DanFosing/public-domain-poetry huggingface dataset:
A Visit
by Ivan Sergeyevich Turgenev

I was sitting at the open window ... in the morning, the early morning of the first of May.
The dawn had not yet begun; but already the dark, warm night grew pale and chill at its approach.
No mist had risen, no breeze was astir, all was colourless and still ... but the nearness of the awakening could be felt, and the rarer air smelt keen and moist with dew.
Suddenly, at the open window, with a light whirr and rustle, a great bird flew into my room.
I started, looked closely at it.... It was not a bird; it was a tiny winged woman, dressed in a narrow long robe flowing to her feet.
She was grey all over, the colour of mother-of-pearl; only the inner side of her wings glowed with the tender flush of an opening rose; a wreath of valley lilies entwined the scattered curls upon her little round head; and, like a butterfly's feelers, two peacock feathers waved drolly above her lovely rounded brow.
She fluttered twice about the ceiling; her tiny face was laughing; laughing, too, were her great, clear, black eyes.
The gay frolic of her sportive flight set them flashing like diamonds.
She held in her hand the long stalk of a flower of the steppes - 'the Tsar's sceptre,' the Russians call it - it is really like a sceptre.
Flying rapidly above me, she touched my head with the flower.
I rushed towards her.... But already she had fluttered out of window, and darted away....
In the garden, in a thicket of lilac bushes, a wood-dove greeted her with its first morning warble ... and where she vanished, the milk-white sky flushed a soft pink.
I know thee, Goddess of Fantasy! Thou didst pay me a random visit by the way; thou hast flown on to the young poets.
O Poesy! Youth! Virginal beauty of woman! Thou couldst shine for me but for a moment, in the early dawn of early spring!
May 1878.
The Sparrow
by Ivan Sergeyevich Turgenev

I was returning from hunting, and walking along an avenue of the garden, my dog running in front of me.
Suddenly he took shorter steps, and began to steal along as though tracking game.
I looked along the avenue, and saw a young sparrow, with yellow about its beak and down on its head. It had fallen out of the nest (the wind was violently shaking the birch-trees in the avenue) and sat unable to move, helplessly flapping its half-grown wings.
My dog was slowly approaching it, when, suddenly darting down from a tree close by, an old dark-throated sparrow fell like a stone right before his nose, and all ruffled up, terrified, with despairing and pitiful cheeps, it flung itself twice towards the open jaws of shining teeth.
It sprang to save; it cast itself before its nestling ... but all its tiny body was shaking with terror; its note was harsh and strange. Swooning with fear, it offered itself up!
What a huge monster must the dog have seemed to it! And yet it could not stay on its high branch out of danger.... A force stronger than its will flung it down.
My Tr'sor stood still, drew back.... Clearly he too recognised this force.
I hastened to call off the disconcerted dog, and went away, full of reverence.
Yes; do not laugh. I felt reverence for that tiny heroic bird, for its impulse of love.
Love, I thought, is stronger than death or the fear of death. Only by it, by love, life holds together and advances.
April 1878.
Rosie Roberts
by Edgar Lee Masters

I was sick, but more than that, I was mad
At the crooked police, and the crooked game of life.
So I wrote to the Chief of Police at Peoria:
"l am here in my girlhood home in Spoon River,
Gradually wasting away.
But come and take me, I killed the son
Of the merchant prince, in Madam Lou's
And the papers that said he killed himself
In his home while cleaning a hunting gun - 
Lied like the devil to hush up scandal
For the bribe of advertising.
In my room I shot him, at Madam Lou's,
Because he knocked me down when I said
That, in spite of all the money he had,
I'd see my lover that night."
The Beggar
by Ivan Sergeyevich Turgenev

I was walking along the street ... I was stopped by a decrepit old beggar.
Bloodshot, tearful eyes, blue lips, coarse rags, festering wounds.... Oh, how hideously poverty had eaten into this miserable creature!
He held out to me a red, swollen, filthy hand. He groaned, he mumbled of help.
I began feeling in all my pockets.... No purse, no watch, not even a handkerchief.... I had taken nothing with me. And the beggar was still waiting ... and his outstretched hand feebly shook and trembled.
Confused, abashed, I warmly clasped the filthy, shaking hand ... 'Don't be angry, brother; I have nothing, brother.'
The beggar stared at me with his bloodshot eyes; his blue lips smiled; and he in his turn gripped my chilly fingers.
'What of it, brother?' he mumbled; 'thanks for this, too. That is a gift too, brother.'
I knew that I too had received a gift from my brother.
February 1878.
Symbols
by Christina Georgina Rossetti

