title: SeaQuest DSV

text: By the end of season two, "seaQuest DSV" was again suffering, partly attributed to a perceived decrease in the quality of the writing as well as preemptions by NBC due to sports coverage. The possibility of cancellation appeared likely but NBC kept the show in production after plans for a new series titled "Rolling Thunder" to replace "seaQuest DSV" were canceled. Producer Lee Goldberg claimed the new series was canceled because the premise was "awful." The season finale, written as a possible series finale, involved the "seaQuest" and its crew being abducted by aliens and forced into a civil war on an alien world where the ship appeared to be destroyed and the crew presumed dead.


title: SeaQuest DSV

text: Blaming continued disputes with producers and abandonment of the show's original premise, Roy Scheider requested to be released from his contract with NBC. However, the network only partially agreed and demanded that Bridger would make several appearances throughout the third season. Edward Kerr had been very frustrated with the episode entitled "Alone". (Reportedly, Kerr hated the script so much that he left the set. Bridger is absent from that episode) and also wished to exit the series in the third season, which is why his character was critically injured in the season finale, "Splashdown." However, NBC would only agree to release him from his contract if he continued to play Bridger for a few episodes in the third season so his character could be killed off for more dramatic impact in the episode "SpinDrift." (Because of rescheduling, the episode "Brainlock", with Bridger still alive, aired after the character's death.) Rosalind Allen was released as her character proved to be unpopular with the audience and because producers felt that her character's telepathic abilities would not fit with the more serious tone planned for the new season. Marco Sanchez (Sensor Chief Miguel Ortiz), who had requested to remain with the series, was also released after NBC decided it wanted the principal cast number dropped from ten to nine, leaving Jonathan Brandis (Lucas Wolenczak), Don Franklin (Commander Jonathan Ford), and Ted Raimi (Lieutenant Tim O'Neill) as the only three cast members who remained with the show since the first episode. The marine trivia presentations at the end of the show, formerly hosted by oceanographer Dr. Bob Ballard in the first season and the principal cast in the second season, were dropped entirely. The show itself was renamed to "seaQuest 2032", with the storyline pushed ahead ten years after the end of season two.


title: SeaQuest DSV

text: In the season premiere, the "seaQuest" reappears on Earth, its crew mostly intact, ten years after their abduction at the end of season two. Captain Bridger retires to raise his new grandson and Michael Ironside joins the cast as the more militaristic Captain Oliver Hudson. Originally, Ironside refused to take over from Scheider as star of the series. "I saw so many problems that I couldn't see where I'd be able to do the work I wanted to do." claimed Ironside. Also considered for the lead of the series was actor Jonathan Banks, who had previously appeared in the first season episode "Whale Songs" as radical environmentalist Maximilian Scully. After weeks of negotiations where Ironside offered producers a number of changes to the storytelling structure of the series, which were agreed upon, he finally signed on. "You won't see me fighting any man-eating glowworms, rubber plants, 40-foot crocodiles and I don't talk to Darwin." he said. Though not cast as the new lead of the series, Jonathan Banks would reprise his character of Scully in the third season. Also joining the cast was Elise Neal as Lieutenant J.J. Fredericks, who serves as "seaQuest"'s sub-fighter pilot. Steering story lines back towards more reality-based themes, the third season attempted to blend the sense of the first season with some of the unique elements of the second season, while at the same time, pushing forward in an entirely new direction altogether as the UEO faces the threat of the Macronesian Alliance and the ever growing corporate conglomerate Deon International. The series was perceived as becoming much darker than it was in the previous two seasons, focusing less on science (as it had in the first season) and science fiction (as it had in the second season) and more on international politics. While these changes were met with mostly positive reactions, ratings continued to decline and NBC canceled the series after thirteen episodes. The 57th and final network airing of "seaQuest 2032" took place on June 9, 1996.


title: SeaQuest DSV

text: During the first and second seasons, NBC aired the show on Sundays at 8:00 p.m. Eastern Time; however, the series was frequently preempted in the second season in favor of NBC Sports coverage. During the third season, NBC moved the show to Wednesdays at 8:00 p.m. ET; "seaQuest" continued to face frequent preemptions in favor of sports coverage and other television specials. Several of the show's producers, including Carleton Eastlake, believe these preemptions led to the show's cancellation.


title: SeaQuest DSV

text: After cancellation, the series aired on the Sci-Fi Channel in the United States, Horror Channel in the UK, in Canada and Network Ten in Australia.


title: SeaQuest DSV

text: During development, the original title for the series was "Deep Space", though this was changed after the announcement of "".


title: SeaQuest DSV

text: Roy Scheider's character was based on John C. Lilly and Bob Ballard, who was also the technical advisor for the series in the first season. Lilly was a pioneer researcher into the nature of consciousness using as his principal tools the isolation tank, dolphin communication and psychedelic drugs, sometimes in combination. He was a prominent member of the Californian counterculture of scientists, mystics and thinkers that arose in the late 1960s and early 1970s. Albert Hofmann, Gregory Bateson, Ram Dass, Timothy Leary, Werner Erhard, and Richard Feynman were all frequent visitors to his home. The character's name, Nathan Hale Bridger, was in homage to Nathan Hale.


title: SeaQuest DSV

text: When producers began developing new characters for the second season, they named Lieutenant Brody after Police Chief Martin Brody, Roy Scheider's character in the first two "Jaws" films. Ralph Willcox and Karen Fraction, who both became recurring guest stars in the third season, had previously appeared as different characters in the second. Despite the numerous cast changes, Jonathan Brandis appeared in every episode of the series, Don Franklin in all but one episode ("And Everything Nice"), and Ted Raimi in all but two episodes ("Nothing But The Truth" and "The Siamese Dream").


title: SeaQuest DSV

text: Several of the cast's family members were brought in to play characters, as well. Brenda King, Roy Scheider's wife, portrayed Carol Bridger; Todd Allen, Rosalind Allen's husband, portrayed Clay Marshall in "The Siamese Dream"; Michael and Peter DeLuise's father, veteran actor Dom DeLuise, portrayed Nick Piccolo in "Vapors". Several cast members also dabbled on the creative side of the show, as both Ted Raimi and Jonathan Brandis penned episodes during the second season. (Brandis wrote the aforementioned "The Siamese Dream" and Raimi, "Lostland.") Conversely, Robert Engels, one of the show's executive producers (and writer of two episodes, "Greed For a Pirate's Dream" and "Hide and Seek") during the first season, portrayed the recurring character Malcolm Lansdowne.


title: SeaQuest DSV

text: While in production, "seaQuest DSV" won and was nominated for a number of awards. John Debney won the 1994 Emmy for "Outstanding Individual Achievement in Main Title Theme Music" for his composition of the "seaQuest DSV" theme song and in 2000, it was named the 48th best theme song of all time by TV Guide. Don Davis also won an Emmy in 1995 for "Outstanding Individual Achievement in Music Composition for a Series" (Dramatic Underscore) for his score for the second season premiere, "Daggers." Russ Mitchell Landau was also nominated for his work on the third season premiere, "Brave New World", in 1996. Kenneth D. Zunder was nominated for the Emmy award for "Outstanding Individual Achievement in Cinematography for a Series" for the episode "Such Great Patience". Jonathan Brandis won the 1994 Young Artist Award for "Best Youth Actor Leading Role in a Television Series" for his portrayal of Lucas Wolenczak and the series was nominated for a 1994 ASC Award for "Outstanding Achievement in Cinematography in Movies of the Week/Pilots" as well as the Saturn Award for "Best Genre Television Series" in 1995.


title: SeaQuest DSV

text: Despite being scripted in at least one episode, Captain Bridger never refers to Dagwood by name. The closest he ever got was calling him "Dag" in the episodes "Special Delivery" and "The Siamese Dream".


title: SeaQuest DSV

text: Despite popular belief, Darwin was not a real dolphin but rather an animatronic animal designed and created by Walt Conti, who had created other similar effects for films such as "", "The Abyss" and "Free Willy." Alien creature effects were designed and created by Tony Gardner's Alterian, Inc.


title: SeaQuest DSV

text: In 2005, Universal announced that the first season of "seaQuest DSV" would be released on Region 1 DVD along with a week-long marathon of the show on the Sci Fi Channel. The DVD release included never before seen deleted scenes on selected episodes. The second season was released in 2008 in region 1. As opposed to the first season, the second season was released on eight single-sided discs and does not contain any extra features such as deleted scenes. The third season was not released on DVD in region 1 but was released in Region 4 in 2011.


title: SeaQuest DSV

text: On December 12, 2015, the Australian DVD label ViaVision, through its distributor Madman Distribution, released season 1 on Blu-ray in full 1080p High definition. Although presented in 1080p, the program is presented Pillarboxed to maintain the original . Season 2 was released on Blu-ray on March 2, 2016. On April 15, 2020, selected episodes were made available through on the early preview of Peacock, a streaming service from NBCUniversal, available to Xfinity subscribers with qualifying devices.


title: SeaQuest DSV

text: On May 6, 2019 Mediumrare Entertainment released the complete series on DVD in Region 2 however two episodes are missing, 'Dagger Redux' and 'The Siamese Dream' instead two episodes from the previous disc are overlapped in their place. Despite this, the correct episode titles are listed in the DVD menu.


title: SeaQuest DSV

text: Mill Creek Entertainment announced the complete series of SeaQuest DSV on Blu-ray was released on July 19th 2022.


title: SeaQuest DSV

text: Other merchandise made available included a shot glass in cobalt blue with gold logo, key chains and pins, a book cover, 'magic rocks' sets, journal, and a set of bookmarks.


title: SeaQuest DSV

text: John Debney composed the original theme music and scored the pilot and season one shows, with Don Davis working on season two. When the series was revamped as "SeaQuest 2032" in the final season, Russ Landau composed a new theme and scored all the episodes. In 1995, Varèse Sarabande released an album of Debney's music from the show, featuring the series main and end title themes and selections from "To Be or Not to Be" (tracks 2-8), "Knight of Shadows" (tracks 9 and 10) and "Such Great Patience" (tracks 11-13). In 2020, the label released a 2-CD expansion, with music from "To Be or Not to Be" on disc 1. Disc 2 contained music from the season one episodes “Brothers And Sisters” (tracks 1-7), “Knight Of Shadows” (8-11), “The Regulator” (12-14), “The Good Death” (15-23), “Such Great Patience” (24-31) and “The Devil's Window” (track 32).


