DanFosing/public-domain-poetry huggingface dataset:
The Wolf Accusing The Fox Before The Monkey.
by Jean de La Fontaine

[1]
A wolf, affirming his belief
That he had suffer'd by a thief,
Brought up his neighbour fox - 
Of whom it was by all confess'd,
His character was not the best - 
To fill the prisoner's box.
As judge between these vermin,
A monkey graced the ermine;
And truly other gifts of Themis[2]
Did scarcely seem his;
For while each party plead his cause,
Appealing boldly to the laws,
And much the question vex'd,
Our monkey sat perplex'd.
Their words and wrath expended,
Their strife at length was ended;
When, by their malice taught,
The judge this judgment brought:
'Your characters, my friends, I long have known,
As on this trial clearly shown;
And hence I fine you both - the grounds at large
To state would little profit - 
You wolf, in short, as bringing groundless charge,
You fox, as guilty of it.'
Come at it right or wrong, the judge opined
No other than a villain could be fined.[3]
What Is A Woman Like?
by Unknown

A woman is like to, but stay,
What a woman is like, who can say?
There is no living with or without one.
Love bites like a fly,
Now an ear, now an eye,
Buzz, buzz, always buzzing about one.
When she's tender and kind
She is like to my mind,
(And Fanny was so, I remember).
She's like to, Oh, dear!
She's as good, very near,
As a ripe, melting peach in September.
If she laugh, and she chat,
Play, joke, and all that,
And with smiles and good humor she meet me,
She's like a rich dish
Of venison or fish,
That cries from the table, Come eat me!
But she'll plague you and vex you,
Distract and perplex you;
False-hearted and ranging,
Unsettled and changing,
What then do you think, she is like?
Like sand? Like a rock?
Like a wheel? Like a clock?
Ay, a clock that is always at strike.
Her head's like the island folks tell on,
Which nothing but monkeys can dwell on;
Her heart's like a lemon, so nice
She carves for each lover a slice;
In truth she's to me,
Like the wind, like the sea,
Whose raging will hearken to no man;
Like a mill, like a pill,
Like a flail, like a whale,
Like an ass, like a glass
Whose image is constant to no man;
Like a shower, like a flower,
Like a fly, like a pie,
Like a pea, like a flea,
Like a thief, like, in brief,
She's like nothing on earth, but a woman!
Suspense.
by James Whitcomb Riley

A woman's figure, on a ground of night
Inlaid with sallow stars that dimly stare
Down in the lonesome eyes, uplifted there
As in vague hope some alien lance of light
Might pierce their woe.    The tears that blind her sight - 
The salt and bitter blood of her despair - 
Her hands toss back through torrents of her hair
And grip toward God with anguish infinite.
And O the carven mouth, with all its great
Intensity of longing frozen fast
In such a smile as well may designate
The slowly-murdered heart, that, to the last,
Conceals each newer wound, and back at Fate
Throbs Love's eternal lie - "Lo, I can wait!"
Sonnets on English Dramatic Poets (1590-1650): Thomas Middleton
by Algernon Charles Swinburne

A wild moon riding high from cloud to cloud,
That sees and sees not, glimmering far beneath,
Hell's children revel along the shuddering heath
With dirge-like mirth and raiment like a shroud:
A worse fair face than witchcraft's, passion-proud,
With brows blood-flecked behind their bridal wreath
And lips that bade the assassin's sword find sheath
Deep in the heart whereto love's heart was vowed:
A game of close contentious crafts and creeds
Played till white England bring black Spain to shame:
A son's bright sword and brighter soul, whose deeds
High conscience lights for mother's love and fame:
Pure gipsy flowers, and poisonous courtly weeds:
Such tokens and such trophies crown thy name.
Ballade Of Woman
by Richard Le Gallienne

