DanFosing/public-domain-poetry huggingface dataset:
The Knight Of Toggenburg. A Ballad.
by Friedrich Schiller

"I Can love thee well, believe me,
As a sister true;
Other love, Sir Knight, would grieve me,
Sore my heart would rue.
Calmly would I see thee going,
Calmly, too, appear;
For those tears in silence flowing
Find no answer here."
Thus she speaks, he hears her sadly, 
How his heartstrings bleed!
In his arms he clasps her madly,
Then he mounts his steed.
From the Switzer land collects he
All his warriors brave; 
Cross on breast, their course directs he
To the Holy Grave.
In triumphant march advancing,
Onward moves the host,
While their morion plumes are dancing
Where the foes are most.
Mortal terror strikes the Paynim
At the chieftain's name;
But the knight's sad thoughts enchain him 
Grief consumes his frame.
Twelve long months, with courage daring,
Peace he strives to find;
Then, at last, of rest despairing,
Leaves the host behind;
Sees a ship, whose sails are swelling,
Lie on Joppa's strand;
Ships him homeward for her dwelling,
In his own loved land.
Now behold the pilgrim weary
At her castle gate!
But alas! these accents dreary
Seal his mournful fate: 
"She thou seek'st her troth hath plighted
To all-gracious heaven;
To her God she was united
Yesterday at even!"
To his father's home forever
Bids he now adieu;
Sees no more his arms and beaver,
Nor his steed so true.
Then descends he, sadly, slowly, 
None suspect the sight, 
For a garb of penance lowly
Wears the noble knight.
Soon he now, the tempest braving,
Builds an humble shed,
Where o'er the lime-trees darkly waving,
Peeps the convent's head.
From the orb of day's first gleaming,
Till his race has run,
Hope in every feature beaming,
There he sits alone.
Toward the convent straining ever
His unwearied eyes, 
From her casement looking never
Till it open flies,
Till the loved one, soft advancing,
Shows her gentle face,
O'er the vale her sweet eye glancing,
Full of angel-grace.
Then he seeks his bed of rushes,
Stilled all grief and pain,
Slumbering calm, till morning's blushes
Waken life again.
Days and years fleet on, yet never
Breathes he plaint or sighs,
On her casement gazing ever
Till it open flies.
Till the loved one, soft advancing,
Shows her gentle face,
O'er the vale her sweet eyes glancing,
Full of angel-grace.
But at length, the morn returning
Finds him dead and chill; 
Pale and wan, his gaze, with yearning,
Seeks her casement still.
I Breathed Enough To Learn The Trick,
by Emily Elizabeth Dickinson

I breathed enough to learn the trick,
And now, removed from air,
I simulate the breath so well,
That one, to be quite sure
The lungs are stirless, must descend
Among the cunning cells,
And touch the pantomime himself.
How cool the bellows feels!
Immortality
by Ellis Parker Butler

I bowed my head in anguish sore
When Life made Death his bride;
'Soul, we are lost forever more!'
Unto my soul I cried.
'Nay, waste in wailing not thy breath,'
My soul replied to me,
'Behold! The child of Life and Death
Is Immortality!'
A Mountain Station
by Banjo Paterson (Andrew Barton)

I bought a run a while ago
On country rough and ridgy,
Where wallaroos and wombats grow,
The Upper Murrumbidgee.
The grass is rather scant, it's true,
But this a fair exchange is,
The sheep can see a lovely view
By climbing up the ranges.
And She-oak Flat's the station's name,
I'm not surprised at that, sirs:
The oaks were there before I came,
And I supplied the flat, sirs.
A man would wonder how it's done,
The stock so soon decreases,
They sometimes tumble off the run
And break themselves to pieces.
I've tried to make expenses meet,
But wasted all my labours;
The sheep the dingoes didn't eat
Were stolen by the neighbours.
They stole my pears, my native pears,
Those thrice-convicted felons,
And ravished from me unawares
My crop of paddy-melons.
And sometimes under sunny skies,
Without an explanation,
The Murrumbidgee used to rise
And overflow the station.
But this was caused (as now I know)
When summer sunshine glowing
Had melted all kiandra's snow
And set the river going.
Then in the news, perhaps, you read:
"Stock Passings. Puckawidgee,
Fat cattle: Seven hundred head
Swept down the Murrumbidgee;
Their destination's quite obscure,
But, somehow, there's a notion,
Unless the river falls, they're sure
To reach the Southern Ocean."
So after that I'll give it best;
No more with Fate I'll battle.
I'll let the river take the rest,
For those were all my cattle.
And with one comprehensive curse
I close my brief narration,
And advertise it in my verse,
"For Sale! A Mountain Station."
The Pedigree
by Thomas Hardy

