title: Dawn (rapper)

text: Dawn debuted on July 10, 2016, under the name of E'Dawn, with the group Pentagon under Cube Entertainment as a dancer and rapper. The group was formed through a variety show called "Pentagon Maker". Despite E'Dawn being eliminated from the program, he was added to the group's final lineup alongside Yan An and Shinwon. E'Dawn contributed to the group's debut EP, "Pentagon", as a songwriter, writing lyrics for the tracks "Lukewarm" and "Organic Song", as well as contributing music to the latter. He would continue to write songs and music for the group (including "Runaway" and "Shine") until his departure.


title: Dawn (rapper)

text: On April 4, 2017, it was announced that E'Dawn would be debuting in a new group called Triple H alongside bandmate Hui and labelmate Hyuna, and the trio would be starring in a new show called "Triple H Fun Agency". The group made their debut on May 1, 2017, with the EP "199X". E'Dawn once again contributed as songwriter, writing all tracks including the lead single "365 Fresh". The album reached #4 on the Gaon Album Chart and #10 on the "Billboard" World Albums Chart. The group released a follow-up EP, "Retro Futurism", in 2018. E'Dawn contributed to the lyrics and music for the lead single "Retro Future" alongside the other three tracks on the album.


title: Dawn (rapper)

text: After E'Dawn announced his relationship with Hyuna in August 2018, Cube Entertainment announced he would be absent from Pentagon's upcoming EP, "Thumbs Up!", though he would still be credited as songwriter for "Naughty Boy" and "Skateboard". On September 13, it was announced that Cube had terminated E'Dawn's and Hyuna's contracts, citing that they were unable to maintain trust with them. E'Dawn's departure from Cube and Pentagon was officially confirmed on November 14, 2018.


title: Dawn (rapper)

text: On January 23, Psy announced via Instagram that E'Dawn had signed a contract with his new label, P Nation, alongside Hyuna. On October 18, it was announced that E'Dawn would be redebuting as a soloist under the name "Dawn", with new single "Money" on November 5.


title: Dawn (rapper)

text: On April 29, 2020, he was a part of the ""OLD X NEW (Original Television Soundtrack)"" album for the "본격연예 한밤 (Late Night E-News)" show, with the song "그건 너 (It's You)."


title: Dawn (rapper)

text: In September 2020, it was announced that Dawn will make a comeback with his first EP "Dawndididawn", which was released on October 9, 2020. The title track "Dawndididawn (던디리던)" featured fellow P Nation artist Jessi.


title: Dawn (rapper)

text: On June 7, 2022, it was announced that Dawn would be attending the "J-Rim Super Nova Festival" with Hyuna, taking place on July 2-3, 2022.


title: Dawn (rapper)

text: On June 8, 2022, Psy, the head of his agency P NATION, released a teaser image announcing Dawn's return on June 16, 2022 with the digital single "Stupid Cool".


title: Dawn (rapper)

text: On August 29, 2022, P Nation announced that Dawn would be leaving the company after deciding not to renew his contract.


title: Dawn (rapper)

text: On August 2, 2018, Dawn revealed that he has been in a relationship with Hyuna since May 2016. Their engagement was announced on February 3, 2022. In November 2022, Hyuna posted on her Instagram account that the couple had separated.


title: 20th Television

text: 20th Television (formerly 20th Century Fox Television, 20th Century-Fox Television, and TCF Television Productions, Inc.) is an American television production company that is a division of Disney Television Studios, part of The Walt Disney Company. Walt Disney Studios Home Entertainment distributes the films produced by 20th Television in home media under the 20th Century Studios Home Entertainment banner.


title: 20th Television

text: The original incarnation of 20th Television was the syndication and distribution arm of 20th Century Fox Television until it was folded into Disney–ABC Domestic Television in 2020.


title: 20th Television

text: 20th Television was part of The Walt Disney Company's acquisition of the majority of 21st Century Fox's assets in 2019. The company's current name was adopted in 2020 when Disney dropped "Fox" from the names of acquired 21st Century Fox assets.


title: 20th Television

text: 20th Century Fox Television was originally formed in 1949 by 20th Century-Fox as other studios were branching out into television production. The company was known as TCF Television Productions, Inc. from its inception until 1958. Its first TV series was "Crusade in Europe", which was produced for ABC.


title: 20th Television

text: In 1955, Fox intended to set up a TV film subsidiary on the company's Western Avenue lot in Hollywood, but it never materialized.


title: 20th Television

text: Fox did not produce another TV show until 1955, when it launched its very first series, "The 20th Century-Fox Hour" on CBS, after the success of ABC's hit show "Disneyland". In 1956, Fox sold its second show to CBS, "My Friend Flicka", which is based on the "Flicka" film series.


title: 20th Television

text: Later that year, Irving Asher, who was a very successful film producer, was made general manager of TCF Television Productions. In 1956, Fox sold the "Broken Arrow" TV project, which is based on the 1950 film of the same name, to ABC.


title: 20th Television

text: In 1957, Fox cemented a pact with National Telefilm Associates (NTA) to produce "How to Marry a Millionaire", which was based on the 1953 movie of the same name, and "Man Without a Gun". NTA served as distributor of the series, which were to play on the NTA Film Network.


title: 20th Television

text: In 1958, the company was renamed to 20th Century-Fox Television. Around the same time, Martin Manulis, producer of CBS' "Playhouse 90", joined 20th Century-Fox as head of television. Under Manulis' watch, the company developed "Adventures in Paradise" for ABC, "The Many Loves of Dobie Gillis" for CBS and "Five Fingers" for NBC. In the following year, Fox also sold the drama "Hong Kong" to ABC.


title: 20th Television

text: By 1960, Roy Huggins, who was lured from Warner Bros. Television, was tapped to join 20th Century-Fox Television as vice president in charge of production. During Huggins' watch, he refreshed the "Hong Kong" show. He also oversaw the development of the three programs for ABC, which were the comedy "Margie" and dramas "Follow the Sun" and "Bus Stop". In 1961, William Self was appointed to replace Huggins.


title: 20th Television

text: In 1962, the company decreased its output to one show, then produced no shows by 1963. Roy Huggins departed to join Revue Studios. During the short-lived dark period in 1963, the company had signed Hal Kanter and Paul Monash to production deals. Later that year, highly successful feature film producer Irwin Allen was moved from its feature film unit to its television unit to serve as producer for the studio.


title: 20th Television

text: The company had returned to producing prime-time programs by 1964. The first shows were the ABC sitcom "Valentine's Day", the ABC dramas "Peyton Place", "Voyage to the Bottom of the Sea", and "12 O'Clock High"; and the NBC drama "Daniel Boone". Later that year, William Dozier and his Greenway Productions studio signed a deal with 20th Century-Fox to develop TV shows. By 1965, Fox was producing several new shows for primetime, such as "The Legend of Jesse James", "The Long, Hot Summer", "The Loner" and Irwin Allen's science-fiction drama "Lost in Space", to be followed by "Batman", which is based on the comic book series, and "Blue Light".


title: 20th Television

text: The 1966–67 season proved to be a difficult year for Fox's TV unit, which was producing the ABC sitcom "The Tammy Grimes Show" and the ABC dramas "The Man Who Never Was", "The Felony Squad", "The Green Hornet" and Irwin Allen's science-fiction show "The Time Tunnel". Although most of the new shows in the season did not last long, "Felony Squad" turned out to be a hit. The 1967–68 season was similarly poor for Fox, as it only had two new shows, "Custer" and "Judd, for the Defense", both for ABC. Although "Custer" bombed, "Judd, for the Defense" was initially popular. It was cancelled after only two seasons. Fox also expanded its output to commission a Saturday morning show in collaboration with Filmation, "Journey to the Center of the Earth".


title: 20th Television

text: The 1968–69 season was also difficult for 20th Century-Fox Television, which saw the British co-production "Journey to the Unknown" and Irwin Allen's final science-fiction drama to be produced, "Land of the Giants", for ABC; the CBS drama "Lancer"; and the NBC sitcoms "The Ghost & Mrs. Muir" and "Julia". Although "Julia" was deemed a hit, most of the shows in the season crumbled. Fox did have one additional Saturday morning cartoon for Filmation, "Fantastic Voyage". In 1969, Fox entered the game show fray by signing a deal to distribute "Beat the Clock", a revival of the popular 1950s game show. The decade closed out with the 1969-70 TV season and two new programs, "Room 222" for ABC and "Bracken's World" for NBC. Also that year, Grant Tinker was hired to join the studio, but he would quit two years later due to conflicts with running MTM Enterprises.


title: 20th Television

text: While the 1970s were difficult for Fox's TV unit, the studio initially started off the decade with the shows "Nanny and the Professor" on ABC and "Arnie" for CBS, which proved to be modest successes. The studio would then produce "M*A*S*H" in 1972 for CBS, which would go on to be incredibly successful, lasting eleven seasons. Later on, in 1979, the studio produced "Trapper John, M.D.", which was popular throughout the 1980s. Other Fox shows for the 1970s, such as "Cade's County", "The New Perry Mason", Irwin Allen's "The Swiss Family Robinson", "Young Dan'l Boone", "W.E.B.", "The Paper Chase", "Loves Me, Loves Me Not", and "Billy" all bombed, although "The Paper Chase" became a cult classic and gave Showtime additional seasons.


title: 20th Television

text: Fox also distributed the game show "Masquerade Party", produced by Stefan Hatos-Monty Hall Productions, which aired during the 1974–75 season. From 1976 to 1978, Fox distributed "Liar's Club", as well as "Celebrity Sweepstakes", both of which were produced by Ralph Andrews Productions. In 1973, Fox distributed the syndicated Canadian videotape production "The Starlost", produced by Glen-Warren Productions.


title: 20th Television

text: In 1980, television producer Glen A. Larson quit Universal and joined 20th Century-Fox Television. The first show was "The Fall Guy", which was successful, though it would end up being the only Fox/Larson show to become so. The other collaborations, "Trauma Center", "Manimal", "Automan", "Masquerade", "Cover Up" and "Half Nelson" did not fare well due to poor ratings. By August 1980, other producers and agencies, like Clyde Phillips (Blue Hill Avenue Productions), former employee of Bob Banner Associates and Marc Merson (Brownstone Productions), former employee of Lorimar Productions had struck a deal with the studio.


title: 20th Television

text: Other series of the early 80s, like "Hagen", "Breaking Away", "Ladies' Man", "Jessica Novak", "9 to 5", "It's Not Easy", "Emerald Point N.A.S." and "AfterMASH" did not fare well in the ratings, although "AfterMASH" was initially a minor hit, especially in its first season, and "9 to 5" did well in syndication after being a minor network hit in its original ABC run. In 1984, James L. Brooks and his Gracie Films company was moved to 20th Century-Fox for a film and TV partnership, creating a long relationship that lasted until the early 1990s when he moved to Sony.


