title: Daredevil (film)

text: Duncan would later go on to reprise his role as the Kingpin in an episode of the animated series: "". He has also moved on to appear in other comic book films like the 2005 crime film "Sin City" as Manute and the 2011 DC superhero film "Green Lantern" as Kilowog. Duncan died on September 3, 2012.


title: Daredevil (film)

text: Feige had stated on potential future Daredevil films, "there are many more stories to be told with old Hornhead and we'd love to tell them someday." Avi Arad has also said that a sequel will begin development once the rights go from 20th Century Fox to Marvel Studios. Director Mark Steven Johnson showed interest in returning to direct with the "Born Again" storyline, as well as suggesting Mr. Fear as a possible villain.


title: Daredevil (film)

text: In July 2008, Jason Statham expressed interest in appearing as Daredevil in the future. Statham requested "just give me the chance, I would love to be Daredevil." Frank Miller commented in agreement, "I think he should be Daredevil too." In October 2008, 20th Century Fox executive Tom Rothman said "a "Daredevil" reboot is something we are thinking very seriously about." Rothman added that "what it really needs is, it needs a visionary at the level that Chris Nolan was. It needs someone, it needs a director, honestly, who has a genuine vision." By February 2010, 20th Century Fox and New Regency were looking to develop the reboot with News Corp., with Peter Chernin producing and David Scarpa writing the script. On March 15, 2011, it was announced that filmmaker David Slade would be directing the reboot, but he later had to drop out due to other obligations. "Fringe" writer and producer Brad Caleb Kane was hired to pen the Slade-directed film.


title: Daredevil (film)

text: Later, it was announced that in the event that a sequel or reboot had not started filming by October 10, 2012, the rights to the "Daredevil" franchise would revert from Fox back to Marvel. In early August 2012, Fox scrambled to find a replacement for David Slade. The studio briefly met with Joe Carnahan, but Carnahan said that his pitch, Daredevil as a hard-boiled '70s-style thriller, had gone up in smoke. Several sources commented that Fox had given up on the reboot, and were prepared to let the rights revert to Marvel and their parent company, The Walt Disney Company. On April 23, 2013, Kevin Feige confirmed that the rights for Daredevil returned to Marvel Studios and Disney, opening the possibility of including the character into the Marvel Cinematic Universe. That speculation was confirmed with the announcement of an original Netflix "Daredevil" television series, which premiered on the streaming service in April 2015, with English actor Charlie Cox in the title role.


title: David Bradley (English actor)

text: David John Bradley (born 17 April 1942) is an English actor. He is known for playing Argus Filch in the "Harry Potter" film series, Walder Frey in the HBO fantasy series "Game of Thrones", Abraham Setrakian in the FX horror series "The Strain", and for voicing Merlin in Guillermo del Toro’s animated Netflix series "Tales of Arcadia" (for which he won an Annie Award for Best Voice Actor in a Television Series).


title: David Bradley (English actor)

text: A character actor, Bradley's screen roles include parts in "Our Friends in the North" (1996), the "Three Flavours Cornetto" trilogy and "After Life" (2019–2022). He has made several appearances as the First Doctor in "Doctor Who" (2017–2022), having portrayed the role's originator, William Hartnell, in the docudrama "An Adventure in Space and Time" (2013).


title: David Bradley (English actor)

text: An alumnus of the Royal Shakespeare Company, Bradley is also an established stage actor, with a career that includes a Laurence Olivier Award for his role in a production of "King Lear" and appearing in the Harold Pinter play "No Man's Land" at the Duke of York's Theatre in the West End.


title: David Bradley (English actor)

text: Bradley was born in York, where he attended the Catholic St George's Secondary Modern School, where he was a member of the choir. He first performed on stage in musical productions, as a member of a youth club and with the Rowntree Youth Theatre. Upon leaving school, he completed a five-year apprenticeship with the optical instruments maker Cooke, Troughton & Simms and remained with the firm until 1966, when he moved to London to train as an actor at the Royal Academy of Dramatic Art.


title: David Bradley (English actor)

text: Bradley joined the Royal Shakespeare Company and performed at Laurence Olivier's National Theatre Company in the early 1970s. He first appeared on television in 1971, as a police officer in the comedy "Nearest and Dearest". He was awarded a Laurence Olivier Award in 1991 for his supporting role as the Fool in "King Lear" at the Royal National Theatre. He appeared in the Royal National Theatre's 1997 production of "The Homecoming", as well as productions of "The Caretaker" at Sheffield Theatres and the Tricycle Theatre from 2006 to 2007. In 2005 he played the title role in Nicholas Hytner's production of Henry IV Parts One and Two at the Olivier Theatre, London.


title: David Bradley (English actor)

text: Bradley played fictional Labour Member of Parliament Eddie Wells in the 1996 BBC Two serial "Our Friends in the North". Also in 1996, he appeared as gangster Alf Black in "Band of Gold". In 1998, he appeared in the BBC adaptation of "Vanity Fair" as the miserly Sir Pitt Crawley, and "Our Mutual Friend" as the villainous Rogue Riderhood. Other television appearances include the 2001 series "The Way We Live Now", directed by David Yates, who would work with Bradley five years later on the "Harry Potter" films.


title: David Bradley (English actor)

text: From 2002–04, Bradley starred as Jake in the BBC comedy series "Wild West". Bradley acted in the 2004 musical drama serial "Blackpool" on BBC One. He appeared in the 2005 BBC drama "Mr. Harvey Lights a Candle", playing the role of a morose coach driver who takes an unruly party of pupils on a trip to Salisbury Cathedral, and the 2006 BBC drama "Sweeney Todd". He had a small role in a 2005 episode of the series "Taggart". In 2003, he played Tom in the "Midsomer Murders" episode "The Green Man". He appeared as the electrolarynx-using gangster Stemroach in the BBC comedy series "Ideal" and as Electric in the BBC's "Thieves Like Us", as well as the BBC One series "True Dare Kiss" in 2007–08.


title: David Bradley (English actor)

text: Bradley appeared in the 2002 film "Nicholas Nickleby" which was based on "The Life and Adventures of Nicholas Nickleby" by Charles Dickens, and had a small role in the 2007 comedy film "Hot Fuzz" as a farmer who illegally hoards weapons. He played Cohen the Barbarian in a Sky One adaptation of "The Colour of Magic" in 2008. That same year he appeared as Spooner in a production of Harold Pinter’s "No Man's Land" at the Gate Theatre, Dublin, which later transferred to London's West End.


title: David Bradley (English actor)

text: In 2009, Bradley appeared in "Ashes to Ashes", playing an animal rights activist, and in "The Street", both on BBC. Bradley portrayed Will Somers, Henry VIII's court fool, in an episode of the Showtime series "The Tudors" in 2009. In 2010, he appeared in the film "Another Year", which earned him a nomination for Best Supporting Actor from the London Film Critics Circle Awards. From 2011 to 2017, Bradley appeared as Lord Walder Frey in the HBO series "Game of Thrones".


title: David Bradley (English actor)

text: Bradley played Solomon, a ruthless buccaneer, in the 2012 "Doctor Who" episode "Dinosaurs on a Spaceship". He previously provided voice work for "The Sarah Jane Adventures" serial "Death of the Doctor". It was announced in January 2013, that Bradley had been cast as actor William Hartnell in "An Adventure in Space and Time", a BBC docudrama about the creation of "Doctor Who" in 1963. The special aired in November 2013, adding to the buildup to the 50th anniversary episode of "Doctor Who" later that month. In 2013, he also appeared in "The World's End", a follow-up to "Hot Fuzz" in the "Three Flavours Cornetto" trilogy, this time portraying "Mad" Basil, an eccentric local man from the fictional English town Newton Haven.


title: David Bradley (English actor)

text: From 2014, Bradley plays Professor Abraham Setrakian, a Holocaust survivor turned vampire hunter in Guillermo del Toro's TV series "The Strain". In 2015, Bradley became a public supporter of Chapel Lane Theatre Company based in Stratford-Upon-Avon. In 2017, Bradley joined the cast of Guillermo del Toro’s animated Netflix series "" playing the role of Merlin. In 2021, he received an Annie Award for Best Voice Actor in a Television Role for his role in the final chapter of the trilogy, "" as the wizard Merlin.


title: David Bradley (English actor)

text: In 2017, in the final episode of the tenth series of "Doctor Who", "The Doctor Falls", Bradley returned to portray the First Doctor, having previously portrayed Hartnell, who originally played the character. He reprised the role in the 2017 Christmas special, "Twice Upon a Time", in an audio series for Big Finish Productions titled "" alongside his "An Adventure in Space and Time" cast, and in the Immersive Theatre show "Doctor Who: Time Fracture". This makes him the third actor to play the role in the television programme, after William Hartnell and Richard Hurndall since the premiere of "Doctor Who" in 1963, and at the age of 75, he is the also the oldest actor to play the role of the Doctor.


title: David Bradley (English actor)

text: He again played the First Doctor in the final episode of the 2022 specials, "The Power of the Doctor".


title: David Bradley (English actor)

text: From 2019 to 2022, Bradley played Ray Johnson, the demented father of Tony (Ricky Gervais) in the Netflix series "After Life". In 2021, it was announced that Bradley would be joining the cast of "Allelujah", a film adaptation of Alan Bennet's play of the same name directed by Richard Eyre, which will star Jennifer Saunders, Bally Gill, Russell Tovey, Derek Jacobi, and Judi Dench.


title: David Bradley (English actor)

text: Bradley married his wife Rosanna in 1978. They have three children. His eldest son, George, is an architect, who has featured on the ITV series "Love Your Home and Garden" alongside Alan Titchmarsh. His daughter, Francesca, works in casting, having worked on Michael Bay's "6 Underground". He has said that it was his daughter who turned his attention to the "Harry Potter" film franchise and coached him for the role of Argus Filch.


title: David Bradley (English actor)

text: Bradley is the president of Second Thoughts Drama Group, which performs in and around Stratford-upon-Avon. He has received honorary doctorates from the University of Warwick (17 July 2012) and York St John University (19 November 2015).


title: David Bradley (English actor)

text: He is an avid fan of football clubs Aston Villa and York City. On 22 November 2014, he took part in a video paying tribute to Aston Villa on their 140th birthday.


title: Black metal

text: Black metal is an extreme subgenre of heavy metal music. Common traits include fast tempos, a shrieking vocal style, heavily distorted guitars played with tremolo picking, raw (lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms.


title: Black metal

text: During the 1980s, several thrash metal and death metal bands formed a prototype for black metal. This "first wave" included bands such as Venom, Bathory, Mercyful Fate, Hellhammer and Celtic Frost. A second wave arose in the early 1990s, spearheaded by Norwegian bands such as Mayhem, Darkthrone, Burzum, Immortal, Emperor, Satyricon and Gorgoroth. The early Norwegian black metal scene developed the style of their forebears into a distinct genre. Norwegian-inspired black metal scenes emerged throughout Europe and North America, although some other scenes developed their own styles independently. Some prominent Swedish bands spawned during this second wave, the second generation in Sweden being led by Dissection, Abruptum, Marduk, and Nifelheim.


