DanFosing/public-domain-poetry huggingface dataset:
Drouth
by Madison Julius Cawein

I.
The hot sunflowers by the glaring pike
Lift shields of sultry brass; the teasel tops,
Pink-thorned, advance with bristling spike on spike
Against the furious sunlight. Field and copse
Are sick with summer: now, with breathless stops,
The locusts cymbal; now grasshoppers beat
Their castanets: and rolled in dust, a team,
Like some mean life wrapped in its sorry dream,
An empty wagon rattles through the heat.
II.
Where now the blue wild iris? flowers whose mouths
Are moist and musky? Where the sweet-breathed mint,
That made the brook-bank herby? Where the South's
Wild morning-glories, rich in hues, that hint
At coming showers that the rainbows tint?
Where all the blossoms that the wildwood knows?
The frail oxalis hidden in its leaves;
The Indian-pipe, pale as a soul that grieves;
The freckled touch-me-not and forest rose.
III.
Dead! dead! all dead beside the drouth-burnt brook,
Shrouded in moss or in the shriveled grass.
Where waved their bells, from which the wild-bee shook
The dewdrop once, gaunt, in a nightmare mass,
The rank weeds crowd; through which the cattle pass,
Thirsty and lean, seeking some meager spring,
Closed in with thorns, on which stray bits of wool
The panting sheep have left, that sought the cool,
From morn till evening wearily wandering.
IV.
No bird is heard; no throat to whistle awake
The sleepy hush; to let its music leak
Fresh, bubble-like, through bloom-roofs of the brake:
Only the green-gray heron, famine-weak,
Searching the stale pools of the minnowless creek,
Utters its call; and then the rain-crow, too,
False prophet now, croaks to the stagnant air;
While overhead, still as if painted there,
A buzzard hangs, black on the burning blue.
A Holiday
by Ella Wheeler Wilcox

The Wife
The house is like a garden,
The children are the flowers,
The gardener should come methinks
And walk among his bowers,
Oh! lock the door on worry
And shut your cares away,
Not time of year, but love and cheer,
Will make a holiday.
The Husband
Impossible!    You women do not know
The toil it takes to make a business grow.
I cannot join you until very late,
So hurry home, nor let the dinner wait.
The Wife
The feast will be like Hamlet
Without a Hamlet part:
The home is but a house, dear,
Till you supply the heart.
The Xmas gift I long for
You need not toil to buy;
Oh! give me back one thing I lack - 
The love-light in your eye.
The Husband
Of course I love you, and the children too
Be sensible, my dear, it is for you
I work so hard to make my business pay.
There, now, run home, enjoy your holiday.
The Wife (Turning)
He does not mean to wound me,
I know his heart is kind.
Alas! that man can love us
And be so blind, so blind.
A little time for pleasure,
A little time for play;
A word to prove the life of love
And frighten Care away!
Tho' poor my lot in some small cot
That were a holiday.
The Husband (Musing)
She has not meant to wound me, nor to vex - 
Zounds! but 'tis difficult to please the sex.
I've housed and gowned her like a very queen
Yet there she goes, with discontented mien.
I gave her diamonds only yesterday:
Some women are like that, do what you may.
Earnestness.
by Ella Wheeler Wilcox

The hurry of the times affects us so
In this swift rushing hour, we crowd and press
And thrust each other backward as we go,
And do not pause to lay sufficient stress
Upon that good, strong, true word, Earnestness.
In our impetuous haste, could we but know
Its full, deep meaning, its vast import, oh,
Then might we grasp the secret of success!
In that receding age when men were great,
The bone and sinew of their purpose lay
In this one word. God likes an earnest soul - 
Too earnest to be eager. Soon or late
It leaves the spent horde breathless by the way,
And stands serene, triumphant at the goal.
Holidays
by Henry Wadsworth Longfellow