I
I bent in the deep of night
Over a pedigree the chronicler gave
As mine; and as I bent there, half-unrobed,
The uncurtained panes of my window-square let in the watery light
Of the moon in its old age:
And green-rheumed clouds were hurrying past where mute and cold it
globed
Like a drifting dolphin's eye seen through a lapping wave.
II
So, scanning my sire-sown tree,
And the hieroglyphs of this spouse tied to that,
With offspring mapped below in lineage,
Till the tangles troubled me,
The branches seemed to twist into a seared and cynic face
Which winked and tokened towards the window like a Mage
Enchanting me to gaze again thereat.
III
It was a mirror now,
And in it a long perspective I could trace
Of my begetters, dwindling backward each past each
All with the kindred look,
Whose names had since been inked down in their place
On the recorder's book,
Generation and generation of my mien, and build, and brow.
IV
And then did I divine
That every heave and coil and move I made
Within my brain, and in my mood and speech,
Was in the glass portrayed
As long forestalled by their so making it;
The first of them, the primest fuglemen of my line,
Being fogged in far antiqueness past surmise and reason's reach.
V
Said I then, sunk in tone,
"I am merest mimicker and counterfeit! -
Though thinking, I AM I
AND WHAT I DO I DO MYSELF ALONE."
- The cynic twist of the page thereat unknit
Back to its normal figure, having wrought its purport wry,
The Mage's mirror left the window-square,
And the stained moon and drift retook their places there.
1916.
Some Hurt Thing
by John Frederick Freeman

I came to you quietly when you were lying
In perfect midnight sleep.
Your dark soft hair was all about your pillow,
So black upon the white.
I could not see your face except the lovely
Curve of the pale cheek;
Your head was bent as though your stirless slumber
Was sea-like heavy and deep.
The wind came gently in at the wide window,
Shaking the candle-light
And shadows on the wall; and there was silence,
Or sound but far and weak.
By the bedside your daytime toys were gathered:
The bright bell-ringing wheel,
Dolls clad in violent yellow and vermilion,
Strings of gay-coloured beads....
But you were far and far from these beside you,
Entranced with other joys
In fresh fields, among other children running:
Your voice, I knew, must peal
Purely among their high unearthly voices
Over green daisied meads,
While I stood watching your scarce-heaving slumber
Beside your human toys----
And heard, faint from the woods all through the night,
The cry of some hurt thing that moaned for light.
The Days
by Theodosia Garrison

I call my years back, I, grown old,
Recall them day by day;
And some are dressed in cloth o' gold
And some in humble grey.
And those in gold glance scornfully
Or pass me unawares;
But those in grey come close to me
And take my hands in theirs.
The River
by Sara Teasdale

I came from the sunny valleys
And sought for the open sea,
For I thought in its gray expanses
My peace would come to me.
I came at last to the ocean
And found it wild and black,
And I cried to the windless valleys,
"Be kind and take me back!"
But the thirsty tide ran inland,
And the salt waves drank of me,
And I who was fresh as the rainfall
Am bitter as the sea.
I Bring An Unaccustomed Wine
by Emily Elizabeth Dickinson

