DanFosing/public-domain-poetry huggingface dataset:
Storm.
by Emma Lazarus

Serene was morning with clear, winnowed air,
But threatening soon the low, blue mass of cloud
Rose in the west, with mutterings faint and rare
At first, but waxing frequent and more loud.
Thick sultry mists the distant hill-tops shroud;
The sunshine dies; athwart black skies of lead
Flash noiselessly thin threads of lightning red.
Breathless the earth seems waiting some wild blow,
Dreaded, but far too close to ward or shun.
Scared birds aloft fly aimless, and below
Naught stirs in fields whence light and life are gone,
Save floating leaves, with wisps of straw and down,
Upon the heavy air; 'neath blue-black skies,
Livid and yellow the green landscape lies.
And all the while the dreadful thunder breaks,
Within the hollow circle of the hills,
With gathering might, that angry echoes wakes,
And earth and heaven with unused clamor fills.
O'erhead still flame those strange electric thrills.
A moment more, - behold! yon bolt struck home,
And over ruined fields the storm hath come!
A Southern Girl.
by Madison Julius Cawein

Serious but smiling, stately and serene,
And dreamier than a flower;
A girl in whom all sympathies convene
As perfumes in a bower;
Through whom one feels what soul and heart may mean,
And their resistless power.
Eyes, that commune with the frank skies of truth,
Where thought like starlight curls;
Lips of immortal rose, where love and youth
Nestle like two sweet pearls;
Hair, that suggests the Bible braids of RUTH,
Deeper than any girl's.
When first I saw you, 't was as if within
My soul took shape some song - 
Played by a master of the violin - 
A music pure and strong,
That rapt my soul above all earthly sin
To heights that know no wrong.
A Negro Love Song
by Paul Laurence Dunbar

Seen my lady home las' night,
Jump back, honey, jump back.
Hel' huh han' an' sque'z it tight,
Jump back, honey, jump back.
Hyeahd huh sigh a little sigh,
Seen a light gleam f'om huh eye,
An' a smile go flittin' by--
Jump back, honey, jump back.
Hyeahd de win' blow thoo de pine,
Jump back, honey, jump back.
Mockin'-bird was singin' fine,
Jump back, honey, jump back.
An' my hea't was beatin' so,
When I reached my lady's do',
Dat I could n't ba' to go--
Jump back, honey, jump back.
Put my ahm aroun' huh wais',
Jump back, honey, jump back.
Raised huh lips an' took a tase,
Jump back, honey, jump back.
Love me, honey, love me true?
Love me well ez I love you?
An' she answe'd, "'Cose I do"--
Jump back, honey, jump back.
In A College Garden.
by Arthur Thomas Quiller-Couch

Senex.    Saye, cushat, callynge from the brake,
What ayles thee soe to pyne?
Thy carefulle heart shall cease to ake
When dayes be fyne
And greene thynges twyne:
Saye, cushat, what thy griefe to myne?
Turtur.    Naye, gossyp, loyterynge soe late,
What ayles thee thus to chyde?
My love is fled by garden-gate;
Since Lammas-tyde
I wayte my bryde.
Saye, gossyp, whom dost thou abyde?
Senex.    Loe! I am he, the 'Lonelie Manne,'
Of Time forgotten quite,
That no remembered face may scanne--
Sadde eremyte,
I wayte tonyghte
Pale Death, nor any other wyghte.
O cushat, cushat, callynge lowe,
Goe waken Time from sleepe:
Goe whysper in his ear, that soe
His besom sweepe
Me to that heape
Where all my recollections keepe.
Hath he forgott?    Or did I viewe
A ghostlye companye
This even, by the dismalle yewe,
Of faces three
That beckoned mee
To land where no repynynges bee?
O Harrye, Harrye, Tom and Dicke,
Each lost companion!
Why loyter I among the quicke,
When ye are gonne?
Shalle I alone
Delayinge crye 'Anon, Anon'?
Naye, let the spyder have my gowne,
To brayde therein her veste.
My cappe shal serve, now I 'goe downe,'
For mouse's neste.
Loe! this is best.
I care not, soe I gayne my reste.
The Sierra Nevadas
by Joaquin Miller