title: NEC

text: NEC was the world's fourth-largest PC manufacturer by 1990. Its semiconductors business unit was the world's largest semiconductor company by annual revenue from 1985 to 1992, the second largest in 1995, one of the top three in 2000, and one of the top 10 in 2006. NEC spun off its semiconductor business to Renesas Electronics and Elpida Memory. Once Japan's major electronics company, NEC has largely withdrawn from manufacturing since the beginning of the 21st century.


title: NEC

text: Kunihiko Iwadare and Takeshiro Maeda established Nippon Electric Limited Partnership on August 31, 1898 by using facilities that they had bought from Miyoshi Electrical Manufacturing Company. Iwadare acted as the representative partner; Maeda handled company sales. Western Electric, which had an interest in the Japanese phone market, was represented by Walter Tenney Carleton. Carleton was also responsible for the renovation of the Miyoshi facilities. It was agreed that the partnership would be reorganized as a joint-stock company when the treaty would allow it. On July 17, 1899, the revised treaty between Japan and the United States went into effect. Nippon Electric Company, Limited was organized the same day with Western Electric Company to become the first Japanese joint-venture with foreign capital. Iwadare was named managing director. Ernest Clement and Carleton were named as directors. Maeda and Mototeru Fujii were assigned to be auditors. Iwadare, Maeda, and Carleton handled the overall management.


title: NEC

text: The company started with the production, sales, and maintenance of telephones and switches. NEC modernized the production facilities with the construction of the Mita Plant in 1901 at Mita Shikokumachi. It was completed in December 1902.


title: NEC

text: The Japanese Ministry of Communications adopted a new technology in 1903: the common battery switchboard supplied by NEC. The common battery switchboards powered the subscriber phone, eliminating the need for a permanent magnet generator in each subscriber's phone. The switchboards were initially imported, but were manufactured locally by 1909.


title: NEC

text: NEC started exporting telephone sets to China in 1904. In 1905, Iwadare visited Western Electric in the U.S. to see their management and production control. On his return to Japan, he discontinued the "oyakata" system of sub-contracting and replaced it with a new system where managers and employees were all direct employees of the company. Inefficiency was also removed from the production process. The company paid higher salaries with incentives for efficiency. New accounting and cost controls were put in place, and time clocks installed.


title: NEC

text: Between 1899 and 1907 the number of telephone subscribers in Japan rose from 35,000 to 95,000. NEC entered the China market in 1908 with the implementation of the telegraph treaty between Japan and China. They also entered the Korean market, setting up an office in Seoul in January 1908. During the period of 1907 to 1912 sales rose from 1.6 million yen to 2 million yen. The expansion of the Japanese phone service had been a key part of NEC's success during this period. This expansion was about to take a pause.


title: NEC

text: The Ministry of Communications delayed a third expansion plan of the phone service in March 1913, despite having 120,000 potential telephone-subscribers waiting for phone installations. NEC sales fell sixty percent between 1912 and 1915. During the interim, Iwadare started importing appliances, including electric fans, kitchen appliances, washing machines, and vacuum cleaners. Electric fans had never been seen in Japan before. The imports were intended to prop up company sales. In 1916, the government resumed the delayed telephone-expansion plan, adding 75,000 subscribers and 326,000 kilometers of new toll lines. Thanks to this third expansion plan, NEC expanded at a time when much of the rest of Japanese industry contracted.


title: NEC

text: In 1919, NEC started its first association with Sumitomo, engaging Sumitomo Densen Seizosho to manufacture cables. As part of the venture, NEC provided cable manufacturing equipment to Sumitomo Densen. Rights to Western Electrics duplex cable patents were also transferred to Sumitomo Densen.


title: NEC

text: The Great Kantō earthquake struck Japan in 1923. 140,000 people were killed and 3.4 million were left homeless. Four of NEC's factories were destroyed, killing 105 of NEC's engineers and workers. Thirteen of Tokyo's telephone offices were destroyed by fire. Telephone and telegraph service was interrupted by damage to telephone cables. In response, the Ministry of Communications accelerated major programs to install automatic telephone switching systems and enter radio broadcasting. The first automatic switching systems were the Strowger-type model made by Automatic Telephone Manufacturing Co. (ATM) in the United Kingdom. NEC participated in the installation of the automatic switching systems, ultimately becoming the general sales agent for ATM. NEC developed its own Strowger-type automatic switching system in 1924, a first in Japan. One of the plants almost leveled during the Kanto earthquake, the Mita Plant, was chosen to support expanding production. A new three-story steel-reinforced concrete building was built, starting in 1925. It was modeled after the Western Electric Hawthorne Works.


title: NEC

text: NEC started its radio communications business in 1924. Japan's first radio broadcaster, Radio Tokyo was founded in 1924 and started broadcasting in 1925. NEC imported the broadcasting equipment from Western Electric. The expansion of radio broadcasting into Osaka and Nagoya marked the emergence of radio as an Industry. NEC established a radio research unit in 1924. NEC started developing electron tubes in 1925. By 1930, they were manufacturing their first 500 W radio transmitter. They provided the Chinese Xinjing station with a 100 kW radio broadcasting system in 1934.


title: NEC

text: Photo-telegraphic equipment developed by NEC transmitted photos of the accession ceremony of Emperor Shōwa. The ceremony was held in Kyoto in 1928. The Newspapers Asahi Shimbun and Mainichi Shimbun were competing to cover the ceremony. The Asahi Shimbun was using a Siemens device. The Mainichi was planning to use French photo-telegraphic equipment. In the end, both papers acquired and used the NEC product, due to its faster transmission rate and higher picture quality.


title: NEC

text: In 1929 Nippon Electric provided Japan's Ministry of Communications with the A-type switching system, the first of these systems to be developed in Japan. Nippon supplied Japan's Ministry of Communications with nonloaded line carrier equipment for long-distance telephone channels in 1937.


title: NEC

text: World War II was described by the company as being the blackest days of its history. In 1938 the Mita and Tamagawa plants were placed under military control, with direct supervision by military officers. In 1939, Nippon Electric established a research laboratory in the Tamagawa plant. It became the first Japanese company to successfully test microwave multiplex communications. On December 22, 1941, the enemy property control law was passed. NEC shares owned by International Standard Electric Corporation (ISE), an ITT subsidiary, and Western Electric affiliate were seized. Capital and technical relations were abruptly severed. The "Munitions Company Law" was passed in October 1943, placing overall control of NEC plants under military jurisdiction. The Ueno plant was leveled by the military attack in March 1945. Fire bombings in April and May heavily damaged the Tamagawa Plant, reducing its capacity by forty percent. The Okayama Plant was totally destroyed by a bombing attack in June of the same year. At the end of the war, NEC's production had been substantially reduced by damage to its facilities, and by material and personnel shortages.


title: NEC

text: After the war, production was slowly returned to civilian use. NEC re-opened its major plants by the end of January 1946. NEC began transistor research and development in 1950. It started exporting radio-broadcast equipment to Korea under the first major postwar contract in 1951. NEC received the Deming Prize for excellence in quality control in 1952. Computer research and development began in 1954. NEC produced the first crossbar switching system in Japan. It was installed at Nippon Telegraph and Telephone Public Corporation (currently Nippon Telegraph and Telephone Corporation; NTT) in 1956. NEC began joint research and development with NTT of electronic switching systems the same year. NEC established Taiwan Telecommunication Company as their first postwar overseas joint venture in 1958. They completed the NEAC-1101 and NEAC-1102 computers the same year. In September 1958, NEC built their first fully transistorized computer, the NEAC-2201, with parts made solely in Japan. One year later, they demonstrated it at the UNESCO AUTOMATH show in Paris. The company began integrated circuit research and development in 1960. In 1963 NEC started trading as American Depositary Receipts, ten million shares being sold in the United States. Nippon Electric New York (now NEC America Inc.) was incorporated in the same year.


title: NEC

text: NEC supplied KDD with submarine cable systems for laying in the Pacific Ocean in 1964. They supplied short-haul 24 channel PCM carrier transmission equipment to NTT in 1965. NEC de Mexico, S. A. de C. V., NEC do Brasil, S. A., NEC Australia Pty. Ltd. were established between 1968 and 1969. NEC supplied Comsat Corporation with the SPADE satellite communications system in 1971. In 1972, Switzerland ordered a NEC satellite communications earth station. The same year, a small transportable satellite communications earth station was set up in China. Shares of NEC common stock were listed on the Amsterdam Stock Exchange in 1973. NEC also designed an automated broadcasting system for the Japan Broadcasting Corporation the same year. NEC Electronics (Europe) GmbH was also established. In 1974, the ACOS series computer was introduced. The New Central Research Laboratories were completed in 1975. In 1977, Japan's National Space Development Agency launched the NEC geostationary meteorological satellite, named Himawari.


title: NEC

text: During this period NEC introduced the concept of "C&C", the integration of computers and communications. NEC America Inc. opened a plant in Dallas, Texas to manufacture PABX and telephone systems in 1978. They also acquired Electronic Arrays, Inc. of California the same year to start semiconductor chip production in the United States.