I bring an unaccustomed wine
To lips long parching, next to mine,
And summon them to drink.
Crackling with fever, they essay;
I turn my brimming eyes away,
And come next hour to look.
The hands still hug the tardy glass;
The lips I would have cooled, alas!
Are so superfluous cold,
I would as soon attempt to warm
The bosoms where the frost has lain
Ages beneath the mould.
Some other thirsty there may be
To whom this would have pointed me
Had it remained to speak.
And so I always bear the cup
If, haply, mine may be the drop
Some pilgrim thirst to slake, --
If, haply, any say to me,
"Unto the little, unto me,"
When I at last awake.
Glory
by Violet Jacob

I canna' see ye, lad, I canna' see ye,
For a' yon glory that's aboot yer heid,
Yon licht that haps ye, an' the hosts that's wi' ye,
Aye, but ye live, an' it's mysel' that's deid!
They gae'd frae mill and mart; frae wind-blawn places,
And grey toon-closes; i' the empty street
Nae mair the bairns ken their steps, their faces,
Nor stand to listen to the trampin' feet.
Beside the brae, and soughin' through the rashes,
Yer voice comes back to me at ilka turn,
Amang the whins, an' whaur the water washes
The arn-tree[1] wi' its feet amangst the burn.
Whiles ye come back to me when day is fleein',
And a' the road oot-by is dim wi' nicht,
But weary een like mine is no for seein',
An', gin they saw, they wad be blind wi' licht.
Daith canna' kill. The mools o' France lie o'er ye,
An' yet ye live, O sodger o' the Lord!
For Him that focht wi' daith an' dule afore ye,
He gie'd the life - 'twas Him that gie'd the sword.
But gin ye see my face or gin ye hear me,
I daurna' ask, I maunna' seek to ken,
Though I should dee, wi' sic a glory near me,
By nicht or day, come ben, my bairn, come ben!
I Can't Abear
by Walter De La Mare

I can't abear a Butcher,
I can't abide his meat,
The ugliest shop of all is his,
The ugliest in the street;
Bakers' are warm, cobblers' dark,
Chemists' burn watery lights;
But oh, the sawdust butcher's shop,
That ugliest of sights!
Mithridates
by Ralph Waldo Emerson

I cannot spare water or wine,
Tobacco-leaf, or poppy, or rose;
From the earth-poles to the Line,
All between that works or grows,
Every thing is kin of mine.
Give me agates for my meat;
Give me cantharids to eat;
From air and ocean bring me foods,
From all zones and altitudes;--
From all natures, sharp and slimy,
Salt and basalt, wild and tame:
Tree and lichen, ape, sea-lion,
Bird, and reptile, be my game.
Ivy for my fillet band;
Blinding dog-wood in my hand;
Hemlock for my sherbet cull me,
And the prussic juice to lull me;
Swing me in the upas boughs,
Vampyre-fanned, when I carouse.
Too long shut in strait and few,
Thinly dieted on dew,
I will use the world, and sift it,
To a thousand humors shift it,
As you spin a cherry.
O doleful ghosts, and goblins merry!
O all you virtues, methods, mights,
Means, appliances, delights,
Reputed wrongs and braggart rights,
Smug routine, and things allowed,
Minorities, things under cloud!
Hither! take me, use me, fill me,
Vein and artery, though ye kill me!
Balade*
by Henry John Newbolt, Sir

I cannot tell, of twain beneath this bond,
Which one in grief the other goes beyond,---
Narcissus, who to end the pain he bore
Died of the love that could not help him more;
Or I, that pine because I cannot see
The lady who is queen and love to me.
Nay--for Narcissus, in the forest pond
Seeing his image, made entreaty fond,
"Beloved, comfort on my longing pour":
So for a while he soothed his passion sore;
So cannot I, for all too far is she---
The lady who is queen and love to me.
But since that I have Love's true colours donned,
I in his service will not now despond,
For in extremes Love yet can all restore:
So till her beauty walks the world no more
All day remembered in my hope shall be
The lady who is queen and love to me.
Shall The Dead Praise Thee?
by George MacDonald

