title: Maximilian I, Holy Roman Emperor

text: According to Brady Jr., Ranke is right regarding the fact Berthold von Henneberg and other princes did play the leading role in presenting the proposals for creating institutions (that would also place the power in the hands of the princes) in 1495. However, what Maximilian opposed was not reform per se. He generally shared their sentiments regarding ending feuds, sounder administrative procedures, better record-keeping, qualifications for offices etc. Responding to the proposal that an Imperial Council (the later "Reichsregiment") should be created, he agreed and welcomed the participation of the Estates, but he alone should be the one who appointed members and the council should function only during his campaigns. He supported modernizing reforms (which he himself pioneered in his Austrian lands), but also wanted to tie it to his personal control, above all by permanent taxation, which the Estates consistently opposed. In 1504, when he was strong enough to propose his own ideas of such a Council, the cowered Estates tried to resist. At his strongest point though, he still failed to find a solution for the common tax matter, which led to disasters in Italy later. Stollberg-Rilinger notes that had the Common Penny been successful, modern governmental structures would likely emerge on the Empire's level, but that was why it failed as it was not in the interest of territorial lords. Meanwhile, he explored Austria's potential as a base for Imperial power and built his government largely with officials drawn from the lower aristocracy and burghers in Southern Germany. Whaley notes that the real foundation of his Imperial power lay with his networks of allies and clients, especially the less powerful Estates, who helped him to recover his strength in 1502 – his first reform proposals as King of the Romans in 1486 were about the creation of a network of regional unions. According to Whaley, "More systematically than any predecessor, Maximilian exploited the potential of regional leagues and unions to extend imperial influence and to create the possibility of imperial government in the Reich." To the Empire, the mechanisms involving such regional institutions bolstered the Land Piece ("Ewiger Landfriede") declared in 1495 as well as the creation of the "Reichskreise" ("Imperial Circles", which would serve the purpose of organize imperial armies, collect taxes and enforce orders of the imperial institutions: there were six at first; in 1512, the number increased to ten), between 1500 and 1512, although they were only fully functional some decades later. While Brady describes Maximilian's thinking as "dynastic and early modern", Heinz Angermeier (also focusing on his intentions at the 1495 Diet) writes that for Maximilian, "the first politician on the German throne", dynastic interests and imperial politics had no contradiction. Rather, the alliance with Spain, imperial prerogatives, anti-Ottoman agenda, European leadership and inner politics were all tied together. In Austria, Maximilian defined two administrative units: Lower Austria and Upper Austria (Further Austria was included in Upper Austria).


title: Maximilian I, Holy Roman Emperor

text: Another development arising from the reform was that, amidst the prolonged struggles between the monarchical-centralism of the emperor and the estates-based federalism of the princes, the Reichstag (Imperial Diet) became the all-important political forum and the supreme legal and constitutional institution (without any declared legal basis or inaugural act), which would act as a guarantee for the preservation of the Empire in the long run.


title: Maximilian I, Holy Roman Emperor

text: Ultimately, the results of the reform movement presided over by Maximilian, as presented in the shape of newly formed structures as well as the general framework (functioning as a constitutional framework), were a compromise between emperor and estates, who more or less shared common cause but separate interests. Although the system of institutions arose from this were not complete, a flexible, adaptive problem-solving mechanism for the Empire was formed. Stollberg also links the development of the reform to the concentration of supranational power in the Habsburgs' hand, which manifested in the successful dynastic marriages of Maximilian and his descendants (and the successful defense of those lands, notably the rich Low Countries) as well as Maximilian's development of a revolutionary post system that helped the Habsburgs to maintain control of their territories (Additionally, the communication revolution created by the combination of the postal system with printing would boost the empire's capability of disseminating orders and policies as well as its coherence in general, elevating cultural life, and also help reformers like Luther to broadcast their views effectively.).


title: Maximilian I, Holy Roman Emperor

text: Recent German research explores the importance of the Reichstags that followed the 1495 one in Worms. The 1512 Reichstag in Trier that Maximilian assembled, for example, was decisive for the development of the "Reichskammergericht", the Land Peace and the "Gemeine Pfennig", although by this point it was clear that Maximilian was already past his best years (the early signs of crisis seemed to have showed already in Cologne, 1505) – which, according to Dietmar Heil, resulted in the fact that the "Gemeine Pfennig" was only partially approved and then partially implemented.


title: Maximilian I, Holy Roman Emperor

text: According to Whaley, if Maximilian ever saw Germany as a source of income and soldiers only, he failed miserably in extracting both. His hereditary lands and other sources always contributed much more (the Estates gave him the equivalent of 50,000 gulden per year, a lower than even the taxes paid by Jews in both the Reich and hereditary lands, while Austria contributed 500,000 to 1,000,000 gulden per year). On the other hand, the attempts he demonstrated in building the imperial system alone shows that he did consider the German lands "a real sphere of government in which aspirations to royal rule were actively and purposefully pursued." Whaley notes that, despite struggles, what emerged at the end of Maximilian's rule was a strengthened monarchy and not an oligarchy of princes. If he was usually weak when trying to act as a monarch and using imperial instituations like the Reichstag, Maximilian's position was often strong when acting as a neutral overlord and relying on regional leagues of weaker principalities such as the Swabian league, as shown in his ability to call on money and soldiers to mediate the Bavaria dispute in 1504, after which he gained significant territories in Alsace, Swabia and Tyrol. His fiscal reform in his hereditary lands provided a model for other German princes. Benjamin Curtis opines that while Maximilian was not able to fully create a common government for his lands (although the chancellery and court council were able to coordinate affairs across the realms), he strengthened key administrative functions in Austria and created central offices to deal with financial, political and judicial matters – these offices replaced the feudal system and became representative of a more modern system that was administered by professionalized officials. After two decades of reforms, the emperor retained his position as first among equals, while the empire gained common institutions through which the emperor shared power with the estates.


title: Maximilian I, Holy Roman Emperor

text: In 1508, Maximilian, with the assent of Pope Julius II, took the title "Erwählter Römischer Kaiser" ("Elected Roman Emperor"), thus ending the centuries-old custom that the Holy Roman Emperor had to be crowned by the Pope.


title: Maximilian I, Holy Roman Emperor

text: At the 1495 Diet of Worms, the Reception of Roman Law was accelerated and formalized. The Roman Law was made binding in German courts, except in the case it was contrary to local statutes. In practice, it became the basic law throughout Germany, displacing Germanic local law to a large extent, although Germanic law was still operative at the lower courts. Other than the desire to achieve legal unity and other factors, the adoption also highlighted the continuity between the Ancient Roman empire and the Holy Roman Empire. To realize his resolve to reform and unify the legal system, the emperor frequently intervened personally in matters of local legal matters, overriding local charters and customs. This practice was often met with irony and scorn from local councils, who wanted to protect local codes. Maximilian had a general reputation of justice and clemency, but could occasionally act in a violent and resentful manner if personally affronted.


title: Maximilian I, Holy Roman Emperor

text: In 1499, as the ruler of Tyrol, he introduced the "" (the Penal Code of Maximilian). This was the first codified penal law in the German speaking world. The law attempted to introduce regularity into contemporary discrete practices of the courts. This would be part of the basis for the Constitutio Criminalis Carolina established under Charles V in 1530. Regarding the use of torture, the court needed to decide whether someone should be tortured. If such a decision was made, three council members and a clerk should be present and observe whether a confession was made only because of the fear of torture or the pain of torture, or that another person would be harmed.


title: Maximilian I, Holy Roman Emperor

text: During the Austrian-Hungarian war (1477–1488), Maximilian's father Frederick III issued the first modern regulations to strengthen military discipline. In 1508, using this ordinance as the basis, Maximilian devised the first military code (“Articles”). This code included 23 articles. The first five articles prescribed total obedience to imperial authority. Article 7 established the rules of conduct in camps. Article 13 exempted churches from billeting while Article 14 forbade violence against civilians: “You shall swear that you will not harm any pregnant women, widows and orphans, priests, honest maidens and mothers, under the fear of punishment for perjury and death”. These actions that indicated the early developments of a "military revolution" in European laws had a tradition in the Roman concept of a just war and ideas of sixteenth-century scholars, who developed this ancient doctrine with a main thesis which advocated that war was a matter between two armies and thus the civilians (especially women, children and old people) should be given immunity. The code would be the basis for further ordinances by Charles V and new "Articles" by Maximilian II (1527–1576), which became the universal military code for the whole Holy Roman Empire until 1642.


title: Maximilian I, Holy Roman Emperor

text: The legal reform seriously weakened the ancient Vehmic court ("Vehmgericht", or Secret Tribunal of Westphalia, traditionally held to be instituted by Charlemagne but this theory is now considered unlikely), although it would not be abolished completely until 1811 (when it was abolished under the order of Jérôme Bonaparte).


title: Maximilian I, Holy Roman Emperor

text: In 1518, after a general diet of all Habsburg hereditary lands, the emperor issued the "Innsbrucker Libell" which set out the general


title: Maximilian I, Holy Roman Emperor

text: defence order (Verteidigungsordnung) of Austrian provinces, which "gathered together all the elements that had appeared and developed over the preceding centuries.". The provincial army, based on noble cavalry, was for defence only; bonded labourers were conscripted using a proportional conscription system; upper and lower Austrian provinces agreed on a mutual defence pact in which they would form a joint command structure if either were attacked. The military system and other reforms were threatened after Maximilian's deạth but would be restored and reorganized later under Ferdinand I.


title: Maximilian I, Holy Roman Emperor

text: According to Brady Jr., Maximilian was no reformer of the church though. Personally pious, he was also a practical caesaropapist who was only interested in the ecclesiastical organization as far as reforms could bring him political and fiscal advantages. He met Luther once at the Diet of Augsburg in 1518, "a rehearsal for Worms in 1521". He saw the grievances and agreed with Luther on some points. However as the religious question was a matter of money and power to him, he had no interest in stopping the indulgences. At this point, he was too busy with his grandson's election. As Luther was about to be arrested by the papal legate, he granted him a letter of safe passage. Brady notes that blindness to the need to reform from above would lead to the reform from below.