I watched a rosebud very long
Brought on by dew and sun and shower,
Waiting to see the perfect flower:
Then, when I thought it should be strong,
It opened at the matin hour
And fell at evensong.
I watched a nest from day to day,
A green nest full of pleasant shade,
Wherein three speckled eggs were laid:
But when they should have hatched in May,
The two old birds had grown afraid
Or tired, and flew away.
Then in my wrath I broke the bough
That I had tended so with care,
Hoping its scent should fill the air;
I crushed the eggs, not heeding how
Their ancient promise had been fair:
I would have vengeance now.
But the dead branch spoke from the sod,
And the eggs answered me again:
Because we failed dost thou complain?
Is thy wrath just? And what if God,
Who waiteth for thy fruits in vain,
Should also take the rod?
Henry Phipps
by Edgar Lee Masters

I was the Sunday-school superintendent,
The dummy president of the wagon works
And the canning factory,
Acting for Thomas Rhodes and the banking clique;
My son the cashier of the bank,
Wedded to Rhodes, daughter,
My week days spent in making money,
My Sundays at church and in prayer.
In everything a cog in the wheel of things - as - they-are:
Of money, master and man, made white
With the paint of the Christian creed.
And then:
The bank collapsed.
I stood and hooked at the wrecked machine - 
The wheels with blow-holes stopped with putty and painted;
The rotten bolts, the broken rods;
And only the hopper for souls fit to be used again
In a new devourer of life,
When newspapers, judges and money-magicians
Build over again.
I was stripped to the bone, but I lay in the Rock of Ages,
Seeing now through the game, no longer a dupe,
And knowing "'the upright shall dwell in the land
But the years of the wicked shall be shortened."
Then suddenly, Dr. Meyers discovered
A cancer in my liver.
I was not, after all, the particular care of God
Why, even thus standing on a peak
Above the mists through which I had climbed,
And ready for larger life in the world,
Eternal forces
Moved me on with a push.
The Portrait
by Siegfried Loraine Sassoon

I watch you, gazing at me from the wall,
And wonder how you'd match your dreams with mine,
If, mastering time's illusion, I could call
You back to share this quiet candle-shine.
For you were young, three hundred years ago;
And by your looks I guess that you were wise ...
Come, whisper soft, and Death will never know
You've slipped away from those calm, painted eyes.
Strange is your voice ... Poor ninny, dead so long,
And all your pride forgotten like your name.
'One April morn I heard a blackbird's song.
And joy was in my heart like leaves aflame.'
And so you died before your songs took wing;
While Andrew Marvell followed in your wake.
'Love thrilled me into music. I could sing
But for a moment, - but for beauty's sake.'
Who passes? There's a star-lit breeze that stirs
The glimmer of white lilies in the gloom.
Who speaks? Death has his silent messengers.
And there was more than silence in this room
While you were gazing at me from the wall
And wondering how you'd match your dreams with mine,
If, mastering time's illusion, you could call
Me back to share your vanished candle-shine.
The Old Woman
by Ivan Sergeyevich Turgenev

I was walking over a wide plain alone.
And suddenly I fancied light, cautious footsteps behind my back.... Some one was walking after me.
I looked round, and saw a little, bent old woman, all muffled up in grey rags. The face of the old woman alone peeped out from them; a yellow, wrinkled, sharp-nosed, toothless face.
I went up to her.... She stopped.
'Who are you? What do you want? Are you a beggar? Do you seek alms?'
The old woman did not answer. I bent down to her, and noticed that both her eyes were covered with a half-transparent membrane or skin, such as is seen in some birds; they protect their eyes with it from dazzling light.
But in the old woman, the membrane did not move nor uncover the eyes ... from which I concluded she was blind.
'Do you want alms?' I repeated my question. 'Why are you following me?'
But the old woman as before made no answer, but only shrank into herself a little.
I turned from her and went on my way.
And again I hear behind me the same light, measured, as it were, stealthy steps.
'Again that woman!' I thought, 'why does she stick to me?' But then, I added inwardly, 'Most likely she has lost her way, being blind, and now is following the sound of my steps so as to get with me to some inhabited place. Yes, yes, that's it.'
But a strange uneasiness gradually gained possession of my mind. I began to fancy that the old woman was not only following me, but that she was directing me, that she was driving me to right and to left, and that I was unwittingly obeying her.
I still go on, however ... but, behold, before me, on my very road, something black and wide ... a kind of hole.... 'A grave!' flashed through my head. 'That is where she is driving me!'
I turned sharply back. The old woman faced me again ... but she sees! She is looking at me with big, cruel, malignant eyes ... the eyes of a bird of prey.... I stoop down to her face, to her eyes.... Again the same opaque membrane, the same blind, dull countenance....
'Ah!' I think, 'this old woman is my fate. The fate from which there is no escape for man!'
'No escape! no escape! What madness.... One must try.' And I rush away in another direction.
I go swiftly.... But light footsteps as before patter behind me, close, close.... And before me again the dark hole.
Again I turn another way.... And again the same patter behind, and the same menacing blur of darkness before.
And whichever way I run, doubling like a hunted hare ... it's always the same, the same!
'Wait!' I think, 'I will cheat her! I will go nowhere!' and I instantly sat down on the ground.
The old woman stands behind, two paces from me. I do not hear her, but I feel she is there.
And suddenly I see the blur of darkness in the distance is floating, creeping of itself towards me!
God! I look round again ... the old woman looks straight at me, and her toothless mouth is twisted in a grin.
No escape!
The Duet.
by Ella Wheeler Wilcox

