title: 1968 Olympics Black Power salute

text: On the morning of October 16, 1968, US athlete Tommie Smith won the 200 meter race with a world-record time of 19.83 seconds. Australia's Peter Norman finished second with a time of 20.06 seconds, and the US's John Carlos finished in third place with a time of 20.10 seconds. After the race was completed, the three went to the podium for their medals to be presented by David Cecil, 6th Marquess of Exeter. The two US athletes received their medals shoeless, but wearing black socks, to represent black poverty. Smith wore a black scarf around his neck to represent black pride, Carlos had his tracksuit top unzipped to show solidarity with all blue-collar workers in the US and wore a necklace of beads which he described "were for those individuals that were lynched, or killed and that no-one said a prayer for, that were hung and tarred. It was for those thrown off the side of the boats in the Middle Passage." All three athletes wore Olympic Project for Human Rights (OPHR) badges after Norman, a critic of Australia's former White Australia Policy, expressed empathy with their ideals. Sociologist Harry Edwards, the founder of the OPHR, had urged black athletes to boycott the games; reportedly, the actions of Smith and Carlos on October 16, 1968, were inspired by Edwards' arguments.


title: 1968 Olympics Black Power salute

text: Both US athletes intended to bring black gloves to the event, but Carlos forgot his, leaving them in the Olympic Village. It was Peter Norman who suggested Carlos wear Smith's left-handed glove. For this reason, Carlos raised his left hand as opposed to his right, differing from the traditional Black Power salute. When "The Star-Spangled Banner" played, Smith and Carlos delivered the salute with heads bowed, a gesture which became front-page news around the world. As they left the podium they were booed by the crowd. Smith later said, "If I win, I am American, not a black American. But if I did something bad, then they would say I am a Negro. We are black and we are proud of being black. Black America will understand what we did tonight."


title: 1968 Olympics Black Power salute

text: Tommie Smith stated in later years that "We were concerned about the lack of black assistant coaches. About how Muhammad Ali got stripped of his title. About the lack of access to good housing and our kids not being able to attend the top colleges."


title: 1968 Olympics Black Power salute

text: International Olympic Committee (IOC) president Avery Brundage, himself an American, deemed it to be a domestic political statement unfit for the apolitical, international forum the Olympic Games were intended to be. In response to their actions, he ordered Smith and Carlos suspended from the US team and banned from the Olympic Village. When the US Olympic Committee refused, Brundage threatened to ban the entire US track team. This threat led to the expulsion of the two athletes from the Games. However, contrary to a common misconception, the IOC did not force Smith and Carlos to return their medals.


title: 1968 Olympics Black Power salute

text: A spokesman for the IOC said Smith and Carlos's actions were "a deliberate and violent breach of the fundamental principles of the Olympic spirit." Brundage, who was president of the United States Olympic Committee in 1936, had made no objections against Nazi salutes during the Berlin Olympics. He argued that the Nazi salute, being a national salute at the time, was acceptable in a competition of nations, while the athletes' salute was not of a nation and therefore unacceptable.


title: 1968 Olympics Black Power salute

text: Brundage had been accused of being one of the United States' most prominent Nazi sympathisers even after the outbreak of the Second World War, and his removal as president of the IOC had been one of the three stated objectives of the Olympic Project for Human Rights.


title: 1968 Olympics Black Power salute

text: In 2013, the official IOC website stated that "Over and above winning medals, the black American athletes made names for themselves by an act of racial protest."


title: 1968 Olympics Black Power salute

text: Smith and Carlos were largely ostracized by the US sporting establishment and they were subject to criticism. "Time" magazine on October 25, 1968, wrote: "'Faster, Higher, Stronger' is the motto of the Olympic Games. 'Angrier, nastier, uglier' better describes the scene in Mexico City last week." Back home, both Smith and Carlos were subject to abuse and they and their families received death threats. Brent Musburger, a writer for the "Chicago American" before rising to prominence at CBS Sports and ESPN, described Smith and Carlos as "a couple of black-skinned storm troopers" who were "ignoble," "juvenile," and "unimaginative."


title: 1968 Olympics Black Power salute

text: Smith continued in athletics, playing in the NFL with the Cincinnati Bengals before becoming an assistant professor of physical education at Oberlin College. In 1995, he helped coach the US team at the World Indoor Championships at Barcelona. In 1999, he was awarded the California Black Sportsman of the Millennium Award. He is now a public speaker.


title: 1968 Olympics Black Power salute

text: Carlos' career followed a similar path. He tied the 100 yard dash world record the following year. Carlos also tried professional football, was a 15th-round selection in the 1970 NFL Draft, but a knee injury curtailed his tryout with the Philadelphia Eagles. He then went on to the Canadian Football League where he played one season for the Montreal Alouettes. He fell upon hard times in the late 1970s. In 1977, his ex-wife died by suicide, leading him to a period of depression. In 1982, Carlos worked with the Organizing Committee for the 1984 Summer Olympics in Los Angeles. In 1985, he became a track and field coach at Palm Springs High School. As of 2012, Carlos works as a counselor at the school.


title: 1968 Olympics Black Power salute

text: Smith and Carlos received an Arthur Ashe Courage Award at the 2008 ESPY Awards honoring their action.


title: 1968 Olympics Black Power salute

text: Silver-medalist Norman, who was sympathetic to his competitors' protest, was reprimanded by his country's Olympic authorities, and was criticized and ostracized by conservatives in the Australian media. He was not sent to the 1972 games, despite several times making the qualifying time, though opinions differ over whether that was due to the 1968 protest. When Sydney hosted the 2000 Summer Olympics, he was not invited to take part in the celebrations in Sydney, although he played a part in announcing Australian Olympic Teams in his role as a sports administrator in Melbourne. The United States invited him to Sydney to take part in Olympic celebrations when they heard that his own country had failed to do so.


title: 1968 Olympics Black Power salute

text: In 2012, the Australian House of Representatives formally passed an apology to Norman, with MP Andrew Leigh telling Parliament that Norman's gesture "was a moment of heroism and humility that advanced international awareness of racial inequality." In 2018, the Australian Olympic Committee awarded Norman posthumously the AOC Order of Merit for his involvement of the protest, with AOC President John Coates stating "we've been negligent in not recognising the role he played back then."


title: 1968 Olympics Black Power salute

text: Wayne Collett and Vincent Matthews were banned from the Olympics after they staged a similar protest at the 1972 games in Munich.


title: 1968 Olympics Black Power salute

text: The 2008 Sydney Film Festival featured a documentary about the protest entitled "Salute". The film was written, directed, and produced by Matt Norman, a nephew of Peter Norman.


title: 1968 Olympics Black Power salute

text: On July 9, 2008, BBC Four broadcast a documentary, "Black Power Salute", by Geoff Small, about the protest. In an article, Small noted that the athletes of the British team attending the 2008 Olympics in Beijing had been asked to sign gagging clauses which would have restricted their right to make political statements but that they had refused.


title: 1968 Olympics Black Power salute

text: In a 2011 speech to the University of Guelph, Akaash Maharaj, a member of the Canadian Olympic Committee and head of Canada's Olympic equestrian team, said, "In that moment, Tommie Smith, Peter Norman, and John Carlos became the living embodiments of Olympic idealism. Ever since, they have been inspirations to generations of athletes like myself, who can only aspire to their example of putting principle before personal interest. It was their misfortune to be far greater human beings than the leaders of the IOC of the day."


title: 1968 Olympics Black Power salute

text: Since 2016, the National Museum of African American History and Culture in Washington, DC, also features a statue to honor the athletes' tribute.


title: 1968 Olympics Black Power salute

text: In 2005, San Jose State University honored former students Smith and Carlos with a statue of their protest titled "Victory Salute", created by artist Rigo 23. A student, Erik Grotz, initiated the project; "One of my professors was talking about unsung heroes and he mentioned Tommie Smith and John Carlos. He said these men had done a courageous thing to advance civil rights, and, yet, they had never been honored by their own school." The statues are located in a central part of the campus at , next to Robert D. Clark Hall and Tower Hall.


title: 1968 Olympics Black Power salute

text: Those who come to view the statue are allowed to participate by standing on the monument. Peter Norman is not included in the monument so viewers can be in his place; there is a plaque in the empty spot inviting those to "Take a Stand." Norman requested that his space was left empty so visitors could stand in his place and feel what he felt.


title: 1968 Olympics Black Power salute

text: The bronze figures are shoeless but there are two shoes included at the base of the monument. The right shoe, a bronze, blue Puma, is next to Carlos; while the left shoe is placed behind Smith. The signature of the artist is on the back of Smith's shoe, and the year 2005 is on Carlos's shoe.


title: 1968 Olympics Black Power salute

text: The faces of the statues are realistic and emotional. "The statue is made of fiberglass stretched over steel supports with an exoskeleton of ceramic tiles." Rigo 23 used 3D scanning technology and computer-assisted virtual imaging to take full-body scans of the men. Their track pants and jackets are a mosaic of dark blue ceramic tiles while the stripes of the track suits are detailed in red and white.


title: 1968 Olympics Black Power salute

text: In January 2007, History San Jose opened a new exhibit called "Speed City: From Civil Rights to Black Power", covering the San Jose State athletic program "from which many student athletes became globally recognized figures as the Civil Rights and Black Power movements reshaped American society."


title: 1968 Olympics Black Power salute

text: On October 9, 2019 - known locally as Peter Norman Day - a bronze statue of Norman was unveiled in Melbourne, Norman's hometown. This statue, created by Louis Laumen stands at the side of Lakeside Stadium.


title: 1968 Olympics Black Power salute

text: In Australia, an airbrush mural of the trio on the podium was painted in 2000 in the inner-city suburb of Newtown in Sydney. Silvio Offria, who allowed the mural to be painted on his house in Leamington Lane by an artist known only as "Donald", said that Norman, a short time before he died in 2006, came to see the mural. "He came and had his photo taken; he was very happy," he said. The monochrome tribute, captioned "", was under threat of demolition in 2010 to make way for a rail tunnel but is now listed as an item of heritage significance.


title: 1968 Olympics Black Power salute

text: In the historically African-American neighborhood of West Oakland, California, there was a large mural depicting Smith and Carlos on the corner of 12th Street and Mandela Parkway.


title: 1968 Olympics Black Power salute

text: Above the life-sized depictions read "Born with insight, raised with a fist" (Rage Against the Machine lyrics); previously it read "It only takes a pair of gloves". In early February 2015, the mural was razed.