A woman! lightly the mysterious word
Falls from our lips, lightly as though we knew
Its meaning, as we say - a flower, a bird,
Or say the moon, the stream, the light, the dew,
Simple familiar things, mysterious too;
Or as a star is set down on a chart,
Named with a name, out yonder in the blue:
A woman - and yet how much more thou art!
So lightly spoken, and so lightly heard,
And yet, strange word, who shall thy sense construe?
What sage hath yet fit designation dared?
Yet I have sought the dictionaries through,
And of thy meaning found me not a clue;
Blessing and breaking still the firmest heart,
So fairy false, yet so divinely true:
A woman - and yet how much more thou art!
Mother of God, and Circe, bosom-bared,
That nursed our manhood, and our manhood slew;
First dream, last sigh, all the long way we fared,
Sweeter than honey, bitterer than rue;
Thou fated radiance sorrowing men pursue,
Thou art the whole of life - the rest but part
Of thee, all things we ever dream or do;
A woman - and yet how much more thou art!
ENVOI
Princess, that all this craft of moonlight threw
Across my path, this deep immortal smart
Shall still burn on when winds my ashes strew:
A woman - and yet how much more thou art!
A Winter Eden
by Robert Lee Frost

A winter garden in an alder swamp,
Where conies now come out to sun and romp,
As near a paradise as it can be
And not melt snow or start a dormant tree.
It lifts existence on a plane of snow
One level higher than the earth below,
One level nearer heaven overhead,
And last year's berries shining scarlet red.
It lifts a gaunt luxuriating beast
Where he can stretch and hold his highest feat
On some wild apple tree's young tender bark,
What well may prove the year's high girdle mark.
So near to paradise all pairing ends:
Here loveless birds now flock as winter friends,
Content with bud-inspecting. They presume
To say which buds are leaf and which are bloom.
A feather-hammer gives a double knock.
This Eden day is done at two o'clock.
An hour of winter day might seem too short
To make it worth life's while to wake and sport.
Tones.
by Madison Julius Cawein

I.
A woman, fair to look upon,
Where waters whiten with the moon;
While down the glimmer of the lawn
The white moths swoon.
A mouth of music; eyes of love;
And hands of blended snow and scent,
That touch the pearl-pale shadow of
An instrument.
And low and sweet that song of sleep
After the song of love is hushed;
While all the longing, here, to weep,
Is held and crushed.
Then leafy silence, that is musk
With breath of the magnolia-tree,
While dwindles, moon-white, through the dusk
Her drapery.
Let me remember how a heart,
Romantic, wrote upon that night!
My soul still helps me read each part
Of it aright.
And like a dead leaf shut between
A book's dull chapters, stained and dark,
That page, with immemorial green,
Of life I mark.
II.
It is not well for me to hear
That song's appealing melody:
The pain of loss comes all too near,
Through it, to me.
The loss of her whose love looks through
The mist death's hand hath hung between:
Within the shadow of the yew
Her grave is green.
Ah, dream that vanished long ago!
Oh, anguish of remembered tears!
And shadow of unlifted woe
Athwart the years!
That haunt the sad rooms of my days,
As keepsakes of unperished love,
Where pale the memory of her face
Is framed above.
This olden song, she used to sing,
Of love and sleep, is now a charm
To open mystic doors and bring
Her spirit form.
In music making visible
One soul-assertive memory,
That steals unto my side to tell
My loss to me.
The Willow Garland.
by Robert Herrick

A willow garland thou did'st send
Perfum'd, last day, to me,
Which did but only this portend -
I was forsook by thee.
Since so it is, I'll tell thee what,
To-morrow thou shalt see
Me wear the willow; after that,
To die upon the tree.
As beasts unto the altars go
With garlands dress'd, so I
Will, with my willow-wreath, also
Come forth and sweetly die.
The Soul Of The Sea
by Clark Ashton Smith

A wind comes in from the sea,
And rolls through the hollow dark
Like loud, tempestuous waters.
As the swift recurrent tide,
It pours adown the sky,
And rears at the cliffs of night
Uppiled against the vast.
Like the soul of the sea -
Hungry, unsatisfied
With ravin of shores and of ships -
Come forth on the land to seek
New prey of tideless coasts,
It raves, made hoarse with desire,
And the sounds of the night are dumb
With the sound of its passing.
Poem: La Mer
by Oscar Fingal O'Flahertie Wills Wilde

