DanFosing/public-domain-poetry huggingface dataset:
The Cherry Tree (The Adventures Of Seumas Beg)
by James Stephens

Come from your bed my drowsy gentleman!
And you, fair lady, rise and braid your hair,
And let the children wash, if wash they can;
If not, assist you them, and make them fair
As is the morning and the morning sky,
And every tree and bush and bird in air.
The sun climbed on the heights three hours ago,
He laughed above the hills and they were glad;
With bubbled pearl he made the rivers flow
And laced their mists in silver, and he clad
The meads in fragrant pomp of green and gold,
And bade the world forget it had been sad.
So lift yourself, good sir! and you, sweet dame,
Unlash your evening eyes of pious grey;
Call on the children by each loved name,
And set them on the grass and let them play;
And play with them a while, and sing with them
Beneath the cherry bush a roundelay.
Come Girl, And Embrace
by Frank James Prewett

Come girl, and embrace
And ask no more I wed thee;
Know then you are sweet of face,
Soft-limbed and fashioned lovingly; 
Must you go marketing your charms
In cunning woman-like,
And filled with old wives' tales' alarms?
I tell you, girl, come embrace;
What reck we of churchling and priest
With hands on paunch, and chubby face?
Behold, we are life's pitiful least,
And we perish at the first smell
Of death, whither heaves earth
To spurn us cringing into hell.
Come girl, and embrace;
Nay, cry not, poor wretch, nor plead,
But haste, for life strikes a swift pace,
And I burn with envious greed:
Know you not, fool, we are the mock
Of gods, time, clothes, and priests?
But come, there is no time for talk.
Come back, come back, behold with straining mast
by Arthur Hugh Clough

Come back, come back, behold with straining mast
And swelling sail, behold her steaming fast;
With one new sun to see her voyage o'er,
With morning light to touch her native shore.
Come back, come back.
Come back, come back, while westward labouring by,
With sailless yards, a bare black hulk we fly.
See how the gale we fight with sweeps her back,
To our lost home, on our forsaken track.
Come back, come back.
Come back, come back, across the flying foam,
We hear faint far-off voices call us home,
Come back, ye seem to say; ye seek in vain;
We went, we sought, and homeward turned again.
Come back, come back.
Come back, come back; and whither back or why?
To fan quenched hopes, forsaken schemes to try;
Walk the old fields; pace the familiar street;
Dream with the idlers, with the bards compete.
Come back, come back.
Come back, come back; and whither and for what?
To finger idly some old Gordian knot,
Unskilled to sunder, and too weak to cleave,
And with much toil attain to half-believe.
Come back, come back.
Come back, come back; yea back, indeed, do go
Sighs panting thick, and tears that want to flow;
Fond fluttering hopes upraise their useless wings,
And wishes idly struggle in the strings;
Come back, come back.
Come back, come back, more eager than the breeze,
The flying fancies sweep across the seas,
And lighter far than ocean's flying foam,
The heart's fond message hurries to its home.
Come back, come back
Come back, come back!
Back flies the foam; the hoisted flag streams back;
The long smoke wavers on the homeward track,
Back fly with winds things which the winds obey,
The strong ship follows its appointed way.
The Call (From A Happy Boy)
by Bj'rnstjerne Martinius Bj'rnson

Come calf now to mother,
Come lamb that I choose,
Come cats, one and t' other,
With snowy-white shoes,
Come gosling all yellow,
Come forth with your fellow,
Come chickens so small,
Scarce walking at all,
Come doves, that are mine now,
With feathers so fine now!
The grass is bedewed,
The sunlight renewed,
It's early, early, summer's advancing
But autumn soon comes a-dancing!
Invocation
by Siegfried Loraine Sassoon

Come down from heaven to meet me when my breath
Chokes, and through drumming shafts of stifling death
I stumble toward escape, to find the door
Opening on morn where I may breathe once more
Clear cock-crow airs across some valley dim
With whispering trees. While dawn along the rim
Of night's horizon flows in lakes of fire,
Come down from heaven's bright hill, my song's desire.
Belov'd and faithful, teach my soul to wake
In glades deep-ranked with flowers that gleam and shake
And flock your paths with wonder. In your gaze
Show me the vanquished vigil of my days.
Mute in that golden silence hung with green,
Come down from heaven and bring me in your eyes
Remembrance of all beauty that has been,
And stillness from the pools of Paradise.
Correspondence Between A Lady And Gentleman, Upon The Advantage Of (What Is Called) "Having Law[1] On One's Side."
by Thomas Moore

