DanFosing/public-domain-poetry huggingface dataset:
The Wild Old Wicked Man
by William Butler Yeats

Because I am mad about women I am mad about the hills," Said that wild old wicked man Who travels where God wills. "Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies. i(Daybreak and a candle-end.) "Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? " I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?" i(Daybreak and a candle-end.) Then Said she to that wild old man, His stout stick under his hand, "Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes." i(Daybreak and a candle-end.) "Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; Bawdy talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds. i(Daybreak and a candle-end.) "A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay. i(Dayhreak and a candle-end.) "All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman erect upon horseback Or child hid in the womb. i(Daybreak and a candlc-cnd.) "That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast." i(Daybreak and a candlc-end.)
On The Grave Of A Young Cavalry Officer Killed In The Valley Of Virginia
by Herman Melville

Beauty and youth, with manners sweet, and friends--
Gold, yet a mind not unenriched had he
Whom here low violets veil from eyes.
But all these gifts transcended be:
His happier fortune in this mound you see.
Epigram
by Ernest Christopher Dowson

Because I am idolatrous and have besought,
With grievous supplication and consuming prayer,
The admirable image that my dreams have wrought
Out of her swan's neck and her dark, abundant hair:
The jealous gods, who brook no worship save their own,
Turned my live idol marble and her heart to stone.
Chiquita
by Bret Harte (Francis)

Beautiful! Sir, you may say so. Thar isn't her match in the county;
Is thar, old gal, Chiquita, my darling, my beauty?
Feel of that neck, sir, thar's velvet! Whoa! steady, ah, will you, you vixen!
Whoa! I say. Jack, trot her out; let the gentleman look at her paces.
Morgan! she ain't nothing else, and I've got the papers to prove it.
Sired by Chippewa Chief, and twelve hundred dollars won't buy her.
Briggs of Tuolumne owned her. Did you know Briggs of Tuolumne?
Busted hisself in White Pine, and blew out his brains down in 'Frisco?
Hedn't no savey, hed Briggs. Thar, Jack! that'll do, quit that foolin'!
Nothin' to what she kin do, when she's got her work cut out before her.
Hosses is hosses, you know, and likewise, too, jockeys is jockeys:
And 'tain't ev'ry man as can ride as knows what a hoss has got in him.
Know the old ford on the Fork, that nearly got Flanigan's leaders?
Nasty in daylight, you bet, and a mighty rough ford in low water!
Well, it ain't six weeks ago that me and the Jedge and his nevey
Struck for that ford in the night, in the rain, and the water all round us;
Up to our flanks in the gulch, and Rattlesnake Creek just a-bilin',
Not a plank left in the dam, and nary a bridge on the river.
I had the gray, and the Jedge had his roan, and his nevey, Chiquita;
And after us trundled the rocks jest loosed from the top of the canyon.
Lickity, lickity, switch, we came to the ford, and Chiquita
Buckled right down to her work, and, a fore I could yell to her rider,
Took water jest at the ford, and there was the Jedge and me standing,
And twelve hundred dollars of hoss-flesh afloat, and a-driftin' to thunder!
Would ye b'lieve it? That night, that hoss, that 'ar filly, Chiquita,
Walked herself into her stall, and stood there, all quiet and dripping:
Clean as a beaver or rat, with nary a buckle of harness,
Just as she swam the Fork, that hoss, that 'ar filly, Chiquita.
That's what I call a hoss! and    What did you say?    Oh, the nevey?
Drownded, I reckon, leastways, he never kem beck to deny it.
Ye see the derned fool had no seat, ye couldn't have made him a rider;
And then, ye know, boys will be boys, and hosses well, hosses is hosses!
Compensation
by Paul Laurence Dunbar

Because I had loved so deeply,
Because I had loved so long,
God in His great compassion
Gave me the gift of song.
Because I have loved so vainly,
And sung with such faltering breath,
The Master in infinite mercy
Offers the boon of Death.
Failure
by Rupert Brooke