title: NEC

text: In 1980, NEC created the first digital signal processor, the NEC µPD7710. NEC Semiconductors (UK) Ltd. was established in 1981, producing VLSIs and LSIs. NEC introduced the 8-bit PC-8800 series personal computer in 1981, followed by the 16-bit PC-9800 series in 1982. In 1983 NEC stock was listed on the Basel, Geneva, and Zurich, Switzerland exchanges. NEC quickly became the dominant leader of the Japanese PC industry, holding 80% market share. NEC changed its English company name to NEC Corporation the same year. NEC Information Systems, Inc. started manufacturing computers and related products in the United States in 1984. NEC also released the V-series processor the same year. In 1986, NEC delivered its SX-2 supercomputer to the Houston Advanced Research Center, The Woodlands, Texas. In the same year, the NEAX61 digital switching system went into service. In 1987, NEC Technologies (UK) Ltd. was established in the United Kingdom to manufacture VCRs, printers, and computer monitors and mobile telephones for Europe. Also that year, NEC licensed technology from Hudson Soft, a video game manufacturer, to create a video game console called the PC-Engine (later released in 1989 as the TurboGrafx-16 in the North American market). Its successor, the PC-FX, was released in Japan in 1994. While the PC-Engine achieved a considerable following, it has been said that NEC held a much stronger influence on the video game industry through its role as a leading semiconductor manufacturer than through any of its direct video game products. NEC USA, Inc. was established in 1989 as a holding company for North American operations.


title: NEC

text: In 1983, NEC Brasil (), the Brazilian subsidiary of NEC, was forced to nationalize its corporate stock under orders of the Brazilian military government, whereby shareholder control of NEC Brasil was ceded to the private equity group Brasilinvest of Brazilian investment banker Mário Garnero. Since NEC Brasil's foundation in 1968, it had become the major supplier of telecommunications equipment to the Brazilian government. In 1986, the then Minister of Communications Antônio Carlos Magalhães put NEC Brasil in financial difficulties by suspending all government contract payments to the company, whose main client was the federal government. With the subsidiary in crisis, the NEC Corporation in Japan sold NEC Brasil to Organizações Globo for only onemillion US dollars (US$1,000,000). Shortly thereafter, Magalhães resumed the government contracts and corresponding payments, and NEC Brazil became valued at over 350million US dollars (US$350,000,000). Suspicions regarding the NEC-Globo deal, which included among other things the unilateral breach of contract by Globo founder Roberto Marinho regarding the management of a regional television station in the Brazilian state of Bahia, took to the national stage only in 1992 during the first corruption charges against the impeached Brazilian president Fernando Collor de Mello. Organizações Globo subsequently sold their shares in NEC Brazil, which hit their all-time high during the state monopoly years, back to NEC Corporation in 1999 following the break-up and privatization of the Brazilian state-owned telephone monopoly Telebrás.


title: NEC

text: In 1990, the new head office building, known as the "Super Tower", was completed in Shiba, Tokyo. Additionally, joint-venture agreements were established to manufacture and market digital electronic switching systems and LSIs in China. In 1993 NEC's asynchronous transfer mode (ATM) switching system, the NEAX61 (Nippon Electronic Automatic Exchange) ATM Service Node, went into service in the United States. NEC Europe, Ltd. was established as a holding company for European operations the same year. The NEC C&C Research Laboratories, NEC Europe, Ltd. were opened in Germany in 1994. NEC (China) Co, Ltd. was established as a holding company for Chinese operations in 1996. In 1997 NEC developed 4Gbit DRAM, and their semiconductor group was honored with one of the first Japan Quality Awards. In 1998, NEC opened the world's most advanced semiconductor R&D facility.


title: NEC

text: NEC had been the no. 1 personal computer vendor in Japan during the 1980s, but it faced increasing competition from Fujitsu, Seiko Epson and IBM Japan. Nevertheless, by the early 1990s, NEC was still the largest, having well over 50% market share in the Japanese market. Competition heated up later as rival Fujitsu started to aggressively market its computers, which were industry standard (x86) instead of NEC's indigenous models.


title: NEC

text: In June 1995, NEC purchased the California-based Packard Bell company to produce desktop PCs in a common manufacturing plant for the North American market. As a result, NEC Technologies (USA) was merged with Packard Bell to create Packard Bell NEC Inc. By 1997, NEC's share was reduced to about 35%.


title: NEC

text: In 2000, NEC formed a joint-venture with Samsung SDI to manufacture OLED displays. Around this time, NEC also collaborated with the UK Government to provide schools in the country with projectors for use in classrooms, most of which are still in use to this day.


title: NEC

text: NEC Electronics Corporation was separated from NEC in 2002 as a new semiconductor company. NEC Laboratories America, Inc. (NEC Labs) started in November 2002 as a merger of NEC Research Institute (NECI) and NEC USA's Computer and Communications Research Laboratory (CCRL). NEC built the Earth Simulator Computer (ESC), the fastest supercomputer in the world from 2002 to 2004, and since produced the NEC N343i in 2006.


title: NEC

text: In 2003 NEC had a 20.8% market share in the personal computer market in Japan, slightly ahead of Fujitsu.


title: NEC

text: In 2004, NEC abandoned not only the OLED business, but the display business as a whole, by selling off their plasma display business and exiting from the joint-venture with Samsung SDI. Samsung bought all of the shares and related patents owned by NEC, incorporating Samsung OLED, which subsequently merged with Samsung Display.


title: NEC

text: In 2007, NEC and Nissan Co. Corp. started evaluating a joint venture to produce lithium ion batteries for hybrid and electric cars. The two companies established Automotive Energy Supply Corporation as a result.


title: NEC

text: On April 23, 2009, Renesas Technology Corp and NEC Electronics Corp struck a basic agreement to merge by around April 2010. On April 1, 2010 NEC Electronics and Renesas Technology merged forming Renesas Electronics which is set to be fourth largest semiconductor company according to iSuppli published data. By Q3 2010, NEC held a 19.8% market share in the PC market in Japan.


title: NEC

text: On January 27, 2011, NEC formed a joint venture with Chinese PC maker Lenovo, the fourth largest PC maker in the world. As part of the deal, the companies said in a statement they will establish a new company called Lenovo NEC Holdings B.V., which will be registered in the Netherlands. NEC will receive US$175 million from Lenovo through the issuance of Lenovo's shares. Lenovo, through a unit, will own a 51% stake in the joint venture, while NEC will hold a 49% stake. In February 2011, "Bloomberg News" said the joint venture would allow Lenovo to expand in the field of servers, and NEC's Masato Yamamoto said NEC would be able to grow in China.


title: NEC

text: On January 26, 2012, NEC Corporation announced that it would cut 10,000 jobs globally due to a big loss on NEC's consolidated financial statement in line with the economic crisis in Europe and lagged in the development of smartphones in the domestic market compared to Apple and Samsung. Previously, in January 2009 NEC has cut about 20,000 jobs, mainly in sluggish semiconductor and liquid crystal display related businesses.


title: NEC

text: In 2013 NEC was the biggest PC server manufacturer in Japan, with a 23.6% share. In August 2014, NEC Corporation was commissioned to build a super-fast undersea data transmission cable linking the United States and Japan for a consortium of international companies consisting of China Mobile International, China Telecom Global, Global Transit, Google, KDDI and SingTel. The pipeline went online June 30, 2016. It exited from the smartphone market in 2015 by dissolving NEC Mobile Communications, bailing out the other participants in the smartphone joint-venture.


title: NEC

text: In April 2017, KEMET Corporation announced it would purchase a 61% controlling interest in NEC Tokin from NEC, making NEC Tokin its wholly owned subsidiary. Once the purchase is complete, the company will change its name to "Tokin Corporation".


title: NEC

text: In July 2018, NEC established its subsidiary, NEC X, in Silicon Valley, to fast-track technologies and business ideas selected from inside and outside NEC. NEC X created a corporate accelerator program that works with entrepreneurs, start-ups and existing companies to help them develop new products that leverage NEC's emerging technologies.


title: NEC

text: In August 2018, Envision Energy struck an agreement with Nissan and NEC to acquire their automotive battery joint venture. In December 2018, NEC announced that it would acquire KMD, the largest Danish IT company, for $1.2 billion to strengthen its digital government business.


title: NEC

text: NEC has sold its sixty-year-old lighting business in April 2019. As of September 2019, NEC is the largest supplier of AI surveillance technology in the world.


title: NEC

text: In the first half of 2020, NEC sold a majority stake in NEC Display Solutions, the professional display subsidiary, to Sharp Corporation and decided to gradually curtail the money-losing energy storage business throughout the decade.


title: NEC

text: Upon the suggested banning of Huawei's 5G equipment led by the United States in 2020, being a diminished supplier, NEC was galvanized to ramp up its relatively small 5G network business to fill the void in the telecommunications equipment markets of the United States and the United Kingdom. NTT, the largest carrier in Japan, invested $596 million for a 4.8 percent stake in NEC to assist this move.


title: NEC

text: As of July 2018, NEC has 6 larger business segments - Public, Enterprise, Network Services, System Platform, Global, and Others. It has renamed its Telecom Carrier business to Network Service.


title: NEC

text: NEC was the main (title) sponsor of the Davis Cup competition until 2002, when BNP Paribas took over the sponsorship.


title: NEC

text: NEC sponsored the English football club Everton from 1985 to 1995. The 1995 FA Cup Final triumph was Everton's final game of the decade-long NEC sponsorship, and Danka took over as sponsors.


title: NEC

text: NEC sponsored the Sahara Force India F1 Team for the 2015 season until its demise during the 2018 season. Since then NEC has sponsored its successor Racing Point.


title: NEC

text: In April 2013, NEC became the umbrella sponsor for PGA Tour Latinoamérica, a third-tier men's professional golf tour.


title: NEC

text: NEC also used to own Montedio Yamagata of the football (soccer) J. League, but just sponsors them along with other local companies.


title: Robin Fox family

text: The Fox family is a family with several members in the acting and related professions over a number of generations. Robin Fox (1913–1971), an actor and theatrical agent, and his wife Angela Worthington, actress and daughter of the English playwright Frederick Lonsdale, had three sons: the actors James and Edward Fox, and Robert, who became a theatrical agent. Their grandchildren include the actors Emilia, Freddie, Laurence, Lydia and Jack Fox.


title: Robin Fox family

text: Robin Fox was the grandson of Samson Fox (1838–1903), a British engineer, industrialist and philanthropist.