A white mist drifts across the shrouds,
A wild moon in this wintry sky
Gleams like an angry lion's eye
Out of a mane of tawny clouds.
The muffled steersman at the wheel
Is but a shadow in the gloom;
And in the throbbing engine-room
Leap the long rods of polished steel.
The shattered storm has left its trace
Upon this huge and heaving dome,
For the thin threads of yellow foam
Float on the waves like ravelled lace.
To Lillian Massey Treble
by Jean Blewett

A woman with a heart of gold
I heard her called before I knew
How noble was that heart and true,
How full of tenderness untold.
Her sympathies both broad and sure,
Her one desire to do the right - 
Clear visioned from the inner light
God gives to souls unworldly, pure.
A heart of gold that loves and gives,
God's almoner from day to day,
Of her there is but this to say:
The world is better that she lives.
The Wolf And The Shepherds.
by Jean de La Fontaine

[1]
A Wolf, replete
With humanity sweet,
(A trait not much suspected,)
On his cruel deeds,
The fruit of his needs,
Profoundly thus reflected.
'I'm hated,' said he,
'As joint enemy,
By hunters, dogs, and clowns.
They swear I shall die,
And their hue and cry
The very thunder drowns.
'My brethren have fled,
With price on the head,
From England's merry land.
King Edgar came out,
And put them to rout,[2]
With many a deadly band.
'And there's not a squire
But blows up the fire
By hostile proclamation;
Nor a human brat,
Dares cry, but that
Its mother mocks my nation.
'And all for what?
For a sheep with the rot,
Or scabby, mangy ass,
Or some snarling cur,
With less meat than fur,
On which I've broken fast!
'Well, henceforth I'll strive
That nothing alive
Shall die to quench my thirst;
No lambkin shall fall,
Nor puppy, at all,
To glut my maw accurst.
With grass I'll appease,
Or browse on the trees,
Or die of famine first.
'What of carcass warm?
Is it worth the storm
Of universal hate?'
As he spoke these words,
The lords of the herds,
All seated at their bait,
He saw; and observed
The meat which was served
Was nought but roasted lamb!
'O! O!' said the beast,
'Repent of my feast - 
All butcher as I am - 
On these vermin mean,
Whose guardians e'en
Eat at a rate quadruple! - 
Themselves and their dogs,
As greedy as hogs,
And I, a wolf, to scruple!'
'Look out for your wool
I'll not be a fool,
The very pet I'll eat;
The lamb the best-looking,
Without any cooking,
I'll strangle from the teat;
And swallow the dam,
As well as the lamb,
And stop her foolish bleat.
Old Hornie, too, - rot him, - 
The sire that begot him
Shall be among my meat!'
Well-reasoning beast!
Were we sent to feast
On creatures wild and tame?
And shall we reduce
The beasts to the use
Of vegetable game?
Shall animals not
Have flesh-hook or pot,
As in the age of gold?
And we claim the right,
In the pride of our might,
Themselves to have and hold?
O shepherds, that keep
Your folds full of sheep,
The wolf was only wrong,
Because, so to speak,
His jaws were too weak
To break your palings strong.
The Wolf Turned Shepherd.
by Jean de La Fontaine

[1]
A wolf, whose gettings from the flocks
Began to be but few,
Bethought himself to play the fox
In character quite new.
A shepherd's hat and coat he took,
A cudgel for a crook,
Nor e'en the pipe forgot:
And more to seem what he was not,
Himself upon his hat he wrote,
'I'm Willie, shepherd of these sheep.'
His person thus complete,
His crook in upraised feet,
The impostor Willie stole upon the keep.
The real Willie, on the grass asleep,
Slept there, indeed, profoundly,
His dog and pipe slept, also soundly;
His drowsy sheep around lay.
As for the greatest number,
Much bless'd the hypocrite their slumber,
And hoped to drive away the flock,
Could he the shepherd's voice but mock.
He thought undoubtedly he could.
He tried: the tone in which he spoke,
Loud echoing from the wood,
The plot and slumber broke;
Sheep, dog, and man awoke.
The wolf, in sorry plight,
In hampering coat bedight,
Could neither run nor fight.
There's always leakage of deceit
Which makes it never safe to cheat.
Whoever is a wolf had better
Keep clear of hypocritic fetter.
Memorials Of A Tour On The Continent, 1820 - IV. - After Visiting The Field Of Waterloo
by William Wordsworth