Serene and satisfied! Supreme! As lone
As God, they loom like God's archangels churl'd;
They look as cold as kings upon a throne;
A line of battle-tents in everlasting snow.
Senlin, A Biography: Part 01: His Dark Origins - 01
by Conrad Potter Aiken

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,
Sailing from moon or sun on a river of light.'
He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.
The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.
Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, ourselves, the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .
Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.
To One Departed
by Edgar Allan Poe

Seraph! thy memory is to me
Like some enchanted far-off isle
In some tumultuous sea,
Some ocean vexed as it may be
With storms; but where, meanwhile,
Serenest skies continually
Just o'er that one bright island smile.
For 'mid the earnest cares and woes
That crowd around my earthly path,
(Sad path, alas, where grows
Not even one lonely rose!)
My soul at least a solace hath
In dreams of thee; and therein knows
An Eden of bland repose.
Senlin, A Biography: Part 03: His Cloudy Destiny - 01
by Conrad Potter Aiken

Senlin sat before us and we heard him.
He smoked his pipe before us and we saw him.
Was he small, with reddish hair,
Did he light his pipe with a meditative stare
And a twinkling flame reflected in blue eyes?
'I am alone': said Senlin; 'in a forest of leaves
The single leaf that creeps and falls.
The single blade of grass in a desert of grass
That none foresaw and none recalls.
The single shell that a green wave shatters
In tiny specks of whiteness on brown sands . . .
How shall you understand me with your hearts,
Who cannot reach me with your hands? . . .'
The city dissolves about us, and its walls
Are the sands beside a sea.
We plunge in a chaos of dunes, white waves before us
Crash on kelp tumultuously,
Gulls wheel over foam, the clouds blow tattered,
The sun is swallowed . . . Has Senlin become a shore?
Is Senlin a grain of sand beneath our footsteps,
A speck of shell upon which waves will roar? . . .
Senlin! we cry . . . Senlin! again . . . no answer,
Only the crash of sea on a shell-white shore.
Yet, we would say, this is no shore at all,
But a small bright room with lamplight on the wall;
And the familiar chair
Where Senlin sat, with lamplight on his hair.
Champlain's First Winter And Spring In Quebec.
by W. M. MacKeracher

(From the prose of Parkman.)
I. THE WINTER.
September bade the sail of Pontgrav'
Godspeed, and smil'd upon the infant nation;
October deckt the shores and hills with "gay
Prognostics of approaching desolation."
Ere long the forest, steep'd in golden gloom,
Dropt rustling down its shrivel'd festal dress,
And chill November, sombre as the tomb,
Sank on the vast primeval wilderness.
Inexorable winter's iron vice
Gript hard the land, funereal with snow;
The stream was fill'd with grinding drifts of ice;
A fell disease laid twenty Frenchmen low
In death, and left the dauntless leader eight
With whom to hold the New World's fortress gate.
II. THE SPRING.
The purgatory pass'd - the stalactites
That fring'd the cliffs fell crashing to the earth;
With clamor shrill the wild geese skimm'd the heights,
In airy navies sailing to the north;
The bluebirds chirrup'd in the naked woods,
The water-willows donn'd their downy blooms,
The trim swamp-maple blush'd with ruddy buds,
The forest-ash hung out its sable plumes.
The shad-bush gleam'd a wreath of purest snow,
The white stars of the bloodroot peep'd from folds
Of rotting leaves, and in the meadows low
Shone saffron spots, the gay marsh-marigolds.
May made all green, and on the fifth of June
A sail appeared, with succor none too soon.
A Full Harvest.
by James Whitcomb Riley