title: Black metal

text: Initially a synonym for "Satanic metal", black metal has often sparked controversy, due to the actions and ideologies associated with the genre. Some artists express misanthropic views, and others advocate various forms of extreme anti-Christian sentiment, Satanism, or ethnic paganism. In the 1990s, members of the scene were responsible for a spate of church burnings and murders. There is also a small neo-Nazi movement within black metal, although it has been shunned by many prominent artists. Generally, black metal strives to remain an underground phenomenon.


title: Black metal

text: Although "contemporary black metal" typically refers to the Norwegian style with shrieking vocals and raw production, the term has traditionally been applied to bands with widely differing sounds, such as Death SS, Mercyful Fate, Mayhem, Blasphemy, and the Greek and Finnish bands that emerged around the same time as the Norwegian scene.


title: Black metal

text: Norwegian-inspired black metal guitarists usually favor high-pitched or trebly guitar tones and heavy distortion. The guitar is usually played with fast, un-muted tremolo picking and power chords. Guitarists often use dissonance—along with specific scales, intervals and chord progressions—to create a sense of dread. The tritone, or flat-fifth, is often used. Guitar solos and low guitar tunings are rare in black metal. The bass guitar is seldom used to play stand-alone melodies. It is common for the bass to be muted against the guitar, or for it to homophonically follow the low-pitched riffs of the guitar. While electronic keyboards are not a standard instrument, some bands, like Dimmu Borgir, use keyboards "in the background" or as "proper instruments" for creating atmosphere. Some newer black metal bands began raising their production quality and introducing additional instruments such as synthesizers and even orchestras.


title: Black metal

text: The drumming is usually fast and relies on double-bass and blast beats to maintain tempos that can sometimes approach 300 beats per minute. These fast tempos require great skill and physical stamina, typified by black metal drummers Frost (Kjetil-Vidar Haraldstad) and Hellhammer (Jan Axel Blomberg). Even still, authenticity is still prioritized over technique. "This professionalism has to go," insists well-respected drummer and metal historian Fenriz (Gylve Fenris Nagell) of Darkthrone. "I want to "de-learn" playing drums, I want to play primitive and simple, I don't want to play like a drum solo all the time and make these complicated riffs".


title: Black metal

text: Black metal songs often stray from conventional song structure and often lack clear verse-chorus sections. Instead, many black metal songs contain lengthy and repetitive instrumental sections. The Greek style—established by Rotting Christ, Necromantia and Varathron—has more traditional heavy metal and death metal traits than Norwegian black metal.


title: Black metal

text: Traditional black metal bands tend to favor raspy, high-pitched vocals which include techniques such as shrieking, screaming, and snarling, a vocal style influenced by Quorthon of Bathory. Death growls, common in the death metal genre, are sometimes used, but less frequently than the characteristic black metal shriek.


title: Black metal

text: Black metal lyrics typically attack Christianity and the other institutional religions, often using apocalyptic language. Satanic lyrics are common, and many see them as essential to black metal. For Satanist black metal artists, "Black metal songs are meant to be like Calvinist sermons; deadly serious attempts to unite the true believers". Misanthropy, global catastrophe, war, death, destruction and rebirth are also common themes. Another topic often found in black metal lyrics is that of the wild and extreme aspects and phenomena of the natural world, particularly the wilderness, forests, mountains, winter, storms, and blizzards. Black metal also has a fascination with the distant past. Many bands write about the mythology and folklore of their homelands and promote a revival of pre-Christian, pagan traditions. A significant number of bands write lyrics only in their native language and a few (e.g. Arckanum and early Ulver) have lyrics in archaic languages. Some doom metal-influenced artists' lyrics focus on depression, nihilism, introspection, self-harm and suicide.


title: Black metal

text: Many bands choose not to play live. Many of those who do play live maintain that their performances "are not for entertainment or spectacle. Sincerity, authenticity and extremity are valued above all else". Some bands consider their concerts to be rituals and often make use of stage props and theatrics. Bands such as Mayhem, Gorgoroth, and Watain are noted for their controversial shows, which have featured impaled animal heads, mock crucifixions, medieval weaponry and band members doused in animal blood. A few vocalists, such as Dead, Maniac and Kvarforth, are known for cutting themselves while singing onstage.


title: Black metal

text: Black metal artists often appear dressed in black with combat boots, bullet belts, spiked wristbands and inverted crosses and inverted pentagrams to reinforce their anti-Christian or anti-religious stance. However, the most stand-out trait is their use of corpse paint—black and white face paint sometimes mixed with real or fake blood, which is used to create a corpse-like or demonic appearance.


title: Black metal

text: The imagery of black metal reflects its lyrics and ideology. In the early 1990s, most pioneering black metal artists had minimalist album covers featuring xeroxed black-and-white pictures and/or writing. This was partly a reaction against death metal bands, who at that time had begun to use brightly colored album artwork. Many purist black metal artists have continued this style. Black metal album covers are typically dark and tend to be atmospheric or provocative; some feature natural or fantasy landscapes (for example Burzum's "Filosofem" and Emperor's "In the Nightside Eclipse") while others are violent, sexually transgressive, sacrilegious, or iconoclastic (for example Marduk's "Fuck Me Jesus" and Dimmu Borgir's "In Sorte Diaboli").


title: Black metal

text: The earliest black metal artists had very limited resources, which meant that recordings were often made in homes or basements, giving their recordings a distinctive "lo-fi" quality. However, even when success allowed access to professional studios, many artists instead chose to continue making lo-fi recordings. Artists believed that by doing so, they would both stay true to the genre's underground roots as well as make the music sound more "raw" or "cold". A well-known example of this approach is on the album "Transilvanian Hunger" by Darkthrone, a band who Johnathan Selzer of "Terrorizer" magazine says "represent the DIY aspect of black metal." In addition, lo-fi production was used to keep black metal inaccessible or unappealing to mainstream music fans and those who are not committed. Many have claimed that black metal was originally intended only for those who were part of the scene and not for a wider audience. Vocalist Gaahl said that during its early years, "Black metal was never meant to reach an audience, it was purely for our own satisfaction".


title: Black metal

text: The conventional history of black metal is that pioneers like Venom, Bathory, and Hellhammer were part of a "first wave", and that a "second wave" was begun by the early Norwegian scene, especially by Mayhem vocalist Dead; Mayhem's leader, Euronymous, who founded the Norwegian scene after Dead's suicide; and Darkthrone's album "A Blaze in the Northern Sky". There are also some who argue that albums like Sarcófago's "I.N.R.I." or Samael's "Worship Him" began the second wave.


title: Black metal

text: Occult and Satanic lyrical themes were present in the music of heavy metal and rock bands of the late 1960s and early 1970s such as Black Sabbath and Coven.


title: Black metal

text: In the late 1970s, the form of rough and aggressive heavy metal played by the British band Motörhead gained popularity. Many first wave black metal bands cited Motörhead as an influence. Also popular in the late 1970s, punk rock came to influence the birth of black metal. Tom G. Warrior of Hellhammer and Celtic Frost credited English punk group Discharge as "a revolution, much like Venom", saying, "When I heard the first two Discharge records, I was blown away. I was just starting to play an instrument and I had no idea you could go so far."


title: Black metal

text: The use of corpse paint in the black metal imagery was mainly influenced by the American 1970s rock band Kiss.


title: Black metal

text: The first wave of black metal refers to bands during the 1980s who influenced the black metal sound and formed a prototype for the genre. By today's musical standards, their sound is closer to speed metal or thrash metal.


title: Black metal

text: The term "black metal" was coined by the English band Venom with their second album "Black Metal" (1982). Although generally deemed speed metal or thrash metal rather than black metal, the album's lyrics and imagery focused more on anti-Christian and Satanic themes than any before it. Their music was fast, unpolished in production and with raspy or grunted vocals. Venom's members also adopted pseudonyms, a practice that became widespread among black metal musicians.


title: Black metal

text: Another major influence on black metal was the Swedish band Bathory. The band, led by Thomas Forsberg (a.k.a. Quorthon), created "the blueprint for Scandinavian black metal". Not only was Bathory's music dark, fast, heavily distorted, lo-fi and with anti-Christian themes, Quorthon was also the first to use the shrieked vocals that later became a common trait. The band played in this style on their first four albums: "Bathory" (1984), "The Return……" (1985), "Under the Sign of the Black Mark" (1987) and "Blood Fire Death" (1988). With "Blood Fire Death" and the two following albums, Bathory pioneered the style that became known as Viking metal.


title: Black metal

text: Hellhammer, from Switzerland, "made truly raw and brutal music" with Satanic lyrics, and became an important influence on later black metal; "Their simple yet effective riffs and fast guitar sound were groundbreaking, anticipating the later trademark sound of early Swedish death metal". In 1984, members of Hellhammer formed Celtic Frost, whose music "explored more orchestral and experimental territories. The lyrics also became more personal, with topics about inner feelings and majestic stories. But for a couple of years, Celtic Frost was one of the world's most extreme and original metal bands, with a huge impact on the mid-1990s black metal scene".


title: Black metal

text: The Danish band Mercyful Fate influenced the Norwegian scene with their imagery and lyrics. Frontman King Diamond, who wore ghoulish black-and-white facepaint on stage, may be one of the inspirators of what became known as 'corpse paint'. Other acts which adopted a similar appearance on stage were the horror punk band Misfits, Celtic Frost and the Brazilian extreme metal band Sarcófago. Other artists usually considered part of this movement include Kreator, Sodom and Destruction (from Germany), Bulldozer and Death SS (from Italy), whose vocalist Steve Sylvester was a member of the Ordo Templi Orientis.


title: Black metal

text: In 1987, in the fifth issue of his "Slayer" fanzine, Jon 'Metalion' Kristiansen wrote that "the latest fad of black/Satanic bands seems to be over", the tradition being continued by a few bands like Incubus and Morbid Angel (from the United States), Sabbat (from Great Britain), Tormentor (from Hungary), Sarcófago (from Brazil), Grotesque, Treblinka and early Tiamat (from Sweden). Other early black metal bands include Sabbat (formed 1983 in Japan), Parabellum (formed 1983 in Colombia), Salem (formed 1985 in Israel) and Mortuary Drape (formed 1986 in Italy). Japanese band Sigh formed in 1990 and was in regular contact with key members of the Norwegian scene. Their debut album, "Scorn Defeat", became "a cult classic in the black metal world". In the years before the Norwegian black metal scene arose, important recordings were released by Root and Master's Hammer (from Czechoslovakia), Von (from the United States), Rotting Christ (from Greece), Samael (from Switzerland) and Blasphemy (from Canada), whose debut album "Fallen Angel of Doom" (1990) is considered one of the most influential records for the war metal style. Fenriz of the Norwegian band Darkthrone called Master's Hammer's debut album "Ritual" "the first Norwegian black metal album, even though they are from Czechoslovakia".