I was smoking a cigarette;
Maud, my wife, and the tenor, McKey,
Were singing together a blithe duet,
And days it were better I should forget
Came suddenly back to me - 
Days when life seemed a gay masque ball,
And to love and be loved was the sum of it all.
As they sang together, the whole scene fled,
The room's rich hangings, the sweet home air,
Stately Maud, with her proud blond head,
And I seemed to see in her place instead
A wealth of blue-black hair,
And a face, ah! your face - yours, Lisette;
A face it were wiser I should forget.
We were back - well, no matter when or where;
But you remember, I know, Lisette.
I saw you, dainty and debonair,
With the very same look that you used to wear
In the days I should forget.
And your lips, as red as the vintage we quaffed,
Were pearl-edged bumpers of wine when you laughed.
Two small slippers with big rosettes
Peeped out under your kilt skirt there,
While we sat smoking our cigarettes
(Oh, I shall be dust when my heart forgets')
And singing that self-same an,
And between the verses, for interlude,
I kissed your throat and your shoulders nude.
You were so full of a subtle file,
You were so warm and so sweet, Lisette;
You were everything men admire,
And there were no fetters to make us tire,
For you were - a pretty grisette.
But you loved, as only such natures can,
With a love that makes heaven or hell for a man.
*     *     *     *     *
They have ceased singing that old duet,
Stately Maud and the tenor, McKey.
"You are burning your coat with your cigarette,
And qu' avez vous, dearest, your lids are wet,"
Maud says, as she leans o'er me.
And I smile, and lie to her, husband-wise,
"Oh, it is nothing but smoke in my eyes."
Winter Dusk
by Sara Teasdale

I watch the great clear twilight
Veiling the ice-bowed trees;
Their branches tinkle faintly
With crystal melodies.
The larches bend their silver
Over the hush of snow;
One star is lighted in the west,
Two in the zenith glow.
For a moment I have forgotten
Wars and women who mourn,
I think of the mother who bore me
And thank her that I was born.
Tennessee Claflin Shope
by Edgar Lee Masters

I was the laughing-stock of the village,
Chiefly of the people of good sense, as they call themselves - 
Also of the learned, like Rev. Peet, who read Greek
The same as English.
For instead of talking free trade,
Or preaching some form of baptism;
Instead of believing in the efficacy
Of walking cracks, picking up pins the right way,
Seeing the new moon over the right shoulder,
Or curing rheumatism with blue glass,
I asserted the sovereignty of my own soul.
Before Mary Baker G. Eddy even got started
With what she called science I had mastered the "Bhagavad Gita,"
And cured my soul, before Mary Began to cure bodies with souls - 
Peace to all worlds!
Widow McFarlane
by Edgar Lee Masters

I was the Widow McFarlane,
Weaver of carpets for all the village.
And I pity you still at the loom of life,
You who are singing to the shuttle
And lovingly watching the work of your hands,
If you reach the day of hate, of terrible truth.
For the cloth of life is woven, you know,
To a pattern hidden under the loom - 
A pattern you never see!
And you weave high-hearted, singing, singing,
You guard the threads of love and friendship
For noble figures in gold and purple.
And long after other eyes can see
You have woven a moon-white strip of cloth,
You laugh in your strength, for Hope overlays it
With shapes of love and beauty.
The loom stops short!
The pattern's out
You're alone in the room!
You have woven a shroud
And hate of it lays you in it.
Knowlt Hoheimer
by Edgar Lee Masters

