DanFosing/public-domain-poetry huggingface dataset:
A Jewish Cemetery In Germany
by Yehuda Amichai

On a little hill amid fertile fields lies a small cemetery,
a Jewish cemetery behind a rusty gate, hidden by shrubs,
abandoned and forgotten. Neither the sound of prayer
nor the voice of lamentation is heard there
for the dead praise not the Lord.
Only the voices of our children ring out, seeking graves and cheering
each time they find one, like mushrooms in the forest, like wild strawberries.
Here's another grave! There's the name of my mother's
mothers, and a name from the last century. And here's a name,
and there! And as I was about to brush the moss from the name,
Look! an open hand engraved on the tombstone, the grave of a kohen,
his fingers splayed in a spasm of holiness and blessing,
and here's a grave concealed by a thicket of berries
that has to be brushed aside like a shock of hair
from the face of a beautiful beloved woman.
Mr. And Mrs. Spikky Sparrow.
by Edward Lear

I.
On a little piece of wood
Mr. Spikky Sparrow stood:
Mrs. Sparrow sate close by,
A-making of an insect-pie
For her little children five,
In the nest and all alive;
Singing with a cheerful smile,
To amuse them all the while,
"Twikky wikky wikky wee,
Wikky bikky twikky tee,
Spikky bikky bee!"
II.
Mrs. Spikky Sparrow said,
"Spikky, darling! in my head
Many thoughts of trouble come,
Like to flies upon a plum.
All last night, among the trees,
I heard you cough, I heard you sneeze;
And thought I, 'It's come to that
Because he does not wear a hat!'
Chippy wippy sikky tee,
Bikky wikky tikky mee,
Spikky chippy wee!
III.
"Not that you are growing old;
But the nights are growing cold.
No one stays out all night long
Without a hat: I'm sure it's wrong!"
Mr. Spikky said, "How kind,
Dear, you are, to speak your mind!
All your life I wish you luck!
You are, you are, a lovely duck!
Witchy witchy witchy wee,
Twitchy witchy witchy bee,
Tikky tikky tee!
IV.
"I was also sad, and thinking,
When one day I saw you winking,
And I heard you sniffle-snuffle,
And I saw your feathers ruffle:
To myself I sadly said,
'She's neuralgia in her head!
That dear head has nothing on it!
Ought she not to wear a bonnet?'
Witchy kitchy kitchy wee,
Spikky wikky mikky bee,
Chippy wippy chee!
V.
"Let us both fly up to town:
There I'll buy you such a gown!
Which, completely in the fashion,
You shall tie a sky-blue sash on;
And a pair of slippers neat
To fit your darling little feet,
So that you will look and feel
Quite galloobious and genteel.
Jikky wikky bikky see,
Chicky bikky wikky bee,
Twicky witchy wee!"
VI.
So they both to London went,
Alighting on the Monument;
Whence they flew down swiftly - pop!
Into Moses' wholesale shop:
There they bought a hat and bonnet,
And a gown with spots upon it,
A satin sash of Cloxam blue,
And a pair of slippers too.
Zikky wikky mikky bee,
Witchy witchy mitchy kee,
Sikky tikky wee!
VII.
Then, when so completely dressed,
Back they flew, and reached their nest.
Their children cried, "O ma and pa!
How truly beautiful you are!"
Said they, "We trust that cold or pain
We shall never feel again;
While, perched on tree or house or steeple,
We now shall look like other people.
Witchy witchy witchy wee,
Twikky mikky bikky bee,
Zikky sikky tee!"
Upon An Old Woman.
by Robert Herrick

Old Widow Prouse, to do her neighbours evil,
Would give, some say, her soul unto the devil.
Well, when she's kill'd that pig, goose, cock, or hen,
What would she give to get that soul again?
A Day Dream.
by Emily Bronte