title: 20th Television

text: In 1985, after Steven Bochco left MTM and the "Hill Street Blues" program, he moved to 20th Century Fox Television to start the NBC crime drama "L.A. Law" and the ABC dramedy "Hooperman", and marked the return of success for its television studio. During that same year, Fox returned to success with the sitcom "Mr. Belvedere", which was an instantly popular hit. Also that same year, Fox sold its sitcom "Charlie & Co." to CBS, which flopped after only one season. The second new sitcom under the Murdoch regime was "Fathers and Sons", which was sold to NBC, which also flopped after one season.


title: 20th Television

text: In 1986, Fox had purchased the assets of Metromedia, including its television stations and the distribution subsidiary, Metromedia Producers Corporation, which was distributing the series "Small Wonder". Fox also sold "The Wizard" to CBS, and "Heart of the City" to ABC for the 1986-1987 television season in addition to "L.A. Law" on NBC, which helped save the television industry of Fox. Fox also introduced the sitcom "The Tracey Ullman Show", produced by Gracie Films for the Fox network, which introduced "The Simpsons", that the success spawned a spinoff in 1989 that saved Fox's struggling television unit. Fox also distributed the sitcom "The New Adventures of Beans Baxter", produced internally by Fox Square Productions.


title: 20th Television

text: For the 1987–88 season, Fox has sold the sitcom "Second Chance" to the then-new Fox television network, and sold the drama "Leg Work" to CBS, and the sitcom "Pursuit of Happiness" to ABC, in addition to "Hooperman".


title: 20th Television

text: In 1989, 20th Century Fox Television's functions were taken over by Twentieth Television Corporation, a separate entity from 20th Century Fox. Both companies were subsidiaries of News Corporation unit Fox Inc.; the move was made to separate the television productions from the movie studio in order to increase the latter's output.


title: 20th Television

text: For the 1989–90 season, 20th Television was distributing programs from Steven Bochco Productions that were aired on ABC. The first to come out of the deal was "Doogie Howser, M.D.", which lasted four seasons on the air. Also introduced this season was "Alien Nation" to the Fox network, as well as "Sister Kate" for NBC, in addition to "The Simpsons". In mid-1990, Twentieth Television had sold the sitcom "Working Girl" to NBC. Twentieth Television also offered the variety series "In Living Color" to the Fox television network, which introduced the talent of stars like Keenan Ivory Wayans and David Alan Grier.


title: 20th Television

text: For the 1990-91 television season, 20th Television sold "Working It Out" to NBC, and also sold the sitcoms "Babes", "Good Grief" and "True Colors" to the Fox network. Twentieth Television also distributed the show "Cop Rock", produced by Steven Bochco Productions for ABC via a development deal. Also during this season, Twentieth Television had purchased "The Sunday Comics" to the Fox television network.


title: 20th Television

text: By the 1991–92 season, the Twentieth Television production company sold the comedy "Drexell's Class" to the Fox network, and distributed the Steven Bochco crime drama "Civil Wars" to the ABC. Twentieth Television also distributed the midseason cartoon "Capitol Critters", a joint production between Hanna-Barbera and Steven Bochco, to ABC in the spring of 1992, along with the Fox comedy "Stand By Your Man", which was part of a contract between Twentieth Television and British producer WitzEnd Productions.


title: 20th Television

text: Also in 1991, David E. Kelley, who had produced two shows for Steven Bochco, "L.A. Law" and "Doogie Howser, M.D.", announced that he was quitting to sign a joint agreement with CBS and Twentieth Television. The first program to come out of the deal was the family dramedy "Picket Fences", which premiered in the 1992–93 season. In 1992, Peter Roth, who had left Stephen J. Cannell's production company, joined 20th Television, and was instrumental in the development of the subsequent seasons.


title: 20th Television

text: In the 1992–93 season, Twentieth Television sold the sitcom "Rhythm & Blues" to NBC, but it failed to catch on in the ratings. This was followed by a joint production between British-based WitzEnd Productions, Twentieth Television and CBS Entertainment Productions, "Dudley", which was a vehicle for Dudley Moore, which aired in the spring of 1993, but it also failed to catch on in the ratings. The company had also distributed the half-hour crime drama "Likely Suspects" for the Fox network, which was produced by Four Point Entertainment. In mid-1992, actor Chevy Chase received a deal with 20th Television to star in a late night comedy show, titled "The Chevy Chase Show" but it tanked after only one season on the air.


title: 20th Television

text: By the 1993–94 season, Twentieth Television sold "The X-Files" to Fox, which became very profitable for the division, spawning 9 seasons, a revival series and a multimedia franchise. That same season, Twentieth Television distributed another high-profile project, "NYPD Blue" for ABC, produced by Steven Bochco Productions, which would go on to last for twelve seasons. Fox also sold "South Central", originally proposed by CBS, to the Fox television network for the spring of 1994. Also, for the spring of 1994, Fox distributed the Steven Bochco-produced drama "The Byrds of Paradise", which was aired on ABC.


title: 20th Television

text: By the 1994–95 season, "Chicago Hope", the second show from the Kelley–CBS–20th Television deal, went on to be a hit, lasting for six seasons. The Twentieth Television production company also sold "The 5 Mrs. Buchanans" to CBS, and "Wild Oats", to the Fox television network.


title: 20th Television

text: Following a 1994 restructuring of Fox's television production companies, 20th Television was refocused on syndication and "non-traditional programs", while network television programming once more came under the 20th Century Fox Television banner and returned to being a division of the movie studio.


title: 20th Television

text: For the 1995–96 season, the new 20th Century Fox Television production company sold the sitcoms "The Crew" and "The Preston Episodes" to the Fox television network, "Cleghorne!" to The WB television network, and the adventure series "", to the Fox television network. It distributed the crime drama "Murder One", produced by Steven Bochco Productions, which was sold to the ABC television network during the season.


title: 20th Television

text: In 1995, David E. Kelley signed a 5-year agreement with the studio, with the ability to produce television series, the first and third to be on the ABC television network and the second and fourth to be on the Fox television network, and so on. The first two projects to come out of the deal were ABC's "The Practice" and Fox's "Ally McBeal". In 1996, Peter Roth was transferred to becoming president of Fox Entertainment. Chris Carter, writer/producer of "The X-Files" also extended its contract with 20th Century Fox Television. The first project to come out of the new contract was the science-fiction fantasy drama "Millennium". In the summer of 1996, Fox and the production company bought out "L.A. Firefighters" for a summer run on the Fox television network.


title: 20th Television

text: In 1996, New World Communications was bought out by Fox, which included its television stations, New World/Genesis Distribution and New World Entertainment. The deal was finalized in 1997. Shortly afterwards, Cannell bought back his library of rights from Fox in 1998. Also that same year, Steven Levitan, producers of "Just Shoot Me!" had signed a contract with 20th Century Fox Television.


title: 20th Television

text: In 1997, MTM Enterprises became part of 20th Century Fox Television. MTM at that time was producing three shows "The Pretender" for NBC, and "Good News" and "Sparks" for UPN, at primetime, after layoffs hit at MTM's syndicated unit. Later that year, Fox established another television production company, Fox Television Studios to house smaller production units, under executive David Grant. Also, producer Barbara Hall inked an overall deal with the studio.


title: 20th Television

text: In 2003 Lucasfilm and 20th Century Fox Television produced the first three series that aired on Cartoon Network: ""


title: 20th Television

text: In 2006, TCFTV produced the first two series that aired on Fox's sister network, MyNetworkTV: the telenovelas "Desire" and "Fashion House".


title: 20th Television

text: In July 2014, it was announced that the operations of the Fox Broadcasting Company and 20th Century Fox Television would merge into a new unit, the Fox Television Group.


title: 20th Television

text: In March 2019, 20th Century Fox Television, 20th Television and Fox Television Animation were acquired by The Walt Disney Company and integrated into Walt Disney Television as part of Disney Television Studios.


title: 20th Television

text: On January 17, 2020, it was announced that the "Fox" name would be dropped from several of the Fox assets acquired by Disney.


title: 20th Television

text: On August 10, 2020, 20th Century Fox Television and 20th Television were merged into one unit as part of a restructuring plan by Disney regarding their television production units. In 2020, Disney announced that the Touchstone Television label was folded into 20th Television.


title: 20th Television

text: The original incarnation of 20th Television was the television syndication and distribution arm of 20th Century Fox Television and the 20th Century Fox movie studio. It was formed in 1989 in order to separate television production from the 20th Century Fox division which oversaw film production. During this time, 20th Television and 20th Century Fox served as two of Fox's four main units, along with the Fox Broadcasting Company and Fox Television Stations. Following a 1994 restructuring of Fox's television production companies, 20th Television was refocused on syndication and "non-traditional programs"; its network television division was moved back to 20th Century Fox and retook the 20th Century Fox Television name.


title: 20th Television

text: 20th Television distributes almost all programming and documentaries from the television production unit and its subsidiaries and the motion picture studio's output (and their own subdivisions). It owns programming from other production companies and studios they have acquired, including MTM Enterprises, most by Metromedia Producers Corporation, and most by New World Entertainment (including those by Four Star Television and Genesis Entertainment).


title: 20th Television

text: The company also syndicated and/or co-syndicates product from partners such as Regency Television and Debmar-Mercury (until April 2019).


title: 20th Television

text: As part of the restructuring that stemmed from News Corporation spinning off its entertainment assets into 21st Century Fox, it was announced on July 8, 2013, that 20th Television will operate under the management of 20th Century Fox Television; it was previously under Fox Television Stations. As a result, the former company's president reported to the latter's chairmen.


title: 20th Television

text: The second incarnation of Touchstone Television (formerly known as Fox 21 Television Studios) is an American television production company that is a subsidiary of Disney Television Studios, a division of Walt Disney Television, which is owned by The Walt Disney Company. It was founded in 2014 from the merger of Fox Television Studios and Fox 21, and given its second name in mid-2020 following the acquisition of 21st Century Fox by Disney. On December 1, 2020, 20th Television took over the television function of Touchstone Television.


title: 20th Television

text: Blair Entertainment (formerly Rhodes Productions) is a television production/distribution company founded by Jack E. Rhodes, operated from 1970 until 1992, a year before New World Communications' acquisition and folding of SCI Television in 1993.


title: 20th Television

text: Rhodes Productions was originally formed in 1970 by Jack E. Rhodes as a subsidiary of Taft Broadcasting Company in New York City, to distribute Hanna-Barbera cartoons. In 1971, Rhodes expanded by distributing the syndicated version of the game show "Hollywood Squares". Also at the same time, the company's headquarters was moved from New York City to Los Angeles.