I was the first fruits of the battle of Missionary Ridge.
When I felt the bullet enter my heart
I wished I had staid at home and gone to jail
For stealing the hogs of Curl Trenary,
Instead of running away and joining the army.
Rather a thousand times the county jail
Than to lie under this marble figure with wings,
And this granite pedestal Bearing the words, "Pro Patria."
What do they mean, anyway?
Lillian Stewart
by Edgar Lee Masters

I was the daughter of Lambert Hutchins,
Born in a cottage near the grist - mill,
Reared in the mansion there on the hill,
With its spires, bay - windows, and roof of slate.
How proud my mother was of the mansion
How proud of father's rise in the world!
And how my father loved and watched us,
And guarded our happiness.
But I believe the house was a curse,
For father's fortune was little beside it;
And when my husband found he had married
A girl who was really poor,
He taunted me with the spires,
And called the house a fraud on the world,
A treacherous lure to young men, raising hopes
Of a dowry not to be had;
And a man while selling his vote
Should get enough from the people's betrayal
To wall the whole of his family in.
He vexed my life till I went back home
And lived like an old maid till I died,
Keeping house for father.
Verses For After-Dinner Phi Beta Kappa Society, 1844
by Oliver Wendell Holmes

I was thinking last night, as I sat in the cars,
With the charmingest prospect of cinders and stars,
Next Thursday is - bless me! - how hard it will be,
If that cannibal president calls upon me!
There is nothing on earth that he will not devour,
From a tutor in seed to a freshman in flower;
No sage is too gray, and no youth is too green,
And you can't be too plump, though you're never too lean.
While others enlarge on the boiled and the roast,
He serves a raw clergyman up with a toast,
Or catches some doctor, quite tender and young,
And basely insists on a bit of his tongue.
Poor victim, prepared for his classical spit,
With a stuffing of praise and a basting of wit,
You may twitch at your collar and wrinkle your brow,
But you're up on your legs, and you're in for it now.
Oh think of your friends, - they are waiting to hear
Those jokes that are thought so remarkably queer;
And all the Jack Horners of metrical buns
Are prying and fingering to pick out the puns.
Those thoughts which, like chickens, will always thrive best
When reared by the heat of the natural nest,
Will perish if hatched from their embryo dream
In the mist and the glow of convivial steam.
Oh pardon me, then, if I meekly retire,
With a very small flash of ethereal fire;
No rubbing will kindle your Lucifer match,
If the fiz does not follow the primitive scratch.
Dear friends, who are listening so sweetly the while,
With your lips double - reefed in a snug little smile,
I leave you two fables, both drawn from the deep, - 
The shells you can drop, but the pearls you may keep.
. . . . . . . . . . .
The fish called the FLOUNDER, perhaps you may know,
Has one side for use and another for show;
One side for the public, a delicate brown,
And one that is white, which he always keeps down.
A very young flounder, the flattest of flats,
(And they 're none of them thicker than opera hats,)
Was speaking more freely than charity taught
Of a friend and relation that just had been caught.
"My! what an exposure! just see what a sight!
I blush for my race, - he is showing his white
Such spinning and wriggling, - why, what does he wish?
How painfully small to respectable fish!"
Then said an Old SCULPIN, - "My freedom excuse,
You're playing the cobbler with holes in your shoes;
Your brown side is up, - but just wait till you're tried
And you'll find that all flounders are white on one side."
. . . . . . . . . .
There's a slice near the PICKEREL'S pectoral fins,
Where the thorax leaves off and the venter begins,
Which his brother, survivor of fish-hooks and lines,
Though fond of his family, never declines.
He loves his relations; he feels they'll be missed;
But that one little tidbit he cannot resist;
So your bait may be swallowed, no matter how fast,
For you catch your next fish with a piece of the last.
And thus, O survivor, whose merciless fate
Is to take the next hook with the president's bait,
You are lost while you snatch from the end of his line
The morsel he rent from this bosom of mine!
The Aged Stranger
by Bret Harte (Francis)