title: Maximilian I, Holy Roman Emperor

text: Maximilian was always troubled by financial shortcomings; his income never seemed to be enough to sustain his large-scale goals and policies. For this reason he was forced to take substantial credits from Upper German banker families, especially from the Gossembrot, Baumgarten, Fugger and Welser families. Jörg Baumgarten even served as Maximilian's financial advisor. The connection between the emperor and banking families in Augsburg was so widely known that Francis I of France derisively nicknamed him "the Mayor of Augsburg" (another story recounts that a French courtier called him the alderman of Augsburg, to which Louis XII replied: "Yes, but every time that this alderman rings the tocsin from his belfry, he makes all France tremble.", referring to Maximilian's military ability). Around 70 percent of his income went to wars (and by the 1510s, he was waging wars on almost all sides of his border). At the end of Maximilian's rule, the Habsburgs' mountain of debt totalled six million gulden to six and a half million gulden, depending on the sources. By 1531, the remaining amount of debt was estimated at 400,000 gulden (about 282,669 Spanish ducats). In his entire reign, he had spent around 25 million gulden, much of which was contributed by his most loyal subjects – the Tyrolers. The historian Thomas Brady comments: "The best that can be said of his financial practices is that he borrowed democratically from rich and poor alike and defaulted with the same even-handedness". By comparison, when he abdicated in 1556, Charles V left Philip a total debt of 36 million ducats (equal to the income from Spanish America for his entire reign), while Ferdinand I left a debt of 12.5 million gulden when he died in 1564. Economy and economic policies under the reign of Maximilian is a relatively unexplored topic, according to Benecke.


title: Maximilian I, Holy Roman Emperor

text: Overall, according to Whaley, "The reign of Maximilian I saw recovery and growth but also growing tension. This created both winners and losers.", although Whaley opines that this is no reason to expect a revolutionary explosion (in connection to Luther and the Reformation). Whaley points out, though, that because Maximilian and Charles V tried to promoted the interests of the Netherlands, after 1500, the Hanseatic League was negatively affected and their growth relative to England and the Netherlands declined.


title: Maximilian I, Holy Roman Emperor

text: In the Low Countries, during his regency, to get more money to pay for his campaigns, he resorted to debase coins in the Burgundian mints, causing more conflicts with the interests of the Estates and the merchant class.


title: Maximilian I, Holy Roman Emperor

text: In Austria, although this was never enough for his needs, his management of mines and salt works proved efficient, with a marked increase in revenue, the fine silver production in Schwaz increased from 2,800 kg in 1470 to 14,000 kg in 1516. Benecke remarks that Maximilian was a ruthless, exploitative businessman while Hollegger sees him as a clearheaded manager with sober cost-benefit analysis. Ultimately, he had to mortgage these properties to the Fuggers to get quick cash. The financial price would ultimately fall on the Austrian population. Fichtner states that Maximilian's pan-European vision was very expensive, and his financial practices antagonized his subjects both high and low in Burgundy, Austria and Germany (who tried to temper his ambitions, although they never came to hate the charismatic ruler personally), this was still modest in comparison with what was about to come, and the Ottoman threat gave the Austrians a reason to pay.


title: Maximilian I, Holy Roman Emperor

text: For both economic and military purposes, he encouraged the mining of copper, silver and calamine, coining, brass manufacturing and the arms industry. He took pains to protect the local economy, especially in Tyrol, where there was a mining boom (accompanied by a population boom), although Safley notes that he also enabled families like the Hochstetters to exploit the economy for their own ends. Agriculture also developed significantly, except in Lower Austria which suffered from the war with Matthias Corvinus.


title: Maximilian I, Holy Roman Emperor

text: Augsburg benefitted majorly from the establishment and expansion of the Kaiserliche Reichspost as well as Maximilian's personal attachment to the city. The imperial city became "the dominant centre of early capitalism" of the sixteenth century, and "the location of the most important post office within the Holy Roman Empire". From Maximilian's time, as the "terminuses of the first transcontinental post lines" began to shift from Innsbruck to Venice and from Brussels to Antwerpt, in these cities, the communication system and the news market started to converge. As the Fuggers as well as other trading companies based their most important branches in these cities, these traders gained access to these systems as well.(Despite a widely circulated theory which holds that the Fuggers themselves operated their own communication system, in reality they relied upon the imperial posts, presumably from the 1490s onwards, as official members of the court of Maximilian I).


title: Maximilian I, Holy Roman Emperor

text: Leipzig started its rise into one of the largest European trade fair cities after Maximilian granted them wide-ranged privileges in 1497 (and raised their three markets to the status of Imperial Fair in 1507).


title: Maximilian I, Holy Roman Emperor

text: Traditionally, German dynasties had exploited the potential of the imperial title to bring Eastern Europe into the fold, in addition to their lands north and south of the Alps. Under Sigismund, the predecessors of the Habsburgs, the Luxemburgs, had managed to gain an empire almost comparable in scale to the later Habsburg empire, although at the same time they lost the Kingdom of Burgundy and control over Italian territories. Their focus on the East, especially Hungary (which was outside the Holy Roman Empire and also gained by the Luxemburgs with a marriage), allowed the new Burgundian rulers from the House of Valois to foster discontent among German princes. Thus, the Habsburgs were forced to refocus their attention on the West. Frederick III's cousin and predecessor, Albert II (who was Sigismund's son-in-law and heir through his marriage with Elizabeth of Luxembourg) had managed to combine the crowns of Germany, Hungary, Bohemia and Croatia under his rule, but he died young. During his rule, Maximilian had a double focus on both the East and the West. The successful expansion (with the notable role of marriage policy) under Maximilian bolstered his position in the Empire, and also created more pressure for an imperial reform, so that they could get more resources and coordinated help from the German territories to defend their realms and counter hostile powers such as France.


title: Maximilian I, Holy Roman Emperor

text: As part of the Treaty of Arras, Maximilian betrothed his three-year-old daughter Margaret to the Dauphin of France (later Charles VIII), son of his adversary Louis XI. The betrothal was the result of clandestine negotiations between Louis XI and Ghent – as Maximilian's position was temporarily weakened by his wife's death, he had no say in the matter.


title: Maximilian I, Holy Roman Emperor

text: Dying shortly after signing the Treaty of Le Verger, Francis II, Duke of Brittany, left his realm to his daughter Anne. In her search of alliances to protect her domain from neighboring interests, she betrothed Maximilian I in 1490. About a year later, they married by proxy.


title: Maximilian I, Holy Roman Emperor

text: However, Charles VIII and his sister Anne wanted her inheritance for France. So, when the former came of age in 1491, and taking advantage of Maximilian and his father's interest in the succession of their adversary Mathias Corvinus, King of Hungary, Charles repudiated his betrothal to Margaret, invaded Brittany, forced Anne of Brittany to repudiate her unconsummated marriage to Maximilian, and married Anne of Brittany himself.


title: Maximilian I, Holy Roman Emperor

text: Margaret then remained in France as a hostage of sorts until 1493, when she was finally returned to her father with the signing of the Treaty of Senlis.


title: Maximilian I, Holy Roman Emperor

text: In the same year, as the hostilities of the lengthy Italian Wars with France were in preparation, Maximilian contracted another marriage for himself, this time to Bianca Maria Sforza, daughter of Galeazzo Maria Sforza, Duke of Milan, with the intercession of his brother, Ludovico Sforza, then regent of the duchy after the former's death.


title: Maximilian I, Holy Roman Emperor

text: In the East, Maximilian faced the need to reduce the growing pressures on the Empire brought about by treaties between the rulers of France, Poland, Hungary, Bohemia, and Russia, as well as to bolster his dynasty's position – temporarily threatened by the union between Anne of Foix-Candale and Vladislaus II of Hungary, in addition to resistance of the Hungarian magnates – in Bohemia and Hungary (that the Habsburgs claimed through inheritance and overlordship). Maximilian met with the Jagiellonian kings Ladislaus II of Hungary and Bohemia and Sigismund I of Poland at the First Congress of Vienna in 1515. There they arranged for Maximilian's granddaughter Mary to marry Louis, the son of Ladislaus, and for Anne (the sister of Louis) to marry Maximilian's grandson Ferdinand (both grandchildren being the children of Philip the Handsome, Maximilian's son, and Joanna of Castile). The marriages arranged there brought Habsburg kingship over Hungary and Bohemia in 1526. In 1515, Louis was adopted by Maximilian. Maximilian had to serve as the proxy groom to Anna in the betrothal ceremony, because only in 1516 did Ferdinand agree to enter into the marriage, which would happen in 1521.


title: Maximilian I, Holy Roman Emperor

text: These political marriages were summed up in the following Latin elegiac couplet, reportedly spoken by Matthias Corvinus: "Bella gerant aliī, tū fēlix Austria nūbe/ Nam quae Mars aliīs, dat tibi regna Venus", "Let others wage war, but thou, O happy Austria, marry; for those kingdoms which Mars gives to others, Venus gives to thee."


title: Maximilian I, Holy Roman Emperor

text: Contrary to the implication of this motto though, Maximilian waged war aplenty (In four decades of ruling, he waged 27 wars in total). Late in his life though, only the military situation in the East worked well – the Magyars was said to fear him more than the Turks or the Devil. In the West, he could do no more than blocking French expansion and only with Spanish aid. His general strategy was to combine his intricate systems of alliance, military threats and offers of marriage to realize his expansionist ambitions. Using overtures to Russia, Maximilian succeeded in coercing Bohemia, Hungary and Poland into acquiesce in the Habsburgs' expansionist plans. Combining this tactic with military threats, he was able to gain the favourable marriage arrangements In Hungary and Bohemia (which were under the same dynasty).


title: Maximilian I, Holy Roman Emperor

text: At the same time, his sprawling panoply of territories as well as potential claims constituted a threat to France, thus forcing Maximilian to continuously launch wars in defense of his possessions in Burgundy, the Low Countries and Italy against four generations of French kings (Louis XI, Charles VIII, Louis XII, Francis I). Coalitions he assembled for this purpose sometimes consisted of non-imperial actors like England. Edward J. Watts comments that the nature of these wars was dynastic, rather than imperial.


