DanFosing/public-domain-poetry huggingface dataset:
To Laura In Life. Sonnet I.
by Francesco Petrarca (Petrarch)

Voi, ch' ascoltate in rime sparse il suono.
HE CONFESSES THE VANITY OF HIS PASSION
Ye who in rhymes dispersed the echoes hear
Of those sad sighs with which my heart I fed
When early youth my mazy wanderings led,
Fondly diverse from what I now appear,
Fluttering 'twixt frantic hope and frantic fear,
From those by whom my various style is read,
I hope, if e'er their hearts for love have bled,
Not only pardon, but perhaps a tear.
But now I clearly see that of mankind
Long time I was the tale: whence bitter thought
And self-reproach with frequent blushes teem;
While of my frenzy, shame the fruit I find,
And sad repentance, and the proof, dear-bought,
That the world's joy is but a flitting dream.
CHARLEMONT.
O ye, who list in scatter'd verse the sound
Of all those sighs with which my heart I fed,
When I, by youthful error first misled,
Unlike my present self in heart was found;
Who list the plaints, the reasonings that abound
Throughout my song, by hopes, and vain griefs bred;
If e'er true love its influence o'er ye shed,
Oh! let your pity be with pardon crown'd.
But now full well I see how to the crowd
For length of time I proved a public jest:
E'en by myself my folly is allow'd:
And of my vanity the fruit is shame,
Repentance, and a knowledge strong imprest,
That worldly pleasure is a passing dream.
NOTT.
Ye, who may listen to each idle strain
Bearing those sighs, on which my heart was fed
In life's first morn, by youthful error led,
(Far other then from what I now remain!)
That thus in varying numbers I complain,
Numbers of sorrow vain and vain hope bred,
If any in love's lore be practis'd,
His pardon,--e'en his pity I may obtain:
But now aware that to mankind my name
Too long has been a bye-word and a scorn,
I blush before my own severer thought;
Of my past wanderings the sole fruit is shame,
And deep repentance, of the knowledge born
That all we value in this world is naught.
DACRE.
He That Looketh
by Ella Wheeler Wilcox

Yea, she and I have broken God's command,
And in His sight are branded with our shame.
And yet I do not even know her name,
Nor ever in my life have touched her hand
Or brushed her garments.    But I chanced to stand
Beside her in the throng!    A sweet, swift flame
Shot from her flesh to mine -and hers the blame
Of willing looks that fed it; aye, that fanned
The glow within me to a hungry fire.
There was an invitation in her eyes.
Had she met mine with coldness or surprise,
I had not plunged on headlong in the mire
Of amorous thought.    The flame leaped high and higher;
Her breath and mine pulsated into sighs,
And soft glance melted into glance kiss-wise,
And in God's sight both yielded to desire.
Parting
by Matthew Arnold

Ye storm-winds of Autumn
Who rush by, who shake
The window, and ruffle
The gleam-lighted lake;
Who cross to the hill-side
Thin-sprinkled with farms,
Where the high woods strip sadly
Their yellowing arms;
Ye are bound for the mountains,
Ah, with you let me go
Where your cold distant barrier,
The vast range of snow,
Through the loose clouds lifts dimly
Its white peaks in air,
How deep is their stillness!
Ah! would I were there!
But on the stairs what voice is this I hear,
Buoyant as morning, and as morning clear?
Say, has some wet bird-haunted English lawn
Lent it the music of its trees at dawn?
Or was it from some sun-fleck'd mountain-brook
That the sweet voice its upland clearness took?
Ah! it comes nearer,
Sweet notes, this way!
Hark! fast by the window
The rushing winds go,
To the ice-cumber'd gorges,
The vast seas of snow.
There the torrents drive upward
Their rock-strangled hum,
There the avalanche thunders
The hoarse torrent dumb.
I come, O ye mountains!
Ye torrents, I come!
But who is this, by the half-open'd door,
Whose figure casts a shadow on the floor
The sweet blue eyes, the soft, ash-colour'd hair,
The cheeks that still their gentle paleness wear,
The lovely lips, with their arch smile, that tells
The unconquer'd joy in which her spirit dwells,
Ah! they bend nearer,
Sweet lips, this way!
Hark! the wind rushes past us,
Ah! with that let me go
To the clear waning hill-side
Unspotted by snow,
There to watch, o'er the sunk vale,
The frore mountain wall,
Where the nich'd snow-bed sprays down
Its powdery fall.
There its dusky blue clusters
The aconite spreads;
There the pines slope, the cloud-strips
Hung soft in their heads.
No life but, at moments,
The mountain-bee's hum.
I come, O ye mountains
Ye pine-woods, I come!
Forgive me! forgive me
Ah, Marguerite, fain
Would these arms reach to clasp thee:
But see! 'tis in vain.
In the void air towards thee
My strain'd arms are cast.
But a sea rolls between us,
Our different past.
To the lips, ah! of others,
Those lips have been prest,
And others, ere I was,
Were clasp'd to that breast;
Far, far from each other
Our spirits have grown.
And what heart knows another?
Ah! who knows his own?
Blow, ye winds! lift me with you
I come to the wild.
Fold closely, O Nature!
Thine arms round thy child.
To thee only God granted
A heart ever new:
To all always open;
To all always true.
Ah, calm me! restore me
And dry up my tears
On thy high mountain platforms,
Where Morn first appears,
Where the white mists, for ever,
Are spread and upfurl'd;
In the stir of the forces
Whence issued the world.
The Lost Bells.
by Frances Ellen Watkins Harper