'I was with Grant' the stranger said;
Said the farmer, 'Say no more,
But rest thee here at my cottage porch,
For thy feet are weary and sore.'
'I was with Grant' the stranger said;
Said the farmer, 'Nay, no more,
I prithee sit at my frugal board,
And eat of my humble store.
'How fares my boy, my soldier boy,
Of the old Ninth Army Corps?
I warrant he bore him gallantly
In the smoke and the battle's roar!'
'I know him not,' said the aged man,
'And, as I remarked before,
I was with Grant' 'Nay, nay, I know,'
Said the farmer, 'say no more:
'He fell in battle, I see, alas!
Thou'dst smooth these tidings o'er,
Nay, speak the truth, whatever it be,
Though it rend my bosom's core.
'How fell he?        With his face to the foe,
Upholding the flag he bore?
Oh, say not that my boy disgraced
The uniform that he wore!'
'I cannot tell,' said the aged man,
'And should have remarked before.
That I was with Grant, in Illinois,
Some three years before the war.'
Then the farmer spake him never a word,
But beat with his fist full sore
That aged man who had worked for Grant
Some three years before the war.
An Old Love Letter
by Richard Le Gallienne

I was reading a letter of yours to-day,
The date - O a thousand years ago!
The postmark is there - the month was May:
How, in God's name, did I let you go?
What wonderful things for a girl to say!
And to think that I hadn't the sense to know - 
What wonderful things for a man to hear!
O still beloved, O still most dear.
"Duty" I called it, and hugged the word
Close to my side, like a shirt of hair;
You laughed, I remember, laughed like a bird,
And somehow I thought that you didn't care.
Duty! - and Love, with her bosom bare!
No wonder you laughed, as we parted there - 
Then your letter came with this last good-by - 
And I sat splendidly down to die.
Nor Duty, nor Death, would have aught of me:
"He is Love's," they said, "he cannot be ours;"
And your laugh pursued me o'er land and sea,
And your face like a thousand flowers.
"Tis her gown!" I said to each rustling tree,
"She is coming!" I said to the whispered showers;
But you came not again, and this letter of yours
Is all that endures - all that endures.
These aching words - in your swift firm hand,
That stirs me still as the day we met - -
That now 'tis too late to understand,
Say "hers is the face you shall ne'er forget;"
That, though Space and Time be as shifting sand,
We can never part - we are meeting yet.
This song, beloved, where'er you be,
Your heart shall hear and shall answer me.
Thoughts of Home.1
by Arthur Hugh Clough

I watched them from the window, thy children at their play,
And I thought of all my own dear friends, who were far, oh, far away,
And childish loves, and childish cares, and a child's own buoyant gladness
Came gushing back again to me with a soft and solemn sadness;
And feelings frozen up full long, and thoughts of long ago,
Seemed to be thawing at my heart with a warm and sudden flow.
I looked upon thy children, and I thought of all and each,
Of my brother and my sister, and our rambles on the beach,
Of my mother's gentle voice, and my mother's beckoning hand,
And all the tales she used to tell of the far, far English land;
And the happy, happy evening hours, when I sat on my father's knee,
Oh! many a wave is rolling now betwixt that seat and me!
And many a day has passed away since, I left them o'er the sea,
And I have lived a life since then of boyhood's thoughtless glee;
Yet of the blessed times gone by not seldom would I dream,
And childhood's joy, like faint far stars, in memory's heaven would gleam,
And o'er the sea to those I loved my thoughts would often roam,
But never knew I until now the blessings of a home!
I used to think when I was there that my own true home was here,
But home is not in land or sky, but in those whom each holds dear.
The evening's cooling breeze is fanning my temples now,
But then my frame was languid, and heated was my brow,
And I longed for England's cool, and for England's breezes then,
But now I would give full many a breeze to be back in the heat again.
But when cold strange looks without, and proud high thoughts within,
Are weaving round my heart the woof of selfishness and sin;
When self begins to roll a far, a worse and wider sea
Of careless and unloving thoughts between those friends and me,
I will think upon these moments, and call to mind the day
When I watched them from the window, thy children at their play.
I Was The Midmost
by Thomas Hardy

I was the midmost of my world
When first I frisked me free,
For though within its circuit gleamed
But a small company,
And I was immature, they seemed
To bend their looks on me.
She was the midmost of my world
When I went further forth,
And hence it was that, whether I turned
To south, east, west, or north,
Beams of an all-day Polestar burned
From that new axe of earth.
Where now is midmost in my world?
I trace it not at all:
No midmost shows it here, or there,
When wistful voices call
"We are fain! We are fain!" from everywhere
On Earth's bewildering ball!