Seems like a feller'd ort 'o jes' to-day
Git down and roll and waller, don't you know,
In that-air stubble, and flop up and crow,
Seein' sich craps!    I'll undertake to say
There're no wheat's ever turned out thataway
Afore this season! - Folks is keerless tho',
And too fergitful - 'caze we'd ort 'o show
More thankfulness! - Jes' looky hyonder, hey? - 
And watch that little reaper wadin' thue
That last old yaller hunk o' harvest-ground - 
Jes' natchur'ly a-slicin' it in-two
Like honey-comb, and gaumin' it around
The field - like it had nothin' else to do
On'y jes' waste it all on me and you!
Beatrice
by Sara Teasdale

Send out the singers,let the room be still;
They have not eased my pain nor brought me sleep.
Close out the sun, for I would have it dark
That I may feel how black the grave will be.
The sun is setting, for the light is red,
And you are outlined in a golden fire,
Like Ursula upon an altar-screen.
Come, leave the light and sit beside my bed,
For I have had enough of saints and prayers.
Strange broken thoughts are beating in my brain,
They come and vanish and again they come.
It is the fever driving out my soul,
And Death stands waiting by the arras there.
Ornella, I will speak, for soon my lips
Shall keep a silence till the end of time.
You have a mouth for loving,listen then:
Keep tryst with Love before Death comes to tryst;
For I, who die, could wish that I had lived
A little closer to the world of men,
Not watching always thro' the blazoned panes
That show the world in chilly greens and blues
And grudge the sunshine that would enter in.
I was no part of all the troubled crowd
That moved beneath the palace windows here,
And yet sometimes a knight in shining steel
Would pass and catch the gleaming of my hair,
And wave a mailed hand and smile at me,
Whereat I made no sign and turned away,
Affrighted and yet glad and full of dreams.
Ah, dreams and dreams that asked no answering!
I should have wrought to make my dreams come true,
But all my life was like an autumn day,
Full of gray quiet and a hazy peace.
What was I saying?    All is gone again.
It seemed but now I was the little child
Who played within a garden long ago.
Beyond the walls the festal trumpets blared.
Perhaps they carried some Madonna by
With tossing ensigns in a sea of flowers,
A painted Virgin with a painted Child,
Who saw for once the sweetness of the sun
Before they shut her in an altar-niche
Where tapers smoke against the windy gloom.
I gathered roses redder than my gown
And played that I was Saint Elizabeth,
Whose wine had turned to roses in her hands.
And as I played, a child came thro' the gate,
A boy who looked at me without a word,
As tho' he saw stretch far behind my head
Long lines of radiant angels, row on row.
That day we spoke a little, timidly,
And after that I never heard the voice
That sang so many songs for love of me.
He was content to stand and watch me pass,
To seek for me at matins every day,
Where I could feel his eyes the while I prayed.
I think if he had stretched his hands to me,
Or moved his lips to say a single word,
I might have loved him,he had wondrous eyes.
Ornella, are you there?    I cannot see,
Is every one so lonely when he dies?
The room is filled with lights,with waving lights,
Who are the men and women 'round the bed?
What have I said, Ornella?    Have they heard?
There was no evil hidden in my life,
And yet, and yet, I would not have them know,
Am I not floating in a mist of light?
O lift me up and I shall reach the sun!
Foolin' Wid De Seasons
by Paul Laurence Dunbar