The holiest of all holidays are those
Kept by ourselves in silence and apart;
The secret anniversaries of the heart,
When the full river of feeling overflows;--
The happy days unclouded to their close;
The sudden joys that out of darkness start
As flames from ashes; swift desires that dart
Like swallows singing down each wind that blows!
White as the gleam of a receding sail,
White as a cloud that floats and fades in air,
White as the whitest lily on a stream,
These tender memories are;--a Fairy Tale
Of some enchanted land we know not where,
But lovely as a landscape in a dream.
The Need Of Being Versed In Country Things
by Robert Lee Frost

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go.
The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place's name.
No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.
The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.
Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm;
And the fence post carried a strand of wire.
For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.
Everything Comes
by Thomas Hardy

"The house is bleak and cold
Built so new for me!
All the winds upon the wold
Search it through for me;
No screening trees abound,
And the curious eyes around
Keep on view for me."
"My Love, I am planting trees
As a screen for you
Both from winds, and eyes that tease
And peer in for you.
Only wait till they have grown,
No such bower will be known
As I mean for you."
"Then I will bear it, Love,
And will wait," she said.
- So, with years, there grew a grove.
"Skill how great!" she said.
"As you wished, Dear?" - "Yes, I see!
But - I'm dying; and for me
'Tis too late," she said.
In Black And Red
by Madison Julius Cawein

The hush of death is on the night. The corn,
That loves to whisper to the wind; the leaves,
That dance with it, are silent: one perceives
No motion mid the fields, as dry as horn.
What light is that? It cannot be the morn!
Yet in the east it seems its witchcraft weaves
A fiery rose. Look! how it grows! it heaves
And flames and tosses! 'Tis a burning barn!
And now the night is rent with shouts and shots.
Dark forms and faces hurry past. The gloom
Gallops with riders. Homes are less than straw
Before this madness: human lives, mere lots
Flung in and juggled from the cap of Doom,
Where Crime stamps yelling on the face of Law.
The Church Organ
by William Henry Davies

The homeless man has heard thy voice,
Its sound doth move his memory deep;
He stares bewildered, as a man
That's shook by earthquake in his sleep.
Thy solemn voice doth bring to mind
The days that are forever gone:
Thou bringest to mind our early days,
Ere we made second homes or none.
Abandoned
by Madison Julius Cawein

The hornets build in plaster-dropping rooms,
And on its mossy porch the lizard lies;
Around its chimneys slow the swallow flies,
And on its roof the locusts snow their blooms.
Like some sad thought that broods here, old perfumes
Haunt its dim stairs; the cautious zephyr tries
Each gusty door, like some dead hand, then sighs
With ghostly lips among the attic glooms.
And now a heron, now a kingfisher,
Flits in the willows where the riffle seems
At each faint fall to hesitate to leap,
Fluttering the silence with a little stir.
Here Summer seems a placid face asleep,
And the near world a figment of her dreams.
Children Of Love
by Harold Edward Monro

The holy boy
Went from his mother out in the cool of the day
Over the sun-parched fields
And in among the olives shining green and shining grey.
There was no sound,
No smallest voice of any shivering stream.
Poor sinless little boy,
He desired to play and to sing; he could only sigh and dream.
Suddenly came
Running along to him naked, with curly hair,
That rogue of the lovely world,
That other beautiful child whom the virgin Venus bare.
The holy boy
Gazed with those sad blue eyes that all men know.
Impudent Cupid stood
Panting, holding an arrow and pointing his bow.
(Will you not play?
Jesus, run to him, run to him, swift for our joy.
Is he not holy, like you?
Are you afraid of his arrows, O beautiful dreaming boy?)
And now they stand
Watching one another with timid gaze;
Youth has met youth in the wood,
But holiness will not change its melancholy ways.
Cupid at last
Draws his bow and softly lets fly a dart.
Smile for a moment, sad world! -
It has grazed the white skin and drawn blood from the sorrowful heart.
Now, for delight,
Cupid tosses his locks and goes wantonly near;
But the child that was born to the cross
Has let fall on his cheek, for the sadness of life, a compassionate tear.
Marvellous dream!
Cupid has offered his arrows for Jesus to try;
He has offered his bow for the game.
But Jesus went weeping away, and left him there wondering why.
Song for "The Jacquerie".
by Sidney Lanier