Because God put His adamantine fate
Between my sullen heart and its desire,
I swore that I would burst the Iron Gate,
Rise up, and curse Him on His throne of fire.
Earth shuddered at my crown of blasphemy,
But Love was as a flame about my feet;
Proud up the Golden Stair I strode; and beat
Thrice on the Gate, and entered with a cry.
All the great courts were quiet in the sun,
And full of vacant echoes: moss had grown
Over the glassy pavement, and begun
To creep within the dusty council-halls.
An idle wind blew round an empty throne
And stirred the heavy curtains on the walls.
Gods Of The East
by Rudyard Kipling

Because I sought it far from men,
In deserts and alone,
I found it burning overhead,
The jewel of a Throne.
Because I sought, I sought it so
And spent my days to find,
It blazed one moment ere it left
The blacker night behind.
We be the Gods of the East,
Older than all,
Masters of Mourning and Feast,
How shall we fall?
This I saw when the rites were done,
And the lamps were dead and the Gods alone,
And the grey snake coiled on the altar stone,
Ere I fled from a Fear that I could not see,
And the Gods of the East made mouths at me.
To The Duke Of Wellington
by Matthew Arnold

Because thou hast believ'd, the wheels of life
Stand never idle, but go always round:
Not by their hands, who vex the patient ground,
Mov'd only; but by genius, in the strife
Of all its chafing torrents after thaw,
Urg'd; and to feed whose movement, spinning sand,
The feeble sons of pleasure set their hand:
And, in this vision of the general law,
Hast labour'd with the foremost, hast become
Laborious, persevering, serious, firm;
For this, thy track, across the fretful foam
Of vehement actions without scope or term,
Call'd History, keeps a splendour: due to wit,
Which saw one clue to life, and follow'd it
Helen Grey
by Christina Georgina Rossetti

(Macmillan's Magazine, March 1866.)
Because one loves you, Helen Grey,
Is that a reason you should pout,
And like a March wind veer about,
And frown, and say your shrewish say?
Don't strain the cord until it snaps,
Don't split the sound heart with your wedge,
Don't cut your fingers with the edge
Of your keen wit; you may, perhaps.
Because you're handsome, Helen Grey,
Is that a reason to be proud?
Your eyes are bold, your laugh is loud,
Your steps go mincing on their way;
But so you miss that modest charm
Which is the surest charm of all:
Take heed, you yet may trip and fall,
And no man care to stretch his arm.
Stoop from your cold height, Helen Grey,
Come down, and take a lowlier place;
Come down, to fill it now with grace;
Come down you must perforce some day:
For years cannot be kept at bay,
And fading years will make you old;
Then in their turn will men seem cold,
When you yourself are nipped and grey.
Amour 9
by Michael Drayton

Beauty sometime, in all her glory crowned,
Passing by that cleere fountain of thine eye,
Her sun-shine face there chaunsing to espy,
Forgot herselfe, and thought she had been drowned.
And thus, whilst Beautie on her beauty gazed,
Who then, yet liuing, deemd she had been dying,
And yet in death some hope of life espying,
At her owne rare perfections so amazed;
Twixt ioy and griefe, yet with a smyling frowning,
The glorious sun-beames of her eyes bright shining,
And shee, in her owne destiny diuining,
Threw in herselfe, to saue herselfe by drowning;
The Well of Nectar, pau'd with pearle and gold,
Where shee remaines for all eyes to behold.
Because My Faltering Feet
by Hilaire Belloc

Because my faltering feet may fail to dare
The first descendant of the steps of Hell
Give me the Word in time that triumphs there.
I too must pass into the misty hollow
Where all our living laughter stops: and hark!
The tiny stuffless voices of the dark
Have called me, called me, till I needs must follow:
Give me the Word and I'll attempt it well.
Say it's the little winking of an eye
Which in that issue is uncurtained quite;
A little sleep that helps a moment by
Between the thin dawn and the large daylight.
Ah! tell me more than yet was hoped of men;
Swear that's true now, and I'll believe it then.
On The Posteriors
by Jonathan Swift