A winged Goddess, clothed in vesture wrought
Of rainbow colours; One whose port was bold,
Whose overburthened hand could scarcely hold
The glittering crowns and garlands which it brought
Hovered in air above the far-famed Spot.
She vanished; leaving prospect blank and cold
Of wind-swept corn that wide around us rolled
In dreary billows; wood, and meagre cot,
And monuments that soon must disappear:
Yet a dread local recompense we found;
While glory seemed betrayed, while patriot-zeal
Sank in our hearts, we felt as men 'should' feel
With such vast hoards of hidden carnage near,
And horror breathing from the silent ground!
The Chosen
by Thomas Hardy

"[Greek text which cannot be reproduced]"
"A woman for whom great gods might strive!"
I said, and kissed her there:
And then I thought of the other five,
And of how charms outwear.
I thought of the first with her eating eyes,
And I thought of the second with hers, green-gray,
And I thought of the third, experienced, wise,
And I thought of the fourth who sang all day.
And I thought of the fifth, whom I'd called a jade,
And I thought of them all, tear-fraught;
And that each had shown her a passable maid,
Yet not of the favour sought.
So I traced these words on the bark of a beech,
Just at the falling of the mast:
"After scanning five; yes, each and each,
I've found the woman desired at last!"
" I feel a strange benumbing spell,
As one ill-wished!" said she.
And soon it seemed that something fell
Was starving her love for me.
"I feel some curse. O, FIVE were there?"
And wanly she swerved, and went away.
I followed sick: night numbed the air,
And dark the mournful moorland lay.
I cried: "O darling, turn your head!"
But never her face I viewed;
"O turn, O turn!" again I said,
And miserably pursued.
At length I came to a Christ-cross stone
Which she had passed without discern;
And I knelt upon the leaves there strown,
And prayed aloud that she might turn.
I rose, and looked; and turn she did;
I cried, "My heart revives!"
"Look more," she said. I looked as bid;
Her face was all the five's.
All the five women, clear come back,
I saw in her with her made one,
The while she drooped upon the track,
And her frail term seemed well-nigh run.
She'd half forgot me in her change;
"Who are you? Won't you say
Who you may be, you man so strange,
Following since yesterday?"
I took the composite form she was,
And carried her to an arbour small,
Not passion-moved, but even because
In one I could atone to all.
And there she lies, and there I tend,
Till my life's threads unwind,
A various womanhood in blend -
Not one, but all combined.
An English Girl
by William Schwenck Gilbert

A wonderful joy our eyes to bless,
In her magnificent comeliness,
Is an English girl of eleven stone two,
And five foot ten in her dancing shoe!
She follows the hounds, and on she pounds -
The "field" tails off and the muffs diminish -
Over the hedges and brooks she bounds -
Straight as a crow, from find to finish.
At cricket, her kin will lose or win -
She and her maids, on grass and clover,
Eleven maids out - eleven maids in -
(And perhaps an occasional "maiden over").
Go search the world and search the sea,
Then come you home and sing with me
There's no such gold and no such pearl
As a bright and beautiful English girl!
With a ten-mile spin she stretches her limbs,
She golfs, she punts, she rows, she swims -
She plays, she sings, she dances, too,
From ten or eleven till all is blue!
At ball or drum, till small hours come
(Chaperon's fan conceals her yawning),
She'll waltz away like a teetotum,
And never go home till daylight's dawning.
Lawn tennis may share her favours fair -
Her eyes a-dance and her cheeks a-glowing -
Down comes her hair, but what does she care?
It's all her own and it's worth the showing!
Go search the world and search the sea,
Then come you home and sing with me
There's no such gold and no such pearl
As a bright and beautiful English girl!
Her soul is sweet as the ocean air,
For prudery knows no haven there;
To find mock-modesty, please apply
To the conscious blush and the downcast eye.
Rich in the things contentment brings,
In every pure enjoyment wealthy,
Blithe as a beautiful bird she sings,
For body and mind are hale and healthy.
Her eyes they thrill with right goodwill -
Her heart is light as a floating feather -
As pure and bright as the mountain rill
That leaps and laughs in the Highland heather!
Go search the world and search the sea,
Then come you home and sing with me
There's no such gold and no such pearl
As a bright and beautiful English girl!
The Supper
by Walter De La Mare