Seems lak folks is mighty curus
In de way dey t'inks an' ac's.
Dey jes' spen's dey days a-mixin'
Up de t'ings in almanacs.
Now, I min' my nex' do' neighbour,--
He's a mighty likely man,
But he nevah t'inks o' nuffin
'Ceptin' jes' to plot an' plan.
All de wintah he was plannin'
How he 'd gethah sassafras
Jes' ez soon ez evah Springtime
Put some greenness in de grass.
An' he 'lowed a little soonah
He could stan' a coolah breeze
So 's to mek a little money
F'om de sugah-watah trees.
In de summah, he 'd be waihin'
Out de linin' of his soul,
Try 'n' ca'ci'late an' fashion
How he 'd git his wintah coal;
An' I b'lieve he got his jedgement
Jes' so tuckahed out an' thinned
Dat he t'ought a robin's whistle
Was de whistle of de wind.
Why won't folks gin up dey plannin',
An' jes' be content to know
Dat dey 's gittin' all dat's fu' dem
In de days dat come an' go?
Why won't folks quit movin' forrard?
Ain't hit bettah jes' to stan'
An' be satisfied wid livin'
In de season dat 's at han'?
Hit 's enough fu' me to listen
W'en de birds is singin' 'roun',
'Dout a-guessin' whut 'll happen
W'en de snow is on de groun'.
In de Springtime an' de summah,
I lays sorrer on de she'f;
An' I knows ol' Mistah Wintah
Gwine to hustle fu' hisse'f.
We been put hyeah fu' a pu'pose,
But de questun dat has riz
An' made lots o' people diffah
Is jes' whut dat pu'pose is.
Now, accordin' to my reas'nin',
Hyeah's de p'int whaih I 's arriv,
Sence de Lawd put life into us,
We was put hyeah fu' to live!
To Fredrika Bremer
by John Greenleaf Whittier

Seeress of the misty Norland,
Daughter of the Vikings bold,
Welcome to the sunny Vineland,
Which thy fathers sought of old!
Soft as flow of Siija's waters,
When the moon of summer shines,
Strong as Winter from his mountains
Roaring through the sleeted pines.
Heart and ear, we long have listened
To thy saga, rune, and song;
As a household joy and presence
We have known and loved thee long.
By the mansion's marble mantel,
Round the log-walled cabin's hearth,
Thy sweet thoughts and northern fancies
Meet and mingle with our mirth.
And o'er weary spirits keeping
Sorrow's night-watch, long and chill,
Shine they like thy sun of summer
Over midnight vale and hill.
We alone to thee are strangers,
Thou our friend and teacher art;
Come, and know us as we know thee;
Let us meet thee heart to heart!
To our homes and household altars
We, in turn, thy steps would lead,
As thy loving hand has led us
O'er the threshold of the Swede.
The Cloud.
by Robert Herrick

Seest thou that cloud that rides in state,
Part ruby-like, part candidate?
It is no other than the bed
Where Venus sleeps half-smothered.
Domestic Bliss
by Ella Wheeler Wilcox

Sequestered in their calm domestic bower,
They sat together.    He in manhood's prime
And she a matron in her fullest flower.
The mantel clock gave forth a warning chime.
She put her work aside; his bright cigar
Grew pale, and crumbled in an ashen heap.
The lights went out, save one remaining star
That watched beside the children in their sleep.
She hummed a little song and nestled near,
As side by side they went to their repose.
His arm about her waist, he whispered "Dear,"
And pressed his lips upon her mouth's full rose - 
The sacred sweetness of their wedded life
Breathed in that kiss of husband and of wife.
Serbia
by Helen Leah Reed

Serbia, valiant daughter of the Ages,
Happiness and light should be thy portion!
Yet thy day is dimmed, thine heart is heavy;
Long hast thou endured - a little longer
Bear thy burden, for a fair to-morrow
Soon will gleam upon thy flower-spread valleys,
Soon will brighten all thy shadowy mountains;
Soon will sparkle on thy foaming torrents
Rushing toward the world beyond thy rivers.
Bulgar, Turk and Magyar long assailed thee.
Now the Teuton's cruel hand is on thee
Though he break thy heart and rack thy body,
'Tis not his to crush thy lofty spirit.
Serbia cannot die. She lives immortal,
Serbia - all thy loyal men bring comfort
Fighting, fighting, and thy far-flung banner
Blazons to the world thy high endeavor,
- This thy strife for brotherhood and freedom - 
Like an air-free bird unknowing bondage,
Soaring far from carnage, smoke and tumult,
Serbia - thy soul shall live forever!
Serbia, undaunted is, immortal!
Adventurers
by Madison Julius Cawein

