DanFosing/public-domain-poetry huggingface dataset:
The Bell
by William Henry Davies

It is the bell of death I hear,
Which tells me my own time is near,
When I must join those quiet souls
Where nothing lives but worms and moles;
And not come through the grass again,
Like worms and moles, for breath or rain;
Yet let none weep when my life's through,
For I myself have wept for few.
The only things that knew me well
Were children, dogs, and girls that fell;
I bought poor children cakes and sweets,
Dogs heard my voice and danced the streets;
And, gentle to a fallen lass,
I made her weep for what she was.
Good men and women know not me.
Nor love nor hate the mystery.
Terminus
by Ralph Waldo Emerson

It is time to be old,
To take in sail:--
The god of bounds,
Who sets to seas a shore,
Came to me in his fatal rounds,
And said: 'No more!
No farther shoot
Thy broad ambitious branches, and thy root.
Fancy departs: no more invent;
Contract thy firmament
To compass of a tent.
There's not enough for this and that,
Make thy option which of two;
Economize the failing river,
Not the less revere the Giver,
Leave the many and hold the few.
Timely wise accept the terms,
Soften the fall with wary foot;
A little while
Still plan and smile,
And,--fault of novel germs,--
Mature the unfallen fruit.
Curse, if thou wilt, thy sires,
Bad husbands of their fires,
Who, when they gave thee breath,
Failed to bequeath
The needful sinew stark as once,
The Baresark marrow to thy bones,
But left a legacy of ebbing veins,
Inconstant heat and nerveless reins,--
Amid the Muses, left thee deaf and dumb,
Amid the gladiators, halt and numb.'
As the bird trims her to the gale,
I trim myself to the storm of time,
I man the rudder, reef the sail,
Obey the voice at eve obeyed at prime:
'Lowly faithful, banish fear,
Right onward drive unharmed;
The port, well worth the cruise, is near,
And every wave is charmed.'
Nothing And Something.
by Frances Ellen Watkins Harper

It is nothing to me, the beauty said,
With a careless toss of her pretty head;
The man is weak if he can't refrain
From the cup you say is fraught with pain.
It was something to her in after years,
When her eyes were drenched with burning tears,
And she watched in lonely grief and dread,
And startled to hear a staggering tread.
It is nothing to me, the mother said;
I have no fear that my boy will tread
In the downward path of sin and shame,
And crush my heart and darken his name.
It was something to her when that only son
From the path of right was early won,
And madly cast in the flowing bowl
A ruined body and sin-wrecked soul.
It is nothing to me, the young man cried:
In his eye was a flash of scorn and pride;
I heed not the dreadful things ye tell:
I can rule myself I know full well.
It was something to him when in prison he lay
The victim of drink, life ebbing away;
And thought of his wretched child and wife,
And the mournful wreck of his wasted life.
It is nothing to me, the merchant said,
As over his ledger he bent his head;
I'm busy to-day with tare and tret,
And I have no time to fume and fret.
It was something to him when over the wire
A message came from a funeral pyre -
A drunken conductor had wrecked a train,
And his wife and child were among the slain.
It is nothing to me, the voter said,
The party's loss is my greatest dread;
Then gave his vote for the liquor trade,
Though hearts were crushed and drunkards made.
It was something to him in after life,
When his daughter became a drunkard's wife
And her hungry children cried for bread,
And trembled to hear their father's tread.
Is it nothing for us to idly sleep
While the cohorts of death their vigils keep?
To gather the young and thoughtless in,
And grind in our midst a grist of sin?
It is something, yes, all, for us to stand
Clasping by faith our Saviour's hand;
To learn to labor, live and fight
On the side of God and changeless light.
An Indian At The Burial-Place Of His Fathers.
by William Cullen Bryant