title: Black metal

text: In 1990 and 1991, Northern European metal acts began to release music influenced by these bands or the older ones from the first wave. In Sweden, this included Marduk, Dissection, Nifelheim and Abruptum. In Finland, there emerged a scene that mixed the first wave black metal style with elements of death metal and grindcore; this included Beherit, Archgoat and Impaled Nazarene, whose debut album "Tol Cormpt Norz Norz Norz" Rock Hard journalist Wolf-Rüdiger Mühlmann considers a part of war metal's roots. Bands such as Demoncy and Profanatica emerged during this time in the United States, when death metal was more popular among extreme metal fans. The Norwegian band Mayhem's concert in Leipzig with Eminenz and Manos in 1990, later released as "Live in Leipzig", was said to have had a strong influence on the East German scene and is even called the unofficial beginning of German black metal.


title: Black metal

text: The second wave of black metal began in the early 1990s and was spearheaded by the Norwegian black metal scene. During , a number of Norwegian artists began performing and releasing a new kind of black metal music; this included Mayhem, Darkthrone, Burzum, Immortal, Emperor, Satyricon, Enslaved, Thorns, and Gorgoroth. They developed the style of their 1980s forebears into a distinct genre. This was partly thanks to a new kind of guitar playing developed by Snorre 'Blackthorn' Ruch of Stigma Diabolicum/Thorns and Øystein 'Euronymous' Aarseth of Mayhem. Fenriz of Darkthrone described it as being "derived from Bathory" and noted that "those kinds of riffs became the new order for a lot of bands in the '90s".


title: Black metal

text: The wearing of corpse paint became standard, and was a way for many black metal artists to distinguish themselves from other metal bands of the era. The scene also had an ideology and ethos. Artists were bitterly opposed to Christianity and presented themselves as misanthropic Devil worshippers who wanted to spread terror, hatred and evil. They professed to be serious in their views and vowed to act on them. Ihsahn of Emperor said that they sought to "create fear among people" and "be in opposition to society". The scene was exclusive and created boundaries around itself, incorporating only those who were "true" and attempting to expel all "poseurs". Some members of the scene were responsible for a spate of church burnings and murder, which eventually drew attention to it and led to a number of artists being imprisoned.


title: Black metal

text: On 8 April 1991, Mayhem vocalist Per "Dead" Ohlin committed suicide while left alone in a house shared by the band. Fellow musicians described Dead as odd, introverted and depressed. Mayhem's drummer, Hellhammer, said that Dead was the first to wear the distinctive corpse paint that became widespread in the scene. He was found with slit wrists and a shotgun wound to the head. Dead's suicide note began with "Excuse all the blood", and apologized for firing the weapon indoors. Before calling the police, Euronymous got a disposable camera and photographed the body, after re-arranging some items. One of these photographs was later used as the cover of a bootleg live album, "Dawn of the Black Hearts".


title: Black metal

text: Euronymous made necklaces with bits of Dead's skull and gave some to musicians he deemed worthy. Rumors also spread that he had made a stew with bits of his brain. Euronymous used Dead's suicide to foster Mayhem's evil image and claimed Dead had killed himself because extreme metal had become trendy and commercialized. Mayhem bassist Jørn 'Necrobutcher' Stubberud noted that "people became more aware of the black metal scene after Dead had shot himself ... I think it was Dead's suicide that really changed the scene".


title: Black metal

text: Two other members of the early Norwegian scene later committed suicide: Erik 'Grim' Brødreskift (of Immortal, Borknagar, Gorgoroth) in 1999 and Espen 'Storm' Andersen (of Strid) in 2001.


title: Black metal

text: During May–June 1991, Euronymous of Mayhem opened an independent record shop named "Helvete" (Norwegian for "Hell") at Schweigaards gate 56 in Oslo. It quickly became the focal point of Norway's emerging black metal scene and a meeting place for many of its musicians; especially the members of Mayhem, Burzum, Emperor and Thorns. Jon 'Metalion' Kristiansen, writer of the fanzine "Slayer", said that the opening of Helvete was "the creation of the whole Norwegian black metal scene". In its basement, Euronymous founded an independent record label named Deathlike Silence Productions. With the rising popularity of his band and others like it, the underground success of Euronymous's label is often credited for encouraging other record labels, who had previously shunned black metal acts, to then reconsider and release their material.


title: Black metal

text: In 1992, members of the Norwegian black metal scene began a wave of arson attacks on Christian churches. By 1996, there had been at least 50 such attacks in Norway. Some of the buildings were hundreds of years old and seen as important historical landmarks. The first to be burnt down was Norway's Fantoft Stave Church. Police believe Varg Vikernes of Burzum was responsible. The cover of Burzum's EP "Aske" ("ashes") is a photograph of the destroyed church. In May 1994, Vikernes was found guilty for burning down the Holmenkollen Chapel, Skjold Church, and Åsane Church. In addition, he was found guilty for an attempted arson of a fourth church, and for the theft and storage of 150 kg of explosives. To coincide with the release of Mayhem's "De Mysteriis Dom Sathanas", Vikernes and Euronymous had also allegedly plotted to bomb the Nidaros Cathedral, which appears on the album cover. The musicians Faust, Samoth, (both of Emperor), and Jørn Inge Tunsberg (of Hades Almighty) were also convicted for church arsons. Members of the Swedish black metal scene started to burn churches as well in 1993.


title: Black metal

text: Those convicted for church burnings showed no remorse and described their actions as a symbolic "retaliation" against Christianity in Norway. Mayhem drummer Hellhammer said he had called for attacks on mosques and Hindu temples, on the basis that they were more foreign. Today, opinions on the church burnings differ within the black metal community. Many musicians, singers, and songwriters in the early Norwegian black metal scene, such as Infernus and Gaahl of Gorgoroth, continue to praise the church burnings, with the latter saying "there should have been more of them, and there will be more of them". Others, such as Necrobutcher and Kjetil Manheim of Mayhem and Abbath of Immortal, see the church burnings as having been futile. Manheim claimed that many arsons were "just people trying to gain acceptance" within the black metal scene. Watain vocalist Erik Danielsson respected the attacks, but said of those responsible: "the only Christianity they defeated was the last piece of Christianity within themselves. Which is a very good beginning, of course".


title: Black metal

text: In early 1993, animosity arose between Euronymous and Vikernes. On the night of 10 August 1993, Varg Vikernes (of Burzum) and Snorre 'Blackthorn' Ruch (of Thorns) drove from Bergen to Euronymous's apartment in Oslo. When they arrived a confrontation began and Vikernes stabbed Euronymous to death. His body was found outside the apartment with 23 cut wounds—two to the head, five to the neck, and sixteen to the back.


title: Black metal

text: It has been speculated that the murder was the result of either a power struggle, a financial dispute over Burzum records or an attempt at outdoing a stabbing in Lillehammer the year before by Faust. Vikernes denies all of these, claiming that he attacked Euronymous in self-defense. He says that Euronymous had plotted to stun him with an electroshock weapon, tie him up and torture him to death while videotaping the event. He said Euronymous planned to use a meeting about an unsigned contract to ambush him. Vikernes claims he intended to hand Euronymous the signed contract that night and "tell him to fuck off", but that Euronymous panicked and attacked him first. He also claims that most of the cuts were from broken glass Euronymous had fallen on during the struggle. The self-defense story is doubted by Faust, while Necrobutcher confirmed that Vikernes killed Euronymous in self-defense due to the death threats he received from him.


title: Black metal

text: Vikernes was arrested on 19 August 1993, in Bergen. Many other members of the scene were taken in for questioning around the same time. Some of them confessed to their crimes and implicated others. In May 1994, Vikernes was sentenced to 21 years in prison (Norway's maximum penalty) for the murder of Euronymous, the arson of four churches, and for possession of 150 kg of explosives. However, he only confessed to the latter. Two churches were burnt the day he was sentenced, "presumably as a statement of symbolic support". Vikernes smiled when his verdict was read and the picture was widely reprinted in the news media. Blackthorn was sentenced to eight years in prison for being an accomplice to the murder. That month saw the release of Mayhem's album "De Mysteriis Dom Sathanas", which featured Euronymous on guitar and Vikernes on bass guitar. Euronymous's family had asked Mayhem's drummer, Hellhammer, to remove the bass tracks recorded by Vikernes, but Hellhammer said: "I thought it was appropriate that the murderer and victim were on the same record. I put word out that I was re-recording the bass parts. But I never did". In 2003, Vikernes failed to return to Tønsberg prison after being given a short leave. He was re-arrested shortly after while driving a stolen car with various weapons. Vikernes was released on parole in 2009.


title: Black metal

text: Black metal scenes also emerged on the European mainland during the early 1990s, inspired by the Norwegian scene or the older bands, or both. In Poland, a scene was spearheaded by Graveland and Behemoth. In France, a close-knit group of musicians known as Les Légions Noires emerged; this included artists such as Mütiilation, Vlad Tepes, Belketre and Torgeist. In Belgium, there were acts such as Ancient Rites and Enthroned. Bands such as Black Funeral, Grand Belial's Key and Judas Iscariot emerged during this time in the United States. Black Funeral, from Houston, formed in 1993, was associated with black magic and Satanism.


title: Black metal

text: A notable black metal group in England was Cradle of Filth, who released three demos in a black/death metal style with symphonic flourishes, followed by the album "The Principle of Evil Made Flesh", which featured a then-unusual hybrid style of black and gothic metal. The band then abandoned black metal for gothic metal, becoming one of the most successful extreme metal bands to date. John Serba of AllMusic commented that their first album "made waves in the early black metal scene, putting Cradle of Filth on the tips of metalheads' tongues, whether in praise of the band's brazen attempts to break the black metal mold or in derision for its 'commercialization' of an underground phenomenon that was proud of its grimy heritage". Some black metal fans did not consider Cradle of Filth to be black metal. When asked if he considers Cradle of Filth a black metal band, vocalist Dani Filth said he considers them black metal in terms of philosophy and atmosphere, but not in other ways. Another English band called Necropolis never released any music, but "began a desecratory assault against churches and cemeteries in their area" and "almost caused Black Metal to be banned in Britain as a result". Dayal Patterson says successful acts like Cradle of Filth "provoked an even greater extremity [of negative opinion] from the underground" scene due to concerns about "selling out".


title: Black metal

text: The controversy surrounding the Thuringian band Absurd drew attention to the German black metal scene. In 1993, the members murdered a boy from their school, Sandro Beyer. A photo of Beyer's gravestone is on the cover of one of their demos, "Thuringian Pagan Madness", along with pro-Nazi statements. It was recorded in prison and released in Poland by Graveland drummer Capricornus. The band's early music was more influenced by Oi! and Rock Against Communism (RAC) than by black metal, and described as being "more akin to '60s garage punk than some of the […] Black Metal of their contemporaries". Alexander von Meilenwald from German band Nagelfar considers Ungod's 1993 debut "Circle of the Seven Infernal Pacts", Desaster's 1994 demo "Lost in the Ages", Tha-Norr's 1995 album "Wolfenzeitalter", Lunar Aurora's 1996 debut "Weltengänger" and Katharsis's 2000 debut "666" to be the most important recordings for the German scene. He said they were "not necessarily the best German releases, but they all kicked off something".