Year after year the artist wrought
With earnest, loving care,
The music flooding all his soul
To pour upon the air.
For this no metal was too rare,
He counted not the cost;
Nor deemed the years in which he toiled
As labor vainly lost.
When morning flushed with crimson light
The golden gates of day,
He longed to fill the air with chimes
Sweet as a matin's lay.
And when the sun was sinking low
Within the distant West,
He gladly heard the bells he wrought
Herald the hour of rest.
The music of a thousand harps
Could never be so dear
As when those solemn chants and thrills
Fell on his list'ning ear.
He poured his soul into their chimes,
And felt his toil repaid;
He called them children of his soul,
His home a'near them made.
But evil days came on apace,
War spread his banner wide,
And from his village snatched away
The artist's love and pride.
At dewy morn and stilly eve
The chimes no more he heard;
With dull and restless agony
His spirit's depths was stirred.
A weary longing filled his soul,
It bound him like a spell;
He left his home to seek the chimes -
The chimes he loved so well.
Where lofty fanes in grandeur rose,
Upon his ear there fell
No music like the long lost chimes
Of his beloved bell.
And thus he wandered year by year.
Touched by the hand of time,
Seeking to hear with anxious heart
Each well remembered chime.
And to that worn and weary heart
There came a glad surcease:
He heard again the dear old chimes,
And smiled and uttered peace.
"The chimes! the chimes!" the old man cried,
"I hear their tones at last;"
A sudden rapture filled his heart,
And all his cares were past.
Yes, peace had come with death's sweet calm,
His journeying was o'er,
The weary, restless wanderer
Had reached the restful shore.
It may be that he met again,
Enfolded in the air,
The dear old chimes beside the gates
Where all is bright and fair;
That he who crossed and bowed his head
When Angelus was sung
In clearer light touched golden harps
By angel fingers strung.
From Faust. Dedication.
by Johann Wolfgang von Goethe

Ye shadowy forms, again ye're drawing near,
So wont of yore to meet my troubled gaze!
Were it in vain to seek to keep you here?
Loves still my heart that dream of olden days?
Oh, come then! and in pristine force appear,
Parting the vapor mist that round me plays!
My bosom finds its youthful strength again,
Feeling the magic breeze that marks your train.
Ye bring the forms of happy days of yore,
And many a shadow loved attends you too;
Like some old lay, whose dream was well nigh o'er,
First-love appears again, and friendship true;
Upon life's labyrinthine path once more
Is heard the sigh, and grief revives anew;
The friends are told, who, in their hour of pride,
Deceived by fortune, vanish'd from my side.
No longer do they hear my plaintive song,
The souls to whom I sang in life's young day;
Scatter'd for ever now the friendly throng,
And mute, alas! each sweet responsive lay.
My strains but to the careless crowd belong,
Their smiles but sorrow to my heart convey;
And all who heard my numbers erst with gladness,
If living yet, roam o'er the earth in sadness.
Long buried yearnings in my breast arise,
Yon calm and solemn spirit-realm to gain;
Like the AEONIAN harp's sweet melodies,
My murmuring song breathes forth its changeful strain.
A trembling seizes me, tears fill mine eyes,
And softer grows my rugged heart amain.
All I possess far distant seems to be,
The vanish'd only seems reality.
A Ballad Of France
by Michael Earls