The hound was cuffed, the hound was kicked,
O' the ears was cropped, o' the tail was nicked,
(All.)    Oo-hoo-o, howled the hound.
The hound into his kennel crept;
He rarely wept, he never slept.
His mouth he always open kept
Licking his bitter wound,
The hound,
(All.)        U-lu-lo, HOWLED THE HOUND.
A star upon his kennel shone
That showed the hound a meat-bare bone.
(All.)    O hungry was the hound!
The hound had but a churlish wit.
He seized the bone, he crunched, he bit.
"An thou wert Master, I had slit
Thy throat with a huge wound,"
Quo' hound.
(All.)        O, angry was the hound.
The star in castle-window shone,
The Master lay abed, alone.
(All.)    Oh ho, why not? quo' hound.
He leapt, he seized the throat, he tore
The Master, head from neck, to floor,
And rolled the head i' the kennel door,
And fled and salved his wound,
Good hound!
(All.)        U-lu-lo, HOWLED THE HOUND.
Macon, Georgia, 1868.
Blighters
by Siegfried Loraine Sassoon

The house is crammed: tier beyond tier they grin
And cackle at the Show, while prancing ranks
Of harlots shrill the chorus, drunk with din;
"We're sure the Kaiser loves the dear old Tanks!"
I'd like to see a Tank come down the stalls,
Lurching to rag-time tunes, or "Home, sweet Home," - 
And there'd be no more jokes in Music-halls
To mock the riddled corpses round Bapaume.
For A War Memorial
by Gilbert Keith Chesterton

(Suggested Inscription probably not selected by the Committee.)
The hucksters haggle in the mart
The cars and carts go by;
Senates and schools go droning on;
For dead things cannot die.
A storm stooped on the place of tombs
With bolts to blast and rive;
But these be names of many men
The lightning found alive.
If usurers rule and rights decay
And visions view once more
Great Carthage like a golden shell
Gape hollow on the shore,
Still to the last of crumbling time
Upon this stone be read
How many men of England died
To prove they were not dead.
Where the Pelican Builds
by Mary Hannay Foott

The unexplored parts of Australia are sometimes spoken of by the bushmen of Western Queensland as the home of the pelican, a bird whose resting place, so far as the writer knows, is seldom, if ever, found.
The horses were ready, the rails were down,
But the riders lingered still,
One had a parting word to say,
And one had his pipe to fill.
Then they mounted, one with a granted prayer,
And one with a grief unguessed.
'We are going,' they said as they rode away,
'Where the pelican builds her nest!'
They had told us of pastures wide and green,
To be sought past the sunset's glow;
Of rifts in the ranges by opal lit;
And gold 'neath the river's flow.
And thirst and hunger were banished words
When they spoke of that unknown West;
No drought they dreaded, no flood they feared,
Where the pelican builds her nest!
The creek at the ford was but fetlock deep
When we watched them crossing there;
The rains have replenished it thrice since then,
And thrice has the rock lain bare.
But the waters of Hope have flowed and fled,
And never from blue hill's breast
Come back, by the sun and the sands devoured,
Where the pelican builds her nest.
5th, March, 1881
The Hoosier Folk-Child.
by James Whitcomb Riley