title: Maximilian I, Holy Roman Emperor

text: Fortune was also a factor that helped to bring about the results of his marriage plans. The double marriage could have given the Jagiellon a claim in Austria, while a potential male child of Margaret and John, a prince of Spain, would have had a claim to a portion of the maternal grandfather's possessions as well. But as it turned out, Vladislaus's male line became extinct, while the frail John died without offsprings, so Maximilian's male line was able to claim the thrones.


title: Maximilian I, Holy Roman Emperor

text: During his last years, Maximilian began to focus on the question of his succession. His goal was to secure the throne for Charles. According to the traditional view, a credit of one million gulden was provided (to Charles, after Maximilian's death, according to Wiesflecker and Koenigsberger) by the Fuggers (the Cortes had voted over 600,000 crowns for Charles's election campaign, but money from Spain could not arrive quick enough), which was used for advertising and to bribe the prince-electors, and that this was the decisive factor in Charles's successful election. Others point out that while the electors were paid, this was not the reason for the outcome, or at most played only a small part. The important factor that swayed the final decision was that Frederick refused the offer, and made a speech in support of Charles on the ground that they needed a strong leader against the Ottomans, Charles had the resources and was a prince of German extraction. The death of Maximilian in 1519 seemed to put the succession at risk, but in a few months the election of Charles V was secured.


title: Maximilian I, Holy Roman Emperor

text: In 1501, Maximilian fell from his horse and badly injured his leg, causing him pain for the rest of his life. Some historians have suggested that Maximilian was "morbidly" depressed: from 1514, he travelled everywhere with his coffin. In 1518, feeling his death near after seeing an eclipse, he returned to his beloved Innsbruck, but the city's innskeepers and purveyors did not grant the emperor's entourage further credit. The resulting fit led to a stroke that left him bedridden on 15 December 1518. He continued to read documents and received foreign envoys right until the end though. Maximilian died in Wels, Upper Austria, at three o'clock in the morning on 12 January 1519. Different historians have listed different diseases as the main cause of death, including cancer (likely stomach cancer or intestinal cancer), pneumonia, syphilis, gall stones, stroke (he did have a combination of dangerous medical problems) etc.


title: Maximilian I, Holy Roman Emperor

text: Maximilian was succeeded as Emperor by his grandson Charles V, his son Philip the Handsome having died in 1506. For penitential reasons, Maximilian gave very specific instructions for the treatment of his body after death. He wanted his hair to be cut off and his teeth knocked out, and the body was to be whipped and covered with lime and ash, wrapped in linen, and "publicly displayed to show the perishableness of all earthly glory". Gregor Reisch, the emperor's friend and confessor who closed his eyes, did not obey the instruction though. He placed a rosary in Maximilian's hand and other sacred objects near the corpse. He was buried in the Castle Chapel at Wiener Neustadt on borrowed money. The casket was opened during renovation under Maria Theresa. After that, the body was reinterred in a Baroque sarcophagus, that later was found unscathed amidst the wreckage of the chapel (due to the Second World War) on 6 August 1946. The emperor was ceremoniously buried again in 1950.


title: Maximilian I, Holy Roman Emperor

text: Despite his reputation as "the last knight" (and his penchant for personally commanding battles and leading a peripatetic court), as a politician, Maximilian also carried out "herculean tasks of bureaucracy" every day of his adult life (the emperor boasted that he could dictate, simultaneously, to half a dozen secretaries). At the same time, James M. Bradburne remarks that, "Naturally every ruler wanted to be seen as a victor, but Maximilian aspired to the role of Apollo Musagetes." The circle of humanists gathered around him and other contemporary admirers also tended to depict him as such. Maximilian was a universal patron, whose intellect and imagination, according to historian Sydney Anglo, made the courtier of Castiliogne look like a scaled-down version. Anglo points out, though, that the emperor treated his artists and scholars like mere tools (whom he also tended to fail to pay adequately or timely) to serve his purposes, and never autonomous forces. Maximilian did not play the roles of the sponsor and commissioner only, but as organizer, stimulator and planner, he joined the creative processes, drew up the programmes, suggested improvements, checked and decided on the details, invented devices, almost regardless of the time and material resources required. His creativity was not limited to the practical issues of politics, economy and war, but extended to the areas of arts, sciences, hunting, fishing and especially technical innovations, inclụding the creation of all kinds of military equipments, fortifications, precious metal processing or the mining industry. These activities though were time-consuming and the effort the emperor poured in such activities was sometimes criticized as excessive, or that they distracted him from the main tasks of a ruler. In the nineteenth century and early twentieth century, some even criticized him for possessing the qualities that befitted a genius more than a ruler, or that his intellect that saw too far made him unwisely try to force the march of time.


title: Maximilian I, Holy Roman Emperor

text: Maximilian was a capable commander (Although, he lost many wars, usually due to the lack of financial resources. The notable commentators of his time, including Machiavelli, Piero Vettori and Guicciardini rated him as a great general, or in the words of Machivelli, "second to none", but pointed out that extravagance, terrible management of financial resources and other character defects tended to lead to the failures of grand schemes. According to Matthias Pfaffenbichler, he did not accept the truth that war depended on money, and thus the problem was that despite his military-tactical talents, he rarely managed to convert military victories into long-term political successes). and a military innovator who contributed to the modernization of warfare. He and his condottiero George von Frundsberg organized the first formations of the Landsknechte based on inspiration from Swiss pikemen, but increased the ratio of pikemen and favoured handgunners over the crossbowmen, with new tactics being developed, leading to improvement in performance. Discipline, drilling and a highly developed staff by the standard of the era were also instilled. The "war apparatus" he created later played an essential role in Austria's rank as great power. Maximilian was the founder and organiser of the arms industry of the Habsburgs. He started the standardization of the artillery (according to the weight of the cannonballs) and made them more mobile. He sponsored new types of cannons, initiated many innovations that improved the range and damage so that cannons worked better against thick walls, and concerned himself with the metallurgy, as cannons often exploded when ignited and caused damage among his own troops. According to contemporary accounts, he could field an artillery of 105 cannons, including both iron and bronze guns of various sizes. The artillery force is considered by some to be the most developed of the day. The arsenal in Innsbruck, created by Maximilian, was one of the most notable artillery arsenals in Europe. His typical tactic was: artillery should attack first, the cavalry would act as shock troops and attack the flanks, infantry fought in tightly knitted formation at the middle.


title: Maximilian I, Holy Roman Emperor

text: A figure who contributed greatly to the development of the Innsbruck arsenal was Gregor Löffler. He entered Maximilian's service in 1513, following in the footsteps of his father Peter; his son Hans Christoph would also be the leading gunfounder in Europe. Löffler was the first gun master who became an arms manufacturer (who produced weapons on an industrial scale), and was also responsible for casting many of the statues in Maximilian's cenotaph. In addition to the central arsenal in Innsbruck, Maximilian built a chain of arsenals to protect his border: those in Sigmundskron and Trent against Italians, in Lindau against the Swiss, in Breisach against the French, in Vienna against the Hungarians, in Graz, Hochosterwitz, Laibach, Gorizia against the Turks and Venetians. In addition, there were the old Burgundian arsenals against France. On the other hand, Wilfried Tittmann stresses the central importance of the arms manufacturing center in Nuremberg (where the earliest handguns, which proved suitable for the field and export, were developed), not only concerning Maximilian's military system but also the early modern military revolution in general. Puype notices that Tittmann and Eugen Heer share the view that Maximilian's industrialization policy made Nuremberg "the metropole of the Upper German armament industry." Marius Mutz opines that Tittmann's demonstration of Nuremberg's importance is generally convincing, but that some of his points, notably that Hans Kalteisen (who served Maximilian and was Löffler's rival) had a Nuremberg origin or that developments in Innsbruck were based on Nuremberg's technology as well, are a bit overambitious.


title: Maximilian I, Holy Roman Emperor

text: Maximilian was described by the nineteenth-century politician Anton Alexander Graf von Auersperg as "the last knight" (der letzte Ritter), and this epithet has stuck to him. Some historians note that the epithet rings true yet is ironic, because, as the father of the Landsknechte (of which the paternity he shared with George von Frundsberg) and "the first cannoneer of the nation", he ended the combat supremacy of the cavalry, and his death heralded the military revolution of the next two centuries. Moreover, his multifaceted reforms broke the back of the knight class both militarily and politically. He threw his own weight behind the promotion of the infantry soldier, leading them in battles on foot with a pike on his shoulder and giving the commanders honours and titles. To Maximilian, the rise of the new martial ethic including even its violent aspect – associated with the rise of the Landsknechte, was also an unextractable part of his own masculine identity. He believed that fighting alongside his foot soldiers legitimized his right to rule more than did any noble trapping or title. In his time, though, social tensions were brewing, and the nobles resisted this belief. At the Siege of Padua 1509, commanding a French-German allied army, Maximilian ordered the noble knights to dismount to help the Landsknechte to storm a breach, but Chevalier Bayard criticized him for putting noblemen at risk alongside "cobblers, blacksmiths, bakers, and laborers, and who do not hold their honor in like esteem as gentlemen." Even merely mixing the two on the same battlefield was considered insulting. The French then refused to obey. The siege broke when the German knights refused to continue their assaults on foot and demanded to fight on horseback, also on basis of status. A furious Maximilian left the camp and ordered the army to retreat.


title: Maximilian I, Holy Roman Emperor

text: With Maximilian's establishment and use of the Landsknechte, the military organisation in Germany was altered in a major way. Here began the rise of military enterprisers, who raised mercenaries with a system of subcontractors to make war on credit, and acted as the commanding generals of their own armies. Maximilian became an expert military enterpriser himself, leading his father to consider him a spendthrift military adventurer who wandered into new wars and debts while still recovering from the previous campaigns.


title: Maximilian I, Holy Roman Emperor

text: Regarding the cavalry, in 1500, using the French gendarmes as a model, he organized his heavy cavalry, called the "kyrisser". These cavalrymen, still mostly noblemen, were still fully armed, but more lightly – these were the predecessors of cuirassiers. Non-nobles began to be accepted into the cavalry (mostly serving as light cavalry – each "lanze", or lance, contained one "kyrisser" and six to seven light cavalrymen) and occasionally, he knighted them too. For heavy as well as light cavalry, firearms began to replace cold weapons.