Ye who heed a nation's call
And speed to arms therefor,
Ye who fear your children's march
To perils of the war,--
Soldiers of the deck and camp
And mothers of our men,
Hearken to a tale of France
And tell it oft again.
* * *
In the east of France by the roads of war,
(God save us evermore from Mars and Thor!}
Up and down the fair land iron armies came,
(Pity, Jesu, all who fell, calling Thy name).
Pleasant all the fields were round every town,
Garden airs went sweetly up, heaven smiled down;
Till under leaden hail with flaming breath,
Graves and ashen harvest were the keep of death.
One little town stood, white on a hill,
Chapel and hostel gates, farms and windmill,
Chapel and countryside met the gunner's path,
Till no blade of kindly grass hid from his wrath.
Lo! When the terrain cleared out of murky air,
When mid the ruins stalked death and despair,
One figure stood erect, bright with day,--
Christ the Crucified, though His Cross was shot away.
Flame and shot tore away all the tender wood,
Yet with arms uplifted Christ His Figure stood;
Out reached the blessing hands, meek bowed the head,
Christ! The saving solace o'er the waste of dead.
Memorials Of A Tour In Italy, 1837 - XXIII. - Among The Ruins Of A Convent In The Apennines
by William Wordsworth

Ye Trees! whose slender roots entwine
Altars that piety neglects;
Whose infant arms enclasp the shrine
Which no devotion now respects;
If not a straggler from the herd
Here ruminate, nor shrouded bird,
Chanting her low-voiced hymn, take pride
In aught that ye would grace or hide
How sadly is your love misplaced,
Fair Trees, your bounty run to waste!
Ye, too, wild Flowers! that no one heeds,
And ye, full often spurned as weeds
In beauty clothed, or breathing sweetness
From fractured arch and mouldering wall
Do but more touchingly recall
Man's headstrong violence and Time's fleetness,
Making the precincts ye adorn
Appear to sight still more forlorn.
The First Canzone Of The Convito. From The Italian Of Dante.
by Percy Bysshe Shelley

1.
Ye who intelligent the Third Heaven move,
Hear the discourse which is within my heart,
Which cannot be declared, it seems so new.
The Heaven whose course follows your power and art,
Oh, gentle creatures that ye are! me drew,
And therefore may I dare to speak to you,
Even of the life which now I live - and yet
I pray that ye will hear me when I cry,
And tell of mine own heart this novelty;
How the lamenting Spirit moans in it,
And how a voice there murmurs against her
Who came on the refulgence of your sphere.
2.
A sweet Thought, which was once the life within
This heavy heart, man a time and oft
Went up before our Father's feet, and there
It saw a glorious Lady throned aloft;
And its sweet talk of her my soul did win,
So that I said, 'Thither I too will fare.'
That Thought is fled, and one doth now appear
Which tyrannizes me with such fierce stress,
That my heart trembles - ye may see it leap -
And on another Lady bids me keep
Mine eyes, and says - Who would have blessedness
Let him but look upon that Lady's eyes,
Let him not fear the agony of sighs.
3.
This lowly Thought, which once would talk with me
Of a bright seraph sitting crowned on high,
Found such a cruel foe it died, and so
My Spirit wept, the grief is hot even now -
And said, Alas for me! how swift could flee
That piteous Thought which did my life console!
And the afflicted one ... questioning
Mine eyes, if such a Lady saw they never,
And why they would...
I said: 'Beneath those eyes might stand for ever
He whom ... regards must kill with...
To have known their power stood me in little stead,
Those eyes have looked on me, and I am dead.'
4.
'Thou art not dead, but thou hast wandered,
Thou Soul of ours, who thyself dost fret,'
A Spirit of gentle Love beside me said;
For that fair Lady, whom thou dost regret,
Hath so transformed the life which thou hast led,
Thou scornest it, so worthless art thou made.
And see how meek, how pitiful, how staid,
Yet courteous, in her majesty she is.
And still call thou her Woman in thy thought;
Her whom, if thou thyself deceivest not,
Thou wilt behold decked with such loveliness,
That thou wilt cry [Love] only Lord, lo! here
Thy handmaiden, do what thou wilt with her.
5.
My song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning
Of such hard matter dost thou entertain.
Whence, if by misadventure chance should bring
Thee to base company, as chance may do,
Quite unaware of what thou dost contain,
I prithee comfort thy sweet self again,
My last delight; tell them that they are dull,
And bid them own that thou art beautiful.
The Sower. - Matthew xiii.3.
by William Cowper