The Hoosier Folk-Child - all unsung - 
Unlettered all of mind and tongue;
Unmastered, unmolested - made
Most wholly frank and unafraid:
Untaught of any school - unvexed
Of law or creed - all unperplexed - 
Unsermoned, aye, and undefiled,
An all imperfect-perfect child - 
A type which (Heaven forgive us!) you
And I do tardy honor to,
And so, profane the sanctities
Of our most sacred memories.
Who, growing thus from boy to man,
That dares not be American?
Go, Pride, with prudent underbuzz - 
Go whistle! as the Folk-Child does.
The Hoosier Folk-Child's world is not
Much wider than the stable-lot
Between the house and highway fence
That bounds the home his father rents.
His playmates mostly are the ducks
And chickens, and the boy that "shucks
Corn by the shock," and talks of town,
And whether eggs are "up" or "down,"
And prophesies in boastful tone
Of "owning horses of his own,"
And "being his own man," and "when
He gets to be, what he'll do then." - 
Takes out his jack-knife dreamily
And makes the Folk-Child two or three
Crude corn-stalk figures, - a wee span
Of horses and a little man.
The Hoosier Folk-Child's eyes are wise
And wide and round as Brownies' eyes:
The smile they wear is ever blent
With all-expectant wonderment, - 
On homeliest things they bend a look
As rapt as o'er a picture-book,
And seem to ask, whate'er befall,
The happy reason of it all: - 
Why grass is all so glad a green,
And leaves - and what their lispings mean; - 
Why buds grow on the boughs, and why
They burst in blossom by and by - 
As though the orchard in the breeze
Had shook and popped its popcorn-trees,
To lure and whet, as well they might,
Some seven-league giant's appetite!
The Hoosier Folk-Child's chubby face
Has scant refinement, caste or grace, - 
From crown to chin, and cheek to cheek,
It bears the grimy water-streak
Of rinsings such as some long rain
Might drool across the window-pane
Wherethrough he peers, with troubled frown,
As some lorn team drives by for town.
His brow is elfed with wispish hair,
With tangles in it here and there,
As though the warlocks snarled it so
At midmirk when the moon sagged low,
And boughs did toss and skreek and shake,
And children moaned themselves awake,
With fingers clutched, and starting sight
Blind as the blackness of the night!
The Hoosier Folk-Child! - Rich is he
In all the wealth of poverty!
He owns nor title nor estate,
Nor speech but half articulate, - 
He owns nor princely robe nor crown; - 
Yet, draped in patched and faded brown,
He owns the bird-songs of the hills - 
The laughter of the April rills;
And his are all the diamonds set.
In Morning's dewy coronet, - 
And his the Dusk's first minted stars
That twinkle through the pasture-bars,
And litter all the skies at night
With glittering scraps of silver light; - 
The rainbow's bar, from rim to rim,
In beaten gold, belongs to him.
Himself
by Theodosia Garrison

The houseful that we were then, you could count us by the dozens,
The wonder was that sometimes the old walls wouldn't burst:
Herself (the Lord be good to her!), the aunts and rafts of cousins,
The young folks and the children,--but Himself came first.
Master of the House he was, and well for them that knew it:
His cheeks like winter apples and his head like snow;
Eyes as blue as water when the sun of March shines through it.
And steppin' like a soldier with his stick held so.
Faith, but he could tell a tale would serve a man for wages,
Sing a song would put the joy of dancin' in two sticks;
But Saints between themselves and harm that saw him in his rages,
Blazin' and oratin' over chess and politics.
Master of the House he was, and that beyond all sayin',
Eh, the times I've heard him exhortin' from his chair
The like of any Bishop, yet snappin' off his prayin'
To put the curse on Phelan's dog for howlin' in the prayer.
The times I've seen him walkin' out like Solomon in glory,
Salutin' with great elegance the gentry he might meet;
An eye for every pretty girl, an ear for every story,
And takin' as his just deserts the middle of the street.
Master of the House, with much to love and be forgiven,--
Yet, thinkin' of Himself to-day--Himself--I see him go
With that old light step of his, across the Courts of Heaven,
His hat a little sideways and his stick held so.
A November Sketch.
by Madison Julius Cawein

