again
The monitor revives his own sweet strain;
But both will soon be mastered, and the copse
Be left as silent as the mountain-tops,
Ere some commanding star dismiss to rest
The throng of rooks, that now, from twig or nest,
(After a steady flight on home-bound wings,
And a last game of mazy hoverings
Around their ancient grove) with cawing noise
Disturb the liquid music's equipoise.
O Nightingale! Who ever heard thy song
Might here be moved, till Fancy grows so strong
That listening sense is pardonably cheated
Where wood or stream by thee was never greeted.
Surely, from fairest spots of favoured lands,
Were not some gifts withheld by jealous hands,
This hour of deepening darkness here would be
As a fresh morning for new harmony;
And lays as prompt would hail the dawn of Night:
A 'dawn' she has both beautiful and bright,
When the East kindles with the full moon's light;
Not like the rising sun's impatient glow
Dazzling the mountains, but an overflow
Of solemn splendour, in mutation slow.
Wanderer by spring with gradual progress led,
For sway profoundly felt as widely spread;
To king, to peasant, to rough sailor, dear,
And to the soldier's trumpet-wearied ear;
How welcome wouldst thou be to this green Vale
Fairer than Tempe! Yet, sweet Nightingale!
From the warm breeze that bears thee on, alight
At will, and stay thy migratory flight;
Build, at thy choice, or sing, by pool or fount,
Who shall complain, or call thee to account?
The wisest, happiest, of our kind are they
That ever walk content with Nature's way,
God's goodness measuring bounty as it may;
For whom the gravest thought of what they miss,
Chastening the fullness of a present bliss,
Is with that wholesome office satisfied,
While unrepining sadness is allied
In thankful bosoms to a modest pride.
At a Lecture.
by Edward Shanks

The lecturer took his place and looked
At the eager women's faces,
Then he cleared his throat and he jetted out
A stream of commonplaces.
He fondled Wordsworth and patted Shelley
And said with his hand on his heart
He would brook no interference from morals
In any matter of art.
He finished at last and strode away
Over the naked boards,
Erect in his conscious majesty
Back to the House of Lords.