The Gentleman's Proposal.
Legge aurea,
S'ei piace, ei lice."
Come fly to these arms nor let beauties so bloomy
To one frigid owner be tied;
Your prudes may revile and your old ones look gloomy,
But, dearest, we've Law on our side.
Oh! think the delight of two lovers congenial,
Whom no dull decorums divide;
Their error how sweet and their raptures how venial,
When once they've got Law on their side.
'Tis a thing that in every King's reign has been done too:
Then why should it now be decried?
If the Father has done it why shouldn't the Son too?
For so argues Law on our side.
And even should our sweet violation of duty
By cold-blooded jurors be tried,
They can but bring it in "misfortune," my beauty,
As long as we've Law on our side.
The Lady's Answer.
Hold, hold, my good Sir, go a little more slowly;
For grant me so faithless a bride,
Such sinners as we, are a little too lovely,
To hope to have Law on our side.
Had you been a great Prince, to whose star shining o'er 'em
The People should look for their guide,
Then your Highness (and welcome!) might kick down decorum--
You'd always have Law on your side.
Were you even an old Marquis, in mischief grown hoary,
Whose heart tho' it long ago died
To the pleasures of vice, is alive to its glory--
You still would have Law on your side.
But for you, Sir, Crim. Con. is a path full of troubles;
By my advice therefore abide,
And leave the pursuit to those Princes and Nobles
Who have such a Law on their side.
Songs Of The Night Watches, - Introductory.
by Jean Ingelow

(Old English Manner.)
APPRENTICED.
Come out and hear the waters shoot, the owlet hoot, the owlet hoot;
Yon crescent moon, a golden boat, hangs dim behind the tree, O!
The dropping thorn makes white the grass, O sweetest lass, and sweetest lass;
Come out and smell the ricks of hay adown the croft with me, O!"
"My granny nods before her wheel, and drops her reel, and drops her reel;
My father with his crony talks as gay as gay can be, O!
But all the milk is yet to skim, ere light wax dim, ere light wax dim;
How can I step adown the croft, my 'prentice lad, with thee, O?"
"And must ye bide, yet waiting's long, and love is strong, and love is strong;
And O! had I but served the time, that takes so long to flee, O!
And thou, my lass, by morning's light wast all in white, wast all in white,
And parson stood within the rails, a-marrying me and thee, O."
Colonus' Praise
by William Butler Yeats

(Chorus.) Come praise Colonus' horses, and come praise
The wine-dark of the wood's intricacies,
The nightingale that deafens daylight there,
If daylight ever visit where,
Unvisited by tempest or by sun,
Immortal ladies tread the ground
Dizzy with harmonious sound,
Semele's lad a gay companion.
And yonder in the gymnasts' garden thrives
The self-sown, self-begotten shape that gives
Athenian intellect its mastery,
Even the grey-leaved olive-tree
Miracle-bred out of the living stone;
Nor accident of peace nor war
Shall wither that old marvel, for
The great grey-eyed Athene stareS thereon.
Who comes into this countty, and has come
Where golden crocus and narcissus bloom,
Where the Great Mother, mourning for her daughter
And beauty-drunken by the water
Glittering among grey-leaved olive-trees,
Has plucked a flower and sung her loss;
Who finds abounding Cephisus
Has found the loveliest spectacle there is.
because this country has a pious mind
And so remembers that when all mankind
But trod the road, or splashed about the shore,
Poseidon gave it bit and oar,
Every Colonus lad or lass discourses
Of that oar and of that bit;
Summer and winter, day and night,
Of horses and horses of the sea, white horses.
The Widows' Tears; Or, Dirge Of Dorcas
by Robert Herrick