The hoar-frost hisses 'neath the feet,
And the worm-fence's straggling length,
Smote by the morning's slanted strength,
Sparkles one rib of virgin sleet.
To withered fields the crisp breeze talks,
And silently and sadly lifts
The bronz'd leaves from the beech and drifts
Them wadded down the woodland walks.
Reluctantly and one by one
The worthless leaves sift slowly down,
And thro' the mournful vistas blown
Drop rustling, and their rest is won.
Where stands the brook beneath its fall,
Thin-scaled with ice the pool is bound,
And on the pebbles scattered 'round
The ooze is frozen; one and all
White as rare crystals shining fair.
There stirs no life: the faded wood
Mourns sighing, and the solitude
Seems shaken with a mighty care.
Decay and silence sadly drape
The vigorous limbs of oldest trees,
The rotting leaves and rocks whose knees
Are shagged with moss, with misty crape.
To sullenness the surly crow
All his derisive feeling yields,
And o'er the barren stubble-fields
Flaps cawless, wrapped in hungry woe.
The eve comes on: the teasel stoops
Its spike-crowned head before the blast;
The tattered leaves drive whirling past
Like skeletons in whistling troops.
The pithy elder copses sigh;
Their broad blue combs with berries weighed,
Like heavy pendulums are swayed
With ev'ry gust that hurries by.
Thro' matted walls of tangled brier
That hedge the lane, the sumachs thrust
Their scarlet torches red as rust,
Burning with flames of stolid fire.
The evening's here - cold, hard, and drear;
The lavish West with bullion bright
Of molten silver walls the night
Far as one star's thin rays appear.
Wedged toward the West's cold luridness
The wild geese fly 'neath roseless domes;
The wild cry of the leader comes
Distant and harsh with loneliness.
The pale West dies, and in its cup
Bubble on bubble pours the night:
The East glows with a mystic light;
The stars are keen; the moon is up.
The Sewing-Girl
by Robert William Service

"And now, blow out your candle, lad, and get to bed. See, the dawn is in the sky. Open your window and let its freshness rouge your cheek.
You've earned your rest. Sleep."
Aye, but before I do so, let me read again the last of my Ballads.
The Sewing-Girl
The humble garret where I dwell
Is in that Quarter called the Latin;
It isn't spacious - truth to tell,
There's hardly room to swing a cat in.
But what of that! It's there I fight
For food and fame, my Muse inviting,
And all the day and half the night
You'll find me writing, writing, writing.
Now, it was in the month of May
As, wrestling with a rhyme rheumatic,
I chanced to look across the way,
And lo! within a neighbor attic,
A hand drew back the window shade,
And there, a picture glad and glowing,
I saw a sweet and slender maid,
And she was sewing, sewing, sewing.
So poor the room, so small, so scant,
Yet somehow oh, so bright and airy.
There was a pink geranium plant,
Likewise a very pert canary.
And in the maiden's heart it seemed
Some fount of gladness must be springing,
For as alone I sadly dreamed
I heard her singing, singing, singing.
God love her! how it cheered me then
To see her there so brave and pretty;
So she with needle, I with pen,
We slaved and sang above the city.
And as across my streams of ink
I watched her from a poet's distance,
She stitched and sang . . . I scarcely think
She was aware of my existence.
And then one day she sang no more.
That put me out, there's no denying.
I looked - she labored as before,
But, bless me! she was crying, crying.
Her poor canary chirped in vain;
Her pink geranium drooped in sorrow;
"Of course," said I, "she'll sing again.
Maybe," I sighed, "she will to-morrow."
Poor child; 'twas finished with her song:
Day after day her tears were flowing;
And as I wondered what was wrong
She pined and peaked above her sewing.
And then one day the blind she drew,
Ah! though I sought with vain endeavor
To pierce the darkness, well I knew
My sewing-girl had gone for ever.
And as I sit alone to-night
My eyes unto her room are turning . . .
I'd give the sum of all I write
Once more to see her candle burning,
Once more to glimpse her happy face,
And while my rhymes of cheer I'm ringing,
Across the sunny sweep of space
To hear her singing, singing, singing.
Heigh ho! I realize I am very weary. It's nice to be so tired, and to
know one can sleep as long as one wants. The morning sunlight floods in
at my window, so I draw the blind, and throw myself on my bed. . . .
Mirage
by Christina Georgina Rossetti

The hope I dreamed of was a dream,
Was but a dream; and now I wake,
Exceeding comfortless, and worn, and old,
For a dream's sake.
I hang my harp upon a tree,
A weeping willow in a lake;
I hang my silent harp there, wrung and snapt
For a dream's sake.
Lie still, lie still, my breaking heart;
My silent heart, lie still and break:
Life, and the world, and mine own self, are changed
For a dream's sake.