Seemingly over the hill-tops,
Possibly under the hills,
A tireless wing that never drops,
And a song that never stills.
Epics heard on the stars' lips?
Lyrics read in the dew?
To sing the song at our finger-tips,
And live the world anew!
Cavaliers of the Cort's kind,
Bold and stern and strong,
And, oh, for a fine and muscular mind
To sing a new-world's song!
Sailing seas of the silver morn,
Winds of the balm and spice,
To put the old-world art to scorn
At the price of any price!
Danger, death, but the hope high!
God's, if the propose fail!
Into the deeds of a vaster sky
Sailing a dauntless sail.
Regardin' Terry Hut
by James Whitcomb Riley

Sence I tuk holt o' Gibbses' Churn
And be'n a-handlin' the concern,
I've travelled round the grand old State
Of Indiany, lots, o' late!
I've canvassed Crawferdsville and sweat
Around the town o' Layfayette;
I've saw a many a County-seat
I ust to think was hard to beat:
At constant dreenage and expense
I've worked Greencastle and Vincennes -
Drapped out o' Putnam into Clay,
Owen, and on down thataway
Plum into Knox, on the back-track
Fer home ag'in - and glad I'm back!
I've saw these towns, as I say - but
They's none 'at beats old Terry Hut!
It's more'n likely you'll insist
I claim this 'cause I'm prejudist,
Bein' born'd here in ole Vygo
In sight o' Terry Hut; but no,
Yer clean dead wrong! And I maintain
They's nary drap in ary vein
O' mine but what's as free as air
To jest take issue with you there!
'Cause, boy and man, fer forty year,
I've argied ag'inst livin' here,
And jawed around and traded lies
About our lack o' enterprise,
And tuk and turned in and agreed
All other towns was in the lead,
When - drat my melts! They couldn't cut
No shine a-tall with Terry Hut!
Take even, statesmanship, and wit,
And ginerel git-up-and-git,
Old Terry Hut is sound clean through!
Turn old Dick Thompson loose, er Dan
Vorehees - and where's they any man
Kin even hold a candle to
Their eloquence? And where's as clean
A fi-nan-seer as Rile' McKeen -
Er puorer, in his daily walk,
In railroad er in racin' stock!
And there's 'Gene Debs - a man 'at stands
And jest holds out in his two hands
As warm a heart as ever beat
Betwixt here and the Jedgement Seat!
All these is reasons why I putt
Sich bulk o' faith in Terry Hut.
So I've come back, with eyes 'at sees
My faults, at last, to make my peace
With this old place, and truthful' swear -
Like Gineral Tom Nelson does,
"They hain't no city anywhere
On God's green earth lays over us!"
Our city government is grand -
"Ner is they better farmin'-land
Sun-kissed" as Tom goes on and says -
"Er dower'd with sich advantages!"
And I've come back, with welcome tread,
From journeyin's vain, as I have said,
To settle down in ca'm content,
And cuss the towns where I have went,
And brag on ourn, and boast and strut
Around the streets o' Terry Hut!
Send Me A Leaf
by Bertolt Brecht

Send me a leaf, but from a bush
That grows at least one half hour
Away from your house, then
You must go and will be strong, and I
Thank you for the pretty leaf.
To Jessica, Gone Back To The City
by Ellis Parker Butler