Ye sons of earth, prepare the plough,
Break up the fallow ground;
The sower is gone forth to sow,
And scatter blessings round.
The seed that finds a stony soil,
Shoots forth a hasty blade;
But ill repays the sower's toil,
Soon wither'd, scorch'd, and dead.
The thorny ground is sure to balk
All hopes of harvest there;
We find a tall and sickly stalk,
But not the fruitful ear.
The beaten path and highway side
Receive the trust in vain;
The watchful birds the spoil divide,
And pick up all the grain.
But where the Lord of grace and power
Has bless'd the happy field,
How plenteous is the golden store
The deep-wrought furrows yield!
Father of mercies, we have need
Of thy preparing grace;
Let the same hand that gives the seed
Provide a fruitful place.
The Sonnets Of Tommaso Campanella - On The Lord'S Prayer. No. I.
by Michelangelo di Lodovico Buonarroti Simoni

Vilissima progenie.
Ye vile offscourings! with unblushing face
Dare ye claim sonship to our heavenly Sire,
Who serve brute vices, crouching in the mire
To hounds and conies, beasts that ape our race?
Such truckling is called virtue by the base
Hucksters of sophistry, the priest and friar,--
Gilt claws of tyrant brutes,--who lie for hire,
Preaching that God delights in this disgrace.
Look well, ye brainless folk! Do fathers hold
Their children slaves to serfs? Do sheep obey
The witless ram? Why make a beast your king?
If there are no archangels, let your fold
Be governed by the sense of all: why stray
From men to worship every filthy thing?
Ecclesiastical Sonnets - Part II. - XXIV - Saints
by William Wordsworth

Ye, too, must fly before a chasing hand,
Angels and Saints, in every hamlet mourned!
Ah! if the old idolatry be spurned,
Let not your radiant Shapes desert the Land:
Her adoration was not your demand,
The fond heart proffered it, the servile heart;
And therefore are ye summoned to depart,
Michael, and thou, St. George, whose flaming brand
The Dragon quelled; and valiant Margaret
Whose rival sword a like Opponent slew:
And rapt Cecilia seraph-haunted Queen
Of harmony; and weeping Magdalene,
Who in the penitential desert met
Gales sweet as those that over Eden blew!
The Lone Trail
by Robert William Service

Ye who know the Lone Trail fain would follow it,
Though it lead to glory or the darkness of the pit.
Ye who take the Lone Trail, bid your love good-bye;
The Lone Trail, the Lone Trail follow till you die.
The trails of the world be countless, and most of the trails be tried;
You tread on the heels of the many, till you come where the ways divide;
And one lies safe in the sunlight, and the other is dreary and wan,
Yet you look aslant at the Lone Trail, and the Lone Trail lures you on.
And somehow you're sick of the highway, with its noise and its easy needs,
And you seek the risk of the by-way, and you reck not where it leads.
And sometimes it leads to the desert, and the tongue swells out of the mouth,
And you stagger blind to the mirage, to die in the mocking drouth.
And sometimes it leads to the mountain, to the light of the lone camp-fire,
And you gnaw your belt in the anguish of hunger-goaded desire.
And sometimes it leads to the Southland, to the swamp where the orchid glows,
And you rave to your grave with the fever, and they rob the corpse for its clothes.
And sometimes it leads to the Northland, and the scurvy softens your bones,
And your flesh dints in like putty, and you spit out your teeth like stones.
And sometimes it leads to a coral reef in the wash of a weedy sea,
And you sit and stare at the empty glare where the gulls wait greedily.
And sometimes it leads to an Arctic trail, and the snows where your torn feet freeze,
And you whittle away the useless clay, and crawl on your hands and knees.
Often it leads to the dead-pit; always it leads to pain;
By the bones of your brothers ye know it, but oh, to follow you're fain.
By your bones they will follow behind you, till the ways of the world are made plain.
Bid good-bye to sweetheart, bid good-bye to friend;
The Lone Trail, the Lone Trail follow to the end.
Tarry not, and fear not, chosen of the true;
Lover of the Lone Trail, the Lone Trail waits for you.
Inscription For A Crucifix.[1]
by Victor-Marie Hugo