I cannot praise thee. By his instrument
The master sits, and moves nor foot nor hand;
For see the organ-pipes this, that way bent,
Leaning, o'erthrown, like wheat-stalks tempest-fanned!
I well could praise thee for a flower, a dove,
But not for life that is not life in me;
Not for a being that is less than love--
A barren shoal half lifted from a sea!
Unto a land where no wind bloweth ships
Thy wind one day will blow me to my own:
Rather I'd kiss no more their loving lips
Than carry them a heart so poor and prone!
I bless thee, Father, thou art what thou art,
That thou dost know thyself what thou dost know--
A perfect, simple, tender, rhythmic heart,
Beating its blood to all in bounteous flow.
And I can bless thee too for every smart,
For every disappointment, ache, and fear;
For every hook thou fixest in my heart,
For every burning cord that draws me near.
But prayer these wake, not song. Thyself I crave.
Come thou, or all thy gifts away I fling.
Thou silent, I am but an empty grave:
Think to me, Father, and I am a king!
My organ-pipes will then stand up awake,
Their life soar, as from smouldering wood the blaze;
And swift contending harmonies shall shake
Thy windows with a storm of jubilant praise.
Eternities
by Gilbert Keith Chesterton

I cannot count the pebbles in the brook.
Well hath He spoken: 'Swear not by thy head,
Thou knowest not the hairs,' though He, we read,
Writes that wild number in his own strange book.
I cannot count the sands or search the seas,
Death cometh, and I leave so much untrod.
Grant my immortal aureole, O my God,
And I will name the leaves upon the trees.
In heaven I shall stand on gold and glass,
Still brooding earth's arithmetic to spell;
Or see the fading of the fires of hell
Ere I have thanked my God for all the grass.
Post-Impressionism
by Bert Leston Taylor

I cannot tell you how I love
The canvases of Mr. Dove,
Which Saturday I went to see
In Mr. Thurber's gallery.
At first you fancy they are built
As patterns for a crazy quilt,
But soon you see that they express
An ambient simultaneousness.
This thing which you would almost bet
Portrays a Spanish omelette,
Depicts instead, with wondrous skill,
A horse and cart upon a hill.
Now, Mr. Dove has too much art
To show the horse or show the cart;
Instead, he paints the creak and strain,
Get it? No pike is half as plain.
This thing which would appear to show
A fancy vest scenario,
Is really quite another thing,
A flock of pigeons on the wing.
But Mr. Dove is much too keen
To let a single bird be seen;
To show the pigeons would not do
And so he simply paints the coo.
It's all as simple as can be;
He paints the things you cannot see,
Just as composers please the ear
With "programme" things you cannot hear.
Dove is the cleverest of chaps;
And, gazing at his rhythmic maps,
I wondered (and I'm wondering yet)
Whether he did them on a bet.
To My Wife With A Copy Of My Poems
by Oscar Fingal O'Flahertie Wills Wilde

I can write no stately proem
As a prelude to my lay;
From a poet to a poem
I would dare to say.
For if of these fallen petals
One to you seem fair,
Love will waft it till it settles
On your hair.
And when wind and winter harden
All the loveless land,
It will whisper of the garden,
You will understand.
The Wine
by Sara Teasdale

I cannot die, who drank delight
From the cup of the crescent moon,
And hungrily as men eat bread,
Loved the scented nights of June.
The rest may die, but is there not
Some shining strange escape for me
Who sought in Beauty the bright wine
Of immortality?
Away
by James Whitcomb Riley