title: 1968 Olympics Black Power salute

text: The private lot was once a gas station, and the mural was on the outside wall of an abandoned building or shed. The owner wanted to pay respect to the men and the moment but also wanted a mural to prevent tagging. The state was monitoring water contamination levels at this site; the testing became within normal levels "so the state ordered the removal of the tanks, testing equipment, and demolition of the shed."


title: Lindy Booth

text: Lindy Booth (born April 2, 1979) is a Canadian actress. She played Riley Grant on the Disney Channel series "The Famous Jett Jackson" (and Agent Hawk in the show-within-a-show "Silverstone") and Claudia on "Relic Hunter" and A.J. Butterfield on the NBC series "The Philanthropist". She then played Cassandra Cillian on the TNT series "The Librarians" (2014–2018).


title: Lindy Booth

text: In 2001, Booth starred in the Canadian ensemble drama "Century Hotel", and in 2002 she co-starred in the Canadian comedy film "Rub & Tug". Booth starred as Dodger Allen in the 2005 movie "Cry Wolf", appeared in the 2004 remake "Dawn of the Dead" as Nicole, and had a role in "Wrong Turn" with Eliza Dushku. In 2008, Booth starred in the thriller film "Behind the Wall" (originally titled "The Wall").


title: Lindy Booth

text: Booth starred in a number of television series earlier in her career. She contemporaneously played Riley Grant on the Disney Channel series "The Famous Jett Jackson" (and Agent Hawk in the show-within-a-show "Silverstone") and its follow-up television movie "", and Claudia on the syndicated television series "Relic Hunter", from 1999–2001. She portrayed Lana Turner in the television film "" (2001).


title: Lindy Booth

text: Her other television credits include guest starring as different characters in two 2002 episodes of the A&E Network series "A Nero Wolfe Mystery" ("Before I Die" and "Poison à la Carte"), and a recurring role in season two of the USA Network series "The 4400". She guest starred on such television shows as "" and "Ghost Whisperer". She played Stephanie Goodison in the second episode of the Syfy television series "Warehouse 13".


title: Lindy Booth

text: Originally cast in a recurring role, Booth was later promoted to a main role on the 2007–08 ABC drama, "October Road", for the show's second season. In 2009, she played A.J. Butterfield on the short-lived NBC series "The Philanthropist".


title: Lindy Booth

text: In 2013, Booth had a short recurring stint on the BBC America drama "Copper". In 2014, Booth was cast in a starring role on the television series "The Librarians", which aired on TNT.


title: Yellow Peril

text: The Yellow Peril (also the Yellow Terror and the Yellow Specter) is a racial color metaphor that depicts the peoples of East and Southeast Asia as an existential danger to the Western world. As a psychocultural menace from the Eastern world, fear of the Yellow Peril is racial, not national, fear derived not from concern with a specific source of danger from any one people or country, but from a vaguely ominous, existential fear of the faceless, nameless hordes of yellow people. As a form of xenophobia, Yellow Terror is the fear of the Oriental, nonwhite Other; and a racialist fantasy presented in the book "The Rising Tide of Color Against White World-Supremacy" (1920) by Lothrop Stoddard.


title: Yellow Peril

text: The racist ideology of the Yellow Peril derives from a "core imagery of apes, lesser men, primitives, children, madmen, and beings who possessed special powers", which developed during the 19th century as Western imperialist expansion adduced East Asians as the Yellow Peril. In the late 19th century, the Russian sociologist Jacques Novikow coined the term in the essay "Le Péril Jaune" ("The Yellow Peril", 1897), which Kaiser Wilhelm II (r. 1888–1918) used to encourage the European empires to invade, conquer, and colonize China. To that end, using the Yellow Peril ideology, the Kaiser portrayed the Japanese and the Asian victory against the Russians in the Russo-Japanese War (1904–1905) as an Asian racial threat to white Western Europe, and also exposes China and Japan as in alliance to conquer, subjugate, and enslave the Western world.


title: Yellow Peril

text: The sinologist Wing-Fai Leung explained the origins of the term and the racialist ideology: "The phrase "yellow peril" (sometimes "yellow terror" or "yellow specter")... blends Western anxieties about sex, racist fears of the alien Other, and the Spenglerian belief that the West will become outnumbered and enslaved by the East." The academic Gina Marchetti identified the psycho-cultural fear of East Asians as "rooted in medieval fears of Genghis Khan and the Mongol invasions of Europe [1236–1291], the Yellow Peril combines racist terror of alien cultures, sexual anxieties, and the belief that the West will be overpowered and enveloped, by the irresistible, dark, occult forces of the East"; hence, to oppose Japanese imperial militarism, the West expanded the Yellow Peril ideology to include the Japanese people. Moreover, in the late-19th and early-20th centuries, writers developed the Yellow Peril "literary topos" into codified, racialist motifs of narration, especially in stories and novels of ethnic conflict in the genres of invasion literature, adventure fiction, and science fiction.


title: Yellow Peril

text: The racist and cultural stereotypes of the Yellow Peril originated in the late 19th century, when Chinese workers (people of different skin-color and physiognomy, language and culture) legally immigrated to Australia, Canada, the U.S., and New Zealand, where their work ethic inadvertently provoked a racist backlash against Chinese communities, for agreeing to work for lower wages than did the local white populations. In 1870, the French Orientalist and historian Ernest Renan warned Europeans of Eastern danger to the Western world; yet Renan had meant the Russian Empire (1721–1917), a country and nation whom the West perceived as more Asiatic than European.


title: Yellow Peril

text: Since 1870, the Yellow Peril ideology gave concrete form to the anti-East Asian racism of Europe and North America. In central Europe, the Orientalist and diplomat Max von Brandt advised Kaiser Wilhelm II that Imperial Germany had colonial interests to pursue in China. Hence, the Kaiser used the phrase "die Gelbe Gefahr" (The Yellow Peril) to specifically encourage Imperial German interests and justify European colonialism in China.


title: Yellow Peril

text: In 1895, Germany, France, and Russia staged the Triple Intervention to the Treaty of Shimonoseki (17 April 1895), which concluded the First Sino-Japanese War (1894–1895), in order to compel Imperial Japan to surrender their Chinese colonies to the Europeans; that geopolitical gambit became an underlying "casus belli" of the Russo-Japanese War (1904–05). The Kaiser justified the Triple Intervention to the Japanese empire with racialist calls-to-arms against nonexistent geopolitical dangers of the yellow race against the white race of Western Europe.


title: Yellow Peril

text: To justify European cultural hegemony, the Kaiser used the allegorical lithograph "Peoples of Europe, Guard Your Most Sacred Possessions" (1895), by Hermann Knackfuss, to communicate his geopolitics to other European monarchs. The lithograph depicts Germany as the leader of Europe, personified as a "prehistoric warrior-goddesses being led by the Archangel Michael against the 'yellow peril' from the East", which is represented by "dark cloud of smoke [upon] which rests an eerily calm Buddha, wreathed in flame". Politically, the Knackfuss lithograph allowed Kaiser Wilhelm II to believe he prophesied the imminent race war that would decide global hegemony in the 20th century.


title: Yellow Peril

text: In the late 19th century, with the Treaty of Saint Petersburg, the Qing dynasty (1644–1912) China recovered the eastern portion of the Ili River basin (Zhetysu), which Russia had occupied for a decade, since the Dungan Revolt. In that time, the mass communications media of the West misrepresented China as an ascendant military power, and applied Yellow Peril ideology to evoke racist fears that China would conquer Western colonies, such as Australia.


title: Yellow Peril

text: Imperial Russian writers, notably symbolists, expressed fears of a "second Tatar yoke" or a "Mongolian wave" following the lines of "Yellow Peril". Vladimir Solovyov combined Japan and China into supposed "Pan-Mongolians" who would conquer Russia and Europe. A similar idea and fear was expressed by Dmitry Merezhkovskii in "Zheltolitsye pozitivisty" ("Yellow-Faced Positivists") in 1895 and "Griadushchii Kham" ("The Coming Boor") in 1906.


title: Yellow Peril

text: The works of explorer Vladimir K. Arsenev also illustrated the ideology of Yellow Peril in Tsarist Russia. The fear continued into the Soviet era where it contributed to the Soviet internal deportation of Koreans. In a 1928 report to the Dalkrai Bureau, Arsenev stated "Our colonization is a type of weak wedge on the edge of the primordial land of the yellow peoples." In the earlier 1914 monograph "The Chinese in the Ussuri Region", Arsenev characterized people of three East Asian nationalities (Koreans, Chinese, and Japanese) as a singular 'yellow peril', criticizing immigration to Russia and presenting the Ussuri region as a buffer against "onslaught".


title: Yellow Peril

text: The Chinese head tax was a fixed fee charged to each Chinese person entering Canada. The head tax was first levied after the Canadian parliament passed the "Chinese Immigration Act of 1885" and was meant to discourage Chinese people from entering Canada after the completion of the Canadian Pacific Railway (CPR). The tax was abolished by the "Chinese Immigration Act of 1923", which outright prevented all Chinese immigration except for that of business people, clergy, educators, students, and some others.


title: Yellow Peril

text: In 1854, as editor of the "New-York Tribune", Horace Greeley published "Chinese Immigration to California" an editorial opinion supporting the popular demand for the exclusion of Chinese workers and people from California. Without using the term "yellow peril," Greeley compared the arriving coolies to the African slaves who survived the Middle Passage. He praised the few Christians among the arriving Chinese and continued:


title: Yellow Peril

text: In 1870s California, despite the Burlingame Treaty (1868) allowing legal migration of unskilled laborers from China, the native white working-class demanded that the U.S. government cease the immigration of "filthy yellow hordes" of Chinese people who took jobs from native-born white-Americans, especially during an economic depression.


title: Yellow Peril

text: In Los Angeles, Yellow Peril racism provoked the Chinese massacre of 1871, wherein 500 white men lynched 20 Chinese men in the Chinatown ghetto. Throughout the 1870s and 1880s, the leader of the Workingmen's Party of California, the demagogue Denis Kearney, successfully applied Yellow Peril ideology to his politics against the press, capitalists, politicians, and Chinese workers, and concluded his speeches with the epilogue: "and whatever happens, the Chinese must go!" The Chinese people also were specifically subjected to moralistic panics about their use of opium, and how their use made opium popular among white people. As in the case of Irish-Catholic immigrants, the popular press misrepresented Asian peoples as culturally subversive, whose way of life would diminish republicanism in the U.S.; hence, racist political pressure compelled the U.S. government to legislate the Chinese Exclusion Act (1882), which remained the effective immigration-law until 1943. Moreover, following the example of Kaiser Wilhelm II's use of the term in 1895, the popular press in the U.S. adopted the phrase "yellow peril" to identify Japan as a military threat, and to describe the many emigrants from Asia.