title: 20th Television

text: In 1975, the original Rhodes Productions was renamed by Taft to Taft H-B Program Sales, and Jack E. Rhodes has moved to Filmways to serve as chief of the domestic syndication arm launch Rhodes Production Company. Rhodes took the nighttime "Hollywood Squares" with them, and also launched the nighttime version of the game show "High Rollers". Under the Filmways regime, Rhodes Productions also launched the soap opera spoof for late night viewing, "Mary Hartman, Mary Hartman", which is produced by Norman Lear and his T.A.T. Communications Company in 1976. In 1977, Rhodes Productions debuted its breakout property "Second City Television" ("SCTV"), which was originated in Canada.


title: 20th Television

text: In 1978, Rhodes Productions was split off from Filmways, and began operating as an independent production company and syndicator. Rhodes opted to keep "Second City Television" and "Disco Break", while Filmways was forming the new syndication company Filmways Enterprises. In 1980, Rhodes purchased the syndication rights of "Let's Make a Deal", the 1980 revival that was originated in Canada. This was followed up in 1981 by another acquisition of a Canadian game show "Pitfall".


title: 20th Television

text: John Blair & Company through Blair Television acquired Rhodes Productions in 1983, and renamed it into Blair Entertainment. Blair had retained distribution rights of several shows like "The Cisco Kid" and "SCTV", as well as a revival of "Divorce Court". In 1985, Blair Entertainment had introduced the new game show "Break the Bank" in partnership with broadcasting groups Storer Communications and Hubbard Broadcasting. This was followed in 1986 by another game show property "Strike It Rich". In 1986, they also expanded their production activities with launches of several TV series.


title: 20th Television

text: "Divorce Court" has been highly profitable, among other hit syndicated series in Blair's lineup. In 1990, Blair Entertainment, in collaboration with RHI Entertainment and advertising sales agent Action Media Group launched a new drama "". It also signed a new reality program "Detectives in White" to cable. In 1991, Blair Entertainment debuted a new program in collaboration with GRB Entertainment and All American Television, "Stuntmasters". In 1992, Blair Entertainment has shut down its operations.


title: 20th Television

text: MTM Enterprises (alternatively known as MTM Productions) is an American independent production company established in 1969 by Mary Tyler Moore and her then-husband Grant Tinker to produce "The Mary Tyler Moore Show" for CBS. The name for the production company was drawn from Moore's initials. MTM produced a number of successful television programs during the 1970s and 1980s.


title: 20th Television

text: Four Star Television, also called Four Star International, is an American television production company. Founded in 1952 as Four Star Productions by prominent Hollywood actors Dick Powell, David Niven, Charles Boyer, and Joel McCrea, it was inspired by Lucille Ball and Desi Arnaz founding Desilu Productions a year earlier.


title: 20th Television

text: Four Star produced several popular programs in the early days of television, including "Four Star Playhouse" (its first series), "Dick Powell's Zane Grey Theatre", "Stagecoach West", "The June Allyson Show" (also known as "The DuPont Show Starring June Allyson"), "The Dick Powell Show", "Burke's Law", "The Rogues" and "The Big Valley".


title: Laura Silverman

text: Laura Jane Silverman (born June 10, 1966) is an American actress and the older sister of actress and comedian Sarah Silverman. She acted in "" and "The Sarah Silverman Program" portraying a fictionalized version of herself. She also stars as Jane Benson on "The Comeback" with Lisa Kudrow and voiced Laura, the sarcastic receptionist on the animated comedy television series "Dr. Katz, Professional Therapist". Her dramatic roles include guest appearances in "House" and "Nurse Jackie".


title: Laura Silverman

text: Silverman was born to Beth Ann O'Hara and Donald Silverman. Her parents divorced and each remarried (to John O'Hara and Janice, respectively). She has three sisters: screenwriter Jodyne, comedian Sarah Silverman, and Rabbi Susan Silverman. Her brother Jeffrey Michael died when he was 3 months old. Their family is Jewish.


title: World War Hulk

text: "World War Hulk" is a comic book crossover storyline that ran through a self-titled limited series and various titles published by Marvel Comics in 2007, featuring the Hulk.


title: World War Hulk

text: The series consists of five main issues titled "World War Hulk", with Greg Pak as writer and John Romita Jr. as penciller, and three other limited series: "World War Hulk: Front Line", "World War Hulk: Gamma Corps", and "". It also ran through several other Marvel comics series.


title: World War Hulk

text: The plot is the culmination of a series of events that began with the Hulk being tricked into space by the Illuminati and a Life Model Decoy of Nick Fury. "Planet Hulk" shows the Hulk's subsequent exile and his imminent return to Earth to seek revenge on the Illuminati.


title: World War Hulk

text: The story, a crossover throughout various series, began in the one-shot "World War Hulk Prologue: World Breaker" (May 2007), written by Peter David and penciled by Sean Phillips, Al Rio, and Lee Weeks. Marvel followed this with "Incredible Hulk" vol. 2 #106–111 and "World War Hulk: Frontline" #1–6 as parallel stories following the impact of the Hulk's return on various characters. The crossover extended into regular issues of "", "Ghost Rider", "Heroes for Hire", "Irredeemable Ant-Man", "The Punisher War Journal", and "Iron Man", as well as a miniseries starring the Hulk and the X-Men and a newly created group, the Gamma Corps. The stories ran from summer through fall, beginning in issues cover-dated July 2007. Initially scheduled to end in October, Marvel announced through the October 10 Diamond Dateline retail newsletter that the final titles in the crossover would be delayed until mid to late November.


title: World War Hulk

text: After the Illuminati (Black Bolt, Tony Stark, Doctor Strange, and Reed Richards) banished Hulk from Earth, the spacecraft they used explodes, killing Hulk's pregnant wife. Blaming the Illuminati for her death, and more powerful than ever because of his time spent absorbing the radiation levels on Planet Sakaar, Hulk returns to Earth for revenge with his allies, the Warbound: Hiroim, Korg, Elloe Kaifi, Miek, No-Name of the Brood, Arch-E-5912, and Mung.


title: World War Hulk

text: Stopping at the moon, the Hulk defeats Inhuman king Black Bolt. The Hulk proceeds to Manhattan, New York where he demands the presence of The Illuminati.


title: World War Hulk

text: He travels to the home of the , where Professor X, absent from the decision to send the Hulk off-planet, admits he would have agreed with the decision, but also tells him he would not have agreed to permanent exile. The Hulk defeats several teams of X-Men and battles the Juggernaut but leaves after learning of the M-Day incident, believing that Xavier has suffered enough.


title: World War Hulk

text: The Hulk returns to Manhattan and battles the superhuman-operative team Gamma Corps and Ghost Rider. Hulk defeats Iron Man, destroying Stark Tower in the process. The Hulk and his Warbound next defeat the New Avengers, the Mighty Avengers, Doc Samson and the Fantastic Four (including Black Panther and Storm). The Hulk attaches "obedience disks" to the defeated, imprisoned superheroes, preventing them from using their powers.


title: World War Hulk

text: After a brief battle involving Hercules, Amadeus Cho, Namora, and Angel, the Hulk defeats General Thaddeus "Thunderbolt" Ross and a U.S. Army force. The Hulk then encounters Doctor Strange, who mystically merges with a powerful old enemy, Zom. Hulk defeats the Zom-possessed Doctor Strange, causing the demonic entity to flee.


title: World War Hulk

text: An imprisoned Tony Stark (Iron Man) communicates with S.H.I.E.L.D., revealing an emergency plan to engulf Manhattan in the Negative Zone, thereby annihilating the Hulk and all other positive matter on the island, should the heroes fail.


title: World War Hulk

text: The Hulk and the Warbound transform Madison Square Garden into a gladiatorial arena. Meanwhile, he repels an assassination attempt from Scorpion, and a confrontation with the .


title: World War Hulk

text: Following speeches from the Hulk's human supporters, the Hulk arranges for Doctor Strange, Iron Man, Black Bolt, and Mister Fantastic to fight a tentacled alien and later battle each other to the death, as a cheering audience watches. The Hulk declares his intention was for "justice and not murder", and nobody had to or would die. He plans to destroy New York City and leave the Avengers to their shame.


title: World War Hulk

text: The Sentry arrives and attacks the Hulk. Sentry and the Hulk battle, leveling the city, until they revert into Robert Reynolds and Bruce Banner with Reynolds passing out. Angered that the Hulk disappeared, Warbound member Miek attacks Banner. Rick Jones pushes Banner aside and is injured, causing Banner to return to Hulk form. As the Hulk attacks the Warbound, Miek reveals the explosion that started this war was not caused by the Illuminati, but by Red King loyalists. Miek chose not to prevent it, hoping the incident would encourage the Hulk to keep destroying. Overwhelming rage causes the Hulk to unwillingly radiate energy that threatens Earth. Stark activates a series of weaponized satellites that open fire on the Hulk, leaving him unconscious in his Bruce Banner form.


title: World War Hulk

text: S.H.I.E.L.D. later imprisons Banner in a facility three miles underground, with the other Warbound members having been taken into U.S. military custody.


title: World War Hulk

text: Namor was spared from the Hulk's wrath, as Hulk discovered early on that Namor was the sole Illuminati member who voiced his opposition to banishing the Hulk from the outset and predicting Hulk's eventual return and quest for vengeance.


title: World War Hulk

text: With the conclusion of the "World War Hulk" storyline, the series "The Incredible Hulk" was replaced with "The Incredible Hercules", which officially replaced the title of the previous series with issue #113, even though the story arc started one issue earlier in "The Incredible Hulk" #112. The series continued the story of Hercules and Amadeus Cho.


title: World War Hulk

text: A continuation of both "Planet Hulk" and "World War Hulk" began in May 2009. A special stand-alone prologue and "Skaar: Son of Hulk" #11 saw the beginning of "Planet Skaar", an arc intended to bring Skaar directly into the middle of the Marvel Universe. Following the return of the Silver Savage (the Silver Surfer), events begin to spiral, forcing Skaar to not only abandon Sakaar but also head toward Earth. As was revealed by series writer Greg Pak, Mister Fantastic, Reed Richards, is not amused with the arrival of another Hulk-like being, and the meeting between father and son will not be very pleasant for the Hulk.


title: World War Hulk

text: In the 2010 "World War Hulks" storyline, it is revealed that the satellites used to revert Hulk to Banner at the end of "World War Hulk" siphoned off the gamma radiation from his body, in order to collect it for the cathexis ray later used to create the Red Hulk.


title: World War Hulk

text: A sequel arc titled "World War Hulk II" is shown in the issues of "The Incredible Hulk". After returning from a restored Sakaar, Amadeus Cho's Hulk faces off against Phalkan. His Hulk form's persona changed to where it easily defeated Phalkan and used his "computer brain" to leave Phalkan with a broken arm, a broken foot, a punctured lung, and some broken ribs.