On a sunny brae alone I lay
One summer afternoon;
It was the marriage-time of May,
With her young lover, June.
From her mother's heart seemed loath to part
That queen of bridal charms,
But her father smiled on the fairest child
He ever held in his arms.
The trees did wave their plumy crests,
The glad birds carolled clear;
And I, of all the wedding guests,
Was only sullen there!
There was not one, but wished to shun
My aspect void of cheer;
The very gray rocks, looking on,
Asked, "What do you here?"
And I could utter no reply;
In sooth, I did not know
Why I had brought a clouded eye
To greet the general glow.
So, resting on a heathy bank,
I took my heart to me;
And we together sadly sank
Into a reverie.
We thought, "When winter comes again,
Where will these bright things be?
All vanished, like a vision vain,
An unreal mockery!
"The birds that now so blithely sing,
Through deserts, frozen dry,
Poor spectres of the perished spring,
In famished troops will fly.
"And why should we be glad at all?
The leaf is hardly green,
Before a token of its fall
Is on the surface seen!"
Now, whether it were really so,
I never could be sure;
But as in fit of peevish woe,
I stretched me on the moor,
A thousand thousand gleaming fires
Seemed kindling in the air;
A thousand thousand silvery lyres
Resounded far and near:
Methought, the very breath I breathed
Was full of sparks divine,
And all my heather-couch was wreathed
By that celestial shine!
And, while the wide earth echoing rung
To that strange minstrelsy
The little glittering spirits sung,
Or seemed to sing, to me:
"O mortal! mortal! let them die;
Let time and tears destroy,
That we may overflow the sky
With universal joy!
"Let grief distract the sufferer's breast,
And night obscure his way;
They hasten him to endless rest,
And everlasting day.
"To thee the world is like a tomb,
A desert's naked shore;
To us, in unimagined bloom,
It brightens more and more!
"And, could we lift the veil, and give
One brief glimpse to thine eye,
Thou wouldst rejoice for those that live,
BECAUSE they live to die."
The music ceased; the noonday dream,
Like dream of night, withdrew;
But Fancy, still, will sometimes deem
Her fond creation true.
Jerusalem
by Yehuda Amichai

On a roof in the Old City
Laundry hanging in the late afternoon sunlight:
The white sheet of a woman who is my enemy,
The towel of a man who is my enemy,
To wipe off the sweat of his brow.
In the sky of the Old City
A kite.
At the other end of the string,
A child
I can't see
Because of the wall.
We have put up many flags,
They have put up many flags.
To make us think that they're happy.
To make them think that we're happy.
The Dirge.
by Percy Bysshe Shelley

Old winter was gone
In his weakness back to the mountains hoar,
And the spring came down
From the planet that hovers upon the shore
Where the sea of sunlight encroaches
On the limits of wintry night; -
If the land, and the air, and the sea,
Rejoice not when spring approaches,
We did not rejoice in thee,
Ginevra!
She is still, she is cold
On the bridal couch,
One step to the white deathbed,
And one to the bier,
And one to the charnel - and one, oh where?
The dark arrow fled
In the noon.
Ere the sun through heaven once more has rolled,
The rats in her heart
Will have made their nest,
And the worms be alive in her golden hair,
While the Spirit that guides the sun,
Sits throned in his flaming chair,
She shall sleep.
Arabesque.
by Emma Lazarus

On a background of pale gold
I would trace with quaint design,
Penciled fine,
Brilliant-colored, Moorish scenes,
Mosques and crescents, pages, queens,
Line on line,
That the prose-world of to-day
Might the gorgeous Past's array
Once behold.
On the magic painted shield
Rich Granada's Vega green
Should be seen;
Crystal fountains, coolness flinging,
Hanging gardens' skyward springing
Emerald sheen;
Ruddy when the daylight falls,
Crowned Alhambra's beetling walls
Stand revealed;
Balconies that overbrow
Field and city, vale and stream.
In a dream
Lulled the drowsy landscape basks;
Mark the gleam
Silvery of each white-swathed peak!
Mountain-airs caress the cheek,
Fresh from the snow.
Here in Lindaraxa's bower
The immortal roses bloom;
In the room
Lion-guarded, marble-paven,
Still the fountain leaps to heaven.
But the doom
Of the banned and stricken race
Overshadows every place,
Every hour.
Where fair Lindaraxa dwelt
Flits the bat on velvet wings;
Mute the strings
Of the broken mandoline;
The Pavilion of the Queen
Widely flings
Vacant windows to the night;
Moonbeams kiss the floor with light
Where she knelt.
Through these halls that people stepped
Who through darkling centuries
Held the keys
Of all wisdom, truth, and art,
In a Paradise apart,
Lapped in ease,
Sagely pondering deathless themes,
While, befooled with monkish dreams,
Europe slept.
Where shall they be found today?
Yonder hill that frets the sky
"The last Sigh
Of the Moor" is named still.
There the ill-starred Boabdil
Bade good-by
To Granada and to Spain,
Where the Crescent ne'er again
Holdeth sway.
Vanished like the wind that blows,
Whither shall we seek their trace
On earth's face?
The gigantic wheel of fate,
Crushing all things soon or late,
Now a race,
Now a single life o'erruns,
Now a universe of suns,
Now a rose.
Tillie
by Walter De La Mare