title: Black metal

text: In the beginning of the second wave, the different scenes developed their own styles; as Alan 'Nemtheanga' Averill says, "you had the Greek sound and the Finnish sound, and the Norwegian sound, and there was German bands and Swiss bands and that kind of thing." By the mid-1990s, the style of the Norwegian scene was being adopted by bands worldwide, and in 1998, "Kerrang!" journalist Malcolm Dome said that "black metal as we know it in 1998 owes more to Norway and to Scandinavia than any other particular country". Newer black metal bands also began raising their production quality and introducing additional instruments such as synthesizers and even full-symphony orchestras. By the late 1990s, the underground concluded that several of the Norwegian pioneers—like Emperor, Immortal, Dimmu Borgir, Ancient, Covenant/The Kovenant, and Satyricon—had commercialized or sold out to the mainstream and "big bastard labels." Dayal Patterson states that successful acts like Dimmu Borgir "provoked and even greater extremity [of negative opinion] from the underground" regarding the view that these bands had "sold out."


title: Black metal

text: After Euronymous's death, "some bands went more towards the Viking metal and epic style, while some bands went deeper into the abyss." Since 1993, the Swedish scene had carried out church burnings, grave desecration, and other violent acts. In 1995, Jon Nödtveidt of Dissection joined the Misanthropic Luciferian Order (MLO). In 1997, he and another MLO member were arrested and charged with shooting dead a 37-year-old man. It was said he was killed "out of anger" because he had "harassed" the two men. Nödtveidt received a 10-year sentence. As the victim was a homosexual immigrant, Dissection was accused of being a Nazi band, but Nödtveidt denied this and dismissed racism and nationalism.


title: Black metal

text: The Swedish band Shining, founded in 1996, began writing music almost exclusively about depression and suicide, musically inspired by Strid and by Burzum's albums "Hvis lyset tar oss" and "Filosofem". Vocalist Niklas Kvarforth wanted to "force-feed" his listeners "with self-destructive and suicidal imagery and lyrics." In the beginning, he used the term "suicidal black metal" for his music. However, he stopped using the term in 2001 because it had begun to be used by a slew of other bands, whom he felt had misinterpreted his vision and were using the music as a kind of therapy rather than a weapon against the listener as Kvarforth intended. He said that he "wouldn't call Shining a black metal band" and called the "suicidal black metal" term a "foolish idea."


title: Black metal

text: According to Erik Danielsson, when his band Watain formed in 1998, there were very few bands who took black metal as seriously as the early Norwegian scene had. A newer generation of Swedish Satanic bands like Watain and Ondskapt, inspired by Ofermod, the new band of Nefandus member Belfagor, put this scene "into a new light." Kvarforth said, "It seems like people actually [got] afraid again." "The current Swedish black metal scene has a particularly ambitious and articulate understanding of mysticism and its validity to black metal. Many Swedish black metal bands, most notably Watain and Dissection, are [or were] affiliated with the Temple of the Black Light, or Misanthropic Luciferian Order […] a Theistic, Gnostic, Satanic organization based in Sweden". Upon his release in 2004, Jon Nödtveidt restarted Dissection with new members whom he felt were able to "stand behind and live up to the demands of Dissection's Satanic concept." He started calling Dissection "the sonic propaganda unit of the MLO" and released a third full-length album, "Reinkaos". The lyrics contain magical formulae from the "Liber Azerate" and are based on the organization's teachings. After the album's release and a few concerts, Nödtveidt said that he had "reached the limitations of music as a tool for expressing what I want to express, for myself and the handful of others that I care about" and disbanded Dissection before dying by suicide.


title: Black metal

text: A part of the underground scene adopted a Jungian interpretation of the church burnings and other acts of the early scene as the re-emergence of ancient archetypes, which Kadmon of Allerseelen and the authors of "Lords of Chaos" had implied in their writings. They mixed this interpretation with Paganism and Nationalism. Varg Vikernes was seen as "an ideological messiah" by some, although Vikernes had disassociated himself from black metal and his neo-Nazism had nothing to do with that subculture. This led to the rise of National Socialist black metal (NSBM), which Hendrik Möbus of Absurd calls "the logical conclusion" of the Norwegian black metal "movement". Other parts of the scene oppose NSBM as it is "indelibly linked with Asá Trŭ and opposed to Satanism", or look upon Nazism "with vague skepticism and indifference". Members of the NSBM scene, among others, see the Norwegian bands as poseurs whose "ideology is cheap", although they still respect Vikernes and Burzum, whom Grand Belial's Key vocalist Richard Mills called "the only Norwegian band that remains unapologetic and literally convicted of his beliefs."


title: Black metal

text: In France, besides Les Légions Noires (The Black Legions), an NSBM scene arose. Members of French band Funeral desecrated a grave in Toulon in June 1996, and a 19-year-old black metal fan stabbed a priest to death in Mulhouse on Christmas Eve 1996. According to MkM of Antaeus and Aosoth, the early French scene "was quite easy to divide: either you were NSBM, and you had the support from zine and the audience, or you were part of the black legions, and you had that 'cult' aura", whereas his band Antaeus, not belonging to either of these sub-scenes, "did not fit anywhere." Many French bands, like Deathspell Omega and Aosoth, have an avantgarde approach and a disharmonic sound that is representative of that scene.


title: Black metal

text: The early American black metal bands remained underground. Some of them—like Grand Belial's Key and Judas Iscariot—joined an international NSBM organization called the Pagan Front, although Judas Iscariot's sole member Akhenaten left the organization. Other bands like Averse Sefira never had any link with Nazism. The US bands have no common style. Many were musically inspired by Burzum but did not necessarily adopt Vikernes's ideas. Profanatica's music is close to death metal, while Demoncy were accused of ripping off Gorgoroth riffs. There also emerged bands like Xasthur and Leviathan (whose music is inspired by Burzum and whose lyrics focus on topics such as depression and suicide), Nachtmystium, Krallice, Wolves in the Throne Room (a band linked to the crust punk scene and the environmental movement), and Liturgy (the style of whom frontwoman Hunter Hunt-Hendrix describes as 'transcendental black metal'). These bands eschew black metal's traditional lyrical content for "something more Whitman-esque" and have been rejected by some traditional black-metallers for their ideologies and the post-rock and shoegazing influences some of them have adopted. Also, some bands like Agalloch started to incorporate "doom and folk elements into the traditional blast-beat and tremolo-picking of the Scandinavian incarnation", a style that later became known as "Cascadian black metal", in reference to the region where it emerged.


title: Black metal

text: In Australia, a scene led by bands like Deströyer 666, Vomitor, Hobbs' Angel of Death, Nocturnal Graves and Gospel of the Horns arose. This scene's typical style is a mixture of old school black metal and raw thrash metal influenced by old Celtic Frost, Bathory, Venom, and Sodom but also with its own elements.


title: Black metal

text: Melechesh was formed in Jerusalem in 1993, "the first overtly anti-Christian band to exist in one of the holiest cities in the world". Melechesh began as a straightforward black metal act with their first foray into folk metal occurring on their 1996 EP "The Siege of Lachish". Their subsequent albums straddled black, death, and thrash metal. Another band, Arallu, was formed in the late 1990s and has relationships with Melechesh and Salem. Melechesh and Arallu perform a style they call "Mesopotamian Black Metal", a blend of black metal and Mesopotamian folk music.


title: Black metal

text: Since the 2000s, a number of anti-Islamic and anti-religious black metal bands—whose members come from Muslim backgrounds—have emerged in the Middle East. Janaza, believed to be Iraq's first female black metal artist, released the demo "Burning Quran Ceremony" in 2010. Its frontwoman, Anahita, claimed her parents and brother were killed by a suicide bomb during the Iraq War. Another Iraqi band, Seeds of Iblis, also fronted by Anahita, released their debut EP "Jihad Against Islam" in 2011 through French label Legion of Death. Metal news website Metalluminati suggests that their claims of being based in Iraq are a hoax. These bands, along with Tadnees (from Saudi Arabia), Halla (from Iran), False Allah (from Bahrain), and Mosque of Satan (from Lebanon), style themselves as the "Arabic Anti-Islamic Legion." Another Lebanese band, Ayat, drew much attention with their debut album "Six Years of Dormant Hatred", released through North American label Moribund Records in 2008. Some European bands have also begun expressing anti-Islamic views, most notably the Norwegian band Taake.


title: Black metal

text: Regarding the sound of black metal, there are two conflicting groups within the genre: "those that stay true to the genre's roots, and those that introduce progressive elements". The former believe that the music should always be minimalist—performed only with the standard guitar-bass-drums setup and recorded in a low fidelity style. One supporter of this train of thought is Blake Judd of Nachtmystium, who has rejected labeling his band black metal for its departure from the genre's typical sound. Snorre Ruch of Thorns, on the other hand, has said that modern black metal is "too narrow" and believes that this was "not the idea at the beginning".


title: Black metal

text: Since the 1990s, different styles of black metal have emerged and some have melded Norwegian-style black metal with other genres:


title: Black metal

text: Ambient black metal is a style of black metal that relies on heavy incorporation of atmospheric, sometimes dreamy textures, and is therefore less aggressive. It often features synthesizers or classical instrumentation, typically for melody or ethereal "shimmering" over the wall of sound provided by the guitars. The music is usually slow to mid paced with rare blast beat usage, without any abrupt changes and generally features slowly developing, sometimes repetitive melodies and riffs, which separate it from other black metal styles. Subject matter usually concerns nature, folklore, mythology, and personal introspection. Artists include Agalloch and Wolves in the Throne Room.


title: Black metal

text: Black-doom, also known as blackened doom, is a style that combines the slowness and thicker, bassier sound of doom metal with the shrieking vocals and heavily distorted guitar sound of black metal. Black-doom bands maintain the Satanic ideology associated with black metal, while melding it with moodier themes more related to doom metal, like depression, nihilism and nature. They also use the slower pace of doom metal in order to emphasize the harsh atmosphere present in black metal. Examples of black-doom bands include Barathrum, Forgotten Tomb, Woods of Ypres, Deinonychus, Shining, Nortt, Bethlehem, early Katatonia, Tiamat, Dolorian, and October Tide.


title: Black metal

text: Pioneered by black-doom bands like Ophthalamia, Katatonia, Bethlehem, Forgotten Tomb and Shining, depressive suicidal black metal, also known as suicidal black metal, depressive black metal or DSBM, is a style that melds the second wave-style of black metal with doom metal, with lyrics revolving around themes such as depression, self-harm, misanthropy, suicide and death. DSBM bands draws the lo-fi recording and highly distorted guitars of black metal, while employing the usage of acoustic instruments and non-distorted electric guitar's timbres present in doom metal, interchanging the slower, doom-like, sections with faster tremolo picking. Vocals are usually high-pitched like in black metal, but lacking of energy, simulating feelings like hopelessness, desperation and plea. The presence of one-man bands is more prominent in this genre compared to others. Examples of bands include Xasthur, Leviathan, Strid, Silencer, Make a Change… Kill Yourself, Lifelover and I Shalt Become.