It is the spot I came to seek,
My fathers' ancient burial-place
Ere from these vales, ashamed and weak,
Withdrew our wasted race.
It is the spot, I know it well,
Of which our old traditions tell.
For here the upland bank sends out
A ridge toward the river-side;
I know the shaggy hills about,
The meadows smooth and wide,
The plains, that, toward the southern sky,
Fenced east and west by mountains lie.
A white man, gazing on the scene,
Would say a lovely spot was here,
And praise the lawns, so fresh and green,
Between the hills so sheer.
I like it not, I would the plain
Lay in its tall old groves again.
The sheep are on the slopes around,
The cattle in the meadows feed,
And labourers turn the crumbling ground,
Or drop the yellow seed,
And prancing steeds, in trappings gay,
Whirl the bright chariot o'er the way.
Methinks it were a nobler sight
To see these vales in woods arrayed,
Their summits in the golden light,
Their trunks in grateful shade,
And herds of deer, that bounding go
O'er hills and prostrate trees below.
And then to mark the lord of all,
The forest hero, trained to wars,
Quivered and plumed, and lithe and tall,
And seamed with glorious scars,
Walk forth, amid his reign, to dare
The wolf, and grapple with the bear.
This bank, in which the dead were laid,
Was sacred when its soil was ours;
Hither the artless Indian maid
Brought wreaths of beads and flowers,
And the gray chief and gifted seer
Worshipped the god of thunders here.
But now the wheat is green and high
On clods that hid the warrior's breast,
And scattered in the furrows lie
The weapons of his rest;
And there, in the loose sand, is thrown
Of his large arm the mouldering bone.
Ah, little thought the strong and brave
Who bore their lifeless chieftain forth,
Or the young wife, that weeping gave
Her first-born to the earth,
That the pale race, who waste us now,
Among their bones should guide the plough.
They waste us, ay, like April snow
In the warm noon, we shrink away;
And fast they follow, as we go
Towards the setting day,
Till they shall fill the land, and we
Are driven into the western sea.
But I behold a fearful sign,
To which the white men's eyes are blind;
Their race may vanish hence, like mine,
And leave no trace behind,
Save ruins o'er the region spread,
And the white stones above the dead.
Before these fields were shorn and tilled,
Full to the brim our rivers flowed;
The melody of waters filled
The fresh and boundless wood;
And torrents dashed and rivulets played,
And fountains spouted in the shade.
Those grateful sounds are heard no more,
The springs are silent in the sun;
The rivers, by the blackened shore,
With lessening current run;
The realm our tribes are crushed to get
May be a barren desert yet.
What Makes The Summer?
by Marietta Holley

It is not the lark's clear tone
Cleaving the morning air with a soaring cry,
Nor the nightingale's dulcet melody all the balmy night - 
Not these alone
Make the sweet sounds of summer;
But the drone of beetle and bee, the murmurous hum of the fly
And the chirp of the cricket hidden out of sight - 
These help to make the summer.
Not roses redly blown,
Nor golden lilies, lighting the dusky meads,
Nor proud imperial pansies, nor queen-cups quaint and rare - 
Not these alone
Make the sweet sights of summer
But the countless forest leaves, the myriad wayside weeds
And slender grasses, springing up everywhere - 
These help to make the summer.
One heaven bends above;
The lowliest head ofttimes has sweetest rest;
O'er song-bird in the pine, and bee in the ivy low,
Is the same love, it is all God's summer;
Well pleased is He if we patiently do our best,
So hum little bee, and low green grasses grow,
You help to make the summer.
Sonnet: "It Is Not To Be Thought Of"
by William Wordsworth

It is not to be thought of that the Flood
Of British freedom, which, to the open sea
Of the world's praise, from dark antiquity
Hath flowed, "with pomp of waters, unwithstood,"
Roused though it be full often to a mood
Which spurns the check of salutary bands,
That this most famous Stream in bogs and sands
Should perish; and to evil and to good
Be lost for ever. In our halls is hung
Armoury of the invincible Knights of old:
We must be free or die, who speak the tongue
That Shakespeare spake; the faith and morals hold
Which Milton held. In everything we are sprung
Of Earth's first blood, have titles manifold
A Spirit's Voice.
by Frances Anne Kemble (Fanny)

It is the dawn! the rosy day awakes;
From her bright hair pale showers of dew she shakes,
And through the heavens her early pathway takes;
Why art thou sleeping?
It is the noon! the sun looks laughing down
On hamlet still, on busy shore, and town,
On forest glade, and deep dark waters lone;
Why art thou sleeping?
It is the sunset! daylight's crimson veil
Floats o'er the mountain tops, while twilight pale
Calls up her vaporous shrouds from every vale;
Why art thou sleeping?
It is the night! o'er the moon's livid brow,
Like shadowy locks, the clouds their darkness throw,
All evil spirits wake to wander now;
Why art thou sleeping?
Summer Hours.
by Horatio Alger, Jr.