I cannot say, and I will not say
That he is dead. He is just away!
With a cheery smile, and a wave of the hand
He has wandered into an unknown land,
And left us dreaming how very fair
It needs must be, since he lingers there.
And you - O you, who the wildest yearn
For the old-time step and the glad return,
Think of him faring on, as dear
In the love of There as the love of Here;
And loyal still, as he gave the blows
Of his warrior-strength to his country's foes.
Mild and gentle, as he was brave,
When the sweetest love of his life he gave
To simple things: Where the violets grew
Blue as the eyes they were likened to,
The touches of his hands have strayed
As reverently as his lips have prayed:
When the little brown thrush that harshly chirred
Was dear to him as the mocking-bird;
And he pitied as much as a man in pain
A writhing honey-bee wet with rain.
Think of him still as the same, I say:
He is not dead - he is just away!
I Cannot Forget With What Fervid Devotion.
by William Cullen Bryant

I cannot forget with what fervid devotion
I worshipped the vision of verse and of fame.
Each gaze at the glories of earth, sky, and ocean,
To my kindled emotions, was wind over flame.
And deep were my musings in life's early blossom,
Mid the twilight of mountain groves wandering long;
How thrilled my young veins, and how throbbed my full bosom,
When o'er me descended the spirit of song.
'Mong the deep-cloven fells that for ages had listened
To the rush of the pebble-paved river between,
Where the kingfisher screamed and gray precipice glistened,
All breathless with awe have I gazed on the scene;
Till I felt the dark power o'er my reveries stealing,
From his throne in the depth of that stern solitude,
And he breathed through my lips, in that tempest of feeling,
Strains lofty or tender, though artless and rude.
Bright visions! I mixed with the world, and ye faded;
No longer your pure rural worshipper now;
In the haunts your continual presence pervaded,
Ye shrink from the signet of care on my brow.
In the old mossy groves on the breast of the mountain,
In deep lonely glens where the waters complain,
By the shade of the rock, by the gush of the fountain,
I seek your loved footsteps, but seek them in vain.
Oh, leave not, forlorn and for ever forsaken,
Your pupil and victim to life and its tears!
But sometimes return, and in mercy awaken
The glories ye showed to his earlier years.
To Scenes I Used To Know.
by George W. Doneghy

I can see the back-log blazing and the sparkles take their flight
Up the cavernous old chimney on a merry Christmas night;
I can see the old folks smiling and the children's cheeks aglow,
And a saucy maiden standing there beneath the mistletoe;
I can hear the laughter mingle with the strains of music sweet
As we tripped the light fantastic with the "many-twinkling feet;"
I can see the moonlight gleaming through the trees upon the snow,
When memory takes me back again to scenes I used to know.
I can see the candles burning bright upon the Christmas tree;
I can see the presents handed round, and hear the shouts of glee,
And from the buried years there comes a-stealing on the heart
A something indefinable which bids the tear-drop start;
I can see the blue smoke curling, through the little strip of wood
Between the winding turnpike road and where the farmhouse stood;
I can see the colts a-playing, I can hear the cattle low--
When memory takes me back again to scenes I used to know.
I can see it all when fancy weaves its magic with a dream,
And I hear the tones from voices like the murmur of a stream;
And oh, the heart seems young again and from its anguish free
When I gaze upon these pictures that are ever dear to me;
Then I see the darkies dancing, I can hear the fiddle ring
As they gathered in the cabin and they cut the pigeon-wing;
I can smell the 'possum roasting, I can see the cider flow,
When memory takes me back again to scenes I used to know.
After Parting
by Henry Kendall

I cannot tell what change hath come to you
To vex your splendid hair. I only know
One grief. The passion left betwixt us two,
Like some forsaken watchfire, burneth low.
'Tis sad to turn and find it dying so,
Without a hope of resurrection! Yet,
O radiant face that found me tired and lone!
I shall not for the dear, dead past forget
The sweetest looks of all the summers gone.
Ah! time hath made familiar wild regret;
For now the leaves are white in last year's bowers,
And now doth sob along the ruined leas
The homeless storm from saddened southern seas,
While March sits weeping over withered flowers.
Sans Souci
by William Schwenck Gilbert