title: Yellow Peril

text: In 1900, the anticolonial Boxer Rebellion (August 1899 – September 1901) reinforced the racist stereotypes of East Asians as a Yellow Peril to white people. The Society of the Righteous and Harmonious Fists (called the Boxers in the West) was an anticolonial martial arts organization who blamed the problems of China on the presence of Western colonies in China proper. The Boxers sought to save China by killing Westerners in China and Chinese Christian or Westernized people. In the early summer of 1900, Prince Zaiyi allowed the Boxers into Beijing to kill Westerners and Chinese Christians in siege to the foreign legations. Afterward, Qing Commander-in-Chief Ronglu and Yikuang (Prince Qing), resisted and expelled the Boxers from Beijing after days of fighting.


title: Yellow Peril

text: Most of the victims of the Boxer Rebellion were Chinese Christians, but the massacres of Chinese people were of no interest to the Western world, which demanded Asian blood to avenge the Westerners in China killed by the Boxers. In response, the United Kingdom, the United States, and Imperial Japan, Imperial France, Imperial Russia, and Imperial Germany, Austria–Hungary and Italy formed the Eight-Nation Alliance and dispatched an international military expeditionary force to end the Siege of the International Legations in Beijing.


title: Yellow Peril

text: The Russian press presented the Boxer Rebellion in racialist and religious terms as a cultural war between White Holy Russia and Yellow Pagan China. The press further supported the Yellow Peril apocalypse with quotations from the Sinophobic poems of the philosopher Vladimir Solovyov. Likewise, in the press, the aristocracy demanded action against the Asian threat. Prince Sergei Nikolaevich Trubetskoy urged Imperial Russia and other European monarchies to jointly partition China and to end the Yellow Peril to Christendom. Hence, on 3 July 1900, in response to the Boxer Rebellion, Russia expelled the Chinese community (5,000 people) from Blagoveshchensk. From 4 to 8 July, the Tsarist police, Cossack cavalry, and local vigilantes killed thousands of Chinese people at the Amur River.


title: Yellow Peril

text: In the Western world, news of Boxer atrocities against Westerners in China provoked Yellow Peril racism in Europe and North America, where the Chinese' rebellion was perceived as a race war between the yellow race and the white race. In that vein, "The Economist" magazine warned in 1905: The history of the Boxer movement contains abundant warnings, as to the necessity of an attitude of constant vigilance, on the part of the European Powers, when there are any symptoms that a wave of nationalism is about to sweep over the Celestial Empire.


title: Yellow Peril

text: Sixty-one years later, in 1967, during the Cultural Revolution, Red Guards shouting "Kill!, Kill!, Kill!" attacked the British embassy and beat the diplomats. A diplomat remarked that the Boxers had used the same chant.


title: Yellow Peril

text: On 27 July 1900, Kaiser Wilhelm II gave the racist "Hunnenrede" (Hun speech) exhorting his soldiers to barbarism and that Imperial German soldiers depart Europe for China and suppress the Boxer Rebellion by acting like "Huns" and committing atrocities against the Chinese (Boxer and civilian):


title: Yellow Peril

text: Fearful of harm to the public image of Imperial Germany, the "Auswärtiges Amt" (Foreign Office) published a redacted version of the Hun Speech that was expurgated of the exhortation to racist barbarism. Annoyed by Foreign Office censorship, the Kaiser published the unexpurgated Hun Speech, which "evoked images of a Crusade and considered the current crisis [the Boxer Rebellion] to amount to a war between Occident and Orient." However, that "elaborate accompanying music, and the new ideology of the Yellow Peril stood in no relation to the actual possibilities and results" of geopolitical policy based upon racist misperception.


title: Yellow Peril

text: The Kaiser ordered the expedition-commander, Field Marshal Alfred von Waldersee, to behave barbarously because the Chinese were "by nature, cowardly, like a dog, but also deceitful". In that time, the Kaiser's best friend, Philipp, Prince of Eulenburg, wrote to another friend that the Kaiser wanted to raze Beijing and kill the populace to avenge the murder of Baron Clemens von Ketteler, Imperial Germany's minister to China. Only the Eight-Nation Alliance's refusal of barbarism to resolve the siege of the legations saved the Chinese populace of Beijing from the massacre recommended by Imperial Germany. In August 1900, an international military force of Russian, Japanese, British, French, and American soldiers captured Beijing before the German force had arrived at the city.


title: Yellow Peril

text: The eight-nation alliance sacked Beijing in vengeance for the Boxer Rebellion; the magnitude of the rape, pillaging and burning indicated "a sense that the Chinese were less than human" to the Western powers. About the sacking of the city, an Australian in China stated: "The future of the Chinese is a fearful problem. Look at the frightful sights one sees in the streets of Peking... See the filthy, tattered rags they wrap around them. Smell them as they pass. Hear of their nameless immorality. Witness their shameless indecency, and picture them among your own people — Ugh! It makes you shudder!"


title: Yellow Peril

text: British admiral Roger Keyes recalled: "Every Chinaman... was treated as a Boxer, by the Russian and French troops, and the slaughter of men, women, and children, in retaliation, was revolting". The American missionary Luella Miner reported that "the conduct of the Russian soldiers is "atrocious", the French are not much better, and the Japanese are looting and burning without mercy. Women and girls, by the hundreds, have committed suicide to escape a worse fate at the hands of Russian and Japanese brutes."


title: Yellow Peril

text: From contemporary Western observers, German, Russian, and Japanese troops received the greatest criticism for their ruthlessness and willingness to wantonly execute Chinese of all ages and backgrounds, sometimes by burning and killing entire village populations. The Americans and British paid General Yuan Shikai and his army (the Right Division) to help the Eight Nation Alliance suppress the Boxers. Yuan's forces killed tens of thousands of people in their anti-Boxer campaign in Zhili Province and Shandong after the Alliance captured Beijing. The British journalist George Lynch said that "there are things that I must not write, and that may not be printed in England, which would seem to show that this Western civilization of ours is merely a veneer over savagery".


title: Yellow Peril

text: The expedition of German field marshal Waldersee arrived in China on 27 September 1900, after the military defeat of the Boxer Rebellion by the Eight-Nation Alliance, yet he launched 75 punitive raids into northern China to search for and destroy the remaining Boxers. The German soldiers killed more peasants than Boxer guerrillas because by that time, the Society of the Righteous and Harmonious Fists (the Boxers) had posed no threat. On 19 November 1900, at the "Reichstag", the German Social Democrat politician August Bebel criticized the Kaiser's attack upon China as shameful to Germany:


title: Yellow Peril

text: The political praxis of Yellow Peril racism calls for apolitical racial unity among the White peoples of the world. To resolve a contemporary problem (economic, social, political) the racialist politician calls for White unity against the nonwhite Other who threatens Western civilization from distant Asia. Despite the Western powers' military defeat of the anticolonial Boxer Rebellion, Yellow Peril fear of Chinese nationalism became a cultural factor among white people: That "the Chinese race" mean to invade, vanquish, and subjugate Christian civilization in the Western world.


title: Yellow Peril

text: In July 1900, the "Völkisch" movement intellectual Houston Stewart Chamberlain, the "Evangelist of Race", gave his racialist perspective of the cultural meaning of the Boer War (1899–1902) in relation to the cultural meaning of the Boxer Rebellion: "One thing I can clearly see, that is, that it is criminal for Englishmen and Dutchmen to go on murdering each other, for all sorts of sophisticated reasons, while the Great Yellow Danger overshadows us white men, and threatens destruction." In the book "The Foundations of the Nineteenth Century" (1899), Chamberlain provided the racist ideology for Pan-Germanism and the "Völkisch" movements of the early 20th century, which greatly influenced the racial policy of Nazi Germany.


title: Yellow Peril

text: The Yellow Peril racialism of the Austrian philosopher Christian von Ehrenfels proposed that the Western world and the Eastern world were in a Darwinian racial struggle for domination of the planet, which the yellow race was winning. That the Chinese were an inferior race of people whose Oriental culture lacked "all potentialities... determination, initiative, productivity, invention, and organizational talent" supposedly innate to the white cultures of the West. Nonetheless, despite having dehumanized the Chinese into an essentialist stereotype of physically listless and mindless Asians, von Ehrenfels's cultural cognitive dissonance allowed praising Japan as a first-rate imperial military power whose inevitable conquest of continental China would produce improved breeds of Chinese people. That the Japanese' selective breeding with "genetically superior" Chinese women would engender a race of "healthy, sly, cunning coolies", because the Chinese are virtuosi of sexual reproduction. The gist of von Ehrenfels's nihilistic racism was that Asian conquest of the West equaled white racial annihilation; Continental Europe subjugated by a genetically superior Sino–Japanese army consequent to a race war that the Western world would fail to thwart or win.


title: Yellow Peril

text: To resolve the population imbalance between the Eastern and the West in favor of White people, von Ehrenfels proposed radical changes to the mores (social and sexual norms) of the Christian West. Eliminating monogamy as a hindrance to global white supremacy, for limiting a genetically superior White man to father children with only one woman; because polygamy gives the yellow race greater reproductive advantage, for permitting a genetically superior Asian man to father children with many women. Therefore, the state would control human sexuality through polygamy, to ensure the continual procreation of genetically and numerically superior populations of White people.


title: Yellow Peril

text: In such a patriarchal society, only high-status white men of known genetic reliability would have the legal right to reproduce, with the number of reproductive wives he can afford, and so ensure that only the "social winners" reproduce, within their racial caste. Despite such radical social engineering of men's sexual behavior, white women remained monogamous by law; their lives dedicated to the breeding functions of wife and mother. The fertile women would reside and live their daily lives in communal barracks, where they collectively rear their many children. To fulfill her reproductive obligations to the state, each woman is assigned a husband only for reproductive sexual intercourse. Ehrenfels's social engineering for worldwide white supremacy eliminates romantic love (marriage) from sexual intercourse, and thus reduces man–woman sexual relations to a transaction of mechanistic reproduction.


title: Yellow Peril

text: To end the threat of the Yellow Peril to the Western world, von Ehrenfels proposed white racial unity among the nations of the West, in order to jointly prosecute a preemptive war of ethnic conflicts to conquer Asia, before it became militarily infeasible. Then establish a worldwide racial hierarchy organized as an hereditary caste system, headed by the white race in each conquered country of Asia. That an oligarchy of the Aryan white people would form, populate, and lead the racial castes of the ruling class, the military forces, and the intelligentsia; and that in each conquered country, the Yellow and the Black races would be slaves, the economic base of the worldwide racial hierarchy.