It is the year's high noon,
The earth sweet incense yields,
And o'er the fresh, green fields
Bends the clear sky of June.
I leave the crowded streets,
The hum of busy life,
Its clamor and its strife,
To breathe thy perfumed sweets.
O rare and golden hours!
The bird's melodious song,
Wavelike, is borne along
Upon a strand of flowers.
I wander far away,
Where, through the forest trees,
Sports the cool summer breeze,
In wild and wanton play.
A patriarchal elm
Its stately form uprears,
Which twice a hundred years
Has ruled this woodland realm.
I sit beneath its shade,
And watch, with careless eye,
The brook that babbles by,
And cools the leafy glade.
In truth I wonder not,
That in the ancient days
The temples of God's praise
Were grove and leafy grot.
The noblest ever planned,
With quaint device and rare,
By man, can ill compare
With these from God's own hand.
Pilgrim with way-worn feet,
Who, treading life's dull round,
No true repose hast found,
Come to this green retreat.
For bird, and flower, and tree,
Green fields, and woodland wild,
Shall bear, with voices mild,
Sweet messages to thee.
The Lost Battle
by Alfred Noyes

It is not over yet-the fight
Where those immortal dreamers failed.
They stormed the citadels of night
And the night praised them--and prevailed.
So long ago the cause was lost
We scarce distinguish friend from foe;
But--if the dead can help it most--
The armies of the dead will grow.
The world has all our banners now,
And filched our watchwords for its own.
The world has crowned the "rebel's" brow
And millions crowd his lordly throne.
The masks have altered. Names are names;
They praise the "truth" that is not true.
The "rebel" that the world acclaims
Is not the rebel Shelley knew.
We may not build that Commonweal.
We may not reach the goal we set.
But there's a flag they dare not steal.
Forward! It is not over yet.
We shall be dust and under dust
Before we end that ancient wrong;
But here's a sword that cannot rust,
And where's the death can touch a song?
So, when our bodies rot in earth
The singing souls that once were ours,
Weaponed with light and helmed with mirth,
Shall front the kingdoms and the powers.
The ancient lie is on its throne,
And half the living still forget;
But, since the dead are all our own,
Courage, it is not over yet.
The Miller's Daughter
by Alfred Lord Tennyson

It is the miller's daughter,
And she is grown so dear, so dear,
That I would be the jewel
That trembles in her ear:
For hid in ringlets day and night,
I'd touch her neck so warm and white.
And I would be the girdle
About her dainty dainty waist,
And her heart would beat against me,
In sorrow and in rest:
And I should know if it beat right,
I'd clasp it round so close and tight.
And I would be the necklace,
And all day long to fall and rise
Upon her balmy bosom,
With her laughter or her sighs:
And I would lie so light, so light,
I scarce should be unclasp'd at night.
Andre's Request.
by Nathaniel Parker Willis

It is not the fear of death
That damps my brow;
It is not for another breath
I ask thee now;
I can die with a lip unstirr'd
And a quiet heart - 
Let but this prayer be heard
Ere I depart.
I can give up my mother's look - 
My sister's kiss;
I can think of love - yet brook
A death like this!
I can give up the young fame
I burn'd to win - 
All - but the spotless name
I glory in!
Thine is the power to give,
Thine to deny,
Joy for the hour I live - 
Calmness to die.
By all the brave should cherish,
By my dying breath,
I ask that I may perish
With a soldier's death!
It Is Not To Be Thought Of
by William Wordsworth

It is not to be thought of that the Flood
Of British freedom, which, to the open sea
Of the world's praise, from dark antiquity
Hath flowed, "with pomp of waters, unwithstood,"
Roused though it be full often to a mood
Which spurns the check of salutary bands,
That this most famous Stream in bogs and sands
Should perish; and to evil and to good
Be lost for ever. In our halls is hung
Armoury of the invincible Knights of old:
We must be free or die, who speak the tongue
That Shakespeare spake; the faith and morals hold
Which Milton held. In everything we are sprung
Of Earth's first blood, have titles manifold.
British Freedom
by William Wordsworth

It is not to be thought of that the Flood
Of British freedom, which, to the open sea
Of the world's praise, from dark antiquity
Hath flowed, "with pomp of waters, unwithstood,"
Roused though it be full often to a mood
Which spurns the check of salutary bands,
That this most famous Stream in bogs and sands
Should perish; and to evil and to good
Be lost for ever. In our halls is hung
Armoury of the invincible Knights of old:
We must be free or die, who speak the tongue
That Shakespeare spake; the faith and morals hold
Which Milton held. In every thing we are sprung
Of Earth's first blood, have titles manifold.
All Here
by Oliver Wendell Holmes