title: Maximilian I, Holy Roman Emperor

text: In military medicine, Maximilian introduced structured triage (triage itself had existed since the Ancient Egypt). It was in his armies that the wounded was first categorized and treated according to an order of priority – in times of war, higher priority was given to military personnel over civilians and the higher-ranked over the lower-ranked. The practice spread to other armies in the following centuries and coined “triage” by the French. During the Middle Age, European armies tended to bring with them workers who served the soldiers both as barbers (this was their chief function, thus the origin of their name in German, "Feldscherer", or field shearer) and low-skilled paramedics (as opposed to a trained "medicus") who worked on their external wounds. Beginning with Maximilian, each captain of a detachment (of 200–500 men) was compelled to bring a capable "Feldscherer" and provide him with medicine and equipments. These paramedics were subject to a level of control under a "Oberfeldarzt" (chief field doctor), although their organization was not stabilized until the seventeenth century and it also took a long time before the average level of these paramedics was raised substantially. The birth of the modern feldsher led to the formation of a military medical service, whose primary task, other than giving first aid, was to transport the wounded out of the battlefield as fast as possible with palanquins and wheelbarrows.


title: Maximilian I, Holy Roman Emperor

text: The emperor would not live to see the fruits of his military reforms, which were also widely adopted by the territories in the Empire and other nations in Europe. Moreover, the landsknechte's mode of fighting boosted the strength of the territorial polities, while more centralized nations were able to utilize them in ways German rulers could not. Kleinschmidt concludes that, in the end, Maximilian did good service to the competitors of his own grandson.


title: Maximilian I, Holy Roman Emperor

text: While favouring more modern methods in his actual military undertakings, Maximilian had a genuine interest in promoting chivalric traditions like the tournament, being an exceptional jouster himself. The tournaments helped to enhance his personal image and solidify a network of princes and nobles over whom he kept a close watch, fostering fidelity and fraternity among the competitors. Taking inspiration from the Burgundy tournament, he developed the German tournament into a distinctive entity. In addition, during at least two occasions in his campaigns, he challenged and killed French knights in duel-like preludes to battles.


title: Maximilian I, Holy Roman Emperor

text: Knights reacted to their decreased condition and loss of privileges in different ways. Some asserted their traditional rights in violent ways and became robber knights like Götz von Berlichingen. The knights as a social group became an obstacle to Maximilian's law and order and the relationship between them and "the last knight" became antagonistic. Some probably also felt slighted by the way imperial propaganda presented Maximilian as the sole defender of knightly values. In the Diet of Worms in 1495, the emperor, the archbishops, great princes and free cities joined force to initiate the Perpetual Land Peace (Ewige Landfriede), forbidding all private feuding, in order to protect the rising tide of commerce. The tournament sponsored by the emperor was thus a tool to appease the knights, although it became a recreational, yet still deadly extreme sport. After spending 20 years creating and supporting policies against the knights though, Maximilian changed his ways and began trying to engage them to integrate them into his frame of rulership. In 1517, he lifted the ban on Franz von Sickingen, a leading figure among the knights and took him into his service. In the same year, he summoned the Rhenish knights and introduced his Ritterrecht (Knight's Rights), which would provide the free knight with a special law court, in exchange of their oaths for being obedient to the emperor and abstaining from evil deeds. He did not succeed in collecting taxes from them or creating a knights' association, but an ideology or frame emerged, that allowed the knights to retain their freedom while fostering the relationship between the crown and the sword.


title: Maximilian I, Holy Roman Emperor

text: Maximilian had a great passion for armour, not only as equipment for battle or tournaments, but as an art form. He prided himself on his armor designing expertise and knowledge of metallurgy. Under his patronage, "the art of the armorer blossomed like never before." Master armorers across Europe like Lorenz Helmschmid, Konrad Seusenhofer, Franck Scroo and Daniel Hopfer (who was the first to etch on iron as part of an artistic process, using an acid wash) created custom-made armors that often served as extravagant gifts to display Maximilian's generosity and devices that would produce special effects (often initiated by the emperor himself) in tournaments. The style of armour that became popular during the second half of his reign featured elaborate fluting and metalworking, and became known as Maximilian armour. It emphasized the details in the shaping of the metal itself, rather than the etched or gilded designs popular in the Milanese style. Maximilian also gave a bizarre jousting helmet as a gift to King Henry VIII – the helmet's visor features a human face, with eyes, nose and a grinning mouth, and was modelled after the appearance of Maximilian himself. It also sports a pair of curled ram's horns, brass spectacles, and even etched beard stubble. Knowing that the extinct Treizsaurbeyn (likely Treitzsauerwein) family had a method to make extra tough armours that could not be shot through by any crossbow, he sought their servant Caspar Riederer, who helped Konrad Seusenhofer to recreate the armour type. With knowledge gained from Riederer, Maximilian invented a method "so that in his workshops 30 front and back plates could be made at once", in order to help his soldiers and especially his Landsknechte. The details of the process described are currently not known, but likely utilizing matrices with where armour parts could be stamped out from sheet metal.


title: Maximilian I, Holy Roman Emperor

text: Maximilian associated the practical art of hunting (as well as fishing and falconry) with his status as prince and knight. He introduced parforce and park hunting to Germany. He also published essays on these topics. In this he followed Frederick II Hohenstaufen and was equally attentive to naturalist details but less scientific. His Tyrol Fishery Book ("Tiroler Fischereibuch") was composed with the help from his fish master Martin Fritz and Wolfgang Hohenleiter. To keep fish fresh, he invented a special kind of fish container.


title: Maximilian I, Holy Roman Emperor

text: While he was unconcerned with the disappearance or weakening of the knight class due to the development of artillery and infantry, Maximilian worried greatly about the vulnerability of ibexes, described by him as "noble creatures", in front of handguns and criticized the peasants in particular for having no moderation. In 1517, the emperor banned the manufacturing and possession of the wheellock, which was designed and especially effective for hunting. Another possible reason for this earliest attempt at gun control might be related to worries about the spreading of crimes. He investigated, classified and protected game reserves, which also damaged the farmers' crops as he forbade them to erect fences. Game population quickly increased though. In one case, he became an unintentional species conservationist: As he had Tyrolean mountain lakes stocked with trouts, a variety of the last trout originating from the Danube, the Kaiser Max trout, has survived until this day in Gossenköllesee.


title: Maximilian I, Holy Roman Emperor

text: Since he was young, in Germany and especially in the Low Countries, he paid attention to the burghers' art of archery, joined archery competitions and gave patronage to crossbow and archery guilds (in military affairs though, he officially abolished the crossbow in 1517 despite its continued use in other countries). Although he never gained complete popular support in Flanders, these patronage activities helped him to build up a relationship with guild members who participated in his campaigns, notably for Guinegate (1479), and rally urban support during his time in the Low Countries. His name heads the list of lords in the huge 1488 Saint George guild-book in Ghent. In the early sixteenth century, he built a Guildhouse for the St.Sebastian's Archers at The Hague.


title: Maximilian I, Holy Roman Emperor

text: The 1511 "" (a military statue and "a cornerstone of Tyrol's democracy", which established the foundation for Tyrol's separate defence organization by exempting the population from military service outside their borders but requiring them to serve in the defence of their region, and recognizing the connection between freedom and the rights to bear arms), which remained largely in effect until the fall of monarchy, led to the establishment of armed militia formations called "". The term "Schützen" had been used to refer to men armed with crossbows, but Maximilian enthusiastically encouraged riflemen and firearms. These formations still exist, although they have become non-governmental since 1918. In 2019, they organized a great shooting event in commemoration of the emperor.


title: Maximilian I, Holy Roman Emperor

text: Another art associated with chivalry and military activities was dancing. As the landsknechte's fighting techniques were developed, they no longer preferred fighting along a straight line (as exercised by even the Swiss until the end of the fifteenth century), but leaned towards a circle-wise movement that enhanced the use of the space around the combatant and allowed them to attack the opponents from different angles. The circle-wise formation described by Jean Molinet as the "snail" would become the hallmark of landsknechte's combat. The new types of combat also required the maintenance of a stable bodily equilibrium. Maximilian, an innovator of these types of movements, also saw value in their effects over the maintenance of group discipline (apart from the control of centralized institutions). As Maximilian and his commanders sought to popularize these forms of movements (which only became daily practice at the end of the fifteen century and gained dominance after Maximilian's death in 1519), he promoted them in tournaments, in fencing and in dancing as well – which started to focus on steps and the movements of the feet over the movements of the head and the arms. The courtly festivals became a playground for innovations, foreshadowing developemts in military practices. Regarding dancing, other elements favoured by Maximilian's court were the "Moriskentan" ("Moors' dance", "Morris-dance", or "Moresca)", the masquerades ("mummerei") and the use of torchbearers. Torchbearers are a part of almost all of the illustrated costumed circle dances in the "Weisskunig" and "Freydal", with Maximilian himself usually being one of them. Masquerades usually included dancing to the music of fifes and drums, performed by the same musicians who served the new infantry forces. The famous humanist philosopher Julius Caesar Scaliger, who grew up as a page at Maximilian's court, reportedly performed the Pyrrhic war dance, which he reconstructed from ancient sources, in front of the emperor. The annual , the oldest children's festival in Bavaria, reportedly founded by Maximilian in 1497 (the event only appeared in written sources from 1658), includes dancing, processions, and reenactment of city life under Maximilian.


title: Maximilian I, Holy Roman Emperor

text: Maximilian was a keen supporter of the arts and sciences, and he surrounded himself with scholars such as Joachim Vadian and Andreas Stoberl (Stiborius), promoting them to important court posts. Many of them were commissioned to assist him complete a series of projects, in different art forms, intended to glorify for posterity his life and deeds and those of his Habsburg ancestors. He referred to these projects as "Gedechtnus" ("memorial"), which included a series of stylised autobiographical works: the epic poems "Theuerdank" and "Freydal", and the chivalric novel "Weisskunig", both published in editions lavishly illustrated with woodcuts. In this vein, he commissioned a series of three monumental woodblock prints: "The Triumphal Arch" (1512–18, 192 woodcut panels, 295 cm wide and 357 cm high – approximately 9'8" by 11'8½"); and a "Triumphal Procession" (1516–18, 137 woodcut panels, 54 m long), which is led by a "Large Triumphal Carriage" (1522, 8 woodcut panels, 1½' high and 8' long), created by artists including Albrecht Dürer, Albrecht Altdorfer and Hans Burgkmair. According to "The Last Knight: The Art, Armor, and Ambition of Maximilian I", Maximilian dictated large parts of the books to his secretary and friend who did the rewriting. Authors of the book "Emperor Maximilian I and the Age of Durer" cast doubt on his role as a true patron of the arts though, as he tended to favor pragmatic elements over high arts. On the other hand, he was a perfectionist who involved himself with every stage of the creative processes. His goals extended far beyond the emperor's own glorification too: commemoration also included the documentation in details of the presence and the restoration of source materials and precious artifacts.