Come pity us, all ye who see
Our harps hung on the willow-tree;
Come pity us, ye passers-by,
Who see or hear poor widows' cry;
Come pity us, and bring your ears
And eyes to pity widows' tears.
CHOR.    And when you are come hither,
Then we will keep
A fast, and weep
Our eyes out all together,
For Tabitha; who dead lies here,
Clean wash'd, and laid out for the bier.
O modest matrons, weep and wail!
For now the corn and wine must fail;
The basket and the bin of bread,
Wherewith so many souls were fed,
CHOR.    Stand empty here for ever;
And ah!    the poor,
At thy worn door,
Shall be relieved never.
Woe worth the time, woe worth the day,
That reft us of thee, Tabitha!
For we have lost, with thee, the meal,
The bits, the morsels, and the deal
Of gentle paste and yielding dough,
That thou on widows did bestow.
CHOR.    All's gone, and death hath taken
Away from us
Our maundy; thus
Thy widows stand forsaken.
Ah, Dorcas, Dorcas!    now adieu
We bid the cruise and pannier too;
Ay, and the flesh, for and the fish,
Doled to us in that lordly dish.
We take our leaves now of the loom
From whence the housewives' cloth did come;
CHOR.    The web affords now nothing;
Thou being dead,
The worsted thread
Is cut, that made us clothing.
Farewell the flax and reaming wool,
With which thy house was plentiful;
Farewell the coats, the garments, and
The sheets, the rugs, made by thy hand;
Farewell thy fire and thy light,
That ne'er went out by day or night:
CHOR.    No, or thy zeal so speedy,
That found a way,
By peep of day,
To feed and clothe the needy.
But ah, alas!    the almond-bough
And olive-branch is wither'd now;
The wine-press now is ta'en from us,
The saffron and the calamus;
The spice and spikenard hence is gone,
The storax and the cinnamon;
CHOR.    The carol of our gladness
Has taken wing;
And our late spring
Of mirth is turn'd to sadness.
How wise wast thou in all thy ways!
How worthy of respect and praise!
How matron-like didst thou go drest!
How soberly above the rest
Of those that prank it with their plumes,
And jet it with their choice perfumes!
CHOR.    Thy vestures were not flowing;
Nor did the street
Accuse thy feet
Of mincing in their going.
And though thou here liest dead, we see
A deal of beauty yet in thee.
How sweetly shews thy smiling face,
Thy lips with all diffused grace!
Thy hands, though cold, yet spotless, white,
And comely as the chrysolite.
CHOR.    Thy belly like a hill is,
Or as a neat
Clean heap of wheat,
All set about with lilies.
Sleep with thy beauties here, while we
Will shew these garments made by thee;
These were the coats; in these are read
The monuments of Dorcas dead:
These were thy acts, and thou shalt have
These hung as honours o'er thy grave:
CHOR.    And after us, distressed,
Should fame be dumb,
Thy very tomb
Would cry out, Thou art blessed.
The Stranger.
by Thomas Moore

Come list, while I tell of the heart-wounded Stranger
Who sleeps her last slumber in this haunted ground;
Where often, at midnight, the lonely wood-ranger
Hears soft fairy music re-echo around.
None e'er knew the name of that heart-stricken lady,
Her language, tho' sweet, none could e'er understand;
But her features so sunned, and her eyelash so shady,
Bespoke her a child of some far Eastern land.
'Twas one summer night, when the village lay sleeping,
A soft strain of melody came o'er our ears;
So sweet, but so mournful, half song and half weeping,
Like music that Sorrow had steeped in her tears.
We thought 'twas an anthem some angel had sung us;--
But, soon as the day-beams had gushed from on high,
With wonder we saw this bright stranger among us,
All lovely and lone, as if strayed from the sky.
Nor long did her life for this sphere seem intended,
For pale was her cheek, with that spirit-like hue,
Which comes when the day of this world is nigh ended,
And light from another already shines through.
Then her eyes, when she sung--oh, but once to have seen them--
Left thoughts in the soul that can never depart;
While her looks and her voice made a language between them,
That spoke more than holiest words to the heart.
But she past like a day-dream, no skill could restore her--
Whate'er was her sorrow, its ruin came fast;
She died with the same spell of mystery o'er her.
That song of past days on her lips to the last.
Not even in the grave is her sad heart reposing--
Still hovers the spirit of grief round her tomb;
For oft, when the shadows of midnight are closing,
The same strain of music is heard thro' the gloom.
The Flown Soul
by George Parsons Lathrop

FEBRUARY 6, 1881
Come not again! I dwell with you
Above the realm of frost and dew,
Of pain and fire, and growth to death.
I dwell with you where never breath
Is drawn, but fragrance vital flows
From life to life, even as a rose
Unseen pours sweetness through each vein
And from the air distills again.
You are my rose unseen; we live
Where each to other joy may give
In ways untold, by means unknown
And secret as the magnet-stone.
For which of us, indeed, is dead?
No more I lean to kiss your head - 
The gold-red hair so thick upon it;
Joy feels no more the touch that won it
When o'er my brow your pearl-cool palm
In tenderness so childish, calm,
Crept softly, once. Yet, see, my arm
Is strong, and still my blood runs warm.
I still can work, and think and weep.
But all this show of life I keep
Is but the shadow of your shine,
Flicker of your fire, husk of your vine;
Therefore, you are not dead, nor I
Who hear your laughter's minstrelsy.
Among the stars your feet are set;
Your little feet are dancing yet
Their rhythmic beat, as when on earth.
So swift, so slight are death and birth!
Come not again, dear child. If thou
By any chance couldst break that vow
Of silence at thy last hour made;
If to this grim life unafraid
Thou couldst return, and melt the frost
Wherein thy bright limbs' power was lost;
Still would I whisper - since so fair
This silent comradeship we share - 
Yes, whisper 'mid the unbidden rain
Of tears: "Come not, come not again!"
Bright Life
by Walter De La Mare