title: Yellow Peril

text: The Aryan society that von Ehrenfels proposed in the early 20th century, would be in the far future of the Western world, realized after defeating the Yellow Peril and the other races for control of the Earth, because "the Aryan will only respond to the imperative of sexual reform when the waves of the Mongolian tide are lapping around his neck". As a racialist, von Ehrenfels characterized the Japanese military victory in the Russo-Japanese War (1905) as an Asian victory against the white peoples of the Christian West, a cultural failure which indicated "the absolute necessity of a radical, sexual reform for the continued existence of the Western races of man... [The matter of White racial survival] has been raised from the level of discussion to the level of a scientifically proven fact".


title: Yellow Peril

text: In "Sex, Masculinity, and the 'Yellow Peril': Christian von Ehrenfels' Program for a Revision of the European Sexual Order, 1902–1910" (2002), the historian Edward Ross Dickinson said that von Ehrenfels always used metaphors of deadly water to express Yellow Peril racism — a "flood" of Chinese people upon the West; a Chinese "torrent of mud" drowning Europe; the Japanese are a "polluting liquid" — because white Europeans would be unaware and unresponsive to the demographic threat until the "waves" of Asians reached their necks. As a man of his time, von Ehrenfels likely suffered the same sexual anxieties about his masculinity that were suffered by his right-wing contemporaries, whose racialist works the historian Klaus Theweleit examined, and noted that only von Ehrenfels psychologically projected his sexual self-doubt into Yellow Peril racism, rather than the usual cultural hatreds of Judeo-Bolshevism, then the variety of anti-Semitism popular in Germany during the early 20th century.


title: Yellow Peril

text: Theweleit also noted that, during the European interwar period (1918–1939), the racialist works of the "Freikorps" mercenaries featured deadly-water metaphors when the only available peacetime enemies were the "Jews" and the "communists", whose cultural and political existence threatened the manichean worldview of right-wing Europeans. As such, the psychologically insecure "Freikorps" fetishized masculinity and were keen to prove themselves "hard men" through the political violence of terrorism against Jews and communists; thus, the deadly-water defense mechanism against the adult emotional intimacy (romantic love, eroticism, sexual intercourse) and consequent domesticity that naturally occur between men and women.


title: Yellow Peril

text: From 1895, Kaiser Wilhelm used Yellow Peril ideology to portray Imperial Germany as defender of the West against conquest from the East. In pursuing "Weltpolitik" policies meant to establish Germany as the dominant empire, the Kaiser manipulated his own government officials, public opinion, and other monarchs. In a letter to Tsar Nicholas II of Russia, the Kaiser said: "It is clearly the great task of the future for Russia to cultivate the Asian continent, and defend Europe from the inroads of the Great Yellow Race". In "The Bloody White Baron" (2009), the historian James Palmer explains the 19th-century socio-cultural background from which Yellow Peril ideology originated and flourished:


title: Yellow Peril

text: As his cousin, Kaiser Wilhelm knew that Tsar Nicholas shared his anti-Asian racism and believed he could persuade the Tsar to abrogate the Franco-Russian Alliance (1894) and then to form a German–Russian alliance against Britain. In manipulative pursuit of Imperial German "Weltpolitik" "Wilhelm II's deliberate use of the 'yellow peril' slogan was more than a personal idiosyncrasy, and fitted into the general pattern of German foreign policy under his reign, i.e. to encourage Russia's Far Eastern adventures, and later to sow discord, between the United States and Japan. Not the substance, but only the form, of Wilhelm II's 'yellow peril' propaganda disturbed the official policy of the Wilhelmstrasse."


title: Yellow Peril

text: In the 19th century, the racial and cultural stereotypes of Yellow Peril ideology colored German perceptions of Russia as a nation more Asiatic that European. The European folk memory of the 13th-century Mongol invasion of Europe made the word "Mongol" a cultural synonym for the "Asian culture of cruelty and insatiable appetite for conquest", which was especially personified by Genghis Khan, leader of the Orda, the Mongol Horde.


title: Yellow Peril

text: Despite that justifying historical background, Yellow Peril racism was not universally accepted in the societies of Europe. French intellectual Anatole France said that Yellow Peril ideology was to be expected from a racist man such as the Kaiser. Inverting the racist premise of Asian invasion, France showed that European imperialism in Asia and Africa indicated that the European White Peril was the true threat to the world. In his essay "The Bogey of the Yellow Peril" (1904), the British journalist Demetrius Charles Boulger said the Yellow Peril was racist hysteria for popular consumption. Asian geopolitical dominance of the world is "the prospect, placed before the uninstructed reading public, is a revival of the Hun and Mongol terrors, and the names of Attila and Genghis are set out in the largest type to create feelings of apprehension. The reader is assured, in the most positive manner, that this is the doing of the enterprising nation of Japan". Throughout the successful imperial intrigues facilitated by Germany's Yellow Peril ideology, the Kaiser's true geopolitical target was Britain.


title: Yellow Peril

text: Though Chinese civilization was admired in 18th century Britain, by the 19th century, the Opium Wars led to the creation of racialist stereotypes of the Chinese among the British public, who cast the Chinese "as a threatening, expansionist foe" and a corrupt and depraved people. Still, there were exceptions to popular racism of the Yellow Peril. In May 1890, William Ewart Gladstone criticized anti-Chinese immigration laws in Australia for penalizing their virtues of hard work (diligence, thrift and integrity), instead of penalizing their vices (gambling and opium smoking).


title: Yellow Peril

text: In 1904, in a meeting about the Russo-Japanese War, King Edward VII heard the Kaiser complain that the Yellow Peril is "the greatest peril menacing... Christendom and European civilization. If the Russians went on giving ground, the yellow race would, in twenty years time, be in Moscow and Posen". The Kaiser criticized the British for siding with Japan against Russia, and said that "race treason" was the motive. King Edward said he "could not see it. The Japanese were an intelligent, brave and chivalrous nation, quite as civilized as the Europeans, from whom they only differed by the pigmentation of their skin".


title: Yellow Peril

text: The first British usage of the Yellow Peril phrase was in the "Daily News" (21 July 1900) report describing the Boxer Rebellion as "the yellow peril in its most serious form". In that time, British Sinophobia, the fear of Chinese people, did not include all Asians, because Britain had sided with Japan during the Russo–Japanese War, whilst France and Germany supported Russia; whereas the reports of Captain William Pakenham "tended to depict Russia as his enemy, not just Japan".


title: Yellow Peril

text: About pervasive Sinophobia in Western culture, in "The Yellow Peril: Dr Fu Manchu & the Rise of Chinaphobia" (2014), historian Christopher Frayling noted:


title: Yellow Peril

text: The Limehouse district in London (which had a large Chinese element) was portrayed in the British popular imagination as a center of moral depravity and vice, i.e. sexual prostitution, opium smoking, and gambling. According to historian Anne Witchard, many Londoners believed the British Chinese community, including Triad gangsters, "were abducting young English women to sell into white slavery", a fate "worse than death" in Western popular culture. In 1914, at the start of the First World War, the Defense of the Realm Act was amended to include the smoking of opium as proof of "moral depravity" that merited deportation, a legalistic pretext for deporting members of the Chinese community to China. That anti-Chinese moral panic derived in part from the social reality that British women were financially independent by way of war-production jobs, which allowed them (among other things) sexual freedom, a cultural threat to Britain's patriarchal society. Witchard noted that stories of "working-class girls consorting with “Chinamen” in Limehouse" and "debutantes leading officers astray in Soho drinking dens" contributed to the anti-Chinese moral panic.


title: Yellow Peril

text: In the U.S., Yellow Peril xenophobia was legalized with the Page Act of 1875, the Chinese Exclusion Act of 1882, and the Geary Act of 1892. The Chinese Exclusion Act replaced the Burlingame Treaty (1868), which had encouraged Chinese migration, and provided that "citizens of the United States in China, of every religious persuasion, and Chinese subjects, in the United States, shall enjoy entire liberty of conscience, and shall be exempt from all disability or persecution, on account of their religious faith or worship, in either country", withholding only the right of naturalized citizenship.


title: Yellow Peril

text: In the Western U.S., the frequency with which racists lynched Chinese people originated the phrase, "Having a Chinaman's chance in Hell", meaning "no chance at all" of surviving a false accusation. In Tombstone, Arizona, sheriff Johnny Behan and mayor John Clum organized the "Anti-Chinese League" in 1880, which was reorganized into the "Anti-Chinese Secret Society of Cochise County" in 1886. In 1880, the Yellow Peril pogrom of Denver featured the lynching of a Chinese man and the destruction of the local Chinatown ghetto. In 1885, the Rock Springs massacre of 28 miners destroyed a Wyoming Chinese community. In Washington Territory, Yellow Peril fear provoked the Attack on Squak Valley Chinese laborers, 1885; the arson of the Seattle Chinatown; and the Tacoma riot of 1885, by which the local white inhabitants expelled the Chinese community from their towns. In Seattle, the Knights of Labor expelled 200 Chinese people with the Seattle riot of 1886. In Oregon, 34 Chinese gold miners were ambushed, robbed, and killed in the Hells Canyon Massacre (1887). Moreover, concerning the experience of being Chinese in the 19th-century U.S., in the essay "A Chinese View of the Statue of Liberty" (1885), Sauum Song Bo said:


title: Yellow Peril

text: Under nativist political pressure, the Immigration Act of 1917 established an Asian Barred Zone of countries from which immigration to the U.S. was forbidden. The Cable Act of 1922 (Married Women's Independent Nationality Act) guaranteed citizenship to independent women unless they were married to a nonwhite alien ineligible for naturalization. Asian men and women were excluded from American citizenship.


title: Yellow Peril

text: In practice, the Cable Act of 1922 reversed some racial exclusions, and granted independent woman citizenship exclusively to women married to white men. Analogously, the Cable Act allowed the government to revoke the citizenship of an American white woman married an Asian man. The law was formally challenged before the Supreme Court, with the case of "Takao Ozawa v. United States" (1922), whereby a Japanese American man tried to demonstrate that the Japanese people are a white race eligible for naturalized American citizenship. The Court ruled that the Japanese are not white people; two years later, the National Origins Quota of 1924 specifically excluded the Japanese from entering the US and from American citizenship.


title: Yellow Peril

text: To "preserve the ideal of American homogeneity", the Emergency Quota Act of 1921 (numeric limits) and the Immigration Act of 1924 (fewer southern and eastern Europeans) restricted admission to the United States according to the skin color and the race of the immigrant. In practice, the Emergency Quota Act used outdated census data to determine the number of colored immigrants to admit to the U.S. To protect WASP ethnic supremacy (social, economic, political) in the 20th century, the Immigration Act of 1924 used the twenty-year-old census of 1890, because its 19th-century demographic-group percentages favored more admissions of WASP immigrants from western and northern Europe, and fewer admissions of colored immigrants from Asia and southern and eastern Europe.