title: Maximilian I, Holy Roman Emperor

text: Notorious for his micro-managing, there was a notable case in which the emperor allowed and encouraged free-ranging, even wild improvisations: his "Book of Prayers". The work shows a lack of constraint, and no consistent iconographic program on the part of the artist (Dürer), which would be realized and highly praised by Goethe in 1811.


title: Maximilian I, Holy Roman Emperor

text: In 1504, Maximilian commissioned the "Ambraser Heldenbuch", a compendium of German medieval narratives (the majority was heroic epics), which was written by Hans Ried. The work was of great importance to German literature because among its twenty five narratives, fifteen was unique. This would be the last time the "Nibelungenlied" was enshrined in German literature before being rediscovered again 250 years later. Maximilian was also a patron of Ulrich von Hutten whom he crowned as Poet Laureate in 1517 and the humanist Willibald Pirckheimer, who was one of Germany's most important patrons of arts in his own right.


title: Maximilian I, Holy Roman Emperor

text: As "Rex litteratus", he supported all the literary genres that had been supported by his predecessors, in addition to drama, a genre that had been gaining in popularity in his era. Joseph Grünpeck attracted his attention with "Comoediae duae", presumably the first German Neo-Latin festival plays. He was impressed with Joseph Grünpeck's "Streit zwischen Virtus und Fallacicaptrix", a morality play in which Maximilian himself was asked to choose between virtue and base pleasure. Celtis wrote for him "Ludus Dianae" and "Rhapsodia de laudibus et victoria Maximiliani de Boemannis". The "Ludus Dianae" displays the symbiotic relationship between ruler and humanist, who are both portrayed as Apollonian or Phoebeian, while Saturn – as counterpole of Phoebus – is a negative force and Bacchus as well as Venus display dangerous aspects in tempting humans towards a depraving life. wrote the first German Neo-Latin tragedy, also the first German Humanist tragedy, the "Historia de Rege Frantie". Other notable authors included Benedictus Chelidonius and Hieronymus Vehus. These plays often doubled as encomium or dramatized newe zeittung (news reports) in support of imperial or princely politics. Douglas A.Russel remarks that the academic mode of theater associated with the new interest Humanism and the Classics at that time that was mainly the work of Konrad Celtis, Joachim von Watt (who was a poet laureate crowned by Maximilian and at age 32 was Rector at the University of Vienna), and Benedictus Chelidonius. William Cecil McDonald comments that, in the context of German medieval literary patronage, "Maximilian's literary activities not only 'summarize' the literary patronage of the Middle Ages, but also represent a point of departure – a beacon for a new age." Moreover, "Like Charlemagne, Otto the Great, Henry II, and Frederick Barbarossa, Maximilian was a fostering spirit, i.e. he not only commissioned literature, but through his policies and the force of his personality he created a climate conducive to the flowering of the arts."


title: Maximilian I, Holy Roman Emperor

text: Under his rule, the University of Vienna reached its apogee as a centre of humanistic thought. He established the College of Poets and Mathematicians which was incorporated into the university. Maximilian invited Conrad Celtis, the leading German scientist of their day to University of Vienna. Celtis found the Sodalitas litteraria Danubiana (which was also supported by Maximilian), an association of scholars from the Danube area, to support literature and humanist thought. Maximilian also promoted the development of the young Habsburg University of Freiburg and its host city, in consideration of the city's strategic position. He gave the city privileges, helped it to turn the corner financially while utilizing the university's professors for important diplomatic missions and key positions at the court. The Chancellor Konrad Stürtzel, twice the university's rector, acted as the bridge between Maximilian and Freiburg. Maximilian supported and utilized the humanists partly for propaganda effect, partly for his genealogical projects, but he also employed several as secretaries and counsellors – in their selection he rejected class barriers, believing that "intelligent minds deriving their nobility from God", even if this caused conflicts (even physical attacks) with the nobles. He relied on his humanists to create a nationalistic imperial myth, in order to unify the Reich against the French in Italy, as pretext for a later Crusade (the Estates protested against investing their resources in Italy though). Maximilian told his Electors each to establish a university in their realm. Thus in 1502 and 1506, together with the Elector of Saxony and the Elector of Brandenburg, respectively, he co-found the University of Wittenberg and the University of Frankfurt. The University of Wittenberg was the first German university established without a Papal Bull, signifying the secular imperial authority concerning universities. This first center in the North where old Latin scholarly traditions were overthrown would become the home of Luther and Melanchthon.


title: Maximilian I, Holy Roman Emperor

text: As he was too distant, his patronage of Humanism and humanistic books in particular did not reach the Netherlands (and as Mary of Burgundy died too young while Philip the Fair and Charles V were educated in the Burgundian tradition, there was no sovereign who fostered humanistic Latin culture in the Netherlands, although they had their own mode of learning). There were exchanges and arguments over political ideas and values between the two sides though. Maximilian greatly admired his father-in-law Charles the Bold (he even adopted Charles's motto as one of his own, namely, "I dared it!", or "Je l'ay emprint!") and promoted his conception that the sovereign's power and magnificence came directly from God and not through the mediation of the Church. This concept was part of Maximilian's political program (including other elements such as the recovery of Italy, the position of the Emperor as "dominus mundi", expansionism, the crusade...etc.), supported in the Netherlands by Paul of Middelburg but considered extreme by Erasmus. Concerning heroic models that rulers should follow (especially concerning the education of Archiduke Charles, who would later be influenced much by his grandfather's knightly image), Antoine Haneron proposed ancient heroes, above all Alexander (who Charles also adopted as a great role model for all his life) while Molinet presented Alexander, Caesar and Semiramis, but Erasmus protested Alexander, Caesar and Xerxes as models. Maximilian strongly promoted the first two though, as well as St.George (both in "Frederican" and "Burgundian" forms). The idea of peace also became more pronounced in Maximilian's court in his last years though, likely influenced by Flemish humanism, especially Erasmian (Maximilian himself was an unabashed warlike prince, but late in his life, he did recognize that his 27 wars only served the devil). Responding to the intense Burgundian humanistic discourse on nobility by birth and nobility by virtue, the emperor pushed his own modification: office versus birth (with a strong emphasis on the primacy of office over birth). Noflatscher opines that the emperor was probably the most important mediator of the Burgundian model himself, with Bianca Maria also having influence (although she could only partially fulfill her role).


title: Maximilian I, Holy Roman Emperor

text: The Italian philosopher Gianfrancesco Pico della Mirandola dedicated his 1500 work "De imaginatione", a treatise on the human mind (in which he synthesized Aristotle, Neoplatonism and Girolamo Savonarola), to Maximilian. The Italian philosopher and theologian Tommaso Radini Tedeschi also dedicated his 1511 work "La Calipsychia sive de pulchritudine animae" to the emperor.


title: Maximilian I, Holy Roman Emperor

text: In philosophy, besides Humanism, esotericism had a notable influence during Maximilian's time. In 1505, he sent Johannes Trithemius eight questions concerning spiritual and religious matters (Questions 3, 5, 6, 7 were concerned with witchcraft) that Trithemius answered and later published in the 1515 book "Liber octo questionum" (Books of eight questions). Maximilian displayed a skeptical aspect, posing questions such as why God permitted witches and their powers to control evil spirits. The authors (now usually identified as Heinrich Kramer alone) of the most notorious work on witchcraft of the time, "Malleus Maleficarum", claimed that they had his letter of approval (supposedly issued in November 1486) to act as inquisitors, but according to Behringer, Durrant and Bailey, he likely never supported them (although Kramer apparently went to Brussels, the Burgundian capital, in 1486, hoping to influence the young King – they did not dare to involve Frederick III, whom Kramer had offended some years earlier). Trithemius dedicated the "De septem secundeis" ("The Seven Secondary Intelligences"), which argued that the cycle of ages was ruled by seven planetary angels, in addition to God (the First Intelligence). The historian Martin Hollegger notes though that Maximilian himself did not share the cyclical view of history, typical for their contemporaries, nor believed that their age would be the last age. He had a linear understanding of time – that progresses would make the world better. The kabbalistic elements in the court as well as Trithemius himself influenced the thinking of the famous polymath and occultist Heinrich Cornelius Agrippa (who in Maximilian's time served mainly as secretary, soldier and diplomatic spy). The emperor, having interest in the occult himself, intended to write two books on magic (Zauberpuech) and black magic (Schwartzcunnstpuech) but did not have time for them.


title: Maximilian I, Holy Roman Emperor

text: Like his father, Maximilian was an alchemist, who at times locked himself up in his room for days to experiment. He collaborated with his sister-in-law Caterina Sforza (her work "Experiments" records a recipe for an emetic powder attributed to him). He sponsored such experiments too. According to Leonhard Thurneysser, in 1499 an alchemist named Schwichard Fronberger set up for him an astro-alchemical project that would theoretically produce silver in 1547 and gold in 1598 (Maximilian was 40 in 1499). In his circle, Reisch and Agrippa were also interested in alchemy, although Agrippa joined a secret society that did not allow publishing about this topic.


title: Maximilian I, Holy Roman Emperor

text: The establishment of the new Courts and the formal Reception of Roman Law in 1495 led to the formation of a professional lawyer class as well as a bureaucratic judiciary. Legal scholars trained in mos italicus (either in Italian universities or in newly established German universities) became in demand. Among the prominent lawyers and legal scholars who served Maximilian in various capacities and provided legal advices to the emperor were Mercurino Gattinara, Sebastian Brandt and Ulrich Zasius. Together with the aristocrats and the "literati" (who participated in Maximilian's propaganda and intellectual projects), the lawyers and legal scholars became one of three main groups in Maximilian's court. Konrad Stürtzel, the Chancellor, belonged to this group. In Maximilian's court – more egalitarian than any previous German or Imperial court, with its burghers and peasants – all these groups were treated equally in promotions and rewards. The individuals were also blending in many respects, usually through marriage alliances.