Old Tillie Turveycombe
Sat to sew,
Just where a patch of fern did grow;
There, as she yawned,
And yawn wide did she,
Floated some seed
Down her gull-e-t;
And look you once,
And look you twice,
Poor old Tillie
Was gone in a trice.
But oh, when the wind
Do a-moaning come,
'Tis poor old Tillie
Sick for home;
And oh, when a voice
In the mist do sigh,
Old Tillie Turveycombe's
Floating by.
To Samuel E. Sewall And Harriet W. Sewall, Of Melrose
by John Greenleaf Whittier

Olor Iscanus queries: 'Why should we
Vex at the land's ridiculous miserie?'
So on his Usk banks, in the blood-red dawn
Of England's civil strife, did careless Vaughan
Bemock his times. O friends of many years!
Though faith and trust are stronger than our fears,
And the signs promise peace with liberty,
Not thus we trifle with our country's tears
And sweat of agony. The future's gain
Is certain as God's truth; but, meanwhile, pain
Is bitter and tears are salt: our voices take
A sober tone; our very household songs
Are heavy with a nation's griefs and wrongs;
And innocent mirth is chastened for the sake
Of the brave hearts that nevermore shall beat,
The eyes that smile no more, the unreturning feet
To A Dead Tree.
by John Clare

Old tree thou art wither'd--I pass'd thee last year,
And the blackbird snug hid in thy branches did sing,
Thy shadow stretch'd dark o'er the grass sprouting near,
And thou wert as green as thy mates of the spring.
How alter'd since then! not a leaf hast thou got,
Thy honours brown round thee that clothed the tree;
The clown passeth by thee and heedeth thee not,
But thou'rt a warm source of reflection for me.
I think, while I view thee and rest on the stile,
Life's bloom is as frail as the leaves thou hast shed;
Like thee I may boast of my honours awhile,
But new springs may blossom, and mine may be fled:
Fond friends may bend o'er the rais'd turf where I'm laid,
And warm recollection the past may look o'er,
And say by my life, as I say by thy shade,
"Last spring he was living, but now he's no more."
The Suicide's Grave.
by William Schwenck Gilbert

On a tree by the river a little tomtit
Sang "Willow, titwillow, titwillow!"
And I said to him, "Dicky-bird, why do you sit
Singing 'Willow, titwillow, titwillow?'
Is it weakness of intellect, birdie?" I cried,
"Or a rather tough worm in your little inside?"
With a shake of his poor little head he replied,
"Oh, willow, titwillow, titwillow!"
He slapped at his chest, as he sat on that bough,
Singing "Willow, titwillow, titwillow!"
And a cold perspiration bespangled his brow,
Oh, willow, titwillow, titwillow!
He sobbed and he sighed, and a gurgle he gave,
Then he threw himself into the billowy wave,
And an echo arose from the suicide's grave 
"Oh, willow, titwillow, titwillow!"
Now I feel just as sure as I'm sure that my name
Isn't Willow, titwillow, titwillow,
That 'twas blighted affection that made him exclaim,
"Oh, willow, titwillow, titwillow!"
And if you remain callous and obdurate, I
Shall perish as he did, and you will know why,
Though I probably shall not exclaim as I die,
"Oh, willow, titwillow, titwillow!"
Wortermelon Time
by James Whitcomb Riley

