\'Cada verso é uma semente no deserto do meu peito\': exílio, resistência e conexões transnacionais na canção engajada latino-americana (anos 1970)
Year: 2019

The main aim of this research is to show that Latin American integration projects by music, built during the 1960s and early 1970s, were not destroyed by the military dictatorships that settled in Latin America by this time. Although the new regimes had the clear objective of annihilating any experience of political art, trying to destroy the networks of committed art that had been formed in the pre-coup periods, the artists ended up finding strategies of survival in the new context. Those who s