Because I am by nature blind,
I wisely choose to walk behind;
However, to avoid disgrace,
I let no creature see my face.
My words are few, but spoke with sense;
And yet my speaking gives offence:
Or, if to whisper I presume,
The company will fly the room.
By all the world I am opprest:
And my oppression gives them rest.
Through me, though sore against my will,
Instructors every art instil.
By thousands I am sold and bought,
Who neither get nor lose a groat;
For none, alas! by me can gain,
But those who give me greatest pain.
Shall man presume to be my master,
Who's but my caterer and taster?
Yet, though I always have my will,
I'm but a mere depender still:
An humble hanger-on at best;
Of whom all people make a jest.
In me detractors seek to find
Two vices of a different kind;
I'm too profuse, some censurers cry,
And all I get, I let it fly;
While others give me many a curse,
Because too close I hold my purse.
But this I know, in either case,
They dare not charge me to my face.
'Tis true, indeed, sometimes I save,
Sometimes run out of all I have;
But, when the year is at an end,
Computing what I get and spend,
My goings-out, and comings-in,
I cannot find I lose or win;
And therefore all that know me say,
I justly keep the middle way.
I'm always by my betters led;
I last get up, and first a-bed;
Though, if I rise before my time,
The learn'd in sciences sublime
Consult the stars, and thence foretell
Good luck to those with whom I dwell.
Astrophel and Stella - Sonnet XXVII
by Philip Sidney (Sir)

Because I oft in darke abstracted guise
Seeme most alone in greatest company,
With dearth of words, or answers quite awrie,
To them that would make speech of speech arise;
They deeme, and of their doome the runour flies,
That poison foul of bubbling pride doth lie
So in my swelling breast, that only I
Fawne on my selfe, and others do despise.
Yet pride I thinke doth not my soule possesse
(Which looks too oft in his vnflatt'ring glasse):
But one worse fault, ambition, I confesse,
That makes me oft my best friends ouerpasse,
Vnseene, vnheard, while thought to highest place
Bends all his powers, euen vnto Stellaes grace.
Ghazal Of Isa Akhun Zada
by Edward Powys Mathers (As Translator)

Beauty with the flame shawl, do not repulse me;
Breathing idol of rose ivory, look at me;
Beauty with the flame shawl, let me say a little thing,
Lend your small ears to my quick sighing.
Breathing idol, I have come to the walls of death;
And there are coloured cures behind the crystal of your eyes.
Life is a tale ill constructed without love.
Beauty of the flame shawl, do not repulse me;
I am at your door wasted and white and dying.
Breathing idol of rose ivory, look at me;
Beauty with the flame shawl, do not repulse me.
This is the salaam that slaves make, and after the salaam
Listen to these quick sighings and their wisdom.
All the world has spied on us and seen our love,
And in four days or five days will be whispering evil.
Knot your robes in a turban, escape and be mine for ever;
Beauty with the flame shawl, do not repulse me.
After that we will both of us go to prison.
Breathing idol of rose ivory, look at me;
Beauty with the flame shawl, do not repulse me.
My quick sighings carry a tender promise;
I will have time to remember in the battle,
Though all the world is a thousand whistling swords against me.
The iron is still in the rock that shall forge my death-sword,
Though I have foes more than the stars
Of a thousand valley starlights.
Breathing idol of rose ivory, look at me;
Beauty with the flame shawl, do not repulse me.
I am as strong as Sikander, I am as strong as death;
You will hear me come with guns brooding behind me,
And laughing bloody battalions following after.
Isa Gal is stronger than God;
Do not whip me, do not whip me,
Beauty with the flame shawl, do not repulse me;
Breathing idol of rose ivory, look at me.
Breathing idol of rose ivory, look at me;
Beauty with the flame shawl, do not repulse me.
From the Pus'hto (Afghans, nineteenth century).
Sonnet XIX.
by Fernando Ant'nio Nogueira Pessoa

Beauty and love let no one separate,
Whom exact Nature did to each other fit,
Giving to Beauty love as finishing fate
And to Love beauty as true colour of it.
Let he but friend be who the soul finds fair,
But let none love outside the body's thought,
So the seen couple's togetherness shall bear
Truth to the beauty each in the other sought.
I could but love thee out of mockery
Of love and thee and mine own ugliness;
Therefore thy beauty I sing and wish not thee,
Thanking the Gods I long not out of place,
Lest, like a slave that for kings' robes doth long,
Obtained, shall with mere wearing do them wrong.
Beautiful-Bosomed, O Night
by Madison Julius Cawein