title: Yellow Peril

text: To ensure that the immigration of colored peoples did not change the WASP national character of the United States, the National Origins Formula (1921–1965) meant to maintain the "status quo" percentages of "ethnic populations" in lesser proportion to the existing white populations; thus, the yearly quota allowed only 150,000 People of Color into the U.S.A. In the event, the national-origins Formula was voided and repealed with the Immigration and Nationality Act of 1965.


title: Yellow Peril

text: Eugenicists used the Yellow Peril to misrepresent the U.S. as an exclusively WASP nation threatened by miscegenation with the Asian Other by expressing their racism with biological language (infection, disease, decay) and imagery of penetration (wounds and sores) of the white body. In "The Yellow Peril; or, Orient vs. Occident" (1911), the end time evangelist G. G. Rupert said that Russia would unite the colored races to facilitate the Oriental invasion, conquest, and subjugation of the West; said white supremacy is in the Christian eschatology of verse 16:12 in the Book of Revelation: "Then the sixth angel poured out his bowl on the great Euphrates River, and it dried up so that the kings from the east could march their armies toward the west without hindrance". As an Old-Testament Christian, Rupert believed the racialist doctrine of British Israelism, and said that the Yellow Peril from China, India, Japan, and Korea, were attacking Britain and the US, but that the Christian God himself would halt the Asian conquest of the Western world.


title: Yellow Peril

text: In "The Rising Tide of Color Against White World-Supremacy" (1920), the eugenicist Lothrop Stoddard said that either China or Japan would unite the colored peoples of Asia and lead them to destroy white supremacy in the Western world, and that the Asian conquest of the world began with the Japanese victory in the Russo–Japanese War (1905). As a white supremacist, Stoddard presented his racism with Biblical language and catastrophic imagery depicting a rising tide of colored people meaning to invade, conquer, and subjugate the white race.


title: Yellow Peril

text: In that cultural vein, the phrase "yellow peril" was common editorial usage in the newspapers of publisher William Randolph Hearst. In the 1930s, Hearst's newspapers conducted a campaign of vilification (personal and political) against Elaine Black, an American communist, whom he denounced as a libertine "Tiger Woman" for her interracial cohabitation with the Japanese American communist Karl Yoneda. In 1931, interracial marriage was illegal in California, but, in 1935, Black and Yoneda married in Seattle, Washington, where such marriages were legal.


title: Yellow Peril

text: In the 1930s, Yellow Peril stereotypes were common to US culture, exemplified by the cinematic versions of the Asian detectives Charlie Chan (Warner Oland) and Mr. Moto (Peter Lorre), originally literary detectives in novels and comic strips. White actors portrayed the Asian men and made the fictional characters socially acceptable in mainstream American cinema, especially when the villains were secret agents of Imperial Japan.


title: Yellow Peril

text: American proponents of the Japanese Yellow Peril were the military-industrial interests of the China Lobby (right-wing intellectuals, businessmen, Christian missionaries) who advocated financing and supporting the warlord "Generalissimo" Chiang Kai-shek, a Methodist convert whom they represented as the Christian Chinese savior of China, then embroiled in the Chinese Civil War (1927–1937, 1946–1950). After the Japanese invaded China in 1937, the China Lobby successfully pressured the U.S. government to aid Chiang Kai-shek's faction. The news media's reportage (print, radio, cinema) of the Second Sino-Japanese War (1937–45) favored China, which politically facilitated the American financing and equipping of the anticommunist Kuomintang, the Chiang Kai-shek faction in the civil war against the Communist faction led by Mao Tse-tung.


title: Yellow Peril

text: In 1941, after the Japanese attack on Pearl Harbor, the Roosevelt administration formally declared China an ally of the U.S., and the news media modified their use of Yellow Peril ideology to include China to the West, criticizing contemporary anti-Chinese laws as counterproductive to the war effort against Imperial Japan. The wartime "zeitgeist" and the geopolitics of the U.S. government presumed that defeat of the Imperial Japan would be followed by postwar China developing into a capitalist economy under the strongman leadership of the Christian "Generalissimo" Chiang Kai-shek and the Kuomintang (Chinese Nationalist Party).


title: Yellow Peril

text: In his relations with the American government and his China Lobby sponsors, Chiang requested the repeal of American anti-Chinese laws; to achieve the repeals, Chiang threatened to exclude the American business community from the "China Market", the economic fantasy that the China Lobby promised to the American business community. In 1943, the Chinese Exclusion Act of 1882 was repealed, but, because the National Origins Act of 1924 was contemporary law, the repeal was a symbolic gesture of American solidarity with the people of China.


title: Yellow Peril

text: Science fiction writer William F. Wu said that American adventure, crime, and detective pulp magazines in the 1930s had many Yellow Peril characters, loosely based on Fu Manchu; although "most [Yellow Peril characters] were of Chinese descent", the geopolitics of the time led white people to see Japan as a threat to the United States. In "The Yellow Peril: Chinese Americans in American fiction, 1850–1940" (1982), Wu said that fear of Asians dates from the European Middle Ages, from the 13th-century Mongol invasion of Europe. Most Europeans had never seen an Asian man or woman, and the great differences in language, custom, and physique accounted for European paranoia about the nonwhite peoples from the Eastern world.


title: Yellow Peril

text: The American academic Frank H. Wu said that anti-Chinese sentiment incited by people such as Steve Bannon and Peter Thiel is recycling anti-Asian hatred from the 19th century into a "new Yellow Peril" that is common to White populist politics that do not distinguish between Asian foreigners and Asian American U.S. citizens. That American cultural anxiety about the geopolitical ascent of the People's Republic of China originates in the fact that, for the first time in centuries, the Western world, led by the U.S., is challenged by a people whom Westerners viewed as culturally backward and racially inferior only a generation earlier. That the U.S. perceives China as "the enemy", because their economic success voids the myth of white supremacy upon which the West claims cultural superiority over the East. Moreover, the COVID-19 pandemic has facilitated and increased the occurrence of xenophobia and anti-Chinese racism, which the academic Chantal Chung said has "deep roots in yellow peril ideology".


title: Yellow Peril

text: In the late 19th and early 20th centuries, fear of the Yellow Peril was a cultural feature of the white peoples who sought to establish a country and a society in the Australian continent. The racialist fear of the nonwhite Asian Other was a thematic preoccupation common to invasion literature novels, such as "The Yellow Wave: A Romance of the Asiatic Invasion of Australia" (1895), "The Colored Conquest" (1904), "The Awakening to China" (1909), and the "Fools' Harvest" (1939). Such fantasy literature featured an Asian invasion of "the empty north" of Australia, which was populated by the Aboriginal Australians, the nonwhite, native Other with whom the white emigrants competed for living space. In the novel "White or Yellow?: A Story of the Race War of A.D. 1908" (1887), the journalist and labor leader William Lane said that a horde of Chinese people legally arrived in Australia and overran white society and monopolized the industries for exploiting the natural resources of the Australian "empty north".


title: Yellow Peril

text: As Australian invasion literature of the 19th-century, the future history novel "White or Yellow?" (1887) presents William Lane's nationalist racialism and left-wing politics that portrayed Australia under threat by the Yellow Peril. In the near future, British capitalists manipulate the Australian legal system and then legislate the mass immigration of Chinese workers to Australia, regardless of the socioeconomic consequences to white Australian society. Consequent to the British manipulation of Australia's economy, the resulting social conflicts (racial, financial, cultural, sexual) escalate into a race war for control of Australia.


title: Yellow Peril

text: The Yellow Peril racism in the narrative of the novel "White or Yellow?" justifies White Australians' killing Chinese workers as a defensive, existential response for control of Australia. Lang's story of White racial replacement appeals to the fears that labor and trade union leaders exploited to oppose the legal immigration of Chinese workers, whom they misrepresented as racial, economic, and moral threats to White Australia. That Asian libertinism threatens White Christian civilization, which theme Lang represents with miscegenation (mixing of the races). The fear of racial replacement was presented as an apolitical call to white racial unity in among Australians.


title: Yellow Peril

text: Culturally, Yellow Peril invasion novels expressed themes of the white man's sexual fear of the supposed voracious sexuality of Asian men and women. The stories feature Western women in sexual peril, usually rape-by-seduction facilitated with the sensual and moral release of smoked opium. In the patriarchal world of invasion literature, interracial sexual relations were "a fate worse than death" for a white woman, afterward, she was a sexual untouchable to white men. In the 1890s, that moralistic theme was the anti-Chinese message of the feminist and labor organizer Rose Summerfield who voiced the white woman's sexual fear of the Yellow Peril, by warning society of the Chinese man's unnaturally lustful gaze upon the pulchritude of Australian women.


title: Yellow Peril

text: In 1901, the Australian federal government adopted the White Australia policy that had been informally initiated with the Immigration Restriction Act 1901, which generally excluded Asians, but in particular excluded the Chinese and the Melanesian peoples. Historian C. E. W. Bean said that the White Australia policy was "a vehement effort to maintain a high, Western standard of economy, society, and culture (necessitating, at that stage, however it might be camouflaged, the rigid exclusion of Oriental peoples)" from Australia. In 1913, appealing to the irrational fear of the Yellow Peril, the film "Australia Calls" (1913) depicted a "Mongolian" invasion of Australia, which eventually is defeated by ordinary Australians with underground, political resistance and guerrilla warfare, and not by the army of the Australian federal government.


title: Yellow Peril

text: In 1919, at the Paris Peace Conference, Australian Prime Minister Billy Hughes vehemently opposed the Japanese delegation's request for the inclusion of the Racial Equality Proposal to Article 21 of the Covenant of the League of Nations:


title: Yellow Peril

text: Hughes stated in response to the proposal that "ninety-five out of one hundred Australians rejected the very idea of equality"; he had entered politics as a trade unionist and, like the majority of the white Australian population, was strongly opposed to Asian immigration into Australia. Hughes believed that accepting the clause would mean the end of the White Australia policy and wrote: "No Gov't could live for a day in Australia if it tampered with a White Australia." Though UK officials in the British delegation (which Australia was a part of) found the proposal compatible with Britain's stance of nominal equality for all British subjects as a principle for maintaining imperial unity, they ultimately succumbed to pressure from politicians in Britain's dominions, including Hughes, and signalled their opposition to the clause.