title: World War Hulk

text: For the 2009 "What If" series, there was a "What If? World War Hulk" one-shot which examines two alternatives to the storyline:


title: World War Hulk

text: In the last issue, the Earth-Z version of Hulk became infected while on the moon, the rest of the Warbound being devoured by the zombie Inhumans (with the Hulk eating Elloe Kaifi when the infection takes control of him). Instead of seeking revenge on the Avengers and Earth, he returned to Earth to satisfy his hunger, and in turn, infects the version of the Sentry that was responsible for the outbreak in the first place. This Hulk goes on to join Spider-Man's team of New Avengers when the Sentry turns against him.


title: World War Hulk

text: Zen Studios developed a virtual pinball adaptation of the limited comic series, releasing it on the comic's fifth anniversary in 2012 as part of the four "Avengers Chronicles" tables as downloadable content for "Marvel Pinball", "Zen Pinball 2", "Pinball FX 2" and "Pinball FX 3". This table is set in the ruins of New York City and features voice acting and battles between the Hulk and the superheroes he sought to confront as revenge for his exile.


title: World War Hulk

text: "World War Hulk" No. 1 was at the top of the Diamond Comic Distributors' sales chart for June 2007, selling an estimated 178,302 copies. When the first issue sold out, Marvel announced a second printing would have a variant cover by John Romita Jr.


title: Jupiter, Florida

text: Jupiter is the northernmost town in Palm Beach County, Florida, United States. According to the 2020 Census, the town had a population of 61,047 as of April 1, 2020. It is 84 miles north of Miami, and the northernmost community in the Miami metropolitan area, home to 6,012,331 people in a 2015 Census Bureau estimate. Jupiter was named the 9th Best Southern Beach Town to live in by "Stacker Newsletter" for 2022, was rated as the 12th Best Beach Town in the United States by "WalletHub" in 2018, and as the 9th Happiest Seaside Town in the United States by "Coastal Living" in 2012.


title: Jupiter, Florida

text: The area where the town now sits was originally named for the Hobe Indian tribe which lived at the mouth of the Loxahatchee River and whose name is also preserved in the name of nearby Hobe Sound. A mapmaker misunderstood the Spanish spelling "Jobe" of the native people name "Hobe" and recorded it as "Jove". Subsequent mapmakers further misunderstood this to be the name of the Roman god Jupiter, because the declension of the word Jupiter in Latin includes the root in all cases but the nominative and vocative. They, therefore, adopted the more familiar name of "Jupiter". The god Jupiter (or Zeus in the Greek mythology) is the chief Roman god, and the god of light, of the sky and weather, and of the state and its welfare and laws. Jupiter's consort was Juno, inspiring a neighboring town to name itself Juno Beach.


title: Jupiter, Florida

text: The most notable landmark is the Jupiter Inlet Lighthouse, completed in 1860. Made of brick, it was painted red in 1910 to cover discoloration caused by humidity. Hurricane Jeanne in 2004 sandblasted the paint from the upper portion of the tower, and the tower was repainted using a potassium silicate mineral coating. The lighthouse is often used as the symbol for Jupiter.


title: Jupiter, Florida

text: In 1999, Jupiter resident George Andres wanted to display a United States flag in his front yard; however, the homeowners association had a bylaw prohibiting the display of a flagpole in the front lawn. Andres still displayed the flag, while the homeowners association went as far as foreclosing his home to cover legal fees after being in court at least twenty-eight times. Even after governor Jeb Bush visited his home along with members of the local and national media, the homeowners association refused to budge.


title: Jupiter, Florida

text: George Andres later won the case and was allowed to display his flag in his front lawn with the use of a flagpole.


title: Jupiter, Florida

text: On July 24, 2006, President George W. Bush signed into law the Freedom to Display the American Flag Act of 2005, allowing residents to display the flag on their residential property despite any homeowners association rules.


title: Jupiter, Florida

text: According to the United States Census Bureau, the town has a total area of , of which is land and is water. Jupiter has a unique geographical location that sticks out into the Atlantic Ocean further than any other point on the Florida coast. Since 1550, ships have considered it an important stop when sailing to Central and South America.


title: Jupiter, Florida

text: Jupiter has a trade-wind Tropical rainforest climate (Köppen Af). Much of the year is warm to hot in Jupiter, and frost is extremely rare. Jupiter is also known for humid summers. As is typical in South Florida, there are two basic seasons in Jupiter, a mild and dry winter (November through April), and a hot and wet summer (May through October). Daily thundershowers are common in the hot season, though they are brief. The Town of Jupiter is home to a multitude of tropical trees, and is also known for its lush landscaping around private homes and public parks.


title: Jupiter, Florida

text: As of the 2020 United States census, there were 61,047 people, 26,597 households, and 17,275 families residing in the town.


title: Jupiter, Florida

text: In 2020, 19.1% of the population was under the age of 18, and 23.1% of the population was 65 years of age or older. Females made up 51.7% of the population in 2020, and the average household size was 2.43.


title: Jupiter, Florida

text: In 2020, the median income for a household in the town was $87,163, and the per capita income for the town was $57,865. Out of the total population, 7.9% were living below the poverty line.


title: Jupiter, Florida

text: The School District of Palm Beach County provides public education. Jupiter is also home to several private schools and religious schools.


title: Jupiter, Florida

text: Jupiter's population is served by two public high schools: Jupiter Community High School in Jupiter, and William T. Dwyer High School in Palm Beach Gardens.


title: Jupiter, Florida

text: Since 1984, Palm Beach County Fire Rescue provides fire protection and emergency medical services to the citizens of Jupiter. There are three fire stations assigned to the town:


title: Jupiter, Florida

text: Station 19 is the headquarters for Battalion 1, which covers Jupiter, Juno Beach, Lake Park and unincorporated areas of Palm Beach County such as Jupiter Farms and Palm Beach Country Estates.


title: Jupiter, Florida

text: The Jupiter Police Department consists of 118 sworn officers and 39 civilian support staff personnel, and is headquartered in the town's municipal campus. Its operational divisions include Road Patrol, Criminal Investigations, Traffic, K-9, Marine, Beach Patrol, Crime Scene Investigation, SWAT and Hostage Negotiation.


title: Jupiter, Florida

text: Companies based in Jupiter include G4S Secure Solutions, Town Sports International Holdings, Holtec International, and "The Babylon Bee".


title: AARP

text: AARP (formerly called the American Association of Retired Persons) is an interest group in the United States focusing on issues affecting those over the age of fifty. The organization said it had more than 38 million members in 2018. The magazine and bulletin it sends to its members are the two largest-circulation publications in the United States.


title: AARP

text: AARP was founded in 1958 by Ethel Percy Andrus, a retired educator from California, and Leonard Davis, who later founded the Colonial Penn Group of insurance companies. It is an influential lobbying group in the United States. AARP sells paid memberships, and markets insurance and other services to its members.


title: AARP

text: According to the group's official history, AARP evolved from the National Retired Teachers Association (NRTA), which Dr. Ethel Percy Andrus had established in 1947 to promote her philosophy of productive aging, and to promote health insurance for retired teachers. In seeking group insurance coverage for retired teachers, Andrus was rejected by dozens of private insurance companies, which at the time deemed adults over age 65 to be "uninsurable." In 1955, Continental Casualty Co. agreed to offer coverage to retired teachers in New York State. The experiment was a financial success, and three years later, the NRTA Health Plan was expanded nationally. In 1958, Dr. Andrus created the American Association of Retired Persons (AARP) as a sister organization to NRTA. Through membership in AARP, the general population age 55 and older gained access to the insurance benefits previously limited to former teachers. Dr. Andrus continued to run AARP until 1967, when she died of a heart attack at age 82. Today, the NRTA is a division within AARP.


title: AARP

text: Other sources offer an alternative version of the group's origins. "60 Minutes" reported in a 1978 exposé that AARP had been established as a marketing device by Leonard Davis, founder of the Colonial Penn Group insurance companies, after he met Ethel Percy Andrus. According to critics, until the 1980s AARP was controlled by Davis, who promoted its image as a non-profit advocate of retirees in order to sell insurance to members. AARP severed ties with Davis in 1979 and began dropping Colonial Penn products. AARP sought competitive bids for insurance coverage and in 1981 chose Prudential Insurance Company of America to underwrite the group health plan for AARP members.


title: AARP

text: The organization was originally named the "American Association of Retired Persons", but in 1999, it officially changed its name to "AARP" (pronounced one letter at a time, "ay ay ar pee"), to reflect that its focus was no longer American retirees. AARP no longer requires that members be retired, and there are no longer any age restrictions even for a full membership.


title: AARP

text: AARP addresses issues affecting older Americans through lobbying efforts at the state and national governmental level, an activity permitted by its 501(c)(4) status. The organization says that it is non-partisan and does not support, oppose or give money to any candidates or political parties. The total revenue for 2006 was approximately $1 billion and it spent $23 million on lobbying. Middle-class security has been a major focus for the organization in recent years. AARP also provides extensive consumer information, volunteer opportunities, and events including an annual National Event & Expo.


title: AARP

text: AARP launched Life Reimagined in May 2013, calling it a "first-of-its-kind series of online and offline experiences that guide people through life transitions by helping them discover new possibilities and connect with a community of people pursuing similar passions and goals". "USA Today" called the initiative "the latest step for the AARP ... as it continues to rebrand itself and become the go-to address for feeling good about aging".


title: AARP

text: AARP has been active in health care policy debates since the 1960s, and its recent engagement is a reflection of this long-standing involvement.


title: AARP

text: AARP testified before Congress in support of the Older Americans Act and the amendments to Social Security that created the Medicare Program, which President Johnson enacted into law in 1965.


title: AARP

text: AARP's public stances influenced the United States Congress' passage of the Medicare Prescription Drug, Improvement, and Modernization Act, which created Medicare Part D, in 2003, and also influenced Congress by resisting changes to Social Security in 2005. AARP also addressed health care issues in their campaign targeting the 2008 elections with Divided We Fail.


title: AARP

text: In a 2003 editorial in the "Los Angeles Times", critic Dale Van Atta wrote that AARP was doing unauthorized lobbying for its membership and was lobbying against the best interests of its membership. He said that by lobbying for the Medicare Prescription Drug, Improvement, and Modernization Act, AARP leaders had betrayed the membership.


title: AARP

text: By 2009, more than 50 million Americans were without health insurance coverage at some point during the year. AARP backed the Affordable Care Act (ACA) proposed by President Obama. In early 2017, AARP strongly opposed the American Health Care Act of 2017, saying that older Americans would be unfairly burdened with higher premiums and smaller tax credits. In 2017, AARP successfully opposed legislative efforts to repeal the ACA.