title: Black metal

text: Black 'n' roll is a style of black metal that incorporates elements from 1970s hard rock and rock and roll music. Examples of black 'n' roll bands include Midnight, Kvelertak, Vreid, and Khold. Bands such as Satyricon, Darkthrone, Nachtmystium, Nidingr, Craft, and Sarke also experimented with the genre.


title: Black metal

text: Crust punk groups, such as Antisect, Sacrilege and Anti System took some influence from early black metal bands like Venom, Hellhammer, and Celtic Frost, while Amebix's lead vocalist and guitarist sent his band's early demo tape to Cronos of Venom, who replied by saying "We'll rip you off." Similarly, Bathory was initially inspired by crust punk as well as heavy metal. Crust punk was affected by a second wave of black metal in the 1990s, with some bands emphasizing these black metal elements. Iskra are probably the most obvious example of second wave black metal-influenced crust punk; Iskra coined their own phrase "blackened crust" to describe their new style. The Japanese group Gallhammer also fused crust punk with black metal while the English band Fukpig has been said to have elements of crust punk, black metal, and grindcore. North Carolina's Young and in the Way have been playing blackened crust since their formation in 2009. In addition, Norwegian band Darkthrone have incorporated crust punk traits in their more recent material. As Daniel Ekeroth wrote in 2008,


title: Black metal

text: Red and anarchist black metal, also known as RABM, is a subgenre that melds black metal with anarchist crust punk, promoting ideologies such as anarchism, environmentalism, or Marxism. RABM was launched by supporters of these and related movements in response to National socialist black metal. Artists labelled RABM include Iskra, Panopticon, Skagos, Storm of Sedition, Not A Cost, and Black Kronstadt.


title: Black metal

text: Blackened death-doom is a genre that combines the slow tempos and monolithic drumming of doom metal, the complex and loud riffage of death metal and the shrieking vocals of black metal. Examples of blackened death-doom bands include Morast, Faustcoven, The Ruins of Beverast, Bölzer, Necros Christos, Harvest Gulgaltha, Dragged into Sunlight, Hands of Thieves, and Soulburn.


title: Black metal

text: Blackened death metal is commonly death metal that incorporates musical, lyrical or ideological elements of black metal, such as an increased use of tremolo picking, anti-Christian or Satanic lyrical themes and chord progressions similar to those used in black metal. Blackened death metal bands are also more likely to wear corpse paint and suits of armour, than bands from other styles of death metal. Lower range guitar tunings, death growls and abrupt tempo changes are common in the genre. Examples of blackened death metal bands are Belphegor, Behemoth, Akercocke, and Sacramentum.


title: Black metal

text: Melodic black-death (also known as blackened melodic death metal or melodic blackened death metal) is a genre of extreme metal that describes the style created when melodic death metal bands began being inspired by black metal and European romanticism. However, unlike most other black metal, this take on the genre incorporated an increased sense of melody and narrative. Some bands who have played this style include Dissection, Sacramentum, Naglfar, God Dethroned, Dawn, Unanimated, Thulcandra, Skeletonwitch and Cardinal Sin.


title: Black metal

text: War metal (also known as war black metal or bestial black metal) is an aggressive, cacophonous, and chaotic subgenre of blackened death metal, described by Rock Hard journalist Wolf-Rüdiger Mühlmann as "rabid" and "hammering". Important influences include early black and death metal bands, such as Sodom, Possessed, Autopsy, Sarcófago, and the first two Sepultura releases, as well as seminal grindcore acts like Repulsion. War metal bands include Blasphemy, Archgoat, Impiety, and Bestial Warlust.


title: Black metal

text: Blackened grindcore is a fusion genre that combines elements of black metal and grindcore. Notable bands include Anaal Nathrakh and early Rotting Christ.


title: Black metal

text: Blackened thrash metal, also known as black-thrash, is a fusion genre that combines elements of black metal and thrash metal. Being considered one of the first fusions of extreme metal, it was inspired by bands such as Venom, Sodom, and Sarcófago. Notable bands include Aura Noir, Witchery, Black Fast, Sathanas, and Deströyer 666.


title: Black metal

text: Folk black metal, pagan metal and Viking metal are styles that incorporates elements of folk music, with pagan metal bands focusing on pagan lyrics and imagery, and Viking metal bands giving thematic focus on Norse mythology, Norse paganism, and the Viking Age, more influenced by Nordic folk music. While not focused on Satanism, the bands' use of ancient folklore and mythologies still express anti-Christian views, with folk black metal doing it as part of a "rebellion to the status quo", that developed concurrently along with the rise of folk metal in Europe in the 1990s, Notable artist include Negură Bunget, Windir, Primordial, In the Woods..., Cruachan, and Bathory, to whose albums "Blood Fire Death" (1988) and "Hammerheart" (1990) the origin of Viking metal can be traced.


title: Black metal

text: Industrial black metal is a style of black metal that incorporates elements of industrial music. Mysticum, formed in 1991, was the first of these groups. DHG (Dødheimsgard), Thorns from Norway and Blut Aus Nord, N.K.V.D. and Blacklodge from France, have been acclaimed for their incorporation of industrial elements. Other industrial black metal musicians include Samael, The Axis of Perdition, Aborym, and ...And Oceans. In addition, The Kovenant, Mortiis and Ulver emerged from the Norwegian black metal scene, but later chose to experiment with industrial music.


title: Black metal

text: Post-black metal is an umbrella term for genres that experiment beyond black metal's conventions and broaden their sounds, evolving past the genre's limits. Notable bands include Myrkur, Alcest, Bosse-de-Nage, and Wildernessking.


title: Black metal

text: Blackgaze incorporates common black metal and post-black metal elements such as blast beat drumming and high-pitched screamed vocals with the melodic and heavily distorted guitar styles typically associated with shoegazing. It is associated with bands such as Deafheaven, Alcest, Vaura, Amesoeurs, Bosse-de-Nage, Oathbreaker, and Fen.


title: Black metal

text: National Socialist black metal (also known as NSBM) is a subgenre that promotes neo-Nazi or similar beliefs through its lyrics and imagery. Artists typically meld neo-Nazi ideology with ethnic European paganism, but a few meld these beliefs with Satanism or occultism. Some commentators see this ideology as a natural development of the black metal worldview. Members of the early Norwegian scene flirted with Nazi themes, but this was largely an attempt to provoke. Varg Vikernes—who now refers to his ideology as 'Odalism'—is credited with popularizing such views within the scene. NSBM emerged in the mid-1990s and was spearheaded by artists such as Absurd (from Germany), Graveland, Infernum, and Veles (from Poland), and Grand Belial's Key (from the US). It is particularly strong in the former Eastern Bloc.


title: Black metal

text: Psychedelic black metal is a subgenre of black metal which employs the usage of psychedelic elements. Notable acts include Oranssi Pazuzu, Nachtmystium, Deafheaven, Woe, Amesoeurs, and In the Woods...


title: Black metal

text: Raw black metal is a subgenre that seeks to amplify the primitive qualities of the second wave of black metal, by giving priority to its lo-fi production values. To achieve this, bands under this style usually emphasize the usage of higher-pitches in their guitar sound and vocals, while employing techniques such as tremolo picking and blast beats more often. Its imagery is often associated with dystopic and minimalistic tendencies. Notable bands include Gorgoroth, Darkthrone, Satyricon, Bathory and Burzum.


title: Black metal

text: Symphonic black metal is a style of black metal that incorporates symphonic and orchestral elements. This may include the usage of instruments found in symphony orchestras (piano, violin, cello, flute and keyboards), "clean" or operatic vocals and guitars with less distortion.


title: Black metal

text: Unblack metal (or Christian black metal) is a subgenre that promotes Christianity through its lyrics and imagery. The first unblack metal record, "Hellig Usvart" (1994) by Australian artist Horde, was a provocative parody of Norwegian black metal. It sparked controversy, and death threats were issued against Horde. Norwegian unblack metal band Antestor was originally formed as a death/doom band bearing a different name, Crush Evil.


title: Black metal

text: Unlike other metal genres, black metal is associated with an ideology and ethos. It is fiercely opposed to Christianity and the other main institutional religions, Islam and Judaism. Many black metal bands are Satanists and see Satanism as a key part of black metal. Others advocate ethnic Paganism, "often coupled with nationalism", although the early Pagan bands did not call themselves 'black metal'.


title: Black metal

text: Black metal tends to be misanthropic and hostile to modern society. It is "a reaction against the mundanity, insincerity and emotional emptiness that participants feel is intrinsic to modern secular culture". The black metal scene tends to oppose political correctness, humanitarianism, consumerism, globalization and homogeneity. Aaron Weaver from Wolves in the Throne Room said: "I think that black metal is an artistic movement that is critiquing modernity on a fundamental level, saying that the modern world view is missing something". As part of this, some parts of the scene glorify nature and have a fascination with the distant past. Black metal has been likened to Romanticism and there is an undercurrent of romantic nationalism in the genre. Sam Dunn noted that "unlike any other heavy metal scene, the culture and the place is incorporated into the music and imagery". Individualism is also an important part of black metal, with Fenriz of Darkthrone describing black metal as "individualism above all". Unlike other kinds of metal, black metal has numerous one-man bands. However, it is argued that followers of Euronymous were anti-individualistic, and that "Black Metal is characterized by a conflict between radical individualism and group identity and by an attempt to accept both polarities simultaneously".


title: Black metal

text: In his master's thesis, Benjamin Hedge Olson wrote that some artists can be seen as transcendentalists. Dissatisfied with a "world that they feel is devoid of spiritual and cultural significance", they try to leave or "transcend" their "mundane physical forms" and become one with the divine. This is done through their concerts, which he describes as "musical rituals" that involve self-mortification and taking on an alternative, "spiritual persona" (for example by the wearing of costume and face paint).


title: Black metal

text: Black metal was originally a term for extreme metal bands with Satanic lyrics and imagery. However, most of the 'first wave' bands (including Venom, who coined the term 'black metal') were not Satanists and rather used Satanic themes to provoke controversy or gain attention. One of the few exceptions was Mercyful Fate singer and Church of Satan member King Diamond, whom Michael Moynihan calls "one of the only performers of the '80s Satanic metal who was more than just a poseur using a devilish image for shock value".