A wolf he pricks with eyes of fire
Across the night's o'ercrusted snows,
Seeking his prey,
He pads his way
Where Jane benighted goes,
Where Jane benighted goes.
He curdles the bleak air with ire,
Ruffling his hoary raiment through,
And lo! he sees
Beneath the trees
Where Jane's light footsteps go,
Where Jane's light footsteps go.
No hound peals thus in wicked joy,
He snaps his muzzle in the snows,
His five-clawed feet
Do scamper fleet
Where Jane's bright lanthorn shows,
Where Jane's bright lanthorn shows.
Now his greed's green doth gaze unseen
On a pure face of wilding rose,
Her amber eyes
In fear's surprise
Watch largely as she goes,
Watch largely as she goes.
Salt wells his hunger in his jaws,
His lust it revels to and fro,
Yet small beneath
A soft voice saith,
'Jane shall in safety go,
Jane shall in safety go.'
He lurched as if a fiery lash
Had scourged his hide, and through and through,
His furious eyes
O'erscanned the skies,
But nearer dared not go,
But nearer dared not go.
He reared like wild Bucephalus,
His fangs like spears in him uprose,
Ev'n to the town
Jane's flitting gown
He grins on as she goes,
He grins on as she goes.
In fierce lament he howls amain,
He scampers, marvelling in his throes
What brought him there
To sup on air,
While Jane unarm'd goes,
While Jane unarm'd goes.
At The Piano
by Thomas Hardy

A woman was playing,
A man looking on;
And the mould of her face,
And her neck, and her hair,
Which the rays fell upon
Of the two candles there,
Sent him mentally straying
In some fancy-place
Where pain had no trace.
A cowled Apparition
Came pushing between;
And her notes seemed to sigh,
And the lights to burn pale,
As a spell numbed the scene.
But the maid saw no bale,
And the man no monition;
And Time laughed awry,
And the Phantom hid nigh.
Ballad
by Jonathan Swift

To the tune of "Commons and Peers."
A wonderful age
Is now on the stage:
I'll sing you a song, if I can,
How modern Whigs,
Dance forty-one jigs,[1]
But God bless our gracious Queen Anne.
The kirk with applause
Is established by laws
As the orthodox church of the nation.
The bishops do own
It's as good as their own.
And this, Sir, is call'd moderation.
It's no riddle now
To let you see how
A church by oppression may speed;
Nor is't banter or jest,
That the kirk faith is best
On the other side of the Tweed.
For no soil can suit
With every fruit,
Even so, Sir, it is with religion;
The best church by far
Is what grows where you are,
Were it Mahomet's ass or his pigeon.
Another strange story
That vexes the Tory,
But sure there's no mystery in it,
That a pension and place
Give communicants grace,
Who design to turn tail the next minute.
For if it be not strange,
That religion should change,
As often as climates and fashions;
Then sure there's no harm,
That one should conform.
To serve their own private occasions.
Another new dance,
Which of late they advance,
Is to cry up the birth of Pretender,
And those that dare own
The queen heir to the crown,
Are traitors, not fit to defend her.
The subject's most loyal
That hates the blood royal,
And they for employments have merit,
Who swear queen and steeple
Were made by the people,
And neither have right to inherit.
The monarchy's fixt,
By making on't mixt,
And by non-resistance o'erthrown;
And preaching obedience
Destroys our allegiance,
And thus the Whigs prop up the throne.
That viceroy [2] is best,
That would take off the test,
And made a sham speech to attempt it;
But being true blue,
When he found 'twould not do,
Swore, damn him, if ever he meant it.
'Tis no news that Tom Double
The nation should bubble,
Nor is't any wonder or riddle,
That a parliament rump
Should play hop, step, and jump,
And dance any jig to his fiddle.
But now, sir, they tell,
How Sacheverell,
By bringing old doctrines in fashion,
Hath, like a damn'd rogue,
Brought religion in vogue,
And so open'd the eyes of the nation.
Then let's pray without spleen,
May God bless the queen,
And her fellow-monarchs the people;
May they prosper and thrive,
Whilst I am alive,
And so may the church with the steeple.
The Star
by Sara Teasdale