title: Yellow Peril

text: Though conference chairman, U.S. President Woodrow Wilson, was indifferent to the clause, he eventually sided with the British delegation and stipulated that a unilateral requirement of a unanimous vote by the countries in the League of Nations was required for the clause to be included. On 11 April 1919, after protracted and heated debate, a final vote was called; from a quorum of 17, the proposal secured 11 votes in favor, with no delegate from any nation voting no, though there were 6 abstentions, including all 4 from the British and American delegations; it did not pass.


title: Yellow Peril

text: In the late 19th century, French imperialist politicians invoked the "Péril jaune" (Yellow Peril) in their negative comparisons of France's low birth-rate and the high birth-rates of Asian countries. From that racist claim arose an artificial, cultural fear among the French population that immigrant-worker Asians soon would "flood" France, which could be successfully countered only by increased fecundity of French women. Then, France would possess enough soldiers to thwart the eventual flood of immigrants from Asia. From that racialist perspective, the French press sided with Imperial Russia during the Russo-Japanese War (1904–1905), by representing the Russians as heroes defending the white race against the Japanese Yellow Peril.


title: Yellow Peril

text: In the early 20th century, in 1904, the French journalist René Pinon reported that the Yellow Peril were a cultural, geopolitical, and existential threat to white civilization in the Western world:


title: Yellow Peril

text: Despite the claimed Christian idealism of the civilizing mission, from the start of colonization in 1858, the French exploited the natural resources of Vietnam as inexhaustible and the Vietnamese people as beasts of burden. In the aftermath of the Second World War, the First Indochina War (1946–1954) justified recolonization of Vietnam as a defense of the white West against the "péril jaune" — specifically that the Communist Party of Vietnam were puppets of the People's Republic of China, which is part of the "international communist conspiracy" to conquer the world. Therefore, French anticommunism utilized orientalism to dehumanize the Vietnamese into "the nonwhite Other"; which yellow-peril racism allowed atrocities against Viet Minh prisoners of war during "la sale guerre" ("dirty war"). In that time, yellow-peril racism remained one of the ideological bases for the existence of French Indochina, thus the French news media's racialist misrepresentations of Viet Minh guerrillas being part of the "innombrables masses jaunes" (innumerable yellow hordes); being one of many "vagues hurlantes" (roaring waves) of "masses fanatisées" (fanatical hordes).


title: Yellow Peril

text: In "Behind the Bamboo Hedge: The Impact of Homeland Politics in the Parisian Vietnamese Community" (1991) Gisèle Luce Bousquet said that the "péril jaune", which traditionally colored French perceptions of Asians, especially of Vietnamese people, remains a cultural prejudice of contemporary France; hence the French perceive and resent the Vietnamese people of France as academic overachievers who take jobs from "native French" people.


title: Yellow Peril

text: In 2015, the cover of the January issue of "Fluide Glacial" magazine featured a cartoon, "Yellow Peril: Is it Already Too Late?", which depicts a Chinese-occupied Paris where a sad Frenchman is pulling a rickshaw, transporting a Chinese man, in 19th c. French colonial uniform, accompanied by a barely dressed, blonde French woman. The editor of "Fluide Glacial", Yan Lindingre, defended the magazine cover and the subject as satire and mockery of French fears of China's economic threat to France. In an editorial addressing the Chinese government's complaint, Lindingre said, "I have just ordered an extra billion copies printed, and will send them to you via chartered flight. This will help us balance our trade deficit, and give you a good laugh".


title: Yellow Peril

text: In the 20th century, from their perspective, as nonwhite nations in a world order dominated by the white nations, the geopolitics of Ethiopia–Japan relations allowed Imperial Japan and Ethiopia to avoid imperialist European colonization of their countries and nations. Before the Second Italo-Ethiopian War (1934–1936), Imperial Japan had given diplomatic and military support to Ethiopia against invasion by Fascist Italy, which implied military assistance. In response to that Asian anti-imperialism, Benito Mussolini ordered a Yellow Peril propaganda campaign by the Italian press, which represented Imperial Japan as the military, cultural, and existential threat to the Western world, by way of the dangerous "yellow race–black race" alliance meant to unite Asians and Africans against the white people of the world.


title: Yellow Peril

text: In 1935, Mussolini warned of the Japanese Yellow Peril, specifically the racial threat of Asia and Africa uniting against Europe. In the summer of 1935, the National Fascist Party (1922–43) often staged anti–Japanese political protests throughout Italy. Nonetheless, as right-wing imperial powers, Japan and Italy pragmatically agreed to disagree; in exchange for Italian diplomatic recognition of Manchukuo (1932–45), the Japanese puppet state in China, Imperial Japan would not aid Ethiopia against Italian invasion and so Italy would end the anti–Japanese Yellow Peril propaganda in the national press of Italy.


title: Yellow Peril

text: During the Mexican Revolution (1910–20), Chinese-Mexicans were subjected to racist abuse, like before the revolt, for not being Christians, specifically Roman Catholic, for not being racially Mexican, and for not soldiering and fighting in the Revolution against the thirty-five-year dictatorship (1876–1911) of General Porfirio Díaz.


title: Yellow Peril

text: The notable atrocity against Asian people was the three-day Torreón massacre (13–15 May 1911) in northern Mexico, wherein the military forces of Francisco I. Madero killed 308 Asian people (303 Chinese, 5 Japanese), because they were deemed a cultural threat to the Mexican way of life. The massacre of Chinese- and Japanese-Mexicans at the city of Torreón, Coahuila, was not the only such atrocity perpetrated in the Revolution. Elsewhere, in 1913, after the Constitutional Army captured the city of Tamasopo, San Luis Potosí state, the soldiers and the town-folk expelled the Chinese community by sacking and burning the Chinatown.


title: Yellow Peril

text: During and after the Mexican Revolution, the Roman Catholic prejudices of Yellow Peril ideology facilitated racial discrimination and violence against Chinese Mexicans, usually for "stealing jobs" from native Mexicans. Anti–Chinese nativist propaganda misrepresented the Chinese people as unhygienic, prone to immorality (miscegenation, gambling, opium-smoking) and spreading diseases that would biologically corrupt and degenerate "La Raza" (the Mexican race) and generally undermining the Mexican patriarchy.


title: Yellow Peril

text: Moreover, from the racialist perspective, besides stealing work from Mexican men, Chinese men were stealing Mexican women from the native Mexican men who were away fighting the Revolution to overthrow and expel the dictator Porfirio Díaz and his foreign sponsors from Mexico. In the 1930s, approximately 70 per cent of the Chinese and the Chinese–Mexican population was expelled from the Mexican United States by the bureaucratic ethnic culling of the Mexican population.


title: Yellow Peril

text: In 1908, at the end of the Ottoman Empire (1299–1922) the Young Turk Revolution ascended the Committee of Union and Progress (CUP) to power, which the 1913 Ottoman coup d'état reinforced with the Raid on the Sublime Porte. In admiration and emulation that the modernization of Japan during the Meiji Restoration (1868) was acheived without the Japanese people losing their national identity, the CUP intended to modernize Turkey into the "Japan of the Near East". To that end, the CUP considered allying Turkey with Japan in a geopolitical effort to unite the peoples of the Eastern world to fight a racial war of extermination against the White colonial empires of the West. Politically, the cultural, nationalist, and geopolitical affinities of Turkey and Japan were possible because, in Turkish culture, the "yellow" color of "Eastern gold" symbolizes the innate moral superiority of the East over the West.


title: Yellow Peril

text: Fear of the Yellow Peril occurs against the Chinese communities of Turkey, usually as political retaliation against the PRC government's repressions and human-rights abuses against the Muslim Uighur people in the Xinjiang province of China. At an anti–PRC political protest in Istanbul, a South Korean woman tourist faced violence, despite identifying herself: "I am not Chinese, I am Korean". In response that Yellow Peril racism in Turkey, Devlet Bahçeli, leader of the extreme right-wing Nationalist Movement Party, rhetorically asked: "How does one distinguish, between Chinese and Koreans? Both have slanted eyes".


title: Yellow Peril

text: In 1904, after the conclusion of the Second Boer War, the Unionist Government of the Britain authorized the immigration to South Africa of approximately 63,000 Chinese laborers to work the gold mines in the Witwatersrand basin.


title: Yellow Peril

text: On 26 March 1904, approximately 80,000 people attended a social protest against the use of Chinese laborers in the Transvaal held in Hyde Park, London, to publicize the exploitation of Chinese South Africans. The Parliamentary Committee of the Trade Union Congress then passed a resolution declaring:


title: Yellow Peril

text: The mass immigration of indentured Chinese laborers to mine South African gold for wages lower than acceptable to the native white men, contributed to the 1906 electoral loss of the financially conservative British Unionist government that then governed South Africa.


title: Yellow Peril

text: After 1910, most Chinese miners were repatriated to China because of the great opposition to them, as "colored people" in white South Africa, analogous to anti-Chinese laws in the US during the early 20th century. Despite the racial violence between white South African miners and Chinese miners, the Unionist government achieved the economic recovery of South Africa after the Second Boer War by rendering the gold mines of the Witwatersrand Basin the most productive in the world.


title: Yellow Peril

text: In the late 19th and the early 20th centuries, populist Prime Minister Richard Seddon compared the Chinese people to monkeys, and so used the Yellow Peril to promote racialist politics in New Zealand. In 1879, in his first political speech, Seddon said that New Zealand did not wish her shores "deluged with Asiatic Tartars. I would sooner address white men than these Chinese. You can't talk to them, you can't reason with them. All you can get from them is 'No savvy'".


title: Yellow Peril

text: Moreover, in 1905, in the city of Wellington, the white supremacist Lionel Terry murdered Joe Kum Yung, an old Chinese man, in protest against Asian immigration to New Zealand. Laws promulgated to limit Chinese immigration included a heavy poll tax, introduced in 1881 and lowered in 1937, after Imperial Japan's invasion and occupation of China. In 1944, the poll tax was abolished, and the New Zealand government formally apologized to the Chinese populace of New Zealand.


title: Yellow Peril

text: The core of Yellow Peril ideology is the White man's fear of seduction by the Oriental nonwhite Other; either the sexual voracity of the Dragon Lady and the Lotus Blossom stereotypes, or the sexual voracity of the Seducer. Racist revulsion towards miscegenation — interracial sexual intercourse — by the fear of mixed-race children as a physical, cultural, and existential threat to Whiteness proper. In Queer theory, the term "Oriental" connotes contradictory sexual associations according to the nationality. A person can be perceived as Japanese and kinky, or as Filipino and available. Sometimes, "Oriental" could be sexless.