"Come now," I said, "put off these webs of death,
Distract this leaden yearning of thine eyes
From lichened banks of peace, sad mysteries
Of dust fallen-in where passed the flitting breath:
Turn thy sick thoughts from him that slumbereth
In mouldered linen to the living skies,
The sun's bright-clouded principalities,
The salt deliciousness the sea-breeze hath!
"Lay thy warm hand on earth's cold clods and think
What exquisite greenness sprouts from these to grace
The moving fields of summer; on the brink
Of arch'd waves the sea-horizon trace,
Whence wheels night's galaxy; and in silence sink
The pride in rapture of life's dwelling-place!"
Come Not, Oh Lord. (Air.--Haydn.)
by Thomas Moore

Come not, oh LORD, in the dread robe of splendor
Thou worest on the Mount, in the day of thine ire;
Come veiled in those shadows, deep, awful, but tender,
Which Mercy flings over thy features of fire!
LORD, thou rememberest the night, when thy Nation[1]
Stood fronting her Foe by the red-rolling stream;
O'er Egypt thy pillar shed dark desolation,
While Israel basked all the night in its beam.
So, when the dread clouds of anger enfold Thee,
From us, in thy mercy, the dark side remove;
While shrouded in terrors the guilty behold Thee,
Oh, turn upon us the mild light of thy Love!
The Voice Of The Dove
by Joaquin Miller

Come listen, O Love, to the voice of the dove,
Come, hearken and hear him say,
There are many To-morrows, my Love, my Love,
There is only one To-day.
And all day long you can hear him say
This day in purple is rolled,
And the baby stars of the milky-way
They are cradled in cradles of gold.
Now what is thy secret, serene gray dove,
Of singing so sweetly alway?
'There are many To-morrows, my Love, my Love,
There is only one To-day.'
The Sheep-Washers' Lament
by Banjo Paterson (Andrew Barton)

(Air: 'The Bonnie Irish Boy.')
Come now, ye sighing washers all,
Join in my doleful lay,
Mourn for the times none can recall,
With hearts to grief a prey.
We'll mourn the washer's sad downfall
In our regretful strain,
Lamenting on the days gone by
Ne'er to return again.
When first I went a-washing sheep
The year was sixty-one,
The master was a worker then,
The servant was a man;
But now the squatters, puffed with pride,
They treat us with disdain;
Lament the days that are gone by
Ne'er to return again.
From sixty-one to sixty-six,
The bushman, stout and strong,
Would smoke his pipe and whistle his tune,
And sing his cheerful song,
As wanton as the kangaroo
That bounds across the plain.
Lament the days that are gone by
Ne'er to return again.
Supplies of food unstinted, good,
No squatter did withhold.
With plenty grog to cheer our hearts,
We feared nor heat nor cold.
With six-and-six per man per day
We sought not to complain.
Lament the days that are gone by
Ne'er to return again.
With perfect health, a mine of wealth,
Our days seemed short and sweet,
On pleasure bent our evenings spent,
Enjoyment was complete.
But now we toil from morn till night,
Though much against the grain,
Lamenting on the days gone by,
Ne'er to return again.
I once could boast two noble steeds,
To bear me on my way,
My good revolver in my belt,
I never knew dismay.
But lonely now I hump my drum
In sunshine and in rain,
Lamenting on the days gone by
Ne'er to return again.
A worthy cheque I always earned,
And spent it like a lord.
My dress a prince's form would grace.
And spells I could afford.
But now in tattered rags arrayed,
My limbs they ache with pain,
Lamenting on the days gone by,
Ne'er to return again.
May bushmen all in unity
Combine with heart and hand,
May cursed cringing poverty
Be banished from the land.
In Queensland may prosperity
In regal glory reign,
And washers in the time to come
Their vanished rights regain.
An Idyl Of The Period. In Two Parts.
by George Augustus Baker, Jr.