I cannot tell what this love may be
That cometh to all but not to me.
It cannot be kind as they'd imply,
Or why do these gentle ladies sigh?
It cannot be joy and rapture deep,
Or why do these gentle ladies weep?
It cannot be blissful, as 'tis said,
Or why are their eyes so wondrous red?
If love is a thorn, they show no wit
Who foolishly hug and foster it.
If love is a weed, how simple they
Who gather and gather it, day by day!
If love is a nettle that makes you smart,
Why do you wear it next your heart?
And if it be neither of these, say I,
Why do you sit and sob and sigh?
Taste
by Ringgold Wilmer Lardner

I can't understand why you pass up the toys
That Santa considered just right for small boys;
I can't understand why you turn up your nose
At dogs, hobby-horses, and treasures like those,
And play a whole hour, sometimes longer than that,
With a thing as prosaic as daddy's old hat.
The tables and shelves have been loaded for you
With volumes of pictures - they're pretty ones, too - 
Of birds, beasts, and fishes, and old Mother Goose
Repines in a corner and feels like the deuce,
While you, on the floor, quite contentedly look
At page after page of the telephone book.
Happy-Go-Lucky
by Madison Julius Cawein

I can't get up with the chickens;
I can't get up at dark:
And what do I care for the early worm?
And what do I care for the lark?
I can't do this or that thing;
I can't do things like you;
And the thing that I do most frequent
Is the thing I never do.
I can't go where I would go,
Though I go from morn till eve;
But some place I go wherever I go
Whenever a place I leave.
For the law of the road is this law,
And the law is right and good:
Just go your ways and take no heed
Of how you get your food.
And the law of the road is this law,
And the law is one to keep:
It never matters, wherever you are,
So you have a place to sleep.
And the law of the road is this law,
And the law may it grow and grow!
Wherever you go and whatever you do
Let no one ever know.
When The Year Grows Old
by Edna St. Vincent Millay

I cannot but remember
When the year grows old--
October--November--
How she disliked the cold!
She used to watch the swallows
Go down across the sky,
And turn from the window
With a little sharp sigh.
And often when the brown leaves
Were brittle on the ground,
And the wind in the chimney
Made a melancholy sound,
She had a look about her
That I wish I could forget--
The look of a scared thing
Sitting in a net!
Oh, beautiful at nightfall
The soft spitting snow!
And beautiful the bare boughs
Rubbing to and fro!
But the roaring of the fire,
And the warmth of fur,
And the boiling of the kettle
Were beautiful to her!
I cannot but remember
When the year grows old--
October--November--
How she disliked the cold!
To A Lost Love
by Stephen Phillips

I cannot look upon thy grave,
Though there the rose is sweet:
Better to hear the long wave wash
These wastes about my feet!
Shall I take comfort? Dost thou live
A spirit, though afar,
With a deep hush about thee, like
The stillness round a star?
Oh, thou art cold! In that high sphere
Thou art a thing apart,
Losing in saner happiness
This madness of the heart.
And yet, at times, thou still shalt feel
A passing breath, a pain;
Disturb'd, as though a door in heaven
Had oped and closed again.
And thou shalt shiver, while the hymns,
The solemn hymns, shall cease;
A moment half remember me:
Then turn away to peace.
But oh, for evermore thy look,
Thy laugh, thy charm, thy tone,
Thy sweet and wayward earthliness,
Dear trivial things, are gone!
Therefore I look not on thy grave,
Though there the rose is sweet;
But rather hear the loud wave wash
These wastes about my feet.
Ecstasy.
by Eric Mackay

Ecstasy.
I cannot sing to thee as I would sing
If I were quickened like the holy lark
With fire from Heaven and sunlight on his wing,
Who wakes the world with witcheries of the dark
Renewed in rapture in the reddening air.
A thing of splendour do I deem him then,
A feather'd frenzy with an angel's throat,
A something sweet that somewhere seems to float
'Twixt earth and sky, to be a sign to men.
He fills me with such wonder and despair!
I long to kiss thy locks, so golden bright,
As he doth kiss the tresses of the sun.
Oh! bid me sing to thee, my chosen one,
And do thou teach me, Love, to sing aright!