title: Yellow Peril

text: The seductive Asian man (wealthy and cultured) was the common White male fear of the Asian sexual "other." The Yellow Peril sexual threat was realized by way of successful sexual competition, usually seduction or rape, which rendered the woman a sexual untouchable. (see: "55 Days at Peking", 1963) In "Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction" (1994) the critic Gary Hoppenstand identified interracial sexual-intercourse as a threat to whiteness:


title: Yellow Peril

text: As a cultural representation of voracious Asian sexuality, the Dragon Lady is a beautiful, charming woman who readily and easily dominates men. For the White man, the Dragon Lady is the sexual Other who represents morally degrading sexual desire. In the cinematic genre of the Western, the cowboy town usually features a scheming Asian prostitute who uses her prettiness, sex appeal, and charisma to beguile and dominate the White man. In the U.S. television program Ally McBeal (1997–2002), the Ling Woo character was a Dragon Lady whose Chinese identity includes sexual skills that no white woman possess. In the late 20th century, such a sexual representation of the Yellow Peril, which was introduced in the comic strip "Terry and the Pirates" (1936), indicates that in the Western imagination, Asia remains the land of the sexual nonwhite Other. To the Westerner, the seductiveness of the Orient implies spiritual threat and hidden danger to white sexual identity.


title: Yellow Peril

text: A variant Yellow Peril seductress is presented in the white savior romance between a "White Knight" from the West and a "Lotus Blossom" from the East; each redeems the other by way of mutual romantic love. Despite being a threat to the passive sexuality of white women, the romantic narrative favorably portrays the Lotus Blossom character as a woman who needs the love of a white man to rescue her from objectification by a flawed Asian culture. As a heroine, the Lotus-Blossom-woman is an ultra-feminine model of Asian pulchritude, social grace, and culture, whose own people trapped her in an inferior, gender-determined social-class. Only a white man can rescue her from such a cultural impasse, thereby, the narrative reaffirms the moral superiority of the Western world.


title: Yellow Peril

text: In "The World of Suzie Wong" (1960), the eponymous antiheroine is a prostitute saved by the love of Robert Lomax (William Holden), an American painter living in Hong Kong. The East–West sexual differences available to Lomax are two: (i) the educated British woman Kay O'Neill (Sylvia Syms) who is independent and career-minded; and (ii) the poor Chinese woman Suzie Wong (Nancy Kwan), a sexual prostitute who is conventionally pretty, feminine, and submissive. The cultural contrast of the representations of Suzie Wong and Kay O'Neill imply that to win the love of a white man, a Western woman should emulate the sexually passive prostitute rather than an independent career-woman. As an Oriental stereotype, the submissive Lotus -Blossom (Wong) "proudly displays signs of a beating, to her fellow hookers, and uses it as evidence that her man loves her", which further increases Lomax's white savior desire to rescue Suzy.


title: Yellow Peril

text: Psychologically, the painter Lomax needs the prostitute Wong as the muse who inspires the self-discipline necessary for commercial success. Suzie Wong is an illiterate orphan who was sexually abused as a girl; thus her toleration of abuse by most of her Chinese clients. Unlike the Chinese and British men for whom Suzy Wong is a sexual object, Lomax is portrayed as enlightened, which implies the moral superiority of American culture, and thus that U.S. hegemony (geopolitical and cultural) shall be better than British hegemony. When a British sailor attempts to rape the prostitute Suzy Wong, the chivalrous American Lomax rescues her and beats up the sailor, whilst Chinese men are indifferent to the rape of a prostitute. As a Lotus Blossom stereotype, the prostitute Suzie Wong is a single mother. In contrast to the British and Chinese mistreatment (emotional and physical) of Wong, the white savior Lomax idealizes her as a child–woman, and saves her with the Lotus Blossom social identity, a sexually passive woman who is psychologically submissive to paternalism. Yet Lomax's love is conditional; throughout the story, Wong wears a Cheongsam dress, but when she wears Western clothes, Lomax orders her to only wear Chinese clothes, because Suzie Wong is acceptable only as a Lotus Blossom stereotype.


title: Yellow Peril

text: The musical "Miss Saigon" (1989), portrays Vietnam as a Third World country in need of a white savior. The opening chorus of the first song, "The Heat's on Saigon", begins thus: "The heat's on Saigon / The girls are hotter 'n hell / Tonight one of these slits will be Miss Saigon / God, the tension is high / Not to mention the smell". In Saigon City, presents the adolescent prostitute Kim as a stereotypical "Lotus Blossom" whose human identity is defined by her loving the white man Chris Scoyy, who is a marine. The story of "Miss Saigon" portrays Vietnamese women as two stereotypes, the sexually aggressive Dragon Lady and the sexually passive Lotus Blossom. In Thailand, "Miss Saigon" misrepresents most every Thai women as a prostitute. At the Dreamland brothel, the Vietnamese woman Kim is the only prostitute to not present herself in a bikini swimsuit to the clients.


title: Yellow Peril

text: The Yellow Peril was a common subject for 19th-century adventure fiction, of which Dr. Fu Manchu is the representative villain, created in the likeness of the villain in the novel "The Yellow Danger; Or, what Might Happen in the Division of the Chinese Empire Should Estrange all European Countries" (1898), by M. P. Shiel. The Chinese gangster Fu Manchu is a mad scientist intent upon conquering the world, but is continually foiled by the British policeman Sir Denis Nayland Smith and his companion Dr. Petrie, in thirteen novels (1913–59), by Sax Rohmer.


title: Yellow Peril

text: Fu Manchu heads the Si-Fan, an international criminal organization and a pan-Asian gang of murderers recruited from the "darkest places of the East". The plots of the novels feature the recurring scene of Fu Manchu despatching assassins (usually Chinese or Indian) to kill Nayland Smith and Dr. Petrie. In the course of adventure, Nayland-Smith and Petrie are surrounded by murderous colored men, Rohmer's Yellow Peril metaphor for Western trespass against the East. In the context of the Fu Manchu series, and Shiel's influence, reviewer Jack Adrian described Sax Rohmer as a


title: Yellow Peril

text: "Yellow Peril: The Adventures of Sir John Weymouth–Smythe" (1978), by Richard Jaccoma, is a pastiche of the Fu Manchu novels. Set in the 1930s, the story is a distillation of the Dragon Lady seductress stereotype and of the ruthless Mongols who threaten the West. The first-person narrative is by Sir John Weymouth–Smythe, an antihero who is a lecher and a prude, continually torn between sensual desire and Victorian prudery. The plot is the quest for the Spear of Destiny, a relic with supernatural power, which gives the possessor control of the world. Throughout the story, Weymouth–Smythe spends much time battling the villain, Chou en Shu, for possession of the Spear of Destiny. Thematic developments reveal that true villain are but the (Nazi). ostensible allies of Weymouth–Smythe. The Nazis leaders is Clara Schicksal, a Teutonic blonde woman who sacrifices Myanma boys to ancient German gods, whilst fellating them; later, in punishment, Weymouth–Symthe sodomizes Clara.


title: Yellow Peril

text: The "Yellow Peril" (1989), by Bao Mi (Wang Lixiong) presents a civil war in the People's Republic of China that escalates to internal nuclear warfare, which then escalates into the Third World War. Published after the Tiananmen Square protests of 1989, the political narrative of "Yellow Peril" presents the dissident politics of anti–Communist Chinese, and consequently was suppressed by the Chinese government.


title: Yellow Peril

text: In the 1930s, American cinema (Hollywood) presented contradictory images of East Asian men: (i) The malevolent master-criminal, Dr. Fu Manchu; and (ii) The benevolent master-detective, Charlie Chan. Fu Manchu is "[Sax] Rohmer's concoction of cunning Asian villainy [that] connects with the irrational fears of proliferation and incursion: Racist myths often carried by the water imagery of flood, deluge, the tidal waves of immigrants, rivers of blood."


title: Yellow Peril

text: "The Mask of Fu Manchu" (1932) shows that the white man's sexual-anxiety is one of the bases of Yellow Peril fear, especially when Fu Manchu (Boris Karloff) urges his Asian army to "Kill the white man and take his women!" Moreover, as an example of "unnatural" sexual relations among Asians, father–daughter incest is a recurrent, narrative theme of "The Mask of Fu Manchu", communicated by the ambiguous relations between Fu Manchu and Fah Lo See (Myrna Loy), his daughter.


title: Yellow Peril

text: In 1936, when the Nazis banned the novels of Sax Rohmer in Germany, because they believed him Jewish, Rohmer denied being racist and published a letter declaring himself "a good Irishman", yet was disingenuous about the why of the Nazi book-ban, because "my stories are not inimical to Nazi ideals." In science fiction cinema, the "futuristic Yellow Peril" is embodied by Emperor Ming the Merciless is an iteration of the Fu Manchu trope who is the nemesis of the Flash Gordon; likewise, Buck Rogers fights against the Mongol Reds, a Yellow Peril who conquered the U.S. in the 25th century.


title: Yellow Peril

text: In 1937, the publisher DC Comics featured "Ching Lung" on the cover and in the first issue of "Detective Comics" (March 1937). Years later, the character would be revisited in "New Super-Man" (June 2017), where his true identity is revealed to be All-Yang, the villainous twin brother of I-Ching, who deliberately cultivated the Yellow Peril image of Ching Lung to show Super-Man how the West caricaturized and vilified the Chinese.


title: Yellow Peril

text: In the late 1950s, Atlas Comics (Marvel Comics) published "Yellow Claw", a pastiche of the Fu Manchu stories. Unusually for the time, the racist imagery was counterbalanced by the Asian-American FBI agent, Jimmy Woo, as his principal opponent.


title: Yellow Peril

text: In 1964, Stan Lee and Don Heck introduced, in "Tales of Suspense", the Mandarin, a Yellow Peril-inspired supervillain and archenemy of Marvel Comics superhero Iron Man. In "Iron Man 3" (2013), set in the Marvel Cinematic Universe, the Mandarin appears as the leader of the Ten Rings terrorist organization. Hero Tony Stark (played by Robert Downey, Jr.) discovers that the Mandarin is an English actor, Trevor Slattery (Ben Kingsley), who was hired by Aldrich Killian (Guy Pearce) as a cover for his own criminal activities. According to director Shane Black and screenwriter Drew Pearce, making the Mandarin an impostor avoided Yellow Peril stereotyping while modernizing it with a message about the use of fear by the military industrial complex.