Old wortermelon time is a-comin' round again,
And they ain't no man a-livin' any tickleder'n me,
Fer the way I hanker after wortermelons is a sin -
Which is the why and wharefore, as you can plainly see.
Oh! it's in the sandy soil wortermelons does the best,
And it's thare they'll lay and waller in the sunshine and the dew
Tel they wear all the green streaks clean off of theyr breast;
And you bet I ain't a-findin' any fault with them; ain't you?
They ain't no better thing in the vegetable line;
And they don't need much 'tendin', as ev'ry farmer knows;
And when theyr ripe and ready fer to pluck from the vine,
I want to say to you theyr the best fruit that grows.
It's some likes the yeller-core, and some likes the red.
And it's some says "The Little Californy" is the best;
But the sweetest slice of all I ever wedged in my head,
Is the old "Edingburg Mounting-sprout," of the west
You don't want no punkins nigh your wortermelon vines -
'Cause, some-way-another, they'll spile your melons, shore; -
I've seed 'em taste like punkins, from the core to the rines,
Which may be a fact you have heerd of before
But your melons that's raised right and 'tended to with care,
You can walk around amongst 'em with a parent's pride and joy,
And thump 'em on the heads with as fatherly a air
As ef each one of them was your little girl er boy.
I joy in my hart jest to hear that rippin' sound
When you split one down the back and jolt the halves in two,
And the friends you love the best is gethered all around -
And you says unto your sweethart, "Oh, here's the core fer you!"
And I like to slice 'em up in big pieces fer 'em all,
Espeshally the childern, and watch theyr high delight
As one by one the rines with theyr pink notches falls,
And they holler fer some more, with unquenched appetite.
Boys takes to it natchurl, and I like to see 'em eat -
A slice of wortermelon's like a frenchharp in theyr hands,
And when they "saw" it through theyr mouth sich music can't be beat -
'Cause it's music both the sperit and the stummick understands.
Oh, they's more in wortermelons than the purty-colored meat,
And the overflowin' sweetness of the worter squshed betwixt
The up'ard and the down'ard motions of a feller's teeth,
And it's the taste of ripe old age and juicy childhood mixed.
Fer I never taste a melon but my thoughts flies away
To the summertime of youth; and again I see the dawn,
And the fadin' afternoon of the long summer day,
And the dusk and dew a-fallin', and the night a-comin' on.
And thare's the corn around us, and the lispin' leaves and trees,
And the stars a-peekin' down on us as still as silver mice,
And us boys in the wortermelons on our hands and knees,
And the new-moon hangin' ore us like a yeller-cored slice.
Oh! it's wortermelon time is a-comin' round again,
And they ain't no man a-livin' any tickleder'n me,
Fer the way I hanker after wortermelons is a sin -
Which is the why and wharefore, as you can plainly see.
A Touching Ceremony.
by Rosanna Eleanor Leprohon

The following verses were suggested by a touching ceremony which lately took place in the chapel of the Congregation Convent, Notre Dame, Montreal, the beloved Institution in which the happy days of my girlhood were passed. The ceremony in question was the renewal of her vows by the Venerable Mother Superior, just fifty years from the date of her first profession, which was made at the early age of fifteen. In the world, in the few rare instances in which both bride and bridegroom live to witness the fiftieth anniversary of their union, the "golden wedding," as it is usually called, is generally celebrated with great pomp and rejoicing; tis but just, then, that in religion, the faithful spouses of the Saviour should welcome with equal satisfaction the anniversary of the epoch which witnessed the mystical union contracted with their Heavenly Bridegroom.
Montreal, Sept. 28, 1859.
On a golden autumn morning,
Just fifty years ago,
When harvests ripe lay smiling
In the sunshine's yellow glow,
A pious group was standing
Round the lighted altar's flame
In the humble convent chapel
Of the Nuns of Notre Dame.
A girl of fifteen summers,
With gentle, serious air,
In novice garb of purple,
Was humbly kneeling there;
Uttering the vows so binding
Whose magic power sufficed
To make that child-like maiden
The well-loved Bride of Christ.
No troubled, anxious shadow
O'er-clouded that young brow,
As with look and voice unfaltering
She breathed her solemn vow:
No regretful glances cast she
On the pomps that she had spurned,
Nor the dream of love and pleasure
From which she had coldly turned.
*             *                *             *                *
Fifty years of joy and sorrow
Since that day have o'er her flown - 
Years of words and deeds of mercy,
Living but for God alone - 
And again a group is standing,
By this holy scene enticed,
To renew the golden bridal
Of this faithful spouse of Christ.
True, her brow has lost the smoothness
And her cheek the fresh young glow
That adorned them on that autumn
Morning - fifty years ago;
But, oh! think not that her Bridegroom
Loves her anything the less;
He sees but the inward beauty
And the spirit's loveliness.
Cloister honors long have fallen
Ceaseless, constant, to her lot,
But, like cloister honors falling,
Unto one who sought them not;
Daughter meek of the great Foundress
Of thy honored house and name,
Worthy art thou to be Abbess
Of the nuns of Notre Dame!
Hermione
by Ralph Waldo Emerson