title: Black metal

text: In the early 1990s, many Norwegian black-metallers presented themselves as genuine Devil worshippers. Mayhem's Euronymous was the key figure behind this. They attacked the Church of Satan for its "freedom and life-loving" views; the theistic Satanism they espoused was an inversion of Christianity. Benjamin Hedge Olson wrote that they "transform[ed] Venom's quasi-Satanic stage theatrics into a form of cultural expression unique from other forms of metal or Satanism" and "abandoned the mundane identities and ambitions of other forms of metal in favor of religious and ideological fanaticism". Some prominent scene members—such as Euronymous and Faust—stated that only bands who are Satanists can be called 'black metal'. Bands with a Norwegian style, but without Satanic lyrics, tended to use other names for their music. This view is still held by many artists—such as Infernus, Arioch, Nornagest and Erik Danielsson. Some bands, like the reformed Dissection and Watain, insist that all members must be of the same Satanic belief, whereas Michael Ford of Black Funeral and MkM of Antaeus believe black metal must be Satanic but not all band members need to be Satanists. Others—such as Jan Axel Blomberg, Sigurd Wongraven and Eric Horner—believe that black metal does not need to be Satanic. An article in Metalion's "Slayer" fanzine attacked musicians that "care more about their guitars than the actual essence onto which the whole concept was and is based upon", and insisted that "the music itself doesn't come as the first priority". Bands with a similar style but with Pagan lyrics tend to be referred to as 'Pagan Metal' by many 'purist' black-metallers.


title: Black metal

text: Others shun Satanism, seeing it as Christian or "Judeo-Christian" in origin, and regard Satanists as perpetuating the "Judeo-Christian" worldview. Quorthon of Bathory said he used 'Satan' to provoke and attack Christianity. However, with his third and fourth albums, "Under the Sign of the Black Mark" and "Blood Fire Death", he began "attacking Christianity from a different angle", realizing that Satanism is a "Christian product". Nevertheless, some artists use Satan as a symbol or metaphor for their beliefs, such as LaVeyan Satanists (who are atheist). Vocalist Gaahl, who considers himself a Norse Shaman, said: "We use the word 'Satanist' because it is Christian world and we have to speak their language ... When I use the word 'Satan', it means the natural order, the will of a man, the will to grow, the will to become the superman". Varg Vikernes called himself a Satanist in early interviews but "now downplays his former interest in Satanism", saying he was using Satan as a symbol for Odin as the 'adversary' of the Christian God. He saw Satanism as "an introduction to more indigenous heathen beliefs". Some bands such as Carach Angren, Immortal and Enslaved do not have Satanic lyrics.


title: Black metal

text: Many black-metallers see "Christian black metal" as an oxymoron and believe black metal cannot be Christian. In fact, the early unblack metal groups Horde and Antestor refused to call their music "black metal" because they did not share its ethos. Horde called its music "holy unblack metal" and Antestor called theirs "sorrow metal". Horde's Jayson Sherlock later said "I will never understand why Christians think they can play Black Metal. I really don't think they understand what true Black Metal is". However, current unblack metal bands such as Crimson Moonlight feel that black metal has changed from an ideological movement to a purely musical genre, and thus call their music 'black metal'.


title: Black metal

text: Black metal has a long tradition of environmentalism. Groups such as Botanist and Wolves in the Throne Room have been described as exemplifying radical environmentalism.


title: Black metal

text: A wide range of political views are found in the black metal scene. The vast majority of black metal bands are apolitical.


title: Black metal

text: Albeit a small minority within the genre, Neo-Nazi artists have gained some notoriety throughout the years. While some black metal fans boycott Neo-Nazi artists, many are indifferent or appreciate the music without supporting the musicians, but overall Neo-Nazism has been criticized by some prominent and influential black metal artists—including Jon Nödtveidt, Gorgoroth, Dark Funeral, Richard Lederer, Michael Ford, and Arkhon Infaustus. Some liken Nazism to Christianity by arguing that both are authoritarian, collectivist, and a "herd mentality". Olson writes that the shunning of Nazism by some black-metallers "has nothing to do with notions of a 'universal humanity' or a rejection of hate" but that Nazism is shunned "because its hatred is too specific and exclusive".


title: Black metal

text: Some time later, a movement promoting Marxist and anarchist ideas was born in the genre, mostly as a reaction to neo-Nazi movements. Others with similar outlook, such as Wolves in the Throne Room, are not overtly political and do not endorse the label.


title: Khyber Pakhtunkhwa

text: Khyber Pakhtunkhwa (; ; Urdu, Hindko: خیبر پختونخوا) commonly abbreviated as KP or KPK, is one of the four provinces of Pakistan. Located in the northwestern region of the country, Khyber Pakhtunkhwa is the smallest province of Pakistan by land area and the third-largest province by population after Punjab and Sindh. It shares land borders with the Pakistani provinces of Balochistan to the south, Punjab to the south-east and province of Gilgit-Baltistan to the north and north-east, as well as Islamabad Capital Territory to the east, Autonomous Territory of Azad Jammu and Kashmir to the north-east. It shares an international border with Afghanistan to the west. Khyber Pakhtunkhwa is known as a tourist hot spot for adventurers and explorers and has a varied landscape ranging from rugged mountain ranges, valleys, plains surrounded by hills, undulating submontane areas and dense agricultural farms.


title: Khyber Pakhtunkhwa

text: While it is the third-largest Pakistani province in terms of both its population and its economy, it is geographically the smallest. The province is home to 17.9 percent of Pakistan's total population, with the majority of its inhabitants being Pashtuns. Within Pakistan, K. Pakhtunkhwa borders Punjab, Balochistan, the Islamabad Capital Territory, and the Pakistani-administered territories of Gilgit–Baltistan and Azad Jammu and Kashmir.


title: Khyber Pakhtunkhwa

text: Once a stronghold of Buddhism, Khyber Pakhtunkhwa is the site of the ancient region of Gandhara, including the ruins of the Gandharan capital of Pushkalavati (located near modern-day Charsadda). The region's history is characterized by frequent invasions by various empires, largely due to its geographical proximity to the historically important Khyber Pass.


title: Khyber Pakhtunkhwa

text: Although it is colloquially known by a variety of other names, the name "Khyber Pakhtunkhwa" was brought into effect for the North-West Frontier Province in April 2010, following the passing of the 18th Constitutional Amendment. On 2 March 2017, the Pakistani government considered a proposal for a merger of the adjoining Federally Administered Tribal Areas (FATA) with Khyber Pakhtunkhwa as well as a repealing of the Frontier Crimes Regulation, which Pakistan had inherited following the partition of British India in 1947. However, some political parties opposed the merger, and instead called for the FATA to be reorganized as a separate province. However, on 24 May 2018, the National Assembly of Pakistan voted in favour of the 25th Constitutional Amendment, which would merge the FATA as well as the Provincially Administered Tribal Areas with Khyber Pakhtunkhwa. The Provincial Assembly of Khyber Pakhtunkhwa subsequently approved the bill on 28 May 2018; it was signed into law on 31 May by erstwhile Pakistani president Mamnoon Hussain, which officially completed the administrative merger process.


title: Khyber Pakhtunkhwa

text: "Khyber Pakhtunkhwa" means the "Khyber side of the land of the Pashtuns," where the word "Pakhtunkhwa" means "Land of the Pashtuns", while according to some scholars, it refers to "Pashtun culture and society".


title: Khyber Pakhtunkhwa

text: When the British established it as a province, they called it "North West Frontier Province" (abbreviated as NWFP) until 2010 due to its relative location being in the northwest of their Indian Empire. After the creation of Pakistan, Pakistan continued with this name but a Pashtun nationalist party, Awami National Party demanded that the province name be changed to "Pakhtunkhwa". Their logic behind that demand was that Punjabi people, Sindhi people and Baloch people have their provinces named after their ethnicities but that is not the case for Pashtun people.


title: Khyber Pakhtunkhwa

text: Pakistan Muslim League (N) was against that name since it was too similar to Bacha Khan's demand of a separate nation of Pashtunistan. PML-N wanted to name the province something other than which does not carry Pashtun identity in it as they argued that there were other minor ethnicities living in the province especially Hindkowans who spoke Hindko, thus the word "Khyber" was introduced with the name because it is the name of a major pass which connects Pakistan to Afghanistan.


title: Khyber Pakhtunkhwa

text: During the period of Indus Valley civilization (3300 BCE – 1300 BCE) the modern Khyber Pakhtunkhwa's Khyber Pass, through Hindu Kush provided a route to other neighboring regions and was used by merchants on trade excursions. From 1500 BCE, Indo-Iranian peoples started to enter in the region from modern Afghanistan after having passed the Khyber Pass.


title: Khyber Pakhtunkhwa

text: The Gandharan civilization, which reached its zenith between the sixth and first centuries BCE, and which features prominently in the Hindu epic poem "Mahabharata", had one of its cores over the modern Khyber Pakhtunkhwa province.


title: Khyber Pakhtunkhwa

text: Vedic texts refer to the area as the province of Pushkalavati. The area was once known to be a great center of learning.


title: Khyber Pakhtunkhwa

text: At around 516 BCE., Darius Hystaspes sent Scylax, a Greek seaman from Karyanda, to explore the course of the Indus river. Darius Hystaspes subsequently subdued the peoples dwelling west of the Indus Valley and north of Kabul. Gandhara was incorporated into the Persian Empire as one of its far easternmost satrapy system of government. The satrapy of Gandhara is recorded to have sent troops for Xerxes' invasion of Greece in 480 BCE.


title: Khyber Pakhtunkhwa

text: In the spring of 327 BCE, Alexander the Great crossed the Indian Caucasus (Hindu Kush) and advanced to Nicaea, where Omphis, king of Taxila and other chiefs joined him. Alexander then dispatched part of his force through the valley of the Kabul River, while he himself advanced into modern Khyber Pakhtunkhwa's Bajaur and Swat regions with his troops. Having defeated the Aspasians, from whom he took 40,000 prisoners and 230,000 oxen, Alexander crossed the Gouraios (Panjkora River) and entered into the territory of the Assakenoi – also in modern-day Khyber Pakhtunkhwa. Alexander then made Embolima (thought to be the region of Amb in Khyber Pakhtunkhwa) his base. The ancient region of Peukelaotis (modern Hashtnagar, north-west of Peshawar) submitted to the Greek invasion, leading to Nicanor, a Macedonian, being appointed satrap of the country west of the Indus, which includes the modern Khyber Pakhtunkhwa province.


title: Khyber Pakhtunkhwa

text: Mauryan rule began with Chandragupta Maurya displacing the Nanda Empire, establishing the Mauryan Empire. A while after, Alexander's general Seleucus had attempted to once again invade the subcontinent from the Khyber pass hoping to take lands that Alexander had conquered, but never fully absorbed into this empire. Seleucus was defeated and the lands of Aria, Arachosia, Gandhara, and Gedrosia were ceded to the Mauryans in exchange for a matrimonial alliance and 500 elephants. With the defeat of the Greeks, the land was once more under Hindu rule. Chandragupta's son Bindusara further expanded the empire. However, it was Chandragupta's grandson Ashoka, who converted to Buddhism and made it the official state religion in Gandhara and also Pakhli, the modern Hazara, as evidenced by rock-inscriptions at Shahbazgarhi and Mansehra.