title: AARP

text: Approximately seven million people have AARP-branded health insurance, including drug coverage and Medigap, as of April 2007 and the association earns more income from selling insurance to members than from membership dues. In 2008, AARP began offering new health insurance products: an HMO for Medicare recipients, in partnership with UnitedHealth Group; and a PPO and "a high-deductible insurance policy that could be used with a health savings account" to people aged 50–64, in partnership with Aetna.


title: AARP

text: While AARP is not an insurer, it allows its name to be used by insurance companies in the sale of products, for which it is paid a commission.


title: AARP

text: In a November 2008 editorial, The Des Moines Register and the Canada Free Press called AARP a lobbying group masquerading as a non-profit, meanwhile charging high membership fees and selling expensive private health care plans.


title: AARP

text: Senator Chuck Grassley (R-Iowa), senior Republican on the Senate Finance Committee, said in 2008 that the "limited benefit" insurance plans offered by AARP through UnitedHealth provided inadequate coverage and were marketed deceptively. One plan offered $5,000 for surgery that may cost two or three times that amount.


title: AARP

text: AARP markets self-branded Medigap policies. As of October 2009, Medical care reform contained a proposal to trim an associated program Medicare Advantage, which was expected to increase demand for Medigap policies. However, as cited above, AARP also brands a Medicare Advantage plan (MedicareComplete), and would also be subject to cuts under health care reform. According to an Annenberg Public Policy Center report, critics have said AARP had a conflict of interest in supporting the Act, because it "derives income from the sale of health and life insurance policies", by licensing its brand to insurance dealers such as New York Life, and would benefit financially from passage of the legislation.


title: AARP

text: In 2004, "BusinessWeek" said questions have arisen in the past about whether AARP's commercial interests may conflict with those of its membership, and characterizes many of the funds and insurance policies that AARP markets as providing considerably less benefit than seniors could get on their own.


title: AARP

text: Single-payer advocates have criticized AARP for not supporting the single-payer or public option during the health care debate. Single-payer advocates supported H.R. 676, proposed by Rep. John Conyers (D-MI). AARP released a statement explaining to its members why the organization was not supporting H.R. 676:


title: AARP

text: Starting over with a new, "single-payer" program will not eliminate the problems Medicare, Medicaid, and SCHIP currently face, such as the spiraling costs of procedures and prescription medications, as well as technological advances that are often not comprehensively tested to be proven safe or effective before marketing. H.R. 676 does not address the problem of increasing health-care costs. Rather, it allows costs to continue to grow, which will result in unaffordable coverage.


title: AARP

text: John Rother, AARP's former chief lobbyist, said the single-payer model would "disrupt the system that is currently in place" and "require a very significant tax increase". But Rother admitted that it would be possible to design a system that would avoid these problems. Since AARP's priorities now are to protect the current programs and implement the Affordable Care Act, Rother said that any effort to promote single payer would be undercutting health reform. Rother said: "To go to a single-payer, you do have to trust government. The climate we're in right now is a very hostile climate for something like that."


title: AARP

text: Rother also thought that an educational effort on the benefits of single payer would undercut the ACA. AARP has not published any material relating to single-payer health insurance on its website, in its several hundred page policy book, or through its Public Policy Institute.


title: AARP

text: Approximately 60,000 AARP members quit AARP between July 1 and August 18, 2009, in a controversy that arose over AARP's support for U.S. health care reform. FOX News stated: "The Atlanta-based American Seniors Association, which is opposed to President Obama's health care plan, is trying to capitalize on growing public dissatisfaction with the AARP." AARP spokesman Drew Nannis responded that AARP loses about 300,000 members a month on average, and the controversial 60,000 of those that had left had specified leaving over the health care debate. Nannis also stated that the AARP gained 400,000 members and that 1.5 million members renewed their memberships within the same period of time.


title: AARP

text: The American Seniors Association is a for-profit organization operated by the American Seniors Association Holding Group, Inc (ASAHG, Inc).


title: AARP

text: Since March 2012, AARP's "You've Earned a Say" campaign has sought to foster nonpartisan conversations about how to strengthen Social Security and Medicare. The Richmond (VA) Times-Dispatch reported: "AARP took the debate about Medicare and Social Security from what it called behind closed doors in Washington to a series of town hall meetings around the country to make sure retirees have a voice in the discussion."


title: AARP

text: In June 2011, AARP dropped its long-standing opposition to cutting Social Security benefits. A news release emphasized that "AARP has not changed its position on Social Security". In 2005, AARP led the effort to kill President George W. Bush's plan for partial privatization. AARP now has concluded that change is inevitable, and it wants to be at the table to try to minimize the pain. John Rother, AARP's policy chief and a prime mover for the new position, said: "The ship was sailing. I wanted to be at the wheel when that happens." AARP declined to join a coalition of about 300 unions, women's groups, and liberal advocacy organizations created to fight Social Security benefit cuts. Rother said, "The coalition's role was to kind of anchor the left, and our role is going to be to actually get something done".


title: AARP

text: AARP advocated for the Age Discrimination in Employment Act of 1967 and the Age Discrimination Act of 1975. In 2009, AARP backed the Protecting Older Workers Against Discrimination Act (POWADA), which aims to restore fairness for workers 40 and older by treating age discrimination as seriously as other forms of workplace discrimination.


title: AARP

text: Because of AARP's sizable membership, it is able to generate its own income without being dependent on government grants or private donors, though it receives help from both of these for specific programs. According to its 2018 Consolidated Financial Statement, the largest sources of income were:


title: AARP

text: AARP Services, Inc., founded in 1999, is a wholly owned taxable subsidiary of AARP that manages the range of products and services offered as benefits to members. Its offers include Medicare supplemental insurance; member discounts on rental cars, cruises, vacation packages and lodging; special offers on technology and gifts; pharmacy services; legal services; and long-term care insurance. AARP Services founded AARP Financial Incorporated, a subsidiary that manages AARP-endorsed financial products including AARP Funds. In a filing with the Securities and Exchange Commission in June 2010, AARP Financial announced the discontinuation of AARP Funds. AARP Services develops new products, manages and markets products and services, and creates and maintains partnership and sponsorship relationships.


title: AARP

text: AARP Foundation is AARP's affiliated charity. Foundation programs provide security, protection and empowerment for older persons in need. Low-income older workers receive the job training and placement they need to re-join the workforce. Free tax preparation is provided for low- and moderate-income individuals, with special attention to those 60 and older. The Foundation's litigation staff protects the legal rights of older Americans in critical health, long-term care, consumer and employment situations. Additional programs provide information, education, and services to ensure that people over 50 lead lives of independence, dignity, and purpose. Foundation programs are funded by grants, tax-deductible contributions, and AARP.


title: AARP

text: The AARP Foundation's website claims the non-profit "wants to win back opportunity for those now in crisis, so thousands of vulnerable low-income Americans 50+ can regain their foothold, continue to serve as anchors for their families and communities, and ensure that their best life is still within reach". Key areas of focus are hunger, income, housing, and isolation. The Foundation's vision is "a country that is free of poverty where no older person feels vulnerable".


title: AARP

text: One of the goals of the AARP Foundation is its Drive to End Hunger. In 2011, AARP and AARP Foundation formed a relationship with NASCAR driver Jeff Gordon and Hendrick Motorsports to increase awareness of hunger in America with the No. 24 Drive to End Hunger race car and related food drives. Through the Drive to End Hunger program, AARP also sponsored Hendrick driver Kasey Kahne, beginning in 2016.


title: AARP

text: Charity Navigator rated the AARP Foundation overall at 91.22 out of 100 possible points (a "four star" rating), giving it a financial rating of 88.26 out of 100 ("three stars") and an accountability and transparency rating of 96.00 ("four stars") for its fiscal year 2017.


title: AARP

text: In 1979, AARP introduced the nation's first driver safety course geared towards older adults. AARP Driver Safety, which can be completed in a classroom setting or online, teaches defensive driving techniques and provides "added information on age-related cognitive and physical changes that affect driving". The course is instructed and promoted by volunteers throughout the U.S.


title: AARP

text: In addition to course fees, the program is supported by a grant from the automobile manufacturer, Toyota. Over half million drivers completed the course in 2012 and over 15 million people completed the courses since 1979.


title: AARP

text: "AARP The Magazine", with a circulation of approximately 37 million and the "AARP Bulletin" with 30 million as of 2016, are the two largest-circulation publications in the United States.


title: AARP

text: "AARP The Magazine" (known until 2002 as "Modern Maturity"), is a lifestyle magazine for people 50+. Established in 1958, the magazine is distributed bi-monthly to AARP members. Other publications include "AARP Bulletin" and "The Journal". In 2018, the digital publication titled Sisters from AARP was launched, aimed at African American women.


title: AARP

text: "AARP en Español" is the AARP's Spanish-language multimedia platform. Offerings include a Spanish-language website, a Spanish-language YouTube channel, and informational resources.


title: AARP

text: Criticism has been leveled at the salaries that AARP staff earn, and the use of first class and business class travel for short trips. According to AARP's 2014 IRS annual return, Chief Executive Officer Addison B. Rand received $1,698,289 of salary and benefits from AARP and its subsidiaries. Board members, officers, and key employees flew first class on flights longer than five hours unless business class was available. The Chief Executive Officer flew first-class on flights longer than 90 minutes. AARP reported that it had spent $8,694,890 on compensation of its officers, directors, and key employees during 2014.


title: AARP

text: In 1995, Senator Alan K. Simpson launched an investigation into AARP's books, financial interests, and hiring practices. He described AARP as "a vast empire that has figured out how to gimmick the nonprofit laws" describing the organization as "33 million people paying $8 dues, bound together by a common love of airline discounts and automobile discounts and pharmacy discounts," and that members "haven't the slightest idea what the organization is asking for."


title: AARP

text: In 2018 and 2019, several class action lawsuits were filed against AARP regarding insurance policies. One lawsuit is over undisclosed licensing revenue that AARP earned from AARP-branded Medigap insurance policies. Another lawsuit claims that AARP acted as an insurance agent or an insurance broker, neither of which AARP is licensed to be, for AARP-branded Medigap insurance policies. In another lawsuit, the plaintiff said that AARP should not have used its status to claim the AARP-branded insurance policies were "best for seniors".


title: An American Tail: Fievel Goes West

text: An American Tail: Fievel Goes West (also known as An American Tail 2: Fievel Goes West or An American Tail II) is a 1991 American-British animated Western comedy film directed by Phil Nibbelink and Simon Wells (in their feature directorial debuts), with producer Steven Spielberg for Amblin Entertainment and animated by his Amblimation animation studio and released by Universal Pictures. A sequel to 1986's "An American Tail", the film follows the story of the Mousekewitzes, a family of Jewish-Ukrainian mice who emigrate to the Wild West. In it, Fievel is separated from his family as the train approaches the American Old West; the film chronicles him and Sheriff Wylie Burp teaching Tiger how to act like a dog.