title: Robin Fox family

text: Robin Fox was born in the parish of St George Hanover Square, Westminster, the son of Hilda Louise (Alcock), an actress, and Arthur William Fox, the son of industrialist Samson Fox. He was related to the Hanbury and Neilson acting dynasty, through his mother, whose sister was the stage actress Lily Hanbury. Their first cousin Julia Neilson was married to the actor Fred Terry, brother of the late nineteenth-century star Ellen Terry. Altogether, five of Hilda and Lily Hanbury's first cousins were actors in Victorian and Edwardian theatre.


title: Robin Fox family

text: Robin Fox (1913–1971), theatrical agent, married Angela Muriel Darita Worthington, actress, three sons


title: Cavendish banana

text: Cavendish bananas are the fruits of one of a number of banana cultivars belonging to the Cavendish subgroup of the AAA banana cultivar group. The same term is also used to describe the plants on which the bananas grow.


title: Cavendish banana

text: They include commercially important cultivars like 'Dwarf Cavendish' (1888) and 'Grand Nain' (the "Chiquita banana"). Since the 1950s, these cultivars have been the most internationally traded bananas. They replaced the Gros Michel banana (commonly known as "Kampala" banana in Kenya and "Bogoya" in Uganda) after it was devastated by Panama disease.


title: Cavendish banana

text: They are unable to reproduce sexually, instead being propagated via identical clones. Due to this, the genetic diversity of the Cavendish banana is very low. Combined with the fact the Cavendish is planted in dense chunks in a monoculture without other natural species to serve as a buffer, this means the Cavendish is extremely vulnerable to disease, fungal outbreaks, and genetic mutation, possibly leading to eventual commercial extinction.


title: Cavendish banana

text: Cavendish bananas were named after William Cavendish, 6th Duke of Devonshire. Though they were not the first known banana specimens in Europe, in around 1834 Cavendish received a shipment of bananas (from Mauritius) courtesy of the chaplain of Alton Towers (then the seat of the Earls of Shrewsbury). His head gardener and friend, Sir Joseph Paxton, cultivated them in the greenhouses of Chatsworth House. The plants were botanically described by Paxton as "Musa cavendishii", after the Duke. For his work Paxton won a medal at the 1835 Royal Horticultural Society show.


title: Cavendish banana

text: The Chatsworth bananas were shipped off to various places in the Pacific around the 1850s. It is believed that some of them may have ended up in the Canary Islands, though other authors believe that the bananas in the Canary Islands had been there since the fifteenth century and had been introduced through other means, namely by early Portuguese explorers who obtained them from West Africa and were later responsible for spreading them to the Caribbean. African bananas in turn were introduced from Southeast Asia into Madagascar by early Austronesian sailors. In 1888, bananas from the Canary Islands were imported into England by Thomas Fyffe. These bananas are now known to belong to the Dwarf Cavendish cultivar.


title: Cavendish banana

text: Cavendish bananas entered mass commercial production in 1903 but did not gain prominence until later when Panama disease attacked the dominant Gros Michel ("Big Mike") variety in the 1950s. Because they were successfully grown in the same soils as previously affected Gros Michel plants, many assumed the Cavendish cultivars were more resistant to Panama disease. Contrary to this notion, in mid-2008, reports from Sumatra and Malaysia suggested that Panama disease had started attacking Cavendish cultivars.


title: Cavendish banana

text: After years of attempting to keep it out of the Americas, in mid-2019, Panama disease Tropical Race 4 (TR4), was discovered on banana farms in the coastal Caribbean region. With no fungicide effective against TR4, the Cavendish may meet the same fate as the Gros Michel.


title: Cavendish banana

text: Cavendish cultivars are distinguished by the height of the plant and features of the fruits, and different cultivars may be recognized as distinct by different authorities. The most important clones for fruit production include: 'Dwarf Cavendish', 'Grande Naine', 'Lacatan' ("bungulan"), 'Poyo', 'Valéry', and 'Williams' under one system of cultivar classification. Another classification includes: 'Double', 'Dwarf Cavendish', 'Extra Dwarf Cavendish', 'Grande Naine', 'Pisang Masak Hijau' (syn 'Lacatan'), and 'Giant Cavendish' as a group of several difficult to distinguish cultivars (including 'Poyo', 'Robusta', 'Valéry', & 'Williams'). 'Grande Naine' is the most important clone in international trade, while 'Dwarf Cavendish' is the most widely grown clone. 'Grande Naine' is also known as Chiquita banana.


title: Cavendish banana

text: Cavendish bananas accounted for 47% of global banana production between 1998 and 2000, and the vast majority of bananas entering international trade.


title: Cavendish banana

text: The fruits of the Cavendish bananas are eaten raw, used in baking, fruit salads, and to complement foods. The outer skin is partially green when bananas are sold in food markets, and turns yellow when the fruit ripens. As it ripens the starch is converted to sugars turning the fruit sweet. When it reaches its final stage (stage 7), brown/black "sugar spots" develop. When overripe, the skin turns black and the flesh becomes mushy.


title: Cavendish banana

text: Bananas ripen naturally or through an induced process. Once picked they can turn yellow on their own provided that they are fully mature by the time they are being harvested, or can be exposed to ethylene gas to induce ripening. Bananas which are turning yellow emit natural ethylene which is characterized by the emission of sweet scented Esters. Most retailers sell bananas in stages 3–6, with stage 5–7 being the most ideal for immediate consumption. The PLUs used for Cavendish bananas are 4011 (yellow) and 4186 (small yellow). Organic Cavendish bananas are assigned PLU 94011.


title: Cavendish banana

text: Due to their phallic shape, they are sometimes used in sexual education classes to demonstrate the correct usage of a condom.


title: Cavendish banana

text: Cavendish bananas, accounting for around 99% of banana exports to developed countries, are vulnerable to the fungal disease known as Panama disease. There is a risk of extinction of the variety. Because Cavendish bananas are parthenocarpic (they don't have seeds and reproduce only through cloning), their resistance to disease is often low. Development of disease resistance depends on mutations occurring in the propagation units, and hence evolves more slowly than in seed-propagated crops.


title: Cavendish banana

text: The development of resistant varieties has therefore been the only alternative to protect the fruit trees from tropical and subtropical diseases like bacterial wilt and Fusarium wilt, commonly known as Panama disease. A replacement for the Cavendish would likely depend on genetic engineering, which is banned in some countries. Conventional plant breeding has not yet been able to produce a variety that preserves the flavor and shelf-life of the Cavendish. In 2017, James Dale, a biotechnologist at Queensland University of Technology in Brisbane, Australia, produced just such a transgenic banana resistant to Tropical Race 4.


title: Joke

text: A joke is a display of humour in which words are used within a specific and well-defined narrative structure to make people laugh and is usually not meant to be interpreted literally. It usually takes the form of a story, often with dialogue, and ends in a punch line, whereby the humorous element of the story is revealed; this can be done using a pun or other type of word play, irony or sarcasm, logical incompatibility, hyperbole, or other means. Linguist Robert Hetzron offers the definition:


title: Joke

text: It is generally held that jokes benefit from brevity, containing no more detail than is needed to set the scene for the punchline at the end. In the case of riddle jokes or one-liners, the setting is implicitly understood, leaving only the dialogue and punchline to be verbalised. However, subverting these and other common guidelines can also be a source of humour—the shaggy dog story is an example of an anti-joke; although presented as a joke, it contains a long drawn-out narrative of time, place and character, rambles through many pointless inclusions and finally fails to deliver a punchline. Jokes are a form of humour, but not all humour is a joke. Some humorous forms which are "not" verbal jokes are: involuntary humour, situational humour, practical jokes, slapstick and anecdotes.


title: Joke

text: Identified as one of the simple forms of oral literature by the Dutch linguist André Jolles, jokes are passed along anonymously. They are told in both private and public settings; a single person tells a joke to his friend in the natural flow of conversation, or a set of jokes is told to a group as part of scripted entertainment. Jokes are also passed along in written form or, more recently, through the internet.


title: Joke

text: Stand-up comics, comedians and slapstick work with comic timing and rhythm in their performance, and may rely on actions as well as on the verbal punchline to evoke laughter. This distinction has been formulated in the popular saying "A comic says funny things; a comedian says things funny".


title: Joke

text: Any joke documented from the past has been saved through happenstance rather than design. Jokes do not belong to refined culture, but rather to the entertainment and leisure of all classes. As such, any printed versions were considered ephemera, i.e., temporary documents created for a specific purpose and intended to be thrown away. Many of these early jokes deal with scatological and sexual topics, entertaining to all social classes but not to be valued and saved.


title: Joke

text: Various kinds of jokes have been identified in ancient pre-classical texts. The oldest identified joke is an ancient Sumerian proverb from 1900 BC containing toilet humour: "Something which has never occurred since time immemorial; a young woman did not fart in her husband’s lap." Its records were dated to the Old Babylonian period and the joke may go as far back as 2300 BC. The second oldest joke found, discovered on the Westcar Papyrus and believed to be about Sneferu, was from Ancient Egypt circa 1600 BC: "How do you entertain a bored pharaoh? You sail a boatload of young women dressed only in fishing nets down the Nile and urge the pharaoh to go catch a fish." The tale of the three ox drivers from Adab completes the three known oldest jokes in the world. This is a comic triple dating back to 1200 BC Adab. It concerns three men seeking justice from a king on the matter of ownership over a newborn calf, for whose birth they all consider themselves to be partially responsible. The king seeks advice from a priestess on how to rule the case, and she suggests a series of events involving the men's households and wives. Unfortunately, the final portion of the story (which included the punch line), has not survived intact, though legible fragments suggest it was bawdy in nature.


title: Joke

text: Jokes can be notoriously difficult to translate from language to language; particularly puns, which depend on specific words and not just on their meanings. For instance, Julius Caesar once sold land at a surprisingly cheap price to his lover Servilia, who was rumoured to be prostituting her daughter Tertia to Caesar in order to keep his favour. Cicero remarked that ""conparavit Servilia hunc fundum tertia deducta."" The punny phrase, "tertia deducta", can be translated as "with one-third off (in price)", or "with Tertia putting out."