I
Beautiful-bosomed, O Night, in thy noon
Move with majesty onward! soaring, as lightly
As a singer may soar the notes of an exquisite tune,
The stars and the moon
Through the clerestories high of the heaven, the firmament's halls:
Under whose sapphirine walls,
June, hesperian June,
Robed in divinity wanders.    Daily and nightly
The turquoise touch of her robe, that the violets star,
The silvery fall of her feet, that lilies are,
Fill the land with languorous light and perfume. - 
Is it the melody mute of burgeoning leaf and of bloom?
The music of Nature, that silently shapes in the gloom
Immaterial hosts
Of spirits that have the flowers and leaves in their keep,
Whom I hear, whom I hear?
With their sighs of silver and pearl?
Invisible ghosts, - 
Each sigh a shadowy girl, - 
Who whisper in leaves and glimmer in blossoms and hover
In color and fragrance and loveliness, breathed from the deep
World-soul of the mother,
Nature; who over and over, - 
Both sweetheart and lover, - 
Goes singing her songs from one sweet month to the other.
II
Lo! 'tis her songs that appear, appear,
In forest and field, on hill-land and lea,
As visible harmony,
Materialized melody,
Crystallized beauty, that out of the atmosphere
Utters itself, in wonder and mystery,
Peopling with glimmering essence the hyaline far and the near....
III
Behold how it sprouts from the grass and blossoms from flower and tree!
In waves of diaphanous moonlight and mist,
In fugue upon fugue of gold and of amethyst,
Around me, above me it spirals; now slower, now faster,
Like symphonies born of the thought of a musical master. - 
O music of Earth! O God, who the music inspired!
Let me breathe of the life of thy breath!
And so be fulfilled and attired
In resurrection, triumphant o'er time and o'er death!
The Bohemian Dreams
by Robert William Service

Because my overcoat's in pawn,
I choose to take my glass
Within a little bistro on
The rue du Montparnasse;
The dusty bins with bottles shine,
The counter's lined with zinc,
And there I sit and drink my wine,
And think and think and think.
I think of hoary old Stamboul,
Of Moslem and of Greek,
Of Persian in coat of wool,
Of Kurd and Arab sheikh;
Of all the types of weal and woe,
And as I raise my glass,
Across Galata bridge I know
They pass and pass and pass.
I think of citron-trees aglow,
Of fan-palms shading down,
Of sailors dancing heel and toe
With wenches black and brown;
And though it's all an ocean far
From Yucatan to France,
I'll bet beside the old bazaar
They dance and dance and dance.
I think of Monte Carlo, where
The pallid croupiers call,
And in the gorgeous, guilty air
The gamblers watch the ball;
And as I flick away the foam
With which my beer is crowned,
The wheels beneath the gilded dome
Go round and round and round.
I think of vast Niagara,
Those gulfs of foam a-shine,
Whose mighty roar would stagger a
More prosy bean than mine;
And as the hours I idly spend
Against a greasy wall,
I know that green the waters bend
And fall and fall and fall.
I think of Nijni Novgorod
And Jews who never rest;
And womenfolk with spade and hod
Who slave in Buda-Pest;
Of squat and sturdy Japanese
Who pound the paddy soil,
And as I loaf and smoke at ease
They toil and toil and toil.
I think of shrines in Hindustan,
Of cloistral glooms in Spain,
Of minarets in Ispahan,
Of St. Sophia's fane,
Of convent towers in Palestine,
Of temples in Cathay,
And as I stretch and sip my wine
They pray and pray and pray.
And so my dreams I dwell within,
And visions come and go,
And life is passing like a Cin-
Ematographic Show;
Till just as surely as my pipe
Is underneath my nose,
Amid my visions rich and ripe
I doze and doze and doze.
Dream
by James Whitcomb Riley

Because her eyes were far too deep
And holy for a laugh to leap
Across the brink where sorrow tried
To drown within the amber tide;
Because the looks, whose ripples kissed
The trembling lids through tender mist,
Were dazzled with a radiant gleam -
Because of this I called her "Dream."
Because the roses growing wild
About her features when she smiled
Were ever dewed with tears that fell
With tenderness ineffable;
Because her lips might spill a kiss
That, dripping in a world like this,
Would tincture death's myrrh-bitter stream
To sweetness - so I called her "Dream."
Because I could not understand
The magic touches of a hand
That seemed, beneath her strange control,
To smooth the plumage of the soul
And calm it, till, with folded wings,
It half forgot its flutterings,
And, nestled in her palm, did seem
To trill a song that called her "Dream."
Because I saw her, in a sleep
As dark and desolate and deep
And fleeting as the taunting night
That flings a vision of delight
To some lorn martyr as he lies
In slumber ere the day he dies -
Because she vanished like a gleam
Of glory, do I call her "Dream."
Monotones
by Algernon Charles Swinburne