On a mound an Arab lay,
And sung his sweet regrets
And told his amulets:
The summer bird
His sorrow heard,
And, when he heaved a sigh profound,
The sympathetic swallow swept the ground.
'If it be, as they said, she was not fair,
Beauty's not beautiful to me,
But sceptred genius, aye inorbed,
Culminating in her sphere.
This Hermione absorbed
The lustre of the land and ocean,
Hills and islands, cloud and tree,
In her form and motion.
'I ask no bauble miniature,
Nor ringlets dead
Shorn from her comely head,
Now that morning not disdains
Mountains and the misty plains
Her colossal portraiture;
They her heralds be,
Steeped in her quality,
And singers of her fame
Who is their Muse and dame.
'Higher, dear swallows! mind not what I say.
Ah! heedless how the weak are strong,
Say, was it just,
In thee to frame, in me to trust,
Thou to the Syrian couldst belong?
'I am of a lineage
That each for each doth fast engage;
In old Bassora's schools, I seemed
Hermit vowed to books and gloom,--
Ill-bestead for gay bridegroom.
I was by thy touch redeemed;
When thy meteor glances came,
We talked at large of worldly fate,
And drew truly every trait.
'Once I dwelt apart,
Now I live with all;
As shepherd's lamp on far hill-side
Seems, by the traveller espied,
A door into the mountain heart,
So didst thou quarry and unlock
Highways for me through the rock.
'Now, deceived, thou wanderest
In strange lands unblest;
And my kindred come to soothe me.
Southwind is my next of blood;
He is come through fragrant wood,
Drugged with spice from climates warm,
And in every twinkling glade,
And twilight nook,
Unveils thy form.
Out of the forest way
Forth paced it yesterday;
And when I sat by the watercourse,
Watching the daylight fade,
It throbbed up from the brook.
'River and rose and crag and bird,
Frost and sun and eldest night,
To me their aid preferred,
To me their comfort plight;--
"Courage! we are thine allies,
And with this hint be wise,--
The chains of kind
The distant bind;
Deed thou doest she must do,
Above her will, be true;
And, in her strict resort
To winds and waterfalls
And autumn's sunlit festivals,
To music, and to music's thought,
Inextricably bound,
She shall find thee, and be found.
Follow not her flying feet;
Come to us herself to meet."'
Love As A Landscape Painter.
by Johann Wolfgang von Goethe

On a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure, 
How to paint a beauteous figure, show thee."
And he then extended his fore-finger, 
(Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together, 
Flowers, river, trees, the veil, all moving, 
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
When The Children Come Home
by Henry Lawson

On a lonely selection far out in the West
An old woman works all the day without rest,
And she croons, as she toils 'neath the sky's glassy dome,
`Sure I'll keep the ould place till the childer come home.'
She mends all the fences, she grubs, and she ploughs,
She drives the old horse and she milks all the cows,
And she sings to herself as she thatches the stack,
`Sure I'll keep the ould place till the childer come back.'
It is five weary years since her old husband died;
And oft as he lay on his deathbed he sighed
`Sure one man can bring up ten children, he can,
An' it's strange that ten sons cannot keep one old man.'
Whenever the scowling old sundowners come,
And cunningly ask if the master's at home,
`Be off,' she replies, `with your blarney and cant,
Or I'll call my son Andy; he's workin' beyant.'
`Git out,' she replies, though she trembles with fear,
For she lives all alone and no neighbours are near;
But she says to herself, when she's like to despond,
That the boys are at work in the paddock beyond.
Ah, none of her children need follow the plough,
And some have grown rich in the city ere now;
Yet she says:    `They might come when the shearing is done,
And I'll keep the ould place if it's only for one.'
Afternoon Service At Mellstock
by Thomas Hardy

On afternoons of drowsy calm
We stood in the panelled pew,
Singing one-voiced a Tate-and-Brady psalm
To the tune of "Cambridge New."
We watched the elms, we watched the rooks,
The clouds upon the breeze,
Between the whiles of glancing at our books,
And swaying like the trees.
So mindless were those outpourings! -
Though I am not aware
That I have gained by subtle thought on things
Since we stood psalming there.