title: Joke

text: The earliest extant joke book is the "Philogelos" (Greek for "The Laughter-Lover"), a collection of 265 jokes written in crude ancient Greek dating to the fourth or fifth century AD. The author of the collection is obscure and a number of different authors are attributed to it, including "Hierokles and Philagros the "grammatikos"", just "Hierokles", or, in the "Suda", "Philistion". British classicist Mary Beard states that the "Philogelos" may have been intended as a jokester's handbook of quips to say on the fly, rather than a book meant to be read straight through. Many of the jokes in this collection are surprisingly familiar, even though the typical protagonists are less recognisable to contemporary readers: the absent-minded professor, the eunuch, and people with hernias or bad breath. The "Philogelos" even contains a joke similar to Monty Python's "Dead Parrot Sketch".


title: Joke

text: During the 15th century, the printing revolution spread across Europe following the development of the movable type printing press. This was coupled with the growth of literacy in all social classes. Printers turned out Jestbooks along with Bibles to meet both lowbrow and highbrow interests of the populace. One early anthology of jokes was the "Facetiae" by the Italian Poggio Bracciolini, first published in 1470. The popularity of this jest book can be measured on the twenty editions of the book documented alone for the 15th century. Another popular form was a collection of jests, jokes and funny situations attributed to a single character in a more connected, narrative form of the picaresque novel. Examples of this are the characters of Rabelais in France, Till Eulenspiegel in Germany, Lazarillo de Tormes in Spain and Master Skelton in England. There is also a jest book ascribed to William Shakespeare, the contents of which appear to both inform and borrow from his plays. All of these early jestbooks corroborate both the rise in the literacy of the European populations and the general quest for leisure activities during the Renaissance in Europe.


title: Joke

text: The practice of printers using jokes and cartoons as page fillers was also widely used in the broadsides and chapbooks of the 19th century and earlier. With the increase in literacy in the general population and the growth of the printing industry, these publications were the most common forms of printed material between the 16th and 19th centuries throughout Europe and North America. Along with reports of events, executions, ballads and verse, they also contained jokes. Only one of many broadsides archived in the Harvard library is described as "1706. Grinning made easy; or, Funny Dick's unrivalled collection of curious, comical, odd, droll, humorous, witty, whimsical, laughable, and eccentric jests, jokes, bulls, epigrams, &c. With many other descriptions of wit and humour." These cheap publications, ephemera intended for mass distribution, were read alone, read aloud, posted and discarded.


title: Joke

text: There are many types of joke books in print today; a search on the internet provides a plethora of titles available for purchase. They can be read alone for solitary entertainment, or used to stock up on new jokes to entertain friends. Some people try to find a deeper meaning in jokes, as in "Plato and a Platypus Walk into a Bar... Understanding Philosophy Through Jokes". However a deeper meaning is not necessary to appreciate their inherent entertainment value. Magazines frequently use jokes and cartoons as filler for the printed page. "Reader's Digest" closes out many articles with an (unrelated) joke at the bottom of the article. "The New Yorker" was first published in 1925 with the stated goal of being a "sophisticated humour magazine" and is still known for its cartoons.


title: Joke

text: Telling a joke is a cooperative effort; it requires that the teller and the audience mutually agree in one form or another to understand the narrative which follows as a joke. In a study of conversation analysis, the sociologist Harvey Sacks describes in detail the sequential organisation in the telling of a single joke. "This telling is composed, as for stories, of three serially ordered and adjacently placed types of sequences … the preface [framing], the telling, and the response sequences." Folklorists expand this to include the context of the joking. Who is telling what jokes to whom? And why is he telling them when? The context of the joke telling in turn leads into a study of joking relationships, a term coined by anthropologists to refer to social groups within a culture who engage in institutionalised banter and joking.


title: Joke

text: Framing is done with a (frequently formulaic) expression which keys the audience in to expect a joke. "Have you heard the one…", "Reminds me of a joke I heard…", "So, a lawyer and a doctor…"; these conversational markers are just a few examples of linguistic frames used to start a joke. Regardless of the frame used, it creates a social space and clear boundaries around the narrative which follows. Audience response to this initial frame can be acknowledgement and anticipation of the joke to follow. It can also be a dismissal, as in "this is no joking matter" or "this is no time for jokes".


title: Joke

text: The performance frame serves to label joke-telling as a culturally marked form of communication. Both the performer and audience understand it to be set apart from the "real" world. "An elephant walks into a bar…"; a person sufficiently familiar with both the English language and the way jokes are told automatically understands that such a compressed and formulaic story, being told with no substantiating details, and placing an unlikely combination of characters into an unlikely setting and involving them in an unrealistic plot, is the start of a joke, and the story that follows is not meant to be taken at face value (i.e. it is non-bona-fide communication). The framing itself invokes a play mode; if the audience is unable or unwilling to move into play, then nothing will seem funny.


title: Joke

text: Following its linguistic framing the joke, in the form of a story, can be told. It is not required to be verbatim text like other forms of oral literature such as riddles and proverbs. The teller can and does modify the text of the joke, depending both on memory and the present audience. The important characteristic is that the narrative is succinct, containing only those details which lead directly to an understanding and decoding of the punchline. This requires that it support the same (or similar) divergent scripts which are to be embodied in the punchline.


title: Joke

text: The narrative always contains a protagonist who becomes the "butt" or target of the joke. This labelling serves to develop and solidify stereotypes within the culture. It also enables researchers to group and analyse the creation, persistence and interpretation of joke cycles around a certain character. Some people are naturally better performers than others, however, anyone can tell a joke because the comic trigger is contained in the narrative text and punchline. A joke poorly told is still funny, unless errors or omissions make the intended relationship between the narrative and the punchline unintelligible.


title: Joke

text: The punchline is intended to make the audience laugh. A linguistic interpretation of this punchline/response is elucidated by Victor Raskin in his Script-based Semantic Theory of Humour. Humour is evoked when a trigger contained in the punchline causes the audience to abruptly shift its understanding of the story from the primary (or more obvious) interpretation to a secondary, opposing interpretation. "The punchline is the pivot on which the joke text turns as it signals the shift between the [semantic] scripts necessary to interpret [re-interpret] the joke text." To produce the humour in the verbal joke, the two interpretations (i.e. scripts) need to both be compatible with the joke text and opposite or incompatible with each other. Thomas R. Shultz, a psychologist, independently expands Raskin's linguistic theory to include "two stages of incongruity: perception and resolution." He explains that "… incongruity alone is insufficient to account for the structure of humour. […] Within this framework, humour appreciation is conceptualized as a biphasic sequence involving first the discovery of incongruity followed by a resolution of the incongruity." In the case of a joke, that resolution generates laughter.


title: Joke

text: This is the point at which the field of neurolinguistics offers some insight into the cognitive processing involved in this abrupt laughter at the punchline. Studies by the cognitive science researchers Coulson and Kutas directly address the theory of script switching articulated by Raskin in their work. The article "Getting it: Human event-related brain response to jokes in good and poor comprehenders" measures brain activity in response to reading jokes. Additional studies by others in the field support more generally the theory of two-stage processing of humour, as evidenced in the longer processing time they require. In the related field of neuroscience, it has been shown that the expression of laughter is caused by two partially independent neuronal pathways: an "involuntary" or "emotionally driven" system and a "voluntary" system. This study adds credence to the common experience when exposed to an off-colour joke; a laugh is followed in the next breath by a disclaimer: "Oh, that's bad…" Here the multiple steps in cognition are clearly evident in the stepped response, the perception being processed just a breath faster than the resolution of the moral/ethical content in the joke.


title: Joke

text: Expected response to a joke is laughter. The joke teller hopes the audience "gets it" and is entertained. This leads to the premise that a joke is actually an "understanding test" between individuals and groups. If the listeners do not get the joke, they are not understanding the two scripts which are contained in the narrative as they were intended. Or they do "get it" and don't laugh; it might be too obscene, too gross or too dumb for the current audience. A woman might respond differently to a joke told by a male colleague around the water cooler than she would to the same joke overheard in a women's lavatory. A joke involving toilet humour may be funnier told on the playground at elementary school than on a college campus. The same joke will elicit different responses in different settings. The punchline in the joke remains the same, however, it is more or less appropriate depending on the current context.


title: Joke

text: The context explores the specific social situation in which joking occurs. The narrator automatically modifies the text of the joke to be acceptable to different audiences, while at the same time supporting the same divergent scripts in the punchline. The vocabulary used in telling the same joke at a university fraternity party and to one's grandmother might well vary. In each situation, it is important to identify both the narrator and the audience as well as their relationship with each other. This varies to reflect the complexities of a matrix of different social factors: age, sex, race, ethnicity, kinship, political views, religion, power relationships, etc. When all the potential combinations of such factors between the narrator and the audience are considered, then a single joke can take on infinite shades of meaning for each unique social setting.


title: Joke

text: The context, however, should not be confused with the function of the joking. "Function is essentially an abstraction made on the basis of a number of contexts". In one long-term observation of men coming off the late shift at a local café, joking with the waitresses was used to ascertain sexual availability for the evening. Different types of jokes, going from general to topical into explicitly sexual humour signalled openness on the part of the waitress for a connection. This study describes how jokes and joking are used to communicate much more than just good humour. That is a single example of the function of joking in a social setting, but there are others. Sometimes jokes are used simply to get to know someone better. What makes them laugh, what do they find funny? Jokes concerning politics, religion or sexual topics can be used effectively to gauge the attitude of the audience to any one of these topics. They can also be used as a marker of group identity, signalling either inclusion or exclusion for the group. Among pre-adolescents, "dirty" jokes allow them to share information about their changing bodies. And sometimes joking is just simple entertainment for a group of friends.