title: Yellow Peril

text: In the 1970s, DC Comics introduced a clear Fu Manchu analogue in supervillain Ra's al Ghul, created by Dennis O'Neil, Neal Adams and Julius Schwartz. While maintaining a level of racial ambiguity, the character's signature Fu Manchu beard and "Chinaman" clothing made him an instance of Yellow Peril stereotyping. When adapting the character for "Batman Begins", screenwriter David Koepp and director Christopher Nolan had Ken Watanabe play an imposter Ra's al Ghul to distract from his true persona, played by Liam Neeson. As with "Iron Man 3", this was this done to avoid the problematic origins of the character, making them a deliberate fake rather than a true portrayal of a different culture's insidious designs.


title: Yellow Peril

text: Marvel Comics used Fu Manchu as the principal foe of his son, Shang-Chi, Master of Kung Fu. As the result of Marvel Comics later losing the rights to the Fu Manchu name, his later appearances give him the real name of Zheng Zu. The Marvel Cinematic Universe film "Shang-Chi and the Legend of the Ten Rings" (2021) replaces Fu Manchu with Xu Wenwu (Tony Leung), an original character partially inspired by Zheng Zu and the Mandarin; thus downplaying yellow peril implications as Wenwu is opposed by an Asian superhero, his son Shang-Chi (Simu Liu), rather than Tony Stark, while omitting references to the Fu Manchu character.


title: Genealogy

text: Genealogy () is the study of families, family history, and the tracing of their lineages. Genealogists use oral interviews, historical records, genetic analysis, and other records to obtain information about a family and to demonstrate kinship and pedigrees of its members. The results are often displayed in charts or written as narratives. The field of family history is broader than genealogy, and covers not just lineage but also family and community history and biography.


title: Genealogy

text: The record of genealogical work may be presented as a "genealogy", a "family history", or a "family tree". In the narrow sense, a "genealogy" or a "family tree" traces the descendants of one person, whereas a "family history" traces the ancestors of one person, but the terms are often used interchangeably. A family history may include additional biographical information, family traditions, and the like.


title: Genealogy

text: The pursuit of family history and origins tends to be shaped by several motives, including the desire to carve out a place for one's family in the larger historical picture, a sense of responsibility to preserve the past for future generations, and self-satisfaction in accurate storytelling. Genealogy research is also performed for scholarly or forensic purposes, or to trace legal next of kin to inherit under intestacy laws.


title: Genealogy

text: Amateur genealogists typically pursue their own ancestry and that of their spouses. Professional genealogists may also conduct research for others, publish books on genealogical methods, teach, or produce their own databases. They may work for companies that provide software or produce materials of use to other professionals and to amateurs. Both try to understand not just where and when people lived but also their lifestyles, biographies, and motivations. This often requires—or leads to—knowledge of antiquated laws, old political boundaries, migration trends, and historical socioeconomic or religious conditions.


title: Genealogy

text: Genealogists sometimes specialize in a particular group, e.g., a Scottish clan; a particular surname, such as in a one-name study; a small community, e.g., a single village or parish, such as in a one-place study; or a particular, often famous, person. Bloodlines of Salem is an example of a specialized family-history group. It welcomes members who can prove descent from a participant of the Salem Witch Trials or who simply choose to support the group.


title: Genealogy

text: Genealogists and family historians often join family history societies, where novices can learn from more experienced researchers. Such societies generally serve a specific geographical area. Their members may also index records to make them more accessible or engage in advocacy and other efforts to preserve public records and cemeteries. Some schools engage students in such projects as a means to reinforce lessons regarding immigration and history. Other benefits include family medical histories for families with serious medical conditions that are hereditary.


title: Genealogy

text: The terms "genealogy" and "family history" are often used synonymously, but some entities offer a slight difference in definition. The Society of Genealogists, while also using the terms interchangeably, describes genealogy as the "establishment of a pedigree by extracting evidence, from valid sources, of how one generation is connected to the next" and family history as "a biographical study of a genealogically proven family and of the community and country in which they lived".


title: Genealogy

text: Private individuals research genealogy out of curiosity about their heritage. This curiosity can be particularly strong among those whose family histories were lost or unknown due to, for example, adoption or separation from family through divorce, death, or other situations. In addition to simply wanting to know more about who they are and where they came from, individuals may research their genealogy to learn about any hereditary diseases in their family history.


title: Genealogy

text: There is a growing interest in family history in the media as a result of advertising and television shows sponsored by large genealogy companies, such as Ancestry.com. This, coupled with easier access to online records and the affordability of DNA tests, has both inspired curiosity and allowed those who are curious to easily start investigating their ancestry.


title: Genealogy

text: In communitarian societies, one's identity is defined as much by one's kin network as by individual achievement, and the question "Who are you?" would be answered by a description of father, mother, and tribe. New Zealand Māori, for example, learn whakapapa (genealogies) to discover who they are.


title: Genealogy

text: Family history plays a part in the practice of some religious belief systems. For example, The Church of Jesus Christ of Latter-day Saints (LDS Church) has a doctrine of baptism for the dead, which necessitates that members of that faith engage in family history research.


title: Genealogy

text: In East Asian countries that were historically shaped by Confucianism, many people follow a practice of ancestor worship as well as genealogical record-keeping. Ancestors' names are inscribed on tablets and placed in shrines, where rituals are performed. Genealogies are also recorded in genealogy books. This practice is rooted in the belief that respect for one's family is a foundation for a healthy society.


title: Genealogy

text: Royal families, both historically and in modern times, keep records of their genealogies in order to establish their right to rule and determine who will be the next sovereign. For centuries in various cultures, one's genealogy has been a source of political and social status.


title: Genealogy

text: Some countries and indigenous tribes allow individuals to obtain citizenship based on their genealogy. In Ireland and in Greece, for example, an individual can become a citizen if one of their grandparents was born in that country, regardless of their own or their parents' birthplace. In societies such as Australia or the United States, by the 20th century, there was growing pride in the pioneers and nation-builders. Establishing descent from these was, and is, important to lineage societies, such as the Daughters of the American Revolution and The General Society of Mayflower Descendants. Modern family history explores new sources of status, such as celebrating the resilience of families that survived generations of poverty or slavery, or the success of families in integrating across racial or national boundaries. Some family histories even emphasize links to celebrity criminals, such as the bushranger Ned Kelly in Australia.


title: Genealogy

text: Detectives may perform genealogical research using DNA evidence to identify victims of homicides or perpetrators of crimes.


title: Genealogy

text: Historians and geneticists may carry out genealogical research to gain a greater understanding of specific topics in their respective fields, and some may employ professional genealogists in connection with specific aspects of their research. They also publish their research in peer-reviewed journals.


title: Genealogy

text: The introduction of postgraduate courses in genealogy in recent years has given genealogy more of an academic focus, with the emergence of peer-reviewed journals in this area. Scholarly genealogy is beginning to emerge as a discipline in its own right, with an increasing number of individuals who have obtained genealogical qualifications carrying out research on a diverse range of topics related to genealogy, both within academic institutions and independently.


title: Genealogy

text: In the US, the "one-drop rule" asserted that any person with even one ancestor of black ancestry ("one drop" of "black blood") was considered black. It was codified into the law of some States (e.g. the Racial Integrity Act of 1924) to reinforce racial segregation.


title: Genealogy

text: Genealogy was also used in Nazi Germany to determine whether a person was considered a "Jew" or a "Mischling" (Mischling Test), and whether a person was considered as "Aryan" (Ahnenpass).


title: Genealogy

text: Historically, in Western societies, the focus of genealogy was on the kinship and descent of rulers and nobles, often arguing or demonstrating the legitimacy of claims to wealth and power. The term often overlapped with heraldry, in which the ancestry of royalty was reflected in their coats of arms. Modern scholars consider many claimed noble ancestries to be fabrications, such as the Anglo-Saxon Chronicle that traced the ancestry of several English kings to the god Woden.


title: Genealogy

text: Some family trees have been maintained for considerable periods. The family tree of Confucius has been maintained for over 2,500 years and is listed in the Guinness Book of World Records as the largest extant family tree. The fifth edition of the Confucius Genealogy was printed in 2009 by the Confucius Genealogy Compilation Committee (CGCC).


title: Genealogy

text: In modern times, genealogy has become more widespread, with commoners as well as nobility researching and maintaining their family trees. Genealogy received a boost in the late 1970s with the television broadcast of "" by Alex Haley. His account of his family's descent from the African tribesman Kunta Kinte inspired many others to study their own lines.


title: Genealogy

text: With the advent of the Internet, the number of resources readily accessible to genealogists has vastly increased, resulting in an explosion of interest in the topic. Genealogy is one of the most popular topics on the Internet. The Internet has become a major source not only of data for genealogists but also of education and communication.


title: Genealogy

text: Some notable places where traditional genealogy records are kept include Hindu genealogy registers at Haridwar (Uttarakhand), Varanasi and Allahabad (Uttar Pradesh), Kurukshetra (Haryana), Trimbakeshwar (Maharashtra), and Chintpurni (Himachal Pradesh).


title: Genealogy

text: Genealogical research in the United States was first systematized in the early 19th century, especially by John Farmer (1789–1838). Before Farmer's efforts, tracing one's genealogy was seen as an attempt by the American colonists to secure a measure of social standing, an aim that was counter to the new republic's egalitarian, future-oriented ideals (as outlined in the Constitution). As Fourth of July celebrations commemorating the Founding Fathers and the heroes of the Revolutionary War became increasingly popular, however, the pursuit of "antiquarianism", which focused on local history, became acceptable as a way to honor the achievements of early Americans. Farmer capitalized on the acceptability of antiquarianism to frame genealogy within the early republic's ideological framework of pride in one's American ancestors. He corresponded with other antiquarians in New England, where antiquarianism and genealogy were well established, and became a coordinator, booster, and contributor to the growing movement. In the 1820s, he and fellow antiquarians began to produce genealogical and antiquarian tracts in earnest, slowly gaining a devoted audience among the American people. Though Farmer died in 1839, his efforts led to the creation of the New England Historic Genealogical Society (NEHGS), one of New England's oldest and most prominent organizations dedicated to the preservation of public records. NEHGS publishes the "New England Historical and Genealogical Register."


title: Genealogy

text: The Genealogical Society of Utah, founded in 1894, later became the Family History Department of the Church of Jesus Christ of Latter-day Saints. The department's research facility, the Family History Library, which Utah.com states is "the largest genealogical library in the world", was established to assist in tracing family lineages for special religious ceremonies which Latter-day Saints believe will seal family units together for eternity. Latter-day Saints believe that this fulfilled a biblical prophecy stating that the prophet Elijah would return to "turn the heart of the fathers to the children, and the heart of the children to their fathers." There is a network of church-operated Family History Centers all over the country and around the world, where volunteers assist the public with tracing their ancestors. Brigham Young University offers bachelor's degree, minor, and concentration programs in Family History and is the only school in North America to offer this.