("Vous qui pleurez, venez ' ce Dieu.")
[Bk. III. iv., March, 1842.]
Ye weepers, the Mourner o'er mourners behold!
Ye wounded, come hither - the Healer enfold!
Ye gloomy ones, brighten 'neath smiles quelling care - 
Or pass - for this Comfort is found ev'rywhere.
Music For The Dying. From The French Of Sully Prudhomme
by Robert Fuller Murray

Ye who will help me in my dying pain,
Speak not a word: let all your voices cease.
Let me but hear some soft harmonious strain,
And I shall die at peace.
Music entrances, soothes, and grants relief
From all below by which we are opprest;
I pray you, speak no word unto my grief,
But lull it into rest.
Tired am I of all words, and tired of aught
That may some falsehood from the ear conceal,
Desiring rather sounds which ask no thought,
Which I need only feel:
A melody in whose delicious streams
The soul may sink, and pass without a breath
From fevered fancies into quiet dreams,
From dreaming into death.
God, The Complement.
by Margaret Steele Anderson

("Nor does being weary imply that there is any place to rest.")
Yea, by your wants bestead,
You come Myself to know;
For if I be not bread,
Why hunger so?
And if not water I,
Your fountain last and first,
Why should your earth be dry?
Why should you thirst?
Have you not read desire?
Do you not know your quest?
Spirit, why should you tire
Were I not rest?
The Free Selector
by Banjo Paterson (Andrew Barton)

(A Song of 1861.)
Ye sons of industry, to you I belong,
And to you I would dedicate a verse or a song,
Rejoicing o'er the victory John Robertson has won
Now the Land Bill has passed and the good time has come
Now the Land Bill, &c.
No more with our swags through the bush need we roam
For to ask of another there to give us a home,
Now the land is unfettered and we may reside
In a home of our own by some clear waterside.
In a home of our own, &c.
On some fertile spot which we may call our own,
Where the rich verdure grows, we will build up a home.
There industry will flourish and content will smile,
While our children rejoicing will share in our toil.
While our children, &c.
We will plant our garden and sow our own field,
And eat from the fruits which industry will yield,
And be independent, what we long for have strived,
Though those that have ruled us the right long denied.
Though those that have ruled us, &c.
Sonnets on English Dramatic Poets (1590-1650): Anonymous Plays
by Algernon Charles Swinburne

Ye too, dim watchfires of some darkling hour,
Whose fame forlorn time saves not nor proclaims
For ever, but forgetfulness defames
And darkness and the shadow of death devour,
Lift up ye too your light, put forth your power,
Let the far twilight feel your soft small flames
And smile, albeit night name not even their names,
Ghost by ghost passing, flower blown down on flower:
That sweet-tongued shadow, like a star's that passed
Singing, and light was from its darkness cast
To paint the face of Painting fair with praise:1
And that wherein forefigured smiles the pure
Fraternal face of Wordsworth's Elidure
Between two child-faced masks of merrier days.2
To Groves
by Robert Herrick

Ye silent shades, whose each tree here
Some relique of a saint doth wear;
Who for some sweet-heart's sake, did prove
The fire and martyrdom of Love:
Here is the legend of those saints
That died for love, and their complaints;
Their wounded hearts, and names we find
Encarved upon the leaves and rind.
Give way, give way to me, who come
Scorch'd with the self-same martyrdom!
And have deserved as much, Love knows,
As to be canonized 'mongst those
Whose deeds and deaths here written are
Within your Greeny-kalendar.
By all those virgins' fillets hung
Upon! your boughs, and requiems sung
For saints and souls departed hence,
Here honour'd still with frankincense;
By all those tears that have been shed,
As a drink-offering to the dead;
By all those true-love knots, that be
With mottoes carved on every tree;
By sweet Saint Phillis! pity me;
By dear Saint Iphis! and the rest
Of all those other saints now blest,
Me, me forsaken, here admit
Among your myrtles to be writ;
That my poor name may have the glory
To live remember'd in your story.
The True Loyal Natives.
by Robert Burns

Ye true "Loyal Natives," attend to my song,
In uproar and riot rejoice the night long;
From envy or hatred your corps is exempt,
But where is your shield from the darts of contempt?