title: Joke

text: The context of joking in turn leads to a study of joking relationships, a term coined by anthropologists to refer to social groups within a culture who take part in institutionalised banter and joking. These relationships can be either one-way or a mutual back and forth between partners. "The joking relationship is defined as a peculiar combination of friendliness and antagonism. The behaviour is such that in any other social context it would express and arouse hostility; but it is not meant seriously and must not be taken seriously. There is a pretence of hostility along with a real friendliness. To put it in another way, the relationship is one of permitted disrespect." Joking relationships were first described by anthropologists within kinship groups in Africa. But they have since been identified in cultures around the world, where jokes and joking are used to mark and reinforce appropriate boundaries of a relationship.


title: Joke

text: The advent of electronic communications at the end of the 20th century introduced new traditions into jokes. A verbal joke or cartoon is emailed to a friend or posted on a bulletin board; reactions include a replied email with a :-) or LOL, or a forward on to further recipients. Interaction is limited to the computer screen and for the most part solitary. While preserving the text of a joke, both context and variants are lost in internet joking; for the most part, emailed jokes are passed along verbatim. The framing of the joke frequently occurs in the subject line: "RE: laugh for the day" or something similar. The forward of an email joke can increase the number of recipients exponentially.


title: Joke

text: Internet joking forces a re-evaluation of social spaces and social groups. They are no longer only defined by physical presence and locality, they also exist in the connectivity in cyberspace. "The computer networks appear to make possible communities that, although physically dispersed, display attributes of the direct, unconstrained, unofficial exchanges folklorists typically concern themselves with". This is particularly evident in the spread of topical jokes, "that genre of lore in which whole crops of jokes spring up seemingly overnight around some sensational event … flourish briefly and then disappear, as the mass media move on to fresh maimings and new collective tragedies". This correlates with the new understanding of the internet as an "active folkloric space" with evolving social and cultural forces and clearly identifiable performers and audiences.


title: Joke

text: A study by the folklorist Bill Ellis documented how an evolving cycle was circulated over the internet. By accessing message boards that specialised in humour immediately following the 9/11 disaster, Ellis was able to observe in real-time both the topical jokes being posted electronically and responses to the jokes. "Previous folklore research has been limited to collecting and documenting successful jokes, and only after they had emerged and come to folklorists' attention. Now, an Internet-enhanced collection creates a time machine, as it were, where we can observe what happens in the period before the risible moment, when attempts at humour are unsuccessful". Access to archived message boards also enables us to track the development of a single joke thread in the context of a more complicated virtual conversation.


title: Joke

text: A joke cycle is a collection of jokes about a single target or situation which displays consistent narrative structure and type of humour. Some well-known cycles are elephant jokes using nonsense humour, dead baby jokes incorporating black humour and light bulb jokes, which describe all kinds of operational stupidity. Joke cycles can centre on ethnic groups, professions (viola jokes), catastrophes, settings (…walks into a bar), absurd characters (wind-up dolls), or logical mechanisms which generate the humour (knock-knock jokes). A joke can be reused in different joke cycles; an example of this is the same Head & Shoulders joke refitted to the tragedies of Vic Morrow, Admiral Mountbatten and the crew of the Challenger space shuttle. These cycles seem to appear spontaneously, spread rapidly across countries and borders only to dissipate after some time. Folklorists and others have studied individual joke cycles in an attempt to understand their function and significance within the culture.


title: Joke

text: As with the 9/11 disaster discussed above, cycles attach themselves to celebrities or national catastrophes such as the death of Diana, Princess of Wales, the death of Michael Jackson, and the Space Shuttle Challenger disaster. These cycles arise regularly as a response to terrible unexpected events which command the national news. An in-depth analysis of the Challenger joke cycle documents a change in the type of humour circulated following the disaster, from February to March 1986. "It shows that the jokes appeared in distinct 'waves', the first responding to the disaster with clever wordplay and the second playing with grim and troubling images associated with the event…The primary social function of disaster jokes appears to be to provide closure to an event that provoked communal grieving, by signalling that it was time to move on and pay attention to more immediate concerns".


title: Joke

text: The sociologist Christie Davies has written extensively on ethnic jokes told in countries around the world. In ethnic jokes he finds that the "stupid" ethnic target in the joke is no stranger to the culture, but rather a peripheral social group (geographic, economic, cultural, linguistic) well known to the joke tellers. So Americans tell jokes about Polacks and Italians, Germans tell jokes about Ostfriesens, and the English tell jokes about the Irish. In a review of Davies' theories it is said that "For Davies, [ethnic] jokes are more about how joke tellers imagine themselves than about how they imagine those others who serve as their putative targets…The jokes thus serve to center one in the world – to remind people of their place and to reassure them that they are in it."


title: Joke

text: A third category of joke cycles identifies absurd characters as the butt: for example the grape, the dead baby or the elephant. Beginning in the 1960s, social and cultural interpretations of these joke cycles, spearheaded by the folklorist Alan Dundes, began to appear in academic journals. Dead baby jokes are posited to reflect societal changes and guilt caused by widespread use of contraception and abortion beginning in the 1960s. Elephant jokes have been interpreted variously as stand-ins for American blacks during the Civil Rights Era or as an "image of something large and wild abroad in the land captur[ing] the sense of counterculture" of the sixties. These interpretations strive for a cultural understanding of the themes of these jokes which go beyond the simple collection and documentation undertaken previously by folklorists and ethnologists.


title: Joke

text: As folktales and other types of oral literature became collectables throughout Europe in the 19th century (Brothers Grimm et al.), folklorists and anthropologists of the time needed a system to organise these items. The Aarne–Thompson classification system was first published in 1910 by Antti Aarne, and later expanded by Stith Thompson to become the most renowned classification system for European folktales and other types of oral literature. Its final section addresses anecdotes and jokes, listing traditional humorous tales ordered by their protagonist; "This section of the Index is essentially a classification of the older European jests, or merry tales – humorous stories characterized by short, fairly simple plots. …" Due to its focus on older tale types and obsolete actors (e.g., numbskull), the Aarne–Thompson Index does not provide much help in identifying and classifying the modern joke.


title: Joke

text: A more granular classification system used widely by folklorists and cultural anthropologists is the Thompson Motif Index, which separates tales into their individual story elements. This system enables jokes to be classified according to individual motifs included in the narrative: actors, items and incidents. It does not provide a system to classify the text by more than one element at a time while at the same time making it theoretically possible to classify the same text under multiple motifs.


title: Joke

text: The Thompson Motif Index has spawned further specialised motif indices, each of which focuses on a single aspect of one subset of jokes. A sampling of just a few of these specialised indices have been listed under other motif indices. Here one can select an index for medieval Spanish folk narratives, another index for linguistic verbal jokes, and a third one for sexual humour. To assist the researcher with this increasingly confusing situation, there are also multiple bibliographies of indices as well as a how-to guide on creating your own index.


title: Joke

text: Several difficulties have been identified with these systems of identifying oral narratives according to either tale types or story elements. A first major problem is their hierarchical organisation; one element of the narrative is selected as the major element, while all other parts are arrayed subordinate to this. A second problem with these systems is that the listed motifs are not qualitatively equal; actors, items and incidents are all considered side-by-side. And because incidents will always have at least one actor and usually have an item, most narratives can be ordered under multiple headings. This leads to confusion about both where to order an item and where to find it. A third significant problem is that the "excessive prudery" common in the middle of the 20th century means that obscene, sexual and scatological elements were regularly ignored in many of the indices.


title: Joke

text: The folklorist Robert Georges has summed up the concerns with these existing classification systems: It has proven difficult to organise all different elements of a joke into a multi-dimensional classification system which could be of real value in the study and evaluation of this (primarily oral) complex narrative form.


title: Joke

text: The General Theory of Verbal Humour or GTVH, developed by the linguists Victor Raskin and Salvatore Attardo, attempts to do exactly this. This classification system was developed specifically for jokes and later expanded to include longer types of humorous narratives. Six different aspects of the narrative, labelled Knowledge Resources or KRs, can be evaluated largely independently of each other, and then combined into a concatenated classification label. These six KRs of the joke structure include:


title: Joke

text: As development of the GTVH progressed, a hierarchy of the KRs was established to partially restrict the options for lower-level KRs depending on the KRs defined above them. For example, a lightbulb joke (SI) will always be in the form of a riddle (NS). Outside of these restrictions, the KRs can create a multitude of combinations, enabling a researcher to select jokes for analysis which contain only one or two defined KRs. It also allows for an evaluation of the similarity or dissimilarity of jokes depending on the similarity of their labels. "The GTVH presents itself as a mechanism … of generating [or describing] an infinite number of jokes by combining the various values that each parameter can take. … Descriptively, to analyze a joke in the GTVH consists of listing the values of the 6 KRs (with the caveat that TA and LM may be empty)." This classification system provides a functional multi-dimensional label for any joke, and indeed any verbal humour.


title: Joke

text: Many academic disciplines lay claim to the study of jokes (and other forms of humour) as within their purview. Fortunately, there are enough jokes, good, bad and worse, to go around. Unfortunately, the studies of jokes from each of the interested disciplines bring to mind the tale of the blind men and an elephant where the observations, although accurate reflections of their own competent methodological inquiry, frequently fail to grasp the beast in its entirety. This attests to the joke as a traditional narrative form which is indeed complex, concise and complete in and of itself. It requires a "multidisciplinary, interdisciplinary, and cross-disciplinary field of inquiry" to truly appreciate these nuggets of cultural insight.


title: Joke

text: Sigmund Freud was one of the first modern scholars to recognise jokes as an important object of investigation. In his 1905 study "Jokes and their Relation to the Unconscious" Freud describes the social nature of humour and illustrates his text with many examples of contemporary Viennese jokes. His work is particularly noteworthy in this context because Freud distinguishes in his writings between jokes, humour and the comic. These are distinctions which become easily blurred in many subsequent studies where everything funny tends to be gathered under the umbrella term of "humour", making for a much more diffuse discussion.


