Технічні рекомендації щодо виконання ролі матері в опері «Катерина» М. Аркаса за однойменною поемою т. Г. Шевченка
Journal: Музичне мистецтво і культура
Year: 2020

The purpose of the article is to consider examples of the musical embodiment of the image of the Mother, to identify its stable typological features of performance and analysis of the most significant in this aspect of the Mother’s part in Nikolai Arkas’ opera “Katerina” based on the poem of the same name by Taras Shevchenko in the performing context. The methodology of the article is a combination of the principles of historical, cultural and typological methods, as well as stylistic analysis o