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for most of its footage , the new thriller proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo .
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to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny
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in this engaging film about two men who discover what william james once called ` the gift of tears
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of clich茅s , depression and bad alternative music
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fill the hot chick , the latest gimmick from this unimaginative comedian
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a period story about a catholic boy who tries to help a jewish friend get into heaven by sending the audience straight to hell .
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whose sharp
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the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining .
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offers no new insight on the matter , nor do its characters exactly spring to life .
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a distinctly minor effort that will be seen to better advantage on cable , especially considering its barely
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capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries
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fierce grandeur
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on theory , sleight-of-hand , and ill-wrought hypothesis
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drag an audience
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it can not even be dubbed hedonistic
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exceptionally
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truth
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is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender
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bad movie .
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takes a simple premise and carries it to unexpected heights .
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provocative and
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guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
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pertinent and enduring
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huge gap
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critical backlash
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furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation
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an incredibly layered and stylistic film that , despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema
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self-consciously arty
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does somehow manage to get you under its spell .
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that a man in drag is not in and of himself funny
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stands still in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable .
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why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ?
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a predictable outcome and
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laughs and insight into one of the toughest ages a kid can go through .
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has a wooden delivery and
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pay reparations to viewers
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hollywood has taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff .
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shows all the signs of rich detail condensed into a few evocative images and striking character traits .
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's finally been given a part worthy of her considerable talents
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this oddly sweet comedy
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most savagely hilarious
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should dispel it
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that has nothing
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although god is great addresses interesting matters of identity and heritage
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be mildly amusing
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are lukewarm and quick to pass .
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it 's clear why deuces wild , which was shot two years ago , has been gathering dust on mgm 's shelf .
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a fairly weak retooling
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a funny and well-contructed black comedy where the old adage `` be careful what you wish for '' is given a full workout .
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you drive past -- even if it chiefly inspires you to drive a little faster
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and , thanks to the presence of ` the king , ' it also rocks .
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, the movie looks genuinely pretty .
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perfectly pleasant if slightly pokey comedy
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speaks volumes ,
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thanks largely to williams , all the interesting developments are processed in 60 minutes -- the rest is just an overexposed waste of film
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if also somewhat hermetic .
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represents glossy hollywood at its laziest
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quaid is utterly fearless as the tortured husband living a painful lie , and moore wonderfully underplays the long-suffering heroine with an unflappable '50s dignity somewhere between jane wyman and june cleaver .
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is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it
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that should be used to burn every print of the film
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as pure over-the-top trash , any john waters movie has it beat by a country mile .
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the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , and
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fun , popcorn movies
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leaves us wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion
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dreary expanse
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is the superficial way it deals with its story
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wewannour money
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as part of mr. dong 's continuing exploration of homosexuality in america , family fundamentals is an earnest study in despair .
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two weeks notice has appeal beyond being a sandra bullock vehicle or a standard romantic comedy .
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steven seagal
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's a testament to de niro and director michael caton-jones that by movie 's end , we accept the characters and the film , flaws and all .
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with bogus profundities
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delivers a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion
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could possibly be more contemptuous of the single female population
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( denis ) accomplishes in his chilling , unnerving film
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have a good time as it doles out pieces of the famous director 's life
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promise
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's surprisingly bland despite the heavy doses of weird performances and direction
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the film 's thoroughly recycled plot
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this date-night diversion will definitely win some hearts
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huge heart
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precocious
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this time , the hype is quieter , and while the movie is slightly less successful than the first , it 's still a rollicking good time for the most part .
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funny
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's fun
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but the power of these ( subjects ) is obscured by the majority of the film that shows a stationary camera on a subject that could be mistaken for giving a public oration , rather than contributing to a film 's narrative .
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an authentically vague , but ultimately purposeless , study in total
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too stupid
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intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix
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a truly , truly bad movie
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of discovery
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bile
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entertain
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while it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion , lan yu never catches dramatic fire .
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comes along only occasionally , one so unconventional
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crush could be the worst film a man has made about women since valley of the dolls .
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seemingly a vehicle to showcase the canadian 's inane ramblings , stealing harvard is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore .
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is its surreal sense of humor and technological finish
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it has some special qualities and the soulful gravity of crudup 's anchoring performance .
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the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense
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