It is not what we say or sing,
That keeps our charm so long unbroken,
Though every lightest leaf we bring
May touch the heart as friendship's token;
Not what we sing or what we say
Can make us dearer to each other;
We love the singer and his lay,
But love as well the silent brother.
Yet bring whate'er your garden grows,
Thrice welcome to our smiles and praises;
Thanks for the myrtle and the rose,
Thanks for the marigolds and daisies;
One flower erelong we all shall claim,
Alas! unloved of Amaryllis - 
Nature's last blossom-need I name
The wreath of threescore's silver lilies?
How many, brothers, meet to-night
Around our boyhood's covered embers?
Go read the treasured names aright
The old triennial list remembers;
Though twenty wear the starry sign
That tells a life has broke its tether,
The fifty-eight of 'twenty-nine - 
God bless THE Boys! - are all together!
These come with joyous look and word,
With friendly grasp and cheerful greeting, - 
Those smile unseen, and move unheard,
The angel guests of every meeting;
They cast no shadow in the flame
That flushes from the gilded lustre,
But count us - we are still the same;
One earthly band, one heavenly cluster!
Love dies not when he bows his head
To pass beyond the narrow portals, - 
The light these glowing moments shed
Wakes from their sleep our lost immortals;
They come as in their joyous prime,
Before their morning days were numbered, - 
Death stays the envious hand of Time, - 
The eyes have not grown dim that slumbered!
The paths that loving souls have trod
Arch o'er the dust where worldlings grovel
High as the zenith o'er the sod, - 
The cross above the sexton's shovel!
We rise beyond the realms of day;
They seem to stoop from spheres of glory
With us one happy hour to stray,
While youth comes back in song and story.
Ah! ours is friendship true as steel
That war has tried in edge and temper;
It writes upon its sacred seal
The priest's ubique - omnes - semper!
It lends the sky a fairer sun
That cheers our lives with rays as steady
As if our footsteps had begun
To print the golden streets already!
The tangling years have clinched its knot
Too fast for mortal strength to sunder;
The lightning bolts of noon are shot;
No fear of evening's idle thunder!
Too late! too late! - no graceless hand
Shall stretch its cords in vain endeavor
To rive the close encircling band
That made and keeps us one forever!
So when upon the fated scroll
The falling stars have all descended,
And, blotted from the breathing roll,
Our little page of life is ended,
We ask but one memorial line
Traced on thy tablet, Gracious Mother
"My children. Boys of '29.
In pace. How they loved each other!"
ONCE MORE
The Women Of The Town
by Henry Lawson

It is up from out the alleys, from the alleys dark and vile,
It is up from out the alleys I have struggled for a while,
Just to breathe the breath of Heaven ere my devil drags me down,
And to sing a song of pity for the women of the town.
Johnnies in the private bar room, weak and silly, vain and blind,
Even they would shrink and shudder if they knew the hell behind,
And the meanest wouldn't grumble when he's bilked of half-a-crown
If he knew as much as I do of the women of the town.
For I see the end too plainly of the golden-headed star
Who is smiling like an angel in the gilded private bar,
Drifting to the third-rate houses, drifting, sinking lower down
Till she raves in some foul parlour with the women of the town.
To the dingy beer-stained parlour all day long the outcasts come,
Draggled, dirty, bleared, repulsive, shameless, aye, and rotten some,
They have sold their bodies and would sell their souls for drink to drown
Memories of wrong that haunt them, haunt the women of the town.
I have seen the haunting terror of the 'horrors' in their eyes,
Heard them cry to Christ to help them as the mansoul never cries,
While the smirking landlord listened with a grin or with a frown.
Oh, they suffer hell in drinking, do the women of the town.
I have known too well, God help me! to what depths a man can sink,
Sacrificing wife and children, fame and honour, all for drink.
Deeper, deeper sink the women, for the veriest drunken clown
Has his feet upon the shoulders of the women of the town.
There's a heavy cloud that's lying on my spirit like a pall,
'Tis the horror and injustice and the hopelessness of all,
There's the love of one for ever that no sea of sin can drown,
And she loves a brute, God help her! does the woman of the town.
O my sisters, O my sisters, I am powerless to aid;
'Tis a world of prostitution, it is business, it is trade,
And they profit from the brewer and the smirking landlord down
To the bully and the bludger, on the women of the town.
Oh, the heart of one great poet* called to heaven in a line,
Crying, 'Mary, pity women!', You have whiter souls than mine.
And if in the grand Hereafter there is one shall wear a crown,
For the hell that men made for her, 'tis the Woman of the Town.
The Pride That Comes After
by Henry Lawson

It knows it all, it knows it all,
The world of groans and laughter,
It sneers of pride before a fall,
But the bitter pride comes after:
So leave me and I'll seek you not,
So seek me and you'll find me,
But till I know your hand-grip's true
I'll stand with hands behind me.
It knows it all, it knows it all,
The world of lies and sorrow,
It prates of pride before a fall,
And of the humble morrow;
But shame and blame are but a name,
Oh, heart that's hurt past curing!
We'll drink to-night the sinner's pride,
The pride that's most enduring.
They know it all, they know it all,
The curs that pass the sentence.
They preach of pride before a fall
And bitter black repentance:
So leave me when my star is set,
I'll glory that you leave me,
While one has pride to love me yet
There's nought on earth shall grieve me.
O Thou of Little Faith.
by Arthur Hugh Clough