title: Khyber Pakhtunkhwa

text: After Ashoka's death the Mauryan empire fell to pieces, just as in the west the Seleucid power was waning. The Greek princes of Bactria seized the opportunity for declaring their independence, and Demetrius conquered part of Northern India (c. 190 BC). His absence led to a revolt by Eucratides, who seized on Bactria proper and finally defeated Demetrius in his eastern possessions. Eucratides was, however, murdered (c. 156 BC), and the country became subject to a number of local rulers, of whom little is known but the names laboriously gathered from their coins. The area was attacked from the west by the Parthians and the north by the Sakas, a Central Asian tribe around 139 B.C. Local Greek rulers still exercised a feeble and precarious power along the borderland, but the last vestige of the Greco-Indian rulers were finished by a people known to the old Chinese as the Yeuh-Chi.


title: Khyber Pakhtunkhwa

text: This race of nomads had driven the Sakas from the highlands of Central Asia, and were themselves forced southwards by the nomadic Xiongnu. One group, known as the Kushan, took the lead, and its chief, Kadphises I, seized vast territories extending south to the Kabul valley. His son Kadphises II conquered North-Western India, which he governed through his generals. His immediate successors were the fabled Hindu kings: Kanishka, Huvishka, and Vasushka or Vasudeva, of whom the first reigned over a territory which extended as far east as Benares, far south as Malwa, and also including Bactria and the Kabul valley. Their dates are still a matter of dispute, but it is beyond question that they reigned early in the Christian era. To this period may be ascribed the fine statues and bas-reliefs found in Gandhara and Udyana. Under Huvishka's successor, Vasushka, the dominions of the Kushan kings shrank to the Indus valley and the modern Afghanistan.


title: Khyber Pakhtunkhwa

text: After the Saffarids had left in Kabul, the Hindu Shahis had once again been placed into power. The restored Hindu Shahi kingdom was founded by the Brahmin minister Kallar in 843 CE. Kallar had moved the capital into Udabandhapura in modern-day Khyber Pakhtunkhwa from Kabul. Trade had flourished and many gems, textiles, perfumes, and other goods had been exported West. Coins minted by the Shahis have been found all over the Indian subcontinent. The Shahis had built Hindu temples with many idols, all of which were later looted by invaders. The ruins of these temples can be found at Nandana, Malot, Siv Ganga, and Ketas, as well as across the west bank of the Indus river.


title: Khyber Pakhtunkhwa

text: At its height, King Jayapala, the rule of the Shahi kingdom had extended to Kabul from the West, Bajaur to the North, Multan to the South, and the present-day India-Pakistan border to the East. Jayapala saw a danger from the rise to power of the Ghaznavids and invaded their capital city of Ghazni both in the reign of Sebuktigin and in that of his son Mahmud. This had initiated the Muslim Ghaznavid and Hindu Shahi struggles. Sebuktigin, however, defeated him and forced Jayapala to pay an indemnity. Eventually, Jayapala refused payment and took to war once more. The Shahis were decisively defeated by Mahmud of Ghazni after the defeat of Jayapala at the Battle of Peshawar on 27 November 1001. Over time, Mahmud of Ghazni had pushed further into the subcontinent, as far as east as modern-day Agra. During his campaigns, many Hindu temples and Buddhist monasteries had been looted and destroyed, as well as many people being converted to Islam.


title: Khyber Pakhtunkhwa

text: Following the collapse of Ghaznavid rule, local Pashtuns of the Delhi Sultanate controlled the region.


title: Khyber Pakhtunkhwa

text: Several Turkic and Pashtun dynasties ruled from Delhi, having shifted their capital from Lahore to Delhi. Several Muslim dynasties ruled modern Khyber Pakhtunkhwa during the Delhi Sultanate period: the Mamluk dynasty (1206–90), the Khalji dynasty (1290–1320), the Tughlaq dynasty (1320–1413), the Sayyid dynasty (1414–51), and the Lodi dynasty (1451–1526).


title: Khyber Pakhtunkhwa

text: Yusufzai Pashtun tribes from the Kabul and Jalalabad valleys began migrating to the Valley of Peshawar beginning in the 15th century, and displaced the Swatis of the Bhittani confederation (a predominant Pashtun tribe of Hazara div) and Dilazak Pashtun tribes across the Indus River to Hazara Division.


title: Khyber Pakhtunkhwa

text: Mughal suzerainty over the Khyber Pakhtunkhwa region was partially established after Babar, the founder of the Mughal Empire, invaded the region in 1505 CE via the Khyber Pass. The Mughal Empire noted the importance of the region as a weak point in their empire's defenses, and determined to hold Peshawar and Kabul at all cost against any threats from the Uzbek "Shaybanids".


title: Khyber Pakhtunkhwa

text: He was forced to retreat westwards to Kabul but returned to defeat the Lodis in July 1526, when he captured Peshawar from Daulat Khan Lodi, though the region was never considered to be fully subjugated to the Mughals.


title: Khyber Pakhtunkhwa

text: Under the reign of Babar's son, Humayun, a direct Mughal rule was briefly challenged with the rise of the Pashtun Emperor, Sher Shah Suri, who began construction of the famous Grand Trunk Road – which links Kabul, Afghanistan with Chittagong, Bangladesh over 2000 miles to the east. Later, local rulers once again pledged loyalty to the Mughal emperor.


title: Khyber Pakhtunkhwa

text: Yusufzai tribes rose against Mughals during the Yusufzai Revolt of 1667, and engaged in pitched-battles with Mughal battalions in Peshawar and Attock. Afridi tribes resisted Aurangzeb rule during the Afridi Revolt of the 1670s. The Afridis massacred a Mughal battalion in the Khyber Pass in 1672 and shut the pass to lucrative trade routes. Following another massacre in the winter of 1673, Mughal armies led by Emperor Aurangzeb himself regained control of the entire area in 1674, and enticed tribal leaders with various awards in order to end the rebellion.


title: Khyber Pakhtunkhwa

text: Referred to as the "Father of Pashto Literature" and hailing from the city of Akora Khattak, the warrior-poet Khushal Khan Khattak actively participated in the revolt against the Mughals and became renowned for his poems that celebrated the rebellious Pashtun warriors.


title: Khyber Pakhtunkhwa

text: On 18 November 1738, Peshawar was captured from the Mughal governor Nawab Nasir Khan by the Afsharid armies during the Persian invasion of the Mughal Empire under Nader Shah.


title: Khyber Pakhtunkhwa

text: The area fell subsequently under the rule of Ahmad Shah Durrani, founder of the Afghan Durrani Empire, following a grand nine-day long assembly of leaders, known as the "loya jirga". In 1749, the Mughal ruler was induced to cede Sindh, the Punjab region and the important trans Indus River to Ahmad Shah in order to save his capital from Afghan attack. In short order, the powerful army brought under its control the Tajik, Hazara, Uzbek, Turkmen, and other tribes of northern Afghanistan. Ahmad Shah invaded the remnants of the Mughal Empire a third time, and then a fourth, consolidating control over the Kashmir and Punjab regions, with Lahore being governed by Afghans. In 1757, he captured Delhi and sacked Mathura, but permitted the Mughal dynasty to remain in nominal control of the city as long as the ruler acknowledged Ahmad Shah's suzerainty over Punjab, Sindh, and Kashmir. Leaving his second son Timur Shah to safeguard his interests, Ahmad Shah left India to return to Afghanistan.


title: Khyber Pakhtunkhwa

text: Their rule was interrupted by a brief invasion of the Hindu Marathas, who ruled over the region following the 1758 Battle of Peshawar for eleven months till early 1759 when the Durrani rule was re-established.


title: Khyber Pakhtunkhwa

text: Under the reign of Timur Shah, the Mughal practice of using Kabul as a summer capital and Peshawar as a winter capital was reintroduced, Peshawar's Bala Hissar Fort served as the residence of Durrani kings during their winter stay in Peshawar.


title: Khyber Pakhtunkhwa

text: Mahmud Shah Durrani became king, and quickly sought to seize Peshawar from his half-brother, Shah Shujah Durrani. Shah Shujah was then himself proclaimed king in 1803, and recaptured Peshawar while Mahmud Shah was imprisoned at Bala Hissar fort until his eventual escape. In 1809, the British sent an emissary to the court of Shah Shujah in Peshawar, marking the first diplomatic meeting between the British and Afghans. Mahmud Shah allied himself with the "Barakzai" Pashtuns, and amassed an army in 1809, and captured Peshawar from his half-brother, Shah Shujah, establishing Mahmud Shah's second reign, which lasted under 1818.


title: Khyber Pakhtunkhwa

text: Ranjit Singh invaded Peshawar in 1818 and captured it from the Afghan Empire. The Sikh Empire based in Lahore did not immediately secure direct control of the Peshawar region, but rather paid nominal tribute to Jehandad Khan of Khattak, who was nominated by Ranjit Singh to be ruler of the region.


title: Khyber Pakhtunkhwa

text: After Ranjit Singh's departure from the region, Khattak's rule was undermined and power seized by Yar Muhammad Khan. In 1823, Ranjit Singh returned to capture Peshawar, and was met by the armies of Azim Khan at Nowshera. Following the Sikh victory at the Battle of Nowshera, Ranjit Singh re-captured Peshawar. Rather than re-appointing Jehandad Khan of Khattak, Ranjit Singh selected Yar Muhammad Khan to once again rule the region.


title: Khyber Pakhtunkhwa

text: The Sikh Empire annexed the Khyber Pakhtunkhwa region following advances from the armies of Hari Singh Nalwa. An 1835 attempt by Dost Muhammad Khan to re-occupy Peshawar failed when his army declined to engage in combat with the Dal Khalsa. Dost Muhammad Khan's son, Mohammad Akbar Khan engaged with Sikh forces the Battle of Jamrud of 1837, and failed to recapture it.


title: Khyber Pakhtunkhwa

text: During Sikh rule, an Italian named Paolo Avitabile was appointed an administrator of Peshawar, and is remembered for having unleashed a reign of fear there. The city's famous Mahabat Khan, built in 1630 in the Jeweler's Bazaar, was badly damaged and desecrated by the Sikhs, who also rebuilt the Bala Hissar fort during their occupation of Peshawar.


title: Khyber Pakhtunkhwa

text: British East India Company defeated the Sikhs during the Second Anglo-Sikh War in 1849, and incorporated small parts of the region into the Province of Punjab. While Peshawar was the site of a small revolt against British during the Mutiny of 1857, local Pashtun tribes throughout the region generally remained neutral or supportive of the British as they detested the Sikhs, in contrast to other parts of British India which rose up in revolt against the British. However, British control of parts of the region was routinely challenged by Wazir tribesmen in Waziristan and other Pashtun tribes, who resisted any foreign occupation until Pakistan was created. By the late 19th century, the official boundaries of Khyber Pakhtunkhwa region still had not been defined as the region was still claimed by the Kingdom of Afghanistan. It was only in 1893 The British demarcated the boundary with Afghanistan under a treaty agreed to by the Afghan king, Abdur Rahman Khan, following the Second Anglo-Afghan War. Several princely states within the boundaries of the region were allowed to maintain their autonomy under the terms of maintaining friendly ties with the British. As the British war effort during World War One demanded the reallocation of resources from British India to the European war fronts, some tribesmen from Afghanistan crossed the Durand Line in 1917 to attack British posts in an attempt to gain territory and weaken the legitimacy of the border. The validity of the Durand Line, however, was re-affirmed in 1919 by the Afghan government with the signing of the Treaty of Rawalpindi, which ended the Third Anglo-Afghan War – a war in which Waziri tribesmen allied themselves with the forces of Afghanistan's King Amanullah in their resistance to British rule. The Wazirs and other tribes, taking advantage of instability on the frontier, continued to resist British occupation until 1920 – even after Afghanistan had signed a peace treaty with the British.