title: Maximilian I, Holy Roman Emperor

text: Maximilian was an energetic patron of the library. Previous Habsburg rulers such as Albert III and Maximilian's father Frederick III (who collected the 110 books that were the core inventory of the later library) had also been instrumental in centralizing art treasures and book collections. Maximilian became a bibliophile during the time he was in the Low Countries. As husband of Mary of Burgundy, he would come into possession of the huge Burgundian library, which according to some sources was brought to Austria when he returned to his native land. According to the official website of the Austrian National Library though, the Habsburgs only brought the collection to Vienna in 1581. Maximilian also inherited the Tyrol library of his uncle Sigismund, also a great cultural patron (which had received a large contribution from Eleanor of Scotland, Sigismund's wife and also a great lover of books). When he married Bianca Maria, Italian masterpieces were incorporated into the collection. The collection became more organized when Maximilian commissioned Ladislaus Sunthaim, Jakob Mennel and Johannes Cuspinian to acquire and compose books. By the beginning of the sixteenth century, the library had acquired significant Bohemian, French and Italian book art. In 1504, Conrad Celtis spoke the first time of the "Bibliotheca Regia" (which would evolve into the Imperial Library, and as it is named today, the "Österreichische Nationalbibliothek" or the Austrian National Library), an organized library that had been expanded through purchases. Maximilian's collection was dispersed between Innsbruck, Vienna and Wiener Neustadt. The Wiener Neustadt part was under Conrad Celtis's management. The more valuable part was in Innbruck. Already in Maximilian's time, the idea and function of libraries were changing and it became important that scholars gained access to the books. Under Maximilian, who was casual in his attitude to scholars (which marvelled the French chronicler Pierre Frossart, it was fairly easy for a scholar to gain access to the emperor, the court and thus the library. But despite the intention of rulers like Maximilian II (and his chief Imperial Librarian Blotius) and Charles VI to make the library open to the general public, the process was only completed in 1860.


title: Maximilian I, Holy Roman Emperor

text: During Maximilian's time, there were several projects of an encyclopaedic nature, among them the incomplete projects of Conrad Celtis. However, as the founder of the Collegium poetarum et mathematicorum and a "program thinker" ("programmdenker", term used by Jan-Dirk Müller and Hans-Joachim Ziegeler), Celtis established an encyclopaedic-scientific model that increasingly integrated and favoured mechanical arts in relation to the combination between natural sciences and technology and associated them with "divina fabrica" (God's creation in the six days). In consistence with Celtis's design, the university's curriculum and the political and scientific order of Maximilian's time (which was also influenced by developments in the previous eras), the humanist Gregor Reisch, who was also Maximilian's confessor, produced the "Margarita Philosophica", "the first modern encyclopaedia of any importance", first published in 1503. The work covers rhetoric, grammar, logic, music, mathematical topics, childbirth, astronomy, astrology, chemical topics (including alchemy), and hell.


title: Maximilian I, Holy Roman Emperor

text: An area that saw many new developments under Maximilian was cartography, of which the important center in Germany was Nuremberg. In 1515 Dürer and Johannes Stabius created the first world map projected on a solid geometric sphere. Bert De Munck and Antonella Romano make a connection between the mapmaking activities of Dürer and Stabius with efforts to grasp, manipulate and represent time and space, which was also associated with Maximilian's "unprecedented dynastic mythmaking" and pioneering printed works like the "Triumphal Arch" and the "Triumphal Procession". Maximilian assigned Johannes Cuspinianus and Stabius to compile a topography of Austrian lands and a set of regional maps. Stabius and his friend Georg Tannstetter worked together on the maps. The work appeared in 1533 but without maps. The 1528 Lazarus-Tannstetter map of "Tabulae Hungariae" (one of the first regional maps in Europe) though seemed to be related to the project. The cartographers Martin Waldseemüller and Matthias Ringmann dedicated their famous work "Universalis Cosmographia" to Maximilian, although the direct backer was Rene II of Loraine. The 1513 edition of "Geography", which contained this map and was also dedicated to Maximilian, by Jacobus Aeschler and Georgius Ubelin, is considered by Armando Cortes to be the climax of a cartography revolution. The emperor himself dabbled in cartography.</ref> According to Buisseret, Maximilian could "call upon a variety of cartographic talent unrivalled anywhere else in Europe at that time" (that included Celtis, Stabius, Cuspinianus, Jacob Ziegler, Johannes Aventinus and Tannstetter). The development in cartography was tied to the emperor's special interest in sea route exploration, as an activity concerning his global monarchy concept, and his responsibilities as Duke consort to Mary of Burgundy, grandfather of the future ruler of Spain as well as ally and close relation to Portuguese kings. He sent men like Martin Behaim und Hieronymus Münzer to the Portuguese court to cooperate in their exploration efforts as well as to act as his own representatives. Another involved in the network was the Flemish Josse van Huerter or Joss de Utra who would become the first settler of the island of Faial in the Portuguese Azores. Maximilian also played an essential role in connecting the financial houses in Augsburg and Nuremberg (including the companies of Höchstetter, Fugger and Welser etc.) to Portuguese expeditions. In exchange for financial backing, King Manuel provided German investors with generous privileges. The humanist Conrad Peutinger was an important agent who acted as advisor to financiers, translator of voyage records and imperial councillor. Harald Kleinschmidt opines that regarding the matter of world exploration as well as the "transformation of European world picture" in general, Maximilian was "a crucial though much underestimated figure" of his time.


title: Maximilian I, Holy Roman Emperor

text: The evolution of cartography was connected to development in ethnography and the new Humanist science of chorography (promoted by Celtis at the University of Vienna). As Maximilian already promoted the Ur-German after much archaeological and textual excavation as well as embraced the early German wildness, Peutinger correctly deduced that he would support German exploration of another primitive people as well. Using the Welser's commercial ventures as a pretext, Peutinger goaded Maximilian into backing his ethnographical interests in the Indians and supporting the 1505–1506 voyage of Balthasar Springer around Africa to India. Besides, this endeavour added to the emperor's image as a conqueror and ruler, also to rival the claims of his arch-rival Suleiman the Magnificent regarding a global empire. Based on an instruction dictated by Maximilian in 1512 regarding Indians in the Triumphal Procession, Jörg Kölderer executed a series of (now lost) drawings, which served as the guideline for Altdorfer's miniatures in 1513–1515, which in turn became the model for woodcuts (half of them based on now lost 1516–1518 drawings by Burgkmair) showing "the people of Calicut." In 1508, Burgkmair produced the "People of Africa and India" series, focusing on depicting the peoples whom Springer encountered along coastal Africa and India. The series brought into being "a basic set of analytic categories that ethnography would take as its methodological foundation". As part of his dealings with Moscow, the Jagiellons and the Slavic East in general, Maximilian surrounded himself with people from the Slovenian territories and familiar with Slavic languages, such as Sigismund von Herberstein (himself a prominent ethnographer), Petrus Bonomo, George Slatkonia and Paulus Oberstain. Political necessities overcame the prejudice against living languages, which started to find a place along Latin throughout central Europe, also in scholarly areas.


title: Maximilian I, Holy Roman Emperor

text: The emperor's program of restoring the University of Vienna to its former pre-eminence was also concerned with astrology and astronomy. He realized the potential of the print press when combined with these branches of learning, and employed Georg Tannstetter (who, in 1509, was appointed by Maximilian as the Professor of Astronomy at the University of Vienna and also worked for a joint calendar reform attempt with the Pope) to produce yearly practica and wall calendars. In 1515, Stabius (who also acted as the court astronomer), Dürer and the astronomer produced the first planispheres of both southern and northerns hemispheres, also the first printed celestial maps. These maps prompted the revival of interest in the field of uranometry throughout Europe. The Ensisheim meteorite fell on earth during the reign of Maximilian (7 November 1492). This was one of the oldest meteorite impacts in recorded history. King Maximilian, who was on his way to a campaign against France, ordered for it to be dug up and preserved at a local church. The meteorite, as a good omen, was utilized for propaganda against France through the use of broadsheets with dramatic pictures under the direction of the poet Sebastian Brandt (as Maximilian defeated a far larger French army to his own in Senlis two months later, the news would spread even more).


title: Maximilian I, Holy Roman Emperor

text: On the subject of calendars and calendar reform, already in 1484, the famous Flemish scientist Paul of Middelburg dedicated his "Praenostica ad viginti annos duratura" to Maximilian. His 1513 magnum opus "Paulina de recta Paschae celebratione" was also dedicated to Maximilian, together with Leo X.


title: Maximilian I, Holy Roman Emperor

text: In addition to maps, other astrological, geometrical and horological instruments were also developed, chiefly by Stiborius and Stabius, who understood the need to cooperate with the emperors to make these instruments into useful tools for propaganda also. The extraordinarily luxurious planetarium, that took twelve men to carry and was given as a diplomatic gift by Ferdinand I to Suleiman the Magnificent in 1541, originally belonged to Maximilian. He loved to introduce newly invented musical instruments. In 1506, he had a special regal, likely the apfelregal seen in one of Hans Weiditz's woodcuts, built for Paul Hofhaimer. The emperor's favourite musical instrument maker was Hans Georg Neuschel of Nuremberg, who created an improved trombone (Neuschel was a talented trombonist himself). In 1500, an elaborated lathe ("Drehbank") was created for the emperor's personal carpentry hobby. This is the earliest extant lathe, the earliest known surviving lapidary instrument as well as one of the earliest examples of scientific and technological furniture. The earliest surviving screwdriver has also been found attached to one of his suits of armour. Regiomontanus reportedly made an eagle automaton that moved and greeted him when he came to Nuremberg. Augsburg also courted “their” emperor by building the legendary "Nachttor" or Night Gate (famous for its many secret mechanisms), intended to make his entrance safer if he returned to the city at night, in 1514. The gate was destroyed in 1867, but plans and descriptions remain so recently Ausburg has created a virtual version. He liked to end his festivals with fireworks. In 1506, on the surface of Lake Konstanz, on the occasion of the gathering of the Reichstag, he staged a show of firework (this was the first recorded German firework, inspired by the example of Italian princes), completed with firework music provided by singers and court trumpeters. Machiavelli judged him as extravagant, but these were not fireworks done for pleasure, peaceful celebration or religious purpose as the type often seen in Italy, but a core ritual of Maximilian's court, that demonstrated the link between pyrotechnics and military technology. The show caused a stir (the news about the event was distributed through a "Briefzeitung", or "letter newspaper"), leading to fireworks becoming fashionable. In the Baroque era, it would be a common form of self-stylization for monarchs.