Sence fair Jessica hez left us
Seems ez ef she hed bereft us,
When she went, o' half o' livin';
Fer we never knowed she'd driven
Into us so much content,
Till fair Jessica hed went.
(Knowed a feller once thet cried
When his yaller dog hed died.)
We hain't near ez bright an' chirky,
An' the sun shines blue an' murky,
Kind o' sadly an' dishearted,
Like ets sperret bed departed;
Just ez ef ets joy bed ceased
Sence fair Jessica 's gone East.
(Not but what ets always sober
Sort o' weather in October.)
Then the posies, too, seems human,
An' hez all quit o' their bloomin';
An' the trees they show a pallor
An' hey turned a heart-sick yaller,
Sayin', 'No use livin' on
Ef fair Jessica hez gone.'
(Folks thet knows sez this ez all
Very common in the fall.)
Truth ez, I'm a-feelin' sadly;
Things ez goin' kind o' badly
Round my heart an' other vitals
(Brings on poetry recitals
O' my woes 'most ev'ry day)
Sence fair Jessica's away.
(Kind o' think thet I will haf ter
Smoke a leetle less hereafter.)
But, with fun aside, you know,
We're blamed sorry she must go;
An' we hope she'll think, maybe,
'Z well o' us ez we o' she.
Old Hudson Rovers
by Michael Earls

Send us back the olden knights, tell no law to track 'em,
Give to boy and maid the storytellers as of yore,
Millionaires in legend-wealth, though no bank would back 'em,
But old Benny Havens by the West Point Shore.
Off with lazy vagabonds, social ghosts that shiver,
Give to worthy road-men the great green way,
And we'll hear a song again up the Hudson river,
Ringing from a drifting raft, set in silver spray.
The Palace of Pan
by Algernon Charles Swinburne

Inscribed to my Mother
September, all glorious with gold, as a king
In the radiance of triumph attired,
Outlightening the summer, outsweetening the spring,
Broods wide on the woodlands with limitless wing,
A presence of all men desired.
Far eastward and westward the sun-coloured lands
Smile warm as the light on them smiles;
And statelier than temples upbuilded with hands,
Tall column by column, the sanctuary stands
Of the pine-forest's infinite aisles.
Mute worship, too fervent for praise or for prayer,
Possesses the spirit with peace,
Fulfilled with the breath of the luminous air,
The fragrance, the silence, the shadows as fair
As the rays that recede or increase.
Ridged pillars that redden aloft and aloof,
With never a branch for a nest,
Sustain the sublime indivisible roof,
To the storm and the sun in his majesty proof,
And awful as waters at rest.
Man's hand hath not measured the height of them; thought
May measure not, awe may not know;
In its shadow the woofs of the woodland are wrought;
As a bird is the sun in the toils of them caught,
And the flakes of it scattered as snow.
As the shreds of a plumage of gold on the ground
The sun-flakes by multitudes lie,
Shed loose as the petals of roses discrowned
On the floors of the forest engilt and embrowned
And reddened afar and anigh.
Dim centuries with darkling inscrutable hands
Have reared and secluded the shrine
For gods that we know not, and kindled as brands
On the altar the years that are dust, and their sands
Time's glass has forgotten for sign.
A temple whose transepts are measured by miles,
Whose chancel has morning for priest,
Whose floor-work the foot of no spoiler defiles,
Whose musical silence no music beguiles,
No festivals limit its feast.
The noon's ministration, the night's and the dawn's,
Conceals not, reveals not for man,
On the slopes of the herbless and blossomless lawns,
Some track of a nymph's or some trail of a faun's
To the place of the slumber of Pan.
Thought, kindled and quickened by worship and wonder
To rapture too sacred for fear
On the ways that unite or divide them in sunder,
Alone may discern if about them or under
Be token or trace of him here.
With passionate awe that is deeper than panic
The spirit subdued and unshaken
Takes heed of the godhead terrene and Titanic
Whose footfall is felt on the breach of volcanic
Sharp steeps that their fire has forsaken.
By a spell more serene than the dim necromantic
Dead charms of the past and the night,
Or the terror that lurked in the noon to make frantic
Where Etna takes shape from the limbs of gigantic
Dead gods disanointed of might,
The spirit made one with the spirit whose breath
Makes noon in the woodland sublime
Abides as entranced in a presence that saith
Things loftier than life and serener than death,
Triumphant and silent as time.