title: Khyber Pakhtunkhwa

text: British campaigns to subdue tribesmen along the Durand Line, as well as three Anglo-Afghan wars, made travel between Afghanistan and the densely populated heartlands of Khyber Pakhtunkhwa increasingly difficult. The two regions were largely isolated from one another from the start of the Second Anglo-Afghan War in 1878 until the start of World War II in 1939 when conflict along the Afghan frontier largely dissipated. Concurrently, the British continued their large public works projects in the region, and extended the Great Indian Peninsula Railway into the region, which connected the modern Khyber Pakhtunkhwa region to the plains of India to the east. Other projects, such as the Attock Bridge, Islamia College University, Khyber Railway, and establishment of cantonments in Peshawar, Kohat, Mardan, and Nowshera further cemented British rule in the region. In 1901, the British carved out the northwest portions of Punjab Province to create the Northwest Frontier Province (NWFP), which was renamed "Khyber Pakhtunkhwa" in 2010.


title: Khyber Pakhtunkhwa

text: During this period, North-West Frontier Province was a "scene of repeated outrages on Hindus." During the independence period there was a Congress-led ministry in the province, which was led by secular Pashtun leaders, including Bacha Khan, who preferred joining India instead of Pakistan. The secular Pashtun leadership was also of the view that if joining India was not an option then they should espouse the cause of an independent ethnic Pashtun state rather than Pakistan. The secular stance of Bacha Khan had driven a wedge between the ulama of the otherwise pro-Congress (and pro-Indian unity) Jamiat Ulema Hind (JUH) and Bacha Khan's Khudai Khidmatgars. The directives of the ulama in the province began to take on communal tones. The ulama saw the Hindus in the province as a 'threat' to Muslims. Accusations of molesting Muslim women were levelled at Hindu shopkeepers in Nowshera, a town where anti-Hindu sermons were delivered by maulvis.


title: Khyber Pakhtunkhwa

text: Tensions also rose in 1936 over the abduction of a Hindu girl in Bannu. British Indian court ruled against the marriage of a Hindu-converted Muslim girl at Bannu, after the girl's family filed a case of abduction and forced conversion. The ruling was based on the fact that the girl was a minor and was asked to make her decision of conversion and marriage after she reaches the age of majority, till then she was asked to live with a third party. The verdict enraged the Muslims – especially the Pashtun tribesmen. The Dawar Maliks and mullahs left the Tochi far the Khaisora Valley to the south to rouse the Torikhel Wazir. The enraged tribesmen mustered two large lashkars 10,000 strong and battled the Bannu Brigade, with heavy casualties on both sides. Widespread lawlessness erupted as tribesmen blocked roads, overran outposts and ambushed convoys. The British retaliated by sending two columns converging in the Khaisora river valley. They suppressed the agitation by imposing fines and by destroying the houses of the ringleaders, including that of Haji Mirzali Khan (Faqir of Ipi). However, the pyrrhic nature of the victory and the subsequent withdrawal of the troops was credited by the Wazirs to be a manifestation of the power of Mirzali Khan. He succeeded in inducing a semblance of tribal unity, as the British noticed with dismay, among various sections of Tori Khel Wazirs, the Mahsud and the Bettani. He cemented his position as a religious leader by declaring a "Jihad" against the British. This move also helped rally support from Pashtun tribesmen across the border.


title: Khyber Pakhtunkhwa

text: Such controversies stirred up anti-Hindu sentiments amongst the province's Muslim population. By 1947 the majority of the ulama in the province began supporting the Muslim League's idea of Pakistan.


title: Khyber Pakhtunkhwa

text: In June 1947, Mirzali Khan (Faqir of Ipi), Bacha Khan, and other Khudai Khidmatgars declared the Bannu Resolution, demanding that the Pashtuns be given a choice to have an independent state of Pashtunistan composing all Pashtun majority territories of British India, instead of being made to join the new state of Pakistan. However, the British Raj refused to comply with the demand of this resolution, as their departure from the region required regions under their control to choose either to join India or Pakistan, with no third option.


title: Khyber Pakhtunkhwa

text: By 1947 Pashtun nationalists were advocating for a united India, and no prominent voices advocated for a union with Afghanistan.


title: Khyber Pakhtunkhwa

text: Immediately prior to 1947 Partition of India, the British held a referendum in the NWFP to allow voters to choose between joining India or Pakistan. The polling began on 6 July 1947 and the referendum results were made public on 20 July 1947. According to the official results, there were 572,798 registered voters, out of which 289,244 (99.02%) votes were cast in favor of Pakistan, while 2,874 (0.98%) were cast in favor of India. The Muslim League declared the results as valid since over half of all eligible voters backed the merger with Pakistan.


title: Khyber Pakhtunkhwa

text: The then Chief Minister Dr. Khan Sahib, along with his brother Bacha Khan and the Khudai Khidmatgars, boycotted the referendum, citing that it did not have the options of the NWFP becoming independent or joining Afghanistan.


title: Khyber Pakhtunkhwa

text: Their appeal for boycott had an effect, as according to an estimate, the total turnout for the referendum was 15% lower than the total turnout in the 1946 elections, although over half of all eligible voters backed merger with Pakistan.


title: Khyber Pakhtunkhwa

text: Bacha Khan pledged allegiance to the new state of Pakistan in 1947, and thereafter abandoned his goals of an independent Pashtunistan and a united India in favor of supporting increased autonomy for the NWFP within Pakistan. He was subsequently arrested several times for his opposition to the strong centralized rule. He later claimed that "Pashtunistan was never a reality". The idea of Pashtunistan never helped Pashtuns and it only caused suffering for them. He further claimed that the "successive governments of Afghanistan only exploited the idea for their own political goals".


title: Khyber Pakhtunkhwa

text: After the creation of Pakistan in 1947, Afghanistan was the sole member of the United Nations to vote against Pakistan's accession to the UN because of Kabul's claim to the Pashtun territories on the Pakistani side of the Durand Line.


title: Khyber Pakhtunkhwa

text: Afghanistan's Loya Jirga of 1949 declared the Durand Line invalid, which led to border tensions with Pakistan, and decades of mistrust between the two states. Afghan governments have also periodically refused to recognize Pakistan's inheritance of British treaties regarding the region. As had been agreed to by the Afghan government following the Second Anglo-Afghan War and after the treaty ending Third Anglo-Afghan War, no option was available to cede the territory to the Afghans, even though Afghanistan continued to claim the entire region as it was part of the Durrani Empire prior the conquest of the region by the Sikhs in 1818.


title: Khyber Pakhtunkhwa

text: In 1950, Afghan-backed separatists in the Waziristan region declared the independence of Pashtunistan as an independent nation o dr the entirety of the NWFP. A Pashtun tribal jirga, held in Razmak, Waziristan, appointed Mirzali Khan as the President of the National Assembly for Pashtunistan. His popularity among the people of Waziristan declined over the years. He died a natural death in 1960 in Gurwek, Waziristan.


title: Khyber Pakhtunkhwa

text: The growing participation of Pashtuns in the Pakistani government, however, resulted in the erosion of the support for the secessionist Pashtunistan movement by the end of the 1960s.


title: Khyber Pakhtunkhwa

text: All the princely states within the boundaries of the NWFP were allowed to maintain certain autonomy following independence in 1947, but In 1969, the autonomous princely states of Swat, Dir, Chitral, and Amb were fully merged into the province.


title: Khyber Pakhtunkhwa

text: For travelers, the area remained relatively peaceful in the 1960s and '70s. It was the usual route on the Hippie trail overland from Europe to India, with buses running from Kabul to Peshawar. While waiting to cross at the border visitors were however cautioned not to stray from the main road.


title: Khyber Pakhtunkhwa

text: As a result of the Soviet invasion of Afghanistan in 1979, over five million Afghan refugees poured into Pakistan, mostly choosing to reside in the NWFP (, nearly 3 million remained). The North-West Frontier Province became a base for the Afghan resistance fighters and the Deobandi ulama of the province played a significant role in the Afghan 'jihad', with Madrasa Haqqaniyya becoming a prominent organizational and networking base for the anti-Soviet Afghan fighters. The province remained heavily influenced by events in Afghanistan thereafter. The 1989–1992 Civil war in Afghanistan following the withdrawal of Soviet forces led to the rise of the Afghan Taliban, which had emerged in the border region between Afghanistan, Balochistan, and FATA as a formidable political force.


title: Khyber Pakhtunkhwa

text: In 2010, the province was renamed "Khyber Pakhtunkhwa." Protests arose among the local Hindkowan, Chitrali, Kohistani, and Kalash populations over the name change, as they began to demand their own provinces. The Hindkowans, Kohistanis, and Chitralis are the last remains of ancient Gandhari people and they jointly protested for the preservation of their culture. Seven people were killed and 100 injured in protests on 11April 2011.


title: Khyber Pakhtunkhwa

text: The Awami National Party sought to rename the province "Pakhtunkhwa", which translates to "Land of Pashtuns" in the Pashto language. The name change was largely opposed by non-Pashtuns, and by political parties such as the Pakistan Muslim League-N, who draw much of their support from non-Pashtun regions of the province, and by the Islamist Muttahida Majlis-e-Amal coalition.


title: Khyber Pakhtunkhwa

text: Khyber Pakhtunkhwa has been a site of militancy and terrorism that started after the attacks of 11 September 2001, and intensified when the Pakistani Taliban began an attempt to seize power in Pakistan starting in 2004. Armed conflict began in 2004, when tensions, rooted in the Pakistan Army's search for al-Qaeda fighters in Pakistan's mountainous Waziristan area (in the Federally Administered Tribal Areas), escalated into armed insurgency.


title: Khyber Pakhtunkhwa

text: Fighting is ongoing between the Pakistani Army and armed militant groups such as the Tehrik-i-Taliban Pakistan (TTP), Jundallah, Lashkar-e-Islam (LeI), Tehreek-e-Nafaz-e-Shariat-e-Mohammadi (TNSM), al-Qaeda, and elements of organized crime have led to the deaths of over 50,000 Pakistanis since the country joined the U.S-led War on Terror, with Khyber Pakhtunkhwa being the site of most of the conflict.


title: Khyber Pakhtunkhwa

text: Khyber Pakhtunkhwa is also the main theater for Pakistan's Zarb-e-Azb operation – a broad military campaign against militants located in the province, and neighboring FATA. By 2014, casualty rates in the country as a whole dropped by 40% as compared to 2011–2013, with even greater drops noted in Khyber Pakhtunkhwa, despite the province being the site of a large massacre of schoolchildren by terrorists in December 2014.