title: Maximilian I, Holy Roman Emperor

text: A lot of these scientific and artistic instruments and technical marvels came from Nuremberg, by then the great mechanical, metalworking and precision industry centre of German Renaissance. From 1510, Stabius also took up permanent residence there after travelling with the emperor for years. The city's precision industry and its secondary manufacturing industries were connected to the mining industry, that the leading financiers from the neighbouring Augsburg (which had a flourishing printing industry and was also important for the emperor politically) heavily invested into in partnership with princes like Maximilian.


title: Maximilian I, Holy Roman Emperor

text: The development in astronomy, astrology, cosmography and cartography as well as a developing economy with demand for training in book-keeping were tied with the change in status and professionalization of mathematical studies (that once stood behind medicine, jurisprudence and theology as the lowest art) in the universities. The leading figure was George Tanstetter (also the emperor's astrologer and physician), who provided his students with reasonably priced books through the collection and publication of works done by Joannes de Muris, Peuerbach and Regiomontanus and others, as well as wrote "Viri Mathematici" (Lives of Mathematicians), the first historical study of mathematics of Austria (and also a work to consolidate the position of astronomers, astrologers in Maximilian's court, in imitation of Maximilian's genealogical projects that reinforced his imperial titles). The foremost exponent (and one of the founders) of "descriptive geometry" was Albrecht Dürer himself, whose work "Melencolia I" was a prime representation and inspired a lot of discussions, including its relation or non-relation to Maximilian's status as the most known melancholic of the time, his and his humanists' fear of the influence of the planet Saturn (some say that the engraving was a self-portrayal of Dürer while others think that it was a talisman for Maximilian to counter Saturn), the "Triumphal Arch", hieroglyphics and other esoteric developments in his court, respectively etc.


title: Maximilian I, Holy Roman Emperor

text: Maximilian continued with the strong tradition of supporting physicians at court, started by his father Frederick III, despite Maximilian himself had little personal use for them (he usually consulted everyone's opinions and then opted for some self-curing folk practices). He kept on his payroll about 23 court physicians, whom he "poached" during his long travels from the courts of his relatives, friends, rivals and urban hosts. An innovative solution was entrusting these physicians with healthcare in the most important cities, for which purpose an allowance and horses were made available to them. Alessandro Benedetti dedicated his "Historia Corporis Humani: sive Anatomice" ("The Account of Human Body: or Anatomy") to the emperor. As Humanism was established, the Medical Faculty of the University of Vienna increasingly abandoned Scholasticism and focused on studying laws of disease and anatomy based on actual experiences. the early fifteenth century, the Medical Faculty of the university tried to gain influence upon the apothecaries of the city in order to enhance the dispensed medicines' quality and to enforce uniform preparation modes. Finally, in 1517, Maximilian granted them a privilege which allowed the faculty to inspect the Viennese pharmacies and to check the identity, quality and proper storage of the ingredients as well as the formulated preparations. Likely a victim of syphilis (dubbed the "French disease" and used by Maximilian and his humanists like Joseph Grünpeck in their propaganda and artistic works against France) himself, Maximilian had an interest in the disease, which led him to establish eight hospitals in various hereditary lands. He also retained an interest in the healing properties of berries and herbs all his life and invented a recipe for an invigorating stone beer. In Glarus, Switzerland, he is still commemorated for his receipt against plague.


title: Maximilian I, Holy Roman Emperor

text: Maximilian had an interest in archaeology, "creative and participatory rather than objective and distancing" (and sometimes destructive), according to Christopher S.Wood. His chief advisor on archaeological matters was Konrad Peutinger, who was also the founder of classical Germanic and Roman studies. Peutinger commenced an ambitious project, the "Vitae Imperatorum Augustorum", a series of biographies of emperors from Augustus to Maximilian (each biography would also include epigraphic and numismatic evidences), but only the early sections were completed. The search for medals ultimately led to a broad craze in Germany for medals as an alternative for portraiture. At the suggestion of the emperor, the scholar published his collection of Roman inscriptions. Maximilian did not distinguish between the secular and the sacred, the Middle Ages and antiquity, and considered equal in archaeological value the various searches and excavations of the Holy Tunic (rediscovered in Trier in 1513 after Maximilian demanded to see it, and then exhibited, reportedly attracting 100,000 pilgrims), Roman and German reliefs and inscriptions, etc. and the most famous quest of all, the search for the remains of hero Siegfried. Maximilian's private collection activities were carried out by his secretary, the humanist Johann Fuchsmagen, on his behalf. Sometimes, the emperor came in contact with antiquities during his campaigns – for example, an old German inscription found in Kufstein in 1504, that he immediately sent to Peutinger. Around 1512–1514, Pirckheimer translated and presented Maximilian with Horapollo's "Hieroglyphica". The hieroglyphics would be incorporated by Dürer into the "Triumphal Arch", which Rudolf Wittkower considers "the greatest hieroglyphic monument".


title: Maximilian I, Holy Roman Emperor

text: Maximilian's time was an era of international development for cryptography. His premier expert on cryptography was the Abbot Trithemius, who dedicated "Polygraphiae libri sex" (controversially disguised as a treatise on occult, either because its real target audience was the selected few such as Maximilian or to attract public attention to a tedious field) to the emperor and wrote another work on steganography ("Steganographia", posthumously published). As practitioner, Maximilian functioned as the Empire's first cipher expert himself. It was under his reign that proven use of encrypted messages in the German chancellery was first recorded, although it was not as elaborate as the mature Italian and Spanish systems. Maximilian experimented with different encryption methods, even in his private correspondence, often based on the Upper Italian models.


title: Maximilian I, Holy Roman Emperor

text: In the fields of history and historiography, Trithemius was also a notable forger and inventive historian who helped to connect Maximilian to Trojan heroes, the Merovingians and the Carolingians. The project had contributions from Maximilian's other court historiographers and genealogists such as Ladislaus Suntheim, Johann Stabius, Johannes Cuspinian and Jakob Mennel. While his colleagues like Jakob Mennel and Ladislaus Suntheim often inserted invented ancient ancestors for the missing links, Trithemius invented entire sources, such as Hunibald (supposedly a Scythian historian), Meginfrid and Wastald. The historiographer wrote the work "Historia Friderici III et Maximiliani I" (which would be dedicated to Charles V). The first history of Germany based on original sources (patronized by Maximilian and cultivated by Peutinger, Aventin, Pirchkheimer, Stabius, Cuspianian and Celtis) was the "Epitome Rerum Germanicarum" written by Jakob Wimpheling, in which it was argued that the Germans possessed their own flourishing culture.


title: Maximilian I, Holy Roman Emperor

text: Maximilian's time was the age of great world chronicles. The most famous and influential is the "Nuremberg Chronicle", of which the author, Hartmann Schedel, is usually considered one of the important panegyrists and propagandists, hired and independent, of the emperor and his anti-Ottoman propaganda agenda.


title: Maximilian I, Holy Roman Emperor

text: According to Maria Golubeva, Maximilian and his court preferred the fictional settings and reimagination of history (such as the "Weisskunig", a "unique mixture of history and heroic romance"), so no outstanding works of historiography (such as those of Molinet and Chastelain at the Burgundian court) were produced. The authors of "The Oxford History of Historical Writing: Volume 3: 1400–1800" point out three major distinctives in the historical literature within the imperial circle. The first was genealogical research, which Maximilian elevated to new heights and represented most prominently by the "Fürstliche Chronik", written by Jakob Mennel. The second encompassed projects associated with the printing revolution, such as Maximilian's autobiographical projects and Dürer's "Triumphal Arch". The third, and also the most sober strain of historical scholarship, constituted "a serious engagement with imperial legacy", with the scholar Johannes Cuspinianus being its most notable representative. Seton-Watson remarks that all his important works show the connection to Maximilian, with the "Commentarii de Romanorum Consulibus" being "the most profound and critical"; the "De Caesaribus et Imperatoribus Romanorum" (also considered by Cesc Esteve as his greatest work) possessing the most practical interest, especially regarding Maximilian's life, and the "Austria" giving a complete history of the nation up to 1519.


title: Maximilian I, Holy Roman Emperor

text: He had notable influence on the development of the musical tradition in Austria and Germany as well. Several historians credit Maximilian with playing the decisive role in making Vienna the music capital of Europe. Under his reign, the Habsburg musical culture reached its first high point and he had at his service the best musicians in Europe. He began the Habsburg tradition of supporting large-scale choirs, which he staffed with the brilliant musicians of his days like Paul Hofhaimer, Heinrich Isaac and Ludwig Senfl. His children inherited the parents' passion for music and even in their father's lifetime, supported excellent chapels in Brussels and Mechelen, with masters such as Alexander Agricola, Marbriano de Orto (who worked for Philip), Pierre de La Rue and Josquin Desprez (who worked for Margaret). After witnessing the brilliant Burgundian court culture, he looked to the Burgundian court chapel to create his own imperial chapel. As he was always on the move, he brought the chapel as well as his whole peripatetic court with him. In 1498 though, he established the imperial chapel in Vienna, under the direction of , who would later become the Bishop of Vienna. Music benefitted greatly through the cross-fertilization between several centres in Burgundy, Italy, Austria and Tyrol (where Maximilian inherited the chapel of his uncle Sigismund).