title: An American Tail: Fievel Goes West

text: "Fievel Goes West" was the first production for the short-lived Amblimation, a studio Spielberg set up to keep the animators of "Who Framed Roger Rabbit" (1988) working. It is also the only Amblimation film to use cel animation, the last in the series to do so, and the last to be released in theaters. While the animation medium was transitioning to computers in the late 1980s and early 1990s, Spielberg wanted almost all of the animation of "Fievel Goes West" to be hand-drawn, describing animation as "an arts-and-crafts business". He also wanted the animation to have a "live-action" feel. Phillip Glasser, Dom DeLuise, Nehemiah Persoff, and Erica Yohn reprise their roles from the first film for "Fievel Goes West". Tanya's original voice actor, Amy Green, was replaced by Cathy Cavadini, and new characters were voiced by John Cleese, Amy Irving, Jon Lovitz, and James Stewart in his final film role. James Horner returned as a composer and wrote the film's song "Dreams to Dream", which garnered a Golden Globe nomination.


title: An American Tail: Fievel Goes West

text: Premiering at the Kennedy Center on November 17, 1991, "An American Tail: Fievel Goes West" began its American theatrical run on November 22. This was the same day Walt Disney Pictures' "Beauty and the Beast" (1991) was distributed, making it the third instance of two animated films being released on the same date. "Fievel Goes West" was promoted with a wide array of tie-ins and started in the top ten at the box office. The film grossed $22 million in the United States against a budget of $16 million. Some film journalists and executives attributed this to having to compete with the Disney film.


title: An American Tail: Fievel Goes West

text: Upon its release, "Fievel Goes West" was panned for a lack of perceived innovation compared to other animated films of its time. However, it found success when it came to home video sales, quickly reaching the top of the video charts when released on tape in March 1992; at the time, the film held the record for shortest theater-to-home-video transfer and it has since gained a large cult following. In addition to garnering more home media releases, TV airings, and video game adaptations later on, the film has made numerous 2010s retrospective best-of lists from online publications, especially best Netflix-available Western films. "Fievel Goes West" was followed by a short-lived CBS series named "Fievel's American Tails" and two direct-to-video sequels and prequels: "" (1998) and "" (1999).


title: An American Tail: Fievel Goes West

text: In 1890, five years after immigrating to the United States, the impoverished Mousekewitz family discovers that conditions are not as ideal as they had hoped, as they find themselves still struggling against the attacks of mouse-hungry cats. Fievel spends his days thinking about a bloodhound-sheriff named Wylie Burp, while Tanya dreams of becoming a singer. Meanwhile, Tiger's girlfriend, Miss Kitty, leaves him to find a new life out west, remarking that perhaps she is looking for "a cat that's more like a dog".


title: An American Tail: Fievel Goes West

text: A British aristocratic cat named Cat R. Waul launches an attack on the mice, forcing them to flee into the sewers. There, they come across a cowboy mouse, who is in fact a marionette controlled by Cat R. Waul, who tricks the mice into moving to a better life out west. Tiger tries catching up with his friends, but is thrown off course by a group of dogs. While on the train, Fievel wanders into the livestock car, where he overhears the cats' intentions to turn the mice into "mouse burgers". After being discovered, Fievel tries to flee but Cat R. Waul has his hench-spider, T.R. Chula, strand Fievel in the middle of the desert. Devastated once again over his loss, his family arrives in Green River, Utah.


title: An American Tail: Fievel Goes West

text: Upon arrival in Green River, Chula blocks up the water tower, drying up the river. Cat R. Waul approaches the mice and proposes to build a new saloon together, although intending to trick the mice into doing the bulk of the work and then eat them afterwards. Meanwhile, Fievel is wandering aimlessly through the desert, as is Tiger, who has found his way out west as well, and they pass each other. However, they each figure that the other is a mirage and continue on their separate ways. Tiger is captured by a local mouse native tribe and hailed as a god. Fievel is picked up by a hawk, dropped over the mouse native village and reunites with Tiger. Tiger chooses to stay in while Fievel catches a passing tumbleweed, which takes him to Green River. He reunites with his family, but they are oblivious to Cat R. Waul's plans. Entering the saloon, Fievel overhears the cats' plan yet again and is discovered once more by Cat R. Waul. Cat R. Waul tries eating Fievel, but is thwarted when he hears Tanya singing. He sends Tanya to Miss Kitty, who is now a saloon-girl cat and she reveals that she came at Cat R. Waul's request. He tells Miss Kitty to put her on stage and Tanya performs for the cats. Meanwhile, Fievel is chased by Chula and briefly taken prisoner, but flees.


title: An American Tail: Fievel Goes West

text: Despondent, Fievel speaks with an elderly bloodhound sleeping outside the jail, discovering he is actually Wylie Burp. Fievel convinces him to help and train Tiger as a lawman and as a dog. Though initially reluctant, Tiger relents at the suggestion that a new persona might win back Miss Kitty. They return to Green River to fight the cats, who attempt to use a concealed giant mouse trap on the mice at sunset during the opening of Cat R. Waul's saloon. Tiger, Wylie and Fievel fight the cats, during which Miss Kitty and Tanya discover the trap. Tanya rushes to the mice and, using her singing abilities, helps them escape. Seeing this, Cat R. Waul uses a giant revolver as a makeshift cannon on the fleeing mice, but Wylie has Fievel intercept from Cat R. Waul's attacks. When Chula takes Miss Kitty hostage, however, an incensed Tiger rescues her and the heroes use the mouse trap as a catapult to send Cat R. Waul and his cats out of Green River. The cats fly into the air and land into a mailbag, which a passing train picks up and leaves.


title: An American Tail: Fievel Goes West

text: Enamored by his new personality, Miss Kitty and Tiger are reunited. Tanya becomes a famous singer and the water tower flows with 1,000 gallons of water again, making Green River bloom with thousands of flowers. Fievel finds Wylie away from the party who hands him his sheriff badge. Fievel is unsure about taking it, but realizes that his journey is not over.


title: An American Tail: Fievel Goes West

text: A sequel to Steven Spielberg's "An American Tail" (1986) under the working title "An American Tail II" was put into pre-production by David Kirschner in April 1988 after he finished producing "Child's Play" (1988); when announcing the project that same month, he summarized that Fievel will "fight the cat-tle barons. It's like a John Ford western with Jewish mice". Kirschner started pre-production as Spielberg was setting up filming for "Indiana Jones and the Last Crusade" (1989) in Europe. He was not involved in the production and post-production, and admitted in 1993 that he disliked "Fievel Goes West" as "entertainment without character". The screenplay was written by Flint Dille, who was led to the position by writing for Spielberg's "Tiny Toon Adventures" (1990–92).


title: An American Tail: Fievel Goes West

text: Spielberg produced the live-action animated film "Who Framed Roger Rabbit" (1988), which was the top grossing motion picture of 1988. As a way to keep the movie's animators working, due to the closure of Richard Williams Animation, Spielberg formed Amblimation, a collaboration of Universal City Studios and Amblin Entertainment, whose offices were located in London. "Fievel Goes West" was its first production, and over 250 crew members from 15 different nations worked on the project starting May 1989. At the time, Amblimation was also developing "We're Back! A Dinosaur's Story" (1993), "Balto" (1995), and a screen adaptation of Andrew Lloyd Webber's "Cats" which never saw completion. In December 1988, Universal announced that they would release an animated film every eighteen months and begin production on "An American Tail II" in early 1989.


title: An American Tail: Fievel Goes West

text: Don Bluth, who had partnered with Spielberg on both the original film and "The Land Before Time" (1988), was set to direct and have Sullivan Bluth Studios provide the animation; owing to creative differences, however, they parted ways. As Bluth explained, "the business deal wasn't such that it helped our company". With no Bluth in sight for the sequel, Spielberg instead relied on ex-Disney animator Phil Nibbelink and ex-Richard Williams storyboard artist Simon Wells, the great-grandson of science-fiction author H. G. Wells, to direct the project. Nibbelink and Wells had both previously worked with Spielberg as supervising animators on "Who Framed Roger Rabbit". Bluth stated in April 1992 that he regretted his decision, admitting that he disliked the final product of "Fievel Goes West" and "maybe we could've helped that film a little more".


title: An American Tail: Fievel Goes West

text: With John Cleese as the first choice for Cat R. Waul, he was approached in 1989 by one of the film's producers at what Cleese vaguely called "the Italian Oscars". He accepted the offer based on his enjoyment of the first "American Tail" and "I love sound studios anyway – there's none of the hassle and boredom and time wasting you get in television". Cleese was paid his lowest fee in ten years for the role, however, which made him very unwilling to publicize his involvement with "Fievel Goes West". According to Cathy Cavadini, there was another woman initially planned to voice Tanya but left the project, so Cavadini replaced her. Spielberg met James Stewart at a party asking him to voice Wylie Burp, and all of Stewart's lines were recorded in ten days; his last involvement in a Western was in "The Shootist" (1976).


title: An American Tail: Fievel Goes West

text: Don Bluth's departure from the project resulted in the animation of "Fievel Goes West" lacking the Disney-isms of the first film's animation. Instead, its animation is faster-paced and contains more elements of Warner Bros. cartoons. Spielberg instructed his animators to take on a "live-action" method to animating the film, where the characters are affected by parts of the environment such as lighting. Spielberg also directed for the camera to constantly move in sequences such as the sewer ride sequence and a 360-degree pan shot of the film's desert vista. These types of crane and dolly shots replicated certain shots in Spielberg's "Jaws" (1975) and "Raiders of the Lost Ark" (1981) and were considered groundbreaking for the time.


title: An American Tail: Fievel Goes West

text: Apart from one computer-generated shot of the valley's ground, all of the film was hand-drawn animated; the process was so intensive that it took at least one week to complete a minute of animation, around sixty artists to paint approximately 230,000 cels, and a week for a single animator to finish three seconds of animation. As "Fievel Goes West" was a parody of Western films, the animators heavily studied the works of John Ford and Sergio Leone.


title: An American Tail: Fievel Goes West

text: The voices were recorded over a 10-day period at Interlock Studios (now Larson Studios) at Crossroads of the World in Los Angeles in 1989; ten takes were tracked for each actor at varying speeds and phrasing. The voice actors were videotaped during their recording sessions, and the animators used the footage as reference for moving the characters. The biggest focus was on keeping Cat R. Waul's movement similar to his voice actor's while recording in the studio, as the directors wanted him to feel like Cleese instead of just a cat voiced by him. Nancy Beiman originally worked as a regular animator on "Fievel Goes West", but became a supervisor on the project six months after she entered Amblimation. While not assigned to supervise Miss Kitty's animation, she asked for the position and got it. She enjoying working on Kitty for Irving's Mae West-esque delivery and the "scatterbrained dialogue" giving her freedom in animating the character.