Because there is but one truth;
Because there is but one banner;
Because there is but one light;
Because we have with us our youth
Once, and one chance and one manner
Of service, and then the night;
Because we have found not yet
Any way for the world to follow
Save only that ancient way;
Whosoever forsake or forget,
Whose faith soever be hollow,
Whose hope soever grow grey;
Because of the watchwords of kings
That are many and strange and unwritten,
Diverse, and our watchword is one;
Therefore, though seven be the strings,
One string, if the harp be smitten,
Sole sounds, till the tune be done;
Sounds without cadence or change
In a weary monotonous burden,
Be the keynote of mourning or mirth;
Free, but free not to range;
Taking for crown and for guerdon
No man's praise upon earth;
Saying one sole word evermore,
In the ears of the charmed world saying,
Charmed by spells to its death;
One that chanted of yore
To a tune of the sword-sweep's playing
In the lips of the dead blew breath;
Therefore I set not mine hand
To the shifting of changed modulations,
To the smiting of manifold strings;
While the thrones of the throned men stand,
One song for the morning of nations,
One for the twilight of kings.
One chord, one word, and one way,
One hope as our law, one heaven,
Till slain be the great one wrong;
Till the people it could not slay,
Risen up, have for one star seven,
For a single, a sevenfold song.
To The Beloved.
by Giacomo Leopardi

Beauty beloved, who hast my heart inspired,
Seen from afar, or with thy face concealed,
Save, when in visions of the night revealed,
Or seen in daydreams bright,
When all the fields are filled with light,
And Nature's smile is sweet,
Say, hast thou blessed
Some golden age of innocence,
And floatest, now, a shadow, o'er the earth?
Or hath Fate's envious doom
Reserved thee for some happier day to come?
To see thee e'er alive,
No hope remains to me;
Unless perchance, when from this body free,
My wandering spirit, lone,
O'er some new path, to some new world hath flown.
E'en here, at first, I, at the dawn
Of this, my day, so dreary and forlorn,
Sought thee, to guide me on my weary way:
But none on earth resembles thee. E'en if
One were in looks and acts and words thy peer,
Though like thee, she less lovely would appear.
Amidst the deepest grief
That fate hath e'er to human lot assigned,
Could one but love thee on this earth,
Alive, and such as my thought painteth thee,
He would be happy in his misery:
And I most clearly see, how, still,
As in my earliest days,
Thy love would make me cling to virtue's ways.
Unto my grief heaven hath no comfort brought;
And yet with thee, this mortal life would seem
Like that in heaven, of which we fondly dream.
Along the valleys where is heard
The song of the laborious husbandman,
And where I sit and moan
O'er youth's illusions gone;
Along the hills, where I recall with tears,
The vanished joys and hopes of earlier years,
At thought of thee, my heart revives again.
O could I still thy image dear retain,
In this dark age, and in this baleful air!
To loss of thee, O let me be resigned,
And in thy image still some comfort find!
If thou art one of those
Ideas eternal, which the Eternal Mind
Refused in earthly form to clothe,
Nor would subject unto the pain and strife
Of this, our frail and dreary life;
Or if thou hast a mansion fair,
Amid the boundless realms of space,
That lighted is by a more genial sun,
And breathest there a more benignant air;
From here, where brief and wretched are our days,
Receive thy humble lover's hymn of praise!
Because
by Fay Inchfawn

(PSALM CXVI.)
Because He heard my voice, and answered me,
Because He listened, ah, so patiently,
In those dark days, when sorrowful, alone,
I knelt with tears, and prayed Him for a stone;
Because He said me "Nay," and then in- stead,
Oh, wonderful sweet truth! He gave me bread,
Set my heart singing all in sweet accord;
Because of this, I love -- I love the Lord!
The Chariot.
by Emily Elizabeth Dickinson

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.
We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.
We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.
Since then 't is centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.