title: Joke

text: Since the publication of Freud's study, psychologists have continued to explore humour and jokes in their quest to explain, predict and control an individual's "sense of humour". Why do people laugh? Why do people find something funny? Can jokes predict character, or vice versa, can character predict the jokes an individual laughs at? What is a "sense of humour"? A current review of the popular magazine "Psychology Today" lists over 200 articles discussing various aspects of humour; in psychological jargon, the subject area has become both an emotion to measure and a tool to use in diagnostics and treatment. A new psychological assessment tool, the Values in Action Inventory developed by the American psychologists Christopher Peterson and Martin Seligman includes humour (and playfulness) as one of the core character strengths of an individual. As such, it could be a good predictor of life satisfaction. For psychologists, it would be useful to measure both how much of this strength an individual has and how it can be measurably increased.


title: Joke

text: A 2007 survey of existing tools to measure humour identified more than 60 psychological measurement instruments. These measurement tools use many different approaches to quantify humour along with its related states and traits. There are tools to measure an individual's physical response by their smile; the Facial Action Coding System (FACS) is one of several tools used to identify any one of multiple types of smiles. Or the laugh can be measured to calculate the funniness response of an individual; multiple types of laughter have been identified. It must be stressed here that both smiles and laughter are not always a response to something funny. In trying to develop a measurement tool, most systems use "jokes and cartoons" as their test materials. However, because no two tools use the same jokes, and across languages this would not be feasible, how does one determine that the assessment objects are comparable? Moving on, whom does one ask to rate the sense of humour of an individual? Does one ask the person themselves, an impartial observer, or their family, friends and colleagues? Furthermore, has the current mood of the test subjects been considered; someone with a recent death in the family might not be much prone to laughter. Given the plethora of variants revealed by even a superficial glance at the problem, it becomes evident that these paths of scientific inquiry are mined with problematic pitfalls and questionable solutions.


title: Joke

text: The psychologist has been very active in the research of humour. He has collaborated with the linguists Raskin and Attardo on their General Theory of Verbal Humour (GTVH) classification system. Their goal is to empirically test both the six autonomous classification types (KRs) and the hierarchical ordering of these KRs. Advancement in this direction would be a win-win for both fields of study; linguistics would have empirical verification of this multi-dimensional classification system for jokes, and psychology would have a standardised joke classification with which they could develop verifiably comparable measurement tools.


title: Joke

text: "The linguistics of humor has made gigantic strides forward in the last decade and a half and replaced the psychology of humor as the most advanced theoretical approach to the study of this important and universal human faculty." This recent statement by one noted linguist and humour researcher describes, from his perspective, contemporary linguistic humour research. Linguists study words, how words are strung together to build sentences, how sentences create meaning which can be communicated from one individual to another, and how our interaction with each other using words creates discourse. Jokes have been defined above as oral narratives in which words and sentences are engineered to build toward a punchline. The linguist's question is: what exactly makes the punchline funny? This question focuses on how the words used in the punchline create humour, in contrast to the psychologist's concern (see above) with the audience's response to the punchline. The assessment of humour by psychologists "is made from the individual's perspective; e.g. the phenomenon associated with responding to or creating humor and not a description of humor itself." Linguistics, on the other hand, endeavours to provide a precise description of what makes a text funny.


title: Joke

text: Two major new linguistic theories have been developed and tested within the last decades. The first was advanced by Victor Raskin in "Semantic Mechanisms of Humor", published 1985. While being a variant on the more general concepts of the incongruity theory of humour, it is the first theory to identify its approach as exclusively linguistic. The Script-based Semantic Theory of Humour (SSTH) begins by identifying two linguistic conditions which make a text funny. It then goes on to identify the mechanisms involved in creating the punchline. This theory established the semantic/pragmatic foundation of humour as well as the humour competence of speakers.


title: Joke

text: Several years later the SSTH was incorporated into a more expansive theory of jokes put forth by Raskin and his colleague Salvatore Attardo. In the General Theory of Verbal Humour, the SSTH was relabelled as a Logical Mechanism (LM) (referring to the mechanism which connects the different linguistic scripts in the joke) and added to five other independent Knowledge Resources (KR). Together these six KRs could now function as a multi-dimensional descriptive label for any piece of humorous text.


title: Joke

text: Linguistics has developed further methodological tools which can be applied to jokes: discourse analysis and conversation analysis of joking. Both of these subspecialties within the field focus on "naturally occurring" language use, i.e. the analysis of real (usually recorded) conversations. One of these studies has already been discussed above, where Harvey Sacks describes in detail the sequential organisation in telling a single joke. Discourse analysis emphasises the entire context of social joking, the social interaction which cradles the words.


title: Joke

text: Folklore and cultural anthropology have perhaps the strongest claims on jokes as belonging to their bailiwick. Jokes remain one of the few remaining forms of traditional folk literature transmitted orally in western cultures. Identified as one of the "simple forms" of oral literature by André Jolles in 1930, they have been collected and studied since there were folklorists and anthropologists abroad in the lands. As a genre they were important enough at the beginning of the 20th century to be included under their own heading in the Aarne–Thompson index first published in 1910: Anecdotes and jokes.


title: Joke

text: Beginning in the 1960s, cultural researchers began to expand their role from collectors and archivists of "folk ideas" to a more active role of interpreters of cultural artefacts. One of the foremost scholars active during this transitional time was the folklorist Alan Dundes. He started asking questions of tradition and transmission with the key observation that "No piece of folklore continues to be transmitted unless it means something, even if neither the speaker nor the audience can articulate what that meaning might be." In the context of jokes, this then becomes the basis for further research. Why is the joke told right now? Only in this expanded perspective is an understanding of its meaning to the participants possible.


title: Joke

text: This questioning resulted in a blossoming of monographs to explore the significance of many joke cycles. What is so funny about absurd nonsense elephant jokes? Why make light of dead babies? In an article on contemporary German jokes about Auschwitz and the Holocaust, Dundes justifies this research: "Whether one finds Auschwitz jokes funny or not is not an issue. This material exists and should be recorded. Jokes are always an important barometer of the attitudes of a group. The jokes exist and they obviously must fill some psychic need for those individuals who tell them and those who listen to them." A stimulating generation of new humour theories flourishes like mushrooms in the undergrowth: Elliott Oring's theoretical discussions on "appropriate ambiguity" and Amy Carrell's hypothesis of an "audience-based theory of verbal humor (1993)" to name just a few.


title: Joke

text: In his book "Humor and Laughter: An Anthropological Approach", the anthropologist Mahadev Apte presents a solid case for his own academic perspective. "Two axioms underlie my discussion, namely, that humor is by and large culture based and that humor can be a major conceptual and methodological tool for gaining insights into cultural systems." Apte goes on to call for legitimising the field of humour research as "humorology"; this would be a field of study incorporating an interdisciplinary character of humour studies.


title: Joke

text: While the label "humorology" has yet to become a household word, great strides are being made in the international recognition of this interdisciplinary field of research. The International Society for Humor Studies was founded in 1989 with the stated purpose to "promote, stimulate and encourage the interdisciplinary study of humour; to support and cooperate with local, national, and international organizations having similar purposes; to organize and arrange meetings; and to issue and encourage publications concerning the purpose of the society". It also publishes "" and holds yearly conferences to promote and inform its speciality.


title: Joke

text: In 1872, Charles Darwin published one of the first "comprehensive and in many ways remarkably accurate description of laughter in terms of respiration, vocalization, facial action and gesture and posture" (Laughter). In this early study Darwin raises further questions about who laughs and why they laugh; the myriad responses since then illustrate the complexities of this behaviour. To understand laughter in humans and other primates, the science of gelotology (from the Greek "", meaning laughter) has been established; it is the study of laughter and its effects on the body from both a psychological and physiological perspective. While jokes can provoke laughter, laughter cannot be used as a one-to-one marker of jokes because there are multiple stimuli to laughter, humour being just one of them. The other six causes of laughter listed are social context, ignorance, anxiety, derision, acting apology, and tickling. As such, the study of laughter is a secondary albeit entertaining perspective in an understanding of jokes.


title: Joke

text: Computational humour is a new field of study which uses computers to model humour; it bridges the disciplines of computational linguistics and artificial intelligence. A primary ambition of this field is to develop computer programs which can both generate a joke and recognise a text snippet as a joke. Early programming attempts have dealt almost exclusively with punning because this lends itself to simple straightforward rules. These primitive programs display no intelligence; instead, they work off a template with a finite set of pre-defined punning options upon which to build.


title: Joke

text: More sophisticated computer joke programs have yet to be developed. Based on our understanding of the SSTH / GTVH humour theories, it is easy to see why. The linguistic scripts (a.k.a. frames) referenced in these theories include, for any given word, a "large chunk of semantic information surrounding the word and evoked by it [...] a cognitive structure internalized by the native speaker". These scripts extend much further than the lexical definition of a word; they contain the speaker's complete knowledge of the concept as it exists in his world. As insentient machines, computers lack the encyclopaedic scripts which humans gain through life experience. They also lack the ability to gather the experiences needed to build wide-ranging semantic scripts and understand language in a broader context, a context that any child picks up in daily interaction with his environment.


title: Joke

text: Further development in this field must wait until computational linguists have succeeded in programming a computer with an ontological semantic natural language processing system. It is only "the most complex linguistic structures [which] can serve any formal and/or computational treatment of humor well". Toy systems (i.e. dummy punning programs) are completely inadequate to the task. Despite the fact that the field of computational humour is small and underdeveloped, it is encouraging to note the many interdisciplinary efforts which are currently underway. As this field grows in both understanding and methodology, it provides an ideal testbed for humour theories; the rules must firstly be clearly defined in order to write a computer program around a theory.


title: Wien's displacement law

text: Wien's displacement law states that the black-body radiation curve for different temperatures will peak at different wavelengths that are inversely proportional to the temperature. The shift of that peak is a direct consequence of the Planck radiation law, which describes the spectral brightness or intensity of black-body radiation as a function of wavelength at any given temperature. However, it had been discovered by Wilhelm Wien several years before Max Planck developed that more general equation, and describes the entire shift of the spectrum of black-body radiation toward shorter wavelengths as temperature increases.