title: Maximilian I, Holy Roman Emperor

text: In the service of Maximilian, Isaac (the first Continental composer who provided music on demand for the monarch-employer) cultivated "the mass-proper genre with an intensity unrivalled anywhere else in Europe". He created a huge cycle of polyphonic Mass Propers, most of which was published posthumously in the collection "Choralis Constantinus", printed between 1550 and 1555 – David J. Rothenberg comments that, like many of the other artistic projects commissioned (and instilled with Maximilian's bold artistic vision and imperial ideology), it was never completed. A notable artistic monument, seemingly of great symbolic value to the emperor, was Isaac's motet "Virgo prudentissima", which affiliated the reigns of two sovereign monarches – the Virgin Mary of Heaven and Maximilian of the Holy Roman Empire. The motet describes the Assumption of the Virgin, in which Mary, described as the most prudent Virgin (allusion to Parable of the Ten Virgins), “beautiful as the moon”, “excellent as the sun" and “glowing brightly as the dawn”, was crowned as Queen of Heaven and united with Christ, her bridegroom and son, at the highest place in Heaven. Rothenberg opines that Dürer's "Festival of the Rose Garlands" (see below) was its "direct visual counterpart". The idea was also reflected in the scene of the Assumption seen in the "Berlin Book of hours of Mary of Burgundy and Maximilian" (commissioned when Mary of Burgundy was still alive, with some images added posthumously).


title: Maximilian I, Holy Roman Emperor

text: Among some authors, Maximilian has a reputation as the "media emperor". The historian Larry Silver describes him as the first ruler who realized and exploited the propaganda potential of the print press both for images and texts. The reproduction of the "Triumphal Arch" (mentioned above) in printed form is an example of art in service of propaganda, made available for the public by the economical method of printing (Maximilian did not have money to actually construct it). At least 700 copies were created in the first edition and hung in ducal palaces and town halls through the Reich.


title: Maximilian I, Holy Roman Emperor

text: Historian Joachim Whaley comments that: "By comparison with the extraordinary range of activities documented by Silver, and the persistence and intensity with which they were pursued, even Louis XIV appears a rather relaxed amateur." Whaley notes, though, that Maximilian had an immediate stimulus for his "campaign of self-aggrandizement through public relation": the series of conflicts that involved Maximilian forced him to seek means to secure his position. Whaley further suggests that, despite the later religious divide, "patriotic motifs developed during Maximilian's reign, both by Maximilian himself and by the humanist writers who responded to him, formed the core of a national political culture."


title: Maximilian I, Holy Roman Emperor

text: Historian Manfred Hollegger notes though that the emperor's contemporaries certainly did not see Maximilian as a "media emperor": "He achieved little political impact with pamphlets, leaflets and printed speeches. Nevertheless, it is certainly true that he combined brilliantly all the media available at that time for his major literary and artistic projects". Tupu Ylä-Anttila notes that while his daughter (to whom Maximilian entrusted a lot of his diplomacy) often maintained a sober tone and kept a competent staff of advisors who helped her with her letters, her father did not demonstrate such an effort and occasionally sent emotional and erratic letters (the letters of Maximilian and Margaret were often presented to foreign diplomats to prove their trust in each other). Maria Golubeva opines that with Maximilian, one should use the term "propaganda" in the sense suggested by : "opinion-making". Also, according to Golubeva, unlike the narrative usually presented by Austrian historians including Wiesflecker, Maximilian's "propaganda", that was associated with 'militarism', universal imperial claims and court historiography, with a tendency towards world domination, was not the simple result of his Burgundian experience – his 'model of political competition' (as shown in his semi-autobiographical works), while equally secular, ignored the negotiable and institutional aspects inherent in the Burgundian model and, at the same time, emphasized top-down decision making and military force.


title: Maximilian I, Holy Roman Emperor

text: During Maximilian's reign, with encouragement from the emperor and his humanists, iconic spiritual figures were reintroduced or became notable. The humanists rediscovered the work "Germania", written by Tacitus. According to Peter H. Wilson, the female figure of Germania was reinvented by the emperor as the virtuous pacific Mother of Holy Roman Empire of the German Nation. Inheriting the work of Klosterneuburg canons and his father Frederick III, he promoted Leopold III, Margrave of Austria (who had family ties to the emperor), who was canonized in 1485 and became the Patron of Austria in 1506. To maximize the effect that consolidated his rule, the emperor delayed the translation of Leopold's bones for years until he could personally be there.


title: Maximilian I, Holy Roman Emperor

text: He promoted the association between his own wife Mary of Burgundy and the Virgin Mary, that had already been started in her lifetime by members of the Burgundian court before his arrival. These activities included the patronage (by Maximilian, Philip the Fair and Charles V) of the devotion of the Seven Sorrows as well as the commission (by Maximilian and his close associates) of various artworks dedicating to the topic such as the famous paintings "Feast of the Rosary" (1506) and "Death of the Virgin" (1518, one year before the emperor's death) by Albrecht Dürer, the famous diptych of Maximilian's extended family (after 1515) by Strigel, the Manuscript VatS 160 by the composer Pierre Alamire.


title: Maximilian I, Holy Roman Emperor

text: Maximilian's reign witnessed the gradual emergence of the German common language. His chancery played a notable role in developing new linguistic standards. Martin Luther credited Maximilian and the Wettin Elector Frederick the Wise with the unification of German language. Tennant and Johnson opine that while other chanceries have been considered significant and then receded in important when the research direction changes, the chanceries of these two rulers have always been considered important from the beginning. As a part of his influential literary and propaganda projects, Maximilian had his autobiographical works embellished, reworked and sometimes ghostwritten in the chancery itself. He is also credited with a major reform of the imperial chancery office: "Maximilian is said to have caused a standardization and streamlining in the language of his Chancery, which set the pace for chanceries and printers throughout the Empire." The form of written German language he introduced into his chancery was called Maximilian's Chancery Speech ("") and considered a form of Early New High German. It replaced older forms of written language that were close to Middle High German. This new form was used by the imperial chanceries until the end of the 17th century and therefore also referred to as the Imperial speech.


title: Maximilian I, Holy Roman Emperor

text: Always short of money, Maximilian could not afford large scale building projects. However, he left a few notable constructions, among which the most remarkable is the cenotaph (designed by Maximilian) he began in the Hofkirche, Innsbruck, which was completed long after his death, and has been praised as the most important monument of Renaissance Austria and considered the "culmination of Burgundian tomb tradition" (especially for the groups of statues of family members) that displayed Late Gothic features, combined with Renaissance traditions like reliefs and busts of Roman emperors. The monument was vastly expanded under his grandson Ferdinand I, who added the tumba, the portal, and on the advice of his Vice Chancellor Georg Sigmund Seld, commissioned the 24 marble reliefs based on the images on the "Triumphal Arch". The work was only finished under Archduke Ferdinand II (1529–1595). The reliefs were carved by the Flemish sculptor Alexander Colyn while the statues were cast by the bronze-founder Stefan Godl following the designs of Gilg Sesshelschreiber and Jörg Kölderer. The bronze busts of Roman emperors were created by Jörg Muskat.


title: Maximilian I, Holy Roman Emperor

text: After taking Tyrol, in order to symbolize his new wealth and power, he built the Golden Roof, the roof for a balcony overlooking the town center of Innsbruck, from which to watch the festivities celebrating his assumption of rule over Tyrol. The roof is made with gold-plated copper tiles. The structure was a symbol of the presence of the ruler, even when he was physically absent. It began the vogue of using reliefs to decorate oriel windows. The Golden Roof is also considered one of the most notable Habsburg monuments. Like Maximilian's cenotaph, it is in an essentially Gothic idiom. The structure was built by Niclas Türing (Nikolaus Turing) while the paintings was done by Jörg Kölderer.


title: Maximilian I, Holy Roman Emperor

text: The Innsbruck Hofburg was redesigned and expanded, chiefly under Niclas Türing. By the time Maximilian died in 1519, the palace was one of the most beautiful and renowned secular structures of the era (but would be rebuilt later in the Baroque style by Maria Theresa).


title: Maximilian I, Holy Roman Emperor

text: The famous sculpture (Virgin of Mercy), donated in 1510 by Maximilian to the in Molln, was a work by Gregor Erhart.


title: Maximilian I, Holy Roman Emperor

text: From 1498 onwards, Maximilian caused many castles and palaces in Vienna, Graz, Wiener Neustadt, Innsbruck and Linz to be renovated and modernized. Not only the facade was redesigned and glazed bricks were integrated, Maximilian also paid special attention to the sanitation aspect, issuing precise instructions concerning the "secret chamber", the deflection of waste into a cesspit through pipes and the purification of smells through the use of "herbal essences". In many towns, he caused streets and alleys to be cobbled and added gutters for rain water. He issued regulations that ordered open drains for waste water to be bricked up and forbade the keeping of animals in the towns. It was also ordained that no rubbish was allowed in the streets overnight. Directions related to fire prevention were also issued, leading to fire walls being constructed between the houses and tiled roofs in many towns. In the hereditary lands and Southern Germany, through his financial blessings, there were wooden cities that were transformed into stone ones.


title: Maximilian I, Holy Roman Emperor

text: Together with Franz von Taxis, in 1490, Maximilian developed the first modern postal service in the world. The system was originally built to improve communication between his scattered territories, connecting Burgundy, Austria, Spain and France and later developing to a Europe-wide, fee-based system. Fixed postal routes (the first in Europe) were developed, together with regular and reliable service. From the beginning of the sixteenth century, the system became open to private mail. The initiative was immediately emulated by France and England, although rulers there restricted the spread of private mails and private postal networks. Systematic improvement allowed communication to reach Maximilian, wherever he was, twice as fast as normal, to the point Wolfgang Behringer remarks that "perception of temporal and spatial dimensions was changed". The new development, usually described as the communcation revolution, could largely be traced back to Maximilian's initiative, with contributions from Frederick III and Charles the Bold in developing the messenger networks, the Italian courier model and possibly influence from the French model.


title: Maximilian I, Holy Roman Emperor

text: The establishment of the postal network also signaled the beginning of a commercial market for news, together with the emergence of commercial newsagents and news agencies, which the emperor actively encouraged. According to Michael Kunczik, he was the first to utilize one-sided battle reports targeting the mass, including the use of the early predecessors of modern newspapers ("neue zeitungen").