title: An American Tail: Fievel Goes West

text: The score was composed by James Horner, who previously scored for "the last movie" (1986) also produced by Spielberg. The album was released by MCA Records and featured 14 tracks, including four original songs written by Horner and Will Jennings, and performed by Linda Ronstadt and Cathy Cavadini. The song "Dreams to Dream", was nominated for a Golden Globe award and a contender by the Academy Award voters for a Best Original Song nomination, although it did not receive one.


title: An American Tail: Fievel Goes West

text: "Fievel Goes West" was initially planned for a fall 1990 release, but it was delayed to a late 1991 date. In 1989, the date was moved again to Christmas 1992 before reverting to Christmas 1991 in May 1990, when the subtitle "Fievel Goes West" and a follow-up television series was also first announced. It was moved to the fall of 1991 in November 1990. It made its worldwide premiere at the John F. Kennedy Center for the Performing Arts as their big children's theatre recital performance, on November 17, 1991, where 275 inner-city kids that were guests of Fannie Mae's company attended the event; the children also made their own "American Tail" storybook and posed with a costume version of Fievel for pictures. Notable adult attendees includes Chuck Robb, Lynda Bird Johnson Robb, Al Gore, Marvin Bush, Margaret Bush, Fred Grandy, Elliot Richardson, and Robert Haft.


title: An American Tail: Fievel Goes West

text: Both "Fievel Goes West" and Disney's "Beauty and the Beast" (1991) began their United States theater runs on November 22, 1991; this was the third instance of two animated films being released on the same day, after "The Land Before Time" and "Oliver & Company" in 1988, and "The Little Mermaid" and "All Dogs Go to Heaven" in 1989. "Boston Herald" noted the clash as "a testimony to the revival of interest in feature-length animation". Along with competing with an unusual number of family films with middling budgets such as "The Addams Family", "Curly Sue", "My Girl", and Spielberg's "Hook"; both "Beauty and the Beast" and "Fievel Goes West" were promoted with, as of the films' release date, the most expensive set of film tie-ins ever.


title: An American Tail: Fievel Goes West

text: 40 brands licensed with Universal to promote the film, including the non-profit Reading Is Fundamental, which used the character of Fievel as a mascot for "Reading Buddies" kits; and Pizza Hut, which used characters from the film on designs their Pizza Packs and soft-drink cups, a decision influenced by their previous tie-in success with the Disney summer film "The Rocketeer" (1991). Upon the film's release, Universal Studios Tour opened the attraction "Mouse Trap", a 2,500-seat interactive version of "Fievel Goes West". In the summer of 1992, Universal Studios Florida opened "American Tail: Fievel's Playland", a playground featuring set recreations of "An American Tail" and "Fievel Goes West". Boxtress also released an illustrated book version of the film written by Cathy East Dubowski and Beverly Lazor-Bahr.


title: An American Tail: Fievel Goes West

text: Amblin Entertainment previously competed with Disney twice: in 1986 when the first "American Tail" competed with a re-issue of "Lady and the Tramp" (1955) and in 1988 when it released "The Land Before Time" around the same time as "Oliver & Company". Amblin won both races; Fred Mound, Universal distribution president, said: "We've proven in the past that there's room for two animated features". Tom Pollock, a Universal chairman, also had faith "Fievel Goes West" would perform well. Spielberg and Disney's Dick Cook suggested both films would be hits, although Spielberg predicted "Beauty and the Beast" to make more profits due to having more of an adult appeal than "Fievel Goes West". Disney chairman Jeffrey Katzenberg stated in regards to the competition: "We've competed with Amblin before and learned that there's enough room for both. These movies aren't mutually exclusive. There's a big market out there. The success of one doesn't depend on the failure of the other".


title: An American Tail: Fievel Goes West

text: Opening to 1,400 theaters in the United States, "Fievel Goes West" has, as of November 30, 2019, the 110th widest G-rated release of all time and the 96th widest G-rated film opening in the United States. It also has the 124th all-time biggest opening weekend for a G-rated film, opening in fourth place with $3,435,625; and has 60th smallest weekend drop for a film in 600-plus theaters thanks to its second week grossing $3,782,080. However, it also holds the record of the 119th post-thanksgiving weekend drops. "Fievel Goes West" eventually made just over $22 million domestically, and $18 million overseas, for a total of $40,766,041; making it the 60th highest-grossing film of 1991 in the United States and the 37th highest grosser of the year worldwide. As of December 1, 2019, it is the 141st highest domestic-grossing G-rated film of all time and 123rd worldwide. By contrast, the original film made $47.4 million in the U.S. in 1986, a record at the time for a non-Disney animated one, and a further $36 million overseas, for a total of $84 million.


title: An American Tail: Fievel Goes West

text: According to "The Washington Post", "Fievel Goes West" tied with "For the Boys" (1991) for "the dubious if unofficial distinction of the fastest failure of a big-budget holiday movie". Some journalists and film executives attributed the film's weak box office to the intense competition it faced with "Beauty and the Beast". However, it wasn't competing with the Disney production in Canada, and it failed there too according to a Universal executive, who also blamed Spielberg's lack of involvement in the marketing due to being too busy on "Hook". Another official of the company explained that he had little faith in the project, describing it as "charmless" and its animation "pedestrian". Other writers blamed it on the content. Dennis Hunt suggested "the complex story line and the scary villains didn't quite click with the kiddies", and Bernard Weinraub wrote that "even children were not especially interested in an old-fashioned animated movie". Steven Hulett of the union Motion Picture Screen Cartoonists opined that the low performances of both "Fievel Goes West" and "We're Back!: A Dinosaur Story" (1993) resulted from the poor quality of their stories, "and animation is a story-driven art form". He attributed this to Spielberg's busy schedule, meaning he didn't have enough time to focus on animation.


title: An American Tail: Fievel Goes West

text: "An American Tail: Fievel Goes West" holds a 60% critical percentage on Rotten Tomatoes based on 15 reviews. Peter M. Nichols wrote "Fievel Goes West" "was panned on the ground that it was not so innovative as other new animated films, notably "Beauty and the Beast" from Disney, the leader in animation". Multiple reviewers lambasted "Fievel Goes West"<nowiki>'</nowiki>s lack of a cohesive story and extremely fast pace. As critics summarized, the film "has constant activity but minimal objectives"; "has little narrative drive or emotional resonance", its climax feeling "perfunctory and tacked on"; and has "so many subplots and digressions" that "they simply failed to develop the central narrative". Some reviewers were also uncomforted by the Indian mice tribe as being racially insensitive. "Empire" opined that, despite its enjoyable comedic relief characters and "fantastic chase scenes", "Fievel Goes West" suffered from being "fairly predictable". One reviewer in contrast appreciated the bits of "sophisticated humor" and Holocaust undertones in the script, and another highlighted its gag, such as the scene of Tiger being taken captive by the Indian mice. Some critics called the songs weaker and not as memorable as those of the first film, although the Blues Brothers' version of the song "Rawhide" was spotlighted by some writers and "The Girl You Left Behind" by a "People" magazine review.


title: An American Tail: Fievel Goes West

text: "Time Out London" published an ecstatic review of "Fievel Goes West": "Miles better than the overrated "American Tail", this laugh-packed sequel boasts all the classic elements so often missing from modern cartoon features: a straightforward zip-zang-boom storyline, clearly etched characters with instantly identifiable flaws, tip-top voice-overs by well-chosen celebrities, and oodles of elasticated slapstick". The "Orlando Sentinel" wrote that the main plot is "left underdeveloped" amid "numerous subplots". Unlike other critics, Cortney Thekan appreciated the huge amount of subplots: "I mean, we all know the attention span of a 4-year-old. Full-length cartoons need the subplots to hold children's attention". "The Washington Post" praised it for being "quick, vivid and a real hoot to viewers of any age", but also noted its wonky setup, saying that "the family is tricked into a cross-country quest by a fast-talking fake mouse [...] Not only are the marionette's strings fully visible during Cat R. Waul's spiel, but the cat can be seen through a sewer grate. Stupid mice!" "Halliwell's Film Guide" labeled "Fievel Goes West" as an "enjoyable and high-spirited animated film that borrows plot and attitudes from classic Westerns". Roger Ebert gave it two-and-a-half stars out of four and wrote: "There is nothing really the matter with "An American Tail: Fievel Goes West", except that it is not inspired with an extra spark of imagination in addition to its competent entertainment qualities".


title: An American Tail: Fievel Goes West

text: Most critics found the animation high-quality in general. The "Chicago Tribune"<nowiki>'</nowiki>s Clifford Terry applauded the "vivid and rich" animation, particularly the "colorful figures and detailed backgrounds". Solomon highlighted its "tricky point-of-view shots, such as inside a rolling tumbleweed", and the changes to most of the character designs; while Brenna Kield of the "Sun-Sentinel" highlighted the realism in the scenery and character movements. Roger Hurlburt called its animation "bright and sassy, "colorful backdrops" and "eye-filling uses of exciting angles". The animation wasn't completely devoid of noted perks in reviews. Solomon criticized the little amount of "nuances of thought and emotion" in the characters; "The New York Times" summarized the movie's take on the West as "surprisingly dull"; Kield felt that some scenes, especially those that take place in the West, could've been a bit lighter; and "The Austin Chronicle" opined that "the foregrounds are expressive but the backgrounds are bland and uninspired". The "Radio Times" enjoyed the animation the least, as "the animation could easily have been done in the 1940s, such is its flat traditionalism". While Terry found most of the characters unmemorable, he and other reviewers praised the presence of Wylie Burp. While most reviews applauded the voice cast, a "Hartford Courant" review was more divided towards it, appreciating Irving and Stewart's performances but finding DeLuise and his character irritating and Cleese "wasted" on the film. "Empire" also named Waul "one of the least dastardly animated villains ever, even with the slithering vocal talents of John Cleese".


title: An American Tail: Fievel Goes West

text: "Entertainment Weekly" named it one of the best children's films of 1991 alongside "Beauty and the Beast" and "Wild Hearts Can't Be Broken" (1991); and "The Seattle Times" honored it as one of 1991's "Best arguments for sequels" alongside "", "Bill & Ted's Bogus Journey", and "". In a 1993 newspaper feature about portrayals of females in animated films, journalist Ann Doss Helms disliked how most animated women had no other characters of the same gender to motivate or guide them; the writer criticized how little attention Tanya's parents gave to her aspirations, but praised the advice Miss Kitty gave to Tanya, suggesting "there's hope that things are changing".