It may be true
That while we walk the troublous tossing sea,
That when we see the o'ertopping waves advance,
And when we feel our feet beneath us sink,
There are who walk beside us; and the cry
That rises so spontaneous to the lips,
The 'Help us or we perish,' is not nought,
An evanescent spectrum of disease.
It may be that indeed and not in fancy,
A hand that is not ours upstays our steps,
A voice that is not ours commands the waves;
Commands the waves, and whispers in our ear,
O thou of little faith, why didst thou doubt?
At any rate,
That there are beings above us, I believe,
And when we lift up holy hands of prayer,
I will not say they will not give us aid.
Sonnet XIV
by Alan Seeger

It may be for the world of weeds and tares
And dearth in Nature of sweet Beauty's rose
That oft as Fortune from ten thousand shows
One from the train of Love's true courtiers
Straightway on him who gazes, unawares,
Deep wonder seizes and swift trembling grows,
Reft by that sight of purpose and repose,
Hardly its weight his fainting breast upbears.
Then on the soul from some ancestral place
Floods back remembrance of its heavenly birth,
When, in the light of that serener sphere,
It saw ideal beauty face to face
That through the forms of this our meaner Earth
Shines with a beam less steadfast and less clear.
Written On A Wall In Spring
by Edward Powys Mathers (As Translator)

It rained last night,
But fair weather has come back
This morning.
The green clusters of the palm-trees
Open and begin to throw shadows.
But sorrow drifts slowly down about me.
I come and go in my room,
Heart-heavy with memories.
The neighbour green casts shadows of green
On my blind;
The moss, soaked in dew,
Takes the least print
Like delicate velvet.
I see again a gauze tunic of oranged rose
With shadowy underclothes of grenade red.
How things still live again.
I go and sit by the day balustrade
And do nothing
Except count the plains
And the mountains
And the valleys
And the rivers
That separate from my Spring.
From the Chinese (early nineteenth century).
On The Medusa Of Leonardo Da Vinci In The Florentine Gallery.
by Percy Bysshe Shelley

1.
It lieth, gazing on the midnight sky,
Upon the cloudy mountain-peak supine;
Below, far lands are seen tremblingly;
Its horror and its beauty are divine.
Upon its lips and eyelids seems to lie
Loveliness like a shadow, from which shine,
Fiery and lurid, struggling underneath,
The agonies of anguish and of death.
2.
Yet it is less the horror than the grace
Which turns the gazer's spirit into stone,
Whereon the lineaments of that dead face
Are graven, till the characters be grown
Into itself, and thought no more can trace;
'Tis the melodious hue of beauty thrown
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain.
3.
And from its head as from one body grow,
As ... grass out of a watery rock,
Hairs which are vipers, and they curl and flow
And their long tangles in each other lock,
And with unending involutions show
Their mailed radiance, as it were to mock
The torture and the death within, and saw
The solid air with many a ragged jaw.
4.
And, from a stone beside, a poisonous eft
Peeps idly into those Gorgonian eyes;
Whilst in the air a ghastly bat, bereft
Of sense, has flitted with a mad surprise
Out of the cave this hideous light had cleft,
And he comes hastening like a moth that hies
After a taper; and the midnight sky
Flares, a light more dread than obscurity.
5.
'Tis the tempestuous loveliness of terror;
For from the serpents gleams a brazen glare
Kindled by that inextricable error,
Which makes a thrilling vapour of the air
Become a ... and ever-shifting mirror
Of all the beauty and the terror there -
A woman's countenance, with serpent-locks,
Gazing in death on Heaven from those wet rocks.
Saint Paul
by Oliver Herford

It saddens me to think Saint Paul
Such lengthy letters had to scrawl.
And so to make his labor lighter
I picture him with a typewriter.
The Figure In The Scene
by Thomas Hardy

It pleased her to step in front and sit
Where the cragged slope was green,
While I stood back that I might pencil it
With her amid the scene;
Till it gloomed and rained;
But I kept on, despite the drifting wet
That fell and stained
My draught, leaving for curious quizzings yet
The blots engrained.
And thus I drew her there alone,
Seated amid the gauze
Of moisture, hooded, only her outline shown,
With rainfall marked across.
- Soon passed our stay;
Yet her rainy form is the Genius still of the spot,
Immutable, yea,
Though the place now knows her no more, and has known her not
Ever since that day.
From an old note.