A white star born in the evening glow
Looked to the round green world below,
And saw a pool in a wooded place
That held like a jewel her mirrored face.
She said to the pool: "Oh, wondrous deep,
I love you, I give you my light to keep.
Oh, more profound than the moving sea
That never has shown myself to me!
Oh, fathomless as the sky is far,
Hold forever your tremulous star!"
But out of the woods as night grew cool
A brown pig came to the little pool;
It grunted and splashed and waded in
And the deepest place but reached its chin.
The water gurgled with tender glee
And the mud churned up in it turbidly.
The star grew pale and hid her face
In a bit of floating cloud like lace.
Double Carnations
by Ella Wheeler Wilcox

A wild Pink nestled in a garden bed,
A rich Carnation flourished high above her,
One day he chanced to see her pretty head
And leaned and looked again, and grew to love her.
The Moss (her humble mother) saw with fear
The ardent glances of the princely stranger;
With many an anxious thought and dewy tear
She sought to hide her darling from this danger.
The gardener-guardian of this noble bud
A cruel trellis interposed between them.
No common Pink should mate with royal blood,
He said, and sought in every way to wean them.
The poor Pink pined and faded day by day:
Her restless lover from his prison bower
Called in a priestly bee who passed that way,
And sent a message to the sorrowing flower.
The fainting Pink wept as the bee drew near,
Droning his prayers, and begged him to confess her.
Her weary mother, over-taxed by fear,
Slept, while the priest leaned low to shrive and bless her.
But lo! ere long the tale went creeping out,
The rich Carnation and the Pink were married!
The cunning bee had brought the thing about
While Mamma Moss in Slumber's arms had tarried.
And proud descendants of that loving pair,
The offspring of that true and ardent passion,
Are famous for their beauty everywhere,
And leaders in the floral world of fashion.
Eyes
by John Frederick Freeman

A winter sky of pale blue and pale gold,
Bare trees, a wind that made the wood-path cold,
And one slow-moving figure, gray and old.
We met where the soft path falls from the wood
Down to the village. As I came near she stood
And answered when I spoke, drawing the hood
Back from her face. I saw only her eyes,
Large and sad. I could not bear those eyes.
They were like new graves. I could not bear her eyes.
But what we said as each passed on is gone.
We looked and spoke and passed like strangers on,
I to the high wood, she towards the paling sun.
And there, where the clear-heavened small pool lies,
And the tallest beeches brush the bending skies,
In pool and tree I saw again her eyes.
The Passing Of The Rose
by Arthur Macy

A White Rose said, "How fair am I.
Behold a flower that cannot die!"
A lover brushed the dew aside,
And fondly plucked it for his bride.
"A fitting choice!" the White Rose cried.
The maiden wore it in her hair;
The Rose, contented to be there,
Still proudly boasted, "None so fair!"
Then close she pressed it to her lips,
But, weary of companionships,
The flower within her bosom slips.
O'ercome by all the beauty there,
It straight confessed, "Dear maid, I swear
'Tis you, and you alone, are fair!"
Turning its humbled head aside,
The envious Rose, lamenting, died.