title: An American Tail: Fievel Goes West

text: In the late 2010s, "An American Tail: Fievel Goes West" was recognized on publication lists of best Netflix-available westerns, ranking in the top ten of lists by "Paste" and "The Daily Dot". It was also number 24 on "GameSpot"<nowiki>'</nowiki>s "25 Best '90s Movies On Netflix", appeared on "Wonderwall"<nowiki>'</nowiki>s list of best animated sequels, and landed on a "Cosmopolitan" list of "50 Movies You Definitely Watched in the '90s and Forgot About". Including it on a list of "19 Classic Movies That Prove 1991 Was Truly The Best Year For Film", "Bustle" described the film as "a fun, action-adventure comedy that gave Fievel's sister Tanya some much-needed screen time". Both "Fievel Goes West" and the first "American Tail" were tied for the number-five spot of a list of best non-Disney films from "My Web Times": "Political and historical, these feature some fab songs and fun voice-over work from the likes of Jimmy Stewart (in his last role), John Cleese, Madeline Kahn and Dom DeLuise". In her book "Steven Spielberg: A Life in Films (Jewish Lives)", Molly Haskell wrote that both "An American Tail" and its sequel "Fievel Goes West" were oddly more "personal" for Spielberg than "Schindler's List" (1993), "the film that certified the director's rebirth as a Jew, and his much-vaunted evolution into a newfound 'maturity'".


title: An American Tail: Fievel Goes West

text: In a 2017 "/Film" feature about Amblimation, Dalin Rowell highlighted the "cinematic" scale of its animation and opined that it "should be remembered for its creativity and willingness to be a bit more bold and daring than its predecessor". A 2016 review from Greg Jameson of "Entertainment Focus" opined it "has less universal appeal than the original, because the themes aren't as rooted in human experience so it packs less of an emotional punch", but he nonetheless called it a fun film and praised its animation and voice acting.


title: An American Tail: Fievel Goes West

text: "An American Tail: Fievel Goes West" received its first VHS and cassette release on March 19, 1992. Nichols and Tower Video's John Thrasher predicted it would do well in sales due to a lack of competition. According to Nichols, three million copies were rumored to be circulated, although MCA/Universal was willing to reveal the real number. Upon its 1992 VHS release, "Fievel Goest West" held the record for shortest theater-to-home-video transfer, previously held in a tie by "Batman" (1989) and "" (1991). The video for "Fievel Goes West" topped the video charts the week it was issued, and even when it was dethroned by a reissue of "One Hundred and One Dalmatians" (1961), it remained at the number-two spot of the "Top Kid Video" chart for several weeks. On April 10, 1992, the U.S. Postal Service began selling envelopes with 29-cent Western-Americana-themed stamps designed by Harry Zelenko to promote the home video of "Fievel Goes West"; 19 of them were reissued on May 1 using recycled paper. The release was pulled from the shelves in January 1993.


title: An American Tail: Fievel Goes West

text: Beginning November 18, 1994, McDonald's, in a deal with MCA/Universal, offered customers a $2.50 rebate on a video purchase of "Jurassic Park" (1993) if they purchased from McDonald's one of the following tapes for six dollars: "Fievel Goes West", "The Land Before Time" (1988), "Back to the Future" (1985), and "Field of Dreams" (1989). "Fievel Goes West" garnered its first American television airing on April 13, 1997, via a Disney Channel "Tune In to Kids and Family Week" promotion of another TV debut, "Pocahontas" (1995). On August 11, 1998, as part of Universal Family Features's highly-family-demanded $15-million campaign to relaunch the "American Tail" franchise after a six-year moratorium; digitally-restored versions of "An American Tail" and "Fievel Goes West" were released on VHS on a 2-tape release. On the issue of October 3, 1998, the set debuted at number 19 on "Billboard"<nowiki>'</nowiki>s Top Kid Video chart.


title: An American Tail: Fievel Goes West

text: "An American Tail: Fievel Goes West" was released on Video CD in Hong Kong on July 20, 2001, on DVD in the United States on September 25, 2003, Spain on September 29, 2005, and Denmark on November 15, 2011. In the United Kingdom, it first appeared on December 6, 2006, on DVD as part of a "Slim 2" box set that featured the first two "American Tail" films. Similar two-film DVD collections were released in Spain on June 22, 2009, and the United States on August 22, 2010. The film was part of a DVD collection that included all four movies in the franchise on June 13, 2017. "Fievel Goes West" was issued to Blu-ray on April 4, 2017, in the United States, July 4 in Canada, and September 25 in the United Kingdom. Unlike the previous home media releases, the film has a sequence edited, like the infamous hidden penis doodle that was briefly seen during Tanya's version of "Dreams to Dream" was removed, thanks to the controversy. On online platforms, the film was released to Amazon Prime on November 11, 2013, Netflix on April 1, 2017, and Movies Anywhere on October 12, 2017.


title: An American Tail: Fievel Goes West

text: Between January to February 1992, Marvel Comics ran a three-issue series based on "Fievel Goes West", written by D.G. Chichester with art by George Wildman.


title: An American Tail: Fievel Goes West

text: An LCD game based on the film was created by Tiger Electronics in 1991, and a computer game was created in 1993. A Super Nintendo Entertainment System was released in 1994; it was heavily praised by video game critics for its presentation, although its simple gameplay garnered divided opinions. A Game Boy Advance video game based on the film called "An American Tail: Fievel's Gold Rush" was released by Conspiracy Entertainment in January 2002 to mixed reviews.


title: An American Tail: Fievel Goes West

text: Two direct-to-video sequels were produced after the series: "", released in 1998, and "", released in 1999. A piece of dialogue from Fievel in the former appears to retcon "Fievel Goes West" as a dream the character had, but many fans would prefer to see both direct-to-video films as prequels that take place before "Fievel Goes West", with the dialogue being taken as foreshadowing.


title: An American Tail: Fievel Goes West

text: On September 12, 1992, the TV series "Fievel's American Tails" premiered on CBS; it is a follow-up of "Fievel Goes West" and features actors such as Glasser, Cavadini and DeLuise reprising their roles. In 2020, NBCUniversal regained rights to the series and is available on Peacock, over two decades after being abandoned since the release of the DTV films in the late 1990s.


title: An American Tail: Fievel Goes West

text: Fievel later served as the mascot for Steven Spielberg's Amblimation animation studio, appearing in its production logo. There is also a Fievel-themed playground at Universal Studios Florida, featuring a large water slide and many oversized objects such as books, glasses, cowboy boots, and more. It is the only such playground at any of NBC Universal's theme parks.


title: An American Tail: Fievel Goes West

text: The Jimmy Stewart Museum, a museum dedicated to Stewart, has presented "Fievel Goes West" four times: on September 6, 2015, January 9, 2016, March 11, 2017, and July 8, 2017. On April 28, 2018, "Fievel Goes West" was screened at the Autry Museum of the American West, a Los Angeles museum of the history of the American West. Comedy television series such as "30 Rock", "Brooklyn Nine-Nine", and "Rick and Morty" have referenced "Fievel Goes West".


title: Carey Price

text: Carey Price (born August 16, 1987) is a Canadian professional ice hockey goaltender for the Montreal Canadiens of the National Hockey League (NHL). He is considered to be one of the best goaltenders in the world by many colleagues, fans, "The Hockey News", and EA Sports; and one of the greatest goaltenders in the history of the Montreal Canadiens by several media outlets. As of the end of the 2021–22 NHL season, Price is the winningest goaltender in Canadiens history with 361 wins.


title: Carey Price

text: Beginning his junior career with the Tri-City Americans in the Western Hockey League in 2002, Price was drafted fifth overall by the Montreal Canadiens in the 2005 NHL Entry Draft following his second season with the Tri-City Americans. Following a further two seasons with the Americans, where he won both the Del Wilson Trophy as the top goaltender in the Western Hockey League (WHL) and CHL Goaltender of the Year in his final season of major junior in 2007. Joining the Canadiens' farm team, the Hamilton Bulldogs of the American Hockey League (AHL) just as the Calder Cup playoffs begun, Price led the Bulldogs to the Calder Cup championship, winning the Jack A. Butterfield Trophy as the tournament MVP. Price made the Canadiens roster for the 2007–08 season as the backup goaltender before ultimately becoming the starting goaltender later that season. In 2015, he won the Ted Lindsay Award, William M. Jennings Trophy, Vezina Trophy, and Hart Trophy, becoming the first goaltender in NHL history to win all four individual awards in the same season. In 2021, Price led the Canadiens to their first Stanley Cup Finals appearance since 1993 before eventually losing to the Tampa Bay Lightning in five games.


title: Carey Price

text: Internationally, Price has represented Canada at various tournaments at junior levels, winning silver medals at the World U-17 Hockey Challenge in 2004 and the IIHF World U18 Championship in 2005. He won a gold medal at the 2007 World Junior Ice Hockey Championships in Sweden. In 2014, Price was named to the Canadian Olympic Hockey Team and led the Canadian team to a gold medal at the 2014 Winter Olympics in Sochi, posting a .972 save percentage and 0.59 goals against average across 5 games in the process. Price's splendid play earned him the tournament's top goaltending award, from the International Ice Hockey Federation (IIHF) directorate. In 2016, Price went undefeated en route to winning the 2016 World Cup of Hockey.


title: Carey Price

text: Carey Price was born in Vancouver to Lynda and Jerry Price. His mother is the chief of the Ulkatcho First Nation. His father was also a goaltender and drafted by the Philadelphia Flyers 126th overall in the 1978 NHL Amateur Draft. Although Jerry never played in the NHL, he did play four seasons of professional hockey in various leagues and was for a time the goaltending coach of the Tri-City Americans. Price has a younger sister, Kayla, and is second cousins with former professional ice hockey player Shane Doan.


title: Carey Price

text: When Price was three, his family moved to the remote town of Anahim Lake in central British Columbia where he was raised. He was taught to play goaltender by his father on a frozen creek during the winter months and played organized hockey in Williams Lake over five hours and away by car on Highway 20. Having to make the ten-hour round trip three days a week, Carey's father eventually bought a Piper PA-28 Cherokee to fly him to practice and games.


title: Carey Price

text: Price made his first appearance in the Western Hockey League (WHL) in a single game for the Tri-City Americans during the 2002–03 season. He then made the Tri-City roster the next season, appearing in 28 games as the backup for Colorado Avalanche prospect Tyler Weiman, posting a 2.38 Goals against average (GAA) and .915 save percentage. The next season, Price took over as the primary starter of the team and established himself as a top goaltender, playing in a league-high 63 games with a 2.34 GAA and .920 save percentage and eight shutouts, both in the league top ten. Ranking as the best North American goaltender by NHL Central Scouting, Price was drafted fifth overall by the Montreal Canadiens, a move considered surprising by many who thought Price would not be drafted until the middle of the first round.