title: Wien's displacement law

text: Formally, Wien's displacement law states that the spectral radiance of black-body radiation per unit wavelength, peaks at the wavelength "λ" given by:


title: Wien's displacement law

text: where "T" is the absolute temperature. "b" is a constant of proportionality called "Wien's displacement constant", equal to or . This is an inverse relationship between wavelength and temperature. So the higher the temperature, the shorter or smaller the wavelength of the thermal radiation. The lower the temperature, the longer or larger the wavelength of the thermal radiation. For visible radiation, hot objects emit bluer light than cool objects. If one is considering the peak of black body emission per unit frequency or per proportional bandwidth, one must use a different proportionality constant. However, the form of the law remains the same: the peak wavelength is inversely proportional to temperature, and the peak frequency is directly proportional to temperature.


title: Wien's displacement law

text: Wien's displacement law may be referred to as "Wien's law", a term which is also used for the Wien approximation.


title: Wien's displacement law

text: The law is named for Wilhelm Wien, who derived it in 1893 based on a thermodynamic argument. Wien considered adiabatic expansion of a cavity containing waves of light in thermal equilibrium. Using Doppler's principle, he showed that, under slow expansion or contraction, the energy of light reflecting off the walls changes in exactly the same way as the frequency. A general principle of thermodynamics is that a thermal equilibrium state, when expanded very slowly, stays in thermal equilibrium.


title: Wien's displacement law

text: Wien himself deduced this law theoretically in 1893, following Boltzmann’s thermodynamic reasoning. It had previously been observed, at least semi-quantitatively, by an American astronomer, Langley. This upward shift in formula_2 with T is familiar to everyone—when an iron is heated in a fire, the first visible radiation (at around 900 K) is deep red, the lowest frequency visible light. Further increase in T causes the color to change to orange then yellow, and finally blue at very high temperatures (10,000 K or more) for which the peak in radiation intensity has moved beyond the visible into the ultraviolet.


title: Wien's displacement law

text: The adiabatic principle allowed Wien to conclude that for each mode, the adiabatic invariant energy/frequency is only a function of the other adiabatic invariant, the frequency/temperature. From this, he derived the "strong version" of Wien's displacement law: the statement that the blackbody spectral radiance is proportional to formula_3 for some function "F" of a single variable. A modern variant of Wien's derivation can be found in the textbook by Wannier and in a paper by E. Buckingham


title: Wien's displacement law

text: The consequence is that the shape of the black-body radiation function (which was not yet understood) would shift proportionally in frequency (or inversely proportionally in wavelength) with temperature. When Max Planck later formulated the correct black-body radiation function it did not explicitly include Wien's constant "b". Rather, the Planck constant "h" was created and introduced into his new formula. From the Planck constant "h" and the Boltzmann constant "k", Wien's constant "b" can be obtained.


title: Wien's displacement law

text: For spectral flux considered per unit frequency formula_4 (in hertz), Wien's displacement law describes a peak emission at the optical frequency formula_5 given by:


title: Wien's displacement law

text: where is a constant resulting from the maximization equation, "k" is the Boltzmann constant, "h" is the Planck constant, and "T" is the temperature (in kelvins). With the emission now considered per unit frequency, this peak now corresponds to a wavelength about 76% longer than the peak considered per unit wavelength. The relevant math is detailed in the next section.


title: Wien's displacement law

text: Planck's law for the spectrum of black body radiation predicts the Wien displacement law and may be used to numerically evaluate the constant relating temperature and the peak parameter value for any particular parameterization. Commonly a wavelength parameterization is used and in that case the black body spectral radiance (power per emitting area per solid angle) is:


title: Wien's displacement law

text: where formula_15 is the principal branch of the Lambert "W" function, and gives . Solving for the wavelength "λ" in millimetres, and using kelvins for the temperature yields:


title: Wien's displacement law

text: Another common parameterization is by "frequency". The derivation yielding peak parameter value is similar, but starts with the form of Planck's law as a function of frequency "ν":


title: Wien's displacement law

text: Notice that for a given temperature, parameterization by frequency implies a different maximal wavelength than parameterization by wavelength.


title: Wien's displacement law

text: For example, using and parameterization by wavelength, the wavelength for maximal spectral radiance is with corresponding frequency . For the same temperature, but parameterizing by frequency, the frequency for maximal spectral radiance is with corresponding wavelength .


title: Wien's displacement law

text: These functions are radiance "density" functions, which are probability "density" functions scaled to give units of radiance. The density function has different shapes for different parameterizations, depending on relative stretching or compression of the abscissa, which measures the change in probability density relative to a linear change in a given parameter. Since wavelength and frequency have a reciprocal relation, they represent significantly non-linear shifts in probability density relative to one another.


title: Wien's displacement law

text: The total radiance is the integral of the distribution over all positive values, and that is invariant for a given temperature under "any" parameterization. Additionally, for a given temperature the radiance consisting of all photons between two wavelengths must be the same regardless of which distribution you use. That is to say, integrating the wavelength distribution from "λ" to "λ" will result in the same value as integrating the frequency distribution between the two frequencies that correspond to "λ" and λ, namely from "c"/"λ" to "c"/"λ". However, the distribution "shape" depends on the parameterization, and for a different parameterization the distribution will typically have a different peak density, as these calculations demonstrate.


title: Wien's displacement law

text: Using the implicit equation formula_20 yields the peak in the spectral radiance density function expressed in the parameter radiance "per proportional bandwidth". (That is, the density of irradiance per frequency bandwidth proportional to the frequency itself, which can be calculated by considering infinitesimal intervals of (or equivalently ) rather of frequency itself.) This is perhaps a more intuitive way of presenting "wavelength of peak emission". That yields .


title: Wien's displacement law

text: The important point of Wien's law, however, is that "any" such wavelength marker, including the median wavelength (or, alternatively, the wavelength below which "any" specified percentage of the emission occurs) is proportional to the reciprocal of temperature. That is, the shape of the distribution for a given parameterization scales with and translates according to temperature, and can be calculated once for a canonical temperature, then appropriately shifted and scaled to obtain the distribution for another temperature. This is a consequence of the strong statement of Wien's law.


title: New Model Army

text: The New Model Army was a standing army formed in 1645 by the Parliamentarians during the First English Civil War, then disbanded after the Stuart Restoration in 1660. It differed from other armies employed in the 1639 to 1653 Wars of the Three Kingdoms in that members were liable for service anywhere in the country, rather than being limited to a single area or garrison. To establish a professional officer corps, the army's leaders were prohibited from having seats in either the House of Lords or House of Commons. This was to encourage their separation from the political or religious factions among the Parliamentarians.


title: New Model Army

text: The New Model Army was raised partly from among veteran soldiers who already had deeply held Puritan religious beliefs, and partly from conscripts who brought with them many commonly held beliefs about religion or society. Many of its common soldiers therefore held dissenting or radical views unique among English armies. Although the Army's senior officers did not share many of their soldiers' political opinions, their independence from Parliament led to the Army's willingness to contribute to both Parliament's authority and to overthrow the Crown, and to establish a Commonwealth of England from 1649 to 1660, which included a period of direct military rule. Ultimately, the Army's generals (particularly Oliver Cromwell) could rely on both the Army's internal discipline and its religious zeal and innate support for the "Good Old Cause" to maintain an essentially dictatorial rule.


title: New Model Army

text: The forces raised in 1642 by both Royalists and Parliamentarians were based on part-time militia known as Trained bands. Founded in 1572, these were organised by county, controlled by Lord-lieutenants appointed by the king, and constituted the only permanent military force in the country. The muster roll of February 1638 shows wide variations in size, equipment and training; the largest and best trained were based in London with 8,000, later increased to 20,000. When the First English Civil War began in August 1642, many of the largest militia were based in Parliamentarian areas like London, while Royalist counties like Shropshire or Glamorgan had fewer than 500 men.


title: New Model Army

text: The weakness of this system was the reluctance of locally-raised troops to serve outside their "home" areas, a problem for both sides during the war. On 19 November 1644, the Parliamentarian Eastern Association announced that they could no longer meet the cost of maintaining their forces, which then comprised about half the field force available to Parliament. In response, the Committee of Both Kingdoms conducted a wide-ranging review of further military needs and recommended the establishment of a centralised, professional force. On 17 February 1645, the New Model Army Ordinance became law, with Fairfax being appointed Captain General, or commander in chief, and Philip Skippon being appointed Major General of the Foot.


title: New Model Army

text: The review coincided with increasing dissatisfaction as to the conduct of certain senior commanders; in July 1644, a Parliamentarian force under Sir Thomas Fairfax and Oliver Cromwell secured control of Northern England by victory at Marston Moor. However, this was offset first by defeat at Lostwithiel in September, then lack of decisiveness at the Second Battle of Newbury in October. The two commanders involved, Essex and Manchester, were accused by many in Parliament of lacking commitment, a group that included moderates like Sir William Waller as well as radicals like Cromwell.


title: New Model Army

text: In December 1644, Sir Henry Vane introduced the Self-denying Ordinance, requiring those holding military commissions to resign from Parliament. As members of the House of Lords, Manchester and Essex were automatically removed, since unlike MPs they could not resign their titles, although they could be re-appointed, 'if Parliament approved.' Although delayed by the Lords, the Ordinance came into force on 3 April 1645. Since Cromwell was MP for Cambridge, command of the cavalry was initially given to Colonel Bartholomew Vermuyden, a former officer in the Eastern Association who was of Dutch origin and wanted to return home. Fairfax asked that Cromwell be appointed Lieutenant General of the Horse in place of Vermuyden, making him one of two original exceptions to the Self-denying Ordinance, the other being Sir William Brereton, commander in Cheshire. They were allowed to serve under a series of three-month temporary commissions that were continually extended.


title: New Model Army

text: Other Parliamentarian forces were consolidated into two regional armies, the "Northern Association" under Sydenham Poyntz and "Western Association" under Edward Massey. Their focus was to secure these areas and reduce any remaining Royalist garrisons, as well as providing local support for offensives conducted by the New Model; some of their regiments were later incorporated into the Army during and after the Second English Civil War.