PART ONE.
"Come right in. How are you, Fred?
Find a chair, and get a light."
"Well, old man, recovered yet
From the Mather's jam last night?"
"Didn't dance. The German's old."
"Didn't you? I had to lead 
Awful bore! Did you go home?"
"No. Sat out with Molly Meade.
Jolly little girl she is 
Said she didn't care to dance,
'D rather sit and talk to me 
Then she gave me such a glance!
So, when you had cleared the room,
And impounded all the chairs,
Having nowhere else, we two
Took possession of the stairs.
I was on the lower step,
Molly, on the next above,
Gave me her bouquet to hold,
Asked me to undo her glove.
Then, of course, I squeezed her hand,
Talked about my wasted life;
'Ah! if I could only win
Some true woman for my wife,
How I'd love her work for her!
Hand in hand through life we'd walk 
No one ever cared for me '
Takes a girl that kind of talk.
Then, you know, I used my eyes 
She believed me, every word 
Said I 'mustn't talk so' Jove!
Such a voice you never heard.
Gave me some symbolic flower, 
'Had a meaning, oh, so sweet,' 
Don't know where it is, I'm sure;
Must have dropped it in the street.
How I spooned! And she ha! ha! 
Well, I know it wasn't right 
But she pitied me so much
That I kissed her pass a light."
PART TWO.
"Molly Meade, well, I declare!
Who'd have thought of seeing you,
After what occurred last night,
Out here on the Avenue!
Oh, you awful! awful girl!
There, don't blush, I saw it all."
"Saw all what?" "Ahem! last night 
At the Mather's in the hall."
"Oh, you horrid where were you?
Wasn't he the biggest goose!
Most men must be caught, but he
Ran his own neck in the noose.
I was almost dead to dance,
I'd have done it if I could,
But old Grey said I must stop,
And I promised Ma I would.
So I looked up sweet, and said
That I'd rather talk to him;
Hope he didn't see me laugh,
Luckily the lights were dim.
My, how he did squeeze my hand!
And he looked up in my face
With his lovely big brown eyes 
Really it's a dreadful case.
'Earnest!' I should think he was!
Why, I thought I'd have to laugh
When he kissed a flower he took,
Looking, oh! like such a calf.
I suppose he's got it now,
In a wine-glass on his shelves;
It's a mystery to me
Why men will deceive themselves.
'Saw him kiss me!' Oh, you wretch;
Well, he begged so hard for one 
And I thought there'd no one know 
So I let him, just for fun.
I know it really wasn't right
To trifle with his feelings, dear,
But men are such stuck-up things;
He'll recover never fear."
Seraphita
by Ernest Christopher Dowson

Come not before me now, O visionary face!
Me tempest-tost, and borne along life's passionate sea;
Troublous and dark and stormy though my passage be;
Not here and now may we commingle or embrace,
Lest the loud anguish of the waters should efface
The bright illumination of thy memory,
Which dominates the night; rest, far away from me,
In the serenity of thine abiding place!
But when the storm is highest, and the thunders blare,
And sea and sky are riven, O moon of all my night!
Stoop down but once in pity of my great despair,
And let thine hand, though over late to help, alight
But once upon my pale eyes and my drowning hair,
Before the great waves conquer in the last vain fight.
Come home, come home! and where is home for me
by Arthur Hugh Clough

Come home, come home! and where is home for me,
Whose ship is driving o'er the trackless sea?
To the frail bark here plunging on its way,
To the wild waters, shall I turn and say
To the plunging bark, or to the salt sea foam,
You are my home.
Fields once I walked in, faces once I knew,
Familiar things so old my heart believed them true,
These far, far back, behind me lie, before
The dark clouds mutter, and the deep seas roar,
And speak to them that 'neath and o'er them roam
No words of home.
Beyond the clouds, beyond the waves that roar,
There may indeed, or may not be, a shore,
Where fields as green, and hands and hearts as true,
The old forgotten semblance may renew,
And offer exiles driven far o'er the salt sea foam
Another home.
But toil and pain must wear out many a day,
And days bear weeks, and weeks bear months away,
Ere, if at all, the weary traveller hear,
With accents whispered in his wayworn ear,
A voice he dares to listen to, say, Come
To thy true home.
Come home, come home! and where a home hath he
Whose ship is driving o'er the driving sea?
Through clouds that mutter, and o'er waves that roar,
Say, shall we find, or shall we not, a shore
That is, as is not ship or ocean foam,
Indeed our home?
Old Counsel
by Herman Melville

Of The Young Master of a Wrecked California Clipper
Come out of the Golden Gate,
Go round the Horn with streamers,
Carry royals early and late;
But, brother, be not over-elate--
All hands save ship! has startled dreamers.
The Cobblers' Catch.
by Robert Herrick

Come sit we by the fire's side,
And roundly drink we here;
Till that we see our cheeks ale-dy'd
And noses tann'd with beer.